diff --git "a/Data/train_list.txt" "b/Data/train_list.txt"
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+++ "b/Data/train_list.txt"
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_6.wav|i mˈɨɕliʃ, ʒˈɛ tɔ sprˈafka mˈɛ̃ʒa?|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_32.wav|ɔkrˈɔ̃ʒɨw jˈɛdnɔ̃ zˈɛ ɕtɕˈan i vˈɨʃɛd z varʃtˈatu.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_54.wav|sɛnˈɛsxal zmʲˈɛɲʲa ɕɛ tsˈɔ rˈɔku.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_130.wav|mˈɔstu zvˌɔdʑɔnˈɛɡɔ za pamjˈɛɲtɕi ʒɨjˈɔntsɨx ɲʲɛ pˌɔdnɔʃˈɔnɔː ˌaɲi rˈazu.|1
+Dataset/wavs/urwisko_ferenc/05_segment_83.wav|ɲˌikɔtˈɨna zˈafʃɛ jˈɔ̃ ˌuspɔkajˈawa. ɕfʲˈad vˈɔkuw vrˈatsaw dɔ nˌɔrmalnˈɔɕtɕi.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_452.wav|mˈɔʒɛʃ mi swˈuʒɨtɕ tˈak, jˈak swuʒˈɨwɛʑ bˌailɔnˈɔvi.|1
+Dataset/wavs/urwisko_ferenc/45_segment_20.wav|bˈɔjɛ ɕɛ pˌɔvʲɛdʑˈawa, kʲˈɛdɨ skɔɲtʃˈɨwa pˈalitɕ i vrutɕˈiwa dɔ sɨpʲˈalɲi. uɕˈadwa na skrˈaju wˈuʃka i pˌɔpatʃˈɨwa w ˈɔtʃɨ pʃˌɨjatɕˈuwki. tʃˈɛɡɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_30.wav|pɔlˈitʃki jɛj bwˈɨʃtʃɔ̃, ɡdˈɨ rɔzɡlˈɔnda ɕɛ na fʃˈɨstkʲɛ strˈɔnɨ. ɔt tʃˈɛɡɔ mˈam zˈatʃɔɲtɕ?|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_216.wav|zˌaprɔpɔnˈujɛ pʃɛjˈɛɲtɕɛ kɔntrˈaktu, kʲˈɛdɨ sˈanxɛz vɨpˈadɲʲɛ z ɡrˈɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_62.wav|ɲʲɛ, ɲʲɛ, tʃˈɛba.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_74.wav|dʑɛŋkˈujɛ, jˈɔɛl.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_194.wav|znˈuf spɔjʒˈawa na mˈapɛ na tˌɛlɛfˈɔɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_54.wav|vʲˈɛm, ɔ ktˌurɨx mˈuviʃ.|2
+Dataset/wavs/urwisko_ferenc/01_segment_37.wav|vrˈas s tɕˈɛpwɛm w nˈɔzdʒa udˈɛʒɨw jˈɔ̃ tɕˈɛ̃ʃki i kfˈaɕnɨ ˈɔdur mˈɔtʃu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_72.wav|dʒˈɔnsɔn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_78.wav|bʲˈillɨ ɔ dʑˈivɔ zatʃˈɨna ɕɛ dˈɔbʒɛ bˈavitɕ, ˌalɛ bˈatʃɲʲɛ pilnˈujɛ, ʒˈɛbɨ tˌɛɡɔ ɲʲɛ ˌɔkazˈɨvatɕ.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_19.wav|pʲˌɛrdɔlˈiwa ɕɛ z lantsˈɛlɛm, ɔsmˈundɛm tsˌattlɛblˈatskʲɛm, a tsˈawkʲɛm mɔʒlˈivɛ, ʒˈɛ rˈuvɲʲɛʃ s kɕˌɛ̃ʒɨtsˈɔvɨm xwˈɔptsɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_28.wav|tˈatsɨ jˈak ɔn zvˈɨklɛ mˌajɔ̃ pistˈɔlɛt lˈub dvˈa.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_361.wav|jɛdˈɨnɛ ˈɔknɔ bˌɨwɔ ɲʲɛvʲˈɛlɛ ʃˈɛrʃɛ ɲˈiʃ stʃɛlɲˈitsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_176.wav|jˈak mˈuɡwbɨ, skˈɔrɔ tɔ prˈavda?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_2.wav|kʲˈɛdɨ tˈɔm zakˈɔɲtʃɨw rɔzmˈɔvɛ s filˈipɔ̃, natˈɨxmʲast pʃɛkˈazaw zˌɛspɔwˈɔvi najnˈɔfʃɛ vʲˈɛɕtɕi.|4
+Dataset/wavs/urwisko_ferenc/39_segment_26.wav|mˈarja stʃɛpnˈɛwa pˈɔpʲuw pɔt nˈɔɡʲi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_60.wav|zamjˈɛʒa pˈaɲi ɔt rˈazu vˈɨjɕtɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_284.wav|pɔ tsˈɔ tɕi tˈɨlɛ pʲɛɲʲˈɛndʑɨ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_18.wav|f tɨm mɔmˈɛɲtɕɛ ɔpˈuʃtʃa dwˈɔɲ. rɔzmˈɔva muɕˈawa zˈɔstadʑ zˌakɔɲtʃˈɔna. tsˈɔ tˈɛras?|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_247.wav|pʃˌɛraʒˈɔna fˈurjɔ̃ w jˈɛɡɔ ɡwˈɔɕɛ.|1
+Dataset/wavs/urwisko_ferenc/46_segment_80.wav|nɔvˈɔtfur, ktˌurɨ ɡˈɔ vɨɲˈiʃtʃaw.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_170.wav|vʲˈɛdʑaw, ʒˈɛ jˈɛɕli tˌɛɡɔ ɲʲɛ zrˈɔbʲi, mwˈɔdɛ, znudʑˈɔnɛ paɲʲˈɔntka zˈatʃnɔ̃ ɕɛ ɕtɕˈiɡatɕ pɔ pˈɔlax, pwˈɔʃɔnts invˈɛntaʃ i tratˈujɔndʑ zbˈɔʒɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_8.wav|ˈɔlman mʲˈaw pˌɔtarɡˈanɨ blˈɔnd vwˈɔsɨ i stɨlˈɔvɨ zˈarɔst. rajˈavi sˈɛɲʲɔr vɨɡlˈɔndaw jˈak stˈarʃa, dˈɔɕtɕ ˌarɔɡˈantska vˈɛrsja sfɔjˈɛɡɔ sˈɨna.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_210.wav|dɔ kˈɔɡɔ xtɕˈawɛɕ stʃˈɛlatɕ, tɨ xɔlˈɛrnɨ vwutʃˈɛŋɡɔ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_43.wav|zabjˈɛʃtɕɛ mɲʲɛ natˈɨxmʲast! ɲʲɛ mˈɔɡwa zˈɔstatɕ pɔd bˈarɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_193.wav|kˈupitɕ, zrˈuvnadʑ z ʑˈɛmʲɔ̃ i pɔsˈadʑitɕ tˌulipˈanɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_30.wav|sˈanxɛs mˈa kʲɛrˈɔvatɕ fabrˈɨkɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_60.wav|ɲʲɛ, tɔ bˌɛɲdʑɛ lɔkˈalnɨ lˈɔt. ˈilɛ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_333.wav|tʃɨ pamjˈɛnta pˈan, tsˈɔ muvˈiwɛm na pɔtʃˈɔntku?|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_171.wav|zbjɔrɲˈiki trˈɔnda sɔ̃ na plˈaɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_9.wav|brakˈujɛ mi tˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_184.wav|ɲʲɛ vˈɛʑmʲɛʃ mɲʲɛ ʒˈɨftsɛm, ɡlˈinɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_96.wav|pɔstˈɛmpɨ rˈɔbʲiw pʃˈɨtɨm mizˈɛrnɛ, vʲˈɛndʑ zˈajɔw ɕɛ tɨm rˈɔp.|3
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_28.wav|mˈam dˈɔbrɛ ɔtsˈɛnɨ, xˈɔtɕaʃ spˈɔrɔ mɲʲɛ tɔ kɔʃtˈujɛ. jˈɛdnak pˌɔstanɔvˈiwɛm, ʒˈɛ bˌɛndɛ budˈɔvaw rakʲˈɛtɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_40.wav|ˌalɛ zˈatɔ mˌamɨ dvˈa kˈɔtɨ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_448.wav|tɔ ɲʲɛ pˈɔtrfa dwˈuɡɔ, pˈaɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_19.wav|— tfˈɔim zdˈaɲʲɛm vwˈaɕɲʲɛ s tʃˈɨmɕ tˈakim mˌamɨ dɔ tʃɨɲʲˈɛɲʲa?|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_39.wav|pˌɔprɔvadʑˈiwam ɡˈɔ pɔ bˈɔtʃnɛj ɕtɕˈaɲʲɛ kɔpˈuwɨ f strˈɔnɛ tunˈɛlu, pɔ ktˌurɨm pʃˈɛʃɛd na sɔ̃ɕˈɛdɲʲɔ̃ bˈaɲkɛ kɔnrˈada i fspʲˈɔw ɕɛ na jɛj ʃtʃˈɨt.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_114.wav|ˌalɛ ˌɔna vʑˈɛwa ʃtˈɨlɛt, ktˌurɨ pɔdˈawa jɛj mˈaɡɡʲɛ.|1
+Dataset/wavs/urwisko_ferenc/11_segment_69.wav|ˈɔkɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_25.wav|ɲʲˌɛswavnˈɛɡɔ mˈɛ̃ʒa. tˈaɡ vʲˈɛndʑ ɡˌɛnɛvʲˈɛvɛ spɔtkˈawa ɕɛ s kˈirstɛn. i tɔ ɲʲɛdˈavnɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_96.wav|zˈaɲim dʒˈɛɡ zdˈɔ̃ʒɨw ˌɔtpɔvʲˈɛdʑɛtɕ, dɔ pɔkˈɔju vˈɛʃwa bˈɛtskɨ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_465.wav|tsɔkˈɔlvʲɛk innˈɛɡɔ mˈɔɡwaɕ utʃˈɨɲitɕ.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_97.wav|rˌɛdvinˈɛuf rˈuvɲʲɛʃ ɲʲɛ mˈɔɡwa f tɔ fplˈɔntatɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_437.wav|— jˈaɡ bˌɨwɛm mwˈɔdɨ, tɔ mɨɕlˈawɛm, ʒˈɛ bˈɔɡa ɲʲˈɛma, ˌalɛ tˈɛras pɔt stˈarɔɕtɕ...|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_196.wav|pˈɔtknɔw ɕɛ, ɡdˈɨ ɡˈɔ pɔpxnˈɛli i ˈɔmal ɕɛ ɲʲɛ pʃɛvrˈutɕiw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_58.wav|vˈɨras strˈaxu i zdumjˈɛɲʲa, ktˌurɨ vɨpwˈɨva na tfˈaʃ ɲˈika, sprˈavja bʲilljˈɛmu spˈɔrɔ̃ sˌatɨsfˈaktsjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_155.wav|nˈɔ dˈɔbʒɛ, a vʲˈɛnts pˌɔtʃɛbˈujɛʃ spʃˈɛntu dɔ spavˈaɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_89.wav|mˈuɕiʒ bˈɨdʑ ɡrɔʑɲʲˈɛjʃɨ ɲˈiʃ nˈatɔ vɨɡlˈɔndaʃ, xwˈɔptʃɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_419.wav|i jˈɛdliɕmˌɨ tɛ pastˈɨlki jˈak lˈɛɕnɛ jaɡˈɔdɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_73.wav|jˈak ktˈɔɕ mˈukw tɔ zrˈɔbʲitɕ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_26.wav|spˈɛntsɛr spˈɔjʒaw na ɲʲˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_41.wav|pstrˈɨknɔw ɲʲˈɔ̃ i ˈu ɡˈurɨ bwɨsnˈɛwa mˈawa, ɕfʲɛtlˈista rɔzɡvʲˈazda. vidʑˈawɛm tɔ. vidʑˈawɛm fʃˈɨstkɔ.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_157.wav|pˈɛrvin mˈuvi mi, ʒˈɛ mˈɔdli ɕɛ, bˈɨ tɔ bˌɨwa dʑɛftʃˈɨŋka.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_323.wav|sˈɛr ˈɔsfrit|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_57.wav|zˌastanavʲˈawa ɕɛ nˈavɛt, tʃɨ ɲʲɛ xˈɔdʑi ɔ tɕˈɔ̃ʒɛ, xˈɔdʑ zˈafʃɛ ɔt ɲʲˈɛj swɨʃˈawa, ʒˈɛ tɔː ɔstˈatɲʲa ʒˈɛtʃ, ɔ ktˌurɛj bˈɨ maʒˈɨwa.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_378.wav|ˌɔtfɔʒˈɨwa ʃɛrˈɔkɔː ˈɔtʃɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_45.wav|prˈɔmjɛɲ ɕfʲˈatwa ɔmjˈata lˈukɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_102.wav|bʲˈili krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_8.wav|sˈandɨ zblˈiʒa ɕɛ jˈakaɕ kɔbjˈɛta pʲˈɛʃɔ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_136.wav|i tsˈawɨ tʃˈas jɛxˈaliɕmˌɨ na pˈuwnɔts i na zˈaxut.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_95.wav|a ɲʲɛ swɨʃˈawɛm, ʒˈɛbɨ ɕɛ spʃɛtɕˈivʲaw.|1
+Dataset/wavs/urwisko_ferenc/53_segment_5.wav|mˈam vraʒˈɛɲʲɛ, ʒˈɛ fˈatsɛt ɲʲˈɛma tsˈɔ rˈɔbʲitɕ i prubˈujɛ zaˈistɲʲɛtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_105.wav|i bˌɨwɔ tɔ drˈuɡʲɛ s kɔlˈɛi mɔrdˈɛrstfɔ f tɕˈɔŋɡu kˈilku dɲˈi?|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_337.wav|zapˈɛvɲiw allˈɛras, ˌalɛ artsɨmaˈɛstɛr jˈuʒ vˈɨʃɛd.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_44.wav|ɲʲˈɛvʲaw vʲˈatr, ɔ tɛj pˈɔʒɛ rˈɔku ɲʲɛ bˌɨwɔ jˈuʃ ɕfʲˈɛrʃtʃɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_37.wav|tɔ mu ɕɛ udˈawɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_142.wav|ˌuɕfʲadˈamjam sˈɔbjɛ, ʒˈɛ mˈama ɲʲˈɛma jˈuʃ nˈɔʒa w rˈɛntsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_84.wav|vʲˈɛdʑaw, ʒˈɛ uvˈaʒam ɡˈɔ za vinnˈɛɡɔ tˌɛɡɔ fʃɨstkʲˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_223.wav|tʃɨ zapˈɔmɲʲaw, jˈak ɕɛ ɲˈim pˌɔswuɡʲˈivatɕ? prˈava mˌaɛɡˈɔra mˈɔʒna zɲʲˈɛɕtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_459.wav|jˈak ɲʲɛ maʒ w dˈɔmu tˌɛlɛvizˈɔra, tɔː ˈidʑ ɡdʑˈɛʑ dɔ bˈaru. ja tˈɛʃ tˈaɡ zrˈɔbjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_28.wav|tˈɨlɛ, ʒˈɛ dvˈa dˈɔmɨ dˈalɛj dɔstʃˈɛɡa ɡrubˈasa f pˌɔtkɔʃˈulku, bɛrmˈudax i ˌubrudʑˈɔnɨx trˈavɔ̃ tˌɛɲisˈufkax, ktˌurɨ uvˈaʒɲʲɛ mu ɕɛ pʃɨɡlˈɔnda.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_361.wav|ɲʲˈɛx pˈan tˈam ˈidʑɛ jˈutrɔ rˈanɔ, pɔvʲˈɛdʑaw. i jˈutrɔ pˈan zˈatʃɲʲɛ pratsˈɔvatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_94.wav|ɲʲɛ pˈiɕɲʲɛ ˌaɲi swˈɔva ɔ ɲˌikɔlˈaju mˌadʒarjˈaɲʲɛ, bˈɔː ˈumʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_42.wav|pˈɔtɛm ɡˈɔʑdʑiɡ zasnˈɛwa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_261.wav|na plˈatsu tʃˈɛx kʃˈɨʒɨ zˌɔbatʃˈɨwɛm lˈubɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_162.wav|mˈɔʒɛ vˈɨjdɛ na bˈalkɔn i strˈaʃnɨm, kɔsmˈitʃnɨm vʒˈaskʲɛm...|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_334.wav|tɔ kɔvˈalɛ rˈɔbjɔ̃ pwˈuɡʲi pɔtʃˈɛbnɛ, bˈɨ ˈɔratɕ pˈɔla. ɡvˈɔʑdʑɛ, ktˌurɨx ˌuʒɨvˈamɨ dɔ budˈɔvɨ stˈatkuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_127.wav|ɡdʑˈɛɕ s pʃˈɔdu, mˈɔʒɛ f sɛktˈɔʒɛ pˈapa, ktˈɔʑ vˈalnɔw z ɡrˌanatɲˈika.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_297.wav|tɔ pˈɛvɲʲɛ bˌɛɲdʑɛ snˈɔf.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_200.wav|pɔ prˈɔstu rdʑɛvʲˈɛjɛ tˈak ʃˈɨpkɔ, ʒˈɛ tɕˈɛpwɔ vˌɨtfaʒˈanɛ pˈɔttʃas rɛˈaktsji rɔzɲʲˈɛtsa ˈɔɡʲɛɲ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_79.wav|ɲˈitsk jɛst krˈulɛm dˈɔmu i krˈulɛm kanˈapɨ, vʲˈɛnts pˈilɔt ˌɔtʃɨvˈiɕtɕɛ lˈɛʒɨ ˌɔbɔk ɲʲˈɛɡɔ. tsˈɔ?|2
+Dataset/wavs/urwisko_ferenc/55_segment_12.wav|pʃˌɛtɕɛʃ mwˈɔdɨ ɲʲˈɛma tˈam kˈɔnta.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_54.wav|ˌaŋɡʲɛlʃtʃˈɨzna s sˌuaçilˈijskim aktsˈɛntɛm ɡwˈatkɔ spwɨnˈɛwa z jɛj ˈust i nˈaɡlɛ zˌapraɡnˈɛwam, ʒˈɛbɨ zɔstˈawa mˈɔjɔ̃ bˈaptɕɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_141.wav|ɲʲɛ xtɕˈawa vɨxˈɔdʑitɕ pɔnˈɔvɲʲɛ za mˈɔ̃ʃ. ɲʲɛ f tɛj xfˈili. bˈɨtɕ mˈɔʒɛ jˈuʃ ɲˈiɡdɨ. ɲʲɛ...|1
+Dataset/wavs/urwisko_ferenc/47_segment_53.wav|ˌalɛ dʑvˈɔɲiw prˌɔkurˈatɔr lˈɛɡnɛr.|0
+Dataset/wavs/urwisko_ferenc/09_segment_16.wav|xɔdʑˈiwa fɕrˈut ɲˈix tˈamtɛj fɛrˈalnɛj nˈɔtsɨ z nadʑˈɛjɔ̃ na ˌɔdnalɛʑˈɛɲʲɛ ɔlɡʲˈɛrda.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_76.wav|pˈɨta pʃɨjˈaznɨm ɡwˈɔsɛm mɛ̃ʃtʃˈɨzna, ktˌurɨ ɔdˈɛbraw tɛlˈɛfɔn.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_63.wav|na lˈɔɲdʑɛ lˈɛf mˈɔʒɛ bˈɨdʑ ɡrˈɔʑnɔ̃ bˈɛstjɔ̃, ˌalɛ na mˈɔʒu krˈakɛn vwˈada ɲʲˌɛpɔdʑˈɛlɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_120.wav|ɲʲɛ vʲɛdʑˈawɛm, ʒˈɛ jˌɛstɛɕ ˌamatˈɔrkɔ̃ fçˈiskɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_233.wav|mˈuʃɛ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_126.wav|jˈamɛ ɲʲˈɛxtɕaw bˈɨdʑ zmuʃˈɔnɨ dɔ pɔjmˈaɲʲa taljˈɛɡɔ pɔ rˈas tʃˈɛtɕi.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_170.wav|ɲʲˈɛx swˈɔtka tsɛrsˈɛi natˈɨxmʲast pʃˌɛtranspɔrtˈujɛ naʃˈɛɡɔ rɨtsˈɛʒa kfʲˈatuf na smˈɔtʃɔ̃ skˈawɛ. sˈɛr lɔrˈaɕɛ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_252.wav|ˈɛlvis prˈɛslɛj znˈɔvu dˈumaw xfˈilkɛ. zatʃˈɔwɛm ʃˈukatɕ pɔ kʲɛʃˈɛɲʲax.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_254.wav|a ɔ rˈɛʃtɛ zatrˈɔʃtʃɨ ɕɛ sˈamɔ ʒˈɨtɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_175.wav|tsˈuʃ, trˈɔxɛ ɕɛ nˈatɨm znˈam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_8.wav|ɔkˈɔwɔ, skˈuptɕɛ ɕɛ tˈɛras na sfˈɔix pʃˌɛmɨɕlˈɛɲʲax. ftɕˈɔ̃ʃ ɲʲɛ vʲˈɛmɨ, tʃɨ mˌamɨ dɔ tʃɨɲʲˈɛɲʲa s pɔrvˈaɲʲɛm, tʃɨ z ˌuprɔvadʑˈɛɲʲɛm. ˌalɛ zatʃɲˈijmɨ ɔt pɔrvˈaɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_127.wav|pɔzvˈɔlɛ tɕi pʃˈɨvdʑatɕ tʃˈɛrɲ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_286.wav|ɲʲɛ kˈaʒdɛj nˈɔtsɨ dvukrˈɔtɲʲɛ budʑˈiwɨ jˈɔ̃ tˈak.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_22.wav|jɛj prˈɔstɨ, bjˈawɨ, bˌavɛwɲʲˈanɨ stˈaɲik pʃɛkʃˈɨviw ɕɛ, jˈɛdna pʲˈɛrɕi jɛzd zˌaswɔɲʲˈɛnta, drˈuɡa na vʲˈɛʃxu, bˈɔ pˈɛŋkwɔ lˈɛvɛ ramjˈɔntʃkɔ.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_109.wav|tsɛrsˈɛi pɔpˈɛwɲʲa jˈɛdɛn idjˈɔtɨzm za drˈuɡʲim, a pɔmˈaɡa jɛj f tɨm rˈada zwɔʒˈɔna z ɡwˈuxɨx, ɡwˈupix i ɕlˈɛpɨx.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_50.wav|ɲʲɛ lˈɛʒaw w vˈɔdʑɛ, pɔvʲˈɛdʑaw jˈumbɔ z vɨrˈaʑnɨm ˌɛntuzjˈazmɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_34.wav|mˈiwɔ tɕˈɛ pˈɔznatɕ, bʲˈillɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_11.wav|— kˈim tɨ jˈɛstɛɕ? — pˈɨtam, ˌiɡnɔrˈujɔnts pɔɡrˈuʃki. — tʃˈujɛ jɛdˈɨɲʲɛ fɕtɕˈɛkwɔɕtɕ, zɲʲˌɛsmatʃˈɛɲʲɛ i ɲʲɛnˈaviɕtɕ. dlatʃˈɛɡɔ tɔ rˈɔbʲiʃ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_28.wav|a ktˌurɨ stanˈɔvi ɲʲˌɛɔdwˈɔntʃnɔ̃ tʃˈɛɲɕtɕ prˌɔvadʑˈɛɲʲa bʲiznˈɛsu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_329.wav|ˌɔtʃɨvˈiɕtɕɛ bˌɛndɛ tʃˈɛkaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_178.wav|ɲʲˈɛraz zawˈatfʲaw dʑɛftʃˈɨnɨ dla tˌɛɡɔ parʃˈɨftsa, vʲˈɛnts pɔvˈiɲʲɛn vʲˈɛdʑɛtɕ, tʃɨ klˈɛrki pˈɔwkɲʲɛ xˈatʃɨk.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_338.wav|ʒˈɛbɨ jˈakɔʑ zˈɛbratɕ mˈɨɕli.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_228.wav|a pˈɔtɛm nˈavɛt jˈɛ unˈɔɕi vˈɔda i na vʲˈɛtʃnɔʑdʑ zɲikˈajɔ̃ w mˈɔrskʲɛj ɔtxwˈaɲi.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_15.wav|ɲʲɛ pɔvˈinna bˌɨwa vɨxˈɔdʑidʑ za takʲˈɛɡɔ ɡwˈuptsa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_79.wav|pɔ prˈɔstu ˌɔtxɔdʑˈiwɛɕ, pˈɔtɛm pʃˌɨxɔdʑˈili pˌɔlitsjˈaɲtɕi i pɨtˈali ɔ tɕˈɛbjɛ, a pˈɔtɛm pʃˌɨxɔdʑˈili jˈatsɨɕ lˈudʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_255.wav|pˌɔtʃɔntkˈɔvɔː ˈidʑɛ mu tɔː ɔpˈɔrɲʲɛ, zdˈaɲʲa sɔ̃ sˈuxɛ, rvˈanɛ, ˌalɛ s tʃˈasɛm wˈapʲɛ rˈɨtm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_72.wav|bʲˈillɨ vˈidʑi, ʒˈɛ mʲˈɛɲɕɲʲɛ i ʃˈɨi ɕɛ nˌapinˈajɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_12.wav|xtsˈɔ̃, ʒˈɛbɨm dʑˈiɕ pˌɔkazˈawa ɕɛ f tˌɛlɛvˈizji, vʲˈɛnts i tˈak mˈuʃɛ pˌɔvʲadˈɔmitɕ najblˈiʃʃɛ mi ɔsˈɔbɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_119.wav|ktˌurɔ̃ zavʲˈɛraw sprɨskˈivatʃ s xˌɛmikaljˈami.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_255.wav|ix mˈam pɔd dɔstˈatkʲɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_37.wav|ɕˈɛŋɡam na pˈuwkɛ, pɔvˈɨʒɛj pɔdnˈɔʃɛ zˌardʑɛvʲˈawɔ̃ pˈuʃkɛ pɔ fˈarbjɛ, pɔt ktˌurɔ̃ lˈɛʒɨ klˈutʃɨk.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_49.wav|ˌuspɔkˈɔiw ɡˈɔ sˈɛptɔn mɛrˈibalt. vʲˈara, vɨtrfˈawɔɕtɕ i tʃɨmˈaɲʲɛ ɕɛ vˌɨznatʃˈɔnɛj ɕtɕˈɛʃki pɔzvˈɔlɔ̃ nˈam znˈalɛɕtɕ spˈɔkuj, kturˌɛɡɔ ʃukˈamɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_21.wav|— ˈɔkɛj, skˈɔrɔ jˌɛstɛɕ pˈɛvna.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_55.wav|kˈaʒdɨ rˌɛaɡˈɔvaw inˈatʃɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_51.wav|pɔzdrˈavʲam, ˌɔdɛzvˈawam ɕɛ s tfˈardɨm arˈapskim aktsˈɛntɛm, ktˌurɨ f pˈaʒɛ z mˈɔim strˈɔjɛm sprˈavʲaw, ʒˈɛ na kilˈɔmɛdr zˌalatɨvˈawɔː ˈɔdɛ mɲʲɛ turˈɨstkɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_507.wav|kɕˈɔ̃ʒɛ dˈɔran mˈaxnɔw zˈɛ znuʒˈɛɲʲɛm zˌatʃɛrvʲɛɲʲˈɔnɔ̃ dwˈɔɲʲɔ̃. dˈɔrn bˌɛɲdʑɛ nˌalɛʒˈawɔ dɔ tɕˈɛbjɛ.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_26.wav|dɔ tˌɛɡɔ tɕˈɔtka ɡˈɛnna zˈafʃɛ muvˈiwa, ʒˈɛ mˈam tsˈɛɡwɛ zˈamjast pɔdbrˈutka.|1
+Dataset/wavs/urwisko_ferenc/36_segment_108.wav|pʃˈɛʃli pʃˈɛs pˈɔkuj na tˈaras. rɔzɡʒˈanɛ pwˈɨtki zɡʒɨtˈawɨ pɔt ix stɔpˈami.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_71.wav|nˌadʲinspˈɛktɔr dɔˈuɡlas, pɔlˈitsja xrˈapstfa ɡrˈɛat manxˈɛstɛr.|3
+Dataset/wavs/urwisko_ferenc/08_segment_105.wav|pɔlˈitsjant mˈuɕaw ɕɛ zˈatɛm skˈupitɕ na ˈinnɨx aspˈɛktax tɛj sprˈavɨ.|0
+Dataset/wavs/urwisko_ferenc/37_segment_40.wav|tʃˈɨli tsˈɔ? ʒˈɛ ktˈɔʑ ɡˈɔ bʲˈijɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_142.wav|pʃˈɛlɛj pʲɛɲʲˈɔndʑɛ dɔ puwnˈɔtsɨ.|2
+Dataset/wavs/urwisko_ferenc/45_segment_70.wav|mˈɨɕliʃ, ʒˈɛ tɔ mɔʒlˈivɛ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_34.wav|tɔ jˈuʃ tˈutaj, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_6.wav|jˈutrɔ ɕɲʲˈɛk mˈɔʒɛ bˈɨdʑ ɡrˈubɨ na pʲˈɛɲtɕ stˈup, a stˈɔpɲʲɛ mˈɔɡɔ̃ ɕɛ zrˈɔbʲidʑ zdradlˈivɛ nˈavɛd dla mˈɔix mˈuwuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_119.wav|ˌɔna pˌɔvʲɛɕˈiwa jˈuʃ swuxˈafkɛ, ˌalɛ ɲʲɛ ɔdvrˈatsa ɕɛ. vˈidʑɛ jɛj ʃtʃˈupwɛ plˈɛtsɨ ˌɔtɔtʃˈɔnɛ ʃtʃˈɛlɲʲɛ ʃˈarɨm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_82.wav|s pɛvnˈɔɕtɕɔ̃ vʲˈɛdʑawbˌɨ, jˈak ɕɛ pɔrˈuʃatɕ pɔ dˈarɡ vˈɛbjɛ, ʒˈɛbɨ kˈɔɡɔɕ takʲˈɛɡɔ vɨnˈajɔɲtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_49.wav|pˌɔɲiʒˈaɲʲɛ samˈɛɡɔ ɕˈɛbjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_618.wav|ɡdʑˈɛʑ ɡrˈawa ɕtɕiʃˈɔna muzˈɨka, bˈɨtɕ mˈɔʒɛ sɔntʃˈɨwa ɕɛ z ɲʲˈɛba.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_54.wav|skˌɔntaktˈujɛ ɕɛ z ɲʲˈɔ̃. pˈɔvʲɛ, ʒˈɛ xtsˈɛ z ɲʲˈɔ̃ bˈɨtɕ i sprubˈujɛ pʃɨspʲˈɛʃɨtɕ tˈɔk sprˈaf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_61.wav|stsˈɔtt pʃɛwˈɔʒɨw tɛlˈɛfɔn dɔ drˈuɡʲɛj rˈɛŋki, tɛj dˈalʃɛj.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_15.wav|pɔddˈanɨx ɲˈiɡdɨ ɲʲɛ kˌupɔvˈanɔː ˌaɲi ɲʲɛ spʃˌɛdavˈanɔ za zwˈɔtɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_140.wav|a vʲˈɛʃ tsˈɔ jˈɛʃtʃɛ rˈɔbʲi mˈafja?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_31.wav|uɲʲˈɔswɛm ɔstrˈɔʒɲʲɛ pɔvʲˈɛki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_158.wav|xˈɔdʑbɨ ɲʲɛ vʲadˈɔmɔ jˈak, krˈɛɲtɕiw i vɨpʲˈɛraw ɕɛ sfˈɔix tʃˈɨnuf, w bʲˈiblji znˈajdʑɛ ɕɛ çistˈɔrja, ktˌura ɔbnˈaʒɨ tfˈɔjɔ̃ ɔbwˈudɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_116.wav|ɲˈiɡdʑɛ ɕɛ ɲʲɛ vɨbjˈɛram, mˈuvi madʒˈarjan. jˈakɔɕ ɕɛ dˌɔɡadˈamɨ. pˈɔzvul tˈɨlkɔ, ʒˈɛ tɕi vɨjˈaɕɲʲɛ dlatʃˈɛɡɔ...|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_43.wav|na pˈɛvnɔ ɲʲɛ dlatˈɛɡɔ, ʒˈɛ w lˈɔs ˈandʒɛlˌɛs lˈɛpʲɛj kˈarmjɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_204.wav|mˈɔʒɛ jˈɛ zdmˈuxnɔɲtɕ kˈaʒdɨ pˈɔvʲɛf.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_30.wav|kˈupitɕ jˈakiɕ spʃˈɛnd dɔ lˌabɔratˈɔrjum?|4
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_45.wav|pˌɔdʑivʲˈawam ɡwˈuvɲʲɛ sˈufit.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_15.wav|sˈɛr ˈartxur daˈɨnɛ, lˈɛpʃɨ rˈɨtsɛʃ ˈɔdɛ mɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_221.wav|ʃlɔxˈawa lˈadɨ amˈɔrɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_157.wav|ta bjɛdˈatʃka jɛst w nˈaʃɨm dˈɔmu tʃˈɛɲɕtɕɛj ɲˈiʃ tˈɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_76.wav|rˈudɨ pʃɛsˈunɔw sfˈɔjɛ ɡʲˈizmɔ nat tʃɨtɲˈikʲɛm i ˌɔɡɲʲɔɔtpˈɔrnɛ dʒvˈi rˌɔssunˈɛwɨ ɕɛ pʃɛt nˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_92.wav|brˈama jɛst ɔtfˈarta.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_33.wav|tʃˈujɛ pʃˌɛbjɛɡajˈɔntsɨ vzdwˈuʃ krˌɛŋɡɔswˈupa drˈɛʃtʃ, ˌalɛ ɲʲɛ xfˈɨtam pʃɨnˈɛntɨ.|3
+Dataset/wavs/urwisko_ferenc/18_segment_70.wav|pilˈɛfska tʃɛkˈawa f pʃˌɛtpɔkˈɔju na partnˈɛra i tʃˈulɛ muvˈiwa tsˈɔʑ dɔ sˈɨŋka.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_294.wav|pʃɛtˈɔtʃɨw ɕɛ na plˈɛtsɨ, kˈɔpjɔnts i dˈɨʃɔnts. z nˈɔsa trɨsnˈɛwɨ mu pˌɛnxɛʒˈɨki. — pwˈɨɲ!|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_90.wav|trˈɔnt pʃɛskˈɔtʃɨw nat ɔpˈartɕɛm sˈɔfɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_158.wav|jˈakiɕ mˈɔŋɡɔl rɔzwˈɔʒɨw na fˈɔlji tɨɕˈɔntsɛ dˈamskix mˈajtɛk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_208.wav|pʃˈɛs mˈɨɕl mi ɲʲɛ pʃˈɛʃwɔ, pˌɔvʲɛdʑˈawɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_31.wav|pˌɔjɛxˈaliɕmˌɨ ˈiɡlɛm, dɔ kturˌɛɡɔ pˌɔtpuwkˈɔvɲiɡ bˈardʑɔ bˈɨw pʃˌɨvʲɔ̃zˈanɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_197.wav|transˈitɨ sɔ̃ vʲɛrnˈɨmi rˌumakˈami prˌatsɔvɲˈikuv vɨdʑˈawu rˈɔbut publˈitʃnɨx rˈɛd blˈuff.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_141.wav|tʃɨ sɔ̃ tˈu kamˈɛrɨ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_64.wav|tɔ ɲʲɛ mˈuɕi bˈɨtɕ pʃɨtʃˈɨna, dla ktˌurɛj mʲˈaw tɛn drˈuɡʲi tɛlˈɛfɔn. mˈuɡw z ɲʲˈɛɡɔ kɔʒˈɨstadʑ z vʲˈɛlu ˈinnɨx pɔvˈɔduf, zupˈɛwɲʲɛ ɲʲˌɛzvʲɔ̃zˈanɨx s kˌɔbjɛtˈami.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_62.wav|kʲˈɛdɨ skˈɔɲtʃɨw, z rɛɡˈuwɨ natˈɨxmʲast stˈatʃaw ɕɛ z ɲʲˈɛj i zasˈɨpʲaw.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_121.wav|pɔdˈavaj mu tɔː i pˈɔzvul mu spˈatɕ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_105.wav|pˌɔviɲʲˈɛnɛʑ dˈɔstatɕ w naɡrˈɔdɛ vˈɨspɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_183.wav|i dɔxˈɔdʑi dɔ ɕˈɛbjɛ, mˈɨɕli bʲˈillɨ z nadʑˈɛjɔ̃, xˈɔtɕaʒ vˈɔntpi, tʃɨ zɡvawtsˈɔna kɔbjˈɛta kʲˌɛdɨkˈɔlvʲɛk mˈɔʒɛ f pˈɛwɲi dˈɔjʑdʑ dɔ ɕˈɛbjɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_18.wav|tɕi fatsˈɛtɕi mˈuʃɔ̃ bˈɨtɕ pʃˈɛdɛ fʃˈɨstkim ɡɔtˈɔvi na rˈɔmans, vʲˈɛnts lˈɛpʲɛj, ʒˈɛ trafjˈajɔ̃ nˈamɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_88.wav|bˈɨwɔ, ɲʲɛ bˈɨwɔ, dʑˈɛŋki mɲʲɛ, mʲˈaw z ɡwˈɔvɨ rɨdʒˈɛra klˈɛrki, a jˈɛʃtʃɛ dˈuʒɔ nˈatɨm zˈɨskaw.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_221.wav|lˈɛkaʒ bˈɨw pɔdˈɔbnɨ dɔ juljˈuʃa tsɛzˈara.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_325.wav|ˈɛwrɔn stˈaw pʃɨ ˈɔkɲʲɛ, pˈijɔndʑ zˈɛ srɛbrnˈɛɡɔ puxˈaru.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_87.wav|tsˈɔ z ˈɔptɨkˌɔ̃?|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_111.wav|mˈɨɕlɛ, ʒˈɛ pʲɛɲʲˈɔndʑɛ pʃˌɛʃkadʑˈajɔ̃ vam w zrˌɔzumjˈɛɲʲu tʃˈɛɡɔɕ, tʃˈɛɡɔ stʃˈɛʒɛ sˈam bˈuɡ dla ɕˈɛbjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_88.wav|jˈakɔ̃ spɛwɲʲˈajɔ̃ fˈuŋktsjɛ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_93.wav|ˌalɛ tɔ bˌɨwɨ kʃˈaki fɔrsˈɨtsji.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_366.wav|blˈadɨ, pˈulxnɨ mwɔdʑˈɛɲʲɛts mʲˈaw f sˈɔbjɛ tsˈɔɕ, tsˈɔ budʑˈiwɔː ˌantɨpˈatjɛ, ˌalɛ sˈam...|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_77.wav|ɲʲɛ mʲˈawam dʑɛɕˈɛɲtɕu tɨɕˈɛntsɨ, ˌalɛ mˈɔɡwabˌɨm jˈɛ dˈɔstatɕ, ɡdˈɨbɨ udˈawɔ mi ɕɛ rɔzvˈalitɕ tˈamtɛn ɔstˈatɲi kˈɔmbajn.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_32.wav|mɲʲɛ pɔvʲˈɛdʑaw, ʒˈɛ xˈɨba jɛst nˌavʲɛdʑˈɔnɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_159.wav|tfˈuj ɔrɡˈaɲizm jˈɛʃtʃɛ ɲʲɛ vrˈutɕiw dɔ ɕˈiw pˈɔtɨm, tsˈɔ tˈamtɛ skˌurvɨsˈɨnɛ tɕi zrɔbʲˈiwɨ.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_330.wav|f tɨm ɕɲʲˈɛ ɔdɡrˈɨzwa sˈɔbjɛ jˈɛ̃zɨk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_34.wav|rˈas jˈɛʃtʃɛ sprˈavdʑa, tʃɨ ɲˈikt ɲʲɛ pˈatʃɨ i tʃɨ jˈakiɕ pˌijatʃˈɨna ɲʲˌɛɔpˈatʃɲi ɲʲɛ ˈutɕɔw tˈu sˈɔbjɛ dʒˈɛmki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_18.wav|pʃɛdˈɛmnɔ̃ fɔrmˈujɛ ɕɛ kˈɔrɛk, tsˈɔ jɛst ˌirɨtujˈɔntsɛ, ˌalɛ ɲʲɛ stanˈɔvi kˈɔɲtsa ɕfʲˈata. pɔxˈɨlam ɕɛ dɔ pʃˈɔdu i vwˈɔntʃam rˈadjɔ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_36.wav|sɛrxˈail vzrˈuʃɨw rˌamjɔnˈami i tɕˈisnɔw ˌuʃkɔdʑˈɔnɨ, ˌɔzdɔbjˈɔnɨ lvˈɛm xˈɛwm f kʃˈaki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_51.wav|pɔdvrˈutɕiw ɕɛ dɔ mɲʲɛ i tˈakɔ, ˌalɛ sfˈɔjɛ swˈɔva skʲɛrˈɔvaw dɔ tˈakɔ, bˈɔ dˈavnɔː ˈuznaw, ʒˈɛ z nˈaz dvˈux tɔː ɔn jɛst mɔndʒˈɛjʃɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_272.wav|zvwˈaʃtʃa pˈɔttʃaz bʲˈitfɨ ɔ falˈudʒɛ. i tˈak uvʲˈɛʒɨw. pʃɨnˈajmɲʲɛj tˈak tfʲˈɛrdʑiw, ʒˈɛ jˈɛɕli ˈumʒɛʃ f kɔʃmˈaʒɛ, tɔː ˈumʒɛʃ tˈɛʃ f sfˈɔim vˈɨʒɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_111.wav|— xˌaˌɛmˈɛm, vˈidʑɛ kˈilka ʃtʃˈɛlin — pɔvʲˈɛdʑaw ˈɔjtɕɛts. — ˌalɛ sɔ̃ mɲʲˈɛjʃɛ ɔt spˈavuf, ktˌurɛ tˈam pɔwˈɔʒɨʃ. pɔvˈinnɔ bˈɨdʑ dˈɔbʒɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_71.wav|zatɕˈiskam ɲʲˈɛtsɔ mˈɔtsɲʲɛj dwˈɔɲʲɛ na kʲˌɛrɔvɲˈitsɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_71.wav|xˈɔtɕ f pˌɔmjɛʃtʃˈɛɲʲu jɛst ˈɔknɔ, ɡrˈuba zaswˈɔna ɔttɕˈina vʲˈɛŋkʃɔɕtɕ ɕfʲˈatwa z dvˈɔru i vˈidʑɛ jɛdˈɨɲʲɛ jaɕɲʲˈɛjʃɔ̃ plˈamɛ ɕtɕˈanɨ pʃɛt sˈɔbɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_25.wav|tsˈɔ dɔ tˌɛɡɔ ɕɛ mˈɨlɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_28.wav|tɔ, tsˈɔ rɔbʲˈitɕɛ z lˈadɨ brjˈɛnnɛ ɡdʑˈɛ ˈiɲdʑɛj, tɔ sprˈava mʲˌɛndʑɨ vˈami a ɕɛdmʲˈɔma.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_427.wav|stˈaw xfˈilɛ ɲʲˌɛruxˈɔmɔ, pˈatʃɔnts na kɔbjˈɛtɛ, ktˌurɛj ˈɔtʃɨ zrɔbʲˈiwɨ ɕɛ bjˈawɛ s pʃˌɛraʒˈɛɲʲa.|0
+Dataset/wavs/urwisko_ferenc/28_segment_65.wav|tˈak, tɨm rˈazɛm pˌɔprɔɕˈiwa mɲʲɛ ɔ pˈɔmɔts. mʲˈawa jˈuʒ dˈɔɕtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_312.wav|ɔn mˈɨɕli, ʒˈɛ tɨ spɛtsjˈalɲʲɛ nˌaɕladˈujɛʃ jˈɛɡɔː ˈaktsɛnt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_114.wav|ˈurvaw, ɲʲˈɛxtɕaw pɔvʲˈɛdʑɛtɕ pɔt tsawˈunɛm,|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_78.wav|ˌalɛ rˈuvɲʲɛʃ s sˈamɨm sˈɔbɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_149.wav|tɨm rˈazɛm jˈɛdnak ɲʲˈɛmʲaw takʲˈɛɡɔː ˌuspravʲˌɛdlivʲˈɛɲʲa.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_348.wav|kˈu mɔjˈɛmu zdumjˈɛɲʲu rˈudɨ ɔdvrˈutɕiw ɕɛ na pʲˈɛɲtɕɛ i ˈɔtʃɛd.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_526.wav|ɲʲɛ tʃˈɛba.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_69.wav|mˈama pˌɔvʲɛdʑˈawabˌɨ, ʒˈɛ ˈaram mˈa rˈatsjɛ vɛ fʃˈɨstkim, tsˈɔ mˈuvi. tˈata ɔkˈazawbˌɨ ɲʲˈɛtsɔ vʲˈɛntsɛj stsˌɛptɨtsˈɨzmu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_65.wav|xtɕˈawabˌɨm, ʒˈɛbɨɕtɕˌɛ tˈam vrutɕˈili i zadˈali jɛj jˈɛʃtʃɛ kˈilka pˈɨtaɲ, jˈɛɕli tɔ mɔʒlˈivɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_109.wav|rˈɔɡɛr jˈaɡɡɛr. znˈawa ɡˈɔ pˈaɲi, pˈaɲi frˈaŋklin?|3
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+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_151.wav|jˈɛɕli vˈaʃa mˈiwɔɕtɕ tˌɛɡɔ prˈaɡɲʲɛ.|1
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+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_22.wav|ˌalɛ mˈɔjɛ mˈurɨ sɔ̃ s kamjˈɛɲʲa i mˌajɔ̃ ˈɔɕɛm stˈub ɡrubˈɔɕtɕi, vʲˈɛndʑ ɡdˈɨ ˈɔɡʲɛɲ ɕɛ vɨpˈaliw, lˈɔrɣ znˈudʑiw ɕɛ i ɔdjˈɛxaw.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_52.wav|mˈuvi, ʒˈɛ zɔstˈaɲʲɛ vʲɔɕlˈaʒɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_263.wav|nˈalaw sˈɔbjɛ rˈumu dɔ nˈɔvɛj ʃklanˈɛtʃki, vrˈutɕiw dɔ stˈɔwu, pˈɔdɲʲus krˈɨtɔ̃ w blˈatɕɛ pɔkrˈɨvɛ i ɔtswˈɔɲiw pˈanɛl z ʒɛndˈami pʃɨtɕˈiskuf.|4
+Dataset/wavs/urwisko_ferenc/23_segment_134.wav|pʃˈɛs xfˈilɛ ɕɛdʑˈɛli f tɕˈiʃɨ.|0
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+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_197.wav|kɔbjˈɛtɨ pɔtʃˈɛbnɛ vam sɔ̃ ɔd dʑɛɕˈɔntɛj w nˈɔtsɨ dɔ pʲˈɔntɛj rˈanɔ, ˈalbɔ kʲˈɛdɨ xtsˈɛtɕɛ ʒˈɨtɕ krˈutsɛj lˈub dwˈuʒɛj.|0
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_19.wav|ˌintɛrɛsˈujɛ mɲʲɛ tsˈɔɕ takʲˈɛɡɔ jˈaɡ dɔkwˈadna ˌanalˈiza fʃˈɨstkix pˌɔtɛntsjˈalnɨɣ zaɡrˈɔʒɛɲ avˈarjɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_90.wav|kʲˈɛdɨ dˌɔjɛʒdʒˈajɔ̃ dɔ pˈuŋktu vˌidɔkɔvˈɛɡɔ za mʲˈastɛm, ˈɛlis prˈɔɕi, ʒˈɛbɨ ɕɛ zatʃˈɨmaw na ubˈɔtʃu, z dˈala ɔt kˈilku ˈinnɨɣ zˌaparkɔvˈanɨx ˈawt. pˈɔtɛm kˈaʒɛ mu ɕɛ ɔdvrˈutɕitɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_48.wav|ɲʲɛstˈɛtɨ ˌɔdɛzvˈawa ɕɛ pˈɔtʃta ɡwɔsˈɔva.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_32.wav|mɛ̃ʃtʃˈɨzna ˈuɲʲuz zaswˈɔnɛ, ˌukazˈujɔndʑ bɛzbrˈɔdɔ̃ tfˈaʃ. jˈɛɡɔ sˈɨnɛm i dʑɛdʑˈitsɛm. jˌɛstɛm sˈɛr tˈalbɛrt sˈɛrɨ.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_21.wav|tɛn malˈunɛɡ znˈatʃɨ, ʒˈɛ ˈalˈatfal, dʑˈɛtɕi, mˈɔɡɔ̃ pʃˈɨjʑdʑ dɔ tˌɛɡɔ dˈɔmu ɕɛ pɔbˈavitɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_48.wav|ʒˈɛ ɔn ɕɛ ˈɔɲʲɔ̃ zatrˈɔʃtʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_226.wav|ɲˈits tɔ jˈɛdnak ɲʲɛ dˈawɔ.|1
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+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_172.wav|ɲʲˈɛx pˈan pʃɛstˈaɲʲɛ lˈatatɕ. ɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_8.wav|za kˈaʒdɨm rˈazɛm pˌɔtrafˈiwam pʃɨvˈɔwatɕ jɛj ˈɔbraz w ɡwˈɔvʲɛ, f ʃkˈɔlɛ, w dˈɔmu ˈu kˌɔlɛʒˈaŋki, na basˈɛɲʲɛ z ˈaʃɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_358.wav|dˈɔbʒɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/urwisko_ferenc/45_segment_22.wav|xˈɛrman pˌɔkivˈawa ɡwˈɔvɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_60.wav|ˌalɛ tɔ çistˈɔrja pravdʑˈiva tʃɨ zmɨɕlˈɔna?|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_75.wav|ˈɛlis prˌɔvadʑˈiwa ˈaʒ dɔː ɔkˈɔlits nɔvˈɛɡɔ jˈɔrku i tˈam z ɲʲˌɛskrɨvˈanɔ̃ ˈulɡɔ̃ ɔddˈawa mi kʲˌɛrɔvɲˈitsɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_84.wav|tsˈɔ ɡˈɔ nˌazɨvˈamɨ ˌɔpatʃnˈɔɕtɕɔ̃.|0
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+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_67.wav|ˈandɛrsɔn ɔdvrˈutɕiw ɕɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_50.wav|vˈarknɔw ɕɛ s frustrˈatsjɔ̃, bˈɛtskɨ ftɕisnˈɛwa rˈɛntsɛ f kʲɛʃˈɛɲʲɛ spˈɔdɲi, stanˈɛwa i ˌɔdvrutɕˈiwa ɕɛ dɔ tˈɔma.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_27.wav|pʃˈɨkrɔ mi, ˌalɛ tˈutaj jɛj ɲʲˈɛma.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_240.wav|spɔɡlˈɔnda na bʲillʲˈɛɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_70.wav|bɛzmˈɨɕlnɨ dˈupɛk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_221.wav|vˈɛzvʲɛ pɔlˈitsjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_190.wav|samˈɔxud vɨtˈɔtʃɨw ɕɛ na mrˌɔtʃɲʲɛjˈɔntsɔ̃ ulˈitsɛ mʲˌɛndʑɨ ʃˌamɔtʃˈɔntsɛ ɕɛ f kˈɔrkax ˈawta.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_600.wav|a kʲˈɛdɨ vrˈutɕiʃ?|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_74.wav|jˈak najtɕˈiʃɛj zˈamknɔw dʒvˈi i skʲɛrˈɔvaw krˈɔki dɔ sˌamɔxˈɔdu, znˈuf twˈumjɔndʑ ʑɛvɲʲˈɛɲtɕ��.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_26.wav|zˌabjɛrˈajɔndʑ valdˈɛra rivˈɛrsa i ɛdvˈina frˈɛja.|1
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+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_85.wav|dɔrɲˈijtʃɨk pɔvʲˈɛdʑaw, ʒˈɛ vˌɛndrɔvˈawa dɔ rivˈɛran.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_389.wav|ˈalla jɛst ɲʲɛɕmʲˈawa i dˌɛlikˈatna. jˈak mˈɔɡɔ̃ jɛj tɔ rˈɔbʲitɕ? a mˈɛɡɡa...|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_498.wav|w ɕɲʲˈɛɡu tʃɛkˈawɨ nˈaɲih ɕfʲˈɛʒɛ mˈuwɨ ˌɔras tɕˈɛpwa kɔzˈina duʃˈɔna s tsɛbˈulɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_106.wav|sɔ̃ f stˈaɲʲɛ dʑɛvˈitʃɨm, pˌɔvʲɛdʑˈawam. ˌuʒɨvˈamɨ ix jˈakɔ pʲˈɛrfɕi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_359.wav|a tˈɛras stˈawa ɕɛ rˈaptɛm tʃˈɨmɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_144.wav|najlˈɛpʲɛj pamjˈɛntam frˈaɡmɛnt, bˈɛzɛ mɲʲɛ mˈuj karˈabʲin jɛzd bˌɛzuʒɨtˈɛtʃnɨ, bˈɛs mɔjˈɛɡɔ kˌarabʲˈinu ja jˌɛstɛm bˌɛzuʒɨtˈɛtʃnɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_20.wav|ɲʲɛ bˌɨwam pˈɛvna, tʃɨ vwaɕtɕˈitɕɛl kanˈawu ɲʲɛ mˈɔʒɛ sprˈavdʑitɕ, ktˈɔ ɡˈɔː ɔdvʲˈɛdʑa, vʲˈɛndʑ vɔlˈawam ɲʲɛ rˌɨzɨkˈɔvatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_53.wav|spɨtˈawa bˈɛtskɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_40.wav|jˈɛdnak f tɨm mɔmˈɛɲtɕɛ mˈuʃɛ pʃɨklˈɛidʑ dɔ tfˈaʒɨ ˈuɕmʲɛx, bˈɔ jˈɛn krˈɔ̃ʒɨ pʃɨ ˈɔkɲʲɛ. uɕmʲˈɛxam ɕɛ dɔ ɲʲˈɛj ʃɛrˈɔkɔ, a ˌɔna fxˈɔdʑi dɔ ɕrˈɔtka.|3
+Dataset/wavs/urwisko_ferenc/23_segment_145.wav|prˈavdɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_68.wav|vʒutɕˈiwɛm ʒˈɛtʃɨ dɔ bˌaɡaʒɲˈika.|2
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_103.wav|i uvˈaʒa, ʒˈɛ jˌɛstɛm vˌɨjɔntkˈɔva.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_95.wav|tsˈɔ tɔ znˈatʃɨ pʃˈɛttɛm?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_102.wav|vulɡˈarnɔɕtɕ jɛst nˈaʃɨm mˈɔʒɛm mˈartfɨm. brutˈalnɔɕtɕ jɛst nˈaʃɨm mˈɔʒɛm tʃɛrvˈɔnɨm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_45.wav|jˈuʃ prˈavʲɛ jɛstˈɛɕmɨ, ˈalfjɛ. jˈɛʃtʃɛ kˈilka minˈutɛk.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_188.wav|pɔd varˈuŋkʲɛm, ʒˈɛ xwˈɔpak ɲʲɛ utˈɔɲʲɛ pɔ drˈɔdʑɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_104.wav|mˈam kˈilka kˌɔntsɛntrˈatuf. najvʲˈɛŋkʃɛ vʑˈɛɲtɕɛ mˈa vˌinɔɡrɔnˈɔvɨ.|4
+Dataset/wavs/urwisko_ferenc/01_segment_75.wav|dlatʃˈɛɡɔ tˈɛras?|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_208.wav|sxaɲbʲˈiwaɕ nˈas fʃˈɨstkix.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_143.wav|nˈɔ dˈɔbra, ˌalɛ skˈɔrɔ xtsˈɛʃ prˌɔdukˈɔvatɕ ˌalumˈiɲʲum, tʃˌɛmu ɲʲɛ zawˈɔʒɨʒ vwˈasnɛj fˈirmɨ?|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_127.wav|ɕɛdʑˈawa zˈaɲim spɔvˈita f ʃˈarɨ pwˈaʃtʃ s kaptˈurɛm kɔbjˈɛta.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_127.wav|dʒvˈi prɔvˈadʑɔ̃ dɔ kˈuxɲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_215.wav|znˈatʃɨ ja mˈam zˈapas tlˈɛnu, ktˌurɨ vɨstˈartʃɨ na zˌaɔpatʃˈɛɲʲɛ mʲˈasta pʃˈɛs rˈɔk.|4
+Dataset/wavs/urwisko_ferenc/34_segment_21.wav|drˈɔɡa ftɕˈɔ̃ʒ bˌɨwa pˈusta i sˈɛrtsɛ mˈarji pʃˌɨspʲɛʃˈɨwɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_79.wav|skˈɔɲtʃɨw tɕi ɕɛ tʃˈas ˈaʃ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_132.wav|mwˈɔda krulˈɔva, ktˌurɛj nadˈɛjɕtɕɛ pʃˌɛpɔvʲɛdʑˈawa, upˈadwa.|1
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_133.wav|ɲʲɛ dɔtɕˈɛra dɔ mɲʲɛ ʒˈadɛn dʑvʲˈɛŋk.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_70.wav|dˈaj mi ɡˈɔ dɔ tˌɛlɛfˈɔnu.|3
+Dataset/wavs/urwisko_ferenc/39_segment_43.wav|bˈɨw w ��ʲˈɛj zˌakɔxˈanɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_70.wav|prˈɔʃɛ mɲʲɛ pɔswˈuxatɕ, pˈaɲʲɛ pˌɔtpuwkɔvɲˈiku. znˈam lɛkˈarstfɔ na bˈul, lˈɛpʃɛ ɔt mɔrfˈinɨ.|2
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+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_202.wav|blˈatskfiʃ fskˈazaw ɡwˈɔvɔ̃ na jˈɛɡɔ zwˈɔtɔ̃ rˈɛŋkɛ. ˈɔbaj vʲˈɛmɨ, ʒˈɛ ɲʲɛ pɔtrˈafiʃ tɨm vˈaltʃɨtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_38.wav|vwˈɔʒɨw pˌapʲɛrˈɔsa dɔː ˈust, sxˈɔvaw pˈatʃkɛ s pɔvrˈɔtɛm dɔ kʲɛʃˈɛɲi i vˈɨjɔw zˌapalɲˈitʃkɛ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_17.wav|ˌudɛʒˈawɨ ɡwˈɔɕnɔː ɔ dˈɛski mˈɔstu.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_205.wav|vɨʃˈɛptaw vɛvnˈɛntʃnɨ ɡwˈɔs.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_54.wav|ɔpˈuɕtɕiw nabjˈɛrak i rˈuʃɨw w mˈɔjɔ̃ strˈɔnɛ. zɛrvˈawam ɕɛ na rˈuvnɛ nˈɔɡʲi, pɔdbjˈɛɡwam dɔ ɡwˈuvnɛj kamˈɛrɨ s pʃˈɔdu kadwˈuba i vˌɨtɕɔŋɡnˈɛwam w jɛj strˈɔnɛ ɕrɔtkˈɔvɨ pˈalɛts.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_99.wav|pˌɔvʲɛdʑˈawam jˈuʃ fʃˈɨstkɔ, tsˈɔ xtɕˈawam.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_41.wav|w ʒˌɛtʃɨvistˈɔɕtɕi dʑɛftʃˈɛnta bˌɨwɨ pˌɔdɛkstsˌɨtɔvˈanɛ i zdɨʃˈanɛ, ʃɛptˈawɨ pɔ drˈɔdʑɛ. pˌɔdɲʲɛtsˈɛɲʲɛ zmaɡˈawɔ ɕɛ w ɲˈiɣ zˈɛ strˈaxɛm.|1
+Dataset/wavs/urwisko_ferenc/65_segment_165.wav|ˌaɲi mˈɔja tsˈurka, ˌaɲi mˈɔja vnˈutʃka.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_9.wav|f kˈɔɲtsu uznˈajɛ, ʒˈɛ najlˈɛpʃɨm mʲˈɛjstsɛm na pˌɔʃukˈaɲʲɛ ˌɔtpɔvʲˈɛdʑi bˌɛɲdʑɛ mˈawɨ sklˈɛb z dˈumnɨm znˈakʲɛm uʒˈɛndu pˌɔtʃtɔvˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_370.wav|ˈuɕmʲɛx jˌamjɛˈɛɡɔ pʃɛrˈɔdʑiw ɕɛ w ʑɛvɲʲˈɛɲtɕɛ. vˈɨbatʃ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_11.wav|ˈaʃ ɔtswˈɔɲiw pˈɔɕtɕɛl. tɛlˈɛfɔn lˈɛʒaw na wˈuʃku tˈuʃ ˌɔbɔk jˈɛɡɔ pravˈɛɡɔ bjˈɔdra.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_23.wav|tʃɨ f kˈɛɲʲi ʒˈɔɲdʑi krˈul?|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_25.wav|fʃˈɨstkɔ, tsˈɔ na rˈaʑɛ vʲˈɛmɨ, tɔ tɔ...|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_255.wav|zapˈɨtaw kaʃtˈɛlan, ɡdˈɨ pɔdˈanɔ pstrˈɔŋɡʲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_220.wav|spˈɔjʒaw nˈamɲʲɛ smˌɔlistˈɨmi ɔtʃˈami i rˈuʃɨw vɔ̃ɕˈikʲɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_39.wav|rˈuvɲʲɛ dˈɔbʒɛ mˈɔʒɛ tɔ bˈɨdʑ zvɨtʃˈajnɨ tɕˈɛɲ.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_30.wav|pɔ mˈɔjɛj tʃˈaʃtsɛ rɔzˈɛʃwa ɕɛ fˈala ˌɔdrɛntfʲˈɛɲʲa i pˌɔtɕɛmɲʲˈawɔ mi pʃɛt ɔtʃˈami, ˌalɛ ɲʲɛ stratɕˈiwam pʃˌɨtɔmnˈɔɕtɕi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_83.wav|rɔzˈumjɛm, ʒˈɛ pˈaɲi i dʑˈɛtɕi pɔvˈinnɨ dɔvʲˈɛdʑɛtɕ ɕɛ ˈɔtɨm jˈak najʃˈɨptɕɛj, ˌalɛ jˈɛʃtʃɛ ɲʲɛ bɛɲdʑˌɛmɨ pʃˌɛkazˈɨvatɕ prˈaɕɛ ʒˈadnɨx ˌinfɔrmˈatsji.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_47.wav|nˌajvɨrˈaʑɲʲɛj jˈɛdnak tɛn ktˈɔɕ ˈuznaw, ʒˈɛ tʃˈɛba tˈakʲɛ rɨzˈɨkɔ pˈɔdjɔɲtɕ, ʒˈɛ ɡrˈa jɛzd vˈarta ɕfʲˈɛtʃki.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_97.wav|ɲʲˈɛxtsɛ ɕɛ kˈɔmpatɕ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_442.wav|brjˈɛnnɛ muɕˈawa vzdrˈɨɡnɔɲtɕ ɕɛ trfˈɔʒɲʲɛ. kˈaʒdɨ rˈɨtsɛʃ mˈa blˈiznɨ pɔ vˈaltsɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_190.wav|ˈɔjtɕɛdʑ zˈafʃɛ mˈuviw, ʒˈɛ lˈɛpʲɛj stɔsˈɔvadʑ zˈapwɔn mˌɛxaɲˈitʃnɨ, bˈɔ tɛn ˌɛlɛktrˈɨtʃnɨ jɛst jˈɛʃtʃɛ jˈɛdnɔ̃ ʒˈɛtʃɔ̃, ktˌura mˈɔʒɛ ɕɛ zˈɛpsutɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_450.wav|ˌɔna zˌatʃɨmˈawa ɕɛ pʃɛt ktˈurɔ̃ʑ z ʒɛlˈaznɨɣ brˈam.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_147.wav|mɨ tˈɛʃ ˌɛkspɛrˌɨmɛntujˈɛmɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_38.wav|uʒˈɨvaj ɕrˈɔtkuf ɔxrˈɔnɨ prˈatsɨ. fʃˈɨstkix.|4
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_76.wav|tˈɔbjɛ ˈufam bˌɛzɡraɲˈitʃɲʲɛ, ˌalɛ tˈamtɨx wˌadɔvˈatʃɨ kɔmplˈɛtɲʲɛ ɲʲˈɛznam.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_161.wav|vrˈɛʃtɕɛ ɡɛmbˈɔsraj spˈuɕtɕiw vzrˈɔk i vˌɨmamrˈɔtaw.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_55.wav|jɛʒˈɛli ɲʲɛ pˌɔdɛjmʲˈɛmɨ ˌɔtpɔvʲˈɛdɲiɣ dʑˈawaɲ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_90.wav|zˈafʃɛ ˈɔtɨm vʲɛdʑˈawam.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_18.wav|dʑɛftʃˈɨna pˈatʃɨ na ɲʲˈɛɡɔ ʃɛrˈɔkɔː ˌɔtfartˈɨmi ɔtʃˈami, tʃɨmˈajɔnts nat talˈɛʒɛm vidˈɛlɛdʑ z ɔstˈatɲim kˈɛ̃sɛm jˌajɛtʃɲˈitsɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_90.wav|xˈɔtɕ ɲʲɛ mˈɔʒna ɔdmˈuvitɕ jɛj ɡɛɲʲˈuʃu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_36.wav|spɔjʒˈawam nˈaɲʲɔ̃ i zˌɔbatʃˈɨwam, ʒˈɛ jɛzd bˈardʑɔ pɔvˈaʒna, ɲʲˈɛmal smˈutna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_211.wav|mˈɔɡɛ ɕɛ dɔmˈɨɕlitɕ, ʒˈɛ tˈak naprˈavdɛ ɲʲɛ bˌɨwɛʑ daltˈɔnɛm smˈitxɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_240.wav|pɔdˈawa mi krˈuxɨ kfʲˈatɛk.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_90.wav|a lˈɔrt lˈantsɛl?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_59.wav|mʲˈawam dʑˌɛvʲɛtnˈaɕtɕɛ lˈat. bˌɨwam vˌɨtʃɛrpˈana ˌɛmɔtsjɔnˈalɲʲɛ i fizˈɨtʃɲʲɛ, a stsˈɔtt uɕmʲˈɛxaw ɕɛ zˌaxɛntsajˈɔntsɔ, kʲˈɛdɨ aɡˈɛntka z vɨrˈazɛm ˌirɨtˈatsji na tfˈaʒɨ maxˈawa dwˌuɡɔpˈisɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_103.wav|ɲˈikt xtsˈɛ vʲˈɛdʑɛtɕ, jˈaɡ bʲillʲˈɛmu ˌupwɨnˈɛwa pˈɔdruʃ. bʲˈillɨ ˌɔtpɔvʲˈada, ʒˈɛ dˈɔbʒɛ, ˌalɛ ɲʲɛ mˈuvi, skˈɔnt pʃɨlˈɛtɕaw, a ɲˈikt ɲʲɛ vɲˈika.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_73.wav|ɡdɨbˈɨɕtɕɛ ɲʲɛ vʲɛdʑˈɛli, xˈuta ˌalumˈiɲʲum jɛzd vwasnˈɔɕtɕɔ̃ brˌazɨlijtʃˈɨkuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_97.wav|ˈɔkɛj, tɔ dˈɔbʒɛ. a zˈatɛm ʃˈukaʃ aɡˈɛntuf. rɔssˈɨwaʒ dɔ ɲˈix lˈistɨ, f ktˌurɨx pˈiʃɛʃ, ʒˈɛ pratsˈujɛʃ nat kɕˈɔ̃ʃkɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_112.wav|kʲˈɛdɨ vʲˈadr vʲˈaw, smˈɔk stˈukaw i bʒˈɛntʃaw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_52.wav|ɔtfʲˈɛra dɔkˈumɛnt i pʃɛvˈija dɔ mʲˈɛjstsa, ɡdʑˈɛ pʃˈɛrvaw pisˈaɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_62.wav|dʑˈiɕ pɔ lˈatax tɛ dʑɛtɕˈaki sɔ̃ dˌɔrɔswˈɨmi mˌɛ̃ʃtʃɨznˈami, jˈɛɕli jˈɛʃtʃɛ ʒˈɨjɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_220.wav|lˈɔs rivˈɛran jɛst f tfˈɔix rˈɛŋkax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_171.wav|ˈitɕ pɔ tˈɔrbɛ, ɲikˈɔlɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_167.wav|z jˈakimʑ dʑˈivnɨm ʒˈalɛm na tˈɛ mˈɔjɔ̃ litfˈiŋkɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_89.wav|ɔt strˈɛsu zˌakrɛɲtɕˈiwɔ mi ɕɛ w ɡwˈɔvʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_64.wav|jˈɛɕli tɔ prˈavda i jˌɛstɛm ˈɔjtsɛm dʑˈɛtska, a ɲʲˈɛmam pɔvˈɔduf, ʒˈɛbɨ sˈɔɲdʑitɕ inˈatʃɛj, ˌɔna bˌɛɲdʑɛ xtɕˈawa, ʒˈɛbɨm...|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_16.wav|a ʒˈɨtɕɛ na kɕɛ̃ʒˈɨtsu jɛzd drˈɔɡʲɛ jˈak xɔlˈɛra.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_10.wav|ˈɔtʃɨ mˈa ɔtfˈartɛ i pˈatʃɨ. ɲʲɛ nˈamɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_66.wav|pˌɔstarˈamɨ ɕɛ nadrˈɔbʲidʑ brˈaki w lˈidʒbjɛ stˈanɛm ˌupɔjˈɛɲʲa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_45.wav|tˈɛras mˈɔʒɛʃ spˈɔjʒɛtɕ. dwˈɔɲ ˌɔtsunˈɛwa ɕɛ spʃˈɛt jɛj ˈɔtʃu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_15.wav|ˈalbɔ tfˈɔjɛj bˌɛzlitˈɔsnɛj nˈɔrmɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_5.wav|ɲˈiɡdɨ jˈɛdnak ɲʲɛ bˌɨliɕmˌɨ sˈami.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_119.wav|tsˈawɛ ʒˈɨtɕɛ bˈawɛm ɕɛ mˈawɨx i bʒˈɨtkix lˈudʑi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_62.wav|mˈɔ̃ʒ vɨjˈɛxaw na kˈurs, ˌalɛ kʲˈɛdɨ mu pˌɔvʲɛdʑˈawam, tsˈɔ ɕɛ stˈawɔ, pʃˈɛrvaw pˈɔdruʃ i vrˈatsa dɔ dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_214.wav|ɲʲɛ prɔɕˈiwɛm ɔ ɲʲˈɛɡɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_192.wav|mʲˈaw pʃˌɛstʃɛlˈɔnɔ̃ ɡwˈɔvɛ i rɛvˈɔlvɛr na kɔlˈanax.|2
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_62.wav|tɔ bˈɨw ɔ vʲˈɛlɛ za dˈuʒɨ vɨɕˈiwɛk jˈak na mˈɔjɛ mˌɔʒlivˈɔɕtɕi.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_386.wav|vʲɛdʑˈawam ɔt samˈɛɡɔ pɔtʃˈɔntku, pˌɔmɨɕlˈawa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_49.wav|mˈaʒɨw ɔ ʑˈimnɨm drˈiŋku vɨpˈitɨm na spɔkˈɔjɲʲɛ w ɔɡrˈɔdʑɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_179.wav|zatɕˈɔŋɡa zaswˈɔnɛ, kwˈadʑɛ ɕɛ na kanˈapʲɛ, zamˈɨka ˈɔtʃɨ i zasˈɨpja.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_474.wav|pʃˌɛrɔbjˈɔnɔ jˈɛ na fjˈɔlɛt i purpˈurɛ, nˈavɛd zˈɛmbɨ ʃtʃɛɲɕlˈivɛj rɔdʑˈinɨ zɡrˌupɔvˈanɛj vˈɔkuw basˈɛnu pwˌɨvatskʲˈɛɡɔ bˌɨwɨ lˈɛkkɔ tʃɛrvˈɔnɛ.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_22.wav|ˌalɛ pʃˌɛtɕɛʃ kˈazaw mi tˈu pʃɨjˈɛxatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_545.wav|ʒˈɛbɨ ɕɛ fʃˈɨstkɔ skɔɲtʃˈɨwɔ na mˈawɨm fstʃˈɔ̃ɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_115.wav|ɲʲɛ vzbudʑˈiwɔ tɔ pˈaɲi pɔdˈɛjʒɛɲ?|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_143.wav|z vˈami ˈalbɔ bˈɛz vˈas.|1
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_55.wav|dˈɛla uvʲˈɛlbja kakˈaɔ. vʲɛdʑˈawaɕ ˈɔtɨm? ˈɔ, ɲʲɛ, ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ ɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_70.wav|zapˈɛvnɛ dlatˈɛɡɔ, ʒˈɛ ʒˈadnɛ z nˈas ix ɲʲɛ pɔdlˈawɔ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_60.wav|tɔ ʃalˈɛɲʲɛts.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_190.wav|z dˈɔwu, s tɕˈasnɨx ulˈitʃɛk, dˌɔbjɛɡˈawɨ tˈu pˌɔvʲɛŋkʃˈɔnɛ pʃˈɛs ˈɛxɔ rɔzmˈɔvɨ pʃɛxˈɔdɲʲuf ˈalbɔ turˈɨstuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_110.wav|ɲʲˈɛvʲɛm, pɔvʲˈɛdʑaw tˈakɔ. mˈam zwˈɛ pʃɛtʃˈutɕa. na pʃˈɨkwat ɲʲɛ pɔdˈɔba mi ɕɛ tɛn bˈalkɔn dˌɔɔkˈɔwa kɔpˈuwɨ. vidʑˈitɕɛ ɡˈɔ?|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_31.wav|jˌɛstɛɕ lˈɔrdɛm pˌɔwudɲʲˈɔvɛj tˈartʃɨ?|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_42.wav|ɡdʑˈɛʑ vˈɛvnɔntʃ nˈaʃɛj mʲɛtʃˈɔvɛj dʑˈɛfki ukrˈɨva ɕɛ mˈatka spraɡɲʲˈɔna pɔtˈɔmstfa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_69.wav|mˈɔja ɕˈɔstra xtɕˈawa ˈupʲɛts tɕˈastka i jˈɛ pʃˌɨpalˈiwa. pˈɛvɲʲɛ zˌapɔmɲʲˈawa pilnˈɔvatɕ tʃˈasu.|2
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+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_150.wav|ɲˈikt mɲʲɛ ɲʲɛ ɡˈɔɲiw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_41.wav|tˈaɡ dwˈuɡɔ, jˈak tɔ kɔɲʲˈɛtʃnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_19.wav|— nˈɔ dˈɔbʒɛ — mˈuvi bʲˈillɨ i vɨxˈɔdʑi.|2
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+Dataset/wavs/urwisko_ferenc/42_segment_23.wav|mˈam stʃˈɛmpɨ ˌinfɔrmˈatsji.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_426.wav|zˌaatˌakujˈɛmɨ s pʲˈɛrʃɨm ʒˈaskʲɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_98.wav|ʃˈɔna mˈarʃtʃɨ tʃˈɔwɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_466.wav|dʑɛŋkˈujɛ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_461.wav|nˌastɛmpnˈɛɡɔ dɲʲˈa dʑɛftʃˈɨna jˈɛdnak ɲʲɛ vrutɕˈiwa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_40.wav|pɔɡˈɔdʑitɕ tɛ dvʲˈɛ ʒˈɛtʃɨ? rˈɨan ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_74.wav|tʃˈɛɕtɕ, mˈuvjɛ dɔ ɲʲˌɛdʑawˌajɔntsˈɛɡɔ mˌikrɔfˈɔnu. tˈak, jˈasnɛ, dˈɔbra dɛtsˈɨzja.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_83.wav|swˈɨʃɛ za plɛtsˈami krˈɔki i zastˈɨɡam w ˌiratsjɔnˈalnɛj ɔbˈavʲɛ, ʒˈɛ zblˈiʒa ɕɛ dɔ mɲʲɛ vwamˈɨvatʃ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_13.wav|sˈandɨ fskazˈawa pʃˈɛjɕtɕɛ fɕrˈut kʃˈɛvuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_4.wav|z ˈinnɨɣ dʑˈɛlɲidʑ dˌɔbjɛɡˈawɨ vɨbˈuxɨ i stʃˈawɨ z brˈɔɲi rˈɛntʃnɛj, ˌalɛ dɔpˈuki ɲʲɛ rˌɔspɛntˈawɔ ɕɛ pravdʑˈivɛ pʲˈɛkwɔ, ˈu nˈas w jˈɔlan bˌɨwɔ vzɡlˈɛndɲʲɛ spɔkˈɔjɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_48.wav|bʲˈillɨ sˈɔɲdʑi, ʒˈɛ tˈak.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_203.wav|stfʲˈɛrdʑiw sˈɛr dˈavɛn, vˌɨswuxˈafʃɨ ˌɔpɔvʲˈɛɕtɕi jˌamjɛˈɛɡɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_86.wav|bˌɨwam rɔzbʲˈita.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_62.wav|zaɡrˈɨzam vɛvnˈɛntʃnɔ̃ tʃˈɛɲɕtɕ pɔlˈitʃka, kʲˈɛdɨ prˌatsɔvɲˈitsɨ aɡˈɛntsji sprˈavdʑa mˌajɔ̃ kˈartɛ i prˈavɔ jˈazdɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_8.wav|zɔstˈawaʑ zɡvawtsˈɔna, ˌalɛ ɲʲɛ pʃɛzˈɛmɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_173.wav|pˈan klˈɛrki xtɕˈawbɨ ɔbˈɛjʒɛtɕ tfˈɔjɛ mˈajtki. pˈan klˈɛrki xtɕˈawbɨ, ʒˈɛbɨɕ ˌɔblizˈawa sˈɔbjɛ ˈusta.|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_51.wav|fʃˈɨstsɨ vɨbrˈali tˈɛ trˈasɛ utɕˈɛtʃki pʃɛt xaˈɔsɛm, ˌalɛ tˌɨlkɔː ɔn zvrˈatsa uvˈaɡɛ na fˌurɡɔnˈɛtkɛ vɨdʑˈawu rˈɔbut publˈitʃnɨɣ zˌaparkɔvˈanɔ̃ pʃɨ krˌavɛ̃ʒɲˈiku.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_74.wav|xtsˈɛ kʃˈɨknɔɲtɕ, ʒˈɛ ɔn ftsˈalɛ ɲʲɛ jɛst mˈartfɨ i ʒˈɛ tɔ ɲʲɛ ja xtɕˈawam pɔjˈɛxadʑ dɔː amˈɛrɨkˌi, tˌɨlkɔ stsˈɔtt. dɔ fʃɨstkʲˈɛɡɔ vwˈaɕɲʲɛ ɔn dˌɔprɔvˈadʑiw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_187.wav|ja mʲˈɛʃkam f tɨm maɡʲˈitʃnɨm mʲˈɛjstsu, ɡdʑˈɛ pˌɔɛtˈɨtʃna vˈilja...|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_194.wav|uɕˈadwam na pɔdwˈɔdʑɛ i zjˈadwam ɔpfˈitɛ ɕɲʲadˈaɲʲɛ zwɔʒˈɔnɛ s pˈulpɨ bˈɛz dɔdˈatkuf smakˈɔvɨx i vˈɔdɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_400.wav|tsˈɔɕ ˌɔkrɔpnˈɛɡɔ skɔɲtʃˈɨwɔ ɕɛ rˈaptɛm i tsˈɔɕ ɲʲˌɛpɔkˌɔjɔntsˈɛɡɔ, ˌalɛ miwˈɛɡɔ zatʃˈɨna ɕɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_171.wav|ɲʲɛ zamˈɨkaj klˈap, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_45.wav|jˈaɡɡɛr skˈinɔw ɡwˈɔvɔ̃, jˈaɡbɨ mˈɔjɛ miltʃˈɛɲʲɛ ˌɔznatʃˈawɔ zɡˈɔdɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_30.wav|skˈɔrɔ tʃɛkˈamɨ, pʃˈɨjʒɛ ɕɛ lˈiɕtɕɛ zˌaɡʲiɲʲˈɔnɨx kˈɔbjɛd z nˈɔtsɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_48.wav|zˌɔbatʃˈɨmɨ, tsˈɔː ˈuda mu ɕɛ znˈalɛɕtɕ na jɛj tˈɛmat.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_125.wav|tʃˌɛmu tsˈɔɕ takʲˈɛɡɔ mʲawˈɔbɨ kˌɔɡɔkˈɔlvʲɛɡ zˌaintˌɛrɛsˈɔvatɕ? bˈɔ na dwˈuʃʃɔ̃ mˈɛtɛ pɔzvˈala spˈɔrɔː ɔʃtʃˈɛɲdʑitɕ i jɛzd bˈardʑɛj ɲʲˌɛzavˈɔdnɨ ɔd zvɨkwˈɛɡɔ kɔndˈɔma.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_68.wav|spɔdʑˈɛvaw ɕɛ, ʒˈɛ mˈɔʒɛʒ vɨrˈazitɕ tˈakʲɛ ʒɨtʃˈɛɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_22.wav|tɔ mˈuɕi bˈɨtɕ nˈaʃ mɔrdˈɛrtsa.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_257.wav|tɕi baɲˈitɕi, ktˌuʒɨ zabʲˈili tfɔjˈɛɡɔ mˈɛ̃ʒa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_150.wav|ɲʲɛ zrˈɔbʲiw tˈɛɡɔ, xˈɔtɕaʃ mʲˈaw ɕɛ ɲʲˈɔ̃ ˌɔpʲɛkˈɔvatɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_138.wav|jˈɛɡɔ vnˈɛntʃɛ tˈɛʒ zmʲɛɲˈiwɔ ɕɛ na ɡˈɔrʃɛ. fʃˈɨstkʲɛ mˈɛblɛ bˌɨwɨ pʃˌɨsuɲʲˈɛntɛ dɔ ɕtɕˈan, a pɔ vʲˈɛlkim pˈɛrskim dɨvˈaɲʲɛ, ktˌurɛ kʲˈɛdɨʑ zdˈɔbʲiw pɔdwˈɔɡɛ, ɲʲɛ bˌɨwɔ ɕlˈadu.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_163.wav|pɔvʲˈɛdʑaw mu. tɔ jˈuʃ ɕɛ ɲʲɛ pɔftˈuʒɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_91.wav|vˈɨʃɛd.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_58.wav|mʲˈɛʒvjɛ mu vwˈɔsɨ, zabjˈɛram butˈɛlkɛ z vˈɔdɔ̃ i kˈilka smˌakɔwˈɨkuf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_43.wav|tsˈawɛ mˈɔjɛ tɕˈawɔ dɨɡˈɔtʃɛ, kʲˈɛdɨ pʃɛlˈɛva ɕɛ pʃɛzˈɛmɲʲɛ fˈala strˈaxu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_74.wav|tˈɨlkɔ, ʒˈɛ f tɨx fʃˈɨstkix kɕˈɔ̃ʃkax ɲʲɛ pʃˌɛtʃɨtˈawɛɕ ˈɔtɨm, tsˈɔ stˈaɲʲɛ ɕɛ s tˈɔbɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_81.wav|i ftˈɛdɨ mˈadʒɛr jˈan vɨnˈajɔw tɕˈɛbjɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_13.wav|ˈalfjɛ kaʒdˈɛɡɔ dɲʲˈa xˈɔdʑiw dɔ ʃkˈɔwɨ, a w vˈɔlnɛ dɲˈi dɔː ˌɔpʲɛkˈuŋki, a pˈɔtɛm vratsˈaliɕmˌɨ dɔ dˈɔmu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_62.wav|vʲˈɛm tsˈɔɕ na tˈɛmat pˈana fˌarakˈisa, jˈɛɕli muvˈimɨ ˈɔtɨm sˈamɨm tʃwɔvʲˈɛku.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_16.wav|zwˈɔʒɨw pʃɨɕˈɛŋɡɛ i nˈɔɕiw wˈaɲtsux. bˈɨw tˈɛʒ zˌapʃɨɕɛ̃ʒˈɔnɨm brˈatɛm z nˈɔtsnɛj strˈaʒɨ i zˈafʃɛ dˌɔxɔvˈɨvaw vʲɛrnˈɔɕtɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_66.wav|mˈatka vɨxˈɔdʑi bˈɛs swˈɔva s kˈuxɲi i ˈidʑɛ dɔ prˈalɲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_180.wav|ˌalɛ tsˈɔː innˈɛɡɔ mu pˌɔzɔstˈajɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_188.wav|im blˈiʒɛj vɨjˈazdu, tɨm bˈardʑɛj ɕɛ bˈɔi, ʒˈɛ ɡˈɔ sxfɨtˈajɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_107.wav|bʲˈillɨ stfʲˈɛrdʑa, ʒˈɛ ɲʲˈɛma ɲˈits pʃɛtɕˈifkɔ tˈɛmu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_34.wav|tˈaɡ vɨjˈɛxaw pˈuw ɡɔdʑˈinɨ pʃɛt nˈami, ʒˈɛbɨ fʃˈɨstkɔː ɔbɡˈadadʑ z mʲɛjstsˈɔvɨm zɛspˈɔwɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_258.wav|prˈɔʃɛ ɕɛ ɲitʃˈɛɡɔ ɲʲɛ ɔbˈavʲatɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_356.wav|fʃˈɨstkɔ jˈɛdnɔ, jˈakɔ̃ prˈatsɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_103.wav|skˈɔnd ɡˈɔ mˈaʃ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_22.wav|pʃɛwˈɨkam ɕlˈinɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_145.wav|prˈɔblɛm bˈɨw rˌɔzvʲɔ̃zˈanɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_157.wav|ɡˈas f tɨm pˌɔjɛmɲˈiku pɔdˈɔbnɔ jɛst ɔ pɔwˈɔvɛ swˈapʃɨ. ˌintɛrɛsˈujɛ nˈas tˌɨlkɔ klˈɛrki. ɲʲˈɛxtsɛ zˈabʲitɕ pˌɛtɛrsˈɛna, jˈɛɕli ɲʲɛ bˌɛndɛ mˈuɕaw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_18.wav|ftɕˈɔ̃ʃ ɲʲɛ pɔtrˈafi vɨjˈaɕɲitɕ, jˈakim tsˈudɛm pʃˈɛʒɨw.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_230.wav|lˈɔrt tˈɨvin kʲɛrˈujɛ naʃˈɨmi pˌɔtʃɨnaɲʲˈami nˈavɛd zzˈa ɡrˈɔbu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_137.wav|a ja pɔtʃˈuwam, ʒˈɛ zapˈadam ɕɛ zˈɛ fstˈɨdu pɔd ʑˈɛmʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_111.wav|nˈaɡlɛ za mɔˈimi plɛtsˈami ɔdʑˈɨva ɕɛ ɡwɛmbˈɔki, spɔkˈɔjnɨ ɡwˈɔs.|3
+Dataset/wavs/urwisko_ferenc/63_segment_120.wav|ɔn tfʲˈɛrdʑi, ʒˈɛ pˈaɲi ɕɛ nˈatɨm znˈa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_86.wav|nˈɔ dˈɔbʒɛ, i tsˈɔ jɛj pˈɔvʲɛm? pɔznˈawam nɔvˈɛɡɔ kɔlˈɛɡɛ? pʃɨpˈadliɕmˌɨ sˈɔbjɛ dɔ ɡˈustu, bˈɔː ɔbˈɔjɛ lubʲˈimɨ rˈɔsuw i tʃˈarnɔ̃ lˈistɛ?|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_22.wav|bˌudɔvˈanɔ nˈɔvɔ̃ vʲˈɛʒɛ ˌɔblɛ̃ʒɲˈitʃɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_186.wav|mˈɔja ɕfʲadˈɔmɔɕtɕ jɛst jˈak tˈɔɲ pwˈɨtkʲɛj vˈɔdɨ ruʃˈɔnɛj lˈɛtɲim ʃkfˈawɛm ˈalbɔ pʃɛtɕˈɛntɛj pʲˈurɛm vʲˈɔswa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_78.wav|pɔvˈinnam bˌɨwa vʲˈɛdʑɛtɕ, ʒˈɛ dɔmˈiɲik ɲʲɛ zapˈɔmɲʲawbˌɨ jɛj zˈamknɔɲtɕ, a kʲˈɛdɨ zɔbˈatʃɨw rˈannɔ̃, xˈɔllɨ ɲʲɛ zvrˈutɕiw nˈavɛt uvˈaɡʲi na ɕlˈadɨ vwamˈaɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_89.wav|zˈaɲim ˈɛlis pˈɔʃwa dɔ sfɔjˈɛɡɔ pɔkˈɔju, ˌuɕtɕiskˈawɛm jˈɔ̃ i vˌɨtsawɔvˈawɛm w ˈɔba pɔlˈitʃki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_81.wav|pˌɔkazˈawɛm mu i vˌɨjaɕɲˈiwɛm, ʒˈɛ tɛn bˈudʑik xˈɨba ˌuratˈɔvaw mi ʒˈɨtɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_71.wav|bjˈɛɡɲʲɛ s pɔvrˈɔtɛm dɔ mˌitsubʲˈiʃi, radˈɔɕɲʲɛ ˌuɕmʲɛxɲʲˈɛnta. pɔ tʃˈɛɲɕtɕi z ˈulɡʲi, pɔ tʃˈɛɲɕtɕi z dˈumɨ. mˈa za sˈɔbɔ̃ sfˈɔjɔ̃ pʲˈɛrʃɔ̃ transˈaktsjɛ nˌarkɔtɨkˈɔvɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_68.wav|ɡdˈɨbɨ tsˈɔɕ ɕɛ pˈaɲi pʃˌɨpɔmɲʲˈawɔ, prˈɔʃɛ pʃɛkˈazatɕ tɔ zˈɔɛ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_135.wav|trˈudɲʲɛj bˌɛɲdʑɛ zapwˈatɕidʑ za pʃˈɛvus. najlˈɛpʃɔ̃ nadʑˈɛjɔ̃ bˈɨwbɨ dla ɲˈix stˈatɛk s ɕˈɛdmju krˈulɛstf.|1
+Dataset/wavs/urwisko_ferenc/55_segment_55.wav|tɔ drˈuɡʲi rˈaz w ʒˈɨtɕu, kʲˈɛdɨ ɔdvʲˈɛdʑa nˈaz w dˈɔmu pɔlˈitsja.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_49.wav|na ulˈitsɨ kɔɲtʃˈɔntsɛj ɕɛ pʃɨ ɡmˈaxu sˈɔndu pˈɔtɛm bˌɛɲdʑɛ rˈɔjnɔ jˈak w ˈulu, tˈɛras jˈɛdnak tɔ tsmˌɛntaʒˈɨskɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_30.wav|pˌɔjavˈiwɨ ɕɛ tˈɛʃ ukrˈɨtɛ pɔɡrˈuʃki, ktˌurɛ mʲˌawɨ zˈabʒmʲɛtɕ tˈak, jˈaɡbɨ mʲˈawa mu dɔ zˌaɔfˌɛrɔvˈaɲʲa tsˈɔʑ vˌɨjɔntkɔvˈɛɡɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_232.wav|ɕˈadwɛm na sfˈɔim kʃˈɛɕlɛ. swuxˈaliɕmˌɨ pʃˈɛs xfˈilɛ tˌɛɡɔ ʃalˈɛɲstfa pʲˈɛrʃɛj bˈuʒɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_90.wav|ɲʲɛ pʃˌɛtstavʲˈawa ʃtʃɛɡˈulɲʲɛ ˌintɛrˌɛsujɔntsˈɛɡɔ vidˈɔku.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_35.wav|zˌidɛntˌɨfikɔvˈawam plˈɔtki vɛ fʃˈɨstkix tɕˈasnɨx krˈɛŋɡax, s kturˈɨmi jˌɛstɛm lˈuʑnɔ pˌɔvʲɔ̃zˈana, vwˈɔntʃɲʲɛ z matkˈami dʑˈɛtɕi zˈɛ ʃkˈɔwɨ alfjˈɛɡɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_112.wav|a pˈɔtɛm mˈuvjɛ ɲʲˌɛzdɛtsˌɨdɔvˈaɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_51.wav|ɲʲɛ jˌɛstɛm pˈɛvna, a pɔvˈinnam?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_16.wav|xfˈilɛ pʃɨɡlˈɔndaw mi ɕɛ z ˌɔtfartˈɨmi ustˈami, a pˈɔtɛm ʒˈɛɡw ʒɨtʃlˈivʲɛ,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_8.wav|zɡˈadʑa ɕɛ. mˈa ɔː ˈaʃu vɨsˈɔkʲɛ mɲʲɛmˈaɲʲɛ. uvˈaʒa ɡˈɔ za fspˌaɲʲawˈɛɡɔ lɛkˈaʒa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_125.wav|rɔzwˈɔntʃɨw ɕɛ i ɔdvrˈutɕiw dɔ bˈɛki.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_67.wav|ˌalɛ mˈɔɡwa vʲˈɛdʑɛtɕ, ktˈɔ zˈabʲiw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_92.wav|ˈɛliz dˈajɛ mu dvʲˈɛ tablˈɛtki i pɔdnˈɔɕi ɡˈɔ dɔ pɔzˈɨtsji ɕɛdʑˈɔntsɛj, ʒˈɛbɨ mˈuɡw jˈɛ pˈɔpidʑ vˈɔdɔ̃. bʲˈili kˈaʃlɛ, ˌɔswaɲʲˈajɔnts ˈusta dwˈɔɲʲɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_111.wav|tˈɨlɛ ɡwˈɔsuf. tɛn dʑvʲˈɛŋk mrˈɔʑi tʃwˌɔvʲɛkˈɔvi krˈɛv w ʒˈɨwax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_12.wav|fspɔmɲʲˈɛɲʲa bˈɨ mɲʲɛ pʃˌɨtwɔtʃˈɨwɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_45.wav|lˈudʑɛ, ktˌuʒɨ pʃˌɛprɔvadʑˈajɔ̃ ɕɛ dɔː artˈɛmis, zˌabjɛrˈajɔ̃ zˈɛ sˈɔbɔ̃ ˌɔʃtʃɛndnˈɔɕtɕi sfɔjˈɛɡɔ ʒˈɨtɕa, a pˈɔtɛm jˈɛ tˈutaj vɨdˈajɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_36.wav|bʲˌiʒutˈɛrjɛ, zɛɡˈarki, zwˈɔtɛ waɲtsˈuxɨ i ˈinnɛ pʲɛrdˈɔwki kazˈali mu vɨʒˈutɕitɕ, ˌalɛ pʲɛɲʲˈɔndʑɛ mˈuɡw zatʃˈɨmatɕ w rˈamax prˈɛmji.|2
+Dataset/wavs/urwisko_ferenc/65_segment_44.wav|dvˌustanˌɔviskˈɔvɨ ɡˈaraʒ znajdˈɔvaw ɕɛ pɔ lˈɛvɛj strˈɔɲʲɛ dˈɔmu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_36.wav|xˈɛj! zarˈɨtʃaw tʃwˈɔvʲɛk s flˈaɡɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_200.wav|kʲˈɛdɨ pɔtxˈɔdʑiw dɔ lˌɔndɔvˈaɲʲa, kʲˈɛdɨ mˈɨɕlaw ɔ sfˈɔim sˈɨnu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_2.wav|pɔ nˈɔtsnɨm dˈɛʃtʃu pɔrˈanɛɡ bˈɨw jˈasnɨ i xwˈɔdnɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_53.wav|ˈɔddʑvɔɲ dɔ mɲʲɛ, jˈak tˌɨlkɔ ɕɛ tʃˈɛɡɔʑ dˈɔvʲɛʃ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_34.wav|spɨtˈawa ɲʲˌɛvɨrˈaʑnɨm ɡwˈɔsɛm fˈɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_58.wav|najblˈiʃʃɨ xˈɔtɛl nazˈɨvaw ɕɛ fsxˈut kɕɛ̃ʒˈɨtsa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_115.wav|i dlatʃˈɛɡɔ ftɕɔŋɡnˈɛli f tɔ tˌɛɡɔ druɡʲˈɛɡɔ xˈɔffa?|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_61.wav|vɨ dvˈaj pɔvʲˈɛdʑaw. na tsˈɔ tʃɛkˈatɕɛ?|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_52.wav|taˈɛna pʃˌɛvrutɕˈiwa ɕɛ na bˈɔk. jɛj ˌɔlifkˈɔva skˈura bwɨʃtʃˈawa w blˈasku ɕfʲˈɛtsɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_208.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_248.wav|ɲˈikt ɲʲɛ jɛst ˈaʃ na tˈɨlɛ nˈɛndʑnɨ, ˈabɨ ɲʲɛ mˈɔʒna ɡˈɔ jˈakɔʑ vˌɨkɔʒˈɨstatɕ. tʃˈɛba tˌɨlkɔ vʲˈɛdʑɛtɕ jˈak.|0
+Dataset/wavs/urwisko_ferenc/65_segment_162.wav|ɲʲɛ zˌaswuʒˈɨwa nˈatɔ, tsˈɔ jˈɔ̃ spɔtkˈawɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_81.wav|jˈadɔndʑ dɔ tsˈɛntrum, bʲˈillɨ mˈɨɕli ˈɔtɨm, ʒˈɛ ʃˈan zmʲɛɲˈiwa ˈimjɛ sfɔjˈɛmu flˌamiŋɡˈɔvi.|2
+Dataset/wavs/urwisko_ferenc/02_segment_68.wav|pˌɔzɔstˈawɛ çˌipɔtˈɛzɨ, pɔrvˈaɲʲɛ lˈub zabˈujstfɔ z brˈaku jˌakixkˈɔlvʲɛk pˈɔʃlak pʃɛstˈawɨ bˈɨdʑ brˈanɛ pɔt uvˈaɡɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_158.wav|i tˈu vwˈaɕɲʲɛ ˈɛlis mˈɔʒɛ ɕɛ pʃˈɨdatɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_70.wav|bˈɨwabˌɨɕ ɕfʲˈɛtnɨm nˌaukˈɔftsɛm. dˈɔɕtɕ!|4
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_77.wav|ˈɔlman ɕtɕˈɔŋɡnɔw brvˈi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_72.wav|— bˈɔ tɔ darmˈɔxa! — i pxnˈɔw mˈɔjɔ̃ rˈɛŋkɛ, a ja pɔswˈuʃɲʲɛ vɨpˈiwɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_46.wav|tʃɨ ˌudawˈɔbɨ mi ɕɛ ɡˈɔ rɔspˈɔznatɕ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_438.wav|nˈɔ dˈɔbʒɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_103.wav|sɔ̃ jˈɛʃtʃɛ dvˈa ˈinnɛ ˌarɡumˈɛntɨ. rˈas, ɲˈiɡdɨ dˈɔtɔnt ɲʲɛ vɨtsˈɔfaw ɕɛ zˈɛ zlɛtsˈɛɲʲa. dvˈa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_312.wav|krutsjˈatɛ pʃˌɛbatʃˈɛɲʲa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_64.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_273.wav|sˈɔndʑɔnts, ʒˈɛ tɔ ɡˈɔ zˌadɔvˈɔli.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_23.wav|ɡdʑˈɛ vʲˈɛntsɛj bˌɨwɔ ɡˈɔɕtɕi muvʲˈɔntsɨx w jɛ̃zˈɨku pɔfʃˈɛxnɨm.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_222.wav|vˈaldɛr frˈɛj s pɛvnˈɔɕtɕɔ̃ rˈuvɲʲɛʃ ɲʲɛ swˈɨʃaw ɔ ʒˈadnɨm pˌɔrɔzumjˈɛɲʲu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_181.wav|sˈama mˈɨɕl, ʒˈɛ tɛn ɔblˈɛɕnɨ ɡˈad bˈɨw z dʑˌɛftʃɨnˈami w vʲˈɛku ˈɛliz vɨstˈartʃa, bˈɨ pʃɨprˈavidʑ bʲillʲˈɛɡɔ mdwˈɔɕtɕi.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_184.wav|tˌɛstɔvˈawam prˈɔdukt, prˈavda?|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_54.wav|ftˈɛdɨ sˈɔbjɛ pʃˌɨpɔmˈina, kˈurtʃɛ, pʃˌɛtɕɛʃ mi zɡʲˈinɔw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_92.wav|zɡubʲˈiliɕmˌɨ jˈɔ̃ w rˈɛtfɔrt.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_102.wav|ɲʲˈɛmʲawbˌɨ ɲˈits pʃɛtɕˈifkɔ, jˈɛɕli tˈɔm vˈɨdawbˌɨ pʲɛɲʲˈɔndʑɛ na lˈutsɨ, ˌalɛ fkˈuʒɨwbˌɨ ɕɛ ɲʲˌɛmiwɔɕˈɛrɲʲɛ, ʒˈɛ kˈatɛ rˈɔbʲi sˈɔbjɛ jˈaja.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_246.wav|vˈɨʃɛd, ɲʲɛ zˌamɨkˈajɔndʑ dʒvˈi na klˈutʃ.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_284.wav|na pˈɛvnɔ zdˌumjɛvajˈɔntsɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_152.wav|jˈasnɛ, ˌalɛ ɲʲɛ ɔt rˈazu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_252.wav|ˈɛlis fprˈavɲʲɛ jˈɔ̃ pɔdʒˈutsa i kˈaʒɛ mu vˈɨbratɕ ˈɔʒɛw tʃɨ rˈɛʃka. bʲˈillɨ vɨbjˈɛra rˈɛʃkɛ. zˈafʃɛ tˈak rˈɔbʲi. naˈutʃɨw ɕɛ tˌɛɡɔː ɔt tˈatsɔ.|2
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+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_148.wav|wˈɔftsɨ nˈaɡrut, ktˌuʒɨ tɕˈɛ vˌɨpatrˈujɔ̃, pˈɛvɲʲɛ ɕˈɛdʑɔ̃ f tsˈɛntrum mʲˈasta, ɡwˈuvɲʲɛ f pɔblˈiʒu kˈasɨ naɲˈika.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_562.wav|ktˈɔɕ ˈidʑɛ, zˌatʃɨmˈujɔnts ɕɛ pʃɛd vˌɨstavˈami sklˌɛpɔvˈɨmi.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_383.wav|zatɕˈɛra ɕɛ f tɕɛmnˈɔɕtɕi tˈak fspaɲʲˈalɛ ɔkrˈɔŋɡwa, zdˌumjɛvajˈɔntsa f sfˈɛj dˌɔskɔnawˈɔɕtɕi jɛj nˈaɡa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_48.wav|ɲˈitsk ɕˈɛdʑi pɔɕrˈɔtku kanˈapɨ z rˌɔsstavʲɔnˈɨmi nɔɡˈami.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_226.wav|ˈɔdɛjɕtɕ!|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_110.wav|krˈɛɲtɕi ɡwˈɔvɔ̃ i ɕtɕˈɔŋɡa brvˈi.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_46.wav|zdˈajɛʃ sˈɔbjɛ s tˌɛɡɔ sprˈavɛ, ɲʲɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_6.wav|tɔː ɔznˈatʃa, ʒˈɛ mɲʲɛ rˈuvɲʲɛʃ xtsˈɛ zˌamɔrdˈɔvatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_128.wav|bˌɛndɛ ˌɔprɔvadʑˈawa turˈɨstuf, a ˌɔna pˌɔstanɔvˈiwa zˌainvɛstˈɔvatɕ w mˈɔjɔ̃ fˈirmɛ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_313.wav|wˈatfɔ jɛzd zrɔzˈumjɛtɕ, dlatʃˈɛɡɔ jˌɛstɛɕ ˌulubjˈɛɲtsɛm lˈadɨ marɡˈɛrɨ.|1
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+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_225.wav|tʃɨ jˌɛstɛɕ s tˌɛɡɔ dˈumna?|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_307.wav|zrˈɔbjɛ tɔ, mˈɔja swˈɔtka.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_454.wav|w rˈɛŋkax tʃˈɨmaw ˌawtɔmatˈɨtʃnɨ karˈabʲin kˌawaʃɲikˈɔvɨ.|0
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+Dataset/wavs/urwisko_ferenc/55_segment_20.wav|pˈudwɔ! ˌuswɨʃˈawa w ˌɔtpɔvʲˈɛdʑi. tɔ znˈatʃɨ?|0
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+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_94.wav|a tˈɛras ɔn zmˈɨva ɕɛ stˈɔnt, bˈɔ bˈɔi ɕɛ rˈɔku w vʲɛtnˈamjɛ.|0
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+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_86.wav|ʑˈɛmʲa jɛst tˈɛras f pʲˈɛrʃɛj kfˈadʒɛ. natxˈɔdʑi pˈɛwɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_381.wav|tɕi ɡʒɛʃɲˈitsɨ vˌɨpɛwɲʲˈajɔ̃ sfˈɨmi mˌɔnɛtˈami krulˈɛfskʲɛ kˈufrɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_50.wav|ɲʲɛ maʒ za tsˈɔ pʃɛprˈaʃatɕ, mˈuvi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_99.wav|tɛ vwˈɔsɨ pʃɨkrˈɨva mˈawɨ kˌapɛlˈuɕik.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_530.wav|i pʃˌɨtulˈiwa ɕɛ dɔ mˈɛɡɔ bˈɔku, a ja pˈaltsɛm musnˈɔwɛm jɛj pɔlˈitʃɛk.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_66.wav|sfˈɔjɔ̃ drˈɔɡɔ̃ ɲʲˈɛbɨw tɔ pʃɨpˈadɛk.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_35.wav|zˌapɨtˈawa, tsˈɔ tˈam ɕɛ stˈawɔ?|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_14.wav|tɕˈɛɲ na kɕɛ̃ʒˈɨtsu tɔ ɲʲˌɛpʃɛɲikɲʲˈɔna tʃˈɛrɲ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_156.wav|jɛst ʃalˈɔnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_47.wav|tʃwɔvʲˈɛkʲɛm jˈudɨ w nˈɔvɨm jˈɔrku jɛzd dˈarɛn bˈɨrnɛ.|2
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_39.wav|rˈɔp pɔpˈatʃɨw na tˈɔma.|3
+Dataset/wavs/urwisko_ferenc/07_segment_47.wav|ʒadnˈɛɡɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_77.wav|ɲʲˈɛma sˈɛnsu kʃˈɨtʃɛtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_24.wav|uvˈaʒaʃ, ʒˈɛ tɔ bˌɨwa mˈɔja vˈina?|3
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+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_184.wav|tɔ jˈuʒ drˈuɡʲi rˈas.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_43.wav|ˌalɛ tɔ z jˈɛɡɔ mˈatkɔ̃ xtɕˈawam ɕɛ zɔbˈatʃɨtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_42.wav|zrɔbʲˈiwabˌɨm tsɔkˈɔlvʲɛk, bˈɨ mˈukw pˈɔtʃutɕ ɕɛ lˈɛpʲɛj. tsɔkˈɔlvʲɛk.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_64.wav|vˌɨɡlɔndˈawɔ nˈatɔ, ʒˈɛ ɔfjˈara bˌɨwa tˈu ɔt pɛvnˈɛɡɔ tʃˈasu, a pʃɨnˈajmɲʲɛj jɛj samˈɔxut. bʲˈilɛt pˌarkiŋɡˈɔvɨ pɔvˈiɲʲɛn dˈatɕ im dɔkwˈadnɔ̃ ɔtpˈɔvʲɛtɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_17.wav|ˌalɛ vˈɨʃɛd dɔ ɲˈix irlˈanttʃɨk trˈatsɨ, ktˌurɨ trˈɔxɛ zˌastɛmpˈɔvaw ʃˈɛfa, a trˈɔxɛ ɡˈɔː ɔkrˈadaw.|0
+Dataset/wavs/urwisko_ferenc/64_segment_92.wav|jˈakiɕ tʃˈas pˈɔtɛm drɛvɲʲˈanɨ mˈɔduw zˈɔstaw pʃˌɛsuɲʲˈɛntɨ kˈilka mˈɛtruf na bˈɔk i ɔtswˈɔɲiw sˈuxɔ̃ ʑˈɛmʲɛ.|0
+Dataset/wavs/urwisko_ferenc/04_segment_58.wav|xudʑˈiɲski zɔstˈaviw samˈɔxut na ɕfʲˈatwax ˌavarˈɨjnɨx na sˈamɨm ɕrˈɔtku pʃɛprˈavɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_208.wav|rˈuvɲʲɛ vˈaʒnɛ jɛst tɔ, tsˈɔ tʃˈɛka na ɲʲˈɛɡɔ w ɡˌabʲinˈɛtɕɛ sˈali kˌɔnfɛrɛntsˈɨjnɛj.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_208.wav|muvˈili mi ˈɔtɨm, ˌalɛ ɲʲˈɛvʲɛm, tʃɨ tɔ prˈavda. tɔ nˈavɛt ɲʲɛ jɛst kˈat. pɔ prˈɔstu dʑvˈɔɲʲɔ̃ dɔ jakʲˈɛɡɔʑ ɡˈɔɕtɕa.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_130.wav|pʃˌɛtɕɛʃ ɔblˈawaɕ ɛɡzˈamin.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_89.wav|ˌaɲi prɛzˈɛntɛr, ˌaɲi mˈɔja mˈatka tˌɛɡɔ ɲʲɛ zrˌɔzumjˈɛli.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_100.wav|pʃɛkˈɔnam ɕɛ, kʲˈɛdɨ dɔstˈanɛ rˈɛʃtɛ nˌalɛʒnˈɔɕtɕi. ˈalbɔ ɲʲɛ dɔstˈanɛ. fpwɨnˈɛwa?|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_154.wav|sɛrɡˈantɔr studjˈɔvaw kˈilka lˈat f tsˌɨtadˈɛli i znˈaw jˈɛ̃zɨk lˈɛtɲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_103.wav|ˈɔtpar, pʃˌɨtɕɔŋɡˈajɔnts mɲʲɛ dɔ ɕˈɛbjɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_32.wav|ɡdʑˈɛ tˈɛraz bˈɨwa?|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_47.wav|prˌɔstɔkˈɔntnɨ nˈamjɔt rˌɛimˈana frˈɛja bˈɨw najvʲˈɛŋkʃɨ f tsˈawɨm ɔbˈɔʑɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_7.wav|bʲˈillɨ pɔtxˈɔdʑi dɔː ˈɔkna i vɨɡlˈɔnda na zˈɛvnɔntʃ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_56.wav|pˌɔpatʃˈɨwa na ɲʲˈɛɡɔ z nadbʒˈɛɡu kʲɛlˈiʃka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_116.wav|zˈaras pˈɔtɛm jˈɔ̃ vˌɨwɔntʃˈɨwam.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_376.wav|sˈɛr lˈɔtxɔr jˈɔ̃ lˈubʲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_39.wav|mˈuʃɛ tsˈɔʑ zrˈɔbʲitɕ, pɔfstʃˈɨmadʑ ɡˈɔ pʃɛt skʃɨvdʑˈɛɲʲɛm kˈɔɡɔɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_280.wav|jˈɛɕli ɕɛ dˈɔvʲɛ, ɡdʑˈɛ jˈɛstɛɕ, pˈɔvʲɛ tɕˈi, ʒˈɛ ˌɔna umjˈɛra. mˈɔʒɛ nˈavɛd zmˈuɕi jˈɔ̃ dɔ tˈɛɡɔ, ʒˈɛbɨ sˈama tɕi tɔ pˌɔvʲɛdʑˈawa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_151.wav|w rˈaʑɛ pɔtʃˈɛbɨ dˈɔtʃɛʃ tˈam w ɲʲɛtsˈawɛ dvʲˈɛ ɡɔdʑˈinɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_35.wav|mˈɔʒɛ pˌɔviɲʲˈɛnɛɕ jˈɔ̃ nˌawadˈɔvatɕ pˈɔttʃas jˈazdɨ i sxˈɔvadʑ zˈaɲim dˈɔtʃɛʃ na mʲˈɛjstsɛ. ɡdʑɛkˈɔlvʲɛk tɔ jˈɛst.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_58.wav|mˈɔʒna bˈɨ ˌɔstʃɛlˈivatɕ mʲˈastɔ s xˌawubʲˈitsɨ i ɲˈidʑ bˈɨ ɕɛ ɲʲɛ stˈawɔ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_329.wav|ɲʲˈɛxtɕaw pɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_18.wav|dˈalɛj mˈiltʃɨ, a bˈaki ɲʲɛ tɕˈɔŋɡɲʲɛ jɛj za jˈɛ̃zɨk. ɔt tʃˈasu, kʲˈɛdɨ pʃˌɨjɛxˈawa z bʲˈilim, prˈavʲɛ ɕɛ ɲʲɛ ɔdʑˈɨva.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_106.wav|jˈak sˈɔbjɛ ʒˈɨtʃɨʃ.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_241.wav|zɔbˈatʃɨʃ, jˈaɡ zɡʲˈinɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_261.wav|tʃɨ lˈɔrt rˈandall znˈɔvu tɕi nakˈazaw mɲʲɛ ɕlˈɛdʑitɕ?|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_34.wav|pʃˈɛz wzˈɨ vzbjˌɛrajˈɔntsɛ mʲˌɛndʑɨ ˌɔpuxɲʲɛntˈɨmi pˌɔvʲɛkˈami vidʑˈawam tˌɨlkɔ jˈɛɡɔ zamɡlˈɔnɨ kˈɔntur.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_82.wav|sfˈɔjɔ̃ ˌɔbɛtsnˈɔɕtɕɔ̃ tˌɨlkɔ fʃˈɨstkɔ pɔɡˈarʃaʃ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_128.wav|ɲʲɛ mˈuɕiʒ dˈalɛj tʃˈɨtatɕ, jˈɛɕli tɔ tɕˈɛ dɔwˈujɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_228.wav|plˈanɨ tʃˈasɛm bjˈɔrɔ̃ w wˈɛp.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_143.wav|ˌalɛ dɔ tˌɛɡɔ tsˈɛlu naprˈavdɛ pˌɔtʃɛbˈujɛ tɕˈɛbjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_27.wav|ɲʲɛ jˌɛstɛm pˈɛvna.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_83.wav|ɲʲɛ ɡrˈawam, ˌalɛ tʃɛrpˈawam rˈadɔʑdʑ z ˌɔpsɛrvɔvˈaɲʲa, jˈaɡ vˌɨɡrɨvˈajɔ̃ mˈɔi ˌulubjˈɛɲi pˌɔkɔʒˈɨɕtɕi.|3
+Dataset/wavs/urwisko_ferenc/64_segment_43.wav|ʃˈɛf fˈirmɨ bˌasɛnˈɔvɛj|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_191.wav|i vʲˈɛʒɛ f tɔ, ʒˈɛ jˈɛɕli jˈɔ̃ zapˈɔmnɛ, bˈuɡ zapˈɔmɲi mˈɔjɔ̃ prˈavɔ̃ rˈɛŋkɛ, rɔzˈumjɛʃ?|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_174.wav|jˈuʃ ɕɛ ɲʲɛ ɔbˈudʑiw.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_379.wav|mirˈanda uɲʲˈɔswa brvˈi.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_205.wav|jˈak xtsˈɛʃ tɔ zrˈɔbʲitɕ? zapˈɨtaw ˈɔjtɕɛts.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_242.wav|pˌɔvʲɛdʑˈawam pˈatʃɔnts jɛj prˈɔstɔ w ˈɔtʃɨ.|4
+Dataset/wavs/urwisko_ferenc/10_segment_6.wav|zˈɛrɔ ɕˈɛdɛm vʑˈɔw dwˈuɡʲi prˈɨʃɲits i rˈas jˈɛʃtʃɛ uwˈɔʒɨw sˈɔbjɛ w ɡwˈɔvʲɛ fʃˈɨstkɔ, tʃˈɛɡɔ dɔvʲˈɛdʑaw ɕɛ ɔ lˈipskix.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_93.wav|zdjˈɛɲtɕa z zˈillɔf pˌɔkazˈujɔ̃ tɔ, tʃˈɛɡɔ na ɡɔˈɔɡlɛ ˈɛartx ɲʲˈɛma, napʃˈɨkwad. ˌɔtɔtʃˈɛɲʲɛ budˈɨŋku.|2
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_55.wav|dˈalɛ vˈɛstxnɔw z ˈulɡɔ̃. ˈɔ, dʑˈɛŋki bˈɔɡu!|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_155.wav|i tsˈɔ mɨ s tɨm zrɔbʲˈimɨ, jˈɔɛl?|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_43.wav|pˈɛvɲʲɛ tˈak.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_67.wav|mˈɔʒɛ zabˈujtsa ɡˌɛnɛvʲˈɛvɛ pʃˈɛʃɛd vwˈaɕɲʲɛ stˈamtɔnt.|3
+Dataset/wavs/urwisko_ferenc/13_segment_4.wav|xˈɛrman fskazˈawa na fˌɔtɔɡrˈafjɛ f prˈaɕɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_387.wav|vɨjˈɛwa s tɔrˈɛpki ʃmˈiŋkɛ i zatʃˈɛwa pɔprˈavʲatɕ rɨsˈunɛk ˈust.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_127.wav|lˈɔrd vˈatɛrz zapˈɛvɲʲa, ʒˈɛ mˌaɛstˈɛʒɨ rˈɔbjɔ̃ fʃˈɨstkɔ, tsˈɔ w ix mˈɔtsɨ, ˈalɛ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_21.wav|a jˈɛɡɔ ʒˈɔna? spɨtˈawa bˈɛtskɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_36.wav|pˌɔjɛxˈali nat mˈɔʒɛ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_6.wav|brjˈɛnnɛ i pˈɔdridʑɡ zˌadɔvɔlˈili ɕɛ swˈɔtkim tsˈɨdrɛm.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_44.wav|jˈamɛ ɲʲɛ vˈɔntpiw, ʒˈɛ tˈaɡ ʒˌɛtʃɨvˈiɕtɕɛ bʒmʲˈawɨ swˈɔva lˈɔrda tɨvˈina.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_107.wav|bʲˈillɨ vʲˈɛ, ʒˈɛ tɔ mɔʒlˈivɛ.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_93.wav|sˈɛptɔn mɛrˈibalt utʃˈɛpiw ɕɛ tˌɛɡɔ tɛmˈatu, bˈɨtɕ mˈɔʒɛ prˈaɡnɔnts pˈɔmuts tˌɔvaʒˈɨʃɔm zapˈɔmɲʲɛtɕ ɔ mˌakabrˈɨtʃnɨx straʒɲˈikax, ktˌurɨx spɔtkˈali pɔ drˈɔdʑɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_73.wav|zɡˈadɲij, ɲʲˈɛdam rˈadɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_71.wav|tɕˈɔŋɡnɔw ˈaram.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_2.wav|ɔt xfˈili, kʲˈɛdɨ zabrˈanɔ mˈili, ˌupwɨvˈajɔ̃ jˈuʒ dvʲˈɛ ɡɔdʑˈinɨ, a ja pʃˈɛz vʲˈɛŋkʃɔɕtɕ tʃˈasu lˈɛʒɛ na jɛj wˈuʃku, ˌɔtɔtʃˈɔna zˌabafkˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_20.wav|mˈɨɕlɛ, ʒˈɛ f prˈavʲɛ jˈazdɨ pɔvˈinnaʑ bˈɨdʑ blɔndˈɨŋkɔ̃, ˌalɛ zˈɔstaf tɕˈɛmnɛ brvˈi i tˈaɡ bˌɛɲdʑɛ dˈɔbʒɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_575.wav|mˈɨɕlɛ, ʒˈɛ pˌɔmɨlˈiwɛɕ mɲʲɛ s kˈimɕ ˈinnɨm. bˌɨwɔ pʃˌɛtɕɛʃ nˈas tʃtɛrdʑˈɛstu f klˈaɕɛ. ɲʲɛ, ɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_25.wav|tsˈawɨ bʲˈili, mˈuvi ɲˈidʑɡ dɔ sfˈɔix amˈiɡɔs. zˈafʃɛ mˈɨɕli na dvˈa pˌɔsuɲʲˈɛɲtɕa nˈapʃut.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_216.wav|s pɛvnˈɔɕtɕɔ̃ zrɔbʲˈilibˌɨ tɔ wutʃɲˈitsɨ stɔjˈɔntsɨ na mˈurax.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_164.wav|pʃɛprˈaʃam, ʒˈɛkw tˈɛxɲik tɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_32.wav|mˈiltʃɛ jˈɛʃtʃɛ pʃˈɛs mˈɔmɛnt, tʃˈujɔnts jˈaɡ vzrˈɔk pʃˌɨjatɕˈuwki vɨpˈala mi dʑˈurɛ f tʃˈupku ɡwˈɔvɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_43.wav|pɔprˈɔʃɛ zˈɛspuw z nˈɔtsnɛj zmʲˈanɨ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_70.wav|dʑvʲˈɛŋk ix krˈɔkuf ɔdbʲˈijaw ɕɛ ˈɛxɛm ɔt mˌarmurˈɔvɛj pɔdwˈɔɡʲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_40.wav|zˌɔbatʃˈɨwɛm jˈɔ̃ znˈɔvu pɔ tɨɣ dwˈuɡʲiɣ ɡɔdʑˈinaɣ bwɔŋkˈaɲʲa ɕɛ pɔ varʃˈavʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_53.wav|skˌɔʒɨstˈawɛm s tɛj ɔkˈazji. zwɔʒˈɨwɛm rˈazɛm rˈɛntsɛ, vˌɨprɔstɔvˈawɛm jˈɛ i ˌudɛʒˈɨwɛm tˌɛɡɔ druɡʲˈɛɡɔ prˈɔstɔ f tfˈaʃ. pˈɔtɛm pɔbjˈɛɡwɛm.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_20.wav|bʲizbˈɛrɨ zmˈar kˈilka lˈat pˈuʑɲʲɛj.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_227.wav|pɔ pˈɛvnɨm tʃˈaɕɛ ktˈɔɕ ɔbˈudʑiw jˈɔ̃ pˌɔtʃɔ̃sˈaɲʲɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_208.wav|tɨ tɔ zrɔbʲˈiwaɕ?|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_187.wav|pɔ pʲɛtnˈastu minˈutax mʲɛdʑˈanɨ kˈɔrɛɡ zɲˈikw pɔt sɔlˈidnɔ̃ stalˈɔvɔ̃ pwˈɨtɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_6.wav|na pʃˈɔdʑɛ xˈɛwmu nˌarɨsˈɔvaw patsˈɨfɛ, a s tˈɨwu, pʃˈɛs jˈakiɕ tˈɨdʑɛɲ, zˈaɲim dɔvˈuttsa kˈazaw mu jˈɔ̃ zdjˈɔɲtɕ, nˈɔɕiw naklˈɛjkɛ s tˈɛkstɛm liʃtɕˈipkɛ bˌɛɲdʑɛʒ vʲˈɛlki.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_3.wav|ˈɔjtɕɛts i ja ʃlˈiɕmɨ zˈaɲim i pxˈaliɕmˌɨ vˈuzɛɡ vˌɨpɛwɲʲˈɔnɨ spʃˈɛntɛm dɔ spavˈaɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_172.wav|dlatʃˈɛɡɔ rˈɨtsɛʃ mʲˈawbɨ pratsˈɔvatɕ f kˈuʑɲi?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_38.wav|splˈatam mˈɔtsnɔ dwˈɔɲʲɛ, ʒˈɛbɨ ɲʲɛ zˌauvaʒˈɨli jˈak ɕɛ tʃˈɛ̃sɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_326.wav|jˈɛdɛn bˈuk ɔ ɕˈɛdmju aspˈɛktax.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_98.wav|bˈɔp fstˈaw s kʃˈɛswa. mˈiwɔ tɕˈɛ vˈidʑɛtɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_69.wav|pʃˌɛtɕɛʃ tɨ ɲʲɛ pˈaliʃ i ja ɲʲɛ pˈalɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_157.wav|kʲˈɛdɨ muɕˈawa pratsˈɔvadʑ ɡˌɔdʑinˈami, ʒˈɛbɨ nˈas fʃˈɨstkix nakˈarmitɕ i ˈubratɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_88.wav|a tɨ ɲʲɛ mˈɨɕliʃ, ʒˈɛ tɛn tʃwˈɔvʲɛk mˈukw tʃˈutɕ tɔ sˈamɔ?|0
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+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_136.wav|vʲˈɛʃ, tsˈɔ bˌɛndɔ̃ mˈuvitɕ? ɲʲɛ f prˈaɕɛ tʃɨ tˌɛlɛvˈizji, ˌalɛ mʲˌɛndʑɨ sˈɔbɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_16.wav|ɲʲˈɛtsɔ z bˈɔku vˈidɲʲaw tˈɛʒ vˌizɛrˈunɛk stˌɔjɔntsˈɛɡɔ mɛ̃ʃtʃˈɨznɨ.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_14.wav|bjˈɛʃtɕɛ ɡˈɔ, zavˈɔwaw ktˈurɨɕ. jɛst sˈam.|1
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+Dataset/wavs/urwisko_ferenc/09_segment_45.wav|xˈɨba ɕɛ f tɨm zapˈɛɲdʑiw, bˈɔ pʃˌɛinvɛstˈɔvaw i f kˈɔɲtsu sˈam zˈatʃɔw ɕɛ zvˈijatɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_213.wav|ʒˈɛ pɔdˈɔbnɨm jɛzd dɔ rˈaju, ɡdˈɨʃ tˈu vwˈaɕɲʲɛ pɔvʲˈɔdwɔ mu ɕɛ i utʃˈɨɲi tɔ, tsˈɔ pˌɔstanˈɔviw.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_80.wav|vɛstxnˈɛwam tɕˈɛ̃ʃkɔ. mˈɔjɛ maʒˈɛɲʲa ɔ vɨɡˈɔdnɨm mʲɛʃkˈaɲʲu umˈarwɨ vrˈas s trˈɔndɛm.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_4.wav|minˈɛwa kɔlˈɛjna ɡɔdʑˈina.|1
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+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_38.wav|a alˈain maʒˈɨwa ɔ jɛj wˈɔʒu.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_157.wav|a ˈilɛ zarˈabja tˈutaj pʃɛtɕˈɛntnɨ tʃwˈɔvʲɛk? ˌɔtʃɨvˈiɕtɕɛ, jˈɛɕli vˈɔlnɔ spˈɨtatɕ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_171.wav|ɔrˈɛan pɔprˈɔɕiw jˈɔ̃ ɔ pˌɔzvɔlˈɛɲʲɛ nadˈaɲʲa mu nˈazvɨ lˈɔrt tˈɨvin.|1
+Dataset/wavs/urwisko_ferenc/49_segment_65.wav|mˈarja ɲʲɛ zdɔ̃ʒˈɨwa ɕɛ zˌastanˈɔvitɕ nat swɔvˈami lɛkˈarki, ɡdˈɨ ɔddʑvˈɔɲiw vaʒˈɛxa. — nˈɔ dˈɔbra, xˈɨba tsˈɔɕ mˈam — ʒˈutɕiw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_62.wav|mɛ̃ʃtʃˈɨzna stˈaw ˌɔdvrutsˈɔnɨ dɔ ɲʲˈɛɡɔ plɛtsˈami, ˌalɛ tˈɔm ɲʲˈɛmʲaw vˌɔntplivˈɔɕtɕi, ktˈɔ tɔ jˈɛst.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_12.wav|mˈiwɔ tɕˈɛ vˈidʑɛtɕ, bʲˈillɨ. straʒɲˈikʲɛm, ktˌurɨ mˈa dˈɨʒur dʑˈiɕ rˈanɔː i pʃˈɛs prˈavʲɛ tsˈawɨ tˈɨdʑɛɲ jɛst ˈirv dˈɛan.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_335.wav|ʃpˈaxla spˈadwa na ʑˈɛmʲɛ i ja jˈɔ̃ pɔdɲʲˈɔswɛm.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_162.wav|zˈɛ ʃtʃˈɨtu dˌɔbjɛɡˈawɔ skʃɛtʃˈɛɲʲɛ i wˈɔpɔt skʃˈɨdɛw, a ɔt tʃˈasu dɔ tʃˈasu rˈuvɲʲɛʒ ɡɲʲˈɛvnɨ vʒˈask ˌɔbudʑɔnˈɛɡɔ ptaʃˈɨska.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_64.wav|ɲʲɛ zˌauvˈaʒam, ʒˈɛ dɔmˈiɲik stˈɔi za mɔˈimi plɛtsˈami.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_414.wav|viktˈarjɔn ɔdvrˈutɕiw ɕɛ kˈu vˈɨjɕtɕu, lˈɛtʃ pɔfstʃˈɨmaw ɡˈɔ ɡwˈɔz brˈata.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_110.wav|a ɔn mˈuɡw jˈɛdnɨm mɛldˈuŋkʲɛm pɔɡrˈɔ̃ʒɨtɕ mɲʲɛ na ˈamɛn.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_65.wav|i dɔtknˈɛwam pwˈɨtɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_104.wav|tɔ pʃɨnˈajmɲʲɛj bˌɨwɔ wˈatfɛ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_178.wav|uɕmʲˈɛxnɔw ɕɛ dɔ ɲʲˈɛj fiɡlˈarɲʲɛ. swɔdʑˈutka.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_105.wav|bʲˈillɨ ʒɨtʃlˈivʲɛ kˈiva ɡwˈɔvɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_5.wav|vʲˈɛm, ˌalɛ mˈam tˈɛras trˈɔxɛ prɨvˈatnɨx sprˈaf na ɡwˈɔvʲɛ i ɲʲˈɛxtsɛ, ʒˈɛbɨ tsˈawɨ zˈɛspuw vʲˈɛdʑaw, tsˈɔ ɕɛ dʑˈɛjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_195.wav|ʒˈɛ kˈɛnxɔff tˈɛʃ f pˈɛvnɛ ʒˈɛtʃɨ ɲʲˈɛxtɕaw vʲˈɛʒɨtɕ i pʃˈɛstɔ fplˈɔntaw ɕɛ f tsˈɔɕ, s tʃˈɛɡɔ prˈavʲɛ na pˈɛvnɔ ɲˈiɡdɨ ɕɛ ɲʲɛ vɨvˈiɲʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_201.wav|zastʃˈɛlitɕ ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_80.wav|ɲʲˈɛma tˈam ɲitʃˈɛɡɔ pˈɔza kilkˈɔma mɛblˈami dˌɔsuɲʲɛntˈɨmi dɔ ɕtɕˈanɨ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_114.wav|bˈɔ f pʃɛtɕˈivnɨm rˈaʑɛ mˈɔɡɛ jˈuʃ ɲˈiɡdɨ ɲʲɛ uswˈɨʃɛtɕ lutskʲˈɛɡɔ ɡwˈɔsu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_19.wav|pʃɨnˈajmɲʲɛj na rˈaʑɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_166.wav|tsɔkˈɔlvʲɛɡ zrɔbʲˈiwa, tˈɔm mˈukw sˈɔbjɛ jɛdˈɨɲʲɛ vˌɨɔbrˈaʒatɕ, jˈaɡ vˌɨɡlɔndˈawɔ jɛj dʑɛtɕˈiɲstfɔ s tɨm tʃwɔvʲˈɛkʲɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_245.wav|ɲʲɛ mˈɔɡɛ jˈuʃ rˈɔbʲitɕ s tˈɔbɔ̃ tˈɛɡɔ, tsˈɔ dˈavɲʲɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_603.wav|ʒˈɛ fʃˈɨstkɔ tɔ pʃɛbjˈɛɡa fatˈalɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_259.wav|na lɔtɲˈisku zjˈaviw ɕɛ jˈakiɕ pijˈanɨ mˈuʒɨn. vˈɨɕad zˈɛ sfɔjˈɛɡɔ linkˈɔlna i pˈat tfˈaʒɔ̃ na pwˈask.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_30.wav|f tˈakim rˈaʑɛ zɔstˈavʲam vˈaz z ɲˈim, ˈɔtpar bˈɔp.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_323.wav|vˌɨkɔnˈanɛ na rˈatɨ pʃˈɛz dɔktˈɔra.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_254.wav|tʃɨ ɲʲˈɛma ʒˈadnɨɣ vʲˈɛɕtɕi ɔ nˈaʃɨm lˈɔrdʑɛ tɨrˈɛku?|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_80.wav|pɔvˈɨʒɛj bˈɨw nˈaɡʲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_31.wav|trˈudnɔ pɔvʲˈɛdʑɛtɕ. spˌɔtɨkˈajɔ̃ ɕɛ ɡdʑˈɛɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_30.wav|tsˈuʃ, tɔ xˈɨba dˈɔbʒɛ.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_87.wav|pɔɕˈadaw tˈɛʃ jˈɛdnaɡ drˈuɡʲi pwˈaʃtʃ, jɛdvˈabnɨ.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_302.wav|w vˈɔdʑɛ z ɲʲɛbjˈɛskix rˈuʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_34.wav|pˈɛvɲʲɛ ɲʲɛ na tsˈawɛ ʒˈɨtɕɛ, ˌalɛ nˈavɛt tˌɛɡɔ ɲʲɛ mˈɔʒna vɨklˈutʃɨtɕ, ɔː ˈilɛ zdˈɔwa ɕɛ vɨdˈɔstadʑ z rˈɛd blˈuff i uɲˈiknɔɲdʑ zdˌɛmaskɔvˈaɲʲa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_235.wav|tˌaki s tɕˈɛbjɛ pʃɨjˈatɕɛl zɔstˈaviʃ starˈɛɡɔ, bjɛdnˈɛɡɔ tʃwɔvʲˈɛka, ktˌurɨ bˌɛɲdʑɛ zupˈɛwɲʲɛ sˈam i ˈumʒɛʃ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_65.wav|ˈuɕat pʃɨ stˈɔlɛ, ˈɔpar tɛlˈɛfɔn ɔ ʃklˈanɨ ɕfʲˈɛtʃɲik i pɔ xfˈili na ɛkrˈaɲʲɛ pˌɔjavˈiwa ɕɛ tfˈaʃ jˈɛɡɔ bˈɨwɛj ʒˈɔnɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_33.wav|pʃˈɛs xfˈilɛ bˌɨwa jˈuʃ tˌɨlkɔ stˌaʒɛjˈɔntsɔ̃ ɕɛ kɔbjˈɛtɔ̃, ktˌurɛj ɲʲɛ udˈawɔ ɕɛ znˈalɛɕtɕ mˈɛ̃ʒa f tʃˈaɕɛ dɲˈi vˈɔlnɨx ɔt prˈatsɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_66.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ jɛj ɕɛ pɔdˈɔba.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_159.wav|kʲˈɛdɨ sˈɔz bulɡˈɔtʃɛ fkwˈada dɔ tɔstˈɛra dvʲˈɛ krˈɔmki xlˈɛba,|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_66.wav|pʃˌɨjɛxˈali pʲˈɛrfɕi pˌɔlitsjˈaɲtɕi i vwˈaɕɲʲɛ im muvˈiwɛm, tsˈɔ ɕɛ stˈawɔ, kʲˈɛdɨ vrutɕˈiwa mˈama.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_32.wav|f xfˈili, kʲˈɛdɨ ˌɔdvrutɕˈiwam ɕɛ dɔ ɲʲˈɛɡɔ, pˈatʃɨw nˈamɲʲɛ bwaɡˈalɲʲɛ, prˈɔʃɔnts, bˈɨm zɔstˈawa i mu pɔmˈɔɡwa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_136.wav|ˌalɛ jˈɛɕli zˈɛxtsɛ pʲɛɲʲˈɛndʑɨ na pʃˌɛprɔvˈatskɛ dɔ pʲˌɛpʃɔnˈɛɡɔː ˈabɛrdˌin, tʃɨ na xɨbrˈɨdɨ zɛvnˈɛntʃnɛ, tɔ kˈɔpnɛ jˈɔ̃ w dˈupɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_54.wav|rˌɔssadʑˈawɔ mi ˈuʃɨ. mˈuj xˈɛwm vɨpˈɛwɲʲaw pʃˌɛɲiklˈivɨ sˈɨɡnaw alˈarmu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_204.wav|pˈɔʃɛd dɔ kˈuxɲi i nastˈaviw vˈɔdɨ na kˈavɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_174.wav|lˈɛpʲɛj vˈɛɕ parˈasɔl, bˈɔ w dˈɛʃtʃu wˈatfɔ pˈɔznatɕ, tʃɨ ktˈɔɕ nˈɔɕi pɛrˈukɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_4.wav|tɔ dwˈuɡɔ ɲʲɛ pˈɔtrfa, pˌɔtʃɛbˈujɛ tˈɛʃ jˈɛdnak tʃˈasu, bˈɨ zˌastanˈɔvitɕ ɕɛ nat sfˈɔim nastˈɛmpnɨm pˌɔsuɲʲˈɛɲtɕɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_343.wav|fʃˈɨstkɔ mi ɕɛ plˈɔntʃɛ, ˌalɛ xtsˈɛ ˌɔpɔvʲˈɛdʑɛtɕ nˌajpravdʑˈivʲɛj.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_77.wav|tɛ kɔpˈuwɨ vˌɨɡlɔndˈajɔ̃ jˈak tsˈɨtski.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_86.wav|a zˈaras pɔ pɔvrˈɔtɕɛ ɕɛ pʃˌɛprɔvadʑˈimɨ. dˈɔɕtɕ mˈam tˌɛɡɔ mˌalɔvɲitʃˈɛɡɔ vidˈɔku na pʲɛpʃˈɔnɔ̃ pˈustɔ̃ dʑˈawkɛ za ulˈitsɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_33.wav|a kˈim tɨ jˈɛstɛɕ, krakˈɛɲʲɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_175.wav|f pˈɛvnɛj xfˈili, tˈuʃ pʃˈɛttɨm, kʲˈɛdɨ bʲˈillɨ dwˈuʒɛj ɲʲɛ mˈɔʒɛ ɕɛ pɔfstʃˈɨmatɕ, mrˈutʃɨ mu w rˈamjɛ i drˈapʲɛ ɡˈɔ pˌaznɔktɕˈami prˈavʲɛ dɔ krfˈi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_92.wav|zmˈɛntʃɨw ɕɛ tʃɛkˈaɲʲɛm i pˈɔtʃɛd dɔ mˈɔiɣ dʒvˈi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_434.wav|pʃˌɛtɕɛʃ ja tɕˈɛbjɛ vˌɨmɨɕlˈiwam.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_9.wav|ˌɔpsɛrvujˈɛmɨ ɡˈɔ. s pɛvnˈɔɕtɕɔ̃ jˈuʃ nˈam ɕɛ ɲʲɛ vˈɨmkɲʲɛ. tsˈɔ mˌamɨ dˈalɛj rˈɔbʲitɕ?|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_247.wav|ɲʲɛ mˌamɨ mˈam.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_3.wav|vˌɨdavˈawɨ ɕɛ mˈɔtsnɔ pˌɔbudʑˈɔnɛ, a ja zˌastanavʲˈawam ɕɛ pˌɔtɕfʲadˈɔmjɛ, tʃɨ mˈɔjɛ napʲˈɛɲtɕɛ im ɕɛ ɲʲɛ ˌudʑɛlˈiwɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_2.wav|jɛxˈawɛm ˌawtɔbˈusɛm, ktˌurɨ s trˈudɛm pʃɛdʑˈɛraw ɕɛ pʃˈɛs ulˈitsɛ mʲˈasta.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_185.wav|ˌɔnɛ jˈɛdnak pɔdɲʲˈɔswɨ nˈaɲʲɔ̃ rˈɛntsɛ. tsɛrsˈɛi pɔbjˈɛɡwa dɔː ɔwtˈaʒa mˈatki, ˌalɛ pˌɔxfɨtɕˈiwɨ jˈɔ̃ tˈam.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_171.wav|ɕfʲˈɛʒɨm pɔvʲˈɛtʃɛm ˈalbɔ pɔʒˈɔndɲʲɛ ɕɛ ˈɔdlatɕ, jˈɛɕli vˈɔliʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_116.wav|mˈartʲin vɨʃtʃˈɛʒɨw zˈɛmbɨ w uɕmʲˈɛxu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_125.wav|vʲˈɛʒ dˈɔbʒɛ, dɔ tʃˈɛɡɔː ˌɔna zmʲˈɛʒa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_16.wav|a ˈɔfʃɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_473.wav|jˌɛstɛm na ˌɛmɛrɨtˈuʒɛ, ɲʲˈɛma ɔbˈavɨ. ja tˈɛʃ ɲʲɛ naʒˈɛkam. dʑˈɛtɕi ˌuʒɔndʑˈɔnɛ, ʒˈɔna pratsˈujɛ spɔwˈɛtʃɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_14.wav|mˈuvjɛ prˈavdɛ, jˈɛn. ɲʲɛ jˌɛstɛm xˈɔra.|3
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_40.wav|smˈutas. dˈɔn sɛrdˈɛtʃɲʲɛ klˈɛpʲɛ ɡˈɔ f plˈɛtsɨ. pʃɨznˈajɛ ɕɛ dɔ vˈinɨ, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_206.wav|vˌɨdavˈawɔ ɕɛ, ʒˈɛ w ˌɔtʃɛkivˈaɲʲu na ˌanatˌɔmɔpˌatɔlˈɔɡa dˌɨspɔnɔvˈali mnˈustfɛm tʃˈasu, ʒˈɛbɨ vˌɨpratsˈɔvatɕ jˈakɔ̃ɕ çˌipɔtˈɛzɛ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_170.wav|tʃɨ ɲʲˈɛmuɡwbˌɨʑ vˈɨjɕtɕ na xfˈilɛ ɔdˈɛtxnɔɲtɕ ɕfʲˈɛʒɨm pɔvʲˈɛtʃɛm?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_187.wav|za ktˌurɛ pwˈatsɛ pɔ dʑˈiʑ dʑˈɛɲ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_75.wav|ʒˈɛ bˌɛɲdʑɛʃ mɲʲɛ tˈutaj xtɕˈaw, ˌalɛ bˌɨwam ɡwˈupja.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_40.wav|tsˈuʃ s tˈɛɡɔ, ʒˈɛ ɲʲɛ nazˈɨvaʃ ɕɛ mˈɔrisɔn?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_127.wav|bˈɨw zˌaskɔtʃˈɔnɨ, ˌalɛ rˈuvɲʲɛʃ fɕtɕˈɛkwɨ. fɕtɕˈɛkwɨ nˈatɔ, tsˈɔ zrɔbʲˈiwa, tʃɨ fɕtɕˈɛkwɨ, bˈɔː ˈɔtɨm ɲʲɛ vʲˈɛdʑaw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_419.wav|rɔsjˈaɲʲɛ rˌɔstɔpˈili ɕɛ w ˌazjatˈɨtskim ˌɔtsɛˈaɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_38.wav|pɔ rˈas pʲˈɛrʃɨ f trˈaktɕɛ tɛj spɔvʲˈɛdʑi spˈɔjʒaw mi w ˈɔtʃɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_327.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_170.wav|jˈɛɕli bˌɛndɛ mʲˈaw mɔʒlˈivɔɕtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_180.wav|xɔmˈitʃɛ kˈulɛ, pɔdˈɔbɲʲɛ jˈak kɔmbˈajnɨ, mˈuʃɔ̃ ɕɛ zmˈaɡadʑ z ˌutrapʲˈɛɲʲɛm jˈakim jɛst ˌɔtprɔvadʑˈaɲʲɛ tɕˈɛpwa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_63.wav|sɔ̃ tˈakʲɛ stˈarʃɛ kɔbjˈɛtɨ, ktˌurɛ xtɕˈawɨbˌɨ bˈɨdʑ vˌidɨvˈanɛ f tˌɔvaʒˈɨstfʲɛ mwɔtʃˈɛɡɔ mɛ̃ʃtʃˈɨznɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_129.wav|bʲˈillɨ ɲʲɛ jɛst tɨm zˌaskɔtʃˈɔnɨ. dɔmˈɨɕla ɕɛ, ʒˈɛ bˈutskɨ tˈɛʃ ɲʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_491.wav|pʃɛd dˈɔmɛm pˌɔʒɛɡnˈaliɕmˌɨ ɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_44.wav|vwɔntʃˈɨwam s pɔvrˈɔtɛm ˌɔɕfʲɛtlˈɛɲʲɛ i zɛrvˈawam tˈaɕmɛ, ktˌurɔ̃ zˌaklɛˈiwam mʲɛrɲˈiki na pʃˌɛdramjˈɛɲʲu.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_483.wav|zdˌɛtsɨdɔvˈawa kɕɛ̃ʒɲˈitʃka.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_88.wav|naprˈavdɛ tɕi tɔ zrɔbʲˈili?|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_247.wav|ɔznˈajmiw flˌɛmɛntˈɔvi braksˈɔvi. pˈɔtɛm ɲʲɛ bˌɨwɔ jˈuʒ vʲˈɛntsɛj rˈɔzmuf ɔ rˈɛntsɛ i jˈamɛ mˈukw f spɔkˈɔju nˈapitɕ ɕɛ vˈina.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_127.wav|xˈɨba ˌutsawˈujɛ kˈita, kʲˈɛdɨ vrutɕˈimɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_121.wav|tɔ ɲʲɛ tfˈɔja ʒˈɛtʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_25.wav|ʃˈan pʃɨɲʲˈɛɕɛ plˈanʃɛ. ja zˈafʃɛ ɡrˈam vˌɨɕtɕiɡˈufkɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_57.wav|bɨwˈɔbɨ naprˈavdɛ mˈiwɔ, ɡdˈɨbɨ pʃɛstˈawa pˈaɲi z nˈami pɔɡrˈɨvatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_139.wav|tsˈɔ bˈɛɲdʑɛ, jˈɛɕli znˈajdʑɛ jˈɔ̃ dɔmˈiɲik?|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_402.wav|zˌasuɡɛrˈɔvaw sˈɛr xˈɛil.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_193.wav|vidʑˈɛliɕmˌɨ tˈakix pʃɛtftʃˈɔraj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_68.wav|pɔ pʲˈɛrʃɛ muɕˈawabˌɨʑ zmʲˈɛɲitɕ ʃkˈɔwɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_91.wav|f kˈaʒdɨm rˈaʑɛ, dʑˈɛtɕak ɕˈika vˈɔdɔ̃, sˈam zɔbˈatʃɨʃ. tɛn dˈɔm, ktˌurɨ tˈu vˈidʑiʃ, ɲʲɛ jɛst mˈuj, bʲˈillɨ. jɛst tfˈuj, ˌɔtʃɨvˈiɕtɕɛ, jˈɛɕli vˈɛʑmʲɛʃ tˈɛ rɔbˈɔtɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_201.wav|tɔ jɛst lˈɛpʃa dʑɛftʃˈɨna.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_5.wav|zwapˈaliɕmˌɨ samˈɔxut w nˈapr, sˈɛr, ɔznˈajmiw kˈit.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_189.wav|bˈardʑɔ bˈɨm tˌɛɡɔ prˈaɡnɔw.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_92.wav|jɛzd dˈɔbʒɛ stʃɛʒˈɔnɨ tˈutaj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_178.wav|bʲˈillɨ vʲˈɛ, ʒˈɛ tˈak ɕɛ sprˈavɨ mˈajɔ̃, ˈɔtkɔnd zˌauvˈaʒɨw, jˈak uɕˈilɲʲɛ ɲˈitsk stˈara ɕɛ ɲʲɛ pˌɔkazˈɨvatɕ w jˈɛɡɔ tˌɔvaʒˈɨstfʲɛ, nˈavɛt na ɡˈaŋku tˌɛɡɔː ˌɔɡrɔdʑɔnˈɛɡɔ dɔmˈɔstfa.|2
+Dataset/wavs/urwisko_ferenc/51_segment_31.wav|— ɲˈits. — vɨtsˈɔfaw ɕɛ. — tɔ znˈatʃɨ, fˈajɲʲɛ tɕi f tɨɣ vwˈɔsax.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_136.wav|z dˈɨʃɨ zˈatʃɔw ɕɛ vˌɨdɔbˈɨvatɕ tʃˈɨstɨ xlˈɔr.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_190.wav|a ɔn tʃˈuw zˈapax jɛj tɕˈawa i vʲˈɛdʑaw, ʒˈɛ zˌapaxˈɔvi tˌɛmu ulˈɛɡɲʲɛ znˈɔvu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_133.wav|zˌɔstavˈimɨ ɡˈɔ tˈutaj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_57.wav|kʲˈɛdɨ mˈuviw, tʃɨmˈawɔ mɲʲɛ za dwˈɔɲʲɛ f tɕˈɛpwɨm i sˈuxɨm uɕtɕˈisku, a jˈɛɡɔ ktɕˈuki rɨtmˈitʃɲʲɛ pˌɔtɕɛrˈawɨ mˈɔjɔ̃ skˈurɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_112.wav|w ɲˈits ɲʲɛ jˌɛstɛm zˌamjɛʃˈana, ɔtpˈarwa.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_115.wav|pɔdˈɔbnɔ ɲʲɛ pɔfstʃˈɨma jɛj ʒˈadna puwˈapka ˌaɲi ɕˈidwa. ɲʲɛ bˈɔi ɕɛ stˈali ˌaɲi ˈɔɡɲʲa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_558.wav|ɲʲˈɛmartf ɕɛ, fʃˈɨstkɔ rˌɔzvikwˈamɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_7.wav|— pʃˈɨkrɔ mi, lˈutsɨ, znˈuv zˌaxɔrɔvˈawa? — ɲʲɛ, tˈatɔ, xˈɨba jɛj ɔdbʲˈiwɔ, ˌalɛ ɲʲɛ jɛst xˈɔra.|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_87.wav|ɲʲɛwˈatfɔ bˌɛɲdʑɛ tʃˈɛkatɕ. ɲˈiɡdɨ ɲʲˈɛbɨw f tɨm dˈɔbrɨ. rˈas prubˈɔvaw prˌaktɨkˈɔvadʑ zˈɛn z mˈarnɨm skˈutkʲɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_25.wav|dɔ ɕfˈitu pˌɔzɔstˈawɔ zalˈɛdvʲɛ kˈilka ɡˈɔdʑin, a fkrˈuttsɛ mˈɔʒɛ ɔkˈazatɕ ɕɛ pɔtʃˈɛbna za bjˈurkʲɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_105.wav|tʃɨ naprˈavdɛ mʲˈawam fʃˈɨstkɔ? mˈam jˈɛ zrujnˈɔvatɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_190.wav|ˌalɛ tˌɨlkɔ tˌɛɔrɛtˈɨtʃɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/10_segment_62.wav|vwaɕtɕˈivʲɛ vʲˈɛnts ɕɛ tɕˈɛʃɨw, ʒˈɛ dˈadʑɔ̃ mu spˈɔkuj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_336.wav|mˈatki vzɨvˈawɨ dɔ dˈɔmuv dʑˈɛtɕi, xˌurkɔtʃˈɔntsɛ na dˌɛskɔrˈɔlkax i xˌulajnˈɔɡax.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_232.wav|jɛdˈɨnɔ̃ mˌɔʒlivˈɔɕtɕɔ̃ pˌɔzɔstavˈawa utɕˈɛtʃka f tˌajɛmɲˈitsɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_65.wav|ɲʲɛ ˌɔdrɨvˈajɔnts ɔt ˈɔka rˈɛŋki tʃˌɨmajˈɔntsɛj lunˈɛtkɛ, vɨjˈɛwa rˈadjɔ.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_341.wav|pˈɔnɔtɕ ɲʲɛ zˈafʃɛ bˌɨwa paskˈudna.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_16.wav|pɔ rˈas ɔstˈatɲi vidʑˈawa mˈamɛ, kʲˈɛdɨ ta stˈawa f prˈɔɡu i vˌɨɡlɔndˈawa, jˈaɡbɨ bˌɨwa bˈardʑɔː ɔdvˈaʒna, ˌalɛ mˈili vidʑˈawa, ʒˈɛ ɕɛ rɔspwˈatʃɛ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_43.wav|z muzˈɨkɔ̃ i taɲtsˈami.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_410.wav|mˈuʃɛ pʃˈɛs tsˈawɨ tʃˈaz bˈɨtɕ ˈalajn.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_160.wav|ɲʲɛ xtɕˈɛli mu tˌɛɡɔ pɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_402.wav|ɡdʑˈɛɕ f pʃɛtʃɲˈitsɨ zamrˈutʃaw na xfˈilɛ mˈɔtɔr pʃˌɛjɛʒdʒˌajɔntsˈɛɡɔː ˈawta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_104.wav|mˈɔʒɛ dʑɛftʃˈɨna ɲʲɛ ʒˈɨjɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_28.wav|kɔlˈɛra.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_49.wav|dˈɔbjɛɡw mɲʲɛ zzˈa plˈɛtsuv znajˈɔmɨ ɡwˈɔs.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_141.wav|pˈɔvʲɛts tɔ, jˈɛɕli ɕɛ kˈurva ɔdvˈaʒɨʃ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_191.wav|ˌɔna jɛst ɲʲˌɛzrɔzumjˈalɛ pʲˈɛŋkna, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_112.wav|ʃˈukaj kɔbjˈɛtɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_73.wav|ɲˈits mi tɔ ɲʲɛ mˈuvi, ɲʲɛ.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_34.wav|bjˈɛɡnɛ f strˈɔnɛ dʒvˈi. vʲˈɛm, ɡdʑˈɛ ix ʃˈukatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_42.wav|sˈaskja pˈɛtɛrsɔn|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_117.wav|ɲʲɛ tʃˈɨmaj ɕɛ xˌarmɔnɔɡrˈamu.|3
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+Dataset/wavs/urwisko_ferenc/62_segment_24.wav|ktˈuraɕ s kˌɔlɛʒˈanɛk nˌaɡadˈawa mˈɔɲi, ʒˈɛ vidʑˈawa karˈɔla z ˈinnɔ̃ dʑɛftʃˈɨnɔ̃.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_52.wav|kˈɔli jˈɛʃtʃɛ ɕpˈi, vʲˈɛnts mˈɔʒɛʃ ɕɛ pɔwˈɔʒɨtɕ i ɔtprˈɛ̃ʒɨtɕ, ˈaʃ pɔtʃˈujɛʃ ɕɛ lˈɛpʲɛj.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_12.wav|tˈɔm vʒˈutɕiw bjˈɛk i vɨtsˈɔfaw samˈɔxud z mʲˈɛjstsa pˌɔstɔjɔvˈɛɡɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_138.wav|a tɨ mˈɔʒɛʃ ɕɛ tˌɨlkɔ dɔmˈɨɕlatɕ tˈɛɡɔ, tsˈɔ bˌɨwɔ mʲˌɛndʑɨ nˈami.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_181.wav|pˌɔjɛdʑˈɛmɨ tˈam i tˈak.|2
+Dataset/wavs/urwisko_ferenc/64_segment_103.wav|— pˈan kwˈamjɛ — sˈɨknɔw, a bɔrˈɛvitʃ pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃ z ɲʲˌɛdɔvʲɛʒˈaɲʲɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_69.wav|pɛvnˈɛɡɔ rˈazu vɨvˈɔwaw f pʲˈɛrʃɛj fˈaʑɛ ˌɔpɛrˈatsji tˌaki bˈul,|3
+Dataset/wavs/urwisko_ferenc/27_segment_20.wav|i ʒˈɛbɨ dˈɔm znˈuv bˈɨw jɛj vwasnˈɔɕtɕɔ̃.|0
+Dataset/wavs/urwisko_ferenc/63_segment_14.wav|vɲʲˈɔswa jˈɔ̃ pɔt pˈaxɔ̃ dɔ pɔkˈɔju i uɕˈadwa pʃɛt pilˈɛfskɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_66.wav|mwˈɔdɨ, xˈudɨ pɔlˈitsjand z bjˈawɔ̃ pˈawkɔ̃ pʃɨ bˈɔku, jˈaɡ z urvˈanɨm ʃnˈurɛm ɔd bjɛlˈiznɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_327.wav|tʃɛrvˈɔnɔ zaxˈɔdʑi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_17.wav|f salˈɔɲʲɛ jɛst xˈɨba zˈɛ stˈɔː ˌɔpravʲˈɔnɨɣ zdjˈɛɲtɕ, s tˌɛɡɔ tˈuzin na pʲaɲˈiɲʲɛ, ktˌurɛ zajmˈujɛ xˌɔnɔrˈɔvɛ mʲˈɛjstsɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_145.wav|ˈɔtɔ ɕɛ ɲʲˈɛmartf.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_65.wav|jɛst tɨm sˈamɨm, tʃɨm jˌɛstɛm jˈa, mˈɔʒɛ dlatˈɛɡɔ jˈɔ̃ vwɔʒˈɨwam.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_112.wav|— stˈɨdʑiʃ ɕɛ mɲʲɛ? — spɨtˈawa.|0
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+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_40.wav|skˈɔnt ɕɛ bjˈɔrɔ̃ tɛ ˌɔpɔvʲˈɛɕtɕi?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_24.wav|w zˈamjan ˌɔbjɛtsˈanɔː im, ʒˈɛ z iɣ bˈarkuv zɔstˈaɲʲɛ zdjˈɛntɨ kˈaʒdɨ tɕˈɛ̃ʒar i ʒˈɛ iɣ dˈuʃɛ bˌɛndɔ̃ vˈɔlnɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_26.wav|ktˈɔ tɔ xɔlˈɛrɨ vɨmˈɨɕla tˈakʲɛ mʲɛʃˈaŋki? pˈɛvɲʲɛ ˌukraˈiɲtsɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_40.wav|bʒmˈi sɛnsˈɔvɲʲɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_84.wav|xˈɨba, ʒˈɛ zmʲɛɲˈiwɛʑ zdˈaɲʲɛ.|2
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+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_67.wav|nastˈɛmpɲʲɛ uxfˈɨtɕiw dˌɛlikˈatɲʲɛ ˈɔba jɛj pɔlˈitʃki i pɔpˈatʃɨw ɡwɛmbˈɔkɔ w ˈɔtʃɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_21.wav|swˈɨʃɛ ɡwˈɔs tˈɛssɨ dˌɔbjɛɡajˈɔntsɨ s xˈɔlu. zˌastanavʲˈawam ɕɛ, tʃɨ mˈɔɡɛ f tʃˈɨmɕ pˈɔmuts. jˈɔɛ jɛzd w dˈɔmu?|4
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+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_43.wav|pˈɔdaʃ mi tɛlˈɛfɔn?|4
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+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_226.wav|tˈak, za kˈaʒdɔ̃ litˈɛrɔ̃, za kˈaʒdɨm znˈakʲɛm pʃˌɛstaŋkˈɔvɨm. krˈɛf i kˈɔɕtɕi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_30.wav|pˈɔza tɨm istɲʲˈɛjɛ dˈuʒɛ prˌavdɔpˌɔdɔbjˈɛɲstfɔ, ʒˈɛ tɔː ɔn pʃɛbˈɨvaw f sɨpʲˈalɲi tˈɛssɨ ɔ xˈanlɔn.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_76.wav|mˈuɕi vˈɛspʃɛtɕ ɕɛ na kʲˌɛrɔvɲˈitsɨ, ʒˈɛbɨ ˈuɕɔ̃ɕtɕ prˈɔstɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_9.wav|ktˈurɛjɕ nˈɔtsɨ tʃwˈɔvʲɛk na kˌɔrɨtˈaʒu ˌavanturˈɔvaw ɕɛ zbˈɨd ɡwˈɔɕnɔː i zabrˈawa ɡˈɔ pɔlˈitsja.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_318.wav|pˈɔvʲɛts mi, ktˈɔ tɕˈɛ vɨnˈajɔw?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_38.wav|i ɲʲˈɛvʲɛm, na kˈim prubˈujɛ zrˈɔbʲidʑ vraʒˈɛɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_92.wav|bʲˈillɨ pʃˌɨtakˈujɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_79.wav|f kˈɔɲtɕɛ stˈawɔː ˌɛlɛɡˈantskʲɛ bjˈurkɔ, a dɔ sɨpʲˈalɲi pʃˌɛlɛɡˈawa waʑˈɛŋka s prɨʃɲˈitsɛm.|4
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+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_120.wav|ˌalɛ tɔ mɲʲɛ ɲʲɛ zˌadɔvalˈawɔ. fʃˈɨstsɨ rɔbʲˈili pʲɛɲʲˈɔndʑɛ, a ja tsˈɔ, ɡˈɔrʃɨ jˈɛstɛm? vʲˈɛnts kˌɔmbʲinɔvˈawɛm, kˌɔmbʲinɔvˈawɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_18.wav|naprˈavdɛ? a jˈak ɕɛ ˌuspravʲˌɛdlivˈiwa?|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_94.wav|nazvˈawɛm jˈɔ̃ ɕtɕˈanɔ̃ mˌɔdlitˈɛvnɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_102.wav|ɡdˈɨbɨm tɕi ˈɔtɨm ˌɔpɔvʲˈɛdʑaw, ɲʲɛ uvʲˈɛʒɨwbˌɨɕ mi xˈɨba.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_106.wav|ˌalɛ tɔ ɲʲɛ mˈɔʒɛ bˈɨtɕ ˈɔn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_206.wav|ˈɔt tˈak na lˈuʑɛ, jaɡbˈɨɕmɨ bˌɨli fspˌuwlɔkˌatɔrˈami w dvˌupɔʑɔmˈɔvɨm mʲɛʃkˈaɲʲu, stfʲˈɛrdʑa bʲˈiliv dˈuxu.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_469.wav|vˈɛzvij kɨbˈɛrna i kˈaʒ vˈɨtɕɔɲtɕ pɛjtˈɔvi jˈɛ̃zɨk, ʒˈɛbɨ jˈɛɡɔ mˈiwɔʑdʑ zrɔzˈumjaw, ˈilɛ kɔʃtˈujɛ bɛstʃˈɛlnɔɕtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_280.wav|jɛst pˈan ˌarɛʃtɔvˈanɨ pɔvʲˈɛdʑaw pɔlˈitsjant, pˈɔttʃaz ɡdˈɨ jˈɛɡɔ dwˈɔɲ pʃɛbjˈɛɡwa pɔ tɕˈɛlɛ xˌundɛbˈawxa,|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_29.wav|zˈaras ɕɛ ɔkˈaʒɛ, tʃɨ ktˈɔʑ zˈatʃɲʲɛ jˈɔ̃ skˈubatɕ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_148.wav|ˈaxa, jˈɛʃtʃɛ xˈɔwt.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_95.wav|dʑɛftʃˈɨŋka fskazˈawa na tˈatʃkɛ. mˈɔʒɛʃ sˈɔbjɛ vʑˈɔɲtɕ ɔstˈatɲʲɛ mˈawʒɛ, jˈɛɕli xtsˈɛʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_248.wav|patʃˈɨwa nˈamɲʲɛ zmʲɛʃˈana,|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_293.wav|f pɔtɕˈɔŋɡu rˈuvɲʲɛʃ jɛst kamˈɛra.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_268.wav|dɔstˈaɲʲɛʃ tˈakʲɛ ɛlˈiksir.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_56.wav|pˌɔzɔstavˈawɔ mi ˈalbɔ vɨwˈɔʒɨtɕ na stˈuw pʲɛɲʲˈɔndʑɛ, ˈalbɔ ʒˈutɕitɕ kˈartɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_78.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_127.wav|ˈidɔ̃ na ɕɲʲadˈaɲʲɛ dɔ krˈazɨ tsˈɔ, pɔ tʃɨm ruʃˈajɔ̃ w drˈɔɡɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_77.wav|ɔxrˈɔɲʲaʃ ftɕˈɔ̃ʃ stˈaw na kˌɔrɨtˈaʒu. pʃˈɛs tsˈawɨ dʑˈɛɲ ɲʲɛ bˌɨwam tˈaɡ bɛspʲˈɛtʃna jˈak tˈɛras. mˈɔɡwam spɔkˈɔjɲʲɛ pʃɛʃˈukatɕ tsˈawɨ pˈɔkuj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_159.wav|tˈu ɲʲɛ xˈɔdʑi ɔ tfˈɔjɛ ˌaɲi mˈɔjɛ pʲɛɲʲˈɔndʑɛ, xˈɔtɕ ˌɔtʃɨvˈiɕtɕɛ zabjˈɔrɛ, tsˈɔ mi ɕɛ nalˈɛʒɨ, jˈɛɕli tɔ znˈajdɛ. ɲˈikt mɲʲɛ ɔʃˈukaw, vɨdˈɨmaw mɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_250.wav|tsˈɔ w ɔɡˈulɛ vʲˈɛdʑɔ̃ mɛ̃ʃtʃˈɨʑɲi?|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_10.wav|ʑˈɛvnɔw rˈas, pˈɔtɛm drˈuɡʲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_90.wav|ˌɔbɔɡ vˈiɕi zdjˈɛɲtɕɛ zrɔbjˈɔnɛ krˈutkɔ pɔ nˈaʃɨm pɔznˈaɲʲu. mˈam nˈaɲim kɔltʃˈastɛ vwˈɔsɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_207.wav|rˈudɨ splˈɔd dwˈɔɲʲɛ za plɛtsˈami.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_557.wav|tʃɨ ja tɕi muvˈiwɛm, ʒˈɛ ɲˈiɡdɨ w ʒˈɨtɕu ɲʲɛ spɔtkˈawɛm dˈuxa? ɲʲɛ vˌɨdaʒˈɨwɔ mi ɕɛ ɲˈiɡdɨ ɲˈits nˌatpʃɨrˌɔdʑɔnˈɛɡɔ?|0
+Dataset/wavs/urwisko_ferenc/52_segment_32.wav|i ɕɛ rˌɔzwɔntʃˈɨwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_37.wav|bˈɔ tɛn xˈɔv zawˈatfi tɕi ɲʲɛzbˈɛndnɨ spʃˈɛnt.|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_125.wav|ˈandɛrsɔn, pɔvʲˈɛdʑaw rˈɨan, jˌɛstɛɕ jɛdˈɨnɨm tʃwɔvʲˈɛkʲɛm, kturˌɛɡɔ naprˈavdɛ pˌɔkɔxˈawɛm. i tˈɨ, mˈikɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_143.wav|pˈɔvʲɛm tɕˈi, jˈak tɔ jˈɛst.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_13.wav|krulˈɔva natˈɨxmʲast pɔ ɲʲˈɛɡɔ vɨswˈawa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_162.wav|maʃ rˈatsjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_55.wav|ɡʲˈizmɔ? pˌɔtʃɛbˈujɛ pˈaɲi ɡʲˈizmɔ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_108.wav|zrˈɔbʲi dɔkwˈadɲʲɛ tɔ, tsˈɔ jɛj kˈaʒɛ, jˈaɡ zˈafʃɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_93.wav|tɔ jˈɛdna s tɨɣ ʒˈɛtʃɨ, na ktˌurɛ tʃwˈɔvʲɛk nˈavɛt ɲʲɛ zvrˈatsa uvˈaɡʲi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_175.wav|bˈɔ tˈɨlɛ ɕɛ tʃɛkˈawɔ, ˈabɨ zˈɔstatɕ tʃwˈɔŋkʲɛm zvʲˈɔ̃sku, a lˈudʑɛ zˌakwadˈali ɕɛ, tʃɨ ˈumrɛ f tʃˈaɕɛ tˌɛɡɔ bjˈɛɡu, tʃɨ ɲʲɛ. ˌalɛ ɲʲɛ umˈarwɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_159.wav|tsˈuʃ, vˌɨʒutɕˈiwa ɡˈɔ s ɕˈɛbjɛ mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_285.wav|a mˈɔjɛ zmɛntʃˈɔnɛ sˈɛrtsɛ jˈɛʃtʃɛ rˈaz zabʲˈiwɔ ʒˈɨvʲɛj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_48.wav|dʒvˈi ˌɔtfɔʒˈɨwɨ ɕɛ s xˈukʲɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_14.wav|pɔɲʲˈɛvaʒ bˈɛs jˈɛɡɔ zɡˈɔdɨ ɲʲɛ mˈɔɡlibˌɨ pʃˈɛjʑdʑ dɔ dalʃˈɛɡɔ tɕˈɔŋɡu, bʲˈili kˈiva ɡwˈɔvɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_179.wav|a ɡdˈɨbɨɕ jˈɔ̃ znalˈazwa?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_9.wav|ɲʲɛ jɛst pɔd vraʒˈɛɲʲɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_265.wav|zˈaras, mˈuviʃ pɔvˈaʒɲʲɛ?|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_79.wav|maʃ tɛn lˈist, vʲˈɛnts ɲʲɛ pˌɔtʃɛbˈujɛʃ mɔjˈɛɡɔ pˌɔzvɔlˈɛɲʲa, ˌalɛ i tˈak tɕi ɡˈɔː udʑˈɛlɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_37.wav|bˈardʑɔ tɕi ɕɛ tɔ xfˈali?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_42.wav|ɲʲˈɛma tˌɛlɛfˈɔnu kˌɔmurkɔvˈɛɡɔ. xˈɨba ɲˈiɡdɨ ɡˈɔ ɲʲˈɛmʲaw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_37.wav|ɡdʑˈɛ pˌɔpɛwɲʲˈɔnɔ mɔrdˈɛrstfɔ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_446.wav|vˈɛʃliɕmˌɨ f stˈada vɨtɕˈɛtʃɛk.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_143.wav|zˌauvˈaʒɨw jˈamɛ. mˈɔja ɕˈɔstra pˌɔstɔmpˈiwabˌɨ rɔssˈɔndɲʲɛ, ɡdˈɨbɨ zvrutɕˈiwa uvˈaɡɛ na tɛn fˈakt.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_27.wav|kɔbjˈɛta fpˌatrɨvˈawa ɕɛ vˈɛmɲʲɛ w miltʃˈɛɲʲu, a ja ˌɔtpwatɕˈiwam jɛj tɨm sˈamɨm.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_409.wav|ˈɔsnɛj pɔdrˈapaw ɕɛ pɔ nˌaznatʃˈɔnɨm bliznˈami pɔlˈitʃku.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_47.wav|ˌalɛ zvˌɔlɛnɲˈitʃki sˈɨnuf ɛwrˈɔpɨ vˌɨɡlɔndˈawɨ ɲʲɛstˈɛtɨ na uwˈɔmnɛ. jˈɛdna pˌɔswuɡʲivˈawa ɕɛ mˌɛtalˈɔvɔ̃ kˈulɔ̃,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_36.wav|mˈuvjɛ ɲʲɛ pɔdnˈɔʃɔndʑ ɡwˈɔvɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_39.wav|na zˈajutʃ rˈanɔ bʲˈillɨ parkˈujɛ na tʃfˈartɨm pɔʑˈɔmjɛ parkˈiŋɡu pʃɨ ɡˈɛrart tˈɔvɛr.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_205.wav|zˌɔbatʃˈɨwɛm pʃɛt sˈɔbɔ̃ ɡˈɔ̃ʃtʃ prˌavɔswˈavnɨx lˈitɛr i zatʃˈɔwɛm puwɡwˈɔsɛm sˌɨlabʲizˈɔvatɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_68.wav|ɲʲɛ, ˌalɛ mʲˈawbɨ jˈɔ̃ ˈɛdʲi.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_354.wav|pɔt mˈɔjɔ̃ tsˈɛlɔ̃ w zaxˈɔdɲʲɛj vʲˈɛʒɨ jɛzd drˈuɡa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_148.wav|ˌalɛ mˈuɡwbɨm zvrˈutɕitɕ ɕɛ dɔ kˈɔɡɔɕ, ktˈɔ mˈuɡwbɨ ʃˈɨpkɔ skˌɔntaktˈɔvatɕ ɕɛ s kˈimɕ ˈinnɨm, kˈimʑ z brˈanʒɨ mɛdˈɨtʃnɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_58.wav|pʃɛɲʲˈɛɕliɕmˌɨ ɕɛ dɔ lɔndˈɨnu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_109.wav|rɔzˈumjɛm jˈuʃ pɔtʃˈɛbɛ ˌukrɨvˈaɲʲa ɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_47.wav|tɔ vwˈaɕɲʲɛ tɕi mˈɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_302.wav|pˌɔwɔʒˈɨwa mi ɡwˈɔvɛ na bˈarku i pɔtʃˈuwɛm w ˈustaɣ zvʲˈɛvnɨ smˈak jɛj vwˈɔsuf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_38.wav|ɲˈilɛ pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_16.wav|ɲʲˌɛzalˈɛʒɲʲɛ ɔt tˈɛɡɔ, tʃɨ bˈɨw f tɔ fʃˈɨstkɔ zˌamjɛʃˈanɨ,|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_209.wav|muɕˈawa im f kˈɔɲtsu pɔvʲˈɛdʑɛtɕ, sˈɛr ˈɔsfrɨt mˈa vˌɨstartʃajˈɔntsɛ dˌɔɕfʲattʃˈɛɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_144.wav|bʲilljˈɛmu ˌɔbjɛtsˈanɔ dvˈa miljˈɔnɨ. ˈilɛ zˌaɔfˌɛrɔvˈanɔ, a mˈɔʒɛ jˈuʒ vˌɨpwatsˈɔnɔ tɨm dvˈum?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_38.wav|ɲˈikt pˈɔza nˈami ɲʲɛ vʲˈɛdʑaw ɔ ɕlˈadax ˈɔpɔn, a ɲʲɛ ˈɔtɨm, ʒˈɛ vˌɨɕlɛdʑˈiliɕmˌɨ pˌɔwɔʒˈɛɲʲɛ jˈɛɡɔ tˌɛlɛfˈɔnu, kʲˈɛdɨ zadʑvˈɔɲiw dɔ strakˈana.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_268.wav|bˈɔp ˈuɲʲus rˈɛŋkɛ.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_57.wav|fskˈazaw na dʑˈɛtɕi.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_35.wav|jˈak pʃɨstˈɔi kˈɔmuɕ mˈɔjɛj rˈaŋɡʲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_127.wav|zavʲˈɛɕiw ɡwˈɔs i pʃˈɛs xfˈilɛ swˈuxaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_2.wav|rˈɔzdʑaw tʃfˈartɨ|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_94.wav|pɔ xfˈili z budˈɨŋku.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_31.wav|pɔ pʲˈɛɲtɕu minˈutaɣ zˌadʑvɔɲˈiwa kɔmˈurka tˈɔma.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_100.wav|zˈaraz za ˌawtɔmatˈami sɔ̃ zamkɲʲˈɛntɛ drɛvɲʲˈanɛ dʒvˈi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_47.wav|ʒˈɛ tɔ jˈɛɡɔ swˈɔva.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_103.wav|mˈama vbʲijˈawa w ɲʲˈɛɡɔ spɔjʒˈɛɲʲɛ pˈɛwnɛ bˈulu i ʒˈalu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_64.wav|ɲʲˈɛvʲɛm, tʃɨ pˌɔstɛmpˈujɛ swˈuʃɲʲɛ, ˌalɛ jˈɛɕli ɲitʃˈɛɡɔ ɲʲɛ zrˈɔbjɛ, mˈuj ɕfʲˈat rɔspˈadɲʲɛ ɕɛ f tʃˈaɕɛ krˈutʃɨm ɲˈiʃ tˈɨdʑɛɲ. ɲʲɛ mˈɔɡɛ nˈatɔ pɔzvˈɔlitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_227.wav|pɔdˈɛʃwam blˈiʒɛj.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_214.wav|kˌupɔvˈali ɔt ɲʲˈɛj mˈawʒɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_249.wav|bˌɨwam ɔstrˈɔʒna i prˌatsɔvˈawam bˈɛs pɔɕpʲˈɛxu.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_247.wav|bˈɨlɛ ɲʲɛ za blˈiskɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_28.wav|s pɛvnˈɔɕtɕɔ̃ xtɕˈawbɨɕ mʲˈɛdʑ dʑˈɛtskɔ, prˈavda?|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_301.wav|tˈu jɛst jˈakaɕ kɔbjˈɛta, ktˌura pˈɨta ɔ tɕˈɛbjɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_51.wav|pʃˈɨkrɔ mi tˈɔm, tɔ ɲʲɛ pɔdlˈɛɡa nˌɛɡɔtsjˈatsjɔm. znˈawɛɕ ˌɛmtsˈɛ ɡˌuinnˈɛssa i jˈɛɡɔ bɨwˈɛɡɔ bˈɔssa, ɡˈaja bɛntlˈɛja.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_189.wav|sˈandɔr klɛɡˈanɛ ɲʲɛ ʒˈɨjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_122.wav|tʃɨ ktˈurɨʑ z vˈaz zˌauvˈaʒɨw, ʒˈɛ skˈura vˈɔkuw ˈɔtʃu i nˈɔsa vɨdˈajɛ ɕɛ nˌapuxɲʲˈɛnta, pˌɔdraʒɲʲˈɔna?|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_186.wav|tˈak, mˈam pˈɛvʲɛn plˈan.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_377.wav|ˈɔvɔ vraʒˈɛɲʲɛ jˈɛʃtʃɛ ɕɛ nˌaɕilˈiwɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_34.wav|pʃɨbjˈɛra ʒɛtʃˈɔvɨ tˈɔn.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_75.wav|jˈuʃ miɕlˈiŋka tɕˈɛkɲʲɛ, mˈuvi bʲˈillɨ. jˌɛstɛɕ pˈɛvna, ʒˈɛ tɔ ɲʲɛ bˌɛɲdʑɛ dla tɕˈɛbjɛ kwˈɔpɔt?|2
+Dataset/wavs/urwisko_ferenc/04_segment_50.wav|uznˈawɛm, ʒˈɛ ɲʲˈɛma sˈɛnsu tʃˈɛkatɕ, tʃˈɛba dʑˈawatɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_80.wav|tsˈɔ tɕɛkˈavɛ, vnˈɛntʃɛ ɕˈilɲʲɛ kˌɔntrastɔvˈawɔ s tˈɨm, tsˈɔ zˌɔbatʃˈɨli z dvˈɔru i bˌɨwɔ vrˈɛntʃ ɲʲˌɛskazitˈɛlnɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_92.wav|pɔɲʲˈɛvaʃ na kɕɛ̃ʒˈɨtsu ɲʲˈɛma pʲˈasku.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_74.wav|spɨtˈawa luˈisa, ˌɔdvratsˈajɔndʑ ɡwˈɔvɛ, ʒˈɛbɨ ʒˈutɕitɕ mu fawʃˈɨvʲɛ kartsˈɔntsɛ spɔjʒˈɛɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_103.wav|a jˌɛmu tʃˈɛba ˌɔkazˈɨvatɕ pˌɔswuʃˈɛɲstfɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_262.wav|pˈɔtɛm ˌɔstɛmplˈɔvaw pˈatʃkɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_72.wav|xˈɔtɕ ɲʲɛ jˌɛstɛm pˈɛvʲɛn, skˈɔnt ˈɔtɨm fʃˈɨstkim vʲˈɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_64.wav|tʃɨ vʲˈɛdʑɔ̃ jˈuʃ, ʒˈɛ mˈarta pˈɔrtɛr i indjˈaka lˈɔu tɔ ta sˈama ɔsˈɔba?|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_91.wav|vɨstˈartʃɨ jˈɛdnak, ʒˈɛ pɔkˈaʒɔ̃ jˈɛɡɔ zdjˈɛɲtɕɛ spʃɛdˈaftsɨ i pɔ xɛrbˈatɕɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_41.wav|zɡɔdʑˈiwam ɕɛ s pravdʑˈivɔ̃ radˈɔɕtɕɔ̃.|3
+Dataset/wavs/urwisko_ferenc/18_segment_8.wav|tsˈɔ takʲˈɛɡɔ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_226.wav|navzˈajɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_147.wav|f tʃˈɛɡɔ pˌɔvɔdʑˈɛɲʲɛ ɔbˈɔjɛ rˈuvɲʲɛ mˈɔtsnɔ vʲɛʒˈɨmɨ, mˈuʃɛ pˈɔznatɕ tɕˈɛ lˈɛpʲɛj.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_78.wav|vˌɨswuxˈujɛ dwˈuɡʲɛj, ɲʲˌɛpɔkɔjˈɔntsɛj tɕˈiʃɨ vˌɨpɛwɲʲˈɔnɛj vˌɨblakwˈɨmi ˌɔdɡwɔsˈami mʲˈasta.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_198.wav|pɔpˈarwɔ ɡˈɔ ɡwˈɔɕnɔ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_470.wav|ɲˈiɡdɨ ɲʲɛ muvˈiwɛɕ...|1
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_30.wav|jˈɔ miltʃˈawa pʃˈɛs xfˈilɛ, ˌɔvijˈajɔnts ʃˈal vˈɔkuw pˈaltsuf, ʒˈɛbɨ zˈajɔɲtɕ tʃˈɨmʑ dwˈɔɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_172.wav|zˌabɛmbɲˈiwam nɛrvˈɔvɔ paltsˈami f kɔnsˈɔlɛ stˌɛrɔvɲˈitʃɔ̃. dˈalɛ ɔdˈɛrvaw jˈɛdnɔ̃ rˈɛŋkɛ ɔd drˈɔ̃ʃka i ɕˈɛŋɡnɔw pɔ sfˈɔjɛ ɡʲˈizmɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_197.wav|pɔtˈɛ̃ʒnɨ ɡlˈina bjˈɛʒɛ alˈɛna za wˈɔkʲɛtɕ i ɔbrˈatsa ɡˈɔ f strˈɔnɛ sxˈɔduf sˈɔndu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_187.wav|pɔ pɔwˈudɲʲu, kʲˈɛdɨ ɲʲɛ mˈɔɡwɛm zˈasnɔɲtɕ, dɔkwˈadɲʲɛ pʃˌɛstudjɔvˈawɛm mˈapɛ, ˌalɛ dˈawɛm ˈɛlis mˈuvitɕ. rɔbʲˈiwa tɔ, ʒˈɛbɨ ˌɔpanˈɔvatɕ nˈɛrvɨ, zɡwˈuʃɨtɕ strˈax.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_49.wav|tɔ bˌɨwa prˈavda.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_181.wav|zapˈɨtaw mwˈɔdɨ tʃwˈɔvʲɛk s puwnˈɔtsɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_21.wav|prˈɔʃɛ pɔvʲˈɛdʑɛtɕ, ʒˈɛ pʃˈɨʃɛt tɛn ɔd zˌamɔrdɔvˈanɛj dʑɛftʃˈɨnɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_137.wav|pˈɔtɛm ˌɔbɛjʒˈawam ɕɛ pʃˈɛs rˈamjɛ. pʃˌɨpuʃtʃˈawam, ʒˈɛ dˈalɛ ɔt rˈazu zˈamknɔw vɛvnˈɛntʃnɨ vwˈas ɕlˈuzɨ wazˈika.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_53.wav|vˌɨɔbrˈaʒaʃ sˈɔbjɛ mɲʲɛ rɔbjˈɔntsɔ̃ tsˈɔɕ pˌɔdɔbnˈɛɡɔ, dʲˈidʲi?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_129.wav|tˈak pʃɨnˈajmɲʲɛj bˌɨwɔ kʲˈɛdɨɕ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_117.wav|ɔtfʲˈɛra sfˈɔjɔ̃ brˈamɛ dla kaʒdˈɛɡɔ rɨtsˈɛʒa, ktˌurɨ ɕɛ nˌapatˈɔtʃɨ. lˈantsɛl bˌɛɲdʑɛ mˈuɕaw pɔʃˈukatɕ pwatnˈɛʒa, ktˌurɨ zrˈɔbʲi mu xˈɛwm z rɔɡˈami.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_18.wav|zˌɔstavˈiwam tɕi tsˈɔɕ mʲˌɛndʑɨ rˌɛntʃɲikˈami. ɲʲˈɛmuf pɔlˈitsji. pˌɔʒawˈujɛʃ, jˈɛɕli tɔ zrˈɔbʲiʃ.|4
+Dataset/wavs/urwisko_ferenc/46_segment_155.wav|zbˈɨt trˈudnɛ?|0
+Dataset/wavs/urwisko_ferenc/36_segment_92.wav|zˈɛʃwa na pˈartɛr i ˌɔtfɔʒˈɨwa dʒvˈi, a pˈɔtɛm ɕɛŋɡnˈɛwa pɔ swuxˈafkɛ dˌɔmɔfˈɔnu.|0
+Dataset/wavs/urwisko_ferenc/01_segment_21.wav|tˈak tʃˈuwam, ʒˈɛ mˈɔtsna tɔ ʒˈɛtʃ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_16.wav|mˈuvi, a mˈuj strˈax fxˈɔdʑi na vˈɨʃʃɨ pˈɔʑɔm.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_44.wav|mˈɨɕlɛ, ʒˈɛ vʲˈɛʃ, tsˈɔ mˈuʃɛ zrˈɔbʲitɕ, jasmˈinɛ, i ɲʲɛ jɛst tɔ dla mɲʲɛ wˈatfɛ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_231.wav|ʒˈadna ˈinna pɔxfˈawa ɲʲɛ pʃˌɨxɔdʑˈiwa mu na mˈɨɕl. mˈɛrɛd bˈɨw pɔvˈɔlnɨ, ɲʲɛzɡrˈabnɨ i ɡwˈupi, ˌalɛ s pɛvnˈɔɕtɕɔ̃ ɕˈilnɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_231.wav|lˈɛtʃ ɲʲɛ xtɕˈawɔ mi ɕɛ ʃˈukadʑ zɡˈubɨ ɡdʑˈɛɕ. f pˌɔtɕfʲadɔmˈɔɕtɕi ˌɔtkwadˈawɛm fʃˈɨstkɔ na pˈuʑɲʲɛj, na jˈutrɔ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_60.wav|i ɲʲɛ ɔbˈavʲaj ɕɛ. ɲʲɛ ɕtɕˈɔŋɡnɛ tɕi dʑɛftʃˈɨŋki na ɡwˈɔvɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_7.wav|tɔ bˌɨwa ɲʲˌɛpɔkɔjˈɔntsɔ wˈatfa pʃɛmjˈana.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_68.wav|jˈakʲɛ tɔ mˈa znatʃˈɛɲʲɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_229.wav|i ˌɔklapɲʲˈɛntɛ markˈizɨ nat sklɛpˈami.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_22.wav|tɔ ɲʲɛ jɛst tsˈɔɕ, tʃˈɛɡɔ ɕɛ ʃˈuka, ɔː ˈilɛ ktˈɔɕ tɕˈɛ ˈɔtɔ spɛtsjˈalɲʲɛ ɲʲɛ pɔprˈɔɕi, prˈavda?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_213.wav|ɔn ɲˈiɡdɨ ɲʲɛ mˈɔʒɛ mɲʲɛ znˈalɛɕtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_29.wav|zˈɔstaɲ f sˌamɔxˈɔdʑɛ i pɔstˈaraj ɕɛ zbˈɨtɲʲɔ ɲʲɛ vɨstrˈaʃɨtɕ tɨx pismˈakuf.|3
+Dataset/wavs/urwisko_ferenc/19_segment_7.wav|mʲˈɛʃka pˈaɲi sˈama z dʑˈɛtɕmi?|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_158.wav|brˌakɛnˈɔvʲɛ uɡʲˈɛli kˈɔlan i ˌɔblɛɡˈajɔ̃ tɨtˈɔsa blˌatskfɔˈɔda w rˌavɛntrˈɛɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_218.wav|i tˈak tɔ ɕɛ skɔɲtʃˈɨwɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_14.wav|jˈɛnnɨ pˌɔdɔ̃ʒˈawa za mnˈɔ̃, ˌuɕmʲɛxˈajɔnts ɕɛ ʃɛrˈɔkɔ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_92.wav|i rɨtsˈɛʒa kfʲˈatuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_198.wav|mˈɨɕli dʒdʒɔvɲˈitsɛ, mˈɨɕli vrˈublɛ, mˈɨɕli mˈuxɨ, mˈɨɕli ɔbwˈɔki, mˈɨɕli rɔpˈuxɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_26.wav|— dˌɔskɔnˈalɛ. ˌɔna tˈɛʒ ɡˈɔː uvʲˈɛlbja. dˈawbɨ sˈɔbjɛ ˈutɕɔɲtɕ kɔɲtʃˈɨnɛ zˈatɔ dʑˈɛtskɔ. najbˈardʑɛj na ɕfʲˈɛtɕɛ bˈɔi ɕɛ jɛj utrˈatɨ w rˈaʑɛ rɔsstˈaɲʲa z jˈɔɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_33.wav|jˈɛɕli naprˈavdɛ umjˈɛɕtɕiw sfˈɔjɛ zdjˈɛɲtɕɛ na tʲindˈɛʒɛ, tɔ tˌɛmu zapʃˈɛtʃɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_88.wav|jɛj bˌɛwkɔtlˈivɛ prɔtˈɛstɨ mˈilknɔ̃, kʲˈɛdɨ tˈɛʃˈirt ɔkrˈɨva jɛj ramjˈɔna.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_65.wav|jɛstˌɛɕmɨ jɛdˈɨnɨm mʲˈastɛm na kɕɛ̃ʒˈɨtsu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_44.wav|lˈatɔ pʃɛxˈɔdʑi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_142.wav|tˈɛras jˈuʒ vʲˈɛm, ɔ kˈim muvˈiwɛɕ, stfʲˈɛrdʑa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_4.wav|vʲˈɛ pˈan, ɡdʑˈɛ mˈɔʒɛ bˈɨdʑ dʒˈɔnsɔn? zapˈɨtaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_21.wav|mˈɔʒɛ pɔ tˈakʲɛj rɔzmˈɔvʲɛ pɔtʃˈuwabˌɨm ɕɛ lˈɛpʲɛj, ˌalɛ ˌɔstatˈɛtʃɲʲɛ zatɕˈiskam zˈɛmbɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_126.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_14.wav|stˈawɛɕ ɕɛ tɕˈɛɲʲɛm tˈɛɡɔ, kˈim bˌɨwɛɕ ɲʲˈɛɡdɨɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_57.wav|ɲʲɛ, tˈak pɔvʲˈɛdʑaw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_38.wav|ɲʲɛ rˌɔzmavʲawˈɨɕmɨ pʃˈɛz dwˈuʃʃɔ̃ xfˈilɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_368.wav|pˈan jˈɔ̃ znˈa?|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_53.wav|zvˈɔw ɡˈɔ vrˈɔɲim ˈɔkʲɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_54.wav|fʃˈɨstsɨ lˈudʑɛ skatʃˈɔntsɨ zˈɛ spˌadɔxrˈɔnɛm sɔ̃ dɔ ɕˈɛbjɛ pɔdˈɔbɲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_97.wav|zˌaprɔvˈadʑiw mɲʲɛ dɔ kˈɔnta w ɡwˈɛmbʲi lˌabɔratˈɔrjum, ɡdʑˈɛ mʲˈaw sfˈɔjɛ prɨvˈatnɛ stˌanɔvˈiskɔ prˈatsɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_140.wav|ˌɔdɛtxnˈɛwam z ˈulɡɔ̃.|4
+Dataset/wavs/urwisko_ferenc/19_segment_16.wav|sˈɔlska skʃˌɨʒɔvˈawa rˈɛntsɛ na klˈattsɛ pʲɛrɕˈɔvɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_34.wav|ˈɛliz dɔpʲˈɛrɔ ftˈɛdɨ zˌauvˈaʒa stˌɔjɔntsˈɛɡɔ w dʒvʲˈaɣ bʲillʲˈɛɡɔː i vɨbˈuxa ɕmʲˈɛxɛm, pɔ tʃɨm vɨvˈija bjɔdrˈami, kˈɔɲski ˈɔɡɔn kɔwˈɨʃɛ jɛj ɕɛ z bˈɔku na bˈɔk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_124.wav|tsɔrˈinnɛ atskˈɛrman jɛzd dˈɔbrɔ̃ pʲɛkˈarkɔ̃, ˌalɛ bʲilljˈɛmu ɔdˈɛʃwa ɔxˈɔta na tɕˈastka.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_45.wav|jɛst xˈɨba spˈɔrɔ ʒˈɛtʃɨ, ɔ ktˌurɨx mi ɲʲɛ mˈuviʃ. ˌɔtʃɛkˈujɛ, ʒˈɛ ɕɛ zbuntˈujɛ, ˌalɛ mˈiltʃɨ.|4
+Dataset/wavs/urwisko_ferenc/24_segment_17.wav|ɔtʃˈukaw ɔstˈatɲʲɛ pˌɔwɔntʃˈɛɲʲa i pɔnˈɔvɲʲɛ vˈɨbraw pˌɔwɔntʃˈɛɲʲɛ ˌɔpisˈanɛ jˈakɔ ɡʒˈɛɕɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_149.wav|ˈɔtʃɛd. pɔ pˈaru krˈɔkaɣ zatʃˈɨmaw ɕɛ.|0
+Dataset/wavs/urwisko_ferenc/07_segment_2.wav|— tsˈɔ tˈu rˈɔbʲiʃ? — ɲʲɛ krˈɨwa zˌaskɔtʃˈɛɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_70.wav|jˈɛɕli ɲʲɛ prɔsˈimɨ ɔ zbˈɨd vʲˈɛlɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_238.wav|ˈɔx, ɲʲˈɛvʲɛm jˈɛʃtʃɛ tˈɛɡɔ, pɔvʲˈɛdʑaw. tˈak tʃɨ ˈɔvak, ɲʲɛ ɔdˈɛjdɛ, zˈaɲim pɔ rˈas pʲˈɛrʃɨ ɲʲɛ vˌɨstartˈujɛʃ sˈam.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_150.wav|ʒˈɛbɨ tɔ ɕɛ jˈuʃ skɔɲtʃˈɨwɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_41.wav|z ˈulɡɔ̃ zˌauvˈaʒa, ʒˈɛ jɛj blˈada skˈura pɔmˈawu nabjˈɛra kɔlˈɔruf.|2
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_6.wav|vˈɨɕlɛ tɕi jˈɛʃtʃɛ dvˈa pudˈɛwka w nastˈɛmpnɨm transpˈɔrtɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_43.wav|mˈuv dɔ mɲʲɛ ˈaram, prˈɔʃɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_222.wav|mˈɔɡwabˌɨm ˌɔprɔvˈadʑatɕ tˌɨlkɔ dvʲˈɛ vɨtɕˈɛtʃki tˌɨɡɔdɲʲˈɔvɔ.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_97.wav|jˈɛɕli jˈɛdnak mˈɨɕli, ʒˈɛ dˈam ɕɛ zwˈapatɕ w jˈɛɡɔ puwˈapkɛ, jɛzd vʲˈɛŋkʃɨm ɡwˈuptsɛm ɔt tɕˈɛbjɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_4.wav|tˈɛras jˈuʒ vʲɛdʑˈawa, ʒˈɛ fʃˈɨstkɔ, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ, bˌɨwɔ z jˈɛɡɔ vˈinɨ.|4
+Dataset/wavs/urwisko_ferenc/41_segment_26.wav|mˈɔʒɛ tsˈɔʑ vʲˈɛdʑɔ̃?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_50.wav|mˈɔʒɛ stsˈɔdd ʒˈɨjɛ i rˈɔbjɔ̃ tɔ rˈazɛm?|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_144.wav|w rɛtsˈɛptsji zˌapɨtˈawɛm tˈɛʃ, tʃɨ pʃˈɨʃwa pʃɛsˈɨwka dla mɲʲɛ. ˌɔkazˈawɔ ɕɛ, ʒˈɛ jˈuʃ jˈɛst.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_34.wav|sˈama jˈuʃ ɲʲˈɛvʲɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_9.wav|vʲˈɛm, ʒˈɛ tɔ bˈardʑɔ trˈudnɛ f sˌɨtuˈatsji, kʲˈɛdɨ pʃˈɛʃwɔ ɕɛ pʃˈɛs tsˈɔɕ takʲˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_182.wav|pˈaɲski zdˈaʒɨ ɕɛ pʃɨ lˌɔndɔvˈaɲʲu, pɔɲʲˈɛvaʃ pˈan bˈɔi ��ɛ ʃɨpkˈɔɕtɕi.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_98.wav|tʃɨ xtɕˈawbɨɕ mi pɔvʲˈɛdʑɛtɕ tsˈɔɕ jˈɛʃtʃɛ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_49.wav|mˈɔjɛ rˌɔzmɨɕlˈaɲʲa pʃˈɛrva krˈutki sˈɨɡnaw s tˌɛlɛfˈɔnu. pˈatʃɛ na ˈɛkran i zˌauvˈaʒam pˌɔvʲadɔmjˈɛɲʲɛ z mˌɛssɛŋɡˈɛra.|3
+Dataset/wavs/urwisko_ferenc/47_segment_72.wav|— w jˈakim sˈɛnɕɛ ɲʲˌɛbɛspʲˈɛtʃnɨ? mˈa brˈɔɲ?|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_79.wav|brˌakɔvˈawɔ jˈɛʃtʃɛ tˌɨlkɔ jˈɛdnɛj ɔsˈɔbɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_101.wav|krˈɨstɨ tɔ xɔlˈɛrɲʲɛ rˌɨzɨkˈɔvnɛ. ɕˈiwa pɛrsfˈazji i ˌɔbjɛtɲˈitsa lɛpʃˈɛɡɔ ʒˈɨtɕa.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_170.wav|tˈaɡ bˈardʑɔ ɕɛ ɔ tɕˈɛbjɛ martfˈiwam.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_487.wav|ˌalɛ alˈain vʲˈɛlɛ ˈɔɲʲɛj swɨʃˈawa ɔd ʒɔwɲʲˈɛʒɨ i dʑˈɛftʃɔnt swuʒˈɛbnɨx w ˈɔrlim ɡɲʲˈɛʑdʑɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_144.wav|pɔtxˈɔdʑɛ dɔ tˌɛlɛfˈɔnu. tsˈɔ tɨ rˈɔbʲiʃ? kʃˈɨtʃɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_36.wav|i naʃˈɨmi ɡwɔdˈami.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_269.wav|— pʃˈɨkrɨj starˈɛɡɔ tɨm wˈaxɛm, mˈɔʒɛ bˌɛɲdʑɛ mu trˈɔxɛ tɕˈɛplɛj. mɲʲɛ jˈuʃ ɲʲɛ jɛst pɔtʃˈɛbnɨ.|1
+Dataset/wavs/urwisko_ferenc/45_segment_12.wav|ˈɔfʃɛm, mˈɔʒɛ i bˌɨwa vˌɔjɔvɲˈitʃkɔ̃, ˌalɛ rˈɔdɛm s pʲˈɛkwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_214.wav|a ɲʲɛ muvˈiwɛm. kˈaʒdɨ, ktˈɔ tɕˈɛ uvˈaʒa za ɡwˈupka, sˈam mˈa nasrˈanɛ vɛ wbjˈɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_327.wav|pˌɔtʃɛbˈujɛʃ fsparsˈija?|4
+Dataset/wavs/urwisko_ferenc/04_segment_92.wav|na fɔtˈɛlu pˌasaʒˈɛra bɔrˈɛvidʒ zˌauvˈaʒɨw fɔtˈɛlik ˌustavʲˈɔnɨ ɔdvrˈɔtɲʲɛ dɔ kʲɛrˈuŋku jˈazdɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_49.wav|tɔ dlatʃˈɛɡɔ mʲˈawbɨ xtɕˈɛdʑ zˈabʲitɕ tsˌamɛrˈɔna i jaɡˈɛra?|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_397.wav|zapˈɛvɲʲaw, ʒˈɛ fʃˈɨstsɨ ʒˈɨjɔ̃ f strˈaxu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_11.wav|pratsˈujɛ jˈakɔ dɨrˈɛktɔr ʃkˈɔwɨ. tʃˈɛ̃stɔː ˈɔɲʲɛj pisˈali, pɔɲʲˈɛvaʃ udˈawɔ ɕɛ jɛj zmʲˈɛɲitɕ pˈɔʑɔm ʃkˈɔwɨ s pʃˌɛtɕɛntnˈɛɡɔ na dˈɔbrɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_71.wav|vʲˈɛm, pʃɛprˈaʃam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_66.wav|mˌamɨ ix rˈaz dvˈa ɕtɕˈɔŋɡnɔɲtɕ na dˈuw, a pˈɔtɛm spʲɛrdˈalatɕ, ˈaʃ ɕɛ bˌɛɲdʑɛ kuʒˈɨwɔ, pˈaɲʲɛ pˌɔtpuwkɔvɲˈiku.|2
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_46.wav|ʃɛrˈɔkim ɡˈazdɛm pˌɔkazˈujɛ ɔltˈɛki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_24.wav|pˌɔtsumɔvˈaɲʲɛ tɨɡˈɔdɲʲa. tʃˈas na awdˈɨtsjɛ çistˈɔrja pɛvnˈɛɡɔ rɔsstˈaɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_414.wav|ˈuda tˈaɡ dˌɔskɔnˈalɛ skˌɔmpɔnɔvˈanɛ pʃˈɛs pˈana bˈɔɡa.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_49.wav|ja tˈɛʃ jˌɛstɛm ʃˈɨpki, xwˈɔptʃɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_98.wav|vˌɨʒutɕˈiwam s ɕˈɛbjɛ, zˌalɛvˈajɔnts ɕɛ natˈɨxmʲazd wzˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_49.wav|rˈɔp ˈɔpar rˈɛntsɛ ɔ blˈat i pɔxˈɨliw ɕɛ lˈɛkkɔ dɔ pʃˈɔdu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_7.wav|tˈata kˈupiw mi nˈavɛt spɛtsjˈalnɨ ˈalbum, ʒˈɛbɨm mˈɔɡwa rˌɔspɔznˈavatɕ pˌɔʃtʃɛɡˈulnɛ ɡatˈuŋki.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_131.wav|nˈɔ, vrˈɛʃtɕɛ zˈatʃɔw mˈuvitɕ pɔ mɔjˈɛmu, pˌɔmɨɕlˈawam.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_107.wav|ɲʲɛ, tɔ tˈɨlkɔ... fspɔmɲʲˈɛɲʲa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_7.wav|sɛɲdʑˈivɛ jɛɕˈɔnɨ z ˌɔɡrɔmnˈɨmi jamˈami tʃˈarnɨɣ dʑˈupli.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_28.wav|ˈalbɔ pˌɔtʃɛbɔvˈawam.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_29.wav|nˈavɛt tʃˈarnɛ.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_35.wav|kˈaʒdɨ zˈamɛk f krulˈɛstfʲɛ vˈɨda ɕɛ jɛj mˈawɨ, tˌɨlkɔ pˈɔza skˈawɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_237.wav|dˈɔkɔnt mʲˈawam pɔjˈɛxatɕ?|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_53.wav|ɕlˈadɨ ix wˈap ˌɔtatʃˈawɨ vɛndrˈɔftsuv zˈɛ fʃˈɨstkix strˈɔn, a pɔ tˈafli pwˈɨtkix sadʑˈavɛɡ bjɛɡˈawɨ krˈabɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_63.wav|xˈɔtɕ ɲˈiɡdɨ bˈɨ ɕɛ dɔ tˌɛɡɔ ɲʲɛ pʃɨznˈawa, tɔ tʃˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_116.wav|ɡdˈɨ ʃlˈi krˈɛntɨm kˌɔrɨtˈaʒɛm, muɕˈawa pɔxˈɨladʑ ɡwˈɔvɛ, ʒˈɛbɨ ɕɛ w ɲʲˈɔ̃ ɲʲɛ udˈɛʒɨtɕ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_121.wav|dʒˈɛjn pɔkwˈɔɲiw ɕɛ i ɔpˈuɕtɕiw ˌutʃtujˈɔntsɨx.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_11.wav|vʲˌadɔmˈɔɕtɕi|3
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_7.wav|sˈɨtʃɛ zɛrkˈajɔnts nɛrvˈɔvɔ pʃˈɛs rˈamjɛ, ʒˈɛbɨ sprˈavdʑitɕ, tʃɨ zˈɔɛ ɲʲɛ pˈatʃɨ pʃˈɛs ˈɔknɔ. — tsˈɔ tɨ tˈutaj rˈɔbʲiʃ? zˈabjɛʃ stˈɔnt tɛn samˈɔxut, spʲˈɛʃɛ ɕɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_110.wav|nˈɔ dˈɔbra.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_40.wav|musˈimɨ ɕɛ upˈɛvɲitɕ, ʒˈɛ ɲʲɛ zdradʑˈimɨ ɕɛ pʃˈɛdɲʲɔ̃ z naʃˈɨmi ˌɔbavˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_53.wav|mˈɔʒɛ nˈavɛt pʃˈɛs jˈakiɕ tʃˈas pɔmjˈɛʃkam z bˈaki. tsˈɔː ˈɔtɨm mˈɨɕliʃ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_642.wav|ɔdˈɛzvaw ɕɛ znˈɔvu fˈaks ˈalbɔ dˌalɛkˈɔpis f sɔ̃ɕˈɛdɲim pɔkˈɔju.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_52.wav|dʒvˈi ˌɔtfɔʒˈɨwɨ ɕɛ nˈaɡlɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_53.wav|tˌɛlɛfɔnˈujɛ s pɔlˈitsji xrˈapstfa ɡrɛˈatɛr manxˈɛstɛr. tʃɨ rɔzmˈavʲam z jɔˈannɔ̃ pˈalmɛr?|4
+Dataset/wavs/urwisko_ferenc/27_segment_121.wav|dɔvˈɔduf, pˈaɲi kɔmˈisaʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_125.wav|tˈak, pʲˈɛrʃɨm pɔtɕˈɔŋɡʲɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_321.wav|pʃɛdˈɛmnɔ̃ ˌɔɡrɔdʑˈɛɲʲɛ z ʒɛlˈaznɨx prˈɛntuf.|0
+Dataset/wavs/urwisko_ferenc/03_segment_47.wav|ˌalɛ jˌɛstɛm tˈu pˈɔtɔ, bˈɨ pˈɔmuts. dlatˈɛɡɔ zapˈɨtam rˈas jˈɛʃtʃɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_35.wav|ˈɛx, pɔvˈinnam vrˈɛʃtɕɛ ɔbˈudʑitɕ ɕɛ na dˈɔbrɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_296.wav|pʃˈɛstɔ fʃˈɨstkɔ zˌapɔmɲʲˈawam, ʒˈɛ pˌɔviɲʲˈɛnɛm bˈɨtɕ rˈuvɲʲɛʃ lˈɛpʃɨm ˈɔjtsɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_31.wav|rɔzˈumjɛm, ʒˈɛ ɲʲˈɛma ʒˈadnɛj çˌipɔtˈɛki.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_541.wav|jˈaɡbɨ pɔprˈavʲaw ʃtˈutʃnɔ̃ ʃtʃˈɛŋkɛ ˈalbɔː ˌuɕiwˈɔvaw pʃˈɛwknɔɲtɕ ˈɔɕtɕ rˈɨbjɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_16.wav|sˈam zˈɛrvaw ɕɛ nˈaɡlɛ, a pˈɔtɛm ˈɔpat s pɔvrˈɔtɛm na wˈavɛ, ɡdˈɨ sˈɔbjɛ ˌuɕfʲadˈɔmiw, ʒˈɛ tɔ ɲʲɛ jˈɛɡɔ vɛzvˈanɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_60.wav|ɡɛnˈɛraw z ˌadjutˈantɛm xɔdʑˈili mʲˌɛndʑɨ stɔwˈami, prɔvˈadʑɔnts fʃˈɛɲdʑɛ zˈɛ sˈɔbɔ̃ rɔvˈɛrɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_171.wav|fʃˈɨstsɨ prˌubɔvˈali rɔzmˈavʲatɕ jˌɛdnɔtʃˈɛɕɲʲɛ na ɔtfˈartɨm kanˈalɛ radjˈɔvɨm. prˈɔʃɛ ˌɔɡraɲˈitʃɨtɕ pˌɔɡadˈuʃki dɔ mˈiɲimˌum.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_7.wav|z jˈakixɕ sˌɨtuˈatsji vɔjˈɛnnɨx, a pˈɔtɛm kʲˈɛdɨ jˈuʃ rˌɔspɔznavˈawɛm tˈɛ vɛsˈɔwɔʑdʑ blˈiʑɲix,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_89.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_35.wav|tˈaɡ bˈardʑɔ skupˈiwam ɕɛ na sˈɔbjɛ, ʒˈɛ nˈavɛt ɲʲɛ zˌapɨtˈawam, tsˈɔː ˈu tɕˈɛbjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_55.wav|jˈɛɡɔː ˌɔpɔvʲˈɛɕtɕi bɨvˈawɨ tˈak tɕɛkˈavɛ i bˈarvnɛ, ʒˈɛ tʃˈɛ̃stɔ zˌapɔminˈawa mu ɔ tsˈawɨm ɕfʲˈɛtɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_16.wav|nˌajdʑivɲʲˈɛjʃɛ bˌɨwɔ jˈɛdnak tɔ, ʒˈɛ mˈama kupˈiwa fʃˈɨstkʲɛ dˈaɲʲa ɡɔtˈɔvɛ f sˌupɛrmarkˈɛtɕɛ, tsˈɔ w ɔɡˈulɛ dɔ ɲʲˈɛj ɲʲɛ pˌasɔvˈawɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_124.wav|pˈɛvɲʲɛ sˈɔbjɛ ˌuɕfʲadˈɔmitɕ, ʒˈɛ w ʒˈɨtɕu lˈitʃɨ ɕɛ tsˈɔʑ vʲˈɛntsɛj ɲˈiʃ tˌɨlkɔ jˈɛɡɔ...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_100.wav|pˈɛvɲʲɛ mˈa tˈɛʒ vˈalkɛ.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_218.wav|pʃɨprˈɔvadʑ ɡˈɔ natˈɨxmʲast.|1
+Dataset/wavs/urwisko_ferenc/55_segment_70.wav|trˈudnɔ pɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_122.wav|ɲʲɛ mˈuviʃ, jˈak irlˈanttʃɨk pɔvʲˈɛdʑaw.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_52.wav|mʲˈawɔ f sˈɔbjɛ wˈat i xarmˈɔɲʲɛ, pˈɛvnɔɕtɕ, ʒˈɛ fʃˈɨstkɔː utʃˈɨma ɕɛ pʃˈɛs lˈata.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_76.wav|sɔ̃ jˈɛʃtʃɛ tʃˈɨ ˈinnɛ budˈɨŋki ɡˌɔspɔdˈartʃɛ, jˈɛdɛn dˈuʒɨ i dvˈa mɲʲˈɛjʃɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_206.wav|rɔzrˈuʃɲik kʃtˈuɕi ɕɛ pʃˈɛz dʑˈɛɕɛɲdʑ dwˈuɡʲix sˈɛkunt i bʲˈili mˈɨɕli ɔ bˈɔʒɛ, dlatʃˈɛɡɔ vwˈaɕɲʲɛ tˈɛras...|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_239.wav|tɔ bˌɨwɔ fʃˈɨstkɔ, ɔ tʃɨm vˈuftʃas mɨɕlˈawɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_64.wav|pˈannɔ pˈɔrtɛr, jˌɛstɛm inspˈɛktɔr ɔldbˈɛrɨ s pɔlˈitsji lˌinkɔlnʃˈajɛr.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_369.wav|mˈɛdʲi mˈa ˈusta vʲˈɛlkʲɛ jˈak ˈuda, a ˈuda mˈa ɔɡrˈɔmnɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_31.wav|ɲʲɛ pˈatʃɨ mi jˈɛdnak w ˈɔtʃɨ, vʲˈɛndʑ zakwˈadam, ʒˈɛ jˈɛdnaɡ dˈɔbʒɛ ˌuswɨʃˈawam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_102.wav|a kʲˈɛdɨ dˈɛklan pɔvʲˈɛdʑaw jɛj...|3
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_21.wav|jɛdˈɨɲʲɛ filˈipa pˌɔstʃɛɡˈawa nˈaɡwɔ̃ ˌɔpɛrˈatsjɛ jˈakɔ bwˌɔɡɔswavʲˈɛɲstfɔ, a bˈɛtskɨ mʲˈawa nadʑˈɛjɛ, ʒˈɛ fʃˈɨstkɔ bˌɛɲdʑɛ dˈɔbʒɛ z lˌɔuˈisɔ̃ i dʑˈɛtskʲɛm.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_156.wav|dʑɛftʃˈɨna zˌaçixɔtˈawa i vˌɨʃɛptˈawa mu tsˈɔʑ dɔː ˈuxa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_132.wav|pamjˈɛntam, ʒˈɛ ɕɛŋɡnˈɔwɛm dɔ dʑˌɛtɕɛntsˈɛɡɔ butɕˈika ˈu mɔjˈɛɡɔ pˈasa i ɡˈɔ ɲʲɛ znalˈazwɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_116.wav|rɔzlˈɛɡa ɕɛ pʃˌɛɲiklˈivɨ zɡʒˈɨt, jˈaɡbɨ mˈɔdɛm starˈɛɡɔ tˈɨpu wˈɔntʃɨw ɕɛ s ɕˈɛtɕɔ̃. bʲˈili ɕtɕˈiʃa dʑvʲˈɛŋk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_2.wav|minˈɛliɕmˌɨ zˌabɨtkˈɔvɔ̃ latˈarɲʲɛ mˈɔrskɔ̃ i ɲʲɛtsˈawɛ stˈɔ mˈɛtruv dˈalɛj skrɛɲtɕˈiliɕmˌɨ w lˈɛvɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_380.wav|a ja ʒˈɨjɛ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_188.wav|ɡdˈɨ mˈatka vrutɕˈiwa dɔ tɔmmˈɛna, xwˈɔpʲɛdʑ bˈɨw zajˈɛntɨ wɔvʲˈɛɲʲɛm kˈɔtuf na vˈɛntkɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_32.wav|uɕˈadwam na stˈɔlɛ lˌabɔrˌatɔrˈɨjnɨm nˌapʃɛtɕˈifkɔ ɲʲˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_77.wav|— pʃˈɨkrɔ mi — pɔvʲˈɛdʑaw ˈandɛrsɔn. — ɲʲɛ pˌɔviɲʲˈɛnɛm tˈak mˈuvitɕ. ɔdvrˈutɕiw ɕɛ i ˈɔtʃɛd.|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_110.wav|ftɕˈɔ̃ʃ jˈɛʃtʃɛ ˈɔtɨm mˈɨɕlɛ, kʲˈɛdɨ tʃasˈami ɲʲɛ mˈɔɡɛ zˈasnɔɲtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_42.wav|bˈɛtskɨ ɕɛ rˌɔzɛɕmʲˈawa.|4
+Dataset/wavs/urwisko_ferenc/51_segment_56.wav|na mˈapʲɛ w ˌintɛrnˈɛtɕɛ ˈakfɛn vɨdˈavaw ɕɛ ɲʲɛvʲˈɛlɛ vʲˈɛŋkʃɨ ɔt kawˈuʒɨ, ˌalɛ w ʒˌɛtʃɨvistˈɔɕtɕi vɨɡlˈɔndaw jˈak ɲʲɛvʲˈɛlkʲɛ jɛʑˈɔrɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_299.wav|ɲˈits nˌadʑvɨtʃajnˈɛɡɔ, a çistˈɔrja lˌɔɡɔvˈaɲʲa w mˈɔim ɡʲˈizmɔː i na sɛrvˈɛʒɛ mʲˈɛjskim tɔ pɔtfʲˈɛrdʑi.|4
+Dataset/wavs/urwisko_ferenc/65_segment_208.wav|wˈatfʲɛj pɔkˈɔnadʑ vɛ dvˈɔjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_32.wav|tɔ bˈɨ vˌɨjaɕɲʲˈawɔ, dlatʃˈɛɡɔ kʲɛrˈɔftsa fɔtsˈusa ɲʲɛ vˈidʑaw mˌɛrtsɛdˈɛsa. vʲˈɛmɨ, dˈɔkɔnt pɔjˈɛxaw? udˈawɔ ɕɛ vɨɕlˈɛdʑitɕ jˈɛɡɔ tɛlˈɛfɔn?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_27.wav|ɲˈiɡdɨ ɲʲɛ zɲˈikaʃ mi na dwˈuɡɔ z ˈɔtʃu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_24.wav|tˈɔm ɔtsˈunɔw tɛlˈɛfɔn ɔt ˈuxa, kʲˈɛdɨ uswˈɨʃaw pˈisk lˈutsɨ. vˈɨbatʃ, ʒˈɛ ɲʲɛ pˌɔv��ɛdʑˈawɛm tɕi ftʃˈɛɕɲʲɛj, fʃˈɨstkɔ pˌɔtɔtʃˈɨwɔ ɕɛ bˈardʑɔ ʃˈɨpkɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_30.wav|tˈak tˌɨlkɔ pˈɨtam. prubˈujɛ lˈɛpʲɛj zrɔzˈumjɛtɕ, jˈak kˌɔʒɨstˈatɕɛ s tˌɛlɛfˈɔnuf s tɔ̃ ˌaplikˈatsjɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_78.wav|pˌɔzɔstˈawɛ dvˈa tɔ pˈɛvɲʲɛ vˈarʃtat kˌɔnsɛrvatˈɔra i ʃˈɔpa.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_72.wav|jˈakiɕ mɛ̃ʃtʃˈɨzna rˈɨknɔw ɕmʲˈɛxɛm. bjˈɛʒɛ tɕˈɛ za sˈansa stˈark!|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_207.wav|ˈuʃɨ pɔt jɛj dʒvʲˈami swˈɨʃɔ̃ ɕpʲˈɛvɨ, ɕmʲˈɛx i plˈɔtki. ɲˈits ˌuʒɨtɛtʃnˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_250.wav|ɡdʑˈɛ xtsˈɛʒ znˈalɛɕtɕ ɕfʲˈɛʒɔ̃ vˈɔdɛ? prˈɔvʲant. pʲˈɛrʃɨ ʃtˈɔrm rɔsprˈɔʃɨ nˈas na pˈuw ɕfʲˈata.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_57.wav|dvʲˈɛ minˈutɨ pˈuʑɲʲɛj rɔzlˈɛɡa ɕɛ pukˈaɲʲɛ dɔ dʒvˈi sˌamɔxˈɔdu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_49.wav|ktˈɔ mˈɔʒɛ pˈukadʑ dɔ dʒvˈi f tʃfartkˈɔvɛ pˌɔpɔwˈudɲʲɛ?|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_110.wav|ˈidʑɛʃ trˈɔpɛm ɲʲˌɛvwaɕtɕˈivɛj viltʃˈɨtsɨ, pˈaɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_166.wav|nˌamjɛʃˈawam, tˈatɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_30.wav|pˌɔvʲɛdʑˈawa, ʒˈɛ kɔjˈaʒɨ nazvˈiskɔ, ˌalɛ ɲˈiɡdɨ ɡˈɔ ɲʲɛ pɔznˈawa. xˈɨba muvˈiwa prˈavdɛ, xˈɔtɕ ɲʲˈɛmam stˌuprɔtsɛntˈɔvɛj pɛvnˈɔɕtɕi.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_243.wav|ˌalɛ ɲˈiɡdɨ ɲʲɛ rɔbʲˈiwam tˌɛɡɔ f skafˈandʒɛ pruʒɲʲˈɔvɨm, a f pʃˌɛtɕivʲˈɛɲstfʲɛ dɔ tɕˈɛɲtɕa, tɨm rˈazɛm muɕˈawam rɔstˈɔpitɕ ˌalumˈiɲʲum, ʒˈɛbɨ vɨkˈɔnatɕ spˈaf.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_348.wav|drˈɔɡa na pɔvʲˈɛʃxɲʲɛ bˌɨwa dwˈuɡa i krˈɛnta.|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_83.wav|bʲˈillɨ mˈa ɡwupˈavɛ jˈa. mˈɨɕli, ʒˈɛ tsˈɔlin fçˈitɛ mˈa ɡwˌuptaskɔvˈatɛ jˈa.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_127.wav|pˌɔmɨɕlˈawa tsɛrsˈɛi.|1
+Dataset/wavs/urwisko_ferenc/44_segment_21.wav|nˈɔts pˌanɔvˈawa jˈuʃ nat mʲˈastɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_59.wav|prˈɔʃɛ pˈɨtatɕ, a ja pɔstˈaram ɕɛ ˌɔtpɔvʲˈɛdʑɛtɕ najlˈɛpʲɛj, jˈak pɔtrˈafjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_12.wav|jˈɛɡɔ ɡwˈɔs pʃˌɛpɛwɲʲˈawa zwˈɔɕtɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_8.wav|— pɔ pʲˈɛrʃɛj — pɔvʲˈɛdʑaw ˈandɛrsɔn. pˈatʃɨw xfˈilɛ na ɕˈilɲik sˌamɔlˈɔtu, pɔ tʃɨm vdrˈapaw ɕɛ na samˈɔxut tɕˌɛ̃ʒarˈɔvɨ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_318.wav|muɡwˈɔbɨ ɕɛ zdˈavatɕ, ʒˈɛ sˈɛr ˈajlɛn uswˈɨʃaw vˈuftʃas jˈɛɡɔ mˈɨɕli. sparˈɔvaw ɔt ɲʲɛxtsˈɛɲʲa kɔlˈɛjnɛ tɕˈɛɲtɕɛ jˌamjɛˈɛɡɔ i pʃˈɛʃɛd dɔ kˌɔntratˈaku.|1
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_93.wav|zˌamaxnˈɛwam ɕɛ s tsˈawɛj ɕˈiwɨ i ɡʒmɔtnˈɛwam kɔɲtsˈufkɔ̃ rˈurɨ w vˌɨstajˈɔntsɨ zˈɛ ɕtɕˈanɨ zˈavur.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_58.wav|ɲʲɛ vˌɨpuʃtʃˈajɔndʑ z rˈɛŋki nˈɔʒa, pʃɛbjˈɛɡwam mʲˌɛndʑɨ dʒɛvˈami i vrutɕˈiwam na ɕtɕˈɛʃkɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_54.wav|zastʃˈɛli alˈɛna, tsɔkˈɔlvʲɛk ɕɛ vɨdˈaʒɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_250.wav|tɔ znˈatʃɨ mʲɛʃkˈawa ɔsˈɔbnɔ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_284.wav|ˈɔɡar vɨbˈuxnɔw ɕmʲˈɛxɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_81.wav|bˈɔp pʃˈɛʃɛt pʃˈɛs ɕlˈuzɛ w nɔrmˈalnɨ spˈɔsup, ɲʲɛ kˌɔʒɨstˈajɔndʑ zˈɛ zbjɔrɲˈika rˌatuŋkɔvˈɛɡɔ, ktˌurɨ sfˈɔjɔ̃ drˈɔɡɔ̃ tʃˈɛba bˌɛɲdʑɛ tˈɛraz vɨmjˈɛɲitɕ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_84.wav|kɕˈɔ̃ʒɛ ɔdˈɛswaw jˈɔ̃ dɔ vˈɔdnɨx ɔɡrˈɔduf.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_43.wav|vɨtɲʲˈɛmɨ ˈɔtfur s tˈɨwu. bɛɲdʑˌɛmɨ muɕˈɛli pʃˈɛɲʲɛɕtɕ ˌakumˌulatˈɔrɨ i zbjɔrɲˈiki, ˌalɛ pˌɔradʑˈimɨ sˈɔbjɛ s tɨm bˈɛs prɔblˈɛmu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_57.wav|mˈɔʒɛʒ dɔ ɲˈiɣ zadʑvˈɔɲitɕ, ʒˈɛbɨ pˌɔvʲɛdʑˈɛli, tʃɨ znalˈɛʑli tˈam jˈakiɕ nˈuʃ?|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_89.wav|bˈɨvam tˈam tsɔdʑˈɛnɲʲɛ, a mˈɔjɛ ˌɛnɛrɡʲˈitʃnɛ zˌaxɔvˈaɲʲɛ zapˈada f pˈamjɛɲtɕ. ɲʲɛ uwˈatfi mi tɔ zadˈaɲʲa, kʲˈɛdɨ bˌɛndɛ xtɕˈawa ɕɛ pʃˈɛkraɕtɕ ɲʲˌɛzawvaʒˈɔna.|4
+Dataset/wavs/urwisko_ferenc/53_segment_139.wav|tsˈɔ kɔŋkrˈɛtɲʲɛ vɔlˈawa uɕtɕˈiɕlitɕ? nˈɔ tɛ fʃˈɨstkʲɛ zdjˈɛɲtɕa i ta ɡrupˈɔva fˌɔtɔɡrˈafja z litsˈɛum.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_86.wav|ɔtpˈarwam skˈubjɔnts nɛrvˈɔvɔ pɔd brˈudɛk. ɡdʑˈɛ jɛst ˌakumulˈatɔr?|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_78.wav|mˈa na sˈɔbjɛ kɔʃˈulkɛ pˈɔlɔ, z lˈɔɡɔ nˌaturˈalɲʲɛ, vˌɨprasɔvˈanɛ tʃajnˈɔsɨ i mˌɔkasˈɨnɨ s frɛndʑlˈami.|2
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_27.wav|ˌalɛ vʲˈɛm, ʒˈɛ ɲʲɛ mʲˌɛliɕmˌɨ ʃtˈutʃnɛj ɡrˌavitˈatsji.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_72.wav|ɲˈiɡd dɔ nˈas ɲʲɛ stʃˈɛliw tamtˈɛɡɔ dɲʲˈa, ˌalɛ spɔjʒˈɛɲʲa tɨx lˈudʑi jˈasnɔ davˈawɨ dɔ zrˌɔzumjˈɛɲʲa, ʒˈɛ tˌaki dʑˈɛɲ nadˈɛjdʑɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_26.wav|nˌadʲinspˈɛktɔr mˈɔtsnɔ zatɕˈisnɔw ʃtʃˈɛŋki.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_220.wav|i bɛspʲˈɛtʃɲʲɛj. tˈak, tɔ tˈɛʃ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_38.wav|ɲʲɛ, ɲʲɛ, pˈan ɲʲɛ rɔzˈumjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_135.wav|ˌɔtpɔvʲɛdʑˈawɔ mu dˌɔbjɛɡajˈɔntsɛ s pɔdwˈɔɡʲi ʒɛ̃ʒˈɛɲʲɛ. zrˌɔzumjˈawɛɕ?|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_117.wav|s tʃˈasɛm mˈɔɡɔ̃ ɕɛ stˈatɕ sˈɔbjɛ tˈaɡ blˈistsɨ jˈak rˈɔbɛrt i jˈɛɡɔ pʃɨjˈatɕɛl z dʑɛtɕˈiɲstfa nˈɛt stˈark. ɡwˈupʲɛts, ˌalɛ lɔjˈalnɨ ɡwˈupʲɛts.|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_106.wav|rɛdˈaktɔr jˈɛʃtʃɛ ɲʲˈɛmʲaw ɔkˈazji zˈɛrknɔɲtɕ na najnˈɔfʃɨ frˈaɡmɛnt.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_152.wav|pˈɔkaʃ mi tɛn bʲˈilɛt.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_167.wav|ɲˈikt ɲʲɛ vɨstˈavi nˈɔsa s pɔtɕˈɔŋɡu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_178.wav|ɲʲɛɕfʲˈadɔm mˈɔjɛj rɛˈaktsji na jˈɛɡɔ swˈɔva, tˈata dˈalɛj vɨjˈaɕɲʲaw, tsˈɔ dla mɲʲɛ zrˈɔbʲiw, a ja sprˌubɔvˈawam ɕɛ skˈupitɕ na jˈɛɡɔ swˈɔvax.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_115.wav|ɲʲɛ vidʑˈawam pʃˈɛttɛm tɛj blˈiznɨ na tʃˈɔlɛ, pˌɔvʲɛdʑˈawa jˈudɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_292.wav|tɔ ɲʲɛ jɛst ʃkˈɔtska.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_148.wav|dɔtˈarli dɔ pˈɔrtu ʑˈimnɨm, dɛʃtʃˈɔvɨm rˈaŋkʲɛm. mɡwˈa bˌɨwa tˈaɡ ɡˈɛ̃sta, ʒˈɛ s tsawˈɛɡɔ mʲˈasta vidʑˈɛli jɛdˈɨɲʲɛ ɕfʲˈatwɔ vɨsˈɔkʲɛj vʲˈɛʒɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_116.wav|zarˈuvnɔ tsamˈɛrɔn ˈɛdmɔnts, jˈak i rˈɔɡɛr jˈaɡɡɛr stˌudjɔvˈali tˈam f tɨm sˈamɨm tʃˈaɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_26.wav|tɔ spʃˈɛtʃnɛ z davnˈɨmi zvˌɨtʃajˈami.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_10.wav|f pˌɔɲʲɛdʑˈawɛk mˈam ˌɔpɛrˈatsjɛ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_251.wav|ɲˈikt ɲʲɛ bˌɛɲdʑɛ mˈuɡw ɡˈɔː ɔskˈarʒɨtɕ, ʒˈɛ vˈaltʃɨw pʃɛtɕˈifkɔ rˌɔdɔvitˈalnɨx.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_179.wav|pʃˌɛkrɛɲtɕˈiwam zˈavur bˈutli z ˌatsɛtɨlˈɛnɛm, ˌustavˈiwam pʃˈɛpwɨf mʲɛʃˈaŋki f palɲˈiku na trˈɨb zapˈɔnu, nˌatɕisnˈɛwam iskrˈɔvɲik i...|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_75.wav|f kˈɔɲtsu nadˈɛʃwa pˈɔra vɨjˈazdu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_26.wav|xˈɛj, ɲʲˈɛxtsɛʃ xˈɨba, ʒˈɛbɨm muɕˈawa tɕˈɛ vʑˈɔɲtɕ na rˈɛntsɛ i ɲʲˈɛɕtɕ jˈaɡ dʑˈɛtskɔ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_68.wav|zˈɛrknɔw na tˈatɛ i nˈamɲʲɛ. ɔdɲʲˈɔswam vraʒˈɛɲʲɛ, ʒˈɛ zadˈajɛ mi pɨtˈaɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_35.wav|vʲˈɛmɨ tˈɛʃ, ʒˈɛ xˈɔtɕ jɛst ɲʲˌɛpʃɨtˈɔmnɨ i mˈa çˌipɔtˈɛrmjɛ, sɔ̃ dˈuʒɛ ʃˈansɛ na pˈɛwnɛ vˌɨzdrɔvʲˈɛɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_253.wav|bˈɔ bliʑɲʲˈatʃki ˈalbɔ kɔxˈajɔ̃ ɕɛ ɲʲˌɛnaturˈalɲʲɛ,|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_289.wav|w naɡrˈɔdɛ ɔklˈaskuf rˌɔzbʒmʲɛvajˈɔntsɨɣ w zwˈɨx mɔmˈɛntax.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_4.wav|ɔɕfʲˈattʃɨw, ʒˈɛ tɔ bɨwˈɔbɨ zbˈɨt prˈɔstɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_140.wav|nˌajvaʒɲʲˈɛjʃɨ jɛst prˈɔdukt ɔ nˈazvʲɛ dˈɛrma blˈɛnt tsˈɔvɛr krˈɛam.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_22.wav|dla ɲʲˈɛɡɔ litʃˈɨwɔ ɕɛ tˌɨlkɔ tɔ, ʒˈɛ mˈama bˌɨwa ʃtʃɛɲɕlˈifʃa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_159.wav|lˈudʑɛ pʃˈɛs tsˈawɛ lˈata pʃˌɛkazɨvˈali sfˈɔjɛ pʲɛɲʲˈɔndʑɛ ˌaramˈɔvi fˌɔrakisˈɔvi w zˈamjan za ˌɔbjɛtɲˈitsɛ tʃˈɛɡɔɕ tˈaɡ mɡlistˈɛɡɔ jˈaɡ vʲˈɛtʃnɛ ʃtʃˈɛɲɕtɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_7.wav|pˌɔtʃɔntkˈɔvɔ f kʲɛrˈuŋku dˈɔmu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_11.wav|tɔ drˈuɡʲɛ stˈadjum zˌaavˌansɔvˈaɲʲa w jˈɛdnɛj z mˈɔix nˈɛrɛk, vʲˈɛnts...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_19.wav|kʲˈɛdɨ ɡˈɔ zˌɔstavˈiwam, bˈɨw jˈuʃ prˈavʲɛ mˈartfɨ i uznˈawam, ʒˈɛ vwˈaɕɲʲɛ vɨdˈajɛ ɔstˈatɲʲɛ txɲʲˈɛɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_254.wav|rˌɔzmavʲˈamɨ ɔ tɛj tˌɛxnɔlˈɔɡji, vʲˈɛnts tɔ xˈɨba nɔrmˈalnɛ.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_102.wav|ʒˈadɛn vˈilk ˌaɲi baɲˈita ɲʲɛ ɔdvˈaʒɨ ɕɛ mɲʲɛ zatʃˈɛpitɕ, kʲˈɛdɨ ɔn jɛst pʃˈɨmɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_30.wav|bˈɛtskɨ ˌuswɨʃˈawa stukɲʲˈɛɲtɕɛ zˌamɨkˈanɨɣ dʒvˈi. prˌavdɔpɔdˈɔbɲʲɛ kˈid vˈɨʃɛd z bjˈura.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_285.wav|skrˈɨta pɔt pwˈaʃtʃɛm s kaptˈurɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_64.wav|tɨm rˈazɛm jɛst tɔ ɕmʲˈɛx ɔbrˈɔnnɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_161.wav|pʃˈɨtul ɕɛ dɔ mɲʲɛ, dʑˈɛtɕi, nˈɔ ɲˈits tɕi ɲʲɛ bˈɛɲdʑɛ. pʃˈɨtul ɕɛ, rˈɔzɡʒɛj, ɲʲˈɛdrʒɨj, tˈak? rˈanɔ pɔtʃˈujɛʃ ɕɛ lˈɛpʲɛj? i ftˈɛdɨ pˌɔmɨɕlˈimɨ, tsˈɔ dˈalɛj.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_9.wav|vˈidʑɛ, ʒˈɛ bˈɛmbɲi paltsˈami ɔ kʲˌɛrɔvɲˈitsɛ. tsˈɔ xfˈilɛ pɔprˈavja ɕɛ na fɔtˈɛlu, a jˈɛɡɔ prˈavɛ rˈamjɛ unˈɔɕi ɕɛ i ɔpˈada.|4
+Dataset/wavs/urwisko_ferenc/33_segment_47.wav|pˈɔtʃɛd dɔ dʒvˈi bˌalkɔnˈɔvɨx i ɔtfˈɔʒɨw jˈɛ na tsˈawɔ̃ ʃɛrˈɔkɔɕtɕ, a pˈɔtɛm pɔttɕˈɔŋɡnɔw rɔlˈɛtɛ zɛvnˈɛntʃnɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_374.wav|pɔtʃˈuwa jˈakiʑ vilɡˈɔtnɨ katˈaplazm pˌɔkrɨvajˈɔntsɨ pɔlˈitʃɛk, ʒˈuxfɛ i ˈuxɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_39.wav|jˌɛstɛm w dˈɔmu, ˌalɛ ɲʲˈɛxtsɛ, ʒˈɛbɨɕ pʃˌɨxɔdʑˈiwa. pˌɔrɔzmˈavʲaj pɔ prˈɔstu zˈɛmnɔ̃, ˌalɛ ɲʲɛ zadˈavaj ʒˈadnɨx pˈɨtaɲ, ˈɔkɛj?|4
+Dataset/wavs/urwisko_ferenc/56_segment_33.wav|w dɔdˈatku zatʃˈɛwa ɡˈɔ bˈɔlɛdʑ ɡwˈɔva.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_74.wav|zmuɕˈiwam ɕɛ dɔː ˌɔpuʃtʃˈɛɲʲa rˈamjɔn, pˌɔdɲʲɛɕˈɛɲʲa ɡwˈɔvɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_254.wav|pɔzdrˈɔviw sfˈɔix ˌɛntuzjˈastuf i zamjˈɛʒaw vrˈutɕidʑ dɔː arˈɛʃtu.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_304.wav|stˈarɨ sˈɛr ɡɔˈɔdvin dˈavnɔ jˈuʃ spɔtʃˈɨvaw w ɡrˈɔbjɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_56.wav|vratsˈamɨ pˌɔrɔzmˈavʲadʑ z mˈartɔ̃, a tɨ bˌɛɲdʑɛʃ swuxˈawa i ˌɔpsɛrvɔvˈawa bˈɛtskɨ|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_329.wav|nˈɔ dˈɔbʒɛ, mˈuʃɛ jˈuʃ ˈiɕtɕ. mˈam ˌumuvʲˈɔnɛ spɔtkˈaɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_64.wav|mˈuʃɛ ɔtʃˈukatɕ ˈɔjtsa.|3
+Dataset/wavs/urwisko_ferenc/47_segment_10.wav|bˈɨtɕ kɔbjˈɛtɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_91.wav|ɔdˈɛʃwa ɔt nˈas, kʲˈɛdɨ bˌɨwam malˈutka.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_48.wav|ˌɔdvrutɕˈiwam ɡwˈɔvɛ, ʒˈɛbɨ na ɲʲˈɛɡɔ spˈɔjʒɛtɕ i zˌɔbatʃˈɨwam stɔjˈɔntsɔ̃ f prˈɔɡu mˈatkɛ, ktˌura patʃˈɨwa nˈanas pʃˌɨmruʒɔnˈɨmi ɔtʃˈami. zadrʒˈawam, vˈidʑɔndʑ vˈɨras jɛj tfˈaʒɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_137.wav|pˌɔzɔstˈawɨɣ za mnˈɔ̃ tˈaɡ dalˈɛkɔ, ʒˈɛ prˈavʲɛ ɲʲˌɛpravdˌɔpɔdˈɔbnɨx.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_224.wav|ˈɔkrɨw ɕɛ swˈavɔ̃ na turɲʲˈɛjax. bˈɨw pʃɨstˈɔjnɨ, dʑˈɛlnɨ i nadʑvˈɨtʃaj upʃˈɛjmɨ.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_257.wav|ja fstɔmpˈiwam na swˈuʒbɛ w ɕfʲɔntˈɨɲi, a ʒˈɔna ˈɔjtsa ˌɔtʃɨmˈawa dˈar.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_48.wav|ɲʲɛ zvratsˈajɔnts uvˈaɡʲi na zˌatʃɨmujˈɔntsɛ ɕɛ kˈɔwɔ ɲʲˈɛj sˌamɔxˈɔdɨ i na lˈudʑi, ktˌuʒɨ xtɕˈɛli jˈɔ̃ pˈɔdvʲɛɕtɕ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_172.wav|tutˈɛjʃɨ lˈɛkaʃ jɛzd brutˈalɲʲɛ ʃtʃˈɛrɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_116.wav|rˈudɨ ˈuklɔŋkw ˈɔbɔk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_47.wav|jˈɛʃtʃɛ ɲˈikt ɲʲɛ pɔvʲˈɛdʑaw na wˈɔʒu ɕmʲˈɛrtɕi, ʒawˈujɛ, ʒˈɛ ɲʲɛ spɛndʑˈawɛm vʲˈɛntsɛj tʃˈasu w bjˈuʒɛ, rˌɛtsɨtˈujɛ.|2
+Dataset/wavs/urwisko_ferenc/04_segment_30.wav|na ʒˈadnɨm z ɲˈix ɲʲɛ bˌɨwɔ mˈɔɲikˌi, ˌalɛ zˈatɔ na jˈɛdnɨm, tʃˈarnɔbjˈawɨm, bɔrˈɛvitʃ rɔspˈɔznaw rˌɔzɛɕmʲˈanɔ̃ zuzˈannɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_64.wav|jˈak ɕɛ tˈɛras mʲˈɛva ˈammar?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_12.wav|ftɕˈɔ̃ʃ ɲʲɛ mʲˈawam pˌɔzvɔlˈɛɲʲa na ˌɔpuʃtʃˈɛɲʲɛ dˈɔmu, xˈɔtɕ tˈak naprˈavdɛ ɲˈiɡd ɡˈɔ ɲʲˈɛmʲaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_48.wav|mˈama, tˈatɔː i ja bɛɲdʑˌɛmɨ prˌatsɔvˈali bˈɛs pʃˈɛrvɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_96.wav|pɔlˈitʃki mˈa zˌaruʒɔvʲˈɔnɛ ɔd zˌakwɔpɔtˈaɲʲa, ˌalɛ jɛzd vɨrˈaʑɲʲɛ zdˌɛtɛrmˌinɔvˈana, ʒˈɛbɨ pɔvʲˈɛdʑɛtɕ, tsˈɔ jɛj lˈɛʒɨ na vɔntrˈɔbjɛ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_197.wav|kˌilkunˈastu ˈinnɨx.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_329.wav|lˌaxɔnˈɔru|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_113.wav|ˌalɛ lˈudʑɛ, ktˌurɨx ˌuvaʒˈaliɕmˌɨ za pʃɨjˈatɕuw, ˌɔkazˈali ɕɛ ɲˈimi ɲʲˈɛbɨtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_41.wav|mʲˈaw rˈatsjɛ. budˈɨnɛɡ bˈɨw surˈɔvɨ, vrˈɛntʃ ɲʲˌɛpʃɨjˈaznɨ i pɔtkrˈɛɕlaw rˈatʃɛj stˈatus fˌinansˈɔvɨ vwˌaɕtɕitɕˈɛla ɲˈiʃ jˈɛɡɔ xarˈaktɛr.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_38.wav|pʃˈɛʃwɔ mi tɔ pʃˈɛs mˈɨɕl.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_64.wav|rˈanɨ, pˈaɲʲɛ strˈuʒu prˈava, xˈɨba tsˈɔɕ tɕi ɕɛ pʃɨɕɲˈiwɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_4.wav|ʃˈɔna, tsˈɔ ɕɛ dʑˈɛjɛ dɔ xɔlˈɛrɨ? tsˈɔ tɨ vɨprˈavʲaʃ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_2.wav|tˈɨdʑɛɲ pˈuʑɲʲɛj.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_336.wav|pˌɔpravˈiwa mˌaɛstˈɛra alˈain, zvwˈaʃtʃa dʑvʲˈɛŋk stɔjˈɔntsɛj xˈarfɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_54.wav|jɛst sˈiŋɡlɛm. dɔ sfɔjˈɛɡɔ rɔzvˈɔdu, bʲˈillɨ mˈɔʒɛ ɕɛ zawˈɔʒɨtɕ, ʒˈɛ mˈa za sˈɔbɔ̃ tsˈɔ nˈajmɲʲɛj jˈɛdɛn, bˈɨw karmʲˈɔnɨ i pɔjˈɔnɨ pʃˈɛs kɔbjˈɛtɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_46.wav|zɔbˈatʃɨtɕ ɕɛ s tfˈɔjɔ̃ mˈatkɔ̃ f xɔspˈitsjum?|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_54.wav|tɔ znˈatʃɨ zwˈɨx lˈudʑi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_21.wav|ɔn ɲʲɛ mˈɔʒɛ ˈɔdɛjɕtɕ, jˈɔɛl. pˌɔtʃɛbˈujɛ ɡˈɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_153.wav|tˈɛras tˈamtɕi jˈuʒ vʲɛdʑˈɛli, ʒˈɛ ktˈɔɕ prubˈujɛ ɕɛ dɔ ɲˈiɣ dˈɔbratɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_151.wav|sprˈavdʑɛ tɔ na sˈɔbjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_48.wav|ɕɛdʑˈɛli na pɔdwˈɔdʑɛ lˈup na pɔdˈuʃkax.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_60.wav|xˈɔtɕ lˈɔrdɛm xarˈɛnxal mʲˌanɔvˈanɔ lˌittlɛfiŋɡˈɛra, vˌɨdavˈawɔ ɕɛ, ˈiʃ ɲʲɛ ɕpʲˈɛʃɨ mu ɕɛ dɔː ɔbjˈɛɲtɕa nˈɔvɛj ɕɛdʑˈibɨ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_462.wav|mˈuviʃ ɔ ʃlaxˈɛtɲʲɛ ˌurɔdʑˈɔnɛj dˈamjɛ, sˈɛr.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_46.wav|i zawˈɔʒɨw tɕˈasnɔ rˈɛntsɛ na pʲˈɛrɕi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_43.wav|pˈɔtɛm pˈɨta sˈam ɕˈɛbjɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_421.wav|ɕpʲˈɔntsɨ ɔbˈudʑiw ɕɛ i pɔvʲˈɛdʑaw|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_126.wav|a tsˈɔ zˈɛ strumjˈɛɲʲɛm pɔvʲˈɛtʃa, zˌapɨtˈawam?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_136.wav|ʃˈɛptʃɛ, ˌɔbavʲˈajɔnts ɕɛ vˌɨpɔvʲˈɛdʑɛtɕ tɛ swˈɔva na ɡwˈɔs.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_7.wav|fskazˈujɔnts pˈaltsɛm nˈatɨh, ktˌurɨɣ vɨbjˈɛraw, mˈuvʲɔnts pɔ prˈɔstu tˈɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_31.wav|kˌɔrɛspɔndˈɛntka f tʃɛrvˈɔnɛj sukʲˈɛntsɛ dˈalɛj rˈɔbʲi sfˈɔjɛ, xˈɔtɕ tˈɛras stˈɔi na rˈɔɡu mˈain strˈit, bˈɔ tsˈɔurt strˈid zɔstˈawa zamkɲʲˈɛnta.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_129.wav|tɨɣ vʲˈɔsɛk jˈuʃ ɲʲˈɛma, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_197.wav|zɡvˈawtɕidʑ dʑˈɛtskɔ? xtɕˈawɛʑ vʲˈɛdʑɛtɕ jˈak tɔ jˈɛst? ɔdbʲˈiwɔ tɕˈi! ɲʲˈɛmam pɔjˈɛɲtɕa!|2
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_5.wav|jˈɛɕli tˈak, dʑɛftʃˈɨŋka muɕˈawa zˈɔstatɕ spɛtsjˈalɲʲɛ vɨbrˈana, a tɔmˈɔvi w ɔɡˈulɛ ta mˈɨɕl ɕɛ ɲʲɛ pˌɔdɔbˈawa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_166.wav|bʲˈillɨ vʲˈɛ tˈɨlkɔ, ʒˈɛ uvˈaɡɛ ɔdvrˈutɕitɕ mˌajɔ̃ wadˈuŋki pˌirɔtɛxɲˈitʃnɛ. jˈɛdɛn za ˈuwku, za sˈans pɔt kˈafɛ, drˈuɡʲi ɡdʑˈɛɕ f pɔblˈiʒu ɡmˈaxu sˈɔndu.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_29.wav|ɔ bˈɔʒɛ, ɲʲɛ mˈɔɡwam uvʲˈɛʒɨtɕ f tɛ bzdˈurɨ, jˈakʲɛ drˈuɡa ʒˈɔna kɕˈɛɲtɕa ˌɔpɔvʲadˈawa ˈɔɲim dʑˌɛnɲikˈaʒɔm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_125.wav|stsˈɔtt ɔdvrˈutɕiw ɡwˈɔvɛ, a w jˈɛɡɔː ˈɔtʃax ˈɔdbʲiw ɕɛ blˈask kɕɛ̃ʒˈɨtsa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_10.wav|ɲʲɛvʲˈɛlɛ vidʑˈawɛm. ɲʲɛ mˈɔɡwɛm tˈak pɔ prˈɔstu stˈanɔɲtɕ i zˈatʃɔɲtɕ ɕɛ ɡˈapitɕ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_316.wav|kˈazaw mi ɔdnˈalɛɕtɕ sˈansɛ i jˈɔ̃ xrˈɔɲitɕ.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_127.wav|ɲˈikt ɲʲɛ pɔvˈiɲʲɛn ʒawˈɔvatɕ sˈɔbjɛ bʲˈitʃa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_125.wav|ɲˈikt ɲʲˈɛmʲaw tˈɨlɛ ɔdvˈaɡʲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_38.wav|tɛn ˈɛkstrakt sprˈavja, ʒˈɛ pˈulpɛ dˈa ɕɛ pʃˈɛwknɔɲtɕ. a ˈɔtɔ vwˈaɕɲʲɛ xˈɔdʑi.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_26.wav|ɲʲɛ dɔʃwˈɔbɨ dɔ tˌɛɡɔ fʃɨstkʲˈɛɡɔ, ɡdˈɨbɨ tfˈuj sabˈɔtaʃ ɲʲˈɛbɨw tˈaɡ bɛstʃˈɛlɲʲɛ jˈavnɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_188.wav|ɲʲˈɛma prɔblˈɛmu, jasmˈinɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_463.wav|z dˌɛmɔnstratsˈɨjnɔ̃ swɔdˈɨtʃɔ̃ vidˈɔtʃɲʲɛ pʃɨvˈɨkwa dɔ ɡrubjˈaɲstfa sfˈɛɡɔː ˌɔtɔtʃˈɛɲʲa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_22.wav|kʲˈɛdɨ fʃˈɛd dɔ mɲʲɛ dɔ pɔkˈɔju pʲɛrʃˈɛɡɔ vʲɛtʃˈɔru, pʃɛʒˈɨwam pravdʑˈivɨ fstʃˈɔ̃s.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_147.wav|ʒˈɛbɨ maˈɛstɛr ˈɛmɔn mˈuɡw ɔdʑˈɨskatɕ ɕˈiwɨ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_113.wav|pɔmˈɨɕlaw jˈamɛ, ˌalɛ pʃˌɨpɔminˈawɔ tɔ rˈatʃɛj lˈitɔɕtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_485.wav|a pˈɔtɛm pʃɛʒˈutɕiw pˈatʃkɛ pˈɔpʃɛs tsˈawɔ̃ sˈalɛ i mˈuʒɨn stɔjˈɔntsɨ pʃɨ maʃˈɨɲʲɛ zbʲˌijajˈɔntsɛj pˈisma f kfˌadratˈɔvɛ brˈɨwɨ,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_128.wav|tʃˈujɛ, jˈaɡbɨ tsˈɔʑ vˌɨtɕisnˈɛwɔ zˈɛmɲʲɛ pɔvʲˈɛtʃɛ, a w mˈɔjɛj pʲˈɛrɕi narˈasta jˈɛŋk.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_2.wav|nˈadal ɲʲɛ fpwɨnˈɛwɔ ʒɔndˈaɲʲɛ ɔkˈupu.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_104.wav|plˈastɛr vˌɨkɔnˈanɨ z lˈɔdu.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_107.wav|kˈapkɛ smˈɔtʃɛj krfˈi tɔ prˈavda. jˈɛɡɔ brˈatɕa rˈuvɲʲɛʃ jˈɔ̃ mʲˈɛli.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_59.wav|ɲʲɛ maʃ nˈavɛt pɔjˈɛɲtɕa, jˈaɡ bˈardʑɔ tʃˈujɛ ɕɛ pʃˈɛs tɕˈɛbjɛ ˌɔdʒuts��ɔnɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_31.wav|tˈɔm zˈadrʒaw.|4
+Dataset/wavs/urwisko_ferenc/20_segment_17.wav|zˈafʃɛ, ɡdˈɨ swˈɨʃɛ, ʒˈɛ ˌɔdnalɛʑˈɔnɔ tɕˈawɔ kɔbjˈɛtɨ...|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_91.wav|tɕˈɛ̃ʃkɔ prˌatsɔvˈawam na sfˈɔjɔ̃ pɔzˈɨtsjɛ i tˈɛras fʃˈɨstkɔː ˈidʑɛ mi ɡwˈatkɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_18.wav|stanˈɔwɛm rˈaptɛm, bˈɔ vɨdˈawɔ mi ɕɛ, ʒˈɛ ɕrˈɔtkʲɛm nˈurtu mʲˌɛndʑɨ krˈami ʒˈuwtɛj pʲˈanɨ|0
+Dataset/wavs/urwisko_ferenc/14_segment_14.wav|ˌalɛ bˌɨwa tɕˈɛpwa i ˈɔlɡʲɛrt tˌɨlkɔ zamˈɔtʃɨw ˈusta.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_333.wav|kˈɔts pʃˌɨkrɨvajˈɔntsɨ wˈuʃkɔ bˈɨw brˈudnɨ i pʃˌɛpɔtsˈɔnɨ.|0
+Dataset/wavs/urwisko_ferenc/27_segment_119.wav|vʲˈɛ pˈaɲi tʃˈɛɡɔ?|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_52.wav|i bˌɛɲdʑɛ jˈak ɕɛ ɕtɕˈɛmɲi.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_185.wav|krulˈɔva ɲʲɛ zˌamjɛʒˈawa pɔɲˈiʒatɕ ɕɛ pʃɛd zɡrˈajɔ̃ kapwˈanuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_50.wav|spˈɛntsɛr pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃. ɲʲɛ, tˌɨlkɔ jˈa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_198.wav|tˌɨlkɔ tˈɨlɛ zdˈɔ̃ʒɨw s ɕˈɛbjɛ vɨdˈɔbɨtɕ, zˈaɲim mˈutʃ pʃˌɨtʃajˈɔnɨ pɔ tˈamtɛj strˈɔɲʲɛ dʒvˈi ɔtfˈɔʒɨw ˈɔɡʲɛɲ s kˌawaʃɲikˈɔva, ɲʲɛ f plˈɛtsɨ dʒˌɔnnɨˈɛɡɔ, tˌɨlkɔ w jˈɛɡɔ nˈɔɡʲi.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_132.wav|ta pʃɛmˈɔva jɛzd dwˈuʃʃa ɲˈiʒ ballˈada s pˌɔɡraɲˈitʃa, a ɔn xˈɨba ɲʲˈɛvʑɔw nˈavɛt pʃˈɛrvɨ na ˈɔddɛx.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_26.wav|xˈɔvawbˌɨ urˈazɛ dɔ ɡˌɛnɛvʲˈɛvɛ pʃˈɛs tˈaɡ vʲˈɛlɛ lˈat?|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_37.wav|dlatˈɛɡɔ pɔ zabˈujstfʲɛ ˈallɛn pʃɛʃˈukaw mʲɛʃkˈaɲʲɛ i pˈɛvɲʲɛ znˈalaz zdjˈɛɲtɕɛ, mˈɔʒɛ nˈavɛt kˈilka, ktˌurɛ pˈatritsk tʃˈɨmaw w ɔdvˈɔdʑɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_65.wav|zrɔbʲˈiwɔ ɕɛ mˈawɛ zˌamjɛʃˈaɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_213.wav|ɕˈada i vwˈɔntʃa laptˈɔpa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_3.wav|tˈɔm pˌɔstanˈɔviw nˈaɡʲɔɲtɕ lˈɛkkɔ zasˈadɨ ˌustanɔvʲˈɔnɛ pʃˈɛs filˈipɛ i vɨrˈuʃɨw f pˈɔdruʒ dɔ lˌinkɔlnʃˈajɛr.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_136.wav|ɲʲɛ mˈuɕiʃ tˌɛɡɔ rˈɔbʲitɕ, ɔdˈɛzvaw ɕɛ ˈɔjtɕɛts.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_44.wav|vɨbˈatʃtɕɛ, mˈuʃɛ ɔdˈɛbratɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_24.wav|vˈidatɕ, ʒˈɛ mˈuj brˈaɡ zˌaintˌɛrɛsɔvˈaɲʲa nˌajnɔfʃˈɨmi pˌɔɡwɔskˈami vɨrˈaʑɲʲɛ jˈɔ̃ zˌirɨtˈɔvaw.|3
+Dataset/wavs/urwisko_ferenc/32_segment_21.wav|mˈarja xˈɛrman vʲɛdʑˈawa, ʒˈɛ bˌɛɲdʑɛ muɕˈawa bˈardʑɔː uvˈaʒatɕ, ɲʲɛ tˌɨlkɔ nˈatɔ, tsˈɔ pˈɔvʲɛ, ˌalɛ tˈɛʃ nˈatɔ, jˈakʲɛ vɲʲˈɔski s tɛj rɔzmˈɔvɨ vɨtɕˈɔŋɡɲʲɛ sˈɔlski.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_175.wav|lˈɛpʲɛj dla mɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_63.wav|zatʃˈɛwam ɔttʃˈuvatɕ wupˈaɲʲɛ w ɡwˈɔvʲɛ spˌɔvɔdɔvˈanɛ ɲʲˌɛdɔbˈɔrɛm tlˈɛnu.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_90.wav|tɔ dlatˈɛɡɔ, ʒˈɛ jɛst tˌaki ɲˈiski.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_17.wav|ˌalɛ ta pʃˌɨjatɕˈuwka pˌɔzɔstavˈawa stsɛptˈɨtʃna.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_32.wav|pʃˌɛʒutɕˈiwam pˈalɲiɡ z jˈɛdnɛj rˈɛŋki dɔ drˈuɡʲɛj, ʒˈɛbɨ mʲˈɛtɕ pˈɛvnɔɕtɕ, ʒˈɛ ɡˈɔ zˌauvˈaʒɛ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_333.wav|xˈɔnɔr i xfˈawa ˌɔdɛɡrˈawɨ pˈɛvnɔ̃ rˈɔlɛ, ˌalɛ pʃˈɛdɛ fʃˈɨstkim zrˈɔbʲiw tɔ dla tsɛrsˈɛi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_69.wav|ˌalɛ bˌɨwɔ jˈuʒ za pˈuʑnɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_53.wav|tsˈɔ tˈam swˈɨxatɕ s tɨm markˈɛtɛm bˌudɔvlˈanɨm?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_89.wav|ɲʲɛktˌurɨx kavˈawkuf ɲˈiɡdɨ bˈɨ ɲʲɛ ˌɔdnalɛʑˈɔnɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_100.wav|lˈampka nat tablˈitsɔ̃ rˌɛjɛstratsˈɨjnɔ̃ swˈabɔ pˈɛwɡa prˈavʲɛ zɡˈaswa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_87.wav|ɔn vwˈaɕɲʲɛ prubˈujɛ blɛfˈɔvatɕ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_96.wav|kʲˈɛdɨ ɕɛ ˌɔdɛzvˈawam, mˈuj ɡwˈɔs ɔkˈazaw ɕɛ skʃɛklˈivɨ.|3
+Dataset/wavs/urwisko_ferenc/55_segment_10.wav|znalˈazwam zdjˈɛɲtɕɛ filˈipa na fˌatsɛbɔˈɔku.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_316.wav|sˌɨtuˈatsja jɛzd bˈardʑɔ ɲʲɛpˈɛvna i pˌɔmɨɕlˈawam, ʒˈɛ lˈɛpʲɛj zatʃˈɛkatɕ, ˈaʃ ɲʲˌɛbɛspʲɛtʃˈɛɲstfɔ mˈiɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_417.wav|tɔ ɲʲɛ ɡɔrˈɔntʃka ˌaɲi pɔrˈannɨ xwˈut.|0
+Dataset/wavs/urwisko_ferenc/19_segment_104.wav|nˈadal pˈaɲi ɲʲɛ rɔzˈumjɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_8.wav|zɛbrˈaɲʲɛ pˌɛrsɔnˈɛlu, ktˌurɛ zvɔwˈawam na kˈɔɲʲɛdʑ dɲʲˈa, pʃɛbjˈɛɡwɔ zɡˈɔdɲʲɛ z mɔˈimi ˌɔtʃɛkˌivaɲʲˈami.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_56.wav|tɔ ɲʲˌɛmɔʒlˈivɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_312.wav|xˈɨba ɲʲɛ udˈawɔ mi ɕɛ zbˈɨd dˈɔbʒɛ tˌɛɡɔ zˌamaskˈɔvatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_41.wav|dˈɔbʒɛ tɔ, dˈɔbʒɛ. mʲˈɛjmɨ nadʑˈɛjɛ, ʒˈɛ ʒˈadna xmˈura ɕɛ ɲʲɛ ɔbˈɛrvʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_116.wav|tˈɛ, ktˌurɛ zamˈuviw na ˌamazˈɔɲʲɛ, sɔ̃ tʃˈarnɛ, zˈɛ zwɔtˈɨmi tsˌɛkinˈami.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_230.wav|lɛʒˈawɛm dwˈuɡɔ bˈɛs rˈuxu,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_456.wav|straʃlˈivɨ zɡʲˈɛwk pʃɛt ɛksplˈɔzjɔ̃. tʃɨ ja mˈam sˈam ɕˈɛbjɛ pʃɛswˈuxatɕ, ɔsˈɔɲdʑitɕ i ukˈaratɕ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_123.wav|spʃɛdˈawɛm dˈɔm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_136.wav|mɛ̃ʃtʃˈɨzna, ktˌurɨ stˈaw tˈɨwɛm dɔ spʃˌɛdajɔntsˈɛɡɔ, ɔdvrˈutɕiw ɕɛ na xfˈilɛ i pɔpˈatʃɨw na ɲʲˈɛɡɔ z zˌaintˌɛrɛsɔvˈaɲʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_219.wav|kʲˈɛdɨ tˌɨlkɔ pɔtʃˈujɛʃ ɕɛ lˈɛpʲɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_173.wav|fspˈulnɨ kˈanaw swˈuʒɨ dɔ pʃˌɛkazɨvˈaɲʲa instrˈuktsji zvʲɔ̃zˈanɨɣ zˈɛ spatsˈɛrɛm i dɔ zˌadavˈaɲʲa pˈɨtaɲ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_147.wav|ɲˈitsk krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_4.wav|dɔ kɔmplˈɛtu dˌɔkupˈiwam vʲˈɛlkɔ̃ tʃɛrvˈɔnɔ̃ tɔrˈɛpkɛ z lˌakʲɛrɔvˈanɛj skˈurɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_23.wav|dˈam tɕi tsˈɔɕ nˈatɔ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_444.wav|jɛj stˈarɨ nˌautʃˈɨtɕɛl mˈuviw jˈɛdnak ɔ rˈanax ɔt mʲˈɛtʃa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_29.wav|ɲʲɛ jˌɛstɛm jˈuʃ mwˈɔdɔ̃ dʑɛftʃˈɨnɔ̃, ktˌura bˈawa ɕɛ sfɔjˈɛɡɔ tɕˈɛɲʲa, ˌalɛ tɔ ɲʲɛ jɛst tˈɛʃ xfˈila na kwˈutɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_371.wav|jˌɛstɛʑ zdradʑˈɛtskɔ̃, kwamlˈivɔ̃ waɕˈitsɔ̃, tˈak jˈak fʃˈɨstsɨ f tfˈɔjɛj rɔdʑˈiɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_2.wav|drˈɔɡʲi kɛlvˈiɲʲɛ!|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_11.wav|ʃˈɛt f tʃɛrvˈɔnɛj wˈuɲʲɛ zaxˈɔdu i vˌɨdavˈawɔ mi ɕɛ, ʒˈɛ tsˈɔɕ ɲʲˈuz w vˌɨtɕɔŋɡɲʲˈɛntɨɣ dwˈɔɲʲax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_25.wav|dɔ kˌalifˈɔrɲʲi pˌɔlɛtɕˈɛliɕmˌɨ uɲˈitɛt ˌairlˈinɛs. tɔ bˌɨwa mˈɔja pʲˈɛrʃa w ʒˈɨtɕu pˈɔdruʃ sˌamɔlˈɔtɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_154.wav|a ˌɔna ɡˈɔ rˌɔspɔznˈawa.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_212.wav|mʲˌawɛm tˈɛʃ kɔbjˈɛtɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_21.wav|dʒˈɛs, tʃˈɛɕtɕ!|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_37.wav|tɔ pɔvˈaʒna prˌɔtsɛdˈura.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_199.wav|bʲˈillɨ zasˈɨpja i ɕɲˈi ɔ vˈɔrkax na ɕmʲˈɛtɕi, wˌɔpɔtʃˈɔntsɨx f kɔrˈɔnax pˈalm.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_136.wav|sˈama krˈɛv zɲiknˈɛwa, prˌavdɔpɔdˈɔbɲʲɛ ˌusuɲʲˈɛnta pʃˈɛs spˌɛtsjalistˈɨtʃnɔ̃ fˈirmɛ pˈɔtɨm, jˈak rˈudɨ i dˈɔktɔr rˈussɛl zˌakɔɲtʃˈɨli ˌɔɡlɛɲdʑˈinɨ mʲˈɛjstsa zbrˈɔdɲi.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_189.wav|dʑˈɛŋki za zˌaufˈaɲʲɛ. dla vwasnˈɛɡɔ bˌɛspʲɛtʃˈɛɲstfa pɔvˈinnaɕ tʃˈɨmatɕ ɕɛ blˈiskɔ mɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_190.wav|i pɔ tsˈɔ tɕi tɔ jˈudɨ pɔvʲˈɛdʑaw?|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_387.wav|tʃɨ tɔ prˈavda?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_27.wav|tˈɔm vˌɨprɔstˈɔvaw ɕɛ na kʃˈɛɕlɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_97.wav|a pʃˌɛtɕɛʃ mˈɔɡwɛm pʃɛtftʃˈɔraj ɲʲɛ vɨxˈɔdʑidʑ z dˈɔmu, pɔtʃˈɨtatɕ nˈudnɔ̃ kɕˈɔ̃ʃkɛ i uwˈɔʒɨtɕ ɕɛ dɔ tˌɛɡɔ pwɨtkʲˈɛɡɔ snˈu.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_30.wav|nazˈɨvaw ɕɛ ˈɛmɔn tˌarɡarˈɨɛn.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_98.wav|trˈudnɔ ɡˈɔ zˈatɔ vˈiɲitɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_50.wav|spˈɛntsɛr zatɕˈisnɔw zˈɛmbɨ, ˌalɛ ftɕˈɔ̃ʃ ɕɛ bˈaviw sɨɡnˈɛtɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_80.wav|tʃˈɛkaw xfˈilɛ pˈatʃɔnts jˈak mˈikɛ ɔpxˈɔdʑi samˈɔlɔt, pˈɔtɛm pɔvʲˈɛdʑaw|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_200.wav|tʃˈɛba ˈiɕtɕ na pɔlˈitsjɛ. jˈakiʑ babˈɔxwɔp ˈalbɔ kɔbjˈɛtɔn pˌɔlitsˈɨjnɨ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_52.wav|vʲˈɛlki vrˈubɛl zwˈɔʒɨw xˈudɛ dwˈɔɲʲɛ f pˌiramˈitkɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_100.wav|dˌɔmɨɕlˈiwam ɕɛ, ʒˈɛ bˈɔp pˌatrɔlˈujɛ ˌɔkɔlˈitsɛ.|4
+Dataset/wavs/urwisko_ferenc/32_segment_29.wav|ftˈɛdɨ stˈara nˈɔkja xˈɛrman rɔzbʒmʲˈawa prˈɔstɔ̃ mˌɛlɔdˈɨjkɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_293.wav|a ja spɔjʒˈawɛm jˈɛʃtʃɛ rˈas na tˈɛ nˈaɡɔ̃ dˌɔskɔnˈawɔɕtɕ kɔbjˈɛtsɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_92.wav|ɲʲɛ, ˌalɛ ɲʲɛ vˈiɲiwbˌɨm tɕˈɛ zˈatɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_144.wav|ʒɨmjˈawa na ˈimjɛ vˈɛra.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_21.wav|bˌɨwɔ tɔ mʲˈɛjstsɛ, f ktˌurɨm rˌɔspɔtʃˈɛwabˌɨ ɕɛ nˈaʃa utɕˈɛtʃka, ɡdˈɨbɨm tˌɨlkɔ ɲʲɛ zdradʑˈiwa pʃˌɨjatɕˈuwki.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_138.wav|ɔdˈɛzvaw ɕɛ nˈaʒ ɡɔspˈɔdaʃ stɔjˈɔntsɨ pʃɨ bˈarku. ɲʲɛ jɛstˌɛɕmɨ pˈaɲstfɛm i ɲʲɛ mɔʒˈɛmɨ mʲˈɛtɕ sfˈɔjɛj valˈutɨ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_186.wav|bˈɔː inˈatʃɛj tʃˈɛka mɲʲɛ tˌaki sˈam lˈɔs.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_164.wav|nˈaɡlɛ tʃˈujɛ ʑˈimnɨ drˈɛʃtʃ na kˈarku i vʲˈɛ, ʒˈɛ tɔ ɲˈitsk. a jˈɛdnak mʲˈaw ɡnˈata w bɛspʲˈɛtʃnɨm pɔkˈɔju. vˈɨʃɛd, vdrˈapaw ɕɛ pɔ sxˈɔdax i tˈɛras mʲˈɛʒɨ mu f tˈɨw ɡwˈɔvɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_17.wav|ˌɔɲi xtɕˈɛli zdrˈadʑitɕ arˈama i zrujnˈɔvatɕ tsˈawɔ̃ jˈɛɡɔ tsudˈɔvnɔ̃ prˈatsɛ. tɔː utrˈata ɲʲɛvʲˈɛlu s kɔʒˈɨɕtɕɔ̃ dla vʲˈɛlu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_212.wav|trˈudnɔ jɛj tɔ bˌɛɲdʑɛ uswˈɨʃɛtɕ, ˌalɛ mˈuɕi bˈɨtɕ tˌɛɡɔ ɕfʲadˈɔma. rˌɔzumjˈɛmɨ ɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_59.wav|tˌɔvaʒˈɨʃɨw im maˈɛstɛr tsɔlˈɛman w vɨtˈartɨm, ʃˈarɨm pwˈaʃtʃu, ɔpʃˈɨtɨm fˈutrɛm vʲɛvʲˈurɛk.|1
+Dataset/wavs/urwisko_ferenc/24_segment_82.wav|ɲʲɛ ɔddʑvˈɔɲiw? zˌaintˌɛrɛsˈɔvaw ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_229.wav|ˈɛlis pɨtˈawa ɡˈɔ, tʃɨ zdˈɔwa zˈasnɔɲtɕ i ˌɔtpɔvʲˈɛdʑaw tfʲɛrdʑˈɔntsɔ, w ʒˌɛtʃɨvistˈɔɕtɕi jˈɛdnak sˈɛn ɲʲɛ natxˈɔdʑi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_46.wav|dlatʃˈɛɡɔ ɲʲɛ jˌɛstɛm zˌaskɔtʃˈɔnɨ?|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_158.wav|pɔdˈɔba mi ɕɛ tˈutaj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_167.wav|vɨwˈɔntʃa tˌɛlɛvˈizɔr i ˈidʑɛ dɔ kˈuxɲi pʃˈɛjʒɛdʑ zˈapas mrɔʒˈɔnɨɣ dˈaɲ.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_236.wav|ˈax, nˈɔ tˈak. ftɕˈɔ̃ʃ xrˈɔɲʲɔ̃ pʃɛdˈɛmnɔ̃ ɔstˈatɲi kˈɔmbajn.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_269.wav|ktˌurɨx ˈandɛrsɔn ɲʲɛ vˈidʑaw ɲˈiɡdɨ pʃˈɛttɛm, a kʲˈɛdɨ rˈɨan pˈɔdɲʲus na ɲʲˈɛɡɔː ˈɔtʃɨ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_30.wav|ɕɛŋɡnˈɔwɛm pɔ rˈɔntʃkɛ prɨʃɲˈitsa, ˌalɛ ˈɛlis ˌɔttrɔɲtɕˈiwa mˈɔjɔ̃ dwˈɔɲ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_261.wav|ˌɔdvrutɕˈiwa ɡwˈɔvɛ f strˈɔnɛ ɲʲˌɛskɔɲtʃɔnˈɛɡɔ mrˈɔku tˈɛj|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_43.wav|dˈɔbʒɛ pˌɔvʲɛdʑˈawɛm. ja tˈɛʒ bˌɛndɛ f tɔ vʲˈɛʒɨw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_185.wav|pˌɔvʲɛdʑˈawa mi nˈavɛt ɔ dʑˈɛtɕax.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_24.wav|stˈɔpɨ mʲˈaw ˌɔbʒɨdlˈivɛ, zɲʲˌɛkʃtawtsˈɔnɛ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_34.wav|ɔ xlˈɛbjɛ i vˈɔdʑɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_470.wav|jˈɔurs ˈand dˈɛ ˈɔtxɛrs pˈɔdaw mu pˈatʃkɛ i ˈandɛrsɔn, pˈatʃɔnts pˈɔpʃɛs rˈamjɛ ɡʲˈirls fˈirst lˈɔvɛ, tʃˈɨtaw pʃˈɛs xfˈilɛ tˈɛkst.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_182.wav|ɡlˈɛnn zˈafʃɛ pʃɨnˈɔɕiw mʲˈɔtwɛ i zˈaɲim fɕadˈaliɕmˌɨ pˈarɛ rˈazɨ twˈukuf ɕɛdʑˈɛɲʲa, na fʃˈɛlki vɨpˈadɛk, ʒˈɛbɨ pʃɛpwˈɔʃɨtɕ mˈɨʃɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_6.wav|jˈadɛ na ˈɔɕlɛp, ˈaʃ f kˈɔɲtsu dɔtɕˈɛram dɔ plˈaʒɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_7.wav|bʲˈillɨ vˈidʑi stˌartujˈɔntsɨ samˈɔlɔt i jɛst pˈɛvʲɛn, ʒˈɛ ɡdˈɨbɨ tɛn ɡwˈɔmp, dʒˈɛk lˈup xˈaŋk, mˈuɡw ɡˈɔ zɔbˈatʃɨtɕ, ʒawˈɔvawbˌɨ, ʒˈɛ ɲʲɛ ɕˈɛdʑi na jˈɛɡɔ pɔkwˈadʑɛ.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_110.wav|jˈɛɨm ɲʲˈɛmʲaw zamjˈaru pˌɔkazˈɨvatɕ twˈumɔm zwɔtˈɛɡɔ kwˈamstfa. ɲʲˈɛɣ zɔbˈatʃɔ̃ kˈikut. ɲʲˈɛɣ zɔbˈatʃɔ̃ kalˈɛkɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_5.wav|ʃˈɛt kˌɔrɨtˈaʒɛm vrˈaz z bˈɛtskɨ, ktˌura miltʃˈawa, xˈɔtɕ jɛj mˈusk pratsˈɔvaw na vɨsˈɔkix ɔbrˈɔtax tˈak jˈak i jˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_57.wav|pˌɔtɕɛmɲʲˈawɔ mi pʃɛt ɔtʃˈami, kʲˈɛdɨ vʑˈɛwam waptʃˈɨvɨ vdˈɛx.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_514.wav|i pɔɡˈardɔ̃ vɔlnˈɛɡɔ tʃwɔvʲˈɛka, ktˌurɨ ʒˈɔɲdʑi sˈɔbɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_49.wav|nˈɔ tsˈuʃ, tˈakʲɛ skwadɲˈiki jˈaɡ vˈapɲ, xlˈɔr, ɡlˈin, kʃˈɛm...|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_190.wav|kˈaʒdɨ z ɲˈix mˈuɡwbɨ tˌɛɡɔ dɔkˈɔnatɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_43.wav|dlatʃˈɛɡɔ lˈudʑɛ krˈadnɔ̃?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_20.wav|ftɕˈɔ̃ʃ ɲʲɛ unˈɔɕi ɡwˈɔvɨ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_328.wav|tʃɨ ʒawˈujɛʃ, ʒˈɛ tˈu pʃˌɨjɛxˈawɛɕ?|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_301.wav|tsˈawkʲɛm mɔʒlˈivɛ, ʒˈɛ mˈa rˈatsjɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_153.wav|tɛn xwˈɔpak xtɕˈaw bˈɨtɕ ˌinstruktˈɔrɛm i pˈɔʃɛd dɔ jˈakʲɛjɕ prɨvˈatnɛj ʃkˈɔwɨ i tɛn vwaɕtɕˈitɕɛl zapˈɨtaw ɡˈɔ,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_76.wav|dlatˈɛɡɔ vwˈaɕɲʲɛ zdˌɛtsɨdɔvˈawɛm, ʒˈɛ pɔvˈinnaɕ spˈatɕ w ˈinnɛj tʃˈɛɲɕtɕi dˈɔmu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_164.wav|f tɕˈɔŋɡu kˈilku nastˈɛmpnɨx tɨɡˈɔdɲi vwˈasnɔʑdʑ dˈɔmu znalˈazwa ɕɛ pɔt kɔntrˈɔlɔ̃ fundˈuʃu pˌɔvʲɛrɲitʃˈɛɡɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_57.wav|tˈɛras jˈuʒ vʲˈɛm, ʒˈɛ tɔ ɲʲɛprˈavda. musˈimɨ zdˌɛtsɨdˈɔvatɕ, tsˈɔ jɛst najlˈɛpʃɛ dla mˈili i jˈak mɔʒˈɛmɨ jˈɔ̃ ɔdʑˈɨskatɕ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_121.wav|dvˈux ɕɛ pɔzdˈawɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_43.wav|vʲˈɛm, ʒˈɛ zˈafʃɛ pˈɔvʲɛ mi prˈavdɛ, nˈavɛt jˈɛɕli ɲʲˈɛxtsɛ jɛj uswˈɨʃɛtɕ, a jɛj pɔrˈadɨ i fskazˈufki bˈardʑɔ ɕɛ pʃɨdˈawɨ f tɕˈɔŋɡu miɲʲˈɔnɨx ɕˈɛdmju lˈat.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_219.wav|ɲʲɛ stˈartʃɨ mi tʃˈasu, ˈabɨ tɕi ˈɔddatɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_30.wav|a jˈɛdnak jɛj ɲʲɛ vˌɨkɔʒɨstˈawam.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_272.wav|kʲˈɛdɨ dʒˈɛjn bˈɨw tˈu pɔpʃˈɛdɲim rˈazɛm, kˈɨbɛrn pʃˈɨswaw mu jˈɔ̃ na nˈɔts.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_55.wav|bʲˈillɨ zatɕˈɔŋɡa vˈɔ̃skɔ̃ zaswˈɔnɛ, zapˈala ɕfʲˈatwɔː i ɕˈada w jɛdˈɨnɨm fɔtˈɛlu f pɔkˈɔju.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_45.wav|s tˌɛɡɔ tsˈɔ bʲˈillɨ vʲˈɛ ɔ jɔˈɛlu allˈɛɲʲɛ, rˈatʃɛj ɲʲˈɛbɨw ɔn stˈawɨm vˈidʑɛm kanˈawu bʲˌiznɛsɔvˈɛɡɔ vˌuvˌuˈɛ, ˌaɲi tʃˌɨtɛlɲˈikʲɛm rapˈɔrtuv blˌɔɔmbˈɛrɡa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_67.wav|pˈɔtɛm klapnˈɛwa na kanˈapɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_62.wav|pastˈɨlka ɲˌitrɔɡlˌitsɛrˈɨnɨ. tˈu sɔ̃ dˈɔbʒɨ lˈudʑɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_394.wav|tsˈɔː ˌɔna muvˈiwa?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_271.wav|— tɔ tˈɨ — pɔvʲˈɛdʑaw vrˈɛʃtɕɛ s pˈɛvnɨm ˌɔʒɨvʲˈɛɲʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_133.wav|zdɛjmˈujɛ pɛrˈukɛ, vˈɔ̃sɨ, ˌɔkulˈarɨ i ʃtˈutʃnɨ bʒˈux tɕɔ̃ʒˈɔvɨ. xˈɔva fʃˈɨstkɔ dɔ bˌaɡaʒɲˈika, pɔ tʃɨm ˈidʑɛ dɔ ɡˈɛrart tˈɔvɛr.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_79.wav|ɲʲɛ bˌɛndɛ s tˈɔbɔ̃ rɔzmˈavʲaw. zaxˈɔvam dˈɨstans.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_6.wav|swˈuxaj, ɲʲɛbˈavɛm bɛɲdʑˌɛmɨ na mʲˈɛjstsu. zɔbˈatʃɨʃ, ʒˈɛ tɕi ɕɛ tˈam spɔdˈɔba.|3
+Dataset/wavs/urwisko_ferenc/65_segment_144.wav|skwˈamawbˌɨm, ɡdˈɨbɨm pɔvʲˈɛdʑaw, ʒˈɛ tsɔdʑˈɛnɲʲɛ ˈɔtɨm ɲʲɛ mˈɨɕlɛ.|0
+Dataset/wavs/urwisko_ferenc/09_segment_39.wav|ˌalɛ tɔ ɲʲɛ vˌɨpalˈiwɔ, tsˈɔ? zaɡˈadwa mˈarja, a jˈarɔɲ pɔkˈivaw ɡwˈɔvɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_15.wav|vwˈaɕɲʲɛ dɔstˈawam pˌɔtfʲɛrdʑˈɛɲʲɛ mʲˈɛjstsa pʃˌɛbɨvˈaɲʲa stɛvˈɛna allmˈana. ˌɔkazˈawɔ ɕɛ, ʒˈɛ ftsˈalɛ ɲʲˈɛma ɡˈɔ w lɔndˈɨɲʲɛ. jɛst tˈutaj, w mˌanxɛstˈɛʒɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_142.wav|spˈɔrɔ ɕɛ tʃˈɛba na tɕˈɛbjɛ vˌɨkɔʃtˈɔvatɕ, mˈuvi bʲˈillɨ, pɔdˈajɔnts jɛj tɔrˈɛpkɛ z zˌakupˈami.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_71.wav|alˈain parsknˈɛwa ɕmʲˈɛxɛm. — jɛstˌɛɕtɕɛ ɡrˌubjanˈami? — zˌapɨtˈawa ʒˈartɛm. — a ja vˈaz vʑˈɛwam za dʑˈɛlnɨx rɨtsˈɛʒɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_177.wav|utɕˈɛkwam z mʲˈɛjstsa pʃɛstˈɛmpstfa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_66.wav|tʃɨ ta kɔbjˈɛta mɲʲɛ rɔspˈɔzna?|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_92.wav|bʲˈillɨ f tɨm tʃˈaɕɛ kupˈujɛ bˈutɨ, lˈuʑnɛ spˈɔdɲʲɛ i skuʒˈanɔ̃ kˈurtkɛpilˈɔtkɛ z vˌɛvnɛntʃnˈɨmi kʲˌɛʃɛɲʲˈami.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_59.wav|xtsˈɛʒ vɨpˈɛwɲitɕ fˌawˌɛfˈɛr?|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_212.wav|znˈuf ɔblˈɛva ɕɛ rumjˈɛɲtsɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_4.wav|pˌɔzɔstˈawɛ dvʲˈɛ maʃˈɨnɨ rˈuvɲʲɛʃ pˌɔdjɛxˈawɨ dɔ mɲʲɛ. prˌavdɔpɔdˈɔbɲʲɛ, ʒˈɛbɨ ˈɔttɕɔɲtɕ mi drˈɔɡɛ, ɡdˈɨbɨm xtɕˈawa ˈukrɨtɕ ɕɛ za jˈakɔ̃ɕ skˈawɔ̃ i zɲˈiknɔɲtɕ im s pˈɔla vidʑˈɛɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_84.wav|pɔdˈɛʃwam dɔ bˈaru i fskɔtʃˈɨwam na stˈɔwɛk, drˈuɡʲi ɔt kˈɔɲtsa. xˈɨba s pʃˌɨzvɨtʃajˈɛɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_118.wav|vʲɛdʑˈawam, ʒˈɛ ˌɔna jɛst w ɕrˈɔtku, tˌɨlkɔ ɲʲˈɛxtsɛ ɲikˈɔmu ɔtfʲˈɛratɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_59.wav|vbrˈɛf tˌɛmu tsˈɔ mˈɔʒna zɔbˈatʃɨtɕ na fˈilmax, vˈalka f skafˈandrax pruʒɲʲˈɔvɨx jɛst strˈaʃɲʲɛ ɲʲˌɛbɛspʲˈɛtʃna.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_39.wav|tɔ xˈɨba tˌɨlkɔ zwudʑˈɛɲʲɛ ɔptˈɨtʃnɛ vˌɨvɔwˈanɛ ɡrˈɔ̃ ɕfʲˈatwa.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_251.wav|w zasˈadʑɛ vˌɨmjɛɲˈiwa pˈaɲi tˌɨlkɔ tɛ dʑɛdʑˈinɨ, ktˌurɛ ˌɔpʲɛrˈajɔ̃ ɕɛ na ɕfʲˌatwɔvˈɔdax.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_167.wav|i zˈɛrvaw ʃnˌurɔvˈadwɔ na dˈɔbrɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_48.wav|tsˈɔ pˈɔvʲɛʃ na xarplˈitsiŋk?|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_75.wav|kˈɔmbajn vrˈatsaw dɔ bˈazɨ. dʑˈɛŋki bˈɔɡu! fstˈawam i ɕɛŋɡnˈɛwam pɔ tˈɔrbɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_157.wav|ɲʲɛ pɔɡrˈɨvaj sˈɔbjɛ zˈɛmnɔ̃. jɛʒˈɛli ktˈɔʑ zrˈɔbʲiw kʃˈɨvdɛ mɔjˈɛmu ˈɔjtsu ˈalbɔ pʃˌɨjatɕɛlˈɔvi, vˈɨɕlɛ tɕˈɛ dɔ brazˈɨlji f kavˈawkax.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_321.wav|ɲʲˈɛmɨ rˈɨtsɛʃ pʃɨstˈaviw ʃtˈɨx mʲˈɛtʃa dɔ jˈɛɡɔ ɡˈardwa, a ˈɔrɛ̃ʃ jˌamjɛˈɛɡɔ vˌɨlɔndˈɔvaw f tʃtɕˈinax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_136.wav|bʲˈillɨ ɲʲɛ mˈɔʒɛ dɔtʃˈɨmatɕ jɛj tˈɛmpa, xˈɔtɕ sfˈɛɡɔ tʃˈasu, na pʃˈɨkwat na ˌuɲitˈartsɛ, pɔd vzɡlˈɛndɛm ˌapɛtˈɨtu ɲʲɛ mʲˈawabˌɨ z ɲˈim ʃˈans.|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_22.wav|tɔ mˈɔɡwɔ bˈɨdʑ vɨɲˈikʲɛm zmɛntʃˈɛɲʲa, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_33.wav|ˈalfjɛ pˈatʃɨ pɔ sˈɔbjɛ i ɔdvrˈatsa ɕɛ dɔ vˌɨsɔkʲˈɛɡɔ lˈustra na dʒvʲˈax ʃˈafɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_108.wav|tsˈɔʑ bˌɨwɔ ɲʲɛ tˈak.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_17.wav|ɔdvrˈutɕiw ɕɛ i skˈinɔw ɡwˈɔvɔ̃ dɔ bˈɛki.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_125.wav|swɨʃˈawaɕ kʲˈɛdɨɕ ɔ tˈakim lˈudʑɛ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_74.wav|uvˈaʒam, ʒˈɛ ɲʲɛ dɔtsˈɛɲʲaʃ sˈamɛj ɕˈɛbjɛ, ˈindjɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_9.wav|mˈuvi ˌɔdvratsˈajɔnts ɕɛ dɔ mɲʲɛ z uɕmʲˈɛxɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_220.wav|nˈavɛt ɲʲɛ prˌubɔvˈawam ɕɛ vzbrˈaɲʲatɕ. fskɔtʃˈɨwam w ɲʲˈɛɡɔː ɔt rˈazu.|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_97.wav|zɔstˈawam dˌɔrɛntʃɨtɕˈɛlkɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_65.wav|tsˈɔ dɔː ˈinnɨx sprˈaf, dɔstˈawɛm prˈatsɛ f kˌakˌazˈɛt.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_53.wav|ɔkˈɔwɔ, dˈavaj.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_89.wav|tɔ dˈɔbrɨ pˈɔmɨsw. dʑɛŋkˈujɛ tɕi zˈatɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_271.wav|ˌalɛ zdˈaʒa mi ɕɛ ɔt tʃˈasu dɔ tʃˈasu. dʲibˈɔis fskˈazaw na vˌalizˈɛtʃkɛ, ktˌurɔ̃ tʃɨmˈawam pɔt pˈaxɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_36.wav|dˈaj mi znˈatɕ, ɡdˈɨbɨɕ pˌɔtʃɛbɔvˈawa pɔmˈɔtsɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_214.wav|mˈuʃɔ̃ zapwˈatɕitɕ, ˌalɛ i dˈɔstatɕ naˈutʃkɛ, a lˈudʑɛ zɡwadʑˈɛɲi ɲitʃˈɛɡɔ ɕɛ ɲʲɛ naˈutʃɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_108.wav|tɛn kfadrˈatɕik tɔ struʒˈufka. na pˈɛvnɔ ktˈɔɕ w ɲʲˈɛj stˈalɛ ɕˈɛdʑi. pilnˈujɛ vjˈazdu.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_98.wav|ˌalɛ ɲʲɛ pʃˌɛvidʑˈawam, ʒˈɛ bˈɔp mˈɔʒɛ ɕɛ zatʃˈalitɕ f tɛj xɔlˈɛrnɛj vnˈɛntsɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_13.wav|ɔtʃˈami vˌɨɔbrˈaʑɲi vˈidʑi vɨpˈatki, dɔ ktˌurɨɣ dˌɔprɔvˈadʑa sfˈɔim brˈakʲɛm dˌɔɕfʲattʃˈɛɲʲa. jɛj najɡˈɔrʃɨ kˈɔʃmar tɔ karˈambɔl, f ktˌurɨm ɔbˈɔjɛ ɡʲˈinɔ̃ na mʲˈɛjstsu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_290.wav|znˈuf ˌɔdɡarnˈɛwa vwˈɔsɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_116.wav|ˈalfjɛ çixˈɔtʃɛ, ˌalɛ ɕɛ ɲʲɛ ɔdʑˈɨva, ˌutʃɛpʲˈɔnɨ mˈɔjɛj nˈɔɡʲi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_152.wav|tˈata pɔkˈivaw pɔvˈɔli ɡwˈɔvɔ̃, a kʲˈɛdɨ ˈaram vˈɨʃɛt s pˌɔmjɛʃtʃˈɛɲʲa, ˈɔpad na kʃˈɛswɔ z zˌamkɲʲɛntˈɨmi ɔtʃˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_69.wav|w nˈaʃɨm kɔmplˈɛkɕɛ jɛzd vʲˈɛlu bjˈawɨx.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_94.wav|ɲʲˌɛpʃɨtˈɔmna ɔsˈɔba mˈa dwˈuɡʲɛ, tɕˈɛmnɛ vwˈɔsɨ. tɔ pˈɛvɲʲɛ dʑɛftʃˈɨna.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_185.wav|pˈɔtɛm mˈɨɕli ˈɔtɨm, pʃˈɛs tsˈɔ pʃˈɛʃwa ˈɛlis i tsˈɔ klˈɛrki zrˈɔbʲiw dʑɛftʃˈɨnɔm jˈɛʃtʃɛ mwˈɔtʃɨm ɔt ɲʲˈɛj i ˌuɕfʲadˈamja sˈɔbjɛ, ʒˈɛ ta dɛtsˈɨzja mˈɔʒɛ ɲʲɛ nalˈɛʒɛdʑ dɔ ɲʲˈɛɡɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_204.wav|ukrˈɨvaʃ ɕɛ tʃɨ tsˈɔ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_101.wav|i tɛn stˈatɛɡ zˌaɔtsˌɛaɲˈitʃnɨ zˈatʃɔw pwˈɨnɔɲtɕ waɡˈɔdɲʲɛ.|0
+Dataset/wavs/urwisko_ferenc/03_segment_26.wav|vˈidʑaw ɕɛ pˈan s tsˈurkɔ̃ tˈuʃ pɔ pˌɔstavʲˈɛɲʲu jɛj zaʒˈutuf?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_49.wav|tsˈɔ mʲˈaw dɔ pˌɔvʲɛdʑˈ��ɲʲa bˈɛtskɨ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_115.wav|dˈavn bˌɛɲdʑɛ rˌɔstʃarɔvˈana.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_139.wav|ˈɛdʲisɔn vɨdˈajɛ xraplˈivɛ sapɲʲˈɛɲtɕɛ. krˈɛf trˈɨska mu z ˈust.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_209.wav|fʃˈɨstkɔ ɕɛ mˈɔʒɛ zdˈaʒɨtɕ. zdˈajɛʃ ɕɛ na lˈɔs i lˈitʃɨʃ, ʒˈɛ bˌɛɲdʑɛ dˈɔbʒɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_244.wav|ja vˌɨpalˈiwɛm sɛkˈundɛ pˈuʑɲʲɛj i ɡwˈɔva ˌɔtskɔtʃˈɨwa jɛj dɔ tˈɨwu. upˈadwa z nɔɡˈami f tˌɛɲisˈufkaɣ vˌɨstajɔntsˈɨmi na drˈɔɡɛ.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_425.wav|taɲtʃˈɔntsɛ ɡrˈɨfɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_105.wav|z jakˈimi fʃɨstkˈimi? zˌapɨtˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_13.wav|kˈatɛ rˌɔzɛɕmʲˈawa ɕɛ ɡˈɔʃkɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_134.wav|jˈɛɕli ɡˈɔː ɔtfˈɔʒɛ, muɕˈitɕɛ mi pɔzvˈɔlitɕ nˈajpʲɛrv zˈabratɕ pˈɛvnɛ pʃɛdmʲˈɔtɨ ˌɔsɔbʲˈistɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_179.wav|kʲˈɛdɨ tɨ rɔbʲˈiwɛɕ pˈɔptsɔrn? kɔbjˈɛtɨ lˈubjɔ̃ vʲˈɛdʑɛtɕ, tsˈɔ mˌajɔ̃ ˈinɲi.|2
+Dataset/wavs/urwisko_ferenc/36_segment_154.wav|ɲʲˌɛnavidʑˈiwa?|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_147.wav|pʃˈɨjazd dɔ jˈɛɡɔ dˈɔmu bˌɛɲdʑɛ rˌɨzɨkˈɔvnɨ. tɔ tˈak, jˈaɡbɨ vˈɛjʑdʑ dɔ jaskˈiɲi lvˈa. ˌalɛ ktˈɔ vʲˈɛ, mˈɔʒɛ tɕi ɕɛ ˈuda?|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_177.wav|skˈɔtʃɨʒ dɔ ɕrˈɔtka i rˈas, dvˈa pʃɛbjˈɛʒɛʃ ɕɛ f kˌɔmbʲinˈɛzɔn. fʃˈɨstkɔ jˈasnɛ.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_170.wav|ɡrˈɔna sɔ̃ mˈawɛ i tɕˈɛrpkʲɛ, ˌalɛ vˈinɔ nadˈajɛ ɕɛ dɔ pˈitɕa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_21.wav|vɨwˈɔntʃam tɛlˈɛfɔn, fkwˈadam ɡˈɔ dɔ kʲɛʃˈɛɲi i ˈidɛ dɔ waʑˈɛŋki.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_121.wav|dɔpʲˈɛrɔ pɔ pˈɛvnɛj xfˈili ɕɛ zˌɔrjɛntˈɔvaw, ʒˈɛ w ɔɡˈulɛ ɲʲˈɛma jɛj w dˈɔmu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_149.wav|jˈak jˈuʒ bˌɛndɛ mʲˈaw fʃˈɨstkɔ, tsˈɔ tʃˈɛba, pʃɨtʃˈajɛ ɕɛ tˈutaj dɔ tʃˈasu, ˈaʃ tsˈawa ta sprˈava ɕɛ zakˈɔɲtʃɨ. pɔmˈɨɕlɲʲɛ, mʲˈɛjmɨ nadʑˈɛjɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_59.wav|ɔddˈaɲʲɛ ɕɛ kˈɔmuɕ f pˌɔɕadˈaɲʲɛ tɔ ɲˈidʑ dɔbrˈɛɡɔ, ˈindjɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_70.wav|mɨɕlˈawɛm, ʒˈɛ ɡwˈɔz zaʒˈɔnda, bˈɨ ˈɛlis pˌɔkazˈawa dɔ kamˈɛrɨ, tsˈɔ mˈa f tɔrˈɛptsɛ i sˈik spˈɔtʃɲʲɛ ˈu pɔdnˈuʒa swˈupka rˈazɛm z ɡlˈɔkʲɛm, ˌalɛ tˈak ɕɛ ɲʲɛ stˈawɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_255.wav|ɲʲˈɛmartf ɕɛ ˈɔmɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_224.wav|tfˈuj ˈɔjtɕɛts ɲʲˈɛbɨw arˈasɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_47.wav|ruʃˈamɨ f strˈɔnɛ dʒvˈi sɨpʲˈalɲi, ˌalɛ ˈaʃ ɕɛ zˌatʃɨmˈujɛ i xfˈɨta mɲʲɛ za rˈamjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_192.wav|ɔn ɲˈiɡdɨ ɲʲɛ mˈuɕaw pˈɔznatɕ prˈavdɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_14.wav|maʒ zˌabandˌaʒɔvˈanɛ ˈɔtʃɨ.|4
+Dataset/wavs/urwisko_ferenc/09_segment_114.wav|mʲˈawa ɕfʲadˈɔmɔɕtɕ, ʒˈɛ ɡrudʑˈɔ̃ski pɔlˈitsjant ɲʲɛ uvʲˈɛʒɨw w ˌaɲi jˈɛdnɔ jɛj swˈɔvɔ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_67.wav|tʃɨ mˈɔɡlibˌɨɕmɨ zvʲˈɛŋkʃɨtɕ tˈɛmpɔ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_57.wav|pˌɔvʲɛdʑˈawɛm, ʒˈɛ jɛj xwˈɔpak pʃˈɨʃɛt pijˈanɨ z rˈɛŋkɔ̃ w ɡʲˈipɕɛ i zˈabʲiw tsˈasɛj i mɲʲɛ tˈɛʃ prubˈɔvaw zˈabʲitɕ, ˌalɛ ɡˈɔ zˌastʃɛlˈiwɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_27.wav|pʲˈɛrʃɛ fskazˈujɛ nˈa...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_160.wav|vˌɨkʃɨkˈujɛ tɛ swˈɔva s fawʃˈɨvɔ̃ radˈɔɕtɕɔ̃ i uznˈajɛ ftˈɛdɨ, ʒˈɛ tsˈawkʲɛm mu ɔdbʲˈiwɔ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_190.wav|tfˈaʃ starˈuxɨ rˌɔspwɨnˈɛwa ɕɛ f smˈuɡʲi ʃˈarɛj mɡwˈɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_83.wav|ˌalɛ fʃˈɨstkɔ tɔ bˌɨwɔ tʃˈɛɲɕtɕɔ̃ mɔjˈɛɡɔ pʃˌɛtstavʲˈɛɲʲa.|4
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+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_498.wav|a tsˈawɨ tɛn xwˈam ʒɨtɕˈɔvɨ|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_43.wav|sprubˈujɛ jˌɛdnɔtʃˈɛɕɲʲɛ ɲʲɛ ˌɔpsɛrvˈɔvatɕ jˈɛɡɔ rɛˈaktsji ɲˈitʃɨm jˈastʃɔmp.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_288.wav|s ftʃˌɔrajʃˈɛɡɔ dɲʲˈa i z ɔstˈatɲʲɛj nˈɔtsɨ. ɲʲˈɛvʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_209.wav|jɛj straʒɲˈitsɨ bˌɨli na dˈɔlɛ, na plˈatsu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_27.wav|swˈɨʃɛ ɔdɡwˈɔsɨ s tˌɛlɛvizˈɔra vwˌɔntʃɔnˈɛɡɔ f salˈɔɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/36_segment_40.wav|litʃˈɨwa nˈatɔ, ʒˈɛ tɛ sˈamɛ swˈɔva vɨpˈɔvʲɛ nˈaɡwɔ z vʲɛtʃˈɔrɛm pʃɛt snˈɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_63.wav|pˈan, s ktˌurɨm mʲɛʃkˈawa mˈɔja mˈama, pʃˈɨʃɛd dɔ dˈɔmu zˈɛ zwamˈanɔ̃ rˈɛŋkɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_49.wav|ʃkˈɔda. nˈɔ, ˌalɛ pˌɔsmakɔvˈawaɕ krfˈi. ˌudɔvɔdɲˈiwaɕ, tʃˈɛɡɔ tˈam xtɕˈawaʑ dˈɔvʲɛɕtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_111.wav|spɨtˈawa bˈɛtskɨ z rˌɔstʃarɔvˈaɲʲɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_92.wav|znˈuf swˈɨxatɕ ɕmʲˈɛx i rɔzmˈɔvɨ.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_315.wav|a ʒˈɛ vrˈɛʃtɕɛ pɔtʃˈuwa jɛj ʃtˈɨvnɔɕtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_94.wav|ˌɔbudʑˈiwɔ ɡˈɔ rˈamjɛ kʲɛrˈɔftsɨ.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_96.wav|vˈɔli ɕɛ bˈavitɕ mʲɛtʃˈami.|1
+Dataset/wavs/urwisko_ferenc/08_segment_15.wav|w zˌabɛspʲɛtʃˈɔnɨm xˈaswɛm plˈiku ukrˈɨtɨm pɔmjˈɛndʑɨ fˌɔldɛrˈami sˌɨstɛmɔvˈɨmi ɔtʃˈukaw nˈumɛr tˌɛlɛfˈɔnu dɔ ɡʒɛɡˈɔʒa lipskʲˈɛɡɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_562.wav|strˈaʃɲʲɛ pˈɔstnɛ nˈaʃɛ ʒˈɨtɕɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_581.wav|w bjˈawkax jɛj ˈɔtʃu tsˈɔʑ bwɨskˈawɔ ɲʲɛbjˈɛskɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_70.wav|tɔ ftˈɛdɨ pˌɔpɛwɲˈiwɛm sfˈuj najvʲˈɛŋkʃɨ bwˈɔnt.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_443.wav|sˈɛr rˈɔnnɛd bˈɨw rɨtsˈɛʒɛm na vwˈɔɕtɕax, ɲˈikim vʲˈɛntsɛj.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_133.wav|mˈam zrˈɛʃtɔ̃ mˈɛ̃ʒa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_38.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ tɔ kɔbjˈɛtɨ, fʃˈɨstkʲɛ jˈuʃ pɔ dvudʑˈɛsttsɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_64.wav|klˈɛŋkam i vɨsˈuvam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_198.wav|bʲˈillɨ udˈajɛ, ʒˈɛ ɕpˈi. pwˈatʃ tɕˈixɲʲɛ, rɔzlˈɛɡa ɕɛ xrapˈaɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_168.wav|jˈaɡ dwˈuɡɔ zˌɔstaɲʲˈɛtɕɛ f pˈɔrtɕɛ? zapˈɨtaw.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_426.wav|fʃˈɨstkɔ tɔ rˈɔbjɛ dla tɔmmˈɛna.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_268.wav|ˌalɛ jˈuʃ sxfɨtɕˈiliɕmˌɨ ɕɛ za rˈɛntsɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_127.wav|pʃɛnˈajmɲʲɛj jˈɛdna ɔsˈɔba pˌɔpɛwɲˈiwa z jˈɛɡɔ pɔvˈɔdu sˌamɔbˈujstfɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_142.wav|a tsˈɔ jɛst tfˈɔjɔ̃ vʲˈarɔ̃?|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_47.wav|z drˈuɡʲɛj strˈɔnɨ, tʃɨ ɲˈitsk i ɡʲˈɔrɡjɔ zatʃˈɛlibˌɨ tsˈɔɕ pˌɔdɛjʒˈɛvatɕ, ɡdˈɨbɨ zˌɔbatʃˈɨli, ʒˈɛ ɲʲɛ pratsˈujɛ nad ʒˈadnɨm tˈɛkstɛm?|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_38.wav|pʃˈɛs wˌukɔvˈatɔ sklɛpʲˈɔnɛ dʒvˈi vˈɛʃwam dɔ salˈɔnu, ɡdʑˈɛ zastˈawam trˈɔnda, ktˌurɨ ɕˈɛdʑaw rɔspˈartɨ na sˈɔfjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_32.wav|ɲʲɛ, ɲʲɛ rˌɔspɔznˈajɛ ɡˈɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_82.wav|kʲˈɛdɨ ɕɛ ˌubjɛrˈawam, rˈɛntsɛ bˈardʑɔ mi drʒˈawɨ, a zˌapinˈaɲʲɛ ɡuzˈikuf stˈawɔ ɕɛ mɔrdˈɛŋɡɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_247.wav|xˈɨba dvˈa i pˈuw, ɲʲɛ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_25.wav|zˌalɛʒˈawɔ mi nˈatɨm, ʒˈɛbɨ mˈama pɔmˈɔɡwa mi uɲˈiknɔɲtɕ arˈama pʃɛt nastˈaɲʲɛm nˈɔtsɨ, f ktˈurɔ̃...|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_15.wav|skrˈɛɲtɕ w nastˈɛmpnɨ zjˈast, mˈuvi bʲˈillɨ. zˌamjɛɲˈimɨ ɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_275.wav|jˈaɡ bʒmjˈɔ̃ naˈuki tsˌɨtadˈɛli f sprˈavʲɛ pʃˌɛpɔvʲˈɛdɲi?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_14.wav|ɲʲˈɛbɨw zˌaskɔtʃˈɔnɨ, xˈɔdʑ zdˌɛtsɨdɔvˈaɲʲɛ bˈɨ vˈɔlaw, ʒˈɛbɨ xˈarljɛ bˌɨwa na sfˈɔim stˌanɔvˈisku i vˌɨxfɨtɨvˈawa fʃˈɛlkʲɛ ɲʲuˈansɛ w zˌaxɔvˈaɲʲu ɲˈila.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_273.wav|znˈajtɕ mi tsˈɔɕ skrɔmnˈɛɡɔː i pˌɔbɔʒnˈɛɡɔ dla vʲɛlkʲˈɛɡɔ sɛptˈɔna.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_375.wav|i f sɨlvˈɛttsɛ jɛj ʒˌɛtʃɨvˈiɕtɕɛ bˌɨwɔ tsˈɔʑ zˈɛ starˈɛɡɔ, zˌapɔmɲʲanˈɛɡɔː ˌinstrumˈɛntu mˌuzɨtʃnˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_69.wav|mˈɔʒɛ jˈɔ̃ tˈɛʃ planˈujɛ zˈabʲitɕ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_131.wav|ɕfʲadˈɔmɔɕtɕ tˈɛɡɔ, jˈak muɕˈawabˌɨm ɕɛ zˌaxɔvˈɨvatɕ i z jˈakim fˈawʃɛm bˈɨ ɕɛ dˌɔvʲɔ̃zˈawɔ, ɲʲˈɛmal mɲʲɛ pʃˌɛrastˈawa.|3
+Dataset/wavs/urwisko_ferenc/11_segment_90.wav|xˈɛrmann dɔpˈiwa kˈavɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_5.wav|f kavʲˈarɲi ʃˈɔna ɲʲɛ pʃˌɛstavˈawa ɡˈadatɕ ɔ mɛ̃ʃtʃˈɨznax, ktˌurɨɣ vɨbrˈawa.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_111.wav|lˈɛdʒ vʲˌɛlɔkrˈɔtɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_124.wav|kˈɔrʲɛ prˈɔɕi ɡˈɔ, ʒˈɛbɨ zˈɔstaw na kɔlˈatsjɛ. ɔn ɔdmˈavja, twumˈatʃɔnts, ʒˈɛ vɨbjˈɛra ɕɛ na ftʃˈɛsnɨ sˈɛans filmˈɔvɨ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_165.wav|kˈim bˈɨw tfˈuj ˈɔjtɕɛts?|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_9.wav|na ʒɛlˈaznɨɣ vˈɨspax ɲʲɛ bˌɨwɔ ɲʲˌɛvɔlɲˈikuf, tˌɨlkɔ pɔddˈaɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_42.wav|spɔɡlˈɔnda na butskʲˈɛɡɔ nat jɛj ramjˈɛɲʲɛm. nadˈajɛ ɕɛ dɔ jˈazdɨ?|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_223.wav|ˌɔtʃɨvˈiɕtɕɛ bˌɨwɔ tɔ kwˈamstfɔ, ˌalɛ tʃˌɛmu mʲˈawabˌɨm pʃɛpˈuɕtɕitɕ tˈakɔ̃ ɔkˈazjɛ? vʲɛdʑˈawam, ʒˈɛ mˈɔɡɛ jˈɛ ˈɔpxnɔɲdʑ za stˈɔ ɡʲˈituf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_23.wav|tˈɛʃ tˈak uvˈaʒam.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_7.wav|dˈalɛ zatʃˈɨmaw ɕɛ f pɔwˈɔvʲɛ tunˈɛlu i mˈaxnɔw rˈɛŋkɔ̃ f strˈɔnɛ wazˈika. — rˈuʃaj ɕɛ!|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_6.wav|ɲʲɛ bˌɨwɔ mi tɔ dʑˈiɕaj dɔ ɲitʃˈɛɡɔ pɔtʃˈɛbnɛ. tʃɨ ɲʲɛ vɨstˈartʃɨ, ʒˈɛ stsˈɔdd ɡrˈɔʑi zɲiʃtʃˈɛɲʲɛm bɛspʲˈɛtʃnɛj, stabʲˈilnɛj tʃˈɛɲɕtɕi mɔjˈɛɡɔ ʒˈɨtɕa?|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_71.wav|kʲˈɛdɨ pʃɛɡrˈɨvam, ɲʲɛ udˈajɛ, ʒˈɛ jɛst inˈatʃɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_56.wav|mˈɨɕlɛ, ʒˈɛ traktˈɔvaw tɔ jˈakɔː ˈasa w rɛŋkˈavʲɛ, kturˌɛɡɔː ˌɔstatˈɛtʃɲʲɛ mˈuɕaw vɨwˈɔʒɨtɕ na stˈuw ɲʲɛ dla zarˈɔpku, ˌalɛ pʃˈɛz vwˈasnɔ̃ ɡwupˈɔtɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_101.wav|pʃˈɛs xfˈilɛ rɔzvˈaʒam, tʃɨ skˌɔntaktˈɔvatɕ ɕɛ s pɔlˈitsjɔ̃, ˌalɛ tsˈɔ mʲˈawabˌɨm im pɔvʲˈɛdʑɛtɕ?|3
+Dataset/wavs/urwisko_ferenc/47_segment_15.wav|ˈɔtɨm, ʒˈɛ tɔː ɔn ɕɛ dɔ tɕˈɛbjɛ ɔdˈɛzvaw s prˈɔʑbɔ̃, ʒˈɛbɨɕ sprˌubɔvˈawa vɨtɕˈɔŋɡnɔɲtɕ mɲʲɛ z nawˈɔɡu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_189.wav|jˈɛdɛn z jˈɛɡɔ sɔ̃ɕˈaduv z ɡrˈin çˈillz vˈɨbraw ɕɛ na pʃɛbjˈɛʃkɛ i uswˈɨʃaw stʃˈaw, ktˈurɨ, jˈak mu ɕɛ zdavˈawɔ, dˈɔʃɛd z ɡarˈaʒu xˈɔffa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_70.wav|bˈɛtskɨ, mˈam nˈɔvɛ vʲˈɛɕtɕi. pˌɔmɨlˈiliɕmˌɨ ɕɛ ftʃˈɔraj vʲɛtʃˈɔrɛm. ɔttɕˈiski nˈaʃɛj ɔfjˈarɨ sɔ̃ f sɨstˈɛmjɛ. dʑˈɛɕɛɲtɕ lˈat tˌɛmu pʃɛɕˈɛdʑaw ʃˈɛɕtɕ mʲɛɕˈɛntsɨ za nˈapaɕtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_50.wav|zˈaɲim fstˈawam, ʒˈɛbɨ zɔbˈatʃɨtɕ, ɡdʑˈɛ jˈɛstɛm,|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_33.wav|tsˈɔ ɕɛ stˈawɔ? zˌapɨtˈawɛm pɔnˈɔvɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_194.wav|tsˈɔ jɛst kˈurva? zˌapɨtˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_60.wav|swˈɨxatɕ stʃˈaw, dʑvʲˈɛntʃnɨ tʃˈask jˈaɡ z bʲˈitʃa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_115.wav|mʲˌanɔvˈitɕɛ ɔ jɛj tˌɛlɛfˈɔɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_76.wav|parkˈujɛ ˈawtɔ w zˌarɛzˌɛrvɔvˈanɨm dla mɲʲɛ mʲˈɛjstsu ˌɔbɔɡ vˈindɨ, vɨɕˈadam i zabjˈɛram tˈɔrbɛ s tɨlnˈɛɡɔ ɕɛdʑˈɛɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_152.wav|jɛŋknˈɛwam z rˌɛzɨɡnˈatsjɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_396.wav|mwˈɔda, pʲˈɛŋkna kɔbjˈɛta.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_36.wav|valˈijski ɲʲɛ stanˈɔviw dla ɲʲˈɛɡɔ prɔblˈɛmu.|3
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+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_387.wav|s kˌuzɨŋkˈami tˈɛʃ?|1
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+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_85.wav|a tˈak sfˈɔjɔ̃ drˈɔɡɔ̃...|4
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+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_135.wav|kˈɔɡa pʃˌɨpwɨnˈɛwa zˈɛ starˈɛɡɔ mʲˈasta, zˌavijˈajɔnts pɔ drˈɔdʑɛ dɔ tˈɨrɔʃ, pˈɛntɔs i dˌuskɛndˈalɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_209.wav|ˌadmiɲˌistratˈɔrka vˌɨbuxnˈɛwa ɕmʲˈɛxɛm.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_397.wav|pʃɨpˈɔmɲʲaw im jˈamɛ. ɕadˈajtɕɛ ˈɔbaj.|1
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+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_162.wav|zɛrknˈɛwam na mˌɔɲitˈɔrɨ, ˌalɛ ɲʲɛ zˌauvaʒˈɨwam ɲitʃˈɛɡɔ, tsˈɔ ʒˌutsawˈɔbɨ mi ɕɛ w ˈɔtʃɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_145.wav|jˈɔɛl ˈallɛn vɨrˈaʑɲʲɛ napˈɛɲdʑiw kˈɔmuɕ ɲʲɛzwˈɛɡɔ strˈaxa. kˈɔmuɕ, ktˈɔ zapˈɛvnɛ mˈa dˈɔm tˌaki jˈak tˈɛn, ˈalbɔ jˈɛʃtʃɛ bʒˈɨtʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_502.wav|pˈaɲi, kʲˈɛdɨ ɔstˈatɲʲɔ jˈadwaɕ?|1
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+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_166.wav|vʲˈɛlu z brˈatɕi pʃɨbˈɨwɔ tˈu pˈɔtɔ, bˈɨ ˈutɕɛts pʃɛt ˌɔkrɔpnɔɕtɕˈami ɕfʲˈata, a ɲʲɛ ʒˈɛbɨ jˈɛ fspɔmˈinatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_203.wav|ɕɛdʑˈawam vʲˈɛnts na kˌɔrɨtˈaʒu i ɡdˈɨ ɔt tʃˈasu dɔ tʃˈasu rɔzlˈɛɡaw ɕɛ w ɔddˈali ˈɔdɡwɔs krˈɔkuf, tʃmɨxˈawam dɔ sfˈɔjɛj nˈɔrɨ ɲˈitʃɨm spwɔʃˈɔnɨ karˈalux.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_35.wav|tʃˈɨmaw dwˈɔɲʲɛ ftɕiɕɲʲˈɛntɛ f kʲɛʃˈɛɲʲɛ, a kʲˈɛdɨ iɣ zɔbˈatʃɨw, ɔdvrˈutɕiw ɕɛ na pʲˈɛɲtɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_194.wav|tɔ trˈɔxɛ tˈak, jˈaɡbɨm bˈɨw rˌɔzɡrɨvajˈɔntsɨm i skʃɨdwˈɔvi sɔ̃ pɔkrˈɨtɕi, ˌalɛ nˈaɡlɛ tsˈudɛm ɔtfʲˈɛra ɕɛ mɔʒlˈivɔʑdʑ zaɡrˈaɲʲa w ulˈitʃkɛ i...|2
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+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_98.wav|ˈɔʃtʃɛɲtɕ mɲʲɛ, krˌulɔbˈujtsɔ.|1
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+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_207.wav|pˌɔwɔʒˈɨwam mu dwˈɔɲ na kˈarku, pʃˌɨtɕɔŋɡnˈɛwam jˈɛɡɔ ɡwˈɔvɛ i fpˈiwam ɕɛ w jˈɛɡɔː ˈusta.|4
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+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_153.wav|sˈam ɲʲˈɛvʲɛm, tʃɨ tˈak mɨɕlˈawɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_107.wav|ɲʲˈɛmam pɔjˈɛɲtɕa.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_303.wav|dˈalɛ skfitˈɔvaw jˈɛɡɔː ɔtpˈɔvʲɛtɕ prɨxɲʲˈɛɲtɕɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_9.wav|tʃˈɛɡɔ tɨ ˈɔdɛ mɲʲɛ tˈɛras ˌɔtʃɛkˈujɛʃ? ʒˈɛ pˈɔvʲɛm fjɛltsˈɔvi, ʒˈɛ ɔtsˈuvam ɡˈɔː ɔt tɛj sprˈavɨ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_131.wav|frˈaŋk ˌɛmtsˈɛ ˈintɔʃ, frˈaŋki ˈɛlvis, tʃˈɛka na rɔzlˈɛɡwɨm ɡˈaŋku, bˈɨ ɡˈɔ pɔvˈitatɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_54.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_166.wav|fabrˈɨkɔ̃, f ktˌurɔ̃ vwɔʒˈɨwam tsˈawɛ sˈɛrtsɛ i ktˌurɔ̃ tɨ vwˈaɕɲʲɛ zɲiʃtʃˈɨwaɕ, parʃˈɨva ɡɲˈidɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_129.wav|dla tɨx lˈudʑi rˈɨʃ ɔznˈatʃa pˌɔʒɨvʲˈɛɲʲɛ, a pˌɔʒɨvʲˈɛɲʲɛ dla vʲɛtkˈɔŋɡu ɔznˈatʃatɕ mˈɔʒɛ zvɨtɕˈɛ̃stfɔ.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_81.wav|xˈɨba ɕɛ pɔmˈɔdlɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_93.wav|ɲʲɛ nazvˈawam ɡˈɔ tˈatɔ̃ jˈuʃ ɔd vʲˈɛlu lˈat, ˌalɛ ftɕˈɔ̃ʒ bˈɨw ɲˈim w mˈɔjɛj ɡwˈɔvʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_101.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_411.wav|ɲʲˈɛbɔ kˈɔɲtsa ɕfʲˈata lˈup ɲʲˈɛbɔ ɡɔlɡˈɔtɨ. i s tˌɛɡɔ ɲʲˈɛba pʃɛʃˈɨvaw nˈaʃɛ mʲˈastɔ zwˈɔtɨ ʃtˈɨx ɕfʲˈatwa swˌɔnɛtʃnˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_68.wav|z ˈulɡɔ̃ ˌɔdnɔtɔvˈujɛ fˈakt, ʒˈɛ ɲʲˈɛma rˌɛtsɛptsjɔɲˈistki, ktˌura nˈaz zˌamɛldɔvˈawa.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_182.wav|pɔxˈɔdɲʲɛ na ɕtɕˈanaɣ ɡɔʒˈawɨ jˈasnɔː i ɔn rˈuvɲʲɛʒ zdˈavaw ɕɛ pwˈɔnɔɲtɕ. jˈɛɡɔ ɕˈinɛ vˈarɡʲi, ɲʲɛbjˈɛskʲɛ ˈɔkɔː ˌɔras tsˈawa rˈɛʃta.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_11.wav|zɡwɔɕˈiwɛm ɕɛ na ˌɔxɔtɲˈika dɔ pˌilnɔvˈaɲʲa tɛj ɕlˈuzɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_69.wav|fspˈɔmɲʲaw xˈɨba, ʒˈɛ spɔtˈɨkaw ɕɛ s psɨxˈɔlɔk, ktˌura spˌɛtsjalˌizɔvˈawa ɕɛ f tˌɛɡɔ tˈɨpu pʃɨpˈatkax.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_42.wav|pʃˌɨjɛxˈawa mˈɔja mˈatka i pˌɔmaɡˈawa mi pʃɨ dʑˈɛtɕax, pʃˌɛkɔnˈana, ʒˈɛ spˈɛndʑam tsˈawɨ tɛn tʃˈaz z dˌɔmiɲˈikʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_138.wav|arˈɛɔ s pɛvnˈɔɕtɕɔ̃ pamjˈɛnta tɛn dʑˈɛɲ.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_56.wav|vˈaldɛr rˈivɛrs stˈaw pʃɛt skrˈɔmnɨm namjˈɔtɛm, rˌɔzmavʲˈajɔndʑ z dvˈɔma zbrɔjnˈɨmi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_299.wav|— mˈuʃɛ ɔtpˈɔtʃɔɲtɕ — zatʃˈɨmaw ɕɛ na puwpʲˈɛntʃɛ, tɕˈɛ̃ʃkɔ sˈapʲɔnts.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_147.wav|i nˈɔ, pʃˈɨɲʲɛɕ trˈɔxɛ xlˈɛba i ˈɔtstu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_13.wav|nˈɔ dˈɔbra, tɔ kʲˈɛdɨ ɕɛ spˈɔtkam s tɨm xˈɔffɛm?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_239.wav|ˌalɛ dˌɛnɛrvˈujɛ mɲʲɛ tʃˈɛ̃stɔ natrˈɛntnɛ mˌɔralˌizatˈɔrstfɔː awtˈɔruf.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_81.wav|ta kɔbjˈɛta vˌɨxɔvˈawa ɕɛ f krˈaju, ktˌurɨ bˈɨw jˈɛdnɨm vʲˈɛlkim pˈɔlɛm bʲˈitfɨ i vɔlˈawa mɲʲɛ sprˈavdʑatɕ jɛj rɛflˈɛksu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_103.wav|ɲʲɛ pɔmˈaɡa tɔ jˈɛdnak, ʒˈɛ zɔstˈawa uznˈana za vˈinnɔ̃ pʃˈɛs mˈɛdja spˌɔwɛtʃnɔɕtɕˈɔvɛ, a jˈɛɕli tsɔkˈɔlvʲɛɡ vʲˈɛ, tɔ mˈɔʒɛ ɕɛ pɔ tʃˈɨmɕ tˈakim ˈukrɨtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_44.wav|jˈuʃ nˈattɨm mɨɕlˈawɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_37.wav|ɲʲɛvʲˈɛlɛ im pɔtʃˈɛba. vɨstˈartʃɨ ɕɛ wˈadɲʲɛ uɕmʲˈɛxnɔɲtɕ, fsuvˈajɔnts im dwˈɔɲ f spˈɔdɲʲɛ, a jˈuʃ sɔ�� kupʲˈɛɲi.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_82.wav|bˌɛɲdʑɛ mˈuɕaw znˈalɛɕtɕ jˈakiɕ spˈɔsup, bˈɨ uvˈɔlɲitɕ tɔ̃ mˈɛnna z jɛj ʃpˈɔnuf, zˈaɲim zrˈɔbʲi s xwˈɔptsa kˌɔlɛjnˈɛɡɔ jɔffrˈɛja.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_260.wav|ɲˈiɡdɨ ix ɲʲɛ vɨstˈartʃa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_87.wav|tˈak tɔ ɲʲɛ dʑˈawa, tˈɔm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_296.wav|ˌalɛ xtɕˈawɛm zarˈazɛm, ʒˈɛbɨ tˈak ɕɛdʑˈawa tˈutaj zˈɛmnɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_322.wav|i pɔwˈɔʒɨw ɕɛ w lˈɛvɨ skrˈɛnt nat marˈina dˈɛl rˈɛj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_126.wav|muɕˈawam vɨmˈɨɕlitɕ jˈakiɕ plˈan.|3
+Dataset/wavs/urwisko_ferenc/52_segment_100.wav|kˈarɔl bˈɨw jˈɛʃtʃɛ w dˈɔmu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_20.wav|tɨm rˈazɛm jɛst inˈatʃɛj. ɲʲɛ tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ tɔ mˈa bˈɨtɕ ɔstˈatɲi rˈas, kʲˈɛdɨ za pʲɛɲʲˈɔndʑɛ ɔdbjˈɛʒɛ kˈɔmuʑ ʒˈɨtɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_131.wav|i ftɕˈɔ̃ʒ ɡdʑˈɛɕ tˈam jˈɛstɛɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_303.wav|maʃ tˈu sfˈɔjɔ̃ fçˈiskɨ i pˈij jˈɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_41.wav|ɲʲɛ mˈɔɡwam ɕɛ f tˈakix xfˈilax skˌɔntsɛntrˈɔvatɕ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_58.wav|kturˈɛɡɔʑ dɲʲˈa, ɡdˈɨ ɡˈɔʑdʑik pˈɔʃwa dɔ kanˈawu pɔ vˈɔdɛ, zˈadaw tɔ pɨtˈaɲʲɛ mˌaɛstɛrˈɔvi ˌɛmɔnˈɔvi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_30.wav|pwˈatʃɛ, bˈɔ zatʃˈɨnam rɔzˈumjɛtɕ fʃˈɨstkɔ, tsˈɔ jɛzd zˈɛmnɔ̃ ɲʲɛ tˈak.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_131.wav|bˈɛtskɨ zˌastanavʲˈawa ɕɛ, tʃɨ ˈɔknɔ bˌɨwɔ jˈuʃ ɔtfˈartɛ, tʃɨ mˈɔʒɛ ɔfjˈara ˌɔpuɕtɕˈiwa ʃˈɨbɛ, ʒˈɛbɨ pˌɔrɔzmˈavʲadʑ z zabˈujtsɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_57.wav|pˈɛtɨr uɕmʲˈɛxnɔw ɕɛ tɕˈɛpwɔ. alˈain.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_31.wav|ɲˈiɡdɨ ɲʲˈɛmuf ɲˈiɡdɨ, ˌalɛ tˈak tʃˈujɛ.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_159.wav|na mˈɨɕl, ʒˈɛ mˈɔʒɛ jˈɛʃtʃɛ ʒˈɨtɕ i pʃɛbˈɨvatɕ na vɔlnˈɔɕtɕi, xtɕˈawɔ ɕɛ jɛj kʃˈɨtʃɛtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_142.wav|lˈɛʒɨ bˈardʑɔ dalˈɛkɔː ɔd brazˈɨlji, a ˌɔɲi mʲˌɛli tˈutaj tˌɨlkɔ jɛdnˈɛɡɔ spˈɛtsa ɔt mˈɔkrɛj rɔbˈɔtɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_57.wav|ʒˈatkɔ tˈam zaɡlˈɔndam. nazˈɨvam jˈɔ̃ dˈɔmkʲɛm lˈɛtɲim, ˌalɛ w ɕrˈɔtku zˈafʃɛ jɛzd ʑˈimnɔ, nˈavɛt lˈatɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_91.wav|ʒˈɛbɨ vˈɨɡratɕ nˈaʃɔ̃ vˈɔlnɔɕtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_81.wav|vˌɨstartʃɨwˈɔbɨ jˈɛdnɔ pxɲʲˈɛɲtɕɛ mʲˌɛndʑɨ tʃfˈartɨm i pʲˈɔntɨm ʒˈɛbrɛm prˈɔstɔ f sˈɛrtsɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_138.wav|mˈɔʒɛ tɔ jɛst tɔ, tʃˈɛɡɔ ɲʲɛ zdɔ̃ʒˈɨwɛm pʃˈɛʒɨdʑ w ʒˈɨtɕu?|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_166.wav|tʃɨ ɔbˈɛrvʲɛʃ nabˈɔjɛm stˌandardˈɔvɨm tʃɨ dˈumdˈum?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_29.wav|mˈɔʒɛ tɔ dʑˈawa, kʲˈɛdɨ ta najɡˈɔrʃa ɡɔdʑˈina jɛst tˈɔ̃, f ktˌurɛj dɔxˈɔdʑi dɔ traɡˈɛdji, tsˈɔ pɔzvˈala zdˌɛfiɲʲˈɔvatɕ xfˈilɛ, ɡdˈɨ dɔbjˈɛɡa ˌɔna kˈɔɲtsa.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_428.wav|zˈafʃɛ ɡˈɔ fˌavɔrˌɨzɔvˈawɛɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_95.wav|tsˈɔ tˈɛras, kʲˈɛdɨ zɔbˈatʃɛ mˈilljɛ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_183.wav|i dɔtʃˈɨmaw swˈɔva.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_282.wav|tˈaɡ bˈɨwɔ, pɔvʲˈɛdʑaw, ˌalɛ tɔ ɲʲɛ dla ɲʲˈɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_108.wav|ˈaram spˈɔjʒaw jɛj w ˈɔtʃɨ, fstˈaw ɔt stˈɔwu, ˈuɲʲus kˈulkɛ vɨsˈɔkɔ nad ɡwˈɔvɛ i pɔzvˈɔliw jɛj spˈaɕtɕ na pɔdwˈɔɡɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_2.wav|irˈina ˌɔtfɔʒˈɨwa mi dʒvˈi i spɔjʒˈawa nˈamɲʲɛ tˈaɡ ɡɲʲˈɛvɲʲɛ, jˈaɡbɨm nˌaɕikˈawa jɛj dɔ bˈarʃtʃu.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_287.wav|bˈardʑɔ mɔʒlˈivɛ, ʒˈɛ pʃˌɛtʃɨmˈujɔ̃ jˈɛ tˈuʃ pɔdˈɛmnɔ̃.|1
+Dataset/wavs/urwisko_ferenc/65_segment_75.wav|xˈɔtɕaʃ ɔn ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ traktˈɔvaw sˌɛksɔxɔlˈizmu jˈakɔː ˌuzalɛʒɲʲˈɛɲʲa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_159.wav|ˌalɛ ɲʲɛ spʲˈɛʃɨw ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_217.wav|mˈɔɡwabˌɨm jˈɛ ˈɔptɕɔɲtɕ, ɲʲɛ na xwɔpˈaka, tˌɨlkɔ tˈak, ʒˈɛbɨ dˈawɔ ɕɛ jˈɛ spʲˈɔɲtɕ w mˈawɨ kˈutsɨk, jˈak ˈu lˌitsɛalˈistki.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_156.wav|dlatʃˈɛɡɔ mʲˈawabˌɨ vˈɨdatɕ jɛdnˈɛɡɔ zˈɛ sfˈɔix sˈɨnuv zˈa...|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_76.wav|prɨxnˈɛwam pˌɔɡardlˈivʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_255.wav|bjˈawɛ jˈak kˈɔɕtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_4.wav|zbatʃˈawam z utˈartɨx ɕtɕˈɛʒɛk, ʒˈɛbɨ mˈinɔɲtɕ ɕɛ z ɲˈim f kˌɔrɨtˈaʒu, pʃɨvˈitatɕ, zwˈapatɕ kˈɔntaɡd vzrɔkˈɔvɨ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_117.wav|dˈɔran mˈartɛll ɕˈɛdʑaw za stˈɔwɛm dɔ ɕˈivas.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_98.wav|ɲʲɛ zˌaprɔtˌɛstɔvˈawam.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_52.wav|s pˌɔtɕɛmɲʲawˈɛɡɔ, sˌurɔvˈɛɡɔ dʒˈɛva.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_134.wav|ˈɔtʃɨ tʃɛrvˈɔnɛ ɔt wˈɛs i rɔzbʲˈitɔ̃ dˈɔlnɔ̃ vˈarɡɛ.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_285.wav|brjˈɛnnɛ na vʲˈɛlkʲɛj ɕˈivɛj klˈatʃɨ, pˈɔdritsk paˈɨnɛ na sfˈɛj wˌɛŋkɔvˈatɛj ʃkˈapʲɛ,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_40.wav|pˌɔfstʃɨmˈujɛ wzˈɨ. mˈuʃɛ ɕɛ dɔvʲˈɛdʑɛtɕ, tsˈɔ stˈawɔ ɕɛ xˈɔllɨ, ˌalɛ ɲʲɛ mˈɔɡɛ ˈɔtɔ zapˈɨtatɕ.|3
+Dataset/wavs/urwisko_ferenc/60_segment_55.wav|tɔ pilˈɛfska.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_126.wav|za nˈami f sɛktˈɔʒɛ kˈilɔ rɔzlˈɛɡwɔ ɕɛ tɔ tˈakʲɛ xˌaraktˌɛrɨstˈɨtʃnɛ trˈaɣ vˌɨbuxˌajɔntsˈɛɡɔ ɡranˈatu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_90.wav|xˌɛrubʲˈiŋkʲɛm, mˈɨɕli bʲˈillɨ, ˌalɛ ɲʲɛ mˈuvi tˌɛɡɔ ɡwˈɔɕnɔ. tˌɨlkɔ dˈalɛj ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_13.wav|— rɔzˈumjɛ jˈuʃ pˈan, tsˈɔ mʲˈawam na mˈɨɕli, mˈuvʲɔnts ɔ nˈuʃkax? — ˌuɕmʲɛxnˈɛwa ɕɛ dɔ ɲʲˈɛɡɔː i zakrˈɨwa dʑˈɛtskɔ.|4
+Dataset/wavs/urwisko_ferenc/08_segment_93.wav|pʲˈɛrʃa ʒˈɛtʃ, jˈaka mu pʃˈɨʃwa dɔ ɡwˈɔvɨ, bˌɨwa tˈaka, ʒˈɛ xtɕˈɛli kˈɔɡɔɕ skˌɔmprɔmitˈɔvatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_60.wav|nˈaʃa tʃfˈurka vˌɨstɔmpˈiwa s ʃɛrˈɛɡu, a pˌɔzɔstˈali zˌavʲɛɕˈili nˈam zbjɔrɲˈiki s pɔvʲˈɛtʃɛm na plˈɛtsax. zˌawɔʒˈɨli mˈaski dɔː ˌɔddɨxˈaɲʲa i ɡˈɔɡlɛ ɔxrˈɔnnɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_140.wav|uɲʲˈɔswam rˈɛntsɛ f pˌɔjɛdnˈaftʃɨm ɡˈɛɕtɕɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_49.wav|pˈɔla ɲʲɛ bˌɨwɔ w bjˈuʒɛ. tˈɔm ˈuznaw vʲˈɛnts, ʒˈɛ sprubˈujɛ pɔɡˈadadʑ z dʲˈitskʲɛm fˈiltsɛm.|4
+Dataset/wavs/urwisko_ferenc/25_segment_26.wav|pˌamjɛntˈawa, ʒˈɛ tˈakɔ̃ najbˈardʑɛj lˈubʲiw, a xfˈilɛ pˈuʑɲʲɛj dɔtˈarwɔ dɔ ɲʲˈɛj, ʒˈɛ bˈɨtɕ mˈɔʒɛ ftɕˈɔ̃ʃ...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_4.wav|mɔʒˈɛmɨ sprubˈɔvadʑ vɨvˈaʒɨdʑ dʒvˈi, ˌalɛ ˌɔbavʲˈamɨ ɕɛ ɔ dʑˈɛtskɔ pɔ drˈuɡʲɛj strˈɔɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_62.wav|pʲɛrvˈɔtɲʲɛ zˌamjɛʒˈawam sfˌinansˈɔvatɕ ˌɛdukˈatsjɛ xalˈimɨ, a pˈɔtɛm ˌɔna mʲˈawa zapwˈatɕidʑ za stˈudja kˈuki, ʒˈɛbɨm ja mˈukw f tɨm tʃˈaɕɛ ɔdwˈɔʒɨtɕ pʲɛɲʲˈɔndʑɛ dla rɔdʑˈitsuf.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_34.wav|tɔ mˈuɕi bˈɨdʑ bˈardʑɔ fpwɨvˈɔva ɔsˈɔba, tˈɔm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_35.wav|pˈaɲi mɨɕlˈawa ˈɔmɲʲɛ? zapˈɨtaw, kʲˈɛdɨ vˈɨɕad jˈuʃ s sˌamɔxˈɔdu.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_84.wav|pˌɔruvnˈawa ɡrˈupɛ krfˈi i stɛ̃ʒˈɛɲʲɛ ɛnzˈɨmuf, ktˌurɛ ɕɛ pˌɔkrɨvˈajɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_187.wav|jˈak f tɨm tˈakim ujˈɛɲtɕu filmˈɔvɨm krɛntsˈɔnɨm lˈɛkkɔ pʃˌɛxɨlˈɔnɔ̃ kamˈɛrɔ̃, ʒˈɛbɨ vɨvˈɔwatɕ ˈu vˈidʑa utʃˈutɕɛ dˌɛzɔrjɛntˈatsji?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_69.wav|ɲʲɛktˌuʒɨ sɔ̃ ubrˈaɲi w bjˈawɛ strˈɔjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_111.wav|ɲʲɛ prˈubuj tˌɛɡɔː ukrˈɨvatɕ. tɔ mu ɕɛ pˈɛvɲʲɛ spɔdˈɔba.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_196.wav|bˌɨwɨ ɡrˈubɛ i ɕˈilnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_74.wav|mˈɛrɡʲɛ vˌɨnajˈɛwa mʲɛʃkˈaɲʲɛ f pɔblˈiʒu. ɲˈitsk pwˈatɕi za fʃˈɨstkɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_9.wav|tɔ mˈɔja prˈatsa, a mˈimɔ tɔ ɲˈits ɲʲɛ mˈɔɡɛ zrˈɔbʲitɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_59.wav|ɲʲɛ maʃ pɔjˈɛɲtɕa, kˈim jˈɛstɛm. rɔzˈumjɛm. jˈak maʃ na ˈimjɛ?|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_139.wav|stˈarɛ mʲˈastɔ|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_198.wav|zˈaɡʒɛj vˈɔdɛ na kˈɔmpʲɛl dla mɔjˈɛɡɔ ɡˈɔɕtɕa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_66.wav|ˈanɔ, tʃɨ fʃˈɨstkɔ jɛst f pɔʒˈɔntku?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_26.wav|ɲʲˈɛma ɕɛ ˌapsɔlˈutɲʲɛ tʃˈɛɡɔː ɔbˈavʲatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_117.wav|ˈɔ|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_81.wav|dˌɛˌɛnˈa ɕɛ zɡˈadʑa?|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_46.wav|ja ix ɲʲˈɛmam pɔvʲˈɛʒaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_39.wav|tˈutaj ɲʲɛ vɨbjˈɛɡaw nˈapʃut, ˌaɲi ɲʲɛ skrˈɛntsaw na bˈɔki.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_18.wav|pʃɨjʒˈawɛm ɕɛ zdjˈɛɲtɕu sˌatɛlˌitarnˈɛmu i vɨɡlˈɔnda nˈatɔ, ʒˈɛ vˈidadʑ ɡˈɔ tˌɨlkɔ z jˈɛdnɛj sɔ̃ɕˈɛdɲʲɛj pɔsˈɛsji.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_235.wav|xˈɔdʑ bˌɨwa wˈadna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_18.wav|mˈɨɕli, ʒˈɛ tɔ dˈɔbrɨ tˈɛmat na ˈɛsɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_3.wav|pʃˌɛanˌalizɔvˈawa sˈɔbjɛ w ɡwˈɔvʲɛ fʃˈɨstkɔ, tʃˈɛɡɔ ɕɛ dɔ tɛj pˈɔrɨ dˌɔvʲɛdʑˈawa i uznˈawa, ʒˈɛ ftsˈalɛ ɲʲɛ jɛst tˌɛɡɔ tˈaɡ vʲˈɛlɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_82.wav|kʲˈɛdɨ sˌaɲitarjˈuʃɛ uɲʲˈɛɕli nˈɔʃɛ,|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_197.wav|ˌalɛ jˈakɔɕ ɲʲɛ xtɕˈawɔ mi ɕɛ vʲˈɛʒɨtɕ, ʒˈɛ pˈan jˈin s xɔŋkkˈɔŋɡu pʃˈɨvʲus tˈutaj tsˈɔɕ, tsˈɔ mʲˈawɔ çiʃpˈaɲskɔ̃ nˈazvɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_80.wav|jˈɔɛ spɔjʒˈawa na bˈɛtskɨ z ustˈami zwˌɔʒɔnˈɨmi w mˈawɔ̃ litˈɛrkɛ ˈɔ.|4
+Dataset/wavs/urwisko_ferenc/42_segment_1.wav|vˈɨʃwa pɔ kˈilku minˈutax s tˌɛlɛfˈɔnɛm w rˈɛntsɛ i pɔnˈɔvɲʲɛ zajˈɛwa mʲˈɛjstsɛ na fɔtˈɛlu pˌasaʒˈɛra.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_149.wav|dɔˈublɛ dˈɛwtsɛ, tʃɨ jˈak jˈɛ tˈam zvˈaw?|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_213.wav|ɲʲɛ pʃˈɛtʃɛ, ʒˈɛ jɛzd valˈɛtʃnɨ, ˌalɛ najlˈɛpʃɔ̃ tʃˈɛɲʑdʑ ʒˈɨtɕa zɔstˈaviw jˈuʒ za sˈɔbɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_344.wav|dɔpʲˈɛrɔ pˈɔtɛm fstˈaw i pʃɨvˈitaw jˈɔ̃ ukwˈɔnɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_98.wav|ɲʲɛ zaswˈuʒɨw na tˌaki lˈɔs?|2
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_34.wav|pˈɔtɛm zˈatɛ sˈamɛ ˈɛwrɔ kupˈiwam ɡʲˈitɨ ɔt kˌakˌazˈɛt jˈakɔ nˈuxa nˈɛjɛm.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_267.wav|ˌalɛ s tsˈawɔ̃ pɛvnˈɔɕtɕɔ̃ bˌɨwa tɔ vˈɔjna.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_385.wav|brjˈɛnnɛ ftɕɔŋɡnˈɛwa rˌɔspatʃlˈivʲɛ pɔvʲˈɛtʃɛ f pwˈutsa, tʃˈujɔnts, ʒˈɛ ʃnˈur jˈɔ̃ dˈuɕi. ɲˈits ɲˈiɡdɨ ɲʲɛ bɔlˈawɔ jɛj tˈaɡ bˈardʑɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_244.wav|ɲʲɛ, ɲʲɛ. mˈam sfˈɔjɔ̃ krɨjˈufkɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_21.wav|vˈɨjɔw s kʲɛʃˈɛɲi kartˈɛtʃkɛ i pʃɛsˈunɔw pɔ blˈatɕɛ w ix strˈɔnɛ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_160.wav|tʃɨ dˌɔvʲɛdʑˈawaɕ ɕɛ tʃˈɛɡɔɕ, tʃˈɛɡɔ ɲʲɛ vʲɛdʑˈawaɕ, ˌɔpuʃtʃˈajɔnts nˈas?|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_160.wav|jˈɛɕli ɲʲɛ xtsˈɛtɕɛ jɛj zˈajɔɲtɕ, tɔ jˈuʃ ɲʲɛ mˈɔja vˈina.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_76.wav|fʃˈɨstsɨ mʲˌɛli tfˈardɔ zˌatɕiɕɲʲˈɛntɛ ˈusta i tfˈardɛ spɔjʒˈɛɲʲa. i ɲˈidʑ dʑivnˈɛɡɔ, f kˈɔɲtsu tɔ tˌɔvaʒˈɨʃɛ ɡˈurɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_13.wav|pˈɔtʃɔw kʃˈɨtʃɛtɕ, prɨskˈajɔnts ɕlˈinɔ̃. ˈu nˈas ɕɛ ɲʲɛ ɕˈɛdʑi, jɛst pʃˌɛtɕɛʃ pɔ ɕˈudmɛj. jˈaɡ dwˈuɡɔ tˈu pratsˈujɛʃ, tʃwɔvʲˈɛku?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_132.wav|vʲˈɛm, ʒˈɛ ɡˈɔː ˌɔbrazˈiwaɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_167.wav|kʲˈɛdɨ z ɡɲʲˈazda vˌɨlatˈujɛ tsˈɔraz vʲˈɛntsɛj.|3
+Dataset/wavs/urwisko_ferenc/20_segment_49.wav|bɔrˈɛvitʃ ɲʲɛ vʲˈɛdʑaw, tʃɨ zɔbˈatʃɨw na tfˈaʒɨ xˌudʑiɲskʲˈɛɡɔː ˈuɕmʲɛx, tʃɨ ɡrˈɨmas ɲʲɛsmˈaku.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_108.wav|ɕɲˈi ɔ lˈa lˈa fallˈudʑɛ. ʒˈadna ɲʲˌɛspɔdʑˈaŋka.|2
+Dataset/wavs/urwisko_ferenc/46_segment_97.wav|ˈɔlɡʲɛrt pʃˈɨɡrɨz vˈarɡɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_259.wav|a dlatʃˈɛɡɔ pˈaɲi mˈɨɕli, ʒˈɛ tʃˈɛɡɔɕ ɕɛ bˈɔjɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_68.wav|skˈɔnt mˈam vʲˈɛdʑɛtɕ, ʒˈɛ ɲʲɛ jˌɛstɛʑ ɡlˈinɔ̃?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_3.wav|ɡdɨbˈɨɕmɨ vʲɛdʑˈɛli na pˈɛvnɔ, ʒˈɛ jɛst tɔ pɔrvˈaɲʲɛ dla ɔkˈupu jˈɔɛ, tɔ bˈɨwbɨm pʃɛtɕˈifkɔ rˌɔzɡwaʃˈaɲʲu, ʒˈɛ mˈilljɛ zɔstˈawa ˌuprɔvadʑˈɔna.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_79.wav|i vɨdˈajɛ tɛn sˈam sfˈɔnt, kʲˈɛdɨ tʃwˈɔvʲɛɡ vwˈɔntʃa|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_109.wav|tʃɨ mˈɔʒɛ pˈan dɔ mɲʲɛ zˈɛjɕtɕ na xfˈilɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_63.wav|zapˈɨta jˈɔ̃ jˈɛʃtʃɛ rˈas, kʲˈɛdɨ kˈirstɛn pɔtʃˈujɛ ɕɛ jˈuʃ lˈɛpʲɛj.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_20.wav|jˈɛɡɔ sɨnˈɔvʲɛ pɔmˈɔɡli talˈɛi i brˈɛi fɕˈɔ̃ʑdʑ dɔ wˈɔdʑi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_106.wav|dˈavn pɔvˈɔli pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃.|3
+Dataset/wavs/urwisko_ferenc/28_segment_3.wav|vˌɨbɛtˌɔnɔvˈanɛ i vˌɨasfˌaltɔvˈanɛ mʲˈasta budʑˈiwɨ w ɲʲˈɛj ɡrˈɔzɛ.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_209.wav|pɔt pʃɨstˈaɲʲɔ̃ ɡrˈupka kuxtɕˈikuv brɔdʑˈiwa na pwɨtɕˈiznax, wˈapʲɔndʑ ʒˈabɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_4.wav|f sˌɨtuˈatsji zˌaɡrɔʒˈɛɲʲa ʒˈɨtɕa najɡˈɔrʃɛ tʃˈasɛm bˈɨva tɔ, ʒˈɛ mˈɔʒna ɕɛ zanˈudʑitɕ na ɕmʲˈɛrtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_85.wav|dʑvˈɔɲi dɔ butskʲˈɛɡɔ xansˈɔna i vwˈɔntʃa ɕɛ pˈɔtʃta ɡwɔsˈɔva.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_149.wav|vzdwˈuʃ pˈɔrtu tɕɔŋɡnˈɛwa ɕɛ pwˌɨvajˈɔntsa zapˈɔra zwɔʒˈɔna z dvˈux tuzˈinuv zbutfʲˈawɨɣ vrˈakuf pˌɔwɔntʃˈɔnɨx wˌaɲtsuxˈami.|1
+Dataset/wavs/urwisko_ferenc/24_segment_10.wav|dˈɔbʒɛ, ɲʲˈɛx pˈan vˈɛjdʑɛ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_33.wav|dʒˈɛjn ɲʲɛ spɔdʑˈɛvaw ɕɛ atˈaku, ˌalɛ f ʃɛptʃˈɔntsɨm lˈɛɕɛ rˈuvɲʲɛʃ ɕɛ ɡˈɔ ɲʲɛ spɔdʑˈɛvaw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_53.wav|jˌɛstɛɕ xɔlˈɛrɲʲɛ ɲʲˌɛzalˈɛʒna. rɔzˈumjɛm tɔː i vʲˈɛm skˈɔnt ɕɛ bjˈɛʒɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_45.wav|zwapˈawam ˈuxfɨd vwˈazu.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_460.wav|vɛ fspˈulnɛj sˈali rɔˈiwɔ ɕɛ ɔd dʑˈɛtɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_48.wav|pɔvˈinnam ɕɛ bˌɨwa dɔmˈɨɕlitɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_232.wav|a ja ɲʲɛ zˌapɔmɲʲˈawam tˈɛɡɔ, tsˈɔ stˈawɔ ɕɛ z ɲˈim.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_271.wav|zavˈaxaw ɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_180.wav|zˌavʲɛɕˈiwam ktɕˈuk nat lˈistɔ̃ kɔntˈaktuf na vˌɨɕfʲɛtlˈatʃu i vɨdˈawam ˈusta.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_170.wav|kwamtʃˈuxa. vʲɛdʑˈawa, tʃˈɛɡɔ prˈaɡɲʲɛ tˈɛna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_64.wav|jˈak mʲˈɛlibˌɨ tɔ spwˈatɕitɕ? ɲʲɛ mˈɔɡwam im tˌɛɡɔ zrˈɔbʲitɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_2.wav|ʒˈɔna tsˌamɛrˈɔna ɛdmˈuntsa ɲʲɛ mɨlˈiwa ɕɛ ˈaʃ tˈaɡ bˈardʑɔ, kʲˈɛdɨ pˌɔvʲɛdʑˈawa, ʒˈɛ jˈaɡɡɛr mʲˈɛʃka zapˈɛvnɛ w jˈakʲɛjɕ jaskˈiɲi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_31.wav|zamjˈɛʒam ɡˈɔ pɔprˈɔɕitɕ ɔ tsˈɔɕ naprˈavdɛ pˌɔvaʒnˈɛɡɔː i ftsˈalɛ ɲʲɛ jˌɛstɛm pˈɛvna, ʒˈɛ w ɔɡˈulɛ tˈakɔ̃ mɔʒlˈivɔɕtɕ rɔzvˈaʒɨ.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_18.wav|tsˈɔ zamjˈɛʒaʃ f tɛj sprˈavʲɛ utʃˈɨɲitɕ, jˈamɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_9.wav|mˈɔja zˌakwadɲˈitʃka mˈɨɕli. ɔfjˈara sɨndrˈɔmu ʃtˌɔkxɔlmskʲˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_13.wav|skɔɲtʃˈɨwɛm.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_52.wav|ɲˈits tˈam dla vˈas ɲʲˈɛma.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_286.wav|zaɕmʲˈawa ɕɛ rˈaptɛm, pʃˌɨtɕɔŋɡnˈɛwa mˈɔjɔ̃ tfˈaʃ i pˌɔtsawɔvˈawa w ˈusta.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_137.wav|zabʲˈiwam ɡˈɔ!|3
+Dataset/wavs/urwisko_ferenc/07_segment_29.wav|nˈɔ faktˈɨtʃɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_42.wav|xtɕˈawa uzˈɨskatɕ ˌinfɔrmˈatsjɛ ɔ fˈirmʲɛ, a ja uznˈawam, ʒˈɛ ɲʲˈɛmam prˈava ix pʃˌɛkazˈɨvatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_328.wav|tʃɨ zɡˈɔdʑi ɕɛ pˈan, ʒˈɛbɨm zˌadʑvɔɲˈiwa tʃˈasɛm dɔ pˈana?|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_116.wav|ftˈɛdɨ ʒˈɨwa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_51.wav|— pɔvʲˈɛdʑaw spɔkˈɔjɲʲɛ ˈaram.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_67.wav|tˈak, ʃpˈital dʑɛtɕˈɛntsɨ rˈɔjal manxˈɛstɛr. dlatʃˈɛɡɔ pˈɨtaʃ?|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_85.wav|i frˈɛjuf rˈuvɲʲɛʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_440.wav|tʃˈas raptˈɔvnɨx navrˈutsɛɲ, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_54.wav|vʲˈɛʃ, ʒˈɛ dˌɨspɔnujˈɛmɨ spˌɛtsjalistˈami, ktˌuʒɨ ʃpɛrˈajɔ̃ w dˈarɡ vˈɛbjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_166.wav|muɕˈawa ˈɔtɨm pɔvʲˈɛdʑɛtɕ ˌaramˈɔvi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_54.wav|vʲˈɛm, ʒˈɛ fpˈis na fˌatsɛbɔˈɔku bˈɨw pʃˌɛznatʃˈɔnɨ dɔ mɲʲɛ, ˌalɛ ɲʲɛstˈɛtɨ ɲʲɛ mˈɔɡɛ dʑˈiʑ dˈɔtʃɛdʑ dɔ tsˈɔlvɨn bˈaj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_19.wav|pʃɨbjˈɛra tɛn vˌɨmuʃˈɔnɨ ˈuɕmʲɛx, ktˌurɨ ˈɛlis ɕɛ ɲʲɛ pɔdˈɔba. jˈɛɡɔ tfˈaʒ znˈuf jɛzd vilɡˈɔtna. ɕtɕɛkˈajɔ̃ pˈɔɲʲɛj strˈuʃki pˈɔtu, pɔlˈitʃki mu pˌɔtʃɛrvʲɛɲʲˈawɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_59.wav|pɔvʲˈɛdʑaw ɔ xrˈɨplɛ, jˈaɡbɨ ɲʲɛ ɔdʑˈɨvaw ɕɛ pʃˈɛz dwˈuʃʃɨ tʃˈas.|3
+Dataset/wavs/urwisko_ferenc/50_segment_73.wav|ˈɔlɡʲɛrd zmrˈuʒɨw ˈɔtʃɨ. jˈasnɔbrɔ̃zˈɔvɛ pɲʲˈɛ pʲˈɛrʃɨɣ ʒˈɛnduf sˈɔsɛn vˌɨɡlɔndˈawɨ tˈak, jˈaɡbɨ kˈɔrɛ trˈaviw ʒˈar.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_86.wav|ʒˈɛ mˈuj zvʲˈɔ̃zɛk s tsˌamɛrˈɔnɛm zɔstˈaɲʲɛ ˌujavɲʲˈɔnɨ.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_38.wav|pʃɨɕˈɔŋɡwɛm lˈadɨ stˈark, ʒˈɛ ɲˈiɡdɨ jˈuʃ ɲʲɛ vɨrˈuʃɛ f pˈɔlɛ pʃɛtɕˈifkɔ stˈarkɔm ˈalbɔ tˈallim.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_16.wav|dlatʃˈɛɡɔː ɔn fɕˈad dɔ sˌamɔxˈɔdu tˌɛɡɔ tʃwɔvʲˈɛka?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_70.wav|dˈɔdaw tˌɛatrˈalnɨm ʃˈɛptɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_7.wav|rɔzlˈɛɡwɔ ɕɛ pukˈaɲʲɛ dɔ dʒvˈi i dɔ ɕrˈɔtka vˈɨʃwa pʲˌɛlɛŋɡɲʲˈarka, ɲʲɔsˈɔntsa pˌɔskwadˈanɛ rɛntʃɲˈiki. ˌuɕmʲɛxnˈɛwa ɕɛ dɔ ɲʲˈɛɡɔ s trˈɔskɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_97.wav|kˈim bˈɨw kljˈɛnt?|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_173.wav|ɕˈɛŋɡa tʃˈasuf mˈisji apˈɔllɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_17.wav|ˌalɛ vʲˈɛ pˈaɲi fʃˈɨstkɔː ɔ zˈafɔ, prˈavda?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_18.wav|kʲˈɛdɨ mˈɔʒɛʃ jˈɛ ˈɔddatɕ?|3
+Dataset/wavs/urwisko_ferenc/64_segment_121.wav|ˈɔlɡʲɛrd zamrˈuɡaw i zvʲˈɛɕiw ɡwˈɔvɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_172.wav|ˌalɛ ɲʲˈɛx pˈan mu kˈaʒɛ tsˈɔɕ pɔvʲˈɛdʑɛtɕ, ˌɔfitsˈɛʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_82.wav|ˌinfɔrmˈujɛʃ jˈɔ̃ ɔ mˈɔix plˈanax?|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_114.wav|pʃˌɨtɕɔŋɡnˈɛwam bˈutlɛ dɔ ɕtɕˈanɨ i zˌamɔntɔvˈawam dˈɨʃɛ palɲˈika.|4
+Dataset/wavs/urwisko_ferenc/50_segment_6.wav|— pʃˌɛtɕɛʃ ɔn nˈam ɲʲɛ dɔɲʲˈɛɕɛ — zdˌɛnɛrvˈɔvaw ɕɛ lˈɛɡnɛr. — tɔː ˈitɕ i ɡˈɔ kˈurva zˈabʲij! — sˈɨknɔw bɔrˈɛvitʃ, pɔdˈajɔnts mu brˈɔɲ.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_30.wav|z rɛɡˈuwɨ dˈamɨ, ktˌurɛ ɕpjˈɔ̃ zˈɛmnɔ̃, mˈuʃɔ̃ zapwˈatɕitɕ pɔdˈatɛk pˌɔɕtɕɛlˈɔvɨ i ˌɔpɔvʲˈɛdʑɛtɕ ɔ fʃˈɨstkix ɲʲˌɛɡɔdʑivˈɔɕtɕax, jˈakʲɛ pˌɔpɛwɲˈiwɨ.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_290.wav|swˈɨʃaw ɲʲˈɛmal çˈixɔt sfˈɛɡɔ mawˈɛɡɔ bratɕˈiʃka.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_113.wav|ˌalɛ ktˈɔ vɨnˈajɔw jˈɛɡɔ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_7.wav|ɲʲɛ jˈak f pravdʑˈivɨm pɔkˈɔju, f pravdʑˈivɨm dˈɔmu.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_248.wav|pˌɔtʃɛbˈujɛ trˈɔxɛ pʃɛstʃˈɛɲi dɔ prˈatsɨ, a tɨ lˈɛpʲɛj ɲʲɛ pˈɔtxɔtɕ f skafˈandʒɛ dɔ palɲˈika.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_154.wav|vbjˈɛɡw dɔ vnˈɛntʃa ɕlˈuzɨ, pʃˈɛmknɔw ɕɛ za pʃˌɛdɔstˈatɲim turˈɨstɔ̃ i ˈukrɨw f kˈɔɲtɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_138.wav|mˈiwɔ tɕˈɛ pˈɔznatɕ, ˈɛlis.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_36.wav|tˈɔm mˈuvi bˈɛtskɨ, vˈɨbatʃ, ʒˈɛ zavrˈatsam tɕi ɡwˈɔvɛ vʲɛtʃˈɔrɛm, ˌalɛ pˌɔpɛwɲʲˈɔnɔ kɔlˈɛjnɛ mɔrdˈɛrstfɔ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_228.wav|ɔ dʑɛftʃˈɨɲʲɛ s tsˈastɛll i rˈɔk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_123.wav|jɛst mi tɕˈɛpwɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_210.wav|pʃˌɨvɔwˈawam na tfˈaʒ vˈɨras nˌajɡwɛmpʃˈɛɡɔ zdumjˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_377.wav|alˈain zɛrknˈɛwa na jadˈɔntsɔ̃ dvadʑˈɛɕtɕa krˈɔkuf ɲˈiʒɛj dʑɛftʃˈɨnɛ ˈɔdmuf. a nˈavɛd vʲˈɛntsɛj ɲˈiʃ lˈubʲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_109.wav|pɔmˈimɔ tˈɛɡɔ, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ, vɨɡlˈɔndaw na bˈardʑɔ pˌɔɡɔdnˈɛɡɔ, jˈaɡbɨ ɲˈidʑ zwˈɛɡɔ ɕɛ na ɕfʲˈɛtɕɛ ɲʲɛ dʑˈawɔ.|3
+Dataset/wavs/urwisko_ferenc/64_segment_66.wav|jˈɛɕli pɔkˈaʒɛʃ tɛ zdjˈɛɲtɕa lˌɛɡnɛrˈɔvi, na pˈɛvnɔ ɕɛ nˈatɔ ɲʲɛ zɡˈɔdʑi.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_43.wav|ɲʲɛ ɔdbʲˈiwɛm tɕi ɡˈɔː i dˈɔbʒɛ ˈɔtɨm vʲˈɛʃ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_158.wav|zɔstˈajɛ pˈaɲi zˌatʃɨmˈana jˈakɔ pˌɔdɛjʒˈana ɔ zˌamɔrdɔvˈaɲʲɛ ɡˌɛnɛvʲˈɛvɛ strˈaxan.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_9.wav|dlatʃˈɛɡɔ ɲʲɛ bjˈɛʒɛʃ udʑˈawu w ɔbwˈavʲɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_155.wav|tsɔkˈɔlvʲɛk tɔ znˈatʃɨ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_48.wav|tsˈawɨ tɛn sˈɨstɛm zamjˈɛɲiw ɕɛ f pˌiramˈidɛ fˌinansˈɔvɔ̃ i f tɛj xfˈili zbliʒˈamɨ ɕɛ vwˈaɕɲʲɛ dɔ pˈuŋktu krˌɨtɨtʃnˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_345.wav|zɡˈɔdʑiw ɕɛ pɔtˈɛ̃ʒnɨ mɛ̃ʃtʃˈɨzna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_75.wav|jˈak tɔ znˈɔvu? skˈɔnt ɕɛ tˈu vʑˈɛwam? jˌɛstɛɕ pˈɛvʲɛn, ʒˈɛ mɲʲɛ ɲʲɛ zɡvawtɕˈiwɛɕ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_81.wav|mˌamɨ lɔdˈufkɛ na vˈina, a mˈarta lˈubʲi mʲˈɛtɕ pˈɛvnɔɕtɕ, ʒˈɛ dˌɨspɔnujˈɛmɨ plˌastɛrkˈami tsɨtrˈɨnɨ i vʲadˈɛrkʲɛm lˈɔdu dɔ ɡʲˈinu, ʃtʃɛɡˈulɲʲɛ kʲˈɛdɨ mˌamɨ vʲɛtʃˈɔrnɛ zɛbrˈaɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_17.wav|ɔn jɛzd vʲˈɛlki i zɔstˈawɔ nˈam dˈɔɕtɕ pʲɛɲʲˈɛndʑɨ, ʒˈɛbɨ mʲˈɛʃkatɕ tˈam pʃˈɛs rˈɛʃtɛ ʒˈɨtɕa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_177.wav|mˈa tˈɛʒ zawˈatfidʑ brˈɔɲ, dɔdˈajɛ ɡʲˈɔrɡjɔ. mˈɔʒɛ jˈuʃ tɔ zrˈɔbʲiw? tˈak tʃɨ inˈatʃɛj, ɲˈikt nˈas s tɨm ɲʲɛ pɔvʲˈɔ̃ʒɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_194.wav|mˈɨɕlɛ, ʒˈɛ tɛn vˈiruz zɔstˈaɲʲɛ f kˈɔɲtsu zˌidɛntˌɨfikɔvˈanɨ, lˈɛtʃ ja tˌɛɡɔ ɲʲɛ dɔʒˈɨjɛ. zɔstˈawɛm jˈuʃ skazˈanɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_32.wav|ˌɔtʃɨvˈiɕtɕɛ ʒˌartɔvˈawam s tɨm ɔstˈatɲim. rˌɔzɛɕmʲˈawam ɕɛ na sˈamɔ̃ mˈɨɕl, a pˈɔtɛm pʃɛstˈawam ɕɛ ɕmʲˈatɕ i...|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_145.wav|mɨɕlˈawɛm, ʒˈɛ tɔː ɔn i zabʲˈiwɛm ɡˈɔ dla tɕˈɛbjɛ, a pˈɔtɛm vɨpxˈawɛm mu ɡˈardwɔ pʲɛɲʲˈɛndʑmi.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_63.wav|bˌɨwa xˈuda, ɲʲɛxlˈujna, mʲˈawa vʲˈɛlkʲɛ bˈutɨ i vˌɨstʃɛmpʲˈɔnɛ, ɲʲɛmˈɨtɛ vwˈɔsɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_45.wav|ˌɔtʃɨvˈiɕtɕɛ z mʲˈɛjstsa vzbˈudʑiw tɨm mˈɔjɛ zˌatɕɛkavʲˈɛɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_111.wav|pɔzvˈɔlɛ tɕi pʃˈɨvdʑatɕ tʃˈɛrɲ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_19.wav|xtɕˈawam pɔvʲˈɛdʑɛtɕ ɲʲɛ pʲˈɛrʃɨ rˈas, ˌalɛ tɔ vˌɨdavˈawɔ ɕɛ trɨvʲˈalnɛ na tlˈɛ ˈinnɨx sprˈaf.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_151.wav|jˌɛstɛm ˌɔdrɔbʲˈinɛ lˌɔdɔvˈatɨ, bˈɔ ɡvawtˈɔvnɛ pʃɨɡˈɔdɨ i ˌɔʃawˌamjajˈɔntsɛ suktsˈɛsɨ pʃɛʒˈɨvam f sfˈɔjɛj ɡwˈɔvʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_149.wav|f tɨm lˌabʲirˈɨɲtɕɛ ɲˈikt ɲʲˈɛmʲaw ʃˈans mɲʲɛ zwˈapatɕ, tˌɨlkɔ ʒˈɛ...|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_469.wav|na pɔtʃˈɔntku bˌɨliɕmˌɨ krˌulɛfskˈimi lˈudʑmi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_15.wav|xwˈɔpʲɛts, ɡrˌatulˈatsjɛ tˈɔm! kˈit rˈuvɲʲɛʃ pɔftˈuʒɨw tɛ swˈɔva f tlˈɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_153.wav|na rˈaʑɛ ɲʲˈɛxtsɛ tˈɛʃ pˈisatɕ ɔ trˈɔmbjɛ, xˈɔtɕ mˈɔʒɛ zrˈɔbʲi tɔ pˈuʑɲʲɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_173.wav|pˌɔmɨɕlˈawɛm, ʒˈɛ pˈɛvɲʲɛ xtɕˈawbɨɕ tɔ vʲˈɛdʑɛtɕ na vɨpˈadɛk, ɡdˈɨbɨʑ dˈɔstaw pˌɔvʲadɔmjˈɛɲʲɛ na tɛlˈɛfɔn, kɔmpˈutɛr tʃɨ ɡdʑˈɛɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_71.wav|jˈak jˈuʃ pˈɛvɲʲɛ zˌauvaʒˈɨwaɕ pɔ vizˈɨtɕɛ w mˈɔim dˈɔmu.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_198.wav|pˈɔtɕɔŋɡ vwˈaɕɲʲɛ ɔdjˈɛxaw.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_157.wav|ɲʲɛ, tɔ ɲʲˌɛmɔʒlˈivɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_181.wav|ˈɔtɨm pˈɔtɛm. ɲʲɛvˈaʒnɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_104.wav|tɛn dˈɔm ɲʲɛ jɛzd ʒˈadnɔ̃ rˌɛzɨdˈɛntsjɔ̃. bˌɨliɕmˌɨ w ɲˈim tˌɨlkɔ vɛ dvˈɔjɛ i ɲitʃˈɛɡɔ nˈam ɲʲɛ brˌakɔvˈawɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_3.wav|a ˈatak na ɔfjˈarɛ rˈuvɲʲɛ brutˈalnɨ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_74.wav|kɔbjˈɛtɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_20.wav|tɔ bˌɨwa dˈɔktɔr rɔˈussɛl.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_90.wav|tɨm z bjˈawɔ̃ rˈuʒɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_129.wav|pˈujdɛ mu pˈɔmuts.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_23.wav|tˌɛɡɔ mi ɲʲɛ pˌɔvʲɛdʑˈanɔ.|0
+Dataset/wavs/urwisko_ferenc/62_segment_21.wav|a xaŋɡʲˈɛrski z davˈana dʑˌɛvʲɛɲdʑˈɛɕɔnt kˈilka.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_131.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_57.wav|tsˈɔ pˌɔmɨɕlˈɛlibˌɨ jˈɛɡɔ sɔ̃ɕˈɛdʑi z ɛvˈɛrɡrin strˈit, ɡdˈɨbɨ zˌɔbatʃˈɨli tˈɛ stsˈɛnɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_34.wav|pˌɔʒɛɡnˈaɲʲɛ vʲˈɛntsɛj bˌɛɲdʑɛ dla sˈɨna znatʃˈɨwɔ, jˈɛɕli bˌɛɲdʑɛ pˈaɲi ftˈɛdɨ tʃˈɛʑva i vˈɨʃɛd rˈazɛm s tamtˈɨmi.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_205.wav|ɲʲˈɛma tʃɨm ɕɛ pʃɛjmˈɔvatɕ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_51.wav|a tʃasˈami rˈuvɲʲɛʃ ˈinnɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_51.wav|tʃˈujɛ ˈutɕisk f pʲˈɛrɕi, a ɔxˈɔta na pˌɔttɕɔŋɡɲʲˈɛɲtɕɛ kˈɔlan pɔd brˈɔdɛ i zɔstˈaɲʲɛ w wˈuʃku jɛst tsˈɔras ɕilɲʲˈɛjʃa.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_189.wav|dˈalɛ sprˈavdʑiw ɔttʃˈɨtɨ na panˈɛlu kɔntrˈɔlnɨm wazˈika.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_150.wav|pˌɔstanɔvˈiwam pˈujɕtɕ pʃˈɛs artsˈadɛ.|4
+Dataset/wavs/urwisko_ferenc/01_segment_74.wav|mɛ̃ʃtʃˈɨzna nˈabraw txˈu, vˈɔlnɔ vɨpˈuɕtɕiw pɔvʲˈɛtʃɛ i vɨɡwˈadʑiw tʃɛrvˈɔnɨ krˈavat.|0
+Dataset/wavs/urwisko_ferenc/42_segment_107.wav|a pɔɲʲˈɛvaʃ najlˈɛpʃɨm ˌantʲidˈɔtum na strˈɛs jɛst prˈatsa, vˈɛʑmɨ ɕɛ f kˈɔɲtsu dɔ rɔbˈɔtɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_28.wav|ɲʲˈɛvʲɛm, tʃɨ mˈa kˈɔntɔ na fˌatsɛbɔˈɔku lˈup tfittˈɛʒɛ, ˌalɛ mˈɔʒɛ vˈartɔ tɔ sprˈavdʑitɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_45.wav|krˈɛntsɛ ɡwˈɔvɔ̃ sfrˌustrɔvˈana vwˈasnɔ̃ swabˈɔɕtɕɔ̃, ˌuruxˈamjam ɕˈilɲik i rˈuʃam. pʃˈɛtnɛ mu drˈɔɡɛ, zˈaɲim dˈɔjdʑɛ dɔ dʒvˈi sˌupɛrmarkˈɛtu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_50.wav|tˌɨlkɔ stsˈɔdd znˈa prˈavdɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_112.wav|muɕˈawɨ bˈɨdʑ zˌatwuʃtʃˈɔnɛ ɔt pˈaltsa, ktˌurɨ iɣ dɔtˈɨkaw.|4
+Dataset/wavs/urwisko_ferenc/38_segment_36.wav|mˈɔɡwa vʲˈɛnts ɕˈɛdʑɛdʑ w drɛvɲʲˈanɨm dˈɔmku i ɲʲˈɛdbatɕ ˈɔtɔ, tʃɨ pɔlˈitsja, marnˈujɔnts pʲɛɲʲˈɔndʑɛ pˌɔdatɲˈika, ʃˈuka jɛj tʃɨ ɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_20.wav|s pɛvnˈɔɕtɕɔ̃ ɲʲɛ bˌɨwɔ ɲˈits na tɛn tˈɛmat w rɛjˈɛstʃɛ ˈuswuk fˌinansˈɔvɨx.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_7.wav|mˈɔʒɛ ktˈɔɕ tsˈɔʑ vˈidʑaw?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_314.wav|nˌatʃɨtˈawɛɕ ɕɛ pˌartɨzˈantskix kɕˈɔ̃ʒɛk. tɔ bˌɨwɔː ˈu vˈas mˈɔdnɛ.|0
+Dataset/wavs/urwisko_ferenc/65_segment_30.wav|pɔtɕˈɔŋɡnɔw nˈɔsɛm i tʃˈɛkaw, ˈaʃ ɲʲˌɛvidˈɔtʃna pˈɛntla, ktˌura zˌatɕisnˈɛwa ɕɛ na jˈɛɡɔ ʃˈɨi, zvˈɔlɲi ˈuɕtɕisk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_92.wav|zˈatʃɔw pˈisatɕ çistˈɔrjɛ bɛnjˈɛɡɔ na laptˈɔpʲɛ, ktˌurɨ nˌajpravdˌɔpɔdˈɔbɲʲɛj, tˈam nˌajpravdˌɔpɔdˈɔbɲʲɛj, na pˈɛvnɔ zˈɔstaw sklˌɔnɔvˈanɨ.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_215.wav|kʲˈɛdɨ ɲʲɛ pɔlˈujɛ s sˌɔkɔwˈami ˌaɲi ɲʲɛ jˈɛʑdʑi kˈɔnnɔ, ɡrˈa vzdˈɔbɔɲtɕ mˈuj zˈamɛɡ z mˈawɔ̃ alˈisan bˈalvɛr.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_39.wav|tɔ prˈavda, ˌalɛ ɲʲɛ vʲˈɛmɨ, tʃɨ mʲˈawa ɡˈɔ pʃɨ sˈɔbjɛ mˈarta, zɡˈadʑa ɕɛ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_170.wav|nazˈɨvam ɕɛ dɛvˈanɛ, a tˈɨ? ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_66.wav|bʲˈillɨ vɨjmˈujɛ tɛlˈɛfɔn i dʑvˈɔɲi dɔː ˈɛlis. ˌɔna pˈɨta, tʃɨ fʃˈɨstkɔ f pɔʒˈɔntku. ɔn mˈuvi, ʒˈɛ tˈak.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_169.wav|ɲˈiɡdɨ bˈɨm ɲʲɛ pɔmˈɨɕlaw, ʒˈɛ prˌɔvadʑˈɛɲʲɛ ɡɔspˈɔdɨ mˈɔʒɛ bˈɨtɕ tˈak ɲʲˌɛbɛspʲˈɛtʃnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_24.wav|tɔ dʒˈɔrdʒ rˈussɛll, pɔznˈaliɕtɕˌɛ ɕɛ w zˈɛʃwɨm tɨɡˈɔdɲʲu, a tɔ dˈavit lˈɔtskridʒ. bˌɛɲdʑɛ nˈaʃɨm pisˈaʒɛmrˌɛzɨdˈɛntɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_66.wav|ɔ tsˈɔ xˈɔdʑi? skˈɔnt tɛn ˈalarm?|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_232.wav|ɕˈɛdʑɔ̃ wˈɛ fɔtˈɛlaɣ bujˈanɨx na vɛrˈaɲdʑɛ, kʲˈɛdɨ vrˈatsa bˈutskɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_46.wav|ˌustalˈiliɕmˌɨ plˈan dɨʒˈuruv dla pˌɔzɔstˈawɨx ɕˈustr.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_52.wav|a ˈɔtɔ naɡrˈɔda.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_222.wav|mˈɛ̃stfɔ ɲʲɛ zastˈɔmpi lˌitʃɛbnˈɔɕtɕi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_42.wav|dʑɛtɕˈakuf, jˈak ix xˈɨba nazvˈawaɕ? samjˈɛɡɔː i nˈuʃɨ?|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_433.wav|na ɕtɕˈaɲʲɛ zˌauvaʒˈɨwam jaskrˈavɔtʃɛrvˈɔnɛ brˈɨzɡʲi krfˈi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_105.wav|vˌɨkaswˈujɛ krˈɛf.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_295.wav|jˈasnɛ, ɕˈɛdʑi ˈɔbɔk. pʃɨvˈitaj ɕɛ, ammˈaʒɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_24.wav|tɨm rˈazɛm mʲˈawa ˌadvɔkˈata.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_210.wav|tɨm ɲʲɛ xtsˈɛmɨ, ʒˈɛbɨ tɔ rˈɔbʲiw ktˈurɨʑ z nˈaʃɨx xwɔpˈakuf i ʒˈɛbɨ pˈɔtɛm tʃˈuw ɕɛ ʑlˈɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_39.wav|mˈɔʒɛ mˈuj brˈaɡ zˌ��rɡaɲˌizɔvˈaɲʲa ˌɔras swˈabɔʑdʑ dɔ ɡʲˈinu i bjawˈɛɡɔ vˈina f kˈɔɲtsu ɡˈɔ zˌawamˈawɨ. ʃtʃɛɡˈulɲʲɛ, ʒˈɛ ɔn sˈam ɲʲɛ pˈijɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_168.wav|ˌɔna lɛʒˈawa z ɡwˈɔvɔ̃ skwɔɲʲˈɔnɔ̃ na bˈɔk.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_140.wav|bˈɔ bˈɨw tˈaɡ dˌɔskɔnˈawɨ, ʒˈɛ ɲˈiɡdɨ ɲʲɛ pˌɔsunˈɔwbɨ ɕɛ dɔ tʃˈɛɡɔɕ takʲˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_164.wav|ɡdˈɨbɨm pˌɔstɔmpˈiwa zɡˈɔdɲʲɛ s pˌɔlɛtsˈɛɲʲɛm, fʃˈɨstkɔ pˌɔtɔtʃɨwˈɔbɨ ɕɛ zupˈɛwɲʲɛ inˈatʃɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_22.wav|vʑˈɔw ɔt kɔbjˈɛtɨ butˈɛlkɛ ˌalkɔxˈɔlu i zdˈar z ɲʲˈɛj tˈɔrbɛ, ktˌurɔ̃ ʒˈutɕiw na ʑˈɛmʲɛ. tʃɨmˈajɔndʑ butˈɛlkɛ za ʃˈɨjkɛ, vˈɨʃɛd zˈɛ sklˈɛpu.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_377.wav|tʃɨ mˈɔɡwabˌɨm tˈɛʃ uswˈɨʃɛtɕ tɛn ʒˈart?|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_189.wav|zdʑˈiviw ɕɛ sˈɛr xˈain.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_44.wav|ɲʲɛ vʲɛdʑˈawam, dˈɔkɔnt pɔjˈɛxatɕ. ɲʲɛ mʲˈawam pʲɛɲʲˈɛndʑɨ, prˈatsɨ, pʃɨjˈatɕuw. tsˈɔ ja sˈɔbjɛ mɨɕlˈawam?|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_254.wav|ˈɔfʃɛm, jˈɛstɛɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_15.wav|ˌɔɲi mˌajɔ̃ mˈawpɨ na plˈɛtsax, brˈatɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_230.wav|mˈɔʒɛ bˌɛɲdʑɛʃ mʲˈaw ɔkˈazjɛ ɡˈɔ zapˈɨtatɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_192.wav|vˈɨbatʃ, spˈikɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_41.wav|jˈɛɕli zɔstˈaɲʲɛʃ, tɔ dɔtˈɨtʃɨ tˈɛʃ tɕˈɛbjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_119.wav|patʃˈɨwɛm bɛzmˈɨɕlɲʲɛ na tˈɛ kanˈapkɛ, tsˈɔ jˈɔ̃ ɲʲˌɛpɔtʃˈɛbɲʲɛ pʃɨvlˈɔkwɛm s pɔvrˈɔtɛm dɔ sfˈɛɡɔ pɔkˈɔju.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_12.wav|dˌɔjɛxˈawam dɔ rˌɛzɨdˈɛntsji jɛdnˈɛɡɔ z najbˈardʑɛj fɔrɕˈastɨɣ dˈupkuf f tsˈawɨm mʲˈɛɕtɕɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_44.wav|mɛ̃ʃtʃˈɨzna zˈamknɔw jˈɛ pɔɕpʲˈɛʃnɨm rˈuxɛm i pˈɔswaw mi upʃˈɛjmɨ ˈuɕmʲɛx.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_358.wav|jˈɛɕli ɲʲɛ pʃɛʃkˈadʑa tɕi krakˈaɲʲɛ krˈukuf, bˌɛɲdʑɛʃ mʲˈaw wˈadnɨ vˈidɔk na mʲˌɔdɔvˈinɛ.|1
+Dataset/wavs/urwisko_ferenc/46_segment_2.wav|tɔ lˈɛɡnɛr? spˈɨtaw bɔrˈɛvitʃ, fskazˈujɔndʑ brˈɔdɔ̃ samˈɔxut, ˌalɛ lˈipski ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_12.wav|upˈartɕɛ tʃˈɨmaw ɕɛ sfˈɔix kwˈamstf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_80.wav|ɲʲˈɛmam kˈɔnta na ɡmaˈilu, a ɲˈilɛ, strˈakan ˌintɛrɛsˈujɛ mɲʲɛ vɨwˈɔntʃɲʲɛ w rˈɔli mɔjˈɛɡɔ ʃˈɛfa.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_217.wav|tʃɨ mˈɔʒɛʃ mi ɔbjˈɛtsatɕ, ʒˈɛ tɔ fʃˈɨstkɔ pˌɔzɔstˈaɲʲɛ mʲˌɛndʑɨ nˈami, nˈavɛt jɛʒˈɛli ɔdʒˈutɕiʃ mˈɔjɔ̃ prˌɔpɔzˈɨtsjɛ?|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_32.wav|sˈɛrad dˈamjɛ, zbˈadaj ˈɔbvut ɔbˈɔzu f pˌɔʃukivˈaɲʲu swˈabɨx pˈuŋktuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_105.wav|tʃˌɛmu pˈɨtaʃ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_130.wav|mˈɔʒɛ dlatˈɛɡɔ, ʒˈɛ zˈafʃɛ tɔ rɔbʲˈiwam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_228.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_520.wav|zˌatɕɛkavʲˈɔnɨ, skrɨvˈajɔnts nˈaɡɔɕtɕ, zɛrknˈɔwɛm w dˈuw i zˌɔbatʃˈɨwɛm stɔjˈɔntsɔ̃ pɔt mˈɔim balkˈɔnɛm lˌimuzˈɨnɛ tɔɲʲˈɛɡɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_57.wav|mˈuʃɛ ɡˈɔ jˈɛʃtʃɛ ˈɔtɔ zapˈɨtatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_203.wav|zˈaras pˈɔtɛm zˈatʃɔw ʒˈɛ̃zitɕ, jˈak ˈɛlis, pˈɔttʃas sfˈɔix atˈakuf paɲˈiki i nˈavɛt ɲʲɛ zdˈɔ̃ʒɨw zaɕpʲˈɛvatɕ pʲɛrʃˈɛɡɔ vˈɛrsu pikɲˈiku mˈiɕuf.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_62.wav|ɲˈiɡdɨ ftʃˈɛɕɲʲɛj ɲʲɛ znalˈazwa ɕɛ f tˈakim pˌɔwɔʒˈɛɲʲu i bˌɨwa na ɕˈɛbjɛ fɕtɕˈɛkwa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_164.wav|rˌɔspɔtʃɨnˈamɨ ˈawktsjɛ çˌistɔrˈɨtʃnɨx pamjˈɔntɛk nˌarɔdˈɔvɨx.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_176.wav|bʲˈillɨ tʃˈɛka ˈaʃ pɔjˈɛdʑɛ, pɔ tʃɨm vrˈatsa na ɛvˈɛrɡrin strˈit.|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_51.wav|ɲʲˈɛvʲɛm, ktˈɔ tɔ tˈaki.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_20.wav|ftɕˈɔ̃ʃ mɲʲɛ ɲʲɛ pˈuʃtʃa i ɡwˈadʑi pɔ vwˈɔsax.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_36.wav|vidʑˈawam, jˈak ɔstˈatɲi z ɲˈix ɔpˈuʃtʃa budˈɨnɛk i pˌɔzɔstˈawam tˈam sˈama, ɲʲɛ lˈitʃɔndʑ vɔʑnˈɛɡɔ barˈɛɡɔ, ktˌurɨ ɔdmˈuviw vˈɨjɕtɕa, dɔpˈuki ja jˌɛstɛm na mʲˈɛjstsu.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_251.wav|ɲˈikt ɲʲɛ vˈɛjdʑɛ dɔ krulˈɛfskʲɛj pʃɨstˈaɲi ˌaɲi jɛj ɲʲɛ ɔpˈuɕtɕi bˈɛs mɔjˈɛɡɔ pˌɔzvɔlˈɛɲʲa, dɔpˈuki sprˈava ɕɛ ɲʲɛ rɔsstʃˈɨɡɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_237.wav|vˈɛɕ tɔ, na fʃˈɛlki vɨpˈadɛk.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_292.wav|ja tɕˈɛ ɲʲˈɔswɛm tsˈawɨ tʃˈas.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_300.wav|pˈatʃɔnts nˈaɲʲɔ̃, vˈidʑaw prˈɔmjɛɲ zˌaxɔdʑɔntsˈɛɡɔ swˈɔɲtsa, ktˌurɨ uxfˈɨtɕiw ɕɛ mɛtˈalu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_153.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_226.wav|tsɨɡˈara sɔ̃ tˈutaj ɲʲˌɛlɛɡˈalnɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_194.wav|bʲˈillɨ xfˈilɛ tˌɛmu ɔpˈuɕtɕiw lˈufɛ ruɡˈɛra. tˈɛraz znˈuf mʲˈɛʒɨ jɛj mʲˌɛndʑɨ ˈɔtʃɨ. pˈɔvʲɛts mu tɔ, mˈɛrɡɛ. ɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_30.wav|ɲʲɛ, ɲʲˈɛmuɡw. dɔkˈumɛnt pɔvˈiɲʲɛn bˈɨw zˈɔstatɕ pʃˌɛɲʲɛɕˈɔnɨ ˌɛlɛktrɔɲˈitʃɲʲɛ zˈɛ fʃɨstkˈimi nˌumɛrˈami. tɛn nˈumɛr ˌusuɲʲˈɛntɔ tsɛlˈɔvɔ.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_102.wav|zabjˈɛʃtɕɛ jˈɛɲtsɔm brˈɔɲ i zbrˈɔjɛ, a pˈɔtɛm ɔpˈatʃtɕɛ im rˈanɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_58.wav|jˈɛɕli strˈaʒɲik tˈɛndɨ vrˈutɕi, zɔbˈatʃɨ mɲʲɛ bˈɛs najmɲʲˈɛjʃɨɣ vˌɔntplivˈɔɕtɕi.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_54.wav|zˌajmɔvˈawa sˈɔbɔ̃ tsˈawɛ vˈɛjɕtɕɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_28.wav|pʃˈɛs krˈutkɔ̃ xfˈilɛ vˌɨdavˈawɔ mi ɕɛ, ʒˈɛ zɲiʃtʃˈɨwa tɔː ubrˈaɲʲɛ, ʒˈɛbɨ mɲʲɛ ratˈɔvatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_55.wav|bˈɛtskɨ ɕtɕɔŋɡnˈɛwa brvˈi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_79.wav|fʃˈɛd dɔ barˈaku, zˌatʃasnˈɔ̃fʃɨ za sˈɔbɔ̃ dʒvˈi.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_16.wav|spɔjʒˈawam nˈaɲʲɔ̃ s pˌɔvɔntpʲɛvˈaɲʲɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_231.wav|ɕˈɛŋɡa dwˈɔɲʲɔ̃ na dnˈɔ kʲɛʃˈɛɲi i xfˈɨta ruɡˈɛra dˈɔna jɛnsˈɛna.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_50.wav|ɲˈiɡdɨ ɕɛ ix ɲʲɛ dˌɔtʃɛkˈawam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_60.wav|pˈɛntla vˈɔkuw mˈartɨ pˈɔrtɛr, ix pˌɔdɛjʒˈanɛj nˈumɛr jˈɛdɛn, pɔvˈɔli ɕɛ zˌatɕiskˈawa.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_433.wav|ɲʲɛ udˈawɔː im ɕɛ tˌɨlkɔ dʑˈɛŋki smɔtʃˈɛmu rˌɨtsɛʒˈɔvi.|1
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_20.wav|ˌalɛ ɲʲɛ jɛstˌɛɕmɨ dʑˌikusˈami.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_77.wav|tˈak naprˈavdɛ rˈɔbjɛ tɔ tˌɨlkɔ w ɲʲɛvʲˈɛlkim stˈɔpɲʲu. mˈɔjɛ sˈɛrtsɛ naprˈavdɛ zɔstˈawɔ zwamˈanɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_115.wav|pɔdˈajɛ jɛj kˈartɛ i mˈɔdlɛ ɕɛ, ʒˈɛbɨ ɲʲɛ bˌɨwɔ z ɲʲˈɔ̃ ʒˈadnɨx prɔblˈɛmuf.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_287.wav|vʲˈɛʒba zɛrknˈɛwa na ˈɔswa, na bɛtʃˈuwki i pˈatʃki, ktˌurɛ dʑvˈiɡaw.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_98.wav|na spɔtkˈaɲʲax rˈadɨ starˈɛmu durɲʲˈɔvi ɡˈɛmba ɕɛ ɲʲɛ zamˈɨka, ˈalɛ...|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_21.wav|lˈadɨ marɡˈarɨ jɛst kˌɔxajˈɔntsɔ̃, vʲˈɛrnɔ̃ ʒˈɔnɔ̃ mɔjˈɛɡɔ sˈɨna.|1
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_41.wav|ja ɲʲˈɛmam ɡdʑˈɛ mʲˈɛʃkatɕ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_275.wav|ɔt tfɔjˈɛɡɔː ˈɔjtsa jˈuʃ ɲˈits.|1
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_50.wav|ɲʲˈɛmam pɔjˈɛɲtɕa. prˈavʲɛ fʃˈɨstsɨ spavˈatʃɛ tˈutaj sɔ̃ sˌawdɨjtʃɨkˈami. tˈaɡ vˈɨʃwɔ, ʒˈɛ nˈaʃ nˈarut ˌɔpanˈɔvaw brˈanʒɛ spˌavalɲˈitʃɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_120.wav|tɔː ˌudɔvɔdɲʲˈɔnɨ fˈakt.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_102.wav|bˌɨwam idjˈɔtkɔ̃, sˈɔndʑɔnts, ʒˈɛ ɕɛ pˌɔmɨlˈiwam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_20.wav|pʃˌɨpɔmˈinam sˈɔbjɛ nˌastɔlˈɛtɲʲɛ tʃˈasɨ f sɨpʲˈalɲi tɕˈindɨ vˈilljams, kʲˈɛdɨ prˌubɔvawˈɨɕmɨ nˌaɕladˈɔvatɕ tanˈɛtʃnɛ rˈuxɨ jasˈɔna ˌɔraŋɡˈɛa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_518.wav|jˈatsɨɕ panˈɔvʲɛ dɨskrˈɛtɲʲɛ ˌɔpuʃtʃˈali pˈɔkuj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_60.wav|pˌamjɛntˈawam tʃˈasɨ, kʲˈɛdɨ tˈata tˈaɲtʃɨw z mˈamɔ̃ i prˌubɔvˈawam nˌaɕladˈɔvatɕ jˈɛɡɔ rˈuxɨ pʃɨ kˌɔwɨʃˈɔntsɛj ɕɛ ˌɔbɔk i vˌirujˈɔntsɛj ljˈi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_11.wav|ˌalɛ ɔdʑˈɨskam tɛ pʲɛɲʲˈɔndʑɛ, ˈanɔ, ˌɔbjɛtsˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_67.wav|ˈinɲi zrɨvˈali z ɲˈix ɔkwˈatki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_134.wav|i vʲˈɛm, dlatʃˈɛɡɔ kupˈiwɛɕ tˌɨlkɔ ʃˈɛɕtɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_287.wav|i stˈawɔ ɕɛ pʃɛdmʲˈɔtɛm bˈadaɲ pɔvˈaʒnɨx psˌɨhiˈatruf.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_240.wav|i s tˈɨm, ɔ ktˌurɨm muvˈiwɛm dʑˈiɕaj.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_146.wav|i ɔdbjˈɛʒɛ tɕi fʃˈɨstkɔ, tsˈɔ dla tɕˈɛbjɛ drˈɔɡʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_193.wav|i pʃˈɛs raptˈɔvnɔ̃ tʃˈɛrvʲɛɲ zˌɔbatʃˈɨwɛm nˈaɡɔɕtɕ jɛj rˈamjɔn, plˈɛtsuf, pʲˈɛrɕi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_40.wav|vʲˈɛʃ, ɡdʑˈɛ ˌɔna jˈɛst?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_66.wav|kˈim ˌɔna jɛst ˈaʃ? tɔ bˈɛz znatʃˈɛɲʲa, kˈim jˈɛst, ˌaɲi jˈak ɕɛ nazˈɨva. ɲʲˈɛznaʃ jɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_93.wav|fʃˈɨstkʲɛ mˈiɕɛ dʑˈiɕ mˌajɔ̃ tˈam pˈikɲik.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_152.wav|tˈɛras swˈɨʃɨ, ʒˈɛ mˈatka frˈaŋka, ktˌurɔ̃ w dˈuxu zˈatʃɔw nazˈɨvatɕ nˌaʒɛtʃˈɔnɔ̃ tˌɛrminatˈɔra, rɔzmˈavja pʃˈɛs tɛlˈɛfɔn.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_51.wav|bʲˈilljɛ znˈuf mˈɨɕli, ʒˈɛ zmˌarnɔvˈawabˌɨ ɕɛ na pɔdʒˈɛndnɨx stˈudjaɣ bʲˌiznɛsˈɔvɨx w rˈɛd blˈuff, ɲʲɛ mˈuvʲɔnts ɔ ʃkˈɔlɛ kˌɔsmɛtˈɨtʃnɛj.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_129.wav|vʲɛdʑˈawam, tsˈɔ mˈuʃɛ zrˈɔbʲitɕ, xˈɔtɕaʃ ˌapsɔlˈutɲʲɛ mi ɕɛ tɔ ɲʲɛ pˌɔdɔbˈawɔ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_159.wav|bˈɨw dˌɔɕfʲattʃˈɔnɨm w bʲˈitfaɣ z zabˈujtsɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_126.wav|xtsˈɛ pˈaɲi, ʒˈɛbɨ artˈɛmis stˈawa ɕɛ tˈakim mʲˈastɛm?|4
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_62.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/urwisko_ferenc/44_segment_43.wav|pʃɛtʃˈɨtaw tˈam kˈilka vˌɨɕfʲɛxtˈanɨx xˈasɛw ˌawtɔprˌɔmɔtsˈɨjnɨx, ˌalɛ f kˈɔɲtsu dˈɔtar dɔ tˈɛɡɔ, tʃˈɛɡɔ ʃˈukaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_83.wav|s pˈustɔ̃ rˈamkɔ̃ na fˌɔtɔɡrˈafjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_14.wav|kwˈutkɛ jˈalɛ i prˈɔstɔ̃ ʃˈarɔ̃ tʃˈapkɛ z dˈaʃkʲɛm, tˈɛ sˈamɔ̃, ktˌurɔ̃ vwˈɔʒɨw, kʲˈɛdɨ pɔjˈɛxaw na pˈɛarsɔn strˈit, zɔstˈavidʑ ʒˈɛtʃɨ daltˈɔna i pˈɔdlatɕ rɔɕlˈinɨ bɛvˈɛrlɨ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_114.wav|pˈɔtɛm tɕˈɔz bˌuzdɨɡˈana zwˈamaw mu kˈilka ʒˈɛbɛr. jˈɛʃtʃɛ pˈuʑɲʲɛj...|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_104.wav|xˈɨba jˈuʃ pujdʑˈɛmɨ, prˈavda?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_44.wav|dʒvˈi dɔ kˈuxɲi bˌɨwɨ ɔtfˈartɛ, kɔrˈɨtaʒ za ɲˈimi pˌɔɡrɔ̃ʒˈɔnɨ w mrˈɔku i ktˈɔɕ tˈam stˈaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_145.wav|kavˈawɛk pɔ kavˈawku nˌakwadˈawam spˈav vzdwˈuʃ ɔbvˈɔduf artˈuxa.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_501.wav|vˈɨbatʃ mi, sˈɛr. mˈuʃɛ dɔkˈɔɲtʃɨtɕ pˌakɔvˈaɲʲa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_23.wav|ɛnˈɛrɡja ɔpˈuʃtʃa mɲʲɛ jˈak pɔvʲˈɛtʃɛ pʃɛkwˈutɨ bˈalɔn.|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_57.wav|znˈajdɛ sˈɔbjɛ prˈatsɛ i bˌɛndɛ ˌɔʃtʃɛndʑˈawa, ʒˈɛbɨ vɨnˈajɔɲdʑ vwˈasnɨ kˈɔnt.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_4.wav|ɲʲɛktˌuʒɨ prˌatsɔvɲˈitsɨ ʃkˈɔwɨ jˈuʒ zdɔ̃ʒˈɨli tsˈɔɕ fpwˈatɕitɕ, a ja vʲˈɛm, ʒˈɛ bˌɛndɛ muɕˈawa na kˈɔɲʲɛdʑ dɲʲˈa zvˈɔwadʑ zɛbrˈaɲʲɛ pˌɛrsɔnˈɛlu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_8.wav|tɔ ɲʲɛ jˈɛɡɔ dˈɔm, ɲʲɛ jˈɛɡɔ mʲˈastɔː ˌaɲi stˈan. vɨjˈɛdʑɛ stˈɔnd bˈɛz vaxˈaɲʲa i ʒˈalu, ˌalɛ mˈimɔ fʃˈɨstkɔ tʃˈujɛ dˈumɛ z ɛfˈɛktu sfˈɔiɣ zabjˈɛɡuf.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_107.wav|ktˌura sfˈɔjɔ̃ drˈɔɡɔ̃ ɲʲɛ jɛzd zˌaxfɨtsˈɔna tfˈɔim vɨtʃˈɨnɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_23.wav|a ja ˈaʒ zadrʒˈawam, ɲʲɛ vʲˈɛdʑɔnts, tʃɨ pɔvˈinnam ɔttʃˈuvatɕ ˌɛkstsɨtˈatsjɛ, tʃɨ strˈax, ʒˈɛ znˈuv zrɔbʲˈiwam tsˈɔɕ, tsˈɔ ɡˈɔ zdˌɛnɛrvɔvˈawɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_5.wav|mˈɔʒɛ xtɕˈaw ɕɛ dɔvʲˈɛdʑɛtɕ, jˈaɡ vɨɡlˈɔnda jˈɛɡɔ dʑˈɛtskɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_4.wav|ɡapˈiwam ɕɛ na dalˈɛa, jˈaɡbɨ na tʃˈɔlɛ vˈɨrus mu pˈɛɲis.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_77.wav|w ɡˈurnɛj tʃˈɛɲɕtɕi pwˈɨtɨ, kˈilka tsˌɛntɨmˈɛtruf ɔt sufˈitu, tkfˈiwɨ dvˈa xatʃˈɨki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_50.wav|jɛdˈɨnɔ̃ ɔsˈɔbɔ̃, ktˌurɔ̃ vˈidʑi, jɛst rˌɔzɛspˈana kɔbjˈɛta, vˌɨstavʲajˈɔntsa pʃɛt sˈanspˈɔtkafˈɛ tablˈitsɛ z vˌɨpisanˈɨmi daɲʲˈami z ɔfˈɛrtɨ ɕɲʲˌadaɲʲˈɔvɛj.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_120.wav|tɔ pˈɛvɲʲɛ tˈɛʃ jˈɛdna s tɨx sprˈaf, kturˈɨmi zajmˈujɛ ɕɛ bˈuk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_74.wav|bʲˈillɨ pɔdˈajɛ mu rˈɛŋkɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_29.wav|pˈana tɛlˈɛfɔn ɲʲɛ ˌɔtpɔvʲˈada, vʲˈɛnts mɲʲɛ pʃˈɨswaw. nˈɔ dˈɔbʒɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_47.wav|vˈɔntpjɛ. ɲitʃˈɛɡɔ spɛtsjˈalɲʲɛ ɲʲɛ ukrˈɨva.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_237.wav|dlatʃˈɛɡɔ tɕˈɛ ˌɔdvalˈili?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_44.wav|ˌɔna pˌɔvʲɛdʑˈawa kˈirstɛn, ʒˈɛ planˈujɛ zɔstˈavitɕ naˈila, a kˈirstɛn xtsˈɛ zrˌɛlatsjɔnˈɔvatɕ mi dɔkwˈadɲʲɛ tɔ, tsˈɔː ˌuswɨʃˈawa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_8.wav|bˈɔ jˈɛɕli xtsˈɛ pˈan, ˈabɨɕmˌɨ zwapˈali mɔrdˈɛrtsɛ rɔdʒˈɛra jaɡˈɛra, zˌaɔʃtʃˈɛɲdʑi nˈam pˈan vɨɕˈiwku i pɔ prˈɔstu tɔ zrˈɔbʲi.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_178.wav|mˈɔʒɛ jˈutrɔ zjˈadɛ na dˈuw, jˈɛɕli pɔtʃˈujɛ ɕɛ lˈɛpʲɛj.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_48.wav|klˌɛpsɨdrˈɔva rˌɛŋkavˈitsa zɡʒɨtnˈɛwa ɡwˈɔɕnɔ. viktˈarjɔn stˈɛŋknɔw, tʃˈujɔnts nˈaɡwɛ ukwˈutɕɛ bˈulu, ˌalɛ ɲʲɛ zvˈɔlɲiw uɕtɕˈisku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_105.wav|pʃɛzˈɛmɲʲɛ, dˌɔpɔvʲˈada bʲˈili w dˈuxu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_11.wav|stˈɛvɛ tɔ vˈaʒnɛ.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_224.wav|pˌɔzvɔlˈiwabˌɨ tɛ swˈɔva zavˈiswɨ f pɔvʲˈɛtʃu, tʃɛkˈajɔnts, ˈaʒ vʲˈɛlki vrˈubɛl xfˈɨtɕi pʃɨnˈɛntɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_151.wav|musˈimɨ tˌɨlkɔ namˈuvitɕ lˈudʑi na tˈakʲɛ fpwˈatɨ, na jˈakʲɛ tˌɨlkɔː ix stˈatɕ, a pˈɔtɛm zˈɛbratɕ pʲɛɲʲˈɔndʑɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_296.wav|ˌalɛ ɲʲɛ najɡˈɔrʃɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_21.wav|jˈɛzu, vʲˈɛʒ dˈɔbʒɛ, ʒˈɛ jˌɛstɛm w dˈɔmu z rɔdʑˈinɔ̃. uswˈɨʃaw tɕˈixɨ ɕmʲˈɛx.|4
+Dataset/wavs/urwisko_ferenc/64_segment_17.wav|zˌakɔɲtʃˈɨwa xˈɛrman.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_237.wav|jɛʒˈɛli tɛn vˌɨnalˈazɛk istɲʲˈɛjɛ naprˈavdɛ, s tsˈawɔ̃ pɛvnˈɔɕtɕɔ̃ vˈartɔ vwˈɔʒɨtɕ w ɲʲˈɛɡɔ pʲɛɲʲˈɔndʑɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_154.wav|ɡdˈɨbɨ mʲˈaw zˌarɛaɡˈɔvatɕ, zrˈɔbʲiwbˌɨ tɔ znˈatʃɲʲɛ ftʃˈɛɕɲʲɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_5.wav|jɛj zdjˈɛɲtɕɛ jˈuʃ tˈam viɕˈawɔ, tˈuʃ ˌɔbɔk ɛdjˈɛɡɔ tsarlsˈɔna i ˌɔtʃɨvˈiɕtɕɛ naˈila stratsˈana.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_17.wav|ɡwˈupja i ɲʲˌɛpɔkɔjˈɔntsa ʒˈɛtʃ pɔtkɲʲˈɛɲtɕɛ pʃɨdˈaʒa mu ɕɛ w ɲʲɛdʑˈɛlɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_81.wav|pˌɔkrɛɲtɕˈiwam ɡwˈɔvɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_62.wav|pˌɔvʲɛdʑˈawa, ʒˈɛ pˌɔjɛxˈawa dɔ ɲʲˈɛɡɔ dɔ dˈɔmu z jakˈimiʑ dˌɔkumɛntˈami, a jˈɛdna z dʑˈɛftʃɨn pʃɨznˈawa, ʒˈɛ ɲˈilɛ zaprˈɔɕiw jˈɔ̃ na drˈiŋka pˈuʑnɨm pˌɔpɔwˈudɲʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_350.wav|bˌɨwam ˌukɔxˈanɔ̃ kɕɛ̃ʒɲˈitʃkɔ̃ naʃˈɛɡɔː ˈɔjtsa i tajmˈina rˈuvɲʲɛʃ, ˈaʒ dɔ xfˈili, ɡdˈɨ ɡˈɔ rˌɔstʃarɔvˈawam.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_103.wav|tʃɨ zˌapɔmɲʲˈawaɕ ˈɔtɨm, mˈuvʲɔnts ˈɔtɨm ˈinnɨm ʒˈɨtɕu, ktˌurɛ rˌɔspɔtʃˈɨnaʃ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_27.wav|ɲʲˈɛx pˈan tʃˈɛka.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_100.wav|tˈɔm i jˈumbɔː ˌɔddalˈili ɕɛ ɔt sˌamɔxˈɔdu, ʒˈɛbɨ zrˈɔbʲidʑ bˈɛtskɨ mʲˈɛjstsɛ. ˌɔpsɛrvɔvˈali jˈɔ̃ uvˈaʒɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_99.wav|zdˈajɛ sˈɔbjɛ sprˈavɛ, ʒˈɛ jˌɛstɛm mˈɔʒɛ nadmʲˈɛrɲʲɛ ɔstrˈɔʒna, ˌalɛ ɲʲˈɛmam pɔjˈɛɲtɕa, ɡdʑˈɛ w mʲˈɛɕtɕɛ rˌɔzlɔkɔvˈanɛ sɔ̃ kamˈɛrɨ mˌɔɲitɔrˈiŋɡu, a ɲʲɛ zamjˈɛʒam rˌɨzɨkˈɔvatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_160.wav|ˌalɛ mˈɔʒɛ jˈɛdnak?|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_70.wav|ftsˈalɛ mi ɕɛ tɔ ɲʲɛ ˌuɕmʲɛxˈawɔ, ˌalɛ muɕˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_97.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_46.wav|mˈuvi nˌadʲinspˈɛktɔr, vˌɨrɨvajˈɔntsɨ mɲʲɛ z zˌamɨɕlˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_432.wav|jˈɛɕli tʃˈɛba zˈabʲitɕ sˈɛr bɔrˈɔsa...|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_37.wav|jˈak jˈuʒ vjɛʒdʒˈaliɕmˌɨ dɔ falˈudʒɨ, tɔ tˌɨlkɔ pˈɔtɔ, ʒˈɛbɨ zdɔbˈɨvatɕ sˈɛrtsa i umˈɨswɨ.|2
+Dataset/wavs/urwisko_ferenc/15_segment_55.wav|vʲˈɛnts pɔ xɔlˈɛrɛ mi tɔ mˈuviʃ. ʒˈɛbɨʑ bˌɨwa ɡɔtˈɔva na ɲʲˈɛxɛɲtɕ i brˈak fspuwprˈatsɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_137.wav|tɛn vˌɨnajˈɛntɨ mˈɔʒɛ tˈu zˈɔstatɕ i tˈak jɛzd bʒˈɨtki jˈak nˈɔts.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_445.wav|mˈɔʒɛ ʒˈɨtɕɛ mˈɔjɛ pʃˌɛdwuʒˈɨwɔ ɕɛ ˌawtɔmatˈɨtʃɲʲɛ s pɔvˈɔdu jakʲˈɛɡɔʑ bwˈɛndu f prˌɔɡramɔvˈaɲʲu lˈɔsuf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_200.wav|ˌalɛ tˈak tˌɛɡɔ ɲʲɛ ɔdbjˈɛram.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_53.wav|pravɲˈitʃka ɲʲɛ vʲɛdʑˈawa, jˈaɡ dwˈuɡɔ ɲʲɛ bˌɨwɔ ɡˈɔ w bjˈuʒɛ. zajˈɛnta bˌɨwa tʃɨtˈaɲʲɛm dˌɔkumˈɛntuf.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_447.wav|lˈɔrt rˈɔbɛrt ɲʲɛ ˌɔtpɔvʲˈɛdʑaw. ɡˈapiw ɕɛ na vˈɔ̃skʲɛ ɕˈɔdwɔ zˌatʃɛrvʲˌɛɲʲɔnˈɨmi ɔtʃˈɨma.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_128.wav|vɨsˈɔɡrut mˈa rˈuvɲʲɛʒ zwˈɔtɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_2.wav|rˈɔzdʑaw tʃˈɛtɕi|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_80.wav|kˈɛmpka zvˌixrɔvˈanɨx tɕˈɛmnɨɣ vwˈɔsuf f spɔjˈɛɲʲu nˈuk.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_12.wav|ɲˈits takʲˈɛɡɔ ɲʲɛ kɔjˈaʒɛ. ɔt pɔtʃˈɔntku pˌɔstanɔvˈiliɕmˌɨ, ʒˈɛ bɛɲdʑˌɛmɨ uʒˈɨvatɕ tˌɛɡɔ samˈɛɡɔ kˈɔdu. ʒˈadnɨx tajˈɛmɲits.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_375.wav|tsɛrsˈɛi ˈɔmal ɕɛ ɲʲɛ rˌɔzɛɕmʲˈawa. mˈuj pˈan ˈɔjtɕɛts mˈavʲaw, ʒˈɛ bɛŋkˈartɨ sɔ̃ zdradlˈivɛ z natˈurɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_59.wav|ɲʲɛ bˌɛɲdʑɛ xˈɨba sˈama.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_53.wav|fɕrˈud ɡˈɔɕtɕi pˌɔjavˈili ɕɛ kɛlnˈɛʒɨ.|0
+Dataset/wavs/urwisko_ferenc/33_segment_24.wav|dʒvˈi skʃˈɨtskix ɕɛ ˌuxɨlˈiwɨ i zɲʲˌɛruxɔmjˈawɨ, vʲˈɛnts jˈɛ pˈɔpxnɔw i zɔbˈatʃɨw kɔbjˈɛtɛ w lˈuʑnɛj kɔʃˈultsɛ i mˈajtkax.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_147.wav|swˈɔtka tsˈurkɔ.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_54.wav|ta drˈɔɡa zajmˈujɛ mi pˈuw rˈɔku, tʃasˈami vʲˈɛntsɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_154.wav|pɔ prˈɔstu pʃˌɨpɔmɲʲˈawɔ mi ɕɛ tsˈɔɕ s tʃˈasuf swˈuʒbɨ vɔjskˈɔvɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_78.wav|f kˈɔɲtsu ɕɛ vˌɨprɔstɔvˈawa i pʃˈɛs mˈɔmɛnt spravʲˈawa vraʒˈɛɲʲɛ, jˈaɡbɨ ˌɔpuɕtɕˈiwa jˈɔ̃ tsˈawa vˈɔla vˈalki.|3
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_25.wav|ɔdlˈɛtɕaw kˈilka dɲˈi tˈɛmu, vʲˈɛnts pˌɔdruʒˈujɛ ɡɔrdˈɔnɛm, a tɔː ɔznˈatʃa, ʒˈɛ za tʃtˈɛrɨ dɲˈi bˌɛɲdʑɛ f kˌakˌazˈɛt.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_55.wav|ˌalɛ ɲʲɛ suɡˈɛruj prˈɔʃɛ, ʒˈɛ ˈindja mˈa s tɨm tsɔkˈɔlvʲɛk fspulnˈɛɡɔ. tɔ dˈɔbrɛ dʑˈɛtskɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_29.wav|prˌɔɡnɔzˈami pʃɛpwˈɨvu ɡɔtˈufki.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_66.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_394.wav|fʃˈɨstkʲɛ tʃˈɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_174.wav|a zˈatɛm kˈɔɲʲɛdʑ dɨskˈusji.|2
+Dataset/wavs/urwisko_ferenc/46_segment_38.wav|ktˌurɨx sˈam zrˈɛʃtɔ̃ vˈɛzvaw, ɲʲˈɛmuɡw mʲˈɛdʑ ʒˈadnɛj pˌɔlitsˈɨjnɛj asˈɨstɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_54.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ pˌɔtraktɔvˈawa strakˈanɛk. spˌɔntaɲˈitʃnɔ̃, ˌɔkazjɔnˈalnɔ̃ pʃɨɡˈɔdɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_119.wav|rˈɛɡʲi i kɕɛŋɡˈɔvɨ sɔ̃ zˌaswɔɲʲˈɛɲtɕi kanˈapɔ̃, ˌalɛ rˈɛɡʲi mˈa stʃaskˈanɔ̃ kˈɔstkɛ, a ˌabramˈɔvits, pʃɨkwˈadnɨ mˈɔ̃ʃ i ˈɔjtɕɛts, rˈatʃɛj ɲʲɛ bˌɛɲdʑɛ fˈikaw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_78.wav|bˈɛtskɨ ɲʲɛ mʲˈawa pɛvnˈɔɕtɕi, tʃɨ tˈak jɛst w istˈɔtɕɛ, ˌalɛ ɲʲɛ zˌamjɛʒˈawa ɕɛ ɔdʑˈɨvatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_522.wav|lɛʒˈawa drˈɛntfa w mˈɔix ramjˈɔnax. vʲɛdʑˈawɛm, pʃˌɛtʃuvˈawɛm ɔt pɔtʃˈɔntku, ʒˈɛ xtsˈɛ mi tsˈɔɕ pɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_17.wav|i lˈɛdvʲɛ pˌɔfstʃɨmˈujɛ jˈɛŋk, ɡdˈɨ rˌɔspɔznˈajɛ w ɲʲˈɛj dɛtˈɛktɨv z ˌapartˌamɛntˈɔftsa.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_54.wav|brjˈɛnnɛ zˌakfilˈiwa s pʃˌɛraʒˈɛɲʲa na iɣ vˈidɔk.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_169.wav|i nˈaʃɨm ˈɔtʃɔm ukˈazaw ɕɛ ʃˈarɨ i mˈartfɨ krajˈɔbras.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_15.wav|i zajˈɛwɔ ɕɛ ɲˈimi?|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_112.wav|tʃˌarɔdʑˈɛjka s kɕɛ̃ʒˈɨtsa. dʑɛftʃˈɨŋka, ktˌura tɔ dɔstˈaɲʲɛ, bˈardʑɔ ɕɛ utɕˈɛʃɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_154.wav|tsˈɔ mˈa pˈaɲi na mˈɨɕli?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_129.wav|zɔstˈawam na mʲˈɛjstsu i ɲʲɛ mˈɔɡwam ɕɛ dɔtʃˈɛkatɕ, kʲˈɛdɨ ɔpˈɔvʲɛm mu ɔ sfˈɔim plˈaɲʲɛ, ɔ pɔmˈɨɕlɛ na vˌɨtɕɔŋɡɲʲˈɛɲtɕɛ ɡˈɔ z ɔprˈɛsji.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_34.wav|musˈimɨ zrɔzˈumjɛtɕ, dlatʃˈɛɡɔ tfˈɔja ʒˈɔna vˈɨʃwa z dˈɔmu w ɕrˈɔtku nˈɔtsɨ i pˈɔʃwa dɔ zupˈɛwɲʲɛ tɕˈɛmnɛj alˈɛjki.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_69.wav|jˌɛstɛm tɕi vdʑˈɛntʃna zˈatɔ, tsˈɔ zrɔbʲˈiwaɕ, ˌalɛ mˈuʃɛ tɕˈɛ pɔɕfʲˈɛɲtɕitɕ w ˈimjɛ fspulnˈɛɡɔ dˈɔbra.|4
+Dataset/wavs/urwisko_ferenc/05_segment_31.wav|dɔ tʃˈɛɡɔ xˈɛrman ɕɛ pʃˌɨtʃɨɲˈiwa sfˈɔim ˌuzalɛʒɲʲˈɛɲʲɛm ɔt xazˈardu. ftˈɛdɨ mˈatka vˌɨʒutɕˈiwa jˈɔ̃ z dˈɔmu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_229.wav|tɔː i ja pˈana pʃɛprˈaʃam.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_8.wav|jɛʒˈɛli sɔɲdʑˈitɕɛ, ʒˈɛ vakˈatsjɛ na kɕɛ̃ʒˈɨtsu sɔ̃ spˈɔrɨm vɨdˈatkʲɛm...|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_48.wav|ɲʲɛ mʲˌawɨ ɔpˈɔruf pʃɛt muvʲˈɛɲʲɛm, ˌalɛ jˈakɔ ɡrˈupa ɲʲɛ mʲˌawɨ ɲˈits tɕˌɛkavˈɛɡɔ dɔ pˌɔvʲɛdʑˈɛɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_37.wav|tfʲˈɛrdʑi, ʒˈɛ mˈa tɔ tsˈɔɕ fspulnˈɛɡɔ z arˈamɛm fˌɔrakˈisɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_77.wav|ɔkˈɔwɔ, mˈam vam jˈɛʃtʃɛ dɔ pˌɔkazˈaɲʲa zdjˈɛɲtɕɛ. tʃɨ ktˈurɨʑ z vˈas kɔjˈaʒɨ tˌɛɡɔ mɛ̃ʃtʃˈɨznɛ?|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_312.wav|mˈarɨ mˈuvi, ʒˈɛ xwɔpˈaki rˌɔzwadɔvˈujɔ̃ stˈatki, a jɛj dʑɛftʃˈɨnɨ rˌɔzwadɔvˈujɔ̃ mˈɛ̃ʃtʃɨzn, ktˌuʒɨ nˈaɲih ʒɛɡlˈujɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_44.wav|tɔ ɲʲɛ pʃˈɛjdʑɛ, ɲˈitsk.|2
+Dataset/wavs/urwisko_ferenc/05_segment_16.wav|w rubrˈɨtsɛ tɕˌɛkavˈɔstki pɔdˈanɔ, ʒˈɛ ˌinspirˈatsjɔ̃ dɔ nˌapisˈaɲʲa tˈɛkstu bˌɨwɨ fatˈalnɛ rɛlˈatsjɛ dvˈux muzˈɨkuv zɛspˈɔwu rˈammʃtajn z ix matkˈami.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_30.wav|zapˈɛvɲʲam tɕˈɛ, ʒˈɛ jɛzd zupˈɛwɲʲɛ na ˈɔdvrut.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_81.wav|ta tʃˈɛɲɕtɕ mɲʲɛ, ktˌura bˌulɡɔtˈawa zˈɛ ʃtʃˈɛɲɕtɕa w jˈɛɡɔ tˌɔvaʒˈɨstfʲɛ, nˈaɡlɛ zmʲɛɲˈiwa ɕɛ f pˈustɨ bˈɛmbɛn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_13.wav|ˈɛlis pɔmˈɔɡwa mi ɕtɕˈɔŋɡnɔɲtɕ kɔʃˈulɛ i znˈuv vɛzvˈawa imjˈɛɲʲa bˈɔɡa. tɨm rˈazɛm jˈɛdnak jɛj ɡwˈɔz bˈɨw stwumjˈɔnɨ, bˈɔ zˌaswɔɲˈiwa ˈusta dwˈɔɲʲɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_242.wav|pʃɨɡɲʲˈɔtwɔː iɣ bʒˈɛmjɛ uʒˈɛndu i ˈɔbaj umˈarli pʃɛt upwˈɨvɛm rˈɔku.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_95.wav|pˈan nɔlˈandvik ɲʲɛzmʲˈɛrɲʲɛ mi pʃˈɨkrɔ s pɔvˈɔdu tfɔjˈɛɡɔː ˈɔjtsa. zˌasmutɕˈiwɔ mɲʲɛ tɔ dɔ wˈɛs.|4
+Dataset/wavs/urwisko_ferenc/28_segment_45.wav|tˈak, ˌalɛ tɔ bˌɨwɔ pˈuʑɲʲɛj. nˈajpʲɛrf sˈama pʃɨjʒˈawam ɕɛ sɔlskʲˈɛmu.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_473.wav|brɔ̃zˈɔvɛ vwˈɔsɨ, xˈuda.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_12.wav|ɲʲɛ mˈɔʒna tˈutaj pʃɛbˈɨvatɕ f tˈakim stˈaɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/37_segment_14.wav|— xˈɨba ɲʲɛ. tsˈawɨ tʃˈas lˈɛʒɨ f kˈɔjtsu i dˈɨʃɨ — dɔdˈawa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_290.wav|pˈaɲska dwˈɔɲ znˈuf krfˈavi.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_92.wav|vʲˈɛʃ, dɔ kˈɔɡɔ nalˈɛʒɨ ta xˈuta ˌalumˈiɲʲum?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_57.wav|kˈim bˌɨwa ta kɔbjˈɛta?|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_122.wav|a jˈɛɡɔ lɔrdˈɔfska mˈɔʑdʑ bˈɨw zˌaɡɔʒˈawɨm strɔnɲˈikʲɛm krˈula.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_90.wav|vˌɨdavˈawɔ mi ɕɛ, ʒˈɛ pɔlˈanɨ pˈawats, pʃˌɛbudˌɔvɨvˈanɨ pɔ kˈaʒdɛj vˈɔjɲʲɛ,|0
+Dataset/wavs/urwisko_ferenc/59_segment_15.wav|xˈɛrman vɨɕˈadwa z rˌadjɔvˈɔzu i pʃˈɛʃwa ʃˈɨpkim krˈɔkʲɛm dɔ taksˈufki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_5.wav|nˈaɡlɛ ɕɛ zˌɔrjɛntɔvˈawam, ʒˈɛ nˈamɲʲɛ pˈatʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_246.wav|i lˈubjɛ tɛn nˈapuj.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_285.wav|ʒˈɛ fʃˈɨstkɔ, tsˈɔ pˈan pˈɔvʲɛ ɔt tɛj xfˈili, mˈɔʒɛ bˈɨtɕ uʒˈɨtɛ pʃˈɛtɕif pˈanu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_122.wav|pˈɔtʃɔw znˈɔɕitɕ pˈatʃki ˌɔbvʲɔ̃zˈanɛ ʃnˈurkʲɛm i ukwˈadatɕ jˈɛ na drɛvɲʲˈanɛj pɔtstˈaftsɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_44.wav|jˈɛɡɔː ɔstˈatɲi vˈɨjazd dɔ lˌivɛrpɔˈɔlu zakˈɔɲtʃɨw ɕɛ vɨbrˈaɲʲɛm jˈɛdnɛj nˈɔvɛj ɔsˈɔbɨ.|3
+Dataset/wavs/urwisko_ferenc/65_segment_28.wav|ˈuɕmʲɛɣ zɲˈiknɔw z jɛj tfˈaʒɨ. bɔrˈɨbʲitʃ rɔzwˈɔʒɨw rˈɛntsɛ. naprˈavdɛ ɲʲˈɛvʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_468.wav|pˌɔmɨɕlˈawa, ʒˈɛ jɛst sˈama.|1
+Dataset/wavs/urwisko_ferenc/36_segment_147.wav|tʃɨ mˈɔja mˈatka muvˈiwa ftˈɛdɨ tsˈɔɕ jˈɛʃtʃɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_129.wav|ɔdvrˈatsa ɕɛ dɔ bʲillʲˈɛɡɔː i z uɕmʲˈɛxɛm pɔdˈajɛ mu rˈɛŋkɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_37.wav|ɲʲɛ nˈɔ, bˈɛs pʃɛsˈadɨ. zˌamjɛʒˈawam kʲˈɛdɨɕ pɔrˈuʃɨtɕ tˈɛ kfˈɛstjɛ, ˌalɛ ɲʲɛ tˈɛras, kʲˈɛdɨ bˌɨwa pˌɔɡrɔ̃ʒˈɔna w ʒawˈɔbjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_30.wav|tɔ ɲʲɛ mʲˈawɔ tˈak ɕɛ pɔtˈɔtʃɨtɕ. pˌɔmɨ��lˈawɛm tˈɨlkɔ, ʒˈɛ mˈuɡwbɨm trˈɔxɛ zarˈɔbʲitɕ, rɔzˈumjɛʃ? tsˈɔɕ w rɔdʑˈaju prɔvˈizji.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_22.wav|prˈɔʃɛ pˈaɲi ɔdˈɛzvaw ɕɛ spʃɛdˈaftsa. vˌɨtɕɔŋɡnˈɛwam s xwɔdʑˈarki butˈɛlkɛ vˈɔdɨ, ktˌurɔ̃ s xˈukʲɛm pˌɔstavˈiwam na lˈadʑɛ, a pˈɔtɛm vˌɨsɨpˈawam ˌɔbɔɡ zavˈartɔɕtɕ tˈɔrbɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_156.wav|tɔ zvˈɨkwa spɛlˈuna.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_372.wav|vˈɔlawbˌɨm vˈɨpitɕ pˈintɛ s tʃˈɨn, ɲˈiʃ uvʲˈɛʒɨtɕ f swˈɔvɔ ktˌurɛɡɔkˈɔlvʲɛk s frˈɛjuf.|1
+Dataset/wavs/urwisko_ferenc/27_segment_127.wav|vʲˈɛnts pˌɔvinɲˈiɕmɨ vrˈutɕidʑ dɔ ɕmʲˈɛrtɕi dʑˈɛtska, stfʲɛrdʑˈiwa tfˈardɔ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_10.wav|brjˈɛnnɛ muɕˈawa vʑˈɔɲtɕ ɕɛ mˈɔtsnɔ w ɡˈarɕtɕ, ʒˈɛbɨ ɕɛ tˌɛmu pʃˈɨjʒɛtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_89.wav|tˈɔm pɔpˈatʃɨw na bˈɛtskɨ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_126.wav|sˈɛtki mˈɔix.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_102.wav|pʃˌɛtɕɛʃ tɔ zˈɛmnɔ̃ pʃɨʃˈɛdwɛɕ ɕɛ pɔʒˈɛɡnatɕ.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_88.wav|jɛj sˈukɲʲa mʲˈawa s pʃˈɔdu ʃnurˈufki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_155.wav|nˈɔ dˈɔbra, pˈujdɛ pɔ zakˈupɨ. zɔstˈaɲʲɛʃ tˈu, prˈavda?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_85.wav|uznˈaliɕmˌɨ, ʒˈɛ bˈardʑɔ bˈɨ nˈam pɔmˈɔɡwɔ, ɡdɨbˈɨɕmɨ...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_71.wav|tʃˈujɛ nˌarastajˈɔntsɨ ɡɲʲˈɛf. ɲʲɛ pɔzvˈɔlɛ mu vˈɨɡratɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_29.wav|mʲˈɛʃkam z mˈamɔ̃ i tˈatɔ̃ i tʃˈɛma ɕɔstrˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_77.wav|mˈuɡwbɨ ɡˌɔɔɡlˈɔvatɕ pʃˈɛs tsˈawɛ pˌɔpɔwˈudɲʲa i tˈaɡ bˈɨ ɡˈɔ ɲʲɛ znˈalaz.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_51.wav|zabrˈawam tɔrˈɛpkɛ i ˌɔtfɔʒˈɨwam dʒvˈi prˌɔvadʑˈɔntsɛ dɔ ɡˌabʲinˈɛtu naˈila, ktˌurɨ bˈɨw ˌɔtʃɨvˈiɕtɕɛ pˈustɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_39.wav|ˌɔttʃuvˈajɔnts ˈulɡɛ, ʒˈɛ ɲʲɛ nˈalaw sˈɔbjɛ jˈɛʃtʃɛ tɛj fçˈiskɨ, rˈuʃɨw f strˈɔnɛ dʒvˈi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_36.wav|na ʃˈɛɕtɕ tɨɡˈɔdɲi tʃˈɛrftsa i lˈiptsa pʃɛɲʲˈɛɕli nˈas nˈavɛd dɔ ramˈadʲi, ɡdʑˈɛ bˌɨwɔ vzɡlˈɛndɲʲɛ spɔkˈɔjɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_385.wav|lˈɛpʲɛj tʃˈɨmaj sfˈuj zdradʑˈɛtski jˈɛ̃zɨɡ za zɛmbˈami, pˈipɛr, bˈɔː inˈatʃɛj tfˈuj dʑˈɛdʑidʑ vrˈutɕi dɔ tɕˈɛbjɛ f kavˈawkax.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_130.wav|zrɔbʲˈiwam krˈɔk, pʃˌɛstɛmpˈujɔnts nat rˌɔzwɔʒɔnˈɨmi kfʲatˈami i vˈɛʃwam dɔ ɕrˈɔtka.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_263.wav|jɛzd zdˈaɲʲa, ʒˈɛ pɔʒˈɔndnɨ ɡvˈawd dˈɔbʒɛ bˈɨ tɕi zrˈɔbʲiw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_126.wav|tɨm rˈazɛm bʲˈillɨ vˌɨtʃɨtˈujɛ w miltʃˈɛɲʲu butskʲˈɛɡɔ zˌaskɔtʃˈɛɲʲɛ. sˈɛrjɔ, jˌɛstɛɕ pˈɛvʲɛn? swˈɨʃɛ pɔ xfˈili.|2
+Dataset/wavs/urwisko_ferenc/04_segment_32.wav|ɔ ktˌurɛj vɨjˈɛxaw pˈan z dˈɔmu? spˈɨtaw ˈɔlɡʲɛrt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_125.wav|jˈɛɕli nˈavɛt, tsˈɔ s tˈɛɡɔ, mˈɔʒɛ pˈisatɕ, tsˈɔ mu ɕɛ ʒˈɨvɲʲɛ pɔdˈɔba i tˈaɡ zrˈɔbʲi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_124.wav|ɲʲɛ mˌamɨ ʃˈansɨ na ɲˈits. jˌɛstɛm zalˈɛʒnɨ ɔt kˈɔɡɔɕ, jˈudɨ. zapˈɔmɲij ˈɔtɨm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_7.wav|dlatʃˈɛɡɔ vɨbrˈali sˈɔbjɛ pˈawats?|0
+Dataset/wavs/urwisko_ferenc/53_segment_23.wav|tˈak ɕɛ skwˈada, ʒˈɛ pɔ drˈɔdʑɛ mˈam kˌaˌɛftsˈɛ ˈɔtpar pɔ xfˈili. ˈaxa, jˈasnɛ.|0
+Dataset/wavs/urwisko_ferenc/22_segment_49.wav|bɔrˈɛvidʒ zrɔzˈumjaw, ʒˈɛ bˈɨtɕ mˈɔʒɛ jˈarɔɲ uzˈɨskaw zɡˈɔdɛ na dʑawˈaɲʲa na ˈɔptsɨm tɛrˈɛɲʲɛ. sprˈavɨ bˌɨwɨ vʲˈɛndʑ zˌaavˌansɔvˈanɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_145.wav|ʒˈɛ brˈat mˈuj pˈatʃɨ jˈakɔʑ dʑˈivɲʲɛ na jˈɛɡɔ brˈudnɛ ˈuxɔ, f ktˌurɨm tkfˈi vʲˈɛlki zwˈɔtɨ kˈɔltʃɨk.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_352.wav|— tʃˈujɛʃ? �� spɨtˈawa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_175.wav|i z valˈiski vɨtɕˈɔŋɡnɔw stˈarɔ̃ lɔtɲˈitʃɔ̃ kɔʃˈulɛ, na ktˌurɛj lˈɛvɨm ramjˈɛɲʲu pʃɨʃˈɨtɨ bˈɨw nˈapis flˈikt instrˈutstɔr.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_100.wav|ˈɔddaw zdɔbˈɨtɨ ˈɔkrɛnt rˌaɡnɔrˈɔvi pˌɨkɛˈɔvi, vˈɨbraw dvunˈastu lˈudʑi dɔ jˈɛɡɔ zawˈɔɡʲi i vdrˈapaw ɕɛ s pɔvrˈɔtɛm na pˈɔkwad ʒˌɛlaznˈɛɡɔ zvɨtɕˈɛ̃stfa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_549.wav|mʲˌawɛm ɔxˈɔtɛ zˈɛrvatɕ ɕɛ i pˈujɕtɕ, ˌalɛ dˈɔkɔnt pˈujɕtɕ?|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_267.wav|pˌɔkivˈawam ɡwˈɔvɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_42.wav|prˈɔʃɛ pɔzvˈɔlitɕ mi dʑˈawatɕ, pˈannɔ pˈalmɛr. sprˈavdʑɛ, ɡdʑˈɛ ˌɔɲi sˈɔ̃, ktˈɔ prɔvˈadʑi sprˈavɛ i ɔddʑvˈɔɲʲɛ, zapˈɛvɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_165.wav|ɡdˈɨbɨ vʲˈatrɨ ˌɔkazˈawɨ ɕɛ dla nˈas waskˈavɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_69.wav|— tˈɔʃ tɔː ˈistnɨ tʃˈɔwk!|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_51.wav|pˌɔpatʃˈɨwam na ɲʲˈɛɡɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_105.wav|rɔzˈɛɕmʲaw ɕɛ xraplˈivʲɛ. tˈak sɔɲdʑˈiwɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_95.wav|tʃɨ mˈɔɡɛ na mˈɔmɛnd vˈɨjɕtɕ na bˈalkɔn?|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_184.wav|ja mʲˌawɛm na sˈɔbjɛ nˈɔvɔ̃ kˈurtkɛpilˈɔtkɛ. ɡlˈɔk spɔtʃˈɨvaw w jˈɛdnɛj z vɛvnˈɛntʃnɨx kʲˈɛʃɛɲ. pɔjˈɛmɲiɡ z ɡˈazɛm w drˈuɡʲɛj.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_77.wav|lˈas pʃˈɛʃɛd w bwɔtɲˈistɛ pˈɔlɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_46.wav|ˌɔna zˈafʃɛ xtɕˈawa mʲˈɛdʑ vʲˈɛntsɛj dʑˈɛtɕi. plˌanɔvˈaliɕmˌɨ trˈɔjɛ lˈup tʃfˈɔrɔ. pamjˈɛntaʃ, jˈak ˈɔtɨm rˌɔzmavʲˈaliɕmˌɨ?|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_13.wav|tʃɨ tɔ mɔʒlˈivɛ, ʒˈɛ ˌarɛʃtɔvˈaliɕmˌɨ ɲʲˌɛvwaɕtɕivˈɛɡɔ minstrˈɛla?|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_204.wav|a tˈɛras mˈam prˈupkɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_29.wav|w ɲʲɛktˌurɨx fatsˈɛtax jɛst tsˈɔɕ takʲˈɛɡɔ...|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_75.wav|stˈaw xfˈilɛ w miltʃˈɛɲʲu, pˈɔtɛm ɔtfˈɔʒɨw zˌatɕiɕɲʲˈɛntɔ̃ ɔd ɡɔdʑˈinɨ dwˈɔɲ i vʲˈadr zdmˈuxnɔw z jˈɛɡɔ dwˈɔɲi pwˈatɛɡ bjawˈɛɡɔ kfʲˈatu.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_100.wav|nˈɔtsɔ̃ dwˈuɡɔ pwakˈawa pʃɛt snˈɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_136.wav|ɲʲˈɛxtsɛ skˈɔɲtʃɨtɕ jˈak mˈuj ˈɔjtɕɛts.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_321.wav|ˌalɛ ɔbˈavʲam ɕɛ, ʒˈɛ mˈɨɕlaw ɔ tʃˈɨmɕ ˈinnɨm.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_204.wav|pɔʒˈarwa tɔ fʃˈɨstkɔ, vɨmˈɨwa puwmˈisɛk i...|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_2.wav|rˈɔzdʑaw dvudʑˈɛstɨ tʃˈɛtɕi|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_110.wav|mˈama bˌɨwa ɲʲˌɛpɔtɕɛʃˈɔna.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_52.wav|ɲʲˈɛdaj ɕɛ zwˈapatɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_384.wav|ʒˌɛtʃɨvˈiɕtɕɛ jɛst ɲʲˌɛmɔʒlˈivʲɛ pʲˈɛŋkna, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_75.wav|jɛxˈaliɕmˌɨ jˈɛʃtʃɛ pʃˈɛs kˈilka mˈinut, pɔ tʃɨm tˈata zɔbˈatʃɨw zatˈɔtʃkɛ i tˈam zatʃˈɨmaw ˈawtɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_35.wav|dˈɛan vɨjmˈujɛ tɛlˈɛfɔn kˌɔmurkˈɔvɨ z naklˈɛjkɔ̃ ɡˈɛrart tˈɔvɛr s tˈɨwu i fˌɔtɔɡrafˈujɛ ɲˈim nˈajpʲɛrv dɔkˈumɛnt, a pˈɔtɛm samˈɛɡɔ bʲilljˈɛɡɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_59.wav|ˈilɛ mʲˈawɛɕ lˈat, kʲˈɛdɨ dɔstˈawɛɕ pʲˈɛrʃɨ samˈɔxut? pʲɛtnˈaɕtɕɛ. dlatʃˈɛɡɔ pˈɨtaʃ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_77.wav|vˈidadʑ bˈɨwɔ, ʒˈɛ tɔ jˈakaʑ dˌɛmɔnstrˈatsja zˌaɲʲɛxˈawa dˌɛmɔnstrˈatsji ˌɔʃɔwɔmjˈɔna vidˈɔkʲɛm zˌaɡraɲˈitʃnɛj maʃˈɨnɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_132.wav|kʃɨtʃˈawam, ˌalɛ stsˈɔtt ɲʲɛ ɔdvrˈutɕiw ɕɛ, ��ˈɛbɨ nˈamɲʲɛ spˈɔjʒɛtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_24.wav|pʃˌɨstanˈɛwam na xfˈilɛ, ʒˈɛbɨ rɔzˈɛjʒɛtɕ ɕɛ pɔ vnˈɛntʃu. ɲʲɛ zˌauvaʒˈɨwam ɲˈits ɲʲˌɛzvɨkwˈɛɡɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_3.wav|bˈɔɲtɕ pˌɔzdrɔvʲˈɔnɛ, najvˈɨʃʃɛ utʃˈutɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_236.wav|tsˈɔ kˈilka mʲɛɕˈɛntsɨ zamˈavʲaw dɔ ɲʲˈɛj bˈutan.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_50.wav|mˈɛtʃɛd bˈɨw pʃɛpʲˈɛŋknɨ. kazˈaɲʲɛ ɡʒmʲˈɔntsɛ z ɡwɔɕɲˈikuf jˈuʃ tˈakʲɛ pʲˈɛŋknɛ ɲʲɛ bˈɨwɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_59.wav|ˈumjɛm nˈavɛt xˈɔdʑitɕ i ʒˈudʑ ɡˈumɛ jˌɛdnɔtʃˈɛɕɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_185.wav|ˌɔttʃɛkˈawa xfˈilɛ, jˈaɡbɨ xtɕˈawa tsˈɔɕ pɔvʲˈɛdʑɛtɕ, ˌalɛ f kˈɔɲtsu ɲʲˈɛmal ɲʲˌɛdɔstʃɛɡˈalɲʲɛ pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃.|3
+Dataset/wavs/urwisko_ferenc/23_segment_103.wav|dlatʃˈɛɡɔ ɲʲɛ pɔvʲˈɛdʑaw pˈan ˈɔtɨm pɔlˈitsji?|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_339.wav|alˈain pˌɔftaʒˈawa tɔ kwˈamstfɔ jˈuʃ tˈaɡ vʲˈɛlɛ rˈazɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_16.wav|pɔ plˈatsu snˈuli ɕɛ ftˈɛ i vˈɛftɛ pijˈatsɨ i xˌɔwaɕlˈivi ˌimprɛzɔvˈitʃɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_140.wav|zˈɔstaɲ w ɡˈurax, jˈɛɕli xtsˈɛʃ. bɔˈuldɛr tɔ wˈadnɛ mʲˈastɔ, pɔdˈɔbɲʲɛ jˈaɡ ɡrɛˈɛlɛj, fˈɔrt tsˈɔllins i ɛˈastjɛs pˈark.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_14.wav|jˌɛstɛm zupˈɛwɲʲɛ rɔzdˈarta.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_204.wav|pɔftˈuʒɨtɕ tˈɛ lɔtˈɛrjɛ? tˈɛ, na ktˌurɔ̃ zɛbrˈawaɕ tʃˈɨ kavˈawki? musˈimɨ ˌɔtʃɨvˈiɕtɕɛ zˌaɔfɛrˈɔvatɕ naɡrˈɔdɛ, tsˈɔʑ duʒˈɛɡɔ dla zvɨtɕˈɛ̃stsɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_26.wav|mˈiltʃɨ pʃˈɛs kˈilka sˈɛkunt i zbjˈɛra z dʒˈinsuf ɲʲˌɛvidˈɔtʃnɨ stʃˈɛmpɛk mˌatɛrjˈawu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_32.wav|jˈɛɕli ˈaʒ bˌɛɲdʑɛ dˈalɛj prˌɔtɛstˈɔvaw, zˈatʃnɛ na ɲʲˈɛɡɔ kʃˈɨtʃɛtɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_95.wav|tˈata zaɡrˈɨza vˈarɡɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_5.wav|tɨm rˈazɛm vˈita ɡˈɔ pˈɔli.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_23.wav|jɛj wzˈɨ spwɨvˈawɨ mi za sfˈɛtɛr.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_183.wav|dwˈuɡʲi, tʃˈarnɨ pwˈaʃtʃ wɔpˈɔtaw zˈaɲim xˌawaɕlˈivʲɛ. bjˈɛɡnɔnts, mˈuɕaw tʃˈɨmadʑ dwˈɔɲ na rˌɛŋkɔjˈɛɕtɕi mʲˈɛtʃa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_3.wav|jɛdˈɨnɨm ɔdɡwˈɔsɛm, jˈakʲɛ swɨʃˈɛli sˈandɨ, bˈɛrfɔrt i dvˈux jɛj lˈudʑi, ˌukrɨvajˈɔntsɨ ɕɛ f tɕˈɛɲʲu dʒˈɛva, bˌɨwɔ mˌɔnɔtˈɔnnɛ kapˈaɲʲɛ vˈɔdɨ z lˈiɕtɕi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_90.wav|mˈa pˈaɲi ʃtʃˈɛɲɕtɕɛ. pˈaɲi samˈɔxut stˈɔi w najdˈalɛj pˌɔwɔʒˈɔnɨm pˈuŋktɕɛ ɔt mʲˈɛjstsa pʃɛstˈɛmpstfa i jˈuʃ pʃˌɛʃukˈaliɕmˌɨ tˈamtɛn ˈɔpʃar.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_9.wav|ɔddˈaɲʲɛ ɡˈɔ bˌɨwɔ najvʲˈɛŋkʃɨm bwˈɛndɛm, jˈaki pˌɔpɛwɲˈiwam w ʒˈɨtɕu.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_188.wav|vˌɨxɨlˈiwa ɕɛ z lˈɛktɨkˌi i zˌɔbatʃˈɨwa, ʒˈɛ sɔ̃ jˈuʃ na ʃtʃˈɨtɕɛ vzɡˈuʒa vˌisɛnˈɛi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_61.wav|bˌɨwɔ s tˈɔbɔ̃ kʲˈɛpskɔ, ˌalɛ ɲʲɛ zˌanɔɕˈiwɔ ɕɛ, ʒˈɛ zˈɛjdʑɛʃ, pʃˈɛs tsˈɔ rɔzˈumjɛm...|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_59.wav|tɔ ɲʲˌɛsamɔvˈitɛ dˌɔɕfʲattʃˈɛɲʲɛ, ktˌurɛ pɔzvˈala spˈɔjʒɛtɕ na mʲˈɛjstsɛ lˌɔndɔvˈaɲʲa w zupˈɛwɲʲɛ ˈinnɨm ɕfʲˈɛtlɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_59.wav|ɲʲˈɛbɔ bˌɨwɔ zupˈɛwɲʲɛ tʃˈarnɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_50.wav|bˈɛtskɨ, vidʑˈawaɕ ɕɛ z ˈɛddjɛm tsarlsˈɔnɛm, jˈɛɡɔ ʒˈɔnɔ̃?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_46.wav|tˈɔm sprubˈɔvaw ɲʲɛ ɔkˈazadʑ zdʑivʲˈɛɲʲa i ɲˈits ɲʲɛ pɔvʲˈɛdʑaw, mˈajɔnts jɛdˈɨɲʲɛ nadʑˈɛjɛ, ʒˈɛ ɲʲɛ bˌɛɲdʑɛ mˈuɕaw fkrˈɔtʃɨdʑ dɔː ˈaktsji, jˈɛɕli kitˈɔvi ɕɛ ɲʲɛ pɔvʲˈɛdʑɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_179.wav|pɔvʲˈɛdʑaw i napˈɛwɲiw ʃklˈaŋkɛ mˈɔim ˌulubjˈɔnɨm ɲʲɛmjˈɛtskim pˈivɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_10.wav|pʃˈɛs tʃˈɨ dɲˈi z ʒˈɛndu xɔdʑˈiwam w jˈɛdnɨm kˌɔmbʲinɛzˈɔɲʲɛ i bˈɨw tˈak ʃtˈɨvnɨ ɔd brˈudu, ʒˈɛ jˈuʃ prˈavʲɛ dˈawɔ ɕɛ ɡˈɔː ˈɔpʃɛtɕ ɔ ɕtɕˈanɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_115.wav|ɲʲɛ ɔpˈuʃtʃa ʒadnˈɛɡɔ mˈɛtʃu ɡʲˈantsuf f sɛzˈɔɲʲɛ, napˈisaw bˈutskɨ. vʲˈɛdʑɔ̃ tɔ fʃˈɨstsɨ, ktˌuʒɨ ɡˈɔ znˈajɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_281.wav|zatˈɔka ɲʲˌɛvɔlɲˈitʃa jɛzd za dalˈɛkɔ stˈɔnt, zavˈɔwaw rˈalf xrˈɔmɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_151.wav|vʲˈɛdʑaw, ʒˈɛ bˈul tɛn zamjˈɛɲi ɕɛ f pˈustkɛ, ktˌura ɔt tˈɛras trfˈadʑ bˌɛɲdʑɛ vʲˈɛtʃɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_118.wav|tʃtˌɛrɔtsɨfrˈɔvɨ kˈɔd zwɔʒˈɔnɨ s tʃˈɛx rˈuʒnɨx tsˈɨfr.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_39.wav|ʃˈɛv vˈɨʃɛd z barˈaku, bˈɨw tʃɛrvˈɔnɨ i fɕtɕˈɛkwɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_207.wav|pˈɔtɛm vrˈutɕiw dɔ mɲʲɛ|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_120.wav|s pɔtʃˈɔntku tˈak.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_176.wav|vʲˈɛnts musˈimɨ jˈɛ sprɔvˈadʑatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_66.wav|pʃˌɛxadʑˈawam ɕɛ pɔː ɔkrˈɛŋɡu, vˌɨɡlɔndˈajɔnts na zˈɛvnɔntʃ.|4
+Dataset/wavs/urwisko_ferenc/61_segment_12.wav|zˌatʃasnˈɛwa dʒvˈi i zrɔbʲˈiwa krˈɔɡ dɔ tˈɨwu. swˈɔɲtsɛ palˈiwɔ ɲʲˌɛmiwɔɕˈɛrɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_14.wav|pɔftˈurɲʲɛ zapˈɛvɲʲa, ʒˈɛ ɲˈits mu ɲʲɛ jˈɛst.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_127.wav|bʲˈillɨ ɲʲɛ prubˈujɛ ˈukrɨdʑ zˌaɲʲɛpˌɔkɔjˈɛɲʲa.|2
+Dataset/wavs/urwisko_ferenc/59_segment_104.wav|tɕˈiʃa ɕɛ pʃˌɛdwuʒˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_87.wav|ˈukrɨw tfˈaʒ w dwˈɔɲʲax i ɡwˈɔɕnɔ ɕɛ rɔspwˈakaw. ˌalɛ i tˈak mɲʲɛ vɨlˈɛjɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_118.wav|bɛɲdʑˌɛmɨ ɔstˈatɲʲɔ̃ ˌatlantˈɨdɔ̃ pʃɛt kˈɔɲtsɛm ɕfʲˈata.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_9.wav|tˈak, xˈɨba tˈak mˈɨɕli. ɡwˈupʲɛ, ˌalɛ pravdʑˈivɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_137.wav|tɛn fˈatsɛd z rˈɛŋkɔ̃ na tɛmblˈaku jɛst mɔrdˈɛrtsɔ̃, pˌɔvʲɛdʑˈawam pʃˌɨɡlɔndˈajɔnts mu ɕɛ pˌɔdɛjʒlˈivʲɛ. skˈɔnt ɕɛ dɔvʲˈɛdʑaw, ɡdʑˈɛ jɛst mˈɔjɛ ɡʲˈizmɔ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_15.wav|jˈɛdna ˈɔsa ɲʲɛ zrujnˈujɛ mi pʃˌɛtɕɛʒ dɲʲˈa.|3
+Dataset/wavs/urwisko_ferenc/21_segment_68.wav|ilˈɛkrɔtɕ prˌubɔvˈawa, mʲˈawa vraʒˈɛɲʲɛ, ʒˈɛ w lˈustʃɛ pɔjˈavja ɕɛ zupˈɛwɲʲɛ ˈinna ɔsˈɔba.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_99.wav|ɲʲɛ ˌɔdʑɨskˈujɛʃ pamjˈɛɲtɕi, ˌalɛ zatʃˈɨna ˌɔna pratsˈɔvatɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_489.wav|rˌɔzjaɕɲʲˈanɨ pɔvˈɔli pʃˈɛs swˈɔɲtsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_46.wav|tˈak, tɔ prˈavda.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_20.wav|ɲʲɛ zamˈɨka dʒvˈi na klˈutʃ. pɔ tsˈɔ ɡlˈinɨ mˌajɔ̃ jˈɛ vɨvˈaʒatɕ? vɨstˈartʃɨ, ʒˈɛ zadˈɛptʃɔ̃ tsˈawɨ trˈavɲik, ktˌurɨ f pˈɔtɕɛ tʃˈɔwa pʃɨvrˈutɕiw dɔ ʒˈɨtɕa.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_117.wav|dʑˈɛŋki bˈɔɡu. naprˈavdɛ ɲʲɛ xtɕˈawɛm tɕi zaʃkˈɔdʑitɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_108.wav|ɲʲɛ ˌɔtpɔvʲˈadam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_136.wav|bʲˈillɨ pˌɔtakˈujɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_102.wav|tʃɛkˈajɔnts na napˈɔjɛ, prɔvˈadʑɔ̃ ɲʲˌɛzɔbˌɔvʲɔ̃zujˈɔntsɔ̃ pˌɔɡavˈɛntkɛ. ɔ pɔɡˈɔdʑɛ, ˈɔtɨm, jˈaɡ ɡɔrˈɔntsɔ jɛst tˈu, na pˌɔɡraɲˈitʃu pɔwˈudɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_64.wav|tˈɛras jɛj sɨlvˈɛtka zrɔbʲˈiwa ɕɛ kfˌadratˈɔva.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_265.wav|— bˈardʑɔ mˈawɔ s tˌɛɡɔ pamjˈɛntam — pʃˈɨznaw jˈamɛ.|1
+Dataset/wavs/urwisko_ferenc/22_segment_33.wav|ɔdnˈajdɛ fawʃˈɨvɨx lˈipskix i dˈɔvʲɛm ɕɛ, tsˈɔ kˌɔmbʲinɔvˈali.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_81.wav|vʲˈɛm, trˈɔxɛ dʑˈura, ˌalɛ xˌɔnɔrˈarjum tɕi tɔ vˌɨnaɡrˈɔdʑi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_52.wav|bˈɛtskɨ rˌɔzɛjʒˈawa ɕɛ pɔ pˌɔmjɛʃtʃˈɛɲʲu. ɲʲɛ mʲˈawa jˈuʃ ɲitʃˈɛɡɔ dɔ dɔdˈaɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_147.wav|vˈɔkuw ɲʲˈɛɡɔ dˈalɛj tˈɔtʃɨ ɕɛ lˈatɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_32.wav|pˈɛndʑɔnts kˌɔrɨtˈaʒɛm vɨbrˈawam nˈumɛr. zˈaɲim nˌastɔmpˈiwɔ pˌɔwɔntʃˈɛɲʲɛ, na vˌɨɕfʲɛtlˈatʃu pɔjˈaviw ɕɛ kˌɔmuɲˈikat.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_317.wav|ɔn pʃˈɛɡraw vˈalkɛ i mˈɨɕli, ʒˈɛ tɔ pʃˈɛs tɕˈɛbjɛ, bˈɔ tɨ nˌaɕladˈujɛʃ jˈɛɡɔː ˈaktsɛnt.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_29.wav|pʃˌɛkazˈaɲʲɛ tɨɣ vʲˈɛɕtɕi ˌɔkazˈawɔ ɕɛ bˈardʑɔ trˈudnɛ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_374.wav|sˈɛrxaj ˌɛlɔkfˈɛntɲʲɛ pʃɛklˈinaw baɲˈituf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_196.wav|zˌaxɔvˈana tʃˈɛɲɕtɕ ˌɔtxɨlˈiwa ɕɛ na zavʲˈasax.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_50.wav|na jɛj blˈatɕɛ zˈafʃɛ panˈɔvaw ˌidɛˈalnɨ wˈat.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_274.wav|fʃˈɨstkʲɛ jˈɛdnaɡ zɡadʑˈajɔ̃ ɕɛ tsˈɔ dɔ tˈɛɡɔ, ʒˈɛ bˌɨli ɲʲˌɛpʃɛjɛdnˈaɲi f sfˈɛj ɲʲˌɛnavˈiɕtɕi dɔ fʃˈɛlkiɣ vrˈɔɡuf ɕfʲˈɛntɛj vʲˈarɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_28.wav|tɔ zabˈavnɛ, jˈak tɔ fʃˈɨstkɔ ɕɛ sumˈujɛ, tsˈɔ? uɕmʲˈɛxnɔw ɕɛ ʃɨdˈɛrtʃɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_197.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_17.wav|zˈafʃɛ f tˈakʲɛj sˌɨtuˈatsji rɔbʲˈiwa xˌaraktˌɛrɨstˈɨtʃnɔ̃ mˈinɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_65.wav|dlatʃˈɛɡɔ mi ɲʲɛ pˌɔvʲɛdʑˈawaɕ, tsˈɔ planˈujɛʃ? ˌuɕmʲɛxnˈɛwa ɕɛ zˈɛ smˈutkʲɛm, jˈaɡbɨ uznˈawa, ʒˈɛ tsɛlˈɔvɔ zˈadaw ˌidjɔtˈɨtʃnɛ pɨtˈaɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_385.wav|fstˈawɛm jˈɛdnaɡ z wˈuʃka i sprˌubɔvˈawɛm ɔdvrˈutɕitɕ kanˈapɛ dɔ ɕtɕˈanɨ. zˌaʒɛ̃zˈiwɨ jɛj nˌadvɔntlˈɔnɛ nˈuʃki i zˌɔbatʃˈɨwɛm...|0
+Dataset/wavs/urwisko_ferenc/03_segment_76.wav|ɕikˈɔrski xˈɨba ɕɛ vzrˈuʃɨw, bˈɔː ˈɔtar ˈɔtʃɨ.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_388.wav|pʃɛʃˈɛtwʃɨ pʃˈɛttɛm nat rɔbˈɛrtɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_11.wav|ɔdɲʲˈɔswam vraʒˈɛɲʲɛ, ʒˈɛ f tɛn spˈɔsup xtsˈɛ mɲʲɛ ukˈaratɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_47.wav|tɔ tɨ pʃɛdˈɛmnɔ̃ ˌutɕɛkˈawɛɕ, prˈavda?|3
+Dataset/wavs/urwisko_ferenc/22_segment_16.wav|tʃɛkˈamɨ na kˈɔɡɔɕ? zaɡˈadnɔw ˈɔlɡʲɛrt ˌɔtɕɛrˈajɔnts tʃˈɔwɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_6.wav|ɔpˈɔvʲɛts nˈam ˈɔɲim. zˈatʃɲij ɔt pɔtʃˈɔntku. im vʲˈɛntsɛj zrˌɔzumjˈɛmɨ, tɨm lˈɛpʲɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_395.wav|i ɲʲɛ ˌuɲiknˈɔwɛm krˈaksɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_139.wav|zˌamɔrdɔvˈanɛ na parkˈiŋɡu.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_291.wav|sɔlˈɔnɨ dˈɔrʒ dla mɲʲɛ, sɔlˈɔna bˌaraɲˈina dla psˈa, a jˈɛʃtʃɛ sˈul.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_24.wav|ja tˌɨlkɔ jɛj pˌɔtʃɛbˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_73.wav|bˈɛtskɨ skinˈɛwa ɡwˈɔvɔ̃ i ˌɔdvrutɕˈiwa ɕɛ dɔ vˈɨjɕtɕa, a tˈɔm fspˈar pɔdbrˈudɛk na pʲˈɛɲɕtɕax.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_322.wav|dʑˈɛŋki ɲʲˈɛj vʲˈara znˈɔvu ɕɛ ˌuzbrɔˈiwa.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_4.wav|brˈɔɲiw upˈartɕɛ sfˈɛj vʲˈɛʒɨ pʃɨ pɔmˈɔtsɨ ʃˈɛɕtɕu zbrˈɔjnɨx, tʃtˈɛrɛx kuʃɲˈikuf i ɔkˈɔwɔ dvudʑˈɛstu xwˈɔpuf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_54.wav|tsˈɔ jɛst s tˈɔbɔ̃, trˈatsɨ? zapˈɨtaw ʃˈɛf. ɲʲˈɛmam dˈɔʑdʑ zmˈartfʲɛɲ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_82.wav|bˈɛtskɨ fstˈawa i pɔdˈɛʃwa dɔ tʃajɲˈika, ʒˈɛbɨ dɔkˈɔɲtʃɨtɕ prˈatsɛ rˌɔspɔtʃˈɛntɔ̃ pʃˈɛs sˈarɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_30.wav|ˈaʃ rɔzˈumjaw pˈɔvut. pɔlˈitsja s pɛvnˈɔɕtɕɔ̃ fʃˈɨstkɔ mˌɔɲitˌɔrɔvˈawa, vwˈɔntʃɲʲɛ s sˌɨɡnawˈami kˌɔmurkɔvˈɨmi.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_143.wav|tsɛrsˈɛi nˌapɛwɲˈiwa kʲˈɛliɣ vˈinɛm i pˌɔtsunˈɛwa ɡˈɔ pwatʃˈɔntsɛj kɔbjˈɛtɕɛ. vˈɨpij tɔ, vˈinɔ tɕˈɛ ˌuspɔkˈɔi. tˈak jˈɛst.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_191.wav|pɔ tsˈuʃ mˈɨɕlɛtɕ ɔ lˈudʑax tˈakix jˈak jˈa? tsˈɔ pˈɔnas naprˈavdɛ zɔstˈajɛ, kʲˈɛdɨ ˌɔtxɔdʑˈimɨ?|0
+Dataset/wavs/urwisko_ferenc/37_segment_53.wav|pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃ z rˌɛzɨɡnˈatsjɔ̃ i vʒˈutɕiw jɛdˈɨŋkɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_56.wav|na ʃtʃˈɛɲɕtɕɛ jˈuʃ pɔ xfˈili ˌuswɨʃˈɛli na kˌɔrɨtˈaʒu ʃˈɨpkʲɛ krˈɔki kˈita.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_17.wav|musˈimɨ dɔkwˈadɲʲɛ pʃˌɛanˌalizˈɔvatɕ kˈaʒdɛ s tɨɣ zdˈaɲ, ˌalɛ rɔzˈumjɛm, ʒˈɛ na rˈaʑɛ ɲʲɛ mˌamɨ pɔjˈɛɲtɕa, ktˈɔ vˈɨswaw tˈɛ vʲadˈɔmɔɕtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_168.wav|ɲʲɛ nˌalɛʒˈawɨ jˈuʒ dɔ ɲˈix.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_475.wav|mˈɔʒɛ miɡnˈɔwɛɕ f twˈumjɛ w amˈɛrɨtsˌɛ ˈalbɔ w awstrˈalji tʃɨ w ˌizraˈɛlu?|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_5.wav|dɔ vɨbˈɔru jɛst tˈuzin rˈuʒnɨx. dˌɛtsɨdˈujɛ ɕɛ na kɛnfjˈɛlda i ustˈavja pʲˌɛɲtɕɔsˌɛkundˈɔvɔ̃ pˈawzɛ pʃɛt kˈaʒdɨm rˈuxɛm kˌɔmputˈɛra.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_72.wav|zˈɛfʃɔnt nˌattɕɔŋɡˈawɨ xmˈurɨ bʒuxˈatɛ, tʃˈarnɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_15.wav|ɡɔdʑˈinɛ pˈuʑɲʲɛj ftɕˈɔ̃ʃ tˈu stˈɛrtʃɛ, tʃɛkˈajɔnts na pˈɔvrut ˈaʃa i ɲʲˌɛustˈanɲʲɛ ɕɛ zˌastanavʲˈajɔnts, tʃɨ swˈuʃɲʲɛ pˌɔstɔmpˈiwam.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_333.wav|zˌatʃɛrpnˈɛwa zdrʒˈɛɲʲɛm txˈu.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_103.wav|dɔbjˈɛɡwam dɔ tsˈɛntrum pˌɔttʃɨmɨvˈaɲʲa ʒˈɨtɕa i pʃˌɨwɔʒˈɨwam ɡʲˈizmɔ rudjˈɛɡɔ dɔ tʃɨtɲˈika.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_193.wav|stʃˈɛl tsˈɛlɲʲɛ mˈuvi.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_215.wav|kɔjˈamɔ bˌɨwa tsˈurkɔ̃ kˌapitˈana.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_120.wav|bˈɨwbɨ pˈɔttɨm vzɡlˈɛndɛm zalˈɛʒnɨ ˈɔdɛ mɲʲɛ, a ja bˈɨwabˌɨm zdˈana na ɲʲˈɛɡɔ f kfˈɛstji zˌaspɔkɔjˈɛɲʲa kˌɔɲʲuŋktˈurɨ na kʃˈɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_218.wav|i ɲˈiɡdɨ ɲʲɛ bˌɨwɔː inˈatʃɛj.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_221.wav|ˌɔtpɔvʲɛdʑˈawa mu tɕˈiʃa i dwˈuɡʲɛ, ɲʲˌɛruxˈɔmɛ spɔjʒˈɛɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_538.wav|ɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_202.wav|bˈɛs swˈɔva uɕˈɛdliɕmˌɨ na zrˌujnɔvˈanɛj wˈaftsɛ, vˈɔkuw ktˌurɛj valˈawɨ ɕɛ pɔɡʲˈɛntɛ pˈuʃki pɔ pˈivʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_373.wav|tˈak naprˈavdɛ mˈam ɔxˈɔtɛ na zvˈɨkwɛ pˈivɔ.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_56.wav|lˈɔrt ˈɛwrɔn nasˈɨtɕi ɕɛ zwˈɔtɛm i wupˈami, ˌalɛ ɡdˈɨ vˌɨruʃˈɨmɨ pʃɛtɕˈifkɔ ɲʲˈɛmu, vrˈutɕi na pˈɨkɛ, tˈak jˈak rˈɔbʲiw f sfˈɔim tʃˈaɕɛ lˈɔrd dˈaɡɔn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_249.wav|vˌɨmjɛʒˈɨwɛm w ɡwˈɔvɛ tˌɛɡɔ pɔɕrˈɔtku.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_132.wav|dlatʃˈɛɡɔ mʲˈawbɨ tɔ zrˈɔbʲitɕ? znˈaw ɡˈɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_54.wav|ˈalbɔ ktˈɔː ˈinnɨ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_43.wav|pˈɔza tɨm kˈaʒdɨ nˈɔvɨ kˌɔnvɛrtˈɨta ɔznˈatʃaw dˈɔpwɨf ɕfʲˈɛʒɛj ɡɔtˈufki.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_4.wav|ɲʲɛ bˌɨwam ʃtʃɛɲɕlˈiva, ˌalɛ tsˈɔɕ mi muvˈiwɔ, ʒˈɛ tˌɨlkɔ pɔɡˈarʃam ix nˈastruj.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_221.wav|maʃ ʃˈɛɕtɕ tɨɕˈɛntsɨ zwˈɔtɨx pwˈaʃtʃɨ. uvˈaʒam, ʒˈɛ tɔ pɔvˈinnɔ vɨstˈartʃɨtɕ, bˈɨ sˈɔbjɛ pɔrˈadʑidʑ z dʑˌɛɕɛɲtɕˈɔma lˈudʑmi.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_223.wav|f pʃˌɛtɕivʲˈɛɲstfʲɛ dɔ sɛptˈɔna narbˈɛrta, stˈarʃɨ brˈat ɲʲɛ sprˈavʲaw vraʒˈɛɲʲa zˌaɲʲɛpˌɔkɔjɔnˈɛɡɔ puwtɕˈɔmbrjɛn.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_242.wav|bˌɛspɔɕrˈɛdɲi pʃˈɛlɛv z mɔjˈɛɡɔ raxˈuŋku ˌɔsɔbʲistˈɛɡɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_145.wav|pˈujdɛ pʲˈɛʃɔ, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_477.wav|lˈɛpʲɛj, ʒˈɛbɨɕ ɕɛ ˈɔtɨm dˌɔvʲɛdʑˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_58.wav|bˌɛɲdʑɛʃ iɣ vidˈɨvaw tʃˈɛɲɕtɕɛj. vˌɨɡlɔndˈajɔ̃ jˈak tʃˈɛba?|2
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_94.wav|jɛzd vwˌaɕtɕitɕˈɛlɛm ʃˈɛɕtɕu budˈɨŋkuf f tsˈɛntrum, f tɨm ɡˈɛrart tˈɔvɛr. tsˈɔ, mˈɨɕli bʲˈillɨ, tʃˈɨɲi ɡˈɔ kˈimɕ w rɔdʑˈaju mˈiɲija dɔnˈalda trˈumpa?|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_122.wav|sˈɛr dˈavɛn ɲʲˈɛmuɡwbˌɨ bˈɨdʑ bˈardʑɛj zdʑivʲˈɔnɨ, nˈavɛd ɡdˈɨbɨ jˈamɛ mu ɔznˈajmiw, ʒˈɛ lˈantsɛl pˌɔstanˈɔviw zˈɔstatɕ kˌɔmɛdjˈantskɔ̃ mˈawpkɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_121.wav|uɕmʲˈɛxaj ɕɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_72.wav|pɔlˈɛva krfavʲˈɔntsɛ rˈanɨ vˈɔdɔ̃ ˌutlɛɲʲˈɔnɔ̃. tʃˈujɛ pʲɛtʃˈɛɲʲɛ, vʲˈɛndʑ dɔmˈɨɕla ɕɛ, ʒˈɛ tɔ pɔmˈɔɡwɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_181.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/urwisko_ferenc/42_segment_36.wav|prubˈɔvaw ɕɛ z ɲʲˈɔ̃ pɔwˈɔntʃɨtɕ, lˈɛtʃ ɲʲɛ ˌɔdbjɛrˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_112.wav|ɡˈuvnɔ, prˈavda, mˈɨɕli bʲˈillɨ, fkwadˈajɔndʑ vˌizɨtˈufkɛ dɔ kʲɛʃˈɛɲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_159.wav|mɨɕlˈawam, ʒˈɛ bˌɛɲdʑɛ pɔd vraʒˈɛɲʲɛm mˈɔjɛj krˌɛatɨvnˈɔɕtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_137.wav|ɡwupˈavɛ ja tɔ mˈɔʒɛ i ɕtɕˈɛma.|2
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_110.wav|ɲʲɛ pɔdˈɔba mi ɕɛ tɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_76.wav|mɨɕlˈawam pˌɔtʃɔntkˈɔvɔ, ʒˈɛ upˈadwa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_44.wav|sˈam vʲˈɛʃ, ʒˈɛ tɔ mˈɔʒɛ pˈɔtrfatɕ jˈɛʃtʃɛ kˈilka tɨɡˈɔdɲi.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_121.wav|jˈak ˌɔstʃɛɡˈawa instrˈuktsja, zˈamɛk ɕɛ zˌablɔkˈujɛ, jɛʒˈɛli tʃˈɨ rˈazɨ z ʒˈɛndu zɔstˈaɲʲɛ fprˌɔvadʑˈɔnɨ ɲʲˌɛpravidwˈɔvɨ kˈɔt.|4
+Dataset/wavs/urwisko_ferenc/11_segment_20.wav|nˈɔ vʲˈɛnts...|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_44.wav|ɡrˌanatˈɔvɛ, tˈak tɕˈɛmnɛ, ʒˈɛ ɲʲˈɛmal tʃˈarnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_63.wav|ˌalɛ ɲʲɛ jɛst tɔ tɛn sfɔbˈɔdnɨ, radˈɔsnɨ ɕmʲˈɛx, ktˌurɨ tˈak pɔlˈubʲiw.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_302.wav|nˈɔ prˈɔʃɛ, maʃˈɨnɨ tˈakix rɔzmʲˈaruf tʃˈɛba bˌɨwɔ sprɔvˈadʑitɕ f tʃˈɛɲɕtɕax i zmɔntˈɔvatɕ na mʲˈɛjstsu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_227.wav|tfˈɔja ɕˈɔstra?|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_136.wav|ktˌurɨ zvˈisaw ɡrubˈɨmi kˌɔbjɛrtsˈami z ɡawˈɛ̃ʑi.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_73.wav|vˈaʃa mˈiwɔɕtɕ jɛst nadʑvˈɨtʃaj waskˈava.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_62.wav|mˌamɨ pˈɛvnɔɕtɕ, ʒˈɛ tɔː ˌɔna jɛst mˌɔrdɛrtʃˈɨɲʲɔ̃?|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_83.wav|tˈak, tɔ bˈɨ pˌasɔvˈawɔ, stfʲˈɛrdʑa ɡʲˈɔrɡjɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_458.wav|pʃɛprˈaʃam, tʃɨ pˈan mʲˈɛʃka sˈam?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_200.wav|i ubrˈaɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_192.wav|ɡlˈɛnn ftˈɛdɨ pʃɛvrˈatsaw ɕɛ na bˈɔk i kwˈad ɡwˈɔvɛ na jɛj kɔlˈanax. rˈɔɲi ɡˈɔː ˌɔtpɨxˈawa i muvˈiwa, zˈapɲij pˈas, ɡwupˈɔlu.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_146.wav|kʲˈɛdɨ bˌɛndɛ mˈɔɡwa zɔbˈatʃɨtɕ ɕɛ z ˈɔjtsɛm? zˌapɨtˈawa, lˈɛtʃ ɲˈiɡd zˈɛ swuʒˈɔntsɨx jɛj ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_362.wav|dlatˈɛɡɔ mˈɔʒɛ ɲʲɛ pɔtrˈafjɛ zrˌatsjɔnˌalizˈɔvatɕ i ɔpˈisatɕ pʃɛʃwˈɔɕtɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_17.wav|bʲˈillɨ tɕfˈitʃɨ mʲˌɛndʑɨ pˌɔɕɛdʑɛɲʲˈami pʃɨ laptˈɔpʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_32.wav|tʃˈujɛ jˈakiʑ vɛvnˈɛntʃnɨ ɲʲɛpˈɔkuj i ɔdvrˈatsam ɕɛ dɔ bˈɛki.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_315.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_27.wav|zamknˈɛliɕmˌɨ ɕɛ tˈam i tʃɛkˈaliɕmˌɨ na strˈaʃ pɔʒˈarnɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_256.wav|vʲˈɛdʑaw, ʒˈɛ ɲʲɛ mˈɔʒɛ ɕˈɛdʑɛtɕ tˈutaj dvˈa lˈata, bˈɨ vʑˈɔɲdʑ blatskfˈiʃa ɡwˈɔdɛm.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_24.wav|ʒɔndˈamɨ, bˈɨ natˈɨxmʲast jˈɛ uvˈɔlɲiw.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_84.wav|dˈɔbʒɛ pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_139.wav|bˌɨwa tɔ zaswˈuɡa sfɔbˈɔdɨ, ktˌurɨ vˈɨkrad ɡˈɔ z lˌabɔratˈɔrjum xˌɛmitʃnˈɛɡɔː ˌɛˌɛsˈa.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_355.wav|ˌɔbudʑˈiwa ɕɛ nˈaɡlɛ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_78.wav|ˈɔddawbˌɨ jˈɛdnaɡ bˈardʑɔ vʲˈɛlɛ za tɕˈɛpwɛ, sˈuxɛ skarpˈɛtki. mʲˌɛndʑɨ paltsˈami stˈub zˈatʃɔw mu vɨrˈastatɕ jˈakiʑ ɡʒˈɨp.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_156.wav|jˈɔɛ tˈɨm, ktˌurɨ jˈɛ pʃɛkˈazaw.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_143.wav|tɨ jˌɛstɛɕ pˈɔdwɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_108.wav|ɲʲˈɛvʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_68.wav|jˌɛstɛm pˈɛvʲɛn, ʒˈɛ sprˈɔstam tˌɛmu zadˈaɲʲu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_108.wav|vʲˈɛnts pʃɛʒˈutɕiw karˈabʲin dɔ lˈɛvɛj rˈɛŋki i pʃɨtɕˈisnɔw tfˈaʒ dɔ lˈuffɨ, tʃˈujɔnts jɛj xwˈut.|0
+Dataset/wavs/urwisko_ferenc/15_segment_78.wav|tˈak mi ɕɛ pʃɨnˈajmɲʲɛj vɨdˈajɛ. xˈɛrman uɕˈadwa na vɨɡʒˈanɨm fɔtˈɛlu, ʃɛrˈɔkim i vɨɡˈɔdnɨm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_220.wav|ftˈɛdɨ vˌɨdavˈawɔ ɕɛ vwaɕtɕˈivɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_300.wav|rˌɔzɛɕmʲˈawa ɕɛ rˈaptɛm vɛsˈɔwɨm, bˌɛzintˌɛrɛsˈɔvnɨm ɕmʲˈɛxɛm. ɲʲˈɛzɡat pˈan.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_176.wav|jˈɛdnɔ̃ pʃˌɛvrutɕˈiwa na pɔdwˈɔɡɛ, a drˈuɡʲɛj rˌɔzɔrˈawa tfˈaʃ pˌaznɔktɕˈami.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_7.wav|muɕˈawam ɕɛ stˈamtɔnt ɔddˈalitɕ, zˈaɲim zdrˈadʑɛ ɕɛ, tʃˈɨjɛ zdjˈɛɲtɕɛ vwˈaɕɲʲɛ mi pˌɔkazˈawa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_74.wav|ta dʑɛftʃˈɨna zɔstˈawa prˌɔstɨtˈutkɔ̃, pɔɲʲˈɛvaʃ jɛj rɔdʑˈitsɛ ɲʲɛ mʲˌɛli dˈɔɕtɕ pʲɛɲʲˈɛndʑɨ, ˈabɨ zrˈɔbʲidʑ z ɲʲˈɛj...|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_40.wav|allˈɛras, pʃˈɛs ɲʲɛktˌurɨɣ zvˈanɨ sfˈiŋksɛm.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_190.wav|alˈain brˌakɔvˈawɔ jˈuʃ tɕˌɛrplivˈɔɕtɕi. musˈimɨ zˈaraz vɨrˈuʃɨtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_124.wav|pɔxˈɨliw ɕɛ vʲˈɛnts nˈadɲim.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_22.wav|kʲˈɛdɨ dɔ pˌɔmjɛʃtʃˈɛɲʲa fxˈɔdʑɔ̃ tˈɔm i bˈɛtskɨ, pɔdnˈɔʃɛ ɡwˈɔvɛ w nadʑˈɛi, ʒˈɛ uswˈɨʃɛ dˈɔbrɛ vʲˈɛɕtɕi.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_46.wav|a jˈaɡbɨ tˌɛɡɔ bˌɨwɔ mˈawɔ, vˌɨwamˈana stalˈɔva rˈurka z jˈɛdnɛj strˈɔnɨ kɔɲtʃˈɨwa ɕɛ ˈɔstrɨm pˌɔstʃɛmpʲˈɔnɨm ʃpˈitsɛm. ɕfʲˈɛtɲʲɛ!|4
+Dataset/wavs/urwisko_ferenc/53_segment_70.wav|ɲʲɛ ɔdrˈɨvaw vzrˈɔku ɔt fˌɔtɔɡrˈafji.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_104.wav|mˈam plˈan, ˌalɛ twˌumatʃˈɛɲʲɛ zˈajmʲɛ zbˈɨd vʲˈɛlɛ tʃˈasu. ˈɔddaj mistˈɛrɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_132.wav|xˈɔff ˌɔblizˈujɛ ˈusta i bʲˈillɨ ˌuɕfʲadˈamja sˈɔbjɛ, ʒˈɛ tɛn tʃwˈɔvʲɛk ɕɛ ɡˈɔ bˈɔi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_61.wav|ɡdʑˈɛ sɔ̃ jˈɛɡɔ papʲˈɛrɨ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_35.wav|nˈɔ tɔ jɛstˌɛɕmɨ na mʲˈɛjstsu. xˈɔdʑmɨ zɔbˈatʃɨtɕ, s tʃɨm mˌamɨ dɔ tʃɨɲʲˈɛɲʲa. ɡɔtˈɔva?|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_215.wav|im vrˈɛʃtɕɛ zmˈarwa z vˌɨtʃɛrpˈaɲʲa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_190.wav|kˈilka nˈaʃɨx nˈɔtsɨ.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_97.wav|ˌidɛˈalnɨ namjˈɛstɲik.|1
+Dataset/wavs/urwisko_ferenc/03_segment_79.wav|i pʃɛdmʲˈɛɕtɕa tɔrˈuɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_52.wav|z namjˈɔtu dɔbjˈɛɡaw ɕmʲˈɛx pijˈanɛj kɔbjˈɛtɨ, mʲˌɛʃajˈɔntsɨ ɕɛ z dʑvʲɛŋkˈami drɛvɲʲˈanɛj xˈarfɨ ˌɔraz ɡwˈɔsɛm minstrˈɛlla.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_42.wav|ftˈɛdɨ s pɛvnˈɔɕtɕɔ̃ znalˈɛʑlibˌɨ tɛlˈɛfɔn i pˌɔvʲadɔmˈili ˈɔtɨm fˈaktɕɛ pˌɔlitsjˈanta pʃɨ dʒvʲˈax.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_40.wav|tˈak tʃɨ inˈatʃɛj, tɛn ktˈɔɕ mˈuɕaw mʲˈɛtɕ kɔntˈaktɨ s pʃˌɛstɛmptsˈami, ktˌuʒɨ vʲɛdʑˈɛli, kˈɔɡɔ dˈa ɕɛ pʃɛkˈɔnadʑ dɔ vˌɨkɔnˈaɲʲa bˈardʑɛj vˌɨspɛtsjˌalizɔvˈanɨx rˈɔbut.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_9.wav|ɲʲɛ mˈɔɡɛ kˈazatɕ mu spˈɛɲdʑitɕ nastˈɛmpnɛj nˈɔtsɨ f sˌamɔxˈɔdʑɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_244.wav|ˈɔtpar, kwˈadɔnts na pˌɔjɛmɲˈiku sfˈɔjɛ ɡʲˈizmɔ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_144.wav|dɔ pʲˈɛkwa, ˈalbɔ dɔ dˈɔmu, jˈaɡ vˈɔliʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_217.wav|ɲʲˈɛma jˈuʃ jˈɛdnak ɔdvrˈɔtu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_51.wav|pˈɔza tɨm jɛst jˈɛʃtʃɛ jˈɛdna ʒˈɛtʃ, ɔ ktˌurɛj ʒˈadnɛ z nˈaz dˈɔtɔnt ɲʲɛ fspɔmɲʲˈawɔ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_232.wav|bˌɨwa smˈukwa jˈak mʲˈɛtʃ i mʲˈawa ˈɔstrɛ, pˌɔvɨkʃɨvʲˈanɛ kravˈɛɲdʑɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_255.wav|ɲʲɛ sɔɲdʑˈiwam, ʒˈɛ ɔdˈɛjɕtɕɛ bˌɛɲdʑɛ mɲʲɛ tˈɨlɛ kˌɔʃtɔvˈawɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_3.wav|ˌɔna ɲʲɛ pɔvˈinna jˈɛʑdʑitɕ sˈama, kˈatɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_9.wav|bˈɛtskɨ ˌuswɨʃˈawa klikˈaɲʲɛ, kʲˈɛdɨ lˈintsaj skˌɔʒɨstˈawa s klˌavʲatˈurɨ na ɛkrˈaɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_30.wav|fʃˈɨstsɨ nˌazɨvˈali ɡˈɔ çˈiŋk.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_33.wav|pˌɔvʲɛdʑˈawaɕ, ʒˈɛ mˈa prɔblˈɛmɨ fˌinansˈɔvɛ. dlatʃˈɛɡɔ? tʃɨ tsˈɔɕ ɕɛ ɔstˈatɲʲɔ vˌɨdaʒˈɨwɔ?|4
+Dataset/wavs/urwisko_ferenc/23_segment_115.wav|xˈɛrman pɔtʃˈuwa drˈɛʃtʃ, ktˌurɨ pʃˈɛbjɛɡw jɛj pɔ krˌɛŋɡɔswˈupʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_15.wav|fʃˈɨstsɨ lˈɛʒɔ̃ f pɔblˈiʒu sfˈɔix mʲˈɛjsts, zˌauvaʒˈɨwam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_159.wav|ftˈɛdɨ zrˈɔbjɛ tsˈɔ kɔɲʲˈɛtʃnɛ.|2
+Dataset/wavs/urwisko_ferenc/01_segment_108.wav|ˌaɲi nˈavɛt ɲʲɛ ʃukˈaliɕtɕˌɛ jɛj tɕˈawa f pɔblˈiʒu ʒvˌirɔvˈiska.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_127.wav|pʃˈɨznam ʃtʃˈɛʒɛ, ʒˈɛ trˈɔxɛ brakˈujɛ mi vˈɛnɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_64.wav|ɲʲɛ jˌɛstɛm ˈaʃ tˈaɡ ɡwˈupi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_14.wav|i tˈaɡ bˌɨwɔː ˈaʒ dɔ dɲʲˈa nˌastɛmpnˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_178.wav|vʲɛʒˈɨtɕɛ lɛxˈɔfa, bˈɔ ɕˈɛdʑi pɔː ˈuʃɨ w dwˈuɡax, bʲˈili jɛst tˌɛɡɔ pˈɛvʲɛn, ɲʲɛ sɔ̃ s tˈɨx, tsˈɔ dɔ tɕˈɛbjɛ dʑvˈɔɲʲɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_11.wav|fxˈɔdʑi dɔ kˈuxɲi, kwˈadʑɛ tˈɔrbɨ na blˈatɕɛ, vˈidʑi natʃˈɨɲʲa zˈɛ ɕɲʲadˈaɲʲa na suʃˈartsɛ.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_144.wav|zdˌɛtsɨdˈɔvaw f kˈɔɲtsu sˈam.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_68.wav|vʲˈɛ, ʒˈɛ rˈɔbʲi ʒˈɛdʒ ɡwˈupjɔ̃ i pɔvˈiɲʲɛn pʃˈɛstatɕ, ˌalɛ ɲʲɛ mˈɔʒɛ ɕɛ ˈɔpʃɛtɕ pɔkˈuɕɛ, bˈɨ na bʲˈis ustʃˈɛlidʑ vˌɨxɨlˌajɔntsˈɛɡɔ ɕɛ krulˈika.|2
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+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_139.wav|mˈartfjɔ̃ mɲʲɛ tɛ zbjɔrɲˈiki z mɛtˈanɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_74.wav|f pɔʒˈɔntku, mˈili, tɔ jˈɛst...|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_45.wav|pˈannɔ pˈɔrtɛr|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_65.wav|ɲˈits.|3
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+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_33.wav|prɔvˈizji za tsˈɔ?|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_31.wav|zɔstˈawa utɕˈɛnta i nˈavɛd ɡˈɔwɨm ˈɔkʲɛm vˈidatɕ, ʒˈɛ sɔ̃ dɔ ɲʲˈɛj pʃˌɨklɛjˈɔnɛ vwˈɔsɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_116.wav|ɲʲɛ pˌɔvʲɛdʑˈawam ɲikˈɔmu ˈɔtɨm, tsˈɔ ɕɛ stˈawɔː i ʒˈɨwam z dɲʲˈa na dʑˈɛɲ jˈaɡ vɛ ɕɲʲˈɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_13.wav|ˈaʒ vʲˈɛ, ktˈɔ pˈɔrvaw mˈili.|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_118.wav|tˈɛras muɕˈawam trˈɔxɛ zatʃˈɛkatɕ.|4
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+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_138.wav|ɲˈidʑɡ znˈuv vɨxˈɨla ɕɛ dɔ pʃˈɔdu s tɨm uɕmʲˈɛxɛm brˈata wˈatɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_61.wav|ɡrˈubɛ bˌɛtɔnˈɔvɛ swˈupɨ ʒutsˈajɔ̃ tɕˈɛɲʲɛ w ɕfʲˈɛtlɛ sˌufitˈɔvɨx lˈamp, s ktˌurɨx tʃˈɛɲɕtɕ mˈiɡa tfˈɔʒɔnts ˈɛfɛkt strˌɔbɔskɔpˈɔvɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_70.wav|dɔtɕˈɛram dɔ ʃˈɔpɨ i pɔpˈɨxam drɛvɲʲˈanɛ dʒvˈi. ˈaw!|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_23.wav|ftˈɛdɨ tɔ dɔstʃˈɛɡam.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_177.wav|xfɨtɕˈiliɕmˌɨ ɡˈɔ za ˈɔba kˈɔɲtsɛ i zatʃˈɛliɕmˌɨ ɕɛ ɔddˈalatɕ ɔt ɕˈɛbjɛ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_223.wav|tfˈɔi prˌɔstatʃkˈɔvʲɛ bˌɛndɔ̃ mˈɔɡli ˈɔdɛjɕtɕ f pɔkˈɔju ˈalbɔ swˈuʒɨtɕ lɔrdˈɔvi ˌammɔnˈɔvi.|1
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+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_256.wav|tˈɨx, ktˌurɨx pˌɔkazˈawɛɕ mi na tˌɛlɛvˈizji?|0
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+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_456.wav|f tfˈɔjɛj sˌɨtuˈatsji rˈuvɲʲɛʒ bˈɨm ɕɛ bˈawa.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_148.wav|tɔ bˈɨw krɛtˈɨɲski dˈɔftɕip, ˌalɛ na turˈɨstuv dʑˈawaw ɲʲˌɛzavˈɔdɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_39.wav|ˈɔkɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_113.wav|pʃɛpˈuʃtʃa samˈɔxut rˌɔsxlapujˈɔntsɨ kawˈuʒɛ, pɔ tʃɨm pʃɛxˈɔdʑi na drˈuɡɔ̃ strˈɔnɛ ulˈitsɨ, ɡdʑˈɛ rɔstɕˈɔŋɡa ɕɛ pˈusta dʑˈawka.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_3.wav|ˈandɛrsɔn pˈɔtʃɛd dɔː ˈɔkna i pˈatʃɨw xfˈilɛ za rɨˈanɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_122.wav|jˈulɔŋɡ bˈavi ɕɛ paltsˈami, a tɔ ɲʲɛ jɛzd dˈɔbrɨ znˈak.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_195.wav|xˌɨlaxˈanta pɔbʲˈitɔ tˈak ɔkrˈɔpɲʲɛ, ʒˈɛ ɲʲˈɛmal ɲʲɛ spˈɔsub bˌɨwɔ ɡˈɔ pˈɔznatɕ.|1
+Dataset/wavs/urwisko_ferenc/37_segment_56.wav|z bˈɔku budˈɨŋku dˈɔstʃɛɡw ɡrˌanatɔvˈɛɡɔ mˌɛrtsɛdˈɛsa, ˌalɛ ɲˈiɡdʑɛ ɲʲɛ vˈidʑaw mˌɔtɔtsˈɨkla.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_140.wav|ʒˈɛ tɔ ja ɡˈɔ ɕtɕˈiɡam?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_132.wav|ɔn ʒɛrˈujɛ na swˈabɨx i ix kˌɔntrɔlˈujɛ, ˌumɲʲɛjʃˈajɔnts ix pɔtʃˈutɕɛ vwˈasnɛj vartˈɔɕtɕi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_52.wav|zˈatɔ mi pʃˌɛtɕɛʃ pwˈatsɔ̃.|0
+Dataset/wavs/urwisko_ferenc/26_segment_16.wav|na stˈatsji ɔrlˈɛnu tˈuʃ ˌɔbɔk ɲʲɛ bˌɨwɔ ʒadnˈɛɡɔ kljˈɛnta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_129.wav|xˈɔtɕ tɔ ɲʲˌɛmɔʒlˈivɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_156.wav|xˈɔtɕaʃ jɛst jˈɛdɛn mˈawɨ prˈɔmɨk nadʑˈɛi.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_5.wav|nˈavɛd z bʒˈɛɡu mˈɔʒna bˌɨwɔ dˈɔstʃɛts, ʒˈɛ jɛzd bɔɡˈatɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_20.wav|ˈalbɔ ʒˈɛ ˌɔdnalɛʑˈɔnɔ mˈilljɛ i ˈaʃa.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_242.wav|a nˈavɛt rubʲˈinɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_80.wav|ˌɔna mˈɔʒɛ tˌɛɡɔ ɲʲɛ vʲˈɛdʑɛtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_87.wav|bʲˈillɨ f kˈɔɲtsu vɨwˈɔntʃa kɔmpˈutɛr.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_75.wav|zˌauvˈaʒam, ʒˈɛ lˈɛkkɔ dʑˈiɕ utˈɨka, ˌalɛ ɲʲɛ kˌɔmɛntˈujɛ tˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_309.wav|i zˌɔbatʃˈɨwa dˈuxa.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_288.wav|smˌakɔvˈawɔ jˈak srˈatʃka ʃatˈana.|4
+Dataset/wavs/urwisko_ferenc/12_segment_134.wav|a rˈatʃɛj karˈɔla, ktˌurɨ zˈɔstaw s trˈawmɔ̃. tɔ fʃˈɨstkɔ nˈam...|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_14.wav|ˌalɛ mˈɔʒɛ nˈam pˈan pˈɔmuts, mˈuvʲɔnts ɔ fʃˈɨstkim, tsˈɔ rɔbʲˈiwa ˌɔstatɲʲˈɛɡɔ vʲɛtʃˈɔru.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_47.wav|uɕmʲˈɛxam ɕɛ ʃɛrˈɔkɔː i tˌɨlkɔ na ɲʲˈɛɡɔ pˈatʃɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_43.wav|pʃɨjʒˈɨmɨ ɕɛ kaʒdˈɛmu s tˈɨx...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_39.wav|bˈɛtskɨ zmarʃtʃˈɨwa nˈɔs.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_36.wav|minˈɛwɔ trˈɔxɛ tʃˈasu, ˈɔtkɔnt ɔstˈatɲʲɔ rɔbʲˈiliɕmˌɨ tsˈɔɕ rˈazɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_78.wav|bjˈawɛ pʲˈɛrɕi zbjˌɛɡajˈɔntsɛ f strˈɔnɛ pˈax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_87.wav|bɨwˈɔbɨ mi pʃˈɨkrɔ, ɡdˈɨbɨɕ mʲˈaw ˈɔmɲʲɛ tˈakʲɛ zdˈaɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_7.wav|znˈam tsˌamɛrˈɔna na tˈɨlɛ dˈɔbʒɛ, bˈɨ pʃɨpˈuʃtʃatɕ, ʒˈɛ ˌapsɔlˈutɲʲɛ mˈa tɔ sˈɛns.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_26.wav|pˈɔtɛm zˌawɔʒˈɨliɕmˌɨ kˌɔmbʲinɛzˈɔnɨ xwɔdʑˈɔntsɛ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_284.wav|ɡdˈɨ tsɛrsˈɛi vˈɨʃwa na dvˈur, pʃˌɛkɔnˈawa ɕɛ, ʒˈɛ ɲʲˈɛbɔ jɛst ʃˈarɛ i zˌaxmuʒˈɔnɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_80.wav|pˈɔtɛm splˈɔtwam pʃɛvˈɔdɨ i s pɔvrˈɔtɛm zˌatɕisnˈɛwam krˌɔkɔdˈɨlki na bjɛɡˈunax, ˌɔminˈɔ̃fʃɨ ɡwˈuvnɨ pʃɛrˈɨvatʃ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_186.wav|a ɔn ftˈɛdɨ ˈɔdda mu pˌɛndrivˈɛa zˈɛ zdjɛɲtɕˈami.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_25.wav|zwɔvrˈɔɡʲɛ lˈitsɔ sˌɛptɨmˈɔɛl ɲʲɛ zmʲɛɲˈiwɔ vɨrˈazu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_121.wav|zˌaxɔvɨvˈawa ɕɛ dʑˈivɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_2.wav|pɔvwˈutʃɔnts nɔɡˈami vrutɕˈiwam dɔ dˈɔmu pʃˈɛs labʲˈirɨnt kˌɔrɨtˈaʒɨ ɔː ˌalumiɲʲˈɔvɨx ɕtɕˈanax.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_191.wav|tˈu nˌapisˈali, ʒˈɛ ʑɛlˈɔnɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_16.wav|ɲʲɛ ɔtstˈavatɕ ɔt julˈɔŋɡa i mˈa ˌimpɔnujˈɔntsɔ̃ stˈɛrtɛ ʒɛtˈɔnuf.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_267.wav|viktˈarjɔn tʃˈuw vˌɨpɛwɲʲajˈɔntsɨ kɔmnˈatɛ ɲʲɛpˈɔkuj. fstˈaw s kʃˈɛswa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_81.wav|tˈak, ftrˈɔɲtɕiw ɕɛ znˈuf spʃɛdˈaftsa. ɲˈikt ɲʲˈɛvʲɛ, tsˈɔ ɕɛ naprˈavdɛ stˈaɲʲɛ tˌɛɡɔ lˈata.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_225.wav|dʑɛŋkˈujɛ, ʒˈɛ pʃɨʃˈɛdwɛɕ, tˈatɔ, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_137.wav|kɔlˈɛjka na pˈɔtʃtɕɛ mˈɔɡwa ɕɛ ɔpˈuʑɲitɕ, ˈalɛ...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_56.wav|dlatʃˈɛɡɔ xtɕˈawɨ s tˈɔbɔ̃ rɔzmˈavʲatɕ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_10.wav|pʃˈɛs ɔtfˈartɛ dʒvˈi bˈɛtskɨ zˌɔbatʃˈɨwa dwˈuɡʲi stˈuw i ˌɛlɛɡˈantskʲɛ, starˈanɲʲɛ ˌupɔʒˌɔntkɔvˈanɛ bjˈurkɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_333.wav|dʑɛŋkˈujɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_346.wav|ɲʲɛ vʲadˈɔmɔ tʃˌɛmu bˈawɛm ɕɛ vʑˈɔɲtɕ prˈɨʃɲits.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_188.wav|lˈudʑɛ pʃˌɨlatˈujɔ̃ tˈu vwˈaɕɲʲɛ pˈɔtɔ, ʒˈɛbɨ ix uɲˈiknɔɲtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_10.wav|ɔ tʃɨm tɨ mˈuviʃ? prˈɔʃɛ, vˈɨʒutɕ tɔ pɔ prˈɔstu s ɕˈɛbjɛ.|4
+Dataset/wavs/urwisko_ferenc/63_segment_158.wav|i dlatˈɛɡɔ zˈabʲiw ix fspˈulnɛ dʑˈɛtskɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_8.wav|pˈɔftuʃ tɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_57.wav|fɕadˈamɨ dɔː ˌawtɔbˈusu stˌɔjɔntsˈɛɡɔ pɔt tˌɛrminˈalɛm i jɛdʑˈɛmɨ na pʃɨstˈanɛk pˌɔwɔʒˈɔnɨ f pɔblˈiʒu vˌɨpɔʒɨtʃˈalɲi sˌamɔxˈɔduf.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_54.wav|xˈɔtɕ pˌɔruʃˈawa ustˈami, ɲʲɛ vˌɨdɔstˈawɨ ɕɛ z ɲˈix jˈɛdnaɡ ʒˈadnɛ swˈɔva.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_357.wav|zˌatʃɨmˈali ɕɛ ˈu pɔtstˈavɨ sxˈɔduf. ˌalɛ tɔ mˈuɕi bˈɨtɕ ɔstˈatɲi. na tsˈɔ nˈajmɲʲɛj pˈuw rˈɔku.|1
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_118.wav|a lˈutski ɔrɡˈaɲizm ɲʲɛ pɔtrˈafi vɨkrˈɨvadʑ brˈaku tlˈɛnu.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_36.wav|mˈimɔ tɔ bˌɨwa dˈɔsɨdʑ ʒˈɛɕka jˈak na pʲˌɛɲdʑɛɕˌɛɲtɕɔlˈatkɛ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_415.wav|ɲʲˌɛpʃɨjˈɛmɲʲɛ zaskˈɔtʃɨw krulˈɔvɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_16.wav|mˈili zastˈɨɡwa w bɛzrˈuxu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_69.wav|tɔ bˌɨwɔ pʃˌɛtstavʲˈɛɲʲɛ, ɔtpˈarwa bˈɛtskɨ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_228.wav|f tsˈɛli bˌɨwɔ tɕˈɛmnɔ, xˈɔtɕ ˈɔkɔ vɨkˈɔlɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_78.wav|mrˈuknɔw i pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃. dʒˈɛɡɛr tɔ jˈɛʃtʃɛ ɡˈɔrʃɨ sukˈinsɨn.|3
+Dataset/wavs/urwisko_ferenc/28_segment_88.wav|vʑˈɔw mˈawɔ̃ dɔ sfɔjˈɛɡɔ sˌamɔxˈɔdu i ˈɔdvʲuz jˈɔ̃ dɔ ʒwˈɔpka.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_106.wav|ˈandɛrsɔn tʃˈɛkaw pʃˈɛs xfˈilɛ. tʃwˈɔvʲɛɡ vˈɨjɔw pˈalɛdʑ z ˈuxa, ɕˈɛŋɡnɔw dɔ kʲɛʃˈɛɲi i vʒˈutɕiw dɔː ˌawtɔmˈatu dʑˌɛɕɛɲtɕˌɔtsɛntˈufkɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_168.wav|tʃˈɛɡɔ pˌɔtʃɛbˈujɛʃ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_47.wav|pˈuʑɲʲɛj ɕadˈajɔ̃ na kʃˈɛswax ˌɔɡrɔdˈɔvɨx pʃɛt sfɔˈimi pˌɔkɔjˈami, pʃˌɛsuvˈajɔ̃ ɕɛ dɔ ɕˈɛbjɛ i pˈijɔ̃ ʑˈimnɛ pˈivɔ.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_49.wav|— pˈɔvʲɛts, tʃɨ tɔ nˈaʃa mˈawa krulˈɔva rˌɔskazˈawa tɕi zˈabʲitɕ lˈɔrda ɡʲillˈɛsa?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_46.wav|jˈaɡbɨm jˈɔ̃ vɨvˈɔwaw ɲʲˌɛpʃɨɡˌɔtɔvˈanɔ̃ z innˈɛɡɔ vɨmjˈaru ˈalbɔ z innˈɛɡɔ ɕfʲˈata.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_137.wav|ɡʒˈɛjɛ mˈartfɔ̃ ʑˈɛmʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_80.wav|kapˈitan wˈɔftʃɨɲ ɔbʒˈutɕiw ɡˈɔ zˌatɕɛkavʲˈɔnɨm spɔjʒˈɛɲʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_75.wav|bʲˈillɨ vˌɨʃarpˈujɛ pˈapʲɛr pakˈɔvɨ, tˈɛras jˈuʃ upstʃˈɔnɨ rɛʃtkˈami çiɲʃtʃˈɨznɨ s pʃˌɛsɨpˌujɔntsˈɛɡɔ ɕɛ kˌɔntɛnˈɛra i pɔt spˈɔdɛm znajdˈujɛ tˌɨlkɔ stˈarɨ brˈuk.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_2.wav|nˈavɛt f tɕɛmɲˈitsɨ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_243.wav|prɔskˈijtʃɨɡ za maʃˈɨstɨm ɡˈɛstɛm ˈuɲʲuz vʲˈɛkɔː i ɔtsˈunɔw ɕɛ z uɕmʲˈɛxɛm.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_104.wav|ˌalɛ zˈabʲiw ɡˈɔː ˈɔɡar, pˈaɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_13.wav|xˈɔdʑmɨ dɔ pivɲˈitsɨ, zˌɔbatʃˈɨmɨ, tʃɨ zɔstˈawɨ jˈɛʃtʃɛ jˈapka.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_52.wav|vˈɛʃwam dɔ bˈutki i zˌatʃɛkˈawam, ˈaʒ dʒvˈi zɛvnˈɛntʃnɛ zˈamknɔ̃ ɕɛ za mnˈɔ̃ ʃtʃˈɛlɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_118.wav|pɔɲʲˈɛvaʒ vʲˈɛm, ʒˈɛ ɲʲɛ pˌɔviɲʲˈɛnɛm.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_158.wav|w blˈasku ɔɡɲˈiska vˌɨdavˈawɔ ɕɛ ɲʲˈɛmal, ʒˈɛ tʃɛrvˈɔnɛ i tʃˈarnɛ zmˈarʃtʃki w mɛtˈalu ɕɛ pˌɔruʃˈajɔ̃, ˌalɛ kɔbjˈɛta f ʃˈarɛj ʃˈatɕɛ patʃˈɨwa tˌɨlkɔ na ɡˈawkɛ.|1
+Dataset/wavs/urwisko_ferenc/10_segment_4.wav|ɕˈɛŋɡnɔw pɔ ʃˈɛlki i zawˈɔʒɨw jˈɛ psˈu, ktˌurɨ pɔnˈɔvɲʲɛ zˈatʃɔw pˌɔpiskˈivatɕ, tɨm rˈazɛm z radˈɔɕtɕi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_41.wav|ɡwˈɔs tˈɔma bˈɨw vɛsˈɔwɨ. tsˈɔ mˈɔʒna bˌɨwɔ pɔvʲˈɔ̃zadʑ zˈɛ zblˌiʒajɔntsˈɨmi ɕɛ nˌarɔdʑinˈami dʑˈɛtska, kturˌɛɡɔ spˌɔdʑɛvˈawa ɕɛ jˈɛɡɔ partnˈɛrka lˌɔuˈisa?|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_232.wav|f tɛn spˈɔsup rˈatʃɛj ɲʲɛ skwˈɔɲiʃ mɲʲɛ dɔ pʃɛwkɲʲˈɛɲtɕa ɡɲʲˈɛvu.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_273.wav|xtɕˈawɛm jˈɔ̃ pɔtɕˈɛʃɨtɕ pɔ ɕmʲˈɛrtɕi krˈula.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_167.wav|tʃˈɨmaj mɔjˈɛɡɔ mawˈɛɡɔ z dˈala ɔd dvˈuɣ ʒˈɛtʃɨ. ɔt sˌamɔlˈɔtuf i ɔt kˈɔbjɛt. ɲʲˈɛɣ vrˈutɕi w ɡˈurɨ, bˌɛɲdʑɛ dˈɔbrɨm rˌatɔvɲˈikʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_129.wav|ɔdˈɛzvɛ ɕɛ f tɛj sprˈavʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_21.wav|sɔɲdʑˈili, ʒˈɛ udˈawɔː im ɕɛ uɲˈiknɔɲtɕ fʃɛlkʲˈɛɡɔ rɨzˈɨka zvʲˌɔ̃zanˈɛɡɔ z ɔtkrˈɨtɕɛm. a tˈɛssa rɔbʲˈiwa fʃˈɨstkɔ, bˈɨ jˈɔɛ ɲitʃˈɛɡɔ ɲʲɛ vɨtʃˈuwa.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_311.wav|na ulˈitsaɣ valˈawɨ ɕɛ trˈup��, a pʃɨ kˈaʒdɨm z ɲˈiɣ zɛbrˈawɔ ɕɛ jˈuʃ stˈatkɔ pˌadlinɔʒˈɛrnɨɣ vrˈɔn.|1
+Dataset/wavs/urwisko_ferenc/60_segment_15.wav|tʃˈɛba bˌɛɲdʑɛ sprˈavdʑitɕ, skˈɔnt mʲˈawa tɛ piɡˈuwɨ. pˌɔvʲɛdʑˈawa mˈarja bˈardʑɛj dɔ ɕˈɛbjɛ ɲˈiʒ dɔ mɛdˈɨka.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_315.wav|pˌɔvʲɛdʑˈawam mu, ʒˈɛ ɡdˈɨ mɨrtsˈɛlla zɔstˈaɲʲɛ krulˈɔvɔ̃, pɔzvˈɔli nˈam ɕɛ pˈɔbratɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_139.wav|xˈɨba jˈɛdnak xtsˈɛ, ʒˈɛbɨʑ vˈɨswaw maˈila, mˈuvi bʲˈillɨ. pˌɔdɨktˈujɛ tɕˈi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_269.wav|ɲˈits ɲˈiɡdɨ ɲʲɛ stˈaɲʲɛ ɕɛ z vˈami.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_30.wav|pˈatʃɨ nˈamɲʲɛ pʃˈɛz dwˈuʃʃɔ̃ xfˈilɛ.|3
+Dataset/wavs/urwisko_ferenc/01_segment_17.wav|pˌɔftuʒˈɨwa pʲˈɛrʃɨ vˈɛrs i drˈuɡʲi, ˌalɛ tɛn tʃˈɛtɕi jˈak na zwˈɔɕtɕ ulˈɛtɕaw jɛj s pamjˈɛɲtɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_17.wav|dˌɔwɔntʃˈɨwa dɔ kˌɔlɛʒˈanɛk i kɔlˈɛɡuf, ktˌuʒɨ ˌɔmavʲˈali vwˈaɕɲʲɛ tɛˈɔrjɛ dˌɔtɨtʃˈɔntsɛ tˌɔʃsamˈɔɕtɕi zabˈujtsɨ ʒˈɔnɨ ix ʃˈɛfa.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_305.wav|dˈɔbra, na rˈaʑɛ ɔtpˈarwam i rˌɔzwɔntʃˈɨwam ɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_31.wav|tɔ xˈɨba ɕfʲˈattʃɨ ɔ vˈiɲʲɛ, tsˈɔ? tsˈɔ mɨɕlˈitɕɛ na tɛn tˈɛmat?|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_177.wav|kˌatɔlˈikɔ buˈɛnɔ, tɛn bˈɔksɛr.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_157.wav|a tɨ na pˈɛvnɔ jˌɛstɛɕ tsˈurkɔ̃ lˈɔrda prˌɔtɛktˈɔra.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_328.wav|jɛzd vˈɨjɕtɕɛ. ktˈɔʑ vˈɨɡʲɔw jˈɛdɛn prˈɛnt. pʃɛtɕˈiskam ɕɛ na zˈɛvnɔntʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_132.wav|xˈɔl, ktˌurɨ zˈafʃɛ bˈɨw ʒɛɲɕˈiɕtɕɛ ˌɔɕfʲɛtlˈɔnɨ, tˈɛras tˈɔnɔw f puwmrˈɔku.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_208.wav|a pɔvʲˈɛdʑmɨ, ʒˈɛ stfɔʒˈɔnɔ prɔtˈɔtɨp tˌɛɡɔ nɔvˈɛɡɔ ɕfʲˌatwɔvˈɔdu w lˌabɔratˈɔrjum na pɔkwˈadʑɛ sˌatɛlˈitɨ krˌɔ̃ʒɔntsˈɛɡɔ pɔː ɔrbʲˈitɕɛ ˌɔkɔwɔʑˈɛmskʲɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_31.wav|strˈaʃɲʲɛ mɲʲɛ bˈɔli, zajˈɛntʃaw. ɡdʑˈɛ, f ktˌurɨm mʲˈɛjstsu?|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_457.wav|ja dˌɛtsɨdˈujɛ, kˈɔmu ɕɛ vˈɨrvʲɛ jˈɛ̃zɨk, ɲʲɛ tˈɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_18.wav|tʃˈujɛ, ʒˈɛ zblˈiʒa ɕɛ dɔ kˈɔɲtsa zˌaplanɔvˈanɛj pʃɛmˈɔvɨ i zatʃˈɨnam ɕɛ strɛsˈɔvatɕ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_17.wav|ʒˌɛtʃɨvˈiɕtɕɛ, zapˈɛvɲʲa.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_421.wav|i tsˈawɛ ʃtʃˈɛɲɕtɕɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_33.wav|f pɔpʃˈɛdɲim rˈɔku jˈɛdɛn xwˈɔpaɡ zˌaprɔpɔnˈɔvaw, ʒˈɛbɨɕmˌɨ pˈɔʃli dɔ jɛdnˈɛɡɔ s kˈasɛn w mʲˈɛɕtɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_150.wav|na ɔdvrˈɔtɕɛ. nˌapisˈawɛm drˌukɔvanˈɨmi lˌitɛrˈami jɛj ˈimjɛ, pɔ tʃɨm fsunˈɔwɛm lˈist rˈazɛm s klˈutʃɛm dɔ mɔjˈɛɡɔ pɔkˈɔju pɔt jɛj dʒvˈi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_95.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_44.wav|ɲˈikt ɲʲɛ nˈɔɕiw kˈasku. nˌajvɨrˈaʑɲʲɛj f prɔvˈintsji ˈalˈanbar ɲʲɛ swɨʃˈanɔː ɔ zasˈadaɣ bˌɛxˌapˈɛ.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_282.wav|pʃɨɕˈɛŋɡam na ɕˈɛdmju, pʃɨɕˈɛŋɡam na mˈuj mʲˈɛtʃ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_5.wav|zˈɛrkam na dʒvˈi prˌɔvadʑˈɔntsɛ dɔ kˈuxɲi, ˌalɛ mˈili na rˈaʑɛ ɲʲɛ pɔdjˈɛwa prˈubɨ jɛj ˌɔpuʃtʃˈɛɲʲa. fkrˈuttsɛ ɕɛ tɔ pˈɛvɲʲɛ zmʲˈɛɲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_211.wav|ɲʲɛ sˈɔndʑɛ, mˈuvi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_31.wav|prˈɔblɛm f tˈɨm, ʒˈɛ mʲˈɛʃa rˈuvɲʲɛʒ w ʒˈɨtɕu mˈɔjɛj tsˈurki. uvˈaʒaj!|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_19.wav|pˌɔjɛxˈawam kˈɔɡɔɕ ɔdvʲˈɛdʑitɕ. tɔ dwˈuɡa çistˈɔrja i mˈawɔː istˈɔtna.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_114.wav|ɲʲˈɛvʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_423.wav|ˌalɛ brjˈɛnnɛ ɲʲɛ vidʑˈawa sˈɛnsu vˌɛndrɔvˈaɲʲa f tˈamtɔ̃ strˈɔnɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_62.wav|jˈumbɔ ɕɛ uɕmʲˈɛxnɔw. jˌɛstɛm pˈɛvnɨ, ʒˈɛ kazˈawɛʑ bˈɛtskɨ zadʑvˈɔɲitɕ pɔt pɔzˈɔrɛm jˈakʲɛjʑ vˈaʒnɛj sprˈavɨ, tsˈɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_74.wav|mˈam pˈarɛ zˌɔbɔvʲˈɔ̃zaɲ, ktˌurɛ mˈuʃɛ vɨpˈɛwɲitɕ, ˌalɛ na ʃtʃˈɛɲɕtɕɛ kˈaʒda z ɲˈiɣ znajdˈujɛ ɕɛ ɔ ɡɔdʑˈinɛ jˈazdɨ stˈɔnt.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_338.wav|jˈɛɡɔ jˈasna, xwɔpʲˈɛntsa jˈɛʃtʃɛ tfˈaʃ pˈɛwna bˌɨwa fstrˈɛntu.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_216.wav|tˈutaj tˈɛʃ pˌanɔvˈawa tɨpˈɔvɔ prˌɔlɛtarjˈatska ˌatmɔsfˈɛra, ˌalɛ ɲʲɛ bˌɨwa pʃˌɛɕɔŋkɲʲˈɛnta tɔ̃ vˈɔɲʲɔ̃ dˌɛspɛrˈatsji, ktˌura ˌunɔɕˈiwa ɕɛ na ɲˈiʃʃɨx pɔʑˈɔmax.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_94.wav|zˌastʃɛlˈiwɛɕ tˌɛɡɔ tʃwɔvʲˈɛka.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_24.wav|i udˈawɔ ɕɛ. tɔ bˌɨwa kˈirstɛn tsˈarlsɔn. f ɕˈɛtɕi jɛst mnˈustfɔ jɛj zdjˈɛɲtɕ, tsˈɔ vɨɲˈika s pˌɔɕadˈaɲʲa swavnˈɛɡɔ, a mˈɔʒɛ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_213.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_3.wav|f pʲˈɛrʃɛj kˌɔlɛjnˈɔɕtɕi xtɕˈaw upˈɔratɕ ɕɛ zˈɛ sfɔˈimi mɨɕlˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_160.wav|ˌɔtatʃˈawa nˈaz vˈɔda, a ja ˌuvʲɛlbjˈawam spˈɛndʑadʑ z ɲˈim tʃˈas, bˈɔ zˌauvˈaʒaw pʲˈɛŋknɔ dʑˈikix kfʲˈatuf i ptˈaɕix trˈɛli.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_29.wav|mˈɔʒɛ jˈakiɕ spˈadɛk, zˌasuɡɛrˈɔvaw rˈɔp.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_207.wav|i zˌɔbatʃˈɨwɛm, ʒˈɛ jˈuʃ ɲʲɛ jˌɛstɛm vˈilljam mˈillɛr, a ɡʲˈirls fˈirst lˈɔvɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_17.wav|ftˈɛdɨ bˌɛndɛ zmuʃˈɔna dɔ kwˈamstfa, bˈɔː ˌapsɔlˈutɲʲɛ ɲʲɛ mˈɔɡɛ dɔ tˌɛɡɔ dɔpˈuɕtɕitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_222.wav|tɔ najlˈɛpʃɨ spˈɔsup na vɨkrˈɨtɕɛ pʃɛtɕˈɛkuf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_24.wav|sfˈɔim najɡˈɔrʃɨm kɔʃmˈarɔm.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_353.wav|a tsˈɔ jɛj ˌɔtpɔvʲɛdʑˈawaɕ? ɲʲˈɛmam pˈaɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_209.wav|mˈɔʒɛ ɲʲɛ fʃˈɨstkʲɛ ʃtʃɛɡˈuwɨ ɕɛ zɡadʑˈajɔ̃. mˈɔʒɛ ɲʲɛ zrˈɔbʲiw tˌɛɡɔː ˈɛdʲisɔn, ˌalɛ bʲˈillɨ jɛst prˈavʲɛ pˈɛvʲɛn, ʒˈɛ w ɔɡˈulnɨɣ zarˈɨsax tˈak tɔ ɕɛ vwˈaɕɲʲɛ ɔdbˈɨwɔ.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_151.wav|tɔ rˈuvɲʲɛʒ bɔɡˈɔvʲɛ dˈali tɕi w jˈakimɕ tsˈɛlu, dˈɔ...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_68.wav|zˈaɲim zdɔ̃ʒˈɨwa pʃɛkˈazatɕ sfˈɔjɛ pʃˌɛmɨɕlˈɛɲʲa lˈintsaj, zadʑvˈɔɲiw jɛj tɛlˈɛfɔn. tɔ bˈɨw tˈɔm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_124.wav|xtɕˈawa, ʒˈɛbɨm pˌɔkazˈawa, kˈim jɛst ˈaram fɔrˈakis.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_54.wav|pˈan rˈɔbʲi stˈɔpɨ. tsˈɔ tɔ mˈɔʒɛ bˈɨtɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_43.wav|trˈip pˈɔʃɛd na utʃˈɛlɲʲɛ spˈɔtkatɕ ɕɛ s prˌɔmɔtˈɔrɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_138.wav|trˈɔnt lˈɛʒaw f kɔstɲˈitsɨ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_430.wav|bˌɨwɨ ʃˈɔrstkʲɛ i stfardɲʲˈawɛ ɔt mʲˈɛtʃa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_168.wav|pwˌɨvajˈɔntsɨx f ʃtˈutʃnɨɣ basˈɛnax i jˌadajˈɔntsɨɣ w drˈɔɡʲix nadmˈɔrskix rˌɛstawrˈatsjax xɔmˈarɨ,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_17.wav|pɔxˈɨliw ɕɛ nˈadɲʲɔ̃ i ɔtsˈunɔw jɛj vwˈɔsɨ s tʃˈɔwa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_192.wav|ɲʲˈɛma kɔʃtˈɔvnɨɣ zaxtɕˈanɛk. ʃˈampan i aɡˈɛntsjɛ tˌɔvaʒˈɨskʲɛ tɔ ɲʲɛ dla ɲʲˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_13.wav|kʲˈɛdɨ vˈɛʃli dɔ kˈuxɲi, zvrutɕˈili uvˈaɡɛ na vwɔntʃˈɔnɨ, zˌabudɔvˈanɨ ˈɛksprɛz dɔ kˈavɨ. ɲˈilɛ stˈaw ˌɔbɔk ɲʲˈɛɡɔː i ftɕˈiskaw pʃɨtɕˈiski.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_29.wav|ɔznˈajmiw brˈat nˈarbɛrt.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_94.wav|s pʃˌɛraʒˈɛɲʲɛm zˌauvˈaʒam, ʒˈɛ jɛst tˈɛʃ fˌɔtɔɡrˈafja sˈaski w blˈɔnt pɛrˈutsɛ ˌɔpuʃtʃajˈɔntsɛj ˌapartˌamɛntˈɔvʲɛts w mˌanxɛstˈɛʒɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_43.wav|dˈɔbʒɛ nˈadɲim prˌatsɔvˈali, tsˈɔ? pɔvʲˈɛdʑaw ˈandɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_201.wav|xtɕˈaw pʃˈɛjɔɲtɕ prɔdˈuktsjɛ ˌalumˈiɲʲum.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_84.wav|zdaʒˈawɔ ɕɛ tˈɛʃ, ʒˈɛ ɕpʲˈɛvaw dla ɲʲˈɛj, kʲˈɛdɨ ˌɔna zˌaspɔkajˈawa vwˈasnɛ ʒˈɔndʑɛ z innˈɨmi kˌɔxaŋkˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_10.wav|muɕˈawam ɔtpwˈɨnɔɲtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_199.wav|tˈam anˈɔrtɨt jɛst spʲɛkˈanɨ i wˈɛ fˈɔrmʲɛ ɛlˈɛktrɔd vrˈatsa na ɡˈurɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(28) R.Abbott_Zamknij Drzwi_segment_16.wav|sprubˈɔvaw pɔrˈuʃɨtɕ nɔɡˈami.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_28.wav|pˈɔtɛm pʃˈɨʃwa kˈɔlɛj na sˈamɛ skafˈandrɨ, ktˌurɛ zˌawɔʒˈɨliɕmˌɨ pˌɔmaɡˈajɔnts sˈɔbjɛ navzˈajɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_32.wav|vʲˈɛnts tsˈɔ mˈam mu pɔftˈuʒɨtɕ, pˈaɲʲɛ ˈandɛrsɔn?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_48.wav|stˈɔjɛ tˈam, ɡdʑˈɛ ɲʲɛ mˈɔʒɛʃ mɲʲɛ dˈɔstʃɛts i pˈatʃɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_135.wav|vʲˈɛm, tsˈɔ mˈuʃɛ zrˈɔbʲitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_54.wav|budˈɨnɛɡ bˈɨw kʲˈɛdɨɕ ɕɛdʑˈibɔ̃ fˈirmɨ bˌudɔvlˈanɛj, ktˌurɛj ʃˈɛf kɔʒˈɨstaw s tɛj drˈɔɡʲi, ʒˈɛbɨ fxˈɔdʑidʑ dɔ ɲʲˌɛistɲʲɛjˈɔntsɨx jˈuʒ varʃtˈatuf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_7.wav|xtsˈɛ vˈɛjʑdʑ dɔ vˈɔdɨ, a ja tɕˈɛrpjɛ, ʒˈɛ ɲʲɛ mˈɔɡɛ mu nˈatɔ pɔzvˈɔlitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_146.wav|ɔ fpˈuw dɔ dʑɛvʲˈɔntɛj dʒˈim ˈalbrikt i dʒˈɔn tsˈɔltɔn zjavʲˈajɔ̃ ɕɛ na tsˈɔurt strˈit i pʃˌɛtɕinˈajɔ̃ plˈats pʃɛd vˈɛjɕtɕɛm dɔ ɡˈɛrart tˈɔvɛr. ɲʲˈɔsɔ̃ dˈuʒɛ kˈaɲtɕa s taktˈufki.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_32.wav|uɲʲˈɔswa ɡwˈɔvɛ, ˌɔdʒutɕˈiwa brɔ̃zˈɔvɛ vwˈɔsɨ jˈɛdnɨm nˈaɡwɨm rˈuxɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_49.wav|tˈɔm pɔnˈɔvɲʲɛ vɨtɕˈɔŋɡa rˈɛŋkɛ i tɨm rˈazɛm spˈɛwɲʲa mɲʲɛ jˈɛɡɔ prˈɔʑbɛ ɔː ˌɔpuʃtʃˈɛɲʲɛ pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_44.wav|ˌidɛˈalnɨ makˈijaʒ zɲˈiknɔw, a vwˈɔsɨ ɕtɕɔŋɡnˈɛwa f kˈutsɨk.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_6.wav|kɔxˈawam sfˈɔjɔ̃ prˈatsɛ, a fʃˈɛlkʲɛ ɔbˈavɨ zvʲɔ̃zˈanɛ s pɔvrˈɔtɛm dɔ mˌanxɛstˈɛru, mʲˈasta, s ktˌurɨm ɲʲɛ wɔntʃˈɨwɨ mɲʲɛ dˈɔbrɛ fspɔmɲʲˈɛɲʲa, zɲiknˈɛwɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_215.wav|ʒˈɛkwɛm dɔ ɕˈɛbjɛ ɕˌɛdʑɔntsˈɛɡɔ w drˈuɡʲim pɔkˈɔju.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_70.wav|vɨʃˈɛdwɛm na ulˈitsɛ. stanˈɔwɛm pʃɨ bʒˈɛɡu xɔdɲˈika, zbjɛrˈajɔnts mˈɨɕli.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_6.wav|jˈɔɛ, za kˈilka mˈinut ɔdʑˈɨskaʃ sfˈuj tɛlˈɛfɔn.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_17.wav|tˈak pˌɔstanɔvˈiwa tˈam ɕɛ vˈɨbratɕ pʃɨ pɔmˈɔtsɨ tjˈɛn, lˈɛtʃ kɕˈɛ̃ʒɨ ɔbˈɛrɨn zwˈapaw jˈɛ nad vˈitɛ i ˈɔdvʲuz dɔ dˈɔmu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_23.wav|tʃɨ tˈam vwˈaɕɲʲɛ tˈɛras jˈɛst?|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_92.wav|jɛj nˈɔɡʲi zvisˈawɨ bɛzvwˈadɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_346.wav|ktˈɔʑ vʑˈɔw mɲʲɛ pɔt rˈɛŋkɛ. tɔ bˌɨwa mˈɔja mwˈɔda kɔbjˈɛta.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_22.wav|parkˈujɛ f pɔwˈɔvʲɛ ulˈitsɨ i ˌɔpsɛrvˈujɛ z nadʑˈɛjɔ̃, ʒˈɛ zɔbˈatʃɛ ɡˈɔ fxˌɔdʑɔntsˈɛɡɔ lˈub vˌɨxɔdʑɔntsˈɛɡɔ. ɲˈits ɕɛ jˈɛdnak ɲʲɛ dʑˈɛjɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_16.wav|mˈɔʒɛ lˈɛpʲɛj, ʒˈɛbɨ pˈan ˈɔtɨm vʲˈɛdʑaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_67.wav|ˌalɛ jˈuʃ pɔsˈɨpaw ɕɛ zˈaɲim ɡrˈat kamjˈɛɲi, kavˈawkuf tsˈɛɡwɨ, a nˈavɛt tsˈawa pwˈɨta xˌɔdɲikˈɔva.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_58.wav|nˈaɡlɛ pɔtʃˈuwam ɕɛ bˈardʑɔː ˌɔsamɔtɲʲˈɔna i ˌɔtsɛpˌarɔvˈana ɔt ɕfʲˈata.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_255.wav|ʑlˈɛ patʃˈɨwaɕ pɔvʲˈɛdʑaw. pɔ prˈɔstu ʑlˈɛ patʃˈɨwaɕ, tˌɨlkɔ dlatˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_109.wav|maʃ ˈadrɛs ˌapartˌamɛntˈɔftsa, f ktˌurɨm tɕi kɔlˈɛɕɛ mʲɛʃkˈajɔ̃?|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_78.wav|pˈɔtʃɔw ɕtɕˈɔŋɡatɕ nˈɔs kˈu ɡˈuʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_265.wav|a pˈɔtɛm zˈɔstaf mɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_137.wav|pˌɔvʲɛdʑˈawɛm, ʒˈɛ ɲʲɛ. i ftsˈalɛ ɲʲɛ kwamˈawɛm. zdjˈɔɲtɕ ˌɔznatʃˈawɔ zastʃˈɛlidʑ z dˈuʒɛj ˌɔdlɛɡwˈɔɕtɕi, a bˈɔba rˈɛjnsa zabʲˈiwɛm z blˈiska.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_148.wav|jɛzd ɡwˈɔdnɨ, bˈɔː i dlatʃˈɛɡɔ ɲʲɛ?|2
+Dataset/wavs/urwisko_ferenc/45_segment_27.wav|mˈarja vɛstxnˈɛwa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_70.wav|vˈɨras nadʑˈɛi na tfˈaʒɨ mˌamɨ ustˈɔmpiw mʲˈɛjstsa ɲʲˌɛpɔkɔjˈɔvi.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_314.wav|pˈɔra dˈɔbratɕ ɕɛ dɔ bɛbˈɛxuf sˈanxɛs.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_84.wav|ɔdbˈurknɔw z urˈazɔ̃ w ɡwˈɔɕɛ, jˈaɡ dʑˈɛtskɔ pʃˌɨwapˈanɛ f kˈuxɲi na kradʑˈɛʒɨ tɕˈastɛɡ z japkˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_135.wav|kʲˈɛdɨ ɕˈɛrʒant ˈuppiŋktɔn zaʒˈɔndʑaw, jˈak tɔ nˈazvaw, vˈɨɕtɕiɡ zbrˈɔjɛɲ, zˈafʃɛ zˌajmɔvˈawɛm pʲˈɛrʃɛ mʲˈɛjstsɛ.|2
+Dataset/wavs/urwisko_ferenc/32_segment_23.wav|pɔ jɛj plˈɛtsax pˌɔtɔtʃˈɨwɨ ɕɛ dvʲˈɛ krˈɔplɛ pˈɔtu.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_98.wav|zˌawɔʒˈɨwam mˈaskɛ ˌaparˈatu ˌɔddɛxɔvˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_40.wav|vʲˈɛndʑ ɡdʑˈɛ ˌɔna jˈɛst?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_77.wav|ˌalɛ mˈuɕi pˈaɲi fɔrmˈalɲʲɛ zˌidɛntˌɨfikˈɔvatɕ mˈɛ̃ʒa, ˈabɨɕmˌɨ mˈɔɡli kˌɔntɨnuˈɔvadʑ dˌɔxɔdʑˈɛɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_69.wav|ˌalɛ ɲʲɛ lˈubʲi, ɡdˈɨ tsɛlˈujɛ ɕɛ dɔ ɲʲˈɛɡɔ nˈavɛt na ɲˈibɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_158.wav|a jˈɛɕli tɔ ɲʲɛ vɨstˈartʃɨ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_76.wav|ʒˌɛtʃɨvˈiɕtɕɛ vˌɨɡlɔndˈawɔ, ʒˈɛ ta sprˈavna, mˌɛxaɲˈitʃna, pɔtˈɛ̃ʒna ʃˈarʒa tʃˈarnɨx swˈɔvʲan|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_445.wav|ɔ snˈakɛ ˈɛtɨl blˈadʑɡ z ˈɔbu zrˈɔbʲiwbˌɨ ɕɛkˈanɛ mʲˈɛ̃sɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_32.wav|pˈujdɛ zɔbˈatʃɨtɕ, tsˈɔ ɕɛ dʑˈɛjɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_239.wav|i vˈidʑɔnts lˈudʑi pˌɔdnɔʃˈɔntsɨx rˈɛntsɛ w ɡˈɛɕtɕɛ prˈɔʑbɨ ɔ zabrˈaɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_52.wav|jˈɔɛl stfʲˈɛrdʑiw tɔ sˈam, mˈuvʲɔnts, jˈɛtɕɛ pʃɨ nˈaʃɨm stˈɔlɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_79.wav|pˌɔrɔzmavʲˈamɨ f tʃtˈɛrɨ ˈɔtʃɨ i ɔ fʃˈɨstkim mi ɔpˈɔvʲɛʃ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_89.wav|tˌɨlkɔ spˌɔradˈɨtʃnɨ kˈɔntakt s prˌɔmjɛɲʲɔvˈaɲʲɛm jɛst ɲʲˌɛʃkɔdlˈivɨ, ˌalɛ na dwˈuʃʃɔ̃ mˈɛtɛ stˈajɛ ɕɛ zabˈujtʃɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_265.wav|jˌɛstɛʑ bˈardʑɔː ˌintɛliɡˈɛntna i ɲʲɛ pɔdjˈɛwabˌɨɕ takʲˈɛɡɔ rɨzˈɨka, ɡdˈɨbɨɕ ɲʲɛ muɕˈawa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_100.wav|tɔ zabˈavnɛ, jˈaɡ vˈidmɔ ɕmʲˈɛrtɕi pɔtrˈafi tʃwˌɔvʲɛkˈɔvi ˌuzmɨswˈɔvitɕ, tsˈɔ tˈak naprˈavdɛ jɛzd vˈaʒnɛ, a tsˈɔ ɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_82.wav|ˌalɛ i tˈak jɛst ˌɔbʒɨdlˈiva.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_96.wav|tfˈaʃ pˌaisˈɛla pʃɨbrˈawa kˈɔlɔr kfaɕnˈɛɡɔ mlˈɛka.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_156.wav|a tˈɛras xˈɛlɛn, ɔtʃˈɛʑvʲɛj i pˈɔvʲɛts mi.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_85.wav|vˌɨxɨlˈiwam ɡwˈɔvɛ zzˈa ɔswˈɔnɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_108.wav|ɲʲɛ pɔvˈiɲʲɛn bˈɨtɕ ɕfʲˈatkʲɛm tˌɛɡɔ fʃɨstkʲˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_114.wav|tˌɛɡɔː ɔ vʲˈɛlu tfˈaʒax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_39.wav|zrɔbʲˈimɨ lˈistɛ fʃɨstkʲˈɛɡɔ, tsˈɔ zˈafʃɛ xtɕˈawaɕ mʲˈɛtɕ f sfˈɔjɛj kˈuxɲi, a pˈɔtɛm vˌɨbjɛʒˈɛmɨ ɕɛ dɔ pˈaru sklˈɛpuf. tsˈɔː ˈɔtɨm mˈɨɕliʃ?|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_142.wav|zalˈawa ɕɛ wzˈami, dɨɡˈɔtʃɔnts tsˈawa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_59.wav|spˈɨtaw tˈɔm, pɔtxˈɔdʑɔndʑ dɔ sˌamɔxˈɔdu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_69.wav|andrˈɛa zavrˈatsa, tʃɨm puŋktˈujɛ ˈu bʲilˈɛɡɔː i ftˈɛdɨ vɨbˈuxa drˈuɡʲi wadˈunɛk pˌirɔtɛxɲˈitʃnɨ.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_18.wav|ɡdˈɨ fʃˈɨstkʲɛ tʃˈɨ zˈɛʃwɨ na dˈuw pɔ drabʲˈiɲʲɛ, brˈuskɔː i jˈɛɡɔ sɨnˈɔvʲɛ fɕˈɛdli jˈuʒ dɔ wˈɔdʑi kˌɔwɨʃˈɔntsɛj ɕɛ na mˈawɨm kanˈalɛ za dˈɔmɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_67.wav|w nɛbrˈaska bˌɨwɔː upˈalɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_47.wav|pʃɨpˈuʃtʃam, ʒˈɛ ɲʲˈɛxtsɛʃ jˈuʃ jˈɛxatɕ.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_181.wav|dʒˈɛva nˈanas pˈatʃɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_51.wav|bˈuk jˈɛdɛn vʲˈɛ, skˈɔnd vʑˈɛwɔ ɕɛ tɔ jˈɛɡɔ nˈaɡwɛ zˌaintˌɛrɛsɔvˈaɲʲɛ, zvaʒˈɨfʃɨ na pʲˈɛrʃɔ̃ rɛˈaktsjɛ na mˈuj tɛlˈɛfɔn.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_151.wav|ɔ vʲˈɛlɛ lˈɛpʲɛj jɛst ˈutɕɛdʑ dɔ pɔtɕˈɔŋɡu, ktˌurɨm mˈɔʒna vrˈutɕidʑ dɔ mʲˈasta, zˈamjast tʃˈɛkatɕ na ratˈunɛk f sxrˈɔɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_55.wav|mˈikɛ, ˈilɛ mʲˈawɛɕ lˈat, kʲˈɛdɨ dɔstˈawɛɕ pʲˈɛrʃɨ zɛɡˈarɛk?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_31.wav|krˈɛntsɛ ɡwˈɔvɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_3.wav|ˌɔpuʃtʃˈajɔ̃ xˈɔtɛl ɔ fpˈuw dɔ ɕˈudmɛj. bʲˈill jɛst f stˈaɲʲɛ ˈiʑdʑ dɔ sˌamɔxˈɔdu ɔ vwˈasnɨx ɕˈiwax. twumˈatʃɨ, ʒˈɛ vʑˈɔw jˈɛʃtʃɛ dvˈa tˌɨlɛnˈɔlɛ i dʑˈɛŋki tˌɛmu bˈul jɛzd znˈɔɕnɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_232.wav|dʑˈivnɨ krˈaj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_14.wav|bʒmˈi kuʃˈɔntsɔ, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/urwisko_ferenc/47_segment_14.wav|ˌɔdɛzvˈawa ɕɛ pɔ krˈutkʲɛj xfˈili miltʃˈɛɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_179.wav|ˌalɛ minˈɛwɔ jˈuʃ tˈaɡ vʲˈɛlɛ tʃˈasu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_37.wav|dʑˈadɛk jɛst mˈiwɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_187.wav|a stɔpʲˈɛɲʲɛ lˈɔdu pɔxwˈaɲʲa jˈɛʃtʃɛ vʲˈɛntsɛj ɛnˈɛrɡji.|4
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_3.wav|tsˈɔ nɔvˈɛɡɔː ˈu tɕˈɛbjɛ? ɲʲɛ ˌɔdʑɨvˈawɛɕ ɕɛ ɔt kˈilku dɲˈi. pʃɨjˈɛli tɕˈɛ dɔ klˈubu ʃˌaxɔvˈɛɡɔ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_86.wav|ɲˈiɡdɨ tˌɛɡɔ ɲʲɛ znˈajdɛ.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_113.wav|ˌuɕfʲadˈɔmiw sˈɔbjɛ, ˌɔtprɔvadʑˈajɔndʑ vzrˈɔkʲɛm ˌɔtpwɨvajˈɔntsɔ̃ wɔftʃˈɨɲʲɛ ˌɔras jɛj ɕˈɔstrɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_147.wav|lˈɛtɕaw ɡdʑˈɛɕ ɔt pawˈatsu kultˈurɨ ʒɛɲɕˈistɨ dˈɛʃtʃ, rˌɔzbʲijˈajɔnts ɕɛ na asfˈaltɕɛ w ɕfʲɛtlˈistɨɣ brˈɨzɡax.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_29.wav|ɲʲɛ mˈɔʒɛ jˈɛdnaɡ bˈɨtɕ pʃˌɛbatʃˈɛɲʲa bˈɛz vɨznˈaɲʲa ɡʒˈɛxuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_137.wav|ˌalɛ vʲˈɛlki bjˈawɨ xˈɛwm mˈuɡwbɨ pʃɨtɕˈɔŋɡnɔɲtɕ tʃˈɨjɔ̃ɕ uvˈaɡɛ.|4
+Dataset/wavs/urwisko_ferenc/05_segment_23.wav|ˌalɛ zˈatɔ zupˈɛwɲʲɛ ˈinna dla jɛj ˈɔjtsa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_278.wav|pˌɔpatˈula ɕɛ kɔtsˈami i prˈavʲɛ ɔt rˈazu zasˈɨpja. tɨm rˈazɛm ɲˈits mu ɕɛ ɲʲˈɛɕɲi.|2
+Dataset/wavs/urwisko_ferenc/21_segment_24.wav|pˌɔwɔʒˈɨwa dwˈɔɲ na klˈamtsɛ i nˌatɕisnˈɛwa jˈɔ̃ f xfˈili, ɡdˈɨ bwˌɨskavˈitsa rˌɔsɕfʲɛtlˈiwa ɡvawtˈɔvɲʲɛ vnˈɛntʃɛ dˈɔmu i rˈɔzlɛkw ɕɛ pɔtˈɛ̃ʒnɨ ɡʒmˈɔt.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_394.wav|zˌaɡvizdˈawa i nˈaɡlɛ, jˈaɡbɨ vˌɨpɔvʲɛdʑˈawa zaklˈɛɲtɕɛ,|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_440.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_135.wav|pˌɔtpuwkˈɔvɲik pɔvʲˈɛdʑaw, ʒˈɛ na zbˈɨd vʲˈɛlɛ sˈɔbjɛ pɔzvˈalam i dɔʒˈutɕiwbˌɨ dɔ tˌɛɡɔ vʲˈɛntsɛj, ˌalɛ fˈɔss utɕˈiʃɨw ɡˈɔ maxɲʲˈɛɲtɕɛm rˈɛŋki.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_49.wav|pˈɛk pˈɔʃɛd jɛj pˈɔmuts.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_88.wav|pɔtʃˈɔ̃sa ɲʲˈɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_107.wav|swɨʃˈawa vʲˈatr ɕfiʃtʃˈɔntsɨ vˈɔkuw vʲˈadra.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_128.wav|i vˈɨras pɔrˈaʃki na tfˈaʒɨ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_368.wav|rˈɛʃta tʃɨmˈawa jɛ̃zˈɨki za zɛmbˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_90.wav|pʃɛt snˈɛm rˌɔspakɔvˈujɛ laptˈɔpa ˈalltɛx, vwˈɔntʃa ɡˈɔː i ʃˈuka kˈɛna xˈɔffa w ɡɔˈɔɡlɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_392.wav|a skˈɔnt pˈan vʲˈɛ, ʒˈɛ ja tˈu jˈɛʃtʃɛ pʃˈɨjdɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_4.wav|z jɛdnˈɛɡɔ kˈɔɲtsa mʲˈasta na drˈuɡʲi jɛst tˌɨlkɔ pˈuw kˌilɔmˈɛtra.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_342.wav|f kˈɔɲtsu tsˈɔfnɔw ɕɛ mˈarʃtʃɔnts tʃˈɔwɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_66.wav|ˈɛris pˌɔspʃɔntˈawa mʲɛʃkˈaɲʲɛ, f sˈumjɛ ɲʲˌɛpɔtʃˈɛbɲʲɛ, bˈɔ ʒˈadnɛ z ɲˈix ɲʲɛ rˈɔbʲi ʃtʃˌɛɡulnˈɛɡɔ bˌawaɡˈanu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_80.wav|pˈaɲi jˈɛnsɛn lˈɛkkɔ jɛj dɔtˈɨka, jˈak nˌakazˈujɛ upʃˈɛjmɔɕtɕ, pɔ tʃɨm pɔspʲˈɛʃɲʲɛ tsˈɔfa rˈɛŋkɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_388.wav|i ˌaɲi jˈɛdna xmˈura.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_2.wav|bˈɛtskɨ vjɛxˈawa na pˈarkiŋk fˈirmɨ ɛksˈɔtɛx, ɡdʑˈɛ zˌamjɛʒˈawa zatʃˈɛkatɕ na rˈɔba.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_21.wav|nalˈɛʒɨ dɔ krˌasnɔlˈutkuf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_67.wav|ɲˈidʑ zvʲˌɔ̃zanˈɛɡɔ s sˈaskjɔ̃ ɲˈiɡdɨ ɲʲɛ znalˈazwɔ ɕɛ w nˈaʃɨm dˈɔmu. skˈɔnd zdˈɔbɨw tɛ fʃˈɨstkʲɛ zdjˈɛɲtɕa?|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_26.wav|tˈaɡ vʲˈɛnts mʲˈawam pˈuw ɡɔdʑˈinɨ dɔː ix pʃɨjˈazdu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_136.wav|ˈilɛ pʲɛɲʲˈɛndʑɨ dɔstˈawɛɕ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_74.wav|dˈaj spˈɔkuj, ɲˈilɛ. nˈavɛt ja vʲˈɛm, ʒˈɛ kˈaʒdɨ mˈuɡwbɨ zawˈɔʒɨtɕ sˈɔbjɛ tˈakʲɛ kˈɔntɔ, a tɨ znˈaʃ ɕɛ zdˌɛtsɨdɔvˈaɲʲɛ lˈɛpʲɛj na tɛj tˌɛxnɔlˈɔɡji.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_129.wav|vˌɨvrutɕˈiwam ɔtʃˈami. ɲʲɛ rˈɔbjɛ tˈakiɣ ʒˈɛtʃɨ, tˈatɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_117.wav|tsˈɔ maʃ na mˈɨɕli, brjˈan?|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_242.wav|skrɛɲtɕˈiliɕmˌɨ na pˌɔwudɲʲˈɔvɨ fsxˈut, kʲɛrˈujɔnts ɕɛ f strˈɔnɛ ˌɔddalɔnˈɛɡɔː ɔ kilˈɔmɛdr vˈawu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_245.wav|ɲʲɛ spɔtkˈawɛm w ʒˈɨtɕu ɲikˈɔɡɔ, ktˈɔ bˈɨwbɨ vˈart ˌɔɕmʲɔtsˌɛntɔvˈɛɡɔ znˈatʃka. tʃɨ tɔ bˌɛɲdʑɛ f pɔʒˈɔntku?|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_276.wav|sˈɛr dˈavin prˈɨxnɔw pˌɔɡardlˈivʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_70.wav|tsˈawɨ ɛksˈɔduz zˈɔstaw dalˈɛkɔ zˈaɲim.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_43.wav|bjˈɛɡwam pʃˈɛs tˈunɛl pʃˌɛklinˈajɔnts ˌɔpuʑɲʲˈɛɲʲɛ na lˈiɲʲi.|4
+Dataset/wavs/urwisko_ferenc/64_segment_85.wav|pˌɔdarˈɔvaw tɛn dˈɔmɛɡ ʑɛɲtɕˈɔvi.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_115.wav|jˈɔvɛ zˈafʃɛ lˈubʲiw ɔɡˈara, ˌalɛ tɔ ɲʲɛ bˌɨwa pʃˈɨjaʑɲ. ʃˈukaw ˈɔjtsa, kturˌɛɡɔ ɲʲɛ znˈalaz w rɔbˈɛrtɕɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_86.wav|pˈɔtɛm tsˈɔfnɔw ɕɛ ɲʲˈɛtsɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_198.wav|i ɲʲɛ jakˈimiʑ ɡˌuvɲʲanˈɨmi bɔtʃnˈɨmi drɔɡˈami, stfʲˈɛrdʑiw. ɔt pɔtʃˈɔntku dɔ kˈɔɲtsa ˌawtɔstradˈami.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_124.wav|ˌalɛ kʲˈɛdɨ dˈalʃɛ swˈɔva ɲʲɛ padˈajɔ̃, ˈidʑɛ dɔ waʑˈɛŋki.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_22.wav|ɲˈikt ɲʲɛ zvrˈatsaw ʃtʃɛɡˈulnɛj uvˈaɡʲi na xɔrˈɛɡɔ, tˌɨlkɔ mwˈɔda, mˌiwɔɕˈɛrna spʃˌɛdaftʃˈɨɲi ˌuɕiwɔvˈawa pɔdwˈɔʒɨtɕ mu pɔd ɡwˈɔvɛ kˈartɔn vʲˌɛlɔˌɔvɔtsɔvˈɛɡɔ sˈɔku.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_45.wav|bˈɛtskɨ ɲʲɛ bˌɨwa pˈɛvna, tʃɨ ɲˈilɛ vˌɨpɔvʲˈɛdʑaw tɛ swˈɔva z nˈutɔ̃ ɡɔrˈɨtʃɨ, tʃɨ tˈɛʃ ɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_67.wav|ʒˈɛbɨm tɕˈɛ im ɲʲɛ vˈɨdaw. tsɔkˈɔlvʲɛk.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_151.wav|vɨdˈajɛ mi ɕɛ, ʒˈɛ tɔ ɲʲˌɛuɲikɲʲˈɔnɛ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_32.wav|pʃˈɛpxnɔw ɕɛ pʃˈɛs twˈum i rˈuʃɨw f strˈɔnɛ zˈamku.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_91.wav|mˈuɡw zatʃˈɛkatɕ, ˈaʃ pɔlˈitsja dɔstˈartʃɨ nˈakas, ˌalɛ ɲʲˈɛxtsɛ ix f tɨm dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_227.wav|nˌapɛwɲˈijtɕɛ bˈɛtʃki ʑrudlˈanɔ̃ vˈɔdɔ̃. zabjˈɛʃtɕɛ fʃˈɨstkʲɛ vˈɔrki zbˈɔʒa i bˈɛtʃki vˌɔwɔvˈinɨ, a tˈaɡʒɛ tˈɨlɛ ˈɔvʲɛts i kˈus, ˈilɛ zdɔwˈamɨ zˌawadˈɔvatɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_47.wav|— dˈaj, ja tɔ zrˈɔbjɛ — mˈuvi nˈuʃa, swˈɨʃɔnts mˈuj ɲˈiski pˈɔmruk, kʲˈɛdɨ ˌuzmɨswˈavʲam sˈɔbjɛ, ʒˈɛ zalˈawam tɔrˈɛpki s xɛrbˈatɔ̃ ʑˈimnɔ̃ vˈɔdɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_384.wav|pˌɔmɨɕlˈawa tsɛrsˈɛi. ɡdˈɨbɨɕ ˌɔɕlɛpˈiwa jˈakɔ̃ʑ bjˈɛdnɔ̃, stˈarɔ̃ sˈɛptɛ, tɔ s pɛvnˈɔɕtɕɔ̃ pʃˌɛkɔnawˈɔbɨ vʲɛlkʲˈɛɡɔ vrˈubla ɔ tfˈɔjɛj vˈiɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_72.wav|ja vˈɨjdɛ na zˈɛvnɔntʃ f skafˈandʒɛ, pˈɔttʃaz ɡdˈɨ vɨ bɛɲdʑˌɛtɕɛ ɕɛ pɔrˈuʃatɕ f tˈaɡ zvˈanɨx xɔmˈitʃɨx kˈulax.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_63.wav|mˈa ˌɛlɛɡˈantskɔː ˌutʃɛsˈanɛ blˈɔnd vwˈɔsɨ i jɛst tˈak ʃtʃˈupwa, ʒˈɛ nˈavɛt starˈannɨ makˈijaʃ ɲʲɛ maskˈujɛ mˌizɛrnˈɛɡɔ vɨɡlˈɔndu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_95.wav|pɔvʲˈada, ʒˈɛ ɲʲˈɛxtsɛ zˈabʲitɕ ɲikˈɔɡɔː i ʒˈɛ bˌɛɲdʑɛ zmˈɨvatɕ talˈɛʒɛ. tˈam, na puwnˈɔtsɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_76.wav|ɲʲɛ mˈɔɡɛ, kɔxˈaɲʲɛ. mˈuʃɛ tˈu zatʃˈɛkatɕ, ˌalɛ dʒˈanɛt ɕɛ tˈɔbɔ̃ zˌaɔpʲɛkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_63.wav|fkrˈuttsɛ pˌɔvinɲˈiɕmɨ dˈɔstadʑ dˈanɛ dˌɔtɨtʃˈɔntsɛ lˌɔkalizˈatsji tˌɛlɛfˈɔnu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_3.wav|tɔ mɲʲɛ xtɕˈaw ˌɔkwamˈɨvatɕ jˈɔɛ, a trˈudnɔ bˌɨwɔ mˈuvidʑ vˌɨmijajˈɔntsɔ, bˈɔ tʃˈuw f kˈɔɕtɕax, ʒˈɛ ta kɔbjˈɛta ɕɛ ɲʲɛ pˈɔdda.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_42.wav|dlatʃˈɛɡɔː ɔn vrˈutɕiw?|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_22.wav|ˈarjan tʃˈuwa jˈɛɡɔ ɡɲʲˈɛf.|1
+Dataset/wavs/urwisko_ferenc/41_segment_42.wav|sˈɔlski jˈakiɕ tʃˈas tˌɛmu vɨpwˈɨnɔw pʃɨ ɔkˈazji ˈinnɛj sprˈavɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_174.wav|ʒˈɛtʃ f tˈɨm, ʒˈɛ im ɲˈiʃʃɛ tɕiɕɲʲˈɛɲʲɛ, tɨm ɲˈiʃʃa tˌɛmpɛratˈura vʒˈɛɲʲa vˈɔdɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_59.wav|vʲˈɛmɨ, dɔ kˈɔɡɔ pˈisaw i ɔt kˈɔɡɔː ɔdˈɛbraw vʲadˈɔmɔɕtɕ, ˌalɛ ɲʲɛ mˌamɨ trˈɛɕtɕi.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_403.wav|bˈɛs kɔltʃˈuɡʲi tʃˈuwa ɕɛ jˈak nˈaɡa. xtɕˈawa tˈɛʃ mʲˈɛtɕ ˈu bˈɔku vʲɛrnˈɛɡɔ pʃɨɕˈɛndʑɛ. i fskˈaʃ mi drˈɔɡɛ vˈɨjɕtɕa.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_135.wav|tɛn ˈupur ɲitʃˈɛmu ɲʲɛ swˈuʒɨ, sˈɛr.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_159.wav|f tˈakiɣ vɨpˈatkax ɲʲɛ mˈuvi ɕɛ pʃˌɛtɕɛʃ ɔ vˈiɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_26.wav|— xtsˈɛmɨ, ʒˈɛbɨɕ tˈutaj zˈaraz bˈɨwa, lˈutsɨ. vˈɨɕlɛ pɔ tɕˈɛbjɛ taksˈufkɛ. mˈɔʒɛʃ pʃɛkˈazatɕ tɛlˈɛfɔn mˈamjɛ kˈɔnɲʲɛ, ʒˈɛbɨm mˈuɡw jɛj tɔ fʃˈɨstkɔ vɨjˈaɕɲitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_191.wav|pɔ tʃɨm ukrˈɨwam tɔ fʃˈɨstkɔ f pʃɛtɕˈɔŋku, ʒˈɛbɨ jˈakiɕ pʃˌɨpatkˈɔvɨ pʃɛxˈɔdʑɛɲ ɲitʃˈɛɡɔ ɲʲɛ zˌauvˈaʒɨw.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_56.wav|dˈajɛ jɛj tsawˈusa f pɔlˈitʃɛk i jˈɛʃtʃɛ rˈas uɕmʲˈɛxam, a mˈili sxˈɔdʑi z mɔjˈɛɡɔ kɔlˈana i ˈidʑɛ pɔ sfˈɔjɔ̃ lˈalkɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_11.wav|kɔbjˈɛta tʃˈɛka na ɲʲˈɛɡɔ, a ja pɔtxˈɔdʑɛ ɲʲˈɛtsɔ blˈiʒɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_59.wav|tʃˈɨli ˈimjɛ jˈɔɛ bˌɨwɔ tsˈawkʲɛm blˈiskʲɛ prˈavdɨ mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_24.wav|tˈɔm i bˈɛtskɨ stanˈɛli ˌɔbɔk ɲʲˈɛj, a tˈɛxɲik s kɔstɲˈitsɨ ɔtsˈunɔw pʃˌɛɕtɕɛrˈadwɔ, ˌɔtkrɨvˈajɔndʑ ɡwˈɔvɛ i ramjˈɔna zmarwˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_83.wav|w dˈuxu jˈɛdnak mˈɨɕli, ʒˈɛ tɔ tsˈawkʲɛm pʃɨjˈɛmnɛ ɔɕˈɛdlɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_33.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ pɔtxˈɔdʑi dˈɔɕtɕ ɲʲɛxˈɛntɲʲɛ dɔ nˈaʃɛj pʃɨjˈaʑɲi.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_253.wav|tsɛrsˈɛi rˌɔzɛbrˈawa ɕɛ i fsunˈɛwa pɔt kˈɔtsɛ.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_168.wav|pʃˌɨtɕɔŋɡnˈɛwɨ mɲʲɛ jˈɛɡɔ kʃˈɨki bˈulu.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_64.wav|zˌawatfʲˈɔnɛ. zdɔbˈɨwam fawʃˈɨvɔ̃ tɔʃsˈamɔɕtɕ. w najblˈiʃʃɛj pʃɨʃwˈɔɕtɕi mʲˈawam bˈɨtɕ turˈɨstkɔ̃ z ˈindji.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_26.wav|znˈaʃ mɲʲɛ, kˌapitˈaɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_141.wav|pɔvˈinnaʑ zadʑvˈɔɲidʑ dɔ sfɔbˈɔdɨ i sfɔjˈɛɡɔː ˈɔjtsa, ʒˈɛbɨ iɣ zˌavʲadˈɔmitɕ, ʒˈɛ ɲˈits tɕi ɲʲɛ jˈɛst.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_338.wav|jˈak mˌamɨ ɕɛ ˈɔtɨm dɔvʲˈɛdʑɛtɕ, jˈɛɕli ɲʲɛ skɔtʃˈɨmɨ z jˈakʲɛjʑ vɨsˈɔkʲɛj vʲˈɛʒɨ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_508.wav|dlatʃˈɛɡɔ vɨbrˈawɛɕ tɛ pʲˌɛrdɔlˈɔnɛ, mˈɔkrɛ plˈɛtsɨ, pɔvʲˈɛdʑaw ˈandɛrsɔn. dlatʃˈɛɡɔ ɲʲɛ vɨbrˈawɛɕ mɲʲɛ?|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_339.wav|dˈavɲʲɛj zvˈanɨ sˈɛr tɔ dˈanɛm vˈɛllsɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_28.wav|ja zɔstˈawɛm na platfˈɔrmʲɛ, tʃɛkˈajɔnts, tsˈɔ bˌɛɲdʑɛ dˈalɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_141.wav|vʲˈɛnts ɲʲɛ, jˈɛɡɔ pˌɔstɛmpɔvˈaɲʲɛ ɲʲɛ jɛst ɲʲˌɛlɛɡˈalnɛ, ˌalɛ ʃkˈɔdɨ, ktˌurɛ vɨʒˈɔndʑa, sɔ̃ ɲʲˌɛvɨˌɔbraʒˈalnɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_330.wav|tˈɛras ja pˈanu tsˈɔɕ pɔkˈaʒɛ. pˈɔtʃɛd dɔ ɕtɕˈanɨ i vɨsˈunɔw stˈamtɔnd vˈɔ̃skʲɛ wˈuʃkɔ. wˈuʃkɔ bˌɨwɔ ʒɛlˈaznɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_263.wav|lˈɛtʃ f kˈɔɲtsu fstˈaw i ftˈɛdɨ salvˈatɔr udˈɛʒɨw ɡˈɔ znˈuf,|0
+Dataset/wavs/urwisko_ferenc/09_segment_100.wav|vɨpˈuɕtɕiw pɔvʲˈɛtʃɛ s pwˈuts.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_43.wav|pˈɔʃɛd na ʒˈɛbrɨ pʃˈɛs rˈuʒnɨx fʃˈaʒɨ i tˈɛras ja kupˈiwɛm tɛn intˈɛrɛs. skˈarʃ ɕɛ, pˈan.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_225.wav|ɲʲˌɛʒɔndɲˈitsɛ pʃɛbrˈanɛ w dʑɛvˈitʃɔ̃ bjˈɛl.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_12.wav|mˈɔʒɛ ktˈɔʑ zɔstˈaviw ɔtfˈartɛ dʒvˈi ˈalbɔː ˈɔknɔ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_65.wav|stˈaɲʲɛʃ ɕɛ ftˈɛdɨ zvɨtʃˈajnɨm tɕɛ̃ʒˈarɛm, ktˌurɨ bˌɛɲdʑɛ muɕˈawa za sˈɔbɔ̃ vlˈɛts.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_47.wav|ɲʲɛ vˌɨmɨɕlˈiwam ʒˈadnɛj ˌɔtpɔvʲˈɛdʑi nˈatɛ pɨtˈaɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_279.wav|mˈɔʒɛ zˈaras sxˈɨli ɕɛ?|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_153.wav|lˈadɨ mˌɛrivˈɛtxɛr zamknˈɛwa zˈaɲim dʒvˈi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_6.wav|pʃˈɛs mˈɔmɛnt mʲˈawam ɔxˈɔtɛ ˌɔpɔvʲˈɛdʑɛtɕ im ɔ fʃˈɨstkim, pʃˈɨznatɕ ɕɛ dɔ kaʒdˈɛɡɔ pˌɔpɛwɲʲɔnˈɛɡɔ bwˈɛndu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_155.wav|mˈa tʃˈas pɔmˈɨɕlɛtɕ pɔ watˈanɨm asfˈaltɕɛ pˈɛarsɔn strˈit, pɔ tʃɨm vˈidʑi pɔvˈɔli jˌadɔntsˈɛɡɔ transˈita.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_226.wav|vɨkrfˈavi ɕɛ, jˈɛɕli ɡˈɔ zˌɔstavˈimɨ, stfʲˈɛrdʑiw wapˈidux.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_42.wav|ˌɔdɛzvˈawa ɕɛ z lˈɛdvʲɛ zˌauvaʒˈalnɨm çˈiɲskim aktsˈɛntɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_120.wav|mˈɔva ɔ ʒˈɨvɨm tsˈɛlu?|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_190.wav|starˈuʃɛk tˌɨlkɔ ɕɛ rɔzˈɛɕmʲaw.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_96.wav|tsˈɔ za ɡuvɲʲˈanɨ lˈɔs.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_75.wav|mˈɔʒɛ nɔtsˈɔvatɕ f pɔkˈɔju ɡɔɕtɕˈinnɨm. tʃˈɨmam tˈam trˈɔxɛ sfˈɔiɣ ɡrˈatuf, ˌalɛ jˈɛ vɨɲʲˈɔsɛ.|2
+Dataset/wavs/urwisko_ferenc/62_segment_41.wav|tsˈɔʑ zˌaɕfitˈawɔ jɛj w ɡwˈɔvʲɛ, ˌalɛ ɲʲɛ umjˈawa skˌɔŋkrɛtɨzˈɔvatɕ mˈɨɕli.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_57.wav|tˈak pɔ prˈɔstu vɨvˈali mɲʲɛ pˈaɲi na ɕmʲˈɛtɲik?|4
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+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_45.wav|mˈɨɕliʃ, ʒˈɛ...|2
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+Dataset/wavs/urwisko_ferenc/30_segment_33.wav|ɔ sfˈɔjɛj miwˈɔɕtɕi.|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_35.wav|ɲˈiɡdɨ ɡˈɔ ɲʲɛ pɔznˈawam.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_127.wav|ɲʲɛ muvˈiwa, jˈak xtsˈɛ tɔ zrˈɔbʲitɕ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_71.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_3.wav|mˈamɔ, pʃˈɛstaɲ rˈɔbʲidʑ zˌamjɛʃˈaɲʲɛ!|3
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+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_499.wav|rˈɔbɛrt ɕɛ utɕˈɛʃɨ.|1
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+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_78.wav|mˈɔʒɛ bˌɛndɛ tɕˈɛ ɕlˈɛdʑiw. tɔ ftsˈalɛ ɲʲɛ tˌaki ɡwˈupi pˈɔmɨsw.|4
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+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_120.wav|ɲʲˌɛdalˈɛkɔ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_536.wav|i spɔtkˈawabˌɨɕ ɕɛ pˌɔtajˈɛmɲʲɛ z nˌaʒɛtʃˈɔnɨm, ˌalɛ tfˈɔja mˈatka zˌaɡrɔzˈiwa, ʒˈɛ zrˈɔbʲi sˈɔbjɛ tsˈɔʑ zwˈɛɡɔ.|1
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+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_109.wav|a mˈɔʒɛ tsˈɔʑ z ɲʲˌɛznanˈɛɡɔ vɨmjˈaru?|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_88.wav|s pɛvnˈɔɕtɕɔ̃ vʲˈɛdʑaw, tsˈɔː ujʒˈawa bˈɛtskɨ.|3
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_11.wav|mˈuɡw zamjˈɛɲitɕ sˌamɔxˈɔdɨ. tsˈɔ mɨɕlˈitɕɛ?|3
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+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_185.wav|tsˈɔ ɕɛ stˈaɲʲɛ, kʲˈɛdɨ rˈuʃɨ prɔdˈuktsja zˈafɔ?|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_238.wav|jˌɛstɛm vʲˈɛnts pˈɛvʲɛn, ʒˈɛ bˈɨw pˈɛwɛn nadʑˈɛi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_36.wav|ˌalɛ jɛst jˈɛʃtʃɛ tsˈɔɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_84.wav|dʑˈɛtɕi ɲʲɛ zˈafʃɛ sɔ̃ dla ɕˈɛbjɛ mˈiwɛ, ʃtʃɛɡˈulɲʲɛ kʲˈɛdɨ swˈɨʃɔ̃ swˈɔva vˌɨpɔvʲadˈanɛ pʃˈɛs sfˈɔix rɔdʑˈitsuf.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_11.wav|xˈɔtɕ kɔxˈana, vɛjdʑˈɛmɨ dɔ ɕrˈɔtka.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_431.wav|rˈɔbɛrt rˈuvɲʲɛʃ mʲˈaw tˈakʲɛ dwˈɔɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/44_segment_38.wav|kʲˈɛdɨ pʲˈɛrʃɛ krˈɔplɛ ˌudɛʒˈɨwɨ ɲʲɛmrˈavɔː ɔ pʃˈɛdɲʲɔ̃ ʃˈɨbɛ, vɨjˈɛxaw za rɔɡˈufkɔ. skrˈɛɲtɕiw f pˈɔlnɔ̃ drˈɔɡɛ i zɡˈaɕiw ɕˈilɲik.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_179.wav|tsˈuʃ s tˌɛɡɔ pɔvʲˈɛdʑaw?|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_69.wav|na ɛkrˈaɲʲɛ vɨɕfʲˈɛtla ɕɛ mˈɔja lˈista, vˈaʒnɛ nɔtˈatki, ktˌurɛ spˌɔʒɔɲdʑˈiwam na vɨpˈadɛk, ɡdˈɨbɨ paɲˈika ɡrɔzˈiwa pˌɔpɛwɲʲˈaɲʲɛm bwˈɛnduf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_43.wav|f kˈaʒdɛj xfˈili jˈɛɡɔ dɔtˈɨku, ˈalɛ...|3
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+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_168.wav|tɨm rˈazɛm ŋɡɔˈɔɡʲɛ jˈuʃ mɲʲɛ ɲʲɛ vˈɨda.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_55.wav|na pˈɛvnɔ vʲˈɛdʑaw, ʒˈɛ ʃˌantaʒɔvˈaɲʲɛ kˈɔɡɔɕ tˈaɡ bˌɔɡatˈɛɡɔː i fpwˌɨvɔvˈɛɡɔ jˈak rˈɔɡɛr klˈɛrkɨ vʲˌɔ̃zawˈɔbɨ ɕɛ z ɔɡrˈɔmnɨm rɨzˈɨkʲɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_19.wav|ljˈa kazˈawa mi ɕɛ tɨm ɲʲɛ pʃɛjmˈɔvatɕ. mʲˈawa fʃˈɨstkɔ pɔt kɔntrˈɔlɔ̃ i bˌɨwa ɡɔtˈɔva ɕɛ mnˈɔ̃ zˈajɔɲtɕ, pˈɔmuts mi znˈalɛɕtɕ prˈatsɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_336.wav|rˌɔznɔʃˈɛɲʲɛ rˈuʒnɨx fˈantuf tɔ mˈɔja prˈatsa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_217.wav|ɲʲɛ pɔrvˈawa pˈaɲi lˈaxa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_70.wav|tɔ zabˈavnɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_150.wav|pˈatɛk fˈilip|4
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_50.wav|xtɕˈawa vˈɨjʒɛtɕ pʃˈɛs ˈɔknɔ, ʒˈɛbɨ zɔbˈatʃɨtɕ, tsˈɔ jɛst na zˈɛvnɔntʃ. na ɕtɕˈanax ɲʲɛ bˌɨwɔ jˈɛdnaɡ ʒˈadnɨx ˈɔkʲɛn. jɛdˈɨɲʲɛ w dˈaxu.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_39.wav|ˌaɲi jˈɛʃtʃɛ nˌastɛmpnˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_205.wav|ktˌurɨ bˌɛɲdʑɛ vɛndrˈɔvaw z ɲˈim traktˈami.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_375.wav|jˌɛstɛm pˈɛvna, ʒˈɛ lˈɔrt xˈɔrtɔn ɲʲˈɛdaw mu vɨbˈɔru, ˌalɛ i tˈak ɔkrˈutɲʲɛ pˌɔtraktˈɔvaw bjˈɛdnɔ̃ mˈijɛ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_35.wav|ɲʲɛktˌuʒɨ s pɛvnˈɔɕtɕɔ̃ tˈak pɔvʲˈɛdʑɔ̃, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_30.wav|tˌɛkturˈɔvɛ pˈudwa i pɔʒˈuwkwɛ, vɨsxɲʲˈɛntɛ xɔˈiŋki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_57.wav|bʒmʲˈawɨ jˈak fˌajɛrvˈɛrki.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_126.wav|a vɛtˈɛrɔf rɔsjˈaŋkɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_117.wav|vʲˈɛʃ, ɡdʑˈɛ ɔn jˈɛst?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_4.wav|zɛrknˈɛwa pʃˈɛs rˈamjɛ na tˈɔma i vzruʃˈɨwa rˌamjɔnˈami, pɔ tʃɨm ˌɔdvrutɕˈiwa ɕɛ i znˈuf uʒˈɨwa dʑvˈɔŋka, ɲʲɛ zdɛjmˈujɔndʑ z ɲʲˈɛɡɔ pˈaltsa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_184.wav|ɲˈikt ˈinnɨ ɲʲɛ ɔɕmʲˈɛliwbˌɨ ɕɛ nˈɔɕitɕ takʲˈɛɡɔ stɛtsˈɔna.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_105.wav|rɔspˈinam ʃˈɨpkɔ zˈamɛk i vɨjmˈujɛ kˈartɛ dˌɛbɛtˈɔvɔ̃, s ktˌurɔ̃ ɲʲɛ rˌɔsstavˈawam ɕɛ ɲˈiɡdɨ ɲʲɛ lˈitʃɔndʑ vˈɛjɕtɕa pɔt prˈɨʃɲits.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_314.wav|tɕˈɔŋɡlɛ zˌapraʃˈawa ɡˈɔ, ʒˈɛbɨ tˌɔvaʒˈɨʃɨw jɛj i jɛj kˈurɔm f tɨɣ vɨprˈavax, a xwˈɔpʲɛdʑ vʲˈɛtʃɲʲɛ bwˈaɡaw mˈatkɛ, bˈɨ mu nˈatɔ pˌɔzvɔlˈiwa.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_352.wav|dˈaj mu kˈubɛk swɔtkʲˈɛɡɔ mlˈɛka pʃɛd vˌɨruʃˈɛɲʲɛm w drˈɔɡɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_136.wav|fkwˈada dvˈa pˈaltsɛ dɔː ˈuzd dʑɛftʃˈɨnɨ, mˈɔdlɔnts ɕɛ, bˈɨ ɡˈɔ ɲʲɛ uɡrˈɨzwa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_44.wav|ˌamɛrɨkˈaɲskʲɛ aktsˈɛntɨ vˌɨdavˈawɨ ɕɛ ˈɔptsɛ, pʲˌɛlɛŋɡɲʲˈarki ˌɛnɛrɡʲˈitʃnɛ i ʒɛtʃˈɔvɛ, a ja tʃˈuwam ɕɛ straʃlˈivʲɛ sˈama.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_101.wav|f kˌɔntɨnɛntˈalnɨx stˈanaɣ zjˌɛdnɔtʃˈɔnɨx jɛst tˌɨlkɔ jˈɛdna mʲɛjstsˈɔvɔɕtɕ ɔ nˈazvʲɛ sˌidɛvˈindɛr f kˌɔlɔrˈadɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_20.wav|tʃɨ tɔ mˈa tsˈɔɕ fspulnˈɛɡɔ z mˈili?|4
+Dataset/wavs/urwisko_ferenc/15_segment_81.wav|mˈuɡwbɨʑ z ɲˈim pɔɡˈadatɕ?|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_131.wav|s pɛvnˈɔɕtɕɔ̃ mˈuviw tɕˈi, ˈiʃ prˈaɡɲʲɛ zɔstˈavitɕ fʃˈɨstkʲɛ sfˈɛ ʑˈɛmʲɛ i bɔɡˈatstfa f spˈatku tˌɔmmɛnˈɔvi.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_315.wav|ɡdˈɨbɨ nˈaɡlɛ vrutɕˈiwa jɛj stˈarʃa ɕˈɔstra, ɲʲɛstˈɛtɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_57.wav|maʃ tˈɛ prˈupkɛ z ˌaˌɛfˈɔ?|4
+Dataset/wavs/urwisko_ferenc/39_segment_19.wav|jˈaɡbɨ pɔ xɛrbˈattsɛ dʑɛtɕˈɛntsɛj, vˌɨjaɕɲˈiwa raʃˈɛja. ɲʲɛ jɛst tˈɛʒ vˌɨklutʃˈɔnɛ, ʒˈɛ pɔfstˈawa w dˈɔmu za ʒˈɨtɕa mˈawɛj.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_60.wav|ˌɔttʃɛkˈawam, ˈaʒ vɨtɕˈɛntɨ kavˈawɛk skɔrˈupɨ ɔpˈadɲʲɛ pɔvˈɔli na pɔdwˈɔɡɛ|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_170.wav|jɛj flaɡˈɔvɨ ˈɔkrɛnd bˌɛɲdʑɛ mʲˈaw dvˈa rˈazɨ vʲˈɛntsɛj vʲˈɔsɛw ɲˈiʃ mwˈɔt krˈula rɔbˈɛrta.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_121.wav|mˈuɕiʃ xˈɨba pɔ prˈɔstu pamjˈɛntatɕ, ʒˈɛ tʃˈujɛ ɕɛ prˌavdɔpɔdˈɔbɲʲɛ tɨm fʃˈɨstkim ˌupɔkɔʒˈɔna.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_56.wav|ˈɔkɛj, pˈaɲi frˈaŋklin.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_132.wav|kupˈujɛ bʲilljˈɛmu tˈɛʃ sprˈanɛ ˌɔɡrɔdɲˈitʃki, ʒˈuwtɛ rˌɛŋkavˈitsɛ rɔbˈɔtʃɛ, dʒinsˈɔvɔ̃ kˈurtkɛ i tˈɛʃˈirt s tɨpˈɔvɨm dla vˈɛɡas xˈaswɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_129.wav|dˈavɲʲɛj ˌadmiɲˌistratˈɔrka mʲˈawa sfˈɔjɔ̃ ɕɛdʑˈibɛ w vˈaɲtsɛ armstrˈɔŋɡa.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_50.wav|mˈa dvˈa mˈɛtrɨ vzrˈɔstu i blˈɔnd vwˈɔsɨ, jˈaɡbɨ ˈurvaw ɕɛ z bwɔɡʲˈɛɡɔ snˈu çitlˈɛra.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_8.wav|xtɕˈawabˌɨm, ʒˈɛbɨɕ mʲˈaw ɕfʲadˈɔmɔɕtɕ, ʒˈɛ pˈɔmɨsw vˌɨxɔdʑˈɛɲʲa na zˈɛvnɔntʃ i jɛʒdʒˈɛɲʲa pɔː ˌɔkɔlˈitsɨ uvˈaʒam za ˌapsurdˈalnɨ. tsˈɔ tfˈɔim zdˈaɲʲɛm tˈam zɔbˈatʃɨʃ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_109.wav|tˈɨlɛ, ʒˈɛ sˈam bˈajɛr tɔ za mˈawɔ, bˈɨ vɨtʃˈɨmadʑ dʑˈɛɕɛɲdʑ ɡˈɔdʑin f pɔkˈɔju pʃɛswˈuxaɲ zmˌaɡlujˈɔntsɔ̃ ɕɛ dvˈujkɔ̃ ɡlˈin.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_45.wav|z druɡʲˈɛɡɔ bʒˈɛɡu ʒˈɛki tɕi mɛ̃ʃtʃˈɨʑɲi zapˈɛvnɛ vˌɨɡlɔndˈali jˈaɡ zvɨtʃˈajna ɛkˈipa rˌɔbɔtɲˈitʃa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_86.wav|tˈak tʃɨ ˈɔvaɡ dˈɔstaw vwˈasnɔ̃ prɨvˈatnɔ̃ kfatˈɛrɛ na tʃˈas pˌɔstɛmpɔvˈaɲʲa ɔː ˌɛkstradˈɨtsjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_55.wav|a pˈɔtɛm rˌɔstʃaskˈawam ɔbjˈɛktɨf ʃtʃɨptsˈami, ktˌurɛ tʃɨmˈawam w drˈuɡʲɛj rˈɛntsɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_232.wav|ˌaɲi ˈɔtɨm ɲʲɛ pɔmˈɨɕliʃ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_22.wav|ˌɔtʃɨvˈiɕtɕɛ, ˌalɛ dɛtsˈɨzja zalˈɛʒɨ ɔt pˈana.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_128.wav|tsamˈɛrɔn xtsˈɛ s tˈɔbɔ̃ pˌɔrɔzmˈavʲatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_403.wav|ɔt strˈɔnɨ starˈɛɡɔ mʲˈasta natxˈɔdʑiw nˈɔvɨ pˈɔxud dˌɛmɔnstrˈantuf.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_304.wav|pʃɨ kamjˈɛnnɨm mˈɔlu tʃˌɨmɔvˈawɨ tʃˈɨ vʲˈɛlkʲɛ kˈɔɡʲi i kˌilkanˈaɕtɕɛ mɲʲˈɛjʃɨx stˈatkuf, na ktˌurɛ wˌadɔvˈanɔ wˈupɨ i zapˈasɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_172.wav|najlˈɛpʃɨ, jakʲˈɛɡɔ znˈaw. i znˈaw mˈɔjɔ̃ pʃˈɛʃwɔɕtɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_5.wav|ˌalɛ skˈɔnt tɔ vʲˈɛdʑaw?|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_265.wav|skɔɲtʃˈɨwɛm jˈuʃ s tˈɔbɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_66.wav|tʃɨ mˈuɡwbɨ pˈan zˈajʒɛdʑ dɔ jɛj bjˈurka?|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_149.wav|zɔstˈawɔ jɛj jˈɛʃtʃɛ jˈɛdnɔ pɨtˈaɲʲɛ, jˈɛdna ʃˈansa ujʒˈɛɲʲa pʃɨʃwˈɛɡɔ ʒˈɨtɕa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_612.wav|fsadʑˈiwɛm dwˈɔɲʲɛ pɔt jɛj blˈuskɛ i ˌɔdnalˈazwɛm pʲˈɛrɕi.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_189.wav|dˈɔrtsaz zrɔbʲˈiwa mu mˈɨʃkɛ s kavˈawkuf fˈutra i pʃˌɨvʲɔ̃zˈawa jˈɔ̃ dɔ dwuɡʲˈɛɡɔ ʃnˈurka na kˈɔɲtsu vˈɛntki.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_40.wav|a nˈavɛt pˈaru krˈuluf.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_71.wav|jˈakʲɛʑ drdɨmˈawɨ f stˈɨlu zˈɛn?|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_98.wav|muvˈiwɛɕ ɔ frˈɛjax, ktˌurɨx ɕmʲˈɛrtɕi prˈaɡɲʲɛʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_25.wav|ɔtfʲˈɛra dɔkˈumɛnd zˈɛ sfˈɔjɔ̃ ˌɔpɔvʲˈɛɕtɕɔ̃ i zjˈɛʒdʒa kursˈɔrɛm na dˈuw.|2
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_25.wav|çˈiɲtʃɨɡ zrˈɔbʲiw krˈɔɡ dɔ pʃˈɔdu. ˌɔtʃɨvˈiɕtɕɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_51.wav|i tɔ jɛst tɛn ɕlˈat, ktˌurɨ bjˈɛdʑ bˌɛɲdʑɛ za tˈɔbɔ̃ i ktˌurɨ tɕˈɛ dɔɡˈɔɲi f kˈaʒdɛj xfˈili tfˈɛɡɔ ʒˈɨtɕa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_33.wav|pˌɔvʲɛdʑˈawa bˈɛtskɨ ɲʲˈɛtsɔ zˌaskɔtʃˈɔna vidˈɔkʲɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_38.wav|zavˈɔwaw fxˈɔdʑɔndʑ dɔ tsˈɛntrum kˌɔɔrdˌɨnatsɨjnˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_360.wav|vˌɨpuɕtɕˈili taˈinɛ. tɔ bˌɨwa najlˈɛpʃa vʲadˈɔmɔɕtɕ, jˈakɔ̃ ˌuswɨʃˈawa ɔt xfˈili, ɡdˈɨ vʲˈɛlki vrˈubɛl pɔvʲˈɛdʑaw jɛj...|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_70.wav|znˈam fʃˈɨstkʲɛ dˈɔmɨ zastˈɛmptʃɛ w ˌɔkɔlˈitsɨ i spɛkˈɔvʲɛ ɲʲɛ sɔ̃ najɡˈɔrɕi.|2
+Dataset/wavs/urwisko_ferenc/11_segment_26.wav|mˈawa zɔmpkˈujɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_145.wav|zajʒˈawam dɔ ɕrˈɔtka.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_77.wav|zˌatʃɨmˈujɛ ɕɛ i ɔpʲˈɛram ɔ swˈup, ʒˈɛbɨ zaxˈɔvatɕ rˌuvnɔvˈaɡɛ, kʲˈɛdɨ kɔlˈana nˈaɡlɛ ˌɔdmavʲˈajɔ̃ mi pˌɔswuʃˈɛɲstfa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_64.wav|tˈɔm ˈuɲʲus ˈu brvˈi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_264.wav|— tsˈuʒ za ruʒɲˈitsa? — ˈɛstɛr pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_31.wav|mˈa kˈartɨ vˈisa i mastˈɛrtsard vɨdˈanɛ pʃˈɛs sˌɛatsˈɔazd bˈaŋk f pɔrtsmˈɔutx.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_112.wav|ˌɔdvrutɕˈiwam ɕɛ dɔ ɲʲˈɛj fstʃɔ̃ɕɲʲˈɛnta. ɲʲɛ, lˈɛɔ, pɔvˈinnaʑ bˈatɕ ɕɛ ɔ ɕˈɛbjɛ sˈamɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_14.wav|dˈɔbra rɔbˈɔta, dˈalɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_29.wav|bˌɨliɕmˌɨ zˈɛ sˈɔbɔ̃ pʃˈɛs ɕˈɛdɛm lˈat, a pˈɔtɛm fʃˈɨstkɔ ɕɛ zɛpsˈuwɔ. tɔ xˈɨba tɛn swˈɨnnɨ krˈɨzɨs ɕˈɛdmju lˈat.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_595.wav|ɲʲˈɛmɛntʃ mɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_31.wav|samˈɔtnɔɕtɕ starˈɛɡɔ tʃwɔvʲˈɛka ɲʲɛ jɛst wˈatfa. tɔ zˈafʃɛ pʃɨjˈɛmɲʲɛ mˈɨɕlɛtɕ, ʒˈɛ jˈɛdnak ktˈɔɕ...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_48.wav|ˈaʃ ɔtfˈɔʒɨw ʃɛrˈɔkɔː ˈɔtʃɨ, ˌalɛ jˈɔː ˌɔdɛrvˈawa ɔt ɲʲˈɛɡɔ vzrˈɔk.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_33.wav|ja vʲˈɛm pɔvʲˈɛdʑaw ˈandɛrsɔn. mˈɨɕlɛ, ʒˈɛ rɔzˈumjɛm. i vrˈutɕiw dɔ mʲɛʃkˈaɲʲa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_117.wav|mˈama pˈɨʃɲʲɛ ɡˌɔtɔvˈawa i zˈafʃɛ tɕɛʃˈɨliɕmˌɨ ɕɛ zˈɛ fspˈulnɨx, rɔdʑˈinnɨx pɔɕˈiwkuf, ˌalɛ nˈaʃ jadwˈɔspis pɔvˈɔli ɕɛ zmʲˈɛɲʲaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_98.wav|ɡdˈɨbɨm ɡˈɔː ɔstʃˈɛɡwa, ʒˈɛ mɔrdˈɛrtsa tˈam bˈɛɲdʑɛ, zapˈɨtawbˌɨ mɲʲɛ skˈɔnt ˈɔtɨm vʲˈɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_61.wav|ɕrɛdɲʲˈɛɡɔ vzrˈɔstu, tɕˈɛmnɛ, krɛntsˈɔnɛ vwˈɔsɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_177.wav|bʲˈillɨ jɛst tɕˈɛkaf, tʃɨ tsˈɔlin fçˈitɛ i ˈinɲi prˌatsɔvɲˈitsɨ buɕˈinɛss sɔlˈutjɔns mˌajɔ̃ kˌɛnaxˈɔfa na lˈiɕtɕɛ lˈudʑi dɔː ˌɔbdʑvɔɲʲˈɛɲʲa. rˈatʃɛj ɲʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_118.wav|ɲʲɛ ˈɔdɛ mɲʲɛ.|0
+Dataset/wavs/urwisko_ferenc/29_segment_5.wav|kˈiŋɡa vˌɨdʑvaɲʲˈawa dɔ ɲʲˈɛɡɔ kˌilkanˈaɕtɕɛ rˈazɨ.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_35.wav|ɲˈiɡdɨ w ʒˈɨtɕu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_10.wav|ɲʲɛ sˈɔndʑɛ, ˌalɛ tɔ pɔ prˈɔstu bˈɨw jˈɛdɛn s tɨɣ dɲˈi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_51.wav|vˌɨsapˈawa. a mˈili ɲʲɛbˈavɛm vrˈutɕi bɛspʲˈɛtʃɲʲɛ dɔ dˈɔmu.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_13.wav|nˈaʃa ʃtˈutʃka pˌɔlɛɡajˈɔntsa na ˌɔɡwupʲˈɛɲʲu tʃujɲˈika spravdʑˈiwa ɕɛ dɔ tɛj pˈɔrɨ, ˌalɛ tˈɛras muɕˈawam pʃˌɛdʑurˈavitɕ skɔrˈupɛ vɛvnˈɛntʃnɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_53.wav|vˈaʃa mˈiwɔɕtɕ s pɛvnˈɔɕtɕɔ̃ ɲʲɛ sˈɔɲdʑi...|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_13.wav|skˈɔnt ɔn ɕɛ vʑˈɔw? ˈaʃ krˈɛɲtɕi ɡwˈɔvɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_79.wav|jˈɛɡɔ skʃˌɨʒɔvˈanɛ nˈɔɡʲi lˈɛdvɔ ɕɛ mʲˈɛʃtʃɔ̃ pɔt stɔlˈikʲɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_221.wav|stˈaraw ɕɛ ɲʲɛ zvrˈatsatɕ na ɕˈɛbjɛ uvˈaɡʲi.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_401.wav|bˌɛndɛ xtɕˈaw ɔtʃˈɨmatɕ pˌɔtsawˈunɛk, kturˌɛɡɔ ɲˈiɡdɨ mi ɲʲɛ dˈawa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_14.wav|ɡdʑˈɛ jˈɔ̃ ukrˈɨvaw?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_413.wav|pˈatʃ, tɔ sɔ̃ vˌitamˈinɨ dla tɕˈɛbjɛ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_30.wav|pʃɨnˈajmɲʲɛj w jˈɛɡɔ vˌɨkɔnˈaɲʲu. ɲˈidʑ dʑivnˈɛɡɔ, skˈɔrɔ ɲʲɛ ˈumjaw pwˈɨvatɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_82.wav|kˈilka dɲˈi tˌɛmu sˈɛktsja ˌinfɔrmatˈɨtʃna dɔɲʲˈɔswa ɔ prˈubjɛ vwamˈaɲʲa dɔ nˈaʃɛj ɕˈɛtɕi kˌɔmurkˈɔvɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_114.wav|tʃɨ ɡʲˈɔrɡjɔ vrˈutɕiw dɔ nɔvˈadɨ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_64.wav|kʲˈɛdɨ vˌɨxɔdʑˈimɨ, tʃˈujɛ na sˈɔbjɛ vzrˈɔk kɔbjˈɛtɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_38.wav|tʃɨ jɛst f tɔ zˌaaŋɡˌaʒɔvˈanɨ? tʃɨ ˌupɔzɔrˈɔvaw tɔ fʃˈɨstkɔ w ɔbˈavʲɛ pʃɛt utrˈatɔ̃ dʑˈɛtska?|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_129.wav|bʲˈillɨ vɨxˈɔdʑi i f pɔwˈɔvʲɛ kˌɔrɨtˈaʒa zavrˈatsa. zapˈɔmɲʲaw ɔ tsˈɔʑ zapˈɨtatɕ. pˈuka dɔ dʒvˈi i ˈɛllis ɔtfʲˈɛra.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_175.wav|na ɕfʲˈɛtɕɛ pˈɛwnɨm zdrˈajtsuv bˌɨwɔ tɔ vˈartɛ kˈilku pˌɔtsawˈuŋkuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_89.wav|ɲʲˈɛma rˈatʃɛj vɨbˈɔru, ɲʲɛ sˈɔɲdʑiʃ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_109.wav|ɲʲˌɛzalˈɛʒɲʲɛ ɔt tˈɛɡɔ, tsˈɔ tˈɔm mˈɨɕlaw ɔː ɛdmˈuntɕɛ i pɔmˈimɔ pɔdˈɛjʒɛɲ dˌɔtɨtʃˈɔntsɨx jˈɛɡɔ ɲʲˈɛzbɨt lˌɛɡalnˈɛɡɔ stˈɨlu ʒˈɨtɕa, jˈakɔ pɔlˈitsjand bˈɨw zˌɔbɔvʲɔ̃zˈanɨ dɔ jˈɛdnɛj ʒˈɛtʃɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_31.wav|pˈuʑɲʲɛj mˈili ɲitʃˈɛɡɔ jˈuʃ ɲʲɛ pˌamjɛntˈawa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_280.wav|tɨ lˈataʒ dlatˈɛɡɔ, ʒˈɛ kɔbjˈɛta, ktˌurɔ̃ kˈɔxaʃ, xtsˈɛ, ˈabɨɕ lˈataw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_55.wav|ʃtʃˈɛʒɛ mˈuvʲɔnts, uznˈawabˌɨ za dʑˈivnɛ, ʒˈɛ w ɔɡˈulɛ zˌadʑvɔɲˈiwam. ˌalɛ zvaʒˈɨfʃɨ nˈatɔ, ʒˈɛ tɔː ˌɔna dʑvɔɲˈiwa pʲˈɛrʃa, xˈɨba bɨwˈɔbɨ f pɔʒˈɔntku.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_7.wav|pɔdˈɔwɛk tˈakɔ jɛst kawˈuʒɔ̃ krfˈi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_37.wav|dˈɔbra rɔbˈɔta, kˈit. pˈujdɛ pˌɔvʲadˈɔmitɕ ʃˈɛfa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_56.wav|nazˈɨvam ɕɛ kˈɔrsak, pɔvʲˈɛdʑaw blˈɔndɨn.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_13.wav|mˈɔʒɛ ta kɔbjˈɛta zabjˈɛʒɛ jˈɔ̃ dɔ dˈɔmu?|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_154.wav|zapˈɨtaw zˌadɔvɔlˈɔnɨ rˈɔbɛrt. fkrˈuttsɛ bˌɛɲdʑɛʒ vˈɨʃʃɨ ˈɔdɛ mɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_13.wav|tɔː ɔznˈatʃa, ʒˈɛ zɔstˈaɲʲɛ ˌɔnɔ vˌɨxɔvˈanɛ pʃˈɛs lˈudʑi, ktˌurɨm naprˈavdɛ nˈaɲim zalˈɛʒɨ i ktˌuʒɨ mˌajɔ̃ dˈuʒɔ pʲɛɲʲˈɛndʑɨ, dʑˈɛŋki tʃˌɛmu bˌɛɲdʑɛ mʲˈawɔ fˌantastˈɨtʃnɛ ʒˈɨtɕɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_210.wav|pˈɔʃlibˌɨɕmɨ na ˈinnɛ ˌuɲivˌɛrsɨtˈɛtɨ w rˈuʒnɨx tʃˈɛɲɕtɕax mˌanxɛstˈɛru.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_4.wav|tˈutaj jˈɛdnaɡ bˌɨwɔː inˈatʃɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_48.wav|jˈɛɕli xˈɔdʑi ɔ dˈɔbrɛ vʲˈɛɕtɕi, tɔ swˈɔva kˈirstɛn tsˈarlsɔn fskazˈujɔ̃ nˈatɔ, ʒˈɛ ɡˌɛnɛvʲˈɛvɛ plˌanɔvˈawa zɔstˈavitɕ nˈɨla.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_11.wav|zˌɔbatʃˈɨmɨ, jˈak ɕɛ fʃˈɨstkɔ pɔtˈɔtʃɨ. dˈɔbʒɛ, kɔxˈaɲʲɛ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_82.wav|mˈuvi pʃˌɛwɨkˈajɔndʑ ɡwˈɔɕnɔ ɕlˈinɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_275.wav|ɔdˈɛzvij ɕɛ, jˈak tˌɨlkɔ dɔstˈaɲʲɛʃ ɔt ɲʲˈɛɡɔː ɔtpˈɔvʲɛtɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_257.wav|jˈɛɡɔ tfˈaʃ mˈɔʒna bˌɨwɔ spˈɔtkatɕ na rɛklˈamax mˈɨdwa, prˈɔʃkuv dɔ tʃɨʃtʃˈɛɲʲa spɔrtˈɔvɨx sˌamɔxˈɔduf,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_340.wav|w rˈuʒnɨx pɔzˈɨtsjaɣ zˌavʲɛʃˈɔna rˈɛŋka.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_186.wav|salvˈatɔr ˈɔtʃɛd dɔ rˈɔɡu, a kʲˈɛdɨ rˈɔzlɛkw ɕɛ ɡˈɔŋk, ˈuklɔŋkw ʃˈɨpkɔː i pʃɛʒˈɛɡnaw ɕɛ, a pˈɔtɛm pˈɔtʃɛd dɔ muʒˈɨna stˌɔjɔntsˈɛɡɔ bˈɛs rˈuxu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_115.wav|ˈaram ɕɛ tˌɨlkɔː uɕmʲˈɛxa.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_34.wav|mʲˈɔtam pluɡˈastfa jˈɛʃtʃɛ pʃˈɛs minˈutɛ, ˈaʃ f kˈɔɲtsu ˌɔxwɔnˈɛwam i zatʃˈɛwam mˈɨɕlɛtɕ nat rˌɔzvʲɔ̃zˈaɲʲɛm.|4
+Dataset/wavs/urwisko_ferenc/51_segment_62.wav|ʒˈɨjɔ̃ tˈu ɔt lˈat dˈɔdaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_254.wav|ˈalbɔ ɲʲˌɛnavˈidʑɔ̃ ɕɛ xˌɔrɔblˈivʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_287.wav|tɛn wˈazik mʲˈaw rˈuvɲʲɛʃ sˈɨstɛm ˈawdjɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_192.wav|ˈɔ, bjˈɛdnɨ miljˈardɛr, zakpˈiwam. mˈɔʒɛ pˌɔviɲʲˈɛnɛɕ sˈɔbjɛ kˈupidʑ vʒˌɔsɔvˈiskɔ, ʒˈɛbɨɕ mʲˈaw ɡdʑˈɛ ɕˈɛdʑɛtɕ i rɔspˈatʃatɕ?|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_115.wav|ˌalɛ ɲʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_23.wav|tɔ pʃˌɛtɕɛʃ tˌɨlkɔ xfˈila, pɔvʲˈɛdʑaw pˈilɔt.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_167.wav|pˈaɲi kamjˈɛnnɛ sˈɛrtsɛ ˌɔdwɔʒˈɨwa mʲˈɛtʃ, ʒˈɛbɨ pʃɛtʃˈɨtatɕ lˈist.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_72.wav|pɔ tɨx swˈɔvax ɔdvrˈutɕiw ɕɛ napʲˈɛɲtɕɛ i skʲɛrˈɔvaw dɔ pɔkˈɔju pʃɛswˈuxaɲ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_34.wav|minˈɛwɔ zalˈɛdvʲɛ kˈilka dɲˈi ɔt kʲˈɛdɨ vˈɨʃwam sˈama, a jˈuʃ trˈudnɔ mi ɕɛ ɔddˈɨxa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_47.wav|zˈɔbatʃ, ktˈɔ nˈas ɔdvʲˈɛdʑiw.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_439.wav|mˈɔʒɛ vˈartɔ jˈɛʃtʃɛ pɔlˈubʲidʑ ʒˈɨtɕɛ?|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_150.wav|mˈuʃɛ ɕɛ dɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_80.wav|zatʃɲˈijmɨ ɔt pɔtʃˈɔntku, ɲʲɛ ɔt ɕrˈɔtka. pˈɔvʲɛts nˈajpʲɛrf, tsˈɔ ɕɛ stˈawɔ tˈɔbjɛ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_181.wav|jˈɛɕli jˈɔ̃ tˈɛʒ zˌatʃɨmˈajɔ̃ i ˌubʲitʃˈujɔ̃...|1
+Dataset/wavs/urwisko_ferenc/37_segment_11.wav|bˈɛz zmʲˈan ɲʲɛstˈɛtɨ nˈadal jɛst jˈakiɕ tˌaki ɲʲˌɛvɨrˈaʑnɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_28.wav|zaklˈɛwam, kʲˈɛdɨ tɔ dɔ mɲʲɛ dɔtˈarwɔ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_128.wav|fʃˈɨstsɨ mˈuʃɔ̃ ˈumʒɛtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_680.wav|swˈɨxadʑ bˌɨwɔ rˈadjɔ puʃtʃˈɔnɛ na tsˈawɨ rˌɛɡulˈatɔr.|0
+Dataset/wavs/urwisko_ferenc/19_segment_89.wav|dlatʃˈɛɡɔ pˈaɲi tˈak sˈɔɲdʑi? bˈɔ tɔ ja mu ˈɔɲʲɛj pˌɔvʲɛdʑˈawam.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_28.wav|ˌɔkwamˈawa tɕˈɛ tfʲˈɛrdʑɔnts, ʒˈɛ ɲikˈɔɡɔː ˈu ɲʲˈɛj ɲʲˈɛma.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_146.wav|blatskfˈɔɔt i brˈatskɛn, jasɔn malˈistɛr, vˈantsɛ i pˈipɛr, fʃˈɨstsɨ pʃˌɛkɔnˈajɔ̃ ɕɛ, ʒˈɛ ˈɛm. mˈɔnfrɛj jɛst sprˌavʲɛdlˈivɨm sɛɲʲˈɔrɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_39.wav|ɲʲɛ xtɕˈawam strˈatɕitɕ prˈatsɨ. zˌaʒɔndʑˈawam sfˈɔim ʒˈɨtɕɛm najlˈɛpʲɛj, jˈak pˌɔtrafˈiwam i fʃˈɨstkɔ bˌɨwɔ f pɔʒˈɔntku. bˌɨwam pˈɛvna, ʒˈɛ bˌɛndɛ dˈalɛj prˌatsɔvˈawa w ˈɛksɔ tˈɛx.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_42.wav|ɲʲɛ, tɔ ɲʲɛ jɛst pˌɔruvnˈaɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_138.wav|jˈɛɕli bˌɛɲdʑɛ fspˌuwpratsˈɔvaw, vˈɨɕlɛ ɡˈɔ dɔ nɔrvˈɛɡji.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_3.wav|kʲˈɛdɨ mˈama i ˈaram ˌɔdjɛxˈali s parkˈiŋɡu pʃɛt sˌupɛrmarkˈɛtɛm, ɔt rˈazu tʃˈuwam, ʒˈɛ ɲʲɛ kʲɛrˈujɔ̃ ɕɛ na pˈɔtʃtɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_130.wav|mʲˈawam pʃɛt ɔtʃˈami ˈɔbras jˈɛɡɔ blˌadɔɲʲɛbjˈɛskix ˈɔtʃu, ktˌurɛ natˈɨxmʲast skˌɔjaʒˈɨwɨ mi ɕɛ s sɔplˈami lˈɔdu.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_80.wav|fʃˈɨstkʲɛ ˈusta sɔ̃ tˈakʲɛ sˈamɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_136.wav|dlatʃˈɛɡɔ? zˌapɨtˈawa nuɡˈuɡʲi.|4
+Dataset/wavs/urwisko_ferenc/14_segment_68.wav|swˈɨʃaw pˌɔdɲʲɛɕˈɔnɛ ɡwˈɔsɨ, ˌalɛ ɲʲɛ bˌɨwɨ na tˈɨlɛ vɨrˈaʑnɛ, bˈɨ vʲˈɛdʑaw, ɔ tʃɨm rˌɔzmavʲˈali.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_76.wav|na bˈɔku. ɡwˈuvɲʲɛ ˌutʃɨmˈujɛ ɕɛ z ˈuswuk ˌinfɔrmatˈɨtʃnɨx. w zvʲˈɔ̃sku s tɨm dˈuʒɔ pˌɔdruʒˈujɛ, prˈavda, skˈarbjɛ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_147.wav|i tˈatsɨ sˈami lˈudʑɛ, ktˌuʒɨ mˌajɔ̃ tˈakʲɛ sˈamɛ tɕˈawa, jˈak i ˈinɲi lˈudʑɛ i vʲˈɛdʑɔ̃ ˈɔtɨm.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_255.wav|na smˈɔtʃɛj skˈalɛ mˈɔʒna znˈalɛɕtɕ çimˈɛrɨ, ktˌurɛ bˈardʑɛj pʃˌɨpɔminˈajɔ̃ krasnˈala ɲˈiʃ tɛn kˈaʒɛw.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_54.wav|bwɨsnˈɛwa bʒˈɨtfa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_85.wav|jˈɛdɛn s tɨx xwɔpˈakuf, mˈɛ̃ʃtʃɨzn, fpˈɨxaw mi ɕtɕˈɛrkɛ dɔː ˈust, ʒˈɛbɨm pʃɛstˈawa kʃˈɨtʃɛtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_122.wav|jɛst prˈavʲɛ pˈɛvʲɛn, ʒˈɛ ˈɛliz vˈɛzvʲɛ ɡlˈinɨ.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_330.wav|dvˈuɣ z ɲˈix mʲˈawɔ tʃˈɛlnɔɕtɕ skʃɨʒˈɔvadʑ vwˈutʃɲʲɛ i zaɡrˈɔdʑitɕ jɛj pʃˈɛjɕtɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_179.wav|pɔʒˈɛɡnaw jˌamjɛˈɛɡɔ pwˈɨtkim ukwˈɔnɛm i ɲʲɛpˈɛvnɨm krˈɔkʲɛm vˈɨʃɛd z namjˈɔtu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_48.wav|zˈaɲim bˈɛtskɨ i tˈɔm zdɔ̃ʒˈɨli tsɔkˈɔlvʲɛk pɔvʲˈɛdʑɛtɕ, zˌavɔwˈawa mˈama jɛst f salˈɔɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_122.wav|ɲʲˈɛxtsɛ. tɔ znˈatʃɨ ɲʲˈɛxtsɛʃ? zapˈɨtaw fɔtˈɔɡraf.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_475.wav|ˌalɛ pʃˌɛtɕɛʃ tɔ ɲʲɛ fʃˈɨstkɔ, xˈɔtɕ prˈavʲɛ fʃˈɨstkɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_210.wav|ktˌurɛ ʒˈɔndʑɔ̃ ɕfʲˈatɛm,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_35.wav|prubˈujɛ ɕɛ skˈupitɕ na swˈɔvax tˈɔma. tʃɨ mɛ̃ʃtʃˈɨznɔ̃ f sɨpʲˈalɲi tˈɛssɨ mˈɔʒɛ bˈɨtɕ ˈaʃ?|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_333.wav|mˈuviw, ʒˈɛ tʃˈujɛ ɕɛ zmɛntʃˈɔnɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_246.wav|mʲˈawam bˈɨtɕ kɔlˈɛjnɔ̃ ɔfjˈarɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_50.wav|tɔ tɨ jˌɛstɛɕ prˌatsɔvɲˈikʲɛm i zˌaswuɡˈujɛʃ na trˈɔxɛ tʃˈasu dla ɕˈɛbjɛ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_32.wav|tfʲˈɛrdʑi, ʒˈɛ nˈavɛd zabʲˈijaw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_23.wav|bʲˈillɨ ɲʲɛ jˈɛdʑɛ na pˈarkiŋɡ vʲˌɛlɔpˌɔʑɔmˈɔvɨ. vʲˈɛntsɛj ɕɛ tˈam ɲʲɛ pɔkˈaʒɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_106.wav|xfˈɨtam za tɛlˈɛfɔn, ʒˈɛbɨ tɔː ɔdvˈɔwatɕ, kʲˈɛdɨ rɔzlˈɛɡa ɕɛ dʑvˈɔnɛɡ dɔ dʒvˈi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_327.wav|mˌɛxaɲˈitʃna pˈiwa. ɲʲɛ dˈadʑɔ̃ nˈam zˈasnɔɲtɕ.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_90.wav|vˈɨspɛ ɕfˈiɲ i pˈawats sɨrˈɛnɨ|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_37.wav|mʲˈɛŋkkʲɛ, brɔ̃zˈɔvɛ bwˈɔtɔ vwazˈiwɔ mu mʲˌɛndʑɨ pˈaltsɛ. ɔt tʃˈasu dɔ tʃˈasu zˌatʃɨmˈɨvaw ɕɛ, bˈɨ zbˈadatɕ kɔstˈurɛm drˈɔɡɛ pʃɛt sˈɔbɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_188.wav|ɲʲˈɛmam vˌɨrafˌinɔvanˈɛɡɔ pɔtʃˈutɕa ɛstˈɛtɨkˌi, ˌalɛ nˈavɛt ja mˈɔɡwabˌɨm jˈɔ̃ ˈuznadʑ za ˈɔbras pʲˈɛŋknɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_307.wav|jˈɛɕli pɔsˈunɔ̃ ɕɛ za dalˈɛkɔ, dˈaj mi znˈatɕ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_172.wav|ɡdˈɨ vʲˈɛltsɨ lɔrdˈɔvʲɛ ɡrˈajɔ̃ f sfˈɔjɛ ɡrˈɨ ɔ trˈɔnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_122.wav|bʲˈillɨ prˈavʲɛ mˈuɡwbɨ ɡˈɔ pɔlˈubʲitɕ.|2
+Dataset/wavs/urwisko_ferenc/59_segment_8.wav|vʲadˈɔmɔ tsˈɔɕ ɔ jˈɛɡɔ stˈaɲʲɛ zdrˈɔvja?|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_235.wav|bʲˈillɨ pɔstˈaviw pʃˈɛdɲim pˈivɔ. i jˈuʒ vam ɲʲɛ pʃɛʃkˈadʑam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_164.wav|ftˈɛdɨ tɔ dɔ mɲʲɛ dɔtɕˈɛra.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_16.wav|ˈalbɔ jˈɛɕli vam ɕɛ ɕpʲˈɛʃɨ, tɔ vˈɛɕtɕɛ mʲˈɛŋkki rˈunvaj.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_63.wav|ˈɛmɔn tˌarɡarˈɨɛn?|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_246.wav|pɔtʃˈɛba bˌɨwɔ tʃtˈɛrɛx lˈudʑi, ʒˈɛbɨ ɡˈɔ pɔstˈavitɕ na nˈɔɡʲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_60.wav|natxˈɔdʑi kˈɔlɛj dʒulˈɔŋɡa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_438.wav|vʲˈɛnts jˈakʲɛɕ tˈaɲtsɛ, ja dɔ ɲʲˈɛj, dʑˈɛtskɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_95.wav|— jˈɛnnɨ, mˈuvi ˈanna, ˌɔkazˈawɔ ɕɛ, ʒˈɛ tɔ naprˈavdɛ fatˈalnɨ tˈɨdʑɛɲ.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_33.wav|pʃˈɛstaɲ vrˈɛʃtɕɛ naʒˈɛkatɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_152.wav|dˈɔbʒɛ pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_61.wav|jˈɔː ˌɔtkaʃlnˈɛwa, ʒˈɛbɨ ɔtʃˈɨɕtɕidʑ ɡˈardwɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_113.wav|mˈɔʒɛ tɔ tˈɨlkɔ, jˈak nˌazɨvˈawa tɔ jˈɛɡɔ dˈavna pʃˌɨjatɕˈuwka rˈɔbʲin, zbjˈɛʒɛk ˌɔkɔlitʃnˈɔɕtɕi, a mˈɔʒɛ ɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_218.wav|ˈɔtfur pɔkˈuli pɔjˈaviw ɕɛ w ɡˌɔbɛlˈiɲʲɛ, f pʲˈɛrɕi jɛdnˈɛɡɔ z ɡˌalɔpujˈɔntsɨx kˈɔɲi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_441.wav|tɔ dˌɛɡɛnˈɛrat. pɔɕlˈɛmɨ ɡˈɔ na rˌɛɛdukˈatsjɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_54.wav|ˌalɛ tɕˈɛʃɛ ɕɛ, ʒˈɛ tˈak mˈɨɕliʃ. bˌɛɲdʑɛ tɕi jˈutrɔː ɔ vʲˈɛlɛ wˈatfʲɛj.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_201.wav|vʲɛʒɡˈawa i vzɨvˈawa pɔmˈɔtsɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_5.wav|klutʃˈɨwam tsˈɨŋɡlɛm w lˌabʲirˈɨɲtɕɛ zˌaɲʲɛdbˈanɨx kˌɔrɨtˈaʒɨ, a zˈɛ ɕtɕˈan sˈɔntʃɨw ɕɛ zɡʒɨtlˈivɨ pˈɔmruk mˈaʃɨn.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_211.wav|jɛj pʲˈɛrɕi fˌalɔvˈawɨ ɡvawtˈɔvɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_9.wav|mrˈuknɔw tˈɔm z ˌirɨtˈatsjɔ̃, bˈɛmbɲʲɔnts paltsˈami ɔ kʲˌɛrɔvɲˈitsɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_53.wav|a jˈɛɕli ɔdmˈuvjɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_96.wav|bʲˈillɨ pˈatʃɨ na ptˈaka ʃˌɨbujɔntsˈɛɡɔ z rˌɔspɔstartˈɨmi skʃɨdwˈami pɔ bwɛŋkˈitnɨm ɲʲˈɛbjɛ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_238.wav|zɔbˈatʃɨʃ, jˈak jˈɛ ˌukɔrɔnˈujɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_64.wav|a tˈutaj pɔjˈaviw ɕɛ prˈɔblɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_76.wav|stsˈɔtt spakˈɔvaw nˈas ɔbˈɔjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_131.wav|tɔ, tʃˈɛɡɔ ɕɛ tˈɛraz dˌɔvʲɛdʑˈawɛm, jɛzd bˈardʑɔ bɔlˈɛsnɛ i pˌɔtʃɛbˈujɛ trˈɔxɛ tʃˈasu. tʃɨ tɔ jˈuʃ fʃˈɨstkɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_82.wav|tˈak tˈɛʃ mɨɕlˈawɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_257.wav|nat kturˈɨmi rɔspʲˈɛwɨ ɕɛ brvˈi prˈɔstɛ jˈak skʃˈɨdwa jaskˈuwki.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_571.wav|ˌalɛ ˌɔna ftsˈalɛ ɕɛ ɲʲɛ zaɕmʲˈawa.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_136.wav|pɔ drˈɔdʑɛ dɔ nˈɔrvɔs, ɡdʑˈɛ pɔznˈawɛm mɛlˈarjɔ.|1
+Dataset/wavs/urwisko_ferenc/28_segment_74.wav|ˈɔɲʲɔ̃ tɕi xˈɔdʑi?|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_108.wav|skʃˌɨʒɔvˈawam rˈɛntsɛ na pʲˈɛrɕi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_154.wav|i ˈɔtʃɨ kɔlˈɔru pʃɨlˈaʃtʃɛk, ktˌurɛ rˈɔswɨ pɔ lˈasaɣ za mˈɔjɛj mwɔdˈɔɕtɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_150.wav|tɔ jˈɛdnak ɲʲɛ fʃˈɨstkɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_43.wav|tɔ dɔswˈɔvɲʲɛ bˈɨw bˈalɔn f kɔmˈɔʒɛ pruʒɲʲˈɔvɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_3.wav|bˈɛtskɨ vidʑˈawa, jˈak kˈit tsˈɔɕ mˈuvi, a tˈɔm kˈiva ɡwˈɔvɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_15.wav|ʃtʃɛɡˈulɲʲɛ mˈiwɔ̃ kˌɔvalˈɔvi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_63.wav|tʃˈɨma dwˈɔɲ na ɡˈardlɛ i rˌɔspatʃlˈivʲɛ wˈapʲɛ pɔvʲˈɛtʃɛ. ɡwˈɔɕɲʲɛj ʒˈɛ̃ʑi ɲˈiʃ pˈuka.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_11.wav|bˈɛtskɨ ɕˈada ˌɔbɔk mɲʲɛ i ɔdvrˈatsa ɕɛ w mˈɔjɔ̃ strˈɔnɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_271.wav|ˌɔna kˌasɔvˈawa bʲilˈɛtɨ za ɕˈɛbjɛ i zˈamɲʲɛ. vʲˈatr udˈɛʒaw w ɕtɕˈanɨ ˌawtɔbˈusu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_15.wav|fʃˈɨstkʲɛ dɔvˈɔdɨ fskazˈujɔ̃ nˈatɔ, ʒˈɛ nˈaʃɔ̃ ɔfjˈarɔ̃ jɛst tsamˈɛrɔn ˈɛdmɔnts.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_171.wav|vzdrɨɡnˈɛwam ɕɛ. nˈɔ tˈak, rˈatsja. i nɛˈɔnu ˌɔtʃɨvˈiɕtɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_150.wav|bʲˈillɨ pɔtxˈɔdʑi dɔ tˈɔrbɨ i vɨjmˈujɛ rˈɛntʃnɨ mˈiksɛr mˈaɡʲidʑ vˈant.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_128.wav|ktˈurɨɕ s kɔlˈɛɡuv vʑˈɔw ɡˈɔ dɔ sˌamɔlˈɔtu i pˌɔlɛtɕˈɛli nat liɲʲˈami. i lɛtɕˈɛli nat lˈasɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_15.wav|ɔpʲˈɛra ɕɛ na ˈalɡax i ʃtˈutʃnɨɣ dɔdˈatkax smakˈɔvɨx.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_307.wav|zɡˈɔdɲʲɛ z rɔskˈazɛm vˈaʃɛj miwˈɔɕtɕi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_182.wav|pʃɛɲʲˈɔswa vzrˈɔɡ z bˈɛki na tˈɔma, jˈaɡbɨ tɔ mʲˈawɔː im pˈɔmudʑ w zrˌɔzumjˈɛɲʲu pɔvˈaɡʲi sˌɨtuˈatsji.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_9.wav|pˌɔvʲɛdʑˈawa z nˈutɔ̃ rˌɔzbavʲˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_58.wav|pɔdˈɔ̃ʒaw za ɲˈimi strˈumjɛɲ pɔmɲʲˈɛjʃɨx lˈɔrduf i rɨtsˈɛʒɨ, ktˌuʒɨ zˌajmɔvˈali mʲˈɛjstsa s tˈɨwu sˈali.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_135.wav|pˈɔtɛm fspʲˈɛwam ɕɛ pɔ bˈurtɕɛ skʃˈɨɲi wˌaduŋkˈɔvɛj i fskɔtʃˈɨwam dɔ ɕrˈɔtka.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_186.wav|i vɨsˈɨpaw mɔnˈɛtɨ na blˈat, ʒˈɛbɨ jˈɛ pɔlˈitʃɨtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_86.wav|jɛst sˈuxɨ tʃɨ mˈɔkrɨ? tˌɛɡɔ ɲʲˈɛvʲɛm. ˈitɕ i zˈɔbatʃ.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_67.wav|ɡdˈɨbɨ tɔ bˌɨwa mˈɔja tsˈurka...|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_85.wav|pɔː ˌɔpruʒɲʲˈɛɲʲu skʃˈɨɲʲa vrutɕˈiwa dɔ pɔʑˈɔmu i kˈɔmbajn zɲʲˌɛruxˈɔmjaw.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_46.wav|sˈɛr tˈalbɛrt ɔdʒˈutɕiw stʃaskˈanɔ̃ tˈartʃɛ i tɕˈɔw ɲˈiskɔ mʲˈɛtʃɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_229.wav|jɛʒˈɛli tɕˈɛ bˈɔli, pɔvˈinnaɕ ˈiʑdʑ dɔ dˈɔktɔr rˈussɛl.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_51.wav|ˈɔttɕɔɲtɕ ɕɛ ɔt mˈɛŋki tsˌɔdʑɛnnˈɔɕtɕi, znˌarkɔtɨzˈɔvatɕ ɕɛ ˈaʒ dɔ ɲʲˌɛɔtʃˌɛkivˈanɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_61.wav|ɲʲˈɛx pˈan vˈɛʑmʲɛ prˈɔʃki ˌuspɔkˌajajˈɔntsɛ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_61.wav|mˈuj bratˈanɛk ɲʲɛ ˈujdʑɛ ɕmʲˈɛrtɕi. tsɔkˈɔlvʲɛɡ bˈɨm utʃˈɨɲiw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_144.wav|ɲʲɛ ufˈawam vwasnˈɛmu ɡwɔsˈɔvi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_276.wav|i tˈɛraz z vʲˈɛŋkʃɨm rɔzmˈɨswɛm fspinˈawɛm ɕɛ pɔt tˈɛ ɡˈurɛ pˈɛwnɔ̃ ɡʒmˈɔtuf i ˈɔɡɲʲa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_74.wav|w bjˈuʒɛ ɲʲˈɛma kˌarabʲˈinu, ˌaɲi w ɔɡˈulɛ ɲitʃˈɛɡɔ bˈardʑɛj ɕmʲˌɛrtɕɔnɔɕnˈɛɡɔː ɔt nˈɔʒa dɔː ˌɔbjɛrˈaɲʲa w jˈɛdnɛj s kuxˈɛnnɨx ʃˈuflat, ˌalɛ tɔ ɲˈits.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_9.wav|jˌɛstɛm zwˈɨm tʃwɔvʲˈɛkʲɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_226.wav|ɲʲɛktˌuʒɨ vˌɨstavʲˈali jɛ̃zˈɨki, ˈinɲi xrapˈali, vˌɨpuʃtʃˈajɔnts pɔvʲˈɛtʃɛ s kɔmˈitʃnɨm ɕfˈistɛm, a kˈilku pˈadwɔ na pɔdwˈɔɡɛ z rˌɔspɔstartˈɨmi kˌɔɲtʃɨnˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_75.wav|na blˈɔɡax, ktˌurɛ tʃɨtˈawɛm, namjˈɛntɲʲɛ ɡlˈɛndʑɔ̃ ɔː awtˈɔrax, ktˌuʒɨ ɲi s tˈɛɡɔ, ɲi z ɔvˈɛɡɔ dɔstˈajɔ̃ vˈɛnɨ i tɔ vwˈaɕɲʲɛ spɔtˈɨka tɕˈɛbjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_101.wav|bˈɔb zˌaprɔvˈadʑiw nˈaz dɔ pʃɛtɕˈɔŋka.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_217.wav|ɲˈits tˈaɡ bˈardʑɔ ɕɛ dla mɲʲɛ ɲʲɛ litʃˈɨwɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_40.wav|ˈaʃ xfˈɨta mˈɔjɛ dwˈɔɲʲɛ i jˈɛ ɕtɕˈiska. ftɕˈɔ̃ʃ ɲʲɛ pˈatʃɨ mi w ˈɔtʃɨ. ɕˈadaj, jˈɔɛ. ɲʲˈɛmam jˈuʃ tˌɛɡɔ zdjˈɛɲtɕa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_4.wav|fstˈɨt mi zˈatɔ fʃˈɨstkɔ, ɔ tsˈɔ pˌɔprɔɕˈiwam tˈatɛ pʃɛd vʲɛlˈɔma lˈatɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_139.wav|bʲˈillɨ vzrˈuʃa rˌamjɔnˈami na znˈak, ʒˈɛ ɲʲɛ rɔzˈumjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_141.wav|pɔdɲʲˈɔswɛm na mˈɔmɛnt pɔrtfˈɛlik prˌɛzɨdˈɛnta.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_11.wav|jɛst w lˈawrji. vʲˈɛʃ ˈɔtɨm, prˈavda?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_14.wav|tʃɨ prubˈɔvaw ktˈɔɕ tˈɛndɨ pʃɛxˈɔdʑitɕ? zapˈɨtaw tˈɔm. kˈilka ˈɔsup, sˈɛr. fʃˈɨstsɨ jˈɛdnaɡ zˌavrutɕˈili bˈɛs mˌarudʑˈɛɲʲa. xˈɨba pɔ prˈɔstu bˌɨli tɕɛkˈavi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_85.wav|jˈamisɔn ˈɔtar tʃˈɔwɔ.|2
+Dataset/wavs/urwisko_ferenc/43_segment_72.wav|nˈɔ vʲˈɛnts tsˈɔ rɔbʲˈimɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_130.wav|mˈɔtʃɨ xlˈɛp w rɔsˈɔlɛ i kʲˈɛdɨ vˈidʑi, ʒˈɛ bʲˈillɨ pˈatʃɨ nˈaɲʲɔ̃ znˈat sfɔjˈɛɡɔ pustˈɛɡɔ talˈɛʒa, pɔsˈɨwa mu skruʃˈɔnɨ ˈuɕmʲɛx.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_16.wav|zapˈɛvɲʲa, ʒˈɛ tˈak, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_98.wav|vˈɨjdɛ s tˌɛɡɔ pʃˌɛklɛntˈɛɡɔ dˈɔmu i zˈatʃnɛ ˈinnɛ ʒˈɨtɕɛ. uɕmʲˈɛxnɔw ɕɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_656.wav|i tɨm ˌɛnɛrɡʲˈitʃnɨm, ʃɛrˈɔkim rˈuxɛm|0
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_43.wav|fʃˈɨstsɨ vʲˈɛmɨ, ʒˈɛ tɔː irˈɔɲʲa, ˌalɛ tˌaki jˈuʃ jɛst sˈami.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_45.wav|tˈuʃ ˌɔbɔk stˈavʲam zˈafʃɛ pɔmˈɔtsnɛ mˌadalˈɛnɛ kˌavatɕˈuttʲi i xˈarʲɛt mɔˈɔrɛ, ktˌurɛ zˌapɛvɲʲˈajɔ̃ mi najlˈɛpʃɛ fspˈartɕɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_110.wav|i tsˈɔ bˈɛɲdʑɛ, kʲˈɛdɨ mɲʲɛ zabrˈakɲʲɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_89.wav|xtsˈɛʒ ɡˈɔ mˈɔʒɛ dla ɕˈɛbjɛ? zapˈɨtaw mˈikɛ.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_160.wav|sˈam fspˈinaw ɕɛ zˈaɲim.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_192.wav|ɲʲˈɛvʲɛm tˌɛɡɔ jˈɛʃtʃɛ tˈɛras.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_282.wav|ɲʲɛ vˈɔntpjɛ, ʒˈɛ jˌɛstɛʑ zdɔlɲʲˈɛjʃɨ ɔt sˈɛr xarˈɨsa.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_193.wav|f skalˈistɨm krˌajɔbrˈaʑɛ pɔɡˈuʒa bˌɨwɔ pɔd dɔstˈatkʲɛm ɡwˈazuf i fɔrmˈatsji skˈalnɨx, za kturˈɨmi mˈɔɡwam pʃɛmˈɨkatɕ ɲʲˌɛzawvaʒˈɔna pʃˈɛs ɲikˈɔɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_108.wav|zrɔbʲˈilibˌɨ tɔ tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ pɔprˈɔɕiw ˈɔtɔ ˈaram.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_26.wav|tˈɔm rˈuvɲʲɛʃ pɔxˈɨliw ɕɛ w jɛj strˈɔnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_147.wav|jˈɛdnɔ̃ z ɲˈix udˈɛʒa w dˈɛskɛ rɔzdʑˈɛltʃɔ̃ i tɔ vɨrˈɨva jˈɔ̃ zˈɛ snˈu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_137.wav|vˈidʑɛ pʃɛt sˈɔbɔ̃ nastˈɛmpnɛ dʒvˈi z brˈudnɔ̃ ʃˈɨbɔ̃ ˈu ɡˈurɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_34.wav|bʲˈillɨ zˌatʃɨmˈujɛ ɕɛ tˈuʃ nat pɔdˈɔstɛm pʲɛrʃˈɛɡɔ pʲˈɛntra.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_307.wav|ftˈɛdɨ vɨdˈava mi ɕɛ dʑɛftʃˈɨnɔ̃, tˈɛraz vˈidʑɛ, tʃˈujɛ, ʒˈɛ tɔ mwˈɔda kɔbjˈɛta.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_63.wav|ɲˈilɛ mɲʲɛ ɲʲɛ ˌintɛrɛsˈɔvaw.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_241.wav|brjˈɛnnɛ swɨʃˈawa vʲˈatr ʃˌɛlɛʃtʃˈɔntsɨ f kˈɛmpʲɛ vʲˈɛʃp ˌɔraz dˌɔbjɛɡajˈɔntsɨ z ɔddˈali kʃˈɨk nˈura.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_10.wav|pˌɔstanɔvˈiwam ɔtpˈɔtʃɔɲtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_148.wav|bʲˈillɨ ɲʲɛ spʲˈɛʃɨ ɕɛ f sklˈɛpʲɛ xˌarɨtatˈɨvnɨm, xtsˈɛ dˈatɕ jɛj dˈɔɕtɕ tʃˈasu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_73.wav|pˈɔtɛm pʃˈɛz dwˈuʃʃɨ tʃˈas ˌuɕiwɔvˈawɛm zwˈapatɕ ˈɔddɛx i pɔvrˈutɕidʑ dɔ ʒˈɨtɕa. pˌɔxɨlˈɔnɨ, z vˌɨtʃɛʃtʃɔnˈɨmi ɔtʃˈami krɔ̃ʒˈɨwɛm vˈɔkuw stˈɔwu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_64.wav|ˌalɛ f kˈɔɲtsu znalˈazwa ɕɛ rˌuvnɔvˈaɡɛ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_133.wav|ʒˈɨw z mʲˈɛtʃɛm w rˈɛŋku i zɡʲˈinɔw ɔt mʲˈɛtʃa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_426.wav|ˌalɛ mɲʲɛ pʃˌɨdaʒˈɨwa ɕɛ ˌidjɔtˈɨtʃna kˌatastrˈɔfa i jˈa...|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_191.wav|ˌɔɲi mˈɔʒɛ bˈɨ ɡˈɔ ɲʲɛ rˌɔspɔznˈali, ˌalɛ kɔbjˈɛta na pˈɛvnɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_58.wav|jˈɛɕli ɲʲɛ mˈɔɡɛ z ɲʲˈɔ̃ pɔjˈɛxatɕ, tɔ ktˈɔ ɕɛ ɲʲˈɔ̃ zˈajmʲɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_63.wav|ɲʲɛ, jˌɛstɛm jˈuʒ za stˈarɨ.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_232.wav|valtʃˈɨliɕtɕˌɛ rˈazɛm pʃɛtɕˈifkɔ brˈatstfu s krˌulɛfskʲˈɛɡɔ lˈasu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_97.wav|ˌalɛ zˈɛ vzɡlˈɛndu na sˌɨtuˈatsjɛ, na bwˈɛndɨ, ktˌurɛ pˌɔpɛwɲˈiwam...|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_379.wav|tsɛrsˈɛi ɕɛ kwutɕˈiwa, a rˈɔbɛrt pˈiw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_52.wav|dɔ tˌɛɡɔ zɡʒˈɛfki vˈɔdɨ mˌinɛrˈalnɛj pˈɔlant sprˈiŋk i kˈɔkatsˈɔli ˌɔras ʃɛɕtɕˈɔpaɡ budlˈajta.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_2.wav|prˌɔvadʑˈiwam tsˈɨŋɡla pʃˈɛs ˌɛlɛɡˈantskʲɛ kˌɔrɨtˈaʒɛ bˈaɲki ʃɛpˈarda.|4
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_103.wav|— tsˈɔɕ mɲʲɛ tɕɛkˈavi — mˈuvi bʲˈillɨ. fˈilis ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_16.wav|muvˈiwaɕ, ʒˈɛ ɲˈiɡdɨ dɔ ɕˈɛbjɛ ɲʲɛ dʑvɔɲˈitɕɛ, a jˈɛdnak ˌɔna tɔ zrɔbʲˈiwa.|4
+Dataset/wavs/urwisko_ferenc/63_segment_152.wav|znˈa pˈaɲi tɔ mʲˈɛjstsɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_65.wav|jɛj sˈɨn, ˈiʃtfan, zalˈitʃɨw vʲˈɛntsɛj fatsˈɛtuf ɲˈiʃ ja ix mʲˈawam f tsˈawɨm sfˈɔim ʒˈɨtɕu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_88.wav|mˈama pˌɔvʲɛdʑˈawa, ʒˈɛ tɔ dˈɔbrɨ pˈɔmɨsw.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_82.wav|skʃɨvˈiwam ɕɛ i spuɕtɕˈiwam vzrˈɔk.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_138.wav|na vʲˈɛtʃku ftɕˈɔ̃ʒ vˈidɲʲaw nˈapis prˈupka zˈafɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_9.wav|ktˈɔɕ mˌaɲipulˈɔvaw pʃɨ zˈamku dʒvˈi naʃˈɛɡɔ pɔkˈɔju.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_304.wav|ɲʲɛ mˈɨliʃ ɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_112.wav|awtˈɔbus mˈa tˈam ɔstˈatɲi pʃɨstˈanɛk pʃˌɛtkɔɲtsˈɔvɨm na lɔtɲˈisku.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_396.wav|marɡˈarɨ pɔblˈadwa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_502.wav|fʃˈɛdwɛm dɔ vˈannɨ i puɕtɕˈiwɛm vˈɔdɛ. lɛtɕˈawa na zmʲˈanɛ xwˈɔdna i ɡɔrˈɔntsa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_47.wav|lˈutsɨ s pɛvnˈɔɕtɕɔ̃ ɡˈɔ ɲʲɛ rˌɔspɔznˈawa tˈak sˈamɔ jˈak ɔn jɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_176.wav|ɲʲɛ tɨ jˈɛdna tɔ vidʑˈawaɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_89.wav|ˌɔdvrutɕˈili ɕɛ f strˈɔnɛ mˌɛrtsɛdˈɛsa i jˈumbɔː ɔstrˈɔʒɲʲɛ ɔtfˈɔʒɨw tˈɨlnɛ dʒvˈi. ix krˈavɛɲdʑ zbjˈɛɡwa ɕɛ z rˈɨsɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_97.wav|ˈurvaw na mˈɔmɛnt i pɔpˈatʃɨw uvˈaʒɲʲɛ nˈanas fʃˈɨstkix.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_18.wav|jˈamɛ lanɲˈistɛr ɲʲɛ zmrˈuʒɨw ˈɔka ɔt xfˈili, ɡdˈɨ rivˈɛran ˌɔtfɔʒˈɨwɔ brˈamɨ.|1
+Dataset/wavs/urwisko_ferenc/40_segment_16.wav|dˈɔkɔnt pˌɔjɛxˈali?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_105.wav|dˈaj spˈɔkuj, skˈarbjɛ. jɛstˌɛɕmɨ jˈuʃ tˈaɡ blˈiskɔ ʒˈɨtɕa, kturˌɛɡɔː ɔbˈɔjɛ praɡɲʲˈɛmɨ, tˈaɡ blˈiskɔ rɔdʑˈinɨ, ktˌurɔ̃ xtsˈɛmɨ zˈɔstatɕ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_243.wav|ˌalɛ kʲˈɛdɨ jˈuʒ zɲˈikɲʲɛ f tɕɛmɲˈitsɨ...|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_27.wav|i znˈɔvu, i znˈɔvu.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_184.wav|a vˌɨprubɔvˈawaɕ jˈuʃ mˈuj vˌɨnalˈazɛk? zapˈɨtaw.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_245.wav|dʑɛvˈitsa stˈartu pʃˌɨɕɛŋɡˈawa swˈuʒbɛ tˌɨlkɔ jˈɛdnɛj kɔbjˈɛtɕɛ.|1
+Dataset/wavs/urwisko_ferenc/56_segment_47.wav|— a ftʃˈɛɕɲʲɛj znˈawa ɕɛ pˈaɲi s xudʑˈiɲskim? — pɔvrˈutɕiw dɔ pˌɔpʃɛdɲʲˈɛɡɔ vˈɔntku.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_270.wav|tˈaɡ bˈardʑɔ ɕɛ pɔstˈaʒaw f tɕˈɔŋɡu ɔstˈatɲix jˌɛdɛnˈastu lˈat.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_309.wav|fstˈawam s kʃˈɛswa i pɔdˈɛʃwam dɔː ɛkrˈanu.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_264.wav|s ɕˈinɨx ˈust ɛwrˈɔna zɲˈiknɔw ˈuɕmʲɛx.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_352.wav|tɔː ˈɔna? spɨtˈawɛm z vaxˈaɲʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_244.wav|ˈuvʲud najˈɛmɲik. sˈɛr ˈɛllis jˈɔ̃ vˈɨɡnaw, a ɡdˈɨ jɛj bɛŋkˈartɕi sˈɨn ˈumar f kɔwˈɨstsɛ, pʃˌɨstɔmpˈiwa dɔ miltʃˈɔntsɨx ɕˈustr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_120.wav|ta ˌaplikˈatsja ɡˈɔ zaɡwˈuʃɨ, jˈɛɕli ktˈɔɕ pˌɔstanˈɔvi nˈas sprˈavdʑitɕ, pɔmˈɨɕli, ʒˈɛ sˌamɔdjaɡnˈɔstɨkˌa pˈadwa.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_27.wav|ɲʲɛ zˌauvˈaʒɨw mɲʲɛ i ɲʲɛ uswˈɨʃaw mɔjˈɛɡɔ ɡwˈɔsu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_42.wav|sɔ̃ jˈɛdnaɡ zwˈɛ, pɔɲʲˈɛvaʒ zɔstˈawɔ pˌɔruʃˈɔnɛ iɣ ɡɲʲˈazdɔː i nˈaɡlɛ tʃˈujɛ pʲˈɛrʃɛ ˌuʒɔndlˈɛɲʲɛ na pɔdbrˈutku, jˈaɡbɨ ktˈɔʑ vbʲˈiw mi f skˈurɛ ɡɔrˈɔntsɔ̃ ˈiɡwɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_70.wav|mˈɔʒɛ rˈɔbɛrt xtɕˈaw, ʒˈɛbɨ ˈɛdmunt ˈuznaw ɡˈɔ za martfˈɛɡɔ, jˈɛɕli bˈɨw jˈɛɡɔ dwuʒɲˈikʲɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_26.wav|ˌalɛ ɲʲɛ vɨdˈajɛ mi ɕɛ, ʒˈɛbɨ muvˈili prˈavdɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_75.wav|mˈama pˌɔxɨlˈiwa ɕɛ nad blˈatɛm i splˈɔtwa sfˈɔjɛ drʒˈɔntsɛ dwˈɔɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_25.wav|nˈavɛt krulˈɔvʲɛ i krulˈɔvɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_23.wav|tʃɨ mˈɔʒna bˈɨ pɔtʃˈɛkatɕ jˈɛʃtʃɛ pʃˈɛs pˈarɛ dɲˈi? zapˈɨtaw mɛnˈɛdʒɛr.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_96.wav|jˈaɡbɨ ˈaram stˈaw ɕɛ ˌɔtpɔvʲˈɛdʑɔ̃ na fʃˈɨstkʲɛ nˈaʃɛ mɔdlˈitfɨ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_71.wav|ɲʲɛ mʲˈawa jˈɛdnak jɛ̃zˈɨka i mˈɔɡwa tˌɨlkɔ pʃˌɨpatrˈɨvatɕ ɕɛ bɛzrˈadɲʲɛ, jˈak pʲˈɛrʃa z dʑˈɛftʃɔnd zʒutɕˈiwa pwˈaʃtʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_198.wav|fʃˈɨstkɔ tɔ jɛst ɲʲˌɛpɔkɔjˈɔntsɛ, ˌalɛ skrɛntsˈajɔnts na sfˈuj pˈɔdjast, bʲˈillɨ vˈidʑi jˈɛdnɔ, tsˈɔ ɡˈɔ tɕˈɛʃɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_72.wav|tˈɔm vʲˈɛdʑaw dˌɔskɔnˈalɛ, tsˈɔ tʃˈuwa.|3
+Dataset/wavs/urwisko_ferenc/59_segment_69.wav|pˌɔpatʃˈɨwa na bjɛɡwˈɛɡɔː i tʃɛkˈawa.|0
+Dataset/wavs/urwisko_ferenc/20_segment_37.wav|ˌalɛ dlatʃˈɛɡɔ pˈan ˈɔtɔ pˈɨta? ɔdˈɛzvaw ɕɛ xudʑˈiɲski, pʃˌɨvratsˈajɔndʑ bˌɔrɛvˈitʃa dɔ ʒˌɛtʃɨvistˈɔɕtɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_3.wav|jˈɛʃtʃɛ xfˈilɛ rˌɔzmavʲˈajɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_53.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_85.wav|pʃˈɨkrɔ mi pˈana pˌɔinfɔrmˈɔvatɕ, ʒˈɛ rˈɔɡɛr jˈaɡɡɛr ɲʲɛ ʒˈɨjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_87.wav|tɨm rˈazɛm dˈɔstʃɛɡw jˈuʒ vɨrˈaʑɲʲɛ, ʒˈɛ za xfˈilɛ zɲˈikɲʲɛ ˌɔpanɔvˈaɲʲɛ kˈatɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_60.wav|ʒˈadnɨɣ vʲˈɛlkix, ˌɔɡrɔdʑˈɔnɨx pˌɔɕadwˈɔɕtɕi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_57.wav|rˌɔstʃarɔvˈawam ɡˈɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_69.wav|ʑlˈi lˈudʑɛ prˈɛndʑɛj tʃɨ pˈuʑɲʲɛj rˈɔbjɔ̃ zwˈɛ ʒˈɛtʃɨ, nˈavɛd dʑˈɛtskɔ tɔ vʲˈɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_48.wav|prubˈujɛ mɲʲɛ pɔtɕˈɛʃɨtɕ, pˌɔfstʃɨmˈujɔnts ɕɛ ɔd zˌadavˈaɲʲa dˈalʃɨx pˈɨtaɲ.|3
+Dataset/wavs/urwisko_ferenc/23_segment_100.wav|xˈɛrman pˌɔftuʒˈɨwa pɨtˈaɲʲɛ i tɕˈiʃa vˌɨpɛwɲˈiwa ɡabʲˈinɛt.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_79.wav|tʃɨ mˈɔɡwam stˈavitɕ mu tʃˈɔwɔ?|3
+Dataset/wavs/urwisko_ferenc/14_segment_11.wav|ɕˈadaj, prˈɔʃɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_149.wav|ɔbrˈatsaw pʃˈɛs xfˈilɛ pˈustɔ̃ ʃklˈaŋkɛ, bˈavʲɔnts ɕɛ dʑvʲˈɛŋkʲɛm kˈɔstɛk lˈɔdu. pˈɔtɛm pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_57.wav|ɡdˈɨ lˈɔras ɔtpwˈɨvaw, pɔd bwɔtɲˈistɔ̃ brˈamɔ̃ ʒɛɡnˈawɨ ɡˈɔ tʃˈɨ tɨɕˈɔntsɛ prɔstˈatʃkuf, a tʃˈɨ tʃfˈartɛ s tˌɛɡɔ stˌanɔvˈiwɨ kɔbjˈɛtɨ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_339.wav|tɔ mʲˈɛdʒ bˈɨw jɛj pɔtʃˈɛbnɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_7.wav|ɲʲɛ mʲˈawam ʒadnˈɛɡɔ pˈuŋktu ˌɔdɲʲɛɕˈɛɲʲa, takʲˈɛɡɔ jˈak na pʃˈɨkwad vˌɨxɔdʑˈɛɲʲɛ kaʒdˈɛɡɔ dɲʲˈa dɔ prˈatsɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_256.wav|vidʑˈawɛm jɛj tfˈaʃ, tˈak ɲʲˌɛpʃɨzvɔˈitɕɛ pʲˈɛŋknɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_81.wav|i tˈaɡ bˌɨwɔː ɔt lˈad dʑɛɕˈɛɲtɕu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_208.wav|ˈumʒɛ tˌɨlkɔ rˈɔɡɛr klˈɛrkɛj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_41.wav|pʃˈɛjdʑmɨ dɔ salˈɔnu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_85.wav|ˈɔx, dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_103.wav|ˈindja jɛzd dˈɔbrɔ̃ dʑɛftʃˈɨŋkɔ̃, arˈamjɛ. ɲʲɛ bˌɛɲdʑɛ stfaʒˈawa ʒˈadnɨx prɔblˈɛmuf.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_77.wav|ˈimpaz zˈɔstaw pʃɛrvˈanɨ, kʲˈɛdɨ dʒvˈi dɔ pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔː ˌɔtfɔʒˈɨwɨ ɕɛ ɡvawtˈɔvɲʲɛ i stanˈɛwa w ɲˈiɣ bˈɛtskɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_20.wav|ˌalɛ f tɛj xfˈili fʃˈɨstkɔ bˌɨwɔ ɲʲɛ tˈak. ɲʲɛ mʲˈawam tʃˈasu ˌanalizˈɔvatɕ pˌɔtɕfʲadˈɔmɨx sɨɡnˈawuf. muɕˈawam ratˈɔvatɕ mʲˈastɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_60.wav|tɔː ɔn tʃˈɨma fʃˈɨstkʲɛ kˈartɨ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_164.wav|a fʃˈɨstkʲɛ daxˈɔvɛ ʃtʃˈurɨ sɔ̃ pˈɔnɔdʑ zwˌɔdʑɛjˈami.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_39.wav|kˈɔxa ɡˈɔ, a ɔn ɲʲˈɛmuɡwbˌɨ bˈɨtɕ jˈɛʃtʃɛ lˈɛpʃɨm tˈatɔ̃, pʃˈɛs tsˈɔ jˈɛʃtʃɛ trˈudɲʲɛj jɛst mi ɔdmˈuvitɕ tˈɛɡɔ, tʃˈɛɡɔ xtsˈɛ.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_223.wav|pɛvnˈɛɡɔ dɲʲˈa rˌɔzɡlɔndˈajɔ̃ ɕɛ vˈɔkuw i ˌuɕfʲadamjˈajɔ̃ sˈɔbjɛ, ʒˈɛ ɲʲɛ mˌajɔ̃ jˈuʃ pʃɨjˈatɕuw ˌaɲi krˈɛvnɨx.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_223.wav|w ɕrˈɔtku zˌɔbatʃˈɨwam fʃˈɨstkix stˈawɨɣ bɨvˈaltsuf, ktˌuʒɨ ɕɛdʑˈɛli tˈam, ɡdʑˈɛ zˈafʃɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_25.wav|tɕɛkˈavɛ, jˈak jɛst w rɔbˈɔtɕɛ, kʲˈɛdɨ strˈaʃɨ vdˈɔvɨ i pˌɔɔbʲijˈanɨɣ ʒɨtɕˈɔvɔ vˌɛtɛrˈanuf, ʒˈɛbɨ vɨtɕˈɔŋɡnɔɲdʑ z ɲˈix ɔstˈatɲʲɛ pʲɛɲʲˈɔndʑɛ.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_277.wav|ɔdˈɛzvaw ɕɛ zdʑivʲˈɔnɨ pˈɔdritsk paˈɨnɛ. tɔ znˈatʃɨ, ɲʲɛ ɲˈikt, brˈatɕa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_128.wav|ˌɔsɔbʲˈiɕtɕɛ uvˈaʒam, ʒˈɛ tɔ nˌajnudɲʲˈɛjʃɨ spˈɔrd vɛ fʃɛxɕfʲˈɛtɕɛ. kˈijɛ sɔ̃ dla mɔjˈɛɡɔː aɡˈɛnta.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_90.wav|ɲʲɛ mˌamɨ ɲˈidʑ dɔ tɕˈɛbjɛ, vʲˈɛnts ɔː ˈilɛ ɲʲɛ pˌɔpɛwɲˈiwaɕ pˌɔvaʒnˈɛɡɔ pʃɛstˈɛmpstfa, mˈɔʒɛʃ spˈatɕ spɔkˈɔjɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_175.wav|ɲʲɛ jˌɛstɛm jˈuʃ tˌaki ɡrˈubɨ jˈak kʲˈɛdɨɕ, brˈɔɲiw ɕɛ sˈam.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_546.wav|i mɡɲʲˈɛɲʲa paɲˈiki i ˌanɛmˈitʃnɛ pʃɛbwˈɨski, ʒˈɛ tʃˈɛba ɕɛ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_17.wav|pˈɔtɛm zanˈɔɕi ʃtˈutʃnɨ bʒˈux tɕɔ̃ʒˈɔvɨ dɔ kˈuxɲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_236.wav|bʲˈillɨ jɛst prˈavʲɛ pˈɛvʲɛn, ʒˈɛ nˈadal ɕɛ ɡˈɔ bˈɔi, xˈɔtɕ tsˈawkʲɛm pʃˌɛkɔnujˈɔntsɔ tɔː ukrˈɨva.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_14.wav|ˌalɛ tɔ mʲawˈɔbɨ znatʃˈɛɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_45.wav|jˈɛɕli tˌɨlkɔ zˌidɛntˌɨfikujˈɛtɕɛ krˈɛta, xtsˈɛ vʲˈɛdʑɛtɕ ˈɔtɨm natˈɨxmʲast.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_290.wav|w ɕfʲˈɛtlɛ dɲʲˈa snˈɨ ˌɔbratsˈajɔ̃ ɕɛ f prˈɔx.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_236.wav|ˌɔbrutɕˈiwam zɛɡˈarɛk w rˈɛŋkax.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_72.wav|naklˈɛitɕ tʃˈarnɔ̃ tˈaɕmɛ, ʒˈɛbɨ zmʲˈɛɲitɕ litˈɛrɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_244.wav|jˈɛdna prˈɔʑba, ˈɛlis. jˈɛɕli bˌɛɲdʑɛʃ muɕˈawa ɡˈɔː ˈuʒɨtɕ, tɔ ɡˈɔː ˈuʒɨj, ɔbjˈɛtsaj mi tɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_33.wav|vzrˈuʃa rˌamjɔnˈami.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_269.wav|zamknˈɛwa dʒvˈi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_11.wav|sprˈaftɕ, tʃɨ mˈɔʒna jˈakɔɕ ɔkrˈɛɕlitɕ, dˈɔkɔnt pˌɔjɛxˈawa. rˌɔzmavʲˈawɛʑ z vˌɨpɔʒɨtʃˈalɲʲɔ̃?|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_52.wav|paskˈudnɛ utʃˈutɕɛ, xˈɔtɕaʒ bˈul ɲʲˈɛbɨw zbˈɨd dˌɔkutʃlˈivɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_247.wav|ˌidɛˈalna krɨjˈufka.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_220.wav|ˌuruxɔmˈiwam fʃˈɨstkʲɛ sɨstˈɛmɨ skafˈandra. dʑawˈawɨ bˈɛz zaʒˈutu. pʃˌɛprɔvadʑˈiwam tˈɛst ʃtʃɛlnˈɔɕtɕi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_49.wav|spadˈamɨ stˈɔnt, jˈumbɔ, zavˈɔwaw.|3
+Dataset/wavs/urwisko_ferenc/19_segment_66.wav|na kɔlˈɛjnɛj ˌuvʲɛtʃɲʲˈɔnɔː ix pˌɔtsawˈunɛk, a pˈɔtɛm f sˈɛrji zdjˈɛɲtɕ fɔtˈɔɡrav zdˈɔwaw uxfˈɨtɕitɕ, jˈaɡ zʒutsˈali s ɕˈɛbjɛ ubrˈaɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_249.wav|ja kʲˈɛdɨɕ mʲˈawam mˈamɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_219.wav|vˌɨɡlɔndˈawam jˈak trˌɛndɔvˈata. ˈalbɔ jˈaɡ dʑˈifka, ktˌura ˌɔpswuɡˈujɛ rˈɛŋkɔ̃ sˈamɨx trˌɛndɔvˈatɨx.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_262.wav|tˈatɔ, prˈɔʃɛ, tˌɨlkɔ ɲʲɛ...|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_37.wav|zadʑvˈɔɲiw dɔ rˈadja i udˈavaw, ʒˈɛ jɛst s kˈɔtɛm, vʲˈɛdʑɔnts, ʒˈɛ ɡˈɔː uswˈɨʃɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_52.wav|w ɡwˈɔvʲɛ mˈam mnˈustfɔː ɔbrˈazuf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_64.wav|ˌalɛ jˈɛɕli dʑˈiɕaj jɛst jˈɛʃtʃɛ jˈakaɕ ruʒɲˈitsa mʲˌɛndʑɨ mnˈɔ̃ a tɨm psˈɛm, tɔ tˌɨlkɔ tˈaka, ʒˈɛ ja mˈuʃɛ rˈuʒnɨm fʃˈaʒɔm spwˈatɕitɕ mˈɔjɛ dwˈuɡʲi.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_272.wav|rˈaduj ɕɛ sfˈɔjɔ̃ ɡwˌupkɔvˈatɔ̃ pˈaɲʲɔ̃ i zˌavwaʃtʃˈɔnɨm zˈamkʲɛm, dɔpˈuki mˈɔʒɛʃ. ɡdˈɨ nadˈɛjdʑɛ tʃˈas, rɔzɡɲʲˈɔtɛ tɕˈɛ jˈak mˈuxɛ.|1
+Dataset/wavs/urwisko_ferenc/33_segment_39.wav|bɔrˈɛvidʒ zˈɛrknɔw na bˈɔki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_77.wav|tˈɔm ɔdvrˈutɕiw ɕɛ dɔ kˈita.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_10.wav|ʃˈɔna ukrˈɨwa tɛlˈɛfɔn na kˈartɛ f ʃuflˈadʑɛ ˈaʃa, mˈajɔnts nadʑˈɛjɛ, ʒˈɛ zɔstˈaɲʲɛ znˌalɛʑˈɔnɨ pʃˈɛs jˈɔɛ i zbˈuʒɨ jɛj zˌaufˈaɲʲɛ dɔː ˈaʃa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_272.wav|fstˈaw, zdjˈɔw zˈɛ ɕtɕˈanɨ karˈabʲin i ʒˈutɕiw ɡˈɔ rˌɨanˈɔvi. xfˈilɛ trfˈawa tɕˈiʃa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_151.wav|ˈɛstɛr kɔxˈawa ɕɛ kʲˈɛdɨɕ w jˈɛdnɨm lɔtɲˈiku.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_252.wav|pˈatʃɨw na ɲʲˈɛɡɔ pʃˈɛs xfˈilɛ i pˈɔtɛm pˈɔtʃɛt kˈu ɲʲˈɛmu i pʃɨtʃˈɨmaw jˈɛɡɔ rˈɛŋkɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_93.wav|ˈanna fstˈawa, jˈaɡbɨ davˈawa sˈɨɡnaw dɔ pˌɔʒɛɡnˈaɲʲa, ˌalɛ bˈɛtskɨ i lˈintsaj pˌɔzɔstˈawɨ na sfˈɔix kʃˈɛswax. dɛtˈɛktɨf pɔ rˈas pʲˈɛrʃɨ dɔstʃˈɛɡwa w ˈɔtʃax kɔbjˈɛtɨ vˈɨraz zvɔntpʲˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_171.wav|pʃˈɛrvaw mɛ̃ʃtʃˈɨzna w ʒˈuwtɨm pwˈaʃtʃu. vʲˈɛmɨ fʃˈɨstkɔː ɔ krˌulɔbˈujtsɨ i jˈɛɡɔ pʃɨɕˈɛŋɡax.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_34.wav|ˌɔpuɕtɕˈiwam ʃˈɨpkɔ vzrˈɔk, kʲˈɛdɨ ɔdvrˈutɕiw ɡwˈɔvɛ w mˈɔjɔ̃ strˈɔnɛ.|3
+Dataset/wavs/urwisko_ferenc/45_segment_78.wav|mˈɔʒɛ mˈatka ʒˌɛtʃɨvˈiɕtɕɛ jˈɔ̃ kɔxˈawa?|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_74.wav|tˈatsɨ vwˈaɕɲʲɛ lˈudʑɛ stˈajɔ̃ ɕɛ pɔ ɕmʲˈɛrtɕi znˈatʃɲʲɛ lˈɛpɕi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_27.wav|ɲʲɛ xtɕˈawa tˈɛɡɔ, vʲˈɛnts pɔvˈɔli uɲʲˈɔswa ɡwˈɔvɛ i fstˈawa, ɲʲɛ ˌɔdrɨvˈajɔnts plˈɛtsuf ɔt ɕtɕˈanɨ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_230.wav|lˈudʑɛ dˌɔndarjˈɔna rˈuvɲʲɛʒ ɡˈɔ ʃukˈajɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_199.wav|mˈuj zˌapʃɨɕɛ̃ʒˈɔnɨ brˈat!|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_14.wav|— ˈɔtuʃ tɔ, mˈuvi bʲˈillɨ, jˈuʃ fʃˈɨstkɔ dˈɔbʒɛ, tˌɨlkɔ mi tˈu ɲʲɛ umjˈɛraj.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_46.wav|ɔ tʃɨm tɨ mˈuviʃ na lˈitɔʑdʑ bˈɔɡa? zapˈɨtaw rˈɨan.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_292.wav|ɲʲɛ prɔsˈimɨ ɔ zˈɛmstɛ za zabʲˈitɨx.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_258.wav|na tsɛɡlˈanɨm fraɡmˈɛɲtɕɛ ɕtɕˈanɨ nˌɔvɔtʃɛsnˈɛɡɔ dˈɔmu tablˈitsa ˌupamjˌɛntɲʲajˈɔntsa rˌɔsstʃɛlˈaɲʲɛ kˌilkudʑɛɕˈɛɲtɕu lˈudʑi|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_44.wav|pˈɔtɨm zdaʒˈɛɲʲu ɲʲɛ vidʑˈawam jɛj pʃˈɛs tʃtˈɛrɨ dɲˈi.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_66.wav|drˈɔɡa z ʒɛlˈaznɨɣ vˈɨzb dɔ tˈartʃ jɛzd dwˈuɡa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_117.wav|luˈisa ˌuɕmʲɛxnˈɛwa ɕɛ smˈutnɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_28.wav|— spˈɔrɔ trˈafjɛɲ sˌamɔxˈɔdu pˈaɲi frˈaŋklin f tɕˈɔŋɡu ɔstˈatɲix kˈilku ɡˈɔdʑin. prˈɔʃɛ zɔbˈatʃɨtɕ, dˈɔkɔnt jɛxˈawa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_28.wav|ˈɛlis pˌɔttʃɨmɨvˈawa mɲʲɛ za wˈɔkʲɛtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_75.wav|ɲʲɛ bˌɨwɔ ʒˈadnɛj lɔtˈɛrji.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_139.wav|bˈɔ ɲʲˈɔ̃ jˈɛstɛɕ, ˈɛlis, i zˈafʃɛ bˈɛɲdʑɛʃ.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_194.wav|f tɕɛmnˈɔɕtɕi fʃˈɨstsɨ bɔɡˈɔvʲɛ bˌɨli ɲʲˌɛznajɔmˈɨmi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_65.wav|mˈɨɕlɛ, ʒˈɛ rˈɔp mˈa rˈatsjɛ. ktˈɔʑ zatʃˈɛrpnɔw pˈɔmɨsw z ˌɔstatɲʲˈɛɡɔ mɔrdˈɛrstfa, ktˌurɛ pˌɔpɛwɲʲˈɔnɔ w lˌantsaʃˈajɛr.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_85.wav|rˈadʑɛ ɔmˈijadʑ z dalˈɛka, pʃɛstʃˈɛɡa xˈarɨ. f pˈɔʒɛ lˈantʃu ɲʲɛ ftɕˈiɕɲʲɛ ɕɛ tˈam ʃpˈilki.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_64.wav|smˈɔtʃa skˈawa pˈadwa i ɲʲɛ vˈɔntpiw, ʒˈɛ kˈɔɲʲɛdʑ bˈuʒɨ fkrˈuttsɛ spˈɔtka tɛn sˈam lˈɔs.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_26.wav|pɛvnˈɛɡɔ dɲʲˈa na jˈɛɡɔ tfˈaʒɨ zˌaɡɔɕtɕˈiwa dˌɛtɛrminˈatsja.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_205.wav|zˌapatʃˈɔnɨ f ɕˈɛbjɛ ˌɔptɨmˈista vˌɨznatʃˈɔnɨ na kˈɔzwa ˌɔfjarnˈɛɡɔ mˈuɡwbɨ tɔ kˈupitɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_28.wav|a ɔ tʃɨm mˈam pamjˈɛntatɕ?|0
+Dataset/wavs/urwisko_ferenc/62_segment_55.wav|zrˌɔzumjˈawa, dlatʃˈɛɡɔ ftʃˈɛɕɲʲɛj, kʲˈɛdɨ fpˌatrɨvˈawa ɕɛ f tɛn dˈɛtal, tsˈɔɕ jˈɔ̃ pˌɔruʃˈɨwɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_190.wav|a kʲˈɛdɨ jˈɔɛl ˈallɛn ˈumʒɛ na stˈɔpɲʲax sˈɔndu, ta kfˈɔta znˈatʃɲʲɛ ɕɛ zvʲˈɛŋkʃɨ.|2
+Dataset/wavs/urwisko_ferenc/28_segment_59.wav|dɔvʲˈɛdʑaw ɕɛ, ʒˈɛ tɔ tfˈɔja rɔbˈɔta? ɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_31.wav|rˌɔbɔtɲˈitsɨ ubrˈaɲi bˌɨli f pˌɔmaraɲtʃˈɔvɛ kˌamizˈɛlki i bjˈawɛ kˈaski, tˈak ˈiʒ vˌɨɡlɔndˈali ɲˈibɨ marsjˈaɲʲɛ s taɲʲˈɛɡɔ fˈilmu.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_105.wav|tʃɨ mˈam tɕi pˈɔdatɕ nˈɔvɔ̃ rˈɛŋkɛ, pˈaɲʲɛ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_8.wav|tʃˈɛɕtɕ kɔxˈaɲi.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_19.wav|w lˈɔxax kˈɨbɛrn ubjˈɛraw ɕɛ f strˈuj s sˌamɔdʑˈawu i skuʒˈanɨ kɔvˈalski fˈartux.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_123.wav|tɔ ftsˈalɛ ɲʲɛ xˈɔdʑi ɔː ˌalumˈiɲʲum! kʃɨknˈɛwam, zrɨvˈajɔnts ɕɛ s tˌabɔrˈɛtu. dʑˈɛŋki, sfˈɔbɔ! jˌɛstɛm tfˈɔjɔ̃ dwuʒɲˈitʃkɔ̃!|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_131.wav|tɔ znˈuf jˈɛdna s tɨx sprˈaf, ktˌurɔ̃ zajmˈujɛ ɕɛ bˈuk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_38.wav|w mʲˈarɛ upwˈɨvu lˈat ˈaram ˌɔkazˈɨvaw mi tsˈɔraz vʲˈɛŋkʃɔ̃ tʃˈuwɔɕtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_15.wav|tfittˈɛra ɲʲˈɛznam, ɲʲɛ uʒˈɨvam ɡˈɔ. za dˈuʒɔ lˈudʑi uvˈaʒa, ʒˈɛ ix ɔpˈiɲʲɛ mˌajɔ̃ jˌakʲɛkˈɔlvʲɛɡ znatʃˈɛɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_42.wav|lɔɡˈujɛ ɕɛ dɔ ɡrˈupɨ na fˌatsɛbɔˈɔku i zatʃˈɨnam pˈisatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_4.wav|ɲʲˈɛvʲɛm zbˈɨd vʲˈɛlɛ na jɛj tˈɛmat. tʃˈɨma ɕɛ rˈatʃɛj z dˈala ɔt fʃˈɨstkix. ɲʲɛ jˌɛstɛm pˈɛvna, tʃɨ jɛst tˈɛras ˈu ɕˈɛbjɛ. ɲitʃˈɛɡɔ ɲʲɛ swˈɨxatɕ, xˈɔtɕ tˈam zˈafʃɛ jɛst tɕˈixɔ.|3
+Dataset/wavs/urwisko_ferenc/31_segment_24.wav|sˈɛrjɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_56.wav|tˈɔm ɲʲˈɛmuɡw ˌɔtʃɨvˈiɕtɕɛ z ɲʲˈɔ̃ ɕɛ spʃˈɛtʃatɕ. pˈɔza tɨm ɲʲˈɛtʃuw ɕɛ xˈɨba tˌɛɡɔ dɲʲˈa najlˈɛpʲɛj.|3
+Dataset/wavs/urwisko_ferenc/04_segment_33.wav|ˌalɛ jˈɛɡɔ mˈɨɕli vratsˈawɨ dɔ xfˈil, ɡdˈɨ kˈɔxaw ɕɛ s krˈuxɔ̃ blɔndˈɨŋkɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_17.wav|mˈuɕaw ɕɛ zˌɔrjɛntˈɔvatɕ, ʒˈɛ tsˈɔɕ pˈɔʃwɔ ɲʲɛzɡˈɔdɲʲɛ s plˈanɛm i pʃˌɛrazˈiwɔ ɡˈɔ, ʒˈɛ jˈɛɡɔ dˌɔskɔnˈawɨ spˈisɛk mʲˈaw pɔvˈaʒnɔ̃ lˈukɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_100.wav|zˌarɨɡlɔvˈawam za sˈɔbɔ̃ dʒvˈi, pɔ tʃɨm vɛpxnˈɛwam rˈurkɛ mʲˌɛndʑɨ uxfˈɨtɨ kˈɔrbɨ i zapˈarwam ɕɛ, tʃɨmˈajɔndʑ drˈuɡʲi kˈɔɲʲɛts.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_133.wav|ɡɔdʑˈinɛ pˈuʑɲʲɛj ktˈɔɕ pˈuka dɔ bjˈura. bʲˈillɨ ɔtfʲˈɛra, znˈuf pʃˌɛkɔnˈanɨ, ʒˈɛ tɔ kˈɛnxɔff. mˈɔʒɛ ɔblˈɛtɕaw ɡˈɔ txˈuʃ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_27.wav|ɲˈiɡdɨ jˈɛdnak pʃˈɨɲim.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_10.wav|vʲˈɛʃ, tsˈɔ maʒ zrˈɔbʲitɕ, mˈuvi. fʃˈɨstkɔ mˌamɨ pɔt kɔntrˈɔlɔ̃, a tfˈɔjɛ pˌɔwɔntʃˈɛɲʲa sɔ̃ na naswˈuxu.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_19.wav|nat iɣ ɡwɔvˈami pɔvʲˈɛvaw bjˈawɨ ʃtˈandar ɡvˈardji krulˈɛfskʲɛj ˌɔras xɔrˈɔŋɡʲɛf tɔmmˈɛna z jɛlˈɛɲʲɛm i lvˈɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_267.wav|a tʃˌɛmu ɲʲɛ? mʲˈaw fʃˈɨstkʲɛ bajˈɛrɨ, jˈakʲɛ mˈɔʒna bˌɨwɔ sˈɔbjɛ vɨmˈaʒɨtɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_9.wav|tˈak pˌɔvʲɛdʑˈawa, ˈabɨʑ zadʑvˈɔɲiw dɔ ɲʲˈɛj, jˈɛɕli vrˈutɕiʃ pʃɛt pʲˈɔntɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_7.wav|bˈɛtskɨ pʃˌɨtɔtʃˈɨwa kˈilka bˈardʑɛj sɔtʃˈɨstɨx kˌɔmɛntˈaʒɨ tˈɛssɨ, a tˈɔm ɕɛ rɔzˈɛɕmʲaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_26.wav|muvˈimɨ tˌɨlkɔ tˈɨlɛ, ʒˈɛ zaɡʲˈinɔw i ʒˈɛ mˈɔʒɛ bˈɨdʑ vˈaʒnɨ dla trfˌajɔntsˈɛɡɔ dˌɔxɔdʑˈɛɲʲa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_77.wav|ɲʲˈɛmukw sˈɔbjɛ pɔzvˈɔlitɕ na xˈɔdʑbɨ jˈɛdɛn ɲʲˌɛvwaɕtɕˈivɨ krˈɔk. f pʃɛtɕˈivnɨm rˈaʑɛ jˈɔɛ jˈuʃ ɲˈiɡdɨ vʲˈɛntsɛj ɲʲɛ zɔbˈatʃɨ jˈɛɡɔː i mˈilljɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_54.wav|pɔstˈaram ɕɛ dɔvʲˈɛdʑɛdʑ vʲˈɛntsɛj i upˈɛvɲʲɛ ɕɛ, ʒˈɛ ftɕˈɔ̃ʃ jɛst tˈam, ɡdʑˈɛ bˈɨtɕ pɔvˈiɲʲɛn. i ɲʲɛ vrˈutɕiw dɔ mˌanxɛstˈɛru, ʒˈɛbɨ ˈupaɕtɕ jˈɛʃtʃɛ ɲˈiʒɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_10.wav|rɔzˈumjɛm, ʒˈɛ ˌɔttʃɨtˈanɔ pˈanu prˈava pʃɨ ˌarɛʃtɔvˈaɲʲu?|3
+Dataset/wavs/urwisko_ferenc/08_segment_117.wav|pˈɔza tɨm zdaʒˈawɔ ɕɛ tˈak, ʒˈɛ ɔpˈitɛ muxˈufki pɔ prˈɔstu vˌɨmjɔtɔvˈawɨ lˈutskɔ̃ krfjˈɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_71.wav|a tˈɛras pʃɨxˈɔdʑi fˈatsɛt, ktˌurɨ mʲˈaw ˈɔkɔ na bʲillʲˈɛɡɔ pˈɔttʃas jˈɛɡɔ rɔzmˈɔvɨ s ʃˈaɲitsˌɛ i dˈunnɨm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_134.wav|prˈɛntkɔʑdʑ vʲˈatru zˈɛrɔ, kɔlˈɛɡɔ drˈɔɡʲi. mˈam nadʑˈɛjɛ, ʒˈɛ bˈɨdlak ɕɛ pɔkˈaʒɛ, bˈɔ lɛpʃˈɛɡɔ dɲʲˈa nˈatɔ ɲʲɛ bˈɛɲdʑɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_53.wav|na pˈɛvnɔ dˈuʒɔː ix ɲʲɛ bˈɨwɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_412.wav|tˌɛɔrɛtˈɨtʃɲʲɛ ɔt tˈakiɣ dʑˈɛftʃɔnt ˈaʃ ɕɛ rˈɔi na ˌamɛrɨkˈaɲskix, frantsˈuskix tʃɨ pˈɔlskix pʃɨjˈɛɲtɕax.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_234.wav|ˌalɛ jˈak mʲˈawam zˌapamjˈɛntatɕ tɛ fʃˈɨstkʲɛ instrˈuktsjɛ?|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_300.wav|xˈɔtɕ tɔ mʲˈastɔ bˌɨwɔ dvukrˈɔtɲʲɛ vʲˈɛŋkʃɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_6.wav|mˈuʃɛ stˈatɕ ɕɛ wˈɔftsɔ̃, ɲʲɛ zvʲɛʒˈɨnɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_193.wav|stratɕˈiliɕmˌɨ jˈɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_135.wav|mˈama xfˈɨta rˈama za rˈamjɛ i pɔtʃˈɔ̃sa lˈɛkkɔ, jˈaɡbɨ prˌubɔvˈawa ɡˈɔː ɔbˈudʑitɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_37.wav|ja nˌaɕladˈujɛ blˈiʑɲix, fspˌɔmaɡˈajɔnts ɕɛ pˌɔvɔwɨvˈaɲʲɛm na mwˈɔdɔʑdʑ dˌɔɕfʲattʃˈɛɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_66.wav|prˈɨʃɲidʑ dˈajɛ mi trˈɔxɛ tʃˈasu na zwapˈaɲʲɛ ɔddˈɛxu. pˈatʃɛ w lˈustrɔ, ˌupɛvɲʲˈajɔnts ɕɛ, ʒˈɛ ɲˈits ɲʲɛ zdrˈadʑa mˈɔix pravdʑˈivɨx ˈutʃutɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_69.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/urwisko_ferenc/25_segment_61.wav|i tɔ tɕˈɛ tˈak mˈartfi?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_56.wav|nˈuʃa pɔwˈɔʒɛ ɕɛ na xfˈilɛ i sprubˈujɛ ɲʲˈɛtsɔː ɔtpˈɔtʃɔɲtɕ pʃˈɛttɨm apˈɛlɛm. rˌɔzmavʲˈawaɕ s sˈamim?|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_179.wav|pɔvʲˈɛdʑaw drʒˈɔntsɨm ɡwˈɔsɛm. zˈɔstaf tɔ rudjˈɛmu, tɔ jˈɛɡɔ prˈatsa.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_216.wav|kɔbjˈɛta f ʃˈarɨx ʃˈatax ɲʲɛ ˌɔtpɔvʲɛdʑˈawa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_66.wav|tɔ ta kɔbjˈɛta, ktˌura bˌɨwa w ˌapartˌamɛntˈɔftsu, ɡdʑˈɛ zˌamɔrdɔvˈanɔ jaɡˈɛra.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_62.wav|ˌalɛ zˌaxɔvˈawa pˈɛwnɨ spˈɔkuj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_7.wav|ɲʲˈɛxtɕaw zɔstˈavitɕ jɛj f ʃpitˈalu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_114.wav|bˈɔski pʃɨpˈadɛk?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_59.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_184.wav|tɔ ɲʲɛ bˌɨwɔː ˌɔtpɔvʲˈɛdɲʲɛ mʲˈɛjstsɛ na bjˈawɨ strˈuj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_111.wav|pɔvʲˈɛdʑaw bˈɛs fstˈɛmpu. na jˈɛɡɔ tfˈaʒɨ ɲʲɛ bˌɨwɔ ɕlˈadu uɕmʲˈɛxu.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_253.wav|zˈɔstaf jˈɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_33.wav|— ɲʲɛ — pɔvʲˈɛdʑaw waɡˈɔdɲʲɛ i zdjˈɔw mi drˈuɡɔ̃ rˌɛŋkavˈitsɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_28.wav|ɡˈuzik, prˈavda, bˈɔ ɲʲɛ jˌɛstɛm zˌakwadɲˈitʃkɔ̃. f kˈaʒdɛj xfˈili mˈɔɡwam ɕɛ pɔ tɕˈixu vˈɨmknɔɲdʑ z mʲɛʃkˈaɲʲa jɛnsˈɛnuf. ɲitʃˈɛɡɔ bˈɨɕ ɲʲɛ zˌauvˈaʒɨw, bˈɔ bˌɨwɛɕ skupʲˈɔnɨ na pisˈaɲʲu.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_53.wav|ˈɔtpar vʲˈɛlki sˈɛptɔn. ubˈɔɡʲim bˈardʑɛj fʃˈak pɔtʃˈɛbnɛ jɛst jɛdʑˈɛɲʲɛ w ʒɔwˈɔntkax ɲˈiʃ krɨʃtˈawɨ i zwˈɔtɔ na nˈaʃɛj ɡwˈɔvʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_54.wav|bʲˈillɨ pˈɨta, skˈɔnt tɛn ˈɔbras ɕɛ vʑˈɔw. bˈutskɨ vzrˈuʃa rˌamjɔnˈami.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_11.wav|uɕmʲˈɛxaʃ ɕɛ ʃɛrˈɔkɔ, jˈaɡbɨ ɕfʲˈad bˈɨw tsˌawkɔvˈitɕɛ vˈɔlnɨ ɔt trˈɔsk.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_164.wav|tɔː ɔn ftˈɛdɨ dɔ mɲʲɛ pˈɔvʲɛm tɕˈi, tsˈɔ maʃ rˈɔbʲitɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_50.wav|tsˈɔɕ tɕi pˈɔvʲɛm, ˈalfjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_70.wav|i natɕˈiskam skrˈut, ktˌurɨ wˈɔntʃɨ mɲʲɛ s fˈirmɔ̃ tˌaksufkˈɔvɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_4.wav|vɔwˈajɔ̃ s pɛvnˈɔɕtɕɔ̃ f tɛj xfˈili ɲʲɛktˌuʒɨ z vˈas. xfilˈɛtʃkɛ, xfilˈɛtʃkɛ, a ɡdʑˈɛ dˈannɨ i smˈɔki?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_116.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_164.wav|pˌɔdɛjmˈujɛ pʃɛrvˈanɔ̃ ɔpˈɔvʲɛɕtɕ.|2
+Dataset/wavs/urwisko_ferenc/22_segment_3.wav|bɔrˈɛvidʒ dˈɔʃɛt xfˈilɛ pˈuʑɲʲɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_80.wav|dʒˈim stfʲˈɛrdʑa, ʒˈɛ burɡˈɛrɨ ɲʲɛ sɔ̃ zwˈɛ, a krˈɔ̃ʃki tsˌɛbulˈɔvɛ tɔ nɔrmˈalɲʲɛ pˈaltsɛ lˈizatɕ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_155.wav|alˈain vʲɛdʑˈawa, ʒˈɛ rˈɔbɛrt ɲˈiɡdɨ ɲʲɛ naˈutʃɨw ɕɛ pɔʒˈɔndɲʲɛ jˈɛʑdʑitɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_38.wav|pʃɨ ktˌurɛj stˈaw pɔlˈitsjand vzrˈɔstu mˈɔʒɛ ʃˈɛɕtɕu stˈup i ʃˈɛɕtɕu tsˈali,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_129.wav|mɔʒˈɛmɨ fɕˈɔ̃ʑdʑ dɔː ˈawta i ˈutɕɛts. jˈɛdʑ zˈɛmnɔ̃!|3
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_47.wav|pʃˈɛs ɔtfˈartɛ dʒvˈi vɛjɕtɕˈɔvɛ dɔstʃˈɛɡam jˈɛʃtʃɛ dvʲˈɛ ɔsˈɔbɨ, mɛ̃ʃtʃˈɨznɛ i kɔbjˈɛtɛ. ɔdvrˈatsam ɕɛ s pɔvrˈɔtɛm dɔ dˌɛtɛktˈɨva, ktˌurɨ zatʃˈɨna mˈuvitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_91.wav|ɲʲɛ vʲˈɛdʑaw jˈɛdnak.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_299.wav|tˈak tʃɨ ˈɔvak ɲʲɛ mɨɕlˈɛli tˌɛɡɔ sˈɛrjɔ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_483.wav|nˈaɡlɛ fʃˈɨstkɔ zrˌɔzumjˈawa. jˌɛstɛɕ mɛrˈɨjskim kapwˈanɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_38.wav|mˈam tˈu jɛdˈɨɲʲɛ zadˈaɲʲɛ dɔ vˌɨkɔnˈaɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_172.wav|ɡrˈɨmas pˌɔzɔstˈajɛ, ˌalɛ mˈɛrtʃ kˈiva ɡwˈɔvɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_86.wav|dvˈa tɨɕˈɔntsɛ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_139.wav|tʃɨ ɔn vʲˈɛdʑaw?|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_174.wav|pˈiwka kɔpɲʲˈɛnta pʃˈɛz dˈɨɲʲɛ zˌatʃɨmˈawa ɕɛ w rˈɔɡu dʑɛdʑˈiɲtsa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_6.wav|vɨjˈɛwa s pudˈɛwka tɔrˈɛpkɛ s xɛrbˈatɔ̃ i vbʲˈiwa vzrˈɔk f tʃˈajɲik w ˌɔtʃɛkivˈaɲʲu na zˌaɡɔtɔvˈaɲʲɛ ɕɛ vˈɔdɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_198.wav|bjˈɛʒɛ sfˈɔjɛ pˈivɔ, jˈɛdnɨm xˈawstɛm vɨpˈija pɔwˈɔvɛ i dʑvʲˈɛntʃɲʲɛ bˈɛka.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_244.wav|tɨ vʲˈɛʃ, ʒˈɛ ɔn ɲʲɛ bˌɛɲdʑɛ ˈumjaw tˌɛɡɔ zrˈɔbʲitɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_254.wav|tɔ bˌɨwa prˈavda, a ja pʃˌɛkɔnˈawam ɕɛ ˈɔtɨm najlˈɛpʲɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_50.wav|pɔɲˈiʒɛj sɔ̃ dvˈa numˈɛrɨ, swuʒbˈɔvɨ i prɨvˈatnɛj kɔmˈurki.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_88.wav|a tˈɛras nˈaz zɔstˈaftɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_120.wav|paˈisɛl sprubˈɔvaw ɕɛ pɔddʑvˈiɡnɔɲtɕ, ˌalɛ trfˈawɔ tɔ tˈaɡ dwˈuɡɔ, ʒˈɛ f kˈɔɲtsu muɕˈawa rɔskˈazatɕ ˌɔsmundˈɔvi tsˌattlɛblatskˈɔvi, bˈɨ znˈɔvu ɡˈɔ pˈɔdɲʲus.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_38.wav|i tˈɛras jˌɛstɛm tsˈawkʲɛm sˈama.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_58.wav|pˌɔkrɛɲtɕˈiwam jˈɛdnaɡ ɡwˈɔvɔ̃ i vˌɨtɕɔŋɡnˈɛwam rˈɛŋkɛ pɔ tɛlˈɛfɔn.|3
+Dataset/wavs/urwisko_ferenc/09_segment_119.wav|xtɕˈawa pʃɛɡˈadatɕ sprˈavɛ, lˈɛdʒ dˈɔbʒɛ vʲɛdʑˈawa, ʒˈɛ pˈɔɕpʲɛx jɛzd zwˈɨm dɔrˈattsɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_19.wav|spˈɔdɲʲɔ̃ tˌɔvaʒˈɨʃɨ kɔʃˈula f turˈɛtskʲɛ vzˈɔrɨ z vɨsˈɔkim kɔwɲʲˈɛʒɛm, tˈaka jˈakʲɛ nˈɔʃɔ̃ tʃwɔŋkˈɔvʲɛ zɛspˈɔwuv brɨtˈɨjskʲɛj invˈazji zˈɛ stˈarɨx fˈilmuv vidˈɛɔ z jˈɔu tubˈɛa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_231.wav|ktˈɔ tɔ jɛst ɲˈitsk marɡˈɛrjan? pˈɨta ˈɛlis.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_125.wav|pˌɔvʲɛdʑˈawa ɲʲˈɛtsɔ vʲˈɛntsɛj na tˈɛmat tˈɛɡɔ, ɔ tʃɨm ftʃˈɛɕɲʲɛj z ɲʲˈɔ̃ rˌɔzmavʲˈawa.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_189.wav|pɔdɲʲˈɔswam ɔswˈɔnɛ vizjˈɛra i ˌɔbɛjʒˈawam iskrˈɔvɲik.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_64.wav|tˈɔm pˌɔdʑɛŋkˈɔvaw dʲitskˈɔvi i zakˈɔɲtʃɨw rɔzmˈɔvɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_106.wav|kʲˈɛdɨ zˌadʑvɔɲˈiwɛm dɔ tfɔjˈɛɡɔ tʃwɔvʲˈɛka, butskʲˈɛɡɔ, pɔvʲˈɛdʑaw, ʒˈɛ xtsˈɛʃ pʃˈɛjɕtɕ na ˌɛmɛrɨtˈurɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_51.wav|a tsˈɔ mˈuviʃ jɛj na tˈɛmat jˈɔɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_76.wav|vʲˈɛʒ za tsˈɔ pʃˌɛprɔɕˈiwɛɕ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_28.wav|dʑˈivɲʲɛ bˌɨwɔ tʃˈɛkatɕ na tˌɛɡɔ tˈɨpu pˌɔzvɔlˈɛɲʲɛ vɛ vwˈasnɨm dˈɔmu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_461.wav|ɲʲˈɛvʲɛm, tsˈɔ pɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_33.wav|dʑˈɛŋki, ɔtpˈarwa. ɲʲˈɛvʲɛm, jˈak tɔ pɔvʲˈɛdʑɛtɕ, ˈalɛ...|4
+Dataset/wavs/urwisko_ferenc/62_segment_32.wav|kʲˈɛdɨ? tˌɛmu pˌɔlitsjantˈɔvi, tsˈɔ pʃˈɨʃɛd dɔ mɲʲɛ s tɨm sˈamɨm zdjˈɛɲtɕɛm.|0
+Dataset/wavs/urwisko_ferenc/21_segment_74.wav|i sprˌubɔvˈawa pɔnˈɔvɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_123.wav|kʃˈɨtʃɛ, tʃˈujɔnts ɕˈilnɨ bˈul. dɔmˈiɲik ʃˈarpʲɛ mɲʲɛ za vwˈɔsɨ i ɔvˈija sˈɔbjɛ ix kˈɔɲʲɛdʑ vˈɔkuw pʲˈɛɲɕtɕi, ʒˈɛbɨ pɔstˈavitɕ mɲʲɛ na nˈɔɡʲi.|3
+Dataset/wavs/urwisko_ferenc/42_segment_51.wav|nˈɔ vʲˈɛnts? ˈɔlɡʲɛrd zˈatʃɔw ɕɛ zˌastanˈavʲatɕ, tʃɨ jɛj miltʃˈɛɲʲɛ ɲʲɛ ɔznˈatʃa nˈɔvɨx kwɔpˈɔtuv w zvʲˈɔ̃sku zˈɛ ɕlˈɛtstfɛm jarˈɔɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_3.wav|brˈɔʃɨ spˌinajˈɔntsɛj pwˈaʃtʃ sˈɛr brɨndˈɛna taljˈɛɡɔ nadˈanɔ kʃtˈawt tʃˈarnɛj rˈɨbɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_184.wav|tʃɨ tɔ ɕɛ vrˈɛʃtɕɛ ˌupɔʒɔntkˈujɛ i vɨjˈaɕɲi?|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_329.wav|pˈili pʃˈɛs xfˈilɛ, pˈɔtɛm ˈandɛrsɔn pɔvʲˈɛdʑaw|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_503.wav|i ˌanɛmˈitʃnɔ̃, trfɔʒlˈivɔ̃ krɔpˈɛlkɛ xwɔdnˈɛɡɔ ɕfʲˈatwa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_130.wav|dˈɔdaw jˈumbɔ kivˈajɔndʑ z uznˈaɲʲɛm ɡwˈɔvɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_85.wav|jˈak mˈuvi jˈɛdɛn z dʑˌɛnɲikˈaʒɨ, sˈɛktɨ sɔ̃ pʲˈɛŋkɲʲɛ ˌɔpakɔvˈanɛ, ʒˈɛbɨ vˌɨɡlɔndˈawɨ jˈak tsˈɔʑ zupˈɛwɲʲɛ ˌɔdmʲɛnnˈɛɡɔː ɔt ɕfʲˈata zˌɛvnɛntʃnˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_194.wav|pravdʑˈivɛ vrˈublɛ tˈak jˈɛdnak ɲʲɛ ɕmʲɛrdʑˈawɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_76.wav|dlatʃˈɛɡɔ mʲˈawbɨm jˈɛ mʲˈɛtɕ pˈɔtɛm, tsˈɔː ˌɔtstavˈiwa na imprˈɛʑɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_234.wav|ta skaʒˈɔna ɕmʲˈɛrtɕɔ̃ mwˈɔda kɔbjˈɛta stˈɔi kˈɔwɔ mɲʲɛ ɔpˈarta ɔ bˌalustrˈadɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_79.wav|ˈitɕ stˈɔnt i zˈabjɛʒ dʑˈɛtskɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_4.wav|rˌɔzɛjʒˈawa ɕɛ na bˈɔki.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_192.wav|ˌɔtsunˈɛwam pˈanɛl i vˌɨtɔtʃˈɨwam ɕɛ na kɔrˈɨtaʃ.|4
+Dataset/wavs/urwisko_ferenc/13_segment_20.wav|f sˈɛnɕɛ, jˈak ˌɔtfɔʒˈɨwa sˈɔbjɛ dʒvˈi i vˈɨʃwa na zˈɛvnɔntʃ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_30.wav|rˈuptɕɛ tsˈɔ tʃˈɛba. pɔvˈaʒɲʲɛ mɔʒˈɛtɕɛ rɔzˈɛbratɕ tɛn dˈɔm na kavˈawki, jˈɛɕli zɛxtsˈɛtɕɛ. sprɔvˈatɕtɕɛ mi tˌɨlkɔ mˈili i ˈaʃa s pɔvrˈɔtɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_23.wav|ˌalɛ artˈɛmis mˈa ˈinnɛ ʑrˈudwɔ tlˈɛnu.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_411.wav|a fʃˈɨstsɨ tɕi rɨtsˈɛʒɛ bˌɨli jˈɛɡɔ brˌataŋkˈami i kˌuzɨnˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_124.wav|ˌɔna i bˈutskɨ zbliʒˈɨli ɕɛ dɔ ɕˈɛbjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_174.wav|tsˈɔ ɕɛ stˈawɔ? zaɡˈadnɛ mˈam ɡˈɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_297.wav|mˈɨɕlɛ, ʒˈɛ jˌɛstɛm w ɕrˈɔtku dˈɔɕtɕ pustˈavɨ.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_56.wav|kˈilka tɨɡˈɔdɲi ɔt kʲˈɛdɨ pˌɔprɔɕˈiwɛm jˈɔ̃ ɔ pʃˌɛtɛstɔvˈaɲʲɛ ˌaplikˈatsji.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_124.wav|kanˈawɨ, f ktˌurɨx krˈɔ̃ʒɨ f stˈaɲʲɛ pwˈɨnnɨm sɔ̃ ˌɔtɔtʃˈɔnɛ ɕˈɛtɕɔ̃ rˈurɛk xwɔdʑˈɔntsɨx.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_129.wav|vˌɨsɨpˈawam zavˈartɔɕtɕ tˈɔrbɨ, ʒˈɛbɨ pʃˌɨɡɔtˈɔvatɕ tsˈawɨ ˌɛkfipˈunɛk.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_222.wav|zdɔwˈawa vˈɛspʃɛtɕ ɕɛ na jˈɛdnɨm kɔlˈaɲʲɛ, ɲˈim ɕfʲˈad zˌavirˈɔvaw vˈɔkuw ɲʲˈɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_48.wav|ɡdˈɨbɨ pˈan tʃˈɛɡɔɕ pˌɔtʃɛbˈɔvaw, prˈɔʃɛ vˈɨbratɕ jˈɛdɛn. jˈɛdɛn na sfˈɔim tˌɛlɛfˈɔɲʲɛ bjurˈɔvɨm jˈuʃ jɛst pˌɔdwɔntʃˈɔnɨ. pˈaɲski ˈaɡɛnt tˌɛɡɔ tˈɛʒ dˌɔpilnˈɔvaw.|2
+Dataset/wavs/urwisko_ferenc/50_segment_48.wav|ɲʲɛ, mˈatka. dˈawa mi ɡˈɔ dɔpʲˈɛrɔ, ɡdˈɨ zɔstˈawɛm ˌasɛsˈɔrɛm. i tfˈɔi rɔdʑˈitsɛ ɲˈits s tɨm ftʃˈɛɕɲʲɛj ɲʲɛ zrɔbʲˈili?|0
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+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_100.wav|zˌɔbatʃˈɨmɨ, tsˈɔ jɛst ɕilɲʲˈɛjʃɛ, pˌɔvʲɛdʑˈawa jˈudɨ.|0
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+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_201.wav|xwˈɔpaɡ znˈɔvu vzrˈuʃɨw rˌamjɔnˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_33.wav|s tˈɛɡɔ, tsˈɔ nˈam mˈuviw, tˈak tɔ ɲʲɛ vˌɨɡlɔndˈawɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_221.wav|mʲˈɛʒɨ ɡˈɔ tˌaksujˈɔntsɨm spɔjʒˈɛɲʲɛm.|2
+Dataset/wavs/urwisko_ferenc/65_segment_152.wav|pˌɔpʃɛdɲʲˈɛɡɔ dɲʲˈa pɔdˈɔbnɛ ɔbrˈazɨ vidʑˈawa s taksˈufki.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_85.wav|ˈandɛrsɔn pɔwˈɔʒɨw lˈɛvɔ̃ rˈɛŋkɛ na stˈɛʒɛ i pɔvʲˈɛdʑaw|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_37.wav|pˌɔmɨɕlˈawɛm sˈɔbjɛ, a ɲʲˈɛɣ vˈɛʑmʲɛ tˌɛɡɔ jɛdnˈɛɡɔː ˌɔstatɲʲˈɛɡɔ ʃtˈaxa, zˈaɲim zɡˈaʃɛ mu ɕfʲˈatwɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_351.wav|i ʃwˈa kˈu nˈam z nadmʲˈɛrɲʲɛ ʒɨtʃlˈivɨm uɕmʲˈɛʃkʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_98.wav|ˈidɛ pʃˌɨpudrˈɔvatɕ nˈɔsɛk. mˈɔʒɛ tˈaɡ bˈɨtɕ? mˈuvi ʃˈaɲitsˌɛ s tɔ̃ sˈamɔ̃ ˌujmujˈɔntsɔ̃ ɡɔdnˈɔɕtɕɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_174.wav|ˌalɛ jɛj pravdʑˈiva nˈazva tɔː ulˈuru.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_8.wav|— pʃɨɲʲˈɔswam jˈɛ dla pˈana. zɔstˈavjɛ jˈɛ pʃɨ ˌumɨvˈaltsɛ, dˈɔbʒɛ?|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_158.wav|vˌɨstartʃajˈɔntsɔ dˈɔbʒɛ, ʒˈɛbɨ ɡrˈatɕ.|1
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+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_299.wav|bˈɨw dˈɔbrɨm tʃwɔvʲˈɛkʲɛm.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_53.wav|tamtˈɛɡɔ dɲʲˈa bˌɨwɔ pˈɔnat tʃɨdʑˈɛɕtɕi ˈɔɕɛm stˈɔpɲi. innˈɨmi swˈɔvɨ, mɲʲˈɛj vʲˈɛntsɛj tˈɨlɛ, tsˈɔ zvˈɨklɛ.|2
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+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_25.wav|xˈunt ɲʲˈɛxtɕaw jˈɛdnak jɛj swˈuxatɕ. ˌɔsɔbʲˈiɕtɕɛ ɔdrˈɔmbaw zabʲˈitɨm ɡwˈɔvɨ, zvʲˈɔ̃zaw jˈɛ rˈazɛm za vwˈɔsɨ i pʃɨtrˈɔtʃɨw sˈɔbjɛ dɔ ɕˈɔdwa.|1
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+Dataset/wavs/urwisko_ferenc/45_segment_42.wav|rˈuvɲʲɛʃ ɔptˈɨtʃɲʲɛ ɕɛ pˌɔvʲɛŋkʃˈɨwɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_28.wav|nˈɔ tˈak, jˈasnɛ. ˈɔtpar i vˈɛstxnɔw ɡwɛmbˈɔkɔ.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_47.wav|xˈɨba pˌɔvinɲˈiɕmɨ pɔprˈɔɕitɕ kˈita, ʒˈɛbɨ trˈɔxɛ pɔɡʒˈɛbaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_77.wav|a jɛdˈɨnɔ̃ ɔsˈɔbɔ̃, ktˌura ˈɔɲʲɛj vʲɛdʑˈawa...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_167.wav|dlatʃˈɛɡɔ ja ɲʲɛ umˈarwɛm ftʃˈɛɕɲʲɛj?|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_141.wav|nˈɔ xwɔpˈaki, dˈajtɕɛ ɡwˈɔs. pɔvʲˈɛdʑaw tˈakɔ, vʲˈɛnts tˈaɡ zrɔbʲˈiliɕmˌɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_101.wav|fʃˈɛlkʲɛ dˈanɛ dˌɔstavˈawam pʃˈɛs tɛlˈɛfɔn.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_228.wav|za fʃˈɨstkɔ. zˈatɔ, tsˈɔ bˌɨwɔː i minˈɛwɔ.|0
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+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_145.wav|nˈaɕi bɔɡˈɔvʲɛ dˈali nˈam nˈɔɡʲi, bˈɨɕmɨ bjɛɡˈali, nˈɔsɨ, bˈɨɕmɨ vɔnxˈali i rˈɛntsɛ, bˈɨɕmɨ dˌɔtɨkˈali i tʃˈuli.|1
+Dataset/wavs/urwisko_ferenc/50_segment_15.wav|tsˈɔfnɔw ɕɛ dɔ kˌɔrɨtˈaʒa i vˈɨʃɛd na zˈɛvnɔntʃ.|0
+Dataset/wavs/urwisko_ferenc/64_segment_82.wav|tɔ mˈɔduw drɛvɲʲˈanɨ, stfʲɛrdʑˈiwa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_76.wav|tˈɔm ɕɛ ɔddˈaliw. f kˈɔɲtsu rɔbʲˈili pɔstˈɛmpɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_100.wav|mˈuvi dɔmˈiɲiɡ z vɛstxɲʲˈɛɲʲɛm.|3
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+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_443.wav|i tɔ bˌɨwɔ tˈak, jˈaɡ ɡdˈɨbɨ stˈanɔw pʃɛt lˈustrɛm i zɔbˈatʃɨw ɕmʲˈɛrdʑ vˌɨɡlɔndajˈɔntsɔ̃ spˈɔza vwasnˈɛɡɔ ramjˈɛɲʲa.|0
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+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_230.wav|ˌalɛ rˈɨan ɲʲɛ ˌɔtpɔvʲˈɛdʑaw. patʃˈɨli na samˈɔlɔt pˌɔtxɔdʑˈɔntsɨ dɔ lˌɔndɔvˈaɲʲa|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_227.wav|jˈɛɕli pʃɨwˈɔntʃɨw ɕɛ dɔ dˌɔndarjˈɔna...|1
+Dataset/wavs/urwisko_ferenc/57_segment_27.wav|kɔbjˈɛta ɲʲɛ ˌɔdbjɛrˈawa.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_105.wav|pˌɔmɨɕlˈawa dʑɛftʃˈɨna.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_204.wav|pʃˈɛs plˈuzɡ dˈɛʃtʃu i ʃtʃɛkˈaɲʲɛ psˈa,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_84.wav|zˌaparkˈɔvaw tˈuʃ pʃˈɨɲih.|3
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_8.wav|ɲʲɛ pɔtrˈafjɛ pɔvʲˈɛdʑɛtɕ, skˈɔnt ˈɔtɨm vʲɛdʑˈawam. pɔ prˈɔstu...|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_27.wav|tɔ bˌɨwɔ bˈardʑɛj ˌɔsɔbʲˈistɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_42.wav|prˈɔʃɛ, ɲʲɛ pɔftˈaʒaj, a ɲʲɛ muvˈiwam, ˌalɛ jˈɛɡɔ vraʒˈɛɲʲa zvʲɔ̃zˈanɛ s sˌɨtuˈatsjɔ̃ z mˈartɔ̃ sɔ̃ bˈardʑɔː ɔdmʲˈɛnnɛ ɔt tˈɨx, ktˌurɛ swɨʃˈɛliɕmˌɨ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_27.wav|w braˈavɔz znˈanɔ tˌɨlkɔ tʃˈɨ rɔdʑˈajɛ pɔɡˈɔdɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_201.wav|f pˈatʃtsɛ ɲʲˈɛma pˈɛruk. mˈimɔ, ʒˈɛ zamˈuviw ˌɛksprɛsˈɔvɔ̃ dɔstˈavɛ, dˈɔtrɔ̃ dɔpʲˈɛrɔ jˈutrɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_184.wav|pɔ pɔvrˈɔtɕɛ dɔ dˈɔmu pˌɔwɔʒˈɨwam ɕɛ, skˈɔrɔː i tˈak ɲʲɛ mˈɔɡwam sˈɔbjɛ pˈɔstatɕ i rˌɔspɔtʃˈɛwam pˌɔʃukivˈaɲʲa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_205.wav|a ja tˌɛɡɔ ɲˈiɡdɨ ɲʲɛ mˈɔɡwɛm zrɔzˈumjɛtɕ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/urwisko_ferenc/18_segment_35.wav|— ɡrˈupɛ tˈɛʃ? — tˈak. w zasˈadʑɛ ˌuruxɔmˈiwam jˈɛ jɛdnˈɛɡɔ dɲʲˈa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_66.wav|ˌalɛ tɔ mˈɔja mˈama!|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_27.wav|nˈajpʲɛrf pʃˌɛprɔvadʑˈiwɛm badˈaɲʲɛ vˌizuˈalnɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_50.wav|sɔ̃ ˈalbɔ sprˈɨtɲi, ˈalbɔ xɔlˈɛrɲʲɛ zuxfˈali.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_290.wav|ɔdvrˈutɕiw ɕɛ, ɔdʒˈutɕiw lˈalkɛ pˈɔza ɕˈɛbjɛ i stˈaw f prˈɔɡu, tʃɨmˈajɔnts rˈɛŋkɛ na kɔntˈaktɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_20.wav|tˈɔm pɔpˈatʃɨw na bˈɛtskɨ, ktˌura vˌɨɡlɔndˈawa na tˈak rˌɔstʃarɔvˈanɔ̃, jˈak ɔn sˈam, ˈɔpad na kʃˈɛswɔ pʃɨ jɛj bjˈurku.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_122.wav|ɲʲˈɛvʲɛm. zalˈɛʒɨ jˈak ɕɛ fʃˈɨstkɔ pɔtˈɔtʃɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_44.wav|ɲʲɛ pˌɔvʲɛdʑˈawam jˈɛdnak ˌaɲi swˈɔva. ɡdˈɨbɨ tˈɛras pʃˈɛstaw mˈuvitɕ, mˈuɡwbɨ jˈuʃ ɲʲɛ vrˈutɕidʑ dɔ pʃˌɛrvanˈɛɡɔ vˈɔntku.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_243.wav|jˈuʒ zakfˈitwɨ pʃɨlˈaʃtʃki?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_29.wav|pʃɨnˈajmɲʲɛj dɔ tʃˈasu lˈi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_39.wav|a vʲˈɛnts tɔ bˌɨwa sˈɛkta, kˈit.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_278.wav|tʃɨkrˈɔtɲʲɛ f tɕˈɔŋɡu dɲʲˈa swɨʃˈawa ɔdlˈɛɡwɛ kʃˈɨki dˌɔbjɛɡajˈɔntsɛ s plˈatsu.|1
+Dataset/wavs/urwisko_ferenc/19_segment_57.wav|zdrˈadʑaw pˈaɲʲɔ̃? zˌapɨtˈawa?|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_226.wav|ɕɲʲˈɛɡ w dɔʒˈɛtʃu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_94.wav|jˈɛɡɔ tsˈurka mʲˈawa ʃˈansɛ vˈɨjɕtɕ s tˌɛɡɔ tsˈawɔ tˌɨlkɔ vˈuftʃas, ɡdˈɨ ta varjˈatka uvʲˈɛʒɨ, ʒˈɛ zrˈɔbʲi fʃˈɨstkɔ, tsˈɔ mu kˈaʒɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_59.wav|ɲʲɛ nˌalɛʒˈawa dɔ zazdrˈɔsnɨx.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_115.wav|vʲˈɛm, pɔvʲˈɛdʑaw ˈandɛrsɔn. bˌɨwɛɕ mˈistʃɛm pˈuwku w vˈadʑɛ lˈɛkkʲɛj.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_208.wav|trˈudnɔ ɡˈɔ bˌɨwɔ zvˈatɕ stˈarʃɨm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_29.wav|mˈuvjɛ ɲʲˈɛtsɔ ɲʲɛskwˈadɲʲɛ, budˈujɔnts ɲʲɛpˈɛwnɛ zdˈaɲʲa.|4
+Dataset/wavs/urwisko_ferenc/23_segment_29.wav|— a ktˈɔ pˈɨta? — zmarʃtʃˈɨwa tʃˈɔwɔ. — mˈartɕin mˈuviw, ʒˈɛ pˈaɲi pʃˈɨjdʑɛ. prˈɔɕiw, ʒˈɛbɨm ɕɛ pˈaɲʲɔ̃ zˈajɔw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_50.wav|vʲˈɛm, ʒˈɛ tɔ trˈudnɛ, jˈɔɛ, ˌalɛ jˈak tfˈɔim zdˈaɲʲɛm ta ɔdmˈɔva fpwˈɨva na ˈaʃa?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_22.wav|ktˈɔ f tˈakim rˈaʑɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_51.wav|pˈɨtam, kʲˈɛdɨ tˌɨlkɔː ˌɔdʑɨskˈujɛ mˈɔvɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_124.wav|ˌadmiɲˌistratˈɔrka vɨdˈawa ˈusta.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_304.wav|a ja rˈuvɲʲɛʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_17.wav|tɕi mˌaltrɛtˈujɔ̃ blˈiʑɲix, ˌupɔkaʒˈajɔ̃, pˌɔsɨwˈajɔ̃ na ɕmʲˈɛrtɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_25.wav|vʲˈɛm, ʒˈɛ trˈudnɔ jɛst tɕi ɕɛ pɔɡˈɔdʑitɕ s fˈaktɛm, ʒˈɛ mˈuʃɛ spˈɛndʑatɕ tʃˈaz z rɔdʑˈinɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_32.wav|patʃˈɨwam pʃˈɛz vʲˈɛlkʲɛ ˈɔknɔ salˈɔnu, jˈak mɛ̃ʃtʃˈɨzna zrˈɨva ɕɛ na rˈuvnɛ nˈɔɡʲi na vˈidɔk tˈatɨ i pɔtxˈɔdʑi ʃˈɨpkɔ, ʒˈɛbɨ uɕtɕˈisnɔɲtɕ mu dwˈɔɲ, jˈaɡbɨ ɕɛ ɡˈɔ spɔdʑˈɛvaw.|3
+Dataset/wavs/urwisko_ferenc/35_segment_5.wav|bɔrˈɛvitʃ ɔkˈazaw mu lˌɛɡʲitɨmˈatsjɛ, ʒˈɛbɨ dʑˈɛtɕaɡ vʲˈɛdʑaw, s kˈim mˈa dɔ tʃɨɲʲˈɛɲʲa.|0
+Dataset/wavs/urwisko_ferenc/42_segment_63.wav|kˈilka lˈat tˌɛmu dˈɔm pɔ lˈɛvɛj strˈɔɲʲɛ vˌɨnajmˈɔvaw sˈɔlski.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_245.wav|pˈɔʃɛd w ɡˈurɛ, a tˈamtɛn zavˈadʑiw sfˈɨm prˈavɨm skʃˈɨdwɛm ɔ ʑˈɛmʲɛ, a pˈɔtɛm ʃukˈali ʃtʃˈɔntkuf tˌɛɡɔ sˌamɔlˈɔtu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_59.wav|ˈɔbjɛ kɔbjˈɛtɨ prˌatsɔvˈawɨ pʃɛt xfˈilɛ w miltʃˈɛɲʲu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_55.wav|spˈɔtkatɕ ɕɛ z mˈɔjɔ̃ kɔxˈanɔ̃ mˈamɔ̃, vʲˈɛndʑ bˌɛndɛ dˈalɛj tˈɛ̃skɲiw.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_241.wav|vˈidatɕ tˈɛʒ bˈɨwɔ, ʒˈɛ ʒˈadɛn z ɲˈix ɲʲɛ ɡwɔdˈɔvaw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_49.wav|tˌɨlkɔ tˈakʲɛ vˌɨjaɕɲʲˈɛɲʲɛ mʲˈawɔ pˌɔtʃɔntkˈɔvɔ jˌakikˈɔlvʲɛk sˈɛns, zvwˈaʃtʃa, ʒˈɛ pɔrvˈali rˈuvɲʲɛʃ ˈaʃa.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_50.wav|tˌɛɡɔ pˌɔpɔwˈudɲʲa lɔndˈɔvaw fraxtˈɔvʲɛts kˌakˌazˈɛt.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_78.wav|ɲʲˌɛzalˈɛʒɲʲɛ ɔt tˈɛɡɔ, ktˈɔ jɛst tˌɛmu vˈinnɨ, jˈa, stsˈɔtt tʃɨ dɔmˈiɲik, stˈɛvɛn jˈuʒ dˈɔʑdʑ vɨtɕˈɛrpʲaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_108.wav|vɨlˈawam kˈilka krˈɔpɛl na pɔdwˈɔɡɛ zatrˈɔnda.|4
+Dataset/wavs/urwisko_ferenc/20_segment_19.wav|bˈɔjɛ ɕɛ, ʒˈɛ xˈɔdʑi ɔ mˈɔɲikˌɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_77.wav|a ktˈɔ mˈuvi?|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_178.wav|skˌandɨnˈafskʲɛ nazvˈiskɔː i tˈakʲɛ ˈimjɛ?|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_336.wav|tˈɔpur vˈɨpad z bɛzvwˈadnɨx pˈaltsuf. valtʃˈɔntsɨ zdɛʒˈɨli ɕɛ zˈɛ sˈɔbɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_207.wav|ˌalɛ vˈidatɕ jɛst tfɔjˈɛɡɔ stˌanɔvˈiska na tʃfˈartɨm pʲˈɛntʃɛ, a ɔdlˈɛɡwɔɕtɕ jɛst tˌɨlkɔ kˌilkadʑˈɛɕɔnt mˈɛtruv vʲˈɛŋkʃa. dˈawbɨɕ rˈadɛ, ɲʲɛ?|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_50.wav|pɔzvˈala ɔkrˈɛɕlitɕ fspuwtʃˈɨnɲik twumjˈɛɲʲa kˈabla, tʃˈɨli ˌɔswabjˈɛɲʲɛ sɨɡnˈawu ɕfʲɛtlnˈɛɡɔ pˈɔttʃas transmˈisji.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_25.wav|swˈɔɲtsɛ pʃɛbʲˈiwɔ ɕɛ pʃˈɛs tɕˈɛ̃ʃkʲɛ xmˈurɨ i pɔ pˌɔzɔstavʲˈɛɲ��u baɡˈaʒu f pɔkˈɔju sxɔdʑˈimɨ na plˈaʒɛ tʃɨmˈajɔnts ɕɛ za rˈɛntsɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_66.wav|pˈɔnat pʲˈɛɲtɕ lˈat, jˈak pʃˈɛstaw pʃɨjˈɛʒdʒatɕ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_22.wav|a vˈinɔ jɛst fʃˈɛɲdʑɛ, tˌɨlkɔ ɲʲɛ tˈutaj.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_153.wav|ɲʲɛ tɕˈɛbjɛ pˌɔstanˈɔviw zɔstˈavitɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_497.wav|za dˈuʒɔ.|0
+Dataset/wavs/urwisko_ferenc/56_segment_46.wav|bˈɔ z jˈɛɡɔ dwˈɔɲi vˌɨrastˈawɨ dvˈa pˈaltsɛ. zamrˈuɡaw i pɔdvˈujnɨ ˈɔbraz zɲˈikw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_31.wav|sˈɛŋk tʃˈaska f pitsˈɨku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_89.wav|stfɔʒˈɨliɕmˌɨ, mˈam tˈutaj na mˈɨɕli rˈasɛ lˈutskɔ̃, tˈaɡ vʲˈɛlɛ zˈasad vˈɛdwuk ktˌurɨɣ ʒɨjˈɛmɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_51.wav|i tʃɛkˈawa mɲʲɛ rɔbˈɔta.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_230.wav|kˈim jˈɛstɛɕ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_33.wav|ʃtʃɛɡˈulɲʲɛ tˈakim pˌɔɕfʲɛntsˈɔnɨm...|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_158.wav|sˈama rˈatʃɛj ɲʲɛ zˈasnɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_128.wav|lˈutsɨ ˌɔdwɔʒˈɨwa drɛvɲʲˈanɔ̃ wˈɨʃkɛ i pʃˈɛʃwa pʃˈɛs kˈuxɲʲɛ, ʒˈɛbɨ ˈuɕɔ̃ɕtɕ pʃɨ stˈɔlɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_129.wav|w ˈɔtʃaɣ bʲillʲˈɛɡɔ vɨɡlˈɔnda jˈak pɔkrˈatʃna xɨbrˈɨda sˌupɛrmarkˈɛtu i kɔɕtɕˈɔwa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_382.wav|ɲʲɛ mˈɔɡɛ ɕɛ ˌuspɔkˈɔitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_122.wav|a jˈɛdnak tʃˈujɛ ɕɛ tsˈɔras pˈɛvɲʲɛj. im vʲˈɛntsɛj mˈɨɕli ˈɔtɨm zdˌɛzɛlɔvˈanɨm stˈarɨm pikˈapʲɛ, tɨm bˈardʑɛj mu ɕɛ ɔn pɔdˈɔba.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_160.wav|krɛɲtɕˈiwɨ ɕɛ tˈu rˈuvɲʲɛʃ jˈakʲɛɕ ɲʲˌɛzidˌɛntɨfˌikɔvˈanɛ stˌarɔʒˈɨtnɛ nˈatsjɛ w ˌarxaˈitʃnɨx strˈɔjax. mˈɔʒɛ ˌasɨrɨjtʃˈɨtsɨ ˈalbɔ xɛtˈɨtɕi?|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_178.wav|vˈinɔ pɔmˈɔɡwɔ, ˌalɛ tɔ ɲʲɛ vˌɨstartʃˈɨwɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_79.wav|vidʑˈitɕɛ tɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_133.wav|jˈɛɡɔ ɡlˈɔk i mˈawɛ ˌɔkulˈarɨ bˈɛs ɔprˈavɛɡ vˌɨlɔndɔvˈawɨ pɔt prɨʃɲˈitsɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_85.wav|ˌawtɔbjɔɡrˈafja, pˈɔvʲɛɕtɕ, fʃˈɨstkɔ jˈɛdnɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_50.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ kʲɛrˈujɛ ɕɛ na pˈuwnɔts.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_567.wav|vrutɕˈiwɛm dɔ stˈɔwu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_192.wav|ɲʲɛ pˈatʃɔnts na ɲʲˈɛɡɔ fxˈɔdʑɔ̃ dɔ drɔɡˈɛrji.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_61.wav|zˌastanˈavja ɕɛ, tʃɨ na dɔkwˈatkɛ vzɲʲˈɛɕtɕ ˈɔkʃɨɡ bɔjˈɔvɨ tʃarnˈɛɡɔ kˈɔɲʲa, ˌalɛ uznˈajɛ, ʒˈɛ ɲʲɛ bˌɛɲdʑɛ ɕɛ vɨɡwˈupʲaw.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_141.wav|pʃɨdˈawɨbˌɨ mi ɕɛ jˈɛɡɔ rˈadɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_59.wav|tʃɨ ɔn pʃɨpˈatkʲɛm ɲʲɛ pʃɨjˈɛʒdʒaw w ɕrˈɔdɨ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_57.wav|ɲʲɛ mɔʒˈɛmɨ ɡˈɔ vˌɨɛlˌiminˈɔvatɕ, jˈɛdnak jˈɛɡɔ rɛˈaktsjɛ sˌuɡɛrˈujɔ̃, ʒˈɛ ɲʲˈɛmʲaw ˈɔtɨm pɔjˈɛɲtɕa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_94.wav|ˌumjɛʃtʃˈɛɲʲɛ swˈɔva umjˈɛram f tsˌudʑɨswˈɔvʲɛ mˈuvi fʃˈɨstkɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_220.wav|vʲˈɛm, jˈakʲɛ ʃkˈɔdɨ mˈɔʒɛ vɨʒˈɔɲdʑitɕ ˈɔɡʲɛɲ pˌɔvʲɛdʑˈawa.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_208.wav|jˈamɛ jˈɔ̃ zavˈɔwaw, ˌalɛ jˈuʃ ɕɛ ˌɔddalˈawa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_5.wav|a kʲˈɛdɨ pɔlˈitsja zˈatʃɲʲɛ zadˈavatɕ pɨtˈaɲʲa, tʃˈɛɡɔ s pɛvnˈɔɕtɕɔ̃ ɲʲɛ zdˈɔwam uɲˈiknɔɲtɕ, tsˈɔː im pˈɔvʲɛm?|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_284.wav|ɲʲˈɛmɲʲɛj, tɔ ɲʲɛ bˌɨwa ɲʲˌɛʃkɔdlˈiva pˈartja sˈivans.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_427.wav|tsˈɔ prˈavda, sˈɛr ˈɔsmunt mˈuɡwbɨ ɲʲˈɛbɨtɕ s tˌɛɡɔ zbˈɨd zˌadɔvɔlˈɔnɨ.|1
+Dataset/wavs/urwisko_ferenc/59_segment_45.wav|ɡdˈɨ pʃˌɨwɔʒˈɨwa pˈalɛdʑ dɔ pʃɨtɕˈisku dʑvˈɔŋka, vɛ vnˈɛntʃu pˌɔmjɛʃtʃˈɛɲʲa vˈɨbʒmʲaw ɡwɛmbˈɔki ɡˈɔŋk.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_311.wav|stˈarɛ dʒˈɛva xfʲˈawɨ ɕɛ tɕˈɛ̃ʃkɔ na bˈɔki jˈaɡ zˌavɔdʑˈɔntsɨ lˈudʑɛ.|0
+Dataset/wavs/urwisko_ferenc/57_segment_5.wav|mˈarja xˈɛrman muɕˈawa vrˈutɕidʑ dɔ dˈɔmu pɔ pʲɛɲʲˈɔndʑɛ. pʃˌɛkrɔtʃˈɨfʃɨ prˈuk uznˈawa, ʒˈɛ vˈɛʑmʲɛ ʃˈɨpki prˈɨʃɲits, bˈɔ blˈuska lɛpˈiwa jɛj ɕɛ dɔ plˈɛtsuf.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_63.wav|pʃɨpˈuʃtʃam, ʒˈɛ ɛdmˈurɛ zmˈɛntʃɨw ɕɛ jˈuʃ stˈaɲʲɛm nˈatɨm ʃafˈɔtɕɛ, tˈak sˈamɔ jˈak ja zmɛntʃˈɨwɛm ɕɛ ˌɔɡlɔndˈaɲʲɛm ɡˈɔ tˈam.|1
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_7.wav|ˌalɛ znalˈazwam ˌidɛˈalnɛ rˌɔzvʲɔ̃zˈaɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/35_segment_47.wav|nat rˈanɛm f pˈarku, w dɲʲˈu f ktˌurɨm vɨvʲˈɔzwɛɕ jˈɔ̃ na vʲˈɛɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_218.wav|xɔlˈɛra, zaklˈɛwam. tɔ fʃˈɨstkɔ dʑˈawɔ ɕɛ ɔ vʲˈɛlɛ ʃˈɨptɕɛj ɲˈiʃ pʃˌɛvidɨvˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_76.wav|ˈɔx, ˈaram, xˈɨba ɲʲɛ pˌɔmɨɕlˈawɛɕ xˈɔdʑbɨ pʃˈɛs xfˈilɛ, ʒˈɛ...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_17.wav|fpadɲʲˈɛmɨ, dʑɛŋkˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_326.wav|ˌalɛ dˈalɛj ɲʲɛ pamjˈɛntam.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_31.wav|jˈɛɡɔ samˈɔxut jɛst tʃˈɨstɨ, pɔdˈɔbɲʲɛ jˈaɡ dˈɔm, a pravɲˈitʃka w mˌanxɛstˈɛʒɛ pˌɔtfʲɛrdʑˈiwa, ʒˈɛ tɔ na pˈɛvnɔː ɔn rɔzmˈavʲaw pʃˈɛs tɛlˈɛfɔn.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_118.wav|mˈuwɨ tʃɛkˈajɔ̃ jˈuʃ w ɲʲˈɛbjɛ z mˈijɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_88.wav|zˈɛrkam na bˈɛtskɨ, ktˌura swˈuxa rɔzmˈɔvɨ kˌɔʒɨstˈajɔndʑ z zɛstˈavu swˌuxafkɔvˈɛɡɔ, zapˈɛvnɛ pˌɔwɔntʃɔnˈɛɡɔ z mˈɔim tˌɛlɛfˈɔnɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_87.wav|ɲʲˈɛitɕ, jˈɛʃtʃɛ ɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_81.wav|tɕɛrpʲˈɛɲʲɛ, ktˌurɛ ɔn ɔttʃˈuvaw, mʲˈawɔ vˈɨmjar fizˈɨtʃnɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_55.wav|ɔ ktˌurɛj ɡɔdʑˈiɲʲɛ, kˈit?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_38.wav|ɡˈɛ̃stɛ zarˈɔɕla blˌɔkɔvˈawɨ drˈɔɡɛ z ˈɔbu strˈɔn, vʲˈɛnts nˈavɛt jˈɛɕli s tˈɨwu bˌɨwɨ dʒvˈi, ɲʲɛ mˈɔɡli ɕɛ dɔ ɲˈiɣ dˈɔstatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_333.wav|zvʲˌɛʃajˈɔntsɨ ɕɛ jˈɛdnɨm rˈɔɡʲɛm na pɔdwˈɔɡɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_4.wav|jˈɛɕli bˈɨw tˈaɡ zwˈɨm tʃwɔvʲˈɛkʲɛm, jˈak tfʲɛrdʑˈiwa jˈɛɡɔ ʒˈɔna, tɔ s pɛvnˈɔɕtɕɔ̃ mʲˈaw vʲˈɛlu vrˈɔɡuf.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_20.wav|jˈɛdɲi mʲɛʃkˈali pˈɔɕrut tʃtɕˈin w lɛpʲˈaŋkaɣ z ɡlˈinɨ i swˈɔmɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_178.wav|ɲʲɛ jˌɛstɛɕ tˈu bɛspʲˈɛtʃna.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_167.wav|tˈɨlɛ, ʒˈɛ jˌɛdnɔtʃˈɛɕɲʲɛ pwakˈawa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_47.wav|mɨɕlˈawɛm, ʒˈɛbɨ kˈupitɕ rɔsɕˈɛvadʒ w valmˈartsʲɛ, ˌalɛ na pɔtʃˈɛbɨ tˌɛɡɔ pˈɔʒal ɕɛ bˈɔʒɛ travɲˈika.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_481.wav|jˈakiɕ jˈɛʃtʃɛ ɲʲɛstˈarɨ, ˌalɛ mˈɔtsnɔ zˌardʑɛvʲˈawɨ ɡwˈɔs pɔvʲˈadaw z vɨɕˈiwkʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_155.wav|mˈɔʒɛʃ sˈɔbjɛ ɔtpˈuɕtɕitɕ. fˈɔrsɨ mi ɲʲɛ brakˈujɛ i tɕˈɛʃɛ ɕɛ, ʒˈɛ vˌɨjɛxˈawɛm z mʲˈasta.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_74.wav|jˈɛɡɔ vzrˈɔɡ bˈɨw tˈak ɕˈilnɨ, ʒˈɛ pɔtʃˈuwam, jˈaɡbɨ mˈɔjɛ ʑrɛɲˈitsɛ pʃˌɛɲikˈawɔ bjˈawɛ ɕfʲˈatwɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_81.wav|ɲʲɛ mˈɔɡɛ zɲʲˈɛɕtɕ ɕfʲˌadɔmˈɔɕtɕi, ʒˈɛ mˈuj sˈɨn, xˈɔtɕ pʃˈɛs xfˈilɛ mˈɔʒɛ mˈɨɕlɛtɕ, ʒˈɛ ɡˈɔ ɲʲɛ kˈɔxam, ʒˈɛ ɲʲˈɛxtsɛ ɡˈɔ znˈatɕ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_141.wav|vzdrɨɡnˈɛwa ɕɛ. dlatʃˈɛɡɔ tˈak mɲʲɛ nazˈɨvaʃ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_296.wav|pɔtʃˈuwɛm lˈiɲʲɛ jɛj dwˈɔɲi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_20.wav|naprˈavdɛ zaˈufaj mi, ˈɔkɛj?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_35.wav|ˌuspɔkˈajam ˈɔddɛx pʃɨ fˈurttsɛ i ˈidɛ ɕtɕˈɛʃkɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_75.wav|— tʃˈɨli tɔ tɨm ɕɛ pˈan zajmˈujɛ? — pˈɨta lˈixtɛr.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_34.wav|pˌɔvʲɛdʑˈawa sˈɔbjɛ. ɡdˈɨ rɔbˈɛrta pˌɔtraktɔvˈanɔ brutˈalɲʲɛ, tʃˈɛ̃stɔ dɔstˈavaw atˈaku drɡˈavɛk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_45.wav|pˌɔvʲɛdʑˈawa z natrˈɛntnɔ̃ swɔdˈɨtʃɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_184.wav|f pɔvʲˈɛtʃu unˈɔɕiw ɕɛ dˌɛlikˈatnɨ zˈapax kadʑˈidwa.|1
+Dataset/wavs/urwisko_ferenc/30_segment_34.wav|fpˌatrɨvˈawa ɕɛ w lˈidʒbɨ ˌɔkrɛɕlajˈɔntsɛ dˈatɨ ˌɔraz ɡɔdʑˈinɨ, ˈaʒ vrˈɛʃtɕɛ ˌɔdwɔʒˈɨwa plˈik kˈartɛk i pˌɔpravˈiwa vilɡˈɔtnɛ vwˈɔsɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_73.wav|ˌalɛ kˈɔmu? ˌumuvˈiliɕmˌɨ ɕɛ, ʒˈɛ ɲˈikt ɲˈiɡdɨ ɕɛ ɲʲɛ dˈɔvʲɛ, a ja bˌɨwam z ɲˈim dɔ samˈɛɡɔ kˈɔɲtsa. vʲɛdʑˈawabˌɨm, ɡdˈɨbɨ pʃɛt kˈimɕ ɕɛ vɨɡˈadaw.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_113.wav|pɔvˈinna bˌɨwa ˈɔdɛjɕtɕ. pɔvˈinna bˌɨwa jɛj pɔswˈuxatɕ. pɔvˈinna bˌɨwa ˈutɕɛts.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_162.wav|tˈaɡ ɡˈɔ nazˈɨva, mˈimɔ ʒˈɛ znˈa jˈɛɡɔ pravdʑˈivɛ ˈimjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_315.wav|framˈuɡɛ mˈɔiɣ dʒvˈi pʃˌɛkrɛɕlˈawɨ tˈaɕmɨ brˌɔ̃zɔvˈɛɡɔ papʲˈɛru z ɡrˌanatɔvˈɨmi pʲˌɛtʃɛɲtɕˈami.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_61.wav|vrˈatsa dɔ stˈɔwu, na ktˌurɨm drˈɔɡʲi mˈadʑ bˈɔɔk ftɕˈɔ̃ʒ ɡrˈa f kɛnfjˈɛlda.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_28.wav|a ja zamjˈɛʒam vwˈaɕɲʲɛ zɔstˈavitɕ mɔjˈɛɡɔ sˈɨna.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_70.wav|— pʃɨtˈɔmna — vˌɨsapˈawam w ˌɔtpɔvʲˈɛdʑi.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_222.wav|ɲʲɛstˈɛtɨ, ɲʲˈɛznam.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_258.wav|pɔdjˈɛdʑmɨ dɔ pɔtɕˈɔŋɡu, zˌasuɡˌɛrɔvˈawam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_42.wav|jˌɛstɛm zˌatrfɔʒˈɔna ˌɔskarʒɨtɕˈɛlskim tˈɔnɛm f sfˈɔim ɡwˈɔɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_85.wav|ɲˈikt ɕɛ ɲʲɛ ɔdʑˈɨva, kʲˈɛdɨ ˈaram ɕˈɛŋɡa dɔ dʒvˈi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_63.wav|sˈam bʲˈillɨ stˈaw ɕɛ dla ɲˈiɣ vˈaʒnɨ i fkrˈuttsɛ srˈɔɡɔ ɕɛ nˈaɲim zavʲˈɔdɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_81.wav|vˈɛʃliɕmˌɨ dɔ pˌɔmjɛʃtʃˈɛɲʲa pʃˌɨpɔmˌinajɔntsˈɛɡɔ mˌaʃɨnˈɔvɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_195.wav|maʃ pɔzˈɔstadʑ zvʲɔ̃zˈana ˈaʒ dɔ xfˈili.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_97.wav|w budˈɨŋku jɛst ɔxrˈɔna.|2
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_125.wav|sɔ̃ zˌaskakujˈɔntsɔ tɕˈɛpwɛ, prˈavʲɛ jˈak ˌɛlɛktrˈɨtʃnɨ tɛrmˈɔfɔr.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_76.wav|uɕmʲˈɛxam ɕɛ, jˈaɡbɨm vwˈaɕɲʲɛ spʃɛdˈawa jɛj fˈajnɨ ʒˈart, ˌalɛ jˈɛnnɨ pˈatʃɨ ftɕˈɔ̃ʃ na xustˈɛtʃkɛ, ktˌurɔ̃ mʲˈɛntɔ ɕɛ w dwˈɔɲʲax.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_47.wav|tɔ ɲʲɛ bˌɨwa zvˈɨkwa pˈawka. mˈuj pʃɛtɕˈivɲiɡ bˈɨw ˌuzbrɔjˈɔnɨ w ˈɔʃtʃɛp.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_109.wav|ˌalɛ tɨ ɲʲɛ maʃ mi jˈuʃ ɲˈidʑ dɔ zˌaɔfˌɛrɔvˈaɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_89.wav|i tˈaɡ bˈɨm ɲʲɛ pɔplˈɔntaw, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_17.wav|ɡˈulaʒ bˈɨw ʑˈimnɨ i twˈustɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_63.wav|ɔbˈɛtsnɔɕtɕ ˈinnɛj ɔsˈɔbɨ zmʲɛɲˈiwabˌɨ rˈux pɔvʲˈɛtʃa lˈup ɲʲˈɛtsɔ pʃˌɛʒɛdʑˈiwa zˈapaɣ zɛpsˈutɕa. zˈɛrkam nɛrvˈɔvɔ f strˈɔnɛ sxˈɔduf.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_301.wav|mˈam tʃtˈɛrɨ tˈakʲɛ w mˈɔim mˌaɡazˈɨɲʲɛ, ɡɔtˈɔvɛ dɔː uʒˈɨtɕa.|4
+Dataset/wavs/urwisko_ferenc/07_segment_16.wav|pˌɔfspɔminˈali fspˈulnɛ ɕlˈɛtstfɔ, ˌɔpɔvʲɛdʑˈɛli sˈɔbjɛ tʃɨm ɕɛ ɔbˈɛtsɲʲɛ zajmˈujɔ̃, ˌalɛ ɲʲɛ fxɔdʑˈili f ʃtʃɛɡˈuwɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_33.wav|kʲˈɛdɨ pɔtxˈɔdʑi dɔ vˈɔlvɔ pɔ strˈɔɲʲɛ pˌasaʒˈɛra, zˈɛrkam na tfˈaʃ pˌɔdnɔʃɔntsˈɛɡɔ ʃˈɨbɛ kʲɛrˈɔftsɨ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_23.wav|jˌamjɛˈɛɡɔ tɔ ɲʲɛ rˌɔzbavˈiwɔ. ɡdʑˈɛ ɔn jˈɛst?|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_59.wav|pɔtxˈɔdʑi dɔː ˈɔkna i vɨɡlˈɔnda na zˈɛvnɔntʃ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_254.wav|bʲˈiddɨ ɕˈada za kʲˌɛrɔvɲˈitsɔ̃ mˌitsubʲˈiʃi. bˈutskɨ, ktˌurɨ vɛ flˌanɛlˈɔvɛj kɔʃˈuli i dʒˈinsaɣ vɨɡlˈɔnda jˈak tɨpˈɔvɨ mʲɛʃkˈaɲʲɛts tsˌɔlɔrˈadɔ, pɔtxˈɔdʑi dɔ dʒvˈi ɔt strˈɔnɨ pˌasaʒˈɛra.|2
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_6.wav|pʃɛxˈɔdʑɔ̃ dvˈa tɔrnˈada, ˌalɛ zˌaxatʃˈajɔ̃ tˌɨlkɔː ɔ pʃɛdmʲˈɛɕtɕa, ˌɔmijˈajɔnts tsˈɛntrum i midvˈɔɔt.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_100.wav|tfˈaʃ rɔbˈɛrta bˌɨwa blˈada, a ˈɔtʃɨ pˌɔtpuxɲʲˈɛntɛ, ˌalɛ rˈɛntsɛ mu ɲʲɛ drʒˈawɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_74.wav|mˈɔʒɛ ɲʲɛ pʃˌɛdʑuravˈiliɕmˌɨ kɔpˈuwɨ, ˌalɛ vʑˈɛliɕmˌɨ na tsˈɛl ix najɡwˈɛmpʃɛ vʲɛʒˈɛɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_211.wav|tfˈaʃ ftˈuliw f ʃˈɨjɛ kɔbjˈɛtɨ, ktˌura pʃɨɕˈadwa mu na kɔlˈanax.|1
+Dataset/wavs/urwisko_ferenc/55_segment_76.wav|tɛn pɔlˈitsjant xtɕˈaw zˈajʒɛdʑ dɔ krˈɔɲikˌi klasˈɔvɛj.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_253.wav|mˈɛdʲi i ɡrˈɛtxɛl tʃɛkˈawɨ pɔd dʒvʲˈami f tˌɔvaʒˈɨstfʲɛ mˌaɛstˈɛra kˌɔlɛmˈɔna. maˈɛstɛr zmˈɨw kˈaw z vwˈɔsuf i vwˈɔʒɨw nˈɔvɔ̃ ʃˈatɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_21.wav|rˈɔzlɛkw ɕɛ ˈɔdɡwɔs tɕɔŋɡɲʲˈɛɲtɕa tʃˈɛɡɔɕ pɔ pɔdwˈɔdʑɛ i pɔ dwˈuʃʃɛj xfˈili dʒvˈi ɕɛ ˌɔtfɔʒˈɨwɨ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_275.wav|mˈawɨ lˈɛf ɔprˈuʒɲʲaw pʲˈɛntkɛ tʃɛrstfˈɛɡɔ xlˈɛba, bˈɨ swuʒˈɨwa mu jˈakɔ natʃˈɨɲʲɛ. udˈavaw, ʒˈɛ ɲˈits ɲʲɛ swˈɨʃaw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_63.wav|ɲʲɛ ˌɔtpɔvʲɛdʑˈawam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_57.wav|tˈata vɨdˈavaw ɕɛ trˈɔxɛ tsˈawɔ̃ tɔ̃ sˌɨtuˈatsjɔ̃ zmʲɛʃˈanɨ, ˌalɛ tɕɛʃˈɨwɔ ɡˈɔ fʃˈɨstkɔ, tsˈɔ pʃˌɨnɔɕˈiwɔ rˈadɔɕtɕ mˈamjɛ.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_81.wav|brjˈɛnnɛ rɔspʲˈɛwa vwˈɔsɨ i rˌɔspuɕtɕˈiwa jˈɛ. ɲʲɛ mˌatɕɛ tˈu kˈɔbjɛt?|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_102.wav|a jˈɛdnak f tɛj xfˈili ɲˈits innˈɛɡɔ ɕɛ ɲʲɛ lˈitʃɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_163.wav|ja ɲʲˈɛmam ʒˈadnɨx pʲɛɲʲˈɛndʑɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_82.wav|ɲʲɛ vʲˈɛdʑaw jˈɛdnak, ʒˈɛ rˌɔzɡlɔndˈawam ɕɛ za tʃˈɨmʑ dla sˈaski, a ɲʲɛ dla ˈannɨ. jˌɛstɛm jˈɛdnak pˈɛvna, ʒˈɛ tˈam vwˈaɕɲʲɛ pɔjˈɛxaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_33.wav|ɕˈɛrʒant flˈɛtsk pˈɔdaw mi rˈɛŋkɛ i pɔvʲˈɛdʑaw, jˈɛɕli xtsˈɛʃ ɕɛ vɨʃˈalɛtɕ, tɔ vɨʃˈalɛj ɕɛ f tɛn wˈikɛnt, bˈɔ f pˌɔɲʲɛdʑˈawɛk, jˈak jˈuʒ zalˈitʃɨʃ tˈɛst, ʒˈartɨ ɕɛ skˈɔɲtʃɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_27.wav|jˈɛɡɔ ɡvardʑˈiɕtɕi zˌɛskɔtʃˈɨli z drɛzˈɨnɨ i rˌɔsprɔstˌɔvɨvˈali ɕtɕɛrpɲʲˈɛntɛ nˈɔɡʲi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_151.wav|f ktˈurɨmɕ mɔmˈɛɲtɕɛ i ja zapˈadwɛm f sˈɛn pɔdˈɔbnɨ stʃˈɛmpkɔm stˈarɛj ɡazˈɛtɨ.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_203.wav|fkrˈuttsɛ z ɡˈardwa kɔbjˈɛtɨ vɨdˈɔstaw ɕɛ tɛn sˈam dʑvʲˈɛŋk, ktˌurɨ vˈɨdaw s ɕˈɛbjɛ jɛj sˈɨn.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_12.wav|mˈam vraʒˈɛɲʲɛ, ʒˈɛ spˈuxwa mi tˈɨlna tʃˈɛɲɕtɕ jɛ̃zˈɨka i vɨpˈɛwɲʲa ˈusta.|3
+Dataset/wavs/urwisko_ferenc/55_segment_14.wav|i tsˈɔ vɨɲˈika s tɛj ˌukwadˈaŋki?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_351.wav|pˌɔwɔʒˈɨwa rˈɛŋkɛ na mˈɔjɛj pʲˈɛrɕi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_313.wav|muvʲˈɔnɔ mi, ʒˈɛ mˈam dˈɔbrɨ xɔrˈɔskɔp.|0
+Dataset/wavs/urwisko_ferenc/25_segment_117.wav|i tˈuʃ pʃɛt jˌɛdɛnˈastɔ̃. a vʲˈɛndʑ dɔkwˈadɲʲɛ tˌɛɡɔ dɲʲˈa...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_453.wav|dɔ mˈɔjɛj umˈarwɛj rɔdʑˈinɨ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_115.wav|brjˈɛnnɛ ɲʲɛ prˌubɔvˈawa ɕɛ ɔpʲˈɛratɕ. bˌɨwɔː ix tʃtˈɛrɛx, a ˌɔna bˌɨwa rˈanna i ˌɔswabjˈɔna, a dɔ tˌɛɡɔ mʲˈawa na sˈɔbjɛ tˌɨlkɔ vɛwɲʲˈanɛ ɡʲˈɛzwɔ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_365.wav|zʒutɕˈiwa s ɕˈɛbjɛ skˈurɨ.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_107.wav|uɕmʲˈɛxa ɕɛ dɔ ɲʲˈɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_149.wav|ɲʲɛ mˈuvjɛ ɔ bˌɛˌɛmvˈutsˈɨ. vɨstˈartʃɨ tsˈɔɕ, tsˈɔ tɕˈɛ dɔvʲˈɛʑɛ dɔ tsˈɛlu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_83.wav|tˈɔm pɔnˈɔvɲʲɛ xfˈɨtɕiw strˈɔnɛ z indˈɛksɛm, pɔwˈɔʒɨw jˈɔ̃ na bjˈurku bˈɛki i rˌɔsprɔstˈɔvaw jˈɔ̃ dwˈɔɲʲɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_71.wav|stfʲˈɛrdʑiw, ʒˈɛ zamkɲʲˈɛɲtɕɛ na stˈatku, nˈavɛt jˈɛɕli tɛn mʲˈaw rɔzmʲˈarɨ mˈawɛj vʲˈɔski, bˌɨwɔ jˈɛɡɔ pɔmˈɨswɛm na pʲˈɛkwɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_202.wav|vˈidʑi pˈɛŋk klˈutʃɨ xˌuɕtajˈɔntsɛj ɕɛ ˈu pˈasa pˌɔtɛ̃ʒnˈɛɡɔ ɡlˈinɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_80.wav|ˈɛlvis ɔpˈuɕtɕiw budˈɨnɛk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_96.wav|dvˈa pˌɔzɔstˈawɛ pˌɔvʲɛɕˈili na mˈɔɕtɕɛ bruklˈiɲskim ɲˈitʃɨm kˈukwɨ ɡˈaja fˈɔksa.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_162.wav|palˈivɔ, dʑˈɛŋki kturˌɛmu pwˈɔnɔw jˈɛɡɔː ˈɔɡʲɛɲ. xˈɔtɕ tɔ xaɲʲˈɛbna mˈɨɕl.|1
+Dataset/wavs/urwisko_ferenc/40_segment_14.wav|tʃˈɨʒbɨ xɔdʑˈiwɔː ɔ ɲʲˈɛɡɔ? zˈasxwɔ mu w ɡˈardlɛ, ˌalɛ zˈɛ strˈɛsu ɲʲɛ pʃɛwknˈɔwbɨ xˈɨba nˈavɛt wˈɨka vˈɔdɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_41.wav|xtɕˈawbɨm pˌɔdʑɛŋkˈɔvatɕ mɔjˈɛmu ˌaɡɛntˈɔvi, dˌavidˈɔvi fˌuɡatɛˈɔvi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_23.wav|ktˈɔ dɔ jˈasnɛj xɔlˈɛrɨ vɨpˈaplaw jˈɛɡɔ nazvˈiskɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_125.wav|i tˈu tkfˈi xˈatʃɨk, bʲˈillɨ. tʃˈɛɡ vˌɨstavʲˈɔnɨ jɛst nˈamɲʲɛ, ɲʲɛ na tɕˈɛbjɛ.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_258.wav|a tɔ jɛst sˈɛptɔn mɛrˈibalt.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_11.wav|jˈin xˈu i ja ɕɛdʑˈɛliɕmˌɨ pʃɨ kˈutɕi dɔ mˌɛtalˈɔvɨx kʃˈɛsɛw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_93.wav|zˌauvaʒˈɨwam, jˈak tˈata pʃɛwˈɨka ɕlˈinɛ. ɲʲɛ vʲˈɛdʑaw, jˈak pɔstˈɔmpitɕ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_273.wav|tsˈɔ ɕɛ dʑˈɛjɛ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_28.wav|nˈuʃa, ktˌura ɲʲɛ ɔtpˈuɕtɕi ʒˈadnɛj ɔkˈazji dɔ drˌamatˌɨzɔvˈaɲʲa, zatʃˈɨna wkˈatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_54.wav|tˈatɔ, mˈama pʃˈɨʃwa ɕɛ pɔʒˈɛɡnatɕ. ˈɔx, pʃɛprˈaʃam, ɲʲɛ vʲɛdʑˈawam, ʒˈɛ mˌatɕɛ ɡˈɔɕtɕi. tˈɔm zɛʃtˈɨvɲʲaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_103.wav|jˈuʒ dˈɔbʒɛ, stsˈɔtt. vˈɛzvɛ pˌɔɡɔtˈɔvʲɛ i pɔlˈitsjɛ. vʲˈɛm, ktˈɔ tɔ bˈɨw. ɲʲˈɛmartf ɕɛ, pɔlˈitsja iɣ zwˈapʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_99.wav|ɲʲɛ ˌɔtʃɛkivˈawɛm naɡrˈɔdɨ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_130.wav|ˈinnɛ dʑɛftʃˈɨnɨ muvˈiwɨ, ʒˈɛ w dɲˈi, ɡdˈɨ kfˈitɲʲɛ jɛj kfʲˈat, mˌarɨnˈarska ʒˈɔna ɔdvʲˈɛdʑa vˈɨspɛ bˈɔɡuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_79.wav|zvɨtɕˈɛ̃ʒɨw klˈup. jˈɛɕli zˌamjɛʒˈawa urˈɔdʑidʑ dʑˈɛtskɔ, tɔ muɕˈawa ˈɔdɛjɕtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_73.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_60.wav|tɕˌɛmnɔbrɔ̃zˈɔva fˈarba wˈuʃtʃɨ ɕɛ na ix pɔvʲˈɛʃxɲi.|3
+Dataset/wavs/urwisko_ferenc/54_segment_28.wav|— nˈɔ tɔ jɛstˌɛɕmɨ ˌumuvʲˈɛɲi — pˌɔtsumˈɔvaw ˈɔlɡʲɛrt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_99.wav|ˈɛlis krˈɛɲtɕi ɡwˈɔvɔ̃, a tˈak paɲˈiki i znˈɔvu rˌɔspatʃlˈivʲɛ wˈapʲɛ pɔvʲˈɛtʃɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_68.wav|ɲʲɛ muɕˈawɛm ɕɛ nˈattɨm zˌastanˈavʲatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_165.wav|i ɔtfʲˈɛra plˈik fˈirtsɨk.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_101.wav|ukrˈɨta pɔt pɔdvˈɔʑɛm, pʃˌɛtʃɛkˈawam bˈuʒɛ, a pˈɔtɛm vɨpˈɛwzwam, ʒˈɛbɨ ɔtsˈɛɲitɕ ˈɛfɛkt mˈɔjɛj prˈatsɨ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_456.wav|ɲˈiɡdɨ ˈɔtɨm ɲʲɛ zˌapɔminˈawam.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_57.wav|tsamˈɛrɔn pɔpˈatʃɨw pʃˈɛs xfˈilɛ na tˈɔma i xˈɨba ˌɔstatˈɛtʃɲʲɛ zrɔzˈumjaw, ʒˈɛ dɛtˈɛktɨf ɲʲɛ ɔtpˈuɕtɕi.|3
+Dataset/wavs/urwisko_ferenc/59_segment_107.wav|pˈan ʒartˈujɛ, tˈak?|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_131.wav|pɔ tʃɨm vɨtˈarwɛm fʃˈɨstkɔ kavˈawkʲɛm ˈirxɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_12.wav|a ftˈɛdɨ ɲʲɛ mʲawˈɔbɨ tɔ jˈuʒ znatʃˈɛɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_545.wav|xtɕˈawɛm ˌupʃɨtˈɔmɲitɕ mu traɡʲˈitʃnɛ dʑˈɛjɛ varʃˈavɨ, ˌalɛ vwˈaɕɲʲɛ f tɕˈɛmnɛj ʃˈɨbjɛ pɔkˈazaw ɕɛ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_82.wav|bʲˈillɨ! vˌɨkʃɨkˈujɛ ɲˈitsk i tsawˈujɛ ɡˈɔ w ˈɔba pɔlˈitʃki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_36.wav|znˈuf xrˈapʲɛ, ɡwˈɔɕnɔ, ˌalɛ mʲarˈɔvɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_27.wav|ɲʲɛ mˈɔɡwam jɛj pɔvʲˈɛdʑɛtɕ, tsˈɔ planˈujɛ. ɲʲˈɛmam pɔjˈɛɲtɕa, jˈaɡbɨ zˌarɛˌaɡɔvˈawa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_101.wav|i ftˈɛdɨ vʑˈɔw zˈɛ sˈɔbɔ̃ sfˈɛɡɔ sˈɨna, ˈɔtʃɛd w ɡˈurɨ i zˈatʃɔw pˈitɕ.|0
+Dataset/wavs/urwisko_ferenc/55_segment_74.wav|— a tsˈɔ mˈɔ̃ʃ pˈaɲi pɔvʲˈɛdʑaw?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_250.wav|znalˈazwam spˈɔsup na vˌɨdɔstˈaɲʲɛ ɕɛ stˈɔnt, ˌuvzɡlɛndɲʲˈajɔnts tɔ, ʒˈɛ dɔ mɲʲɛ dɔwˈɔntʃɨʃ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_172.wav|na tʃˈɨ trˈib dɔ nˈɔvɛn fstˈajɛ i spˈuʃtʃa ɡˈatɕɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_43.wav|pˈiʃtʃɛ pɔt tˈaɕmɔ̃ i ʃˈarpjɛ ɡwˈɔvɛ, ˌalɛ za kˈarɛ ʒˈɔndli mɲʲɛ kɔlˈɛjna i natˈɨxmʲast ɲʲˌɛruxɔmjˈɛjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_110.wav|pˌɔdʑivʲˈawam jˈɛɡɔ xˈard dˈuxa, xˈɔdʑ zmʲˈanɨ nastrˈɔjuv z ˌuɲʲɛɕˈɛɲʲa w rˈɔspatʃ mˈɔɡɔ̃ bˈɨtɕ tʃasˈami mɛntʃˈɔntsɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_121.wav|znˈuf prˌɛzɛntˈujɛ tɛn sfˈuj ʃɛrˈɔki ˈuɕmʲɛx.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_144.wav|prˈɔʃɛ mi ˌɔpɔvʲˈɛdʑɛtɕ ɔ mˈɛ̃ʒu. ɡdʑˈɛ ɕɛ pɔznˈaliɕtɕˌɛ? jˈaɡ dwˈuɡɔ bˌɨliɕtɕˌɛ mawʒˈɛɲstfɛm?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_46.wav|pʃɛɲʲˈɔsɛ pˈaɲi jˈakɔ̃ɕ kanˈapkɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_141.wav|nˈɔː ˌalɛ f kˈiɲʲɛ trˈip ɲʲɛ tʃˈɛpja ɕɛ ˌaɲi jɛj strˈɔju, ˌaɲi jɛj zbˈɨt ʃɛrˈɔkix ˈust, pʃɛtɕˈivɲʲɛ, jɛzd zabˈavnɨ, tʃˌarujˈɔntsɨ, prˈavi jɛj kˌɔmplɛmˈɛntɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_117.wav|jˈadɛ vʲˈɛndʑ dɔ kraˈinɨ xɔmˈaruv zɔbˈatʃɨtɕ, tʃɨ fʃˈɨstkɔ ɡrˈa i tsˈɔ ɕɛ ˌɔkazˈujɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_348.wav|ˌalɛ tˈɛʒ zarˈazɛm strˈaxu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_7.wav|z vɛstxɲʲˈɛɲʲɛm pɔdnˈɔʃɛ ɕɛ z wˈuʃka, zˌɔstavʲˈajɔnts pˌɔɡrɔ̃ʒˈɔnɔ̃ vɛ ɕɲʲˈɛ mˈili, pɔ tʃɨm sxˈɔdʑɛ dɔ kˈuxɲi, ʒˈɛbɨ zapˈaʒɨtɕ sˈɔbjɛ xɛrbˈatɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_34.wav|ɲʲˈɛvʲɛm, dlatʃˈɛɡɔ zadˈawam tɔmˈɔvi tɔ pɨtˈaɲʲɛ pʃɛt ˌɔpuʃtʃˈɛɲʲɛm ʃpitˈala.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_338.wav|bˌɨwa sˈama.|1
+Dataset/wavs/urwisko_ferenc/09_segment_43.wav|trˈɔxɛ pʃˈɛs kˌɔɲʲuŋktˈurɛ, ˌalɛ tˈɛʃ pʃˈɛs jˈɛɡɔː uwˈaɲskɔ̃ fantˈazjɛ vɨjˈaɕɲiw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_360.wav|pɔvˈɔli vɛndrˈɔvaw ukˈɔsɛm f strˈɔnɛ sufˈitu i tˈam zɡˈas.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_217.wav|a mɨ prɨskˈamɨ s kˈasɔ̃ dɔː innˈɛɡɔ mʲˈasta.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_90.wav|jˈuʒ vˌɨstartʃajˈɔntsɔ zrujnˈɔvaw mi ʒˈɨtɕɛ.|3
+Dataset/wavs/urwisko_ferenc/14_segment_31.wav|ɲʲɛ, ˌalɛ lˈipska mˈa sˈɨna, ktˌurɨ ɔt tʃˈasu dɔ tʃˈasu dɔ ɲʲˈɛj zaɡlˈɔnda, rˈɔbʲi zakˈupɨ, spʃˈɔnta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_233.wav|kʲˈɛdɨ sxˈɔdʑɔ̃ na dˈuw, mˈuvi mu, ʒˈɛ jɛzd zmɛntʃˈɔna i pˈɨta, tʃɨ mˈɔɡwabˌɨ ɕɛ zdʒˈɛmnɔɲtɕ w jˈɛɡɔ wˈuʃku.|2
+Dataset/wavs/urwisko_ferenc/52_segment_6.wav|lˈɛɡnɛr skˈinɔw ɡwˈɔvɔ̃ z vdʑɛntʃnˈɔɕtɕɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_132.wav|mˈɨɕliʃ ɔ tɛj mˈawɛj dʑɛftʃˈɨntsɛ?|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_129.wav|pˌɔmɨɕlˈawa ɕɲʲˈɔntsa krulˈɔva. ˌutɕɛkˈajtɕɛ, ɲʲɛ ˌɔdʑɨvˈajɔnts ɕɛ ˌaɲi swˈɔvɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_123.wav|ɲˈitsk mˈuviw, ʒˈɛ ˌɔna tʃˈɨma ɕɛ z dˈala ɔt ɲʲɛlˈɛtɲix.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_41.wav|krˈutkɔ̃ blˈɔnt i dwˈuɡɔ̃ tʃˈarnɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_86.wav|pɔdˈɔba mi ɕɛ tfˈuj spˈɔsup mɨɕlˈɛɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_305.wav|dʑˈivnɛ ˈimjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_86.wav|kʲˈɛdɨ ɲʲɛ mˈɔɡwam jˈuʒ dwˈuʒɛj tˌɛɡɔ zɲʲˈɛɕtɕ, pɔdbjˈɛɡwam dɔ stɔlˈika.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_3.wav|pʲˈɛɲtɕ pʲˈɛrʃɨɣ dɲˈi pɔ pʃɨjˈɛʑdʑɛ dɔ mˌanxɛstˈɛru ˌupwɨnˈɛwɔ pɔvˈɔli.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_110.wav|zˈatʃɔw pɔvˈɔli fstˈavatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_238.wav|ˈɛlis rˌɛaɡˈujɛ rˌɔskɔjaʒˈɔnɨm uɕmʲˈɛxɛm, ˌalɛ pˈatʃɨ na bʲillʲˈɛɡɔ, bˈɔ tɔ jˈɛɡɔ zdˈaɲʲɛ jɛst nˌajvaʒɲʲˈɛjʃɛ.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_285.wav|dˌɔvʲɛdʑˈawam ɕɛ tʃɨdʑˈɛstu nˈɔvɨɣ ʒˈɛtʃɨ. ˈɔmal ɲʲɛ pˌɔvʲɛdʑˈawa tˌɛɡɔ na ɡwˈɔs.|1
+Dataset/wavs/urwisko_ferenc/46_segment_6.wav|mˈuf, ɡdʑˈɛ ɔn jˈɛst, bˈɔ znˈɔvu bˌɛndɛ mˈuɕaw zˈɛjʑdʑ z mˌɔtɔtsˈɨkla zaɡrˈɔziw lˈipski.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_110.wav|vˌɨɕadˈajɔ̃ dvˈa ˌiɡliɲʲˈaʒɛ w brɔ̃zˈɔvɨx mundˈurax.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_128.wav|ɲʲˈɛx i tˈaɡ bˈɛɲdʑɛ. ˌalɛ nˈajpʲɛrf mˈuʃɛ ɕɛ ˈubratɕ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_213.wav|tɔ tˌɨlkɔ kˈupa ʑˈimnɨx kamjˈɛɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_77.wav|vɨdˈajɛ ɕɛ, ʒˈɛ tɔ bˌɨwɔ tˈaɡ dˈavnɔ tˈɛmu, w ˈinnɨm ʒˈɨtɕu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_78.wav|s tʃˈasɛm tɔ ɕɛ zmʲˈɛɲi, zapˈɛvɲiw jˈɔ̃ bˈutskɨ.|2
+Dataset/wavs/urwisko_ferenc/56_segment_72.wav|tɨm bˈardʑɛj, ʒˈɛ ɡdʑˈɛɕ na kˈɔɲtsu tunˈɛlu, f ktˌurɨm ɕɛ znˈalaz, swˈɨʃaw ɡˌavɔʒˈɛɲʲɛ dʑˈɛtska.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_232.wav|mˈɔɡwabˌɨm ʒˈɨtɕ jˈak nɛndʑˈarka, dɔpˈuki bˈɨm ɲʲɛ ˌuzbjɛrˈawa pɔtʃˈɛbnɨx pʲɛɲʲˈɛndʑɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_100.wav|mwˈɔdʑi ˌadvɔkˈatɕi parskˈajɔ̃ ɕmʲˈɛxɛm. dʒvˈi vˈindɨ ˌɔtfʲɛrˈajɔ̃ ɕɛ, ˌukazˈujɔnts xˈɔl vɛjɕtɕˈɔvɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_64.wav|mˈukw tsˈɔʑ vɨʒˈutɕitɕ pɔ drˈɔdʑɛ dɔ mʲˈasta.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_62.wav|jˌɛstɛɕ pˈɛvna, ʒˈɛ ɲʲˈɛxtsɛʒ zaxˈɔvatɕ xˈɔtɕaʃ jˈɛdnɛj dla jamˈala, kʲˈɛdɨ vrˈutɕi s prˈatsɨ?|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_25.wav|ɡdˈɨ jˈamɛ dˈɔtar na bʒˈɛk, prˈɔm vwˈaɕɲʲɛ pʃɛt xfˈilɔ̃ ɔtpwˈɨnɔw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_88.wav|tˌɛɡɔ stsˈɔtta, kturˌɛɡɔ pɔznˈawam pʲɛtnˈaɕtɕɛ lˈat tˌɛmu i vidʑˈawam pɔ rˈas ɔstˈatɲi ɲʲɛtsˈawɨ rˈɔk pˈuʑɲʲɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_31.wav|ʃlˈi s pˌɔxɨlɔnˈɨmi zˈɛ fstˈɨdu ɡwɔvˈami, kʲˈɛdɨ ˌɔtprɔvadʑˈanɔː iɣ dɔ brˈamɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_59.wav|ɲˈilɛ fpatrˈɨvaw ɕɛ f kˈavɛ, ktˌurɔ̃ bɛzmˈɨɕlɲʲɛ ftɕˈɔ̃ʃ mʲˈɛʃaw, ˌalɛ kʲˈɛdɨ uswˈɨʃaw swˈɔva bˈɛtskɨ, pɔdˈɛrvaw ɡvawtˈɔvɲʲɛ ɡwˈɔvɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_117.wav|i dˈaw kˈɔmuʑ znˈak rˈɛŋkɔ̃. pˈɔtɛm vˌɨprɔstˈɔvaw ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_4.wav|pˈɔtɛm ˈidʑɛ dɔ sɨpʲˈalɲi i zamˈɨka dʒvˈi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_114.wav|tˈɔm dɔstʃˈɛɡaw f tɨm jˈakiɕ sˈɛns. trˈudnɔ bˌɨwɔ mˈɨɕlɛtɕ ˈɔtɨm f kˌatɛɡˈɔrjaɣ zbjˈɛɡu ˌɔkɔlitʃnˈɔɕtɕi.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_184.wav|pʃɛspˈawam ɕɛ, ˌalɛ ɲʲˈɛzbɨd dwˈuɡɔ. ɲʲɛ jˌɛstɛm ɔdvˈaʒnɔ̃ ɔsˈɔbɔ̃ i ɲʲˈɛmam f sˈɔbjɛ ʒˈadnɨx prɔblˈɛmuf.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_68.wav|pˈan mi ɔdmˈavja ɡɔdnˈɔɕtɕi?|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_57.wav|mʲˈaw nˈuʃ. najlˈɛpʲɛj ɲʲˈɛx sˈɔbjɛ ˈidʑɛ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_165.wav|bˈɔli mɲʲɛ ɡˈardwɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_211.wav|vwˈaɕɲʲɛ, ʒˈɛ ɲʲɛ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_93.wav|tʃˈujɛ, jˈaɡbɨ ɕfʲˈad vˈɔkuw mɲʲɛ ˈutɕix, a bʒɛntʃˈɛɲʲɛ w ˈuʃaɣ zˌaɡwuʃˈɨwɔ ɕpʲˈɛf ptˈakuf.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_337.wav|ɔbˈavʲam ɕɛ, ʒˈɛ bˌɨwɔ na ˈɔdvrut, ˌalɛ tˈak tʃɨ inˈatʃɛj jɛzd zdrˈajtsɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_429.wav|ˌudɛʒˈɛɲʲɛm tˈak ʃˈɨpkim, ˈiʒ zdavˈawɔ ɕɛ, ˈiʃ ɲʲɛ dɔtˈɨka jɛj ftsˈalɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_47.wav|vɨstˈartʃɨ ɕɛ z ɲʲˈɔ̃ ɲʲɛ zɡˈɔdʑitɕ, a fʃˈɨstsɨ ɕɛ ɔt tɕˈɛbjɛ ɔdvrˈutsɔ̃ z mˈɨɕlɔ̃ ɔ vwˈasnɨm bˌɛspʲɛtʃˈɛɲstfʲɛ i kɔmfˈɔrtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_172.wav|ɡdˈɨ vrˈɛʃtɕɛ ɔpˈuɕtɕiw sˈɛpt...|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_159.wav|lɛʒˈawa pʃɨkrˈɨta tɕˈɛŋkim mrˈɔkʲɛm jˈaɡ vɔˈalɛm.|0
+Dataset/wavs/urwisko_ferenc/64_segment_54.wav|pˈɔza tˈɨm, umˈuvmɨ ɕɛ, tɕˈɔŋɡnɔw bˌudɔvlˈaɲʲɛts, dnˈɔ f tɨm basˈɛɲʲɛ jɛst na pɔʑˈɔmjɛ mˈɛtra ˌɔɕɛmdʑˈɛɕɔnt.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_50.wav|zˈasxwɔ mi w ˈustax, ˌalɛ ɲʲɛ pʃɨɲʲˈɔswam sˈɔbjɛ ɲˈidʑ dɔ pˈitɕa w ɔbˈavʲɛ, ʒˈɛ rɔzlˈɛjɛ zavˈartɔɕtɕ na stˈuw pɔmˈimɔ spɛtsjˈalnɨx uxfˈɨtuf na ʃklˈaŋki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_181.wav|tˈak tʃɨ ˈɔvaɡ vrˈutɕitɕ mˈuɕi, bˈɔ pʃˌɛtɕɛʃ ɲʲˈɛma dˈɔkɔnt pˈujɕtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_5.wav|f tɛn spˈɔsup mˌɔɲitˌɔrujˈɛmɨ, tʃɨ ˌaplikˈatsja dʑˈawa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_53.wav|nˈavɛt ɲʲˈɛvʲɛm, ɔ tʃɨm mˈuviʃ, stfʲˈɛrdʑa ˈɔna.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_83.wav|tʃɨ tɔ bˈardʑɔ ɲʲˌɛbɛspʲˈɛtʃnɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_254.wav|tɨ fʃˈɛdwɛʑ dɔ rˌɛstawrˈatsji i tɛn tʃwˈɔvʲɛɡ ʒˈutɕiw ɕɛ na tɕˈɛbjɛ, tˈak?|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_59.wav|sˈanxɛs ˌɔtfɔʒˈɨwa ˈusta zˈɛ zdumjˈɛɲʲa, ˌɔdvrutɕˈiwa vzrˈɔk f strˈɔnɛ vˈannɨ, a pˈɔtɛm znˈuf spɔjʒˈawa nˈamɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_71.wav|kʲˈɛdɨ allˈɛna ˌarɛʃtɔvˈali w lˈɔs ˈandʒɛlˌɛz za nˈapaɕtɕ i prˈubɛ ɡvˈawtu, mˈuɕaw zdˈavatɕ sˈɔbjɛ sprˈavɛ, ʒˈɛ ʃˈɨpkɔ pɔvʲˈɔ̃ʒɔ̃ ɡˈɔ z zabˈujstfɛm i prˈubɔ̃ zabˈujstfa w rˈɛd blˈuff.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_33.wav|ɲʲɛ pʃˈɨjdʑɛ tˈutaj pˈɔmɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_92.wav|pʃˌɨkutsnˈɛwam na tˈɨwax jˈak ɔstˈatɲim rˈazɛm i ɔbjˈɛwam rɛŋkˈami bʒˈux. kˌɔwɨsˈawam ɕɛ lˈɛkkɔ dɔ pʃˈɔdu i tˈɨwu, ʃˈɛptʃɔnts.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_50.wav|vʲˈɛdʑaw, ʒˈɛ ɲʲɛ pɔvˈiɲʲɛn ˌɔkazˈɨvatɕ mi ʒadnˈɛɡɔ fspuwtʃˈutɕa, vʲˈɛnts ʃˈɨpkɔː ɔdvrˈutɕiw vzrˈɔk.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_344.wav|nˈaʃɛ spɔtkˈaɲʲɛ ɲʲɛ bˌɨwɔ pʃɨpˈatkʲɛm sˈam.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_90.wav|ɕɛdʑˈawam jˈak skˌamjɛɲʲˈawa na kʃˈɛɕlɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_13.wav|ˈɛlis mɲʲɛ ɲʲɛ lˈubʲi, a na dɔdˈatɛk sprˈavja, ʒˈɛ fʃˈɨstsɨ vˈɔkuw mɲʲɛ rˈuvɲʲɛʃ sɔ̃ ɲʲɛˈufɲi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_29.wav|kʲˈɛdɨ pɔdnˈɔɕi ɡwˈɔvɛ, mˈam vraʒˈɛɲʲɛ, ʒˈɛ zˈaras ɕɛ rɔspwˈatʃɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_31.wav|sfˈɔjɔ̃ ɡwupˈɔtɔ̃ dˌɔprɔvadʑˈiwam ˈɔjtsa dɔ ruˈinɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_224.wav|kʲˈɛdɨɕ pɔʃˈɛdwɛm dɔ jɛdnˈɛɡɔ bˈaru s kurvˈami na vˈinɛ strˈit i ˌɔnɛ tˈam ɕɛdʑˈawɨ i pˈiwɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_161.wav|kˈark frˈaŋka pʃɨkrˈɨva rˈɛntʃɲik. nˌajvɨrˈaʑɲʲɛj mˈɛrɡɛ vɨtˈarwa ɲˈim krˈɛv z jˈɛɡɔ pˌɔtɨlˈitsɨ i tˈam ɡˈɔ zˌɔstavˈiwa.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_417.wav|ˈɔjtɕɛts prubˈɔvaw jˈɔ̃ vˈɨdadʑ za mˈɔ̃ʃ tʃˈɨ rˈazɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_108.wav|ˌuswɨʃˈawam za plɛtsˈami.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_442.wav|ʒˈɛkw kˈɨbɛrn.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_16.wav|pˈɔtɛm ˌuʒɨjˈɛmɨ nˈapr i zˌɔbatʃˈɨmɨ, dˈɔkɔnd zmʲˈɛʒa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_12.wav|tʃˈujɛ, jˈaɡbɨ ˌɔpuɕtɕˈiwɨ mɲʲɛ fʃˈɨstkʲɛ ɕˈiwɨ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_384.wav|ɲʲɛ bˌɛɲdʑɛ pɔtʃˈɛba vʲˈɛʒɨ ˌɔblɛ̃ʒɲˈitʃɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_15.wav|uswˈɨʃɛtɕ tɔ jˈɛdnɔ, zɔbˈatʃɨtɕ tɔ tsˈɔʑ zupˈɛwɲʲɛ innˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_113.wav|pɔ tɨx swˈɔvax ɕɛ rˌɔzwɔntʃˈɨwa.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_411.wav|ja zˌaprɔvˈadʑɛ ɡˈɔɕtɕi dɔ pɔkˈɔjuf.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_319.wav|ɡdˈɨ tfˈɔja ɕˈɔstra pˌɔpwɨnˈɛwa dɔ dˈɔrnɛ,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_122.wav|spˌɔdʑɛvˈawam ɕɛ jˈɛɡɔː ˌirɨtˈatsji w rɛˈaktsji na mˈɔjɛ pˌɔstanɔvʲˈɛɲʲɛ, ˌalɛ kˈu mɔjˈɛmu zˌaskɔtʃˈɛɲʲu stsˈɔdd bˈɨw zupˈɛwɲʲɛ spɔkˈɔjnɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_49.wav|muɕˈawam pʃˈɨznatɕ ɕɛ pˌɔlitsjˈantɔm, ʒˈɛ vʲɛdʑˈawam ɔ ɕmʲˈɛrtɕi lˈi pʃɛt lˈatɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_261.wav|tɔ dʒˈɛvɔ ftɕˈɔ̃ʃ jˈɛʃtʃɛ stˈɔi, mˈikɛ.|0
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_3.wav|xˈɛj, xfilˈɛtʃkɛ!|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_83.wav|bˈaza lɛʒˈawa na fɕˈi, jˈakʲɛɕ tʃˈɨ kˌilɔmˈɛtrɨ ɔt falˈudʒɨ, na zˈaxut ɔt ɛwfrˈatu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_43.wav|mˈɔja kɔmpˈaɲʲa nˌazɨvˈawa ɕɛ ˈɛxɔ.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_105.wav|a nˈavɛt kˌurtɨzˈaɲʲɛ znˈanɛj jˈakɔ swˈɔvik.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_139.wav|ɡdˈɨbɨ nɔɕˈiwa w bʒˈuxu vˈilka, mˈɔɡwabˌɨ ɕɛ ɔkˈazadʑ bˈardʑɛj ɲʲˌɛbɛspʲˈɛtʃna ɲˈiʒ blˈatskfiʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_125.wav|vɨdmˈuxa nˈas s tɛj brˈamɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_180.wav|i ɔt ɲʲɛxtsˈɛɲʲa zwˈapaw jˈɔ̃ w lˈɔtɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_40.wav|tʃasˈami kwˈad mi dwˈɔɲ na kˈarku lˈup pʃɛsˈuvaw jˈɔ̃, ʒˈɛbɨ pɔɡwˈaskatɕ mɲʲɛ pɔ pɔlˈitʃku.|3
+Dataset/wavs/urwisko_ferenc/45_segment_39.wav|ʃˈara tsˈɛra zɲˈikwa, pɔkrˈɨta dˈɔbʒɛ dɔbrˈanɨm, tɕˈɛpwɨm ɔttɕˈɛɲʲɛm jasnˈɛɡɔ bˈɛʒu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_134.wav|swˈɨʃɛ rɔzmˈɔvɛ, ˌalɛ ɲʲɛ vˌɨxfɨtˈujɛ kɔŋkrˈɛtnɨx swˈuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_183.wav|bʲˈili mˈɨɕli, tʃɨ zvrˈutɕitɕ jɛj uvˈaɡɛ, ʒˈɛ mˈartfɨ, pɔdˈɔbɲʲɛ jˈak ˌuɲikˈalnɨ, jɛst swˈɔvɛm, ktˌurɛ zˈɛ sfˈɔjɛj natˈurɨ ɲʲɛ pɔdlˈɛɡa stˌɔpɲʲɔvˈaɲʲu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_476.wav|ɲˈiɡdɨ w ʒˈɨtɕu ɲʲɛ vˌɨjɛʒdʒˈawɛm s pˈɔlski.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_158.wav|nˈɔʒɛʃ, kˈurdɛ, mˈɨɕli bʲˈillɨ. tɔ pˈɛvɲʲɛ najɡˈɔrʃɨ pˈɔmɨsw w dʑˈɛjax, ˌalɛ tsˈɔ tˈam?|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_83.wav|rˈɨan mi pɔvʲˈɛdʑaw, ʒˈɛ zˈafʃɛ mˈɔɡɛ dˈatɕ tɕi jˈɛɡɔ tsˈɛsnɛ, jˈɛɕli bˌɛɲdʑɛʃ xtɕˈaw sˈɔbjɛ nˈaɲʲɛj pˌɔpratsˈɔvatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_50.wav|trˈɔnt mi pɔvʲˈɛdʑaw. kʲˈɛdɨ vɨpˈijɛ, rˈɔbʲi ɕɛ ɡˌadatlˈivɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_164.wav|ʒˈɨvi ɕɛ pˈivɛm, pˌapʲɛrɔsˈami, kˌabanɔsˈami i rɔtsknrˈɔllɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_149.wav|dʑˈɛɲ dˈɔbrɨ, pˈanu, pˌɔftuʒˈɨwa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_26.wav|rˈuʃam f strˈɔnɛ kˈuxɲi i f tɨm sˈamɨm mɔmˈɛɲtɕɛ zzˈa dʒvˈi dɔ ɲʲˈɛj prˌɔvadʑˈɔntsɨɣ vɨsˈuva ɕɛ ɡwˈɔva.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_68.wav|tˈɛras fʃˈɨstkɔ bˌɛɲdʑɛ inˈatʃɛj, dʲˈidʲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_111.wav|ɔbjˈɛɡa mi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_122.wav|jɛst prˈavʲɛ pˈɛvʲɛn, ʒˈɛ fʃˈɨstkʲɛ ɲʲɛ bˌɛndɔ̃ pɔtʃˈɛbnɛ. ktˈɔ vʲˈɛ, mˈɔʒɛ ʒˈadɛn ɕɛ ɲʲɛ pʃˈɨda.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_72.wav|w ˌɔtʃɨʃtʃˈɔnɛj plˈamjɛ ujʒˈawa jaskrˈavɔbwɛŋkˈitnɛ ɲʲˈɛbɔː i bjˈawɔ̃ pɔɕfʲˈatɛ bʲijˈɔntsɔ̃ ɔd ɡˈur.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_404.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_30.wav|na tfˈɔim laptˈɔpʲɛ jˈɛ ˌɔdɛbrˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_40.wav|tʃɨ mˈɔʒɛ jˈuʒ zˈatʃɔɲtɕ nazˈɨvatɕ ɕɛ dˈavɛ?|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_254.wav|bɛɲdʑˌɛmɨ muɕˈɛli vʑˈɔɲdʑ zˈamɛk ʃtˈurmɛm.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_150.wav|rˈɛʃtɨ ɲʲɛ dˌɔpɔvʲˈɛdʑaw na ɡwˈɔs.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_29.wav|pˈɔvʲɛts jatskˈɔvi, ʒˈɛ ɡˈɔ dˌɔpadɲʲˈɛmɨ, jˈɛɕli tˌɨlkɔ ɕɛ dɔvʲˈɛmɨ, ʒˈɛ rˈɔbʲi tsˈɔɕ ɲʲˌɛlɛɡalnˈɛɡɔ, ˈɔkɛj?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_13.wav|w jˈɛdnɛj xfˈili jˌɛstɛm spˌaralˌiʒɔvˈana strˈaxɛm ɔː ˈaʃa, w drˈuɡʲɛj zˌastanˈavʲam ɕɛ, tʃɨ ɲʲɛ bˌɨwam ɡwˈupja, ʒˈɛ mu zˌaufˈawam.|4
+Dataset/wavs/urwisko_ferenc/47_segment_79.wav|— a skˈɔnt pˈan vʲˈɛ, ʒˈɛ ɔn tˈam jˈɛst? — bˈɔ ɕɛ z ɲˈim vidʑˈawɛm, ˌalɛ zɲˈiknɔw mi z ˈɔtʃu.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_286.wav|za marɡˈɛrɨ pɔdˈɔ̃ʒaw lˈitʃnɨ ˈɔrʃaɡ dvˈɔʒan, straʒɲˈikuf i swuʒˈɔntsɨx.|1
+Dataset/wavs/urwisko_ferenc/25_segment_59.wav|ˌalɛ jˈakiɕ tˌaki ˌɔtklɛjˈɔnɨ bˈɨw. tsˈɔɕ pʲˈɛpʃɨw ɔ pˈapʲɛ, ʒˈɛ stˈara i rvʲˈɛ ɕɛ jˈak mˈɔkrɨ kˈartɔn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_149.wav|dɔ tʃˈɛɡɔ jˈɛʃtʃɛ mˈuɡw bˈɨdʑ zdˈɔlnɨ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_32.wav|ʃˈadaj!|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_138.wav|tʃɨ sˈɨstɛm ˌavarˈɨjnɨ zadʑˈawaw? spɨtˈawa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_28.wav|vʲˈɛm, ʒˈɛ mʲɛʃkˈajɔ̃ w vˈɔrslɛj.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_237.wav|sˈam ɲʲˈɛxtɕaw vˈina. ˌɔbjɛtsˈawɛɕ, ʒˈɛ vrˈutɕiʃ pʃɛd zmʲˈɛʃxɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_34.wav|ɲʲɛ pˌɔvʲɛdʑˈawam, ʒˈɛ mˈɔʒɛʒ ɡˈɔ tɕˈɔɲtɕ!|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_91.wav|lˈɔrt ˈɛmmɔn ˈɔtar ˈusta.|1
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_10.wav|tsˈɔ dɔ zamˈuvʲɛɲ spɛtsjˈalnɨx, trafˈiwa ɕɛ nˈam ɡrˈuba rˈɨba.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_37.wav|zˈabjɛʃ mɲʲɛ zˈɛ sˈɔbɔ̃, prˈɔʃɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_128.wav|tfˈaʃ mˈirzɨ rˌɔsprɔmjɛɲˈiwa ɕɛ f ʃɛrˈɔkim uɕmʲˈɛxu. ˈɔjɛj, f tˈakim rˈaʑɛ ɲʲˈɛma sprˈavɨ. fʃˈɨstkɔ tɕi ɔtpˈuʃtʃam.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_75.wav|pravdʑˈiva s pˈaɲi bˌɔxatˈɛrka.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_22.wav|krulˈɔvuj tsˈɔ?|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_323.wav|jˌɛstɛʑ lvˈɛm zˈɛ skˈawɨ, lˈɔrdɛm. maʒ ʒˈɔnɛ, zˈamɛk, ʑˈɛmʲɛ, ktˌurɨx mˈuɕiʒ brˈɔɲitɕ, lˈudʑi, ktˌuʒɨ pˌɔlɛɡˈajɔ̃ na tfˈɔjɛj ɔpʲˈɛtsɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_293.wav|i pʃɛsˈuva ɕɛ pɔ pʃˌɛɕtɕɛrˈadlɛ, na ktˌurɨm lɛʒˈawa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_3.wav|kˈidd zdˈɔbɨw dˈanɛ fˌinansˈɔvɛ dˌɔtɨtʃˈɔntsɛ ˈindji i kˈalu i znˈalaz w ɲˈix jˈɛdnɔ̃ klutʃˈɔvɔ̃ ˌinfɔrmˈatsjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_37.wav|frˈaŋk fxˈɔdʑi dɔ kˈuxɲi i ɕɛ rɔzɡlˈɔnda. mˈarja, ɡd��ˈɛ jˈɛstɛɕ, zwˈɔtkɔ? tʃɛkˈamɨ nˈa...|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_154.wav|zˈɛ sˈɔbɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_144.wav|w ɡʲˈizmɔ tʃɛkˈawa nˈamɲʲɛ vʲadˈɔmɔɕtɕ ɔt trˈɔnda.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_177.wav|naˈivnɛ i ɕmʲˈɛʃnɛ rˌɔstʃarɔvˈaɲʲɛ, ʒˈɛ ɲʲɛ tʃˈɛka w jˈakimɕ ʃlafrˈɔku.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_140.wav|tɔ pʃˈɨjdʑ dɔ mɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_116.wav|vɨtɕˈɔwam ˈɔtfur, pʃˌɨspavˈawam zˈavur i fpˌɔmpɔvˈawam dɔ zbjɔrɲˈika tlˈɛn.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_198.wav|ʒutɕˈiwam ɕɛ nˈaɲʲɔ̃ i ˈɔbjɛ ˌɔsunɛwˈɨɕmɨ ɕɛ na pɔdwˈɔɡɛ. zˌamaxnˈɛwa ɕɛ, ʒˈɛbɨ mɲʲɛ udˈɛʒɨtɕ, ˌalɛ mʲˈawa tˌɨlkɔ jˈɛdnɔ̃ vˈɔlnɔ̃ rˈɛŋkɛ. w drˈuɡʲɛj kurtʃˈɔvɔ ɕtɕiskˈawa ɡʲˈizmɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_115.wav|s pɛvnˈɔɕtɕɔ̃ vʲˈɛdʑaw ˈɔtɨm nˈaʃ mɔrdˈɛrtsa.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_77.wav|jˈɛʃtʃɛ jˈɛdna ɡwˈupja pʲɔsˈɛŋka miwˈɔsna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_6.wav|lˈitʃɨ ɕɛ tˌɨlkɔ rɔzɡrˈɨfka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_14.wav|jˌɛstɛm pˈɛvna, ʒˈɛ pɔwˈɔva kˈɔbjɛt prˌatsujˈɔntsɨɣ w bjˈuʒɛ uznˈawabˌɨ tɔ za zˈaʃtʃɨt.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_45.wav|ʃˈɨpkɔ vʒˈutsam jˈɔ̃ dɔ kˈɔʃa, pɔt tʃɨm pʃɛxˈɔdʑɛ dɔ fɔldˈɛru z ˌusuɲʲɛntˈɨmi vʲˌadɔmɔɕtɕˈami i tˈɛʒ ɡˈɔ kasˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_156.wav|dla kurˈaʒu pʃˈɛttɨm, tsˈɔ stˈaɲʲɛ ɕɛ pˈɔtɛm, a tsˈɔ tˈɛras jˈuʒ vɨdˈajɛ ɕɛ ɲʲɛ tˌɨlkɔ mɔʒlˈivɛ, ˌalɛ vrˈɛntʃ ɲʲˌɛuɲikɲʲˈɔnɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_3.wav|ɲʲˈɛmʲaw ˌapsɔlˈutɲʲɛ ʒˈadnɨɣ vˌɔntplivˈɔɕtɕi, ʒˈɛ pˈatʃɨw na mɔrdˈɛrtsɛ ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_146.wav|ɲʲɛktˌurɛ sprˈavɨ vˌɨmaɡˈajɔ̃ tʃˈɛɡɔʑ vʲˈɛntsɛj, a mˈɨɕl ɔ tˌajɛmɲˈitʃɛj ɡˈuʒɛ, na ktˌurɔ̃ mˈuʃɛ ɕɛ fspʲˈɔɲtɕ, jɛst pʃˌɨtwatʃajˈɔntsa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_20.wav|vʲˈɛm, ʒˈɛ ʃˈɔna ɕɛ trˈɔʃtʃɨ i pʃˈɛs xfˈilɛ mˈam ɔxˈɔtɛ pɔvʲˈɛdʑɛtɕ jɛj ɔ fʃˈɨstkim, tsˈɔ ɕɛ stˈawɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_148.wav|pˈɛvɲʲɛ mˈɨɕliʃ, ʒˈɛ tɛn twˈuɕtɕɔx tɔ ɡʲˈɔrɡjɔ piljˈɛlli, mˈuvi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_352.wav|dɔtknˈɔwɛm jɛj vwˈɔsuf i znˈɔvu dɔznˈawɛm ɔlɕɲʲˈɛɲʲa.|0
+Dataset/wavs/urwisko_ferenc/03_segment_113.wav|kʲˈɛdɨ ɕikˈɔrski skˈɔɲtʃɨw rɔzmˈavʲatɕ, vwˈɔntʃɨw muzˈɨkɛ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_109.wav|ɲʲɛ, pˈaɲʲɛ. tˈak nˈam pɔvʲˈɛdʑaw ˌɔbɛrʒˈɨsta.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_82.wav|bjˈɔrɛ kɔlˈɛjnɨ ˈɔddɛx i vrˈatsam dɔ dˈalʃɛj tʃˈɛɲɕtɕi vʲˌadɔmˈɔɕtɕi ɔt stsˈɔtta.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_287.wav|pɔlˈitsjant, ktˌurɨ ɕˈɛdʑaw f kˈɔɲtɕɛ, ʑˈɛvnɔw i spˈɔjʒaw na zɛɡˈarɛk.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_160.wav|pˈɔdɲʲus lˈalkɛ i pˈatʃɨw pʃˈɛs xfˈilɛ w jɛj lˌazurˈɔvɛ, vˌɨtʃɛʃtʃˈɔnɛ ˈɔtʃɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_5.wav|zˈamknɔw ˈɔtʃɨ i sprubˈɔvaw ɕɛ rɔzlˈuʑɲidʑ bˈɛtskɨ pˌɔzvɔlˈiwa mu zatˈɔpitɕ ɕɛ w mˈɨɕlax|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_187.wav|nˈɔrvɛɡz dˈar ˌɔpakɔvˈaɲʲɛ i ˌukazˈawa ɕɛ skʃɨnˈɛtʃka s tɕɛmnˈɛɡɔ drˈɛvna. ˈuɲʲus jˈɔ̃ dɔ ɕfʲˈatwa i ɔɡlˈɔndaw pʃˈɛs xfˈilɛ pɔt ruʒnˈɨmi kɔntˈami.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_26.wav|tʃɨ ʒˈɛ mɲʲɛ ɲʲɛ rɔspˈɔzna?|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_165.wav|znˈuf pʃˌɛkrɛɲtɕˈiwam lˈɛkkɔ zˈavur i vˌɨpuɕtɕˈiwam tɕˈɛŋki strˈumjɛɲ xlˈɔru, ʒˈɛbɨ sˈɨstɛm vˌɛntɨlatsˈɨjnɨ mʲˈaw tsˈɔ rˈɔbʲitɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(89) R.Abbott_Zamknij Drzwi_segment_7.wav|pʃˌɨpɔmˈinam sˈɔbjɛ mˈɛ̃ʃtʃɨzn zblˌiʒajˈɔntsɨx ɕɛ dɔ dˈɔmu. a jˈɛɕli ˌɔɲi sɔ̃ z jakʲˈɛɡɔɕ rˌɨvalˌizujɔntsˈɛɡɔ z ɲˈimi ɡˈaŋ��u?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_27.wav|tʃɨ ɲʲˌɛpɔkˈɔi nˈas tɔ na tˈɨlɛ, ʒˈɛbɨ pɔprˈɔɕitɕ ɔː ˌanalˈizɛ ɕˈɛtɕi kˌɔmurkˈɔvɛj i ɔkrˈɛɕlitɕ jˈɛɡɔː ɔstˈatɲʲɛ pˌɔwɔʒˈɛɲʲɛ ɔt mɔmˈɛntu vˌɨwɔntʃˈɛɲʲa kɔmˈurki?|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_198.wav|mˈɔʒna bˌɛɲdʑɛ jˈɔ̃ pʃɛkˈɔnatɕ, bˈɨ zˌɛznavˈawa pʃɛtɕˈifkɔ pˌɔzɔstˈawɨm. tˈak.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_114.wav|i tɔ jɛst fʃˈɨstkɔ, jˈudɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_462.wav|brɔɲˈiswaf tɕˈipun jˈɛstɛm. pˈana tɔ znˈawam ɔt lˈat s pˌɛrsɔnˈaljuf, ʒˈɛ tˈak pˈɔvʲɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_16.wav|vɨɡlˈɔndaʃ mizˈɛrɲʲɛ, kɔxˈaɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_29.wav|dˈɔbʒɛ xˈɔtɕaʃ, ʒˈɛ mʲˈawam mʲˈɛjstsɛ na partˈɛʒɛ.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_28.wav|jˈɛɡɔ ʃtʃˈɨd bˈɨw vɨsˈɔki i spitʃˈastɨ.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_251.wav|ˌalɛ ˈɔɡʲɛɲ na kɔmˈiŋku zɡˈas jˈuʃ, a ʒadnˈɛɡɔː innˈɛɡɔ ɕfʲˈatwa tˈu ɲʲɛ bˈɨwɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_143.wav|ˌalɛ vɨdˈajɛ mi ɕɛ, ʒˈɛ ˌɔna mˈa...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_8.wav|uznˈawam pˌɔtʃɔntkˈɔvɔ, ʒˈɛ ɔtkrˈɨwɨ mˈɔjɛ pˌɔvʲɔ̃zˈaɲʲa s tsˌamɛrˈɔnɛm, ˌalɛ ɕɛ mɨlˈiwam.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_44.wav|vɨtɕˈɛwaʑ dʑˈurɛ w mˈɔjɛj fabrˈɨtsɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_228.wav|— ɲʲɛ — pɔvʲˈɛdʑaw. — ja mˈɨɕlɛ, ʒˈɛ ˌɔna jˈuʃ ɲʲɛ ʒˈɨjɛ. — a ˈɔjtɕɛts?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_244.wav|i ɔt rˈazu zasnˈɛwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_144.wav|bˈɔ sˈam ftˈɛdɨ stˈawɛm ɕɛ ɲʲˈɛtsɔ bˈardʑɛj dɔrˈɔswɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_82.wav|prˈɔblɛm f tˈɨm, ʒˈɛ tɛn sxˈɔvɛk jɛst ɲʲˌɛvidˈɔtʃnɨ z ɡwuvnˈɛɡɔ bjˈura, nˈavɛt kʲˈɛdɨ dʒvˈi dɔ pɔkˈɔju mˈartɨ sɔ̃ ɔtfˈartɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_215.wav|ɔn tˌɛɡɔ dˈɔbʒɛ ɲʲɛ pʃˈɨjmʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_129.wav|i znˈɔvu ɔttʃˈuwɛm raptˈɔvnɔ̃ pʃˈɨkrɔɕtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_129.wav|jˈɛɕli pɔpˈɛwɲʲaʃ tˈu jˈakʲɛɕ pɔvˈaʒnɛ pʃɛstˈɛmpstfɔ,|4
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_80.wav|jˈɛɡɔː ɔbˈavɨ ɔ vˈɨjast tsˈurki na drˈuɡɔ̃ strˈɔnɛ kˈuli ʑˈɛmskʲɛj bˌɨwɨ tˈak ɕˈilnɛ, ʒˈɛ ɲʲɛ vʲˈɛdʑaw, tʃɨ zdˈɔwa jˈɛ w ɔɡˈulɛ zˌamaskˈɔvatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_197.wav|pˈatrɨk jɛdnˈɛɡɔ ɲʲɛ pʃɛvˈidʑaw, ʒˈɛ tˈatuɕ pˈujdʑɛ dɔ ɲˈika mˌadʒarjˈana i zlˈɛtɕi jˈɛɡɔ zabˈujstfɔ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_124.wav|bˌɛndɛ mˈuɕaw vʑˈɔɲdʑ ɡˈɔ ʃtˈurmɛm.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_64.wav|zaˈista.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_321.wav|ˈalbɔ zvɨkwˈɛɡɔ, xˈɔdʑbɨ vˌɨɕfʲɛxtanˈɛɡɔ swˈɔva pɔtɕˈɛxɨ.|0
+Dataset/wavs/urwisko_ferenc/25_segment_86.wav|jɛj dwˈɔɲ pˌɔvɛndrɔvˈawa vzdwˈuʒ bʒˈuxa, minˈɛwa pˈɛmpɛk, ɔtˈarwa ɕɛ ɔ vzɡˈurɛk wɔnˈɔvɨ i fsunˈɛwa mʲˌɛndʑɨ ˈuda.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_53.wav|mˈam nadʑˈɛjɛ, ʒˈɛ fkrˈuttsɛ bɛɲdʑˌɛmɨ mʲˌɛli vʲˈɛntsɛj ˌinfɔrmˈatsji.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_69.wav|ɲʲɛ mʲˌɛli ʒˈadnɨx pɔvˈɔduf, bˈɨ pˌɔdɛjʒˈɛvatɕ, ʒˈɛ tsˈɔɕ mˈɔɡwɔ ɕɛ jɛj pʃɨtrˈafitɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_58.wav|s tˌɛɡɔ tsˈɔ mi vʲadˈɔmɔ, ɲʲɛ znˈamɨ ɲikˈɔɡɔ, dɔ kˈɔɡɔ jˌɛxawˈɔbɨ ɕɛ f tɨm kʲɛrˈuŋku.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_206.wav|ˈiŋkawst jˈuʒ vɨsˈɨxaw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_100.wav|i pˈaɲi, pˈaɲi frˈaŋklin?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_27.wav|ɲˈits ɕɛ ɲʲɛ jɛst tˈam.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_480.wav|ftˈɛdɨ f ktˈurɨmʑ z ɔtfˈartɨx ˈɔkʲɛn pˌɔswɨʃˈawɛm rˈadjɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_90.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_368.wav|a mˈɨ, tɔ znˈatʃɨ drɔbʲˈinɛ ʒˈɨtɕa, vˈɨʃliɕmˌɨ s tɛj vˈɔdɨ ˈalbɔ z vˈɔdɨ i ʑˈɛmi, tʃˈɨli prˈɔxu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_31.wav|pˌɔstarˈamɨ ɕɛ ɔ nˈakas, pˈaɲʲɛ fɔrˈakis, i pɔvˈiɲʲɛn pˈan vʲˈɛdʑɛtɕ, ʒˈɛ zˌatʃɛkˈamɨ sˈɔbjɛ pɔt pˈaɲskɔ̃ brˈamɔ̃. rˈuvɲʲɛ dˈɔbʒɛ mˈɔʒɛ pˈan nˈas fpˈuɕtɕitɕ, prˈavda?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_75.wav|sprˌubɔvˈawa pɔtɕˈɔŋɡnɔɲdʑ dʒvˈi dɔ ɕˈɛbjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_80.wav|tɨ fprˈavdʑɛ jˌɛstɛʑ bɛzdˈɔmna, ˌalɛ pʃɨnˈajmɲʲɛj ʒˈɨjɛʃ na stˌɔsuŋkˈɔvɔ tʃˈɨstɨx i bɛspʲˈɛtʃnɨx ulˈitsax artˈɛmis, a ɲʲɛ w jˈakimʑ ʑˈɛmskim mʲˈɛɕtɕɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_153.wav|vwˈaɕɲʲɛ nˈatɨm pɔlˈɛɡa mˈɔjɛ zmartfʲˈɛɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_249.wav|ɲʲɛ bˌɨwɔ tɔ mɔʒlˈivɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_45.wav|sprˈava jˈuʃ ɕɛ prˈavʲɛ vˌɨjaɕɲˈiwa. bɔŋknˈɔwɛm zdˌɛtɔnɔvˈanɨ. pˈatʃtɕɛ, jˈaki zˈux! xfˈaliw ɕɛ mnˈɔ̃ prɛzˈɨdɛnt.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_39.wav|kˈaʒdɨ mʲˈɛɲɕɛɲ w mˈɔim tɕˈɛlɛ prˈaɡɲʲɛ, ʒˈɛbɨm vɨdˈawa rˈɔskaz dɔː ɔdvrˈɔtu i utɕˈɛkwa s tˌɛɡɔ mʲˈɛjstsa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_32.wav|jˈakɔ lˈudʑɛ jɛstˌɛɕmɨ utʃˈɛɲi, ʒˈɛ pˌɔvinɲˈiɕmɨ vʲˈɛʒɨtɕ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_275.wav|tɨ bˌɨwɛɕ w ɲʲɛvˈɔli, tfˈuj ˈɔjtɕɛts tˈɔtʃɨw vˈɔjnɛ, a tfˈuj brˈat...|1
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_56.wav|uvˈaʒam jˈɛdnak, ʒˈɛ ɡdˈɨbɨ vʲˈɛdʑaw, ɔ kˈɔɡɔ xˈɔdʑi, jˈuʒ bˈɨ tɛ ˌinfɔrmˈatsjɛ pʃɛkˈazaw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_19.wav|ɔn mˈa pɔ prˈɔstu ɲʲˌɛsamɔvˈitɛ ˈɔtʃɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_150.wav|ɲʲɛ tsˈawkʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_338.wav|tʃasˈami ɕtɕˈinaw jˈɛ krˈutkɔ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_253.wav|pʲˈɛŋkna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_118.wav|nˈaʃa strˈɔna ˌɔznatʃˈawɔ fʃˈɨstkɔ pˈɔza ɔbrˈɛmbɛm falˈudʒɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_173.wav|ɲʲɛ ˈumjaw jɛj tˌɛɡɔ pʃɛbˈatʃɨtɕ, prˈavda?|0
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_58.wav|ɕtɕˈiɕlɛ tˈajnɛ bʲˈillɨ uɕmʲˈɛxa ɕɛ dɔ ɲʲˈɛɡɔ.|2
+Dataset/wavs/urwisko_ferenc/02_segment_37.wav|smˈutna ɕikˈɔrska na dˈɔlɛ z lˈɛvɛj strˈɔnɨ i ɲʲˈɛmal pɔ pʃɛkˈɔntnɛj rˌɔzɛɕmʲˈanɨ xudʑˈiɲski.|0
+Dataset/wavs/urwisko_ferenc/53_segment_59.wav|pˌɔxwɔɲʲˈɛnta mɨɕlˈami ɔ xudʑˈiɲskʲɛj i sˈɔlskim, fpˌatrɨvˈawa ɕɛ f tɕˈɛmnɨ nˈapuj spwˌɨvajˈɔntsɨ pɔvˈɔli dɔ kˈupka.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_93.wav|lˈadɨ mˌɛrivˈɛtxɛr rˌɔzɛɕmʲˈawa ɕɛ w ɡwˈɔs. ˌɔɕmʲɔlɛtɲʲˈɛɡɔ? mˈɔʒɛ mˈuj sˈɨn tˈɛʃ mˈuɡwbɨ zˈɔstadʑ vʲˈɛlkim sɛptˈɔnɛm? mˈa jˈuʃ prˈavʲɛ ɕˈɛdɛm lˈat.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_162.wav|dˈavɛ tˈɛras i zˈafʃɛ jˈuʃ ɲʲɛ zapˈɔmnɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_47.wav|ɲʲˈɛxtsɛ, ʒˈɛbɨ ktɔkˈɔlvʲɛɡ vʲˈɛdʑaw, ʒˈɛ tɕˈɛ vˌɨnajˈɔwɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_82.wav|tˈak, ˌalɛ pˈan maʃ jˈɛʃtʃɛ samˈɔlɔt, tˈɛ pʲˈɛŋknɔ̃ kɔbjˈɛtkɛ i pʃɨjˈatɕuw.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_91.wav|ɲˈikt ɲʲɛ ˈumar.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_21.wav|mwˈɔdʑi mɛ̃ʃtʃˈɨʑɲi vˈɛʃli dɔ prˈɔntɔ, prˈɔntɔ, fˈɔtɔ, fˈɔtɔ.|2
+Dataset/wavs/urwisko_ferenc/46_segment_76.wav|ˈɔlɡʲɛrt nˈapʲɔw mʲˈɛɲɕɲʲɛ i fstʃˈɨmaw ˈɔddɛx, ʒˈɛbɨ pʃˈɛtrfadʑ bɔlˈɛsnɨ skrˈɛnt jˈɛlit.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_264.wav|dʑɛftʃˈɨŋka stɔjˈɔntsa na ɡˈaŋku ˌɔbʒutɕˈiwa ix ɲʲɛˈufnɨm spɔjʒˈɛɲʲɛm dʑˌɛɕɛɲtɕɔlˈatki. jˌɛstɛm vʲˈɛʒba.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_4.wav|— xtsˈɛʃ pɔdʑˈɛlitɕ ɕɛ tɨm z zɛspˈɔwɛm? — spˈɨtaw tˈɔm. kˈit jˈɛʃtʃɛ bˈardʑɛj ɕɛ vˌɨprɔstˈɔvaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_70.wav|ftˈɛdɨ pˌɔvɨxɔdʑˈili jˈuʃ fʃˈɨstsɨ sɔ̃ɕˈɛdʑi i patʃˈɨli, tsˈɔ ɕɛ dʑˈɛjɛ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_268.wav|jˈɛɕli tfˈuj lˈɔrt tɕi rɔskˈazaw, ɲʲɛ jɛst jˈuʃ mˈɔim lˈɔrdɛm.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_387.wav|zˌɔbatʃˈɨwa jˈɛɡɔ zˈɛmbɨ, ʒˈuwtɛ, kʃˈɨvɛ i zˌaɔstʃˈɔnɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_41.wav|tʃɛ̃sˈɔntsɔ̃ ɕɛ rˈɛŋkɔ̃ ujˈɔwɛm kubˈɛtʃɛk i uɲʲˈɔswɛm dɔː ˈust.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_91.wav|ɲʲɛ. rɔzˈumjɛm, ʒˈɛ ɲˈiɡdɨ ɲʲɛ spˈɔtkaw pˈan ʒadnˈɛɡɔ z ɲˈix, ˌaɲi ɲʲˈɛmʲaw z ɲˈimi jˌakʲɛɡɔkˈɔlvʲɛk kɔntˈaktu?|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_326.wav|ˌɔdɡrɨvˈawa tˈɛ rɔzmˈɔvɛ w ɡwˈɔvʲɛ puwsˈɛtki rˈazɨ, jˈak kɔmˈɛdjant pʃɛt pʃˌɛtstavʲˈɛɲʲɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_26.wav|ˌalɛ bˈuk jˈɛdɛn vʲˈɛ, tsˈɔ kˈatɛ sˈɔbjɛ mɨɕlˈawa, ˌutɕɛkˈajɔndʑ dɔː awstrˈalji.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_80.wav|dlatʃˈɛɡɔ mɲʲɛ tɔ muɕˈawɔ spˈɔtkatɕ?|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_101.wav|vʲˈɛʒa vˌɨɡlɔndˈawa mɲʲˈɛj vʲˈɛntsɛj tˈak sˈamɔ, jˈak jˈɔ̃ zˌapamjˈɛntaw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_63.wav|i ɲʲɛ mˈɔɡwaɕ ɔddˈɨxatɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_408.wav|tɔ bˈɨw tɛn kˌɛɲdʑɛʒˈavɨ ɛmˈɛrɨt.|0
+Dataset/wavs/urwisko_ferenc/59_segment_10.wav|f karˈɛttsɛ bˈɨw ratˈɔvɲik mɛdˈɨtʃnɨ. lɛkˈaʒɛ mˌajɔ̃ tˈɛras pˈɛwnɔ rɔbˈɔtɨ s kˌardjɔlˌɔɡʲitʃnˈɨmi pʃˌɨpatkˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_228.wav|skˈɔnd vˈɛʑmʲɛʃ tlˈɛn? zˌapɨtˈawam. pʃˌɛtɕɛʃ ɲʲɛ maʃ xˈutɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_21.wav|tʃɨ ɔn tsˈɔʑ vʲˈɛ na tˈɛmat mˈili?|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_80.wav|zmʲɛɲˈiwa mu ˈimjɛ s fraŋkˈina dˈavɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_51.wav|tsˈawɨ kˈadwup pˌɔkrɨvˈawa pɔvwˈɔka ˌɔdblaskˈɔva, ktˌura mʲˈawa ɔdbʲˈijatɕ prɔmjˈɛɲʲɛ swɔnˈɛtʃnɛ i xrˈɔɲitɕ pʃɛt pʃɛɡʒˈaɲʲɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_66.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_61.wav|ɲʲɛ mˌatɕɛ tˈutaj kˈɔɡɔɕ, bˈɨ mi pʃɛʒˈutɕiw prˈɔp?|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_181.wav|na mˈuj vˈidɔɡ zˈɛrvaw ɕɛ na rˈuvnɛ nˈɔɡʲi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_37.wav|a kʲˈɛdɨ tɛ ɔbrˈazɨ pʃˌɨvʲɛrˈajɔ̃ dɔ vɛvnˈɛntʃnɛj tʃˈɛɲɕtɕi mˈɔix pˈɔvʲɛk, vʲˈɛm...|3
+Dataset/wavs/urwisko_ferenc/25_segment_30.wav|mˈuɕaw bˈɨtɕ spraɡɲʲˈɔnɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_224.wav|i mɲʲɛ tɔ tˈaɡʒɛ bˈavi, ˈɛstɛr.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_70.wav|pɔ sfˈɔjɛj strˈɔɲʲɛ dʒˈamal uʒˈɔɲdʑiw vˈarʃtad z nˌaʒɛɲdʑˈami pʃˌɨtʃɛpʲɔnˈɨmi dɔ ɕtɕˈanɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_16.wav|bʲˈillɨ fkwˈada dɔ lɔdˈufki prɔdˈuktɨ, ktˌurɛ vˌɨmaɡˈajɔ̃ pʃˌɛxɔvɨvˈaɲʲa f xwˈɔdʑɛ, pɔ tʃɨm vɨxˈɔdʑi frˌɔntɔvˈɨmi dʒvʲˈami i ɔkrˈɔ̃ʒa dˈɔm, znˈuf ˌɔswaɲʲˈajɔnts ɕɛ pˌarasˈɔlɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_169.wav|pˌɔtɕɔŋɡnˈɛwa nˈɔsɛm i ˌɔbrutɕˈiwa rˈɛŋkɛ.|4
+Dataset/wavs/urwisko_ferenc/64_segment_3.wav|pɔd ʒˈadnɨm pɔzˈɔrɛm mʲˈaw ɲʲɛ mˈuvitɕ kˌɔŋkubʲˈiɲʲɛ ˈɔtɨm zˌaplanɔvˈanɨm spɔtkˈaɲʲu.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_112.wav|ˌalɛ sɔ̃ tˈatsɨ, ktˌuʒɨ mˈɔɡɔ̃ w ɲʲˈɔ̃ uvʲˈɛʒɨtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_7.wav|ɡˈaɕi rɨtʃˈɔntsɨ ɕˈilɲik i fxˈɔdʑi pɔ stˈɔpɲʲaɣ dɔ dʒvˈi vɛjɕtɕˈɔvɨx. w rˈɛŋku tʃˈɨma nˈɔtɛs. pˈɔdɲim skrˈɨva ɡlˈɔka.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_38.wav|a pˈɔtɛm zamjˈɛʒaw pˈujɕtɕ spˈatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_33.wav|ʒˈɛ tɔ ɲʲɛ tˈak wˈadɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_121.wav|zˌɔbatʃˈɨwa tʃɛrvˈɔnɛ snˈɔpɨ blˈasku pˌɔpɔw��udɲʲɔvˈɛɡɔ swˈɔɲtsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_17.wav|jˈɛɕli ɲʲɛ, mɔʒˈɛmɨ zavrˈutɕitɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_63.wav|za pʃˌɛʒutsˈɛɲʲɛ ɕmˈiɡwa?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_27.wav|na pˈɛvnɔ, mˈili?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_39.wav|pɔpˈɨxam jˈɛ ɔstrˈɔʒɲʲɛ, rˈɔbjɛ krˈɔɡ dɔ pʃˈɔdu i pxˈam dˈalɛj ˈaʒ dɔ pɔwˈɔvɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_115.wav|sˈama vʲˈɛʃ, stˈarɕi xtɕˈɛlibˌɨ dˈɔstatɕ ɔt tɕˈɛbjɛ pʲɛɲʲˈɔndʑɛ. uznˈaliɕmˌɨ vʲˈɛnts, ʒˈɛ najlˈɛpʲɛj stˈamtɔnd vɨjˈɛxatɕ, zˈaɲim tˈak ɕɛ stˈaɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_210.wav|pˈɔtɛm vˌɨwɔntʃˈɨwam ɡˈɔː i rˈazɛm s pilˈɔtɛm vwɔʒˈɨwam dɔ jˈɛdnɛj s ʃˈafɛk f pʃɛtɕˈɔŋku.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_171.wav|ɔtfʲˈɛra dʒvˈi.|2
+Dataset/wavs/urwisko_ferenc/31_segment_30.wav|ˈɔknɔ pɔkˈɔju dɔrˈɔtɨ lˌɛvandˈɔfskʲɛj bˌɨwɔ zamkɲʲˈɛntɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_35.wav|vrˈɛʃtɕɛ ɡwˈɔɕɲiɡ zatʃˈɛʃtʃaw i mˈɛ̃ski ɡwˈɔs pɔvʲˈɛdʑaw vɨɕˈɔɲtɕtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_60.wav|pɔvʲˈɛdʑɛtɕ im, ʒˈɛ sɔ̃ ɡwupˈimi ɔftsˈami, a jɛdˈɨnɛ na tsˈɔ mˈɔɡɔ̃ lˈitʃɨtɕ ɔt lɔrˈasa tɨrˈɛlla tɔː ˈuɕmʲɛx i kfʲˈat.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_156.wav|mˈɔʒɛ ˈu krˈɛsu tɛj drˈɔɡʲi znˈajdɛ ˌɔtkupʲˈɛɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_3.wav|pʲɛrʃˈɛɡɔ trˈupa znalˈɛʑli mˈilɛ za rˌɔsstajˈami drˈuk.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_329.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_331.wav|tɔ bˈɨw sˈɛn ɔ tʃˌarɔvɲˈitsɨ, ktˌurɔ̃ ˌɔdvʲɛdʑˈiwam w dʑɛtɕˈiɲstfʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_212.wav|tˌɨlkɔ ɡdɨbˈɨɕmɨ pʃɛɡrˈali.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_31.wav|pɔswˈuʒɨw ɕɛ ksˈɨfkɔ̃, ɔ ktˌurɛj ɲˈiɡdɨ mu ɲʲɛ pˌɔvʲɛdʑˈawam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_83.wav|ɲʲɛ jˌɛstɛm pˈɛvna, tʃɨ tɔ...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_354.wav|mˈɔjɛ ktˈɔʑ zatʃˈɨmaw jˈak fskazˈufkɛ zɛɡˈara.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_464.wav|tɔ mˈɔra i mˈɛlɛj vˌɨpɛwɲʲˈawɨ jɛj bˈaljɛ, a tˈaɡʒɛ mˈɨwɨ plˈɛtsɨ i tʃɛsˈawɨ vwˈɔsɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_119.wav|vʲˈɛʃ, ktˈɔ zawˈatfja mu dʑɛftʃˈɨnɨ w lˈɔs ˈandʒɛlˌɛs i nˈɔvɨm jˈɔrku?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_110.wav|f kˈɔɲtsu fstˈajɛ i kˈiva ɡwˈɔvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_97.wav|kɔxˈaɲʲɛ, ɲʲɛ mˈuɕiʃ ɕɛ fʃˈɨstkim xfˈalitɕ, ʒˈɛ ˈidʑɛʒ dɔ waʑˈɛŋki. vɨstˈartʃɨ, ʒˈɛ pˈɔvʲɛʃ pʃɛprˈaʃam na xfˈilɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_35.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_161.wav|zalˈɛtsam dˌɛpɔrtˈatsjɛ bˈɛs stavʲˈaɲʲa zaʒˈutuv dɔː arˈabji sawdˈɨjskʲɛj.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_47.wav|mˈuvi ɔ tʃˈɨmʑ zupˈɛwɲʲɛ ˈinnɨm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_174.wav|ʒˈɛ zˈɛ fʃˈɨstkiɣ dʑˈivnɨɣ zdˈaʒɛɲ w jˈɛɡɔ ʒˈɨtɕu, a bˌɨwɔː ix tsˈawkʲɛm spˈɔrɔ, pˈɔbɨt na pˈɛarsɔn strˈit jɛst xˈɨba nˌajdʑivɲʲˈɛjʃɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_331.wav|ɲʲɛ zɡˈup kɔpˈɛrtɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_134.wav|mʲˈastɔː artˈɛmis|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_14.wav|ɲˈilɛ uɲˈikaw bˈɨtɕa z ɲʲˈɔ̃ sˈam na sˈam, ˌalɛ jˈakɔɕ tˌɛɡɔ ɲʲɛ vˈidʑɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_5.wav|mʲˈɛʃkam w artˈɛmis.|4
+Dataset/wavs/urwisko_ferenc/44_segment_53.wav|ˈɔlɡʲɛrt ˌuruxˈɔmiw pʃˌɛɡlɔndˈarkɛ ˌintɛrnɛtˈɔvɔ̃ f tˌɛlɛfˈɔɲʲɛ i rˈas jˈɛʃtʃɛ vɨɕfʲˈɛtliw ˌinfɔrmˈatsjɛ ɔ lɛɡnˈɛʒɛ. klˈiknɔw f kˈilka lˈiŋkuf.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_136.wav|ɲʲˈɛma ɡdʑˈɛ ix wadˈɔvatɕ, pɔvʲˈɛdʑaw. tˈak tʃɨ ˈɔvak mˈuʃɛ tʃˈɛkatɕ na dʑvˈik.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_273.wav|vˌɨwavʲˈali z mˈɔʒa ˌɔtsalˈawɨx i pʃˌɨɡlɔndˈali ɕɛ, jˈak tfˈarda rˈɛŋka tˈɔɲʲɛ pɔvˈɔli, ftɕɔŋɡˈana pɔd vˈɔdɛ pʃˈɛz vrˈak ɔkrˈɛntu, ktˌurɨ stˌaranɔvˈawa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_29.wav|zˌapɨtˈawam tˈɛʃ tˈɛssɛ, tʃɨ znˈa ɔlmˈana.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_14.wav|a nˈavɛt jˈɛɕli ɔ ktˈurɨmʑ zˌapɔmɲʲˈawɨ...|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_148.wav|tˈam znajdʑˈɛmɨ ɔtpˈɔvʲɛtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_31.wav|kturˌɛɡɔ ɕmˈiɡwɔ prˌatsɔvˈawɔ jˈuʃ i patʃˈɨli, jˈak pɔdˈajɛ tʃwˌɔvʲɛkˈɔvi ɕˌɛdʑɔntsˈɛmu f sˌamɔlˈɔtɕɛ zwɔʒˈɔnɔ̃ f kfˈadrat mˈapɛ,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_47.wav|ɲʲɛ vɨdˈajɛ mi ɕɛ, ʒˈɛbɨ vʲˈɛdʑaw tˈɛraz vʲˈɛntsɛj ɲˈiʃ ja na tˈɛmad vwˌaɕtɕivˈɛɡɔ zˌaxɔvˈaɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_380.wav|f tɛj xfˈili jˈɛdnak pˌɔtʃɛbˈujɛ suxˈɛɡɔ wˈɔʒa i tɕɛpwˈɛɡɔː ˈɔɡɲʲa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_156.wav|ˈandɛrsɔn pˈatʃɨw pʃˈɛs xfˈilɛ na rˈɛntsɛ mˈajka zˌatɕiɕɲʲˈɛntɛ na stˈɛʒɛ i ɕtɕˌɔŋɡajˈɔntsɛ stˈɛr za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ samˈɔlɔd zapˈadaw ɕɛ, a pˈɔtɛm pɔvʲˈɛdʑaw|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_228.wav|kʲˈɛdɨ vˌɨrazˈiwam sfˈɔjɛ uznˈaɲʲɛ, pʃˌɛtstavʲˈɛɲʲɛ dɔbjˈɛɡwɔ kˈɔɲtsa i pʃɨ ftˈuʒɛ stwumjˈɔnɨx çixˈɔtuf fʃˈɨstsɨ vrutɕˈili dɔ nɔrmˈalnɨx pɔzˈɨtsji.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_65.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_40.wav|ɲʲɛ bˌɨwɔ pɔvˈɔdu, ʒˈɛbɨ jˈɔ̃ rˌɛkfirˈɔvatɕ, ʃˈɛfjɛ. ʃukˈaliɕmˌɨ pˈannɨ pˈɔrtɛr, ʒˈɛbɨ uzˈɨskatɕ xˈaswɔ dɔ tˌɛlɛfˈɔnu pˈaɲi strˈakan. tɔ fʃˈɨstkɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_161.wav|ˈɔjtɕɛts pɔtrˈafiw mɲʲɛ dɔ tˌɛɡɔ dˌɔprɔvˈadʑitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_72.wav|mˈɔʒɛ naprˈavdɛ rˈɔbʲi ɕɛ z ɲʲˈɛj ɡˈaŋkstɛr pˈɛwnɔ̃ ɡˈɛmbɔ̃?|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_160.wav|jɛzd zwˈɨm tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_215.wav|ɲʲɛ ɡɲʲˈɛvaʃ ɕɛ nˈamɲʲɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_74.wav|zˈaras pʃˌɨpɔmɲʲˈawam sˈɔbjɛ jˈɛdnak, ʒˈɛ planˈɔvaw vˈɨjast tˈɨlnɔ̃ drˈɔɡɔ̃. ʃkˈɔwa bˌɨwa ukrˈɨta f tɕɛmnˈɔɕtɕax.|3
+Dataset/wavs/urwisko_ferenc/42_segment_93.wav|ʒutɕˈiwa, ɡdˈɨ pʲˈax pɔnˈɔvɲʲɛ zazɡʒˈɨtaw im pɔt pˌɔdɛʃfˈami.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_18.wav|dʒˈɛk tˌɨlkɔ ɕɛ rɔzˈɛɕmʲaw. mˈɔʒɛ nˈavɛd bɨwˈɔbɨ lˈɛpʲɛj, ɡdˈɨbɨ ɔʃtʃˈɛɲdʑiw tɔmˈɔvi ʃtʃɛɡˈuwuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_86.wav|bʲˈillɨ pˌɔfstʃɨmˈujɛ ˌɔdruxˈɔvɛ praɡɲʲˈɛɲʲɛ, bˈɨ vɨtɕˈɔŋɡnɔɲtɕ rˈɛŋkɛ i pɔwˈɔʒɨdʑ dwˈɔɲ na jɛj dwˈɔɲi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_145.wav|nˈavɛt najlˈɛpʃɨm zdaʒˈajɔ̃ ɕɛ tˈakʲɛ ʒˈɛtʃɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_18.wav|ˌɔdɛtxnˈɛwam z ˈulɡɔ̃, ˌalɛ ɲʲɛ bˌɨwɔ tʃˈasu na rˌɔzmɨɕlˈaɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_109.wav|trˈɔnd zakrˈɛɲtɕiw ʃklˈaŋkɔ̃ i alkˈɔxɔl na dɲʲˈɛ zˌavirˈɔvaw.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_44.wav|mʲˈawabˌɨm dɔ ɲʲˈɛɡɔ kˈilka pˈɨtaɲ, ɡdˈɨbɨm na tsˈɔɕ takʲˈɛɡɔ nˌatrafˈiwa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_163.wav|ɔbʒˈutsa dʑɛftʃˈɨnɛ spɔjʒˈɛɲʲɛm ɔt stˈub dɔ ɡwˈuf. jɛj spudɲˈitʃka jɛzd dʒinsˈɔva, s pˌɔstʃɛmpʲˈɔnɨm rˈɔmpkʲɛm i krˈutka.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_120.wav|vˌɨʃɛptˈawam, ɲʲɛpˈɛvna tʃɨ mˈama pɔzvˈɔli mi vɨrˈazitɕ sfˈɔjɔ̃ ɔpˈiɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_282.wav|ɲʲˈɛmɨɕl ˈɔtɨm w ɔɡˈulɛ, pɔvʲˈɛdʑaw. tɔ ɲʲɛ tfˈɔja vˈina i ɲʲɛ mˈɔja.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_61.wav|ˈilɛ lˈat minˈɛwɔː ɔt tʃˈasu, kʲˈɛdɨ ɔstˈatɲʲɔ fspɔmˈinaw tɔ tsmˌɛntaʒˈɨskɔː ˈawt?|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_47.wav|ɲʲɛ tʃˈɛba bˌɨwɔ dwˈuɡɔ tʃˈɛkatɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_426.wav|i ɲˈiɡdɨ ɕɛ ɲʲɛ dˈɔvʲɛm, jˈak patʃˈɨli na nˈaʃ fspˈulnɨ ɕfʲˈat mˈɔi blˈiʑɲi.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_433.wav|ˈɔsnɛj pɔrˈadʑi sˈɔbjɛ s tɨm bˈɛs trˈudu.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_70.wav|tsˈawɛ mʲastˈɛtʃkɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_44.wav|ˈɔfʃɛm, ɔstˈatɲʲɔ bɨvˈawa bˈardʑɛj ˌasɛrtˈɨvna i tɔː ˌɔtʃɨvˈiɕtɕɛ dˈɔbʒɛ, ˌalɛ tɛn dʑˈivnɨ pˈɔkas pɛvnˈɔɕtɕi ɕˈɛbjɛ bˈɨw tʃˈɨmʑ zupˈɛwɲʲɛ nˈɔvɨm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_64.wav|tˈɔm pɔxˈɨla ɕɛ w mˈɔjɔ̃ strˈɔnɛ z rɛŋkˈami fspartˈɨmi na kɔlˈanax.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_141.wav|lˈubjɔ̃ zˈapax rˈuʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_192.wav|bˈɛtskɨ vʲɛdʑˈawa, xˈɔtɕ ɲʲɛ zˌamjɛʒˈawa ˈɔtɨm mˈuvitɕ, ʒˈɛ ɲʲˌɛkɔɲʲˈɛtʃɲʲɛ muɕˈawɔ tˈaɡ bˈɨtɕ.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_39.wav|rˈɔdʑɔ̃ ɕɛ, ʒˈɨjɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_7.wav|ˌalɛ kʲˈɛdɨ vˈidʑɛ jˈɔ̃ f tˈakim stˈaɲʲɛ, jˈɛʃtʃɛ bˈardʑɛj xtsˈɛ znˈalɛɕtɕ tˈɛɡɔ, ktˈɔ jˈɔ̃ zˈabʲiw.|3
+Dataset/wavs/urwisko_ferenc/59_segment_84.wav|pˈɔtɛm zaɡlˈɔndam dɔ kartˈɔnu, ˌuʒɨvˈajɔnts kˈilku lˈamp, ˈaʃ f kˈɔɲtsu vˌɨsɨpˈujɛ dɔ kuvˈɛtɨ tɔ, tsˈɔ zalˈɛɡa w ɲˈim na dɲʲˈɛ.|0
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+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_202.wav|dɔ rɛˈaktsji ˌutlɛɲʲˈaɲʲa pɔtʃˈɛbnɨ jɛst tlˈɛn.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_59.wav|tʃɨ tɔ bˌɨwa mˈɔja vˈina?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_47.wav|mʲˈaw uzˈɨskadʑ dˌɔdatkˈɔvɛ fundˈuʃɛ.|3
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+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_239.wav|zˈaɲim ɔddˈawa ɡˈɔ za ˈɔkup sˌumnɛrˈɔvi krˌaiɡɔllˈɔvi.|1
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+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_251.wav|znˈuf muvˈiwa ɡwˈɔsɛm spɔkˈɔjnɨm i sˈɛnnɨm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_26.wav|tɔ dla pˈaɲi trˈudnɨ tʃˈas, rɔzˈumjɛm tɔ dˌɔskɔnˈalɛ, ˌalɛ ɲʲɛ mˈɔʒɛ nˈas pˈaɲi pɔfstʃˈɨmatɕ pʃɛd vˌɨkɔnɨvˈaɲʲɛm prˈatsɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_19.wav|ftˈɛdɨ tˈɛʃ pˌɔzvɔlˈili mi z ɲʲˈɔ̃ zˈɔstatɕ, ˌalɛ na pˈuw rˈɔku stratɕˈiwa prˈafkɔː i muɕˈawa jˈɛʑdʑidʑ dɔ prˈalɲi ˌawtɔbˈusɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_79.wav|z dˌɔjʒawˈɨmi dʒɛvˈami i starˈanɲʲɛ ˌutʃɨmanˈɨmi dɔmˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_3.wav|bʲˈillɨ ˌɔstatˈɛtʃɲʲɛ dˌɛtsɨdˈujɛ, ʒˈɛ zɔstˈanɔ̃ ˈu butskʲˈɛɡɔ tʃˈɨ, mˈɔʒɛ tʃtˈɛrɨ dɲˈi, ˈaʃ skˈɔɲtʃɨ pˈisatɕ ɔ dˈɔmu zˈabaf.|2
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+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_374.wav|ɲʲɛ mˈɔɡɛ. mˈɨɕlɛ ɔ tfˈɔjɛj ɕˈɔstʃɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_163.wav|lˈɛdʒ vˈɛjʑdʑ dɔ dˈɔmu, jˈak nakˈazaw ˈaram.|3
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+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_33.wav|pˈatʃɛ na ɲʲˈɛɡɔ w ˌɔtʃɛkivˈaɲʲu na vʲˈɛntsɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_234.wav|mrˈuknɔw ɡɔspˈɔdaʃ, ˌɔbratsˈajɔnts f pˈaltsaɣ zˌapalɲˈitʃkɛ.|4
+Dataset/wavs/urwisko_ferenc/20_segment_8.wav|pɔlˈitsjand z ɲʲˌɛpɔkˈɔjɛm pɔmˈɨɕlaw, ʒˈɛ bˈɨtɕ mˈɔʒɛ tɔ kɔlˈɛjna vʲadˈɔmɔɕtɕ ɔt ʃˈɛfa.|0
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+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_189.wav|ɲʲɛ xtɕˈɛlibˌɨɕmɨ zrˈɔbʲidʑ zatˈɔru na ɡˈuʒɛ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_105.wav|rˈɛnlɨ ɲˈiɡdɨ ɕɛ ɲʲɛ kʃˈɨviw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_240.wav|tˈaɡ vwˈaɕɲʲɛ pˌɔvʲɛdʑˈawa.|2
+Dataset/wavs/urwisko_ferenc/19_segment_43.wav|ɲʲɛ, tɔ znˈatʃɨ ɲʲɛ pʃˌɨpɔmˈinam sˈɔbjɛ ɲˈits takʲˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_122.wav|jˈin xˈu vɨtʃˈɨmaw ˌɔdrɔbʲˈinɛ dwˈuʒɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_2.wav|ˌɔdvʲɛdʑˈiwam sklˈɛb z ɔdʑˈɛʒɔ̃ ˌuʒɨvˈanɔ̃ w bˈaɲtsɛ kɔnrˈada i spravˈiwam sˈɔbjɛ strˈuj jˈak ɕɛ pˈatʃɨ. jaskrˈavɔtʃɛrvˈɔnɔ̃ miɲʲˈufkɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_140.wav|kˈurva mˈatɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_382.wav|vʲˈɛnts ja fʃˈɨstkɔ vʲˈɛdʑɔnts...|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_90.wav|tˈak pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_228.wav|tsɛrsˈɛi ɕɲˈiwɔ ɕɛ, ʒˈɛ znˈɔvu znalˈazwa ɕɛ f tɕɛmɲˈitsɨ, ˌalɛ tɨm rˈazɛm tɔː ˌɔna bˌɨwa pʃɨkˈuta wˌaɲtsuxˈami dɔ mˈuru, ɲʲɛ mˈinstrɛl. bˌɨwa nˈaɡa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_71.wav|prˈavɔ ɲʲɛ mˈɨli ɕɛ ɲˈiɡdɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_119.wav|ˈanna zˌastanavʲˈawa ɕɛ pʃˈɛs xfˈilɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_260.wav|bˈɔ ftˈɛdɨ bˌɛɲdʑɛ jˈuʃ nˈaz dvˈux i ɲʲɛ bˌɛndɛ tɕi ˈumjaw tˌɛɡɔ pɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_214.wav|ɲʲɛ pʃˈɛjmuj ɕɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_47.wav|a tʃɨ mˈa pˈan w ɔɡˈulɛ jˈakʲɛɕ lˈutskʲɛ utʃˈutɕa?|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_503.wav|a s tʃˈɛɡɔ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_21.wav|ɡnɛmbjˈɔnɨ tsɔdʑˈɛnɲʲɛ jˈɛdnɔ̃, mˌɔnɔtˈɔnnɔ̃, natrˈɛntnɔ̃, ˌupɔkˌaʒajˈɔntsɔ̃,|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_166.wav|a w dɔdˈatku tɛn ɡˈɔɕtɕ naprˈavdɛ zˈarʒɲʲɛ kˈɔɡɔɕ f tɨɣ dɲʲˈax.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_51.wav|ˌuswɨʃˈawam ɲˈiski i lˈɛkkɔ xraplˈivɨ ɡwˈɔs.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_177.wav|tˈu bʲˈillɨ rˈɔbʲi pʃˈɛrvɛ, ʒˈɛbɨ pɔtɕfˈitʃɨtɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_425.wav|i ɲˈiɡdɨ ˈɔɲʲɛj vʲˈɛntsɛj ɲʲɛ swɨʃˈawɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_194.wav|pˌɔstavˈiwɛm ʃklˈaŋkɛ na pɔdwˈɔdʑɛ, ɕˈadwɛm ˌɔbɔk tɛj mwˈɔdɛj kɔbjˈɛtɨ na taptʃˈaɲʲɛ, patʃˈɨwɛm nˈaɲʲɔ̃, a ˌɔna ˌudavˈawa, ʒˈɛ tˌɛɡɔ ɲʲɛ vˈidʑi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_129.wav|tɔ vˌɨdaʒˈɨwɔ ɕɛ jˈɛdnaɡ dˈavnɔ tˈɛmu, a dʑˈiɕ muɕˈawam stˈavitɕ tʃˈɔwɔ jˈɛɡɔ rɔdʑˈiɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_434.wav|i jɛj ɲˈiɡdɨ ɲʲɛ pˈɔznam, xˈɔtɕ pʃɛtʃˈutɕɛ mi mˈuvi, ʒˈɛ jɛzd zvʲɔ̃zˈana zˈɛmnɔ̃ ɔd vʲˈɛkuf.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_4.wav|ˈɛlis pɔdnˈɔɕi dwˈɔɲ dɔː ˈust, ˌalɛ ɔpˈuʃtʃa jˈɔ̃, kʲˈɛdɨ pˈaltsɛm fskˌazujˈɔntsɨm pʃɨpˈatkʲɛm trˈɔntsa sfˈuj ˌɔpuxɲʲˈɛntɨ nˈɔs.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_81.wav|f tɨm vɨpˈatku tˈak ɲʲɛ jˈɛst.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_335.wav|f pɔʒˈɔntku, swˈuxam pˈana.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_26.wav|fpˈisɨ w mˈɛdjax spˌɔwɛtʃnɔɕtɕˈɔvɨx, ktˌurɛ znalˈazwa tsˈass, sˌuɡɛrˈujɔ̃, ʒˈɛ kʲˈɛdɨ ˈindja bˌɨwa dʑˈɛtskʲɛm, mʲɛʃkˈawa z rˌɔdʑitsˈami w dˈɔʑdʑ bjˈɛdnɛj dʑɛlɲˈitsɨ lɔndˈɨnu.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_40.wav|tsˈɛdra rˈuvɲʲɛʃ ɲʲɛ vrutɕˈiwa. ˈarjan prˌubɔvˈawa zdˈɔbɨtɕ mˈɔrɛ i mɛlˈɛi f tɛn sˈam spˈɔsup, ˌalɛ ɲˈits tɔ ɲʲɛ dˈawɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_95.wav|dlatʃˈɛɡɔ f pʃɨpˈatku kˈatɛ zˈafʃɛ xˈɔdʑi ɔ pʲɛɲʲˈɔndʑɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_236.wav|zˈamknɔw za sˈɔbɔ̃ vwˈɔs.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_264.wav|ɡdʑˈɛ jˈɛdnak pɔdʑˈawɔ ɕɛ tɕˈawɔ?|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_247.wav|tsˈɔ bˌɨwɔ dˈɔbrɨm znˈakʲɛm, bˈɔ ɲʲɛ mʲˈawam ɔxˈɔtɨ umjˈɛratɕ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_350.wav|rɨtsˈɛʒɛ mʲˌɛli pˈasɨ f ɕˈɛdmju kɔlˈɔraɣ vʲˈarɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_13.wav|sˈɛrtsɛ ɡˌalɔpˈujɛ mi ɲʲˌɛustˈanɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_43.wav|nˈɔː ˌalɛ ˈanɛd bˈɨwa, jˈak tɔ mˈuvjɔ̃, ɔʃtʃˈɛndnɔ̃ duʃˈɨtʃkɔ̃, a bˈɛtx tɔ jɛj jɛdˈɨnɛ dʑˈɛtskɔ.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_43.wav|mˈɔjɛ mʲˈɛjstsɛ jɛst ˈu bˈɔku krˈula, pˈaɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_28.wav|zbʲijˈɔntsɨm sˈɛrtsɛm fxɔdʑˈiwɛm tsˈɔraz vˈɨʒɛj, ˈaʒ znalˈazwɛm ɕɛ na ɔstˈatɲim pɔdˈɛɕtɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_72.wav|f tɕˈɔŋɡu kˈilku pʲˈɛrʃɨx lˈat|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_443.wav|ɲˈits ɲʲɛ rɔzˈumjɛʃ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_237.wav|dʒvˈi ɡɔspˈɔdɨ ˌɔtfɔʒˈɨwɨ ɕɛ zˈɛ stˈukʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_94.wav|ɲʲɛ jɛst tɔ dwˈuɡa çistˈɔrja, nˈavɛt pɔː ˌuzupɛwɲʲˈɛɲʲu jɛj ɔ prˌɛtsɨzˈɨjnɛ vˌɨjaɕɲʲˈɛɲʲa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_150.wav|zˈatʃnɔ̃ pˈɨtatɕ, skˈɔnd ɡˈɔ znˈawam i kˈim dla ɲʲˈɛɡɔ bˈɨwam. tʃɨ stˈanɛ ɕɛ pˌɔdɛjʒˈana?|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_174.wav|ɲʲɛ bɨwˈɔbɨ mɲʲɛ stˈatɕ na ɲˈidʑ w ʒˈadnɨm s tɨx sklˈɛpuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_172.wav|bˈɔ stˈawaɕ ɕɛ tsˈɛlɛm brˌazɨlijtʃˈɨkuf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_124.wav|ˌalɛ vɨdˈajɛ mi ɕɛ, ʒˈɛ ɲʲɛ zrˌɔzumjˈawaɕ, dlatʃˈɛɡɔ bˈɨw tˌaki rˌɔzɡɲʲɛvˈanɨ, nˌatɕiskˈawam.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_253.wav|ɕɛdʑˈɔntsɨ ɲʲˈɛtsɔ dˈalɛj xˈuɡɔ vˈantsɛ zˈamknɔw ˈɔtʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_234.wav|zˈɛmbɨ krˈabba bˌɨwɨ spˌiwɔvˈanɛ. brˈɨɛn ɕɛŋɡnˈɛwa pɔ mʲˈɛtʃ, ˌalɛ pʃˌɛkɔnˈawa ɕɛ, ʒˈɛ pˈɔxfa jɛst pˈusta.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_236.wav|dʒˈɔn ˈarɨn znˈalas sˈɔbjɛ pˈɔttʃaz vˈɔjnɨ nˈɔvɔ̃ ʒˈɔnɛ.|1
+Dataset/wavs/urwisko_ferenc/65_segment_27.wav|f tˈakim rˈaʑɛ tsˈɔ pˈan zamjˈɛʒa?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_18.wav|kʲˈɛdɨ fxˈɔdʑɛ dɔ pɔkˈɔju xˈɔllɨ i vˈidʑɛ, ʒˈɛ tsˈurka lˈɛʒɨ na wˈuʃku tʃɨmˈajɔndʑ vˈɨʒɛj zraɲʲˈɔnɔ̃ ftʃˈɛɕɲʲɛj nˈɔɡɛ,|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_56.wav|vʲˈɛ, ʒˈɛ ɲʲɛ mˈɔʒɛ spˈuɕtɕidʑ ɡwˈɔvɨ, bˈɔ dˈana ˈalbɔ rˈɛɡɡʲɛ, zvwˈaʃtʃa dˈana, mˈɔɡlibˌɨ tɔ zˌauvˈaʒɨtɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_348.wav|ˌuɕmʲɛxnˈɛwa ɕɛ jˈakɔɕ smˈutɲʲɛ i rˈaptɛm vɨdˈawa mi ɕɛ zupˈɛwɲʲɛ ˈinna.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_174.wav|swɨʃˈawɛm ɔ pɔʒˈaʒɛ.|4
+Dataset/wavs/urwisko_ferenc/42_segment_100.wav|ɲˈits tɕi ɲʲɛ jˈɛst?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_109.wav|zaɕmʲˈawa ɕɛ krˈutkɔ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_321.wav|ɡdʑˈɛ sɔ̃ mˈɔi rɨtsˈɛʒɛ?|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_92.wav|mˈɔʒna ɲˈim pʃɛsˈɨwadʑ dˈanɛ zˌuʒɨvˈajɔnts mɲʲˈɛj ɛnˈɛrɡji?|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_145.wav|vlˈɛpiw vzrˈɔk f tʃˈupki sfˈɔiɣ bˈutuf. i w ɔɡˈulɛ ɲʲɛ vɨxˈɔdʑi mi s kˌɔbjɛtˈami.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_238.wav|ɲˈiɡdɨ mi ɲʲɛ vˌɨbatʃˈɨwa, ʒˈɛ zɔstˈawam ˌulubjɛɲˈitsɔ̃ arˈama.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_60.wav|ˌuɕmʲɛxnˈɛwa ɕɛ waɡˈɔdɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_48.wav|mˈa pˌɔtʃɛrvʲɛɲʲˈawɔ̃ tfˈaʃ i tˈak rˌɔsʃɛʒˈɔnɛ ʑrɛɲˈitsɛ, jˈaɡbɨ bˈɨw f ʃˈɔku.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_307.wav|ɕˈadwɛm, ˌɔbɛjmˈujɔndʑ ɡwˈɔvɛ tɕˈɛ̃ʃkɔ̃ jˈaɡ brˈɨwa tsɛmˈɛntu.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_68.wav|tɔ kʲˈɛdɨ bˌɛɲdʑɛ kazˈaɲʲɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_16.wav|a palˈɛɲʲɛ w ˌɔɡɲʲɔɔtpˈɔrnɨm vnˈɛntʃu tɔ bˈardʑɔː ˌɔtpɔvʲɛdʑˈalnɛ zˌaxɔvˈaɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_64.wav|mˈuj sˈɨn xtɕˈaw mɲʲɛ. bˌɨwam ˈɔtɨm pʃˌɛkɔnˈana i vˌɨtɕɔŋɡnˈɛwam ramjˈɔna, bwaɡˈajɔnts, ʒˈɛbɨ mi ɡˈɔː ɔddˈali.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_8.wav|ˈɔfʃɛm, mˈam tɕˈawɔ ɲitʃˈɛɡɔ sˈɔbjɛ, ˌalɛ vɔlˈawabˌɨm, ʒˈɛbɨ dˌɔprɔvadʑˈɛɲʲɛ ɕɛ dɔ takʲˈɛɡɔ stˈanu vˌɨmaɡˈawɔ trˈɔxɛ vʲˈɛntsɛj zaxˈɔdu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_35.wav|mˈɨɕliʃ, ʒˈɛ jˈɛʃtʃɛ ʒˈɨjɔ̃? na pˈɛvnɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_169.wav|vˈidʑɛ tɔ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_156.wav|w jˈɛɡɔ ɡwˈɔɕɛ pɔbʒmʲˈɛvaw ʑˈimnɨ ˈaktsɛnt puwnˈɔtsɨ. vɨsˈunɔw mʲˈɛtʃ s pˈɔxfɨ i pɔwˈɔʒɨw ɡˈɔ pʃɛt kamjˈɛnnɨm sˈɛrtsɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_7.wav|jˌɛstɛm dˈuʒɔ ɕilɲʲˈɛjʃa ɲˈiʃ pʃɛt lˈatɨ, a pˌɔradʑˈɛɲʲɛ sˈɔbjɛ s tˈɨm, tsˈɔ mɲʲɛ tʃˈɛka, bˌɛɲdʑɛ vˌɨmaɡˈawɔ fʃˈɨstkix ɕˈiw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_24.wav|jˈak ˌɔna ɕɛ nazˈɨva?|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_283.wav|nˈɔ dˈɔbʒɛ, jˈɛdʑmɨ, mˈuvi.|2
+Dataset/wavs/urwisko_ferenc/11_segment_2.wav|dwˈuɡɔ vʲɛrtɕˈiwa ɕɛ pɔt pʃˌɛɕtɕɛrˈadwɛm, ktˌurɨm nakrˈɨwa ɡˈɔwɛ tɕˈawɔ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_46.wav|pˈɔvʲɛts mi, ktˈɔ rˌɔspɔfʃˈɛxɲʲa tˈakʲɛ kalˈumɲʲɛ ɔ mˈɔjɛj dˈɔbrɛj tsˈurtsɛ?|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_349.wav|pʃˈɛs xfˈilɛ vˌɨɔbraʒˈawa sˈɔbjɛ, ʒˈɛ jɛj pˈaltsɛ sɔ̃ dʑitʃˈɨmi kwˈami i rˌɔzdʑɛrˈajɔ̃ marˈɨjkɛ ɔt krˈɔtʃa ˈaʃ pɔ ɡˈardwɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_11.wav|a tɔː ɔstˈatɲʲɛ, tʃˈɛɡɔ bʲˈili bˈɨ xtɕˈaw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_18.wav|xfˈilɛ pˈuʑɲʲɛj dʒvˈi prˌɔvadʑˈɔntsɛ dɔ kˈuxɲi ɕɛ ˌɔtfʲɛrˈajɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_27.wav|ˌalɛ dlatʃˈɛɡɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_28.wav|zˈaɲim jˈɛdnak ruʃˈajɔ̃ w drˈɔɡɛ, vwˈɔntʃa sfˈuj tɛlˈɛfɔn i sprˈavdʑa na ɡɔˈɔɡlɛ rɔdʒˈɛra klɛrkˈɛa.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_120.wav|nˈɔ, prˈavʲɛ fʃˈɨstkix.|1
+Dataset/wavs/urwisko_ferenc/09_segment_76.wav|— pˈɨtaʃ ˌɔfitsjˈalɲʲɛ? xˈɛrman skʃˌɨʒɔvˈawa ramjˈɔna na pʲˈɛrɕax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_170.wav|bʲˈillɨ vˈɔlnɔ̃ dwˈɔɲʲɔ̃ vɨjmˈujɛ ruɡɡˈɛra s kʲɛʃˈɛɲi kˈurtki i lˈɛkkɔ pʃɨtɕˈiska lˈufɛ dɔ pˌɔmarʃtʃɔnˈɛɡɔ tʃˈɔwa kɔbjˈɛtɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_351.wav|i vʲˈɛdʑɔ̃, ʒˈɛ tɔ ja zɲiʃtʃˈɨwam kɔmbˈajnɨ.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_208.wav|zˈaɲim fɕˈadwa mwˈɔda mˈatka, tʃˌɨmajˈɔntsa w ramjˈɔnaɣ dʑˈɛtskɔ ɲʲɛvʲˈɛlɛ stˈarʃɛ ɔd dʑˈɛtska ɡˈɔʑdʑik.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_90.wav|mˈama f kˈɔɲtsu unˈɔɕi vzrˈɔk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_90.wav|nˌastɛmpnˈɛɡɔ ʒˈuwtɨ z ʑˌɛlɔnˈɨmi vˌɨkɔɲtʃɛɲʲˈami.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_141.wav|a jˈɛɡɔ kɔltʃˈuɡa zmʲaʒdʒˈɨwa i pˌɔʃarpˈawa jɛj dˌɛlikˈatnɛ tɕˈawɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_81.wav|na sˈamɨm kˈɔɲtsu dɔdˈawa, ʒˈɛ tˈɛ̃skɲi tˈɛʒ za nˈami, f tsˈɔː ˌɔtʃɨvˈiɕtɕɛ jɛj vʲˈɛʒɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_77.wav|dɔbjˈɛɡwam dɔ tunˈɛlu i spɔjʒˈawam na ɡʲˈizmɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_31.wav|dɔmˈɔfɔn na swˈupku mˈiltʃaw.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_213.wav|tsˈawɨ tʃˈas ˌɔpsɛrvɔvˈawam vɨɕfʲˈɛtlatʃ na pwˈɨttsɛ fˌawʃɨvˈɛɡɔː ukwˈadu pˌɔmjarɔvˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_41.wav|zadrʒˈawam i jɛŋknˈɛwam tɕˈixɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_83.wav|skrˈɛɲtɕiw w bˈɔtʃnɔ̃ ulˈitʃkɛ i zɔbˈatʃɨw vˈɔzɨ pˌatrɔlˈɔvɛ i ɲʲˌɛɔznˌakɔvˈanɛ sˌamɔxˈɔdɨ blˌɔkujˈɔntsɛ pʃˈɛjast.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_65.wav|tsɛrsˈɛi ɡˈɔ spˌɔlitʃkɔvˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_110.wav|bˌɛɲdʑɛ dˈɔbʒɛ, zaˈufaj mi.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_211.wav|jˈɛɕli xtsˈɛʃ utʃˈɨmatɕ tɛn zˈamɛk, pˌɔtʃɛbˈujɛʃ sˈɨna, f kturˌɛɡɔ ʒˈɨwax pwɨnˈɛwabˌɨ krˈɛv dˈarɨx.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_212.wav|pʃˈɛɕpij ɕɛ, pˈan trˈɔxɛ pɔvʲˈɛdʑaw, ɲikˈɔɡɔ ɲʲɛ zwˈapjɔ̃ i ɲˈits ɕɛ ɲʲɛ stˈaɲʲɛ. rˈanɔ pɔjˈɛdʑɛ pˈan dɔ dˈɔmu, ɔɡˈɔli ɕɛ pˈaɲi pɔ fʃˈɨstkim.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_33.wav|ɲˈits ɲʲˌɛɔtʃˌɛkivanˈɛɡɔ, sˈɛr.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_375.wav|tsˈɔ mɲʲɛ tɔ fʃˈɨstkɔː ɔpxˈɔdʑi?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_45.wav|dɛtˈɛktɨf, vɨsˈɔki mɛ̃ʃtʃˈɨzna ɔ zˌatʃɛsˈanɨɣ dɔ tˈɨwu vwˈɔsax i tfˈaʒɨ, ktˌura vɨdˈajɛ ɕɛ ɲˈiɡdɨ ɲʲɛ uɕmʲˈɛxatɕ, zvrˈatsa ɕɛ dɔ mɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_41.wav|dˈuʒa ɲʲˌɛspɔdʑˈaŋka spˈɔtka tɕˈɛ.|2
+Dataset/wavs/urwisko_ferenc/08_segment_30.wav|zrɔbʲˈili tɔ pɔ zˌapɔznˈaɲʲu ɕɛ z ˌɔtpɔvʲɛdʑˈami na pɨtˈaɲʲa f kfˌɛstjɔnarjˈuʃu.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_165.wav|ˌalɛ jɛzd dla mɲʲɛ ɔ vʲˈɛlɛ za dˈuʒɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_86.wav|xˈɨba ɲʲɛ muɕˈawam mˈuvitɕ ɲˈidʑ vʲˈɛntsɛj.|3
+Dataset/wavs/urwisko_ferenc/31_segment_42.wav|bɔrˈɛvidʒ zatɕˈisnɔw zˈɛmbɨ i s tsˈawɨx ɕˈiw udˈɛʒɨw pʲˈɛɲɕtɕɔ̃ w ˌɛlɛvˈatsjɛ, ˈaʒ zˌabɔlˈawɨ ɡˈɔ kwˈɨktɕɛ i zapʲˈɛkwa skˈura.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_168.wav|pˈɔvʲɛts mi, ˈarjan.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_26.wav|ɲʲɛ pɔvʲˈɛdʑaw mi, dˈɔkɔnt ɕɛ vɨbjˈɛra.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_97.wav|bˈɛtskɨ ɔdɲʲˈɔswa vraʒˈɛɲʲɛ, ʒˈɛ ˈanna pʃˌɛvidʑˈawa pʲˈɛrʃɛ pɨtˈaɲʲa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_243.wav|— xˈɛj — pɔvʲˈɛdʑaw. — tsˈɔ tɕi jˈɛst? — xtsˈɛʒ vˈɔdɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_53.wav|ɲʲɛ zɡrˈɨvaj, frˈɛwda. pʃˌɨjaʑɲˈimɨ ɕɛ tɔ fʃˈɨstkɔ. ɲʲɛ pɔtrˈafjɛ vɨjˈaɕɲitɕ, jˈak tɔ ɕɛ stˈawɔ, ˌalɛ ɕɛ stˈawɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_15.wav|na parkˈiŋɡu nˌalɛʒˈɔntsɨm dɔ budˈɨŋku kɔstɲˈitsɨ tˈɔm vɨwˈɔntʃɨw ɕˈilɲik i ɔdvrˈutɕiw ɕɛ dɔ ɲʲˈɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_163.wav|ˈukrɨj ɕɛ ˈu jakʲˈɛɡɔɕ pʃˌɨjatɕˈɛla. tˌɨlkɔ na pˈarɛ dɲˈi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_16.wav|pʃˈɛstaɲ, ɔn ɲʲɛ zrˈɔbʲi mi kʃˈɨvdɨ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_57.wav|tsɛrsˈɛi pɔtʃˈuwa ɕɛ ɲʲɛdˈɔbʒɛ. mʲˈawa ɔxˈɔtɛ zˈamknɔɲtɕ ˈɔtʃɨ, ɔdvrˈutɕitɕ ɕɛ, pɔwˈɔʒɨtɕ tˌɛmu krˈɛs.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_44.wav|tsˈɔ za pɔʒˈɨtɛɡ z ʒˌɛʑimjˈɛʃka, ktˌurɨ ɲʲɛ pɔtrˈafi pɔrˈuʃatɕ paltsˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_47.wav|zˌauvaʒˈɨwam, ʒˈɛ tˈata ˌɔpsɛrvˈujɛ jˈɔ̃ z ɲʲˌɛpɔkˈɔjɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_53.wav|psˈu na bˈudɛ tˌaki klˈimat, mˈɨɕli bʲˈillɨ, xˈɔtɕaʃ f sˈumjɛ tsˈɔ pʲˈɛz vˈinnɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_86.wav|pɔ xfˈili vɨsˈunɔw ˌawtɔmatˈɨtʃnɛ vˌɨɕɛŋɡɲˈiki, ktˌurɛ pˌɔdwɔntʃˈɨwɨ kˈabɛl ˌɛlɛktrˈɨtʃnɨ i pʃɛvˈɔdɨ ukwˈadu xwˌɔdʑɔntsˈɛɡɔ.|4
+Dataset/wavs/urwisko_ferenc/46_segment_89.wav|ɕlˈɛttʃɨ ɲʲɛ zapʃˈɛtʃɨw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_98.wav|a zˈatɛm ɲˈitsk jˈɛʃtʃɛ jɛst w mʲˈɛɕtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_76.wav|mɔʒˈɛmɨ jˈɛdnak mʲˈɛtɕ nadʑˈɛjɛ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_39.wav|ˌɔbjɛtɲˈitsa zwɔʒˈɔna pɔ pˌijanˈɛmu z mʲˈɛtʃɛm pʃˌɨstavʲˈɔnɨm dɔ ɡˈardwa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_58.wav|tʃˈɨʃ ɲʲɛ vɨɡlˈɔndaʃ nˈatɨm?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_94.wav|ˈanna ɔpˈadwa pɔvˈɔli na kʃˈɛswɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_80.wav|f kˈɔɲtsu, kʲˈɛdɨ jˈuʃ ɔdɲʲˈɔswam vraʒˈɛɲʲɛ, ʒˈɛ fʃˈɨstkɔ zmʲˈɛʒa kˈu kɔɲtsˈɔvi, fˈɛj zˌapɨtˈawa, tʃɨ mˈɔʒɛ skɔʒˈɨstadʑ z waʑˈɛŋki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_46.wav|ɔbɲˈiʒa lˈufɛ. strˈɔntsa dvˈa ˌɔtɕɛ̃ʒˈawɛ, blaʃˈanɛ wˈɔɕɛ w dˈɔlnɨm ʒˈɛɲdʑɛ i dɔstˈajɛ plˌuʃɔvˈɛɡɔ ʒˈuwvja.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_45.wav|jasmˈinɛ, jˈak ɕɛ tʃˈujɛʃ, mˈɔja drˈɔɡa?|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_167.wav|bʲˈili bjˌɛʒawˈɨki fskazˈujɛ rˈuxɛm ɡwˈɔvɨ dˈɔm, f ktˌurɨm ʃˈumi prˈɨʃɲits, znˈɔvu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_21.wav|ʃˈɔna ˌɔpsɛrvɔvˈawa mɲʲɛ z dʑˈivnɨm vɨrˈazɛm tfˈaʒɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_28.wav|bˈɛtskɨ zˌaçixɔtˈawa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_160.wav|lˈidɛr uʒˈɨva mˈɛtɔt psˌɨxɔlɔɡʲˈitʃnɨɣ dɔː ˌindɔktrˌɨnɔvˈaɲʲa lˈudʑi i fpajˈaɲʲa im sfˈɔiɣ vartˈɔɕtɕi.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_294.wav|xtsˈɛ ɕɛ zɔbˈatʃɨtɕ s sˈɨnɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_54.wav|kʲˈɛdɨ pɔdˈɛʃli dɔ sfˈɔix sˌamɔxˈɔduf, tˈɔm ɔdvrˈutɕiw ɕɛ dɔ bˈɛtskɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_102.wav|ˈumilkw na xfˈilɛ, zapˈaliw nɔvˈɛɡɔ pˌapʲɛrˈɔsa i pˈatʃɨw na samˈɔlɔt pˌɔtxɔdʑˈɔntsɨ dɔ lˌɔndɔvˈaɲʲa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_539.wav|zɲʲˌɛnavˈidʑiʃ mɲʲɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_89.wav|dˈavɛ, mˈuvi bʲˈillɨ, jˌɛstɛm dˈavɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_34.wav|prˈavɔ jˈazdɨ vɨdˈanɔː ˈindji kˈalu dʑˈɛvʲɛɲtɕ lˈat tˌɛmu i zblˈiʒaw ɕɛ kˈɔɲʲɛts jˈɛɡɔ vaʒnˈɔɕtɕi. na dˌɔkumˈɛɲtɕɛ rˈuvɲʲɛʒ vˈidɲʲaw ˈadrɛs w lˌinkɔlnʃˈajɛr.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_42.wav|sfˈiŋks jɛzd zaɡˈatkɔ̃, ɲʲɛ zˌadajˈɔntsɨm zaɡˈatki.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_48.wav|mˈuʃɛ tɕi pɔvʲˈɛdʑɛtɕ, ʒˈɛ jˈadɛ tˈɛras swuʒbˈɔvɔ dɔ lˌinkɔlnʃˈajɛr, ˌalɛ mˈam nadʑˈɛjɛ vrˈutɕitɕ jˈɛʃtʃɛ dʑˈiɕaj, kɔxˈana.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_246.wav|jˈɛɕli tˈɨɕɔnts ɔkrˈɛntuv vɨrˈuʃɨ f tˈɛ pˈɔdruʃ, bˈɨtɕ mˈɔʒɛ tʃˈɨsta dˈɔtʃɛ na drˈuɡɔ̃ strˈɔnɛ vɔ̃skʲˈɛɡɔ mˈɔʒa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_19.wav|pʲˈɛrʃɛ dvˈa dɲˈi bjˈɛɡa tˈɛʃ w mʲˈɛjstsu, ˌudɛʒˈajɔnts kˌɔlanˈami w dwˈɔɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_424.wav|marɡˈarɨ spɔjʒˈawa nˈaɲʲɔ̃ zdumjˈɔna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_157.wav|nˈɔː i xˈɨba vʲˈɛm, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_219.wav|i mɨɕlˈawɛm, ʒˈɛ ˌɔna pˈɛvɲʲɛ ɲʲˈɛvʲɛ,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_149.wav|i ˈɔtɨm, ʒˈɛ pʃˈɨznaw ɕɛ dɔ jɛj zˌamɔrdɔvˈaɲʲa, zˈaɲim tɕˈɛ zˌaatakˈɔvaw. ɲʲɛ!|3
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_42.wav|tˈak mi pʃˈɨkrɔ, ʒˈɛ muɕˈawɛm tɕˈɛ tˈam zɔstˈavitɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_274.wav|vˈɔlawbˌɨm ˈutʃɨtɕ mˈawpɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_61.wav|tˈak pˈɔʃwa uʃtʃˈɛlka pɔd ɡwɔvˈitsɔ̃, dlatˈɛɡɔ xˈaŋk f tɨm tɨɡˈɔdɲʲu jˈɛʑdʑi dɔ prˈatsɨ mˈɔim sˌamɔxˈɔdɛm. sklˈɛp, f ktˌurɨm pratsˈujɛ jɛst w aˈirpɔrt mˈall.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_85.wav|mʲˈɛjstsɛ zdaʒˈɛɲʲa nˌajvɨrˈaʑɲʲɛj znˌajdɔvˈawɔ ɕɛ w vˈɔ̃skʲɛj alˈɛjtsɛ ˌɔtxɔdʑˈɔntsɛj ɔd ɡwˈuvnɛj drˈɔɡʲi, w ˌɔdlɛɡwˈɔɕtɕi kˈilku ˌatraktsˈɨjnɨɣ dˈɔmuf.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_28.wav|ˌalɛ jˈɛʃtʃɛ ɲʲɛ tˈɛras.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_317.wav|z ˈust pˌɔpwɨnˈɛwa mu vˈɔda.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_3.wav|ɔttʃˈuvam pravdʑˈivɔ̃ ˈulɡɛ, kʲˈɛdɨ mɛ̃ʃtʃˈɨzna f swuxˈaftsɛ zapˈɛvɲʲa mɲʲɛ, ʒˈɛ taksˈufka zjˈavi ɕɛ vɛ fskazˈanɨm mʲˈɛjstsu na tʃˈas.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_101.wav|ˌalɛ bˈardʑɔ bˈɨwbɨm zdʑivʲˈɔnɨ, ɡdˈɨbɨ ɲʲɛ zˌauvaʒˈɨwa pˈaɲi ʒˈadnɨx ˈɔznak ˌaɡrɛsˈɨvnɨx skwɔnnˈɔɕtɕi pˈana russˈɛlla.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_155.wav|ˌawtɔmatˈɨtʃnɛ kɔmbˈajnɨ vˌɨdɔbɨvˈajɔ̃ jˈɛ dʑˈɛɲ i nˈɔts.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_2.wav|pʃˌɛʃukˈawam tsˈawɨ dˈɔm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_15.wav|zˈafʃɛ nɔɕˈiwam vˌɔrkɔvˈatɛ, lˈuʑnɛ tɕˈuxɨ, ɡwˈuvɲʲɛ pɔː ˈinnɨx kɔbjˈɛtax, vʲˈɛnts ɲʲɛ mʲˈawam vˌɔntplivˈɔɕtɕi, ʒˈɛ pʃˈɛs pˈɛvʲɛn tʃˈas ɲˈikt ɕɛ ɲʲɛ zˌɔrjɛntˈujɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_13.wav|mˈam nadʑˈɛjɛ, ʒˈɛ kwamˈawa. pʃˈɛstaɲ zadˈavatɕ mi pɨtˈaɲʲa, stˈɛvɛ. pɔ prˈɔstu ɡˈɔ znˈajtɕ na mˈiwɔʑdʑ bˈɔskɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_14.wav|tˈakɔː i ja zmʲɛɲʲˈaliɕmˌɨ ɕɛ pˈɔttʃas tɨɡˈɔdɲʲa stʃɛlˈaɲʲa. nˈajpʲɛrf ja stʃɛlˈawɛm, a ɔn bˈɨw ˌɔpsɛrvatˈɔrɛm, pˈɔtɛm na ˈɔdvrut.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_61.wav|w ɕrˈɔtku jɛst i fˈɔnɛ daltˈɔna smˈitxa i pɔ vɲʲɛɕˈɛɲʲu fʃˈɨstkiɣ ɡrˈatuv bʲˈillɨ dʑvˈɔɲi z ɲʲˈɛɡɔ jˈakɔ dˈaltɔn f kˈilka mʲˈɛjsts.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_11.wav|na vʲˈɔsnɛ pʃɨvʲˈɔzɛ tɕi jˈɛdnɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_224.wav|— ɲʲɛ ɔdˈɛjdɛ s tˌɛɡɔ mʲˈasta ˌaɲi ɔ dʑˈɛɲ ftʃˈɛɕɲʲɛj — pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_140.wav|ja xtsˈɛ ˈiʑdʑ dɔ ʃkˈɔwɨ. xtsˈɛ ɕɛ zˌapʃɨjˈaʑɲidʑ z innˈɨmi dʑˈɛtɕmi. prˈɔʃɛ, mˈamɔ, mˈɔɡɛ ˈiɕtɕ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_27.wav|pʃɨvˈɨkwa dɔ xˌawaɕlivˈɛɡɔ dˈɔmu i, xˈɔtɕ naʒˈɛkam tʃasˈami na nˈuʃɛ i samjˈɛɡɔ, dʑˈɛŋki ɲˈim swˈɨxatɕ ˈu nˈas rɔzmˈɔvɨ i ˌɔkazjɔnˈalnɛ utˈartʃki.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_117.wav|tɔ ɲʲɛ jɛst ˈɔn!|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_107.wav|spɔjʒˈawɛm ˈɛlis f tfˈaʃ. mʲˈawa ʃɛrˈɔkɔː ɔtfˈartɛ ˈɔtʃɨ i zˌatɕiɕɲʲˈɛntɛ ˈusta.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_254.wav|sˈam pʃˈɛtɕɔw mu drˈɔɡɛ. ˌɔbjɛtsˈawɛɕ, darˈɨɔn. pˌɔvʲɛdʑˈawɛɕ swˈɔva. jˌɛstɛɕ mˈɔim brˈatɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_17.wav|tˌɨlkɔ dɔ ʒadnˈɛɡɔ z dˈuʒɨx xɔtˈɛli i ɲʲɛ na strˈib zastʃˈɛɡa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_19.wav|jˈaɡ zakwˈadaw tˈɔm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_108.wav|f tɔ vwˈaɕɲʲɛ xtsˈɛ vʲˈɛʒɨtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_76.wav|dlatʃˈɛɡɔ mi ɲʲɛ pˌɔvʲɛdʑˈawaɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_83.wav|tɛlˈɛfɔn jɛst f tɕˈɔŋɡwɨm rˈuxu. s prˈavɛj rˈɛŋki dɔ lˈɛvɛj, z lˈɛvɛj dɔ prˈavɛj.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_143.wav|ɡdˈɨ ʃlˈi kˈu nˌastɛmpnˈɛmu nabʒˈɛʒu, pˈɔdridʑɡ zaʃˈuraw nˈaɡlɛ nɔɡˈami.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_284.wav|ˌɔdvrutɕˈiwa ɕɛ dɔ mɲʲɛ z uɕmʲˈɛxɛm i pˌɔtsawɔvˈawa mˈuj nˈaɡʲi bˈark.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_142.wav|a jˈɛɕli ɡˌɛnɛvʲˈɛvɛ ɲʲɛ bˌɨwa pʲˈɛrʃɔ̃ ɔfjˈarɔ̃?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_11.wav|pˈɔtʃɛd dɔ tˌɛɡɔ zdˌɛtsɨdɔvˈaɲʲɛ zbˈɨt pɔvˈaʒɲʲɛ. ɲʲˈɛxtsɛ zˌaaktsɛptˈɔvatɕ fˈaktu, ʒˈɛ tɔ jˈuʃ kˈɔɲʲɛts.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_195.wav|tˌɨlkɔ ɲʲɛ bˈɛkɔn, mˈuvi dʑɛftʃˈɨna z ɡrɨmˈasɛm, ˌalɛ na jˌajɛtʃɲˈitsɛ ɕɛ zɡˈadʑa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_113.wav|tˈɔm sprubˈɔvaw pʃɨvˈɔwadʑ dɔ ɡwˈɔvɨ mˈapɛ ˌɔkɔlˈitsɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_77.wav|ˌɔɲi pʃˌɛtstavʲˈajɔ̃ ɕɛ jˌɛmu. dʒˈɔn dʒˈim xˈarɨ fˈillis.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_10.wav|vʲˈɛtʃur ustˈɔmpiw jˈuʃ mʲˈɛjstsa nˈɔtsɨ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_432.wav|ˌalɛ tʃɨ dla starˈɛɡɔ jastʃˈɛmbja bˌɛɲdʑɛ tɔ mʲˈawɔ jˌakʲɛkˈɔlvʲɛɡ znatʃˈɛɲʲɛ?|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_172.wav|zbrukˈawa jˈɔ̃ pʃˌɛsɔntʃajˈɔntsa ɕɛ pʃˈɛs pwutɕˈɛnnɨ bˈandaʃ krˈɛf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_12.wav|vɨpˈiwam dˈuʒɔ mɲʲˈɛj ɲˈiʃ ˈinɲi, bˈɔ plˌanɔvˈawam vrˈutɕidʑ dɔ dˈɔmu ˈawtɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_201.wav|pˈan tˈu ɡdʑˈɛɕ mʲˈɛʃka?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_18.wav|nˈɔ tsˈuʃ, mˈɔʒɛ f kˈɔɲtsu znalˈazwɛɕ sfˈɔjɔ̃ brˈatɲʲɔ̃ dˈuʃɛ, tˈɔm.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_242.wav|miljˈardɛr uɕmʲˈɛxnɔw ɕɛ ˌirɔɲˈitʃɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_197.wav|ʒɨjˈɔntsɔ̃ na lˈitfʲɛ, vˌɨtʃɛbjˈɔnɛj z lˈasuf, pɔ ktˌurɛj xulˈajɔ̃ vixˈurɨ nˌadlatujˈɔntsɛ z ˌumjɛrˌajɔntsˈɛɡɔ bawtˈɨku.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_217.wav|tˈɨrjɔn mʲˈaw ɡrˌɔtɛskˈɔvɔ vʲˈɛlkɔ̃ ɡwˈɔvɛ jˈak na takʲˈɛɡɔ kaʒˈɛwka.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_33.wav|kʲˈɛdɨ dɔtˈarli dɔ ʃˌɛrɔkʲˈɛɡɔ, prɔstˈɛɡɔ vɔdnˈɛɡɔ trˈaktu, zvanˈɛɡɔ dwˈuɡʲim kanˈawɛm,|1
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_44.wav|za dvˈa mʲɛɕˈɔntsɛ zdɔbˈɛndɛ pˈɛwnɛ ˌupravɲʲˈɛɲʲa i dɔstˈanɛ pɔdvˈɨʃkɛ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_203.wav|mˈam dvʲˈɛ rˈɛntsɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_104.wav|zatʃˈɛwam ɡramˈɔlitɕ ɕɛ na nˈɔɡʲi, kʲˈɛdɨ stsˈɔdd vɨtɕˈɔŋɡnɔw rˈɛŋkɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_43.wav|tɔ ɲʲɛ tfˈɔja vˈina.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_256.wav|muɕˈawaɕ tsˈɔɕ napˈɔmknɔɲtɕ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_370.wav|ˈɔtpar sˈɛptɔn rɛˈɨnard z ʒˈalɛm w ɡwˈɔɕɛ. prˈɔɕiwbˌɨm, pɔvʲˈɛdʑaw vˈaʃɛj miwˈɔɕtɕi, ʒˈɛ ɕˈɛdmju vɨswˈawɔ ɡˈɔ na bˈuj z ɲʲˌɛɡɔdʑivˈɔɕtɕɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_133.wav|dʒˈɛjmz zˌauvˈaʒɨw, ʒˈɛ frˈɛj pˈɔblad.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_213.wav|ˌalɛ f tɨm pʃɨpˈatku ɕɛ sxaɲbʲˈiwɛm, bˈɔ ɲʲɛktˌurɛ z ɲˈiɣ vʑˈɔwɛm ɕˈiwɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_137.wav|na nˈɔɕɛ mˈa tɕˈɛmnɛ ˌɔkulˈarɨ, xˈɔdʑ zapˈada jˈuʒ zmrˈɔk.|2
+Dataset/wavs/urwisko_ferenc/24_segment_4.wav|stˈarʃa kɔbjˈɛta ˌɔtfɔʒˈɨwa pɔ dwˈuʃʃɛj xfˈili, a fpuɕtɕˈiwa dɔ ɕrˈɔtka dɔpʲˈɛrɔ ɡdˈɨ ɔkˈazaw lˌɛɡʲitɨmˈatsjɛ i pˌɔlitsˈɨjnɔ̃ blˈaxɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_112.wav|ɲʲˈɛxtsɛ narˈaʒatɕ na ɲˈits mˈɔiɣ dʑˈɛtɕi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_470.wav|jˈuʃ ɲʲɛ mˈɔɡɛ vɨtʃˈɨmatɕ. ˈɔ, dˈɔbʒɛ mˈuviʃ. utɕˈɛʃɨw ɕɛ prɛzˈɨdɛnt. tˈak natxˈɔdʑi, a mˈɔʒɛ jˈuʃ pʃˈɨʃwa nˈɔva ɛpˈɔka.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_4.wav|skrɛɲtɕˈili w ˈinnɔ̃ strˈɔnɛ, ˌalɛ i tˈaɡ za ɲˈimi ruʃˈɨwam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_166.wav|bʲˈillɨ zdˈajɛ sˈɔbjɛ sprˈavɛ, ʒˈɛ prubˈujɔ̃ ɡˈɔ zmˈuɕidʑ dɔ ʃɨpkʲˈɛɡɔ pɔdjˈɛɲtɕa dɛtsˈɨzji. i pʃɛt ɔtʃˈami pʃɛmˈɨka mu ˈɔbras krˈɔvɨ pɛndʑˈɔnɛj kˌɔrɨtˈaʒɛm dɔ ʒˈɛʑɲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_17.wav|ɲʲˈɛxtsɛ mˈɨɕlɛtɕ ˈɔtɨm, tsˈɔ vˌɨdaʒˈɨwɔ ɕɛ na parkˈiŋɡu, ˌalɛ xˈɔtɕaʃ ɔdvˈaʒɲʲɛ ɕɛ tˈam zˌaxɔvˈawam, ɲʲˌɛbɛspʲɛtʃˈɛɲstfɔ ɲʲɛ minˈɛwɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_35.wav|tɔ fʃˈɨstkɔ ɲʲɛ tʃˈɨma ɕɛ ɡwˈupɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_20.wav|i nˈadal ɲʲɛ rɔzˈumjɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_54.wav|pamjˈɛntam tˈɨlkɔ, ʒˈɛ znalˈazwɛm ɕɛ nˈaɡlɛ na pˌɔrɔɕɲʲˈɛntɛj trˈavɔ̃ kravˈɛɲdʑi i skɔtʃˈɨwɛm. ɲʲɛ vʲɛdʑˈawɛm, ʒˈɛ spˈadnɛ prˈɔstɔ w ɡwɛmbˈɔki rˈuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_154.wav|xˈɨba pʃɛstˈawam mˈɨɕlɛtɕ lɔɡʲˈitʃɲʲɛ. ɡdˈɨbɨ tˈɛras rˈudɨ vˈɨpad na kɔrˈɨtaʃ, stratɕˈiwabˌɨm mnˈustfɔ bˌɛstsɛnnˈɛɡɔ tʃˈasu na utɕˈɛtʃkɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_151.wav|a vʲˈɛʃ, jˈaka bˌɨwa vˈartɔɕtɕ tˌɛɡɔ rˈɨʒu xˈɛlɛn?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_65.wav|vʲˈɛndʑ dlatʃˈɛɡɔ jɛj mˈɔ̃ʃ skwˈamaw?|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_347.wav|pˌɔvʲɛdʑˈawaɕ tsˈɔʑ bˈardʑɔ mɔndrˈɛɡɔ, swɔdʑˈutki.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_33.wav|ˈilɛ tʃˈasu upwˈɨɲʲɛ, zˈaɲim ˈalfjɛ zˈatʃɲʲɛ dɔmˈaɡatɕ ɕɛ ˌɔtpɔvʲˈɛdʑi?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_32.wav|çˈid vˈɨswaw zdjˈɛɲtɕa tɛj kɔbjˈɛtɨ s kasˈɨna, tˈɛj, ktˌurɔ̃ vˌidɨvˈanɔ s tsˌamɛrˈɔnɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_11.wav|jˈɔ zmarʃtʃˈɨwa tʃˈɔwɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_33.wav|ktˈɔɕ jˈɔ̃ tˈam xfˈɨtɕiw i ɕtɕˈisnɔw s tsˈawɛj ɕˈiwɨ.|2
+Dataset/wavs/urwisko_ferenc/11_segment_65.wav|bɔrˈɛvidʒ zɲʲˌɛruxˈɔmjaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_104.wav|tɔ tɨ nˌarazˈiwɛɕ sfˈɔjɔ̃ tsˈurkɛ na ɲʲˌɛbɛspʲɛtʃˈɛɲstfɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_96.wav|pˈɨtam, a ɔn zˈɛrka nˈamɲʲɛ zˌaskɔtʃˈɔnɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_76.wav|pɔmˈimɔ ftʃɛɕɲʲˈɛjʃɛj rɛˈaktsji mˈuj sˈɔ̃ɕat jɛdˈɨɲʲɛ sprˈavdʑa. pʃɨ kˈaʒdɨm ˈinnɨm ɡrˈatʃu mɔɡwˈɔbɨ mi tɔ vʲˈɛlɛ pɔvʲˈɛdʑɛtɕ, ˌalɛ f tɨm vɨpˈatku ɲʲɛ mˈuvi ɲˈits.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_253.wav|mɛ̃ʃtʃˈɨzna, ktˌurɨ bˈɨw kʲˈɛdɨɕ xwˈɔptsɛm i xwˈɔpʲɛts, ktˌurɨ dˈavnɔ jˈuʃ stˈaw ɕɛ mɛ̃ʃtʃˈɨznɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_3.wav|pʃɨnˈajmɲʲɛj ɲʲɛ mʲˈawam dalˈɛkɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_402.wav|rɔzlˈɛɡwɔ ɕɛ pukˈaɲʲɛ dɔ dʒvˈi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_3.wav|ɲʲɛ ˌɔtpɔvʲˈadam nˈuʃɨ. jˌɛstɛm pˈɛvna, ʒˈɛ mˈa rˈatsjɛ, ˌalɛ ɕrˈɛdɲʲɔ mɲʲɛ tɔ tˈɛras ɔpxˈɔdʑi.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_53.wav|pɔskˈarʒɨw ɕɛ pɛvnˈɛɡɔ rˈazu. ɲʲɛ mˈɔɡɛ pʃˈɛzɲʲɔ̃ spˈatɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_77.wav|ɲʲɛ vʲɛdʑˈawam jˈɛʃtʃɛ ftˈɛdɨ, ʒˈɛ jˈɛdnɔ̃ zˈɛ spˌɛtsjalnˈɔɕtɕi tsˌamɛrˈɔna bˌɨwɔ zˌapamjˌɛntɨvˈaɲʲɛ tfˈaʒɨ i ˈimjɔn. ɲʲɛ xtɕˈawam tˈam ɕˈadatɕ, pɔmˈimɔ zˌapraʃˌajɔntsˈɛɡɔː uɕmʲˈɛxu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_227.wav|a dlatʃˈɛɡɔ ɲʲɛ pˌɔwɔntʃˈɛɲʲɛ jɛdnˈɛɡɔ z drˈuɡʲim?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_183.wav|pˌɔwɔʒˈɨwɛm ɕɛ ˌɔbɔk ɲʲˈɛj. znˈɔvu bʲˈiw vʲɛʒˈɔvɨ zˈɛɡar.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_8.wav|xɔlˈɛrɲʲɛ trˈudnɔ bˌɨwɔ pˈɔzbɨtɕ ɕɛ ˈɛlis.|3
+Dataset/wavs/urwisko_ferenc/64_segment_21.wav|pɔlˈitsjant fkrˈɔtʃɨwbˌɨ dɔː ˈaktsji, ˌalɛ ftɕˈɔ̃ʃ tʃˈɛkaw na prˌɔkuratˈɔra lɛɡnˈɛra.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_47.wav|swˈuʒɨtɕ tɕi tˈak, jˈak tˌɛɡɔ zaprˈaɡɲʲɛʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_230.wav|fstˈaɲʲɛ i pˈujdʑɛ nˈaɡa dɔ waʑˈɛŋki.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_44.wav|— pˌɔvʲɛdʑˈawɛɕ pˈan dɔ frˈitskɔ? — zapˈɨtaw ˈandɛrsɔn. — tˈak.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_20.wav|mˈɔɡwabˌɨʑ zatɕˈɔŋɡnɔɲtɕ tɛn pˈasɛk s tˈɨwu? zˈafʃɛ mˈam s tɨm kwɔpˈɔtɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_127.wav|ɲʲˈɛxtsɛ dʑurˈavitɕ tˈɛɡɔ, ktˌurɨ mˈam, vʲˈɛndʑ zˌamuvˈiwɛm nˈɔvɨ. pʃɨlˈɛtɕi z ʑˈɛmi za kˈilka tɨɡˈɔdɲi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_22.wav|swɨʃˈawa jˈakiɕ frˈaɡmɛnt tɛj rɔzmˈɔvɨ?|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_151.wav|mˈɔʒɛ dla ɔdmʲˈanɨ pɔvˈinnaʑ vˌɨkɔʒˈɨstatɕ sfˈuj ɡˈɛɲʲuʒ dɔ tʃˈɛɡɔɕ pˌɔʒɨtɛtʃnˈɛɡɔ?|4
+Dataset/wavs/urwisko_ferenc/43_segment_87.wav|vˌɨjaɕɲˈiwa pˌɔlitsjˈantka, ɡdˈɨ ɡdʑˈɛɕ w ɔddˈali ɲʲˈɛbɔ zˌamrutʃˈawɔ basˈɔvɔ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_48.wav|pjˈa zajˈɛwa ɕɛ pʲɛtsˈɨkʲɛm, prubˈujɔnts rɔspˈalitɕ ˈɔɡʲɛɲ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_10.wav|dɔː ˈuxa ʃˈɛptaw mi jˈakiʑ ɡwˈɔs, ktˌurɨ pɔftˈaʒaw, ʒˈɛ tɔ jɛdˈɨnɛ, tsˈɔ mˈɔɡwam zrˈɔbʲitɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_21.wav|fspɔmɲʲˈawɛm jˈuʃ, ʒˈɛ zˈɛspuw prˌatsujˈɔntsɨ f tfˈɔim dˈɔmu bˌɛɲdʑɛ vˌɨpatrˈɨvaw fʃɨstkʲˈɛɡɔ, tsˈɔ mɔɡwˈɔbɨ pˈɔmuts w ˌɔdnalɛʑˈɛɲʲu ˈaʃa i mˈili.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_167.wav|zamjˈɛɲiw zwˈɔtɨ, vɛwɲʲˈanɨ pwˈaʃtʃ strˈaʒɨ mʲˈɛjskʲɛj na strˈuj w bˈarvax sfˈɛɡɔ rˈɔdu, kɔlˈɔru dˈɨmu.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_465.wav|jˈɛɡɔ ʑrɛɲˈitsɛ bˌɨwɨ mˈawɛ jˈak tʃˈarnɛ pˈuŋktɨ, a ˈɔtʃɨ vʲˈɛlkʲɛ i bjˈawɛ ɲˈitʃɨm ɡˌɔtɔvˈanɛ jˈajka.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_15.wav|fʃˈɨstkɔ tɔ jˈuʃ mi vˌɨjaɕɲʲˈɔnɔ.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_200.wav|kʲˈɛdɨ vˈɨʃwa s kɔmpʲˈɛli, vˌɨʃɔrɔvˈana i ruʒˈɔva, brɔ̃zˈɔvɛ vwˈɔsɨ pʃˌɨlɛpʲˈawɨ ɕɛ jɛj dɔ pɔlˈitʃkuf, a kˈɛd zɲiknˈɛwa bˈɛs ɕlˈadu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_78.wav|bʲˈillɨ nˈavɛt ɲʲɛ pɔmˈɨɕlaw, ʒˈɛ prˌubɔvˈawa ɕɛ dˈɔbradʑ dɔ jˈɛɡɔ kˌɔmputˈɛra.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_94.wav|tɔ ɕɛ bʲillʲˈɛmu pɔdˈɔba. ˈɔtɔ naˈɔtʃnɨ dˈɔvut, ʒˈɛ ɲˈidʑɡ ʒˌɛtʃɨvˈiɕtɕɛ tʃˈujɛ ɕɛ pˈɛvɲʲɛ, ʒˈɛ jˈɛɡɔ tʃˈujnɔɕtɕ ɔswˈabwa.|2
+Dataset/wavs/urwisko_ferenc/42_segment_42.wav|— tsˈɔ ɲˈits ɲʲɛ mˈuviʃ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_143.wav|na tsˈɔurt strˈid zˌapanˈujɛ paɲˈika i tɔ vʲˈɔ̃ʒɛ ɕɛ s tˈɨm, ɔ tʃɨm xtɕˈawɛm s tˈɔbɔ̃ pˌɔrɔzmˈavʲatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_72.wav|mˈɔʒɛ ʒˌɛtʃɨvˈiɕtɕɛ mʲˈawa ɔxˈɔtɛ na spˈatsɛr, ˌalɛ pʃˈɛdɛ fʃˈɨstkim vˈɨʃwa pˈɔtɔ, ʒˈɛbɨɕmˌɨ mɨ dvˈaj mˈɔɡli sfɔbˈɔdɲʲɛ pˌɔrɔzmˈavʲatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_139.wav|bʲˈillɨ, ɲʲˈɛx nˈɔ na tɕˈɛbjɛ spˈɔjʒɛ. kʲɛdˈɨɕmɨ ɕɛ ɔstˈatɲʲɔ spɔtkˈali tfˈaʒɔ̃ f tfˈaʃ.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_64.wav|swɨʃˈawam, ʒˈɛ bʒˈɨdʑɔ̃ ɕɛ tˈɛʒ vˈɔdɔ̃ i mˈɨdwɛm, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_17.wav|pˈaɲʲɛ ɕɛrʒˈaɲtɕɛ, tˈɛʃ xtɕˈawbɨm stʃˈɛlatɕ, kʃˈɨknɔw trˈɔmba.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_459.wav|jɛʒˈɛli kʲˌɛdɨkˈɔlvʲɛk mɲʲɛ kɔxˈawɛɕ, jˈak mˈɔɡwɛɕ mɲʲɛ zˌaɔfɛrˈɔvadʑ vˌaldɛrˈɔvi frɛjˈɔvi?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_136.wav|pɔswˈuxaj mɲʲɛ uvˈaʒɲʲɛ, dʲˈidʲi, i ɲʲɛ zadˈavaj pˈɨtaɲ, dɔpˈuki ɲʲɛ skˈɔɲtʃɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_122.wav|mˈuj sˈɨn ɲʲˈɛvʲɛ, ʒˈɛ ˌutɕɛkˈamɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_26.wav|pˈɨta, a tɔː ɔn jˈɛɡɔ ɡwˈɔsu vˌɨvɔwˈujɛ ˈu mɲʲɛ fɕtɕˈɛkwɔɕtɕ na sˈamɔ̃ ɕˈɛbjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_93.wav|kˈit, zɔstˈaɲʲɛʃ tˈutaj s pˈanɛm ɛdmˈuntsɛm?|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_183.wav|jˈɛɕli bɔɡˈɔvʲɛ bˌɛndɔ̃ waskˈavi...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_28.wav|a mˈɔʒɛ vɨstˈartʃɨ mu ˌujavɲʲˈɛɲʲɛ, kˈim jˈɛstɛm?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_5.wav|mˈam pˈujɕtɕ sprˈavdʑitɕ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_114.wav|tsamˈɛrɔn prˈɨxnɔw ʃɨdˈɛrtʃɔ.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_261.wav|i kwˈamstfa rˈuvɲʲɛʃ.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_210.wav|ɕfʲˈɛtɲʲɛ. dʒˈɔn ˈarɨn ɔʒˈɛɲiw ɕɛ tʃˈɨ rˈazɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_107.wav|jˌɛstɛm zbˈɨt mˈɔtsna, a ɕˈiwa jˈɛɡɔ vˈɔli jˈuʃ mɲʲɛ ɲʲɛ zwˈamjɛ tˈak jˈak kʲˈɛdɨɕ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_70.wav|jˈak tɔ mɔʒlˈivɛ? zdʑivˈiwa ɕɛ lˈadɨ taˈina. w mˈɨr fʃˈɨstkim nadˈajɛ ɕɛ imjˈɔna.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_114.wav|ɲʲɛ vɨɡlˈɔndaw na kˈɔɡɔɕ, ktˈɔ dˈawbɨ ɕɛ nˈabratɕ na jˈakɔ̃ɕ tˈaɲʲɔ̃ ʃtˈutʃkɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_177.wav|w jˈɛdnɛj dwˈɔɲi tʃˈɨma mikrˈɔfɔn, w drˈuɡʲɛj mˈawɛ lustˈɛrkɔ, f ktˌurɨm ɕɛ pʃɛɡlˈɔnda.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_39.wav|jˈɛɕli nˈuʃa pɔtrˈafi ɕɛ dˌɔstɔsˈɔvadʑ dɔ nˈaʃɛj jˈɛdnɛj, jɛdˈɨnɛj zasˈadɨ, tɔ tɨ xˈɨba rˈuvɲʲɛʃ.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_166.wav|mˈuviw, ʒˈɛ mʲˈaw ɔtpwˈɨnɔɲtɕ na ˌuʃanˈɔʒɛ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_213.wav|upˈili ɕɛ jˈɛɡɔ swɔvˈami i pʃˌɛstraʃˈɨli ɕɛ rˈɔɡu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_29.wav|spravʲˈawa vraʒˈɛɲʲɛ kɔbjˈɛtɨ, na ktˌurɛj ɲikˈɔmu ɲʲɛ zˌalɛʒˈawɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_171.wav|pɔ tɛj jˈɛɡɔː ˌuʃtʃɨplˈivɛj uvˈadʑɛ ɔ pisˈaʒax kˌɔʒɨstajˈɔntsɨɣ z vwˈasnɨɣ dɔɕfʲˈattʃɛɲ, bʲˈillɨ ɲʲˈɛma tsˈɔ dɔ tˌɛɡɔ vˌɔntplivˈɔɕtɕi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_62.wav|bʲˈillɨ vwˈɔntʃa vwasnˈɛɡɔ laptˈɔpa i fxˈɔdʑi na ˌamazˈɔna. na ˌamazˈɔɲʲɛ mˈɔʒna dˈɔstatɕ fʃˈɨstkɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_112.wav|pɔ kˈilku sɛkˈundaɣ vˌɨdɔbˈɨva z ɡwˈɛmbʲin pamjˈɛɲtɕi vwaɕtɕˈivɛ nazvˈiskɔː i uznˈajɛ, ʒˈɛ mˈɔʒɛ sˈɔbjɛ tˈɛ pɔmˈɨwkɛ vɨbˈatʃɨtɕ. xˈɔff pʃɨnˈajmɲʲɛj bˌɨwɔ blˈiskʲɛ prˈavdɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_67.wav|bˈɛtskɨ skinˈawa ɡwˈɔvɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_340.wav|ˈalbɔ vʲˈɔ̃zaw jˈɛ sˈɔbjɛ s tˈɨwu zwˈɔtɔ̃ fstˈɔ̃ʃkɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_47.wav|zˈatɔ zabʲˈiwaɕ kˈilka ʃtʃˈuruf. spˌɔdɔbˈawɔ tɕˈi ɕɛ tɔ?|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_458.wav|kˈaʒdɨ z ɲˈiɣ bˈɨw kɔlˈɛjnɨm spluɲʲˈɛɲtɕɛm f tfˈaʃ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_42.wav|lˈubjɛ pɔjˈɛxatɕ tʃˈasɛm na pustˈɨɲʲɛ i pɔstʃˈɛlatɕ, a tˈɨ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_5.wav|dɔmˈiɲiɡ vɨdˈajɛ ɕɛ ʃtʃɛɲɕlˈivɨ, ʒˈɛ mˈɔja tsˈurka zjavˈiwa ɕɛ f salˈɔɲʲɛ, a ja vʲˈɛm dlatʃˈɛɡɔ. jˈɛdnak tɨm rˈazɛm bˌɛndɛ muɕˈawa jˈɔ̃ ɔtprˈavitɕ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_135.wav|jɛj ubrˈaɲʲɛ bˌɨwɔ brˈudnɛ i pɔdˈartɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_553.wav|ɡdˈɨbɨ ɲʲɛ ta jˈakaɕ ˌazjatˈɨtskɔɕtɕ f tfˈaʒɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_165.wav|dˈaʃ mi butˈɛlkɛ pɔ tsˈɔli?|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_90.wav|mˈɔʒɛ tɔ tˌɨlkɔ kalˈumɲʲa rˌɔspɔfʃɛxɲʲˈana pʃˈɛs tfˈɔjɔ̃ ɕˈɔstrɛ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_59.wav|ˌɔna zˈafʃɛ jɛzd ɡɔtˈɔva dɔ pɔmˈɔtsɨ, a ɔn prubˈɔvaw mɲʲɛ xrˈɔɲitɕ, zrˈɛʃtɔ̃ jˈaɡ zˈafʃɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_39.wav|pʃˌɛbʲijˈawa spˈɔd ʑɛlˈɛɲi jˈaɡ dˈux, zbˈɨt upˈartɨ, bˈɨ ˈɔdɛjɕtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_47.wav|rɔsstˈavjɛ talˈɛʒɛ, a pˈɔtɛm pɔwˈɔʒɛ ɕɛ dɔ wˈuʃka.|3
+Dataset/wavs/urwisko_ferenc/65_segment_66.wav|za zupˈɛwɲʲɛ ɲʲˌɛudˈanɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_58.wav|ˌalɛ kʲˈɛdɨ bˌɛɲdʑɛ jˈuʃ pɔ fʃˈɨstkim, pɔtʃˈujɛ ɕɛ znˈatʃɲʲɛ lˈɛpʲɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_358.wav|ɔ tˈakim jˈɛdnɨm bandˈɨtɕɛ, ktˌurɨ zarˈɛntʃɨw ɕɛ i ftˈɛdɨ ɡˈɔ vwˈaɕɲʲɛ pʃɨmknˈɛli.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_124.wav|ˌalɛ z jakʲˈɛɡɔɕ pɔvˈɔdu ɲʲɛ mˈɔɡwa ɕɛ zdˈɔbɨtɕ nˈatɔ, bˈɨ pˈaɕtɕ na kɔlˈana i bwˈaɡatɕ ɔ wˈaskɛ tˈak, jˈaɡ zˌamjɛʒˈawa.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_114.wav|ˌalɛ tʃɨ tˈɛʒ bˌɛɲdʑɛ mʲˈaw na uvˈadʑɛ dˈɔbrɔː ɔɡˈuwu, tˈak jˈak jˈa?|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_139.wav|bɛɲdʑˌɛmɨ tˈɛʃ mʲˌɛli na pɔkwˈadʑɛ ɕfʲˈɛʒɛ jˈaja i mˈaswɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_47.wav|a ɡdˈɨbɨ fskˈutɛk ɛksplˈɔzji vˌɨtfɔʒˈɨwɔ ɕɛ tsˈɔɕ innˈɛɡɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_166.wav|tɔ ɕfʲˈɛtɲʲɛ. pʃɨɲʲˈɔsɛ ɡˈɔ jˈɛʃtʃɛ dʑˈiɕaj pɔ pˈɔwu... mˈɔʒɛ pʃˈɨɕlɛ ɡˈɔ pˈan pˈɔtʃtɔ̃? tˈutaj ˈalbɔ dɔ dˈɔmu pʃɨ ɛvˈɛrɡrin strˈit. znˈa pˈan ˈadrɛs, prˈavda?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_47.wav|kʲˈɛdɨ vˈɛʃwam dɔ pɔkˈɔju dɔ mˌɛdɨtˈatsji, fʃˈɨstsɨ jˈuʃ tˈam bˈɨli.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_140.wav|ˈɛliz vɨrˈaʑɲʲɛ spˌɔsɛmpɲʲˈawa. jɛj pɔrˈannɨ, dˌɔskɔnˈawɨ nˈastruj ulˈɔtɲiw ɕɛ bˈɛs ɕlˈadu, ˌalɛ ɲʲɛ prubˈujɛ skwˈɔɲidʑ ɡˈɔ dɔ zmʲˈanɨ plˈanuf na jˈutrɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_37.wav|— nˈuʃa pˌɔvʲɛdʑˈawa, ʒˈɛ sɔ̃ tfɔˈimi kˌɔlɛʒaŋkˈami i mˈɔɡɛ jˈɛ fpˈuɕtɕitɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_349.wav|za pʲˈɛŋkna bˈɨwa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_12.wav|a pˈɔtɛm ʒˈutɕiw ɕɛ f kʲɛrˈuŋku ˌandɛrsˈɔna. dlatʃˈɛɡɔ tɛn tʃwˈɔvʲɛk ɕˈɛdʑi?|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_203.wav|pwɔnˈɔntsɨ, stˈarɨ i pʲˈɛŋknɨ dˈɔm|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_18.wav|ukrˈɨta pɔd varstfˈami mˈɔkrɛj vˈɛwnɨ i rdʑˌɛvʲajˈɔntsɛj kɔltʃˈuɡʲi skˈura brjˈɛnnɛ pwɔnˈɛwa w ɡɔrˈɔntʃtsɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_63.wav|tʃˈɛkam, xˈɔtɕ jˈuʒ vʲˈɛm, tsˈɔ natxˈɔdʑi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_50.wav|tɔ fatˈalna pˈɔra i bˈardʑɔ mi pʃˈɨkrɔ s tˌɛɡɔ pɔvˈɔdu, ˌalɛ pˈɛvɲʲɛ jˈuʒ dɔ tˌɛɡɔ pʃɨvˈɨkwaɕ.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_338.wav|ɲʲˈɛɣ zaɕpʲˈɛva pʃɛt lˈɔrdɛm kɨbˈɛrnɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_363.wav|ktˌura ˌɔddalˈawa ɕɛ pʃˈɛs lˈata ˈɔdɛ mɲʲɛ, a ja ˌɔddalˈawɛm ɕɛ ɔt ɲʲˈɛj, xˈɔdʑ ʒˈɨliɕmˌɨ pɔt jˈɛdnɨm dˈaxɛm.|0
+Dataset/wavs/urwisko_ferenc/52_segment_37.wav|zˈɛrɔɕˈɛdɛm ɔbjˈɛtsaw sˈɔbjɛ, ʒˈɛ fʃˈɨstkɔ vrˈutɕi dɔ nˈɔrmɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_25.wav|mˈɔʒɛʒ zˈɛbratɕ ʃˈɔrtɨ i kɔʃˈulkɛ ˈalfjɛ? musˈimɨ ɕɛ pʃˈɛbratɕ. mˈuvjɛ, zdɛjmˈujɔndʑ ɡrˌanatˈɔvɨ kˈɔstjum i ɲʲˌɛskazitˈɛlɲʲɛ bjˈawɔ̃ blˈuskɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_74.wav|vɨxˈɔdʑi na kɔrˈɨtaʃ, xtsˈɔnts jˈaɡ zˈafʃɛ ɕɛ upˈɛvɲitɕ, ʒˈɛ ɲʲɛ brakˈujɛ mi ɲitʃˈɛɡɔ dɔ rˌɔspɔtʃˈɛɲtɕa dɲʲˈa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_203.wav|fʃˈɨstkɔ, tsˈɔ kˈupi na ˌamazˈɔɲʲɛ, trˈafi dɔ ʒuwtˈɛɡɔ dˈɔmu w midvˈɔɔt.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_61.wav|dˌɔɔkˈɔwa kɔmbˈajnu stˈawɨ vˈuski z nˌaʒɛɲdʑˈami i spʃˈɛnd dɔ kˌɔnsɛrvˈatsji. muɕˈɛli jˈɛ tˈam zɔstˈavitɕ mˌɛxaɲˈitsɨ, ktˌuʒɨ kɔɲtʃˈɨli zmʲˈanɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_162.wav|tʃˈas pʃˈɛjɕtɕ na vˈɨʃʃɨ pˈɔʑɔm, ˈanɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_38.wav|pˌɔstanɔvˈili zatʃˈaitɕ ɕɛ nˈamɲʲɛ w mʲˈɛɕtɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_102.wav|zˌapɨtˈaliɕtɕˌɛ, dlatʃˈɛɡɔ...|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_248.wav|vˈɨʃɛd ɔt ɔrbʲˈinɨ ʃˈɨptɕɛj ɲˈiʃ tɔ bˌɨwɔ kɔɲʲˈɛtʃnɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_7.wav|pʃˌɛtɕɔŋɡnˈɛwam ɕɛ i ʑɛvnˈɛwam. ɲʲɛ pɔ rˈas pʲˈɛrʃɨ ˌɔbudʑˈiwam ɕɛ w wˈuʃku jakʲˈɛɡɔɕ fatsˈɛta zmɛntʃˈɔna i pˈɛwna vɨʒˈutuf sumjˈɛɲʲa, ˌalɛ mˈuʃɛ vam pɔvʲˈɛdʑɛtɕ...|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_220.wav|tɕiɕɲʲˈɛntɨx na stˈɔwɨ i ˌuwɔʒˈɔnɨx na pɔdwˈɔdʑɛ f stˈɔsɨ vɨsˈɔkʲɛ na tʃtˈɛrɨ stˈɔpɨ.|1
+Dataset/wavs/urwisko_ferenc/21_segment_66.wav|ˌɔdmavʲˈawa sˈɔbjɛ bˈɨtɕa zadbˈanɔ̃ kɔbjˈɛtɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_170.wav|zˌavʲɛɕˈiwam ɡwˈɔs i vʑˈɛwam ɡwɛmbˈɔki ˈɔddɛx, a pˈɔtɛm ˌɔdɛzvˈawam ɕɛ nˌajspɔkɔjɲʲˈɛjʃɨm tˈɔnɛm, na jˈaki bˌɨwɔ mɲʲɛ stˈatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_51.wav|tɕˌɛmnɔtʃɛrvˈɔnɨ dˈɨvan bjˈɛɡɲʲɛ pʃˈɛs tsˈawɔ̃ dwˈuɡɔɕtɕ ˈaʒ dɔ sxˈɔduf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_88.wav|ɲʲɛstˈɛtɨ vʲˈadr zatrˈɔʃtʃɨw ɕɛ ˈɔtɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_5.wav|vˌɨɡlɔndˈawɔ tˈɛʃ nˈatɔ, ʒˈɛ pʃɛt xɔtˈɛlɛm w mˌanxɛstˈɛʒɛ ɲʲɛ kˌɔʒɨstˈanɔ z ɲʲˈɛj dɔ ʒˈadnɨx pwatnˈɔɕtɕi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_44.wav|tʃwˈɔvʲɛk ɕɛdʑˈɔntsɨ za stˈɔwɛm pɔrˈuʃɨw ɕɛ na jˈɛɡɔ vˈidɔk.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_29.wav|a vʲˈɛnts ˈɛdmundz vrˈutɕiw i pɔjˈɛxaw ɡdʑˈɛɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_93.wav|tˈɛras mˈam vˌɔntplivˈɔɕtɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_13.wav|trˌansfɔrmˈatsjɛ dɔstʃˈɛɡwam dɔpʲˈɛrɔ pɔ pʲˈɛrʃɛj sˈɛsji za rˈamɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_116.wav|ɲʲˈɛma tsˈɔ ɕɛ ˌɛlɛɡˈantskɔː ɔtstˈavʲatɕ, skˈɔrɔː i tˈak tsˈawɨ dʑˈɛɲ ɕˈɛdʑiʃ pʃɨ tˌɛlɛfˈɔɲʲɛ w vʲɛlɡˈaxnɛj ɔtfˈartɛj pʃɛstʃˈɛɲi bjurˈɔvɛj, tɕˈɔŋɡɲʲɛ fˈilis.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_46.wav|skradˈamɨ ɕɛ pʃˈɛs tsˈawɨ tʃˈaz vˈɔkuw ɕˈɛbjɛ i tɔː utʃˈutɕɛ jɛst naprˈavdɛ ɲʲˌɛkɔmfɔrtˈɔvɛ, jˈaɡbɨ dʑɛlˈiwa nˈas tˈafla ʃkwˈa.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_259.wav|dˈɔbʒɛ znˈanɨ f tsˈawɨm dɔʒˈɛtʃu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_340.wav|ɲʲɛ mˈuj, pˌɔmɨɕlˈawɛm. ɲʲˈɛx lˈɛʒɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_55.wav|ʃˈɛfjɛ, pɔvʲˈɛdʑaw trˈatsɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_226.wav|a tˈɛras ɲʲɛ mˈɔʒɛʃ? ɲʲɛ, ɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_207.wav|parkˈujɛ na pˌɔpɛŋkˈanɨm pɔdjˈɛʑdʑɛ ˌɔbɔɡ dˈɔmu i sxˈɔdʑi z zˌakupˈami na dˈuw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_58.wav|tʃɨ tɔː ˌɔznatʃˈawɔ, ʒˈɛ f tɨm dˈɔmu ɲʲɛ bˌɛɲdʑɛ z ɲʲˈɔ̃ zupˈɛwɲʲɛ ɲikˈɔɡɔ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_114.wav|i vʲˈɛʃ, tsˈɔ tˈam jˈɛʃtʃɛ rɔbʲˈiwɛm?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_85.wav|ˌɔtpɔvʲˈada jˈaɡɡɛr.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_19.wav|mrˈuʒɨ ˈɔtʃɨ i fpatrˈujɛ ɕɛ vˈɛmɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_76.wav|naprˈavdɛ pɔvˈinnam ɔkˈazadʑ vʲˈɛntsɛj vdʑɛntʃnˈɔɕtɕi, bˈɔ tɔ pʃˌɛtɕɛʒ drˈɔbjask, ʒˈɛ vˌɨstavˈiwa mɲʲɛ pˈaɲi tɨm zbʲˈirɔm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_38.wav|mɛ̃ʃtʃˈɨzna vɨdˈavaw ɕɛ jˈɛdnak upʃˈɛjmɨ i sˌɨmpatˈɨtʃnɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_189.wav|uɕmʲˈɛxa ɕɛ. kuɕˈiwɔ mɲʲɛ, ʒˈɛbɨ tˈaɡ zrˈɔbʲitɕ, ˌalɛ ɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_11.wav|wapˈiduɣ zɡˈadʑaw ɕɛ z ɲˈimi. tˈak, tɔ vˈina dˈɨmu, tˈak, tɔ vˈina kˈuʒu.|2
+Dataset/wavs/urwisko_ferenc/10_segment_7.wav|strˈax mʲˈɛʃaw ɕɛ w ɲˈim s pʃˌɛɕfʲattʃˈɛɲʲɛm, ʒˈɛ sprˈava rɔzˈɛjdʑɛ ɕɛ pɔ kˈɔɕtɕax.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_3.wav|pˌɔɡɔdʑˈiwa ɕɛ z mˈɨɕlɔ̃, ʒˈɛ mˈuɕi vˈɨjʑdʑ za mˈɔ̃ʃ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_10.wav|ɲʲɛ mˈɔɡɛ iɣ vˈiɲitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_76.wav|mˈama i tˈatɔ zˈafʃɛ pˌɔswuɡʲivˈali ɕɛ pˈɛvnɨm ʒˈartɛm, kʲˈɛdɨ jˈɛdnɔ z ɲˈix pˌɔvʲɛdʑˈawɔ tsˈɔɕ, s tʃɨm drˈuɡʲɛ ɕɛ ɲʲɛ zɡadʑˈawɔ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_295.wav|tʃɨ tɛ mˈawɛ, vˌɨpatʃˈɔnɛ pɔtfˈɔrki zˌavɔjɔvˈawɨ jˈuʃ tsˈawɨ ɕfʲˈat?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_47.wav|znalˈɛʑliɕtɕˌɛ tsˈɔɕ ɲʲˌɛpɔkˌɔjɔntsˈɛɡɔ? ɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_89.wav|dla mɲʲɛ bˌɛzuʒɨtˈɛtʃnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_86.wav|dˌɛvɛlˈɔpɛr stˈɔi w dʒvʲˈaɣ znˈatʃɲʲɛ mɲʲɛjʃˈɛɡɔ pˌɔmjɛʃtʃˈɛɲʲa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_88.wav|jˈakim tʃwɔvʲˈɛku, skˈarbjɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_210.wav|tɕˈɔŋɡlɛ mˈɨɕlɛ ˈɔtɨm, tsˈɔ tɛn ɔkrˈɔpnɨ zbˈɔɡ zrˈɔbʲiw tamtˈɛmu dʑˈɛtsku. zˌaswuɡˈujɛ na ɕmʲˈ��rtɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_205.wav|mˈɔʒɛ stˈanɛ ɕɛ zbɔtʃˈɛɲtsɛm i bˌɛndɛ ɡvˈawtɕiw samˈɔtnɛ kɔbjˈɛtɨ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_9.wav|pˌɔdnalˈazwɛm tˈɛ ulˈitʃkɛ. ɲʲˌɛdalˈɛkɔ tsˈɔɕ xutʃˈawɔː i bɛmbɲˈiwɔ jˈak fabrˈɨka.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_129.wav|jˈɛɡɔ kʃtˈawt ɲʲɛ dˈavaw ʃˈans na vɨɡˈɔdnɨ xfˈɨt, ˌalɛ tʃɨmˈawam ɕɛ s tsˈawɛj ɕˈiwɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_310.wav|tʃɨ tɔ mˈɔʒɛ zatʃˈɛkatɕ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_269.wav|ktˌurɛ mi ɕɛ tˈutaj pʃˌɨtrafjˈawɔ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_138.wav|na dˈɔlɛ ftɕˈɔ̃ʃ jˈɛʃtʃɛ trfˈawa zwˈɔta jˈɛɕɛɲ, ˌalɛ fɕrˈud ɡˈurskix ʃtʃˈɨtuf nastˈawa ʑˈima.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_57.wav|ɡdˈɨbɨ zatʃˈɛwɔ tɕi brakˈɔvatɕ txˈu,|2
+Dataset/wavs/urwisko_ferenc/25_segment_45.wav|tɕˈiʃa ɕfˌidrɔvˈawa jɛj w ˈuʃax.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_29.wav|prˈavdɛ mˈuvʲɔnts, tɛn rˈak jˈɔ̃ trˈɔxɛ pɔstrˈaʃɨw i ˈuznaw, ʒˈɛ pɔvˈinnɔ pˈɔdjɔɲtɕ pˈarɛ rˌɨzɨkˈɔvnɨɣ dɛtsˈɨzji w ʒˈɨtɕu.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_37.wav|ɲʲɛ vˈɔntpjɛ, ʒˈɛ ɡdʑˈɛɕ f ɕˈɛdmju krulˈɛstfax mˈɔʒna jˈɛʃtʃɛ ɔdnˈalɛʑdʑ dˈɔbrɔtɕ, lˈitɔɕtɕ i pʃˌɛbatʃˈɛɲʲɛ, ˌalɛ ɲʲɛ ʃˈukaj ix tˈutaj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_77.wav|spɔɡlˈɔndam na zdjˈɛɲtɕɛ, ktˌurɛ ftɕˈɔ̃ʃ tʃˈɨmam w dwˈɔɲi i ˌuɕfʲadˈamjam sˈɔbjɛ, ʒˈɛ mˈuʃɛ zrˈɔbʲitɕ jˈɛdnɔ̃ ʒˈɛtʃ, kʲˈɛdɨ mˈɔjɛ najmwˈɔtʃɛ dʑˈɛtɕi ɕpjˈɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_104.wav|tsˈɔ tɔ fʃˈɨstkɔ znˈatʃɨ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_578.wav|s kturˌɛɡɔ mˈɔɡwa ɕɛ pɔʒˈɨvitɕ tsˈawa mˈɔja kˌamjɛɲˈitsa, kʲˈɛdɨ tˈaɡ z ɲˈim rˌɔzmavʲˈawɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_494.wav|i tsˈɔ zaɡnˈawɔ?|0
+Dataset/wavs/urwisko_ferenc/49_segment_14.wav|mˈarja vˈɨʃwa na bˈalkɔn i xwɔdɲʲˈɛjʃɨ pˈɔvʲɛv vʲˈatru ɔvʲˈɔnɔ jɛj tfˈaʃ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_16.wav|na ʃtʃˈɛɲɕtɕɛ tˈuʃ ˌɔbɔɡ znajdˈujɛ ɕɛ mˈawɨ pˈarkiŋk, vʲˈɛnts na ɲʲˈɛɡɔ vjˈɛʒdʒam. ɲʲˈɛxtsɛ zabjˈɛradʑ zˈɛ sˈɔbɔ̃ alfjˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_100.wav|pˈatʃɨ, jˈak mˈama pɔxˈɨla ɕɛ w jˈɛɡɔ strˈɔnɛ i unˈɔɕi vˈɨʒɛj ɡwˈɔvɛ, prubˈujɔnts ɕɛ dɔ ɲʲˈɛɡɔː uɕmʲˈɛxnɔɲtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_34.wav|bˈɛtskɨ zavˈɔwaw tˈɔm, kʲˈɛdɨ skɔɲtʃˈɨwa rɔzmˈavʲatɕ s sˈarɔ̃ ˈɔzbɔrn.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_38.wav|pʃɨɡlˈɔndam ɕɛ pʃˈɛs xfˈilɛ zˌamraʒˈartsɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_252.wav|tɔ tsˈɛlna brˈɔɲ. zdjˈɔw karˈabʲin mˌaʃɨnˈɔvɨ s plˈɛtsuf i pɔstˈaviw kˈɔlbɔ̃ na ʑˈɛmi.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_15.wav|rˈaz bˌɨwam kɕɛ̃ʒɲˈitʃkɔ̃ lˈɛjɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_37.wav|tʃɨ mamˈuɕa i tˈatuɕ tˈɛʒ bˌɛndɔ̃ tˈutaj mʲˈɛʃkatɕ?|4
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_136.wav|tˈaɡ vʲˈɛnts mˈukw tɔ bˈɨtɕ ˈɔdvɛt.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_7.wav|sˈam pʃˈɨvdʑaw tʃˈarnɨ strˈuj|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_194.wav|zˈaraz zrɔzˈumjɛʃ. pɔswˈuxaj.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_47.wav|ʒˈɛ ˌɔna ɲʲɛ bˌɨwa ɲˈiɡdʑɛ zˌamɛldɔvˈana. ɲʲɛ tˈaɡ dˈavnɔ vrutɕˈiwa z zˌaɡraɲˈitsɨ, nˈɔ...|0
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+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_436.wav|spɔtkˈamɨ ɕɛ w mˈɔjɛj sɨpʲˈalɲi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_79.wav|lˈutsɨ znˈawa bˈɛtskɨ, ˈɔtkɔnt skɔɲtʃˈɨwa pʲˈɛɲtɕ lˈat i zˈafʃɛ ɕɛ bˈardʑɔ lubʲˈiwɨ.|3
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+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_47.wav|mˈarɨ mˈuvi tɔ sˈamɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_221.wav|i ɲʲɛ pɔtrˈafiʃ ɔdrˈuʒɲidʑ dˈɔbra ɔd zwˈa.|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_36.wav|ʒˈɨvjɛ ɕɛ pˈulpɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_150.wav|dwˈuɡa pˈawza pʃˌɛrɨvˈana tˌɨlkɔ ʃmˈɛrɛm ɔddˈɛxu.|2
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+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_23.wav|ˈalɛʃ ja jɛj ɲʲɛ ˈufam.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_79.wav|zbrukˈawa mɲʲɛ sfˈɨmi zdrˌadlivˈɨmi knˌɔvaɲʲˈami.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_134.wav|f tɛn ɕfʲɔntˈɛtʃnɨ dʑˈɛɲ jɛj kˈarta tˈɛʃ ɕɛ ɲʲɛ ɔdvrˈutɕi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_36.wav|ˈaʃ pˈatʃɨ nˈamɲʲɛ jˈak na varjˈatkɛ, ˌalɛ ɔtpˈina bˈut.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_137.wav|jɛdʑˈɛmɨ dɔː amˈɛrɨkˌi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_100.wav|i mʲˌɛndʑɨ innˈɨmi dlatˈɛɡɔ jɛst tɔ tˈakʲɛ pˌɔtɕɔŋɡajˈɔntsɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_50.wav|bʲˈillɨ, kturˌɛɡɔ znˈa ɲˈitsk, ɕˈada wˈɛ fɔtˈɛlu z ˌuʃakˈami i pˈatʃɨ na ɲˈitska ʃɛrˈɔkɔː ˌɔtfartˈɨmi, zˌatɕɛkˌavʲɔnˈɨmi ɔtʃˈami.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_36.wav|kimkˈɔlvʲɛɡ bˌɨwa ta ɔsˈɔba, muɕˈawa mʲˈɛdʑ zˌapisˈanɛ ˈu ɕˈɛbjɛ xˈaswɔ dɔ ɕˈɛtɕi vˈifˈi s trakˈanuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_77.wav|jˈɛdɛn pɔlˈitsjant, tsˈɔ vˈɨɕat s tɛj fˌurɡɔnˈɛtki, zrˈɔbʲiw zdjˈɛɲtɕa. i pˈuʑɲʲɛj vidʑˈawɛm ɲʲɛktˌurɛ na rɔsprˈavʲɛ, ˌalɛ ɲʲɛ tɛ s tɕawˈami.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_5.wav|bˈɛtskɨ zɛrknˈɛwa na ɲʲˈɛɡɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_24.wav|pˈan radʑˈavi? pˈɨta ɕˈɛrʒant.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_69.wav|maʃ jˈakʲɛʑ vʲˈɛɕtɕi ɔ frˈaŋku ˌɛmtsˈɛ intˈɔʃu?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_54.wav|kˈit tʃˈasnɔw swuxˈafkɔ̃ i pˈɔtʃɛd dɔ tˈɔma i bˈɛtskɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_3.wav|mɛ̃ʃtʃˈɨzna s psˈɛm jˈuʒ dˈavnɔ vrˈutɕiw dɔ ɕˈɛbjɛ i w ˌɔkɔlˈitsɨ pˌanɔvˈawa tɕˈiʃa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_41.wav|pˈaɲi frˈaŋklin, dʑˌɛŋkujˈɛmɨ, ʒˈɛ znalˈazwa pˈaɲi dla nˈas xfˈilɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_32.wav|ˈaʒ zˈafʃɛ zvrˈatsa uvˈaɡɛ na ʃtʃɛɡˈuwɨ, a mˈili znˈuf ɕɛ ɕmʲˈɛjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_82.wav|ɔ tˈak, pʃˈɨtknɔw. tɔ bˈɨ mi ɕɛ ʒˌɛtʃɨvˈiɕtɕɛ pʃɨdˈawɔ.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_233.wav|bˌɨwɛm jˈɛdnɨm z ɲˈix.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_300.wav|kwaɲʲˈajɔ̃ ɕɛ tˌɨlkɔː ˌallaxˈɔvi.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_388.wav|w dʑɛtɕˈiɲstfʲɛ sˈam tʃˈɨtaw kɕˈɛŋɡɛ ɔ çistˈɔrji braˈavɔs i mˈaʒɨw, ʒˈɛ pɛvnˈɛɡɔ dɲʲˈa ɔdvʲˈɛdʑi tɔ mʲˈastɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_32.wav|ɔn nˈavɛt ɲʲɛ rɔzˈumjaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_82.wav|ˈɔtkrɨtɕ, kˈim tˈak naprˈavdɛ jˈɛstɛɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_90.wav|tʃfˈarta zvˈisa bɛzvwˈadɲʲɛ zˈɛ spuʃtʃˈɔnɔ̃ ɡwˈɔvɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_145.wav|stˈɔjɔnts tfˈaʒɔ̃ dɔ ɕtɕˈanɨ, vɨjˈɛwam pˈanɛl stˌɛrɔvɲˈitʃɨ spˈɔt sˈukɲi i ˌuruxɔmˈiwam rɔbˈɔta.|4
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_19.wav|ˌalɛ ɔn ɕɛ zaʒˈɛkaw, ʒˈɛ xtsˈɛ mi tˌɨlkɔ pˈɔmuts s tʃˈɨstɛj pʃɨjˈaʑɲi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_323.wav|i ftˈɛdɨ zˈaʃwɔ swˈɔɲtsɛ, zˌabjɛrˈajɔnts w nˈɔts tɕˈɛɲ jˈɛɡɔː i tɕˈɛɲ sˌamɔlˈɔtu.|0
+Dataset/wavs/urwisko_ferenc/38_segment_17.wav|ˈɔlɡʲɛrt ɕˈɛŋɡnɔw pɔ lˌɛɡʲitɨmˈatsjɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_222.wav|xtɕˈawɛm ɕɛ vˈidʑɛtɕ s pˌɔtkɔmisˈaʒɛm kɔrsˈakʲɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_173.wav|pˈana nazvˈiskɔ?|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_10.wav|tsˈɔ mˈɨɕliʃ? zˌapɨtˈawa. tˈɔm vʑˈɔw ɡwɛmbˈɔki ˈɔddɛx.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_312.wav|swˈɨʃɛ wˈɔpɔt skuʒˈastɨx skʃˈɨdɛw.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_149.wav|pˈɔtɛm pʃˌɛʃukˈujɛ kʲɛʃˈɛɲʲɛ spˈɔdɲi rˌɛɡɡʲɛˈɛɡɔ. ɲʲˌɛpʃɨjˈɛmna, ˌalɛ kɔɲʲˈɛtʃna rɔbˈɔta, bˈɔ ɲʲɛ zamjˈɛʒa vɨjˈɛxatɕ stˈɔnt stˈarɨm pˈitskˈupɛm z nˌavalajˈɔntsɨm rˌɔzruʃɲˈikʲɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_12.wav|xˈɨba, ʒˈɛ bˌɨwa tɔ dla kˈɔɡɔʑ vʲadˈɔmɔɕtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_17.wav|zɡˈadʑa ɕɛ. tɔ bˈɨw zapˈɛvnɛ tɛn zadʑˈɔrnɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_422.wav|mɨ f tɨx mʲɛntʃˈakuf fstʃɨkɲʲˈɛmɨ nˈaʃɔ̃ swɔvʲˈaɲskɔ̃ spˈɛrmɛ, ˈaʃ im ˈɔtʃɨ vˈɨjdɔ̃ z ˈɔrbʲit.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_102.wav|mˈama spɔjʒˈawa na ɲʲˈɛɡɔ zˌaskɔtʃˈɔna.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_15.wav|tʃɨ tɔ w ɔɡˈulɛ lɛɡˈalnɛ?|3
+Dataset/wavs/urwisko_ferenc/62_segment_18.wav|ɕikˈɔrski naxˈɨliw ɕɛ nat fˌɔtɔɡrˈafjɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_19.wav|mˈili mˈa tˌɨlkɔ ɕˈɛdɛm lˈat, a kɔmˈurka ˈaʃa zɔstˈawa w dˈɔmu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_128.wav|mɲʲɛ tˈɛʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_7.wav|zvwˈaʃtʃa f tɨx pɔdlˈɛjʃɨx tʃˈɛɲɕtɕax mʲˈasta jˈak tˈa, f ktˌurɛj mʲˈɛʃkam.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_53.wav|zbˌudɔvˈanɔ tˈɛʃ nˈɔvɛ sxˈɔdɨ dɔ dɔnjˈɔnu, a w vʲˈɛlu ˈɔknax ˌumjɛʃtʃˈɔnɔ nˈɔvɛ ˌɔkʲɛnɲˈitsɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_15.wav|s tˌɨmi swɔvˈami stˈɛvɛ vˌɨskakˈujɛ s sˌamɔxˈɔdu i bjˈɛɡɲʲɛ drˈɔɡɔ̃ ɡruntˈɔvɔ̃. pɔ kˈilku sɛkˈundaɣ zɲˈika mi s pˈɔla vidʑˈɛɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_245.wav|ˌɔbɨdvˈɔjɛ spɔjʒˈɛliɕmˌɨ w ɡˈurɛ, skˈɔnd dˈɔbjɛkw xˈawas, a pˈɔtɛm na ɕˈɛbjɛ.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_66.wav|pʲˈɛz zamˈɛrdaw ɔɡˈɔnɛm, a mɛrˈibalt stʃˈɔ̃snɔw bwˈɔtɔ zˈɛ stˈup.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_183.wav|ɔt kˈilku mʲɛɕˈɛntsɨ prˌatsɔvˈaliɕmˌɨ nat pˈɛvnɨm kɔntrˈaktɛm. f kˈɔɲtsu dˌɔprɔvadʑˈiliɕmˌɨ intˈɛrɛz dɔ kˈɔɲtsa, vʲˈɛnts xtɕˈawam pˈɔznatɕ pˈana landvˈika ˌɔsɔbʲˈiɕtɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_27.wav|pʃˈɛs tsˈawɨ tʃˈas mˈɔdlɔnts ɕɛ, ʒˈɛbɨ ɲˈikt mɲʲɛ ɲʲɛ rɔspˈɔznaw.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_182.wav|zˌapɛvɲˈiwa lˈadɨ sˈibɛl, ɡdˈɨ jɛj tsˈurka prˌubɔvˈawa ɕɛ vˈɨrvadʑ z uɕtɕˈisku. dˌɔpilnɔvˈawam tˈɛɡɔ, tˈak jˈak rɔskˈazaw tfˈuj pˈan ˈɔjtɕɛts.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_224.wav|fˌantastˈɨtʃnɛ fspˈartɕɛ ʃtˈutʃnɛj ˌintɛliɡˈɛntsji. vˌɨstartʃˈɨwɔ, ʒˈɛbɨm mu pˌɔkazˈawa dˈɔkɔnt mˈa ˈiɕtɕ, a ɔn zˈajɔw ɕɛ tsˈawɔ̃ rˈɛʃtɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_8.wav|xˈɔtɕ fʃˈɨstkʲɛ tɛ rˈɔdɨ ˌɔdnɔvˈiwɨ xˈɔwd zwɔʒˈɔnɨ ʒˌɛlaznˈɛmu trɔnˈɔvi, ʒˈadɛn z ɲˈix ɲʲɛ pʃɨwˈɔntʃɨw ɕɛ dɔː ˌɔblɛ̃ʒˈɛɲʲa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_56.wav|tɔ dlatˈɛɡɔ, ʒˈɛ ɲʲˈɛma tˈu ɕfʲˈatɛw ulˈitʃnɨx mˈili. tɔː ˌɔnɛ spravʲˈajɔ̃, ʒˈɛ ɲʲˈɛbɔ mˈa pˌɔmaraɲtʃˈɔvɨ blˈask. mɨ jɛstˌɛɕmɨ f sˈamɨm ɕrˈɔtku ɲitʃˈɛɡɔ.|4
+Dataset/wavs/urwisko_ferenc/62_segment_51.wav|tsˈɔ pˈaɲi mˈa na mˈɨɕli?|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_44.wav|pɔvʲˈɛdʑɛtɕ tɕi tsˈɔɕ miwˈɛɡɔː ɔ mˈɔjɛj mˈamjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_188.wav|vʲɛtʃˈɔrɛm ɔstˈatɲi rˈaz dʑvˈɔɲi dɔ ɲˈika.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_233.wav|ˌalɛ strˈaʒɲik sˈall ɲʲɛ zdˈɔ̃ʒɨw zdjˈɔɲtɕ mɔzbˈɛrɡa z ramjˈɛɲʲa. frˈaŋk ɕɛ ɲʲɛ ɔdvrˈutɕiw, a rˈɛɡɡʲɛ ɲʲˈɛbɨw ˌuzbrɔjˈɔnɨ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_249.wav|tʲˈimɔt ɲʲˈɛxtɕaw tˌɛɡɔ zrˈɔbʲitɕ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_36.wav|vˌɨʃɛptˈawa, pʃˌɛsuvˈajɔnts ɕɛ rɨtmˈitʃɲʲɛ nˈadɲim.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_132.wav|dʑˈɛɕɛɲtɕ lˈat jˈuʒ varˈujɛ pʃˈɨmɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_42.wav|spɔjʒˈawam na ɲʲˈɛɡɔ. xˈɨba vˈɨtʃuw mˈuj stsɛptˈɨtsɨzm, bˈɔ mˈɔtsɲʲɛj ɕtɕˈisnɔw mˈɔjɔ̃ rˈɛŋkɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_127.wav|nˈɔ bˈɔ jˈɛdnak ɲʲɛ pˌɔtrafˈiwɛɕ ftˈɛdɨ stʃˈɛlitɕ, ˌalɛ kturˈɛɡɔʑ dɲʲˈa bˌɛɲdʑɛʃ tɔː ˈumjɛtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_120.wav|— ɲʲɛ mˈɔɡɛ mʲˈɛtɕ tsˌawkɔvˈitɛj pɛvnˈɔɕtɕi, ˌalɛ ɲʲɛ sˈɔndʑɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_50.wav|pɔ drˈɔdʑɛ ɲʲɛ rˌɔzmavʲˈamɨ, a kʲˈɛdɨ vratsˈamɨ dɔ znanˈɛɡɔ mi jˈuʃ pˌɔmjɛʃtʃˈɛɲʲa z ɲʲɛbjˈɛskɔ̃ sˈɔfɔ̃, ɕˈadam tɕˈɛ̃ʃkɔ, tʃˈujɔnts jˈak ˌɔpuʃtʃˈajɔ̃ mɲʲɛ rˈɛʃtki ɛnˈɛrɡji.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_224.wav|jˈak tɔ ɲʲɛ pratsˈujɛ pʃˈɛtɕɛʃ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_15.wav|kʲˈɛdɨ zrˌɔzumjˈawa, ʒˈɛ ɲʲɛ zamjˈɛʒam vdˈavatɕ ɕɛ w dɨskˈusjɛ, ˌɔdvrutɕˈiwa ɕɛ na pʲˈɛɲtɕɛ, tsmɔknˈɛwa zɲʲˌɛsmatʃˈɔna i ʒutɕˈiwa pʃˈɛs rˈamjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_3.wav|znˌajdɔvˈali ɕɛ w mʲˈɛjstsu, f ktˌurɨm ɔstˈatɲʲa kamˈɛra ˈanbr zˌarɛjˌɛstrɔvˈawa samˈɔxut ˈannɨ frˈaŋklin, ˌalɛ ftɕˈɔ̃ʃ ɲʲɛ ˌɔtʃɨmˈali zˌamuvʲˈɔnɨx ˌinfɔrmˈatsji dˌɔtɨtʃˈɔntsɨx tˌɛlɛfˈɔnu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_197.wav|zapˈɨtaw xundˈɛbawx, pʃˌɨstanˈɔ̃fʃɨ ɡvawtˈɔvɲʲɛ. pˈan pɔvʲˈɛdʑaw japˈɔŋkɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_38.wav|tsˈɔ? zˌapɨtˈawa bˈɛtskɨ, ˌɔpuʃtʃˈajɔnts rˈɛntsɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_175.wav|ubrˈawɛm ɕɛ jˈakɔ tˈakɔ. vɨjˈɔwɛm s ʃˈafki dˌɔkumˈɛntɨ. z vwˈasnɛj ˌiɲitsjatˈɨvɨ jˈɛ vɨjˈɔwɛm i f tˌɔvaʒˈɨstfʲɛ kɔrsˈaka.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_73.wav|mˈuvi tsˈɔɕ. vɨdˈajɛ ɕɛ zˌaskɔtʃˈɔnɨ, ˌalɛ ɲʲɛ pɔtrˈafjɛ vɨxfˈɨtɕitɕ swˈuf.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_66.wav|pʃɛwˈɨkam ɕlˈinɛ i stˈaram ɕɛ uɕmʲˈɛxnɔɲtɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_311.wav|f ktˌurɨm mʲˈɛʃkaw ˈandɛrsɔn. dˈɔm bˈɨw stˈarɨ i rˈɔswɔ tˈu jɛdˈɨnɛ dʒˈɛvɔ.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_146.wav|a tˈɛras pʃˈɛstaɲ pwˈakatɕ i pˈɔvʲɛts, tsˈɔ ɕɛ stˈawɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_17.wav|zapwˈatsɛ tɕˈi, jˈak tˌɨlkɔ bˌɛndɛ mˈɔɡwa. swˈɔvɔ xɔnˈɔru.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_166.wav|i ftˈɛdɨ pʃˈɛspaw ɕɛ z ɲʲˈɔ̃, a rˈanɔ fstˈaw, ˈabɨ lˈatatɕ pɔ rˈas pʲˈɛrʃɨ sˈɔlɔ pɔ ɕˈɛdmju lˈatax. ʃˈɛd jˈuʒ dɔ dʒvˈi, a pˈɔtɛm stˈanɔw na xfˈilɛ i pɔvʲˈɛdʑaw|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_165.wav|tˌɛɡɔ tɔ ja akˈurat ɲʲˈɛvʲɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_60.wav|tɔ dˈɔɕtɕ mˈawɔ prˌavdɔpɔdˈɔbnɛ, ʒˈɛbɨ zjˈaviw ɕɛ ɔ tɛj pˈɔʒɛ, ˌalɛ stˈɛvɛ tˌɛɡɔ ɲʲˈɛvʲɛ, a ja mˈuʃɛ ɡˈɔ spwˈavitɕ. ɲʲˈɛxtsɛ ɡˈɔ tˈutaj.|4
+Dataset/wavs/urwisko_ferenc/14_segment_21.wav|kˈɔrtʃ f skupʲˈɛɲʲu pɔwˈɔʒɨw vˌɨpʲɛlˌɛŋɡnɔvˈanɔ̃ dwˈɔɲ na blˈatɕɛ bjˈurka. fʃˈɨstkɔ na tˈɛmat tɛj lˌɛvandˈɔfskʲɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_70.wav|bˌɨwa tɔ ʃtʃˈɛra ɔtpˈɔvʲɛtɕ, a kwˈamstfa w ɲˈitʃɨm mi tˈɛras ɲʲɛ mˈɔɡwɨ pˈɔmuts.|3
+Dataset/wavs/urwisko_ferenc/03_segment_91.wav|mɛ̃ʃtʃˈɨzna pɔ dwˈuʃʃɨm tʃˈaɕɛ pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃ z rˌɛzɨɡnˈatsjɔ̃. ɔ jˈɛzu, pɔ tsˈɔ tɛ pɔtxˈɔdɨ?|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_374.wav|pʃˌɨpɔmɲʲˈawa sˈɔbjɛ, tsˈɔː ˌuswɨʃˈawa ftʃˈɛɕɲʲɛj ɔt taˈɛnɨ i z jɛj ˈuzd vˈɨrvaw ɕɛ ɕmʲˈɛx.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_182.wav|ʒˈɨwɛʑ drˈaɲʲu pˌɛdantˈɨtʃɲʲɛ, a tˈɛras ɕɛ ˌɔkazˈujɛ, ʒˈɛ za tˈɔbɔ̃ zɔstˈawɨ stˈɛrtɨ ɕmʲˈɛtɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_111.wav|tˈak, sˈɛr.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_25.wav|jɛj pˈɔjast pˌɔtskakˈivaw na brˈuku.|1
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_85.wav|i na pˈɛvnɔ jˈɛ znajdʑˈɛmɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_9.wav|lˈɛdʒ bˌɨwɨ dˈɔɕtɕ skˌɔmplikɔvˈanɛ, dˌɔtɨtʃˈɨwɨ jˈakixɕ ɲʲɛjˈasnɨx i ɲʲɛznˈanɨx mi sprˈaf.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_41.wav|tɨm vwˈaɕɲʲɛ jɛst mˈawɔ̃ dʑɛftʃˈɨŋkɔ̃ f tɕˈɛlɛ kɔbjˈɛtɨ, pʃˌɛraʒˈɔnɔ̃ i nˌaznatʃˈɔnɔ̃ bliznˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_67.wav|na ʃtʃˈɛɲɕtɕɛ ɲʲɛ mˈɔʒɛ ɔt tˈak ɲikˈɔɡɔ dˌɛpɔrtˈɔvatɕ.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_246.wav|ˈɔjtɕɛts ɔʒˈɛɲiw ɕɛ pɔnˈɔvɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_94.wav|ɲʲˈɛmam ɲʲɛstˈɛtɨ. jˈakɔɕ pˈana ɔdnˈajdɛ. tˌɨlkɔ prˈɔʃɛ ɲʲɛ ˌaŋɡaʒˈɔvatɕ ɕɛ f tutˈɛjʃɔ̃ pɔlˈitɨkˌɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_141.wav|dʑɛŋkˈujɛ, ˌalɛ pɔrˈadʑɛ sˈɔbjɛ sˈama.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_109.wav|vɨkˈɔnaw zˌamaʃˈɨstɨ rˈux wɔktɕˈami i pʃɨklˈɛpaw skrˈɔɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_14.wav|zˈafʃɛ tsˈɔɕ mˈuɕi ɕɛ stˈatɕ, mruknˈɛwa bˈɛtskɨ. nˈɔ dˈɔbʒɛ, pʃˌɛkɔnˈajmɨ ɕɛ, tʃɨ mˈa jˈakʲɛɕ ˈinnɛ kˈartɨ na sfˈɔjɛ nazvˈiskɔ.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_107.wav|ɡdˈɨbɨ maˈɛstɛr ˈɛmɔn ɲʲɛ ˈumar, sˈam zapˈɨtawbˌɨ ɡˈɔ, jˈak pɔvˈiɲʲɛn pɔstˈɔmpitɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_91.wav|— pʃɛprˈaʃam zˈatɔ ɔpskˈurnɛ pˌɔmjɛʃtʃˈɛɲʲɛ, ˈanɔ, ˌalɛ ɔdɲʲ��ɔswɛm vraʒˈɛɲʲɛ, ʒˈɛ vɔlˈawabˌɨɕ pˌɔrɔzmˈavʲatɕ na ˌɔsɔbnˈɔɕtɕi ɲˈiʃ ɔː ˌɔbɛtsnˈɔɕtɕi tˈamtɨx.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_422.wav|jˈuʒ ɡˈɔ kˈɔmpjɔ̃. za ɡɔdʑˈinɛ bˌɛɲdʑɛ ɡɔtˈɔvɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_242.wav|ˈaram bˈɨw dla mɲʲɛ ˌɔtpɨxajˈɔntsɨ i pˌɔtɕɔŋɡajˈɔntsɨ zarˈazɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_102.wav|villjˈamu rˈɔbʲi ɕɛ ɲʲɛdˈɔbʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_28.wav|tʃˈasɛm jˈɛdnak, zvwˈaʃtʃa nɔtsˈami, tʃˈuwa na plˈɛtsax mˈartfɛ spɔjʒˈɛɲʲa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_101.wav|pˌɔwɔʒˈɨliɕmˌɨ ɕɛ na trˈavʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_276.wav|bˌɨwɔ tɕˈɛmnɔ, a pɔt nɔɡˈami mʲˌɛli ɕlˈiskʲɛ bwˈɔtɔ.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_78.wav|zˌastanˈavʲam ɕɛ, pˈaɲi...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_62.wav|z drˈuɡʲɛj jˈɛdnak strˈɔnɨ mˈɔɡwɔ tɔ bˈɨdʑ dɔkwˈadɲʲɛ tˈɨm, na tsˈɔ vˌɨɡlɔndˈawɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_19.wav|pˈaɲʲɛ ɕfʲˌɛntɔʃkɔvˈatɨ, tɨ tˈɛʒ vʲˈɛʃ, jˈaɡ dˈɔbʒɛ vˈɨpitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_7.wav|tˈɛras ɕˈɛdʑi pʃɨ stɔlˈiku tˈuʃ pʃɨ ˈɔkɲʲɛ i pɔxwˈaɲʲa jˌajɛtʃɲˈitsɛ, ɲʲɛ ˌɔdrɨvˈajɔndʑ vzrˈɔku ɔd vˈɔdɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_9.wav|ˈɔkɛj, vʲˈɛʃ tsˈɔ rˈɔbʲitɕ, rˈɔp.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_65.wav|tɨm rˈazɛm sˈam ɕɛ pˈan ɔkrfˈaviw pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_262.wav|pʃˌɛtɕɛʃ pˌɔvʲɛdʑˈawɛɕ, ʒˈɛ mˈa bˈɨtɕ ɕtɕˈɛntɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_397.wav|pɔlˈitsjand zdˌɛtsɨdˈɔvaw ɕɛ. ruʃˈɨliɕmˌɨ w jˈakiɕ pʃˈɛsmɨk mʲˌɛndʑɨ ɡˌaraʒˈami i ˌɔfitsˈɨnɔ̃ pʃˌɛdvɔjˈɛnnɛj kˌamjɛɲˈitsɨ.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_9.wav|i zlˈaw ɕɛ tʃˈɨ rˈazɨ f tɕˈɛmnɔɲʲɛbjˈɛskʲɛ spˈɔdɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_52.wav|tsamˈɛrɔn dˈɔstʃɛɡw mɲʲɛ natˈɨxmʲast i ˈuɲʲuz brvˈi. jˈaɡɡɛr pɔdˈɔ̃ʒɨw za jˈɛɡɔ vzrˈɔkʲɛm, fstˈaw i pˈɔtʃɛd dɔ mɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_8.wav|ˈuɕmʲɛɣ zɲˈiɡw z jɛj tfˈaʒɨ. pɔdˈawa mu ˌaplikˈatsjɛ i pˌɔpatʃˈɨwa na ɲʲˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_142.wav|pʃˌɨdawˈɔbɨ ɕɛ jˈɛʃtʃɛ pˈarɛ ˈinnɨɣ ʒˈɛtʃɨ, ˌalɛ ˈɛliz bˌɛɲdʑɛ vʲɛdʑˈawa, ɡdʑˈɛ jˈɛ znˈalɛɕtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_78.wav|kʲˈɛdɨ mˈɔva ɔ kˈatɛ, tɔ ɕˈiwɔ̃ ʒˈɛtʃɨ jˌɛstɛm tsɨɲˈitʃnɨ. za dˈuʒɔ dɔɕfʲˈattʃɛɲ. ˌalɛ vaʒɲʲˈɛjʃɛ jˈɛst, tsˈɔ tʃˈujɛ lˈutsɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_282.wav|stˈavʲam tˈɨɕɔndʑ ɡʲˈituf, ʒˈɛ f tɕˈɔŋɡu mʲɛɕˈɔntsa vˌɨlɔndujˈɛtɕɛ w wˈuʃku, pɔvʲˈɛdʑaw i ɲʲˌɛzraʒˈɔnɨ mˈɔim surˈɔvɨm spɔjʒˈɛɲʲɛm dˈɔdaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_51.wav|natˈɨxmʲast pɔtʃˈuli pʃˈɛtɕɔŋk, kʲˈɛdɨ ɡdʑˈɛɕ ɔtfˈartɔ drˈuɡʲɛ dʒvˈi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_79.wav|a pˈɔza tɨm ɲʲɛ maʃ rˈatsji.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_238.wav|pˌɔvʲɛdʑˈawabˌɨm mu tɔ, ɡdˈɨbɨ rˈatʃɨw mɲʲɛ zapˈɨtatɕ, ˌalɛ tʃɨ tfˈuj ˈɔjtɕɛts kʲˌɛdɨkˈɔlvʲɛk rˈadʑiw ɕɛ kˌɔɡɔkˈɔlvʲɛk ˈɔprutʃ kɛvˈana?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_46.wav|dɔ zˌɔbatʃˈɛɲʲa jˈutrɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_26.wav|pɔvˈinna bˌɨwa ˈutɕɛts ftʃˈɛɕɲʲɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_27.wav|na bˌɛtɔnˈɔvɨm swˈupku ˌɔɕfʲɛtlˈɔnɨm lˈampɔ̃ z mˌɛtalˈɔvɨm klˈɔʃɛm bˈɨw dɔmˈɔfɔn.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_9.wav|pɔsˈɨwa mu spɔjʒˈɛɲʲɛ, f ktˌurɨm rˌɔzbavʲˈɛɲʲɛ mʲˈɛʃa ɕɛ zˈɛ fstˈɨdɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_67.wav|ˌalɛ sˈamɔ tɔ, ʒˈɛ tˈɛraz vˈidʑi jˈɔ̃ patʃˈɔntsɔ̃ w ɡvʲˈazdɨ, jɛzd vˈartɛ tˌɛɡɔ rɨzˈɨka.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_176.wav|na fʃˈɨstkʲɛ pɨtˈaɲʲa rˌɛpɔrtˈɛruf ˌɔtpɔvʲadˈawa. tɔ bˈɨw tsˈut.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_314.wav|ɔː ˈilɛ bˌɨwɔ mu vʲadˈɔmɔ, nat tʃˈarnɨm nˈurtɛm ɲʲɛ ɔkrˈɨli ɕɛ xˈaɲbɔ̃, lˈɛtʃ rˈuvɲʲɛʃ ɲʲɛ vˌɨruʒɲˈili ɕɛ spɛtsjˈalɲʲɛ w bˈɔju.|1
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_142.wav|ˈɛlis unˈɔɕi jˈɛɡɔ nˈɔɡʲi i s trˈudɛm fsˈuva jˈɛ dɔ sˌamɔxˈɔdu. jˈɛɕli zadˈajɛ mu bˈul, bʲˈillɨ tˌɛɡɔ ɲʲɛ ˌɔkazˈujɛ. pˈatʃɨ nˈaɲʲɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_365.wav|tsˈɔ ɕɛ stˈawɔ? spɨtˈawa ʃˈɛptɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_127.wav|i znalˈɛʑliɕmˌɨ ɕɛ f sˈaltsɛ, ktˌura zapˈɛvnɛ w rˈuʒnɨx pˈɔrax swuʒˈɨwa jˈakɔ pˌɔlitsˈɨjna stɔwˈufka.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_103.wav|w mʲˈɛɕtɕɛ sɔ̃ ɡɔspˈɔdɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_172.wav|i ʒˈɛ ɲʲɛ vrˈutɕi tˈu ɲˈiɡdɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(36) R.Abbott_Zamknij Drzwi_segment_18.wav|nˈajpʲɛrf musˈimɨ ɕɛ zˌɔrjɛntˈɔvatɕ, tsˈɔː ˈaʒ vʲˈɛ na tˈɛmat tɨx lˈudʑi. jˈadɛ tˈɛraz dɔ ʃpitˈala z bˈɛtskɨ, a rˈɔb zabjˈɛʒɛ tɕˈɛbjɛ i zˈɔɛ, kʲˈɛdɨ bˌɛɲdʑɛʒ ɡɔtˈɔva.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_50.wav|ɲʲɛ rˌɔzumjˈɛtɕɛ tˈɛɡɔ, prˈavda?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_54.wav|mˈam nadʑˈɛjɛ, ʒˈɛ ɲʲɛ rɔzmˈavʲaw z baˈilim.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_27.wav|tʃˈɛɲɕtɕ jˈɛɡɔ dwˈuɡuf jˈuʒ zɔstˈawa spwatsˈɔna i vʲˈɛʒɨ, ʒˈɛ pɔ ɕmʲˈɛrtɕi jɔˈɛlla allˈɛna uvˈɔlɲi ɕɛ tˈɛʃ ɔt pˌɔzɔstˈawɨx.|2
+Dataset/wavs/urwisko_ferenc/38_segment_54.wav|tɔ prˌɔkurˈatɔr ˈartur lˈɛɡnɛr vɨjˈaɕɲiw, vʲˈɛnts ɲʲɛ pɔɡrˈɨvaj zˈɛmnɔ̃, mˈuf, tʃˈɛɡɔː ɔd vˈas xtɕˈaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_196.wav|s kturˌɛɡɔ na fʃˈɨstkʲɛ strˈɔnɨ stɛrtʃˈawɨ jˈakʲɛʑ dʑˈivnɛ pʃɛdmʲˈɔtɨ.|0
+Dataset/wavs/urwisko_ferenc/36_segment_48.wav|bˈɔɲtɕ ɕˈilna, mˈɔja mˈarjɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_83.wav|ɲʲɛ bˌɨwam jˈuʃ mˈawɨm dʑˈɛtskʲɛm, ktˌurɛ pˌɔtʃɛbˈujɛ mˈatki. mʲˈawam jˈuʃ pʃˌɛtɕɛʃ prˈavʲɛ jˌɛdɛnˈaɕtɕɛ lˈat.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_174.wav|kˈɔʑɔw jˈat sˈam ɕˈɛbjɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_13.wav|prˌavdɔpɔdˈɔbɲʲɛ bˌɛɲdʑɛ zamˈavʲaw tsˈɔ mʲˈɛɕɔnts nˈɔvɔ̃ dɔstˈavɛ, vʲˈɛndʑ zrˈub zapˈasɨ.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_261.wav|psˈujɛʃ mi vasˈɛlɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_84.wav|tɕˈɛʃɛ ɕɛ, ʒˈɛ pʃˈɨʃwa sˈama, ˌalɛ zupˈɛwɲʲɛ ɲʲˈɛvʲɛm, jˈak pɔvˈinnam pɔstˈɔmpitɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_69.wav|bwˈɔndʑɛ f tɨm fʃˈɨstkim pɔː ɔmˈatsku. xtɕˈawbɨm, ʒˈɛbɨ tɔ jˈuʃ ɕɛ skɔɲtʃˈɨwɔ, tɔ fʃˈɨstkɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_54.wav|tˈɔm ɕɛ uɕmʲˈɛxnɔw.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_408.wav|pʃɛdmʲˈɔtɨ ʒutsˈawɨ dʑˈivnɛ tɕˈɛɲʲɛ w mˌiɡɔtlˈivɨm blˈasku ɕfʲˈɛts.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_13.wav|tʃɛkˈajɔnts na ɔtpˈɔvʲɛtɕ, dʒˈɛjms pɔɡlˈɔndaw na brɔ̃zˈɔvɔkˌarmazɨnˈɔvɔ̃ xɔrˈɔŋɡʲɛf pˌɔvʲɛvajˈɔntsɔ̃ nad bˌarbakˈanɛm jˈɛɡɔ kuzˈɨna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_26.wav|wˈuʃkɔ jɛst pɔdvˈujnɛ i skʃˈɨpi, kʲˈɛdɨ bʲˈillɨ ɕɛ nˈaɲim kwˈadʑɛ, ˌalɛ ʒˈadnɛ sprɛ̃ʒˈɨnɨ ɲʲɛ vbʲijˈajɔ̃ mu ɕɛ f plˈɛtsɨ, vʲˈɛndʑ vɨpˈada ɕɛ tɕˈɛʃɨtɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_65.wav|vˈidʑɛ jˈakiɕ kʃtˈawt, xˈɨba kɔbjˈɛtɨ.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_226.wav|zɲˈiknɔw z jˈɛɡɔ tfˈaʒɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_42.wav|rˈudɨ zˈɛrknɔw w jɛj strˈɔnɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_59.wav|mˈam! dʒˈɔnsɔn fskˈazaw rˈɛŋkɔ̃ na ʒˈɨrɔ xɔrˈɨzɔnt.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_83.wav|nˈɔɕiʒ bʒˈɛmjɛ sfˈɔix narˈɔdʑin.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_329.wav|tˈam, ɡdʑˈɛ fʃˈɨstsɨ sɔ̃ spɔkˈɔjɲi i ʃtʃɛɲɕlˈivi i bˈɛz ɡʒˈɛxu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_53.wav|jˈɛɡɔ, ktˌurɨ ˌɔʃukˈivaw fʃˈɨstkix pʃˈɛs tsˈawɛ ʒˈɨtɕɛ, lˈudʑi, prˈavɔ, sfˈɔjɔ̃ ʒˈɔnɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_48.wav|ɲʲɛ bˌɨwam pˈɛvna, tsˈɔː ˌɔtpɔvʲˈɛdʑɛtɕ. ɲʲɛ vidʑˈawam tˌɛɡɔ fˈilmu, ˌalɛ ɲʲɛ znˈawam tˈamtɨx studˈɛntuf, a ɲʲɛ xtɕˈawam fxˈɔdʑitɕ im fʃˈɨstkim f parˈadɛ vʲɛtʃˈɔrɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_34.wav|znalˈaswʃɨ ɕɛ bɛspʲˈɛtʃɲʲɛ w dˈɔmu, sˈandɨ ɕɛ ˌupɛvɲˈiwa, ʒˈɛ fʃˈɨstkʲɛ zaswˈɔnɨ sɔ̃ zˌatɕɔŋɡɲʲˈɛntɛ i ʒˈɛ ɲʲˈɛma ʒˈadnɨx ʃtʃˈɛliɲ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_59.wav|ˌɔdɛxtɕˈawɔ mi ɕɛ pˈitɕ.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_64.wav|krulˈɛstfɔː i xˈɛr...|1
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_74.wav|napʃˈɨkwad. krˈadʑɛʃ lˈɛkuv zˈɛ ʃpitˈala f tsˈɛlu ix ˌɔtspʃɛdˈaʒɨ. mˈukw tˈɛʒ zajmˈɔvatɕ ɕɛ tʃˈɨmɕ ɲʲˌɛlɛɡˈalnɨm w ˌintɛrnˈɛtɕɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_59.wav|ɡwˈaʃtʃɛ vwˈɔsɨ mˈɔjɛj tsˈurki.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_121.wav|muɕˈawɔ ɲˈim zdrˈɔvɔ tʃˈɛpnɔɲtɕ ɔ ʑˈɛmʲɛ, ɲʲɛ? jˈɛɕli naprˈavdɛ ɔtpˈadwɨ mu ramjˈɔna, ˈidʑ zˈɔbatʃ sˈɔbjɛ tɛ vrˈaki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_23.wav|jˈɛʑdʑiw sˈam i ɲˈikt mu ɲʲɛ pɔmˈaɡaw.|3
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_29.wav|dˈavɔs sɛˈavɔrtx i rˈɛʃta pɔstˈatɕi, ktˌurɛ kɔxˈatɕɛ ˈalbɔ...|1
+Dataset/wavs/urwisko_ferenc/46_segment_72.wav|najtfˈartʃɛ z mɔʒlˈivɨx.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_289.wav|ɡdʑˈɛ sɔ̃ nˈaʃɛ ɔkwˈatki?|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_166.wav|ʑɛmʲˈaɲʲɛ s klˈasɨ ɕrˈɛdɲʲɛj mˈɔɡɔ̃ sˈɔbjɛ pɔzvˈɔlitɕ na tˈakɔ̃ pʃɨɡˈɔdɛ rˈaz w ʒˈɨtɕu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_9.wav|jˈɔxanssɔn vʲˈɛdʑaw, ʒˈɛ ɡrˈa zɔstˈawa zˌakɔɲtʃˈɔna i zamjˈɛʒaw f tɛj sˌɨtuˈatsji ɔbˈartʃɨdʑ vˈinɔ̃ naˈila stratskˈana, ktˌurɨ ɕˈɛdʑaw jˈuʃ w ˈinnɨm pɔkˈɔju dɔ pʃɛswˈuxaɲ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_46.wav|brjˈɛnnɛ ʒutɕˈiwa ɕɛ dɔː utɕˈɛtʃki. mˈuj mʲˈɛtʃ!|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_63.wav|ɲʲɛ w jɛj mʲɛʃkˈaɲʲu, ˌalɛ jɛst tˈam pivɲˈitsa dɔstˈɛmpna z zˈɛvnɔntʃ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_264.wav|tsˈɔ tˈu ɕɛ stˈawɔ, ʒɔwɲʲˈɛʒɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_96.wav|mˈɔʒɛ tɔ vˌɨvɔwˈɨvatɕ prɔblˈɛmɨ, vʲˈɛnts uznˈaliɕmˌɨ, ʒˈɛ lˈɛpʲɛj bˈɛɲdʑɛ, jˈak ɲikˈɔmu ˈɔtɨm ɲʲɛ pɔvʲˈɛmɨ.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_40.wav|krˈul fˈɔɡɡ zaʃtʃˈɛkaw, jˈaɡbɨ xtɕˈaw ɕɛ z ɲʲˈɔ̃ zɡˈɔdʑitɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_69.wav|zmuɕˈiwa ɕɛ, bˈɨ pʃˈɛstatɕ mˈɨɕlɛtɕ pʃˈɛs kˈilka xfˈil i pɔzvˈɔlitɕ ɔtpˈɔtʃɔɲdʑ ɡwˈɔvʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_18.wav|ɲʲɛ pˈuʃtʃɛ rɨˈana sˈɔlɔ. strˈatsɛ pʃˈɛs ɲʲˈɛɡɔ litsˈɛntsjɛ f tɨm sˈamɨm dɲʲˈu, f ktˌurɨm pɔtpˈiʃɛ jˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_201.wav|xtsˈɛ, ʒˈɛbɨ alˈain pˌɔjɛxˈawa zˈɛmnɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_243.wav|ktˌurɨ z vˌɨvalˈɔnɨm jɛ̃zˈɨkʲɛm bjˈɛɡw ˌɔbɔk sɛptˈɔna i jˈɛɡɔː ˈɔswa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_12.wav|tʃɨ ˌɔɲi ɕɛ ˈɔtɨm dɔvʲˈɛdʑɔ̃?|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_297.wav|wamˈaliɕmˌɨ ɕɛ xlˈɛbɛm s tfˈɔjɔ̃ ɕˈɔstrɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_177.wav|ɔbjˈɛtsaw lˈadɨ tsatˈɛlɨn, ʒˈɛ zvrˈutɕi jɛj tsˈurki, ˌalɛ ɡdˈɨ dɔtˈarliɕmˌɨ dɔ krulˈɛfskʲɛj pʃɨstˈaɲi, jˈuʃ ix tˈam ɲʲɛ bˈɨwɔ.|1
+Dataset/wavs/urwisko_ferenc/23_segment_59.wav|ˌalɛ mˈartɕin ɲʲˈɛxtsɛ skɔʒˈɨstatɕ s tɛj mˌɔʒlivˈɔɕtɕi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_115.wav|vɨtɕˈɔŋɡnɔw rˈɛŋkɛ i pˈɔmuɡw mi fstˈatɕ. bˌɨwɔ lˌɔdɔvˈatɔ, ˌalɛ zatɕˈɔŋɡnɔw mɲʲɛ na wˈafkɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_209.wav|ˌalɛ tˌɨlkɔ pɔd varˈuŋkʲɛm, ʒˈɛ bˌɛɲdʑɛ ɕɛ tʃɨmˈawa ɔt tɕˈɛbjɛ z dalˈɛka, kapˈujɛʃ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_446.wav|jˈɛʃtʃɛ kˌilkakrˈɔtɲʲɛ pɔzdrˈɔviw ˌuɲʲɛɕˈɛɲʲɛm dwˈɔɲi mijˈanɨx swˈɔvʲan.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_49.wav|bʲˈillɨ mˈuɡwbɨ pɔvʲˈɛdʑɛdʑ dʒimˈɔvi, ʒˈɛ w ʒˌɛtʃɨvistˈɔɕtɕi za ɔstˈatɲʲɛ swˈɔva ɔstsˈara vildˈɛa uvˈaʒa ɕɛ ˈalbɔ zɲˈiknɛ jˈa, ˈalbɔ ta tapˈɛta, ˌalɛ tˌɨlkɔ ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_63.wav|ɲˈilɛ vˌɨprɔstˈɔvaw ɕɛ na kʃˈɛɕlɛ, znˈatʃɲʲɛ bˈardʑɛj ˌɔʒɨvʲˈɔnɨ ɲˈiʃ kʲˈɛdɨ zastˈali ɡˈɔ na pɔtʃˈɔntku.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_199.wav|jˈakʲɛɕ skˌɔmplikɔvˈanɛ pʲɛrdˈɔwɨ zvʲɔ̃zˈanɛ s pˈɔlɛm pɔvʲˈɛʃxɲi i fspˌuwtʃɨnɲˈikʲɛm ˌutlɛɲʲˈaɲʲa spravʲˈajɔ̃, ʒˈɛ mˈɛtal ɕɛ spˈala.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_140.wav|jˈɛɕli tɔ bˌɨwa prˈavda.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_42.wav|na pʲˈɛrʃɨ ʒˈut ˈɔka fʃˈɨstkɔ vɛ vwaɕtɕˈivɨx rɔzmʲˈarax.|2
+Dataset/wavs/urwisko_ferenc/65_segment_52.wav|f salˈɔɲʲɛ ˌuʒɔndʑˈɔnɨm zɡˈɔdɲʲɛ z ˌɔbɔvʲˌɔ̃zujɔntsˈɨmi trɛndˈami f prˌɔjɛktɔvˈaɲʲu vnˈɛntʃ|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_188.wav|ktˌurɨ miɡˈɔtaw blˈadɨm, vidmˈɔvɨm blˈaskʲɛm na tlˈɛ ʃarˈɛɡɔ ɲʲˈɛba.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_69.wav|tʃɨm ˌɔna jɛst i dɔ tʃˈɛɡɔ jɛzd zdˈɔlna? vʲˈɛ ˈɔnas fʃˈɨstkɔ, znˈa kˈaʒdɨ ʃtʃˈɛɡuw z naʃˈɛɡɔ ʒˈɨtɕa. ɲʲˈɛvʲɛm skˈɔnt, ˌalɛ tɔ mˈɔjɛ zadˈaɲʲɛ, bˈɨ tɔ naprˈavitɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_113.wav|pˈɔʃɛt f kʲɛrˈuŋku stˈatsji bˌɛnzɨnˈɔvɛj. ˈandɨ ɕˈɛdʑaw na stˈɔwku, vˌɨtɕɔŋɡnˈɔ̃fʃɨ pʃɛt ɕˈɛbjɛ ɡrˈubɛ i tɕˈɛ̃ʃkʲɛ nˈɔɡʲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_124.wav|zˈadar ɡwˈɔvɛ i spˈɔjʒaw na ʑˈɛmʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_588.wav|a kʲˈɛdɨ ˌɔdʑɨskˈajɔ̃ vˈɔlnɔɕtɕ,|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_27.wav|ˈɔjtɕɛdʑ zlustrˈɔvaw sxrˈɔn dˌɔɕfʲattʃˈɔnɨm ˈɔkʲɛm. ˈɔpʃɛd ɡˈɔ dˌɔɔkˈɔwa, ˌɔɡlɔndˈajɔndʑ badˈaftʃɔ kˈaʒdɨ dˈɛtal zˈɛ fʃˈɨstkix strˈɔn.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_47.wav|fʃˈɨstsɨ zajmˈujɔ̃ mʲˈɛjstsa, a inspˈɛktɔr pɔxˈɨla ɕɛ dɔ pʃˈɔdu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_10.wav|tˈɔm pɔpˈatʃɨw na jɛj pɔxmˈurnɔ̃ tfˈaʃ, ktˌura stˌanɔvˈiwa ɔdbʲˈitɕɛ jˈɛɡɔ vwˈasnɨx mˈɨɕli.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_13.wav|jˈuʃ sˈam kˈɔntaɡd z jˈɛɡɔ ʃtʃˈupwɨm tɕˈawkʲɛm sprˈavja, ʒˈɛ xtsˈɛ mi ɕɛ pwˈakatɕ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_14.wav|bˈɛtskɨ bˌɨwa rˈuvɲʲɛ zˌaɲʲɛpˌɔkɔjˈɔna jˈak ˈɔn. ɲʲɛ pˌɔtʃɛbɔvˈali f tɛj sprˈavʲɛ ʒˈadnɨx kɔlˈɛjnɨx kˌɔmplikˈatsji.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_70.wav|kʲˈɛdɨ pɔwˈɔʒɛ rˈɛntsɛ nˈatɨh ɕrˈɔtkax, vʲˈɛm, dɔ tʃˈɛɡɔ jɛzd zdˈɔlnɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_141.wav|tˈaɡʒɛ i f tɨm pʃɨpˈatku ɲˈiɡdɨ pʃˈɨɲim.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_166.wav|a tˈaɡʒɛ ɛpˈɔka jɔndrˈɔva.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_85.wav|kʲˈɛdɨ ɕɛ ɔbˈudʑiʃ, pɔtʃˈujɛʃ ɕɛ lˈɛpʲɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_56.wav|a mˈɔɡɛ ɕɛ pɔwˈɔʒɨtɕ, mˈamɔ?|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_303.wav|ˈɔjtɕɛdʑ vˈɨswaw jˈɔ̃ na ʑɛlˈɔnɨ kˈamjɛɲ, ʒˈɛbɨ vˈɨʃwa za lˈɔrda ˌɛstɛrmˈɔnta.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_77.wav|pˈɔtɛm ɲˈitsk i klˈɛrkɨ znˈuf spɔtkˈali ɕɛ na tɛj sˈamɛj vˈɨspʲɛ tsˈɔ pɔpʃˈɛdɲʲɔː i ˌɔmuvˈili ʃˈɛrɛk mɔʒlˈivɨx stsˌɛnarjˈuʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_58.wav|budʑˈiwa ɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_22.wav|ɡdˈɨbɨ dˈɔʃwɔ dɔ vɨtɕˈɛku z rˌɛaktˈɔra,|4
+Dataset/wavs/urwisko_ferenc/18_segment_77.wav|a tsˈɔ ɕɛ stˈawɔ? bɔrˈɛvitʃ fstˈaw, ʒˈɛbɨ vɨmjˈɛɲidʑ z ɲˈim ˈuɕtɕizɡ dwˈɔɲi. xtɕˈawbɨm pɔjˈɛxatɕ s pˈanɛm w jˈɛdnɔ mʲˈɛjstsɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_63.wav|tˈɔm ɔdlˈitʃɨw pɔ tɕˈixu dɔ dʑɛɕˈɛɲtɕu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_123.wav|nˈaʃɛ spɔjʒˈɛɲʲa spɔtkˈawɨ ɕɛ na jˈɛdnɨm pɔʑˈɔmjɛ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_424.wav|tɔ bˈɨ bˌɨwɔ fʃˈɨstkɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_12.wav|dajˈɛmɨ sˈɔbjɛ rˈadɛ.|3
+Dataset/wavs/urwisko_ferenc/61_segment_28.wav|ɲʲɛ rˌɔzmavʲˈajmɨ pʃˈɛs tɛlˈɛfɔn ˈu dʑˈɛwa. fpˈadnɛ dɔ pˈana ɲʲɛdwˈuɡɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_225.wav|a ˌɔna ɲʲˈɛxtsɛ mu ɔtfˈɔʒɨdʑ dʒvˈi? ɲʲɛ. pˈan jˈɔ̃ vˈidʑaw?|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_378.wav|dʒˈɛjn pˌɔtsawˈɔvaw jˈɔ̃ f pɔlˈitʃɛk.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_54.wav|vɨtɕˈɔŋɡnɔw rˈɛŋkɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_161.wav|klˈɛrki mˈɔʒɛ ɲʲɛ zvrˈutɕiwbˌɨ nˈatɔ uvˈaɡʲi, mˈɔʒɛ ɲʲɛ nˈabrawbˌɨ pɔdˈɛjʒɛɲ, ˌalɛ lˈɛpʲɛj ɲʲɛ rˌɨzɨkˈɔvatɕ.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_54.wav|jɛst mwˈɔtʃa ˈɔdɛ mɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_4.wav|jˌɛstɛɕ pˈɛvna, ʒˈɛ tʃˈujɛʃ ɕɛ s tɨm kˌɔmfɔrtˈɔvɔ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_14.wav|ɔpˈarwam ɡwˈɔvɛ ɔd dʒvˈi, prubˈujɔnts ˌuspɔkˈɔidʑ dudɲʲˈɔntsɛ f pʲˈɛrɕi sˈɛrtsɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_326.wav|ktˌurɛ pʃˌɨpɔminˈawɨ pɔstˈatɕɛ zɡarbjˈɔnɨx lˈudʑi ʃˌukajˈɔntsɨx ɲʲɛ vʲadˈɔmɔ tʃˈɛɡɔ pɔt ɲʲˈɛbɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_69.wav|mˈama i tˈata pˌɔpatʃˈɨli na ɕˈɛbjɛ. nˈavɛt jˈakɔ dʑˈɛtskɔ vidʑˈawam dˌɔskɔnˈalɛ, ʒˈɛ ɲʲɛ mˌajɔ̃ pɔjˈɛɲtɕa, tsˈɔ nˈatɔ ˌɔtpɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_43.wav|dʑɛŋkˈujɛ rˈuvɲʲɛʃ mɔjˈɛmu rˌɛdaktɔrˈɔvi jˌuljanˈɔvi pˈavi, ktˌurɨ zˈafʃɛ pɔtrˈafi vˈɨbratɕ najbˈardʑɛj ˌɔtpɔvʲˈɛdɲi mˈɔmɛnt na vʲɛrtsˈɛɲʲɛ mi dʑˈurɨ w bʒˈuxu.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_63.wav|jˌɛstɛɕ ɲʲˌɛzamˈɛ̃ʒna i sˈɨpʲaʒ z vʲɛlˈɔma mˌɛ̃ʃtʃɨznˈami.|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_18.wav|brˈɔɲ pˈalna jɛst w artˈɛmiz zˌakazˈana, ˌalɛ mˈɔɡwam tˈakim palɲˈikʲɛm zrˈɔbʲitɕ kˈɔmuɕ kʃˈɨvdɛ, ɡdˈɨbɨ pˈɔtʃɛd zbˈɨd blˈiskɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_54.wav|ɲʲɛ ˌuɕfʲadˈamjaʃ sˈɔbjɛ jˈɛdnak, ʒˈɛ ta sˈama ɲʲˌɛzalˈɛʒnɔʑdʑ budˈujɛ jˌɛdnɔtʃˈɛɕɲʲɛ barjˈɛrɛ. tʃˈujɛ ɕɛ ɲʲˌɛpɔtʃˈɛbnɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_279.wav|ɡdʑˈɛ ja ɕɛ vwˈutʃɛ.|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_35.wav|tʃˈɛɡɔː ˌɔɲi ˈɔdɛ mɲʲɛ ˌɔtʃɛkˈujɔ̃?|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_76.wav|tʃˈujɔnts fsˌuvajˈɔntsɛ ɕɛ mʲˌɛndʑɨ sfˈɛ ˈuda kɔlˈana pˌɔlitsjˈanta i jˈɛɡɔ tɕˈɛ̃ʃkʲɛ rˈɛntsɛ ˌɔpʃukujˈɔntsɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_99.wav|ˌalɛ tɔ bˌɨwɔ tsˈɔɕ ˌɛkstrɛmalnˈɛɡɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_28.wav|ˈanna, mˈɔja kɔxˈana, fʃˈɨstkɔ f pɔʒˈɔntku? vʲˈɛm, ʒˈɛ kazˈawaɕ mi ɕɛ ɲˈitʃɨm ɲʲɛ mˈartfitɕ, ˌalɛ ɔtxˈɔdʑɛ ɔd zmˈɨswuf.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_219.wav|pˌɔtsawˈɔvaw jˈɔ̃ w nˈɔs. ʒˈɔnɔ, pɔtsˈawuj zabˈujtsɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_122.wav|ɕˌɔstʃɛɲˈitsa fpˈadwa mu w ˈɔkɔː i pˈɔbʲiw jˈɔ̃ zˈatɔ, ʒˈɛ ɲʲɛ xtɕˈawa bˈɨdʑ dla ɲʲˈɛɡɔ mˈiwa. vʲˈɛ pˈan, tsˈɔ mˈam na mˈɨɕli?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_81.wav|krˈɛf na ubrˈaɲʲu mˈɛ̃ʒa pasˈujɛ dɔ prˈup rˌɛaɲimˈatsji, ɔ ktˌurɨx nˈam mˈuviw. ʒˈadnɨx rɔsprˈɨskuf, tˌɨlkɔ smˈuɡʲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_64.wav|sxrˈɔn jɛst pʃɨ zaxˈɔdɲʲɛj ɕtɕˈaɲʲɛ, pɔvʲˈɛdʑaw. tʃtɛrnˈaɕtɕɛ ˈɔsup w ɕrˈɔtku.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_236.wav|tɔ fʃˈɨstkɔ, tsˈɔ mu zɔstˈawɔ, ɲʲɛ lˈitʃɔndʑ dvˈu dvudʑˈɛstɛk.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_293.wav|fʃˈɨstkʲɛ dʑɛftʃˈɛnta mʲˌawɨ vɛ vwˈɔsax kfʲˈatɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_57.wav|ɲʲɛ tfʲˈɛrdʑɛ jˈɛdnak rˈuvɲʲɛʃ, ʒˈɛ jˈɔ̃ vɨklˈutʃam. ɲʲɛ jˌɛstɛm pɔ prˈɔstu ɡˈɔtuv vɨklˈutʃɨtɕ rˈuʒnɨx mˌɔʒlivˈɔɕtɕi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_213.wav|tsˈɔ ɕɛ stˈawɔ zˈɛmnɔ̃?|0
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+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_313.wav|a pˈɔtɛm zatʃˈɛwa pʃɛsˈuvatɕ ktɕˈukʲɛm vˈɔkuw vʲˈɛlkʲɛj, tɕˈɛmnɛj sˈutki, w jˈɛdnɔ̃ i w drˈuɡɔ̃ strˈɔnɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_81.wav|vˈidʑiʃ, dʲˈidʲi, ɲʲɛdwˈuɡɔ tɛn dˈɔm bˌɛɲdʑɛ pˈɛwɛn lˈudʑi. spɔdˈɔba tɕˈi ɕɛ tɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_137.wav|mˈam pʃˌɨɡɔtˈɔvatɕ tsˈɔʑ dɔ jɛdʑˈɛɲʲa?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_8.wav|ɲʲɛ, ˌalɛ mˈam ɡwˈɔs. jˈɛɕli kˈɔɡɔʑ zɔbˈatʃɛ, zavˈɔwam psˈa pɔː imjˈɛɲʲu i zapˈɨtam, tʃɨ ɲʲɛ vidʑˈɛli pʃɨpˈatkʲɛm bˈɔrdɛr tsˈɔlljɛ, ktˌurɨ ɡdʑˈɛɕ mi ɕɛ zapˈɔdʑaw.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_20.wav|i tɔ ɲʲɛ jˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_6.wav|pˌɔvʲɛdʑˈawa dɔ tˌɛlɛfˈɔnu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_15.wav|ʃlˈaɡ bˈɨ tɔ...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_455.wav|tˈaɡ bˌɨwɔ sɔndʑˈɔnɛ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_170.wav|zˌapɛvɲˈiwa brjˈɛnnɛ. sˈɛr jˈamɛ pʃˈɨɕɔŋkw tsatˈɛlɨn stˈark, a pˈɔtɛm jˈɛɡɔ pʃˌɨjatɕˈɛlɛ pˌɔdɛrʒnˈɛli jɛj ɡˈardwɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_36.wav|tfˈɔi krˈɛvɲi ɲʲɛ pʃɨswˈali pʲɛɲʲˈɛndʑɨ, mˈuɕi tɕi tɛj fçˈiskɨ vɨstˈartʃɨdʑ dɔ jˈutra. dˈaj mi trˈɔxɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_70.wav|jˈak pˈan bˌɛɲdʑɛ lˈatatɕ s tɔ̃ krfavʲˈɔntsɔ̃ rˈɛŋkɔ̃?|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_342.wav|vɨjˈaɕɲiw z uɕmʲˈɛxɛm allˈɛras.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_221.wav|ɲʲɛ pˌɔdʑɛŋkˈujɛʃ mi i ftsˈalɛ tˌɛɡɔ ɲʲɛ ˌɔtʃɛkˈujɛ, mˈuvi ɲˈitsk.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_22.wav|vˈɨbjɛʃ mˈɔʒɛ tˈɛ, ktˈurɛ...|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_254.wav|dˈalɛ vrˈutɕiw na sfˈuj fˈɔtɛl i znˈuv zatʃˈɛliɕmˌɨ ɕɛ tˈɔtʃɨtɕ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_517.wav|ɲˈiɡdɨ ɕɛ ɲʲɛ bˈawam, kʲˈɛdɨ mɲʲɛ pɔdʒˈutsaw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_28.wav|ɲʲɛ znˈa pɔtʃˈutɕa vˈinɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_65.wav|fˈakt, ʒˈɛ ɲʲɛ vʲɛdʑˈawɛm, ʒˈɛ dʑˈɛjɛ ɕɛ tsˈɔʑ zwˈɛɡɔ. vʲˈɛlɛ mˈuvi ˈɔtɨm, ɡdʑˈɛ mʲˌawɛm ftˈɛdɨ ɡwˈɔvɛ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_475.wav|ukrˈadwɛɕ mi ʒˈɔnɛ i splˌuɡavˈiwɛɕ jˈɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_254.wav|tˌɨlkɔ pɔ bʲˈitfax.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_362.wav|tsˈɔ tˈu dɔ xɔlˈɛrɨ bˌɨwɔ ɡrˈanɛ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_37.wav|ɲʲɛ!|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_206.wav|a pˈɔtɛm strˈatɕi jˈuʃ ɕˈiwɨ, strˈatɕi vʲˈɛnts mˈɔʒnɔɕtɕ prˈatsɨ i latˈaɲʲa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_172.wav|pʃˈɨjʒaw ɕɛ ɲʲˌɛfɔrtunnˈɛmu skʃˌɨʒɔvˈaɲʲu ˌɔtɔmˈanɨ z vɛrsˈalkɔ̃ i pɔkˈivaw w miltʃˈɛɲʲu ɡwˈɔvɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_51.wav|zˈaɲim zˌadʑvɔɲˈiwa dɔ nˈas jˈɔ pˈalmɛr i fʃˈɨstkɔ spravdʑˈiliɕmˌɨ, tˈamtɕi zɨskˈali jˈakʲɛɕ tʃˈɨ ɡɔdʑˈinɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_99.wav|ˌalɛ tˈaka mɛtˈɔda mˈɔʒɛ zˈavʲɛɕtɕ, dlatˈɛɡɔ kˈaʒda z bˈaɲʲɛk jɛzd vˌɨpɔsaʒˈɔna w zˈavur bˌɛspʲɛtʃˈɛɲstfa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_24.wav|tˈɔm ɲʲˈɛmʲaw vʲˈɛŋkʃɨɣ vˌɔntplivˈɔɕtɕi, ʒˈɛ ˈɛdmundz bˈɨw zˌaaŋɡˌaʒɔvˈanɨ w jˈakɔ̃ʑ dʑawˈalnɔɕtɕ pʃɛstˈɛmptʃɔ̃, vʲˈɛnts mˈɔʒɛ mʲˌɛli dɔ tʃɨɲʲˈɛɲʲa z jˈakimɕ mɕtɕitɕˈɛlɛm.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_157.wav|jˈaɡ dˈɔbʒɛ jˈɔ̃ znˈaʃ, ˈarjan.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_47.wav|tˈɔm pˈɔdɲʲus ksˌɛrɔkˈɔpjɛ indˈɛksu w rɛjˈɛstʃɛ lɛʒˈɔntsɔ̃ na bjˈurku kˈita, pɔ tʃɨm pʃɛsˈunɔw pˈaltsɛm pɔ nazvˈiskax.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_123.wav|ˌalɛ zˌɔstavˈiliɕmˌɨ ɡˈɔ f spɔkˈɔju, bˈɔ ɲʲɛ znˈaliɕmˌɨ kˈɔdu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_237.wav|tʃɨ mwˈɔdɛj kɔbjˈɛtɨ.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_112.wav|ktˈɔʑ zˌawɔmˈɔtaw dɔ dʒvˈi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_66.wav|znalˈazwɛm ɕɛ na ʃtʃˈɨtɕɛ ɡˈurɨ i tˈɛras fʃˈɨstkɔ rˈazɛm zˈɛmnɔ̃ lˈɛtɕi na wˈɛp na ʃˈɨjɛ.|0
+Dataset/wavs/urwisko_ferenc/43_segment_21.wav|— a jˈaɡʒɛ! — ɡɔspˈɔdaʃ pʃˈɛtar rɛntʃɲˈikʲɛm kˈark. jˈɛɡɔ ɕˈivɛ, rˈuvnɔ pʃɨtɕˈɛntɛ vwˈɔsɨ stɛrtʃˈawɨ na fʃˈɨstkʲɛ strˈɔnɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_12.wav|tɔ bˌɨwɔ jˈɛɡɔ wˈuʃkɔː i tɔ ja pɔvˈinnam bˌɨwa spˈatɕ na pɔdwˈɔdʑɛ ˈalbɔ rˈazɛm z ɲˈim.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_308.wav|ˌɔbjɛtsˈawam jamjˈɛmu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_95.wav|nˈaɡlɛ sxɨlˈiwa ɕɛ kˈu mɲʲɛ i pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_163.wav|prˈɔʃɛ bˈardʑɔ, ɲˈiɡdʑɛ ɕɛ ɲʲɛ vɨbjˈɛram, nˈavɛd ɡdˈɨbɨm xtɕˈaw, ɲʲˈɛmʲawbˌɨm dˈɔkɔnt. pˌɔtʃɔntkˈɔvɔ zupˈɛwɲʲɛ mi ɕɛ tˈu ɲʲɛ pˌɔdɔbˈawɔ, ˌalɛ tˈɛras jˌɛstɛm zˌaxfɨtsˈɔnɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_227.wav|— pamjˈɛntaʃ mɲʲɛ? — zapˈɨtaw.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_81.wav|s ktˌurɔ̃ xtɕˈawbɨm tˈɛras xfˈilɛ pˌɔrɔzmˈavʲatɕ, vʲˈɛnts mˈuʃɛ na rˈaʑɛ vˈas pʃɛprˈɔɕitɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_110.wav|stsˈɔdd vˌɨpɔvʲˈɛdʑaw swˈɔvɔ tˈak tɕˈixɔ, ʒˈɛ ɲʲɛ bˌɨwam pˈɛvna, tʃɨ dˈɔbʒɛ ɡˈɔː ˌuswɨʃˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_66.wav|bˌɨwa w zasˈadʑɛ vɨmˈɨswɛm tsɛzˈara awɡˈusta.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_321.wav|vʲˈɛnts pˈɔdɲʲuz ɡwˈɔvɛ i pˈatʃɨw. samˈɔlɔt ʃˈɛd na mˈawɛj vˌɨsɔkˈɔɕtɕi z zˌapalɔnˈɨmi ɕfʲatwˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_318.wav|pɔtʃˈuwam, jˈak ɕtɕˈiska mɲʲɛ ˈaʒ dɔː utrˈatɨ txˈu.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_219.wav|pɔstˈukaw pˈaltsɛm w mˈapɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_117.wav|karˈabʲin?|0
+Dataset/wavs/urwisko_ferenc/07_segment_4.wav|stˈanɔw pʃˈɨɲʲɛj i ˈɔpar dwˈɔɲʲɛ na bjˈɔdrax.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_141.wav|kˌɔntsɛntrˈujɛ ɕɛ vɨwˈɔntʃɲʲɛ na pʃɨbˈɨʃax.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_31.wav|kwˈadɛ mu dwˈɔɲ na tʃˈɔlɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_164.wav|tˈɔm vɨrˈaʑɲʲɛ tɔ tʃˈuw.|3
+Dataset/wavs/urwisko_ferenc/08_segment_86.wav|ɲʲɛ nˌapavˈawɔ ɡˈɔ tɔː ˌɔptɨmˈizmɛm. xɔdʑˈiwɔ jˈɛdnak ɲʲɛ ɔ dˈɔbrɨ nˈastruj, ˌalɛ ɔ ʒɛtˈɛlnɔ̃ ˌanalˈizɛ tˈɛɡɔ, tsˈɔ ɕɛ stˈawɔ.|0
+Dataset/wavs/urwisko_ferenc/14_segment_42.wav|w zasˈadʑɛ ɲikˈɔɡɔ ɲʲɛ ɔʃtʃˈɛndʑa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_385.wav|uɕˈɛdliɕmˌɨ na taptʃˈaɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_53.wav|jˌɛstɛɕ wˌadɔvˈatʃɛm kursˈantɛm?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_122.wav|dʒvˈi pɔ strˈɔɲʲɛ kʲɛrˈɔftsɨ ɕɛ ˌɔtfɔʒˈɨwɨ i ˌuswɨʃˈawam ˌudɛʒˈɛɲʲɛ stˈup ɔ ʒvˈir. tˈata vˈɨɕad.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_21.wav|jˈak jˈuʒ vʲˈɛmɨ, samˈɔxud bˈɨw bˈɛs skˈazɨ, ˌalɛ udˈawɔ ɕɛ nˈam skˌɔntaktˈɔvadʑ z mˈɨjɲʲɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_91.wav|dʑˈɛɲ dˈɔbrɨ, pˈaɲʲɛ baʃˈara.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_63.wav|pʃɛwˈɨkam ɡɔʃkˈavɔ̃ ɕlˈinɛ i tʃˈɛkam z bʲijˈɔntsɨm sˈɛrtsɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_22.wav|zˌaintˌɛrɛsɔvˈawa nˈas ɲʲˌɛzarˌɛjɛstrɔvˈana kɔmˈurka, ktˌurɔ̃ tʃˈɨmaw pˈan f ʃuflˈadʑɛ bjˈurka.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_68.wav|bˈɔ tɔ platsˈufka, f ktˌurɛj pratsˈujɛ ˈɔjtɕɛts mˈili pˈalmɛr.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_234.wav|zˈadaw sˈɔbjɛ pɨtˈaɲʲɛ, jˈak jˈɛɡɔː ˈɔjtɕɛts nakˈarmi krulˈɛstfɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_20.wav|tɔ tfˈuj tˈatuɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_70.wav|jɛzd vɨsˈɔki. mˈa na sˈɔbjɛ ˌɔɕlɛpʲajˈɔntsɔ bjˈawɨ tˈɛʃˈirt kˌɔntrastujˈɔntsɨ s tʃˈarnɔ̃ jˈak nˈɔts skˈurɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_214.wav|pʃɨpˈɔmɲʲaw jɛj jˈamɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_28.wav|mˈa pˈan na mˈɨɕli fspˈartɕɛ fˌinansˈɔvɛ, tˈak?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_49.wav|tʃɨ bˈɛtskɨ mʲˈawa rˈatsjɛ?|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_119.wav|vˈɔlɛ zɡʲˈinɔɲtɕ f tɕˈɛplɛ, jˈɛɕli wˈaska.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_5.wav|tsˈawɛ tɔ mʲˈɛjstsɛ vˌɨdavˈawɔ ɕɛ mˈartfɛ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_237.wav|tˈak, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_194.wav|pratsˈɔvaw vˈɔlnɔ. pˈatʃɔnts na mˈapɛ, mˈɨɕlaw ˈɔtɨm krˈaju, ktˌurɨ znˈaw s pɔvʲˈɛtʃa i mˈɨɕlaw ɔ ʑˈɛmi, na ktˌurɛj pratsˈɔvaw.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_255.wav|ɡdˈɨ dʒvˈi zamknˈɛwɨ ɕɛ za ɲˈimi, tsɛrsˈɛi nalˈawa sˈɔbjɛ kɔlˈɛjnɨ kʲˈɛliɣ vˈina.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_145.wav|zrˈɛʃtɔ̃ ɲʲɛvˈaʒnɛ. ɲʲɛdˈavnɔ spwatɕˈiwam pˈɛvʲɛn dwˈuk. a jˈakʲɛ tɔ mˈa znatʃˈɛɲʲɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_160.wav|tˌɛmu druɡʲˈɛmu nazˈɨvaw ɕɛ jˈarɛt klˈajn, ɕtɕɔŋɡnˈɔwɛm ɡˈatɕɛ i fʃˈɨstsɨ zˌɔbatʃˈɨli jˈɛɡɔː ɔpʃtʃˈanɛ mˈajtki.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_5.wav|nˈɔː i zˌaklɛpˈawam sˈɔbjɛ kˈɔntrakt na pʃˌɛvʲɛʑˈɛɲʲɛ tsˈawɛj stˈɛrtɨ pˈudɛw s prˌɨvatnˈɛɡɔ mʲɛʃkˈaɲʲa dɔ pˈɔrtu.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_106.wav|rˈɔbɛrt pɔnˈɔvɲʲɛ pɔtɕˈɔŋɡnɔw nˈɔsɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_188.wav|rudʲˈiɲʲɛ pˈɔbjɛɡw za mnˈɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_25.wav|vˌɨjaɕɲˈimɨ jɛj fʃˈɨstkɔː i pɔvʲˈɛmɨ, ʒˈɛ bˌɛɲdʑɛ mʲˈawa f tɨm tʃˈaɕɛ ɔpʲˈɛkɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_190.wav|nˈavɛt jˈɛɕli ɲʲɛ zamjˈɛʒaʃ ˈɔdɛjɕtɕ, tɔ pʃˌɛtɕɛʃ ɲʲˈɛxtsɛʃ mɲʲɛ tˈutaj, prˈavda?|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_141.wav|a mˈɔi lˈudʑɛ vˌɨruxˈali jˈuʒ ʒˈɔnɨ na pˌɔʒɛɡnˈaɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_207.wav|skˈɔrɔ rˈas tɔ zrɔbʲˈili, zrˈɔbjɔ̃ tɔ znˈɔvu. fatsˈɛtɕi tˌɛɡɔ pɔkrˈɔju tˈak mˈajɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_80.wav|pˌɔvʲɛdʑˈawam jɛj, ʒˈɛ tɔ vwaɕtɕˈiva dɛtsˈɨzja, a tˈɛras kʲˈɛdɨ jˈuʒ vʲˈɛ, ʒˈɛ jɛj ɲʲɛ ˌɔkwamˈawam, ɲʲˈɛma pɔvˈɔdu, bˈɨ ɕɛ vˌɨprɔvˈadʑatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_90.wav|fstˈaliɕmˌɨ, ʒˈɛbɨ vˈɨjɕtɕ i mɨɕlˈawɛm, ʒˈɛ tɔ kˈɔɲʲɛts, ˌalɛ ftˈɛdɨ jˈɛdɛn z mˈɛ̃ʃtʃɨzn pɔvʲˈɛdʑaw xfilˈɛtʃkɛ, pˈaɲi kˈɔmpsɔn, mˈam jˈɛʃtʃɛ tsˈɔʑ dɔ pˌɔvʲɛdʑˈɛɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_428.wav|ujˈɛwa jˈɛɡɔ dwˈɔɲi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_35.wav|sˈami i nˈuʃa tɔ mwˈɔtʃɛ rɔdʑˈɛɲstfɔː ˈaʃa, ktˌurɛ wˈɔntʃɲʲɛ ˌɔkrɛɕlˈamɨ mʲˈanɛm dʑɛtɕˈakuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_199.wav|ˈu xartnˈɛla pʃˌɛɕadɨvˈali tɕi sˈami tsˈɔ zvˈɨklɛ, miltʃˈɔntsɨ i rɔsxfʲˈaɲi ˌɛmɔtsjɔnˈalɲʲɛ ˌalkɔxɔlˈitsɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_39.wav|i mˈɨɕlɛ, ʒˈɛ pˈan ˈɔtɨm dˌɔskɔnˈalɛ vʲˈɛdʑaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_119.wav|rɔzˈumjɛʃ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_71.wav|pˌɔstanɔvˈiliɕmˌɨ ɲʲɛ fspɔmˈinatɕ ɔ rɔmˈanɕɛ ˈaʃa, bˈɔ pɔlˈitsja natˈɨxmʲast xtɕˈawabˌɨ vʲˈɛdʑɛtɕ s kˈim ɡˈɔ mʲˈaw i tʃɨ jɛst tɔː istˈɔtnɛ dla sprˈavɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_51.wav|zatʃˈɛkaj, jˈuʒ dɔ tɕˈɛbjɛ jˈadɛ. ktˈɔ bˈɨw nadˈaftsɔ̃?|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_117.wav|xɔdʑˈiwɛm pɔ mʲˈɛɕtɕɛ w rˈamax ˌɔsfajˈaɲʲa ɕɛ z nˈɔvɨm mʲˈɛjstsɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_41.wav|ˌusunˈɔwɛɕ jˈɛ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_314.wav|i ˌɔbratsˈawɛm jˈɔ̃ w rˈɛŋkax. f pɔdvˈuʒu ˌɔdʑɨvˈawɨ ɕɛ i ɡˈaswɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_160.wav|a ja dɔ tɛj xfˈili ɲʲɛ mˈɔɡwɛm ɕɛ jɛj napˈatʃɨtɕ w nˈaʃɨm krˈutkim fspˈulnɨm ʒˈɨtɕu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_26.wav|mˈɨɕlɛ, ʒˈɛ tˈak.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_47.wav|pˈilɲʲɛ pˌɔtʃɛbujˈɛmɨ villˈisa mˌandɛrjˈɛɡɔ, ɔː ˈilɛ jˈɛʃtʃɛ ʒˈɨjɛ. jɛst nˈaʃɨm vʲˈɛ̃ʑɲʲɛm, ˌalɛ ɡarɲˈizɔn zˈamku ɲʲɛ ˌɔtpɔvʲˈada na nˈaʃɛ krˈuki.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_331.wav|stratɕˈiwɛm jˈɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_103.wav|jˈak tɔ ɕɛ stˈawɔ? zˌapɨtˈawa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_21.wav|jˈɛɕli ktˈɔɕ mʲˈaw ɡˈɔ f sfˈɔjɛj kʲɛʃˈɛɲi, tɔ xˈɨba bˌɛɲdʑɛ mˈɔʒna tɔ jˈakɔʑ vɨɕlˈɛdʑitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_134.wav|ɲʲɛ zabʲˈijɛ kˈɔɡɔɕ tˌɨlkɔ zˈatɔ, ʒˈɛ rˈɔbʲi fˈilmɨ, f ktˌurɨx lˈudʑɛ ɕɛ ruxˈajɔ̃, stfʲˈɛrdʑiw bʲˈillɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_33.wav|uɕfʲˈadam sˈɔbjɛ nˈaɡlɛ, ʒˈɛ jˈɛɕli lˈampa zɡˈaɕɲʲɛ, zˈaɲim tˈam dˈɔtrɛ, zaɕfʲˈɛtɕi ɕɛ pɔnˈɔvɲʲɛ, zvʲastˈujɔnts mˈɔjɛ nadˈɛjɕtɕɛ.|4
+Dataset/wavs/urwisko_ferenc/21_segment_60.wav|pˈɔtɛm dɔtknˈɛwa kˌɔsmɛtˈɨkuf.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_233.wav|nˈalɛw im ˌɔsɔbʲˈiɕtɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_57.wav|vˈɛdwuk tʲˈajmsa jˈɛɡɔ pravdʑˈivɛ nazvˈiskɔ bʒmˈi jˈɔɛl rˈandɔlf ˈallɛn.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_206.wav|pɔvʲˈɛtʃɛ pˈaxɲʲɛ ɕɲʲˈɛɡʲɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_97.wav|zamjˈɛʒaw vɨkˈɔnatɕ jˈɛ najlˈɛpʲɛj jˈak pɔtrˈafiw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_29.wav|tˈɔm ɲʲɛ natɕˈiskaw, tʃˈɛkaw, ˈaʒ bˌɛɲdʑɛ ɡɔtˈɔva, kʲˈɛdɨ jˈɛdnak f kˈɔɲtsu uɲʲˈɔswa ɡwˈɔvɛ, vɨdˈawa s ɕˈɛbjɛ krˈutki jˈɛŋk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_126.wav|vidʑˈawɛm zvʲastˈunɨ, mˈuvi dˈɛrɛk. vɨɡlˈɔnda na strˈaʃnɨ fˈilm.|2
+Dataset/wavs/urwisko_ferenc/18_segment_17.wav|ʒˈadʑɛj sˌamɔbˈujstfa pɔvʲˈɛdʑaw, ɡdˈɨ kɔbjˈɛta vʑˈɛwa na rˈɛntsɛ sˈɨna i pˌɔtsawɔvˈawa ɡˈɔ f pɔlˈitʃɛk.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_20.wav|xtɕˈawam s tˈɔbɔ̃ pˌɔrɔzmˈavʲatɕ. tʃɨ tɔ tˈakʲɛ dʑˈivnɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_121.wav|na jˈɛɡɔː ˈɔtʃax.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_125.wav|ɲʲɛstˈɛtɨ ɲʲɛ. vʲˈɛm, ʒˈɛ vʲˈɛŋkʃɔʑdʑ vʲɛtʃˈɔruf spˈɛndʑaw f kasˈɨɲʲɛ, ˌalɛ ɲˈiɡdɨ ˈɔtɔ ɲʲɛ pɨtˈawam, a ɔn ɲʲɛ dʑˈɛliw ɕɛ ʒadnˈɨmi ˌinfɔrmatsjˈami sˈam s ɕˈɛbjɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_133.wav|ktˌurɨx stɔjˈɔntsɨ ɲˈiɡdɨ pʃˈɛttɛm ɲʲɛ vˈidʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_85.wav|ˌalɛ tɔ bˌɛɲdʑɛ vratsˈawɔ f snˈax.|2
+Dataset/wavs/urwisko_ferenc/53_segment_93.wav|kʲˈɛdɨ ix ˈɔtʃɨ ɕɛ spɔtkˈawɨ, pɔlˈitsjant ɕɛ uɕmʲˈɛxnɔw.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_192.wav|sˈam ɲʲɛ vʲˈɛdʑaw, tʃɨ ɡˈɔʒɛj bˈɨ bˈɨwɔ, ɡdˈɨbɨ rɔspˈɔznaw ɡˈɔ jˈɛdɛn z vrˈɔɡuf jˈɛɡɔː ˈɔjtsa, tʃɨ ktˈurɨʑ z jˈɛɡɔ pʃɨjˈatɕuw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_68.wav|tˈɔm spˈɔjʒaw pˌɨtajˈɔntsɔ na dˈɔn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_112.wav|jˈɛɡɔː ˈɔtʃɨ bjˈɛɡnɔ̃ dɔ dʒvˈi sɨpʲˈalɲi.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_171.wav|ɲʲˈɛx i tˈaɡ bˈɛɲdʑɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_79.wav|ɔ xɔlˈɛra, skˈɔnt ˈɔtɨm vʲˈɛʃ?|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_191.wav|zabrˈawa nˈavɛd bjɛlˈiznɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_483.wav|ɡˈɛrs fˈirst lˈɔvɛ napˈisaw na rˈɔɡu pˈatʃki pʃɨkrˈɨtɛj ɔkwˈatkɔ̃ dɔnˈalda dˈutska dvʲˈɛ litˈɛrɨ tsˈɛ.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_373.wav|jˈɛɡɔ pˈaz dɔ mʲˈɛtʃa vˈiɕaw na kˈɔwku.|1
+Dataset/wavs/urwisko_ferenc/39_segment_54.wav|— prˈɔʃɛ pˈaɲi, ˈɔbjat stˈɨɡɲʲɛ — skˈartɕiw jˈɔ̃ nˌastɔlˈatɛk, ˌalɛ i tɨm rˈazɛm ɲʲɛ ruʃˈɨwa ɕɛ z mʲˈɛjstsa.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_301.wav|lˈɛpʃɛ tɔ, ɲˈiʒ ɡdˈɨbɨ mʲˌɛli ɕɛ ftrˈɔɲtɕitɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_259.wav|tɔ ɲʲˈɛbɨw dˈɔbrɨ mˈɔmɛnt, ʒˈɛbɨ ɕɛ stˈavʲatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_175.wav|i kɔɲʲˈɛtʃɲʲɛ mwˈɔdɛ.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_263.wav|pʃɨʒˈɔɲdʑiʃ mi tˌaki ɛlˈiksir, tʃɨ mˈuʃɛ rɔskˈazatɕ lɔrdˈɔvi kˌɨbɛrnˈɔvi, ʒˈɛbɨ znˈɔvu naprˈaviw skˈutki tfˈɔjɛj ɲʲˌɛudɔlnˈɔɕtɕi?|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_30.wav|na zˈɛvnɔndʒ vʲˈɛjɛ ʑˈimnɨ vʲˈatr i nˌattɕɔŋɡˈajɔ̃ ɕɲʲˈɛʒnɛ xmˈurɨ, ˌalɛ tˈu f kˈuxɲi jɛst tɕˈɛpwɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_42.wav|dˈɔtknɔw tɕˈɛ?|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_136.wav|kˈilka kˈurɛv vˌɨkʃɨtʃˈawɔ dɔ ɲˈix pɔ drˈɔdʑɛ zˌaprɔʃˈɛɲʲa, a spʃɛdˈaftsa paʃtˈɛtuv zaxˈɛntsaw iɣ dɔ nabˈɨtɕa sfˈɨɣ vɨrˈɔbuf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_192.wav|kɔbjˈɛta ˌuɕmʲɛxnˈɛwa ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_150.wav|kʲˈɛdɨ vrˈatsa, ˈɛlis jˈuʃ skɔɲtʃˈɨwa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_35.wav|ˈandɛrsɔn ɔbˈudʑiw ɕɛ zbˈɨt pˈuʑnɔː i ɲʲɛ pˈɔʃɛd dɔ prˈatsɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_313.wav|kʲˈɛdɨ pʃˌɨjɛxˈawa dɔ naʃˈɛɡɔ pˌartɨzantskʲˈɛɡɔː ɔddʑˈawu na mˈɛ̃skim rɔvˈɛʒɛ,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_27.wav|dʑˈɛŋki tˌɛmu mˈɔɡwam ɕɛ trˈɔxɛ ɔtprˈɛ̃ʒɨtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_71.wav|zɔstˈavja na stɔlˈiku nˈɔtsnɨm dvˈa baŋknˈɔtɨ pʲˌɛɲdʑɛɕˌɛɲtɕɔdˌɔlarˈɔvɛ i jˈɛdnɔ̃ stˈuvɛ. ˌɔbɔk kwˈadʑɛ lˈiɕtɕik.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_153.wav|fpˈuʃtʃaw tˈu jɛdˈɨɲʲɛ ɡˈarstkɛ vɨbrˈaɲtsuf, a xˈɔdʑ bˌɨwam zˈafʃɛ blˈiskɔ ɲʲˈɛɡɔ, ɲˈiɡdɨ ɲʲɛ vˈɛʃwam ɡwˈɛmbjɛj ɲˈiʒ dɔ zˌɛvnɛntʃnˈɛɡɔ pɔkˈɔju.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_222.wav|ɲʲˈɛma sprˈavɨ. mˈuʃɛ kˈɔɲtʃɨtɕ, bˈɛv.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_122.wav|tˈakix jɛst najvʲˈɛntsɛj i sˈam nazˈɨvam ix lˈudʑmi ʃarˈɨmi.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_222.wav|ˈɔjtɕɛts xtɕˈaw tˌɨlkɔ zapwˈatɕitɕ ˈɔkub za pɛtˈɨra prˈɨʃtʃa. pʃˈɨɲʲus im zwˈɔtɔ, kturˌɛɡɔ ʒɔndˈali.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_216.wav|ˌɔtʃɨvˈiɕtɕɛ pʃˈɛttɛm vwɔntʃˈɨwam stˈɔpɛr.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_13.wav|mˈam nadʑˈɛjɛ, ʒˈɛ tɔ vɨstˈartʃɨ, pɔvʲˈɛdʑaw bˈɔp, fskazˈujɔnts na vˌɨmɔntɔvˈanɨ sxrˈɔn pɔvʲˈɛtʃnɨ, ktˌurɨ lˈɛʒaw na ɕrˈɔtku vˌɨdʑɛlɔnˈɛɡɔ pˌɔmjɛʃtʃˈɛɲʲa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(89) R.Abbott_Zamknij Drzwi_segment_10.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_25.wav|fˌantastˈɨtʃɲʲɛ, pˌɔvʲɛdʑˈawa bˈɛtskɨ. xˈɔdʑ vɔlˈawabˌɨm, ʒˈɛbɨ ˈistɲʲaw ˌɔbɔvʲˈɔ̃zɛk rˌɛjɛstrɔvˈaɲʲa dˈanɨx pʃɨ zmʲˈaɲʲɛ nazvˈiska. bˈardʑɔː ˌuwatfiwˈɔbɨ tɔ nˈam prˈatsɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_147.wav|mʲˈawam zˈapas jɛdʑˈɛɲʲa i vˈɔdɨ na kˈilka dɲˈi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_17.wav|bˈɨw tɔ budˈɨnɛk s tʃɛrvˈɔnɛj tsˈɛɡwɨ, zapˈɛvnɛ vˌiktɔrjˈaɲski, ktˌurɨ ɔkˈazaw ɕɛ dˈuʒɔ vʲˈɛŋk��ɨ ɲˈiʃ mˈɔʒna bˈɨ tɔː ɔtsˈɛɲidʑ z ulˈitsɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_32.wav|tɔ dˈɔbʒɛ, prˈavda? ʒˈɨjɛ ɕɛ wˈatfʲɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_47.wav|tɔ bɛlˈitʃli lˈudʑɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_16.wav|stˈaram ɕɛ vɨʒˈutɕidʑ ɡˈɔ z ɡwˈɔvɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_60.wav|mˌamɨ pˌɔdɛjʒanˈɛɡɔ, ˌalɛ ɔbˈɛtsɲʲɛ dɔvˈɔdɨ sɔ̃ pˌɔʃlakˈɔvɛ, vʲˈɛnts musˈimɨ ʃˈukadʑ dˈalɛj.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_121.wav|zapˈalɛ ɕfʲˈatwɔ. ɲʲɛ, ɲʲɛ tʃˈɛba. tsˈɔɕ ɕɛ zɛpsˈujɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_177.wav|xtsˈɛ tˈɨlkɔ, ʒˈɛbɨ pˈan vʲˈɛdʑaw, ʒˈɛ jɛj ɲʲɛ vwɔʒˈɨwɛm, ˌɔtɕɛrˈawɛm ɕɛ ɔ jɛj bʒˈux.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_68.wav|xˈɔtɕ ftʃˈɔraj jɛxˈawam za mˈamɔ̃ tɔ̃ sˈamɔ̃ trˈasɔ̃, fpˌatrɨvˈawam ɕɛ jɛdˈɨɲʲɛ f tˈɨw jɛj sˌamɔxˈɔdu.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_300.wav|tˈɛras pɔ trˈaktaɣ vɛndrˈujɔ̃ ɡwˈuvɲʲɛ vrˈublɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_461.wav|pˌɔvʲɛdʑˈawɛm ɡrubjˈaɲskɔ, xˈɔtɕ pʃˌɛtɕɛʃ xtɕˈawɛm tɔ vɨrˈazidʑ dˌɛlikˈatɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_134.wav|kartˈɛtʃka pʃɛd dɔɲˈitʃkɔ̃ ˌinfɔrmˈujɛ, ʒˈɛ tˈak ta rɔɕlˈina mˈa na ˈimjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_68.wav|tɛ ˌutʃɛpʲˈɔnɛ pˈalm pˌɔʃarpˈanɛ vˈɔrki na ɕmʲˈɛtɕi, wˌɔpɔtʃˈɔntsɛ na ɡɔrˈɔntsɨm vʲˈɛtʃɛ jˈak flˈaɡʲi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_289.wav|pamjˈɛntam tˈɨlkɔ, ʒˈɛ mi ɕɛ strˈaʃɲʲɛ nudʑˈiwɔ.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_106.wav|pˌɔzɔstˈawɨɣ dʑɛvʲˈɛɲtɕu zrˈɔbʲi tɔ rˈuvɲʲɛ ʃˈɨpkɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_43.wav|ɡazˈɛtɨ, vitrˈɨnɨ ˌintɛrnɛtˈɔvɛ, stˈudjɔ filmˈɔvɛ, ˈaʒ dvʲˈɛ platfˈɔrmɨ strˌɛamiŋɡˈɔvɛ.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_428.wav|jˈɛɕli nˈavɛt kʲˈɛdɨɕ pɔtrˈafiw vˈaltʃɨtɕ, dˈavnɔ jˈuʒ zapˈɔmɲʲaw tɛj ʃtˈuki.|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_34.wav|tsˈɛntrum pˌɔttʃɨmˈaɲʲa ʒˈɨtɕa|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_69.wav|tɨm rˈazɛm pʃɨxˈɔdʑiw zˈɛ strˈɔnɨ ɕfʲˈatwa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_13.wav|— mˈili, mˈuʃɛ pˌɔrɔzmˈavʲatɕ s tɔ̃ pˈaɲʲɔ̃. tˈatuɕ mˈuɕaw vˈɨjɕtɕ. mˈɔʒɛʃ xfˈilɛ pˈɔbɨtɕ sˈama f skˈarbjɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_287.wav|zˈatɔ vzrˈɔst tɕiɕɲʲˈɛɲʲa f pʃɛɡrˈɔdʑɛ ɕfʲˈattʃɨ ɔ ɲʲˌɛʃtʃɛlnˈɔɕtɕi skɔrˈupɨ vɛvnˈɛntʃnɛj.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_232.wav|kˌapitanˈɔvʲɛ i krulˈɔvʲɛ vɨɲʲˈɛɕli ɛwrˈɔna na trˈɔn, ˌalɛ prˈɔstɨ lˈud ɡˈɔ z ɲʲˈɛɡɔ strˈɔɲtɕi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_30.wav|kɔbjˈɛta pʃˌɨtʃɨmˈawa jˈɛdnaɡ butˈɛlkɛ pʃɨ jɛj ˈustax i ɲʲɛ pˌɔzvɔlˈiwa pʃˈɛrvatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_28.wav|jˌɛstɛm pɔtʃˈɛbnɨ f pɔkˈɔju ˌɔpɛratsˈɨjnɨm. spravdʑˈamɨ pˈarɛ sprˈaf rˌuvnɔtʃˈɛɕɲʲɛ i mˌamɨ spˈɔrɨ zˈɛspuw, ktˌurɨ nˈattɨm pratsˈujɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_178.wav|vrˈɛʃtɕɛ kˈaʃɛl pʃˈɛʃɛd.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_39.wav|xɔlˈɛra, muɕˈawa tsˈɔɕ uswˈɨʃɛtɕ. tɛlˈɛfɔn, s kturˌɛɡɔ kˌɔntaktɔvˈanɔ ɕɛ z ɡˌɛnɛvʲˈɛvɛ nalˈɛʒaw dɔ mˈartɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_167.wav|pˈatʃɨw nˈamɲʲɛ. jˈɛɡɔ ɡˈurna vˈarɡa pˌɔdnɔɕˈiwa ɕɛ i ˌɔpadˈawa. vɨɡlˈɔndaw jˈak stˈarɛ, vrˈɛdnɛ pɕˈiskɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_69.wav|pɔxˈɨlam ɕɛ i jˈɔ̃ tsawˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_24.wav|zɡˈɔdɲʲɛ z ˌɔtʃɛkivˈaɲʲɛm pˌɔjavˈiwa ɕɛ ɕˈɛdʑ vˈifˈi s trakˈanuf.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_98.wav|nˈavɛd ɡdˈɨbɨ tɔ mʲˈawɔ zˈajɔɲtɕ tsˈawɨ dʑˈɛɲ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_65.wav|tʃɨ kʲɛrˈɔftsa zɔstˈaviw ɔtfˈartɛ ˈɔknɔ pɔː ˌɔdɛbrˈaɲʲu bʲilˈɛtu z ˌawtɔmˈatu pɔ pʃɨjˈɛʑdʑɛ, tʃɨ ɔpˈuɕtɕiw jˈɛ, ʒˈɛbɨ s kˈimɕ pˌɔrɔzmˈavʲatɕ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_44.wav|jˈaɡ dˈɔbʒɛ, ʒˈɛ lˈintsaj bˌɨwa tˈaka spˌɔstʃɛɡˈaftʃa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_16.wav|ˌalɛ tʃɨ jˌɛstɛm ɲʲˌɛrɔspˌɔznavˈalna?|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_161.wav|nˈavɛt jˈɛɕli ɲʲɛ tˈɛras, tɔ ftʃˈɛɕɲʲɛj f pʃɛtɕˈɔŋku na pˈɛvnɔː i...|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_216.wav|tɔ jɛdˈɨnɨ pˈɔvut, dla kturˌɛɡɔ zbˌudɔvˈanɔ tˌɛɡɔ sˌatɛlˈitɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_22.wav|i ˌɔdlatˈujɛ f strˈɔnɛ mˈɔʒa pˌɔkrɨtˈɛɡɔ mɡwˈami.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_47.wav|tʃɨ mˈɔɡɛ vˈɛjɕtɕ?|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_103.wav|ˌalumiɲʲˈɔva pwˈɨta bˌɨwa vˌɨtsɛlɔvˈana prˈɔstɔ w ʑˈɛmʲɛ, ˈabɨ ˈɔjtɕɛts mˈukw ɕɛ mˈɔdlidʑ zvrutsˈɔnɨ f strˈɔnɛ mˈɛkki.|4
+Dataset/wavs/urwisko_ferenc/15_segment_8.wav|pɔlˈitsjand zmrˈuʒɨw ˈɔtʃɨ, pʃˌɨɡlɔndˈajɔnts ɕɛ jɛj uvˈaʒɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_37.wav|bʲˈillɨ ɲʲˈɛma pɔjˈɛɲtɕa ɔ tsˈɔ xˈɔdʑi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_117.wav|f tʃˈaɕɛ, kʲˈɛdɨ ˈɔstʃɛ vɛndrˈujɛ pɔː ˈɔkɲʲɛ, swˈɨxatɕ tɕˈixɛ pikɲʲˈɛɲtɕɛ tˌɛlɛfˈɔnu, ˌalɛ bʲˈillɨ ɲʲɛ pʃɛrˈɨva prˈatsɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_32.wav|muɕˈawɛm tˌɨlkɔ pɔstˈavitɕ mu pˈivɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_73.wav|pʃˈɛdɲim lɛʒˈawa pɔdˈuʃka, vʲˈɛnts ɔpˈadwam na pɔdwˈɔɡɛ i nˈaʃɛ spɔjʒˈɛɲʲa ɕɛ pˌɔwɔntʃˈɨwɨ.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_41.wav|pʃˈɨɕɲij mi ɕɛ swˈɔtki sˈɛn, a kʲˈɛdɨ ɕɛ ɔbˈudʑɛ, uswˈɨʃɛ ʃtʃɛkˈaɲʲɛ psˈuf.|1
+Dataset/wavs/urwisko_ferenc/24_segment_93.wav|jˈak pɛndʑˈɔntsɨ drˈɔɡɔ̃ samˈɔxut, ktˌurɨ fpˈada na dʒˈɛvɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_69.wav|ubrˈanɨ w dʒˈinsɨ i kɔʃˈulkɛ pɔdlˈɛva trˈavɲik, kʲˈɛdɨ ɔt strˈɔnɨ sɔ̃ɕˈɛdɲʲɛj pɔsˈɛsji natxˈɔdʑi mɛ̃ʃtʃˈɨzna.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_449.wav|mˈarɨ, tˈaɡ dwˈuʒɛj ɲʲɛ mˈɔʒɛ bˈɨtɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_501.wav|mˈɔjɛ skʃɨpʲˈɔntsɛ wˈuʃkɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_79.wav|vˈidʑɛ tɕˈɛɲʲɛ, ˌalɛ ʒˈadɛn z ɲˈix ɲʲɛ pʃˌɨpɔmˈina tʃwɔvʲˈɛka.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_9.wav|bˈɛtskɨ miltʃˈawa. tˈɔm ʒˈatkɔ bˈɨvaw f kʲˈɛpskim nastrˈɔju, a ˌɔna mˈɔɡwa jɛdˈɨɲʲɛ pʃɨpˈuʃtʃatɕ, ʒˈɛ mʲˈawɔ tɔ tsˈɔɕ fspulnˈɛɡɔ s prˌɔblɛmˈami s tsˈurkɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_59.wav|zˌaatˌakɔvˈanɔ ɡˈɔ z zˌaskɔtʃˈɛɲʲa ɔt tˈɨwu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_5.wav|ˈɛlis ɕɛdʑˈawa z mˈɔim laptˈɔpɛm na kɔlˈanax i tʃɨtˈawa tɔ, tsˈɔ nˌapisˈawɛm w lˈɛtɲim dˈɔmku.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_143.wav|i akˈurat pʃˈɛɡraw fʃˈɨstkɔ, tsˈɔ mʲˈaw, a tɛn jˈɛɡɔ pʃɛtɕˈivɲiɡ zbjˈɛraw fˈɔrtsɛ i mʲˈaw jˈuʃ ˈiʑdʑ dɔ dˈɔmu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_51.wav|pɔdbʲˈitɨx ɲʲɛbjˈɛskɔː ɔbwˈɔtʃkuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_192.wav|a zˈatɛm zˌatʃɨnˈamɨ, pˈaɲʲɛ dɔnˈɔvan. ɲʲɛ rˈuʃaj ɕɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_27.wav|vʑˈɔw ɡwɛmbˈɔki ˈɔddɛx, fstˈaw zzˈa bjˈurka i ɔdvrˈutɕiw ɕɛ dɔ bˈɛki, starˈajɔnts ɕɛ uɕmʲˈɛxnɔɲtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_137.wav|jˈak tɨ ɕɛ tˌɛɡɔ fʃɨstkʲˈɛɡɔ nˌautʃˈɨwɛɕ? tʃɨ kʲˈɛdɨɕ jˈuʃ...|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_608.wav|a ɔɕfʲˈɛtlaw nˈam drˈɔɡɛ brˈudnɨ pˈuwmrɔk nˈɔtsɨ,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_71.wav|tˈak.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_157.wav|jˈadɛ ɔdˈɛbratɕ nˈaʃɛ dʑˈɛtɕi, ktˌurɨm bˌɛɲdʑɛ lˈɛpʲɛj bˈɛs tɕˈɛbjɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_76.wav|pɔxˈɨlam ɕɛ dɔ pʃˈɔdu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_40.wav|kˈit pˌ��rɔzmˈavja jɛj z inspˈɛktɔr spˈaldʲiŋk. prˈɔʃɛ vɨbˈatʃɨtɕ. ɔdvrˈutɕiw ɕɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_24.wav|nˈaʃɔ̃ tsˈurkɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_311.wav|ˌalɛ tsˈɔ mˈuɕi bˈɨtɕ?|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_311.wav|tʃˈujɔndʑ w dwˈɔɲi tɕˈɛpwɔː i ˌaksamˈitnɔ̃ ɡwˈatkɔɕtɕ skˈurɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_38.wav|ɲʲɛ znalˈɛʑliɕmˌɨ na rˈaʑɛ pʃɛdmʲˈɔtu, ktˌurɨm jˈɔ̃ ˌudɛʒˈɔnɔ, ˌalɛ jˈumbɔ nˈattɨm pratsˈujɛ, pɔvʲˈɛdʑaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_45.wav|dˈalɛ ɔbrˈutɕiw kˈɔrbɛ, pxnˈɔw pɔkrˈɨvɛ vwˈazu i vˈɨʃɛd na zˈɛvnɔntʃ. ja zˈaɲim.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_28.wav|ˈaʃ krˈɛɲtɕi ɡwˈɔvɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_196.wav|bʲˈillɨ mˈɨɕli ɔ vˌɨdaʒˈɛɲʲax wˈɛ fallˈuji, ktˌurɛ jˈuʒ zˈavar f sfˈɔjɛj ˌɔpɔvʲˈɛɕtɕi, zˌapisˈanɛj na pˌɛndrivˈɛjɛ spˌɔtʃɨvajˈɔntsɨm f tˈɔrbjɛ z laptˈɔpɛm.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_158.wav|ɕfʲˈattʃɨw ˈɔtɨm jˈɛɡɔː ˈaktsɛnt.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_440.wav|ˌalɛ ɲʲɛ mˈuɕiʃ mi vʲˈɛʒɨtɕ na swˈɔvɔ, brˈatɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_113.wav|bʲˈillɨ pɔxˈɨla ɕɛ dɔ ɲʲˈɛj z uɕmʲˈɛxɛm. ja ɲʲˈɛmam takʲˈɛɡɔ zvɨtʃˈaju. ɔkrˈutɲik, mˈuvi dʑɛftʃˈɨŋka i çixˈɔtʃɛ, zˌaswaɲʲˈajɔnts ˈusta dwˈɔɲmi.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_161.wav|tʃˌɛmu ja mʲˈawbɨm nˈatɨm strˈatɕitɕ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_190.wav|ˈidʑɛ dɔ waʑˈɛŋki.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_264.wav|pʃˈɨɲʲɛɕ jˈɛʃtʃɛ jˈɛdɛn bˈukwaɡ vˈina rɔskˈazaw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_120.wav|— rˌɔzumjˈɛmɨ tɔː i ʃtʃˈɛʒɛ mˈuvʲɔnts, ɲʲɛ vɨdˈajɛ mi ɕɛ, ʒˈɛbɨɕ mˈɔɡwa bˈɨtɕ f tʃˈɨmɕ tˈakim dˈɔbra. — pˈɔvʲɛts mi, bˌɨwaɕ kʲˌɛdɨkˈɔlvʲɛɡ w ʒˈɨtɕu f kasˈɨɲʲɛ?|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_11.wav|ˌaɲi ɲʲɛ w dɔlˈiɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_20.wav|rɔzˈumjaw jˈɛdnak, ʒˈɛ trˈudnɔ bɨwˈɔbɨ vˌɨpɔvʲˈɛdʑɛtɕ tɛ swˈɔva.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_361.wav|jˈakiɕ jɛɡˈɔmɔɕtɕ f stɛrˈanɨm fˌɛrʃalˈuŋɡu kwˈaɲʲaw ɕɛ tʃapˈɛtʃkɔ̃ ˌutʃɨɲʲˈɔnɔ̃ z dˈɛŋka kˌapɛlˈuʃa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_30.wav|pˈaɲi pˌɔvʲɛdʑˈawa, dˈɔbʒɛ, sˈɨnu, zˈɔstaɲ ɡdʑˈɛ jˈɛstɛɕ, pɔlˈitsja zˈaras pʃɨjˈɛdʑɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_88.wav|nˈɔ, tˈak jˈaɡbɨ, mˈuvi vrˈɛʃtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_157.wav|mˌamɨ jˈɛʃtʃɛ trˈɔxɛ xlˈɛba i kavˈawɛk sˈɛra.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_226.wav|vɨɡlˈɔndam jˈak pɔ vɨpˈatku sˌamɔxɔdˈɔvɨm.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_258.wav|a drˈuɡʲi pɔvʲˈɛdʑaw tsˈɔɕ w ɲʲɛznˈanɨm brˈɨɛn jɛ̃zˈɨku.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_130.wav|mˈama unˈɔɕi dwˈɔɲʲɛ dɔ tfˈaʒɨ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_67.wav|nˈadal jˌɛstɛm txˈuʒɛm, dʒˈɔn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_125.wav|mˈili jɛst pˌɔdɔbnˈɛɡɔ zdˈaɲʲa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_43.wav|minˈɛwɔ kˈilka ɡˈɔdʑin, ˈɔtkɔnt tˈamtɛn mɛ̃ʃtʃˈɨzna ɔpˈuɕtɕiw dˈɔm pˈannɨ ɔ xˈanlɔn, vʲˈɛnts ɲʲɛ mɔʒˈɛmɨ ɡˈɔ jˈɛʃtʃɛ vɨklˈutʃɨtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_210.wav|ˌɔtfɔʒˈɨwam vɛntˈɨlɛ skafˈandra i vʑˈɛwam kˈilka ɡwɛmbˈɔkiɣ vdˈɛxuf.|4
+Dataset/wavs/urwisko_ferenc/43_segment_46.wav|— pɔdˈɔbnɔ pˈiw pˈan kˈavɛ i tʃˈɨtaw ɡazˈɛtɛ — pʃɨpˈɔmɲʲaw mu bɔrˈɛvitʃ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_72.wav|pamjˈɛntam bˈul, jˈaki pɔtʃˈuwam, kʲˈɛdɨ dˌɔvʲɛdʑˈawam ɕɛ, ʒˈɛ stsˈɔtt ɲˈiɡdɨ im ˈɔmɲʲɛ ɲʲɛ pɔvʲˈɛdʑaw.|3
+Dataset/wavs/urwisko_ferenc/45_segment_75.wav|mɨɕlˈawa ɔː ˈɔjtsu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_129.wav|swˈɨʃɛ ɲʲˌɛrɛɡulˈarnɛ tˈupɔ tˌɛɡɔ bˈutuf i tʃˈujɛ pˈaltsa na ramjˈɛɲʲu.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_102.wav|sˈɛr xˈɨlɛ pɔdˈɔ̃ʒɨw zˈaɲʲɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_171.wav|ˌalɛ ɲˈiʃʃa ɔt tˌɛmpɛratˈurɨ tɔpɲʲˈɛɲʲa stˈali. zˈatɛm ɡdˈɨbɨ zrɔbʲˈiwɔ ɕɛ zbˈɨd ɡɔrˈɔntsɔ,|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_129.wav|tʃɨ uvˈaʒaʃ, ʒˈɛ jˌɛstɛɕ ˈaʃ tˈaɡ vˈaʒna, ʒˈɛ ɔpˈuɕtɕiwbˌɨm ɲikˈɔlɛ f pɔtʃˈɛbjɛ, bˈɔ dʑˈɛtskɔ ʑlˈɛ ɕɛ zˌaxɔvˈawɔ?|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_219.wav|kfˈadrans pˈuʑɲʲɛj dɔvlˈɔkwam ɕɛ vˈɔ̃skim kˌɔrɨtˈaʒɛm dɔ tsˈɛlu mˈɔjɛj vɛndrˈufki i nˌatɕisnˈɛwam dʑvˈɔnɛk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_88.wav|tɔ bˌɨwɔ rˌɨtuˈalnɛ ˌupɔkɔʒˈɛɲʲɛ, ktˌurɛ mʲˈawɔ pʃˈɨbratɕ jˈɛʃtʃɛ ɡˈɔrʃɔ̃ fˈɔrmɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_79.wav|vɨstˈartʃɨ vʲˈɛdʑɛtɕ, ʒˈɛ rˈɛʃta ʃtʃɛɡˈuwuf pɔdˈanɨx pʃˈɛs ɲˈika ɕɛ zɡˈadʑa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_115.wav|zabrˈaɲʲa mu tˌɛɡɔ jˈɛɡɔː ˌɔsɔbʲˈistɨ kˈɔdɛks.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_21.wav|tˈɔm, tɛn bˈarman, pɔvʲˈɛdʑaw mi, ʒˈɛ pɔ pˌijanˈɛmu pʃˌɨtʃɛpˈiwam ɕɛ dɔ pˈana.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_383.wav|znajdˈujɛ pˈɛvnɛ ɲʲɛvʲˈɛlkʲɛ pˌɔtɕɛʃˈɛɲʲɛ w vʲˈɛdʑɨ, ʒˈɛ zɡʲˈinɔw ɔkrˈutnɔ̃ ɕmʲˈɛrtɕɔ̃ z rˈɔŋk.|1
+Dataset/wavs/urwisko_ferenc/08_segment_49.wav|zˌastanˈavʲaw ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_112.wav|muvʲˈɔntsɨ bˈɨw mwˈɔtʃɨm mɛ̃ʃtʃˈɨznɔ̃ ɔ rudˈɔblɔnt tʃuprˈɨɲʲɛ. mʲˈaw na ʃˈɨi, nɔʃˈɔnɨ ɔn dʑˈiɕ pʃˈɛz vˈarɡɔ xˈɔwta, wˈaɲtsux|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_77.wav|bˈɨw ɲʲˈɛmal pˈɛvnɨ, ʒˈɛ f tɕˈɔŋɡu ɡɔdʑˈinɨ ˌuzɨskˈajɔ̃ ˈadrɛs mˈartɨ, a zdjˈɛɲtɕɛ alfjˈɛɡɔ fʃˈɨstkɔ zmʲˈɛɲi, kʲˈɛdɨ jˈuʒ znˈajdʑɛ ɕɛ w mˈɛdjax.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_237.wav|sˈɛr rˈɨman prubˈɔvaw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_74.wav|prˈɔʃɛ vʲˈɛnts jˈɛʃtʃɛ rˈas, ɔdjˈɛtɕtɕɛ spˈɔt mɔjˈɛɡɔ dˈɔmu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_117.wav|a ɔn nˈatɔ uvʲˈɛʒɨʃ, kfˈɛstja tʃˈasu.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_72.wav|f pɔvʲˈɛtʃu unˈɔɕiw ɕɛ swˈɔtki zˈapax kadʑˈidwa, a pʃɛt ɕɛdmʲˈɔma ˌɔwtaʒˈami palˈiwɨ ɕɛ lˈitʃnɛ jˈaɡ ɡvʲˈazdɨ ɕfʲˈɛtsɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_28.wav|ɲitʃˈɛɡɔ ɲʲɛ brˌakɔvˈawɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_115.wav|tˈɨlɛ, ʒˈɛ tɔ xˈɨba ɲʲɛ jɛst tsˈawa prˈavda.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_40.wav|sˈandɨ pˌɔkivˈawa ɡwˈɔvɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_32.wav|jˈumbɔː ˈuɲʲuz dwˈɔɲʲɛ i vzrˈuʃɨw rˌamjɔnˈami.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_287.wav|ˈinnɨm rˈazɛm mwˈɔdɨ rˈɨtsɛʒ zapˈɨtaw ɡˈɔ, jˈak najlˈɛpʲɛj brˈɔɲitɕ ɕɛ pʃɛt ˌatakˈami pʃˌɛtɕivɲˈika vˌaltʃɔntsˈɛɡɔ mwˈɔtɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_208.wav|f tɛj xfˈili lˈitʃɔ̃ ɕɛ tˌɨlkɔː ˌɔɲi dvˈaj, ɔn i ˈallɛn. rˈɛʃta ɕfʲˈata pʃɛstˈawa ˈistɲʲɛtɕ.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_283.wav|dʒˈɛjn w ɔɡˈulɛ ɡˈɔ ɲʲɛ zˌauvaʒˈɨwa.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_27.wav|pˌɔɕfʲɛntsˈɛɲʲɛm dˌɔvɔdʑˈɔntsɨm naʃˈɛɡɔː ɔddˈaɲʲa dla ɕˈɛdmju na ɡˈuʒɛ.|1
+Dataset/wavs/urwisko_ferenc/36_segment_44.wav|mˈɔʒna dwˈuɡɔː uɲˈikatɕ kˈul, ˌalɛ ɲˈiɡdɨ ɲʲɛ jɛst ɕɛ pˈɛvnɨm, tʃɨ jˈɛdna z ɲˈix ɲʲɛ zˈada ɕmʲɛrtˈɛlnɛj rˈanɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_14.wav|— ɲʲɛ — pɔvʲˈɛdʑaw mˈuʒɨn ʑɛvˈajɔnts. jˈɛɡɔː ˈɔddɛx tɕˈɛ̃ʃki bˈɨw ɔt ˌalkɔxˈɔlu.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_129.wav|ɡlˈiɲʲaʒ vˈɨpiw wˈɨɡ vˈɔdɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_154.wav|dɔmˈiɲik ɕɛ uɕmʲˈɛxa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_118.wav|tsˈɔʃ jˈɛdnak mˈam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_40.wav|spɨtˈawa bˈɛtskɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_95.wav|ɔt kˈɔɡɔɕ, ktˈɔ mɲʲɛ xtɕˈaw zastʃˈɛlitɕ.|0
+Dataset/wavs/urwisko_ferenc/22_segment_56.wav|lˈɛtʃ nˈaɡlɛ, zˌavʲɛʃˈɔnɨ mʲˌɛndʑɨ ʒˌɛtʃɨvistˈɔɕtɕɔ̃ a jˈavɔ̃, pˈɔtʃuw, ʒˈɛ ɡvawtˈɔvɲʲɛ spˈada.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_102.wav|ˌalɛ vulɡˈarna, pɔvʲˈɛdʑaw. tsˈɔ za swɔvɲˈitstfɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_30.wav|pˈatʃɛ, jˈak ˈaʃ ɔtfʲˈɛra dʒvˈi i vɨtɕˈɔŋɡa tsˈɔɕ s kʲɛʃˈɛɲi. tɔ jˈɛɡɔ tɛlˈɛfɔn, tɛn vwaɕtɕˈivɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_6.wav|pʃˈɛs xfˈilɛ lˈɛʒɨ ɲʲˌɛruxˈɔmɔ jˈɛʃtʃɛ puwɕpʲˈɔntsɨ, pɔ tʃɨm pʃˌɨpɔmˈina sˈɔbjɛ, ʒˈɛ f tɨm pɔkˈɔju ˈɔkna ɲʲˈɛma.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_26.wav|ˌɔpatʃˈɔnɛ mˌɛtalɔvˈɨmi tˌablitʃkˈami z nazvˈiskʲɛm vwˌaɕtɕitɕˈɛla.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_667.wav|ɲʲɛ mˈɔɡɛ vrˈutɕidʑ dɔ dˈɔmu?|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_19.wav|lˈubʲi bˈɨtɕ tˈam, ɡdʑˈɛ jɛzd vˈinɔː i uɕmʲˈɛxɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_294.wav|pʃˌɛmijajˈɔntsɨɣ vˈɔlnɔ nˈattɨm krˈajɛm,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_631.wav|lˈɛtʃ ɔn zɲˈikaw, zˈaɲim mˈɔɡwɛm ɕɛ napˈatʃɛtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_87.wav|zˌasuɡˌɛrɔvˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_212.wav|jɛst jˈakaɕ ruʒɲˈitsa?|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_66.wav|znalˈazwam ɕɛ w ɡrˈupʲɛ bˈɔba. ɲʲˈɛx tɔ ʃlˈak!|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_270.wav|ɔdwˈɔʒɨw pʲˈurɔ, a ˈɛstɛr patʃˈɨwa xfˈilɛ na bˈandaʃ ˌɔkrɨvajˈɔntsɨ jˈɛɡɔ dwˈɔɲ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_47.wav|rˈɔb vˈɛstxnɔw i pɔdrˈapaw ɕɛ pɔ ɡwˈɔvʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_9.wav|ɲʲɛ pɔtrˈafjɛ vɨmˈɨɕlitɕ ˌaɲi jˈɛdnɛj ʒˈɛtʃɨ, ktˌura pˌɔzvɔlˈiwabˌɨ mi tsˈɔʑ zmʲˈɛɲitɕ i sprˈavitɕ, ʒˈɛ mˈili znˈajdʑɛ ɕɛ blˈiʒɛj mɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_225.wav|mˈɔɡwabˌɨm pʃˈɨɕɔnts, ʒˈɛ zˌauvaʒˈɨwam jˈakiɕ rˈux.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_113.wav|i ɡdˈɨbɨ stˈawɔ ɕɛ tɔː ɔ pʲˈɛrʃɛj tʃɨ drˈuɡʲɛj w nˈɔtsɨ, nˈavɛt ɲʲɛ zdˈɔ̃ʒɨwbˌɨ vwˈɔʒɨtɕ pɛrˈuki daltˈɔna smˈitxa, a tsˈɔ dɔpʲˈɛrɔ ʃtutʃnˈɛɡɔ bʒˈuxa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_51.wav|mˈa rˈɛntʃnɔ̃ skʃˈɨɲʲɛ bjˈɛɡuf, ˌalɛ na tˈakʲɛj utʃˈɨwam ɕɛ prɔvˈadʑitɕ. vˈujɛk mɲʲɛ ˈutʃɨw. drˈɔ̃ʒɛɡ w ɡˈurɛ, bjˈɛk tʃˈɛtɕi w bˈɔk i w ɡˈurɛ i f tˈɨw lˈɛtɕiʃ.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_69.wav|za ʒˈɨtɕa tɔ bˌɨli ʑlˈi i ɲʲˌɛbɛspʲˈɛtʃɲi lˈudʑɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_40.wav|ɲʲɛ ˈaʃ, ɔn kˈɔxa mˈili.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_180.wav|mˈartʲin vrˈɛntʃɨw mi pˌudɛwˈɛtʃkɔ s kɔndˈɔmɛm i...|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_102.wav|zˌamɔrdɔvˈanɔ kɔbjˈɛtɛ, ktˌurɔ̃ znˈawam.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_102.wav|jˈɛɕli bˌɛɲdʑɛʃ mʲˈaw ʃtʃˈɛɲɕtɕɛ, mˈɔʒɛ jˈɛdɛn na dʑɛɕˈɛɲtɕu jɛj dɔtʃˈɨma.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_16.wav|kʲˈɛdɨ vɨtɕˈɔŋɡam rˈɛŋkɛ f strˈɔnɛ klˈamki, blɔkˈujɛ mi drˈɔɡɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_35.wav|xˈɔff ubjˈɛɡaw ɕɛ ɔ zɡˈɔdɛ na ɔtfˈartɕɛ kasˈɨna, ˌalɛ jɛj ɲʲɛ dˈɔstaw.|2
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_9.wav|f kˈaʒdɨm rˈaʑɛ tɔ tˈɛʒ bˌɨwa ɕlˈɛpa ulˈitʃka.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_79.wav|pˈan mi wˈamjɛ sˈɛrtsɛ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_257.wav|mʲˈɛtʃɛ i ɡvʲˈazdɨ spravʲˈawɨ kwɔpˈɔtɨ nˈavɛt tˌarɡarɨˈɛnɔm.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_130.wav|ɡʲˈillɛz vʲˈɛdʑaw, ʒˈɛ rˌɔspatʃlˈivʲɛ pˌɔtʃɛbujˈɛmɨ zwˈɔta.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_15.wav|bˌɨwa xˈudɔ̃ dʑɛftʃˈɨnɔ̃, sˈama skˈura, kˈɔɕtɕi i wˈɔktɕɛ. zˈafʃɛ skarʒˈɨwa ɕɛ, ʒˈɛ jɛst jɛj ʑˈimnɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_30.wav|nˈaɡlɛ pʃˌɨpɔmˈinam sˈɔbjɛ, ʒˈɛ nˈazvaw mɲʲɛ spˈikɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_140.wav|tʃɨ vˈɨzna, ʒˈɛ ɕɛ z ɲˈim pʃɛspˈawa?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_59.wav|ˈitɕ tˈɛraz dɔ sfɔjˈɛɡɔ pɔkˈɔju.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_151.wav|ˌalɛ sɔ̃ i tˈakʲɛ, ktˌurɛ mˈɔɡwɨbˌɨ ɲˈiɡdɨ ɕɛ ɲʲɛ kˈɔɲtʃɨtɕ.|3
+Dataset/wavs/urwisko_ferenc/25_segment_32.wav|xfˈɨtɕiw kavˈawɛk pˈitsɨ i ˈɔdɡrɨs spˈɔrɨ ɡˈɛ̃s. — ɲˈits, ɲʲɛ bˌɛɲdʑɛ jˈuʃ kˈapatɕ — ʒˈutɕiw s pɛwnˈɨmi ustˈami.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_291.wav|vidʑˈawa na dˈɔlɛ ˈinnɛ ˈɔkna.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_232.wav|sˈɛr ˈɔsfrɨd zavˈaxaw ɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_56.wav|pˈɛvɲʲɛ jɛst tˈakiɣ vʲˈɛntsɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_45.wav|ɲʲɛ muɕˈawam kasˈɔvadʑ ʒˈadnɨx ˌɔsɔbʲˈistɨɣ vɨɲˈikuv vˌɨʃukivˈaɲʲa s çistˈɔrji pʃˌɛɡlɔndˈarki.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_493.wav|ɔstʃˈɛɡwa alˈain. mˈɔʒɛ tɕi zrˈɔbʲitɕ kʃˈɨvdɛ, kʲˈɛdɨ tˈak ɕɛ mʲˈɔta.|1
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_106.wav|pɔmˈɔʒɛ tɕi rɔspˈɔtʃɔɲtɕ nˈɔvɛ ʒˈɨtɕɛ pɔt nazvˈiskʲɛm ˌɛlizˈabɛtx ˈandɛrsɔn, jˈɛɕli tˌɛɡɔ bˌɛɲdʑɛʃ xtɕˈawa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_40.wav|za ˌɔtpɔvʲˈɛdɲʲɔ̃ tsˈɛnɛ ˌɔtʃɨvˈiɕtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_138.wav|tɔ dla ɲʲˈɛj strˈatɕiw fʃˈɨstkɔ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_134.wav|ɲʲɛktˌurɛ z mˈɔiɣ vrˈubli muvˈiwɨ ɔ bˈandax plˌɔndrujˈɔntsɨɣ lvˈuf.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_413.wav|ˌɔna tˈɛʃ mˈɔɡwa mʲˈɛtɕ sfˈɔjɛ tˌajɛmɲˈitsɛ. tfˈuj pʃɨjˈatɕɛl kwˈamaw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_36.wav|kʲˈɛdɨ swˈɨʃɨ swˈɔva ʃˈaɲis, pʃˌɨvɔwˈujɛ jamˈala ɡˈɛstɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_271.wav|pˈɔʃɛt f kʲɛrˈuŋku stˈatsji bˌɛnzɨnˈɔvɛj i tˈam kˈɔwɔ krˈanu spˈɔtkaw jakʲˈɛɡɔɕ tʃwɔvʲˈɛka.|0
+Dataset/wavs/urwisko_ferenc/02_segment_1.wav|ktˌurɛ tʃˈɨmaw na kɔlˈanax, vˌɨsunˈɛwɔ ɕɛ zdjˈɛɲtɕɛ i upˈadwɔ na sˌamɔxɔdˈɔvɨ dɨvˈaɲik.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_76.wav|fkwˈadam tɛlˈɛfɔn s pɔvrˈɔtɛm dɔ tɔrˈɛpki.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_44.wav|zˌastanavʲˈamɨ ɕɛ vʲˈɛnts, tʃɨ tɔː ˈaʃ, tʃɨ ˌɔna mˈɔʒɛ bˈɨtɕ w jˌakikˈɔlvʲɛk spˈɔsup pˌɔvʲɔ̃zˈana zˈɛ sprˈavɔ̃, a tɛn tʃwˈɔvʲɛk jɛst fspuwsprˈaftsɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_3.wav|dɔswˈɔvɲʲɛ vˌɨvrutɕˈiwam ɡˈɔ dɔ ɡˈurɨ nɔɡˈami.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_261.wav|krˈul maˈɛɡɔr bˈɨw f kˈɔɲtsu zmuʃˈɔnɨ vɨznˈatʃɨtɕ naɡrˈɔdɨ za ɡwˈɔvɨ ix tʃwˈɔŋkuf.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_57.wav|xɛˈilxant pʲˈɛrʃɨ pɔvʲˈɛdʑaw ɡwˈɔɕnɔ tɔ, tʃˈɛɡɔ fʃˈɨstsɨ jˈuʃ ɕɛ dˌɔmɨɕlˈali.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_244.wav|pʃˈɛlɛf ɕrˈɔtkuf ɔt rˈudɨ dubˈɔis.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_67.wav|— jˌɛstɛm zˌavɔdˈɔvɨm pilˈɔtɛm, muɕˈawɛm tˈaɡ zrˈɔbʲitɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_66.wav|tˌɛɡɔ ɲʲɛstˈɛtɨ ɲʲˈɛvʲɛm i ɲʲˈɛmam jˈak tˌɛɡɔ sprˈavdʑitɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_259.wav|kʲˈɛdɨ pˈan ˈidʑɛ vʲɛtʃˈɔrɛm i jɛst jˈuʃ spˈɔkuj, a pˈan tʃˈujɛ zˈapax smˈɔwɨ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_98.wav|s pɛvnˈɔɕtɕɔ̃ mˈɨɕlaw ɔ lˈudʑax tfˈɛɡɔ pˈana ˈɔjtsa, tɕɛrpʲˈɔntsɨx na tˈartʃax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_55.wav|pɛdjˈatra? ˈɛf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_48.wav|mˈam na pʃˈɨkwad ɡwˈut.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_73.wav|jˈakɔ mˈawɛ dʑˈɛtskɔ vɨmˈaɡaʃ ɔt mˈamɨ, ʒˈɛbɨ zˌapɛvɲˈiwa tɕi pˈɔkarm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_42.wav|ˈɔdɲʲus ɲʲˌɛpɔkɔjˈɔntsɛ utʃˈutɕɛ, ʒˈɛ jˈɔxanssɔn bˈɨw na sfˈuj spˈɔsub dˈumnɨ s tˈɛɡɔ, tsˈɔ zrˈɔbʲiw.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_267.wav|pɔdˈɔba tɕˈi ɕɛ? vwˈaɕɲʲɛ kazˈawɛm zˌainstalˈɔvatɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_272.wav|ɲʲˈɛvʲɛm, ktˈɔ tɕˈɛbjɛ vˈɨdaw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_13.wav|pʃˈɨɲim ɕɛdʑˈawa kɔbjˈɛta.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_36.wav|jˈɔ pˌɔpatʃˈɨwa na ɲʲˈɛɡɔː ˌɔkrɔŋɡwˈɨmi zˈɛ strˈaxu ɔtʃˈami.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_149.wav|i pˌɔwɔʒˈɨfʃɨ nˈɔɡʲi na xamˈultsɛ ftɕˈisnɔw dɔ kˈɔɲtsa pʃˌɛpustɲˈitsɛ, tʃɛkˈajɔnts ˈaʃ stʃˈawka tˌaxɔmˈɛtru pʃˈɛjdʑɛ pˈɔza tʃɛrvˈɔnɔ̃ lˈiɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_550.wav|vˌɨruʃˈɨli w dwˈuɡɔ̃, ɲʲˌɛbɛspʲˈɛtʃnɔ̃ pˈɔdruʃ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_49.wav|ɔ ktˌurɛj vrutɕˈiwaɕ ftʃˈɔraj?|3
+Dataset/wavs/urwisko_ferenc/64_segment_46.wav|— ʒˈɛ zakˈɔpaw jˈɔ̃ pɔd basˈɛnɛm? pʃˌɛtɕɛʃ tɔ nˈɔnsɛns.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_133.wav|strˈaʃna i pˌɔtɕɔŋɡajˈɔntsa tfˈaʃ. rɔzbˈujɲik i filˈɔzɔf.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_2.wav|ɲʲɛ mˈɔɡɛ vɨkʃtˈuɕitɕ ˌaɲi swˈɔva.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_33.wav|pˌɔzɔstavʲˈɔnɔ ɡˈɔ na pɔdvˈujnɛj ʒˈuwtɛj lˈiɲʲi w mˈawɔː ˌutʃɛ̃ʃtʃˈanɛj alˈɛjtsɛ. zɡwɔʃˈɔnɔ vʲˈɛndʑ ɡˈɔ dɔpʲˈɛrɔː ɔ ɕfˈitɕɛ, kʲˈɛdɨ ɲʲɛ mˈɔɡwa tamtˈɛndɨ pʃɛjˈɛxatɕ tɕˌɛ̃ʒarˈufka z dɔstˈavɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_329.wav|w ɔstˈatɲʲɛj nˈɔtsɨ mʲˈawam straʃlˈivɨ sˈɛn.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_18.wav|tˈɔm ʃˈɨpkɔ zrˌɛlatsjɔnˈɔvaw mu fʃˈɨstkʲɛ vˌɨdaʒˈɛɲʲa mˌiɲʲɔnˈɛɡɔ vʲɛtʃˈɔru.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_232.wav|bˈawam ɕɛ, ʒˈɛ jɛst jˈakimʑ zvʲˈɛʒɛm ˈalbɔ pɔtfˈɔrɛm, ˌalɛ ɲʲˌɛpɔtʃˈɛbɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_39.wav|kʲˈɛdɨ stanˈɛli w dʒvʲˈax, ˌɔdvrutɕˈiwa ɕɛ i vˌɨtɕɔŋɡnˈɛwa rˈɛntsɛ, ʒˈɛbɨ uɕtɕˈisnɔɲtɕ mˈɔjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_40.wav|nˈɔ tɔ nˈapij ɕɛ xɛrbˈatɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_213.wav|ɲʲɛ xˈɔdʑi ɔ pʃˈɛmɨt.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_59.wav|f pˌɔstɛmpɔvˈaɲʲu stsˈɔtta vɨrˈaʑɲʲɛ mˈɔʒna dˈɔstʃɛts mɕtɕˈivɔɕtɕ, tsˈɔ w ɔɡˈulɛ ɲʲɛ pasˈujɛ dɔ xwɔpˈaka, kturˌɛɡɔ znˈawam.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_13.wav|dɔtsˈɛɲʲam fʃˈɨstkɔ, tsˈɔ mˈuviʃ i mˈɨɕlɛ, ʒˈɛ dʲˈitsk ɕfʲˈɛtɲʲɛ bˈɨ sˈɔbjɛ pɔrˈadʑiw, ˌalɛ mˈam pˈarɛ ˌinfɔrmˈatsji, ktˌurɛ mˈɔɡwɨbˌɨ ɔkˈazatɕ ɕɛ tsˈɛnnɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_3.wav|zˈafʃɛ zˌatʃɨnˈamɨ dʑˈɛɲ ʃkˈɔlnɨ ɔd zɛbrˈaɲʲa, a ja uvʲˈɛlbjam pˈatʃɛtɕ na pɔɡˈɔdnɛ tfˈaʒɛ dʑˈɛtɕi ɕɛdʑˈɔntsɨx pʃɛdˈɛmnɔ̃ pɔ turˈɛtsku.|3
+Dataset/wavs/urwisko_ferenc/19_segment_136.wav|f tʃˈaɕɛ, ɡdˈɨ bˈɨw na zvɔlɲʲˈɛɲʲu lɛkˈarskim f tɨɡˈɔdɲʲu pˌɔpʃɛdʑajˈɔntsɨm traɡˈɛdjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_32.wav|tɛn tʃwˈɔvʲɛk jˈuʃ ɲʲɛ vrˈutɕi, prˈavda?|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_231.wav|kʲˈɛdɨ kˈɔmuɕ jɛzd ʑlˈɛ, tɔ mˈɔʒna tˈaɡʒɛ ˈiʑdʑ dɔ pʃɨjˈatɕuw pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_54.wav|ʒˈɛ kˈɔxam sfˈɔjɔ̃ prˈatsɛ i bˌɛndɛ ˈɔɲʲɔ̃ valtʃˈɨwa. ɲʲɛ pɔvˈinnam uswˈɨʃɛdʑ ʒˈadnɨɣ zaʒˈutuf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_163.wav|tʃɨ dˈɔbʒɛ tɕˈɛ zrˌɔzumjˈawam?|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_327.wav|ˈidɛ ɔ zˈakwat, ʒˈɛ tɔ rɔbˈɔta mɔjˈɛɡɔ brˈata.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_20.wav|tˌɛɡɔ tˈɨpu ˈaktsjɔm zvˈɨklɛ tˌɔvaʒˈɨʃɔ̃ swˈɔva ʒˈadnɛj pɔlˈitsji, a ˌɔɲi praktˈɨtʃɲʲɛ sˈɔbjɛ zˌaɡvarˌantɔvˈali, ʒˈɛ ɔt rˈazu ɕɛ f tɔ zˌaaŋɡˌaʒujˈɛmɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_195.wav|ˌɔbrutɕˈiwa tfˈaʃ w mˈɔjɔ̃ strˈɔnɛ i ɔtˈarwa wzˈɨ z ˈɔtʃu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_84.wav|tˈaka mɔʒlˈivɔɕtɕ jˈɛʃtʃɛ ɲʲɛ pʃˈɨʃwa mi dɔ ɡwˈɔvɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_125.wav|fkrˈuttsɛ znˈuf ɕɛ spɔtkˈamɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_116.wav|ˈɛlis pɔmˈaɡa mu fɕˈɔ̃ɕtɕ. xtsˈɛ pɔttɕˈɔŋɡnɔɲdʑ bʲilljˈɛmu kɔʃˈulɛ i ɔbˈɛjʒɛtɕ ˌɔkɔlˈitsɛ zˌalɛpʲˈɔnɛj plˈastrɛm rˈanɨ, ˌalɛ ɔn ɕɛ ɲʲɛ zɡˈadʑa.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_90.wav|ftrˈɔɲtɕiw ɕɛ dɔ rɔzmˈɔvɨ jˈin xˈu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_239.wav|— zˈɛmnɔ̃ tɔː ˈinna sprˈava — ʒˈɛkw ˈandɛrsɔn.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_39.wav|pʃˈɛs xfˈilɛ f kˌɔrɨtˈaʒu pˌanɔvˈawa tɕˈiʃa.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_466.wav|zˌapɨtˈawa kɕɛ̃ʒɲˈitʃka, ˌalɛ ʒˈadna z ɲˈix ɲʲɛ xtɕˈawa jɛj ˌɔtpɔvʲˈɛdʑɛtɕ. zwapˈali jˈɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_3.wav|ɲʲɛ vʲɛdʑˈawa, ɡdʑˈɛ jɛst i jˈak ɕɛ tˈu znalˈazwa. praɡnˈɛwa jɛdnˈɛɡɔ bˈɨdʑ z mˈamɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_151.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/urwisko_ferenc/04_segment_68.wav|ix uvˈaɡɛ pʃˈɨkuw fˌatsɛbˈɔɔk. bɔrˈɛvitʃ pamjˈɛntaw kˈilka fpˈisuf.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_159.wav|ˌɔtʃɨvˈiɕtɕɛ mˈɔɡwam pɔzvˈɔlitɕ, ˈabɨ tʃˈujɲik tɕiɕɲʲˈɛɲʲa ˌuruxˈɔmiw ˈalarm, kʲˈɛdɨ fˌɔrsɔvˈawam skɔrˈupɛ vɛvnˈɛntʃnɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_168.wav|jɛj stˈaɲik ftɕˈɔ̃ʃ lˈɛʒɨ pɔt stɔlˈikʲɛm jˈak mˈartfɛ zvʲɛʒˈɔntkɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_85.wav|bˌɨwɔ tɔ pɨtˈaɲʲɛ rˌɛtɔrˈɨtʃnɛ, ˌalɛ i tˈak udʑˈɛliw nˈam nˈaɲʲɛ ˌɔtpɔvʲˈɛdʑi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_37.wav|tʃɨ na tˌɛlɛfˈɔɲʲɛ ɡˌɛnɛvʲˈɛvɛ bˌɨwɔ jˈɛʃtʃɛ tsˈɔɕ pʃˌɨdatnˈɛɡɔ?|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_251.wav|mˈuj kuzˈɨnɛk sfɔrsˈujɛ vˈaʃɔ̃ fˈɔsɛ i rɔzvˈali brˈamɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_239.wav|tˈaɡ vwˈaɕɲʲɛ, ɲʲɛ zˌajɛntʃˈawa, ɲʲɛ zˌasɨtʃˈawa, lˈɛdʒ zavˈɨwa xraplˈivʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_102.wav|pʃɨɡlˈɔndam ɕɛ ɕtɕˈaɲʲɛ, zˌastanavʲˈajɔnts ɕɛ, tsˈɔ tɔ fʃˈɨstkɔ mˈa mi pɔvʲˈɛdʑɛtɕ, kʲˈɛdɨ swˈɨʃɛ za sˈɔbɔ̃ krˈɔki.|3
+Dataset/wavs/urwisko_ferenc/65_segment_95.wav|bˌɛsʃɛlˈɛstɲʲɛ ɕɛ vˌɨtsɔfˈawa i vrutɕˈiwa dɔpʲˈɛrɔ nˌastɛmpnˈɛɡɔ dɲʲˈa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_37.wav|ɡdʑˈɛ jˈɛstɛɕ? pˈɨta.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_102.wav|dˈalɛ pɔtskˈɔtʃɨw, zwˈapaw ɔbˈuratʃ jˈɛdnɔ̃ z rˈur i ˈɔpar nˈɔɡʲi na dvˈux ˈinnɨɣ bjɛɡnˈɔntsɨx ɲˈiʒɛj jˈak na ʃtʃˈɛblaɣ drabʲˈinɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_73.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_53.wav|vˈɨbatʃ, ʒˈɛ znˈuv zˌavratsˈamɨ tɕi ɡwˈɔvɛ, ɲˈilɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_211.wav|jˈuʃ maʃ ɕɛ tʃɨm pʃɛjmˈɔvatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_41.wav|skˈɔnt ˈɔtɨm vʲˈɛʒ dɔ xɔlˈɛrɨ? spɨtˈawa z ˌirɨtˈatsjɔ̃ filˈipa, jˈaɡbɨ tʃɛkˈawa nˈatɔ, ˈaʃ sˈama pʃɛkˈaʒɛ mu dˈɔbrɛ vʲˈɛɕtɕi. f kˈɔɲtsu spɔjʒˈawa na jˈɛɡɔ kʲˈɛʃɛɲ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_391.wav|nˈaɡlɛ dʑɛftʃˈɨŋka tupnˈɛwa nˈɔɡɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_114.wav|bˈɛtskɨ ɲʲɛ muɕˈawa nˈavɛt spɔɡlˈɔndatɕ na tˈɔma, ʒˈɛbɨ ɕɛ pʃɛkˈɔnatɕ, ʒˈɛ ɔn rˈuvɲʲɛʒ za ɡrˈɔʃ ɲʲɛ vʲˈɛʒɨw nɨlˈɔvi strˌakanˈɔvi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_119.wav|tɨm bˈardʑɛj, ʒˈɛ ɕmʲˈɛrdʑi mu z ˈust.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_146.wav|nˈavɛt tˈutaj swɨʃˈɛliɕmˌɨ ɔ jˈɛɡɔ tʃˈɨnaɣ zarˈuvnɔ dˈɔbrɨx, jˈak i zwˈɨx.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_222.wav|marsjˈaɲʲɛ ɕtɕɔŋɡnˈɛli sfˈɔjɛ kˈaski, jˈaɡbɨ swuxˈajɔnts ɲʲˌɛvɨpˌɔvʲɛdʑˈanɛj i tˌajɛmɲˈitʃɛj kɔmˈɛndɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_62.wav|zˌapalˈɛɲʲɛ pwˈuts mˌurɔvˈanɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_14.wav|bˈɛtskɨ dɔ tɛj pˈɔrɨ ɲʲɛ zdavˈawa sˈɔbjɛ sprˈavɨ, jˈaɡ vɨsˈɔki bˈɨw tɛn mɛ̃ʃtʃˈɨzna.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_93.wav|fʃˈɨstkɔ bˌɛɲdʑɛ dˈɔbʒɛ, kɔxˈaɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_157.wav|i ˈandɛrsɔn stˈaw pɔt ɕtɕˈanɔ̃ vˌɨɡlɔndajˈɔntsɔ̃ jˈak tablˈitsa f ʃkˈɔlɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_8.wav|tʃɨ ktˈɔɕ ɕɛ kˌɔntaktˈɔvaw, mˈɔʒɛ kʲˈɛdɨ bˌɨliɕtɕˌɛ na zˈɛvnɔntʃ?|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_282.wav|zbˈɨt tʃˈɛ̃stɔ swˈɨʃaw, jˈak lˈudʑɛ ɕmʲˈali ɕɛ s tfɔjˈɛɡɔ dʑˈatka.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_57.wav|jˈɛɕli bˌɛɲdʑɛ ʃtʃɛɲɕlˈiva, tɔ xˈɨba f pɔʒˈɔntku.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_114.wav|ɡˌɛnɛvʲˈɛvɛ mʲˈawa znˈatʃɲʲɛ vʲˈɛntsɛj tʃˈasu, ˌalɛ vˈɔntpjɛ, ʒˈɛbɨ vˌɨkazɨvˈawa tˈakʲɛ tɕɔŋɡˈɔtɨ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_286.wav|w jɛj ʒˈɨwax pwˈɨɲʲɛ krˈɛv bɛjlˈɔna, ˌalɛ nˈadal pˌɔzɔstˈajɛ kɔbjˈɛtɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_127.wav|ustˈavidʑ ʒˈɛtʃɨ w jˈakimɕ lɔɡʲˈitʃnɨm tɕˈɔŋɡu.|3
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_23.wav|fʃˈɨstkɔ tɕi zvrˈutsɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_24.wav|fʃˈɨstsɨ lˈudʑɛ ɲˈika nˈɔʃɔ̃ ɡˌarɲitˈurɨ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_71.wav|pʃˌɛmavʲˈajɔ̃ jˈɛdnɨm ɡwˈɔsɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_117.wav|tˈɔm ɕɛ skʃˈɨviw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_153.wav|uɲˈika, tˈak idjˈɔtɔ, uɲˈika. jˈak mˈɨɕliʃ, dlatʃˈɛɡɔ dʑvˈɔɲʲɛ dɔ tɕˈɛbjɛ, ɲʲɛ dɔ ʃpitˈala?|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_38.wav|xtɕˈawbɨm pɔjˈɛxatɕ na xfˈilɛ dɔ dˈɔmu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_3.wav|tsˈɔ mˈɔʒɛʃ pɔvʲˈɛdʑɛtɕ na tˈɛmad bjˌɔlɔɡʲitʃnˈɛɡɔː ˈɔjtsa mˈili? pˈɨta.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_163.wav|bˌɨwa ubrˈana f sfɔbˈɔdnɨ strˈuj, a na ɡwˈɔvʲɛ jˈaɡ zvˈɨklɛ mʲˈawa trˌadɨtsˈɨjnɔ̃ xˈustɛ dˈuwku.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_70.wav|— xrˈɔɲ na zbˈɔʒɛ. pˌɔzɔstˈajɛ nˈam mʲˈɛtɕ nadʑˈɛjɛ, ʒˈɛ ɲʲɛ spʃˈɛdaw sfˈɔjɛj ɕˌɛdmʲɔlˈɛtɲʲɛj tsˈurki jakʲˈɛmuʑ dˌɛvʲantˈɔvi z zɛspˈɔwu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_187.wav|xˈɔff rˈuʃa w ɡwˈɔmp kˌɔrɨtˈaʒa. zˈaras jˈɛdnak, lˈɛdvʲɛ bʲˈillɨ zdˈɔ̃ʒa ɔdˈɛtxnɔɲdʑ z ˈulɡɔ̃, zavrˈatsa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_112.wav|i ɡdˈɨbɨ ɲʲɛ pɔstʃˈɛliw dvˈux lˈudʑi tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ pʃˈɛɡraw spˈɔrɔ̃ sˈumɛ f pɔkˈɛra, zapˈɛvnɛ nˈadal bˈɨwbɨ za ɕˈudmɔ̃ ɡˈurɔ̃ i ʒˈɛkɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_250.wav|ɲʲɛ sˈɔndʑɛ, ʒˈɛ ɲˈikt sˈam s ɕˈɛbjɛ fpˈad na pˈɔmɨsw, bˈɨ mɲʲɛ zˈabʲitɕ pɔ rɔbˈɔtɕɛ i vʲˈɛm na pˈɛvnɔ, ʒˈɛ tɔ ɲʲɛ ɔn vɨznˈatʃɨw ʃˌɛɕtɕɔmˌiljɔnˈɔvɔ̃ naɡrˈɔdɛ za mˈɔjɔ̃ ɡwˈɔvɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_103.wav|zatʃˈɨma tˌɨlkɔ jˈɛdɛn tɛlˈɛfɔn, tɛn ɔ kturˌɛɡɔː istɲʲˈɛɲʲu ɲˈikt ɲʲˈɛvʲɛ.|2
+Dataset/wavs/urwisko_ferenc/05_segment_75.wav|ɲʲɛ zˌauvaʒˈɨwa ʒadnˈɛɡɔ s sɔ̃ɕˈaduf.|0
+Dataset/wavs/urwisko_ferenc/01_segment_128.wav|pʃˌɛtɕɛʃ tɔ bˈɨw vɨpˈadɛk.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_75.wav|tˈɛras pˈɔra ˌuɲʲɛruxˈɔmitɕ jˈɛ na zˈafʃɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_10.wav|pˌɔzɔstavˈawɔː im znˈalɛʑdʑ zvʲˈɔ̃ski mʲˌɛndʑɨ zˌaaŋɡˌaʒɔvanˈɨmi ˌɔsɔbˈami i pɔʃˈukatɕ mʲˈɛjsts, f ktˌurɨx ɕɛ pʃˌɛtɕinˈawɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_183.wav|tˈɛras pʃɨxˈɔdʑi dɔ mɲʲɛ, kʲˈɛdɨ mˈa prˈɔblɛm, kʲˈɛdɨ ɔn jˈɔ̃ kʃˈɨvdʑi.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_69.wav|vɛ ɕɲʲˈɛ tʃˌarɔdʑˈɛjka spˈawa, tˈak jˈak kʲˈɛdɨʑ w ʒˌɛtʃɨvistˈɔɕtɕi. zɔstˈaftɕɛ jˈɔ̃!|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_68.wav|ɡdˈɨ tˌɨlkɔ dɔtˈarwam na ʃtʃˈɨt, pʃɨlɡnˈɛwam pwˈaskɔ dɔ skɔrˈupɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_46.wav|mˈɔɡɔ̃ pʃɨjˈɛxadʑ w zasˈadʑɛ kaʒdˈɛɡɔ dɲʲˈa, bˈɛz ʒadnˈɛɡɔː ˌɔstʃɛʒˈɛɲʲa, vʲˈɛnts fʃˈɨstsɨ xˈɔdʑɔ̃ pˌɔdminɔvˈaɲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_53.wav|ˈɔjtɕɛdʑ zˈafʃɛ mˈuviw, ʒˈɛ jˌɛstɛɕ nˌajutʃtɕˈifʃɨm kˌɔntraxˈɛntɛm, z jˈakim kʲˌɛdɨkˈɔlvʲɛk mʲˈaw dɔ tʃɨɲʲˈɛɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_26.wav|vˌɨɛmˌanɔvˈawɔ tsˈɔɕ, tʃˈɛɡɔ ɲʲɛ umjˈɛmɨ ɔpˈisatɕ i zrˌatsjɔnˌalizˈɔvatɕ, a tsˈɔ nˌazɨvˈamɨ ɕfʲˌadɔmˈɔɕtɕɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_118.wav|pɔtʃˈuwam, ʒˈɛ ktˈɔɕ mɲʲɛ klˈɛpʲɛ pɔ ramjˈɛɲʲu.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_137.wav|i zɡvˈawtɕiw dvˌunastɔlˈɛtɲʲɔ̃ dʑɛftʃˈɨŋkɛ, ɲʲɛvˈinnɛ dʑˈɛtskɔː ˌɔbjɛtsˈanɛ vʲˈɛʒɛ.|1
+Dataset/wavs/urwisko_ferenc/24_segment_19.wav|— dlatˈɛɡɔ ɕɛ mˈartfjɛ — spɔjʒˈawa na zˈɛɡar viʃˈɔntsɨ na ɕtɕˈaɲʲɛ. — pɔvˈiɲʲɛn jˈuʒ dˈavnɔ bˈɨtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_130.wav|pˈɛtɛrsɛn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw. vɨɡlˈɔndaw na ɲʲˌɛpʃɛkˌɔnanˈɛɡɔ. jˈɛɡɔ dwˈɔɲ pˌɔvɛndrɔvˈawa dɔ kabˈurɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_155.wav|kʲˈɛdɨ kˈuʃɔ pˈadɲʲɛ, dˈavnɔ tɕˈɛ tˈam ɲʲɛ bˈɛɲdʑɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_234.wav|trˈɔxɛ mˈija ɕɛ s prˈavdɔ̃.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_274.wav|i lˈɛʒɔnts f tɕɛmnˈɔɕtɕax tʃˈuw ftɕˈɔ̃ʃ jɛj zˈapax i mˈɨɕlaw ɔ jɛj zapˈaxu, ktˌurɨ znˈaw ɔt lˈat.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_126.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_286.wav|vʲˈɛʃ, ʒˈɛ ɲʲɛ jˌɛstɛm jɛdˈɨnɔ̃ fˌiliɡranˈɔvɔ̃ arˈapkɔ̃ na kɕɛ̃ʒˈɨtsu, prˈavda?|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_102.wav|a tˈɛras pɔswˈuxaj, bˈɔ ɲʲɛ jˌɛstɛm pˈɛvʲɛn, tʃɨ ftʃˈɛɕɲʲɛj swuxˈawɛʑ dˈɔɕtɕ uvˈaʒɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_11.wav|jˈɛɕli tˈɛssa ɔxˈanlɔn jɛst w jˈakiɕ spˈɔsub zˌaaŋɡˌaʒɔvˈana, nˈavɛt jˈakɔ zˌakwadɲˈitʃka, mɔʒˈɛmɨ kˈɔɡɔɕ narˈazitɕ na ɕmʲˈɛrtɕ, jˈɛɕli tˈam vɛjdʑˈɛmɨ.|4
+Dataset/wavs/urwisko_ferenc/65_segment_173.wav|tˈak, ˌalɛ ɲʲˈɛvʲɛm, tʃɨ... ɲʲˈɛx jˈɔ̃ pˈaɲi pɔ prˈɔstu vˈɛʑmʲɛ, pʃˈɛrvaw jɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_184.wav|jɛst paʑdʑˈɛrɲik, ˌalɛ sɔ̃ na pustˈɨɲi.|2
+Dataset/wavs/urwisko_ferenc/65_segment_1.wav|z ix sɨpʲˈalɲi vˈɨʃwa tɛɕtɕˈɔva zˈɛ spɔrtˈɔvɔ̃ tˈɔrbɔ̃ pʃˌɛvʲɛʃˈɔnɔ̃ pʃˈɛs rˈamjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_130.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, dlatʃˈɛɡɔ ɕɛ ˌɔbudʑˈiliɕmˌɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_560.wav|ˈalbɔ rˈatʃɛj kˈilka ɕlˈaduf pɔ ɡvʲˈazdax ftʃɔrˈajʃɛj nˈɔtsɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_199.wav|mˈɨɕli zˌaxɔdʑˈɔntsɛ swˈɔɲtsa, a dˈajtɕɛ mi ɕfʲˈɛntɨ spˈɔkuj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_44.wav|nˈavɛt ˈɔtɨm ɲʲˈɛmɨɕl pʃˈɛs sɛkˈundɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_79.wav|tˈɛras ɲʲɛ mʲˈawa ʃˈans uɲˈiknɔɲtɕ tˈɛɡɔ, tsˈɔ jˈɔ̃ tʃɛkˈawɔ. sxɨlˈiwam ɕɛ pɔ mˈɔjɔ̃ bˈutlɛ z ˌatsɛtɨlˈɛnɛm i zˌamaxnˈɛwam ɕɛ s tsˈawɛj ɕˈiwɨ.|4
+Dataset/wavs/urwisko_ferenc/08_segment_68.wav|— dɔ kˈɔɡɔ? — dmuxnˈɛwa w ɡʒˈɨfkɛ i vwˈɔsɨ zˌafalɔvˈawɨ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_318.wav|prˌubɔvˈawa ɡˈɔ tɕˈɔɲtɕ f tfˈaʃ, nastˈɛmpɲʲɛ w nˈɔɡɛ, a pˈuʑɲʲɛj w rˈamjɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_87.wav|klˈikam pʃˈɨtɕisk i brˈama zatʃˈɨna ɕɛ ɔtfʲˈɛratɕ pɔvˈɔli.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_524.wav|jɛʑdʑˈiwaɕ na plˈɛtsax stˈarʃɛj dʑɛftʃˈɨŋki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_233.wav|bɛɲdʑˌɛmɨ kfˈitatɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_86.wav|pʃˌɛbatʃˈɛɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_278.wav|lˈɛpʲɛj ɲʲˈɛx ɔn pʃˈɨjdʑɛ dɔ mɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_148.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_53.wav|kʲˈɛdɨ tˈatsɔ pˈɔdaw fˌaridˈɔvi mɛɡˈafɔn z napˈisɛm ɡˈɔɔt mˈɔrɲiŋɡ vʲˈɛtnam.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_13.wav|kʲˈɛdɨ pɛvnˈɛɡɔ dɲʲˈa ˈumrɛ...|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_183.wav|rˌɛpɔrtˈɛrka rˈuʃa f kʲɛrˈuŋku tɛŋɡʲˈɛɡɔ fatsˈɛta, ktˌurɨ ɲʲˌɛvɔntplˈivʲɛ jɛst ʃɛrˈɨfɛm ˌɔkrɛŋɡˈɔvɨm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_34.wav|mˈɔɡɛ jˈɔ̃ pʃɛtʃˈɨtatɕ, ˌalɛ i tˈak ɕɛ tɨm tˈutaj tˈɛraz zˌajmujˈɛmɨ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_290.wav|na pˈɛvnɔ trˈavi xˌɔlɛrnˈɛɡɔ mamˈuta.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_39.wav|xˈarɛn tʃˈarnɨ vˌɨbudˈɔvaw stanˈɔftʃɔ za vʲˈɛlkʲɛ zamtʃˈɨskɔ.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_444.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_106.wav|vʲˈɛm na pˈɛvnɔ, ʒˈɛ jɛst pˈɛvnɨ ɕˈɛbjɛ, ˌalɛ ɲʲɛ ˈaʃ f tˈakim stˈɔpɲʲu, ʒˈɛbɨ pɔstˈavitɕ fʃˈɨstkɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_207.wav|trˈɔnt lˈandvik ɲʲɛ zˈɔstaw mˌiljardˈɛrɛm, ˌɔpstavʲˈajɔnts na xˈɨbʲiw trˈafiw.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_224.wav|jˈɛɕli zˌapraɡnˈɛwa jˈakʲɛjɕ ˌulubjˈɔnɛj pɔtrˈavɨ, fˈik, ɔlˈivɛk ˈalbɔ paprˈɨki nˌadʑɛvˈanɛj sˈɛrɛm, vˌɨstartʃɨwˈɔbɨ pˌɔvʲɛdʑˈawa swˈufkɔ bɛlˈandʒɛ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_196.wav|ɕɲˈiwɔ mi ɕɛ, ʒˈɛ pʃɨbˈɛɲdʑɛʃ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_13.wav|kˈamjɛɲ ˈalbɔ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_48.wav|mˈɔɡɛ jˈɛ zavʲˈɔ̃zatɕ f sˈupɛw tʃɨ tsˈɔɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_13.wav|pˌɔvʲɛdʑˈawam, swˈɨʃɔnts napʲˈɛɲtɕɛ vɛ vwˈasnɨm ɡwˈɔɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_118.wav|bˌɨwɔ tˈam pˈɛwnɔ baɲˈituf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_471.wav|w jˈakiʑ vˈɨmjar ɔblˈanɨ swˈɔtkim ɕfʲˈatwɛm jˈaɡ vɛ ɕɲʲˈɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_122.wav|vwˈuʃ tˈɛ kɔʃˈulɛ z vɨsˈɔkim kɔwɲʲˈɛʒɛm i pamjˈɛntaj, ʒˈɛ f pʃˌɛkɔnˈaɲʲu klɛrkˈija i tamtˈɛɡɔ, jˈak mu tˈam pˌɛtɛrsˈɛna, bʲˈillɨ sˈummɛrs ɲʲɛ ʒˈɨjɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_73.wav|ɲʲɛ mˈɔʒɛ mɲʲɛ tˈutaj bˈɨtɕ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_227.wav|jˈamɛ ɲʲɛ zamjˈɛʒaw ɕɛ pɔsˈunɔɲtɕ tˈaɡ dalˈɛkɔ, bˈɨ tfʲˈɛrdʑitɕ, ʒˈɛ bˌɨli pʃˌɨjatɕˈuwmi. kʲˈɛdɨ tˈam bˈɨw...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_262.wav|ɲʲɛ vɨxˈɨlaj ɲʲˌɛpɔtʃˈɛbɲʲɛ, a fʃˈɨstkɔ ɕɛ uwˈɔʒɨ.|3
+Dataset/wavs/urwisko_ferenc/63_segment_60.wav|— nˈɔ tˈak — pilˈɛfska udˈawa zdʑivʲˈɛɲʲɛ — ˌalɛ ɲʲɛ rɔzˈumjɛm, ɔ tsˈɔ pˈaɲi xˈɔdʑi. pɔdˈɔbnɔ xtɕˈawa mi pˈaɲi pˈɔmuts.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_132.wav|pɔ jɛj vˈɨjɕtɕu bʲˈillɨ pˈɨta butskʲˈɛɡɔ, skˈɔnt ɔn tˈɨlɛ vʲˈɛ ɔ tˈakix sprˈavax.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_92.wav|zrɔbʲˈiwɛm tsˈɔ tʃˈɛba tɔ fʃˈɨstkɔ. ɲʲˈɛɣ vwˈɔntʃɨ tˌɛlɛvˈizɔr i zɔbˈatʃɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_14.wav|ˈaʃ na lɔtɲˈiskɔ, tʃˈɨ mˈilɛ w jˈɛdnɔ̃ i tʃˈɨ mˈilɛ w drˈuɡɔ̃ strˈɔnɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_18.wav|tˈak tʃɨ inˈatʃɛj musˈimɨ ɡˈɔ pɔʃˈukatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_241.wav|pɔɲʲˈɔswam pɔrˈaʃkɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_642.wav|kˈɔrsak ˈuɲʲus ˌɔstʃɛɡˈaftʃɔ rˈɛŋkɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_90.wav|bˈɔ kʲɛrˈɔftsɔ̃ ɲʲɛ bˌɨwa mwˈɔda kɔbjˈɛta, ˌalɛ mɛ̃ʃtʃˈɨzna w ɕrˈɛdɲim vʲˈɛku.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_66.wav|jˈɛɕli jˈɛdnak planˈɔvaw spˈɔtkatɕ ɕɛ zˈɛmnɔ̃ ɔ dʑɛvʲˈɔntɛj, tɔ ɲʲɛbˈavɛm ɕɛ dˈɔvʲɛ, ʒˈɛ ɔdˈɛʃwam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_90.wav|ˌalɛ ɔbˈɔjɛ vʲˈɛdʑɔ̃, ʒˈɛ tˈaɡ bˈɨwɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_215.wav|dˈɔbʒɛ, ˈɔna. i ktˈɔ jˈɛʃtʃɛ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_408.wav|mʲˈawa tɕˈɛmnɛ vwˈɔsɨ, ˈalbɔ mi ɕɛ vɨdˈawɨ tɕˈɛmnɛ f tɨm puwmrˈɔtʃnɨm pɔkˈɔju. mʲˈawa fjɔwkˈɔvɛ ˈɔtʃɨ i...|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_54.wav|tɔ pˈan jɛst tɛn fˈatsɛt ɔ tɛn djˈɛɡɔ, prˈavda? jˈa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_12.wav|vɨbˈuxa pʲˈɛrʃɨ wadˈunɛk pˌirɔtɛxɲˈitʃnɨ. xˈuk jɛzd ɡwˈɔɕnɨ, rˈɔbʲi vraʒˈɛɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_9.wav|rˈɔbʲi krˈɔɡ dɔ pʃˈɔdu, a mˈɔjɛ sˈɛrtsɛ pʃɨspʲˈɛʃa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_18.wav|kˌɔrɨtˈaʒɛm natxˈɔdʑi wˈadna, drˈɔbna, lˌatɨnˈɔska swuʒˈɔntsa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_5.wav|dʒvˈi sɨpʲˈalɲi sɔ̃ ɔtfˈartɛ i vˈidʑi, ʒˈɛ tˈam tˈɛʃ ɲikˈɔɡɔ ɲʲˈɛma.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_37.wav|pˌɔprɔvˈadʑiw mɲʲɛ f strˈɔnɛ wˈuʃka. mɨɕlˈawam, ʒˈɛ bˌɛɲdʑɛ xtɕˈaw ɕɛ zˈɛmnɔ̃ kˈɔxatɕ, ˌalɛ ɕɛ pˌɔmɨlˈiwam.|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_48.wav|i zrˈɔbjɛ z ɲˈim, tsˈɔ zˈɛxtsɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_161.wav|tˈakʲɛ pɨtˈaɲʲa zadˈajɔ̃ lˈudʑɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_15.wav|zˌatʃɨmˈujɛ ɕɛ, a ʃˈɔna ɔdbjˈɛra tɔ za ɔznˈakɛ mˈɔjɛj pɔrˈaʃki. vˈidʑɛ tɔ w jɛj ˈɔtʃax i swˈɨʃɛ w ɡwˈɔɕɛ, kʲˈɛdɨ ɕɛ ɔdʑˈɨva.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_443.wav|ˈɔstʃɛɡw jˈɔ̃ sˈɛr ɡɔˈɔdvin, ɡdˈɨ pˌɔprɔɕˈiwa ɡˈɔ, bˈɨ naˈutʃɨw jˈɔ̃ pˌɔswuɡʲivˈaɲʲa ɕɛ mʲˈɛtʃɛm. jˌɛstɛɕ pˈɛvna, ʒˈɛ tˌɛɡɔ vwˈaɕɲʲɛ xtsˈɛʃ, dʑˈɛtskɔ?|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_12.wav|rˈɔbɛrd barˈatjɔn, pʲˈɛrʃɨ tˌɛɡɔː imjˈɛɲʲa, ˈɔbɨ ɲˈiɡdɨ ɲʲɛ bˌɨwɔ druɡʲˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_159.wav|rˈɔp kˈazaw jˈɔ̃ zrˈɔbʲidʑ dla mɲʲɛ. kɔxˈawam ɡˈɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_53.wav|tɨm rˈazɛm za stˈɔwɛm ɲʲɛ ɕɛdʑˈawa ˈɛstxɛr. stˈaw xfˈilɛ f prˈɔɡu, pˈatʃɔnts na bjˈawɔ̃ pɔt paxˈami kɔʃˈulɛ dʒɔnsˈɔna.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_68.wav|dʒˈanɛt pɔdˈajɛ mi ˈadrɛs i nˈumɛr tˌɛlɛfˈɔnu, a ja zˌapisˈujɛ dˈanɛ f tˌɛlɛfˈɔɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_164.wav|pʃˈɨʃwa mi dɔ ɡwˈɔvɨ ɲʲˌɛpɔkɔjˈɔntsa mˈɨɕl.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_158.wav|ɔt rˈazu zˈatʃɔw ɕɛ dɔbʲˈijatɕ. vɨzˈɨvaw mɲʲɛ ɔt najɡˈɔrʃɨx, kʃˈɨtʃaw jˈak natˈɨxmʲast ɲʲɛ ɔtfˈɔʒɨʒ bˈɛnji, tɔ kˈurva mˈatɕ, pʃɨɕˈɛŋɡam, ʒˈɛ pˌɔʒawˈujɛʃ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_49.wav|pʃˈɛmɨɕl tɔ, bʲˈillɨ. za mwˈɔdɨ jˈɛstɛɕ, ʒˈɛbɨ ˈumʒɛtɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_20.wav|ˈaʃ unˈɔɕi ˈɔbjɛ dwˈɔɲʲɛ i zakwˈada jˈɛ za ɡwˈɔvɔ̃, jˈaɡbɨ ɕɛ nat tʃˈɨmʑ zˌastanˈavʲaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_25.wav|znˈawam fʃˈɨstkiɣ dˌɔmɔvɲˈikuf ɔt ˌurɔdʑˈɛɲʲa, ˌalɛ ɲikˈɔɡɔ vʲˈɛntsɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_170.wav|ɲʲˌɛnavˈidʑɛ latˈaɲʲa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_159.wav|nˈaʒ ɡrˈubɨ pʃɨjˈatɕɛl nˈadal jɛst fɕrˈud ʒˈɨvɨx?|2
+Dataset/wavs/urwisko_ferenc/46_segment_132.wav|zˈɛrɔɕˈɛdɛm ɲʲˈɛbɨw ˈaʃ tˈak naˈivnɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_36.wav|pʃˈɛs xfˈilɛ mɨɕlˈɛliɕmˌɨ nˈavɛt, ʒˈɛ tɔ mˈɔɡwɛʑ bˈɨtɕ tˈɨ.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_218.wav|fstˈaw i rˈuʃɨw pʃˈɛs tɕˈɛmnɨ pˈɔkuj, bˈɨ zˈamknɔɲtɕ ˌɔkʲɛnɲˈitsɛ, ˌalɛ ɡdˈɨ dˈɔtar dɔː ˈɔkna...|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_444.wav|i ja ɲˈiɡdɨ ɲʲɛ bˌɛndɛ mʲˈɛdʑ dʑˈɛtska.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_283.wav|tˈɨlɛr tɕˈɛ pɔzdrˈavja, ɔdˈɛzvaw ɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_253.wav|ɕtɕˈiskam dwˈɔɲ alfjˈɛɡɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_431.wav|jˈuʃ jˈɛstɛm, xˈɛlɛn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_185.wav|fʃˈɛd dɔ pɔkˈɔju xˈɛlɛn, lˈɛtʃ ɲʲɛ bˌɨwɔ tˈam ɲikˈɔɡɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_17.wav|kɔbjˈɛta f kˈɔɲtsu znalˈazwa ʃukˈanɨ pʃˈɛdmʲɔt i uɲʲˈɔswa ɡwˈɔvɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_254.wav|ˌɔtfɔʒˈɨwam zˈavur dɔː ɔpˈɔru.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_266.wav|dɔ kubˈɛrna.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_28.wav|tˈam, na vzɡˈuʒu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_29.wav|bˈɛtskɨ uɲʲˈɔswa brvˈi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_46.wav|f tˈakim rˈaʑɛ idʑˈɛmɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_53.wav|vʲˈɛŋkʃɔɕtɕ ˌutɕɛkɲʲˈɛruf s tsˈɔurt strˈit rɔzmˈavja pʃˈɛs tɛlˈɛfɔn.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_120.wav|mˈam nadʑˈɛjɛ, ʒˈɛ jɛj pˈan sprˈɔsta.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_70.wav|nˌajvaʒɲʲˈɛjʃɛ bˌɨwɔ dla ɲʲˈɛɡɔ tɔ, ʒˈɛ fʃˈɨstsɨ vˌɨkɔnɨvˈali pˌɔvʲɛʒˈɔnɛ im zadˈaɲʲa.|3
+Dataset/wavs/urwisko_ferenc/42_segment_21.wav|ɡdʑˈɛ jˈɛstɛɕ? dalˈɛkɔ, a tsˈɔ?|0
+Dataset/wavs/urwisko_ferenc/19_segment_102.wav|sˈɔlska pʃɨɡrˈɨzwa vˈarɡɛ, pʃˌɨɡlɔndˈajɔnts ɕɛ pˌɔlitsjˈanttsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_69.wav|pˈɔvʲɛts jɛj, ʒˈɛ jˌɛstɛɕ ɲˈits ɲʲɛvˈartɨm ɡnˈɔjkʲɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_135.wav|dˌɔpilnˈujɛ tˈɛɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_6.wav|ˈilɛ ˌupwɨnɛwˈɔbɨ tʃˈasu, zˈaɲim zˌɔrjɛntɔvˈalibˌɨɕmɨ ɕɛ, ʒˈɛ jɛj tˈu ɲʲˈɛma, xˈɔdʑ vˌɨdavˈawɔ tɕˈi ɕɛ, ʒˈɛ jɛst inˈatʃɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_52.wav|pʲˈɛrdɔl ɕɛ! kʃɨknˈɛwam.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_136.wav|ɲʲɛktˌuʒɨ pˌɔtɨkˈali ɕɛ pʃˈɨtɨm i pʃˌɛvratsˈali, ˌalɛ vʲˈɛŋkʃɔɕtɕ ʃˈɨpkɔ ɕɛ pʃˌɨzvɨtʃaˈiwa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_21.wav|jˈɛɕli tˌɛɡɔ ɲʲɛ naprˈavjɛ, stratɕˈimɨ nˈaʒ dˈɔm. dˈɔm mˈamɨ, a tsˈawa rɔdʑˈina ɕɛ rɔspˈadɲʲɛ. mˈuʃɛ dɔstˈartʃɨtɕ mu ɡɔtˈufkɛ i tɔ jˈɛʃtʃɛ dʑˈiɕaj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_154.wav|mˈuvi bʲilljˈɛmu, ʒˈɛ rɔbʲˈili sˌɨmpatˈɨtʃnɛ vraʒˈɛɲʲɛ. pʃˈɨʃli ɕɛ pʃɨvˈitatɕ, pɔ tʃɨm vrutɕˈili dɔ jˈɛdnɛj s sɨpʲˈalɲi, f ktˌurɛj lˈɛtɕaw jˈakiɕ prˈɔɡram spɔrtˈɔvɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_166.wav|jɛŋknˈɛwam jˈɛʃtʃɛ ɡwˈɔɕɲʲɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_33.wav|ˈidʑɛ w dˈuw jˈiri strˈit i pʃɛtʃɲˈitsa ɔd ɡˈɛrart tˈɔvɛr dɔtɕˈɛra dɔ vɨlˈɔtu za ˈuwka, ktˌurɨ ftʃˈɛɕɲʲɛj fpˈad mu w ˈɔkɔ.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_290.wav|spɔjʒˈawa na dʑɛftʃˈɨnɛ, dʒˈɛjn.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_294.wav|ˈandɛrsɔn vʑˈɔw jˈɛdɛn s pˌɔzbavʲˈɔnɨx ɔkwˈatki kɔmˈiksuf i zˈatʃɔw tʃˈɨtatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_162.wav|pˌɔviɲʲˈɛnɛm ɕɛ tˌɛɡɔ pˈɔzbɨtɕ mˈɨɕli, pˈɔdʒɛtɕ, spˈuɕtɕitɕ f kˈiblu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_9.wav|ɲʲˈɛmuv dɔ mɲʲɛ, dʲˈidʲi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_550.wav|nˈaɡwɨm bwˈɨskʲɛm ɲˈiklu i spɔkˈɔjnɔ̃, vɨtfˈɔrnɔ̃ mˌatɔvˈɔɕtɕɔ̃ marmˈuruf.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_73.wav|tsɛrsˈɛi pˌɔmɨɕlˈawa, ʒˈɛ tɔ fʃˈɨstkɔ vˈina marɡˈarɨ tˈɨrɛll.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_20.wav|z zˌauxɨlˈɔnɨɣ dʒvˈi dɔ salˈɔnu znˈuv dɔbjˈɛɡa ˈɔdɡwɔs tˌɛlɛvizˈɔra, a kʲˈɛdɨ ja ɔtfʲˈɛram, dˈɔm pɔ rˈas kɔlˈɛjnɨ ɔɡlˈɔnda vʲˌadɔmˈɔɕtɕi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_40.wav|ˌuɕmʲɛxnˈɛwam ɕɛ dɔ ɲʲˈɛɡɔ ɲʲɛpˈɛvɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_33.wav|tˈɔm ɕɛ zamˈɨɕliw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_42.wav|pɔzbˈɨvam ɕɛ jˈɛnnɨ z ɡˌabʲinˈɛtu, mˈuvʲɔnts, ʒˈɛ mˈuʃɛ vɨkˈɔnatɕ pˈarɛ tˌɛlɛfˈɔnuf. pʃˌɨjatɕˈuwka vɨxˈɔdʑi, ˌuɕmʲɛxˈajɔnts ɕɛ ɲʲɛpˈɛvɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_250.wav|ˌuɕiwˈɔvaw ɡˈɔ zapˈalitɕ i pwˈɔmjɛɲ zapˈawki dɨɡˈɔtaw f pˈaltsax jˈɛɡɔ prˈavɛj dwˈɔɲi.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_145.wav|ja jˈuʃ mˈam mˈɛ̃ʒa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_29.wav|ˌalɛ dlatʃˈɛɡɔ?|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_283.wav|krulˈɔva mʲˈawa vraʒˈɛɲʲɛ, ʒˈɛ lˈɛktɨkˌa unˈɔɕi ɕɛ nad ʑˈɛmʲɔ̃.|1
+Dataset/wavs/urwisko_ferenc/47_segment_84.wav|nˈɔ vʲˈɛnts?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_92.wav|ɔtˈatʃa krˈɔŋk pwɔnˈɔntsɨx jˈasnɨm ˈɔɡɲʲɛm ˈɔɡɲisk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_73.wav|ˈɛliz zbˈatʃa dɔ lˈasu i rˈuʃa nˈapʃut, ˌɔdlitʃˈajɔnts krˈɔki pɔt nˈɔsɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_24.wav|tˈɔm pˈɔtʃuw nˈaɡlɛ tɕˈɛ̃ʒar tsawˈɛɡɔ ɕfʲˈata na bˈarkax i na xfˈilɛ zˈamknɔw ˈɔtʃɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_256.wav|mɛ̃ʃtʃˈɨzna, ktˌurɨ tɔ pɔvʲˈɛdʑaw, bˈɨw mwˈɔdɨ, wˈadnɨ i dˈɔbʒɛ ubrˈanɨ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_271.wav|kˈaʃ tˈɛʃ kˈilku wutʃɲˈikɔm pilnˈɔvatɕ tsˈurki lˈɔrda vˌɛstɛrlˈiŋɡa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_68.wav|kamˈɛra zˌaʃɨmrˈawa tɕˈixɔ.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_233.wav|rˌɔsfɕtɕɛtʃˈɔna bˈɛstja ɡʒɛbˈawa nˈɔɡɔ̃ w ʑˈɛmi, rˈɨjɔnts w ɲʲˈɛj ɡwɛmbˈɔkʲɛ brˈuzdɨ.|1
+Dataset/wavs/urwisko_ferenc/18_segment_40.wav|— dlatʃˈɛɡɔ pˈaɲi tɔ rˈɔbʲi? — spˈɨtaw pɔ xfˈili, pʃɛnˈɔʃɔnts nˈaɲʲɔ̃ vzrˈɔk.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_283.wav|pɔmˈawɔ ɲʲɛ ʒutɕˈiwa mu ɕɛ w ramjˈɔna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_65.wav|jˈɛnnɨ uɕmʲˈɛxa ɕɛ radˈɔɕɲʲɛ, zɡˈɔdɲʲɛ z mɔˈimi ˌɔtʃɛkˌivaɲʲˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_55.wav|jˈamisɔn ɔdvrˈutɕiw ɕɛ dɔ mɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_40.wav|tˈɔm skˈinɔw ɡwˈɔvɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_33.wav|ɲʲɛ mʲˈawam pɔjˈɛɲtɕa, ɔ tsˈɔ jɛj xɔdʑˈiwɔ, ˌalɛ jɛj rˌɔzaɲʲɛlˈɛɲʲɛ zˌatʃɨnˈawɔ mi ɕɛ udʑˈɛlatɕ i f kˈɔɲtsu uznˈawam, ʒˈɛ mˈɔʒɛ pʃˌɛsadʑˈiwam.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_168.wav|mˈɔʒɛ jˌɛstɛm pʃˌɛmɨtɲˈitʃkɔ̃, sˌabɔtaʒˈɨstkɔ̃ i skɔɲtʃˈɔnɔ̃ wˈajzɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_206.wav|rˈɨan ˈuɕad na trˈavʲɛ i pˈatʃɨw xfˈilɛ na ɲʲˈɛɡɔ.|0
+Dataset/wavs/urwisko_ferenc/53_segment_144.wav|tɔ znˈatʃɨ?|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_232.wav|ʒɛlˈaznɛ kˈɔltsɛ vbʲˈiwɨ ɕɛ ɡwɛmbˈɔkɔ w bwɔtɲˈistɔ̃ ʑˈɛmʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_66.wav|zˌaprɔɡrˌamɔvˈanɔ mɲʲɛ dɔ pˌɔswuʃˈɛɲstfa tˌɛmu tʃwˌɔvʲɛkˈɔvi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_73.wav|tˈɔm vrˈutɕiw dɔ sfɔjˈɛɡɔ bjˈura.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_160.wav|ɲʲɛ udˈajɛ, pɔvʲˈɛdʑaw klɛntʃˈɔntsɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_138.wav|pɔ prˈɔstu ɲʲˌɛmɔʒlˈivɨx.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_6.wav|pɔmˈimɔ tɔ zamjˈɛʒam pɔprˈɔɕidʑ ɡˈɔː ɔ pɔdjˈɛɲtɕɛ kɔlˈɛjnɛj pʃˌɛwɔmˈɔvɛj dɛtsˈɨzji i tʃˈujɛ, ʒˈɛ tɔ bˈardʑɔ sˌamɔlˈubnɛ pˌɔstɛmpɔvˈaɲʲɛ z mˈɔjɛj strˈɔnɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_45.wav|ɲʲɛ mʲˌawaʑ vɨbˈɔru.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_73.wav|lɛʒˈawam na pɔdwˈɔdʑɛ w rˌɔsʃtʃɛlɲʲˈɔnɨm skafˈandʒɛ.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_111.wav|ɔn nˈavɛt ɲʲɛ zrɔzˈumjawbˌɨ, tsˈɔ mˈuvjɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_230.wav|pʃɨnˈajmɲʲɛj tˈakɔ̃ mʲˈawam nadʑˈɛjɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_36.wav|vˌɨʒutɕˈiwɛm ɡˈɔ.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_360.wav|na zamkˈɔvɨm dʑɛdʑˈiɲtsu pˈɛwnɔ bˌɨwɔː ˈɔtʃu i ˈuʃu. ʒˈɛbɨ pʃɛt ɲˈimi ˈumknɔɲtɕ, udˈali ɕɛ dɔ bɔʒˈɛɡɔ ɡˈaju dˈarɨx.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_30.wav|a jˈak ɕɛ pˈanu zdˈajɛ?|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_164.wav|kˈɔɲʲa balmˈana.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_238.wav|pɔ tʃɨm zˈamknɔw kɔmˈɔrɛ i pɔvʲˈɛɕiw ɡˈɔ tˈam, ɡdʑˈɛ vˈiɕaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_114.wav|ˌalɛ tɔ ɲʲɛ ɔznˈatʃa, ʒˈɛ jɛstˌɛɕmɨ pʃˌɨjatɕˈuwmi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_138.wav|ˌalɛ ɔn jɛst tˈɛʃ na sfˈuj spˈɔsup ˌɛkstsɛntrˈɨtʃnɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_63.wav|ʒˈɨvɨ lˈup mˈartfɨ, jˈɛɡɔ prˈavɔ jˈazdɨ jɛst nˌajvɨrˈaʑɲʲɛj zˌarɛjˌɛstrɔvˈanɛ pɔt adrˈɛsɛm, ktˌurɨ dˈawa nˈam pˈaɲi mˈasjus, xˈɔdʑ zdjˈɛɲtɕɛ jɛst stˈarɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_109.wav|zvʲˈɛɕiw ramjˈɔna, a na jˈɛɡɔ skˈuʒɛ ˌutfɔʒˈɨwa ɕɛ tɕˈɛŋka varstˈɛfka pˈɔtu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_156.wav|ʑlˈɛ trˈafiw.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_60.wav|ɡdɨbˈɨɕmɨ tˌɨlkɔ zdɔwˈali dˈɔvʲɛʑdʑ ɡˈɔ dɔ starˈɛɡɔ mʲˈasta, artsɨmˌaɛstˈɛʒɨ mˈɔɡlibˌɨ ɡˈɔː ˌuratˈɔvatɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_107.wav|ɲʲˈɛbɔ na zaxˈɔdʑɛ pˈɛŋkwɔ, rɔzvˈarwɨ ɕɛ xmˈurɨ i vˈidatɕ fstˈɛŋɡɛ zwˌɔtɕistˈɔɕtɕi.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_288.wav|mˈarvin rɔstɕˈɔŋɡnɔw ˈusta w mˌakabrˈɨtʃɲʲɛ vˌɨɡlɔndajˈɔntsɨm uɕmʲˈɛxu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_8.wav|na rˈaʑɛ fʃˈɨstkʲɛ ˌinfɔrmˈatsjɛ ɔd zɛspˈɔwuf tˌɛrɛnˈɔvɨx kʲˌɛrɔvˈanɛ bˌɨwɨ dɔ bˈɛki i ɲʲɛ pʃˌɛxɔdʑˈiwɨ pʃˈɛs pˈɔkuj ˌɔpɛratsˈɨjnɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_60.wav|pɔ tʃtˈɛrɛx rɔzdˈaɲʲax ftɕˈɔ̃ʃ jˈɛʃtʃɛ ɲitʃˈɛɡɔ ɲʲɛ ˌɔpstavˈiwam.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_72.wav|tʃɨ mˈɔɡwɔ xˈɔdʑitɕ ɔ nˌarkɔtˈɨki? tʃɨ ta drˈuɡa ɔsˈɔba tɔ jˈɛɡɔ dˈilɛr?|4
+Dataset/wavs/urwisko_ferenc/53_segment_114.wav|z ˌɔpɛratsˈɨjnɨm ɡadˈawɛɕ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_81.wav|vʲˈɛm jˈuʃ, ɡdʑˈɛ jˈɛst. w lˌantsastˈɛʒɛ jɛst fspaɲʲˈawɨ sklˈɛb zˈɛ stˈarɔ̃ bʲˌiʒutˈɛrjɔ̃. a dˈɔm zˌauvˈaʒɨw ɔstˈatɲʲɔ, ʒˈɛ ɔɡlˈɔndam ix strˈɔnɛ ˌintɛrnɛtˈɔvɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_84.wav|spɔjʒˈawa na mɔɲˈitɔr.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_77.wav|pˈatʃɨw, jˈak rˈɨan ɔpxˈɔdʑi samˈɔlɔd z lˈɛva na prˈavɔː i vrˈatsa pɔ tɛj sˈamɛj lˈiɲʲi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_12.wav|tˈɔm ˈɔpar ɕɛ ɔ ɕtɕˈanɛ i zˈamknɔw ˈɔtʃɨ.|4
+Dataset/wavs/urwisko_ferenc/42_segment_101.wav|mˈaxnɔw rˈɛŋkɔ̃. najɡˈɔrʃɛ mʲˈaw jˈuʒ za sˈɔbɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_552.wav|ʒˈɛ ɡdʑˈɛɕ tˈu stˈɔi stˈara, ɲʲˌɛpɔzˈɔrna kˌamjɛɲˈitsa, ktˌura jˈakɔɕ pʃɛtrfˈawa vˈɔjnɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_70.wav|bˈɛtskɨ patʃˈɨwa jˈak ˈanna pʃɛɡrˈɨza ɡˈurnɔ̃ vˈarɡɛ i krˈɛɲtɕi ɡwˈɔvɔ̃ z zˌakwɔpɔtˈaɲʲɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_61.wav|ɲʲɛ mʲˈawam jˈɛʃtʃɛ ɔkˈazji blˈiʒɛj mu ɕɛ pʃˈɨjʒɛtɕ, pɔɲʲˈɛvaʒ dɔmˈiɲiɡ bˈɨw blˈiskɔ mɲʲɛ pʃˈɛs tsˈawɨ vʲˈɛtʃur.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_286.wav|bˈɔ vˌɨdavˈawɔ mi ɕɛ, ʒˈɛ pˌɔtsawɔvˈawa z vdʑɛntʃnˈɔɕtɕɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_199.wav|tˌɛɡɔ pʃˈɨjmɛ nˈajpʲɛrf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_191.wav|vʲˈadr vɨdmˈuxnɔw mi ʃtʃˈɛŋkɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_82.wav|stˈɔi kˈɔwɔ krˈɛstsɛnd bˈaj. ɔbˈɛjʒɨj sˈɔbjɛ tɛn samˈɔlɔt i jˈɛɕli bˌɛɲdʑɛʃ xtɕˈaw ɲˈim lˈɛtɕɛtɕ, tɔ vrˈutɕ tˈu, a ja dˈam tɕi klˈutʃ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_10.wav|ɡdʑˈɛ tˈɛras jˈɛstɛɕ?|4
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_18.wav|jˈak tɕi ɕɛ ukwˈada s tˌailˈɛrɛm?|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_4.wav|pˈas tɕˈɔŋɡlɛ mu ɕɛ ɔpsˈuvaw, ɡrˈɔʒɔnts upˈatkʲɛm na ʑˈɛmʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_153.wav|dʑˈɛŋki tˌɛmu ɲˈikt ɲʲˈɛmukw ɕɛ dɔvʲˈɛdʑɛtɕ, ʒˈɛ xˈarprit sˈiŋɡ rˌɔzmavʲˈawa z ammˈarɨm baʃˈarɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_84.wav|pˌɔtʃɛkˈalɲʲa jɛst pˈusta, pʃɛɕˈadam vʲˈɛnts na skrˈaju kʃˈɛswa, starˈajɔnts ɕɛ vɨmˈɨɕlitɕ jˈakʲɛɕ ˌuzasadɲʲˈɛɲʲɛ tɛj vizˈɨtɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_225.wav|tˈam na tɛj kanˈapʲɛ lˈɛʒɨ ˈɔna.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_68.wav|tʃˈujɛ tˈɛʒ zˈapaɣ vilɡˈɔtnɛj ʑˈɛmi, jˈaɡbɨ nˌatxɔdʑˈiwa bˈuʒa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_402.wav|a ja skˈɔtʃɛ zˈaras pɔt trˈamvaj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_174.wav|ɲʲɛ zˈaɕɲʲɛ, dɔpˈuki ɲʲɛ nabjˈɛʒɛ pɛvnˈɔɕtɕi, ʒˈɛ nˈatɨh dvˈux, tʃˈɛx strˈɔnax ɲʲˈɛma ɲˈits, tsˈɔ mɔɡwˈɔbɨ zdrˈadʑitɕ, ʒˈɛ jɛzd bɨstʃˈɛjʃɨ ɲˈiʃ ɕɛ vɨdˈajɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_34.wav|jˈakɔ dˈaltɔn smˈitx stˈara ɕɛ mˈuvitɕ ɲʲˈɛtsɔ vˈɨʃʃɨm ɡwˈɔsɛm. tˈak wˈatfʲɛj pamjˈɛntatɕ, kˈim w dˈanɛj xfˈili jˈɛst.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_61.wav|tʃɨ vʲˈɛʃ, jˈaka jɛst ruʒɲˈitsa mʲˌɛndʑɨ mnˈɔ̃ a tɨm psˈɛm? zapˈɨtaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_87.wav|sɔ̃ jˈuʃ na ˌawtɔstrˈadʑɛ. tɕˈɛɲʲɛ zˌatʃɨnˈajɔ̃ ɕɛ vɨdwˈuʒatɕ. mˈɛdʒ ɡʲˈantsuf s tsˌardʲinalsˈami na pˈɛvnɔ ɕɛ skˈɔɲtʃɨw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_90.wav|mˈam ˈutɕɛdʑ za rˈuk, tˈak? i fɕˈɔ̃ɕtɕ na tˈɨw fˌurɡɔnˈɛtki.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_189.wav|ˌɔtfɔʒˈɨwɛm ˈɔknɔ, vˌɨsadʑˈiwɛm ɡwˈɔvɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_213.wav|ʒˈɛ ɲˈidʑ vʲˈɛntsɛj ɲʲɛ stˈawɔ ɕɛ tɛj nˈɔtsɨ, ʒˈɛ zavlˈɔkwɛm jˈɔ̃ tˌɨlkɔ na tˈɛ fatˈalnɔ̃ kanˈapɛ i pˌɔʒɛɡnˈawɛm jˈɛdnɨm spɔjʒˈɛɲʲɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_35.wav|tɔ prˈavda, ʒˈɛ ɔstˈatɲʲɔ bˌɨwɔ mʲˌɛndʑɨ nˈami trˈɔxɛ spʲˈɛɲtɕ, ˌalɛ s pɛvnˈɔɕtɕɔ̃ ix pʃɨtʃˈɨnɨ ɲʲɛ sɔ̃ ˈaʃ tˈak istˈɔtnɛ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_202.wav|lˈɛɔ pˈarsknɔw ɕmʲˈɛxɛm, ˌalɛ ɲˈim zdˈɔ̃ʒɨw ˌɔtpɔvʲˈɛdʑɛtɕ, dʒvˈi za jˈɛɡɔ plɛtsˈami ˌɔtfɔʒˈɨwɨ ɕɛ.|1
+Dataset/wavs/urwisko_ferenc/42_segment_70.wav|pˌɔvinɲˈiɕmɨ zbˈadatɕ tsˈɔɕ, tʃˈɛɡɔ dɔ tɛj pˈɔrɨ ɲʲɛ brˈaliɕmˌɨ pɔt uvˈaɡɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_399.wav|a ja rˈaptɛm pɔtʃˈuwɛm jˈakɔ̃ɕ radˈɔsnɔ̃ ˈulɡɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_54.wav|pˈɔtɛm ɡˈɔ zamˈɨka.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_9.wav|zˈaras pˈɔtɨm, jˈaɡ vrutɕˈiliɕmˌɨ z aptˈɛki, pɔdˈawam alfjˈɛmu lɛkˈarstfɔ na ˌɔbɲiʒˈɛɲʲɛ tˌɛmpɛratˈurɨ i pˌɔwɔʒˈɨwam ɕɛ ˌɔbɔk ɲʲˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_127.wav|jˈɛɡɔ tɛlˈɛfɔn pˈika, ˌɔznajmʲˈajɔnts ˌɔdɛbrˈaɲʲɛ ˌɛsˌɛmˈɛsa.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_146.wav|stˈatki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_171.wav|— ɲʲɛ, ˌalɛ mˈuv dˈalɛj.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_58.wav|ftɕˈɔ̃ʃ mi na tˈɔbjɛ zalˈɛʒɨ, dʒˈɛs.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_98.wav|dwˈɔɲʲɛ trˈɔmbɨ krfavˈiwɨ, a ˈalbʲi mʲˈaw zˌadrapˈanɔ̃ tfˈaʃ, ˌalɛ pʃɨnˈajmɲʲɛj ʒˈadɛn ɲʲɛ vˈɨpad na ɡwˈufkɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_13.wav|vzdˈɨxam s frustrˈatsjɔ̃, kʲˈɛdɨ ˌuzmɨswˈavʲam sˈɔbjɛ, ʒˈɛ zˌɔstavˈiwam tɛlˈɛfɔn na dˈɔlɛ f kˈuxɲi.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_209.wav|vɨjˈɛwam pˈanɛl stˌɛrɔvɲˈitʃɨ i znˈuf ˌuruxɔmˈiwam rɔbˈɔta.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_22.wav|bˈɛtskɨ pˌɔkivˈawa ɡwˈɔvɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_117.wav|ɔn tɕi ɲitʃˈɛɡɔ ɲʲɛ zrˈɔbʲiw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_122.wav|a jˈɛɕli xfˈɨtsɛ ɡˈɔː ɔbˈurɔntʃ i ɔbrˈutsɛ ɕɛ na kɔlˈanax, mˈɔɡwabˌɨm sprubˈɔvatɕ trˈafidʑ dˈɔma f xˈɔrɔ̃ nˈɔɡɛ i...|3
+Dataset/wavs/urwisko_ferenc/12_segment_7.wav|bɔrˈɛvitʃ jˈɔ̃ rɔzˈumjaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_34.wav|mˈɔʒɛ pʃˈɛstɔ, ʒˈɛ ɲʲˈɛvʲɛ ktˈɔ pwˈatɕi i dlatʃˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_116.wav|ɡdɨbˈɨɕmɨ ʒˈɨli w lˈɛpʃɨm ɕfʲˈɛtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_431.wav|zrɔbʲˈiwa tˈɛʃ tsˈɔ tˌɨlkɔ mˈɔɡwa f sprˈavʲɛ tfˈaʒɨ. ˌɔtʃɨɕtɕˈiwa rˈanɨ vʒˈɔntsɨm ˈajl, ʒˈɛbɨ pɔfstʃˈɨmatɕ martfˈitsɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_57.wav|ja ɲitʃˈɛɡɔ ɲʲˈɛvʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_99.wav|jɛj swˈɔtki, ˌuɕmʲɛxɲʲˈɛntɨ krˈul.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_51.wav|vˈidʑɛ, ʒˈɛ ˈaʒ zatʃˈɨna trˈatɕitɕ pˌanɔvˈaɲʲɛ nat sˈɔbɔ̃, vʲˈɛndʑ zdˌɛtsɨdˈujɛ ɕɛ na mˈanɛvr vˌɨpʃɛdʑajˈɔntsɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_20.wav|pˈɨta ˈɔstrɔ pɔ xfˈili.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_32.wav|jˈɛɕli tˈɛras nastˈɔmpi vˈɨkwat na tˈɛmat mɔjˈɛɡɔ zmˌarnɔvanˈɛɡɔ pˌɔtɛntsjˈawu, tɔ lˈɛpʲɛj prˈɔʃɛ ɔt rˈazu mɲʲɛ zastʃˈɛlitɕ, dˈɔbʒɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_194.wav|jˈɛɕli ɡdʑˈɛɕ pɔ drˈɔdʑɛ tsˈɔɕ pʃˌɛɔtʃˈɨwɛɕ, fʃˈɨstkɔ jˈɛdnɔ tsˈɔ, dˈaltɔn smˈidɣ bˌɛɲdʑɛ ɲʲɛ dɔː ˌuratɔvˈaɲʲa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_409.wav|lˈidɛr fjˌɔlɛtˈɔvɨx|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_181.wav|ɔt strˈɔnɨ kʲɛrˈɔftsɨ vɨwˈaɲʲa ɕɛ mˌundurˈɔvɨ pɔlˈitsjant.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_60.wav|mˈɔʒɛ tɔː ɔpˈiʃɛ, jˈɛɕli bˌɛɲdʑɛ tˈaka ɔkˈazja.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_151.wav|ˌɔɲi znajdˈujɔ̃ ɕɛ sˈami.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_35.wav|spʃɛdˈaftsa nabʲˈija tɛlˈɛfɔn na kˈasɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_278.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_230.wav|vʑˈɔwɛɕ nˈatɔ z i ɔwˈuvɛk?|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_319.wav|ɲʲˈɛx rˈussɛll spakˈujɛ sfˈuj najlˈɛpʃɨ vˈams i drɛvɲʲˈanɨ mʲˈɛtʃ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_193.wav|i ˈɔtɨm tɕi fʃˈɨstsɨ, ktˌuʒɨ stavʲˈali na tɕˈɛbjɛ jˈak na kˈɔɲʲa, pɔ prˈɔstu ɲʲɛ pˌɔmɨɕlˈɛli. tʃɨ ɲʲɛ bˌɨwɔ tˈak?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_118.wav|ˈaram bˈɨw z nˈami ɔd vʲˈɛlu mʲɛɕˈɛntsɨ, a ˌɔna ftɕˈɔ̃ʃ ɲʲɛ vʲɛʒˈɨwa, ʒˈɛ znalˈazwa tɔ, tʃˈɛɡɔ pˌɔʃukivˈawa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_544.wav|mˈam pˈɛvɲʲɛ fstʃˈɔ̃s mˈuzɡu, pˌɔmɨɕlˈawɛm. mdlˈi mɲʲɛ pʃɨ kˈaʒdɨm rˈuxu.|0
+Dataset/wavs/urwisko_ferenc/44_segment_76.wav|ɲʲˈɛbɨw f stˈaɲʲɛ zapˈɔmɲʲɛdʑ dɔtˈɨku jˈɛɡɔ sprˌatsɔvˈanɨx, ʃˈɔrstkiɣ dwˈɔɲi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_70.wav|dlatʃˈɛɡɔ ktˈɔɕ mʲˈawbɨ tɕˈɛ ɔbvˈiɲʲatɕ, ˈaʃ? spɨtˈawa nˈuʃa, ktˌura ˌɔtʃɨvˈiɕtɕɛ uznˈawa, ʒˈɛ jɛj brˈat jɛzd vɨwˈɔntʃɲʲɛ ɔfjˈarɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_222.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/urwisko_ferenc/64_segment_30.wav|jˈasnɔː i vɨrˈaʑɲʲɛ, jˈaɡbɨ w ɲˈiɣ vwˈaɕɲʲɛ ˌutʃɛstɲˈitʃɨw, jˈaɡbɨ ftsˈalɛ ɲʲɛ nˌalɛʒˈawɨ dɔ pʃɛʃwˈɔɕtɕi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_79.wav|xˈɛj bˈɔmblu, fʃˈɨstkɔ ɡrˈa?|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_152.wav|f tʃˈaɕɛ, kʲˈɛdɨ stˈɔi pʃɨ kuxˈɛntsɛ rˌɔzdrabɲʲˈajɔnts i mʲɛʃˈajɔnts mʲˈɛ̃sɔ, jˈɛɡɔ dwˈɔɲ znˈuf ˌɔdruxˈɔvɔ vɛndrˈujɛ dɔ lˈistɨ zakˈupuf f tˈɨlnɛj kʲɛʃˈɛɲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_45.wav|tʃɨ stsˈɔtt naprˈavdɛ zˈɛpxnɔw ɡˈɔ z drˈɔɡʲi?|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_89.wav|na fartˈuxu, kturˌɛɡɔ vˈidɲʲaw nˈapiz ɡʲˈirls fˈirst lˈɔvɛ, pˈɔtʃɛd dɔː ˌandɛrsˈɔna i pɔvʲˈɛdʑaw|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_374.wav|tʃˈɨli ˌuɲitsɛstfʲˈɛɲʲɛm w vʲˈɛtʃnɛj pʃɛmjˈaɲʲɛ ɛnˈɛrɡji.|0
+Dataset/wavs/urwisko_ferenc/37_segment_57.wav|zˌastanˈavʲaw ɕɛ, tsˈɔ pɔvˈiɲʲɛn zrˈɔbʲitɕ, ɡdˈɨ nˈaɡlɛ mɛrtsˈɛdɛs rˈuʃɨw i vɨjˈɛxaw z dʑˈawki, kivˈajɔnts ɕɛ na vɛrtˈɛpax pɔ drˈɔdʑɛ dɔː ˌasfaltˈufki.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_13.wav|tɨ tˈɛʒ ɡˈɔ swɨʃˈawaɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_267.wav|zˌadwuʒˈɨwaɕ ɕɛ ˈu lixfʲˈaʒɨ, tʃɨ tsˈɔ?|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_192.wav|ˌalɛ ja tɔ zrˈɔbjɛ, jˈɛɕli bˌɛndɛ mʲˈawa tˈakɔ̃ ɔkˈazjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_70.wav|pˌɔkrɛɲtɕˈiwɛm ɡwˈɔvɔ̃.|2
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_45.wav|ɔdvrˈutɕiw ɡwˈɔvɛ w ix strˈɔnɛ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_494.wav|ˌɔna lˈubʲi udˈavatɕ radˈɔsnɛ, ɡwupʲˈutkʲɛ dʑˈɛftʃɨ, ˌalɛ pˈɔttɔ̃ mˈaskɔ̃ jɛzd znˈatʃɲʲɛ bɨstʃˈɛjʃa ɔt ˈɔjtsa.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_122.wav|ɔdˈɛzvaw ɕɛ pˈɔdritsk, ɡdˈɨ swˈɔɲtsɛ jˈuʒ zˌaxɔdʑˈiwɔ.|1
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+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_242.wav|z rɔbˈɛrtɛm bˌaratjˈɔnɛm zɡrˌɔmadʑˈiwɨ ɕɛ tˈu tɨɕˈɔntsɛ lˈudʑi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_160.wav|ˈɔx, tɔ ɲʲɛvˈaʒnɛ, pˌɔvʲɛdʑˈawa ˈɛstɛr, jˈatsɨɕ lˈudʑɛ.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_32.wav|lˈutsɨ bˌɨwa ˌɔtʃɨvˈiɕtɕɛ zˌawamˈana, ˌalɛ tˈɔm mˈuviw ˌɔptɨmistˈɨtʃɲʲɛ ɔ pʃɨʃwˈɔɕtɕi, ɔ dˌɔskɔnˈawɛj ɔpʲˈɛtsɛ, ktˌurɔ̃ zɔstˈaɲʲɛ ˌɔtɔtʃˈɔna kˈatɛ i ɔ suktsˈɛsax w lɛtʃˈɛɲʲu rˈaka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_26.wav|ɲʲˈɛvʲɛm, dlatʃˈɛɡɔ ɲʲɛ jˌɛstɛm zˌaskɔtʃˈɔna, ʒˈɛ pˌɔvʲɛdʑˈawa ˈɔmɲʲɛ ramˈɔvi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_83.wav|vʲˈɛ pˈan, mʲˌawɛm strˈaʃnɔ̃ pʃɨɡˈɔdɛ. jˌɛstɛm zupˈɛwɲʲɛ rˌɔsstrɔjˈɔnɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_96.wav|nˈɔː ɔɡˈulɲʲɛ w zvʲˈɔ̃sku s tˈɨm, fskazˈujɛ ktɕˈukʲɛm za ɕˈɛbjɛ f kʲɛrˈuŋku tˈɔrbɨ ɡɔlfˈɔvɛj w bˌaɡaʒɲˈiku.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_277.wav|ɲʲɛ mˈɔɡɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_48.wav|ˈɛstɛr mʲˈawa mˈɛ̃ʒa?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_4.wav|ɲʲɛ mˈɔɡɛ zˈɔstatɕ f sˌamɔxˈɔdʑɛ, tʃˈujɛ skˈurtʃɛ xˈɨba kaʒdˈɛɡɔ mʲˈɛɲɕɲʲa, vʲˈɛndʑ vɨɕˈadam i xˈɔdʑɛ vɛ fʃˈɨstkix kʲɛrˈuŋkax, a mˈuj parˈasɔl lˈɛdvʲɛ rˈadʑi sˈɔbjɛ z vʲˈatrɛm.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_53.wav|uvˈaʒa, ʒˈɛ dvˈa zdrˈɔvɛ pˈaltsɛ dɔ tˌɛɡɔ vɨstˈartʃɔ̃, a mˈɔrski lˈɔrd zˈafʃɛ ʃˈuka lˈudʑi, ktˌuʒɨ bˌɛndɔ̃ pɔrˈuʃatɕ jˈɛɡɔ vʲɔswˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_74.wav|tfˈɔjɛ ubrˈaɲʲa vˈiʃɔ̃ w waʑˈɛntsɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_141.wav|maʃ ɔxˈɔtɛ?|0
+Dataset/wavs/urwisko_ferenc/17_segment_20.wav|f tʃˈɛx pʃɨpˈatkax, zˈɛ vzɡlˈɛndu na dalˈɛkɔ pˌɔsuɲʲˈɛntɨ rˈɔskwad zvwˈɔk, ɲʲɛ udˈawɔ ɕɛ pʃˌɛprɔvˈadʑitɕ ˌidɛntˌɨfikˈatsji.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_35.wav|ktˈɔɕ xtɕˈaw, ˈabɨ ˈaʃ pʃˌɛprɔvˈadʑiw ɲʲˌɛlɛɡˈalnɔ̃ ˌɔpɛrˈatsjɛ, a mˈilljɛ mʲˈawa stanˈɔvidʑ zˌabɛspʲɛtʃˈɛɲʲɛ, ʒˈɛ spˈɛwɲi ix pˌɔlɛtsˈɛɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_58.wav|ɔdvrˈatsam ɕɛ dɔ nˈuʃɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_443.wav|i tɔ fʃˈɨstkɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_125.wav|bˈɔ rɔzlˈɛɡa ɕɛ pukˈaɲʲɛ dɔ dʒvˈi vɛjɕtɕˈɔvɨx.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_471.wav|i zabʲˈijɛ tɕi mˈɔtsnɔ sˈɛrtsɛ. jakʲˈɛɡɔ mɲʲɛ sˈɔbjɛ vˌɨɔbrazˈiwaɕ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_74.wav|tɔ tfˈɔja dɛtsˈɨzja, tʃɨ dɔwˈɔntʃaʃ, tʃɨ ɲʲɛ, tˈɔm. ɲʲɛ dʑvɔɲˈiwam, ʒˈɛbɨ tɕˈɛ ˈɔtɔ prˈɔɕitɕ.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_224.wav|pwˈatki ɕɲʲˈɛɡu ˌɔpadˈawɨ bɛzɡwˈɔɕɲʲɛ.|1
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+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_362.wav|zˈɛ skˌamjɛɲʲawˈɨmi ˌɔtxɔdˈami zmˈarwɨx jˈuʃ ˌastrɔnˈawtuf.|0
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+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_56.wav|kˌurduplɔvˈatɨ dˈurɛɲ ɔbrˈaziw ɕɛ, kʲˈɛdɨ ɡˈɔ zˌapɨtˈawɛm, tʃɨ tɔ jˈɛɡɔ ɕˈɔstra tˈaɲtʃɨ nˈaɡɔ na tˈartʃɨ.|1
+Dataset/wavs/urwisko_ferenc/14_segment_62.wav|tɔ ɲʲˌɛdalˈɛkɔ kˌamjɛɲˈitsɨ, f ktˌurɛj mʲɛʃkˈawa, tʃtˈɛrɨ pʃɛtʃɲˈitsɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_430.wav|mˈuviʃ tˈak na fʃˈɛlki vɨpˈadɛk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_105.wav|pʃˈɛs rˈɛʃtɛ dɲʲˈa jɛzd vˌɨwɔntʃˈɔna.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_253.wav|dlatʃˈɛɡɔ mɲʲɛ vwˈaɕɲʲɛ ˌupatʃˈɨwa f tɛj vɛsˈɔwɛj i nˈudnɛj kɔmpˈaɲʲi?|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_60.wav|na pˈɛvnɔ pɔmˈɨɕlaw, ʒˈɛ tɔ ʒˈuwf ˈalbɔ pstrˈɔŋk.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_71.wav|tʃˈujɛ drʒˈɛɲʲɛ fʃˈɨstkix nˈɛrvuf w mˈɔim tɕˈɛlɛ, pɔ tʃɨm spwˈɨva nˈamɲʲɛ ɲʲˌɛɔpisˈana fˈala ɛmˈɔtsji.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_5.wav|kˌamɛʒˈɨsta ˌɔdruxˈɔvɔ kˈutsa, ˌalɛ zɔstˈajɛ na mʲˈɛjstsu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_73.wav|pʃɨɕˈadam na pʲˈɛntax.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_191.wav|ˈɔtar tfˈaʃ s pˈɔtu i uɕmʲˈɛxnɔw ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_7.wav|pɔdnˈɔɕi vzrˈɔk i pˈatʃɨ nˈamɲʲɛ z ɲʲˌɛpɔkˈɔjɛm.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_298.wav|dʒˈɛjn pɔpˈatʃɨw na lˈadɨ amˈɔrɨ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_4.wav|pˈɔtɛm, ɡdˈɨ ix rˌɔzdʑɛlˈɔnɔ,|1
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+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_116.wav|pˌɔvʲɛdʑˈawɛm, ʒˈɛ ɲʲɛ vʲˈɛʒɛ w bˈɔɡa.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_138.wav|mˈartʲin vɨvrˈutɕiw ɔtʃˈami.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_49.wav|ɲʲˈɛx pˈan stˈara ɕɛ pʃɨpˈɔmɲʲɛtɕ. tʃˈɛba vˈɨjɕtɕ s tˌɛɡɔ dˈɔmu, ɡdʑˈɛ bˌɨwɨ ˌimjɛɲˈinɨ i rɔzˈɛjʒɛtɕ ɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_109.wav|ʒˈɛ tˌɛɡɔ tˌɛlɛfˈɔnu uʒˈɨtɔ dɔ kɔntˈaktu z ɡˌɛnɛvʲˈɛvɛ strˈaxan f pˌɔɲʲɛdʑawkˈɔvɨ vʲˈɛtʃur.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_117.wav|ɡdˈɨ tsɛrsˈɛi pɔ rˈas pʲˈɛrʃɨ ˌuswɨʃˈawa tˈɛ çistˈɔrjɛ, pˈɔʃwa dɔ dʑˌɛtɕinnˈɛɡɔ pɔkˈɔju tɨrjˈɔna i ˌuʃtʃɨpnˈɛwa mawˈɛɡɔ pɔtfˈɔra tˈak mˈɔtsnɔ, ʒˈɛ ˈaʃ ɕɛ pɔpwˈakaw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_37.wav|vʲˈɛnts tsˈɔ stˈaɲʲɛ ɕɛ z ɲʲˈɔ̃?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_278.wav|ˈalbɔ ɕmʲˈawa ɕɛ i z jˈakɔ̃ɕ rɔspˈatʃɔ̃ ʃukˈawa mɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_57.wav|ɲʲɛ pɔdnˈɔʃɔnts ˈɔtʃu znˈad ɡazˈɛtɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_120.wav|ˈax, pɔlˈitsja!|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_67.wav|jɛʒˈɛli tfˈuj ˈɔjtɕɛts ɔʒˈɛɲi ɕɛ znˈɔvu...|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_59.wav|ˈuznaw, ʒˈɛ tɔ ɲʲˌɛistˈɔtnɛ. mˈɨliw ɕɛ. tɔ bˌɨwɔː istˈɔtnɛ. bˈardʑɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_28.wav|— znalˈɛʑliɕtɕˌɛ jˈuʃ stɛvˈɛa. tɔ na pˈɛvnɔː ˈɔn, prˈavda?|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_190.wav|mɛ̃ʃtʃˈɨʑɲi, ɲʲɛ xwˈɔptsɨ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_232.wav|pʃɨɕˈɛŋɡam, ʒˈɛ bˌɛndɔ̃ ˈɔɲim ɕpʲˈɛvatɕ pʲˈɛɕɲi.|1
+Dataset/wavs/urwisko_ferenc/63_segment_47.wav|pˈaɲi pˌuakˈava|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_89.wav|stˈaram ɕɛ pɔmˈaxadʑ dɔ ɲʲˈɛj vɛsˈɔwɔ, jˈaɡbɨm zˌapɛvɲʲˈawa, ʒˈɛ fʃˈɨstkɔ jɛst w najlˈɛpʃɨm pɔʒˈɔntku.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_65.wav|rˈatʃɛj ɲʲˈɛmam takʲˈɛɡɔ zamjˈaru.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_234.wav|ʒˈɛ xˈarɨ mɲʲɛ pʃɨsˈɨwa.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_78.wav|pwakˈawam, kʲˈɛdɨ ˈɔtɨm ˌuswɨʃˈawam.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_97.wav|pʃɛt nˈami znˌajdɔvˈawa ɕɛ ɡwˈuvna kɔmˈɔra ˌutlɛɲʲˈaɲʲa i mˌuɕawˈɨɕmɨ jˈɔ̃ ɔkrˈɔ̃ʒɨtɕ, rˌɔstɕɔŋɡˈajɔnts tˈunɛl, ʒˈɛbɨ dˈɔtʃɛdʑ dɔː ˌuvʲɛ̃ʑˈɔnɨx prˌatsɔvɲˈikuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_132.wav|a ftˈɛdɨ pˈan xˈu ɔbrˈutɕiw ɕɛ na pʲˈɛɲtɕɛ i spʃˈɛdaw tˈɛ ˌinfɔrmˈatsjɛ brˌazɨlijtʃˈɨkɔm.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_170.wav|skwˈada ɕɛ z ˌalumˈiɲʲum,|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_292.wav|mˈɔɡɛ mʲˈɛtɕ tˌɨlkɔ nadʑˈɛjɛ, ʒˈɛ zjɛdnˈawɛm sˈɔbjɛ dˈɔsɨtɕ wˈask allˈaxa, ʒˈɛbɨ mi tɔ vɨbˈatʃɨw.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_591.wav|ˌalɛ ɕfʲˈatwɔː ˈu spˈɔdu ɲʲˈɛba bˌɨwɔ sˌɛlɛdɨnˈɔvɛ i ʑˈimnɛ. tʃɨ tɔ mɔʒlˈivɛ, ʒˈɛbɨ tˈak ʃˈɨpkɔ pʃɛbjˈɛɡwa nˈɔts?|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_76.wav|ˈɛlis mˈɨlɲʲɛ ˌintɛrprɛtˈujɛ jˈɛɡɔ mˈinɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_5.wav|bˈɔʒɛ, pˌɔddavˈaɲʲɛ ɕɛ ʒawˈɔsnɛj swabˈɔɕtɕi tɔ jˈɛdnɔ, ˌalɛ ˌɔbnɔʃˈɛɲʲɛ ɕɛ s tɨm pʃɛt innˈɨmi tɔ jˈuʒ zupˈɛwɲʲɛ tsˈɔː innˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_49.wav|vɨsˈɨwam dɔmˈɔvi vʲadˈɔmɔɕtɕ, ʒˈɛ bˌɛndɛ w dˈɔmu pʃɛt ʃˈustɔ̃, pɔ tʃɨm znajdˈujɛ sˈɔbjɛ zajˈɛɲtɕa, ʒˈɛbɨ ˌuspravʲɛdlˈivitɕ mˈuj spuʑɲʲˈɔnɨ pʃˈɨjast.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_77.wav|muɕˈawaʑ dɔ mɲʲɛ pʃˈɨjɕtɕ s samˈɛɡɔ kˈɔɲtsa ɕfʲˈata.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_30.wav|muvˈiwɛm, ʒˈɛ naprˈavdɛ ɲʲˈɛvʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_216.wav|mˈuɡwbɨm zɲˈiknɔɲtɕ f twˈumjɛ nˌɔvitsjˈuʃɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_56.wav|na ulˈitsɨ dˈɔbrɛj, pˌɔvʲɛdʑˈawa ta ɔ kˈulax.|0
+Dataset/wavs/urwisko_ferenc/09_segment_108.wav|nˈatɔ vɨɡlˈɔnda, stfʲˈɛrdʑiw.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_152.wav|ɲʲɛ jˌɛstɛɕ jˈɛɡɔ sɛɲʲˈɔrɛm, sˈɛr.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_102.wav|ˈandɛrsɔn rˌɔspakˈɔvaw karˈabʲin i pˈatʃɨw xfˈilɛ na ɕtɕˈanɨ pʲɛŋknˈɛɡɔ, duʒˈɛɡɔ pɔkˈɔju,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_66.wav|pʃˈɨkrɔ mi ʃˈɛfjɛ, ˌaɲi ɕlˈadu sˌamɔxˈɔdu s trakˈana.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_32.wav|tˈɔm dɔstʃˈɛɡa mɲʲɛ i pɔtxˈɔdʑi blˈiʒɛj.|4
+Dataset/wavs/urwisko_ferenc/18_segment_79.wav|pɔlˈitsjant ɲʲˈɛkrɨw zdʑivʲˈɛɲʲa. xˈanna pilˈɛfska vˈɛʃwa dɔ pɔkˈɔju i fspˈarwa rˈɛntsɛ na bjˈɔdrax. ɔ tsˈɔ xˈɔdʑi? spɨtˈawa.|0
+Dataset/wavs/urwisko_ferenc/15_segment_13.wav|a dɔ tˌɛɡɔ bʒˈɨtkɔ kwˈamjɛʃ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_30.wav|i nˈaɡlɛ ɡˈɔ zˌauvˈaʒam.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_311.wav|tɔ bˌɨwa ɡʲˌiɡantˈɨtʃna mˈasa ʒɛlˈastfa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_178.wav|ˌarɡumɛntˈatsja prˈavna tɔ jˈɛdnɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_72.wav|pɔ drˈuɡʲɛj strˈɔɲʲɛ pˌɔmjɛʃtʃˈɛɲʲa, zˌavwaʃtʃˈɔnɛj pʃˈ��z dʑˈɛtɕi, valˈajɔ̃ ɕɛ zabˈafki i kˌɔlɔrɔvˈaŋki.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_347.wav|tɕɛrɲˈistɛ kʃˈɛvɨ, a nˈavɛt mˈawɛ dʒˈɛfka ɕˌɛŋɡajˈɔntsɛ na vɨsˈɔkɔɕtɕ kɔɲskʲˈɛɡɔ wbˈa.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_106.wav|pˈɔttʃas jˈɛɡɔ pʲˈɛrʃɛj vizˈɨtɨ w zˈamku ɕtɕˈanɨ rˈuvɲʲɛʒ bˌɨwɨ nˈaɡʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_34.wav|mʲˈaw ɡrˈubɛ mˈurɨ i dɛmbˈɔvɔ̃, nˌabʲijˈanɔ̃ ʒˌɛlaznˈɨmi tɕfʲɛkˈami brˈamɛ, ktˌura pʃˌɨvɔdʑˈiwa na mˈɨɕl stˌarɔʒˈɨtnɨ xˈɛrp jˈɛɡɔ rˈɔdu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_89.wav|bˈutskɨ vɨtɕˈɔŋɡa s kʲɛʃˈɛɲi kɔʃˈuli pˈatʃkɛ palmˈali bˈɛs fˈiltra. bʲˈillɨ ɲʲɛ vʲˈɛdʑaw, ʒˈɛ jˈɛʃtʃɛ tˈakʲɛ prˌɔdukˈujɔ̃ i tʃɛ̃stˈujɛ ɡˈɔ.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_30.wav|ɡrˈɔɕiɡ vɨstˈartʃɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_25.wav|ɕtɕˈɔŋɡa z ɲʲˈɛj pʃˌɛmɔtʃˈɔnɔ̃ dʒinsˈɔvɔ̃ spudɲˈitʃkɛ, ktˌurɔ̃ ʒˈutsa na pɔdwˈɔɡɛ rˈazɛm z rˈɛʃtɔ̃ ˈubraɲ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_165.wav|jˈɛɕli bˌɨwa pˈaɲi tˈaka ɲʲˌɛʃtʃɛɲɕlˈiva, tɔ dlatʃˈɛɡɔ ɲʲɛ pˌɔmɨɕlˈawa ˈɔtɨm, bˈɨ ɔt ɲʲˈɛɡɔː ˈɔdɛjɕtɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_148.wav|jˈaɡ vʲˈɛndʑ bˈɛɲdʑɛ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_65.wav|pˌɔmatsˈawɛm tʃˈarnɨ ɡrˈuzɛw zakʃˈɛpwɛj krfˈi nat prˈavɔ̃ brˈɨvjɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_188.wav|jɛst ˈu jɛnsˈɛnuf. vʲˈɛʃ, sɔ̃ɕˈaduv z ɡˈurɨ. mˌajɔ̃ tˈɛʃ pˈɔptsɔrn. jˈɛɕli tsawˈɛɡɔ ɲʲɛ zjˈɛdli, sˈam ɡˈɔ kupˈiwɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_10.wav|tsˈɔː ˌɔna xtsˈɛ mi pɔvʲˈɛdʑɛtɕ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_23.wav|tʃɨ ˌɔna mʲˈawa dˈɔstɛmb dɔ jˌakixkˈɔlvʲɛɡ dˈanɨx fˌinansˈɔvɨx, ktˌurɛ mˈɔɡwɨbˌɨ pɔɡrˈɔ̃ʒɨtɕ mˈartɛ? vˈɔntpjɛ, ˌalɛ mˈuɡwbɨ tɔ bˈɨtɕ pravdʑˈivɨ mˈɔtɨf.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_35.wav|pˌɔtfʲɛrdʑˈiwam i f swuxˈaftsɛ rˈɔzlɛkw ɕɛ sˈɨɡnaw. pɔ xfˈili ˌuswɨʃˈawam mˈɛ̃ski ɡwˈɔs.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_96.wav|f pˈɛvnɨm mɔmˈɛɲtɕɛ tsamˈɛrɔn zˌɔrjɛntˈujɛ ɕɛ, ʒˈɛ zmʲɛɲʲˈajɔ̃ ɕɛ mˈɔjɛ kʃtˈawtɨ, ʒˈɛ pˌɔvʲɛŋkʃˈɨwa mi ɕɛ tˈalja, a ftˈɛdɨ mɲʲɛ vɨʒˈutɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_181.wav|bˈɨw xwɔpˈakʲɛm mˈɔjɛj mˈamɨ, ˌalɛ ɲʲɛ pɔvˈiɲʲɛn ɲˈim bˈɨtɕ. bˈɨw zwˈɨm tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_223.wav|a ktˈɔʑ zapˈɨta na pˈɛvnɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_48.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_40.wav|drˈutɨ pʃɛstˈajɔ̃ stˈukatɕ, a kɔbjˈɛta pɔ rˈas pʲˈɛrʃɨ pˈatʃɨ mi w ˈɔtʃɨ, jˈaɡbɨ ʃukˈawa w ɲˈix rɔspˈatʃɨ lˈup rˌɔstʃarɔvˈaɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_103.wav|ˌukwɔɲˈiwɛm ɕɛ ɲˈiskɔ, ruʃˈɨwɛm pʃɛt ɕˈɛbjɛ. prɛzˈɨdɛnt xfˈilɛ pʃˌɛkɔmˈaʒaw ɕɛ s pˌaɲʲɛŋkˈami, a pˈɔtɛm fʃˈɨstsɨ zɡˈɔdɲʲɛ pˌɔdɔ̃ʒˈɨli.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_114.wav|jˈaɡɡɛr, ktˌurɨ ˈɔprutʃ sfˈɔix talˈɛntuf mˈa rˈuvɲʲɛʒ bˈardʑɔ bˈɨstrɨ ˈumɨsw, zˌasuɡɛrˈɔvaw, ʒˈɛ tɔ ɕɛ mˈɔʒɛ ˈudatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_45.wav|ˌalɛ xˈɔdʑ zˈafʃɛ bˌɨwa tɔː ˌulubjˈɔna brˈɔɲ z jˈɛɡɔ zbrɔjˈɔvɲi, ˈaram uʒˈɨva jɛj tˌɨlkɔ ftˈɛdɨ, kʲˈɛdɨ zavˈɔdʑɔ̃ ˈinnɛ fˈɔrmɨ mɛntˈalnɨx tˈɔrtur.|3
+Dataset/wavs/urwisko_ferenc/41_segment_5.wav|mˈimɔ tɨɣ vˌɔntplivˈɔɕtɕi.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_175.wav|ɡdˈɨ tˌɨlkɔ vrutɕˈiwam dɔ sfˈɔjɛj trˈumnɨ, zʒutɕˈiwam ubrˈaɲʲɛ ʃˈɨptɕɛj ɲˈiʃ pijˈana paɲʲˈɛŋka na rˈanttsɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_48.wav|jˈakiʑ ɡˈas, kturˌɛɡɔ ɲʲɛ pˌɔtrafˈiwɨ vˈɨkrɨtɕ tʃujɲˈiki?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_125.wav|skˈɔrɔ jˌɛstɛm ʒˈɨvɨ i mˈam ɕɛ dˈɔbʒɛ, tɔ pɔ tsˈɔ vam kˈurva dˈɔstɛmb dɔ mɔjˈɛɡɔ sˈɛjfu?|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_20.wav|jˈak pʃɛstˈawɛm pwˈakatɕ, pɔdˈɛʃwɛm dɔ tˌɛlɛfˈɔnu. dʑˈawaw. ɲʲɛ zˈafʃɛ tˈaɡ bˈɨwɔ, ˌalɛ tˌɛɡɔ dɲʲˈa dʑˈawaw, bˈɔ raxˈunɛɡ bˈɨw ˌɔpwatsˈɔnɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_51.wav|kʲˈɛdɨ pʃˌɛtʃɨtˈawam vʲadˈɔmɔɕtɕ, xtɕˈawam jˈuʃ tˌɨlkɔ znˈalɛɕtɕ ɕɛ jˈak najʃˈɨptɕɛj pʃɨ xˈɔli.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_59.wav|sprˈava pʃɛtɕˈifkɔ ɲʲˈɛj zɔstˈawa starˈanɲʲɛ zˌaplanɔvˈana i jɛdˈɨnɔ̃ dʑˈurɔ̃ jɛst xˈaswɔ dɔ vˈifˈi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_25.wav|mɛ̃ʃtʃˈɨzna ftɕˈɔ̃ʃ mʲˈaw na ɡwˈɔvʲɛ kˈaptur, jˈɛdnaɡ blˈuza mʲˈawa na ramjˈɛɲʲu vɨrˈaʑnɛ ˌɔznatʃˈɛɲʲɛ mˈarki.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_312.wav|vʲˈɛm, ʒˈɛ jˈɛdna z nˈaʃɨx wɔntʃɲˈitʃɛk mʲˈɛʃka w ɡdˈaɲsku.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_301.wav|pʃˌɨzvɨtʃˈaiʃ ɕɛ dɔ ɲʲˈɛɡɔ. ɲʲɛ pʃɨvˈitaʃ ɕɛ z dalˈɛɛm?|4
+Dataset/wavs/urwisko_ferenc/19_segment_129.wav|bɛˈata vˈaltɛr jɛst mˈɔjɔ̃ tɕˈɔtɕɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_131.wav|ɡwˈɔz zaskʃˈɛtʃaw z ˌɔddalˈɛɲʲa. sˈɛvɛn zˈɛrɔ tˈaŋɡɔ rˈɔɡɛr.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_136.wav|ˈɛlis mˈuvi pˈɛvnɨm ɡwˈɔsɛm, ˌalɛ rˈas pɔ rˈas ɔtɕˈɛra ˈɔtʃɨ rɛŋkˈavɛm sfˈɛtra.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_60.wav|tsˈɔ rɔbʲˈiwa pˈaɲi f tɨm budˈɨŋku ftʃˈɔraj vʲɛtʃˈɔrɛm?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_33.wav|uznˈawɛm, ʒˈɛ mˈɔʒɛ bˈɨtɕ nˈas tˈutaj za dˈuʒɔ. mˈam nadʑˈɛjɛ, ʒˈɛ zɔbˈatʃɛ lˈutsɨ, ˌalɛ ˌɔna ɲʲɛ mˈɔʒɛ vʲˈɛdʑɛtɕ, kˈim jˈɛstɛm, tˈɔm. rɔzˈumjɛʃ tɔ, prˈavda?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_172.wav|ɲˈiɡdɨ ɲʲɛ zadˈavaj mi ʒˈadnɨx ˌɔsɔbʲˈistɨx pˈɨtaɲ, ˈindjɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_92.wav|pˈan bˈɨ ɲʲˈɛmʲaw vˌɔntplivˈɔɕtɕi, ɡdˈɨbɨ pʃˈɨʃwɔ pˈanu zˈabʲitɕ innˈɛɡɔ tʃwɔvʲˈɛka, prˈavda?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_17.wav|s tˈɛɡɔ, tsˈɔ swɨʃˈawɛm, s tˈɔbɔ̃ ɲʲˈɛmam ɕɛ tsˈɔ rˈuvnatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_201.wav|dɔstˈawɛm ɕɛ w ɲʲˈɔ̃.|0
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+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_265.wav|ɔn ɲˈiɡdɨ ɲʲɛ mˈɨɕlaw, ʒˈɛ...|1
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+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_35.wav|dɛmbˈɔvɔ̃ tˈartʃɛ nˌabʲijˈanɔ̃ ʒɛlˈazɛm na tlˈɛ ɲʲɛbjˈɛskɔbjˈawɨx fˈal.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_38.wav|tʃɨ ɔn naprˈavdɛ sˈɔbjɛ vˌɨɔbrˈaʒa, ʒˈɛ jɛʒdʒˈɛɲʲɛ tˈɛras pɔː ulˈitsax f tʃɨmkˈɔlvʲɛk pɔmˈɔʒɛ?|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_299.wav|ˈidʑ z jɔtsˈɛlɨn.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_309.wav|s pɔtʃˈɔntku dɔtknˈɛwa jɛj dˌɛlikˈatɲʲɛ.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_196.wav|tˈakɔ̃ mʲˈaw rɔbˈɔtɛ.|2
+Dataset/wavs/urwisko_ferenc/07_segment_27.wav|xˈɛrman pɔtʃˈuwa ukwˈutɕɛ w dˈɔlɛ plˈɛtsuf.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_471.wav|z��auvaʒˈɨwɛɕ, ʒˈɛ w ˌaktuˈalnɛj dˈatɕɛ nˈaʃ rˈɔk mˈa dvʲˈɛ dʑɛvʲˈɔntki? dʑɛvʲˈɔntka tɔː ˌuduxɔvʲˈɛɲʲɛ. dʑɛvʲˈɔntka tɔ tɨrˈaɲʲa dˈuxa.|0
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+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_14.wav|ˈalbɔ xˌɔrɔ̃ʒˈɔvʲɛ lˈɔrda tɨrˈɛlla ˌɔkwamˈujɔ̃ nˈas, pɔdˈajɔnts pʃˌɛsadʑˈɔnɔ̃ lˈidʒbɛ, bˈɨɕmɨ ɲʲɛ pˌɔsɔɲdʑˈili ix ɔ ɲʲɛdbˈawɔɕtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_26.wav|ɲʲˈɛtsɔ mɲʲɛ ˌuspɔkɔˈiwa.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_126.wav|pʃˈɛɕpij ɕɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_51.wav|nˈavɛt mʲˌɛliɕmˌɨ jˈuʒ dvˈux nˌautʃɨtɕˈɛli jˈudɔ. ɲˈikt sˈɔbjɛ s tɨm ɲʲɛ mˈɔʒɛ dˈatɕ rˈadɨ.|0
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+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_179.wav|uɕˈadwa pʃɨ stˈɔlɛ dɔ ɕˈivas.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_48.wav|i bˈɨtɕ mˈɔʒɛ mˈa rˈatsjɛ. pˈɛvɲʲɛ tˈak.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_129.wav|pˌɔkazˈujɛ irvˈɔvi ɡrˈubɔ̃ kɔkˈardɛ ˌɔzdɔbjˈɔnɔ̃ brˌɔkatɔvˈɨmi lˌitɛrˈami.|2
+Dataset/wavs/urwisko_ferenc/33_segment_100.wav|vidʑˈɛliɕmˌɨ ɕɛ pʃɨ mˌɛrtsɛdˈɛɕɛ, vɨjˈaɕɲiw. mˈɔi kɔlˈɛdʑɨ mˌajɔ̃ tɕˈɛ na tsˌɛlɔvɲˈiku. jˌɛstɛm tfˈɔjɔ̃ jɛdˈɨnɔ̃ ʃˈansɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_131.wav|i pɨzˈatɨ spˈikɛr pɔvʲˈɛdʑaw, ˌamɛrɨkˈaɲska flˈaɡa pɔvʲˈɛva dˈumɲʲɛ nat kˌalifˈɔrɲʲɔ̃, sˌɨmbɔlizˈujɔnts ɕilɲʲˈɛjʃɔ̃ i lˈɛpʃɔ̃ amˈɛrɨkˌɛ.|0
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+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_447.wav|ɲʲɛ jˌɛstɛm tfˈɔjɔ̃ tsˈurkɔ̃, dʑˈɛŋki bˈɔɡɔm, zˈɔstaf mɲʲɛ!|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_48.wav|tɔ jɛst jˈin xˈu s xɔŋkkˈɔŋɡu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_70.wav|ˌalɛ pʃɨnˈajmɲʲɛj dɔ pˌɔdʑivʲˈaɲʲa, a tɔ ɲʲɛ bˈɨlɛ tsˈɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_84.wav|xtsˈɛʒ zɔbˈatʃɨtɕ tsɨtsˈuʃɛk?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_265.wav|nazˈarɨs ɕtɕiɕɲʲˈɛntɨx nˈuk.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_52.wav|pˌɔrɔzmavʲˈamɨ pˈuʑɲʲɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_73.wav|nˈavɛt jˈɛɕli usˈunɔw pˈan xˈaswɔ dɔ ɕˈɛtɕi vˈifˈi s trakˈanuf, zdɔwˈamɨ ˌudɔvˈɔdɲitɕ, ʒˈɛ pˈan ɲˈim dˌɨspɔnˈɔvaw.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_152.wav|tʃˈɨʒbɨ pɔdˈaɡra ˌɔdɛbrˈawa mu rˈɔzum?|1
+Dataset/wavs/urwisko_ferenc/09_segment_11.wav|i vˈɨbraw ɕɛ na kɔmˈɛndɛ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_243.wav|ɔd dʑˈɔbu pɔ rˈufɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_3.wav|mˈɨɕlɛ, ʒˈɛ pˌɔvinɲˈiɕmɨ jˈɛʃtʃɛ rˈas pʃˈɛjʒɛtɕ ɕɛ tˌɛmu mʲˈɛjstsu za dɲʲˈa i pʃˈɛjɕtɕ ɕɛ vzdwˈuʃ lˈɔɔp lˈinɛ. prˈasa jɛst tˈɛraz zamkɲʲˈɛnta dla lˈudʑi.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_63.wav|tɔ zmʲɛɲˈiwɔ ɕɛ dɔpʲˈɛrɔ pɔ pʃɨbˈɨtɕu ljˈi.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_43.wav|ɲʲɛstˈɛtɨ sfɔbˈɔda ɲʲɛ tʃˈɨmaw f sfˈɔjɛj ʃˈafjɛ dˈamskix mˈajtɛk ˌaɲi staɲˈikuf.|4
+Dataset/wavs/urwisko_ferenc/55_segment_73.wav|znˈam jˈɔ̃ vɨwˈɔntʃɲʲɛ z rɛlˈatsji bˈɔlka.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_18.wav|ɔtfʲˈɛram dʒvˈi sˌamɔxˈɔdu i vɨɕˈadam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_34.wav|tʃɨ mˈɔɡɛ vwˈɔʒɨtɕ ˈinnɔ̃ kɔʃˈulkɛ? pˈɨta.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_338.wav|ˌalɛ jˈɛɕli tɔ swˈudʑɨ vʲˈarɨ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_140.wav|z ɡwˈɛmbʲi dˈɔmu dˈɔbjɛkw xrɨpʲˈɔntsɨ ɡwˈɔs nˌawɔɡɔvˈɛɡɔ palˈatʃa. bʲˈill? bʲˈill?|2
+Dataset/wavs/urwisko_ferenc/62_segment_49.wav|— ɲʲˈɛx ɕɛ pˈan ɲʲɛ mˈartfi — xˈɛrman ɕɛ pɔdɲʲˈɔswa. — tɔ ɲʲɛ pˈɔtrfa ˈaʃ tˈaɡ dwˈuɡɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_28.wav|xˈɔnɔr jɛst pɔjˈɛɲtɕɛm ˌɛlastˈɨtʃnɨm. spɔkˈɔjɲʲɛ, pɔvʲˈɛdʑaw mˈikɛ.|0
+Dataset/wavs/urwisko_ferenc/47_segment_74.wav|ɕlˈɛttʃɨ vˈɛstxnɔw, jˈaɡbɨ ɕɛ zavˈaxaw.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_86.wav|zˌauvˈaʒɨw paˈisɛl. jˈɛɕli zˈavʒɛ pʃˈɨjaʑɲ z lˈudʑmi z ʒˌɛlaznˈɛɡɔ rˈɔdu...|1
+Dataset/wavs/urwisko_ferenc/65_segment_104.wav|pʃˈɛstɔ fʃˈɨstkɔ vʲˈɛʃ, tsˈɔ mˈam na mˈɨɕli.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_129.wav|mʲˈawam tˌɨlkɔ tˌaki kˈaprɨs.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_129.wav|pʃɛd vʲɛlˈɔma dɲʲˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_76.wav|ɲʲˈɛma pˌɔtskakivˈaɲʲa ˌaɲi tˌaranɔvˈaɲʲa ɕɛ navzˈajɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_134.wav|a sˈami ˌutɕɛkɲʲˈɛmɨ na kˈɔɲʲɛts ɕfʲˈata.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_135.wav|dˈɔbʒɛ bˌɛɲdʑɛ spˈɛɲdʑidʑ z ɲʲˈɔ̃ trˈɔxɛ tʃˈasu. pˌɔradʑˈimɨ sˈɔbjɛ, prˈavda kɔxˈaɲʲɛ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_87.wav|nˈavɛt pʃɨɲʲˈɔswɛʑ zˈɛ sˈɔbɔ̃ kfʲˈat, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_93.wav|mɲʲˈɛjʃa s tˈɨm, ʒˈɛ vidʑˈɛli mˈɔjɛ mˈajtki. mɨɕlˈawam, ʒˈɛ kˈaʒɔ̃ ɔtfˈɔʒɨtɕ tɔrˈɛpkɛ i fˈatsɛd zɔbˈatʃɨ pistˈɔlɛt pʃˈɛs tˈɛ xɔlˈɛrnɔ̃ kamˈɛrɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_10.wav|pˈɔmɨɕl ˈɔtɨm pˈuʑɲʲɛj, jˈɛɕli w ɔɡˈulɛ bˌɛɲdʑɛ jˈakʲɛɕ pˈuʑɲʲɛj.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_28.wav|ˈɔjtʃɛ, dˈɔdaj mi ɕˈiw.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_51.wav|bˈɨtɕ mˈɔʒɛ tɔ vʲˈara pɔvˈinna pʃˌɛprɔvˈadʑitɕ prˈɔtsɛs.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_43.wav|sprˌavʲɛdlˈivɔɕtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_276.wav|mɛ̃ʃtʃˈɨzna ɔdvrˈutɕiw ɕɛ ɡvawtˈɔvɲʲɛ, pˈatʃɨw pʃˈɛs xfˈilɛ na ɲʲˈɛɡɔ, a pˈɔtɛm ˈɔtʃɛd.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_54.wav|ɲʲˈɛvʲɛm, tsˈɔ tɔ znˈatʃɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_97.wav|jɛj ɡwˈɔvɛ vʲˈɛɲtʃɨ kɔmˈitʃɲʲɛ dˈuʒɛ, swɔmkˈɔvɛ sɔmbrˈɛrɔ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_263.wav|pˈiʃɛ, ʒˈɛ vrˈatsa jˈuʒ dɔ dˈɔmu i mˈa nadʑˈɛjɛ fkrˈuttsɛ ˈujʒɛtɕ sfˈɔ̃ ˌukɔxˈanɔ̃ tsˈurkɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_25.wav|tsˈɛɲʲɛ sfˈɔjɛ ʒˈɨtɕɛ bˈardʑɛj ɔt tfɔjˈɛɡɔ. nˈɔː i tsˈɔ mi zrˈɔbʲiʃ?|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_103.wav|dlatʃˈɛɡɔ marɡˈarɨ vɨsˈɨwa pɔ tɕˈɛbjɛ?|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_273.wav|a tsˈɔ bˌɨwɔ kwˈamstfɛm?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_32.wav|ɡdʑˈɛ sɔ̃ pʲɛɲʲˈɔndʑɛ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_28.wav|vˈidʑɛ nˈaɲʲɛj fˌɔtɔɡrˈafjɛ ˈaʃa, mˈilljɛ i zrɔbjˈɔnɛ ɔstˈatɲʲɔ zdjˈɛɲtɕɛ stɛvˈɛa ɔlmˈana.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_389.wav|brɔdˈatɨ mɛ̃ʃtʃˈɨzna mʲˈaw na sˈɔbjɛ tʃɛrvˈɔnɔbjˈawɔ̃ ɔpˈɔɲtʃɛ ˌɔzdɔbjˈɔnɔ̃ ɡrɨfˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_208.wav|vˈɛʃwam dɔ ɕlˈuzɨ i pˌɔɡwaskˈawam rɔbˈɔta pɔ ɡʒbjˈɛtɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_319.wav|pˌɔstɛmpˈujɛʃ ɲʲˌɛɡɔdʑˈivʲɛ, kˈuʃɔnts mɲʲɛ f tɛn spˈɔsup.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_16.wav|lˈɛpʲɛj, ʒˈɛbɨ tˈaɡ bˈɨwɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_9.wav|ˈidʑɛ dɔ dˈɔmu rˌadʑjavʲˈɛɡɔ? jˈɛʃtʃɛ ɲʲˈɛvʲɛm, jɛzd za dalˈɛkɔ. vˈidatɕ jˈɛdnak, ʒˈɛ pˈatʃɨ na dˈɔm, tsˈɔ sˌuɡɛrˈujɛ, ʒˈɛ xˈɨba tˈam ɕɛ vwˈaɕɲʲɛ kʲɛrˈujɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_324.wav|pˈɔvʲɛts mi tˈɨlkɔ, ʒˈɛ tɔ bˈɨw trˈɔnt lˈandvik i fʃˈɨstsɨ vrutɕˈimɨ dɔ sfˈɔix sprˈaf.|4
+Dataset/wavs/urwisko_ferenc/33_segment_70.wav|tɔ samˈɔxut jɛj sˈɨna, ɡʒɛɡˈɔʒa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_53.wav|ˌalɛ ˌudavˈawɔ ɕɛ nˈam spɔtˈɨkatɕ nat jɛʑˈɔrɛm, z dˈala ɔd dˈɔmu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_154.wav|ɔt xfˈili, kʲˈɛdɨ pˌɔʒutɕˈili tˈɛ dʑɛftʃˈɨnɛ pʃɛt jˈɛɡɔ dˈɔmɛm, bʲˈillɨ rˈuvɲʲɛ dˈɔbʒɛ mˈuɡwbɨ bˈɨtɕ krˈɔvɔ̃ pɛndʑˈɔnɔ̃ vˈɔ̃skim kˌɔrɨtˈaʒɛm dɔ ʒˈɛʑɲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_3.wav|fʃˈɨstsɨ ˌɔtʃɛkivˈali na mˈɔmɛnt, kʲˈɛdɨ tˈɔm ɔtfˈɔʒɨ dɨskˈusjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_81.wav|ɕˈadam na wˈuʃku ˌɔbɔk ɲʲˈɛɡɔː i prˈɔʃɛ, bˈɨ ɔtfˈɔʒɨw ˈusta i pɔvʲˈɛdʑaw aˈaa.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_196.wav|ˌuswɨʃˈawa ɡwˈɔɕnɛ, ʃalˈɔnɛ ˌujadˈaɲʲɛ psˈa. ktˈɔɕ jˈɛdʑɛ!|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_65.wav|bˈaki jˈɛʃtʃɛ ɕpˈi, swˈɨʃɨ jˈɛɡɔ xrapˈaɲʲɛ nˈavɛt pʃˈɛz dʒvˈi sɨpʲˈalɲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_80.wav|zˌadɛtsˌɨdɔvˈawam. pˈɔmuʃ mi pʃɛstˈavitɕ sxrˈɔn.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_102.wav|dˈɛlla tɔ sɔ̃ɕˈatka, ktˌura lˈubʲi ˌɔpʲɛkˈɔvatɕ ɕɛ naʃˈɨmi dʑˈɛtɕmi, kʲˈɛdɨ spˌɔradˈɨtʃɲʲɛ vˌɨxɔdʑˈimɨ ɡdʑˈɛʑ bˈɛs ɲˈix.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_57.wav|ɲʲˈɛmam tʃˈasu ix tʃˈɨtatɕ, ˌalɛ vɨjmˈujɛ tɛlˈɛfɔn i rˈɔbjɛ zdjˈɛɲtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_59.wav|ɲʲɛ jˈɛstɛm.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_57.wav|ɡdˈɨ fspʲˈɛli ɕɛ na pˌɔpɛŋkˈanɛ ɡwˈazɨ znatʃˈɔntsɛ lˈiɲʲɛ bʒɛɡˈɔvɔ̃ vɨsˈɛpki, tʃɛkˈawɔ tˈam nˈaɲih tʃˈɛx mˈɛ̃ʃtʃɨzn.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_164.wav|vˈɨbatʃ, ʒˈɛ vˌɨtɕɔŋɡnˈɛliɕmˌɨ tɕˈɛ z wˈuʃka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_26.wav|ʒˈɨtɕɛ tɔː imprˈɛza, a ʒˈadna imprˈɛza ɲʲˈɛtrfa vʲˈɛtʃɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/52_segment_57.wav|na tarˈaɕɛ lɛʒˈawɨ ɔbʒˈɛʒa bˌasɛnˈɔvɛ z jasnˈɛɡɔ kamjˈɛɲʲa ˌuwɔʒˈɔnɛ w ɲʲɛvʲˈɛlkʲɛ vʲˈɛʒɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_40.wav|ɲʲˈɛma jˈɛdnak mˈɔvɨ ɔ ʒˈadnɛj pɔmˈɨwtsɛ, nˈavɛt pɔ tʃtɛrnˈastu lˈatax.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_350.wav|ɡdʑˈɛɕ f sɔ̃ɕˈɛdɲʲɛj klˈattsɛ sxɔdˈɔvɛj|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_71.wav|utʃˈɨmaʃ ɕɛ na nˈɔɡax, tʃɨ mˈam vˈɛzvatɕ pˈɔmɔts?|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_136.wav|i bʲˈillɨ pʃˈɨjɔw tˈɛ rɔbˈɔtɛ, bˈɔ tsˈarɔl trˈilbɨ bˈɨw zwˈɨm tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_160.wav|tɔ ɡʒˈɛx tˈak straʃlˈivɨ, ʒˈɛ drʒˈɛ mˈuvʲɔnts ˈɔɲim.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_19.wav|pˈɔtɛm, kʲˈɛdɨ fɕˈɛdli, jˈuʃ mˈikɛ pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_164.wav|bˌɛndɛ muɕˈawa pɔstˈavitɕ mu ɡdʑˈɛɕ pˈɔsɔŋk i uʒˈɔɲdʑitɕ pˈɔɡʒɛp, jakʲˈɛɡɔ f krulˈɛfskʲɛj pʃɨstˈaɲi jˈɛʃtʃɛ ɲʲɛ vidʑˈanɔ.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_291.wav|tˈɔbjɛ rˈuvɲʲɛʃ nalˈɛʒɨ ɕɛ naɡrˈɔda za fʃˈɨstkʲɛ swˈɔtkʲɛ pʲˈɛɕɲi, ktˌurɛ ɡrˈawɛɕ nˈam pˈɔttʃas pɔɕˈiwku. ˌɔtʃɨmˈawɛɕ ɔd bˈɔɡuf xˈɔjnɨ dˈar.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_334.wav|pɔt mɔˈimi dʒvʲˈami tʃˈɛka ɲʲˌɛznajˈɔmɨ i ɲʲɛ zdˈɔwam ɡˈɔ pɔfstʃˈɨmatɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_17.wav|ɲʲˌɛpʃɛrvˈanɨm pˈasmɛm nˈudɨ, xˈɔrup i klˈɛ̃sk fˌinansˈɔvɨx.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_158.wav|a jˈak ɲʲɛ ˌuɲikɲʲˈɛmɨ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_244.wav|tɔ tɨ ɲʲˈɛvʲɛʃ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_570.wav|ɲʲɛ zdɔ̃ʒˈɨliɕmˌɨ jˈɛʃtʃɛ zjˈɛʑdʑ zˈɛ sˈɔbɔ̃ bˈɛtʃki sˈɔli.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_25.wav|ˈɔtpar z uɕmʲˈɛxɛm sˈɛptɔn mɛrˈibalt. ɲʲɛ bˌɨwɔ f tɨm prˈavdɨ ftˈɛdɨ i ɲʲˈɛma jɛj tˈɛras.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_83.wav|tsamˈɛrɔn pʃɛkʃˈɨviw ɡwˈɔvɛ, tʃɛkˈajɔnts ˈaʃ ɕɛ ɔdˈɛzvɛ.|3
+Dataset/wavs/urwisko_ferenc/49_segment_96.wav|trfˈawɔ tɔ krˈutkɔ, bˈɔː ˌɔstatˈɛtʃɲʲɛ vˌizɛrˈunɛk mwɔdʑˈɛɲtsa zastˈɔmpiw ˈɔbras jɛj bɨwˈɛɡɔ kɔxˈaŋka.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_9.wav|fˈatsɛd vʲˈɛ, tsˈɔ rˈɔbʲi i jɛst ʃˈɨpki, ˌalɛ bʲˈillɨ jˈuʒ zˈabraw ɕˌɛdɛmsˈɛtkɛ z ˈɔkna.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_19.wav|na ɡwˈɔvʲɛ mʲˈawa vʲˈɛlki swɔmkˈɔvɨ kapˈɛluʒ z ɡʒˈɛndɔ̃ jaskrˈavɨx ʃtˈutʃnɨx kfʲˈatuf.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_88.wav|mruknˈɛwam pɔt nˈɔsɛm. mˈɔʒɛ pɔvˈinnam... ftˈɛdɨ kˈɔmbajn...|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_168.wav|sfˈɛɡɔ pʃˌɛznatʃˈɛɲʲa?|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_52.wav|pʃɨznˈaɲʲɛ ɕɛ ɲʲɛ jɛst nˈam pɔtʃˈɛbnɛ, pˈaɲi brˈɛdɔtsk.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_50.wav|— ɲʲˈɛxtsɛ zabʲˈijatɕ — pɔvʲˈɛdʑaw xwˈɔpak. — rɔzˈumjɛ pˈan.|0
+Dataset/wavs/urwisko_ferenc/42_segment_84.wav|nˈɔː i? bɔrˈɛvitʃ skˈupiw ɕɛ na swˈɔvax partnˈɛrki, bˈɔ ɲʲɛ vʲˈɛdʑaw, dɔ tʃˈɛɡɔ zmʲˈɛʒa. f pˌaʑdʑɛrɲˈiku jˈɔ̃ pˈɔbʲiw.|0
+Dataset/wavs/urwisko_ferenc/55_segment_19.wav|nˈɔː i? ʒutɕˈiwa dɔ swuxˈafki.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_214.wav|pˈatʃɨw na jˈasnɛ xmˈurɨ pʃˌɨpwɨvajˈɔntsɛ zˈɛ zwɔtˈɛɡɔː ˌɔddalˈɛɲʲa i w zwˈɔtɛ ˌɔddalˈɛɲʲɛ ˌɔtpwɨvajˈɔntsɛ, a pˈɔtɛm pɔvʲˈɛdʑaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_97.wav|a jˈɛɕli zɡˈɔdʑiwbˌɨ ɕɛ zapwˈatɕidʑ za ˈaʃa, ˌalɛ ɲʲɛ za mˈili?|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_194.wav|ˌalɛ zˈafʃɛ tɔ bʲˈillɨ dˌɛtsɨdˈɔvaw, jˈaɡ zɲˈiknɔɲtɕ pɔ vˌɨkɔnˈanɛj rɔbˈɔtɕɛ. i fˈakt, ʒˈɛ ɲˈitsk tɨm rˈazɛm tˈak pɔ prˈɔstu ftˈɨka nˈɔs w jˈɛɡɔ sprˈavɨ jˈɛst… tsˈuʃ…|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_67.wav|vrˈatsa spɔjʒˈɛɲʲɛm na narˈɔʒnɛ bjˈurɔ na tʃfˈartɨm pʲˈɛntʃɛ i rˈas jˈɛʃtʃɛ pʃɛsˈuva vzrˈɔkʲɛm pɔ vˌɨɔbraʒˈɔnɛj ukˈɔɕnɛj lˈiɲʲi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_293.wav|vɨʃˈɛdwɛm na bˈalkɔn, pʃˌɨɡlɔndˈawɛm ɕɛ vrˈublɔm, bʲˈiwɨ ɕɛ, kˌɔpulɔvˈawɨ bɛsfstˈɨdɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_444.wav|jˈakɔʑ bˈɨm vɨtʃˈɨmaw tɔ dʑɔbˈaɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/42_segment_12.wav|tˈak, tɔ znˈatʃɨ ɲʲɛ. nazˈɨvam ɕɛ dɔrˈɔta lˌɛvandˈɔfska.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_408.wav|muɕˈawabˌɨm tˈu vˈɨswadʑ zwˈɔtɛ pwˈaʃtʃɛ i sprˌɔfanˈɔvatɕ ɕfʲˈɛntɛ mʲˈɛjstsɛ rɔzlˈɛvɛm krfˈi.|1
+Dataset/wavs/urwisko_ferenc/55_segment_86.wav|— ɲʲˈɛmam pɔjˈɛɲtɕa. ɡˌɔspɔdˈɨɲi ɲʲɛ ˌɔdvratsˈawa tfˈaʒɨ ɔt ˈɔkna.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_363.wav|mirˈanda pˌɔdjɛxˈawa blˈiʒɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_99.wav|ˌalɛ tɛn fˈatsɛt jˈuʃ tˌaki jˈɛst.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_14.wav|jˌɛstɛm tˈu dlatˈɛɡɔ, ʒˈɛ xtsˈɛ tˈu bˈɨtɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_108.wav|nˈavɛt tˈɛras, kʲˈɛdɨ ɕˈɛdʑaw na pʲˈasku, zvrutsˈɔnɨ tɕˈɛmnɔ̃ tfˈaʒɔ̃ kˈu jasnˈɛmu mˈɔʒu,|0
+Dataset/wavs/urwisko_ferenc/55_segment_16.wav|tʃɨ z ɲʲˈɔ̃? tɔ ɲʲˈɛvʲɛm, ˌalɛ xˈɔdʑiw dɔ tˌɛɡɔ litsˈɛum.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_130.wav|rɛˈiman frˈɛj pˈad na kɔlˈana. ɲʲɛ zrɔbʲˈiwɛm ɲˈits!|1
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+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_296.wav|ɲʲɛ fʃˈɨstkɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_79.wav|sˈalɔn vɨpˈɛwɲʲa ɕɛ ɡˈɔɕtɕmi. rˈɔbʲi ɕɛ s tˌɛɡɔ mˈiwa, spˌɔntaɲˈitʃna imprˈɛska.|2
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_265.wav|jˈak ɕɛ ˌɔkazˈawɔ, ljamjˈawa rˈatsjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_100.wav|mˈam nadʑˈɛjɛ, ʒˈɛ tɕi ɕɛ pɔvʲˈɛdʑɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_10.wav|tˈɛssa vɨdˈajɛ s ɕˈɛbjɛ jˈɛŋk.|4
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+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_126.wav|ftʃɛpʲˈɛɲi f ɕˈɛbjɛ navzˈajɛm, kˌɔntɨnˌuɔvˈali zjˈazd w dˈuw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_4.wav|zˈaɲim jˈɛdnaɡ vˈɨjdɛ, mˈuʃɛ zapˈɨtatɕ, dˈɔkɔnt pˈɔʃɛd vʲɛtʃˈɔrɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_17.wav|i tɛ vˌɨjɔntkˈɔvɛ ˈɔtʃɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_232.wav|nat ɕfʲˌɛtlistˈɨmi strˌumjɛɲʲˈami. a ja pˌɔmɨɕlˈawɛm sˈɔbjɛ...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_107.wav|fpˈɛɲdʑiw tɕˈɛ f xɔrˈɔbɛ, prˈavda?|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_97.wav|ɲˈiɡdɨ w ʒˈɨtɕu ɲʲɛ swɨʃˈawa swɔtʃˈɛɡɔ ɡwˈɔsu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_121.wav|mˈuʃɛ kɔɲʲˈɛtʃɲʲɛ pɔwˈɔʒɨtɕ ɕɛ z ɲˈim na wˈuʃku i ˌɔpɔvʲˈɛdʑɛtɕ mu çistˈɔrjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_87.wav|mˈuʃɛ ˌɔtpɔvʲˈɛdʑɛtɕ, bˈɔ ɡɔtˈɔvi sɔ̃ pɔmˈɨɕlɛtɕ, ʒˈɛ bˌɨwam zˌaçibˌɛrnɔvˈana pʃˈɛs kˈilka ɔstˈatɲiɣ dɲˈi.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_9.wav|na dˈɔlɛ alˈain bˌɛɲdʑɛ muɕˈawa ubjˈɛratɕ ɕɛ skrˈɔmɲʲɛ, jˈak pʃɨstˈawɔ dʑɛftʃˈɨɲʲɛ ɔ skrˈɔmnɨm pˌɔxɔdʑˈɛɲʲu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_162.wav|vidʑˈawɛm pʃˈɛs ɔtfˈartɛ dʒvˈi frˈaɡmɛnt mrɔtʃnˈɛɡɔ pɔkˈɔju ʒˈɔnɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_261.wav|a nˈattɨm ɔɡrˈɔmnɨ nˈapis tʃˈarnɔ̃ fˈarbɔ̃ sprɛjˈɔvɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_40.wav|tˈɔm swˈuxaw, jˈak ˈamɨ ˌɔpɔvʲˈada ɔ vidˈɔtʃnɨx ˌɔbraʒˈɛɲʲax. f kˈɔɲtsu bˌɨwa ɡɔtˈɔva dɔ vˌɨkɔnˈaɲʲa pʲɛrʃˈɛɡɔ natɕˈɛɲtɕa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_98.wav|tɔː ɔznˈatʃa, ʒˈɛ ɲˈikt ɲʲˈɛvʲɛ, ktˈɔ vˈɨɡraw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_131.wav|uɕˈadwɛm.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_114.wav|rˈɔbɛrt ftɕˈɔŋɡnɔw ɡvawtˈɔvɲʲɛ pɔvʲˈɛtʃɛ i ftˈuliw ɕɛ w alˈain, krˈɨjɔnts tfˈaʃ mʲˌɛndʑɨ jɛj pʲɛrɕˈami.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_15.wav|ɲʲɛ dɔvʲˈɛdʑaw ɕɛ zbˈɨd vʲˈɛlɛ, ˌalɛ dɔpʲˈɛrɔ ɕɛ dɔ tˌɛɡɔ zabrˈali.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_68.wav|ja tɔ zrˈɔbjɛ?|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_122.wav|ktˈɔ tɕi zˈalaz za skˈurɛ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_75.wav|pˌɔzɔstˈajɛ mi vʲˈɛnts tˌɨlkɔ vˈɨpxnɔɲdʑ z umˈɨswu utʃˈutɕɛ ˌɔbnaʒˈɛɲʲa na kˈilka ɡˈɔdʑin w jɛdˈɨnɨ znˈanɨ mi spˈɔsup.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_133.wav|vˌɔlantɨɲtʃˈɨtsɨ sɔ̃ ɲʲɛzvˈɨkwɨm, suptˈɛlnɨm narˈɔdɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_69.wav|tˈatɔ bˌɛɲdʑɛ mˈuɕaw pratsˈɔvadʑ vʲˈɛlɛ lˈad dwˈuʒɛj.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_57.wav|ʒˈɛ tˈɛʃ ɲʲɛ zˌapɔmɲʲˈawaɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_326.wav|ɲʲɛ pɔpˈisuj ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_110.wav|w irˈaku ʒɔwɲʲˈɛʒɛ tʃˈasɛm stʃɛlˈali dɔ vʲɛlbwˈɔnduf. i tˈaɡ bˌɨli ftˈɛdɨ natɕpˈaɲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_154.wav|a tɨ tsˈɔ, ɛlˈisɛ? jˈak pɔznˈawaɕ tˌɛɡɔ vˌɛtɛrˈana vˈɔjnɨ ɡˌɛɔrɡʲˈɛɡɔ bˈusxa?|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_383.wav|i zˈamɲʲɛ tˈɛʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_39.wav|rɔzˈumjɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_108.wav|tʃˈɛɡɔ vʲˈɛntsɛj mˈuɡw ˌɔtʃɛkˈivatɕ kɔmpˈutɛr?|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_206.wav|pɔvʲˈɛdʑaw fˈatsɛt, kturˌɛmu bɛskˈarɲʲɛ ˈuʃwɔ bˈuɡ vʲˈɛ ˈilɛ, mˈuvi ɲˈik i pˈarska ɕmʲˈɛxɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_96.wav|tsˈɔ za ʑˈimnɨ sukˈinsɨn.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_109.wav|ktˌurɨ zˈarʒaw swˈɨʃɔnts iɣ ɡwˈɔsɨ i kˈɔpnɔw dʒvˈi bˈɔksu.|1
+Dataset/wavs/urwisko_ferenc/52_segment_14.wav|sˈam natˈɔmjast mˈuɕaw zˈabratɕ ɕɛ dɔ pˌɔʃukˈivaɲ nɔvˈɛɡɔ lɔkˈalu i vʲˈɛdʑaw, ʒˈɛ xfˈilɛ mu tɔ zˈajmʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_95.wav|ɲʲɛ mʲˌawɛm pɔjˈɛɲtɕa, tsˈɔ znatʃˈɨwɨ, bˈɨlɛ tˌɨlkɔ ɲʲɛ snˈajpɛr w ˈaktsji ɲʲɛ pʃɛʃkˈadʑatɕ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_294.wav|mʲˌɛli tˈam ɕɛ zjˈavidʑ vasˈalɛ kɔrbrˈɛja, lɔrdˈɔvʲɛ vˈakslɛj, ɡrˈaftɔn i lindˈɛrlɛj, a tˈaɡʒɛ ɡˈarstka pɔmɲʲˈɛjʃɨx lˈɔrduf i rɨtsˈɛʒɨ na vwˈɔɕtɕax.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_17.wav|tsˈurka trˈɔnda i fpˌatrɨvˈawa ɕɛ w ɲʲˈɛɡɔ jˈak ˌuʒɛtʃˈɔna.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_312.wav|ˈɔtɔ tʃˈɛɡɔ nˈam pɔtʃˈɛba.|1
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_34.wav|f krulˈɛfskʲɛj pʃɨstˈaɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_26.wav|pˈɔdaw fˌaridˈɔvi mɛɡˈafɔn z ɡˈɔɔt mˈɔrɲiŋɡ vʲˈɛtnam vˌɨpisˈanɨm mazˈakʲɛm z bˈɔku i kˈazaw mu...|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_587.wav|tʃɨ zdˈajɛʃ sˈɔbjɛ sprˈavɛ, ʒˈɛ pɔdjˈɛwaʑ zˈamɲʲɛ ˌɔtpɔvʲɛdʑˈalnɔɕtɕ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_75.wav|zˌastanˈavʲam ɕɛ ɡˌɔrɔntʃkˈɔvɔ, tʃɨ vˈidatɕ pʃˌɛraʒˈɛɲʲɛ mˌalujˈɔntsɛ ɕɛ na mˈɔjɛj tfˈaʒɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_58.wav|pɔvˈinna xɔlˈɛra zadʑˈawatɕ, ˌalɛ ɲʲɛ dʑawˈawa.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_421.wav|swɨʃˈawɛm, ʒˈɛ dʑˈɛfka jɛzd bʒˈɨtka i pˌɔvʲɛdʑˈawɛm mu tɔ, ˌalɛ ɔn ɔznˈajmiw, ʒˈɛ fʃˈɨstkʲɛ kɔbjˈɛtɨ sɔ̃ tˈakʲɛ sˈamɛ, jˈak jˈuʒ zdmˈuxɲʲɛ ɕɛ ɕfʲˈɛtsɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_148.wav|ˌɔdɛzvˈawam ɕɛ tɨm ɲʲɛpˈɛvnɨm tˈɔnɛm, jˈakim lˈudʑɛ zvratsˈajɔ̃ ɕɛ dɔ pˌɔɡrɔ̃ʒˈɔnɨɣ w ʒawˈɔbjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_93.wav|pˌɔtsawɔvˈawa ˈɔjtsa f pɔlˈitʃɛk i vˈɨʃwa z jadˈalɲi ɔ kˈulax, ɲʲɛ dˌɔtɨkˈajɔnts stɔpˈami pɔdwˈɔɡʲi.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_87.wav|zavlˈɔkwam ɡˈɔ dɔ bjˈura, a pˈɔtɛm ˌɔtsunˈɛwam rudjˈɛɡɔ na bˈɔk i zatʃˈɛwam pʃˌɛkɔpˈɨvatɕ jˈɛɡɔ ʃuflˈadɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_61.wav|fstˈajɛ s sˈɔfɨ i pɔtxˈɔdʑɛ dɔ ɲʲˈɛɡɔ, unˈɔʃɔnts rˈɛntsɛ, ʒˈɛbɨ ˈɔpʃɛtɕ mu jˈɛ na ramjˈɔnax.|4
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_100.wav|dˌɔpisˈawɔ mi ʃtʃˈɛɲɕtɕɛ i bˈɛs ʃfˈaŋku dɔtˈarwam dɔ tsˈɛlu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_20.wav|zastˈɨɡam w bɛzrˈuxu.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_232.wav|dɔɕˈadaw tˈura jˈɛʃtʃɛ bˈardʑɛj kˌudwatˈɛɡɔ ɲˈiʃ ˈɔn.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_66.wav|tsˈɔ lˈɛtɕi pʃɛtɕˈifkɔ mɲʲɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_415.wav|vɛstxnˈɛwam tɕˈɛ̃ʃkɔ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_344.wav|tʃɨ xtsˈɛtɕɛ mi ɔdmˈuvitɕ fstˈɛmpu dɔ ɕfʲɛntˈɛɡɔ sˈɛptu bˌaɛlˈɔra?|1
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_99.wav|ɡdˈɨ tˌɨlkɔ vˌɨlɔndɔvˈawam na pɔdwˈɔdʑɛ, ʒutɕˈiwam ɕɛ f strˈɔnɛ sxrˈɔnu pˌɔvʲɛtʃnˈɛɡɔ. lˌɛvɔrˈɛntʃnɨ dˈɛptaw mi pɔ pʲˈɛntax, ˌalɛ bˌɨwam ʃˈɨpʃa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_143.wav|tʃɨ tɨ kˈɔɡɔɕ spɔtˈɨkaʃ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_19.wav|trˈudnɔ mi ɕɛ dɔmˈɨɕlatɕ, tsˈɔ stsˈɔdd zdˌɛtsɨdˈujɛ ɕɛ pɔvʲˈɛdʑɛtɕ na antˈɛɲʲɛ, ˌalɛ mˈɔdlɛ ɕɛ tˈɨlkɔ, ʒˈɛbɨ pɔfstʃˈɨmaw ɕɛ ɔt fspɔmɲʲˈɛɲʲa ɔ jˈɛdnɛj jɛdˈɨnɛj ʒˈɛtʃɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_63.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_305.wav|mˌajɔ̃ ɔsˈɔɲdʑitɕ tɛn sˈam trɨbˈunaw tsˈɔ tɕˈɛbjɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_181.wav|tˈak, bˌɨwɛm na mʲˈɛɕtɕɛ, a pˈɔtɛm vrutɕˈiwɛm.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_253.wav|ɲʲɛmˈɔvɨ i kˈundlɛ ɛwrˈɔna pˌɔrɔmbˈali jˈɛɲtsa na ɕˈɛdɛm tʃˈɛɲɕtɕi, bˈɨ nakˈarmitɕ ɕˈɛdmju bˈɔɡuv z ʑɛlˈɔnɨx krˈain, ktˌurɨx tʃtɕˈiw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_61.wav|ɲikˈɔla, zˈabjɛʃ tˈɔrbɛ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_90.wav|ɔdvrˈutɕiw ɡwˈɔvɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_423.wav|nˈam ɕɛ xtsˈɛ ʒˈɨtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_186.wav|trfˈawɨ w dɔstˈɔjnɛj ɲʲˌɛruxɔmˈɔɕtɕi.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_182.wav|tɔ vʒˈasnɔw, ˌalɛ vˌɨjɔŋkˈawam.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_147.wav|kʲˈɛdɨ jˈɛan ɕˈɛŋɡnɔw pɔ kˈavɛ, zɛrknˈɛwam na jˈɛɡɔ pudˈɛwkɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_25.wav|pˈɛvɲʲɛ dlatˈɛɡɔ mˈama uznˈawa, ʒˈɛ ɲʲɛ vˈartɔ pʃˌɨɡɔtɔvˈɨvatɕ fʃɨstkʲˈɛɡɔ sˌamɔdʑˈɛlɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_182.wav|ɲʲɛ ˌɔtpɔvʲˈɛdʑaw i ɲʲɛ mˈuɕaw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_103.wav|pɔdnˈɔʃɛ ɡwˈɔvɛ, ɲʲɛ pʃɛstˈajɔndʑ zadˈavatɕ sˈɔbjɛ jɛdnˈɛɡɔ pɨtˈaɲʲa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_70.wav|mˈɔʒɛ dlatˈɛɡɔ jɛzd dla mɲʲɛ tˌaki dˈɔbrɨ, bˈɔ ja ɲʲɛ jˌɛstɛm ˌaɲi pɔvˈaʒna, ˌaɲi zˌɔrɡaɲˌizɔvˈana.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_116.wav|mˈɔʒɛ dˈaj mu trˈɔxɛ vˈɔdɨ. prˈɔʃɛ, dɔmˈiɲik.|3
+Dataset/wavs/urwisko_ferenc/63_segment_81.wav|pilˈɛfska ˌɔbʒutɕˈiwa pˌɔlitsjˈantkɛ badˈaftʃɨm spɔjʒˈɛɲʲɛm. xˈɛrman vˌɨtɕɔŋɡnˈɛwa nastˈɛmpnɛ vɨdrˈuki.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_275.wav|zˈɛrknɔw na mʲˈɛrɲik. dvadʑˈɛɕtɕa i tʃtˌɛrdʑɛɕʲˈɔntɛ kˌilɔpaskˈala.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_34.wav|zˈamjast tˌɛɡɔ pɔxˈɨlam ɕɛ dɔ tɔrˈɛpki, vɨjmˈujɛ kɔmˈurkɛ, vɨwˈɔntʃam jˈɔ̃, vʒˈutsam dɔ ʃuflˈadɨ, ktˌurɔ̃ zasˈuvam stʃˈaskʲɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_124.wav|pˈɔttɨm vzɡlˈɛndɛm pʃˌɨpɔmˈina pɔˈɛzjɛ.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_250.wav|ˌalɛ fʃˈɨstsɨ mˈɔi brˈatɕa ʃlˈi, a ja ɲʲɛ xtɕˈawɛm zˈɔstatɕ sˈam.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_85.wav|mˈɔʒɛ jˈɛɡɔ vwˈasna, ˌalɛ rˈatʃɛj jˈɛɡɔː ˌadvɔkˈata.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_65.wav|jˈamɛ dˈɔtknɔw pˈaltsɛm rˌɛŋkɔjˈɛɕtɕi mʲˈɛtʃa. pɨtˈaɲʲɛ bʒmˈi, tʃɨ vˈɛjdɛ pɔ tfˈɔim trˈupʲɛ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_156.wav|zrˈɔbjɛ tɕi kʃˈɨvdɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_67.wav|ɲʲɛ mˈɔɡɛ bˈɨdʑ w dvˈux mʲˈɛjstsax nˈaras, vʲˈɛnts pʃɛpˈadɲʲɛ nˈam pɔwˈɔva stˈartuf.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_57.wav|tɔ dˈawɔ mu xfˈilɛ pɔtʃˈɛbnɔ̃, bˈɨ vˈɨrvatɕ tˈɔpur.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_230.wav|pɔlˈitsjant xtɕˈaw ɡˈɔ ɕtɕˈiɡatɕ, ˌalɛ vˈidatɕ, ʒˈɛ ɲʲˈɛma ɡˈɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_14.wav|f pɔblˈiʒu zˌauvaʒˈɨwam kˈilku nˌaukˈɔftsuf, ktˌuʒɨ vwˈaɕɲʲɛ ʃlˈi dɔ prˈatsɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_157.wav|dʑɛftʃˈɨna lɔndˈujɛ nˈaɲʲɛj z ɡwˈuxɨm wupɲʲˈɛɲtɕɛm, vɨdˈajɛ ɲʲˌɛvɨrˈaʑnɨ pˈɔmruk, pɔ tʃɨm znˈuv zatʃˈɨna xrˈapatɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_182.wav|i ɲʲɛ ʒˈal tɕi bˌɛɲdʑɛ tˌɛɡɔ krˈaju? zˌapɨtˈawa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_92.wav|budʑˈɔntsa jˈakɔ̃ʑ ɡrˈɔzɛ, jˈakɔ̃ʑ dˈuʃnɔɕtɕ, jˈakɔ̃ɕ...|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_66.wav|a dlatʃˈɛɡɔ pˈan tɔ zrˈɔbʲiw?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_62.wav|ɲʲˈɛx pˈan ˈidʑɛ i zapˈɔmɲi ɔ nˈaʃɨx prɨvˈatnɨx rɔzmˈɔvax.|0
+Dataset/wavs/urwisko_ferenc/36_segment_78.wav|rɔzˈumjɛm.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_58.wav|prubˈɔvaw vɨmˈɨɕlitɕ jˈakʲɛɕ swˈɔva, ktˌurɛ mˈɔɡwɨbˌɨ ix ˌudɔbrˈuxatɕ.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_187.wav|lˈudʑɛ patʃˈɨli na ɲʲˈɛɡɔ z balkˈɔnuf i z ˈɔkʲɛn. spˌɔɡlɔndˈali z ɔtfˈɔruf tɕˈɛmnɨɣ dʒvˈi.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_73.wav|ɡrˈaj f tˈɛ ɡrˈɛ s kˈim ˈinnɨm, sˈɛr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_25.wav|xˈɨba dla vˈas ˈɔbu.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_71.wav|mruknˈɛwam pɔt nˈɔsɛm i pɔvʲˈɔdwam paltsˈami vzdwˈuʃ spɔjˈɛɲʲa pwˈɨtɨ zˈɛ ɕtɕˈanɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_35.wav|pɔ zˌakɔɲtʃˈɛɲʲu zɛbrˈaɲʲa prɛzˈɛsuf f ʃkˈɔlɛ pɔtʃˈuwam dʑˈivnɔ̃ pˈustkɛ.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_206.wav|jˈamɛ ˈuɕad na stˈɔwku, tʃɛkˈajɔnts, ˈaʃ tˈullɨ ɕɛ vɨkˈɔmpʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_162.wav|tʃˈaz z ɲˈim spɛndʑˈanɨ zatʃˈɔwɛm fkrˈuttsɛ pɔstʃˈɛɡatɕ jˈak...|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_37.wav|a dɔ tˌɛɡɔ zadbˈawa jˈɛʃtʃɛ, ʒˈɛbɨ kɛnˈɨa fprˌɔvadʑˈiwa spɛtsjˈalnɛ ˈulɡʲi pˌɔdatkˈɔvɛ i pʃɛpˈisɨ spʃˌɨjajˈɔntsɛ tɛj nˈɔvɛj mˈɛɡa kˌɔrpɔrˈatsji.|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_46.wav|jˈin xˈu w ˌɔtpɔvʲˈɛdʑi spˈuɕtɕiw vzrˈɔk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_183.wav|tsˈuʃ, vɨɡlˈɔnda na tʃˈɨstɨ i sˈuxɨ, a w ɕrˈɔtku jɛst stˈuw i kˈilka kʃˈɛsɛw. jˈak ɔtfˈɔʒɨdʑ dʒvˈi, swˈɔɲtsɛ fpˈada dɔ ɕrˈɔtka?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_23.wav|lˈintsaj. pˈɛvɲʲɛ w jˈakiɕ spˈɔsub ɡˈɔ pʃˌɛɔtʃˈɨwa, ˌalɛ pˌɔmɨɕlˈawɛm, ʒˈɛ pˌɔviɲʲˈɛnɛm ˈɔtɨm fspˈɔmɲʲɛtɕ, zˈaɲim jˈɔ̃ zapˈɨtam.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_156.wav|rˈɔzlɛkw ɕɛ krˈutki ˌɛlɛktrɔɲˈitʃnɨ sˈɨɡnaw i skʃˈɨdwɔ rˌɔssuvˈanɨɣ dʒvˈi sxɔvˈawɔ ɕɛ w ɕtɕˈaɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_74.wav|bˈɛtskɨ ɲʲɛ spˌɔdɔbˈawɔ ɕɛ tɔ, tsˈɔː ˌuswɨʃˈawa.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_438.wav|marɡˈarɨ pʃˈɛs xfˈilɛ ɲʲɛ ˌɔtpɔvʲadˈawa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_92.wav|ɔɡrˈɔmnɨ vˈir nˈattɨm krˈajɛm i nadˈɛmnɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_91.wav|ˈaʃ jˈɔ̃ pɔdnˈɔɕi i pʃˌɨtʃɨmˈujɛ, a ja pɔ rˈas pʲˈɛrʃɨ ɔd vʲˈɛlu dɲˈi vˈidʑɛ na jɛj tfˈaʒɨ ˈuɕmʲɛx.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_174.wav|ˈandɛrsɔn|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_4.wav|sˈanxɛs kˌɔntrɔlɔvˈawa sˈɨstɛm ˌavarˈɨjnɛj vɨmjˈanɨ pɔvʲˈɛtʃa. mʲˈawa na tfˈaʒɨ ɡˈɔɡlɛ i mˈaskɛ s pˌɔxwaɲʲˈatʃɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_53.wav|znajdˈujɛ pˌuwtuzˈinɛ ˌartɨkˈuwuf, tsˈɔ jˈɛdɛn tɔ krˈutʃɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_152.wav|ˌalɛ jˈakiɣ dˈanɨx?|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_55.wav|tˈak sˈamɔ jˈak ˈinnɛ, ktˌurɛ mʲˌɛliɕmˌɨ f skˈarptsu, a tˈaɡʒɛ pʲɛrɕtɕˈɛɲʲɛ i fʃˈɨstkʲɛ ʃˈatɨ zˈɛ zwˈɔtɔː i srˈɛbrnɔ ɡwˈɔvju.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_62.wav|ˌalɛ tɛrˈɛntsɛ i ɡʲˈillɛz bˌɨli tˈuʒ zˈaɲim i ɲʲˈɛmuɡw ˈutɕɛts.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_11.wav|ɔdlˈanɨ z ʒɛlˈaza i pˈalɔnts pˌapʲɛrˈɔsa pˈatʃɨw w ʑˈɛmʲɛ na ˈinnɨ tɕˈɛɲ, zblˌiʒajˈɔntsɨ ɕɛ pɔvˈɔli kˈu ɲʲˈɛmu.|0
+Dataset/wavs/urwisko_ferenc/26_segment_2.wav|zdˈɔbaw dˈɔstʃɛts tˌɨlkɔ nˈumɛr, vʲˈɛnts sˈɔɲdʑiw, ��ˈɛ tɔ kɔlˈɛjna rɛklˈama. pʃˈɛɲʲuz vzrˈɔk na drˈɔɡɛ i fpatrˈɨvaw ɕɛ w jˈɛzdɲʲɛ ˌutɕɛkajˈɔntsɔ̃ pɔt mˈaskɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_39.wav|pʃˈɛz dʒvˈi w ɡwˈɛmbʲi pˌɔmjɛʃtʃˈɛɲʲa pʃˈɛʃliɕmˌɨ dɔ mʲɛʃkˈaɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_40.wav|zdrɔvˈuxɨ pɔt kʃˈakʲɛm tɔ mˈɔjɛ vʲˌɛlbʲitɕˈɛlki. vɨjˈɔwɛm jˈɛ spˈɔt ˌuɲivˌɛrsɨtˈɛtu.|0
+Dataset/wavs/artemis_anna_szymanczyk/45_Artemis_segment_9.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_31.wav|vˈidʑɛ tɔ na jɛj tfˈaʒɨ.|3
+Dataset/wavs/urwisko_ferenc/08_segment_91.wav|i bˌɨli tˌɨlkɔ na jˈɛdnɛj, jɛdˈɨnɛj imprˈɛʑɛ.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_339.wav|s pɛvnˈɔɕtɕɔ̃ ɕˈɛdmju pˌɔtʃɛbɔvˈawɔː ix ˈuswuɡ ɡdʑˈɛ ˈiɲdʑɛj.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_278.wav|ˈɔbaj pˌɔzabʲijˈalibˌɨ ɕɛ navzˈajɛm, jˈak sˈɛr ˈarɨk i sˈɛr ˈɛrɨk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_44.wav|tɛlˈɛfɔn ɔdˈɛzvaw ɕɛ z brutˈalnɔ̃ nˌatartʃɨvˈɔɕtɕɔ̃ i ˈumilkw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_570.wav|ɲʲɛ vˈɔlnɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_69.wav|w wˌutʃɛŋɡˈɔstfu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_17.wav|ɕˈɔstra zabrˈawa mɲʲɛ zˈɛ sˈɔbɔ̃ i ˌɔbɛʃwˈɨɕmɨ tsˈawɛ ɔɕˈɛdlɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_38.wav|uɕˈɛdliɕmˌɨ ˌɔbɔk ɕˈɛbjɛ, a ɔn ˈujɔw ˈɔbjɛ mˈɔjɛ dwˈɔɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_90.wav|ɲʲɛvʲˈɛlu w ɔɡˈulɛ pˌɔɕadˈawɔ xˈɛwmɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_12.wav|prubˈujɛ ɕɛ uɕmʲˈɛxnɔɲtɕ, ɕadˈajɔnts na skrˈaj wˈuʃka.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_32.wav|ukrˈɨwa tfˈaʒ w dwˈɔɲʲax i zawkˈawa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_103.wav|f tˌɛlɛvizˈɨjnɨm sɛrjˈalu mɔɡwˈɔbɨ tˈaɡ bˈɨtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_8.wav|pˌɔdvɛɲdʑˈiwam tɕi ˌaspirˈɨnɛ. xˈɨba vɨpˈiwam ftʃˈɔraj ɔ jɛdnˈɛɡɔ drˈiŋka za dˈuʒɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_54.wav|jˈɛɡɔ swˈɔva sɔ̃ prˈavdɔ̃. jˈɛɕli maʃ mɔʒlˈivɔʑdʑ vɨswˈuxatɕ arˈama, zrˈup tɔ, a ɲʲɛ pˌɔʒawˈujɛʃ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_51.wav|pˈɨtam. splˈata dwˈɔɲʲɛ na kˈarku, a na jˈɛɡɔ tfˈaʒɨ ɡˈɔɕtɕi vˈɨraz bˌɛzradnˈɔɕtɕi. f kˈɔɲtsu ɕtɕˈɔŋɡa ˌɔkulˈarɨ i pʃɛtɕˈɛra ˈɔtʃɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_50.wav|ˌalɛ tˈɔm mˈuɕaw pʃˈɨznatɕ, ʒˈɛ ftɕˈɔ̃ʃ ɲʲɛ znˈali jˈɛɡɔ tˌɔʃsamˈɔɕtɕi.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_158.wav|ɲʲɛ udʑˈɛli bwˌɔɡɔswavʲˈɛɲstfa, dɔpˈuki kɔrˈɔna ɲʲɛ vznˈɔvi pwatnˈɔɕtɕi.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_423.wav|stavˈali ɕɛ ɡrˈɔʑɲi.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_439.wav|pʃˌɨmruʒˈɨwa pɔvʲˈɛki w vɨrˈaʑɛ pˌɔdɛjʒlivˈɔɕtɕi.|1
+Dataset/wavs/urwisko_ferenc/46_segment_170.wav|ɲʲɛ vˈidʑaw, ʒˈɛ ʒadnˈɛmu dʑˈɛtsku ɲʲɛ stˈawa ɕɛ kʃˈɨvda. tˈɛʃ ˈɔtɨm mɨɕlˈawɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_41.wav|ɲʲɛ pˌɔdɔbˈawa mu ɕɛ vˈizja pʃˌɨtulˈaɲʲa sˈɨna, kʲˈɛdɨ pʃɛt ɔtʃˈami ftɕˈɔ̃ʒ vidɲʲˈawɨ mu krfˈavɛ stsˈɛnɨ s pɔrˈaŋka.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_10.wav|pustˈɛwɔ, ʒˈɛ bˌɨwɔ ʑˈimnɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_53.wav|jˈak fspaɲʲˈalɛ tɕˈɛ uswˈɨʃɛtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_78.wav|fʃˈɨstsɨ musˈimɨ bˈɨtɕ f tɨm rˈazɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_360.wav|vzrˈuʃɨw rˌamjɔnˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_97.wav|kˈit ˈurvaw, a tˈɔm pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_148.wav|xˈɛntɲʲɛ upˈixtɕiwbˌɨm vam wˈɛbɔ z ranxˈɛrɔs. tsˈawkʲɛm ɲʲˈɛʑlɛ mi vɨxˈɔdʑɔ̃, ˌalɛ jˈɛʃtʃɛ ɲʲɛ dɔ kˈɔɲtsa ɕɛ zˌadɔmɔvˈiwɛm. zɔstˈawɔ trˈɔxɛ ʒˈɛtʃɨ dɔ kupʲˈɛɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_444.wav|zˌapɔmɲʲˈawaɕ?|1
+Dataset/wavs/urwisko_ferenc/23_segment_123.wav|ɕikˈɔrski ɲʲˈɛtsɔː ɔstˈudʑiw ɛmˈɔtsjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_14.wav|ˌɔtʃɨvˈiɕtɕɛ ɲˈits mu jˈɛʃtʃɛ ɲʲɛ muvˈiwɛm.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_184.wav|ʃɛrˈɔkʲɛ dʒvˈi, f ktˌurɨɣ vˌɨʒɛʑbjˈɔnɔ pˌɔdɔbʲˈiznɨ mˈatki i ˈɔjtsa, a na dˈaxu ɕˌɛdmʲɔbˈɔtʃnɔ̃ vʲɛʒˈɨtʃkɛ ˌɔtɔtʃˈɔnɔ̃ xɔdɲˈikʲɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_122.wav|dˈɔkɔnt ɕɛ vˌɨbjɛrˈatɕɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_156.wav|sˌɨtuˈatsjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_7.wav|pˈɛvɲʲɛ vˌɨɔbrˈaʒa sˈɔbjɛ, ʒˈɛ tˈak ɕɛ nˈɔɕi vˈaʒnɨ ˈaɡɛnt lˌitɛrˈatski, ktˌurɨ pʃɨjˈɛʒdʒa z vizˈɨtɔ̃ na zadˈupʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_216.wav|ja jˈutrɔ vrˈatsam na lˈitfɛ, ʒˈɛkwa tɕˈixɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_188.wav|ɔttɕˈɛwa ɕɛ ɔt nˈas, ˈɔdɛ mɲʲɛ i ɔt mˈamɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_20.wav|mˈama vʲˈɛ tˈak sˈamɔ jˈak jˈa, ʒˈɛ w ubjˈɛɡwɨm tɨɡˈɔdɲʲu w rˈadju bˈɨw dɔmˈiɲik.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_55.wav|uɲʲˈɔswa ɡvawtˈɔvɲʲɛ ɡwˈɔvɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_85.wav|tʃɨ mˈɔɡɛ prˈɔɕitɕ ɔ pˈaɲi nˈumɛr tˌɛlɛfˈɔnu, pˈannɔ pˈalmɛr?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_117.wav|i nˈaɡlɛ zˌɔbatʃˈɨwɛm idˈɔntsɔ̃ ʃˈɨpkim krˈɔkʲɛm f strˈɔnɛ pˌawatsˈɨku vˈɛrɛ ˈalbɔ lˈubɛ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_19.wav|kɔbjˈɛta zˌastanavʲˈawa ɕɛ, tʃɨ fʃˈɨstkɔ tɔ jɛst jɛdˈɨɲʲɛ majˈakʲɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_79.wav|dˈɔbra, f tɨm mʲˈɛjstsu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_224.wav|i vɨjmˈujɛ rɨsˈunɛk ʃˈan s kʲɛʃˈɛɲi spˈɔdɲi.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_223.wav|jˈɛɕli rɔspˈuɕtɕitɕ jˈɛ w vˈiɲʲɛ ˈalbɔ w vˈɔdʑɛ, vʒɛrˈajɔ̃ ɕɛ vɛ vnɛntʃnˈɔɕtɕi i zˌabʲijˈajɔ̃ jˈak xɔrˈɔba bʒˈuxa.|1
+Dataset/wavs/urwisko_ferenc/48_segment_48.wav|bɔrˈɛvitʃ ˈuznaw, ʒˈɛ zatʃˈɛka na zˈɛvnɔntʃ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_51.wav|ɕɛdʑˈawa, ˌɔpsɛrvˈujɔnts tˌɛlɛvˈizjɛ.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_41.wav|pˌɔkɔnˈujɔnts jˈɛɡɔ vrˈɔɡuf.|1
+Dataset/wavs/urwisko_ferenc/05_segment_68.wav|xˈɛrman pɔtʃˈuwa jˈɛʃtʃɛ ɕilɲʲˈɛjʃɨ ɡwˈut i uznˈawa, ʒˈɛ mˈuɕi ɕɛ pʃˈɛjɕtɕ pɔ zakˈupɨ. sˈupɛr. a tɨ vrˈatsaʒ dɔ bˈɨdʑi?|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_22.wav|pɔ pʲˈɛɲtɕu minˈutaɣ zˌauvaʒˈɨwam mˈɔix pʃˌɛɕladˈɔftsuf. bˌɨli spˈɔrɨ kavˈawɛk ˈɔdɛ mɲʲɛ i zmʲɛʒˈali najkrˈutʃɔ̃ drˈɔɡɔ̃ dɔ mʲˈasta.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_184.wav|a tˈɛras jɛstˌɛɕmɨ tˈutaj. tʃɛkˈamɨ, bˈɨ ɕɛ dɔvʲˈɛdʑɛtɕ, tʃɨ naʃˈɛmu pʲɛrʃˈɛmu dʑˈɛtsku ɲˈits ɲʲɛ bˈɛɲdʑɛ, a ja ɡˈɔ zavʲˈɔdwam.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_223.wav|spˈɔjʒaw nˈamɲʲɛ pˌuwpʃɨtˈɔmnɨm vzrˈɔkʲɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_215.wav|i zapˈada ɕɛ f pʃˈɛʃwɔɕtɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_255.wav|i tsˈɔ jɛst tɔ̃ ʒˈɛtʃɔ̃?|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_217.wav|ɡdˈɨ ɕɛ zavˈaxaw, jˈɛdna s tɨɣ dwˈɔɲi zwapˈawa ɡˈɔ za rˈamjɛ i mˈarvin ftɕˈɔŋɡnɔw sˈama dɔ ɕrˈɔtka.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_425.wav|tɔ rˈatʃɛj ˈandɛrs ˌirɔnvˈɔɔd bˈɨw jˈɛɡɔː ˈɔjtsɛm, ɲʲɛ jˈa, a mˈimɔ tɔ tfˈuj brˈat pˌɔzɔstˈajɛ vʲˈɛrnɨm i pɔswˈuʃnɨm sˈɨnɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_239.wav|vɨpˈiwam kɔlˈɛjnɨ wˈɨk lˈɛtɲʲɛj xɛrbˈatɨ i vˌɨtɕɔŋɡnˈɛwam ɡʲˈizmɔ.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_234.wav|vˈɨpij trˈɔxɛ vˈina.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_189.wav|ˈɔbaj pˌɔlitsjˈaɲtɕi ɕˈɛdli s pʃˈɔdu vˈɔzu, a ja s kɔrsˈakʲɛm s tˈɨwu.|0
+Dataset/wavs/urwisko_ferenc/39_segment_32.wav|— tɔː akˈurat prˈɔstɛ. jˈɛɕli dʑˈɛtskɔ stˈawɔ na drˈɔdʑɛ nɔvˈɛmu zvʲɔ̃skˈɔvi, xˈɛrman zˌavʲɛɕˈiwa ɡwˈɔs.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_441.wav|ɲˈiɡdɨ tɕˈɛ ɲʲɛ ɲʲˌɛnavidʑˈiwɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_7.wav|mˈɔɡɛ tɕi f tʃˈɨmɕ pˈɔmuts?|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_117.wav|pˈɛvɲʲɛ mˈɔɡwɛm z ɲʲˈɛɡɔ vɨtɕˈɔŋɡnɔɲdʑ vʲˈɛntsɛj, ˌalɛ mʲˌawɛm mˈawɔ tʃˈasu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_91.wav|ˈalɛʃ tɕˈɛ ɡˈɔɲʲɔ̃ dɔ rɔbˈɔtɨ, stfʲˈɛrdʑa dˈɔn.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_134.wav|a jˈɛɕli tɔ prɔrˈɔtstfɔ mˈɔɡwɔ ɕɛ ɲʲɛ sprˈavdʑitɕ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_138.wav|bɛɲdʑˌɛmɨ ɕɛ tɨm mˈartfitɕ, jˈɛɕli w ɔɡˈulɛ dɔ tˌɛɡɔ dˈɔjdʑɛ, ˈɔkɛj?|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_147.wav|zˈɛrka pʃˈɛs rˈamjɛ, tʃɨ ɡdʑˈɛɕ f pɔblˈiʒu krˈɔ̃ʒɨ trˈansit, pˈɛvʲɛn, ʒˈɛ ɡˈɔ zɔbˈatʃɨ, ˌalɛ ulˈitsa jɛst pˈusta.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_130.wav|zrˈup tɔ! vʒasnˈɛwam. pʃˈɛlɛj tɛ pʲɛpʃˈɔnɛ pʲɛɲʲˈɔndʑɛ i pɔjˈɛdʑmɨ pˈɔɲʲɛ. prˈɔʃɛ, stsˈɔtt!|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_86.wav|ʑˈɛmʲa bˌɨwa mʲˈɛŋkka, a zˌɔstavʲˈanɛ pʃˈɛs kˈɔɲʲa ɕlˈadɨ vˌɨpɛwɲʲˈawa krˈɛv brjˈɛnnɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_7.wav|f kˈuxɲi ˈaram pˈatʃɨ na mˈamɛ, a w jˈɛɡɔː ˈɔtʃax pˌɔjavʲˈajɔ̃ ɕɛ pʲˈɛrʃɛ ɔznˈaki ɲʲˌɛpɛvnˈɔɕtɕi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_3.wav|vʒˈutɕiw klˈutʃɛ dɔ misˈɛtʃki na stɔlˈiku f pʃˌɛtpɔkˈɔju.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_532.wav|ta ʑˌɛlɔnɔvwˈɔsa dʑɛftʃˈɨŋka bˌɨwa tsˈurkɔ̃ arxˈɔnta.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_237.wav|lˈadɨ brjˈɛnnɛ mˈa rˈatsjɛ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_246.wav|tʃtˈɛrɨ dʑɛftʃˈɨŋki vʲɛrtɕˈiwɨ ɕɛ nɛrvˈɔvɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_184.wav|jˈɛɕli bˌɨwɔ mu za ɡɔrˈɔntsɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_193.wav|ˌalɛ dˈawɛɕ jɛj dˈɔɕtɕ tʃˈasu i sfɔbˈɔdɨ, bˈɨ mˈɔɡwa zrˈɔbʲitɕ tɔ sˈama.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_531.wav|mˈɔim ˌulubjˈɛɲtsɛm bˈɨw jˈɛdnaɡ ɡˈarin. kʲˈɛdɨ ɡˈɔ dˌɔɕadˈawam, ɲˈikt ɲʲˈɛmuɡw nˈas pɔkˈɔnatɕ, nˈavɛt nˈɨm i ʑˌɛlɔnɔvwˈɔsa dʑɛftʃˈɨŋka stˈɨrɔs.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_159.wav|ktˈɔ mˈuvi, ʒˈɛ fʃˈɨstkɔ jɛst pʃɛt nˈami?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_379.wav|muvˈiwam?|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_144.wav|sˈɛr mˈɛrin mʲˈaw pɔt pwˈaʃtʃɛm bjˈawɔ̃, wuskˈɔvɔ̃ zbrˈɔjɛ. ˌɔbɔzˈujɔ̃ na ulˈitsɨ. pʃˌɛɡɔɲˈimɨ jˈɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_72.wav|vˌɨruʃˈajɔ̃ skˈɔrɔ ɕfˈit i ɔː ˈusmɛj rˈanɔː ˌɔmijˈajɔ̃ dˈɛnvɛr. tˈɛrɛn jɛst pwˈaski.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_38.wav|ʃlˌaxɛtɲʲˈɛjɕi rɨtsˈɛʒɛ ɔt tɕˈɛbjɛ zmˈarli w mɛntʃˈarɲʲax f tɨx lˈɔxax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_144.wav|kˈɛnxɔff nˈaɡlɛ vɨxˈɨla ɕɛ kˈu ɲʲˈɛmu i bʲˈillɨ pʃˈɛs xfˈilɛ mˈɨɕli, ʒˈɛ fˈatsɛd dˈa mu fpˈɨsk. xˈɔff tɨmtʃˈasɛm bjˈɛʒɛ ɡˈɔ w ramjˈɔna.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_105.wav|jˈɛʃtʃɛ pʃˈɛs jˈakiɕ tʃˈas pˈatʃɔ̃ w ɡvʲˈazdɨ i sˈɔntʃɔ̃ pˈivɔ, ˈaʃ f kˈɔɲtsu ˈɛlis mˈuvi, ʒˈɛ xˈɨba jˈuʃ pˈujdʑɛ spˈatɕ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_267.wav|ˌalɛ tˈaɡ vwˈaɕɲʲɛ ɕɛ stˈawɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_15.wav|i dɔ tˌɛɡɔ kɔlˈɛjna pʃɛxˈatska? kɔmˈurka tɕisnˈɛwa ɡˈɔ w wˈɨtkɛ, pʃˌɨpɔminˈajɔnts mu ɲʲˌɛustˈanɲʲɛ, ʒˈɛ jˈɛɕli jˈɔ̃ znˈajdɔ̃, tɔ prˌavdɔpɔdˈɔbɲʲɛ ɡˈɔ zabʲˈijɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_128.wav|a ɔn ftˈɛdɨ pɔvʲˈɛdʑaw, jˌɛstɛʑ dˈurnɔ̃ mˈawɔ̃ sˈukɔ̃, vʲˈɛʒɨtɕ ɕɛ ɲʲˈɛxtsɛ, ʒˈɛ mˈɔʒna bˈɨtɕ tˈaɡ ɡwˈupjɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_538.wav|ɡdʑˈɛɕ spˈadwa daxˈufka. na sɕiɲʲˈawɨm ɲʲˈɛbjɛ ɡnˈawɨ çˌistɔrˈɨtʃɲʲɛ tʃˈarnɛ xmˈurɨ bˈɛs krˈɔpli ɕfʲˈatwa.|0
+Dataset/wavs/urwisko_ferenc/43_segment_18.wav|pˌɔlitsjˈantka ˌɔdɛpxnˈɛwa tɔ fspɔmɲʲˈɛɲʲɛ i pɔvʲˈɔdwa vzrˈɔkʲɛm pɔ dʑˈawtsɛ vɔwˈɛjki.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_271.wav|ɡvˈɛntʲin pʃɛbˈɨvaw w ˌirɔnvˈɔɔt, a trˈistan bˈɨw za mwˈɔdɨ.|1
+Dataset/wavs/urwisko_ferenc/63_segment_61.wav|vwˈaɕɲʲɛ tɔ rˈɔbjɛ. mˈam nadʑˈɛjɛ, ʒˈɛ zdˈajɛ sˈɔbjɛ pˈaɲi sprˈavɛ, ʒˈɛ fprˌɔvadʑˈɛɲʲɛ w bwˈɔnt ɔrɡˈanuf ɕtɕiɡˈaɲʲa jɛst karˈalnɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_10.wav|vˈɨjtɕ, mˈili. vʲˈɛm, ʒˈɛ tˈam jˈɛstɛɕ. bˈaviʃ ɕɛ f xˌɔvanˈɛɡɔ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_28.wav|mˈɔʒɛ tˈɛras?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_82.wav|ɲʲɛ rɔzˈumjɛm tˈɛɡɔ.|3
+Dataset/wavs/urwisko_ferenc/39_segment_62.wav|— tʃˈɛɕtɕ, swˈɔɲtsɛ, maʃ tʃˈaz vʲɛtʃˈɔrɛm? — spɨtˈawa jɔˈanna mˈitras.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_163.wav|prˈɔʃɛ, tˈatɔ!|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_269.wav|ˌustavˈiwam bˈudʑiɡ w ɡʲˈizmɔ na tʃfˈartɔ̃ rˈanɔː i ftʃɔwɡˈawam ɕɛ dɔ mˈɔjɛj nˈɔrɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_54.wav|f pɔʒˈɔntku, pˈaɲi pˈɛtɛrsɔn. pˈan bˈaldvin pɔtfʲˈɛrdʑiw pˈaɲi tɔʃsˈamɔɕtɕ. dʑɛŋkˈujɛ za pˌɔɕfʲɛntsˈɔnɨ tʃˈas.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_44.wav|jˈak mˈɔɡwam ˈɔɲim zapˈɔmɲʲɛtɕ? mˈa skˈurɛ tʃˈarnɔ̃ jˈak ˈiŋka ˈust.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_149.wav|vˈɨwɔntʃ tˈɛras pˈɔmpɛ i sprˈaftɕ, tʃɨ tɕiɕɲʲˈɛɲʲɛ ɲʲɛ spˈada.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_56.wav|pˌɛdʲikuʒˈɨsta.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_278.wav|fʃˈɨstsɨ f tɔ fxɔdʑˈimɨ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_102.wav|tʃɨ tɨ mˈɨɕliʃ, ʒˈɛ ja ɲʲɛ ˈumjawbˌɨm tˌɛɡɔ zrˈɔbʲitɕ, ɡdˈɨbɨ ktˈɔʑ zˈabraw mi ˈɛstɛr?|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_155.wav|i ʒˈɛ ta bjˈawa, swˈaba rˈɛŋka zɲiknˈɛwa f pɔtˈɛ̃ʒnɛj dwˈɔɲi vʲɛlkʲˈɛɡɔ ɲʲɛdʑvʲˈɛdʑa, ktˌurɨ pˈɔdaw jˈɔ̃ bjawˈɛmu, tˈak jˈak pɔdˈajɛ ɕɛ pɔdˈuʃkɛ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_386.wav|dˈuw bˈɨw ɕfʲˈɛtnɨm mʲˈɛjstsɛm dɔ tˈaɲtsa.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_235.wav|kɕˈɔ̃ʒɛ ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_31.wav|pɔː ˌɔpuʃtʃˈɛɲʲu pˈɔrtu spɔtkˈawa tˌaɡanˈara.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_10.wav|— pʃɛprˈaʃam, tʃɨ zastˈawɛm kˌɔmisˈaʒa kɔrsˈaka. — kˈɔɡɔ?|0
+Dataset/wavs/urwisko_ferenc/03_segment_14.wav|pɔkˈivaw ɡwˈɔvɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_298.wav|tʃɨ ɕɲˈi ɕɛ jɛj mˈɛr?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_15.wav|pɔtʃˈuwa stwumjˈɔnɔ̃ ˌɛkstsɨtˈatsjɛ, jˈaɡ zˈafʃɛ, kʲˈɛdɨ rˌɛalˌizɔvˈawa jˈakiɕ plˈan.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_203.wav|a zˈatɛm ɲʲɛ mʲˈawa tˌɨlkɔ pratsˈɔvatɕ w ɔɡrˈutku. ɲʲɛ vɨswˈali jɛj tˈutaj vɨwˈɔntʃɲʲɛ dla ɕfʲɛntˈɛɡɔ spɔkˈɔju.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_33.wav|ktˈɔ tɔ jˈɛst? mˈuɕiʃ mi pɔvʲˈɛdʑɛtɕ, ʒˈɛbɨm mˈɔɡwa pʃɛkˈazatɕ ˌɔtpɔvʲˈɛdɲʲɛ ˌinfɔrmˈatsjɛ zˌɛspɔwˈɔvi.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_335.wav|tɔ ɲʲɛ jɛst puwˈapka.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_55.wav|ɲʲˈɛmam mˌɔʒlivˈɔɕtɕi skˌɔntaktɔvˈaɲʲa ɕɛ z ɲˈim ˌɔsɔbʲˈiɕtɕɛ, vʲˈɛnts ɲʲɛ vɨdˈaʒɨ ɕɛ tɔ natˈɨxmʲast, ˌalɛ zrˈɔbjɛ tsˈɔ w mˈɔjɛj mˈɔtsɨ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_289.wav|a mˌarɨnˈaʒɛ ɕfʲˈɛʒɔ pʃɨbˈɨli z mˈɔʒa, ɲˈiɡdɨ ɲʲɛ vʲɛdʑˈɛli, ktˈurɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_47.wav|ɲʲɛ ˈumjaw sˈɔbjɛ vˌɨɔbrˈazitɕ tʃˌɛɡɔkˈɔlvʲɛk, na tsˈɔ bˈɨ ɕɛ ɲʲɛ zdˌɛtsɨdˈɔvaw, a dɔ tˌɛɡɔ fkrˈuttsɛ na ɕfʲˈat mʲˈawɔ pʃˈɨjʑdʑ drˈuɡʲɛ dʑˈɛtskɔ, ktˌurɛ bˌɛɲdʑɛ mˈuɕaw xrˈɔɲitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_201.wav|f tɨm mʲˈɛjstsu ˌɔdbɨvˈajɔ̃ ɕɛ tʃˈarɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_168.wav|pɔ pɔwˈudɲʲu, jˈɛɕli mˈama vratsˈawa ftʃˈɛɕɲʲɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_58.wav|ˈalfjɛ ɔtfʲˈɛra ʃɛrˈɔkɔː ˈɔtʃɨ i pˈatʃɨ nˈamɲʲɛ. kˈivam ɡwˈɔvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_129.wav|pʃɛprˈaʃam za xˈa, vʲˈɛm, pˈalan z ɲʲˈɛɡɔ. bʲˈiljɛss, bˌɛndɛ mˈuɕaw ɕɛ z ɲˈim jˈɛʃtʃɛ zɔbˈatʃɨtɕ? jˈɔt. rˈasɔ, ɲʲˈɛvʲɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_51.wav|a mˈɔʒɛ brˈadlɛj dɔvʲˈɛdʑaw ɕɛ ɔ pɔʒˈɨtʃtsɛ i dwˈuɡu, jˈɛɕli jˈɛɡɔ mˈatka bjˈɛʒɛ ɡˈɔ za stsˈɔtta?|3
+Dataset/wavs/urwisko_ferenc/63_segment_92.wav|pilˈɛfska rˌɔzɛjʒˈawa ɕɛ ɔstrˈɔʒɲʲɛ dˌɔɔkˈɔwa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_101.wav|ˌalɛ trˈudnɔ jɛst mi pˈatʃɛtɕ mu w ˈɔtʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_60.wav|a tˈaɡʒɛ drˈɔɡʲi, pɔ ktˌurɨɣ vɛndrˈujɔ̃ prˌɔstatʃkˈɔvʲɛ, krˈɛntɛ, bwɔtɲˈistɛ ʃlˈaki, ktˌurɨx ɲʲɛ znˈajdʑɛ ɕɛ na pˌɛrɡaminˈɔvɨx mˈapax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_10.wav|ɲʲˌɛvɨklutʃˈɔnɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_44.wav|jɛst tɔ tˌɛxnɔlˈɔɡja stˌɔsɔvˈana ɔt stˈu lˈat, ˌalɛ dˈɔtɔnt ɲʲɛ vˌɨmɨɕlˈiliɕmˌɨ ɲˈits lɛpʃˈɛɡɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_278.wav|ɲʲɛ dɔ vˌɨartˌɨkuwɔvˈaɲʲa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_9.wav|pʃˈɛs ɔtfˈartɛ dʒvˈi sɨpʲˈalɲi vidʑˈawa ɡˈɔ naɡʲˈɛɡɔ na wˈuʃku.|4
+Dataset/wavs/urwisko_ferenc/12_segment_31.wav|pʃɛprˈaʃa za spuʑɲʲˈɛɲʲɛ. tfʲˈɛrdʑi, ʒˈɛ jˈuʃ jˈɛdʑɛ.|0
+Dataset/wavs/urwisko_ferenc/46_segment_149.wav|ʃˈɛv ɡˌɛstɨkulˈɔvaw zˈɛ ʃklˈaŋkɔ̃ w dwˈɔɲi. ɲʲɛ vʲɛdʑˈawɛm, tʃɨ tsˈɔɕ tɕi kˈupitɕ. lɔdˈufka jɛst prˈavʲɛ pˈusta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_151.wav|mˈilkɲʲɛ na xfˈilɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_224.wav|tɕi fʃˈɨstsɨ vwˌaɕtɕitɕˈɛlɛ tartˈakuf, sklˈɛpuv z ˌalkɔxˈɔlɛm i tɕˌɛ̃ʒarˈuvɛk|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_124.wav|ʒˈɛbɨ tˌɨlkɔ ɲˈits ɕɛ ɲʲɛ zˌaklinɔvˈawɔ, pˌɔmɨɕlˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_67.wav|dlatʃˈɛɡɔ f tˈakim rˈaʑɛ uɲˈikaw pˈuʑɲʲɛj pʃˌɛbɨvˈaɲʲa s pˈaɲʲɔ̃ sˈam na sˈam w jˈɛdnɨm pˌɔmjɛʃtʃˈɛɲʲu?|3
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_45.wav|vˈɔda jɛzd drˈɔɡa i pˌɔvɔdˈujɛ kɔrˈɔzjɛ, vʲˈɛnts ɲˈikt jɛj ɲʲɛ pɔmpˈujɛ w ɕtɕˈanɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_29.wav|unˈɔɕi rˈɛŋkɛ i udˈɛʒa ɲʲˈɔ̃ ɔ ɕtɕˈanɛ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_307.wav|sˈam vˈɨbraw sfˈuj lˈɔs.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_182.wav|za dʒvʲˈami jɛnsˈɛnuf ɲʲɛ swˈɨxatɕ tˌɛlɛvizˈɔra, vʲˈɛnts ˈɛlis pˈɛvɲʲɛ ɕpˈi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_212.wav|ɲʲɛ spˌɔdɔbˈawɔ mi ɕɛ tɔ swˈɔvɔ.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_40.wav|brjˈɛnnɛ ʃwˈa zˈaɲim, tʃɨmˈajɔnts ɕɛ blˈiskɔ ɕlˈaduf pˌɔzɔstavʲˈɔnɨx pʃˈɛs psˈa, ˈɔswa i ɕfʲɛntˈɛɡɔ mˈɛ̃ʒa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_226.wav|bʲˈillɨ ɲʲɛ prubˈujɛ pʃˈɨbratɕ çˌiʃpaɲskʲˈɛɡɔː aktsˈɛntu. bʒmʲˈawbɨ jˈak pʲɛpʃˈɔnɨ spɛˈɛdɨ ɡɔnzˈalɛs.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_95.wav|vɨɡlˈɔnda, jˈaɡbɨ stˈawa tˈam ɔd dwuʃʃˈɛɡɔ tʃˈasu i, pɔdˈɔbɲʲɛ jˈak xˈɔff, trɔɲtɕˈiwa pˈɛvnɔ̃ dˌɛspɛrˈatsjɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_262.wav|sˈam zavˈaxaw ɕɛ xfˈilɛ, a pˈɔtɛm pɔftˈuʒɨw rˈas jˈɛʃtʃɛ tsˈawɔ̃ ɔpˈɔvʲɛɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_22.wav|bʲˈillɨ pʃˌɨtakˈujɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_199.wav|bʲˈillɨ mˈɨɕli, ʒˈɛ jɛst rˈuvɲʲɛ pʲˈɛŋknɨ jˈak kɕˈɛ̃ʒɨts, tsˈɔ nˈajmɲʲɛj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_76.wav|mˈɔʒɛ bjˈɛʒɛ ˈɔdvɛt na fʃˈɨstkix, ktˌuʒɨ ɡˈɔ skʃɨvdʑˈili, ˌalɛ tsˈɔ tɔː ɔznˈatʃa dla mɲʲɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_194.wav|vɨdˈajɛ ɕɛ, ʒˈɛ jɛst tˈaɡ blˈiskɔ. na vˌɨtɕɔŋɡɲʲˈɛɲtɕɛ rˈɛŋki. pʲˈɛŋknɨ, prˈavda?|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_4.wav|mˈikɛ pʃɛxˈɔdʑɔnts pʃˈɛs pɔdvˈuʒɛ stˈanɔw pʃɨ dʒˈɛvʲɛ i stˈaw tˈak pʃˈɛs xfˈilɛ pˈatʃɔnts nˈaɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_84.wav|dvˈa swˈɔva, ktˌurɛ vˌɨpɔvʲˈɛdʑaw, ɲʲɛ dˈajɔ̃ mi spɔkˈɔju.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_157.wav|rivˈɛran bˌɛɲdʑɛ pɔddˈanɨ vwˈadʑɨ xarˈɛnxal.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_37.wav|vɨɕˈɛdli s sˌamɔxˈɔdu i pɔdˈɛʃli dɔ dʒvˈi, ɡdʑˈɛ pɔvˈitaw ix mwˈɔdɨ fˌuŋktsjɔnˈarjuʃ w mundˈuʒɛ. mɛ̃ʃtʃˈɨzna pɔpˈatʃɨw uvˈaʒɲʲɛ na tˈɔma.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_114.wav|znˈuf kˈaʃlɛ, znˈuf plˈujɛ krfjˈɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_86.wav|mˈuvi tˈak tɕˈixɔ, ʒˈɛ lˈɛdvʲɛ ɡˈɔ swˈɨʃɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_93.wav|ɲʲɛ bˌɛndɛ pʃˌɛtɕɛʒ za pˈanɛm lˈɛtɕaw, jˈak jˈuʃ ɕmˈiɡwɔ zˈatʃɲʲɛ pratsˈɔvatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_93.wav|zdˈajɛ ɕɛ pʃɛtstˈavʲadʑ ʒˌɨvɔpwˈɔtɨ vɨtɕˈɛntɛ f kʃtˈawtɨ zvʲˈɛʒɔnt. pɔ lˈɛvɛj jɛst pʲˈɛs, pɔ prˈavɛj pˈara krulˈikuf, pɔ ɕrˈɔtku dvˈa lvˈɨ, a za lvˈami xˈɨba bˈɨk.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_95.wav|filˈipa pˌɔpatʃˈɨwa na ɲʲˈɛɡɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_136.wav|vɨdˈajɛ mi ɕɛ, ʒˈɛ tɔ fʃˈɨstkɔ trfˈa vʲˈɛtʃnɔɕtɕ, ˌalɛ f kˈɔɲtsu vɨtʃˈuvam zmʲˈanɛ f pɔvʲˈɛtʃu i swˈɨʃɛ tʃˈazɡ zˌamɨkˈanɨɣ dʒvˈi.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_35.wav|dlatˈɛɡɔ pʃɛt uʒˈɨtɕɛm panˈɛlu kˌɔntrɔlnˈɛɡɔ ɕlˈuzɨ nalˈɛʒɨ pʃɨwˈɔʒɨdʑ dɔ ɲʲˈɛɡɔ sfˈɔjɛ ɡʲˈizmɔ f tsˈɛlu vˌɛrɨfikˈatsji uprˈavɲʲɛɲ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_377.wav|w ɡɔspˈɔdʑɛ bˌɨwɨ dvʲˈɛ pˈarɨ dʒvˈi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_13.wav|sˈɔndʑɛ, ʒˈɛ pisˈaʒɛ, ktˌuʒɨ dˈuʒɔ mˈuvjɔ̃, rˈatʃɛj mˈawɔ pˈiʃɔ̃ stfʲˈɛrdʑa bʲˈillɨ. ˌalɛ jˌɛstɛm jɛdˈɨnɨm pisˈaʒɛm, kturˌɛɡɔ znˈam, vʲˈɛnts tsˈɔ ja tˈam vʲˈɛm?|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_70.wav|dˈɔʃɛd dɔ vɲʲˈɔsku, ʒˈɛ tˈaɡ zvˈanɨ lˈɛtɲi dˈɔmɛɡ bakʲˈɛɡɔ jɛst nˌavʲɛdʑˈɔnɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_48.wav|nˈavɛt f tɨm krˈutkim ɔkrˈɛɕɛ spɔkˈɔju ɲʲɛ xtɕˈawɛʑ bˈɨtɕ w lˈalla falˈudʒɨ pɔ zaxˈɔdʑɛ swˈɔɲtsa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_20.wav|xrˈɨstɛ, mˈarta, mɨɕlˈawɛm, ʒˈɛ pɔtʃˈujɛʃ ɕɛ vˌɨjɔntkˈɔva.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_286.wav|ˌalɛ ta jɛj duxˈɔva ɲʲˌɛɔbˈɛtsnɔɕtɕ tʃɨɲˈiwa jˈɔ̃ tˌɨlkɔ tsudˈɔvɲʲɛ pʲˈɛŋknɨm zvʲɛʒˈɛɲtɕɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_389.wav|sˈam sˈɔbjɛ pʃˌɨɡlɔndˈawɛm ɕɛ w dˈuxu zˈɛ zɡrˈɔzɔ̃, ˌalɛ brnˈɔwɛm dˈalɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_327.wav|kturˌɛɡɔ pˈɔtɛm zˌɔstavˈiliɕmˌɨ na mɛlˈiɲʲɛ w jˈakʲɛjʑ ɡajˈuftsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_226.wav|pʃɛʒˈɨliɕmˌɨ vʲˈɛlɛ fˈajnɨx xfˈil w dˈɛmɔ dˈɛrbɨ, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_347.wav|ɕfʲˈɛnta i ʃtʃɛɲɕlˈiva lˈidʒba.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_115.wav|pɔ prˈɔstu bˈanda zˌaɡɔɲʲˈɔnɨx pʃˌɛtɕɛntɲʲˈakuf.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_243.wav|ɕmʲˈawɛm ɕɛ tˈaɡ ɡwˈɔɕnɔ, ʒˈɛ ˈɔmal ɕɛ ɲʲɛ zlˈawɛm.|1
+Dataset/wavs/urwisko_ferenc/65_segment_54.wav|ɕˈadaj, ɡdʑˈɛ tɕi vɨɡˈɔdɲʲɛj, zˌaprɔpɔnˈɔvaw bɔrˈɛvitʃ. zajˈɛwa bɛʒˈɔvɨ skuʒˈanɨ fˈɔtɛl, ktˌurɨ zaskʃˈɨpʲaw tɕˈixɔ pɔt jɛj tɕɛ̃ʒˈarɛm.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_391.wav|ʑˈimɔ̃ bˌɛɲdʑɛ jˈɛʃtʃɛ ɡˈɔʒɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_36.wav|ˌalɛ ɔn krˈɔ̃ʒɨ vˈɔkuw ʑˈɛmi i tɔ xɔlˈɛrɲʲɛ kˌɔmplikˈujɛ sprˈavɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_11.wav|pʃɨjʒˈɨjmɨ ɕɛ tˈɛmu, tsˈɔ mˈamɨ. inspˈɛktɔr rˈɔbʲinsɔn prˈɔɕi ɔː ˌinfɔrmˈatsjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_231.wav|zˈaʒɔnt xˈutɨ ɕɛ fɕtɕˈɛkw, a nastrˈɔjɛ w ɡʲˈildji tˈɛʃ ɲʲɛ sɔ̃ lˈɛpʃɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_45.wav|ɲʲɛ swˈɨʃɛ, tsˈɔ mˈuvi, ˌalɛ pwˈatʃɛ çˌistɔrˈɨtʃɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_155.wav|sˈam nasˈadʑi na ɡwˈɔvɛ stˈarɨ kapˈɛluʃ kɔvbˈɔjski i tˈak tɔ mˈuɡwbɨ bˈɨdʑ dˈɔbrɨ kamˈuflaʃ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_56.wav|jˌɛstɛm pˈɛvna, ʒˈɛ vʲˈɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_58.wav|rˈɔptɕ mˈaknɔw.|3
+Dataset/wavs/urwisko_ferenc/27_segment_108.wav|pˌɔprɔɕˈiwɛm pˈaɲʲɔ̃ i pˌɔtkɔmisˈaʒa bˌɔrɛvˈitʃa, ʒˈɛbɨɕtɕˌɛ pʃɨjʒˈɛli ɕɛ tɛj sprˈavʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_132.wav|sˈɛrtsɛ alˈain pˌɔtxɔdʑˈiwɔ dɔ ɡˈardwa, ɡdˈɨ ʃwˈa na ɡˈurɛ z lˈadɨ lˈɨsɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_9.wav|mˈɔɡɛ ɕɛ pʃˈɨɕɔ̃ɕtɕ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_162.wav|zˌɔbatʃˈɨmɨ ɕɛ jˈutrɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_199.wav|nˈɔ dˈɔbra, pʃɛprˈaʃam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_46.wav|panˈɔvaw zˈadux, a bˈɛtskɨ maʒˈɨwa ɔ bˈuʒɨ, ktˌura pʃɛbʲˈijɛ ɕɛ pʃˈɛs tˈɛ klɛˈistɔ̃ ˌatmɔsfˈɛrɛ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_154.wav|ɲˈiɡdɨ tˈɛʃ ɲʲɛ vˌɨpuʃtʃˈawa mɲʲɛ bˈɛs ˌɔdrɔbʲˈinɨ xlˈɛba, sˈɛra i kˈilku stˈarɨx tɕˈastɛk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_212.wav|ɡdˈɨbɨm rɔzvˈaliw tɛn samˈɔlɔt pʃɨ lˌɔndɔvˈaɲʲu, a mʲˈawbɨm jˈɛʃtʃɛ ɕˈiwɛ pˈɔdɲʲɛɕtɕ tɛn pistˈɔlɛt na vɨsˈɔkɔʑdʑ ɡwˈɔvɨ, tɔ dɔ ɕˈɛbjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_12.wav|pɔdˈɛʃliɕmˌɨ blˈiʒɛj i ˌustavˈiliɕmˌɨ ɕɛ f ʃɛrˈɛɡu pʃɛd ɡʲˌiɡantˈɨtʃnɨm ˈɔknɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_28.wav|ʒˈutsam na wˈuʃkɔː ˌɔkulˈarɨ i xfˈɨtam jˈasnɔtʃɛrvˈɔnɔ̃ ʃmˈiŋkɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_96.wav|zˌapuɕtɕˈiwam ɕɛ w ɡwˈɔmp pˈarku f strˈɔnɛ damˈulɛk.|4
+Dataset/wavs/urwisko_ferenc/18_segment_33.wav|pilˈɛfska ˌɔtpɔvʲɛdʑˈawa uɕmʲˈɛxɛm, a bɔrˈɛvitʃ ɕtɕˈiʃɨw tˌɛlɛvˈizɔr, bˈɔ rˌɔspɔtʃˈɛwɨ ɕɛ vʲˌadɔmˈɔɕtɕi spɔrtˈɔvɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_6.wav|bˈɛtskɨ ɲʲɛ rˌɔzumjˈawa, dlatʃˈɛɡɔ zɲikɲʲˈɛɲtɕɛ kʲˌɛrɔvɲˈitʃki bjˈura vˌɨvɔwˈawɔ tˈakɔ̃ kˌɔnstɛrnˈatsjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_540.wav|patʃˈɨwa f pˈustɛ ˈɔkna.|0
+Dataset/wavs/urwisko_ferenc/04_segment_101.wav|ɔ tʃɨm pˈaɲi mˈuvi?|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_324.wav|zdˈaʒa ɕɛ i tˈak. xtsˈɛ pˈan vˈɛjɕtɕ na xfˈilɛ? mˈam pˈivɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_6.wav|dlatʃˈɛɡɔː akˈurat mˈili?|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_118.wav|dɔpˈilnuj, ʒˈɛbɨ dˈali mu tsˈɔʑ dɔ jɛdʑˈɛɲʲa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_69.wav|za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ pɔlˈitsji udˈawɔ ɕɛ rˌɔspratsˈɔvatɕ jˈakiɕ kˈanaw vɨmjˈanɨ ˌinfɔrmˈatsji, ɔtfʲˈɛraw ɕɛ kɔlˈɛjnɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_271.wav|a na ʑˈɛmi?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_8.wav|w dˈɔmu strakˈana i pʃˌɛkazˈujɛ mu istˈɔtnɛ ˌinfɔrmˈatsjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_5.wav|pʃˌɨvratsˈajɔndʑ dɔ ʒˌɛtʃɨvistˈɔɕtɕi.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_320.wav|ɲʲɛ mʲˌawɛm vɨbˈɔru.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_39.wav|pʃɛprˈaʃam, ʒˈɛ ɲʲɛ mˈɔɡwɛɕ ɕɛ zˈɛmnɔ̃ skˌɔntaktˈɔvadʑ dˈɔm. muɕˈawam dʑˈiʑ vɨjˈɛxatɕ i ɔdvʲˈɛdʑitɕ pˈɛvnɔ̃...|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_431.wav|mˌɛksɨkˈaɲin zmrˈuʒɨw sfˈɔjɛ pwˈaskʲɛ ˈɔtʃɨ.|0
+Dataset/wavs/urwisko_ferenc/37_segment_39.wav|jɛst nˌaraʒˈɔnɨ na jˈakʲɛɕ strˈɛsɨ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_85.wav|bˌɨwɔ tɔ swˈɔvɔ, kturˌɛɡɔ ftˈɛdɨ fʃˈɨstsɨ ˌuʒɨvˈali na tsˈɔ dʑˈɛɲ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_10.wav|tʃˈujɛ ɕɛ, jˈaɡbɨm zdavˈawa na prˈavɔ jˈazdɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_284.wav|— ɲˈiɡdɨ — pɔvʲˈɛdʑaw rˈɨan. — ɲʲɛ — pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_355.wav|jˈakɔ̃ prˈatsɛ?|0
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+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_88.wav|pɔ lˈatax, pˈɔttʃas ˈutʃtɨ, swɨʃˈawa, jˈak mˈuviw dʑˈɛftsɛ swuʒˈɛbnɛj, ʒˈɛ ta ʃtʃˈɛrba tɔ pamjˈɔntka pɔ vˈaltsɛ zbjɔrˈɔvɛj.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_53.wav|tɔ jɛdˈɨnɛ vˈɨjɕtɕɛ s tɛj pˌɔɕadwˈɔɕtɕi, vʲˈɛnts tɛn dˈurɛ ɲʲˈɛma ɲitʃˈɛɡɔ dɔː uɡrˈaɲʲa.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_332.wav|tˈak.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_20.wav|pˈɔza tɨm tɔ dʑˈɛtskɔ jɛzd vˌɨstartʃajˈɔntsɔ dˈuʒɛ, ʒˈɛbɨ vʲˈɛdʑɛtɕ, ʒˈɛ tsˈɔɕ jɛst ɲʲɛ tˈak.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_258.wav|ɲʲɛ, ja ɕɛ s tɨm ɲʲɛ mˈɔɡɛ zɡˈɔdʑitɕ.|0
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+Dataset/wavs/urwisko_ferenc/51_segment_18.wav|ˌalɛ ɲʲˈɛmʲaw rˈatsji.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_25.wav|lˈɔrd dɔvˈuttsa xtsˈɛ ɔpsˈadʑitɕ ˌɔpuʃtʃˈɔnɛ zˈamki.|1
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+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_154.wav|ɲʲɛ mˈɔɡwabˌɨm tɕi pɔ prˈɔstu zapwˈatɕitɕ?|4
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+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_115.wav|ɕˈɔstra lˈadɨ sˈansɨ ʒˈɨjɛ?|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_411.wav|jˈakiɕ stˈarɨ vrˈuk?|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_127.wav|pˌɔswuʃˈɛɲstfɔ bˌɨwɔ dla vˌiktarjˈɔna ɡrˌɛɨjˈɔja tʃˈɨmɕ nˌaturˈalnɨm.|1
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+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_65.wav|pɔtɕˈɔŋɡnɔw nˈɔsɛm.|1
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_72.wav|pʃɨdˈaɲʲa ɕɛ na tsɔkˈɔlvʲɛk.|3
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+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_211.wav|tˈutaj krˈɨwɔ ɕɛ rˌɔzvʲɔ̃zˈaɲʲɛ.|4
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+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_158.wav|ɡdˈɨʃ swˈɔɲtsɛ zˌaxɔdʑˈiwɔ na fprˈɔst ɲˈix, krˈɨjɔnts ɕɛ za nˌadbjɛɡˌajɔntsˈɨmi kˈu ɲˈim dʒɛvˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_119.wav|w wazˈiku bˈɔba lˌɔuˈisa.|4
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_42.wav|mˈam pɔsˈadɛ f kˌakˌazˈɛt i tɕˈɛʃɛ ɕɛ s tˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_93.wav|ɔdvrˈatsa ɕɛ dɔ ɲʲˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_53.wav|tʃˈɨli vˈɨjɔw pʃɨnˈajmɲʲɛj jˈɛdɛn z ɲˈix.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_115.wav|ɔt kˈumpɛl vˈali kumplˈɔvi prˈavdɛ prˈɔstɔ w ˈɔtʃɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_17.wav|lˈintsaj pˌɔdɛrvˈawa ɕɛ zzˈa bjˈurka, ˌuradɔvˈana vˈizjɔ̃ utɕˈɛtʃki, jˈɛdnak ix plˈanɨ zɔstˈawɨ pˌɔkʃɨʒɔvˈanɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_89.wav|vʲˈɛndʑ zˌabʲijˈali jˈuʃ fʃˈɨstkix, bˈɔ tʃˈɛba bˌɨwɔ jˈakɔʑ vˌɨtwumˈatʃɨtɕ lˈudʑɔm, dlatʃˈɛɡɔ ɲʲɛ udˈajɛ ɕɛ ɲˈits.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_13.wav|ˌalɛ ˌɔɲi fʃˈɨstsɨ mʲˌɛli sˌamɔxˈɔdɨ. pˈɔttʃaz ɡdˈɨ ɔn ʃˈɛd ɔd bˈandɨ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_154.wav|ɲˈitsk pɔvʲˈɛdʑaw, ʒˈɛ klˈɛrki ɲˈiɡdɨ ɲʲɛ sprɔvˈadʑiw tˈam znajˈɔmɨx, bˈɔ vʲˈɛɕtɕi ʃˈɨpkɔ ɕɛ rɔsxˈɔdʑɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_119.wav|f pɔʒˈɔntku ɔtpˈarwam i fskazˈawam na xatʃˈɨki.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_81.wav|zvˌɨtɕɛ̃ʒˈɨliɕmˌɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_155.wav|tɔ bˈɨw jˈɛɡɔ prɨvˈatnɨ tˈɛrɛn, jˈɛɡɔ sˈalɔn i sɨpʲˈalɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_89.wav|zmˈuʃam ɕɛ, ʒˈɛbɨ stˈavitɕ tʃˈɔwɔ pɨtˈaɲʲu, kturˌɛɡɔ jˈuʃ ɲˈiɡdɨ ɲʲɛ plˌanɔvˈawam sˈɔbjɛ zˈadatɕ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_415.wav|w ɡwˈɔɕɛ dʑɛftʃˈɨnɨ pɔjˈaviw ɕɛ ˌawtɛntˈɨtʃnɨ strˈax. tʃɨ kɔɲʲˈɛtʃɲʲɛ mˈuɕi dˈɔjʑdʑ dɔ prɔtsˈɛsu?|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_363.wav|ˈɔddam tɕi jˈɔ̃, kʲˈɛdɨ vrˈutɕiʒ z mˈuru.|1
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_26.wav|kʲˈɛdɨ nakwˈada ɡˈɔ na ɡwˈɔvɛ, dˈɛrɛɡ vɨbˈuxa tˈaɡ ɡvawtˈɔvnɨm ɕmʲˈɛxɛm, ʒˈɛ mˈuɕi skʃɨʒˈɔvatɕ nˈɔɡʲi i pˈɔbjɛdʑ dɔ nˌajbliʃʃˈɛɡɔ tˌɔitˈɔja, ʒˈɛbɨ ɕɛ ɲʲɛ pɔɕˈikadʑ w ɡˈatɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_215.wav|mˈɔi lˈudʑɛ pɔvʲˈɛdʑɔ̃ tˈak jˈɛst, pˈaɲʲɛ vwˈadʑɔ, i ɡʒˈɛtʃɲʲɛ ˌɔdjɛdʑˈɛtɕɛ f ɕˈinɔ̃ dˈal. ˌɔtʃɨvˈiɕtɕɛ, jˈak jˈuʃ pʃˌɛɕɔɲdʑˈɛtɕɛ ɕɛ dɔː innˈɛɡɔ vˈɔzu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_79.wav|pɔtʃˈuwam na plˈɛtsax tʃˈɨjɛɕ kɔlˈanɔː i ktˈɔɕ pɔvʲˈɛdʑaw|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_147.wav|ɲʲɛ lˈitʃɔnts pɔmˈɨswu z ɔʃˈustfɛm pʃɨ spˌɔnsɔrˈiŋɡu, fʃˈɨstkʲɛ ɔʃˈustfa zvʲɔ̃zˈanɛ zˈɛ zdˌɔbɨvˈaɲʲɛm pʲɛɲʲˈɛndʑɨ bˌɨwɨ jˈɛɡɔ pɔmˈɨswɛm. amˈɛrɨkˌa rˈuvɲʲɛʃ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_19.wav|bˈɛtskɨ pʃˌɛxɨlˈiwa ɡwˈɔvɛ na bˈɔk i ˌɔtfɔʒˈɨwa ʃˈɛʒɛj ˈɔtʃɨ, jˈaɡbɨ xtɕˈawa pɔvʲˈɛdʑɛtɕ, a ɲʲɛ muvˈiwam, ˌalɛ tˈɔm ɕɛ tˌɨlkɔː uɕmʲˈɛxnɔw.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_5.wav|ix ˌɔpɛratˈɔʒɨ ˌɔpsɛrvɔvˈali mɲʲɛ tˈɛras na ɛkrˈanax pɔt ruʒnˈɨmi kɔntˈami. sˈupɛr!|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_514.wav|brjˈɛnnɛ zɔstˈawa sˈama w mˈawɛj jaskˈiɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_393.wav|mˈuʃɛ vrˈatsatɕ. tʃɨ ˌɔtprɔvˈadʑi mɲʲɛ pˈan trˈɔxɛ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_60.wav|tʃɨ ɕlˈɛdʑiw jˈɛ pˈan tˌɨlkɔ tɛn jˈɛdɛn rˈas?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_373.wav|vɨpˈiwɛm jˈuʒ w ʒˈɨtɕu, tsˈɔ mʲˌawɛm vˈɨpitɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_25.wav|pˈaɲi xˈɨba vʲˈɛ, ʒˈɛ tɔ jɛzd vˈalja, prˈavda?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_140.wav|i znˈuf mˈɔɡɛ pɔvʲˈɛdʑɛtɕ, ʒˈɛ ɲʲɛ jɛst jɛdˈɨnɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_39.wav|kʲɛrˈɔftsa dˈalɛj pˈaplaw ˈɔtɨm, tsˈɔː uswˈɨʃaw w vʲˌadɔmˈɔɕtɕax, ˌalɛ muɕˈawam zˈadatɕ mu jˈɛdnɔ pɨtˈaɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_113.wav|jɛst prˈavʲɛ pˈɛvʲɛn, ʒˈɛ ɲˈikt tɔ fʃˈɨstkɔ vʲˈɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_203.wav|i zˈafʃɛ, fʃˈɛɲdʑɛ znˈajdɔ̃ ɕɛ jˈatsɨɕ lˈudʑɛ, ktˌurɨm pʃɛʃkˈadʑadʑ bˌɛɲdʑɛ vˈidɔk tʃwɔvʲˈɛka, ktˌurɨ ˈidʑɛ ɲʲɛ prˈɔʃɔnts ɔ ɲˈits.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_148.wav|jɛst lˈɔrdɛm pʃɛprˈavɨ, ˌalɛ ja jˌɛstɛm lˈɔrdɛm rivˈɛran.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_119.wav|bʲˈillɨ pˌɔkɔnˈujɛ ˈɔstrɨ pɔdvˈujnɨ zˈakrɛnt i pʃɛjˈɛʒdʒa pʃˈɛz zɛrvˈanɨ pʃˈɛpust. samˈɔxut pˌɔtskakˈujɛ tˈaɡ ɡvawtˈɔvɲʲɛ, ʒˈɛ pˈasɨ bˌɛspʲɛtʃˈɛɲstfa ɕɛ blɔkˈujɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_36.wav|ˈax, pʃˈɨʃwa.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_45.wav|krulˈɔva mˈarɡɛr fpˈadwa w ɡwɛmbˈɔkɔ̃ rˈɔspatʃ s pɔvˈɔdu sˈɛr lɔrˈasa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_34.wav|ta kɔmˈurka bˌɨwa vˌɨwɔntʃˈɔna, vʲˈɛndʑ batˈɛrja ɲʲɛ pˈadwa tsˌawkɔvˈitɕɛ. spravdʑˈimɨ tˈɛras, tʃɨ zmʲˈɛɕtɕi ɕɛ f tfˈɔim bˈutɕɛ.|4
+Dataset/wavs/urwisko_ferenc/04_segment_94.wav|dʑˈɛɲ dˈɔbrɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_20.wav|tʃˈujɛ ɕɛ jˈak pɔ tsˌawɔnˈɔtsnɨm xlˈaɲʲu, ˌalɛ pʃˌɛtɕɛʒ vɨpˈiwam tˌɨlkɔ jˈɛdnɔ pˈivɔː i zdˈajɛ ɕɛ ɡʲˈin s tɔɲˈikʲɛm?|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_40.wav|vʑˈɛwam ɡwɛmbˈɔki ˈɔddɛx i vˈɛʃwam dɔ bjˈura ˌadmiɲˌistratˈɔrki.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_341.wav|ʒˈɛ ɔtxˈɔdʑɛ, xˈɔtɕaʃ ɲʲˈɛxtsɛ ˈɔdɛjɕtɕ.|0
+Dataset/wavs/urwisko_ferenc/59_segment_37.wav|i tɔ tɛj jˈɛɡɔ mrɔtʃɲʲˈɛjʃɛj strˈɔnɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_120.wav|tsˈɔː ˈɔtɨm mˈɨɕliʃ, bʲˈillɨ?|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_90.wav|ˈɔtstɛmp mʲˌɛndʑɨ bʒˈɛɡʲɛm fartˈuxa a panˈɛlɛm w ʒˈadnɨm mʲˈɛjstsu ɲʲɛ pʃɛkrˈatʃaw mˌilimˈɛtra.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_284.wav|jˈamɛ ɔttʃˈɛkaw xfˈilɛ, ˌalɛ ɛdmˈurɛ ɲʲɛ rˈuʃɨw ɕɛ z mʲˈɛjstsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_57.wav|bʲˈillɨ sxˈɨla ɕɛ, udˈɛʒa ɡwˈɔvɔ̃ w ˌumɨvˈalkɛ, pɔdnˈɔɕi rɛkfˈizɨt, mˈuvi sˈɔbjɛ, vˈɛɕ ɕɛ uspˈɔkuj i jˈɛʃtʃɛ rˈaz zapˈina pˈasɛk.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_219.wav|skˈura krulˈɔvɛj bˌɨwa bjˈawa i pˌɔmarʃtʃˈɔna ɔd dwuɡʲˈɛɡɔ pʃˌɛbɨvˈaɲʲa w vˈɔdʑɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_70.wav|ɲʲɛ bˌɛɲdʑɛ wˈatfɔ ɡˈɔː uʃkˈɔdʑitɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_3.wav|ɔ ɕˈudmɛj rˈanɔ nˌastɛmpnˈɛɡɔ dɲʲˈa ˈandɛrsɔn fʃˈɛd dɔ ɲiskʲˈɛɡɔ budˈɨŋku s tʃɛrvˈɔnɛj tsˈɛɡwɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_95.wav|jˌɛstɛɕ pˈɛvʲɛn, ʒˈɛ ˈɔtɨm ɲʲɛ vʲɛdʑˈawɛɕ? a skˈɔnt?|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_140.wav|na zˈɛvnɔntʃ sˈɛr ˈɔsmunt tsˈɔɕ kʃˈɨtʃaw i ktˈɔɕ mu ˌɔtpɔvʲˈadaw. lˈɛktɨkˌa zˌatʃɨmˈawa ɕɛ s ʃarpɲʲˈɛɲtɕɛm. umˈarliɕtɕˌɛ, tʃɨ tsˈɔ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_115.wav|patʃˈɨwa na ɲʲˈɛɡɔ, lˈɛtʃ ˈandɛrsɔn ɲʲɛ pɔvʲˈɛdʑaw ɲˈits.|0
+Dataset/wavs/urwisko_ferenc/52_segment_51.wav|ɲʲˈɛtsɔ dˈalɛj pɔt klɔnˈami stˈaw dɔstˈaftʃak fˈirmɨ bˌasɛnˈɔvɛj, kturˌɛɡɔː ˈɔlɡʲɛrd vˈidʑaw tˈu ɔstˈatɲʲɔ.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_40.wav|kɔxˈajɔ̃ i ˌumjɛrˈajɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_18.wav|ɲʲɛ bˌɛndɛ ɕɛ jˈɛdnak tˈɛras ɲˈimi pʃˌɛjmɔvˈawa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_265.wav|ˌɔbɛjʒˈawɛm ɕɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_89.wav|tsˈɛntrum pˌɔttʃɨmɨvˈaɲʲa ʒˈɨtɕa mˈa ɔɡrˈɔmnɛ zapˈasɨ pɔvʲˈɛtʃa w zbjɔrɲˈikax ˌavarˈɨjnɨx. jˈak tˌɨlkɔ znˈajdɛ ɕɛ w ɕrˈɔtku, pɔbjˈɛɡnɛ tˈam i ɔtfˈɔʒɛ jˈɛ fʃˈɨstkʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_92.wav|fpatrˈujɛ ɕɛ w vʲadˈɔmɔɕtɕ pʃˈɛz dwˈuʃʃɔ̃ xfˈilɛ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_252.wav|jˈɛdnɔː i drˈuɡʲɛ ɲʲɛ znˈatʃɨ jˈuʃ tˈɨlɛ tsˈɔ kʲˈɛdɨɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_58.wav|pˌɔdɡʒɛjˈɛmɨ tɛ pwˈɨtɨ rˌɔsprɔʃˈɔnɨm pwɔmjˈɛɲʲɛm, ʒˈɛbɨ jˈɛ rɔzmʲˈɛŋktʃɨtɕ i vˈɨɡʲɔɲtɕ na kʃɨvˈiʑɲʲɛ ɕtɕˈanɨ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_181.wav|tsˈɔ vʲˈɛntsɛj, ktˈɔɕ pɔvˈiɲʲɛn vrˈɛʃtɕɛ zrˈɔbʲitɕ uʒˈɨtɛk s tˌɛɡɔ ɲʲˌɛʃtʃɛ̃snˈɛɡɔ ɕɛnɲˈika.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_274.wav|dlatʃˈɛɡɔ mˈuviʃ mi ˈɔtɨm?|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_330.wav|kaʒdˈɛmu ɕɛ tɔ tʃˈasɛm zdˈaʒa.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_255.wav|f tˈakim rˈaʑɛ spɔkˈɔjɲʲɛ mˈɔʒɛʃ jˈɛʃtʃɛ trˈɔxɛ pɔtʃˈɛkatɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_55.wav|ɡdˈɨbɨ zabˈujtsa ʒˈutɕiw nˈuʃ pɔt mˈɔstɛk, w mrˈɔk, ɡdʑˈɛ kɔrˈɨtɔ strumˈɨka pˈɛwnɛ bˌɨwɔ kamjˈɛɲi, zdˌɛtsɨdɔvˈaɲʲɛ trˈudɲʲɛj bɨwˈɔbɨ ɡˈɔ znˈalɛɕtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_145.wav|trˈɔʃtʃɨw ɕɛ ɔ tfˈɔjɛ bˌɛspʲɛtʃˈɛɲstfɔ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_186.wav|pˈuʑɲʲɛj bɛɲdʑˌɛmɨ mʲˌɛli vˈinɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_59.wav|tɔ tˈakʲɛ mˈawɔ prˌavdɔpɔdˈɔbnɛ, ˌalɛ ɲʲɛ mˈɔɡɛ zˌiɡnɔrˈɔvatɕ ɲitʃˈɛɡɔ, tsˈɔ mɔɡwˈɔbɨ pˈɔmuts sprɔvˈadʑitɕ mˈilljɛ dɔ dˈɔmu.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_397.wav|kʲˈɛdɨ stˈaʒɛts umjˈɛra vɛ ɕɲʲˈɛ, ɲikˈɔɡɔ tɔ ɲʲɛ dʑˈivi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_87.wav|jˈɛŋki bˈulu vˌɨdɔstajˈɔntsɛ ɕɛ z ˈust stsˈɔtta, sapˈaɲʲɛ z vɨɕˈiwku nˌapastɲˈikuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_148.wav|dˈajɛn fˈatɕɔ, mˈama daɲʲˈɛɡɔː ˌɔpɔvʲˈada, jˈaɡ bˈardʑɔ pʃˌɛrazˈiwa jˈɔ̃ vʲˈɛɕtɕ, ʒˈɛ pˌɔzvalˈali sfˈɔim dʑˈɛtɕɔm spˈɛndʑatɕ tʃˈas f tˌɔvaʒˈɨstfʲɛ bˌɛzvzɡlɛndnˈɛɡɔ zabˈujtsɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_132.wav|pʃɛdˈɛmnɔ̃ bˈɨw pˌɔɔbɡrɨzˈanɨ parˈapɛt, krˈatɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_3.wav|na pʃˈɛdɲʲɛj ʃˈɨbjɛ ɔsˈadʑa ɕɛ pˈara vˈɔdna, a ja pˈɔtsɛ ɕɛ w mˈawɨm, stɔjˈɔntsɨm ˈawtɕɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_299.wav|zɡˈaɕiw ɕfʲˈatwɔː i znˈuf stˈaw w mrˈɔku, f tɕˈiʃɨ pˈatʃɔnts na strˈuɡʲi dˈɛʃtʃu ˌudɛʒajˈɔntsɛ ɔː ˈɔknɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_183.wav|jˈak mu ɕɛ udˈawɔ vɨtrˈɔpitɕ mˈɔjɛ ɡʲˈizmɔ?|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_192.wav|tsɛlˈɔvɔ zˌɔstavˈiwam mɔjˈɛɡɔ mˌɛxaɲitʃnˈɛɡɔ kɔmpˈana, bˈɔ tˈaɡ zatʃˈɛwam ɡˈɔ nazˈɨvatɕ, vɛ vnˈɛntʃu ɕlˈuzɨ.|4
+Dataset/wavs/urwisko_ferenc/33_segment_20.wav|fskˈazaw na ˌɔdrapˈanɛ drɛvɲʲˈanɛ dʒvˈi i ɡwˈɔɕnɔ w ɲʲɛ zastˈukaw. — tɔ pɔ xˈuj pˈan dɔ mɲʲɛ dʑvˈɔɲi? pˌɔjɛbˈawɔ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_35.wav|ɕfʲˈatwa ɕfʲˈɛtsɔ̃ ɕɛ ɔt mɔmˈɛntu, kʲˈɛdɨ ɔfjˈara vˈɨʃwa, vʲˈɛnts kˈaʒdɨ pˌɔtɛntsjˈalnɨ ˌɔpsɛrvˈatɔr mˈɨɕli, ʒˈɛ ktˈɔɕ jɛst pʃˈɛs tsˈawɨ tʃˈaz w dˈɔmu.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_123.wav|zˌapɨtˈawa, xˈɔtɕ tʃˈɨmaw ɕɛ jɛj jˈuʃ tˈak kurtʃˈɔvɔ, ʒˈɛ lˈɛdvʲɛ mˈɔɡwa ɔddˈɨxatɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_93.wav|pratsˈɔvaw ˈɔɕɛm ɡˈɔdʑin, vˌɨʒutsˈajɔnts skʃˈɨŋki s sˌamɔxˈɔdu z dvˌudʑɛstˌɔminutˈɔvɔ̃ pʃˈɛrvɔ̃ na kˈavɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_119.wav|lˈudʑɛ ɲʲɛ dʑˈɛlɔ̃ ɕɛ tˌɨlkɔ na dˈɔbrɨx i zwˈɨx, jˈak mɨɕlˈawɛm, kʲˈɛdɨ bˌɨwɛm dʑˈɛtskʲɛm, ktˌurɛ vʲˈɛdʑɛ ɔ ɕfʲˈɛtɕɛ zdˌɔbɨvˈawɔ s tˌɛlɛvˈizji.|2
+Dataset/wavs/urwisko_ferenc/47_segment_8.wav|a tˈaɡʒɛ kˈartkɛ, ktˌurɔ̃ mˈarja znalˈazwa vˈɛvnɔntʃ prɛzˈɛntu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_186.wav|xˈɔtɕ tɔ bʒmˈi dʑˈivɲʲɛ, xˈɨba ɲʲɛ bˈɨwabˌɨ tˈak pʃɛjˈɛnta, ɡdˈɨbɨ w ɡrˈɛ fxɔdʑˈiwa ˈinna kɔbjˈɛta.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_349.wav|dʑˈivna dʑɛftʃˈɨna.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_171.wav|kʲˈɛdɨ tʃwˈɔvʲɛk ˈumjaw ɲʲˌɛnavˈidʑitɕ i nazˈɨvatɕ lˈudʑi tˈak, jˈak ɔ ɲˈix mˈɨɕlaw, ɲʲɛ ʃukˈajɔnts jˈɛʃtʃɛ pʃˈɨtʃɨn, ktˌurɛ tʃˈɨɲʲɔ̃ lˈudʑi tˈɨm, kˈim sˈɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_102.wav|kʲˈɛdɨ na xˌɔrɨzˈɔɲtɕɛ ˌukazˈujɛ ɕɛ pˌanɔrˈama nɔvˈɛɡɔ jˈɔrku, bʲˈillɨ znˈuf ɕɛ pˈɔtɕi, ˌalɛ ftɕˈɔ̃ʃ pˈɛvɲʲɛ prɔvˈadʑi.|2
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_47.wav|vˌɨmɨɕlˈiwabˌɨm jˈakɔ̃ʑ drˌuzɡɔtsˈɔntsɔ̃ ripˈɔstɛ, ˈalɛ...|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_88.wav|pɔ kˈilku minˈutaɣ vrˈatsa z zˌakupˈami.|2
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_21.wav|mˈɔɡwam sˈɔbjɛ vˌɨɔbrˈazitɕ, jˈak rˈudɨ ɕlˈɛdʑi mˈɔjɔ̃ çistˈɔrjɛ lˌɔɡɔvˈaɲʲa i s sˌatɨsfˈaktsjɔ̃ zatɕˈɛra rˈɛntsɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_199.wav|mˈuɡwbɨ pˈan ɲʲˈɛvʑɔɲdʑ zˈɛ sˈɔbɔ̃ litsˈɛntsji i ftˈɛdɨ fʃˈɨstsɨ bˈɨlibˌɨɕmɨ f kwɔpˈɔtɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_49.wav|tɔ zˌadʑivʲajˈɔntsɛ, dɔ jˈakʲɛj fprˈavɨ dˌɔxɔdʑˈili ˌɛksplɔratˈɔʒɨ, ʒˈɛbɨ tˈaɡ zrˈɛntʃɲʲɛ ˌɔpɛrˈɔvadʑ dwˈɔɲmi f tɨɣ ɡrˈubɨx rˌɛŋkavˈitsax.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_177.wav|bˈɛtskɨ ɲʲɛ xtɕˈawa tˌɛɡɔ pʃɨznˈavatɕ, ˌalɛ jˈak pɔvʲˈɛdʑaw rˈɔp, bˌɨwa tɔ tsˈɛlna uvˈaɡa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_216.wav|maɡnˈɔljɛ na plˈatsu tʃˈɛx kʃˈɨʒɨ fkrˈuttsɛ zakfˈitnɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_102.wav|f pɔʒˈɔntku, ˈɛlis. jˈuʒ dˈɔbʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_367.wav|mɛlˈarɨ? ɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_77.wav|brjˈɛnnɛ swɨʃˈawa, ʒˈɛ ktˈɔɕ ɕɛ mˈɔdli.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_9.wav|i tsˈɔ s tˈɛɡɔ?|4
+Dataset/wavs/urwisko_ferenc/64_segment_28.wav|krˈutkɔ pˈɔtɨm, jˈak ˈɔlɡʲɛrt ɕɛ pʃɛbˈudʑiw f ʃpitˈalu, mɛntʃˈɨwɨ ɡˈɔ rˈuʒnɛ ɡwˈɔsɨ i ɔbrˈazɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_46.wav|ɲʲɛ pˌɔɡaɲʲˈamɨ, pˈaɲi. prˈɔʃɛ pʃˈɨjʒɛtɕ ɕɛ zˈɛ spɔkˈɔjɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_91.wav|bˈɛtskɨ pˌɔpatʃˈɨwa nˈaɲih ɔbˈɔjɛ. jˈɔss pˌɔɡlɔndˈawa s trˈɔskɔ̃ na ˈaʃa, ˌalɛ rˈuvɲʲɛʃ mʲˈawa f spɔjʒˈɛɲʲu tsˈɔʑ bwˌaɡajɔntsˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_154.wav|bˈaki jˈɛdnak ɲʲɛ ˌɔdvzajˈɛmɲʲa uɕmʲˈɛxu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_101.wav|tɕɛʃˈɨliɕmˌɨ ɕɛ tˌɨmi samˈɨmi ʒɛtʃˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_25.wav|kʲˈɛdɨ pʃɛjʒˈɛliɕmˌɨ trˈɛɕtɕ, zˌɔbatʃˈɨliɕmˌɨ vʲadˈɔmɔʑdʑ z innˈɛɡɔ tˌɛlɛfˈɔnu zˌarɛjˌɛstrɔvanˈɛɡɔ na ˌiksˈɔ tˈɛx.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_49.wav|bʲˈillɨ dˈɔstaw fprˈavdʑɛ pˈuw miljˈɔna za lˈitʃki, a tɔ spˈɔra kˈasa, ˌalɛ ɲʲɛ tˈaka bˌɨwa umˈɔva.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_467.wav|ɲʲɛ vʲɛdʑˈawam, ʒˈɛ pˈan tˌaki ɔstrˈɔʒnɨ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_515.wav|ˌalɛ na jˈaɡ dwˈuɡɔ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_35.wav|bˈaki krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_387.wav|jɛst mɛ̃ʃtʃˈɨznɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_392.wav|jˈak tɔ dˈɔbʒɛ znˈalɛɕtɕ ɕɛ ftʃˈɛɕɲʲɛj vɛ vwˈasnɨm wˈuʃku.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_31.wav|mˈɔʒɛ dlatˈɛɡɔ, ʒˈɛ z butskʲˈɛɡɔ jɛst mˈarnɨ tˈantsɛʃ, mˈɔʒɛ pɔ prˈɔstu dˈɔbʒɛ ɕɛ bˈavi.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_165.wav|tʃasˈami nˌattɕɔŋɡˈawɨ s pɔwˈudɲʲa.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_297.wav|i pʃˌɨɡlɔndˈawa ɕɛ, jˈak falˈujɔ̃ jɛj pʲˈɛrɕi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_239.wav|ktˈɔɕ ˈinnɨ pʃˈɛjmʲɛ dˌɔxɔdʑˈɛɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_35.wav|tʃˈasɛm swˈɔɲtsɛ, tʃˈasɛm dˈɛʃtʃ mˈuvi bʲˈillɨ, mˈɨɕlɔnts ɔ sfˈɔim travɲˈiku w midvˈɔɔt.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_66.wav|mɔʒˈɛtɕɛ sprˈavdʑitɕ, mˈa tˈam mʲɛʃkˈaɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_200.wav|kˈilka pɔkˈɔlɛɲ vɨrˈɔswɔ tɨmtʃˈasɛm. ʒɨjˈɛmɨ fɕrˈut tsˌudʑɔʑˈɛmtsuf.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_178.wav|vˌɨmjɛɲˈiliɕmˌɨ zˌaɲʲɛpˌɔkɔjˈɔnɛ spɔjʒˈɛɲʲa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_22.wav|tsˈɔ ɕɛ dʑˈɛjɛ, skˈarbjɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_12.wav|tˈɔm ɔtfˈɔʒɨw dʒvˈi sˌamɔxˈɔdu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_33.wav|bʲˈillɨ pʃˌɨpɔmˈina sˈɔbjɛ, ʒˈɛ pˈɔttʃas pʲɛrʃˈɛɡɔ spɔtkˈaɲʲa s xˈɔffɛm f sˈanspɔt kafˈɛ mˈɨɕlaw, ʒˈɛ ɲˈitsk mˈuɕi bˈɨdʑ z ɲˈim jˈakɔɕ pˌɔvʲɔ̃zˈanɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_141.wav|dʑˈɛŋki bˈɔɡu znˈuf ʃɨkˈɔvaw ɕɛ dɔ pʃɛjˈɛɲtɕa ˌiɲitsjatˈɨvɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_458.wav|dˈɔbrɨ katˈɔlik.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_5.wav|pˈatʃɨ nˈamɲʲɛ dʑˈivɲʲɛ, jˈaɡbɨm pˌɔvʲɛdʑˈawa tsˈɔɕ ɲʲˌɛzrɔzˌumjawˈɛɡɔ, pɔ tʃɨm pʃɛnˈɔɕi vzrˈɔk na tɛlˈɛfɔn lɛʒˈɔntsɨ na mˈɔjɛj dwˈɔɲi i jˈɛɡɔ tfˈaʃ ɕɛ rˌɔspɔɡˈadʑa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_195.wav|bʲˈillɨ mˈɨɕli, ʒˈɛ ɲˈikt ɲˈiɡdɨ ɕɛ ɲʲɛ zdɔbˈɛɲdʑɛ na bˈardʑɛj ʃtʃˈɛrɛ vɨznˈaɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_104.wav|ɲʲɛ mˌamɨ vɨbˈɔru, jˈɛɕli xtsˈɛmɨ skɔʒˈɨstadʑ z ˌubɛspʲɛtʃˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_241.wav|jˈɔj bˌɨwa swˈɔtkim, xˈɔtɕ samˈɔtnɨm dʑˈɛtskʲɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_170.wav|tˌɨlkɔ tɨ ɲʲɛ dlatˈɛɡɔː ˈɔtɨm mˈuviʃ, ʒˈɛ ʒˈal tɕi tɨɣ dʑˈɛtɕi i tɨx kˈɔbjɛt. ɲʲɛ dlatˈɛɡɔ. ɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_190.wav|mˈɔja mˈama ɲʲɛ ʒˈɨjɛ, dˈaltɔn. naprˈavdɛ ɲʲɛ ʒˈɨjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_64.wav|ɲʲɛ zˌamjɛʒˈawam vˌɨkazˈɨvatɕ ɕɛ zbˈɨtɲʲɔ̃ xˈɛɲtɕɔ̃ fspuwprˈatsɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_11.wav|— nˈalɛj mi pˈanɔ babˈaki — pɔvʲˈɛdʑaw pˈilɔt. bˈɨw xˈudɨ, mʲˈaw ɔlbʒˈɨmi nˈɔs.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_46.wav|ɔkrˈɛɕliw ix mʲˈanɛm ɡˈaŋɡu z jɛdˈɨnɨm ɲʲˌɛkfɛstjˌɔnɔvˈanɨm pʃɛvˈuttsɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_163.wav|bʲˈillɨ tʃˈɨta mˈasɛ trˈudnɨx kɕˈɔ̃ʒɛk, ˌalɛ mˈɔʒɛ tˈɛʃ pˈɔdatɕ imjˈɔna fʃˈɨstkix mˌawɔlˈatuf s kɔmˈiksuf ɔː ˈarçim i vɨjˈaɕɲitɕ, skˈɔnd bˈatman vʑˈɔw sfˈɔjɔ̃ pˌɛlɛrˈɨnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_131.wav|ˈɛlis ˌupʃɛdʑˈiwa, ʒˈɛ kʲˈɛpska z ɲʲˈɛj tantsˈɛrka. ɔn ˌɔtʃɨvˈiɕtɕɛ zapˈɛvɲiw, ʒˈɛ z ɲʲˈɛɡɔ tˈɛʃ, ɲʲɛ mˈuʃɔ̃ tˈaɲtʃɨtɕ, mˈɔɡɔ̃ kˈupidʑ dʑbˈan pˈiva i sˈɔntʃɔnts jˈɛ swˈuxatɕ muzˈɨki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_111.wav|dɔmˈɨɕla ɕɛ, ʒˈɛ vʲˈɛŋkʃɔɕtɕ lˈudʑi prˌatsujˈɔntsɨx f tsˈɛntrum pɔ rɔbˈɔtɕɛ zvˈija ɕɛ na pʃɛdmʲˈɛɕtɕa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_142.wav|ja ˈɔɲʲɛj mˈɨɕlɛ pʃˈɛs tsˈawɨ tʃˈas, mˈikɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_259.wav|tɔ zɡʲˈinɛ, ɔtpˈarwam. dlatˈɛɡɔ mˈam ɕˈilnɔ̃ mˌɔtɨvˈatsjɛ, ʒˈɛbɨ zrˈɔbʲitɕ tɔ pɔʒˈɔndɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/57_segment_7.wav|mˈarja zˌastanavʲˈawa ɕɛ nˈavɛt, tʃɨ f tɛn spˈɔsup mɛ̃ʃtʃˈɨzna ɲʲɛ prubˈujɛ ˈukrɨtɕ jˈakixɕ ɲʲˌɛusuvˈalnɨɣ zapˈaxuf.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_372.wav|ˌalɛ mˈiwɔ tɔ!|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_105.wav|ɔn mi twumˈatʃɨ, jˈak mˈam pratsˈɔvatɕ, pɔvʲˈɛdʑaw ˈandɛrsɔn. jˈɛɡɔː ˈaktsɛnd bˈɨw rˈuvɲʲɛ tɕˈɛ̃ʃki.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_62.wav|mˈuɕiʒ zˈatʃ��ɲtɕ pratsˈɔvatɕ na sfˈɔjɛ ˌutʃɨmˈaɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_182.wav|tɛn ɔɡrˈɔmnɨ kˈɔmplɛks ɕlˈus pɔvʲˈɛtʃnɨx jɛzd drˈuɡɔ̃ tsˈɔ dɔ vʲɛlkˈɔɕtɕi kɔmˈɔrɔ̃ w mʲˈɛɕtɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_56.wav|tsˈurka lˈɔrda tɨvˈina pʲˈɛrʃa ˌɔtxɨlˈiwa pˈɔwɛ i vˈɛʃwa dɔ ɕrˈɔtka.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_95.wav|vˈidʑiʃ, dʲˈidʲi, kʲˈɛdɨ ktˈɔʑ vɨɡrˈɨva dˈuʒɔ pʲɛɲʲˈɛndʑɨ, tˈak jˈak mˈɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_13.wav|zˌabɛmbɲˈiwam vɨmˈɔvɲʲɛ paltsˈami ɔ kɔntˈuar i pɔ xfˈili dɔstˈawam ʃklˈaŋkɛ pˈiva.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_311.wav|tˈɔɲi, pʃˌɛtɕɛʃ na ˌupartˈɛɡɔ mˈɔʒna znˈalɛɕtɕ ɕfʲˈatkuf.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_3.wav|jˈɛɕli tɔ bˈɨw ktˈɔɕ spˈɔɕrut ɲˈix, tɔ jɛdˈɨnɔ̃ ɔsˈɔbɔ̃, ktˌura pʃˌɨxɔdʑˈiwa im dɔ ɡwˈɔvɨ bˈɨw rˈɔp.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_84.wav|rˈɛʃtɛ zaxˈɔvam na pˈuʑɲʲɛj. ɲʲɛ uɕpˈitɕɛ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_14.wav|ɔtfʲˈɛram dʒvˈi dɔ sˌamɔxˈɔdu, ˌalɛ zˈaɲim mˈɔja paɲˈika ɔɕˈɔŋɡa ʃtʃˈɨt, ˌuzɨskˈujɛ ɔtpˈɔvʲɛtɕ na drɛntʃˈɔntsɛ mɲʲɛ pɨtˈaɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_279.wav|zrɔbʲˈili tɔ z miwˈɔɕtɕi dɔ mɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_42.wav|ɲʲɛ, ˌalɛ pʃɛpˈadwɔ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_518.wav|a ɛllˈarja i jɛj tsˈurki...|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_246.wav|a tɨmtʃˈasɛm mˈɔjɛ vrˈublɛ pˈujdɔ̃ brˈɔɲitɕ tɕˈixɨx i skrˈɔmnɨx, jˈakɔː ˌɔdrɔdʑˈɛɲi,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_70.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, w jˈaki spˈɔsup tɔ zrɔbʲˈili, ˌalɛ tsɔkˈɔlvʲɛk tɔ bˈɨwɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_75.wav|xˈɔtɕ, dˈɔwɔndʒ dɔ nˈas!|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_32.wav|bʲˈillɨ ɲʲɛ vˈidʑi pɔvˈɔdu, bˈɨ zˈabratɕ rɛvˈɔlvɛr na dˈuw. jˈɛɕli ɡlˈinɨ zrˈɔbjɔ̃ nˈalɔt na mʲɛʃkˈaɲʲɛ, pʃˌɛtɕɛʃ ɲʲˈɛvda ɕɛ z ɲˈimi w vɨmjˈanɛ ˈɔɡɲʲa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_50.wav|pˈɔdɲʲuz z bjˈurka tɛlˈɛfɔn i natɕˈisnɔw pʃˈɨtɕisk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_176.wav|zamˈɨɕliw ɕɛ nˈattɨm.|2
+Dataset/wavs/urwisko_ferenc/65_segment_97.wav|jˈɛɡɔ dˈɔbrɛ sˌamɔpɔtʃˈutɕɛ kazˈawɔ jɛj pʃɨpˈuʃtʃatɕ, ʒˈɛ mʲˌɛndʑɨ mˌawʒɔŋkˈami fʃˈɨstkɔ vrˈatsa dɔ nˈɔrmɨ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_6.wav|fʃˈɨstkʲɛ jɛdvˈabjɛ i brɔkˈatɨ lˈadɨ lˈisɨ mʲˌawɨ tˈu zˈɔstatɕ.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_337.wav|pʃɨnˈajmɲʲɛj kˈilka zˈɛ sfˈɨx kˈur.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_133.wav|xtsˈɛ pˈan bˈuwkɛ s ʃˈɨŋkɔ̃, mˌajɔnˈɛzɛm i sawˈatɔ̃?|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_74.wav|tˈɛras jˈɛdnaɡ vratsˈajɔ̃ kɔlˈɛjnɛ ʃtʃɛɡˈuwɨ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_341.wav|jˈɛɕli tˈaɡ bˈɨwɔ...|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_154.wav|znˈam lˈɛpʃɛ pʲˈɛɕɲi ɲˈiʒ dˈɛʃtʃɛ tsˌastamˈɛrɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_9.wav|ʒˈɛbɨm spʃɛdˈawa nˈaʃɛ dʑˈɛtskɔ?|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_371.wav|samˈuɛl tˈarlɨ|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_76.wav|pˌɔdʑviɡnˈɛwam ɕɛ na kɔlˈana, a pˈɔtɛm vrutɕˈiwam dɔ pʲˈɔnu i pˌɔttʃɨmˈujɔnts ɕɛ panˈɛlu stˌɛrɔvɲitʃˈɛɡɔ, ʒˈɛbɨ zaxˈɔvatɕ rˌuvnɔvˈaɡɛ, ˌuruxɔmˈiwam prˌɔtsɛdˈurɛ ˌɔtʃɨʃtʃˈaɲʲa.|4
+Dataset/wavs/urwisko_ferenc/30_segment_24.wav|jˈɛdnɔ zˈɛ zdjˈɛɲtɕ ɲʲɛ pˌɔzɔstavʲˈawɔ vˌɔntplivˈɔɕtɕi, ʒˈɛ tɔ bˌɨwa zuzˈanna i rˌɔzɡlɔndˈajɔnts ɕɛ zmʲˈɛʒa f kʲɛrˈuŋku sfɔjˈɛɡɔ dˈɔmu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_17.wav|tˈɔm skˈinɔw ɡwˈɔvɔ̃ bˈɛtskɨ.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_237.wav|tsɛrsˈɛi pʃɛʃˈɨwa pˌɔzbavʲɔnˈɛɡɔ waɲtsˈuxa mˌaɛstˈɛra ˌɔstʃɛɡˈaftʃɨm spɔjʒˈɛɲʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_121.wav|tɕˈi, ktˌuʒɨ ɕɛ dˌɔstɔsɔvˈujɔ̃, tsˈɔː i mɲʲɛ kˈazaw zrˈɔbʲitɕ pˌɔstɛruŋkˈɔvɨ ˌɛvvˌuˈɛs mˈɔlçin.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_159.wav|ɲʲɛ! dɔnˈɔvɛn zbjˈɛlaw na tfˈaʒɨ. vˌɨbawˈuʃa ˈɔtʃɨ jˈɛʃtʃɛ bˈardʑɛj ɲˈiʃ jˈɛɡɔ fspˌuwlɔkatˈɔʒɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_109.wav|dlatʃˈɛɡɔ ɲʲɛ xtɕˈawabˌɨm zˌadʑvɔɲˈiwa na pɔlˈitsjɛ? tɕi fatsˈɛtɕi zˌaxɔvˈali ɕɛ jˈaɡ zvʲɛʒˈɛnta.|3
+Dataset/wavs/urwisko_ferenc/44_segment_29.wav|pɔvʲˈɛdʑaw surˈɔvɔ, ɡdˈɨ ɲʲˈɛbɔ rɔzbwˈɨswɔː i na xfˈilɛ ɕfʲˈad vˈɨjʒaw z mrˈɔku.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_188.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_104.wav|tˈaɡ vwˈaɕɲʲɛ bˈɨwɔ.|3
+Dataset/wavs/urwisko_ferenc/59_segment_135.wav|prɔfˈɛsɔr mʲˈaw rˈatsjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_23.wav|ˌalɛ ɲʲɛ bˌɛɲdʑɛ zˌaɡrɔʒˈɛɲʲa, ʒˈɛ tɛxɲˈitsɨ pˌɔlitsˈɨjɲi znˈajdɔ̃ w jɛj sɨpʲˈalɲi jˈɛɡɔː ɔttɕˈiski pˈaltsuf. tɔ dˈɔbʒɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_30.wav|pʃˌɛtɕɛʃ swˈɨʃɨ pˈaɲi, ʒˈɛ ja mˈuvjɛ z aktsˈɛntɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_5.wav|tʃasˈami ɲʲˈɛma prɔblˈɛmuf s tɔ̃ nˈɔɡɔ̃, dʑˈiɕ jˈɛdnaɡ vɨdˈajɛ mu ɕɛ ˌɔna vˌɨjɔntkˈɔvɔ dɔkˈutʃatɕ, a ja jˈaɡ zˈafʃɛ tʃˈujɛ kwˈutɕɛ vˈinɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_52.wav|jˈɛɕli mˌatɕɛ jˈakʲɛɕ pɨtˈaɲʲa...|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_86.wav|mˈawɔ zabrˈakwɔ, bˈɔ vʲɛdʑˈawam, ʒˈɛ ɲʲɛ dɔstˈanɛ ɕɛ na ʒˈadnɔ̃ utʃˈɛlɲʲɛ dla ˈɔrwuf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_22.wav|uvˈaʒam, ʒˈɛ najlˈɛpʲɛj bˌɛɲdʑɛ dla lˈutsɨ, jˈɛɕli dˈɔvʲɛ ɕɛ ˈɔtɨm tˈɛras.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_331.wav|pˌɔmɨɕlˈawa tsɛrsˈɛi, fspˌɔminˈajɔndʑ zwˈɔtɔ̃ mɔnˈɛtɛ znˌalɛʑˈɔnɔ̃ pʃˈɛs kɨbˈɛrna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_23.wav|uɕmʲˈɛxam ɕɛ, jˈaɡbɨm ɔt samˈɛɡɔ pɔtʃˈɔntku vʲɛdʑˈawa, ʒˈɛ zɔstˈawa ˈɔtɔ pˌɔprɔʃˈɔna.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_227.wav|krˈutkɔ mˈuvʲɔnts, muɕˈɛliɕmˌɨ vˈɛzvatɕ pɔlˈitsjɛ. zatʃˈɛwa vʒˈɛʃtʃɛtɕ, ʒˈɛ ɕɛ zabʲˈijɛ i lˈudʑɛ ɕɛ pʃˌɛstraʃˈɨli.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_414.wav|rɔzɡʒˈawɔ mu pʃˈɛwɨk.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_137.wav|nˈaɡwɛ fspɔmɲʲˈɛɲʲɛ spravˈiwɔ, ʒˈɛ sˈɛrtsɛ stanˈɛwɔ jɛj na mˈɔmɛnt.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_186.wav|tˈutaj pʃˌɨtɕɔŋɡnˈɛwa ɡˈɔː ˈinna.|1
+Dataset/wavs/urwisko_ferenc/03_segment_37.wav|xwˈɔdnɛ pɔvʲˈɛtʃɛ s krˈatɛk navʲˈɛvu pʃˌɨnɔɕˈiwɔː ˈulɡɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_42.wav|ˌalɛ tɔː ˌiratsjɔnˈalna rɛˈaktsja.|3
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_48.wav|ɔdˈɛrvaw jˈɛdɛn z rˈɔɡuf i ɕtɕˈisnɔw ɡˈɔ paltsˈami.|4
+Dataset/wavs/urwisko_ferenc/53_segment_74.wav|spˈɔjʒaw nˈaɲʲɔ̃|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_17.wav|xˈɨba sˈɔbjɛ kˈurva kpˈiʃ!|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_53.wav|pʃɨ ɕtɕˈaɲʲɛ w ɡwˈɛmbʲi salˈɔnu znˌajdɔvˈawa ɕɛ ʃɛrˈɔka na mˈɛtrɨ mˌɛtalˈɔva pwˈɨta, ktˌura ɕɛŋɡˈawa ɔt pɔdwˈɔɡʲi dɔ sufˈitu.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_235.wav|pʃˌɛʃmuɡlɔvˈawam jˈɔ̃ dla ɲʲˈɛɡɔ pˈarɛ lˈat tˈɛmu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_45.wav|tɔmˈɔvi tsˈɔras mɲʲˈɛj ɕɛ tɔ fʃˈɨstkɔ pˌɔdɔbˈawɔ. dlatʃˈɛɡɔ tˈak pˌɔstɔmpˈiwa?|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_10.wav|pˈɔɕtɕɛl mʲˈɛŋkka jˈak aksˈamid bˌɨwa pʃˌɨjɛmɲʲˈɛjʃa w dɔtˈɨku ɔt mˈɔjɛj piʒˈamɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_46.wav|bˌɨwam jˈɛdnaɡ zbˈɨt pʃɨbʲˈita i zdˌɛtsɨdɔvˈaɲʲɛ wˈatfʲɛj bˌɨwɔ pɔ prˈɔstu pʃɛstʃˈɛɡatɕ jˈɛɡɔ zˈasat.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_113.wav|mˈuvjɛ drʒˈɔntsɨm ɡwˈɔsɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_51.wav|kɔbjˈɛta pɔdˈɛʃwa blˈiʒɛj i uklˈɛŋkwa pʃˈɨɲʲɛj.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_186.wav|tsɛrsˈɛi lɛʒˈawa w ramjˈɔnax taˈinɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_57.wav|i ɲʲɛ tˌɨlkɔ ja nˈatɨm zˈɨskam.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_388.wav|ˌɔtpɔvʲˈadaw jɛj jˈɛdnak tˌɨlkɔ vʲˈatr, ktˌurɨ ʃˈumjaw bˈɛs kˈɔɲtsa mʲˌɛndʑɨ ɕɛdmʲˈɔma smukwˈɨmi, bjawˈɨmi vʲɛʒˈami i vʲˈatrɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_82.wav|ˌawtɔbjɔɡrˈafja vˌɨkʃɨkˈujɛ ɲˈitsk, jˈaɡbɨ vˌɨstɛmpˈɔvaw f tˌɛlɛturɲʲˈɛju.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_321.wav|dʑˈɛŋki za swˈɔva ɔtˈuxɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_46.wav|tɔ fʃˈɨstkɔ, tsˈɔ mˈam i dɔ pˌɔvʲɛdʑˈɛɲʲa i xˈɔtɕ xtsˈɛ pˈɨtadʑ dˈalɛj, ɲʲɛ rˈɔbjɛ tˈɛɡɔ, ɡdˈɨʒ dʑˈɛtɕi ɲʲɛ pɔvˈinnɨ vˈɨtʃutɕ mɔjˈɛɡɔ ɲʲˌɛpɔkˈɔju.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_125.wav|a pˈɔtɛm fʃˈɨstkɔ ɕɛ zmʲɛɲˈiwɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_38.wav|bˈɔ lˈada xfˈila zˈatʃnɔ̃ ɕɛ sxˈɔdʑitɕ prˌatsɔvɲˈitsɨ z vˈɨʃʃɨx pʲˈɛntɛr, f tɨm tˈaɡʒɛ s tʃfartˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_197.wav|jˈɛdɛn z ɲˈix pʃˈɨɲʲuz ɡwˈɔvɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_141.wav|ɲʲɛ bˌɛndɛ ˌupravʲˈawa s tˈɔbɔ̃ sˈɛksu. ɲʲɛ, ɲʲɛ, zˌaprɔtɛstˈɔvaw vˌɨkʃɨvʲˈajɔnts tfˈaʃ.|4
+Dataset/wavs/urwisko_ferenc/09_segment_55.wav|pɔtʃˈɔntɛk numˈɛru rˌɛjɛstrˌatsɨjnˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_241.wav|za ˌɔtsalˈɛɲʲɛ mʲˈasta.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_77.wav|ˈɔj, zawˈɔʒɛ ɕɛ, ʒˈɛ mˈuviʃ tɔ fʃˈɨstkim dʑɛftʃˈɨnɔm.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_59.wav|ɔbjˈɛwa ɡˈɔ pɔswˈuʃɲʲɛ i ˌutsawɔvˈawa f pɔlˈitʃɛk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_169.wav|ujˈɛwa jˈɛɡɔ prˈavɔ̃ dwˈɔɲ i patʃˈɨwa pʃˈɛs xfˈilɛ. znˈuf pˌɔtʃɔ̃snˈɛwa ɡwˈɔvɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_687.wav|ɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_105.wav|dˈalɛ ʒˈutɕiw ˈɔkʲɛm na tˈɨlnɨ vwˈas i zˈaklɔw. mˌamɨ ˌuʃkɔdʑˈɔnɔ̃ ɕlˈuzɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_12.wav|dˈɔkɔnt mˈam ˈiɕtɕ? tˈamtɛn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw, ˌalɛ ɔdvrˈutɕiw ɕɛ dɔ tɛrˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_160.wav|jɛdˈɨnɨm ukwˈɔnɛm f strˈɔnɛ nastrˈɔju sɔ̃ ɕtɕˈanɨ ˌɔbwɔʒˈɔnɛ pʲˈaŋkɔ̃ dʑvʲˌɛŋkɔxwˈɔnnɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_147.wav|s pɛvnˈɔɕtɕɔ̃ tɔ zrɔzˈumjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_143.wav|tɨ vzɲʲˈɛɕɛʃ tˈɔazd za dˈafnɛ, a ja za vɔltˈɛra.|2
+Dataset/wavs/urwisko_ferenc/61_segment_38.wav|dˈɔbra rɔbˈɔta, pˌɔxfalˈiwa kɔlˈɛɡɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_159.wav|tɛn sˈam, ktˌurɨ swɨʃˈawam w rˈadju.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_554.wav|na skfˈɛʒɛ za ʃkˈɔwɔ̃ muzˈɨtʃnɔ̃, ˌalɛ jˈuʃ ɲʲɛ jɛst tˌajɛmɲˈitʃa i ɲʲˌɛɔdɡadɲʲˈɔna, jɛst pɔ prˈɔstu xˈɔrɔ̃ kɔbjˈɛtɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_26.wav|— ɲʲˈɛɣ bˈɛɲdʑɛ — bʲˈili ˌɔdvzajˈɛmɲʲa ˈuɕmʲɛx. — nˈɔ tɔ ɕˈadaj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_24.wav|stˈɔjɛ w dʒvʲˈax pɔkˈɔju tsˈurki i pˈatʃɛ nˈaɲʲɔ̃. nˈadal ɕpˈi, a jɛj drˈɔbnɛ tɕˈawɔ jɛzd zmɛntʃˈɔnɛ vˌɨdaʒɛɲʲˈami pˌɔpʃɛdɲʲˈɛɡɔ dɲʲˈa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_68.wav|tˈɛras pˈatʃɔnts fstˈɛtʃ, mˈɨɕlɛ, ʒˈɛ tɛn dʑˈɛɲ, jˈak f piɡˈuwtsɛ, ˌukazˈɨvaw fʃˈɨstkɔ, tsˈɔ w irˈaku pˈɔʃwɔ ɲʲɛ tˈak. dlatʃˈɛɡɔ kɔxˈamɨ amˈɛrɨkˌɛ zmʲɛɲˈiwɔ ɕɛ w ɕmʲˈɛrtɕ amˈɛrɨtsˌɛ.|2
+Dataset/wavs/urwisko_ferenc/27_segment_9.wav|kˈarman ɕɛŋɡnˈɛwabˌɨ dɔ tɔrˈɛpki pɔ pˌɔrtmɔnˈɛtkɛ i ɔddˈawa kɔbjˈɛtɕɛ pʲɛɲʲˈɔndʑɛ, ɡdˈɨbɨ tˌɨlkɔ jˈɛ mʲˈawa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_226.wav|znˈuf miltʃˈɛli pʃˈɛs xfˈilɛ. tɕˈiʃa i tɕˈɛmnɔɕtɕ pwɨnˈɛwɨ kˈu ɲˈim.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_144.wav|f pɔrˈannɨm pɔvʲˈɛtʃu ˌunɔɕˈiwɨ ɕɛ kʃˈɨki rˈɨbʲitf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_132.wav|kɔlˈɛjnɛ pukˈaɲʲɛ, tɨm rˈazɛm ɡwɔɕɲʲˈɛjʃɛ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_158.wav|dʑɛŋkˈujɛ, pˈaɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_35.wav|jˌɛstɛʑ ɡwˈɔdnɨ, pˈaɲʲɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_53.wav|spɔjʒˈawa prˈɔstɔ nˈamɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_183.wav|mˈija tɕˈawɔ sˈala i vɨjˈɛʒdʒa pʃˈɛs ɔtfˈartɔ̃ brˈamɛ.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_154.wav|dla brˈata klɛmˈɛnta ɲʲˈɛx ˈɔjtɕɛts ɔsˈɔɲdʑi ɡˈɔ sprˌavʲɛdlˈivʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_50.wav|ɲʲˈɛxtsɛ, ʒˈɛbɨ ˌɔbɔk mɲʲɛ pʃɛxˈɔdʑiw, ʒˈɛbɨ mɲʲɛ dˈɔtknɔw.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_131.wav|jˈak mˈɔɡɛ tɕi dˈadʑ zˌalitʃˈɛɲʲɛ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_165.wav|tsˈɔ? ˈaram vʲˈɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_212.wav|ɲʲˌɛdɔstʃˌɛɡalnˈɨmi kˌɔlɛbɲʲɛɲtɕˈami bjˈɔdɛr ˌuwatfʲˈawa mi jˈɛdnak tɛn prɔtsˈɛdɛr.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_62.wav|vrutɕˈiwabˌɨm ftʃˈɛɕɲʲɛj, ˌalɛ mʲˈawam prˈɔblɛm s sˌamɔxˈɔdɛm i muɕˈawam vˈɛzvatɕ taksˈufkɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_228.wav|tʃˈasɛm stʃˈɛliw pʲˈɔrun na ɡvawtˈɔvnɨ dˈɛʃtʃ, bˌɔmbardˈɔvaw ˈɔkna, pˌarapˈɛtɨ, blaʃˈanɛ dˈaxɨ.|0
+Dataset/wavs/urwisko_ferenc/39_segment_70.wav|— tɕˈɛʃɛ ɕɛ, ʒˈɛ ɕɛ zˌɔbatʃˈɨmɨ — uznˈawa. — mˈuʃɛ s tˈɔbɔ̃ pˌɔrɔzmˈavʲatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_197.wav|zɡadˈujɛ, ʒˈɛ ɡdˈɨbɨ tˈak ɕɛ stˈawɔ, tɔ vwˈaɕɲʲɛ ˈɛdʲisɔn fpakˈɔvawbˌɨ mu kˈulkɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_53.wav|ɲʲˈɛznaw kˈambɨ, ˌalɛ mɛ̃ʃtʃˈɨzna vɨdˈavaw ɕɛ pˈɛwɛn ˌɛntuzjˈazmu i ɛnˈɛrɡji i zˌaxɔvˈɨvaw ɕɛ trˈɔxɛ, jˈaɡbɨ ɲʲɛ pɔtrˈafiw ˈustatɕ w mʲˈɛjstsu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_113.wav|vʲˈɛdʑaw, ʒˈɛ tsˈɔɕ takʲˈɛɡɔː istɲʲˈɛjɛ, ˌalɛ dɔ tɛj pˈɔrɨ blˈiʒɛj ɕɛ tɨm ɲʲɛ ˌintɛrɛsˈɔvaw, bˈɔ pʃˌɛtɕɛʃ tˈɨlɛ jɛst kɕˈɔ̃ʒɛɡ dɔ tʃɨtˈaɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_248.wav|pwˈatsɛ tɕi za prˈavdɛ.|4
+Dataset/wavs/urwisko_ferenc/11_segment_77.wav|ˌalɛ zvrˈutɕiw uvˈaɡɛ, ʒˈɛ vˈuz bˈɨw na bɨdʒˈɔskiɣ blˈaxax.|0
+Dataset/wavs/urwisko_ferenc/03_segment_94.wav|tʃˈɛɡɔ dʑɛftʃˈɨna pɔ stˈudjax pˌɔlitˌɔlɔɡʲˈitʃnɨx ʃukˈawa w brˈanʒɨ bˌudɔvlˈanɛj?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_418.wav|kˈɔwa sˌamɔxˈɔdu zˌabuksɔvˈawɨ s pˈiskʲɛm i jˈuʃ lɛtɕˈɛliɕmˌɨ pʃɛt ɕˈɛbjɛ ulˈitsɔ̃ mˌarʃawkˈɔfskɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_181.wav|pɔvʲˈɛdʑaw tɔ fʃˈɛɲdʑɛ stˈɔnɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_422.wav|ˌalɛ ɲʲɛstˈɛtɨ bˌɨwa dˌɔskɔnˈawa, mˈɔʒɛ jˈɛʃtʃɛ dˌɔskɔnˈalʃa pʃˈɛs rˌɔstʃulajˈɔntsɔ̃ pˈulxnɔɕtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_71.wav|tɔ jˈuʃ ɲʲɛ bˌɨwɨ tɛ radˈɔsnɛ tfˈaʒɛ, tsˈɔ kʲˈɛdɨɕ pˌawajˈɔntsɛ miwˈɔɕtɕɔ̃ dɔː amˈɛrɨkˌi.|2
+Dataset/wavs/urwisko_ferenc/63_segment_129.wav|— tsˈɔ? — mˈɔɲikˌa mʲˈawa rˈatsjɛ. tamtˈɛɡɔ dɲʲˈa tɔ ɲʲɛ ˌɔna mʲˈawa ˈɔdvʲɛʑdʑ dʑˈɛtskɔ dɔ ʒwˈɔpka.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_195.wav|pʃˌɛtɛstɔvˈawaɕ jˈuʃ mˈuj vˌɨnalˈazɛk?|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_451.wav|alˈain jˈɛdnaɡ vɔntpˈiwa, tʃɨ xwˈɔpʲɛts jˈɔ̃ swˈɨʃɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_24.wav|ɲʲɛ ɔtsˈɛɲʲam tɕˈɛ, kˈatɛ. tɔ pɔ prˈɔstu ɲʲɛ f tfˈɔim stˈɨlu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_97.wav|krˈɛf sˈɔntʃɨ ɕɛ s kɔɲtɕˈika jˈɛɡɔː ˈust. ɲʲɛ, z ˈɔbu kɔɲtɕˈikuf.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_16.wav|tʃuprˈɨnɛ pʃˈɨɡɲʲut mu ɲʲˈɛtsɔ xˈɛwm, ktˌurɨ vwˈaɕɲʲɛ zdjˈɔw.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_79.wav|pɔmˈɨɕlaw. tʃɨ tɔ mɔʒlˈivɛ, ʒˈɛ maˈɛstɛr ˈɛmɔn mʲˈaw na mˈɨɕli tˌɛɡɔ sfˈiŋksa?|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_227.wav|ɲʲɛ zmʲɛɲˈiwɔ ɕɛ w jˈɛɡɔ ʒˈɨtɕu tˌɨlkɔ jˈɛdnɔ, tɔ tsˈɔ tʃˈuw, kʲˈɛdɨ bˈɨw z ɲʲˈɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_8.wav|mˈɨɕliʃ, ʒˈɛ tɔ tfˈɔja vˈina?|4
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+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_423.wav|dʑɛŋkˈujɛ.|1
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_129.wav|xtɕˈawaɕ tʃˈɛɡɔʑ vʲˈɛntsɛj?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_61.wav|sˈami zɔbˈatʃtɕɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_11.wav|nˈumɛr bˈɨw zajˈɛntɨ. ftɕˈɔ̃ʃ tʃɨmˈajɔnts swuxˈafkɛ pʃɨ ˈuxu, ɕtɕˈɔŋɡnɔw zɛmbˈami bˈandaʃ ˌɔkrɨvajˈɔntsɨ jˈɛɡɔ prˈavɔ̃ dwˈɔɲ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_91.wav|ɔn ɲʲɛ ʒartˈɔvaw na tˈɛmat mˌɔʒlivˈɔɕtɕi tɛj jˈɛɡɔː ˌaplikˈatsji.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_24.wav|ɲʲɛ mˈɔʒɛʃ mi pˈɔmuts. jɛst jˈuʃ nˈatɔ za pˈuʑnɔ. pʃɛtʃˈɨtaj pɔ prˈɔstu vʲadˈɔmɔɕtɕ. zatʃˈɛkam na zˈɛvnɔntʃ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_79.wav|mˈuʃɛ spˈɔjʒɛtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_85.wav|bʲˈili kˈiva ɡwˈɔvɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_177.wav|nˈadal mɲʲɛ pˌɔtʃɛbˈujɛ.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_102.wav|ɲʲˈɛma ɲˈidʑ dɔbrˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_75.wav|zˈɛ sfˈɔim dˈamskim dvˈɔrɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(70) R.Abbott_Zamknij Drzwi_segment_17.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_332.wav|tʃˈujɛ, ʒˈɛ tsˈɔɕ tˈu ɕmʲˈɛrdʑi.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_98.wav|brjˈɛnnɛ ɲʲɛ bˌɨwa jɛdˈɨnɔ̃, ktˌura tɔ zˌauvaʒˈɨwa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_125.wav|w mrˈɔʑnɔ̃ pʃˈɛpaɕtɕ ɲitsˈɔɕtɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_48.wav|zatʃˈɨnam w jˈɛɡɔ salˈɔɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_10.wav|xˈɨba dɔtˈarliɕmˌɨ dɔ pˈuŋktu, f ktˌurɨm musˈimɨ z ɲʲˈɔ̃ pˌɔrɔzmˈavʲatɕ. ɕtɕɔŋɡɲˈijmɨ jˈɔ̃ tˈutaj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_234.wav|pˈɔvʲɛts mi fʃˈɨstkɔ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_221.wav|pˌɔvinɲˈiɕmɨ vrˈutɕitɕ i zatʃˈɛkatɕ, ˈaʒ zrˈɔbʲi ɕɛ tɕˈɛplɛj.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_89.wav|tʃɨ tɔ prˈavda, ʒˈɛ tˈɨrjɔn zˈabʲiw tɨvˈina?|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_171.wav|ʒˈɨjɔnts tˌɨlkɔ xlˈɛbɛm i vˈɔdɔ̃.|1
+Dataset/wavs/urwisko_ferenc/42_segment_88.wav|stˈali tˈak pʃˈɛs xfˈilɛ zˌatɔpʲˈɛɲi w mˈɨɕlax.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_260.wav|tɨ i pˈɔdritsk mɔʒˈɛtɕɛ sˈɔbjɛ jˈɛxadʑ dˈɔkɔnt tˌɨlkɔ zɛxtsˈɛtɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_73.wav|marˈinɛz vʲˈɛdʑɔ̃, tsˈɔ znˈatʃɨ tʃˈɛkatɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_203.wav|stˈamtɔnd bjˈɛkw ʃɛrˈɔki dˈuɡd w ɡwˈɔmp tˌɛɡɔ lˈasu tʃɨ bˈɔru.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_128.wav|tɔ tˌɨlkɔ prɔtˈɔtɨp, vʲˈɛnts wˈatfʲɛj jɛzd vɡrˈatɕ nˈɔvɔ̃ vˈɛrsjɛ rˈɛntʃɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_42.wav|ɲʲɛ pɔtrˈafjɛ stfʲˈɛrdʑitɕ, tʃɨ tɔ nˌajpʃɨstɔjɲʲˈɛjʃɨ fˈatsɛt, jakʲˈɛɡɔ vidʑˈawam ɔt pɛvnˈɛɡɔ tʃˈasu, tʃɨ najbˈardʑɛj pʃˌɛraʒajˈɔntsɨ.|3
+Dataset/wavs/urwisko_ferenc/63_segment_98.wav|a mˈɔi kɔlˈɛdʑɨ ɲʲɛ mˌajɔ̃ tˈɨlɛ ɛmpˈatji tsˈɔ jˈa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_6.wav|i ˈandɛrsɔn vˈidʑaw tˈɛras tfˈaʃ ˌɔɕfʲɛtlˈɔnɔ̃ ˈɔstrɨm ɕfʲˈatwɛm.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_133.wav|jˈɛɨm ɲʲˈɛmukw pɔfstʃˈɨmatɕ ɕmʲˈɛxu. lˈɔrt ˈɛmɔn ɲʲɛ mˈuɕi ɔddˈɨxatɕ, dɔpˈuki mˈɔʒɛ ʒˈutɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_139.wav|a pˈɔtɛm ɕɛ na ɲʲˈɛɡɔ ʒutɕˈiwɛm i mɲʲɛ ɔdˈɛpxnɔw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_185.wav|mˈa nadʑˈɛjɛ, ʒˈɛ jˈɛɡɔ vwˈasna çistˈɔrja jˈɛʃtʃɛ ɲʲɛ dɔbjˈɛɡwa krˈɛsu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_78.wav|pˈɔtɛm rˈas na jˈakiɕ tʃˈas, pˈuʑɲʲɛj tˌɨlkɔ z ʒˈatka, ˈaʃ f kˈɔɲtsu pʃɛstˈawa.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_102.wav|ɔn pʃɛmjˈɛʃtʃaw ɕɛ na rˈufɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_189.wav|tˈɛŋɡʲi fˈatsɛt f stɛtsˈɔɲʲɛ ɔdvrˈatsa ɕɛ dɔ sˈuva.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_34.wav|a ja prˌubɔvˈawam pɔfstʃˈɨmatɕ krfˈɔtɔk.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_348.wav|ˌɔtpɔvʲˈɛdʑaw jɛj ɕˌivɔbrˈɔdɨ, pʃˌɨɡarbjˈɔnɨ mɛ̃ʃtʃˈɨzna.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_207.wav|muɕˈawa ˌɔtpɔvʲˈɛdʑɛtɕ. sˈɛrtsɛ mi pˈɛŋka z miwˈɔɕtɕi dɔ naʃˈɛɡɔ sˈɛr lɔrˈasa i jˈɛɡɔ dʑɛlnˈɔɕtɕi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_145.wav|pɔ jˈɛɡɔː iɡlˈitsɨ wazˈiwɨ mˈuxɨ, ˌalɛ tɔ ɲʲɛ bˌɨwɨ ɔvˈadɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_106.wav|xtɕˈawɛm jˈɛʃtʃɛ dˈɔdatɕ, ʒˈɛ i ja jˌɛstɛm vulɡˈarnɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_128.wav|jˈudɨ pɔvʲˈɛdʑaw, tɔ nˈam ɕɛ ɲʲɛ mˈɔʒɛ ˈudatɕ. vɛ dˈɔnt xˈavɛ a xˈantsɛ ɡˈɔiŋk fˈɔr ˈus.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_81.wav|vʲˈɛm, ʒˈɛ pɔvˈinnam tsˈɔɕ pɔvʲˈɛdʑɛtɕ, ˌalɛ ftɕˈɔ̃ʃ prubˈujɛ mu vʲˈɛʒɨtɕ i ˈufatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_39.wav|lˈɔkal nalˈɛʒaw dɔ jˈɛɡɔː ˈɔjtsa, ˌalɛ tɛn jˈuʃ ˈɔtʃɛd na ˌɛmɛrɨtˈurɛ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_350.wav|pɔvˈinnaɕ pɔzvˈɔlitɕ, bˈɨm tɕi ulʒˈɨwa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_14.wav|pɔ rˈas kɔlˈɛjnɨ zdwˈaviw f sˈɔbjɛ ˌirɨtˈatsjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_128.wav|rɔzˈumjɛʃ? tɔ ja jˌɛstɛm najblˈiʒɛj ɲʲˈɛɡɔ, najblˈiʒɛj kˌɔɡɔkˈɔlvʲɛk. i ɲʲˈɛvʲɛm, tsˈɔ ɡˈɔ rˌɔzɡɲʲɛvˈawɔ, vʲˈɛnts skˈɔnt tɨ mˈɔʒɛʃ tsˈɔɕ takʲˈɛɡɔ vʲˈɛdʑɛtɕ?|3
+Dataset/wavs/urwisko_ferenc/52_segment_13.wav|na rˈaʑɛ ˈuznaw, ʒˈɛ pɔzvˈɔli ɡrˈupʲɛ sfiŋɡˈɛrsuf ɔsfˈɔitɕ ɕɛ z nˈɔvɔ̃ sˌɨtuˈatsjɔ̃ i uzˈɨskadʑ vˌɨjaɕɲʲˈɛɲʲa ɔt ʃtʃɛrpskʲˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_160.wav|mˈuvʲɔnts, zˌaswaɲʲˈawa ˈusta, ʒˈɛbɨ ɲʲɛ pˌɔkazˈɨvatɕ pˌɔwamˈanɨɣ zˈɛmbuf. prˈaɡɲʲɛʃ jɛj?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_101.wav|bˈɛtskɨ lˈɛdvʲɛ ˌɔpanɔvˈawa xˈɛɲdʑ vɨdˈaɲʲa s ɕˈɛbjɛ pʃˌɛtɕɔŋɡwˈɛɡɔ jˈɛŋku, tʃɨ ˌɔna naprˈavdɛ sɔɲdʑˈiwa, ʒˈɛ jɛj f tɔː uvʲˈɛʒɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_70.wav|tˈak jˈaɡ zvrutɕˈiwɛɕ tsˈurki lˈadɨ tsatˈɛlɨn?|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_150.wav|tɔ bˈɨw kˈabɛl ɕfʲˌatwɔvɔdˈɔvɨ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_305.wav|wabˈɛɲdʑi stˈatɛk, na ktˌurɨm pʃɨpwˈɨnɔw tˈu zabˈujtsa, bˌɛɲdʑɛ f sˈam rˈas.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_58.wav|tˈak tʃɨ inˈatʃɛj, xtɕˈawam, ʒˈɛbɨʑ bˈɨw na bjɛʒˈɔntsɔ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_272.wav|ˌalɛ bjˈawa wˈaɲʲa bˌɨwa pˈɔnɔtɕ mwˈɔda i pʲˈɛŋkna.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_23.wav|ʒˈutsam tɛlˈɛfɔn na wˈuʃkɔ, ɔpʲˈɛram tʃˈɔwɔː i ɡʒbjˈɛd dwˈɔɲi i wkˈam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_273.wav|ɔdˈɛzvaw ɕɛ i bˌɨwɨ tɔ pʲˈɛrʃɛ swˈɔva, jˈakʲɛ ɔt ɲʲˈɛɡɔː ˌuswɨʃˈawɛm w ʒˈɨtɕu.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_67.wav|zabˈujtsa krˈɛvnɨɣ bˈɨw pʃɛklˈɛntɨ w ˈɔtʃaɣ bˈɔɡuf i lˈudʑi, ˌalɛ vˌɔjɔvɲˈika ɔtˈatʃaw pˈɔdʑif i ʃatsˈunɛk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_147.wav|tɔ tsmˌɛntaʒˈɨskɔ sˌamɔxˈɔduf jɛst ɲʲˌɛbɛspʲˈɛtʃnɛ, bˈɛnji.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_219.wav|ʒˈadɛn s kˌɛttlɛblˈɛkuf ɲʲɛ ˈumjaw tʃˈɨtatɕ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_401.wav|tʃɨ zabjˈɛʒɛʃ nˈas stˈɔnt?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_12.wav|f pˌɔmjɛʃtʃˈɛɲʲu zapˈadwa tɕˈiʃa.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_257.wav|zˈɔstaf mɲʲɛ f spɔkˈɔju.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_409.wav|kˈɔɡɔ tɔ spɔtˈɨkam? zavˈɔwaw ˌɛnɛrɡʲˈitʃɲʲɛ. pˈan na pˈɔtʃtɛ? fskˈazaw vzrˈɔkʲɛm mˈɔjɔ̃ ʒˈuwtɔ̃ kɔpˈɛrtɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_12.wav|tɛn ɡwˈɔs rɔspˈɔznawbˌɨ zˈafʃɛ i fʃˈɛɲdʑɛ. ˈuɲʲus ɕɛ s pɔdˈuʃki i ˈuɕad.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_123.wav|pˌɔprɔɕˈiwa mɲʲɛ jˈɛdnak ɔ zrɔbjˈɛɲʲɛ tʃˈɛɡɔʑ dla ɲʲˈɛj.|3
+Dataset/wavs/urwisko_ferenc/59_segment_113.wav|rˈafaw ʒˈuk pɔkˈivaw ɡwˈɔvɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_128.wav|i tˈaɡ bˈɨtɕ pɔvˈinnɔ, bˈɔ tɔ ɲʲɛ jɛzd bˈɨlɛ drɔɡnˈɔstka.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_5.wav|ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ pɔ rˈas pʲˈɛrʃɨ w ʒˈɨtɕu ˈaram ɲʲˈɛvʲɛ, tsˈɔ pɔvˈiɲʲɛn zrˈɔbʲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_130.wav|jˈɛɡɔ lɔrdˈɔfska mˈɔɕtɕ pɔvˈiɲʲɛn bˈɨw zˈɔstatɕ minstrˈɛlɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_221.wav|vˈɛɕ mɲʲɛ zˈɛ sˈɔbɔ̃, pɔvʲˈɛdʑaw dˈɛvɛjn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_48.wav|i pɔkˈazaw ˌandɛrsɔnˈɔvi zˌakrɛɕlˈɔnɛ tʃɛrvˈɔnɨm ɔwˈufkʲɛm ˌɔɡwɔʃˈɛɲʲɛ|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_125.wav|ɔn pʃˈɛstaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_167.wav|dʑˈɛŋki tˌɛmu swˈɨxatɕ, jˈaɡ dˈɛʒdʒ vˈali w ɕtɕˈanɨ,|2
+Dataset/wavs/urwisko_ferenc/36_segment_85.wav|rɔzˈumjɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_56.wav|ɔtfʲˈɛra strˈɔnɛ lɔkˈalnɛj ɡazˈɛtɨ. naɡwˈuvɛk jɛzd dˈuʒɨ. zabˈujstfɔ na sxˈɔdax sˈɔndu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_43.wav|ʒˈadnɨx pˈɨtaɲ, ˈalfjɛ. tɔ ɲʲˌɛspɔdʑˈaŋka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_146.wav|spɔjʒˈawam na tˈatɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_15.wav|lˈɛtʃ ɲʲɛ zˈamknɔw ˈɔkna.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_142.wav|krɔtʃˈɨwam pˈɛvɲʲɛ, xˈɔtɕ ftsˈalɛ pɛvnˈɔɕtɕi ɲʲɛ tʃˈuwam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_85.wav|bʲˈillɨ bjˈɛʒɛ tˈɔrbɛ i xˈɔva jˈɔ̃ dɔ sfɔjˈɛɡɔ bˌaɡaʒɲˈika.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_182.wav|ftˈɛdɨ pˌɔprɔɕˈiwam ɡˈɔ, ˈabɨ ɲˈiɡdɨ vʲˈɛntsɛj ˈɔtɨm ɲʲɛ fspɔmˈinaw.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_163.wav|mˈɔʒɛ tfʲˈɛrdʑitɕ, ʒˈɛ rˈɛnlɨ ɲˈiɡdɨ jɛj ɲʲˈɛtknɔw, ˌalɛ ja f tɔ ɲʲɛ vʲˈɛʒɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_302.wav|i ɕmʲˈɛjɔnts ɕɛ ʃatˈaɲskɔ, jˈɛdnɨm rˈuxɛm vˈɨrvaw mu vnɛntʃnˈɔɕtɕi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_5.wav|i ˈandɛrsɔn vrˈutɕiw dɔ dˈɔmu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_70.wav|vˈɨjɔw s kʲɛʃˈɛɲi butˈɛlkɛ fçˈiskɨ i pɔstˈaviw jˈɔ̃ na stˈɔlɛ f tɨm sˈamɨm mɔmˈɛɲtɕɛ, kʲˈɛdɨ rˈɔzlɛkw ɕɛ dʑvʲˈɛŋk tˌɛlɛfˈɔnu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_175.wav|tʃɨ mˈɔʒɛʒ bˈɨtɕ ˌɛlɛmˈɛntɛm stsɛnˈɛrji, kʲˈɛdɨ jˌɛstɛɕ na pʲˈɛrʃɨm plˈaɲʲɛ?|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_174.wav|zapˈɛvɲiw lˈɔrt rˈɔbɛrt.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_226.wav|pʃˈɛstɔ iɣ ɡʒˈɛxɨ sɔ̃ jˈɛʃtʃɛ bˈardʑ��j xaɲʲˈɛbnɛ.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_167.wav|fʃˈɨstsɨ mʲˌɛliɕmˌɨ nˈaɲʲɛj ɔtpwˈɨnɔɲtɕ. tˈak rɔskˈazaw lˈɔrt snˈɔf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_341.wav|jˈak pˈan tɔ rˈɔbʲi?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_27.wav|tɔ fˈɛj z ɡrˈupɨ tˌɛatrˈalnɛj.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_353.wav|ɡdˈɨ ˈɔpad na kɔlˈanɔ, jˈaɡ zvˈɨklɛ rɔzbjˈɛraw jˈɔ̃ vzrˈɔkʲɛm.|1
+Dataset/wavs/urwisko_ferenc/55_segment_43.wav|dʒvˈi klˈatki sxɔdˈɔvɛj bˌɨwɨ ɔtfˈartɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_35.wav|ɕpʲˈɛvaj zˈɛmnɔ̃, ˈɛlis, ɕmʲˈawɔ. tɔː ɔtʃˈɨɕtɕi tɕi drˈɔɡʲi ˌɔddɛxˈɔvɛ. jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ...|2
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_36.wav|ɔstˈatɲʲɔ mʲˈawam ɔkˈazjɛ dɔtsˈɛɲidʑ vˈartɔɕtɕ pʃɨjˈaʑɲi, a tɨ jˌɛstɛɕ jˈɛdnɨm z nˌajsɛrdɛtʃɲʲˈɛjʃɨx pʃɨjˈatɕuw, jˈakiɣ w ʒˈɨtɕu mʲˈawam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_27.wav|tˈɔm pɔstˈukaw pˈaltsɛm f tablˈitsɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_186.wav|ˈɔ! a vʲˈɛnts tˈɛras pratsˈujɛʃ f tɨm zavˈɔdʑɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_249.wav|tfˈɔja kˈɔlɛj.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_57.wav|ˌalɛ ɲʲɛ bˈɛɲdʑɛʃ, pˈan, jˈuʃ mˈuɡw vrˈutɕidʑ dɔ stˈanuf. jˈak ɕɛ rˈaz zˈatʃɲʲɛ bjˈɛts, tɔ pˈuʑɲʲɛj ɲʲɛ mˈɔʒna skˈɔɲtʃɨtɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_61.wav|maʃ tʃɨdʑˈɛɕtɕi lˈat sˈami. skˈatʃɛʃ s kfʲˈatka na kfʲˈatɛk, z mʲˈɛjstsa w mʲˈɛjstsɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_257.wav|z vˌɨtravʲɔnˈɨmi nˈaɲih ʃtʃɔntkˈami jˈakixɕ stsˈɛn, vɨdˈaʒɛɲ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_45.wav|tsˈɔ tɔ jɛst jˈɔzz bˈaŋk? jˈɔsɛf a. bˈaŋk, tɔ sklˈɛb z mˈɛ̃skɔ̃...|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_16.wav|mʲˈaw starˈanɲʲɛ pʃˌɨstʃɨʒˈɔnɔ̃ brˈɔdɛ, a na ɡwˈɔvʲɛ nˈɔɕiw bjˈawɔ̃ kˈufi.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_418.wav|dwˈɔɲʲɛ jɛj straʒɲˈika bˌɨwa pˈɛwna blˈizn i stfˈardɲʲɛɲ, lˈɛdʒ dˈɔtɨɡ dʑˈivɲʲɛ dˌɛlikˈatnɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_21.wav|ta rɛˈaktsja bˌɨwa jˈɛdnak xˈamska, nˈavɛt jˈak na jɛj standˈardɨ.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_59.wav|vˌɨdavˈawɔ ɕɛ jˈɛdnak, ʒˈɛ rˈum i smˈutɛɡ zmˈɨwɨ jˈɛɡɔ bˈul.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_48.wav|zmʲɛʒˈajɔnts f strˈɔnɛ sˌamɔxˈɔdu pɔtʃˈuwam na tfˈaʒɨ krɔpˈɛlki vilɡˈɔtɕi, zapˈɛvnɛ z mɡwˈɨ viʃˈɔntsɛj f pɔvʲˈɛtʃu.|3
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_64.wav|zˌastanavʲˈawaɕ ɕɛ kʲˈɛdɨɕ nat pʃˌɛprɔvˈatskɔ̃ na ʑˈɛmʲɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_36.wav|skˈɔnt pˈan tɔ fʃˈɨstkɔ vʲˈɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_44.wav|bʲˈillɨ ɕˈada pʃˈɨɲʲɛj i jɛj ˈɔddɛɣ vrˈɛʃtɕɛ zatʃˈɨna ɕɛ ˌuspɔkˈajatɕ. ˌɔbɛjmˈujɛ jˈɔ̃ ramjˈɛɲʲɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_152.wav|ˌɔpɔvʲadˈawa mi ˈɔɲim.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_59.wav|znˈɔvu zˌasɨpʲˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_59.wav|ɕfʲˈɛtɲʲɛ tɕˈɛ rɔzˈumjɛm, mˈuvi bʲˈillɨ, nˌajzupˈɛwɲʲɛj ʃtʃˈɛʒɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_35.wav|pʲɔsˈɛŋka tˈɔma vaˈitsa dɔbjˈɛɡa kˈɔɲtsa. bˈutskɨ pɔtxˈɔdʑi dɔ vʲˈɛʒɨ i vɨwˈɔntʃa bˈɔba sˌɛaɡˈɛra, zˈaɲim tɛn mˈɔʒɛ na dˈɔbrɛ zˈatʃɔɲtɕ ɕpʲˈɛvatɕ ɔ bˈɛttɨ lˈɔu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_43.wav|ɕpʲˈɛva z ɲˈim ɡwˈɔsɛm stwumjˈɔnɨm pʃˈɛs mˈɔkrɔ̃ ɕtɕɛrˈɛtʃkɛ, na ktˌurɛj pʃɨ kˈaʒdɨm vdˈɛxu ɔttɕˈiska ɕɛ wˈuk jɛj ˈust.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_104.wav|ftˈɛdɨ ˌɔpɔvʲˈɛdʑaw mi ɔ sfˈɔim dʑɛtɕˈiɲstfʲɛ, ˈɔtɨm jˈaɡ zˌɔstavˈiwa ɡˈɔ mˈatka, kʲˈɛdɨ mʲˈaw dvˈa lˈata i jˈak ˈɔjtɕɛdʑ vˈaltʃɨw ɔː ˌutʃɨmˈaɲʲɛ jˈɛɡɔː i tʃtˌɛrɔlˈɛtɲʲɛj ɕˈɔstrɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_60.wav|muɕˈawam zrˈɔbʲitɕ sˈɔbjɛ pʃˈɛrvɛ w ˌuzupɛwɲʲˈaɲʲu pˌɔtstavˈɔvɛj vʲˈɛdʑɨ w dʑɛdʑˈiɲʲɛ xˈɛmji, ˌalɛ fʃˈɨstkɔ bˈɛs trˈudu znalˈazwam f ɕˈɛtɕi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_76.wav|zˌasuɡɛrˈɔvaw ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ mʲˈawɔ tɔ zvʲˈɔ̃zɛɡ zˈɛ spravˈami bʲˌiznɛsɔvˈɨmi, ˈalɛ...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_92.wav|mˈuviʃ ɔ sˈɛkɕɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_63.wav|ɲʲɛ ˌɔtpɔvʲˈada.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_168.wav|skˈɔrɔ mˌamɨ xfˈilɛ, tɔ mˈɔʒɛ pɔdʑˈɛliʃ ɕɛ zˈɛmnɔ̃ sfɔˈimi pʃˌɛmɨɕlɛɲʲˈami na tˈɛmat tˌɛɡɔ zɡˈɔnu?|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_32.wav|jˈak rɔzˈumjɛm, vrutɕˈiwɛɕ pˈɔtɔ, bˈɨ dɔtʃˈɨmatɕ pʃˈɨɕɔŋɡ zwɔʒˈɔnɨx mˈɔjɛj brˌataɲˈitsɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_59.wav|tʃɨ ɡdˈɨbɨ zˌasuɡɛrˈɔvaw, ʒˈɛ ˈɔbjɛ pɔvˈinnɨ zamjˈɛʃkatɕ f pɔblˈiʒu, swˌuʒɨwˈɔbɨ tɔ jˈɛɡɔː ˌintɛrˈɛsɔm tʃɨ ˌintɛrˈɛsɔm jˈɛɡɔ tsˈurki?|3
+Dataset/wavs/urwisko_ferenc/28_segment_75.wav|tˈak. vidʑˈawas jˈɔ̃ ftʃˈɛɕɲʲɛj?|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_120.wav|bʲˈillɨ dʑvˈɔɲi dɔ butskʲˈɛɡɔ xansˈɔna dɔ nɔvˈɛɡɔ jˈɔrku i prˈɔɕi ɡˈɔ, bˈɨ pʃˈɛswaw pudˈɛwkɔ z napˈisɛm zˌabɛspʲɛtʃˈɛɲʲa na jˈɛɡɔː ˈadrɛs na ɛvˈɛrɡrin strˈit.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_129.wav|i lˈɛkkɔ pɔdmˈaluj ˈusta ʃmˈiŋkɔ̃, jˈasnɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_23.wav|ɲʲɛ, w dˈɔmu ɕɛ bˈavitɕ ɲʲɛ vˈɔlnɔ, pɔvʲˈɛdʑaw fˈarit. tˌɨlkɔ na pɔdvˈurku.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_73.wav|pɔ xfˈili rɛflˈɛksji nad ɡɛɲʲˈuʃɛm mɔjˈɛɡɔ plˈanu, ɕɛŋɡnˈɛwam pɔ ʃtʃˈɨptsɛ i pʃɛtɕˈɔwam ɔstˈatɲʲɔ̃ antˈɛnɛ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_294.wav|ˌalɛ tɔ na rˈaʑɛ zɔstˈavmɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_221.wav|pɔvʲˈɛdʑaw mˈuʒɨn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_212.wav|ɔbʲˈitɛj vˈɛvnɔntʃ pravdʑˈivɔ̃ skˈurɔ̃ lampˈarta,|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_71.wav|pˌɔinfˌɔrmɔvˈawa ix tsˈat. jˈɛɕli ɡˈɔ pʃɨjmʲˈɛtɕɛ, bɛɲdʑˌɛtɕɛ mʲˌɛli ʃˈɛɕtɕu.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_409.wav|lˈudʑɛ tɔ tˌɨlkɔ mʲˈɛ̃sɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_69.wav|jˈɛɕli ɲʲˈɛdaj bˈɔʒɛ tsˈɔɕ ɕɛ zˈɛmnɔ̃ zdˈaʒɨ, fʃˈɨstkɔ zɔstˈaɲʲɛ dla tɕˈɛbjɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_427.wav|ɲˈits, jˌɛstɛm trˈɔxɛ zdʑivʲˈɔnɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_50.wav|pˌɔstanˈavʲam ɲʲɛ tʃˈɛkatɕ, tʃɨ ɔtpˈɔvʲɛ. zrɔzˈumjɛ, ʒˈɛ jˈadɛ dɔ vˈalji i xtsˈɛ ɕɛ z ɲˈim zɔbˈatʃɨtɕ. vʲˈɛ, ɡdʑˈɛ mɲʲɛ znˈalɛɕtɕ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_398.wav|ɡdˈɨ ˈɔsnɛj jɛj swˈuxaw, na jˈɛɡɔ tfˈaʒɨ pɔvˈɔli pɔjˈavʲaw ɕɛ lˈɛŋk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_189.wav|mɲʲˈɛjʃa ɔɡlˈinɛ i lˈudʑi ɲˈika, tsˈɔ bˌɛɲdʑɛ jˈɛɕli spˈɔtka kˈɔɡɔɕ, ktˈɔ znˈaw ɡˈɔ jˈakɔ davˈida lɔtskrˈidʒa?|2
+Dataset/wavs/urwisko_ferenc/65_segment_67.wav|jˈɛɡɔ ʒˈɔɲʲɛ zdaʒˈawɔ ɕɛ rˌɔmansˈɔvatɕ i pˌɔdjudʑˈanɨ pʃˈɛs kɔxˈaŋkɛ uvʲˈɛʒɨw f tɔ, ʒˈɛ zuzˈanna ɲʲɛ bˌɨwa jˈɛɡɔ bjˌɔlɔɡʲˈitʃnɨm dʑˈɛtskʲɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_7.wav|a mˈimɔ tɔ wˈapjɛ ɕɛ tˈɛras nˈatɨm, ʒˈɛ pˌɔdɛjʒˈɛvam ɡˈɔː ɔ tsˈɔɕ innˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_116.wav|swˈabɔ pamjˈɛntam.|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_138.wav|xˈɨba, ʒˈɛ ˌɔtʃɨvˈiɕtɕɛ ɲi kˈa ɔt pɔtʃˈɔntku ɡrˈaw z ɲˈim tʃˈɨstɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_115.wav|ɔt rˈazu dɔstʃˈɛɡwam sˈɨstɛm zˌaɕilˈaɲʲa ˌavarɨjnˈɛɡɔ. fʃˈɨstkʲɛ jˈɛɡɔ lˈiɲʲɛ bˌɨwɨ zˌaznatʃˈɔnɛ na tʃɛrvˈɔnu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_25.wav|xtsˈɛ ɕɛ jˈɛdnak tˈutaj ˈukrɨtɕ, ʒˈɛbɨ ɲˈikt ɲʲˈɛmuɡw vɨtʃˈɨtatɕ strˈaxu w mˈɔix ˈɔtʃax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_211.wav|bʲˈillɨ ɕɛ ɕmʲˈɛjɛ. rˌɛalˈistɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_57.wav|stfʲɛrdʑˈiwa sˈara i ˌuɕmʲɛxnˈɛwa ɕɛ dɔ bˈɛki.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_57.wav|ˈaɲis pɔlˈitsjɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_48.wav|pˌɔvʲɛdʑˈawa, mˌamɨ dʑˈiɕaj strˈaʃnɨ rˈux w ˌintɛrˈɛɕɛ, tsˈɔ takʲˈɛɡɔ pilnˈɛɡɔ ɕɛ stˈawɔ.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_346.wav|ʒˈɛbɨɕ mˈuɡw ix tˌɔrturˈɔvatɕ i zˈabʲitɕ? tɨ pˈɛvɲʲɛ na mˈɔim mʲˈɛjstsu bˈɨɕ im vɨbˈatʃɨw.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_82.wav|tʃˈɛj rɨtsˈɛʒɛ pˌɔkwɔɲˈili ɕɛ i vˈɨʃli, a blˈɔndɨn pˌɔtsawˈɔvaw jˈɔ̃ na pˌɔʒɛɡnˈaɲʲɛ w rˈɛŋkɛ.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_444.wav|i bʒˈɨtka dˈuʃa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_50.wav|ɕɛŋɡˈawam vwˈaɕɲʲɛ pɔ klˈamkɛ w dʒvʲˈax sˌamɔxˈɔdu, kʲˈɛdɨ zadʑvˈɔɲiw mˈuj tɛlˈɛfɔn.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_287.wav|ˌuxɨlˈiwa ɕɛ na bˈɔk, a pˈɔtɛm ˌɔtsunˈɛwa, vˌɨprɔvadʑˈajɔnts tɕˈɛɲtɕɛ na jˈɛɡɔ pʲˈɛrɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_192.wav|rɔsstˈaviw sfˈɔjɛ wˈuʃkɔː i pˈɔʃɛd dɔ kˈuxɲi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_338.wav|umˈilkwɛm na xfˈilɛ, a ɔn skɔʒˈɨstaw z ɔkˈazji i s tɨm dʑˈivnɨm, ɔpʃˈɛrnɨm, ˌawtɔmatˈɨtʃnɨm rˈuxɛm wˈɔktɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_77.wav|pˈan jˈɔxanssɔn uvˈaʒa ɕɛ xˈɨba za luzˈaka. jˌɛstɛm zˌaskɔtʃˈɔnɨ, ʒˈɛ ɲʲɛ pɔvʲˈɛdʑaw nˈɔ tɔ tɕˈawɔ vɨxˈɔdʑɔnts.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_16.wav|jɛst jˈɛʃtʃɛ jˈɛdna sprˈava.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_7.wav|kʲˈɛdɨ ˌɔpsɛrvˈujɛ dʒvˈi, mˈɨɕlɛ ɔ skˈɔtɕɛ, kturˌɛɡɔ znˈawam, ktˌurɨ bˈɨw jˈɛʃtʃɛ zvˈɨkwɨm xwɔpˈakʲɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_126.wav|tɕˈɛmna nˈɔts ˌɔtɔtʃˈɨwa mɲʲɛ ɲˈitʃɨm ɡrˈubɨ kˈɔts.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_109.wav|tʃˈɛɲʑdʑ w bˈaŋku bʲimˈiɲi pɔt nazvˈiskʲɛm dʒˈɛjms lˈinkɔln. zˌapamjˈɛntaʃ.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_76.wav|nˈavɛt pˈaxɲʲaw ɲʲɛ tˈak jˈak tʃˈɛma.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_126.wav|ˌalɛ ja nˌabjɛrˈawam jˈuʃ rɔspˈɛndu.|4
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_138.wav|tˈɛras tʃɛkˈawɔ mɲʲɛ rˌɨzɨkˈɔvnɛ zaɡrˈaɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_313.wav|i ɔpsˈɛrvuj uvˈaʒɲʲɛ, dʑɛftʃˈɨnɔ.|1
+Dataset/wavs/urwisko_ferenc/13_segment_31.wav|xˈɛrman i bɔrˈɛvidʒ dɨskrˈɛtɲʲɛ vˌɨmjɛɲˈili spɔjʒˈɛɲʲa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_268.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_3.wav|ˈaʒ zɲˈikw. ɔdjˈɛxaw bˈɛs ɕlˈadu spʃɛtɕˈivu z mɛ̃ʃtʃˈɨznɔ̃, ktˌurɨ dvˈa dɲˈi tˌɛmu zˈakwuw ɡˈɔ f kajdˈaŋki.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_16.wav|ɲʲɛ vˈɔlnɔ mi rɔzmˈavʲatɕ ɔ tsˈawɨm prɔtsˈɛɕɛ. pˌɔvʲɛdʑˈawa nˈam jɛdnˈɛɡɔ dɲʲˈa, kʲˈɛdɨ ˈaram vɨjˈɛxaw z lˌakɛsˈidɛ w jˈɛdnɔ̃ zˈɛ sfˈɔix spˌɔradˈɨtʃnɨx pɔdrˈuʒɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_102.wav|zamˈilkwa i spɔjʒˈawa na pʃˌɛsuvajˈɔntsɛ ɕɛ za ˈɔknɛm ruvɲˈinɨ ajˈɔwa.|2
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_107.wav|tˈɨɕɔndʑ ɡʲˈituf, tˈak?|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_81.wav|pˌɔvʲɛdʑˈawɛm, tsˈɔɕ tɨ s ɕˈɛbjɛ zrɔbʲˈiwa.|2
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_154.wav|ɔ tʃɨm tɨ mˈuviʃ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_51.wav|nˌautʃˈɨwɛm ɕɛ vʲˈɛnts fʃɨstkʲˈɛɡɔ na tˈɛmad blˈatsk jˈatska, jˈak ɔpstˈavʲatɕ, jˈaɡ zˈɔstadʑ zvɨtɕˈɛ̃stsɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_124.wav|na jˈɛɡɔ tfˈaʒɨ malˈujɛ ɕɛ rˈɔspatʃ, a ja ɲʲˈɛmam vˌɔntplivˈɔɕtɕi, jˈakʲɛ tɔ dla ɲʲˈɛɡɔ trˈudnɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_34.wav|tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ, pˈɨtam. pɔ tsˈɔ tɛ fʃˈɨstkʲɛ zdjˈɛɲtɕa?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_109.wav|dˈajtɕɛ ɕɛ tʃˈɛɡɔɕ nˈapitɕ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_363.wav|tɛ fʃˈɨstkʲɛ dʑˈɛtɕi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_116.wav|ftsˈalɛ ɲʲɛ bɨwˈɔbɨ ʑlˈɛ, ɡdˈɨbɨm dˈaw pˈanu w zˈɛmbɨ. tsˈuʃ mɲʲɛ ɔpxˈɔdʑi, pˈaɲska dʑɛftʃˈɨna s pˌirɛˈusu? pˈan mˈɨɕli, ʒˈɛ tɔ mi ɕɛ pɔdˈɔba?|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_180.wav|dˈɔbrɨ, ˈɔstrɨ mʲˈɛtʃ pʃˈɛtɲʲɛ jˈɔ̃ z watfˈɔɕtɕɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_131.wav|tˈakiɣ zlˈɛtsɛɲ ɲʲɛ bjˈɔrɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_49.wav|f kˈaʒdɨm rˈaʑɛ pɔstˈaram ɕɛ, ˌalɛ ɡdˈɨbɨ tsˈɔɕ ɕɛ dʑˈawɔ, dˈam tɕi znˈatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_185.wav|ɲʲˈɛma sprˈavɨ i dɔstˈartʃɛ tɕˈi tɔ, ɔ tʃɨm rˌɔzmavʲˈaliɕmˌɨ. spɔkˈɔjna ɡwˈɔva.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_197.wav|zʒutɕˈiwa jɛj pɔkrˈɨtɛ plamˈami sˈɔli bˈutɨ, vˈɨʃwa z jɛj bjɛlˈiznɨ i vˌɨkɔmpˈawa ɕɛ f tsˌɨtrɨnˈɔvɛj vˈɔdʑɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_225.wav|vidʑˈawam, ˈilɛ ta piɡˈuwka kˌɔʃtɔvˈawa, ˌɔtpɔvʲˈada ˈɔna.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_36.wav|tˈɔm zˌastanˈɔviw ɕɛ uvˈaʒɲʲɛ nad dɔbˈɔrɛm swˈuf.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_169.wav|tɔ tˈak jˈaɡbɨɕ ix pɔprˈɔɕiw ɔ pˌɔdɛrʒɲʲˈɛɲtɕɛ nˈam ɡˈardɛw, ɔbrˈuʃɨw ɕɛ çˈik xˈunt.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_178.wav|znˈuf trfˈawɨ ʃˈɛptɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_305.wav|ktˈɔ ɕɛ spɔdʑˈɛvaw, ʒˈɛ tˈaɡ vˈɨjdʑɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_160.wav|tˌɨlkɔ ɲʲɛ dɔ kˈɔɲtsa mi ɕɛ tɔ pɔdˈɔba, vʲˈɛʃ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_111.wav|uvˈalɲʲam ɕɛ z uɕtɕˈiskwa fɕtɕˈɛkwɔɕtɕ i ɛksplˈɔzja paɲˈiki tʃˈɨɲʲɔ̃ mɲʲɛ ɲʲˌɛrɔzvˈaʒnɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_218.wav|xwˈɔptsɨ tɕfitʃˈɔntsɨ na dˌɛskɔrˈɔlkax pʃɨ pɔmɲˈiku pʃɨvˈuttsɨ xwˈɔpuf.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_140.wav|ɲʲɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_158.wav|xundˈɛbawx stˈaw nˈadɲim tʃˈɛ̃sɔnts ɕɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_26.wav|ʒˈutsa mɲʲɛ spɔkˈɔjnɛ spɔjʒˈɛɲʲɛ bˈɛtskɨ, ktˌura ɲʲɛ pˈatʃɨ nˈamɲʲɛ, bˈɔ pˈiʃɛ tsˈɔɕ f sfˈɔim nˌɔtatɲˈiku.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_76.wav|vˈɨjwaɕ tˈu ˈu mˈɔku, pɔvʲˈɛdʑaw pˌɔtpuwkˈɔvɲiɡ dɔ klˈuɛ.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_71.wav|lantsˈɛlɛm, ɔsmˈundɛm tsˌattlɛblˈɛkʲɛm i kɕˌɛ̃ʒɨtsˈɔvɨm xwˈɔptsɛm. tʃɨ jˌɛstɛɕ ɲʲɛ tˌɨlkɔ kalˈɛki, lˈɛtʃ rˈuvɲʲɛʒ ɡwˈuxɨ?|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_5.wav|bˌɨwam tˈu ɔstˈatɲʲɔ pʃɛt ʃɛɕtɕˈɔma dɲʲˈami, ˌalɛ vˌɨdavˈawɔ mi ɕɛ, ʒˈɛ ɔt tamtˈɛɡɔ tʃˈasu minˈɛwɨ tsˈawɛ vʲˈɛki.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_250.wav|vʲɛdʑˈawa, ʒˈɛ s ɕɛdmʲˈɔma ɲʲˈɛma ʃˈans. ɲʲˈɛmam ʃˈans i ɲʲˈɛmam vɨbˈɔru.|1
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_113.wav|dɔ tʃˈɛɡɔ tɔ dˌɔprɔvˈadʑi.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_166.wav|pɔlˈitʃɛ ɕɛ z ɲˈim tˈak sˈamɔ jˈak s pɔpʃˈɛdɲim i vwˈɔʒɛ krˌɨʃtawˈɔvɔ̃ kɔrˈɔnɛ na ɡwˈɔvɛ jakʲˈɛmuɕ pˌɔbɔʒnˈɛmu ˌɔɕmʲɔlatkˈɔvi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_117.wav|tˈɔm pɔdrˈapaw ɕɛ w ɡwˈɔvɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_79.wav|mˈijaw nˈaz vwˈaɕɲʲɛ ɡɛnˈɛraw prˌɔvadʑˈɔntsɨ rˈɔvɛr.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_362.wav|pamjˈɛntaʃ kˈurvɛ, ktˌura tɕi jˈɛ zˌɔstavˈiwa?|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_354.wav|dʒˈɛjn pˈɔtʃuw ukwˈutɕɛ litˈɔɕtɕi. stˈɔi tˈam dʑˈɛɲ pɔ dɲʲˈu zˈɛ ʃnˈurɛm vˈɔkuw ʃˈɨi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_69.wav|vwˈaɕɲʲɛ vrutɕˈili dɔ mɲʲɛ z vˌɨɲikˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_367.wav|mʲˈɛʃkam tˈu ɔt ʃustˈɛɡɔ rˈɔku ʒˈɨtɕa i pʃˌɨzvɨtʃaˈiwam ɕɛ dɔ kɕˌɛ̃ʒɨtsˈɔvɛj ɡrˌavitˈatsji.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_36.wav|tsˈɔ mɲʲɛ mˈɨɕli?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_47.wav|tɔ bˈɨwbɨ dˈɔbrɨ pˈɔmɨsw, xˈɔtɕ ɲʲˌɛvɨstˌartʃajˈɔntsɔ dˈɔbrɨ. dʑˈɛŋki, jˈumbɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_140.wav|mˈuvi jɛj, ʒˈɛ tˈɛʃ jˈɔ̃ kˈɔxa, pɔ tʃɨm fxˈɔdʑi dɔ sfɔjˈɛɡɔ pɔkˈɔju.|2
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_146.wav|zrˈɛʃtɔ̃ ɲʲɛ ˌɔɲi ˌɔtpɔvʲadˈajɔ̃ zˈatɛ zbrˈɔdɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_86.wav|stsˈɔtt pʃˈɛstaw krˈɔ̃ʒɨtɕ i spˈɔjʒaw nˈamɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/37_segment_42.wav|— pʃɛprˈaʃam — zrˌɛflɛktɔvˈawa ɕɛ lɛkˈarka. — ˌalɛ ɲʲˈɛma pˈan pɔjˈɛɲtɕa, jˈak lˈudʑɛ pɔtrˈafjɔ̃ traktˈɔvadʑ zvʲɛʒˈɛnta.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_101.wav|tˈakʲɛ ʒˈɛtʃɨ na dˈɔbrɛ fxˈɔdʑɔ̃ f krˈɛf, jɛʒˈɛli ktˈɔɕ swˈuʒɨw f pʲɛxˈɔtɕɛ mˈɔrskʲɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_222.wav|ˈalbɔ mˈɔʒɛ spɔɡlˈɔnda f tʃˌarɔdʑˈɛjskɔ̃ kˈulɛ, xtsˈɔnts ɔdɡˈadnɔɲtɕ mˈɔjɛ, jˈɛɡɔ pʃˌɛznatʃˈɛɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_7.wav|jˈɛɡɔː ˈuɕmʲɛx ɔɕlˈɛpja sfˈɔim blˈaskʲɛm. ɔtfˈartɛ ramjˈɔna bjˈɔrɔ̃ bʲillʲˈɛɡɔ w ɔbjˈɛɲtɕa.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_34.wav|mˈɨɕliʃ, ʒˈɛ tɔ vɨstˈartʃɨ? zapˈɨtaw dˈalɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_47.wav|ʒˈɛ ɲʲˈɛma sˌamɔxˈɔdu, pɔvʲˈɛdʑaw tˈɔm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_80.wav|i tˈɛras pamjˈɛnta tˈɛʃ jˈɛɡɔ nazvˈiskɔ, bˈɔp raˈinɛs.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_196.wav|z jaskˈiɲi, dɔ ktˌurɛj zˌaprɔvadʑˈɔnɔ brjˈɛnnɛ i jɛj tˌɔvaʒˈɨʃɨ, ˌutʃɨɲʲˈɔnɔ tɕˈɛpwɛ, pʃɨtˈulnɛ sxrɔɲʲˈɛɲʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_354.wav|prˈɔʃɛ, pʃɛtʃˈɨtaj mi kavˈawɛk tˈɛɡɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_90.wav|tɛn nawˈɔʒɨw jˈɛ na tʃˈɔwɔ, ˌalɛ ɲʲɛ rˈuʃaw ɕɛ z mʲˈɛjstsa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_50.wav|kʲˈɛdɨ nˈuʃa vɨxˈɔdʑi s kˈuxɲi, ʒˈɛbɨ zˈaɲʲɛɕtɕ fˌiliʒˈaŋkɛ xɛrbˈatɨ zˈɔɛ, pɔnˈɔvɲʲɛ zˈɛrkam na tɛlˈɛfɔn.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_97.wav|jˈamɛ ɔdvʲˈɛdʑaw jˈuʃ tɛn zˈamɛk. ɡɔɕtɕˈili tˈu s tsɛrsˈɛi dvukrˈɔtɲʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_228.wav|jɛst trˈɔxɛ xˈɔra pɔvʲˈɛdʑaw ˈandɛrsɔn. ja jˈɔ̃ ˌuspɔkˈɔjɛ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_82.wav|prˈavdɛ mˈuvʲɔnts, bˌɨwa ˌɔna zbˈɨt lˈitʃna, ˌalɛ lˈɔrt ˈɛmmɔn bˈɨw tʃwɔvʲˈɛkʲɛm lˌɛŋklivˈɛɡɔː ˌuspɔsɔbjˈɛɲʲa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_16.wav|ˌuɕmʲɛxˈawa ɕɛ, a tɔ jˈuʒ bˌɨwɔ tsˈɔɕ.|3
+Dataset/wavs/urwisko_ferenc/11_segment_62.wav|mˈam w dˈupʲɛ, jˈak jɛst s xudʑˈiɲskɔ̃, stfʲɛrdʑˈiwa.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_183.wav|bjˈɛɡus mˈa skʃˈɨdwa, tˈak jˈaɡ bjˈɛlik, ˌalɛ tɛ ptˈaki rˈuʒɲʲɔ̃ ɕɛ ɔt ɕˈɛbjɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_53.wav|ˌalɛ skˈɔnt, sˈɨnu? dalˈɛkɔ mi dɔ tˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_379.wav|ˈɔ, lˈisa ɲʲɛ bˌɨwa jˈɛʃtʃɛ vˈuftʃas tˈaka strˈaʃna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_127.wav|na pˈaltsu sɛrdˈɛtʃnɨm lˈɛvɛj rˈɛŋki ɲʲˈɛma pʲɛrɕtɕˈɔŋka zˌarɛntʃˌɨnɔvˈɛɡɔː ˌaɲi ɔbrˈɔntʃki i bʲˈillɨ mˈɨɕli, ʒˈɛ w ˈinnɨm ɕfʲˈɛtɕɛ tˈɛraz zaprˈɔɕiwbˌɨ jˈɔ̃ na drˈiŋka pɔ prˈatsɨ.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_22.wav|zˌauvˈaʒɨw pˈɔdritsk. swɨʃˈawɛm, ʒˈɛ ɲʲɛ mˌajɔ̃ jɛ̃zˈɨkuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_30.wav|kˈatɛ i lˈutsɨ zɔstˈanɔ̃ na kɔlˈatsji, tˈɔm, a kʲˈɛdɨ pˌɔwɔʒˈɨmɨ arˈɛɡɔ dɔ wˈuʃka, mɔʒˈɛmɨ ˈuɕɔ̃ɕtɕ i pˌɔrɔzmˈavʲatɕ na tˈɛmad dˈalʃɨx krˈɔkuf.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_16.wav|tsˈurka tˈɔma, lˈutsɨ, ˌuvʲɛlbjˈawa dʑˈɛtɕi i zˈafʃɛ ɕfʲˈɛtɲʲɛ dˌɔɡadɨvˈawa ɕɛ z bˈɛtskɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_98.wav|tˈɛssa jɛst jɛdˈɨnɔ̃ ɔsˈɔbɔ̃, ktˌurɛj pˌɔvʲɛdʑˈawam ɔ mˈɔjɛj ɔdmˈɔvʲɛ pˌɔɕlubjˈɛɲʲa ˈaʃa.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_333.wav|mʲˈaw na sˈɔbjɛ dwˈuɡʲi, skuʒˈanɨ fˈartux, ˌalɛ pɔt spˈɔdɛm jˈɛɡɔ pʲˈɛrʑ bˌɨwa nˈaɡa.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_199.wav|jˌɛstɛɕ mwˈɔda.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_13.wav|kʲˈɛdɨ stˈarʃɨ brˈad zvˈɔlɲiw muzˈɨka, bˈɨ ɔn rˈuvɲʲɛʃ ɕɛ nˈajad,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_131.wav|im dwˈuʒɛj tˈu zˈɛmnɔ̃ stˈɔi, tɨm trˈudɲʲɛj bˌɛɲdʑɛ mu vrˈutɕitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_244.wav|ˌɔtʃɨvˈiɕtɕɛ bˈutlɛ sɔ̃ pˈɛwnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_20.wav|ɔː ˈilɛ zdˌɛtsɨdˈujɛ ɕɛ ˈɔtɨm ˌɔpɔvʲˈɛdʑɛtɕ, mˈɔʒɛ ˈuzna, ʒˈɛ lˈɛpʲɛj ɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_16.wav|bɛɲdʑˌɛmɨ ˌɔpsɛrvˈɔvatɕ. prˈɔʃɛ sprubˈɔvadʑ zaxˈɔvatɕ spˈɔkuj. vʲˈɛm, ʒˈɛ prˈɔʃɛ ɔ vʲˈɛlɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_47.wav|ˌɔtpɔvʲˈadam, ʒutsˈajɔnts tˈɛɕɛ vɨmˈɔvnɛ spɔjʒˈɛɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_158.wav|a pˈɔtɛm dɔbjˈɛɡa mɲʲɛ ɡwˈɔs.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_337.wav|xˈɔtɕ jˈamɛ mʲˈaw na sˈɔbjɛ ʑimˈɔvɨ pwˈaʒdʒ ɡvˈardji krulˈɛfskʲɛj, jˈadɔnts ˈu bˈɔku davˈɛna tʃˈuw ʒɛlˈaznɛ ˌukɔ̃ʃˈɛɲʲa vˈixru.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_39.wav|ˌɛnɛrɡʲˈitʃɲʲɛ rˈuʃɨw wɔktɕˈami ɲˈitʃɨm pˈiŋɡvin pˌɔdrɨvajˈɔntsɨ ɕɛ dɔ lˈɔtu.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_134.wav|ˌalɛ f tɛj xfˈili ɲʲˈɛmam pʲɛɲʲˈɛndʑɨ, ʒˈɛbɨ w ɲʲˈɛɡɔ zˌainvɛstˈɔvatɕ, zatʃˈɛwam ɕɛ twumˈatʃɨtɕ.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_219.wav|ftˈɛdɨ mˈuɡwbɨ mɲʲɛ dˈɔrvatɕ, ˌalɛ tˌɨlkɔ pˈɔtɔ, bˈɨ ɔdʑˈɨskadʑ zvʲˈɛʒɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_90.wav|ʒˈɔwɲʲɛʒ z ˌɔbandˌaʒɔvˈanɔ̃ ɡwˈɔvɔ̃ dɔwˈɔntʃɨw dɔ xˈuru. mʲˈaw wˈadnɨ, mˈɔtsnɨ barˈɨtɔn.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_25.wav|brˈuskɔː i jˈɛɡɔ sɨnˈɔvʲɛ pwɨnˈɛli pʃˈɛs pˌɔpʃɛdʑajˈɔntsɨ ɕfˈit mrˈɔk, pˌɔpɨxˈajɔnts wˈutɕ pʃˈɛs labʲˈirɨnt mˈawɨx kanˈawuf.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_231.wav|ˈarja pʃɨɡrˈɨzwa vˈarɡɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_234.wav|znˈawɛm tɛn budˈɨnɛk. zvˈɨkwɔ̃ kˌamjɛɲˈitsɛ tʃɨnʃˈɔvɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_34.wav|bɨwˈɔbɨ fspaɲʲˈalɛ. dla mɲʲɛ tʃˈarna, bˈɛs tsˈukru.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_20.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ tɕˈɛ ɔbvˈiɲʲam, varknˈɛwa. a kˈɔɡɔː innˈɛɡɔ mʲˈawabˌɨm ɔbvˈiɲʲatɕ?|4
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_37.wav|kˈuki vɨjˈɛʒdʒa na stˈudja dɔː awstrˈalji.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_61.wav|tɛn ˈɔbraz vˈart jɛst tɨɕˈɔntsa swˈuf.|2
+Dataset/wavs/urwisko_ferenc/57_segment_41.wav|— kʲˈɛdɨ tɔ bˈɨwɔ? — kˈurtʃɛ, dˈɔbrɨ kfˈadrans tˈɛmu, a dlatʃˈɛɡɔ? mˈarja zˌakɔɲtʃˈɨwa pˌɔwɔntʃˈɛɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_215.wav|mʲˈaw vwˈɔsɨ kɔlˈɔru pʲˈasku i mʲˈɔdu, a jˈɛɡɔː ˈuɕmʲɛɣ bˈɨw tɕˈɛpwɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_32.wav|tɔ vwˈaɕɲʲɛ jˈɛɡɔ xˈazart sprˈaviw, ʒˈɛ znalˈazwam ɕɛ f tˈakʲɛj sˌɨtuˈatsji.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_19.wav|tsˈɔ sprɔvˈadʑa tʃwɔvʲˈɛka z nˈɔtsnɛj strˈaʒɨ dɔ tsˌɨtadˈɛli?|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_198.wav|tfˈaʃ jˌamjɛˈɛɡɔ pˌɔtɕɛmɲʲˈawa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_251.wav|ˌalɛ zˈɔstaw zwapˈanɨ.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_75.wav|ɡdˈɨ ɡˈɔʑdʑik pɔdˈawa xwˈɔptsu pʲˈɛrɕ, stˈaʒɛts ɔtfˈɔʒɨw ˈɔtʃɨ i pɔrˈuʃɨw ɕɛ lˈɛkkɔ na vˈɔ̃skim wˈuʃku.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_411.wav|xˈɔtɕaʒ brˌakɔvawˈɔbɨ mi jɛj jɛ̃zˈɨka pˈɔttʃas pˌɔtsawˈuŋkuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_185.wav|ɲʲɛ bˌɛndɛ ˈɔɲʲɛj mˈɨɕlaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_26.wav|pɔɡwˈaɕɲʲam vʲˈɛnts, zbliʒˈajɔnts ɕɛ dɔ mʲˈɛjstsa, f ktˌurɨm tˈɔtʃɔ̃ ɕɛ prˈatsɛ drɔɡˈɔvɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_398.wav|mɲʲˈɛjʃa s tˈɨm, jˈak mˈavʲaw bˌɨwɨ pˌɔtkɔmˈisaʃ kˈɔrsak.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_246.wav|jˈɛɕli ɕtɕˈiɡa tɕˈɛ tʃwˈɔvʲɛk, tɔ maʃ jˈɛʃtʃɛ ʃˈansɛ, tɔ...|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_165.wav|tʃɨ znˈalas stˈatɛɡ dɔ starˈɛɡɔ mʲˈasta?|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_70.wav|mˈam vʲˈɛlɛ vˈat, ˌalɛ zɡrɨvˈaɲʲɛ tfardʑˈɛla ɲʲɛ jɛst jˈɛdnɔ̃ z ɲˈix.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_157.wav|ˌɔɡwuʃˈɔnɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_53.wav|f kˈɔɲtsu rˈadjɔ znˈuf ɕɛ ˌɔdɛzvˈawɔ.|4
+Dataset/wavs/urwisko_ferenc/36_segment_64.wav|raʃˈɛja vɛstxnˈɛwa. fʃˈɨstkɔ zalˈɛʒɨ ɔd varˈuŋkuf, ˈalɛ...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_14.wav|ˌɔtʃɛkivˈaɲʲɛ bˌɨwɔ prˈavʲɛ ɲʲɛ dɔ zɲʲɛɕˈɛɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_203.wav|tɔ tɨ kʲˌɛrɔvˈawaɕ tɨm kɔmbˈajnɛm, ktˌurɨ ˈɔmal mɲʲɛ ɲʲɛ zˈabʲiw, pʃˈɨznaj ɕɛ. xtɕˈawam jˈɛʃtʃɛ jɛj pʃɨwˈɔʒɨtɕ, ˌalɛ zrɔbʲˈiwa ˈuɲik i vˌɨkrɛɲtɕˈiwa mi rˈɛŋkɛ dɔ tˈɨwu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_100.wav|trɔsklˈivʲɛ ɕɛ ɲˈim ˌɔpʲɛkˈujɔ̃. pʃɛɲʲˈɛɕli ɡˈɔ dɔ pˌɔjɛdˈɨntʃɛj tsˈɛli, pamjˈɛntaʃ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_658.wav|— pʃˌɛtɕɛʃ pˈan pɔvʲˈada, ʒˈɛ vʲˈɛlu ʒˈɛtʃɨ ɲʲɛ pamjˈɛnta. — zˌɔbatʃˈɨmɨ pɔ sˈɛktsji zvwˈɔk.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_25.wav|nˌalɛʒˈɔntsɨ dɔ spˈuwki s ɕɛdʑˈibɔ̃ f xɔŋkkˈɔŋɡu zapˈɛvɲʲaw sfˈɔjskɔ̃ ˌatmɔsfˈɛrɛ pɔdrˈuʒnɨm z ɡrubˈɨmi pˌɔrtfɛlˈami.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_27.wav|tɛj fçˈiskɨ, ktˌurɔ̃ maʃ pˈan f kʲɛʃˈɛɲi, ɲʲɛ bˌɛɲdʑɛʃ pˈan xˈɨba tˈutaj pˈitɕ? ɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_35.wav|uɕˈadwa ˌɔbɔk mɲʲɛ bˈɛs swˈɔva.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_110.wav|zˌastanˈavʲam ɕɛ, tʃɨ tɔ vɨstˈartʃɨ, bˈɨ skwˈɔɲitɕ stsˈɔtta dɔ dʑawˈaɲʲa. ɲʲˈɛma ʃˈans, ʒˈɛbɨ zɔbˈatʃɨw tɔ dɔmˈiɲik.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_31.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, jˈak lˈudʑɛ sˈɔbjɛ rˈadʑɔ̃ s takˈimi rˌɛvɛlatsjˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_24.wav|tsˈɔ takʲˈɛɡɔ rɔbʲˈiwa s tɨm tˌɛlɛfˈɔnɛm?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_102.wav|dlatʃˈɛɡɔ ktɔkˈɔlvʲɛk mʲˈawbɨ pˈaɲi ʃˈukatɕ pˈannɔ pˈɔrtɛr?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_119.wav|ɲʲɛ vˈɔlnɔ mi vɨjˈɛʒdʒadʑ z mʲˈasta, sˈam jˈuʃ ɲʲˈɛvʲɛm, tsˈɔː ˈɔtɨm mˈɨɕlɛtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_7.wav|jˈɛdna mˈɨɕl ɲʲˌɛustˈanɲʲɛ vˌɨbʲijˈawa ɕɛ pˈɔnat ˈinnɛ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_184.wav|jˌɛstɛɕ kɕˈɛɲtɕɛm dˈɔrnɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_64.wav|ɲʲɛ mˈɔɡɛ dwˈuʒɛj tˈak krˈɔ̃ʒɨtɕ pɔ parkˈiŋɡu. ktˈɔɕ f kˈɔɲtsu zvrˈutɕi nˈamɲʲɛ uvˈaɡɛ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_229.wav|tɔ tɨ ˈidʑ zˈamɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_639.wav|f pˈuw vˌɨprɔstɔvˈaɲi spɛwzˈaliɕmˌɨ f paɲˈitsɛ kˈu vˈɨjɕtɕu.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_312.wav|vzˈɨva fʃˈɨstkiɣ ɡˈɔdnɨx rɨtsˈɛʒɨ dɔ zˌapʃɨɕɛ̃ʒˈɛɲʲa ʒˈɨtɕa i mʲˈɛtʃa swˈuʒbjɛ ɕˈɛdmju.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_102.wav|pˈɔtɛm dɔtˈarli dɔ bjɛlˈɔnɛj stˈajɲi zˈɛ strˈɔmɨm...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_168.wav|jˈɛʃtʃɛ vˈɨjɕtɕ na plˈus.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_4.wav|pˌɔstanˈɔviw zvˈɔlɲidʑ bˈɛtskɨ z ˌɔbɛtsnˈɔɕtɕi nˈatɨh pʃˌɛswuxˈaɲʲax.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_99.wav|zɔstˈawɛm zraɲʲˈɔnɨ. uznˈawɛm, ʒˈɛ ɲʲɛ kˈɔxaʃ mɲʲɛ vˌɨstartʃajˈɔntsɔ, ʒˈɛbɨ zˈamɲʲɛ vˈɨjɕtɕ. bˌɨwɛm ʒawˈɔsnɨ, swˈabɨ, ˌalɛ nˈavɛt na xfˈilɛ ɲʲɛ pʃɛstˈawɛm tɕˈɛ kˈɔxatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_199.wav|pʃˌɨpɔmˈina sˈɔbjɛ, jˈak ɲʲˈus jˈɔ̃ pʃˈɛs pˈɛarsɔn strˈit w ulˈɛvnɨm dˈɛʃtʃu, jˈak jɛj matˈɔvɛ, ʃklˈistɛ ˈɔtʃɨ patʃˈɨwɨ na ɲʲˈɛɡɔ spˈɔt rˌɔsxɨlˈɔnɨx pˈɔvʲɛk.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_84.wav|jˌakikˈɔlvʲɛk rˈux.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_126.wav|ˈɛlis fsˈuva kˈartɛ dɔː ɔtfˈɔru i fprɔvˈadʑa pˈin.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_21.wav|tʃɨ ɔn mɲʲɛ ɕlˈɛdʑiw?|3
+Dataset/wavs/urwisko_ferenc/53_segment_127.wav|jˈɛɕli zˌawɔʒˈɨmɨ, ʒˈɛ pilˈɛfska w jˌakikˈɔlvʲɛk spˈɔsub brˈawa ˈudʑaw f pˌɔʃukivˈaɲʲaɣ ʒˈɔnɨ xˌudʑiɲskʲˈɛɡɔ,|0
+Dataset/wavs/urwisko_ferenc/19_segment_118.wav|— xudʑˈiɲski ˈɔtɨm vʲˈɛdʑaw? — zˌaintˌɛrɛsɔvˈawa ɕɛ xˈɛrman.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_209.wav|spɔɡlˈɔnda na bʲillʲˈɛɡɔ. jˈɛɕli ˈufaʃ mɲʲɛ, tɔ vɨstˈartʃɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_5.wav|jˈɛɕli ʒˈɔna kˌamɛrˈɔna mˈuvi prˈavdɛ, f sˌamɔxˈɔdʑɛ na parkˈiŋɡu ɲʲɛ zɡʲˈinɔw jɛj mˈɔ̃ʃ. a tsɔkˈɔlvʲɛk mˈɨɕlɔ̃ dʑˌɛnɲikˈaʒɛ, trˈudnɔ jɛst mi jɛj ɲʲɛ vʲˈɛʒɨtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_329.wav|mʲˈawabˌɨm zvˈalitɕ fʃˈɨstkɔ na trˈɔnda?|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_4.wav|tˈɛŋɡʲi ʃˈɛrɨ vʒˈutsa ɕɛ dɔː utɕˈɛtʃki, ɡˈubjɔnts sfˈuj ˌidjɔtˈɨtʃnɨ kɔvbˈɔjski kapˈɛluʃ. rˌɛpɔrtˈɛrka tˈɛʒ bjˈɛʒɛ nˈɔɡʲi za pˈas.|2
+Dataset/wavs/urwisko_ferenc/25_segment_13.wav|ˌɔkwamˈawɛʑ ʒˈɔnɛ. ɲʲɛ pˌɔvʲɛdʑˈawɛɕ jɛj, ɡdʑˈɛ jˈɛstɛɕ, stfʲɛrdʑˈiwa.|0
+Dataset/wavs/urwisko_ferenc/65_segment_203.wav|bˈɔjɛ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_376.wav|lˈadɨ marɡˈɛrɨ ˌuɕmʲɛxnˈɛwa ɕɛ dɔ ɲʲˈɛj pˌɨtajˈɔntsɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_68.wav|i pʃˈɨʃwɔɕtɕ ɲʲɛ vɨdˈajɛ ɕɛ jˈuʃ tˈaka pˈɛvna.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_17.wav|ˌiɡnɔrˈujɔnts mɲʲɛ, pʃˌɨɡɔtɔvˈujɛ drˈuɡɔ̃ ɔpˈaskɛ i zakwˈadam jˈɔ̃ na kˈɔstki.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_168.wav|tɔ bˌɨwɔ w dˈawntawn ˌɛlˈa. tɛn tʃwˈɔvʲɛɡ bˈɨw ʃˈɛfɛm vʲˈɛlkʲɛj fˈirmɨ dʒˈɛvnɛj, a ja pɔʃˈɛdwɛm tˈam pratsˈɔvatɕ jˈakɔ wadˈɔvatʃ.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_131.wav|dʑɛftʃˈɨŋka mʲˈawa jˈɛdnaɡ za mˈawɔ rɔssˈɔntku, ʒˈɛbɨ ɕɛ bˈatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_143.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_164.wav|a ɔn pˈatʃɨw, jˈak pɔrˈuʃa ɕɛ jɛj ɡˈardwɔ,|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_79.wav|smˌakɔvˈawɔ tɕˈi?|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_173.wav|rˈurka bˌɨwa tˈɛras jˈak swˈɔmka, pʃˈɛs ktˌurɔ̃ prˈuʒɲʲa vˌɨsɨsˈawa pɔvʲˈɛtʃɛ z vnˈɛntʃa kˈuli.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_71.wav|ɔbˈɛtsɲʲɛ mˌamɨ ɔtfˈartɔ̃ sprˈavɛ zˌaɡʲiɲʲˈɛɲtɕa, vʲˈɛnts fʃˈɛlkʲɛ ˌinfɔrmˈatsjɛ na tɛn tˈɛmad bˈɨwɨbˌɨ bˈardʑɔ tsˈɛnnɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_98.wav|jˈuʃ jˈɔ̃ mˈamɨ, pˌɔvʲɛdʑˈawa bˈɛtskɨ. jɛj samˈɔxut stˈaw na parkˈiŋɡu, na ktˌurɨm zˌamɔrdɔvˈanɔ jaɡˈɛra.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_65.wav|krˈaik pʃˈɛs kˈa|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_299.wav|prˈavɔ̃ fsˈunɔw f pˈɛntlɛ tˈartʃɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_204.wav|zɡubʲˈiwɛm pɔ drˈɔdʑɛ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_282.wav|ɔznˈajmiw sˈɛr bˌɔɲifɛrˈɔvi.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_67.wav|tʃˈɛʑdʑ bˈɔp, ʒutɕˈiwam na pˌɔvitˈaɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_119.wav|pɔtʃˈuwa, ʒˈɛ skˈinɔw ɡwˈɔvɔ̃. skʃɨdlˈatɨ rˈɨtsɛʃ ɕɛ ɲʲɛ bˈaw, ja tˈɛʃ ɕɛ ɲʲɛ bˈɔjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_81.wav|vɨpˈuʃtʃam pɔvˈɔli pɔvʲˈɛtʃɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_68.wav|xˈɛlɛn pˌɔwɔʒˈɨwa ɕɛ na wˈuʃku, ˌɔtswaɲʲˈajɔndʑ dwˈuɡʲɛ i pʲˈɛŋknɛ nˈɔɡʲi.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_455.wav|mjˈa zaxfʲˈawa ɕɛ i pʃɨspʲˈawa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_19.wav|ukrˈɨta za fawʃˈɨvɔ̃ tˌɔʃsamˈɔɕtɕɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_81.wav|pamjˈɛnta, ʒˈɛ kʲˈɛdɨ swˈɨʃaw, jˈak rˈɛikns ɔkwˈadaw pʲɛɲɕtɕˈami mˈamɛ, mˈɨɕlaw sˈɔbjɛ, bˈɔ plˈɛjɛ, bˈɔ plˈɛjɛ mˈamɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_24.wav|ɲʲˈɛxtsɛ ˈɔtɨm mˈuvitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_133.wav|— trˈilbɨ, jˈak tɛn kapˈɛluʃ pɔvʲˈɛdʑaw? — i mˈuɕaw vˌɨtwumˈatʃɨtɕ, tsˈɔ mʲˈaw na mˈɨɕli, bˈɔ bʲˈillɨ ˈudaw, ʒˈɛ ɲʲɛ xfˈɨta.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_5.wav|w mʲˈɛjstsu, dɔ kturˌɛɡɔ pˌɔpʃɨɕˈɛŋɡwam sˈɔbjɛ ɲʲɛ vrˈutɕitɕ pˈɔtɨm, jˈak pʃɛt lˈatɨ vɨʒˈutɕiw mɲʲɛ s prˈatsɨ tsamˈɛrɔn.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_164.wav|tɔ ɲʲɛ bˌɨwɔ pɨtˈaɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_356.wav|ˌalɛ tˈɛraz bˌɛɲdʑɛʃ mʲˈaw tfˈartʃɨ ˈɔʒɛɣ dɔ zɡrɨʑˈɛɲʲa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_364.wav|mˈarɨ, ˈɔtfuʒ dʒvˈi. mˈarɨ!|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_36.wav|ktˌuʒɨ nˌastɛmpnˈɛɡɔ dɲʲˈa vratsˈali dɔ vˌɨmjatˈaɲʲa bˌɔjɔvɲˈikuv z mʲˈasta, pˌɔvʲɛdʑˈawɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_195.wav|pˌamjɛntˈatɕɛ, jˈak pˌɔvʲɛdʑˈawam jˈin xˈu, ʒˈɛ vɨstˈartʃɨ ɔbˈɛjʒɛtɕ sˈɔbjɛ vidˈɔki s xˈali vˌidɔkˈɔvɛj?|4
+Dataset/wavs/urwisko_ferenc/54_segment_15.wav|ɲʲɛ, xˈɔtɕaʒ bˈɨwbɨm vdʑˈɛntʃnɨ, ɡdˈɨbɨ pʃˈɨswaw mi pˈan namjˈarɨ nˈatɨh spˈɛtsuf ɔd basˈɛnu.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_77.wav|dʒvˈi ˌɔtfɔʒˈɨwɨ ɕɛ pɔnˈɔvɲʲɛ i dɔ varʃtˈatu fʃˈɛd lˌɛvɔrˈɛntʃnɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_159.wav|kˈazaw ɡˈɔ pʃɛrˈɔbʲitɕ najlˈɛpʃɨm zˌɛɡarmˈistʃɔm w ɡɛnˈɛvʲɛ, tɕɔŋɡnˈɛwa dʑɛftʃˈɨna.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_5.wav|pʃɨtʃˈɨna stˈajɛ ɕɛ ˌɔtʃɨvˈista, kʲˈɛdɨ pɔxˈɨlam ɕɛ dɔ pʃˈɔdu i zˈɛrkam w ɡˈurɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_149.wav|pɔpˈatʃɨw nˈaɲʲɔ̃ pʃˈɛs xfˈilɛ, ɲˈim ˌupuɕtɕˈifʃɨ jˈɔ̃ na ʑˈɛmʲɛ,|0
+Dataset/wavs/urwisko_ferenc/08_segment_1.wav|w drˈɔbnɛj rˈaɲʲɛ vɛzbrˈawa krˈɔpla krfˈi, ktˌurɔ̃ spˈiw. ʒˌɛlazˈistɨ smˈaɡ vɨpˈɛwɲiw mu ˈusta.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_71.wav|inspˈɛktɔr rˈɔbʲinsɔn ˈalbɔ ja ˌɔsɔbʲˈiɕtɕɛ zˌapɔznˈamɨ ɕɛ z vˌɨɲikˈami awtˈɔpsji, a dɔ tɛj pˈɔrɨ pˈaɲi ˈɛdmundz bˌɛɲdʑɛ jˈuʃ mˈɔɡwa zˌidɛntˌɨfikˈɔvadʑ zvwˈɔki.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_150.wav|ɡdʑˈɛ bˌɨli krulˈɛfstsɨ rɨtsˈɛʒɛ, ɡdˈɨ dʑˈawɨ ɕɛ tɛ ʒˈɛtʃɨ?|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_112.wav|tɔ jˈɛʃtʃɛ jˈɛdna ˌumjɛjˈɛntnɔɕtɕ, jˈakɔ̃ ˌɔpanɔvˈawam f tˈamtɨx tʃˈasax. jˈak pwˈakatɕ, ɲʲɛ rˈɔbjɔndʑ zbɨtɲʲˈɛɡɔ xawˈasu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_67.wav|ˌalɛ ja ɡˈɔ zˌiɡnɔrɔvˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_240.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_135.wav|lˈɛpʲɛj, ʒˈɛbɨ lˈɔrd vˈaldɛr ɡˈɔ pʃˈɛʒɨw, bˈɔː inˈatʃɛj bˌɛɲdʑɛ pɔ frˈɛjax.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_64.wav|lˌɛvɔrˈɛntʃnɨ bˈɨw f tɨm pɔkˈɔju, bˈɔ...|4
+Dataset/wavs/urwisko_ferenc/56_segment_45.wav|kˈava bˌɨwa pˈɨʃna. ɲʲˈɛvʲɛm, tʃɨ ɲʲɛ zamˈuvjɛ kɔlˈɛjnɛj, jˈaɡ vrutɕˈimɨ. ˈuɲʲus pˈalɛts fskˌazujˈɔntsɨ i bˈardʑɔ ɕɛ zdʑˈiviw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_465.wav|xˈudʑi pˌɔlitsjˈaɲtɕi bjɛɡˈali pɔ kˌɔrɨtˈaʒaɣ zˌapinˈajɔnts pˈasɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_57.wav|tɨ mˈuɕiʒ bˈɨtɕ lˈutsɨ. tˈata mi ɔ tˈɔbjɛ ˌɔpɔvʲˈadaw.|4
+Dataset/wavs/urwisko_ferenc/46_segment_110.wav|minˈɛwɔ spˈɔrɔ tʃˈasu, mˈukw ɕɛ jˈuʒ zblˈiʒadʑ dɔ rɔɡˈufka|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_106.wav|zˌaʒutɕˈiwa sˈɔbjɛ ʃˈatɛ na ramjˈɔna i skinˈɛwa na dʑɛftʃˈɨŋki, nˌakazˈujɔnts im pˈɔdɛjʑdʑ blˈiʒɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_157.wav|a pˈɔtɛm ɕɛ na ɲʲˈɛɡɔ ʒutɕˈiwɛm i mɲʲɛ ɔdˈɛpxnɔw, ˌalɛ zˈaras fstˈawɛm i pɔbjˈɛɡwɛm dɔː ix pɔkˈɔju na kˈɔɲtsu pʃɨtʃˈɛpɨ i zatʃˈaswɛm za sˈɔbɔ̃ dʒvˈi.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_263.wav|ɡdˈɨ mɛlˈara ɕɛ ˌutɔpˈiwa, tsɛrsˈɛi zˌapɨtˈawa ˈɔtɔ sˈɛptɛ sˌaranˈɛllɛ.|1
+Dataset/wavs/urwisko_ferenc/35_segment_23.wav|zatʃɲˈijmɨ jˈɛʃtʃɛ rˈas.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_39.wav|ja prɔvˈadʑɛ, vʲˈɛnts xˈɔtɕaʃ rˈas tɔ mˈɔʒɛ vˈɨpitɕ tsˈɔ ɲʲˈɛtsɔ, ˌalɛ dʑɛŋkˈujɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_291.wav|sɔ̃ jˈakʲɛʑ vʲˈɛ̃ʑi z jɛj tˌajɛmɲˈitʃɨm bˈɨtɛm pɔzˈamnɔ̃, a ja jɛj jˈuʃ ɲʲɛ ˈɔddam.|0
+Dataset/wavs/urwisko_ferenc/64_segment_125.wav|tɔː ˈɔna?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_110.wav|ɲʲɛʒˈatkɔ ɕɛ zdaʒˈawɔ, ʒˈɛ ɔsˈɔba, ktˌura znalˈazwa tɕˈawɔ, ˌɔkazɨvˈawa ɕɛ zabˈujtsɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_6.wav|pʃɛtstˈavi mu jˈɛ kˈɛn xˈɔff.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_102.wav|miljˈardɛr vzrˈuʃɨw rˌamjɔnˈami.|4
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_15.wav|ˈalbɔ pˌɔzvɔlˈitɕɛ nˈam zatfʲˈɛrdʑitɕ prˈɔjɛkt, ˈalbɔ zˌapɔmɲˈijtɕɛ ɔː umˈɔvʲɛ nˈajmu ɡnˈɔjki.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_45.wav|ʃˈɛɕtɕ tɨɕˈɛntsɨ bɨwˈɔbɨ sˈupɛr, dʑˈɛŋki. zˈawuʃ kˈɔntɔ nˈa...|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_78.wav|jˈɛɕli vˈɨjʒɨ pʃˈɛs ˈɔknɔ, tɔ mˈuɕi uvʲˈɛʒɨtɕ, ʒˈɛ tɔ vwˈaɕɲʲɛ ɔn vrˈatsa dɔ dˈɔmu s pˈɔtʃtɨ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_299.wav|jˈaɡ dˈɔtɔnt ɲˈiɡd ɡˈɔ ɲʲɛ pˌɔinfɔrmˈɔvaw ɔ tfˈɔjɛj...|1
+Dataset/wavs/urwisko_ferenc/46_segment_26.wav|xˈɨba tˈak. vʲˈɛʃ, ʒˈɛ tɔ ɲʲˌɛlɛɡˈalnɛ. tsˈɔ takʲˈɛɡɔ? tɔ, tsˈɔː ˈɔbaj rˈɔbjɔ̃!|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_92.wav|vrɔɡˈɔvʲɛ nˈaʃɨɣ vrˈɔɡuf sɔ̃ naʃˈɨmi pʃˌɨjatɕˈuwmi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_70.wav|ɲʲˌɛspɔdʑɛvˈanɨ blˈask swˈɔɲtsa pɔmjˈɛndʑɨ xmˈur rɔsɕfʲˈɛtla vnˈɛntʃɛ rˈaŋɡɛ rɔvˈɛra. vˈidʑɛ tˌɨlkɔ tˈɨw ɡwˈɔvɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_21.wav|tˈak naprˈavdɛ tɕˈɛʃɛ ɕɛ, ʒˈɛ vrutɕˈiwam. awstrˈalja bˌɨwa pˈɛvnɨm dˌɔɕfʲattʃˈɛɲʲɛm, ˌɛpizˈɔdɛm na sfˈuj spˈɔsup.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_387.wav|pˌɔprɔvˈadʑiw mɲʲɛ kˌɔrɨtˈaʒɛm, ɡdʑˈɛ ˌastsɛtˈɨtʃɲi pˌɔlitsjˈaɲtɕi trɔntsˈali ɕɛ ʃklˌanɛtʃkˈami zˈɛ stˈadɛm malˈaʒɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_299.wav|dlatʃˈɛɡɔ tˈak mˈuviʃ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_118.wav|mˈuʃɛ zʒˈutɕitɕ kˈilka kˌilɔɡrˈamuf, vɨjˈaɕɲʲa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_104.wav|ɔn ɲʲɛ ʒˈɨjɛ, ˈanɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_33.wav|mˌamɨ strˈaʃ ˌɔxɔtɲˈitʃɔ̃, ˌalɛ dˈɨm i ˈɔɡʲɛɲ sɔ̃ tˈutaj tˈaɡ zabˈujtʃɛ, ʒˈɛ fʃˈɨstsɨ ˌɔxɔtɲˈitsɨ mˈuʃɔ̃ vʲˈɛdʑɛtɕ, jˈak uʒˈɨvatɕ ˌaparˈatuf ˌɔddɛxˈɔvɨx.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_159.wav|ˈalbɔ zˈɛ skrɔbjˈɛtɕi naklˈɛjki?|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_460.wav|mˈɔʒɛʒ ʒˈɨtɕ jˈakɔ pɔddˈanɨ ˈalbɔː ˈumʒɛtɕ jˈakɔ krˈul.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_347.wav|sˈɛr baˈɛlɔn sfˈann vʲˈɛʑɛ mi ɡwˈɔvɛ ɡˈurɨ.|1
+Dataset/wavs/urwisko_ferenc/12_segment_130.wav|ɲʲˈɛvʲɛm i ɲʲˈɛxtsɛ vʲˈɛdʑɛtɕ, tsˈɔ mˈɨɕli ɔ sˈɔbjɛ mˈatka, ktˈura, nˈɔ vʲˈɛtɕɛ, ktˌura zˌapɔmɲʲˈawa ɔ dʑˈɛtsku.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_525.wav|vʲˈɛʃ w jˈakiɣ varˈuŋkax, a ja bˌɨwam ɲʲˌɛpʃɨtˈɔmna.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_50.wav|tʃˈujɛ, jˈak tɕˈawkɔ mˈili ʃtɨvɲʲˈɛjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_60.wav|mˈam ɔxˈɔtɛ vɨtɕˈɔŋɡnɔɲtɕ rˈɛŋkɛ i vɨwˈɔntʃɨtɕ rˈadjɔ.|3
+Dataset/wavs/urwisko_ferenc/62_segment_46.wav|xˈɛrman ɲʲɛ vʲɛdʑˈawa, tsˈɔː ˌɔtpɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_128.wav|vrˈutɕiw na kʃˈɛswɔ lˈɔrda xɔstˈɛra, rɔzvˈinɔw mˈapɛ tridˈɛntu i pʃɨtɕˈisnɔw jˈɔ̃ zwˈɔtɔ̃ dwˈɔɲʲɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_86.wav|tɔ bˌɨwɔ bˈardʑɛj w mˈɔim stˈɨlu. ɲʲɛ mʲˈawam ˌaɲi xfˈili dɔ stratsˈɛɲʲa, ˌalɛ ɲʲɛ mˈɔɡwam pɔzvˈɔlitɕ, ʒˈɛbɨ tɛn ɡnˈɔjɛɡ znˈuf ɕɛ vˈɨmknɔw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_121.wav|sˈɛrtsɛ wɔmˈɔtʃɨ mi f pʲˈɛrɕi i ˈaʃ trˈudnɔ mi uvʲˈɛʒɨtɕ, ʒˈɛ ɲˈikt ˈinnɨ tˌɛɡɔ ɲʲɛ swˈɨʃɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_27.wav|mʲˈaw nadʑˈɛjɛ, ʒˈɛ ta ɔtpˈɔvʲɛtɕ ɔkˈaʒɛ ɕɛ vˌɨstartʃajˈɔntsɔ vʲˌarɨɡˈɔdna.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_64.wav|ɔstˈatɲʲɛ swˈɔva ɲʲˈɛmal vˌɨkʃɨkˈujɛ. i xˈɔdʑ dʒvˈi sɔ̃ pˌɔzamɨkˈanɛ, jˌɛstɛm pˈɛvna, ʒˈɛ mˈuj ɡwˈɔs swˈɨxatɕ f salˈɔɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_136.wav|jˈɛɕli spˈuʑɲiʃ ɕɛ xˈɔdʑbɨ z jˈɛdnɔ̃ zapwˈatɔ̃, natˈɨxmʲast spʃˈɛdaʃ ˈɔba dˈɔmɨ i zapwˈatɕiʒ dˌɔdatkˈɔvɔ za kɔlˈɛjnɨ rˈɔk ɔtsˈɛtɛk.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_115.wav|— vʲˈɛnts tɨ ɲʲˌɛnavˈidʑiʃ mɲʲɛ — pɔvʲˈɛdʑaw rˈɨan. — ɲʲɛ, mˈikɛ. ɲˈiɡdɨ tˌɛɡɔ ɲʲɛ tʃˈuwɛm, jˈɛɕli xˈɔdʑi ɔ tɕˈɛbjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_116.wav|kʲˈɛdɨ bˈaŋɡ zajmˈujɛ jˈɛɡɔː ɔstˈatɲʲɔ̃ zˌastavʲˈɔnɔ̃ ɲʲˌɛruxˈɔmɔɕtɕ, dʑˈɛtɕi trjumfˈujɔ̃ i fskakˈujɔ̃ mu na plˈɛtsɨ, skandˈujɔndʑ zˌɨɡuzɨɡˈuzɨk, pʃˈɛɡraw pʲˈus w mˈik.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_284.wav|xtsˈɛʃ nˈas ˌɔbrabˈɔvatɕ, dʑˈɛtskɔ?|1
+Dataset/wavs/urwisko_ferenc/39_segment_35.wav|tˌɨlkɔ tsˈuʒ vˈarta jɛst mˈiwɔɕtɕ, ktˌura bjˈɛʒɛ ɕɛ s pʲˈɛkwa vˌɨʒɔndʑɔnˈɛɡɔ bɛzbrˈɔnnɛj istˈɔtɕɛ? spɨtˈawa rˌɛtɔrˈɨtʃɲʲɛ raʃˈɛja.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_171.wav|ˈɔɡar skˈɔnaw w mˈɔix ramjˈɔnax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_45.wav|jˈɛɡɔ ɡwˈɔs jɛzd dˌɛlikˈatnɨ, ˌuvɔdʑitɕˈɛlski.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_30.wav|muɕˈɛli tˌɨlkɔ zdˈɔ̃ʒɨtɕ s pɔvrˈɔtɛm dɔ mʲˈasta pʃɛdˈɛmnɔ̃. pˈɔtɛm vˌɨstartʃˈɨwɔː ɔpstˈavitɕ fʃˈɨstkʲɛ ɕlˈuzɨ i tʃˈɛkatɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_300.wav|vidʑˈawɛm jɛj tˈak ɲʲˌɛzrɔzumjˈalɛ pʲˈɛŋknɨ prˈɔfil i tˈɛ...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_145.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_144.wav|pˈatʃɔnts na sfˈɔ̃ dwˈɔɲ i tʃˈujɔnts jˈɛʃtʃɛ tɕˈɛpwɔ jɛj tfˈaʒɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_3.wav|lˈudʑɛ stˈali f ʃɛrˈɛɡu ʑɛvˈajɔnts i rˌɔstɕɛrˈajɔnts rˈɛntsɛ, a vˌɨjɛʒdʒajˈɔntsɛ tɕˌɛ̃ʒarˈufki rˌɔsɕfʲɛtlˈawɨ iɣ zmɛntʃˈɔnɛ tfˈaʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_293.wav|ɲʲɛ mˈɔʒɛ mʲˈɛtɕ ˈaʃ|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_131.wav|vˈɔjna jɛst strˈaʃna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_119.wav|ˌalɛ tˈɛras fʃˈɨstkɔ bˌɛɲdʑɛ inˈatʃɛj, dʲˈidʲi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_109.wav|ktˌurɨx xtsˈɛʃ pɔʒˈɛɡnatɕ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_279.wav|jˈamɛ ɲʲɛ vʲˈɛdʑaw jˈɛdnak, tsˈɔ ftˈɛdɨ zrˈɔbʲi.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_121.wav|mˌamɨ ix tsˈawɛ mnˈustfɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_83.wav|ˌalɛ fkrˈuttsɛ ɕɛ zjˈavjɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_61.wav|zˌarɨzˌɨkɔvˈawam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_53.wav|ɲʲɛ mˈɔɡɛ jˈɛdnaɡ zˌarɨzɨkˈɔvatɕ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_52.wav|ftɕˈɔŋɡnɔw ɡvawtˈɔvɲʲɛ pɔvʲˈɛtʃɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_106.wav|ɲʲɛ ˌɔdrɨvˈawa ˈɔtʃu ɔt pˈul mˈartfɛj kˌukurˈɨdʑɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_96.wav|tɔː akˈurat ɲʲɛprˈavda.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_196.wav|vˈɛjdʑmɨ dɔ ɕrˈɔtka.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_23.wav|kˈit jˈuʒ dʑˈawa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_8.wav|ˈaʒ dˈɔbʒɛ pamjˈɛntaw samˈɔxut, xˈɔtɕ ɲʲɛ spˈɔjʒaw na tablˈitsɛ rˌɛjɛstratsˈɨjnɔ̃. ɡˈɔʒɛj bˌɨwɔ z ɔpˈisɛm pˌɔrɨvˈatʃɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_212.wav|ɔdvrˈutɕiw ɕɛ dɔ sfˈɔjɛj sˌɛkrɛtˈarki i pɔvʲˈɛdʑaw|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_560.wav|jˈak ˌɔdʑɛrˈanɨ zˈɛ skˈurɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_48.wav|prubˈujɛ sprˈavʲadʑ vraʒˈɛɲʲɛ spɔkˈɔjnɛj, kʲˈɛdɨ pɔtxˈɔdʑɛ blˈiʒɛj i kˈutsam pʃɨ ˈalfim.|3
+Dataset/wavs/urwisko_ferenc/38_segment_59.wav|ˈuvʲɛʃ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_102.wav|bˌɨwam dʑɛvˈitsɔ̃ i pˌɔtɕfʲadˈɔmjɛ uznˈawam, ʒˈɛ mˈɔʒɛ ˌɔtʃɛkˈivadʑ vʲˈɛntsɛj ɲˈiʃ pɔtrˈafjɛ mu dˈatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_146.wav|tʃˈas, ktˌurɨ spˈɛɲdʑiʃ na tʃɛkˈaɲʲu, ɲʲɛ mˈuɕi bˈɨtɕ tʃˈasɛm zmˌarnɔvˈanɨm. mˈɔʒɛʒ ɡˈɔ vˌɨkɔʒˈɨstatɕ, ʒˈɛbɨ zˈɨskatɕ ˌaktsɛptˈatsjɛ ˌɔtɔtʃˈɛɲʲa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_35.wav|ɲʲɛ xtɕˈawabˌɨɕ, ʒˈɛbɨ pʃˌɨjɛxˈali dɔ ʃkˈɔwɨ i zatʃˈɛli zadˈavatɕ tɕi pɨtˈaɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_149.wav|zˌapɨtˈawɛm tfˈɔix rɔdʑˈitsuf, tʃɨ mˈɔɡɛ spˈɛɲdʑitɕ s tˈɔbɔ̃ trˈɔxɛ tʃˈasu i jˈɔɛl zˌasuɡɛrˈɔvaw, ʒˈɛbɨɕmˌɨ vɨbrˈali ɕɛ na spˈatsɛr dɔː ɔɡrˈɔdu i tˈam pˌɔrɔzmavʲˈali.|3
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_128.wav|jˈasnɛ. ʒˈɨtʃɛ pˌɔvɔdʑˈɛɲʲa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_101.wav|mˈɔʒɛ pʃˈɛstɔ s tʃˈasɛm stˈaw ɕɛ ɲʲˈɛtsɔ mɲʲˈɛj ɔstrˈɔʒnɨ, ˌalɛ nˈatɔ bˈɨm ɲʲɛ lˈitʃɨw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_151.wav|tɔ ɲʲɛ mˈɔʒɛ ɕɛ ɲˈiɡdɨ pʃɨtrˈafitɕ mˈɔim dʑˈɛtɕɔm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_74.wav|prubˈujɛ ˌuspɔkˈɔitɕ ˈɔddɛx. vˈɨbatʃ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_196.wav|fˈalis ˌɔblizˈawa vˈarɡʲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_130.wav|tˌɛɡɔ ɲʲɛ pˌɔvʲɛdʑˈawɛm. ɲʲɛ uvˈaʒam, bˈɨ spˈɔrɨ bˌɨwɨ vˈinɔ̃ jˈɛdnɛj ɔsˈɔbɨ. stanˈɔvjɔ̃ ˌɔnɛ zvˈɨklɛ kˌɔmbʲinˈatsjɛ ˌɔkɔlitʃnˈɔɕtɕi i ˌɔsɔbɔvˈɔɕtɕi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_584.wav|kɔbjˈɛtsɛj, dʑɛftʃˈɛntsɛj urˈɔdɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_66.wav|vˌɨdavˈawɨ ɕɛ vˈartɛ rɨzˈɨka, vʲˈɛnts ˌɔpstavˈiwam.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_79.wav|dʑɛŋkˈujɛ. dʑɛŋkˈujɛ vʲˈɛltsɛ. kɕˈɛ̃ʒɨts jɛzd dˈuʒɔː atrˈaktsji.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_282.wav|ɔptɕˈɛra spɔtsˈɔnɛ wɨɕˈinɨ, zapˈala ɕɛ vɛ frɨzˈurax i bˈɨlɛ jˈakix ˌutʃɛsˈaɲʲax,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_52.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_80.wav|ix ɔdlˈɛɡwɛ ɡwˈɔsɨ bʒmʲˈawɨ ɲˈitʃɨm ʃˈum ˌudɛʒajˈɔntsɨx ɔ bʒˈɛk fˈal.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_68.wav|ɔn pˈɛvɲʲɛ mˈɨɕlaw f pɔdˈɔbnɨ spˈɔsup.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_54.wav|xundˈɛbawx pɔpˈatʃɨw na ɲʲˈɛɡɔ z rˌɔzbavʲˈɛɲʲɛm. kˈɔmu pˈan tɔ mˈuvi? pɔvʲˈɛdʑaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_424.wav|a ja mˈam dla pˈana prˌɔpɔzˈɨtsjɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_23.wav|pˈatʃɛ tɔmˈɔvi w ˈɔtʃɨ. ɲʲɛ mˈuʃɛ zadˈavadʑ ʒˈadnɨx pˈɨtaɲ, bˈɔ vʲˈɛm jˈuʃ, tsˈɔ zamjˈɛʒa mi pɔvʲˈɛdʑɛtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_114.wav|kupˈujɛ jˈɛdɛn, pwˈatɕi ɡɔtˈufkɔ̃ i ɕˈada na pʃɨstˈaŋku ˌawtɔbusˈɔvɨm, bˈɨ ɡˈɔː ˌuruxˈɔmitɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_79.wav|dˈawa dˈavn xfˈilɛ na pʃˌɛtravʲˈɛɲʲɛ tɨx swˈuf, jˈɛdnak ɲʲɛ ujʒˈawa ʒˈadnɛj rɛˈaktsji, vʲˈɛnts pɔdjˈɛwa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_9.wav|zamˈɨkam tɔrˈɛpkɛ w bˌaɡaʒɲˈiku i rˈuʃam w drˈɔɡɛ, tʃˈujɔnts pʃɨjˈɛmnɨ dˈɔtɨk xwɔdnˈɛɡɔ pʲˈasku na rɔzɡʒˈanɨx stˈɔpax.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_204.wav|tɛn ɡˈarbuz bˈɨw nˈajpʲɛrf tˈaʒan, sˈɔn ˈɔv dˈɛ jˈuŋɡlɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_98.wav|pˈɔvʲɛts mi prˈɔʃɛ, ɔ tʃɨm tɨ mˈuviʃ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_222.wav|ˈɛlis ɔmjˈata kˈuxɲʲɛ i sˈalɔn jɛnsˈɛnuf tˌaksujˈɔntsɨm spɔjʒˈɛɲʲɛm, jˈak tɔ kɔbjˈɛtɨ mˌajɔ̃ w zvɨtʃˈaju.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_261.wav|vwˈaɕɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_108.wav|ɡlˈinɨ jˈadɔ̃ pɔmˈawu, bˈɛs kˌɔŋkrɛtnˈɛɡɔ tsˈɛlu i bˈɛs pɔɕpʲˈɛxu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_195.wav|vwaɕtɕˈivʲɛ vˌɨtʃɛrpˈawɛm fʃˈɨstkʲɛ varjˈantɨ i ɲʲuˈansɛ tɛj ɡrˈɨ.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_174.wav|xrˈɔɲʲɔ̃ nˈas nˈaʃɛ mɔdlˈitfɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_369.wav|— pʃɨnˈajmɲʲɛj z mɔjˈɛɡɔ pˈuŋktu vidʑˈɛɲʲa. ja jˌɛstɛm xˈɔrɨ na pɔlˈiɔ. ɲʲɛ pʃɨjˈɛli mɲʲɛ dɔ vˈɔjska i ɲʲˈɛmam nˈavɛt prˈava jˈazdɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_54.wav|ɡdʑˈɛ ɡʲˈɔrɡjɔ? vrˈutɕiw dɔ vˈɛɡas?|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_152.wav|ɡdˈɨbɨʑ zadʑvˈɔɲiw dɔ jˈudɨ i pɔvʲˈɛdʑaw, ʒˈɛ maʒ dʑɛftʃˈɨnɛ f sˈam rˈaz dla ɲʲˈɛɡɔ, tˈakɔ̃ naprˈavdɛ vˌɨjɔntkˈɔvɔ̃...|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_80.wav|ˈɔmal ɲʲɛ pɔvʲˈɛdʑaw, ʒˈɛ im.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_70.wav|prˈɔʃɛ pɔvʲˈɛdʑɛtɕ, tʃɨ ktˌurɛkˈɔlvʲɛɡ z ɲˈiɣ vɨdˈajɛ ɕɛ pˈanu znajˈɔmɛ. rˈɔɡɛr jˈaɡɡɛr?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_62.wav|mˈɔɡwabˌɨɕ spˈɔjʒɛtɕ nˈatɔ zdjˈɛɲtɕɛ i pɔvʲˈɛdʑɛtɕ, tʃɨ jˈɔ̃ rˌɔspɔznˈajɛʃ? ɲʲɛ vidʑˈimɨ jɛj tfˈaʒɨ, ˌalɛ jˈɛɕli jɛst tɔ ktˈɔɕ, kˈɔɡɔ znˈaʃ, mˈɔʒɛ ˈuda ɕɛ jˈɔ̃ zˌidɛntˌɨfikˈɔvatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_128.wav|vɨstˈartʃɨ trˈɔxɛ rˈuʒu na pɔlˈitʃkax i ˌɔdrɔbʲˈina tˈuʃu, ʒˈɛbɨ ʒˈɛ̃sɨ dˈɔbʒɛ vˌɨɡlɔndˈawɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_91.wav|mˈɔʒɛ mʲˈawɔ mɲʲɛ jˈɛʃtʃɛ bˈardʑɛj dˈɔɕtɕ, ɲˈiʃ mi ɕɛ vˌɨdavˈawɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_23.wav|pamjˈɛntaʃ, jˈak tɕi muvˈiwam, ʒˈɛ mʲˈɛʃka dalˈɛkɔ, ˌalɛ pɛvnˈɛɡɔ dɲʲˈa mˈam nadʑˈɛjɛ tɕˈɛ z ɲˈim zapˈɔznatɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_286.wav|ˌuruxɔmˈiwam ɕˈilɲik.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_363.wav|tˈɔɲi, mˈuʃɛ ˈiɕtɕ. ɲʲˈɛvʲɛm, tʃɨ kʲˌɛdɨkˈɔlvʲɛk spɔtkˈaliɕmˌɨ ɕɛ w ʒˈɨtɕu, ˌalɛ tɔ ɲʲɛvˈaʒnɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_246.wav|i tfˈuj ɔfˈitsɛr tʃˈɨma ˈɔkɔ na tˈɔbjɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_91.wav|mwˌɔdɔtɕˈaɲi pˌɔlitsjˈaɲtɕi vɨvlˈɛkli jˈɔ̃ vrˈɛʃtɕɛ z naʃˈɛɡɔː arˈɛʃtu i zˌatʃasnˈɛli dʒvˈi.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_397.wav|tˈak tɕi ɕpʲˈɛʃnɔ dɔ tˈɛɡɔ, bˈɨ ɕɛ mɲʲɛ pˈɔzbɨtɕ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_47.wav|kʲˈɛdɨ dˌɔjɛxˈawam dɔ dˈɔmu, dɔmˈiɲik jˈuʃ spˈaw, ˌalɛ tˈɛras jɛst rˈanɔː i ɲʲɛ mˈɔɡɛ jˈuʃ uɲˈiknɔɲtɕ pˈɨtaɲ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_131.wav|ftɕisnˈɛwam mˈɔtsnɔ pˈɛdaw ɡˈazu.|3
+Dataset/wavs/urwisko_ferenc/38_segment_5.wav|bɔrˈɛvidʒ vbʲˈiw vzrˈɔk f xawˈupɛ z jasnˈɛɡɔ drˈɛvna, ˌɔttɕinajˈɔntsɔ̃ ɕɛ ɔd zˌatɕɛɲʲˈɔnɛj strˈɔnɨ lˈasu.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_132.wav|vˈaɡɔn pʃɨspʲˈɛʃaw tsˈɔraz bˈardʑɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_108.wav|ˌalɛ pˌɔvʲɛdʑˈawɛm ɲitskˈɔvi, ʒˈɛ pˈuʃtʃam tɔ w ɲʲɛpˈamjɛɲtɕ i muvˈiwɛm sˈɛrjɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_147.wav|xˈɔff ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_28.wav|kɔbjˈɛta kazˈawa jɛj jˈɛdnaɡ vˈɨpitɕ fʃˈɨstkɔ, bˈɛz ʒˈadnɨx spʃɛtɕˈivuf.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_400.wav|pˈɛtɛr baˈɛliʃ ɲʲɛ bˈaw ɕɛ ɲitʃˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_4.wav|na pɔkwˈadʑɛ ɲʲɛ bˌɨwɔ sɛptˈɔna, ktˌurɨ ɔdmˈuviwbˌɨ mɔdlˈitfɛ za zmˈarwɨx, vʲˈɛnts tɔ zadˈaɲʲɛ pʃɨpˈadwɔ sˌamuɛlˈɔvi tarljˈɛmu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_17.wav|ɲʲɛ, ɲʲɛ zrˈɔbʲiwbˌɨm tʃˈɛɡɔɕ takʲˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_88.wav|fskˈazaw rˈɛŋkɔ̃ na tɛlˈɛfɔn. zadʑvˈɔɲʲɛ dɔ ɲʲˈɛj i ˌɔna tˈu bˌɛɲdʑɛ za dvadʑˈɛɕtɕa mˈinut. ˌalɛ pɔ tsˈɔ sprˈavɛ stˈavʲatɕ tˈak?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_47.wav|bˈudʑɛ ɕɛ kaʒdˈɛɡɔ rˈana s pɔtʃˈutɕɛm vˈinɨ, a zˈaras pˈɔɲim pʃɛxˈɔdʑi fstˈɨt.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_21.wav|jˈɛɡɔ tfˈaʃ mʲˈawa ˈɔstrɛ rˈɨsɨ, a ɡwɛmbˈɔkɔː ˌɔsadʑˈɔnɛ ˈɔtʃɨ bˌɨwɨ brɔ̃zˈɔvɛ jˈaɡ bwˈɔtɔ.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_462.wav|ˌaɲi jˈɛʃtʃɛ nˌastɛmpnˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_86.wav|vidʑˈawɛm nˈaɲʲɛj dˌɛlikˈatnɨ ɕlˈat ˌɔpalɛɲˈiznɨ, ktˌurɨ pˌɔvɔdˈɔvaw, ʒˈɛ ɲʲˈɛma w ɲʲˈɛj ʒˈadnɨɣ zjˈavisk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_13.wav|vˌɨbjɛʒˈɛmɨ tsˈɔʑ z mˈɛnu, a pˈɔtɛm ktˈɔɕ nˈam tɔ pʃɨɲʲˈɛɕɛ dɔ pɔkˈɔju. tsˈɔː ˈɔtɨm mˈɨɕliʃ, ˈalfjɛ?|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_273.wav|vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/urwisko_ferenc/10_segment_22.wav|lˈipstsɨ tˈɛʒ dˌɔkɔnˈali fpwˈatɨ, inˈatʃɛj ɲʲɛ mˈɔɡlibˌɨ ɕɛ tˈam pɔkˈazatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_229.wav|jˈuʃ kʲˈɛdɨ bˌɨwam mˈawɔ̃ dʑɛftʃˈɨŋkɔ̃, mˈuj ˈɔjtɕɛts ɕɛ z ɲˈim pʃɨjˈaʑɲiw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_48.wav|ja ɲʲɛ jˌɛstɛm jˈɛɡɔ znajˈɔmɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_38.wav|pˌɔɡwaskˈawa ɡˈɔ pɔ ramjˈɛɲʲu i ɕɛ ˌuɕmʲɛxnˈɛwa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_246.wav|pʃˌɛtɕɛʒ vʲˈɛʃ, ʒˈɛ mˈam ˈɛstɛr. tʃɨ ɲʲɛ mˈɨɕliʃ, ʒˈɛ ˈumjɛm tʃˈutɕ tˈak jˈak tˈɨ?|0
+Dataset/wavs/urwisko_ferenc/42_segment_64.wav|vˌɨdavˈawɔ mu ɕɛ nˈavɛt, ʒˈɛ w ˈɔkɲʲɛ kˈuxɲi nad zazdrˈɔstkɔ̃ pˌɔjavˈiwa ɕɛ tfˈaʃ kɔbjˈɛtɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_25.wav|vʲɛdʑˈawɛm, ʒˈɛ ˈammar ɲʲˈɛxtɕawbˌɨ krˌadʑɔnˈɛɡɔ. zrˈɛʃtɔ̃ kˈupiʃ mi nˈɔvɨ. nˈɔ jˈasnɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_127.wav|a sˈam jˈuʃ fspɔmɲʲˈawɛɕ, ʒˈɛ bˌɛɲdʑɛʃ mˈuɕaw jˈakɔɕ jˈɔ̃ vˈɛspʃɛtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_107.wav|pʃɛt snˈɛm ustˈavja bˈudʑik f tˌɛlɛfˈɔɲʲɛ, xˈɔdʑ vʲˈɛ, ʒˈɛ ɲʲɛ bˌɛɲdʑɛ pɔtʃˈɛbnɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_152.wav|pˌɔtʃɛbɔvˈawam tˌɛɡɔ tlˈɛnu, ʒˈɛbɨ zrˌɛalizˈɔvatɕ pɔtstˈɛmpnɨ plˈan.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_58.wav|xˈɔtɕ tˈɔm ɔɕˈɔŋɡaw sfˈɛɡɔ tʃˈasu ɲʲˈɛzwɛ rˌɛzultˈatɨ w bjˈɛɡax, ʃˈɨpkɔ ɕɛ zˌɔrjɛntˈɔvaw, ʒˈɛ tˈamtɛn im utɕˈɛka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_89.wav|bʲˈillɨ vʲˈɛ tˈɛʃ, tsˈɔ krˈɨjɛ ɕɛ pɔt skrˈutɛm stsˈɔts. sɔˈutxɛrn tsultˈurɛ ɔn dˈɛ skˈits, ˌulubjˈɔnɨ zˈɛspuw butskʲˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_214.wav|pˈɔvʲɛts jɛj, ʒˈɛ jˈɛɕli pɔ pˈaru dɲʲˈax sˈam zdˌɛtsɨdˈujɛʃ, ˈilu ɲʲˈɛdaʒ znˈaku ʒˈɨtɕa, pɔvˈinna vrˈutɕitɕ tˈutaj.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_361.wav|kˈarmi rˈɨbɨ na dɲʲˈɛ ʑɛlˈɔnɨɣ vˈidɛw.|1
+Dataset/wavs/urwisko_ferenc/19_segment_30.wav|ɲʲˈɛma ˌaɲi swˈɔva.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_71.wav|ˌɔdɛrvˈawam vzrˈɔk ɔt mˌɔɲitˈɔra, ʒˈɛbɨ zɔbˈatʃɨtɕ, tsˈɔ spravˈiwɔ, ʒˈɛ jˈɛɡɔː ˈumɨsw ɕɛ zavʲˈɛɕiw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_3.wav|rˌɔstʃarɔvˈawaɕ mɲʲɛ, ˈindjɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_91.wav|i pxnˈɔ̃fʃɨ pʃˌɛpustɲˈitsɛ, zvʲˈɛŋkʃɨw ɔbrˈɔtɨ i pɔtkrˈɛɲtɕiw ɲʲˈɛtsɔ trˈim ˌɛlɛvatˈɔra w ɡˈurɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_78.wav|ɲʲɛ mʲˈawam vˌɔntplivˈɔɕtɕi, ʒˈɛ ɲˈikt mɲʲɛ tˈutaj ɲʲɛ vˈɛspʃɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_241.wav|ˌɔbɛjʒˈawam ɕɛ na ɲʲˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_236.wav|pʃˌɨsunˈɛwam ɡʲˈizmɔ dɔ tʃɨtɲˈika i ˌɔtfɔʒˈɨwam dʒvˈi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_187.wav|ɲʲɛ dɔkˈɔɲtʃɨw. ˌɔdvrutɕˈili ɕɛ ˈɔbaj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_123.wav|ɲʲɛ dʑˈivjɛ ɕɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_16.wav|plˌanɔvˈawɛm zadʑvˈɔɲidʑ z drˈɔɡʲi, ʒˈɛbɨ pɔvʲˈɛdʑɛtɕ, ʒˈɛ fpˈadnɛ f pˌɔɲʲɛdʑˈawɛk i ɔtpˈɔvʲɛm na pɨtˈaɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_200.wav|tˈak, mˈuj, ˈɔtpar trˈɔxɛ skˌɔnstɛrnɔvˈanɨ mitskʲˈɛvitʃ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_43.wav|pɔskˈarʒɨw ɕɛ tˌaɡanˈarɔ f pʃˈɛrvʲɛ mʲˌɛndʑɨ pˌɔxwaɲʲˈaɲʲɛm mˈawʒɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_136.wav|sfɔbˈɔda pɔmˈaxaw dɔː ˌɔɡrɔdɲˈika. — xˈɛj, mɨ ɕɛ znˈamɨ! — zvrˈutɕiw ɕɛ dɔ ɲʲˈɛɡɔ. — pˈan mˈa na ˈimjɛ mˈikɛ, prˈavda?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_63.wav|ˈalbɔ ɲʲˈɛx pˈan mˈɔʒɛ pamjˈɛnta ɔ ɲˈix, pʃɨdˈadʑɔ̃ ɕɛ pˈanu w ɲʲɛdwˈuɡʲim tʃˈaɕɛ. dvˈa swˈɔva.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_53.wav|pˌɔtʃɔntkˈɔvɔ ɡrˈawam ɔstrˈɔʒɲʲɛ, prubˈujɔnts sˈɔbjɛ pʃɨpˈɔmɲʲɛtɕ, jˈak tɔ fʃˈɨstkɔ dʑˈawa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_50.wav|ɲˈikt ɕɛ ˈɔtɨm ɲʲɛ dˈɔvʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_93.wav|ˈɛlis xfˈɨta jˈɛɡɔ rˈɛŋkɛ i ɔɡlˈɔnda jˈɔ̃. na dwˈɔɲi ɲʲˈɛma krfˈi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_35.wav|zavrˈatsa pitskˈupɛm i jˈuʃ mˈa vʒˈutɕitɕ pʲˈɛrʃɨ bjˈɛk, kʲˈɛdɨ bˈutskɨ mˈaxa rɛŋkˈami na znˈak, ʒˈɛbɨ pɔtʃˈɛkaw i pɔtxˈɔdʑi dɔː ˈɔkna ɔt strˈɔnɨ pˌasaʒˈɛra.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_170.wav|ɕˈɔstrɔ?|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_443.wav|a dlatʃˈɛɡɔ mʲˈawbɨm tɔ zrˈɔbʲitɕ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_87.wav|i swˈɨxadʑ bˌɨwɔː ɔdvʲˈɛtʃnɔ̃ ɡˈɛɲdʑbɛ ptˈatstfa w ɡwˈɛmbʲi bˈɔru.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_118.wav|z vʲˈɛlkim zapˈawɛm pˌɔʃukivˈaliɕmˌɨ prˈavdɨ.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_190.wav|baɲˈitɕi?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_57.wav|vɨjˈaɕɲʲam tɔmˈɔvi. w ubjˈɛɡwɨm tɨɡˈɔdɲʲu znalˈazwam jˈɛdnak tsˈɔɕ jˈɛʃtʃɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_125.wav|pɔdˈɛʃwam dɔ najblˈiʃʃɛj ʃˈafki i pʃˌɨwɔʒˈɨwam ɡʲˈizmɔ dɔ tʃɨtɲˈika.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_82.wav|nˈɔ, ˌɔkɔlˈitsa ɲʲɛ jɛst najlˈɛpʃa, jˈak sˈam pˈan vˈidʑi, a dɔ nˌajbliʃʃˈɛɡɔ sˌupɛrmarkˈɛtu mˌamɨ tʃˈɨ kˌilɔmˈɛtrɨ, ˌalɛ z mˈɛ̃ʒɛm ɲʲɛ nˌaʒɛkˈamɨ.|2
+Dataset/wavs/urwisko_ferenc/33_segment_11.wav|ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ ɔttɕˈɛlibˌɨ tsˈurki ɔt pʲɛɲʲˈɛndʑɨ, ˌalɛ znalˈɛʑlibˌɨ ˈinnɨ spˈɔsup, bˈɨ zˈadbatɕ ˈɔɲʲɔ̃ i vnˈutʃkɛ, a pɔmˈinɔɲtɕ ɔlɡʲˈɛrda.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_54.wav|nˈɔts spɛɲdʑˈiwam spɔkˈɔjɲʲɛ, a nˌastɛmpnˈɛɡɔ rˈaŋka ɲʲɛ zˈɛʃwam na ɕɲʲadˈaɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_281.wav|bˈɨtɕ mˈɔʒɛ...|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_105.wav|fstʃˈɨmaj ɕɛ, mˈirza!|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_80.wav|tˈak jˈak tɔ bˌɨwɔ f pʲˌɛrdɔlɲˈiku.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_37.wav|tˈak mɲʲɛ vˈitaʃ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_92.wav|dʑˈɛɲ dˈɔbrɨ, bˈɛtskɨ. rˈɔp.|3
+Dataset/wavs/urwisko_ferenc/22_segment_26.wav|i pˌɔmɨɕlˈɛli, ʒˈɛ zrɔbʲˈiwɛm ix f xˈuja, ʒˈɛ dˌɔpuɕtɕˈiwɛm dɔ klˈubu lˈudʑi, ktˌuʒɨ ɲˈiɡdɨ ɲʲɛ pɔvˈinɲi ɕɛ dɔ ɲʲˈɛɡɔ dˈɔstatɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_200.wav|ˌuzalɛʒɲʲˈɛɲʲɛ pˌɔzbavʲˈɔnɛ kɔntrˈɔli rˌatsjɔnˈalnɛj.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_28.wav|lˈɔrt rˈɔzbɨ i lˈɔrd ɡrˈandʲisɔn rˈuvɲʲɛʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_8.wav|tˈɔm ɕɛ uɕmʲˈɛxnɔw, rˌɛɡulˈujɔnts pˌɔwɔʒˈɛɲʲɛ mˌɔɲitˈɔra. vʲˈɛdʑaw, ʒˈɛ zˈɛspuw pʃˈɨjʒaw ɕɛ jˈuʃ fˈirmʲɛ naˈila, jɛj çistˈɔrji i vartˈɔɕtɕi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_117.wav|tɔ, tsˈɔ muvˈiwɛɕ ɔ latˈaɲʲu i ˌutʃtɕivˈɔɕtɕi, ja tɔ fʃˈɨstkɔ swɨʃˈawɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_92.wav|mʲˈawa jˈɛdnak rˈatsjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_130.wav|pʲˈɛrʃɨm tsˈɔ vˈidʑi jɛst j��j prˈavɔ jˈazdɨ. vˈɛdwuk ɲʲˈɛɡɔ nazˈɨva ɕɛ ˈɛlis mˈaɡzvɛll i pɔxˈɔdʑi s kˈiŋkstɔn w rxˈɔdɛ ˈislant.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_129.wav|ɲʲˈɛx pˈan pʃˈɛɕpi tɔ sfˈɔjɛ zmartfʲˈɛɲʲɛ, ktˌurɛ i tˈak rɔzvʲˈɔ̃ʒɛ pˈan bˈuk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_158.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ tˈak.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_61.wav|tˈɛssa ɔdɲʲˈɔswa vraʒˈɛɲʲɛ, ʒˈɛ jɛst tɔ pɨtˈaɲʲɛ, ktˌurɛ ʃˌɨkɔvˈali sˈɔbjɛ ɔt xfˈili, kʲˈɛdɨ vˈɛʃwa dɔ tˌɛɡɔ pˌɔmjɛʃtʃˈɛɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_106.wav|nˈawuʃ jˈɔ̃ nˈatɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_148.wav|mˈɔɡwabˌɨm sprˈavitɕ, ʒˈɛbɨ tˈam bˈɨw. nˈavɛd zalˈudɲidʑ ɡˈɔ duxˈami, ɡdˈɨbɨm xtɕˈawa.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_272.wav|mˈuvi, ʒˈɛ dɔdˈawɛɕ mu dɔ mlˈɛka tʃˈɛɡɔɕ pˌaskudnˈɛɡɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_68.wav|ɡdˈɨbɨm zˈaʃwa f tɕˈɔ̃ʒɛ,|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_446.wav|mɛ̃ʃtʃˈɨzna, ktˌurɨ ɕɛ z ɲʲˈɔ̃ ɔʒˈɛɲi, bˌɛɲdʑɛ vwˈadaw dˈɔrn ˈu jɛj bˈɔku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_157.wav|rˈuʃa dɔ dʒvˈi. dʑɛftʃˈɨna ˈɛlis pˌɔjɛŋkˈujɛ, rˌɔspatʃlˈivʲɛ, ʒawˈɔɕɲʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_276.wav|jˈak tɨ mˈɔʒɛʃ s tɨm ʒˈɨtɕ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_281.wav|rˈɨan uɕmʲˈɛxnɔw ɕɛ dʑˈivnɨm, mˈartfɨm uɕmʲˈɛxɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_129.wav|ˈɛlis xˈɨba rɔzˈumjɛ, bˈɔ pˈatʃɨ na ɲʲˈɛɡɔ vɨmˈɔvɲʲɛ, kˈiva ɡwˈɔvɔ̃, pɔ tʃɨm pʃɛvrˈatsa ɕɛ na bˈɔk i zamˈɨka ˈɔtʃɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_67.wav|i mˈɨɕli, ʒˈɛ tɔ mˈɔʒɛ mʲˈɛtɕ rˈɛntsɛ i nˈɔɡʲi.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_96.wav|ɲʲɛ spˌɔdʑɛvˈawam ɕɛ, ʒˈɛ vrˈutɕiʃ tˈak ʃˈɨpkɔ, pˌɔvʲɛdʑˈawa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_87.wav|tsamˈɛrɔn dˈaw mi tʃˈaz dɔ ɕfʲˈɔnt.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_27.wav|ɲʲɛ mʲˈawa ɲikˈɔɡɔ f sfˈɔim ʒˈɨtɕu.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_315.wav|ˈɔstrɨ jˈak ɕfʲadˈɔmɔɕtɕ pˌɔɲʲɛɕˈɔnɛj klˈɛ̃ski.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_367.wav|a s tarˈasuf i vʲˈɛʒ zvisˈawɨ pʃˌɨpɔmˌinajˈɔntsɛ krˌɨʃtawˈɔvɛ vwˈutʃɲʲɛ sˈɔplɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_302.wav|vˌɨmɨɕlˈimɨ tɕi nˈɔvɛ. pɔ tsˈɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_138.wav|tɕˈɛʃɛ ɕɛ, ʒˈɛ sˈama dˈɔʃwaʑ dɔ tˌɛɡɔ vɲʲˈɔsku, ˈindjɔ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_126.wav|ɡdˈɨ jˈamɛ ʒˈɛɡnaw ɕɛ z lˈadɨ amˈɔrɨ, dʑɛftʃˈɨna pwakˈawa tɕˈixɔ nat rɔspˈadɛm sfˈɛɡɔ mawʒˈɛɲstfa, pˌɔzvalˈajɔnts, bˈɨ pɔtɕˈɛʃaw jˈɔ̃ lˈikɛ krˈaik xˈɔl.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_78.wav|natxˈɔdʑi tʃfˈarta kˈarta.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_50.wav|zˈɛ fʃˈɨstkix strˈɔn vɛndrˈɔftsuf ˌɔtatʃˈawɨ bwˈɔta.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_41.wav|wˈukaw tˈaɡ ɡwˈɔɕnɔː i rˌɔspatʃlˈivʲɛ, ʒˈɛ tsˈawɛ jˈɛɡɔ tɕˈawɔ ɕɛ tʃˈɛ̃swɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_26.wav|maʃ mˈɔʒɛ ˌaspirˈɨnɛ?|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_91.wav|marɡˈarɨ ɲʲɛ spravʲˈawa vraʒˈɛɲʲa zˌaskɔtʃˈɔnɛj.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_69.wav|vʲˈɛm, ʒˈɛ f tˈakʲɛj sˌɨtuˈatsji zɔstˈaɲʲɛ tʃˈɛɲɕtɕɔ̃ nˈaʃɛj rɔdʑˈinɨ. ɲʲɛvˈinnɛ dʑˈɛtskɔ zˌaswuɡˈujɛ na mˈiwɔɕtɕ, ɲʲˌɛzalˈɛʒɲʲɛ ɔt tˈɛɡɔ, tsˈɔ zrɔbʲˈiwa jˈɛɡɔ mˈatka.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_120.wav|brˈad ɡʲˈillam zdjˈɔw kˈaptur.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_8.wav|jˈak sˈɔɲdʑiʃ, dlatʃˈɛɡɔ ɕɛ tɨm zajmˈujɛ? awtˈɔpsja mˈɔʒɛ pɔvʲˈɛdʑɛtɕ tɕi vʲˈɛntsɛj na tˈɛmat tˈɛɡɔ, tsˈɔ ɕɛ stˈawɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_147.wav|trˈɔmba zˈasnɔw na ɕɛdʑˈɔntsɔ w vɨsˈɔkʲɛj trˈavʲɛ kˌarɔlˈinɨ pˌɔwudɲʲˈɔvɛj i ˈupʲur ˈuklɔŋkw pʃˈɛdɲim, pɔ tʃɨm rˈɨknɔw mu f tfˈaʃ, ʒˈɛbɨ ɡˈɔː ɔbˈudʑitɕ. — nudʑˈitɕɛ ɕɛ, ʒɔwɲʲˈɛʒu?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_15.wav|ɲˈikt ɲʲɛ ˌɔtpɔvʲˈada?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_48.wav|ˌɔɲi sɔ̃ ɲˈimi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_38.wav|kʲˈɛdɨ zˌarɨzˌɨkɔvˈawam kɔlˈɛjnɛ spɔjʒˈɛɲʲɛ, ɔn ftɕˈɔ̃ʃ pˈatʃɨw.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_216.wav|pˌɔmɨɕlˈawa dʑɛvˈitsa stˈartu, ɡdˈɨ stˈarʃɨ brˈat pˈɔtʃɛd dɔ ɲˈix, bˈɨ uɕtɕˈiskatɕ sɛptˈɔna mˌaribˈalda i pɔɡwˈaskatɕ psˈa.|1
+Dataset/wavs/urwisko_ferenc/64_segment_128.wav|ˈɔtsknɔw ɕɛ. pɨtˈawɛm, tʃɨ tɔː ˈɔna, tʃɨ xudʑˈiɲska.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_104.wav|ja ɲʲɛ dɔstˈanɛ.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_114.wav|zadrʒˈawa, swˈɨʃɔnts nˌatartʃˈɨvɨ dʑvʲˈɛŋk. tʃˈɨʒbɨ zˌaatakˈɔvaw nˈas kɔlˈɛjnɨ tˈɨɕɔnts ɔkrˈɛntuf?|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_92.wav|ˈɔtpar jˈamɛ z ʑˈimnɔ̃ ˌupʃɛjmˈɔɕtɕɔ̃. mˈuɡwbɨm ˈɔtɔ sˈamɔ zapˈɨtatɕ tɕˈɛbjɛ, pˈaɲi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_25.wav|mˈɔʒɛ ɲʲɛ rɔzˈumjɛʃ, jˈɔɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_45.wav|tsˈɔ pˈɛvʲɛn tʃˈaz vɨɕˈada i udˈajɛ, ʒˈɛ sprˈavdʑa pʃˌɛvɔʒˈɔnɨ ˌɛkfipˈunɛk, w ʒˌɛtʃɨvistˈɔɕtɕi jˈɛdnak xtsˈɛ tˌɨlkɔ rˌɔsprɔstˈɔvatɕ nˈɔɡʲi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_412.wav|pˌɔzdrɔvˈiwɛm ɲʲɛɕmʲˈawɨ pˈɛmpɛk, jˈak mˈawa brˈɔʃka s pˈɛrwɔ̃.|0
+Dataset/wavs/urwisko_ferenc/47_segment_59.wav|ɲʲɛ bɛwkˈɔtaw ˌaɲi ɕɛ ɲʲɛ jˈɔŋkaw, ˌalɛ vˌɨɡadˈɨvaw ɲʲˌɛstfɔʒˈɔnɛ ʒˈɛtʃɨ. ɲʲɛ swɨʃˈawa ɲˈits ˈɔtɨm, bˈɨ ˈɔlɡʲɛrd za jɛj plɛtsˈami rˈɔbʲiw tsˈɔʑ dla prˌɔkuratˈɔra.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_315.wav|krulˈɔva kˈilka rˈazɨ vˌɨrazˈiwa zɡˈɔdɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_55.wav|fprɔvˈadʑɛ pˈaɲʲɔ̃ dɔ ɕrˈɔtka.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_39.wav|vɨbˈatʃɨʃ mi, jˈɛɕli pˈujdɛ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_541.wav|fʃˈɨstkɔ rˈazɛm ʃˌamɔtˈawɔ ɕɛ w mˈɔjɛj ɲʲɛ dɔ kˈɔɲtsa zˌaɡɔjˈɔnɛj ɡwˈɔvʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_55.wav|vrutɕˈiwɨ tɕˈɛmnɛ pwˈaʃtʃɛ pʃˌɛtɕivdɛʃtʃˈɔvɛ i na vɨstˈavax ɲʲˈɛma jˈuʃ jˈasnɨx lˈɛtɲix sukʲˈɛnɛk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_211.wav|kʲˈɛdɨ fɕˈada dɔ ʃɔfˈɛrki, mˈɛrx ˌɛmtsˈɛ ˈintɔʒ zatʃˈɨna dɔbʲˈijatɕ ɕɛ dɔ brˈamɨ i kʃˈɨtʃɛtɕ xˈɛj, xˈɛj, tɔ sˈummɛrs! f tɨm vˈɔʑɛ jɛst sˈummɛrs!|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_14.wav|brˈat nˈarbɛrt i ˈinnɨ ɡvˈardjan|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_79.wav|ˌalɛ na pamjˈɔntkɛ zɔstˈaɲʲɛ mi ˌimpɔnujˈɔntsa blˈizna, dɔ kɔmplˈɛtu z urvˈanɨm dˈuʒɨm pˈaltsɛm ˈu nˈɔɡʲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_97.wav|dɔ tʃɛtɕˈɛɡɔ bʲˈisu vʲˈɛŋkʃɔɕtɕ tˌɨlkɔ pˌɔruʃˈawa ustˈami, pˈɔtɛm jˈuʒ znˈali swˈɔva.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_191.wav|ta brˈanʒa mˈa ɔɡrˈɔmnɔ̃ kljɛntˈɛlɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_105.wav|znˈuf ɕɛ uɕmʲˈɛxnɔw.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_76.wav|jɛj dˈavnɨ pʃɨjˈatɕɛl i ɔbrˈɔɲtsa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_71.wav|pʃɨnˈajmɲʲɛj na rˈaʑɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_148.wav|ˈalbɔː uɕˈɔɲdʑɛʃ sˈɔbjɛ z drˈuɡʲɛj strˈɔnɨ dʒvˈi.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_166.wav|prɔstˈatʃkɔm tɔ ɕɛ spɔdˈɔba.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_83.wav|xˈɔdʑ bˌɨwɔ jˈuʃ pˈuʑnɔ, vˌartɔvɲˈitsɨ natˈɨxmʲast fpuɕtɕˈili tsɛrsˈɛi dɔ ɕrˈɔtka. vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_49.wav|tsɔkˈɔlvʲɛk tɔ bˈɨwɔ, ɲʲɛ nˌalɛʒˈawɔ dɔ pʃɨjˈɛmnɨx.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_257.wav|kʲˈɛdɨ ˈumʒɛ,|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_347.wav|pˈɔttʃas kɔlˈɛjnɛj kɔmpʲˈɛli muvˈiwa ɔ sfˈɨx ˌuvʲɛ̃ʑˈɔnɨx pʃˌɨjatɕˈuwax, ʃtʃɛɡˈulɲʲɛ ɔ ɡarˈiɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_82.wav|ˌalɛ pʃˌɛtɕɛʃ miljˈardɨ lˈudʑi ɔ tsˈɔɕ ɕɛ mˈɔdlɔ̃ f tɛj xfˈili. ktˈɔ mˈa spˈɛwɲitɕ tɛ nˈaʃɛ ʒɨtʃˈɛɲʲa?|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_165.wav|tʃˈɛba bˌɨwɔ ɕɛ pˈɔddatɕ.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_86.wav|xˈɨba, ʒˈɛ na tʃˈɛlɛ bˈandɨ lˈudʑi vɨjˈɛntɨx spˈɔt prˈava.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_204.wav|zˈabjɛʃ mˈuj samˈɔxut.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_91.wav|bʲˈillɨ fxˈɔdʑi na jˈɔu tubˈɛa i fpisˈujɛ w ɔkʲˈɛŋkɔ vˌɨʃukivˈaɲʲa stsˈɔtts kˈɔntʃɛrt skˈippɛrs smˌɔkɛxɔˈusɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_2.wav|fxˈɔdʑi dɔ pɔkˈɔju i tˈɛraz vˈidʑɛ ɡˈɔ vɨrˈaʑɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_46.wav|tʃˈujɛ lˈɛkki ɲʲɛpˈɔkuj.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_90.wav|uɕmʲˈɛxa ɕɛ dɔ mɲʲɛ, a jˈɛɡɔː ˈɔtʃɨ mˈarʃtʃɔ̃ ɕɛ f kɔɲtɕˈikax.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_367.wav|mˈɔʒɛʒ ɡˈɔ zˈabʲitɕ, pˌɔtsawˈɔvatɕ ˈalbɔ pɔmˈɔdlitɕ ɕɛ rˈazɛm z ɲˈim, jˈaɡ zˈɛxtsɛʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_17.wav|pˈaɲi xˈɨba w ɔɡˈulɛ ɲʲˈɛvʲɛ, ɔ tʃɨm ja mˈuvjɛ. ɔ bˈɔʒɛ, a ja mɨɕlˈawam, ʒˈɛ tɔ fʃˈɨstkɔ ɕɛ zˈaras skˈɔɲtʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_482.wav|stˈɔki pʃɛpˈaɕtɕi ˌɔpadˈawɨ ˈɔstrɔ pɔː ˈɔbu strˈɔnax. pɔt nɔɡˈami mʲˌɛli lˈut i kamjˈɛnnɛ ɔkrˈuxɨ, f kˈaʒdɛj xfˈili ɡɔtˈɔvɛ ɕɛ ˈɔmsknɔɲtɕ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_33.wav|ta ɔtpˈɔvʲɛtɕ ɲʲɛ davˈawa zbˈɨd vʲˈɛlɛ nadʑˈɛi, ˌalɛ ɲʲˈɛmʲaw im dɔ zˌaɔfˌɛrɔvˈaɲʲa ɲˈidʑ vʲˈɛntsɛj.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_30.wav|ˈalɛʒ vɨstˈartʃɨ tˌɨlkɔ spˈɔjʒɛtɕ na ix swˈɔtkʲɛ, mwˈɔdɛ tfaʒˈɨtʃki, bˈɨ zrɔzˈumjɛtɕ, ʒˈɛ sɔ̃ tsˌawkɔvˈitɕɛ ɲʲɛvˈinnɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_44.wav|ɕˈɛdʑɛ pʃɨ kuxˈɛnnɨm stˈɔlɛ s kˈupkʲɛm xɛrbˈatɨ, prubˈujɔnts ɕɛ ˌuspɔkˈɔitɕ, zˈaɲim pɔjˈadɛ dɔ ʃkˈɔwɨ pɔ mˈili.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_21.wav|i jˈakiʑ ɡˌurnɔpwatˈɔvʲɛts pˌɔtxɔdʑˈɔntsɨ dɔ lˌɔndɔvˈaɲʲa s xˈukʲɛm nabjˈɛra vˌɨsɔkˈɔɕtɕi|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_128.wav|jˈɛɡɔ tɕˈɛmnɛ ˈɔtʃɨ pʃˌɛswaɲʲˈawa mɡwˈa bˈulu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_18.wav|plˌanɔvˈawam pɔvʲˈɛdʑɛtɕ tɕi ˈɔtɨm w ɲʲɛdʑˈɛlɛ i zˌasuɡɛrˈɔvatɕ, ʒˈɛbɨɕ ɔdˈɛbraw lˈutsɨ f pˌɔɲʲɛdʑˈawɛɡ zˈɛ ʃkˈɔwɨ. zˈabraw jˈɔ̃ dɔ ɕˈɛbjɛ i tˈam fʃˈɨstkɔ vɨjˈaɕɲiw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_34.wav|pɔvʲˈɛdʑaw tɛn sˈam tʃwˈɔvʲɛk.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_343.wav|a w ˈɔtʃax tˌɛɡɔ xwɔpˈaka kipʲˈawɨ ɡɲʲˈɛf i pˌɔdɛjʒlˈivɔɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_203.wav|f ɕˌɛdmʲɔramjˈɛnnɛj ɡvʲˈɛʑdʑɛ nˌapisˈanɔ, ʒˈɛ nˈaʃɛ ʒˈɨtɕɛ jɛst jˈak pwˈɔmjɛɲ ɕfʲˈɛtsɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_180.wav|ɕmʲˈɛʃɨʃ mɲʲɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_426.wav|na kravˈɛɲdʑi vidɲʲˈawɔ ɲʲɛvʲˈɛlkʲɛ zˌarɨsɔvˈaɲʲɛ, dɔkwˈadɲʲɛ f tɨm mʲˈɛjstsu, ɡdʑˈɛ nˌalɛʒawˈɔbɨ fsˈunɔɲtɕ wˈɔm, ʒˈɛbɨ jˈɛ vɨvˈaʒɨtɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_220.wav|pʃɛt ktˌurɨm zɡaʃˈɔnɔ ɕfʲˈɛtsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_212.wav|bʲˈillɨ krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_297.wav|zˈafʃɛ mɨɕlˈawɛm, ʒˈɛ na ˌɛmɛrɨtˈuʒɛ vˈɨɕpjɛ ɕɛ za tsˈawɛ ʒˈɨtɕɛ i pˈatʃ pˈan, tˈɛras pʃˈɛs tsˈawɔ̃ nˈɔts ɲʲɛ mˈɔɡɛ zmrˈuʒɨtɕ ˈɔka.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_5.wav|zvrutɕˈiwa ɕɛ dɔ lˈintsaj, zˌatʃɨmˈujɔnts samˈɔxut pʃɨ xɔdɲˈiku za nˌarɔʒɲˈikʲɛm dˈɔmu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_219.wav|zwˈɔʒɔ̃ jˈɛ dɔ kˈupɨ, ˈabɨ zrˌɛkɔnstruˈɔvadʑ vɨpˈadɛk, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_585.wav|vwaɕtɕˈivʲɛ ɲʲɛ na tˈɛmat.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_13.wav|jɛzd ɡɔrlˈivɨ, tɔ tʃˈɛba mu pʃˈɨznatɕ, pɔvʲˈɛdʑaw tˈɔm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_294.wav|ˌalɛ bˈɨtɕ mˈɔʒɛ stˈaɲʲɛ ɕɛ i tˈak. bˌɨwɛm jˈuʃ na fsxˈɔdʑɛ, ˈɛstɛr.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_29.wav|mˈɔʒɛ ɲʲɛ f ɕˈilɛ ɔddʑˈawu, ˌalɛ prˈavʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_71.wav|tɔ mɛ̃ʃtʃˈɨzna, ˌalɛ s tsˈawɔ̃ pɛvnˈɔɕtɕɔ̃ ɲʲɛ tˈata.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_68.wav|ɡdʑˈɛ ktˈɔʑ zˈatʃɔw vˈɨtɕ, a dˈavɲʲɛj tˈakʲɛ vˈɨtɕɛ ˌɔznatʃˈawɔ tɔrtˈurɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_140.wav|dɔ xɔlˈɛrɨ s tˈɔbɔ̃, dʒˈɛs! dˈalɛ pʃɛwˈɔntʃɨw stˌɛrɔvˈaɲʲɛ s pɔvrˈɔtɛm na sfˈɔjɔ̃ strˈɔnɛ i rˈuʃɨw dˈalɛj f kʲɛrˈuŋku mʲˈasta.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_67.wav|pˌɔvʲɛdʑˈawam tɕi pʃˈɛs tɛlˈɛfɔn, ɔ tsˈɔː ɔɡˈulɲʲɛ xˈɔdʑi. nˈɔvɨ fˈatsɛt ɔkˈazaw ɕɛ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_184.wav|ɲʲɛ pwˈatʃɛ, ɲʲɛ tsˈawkʲɛm. rˈatʃɛj pʃˌɨpɔmˈina tɔ dʑvʲˈɛŋɡ vˌɨdavˈanɨ pʃˈɛs ɲʲˌɛʃtʃɛɲɕlˈivɛ dʑˈɛtskɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_3.wav|usˈuvam z ɡwˈɔvɨ fʃˈɛlkʲɛ ˈinnɛ mˈɨɕli i kˌɔntsɛntrˈujɛ ɕɛ na ɡʒˈɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_95.wav|ɡdˈɨbɨm bˈɨw pʃˈɨtɨm, ɲʲɛ dɔʃwˈɔbɨ dɔ tˈɛɡɔ, pɔvʲˈɛdʑaw spʃɛdˈaftsa. mˈam pˌɔzvɔlˈɛɲʲɛ na brˈɔɲi, vʲˈɛm jˈak tˌɛɡɔː ˈuʒɨtɕ. ɲʲɛ ˈɔtɨm mˈɨɕlawbˌɨm.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_234.wav|pˌanɔvˈawa ˈu ɲˈiɣ dˈɔsɨdʑ vˌɨpatʃˈɔna kultˈura kˌɔrpɔratsˈɨjna.|4
+Dataset/wavs/urwisko_ferenc/01_segment_57.wav|dlatˈɛɡɔ zdɔbˈɨwa ɕɛ na ˈuɕmʲɛx i vwɔntʃˈɨwa tɕˈɛ̃ʃkɔ̃ muzˈɨkɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_235.wav|tʃwˈɔvʲɛk na kˌɔrɨtˈaʒu mˈuviw bˈɛs pʃˈɛrvɨ. lˈutsɨ, ˈɔtfuʒ dʒvˈi, lˈutsɨ, tˈak ɲʲɛ mˈɔʒɛ bˈɨdʑ dwˈuʒɛj!|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_59.wav|vɨsˈuvam drˈuɡɔ̃, tʃˈɛtɕɔ̃, tʃfˈartɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_70.wav|jˈɛɕli zˈɛrvɛ tˈaɕmɛ, ˈaram ɕɛ zˌɔrjɛntˈujɛ, ʒˈɛ ktˈɔɕ tˈutaj bˈɨw i ʒˈɛ jˈɛɡɔ kartˈɔnuf ɲʲɛ ˌɔtfɔʒˈɨli ˌaɲi mˈama, ˌaɲi tˈata.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_206.wav|tˌɨlkɔ ɡdʑˈɛ mˈɔʒna bˌɨwɔ jˈɛ zarˈɔbʲitɕ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_18.wav|vrˈutɕiw pɔ jˈakimɕ tʃˈaɕɛ, sˌɔmnambulˈitʃnɨm krˈɔkʲɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_251.wav|jˈɛʃtʃɛ rˈas spravdʑˈiwam ɔttʃˈɨtɨ i ˌupɛvɲˈiwam ɕɛ, ʒˈɛ fʃˈɨstkʲɛ zavˈɔrɨ znajdˈujɔ̃ ɕɛ w zaɕˈɛŋɡu rˈɛŋki.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_36.wav|ɲʲɛ znˈɔʃɛ spˈadʑ z dʑˌɛftʃɨnˈami, ktˌurɛ mˌajɔ̃ ʑˈimnɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_28.wav|stˈɔi w bɛzrˈuxu, fpatrˈujɔnts ɕɛ w mˈɛ̃ʃtʃɨzn. vɨɡlˈɔnda na tˈak sˈamɔ pʃˌɛraʒɔnˈɛɡɔ jˈak jˈa.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_198.wav|w ɔtfˈartɨɣ bˈɔksax ɕɛdʑˈawɔ kˈilku znudʑˈɔnɨx skrˈɨbuf.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_106.wav|— fˈakt, maʃ rˈatsjɛ. tɔ zupˈɛwɲʲɛ ɲʲɛ tfˈuj tˈɨp, mˈuvjɛ f kˈɔɲtsu.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_292.wav|kʲˈɛdɨ ɡwˈɔvɲʲa pʃˌɛʃɨvˈawa pɔvʲˈɛtʃɛ pʃˈɛdɲʲɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_106.wav|zrɔbʲˈiwam tɔ fʃˈɨstkɔ za dˈarmɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_8.wav|jˈuʃ mˈa napˈisadʑ dɔ bakʲˈɛɡɔ ˌɛsˌɛmˈɛsa s pɨtˈaɲʲɛm, tʃɨ mˈuɡwbɨ ustˈalitɕ, jˈakim sˌamɔxˈɔdɛm ɔstˈatɲʲɔ jˈɛʑdʑi ɲˈitsk.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_433.wav|a pˈɔtɛm tɕˈixtsɛm ɔpˈadɲʲɛ nˈanas jˈaɡ mɡwˈa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_99.wav|ˌaɲi swˈɔva ɔ zabˈujstfʲɛ maɡnˈata mˌɛdjalnˈɛɡɔ w jˈɛɡɔ pˌɔɕadwˈɔɕtɕi w mˈɔntawk pˈɔint.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_74.wav|jˈak jˈuʃ pɔvʲˈɛdʑaw jˈumbɔ, pʃɨtʃˈɨna ɕmʲˈɛrtɕi ɲʲɛ budʑˈiwa vʲˈɛŋkʃɨɣ vˌɔntplivˈɔɕtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_201.wav|— prˈɔʃɛ pˈana, — mˈuvi xˈɛŋk ɲʲɛɕmʲˈawɔ, — pɛrˈuka pˈanu spˈadwa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_128.wav|mˈɔʒɛ tɔ pʃˈɛz zmʲˈanɛ ˌɔtɔtʃˈɛɲʲa?|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_139.wav|tɔ prˈavda, pˈaɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_35.wav|ptˈak ɔ vˌɨʃukˈanɨm ˌupʲɛʒˈɛɲʲu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_14.wav|pʃˈɨɲʲɛɕtɕ tɕi tsˈɔɕ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_35.wav|pˈɔtɛm dʑɛftʃˈɨna stfʲˈɛrdʑa, ʒˈɛ dˈɔɕtɕ mˈa ɕɛdʑˈɛɲʲa w dˈɔmu i pˈɨta, tʃɨ mˈɔʒɛ pˈujɕtɕ na spˈatsɛr.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_297.wav|dʒˈɛjn pˌɔstanˈɔviw pɔstˈɔmpitɕ tˈak sˈamɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_6.wav|ɲʲɛ pʃˌɨxɔdʑˈiwɨ ˌaɲi ɲʲɛ vˌɨxɔdʑˈiwɨ nˈavɛd ʒˈadnɛ ˌɛsˌɛmˈɛsˈiɡrɛk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_154.wav|sˈɨtʃɨ, a kˈaʒda vˌɨpɔvʲɛdʑˈana sɨlˈaba pˈɛwna jɛst ɲʲɛxˈɛɲtɕi dɔ mɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_188.wav|mˈɔɡwabˌɨɕ ɲʲˈɛbɨtɕ tˈak ˌupʲɛrdlˈiva?|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_95.wav|jˈak pʃˈɨʃwɨ ˈɔjtɕɛts ˌɔtʃɛkujˈɔntsɨ na nˌarɔdʑˈinɛ dʑˈɛtska.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_77.wav|ɲʲɛ ɡʒɛbˈawam w ɲˈim, ˌaɲi ɲˈits f tɨm rɔdʑˈaju. pɔznˈawam, ʒˈɛ jɛst tfˈuj, bˈɔ klˈapɛst pˌɔrɨsɔvˈana. pˌɔzɔstˈawɛ vˌɨɡlɔndˈajɔ̃ na nˈɔvɛ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_26.wav|ʃlˈaxaw mˈinstrɛl pʃɨkˈutɨ ʒˌɛlaznˈɨmi ˌɔkɔvˈami dɔ ʑimnˈɛɡɔ kˌamjɛnnˈɛɡɔ mˈuru.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_5.wav|pˈɔtɛm rˈɨan pʃɛxˈɨliw skʃˈɨdwɔ f prˈavɔ, lˈɛtʃ pʃˈɛxɨw bˈɨw zbˈɨd ɡwɛmbˈɔki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_192.wav|bˈɔ pʃˈɛtɕɛʃ, kˈurtʃɛ, skˈɔrɔ planˈujɛʃ ɕɛ pˈɔzbɨdʑ ɡˈɔɕtɕa, ktˌurɨ pˌɔɕrɛdɲˈitʃɨw w zavˈartɕu kɔntrˈaktu i dɔstˈartʃɨw brˈɔɲ...|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_77.wav|ɡdʑˈɛ sɔ̃ klutʃˈɨki dɔ sˌamɔxˈɔdu, tˈatɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_36.wav|zmˈuʃaw jˈɔ̃ dɔː ɔdˈɛjɕtɕa pɔt ɔswˈɔnɔ̃ nˈɔtsɨ, ˌupɔkɔʒˈɔnɔ̃ i pˌɔɲiʒˈɔnɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_60.wav|mˈɨɕlɛ, ʒˈɛ tɔ tsˈɛlnɨ tˈɨtuw.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_239.wav|i vʲˈɛtɕɛ ktˈɔ tɔ bˈɨw tɛn ɲˈiɡɡɛr?|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_137.wav|zˌapɛvɲʲˈawɨ dˈɔstɛmb dɔ mˈuru.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_83.wav|zanˈɔɕi ɕɛ, ʒˈɛ ɔdvʲˈɛdʑi mɲʲɛ rˈuda tɕˈɔtka. tɔ dvˈa tɨɡˈɔdɲʲɛ za ftʃˈɛɕɲʲɛ, ˌalɛ tʃˈujɛ, ʒˈɛ fkrˈuttsɛ ɕɛ zˈatʃɲʲɛ. mˈam skˈurtʃɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_73.wav|mˈɔɡwa fspˈɔmɲʲɛtɕ pˈaɲi ˈɔtɨm, dˈɔkɔnt planˈujɛ vɨjˈɛxatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_86.wav|spɔɡlˈɔnda na pʲˈɛrʃɛ zdˈaɲʲɛ.|2
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+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_88.wav|ˈɔbutɕ mɲʲɛ pʃɨ bˈandji, pɔvʲˈɛdʑaw ˈandɛrsɔn dɔ kʲɛrˈɔftsɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_76.wav|bˌɨwam zdumjˈɔna, ʒˈɛ mɲʲɛ zˌapamjˈɛntaw.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_231.wav|minstrˈɛlɛ xtɕˈɛlibˌɨ nˈam vmˈuvitɕ, ʒˈɛ tɔ tˌɨlkɔ rˈɛɡar i rˈɔbɛrd bʲˈili ɕɛ zˈɛ sˈɔbɔ̃ w ʒˈɛtʃnɨm nˈurtɕɛ ɔ kɔbjˈɛtɛ, ktˌurɔ̃ ˈɔbaj pˈɔnɔtɕ kɔxˈali.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_76.wav|musˈimɨ vrˈutɕidʑ dɔ dˈɔmu. xtɕˈawbɨm s pˈanɛm pˌɔrɔzmˈavʲatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_249.wav|jɛxˈali bʒˈɛɡʲɛm mˈɔʒa, mijˈajɔndʑ dˈɔmɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_62.wav|pɔ xfˈili vaxˈaɲʲa ɲˈitsk mˈuvi...|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_223.wav|a ˌɔɲi i tˈaɡ ɡˈɔ zˌavʲɛɕˈili. pˌɔvʲɛɕˈili ˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_134.wav|ʒˈadnɛ z nˈas ɕɛ ɲʲɛ ˌɔdʑɨvˈawɔ, jaɡbˈɨɕmɨ muɕˈɛli ɔddˈalitɕ ɕɛ ɔt lˌakɛsˈidɛ, ʒˈɛbɨ pˈɔtʃutɕ ɕɛ w mʲˈarɛ sfɔbˈɔdɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_447.wav|tsˈɔ ɕˈɛdɛm lˈad zatʃˈɨnam fʃˈɨstkɔː ɔt nˈɔva.|0
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+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_221.wav|tˌɨlkɔ jˌɛstɛm trˈɔxɛ zmɛntʃˈɔna.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_177.wav|tɔ pˈɛvɲʲɛ dlatˈɛɡɔ bˌɛɲdʑɛʃ mˈuɕaw vɨjˈɛxadʑ z mʲˈasta.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_143.wav|mˈikɛ vɨwˈɔntʃɨw pˈɔmpɛ, a ftˈɛdɨ fskazˈufka tɕiɕɲʲˈɛɲʲa palˈiva drɡnˈɛwa ɲʲˈɛtsɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_158.wav|mɲʲˈɛjʃa s tˈɨm, ˌalɛ ɡdʑˈɛɕ pɔt rˈɛŋkɔ̃, prˈavda?|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_21.wav|prˈasa ɲˈibɨ dˌɔɡɔrˈɨva, ˌalɛ s tˈɛɡɔ, tsˈɔ bʲˈillɨ zˌauvˈaʒɨw, ɡazˈɛtɨ nˈadal jˈakɔ pʲˈɛrʃɛ zdˌɔbɨvˈajɔ̃ fʃˈɨstkʲɛ nˌajistɔtɲʲˈɛjʃɛ fˈaktɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_23.wav|vʲɛdʑˈawam, ʒˈɛ dˌɛnɛrvˈujɛ rɔdʑˈitsuf, ˌalɛ ɲʲɛ pˌɔzvɔlˈili mi nˈavɛt pɔʒˈɛɡnatɕ ɕɛ zˈɛ znˌajɔmˈɨmi.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_231.wav|ˈustaf ɕɛ f kɔlˈɛjtsɛ z innˈɨmi ɡuvɲʲˈarɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_77.wav|tˈɛras mˈam ʃˈansɛ na pˌɔvʲɛdʑˈɛɲʲɛ prˈavdɨ, ˌalɛ vʲˈɛm, ʒˈɛ z ɲʲˈɛj ɲʲɛ skɔʒˈɨstam, bˈɔ pɔlˈitsja mi ɲʲɛ uvʲˈɛʒɨ.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_27.wav|pɔ lˈɔrdaɣ dɔ ʒˈɛtʃa vɨjˈɛxaw ɕˈilnɨ dʑˈik.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_140.wav|maʃ stˈɔnd zɲˈiknɔɲtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_56.wav|kʃˈɨknɔw kˈit, pɔdnˈɔʃɔnts rˈɛŋkɛ. jˈakiɕ mɛ̃ʃtʃˈɨzna vɨskˈɔtʃɨw z ukrˈɨtɕa i pˈɔbjɛɡw w ɡwˈɔmp lˈasu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_71.wav|ˈaram pʃɛsˈunɔw sfˈɔjɔ̃ tfˈaʒ dɔ mˈɔjɛj, tˈaɡ ʒˈɛ nˈaʃɛ nˈɔsɨ dʑɛlˈiwɨ zalˈɛdvʲɛ dvˈa, mˈɔʒɛ tʃˈɨ tsˌɛntɨmˈɛtrɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_299.wav|ɲʲˈɛx tˈaɡ zɔstˈaɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_149.wav|pˈɔtɛm pʃˌɛbjɛrˈawam ɕɛ, rɔbʲˈiwam makˈijaʃ i nˌakwadˈawam pɛrˈukɛ f sˌamɔxˈɔdʑɛ, ʒˈɨjɔnts f strˈaxu, ʒˈɛ sprˈavdʑi kʲˈɛdɨʑ zavˈartɔɕtɕ mˈɔjɛj spɔrtˈɔvɛj tˈɔrbɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_499.wav|jˈuʒ bˈɛs ɕlˈaduv ʒˈɔnɨ i sˈɨna, ktˌurɨx pˈɛvɲʲɛ ɲˈiɡdɨ ɲʲɛ zɔbˈatʃɛ. sˈɨn bˈɨw sˈɨnɛm ʒˈɔnɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_75.wav|ɔbrˈatsam ɕɛ f strˈɔnɛ jˈɛɡɔ ʑrˈudwa i jˌɛstɛm prˈavʲɛ ˌɔɕlɛpʲˈɔna. unˈɔʃɛ rˈɛŋkɛ, ʒˈɛbɨ pʃɛswˈɔɲitɕ ˈɔtʃɨ pʃɛd blˈaskʲɛm tʃˈɛx rˌɛflɛktˈɔruf na stɔjˈakax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_59.wav|jˈɛɕli tɔ ɲʲɛ pɔmˈɔʒɛ, zapˈukaj w ɕtɕˈanɛ, pʃˈɨjdɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_261.wav|jˈaɡbɨ tˈɛn, ktˈɔ jˈɔ̃ stfˈɔʒɨw, zˈadbaw spɛtsjˈalɲʲɛ ɔ xˌarmɔɲˈijnɔ̃ pɛrfˈɛktsjɛ jɛj tɕˌɛlɛsnˈɔɕtɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_124.wav|zˈafʃɛ tfʲɛrdʑˈiwa, ʒˈɛ tɔ dˈupɛk i kɔmplˈɛtna pɔrˈaʃka w jɛj ʒˈɨtɕu.|3
+Dataset/wavs/urwisko_ferenc/27_segment_66.wav|skˈɔrɔ tˈak, tɔ ɲʲˈɛɣʒɛ pˈaɲi vɨtɕˈɔŋɡa tɛ armˈatɨ. nˈɔ dˈalɛj, dˈalɛj, zaxˈɛɲtɕiw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_281.wav|ˌɔna pˌɔvɛndrɔvˈawa ɔtʃˈami za mˈɔim vzrˈɔkʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_386.wav|s pɛvnˈɔɕtɕɔ̃ ˈutɕɛɡw z dˈɔrnɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_143.wav|tɔ skˌɔmplikɔvˈanɛ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_234.wav|kʲˈɛdɨ vrutɕˈimɨ, vˈaʃa mˈiwɔɕt��?|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_266.wav|muvˈili, ʒˈɛ ɲʲɛ ʒˈɨjɛʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_338.wav|ˈalbɔ rˈɨtɛ rɨsˈuŋki vʲɛɲtʃˈɔntsɛ matsˈɛvɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_155.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_183.wav|fspuwtʃˈɛɕɲʲɛ prˈavʲɛ ɕɛ tˌɛɡɔː ˌɔkrɛɕlˈɛɲʲa ɲʲɛ uʒˈɨva, ˌalɛ dɔ nˈas pasˈujɛ ˌidɛˈalɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_63.wav|w braˈavɔz vˌɨdavˈawɔ ɕɛ, ʒˈɛ ˈɛmɔn mˈɔʒɛ vrˈutɕidʑ dɔ zdrˈɔvja.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_229.wav|swˈɔtkɔ bˌɨwɔ tɔ swˈɨʃɛtɕ, ˌalɛ tsɛrsˈɛi ɲʲɛ xtɕˈawa ˌɔkazˈɨvadʑ zbˈɨtɲʲɛj radˈɔɕtɕi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_118.wav|pˈatʃɨw na tɛn pˈawats.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_157.wav|zapˈɨtaw rˈɨan.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_474.wav|ˌalɛ tˈɛras nˈaʃɛ brˈatstfɔ ɕɛ rɔspˈadwɔ. prˈavdɛ mˈuvʲɔnts...|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_278.wav|bˌɨli mɲʲˈɛj vʲˈɛntsɛj tˌɛɡɔ samˈɛɡɔ vzrˈɔstu, ˌalɛ sˈam vˈaʒɨw dvˈa rˈazɨ vʲˈɛntsɛj, a ɡɲʲˈɛf pɔzvˈɔliw mu zapˈɔmɲʲɛtɕ ɔ strˈaxu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_64.wav|ɲʲɛ sˈɔɲdʑi, ɲʲɛ mˈɔʒɛ ˌaɲi ɲʲˈɛxtsɛ tˈak sˈɔɲdʑitɕ, ʒˈɛ zwˈamjɛ im sˈɛrtsa, kʲˈɛdɨ zabʲˈijɛ jɔˈɛlla alˈɛna.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_71.wav|tˈata vɨtɕˈɔŋɡnɔw rˈɛŋkɛ i pʃɨtˈuliw mɲʲɛ dɔ ɕˈɛbjɛ. xˈɔtɕ, skˈarbjɛ.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_59.wav|zapˈɨtaj ɡˈɔː ˈɔtɔ.|1
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_32.wav|ktˌurɨ skˈupi ɕɛ na vˌɨdaʒˈɛɲʲax rˌɔzɡrɨvajˈɔntsɨx ɕɛ na mˈuʒɛ ˌɔraz za mˈɔʒɛm.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_288.wav|pɔ tsˈɔ pwˈɨnɔɲtɕ na kˈɔɲʲɛts ɕfʲˈata, kʲˈɛdɨ mˈandɛr lˈɛʒɨ pʃɛt nˈami ɔtfˈartɨ?|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_302.wav|jɛj dʑɛftʃˈɛnta rˈuvɲʲɛʒ bˌɨwɨ mˈiwɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_70.wav|i pˌɔjɛxˈawa ˌarɛʃtˈɔvatɕ naˈila strakˈana.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_112.wav|tˈatɔ, w ʒˈɨtɕu ɲʲɛ vidʑˈawam tˈak prˌɛtsɨzˈɨjɲʲɛ. bjˈɛʒmɨ ɕɛ dɔ rɔbˈɔtɨ, pʃˈɛrvaw mi.|4
+Dataset/wavs/urwisko_ferenc/01_segment_79.wav|kilkˈɔma pˌasɛŋkˈami tˈarɡaw lˈɛkki vʲˈatr.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_169.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_154.wav|ɔ jˌɛdɛnˈastɛj vʲɛtʃˈɔrɛm jɛst jˈuʒ w dˈɔmu, bˈɔ tɛn ʒˈuwtɨ dˈɔm jɛst jˈɛɡɔ dˈɔmɛm, pʃɨnˈajmɲʲɛj na jˈakiɕ tʃˈas.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_219.wav|ɲʲɛ jˌɛstɛʑ za ɲˈits ˌɔtpɔvʲɛdʑˈalna.|3
+Dataset/wavs/urwisko_ferenc/46_segment_184.wav|z ɲʲɛmˈawɨm trˈudɛm pʃɛvrˈutɕiw ʃtʃɛrpskʲˈɛɡɔ na plˈɛtsɨ, ɔbmˈatsaw mu pʃˈɛdɲʲɛ kʲɛʃˈɛɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_325.wav|jˈakiɕ prˈɔblɛm? zapˈɨtaw dˈalɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_216.wav|a kʲˈɛdɨ ɕɛ dˈɔvʲɛ ɔ tfˈɔjɛj utɕˈɛtʃtsɛ, bˌɛɲdʑɛ zdrˌuzɡɔtˈanɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_13.wav|vaʒɲʲˈɛjʃɨ jˈɛdnak i bˈardʑɛj pʃˌɛkɔnujˈɔntsɨ jɛst tɕˈixɨ, ˌalɛ stanˈɔftʃɨ tˈɔn, jˈakim jˈɛ vˌɨpɔvʲˈada.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_38.wav|tɔ mˈɔʒɛ ɕɛ ˈudatɕ, jˈɛɕli ta tfˈɔja dʑɛftʃˈɨna bˌɛɲdʑɛ mu pˌasɔvˈawa.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_343.wav|jˈamɛ ɔtˈɔtʃɨw paltsˈami zwˈɔtɛj dwˈɔɲi nˈuʃkɛ puxˈaru.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_75.wav|zˌaʃɛlɛɕtɕˈiwɔ f kʃˈakaɣ zarˈɔstu kfʲˈatuf.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_44.wav|dʑɛftʃˈɨŋka ˌuswɨʃˈawa ˈɔdɡwɔs ˌɔtfʲɛrˈanɨɣ dʒvˈi.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_12.wav|swɨʃˈawam, ʒˈɛ sɔ̃ tˈam rˈuvɲʲɛʃ ˈinɲi mɛ̃ʃtʃˈɨʑɲi. rɨtsˈɛʒɛ i dvɔrˈatsɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_16.wav|bˌɛndɛ mˈukw spˈɔtkatɕ ɕɛ z mˈilljɛ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_36.wav|jˈuʒ ɡˈɔ spravdʑˈɔnɔ, vʲˈɛnts mˈɔʒna dɔtˈɨkatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_50.wav|pʃɨsˈuva dɔ mɲʲɛ ɡwˈɔvɛ i ʃˈɛptʃɛ mi dɔː ˈuxa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_3.wav|mˈɔɡɛ tsˈɔʑ dla tɕˈɛbjɛ zrˈɔbʲitɕ? spɨtˈawa zˈɛ fspuwtʃˈutɕɛm w ɡwˈɔɕɛ, ɕfʲadˈɔma, ʒˈɛ mˈuj pˈartnɛr zɔstˈaviw mɲʲɛ f tˈak trˈudnɨm tʃˈaɕɛ.|4
+Dataset/wavs/urwisko_ferenc/51_segment_61.wav|ˈɔvat ɔtfrˈunɔw, a kɔlˈɛɡa vˈɨtar dwˈɔɲʲɛ f spˈɔdɲʲɛ i pɔnˈɔvɲʲɛ spˈɔjʒaw na ʒˈɛkɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_15.wav|tˈɔm zˈafʃɛ mʲˈaw nadʑˈɛjɛ, ʒˈɛ ˈuda mu ɕɛ uxrˈɔɲitɕ tsˈurkɛ pʃɛt nˌajvʲɛŋkʃˈɨmi ˌɔkrɔpʲɛɲstfˈami ɕfʲˈata, ˌalɛ tɨm rˈazɛm mˈuɕaw pɔstˈɔmpitɕ inˈatʃɛj.|4
+Dataset/wavs/urwisko_ferenc/12_segment_82.wav|— vʒutɕˈiwaʑ ɡˈɔ na bˈɛmbɛn? — jɛst tʃˈɨstɨ. jˈɛdɛn stˈarɨ mˈandad za pʃˌɛkrɔtʃˈɛɲʲɛ prɛntkˈɔɕtɕi i zalˈɛdvʲɛ kˈilka pˈuŋktuf kˈarnɨx.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_238.wav|mˈɔʒɛ ˌɔna lˈɛpʲɛj fspɔmˈina ˈuf fatˈalnɨ vʲˈɛtʃur, ˈalɛ...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_73.wav|f tɨm mɔmˈɛɲtɕɛ zajˈɛxaw ambˈulans.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_369.wav|ʒˈadnɛ kwˈamstfɔ ɲʲɛ ɔtsˈali dˈɔrnɨ pʃɛd ɡɲʲˈɛvɛm krulˈɔvɛj, jˈɛɕli jɛj tsˈurka zɡʲˈiɲʲɛ, pʃˌɛbɨvˈajɔnts pɔt mˈɔjɔ̃ ɔpʲˈɛkɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_34.wav|jˈasnɛ, pʃɛprˈaʃam.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_43.wav|znˈaʃ tˈɛssɛ, tɔ f kˈɔɲtsu tfˈɔja pʃˌɨjatɕˈuwka. mɨ jɛj ɲʲɛ znˈamɨ i z natˈurɨ jɛstˌɛɕmɨ pˌɔdɛjʒlˈivi.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_75.wav|jˈak sˈɔbjɛ ʒˈɨtʃɨʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_323.wav|tʃˈɨli mnˈustfɔ drˈɔbʲin ɕfʲˈatwa na tʃˌɛrɲʲɛjˈɔntsɛj trˈavʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_150.wav|a ˌɔna musnˈɛwa mˈɔjɔ̃ skrˈɔɲ, jˈaɡbɨ xtɕˈawa tsˈɔɕ pɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_17.wav|znˈuv zrɔbʲˈiwɔ mi ɕɛ ɡɔrˈɔntsɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_165.wav|pxnˈɛwam jˈɔ̃ i fpˈadwam dɔ vnˈɛntʃa lˌabɔratˈɔrjum. kʲˈɛdɨ zabrˈawam bˈut, pˈɔdmux pɔvʲˈɛtʃa zatʃˈasnɔw vwˈas.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_170.wav|kˈɔja vˌɨʃtʃɛʒˈɨwa zˈɛmbɨ w uɕmʲˈɛxu. mˈuj ˈɔjtɕɛts mˈuɕi tˈɛʃ ɔdvʲˈɛdʑitɕ ʃˈarɨx mˌaɛstˈɛruf.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_190.wav|vʲˈɛŋkʃɔʑdʑ z ɲˈiɣ dɔjˈɛʒdʒa dɔː ˌɛlɛktrˈɔvɲi i xˈutɨ ˌalumˈiɲʲum pˌɔwɔʒˈɔnɨx kilˈɔmɛtr na pɔwˈudɲʲɛ ɔt mʲˈasta.|4
+Dataset/wavs/urwisko_ferenc/25_segment_105.wav|pˈɔtɛm vʑˈɛwa dɔ rˈɛŋki drˈuɡʲi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_3.wav|kʲˈɛdɨ pˌɔdjɛʒdʒˈamɨ pɔd budˈɨnɛk pˈɔtʃtɨ ˌɔkazˈujɛ ɕɛ, ʒˈɛ ɲʲɛ jɛst jˈɛʃtʃɛ ɔtfˈarta.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_236.wav|ja tɕˈɛbjɛ kʲˈɛdɨʑ zˌɔbatʃˈɨwam.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_10.wav|tʃasˈami ftɕˈɔ̃ʒ drʒˈɛ zˈɛ strˈaxu, zbliʒˈajɔnts ɕɛ dɔ ʃkˈɔlnɛj brˈamɨ i ˌɔdruxˈɔvɔ skanˈujɛ pˈarkiŋk pɔt kˈɔntɛm sˌamɔxˈɔduf, ktˌurɨx ɲʲɛ rˌɔspɔznˈajɛ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_33.wav|ˈarjan ɲʲɛ dˈawa ɕɛ sprˌɔvɔkˈɔvatɕ.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_63.wav|vˈɔjna bˌɨwa jˈuʒ vwaɕtɕˈivʲɛ vɨɡrˈana.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_94.wav|tɔ mˈiwɛ, ʒˈɛ bˈɨw tˌaki vˌɨrɔzumjˈawɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_70.wav|ɲʲɛ, bʲˈillɨ, ɲʲɛ, vɨtʃˈɨmaj. dˈam tɕi ɔstˈatɲʲɛ ˈɔkɕi. zɔstˈawɔ tˈɛʃ jˈɛʃtʃɛ pˈarɛ tɨx piɡˈuwɛk pˌɔbudʑajˈɔntsɨx. bˌɛndɛ jɛxˈawa tsˈawɔ̃ nˈɔts.|2
+Dataset/wavs/urwisko_ferenc/33_segment_52.wav|— ɲʲˈɛvʲɛm. ˌalɛ ɔ tsˈɔ xˈɔdʑi? stˈawɔ mu ɕɛ tsˈɔɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_33.wav|ɲʲɛ vʲˈɛʒɛ f tɔ. ɲʲˈɛxtsɛ vʲˈɛʒɨtɕ.|2
+Dataset/wavs/urwisko_ferenc/03_segment_144.wav|kˌɔnsɨstˈɛntsjɛ plˌastɛlˈinɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_568.wav|dʑˈiɕ jɛzd vˌɨɕfʲɛʒˈɔnɨm fˌinanɕˈistɔ̃.|0
+Dataset/wavs/urwisko_ferenc/31_segment_27.wav|vɨdˈajɛ ɕɛ, ʒˈɛ jˈakiɕ mwˈɔdɨ fˈatsɛt, ˌalɛ na pˈɛvnɔ ɲʲˈɛbɨw tɔ jɛj sˈɨn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_179.wav|dɔnˈɔvɛn lˈɛʒɨ na dɨvˈaɲʲɛ. jˈɛɡɔ tˈɨwɛk jɛzd bjˈawɨ, pɔɕlˈatki ɕtɕiɕɲʲˈɛntɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_55.wav|dʒˈɛk tsmˈɔknɔw.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_66.wav|ˈaʃ ʃˈɨpkɔ nˈatɔ rˌɛaɡˈujɛ. tɕˈiʃɛj, jˈɔɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_44.wav|dʑˈɛŋki za pˈivɔ. xˈɛj!|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_318.wav|tɔ ɲʲɛ rˈanɲi.|1
+Dataset/wavs/urwisko_ferenc/59_segment_136.wav|ʒˌɛtʃɨvˈiɕtɕɛ, f pɔblˈiʒu ʒvˌirɔvˈiska vidʑˈawa tsˈawɛ skupˈiskɔ tɨx ɔvˈaduf, a tɔ tˌɨlkɔ pˌɔtfʲɛrdʑˈawɔ jɛj tɛˈɔrjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_43.wav|a mˈɔʒɛ zatʃˈɛwɔ mu ɕɛ rˈɔbʲitɕ swˈabɔː i dɔpʲˈɛrɔ ftˈɛdɨ tɔ dɔ ɲʲˈɛɡɔ dɔtˈarwɔ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_38.wav|zɔbˈatʃmɨ, tʃɨ zˌastaɲʲˈɛmɨ kˈɔɡɔʑ w dˈɔmu pˈana jaɡˈɛra. dalˈɛkɔ tɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_9.wav|ɔtsˈuva bʲillʲˈɛɡɔ na ɔdlˈɛɡwɔɕtɕ ramjˈɛɲʲa i zɲˈiʒa ɡwˈɔz dɔ xrˌaplivˈɛɡɔ ʃˈɛptu.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_410.wav|ɲʲˈɛma tsɛrsˈɛi, bˈɨwabˌɨ swˈɔtka.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_36.wav|vʲˈɛm pʃɨznˈawa bˈɛtskɨ.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_191.wav|pˌɔɡwaskˈawa sˈama pɔ rˈɛntsɛ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_214.wav|pɔmˈɨɕlaw, ɡdˈɨ sˈɛr ˈilɨn vˈɨʃɛt s tsuxnˈɔntsɛj, pʃˌɛpɛwɲʲˈɔnɨm nɔtsɲˈikʲɛm sɨpʲˈalɲi.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_163.wav|jˈɛɡɔ pˌɔxɔdʑˈɛɲʲɛ, jˈɛɕli jˌɛstɛɕ ɲʲˌɛzadˌɔvɔlˈɔnɨ s tˈɛɡɔ, tsˈɔː ˌɔtʃɨmˈawɛɕ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_205.wav|ˌalɛ ʒˈadna mˈaɕtɕ ˌaɲi ɛlˈiksir ɲʲɛ pʃɨvrˈutsɔ̃ jɛj urˈɔdɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_67.wav|ix ɕfʲˈat ulˈɛɡɲʲɛ skʃɨvʲˈɛɲʲu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_106.wav|ˈɛlis swɨʃˈawa ɔ kˌɛɲʲɛxˈɔffjɛ w vʲˌadɔmˈɔɕtɕax, ɔ ɡɛˈɔrɡju tˈɛʃ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_157.wav|— pɔvˈaʒɲʲɛ? pˌɔkazˈɨvaw tɕˈi, jˈak udˈajɛ ɡwˈupka? tɔ jɛzd dɔpʲˈɛrɔ tsˈɔɕ. pˈɔkaʃ jɛj, bʲˈillɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_130.wav|jˈɛɕli ɲʲɛ mˌatɕɛ vʲˈɛntsɛj pˈɨtaɲ, tɔ prˈɔʃɛ, ʒˈɛbɨɕtɕˌɛ jˈuʃ sˈɔbjɛ pˈɔʃli.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_218.wav|a mˈɔʒɛ nˈavɛt ɲʲɛ najkrˈutʃɛ pɔjˈɛɲtɕɛ, mˈɔʒɛ pɔ prˈɔstu najkrˈutʃɛ swˈɔvɔ, jˈakʲɛ znˈam?|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_112.wav|jˌɛstɛm ɔɡrˈɔmɲʲɛ vdʑˈɛntʃnɨ, ˌalɛ lˈɛpʲɛj ɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_139.wav|jˈamɛ zdɔbˈɛɲdʑɛ dla tɕˈɛbjɛ zˈamɛk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_104.wav|kˈamjɛɲ ˈupad na ʑˈɛmʲɛ i ˈandɛrsɔn ɔdˈɛpxnɔw rɨˈana.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_153.wav|pˈɔttʃaz ɡdˈɨ stʃˈawka fˌawˌɛsˈi ɲʲɛ drɡnˈɛwa nˈavɛt, a rˈɨan vˈidʑaw dʒˈɛva zblˌiʒajˈɔntsɛ ɕɛ kˈu ɲˈim,|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_57.wav|vʲˈɛʃ, kˈim jˈɛstɛm? tʃɨ maʃ mɲʲɛ za sfˈɔjɔ̃ mˈartfɔ̃ ɕˈɔstrɛ? jɛst ʃˈansa, ʒˈɛ bˌɛɲdʑɛʃ pʃˈɛs jˈakiɕ tʃˈas pʃɨtˈɔmnɨ? a tˈak w ɔɡˈulɛ, tʃɨ jɛst jˈuʒ za pˈuʑnɔ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_179.wav|ˌalɛ tɔ mu ɲʲɛ vɨstˈartʃa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_68.wav|vʲˈɛnts jɛj pʃˌɨjatɕˈuwka bˈardʑɔ ɕɛ martfˈiwa i zatʃˈɛwa ɕɛ zˌastanˈavʲatɕ, tʃɨ ɲʲɛ pɔvˈinna zwˈɔʒɨdʑ zˌavʲadɔmjˈɛɲʲa ɔ zˌaɡʲiɲʲˈɛɲtɕu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_27.wav|ɲʲɛ lˈitʃɔnts stˈɛku blˈuzɡuf pɔt adrˈɛsɛm kɔlˈɛɕa, ktˌurɨ zajˈɛʒdʒa mu drˈɔɡɛ na tsˈɛdar strˈit, nˈatɨm jˈɛɡɔː ˌɛlɔkfˈɛntsja ɕɛ vˌɨtʃɛrpˈujɛ.|2
+Dataset/wavs/urwisko_ferenc/02_segment_23.wav|a, tɔ prˈavda.|0
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_15.wav|ʃˈɔn jɛst jˈurnɨm fatsˈɛtɛm. vʲɛdʑˈawam ˈɔtɨm. i vʲɛdʑˈawam, ʒˈɛ sˈɨpja z innˈɨmi dʑˌɛftʃɨnˈami.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_61.wav|ˌuʒɨvˈamɨ tˌɛɡɔ samˈɛɡɔ tʃˈasu, tsˈɔ kˌɛɲijtʃˈɨtsɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_207.wav|pʃˈɨjdɛ dɔ tɕˈɛbjɛ jˈɛʃtʃɛ zˈaɲim vɨjˈadɛ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_213.wav|vwˌaɕtɕitɕˈɛli tˈavɛrn, pˌivɔvˈaruf, pʲɛkˈaʒɨ, ʒɛbrˈakuf i kˈurvɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_9.wav|i ɲitʃˈɛɡɔ ɲʲɛ vruʒˈɔntsɨm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_45.wav|zˈaɲim zdˈɔ̃ʒɨw ˌɔtpɔvʲˈɛdʑɛtɕ, ˈaram zvrˈutɕiw ɕɛ dɔ mɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_87.wav|sˈɛrtsɛ vˈali mi jˈak mwˈɔt.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_51.wav|spravʲˈaɲʲɛ tɕi pʃˌɨjɛmnˈɔɕtɕi jɛzd dla mɲʲɛ radˈɔɕtɕɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_42.wav|na fʃˈɨstkɔ, tsˈɔ mɔʒˈɛmɨ ˌudɔvˈɔdɲitɕ, mˈɔʒna znˈalɛʑdʑ vˌɨjaɕɲʲˈɛɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_158.wav|zˌastʃɛlˈiwɛɕ tˌɛɡɔ tʃwɔvʲˈɛka, bˈɔ ktˈɔɕ tɕi zˈatɔ zapwˈatɕiw, tˈak? prˈavda?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_74.wav|ɲʲɛ ˌuruxˈamjam jˈɛdnak ɕilɲˈika.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_83.wav|xtɕˈɛliɕmˌɨ tɕˈɛ xrˈɔɲitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_205.wav|tˈɛras naprˈavdɛ muɕˈawam ɕɛ dɔvʲˈɛdʑɛtɕ, tsˈɔ tɔː ɔznˈatʃa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_5.wav|unˈɔɕi ɡwˈɔvɛ i dɔstʃˈɛɡam w jˈɛɡɔ spɔjʒˈɛɲʲu ɔbˈavɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_150.wav|mˈɔɡwam jˈɔ̃ pɔdwˈɔntʃɨdʑ dɔː ˌuɲivˌɛrsalnˈɛɡɔ zavˈɔru w mˈɔim skafˈandʒɛ, ˌalɛ tɔ zɲˌivɛtʃɨwˈɔbɨ tsˈɛl tsˈawɛj mˈɔjɛj vɨprˈavɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_203.wav|miltʃˈawa pʃˈɛs xfˈilɛ, pˈɔtɛm pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_335.wav|mˈɨɕlɛ ˈɔtɨm virˈuɕɛ pʃɛzˈɛmɲʲɛ ɔtkrˈɨtɨm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_125.wav|ɕˈada nˈatɨm sˈamɨm kʃˈɛɕlɛ, na ktˌurɨm ɕˈɛdʑaw, pˈiʃɔnts çistˈɔrjɛ bɛnjˈɛɡɔ, lˈuʑnɔ splˈata dwˈɔɲʲɛ na kɔlˈanax i tʃˈɛka.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_26.wav|nˈavɛt tˈɛssa starˈawa ɕɛ mɲʲɛ pʃɛkˈɔnadʑ dɔ prˌaɡmatˈɨzmu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_37.wav|tˈak, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_9.wav|sɔ̃ tˈɛʃ ˈinnɛ vˌɨtwumatʃˈɛɲʲa, ˌalɛ jˈɛɕli pˌɔdɛjmʲˈɛmɨ zwˈɔ̃ dɛtsˈɨzjɛ, mˈɔʒɛ tɔ pɔtɕˈɔŋɡnɔɲdʑ za sˈɔbɔ̃ pɔvˈaʒnɛ kˌɔnsɛkfˈɛntsjɛ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_250.wav|ɕˈɛdʑɔnts pʃɛt tˌɨmi ɕfʲɛtsˈami, mˈɔɡli ftɕˈiskatɕ ɕɛ f snˈɨ lˈudʑi i ssˈɨwatɕ im vˈizjɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_3.wav|ɔpˈarwa ɕɛ ɔ bˌalustrˈadɛ i vɛstxnˈɛwa ɡwɛmbˈɔkɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_96.wav|mˈuɕaw vɨpˈapladʑ dɔ tɛj pʃɛklˈɛntɛj ˈɛlis.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_201.wav|pˈɛvɲʲɛ w ɲˈim ɕɛ pʃɨjˈɛmɲʲɛ jˈɛʑdʑi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_61.wav|xˈɔdʑ vˌɨtʃuvˈawam w ɲˈim ɲʲˈɛtsɔ ɡɔrˈɨtʃɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_56.wav|ʃˈukam vʲˈatru f pˈɔlu.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_449.wav|za pˈuw ɡrɔɕˈika z radˈɔɕtɕɔ̃ vɨrvˈawabˌɨm jɛj jˈɛ̃zɨk. ɲʲˈɛvaʃ ɕɛ tˈak mˈuvitɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_65.wav|i dˈɔbʒɛ ɕɛ tʃɨmˈajɔ̃, ˌalɛ dwˈɔɲmi ˌuvʲɛ̃ʑɔnˈɨmi w ɡrˈubɨx rˌɛŋkavˈitsax ɲʲɛvʲˈɛlɛ mˈɔʒna vˌɨtʃarˈɔvatɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_451.wav|kˈɔrsak stˈanɔw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_151.wav|natˈɨxmʲast pˌɔvratsˈajɔ̃ fspɔmɲʲˈɛɲʲa udrˈɛŋki s kˈilku ɔstˈatɲix tɨɡˈɔdɲi, ktˌurɛ spɛɲdʑˈiliɕmˌɨ rˈazɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_127.wav|ˈɔtɨm, ɡdʑˈɛ mʲɛʃkˈawam, jˈak spɛndʑˈawam tʃˈas, kˈɔɡɔ kɔxˈawam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_9.wav|pˈɨta fˌuŋktsjɔnˈarjuʃ.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_125.wav|pˌɔzɔstavˈawa mi tˌɨlkɔ nadʑˈɛja, ʒˈɛ jˈakiɕ pratsˈɔvɲik sˈanxɛs ɲʲɛ pˌɔstanˈɔviw nˈaɡlɛ vɨɕfʲˈɛtlitɕ ɔbrˈazu na mˌɔɲitˈɔʒɛ, ʒˈɛbɨ zrˈɔbʲidʑ vraʒˈɛɲʲɛ na sfˈɔjɛj dʑɛftʃˈɨɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_27.wav|jˈumbɔ ɕɛ uɕmʲˈɛxnɔw i bjˈawɛ zˈɛmbɨ zˌabwɨsnˈɛwɨ na tlˈɛ tʃˈarnɛj tfˈaʒɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_114.wav|vɨʒˈutsa tʃˈɨ dublˈɛtɨ i tʃˈɨ kɔlˈɛjki z ʒˈɛndu lɔndˈujɛ w vʲɛ̃ʑˈɛɲʲu. ˌanɔmˈalja stˌatɨstˈɨtʃna pˌɔruvnɨvˈalna z vɨɡrˈaɲʲɛm ʃˈustki f tˈɔtka.|2
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_4.wav|tˈakɔ rɔsstˈaviw trˈujnuk, ja ˌusunˈɔwɛm ɕɛ na bˈɔk, ʒˈɛbɨ mu ɲʲɛ pʃɛʃkˈadʑatɕ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_341.wav|ɲʲɛstˈɛtɨ...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_3.wav|tˈɔm zapˈukaw dɔ jɛj dʒvˈi, a kʲˈɛdɨ fʃˈɛd dɔ ɕrˈɔtka, pɔdɲʲˈɔswa ɡwˈɔvɛ i spɔjʒˈawa na ɲʲˈɛɡɔ pˌɨtajˈɔntsɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_472.wav|zˌɔbatʃˈɨmɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_140.wav|mˈɔʒɛ tɔ bˈɛs ruʒɲˈitsɨ, ktˌurɔ̃ ɔdnˈɔɡɛ vɨbjˈɛʒɛ, mˈɔʒɛ fprˈɔst pʃɛtɕˈivɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_230.wav|tʃɨ tɔ mɔɡwˈɔbɨ ɕɛ ˈudatɕ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_12.wav|pˈɔprɔɕ mʲɛjstsˈɔvɨx, ʒˈɛbɨ pˌɔzɔstˈali f pˈɛvnɛj ˌɔdlɛɡwˈɔɕtɕi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_433.wav|brˈak kˌarɔsˈɛrji pɔvʲˈɛŋkʃaw pˈɛnt. fʃˈɨstkɔ, tsˈɔ bˌɨwɔ blˈiʒɛj, miɡˈawɔ nˈam pʃɛt ɔtʃˈami.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_48.wav|a jˈɛdnak mˈuɕiʃ mi vʲˈɛʒɨtɕ, xˈɛlɛn.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_216.wav|krˈul ˈɛwrɔn zavˈɔwaw lˈadɨ xˈɛvɛtt, dˌɔmaɡˈajɔnts ɕɛ nˌapɛwɲʲˈɛɲʲa kʲɛlˈixa, pɔ tʃɨm vzɲʲˈuz ɡˈɔ vɨsˈɔkɔ nad ɡwˈɔvɛ. kˌapitanˈɔvʲɛ i krulˈɔvʲɛ!|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_108.wav|vɨdˈajɛ ɕɛ tɔ prˌɛtɛnsjɔnˈalnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_162.wav|ɡdˈɨbɨ bˌɨwɔː inˈatʃɛj, tˈɛras ɲʲɛ pˈisawbˌɨm tɨx swˈuf, bˈɔ bˈɨm ɲʲˈɛʒɨw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_100.wav|ˈɔfʃɛm, jɛst rɨzˈɨkɔ, ˌalɛ ɲʲɛvʲˈɛlkʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_354.wav|rˌɔspalˈimɨ ˈɔɡʲɛɲ i zjˈɛmɨ dˈɔbrɔ̃, tɕˈɛpwɔ̃ kɔlˈatsjɛ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_190.wav|pʃˈɨʃwɔ tʃtˈɛrɛx lˈudʑi f sprˈavʲɛ krasnˈala.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_47.wav|ja jˌɛstɛm ɔsˈɔbɔ̃ publˈitʃnɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_123.wav|kʲˈɛdɨ vrˈatsa dɔ dˈɔmu, vɨʒˈutsa tɕˈastka dɔ kˈɔʃa.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_312.wav|jˈuʃ fspuwtʃˈujɛ kaʒdˈɛmu, ktˈɔ mu ɕɛ narˈaʑi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_97.wav|kʲˈɛdɨ vidʑˈawa pˈaɲi pɔ rˈas ɔstˈatɲi sfɔjˈɛɡɔ mˈɛ̃ʒa, tsˌamɛrˈɔna ɛdmˈuntsa?|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_105.wav|i vˌɨɡlɔndˈawɔ tɔ ɲˈibɨ fˈilm, kturˌɛɡɔ dʑvʲˈɛŋk ˈurvaw ɕɛ nˈaɡlɛ, ɡdˈɨʃ fʃˈɨstkɔ ɡwuʃˈɨwɨ pʃˌɛjɛʒdʒajˈɔntsɛ sˌamɔxˈɔdɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_227.wav|jɛstˌɛɕtɕɛ tˈam jˈɛʃtʃɛ?|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_169.wav|tɨ s pɛvnˈɔɕtɕɔ̃ rˈuvɲʲɛʃ, swɔvˈitʃku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_29.wav|spɔjʒˈawɛm f tsɛlˈɔvɲik. ɕmʲˈali ɕɛ i rˌɔzmavʲˈali.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_45.wav|pɔdbʲˈija w rɛˈaktsji na tsˈɔ kɔbjˈɛta pasˈujɛ. jɛzd dɔkwˈadɲʲɛ tˈakim ɡrˈatʃɛm, jˈakix ɔn lˈubʲi.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_83.wav|ɛdmˈurɛ bɛzɡwˈɔɕɲʲɛ pɔrˈuʃɨw s pˌɛŋkanˈɨmi ustˈami i zˈamknɔw ˈɔtʃɨ, ɡdˈɨ sˈɛr ˈilɨn ˈuɲʲus mʲˈɛtʃ.|1
+Dataset/wavs/urwisko_ferenc/36_segment_70.wav|pˈɛvɲʲɛ pˈaɲi ɲʲˈɛvʲɛ, ˌalɛ kˈilka mʲɛɕˈɛntsɨ pˈuʑɲʲɛj mˈatka tɛj dʑɛftʃˈɨŋki zˌaɡʲinˈɛwa bˈɛz vʲˈɛɕtɕi.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_347.wav|vɨpˈijɛʃ kʲˈɛliɣ vˈina lˈɔrda xɛvˈɛta?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_45.wav|f tɛj xfˈili ɲʲɛ vʲɛdʑˈawa jˈɛʃtʃɛ, tʃɨ tɔ w ɔɡˈulɛ tsˈɔɕ ˌistɔtnˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_64.wav|ɲʲɛ, ɲʲˈɛma sprˈavɨ, umjˈɛram z ɡwˈɔdu.|3
+Dataset/wavs/urwisko_ferenc/24_segment_29.wav|napˈijɛ ɕɛ pˈan tʃˈɛɡɔɕ?|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_425.wav|pˌɔmjɛʃtʃˈɛɲʲɛ ɲʲɛ bˌɨwɔː ˌɔɡʒɛvˈanɛ i pʃɨ kˈaʒdɨm swˈɔvʲɛ z ˈust mɛ̃ʃtʃˈɨznɨ buxˈawa pˈara. zatʃˈɛka.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_382.wav|ˌumjɛrˈawɔ w ɕrˈɔtku ˌasfaltɔvˈɛɡɔ pɔdvˈurka.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_257.wav|s ktˌurɛj dˌɔbɨvˈawɨ ɕɛ kwˈɛmbɨ pˈarɨ dɨmjˈɔntsɛj za kˈaʒdɨm rˈazɛm,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_133.wav|i ftˈɛdɨ jˈuʒ vʲɛdʑˈawam.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_225.wav|a jˈudɨ vʑˈɛwa jˈɛɡɔ dwˈɔɲ i pʃˌɨtɕisnˈɛwa dɔ tfˈaʒɨ. pˈɔtɛm vɨʃˈɛdwa.|0
+Dataset/wavs/urwisko_ferenc/23_segment_128.wav|ɕikˈɔrski vʑˈɔw dɔ rˈɛŋki rˈamkɛ zˈɛ zdjˈɛɲtɕɛm i pɔpˈatʃɨw na zmˈarwɔ̃ vnˈutʃkɛ i zˌaɡʲiɲʲˈɔnɔ̃ tsˈurkɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_278.wav|kˌɔntaktˈujɔ̃ ɕɛ z bˈazɔ̃ tˌɨlkɔ ftˈɛdɨ, kʲˈɛdɨ tsˈɔɕ ɕɛ zɛpsˈujɛ ˈalbɔ jˈɛɕli pˌɔtʃɛbˈujɔ̃ dˈalʃɨx instrˈuktsji.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_32.wav|ˈɔtpar sˈɛr lˈɨlɛ, pˌɔpɨxˈajɔnts jˈɔ̃ f strˈɔnɛ sˈɛr ilˈɛna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_92.wav|ɲʲˈɛma na tsˈɔ pˈatʃɛtɕ. jˈɛɕli pˈaɲi ɲʲɛ vɨxˈɔdʑi, sˌuɡɛrˈɔvawbˌɨm pˈɔvrud dɔ mʲɛʃkˈaɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_52.wav|dɔ tˌɛɡɔ zˈafʃɛ istɲʲˈawa ɲˈikwa nadʑˈɛja na znˌalɛʑˈɛɲʲɛ ɔttɕˈiskuf pˈaltsuf.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_225.wav|tsˈɔ tɨ zrɔbʲˈiwɛɕ? ɲʲɛ mˈɔʒɛʃ ɕɛ ɔʒˈɛɲitɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_8.wav|ɲʲɛ tʃˈujɛ ˌukɔjˈɛɲʲa, vʲˈɛnts f kˈɔɲtsu vɨɕˈadam, uznˈafʃɨ, ʒˈɛ krˈutki spˈatsɛr rɔzjˈaɕɲi mi ˈumɨsw i zmɲʲˈɛjʃɨ vɛvnˈɛntʃnɛ napʲˈɛɲtɕɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_33.wav|dˈar ɕɛ nˈamɲʲɛ jˈak ɲˈiɡdɨ pʃˈɛttɛm. f kˈuwkɔ pɔftˈaʒaw ˈilɛ pʲɛɲʲˈɛndʑɨ vwadˈɔvaw f tɛn vˈarʃtat i ʒˈɛ fʃˈɨstkɔ pˈɔʃwɔ z dˈɨmɛm pʃɛzˈɛmɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_149.wav|vˌɨdrukɔvˈawam fˌɔrmulˈaʒɛ spɔnsˈɔrskʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_20.wav|ɲʲɛ ˌɔɡarnˈɛwam jˈɛʃtʃɛ dɔ kˈɔɲtsa ˌinstaɡrˈama, ˌalɛ jˈɛɕli tˈam rˈuvɲʲɛʃ mˈam ɕɛ znˈalɛɕtɕ, dˈajtɕɛ mi znˈatɕ, a dɔwˈɔʒɛ stˈaraɲ, ʒˈɛbɨ vʒˈutɕitɕ tˈam tsˈɔɕ ˌintɛrˌɛsujɔntsˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_202.wav|a sɛrˈɔsnɨ i bˌɛɲdʑɛ na mʲˈɛjstsu, ɡɔtˈɔvɨ jˈɔ̃ pɔtɕˈɛʃɨtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_15.wav|pɔ xfˈili, ktˌura vɨdˈajɛ ɕɛ tɕˈɔŋɡnɔɲtɕ mˌinutˈami,|3
+Dataset/wavs/urwisko_ferenc/08_segment_65.wav|stˈawa f pɔblˈiʒu nˌarɔʒɲˈika dˈɔmu, ɡdʑˈɛ rˈusuw dˈuʒɨ rˌuʒanˈɛtʃɲik. vˌɨwɔɲˈiwa ɕɛ zzˈa kʃˈɛvu i zˌatʃɨmˈawa f pɔwˈɔvʲɛ drˈɔɡʲi dɔ fˈurtki.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_162.wav|tʃˈas jˈɛʃtʃɛ ɲʲɛ dˈɔjʒaw.|1
+Dataset/wavs/urwisko_ferenc/12_segment_135.wav|tɔ znˈatʃɨ mˈɔjɛj ʒˈɔɲʲɛ i mɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_223.wav|pˈɔtɛm spɔstʃˈɛɡam kanˈapɛ i zˌatʃɨmˈujɛ ɕɛ mˈɔjɛ sˈɛrtsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_139.wav|bʲˈillɨ ʃˈuka w mˈɨɕlax tsˌɛlɲʲɛjʃˈɛɡɔː ˌɔkrɛɕlˈɛɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_324.wav|jˈɛɕli bɔɡˈɔvʲɛ bˌɛndɔ̃ waskˈavi...|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_342.wav|tʃˈarna pˈɛrwa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_671.wav|zɡɔdʑˈiwɛm ɕɛ pɔtˈulɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_56.wav|bˈɔ pʃˌɛtɕɛʃ mˈɔʒna rɔspˈɔtʃɔɲtɕ naˈukɛ, kʲˈɛdɨ ɕɛ xtsˈɛ.|2
+Dataset/wavs/urwisko_ferenc/23_segment_49.wav|ɕtɕˈɔŋɡnɔw ˌɔkulˈarɨ i pʃˈɨɡrɨz za ˈuʃɲik.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_73.wav|kˈuxɲʲa kˌavalˈɛrska na dwˈuʃʃɔ̃ mˈɛtɛ jɛzd ɡˈɔrʃa ɔd ɡɔʒˈawɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_36.wav|zˌɔstavˈiliɕmˌɨ jˈɔ̃ zamkɲʲˈɛntɔ̃ w ɔbˈavʲɛ, ʒˈɛ ktˈurɛʑ z dʑˈɛtɕi mɔɡwˈɔbɨ fpˈaʑdʑ dɔ ɕrˈɔtka i ɕɛ udˈuɕitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_131.wav|fʃˈɨstkɔ ɡrˈa, kɔlˈɛɡɔ, kˈasa ɕɛ zɡˈadʑa, pˌɔvʲɛdʑˈawɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_24.wav|i ˈɔbɨ ɕɛ tɔ pˌɔtfʲɛrdʑˈiwɔ, bˈɔ f tʃˈɛɲɕtɕi pwˈatsɔ̃ mu vwˈaɕɲʲɛ za ˌumjɛjˈɛntnɔʑdʑ zɲikˈaɲʲa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_71.wav|tɔ ɲʲˈɛvʲɛm, tsˈɔ zˈɛmnɔ̃ bˈɛɲdʑɛ, zˌavirɔvˈawɔ kˈɔwɔ mɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_72.wav|sɔ̃ tˌɨlkɔ kˌɔrɨtˈaʒɛ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_475.wav|brjˈɛnnɛ pˌamjɛntˈawa, ʒˈɛ arˈɨa mʲˈawa brɔ̃zˈɔvɛ vwˈɔsɨ, ˌalɛ ɲʲɛ bˌɨwa pˈɛvna kɔlˈɔru jɛj ˈɔtʃu. brɔ̃zˈɔvɛ i brɔ̃zˈɔvɛ, tʃɨ tɔ jɛst tɔ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_30.wav|jɛdˈɨnɨm vɨjˈɔntkʲɛm bˌɨwɨ ˌɔbɔvʲɔ̃skˈɔvɛ lˈɛktsjɛ rɛlˈiɡji.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_100.wav|vwɔntʃˈɛɲʲu ˌuʒɔndʑˈɛɲʲa ˈawdjɔ, ʒˈɛbɨ mˈɔɡli sprˈavdʑitɕ, tsˈɔː ɔɡlˈɔndam f tˌɛlɛvˈizji.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_64.wav|zɡubʲˈili ɡˈɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_140.wav|tsˈɔ tʃˈɨɲi mɲʲɛ ɔstˈatɲim arbˈuzɛm na ɡʒˈɔnttsɛ, ɔstˈatɲim ʑˈarŋkʲɛm f strˈɔŋku, ɔstˈatɲʲɔ̃ tʃˌɛkɔlˈatkɔ̃ f pudˈɛwku, tʃɨ jˈakɔ̃ ktˈɔ mˌɛtafˈɔrɛ vˈɔli?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_30.wav|na ʃtʃˈɨtɕɛ lˈistɨ znajdˈujɛ ɕɛ bˌɨwɨ ɡwˈuvnɨ inspˈɛktɔr mˈarɡ ɡrˈaj, ktˌurɨ ɲˈiɡdɨ ɲʲɛ vɨdˈajɛ ɕɛ zˌaskɔtʃˈɔnɨ mɔˈimi tsˈɔraz dʑˌivɲʲɛjʃˈɨmi pˌɨtaɲʲˈami. tɔ pravdʑˈiva ɡvʲˈazda.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_6.wav|jɛj zdjˈɛɲtɕɛm mˈɔʒna bˈɨ zˌilustrˈɔvatɕ xˈaswɔ kˈats f swɔvɲˈiku.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_175.wav|tʃɨ nˈadal jˌɛstɛɕ ɲʲɛvˈinna, alˈain?|1
+Dataset/wavs/urwisko_ferenc/11_segment_87.wav|bˈɔ mɲʲɛ pˈɨtaw ɔ tfˈɔjɛ vɨstˈɛmpɨ na drˈɔdʑɛ jɛʑˈɔrnɛj, pɔwˈɔntʃɨw fˈaktɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_255.wav|a dlatʃˈɛɡɔʃ mʲˈawbɨm kwˈamatɕ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_240.wav|ˈaʒ dɔ ɕmʲˈɛrtɕi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_49.wav|kɔrˈɨtaʃ jɛst pɔsˈɛmpnɨ, w vʲˈɛlu mʲˈɛjstsax na ɕtɕˈaɲʲɛ ɔtxˈɔdʑi tapˈɛta.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_49.wav|fˈajnɨ samˈɔxut, tʃɨ ɲʲɛ, fʃˈɨstkɔ, na tʃɨm tˈak naprˈavdɛ mi zˌalɛʒˈawɔ, ˌɔtʃɨvˈiɕtɕɛ pˈɔza mˈamɔ̃ i tˈatɔ̃, vˌɨdavˈawɔ ɕɛ zɲˈikatɕ w ɔddˈali za naʃˈɨmi plɛtsˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_191.wav|nˌastɛmpnˈɛɡɔ dɲʲˈa ɔtfʲˈɛraʃ ˈɔtʃɨ i ˌɔkazˈujɛ ɕɛ, ʒˈɛ prɔblˈɛmɨ ɲʲɛ zɲˈikwɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_84.wav|ɲˈiɡdɨ tɕi tˌɛɡɔ ɲʲɛ zˌapɔmɲʲˈawɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_163.wav|ɔdˈɛzvaw ɕɛ ˈɔjtɕɛts wˌaɡɔdɲʲˈɛjʃɨm tˈɔnɛm. tɔ bˌɨwɔ ɲʲˌɛpɔtʃˈɛbnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_25.wav|pɔɡˈɔda dˌɔpisˈujɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_44.wav|mˈamtɕa ˈɔdɔm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_13.wav|ɲʲɛ vʲɛdʑˈɛli, tʃˈɛɡɔ mˈɔɡɔ̃ ɕɛ spɔdʑˈɛvatɕ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_244.wav|vˌɨpɛwɲʲˈɔnɛj rˌɔzɛɕmʲanˈɨmi lˈudʑmi.|1
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_8.wav|spɛɲdʑˈiwam tʃˈɨ minˈutɨ na zˈɛvnɔndʒ bˈɛs skafˈandra, smˈaʒɔnts ɕɛ f prˈuʒɲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_161.wav|stfʲˈɛrdʑiw, ʒˈɛ ɲʲɛ pˌɔviɲʲˈɛnɛm bˈɨw tɕˈɛ lˌɛktsɛvˈaʒɨtɕ.|2
+Dataset/wavs/urwisko_ferenc/51_segment_33.wav|jɛxˈali w miltʃˈɛɲʲu pʃˈɛs skrˈaj ɔɕˈɛdla na skˈarpʲɛ i dɔpʲˈɛrɔ ɡdˈɨ zjɛxˈali w dˈuw dɔ kaʃtʃˈɔrka, pɔlˈitsjand zaɡˈaiw.|0
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_129.wav|dalˈɛkɔ na puwnˈɔtsɨ, ɲˈiskɔ nat xˌɔrɨzˈɔntɛm ˌunɔɕˈiwa ɕɛ mɡʲˈɛwka. kˈɔja fskazˈawa nˈaɲʲɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_49.wav|tˈak tʃɨ inˈatʃɛj, jˈɔɛl pɔjˈaviw ɕɛ jˈakʲɛɕ pˈuw rˈɔku tˈɛmu.|3
+Dataset/wavs/urwisko_ferenc/08_segment_47.wav|pˈɔtɛm, ɡdˈɨ ix pˈaltsɛ ɕɛ splˈɔtwɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_65.wav|znˈa mˈɔjɛ pʃɨbrˈanɛ ˈimjɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_116.wav|bˈaki pɔvʲˈɛdʑaw tsˈɔɕ, tʃˈɛɡɔ ɲʲɛ mˈɔɡɛ zapˈɔmɲʲɛtɕ. stfʲˈɛrdʑiw ˈɔtuʃ, ʒˈɛ bˌɛɲdʑɛʃ ɕɛ pʃˈɨmɲʲɛ tʃˈɨmatɕ tˈaɡ dwˈuɡɔ, jˈak nˈatɔ pɔzvˈɔlɛ, a tɔ dˌɔprɔvˈadʑi tɕˈɛ dɔ zɡˈubɨ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_558.wav|mˈuviw tɕˈixɔ, jˈaɡbɨ bˈaw ɕɛ, ʒˈɛ ktˈɔɕ mˈɔʒɛ pˌɔtswuçˈivatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_140.wav|rˈudɨ uɕmʲˈɛxnɔw ɕɛ i spˈɔjʒaw nˈamɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_63.wav|ˌalɛ ɲʲɛ s tˌɛlɛfˈɔnu lˈutsɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_63.wav|xtɕˈawam ˈɔdɛjɕtɕ, kʲˈɛdɨ zˌɔbatʃˈɨwam pˈɔnat ramjˈɛɲʲɛm jaɡˈɛra, ʒˈɛ tsamˈɛrɔn fstˈajɛ i rˈuʃa w mˈɔjɔ̃ strˈɔnɛ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_278.wav|im ʃˈɨptɕɛj skɔɲtʃˈɨmɨ z rivˈɛrun, tɨm ʃˈɨptɕɛj bˌɛndɛ mˈuɡw dɔ ɲʲˈɛj vrˈutɕitɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_47.wav|zˈɔstaf tɔ mɲʲɛ. dʑˈɛŋki, ʒˈɛ mɲʲɛ pˌɔvʲadɔmˈiwaɕ. ftɕˈɔ̃ʃ jˌɛstɛm w ɛksˈɔtɛx, vʲˈɛnts pˌɔrɔzmˈavʲam s tɔ̃ xɔlˈɛrnɔ̃ bˈabɔ̃. i pʃˈɛprɔɕ sˈarax ɔzbˈɔrnɛ w nˈaʃɨm imjˈɛɲʲu.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_96.wav|trˈɔnt srˈaw pʲɛɲʲˈɛndʑmi, ˌalɛ ɲˈits ɲʲɛ mˈɔɡwɔ pʃɨvrˈutɕitɕ lˈɛnɛ vwˈadʑɨ w nˈɔɡax.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_111.wav|ˈɛddart stˈark mʲˈaw dvʲˈɛ tsˈurki i sˈandɔr klɛɡˈanɛ pˈɔrvaw drˈuɡɔ̃, tˈɛ mwˈɔtʃɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_32.wav|ɔn jɛst pʃɛstˈɛmptsɔ̃ i ɲʲˈɛxtsɛ vʲˈɛdʑɛtɕ, tsˈɔ zrˈɔbʲiw.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_34.wav|pʃɛɲˈikam mˈurɨ i krˈatɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_11.wav|tɔ tˈam tˈɛras jˈɛst?|2
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_128.wav|rˈuvɲʲɛ dˈɔbʒɛ mˈɔɡwam iɣ vɨrˈɛntʃɨtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_205.wav|spʲˌɔrunɔvˈawam daˈɨla vzrˈɔkʲɛm, ˌalɛ tˌɛɡɔ ɲʲɛ zˌauvˈaʒɨw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_49.wav|iɣ dˈɔtɨk jɛst najɡˈɔrʃɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_235.wav|uɕmʲˈɛxnɔw ɕɛ, fstˈaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_257.wav|a dlatʃˈɛɡɔ jˈɔ̃ zabʲˈiwɛɕ?|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_230.wav|rˈɔbɛrt ˈarɨn fʃˈɨstkɔ rˈɔbʲiw ɲʲɛzɡrˈabɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_26.wav|ˌalɛ ˈalfjɛ jɛst tˈak ʃtʃɛɲɕlˈivɛ f ʃkˈɔlɛ, a ja tʃˈujɛ ɕɛ tˈaɡ vˈinna tɨx tɕˈɔŋɡwɨɣ zˌavirˈɔvaɲ w jˈɛɡɔ ʒˈɨtɕu, ʒˈɛ mʲɛʃkˈamɨ tˈutaj jˈuʃ ɔd dvˈux lˈat.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_204.wav|ˈɔɕɛm dla mɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_20.wav|ja jˌɛstɛm krulˈɔvɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_235.wav|mˈɔʒɛ fstˈawa nat rˈanɛm i pˈɔʃwa ʃˈukadʑ vˌɨɡɔdɲʲɛjʃˈɛɡɔ mʲˈɛjstsa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_73.wav|tˈɔm znˈuf pˈɔtʃuw ɕɛ vˈinnɨ. zˈafʃɛ prubˈɔvaw dˌɔɡadˈɨvatɕ ɕɛ s kˈatɛ, ˌalɛ ˌɔna za kˈaʒdɨm rˈazɛm muɕˈawa pɔstˈavitɕ na sfˈɔim.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_10.wav|bʲˈillɨ nabjˈɛra tsˈɔraz vʲˈɛŋkʃɛj pɛvnˈɔɕtɕi, ʒˈɛ jˈɛɕli ɡˈɔ znˈajdɔ̃, ɲʲɛ ˈujdʑɛ z ʒˈɨtɕɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_466.wav|brakˈujɛ tɕi jˈuʃ fantˈazji. vʲˈɛm, ɔ tʃɨm mˈɨɕliʃ, kʲˈɛdɨ zajmˈujɛʃ ɕɛ ɲʲˈɔ̃ na sfˈuj spˈɔsup.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_43.wav|dɔmˈɨɕla ɕɛ, ʒˈɛ ɲˈikt tɔ tˈɛʒ vʲˈɛ.|2
+Dataset/wavs/urwisko_ferenc/03_segment_53.wav|jˈaɡbɨ xtɕˈawɨ vɨpˈalitɕ w ɲˈim dʑˈurɛ.|0
+Dataset/wavs/urwisko_ferenc/53_segment_137.wav|ˈɔlɡʲɛrd dˈɔpiw kˈavɛ i ɔtstˈaviw pˈustɨ kˈubɛk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_158.wav|xˈɔtɕaʒ z ɲˈim ɲˈiɡdɨ ɲˈits ɲʲɛ vʲadˈɔmɔ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_196.wav|ˈalɛn uɕmʲˈɛxa ɕɛ dɔ ɲʲˈɛj ʃɛrˈɔkɔː i tsˈɔɕ mˈuvi. bʲˈillɨ vˈidʑi tɔː i bˈɛs tsˌɛlɔvɲˈika ˌɔptɨtʃnˈɛɡɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_137.wav|a vʲˌɛtʃɔrˈami ɕˈɛdʑaw s tˌɨmi xwɔpˈami mʲˌɛʃkajɔntsˈɨmi w ɡˈurax i rˈuvɲʲɛ dʑikˈimi jˈak ɔn i ɡrˈaw z ɲˈimi f kˈartɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_92.wav|tsamˈɛrɔn dˈɔstaw jˈuʃ ˈɔdɛ mɲʲɛ spˈɔrɔ pʲɛɲʲˈɛndʑɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_31.wav|ɲʲɛ unˈɔʃɛ dwˈɔɲi, ʒˈɛbɨ jˈɛ zˈɛtʃɛtɕ, lˈɛtʃ swˈuxam, jˈak tˈɔm vɨjˈaɕɲʲa mɔʒlˈivɔɕtɕ ˌanɔɲˌimɔvˈɛɡɔ kɔntˈaktu.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_4.wav|na pˈɛvnɔ znˈɔvu ɕɛ ˈupiw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_192.wav|a jˈɛdnak tsˈɔɕ w ɲˈix ˈumʒɛ, kʲˈɛdɨ ɕɛ dɔvʲˈɛdʑɔ̃, tsˈɔ tˈak naprˈavdɛ tˈu rˈɔbʲiw.|2
+Dataset/wavs/urwisko_ferenc/64_segment_37.wav|xˈɔdʑi ɔ tɛn sˈam bˈasɛn. ˈilɛ tɔ zˈajmʲɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_70.wav|samˈɔxut stɔjˈɔntsɨ ˌɔbɔk mˌɛrtsɛdˈɛsa zˈɔstaw zˌaparkɔvˈanɨ tˈaɡ blˈiskɔ, ʒˈɛ tʃˈɛba ɕɛ bˌɨwɔ pʃɨtɕˈiskatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_84.wav|trˈɔxɛ tɔ trfˈawɔ, ˌalɛ f kˈɔɲtsu dˈɔm faktˈɨtʃɲʲɛ vɨpˈɛwɲiw ɕɛ lˈudʑmi.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_397.wav|spˈɔd ɡˈaŋka vˈɨʃli ɔbdˈartɕi xwˈɔptsɨ ɔ ɲʲˌɛɔstʃɨʒˈɔnɨɣ vwˈɔsax, a w vˌɨxɔdʑˈɔntsɨx na pɔdvˈurkɔː ˈɔknax pˌɔjavˈiwɨ ɕɛ spwɔʃˈɔnɛ dʑɛftʃˈɨŋki.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_140.wav|tɔ ɕtɕˈɛʃka dɔ bjɛɡˈaɲʲa i jˈazdɨ na rɔvˈɛʒɛ, ʃˈɛfjɛ, bjɛɡnˈɔntsa vzdwˈuʃ stˈarɛj lˈiɲʲi kˌɔlɛjˈɔvɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_34.wav|zˌatʃɨnˈawɛm pˌɔdɛjʒˈɛvatɕ, ˈɛlis tˈɛʃ, sˈɔndʑɔndʑ z jɛj mˈinɨ, ʒˈɛ tsˈɔɕ jɛst ɲʲɛ tˈak i ɲʲɛ dˌɔstaɲʲˈɛmɨ ɕɛ dɔ ɕrˈɔtka, pʃɨnˈajmɲʲɛj ɲʲɛ tˈɛndɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_119.wav|ɲʲɛ bˌɛndɛ tʃˈɛkaw w ɲʲˌɛskɔɲtʃˈɔnɔɕtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_36.wav|za pˌɔinfˌɔrmɔvˈaɲʲɛ trˈɔnda i ˌɔpalˈatɕɔː ɔ zˈafɔ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_361.wav|ɡdˈɨbɨ udˈawɔ ɕɛ ɡˈɔ vam pˈɔjmatɕ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_54.wav|mˈɔjɛ stˈɔpɨ zˌatʃɨnˈajɔ̃ ɕɛ pɔrˈuʃatɕ, jˈaɡbɨ na pʃˈɛkur mɲʲɛ sˈamɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_238.wav|tˈatɔ, maʃ jˈakʲɛɕ fstˈɛmpnɛ rˈadɨ ɔdnˈɔɕɲʲɛ tˌɛɡɔ tɕˈɛɲtɕa?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_152.wav|jˈaɡ za dˈavnɨx lˈat tˈaŋɡrɛt, vʲˈɛnts nˈaʃ ˌɛlɛɡˈantski kʲɛrˈɔftsa pˈɔmuɡw nˈam vˈɨɕɔ̃ʑdʑ z lˌimuzˈɨnɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_29.wav|pamjˈɛntam tʃˈasɨ, kʲˈɛdɨ ˌurɔdʑˈiwa ɕɛ xˈɔllɨ i ɔbˈɔjɛ utʃˈɨliɕmˌɨ. kˈaʒdɨ dʑˈɛɲ vʲˈɔ̃zaw ɕɛ s tɕˈɔŋɡwɨm pɔɕpʲˈɛxɛm. nˈajpʲɛrf jɛxˈawa dɔː ˌɔpʲɛkˈuŋki.|3
+Dataset/wavs/urwisko_ferenc/01_segment_83.wav|na drˈuɡɔ̃ rɔtʃɲˈitsɛ ɕlˈubu ˌɔtʃɨmˈawa ɔt mˈɛ̃ʒa prˈɛzɛnt vɔˈuxɛr na vˌɨmaʒˈɔnɨ tatˈuaʃ, ɔ ktˌurɨm ˌɔpɔvʲadˈawa mu tˌɨɡɔdɲʲˈami.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_78.wav|fʃˈɛd dɔ kˈuxɲi, a ˈɔbaj dˌɛtɛktˈɨvi tʃɨmˈali ɕɛ blˈiskɔ.|3
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_23.wav|im dwˈuʒɛj jˈɛdnak ɕɛ nˈattɨm zˌastanavʲˈawɛm,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_78.wav|ɡwˈɔvɛ tʃˈɨmam vɨsˈɔkɔː i zˌaxɔvˈujɛ nɛwtrˈalnɨ vˈɨras tfˈaʒɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_115.wav|bˌɛndɛ na ɲʲˈɛɡɔ tʃɛkˈawa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_9.wav|mʲˈawa ˌɔtʃɨvˈiɕtɕɛ rˈatsjɛ, ˌalɛ ɲʲɛ spravˈiwɔ tɔ, ʒˈɛ zmʲˈɛɲiw zdˈaɲʲɛ na tˈɛmat tɛj prˌɔtsɛdˈurɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_130.wav|fɕˈat s pɔvrˈɔtɛm dɔ sˌamɔxˈɔdu, p��ɛjˈɛxaw kavˈawɛk i znˈuf ɕɛ zatʃˈɨmaw, ʒˈɛbɨ zawˈɔʒɨtɕ wˈaɲtsux.|3
+Dataset/wavs/urwisko_ferenc/42_segment_79.wav|a ɔn ɕɛ ɲʲɛ zɡˈɔdʑiw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_195.wav|zrˈup, tsˈɔ tɕi kˈaʒɛ, inˈatʃɛj rɔzvˈalɛ tɕi wˈɛp, a pˈɔtɛm fraŋkˈɔvi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_19.wav|ʃtʃˈɛʒɛ mˈuvʲɔnts, ˈaʃ mɲʲɛ ɲʲɛ ˌiɡnɔrˈɔvaw. tɔ rˈatʃɛj ja ɕɛ tˈaɡ zˌaxɔvɨvˈawam, vʲˈɛndʑ zajmˈujɛ mʲˈɛjstsɛ na drˈuɡʲim kˈɔɲtsu stˈɔwu.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_287.wav|zˌatʃɛrvʲɛɲˈiwa ɕɛ pʃˈɛz wzˈɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_84.wav|dlatʃˈɛɡɔ pʃɨxˈɔdʑiw w ɲˈim dɔ dˈɔmu, zˈamjazd zɔstˈavidʑ ɡˈɔ f prˈatsɨ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_27.wav|vˈɨbatʃ, ʃˈɛfjɛ, spuʑɲˈiwɛm ɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_190.wav|pɔwˈɔva lˈudʑi, ktˌurɨɣ vɨsˈɨwam na pˌɔʃukivˈaɲʲa, ɲʲɛ vrˈatsa. ɲʲɛktˌuʒɨ dˌɛzɛrtɛrˈujɔ̃ ˈinnɨx.|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_95.wav|ˌalɛ ˈaʃ tˈakim pɛdˈantɛm ɲʲɛ jˈɛst.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_336.wav|kɕˈɔ̃ʒɛ ɔbˈɛrɨn uzbrˈɔiw fʃˈɨstkʲɛ sfˈɛ tsˈurki, ˌalɛ arjˈanɛ mˈartɛl ɲʲɛ mʲˈawa ʒadnˈɛɡɔː ɔrˈɛ̃ʒa pˈɔza sprˈɨtɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_164.wav|dlatʃˈɛɡɔ ʒˈɛɕtɕɛ mɲʲɛ ɲʲɛ zˌavɔwˈali? pˈɨta.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_455.wav|i pˌɔvʲɛdʑˈawɛm, ʒˈɛ tɔ fʃˈɨstkɔ, tsˈɔː ˈɔdɛ mɲʲɛ dɔstˈaɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_57.wav|ˌɔtʃɨvˈiɕtɕɛ kˈɔmbajn ɲʲˈɛmʲaw kabʲˈinɨ ˌɔpɛratˈɔra. fʃˈɨstkɔ dʑawˈawɔː ˌawtɔmatˈɨtʃɲʲɛ, xˈɔtɕ w rˈaʑɛ kˌɔɲʲɛtʃnˈɔɕtɕi mˈɔʒna bˌɨwɔ stɛrˈɔvatɕ maʃˈɨnɔ̃ zdˈalɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_22.wav|pˈan vˈɛʑmʲɛ sfˈɔjɛ ʒˈɛtʃɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_51.wav|drʒˈawam tsawˈɨmi ɡˌɔdʑinˈami, kʲˈɛdɨ zbliʒˈawa ɕɛ ix pˈɔra, pɔ tʃɨm ʃwˈam ɲʲɛpˈɛvɲʲɛ dɔ pɔkˈɔju dɔ mˌɛdɨtˈatsji.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_333.wav|ˌalɛ ɔn mɲʲɛ ɲʲɛ swˈuxaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_14.wav|tʃɨmˈawɛm jˈɔ̃ w ramjˈɔnax i pwakˈawɛm. i mɨɕlˈawɛm ˈɔtɨm, tsˈɔ mˈama zˈafʃɛ pˌɔftaʒˈawa, jˈak ʃwˈa dɔ prˈalɲi. ɔpʲˈɛkuj ɕɛ ɕˈɔstrɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_102.wav|praɡɲʲˈɛɲʲɛ zˌadɔɕtɕˌutʃɨɲʲˈɛɲʲa lˈudʑɔm, ktˌuʒɨ ɡˈɔ stratɕˈili sprˈavi, ʒˈɛ bˌɛɲdʑɛʃ ʃˈukatɕ ˌɔtpɔvʲˈɛdʑi tˈaɡ dwˈuɡɔ, ˈaʒ dɔpˈadɲʲɛ mɔrdˈɛrtsa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_81.wav|ɔn tɕˈɛ ɲʲɛ zabʲˈijɛ, dɔpˈuki ɲʲɛ bˌɛɲdʑɛʃ mʲˈawa tɨx pʲɛɲʲˈɛndʑɨ. ɲˈiɡdɨ tˈutaj ɲʲɛ vrˈatsaj.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_106.wav|ʒˈadnɨɣ dɨskˈusji, ʒˈadnɨx pˈɨtaɲ. pɔ prˈɔstu tɔ zrˈɔbʲiw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_244.wav|prɔɕˈiwam ɔ zbˈɨd vʲˈɛlɛ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_412.wav|pʃɨjˈatɕɛl mi pɔvʲˈɛdʑaw.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_264.wav|ˈaʒ vrˈɛʃtɕɛ zˌakʃtuɕˈiwa ɕɛ kavˈawkʲɛm marxˈɛfki.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_99.wav|jˈɛɕli dɔ ɲikˈɔɡɔ ɕɛ ɲʲɛ zbliʒˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_93.wav|ˈaxa!|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_139.wav|a ja ˌɔswupʲˈawɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_70.wav|kɔbjˈɛta zrˈɛntʃɲʲɛ pʃˌɛskɔtʃˈɨwa pʃˈɛs jˈɛɡɔ nˈɔɡʲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_81.wav|dɔ tˌɛɡɔ tʃˈasu majˈɔntkʲɛm bˌɛɲdʑɛ zˌaʒɔndʑˈawa kˌantsɛlˈarja prˈavna jˈɔrɡɛnsɛn i saxsˈɛnɛnbɛrk s ɕɛdʑˈibɔ̃ w ˈɔslɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_165.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_97.wav|mʲˈawam jˈɔ̃ pʃɨ sˈɔbjɛ. kazˈanɔ nˈam nˈɔɕitɕ tɛ tˌɛlɛfˈɔnɨ pʃˈɛs tsˈawɨ tʃˈas, ʒˈɛbɨ ˌaplikˈatsja mˈɔɡwa rˌɛjɛstrˈɔvatɕ nˈaʃɛ pˌɔstɛmpɔvˈaɲʲɛ i pʃˌɛvidˈɨvadʑ dˈalʃɛ pˌɔsuɲʲˈɛɲtɕa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_197.wav|pʃˌɨpɔmˈina mu ɕɛ, jˈak ˈɔlbɨ stˈarɡ zˌapɔvʲˈadaw, ʒˈɛ zˈaras pɔ pɔvrˈɔtɕɛ dɔ krˈaju dɔɕˈɔɲdʑɛ sfɔjˈɛɡɔ xarlˈɛja i rˈuʃɨ f pˈɔdruʒ z nɔvˈɛɡɔ jˈɔrku dɔ sˈan fransˈiskɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_24.wav|spɨtˈawa bˈɛtskɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_33.wav|a tˈɛras ˈitɕ i bjˈɛʃ ɕɛ dɔ rɔbˈɔtɨ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_167.wav|tˌɔmmɛnˈɔvi rˈuvɲʲɛʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_128.wav|ˌalɛ pɔmˈɨswɨ pʃɨxˈɔdʑɔ̃ mi dɔ ɡwˈɔvɨ wˈɛ fˈɔrmʲɛ pʃɛbwˈɨskuf, ɔbrˈazuf, ɲˈitʃɨm ɲʲɛ majˈɔntsɨ ʒadnˈɛɡɔ sˈɛnsu kɔlˈaʃ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_123.wav|tɔ znˈatʃɨ, ʒˈɛ ɲʲɛ jˌɛstɛɕ pˈɛvʲɛn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_105.wav|pɔ kˌilkunˈastu sɛkˈundax ˈɔddɛɣ dʑɛftʃˈɨnɨ zatʃˈɨna ɕɛ ˌuspɔkˈajatɕ. zdɛjmˈujɛ ɕtɕɛrˈɛtʃkɛ s tfˈaʒɨ. pˌɔdʑawˈawɔ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_293.wav|f pˈɛvnɛj xfˈili jɛj nˈɔɡa ɔmsknˈɛwa ɕɛ na bwˈɔtɕɛ i brˈɨɛn ˈɔmal ɕɛ ɲʲɛ pʃˌɛvrutɕˈiwa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_14.wav|mˌamɨ vwˈasnɛ dʒvˈi vɛjɕtɕˈɔvɛ z bˈɔku budˈɨŋku, vʲˈɛndʑ ʒˈatkɔ mˈam stˈɨtʃnɔʑdʑ z innˈɨmi.|3
+Dataset/wavs/urwisko_ferenc/27_segment_1.wav|zˌatɕɔŋɡnˈɛwa ɕɛ zɛrkˈajɔnts na ˈɛkran stˈarɛj nˈɔkji.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_222.wav|jˌɛstɛʑ dˈɔbrɨm faxˈurɔ̃, bʲˈillɨ. zrɔbʲˈiwɛɕ, tsˈɔ dɔ tɕˈɛbjɛ nˌalɛʒˈawɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_78.wav|pʃˈɛʃɛd dɔː innˈɛɡɔ stˈɔwu, a ɕɛdʑˈɔntsɨ tˈam pɔlˈitsjand zapˈɨtaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_149.wav|bˈɔ pˈɔttɨm vzɡlˈɛndɛm ɲʲɛ uznˈajɛ ʒˈadnɨx kˌɔmprɔmˈisuf.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_482.wav|dla ˌɔzdɔbjˈɛɲʲa nˈaʃɛj ˌidjɔtˈɨtʃnɛj ˌɛɡzɨstˈɛntsji.|0
+Dataset/wavs/urwisko_ferenc/38_segment_14.wav|bɔrˈɛvitʃ rɔspˈɔznaw kɔbjˈɛtɛ pɔ spʲˈɛntɨx ɕˈivɨɣ vwˈɔsax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_199.wav|i tsˈɔɕ ɕɛ mʲˌɛndʑɨ ɲˈimi zˌavʲɔ̃zˈujɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_115.wav|pʲˈɛrʃɨ rˈas ɔt ɲʲˈɛmal pˈuw rˈɔku.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_10.wav|jˈɛnnɨ lˈutsas jɛst jɛdˈɨnɔ̃ ɔsˈɔbɔ̃, ktˌura kaʒdˈɛɡɔ rˈaŋka vɨɡrˈɨva zˈɛmnɔ̃ w vɨɕtɕˈiɡu dɔ dʒvˈi ʃkˈɔwɨ, a ja ɲʲˈɛvʲɛm, jˈaɡ bˈɨm sˈɔbjɛ bˈɛs ɲʲˈɛj pˌɔradʑˈiwa.|3
+Dataset/wavs/urwisko_ferenc/54_segment_6.wav|pʃˈɛs ʃˈɨbɛ zˌauvˈaʒɨw, ʒˈɛ mwˈɔda kɔbjˈɛta s krutkˈimi vwɔsˈami kʃˈɔnta ɕɛ zˈɛ ʃmˈatkɔ̃ pʃɨ dˈuʒɨm ɛksprˈɛɕɛ dɔ kˈavɨ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_154.wav|vɨjˈaɕɲiw zˈɛ ɕmʲˈɛxɛm xˈɔtɔ. zˈaɲim ˈɛwrɔn zdˈɔbɨw zˈamɛk, muɕˈawa ˌuswuɡʲˈivatɕ jˈɛɡɔː ˈinnɨm tsˈurkɔm pʃɨ stˈɔlɛ i jˈadatɕ pɔɕˈiwki zˈɛ swˈuʒbɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_154.wav|ˌɔbjɛtsˈawaɕ mi mˈur.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_116.wav|tsˈɔ pɔvʲˈɛdʑaw, kʲˈɛdɨ vɨjˈɛʒdʒaw z dˈɔmu f pʲˈɔntɛk? tʃɨ tsˈɔɕ, tsˈɔ mˈuviw, mˈɔɡwɔ fskazˈɨvatɕ, ʒˈɛ nˌatxɔdʑˈɔntsɨ wˈikɛnd bˌɛɲdʑɛ ɕɛ tʃˈɨmɕ rˈuʒɲiw ɔt ˈinnɨx?|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_114.wav|mɛ̃ʃtʃˈɨzna w ʒˈuwtɨm pwˈaʃtʃu skˈinɔw ɡvawtˈɔvɲʲɛ dwˈɔɲʲɔ̃. bjˈɛʃtɕɛ, kˈurvɛ!|1
+Dataset/wavs/urwisko_ferenc/65_segment_134.wav|na jˈakiɕ tʃˈas pɔvˈiɲʲɛn bˈɨtɕ spˈɔkuj.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_105.wav|a maʒ ʒˌuravinˈɔvɨ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_59.wav|rˈɔbjɛ fʃˈɨstkɔ, tsˈɔ w mˈɔjɛj mˈɔtsɨ, ʒˈɛbɨ ɲʲɛ vɨbˈuxnɔɲtɕ. zatɕˈiskam mˈɔtsnɔː ˈusta, xˈɔtɕ xtsˈɛ klˈɔɲtɕ, na tʃɨm ɕfʲˈat stˈɔi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_146.wav|f tɛj xfˈili pɔvˈiɲʲɛn ɕɛ zˌɔrjɛntˈɔvatɕ. dˈɔstʃɛdʑ dʑˈivnɨ bwˈɨsk w jɛj ˈɔku, ɲʲɛ ˌɔrjɛntˈujɛ ɕɛ jˈɛdnak. pɔ prˈɔstu mˈa ʃtʃˈɛɲɕtɕɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_119.wav|ˈinɲi mˈɔɡli sˈɔbjɛ s tɨm rˈadʑitɕ. mˈatki, ktˌurɛ ɲʲɛ mˈɔɡwɨ utʃˈɨmadʑ dʑˈɛtɕi lˈup ktˌurɛ bˌɨwɨ zbˈɨt mw��ɔdɛ ˈalbɔ sˌurɔɡˈatki.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_3.wav|ɲˈits ɕɛ ɲʲɛ vˌɨdaʒˈɨwɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_200.wav|mˈɔʒɛ tɔ bˈɨtɕ tʃˈɨ dɲˈi tʃɨ nˈavɛt tˈɨdʑɛɲ ftʃˈɛɕɲʲɛj.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_46.wav|dɔpˈuki nˈaʃa pˌɔpulˈatsja ɕɛ rˌɔzvijˈawa, fʃˈɨstkɔ bˌɨwɔ f pɔʒˈɔntku. ˌalɛ tˈɛras stanˈɛliɕmˌɨ w mˈartfɨm pˈuŋktɕɛ, pˌɔvʲɛdʑˈawa ŋɡɔˈɔɡʲi i ˌɔpuɕtɕˈiwa brˈɔɲ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_77.wav|nazˈɨva bʲillʲˈɛɡɔ kˈɔtkʲɛm i mˈiɕkʲɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_129.wav|vʲˈɛm, ʒˈɛ tfˈɔim zdˈaɲʲɛm tɔ fspaɲʲˈawɨ tʃwˈɔvʲɛk, ˌalɛ tɔ dlatˈɛɡɔ, ʒˈɛ tˈak...|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_150.wav|rˈatʃɛj mˈawɔ prˌavdɔpɔdˈɔbnɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_71.wav|rˈɔspat tɛj rɔdʑˈinɨ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_303.wav|lˈadɨ ɡˈɛnna dɔpˈiwa vˈinɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_183.wav|tˈaɡʒɛ samˈɔlɔt pˌɔtxɔdʑˈɔntsɨ dɔ lˌɔndɔvˈaɲʲa pɔdˈɛrvaw ɕɛ kˈu ɡˈuʒɛ z vˌɨsɔkˈɔɕtɕi ɲʲɛvˈɨʃʃɛj jˈaɡ dvʲˈɛ stˈɔpɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_168.wav|dlatˈɛɡɔ pɔvʲˈɛtʃɛ w artˈɛmis tɔ tʃˈɨstɨ tlˈɛn.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_44.wav|jɛj vˈɨsxwɔ̃ tfˈaʃ pɔvlˈɛkaw rˈuʃ pʃˌɛmjɛʃˈanɨ z jaskrˈavɨm bjˈawɨm pˈudrɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_204.wav|mˈɔʒɛ pˌɔviɲʲˈɛnɛm pɔ prˈɔstu ˈutɕɛts mˈɨɕli?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_116.wav|tˈɔm i bˈɛtskɨ pˌɔpatʃˈɨli na ɲʲˈɛɡɔ, ˌɔtʃɛkˈujɔndʑ dalʃˈɛɡɔ tɕˈɔŋɡu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_30.wav|jˈɛɕli fˈilm nˈɔir tɔː ɔdrˈɛmbnɨ ɡatˈunɛk, fˈilmɨ ɔː ɔstˈatɲim skˈɔku stanˈɔvjɔ̃ ɔsˈɔbnɨ pˌɔdɡatˈunɛk w jˈɛɡɔ rˈamax.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_373.wav|jɛst strˈax pʃɛt ɕmʲˈɛrtɕɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_289.wav|mʲˌɛndʑɨ zɛmbˈami spwˈɨvaw mu tʃɛrvˈɔnɨ sˈɔk krfavˈɛɡɔ lˈiɕtɕa. jˈak tɕi ɕɛ vɨdˈajɛ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_5.wav|jˈɛɕli tɔ pɔmˈɔʒɛ, tɔ tˈak, sˈɛr.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_127.wav|ˈaʃ tɛn jˈɛɡɔ mˈawɨ sˈɨn pɔdɲʲˈɛɕɛ ɕɛ i pˈujdʑɛ zˈaɲim. nˈɔ vʲˈɛnts tɛn xwˈɔpʲɛts fstˈavaw z ʑˈɛmi i ʃˈɛd zˈaɲim.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_233.wav|vɨɕˈɛdliɕmˌɨ pʃɛt kˌɔmisarjˈatɛm.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_291.wav|jɛzd za mwˈɔda, bˈɨ mˈɔɡwa bˈɨtɕ tˈak tfˈarda.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_30.wav|vˈɛvnɔndʒ znajdˈujɔ̃ ɕɛ swˈɔva.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_78.wav|vˈɨjdɛ s tˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_19.wav|jɛst tˌaki ɔ nˈazvʲɛ prˈɔŋɡɔrn mˈɔtɔr rˈɛst, vˌɨstartʃajˈɔntsɔ ɲʲˌɛɕɛtɕˈɔvɨ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_80.wav|pʃɛxˈɨlaw ɕɛ f strˈɔnɛ tˌɔvaʒɨʃˈɔntsɛj mu ˈannɛ.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_207.wav|vʲˈɛlki maˈɛstɛr paˈisɛl xtɕˈaw, ʒˈɛbɨ zwɔtˈɨmi pwaʃtʃˈami dɔvˈɔdʑiw stˈarʃɨ mɛ̃ʃtʃˈɨzna, bˈardʑɛj dˌɔɕfʲattʃˈɔnɨ f sprˈavaɣ vˈɔjnɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_689.wav|xˈɔtɕaʃ ɲʲˈɛvʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_199.wav|zɔstˈaɲtɕɛ ɡdʑˈɛ jɛstˈɛɕtɕɛ. tɔ jˈuʃ prˈavʲɛ kˈɔɲʲɛts. ɲʲɛ spʲɛrdˈɔltɕɛ fʃɨstkʲˈɛɡɔ na ɔstˈatɲʲɛj prˈɔstɛj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_7.wav|ɲʲˈɛmam pɔjˈɛɲtɕa. mˈɔʒɛ jˈɛxadʑ znˈuf spˈɔtkatɕ ɕɛ s pˈaɲʲɔ̃ rˈɔbɛrts, tsˈɔ bɨwˈɔbɨ zupˈɛwɲʲɛ ɲʲɛvˈinnɔ̃ tʃɨnnˈɔɕtɕɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_241.wav|bˈɨtɕ mˈɔʒɛ bˌɛɲdʑɛʃ jˈuʒ vˈuftʃaz ɡɔtˈɔva vˈɨznadʑ ɡʒˈɛxɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_63.wav|xˈa, tsudˈɔvɲʲɛ. ɲʲɛ vɨdˈajɛ mi ɕɛ ɲʲɛstˈɛtɨ, ʒˈɛbɨɕmˌɨ mˈɔɡli ɡʒˈɛbatɕ w jɛj finˈansax tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ vˈɨʃwa z bjˈura i ɲʲɛ mˈɔʒna ɕɛ dˈɔstadʑ dɔ jɛj kˌɔmputˈɛra.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_12.wav|a ɲʲɛktˌurɨɣ dʒvˈi ɲʲɛ dˈawɔ ɕɛ ɔtfˈɔʒɨtɕ, pˈɔttʃaz ɡdˈɨ ˈinnɛ bˌɨwɨ ɔtfˈartɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_54.wav|tɛn pˈɔkuj bˈɨw mˈɔim tˌɛrɨtˈɔrjum i vʲɛdʑˈawabˌɨm, ɡdˈɨbɨ tsˈɔɕ tˈam pʃˌɛxɔvˈɨvaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_28.wav|spˈɛntsɛr pɔkˈivaw ɡwˈɔvɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_232.wav|sˈam ɔtxʃˈɔŋknɔw. dʑˈɛɲ dˈɔbrɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_74.wav|mˈɔʒɛ dlatˈɛɡɔ tɕˈɛbjɛ vɨbrˈawam.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_281.wav|xtɕˈawɛʑ bˈɨtɕ mnˈɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_153.wav|xfˈɨtɕiw jˈɔ̃ za rˈɛŋkɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_183.wav|tʃɨ pʃɨxˈɔdʑi pˈaɲi dɔ ɡwˈɔvɨ, tsˈɔ tɔ mˈɔɡwɔ bˈɨtɕ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_11.wav|pˌɔdrɨvˈaɲʲɛ mˈɛ̃ʃtʃɨzn, vˌɨkɔʒˌɨstɨvˈaɲʲɛ ix i vˌɨʒutsˈaɲʲɛ bˈɛs ˌɔɡlɔndˈaɲʲa ɕɛ pʃˈɛs rˈamjɛ zˈafʃɛ trˌaktɔvˈawa pʃˌɛtɕɛʃ jˈak pˈɔvud dɔ dˈumɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_133.wav|mˌamɨ dˈɔvut f pɔstˈatɕi zdjˈɛɲtɕa zrˌɔbjɔnˈɛɡɔ pʃˈɛs tˈaɡ zvˈanɔ̃ pʃˌɨjatɕˈuwkɛ i pasˈujɛ ɔn dɔ dˈanɨx lˌɔkalizˈatsji, ktˌurɛ pʃɛkˈazaw nˈam ɲˈilɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_94.wav|spˌɔdʑɛvˈawam ɕɛ dwuɡʲˈɛɡɔː ˌɔtʃɛkivˈaɲʲa, lˈɛtʃ ˌawtɔmatˈɨtʃnɛ rˈamjɛ ˌɔdwɔntʃˈɨwɔ kˈabɛl jˈuʃ pɔ pʲˈɛɲtɕu minˈutax.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_214.wav|swˈɨʃɨ tɕˈixɛ pˈik. tɔ mˈuɕi bˈɨdʑ bˈutskɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_118.wav|tɔ bˈɨw fˈatsɛt s klˈasɔ̃, jˈɛʑdʑiw ɲʲˌɛsamɔvˈitɨm vʲˈɛlkim mˈɛrtsɛm na lˈitɔʑdʑ bˈɔskɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_47.wav|vɨsˈɔka i ʃtʃˈupwa, s lɕɲʲɔntsˈɨmi tɕɛmnˈɨmi vwɔsˈami, mˌuskajɔntsˈɨmi ramjˈɔna, zˌaurɔtʃˈɨwa nˈas sˈɔbɔ̃ jˈuʃ ɔt pʲɛrʃˈɛɡɔ dɲʲˈa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_22.wav|skˈɔnd vʲɛdʑˈawɛɕ, ʒˈɛ tˈu bˈɛndɛ?|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_131.wav|i znˈa fʃˈɨstkiɣ bˈɔɡuf, ktˌuʒɨ tˈam mʲɛʃkˈajɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_137.wav|mˈɨɕl ˈɔtɨm, jˈak xtsˈɛʃ, pɔvʲˈɛdʑaw ˈandɛrsɔn. tɔ ɲʲɛ zmʲˈɛɲʲa sˌɨtuˈatsji. ˈɛstxɛr jɛst mˈɔjɔ̃ ʒˈɔnɔ̃, a ja jˌɛstɛm jɛj mˈɛ̃ʒɛm.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_23.wav|tʃɨ tɔ f tsˌɨtadˈɛli nˌautʃˈɨwɛɕ ɕɛ zˌawamˈɨvatɕ rˈɛntsɛ i vɨɡwˈaʃatɕ ˌuspravʲˌɛdlivʲˈɛɲʲa?|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_99.wav|tsˈɔ? zɡwupʲˈawɛɕ? plˌanɔvˈawɛm jˈɔ̃ tˈu zɔstˈavitɕ, dɔpˈuki ɲʲɛ znˈajdɛ ɲˈika w vˈɛɡas.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_25.wav|dlatʃˈɛɡɔ tˈɛssɛ ˌintɛrɛsˈujɛ sˈami?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_4.wav|tˈaɡ bˈardʑɔ ɕɛ tɕˈɛʃɛ, ʒˈɛ vrˈutɕiw jˈuʒ dɔ dˈɔmu.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_258.wav|ɡdˈɨbɨ naprˈavdɛ bˌɨli vrublˈami, vɨstˈartʃɨwbˌɨ kʃˈɨk, ʒˈɛbɨ ix spwˈɔʃɨtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_16.wav|mʲɛʃkˈawa z nˈami pˈɛvna kɔbjˈɛta imjˈɛɲʲɛm ˈɛlis, ktˌura ʃtʃˈɛʒɛ mɲʲɛ ɲʲɛ znɔɕˈiwa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_130.wav|fˈatsɛt ɔbʒˈutsa vzrˈɔkʲɛm starˈanɲʲɛ sprˌɛparɔvˈanɛ rˌɛfɛrˈɛntsjɛ daltˈɔna smˈitxa, pɔ tʃɨm ɔddˈajɛ jˈɛ rˈazɛm z umˈɔvɔ̃ vɨnˈajmu.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_337.wav|a ɡdˈɨbɨ pɔjˈaviw ɕɛ jˈakiɕ straʃlˈivɨ vrˈuk, maˈɛstɛr ɡˈuljan zɔstˈaɲʲɛ tˈu zˈɛ sfɔˈimi krukˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_106.wav|i tɛlˈɛfɔn mʲˈawa pˈaɲi zˈɛ sˈɔbɔ̃, kʲˈɛdɨ bˌɨwa pˈaɲi tˌɨlkɔ z ˈalfim w dˈɔmu?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_45.wav|kʲˈɛdɨ tˈɔm i bˈɛtskɨ pɔdˈɛʃli blˈiʒɛj, jˈumbɔː uɕmʲˈɛxnɔw ɕɛ dɔ ɲˈix ʃɛrˈɔkɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_380.wav|ˈax tˈak.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_27.wav|jˈak ɕɛ tʃˈujɛʃ, mˈawa?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_252.wav|tɔ tˌɨlkɔ tfˈuj lˈɛŋk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_39.wav|uɕtɕˈiɕla bˈaki.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_43.wav|rɔzmˈavja tɕˈixɔ s sˈamim. dɔstʃˈɛɡa mi jˈɛdnak, ʒˈɛ kʲɛrˈujɛ ɕɛ f strˈɔnɛ sxˈɔduf.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_401.wav|strˈaʃɲʲɛ mi pʃˈɨkrɔ, ˌalɛ ˈu nˈas rˈɛmɔnt.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_276.wav|mˈɔtɨv dɔ ʒˈɨtɕa tɔ ɲʲɛ jɛst ɕmʲˈɛʃnɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_240.wav|vɨbrˈawam tˌɨlkɔ pˌɔwɔntʃˈɛɲʲɛ prˈɔksɨ, ʒˈɛbɨ ɲʲɛ dˈawɔ ɕɛ ustˈalidʑ z jakʲˈɛɡɔ ɡʲˈizmɔ kɔʒˈɨstam.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_204.wav|i jɛʒˈɛli nˈaz zwˈapjɔ̃, bˈɔp i ja vˌɨlɛtɕˈimɨ na zbʲˈitɨ wˈɛp.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_321.wav|najɲˈiʃʃɨ raxˈunɛk, jˈaki kʲˌɛdɨkˈɔlvʲɛk tɕi vˌɨstavˈiwɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_70.wav|bjˈɛɡwam pɔ wˈuku ˌɔkrɔ̃ʒˈajɔnts kɔnrˈada, a ɡdˈɨ f pˈɔlu vidʑˈɛɲʲa pˌɔjavˈiwa ɕɛ bˈaɲka bʲˈina, skʲˌɛrɔvˈawam ɕɛ prˈɔstɔ w jɛj strˈɔnɛ.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_82.wav|ʃlaxˈɛtɲʲɛ ˌurɔdʑˈɔnɔ̃ tʃˌɨnastɔlˈɛtɲʲɔ̃ dʑɛvˈitsɛ ɔː ˌurɔdʑˈivɛj tfˈaʒɨ i kˌastanɔvˈatɨɣ vwˈɔsax.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_180.wav|— tˌɛɡɔ tˈɛʃ ɲʲˈɛvʲɛm. — ˈɔɲʲɛ! — pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_23.wav|bˈɨw dˌɔskɔnˈawɨm kˈɔzwɛm ɔfjˈarnɨm, pʃˌɛkɔnˈanɨm ˈɔtɨm, ʒˈɛ jɛj ɲʲˈɛxɛɲdʑ dɔ kɔxˈaɲʲa ɕɛ z ɲˈim vˌɨɲikˈawa s fˈaktu, ʒˈɛ bˈɨw ʒɔnˈatɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_72.wav|ɔdʑˈɨva ɕɛ ɕpʲˈɛvnɨm ɡwˈɔsɛm kɔbjˈɛta pɔ drˈuɡʲɛj strˈɔɲʲɛ lˈiɲʲi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_47.wav|napˈijɔ̃ ɕɛ pˈaɲi kˈavɨ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_80.wav|ˌɔtʃɨvˈiɕtɕɛ zˈɛ spɛnsˈɛrɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_45.wav|tsˈɔɕ, tsˈɔ mɔɡwˈɔbɨ narˈazitɕ na ʃfˈaŋk iɣ zvʲˈɔ̃zɛk.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_30.wav|mˈuʃɛ ɡˈɔ pɔfstʃˈɨmatɕ, zˈaɲim zrˈɔbʲi tsˈɔɕ straʃnˈɛɡɔ. jˈuʒ vˈidʑɛ tɛ naɡwˈufki. dɨrˈɛktɔr ʃkˈɔwɨ pˌɔtstavˈɔvɛj ˌɔʃukˈawa rɔdʑˈitsuf i pʃɨjˈatɕuw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_30.wav|rˈɔbjɛ tsˈɔ mˈɔɡɛ, pɔdˈɔbɲʲɛ jˈak ˈindja, ˌalɛ tɔ ɲikˈɔla zajmˈujɛ ɕɛ pʃˌɨʒɔndʑˈaɲʲɛm fʃˈɨstkix pɔɕˈiwkuf, a dɔ tˌɛɡɔ dɔxˈɔdʑi spʃɔntˈaɲʲɛ i fʃˈɨstkɔː ˈinnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_112.wav|kʲˈɛdɨ tɛn pˈan vrˈutɕiw dɔ dˈɔmu, bˈɨw bˈardʑɔ zwˈɨ.|2
+Dataset/wavs/urwisko_ferenc/05_segment_14.wav|pʃɨnˈajmɲʲɛj tˈak tɔ rˌɔzumjˈawa, xˈɔtɕaʃ pɔ lɛktˈuʒɛ mʲˈawa mˈɛntliɡ w ɡwˈɔvʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_423.wav|ja pˈanu tɔ mˈuvjɛ. dʑˈiɕ i pɔlˈitsjɛ varjˈujɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_143.wav|i tˈak skˈɔɲtʃɨw ɕɛ jˈɛʃtʃɛ jˈɛdɛn ˌamɛrɨkˈaɲski sˈɛn.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_478.wav|kʲˈɛdɨ swˈuɡa ɲʲˈɛxtɕaw jɛj ˌɔtpɔvʲˈɛdʑɛtɕ, ˈarjan zwapˈawa dʑbˈan tʃˌɛrvɔnˈɛɡɔ vˈina i vɨlˈawa mu jˈɛ na ɡwˈɔvɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_156.wav|znˈawam pɔɡlˈɔndɨ arˈama dˌɔtɨtʃˈɔntsɛ fpwˈɨvu dʑˈɛtɕi na tsˈawɨ prˈɔtsɛs, vʲˈɛnts muɕˈawam pʃˈɛwknɔɲdʑ ɡˈɔrɨtʃ rˌɔstʃarɔvˈaɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_85.wav|dˌɔvʲɛdʑˈawam ɕɛ tˌɛɡɔ samˈɛɡɔ dɲʲˈa, kʲˈɛdɨ pˌɔvʲɛdʑˈawaɕ mu ɔ xɔrˈɔbjɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_140.wav|tʃˈɨʒbɨɕ ɲʲɛ vʲɛdʑˈawa ˈɔtɨm, drˈɔɡa pʃˌɨjatɕˈuwkɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_36.wav|bɔɡˈatɨx, fpwɨvˈɔvɨx lˈudʑi, ktˌuʒɨ xtɕˈɛli kˌɔntrɔlˈɔvatɕ ˈinnɨx i xrˈɔɲitɕ sfˈɔjɔ̃ vwˈasnɔɕtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_196.wav|ˌalɛ ɔn zˈafʃɛ vɨtɕˈɔŋɡaw mɲʲɛ z najɡwˈɛmp��ɛj ɔtxwˈaɲi, ˌɔkazˈujɔnts mi tʃˈuwɔɕtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_165.wav|a w lɔkˈalnɨm bˈaŋku na dˈɔbrɨ pɔtʃˈɔntɛɡ bˌɛɲdʑɛʃ mʲˈaw pɔd dɔstˈatkʲɛm fˈɔrsɨ na bjɛʒˈɔntsɛ vɨdˈatki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_200.wav|tɔ jˈuʃ ɲʲɛ jɛst ta sˈama dʑɛftʃˈɨna.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_256.wav|fkrˈuttsɛ w ɔɡˈulɛ ɲʲɛ mˈɨɕli jˈuʃ ɔː ˈɛlis.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_67.wav|tˈɔm uɕmʲˈɛxnɔw ɕɛ z zˌadɔvɔlˈɛɲʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_87.wav|bˈɨtɕ mˈɔʒɛ ˌɔɲi rˈuvɲʲɛʃ pˈadli ɔfjˈarɔ̃ ɔʃˈustfa, pˈaɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_262.wav|ja tˈɛʃ xtɕˈawɛm, ˌalɛ jˈɛʃtʃɛ ɲʲɛ f tɨm mɔmˈɛɲtɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_85.wav|f sˈali bˌɨli tˌɨlkɔː ˈɔɲi, jˈa, mˈɔja mˈatka i pˌɔlitsjˈaɲtɕi, ktˌuʒɨ pʲˈɛrfɕi vˈɛʃli dɔ pʃɨtʃˈɛpɨ, ktˌurɔ̃ nˌazɨvˈali mʲˈɛjstsɛm zbrˈɔdɲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_205.wav|patʃˈɨwam pʃˈɛs mˈawɛ, ɔkrˈɔŋɡwɛ ɔkʲˈɛŋkɔ, jˈak mˈuj mˌɛxaɲˈitʃnɨ fspˈulɲik xfˈɨta ʃtʃɨptsˈami rˈɛntʃnɛ zavˈɔrɨ, ʒˈɛbɨ fpˈuɕtɕidʑ dɔ ɕrˈɔtka pɔvʲˈɛtʃɛ.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_3.wav|pˈɔtʃɛd vʲˈɛndʑ dɔ bɛtʃˈuwki i napˈɛwɲiw jˈɛ na nˈɔvɔ.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_401.wav|nˈavɛt f tˈakim stˈaɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_28.wav|mˈɔʒɛʃ ɕɛ pʃɛtstˈavʲatɕ jˈak xtsˈɛʃ, ɔː ˈilɛ ɲʲɛ krˈadɲʲɛʃ ɲitʃˈɨjɛj tˌɔʃsamˈɔɕtɕi, bˈɔ tɔ jɛst ɕtɕiɡˈanɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_130.wav|i tɔ zdrˈɔvɔ, ɡdˈɨbɨ ktˈɔɕ pˈɨtaw mɲʲɛ ɔ zdˈaɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_238.wav|a tʃɨ muvˈiwɛɕ mi ˈɔtɨm?|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_200.wav|jˌɛdnɔˈɔka kɔbjˈɛta ˌɔtsunˈɛwa ɕɛ ɔt sˈama, xˈɔtɕ nˈadal dˌɔtɨkˈawa jˈɛdnɔ̃ rˈɛŋkɔ̃ jˈɛɡɔ ramjˈɛɲʲa.|1
+Dataset/wavs/urwisko_ferenc/50_segment_21.wav|kʲˈɛdɨ ɕɛ dɔ tɕˈɛbjɛ dˈɔbraw?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_240.wav|a tˈɛras muɕˈawam pˈɔdjɔɲdʑ dɛtsˈɨzjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_64.wav|za swɔvʲˈaɲskɔ̃ ɛwrˈɔpɛ!|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_81.wav|a pˈɔtɛm zatʃˈɛwam spʲˈɛpʃatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_77.wav|pˌɔtʃɛbˈujɛʃ mˈɔjɛj pɔmˈɔtsɨ i tsɔkˈɔlvʲɛɡ zrˈɔbjɛ bˌɛɲdʑɛ rˈuvɲʲɛʃ s kɔʒˈɨɕtɕɔ̃ dla jɔˈɛla i ˈindɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_191.wav|mˈuj tˈata zmˈar dˈavnɔ tˈɛmu, a ja bˌɨwam mwˈɔda.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_90.wav|mˈɔɡɛ jɛdˈɨɲʲɛ zaɕfʲˈattʃɨtɕ pravdʑˈivɔɕtɕ tˈɛɡɔ, tsˈɔː ɔtkrˈɨwam, badˈajɔnts krulˈɔvɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_34.wav|kɔbjˈɛta ɕɛŋɡnˈɛwa pɔ butˈɛlkɛ, lˈɛtʃ ɔn pɔfstʃˈɨmaw jɛj rˈɛŋkɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_2.wav|ˌɔtfɔʒˈɨwam ˈɔtʃɨ i ˌɔɡarnˈɛwa mɲʲɛ ˈɔva bwˈɔɡa tʃˌɨsɛkundˈɔva amnˈɛzja, ktˌurɛj kˈaʒdɨ dɔɕfʲˈattʃa pɔ pʃˌɛbudʑˈɛɲʲu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_259.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_78.wav|vɔlˈawabˌɨm, ʒˈɛbɨɕ tˌɛɡɔ ɲʲɛ vˈidʑaw.|4
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_35.wav|dʑɛŋkˈujɛ bˈɔɡu za nˈaʒ bʲˈiznɛz dʒˈɛs.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_157.wav|ɲʲˈɛvʲɛm, mˈuvʲɔnts ʃtʃˈɛʒɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_149.wav|jˈɛɡɔ mʲɛʃkˈaɲʲɛ jɛst w jˈɛdnɨm s tɨx ˌapartˌamɛntˈɔftsuf f ʃɛrvˈɔɔt xˈɛikts, blˈiskɔː ˌawtɔstrˈadɨ mʲˌɛndʑɨstanˈɔvɛj.|2
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_101.wav|tˈɛras ˈɔtkrɛɲtɕ tɛn dɔ kˈɔɲtsa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_44.wav|i zaswˈaɲʲa fʃˈɨstkɔ, tsˈɔ tʃˈɛba.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_249.wav|rˈɛʃtɛ zrɔbʲˈiwa ʒˈɛka.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_31.wav|zˌamjɛɕtɕˈiwa sfˈɔjɛ zdjˈɛɲtɕɛ z vɨrˈazɛm pʃˌɛraʒˈɛɲʲa na tfˈaʒɨ, z dwˈɔ��ʲɔ̃ pʃˌɨwɔʒˈɔnɔ̃ dɔː ˈust i ʃɛrˈɔkɔː ˌɔtfartˈɨmi ɔtʃˈami. tʃˈɨta mi jɛj fpˈis.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_252.wav|vˈɛdlɛ rɔskˈazu, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_26.wav|ˈaʃ pˈatʃɨw, jˈak kɔbjˈɛta vɨxˈɔdʑi i zamˈɨka za sˈɔbɔ̃ dʒvˈi. natˈɨxmʲast jˈɛdnak ˈɔɲʲɛj zapˈɔmɲʲaw, kʲˈɛdɨ tˌɨlkɔ skˈupiw uvˈaɡɛ na ɛkrˈaɲʲɛ tˌɛlɛfˈɔnu.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_217.wav|musˈimɨ ˈiʑdʑ dɔ pˈɔrtu sˈam.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_158.wav|jˈamɛ zˌastanˈavʲaw ɕɛ nˈattɨm pʃˈɛs xfˈilɛ. ɡdˈɨ na ɕfʲˈat pʃˈɨjdʑɛ sˈɨn lˈɔrda ɛdmˈura...|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_236.wav|zdjˈɔw zˈɛ ɕtɕˈanɨ karˈabʲin zˌavʲɛʃˈɔnɨ nat wˈuʃkʲɛm i ɔtfˈɔʒɨw kɔmˈɔrɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_64.wav|tˈak naprˈavdɛ jɛst mˈarta.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_90.wav|pɔʒˈaʒɛ? jˈakim pɔʒˈaʒɛ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_12.wav|ɲʲɛ bjˈɛʒɛ udʑˈawu w jɛj ʒˈɨtɕu? pˈɨta bˈɛtskɨ. prˈɨxam z ɲʲˌɛzadˌɔvɔlˈɛɲʲɛm.|4
+Dataset/wavs/urwisko_ferenc/46_segment_96.wav|mˈam nˈatɔ spˈɔsup, stfʲˈɛrdʑiw prˌɔkurˈatɔr.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_64.wav|— ɕlˈɛdʑɛ jˈuʃ pˌɔwɔʒˈɛɲʲɛ ˈaʃa f sfˈɔjɛj kɔmˈurtsɛ. a ɔn ɲʲɛ bˌɛɲdʑɛ uʒˈɨvaw vwˈasnɛj f sˌamɔxˈɔdʑɛ, jˌɛstɛm tˌɛɡɔ pˈɛvna.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_45.wav|tʃɨ lˌɛvɔrˈɛntʃnɨ bˈɨw f stˈaɲʲɛ zlˌɔkalizˈɔvatɕ mˈɔjɛ ɡʲˈizmɔ?|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_176.wav|rˌɔstɕɔŋɡlˈivɨ rˈɛŋkav zˌakɔɲtʃˈɔnɨ pɔː ˈɔbu strˈɔnax ʃtɨvnˈɨmi pʲˌɛrɕtɕɛɲʲˈami pˌɔzvalˌajɔntsˈɨmi na ʃtʃˈɛlnɛ pˌɔwɔntʃˈɛɲʲɛ z vwˈazɛm ɕlˈuzɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_118.wav|vˈɨɕlɛ kˈɔɡɔɕ, ʒˈɛbɨ sprˈavdʑiw pʃɨ ʒˈɛtsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_129.wav|pˌɔdɛrvˈawam ɕɛ s kʃˈɛswa i pˌɔdɔ̃ʒˈɨwam zˈaɲim.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_16.wav|bʲˈillɨ ɲʲɛ mˈɔʒɛ pɔfstʃˈɨmatɕ uɕmʲˈɛxu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_254.wav|mɲʲɛ zˈɛ zrˌujnɔvˈanɨm mˌɛxaɲˈizmɛm mˌɔtɨvˈatsji ʒɨtɕˈɔvɨx.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_111.wav|ɲʲɛ vratsˈajmɨ dɔ tˈɛɡɔ, mˈamɔ. tɔ bˌɨwɔ lˈata tˈɛmu. jˌɛstɛm ʃtʃɛɲɕlˈivɔ̃ mɛ̃ʒˈatkɔ̃ zˈɛ ɕfʲˈɛtnɔ̃ prˈatsɔ̃ i dvˈɔjɡʲɛm fspaɲʲˈawɨɣ dʑˈɛtɕi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_56.wav|pʃˈɛs xfˈilɛ ɲʲˈɛmam ɔxˈɔtɨ vɨɕˈadatɕ s sˌamɔxˈɔdu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_133.wav|ʒutɕˈiwam ɲʲˈɛtsɔ vˌɨzɨvajˈɔntsɨm tˈɔnɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_153.wav|vrutɕˈiwɛm pɔswˈuʃɲʲɛ, ɕadˈajɔnts na kravˈɛɲdʑi wˈuʃka i tsˈɔɕ mi pʃɛmknˈɛwɔ pʃˈɛs fstʃɔ̃ɕɲʲˈɔnɔ̃ ɡwˈɔvɛ, jˈakʲɛɕ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_177.wav|bˈaki ɲʲɛ pˈɨta jˈak. zabjˈɛra natʃˈɨɲʲa, zanˈɔɕi jˈɛ dɔ zlˈɛvu i pɔlˈɛva vʒˈɔntkʲɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_106.wav|na rɛˈaktsjɛ. vˌɨpuɕtɕˈiwam uxfˈɨtɨ i zatʃˈɛwam ɕɛ ssˈuvatɕ pɔ ɕtɕˈaɲʲɛ kɔpˈuwɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_21.wav|nastˈɛmpɲʲɛ spuʃtʃˈamɨ klˈɔts na ɡwɛmbˈɔkɔ̃ vˈɔdɛ i ftˈɛdɨ swɨʃˈɨmɨ ɡwˈɔz bˈul, bˈul, bˈul.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_27.wav|tʃˈɛɡɔ xtsˈɛʃ? tˈɛras xwɔpˈiskɔ pwˈatʃɛ. mˈa dvadʑˈɛɕtɕa kˈilka lˈat, jɛzd vɨsˈɔki i vˈaʒɨ zˈɛ stˈɔ kˈilɔ, a bˈɛtʃɨ jˈaɡ dʑˈidʑuɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_276.wav|a nˈavɛt jˈɛɕli jɛj ɲʲɛ mˈaʃ, tsˈuʃ s tˈɛɡɔ?|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_264.wav|dˈɔtknɔw kˈilku z ɲˈix i w jadˈalɲi pʃɨɡˈaswɨ ɕfʲˈatwa, a na ɕtɕˈaɲʲɛ w ɡwˈɛmbʲi pˌɔmjɛʃtʃˈɛɲʲa ˈɔʒɨw ˈɔbras s prˌɔjɛktˈɔra.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_105.wav|pˌɔzɔstˈawɨm pɔzvˈɔlɛ ˈɔdɛjɕtɕ, dˈɔkɔnd zˈɛxtsɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_27.wav|na ɲˈiʃʃɨx kˌɔndɨɡnˈatsjax swˈɨxadʑ zɡʲˈɛwk i tɔ dˈuʒɨ, ˌalɛ mʲˌɛndʑɨ tʃˈɛtɕim a drˈuɡʲim pʲˈɛntrɛm jɛst pˈustɔ.|2
+Dataset/wavs/urwisko_ferenc/51_segment_59.wav|mˈarja zruvnˈawa ɕɛ s tɛxɲˈikʲɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_498.wav|a ja jˈuʃ ɔt lˈat pˌɔtʃɛbɔvˈawɛm tsˈɔras mɲʲˈɛj.|0
+Dataset/wavs/urwisko_ferenc/59_segment_115.wav|tɔ ɕɛ mˈɔɡwɔ vɨdˈaʒɨdʑ vɨwˈɔntʃɲʲɛ f pɔblˈiʒu ʒˈɛki.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_262.wav|tʃɨ vɨpˈuɕtɕitɕ tɕˈɛ za kˈawtsjɔ̃, tʃɨ tˈɛʃ...|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_232.wav|bjˈɛdɲi lˈudʑɛ ɲʲɛ mˌajɔ̃ pʃɨjˈatɕuw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_238.wav|pɔ prˈɔstu ɲʲɛ ˈumjɛm tˌɛɡɔ pɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_61.wav|blˈɔnt pɛrˈuka lˈɛʒɨ na kɔmˈɔdʑɛ, xfˈɨta jˈɔ̃ i natɕˈɔŋɡa na sfˈɔjɛ tʃˈarnɛ vwˈɔsɨ.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_247.wav|maˈɛstɛr ˈɛmɔnt ɕɛ ɔbˈudʑiw.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_143.wav|mˈuj ˈɔjtɕɛts rˈuvɲʲɛʃ ɲʲɛ ʒˈɨjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_62.wav|mˈuʃɛ natˈɨxmʲazd zadʑvˈɔɲidʑ dɔ dˌɔmiɲˈika.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_237.wav|pʃˌɛtɕɛʃ ˌɔna ʒˈɨjɛ.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_135.wav|bˈɨtɕ mˈɔʒɛ maʃ lˈɛpʃɨ pˈɔmɨsw.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_419.wav|pˌɔmɨɕlˈawa brjˈɛnnɛ.|1
+Dataset/wavs/urwisko_ferenc/04_segment_97.wav|vwˈaɕɲʲɛ skɔɲtʃˈɨliɕmˌɨ rɔzmˈavʲatɕ ɔt pˈaru.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_167.wav|tɨ ɔdvˈaʒnɨ dˈurɲʲu! ɲʲɛ xtɕˈawɛm, ʒˈɛbɨʑ zɡʲˈinɔw, ˌaɲi ʒˈɛbɨ mɨrtsˈɛlla... bɔɡˈɔvʲɛ, bˈɔɲtɕtɕɛ waskˈavi, tɔ jˈɛʃtʃɛ dʑˈɛtskɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_134.wav|ʒutɕˈifʃɨ ɔstˈatɲʲɛ tˈɛ̃sknɛ spɔjʒˈɛɲʲɛ na ˈɔɡrut, bˈɛtskɨ pˌɔdɔ̃ʒˈɨwa za tˈɔmɛm f strˈɔnɛ vˈɨjɕtɕa.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_233.wav|ˌalɛ jˈɛɡɔ vˈuj stˈaffɔrt tˈɛʃ kʲˈɛdɨɕ uvˈaʒaw, ʒˈɛ jɛzd bɛspʲˈɛtʃnɨ pɔt ˈɔkstsrɔss.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_305.wav|kˈɛrɨl vˈantsɛ, lˈɔrd vˌaɨfˈarɛrs rˈɛst, vɨɡlˈɔndaw na mˌɛlanxˈɔlikˌa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_86.wav|zvˈɨklɛ zˌatʃɨmˈujɛʃ ɕɛ w bˈardʑɛj ˌɛlɛɡˈantskix lɔkˈalax, rˈɔbʲi pˈawzɛ, ʒˈɛ pɔzvˈɔlɛ sˈɔbjɛ zˌauvˈaʒɨtɕ.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_333.wav|viktˈarjɔn tʃˈuw zˈapax mˈɔʒa fpˌadajˈɔntsɨ pʃˈɛs ɔtfˈartɛ ˈɔknɔ, xˈɔtɕ f pɔkˈɔju ɕmʲɛrdʑˈawɔ vˈinɛm, krfjˈɔ̃ i sˈɛksɛm.|1
+Dataset/wavs/urwisko_ferenc/63_segment_29.wav|jˈak tɔ mɔʒlˈivɛ? spɨtˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_49.wav|a mˈajtɛk ɲʲɛ mʲˈawaɕ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_241.wav|tsˈuʒ znˈatʃɨ dla krˌulɔbˈujtsɨ jˈɛdna vʲˈɛntsɛj zwamˈana pʃɨɕˈɛŋɡa?|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_73.wav|f tɨm pɔkˈɔju, mˈɔjɛj pratsˈɔvɲi, dɔmˈɨɕla ɕɛ bʲˈillɨ, jɛst jˈɛʃtʃɛ ɡɔrˈɛntsɛj ɲˈiʃ f sˌɛkrɛtarjˈatɕɛ, bˈɔ pɔrˈannɛ swˈɔɲtsɛ fpˈada pʃˈɛs ˈɔknɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_86.wav|kɔbjˈɛta fstˈawa prˌɛzɛntˈujɔnts sfˈɔjɔ̃ krˈutkɔ̃ spudɲˈitʃkɛ i ruʒˈɔvɛ kɔlˈana, ktˌurɛ zwapˈawɨ ˌɔdrɔbʲˈinɛ za dˈuʒɔ swˈɔɲtsa w wˈikɛnt.|3
+Dataset/wavs/urwisko_ferenc/64_segment_115.wav|ɔdvrˈutɕiw ɕɛ f strˈɔnɛ pˌɔlitsjˈanta i pɔkˈivaw ɡwˈɔvɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_51.wav|vʲˈɛʃ, ʒˈɛ zbɛʃtˈawa mɲʲɛ za stˌɔsɔvˈaɲʲɛ zaˈimkuv dʑɛrʒˈaftʃɨx?|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_16.wav|skˈɔrɔ zmʲɛɲˈiwɛɕ plˈan f tˌajɛmɲˈitsɨ pʃɛt ɲˈikʲɛm, muɕˈawɛɕ tsˈɔɕ pˌɔdɛjʒˈɛvatɕ?|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_202.wav|nˈɔvɨ, rˌɛvɛlatsˈɨjnɨ kˈabɛl ɕfʲˌatwɔvɔdˈɔvɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_79.wav|dˌɔdatkˈɔvɛ zasˈɔbɨ|4
+Dataset/wavs/urwisko_ferenc/01_segment_73.wav|vˌɛntɨlˈatɔr kˌɔmputˈɛra ʃˈumjaw mʲarˈɔvɔː i mʲˈɛʃaw ɕɛ z dʑvʲˈɛŋkʲɛm vˌɨdavˈanɨm pʃˈɛs klˌimatɨzˈatɔr.|0
+Dataset/wavs/urwisko_ferenc/09_segment_1.wav|zɛrknˈɛwa pʃˈɛs ɕfʲˈɛtliɡ z lˈustra vˌɛnɛtskʲˈɛɡɔː i ˌɔtprɔvadʑˈiwa vzrˈɔkʲɛm ɡrˌanatɔvˈɛɡɔ fˈɔrda, ˈaʒ zɲˈiknɔw jɛj s pˈɔla vidʑˈɛɲʲa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_358.wav|jˈakiʑ zˌabwɔŋkˈanɨ ˈɔtprɨsk ɕfʲˈatwa zˌaxɔdʑɔntsˈɛɡɔ swˈɔɲtsa|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_41.wav|tˈak, vʲˈɛm ɔ stsˈɔtjɛ, pʃɨznˈajɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_27.wav|ˌɔtʃɨvˈiɕtɕɛ, ʃˈɛfjɛ. rˈɔp sprubˈɔvaw ɕɛ uɕmʲˈɛxnɔɲtɕ, ˌalɛ ɲʲɛ udˈawɔ mu ɕɛ zˌamaskˈɔvadʑ vɨrˈazu trˈɔski na tfˈaʒɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_142.wav|— bˈɔ klarˈɛndɔn tɔ najtˈaɲʃa z vzɡlˈɛndɲʲɛ dˈɔbrɨx utʃˈɛlɲi. — skɔɲtʃˈɨwɛɕ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_254.wav|vɛ vwˈasnɛj ɔsˈɔbjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_200.wav|xˌarmɔɲijkˈɔva pɔvwˈɔka nˌapinˈawa ɕɛ pɔvˈɔli.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_15.wav|fʃˈɨstsɨ tɔ swɨʃˈɛliɕmˌɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_31.wav|tɔ vʲˈɛdʑmɨ ʒˈɨjɔ̃ w zˈamkax?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_82.wav|nˈavɛt pˈɔtɨm fʃˈɨstkim, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ, ftɕˈɔ̃ʒ vˈaltʃɨ ɔː ˈaʃa f sfˈɔim ʒˈɨtɕu i zamjˈɛʒa ʒˈutsatɕ tɕˈɛɲ na fʃˈɨstkɔ, tsˈɔ rˈazɛm rɔbʲˈimɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_34.wav|ˌalɛ ˌɔna tˈɛras jɛst tʃˈɛɲɕtɕɔ̃ mɲʲɛ, ktˌurɛj ɲʲɛ mˈɔɡɛ jˈɛʃtʃɛ vɨpˈuɕtɕitɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_18.wav|vɨɡlˈɔndaw na rˈuvɲʲɛ sʃˌɔkɔvanˈɛɡɔː i fstʃˌɔ̃ɕɲʲɛntˈɛɡɔ jˈak jˈa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_186.wav|tɔ mˈɔʒɛ napˈijɛʃ ɕɛ xɛrbˈatɨ? mˈɔʒɛ napˈijɛ ɕɛ xɛrbˈatɨ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_24.wav|w mˈɔix fspɔmɲʲˈɛɲʲaɣ zapˈisaw ɕɛ tˌɨlkɔː ˈɔbras mɔjˈɛɡɔ sˈɨna, rˈɛʃta jɛst ukrˈɨta za mɡwˈɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_18.wav|vʲˈɛm, tsˈɔ zrˈɔbʲi tsamˈɛrɔn, jˈɛɕli ɲʲˈɛdam mu pʲɛɲʲˈɛndʑɨ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_162.wav|uɕˈadwa za stˈɔwɛm dɔ ɕˈivas i mˌaçinˈalɲʲɛ pˌɔruʃˈɨwa swˈɔɲʲɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_25.wav|— jˈak rɔzˈumjɛm, jˌɛstɛɕ tˈutaj ɲʲɛ bˈɛs pʃɨtʃˈɨnɨ — ɔtpˈarwa, a jɛj surˈɔvɨ tˈɔn sprˈaviw, ʒˈɛ kˈid zˌarumjˈɛɲiw ɕɛ lˈɛkkɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_206.wav|nˈatɛ swˈɔva bˈɛf tsˈawkʲɛm ɕɛ rɔsklˈɛja. pwˈatʃɛ, wˈapʲɛ pɔvʲˈɛtʃɛ, ɕˈɔŋka nˈɔsɛm i ɔɡˈulɲʲɛ bʒmˈi, jˈaɡbɨ ɕɛ tɔpˈiwa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_191.wav|ɲʲˈɛvʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_94.wav|ktˈɔ mʲˈaw bˈɨtɕ ɔfjˈarɔ̃?|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_307.wav|pʃˌɨɡɔtˌɔvɨvˈawɛm tɔ fʃˈɨstkɔː ɔt pɛvnˈɛɡɔ tʃˈasu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_94.wav|ˌuɕtɕisnˈɔ̃fʃɨ jˈɛʃtʃɛ rˈas luˈisɛ, vˈɨjɔw s kʲɛʃˈɛɲi tɛlˈɛfɔn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_113.wav|ˈɛliz vwɔntʃˈɨwa nˌaviɡˈatsjɛ na jˈɛɡɔ tˌɛlɛfˈɔɲʲɛ, bˈɔ ɡjˌɛpˌɛˈɛs fˈuɕɔn jɛzd zˌablɔkɔvˈanɨ rˈazɛm z lˌɔkalˌizatˈɔrɛm sˌamɔxˈɔdu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_7.wav|fʃˈɨstkɔ spʲˌɛrdɔlˈiwɛɕ ˈaʃ. jˌɛstɛʑ bˌɛznadʑˈɛjnɨ. tɔ fʃˈɨstkɔ pʃˈɛs tɕˈɛbjɛ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_223.wav|a w bʒˈuxu rˈɔslin rˈɔɕɲʲɛ nˈɔvɨ pstrˈɔŋk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_265.wav|ʃˈɨpkɔ, mˈikɛ. tɔ jˈuʃ tˌɨlkɔ pˈarɛ dɲˈi, pɔvʲˈɛdʑaw ˈandɛrsɔn. tɔ dʒˈɛvɔ tˈak tʃɨ ˈɔvak mˈuɕi ˈumʒɛtɕ.|0
+Dataset/wavs/urwisko_ferenc/52_segment_48.wav|mɛ̃ʃtʃˈɨzna ɕɛ rɔzwˈɔntʃɨw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_188.wav|i ʒˈɛ ɲʲɛ zɔstˈaviwbˌɨ jɛj dla kɔxˈaŋki, ɡdˈɨbɨ tˈak pɔstˈɔmpiw.|3
+Dataset/wavs/urwisko_ferenc/46_segment_174.wav|mˈam tɔ ɡwɛmbˈɔkɔ w dˈupʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_220.wav|wˈaziɡ bˈɨw vˌɨpɔsaʒˈɔnɨ nˈavɛt w mˈawɔ̃ ɕlˈuzɛ pɔvʲˈɛtʃnɔ̃, tsˈɔː ˌɔznatʃˈawɔ, ʒˈɛ mˈɔʒna bˌɨwɔ z ɲʲˈɛɡɔ v��xˈɔdʑidʑ bˈɛs kˌɔɲʲɛtʃnˈɔɕtɕi dˌɛkɔmprˈɛsji kabʲˈinɨ.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_236.wav|lˈudʑɛ vɛ fʃˈɨstkix mʲastˈɛtʃkax i vʲˈɔskax uswˈɨʃɔ̃ mˈɔjɛ swˈɔva.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_28.wav|i ˌuzɨskˈawɛm pʃˌɛbatʃˈɛɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_17.wav|xtɕˈawɛm ˌidɛˈalnɛj rɔdʑˈinɨ, ˈanɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_55.wav|lˌɔuˈisa pˌɔpatʃˈɨwa na ʃˈarɛ, surˈɔvɛ krɛvˈɛtki i pʃɛwknˈɛwa ɕlˈinɛ. mʲˈawa nadʑˈɛjɛ, ʒˈɛ kˈatɛ tˌɛɡɔ ɲʲɛ dɔstʃˈɛɡwa, ˌalɛ xˈɨba ɕɛ pˌɔmɨlˈiwa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_101.wav|ɔbɲˈiʒam ɡwˈɔz dɔ ʃˈɛptu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_19.wav|i tɔ fʃˈɨstkɔ mˈɔja vˈina. ˌɔtpɔvʲˈadam. zwˈa na ɕˈɛbjɛ za vwˈasnɔ̃ ɡwupˈɔtɛ.|4
+Dataset/wavs/urwisko_ferenc/19_segment_111.wav|tɔː ˌɔna xɔdʑˈiwa pˈɔtɨm ɔɡrˈɔdʑɛ, tˈak?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_95.wav|zapˈɔmɲʲɛtɕ ˈɔtɨm fʃˈɨstkim, tsˈɔ ɕɛ zdaʒˈɨwɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_25.wav|pˈɔza tɨm ˌɔna uvʲˈɛlbja mˈili.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_4.wav|dɔtˈarwɨ na pˈɔʑɔm ʑˈɛmi, ˌalɛ sxɔdʑˈiwɨ dˈalɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_114.wav|tˈɛras, kʲˈɛdɨ ɲˈikt ɲʲɛ zaɡlˈɔnda mu pʃˈɛs rˈamjɛ, ɲʲɛ ɕlˈɛdʑi jˈɛɡɔ pɔstˈɛmpuf, ɲʲɛ mˈuɕi dwˈuʒɛj udˈavadʑ ɡwˈupka pˌiʃɔntsˈɛɡɔː ɔ ɡwˈupku.|2
+Dataset/wavs/urwisko_ferenc/55_segment_93.wav|ɲˈiɡdɨ vʲˈɛntsɛj ɲʲɛ zɔbˈatʃɨw ɕɛ s tɔ̃ dʑɛftʃˈɨnɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_193.wav|ˈiʒ bˌɛɲdʑɛ tˈam muɕˈawa pɔzˈɔstatɕ pʃˈɛs pˈarɛ dɲˈi i ʒˈɛ pɔtʃˈɛbnɨ jɛj nˈadʑur.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_362.wav|spʃˌɛtɕivˈiwa ɕɛ ˈarjan. pˈɔvʲɛts, ʒˈɛ zɡʲˈinɔw brˈɔɲʲɔnts sfˈɛj mˈawɛj kɕɛ̃ʒɲˈitʃki.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_330.wav|dlatʃˈɛɡɔ zˈamɲʲɛ fpwatɕˈiwɛɕ kˈawtsjɛ? bˈɛs swˈɔva zˈatʃɔw ɔtxˈɔdʑidʑ dɔ dʒvˈi.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_468.wav|ɲʲɛ tˈɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_19.wav|mrˈuknɔw s frustrˈatsjɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_157.wav|pʃˈɛʃli pʃˈɛs mˈawɨ mˈɔstɛk i ruʃˈɨli dˈalɛj krˈɛntɔ̃ ulˈitʃkɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_239.wav|mʲɛʃkˈamɨ w bwˌɔɡɔswavʲˈɔnɨm mʲˈɛjstsu.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_435.wav|jɛdnˈaɡʒɛ ˌɔbwɔŋkˈanɨ krˈul tsˈɔ xfˈila ˌɔdrɔmbˈɨvaw vwˈasnɛ rˈɛntsɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_22.wav|zjˈɛʒdʒam z ˌɔstatɲʲˈɛɡɔ rˈɔnda i dɔstʃˈɛɡam pʃɛt sˈɔbɔ̃ xˈɔtɛl, dɔ kturˌɛɡɔ kazˈanɔ mi pʃɨjˈɛxatɕ.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_105.wav|sɔ̃ ˌɔkɔlˈitsɛ, ɡdʑˈɛ samˈɔtnɨ vɛndrˈɔvʲɛts pɔstˈɔmpiwbˌɨ rɔstrˈɔpɲʲɛ ɕpʲˈɔnts na dʒˈɛvʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_80.wav|urvˈawa, jˈaɡbɨ sˈɔbjɛ ɔ tʃˈɨmɕ pʃˌɨpɔmɲʲˈawa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_52.wav|ˌɔdrɔbʲˈinɛ tˌɔvaʒˈɨstfa.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_201.wav|bˌɨwa zmuʃˈɔna ˌɔtpɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_225.wav|kˈaʒɛ mu ɕɛ pʃˈɛbradʑ vɨ, jˈak tɔː ɔkrˈɛɕla, tfˈuj kˈɔstjum.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_105.wav|jˈakaɕ sxlˈudɲʲɛ ubrˈana pˈaɲi lɛʒˈawa f pˈɔpʃɛk jˈɛzdɲi, tʃɨmˈajɔnts nat sˈɔbɔ̃ vʲˈɛlki nˈapis|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_231.wav|lˈudʑɛ mˌajɔ̃ w dˈupʲɛ skˈɔnt pɔxˈɔdʑi tlˈɛn pɔd varˈuŋkʲɛm, ʒˈɛ mˌajɔ̃ tʃɨm ɔddˈɨxatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_73.wav|mˈɔʒɛ jɛzd vˈinnɨ pʲɛɲʲˈɔndʑɛ jakʲˈɛmuʑ ɡaŋkˈɔvi i tɔ jɛzd zˈɛmsta za ɲʲˌɛspwatsˈɛɲʲɛ dwˈuɡu. a jˈɛɕli vmʲˈɛʃaw ɕɛ w jˈakɔ̃ɕ afˈɛrɛ?|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_272.wav|dʑɛftʃˈɨnɨ ɡawˈɛ̃na?|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_327.wav|twˈuʃtʃa kɔxˈawa ɡrubˈɛɡɔ, vʲɛlkʲˈɛɡɔ sɛptˈɔna tˈaɡ bˈardʑɔ, ʒˈɛ rˌɔzɛrvˈawa ɡˈɔ na stʃˈɛmpɨ, mˈimɔ ʒˈɛ bˈɨw ɕfʲˈɛntɨm mˈɛ̃ʒɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_13.wav|mˈa sˌɨmpatˈɨtʃnɔ̃ tfˈaʃ ɔ jˈasnɛj karnˈatsji, upstʃˈɔnɔ̃ pʲɛɡˈami, a dɔ tˌɛɡɔ ɲʲˈɛmal pˌɔzbavʲˈɔnɛ kɔlˈɔru ˈusta.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_33.wav|dˌɔkɔntkˈɔlvʲɛk jˈadɔ̃, ɲʲɛdwˈuɡɔ bɛɲdʑˌɛmɨ tˈuʒ za ɲˈimi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_98.wav|ɔd dˈavna rˈɔbʲi f tɛj brˈanʒɨ, ɲˈiɡdɨ ɡˈɔ ɲʲɛ zwapˈali i ɲʲɛ jɛzd ɡwˈupi.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_104.wav|stˈaram ɕɛ bˈɨtɕ f pɔʒˈɔntku vˈɔbɛts tɕˈɛbjɛ, ˌalɛ ɲʲɛ mˈɔʒɛʒ vˈɔdʑitɕ mɲʲɛ za nˈɔs. ɲʲˈɛxtsɛ pʲɛɲʲˈɛndʑɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_116.wav|vˌɨpuɕtɕˈiwam z ˈɔbjɛɲtɕ tˈɔrbɛ i fspʲˈɛwam ɕɛ na ɡˈurɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_291.wav|xfˈilɛ miltʃˈawa, pˈatʃɔnts f sˈufit skrˈɨtɨ nˈɔtsɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_66.wav|ɲʲˈɛma mˈɔvɨ, dɔmˈiɲik. ɔ tsɔkˈɔlvʲɛk mɲʲɛ ɔbvˈiɲʲaʃ, xˈɔllɨ jɛst rˈuvɲʲɛʃ mˈɔjɔ̃ tsˈurkɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_126.wav|pʃɨnˈajmɲʲɛj jˈɛdɛn z ɲˈix mˈuɕaw vɨswˈuxatɕ mˈɔix mˈɔdwuf, bˈɔ pɔkrˈɨva ˌuxɨlˈiwa ɕɛ na kˈilka tsˌɛntɨmˈɛtruf.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_295.wav|ɔː ɔbrˈɔnɛ sˈɛptuf i ɕfʲˈɛntɨx mʲˈɛjsts.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_238.wav|zvˈɔw ɡˈɔ smˈɔtʃɨm ʃkwˈɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_50.wav|istɲʲˈɛjɛ tˌɨlkɔ jˈɛdnɔ vˌɨtwumatʃˈɛɲʲɛ ˈaʃ kwˈamaw zˈabraw jˈɔ̃ dɔ naʃˈɛɡɔ dˈɔmu dɔ kˈuxɲi, dɔ sɨpʲˈalɲi mˈɔjɛj tsˈurki|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_135.wav|urvˈawa na xfˈilɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_313.wav|ɲʲɛ vʲɛdʑˈawɛm, ʒˈɛ dʒˈɛva kfˈitnɔ̃ jˈɛʃtʃɛ ɔ tɛj pˈɔʒɛ, ʒˈɛkw rˈɨan.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_241.wav|kʲˈɛdɨ brˈawa ɕlˈup.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_37.wav|tɔ zupˈɛwɲʲɛ ɲʲɛ tfˈɔja sprˈava, dʒˈɔnsɔn, pɔvʲˈɛdʑaw rˈant i ˈɔtʃɛd.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_306.wav|jɛj tɕˈawɔ mʒˈɨwɔ tɨm rudˈavɔtʃɛrvˈɔnɨm ɕfʲˈatwɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_70.wav|w zvʲˈɔ̃sku z ˌintɛnsˈɨvnɨm rɔzvˈɔjɛm tʃˈɛka nˈas rˌɔzbudˈɔva mʲˈasta.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_129.wav|tʃˈasɛm tɔ ja ˌuzɡadɲʲˈawɛm ʃtʃɛɡˈuwɨ s klˈɛrkʲɛm, tʃˈasɛm ˈɔna.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_388.wav|ɲʲɛ pɔvʲˈɛdʑaw jˈɛdnak ɲˈits.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_32.wav|ɲʲɛ maʃ pˈɛvɲʲɛ drˌutɕanˈɛɡɔ zmɨvˈaka, tsˈɔ? bˈɔ zabrˈawam z ɡˈurɨ ɔstˈatɲi i jɛzd dˈɔɕtɕ sfˌatɨɡɔvˈanɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_102.wav|zdaʒˈawɨ ɕɛ mʲˌɛndʑɨ nˈami tarsˈija, ˌalɛ jɛʒˈɛli xɔdʑˈiwɔː ɔ spavˈaɲʲɛ, tɔː ɔn bˈɨw mˈistʃɛm.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_100.wav|ˈɔpuɕtɕ xɔrˈɔŋɡvʲɛ i ˈɔtfuʒ brˈamɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_12.wav|— pɔvʲˈɛtʃɛ ɲʲɛ pʃɛpwˈɨva w ʒˈadnɔ̃ strˈɔnɛ — pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_171.wav|vɔntrˈɔba pˈadwa na ˈamɛn. ˌɔpɛrˈatsjɛ zˌaplanɔvˈanɔ na drˈuɡʲi dʑˈɛɲ pɔ fˈɛlis navˈidat, vʲˈɛnts lˈɛpʲɛj dɔ tˌɛɡɔ tʃˈasu zˈawatf fʃˈɨstkɔ, tsˈɔ maʒ zˈɛmnɔ̃ dɔ zˌawatfʲˈɛɲʲa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_124.wav|bʲˈillɨ vzrˈuʃa rˌamjɔnˈami i pˌɔkazˈujɛ pˈaltsɛm stɔdˈɔwɛ ɡˌurujˈɔntsɔ̃ nat mˈurɛm pˌɔɕadwˈɔɕtɕi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_10.wav|dˈɔʃwɨ mɲʲɛ swˈuxɨ, ʒˈɛ na dˈɛsɛr ʃɨkˈujɛ pʲɛtʃˈɔnɔ̃ alˈaskɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_18.wav|xɔlˈɛra, bˌɛndɔ̃ muɕˈɛli tʃˈɛkatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_14.wav|ʃarpˈawa bʒˈɛɡʲi prˈaɡʲi, vˌɨrɨvˈawa kʃˈaki viklˈinɨ i znɔɕˈiwa...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_83.wav|zmarʃtʃˈɨwa brvˈi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_160.wav|ˈɛlis stˈajɛ w dʒvʲˈax.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_112.wav|zˌɔbatʃˈɨmɨ ɕɛ vʲɛtʃˈɔrɛm, dʑɛtɕˈatʃki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_178.wav|bʲˈillɨ pamjˈɛnta, ʒˈɛ stˈɛŋknɔw i bˈɛknɔw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_56.wav|ɲˈilɛ kɔʒˈɨsta s tˌɛɡɔ vˈɨjɕtɕa, kʲˈɛdɨ mˈuɕi ɕɛ vˈɨmknɔɲtɕ, tˈaɡ ʒˈɛbɨ ˈinɲi ˈɔtɨm ɲʲɛ vʲɛdʑˈɛli.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_31.wav|vɨjˈɛwam s tˈɔrbɨ ʃtʃˈɨptsɛ dɔ drˈutu, fskɔtʃˈɨwam na najblˈiʃʃɨ kˈɔmbajn i znˈɔvu zɲiknˈɛwam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_39.wav|dɔ dɲʲˈa, kʲˈɛdɨ dˌɔwɔntʃˈɨwa dɔ nˈas lˈija...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_63.wav|mˈapɛ i nˈumɛr tˌɛlɛfˈɔnu,|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_38.wav|nˈɔ, pɔ dvˈuɣ dɲʲˈax, mˈɔʒɛ tʃˈɛx.|2
+Dataset/wavs/urwisko_ferenc/15_segment_29.wav|ɡrˈɔx pɔtʃˈɛka.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_84.wav|vʲˈɛʃ, ʒˈɛ mˌamɨ ˌɔpuʑɲʲˈɛɲʲɛ, dˈɔdaw dˈalɛ.|4
+Dataset/wavs/urwisko_ferenc/15_segment_54.wav|ɡrˈɔx mˈaxnɔw rˈɛŋkɔ̃. vʲˈɛʃ jˈak jˈɛst. pʃˌɛtɕɛʃ ɲʲɛ mˈuʃɛ tɕi twumˈatʃɨtɕ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_189.wav|tɔ ɲʲɛ sɔ̃ jˈɛɡɔ sɨnˈɔvʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_44.wav|zˌapɨtˈawa dʑɛftʃˈɨna.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_142.wav|pˌɔvʲɛdʑˈawa ˈɛstɛr.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_82.wav|bʲˈillɨ ʃɨkˈujɛ ɕɛ na ˈɔdɡwɔz zdɛʒˈɛɲʲa, tɛn ɡwˈuxɨ xˈuk mˈaski sˌamɔxˈɔdu vbʲˌijajˈɔntsɨ ɕɛ f swˈup ˌɛlɛktrˈɨtʃnɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_104.wav|ˈɛlis ftɕˈɔ̃ʃ tʃˈɨta, ˌalɛ kʲˈɛdɨ pɔdnˈɔɕi vzrˈɔɡ znˈat ɛkrˈanu, bʲˈillɨ z ɲʲˌɛpɔkˈɔjɛm zˌauvˈaʒa, ʒˈɛ jɛj ˈɔtʃɨ sɔ̃ tʃɛrvˈɔnɛ i zˌapuxɲʲˈɛntɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_100.wav|vʲˈɛm, pɔftˈaʒaʃ, ʒˈɛ ɲʲɛ jˌɛstɛʑ ɡwˈɔdna, ˌalɛ pˌɔtʃɛbujˈɛmɨ tɕˈɛ f pˈɛwɲi ɕˈiw.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_251.wav|tɔ bˌɛɲdʑɛ ɔstˈatɲʲa minˈuta, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/urwisko_ferenc/45_segment_49.wav|vˌɨwadɔvˈaɲʲa ˌatmɔsfɛrˈɨtʃnɛ rˌɔsɕfʲɛtlˈawɨ tsˈɔ rˈuʃ ɔɡrˈɔmnɔ̃ xmˈurɛ, ktˌura sunˈɛwa f strˈɔnɛ mʲˈasta.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_77.wav|jɛst jˈuʃ jˈɛdnaɡ za pˈuʑnɔ. zdɔ̃ʒˈɨwam jˈuʃ pʃɛkrˈɛɲtɕitɕ klˈutʃ i natɕˈisnɔɲtɕ klˈamkɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_194.wav|fspˈɔmnɔ̃ ɔ kwɔpˈɔtax fˌinansˈɔvɨx w ɔstˈatɲim tʃˈaɕɛ, ˌalɛ ʃtʃɛɡˈuwuf ɲʲɛ pɔdˈadʑɔ̃, bˈɔ ɲʲɛ spˌɔdɔbawˈɔbɨ ɕɛ tɔː ˈinnɨm mʲɛjstsˈɔvɨm vaʒɲʲˈakɔm, ktˌuʒɨ ʒˈɨjɔ̃ i mˌajɔ̃ ɕɛ zdrˈɔvɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_21.wav|zvrˈutɕiw ɕɛ dɔ bʲilˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_266.wav|— rˈatsja — pɔvʲˈɛdʑaw xundˈɛbawɡ. — xˈɔtɕ, pɔtpˈiʃɛ tɕi tʃˈɛk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_189.wav|ɲʲɛ ˈaʃ tˈak, bˈɨ jˈɔ̃ ɔdvˈɔwatɕ, zrˈɛʃtɔ̃ tˈɛras, kʲˈɛdɨ ɕɛ nˈaɲʲɔ̃ zɡˈɔdʑiw i tˈak nˈatɔ za pˈuʑnɔ, ˌalɛ na tˈɨlɛ, ʒˈɛbɨ tʃˈutɕ ɲʲɛpˈɔkuj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_20.wav|tɕˈɛʃɛ ɕɛ, ʒˈɛ pʃˌɨjɛxˈaliɕtɕˌɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_120.wav|madʒˈarjan vrˈutɕiw dɔ vˈɛɡas, ˌalɛ ɡʲˈɔrɡjɔ zatʃˈɨmaw ɕɛ w mˌatsabrˈɨlɛ i pʃˈɨvʲuz zˈɛ sˈɔbɔ̃ dvˈux nˈɔvɨx. jˈɛdɛn mˈa na ˈimjɛ rˈɛɡɡʲɛ, drˈuɡʲi dˈana.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_443.wav|tɔ pɔvˈinnɔ pʃɨtɕˈɔŋɡnɔɲtɕ twˈumɨ bˌɔxatˈɛruf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_42.wav|zastʃˈɛliwbˌɨm ɡˈɔ nˈavɛt jˈaɡbɨm pˈɔtɛm mˈuɕaw ˈiʑdʑ dɔ pˌɔpraftʃˈaka.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_87.wav|pʃɨɲʲˈuswa ʃklˈaŋkɛ dɨmjˈɔntsɛj xɛrbˈatɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_25.wav|tʃɨ pˈan mˈɨɕli, ʒˈɛ vɨʒˈɔndʑam kˈɔmuɕ kʃˈɨvdɛ?|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_68.wav|sˈɛr daˈɨlɛn ˈuɕad na ˌɔbɔzˈɔvɨm stˈɔwku. tˈullɨ pɔvˈiɲʲɛn uʒˈɔɲdʑidʑ vɨtɕˈɛtʃkɛ, ʒˈɛbɨ nˈam pʃɨpˈɔmɲʲɛtɕ, ʒˈɛ jɛstˌɛɕmɨ na vˈɔjɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_16.wav|tʃˈɛka na tɕˈɛbjɛ tˈaɡʒɛ trˈɔxɛ pˈɔtʃtɨ, ktˌura pɔvˈinna tɕˈɛ ˌuradˈɔvatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_101.wav|na kˈɔɲʲɛts pʃɛbjˈɛɡa vzrˈɔkʲɛm pɔ tʃˈɛx ɛkrˈanax.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_99.wav|mˈɔʒɛʒ vˈɛjɕtɕ i zˈamknɔɲdʑ dʒvˈi? pˈɨtam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_40.wav|ɲʲɛ vʲadˈɔmɔ jˈɛʃtʃɛ, tʃɨ skˈɔɲtʃɨ w vʲɛ̃ʑˈɛɲʲu, tʃɨ w zakwˈadʑɛ psˌɨhiatrˈɨtʃnɨm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_56.wav|skˈɔnt ɔn jˈɛst?|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_440.wav|ɡdˈɨbɨm zˈabʲiw jˈɛɡɔ mˈatkɛ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_23.wav|ɔtpˈarwa zˈɛ vzruʃˈɛɲʲɛm rˈamjɔn.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_10.wav|ɲikˈɔɡɔ ɲʲɛ znalˈɛʑli, tˈɔtɛʒ z lˈɛkkim zdumjˈɛɲʲɛm i pravdʑˈivɔ̃ pʃˌɨjɛmnˈɔɕtɕɔ̃ pʃɨjˈɛwam ɔfˈɛrtɛ pʲˌastɔvˈaɲʲa tˌɛɡɔ stˌanɔvˈiska na stˈawɛ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_192.wav|tɕˈɛmna ɡvʲˈazda jɛst nˌajɲʲɛbˌɛspʲɛtʃɲʲˈɛjʃɨm tʃwɔvʲˈɛkʲɛm w dˈɔrnɛ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_288.wav|ˌɔbɔk ɛlˈinɔr jˈɛxaw pˌatɨkɔvˈatɨ ɡʲˈɛrmɛk ˈalin ambrˈɔsɛ, ktˌurɨ bˈɨw z ɲʲˈɔ̃ zˌarɛntʃˈɔnɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_138.wav|mˈɔʒɛ ɔn jˈɛdnak mˈa vʲˈɛntsɛj pˌɔdɔbjˈɛɲstfa dɔ pɔˈɛtɨ ɲˈiʒ dɔ dˌalajlˈamɨ?|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_165.wav|bˈɨw bˈɔsɨ i mʲˈaw na sˈɔbjɛ prˈɔstɔ̃ blˈuzɛ s sˌamɔdʑˈawu, f ktˌurɛj vɨɡlˈɔndaw rˈatʃɛj na ʒɛbrˈaka ɲˈiʃ na lˈɔrda.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_13.wav|jˈɛnnɨ pˈatʃɨ nˈamɲʲɛ, jˈaɡbɨ ɲʲɛ vʲɛʒˈɨwa w ʒˈadnɛ mˈɔjɛ swˈɔvɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_208.wav|tfˈaʃ ˈɔjtsa vɨkʃˈɨviw ɡrˈɨmas ɲʲˌɛzadˌɔvɔlˈɛɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_179.wav|a pˈɔtɛm jˈɛʃtʃɛ rˈas.|4
+Dataset/wavs/urwisko_ferenc/65_segment_12.wav|f sxrɔɲˈisku, ˌɔtpɔvʲɛdʑˈawa.|0
+Dataset/wavs/urwisko_ferenc/35_segment_28.wav|ktˈɔɕ tɕˈɛ vˈidʑaw f tɨm sˌamɔxˈɔdʑɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_164.wav|vˈɛjdɛ pʃˈɛs ɕlˈuzɛ indˈɨjskʲɛj ˌɔrɡaɲizˈatsji bˈadaɲ kɔsmˈitʃnɨx.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_29.wav|vʲˈɛŋkʃɔɕtɕ pˌaʑdʑɛrɲˈika spˈɛndʑa pɔ drˈuɡʲɛj strˈɔɲʲɛ tɨɣ dʒvˈi. nˈavɛd w dɲʲˈu zamjˈɛtɕi brɲʲˈɛ dɔ xˈatki w ʑimˈɔvɨɣ bˈutax pˌɔʒɨtʃˈɔnɨx ɔd bakʲˈɛɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_81.wav|mˈam ɔxˈɔtɛ utɕˈɛkatɕ stˈɔnt jˈak najdˈalɛj.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_111.wav|skˈurɛ s plˈɛtsuf i bˈarkuv zdˈartɔ mu ɲʲˈɛmal tsˌawkɔvˈitɕɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_305.wav|ɲʲɛ ˈumjɛm, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_101.wav|tʃɨ mˈɔɡɛ jˈɛʃtʃɛ zmʲˈɛɲidʑ zdˈaɲʲɛ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_456.wav|jˈak ɔn ɕɛ nazˈɨva? na nazvˈiskɔ? zapˈɨtaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_6.wav|ɲʲɛstˈɛtɨ pˌɔmarˈaɲtʃɛ jˈuʃ mi ɕɛ skɔɲtʃˈɨwɨ i vˈɔntpjɛ, ʒˈɛbɨm zɔbˈatʃɨw nastˈɛmpnɛ pʃɛd vʲˈɔsnɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_147.wav|za ɲˈimi ˈidʑɛ fˈɨllis stanxˈɔpɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_39.wav|ʒˌawɔvˈawɛm, ʒˈɛ tɔ ɲʲˈɛbɨw tɛn sˈam, tsˈɔ mɲʲɛ ftˈɛdɨ pʃɨtˈuliw, xˈɔtɕaʃ pˌɔstɛruŋkˈɔvɨ mˈɔlkin tˈɛʃ ɔkˈazaw ɕɛ f pɔʒˈɔntku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_46.wav|tʃɨ ˌɔnɛ tˈam bˌɨwɨ i ktˈɔ ɕɛ usˈunɔw? sˈama tɔ zrɔbʲˈiwa?|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_67.wav|a tɨ tsˈɔ, bʲˈillɨ? jˈaki xtsˈɛʃ mʲˈɛtɕ xˈappɨ ˈɛnt?|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_4.wav|ˌɔtʃɨvˈiɕtɕɛ pɔvʲˈɛdʑaw ˈandɛrsɔn. pˈatʃɨw, jˈak rˈɨan ˈidʑɛ pˈɔpʃɛs pˈɔkuj krˈɔkʲɛm lˌunatˈɨka, pˌɔtrɔntsˈajɔnts spʃˈɛntɨ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_88.wav|ˌɔras tʃˈɛtɕi, z bˌurɡundɔvˈɛɡɔː ˌaksamˈitu ˌɔpʃɨtˈɛɡɔ zwˌɔtɔɡwˈɔvʲɛm.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_159.wav|pʃˈɛdɛ fʃˈɨstkim jˌɛstɛʑ bɛŋkˈartɛm lˈɔrda prˌɔtɛktˈɔra. ɲˈiɡdɨ ˈɔtɨm ɲʲɛ zˌapɔmˈinaj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_6.wav|tˌɨlkɔ kˈilka rˈazɨ ɕɲˈiwa mu ɕɛ falˈudʒa i pˈalmɨ na dʑɛdʑˈiɲtsaɣ dˈɔmuf ˌɔbvʲɛʃˈɔnɛ wˌɔpɔtʃɔntsˈɨmi ʑˌɛlɔnˈɨmi vɔrkˈami na ɕmʲˈɛtɕi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_7.wav|tˈatɔɕ jˈuʃ sxˈɔdʑi ɔznˈajmja mˈili, vratsˈajɔndʑ dɔ rˌɨsɔvˈaɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_366.wav|ɡrˈuba mˈɛdʲi vˌɨsɨptˈawa jɛj tɔ pɛvnˈɛɡɔ rˈazu dɔː ˈuxa, ɡdˈɨ mjˈa pʃɨvʲˈɔzwa dɔ zˈamku zapˈasɨ.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_19.wav|vʲˈɛŋkʃɔɕtɕ stˌanɔvˈili xwˈɔptsɨ w vʲˈɛku pɔt rˈika ˈalbɔ mwˈɔtɕi, ˌalɛ bˌɨli fɕrˈut ɲˈix rˈuvɲʲɛʒ dɔrˈɔɕli.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_166.wav|dɔtknˈɛwam jˈɛɡɔ rˈɛŋki, ˌalɛ pʃˈɛz ɡrˈubɔ̃ vˈarstfɛ bandˈaʒa prˈavʲɛ ɲˈits ɲʲɛ tʃˈuwam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_5.wav|i bjˈɛʒɛ ɡˈɔ w ramjˈɔna.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_203.wav|a tʃˈɛtɕi, ɡdˈɨ urˈɔdʑi mu ɕɛ pʲˈɛrʃɛ dʑˈɛtskɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_7.wav|mˈuf tˈak, jˈak pɔtrˈafiʃ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_145.wav|ɲˈiɡdɨ ɕɛ ɲʲɛ dˈɔvʲɛ, jˈaɡ blˈiska bˈɨwam, bˈɨ pˈaɕtɕ pʃˈɛdɲim na kɔlˈana i bwˈaɡatɕ, bˈɨ znˈalaz jˈakiɕ ˈinnɨ spˈɔsup.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_300.wav|dˈɔbrɛ sˈɛrtsɛ i najvʲˈɛŋkʃɛ tsˈɨtski w brˈavɔs.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_120.wav|tʃˈɨtam tˈɛkst tʃˈujɔnts rɔsnˈɔntsɛ pʃˌɛraʒˈɛɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_317.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ mˈuʃɛ jˈuʃ pwˈatɕitɕ i zɲˈikatɕ. zvrutɕˈiwam ɕɛ dɔ bʲilˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_277.wav|fpˈuʃtʃaʃ ˈɔlɛj dɔ rˈurɨ vˌɨdɛxˈɔvɛj, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_386.wav|jˌɛstɛʑ ɡwˈɔdnɨ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_72.wav|zˌɔbatʃˈɨwɛm sfˈɔjɛ vˌɨmizˌɛrɔvˈanɛ ɔdbʲˈitɕɛ f tʃˈarnɨx i jˈaɡbɨ twˈustɨx ʃˈɨbax.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_143.wav|mˈɔʒɛ ˈinnɛ na dʑˈɛtɕi?|3
+Dataset/wavs/urwisko_ferenc/22_segment_34.wav|ʃtʃˈɛrpski pɔkˈivaw ɡwˈɔvɔ̃ na znˈak, ʒˈɛ ɕɛ...|0
+Dataset/wavs/urwisko_ferenc/54_segment_34.wav|ɲʲɛ, tɔ ɲʲˌɛmɔʒlˈivɛ.|0
+Dataset/wavs/urwisko_ferenc/22_segment_67.wav|na sfˈɔim nabʒmʲˈawɨm krˈɔtʃu.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_6.wav|a tsˈɔː innˈɛɡɔ tɕi pˌɔzɔstˈawɔ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_107.wav|mɔʒˈɛmɨ tɔ naprˈavitɕ. zˌapɛvɲˈimɨ tɕi ɔddʑˈɛlnɛ fundˈuʃɛ. f tɛn spˈɔsup ɲˈiɡdɨ ɲʲɛ bˌɛɲdʑɛʃ jˈuʃ mˈuɕaw prˈɔɕitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_4.wav|bɛzvwˈadnɛ tɕˈawa lɛʒˈawɨ w rˈuʒnɨx pɔzˈɨtsjax, rˌɔzʒutsˈɔnɛ pɔ tsˈawɨm vaɡˈɔɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_130.wav|pɔtʃˈuwam zˈavrud ɡwˈɔvɨ, ˌalɛ pˌɔkrɛɲtɕˈiwam ɲʲˈɔ̃ ˌɛnɛrɡʲˈitʃɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_111.wav|ɲʲɛ nˌaɕladˈujɛ tɕˈɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn. ɲʲɛ jˌɛstɛm ˌamɛrˌɨkaɲˈinɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_33.wav|jˈaɡɡɛr tɔ pravdʑˈivɛ nazvˈiskɔ tʃɨ psɛwdˈɔɲim? musˈimɨ ɡˈɔ znˈalɛɕtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_101.wav|mˈɨɕl ɔː ɔʃˈustfʲɛ pʃˌɨvɔwˈujɛ mi ˈɔbraz dˌɔmiɲˈika.|3
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_36.wav|ɲʲɛ mˌamɨ krˈula, ʒˈɔɲdʑi ˈu nˈas prɛzˈɨdɛnt, zɡrˌɔmadʑˈɛɲʲɛ nˌarɔdˈɔvɛ i sˈɛnat.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_126.wav|kʲˈɛdɨ bʲˈillɨ drˈuɡʲi rˈas pʃɨjˈɛxaw dɔ vˈɛɡas, ɡʲˈɔrɡjɔ ɲʲɛ tˌɨlkɔ jˈuʃ tˈam bˈɨw, ˌalɛ i pʃɛtstˈaviw zlɛtsˈɛɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_93.wav|xtsˈɛʃ pɔvʲˈ��dʑɛtɕ, ʒˈɛ ˈaʃ ɲʲɛ jɛst ˈɔjtsɛm mˈili?|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_307.wav|nˈaʃ kˈuzɨn spiʒˈɔvɨ jˈɔn uʒˈɔɲdʑiw w rˌunɛstˈɔnɛ vˈalkɛ zbjɔrˈɔvɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_18.wav|tˈak, mˈuvi bʲˈillɨ i kˌɔnstatˈujɛ, ʒˈɛ bˌɛɲdʑɛ mˈuɕaw ɕɛ s tɔ̃ mˈɨɕlɔ̃ ɔsfˈɔitɕ. mˈɔʒɛ s tʃˈasɛm nˈavɛt pɔlˈubʲi tɔ mʲˈɛjstsɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_54.wav|mˈuvi, pʃɛstˈajɔnts pwˈakatɕ tˈak ʃˈɨpkɔ, jˈaɡ zˈatʃɔw. tˈak pɔtrˈafjɔ̃ tˌɨlkɔ dʑˈɛtɕi w jˈɛɡɔ vʲˈɛku.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_293.wav|vʲˈɛnts tɔ prˈavda?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_308.wav|ɲʲˈɛtsɔ pˈɔnat rˈɔk tˌɛmu lˈija zˌamjɛʒˈawa mi pˈɔmuts w utɕˈɛtʃtsɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_84.wav|ftˈɛdɨ ɔn ɔpˈuɕtɕiw rˈɛŋkɛ i pɔwˈɔʒɨw dˌɛlikˈatɲʲɛ lˈalkɛ ˌɔbɔk wˈuʃka.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_73.wav|— dˈɔbʒɛ, mˈili, ˈubjɛʃ ɕɛ, prˈɔʃɛ — mˈuvi dʒˈanɛt. mˈɔja tsˈurka pˈatʃɨ nˈamɲʲɛ ˌɔkrɔŋɡwˈɨmi ɔtʃˈami.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_268.wav|ˈalbɔ tsˈɔ ɡˈɔrʃa, mˈawɛ dʑˈɛtskɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_91.wav|ɲʲɛ vˌɨɡlɔndˈawɔ tɔ tˈak ˌɛkstsɨtujˈɔntsɔ, jˈak mɔɡwˈɔbɨ ɕɛ vɨdˈavatɕ. pˌamjɛntˈajtɕɛ ɔ tutˈɛjʃɛj ɡrˌavitˈatsji.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_97.wav|kɔɲʲˈɛtʃna mˈuj ɡˈust trˈɔxɛ za bˈardʑɔ f stˈɨlu rˈitska dʒˈɛjmsa, ˌalɛ tɔ ɲˈits.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_173.wav|tˈɛras muɕˈawam tˌɨlkɔ vˈɨtɕɔɲdʑ dʑˈurɛ w ɕtɕˈaɲʲɛ ɔt ɕrˈɔtka, ʒˈɛbɨ pɔfstˈawa prˌɔvizɔrˈɨtʃna ɕlˈuza.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_56.wav|pˈan ˌɛrɛvˈɛlɛrs pɔdˈajɛ mu nˌawadɔvˈanɔ̃ vʲatrˈufkɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_44.wav|tfʲˈɛrdʑi, ʒˈɛ f tɛn spˈɔsub vʲˈɛlɛ ˈɔsub zdɔbˈɨva pʲɛɲʲˈɔndʑɛ na spwatsˈɛɲʲɛ sfˈɔix nˌalɛʒnˈɔɕtɕi.|3
+Dataset/wavs/urwisko_ferenc/19_segment_81.wav|mˈɔɡɛ pˈaɲi pɔʒˈɨtʃɨtɕ tɛ zdjˈɛɲtɕa, ˌalɛ mˈuɕi mi jˈɛ pˈaɲi ˈɔddatɕ, zˌaznatʃˈɨwa.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_423.wav|ˈɔmal ɡˈɔ ɲʲɛ spˌɔlitʃkɔvˈawa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_70.wav|zapˈɔmɲij ɔ tɨ mˈaʃ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_36.wav|tˈɛssa i sˈammɨ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_91.wav|pʃˈɛstaɲ, bʲˈillɨ, tɔː ɔkrˈɔpnɛ i musˈimɨ vrˈutɕitɕ na awtˈɔstra...|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_99.wav|ɲˈiɡdɨ ɲʲɛ nˌarazˈiwabˌɨm dʑˈɛtɕi na ɲʲˌɛbɛspʲɛtʃˈɛɲstfɔ, ɡdˈɨbɨm vʲɛdʑˈawa, ʒˈɛ tsˈɔɕ takʲˈɛɡɔ mˈɔʒɛ ɕɛ stˈatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_127.wav|mˈɔɡɛ tɕˈɛ prˈɔɕitɕ na swˈufkɔ, ɲitsˈɔlɔ?|3
+Dataset/wavs/urwisko_ferenc/65_segment_171.wav|vˌɨdavˈawɔ mi ɕɛ, ʒˈɛ ftˈɛdɨ, kʲˈɛdɨ pɔdvʲˈɔzwɛm pˈaɲʲɔ̃ dɔ tɔrˈuɲʲa, ʒˈɛ tɛn tɕˈɛ̃ʃki mˈɛtal tˈɛʃ ɕɛ pˈaɲi pɔdˈɔba.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_74.wav|tʃɨ ɔn sˈɔɲdʑi, ʒˈɛ ˈɔjtɕɛdʑ dʑɛftʃˈɨŋki mˈuɡw mʲˈɛtɕ s tɨm tsˈɔɕ fspulnˈɛɡɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_57.wav|f sˈumjɛ ɲʲˌɛpɔtʃˈɛbɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_262.wav|ˈɔtɔ sɔ̃ mˈɔjɛ dˈarɨ dla tɕˈɛbjɛ, mˈɔja swˈɔtka sˈansɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_118.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/urwisko_ferenc/09_segment_13.wav|xˈɛrman nɛrvˈɔvɔː ˌɔttfaʒˈawa w mˈɨɕlax ɲʲɛdˈavnɔ̃ rɔzmˈɔvɛ z jarˈɔɲʲɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_52.wav|mˈuj ɡwˈɔs wˈamjɛ ɕɛ pʃˈɨtɨm jˈɛdnɨm swˈɔvʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_134.wav|vʲˈɛmɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_233.wav|zˌatʃɨmˈawɛm ɕɛ zˈaɲʲɔ̃, ˌustavˈiwɛm dʑvˈiɡɲʲɛ zmʲˈanɨ bjˈɛɡuf f pɔzˈɨtsji pˈark i ˌɔtfɔʒˈɨwɛm dʒvˈi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_306.wav|za dˈuʒɔ mi prˌɔpɔnˈujɛ nˈaras ta mwˈɔda kɔbjˈɛta.|0
+Dataset/wavs/urwisko_ferenc/27_segment_69.wav|tˈɛras tɔ jˈuʃ xˈɨba pˈaɲi pʃɛsˈadʑa, ɔbˈuʒɨw ɕɛ prˌɔkurˈatɔr. pʃˌɛtɕɛʃ ˈɔtɨm udˈaʒɛ tɕˈɛplnɨm...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_46.wav|dɔkwˈada sˌɨstɛmatˈɨtʃɲʲɛ dɔ pˈuli, ˌalɛ brakˈujɛ jɛj nˈɛrvuf, bˈɨ vˈaltʃɨdʑ dɔ kˈɔɲtsa. tʃˈɛka jˈɔ̃ dʑˈiɕ spˈɔra pʃɛɡrˈana.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_51.wav|xtɕˈawbɨm pɔvʲˈɛdʑɛdʑ vɨrˈaʑɲʲɛ, ʒˈɛ jˈɛɕli mˈuvi pˈaɲi prˈavdɛ, tɔ f tˈakim rˈaʑɛ ktˈɔʑ bˈardʑɔ ɕɛ pɔstˈarawbˌɨ pˈaɲʲɔ̃ vɛ fʃˈɨstkɔ vrˈɔbʲitɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_28.wav|nˈadal jɛst ftʃˈɛɕɲʲɛ, vʲˈɛndʑ zwapʲˈɛmɨ jˈɔ̃ pˈɛvɲʲɛ pʃɛt rˌɔspɔtʃˈɛɲtɕɛm dɲʲˈa, pɔɲʲˈɛvaʃ tablˈitsɛ sɔ̃ zˌarɛjˌɛstrɔvˈanɛ f sɨstˈɛmjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_45.wav|nˈɔ tsˈuʃ, pˈaɲʲɛ dɔˈuɡlas, sˈam pˈan vʲˈɛ, jˈak tɔ jˈɛst.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_448.wav|tˌaki vɨbrˈali sˈɔbjɛ spˈɔsup na ʒˈɨtɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_110.wav|zatʃˈɛkaj dɔ tʃˈɛtɕɛj, pˈɔtɛm sprˈavdʑ znˈɔvu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_123.wav|dla mɲʲɛ ˌɔnɛ fʃˈɨstkʲɛ sɔ̃ vrɔɡˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_8.wav|ɲʲɛ xtsˈɛmɨ ɲitʃˈɛɡɔ dɔkwˈadadʑ dɔ paɲskʲˈɛɡɔ strˈɛsu, ˌalɛ xˈɨba pˈan rɔzˈumjɛ, ʒˈɛ im ftʃˈɛɕɲʲɛj ˌuzɨskˈamɨ ɲʲɛzbˈɛndnɛ ˌinfɔrmˈatsjɛ, tɨm vʲˈɛŋkʃɛ bˌɛndɔ̃ ʃˈansɛ na znˌalɛʑˈɛɲʲɛ sprˈaftsɨ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_74.wav|vˈɔkuw pˈɛwnɔ bˌɨwɔ krfˈi, kavˈawkuf kˈɔɕtɕi i mˈuzɡu.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_63.wav|muɕˈawam jˈɛʃtʃɛ upˈɔratɕ ɕɛ z ɔstˈatɲim mˌɛxaɲˈitʃnɨm pɔtfˈɔrɛm. pˌɔzbavʲˈɔnɨ pʃˈɛdɲʲɛj kamˈɛrɨ mʲˈɔtaw ɕɛ na ˈɔɕlɛp, prubˈujɔnts mɲʲɛ trˈafitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_60.wav|pɔmˈimɔ pʃˌɨpravʲˌajɔntsˈɛɡɔː ɔtɕˈarki ɔbrˈazu i tsˈawɛj rˈɛʃtɨ,|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_226.wav|xˈɔtɕ ɔn nˈavɛt ɲʲˈɛznaw mɔjˈɛɡɔː imjˈɛɲʲa.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_113.wav|brjˈɛnnɛ rˌɔzdʑavˈiwa ʃɛrˈɔkɔː ˈusta i vˌɨtʃɛʃtʃˈɨwa ˈɔtʃɨ. — jˌɛstɛɕ tˌɛɡɔ pˈɛvʲɛn?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_93.wav|jˈaɡbɨ pʃˌɨpɔmˈinaw mi, tsˈɔ mˈam dɔ stratsˈɛɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_87.wav|dɔstˈawɛɕ krfɔtˈɔku vˌɛvnɛntʃnˈɛɡɔ, prˈavda? i kˈula nˈadal tkfˈi w ɕrˈɔtku.|2
+Dataset/wavs/urwisko_ferenc/44_segment_15.wav|f tˈakim rˈaʑɛ pɔ tsˈɔ mʲˈawbɨ iɣ vʒˈutsadʑ dɔ ɡrˈupɨ sfiŋɡˈɛrsuf?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_310.wav|ˈalbɔ zdʑitʃˈawɨ pˈark.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_60.wav|spˌɔɡlɔndajˈɔntsɛ spˈɔt kʃatʃˈastɨɣ brvˈi ˈɔtʃɨ taljˈɛɡɔ vˌɨdavˈawɨ ɕɛ tfˈardɛ jˈak kˈamjɛɲ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_256.wav|pɔ prˈɔstu dˈuʒɔ xˈɔdʑɛ.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_27.wav|pˌɔtʃɛbujˈɛmɨ vʲˈɛntsɛj mˌaɛstˈɛruf, ʒˈɛbɨ ɕɛ zˌajmɔvˈali krukˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_116.wav|stɨɡnˈɔntsɛ wzˈɨ pʲˈɛkwɨ mɲʲɛ f pɔlˈitʃki.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_73.wav|ɕˈɛŋɡam dɔ tɔrˈɛpki i vɨjmˈujɛ z ɲʲˈɛj mˈɔjɔ̃ vˌɨwɔntʃˈɔnɔ̃ kɔmˈurkɛ.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_189.wav|pʃˈɨznaw pˈɛtɨr. tʃˈuwa w jˈɛɡɔː ɔddˈɛxu vˈɔɲ vˈina, ɡɔʑdʑˈikuf i ɡˈawki mˌuʃkatɔwˈɔvɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_88.wav|tɔ dʑˈɛɲ, kturˌɛɡɔ ɕɛ bˈawam kaʒdˈɛɡɔ rˈɔku.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_139.wav|pˌasaʒˈɛruf mˈɔɡwɨbˌɨ zˌaalarmˈɔvatɕ jˈakʲɛɕ pˌɔdɛjʒˈanɛ ɔdɡwˈɔsɨ dˌɔbjɛɡajˈɔntsɛ zzˈa ɕtɕˈanɨ. ɲʲˌɛspɔdʑɛvˈanɨ ˈatak kɕˌɛ̃ʒɨtsˈɔvɛj varjˈatki, ktˌura pˌɔstavˈiwa sfˈɔjɛ ʒˈɨtɕɛ na ɡwˈɔvʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_76.wav|f tɨm mɔmˈɛɲtɕɛ rˌɔzmavʲˈamɨ s kˈaʒdɨm, ktˈɔ mˈa z ɲʲˈɔ̃ jˌakikˈɔlvʲɛɡ zvʲˈɔ̃zɛk, ɲʲɛvˈaʒnɛ jˈak ɔdlˈɛɡwɨ. ʃukˈamɨ pɔ prˈɔstu ˌinfɔrmˈatsji.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_76.wav|ˌɔtpɔtʃˈɨvaj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_116.wav|tsamˈɛrɔn ˈuɲʲuz brvˈi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_44.wav|z mɔjˈɛɡɔ zˌatɕiɕɲʲɛntˈɛɡɔ ɡˈardwa vˌɨdɔstˈajɛ ɕɛ jˈɛŋk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_139.wav|mˈuvi mu, tsˈɔ mˈa kˈupitɕ i bʲˈillɨ ˈidʑɛ dɔ sklˈɛpu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_63.wav|zˌarɛˌaɡɔvˈawam ftˈɛdɨ pʃˌɛɲiklˈivɨm jˈɛŋkʲɛm, a mˈɔjɛ dʑˈɛtskɔ natˈɨxmʲast ˌɔtpɔvʲɛdʑˈawɔ pwˈatʃɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_142.wav|f sˈumjɛ bˌɨwɔ tɔ ɡwˈupʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_249.wav|tˈɨlɛ, ʒˈɛ mˈɨɕli tˈɛʃ ɔ mˈɔkrɛj ɕtɕɛrˈɛtʃtsɛ, ktˌurɔ̃ wapˈidux lˈɛtʃɨw atˈaki paɲˈiki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_197.wav|ɲˈidʑɡ vzrˈuʃa rˌamjɔnˈami.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_168.wav|pˈaɲi tsˈɔɕ pʃɛdˈɛmnɔ̃ ukrˈɨva.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_72.wav|rˌɔstʃarɔvˈaɲʲɛ dˌɔmiɲˈika jɛst ɲʲˈɛmal tˈak sˈamɔ nˌamatsˈalnɛ jˈaɡ bˈul xˈɔllɨ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_366.wav|dʑɛdʑˈiɲʲɛts pɔkrˈɨvaw dˈavnɔ spˈadwɨ ɕɲʲˈɛk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_111.wav|ˌalɛ pʃɨnˈajmɲʲɛj ˈɛliz znˈuf sfɔbˈɔdɲʲɛ ɔddˈɨxa. jɛst spɔkˈɔjna, xˈɔtɕaʃ f tɨm jˈɛɡɔː ɔpˈɔvʲɛɕtɕ pɔmˈɔɡwa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_14.wav|mˈɔʒɛ dlatˈɛɡɔ, ʒˈɛ pʃɨznˈawa ɕɛ dɔ kɔntˈaktuv zˈɛ stˈɛvɛm allmˈanɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_9.wav|pʃɨjˈɔwɛm ɔt pˈaru dˈalɛ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_378.wav|zˌauvˈaʒɨw dʒˈɛjn i vˈɨʃɛd z namjˈɔtu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_20.wav|vzruʃˈawɔ tɔ mˈamɛ za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ sˈɔbjɛ ˈɔtɨm pʃˌɨpɔminˈawa.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_57.wav|ɲʲɛ mʲˈawam pɔjˈɛɲtɕa, tsˈɔ jɛzd ɡrˈanɛ, ˌalɛ ɲʲɛ zˌamjɛʒˈawam xˈɔdʑitɕ pɔ mʲˈɛɕtɕɛ z nˌadajɲˈikʲɛm, ktˌurɨ pɔzvˈalaw mɲʲɛ namjˈɛʒɨtɕ. dɔbjˈɛɡwam dɔ ɡwˈuvnɛj xˈali na pɔʑˈɔmjɛ zɛrˈɔvɨm bʲˈina.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_8.wav|— pʃˈɨkrɔ mi, ʒˈɛ muɕˈɛliɕmˌɨ tɕˈɛ tˈutaj sprɔvˈadʑitɕ — mˈuvi bˈɛtskɨ. — vˌɨjaɕɲʲˈawam tɔ pʃˈɛs tɛlˈɛfɔn, ˌalɛ jɛʒˈɛli maʃ jˈakʲɛɕ pɨtˈaɲʲa, tɔ swˈuxam.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_39.wav|ɲʲɛ mˌamɨ w dˈɔmu psˈa?|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_123.wav|ˌakumulˈatɔr i ɕilɲˈiki sɔ̃ ˌɔsadʑˈɔnɛ w vʲˈɛlkim zbjɔrɲˈiku z vˈɔskʲɛm. dɔ rˌɔstɔpʲˈɛɲʲa vˈɔsku pɔtʃˈɛba spˈɔrɔː ɛnˈɛrɡji i tɔ vwˈaɕɲʲɛ ɔn pɔxwˈaɲʲa tɕˈɛpwɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_133.wav|mˈuʃɛ im pɔvʲˈɛdʑɛtɕ, mˈuʃɛ pɔjˈɛxadʑ dɔ dˈɔmu, ʒˈɛbɨ urˈɔdʑidʑ dʑˈɛtskɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_156.wav|vˈɨʃwɔ na jˈav vʲˈɛlɛ ɲʲˌɛdɔtɕˈɔŋɡɲʲɛɲtɕ tɛxɲˈitʃnɨx.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_102.wav|dɔmˈiɲik pʃɨwˈɔʒɨw mi pˈalɛdʑ dɔː ˈust.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_54.wav|tɔ tˌɛɡɔ druɡʲˈɛɡɔ snˈu ɲʲˌɛnavidʑˈiwa. tˈɛɡɔ, f ktˌurɨm mʲˈawa dvʲˈɛ nˈɔɡʲi zˈamjast tʃtˈɛrɛx.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_276.wav|pɔdˈɛʃwam dɔ mɔjˈɛɡɔ vˈuska i uɕˈadwam za kʲˌɛrɔvɲˈitsɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_76.wav|xˈɨba tˈak. tˈak mɲʲɛ tɔ fʃˈɨstkɔ pʃˌɨtwɔtʃˈɨwɔ, ʒˈɛ ɲʲɛ jˌɛstɛm pˈɛvnɨ, tsˈɔ zˌapamjɛntˈawɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_134.wav|ɲˈikt ɲʲɛ spˈɨtaw, jˈakʲɛ tɔː utʃˈutɕɛ, kʲˈɛdɨ kˈaʒɔ̃ tɕi ˌɔpʲɛkˈɔvatɕ ɕɛ ɕˈɔstrɔ̃, a tɨ ɲʲɛ vˌɨvʲɔ̃zˈujɛʃ ɕɛ s tˌɛɡɔ nˌajvaʒɲʲɛjʃˈɛɡɔː ˌɔbɔvʲˈɔ̃sku na ɕfʲˈɛtɕɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_170.wav|mɔʒˈɛmɨ vrˈutɕitɕ na ʑˈɛmʲɛ. mˈuj brˈat f tabˈuku mˈuɡwbɨ nˈas...|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_213.wav|a jɛj pˈɛwnɛ ˈusta i mˈawɔ̃ jˈasnɔ̃ blˈiznɛ ˈu nasˈadɨ nˈɔsa,|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_107.wav|mˈɔʒɛ tɔ mi pɔmˈɔʒɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_186.wav|nˈɔ tsˈɔ, tʃˈɛkam na tfˈɔjɔ̃ ɔpˈiɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_67.wav|spˈɔjʒaw nˈamɲʲɛ z bɔlˈɛsnɨm vɨʒˈutɛm.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_129.wav|ɲˈits ɲʲɛ vʲɛdʑˈawa ɔ pʃɨʃwˈɔɕtɕi.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_19.wav|stfʲˈɛrdʑiw vʲˈɛlki sˈɛptɔn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_121.wav|ja tˈɛʃ ɕɛ dˈɔbʒɛ bavˈiwɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_185.wav|ˌalɛ pʃˈɨʃwaɕ tˈutaj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_566.wav|ˌalɛ ɔn ɲʲɛ zvrˈatsaw uvˈaɡʲi na mˈuj zwˈɨ xˈumɔr.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_20.wav|patʃˈɨli, jˈak lˈudʑɛ prˌatsujˈɔntsɨ dla flaɡmˈɛna ˌukwadˈajɔ̃ f pɔɕpʲˈɛxu kʃˈɨʃ na pˈɔlu startˈɔvɨm,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_48.wav|f tɕˈɔŋɡu ɔstˈatɲʲɛj ɡɔdʑˈinɨ jˌɛstɛm dɔ pʃˈɔdu ɲʲˈɛmal ɔ pʲˈɛɲtɕ tɨɕˈɛntsɨ, ˌalɛ zblˈiʒa ɕɛ pˈɔra tfˈartʃɛj vˈalki.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_420.wav|pˈɔtɛm znˈɔvu nˈaɲʲɔ̃ patʃˈɨwɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_119.wav|ˌɔtpɔvʲˈadaʒ za sfˈuj ˌɛkfipˈunɛk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_155.wav|— tˈak — mˈuvi vrˈɛʃtɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_161.wav|mˈɔʒɛ tɔ zrˈɔbʲidʑ dla ɕˈɛbjɛ, jˈɛɕli tˈaka jˈɛɡɔ vˈɔla. ɲʲɛ pɔtʃˈɛba mu...|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_231.wav|muɕˈitɕɛ ɔbˈɔjɛ zjˈɛʑdʑ dʑˈiʑ zˈɛmnɔ̃ vʲɛtʃˈɛʒɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_33.wav|f kˈɔɲtsu jˈɛdnaɡ zrˌɔzumjˈawam utʃˈutɕɛ ɛwfˈɔrji tˌɔvaʒɨʃˈɔntsɛ vɨɡrˈanɨm, xˈɔtɕ nˈadal ɲʲɛ pˌɔtrafˈiwam vɨbˈatʃɨtɕ mu tˌɛɡɔː upˈɔru, kʲˈɛdɨ pʃɛɡrˈɨvaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_78.wav|dɔmˈɨɕlam ɕɛ, ʒˈɛ f trˈaktɕɛ skˌɔntaktɔvˈali ɕɛ zˈɛ fspɔmɲʲˈanɨm drˈɔɡʲim ˌadvɔkˈatɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_14.wav|jˈak ɕɛ tˈutaj znalˈazwam?|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_19.wav|ɕˈɛŋɡa jɛj dɔ wˈɨdɛk.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_58.wav|ˌɔkazˈawɔ ɕɛ, ʒˈɛ tɔ prˈavda.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_473.wav|tʃɨ tɔ dˈɔbʒɛ, tʃɨ ʑlˈɛ? na pˈɛvnɔ za pˈuʑnɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_421.wav|ktˌurɨ ɔkˈazaw ɕɛ pijˈakʲɛm, ˈalbɔ pɔ prˈɔstu zɔstˈawɨ starˈɨmi pannˈami z ɲʲˌɛvʲadˈɔmɨx pɔvˈɔduf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_152.wav|fawʃˈɨva ˌɔɡrɔdɲˈitʃka pʃɛvrˈatsa ɕɛ jˈaɡ dwˈuɡa na rabˈatɛ. pʃˈɛdmʲɔt, pɔ ktˌurɨ ɕɛŋɡˈawa, vɨpˈada s kʲɛʃˈɛɲi. tɔ tɛlˈɛfɔn kˌɔmurkˈɔvɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_61.wav|ɲʲˌɛvidʑˈalna ɔsˈɔba. w jˈaki spˈɔsup ˌɔɲi vˌɨpwatsˈajɔ̃ jɛj pˈɛnsjɛ bˈɛs numˈɛru ˌubɛspʲɛtʃˈɛɲʲa? bˈɛtskɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_54.wav|tʃɨ tˈatuɕ tˈɛʃ jɛst tˈutaj? ɲʲɛ, ˌalɛ zɔbˈatʃɨʃ ɕɛ z ɲˈim, kʲˈɛdɨ vrˈutɕiʒ dɔ dˈɔmu, kɔxˈaɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_69.wav|ˌalɛ ja ɲʲɛ mˈɔɡɛ ɕɛ rˈuʃɨtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_155.wav|zapˈarwam ɕɛ plɛtsˈami ɔ ɕtɕˈanɛ i s tsˈawɛj ɕˈiwɨ kɔpnˈɛwam ɔbjˈɛma nɔɡˈami f pɔkrˈɨvɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_50.wav|dˈɔbʒɛ ɕɛ tʃˈujɛʃ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_3.wav|pɔvˈinnam ɔpˈuɕtɕitɕ tsˈɔlvɨn bˈaj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_71.wav|pɔrˈanɨ dˈavɛ, mˈuvi dˈɛrɛk, ˈɔtʃɨ mu bwˈɨʃtʃɔ̃. jˌɛstɛʑ ɡˈɔɕtɕ!|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_83.wav|tsˈɔ, zwˈɨ sˈɛn?|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_139.wav|bˌɛndɛ ˌɔfitsˈɛʒɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_159.wav|tɔ ɲʲɛ jɛst fˈilm ɡaŋkstˈɛrski, ɔtpˈarwam.|4
+Dataset/wavs/urwisko_ferenc/33_segment_59.wav|dˈɔbʒɛ pˈaɲi swɨʃˈawa.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_60.wav|jɛst ɕilɲʲˈɛjʃa ɲˈiʒ vʲˈɛŋkʃɔɕtɕ mˈɛ��ʃtʃɨzn i ʃˈɨpka tɔ mʲˈɛtʃ jɛst ʃˈɨpki.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_116.wav|jˈudɨ tɛj blˈiznɨ prˈavʲɛ ɲˈikt ɲʲɛ vˈidʑaw. i ɲˈikt ˈɔɲʲɛj ɲʲˈɛvʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_82.wav|uznˈawɛm, ʒˈɛ bˈardʑɛj pɔtʃˈɛbnɛ bˌɛndɛ tˈutaj.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_23.wav|ɔː ˈilɛ tɔ ɲʲˈɛma pɔswˈuʒɨtɕ pʃˌɛkazˈaɲʲu vʲˌadɔmˈɔɕtɕi, tɔ ɕɛ zɡˈadʑam.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_411.wav|mirˈanda bˌɨwa zmuʃˈɔna zˈɔstatɕ s tˈɨwu, a lˈain pˌɔpuɕtɕˈiwa muwˈɔvi vˈɔdʑɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_321.wav|ɲʲɛ, pʃˌɨjɛxˈawɛm w ˈinnɨm tsˈɛlu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_35.wav|pʃˌɛtɕɛʃ xtɕˈawɛm bˈɨtɕ tʃwɔvʲˈɛkʲɛm tˈakim jˈak tˈɨ.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_34.wav|tfˈɔjɔ̃ ɕmʲˈɛrtɕɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_30.wav|ˌalɛ nˈumɛr ɲʲɛ jɛzd zˌarɛjˌɛstrɔvˈanɨ, vʲˈɛnts mˌamɨ dɔ tʃɨɲʲˈɛɲʲa z ˌaparˈatɛm na kˈartɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_130.wav|pˈɔʃwa, vʲˈɛm. ˌalɛ w zˈɛʃwɨm tɨɡˈɔdɲʲu vˈuz bˈɨw sprˈavnɨ, ɲʲɛ? ɔdvʲˈɛʑliɕtɕˌɛ ɲˈim ˈɛliz dɔ dˈɔmu, kʲˈɛdɨ z ɲʲˈɔ̃ skɔɲtʃˈɨliɕtɕˌɛ?|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_266.wav|tɨ bˌɨwaɕ mwˈɔda i pʲˈɛŋkna, dˈumna i pˈɛwna ʒˈɨtɕa.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_367.wav|ˈɛlin tˈarbɛk rˌɔzɛɕmʲˈawa ɕɛ w ɡwˈɔs, a tʃɛrvˈɔnɨ lˈɛf ɔpˈuɕtɕiw w ɡɲʲˈɛvʲɛ kɔmnˈatɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_42.wav|vidʑˈawam, jˈaɡ bˈardʑɔ bˈɨw zmʲɛʃˈanɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_7.wav|ɕlˈadɨ ˈɔpɔn pˌasɔvˈawɨ i mˈɔɡli fskˈazatɕ, ɡdʑˈɛ bˈɨw spˈɛntsɛr, kʲˈɛdɨ zadʑvˈɔɲiw dɔ naˈila stratskˈana krˈutkɔ pɔ mɔrdˈɛrstfʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_186.wav|ɔn jˈɔ̃ zɲˈiʃtʃɨw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_498.wav|jɛst tˌɨlkɔ dˌɔbrɔvˈɔlɲʲɛ vɨbrˈana ɕmʲˈɛrtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_41.wav|ɲʲɛxˈɛntɲʲɛ nˌatɕɔŋɡnˈɛwam na ɕˈɛbjɛ kˌɔmbʲinˈɛzɔn i ɔt rˈazu zatʃˈɛwam ɕɛ pˈɔtɕitɕ. fˈuj!|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_67.wav|tɔ tˌɨlkɔ rˈɔbɔt. ɲʲɛ mˈɔʒɛ ɕɛ pʃɛt tˈɔbɔ̃ brˈɔɲitɕ. tsˈawa jˈɛɡɔ ʃtˈutʃna ˌintɛliɡˈɛntsja ˌɔɡraɲˈitʃa ɕɛ dɔ tʃɨmˈaɲʲa stawˈɛɡɔ kˈursu.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_169.wav|nˌajɛmɲˈitsɨ ɲʲɛ ʒawˈujɔ̃ ɲikˈɔɡɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_82.wav|tˈɔm zˌastanˈavʲaw ɕɛ pʃˈɛs xfˈilɛ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_153.wav|ˌɔdwɔʒˈɨwa jɛdʑˈɛɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_39.wav|ˈɔkɛj. ˈilɛ pwˈatsɛ? mˈuʃɛ pˈujɕtɕ pɔ pˌɔrtmɔnˈɛtkɛ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_310.wav|vʲˈɛŋkʃɔɕtɕ sklˈɛpuf i dˈɔmuf splˌɔndrɔvˈanɔ, ɔ tʃɨm ɕfʲattʃˈɨwɨ pˌɔrɔzbʲijˈanɛ dʒvˈi ˌɔras ˌɔkʲɛnɲˈitsɛ, ˌalɛ tˌɨlkɔ sˈɛpt puʃtʃˈɔnɔ z dˈɨmɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_99.wav|nˈɔ vrˈɛʃtɕɛ ktˈɔɕ tˈu mˈuvi rɔssˈɔndɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_138.wav|ɔtstˈavja fjuʒˈɨna s pɔvrˈɔtɛm na pˈarkiŋk, jˈɛdʑɛ tɔjˈɔtɔ̃ dɔ midvˈɔɔt, ɔɡlˈɔnda tˌɛlɛvˈizjɛ, ˈidʑɛ dɔ wˈuʃka.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_160.wav|ˌalɛ zˈaɲim dˈɔʃwa, rˌɔspwɨnˈɛwa ɕɛ w ukˈɔɕnɨx strumˈɨkax ɕfʲˈatwa swˌɔnɛtʃnˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_21.wav|tʃɨ tɨ kʲˈɛdɨʑ vrˈɛʃtɕɛ ɔtpˈuɕtɕiʃ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_69.wav|na zˈajutʃ jɛzd ʑˈimnɔ, ˌalɛ pɔ pʃˈɨjɕtɕu dɔ xˈatki z bˈali bʲˈillɨ ɲʲɛ vwˈɔntʃa ɡʒɛjɲˈika, ɲʲɛ zdɛjmˈujɛ tˈɛʃ ɔbrˈazu zˈɛ ɕtɕˈanɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_217.wav|pˈujdɔ̃ na tɛn ˈukwat. jˌɛstɛʑ vwˌaɕtɕitɕˈɛlkɔ̃ tsawˈɛɡɔ majˈɔntku trˈɔnda, prˈavda?|4
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+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_54.wav|ˌadmiɲˌistratˈɔrka maxnˈɛwa rˈɛŋkɔ̃, jˈaɡbɨ ˌɔdɡaɲʲˈawa kɔmˈara.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_3.wav|tsˈɔː ɔn tˈutaj rˈɔbʲi dɔ jˈasnɛj xɔlˈɛrɨ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_55.wav|uɲʲˈɔswam ix rˈɔɡʲi, ʒˈɛbɨ zˈajʒɛtɕ pɔt spˈut krˈul i tʃfˈurka.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_74.wav|bˈɨw tˈam ɲˈikt, ˌalɛ ɲʲɛ vˈɨʃɛd na zˈɛvnɔntʃ, bˈɨ ɕɛ pʃɨvˈitatɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_441.wav|ʃwˈa vˌɨprɔstɔvˈana ɕtɕiskˈajɔnts pɔt pˈaxɔ̃ tɔrˈɛpkɛ zˈɛ zwɔtsˈɔnɨm waɲtsˈuʃkʲɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_246.wav|mˈikɛ rˈɨan ˈɔpar ɕɛ tɕˈɛ̃ʃkɔː ɔ ɲʲˈɛɡɔ. ftɕˈɔ̃ʃ jˈɛʃtʃɛ bˈɨw ɲʲˈɛtsɔ fstavʲˈɔnɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_54.wav|swɨʃˈɛliɕmˌɨ tˈu pɔt sˈɛtɛk nˈuk i pˌɔjɛdˈɨntʃɛ ɲʲˌɛzrɔzumjˈawɛ vʒˈaski.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_266.wav|tˈaɡ dwˈuɡɔ, jˈaɡ bˌɛɲdʑɛ ʒˈɨtɕ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/urwisko_ferenc/28_segment_78.wav|zˌapɛvɲˈiwa vˈaltɛr pʲˈɛrʃɨ rˈas jˈɔ̃ vˈidʑɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_38.wav|bˌɨwa blˈada i mʲˈawa zˌatʃɛrvʲɛɲʲˈɔnɔ̃ skˈurɛ vˈɔkuw ˈɔtʃu, jˈaɡbɨ pwakˈawa.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_136.wav|ɔrˈɛiɡn dˈavaw jˈuʃ jɛj dɔ zrˌɔzumjˈɛɲʲa, ʒˈɛ pˌɔtʃɛbˈujɛ ɕɛdʑˈibɨ.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_122.wav|ʒˈɛbɨ ɕɛ dˈɔstatɕ na vˈɨspɛ krˈukuf ɲʲɛ pˌɔtʃɛbɔvˈali wˈɔdʑi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_91.wav|bˈaki zapˈala pˌapʲɛrˈɔsa stˈarɔ̃ zˌapalɲˈitʃkɔ̃ ʑˈippɔ z vˌɨtwɔtʃˈɔnɨm z bˈɔku ɡˈɔdwɛm marˈinɛs i xˈaswɛm sˈɛmpɛr fˈi.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_100.wav|tɔ dˈɔbra stˈal.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_38.wav|ktˌura swɨʃˈawa jˈɛɡɔ ɕpʲˈɛf pʃɨ kɕˌɛ̃ʒɨtsˈɔvɛj sadʑˈaftsɛ i nˌaɡrɔdʑˈiwa ɡˈɔ pˌɔtsawˈuŋkʲɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_148.wav|i vˈɨznatɕ sfˈɔjɛ ɔttʃˈutɕa, zˈaɲim pujdʑˈɛmɨ krˈɔɡ dˈalɛj.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_8.wav|zlˌizɨvˈawɛm z ˈuzd vˈilɡɔtɕ, pˈɔstnɔw jˈaɡ wzˈɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_175.wav|ɔn ɕɛ nˈami zˌaɔpʲɛkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_7.wav|tʃɨ zamjˈɛʒaw mi pˈɔmuts?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_30.wav|tamtˈɛɡɔ vʲɛtʃˈɔru?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_5.wav|kʲˈɛdɨ ɡˈɔː ˌarɛʃtɔvˈanɔ, zˌastanavʲˈawam ɕɛ pʃˈɛs xfˈilɛ, tʃɨ faktˈɨtʃɲʲɛ skʃˈɨvdʑiw mˈili i bˌɨwam zbˈɨt ɕlˈɛpa, bˈɨ dˈɔstʃɛts prˈavdɛ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_181.wav|tɔ swˈɔvɔ ɲʲɛ spˌɔdɔbˈawɔ ɕɛ tsɛrsˈɛi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_60.wav|pʃɨ bjˈurku stˈanɔw kˈit, jˈaɡ zvˈɨklɛ s pɔvˈaɡɔ̃ na tfˈaʒɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_83.wav|ˈaʃ ˈidʑɛ f strˈɔnɛ dʒvˈi, a ja vɨxˈɔdʑɛ dɔ kˈuxɲi. ɲʲˈɛxtsɛ pˈatʃɛtɕ, jˈaɡ vɨxˈɔdʑi. swˈɨʃɛ tˌɨlkɔ nˈuʒɛ, ktˌura ftɕˈɔ̃ʃ namˈavja ˈaʃa, ʒˈɛbɨ z ɲʲˈɔ̃ zˈɔstaw.|4
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_47.wav|zaɡlˈɔndam w ɡwˈɔmp tɕɛmnˈɛɡɔ kˌɔrɨtˈaʒa i ɕˈɛŋɡam dɔ vwɔntʃɲˈika ɕfʲˈatwa, ˌalɛ kʲˈɛdɨ ɡˈɔ natɕˈiskam, ɲʲˈɛma ʒˈadnɛj rɛˈaktsji.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_109.wav|tɔ ɲʲɛ pˈɔtʃta bˌɨwa vˈinna, tɔ jˈa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_113.wav|prˌɔvadʑˈiliɕmˌ�� aktˈɨvnɛ ʒˈɨtɕɛ tˌɔvaʒˈɨskʲɛ, xˈɔtɕaʃ prˈatsa bˈardʑɔ mɲʲɛ ˌapsɔrbɔvˈawa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_25.wav|ˌalɛ rˈuvɲʲɛʃ ɔdmˈɔva dɔstˈɛmpu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_19.wav|dʑvɔɲˈiwɛm dɔ tɕˈɛbjɛ pˈarɛ ɡˈɔdʑin tˈɛmu.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_163.wav|pʃɛmknˈɛwam s pɔvrˈɔtɛm pʃˈɛs kasˈɨnɔː i pɔdˈɛʃwam dɔ twˈumu.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_7.wav|bˈɔɲtɕ tsˈɔ bˈɔɲtɕ, tɔ jɛdˈɨnɛ mʲˈɛjstsɛ na tɛj kˈupʲɛ skˈaw, ɡdʑˈɛ istˈɔta lˈutska mˈɔʒɛ pʃˈɛʒɨtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_45.wav|zaxˈɛɲtɕiw ˈaʃa dɔ dalʃˈɛɡɔ muvʲˈɛɲʲa. swɨʃˈawɛm, jˈak mamrˈɔtʃɔ̃ tsˈɔɕ ɔ tsadʲˈisxɛt mˈɔs.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_263.wav|xfilˈɛtʃkɛ, zˈaraz bɛɲdʑˌɛmɨ mʲˌɛli lˈɛpʃɨ vˈidɔk.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_65.wav|pʃˈɨɡwup mˈatsɛ tˈɨrɛll pɔvʲˈɛʒɨw ɔbrˈɔnɛ rˈidʒ bˌɛzradnˈɛmu swˌabɛuʃˈɔvi.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_102.wav|kˈɔmbajn bˈɨw dɔʃtʃˈɛntɲʲɛ zɲiʃtʃˈɔnɨ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_153.wav|pʃɛtʃˈɨtaj sfˈuj dɔkˈumɛnt.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_74.wav|z vʲˈɛlkɔ̃ litˈɛrɔ̃ ˈɛr w ɲʲɛbjˈɛskim kˈɔlɛ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_117.wav|rˈɨtsɛʃ f pˌɔjɛdˈɨŋkɛ zdˈɔbɨw ɡrimstˈɔnɛ.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_10.wav|kʲˈɛdɨ pʃɛwˈɨkaw ɕlˈinɛ, jˈɛɡɔ ɡrdˈɨka pˌɔruʃˈawa ɕɛ ɡvawtˈɔvɲʲɛ w dˈuw i w ɡˈurɛ. ɲʲɛ mˈɔʒɛʒ zˈa...|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_130.wav|jɛzd zbˈɨt mˈɔtsnɔ pˌɔsuɲʲˈɛnta w lˈatax, ʒˈɛbɨ bˈɨtɕ jˈɛdnɨm s psˈuf strˌuʒujˈɔntsɨx ɲˈika. zrˈɛʃtɔ̃ ɲʲɛ pɔvʲˈɛʒɨwbˌɨ takʲˈɛɡɔ zadˈaɲʲa kɔbjˈɛtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_74.wav|pɔznˈawa jɛdnˈɛɡɔ z ɲˈix.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_420.wav|vˌɨkaswˈujɛ kavˈawki pwˈutsa.|1
+Dataset/wavs/urwisko_ferenc/32_segment_3.wav|sˈɔlski mˈuɕaw bˈɨtɕ na mʲˈɛjstsu, bˈɔ pʃɛd dˈɔmɛm stˈaw jˈɛɡɔ tɕitrˈɔɛn tˌɨlkɔ dlatˈɛɡɔ mˈarja zdˌɛtsɨdɔvˈawa ɕɛ vˈɨɕɔ̃ʑdʑ z ˈawta ɡrˈɔxa|0
+Dataset/wavs/urwisko_ferenc/22_segment_48.wav|ɲʲɛ, ɔn pʃɨjˈɛdʑɛ dɔ tɔrˈuɲʲa.|0
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_85.wav|ɲʲɛ jˌɛstɛm bjˈawa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_46.wav|tʃˈɛɕtɕ sɛrdˈɛɲkɔ, a ˌɔna pˈadwa mu w ɔbjˈɛɲtɕa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_115.wav|f kˈaʒdɨm rˈaʑɛ mˈija trˈɔxɛ tʃˈasu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_52.wav|vˌɨkɔnˈɨvaw tɔ zlɛtsˈɛɲʲɛ pʃˈɛʃwɔ tʃˈɨ mʲɛɕˈɔntsɛ i zapwˈatɕiw zˈatɔ znˈatʃɲʲɛ vˈɨʃʃɔ̃ ˌɔsɔbʲˈistɔ̃ tsˈɛnɛ ɲˈiʃ mˈukw pʃɨpˈuʃtʃatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_2.wav|kʲˈɛdɨ tˈɔm zˈajɔw mʲˈɛjstsɛ napʃˈɛtɕif spɛntsˈɛra jˌɔxanssˈɔna, dˈɔstʃɛɡw vɨrˈaʑɲʲɛ krɔpˈɛlki pˈɔtu na jˈɛɡɔ skˈuʒɛ i rˌɔsʃɛʒˈɔnɛ ʑrɛɲˈitsɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_121.wav|zatʃˈɛwam i zˌavʲɛɕˈiwam ɡwˈɔs.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_36.wav|mˈuʃɛ vʲˈɛdʑɛtɕ, tsˈɔ mˈuvjɔ̃, ʃtʃɛɡˈulɲʲɛ jˈɛɕli dɔtˈɨtʃɨ tɔ mɔjˈɛɡɔ sˈɨna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_228.wav|ɕˈɛrpʲɛɲ pʃˈɛʃɛd vɛ vʒˈɛɕɛɲ, ˌalɛ pɔvʲˈɛtʃɛ ftɕˈɔ̃ʒ drʒˈɨ ɔt upˈawu. fˈalɛ ʒˈaru bʲˈijɔ̃ z asfˈaltu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_185.wav|f kˈaʒdɨm rˈaʑɛ ɕɛdʑˈɛliɕmˌɨ f tɨx sˌamɔxˈɔdax, ˌudavˈaliɕmˌɨ, ʒˈɛ sɔ̃ sprˈavnɛ i ʒˈɛ ɡdʑˈɛɕ jɛdʑˈɛmɨ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_135.wav|tˌɛɡɔ swɔtkʲˈɛɡɔ mlˈɛka...|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_140.wav|tˈak tʃɨ ˈɔvak mˈuɕi ˈiʑdʑ dˈalɛj, jˈɛɕli xtsˈɛ dˈɔtʃɛdʑ dɔ bˌɛspʲɛtʃnˈɛɡɔ mʲɛʃkˈaɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_217.wav|ˈann ɡɔˈɔɡʲɛ tɔ pʃɨklˈɛpʲɛ, dɔdˈawam. zalˈɛʒɨ jɛj tˈak sˈamɔ jˈak nˈam, ʒˈɛbɨ pˈɔzbɨtɕ ɕɛ stˈɔnt ˌɔpalˈasjɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_424.wav|pˈɔvʲɛts tsˈɔɕ ɔ sˈɔbjɛ, ʒˈɛkwa zɛrkˈajɔnts w mˈ��jɔ̃ strˈɔnɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_264.wav|bˌɨliɕmˌɨ jˈuʃ prˈavʲɛ na mʲˈɛjstsu.|3
+Dataset/wavs/urwisko_ferenc/03_segment_12.wav|a jˈak pˈaɲi tˈu dɔtˈarwa? zdʑˈiviw ɕɛ. kˌɔlɛʒˈaŋka mɲʲɛ pˌɔdʒutɕˈiwa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_169.wav|pʃˌɛtɕɛʃ pˌɔvʲɛdʑˈawɛm vɨrˈaʑɲʲɛ, tɛn tʃwˈɔvʲɛk ˌurɔdʑˈɔnɨ jɛst pˈɔza ɡrˌaɲitsˈami stˈanuf i mˈuvi z aktsˈɛntɛm.|0
+Dataset/wavs/urwisko_ferenc/55_segment_92.wav|ɲʲɛ zdradʑˈiwa jˈakɔ̃. mˈɔ̃ʃ pɔʒˈɨtʃɨw jɛj tˈɛ krˈɔɲikˌɛ i ɲˈiɡdɨ ɲʲɛ ɔdʑˈɨskaw jɛj s pɔvrˈɔtɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_117.wav|fpˈɔrɛ zˌauvˈaʒam, tsˈɔ ɕˈɛdʑi na ʃˈɨbjɛ, zalˈɛdvʲɛ kˌilkanˈaɕtɕɛ tsˌɛntɨmˈɛtruf ɔt mʲˈɛjstsa, ɡdʑˈɛ xtɕˈawam pɔwˈɔʒɨdʑ dwˈɔɲ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_371.wav|nˈaʃ fspˈulnɨ vˈɨʒut sumjˈɛɲʲa.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_42.wav|ˌalɛ tɕˈɛmnɔɕtɕ fˌawʃɔvˈawa ˌɔdlɛɡwˈɔɕtɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_26.wav|mˈuɕi bˈɨtɕ f tɨm dˈɔbrɨ, bˈɔː ˈinɲi ʃˈɨpkɔ s tɛj fˈirmɨ vˌɨlatˈujɔ̃, a ɔn ɕˈɛdʑi tˈu dwˈuʒɛj ˈɔdɛ mɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_223.wav|krˈad ʒˈɨvnɔɕtɕ s kˈuxɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_632.wav|tsˈɔ mˈɨɕliʃ, kɔlˈɛɡɔ, ɕfʲˈatku s tamtˈɛɡɔ ɕfʲˈata?|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_132.wav|pˈatʃɨw na jɛj ɕlˈitʃnɔ̃, pʲˌɛɡɔvˈatɔ̃ tfˈaʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_107.wav|pˌɔvʲɛdʑˈawam pˈɔtfur.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_14.wav|ɲʲɛ maʃ pɔjˈɛɲtɕa, jˈak frˌustrujˈɔntsɛ jɛzd za kˈaʒdɨm rˈazɛm ˌɔtʃɛkivˈaɲʲɛ na tfˈuj tɛlˈɛfɔn.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_42.wav|pʃɨnˈajmɲʲɛj na rˈaʑɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_116.wav|tɔ tˌɨlkɔ jˈɛʃtʃɛ jˈɛdɛn ʒˈart. ʃɨdˈɛra, jˈak mˈɔʒɛ pˌɔvʲɛdʑˈawɨbˌɨ dʑˈɛtɕi.|2
+Dataset/wavs/urwisko_ferenc/52_segment_77.wav|ˌalɛ pˈɔvʲɛ mi pˈan vrˈɛʃtɕɛ, ɔ tsˈɔ xˈɔdʑi?|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_155.wav|ɔbrˈɔtnɨ z ɲʲˈɛɡɔ tʃwˈɔvʲɛk, ɲʲɛ?|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_145.wav|ktˌura tɕˈɛ ɔbˈali.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_433.wav|dlatʃˈɛɡɔ? spɨtˈawa lˈɛdvɔ dˌɔstʃɛɡˈalɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_134.wav|ˌɔnɛ tˈɛʃ sɔ̃ ɡwˈɔdnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_6.wav|ɲʲɛ ˌɔdʑɨvˈaliɕmˌɨ ɕɛ ˌaɲi swˈɔvɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_51.wav|fʃˈɨstsɨ jɛstˌɛɕmɨ ˌindɨvˌiduˌalnɔɕtɕˈami, a fawʃˈɨvɛ tɨtˈuwɨ dˈajɔ̃ nˈam vʲˈɛntsɛj vwˈadʑɨ ɲˈiʃ nˈatɔ zˌaswuɡujˈɛmɨ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_347.wav|ɲʲɛ vʲˈɛdʑaw, tsˈɔ jˈɛʃtʃɛ mˈuɡwbɨ pɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_310.wav|tɔ mˈɔjɛ znˈaki ʃtʃɛɡˈulnɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_8.wav|tˈam jɛst lɔrˈɛtta sˈanxɛs.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_45.wav|ˈalfjɛ dɔmˈɨɕla ɕɛ, ʒˈɛ tsˈɔɕ jɛst ɲʲɛ tˈak i zatʃˈɨna pwˈakatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_55.wav|vʲˈɛm, ʒˈɛ tɔ bzdˈurnɛ mɨɕlˈɛɲʲɛ, bˈɔ zˈɔɛ jˈuʃ mɲʲɛ zˌapɛvɲʲˈawa, ʒˈɛ f tˈamtɨm pˌɔmjɛʃtʃˈɛɲʲu pratsˈujɛ tsˈawa ɡrˈupa lˈudʑi zˌajmujˈɔntsɨx ɕɛ ʃukˈaɲʲɛm mˈɔjɛj dʑɛftʃˈɨŋki.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_113.wav|xˈɔtɕ na zˈɛvnɔntʃ, ɲʲˈɛxtsɛ rɔzmˈavʲatɕ w ɕrˈɔtku.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_201.wav|ˌɔbudʑˈiwɛm ɕɛ zˌalɛŋkɲʲˈɔnɨ, ɲʲɛ vʲˈɛdʑɔnts, ɡdʑˈɛ jˌɛstɛm i kˈim jˈɛstɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_59.wav|ʃˈɔn i ja mˈɔɡlibˌɨɕmɨ nˈadal mʲˈɛʃkatɕ rˈazɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_67.wav|ktˌurɛ nˌautʃˈɨwaɕ ɕɛ jˈuʃ ˌɛliminˈɔvatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_398.wav|skˈɔntɕ nadlˈɛtɕaw vʲˈadr z ɡarɕtɕˈami kˌantsɛlarˈɨjnɨɣ drˈukuf.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_190.wav|pɔ prˈɔstu za bˈardʑɔ bˈɨw sˈɔbɔ̃, bˈɨ vzbˈudʑatɕ mˈɔjɛ ɔbˈavɨ.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_199.wav|jˈatsɨ pʃˌɨjatɕˈɛlɛ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_78.wav|prˌubɔvˈawam kʃˈɨknɔɲtɕ, ˌalɛ lˈɛdvʲɛ ˌɔddɨxˈawam i zrɔbʲˈiwɔ mi ɕɛ ɲʲɛdˈɔbʒɛ zˈɛ strˈaxu. dvˈaj pˌɔzɔstˈali zwapˈali stsˈɔtta i zavlˈɛkli ɡˈɔ w ɡwˈɔmp ulˈitʃki.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_3.wav|pʃˈɨʃɛd dˈɔktɔr ɔsˈɔba, ʃˈɛfjɛ ɔznˈajmiw. tʃˈɛka f xˈɔlu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_127.wav|tsˈawɛ lˈatɔ pʃɛt sˈɔbɔ̃.|3
+Dataset/wavs/urwisko_ferenc/49_segment_12.wav|— bˈardʑɔ mɔʒlˈivɛ, ˌalɛ ɔpˈɔvʲɛm tɕi pˈuʑɲʲɛj. maʃ kˈɔɡɔɕ, ktˈɔ pʃˈɛjʒawbˌɨ tɛ tɕˈuxɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_126.wav|tˈaka i tˈaka.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_76.wav|ɲˈiɡdɨ ɲʲɛ zapˈɔmnɛ dɲʲˈa, f ktˌurɨm ɔdˈɛʃwa ɕɛ spˈikɛ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_326.wav|ʒˈɛ sɔ̃ bˈardʑɔ mˈɔndʒɨ i dˈɔbʒɨ.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_53.wav|ɔː ix lˈɔɕɛ zdˌɛtsɨdˈujɛ kɕˈɔ̃ʒɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_406.wav|ˌɔdrɨvˈawɛm ɔkwˈatki s kɔmˈiksuf i ˌukwadˈawɛm jˈɛ na kˈupɛ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_241.wav|pɛvnˈɛɡɔ dɲʲˈa, ɡdˈɨ brˈɛa lɛʒˈawa w wˈuʃku s pɔvˈɔdu mʲɛɕˈɛntʃnɛj krfˈi, kˈat pˌɔjɛxˈawa s tˈatʃkɔ̃ dɔ fjˌɔlɛtɔvˈɛɡɔ pˈɔrtu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_186.wav|— nˈɔː i tsˈɔ? — zapˈɨtaw rˈɨan.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_412.wav|kˈɔnɲiŋktɔn rˈɨknɔw ɕmʲˈɛxɛm.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_417.wav|vˈaʃa mˈiwɔʑdʑ ʒartˈujɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_17.wav|tɔ xˈɔdʑmɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_18.wav|pɔvʲˈɛdʑaw rˈuvɲʲɛʃ, ʒˈɛ jˌɛstɛm pʲˈɛŋkna i pɔprˈɔɕiw, ʒˈɛbɨm pˌɔjɛxˈawa dɔ ʃˈɛffjɛlt i ɕɛ z ɲˈim spɔtkˈawa, ʒˈɛbɨ mˈukw pɔkˈazatɕ mi tamtˈɛjʃɛ ʒˈɨtɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_45.wav|ˈinɲi nˌajvɨrˈaʑɲʲɛj pʃˌɛkɔnˈaɲi, ʒˈɛ ˌuɲʲɛɕˈɔnɨ i fˈɔnɛ ɔbrˈɔɲi ix pʃɛt kˈaʒdɨm zˌaɡrɔʒˈɛɲʲɛm, rˈɔbjɔ̃ tɔ sˈamɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_107.wav|pˌɔstanˈavja skˈɔtʃɨdʑ dɔ zˈɔɲiz ɡˈɔ mˈart i kˈupitɕ ɕfʲˈɛʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_227.wav|nˈada ˌɔna pʲˌɛtʃɔnˈɛmu mʲˈɛ̃su smˌakɔvˈitɨ arˈɔmat, ˌalɛ spɔʒˈɨtɕɛ jɛj...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_45.wav|swˈabɛ ɕfʲˈatwɔː ˌɔdbʲijˈawɔ ɕɛ ɔt ʃˈarɨx ˈɔtʃu, a ja zˌɔbatʃˈɨwam tɕˈɛɲʲu ɕmʲˈɛxu, zˈaɲim ˈaram ɕɛ ɔddˈaliw i zɲˈiknɔw mi z ˈɔtʃu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_153.wav|brˈama dɔ ɕfʲˈata lˌɛʒɔntsˈɛɡɔ pˈɔza lˌakɛsˈidɛ zˌatʃɨnˈawa ɕɛ zamˈɨkatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_256.wav|vʲˈɛnts ˈɔdɛjtɕ stˈɔnt.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_176.wav|ɛdmˈurɛ vbʲˈiw vˈɛɲ ɲʲɛˈufnɛ spɔjʒˈɛɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_19.wav|pʃɨnˈajmɲʲɛj ɲʲɛ ˈu nˈas.|3
+Dataset/wavs/urwisko_ferenc/09_segment_120.wav|dlatˈɛɡɔː ˌɔdwɔʒˈɨwa tɔ dɔ nˌastɛmpnˈɛɡɔ dɲʲˈa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_62.wav|ˈuznaw, ʒˈɛ dvˈujka dʑˈɛtɕi tɔ za dˈuʒa ˌɔtpɔvʲɛdʑˈalnɔɕtɕ, pˌɔvʲɛdʑˈawa mˈama.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_411.wav|na vˈidɔk nˈaɡʲɛj brjˈɛnnɛ pʃˌɛraʒˈɔnɨ ɲʲˈɛdʑvʲɛtɕ mˈuɡwbɨ ˈutɕɛts.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_127.wav|ɲʲɛ zamjˈɛʒa zvrˈatsatɕ ɕɛ pɔː imjˈɛɲʲu dɔ tʃwɔvʲˈɛka, ktˌurɨ w ɡrˈuɲtɕɛ ʒˈɛtʃɨ jɛst jˈɛɡɔ ɡˌɔspɔdˈaʒɛm. ɔtsˈuva ɕɛ na bˈɔk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_71.wav|bˈardʑɔ dˌɛlikˈatɲʲɛ dɔtˈɨka ɕlˈaduf na jɛj ʃˈɨi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_48.wav|ˌustɔmpˈiwa mi drˈɔɡʲi.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_39.wav|ˈɔtpar vˈatɛrs. jɛdnˈaɡʒɛ mˈɔɡliɕmˌɨ ˈɔdɲʲɛʑdʑ bɛskrfˈavɛ zvɨtɕˈɛ̃stfɔ, a ɔn dˌɔprɔvˈadʑiw dɔ ʒˈɛʑi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_41.wav|ta ɡrˈa tɔ jɛdˈɨnɨ mˈɔmɛnt, kʲˈɛdɨ mˈɔɡɛ vzɲʲˈɛɕtɕ ɕɛ na vɨʒˈɨnɨ i pˈɔtʃutɕ tɛ ɲʲɛzvˈɨkwɛ ɛmˈɔtsjɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_46.wav|ɲʲɛ ɕˈada jˈɛdnak, tˌɨlkɔ xˈɔdʑi f tɛ i vɛ f tˈɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_71.wav|tɔ ɲʲɛ mˈɔʒɛ bˈɨtɕ mˈuj zɡˈɔt.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_52.wav|zaprˈɔɕitɕ iɣ dɔ dˈɔmu?|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_104.wav|zɔstˈawam kʲˈɛdɨʑ zˌaprɔɡrˌamɔvˈana, ʒˈɛbɨ sprˈavʲatɕ mu rˈadɔɕtɕ, a tˈɛras ɔn sprˈaviw jˈɔ̃ mɲʲɛ. tʃˈuwam ɕɛ tsudˈɔvɲʲɛ, xˈɔtɕ jˌɛdnɔtʃˈɛɕɲʲɛ bˌɨwam rɔzdˈarta.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_204.wav|ˌɔɕɛmnˈaɕtɕɛ. ɡˈura dʑˌɛvʲɛtnˈaɕtɕɛ. rˈatʃɛj ɲʲɛ dvadʑˈɛɕtɕa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_188.wav|xundˈɛbawx ˌiˈi stˈaw pʃɛt ɲˈimi z vɨrˈazɛm trjˈumfu i fɕtɕɛkwˈɔɕtɕi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_8.wav|ˈalbɔ zrɔbʲˈiwa sˈɔbjɛ vɨtɕˈɛtʃkɛ dɔ zˈamku f tsanˈarvɔn.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_159.wav|mʲˈawam vraʒˈɛɲʲɛ, ʒˈɛ spɔɡlˈɔnda nˈamɲʲɛ z dˌɛzaprɔbˈatɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_296.wav|ɔn mˈuvi, ʒˈɛ bˌɨwɛɕ kˌɔnfidˈɛntɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_101.wav|tʃˈasɛm ɲʲˈɛma vˈɨjɕtɕa, tʃˈɛba pʃɛtʃˈɛkatɕ i tˈɨlɛ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_439.wav|zɡˈɔdʑiw ɕɛ xwˈɔpʲɛdʑ zˈɛ smˈutkʲɛm w ɡwˈɔɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_310.wav|jˌamjɛˈɛɡɔ lˌanɲistˈɛra|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_156.wav|ɡdˈɨ prˌubɔvˈawam jɛj jˈɔ̃ zdjˈɔɲtɕ, bɛstʃˈɛlna dʑɛftʃˈɨna ʃarpˈawa ɕɛ zˈɛmnɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_108.wav|f pˈarku ɲʲɛ vˈɔlnɔ pˈalitɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_170.wav|sˈara vrutɕˈiwa na mʲˈɛjstsɛ i upˈiwa dˈuʒɨ wˈɨɡ vˈina s kʲɛlˈiʃka.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_50.wav|mɨ ɲʲɛ jɛstˌɛɕmɨ wˈɛ fɛdˈɛral kˌɔrɛtstjˈɔnal ˌinstʲitˈutjɔn tˈɛks artsˈana, tɔ jˈɛst...|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_104.wav|i zˈɛ fʃɨstkˈimi pɔvʲˈɛdʑaw.|0
+Dataset/wavs/urwisko_ferenc/24_segment_28.wav|— vʲˈɛ pˈan, mwˈɔdʑi zˈafʃɛ znˈajdɔ̃ fspˈulnɨ jˈɛ̃zɨk. im jɛst trˈɔxɛ wˈatfʲɛj.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_155.wav|tsˈɔː ix tˈaɡ zˌaxfɨtsˈawɔ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_213.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_20.wav|fstˈajɛ, xfˈɨta mɲʲɛ za rˈɛŋkɛ i stˈavja na nˈɔɡʲi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_212.wav|mˈɔʒɛ tɔː ˈɔna?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_14.wav|jˈɛdnɨm z ɲˈiɣ bˈɨw pˈaɲski ɡabʲˈinɛt.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_49.wav|tˈɔm vɨjˈaɕɲiw lˌɔuˈiɕɛ, ʒˈɛ dɔ jˈatska nalˈɛʒɨ ɕɛ zvrˈatsatɕ pˈit, pɔ tʃɨm vɨtɕˈɔŋɡnɔw rˈɛntsɛ, ʒˈɛbɨ vɨwˈuskatɕ sˈɔfʲɛ z rˈɔŋk ˈɛmmɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_178.wav|mˈɨɕli, ʒˈɛ xˈɨba zɔstˈanɔ̃ z ˈɛllis na pˈɛarsɔn strˈit ɲʲˈɛtsɔ dwˈuʒɛj ɲˈiʃ planˈɔvaw. jˈɛʃtʃɛ tʃˈɨ dɲˈi, dɔ tʃˈasu ˈaʃ upˈɔra ɕɛ z dˈɔmɛm zˈabaf i tˈɨm, tsˈɔ tˈam ɕɛ stˈawɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_31.wav|swˈɨʃɛ, jˈaɡ zjˈɛʒdʒa pɔ sxˈɔdax na pˈartɛr i vˈɔwa dɔ nˈuʃɨ.|4
+Dataset/wavs/urwisko_ferenc/42_segment_16.wav|bɔrˈɛvitʃ ɔdˈɛtxnɔw.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_254.wav|swˈɔva vˌɨpwɨnˈɛwɨ z ɲʲˈɛj strumjˈɛɲʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_52.wav|ˌɔtʃɨvˈiɕtɕɛ, jˈɛɕli ɡˈɔ zˌauvaʒˈɨli, mˈɔɡɔ̃. mˈɨɕli ɔ rˈɛɡʲim i dˈaɲʲɛ, ɲʲɛ frˈaŋkim i pˈɔlim tʃɨ pɔlˈitsji.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_113.wav|musˈimɨ znˈalɛɕtɕ mˈɛ̃ʒa, a tˈam mˈɔʒɛ bˈɨtɕ tsˈɔɕ, tsˈɔ pɔtpˈɔvʲɛ nˈam, ɡdʑˈɛ ʃˈukatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_220.wav|i tʃˈɛɡɔ vˈas tˈam utʃˈɨli? fʃɨstkʲˈɛɡɔ. ja jˌɛstɛm pravɲˈikʲɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_108.wav|ɡdʑˈɛ bˈɨw jˈɛɡɔ jˈɛ̃zɨk? kazˈawɛm tɕi ˌɔpɔvʲˈadadʑ zˈɛ ʃtʃˌɛɡuwˈami. mˈuɕiʒ dˈɔstʃɛts nˈaʃɔ̃ ɔdrˈazɛ, a mɨ musˈimɨ pˈɔtʃutɕ tfˈuj fstˈɨt.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_126.wav|i vʲˈɛʃ, ɲʲɛ pamjˈɛntam, ˈabɨ kʲˌɛdɨkˈɔlvʲɛk ˈuɕad. pɔ prˈɔstu stˈaw, mˈiltʃaw i tʃˈɛkaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_31.wav|rɔzɡlˈɔndam ɕɛ pɔ ʃˈɔpʲɛ, zˌastanavʲˈajɔnts ɕɛ, ɡdʑˈɛ mˈuɡw ˈukrɨtɕ kˈartɔn. ɲʲˈɛbɨw vʲˈɛlki, ˌalɛ vˌɨstartʃajˈɔntsɔ dˈuʒɨ, ʒˈɛbɨ ɲʲɛ zmʲˈɛɕtɕitɕ ɕɛ f ʃuflˈadʑɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_509.wav|a mˈɔʒɛ jˈakixɕ ˈinnɨx?|0
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+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_120.wav|stfʲˈɛrdʑa, ʒˈɛ tˈɛras jˈuʃ xtsˈɛ prɔvˈadʑitɕ, ʒˈɛ ɡɔrˈɔntsɔ prˈaɡɲʲɛ pˈatʃɛtɕ, jˈak mˌitsubʲˈiʃi pɔwˈɨka kilˈɔmɛdr za kˌilɔmˈɛtrɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_72.wav|ɲʲɛ xtɕˈawam utɕˈɛkatɕ pʃɛd bˈulɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_59.wav|znˈɔvu fkratʃˈajɔ̃ dɔ mʲˈasta i tɨm rˈazɛm zɔstˈanɔ̃ dɔ skˈutku.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_10.wav|jɛst jˈuʃ na nˈɔvɨm mʲˈɛjstsu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_41.wav|mˈɔɡwabˌɨm tˈɛraz vˈɨɕɔ̃ɕtɕ s sˌamɔxˈɔdu i zavˈɔwatɕ, ˌalɛ mɲʲɛ ɲʲɛ uswˈɨʃɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_41.wav|pɔ kˈilku sɛkˈundax kˈiva ɡwˈɔvɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_35.wav|ɔdwˈɔʒɨw ɡazˈɛtɛ i pˈɔtʃɛd dɔ pilˈɔta.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_126.wav|vɨbrˈawa tɔː ɔstˈatɲʲɛ.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_181.wav|tɔ jˈuʃ jˈakiɕ pˈɔstɛmp.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_50.wav|znˈatʃɨ, ʒˈɛ znˈaʃ, tˈak? ftrɔɲtɕˈiwa lˈɛnɛ.|4
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_10.wav|f pɔblˈiʒu jɛzd dˈuʒɨ mˈarkɛd bˌudɔvlˈanɨ. naprˈavdɛ spˈɔrɨ, dɔdˈawa bˈɛtskɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_40.wav|trˈudnɔ pɔvʲˈɛdʑɛtɕ, tsˈɔ jˈɔ mˈɔɡwabˌɨ zrˈɔbʲitɕ, ʒˈutɕiw rˈɔp mˈarʃtʃɔnts tʃˈɔwɔ.|4
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+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_209.wav|ˌimjɛɲˈinɨ dˌɨʒurnˈɛɡɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_107.wav|ɲʲˈɛruf tˈɛɡɔ.|3
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+Dataset/wavs/urwisko_ferenc/61_segment_8.wav|pɔlˈitsjant spˈɔjʒaw nˈaɲʲɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_133.wav|prˈɔʃɛ tɕˈɛ bˈardʑɔ, dˈafnɛ, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_109.wav|rˈuʃa w dˈuw xɔdɲˈika.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_33.wav|tʃˈujɛ lˈɛkkʲɛ ukwˈutɕɛ ɡdʑˈɛɕ w ɕrˈɔtku.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_156.wav|xˈɨba, ʒˈɛ jˈɛɡɔ lɔrdˈɔfska mˈɔɕtɕ tɕˈɛ fpˈuɕtɕi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_251.wav|vwˈaɕɲʲɛ zˌaintˌɔnɔvˈali stˈɔlat i jˈakʲɛɕ mɛxˈatɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_47.wav|mɨɕlˈɛliɕtɕˌɛ, ʒˈɛ tɔ pɔrvˈaɲʲɛ dla ɔkˈupu.|4
+Dataset/wavs/urwisko_ferenc/41_segment_7.wav|ɡrˈɔx ɔdˈɛbraw pɔ kˈilku sɨɡnˈawax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_101.wav|unˈɔɕi dwˈɔɲ, bʲˈillɨ pʃɨbʲˈija z ɲˈim pʲˈɔntkɛ.|2
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+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_46.wav|a ɡʲˈildja ɲʲɛ lˈubʲi vˈɔlnɨx stʃˈɛltsuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_204.wav|mˈɔʒɛ ɲʲɛ mˈuɕaw? mˈɔʒɛ pɔvʲˈɛdʑaw mu, ʒˈɛ pɔɕˈɛdʑɔ̃ xfˈilɛ f sˌamɔxˈɔdʑɛ i pˌɔrɔzmavʲˈajɔ̃ ˈɔtɨm, jˈaɡ vˈɨbrnɔɲtɕ s tɛj sˌɨtuˈatsji s kɔʒˈɨɕtɕɔ̃ dla ɲʲˈɛɡɔ xˈɔffa?|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_184.wav|i rˈas f sˈɛptɕɛ bˌaɛlˈɔra.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_23.wav|jˈɛɡɔ zˌaaŋɡˌaʒɔvˈaɲʲɛ f pɔrvˈaɲʲɛ, f tˌaki tʃɨ ˈinnɨ spˈɔsup, jɛst jˈɛdnak na ʃtʃˈɨtɕɛ lˈistɨ mˈɔix pˌɔzɔstˈawɨx stsˌɛnarjˈuʃɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_185.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_195.wav|lˈɛpʃa z mlˈɛkʲɛm i mʲˈɔdɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_386.wav|kˈaʒdɨ zwˈɨ dʑˈɛɲ jɛzd dˈɔbrɨ dla lˈudʑi tˈakix jˈak tɨ i jˈa, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_20.wav|ftˈɛdɨ z wɔskˈɔtɛm dʒvˈi fʃˈɛd jˈɛdɛn s tɨx lˈitʃnɨx, xˈudɨx i mwˈɔdɨx pˌɔlitsjˈantuf.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_5.wav|skradˈawam ɕɛ pʃɛstrˈɔnnɨm kˌɔrɨtˈaʒɛm na pɔʑˈɔmjɛ mˈinus ɕˈudmɨm ɔldrˈina.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_83.wav|a tsˈɔ ɕɛ z ɲˈimi pɔvˈinnɔ rˈɔbʲidʑ vˈɛdwuk pˈana?|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_176.wav|lˈɔrt çiktˈɔvɛr bˈɨw pɔbˈɔʒnɨm tʃwɔvʲˈɛkʲɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_263.wav|ktˌurɛ ʒutɕˈiwɨ ɕɛ w mˈɔʒɛ, bˈɔː ix ɲˈikt ɲʲɛ kˈɔxaw.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_376.wav|ɲʲɛ pɔzvˈala mi nˈavɛt ɕɛ z ɲˈimi zɔbˈatʃɨtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_21.wav|pʃɨtˈuliw mɲʲɛ dɔ ɕˈɛbjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_18.wav|vʲˈɛm ɔ kanˈalɛ arˈama.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_122.wav|mˈɔɡwa jˈɛ rˈɔbʲitɕ f kˈiŋkstɔn, sɔ̃ tˈam dvʲˈɛ pˈɔnɔtɕ tsˈawkʲɛm pʃˌɨzvɔˈitɛ utʃˈɛlɲʲɛ, ˌalɛ xtɕˈawa zɔbˈatʃɨtɕ ɲʲˈɛtsɔ vʲˈɛŋkʃɨ kavˈawɛk ɕfʲˈata.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_43.wav|dɔ nˌastɛmpnˈɛɡɔ rˈazu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_154.wav|kʲˈɛdɨɕ ɕadˈaɲʲɛ na kravˈɛɲdʑi tˌɛɡɔ wˈuʃka jˈakiɕ stʃˈɛmp utʃˈutɕa ˈalbɔ mˌɔmɛntalnˈɛɡɔ zdʑivʲˈɛɲʲa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_231.wav|ɲʲɛ tʃˈɛba.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_40.wav|ɲʲɛ dlatˈɛɡɔ, ʒˈɛ mɲʲɛ kˈɔxa, ˌalɛ dlatˈɛɡɔ, ʒˈɛ tɔ zupˈɛwɲʲɛ ɲʲɛ w jˈɛɡɔ stˈɨlu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_4.wav|xtsˈɛ jˈuʃ ɕɛ znˈalɛɕtɕ f sfˈɔim dˈɔmu. xtsˈɛ, ʒˈɛbɨ vrˈutɕiw dɔ ɲʲˈɛɡɔː ˈaʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_183.wav|miltʃˈɛliɕmˌɨ pʃˈɛs xfˈilɛ pˈatʃɔnts sˈɔbjɛ w ˈɔtʃɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_89.wav|bˌɨwa pˈaɲi tsˈawa vˌɨstrɔjˈɔna. dlatʃˈɛɡɔ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_91.wav|dɔmˈiɲik pˈatʃɨw f pɔdwˈɔɡɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_178.wav|jˈɛdnɔ̃ w dʑɛdʑˈiɲʲɛ ˌɛkɔnˈɔmji i drˈuɡɔ̃ pˌɔkɔjˈɔvɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_448.wav|pˌɔjɛxˈawɛm na tˈart, ʒˈɛbɨ jˈɔ̃ zɔbˈatʃɨtɕ.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_179.wav|tʃɨ nˈɔɕiʃ jˈɛɡɔ dʑˈɛtskɔ, pˈaɲi?|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_262.wav|pˌɔznajmˈiwa ɔt ɲʲɛxtsˈɛɲʲa, jˈaɡbɨ ɕɛdʑˈawɨ i ʃwˈɨ spɔkˈɔjɲʲɛ f tˌɔvaʒˈɨstfʲɛ sˈɛptɨ.|1
+Dataset/wavs/urwisko_ferenc/32_segment_14.wav|tʃɨ w ɔɡˈulɛ umjˈawabˌɨ stfˈɔʒɨdʑ dˈɔbrɨ zvʲˈɔ̃zɛk?|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_132.wav|jˌɛstɛm dʑɛdʑˈitsɛm pʃɛprˈavɨ. ɲʲɛ mˈɔʒɛʃ, ˌɔstʃɛɡˈawɛm tɕˈɛ, ʒˈɛbɨɕ ɲˈits ɲʲɛ mˈuviw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_18.wav|dʑˈɛŋki bˈɔɡu, ʒˈɛ ɲˈikt ɲʲˈɛma zdjˈɛɲtɕa alfjˈɛɡɔ, vˈɨɡlɔnd dʑˈɛtska bɨwˈɔbɨ znˈatʃɲʲɛ trˈudɲʲɛj zmʲˈɛɲitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_20.wav|naʒˈutsa na ɕˈɛbjɛ kˈurtkɛ z lˈɔɡɔ rˈɔlliŋk stɔnˈɛsuf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_79.wav|ɲʲɛ pˌɔtʃɛbˈujɛ tˌɛɡɔ zˌasranˈɛɡɔ laptˈɔpa. mˈap ˈand dɹˈajva s çistˈɔrjɔ̃ bɛnjˈɛɡɔ, f ktˌurɛj rˈudɨ, tˈatsɔ bˈɛll i rˈɛʃta jˈɛʃtʃɛ ɕɛ ɲʲɛ pˌɔjavˈili, ˌalɛ jˈuʃ tʃɛkˈajɔ̃ za kˌulisˈami.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_181.wav|ɲʲɛ vʲɛdʑˈawɛɕ? sˈɛrjɔ?|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_274.wav|maʃtˈɔvɛ krfˈi.|1
+Dataset/wavs/urwisko_ferenc/55_segment_75.wav|w zasˈadʑɛ ɲʲɛvʲˈɛlɛ.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_398.wav|ɕlˈadɨ pɔ frˈantsji na tfˈaʒɨ sˈɛr ilˈɛna vˌɨɡlɔndˈawɨ w blˈasku pɔxˈɔdɲi jˈak tɕˈɛmnɛ dʑˈurɨ, tʃˈarnɛ ɲˈitʃɨm dˈuʃa jˌamjɛˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_277.wav|w rɔzbʲˈitɨm wˈubjɛ, f ʃalˈɔnɨm tɕiɕɲʲˈɛɲʲu krfˈi. a ftˈɛdɨ ˌɔna kʃɨknˈɛwa pʃˈɛs sˈɛn jˈaɡ zvʲˈɛʒɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_9.wav|bˌɨwɔ nˈavɛt ɔɕˈɛdlɛ pʃˈɨtʃɛp mʲɛʃkˈalnɨx.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_283.wav|xˈarɛn xˈɔl jɛst jɛdˈɨnɨm dˈɔmɛm, jˈaki znˈawa w ʒˈɨtɕu.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_141.wav|w dɔʒˈɛtʃu jɛst pˈɛwnɔ pɔdˈɔbnɨx wupʲˈɛʃtsuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_138.wav|ftˈɛdɨ swˈɨʃɛ ˈɔdɡwɔs ˌuruxˌamjanˈɛɡɔ ɕilɲˈika i ˌɔdjɛʒdʒˌajɔntsˈɛɡɔ z dˈuʒɔ̃ prɛntkˈɔɕtɕɔ̃ sˌamɔxˈɔdu.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_171.wav|zatɕˈisnɔw dwˈɔɲ f pʲˈɛɲɕtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_131.wav|tsˈɔ rˈɔbʲitɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_9.wav|trˈudnɨ stʃˈaw, ˌalɛ w bɛzvʲˈɛtʃnɨ kfʲɛtɲʲˈɔvɨ dʑˈɛɲ jˈak najbˈardʑɛj vˌɨkɔnˈalnɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_10.wav|vˈidʑɛ mˈilljɛ, ˌalɛ fʃˈɨstkɔ vˈɔkuw ɲʲˈɛj jɛst rˌɔzmazˈanɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_42.wav|f pʃɨpˈatku lˈɛkuf sɔ̃ xˈɨba prˈɔstʃɛ spɔsˈɔbɨ, ˌalɛ tɛn drˈuɡʲi pˈɔmɨsw jɛst tsˈawkʲɛm dˈɔbrɨ, pʃˈɨznaw tˈɔm.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_45.wav|mʲɛʃkˈamɨ f spɛtsjˈalnɨm ɔɕˈɛdlu na tɛrˈɛɲʲɛ kɔmplˈɛksu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_43.wav|tˈɔm ɕɛ uɕmʲˈɛxnɔw i pxnˈɔw dʒvˈi prˌɔvadʑˈɔntsɛ na swˈabɔː ˌɔɕfʲɛtlˈɔnɨ pˈarkiŋk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_65.wav|jˈɛʃtʃɛ jˈɛdɛn pɔvʲˈɛdʑaw ɡwˈɔs i tˈɛraz zrˌɔzumjˈawɛm, ɔ tsˈɔ xˈɔdʑi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_100.wav|tˈɔm pˈɔtʃuw nˈapwɨf pˌɔzɨtˈɨvnɨx ɛmˈɔtsji. ˈanna frˈaŋklin spwatsˈawa dwˈuk tsˌamɛrɔnˈɔvi, vʲˈɛnts nˌajpravdˌɔpɔdˈɔbɲʲɛj znˈawa rɔɡˈɛra jaɡˈɛra.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_9.wav|zˌastanavʲˈawam ɕɛ nad brɔ̃zˈɔvɨm ˈalbɔ tʃˈarnɨm, ˌalɛ tɕˈɛmna ʑˈɛlɛɲ fspuwɡrˈawa z ʑɛmˈistɔ̃ tɔnˈatsjɔ̃ sˈukɲi.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_139.wav|zrˈanɨ na dwˈɔɲi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_99.wav|mˈuv dˈalɛj, tsˈɔ pˌɔdɛjʒˈɛvaʃ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_41.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_188.wav|tˈak.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_282.wav|dˈalɛ skrˈɛɲtɕiw w bˈɔk, ʒˈɛbɨ ɔmˈinɔɲdʑ vʲˈɛlki ɡwˈas.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_25.wav|ɔ tɛj pˈɔʒɛ mʲˈɛjsts pʃɨ krˌavɛ̃ʒɲˈiku jɛst pɔd dɔstˈatkʲɛm, na xɔdɲˈiku ɲʲˈɛma ʒˈɨvɛj dˈuʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_298.wav|marɡˈɛrɨ pʃˌɨvitˈawa tsɛrsˈɛi, ɡdˈɨ ˈɔbjɛ kɔlˈumnɨ ɕɛ spɔtkˈawɨ i ruʃˈɨwa ˌɔbɔk lˈɛktɨkˌi krulˈɔvɛj.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_374.wav|znalˈɛʑliɕmˌɨ pˈɔtɛm xˈɨba s tˈɨɕɔnts trˈupuf.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_348.wav|pˌɔmɨɕlˈawa krulˈɔva.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_68.wav|wˈatfɔ bɨwˈɔbɨ sprˈaftsɨ zˌaparkˈɔvatɕ f pɔblˈiʒu vˈɛjɕtɕa na lˈɔɔp lˈinɛ, zbjˈɛts pɔ stˈɔpɲʲax i dˈɔjʑdʑ dɔː alˈɛjki, f ktˌurɛj znˌalɛʑˈɔnɔ tɕˈawɔ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_61.wav|pɔmˈimɔ spʃɛtɕˈivu pɔdˈɛʃwa dɔː ˈɔkʲɛn, ˌɔmijˈajɔnts stwutʃˈɔnɨ nˈɔtsɲik.|1
+Dataset/wavs/urwisko_ferenc/62_segment_31.wav|pʃˌɛtɕɛʃ pˌɔvʲɛdʑˈawɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_152.wav|a zˈatɛm jˈɛdɛn s tɨx mˈɛntuf jˈɔ̃ udˈɛʒɨw, pˈɛvɲʲɛ rˌɛŋkɔjˈɛɕtɕɔ̃ pˌistɔlˈɛtu, a ɲiçˈibʲi ɲʲɛ dˈɔɕtɕ ʃˈɨpkɔː ˌɔpruʒɲʲˈawa kˈasɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_7.wav|kʲˈɛdɨ mɲʲɛ dɔtˈɨkaw, tʃˈuwam ɕɛ jˈaɡbɨ ˌɔɡarɲʲˈawɨ mɲʲɛ pwɔmjˈɛɲʲɛ i valtʃˈɨwam s tɛ̃sknˈɔtɔ̃ nɔtsˈami, ktˌurɛ spɛndʑˈawam sˈama.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_396.wav|ktˌura ɲʲɛ vʲadˈɔmɔ dɔ tʃˈɛɡɔ swuʒˈɨwa. tsˌawɔvˈawɛm jˈɔ̃ pˌɔtʃɔntkˈɔvɔ dˌɛlikˈatɲʲɛ,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_5.wav|tɔ jɛst mʲˈastɔː ɔd vʲˈɛkuv ʒɨjˈɔntsɛ w ɡɔrˈɔntʃtsɛ. tʃˈasɛm tˌɛmpɛratˈura ɔpˈada, ˌalɛ najtʃˈɛɲɕtɕɛj ɕɛ pɔdnˈɔɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_124.wav|krˈɔpki pʃˌɛbjɛɡˈajɔ̃ pɔː ɛkrˈaɲʲɛ. znˈaɡʒɛ ɡʲˈɔrɡjɔ pˈiʃɛ ɔtpˈɔvʲɛtɕ. ɲʲɛ tʃˈɛba dwˈuɡɔ tʃˈɛkatɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_52.wav|pˈatʃɛtɕ, jˈak samˈɔlɔt wˈɔntʃɨ ɕɛ z vwˈasnɨm tɕˈɛɲʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_46.wav|ɲˈibɨ ɕɛ tˌɛɡɔ spɔdʑˈɛvaw, ˌalɛ i tˈak ɲʲˈɛzbɨt tɔ dˈɔbrɨ pɔtʃˈɔntɛk pʲɛrʃˈɛɡɔ dɲʲˈa jˈɛɡɔ, nazvˈijmɨ ʒˈɛtʃɨ pɔː imjˈɛɲʲu, ɲʲɛvˈɔli.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_293.wav|ɲʲˈɛvʲɛm tˌɛɡɔ jˈɛʃtʃɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_32.wav|ˌalɛ rˈuvɲʲɛʃ ɲʲɛ pɔdbʲˈija stˈafki.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_40.wav|tˈak jˈɛst, ɡɔtˈɔva dɔ dˌɛkɔmprˈɛsji.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_85.wav|zatɕˈɛraw kɔntˈurɨ i vˌɨvɔwˈɨvaw natrˈɛntnɛ zwudʑˈɛɲʲɛ rˈuxu.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_225.wav|xtɕˈawɛm zɔbˈatʃɨtɕ tfˈuj kˈikut, a tˈaɡʒɛ uswˈɨʃɛtɕ, w jˈaki spˈɔsup ˌuspravʲɛdlˈivʲaʃ sfˈɛ ɔstˈatɲʲɛ zbrˈɔdɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/63_segment_140.wav|tɔː ɔn zˈabʲiw sfˈɔjɔ̃ tsˈurkɛ. bˈɔʒɛ, tsˈɔ pˈaɲi? ɲʲɛ zrˈɔbʲiw tˌɛɡɔ sˈam, ktˈɔɕ mu pˈɔmuɡw.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_313.wav|tˈɛ sˈamɔ̃ swˈɔtkɔ̃ pʲˈɛɕɲ.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_69.wav|xtsˈɛʃ kˈupitɕ pˈarɛ tɨx mˈawʒɨ?|1
+Dataset/wavs/urwisko_ferenc/07_segment_19.wav|zˌatɕɔŋɡˈawa ɕɛ rˈas pɔ rˈas, ˈaʒ vrˈɛʃtɕɛ pɔtʃˈuwa ˈulɡɛ. dˈɔbrɛ i tɔ, pˌɔmɨɕlˈawam.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_285.wav|zɔstˈavjɛ tɕˈɛ, bˈɨɕ mˈukw spɔkˈɔjɲʲɛ zˌaspɔkˈɔidʑ ɡwˈut.|1
+Dataset/wavs/urwisko_ferenc/29_segment_14.wav|ˌalɛ tˈɛraz bˌɛndɛ jˈuʒ dʑvˈɔɲiw. ˌɔbjɛtsˈujɛ. f kˈaʒdɨm rˈaʑɛ, najɡˈɔrʃɛ za nˈami.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_229.wav|vɨjˈaɕɲiw mwˈɔdɨ mɛ̃ʃtʃˈɨzna w bˌaraɲˈitsɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_136.wav|asˈɨstɛnt klɛrkˈija zˈaxfʲaw ɕɛ na nˈɔɡax, pɔ tʃɨm fˈiknɔw.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_244.wav|tɔ bˌɨwa dʑˈivna mˈɨɕl.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_163.wav|vʲˈɛlkɔ̃ kɔmnˈatɛ vɨpˈɛwɲiw ɡrˈɔmki rˈɛxɔt.|1
+Dataset/wavs/urwisko_ferenc/09_segment_103.wav|swˈabɔ, zˌauvaʒˈɨwa mˈarja.|0
+Dataset/wavs/urwisko_ferenc/53_segment_119.wav|pɔstˈura ɕɛ zɡˈadʑa.|0
+Dataset/wavs/urwisko_ferenc/43_segment_75.wav|— mˈɔʒɛʒ ɡˈadatɕ? — ʒˈutɕiw dɔ swuxˈafki, spˌɔɡlɔndˈajɔnts na xˈɛrman. — bˈɔ mˈam sprˈavɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_85.wav|ɲʲɛ zmʲɛɲˈiwɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_197.wav|stsˈɔdd vɨɡlˈɔndaw na zˌawamanˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_185.wav|vˌɨkɔmpˈawɨ ɕɛ rˈazɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_117.wav|ɲʲɛ zdavˈawam sˈɔbjɛ nˈavɛt sprˈavɨ, jˈaɡ bˈardʑɔ praɡnˈɛwam zɔbˈatʃɨtɕ tˈatɛ, pʃɛtstˈavidʑ ɡˈɔ vnukˈɔvi.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_6.wav|pɔɲˈiʒɛj kˈɔlan zɔstˈawɨ tˌɨlkɔ kˈɔɕtɕi i ʃmˈatɨ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_147.wav|pɔtʃˈɛba bˌɨwɔ rˈɛʃtɨ dʑbˈana, bˈɨ krulˈɔva vrˈɛʃtɕɛ zdɔwˈawa vɨtɕˈɔŋɡnɔɲdʑ z lˈadɨ fˈalis tsˈawɔ̃ smˈɛntnɔ̃ ɔpˈɔvʲɛɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_107.wav|ɲʲˈɛvʲɛ, tʃɨ tɔ prˈavda.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_303.wav|zrɔbʲˈiwɔ mi ɕɛ jˈɛʃtʃɛ bˈardʑɛj ɲʲɛsfˈɔjɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_177.wav|dubˈɔis ˌɔtprɔvˈadʑiw jˈɔ̃ ɡɲʲˈɛvnɨm spɔjʒˈɛɲʲɛm, a pˈɔtɛm skʲɛrˈɔvaw vzrˈɔk nˈamɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_38.wav|fʃˈɨstkɔ pasˈujɛ dɔ mˈɔjɛj kˌalkulˈatsji.|4
+Dataset/wavs/urwisko_ferenc/49_segment_3.wav|vʲɛʒˈɨwa, ʒˈɛ badˈaɲʲa, na ktˌurɛ zɡˈɔdʑiw ɕɛ lˈɛɡnɛr, pʃɨɲʲˈɔsɔ̃ pʃˈɛwɔm.|0
+Dataset/wavs/urwisko_ferenc/39_segment_14.wav|swˈɔɲtsɛ vɨjʒˈawɔ zzˈa dˈaxu i zatʃˈɛwɔː ɔɕfʲˈɛtlatɕ pˌɔrdʑɛvʲˈawɨ mˈɛtal. pɔt ʃˈɨjɔ̃, tˈuʃ pʃɨ lamˈuftsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_280.wav|zˈamjazd zjˈɛɕtɕ ɕɲʲadˈaɲʲɛ w bˈaʒɛ, ˈɛllis sˌuɡɛrˈujɛ, bˈɨ kupˈili kanˈapki z jˈajkʲɛm sadʑˈɔnɨm w ɔkʲˈɛŋku dla zmˌɔtɔrˌɨzɔvˈanɨx, bˈɔ xtsˈɛ ɔt rˈazu rˈuʃɨdʑ w drˈɔɡɛ.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_28.wav|jɛzd bˈardʑɔ vɨsˈɔki.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_36.wav|dɔ vˈɛjɕtɕa pɔtxˈɔdʑi kɔbjˈɛta i unˈɔɕi ɡwˈɔvɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_20.wav|— tsˈɔ? jˈɛzu, dʒˈɛk, jˌɛstɛm ʃtʃɛɲɕlˈivɨ, ʒˈɛ tɛn bˈɨdlak ɲʲɛ ʒˈɨjɛ. jˈak mɔɡwˈɔbɨ mɲʲɛ tsɔkˈɔlvʲɛk ɔpxˈɔdʑitɕ? ktˈɔ ɡˈɔ zawˈatfiw?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_4.wav|vʲɛdʑˈɛli jɛdˈɨɲʲɛ, dʑˈɛŋki lˈintsaj, ʒˈɛ mɛ̃ʃtʃˈɨznɔ̃ w blˈuʑɛ s kaptˈurɛm bˈɨw dɔmˈiɲits frˈaŋklin, ktˌurɨ prɔvˈadʑiw samˈɔxut kupʲˈɔnɨ na stsˈɔtta rɔbˈɛrtsa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_272.wav|tˈu ɲˈikt ɲʲɛ mˈɔʒɛ pˈɔmuts.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_249.wav|ˌɔna ɲʲɛ ʒˈɨjɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_325.wav|tˈak, maʃ rˈatsjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_61.wav|tɔ, ʒˈɛ mu dʑɛŋkˈujɛ, jɛst jˌɛdnɔtʃˈɛɕɲʲɛ ɲʲˌɛpɔjˈɛntɛ i tsˌawkɔvˈitɕɛ zrˌɔzumjˈawɛ. innˈɨmi swˈɔvɨ, tɔ parˈadɔks.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_178.wav|pʲˈɛz zaʃtʃˈɛkaw na znˈaɡ zɡˈɔdɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_15.wav|vʲˈɛŋkʃɔɕtɕ ɛkˈipɨ ɲˈika, kɔlˈɛɕi ktˌurɨɣ bʲˈillɨ nazˈɨva w mˈɨɕli zˌakapʲɔrˈami z vˈɛɡas, nˈɔɕi imjˈɔna kɔɲtʃˈɔntsɛ ɕɛ na i.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_241.wav|dɔ pʲɛrʃˈɛɡɔ pʲˈɛntra stˈɔpɲʲɛ bˌɨwɨ mˈɔtsnɔ zˌaɕmʲɛtsˈɔnɛ. na pɔdˈɛɕtɕɛ ktˈɔɕ na bˈaz ɡrˈaw sprˈajɛm jˈan kˈɛɕi dɔ dˈɔmu. nˈaʃ ˌulubjˈɔnɨ tˈɛkst, ɲˈiɡdɨ ɲʲɛ tratsˈɔntsɨ sfɔjˈɛɡɔː urˈɔku.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_129.wav|rˈɔzdbɛf, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/urwisko_ferenc/41_segment_49.wav|pɔt kˈɔɲʲɛts...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_113.wav|jˈɛɕli ɲʲɛ bˌɛɲdʑɛʃ pʃˌɛstʃɛɡˈawa jˈɛɡɔ zˈasat, zmˈuɕi tɕˈɛ dɔː ɔdˈɛjɕtɕa, a ɔstˈatɲʲɛ dɲˈi zmʲˈɛɲi f pʲˈɛkwɔ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_31.wav|krulˈɔva pˌɔtɕɔŋɡnˈɛwa vatˈɛrsa kˈu sˈɔbjɛ, zmuʃˈajɔndʑ ɡˈɔ, ʒˈɛbɨ ˈuɕad ˌɔbɔk ɲʲˈɛj na wavˈɛtʃtsɛ w ˈɔkɲʲɛ vˌɨkuʃˈɔvɨm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_107.wav|tsˈawɨ vʲˈɛtʃur spɛɲdʑˈiliɕmˌɨ rˈazɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_258.wav|ɔn jɛst ˌastrɔnˈɔmɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_104.wav|zˈamjast tˌɛɡɔ zˈɔstaw i swˈuxaw, jˈaɡ dɔ vnˈɛntʃa jˈɛɡɔː umˈɨswu sˈɔntʃɔ̃ ɕɛ pʲˈɛrʃɛ krˈɔplɛ trutɕˈiznɨ.|3
+Dataset/wavs/urwisko_ferenc/08_segment_80.wav|bɔrˈɛvitʃ plˈuw sˈɔbjɛ w brˈɔdɛ, ʒˈɛ ɲʲɛ sprˈavdʑiw tˌɛɡɔ ftʃˈɛɕɲʲɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_100.wav|i ɔtpˈɔvʲɛdʑ butskʲˈɛɡɔ kʲˌɛrujˈɔntsɔ̃ ɡˈɔ dɔ vidˈɛɔ s tsˈuts, pɔ tʃɨm fxˈɔdʑi w ɡɔˈɔɡlɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_63.wav|tɕˈɔŋɡlɛ zˌapɔmˈina kˈupidʑ zaswˈɔnɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_98.wav|pɔ tsˈɔ kupˈɔvadʑ vwˈasnɨ spʃˈɛnt, skˈɔrɔ fʃˈɨstkɔ fˌinansɔvˈali mu ˌɛwrɔpˈɛjstsɨ pˌɔdatɲˈitsɨ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_152.wav|ɲʲɛ sɔɲdʑˈiwam.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_210.wav|tsˈarlɨ pɔvʲˈɛɕiw jˈuʒ zˈɛ dvudʑˈɛstu nˈaʃɨx.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_553.wav|pʃˌɨmruʒˈɨwa pɔvʲˈɛki.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_68.wav|— dʒˈɔnsɔn — pɔvʲˈɛdʑaw tɕˈixɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_13.wav|pɔdɲʲˈɔswam ɕɛ s pɔdwˈɔɡʲi i pɔɡnˈawam dˈalɛj.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_341.wav|tɨm rˈazɛm fspɔmɲʲˈawa tˈɛʃ ɔ ɡarˈiɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_85.wav|ɲʲɛ mɔʒˈɛmɨ pˈatʃɛdʑ w dˈuw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_153.wav|ɕmʲˈɛjɛ ɕɛ f paskˈudnɨ spˈɔsup.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_49.wav|musˈimɨ tˈutaj pɔstˈavitɕ nˈamjɔt pʃˌɨtfʲɛrdʑˈɔnɨ ʃtʃˈɛlɲʲɛ dɔ ɕtɕˈanɨ, tɕˈɔŋɡnɔw. vˈɛvnɔntʃ namjˈɔtu ˌumjɛɕtɕˈimɨ tˈunɛl xˌarmɔɲijkˈɔvɨ.|4
+Dataset/wavs/urwisko_ferenc/52_segment_103.wav|a jˈaki samˈɔxut pʃɨjˈɛxaw tˈu ftʃˈɔraj vʲɛtʃˈɔrɛm?|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_130.wav|naprˈavdɛ pɔʃˈɛdwɛɕ na pˈarkiŋɡ dla tɕˌɛ̃ʒarˈuvɛk, mˈimɔ ʒˈɛ tɛn pˈarkiŋɡ bˈɨw w nˈɔvɨm jˈɔrku i stˈamtɔnd vˌɨruʃˈɨwɛʑ w dˈalʃɔ̃ drˈɔɡɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_140.wav|swˈɔɲtsɛ ˌɔdbʲijˈawɔ ɕɛ ɔt pʃˈɛdɲix ʃˈɨp ˈawt, ktˌurɛ jˈɛʃtʃɛ mʲˌawɨ pʃˈɛdɲʲɛ ʃˈɨbɨ.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_301.wav|ɲʲɛktˌuʒɨ s tˈɨx, tsˈɔ vˈiʃɔ̃ nad ʒˈɛkɔ̃,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_39.wav|pɔvˈinnam ɕɛ dɔmˈɨɕlitɕ, ʒˈɛ vʲˈɛ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_349.wav|tˈak jɛzd znˈatʃɲʲɛ lˈɛpʲɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_22.wav|bˈardʑɛj ɲˈiʃ mi ɕɛ vˌɨdavˈawɔ.|3
+Dataset/wavs/urwisko_ferenc/33_segment_36.wav|bɔrˈɛvidʒ zdˌɛtsɨdˈɔvaw ɕɛ vɨtɕˈɔŋɡnɔɲtɕ lˌɛɡʲitɨmˈatsjɛ i ɔkˈazatɕ jˈɔ̃ kɔbjˈɛtɕɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_63.wav|dlatʃˈɛɡɔ jˈɛʃtʃɛ ɲʲɛ zadʑvˈɔɲiw?|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_104.wav|vwˈaɕɲʲɛ tˈak uvˈaʒa. sˌɛntɨmɛntˈalnɛ, ˌalɛ pravdʑˈivɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_50.wav|nˈɔː i jɛst jˈɛʃtʃɛ jˈɛdɛn pˈɔvut, bˈɨ pˈisatɕ na mˈatsu prˈɔ, nˈavɛt jˈɛɕli mˌajɔ̃ dɔ ɲʲˈɛɡɔ dˈɔstɛmp.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_246.wav|dɔ tsˈɛli fʃˈɛt pɔlˈitsjant.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_350.wav|i pɔmˈɔdliw ɕɛ rˈazɛm z ɲˈimi, zˈaɲim ˈɔddawbˌɨm ix kˈatu.|1
+Dataset/wavs/urwisko_ferenc/22_segment_45.wav|tsˈɔ takʲˈɛɡɔ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_225.wav|a tsˈɔ xtsˈɛʃ, ˈabɨm vʲˈɛdʑaw ɔ tˈɔbjɛ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_108.wav|tsˈɔɕ mˈuɕi bˈɨdʑ zwˈɛɡɔ, jˈɛɕli ˈɔmɲʲɛ xˈɔdʑi, pˌɔvʲɛdʑˈawa. ɲʲɛ jˌɛstɛm kˈurvɔ̃?|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_107.wav|mˈɨɕlɛ ˈɔtɨm. dwˈuɡɔ rˈɔbjɛ f tɛj brˈanʒɨ, za dwˈuɡɔ.|2
+Dataset/wavs/urwisko_ferenc/45_segment_63.wav|mˈarja zˌastanɔvˈiwa ɕɛ nat swɔvˈami pʃˌɨjatɕˈuwki.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_199.wav|ˌalɛ lˈadɨ sˈɛvɛll pˌɔxɔdʑˈiwa z rˈɔdu spitsˈɛruf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_55.wav|tɔ tˌɨlkɔ na pɔtʃˈɔntɛk. dɔ tʃˈasu, ˈaʒ znˈajdɛ prˈatsɛ, mʲɛʃkˈaɲʲɛ i zˈatʃnɛ ɔʃtʃˈɛndʑatɕ na stˈudja.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_283.wav|swɔtkʲˈɛɡɔː i ɕilnˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_252.wav|ɲʲˈɛx ɕˈɛdmju xrˈɔɲi jˈɛɡɔ mˈiwɔɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_151.wav|nˈaɡlɛ pɔtʃˈuwa, ʒˈɛ jˈuʒ dwˈuʒɛj ɲʲɛ zɲʲˈɛɕɛ vʲˈɛ̃zuf. prˌubɔvˈawa ɕɛ ɔt ɲˈix uvˈɔlɲitɕ, ˌalɛ ɔtˈarwa sˈɔbjɛ skˈurɛ jˈɛʃtʃɛ bˈardʑɛj.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_192.wav|pˈatʃɨ nˈamɲʲɛ, vˈaʒɨ mˈɔjɛ swˈɔva i tɨm rˈazɛm ɲʲˈɛmam vˌɔntplivˈɔɕtɕi, ʒˈɛ trafˈiwam f sˈamɔ sˈɛdnɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_52.wav|tʃˈujɛ w nˈɔzdʒaɣ zˈapax starˈɛɡɔ, ɲʲˌɛuʒˌɨvanˈɛɡɔ budˈɨŋku, kˌɔjaʒˈɔntsɨ ɕɛ trˈɔxɛ zˈɛ zɡɲˈiwɔ̃ ʒɨvnˈɔɕtɕɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_44.wav|mˈɔʒɛ tsˈɔɕ prubˈujɛ mi pɔvʲˈɛdʑɛtɕ, ʒˈɛ pɔpˈɛwɲʲam bwˈɔnt.|3
+Dataset/wavs/urwisko_ferenc/47_segment_25.wav|a tsˈɔ z mˈɔjɔ̃ mˈatkɔ̃?|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_54.wav|ˈamfa jɛzd dla tɕˈɛbjɛ. mˈɔʒɛ bˈɨtɕ addˈɛrall, xˈɔtɕaʃ prɔvˈiɡʲil xˈɨba bˈɨwbɨ lˈɛpʃɨ. rɔzˈumjɛʃ?|2
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_159.wav|f pˈɛvnɨm sˈɛnɕɛ, jˈɛɕli ˈuznadʑ vdɨxˈaɲʲɛ trˌujɔntsˈɛɡɔ ɡˈazu f kabʲˈiɲʲɛ, s ktˌurɛj uxˈɔdʑi pɔvʲˈɛtʃɛ za ˌɔtsalˈɛɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_85.wav|nˈɔ dˈɔbra, na tɕˈɛbjɛ jˈuʃ pˈɔra, zmˈɨkaj bɔmbˈɛlku.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_35.wav|ˌɔdvrutɕˈiwam ɕɛ ɔd dˌɔmiɲˈika, ʒˈɛbɨ ɲʲɛ dˈɔstʃɛkw fˈurji w mˈɔix ˈɔtʃax.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_223.wav|dˈɔrn ɲʲˈɛma ʃˈans na zvɨtɕˈɛ̃stfɔ w vˈɔjɲʲɛ z ʒɛlˈaznɨm trˈɔnɛm, ɲʲɛ sˈamɔ.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_388.wav|ɕɲˈi mu ɕɛ nˈaɡɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_23.wav|ɲʲɛ jɛzd ɡɔtˈɔvɨ dɔpˈuɕtɕidʑ dɔ ɕˈɛbjɛ tˌɛraʑɲʲɛjʃˈɔɕtɕi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_147.wav|pɔznˈajɛ ɕɛ zˈatɔ, ʒˈɛ jˌɛstɛm f stˈaɲʲɛ zrɔzˈumjɛtɕ, ʒˈɛ tɔ jɛst ɲʲɛprˈavda.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_361.wav|vʲˈɛnts pʃˌɛvrutɕˈiwɛm ɕɛ na drˈuɡʲi bˈɔk i vidʑˈawɛm jˈɔ̃ dʒɛmjˈɔntsɔ̃ w ruʒˈɔvɨm, ˈalbɔ mˈɔʒɛ rˈatʃɛj f tsɛɡlˈastɨm mrˈɔku.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_218.wav|w jɛj ɡwˈɔɕɛ pˌɔjavˈiwa ɕɛ nˈuta vɨʒˈutu. rɛˈinalt ɲˈits ɲʲɛ vʲˈɛdʑaw ˈɔ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_92.wav|mˈuviw ɲʲɛspʲˈɛʃɲʲɛ, jˈaɡbɨ uvˈaʒaw, ʒˈɛ tˈatɕɛ bˌɛɲdʑɛ trˈudnɔ tɔ fʃˈɨstkɔ zrɔzˈumjɛtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_67.wav|jˈuʃ mʲˈawa zˌasuɡɛrˈɔvatɕ, ʒˈɛbɨ zˌavɔwˈali, kʲˈɛdɨ dɔː ix ˈuʃu dˈɔbjɛkw tɕˈixɨ ˈɔdɡwɔs.|3
+Dataset/wavs/urwisko_ferenc/45_segment_55.wav|mˈarja vˌɨpuɕtɕˈiwa dˈɨm. ˈaɕka vɨjˈɛwa pˌapʲɛrˈɔsa s pɔmjˈɛndʑɨ jɛj pˈaltsuf, zˌatɕɔŋɡnˈɛwa ɕɛ i ɔddˈawa ɡˈɔ s pɔvrˈɔtɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_134.wav|ɲʲɛ kwˈutɕmɨ ɕɛ ˈɔtɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_183.wav|vˈɔbɛts tˌɛɡɔ vrˈatsam dɔ mɔmˈɛntu, f ktˌurɨm skɔɲtʃˈɨwɛm pɔpʃˈɛdɲʲɛ zɛznˈaɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_159.wav|tˈak, pɔvʲˈɛdʑaw, ˌalɛ bˈɛz vʲɛŋkʃˈɛɡɔ zapˈawu.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_35.wav|mjˈa lubʲˈiwa mˈavʲatɕ, ʒˈɛ jɛj ˈɔjtɕɛdʑ bˈɨw kˈɔzwɛm, a mˈatka sˈɔvɔ̃, ˌalɛ alˈain dˌɔvʲɛdʑˈawa ɕɛ prˈavdɨ ɔt mˈɛdʲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_251.wav|pˌɔtɕɔŋɡnˈɔwɛm za spˈust i bˈax, ɡwˈɔvɨ ɲʲˈɛma. zɔstˈawa tˌɨlkɔ plˈama krfˈi i ɔtprˈɨski mˈuzɡu ɕtɕˌɛkajˈɔntsɛ pɔ kʃɨvˈiʑɲʲɛ kɔpˈuwɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_133.wav|pˈatʃɛtɕ nˈatɔ i ɲʲɛ mˈuts uvʲˈɛʒɨtɕ, vʲˈɛndʑ dlatˈɛɡɔ ɲʲɛ bˌɛndɛ ˈutʃɨtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_94.wav|xˈɨba ɲʲˈɛxtsɛʒ vɨɡlˈɔndatɕ jˈaɡ bˈɨlɛ ulˈitʃnɨ ˈalfɔns. spɛtsjˈalna uswˈuɡa z dɔvˈɔzɛm, pamjˈɛntaʃ?|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_235.wav|ˌɔtʃɨvˈiɕtɕɛ pɔtʃˈɛbna tˈɛʒ bˌɛɲdʑɛ muzˈɨka, ʒˈɛbɨ pɔmˈɔɡwa nˈam f travʲˈɛɲʲu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_74.wav|ɔn mˈa bˈardʑɔ ɕˈilnɛ pɔtʃˈutɕɛ dˈɔbra i zwˈa.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_88.wav|dˈalɛ vrˈutɕiw na sfˈuj fˈɔtɛl. wˈazik rˈuʃɨw s pˈɛwnɔ̃ mˈɔtsɔ̃ i pˌɔpɛɲdʑˈiliɕmˌɨ zˌatatʃˈajɔnts wˈuɡ vˈɔkuw bˈaɲki ɔldrˈina. pʃˈɛʃwam na tˈɨw kabʲˈinɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_92.wav|tsudˈɔvɲʲɛ jɛzd vˈidʑɛtɕ jɛj pˌɔdɛkstsˌɨtɔvˈaɲʲɛ, ˌalɛ xˈɨba vɨtʃˈuva, ʒˈɛ tsˈɔɕ jɛst ɲʲɛ tˈak, bˈɔ ɲʲɛ drˈɔtʃɛ ɕɛ z ɲʲˈɔ̃ ˌaɲi ɲʲɛ prubˈujɛ jɛj rɔsɕmʲˈɛʃɨtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_101.wav|swɨʃˈawɛm ɔ tɛj mɛtˈɔdʑɛ, ˌalɛ ɲˈiɡdɨ ɲʲɛ zˌaɡwɛmbjˈawɛm ɕɛ f ʃtʃɛɡˈuwɨ, dˈɔdaw.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_21.wav|zbliʒˈɨwa ˈusta dɔ mˌikrɔfˈɔnu zɛstˈavu wˌɔntʃnɔɕtɕɔvˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_18.wav|w zvʲˈɔ̃sku s tɨm kˌakˌazˈɛt mˈuɕi ɡdʑˈɛɕ pʃˌɛxɔvˈɨvatɕ ʃtʃˌɛɡuwˈɔvɔ̃ dˌɔkumɛntˈatsjɛ tɛxɲˈitʃnɔ̃ kˌɔmbʲinˈatu.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_193.wav|mˈuj pˈan i vwˈattsa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_25.wav|ɔn ɕɛ ɔbrˈaziw.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_110.wav|pʃˈɛmɨsw ˌalumiɲʲˈɔvɨ lˈɛʒɨ i kfˈitʃɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_44.wav|tˈɔm i bˈɛtskɨ pˌɔdʑɛŋkɔvˈali mu za pˈɔmɔts i fstˈali.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_40.wav|tʃˈuwam pˌɔtɕfʲadˈɔmjɛ, ʒˈɛ tˈata jɛst trˈɔxɛ zmartfʲˈɔnɨ, ˈiʃ jˈɛɡɔ fspaɲʲˈawɨ plˈan ɲʲɛ vɨpˈaliw.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_101.wav|mˈɔɡlibˌɨ ɡˈɔː ɔʃtʃˈɛɲdʑitɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_12.wav|bˌɛndɔ̃ tˈam fspɔmɲʲˈɛɲʲa i tˈakʲɛ ɔɡˈulnɛ uvˈaɡʲi. ʒˈɔna tˈɛʃ pˈiʃɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_91.wav|stˈajɛ, bˈɨ pʃˈɨjʒɛtɕ mu ɕɛ z blˈiska, bˈɔ pˌɔvʲɛʃˈɔnɔ ɡˈɔ f pʃˌɛtɕivlˈɛɡwɨm kˈɔɲtɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_3.wav|ˈɛliz znˈuv zasˈɨpja, nˌajɛdʑˈɔna ɡɔfrˈami i bɛkˈɔnɛm. bʲˈili ɔt tʃˈasu dɔ tʃˈasu nˈaɲʲɔ̃ zˈɛrka.|2
+Dataset/wavs/urwisko_ferenc/32_segment_20.wav|ɲʲˌɛɕtɕiswˈɔɕtɕax? jˈakix ɲʲˌɛɕtɕiswˈɔɕtɕax?|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_174.wav|dvˌunastɔlˈatkɔ̃?|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_176.wav|ˈɔtar ɡʒbjˈɛtɛm dwˈɔɲi zˌasmarkˈanɨ nˈɔs. pˈɔvʲɛts mi, ʒˈɛ zɔstˈanɛ w wˈuʃku.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_105.wav|tɔ tˌɨlkɔ dʑɛftʃˈɨna ˈɔdmuf.|1
+Dataset/wavs/urwisko_ferenc/05_segment_9.wav|mˈarja vrutɕˈiwa dɔ pɔkˈɔju i ˌɔttfɔʒˈɨwa na jˈɔu tˈubjɛ tˌɨtuwˈɔvɔ̃ pʲɔsˈɛŋkɛ z albˈumu ɲʲɛmjˈɛtskʲɛj ɡrˈupɨ ɡrajˈɔntsɛj mˈɛtal ˌindustrjˈalnɨ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_213.wav|zˌabraɲʲˈajɔ̃ tˌɛɡɔ prˈava fprˌɔvadʑˈɔnɛ pʃˈɛs krˈula mˌaɛɡˈɔra, ɔ tʃɨm vˈaʃa mˈiwɔɕtɕ s pɛvnˈɔɕtɕɔ̃ vʲˈɛ.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_57.wav|jˈɛɡɔ ɕmʲˈɛrtɕi?|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_53.wav|stʃɛlˈiwam knɨktɕˈami i vˌɨsunˈɛwam puwˈɛtʃkɛ s klˌavʲatˈurɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_117.wav|ɲʲɛ mˈɔɡɛ ɕɛ s tˈɔbɔ̃ kˈɔxatɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_93.wav|vwˈaɕɲʲɛ kupˈiwɛm trˈɔxɛ vɨbˈɔrnɛj turˈɛtskʲɛj kˈavɨ. bˌɛɲdʑɛʒ zˌaxfɨtsˈɔnɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_72.wav|na blˈatɕɛ spɔtʃˈɨva stˈɛrta zɛʃˈɨtuf stˈaplɛs, kˈɔmplɛd dwˌuɡɔpˈisuf i tɛlˈɛfɔn stˌatsjɔnˈarnɨ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_196.wav|a jˈɛɕli tɔ, tʃˈɛɡɔ bˌɨwa ɕfʲˈatkʲɛm...|1
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+Dataset/wavs/urwisko_ferenc/14_segment_65.wav|a tɛn ɕfʲˈadɛk tɔ ɲˈibɨ jˈak jˈɔ̃ rɔspˈɔznaw.|0
+Dataset/wavs/urwisko_ferenc/55_segment_29.wav|xˈɛrman ftɕˈɔ̃ʃ stˈawa na tarˈaɕɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_15.wav|kɔbjˈɛta stˈɔi zvrutsˈɔna dɔ mɲʲɛ plɛtsˈami i ɲʲɛ dɔstʃˈɛɡam jɛj tfˈaʒɨ, vʲˈɛnts jɛdˈɨnɛ swˈɔva, ktˌurɛ dˌɔtɕɛrˈajɔ̃ dɔ mˈɔix ˈuʃu, tɔ tˈɛ, ktˌurɛ ɲʲˈɛɕɛ vʲˈatr.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_59.wav|tˈɔm mˈiltʃaw pʃˈɛs xfˈilɛ, tʃˈujɔnts jˈaɡbɨ mʲˈaw f pʲˈɛrɕi tɕˈɛ̃ʃki kˈamjɛɲ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_36.wav|ɡˈuzik prˈavda, ɲʲɛ mˈɔʒɛʃ tˌɛɡɔ vʲˈɛdʑɛtɕ.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_307.wav|ɡdˈɨ vˌɨprɔvadʑˈali kˈɔɲʲɛ z ɔbˈɔzu, zatʃˈɨmaw iɣ vartˈɔvɲik.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_74.wav|ɔː ˈilɛ ɲʲɛ pɔtrˈafi pˌilɔtˈɔvatɕ ɕmiɡwˈɔftsa i ɲʲˈɛma w ɔɡrˈɔdʑɛ lˌɔndɔvˈiska, vɨdˈajɛ ɕɛ tɔ dˈɔɕtɕ mˈawɔ prˌavdɔpɔdˈɔbnɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_55.wav|tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ pˈɔtɨm, kʲˈɛdɨ tɕˈɛ vˌɨɛlˌiminɔvˈali zˈɛ spˌɔwɛtʃnˈɔɕtɕi?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_343.wav|mɨɕlˈawɛm ˈɔtɨm tfˈɔim ˌarɛʃtɔvˈaɲʲu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_230.wav|pˈɔtʃɛd vʲˈɛndʑ blˈiʒɛj dɔ lˈadɨ i stˈaw pʃˈɛs xfˈilɛ w miltʃˈɛɲʲu, pˈatʃɔnts na ɔdbʲˈitɕɛ sfˈɛj tfˈaʒɨ w lˈustʃɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_73.wav|bˈaw ɕɛ ix ɔt xfˈili, kʲˈɛdɨ pʃɛd dvˈɔma tˌɨɡɔdɲʲˈami zˈɔstaw ˌuʒɔndlˈɔnɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_239.wav|vʲˈɛŋkʃɔɕtɕ turˈɨstuf stˈawa pʃɨ ˌɔɡrɔdʑˈɛɲʲu, a bˈɔp ɔmjˈataw vzrˈɔkʲɛm ˌɔkɔlˈitsɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_180.wav|mˈɔʒɛ pɔ prˈɔstu xtɕˈawa zatʃˈɛrpnɔɲtɕ ˌɔdrɔbʲˈinɛ ɕfʲɛʒˈɛɡɔ pɔvʲˈɛtʃa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_204.wav|tʃɨ pʃɨklˈɛiw jˈɔ̃ pʃɛd vˈɨjɕtɕɛm? ɲʲɛ pamjˈɛnta, ˌalɛ vɨɡlˈɔnda nˈatɔ, ʒˈɛ ɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_29.wav|bˈɛtskɨ i kˈit pˌɔkivˈali ɡwɔvˈami.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_5.wav|bˈɛtskɨ zˌatʃɨmˈawa samˈɔxut na ɡwˈuvnɛj drˈɔdʑɛ tˈuʃ pʃɨ pɔdjˈɛʑdʑɛ strakˈanuf.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_133.wav|vˈɛvnɔndʒ znˌajdɔvˈawɨ ɕɛ mˌaɡazˈɨnɨ i stˈajɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/12_segment_74.wav|ˌalɛ pʃɛtʃˈɨtaj jˈɛʃtʃɛ tɔ, tsˈɔ maʃ pɔt spˈɔdɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_57.wav|spˈɛntsɛr fskˈazaw ɡwˈɔvɔ̃ dʒvˈi na drˈuɡʲim kˈɔɲtsu pˌɔmjɛʃtʃˈɛɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_19.wav|xˌaˌɛmˈɛm, skˌɔmplikɔvˈanɛ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_354.wav|pʃˈɨjtɕ pˈuʑɲʲɛj dɔ mɲʲɛ, dʑˈɛtskɔ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_56.wav|pʃˌɨɲʲɛɕˈɔnɛ pʃˈɛs swˈuʒbɛ pɔɕˈiwki stˈɨɡwɨ ɲʲɛtkɲʲˈɛntɛ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_82.wav|tsˈɔ zrɔbʲˈiliɕtɕˌɛ s tsˈɛdrɔ̃?|1
+Dataset/wavs/urwisko_ferenc/49_segment_16.wav|xˈɛrman vˌɨpalˈiwa pˌapʲɛrˈɔsa, ktˌurɨ mʲˈaw ukˈɔitɕ jɛj lˈɛŋki, ˌukɔwˈɨsadʑ dɔ snˈu. zwudʑˈɛɲʲa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(28) R.Abbott_Zamknij Drzwi_segment_18.wav|ɲʲɛ vʲˈɛdʑaw, tʃɨ mˈɔʒɛ ɕɛ stˈɔnt rˈuʃɨtɕ, ˌalɛ jˈɛɕli tˌɛɡɔ ɲʲɛ zrˈɔbʲi, ˈumʒɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_7.wav|fʃˈɨstkɔ zwˈɛ, tsˈɔ ɕɛ kʲˈɛdɨʑ vˌɨdaʒˈɨwɔ, zatˈarwɔ ɕɛ f pʃɛʃwˈɔɕtɕi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_67.wav|tˈɔm tsmˈɔknɔw z ɲʲˌɛzadˌɔvɔlˈɛɲʲɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_20.wav|tˈɛras mˈɔɡwam zˈamknɔɲdʑ vɛvnˈɛntʃnɨ vwˈas, a ɡʲˈizmɔ rudjˈɛɡɔ znˈuf mʲˈawɔː ɔkˈazjɛ vɨkˈazatɕ ɕɛ sfˈɔjɔ̃ maɡʲˈitʃnɔ̃ mˈɔtsɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_111.wav|prˈɔstɨ i wˈatfɨ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_61.wav|swˈɨʃɛ jˈuʃ mˈɔiɣ brˈatɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_20.wav|mˈɔʒɛ pˌɔtkradˈawa tsˈɔʑ z ˈɛksɔˈutɛk?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_182.wav|zrɔbʲˈiwɔ mi ɕɛ ɲʲɛsfˈɔjɔ. jˈɛʃtʃɛ tˌɛɡɔ tˌɨlkɔ mi brˌakɔvˈawɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_76.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_251.wav|na ɕˈinɨɣ vˈarɡax ɛwrˈɔna pɔjˈaviw ɕɛ drvʲˈɔntsɨ uɕmʲˈɛʃɛk. ja jˌɛstɛm ʃtˈɔrmɛm!|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_85.wav|dʑˈɛtsku ɲˈits ɲʲɛ jˈɛst.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_212.wav|dˈawa mu f sˈumjɛ dʑˌɛvʲɛɲtɕˈɔrɔ dʑˈɛtɕi, ˈɔɕɛm tsˈurɛk i pʲˈɛɲtɕ tsˈur.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_150.wav|mɲʲˈɛjʃa ɔ kˈikud duʒˈɛɡɔ pˈaltsa, ˌalɛ tɛ xɔlˈɛrnɛ dʒˈazɡʲi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_82.wav|tɔ vˈaʒnɛ, ʒˈɛbɨɕmˌɨ vʲɛdʑˈɛli, ɡdʑˈɛ jˈɛstɛɕ, jˈɔɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_122.wav|ɲʲɛ maʒˈɨwam jˈuʃ ˈɔtɨm, ʒˈɛbɨ stˈɔnt ˈɔtʃɛd.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_31.wav|mˈimɔ tɔ pˌɔtrafˈiwam ftʃˈutɕ ɕɛ f sˌɨtuˈatsjɛ kˈaʒdɛj kɔbjˈɛtɨ, ktˌura zɔstˈawa zdradʑˈɔna.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_26.wav|dʑˈɛŋki.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_127.wav|dlatʃˈɛɡɔ ɲʲɛ ɔdjˈɛdʑɛʒ zˈɛmnɔ̃?|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_44.wav|zapˈɨtaw z ɲʲˌɛdɔvʲɛʒˈaɲʲɛm lˈɔrt tˈarlɨ. valtʃˈɨwa tˈak, ʒˈɛ mˈɔɡwabˌɨ zawˈatfitɕ tʃˈɛɣ vʲˈɛntsɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_135.wav|dʑˈiʑ vɨɡlˈɔnda pʃˌɛurˈɔtʃɔ f strˈɔju mˌarɨnˈarskim.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_158.wav|tfˈɔjɛ tɕˈawɔ tɕˈɛ ˌinfɔrmˈujɛ, ʒˈɛ jˌɛstɛʑ ɡɔtˈɔva stˈatɕ ɕɛ kɔbjˈɛtɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_71.wav|i jˈak tɔ ɕɛ mˈuvi, pɔtrˈafi vˈɨtʃutɕ ˌatmɔsfˈɛrɛ na sˈali.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_22.wav|ɕˈadam na skrˈaj wˈuʃka, fstʃɨmˈujɛ ˈɔddɛx i tʃˈɛkam, tsˈɔ pɔvʲˈɛdʑɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_130.wav|zˌatʃɨmˈawa ɕɛ f pɔwˈɔvʲɛ kˌɔrɨtˈaʒa, zˌasɛmpʲˈɔna.|2
+Dataset/wavs/urwisko_ferenc/26_segment_34.wav|zatɕˈisnɔw zˈɛmbɨ i s trˈudɛm pʃɛvrˈutɕiw ɕɛ na bˈɔk, a pˈɔtɛm na plˈɛtsɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_179.wav|tɨm mɲʲɛ zastʃˈɛliw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_82.wav|tɔ bˌɨwɔ jɛdˈɨnɛ pˌɔtfʲɛrdʑˈɛɲʲɛ, jakʲˈɛɡɔ pˌɔtʃɛbˈɔvaw tˈɔm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_168.wav|a f pɔɡˈɔdnɨ dʑˈɛɲ pʃˈɛʃwɔʑdʑ dɔdˈajɛ bʲˈillɨ z uɕmʲˈɛxɛm.|2
+Dataset/wavs/urwisko_ferenc/27_segment_19.wav|mˈarja pɔtʃˈuwa, ʒˈɛ jɛj sˈɛrtsɛ pʃˌɨspʲɛʃˈɨwɔ. pˈaɲi mˈattsɛ zˌalɛʒˈawɔ nˈatɨm, bˈɨ ʃˈɨpkɔ spwˈatɕitɕ tɔ zˌadwuʒˈɛɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_392.wav|pˌɔvʲɛdʑˈawa sˈɔbjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_2.wav|bˈɔjɛ ɕɛ jˈɛxadʑ dɔ dˈɔmu.|3
+Dataset/wavs/urwisko_ferenc/01_segment_69.wav|xtɕˈaw tsˈɔɕ pɔvʲˈɛdʑɛtɕ. jˈɛɡɔː ˈusta ɕɛ rɔzvˈarwɨ, lˈɛdʒ vzruʃˈɛɲʲɛ ˌɔdɛbrˈawɔ mu mˈɔvɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_98.wav|— pˈatritsk, mˈuvi bʲˈillɨ. swɨʃˈawaɕ ˈɔtɨm?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_42.wav|tsˈɔ xtsˈɛʃ pʃˈɛstɔ pɔvʲˈɛdʑɛtɕ, ˈarɔn?|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_131.wav|tɔ dlatʃˈɛɡɔ prubˈɔvaw pɔtkˈupitɕ ˌupadajˈɔntsɔ̃ xˈutɛ, skˈɔrɔ vʲˈɛdʑaw, ʒˈɛ zadʑˈɛra s pɔtˈɛ̃ʒnɔ̃ ˌɔrɡaɲizˈatsjɔ̃ pʃɛstˈɛmptʃɔ̃?|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_40.wav|na ɡwˈɔz vˈɨʒɛkw jˈɛdnak tˈɨlkɔ.|1
+Dataset/wavs/urwisko_ferenc/22_segment_41.wav|ˈɔlɡʲɛrt ˈɔddaw ʃtʃɛrpskʲˈɛmu klˈutʃɛ. — ɲʲɛ pˌaɲikˈujmɨ — ʒˈutɕiw.|0
+Dataset/wavs/urwisko_ferenc/19_segment_27.wav|ɲʲɛ bˌɛndɛ ˈɔɲim rˌɔzmavʲˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_83.wav|tɔ dla nˈaz vʲˈɛŋkʃɨ zˈɨsk.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_358.wav|bˌɛndɔ̃ jˈɛʃtʃɛ mˈɔɡli ɡˈɔ pˌɔtʃɛbˈɔvatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_123.wav|dʑˈɛŋki za rˈadɛ. w ɡwˈɔɕɛ bakʲˈɛɡɔ ɲʲˈɛma zwˈɔɕtɕi. jɛst rˌɛzɨɡnˈatsja.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_253.wav|pˌɔvʲɛdʑˈawam i zˌakɔwɨsˈawam ʃklˈaŋkɔ̃, ˌɔpʲɛrˈajɔnts jˈɔ̃ dˈɛŋkʲɛm ɔ stˈuw.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_42.wav|a kʲˈɛdɨ kˌakˌazˈɛt muɕˈawa vˈɨbratɕ kˈɔɡɔɕ, ktˈɔ mʲˈaw zaʒˈɔndʑatɕ jɛj mʲˈastɛm na kɕɛ̃ʒˈɨtsu, vˈɨbur pˈad nˈa...|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_365.wav|jˌɛstɛm vɨtfˈɔrɛm pɛvnˈɛɡɔ fˌɛnɔmˈɛnu fˌizɨtʃnˈɛɡɔ, ktˌurɨ nazvˈaliɕmˌɨ ʒˈɨtɕɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_102.wav|bʲˈillɨ zaʒˈutɕiw sˈɔbjɛ rˈɛntʃɲik na rˈamjɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_96.wav|kˈɔrsak xfˈilɛ pɔmˈɨɕlaw, pˈɔtɛm mˈɨknɔw i ˌɔtpɔvʲˈɛdʑaw ɲʲɛxˈɛntɲʲɛ. mˈɔʒɛ pˈan vˈɨjɕtɕ?|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_259.wav|tsˈɔ pʃɛt xfˈilɔ̃ pˌɔvʲɛdʑˈawam?|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_62.wav|nˌastɔmpˈiwa pˈawza, pɔ tʃɨm ɡwˈɔz dˈɔdaw.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_295.wav|ɲʲɛ pʃˌɛvidˈujɛ trudnˈɔɕtɕi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_140.wav|i ɔ tʃɨm mɨɕlˈawɔ vʲˈɛlu, ˌalɛ ɲʲɛ mʲˌawɛm ˌaɲi ʃtʃˈɛɲɕtɕa, ˌaɲi pʲɛɲʲˈɛndʑɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_142.wav|tsˈuʃ, kʲˈɛdɨ tˈak nˈatɔ spˈɔjʒɛtɕ...|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_228.wav|znˈajdʑɛ pˈaɲi ˈu ɕˈɛbjɛ jakʲˈɛɡɔʑ budrˈɨsa?|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_42.wav|vrˈɛʃtɕɛ bʲˈillɨ mˈilkɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_259.wav|trˈɔnd zajmˈɔvaw ɕɛ ruʒnˈɨmi ʃˌɛmranˈɨmi ˌintɛrɛsˈami.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_205.wav|ɲˈiɡdɨ ɲʲɛ pˌɔtʃɛbɔvˈawɛɕ lˈudʑi i ɲʲɛ pˌɔtʃɛbˈujɛʃ ix. fʃˈɨstkɔ, tʃˈɛɡɔ tɕi pɔtʃˈɛba, tɔ ɡɔdʑˈina lˈɔtu sˌamɔlˈɔtɛm, na ktˌurɔ̃ pratsˈujɛʃ tsˈawɨ dʑˈɛɲ.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_282.wav|f pʃɛtɕˈivnɨm rˈaʑɛ ʃˈarɛ ˈɔftsɛ mˈɔɡwɨbˌɨ pˈɔtʃutɕ ɕɛ zmuʃˈɔnɛ ɡˈɔ zˈabʲitɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_74.wav|vˈɨbraw tɔ pʲˈɛrʃɛ. prˌavdɔpɔdˈɔbɲʲɛ mʲˈaw nadʑˈɛjɛ, ʒˈɛ zdˈɔ̃ʒɨ rɔsprˈavitɕ ɕɛ zˈɛmnɔ̃ i zatʃˈɛrpnɔɲtɕ pɔvʲˈɛtʃa, zˈaɲim strˈatɕi pʃɨtˈɔmnɔɕtɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_48.wav|tsˈanɔ̃ za pʃˌɨnalˈɛʒnɔʑdʑ bˈɨwɔ...|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_53.wav|spʃɛtɕˈiviw ɕɛ mwˈɔdɨ sˈɛr arvˈɔɔt frˈɛj. prˌɔstatʃkˈɔvʲɛ mˈuvjɔ̃, ʒˈɛ ɕmʲˈɛrdʑ ɡˈɔ zmʲɛɲˈiwa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_86.wav|jˈɛɕli pˈɔvʲɛm ɲʲɛ...|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_282.wav|utʃˈɛstɲik sɔbˈɔru swˌɔvʲaɲskʲˈɛɡɔ mˈiltʃaw, udˈajɔnts, ʒˈɛ ɲʲɛ rɔzˈumjɛ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_29.wav|swɨʃˈɛliɕmˌɨ, ʒˈɛ vˈilkɔr s tˈarkuf rɔzˈɛrvaw tɕi ɡˈardwɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_11.wav|zˌastanˈavja mɲʲɛ, dlatʃˈɛɡɔ zˌapɨtˈawaɕ, ɡdʑˈɛ bˌɨwa jˈɛɡɔ ʒˈɔna.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_465.wav|a vʲˈɛnts...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_44.wav|ɲˈilɛ vˈɛstxnɔw.|3
+Dataset/wavs/urwisko_ferenc/49_segment_5.wav|jɛdˈɨnɨ kwˈɔpɔt pɔlˈɛɡaw nˈatɨm, ʒˈɛ bˌɛɲdʑɛ muɕˈawa dwˈuɡɔ tʃˈɛkatɕ na vɨɲˈiki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_13.wav|na zˈɛvnɔntʃ tʃˈɛka pɔlˈitsjant, ɡdˈɨbɨ tʃˌɛɡɔkˈɔlvʲɛk pˈaɲi pˌɔtʃɛbɔvˈawa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_32.wav|mɔʒlˈivɛ, ʒˈɛ pˌɔstʃɛɡˈawa ɡˌɛnɛvʲˈɛvɛ jˈakɔ jɛdˈɨnɔ̃ pʃɛʃkˈɔdɛ stɔjˈɔntsɔ̃ jɛj na drˈɔdʑɛ dɔ naˈila.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_70.wav|mˈama muɕˈawa uswˈɨʃɛtɕ, ʒˈɛ pɔtɕˈɔŋɡam nˈɔsɛm, bˈɔ pˌɔwɔʒˈɨwa dwˈɔɲ na ˈudʑɛ tˈatɨ i lˈɛkkɔ jˈɛ ɕtɕisnˈɛwa.|3
+Dataset/wavs/urwisko_ferenc/45_segment_43.wav|mˈarja ˌɔdvrutɕˈiwa ɕɛ ɔt lˈustra.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_63.wav|pɔd brˈamɔ̃ parkˈiŋɡu pʃɛjˈɛʒdʒa dwˈuɡʲɛ, ɲˈiskʲɛ ˈawtɔː i xˈɔtɕ ɲʲɛ dɔstʃˈɛɡam tfˈaʒɨ, vɨrˈaʑɲʲɛ vˈidʑɛ blˈɔnd vwˈɔsɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_455.wav|ˌalɛ ɲʲˈɛbuj ɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_90.wav|ɲʲɛ mˈɔʒɛʃ ɔt tˈak rɔzʒˈɛdʑitɕ xlˌɔrɔfˈɔrmu, pˌɔvʲɛdʑˈawa sˈanxɛs. jˈɛɡɔ stɛ̃ʒˈɛɲʲɛ mɔlˈɔvɛ f pɔvʲˈɛtʃu pˌɔzɔstˈaɲʲɛ tˈakʲɛ sˈamɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_61.wav|vˌɨɡlɔndˈawɔ nˈatɔ, ʒˈɛ ˈɔdbʲiw w bˈɔk i ɔkrˈɔ̃ʒɨw ɕtɕˈɛʃkɛ, tsˈɔ znˈuv zdumjˈawɔ nˌadʲinspɛktˈɔra.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_23.wav|i ɲʲɛ za bˈardʑɔ vɡɲʲɛtɕˈɔna, xˈɔtɕaʃ lˈɛf strˈatɕiw ɡwˈɔvɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_39.wav|ˌɔtfɔʒˈɨwɨ ɕɛ dʒvˈi i dɔ bjˈura vˈɛʃwa ˌadmiɲˌistratˈɔrka ŋɡɔˈɔɡʲi.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_79.wav|jˈɛɕli xˈɔdʑi ɔ bˌɛspʲɛtʃˈɛɲstfɔ pˌɔʒarˈɔvɛ, ɲˈikt ɕɛ tˈutaj ɲʲɛ bˈavi f sˌɛntɨmˈɛntɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_234.wav|ɲʲɛ jˌɛstɛm ɲˈim.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_554.wav|ˈalbɔ ɲʲɛznˈanɨm mi ˈu ɲʲˈɛj namˈɨswɛm zˌaʃtʃɛpˈiwa mɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_23.wav|kˌɔɡɔkˈɔlvʲɛk swɨʃˈawaɕ tˌɛɡɔ pˌɔpɔwˈudɲʲa, kʲˈɛdɨ zraɲˈiwaɕ ɕɛ w nˈɔɡɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_170.wav|na pˈɛvnɔ xtsˈɛʃ tɔː uswˈɨʃɛtɕ?|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_293.wav|pʃɨpˈadwɔ mi w udʑˈalɛ ˌɔpatʃˈɛɲʲɛ rˈan ɲʲɛktˌurɨx ˌɔtsalˈɔnɨx.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_5.wav|bjˈɛʒɛ ɡˈɔ na pˌɔvitˈaɲʲɛ w ramjˈɔna i ɕtɕˈiska ˈilɛ ɕˈiw, bˈɛz vaxˈaɲʲa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_57.wav|tʃɨ mʲˌɛli dɔ tʃɨɲʲˈɛɲʲa z jˈɛdnɔ̃ z ˈɔfjar lˈixfɨ tsˌamɛrˈɔna ɛdmˈuntsa? a mˈɔʒɛ ˈɛdmunts i jˈaɡɡɛr dˌɔvʲɛdʑˈɛli ɕɛ, ktˈɔ xtɕˈaw zˈabʲitɕ tˌɛɡɔ pʲɛrʃˈɛɡɔː i vʑˈɛli ˈɔdvɛt?|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_195.wav|dʑˈɛŋki za fçˈiskɨ. pɔ tsˈɔ mɲʲɛ zˌaprɔɕˈiwɛɕ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_84.wav|jakʲˈɛɡɔ kɔlˈɔru jɛst tˈɛraz bˈandaʃ? zapˈɨtaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_26.wav|znˈawam jˈɛ dˈɔbʒɛ. bˌɨwam tˈu kˌilkadʑˈɛɕɔnt rˈazɨ jˈakɔ ɲʲɛsfˈɔrna nˌastɔlˈatka, a pˈamjɛɲtɕ mˈam dˌɔskɔnˈawɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_128.wav|a pˈɔtɛm ɕˈɛdʑaw tɕˈixɔ f kˈɔɲtɕɛ, sˈɔntʃɔndʑ drˈiŋka.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_330.wav|tɕˈɛɲ kɕɛ̃ʒˈɨtsa nɔɕˈiwa tˌɨlkɔ bjˈawɛ i srɛbʒˈɨstɛ strˈɔjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_282.wav|bʲˈillɨ pɔdˈajɛ jɛj tɛlˈɛfɔn.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_35.wav|ɔznˈajmiw pɔlˈitsjant.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_43.wav|pʃˈɛkrɔ mi s tˌɛɡɔ pɔvˈɔdu, ˌalɛ zrɔbʲˈiwam tɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_71.wav|tɔ znˈatʃɨ, ɲʲɛ mˈɔʒɛ bˈɨtɕ tsˌawkɔvˈitɕɛ zɛrˈɔva.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_12.wav|ɲʲɛ vʲɛdʑˈawa, skˈɔnt ɕɛ ˈu ɲʲˈɛj vʑˈɛwa ta mˈɨɕl.|1
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_24.wav|drˈɔɡʲi kɛlvˈiɲʲɛ!|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_157.wav|a jɛʒˈɛli tɛ zbjɔrɲˈiki ˌɛksplɔdˈujɔ̃, tɔ ɕfʲˈɛtɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_64.wav|ˈɛj, bʲˈillɨ! ɲˈitsk stʃˈɛla paltsˈami. ʑˈɛmʲa dɔ bʲillʲˈɛɡɔ!|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_272.wav|jˈak tɕi lˈudʑɛ pratsˈujɔ̃, sˈusan? dlatʃˈɛɡɔː ˌɔɲi ɕˈɛdʑɔ̃? dlatʃˈɛɡɔ ɲʲɛ vʲˈɛtɕɛ, ʒˈɛ ˈu nˈas ɕɛ ɲʲɛ ɕˈɛdʑi?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_158.wav|jˈakʲɛɕ kˈartki pɔtʃtˈɔvɛ z ʒˌɨtʃɛɲʲˈami ɲʲɛ vʲadˈɔmɔː ɔt kˈɔɡɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_339.wav|ʒˈɛbɨ jˈakɔɕ pɔfstʃˈɨmatɕ tɛn dˈɨɡɔd vˈɛmɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_225.wav|twˈum pʃɨɡlˈɔndaw ɕɛ w miltʃˈɛɲʲu zaɡwˈadʑɛ platsˈufki pˌɔlitsˈɨjnɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_71.wav|spˈɔjʒaw s pɔdˈɛwba.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_8.wav|ɲʲɛ vʲˈɛdʑaw, ˈilɛ tˈak naprˈavdɛ zdˈɔwa jˈɔ̃ ˌudɔvˈɔdɲitɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_24.wav|mrˈuknɔw tˈɔm, zdˈajɔnts sˈɔbjɛ sprˈavɛ, ʒˈɛ ɲʲɛ ɔtʃˈɨma ʒˈadnɛj ˌɔtpɔvʲˈɛdʑi. prˈavdɛ mˈuvʲɔnts, mˈukw tɔ zrˈɔbʲitɕ kˈaʒdɨ, vwɔntʃˈajɔnts f tɔ ʒˈɔnɛ tsˌamɛrˈɔna.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_169.wav|mʲˈawa waɡˈɔdɲʲɛ zamkɲʲˈɛntɛ pɔvʲˈɛki.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_76.wav|ɕpʲˈɛvawbˌɨ sfˈɔjɛ pʲɔsˈɛŋki i sˈɨpʲaw zˈɛ ɕfˌiɲʲarkˈami ˌɔras...|1
+Dataset/wavs/urwisko_ferenc/22_segment_12.wav|mʲˈaw na sˈɔbjɛ puwtɕˈɛnnɔ̃ kɔʃˈulɛ, fsuvˈanɔ̃ pʃˈɛz ɡwˈɔvɛ i tʃˈarnɛ dʒˈinsɨ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_191.wav|nɔɕˈili bˈarvnɛ pwˈaʃtʃɛ s tʃɛrvˈɔnɨx, ʑɛlˈɔnɨx i ʒˈuwtɨx pʲˈur, a vɨsˈɔkʲɛ mˈaʃtɨ i bjˈawɛ ʒˈaɡlɛ ix wabˈɛɲdʑix stˈatkuv vˌɨɡlɔndˈawɨ fspaɲʲˈalɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_200.wav|vrˈatsa dɔ stˈɔwu i ɕˈada.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_25.wav|ɡdˈɨbɨʃ tɔ bˌɨli tˌɨlkɔː ˈɔɲi.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_118.wav|nˈavɛt jˈɛɕli jˈɛɡɔ pˈan ˈɔjtɕɛdʑ vˈaltʃɨw w dɔʒˈɛtʃu, a w zˈamku zˈɔstaw tˌɨlkɔ swˈabɨ ɡarɲˈizɔn.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_10.wav|mˈɔja bjˈɛdna xˈɔllɨ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_141.wav|na dʒˈɛvʲɛ bˌɨwɔː ix pˈɛwnɔ, a jˈɛʃtʃɛ vʲˈɛntsɛj pʃˌɨtsupnˈɛwɔ w wˈukax ˈɔkʲɛn na tsˈawɨm dʑɛdʑˈiɲtsu.|1
+Dataset/wavs/urwisko_ferenc/36_segment_175.wav|— tsɔkˈɔlvʲɛk, tsˈɔ pˌɔvʲɛdʑˈawa mˈatka. — tɔ zadʑvˈɔɲʲɛ. mˈuʃɛ jˈuʃ kˈɔɲtʃɨtɕ. — pˌɔʒɛɡnˈawa ɕɛ prˌɔkuratˈɔrka.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_186.wav|ˌɔdɛzvˈawam ɕɛ f kˈɔɲtsu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_45.wav|ɡdʑˈɛ jɛst ta ʃkˈɔwa?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_161.wav|a dla ɲʲˈɛɡɔ ɲˈilɛ bˈɨw bˌɔxatˈɛrɛm, puwbˈɔɡʲɛm, tʃwɔvʲˈɛkʲɛm, ktˌurɨ ˌɔstatˈɛtʃɲʲɛ utʃˈɨɲi ɡˈɔ ɲʲˌɛpʃɨzvɔˈitɕɛ bɔɡˈatɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_168.wav|tsˈɔ kɔŋkrˈɛtɲʲɛ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_74.wav|kfˈɔtɨ fpwˈad bˌɨwɨ tsˈawkʲɛm ˌimpɔnujˈɔntsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_133.wav|xtɕˈawa ɕɛ zˈɛmɕtɕitɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_88.wav|jˈɛdɲi vɨɡrˈali, drˈudʑɨ pʃɛɡrˈali.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_304.wav|bˌɨwa ɲʲˈɛmal tsˌawkɔvˈitɕɛ pˈɛvna, ʒˈɛ ɲʲˈɛɕɲi ɕɛ jɛj lˈɔrt ˈɔrtɔn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_159.wav|tɔ pˈɛvɲʲɛ ɲˈits ɲʲɛ znˈatʃɨ. xtɕˈawa tˌɨlkɔ dˈatɕ mu pɔtʃˈutɕɛ, ʒˈɛ pʃɨnˈajmɲʲɛj tʃɛɲɕtɕˈɔvɔ jɛst pɔ jˈɛɡɔ strˈɔɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_43.wav|ɔdvrˈatsam vʲˈɛndʑ ɡwˈɔvɛ, ʒˈɛbɨ spˈɔjʒɛdʑ za ɕˈɛbjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_19.wav|mˈuɡwabˌɨm tˈaɡ dˈalɛj, ˌalɛ ɕɛ pˌɔfstʃɨmˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_121.wav|vˈɨpuɕtɕ pˈɔtɕɔŋk.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_241.wav|nˈavɛt jˈɛɡɔː ˌutɔpʲˈɛɲi ɲʲɛ vʲɛdʑˈɛli, ɡdʑˈɛ ɕɛ pˈɔdʑaw. lˈudʑɛ pˌɔvʲadˈali, ʒˈɛ vrˈɔɲʲɛ ˈɔkɔ rɔzˈɛɕmʲaw ɕɛ tˈɨlkɔ, ɡdˈɨ ˈɔtɨm uswˈɨʃaw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_62.wav|tʃˈuwam ɕɛ tsudˈɔvɲʲɛ i zˈaras sˈɔbjɛ ˌuɕfʲadɔmˈiwam, jˈaɡ ʒˈatkɔ ɕɛ ɕmʲˈawam.|3
+Dataset/wavs/urwisko_ferenc/41_segment_29.wav|mˈudlmɨ ɕɛ, ʒˈɛbɨ bˌɨli w dˈɔmu, vɨjˈaɕɲiw.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_30.wav|ˌalɛ na tɕˈixɛj vˈɨspʲɛ mɛ̃ʃtʃˈɨʑɲi i kɔbjˈɛtɨ ɲʲˈɛɕpjɔ̃ pˈɔttɨm sˈamɨm dˈaxɛm.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_363.wav|a mwˈɔtʃɛ dʑˈɛtɕi zˈafʃɛ prˈaɡnɔ̃ ˌaprɔbˈatɨ stˈarʃɨx.|1
+Dataset/wavs/urwisko_ferenc/19_segment_58.wav|tˈak.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_378.wav|pˌɔvʲadˈajɔ̃, ʒˈɛ ɔn zɔstˈaviw za sˈɔbɔ̃ trˈɔp spˌɔmɔrdɔvˈanɨɣ dʑˈɛtɕi i zɡvawtsˈɔnɨɣ dʑˈɛvits.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_150.wav|ɲˈits mi ɲʲɛ jˈɛst, jˈɛtɕ, zwˈɨ sˈɛn tɔ fʃˈɨstkɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_5.wav|jˈɛdna jɛzd ɡwˈupja i ɲʲˌɛpɔkɔjˈɔntsa, drˈuɡa dɔbʲˈitɲʲɛ pˌɔkazˈujɛ, ʒˈɛ bʲˈillɨ, xˈɔtɕ xtɕˈaw tˌɛɡɔː uɲˈiknɔɲtɕ, stˈaw ɕɛ dˈɔsɨtɕ ˌɔtpɨxajˈɔntsɨm tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_117.wav|dˌɔjɛxˈawam na tˈɛrɛn ɔtkrˈɨfki. rɔzlˈɛɡwɨ, pwˈaski ˈɔpʃar bˈɨw ˌɔɡɔwɔtsˈɔnɨ zˈɛ skˈaw pʃˈɛs lˈata ˌɛksplɔatˈatsji zwˈuʃ.|4
+Dataset/wavs/urwisko_ferenc/09_segment_72.wav|jˈɛdnɔː ˈalɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_67.wav|vɨtʃˈuvam tfˈardɨ plˈastʲik kˈartɨ dˌɛbɛtˈɔvɛj, vʲˈɛnts f kˈɔɲtsu vˌɨxɔdʑˈimɨ s pɔkˈɔju.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_72.wav|— xˈɔdʑ dɔ mɔjˈɛɡɔ bjˈura i ɔpˈɔvʲɛts mi, tsˈɔ ɕɛ stˈawɔ. mˈɔʒɛ zdˈɔwam tɕi jˈakɔɕ pˈɔmuts.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_123.wav|zatʃˈɛkaj, ˈaʃ pˈɔvʲɛm ˈɔtɨm tsˌamɛrɔnˈɔvi. bˈuk jˈɛdɛn vʲˈɛ, tsˈɔː ɔn nˈatɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_170.wav|tɔ tɨ tɔ pˌɔvʲɛdʑˈawɛɕ, ʒˈɛkw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_113.wav|nˈavɛd z ˌɔdlɛɡwˈɔɕtɕi pʲˈɛɲtɕusˌɛt mˈɛtruv vɨɡlˈɔnda w ˈɔtʃaɣ bʲilljˈɛɡɔ na ʒˌawɔsnˈɛɡɔ lˈɛʃtʃa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_112.wav|ktˌurɛj mrˈɔk rˌɔzʒɛdʑˈiwɨ ɕfʲˈatwa nɛˈɔnuf,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_47.wav|ˌalɛ jˌɛstɛm fʃˈɨstkim, tsˈɔ mˈa. a dɔ vɨjˈazdu s krˈaju pˌɔtʃɛbɔvˈalibˌɨɕmɨ paʃpˈɔrtuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_148.wav|nˈɔː i ˈɛlis rˈɛɡan mˈaɡzvɛll kɔxˈawa ɡˈɔ dˈɔɕtɕ mˈɔtsnɔ, bˈɨ nˈɔɕitɕ jˈɛɡɔ pˈɔrtfɛl, a w ɲˈim jˈɛɡɔ nɛkrˈɔlɔk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_126.wav|ˈɛlis mˈa vɨɡlˈɔndatɕ jˈak ɲʲɛvˈinna dʑɛftʃˈɨna, ktˌura mˈɔʒɛ pˌɔstanɔvˈiwa ɕɛ jˈɛdɛn, jɛdˈɨnɨ rˈas spʃˈɛdatɕ, bˈɨ pˈɔmuts stˈarɛj, spwukˈanɛj mˈattsɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_138.wav|ftˈɛdɨ ˌɔna ˌɔdvrutɕˈiwa ɕɛ pɔvˈɔli.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_70.wav|lˈɛnɛ, tsudˈɔvɲʲɛ bˌɨwɔ tɕˈɛ znˈuv zɔbˈatʃɨtɕ. jˌɛstɛɕ jˈuʃ tˈaka dɔrˈɔswa.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_226.wav|tʃˈɨstɛ i ɕfʲˈɛʒɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_165.wav|tsˈɔ? jˈak tɔ mɔʒlˈivɛ? pʃˌɛtɕɛʃ mˌajɔ̃ tˈam zapˈasɨ, ktˌurɛ pɔvˈinnɨ vɨstˈartʃɨtɕ na tsˈawɛ mʲɛɕˈɔntsɛ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_119.wav|ˌalɛ s tɨm jˈuʃ kˈɔɲʲɛts.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_195.wav|mˈuj mwˈɔtʃɨ brˈat.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_295.wav|jˈɛdnɔ̃ ɲʲɛʃtʃˈɛ̃snɔ̃ kɔbjˈɛtɛ zɡvawtsˈɔnɔ kˌilkanˈaɕtɕɛ rˈazɨ, a jɛj pʲˈɛrɕi...|1
+Dataset/wavs/urwisko_ferenc/44_segment_87.wav|mˌɔtɔtsɨklˈistɛ f strˈuɡaɣ dˈɛʃtʃu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_73.wav|mˈɔʒɛ zˈatɛm jˈakɔ̃ʑ vʲadˈɔmɔʑdʑ dla spˈikɛ, jˈɛɕli nˈas swˈuxa?|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_153.wav|ˈuɕat prˈɔstɔː i vbʲˈiw vˈɛmɲʲɛ vzrˈɔk.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_33.wav|ɲʲˌɛɡɔdʑˈivɨx pˌɔxwaɲʲˈajɔ̃ ruxˈɔmɛ pʲˈaski ˈalbɔ zatˈapja ix nˌatxɔdʑˈɔntsɨ pʃˈɨpwɨf. mˈam nadʑˈɛjɛ, ʒˈɛ ɲˈiɡd z vˈas ɲʲɛ zalˈitʃa ɕɛ dɔ ɲʲˌɛɡɔdʑˈivɨx.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_7.wav|ˌudɛʒˈɨwam s frustrˈatsjɔ̃ pʲɛɲɕtɕˈami ɔ kʲˌɛrɔvɲˈitsɛ, pɔ tʃɨm ɕɛŋɡnˈɛwam pɔ tɛlˈɛfɔn, ʒˈɛbɨ zadʑvˈɔɲidʑ dɔ bˈɛtskɨ i ˌɔpɔvʲˈɛdʑɛtɕ jɛj ɔ tsˈawɨm zˈajɕtɕu.|4
+Dataset/wavs/urwisko_ferenc/47_segment_24.wav|— tˈak, tʃˈɛ̃stɔ rˌɔzmavʲawˈɨɕmɨ ɔ tfˈɔim ˈɔjtsu, tɔ prˈavda.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_148.wav|ˈɛx, ɲˈidʑ vʲɛlkʲˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_85.wav|dʒˈɔrdʒ dʲˈinɛrʃtajn i trˈɔmba tsˈaʃman znˈuv bˌɨli z nˈami f kɔmpˈaɲʲi ˈɛxɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_28.wav|bˌɨwɔ tˈam tɕˈɛmnɔ, ˌalɛ ɲʲɛ na tˈɨlɛ, ʒˈɛbɨm ɲʲɛ zˌauvaʒˈɨwa rˌɛŋkɔjˈɛɕtɕi nˈɔʒa startʃˈɔntsɛj z jɛj tɕˈawa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_53.wav|rˈux ɔpˈɔru ftˈɛdɨ jˈɛʃtʃɛ f pˌɔvijˈakax rɔzdˈavaw tsˈawɛ ix stˈɛrtɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_35.wav|tɔ mɲʲɛ jɛst pʃˈɨkrɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_22.wav|bˈɨva tˈɛʃ, ʒˈɛ jˈaɡɡɛr ˌinfɔrmˈujɛ mɲʲɛ ɔ zˌaprɔʃˈɛɲʲu ɔt tsˌamɛrˈɔna dɔ tˌɔvaʒɨʃˈɛɲʲa mu pʃɨ stˈɔlɛ, a jˈɛɡɔ ʒɨtʃˈɛɲʲɛ jɛzd dla mɲʲɛ rɔskˈazɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_58.wav|sprˌɔvadʑˈamɨ jˈɛ kaʒdˈɛɡɔ dɲʲˈa dla prˌatsɔvɲˈikuf. fʃˈɨstsɨ jˈɛ ˌuvʲɛlbjˈajɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_56.wav|tɔ ftˈɛdɨ bˈɔiʃ ɕɛ, ʒˈɛ ɲʲɛ jˌɛstɛʑ dˈɔsɨdʑ dˈɔbrɨ dla ɲʲˈɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_52.wav|xtɕˈawbɨm vʲˈɛdʑɛtɕ, tsˈɔ ɕɛ dʑˈɛjɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_6.wav|tˈɛras jˈuʒ vʲˈɛm, ʒˈɛ tɔ fʃˈɨstkɔ bˌɨwɔ tʃˈɛɲɕtɕɔ̃ spˈisku mˌajɔntsˈɛɡɔ na tsˈɛlu ix pɔrvˈaɲʲɛ i tʃˈujɛ ɕɛ vˈinna, ʒˈɛ w ɔɡˈulɛ tsˈɔɕ takʲˈɛɡɔ pʃˈɨʃwɔ mi dɔ ɡwˈɔvɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_157.wav|ˌalɛ zrɔbʲˈiwabˌɨ tɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_112.wav|ˈɔtkɔnt ɔtfˈartɔ pˈark, stˈaw ɕɛ ɲʲˌɛɔdwˈɔntʃnɨm ˌɛlɛmˈɛntɛm jˈɛɡɔ vɨstrˈɔju.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_201.wav|w ɕrˈɔtku panˈujɛ tɕˈiʃa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_99.wav|bʲˈillɨ, ɲʲɛ mɔʒˈɛmɨ...|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_425.wav|zajmˈijtɕɛ ɕɛ pʃˌɨɡɔtˌɔvaɲʲˈami, panˈɔvʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_53.wav|skwˈɔɲiw lˈɛkkɔ ɡwˈɔvɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_137.wav|fˈakt pʃˌɨtakˈujɛ bʲˈili i mˈɨɕli, pʲˈɛŋkɲiɕ, ktˌurɨ jɛst mɲʲˈɛj vʲˈɛntsɛj mɔjˈɛɡɔ vzrˈɔstu.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_128.wav|ɔbˈavʲam ɕɛ, ʒˈɛ pˌɔpaʒˈɛɲʲa sɔ̃ zbˈɨt pɔvˈaʒnɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_191.wav|jˈɛɕli ˌɔnɛ ɲʲɛ bˈɨwɨ, ɲʲɛ sɔ̃ malˈiɡnɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_59.wav|vidɲʲˈawɔ nˈaɲʲɛj lˈɔɡɔ tɔjˈɔtɨ i stˌɨlizɔvˈanɨ nˈapis tsˌukurˈuma.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_23.wav|stˈawa pʃˈɛs xfˈilɛ w miltʃˈɛɲʲu, pɔ tʃɨm pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_39.wav|jˈɛɕli maˈila vɨswˈanɔ dɔ ʃkˈɔwɨ, tɔ mˈuɡw ɡˈɔ rˈuvɲʲɛʃ ɔtʃˈɨmadʑ dɔmˈiɲik.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_276.wav|ʃlˈiɕmɨ na ˈukɔs pʃˈɛs pɔdvˈuʒɛ pˈɛwnɛ vˌalajˈɔntsɨx ɕɛ rˈur.|0
+Dataset/wavs/urwisko_ferenc/49_segment_34.wav|tɔ dˈɔbʒɛ, bˈɔ mˈam vˈaʒnɛ pɨtˈaɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_30.wav|ɡʲˈɛrmkʲɛm krasnˈala|1
+Dataset/wavs/urwisko_ferenc/48_segment_18.wav|a pɔ kˈaʒdɨm ˈaktɕɛ tʃˈuw ɕɛ vˈinnɨ, zˌafstɨdʑˈɔnɨ sfˈɔim tɕˈawɛm i rˌɔstʃarɔvˈanɨ sˈɔbɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_27.wav|xˈɔdʑmɨ pɔɡˈadadʑ zˈɛ stˈɛvɛm ɔlmˈanɛm.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_131.wav|ɔbˈɔjɛ s pɔdrˈitskʲɛm ruʃˈɨli ɔdvʲˈɛdʑitɕ pˌɔzɔstˈawɛ.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_216.wav|ˈɛmɔn pɔmˈatsaw rˈɛŋkɔ̃ kˈɔts, ʃukˈajɔnts ramjˈɛɲʲa sˈama.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_344.wav|vˌɨʃɛptˈawa dɔ ɲʲˈɛɡɔː i ʃarpnˈɛwa ɡvawtˈɔvɲʲɛ klˈiŋɡɔ̃, ˈaʒ zˈadrʒaw.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_141.wav|tˈak, ɕɲˈiwɔ mi ɕɛ stˈarɛ mʲˈastɔ sˈam.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_129.wav|ɲˈits pilnˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_276.wav|ˌɔtʃɨvˈiɕtɕɛ ɲˈits ɕɛ ɲʲɛ stˈawɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_84.wav|tɔ jɛst pɨtˈaɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_117.wav|vɨrˈaʑɲʲɛ vidʑˈawɛm zˈatɔ kabˈurɛ ˈu jˈɛɡɔ bjˈɔdra.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_39.wav|dˈɔbʒɛ s tˈɔbɔ̃ pˌɔrɔzmˈavʲadʑ zˈɛ ɕfʲˌadɔmˈɔɕtɕɔ̃, ʒˈɛ jˌɛstɛɕ jˈuʃ f krˈaju. ɲʲɛ mˈɔɡɛ ɕɛ dɔtʃˈɛkatɕ naʃˈɛɡɔ spɔtkˈaɲʲa. jˈak tˈam jˈɛtlak?|3
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+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_291.wav|sfˈɔim mʲˈɛtʃɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_134.wav|ɔt tɛj pˈɔrɨ fʃˈɨstkɔ, tsˈɔ jɛj zrˈɔbʲiʃ, spˈɔtka tɕˈɛbjɛ. zrˌɔzumjˈawɛɕ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_20.wav|ɲʲɛ zˌapɔmˈinaj, ʒˈɛ znˈam tɕˈɛ ɔd bˈardʑɔ dˈavna.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_191.wav|f tɨm mʲˈɛɕtɕɛ kˈɔxaw ɕɛ ˈadam mitskʲˈɛvitʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_105.wav|tʃɨ tɕi mɛ̃ʃtʃˈɨʑɲi ɕmʲˈalibˌɨ ɕɛ, ɡdˈɨbɨ tˈaɡ bˈɨwɔ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_66.wav|mˈɔjɛ sˈɛrtsɛ pʃɨspʲˈɛʃa na mˈɨɕl, ʒˈɛ ɲʲɛ mˈuʃɛ ɕɛ ʒˈɛɡnatɕ s sˈaskjɔ̃.|3
+Dataset/wavs/urwisko_ferenc/11_segment_40.wav|mˈawɨ pʃˈɛʒɨw?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_483.wav|prˌɛzɨdˈɛɲtɕɛ pˌɔvʲɛdʑˈawɛm, mˈam fˌɛnɔmɛnˈalnɨ xɔrˈɔskɔp na tɛn rˈɔk.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_57.wav|ˌalɛ skˈɔrɔ vʲˈɛdʑaw ˈɔtɨm ɔt tˈaɡ dˈavna...|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_122.wav|tʃɨ spɔtkˈamɨ ɕɛ jˈɛʃtʃɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_176.wav|ʃtʃˈɛʒɛ mˈuvʲɔnts tˈak, ˌɔtpɔvʲˈada bʲˈillɨ zˈɛ ɕmʲˈɛxɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_21.wav|ɲʲɛ, ˈalfjɛ, maʃ tˌɨlkɔ mɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_250.wav|jˌɛstɛʑ ʒɔwɲʲˈɛʒɛm i pʃˈɛs pˈuw ʒˈɨtɕa xrɔɲˈiwɛɕ stˈanɨ zjˌɛdnɔtʃˈɔnɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_55.wav|f tɛj sˈamɛj xfˈili ˌuɕfʲadˈamjam sˈɔbjɛ, ʒˈɛ ɲʲˌɛzalˈɛʒɲʲɛ ɔt tˈɛɡɔ, tsˈɔ zrˈɔbʲiw ˈaʃ, ɲʲɛ mˈɔɡɛ dwˈuʒɛj rujnˈɔvadʑ ʒˈɨtɕa tˌɛɡɔ dʑˈɛtska.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_226.wav|mˈuɕi pˈan pʃˌɛtɕɛʃ kˈɔɡɔɕ mʲˈɛtɕ.|0
+Dataset/wavs/urwisko_ferenc/08_segment_12.wav|pɔlˈitsjant ɲʲɛ bˌɛɲdʑɛ mˈukw tˌɛɡɔ ʃˈɨpkɔ zvˌɛrɨfikˈɔvatɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_10.wav|ɲʲɛ pɔvˈinnam ɔpˈuʃtʃadʑ dˈɔmu. pʃˈɛstaf tɔ xɔlˈɛrnɛ ˈawtɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_139.wav|ˈaram pɔsˈunɔw ɕɛ za dalˈɛkɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_166.wav|pˌɔvʲɛdʑˈawa nˌakwadˈajɔndʑ brˌansɔlˈɛtkɛ na xˈudɨ nadɡˈarstɛk.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_36.wav|tˈɔm tsˈɔfnɔw ɕɛ lˈɛkkɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_32.wav|i pʃɛstˈɔmpiw prˈuk, a zˈaɲim ˈɔbaj pˌɔlitsjˈaɲtɕi.|0
+Dataset/wavs/urwisko_ferenc/38_segment_49.wav|— pʃˌɛtɕɛʃ ɲʲɛ jˌɛstɛʑ dʑˈifkɔ̃ — prubˈɔvaw vʑˈɔɲtɕ jˈɔ̃ pɔd vwˈɔs. — fʃˈɨstsɨ jɛstˈɛɕmɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_134.wav|vˈɛʃwa tˈak pɔ prˈɔstu dɔ kˈuxɲi.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_153.wav|zˌaɲʲɛpɔkˈɔiw ɕɛ sˈam.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_365.wav|musˈimɨ ɕɛ mˈartfitɕ ɔ vaʒɲʲˈɛjʃɛ sprˈavɨ.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_180.wav|stavʲˈajɔndʑ vˈɔdɛ na ˈɔɡɲʲu, vwˌaɕtɕitɕˈɛlka pʃɨjʒˈawa ɕɛ uvˈaʒɲʲɛ brjˈɛnnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_39.wav|tʃɨ zɔstˈaɲʲɛ na dwˈuʒɛj?|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_15.wav|ɲʲˈɛxtɕaw, ˈabɨ ɲˈiɡd ʒˈɨw bˈɛz vʲˈarɨ, ɡdˈɨʒ bˈɨw jˈɛdnak jˈɛdnɨm z ɲʲɛvʲˈɛlu tˈɨx, ktˌuʒɨ rˌɔzumjˈɛjɔ̃, tʃɨm jɛzd vʲˈara.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_212.wav|tʃɨ tɨ vʲˈɛʃ, ʒˈɛ pˌɔvʲɛdʑˈanɔ mi, ʒˈɛ jɛstˌɛɕmɨ dɔ ɕˈɛbjɛ trˈɔxɛ pɔdˈɔbɲi?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_592.wav|ˌɔkraʃˈɔnɛ prˌaʒɔnˈɨmi ʑarnˈami lnˈu ˈalbɔ tʃˈɛɡɔɕ takʲˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_178.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_173.wav|zalˈɛʒɨ mu pʃˈɛdɛ fʃˈɨstkim nˈatɨm, bˈɨ xrˈɔɲitɕ sfˈɔjɛ ɡwupˈavɛ jˈa, pʃɨnˈajmɲʲɛj na rˈaʑɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_213.wav|bʲˈillɨ dwˈuɡɔ pˈatʃɨ na rɨsˈunɛk, pɔ tʃɨm skwˈada ɡˈɔː i xˈɔva dɔ tˈɨlnɛj kʲɛʃˈɛɲi spˈɔdɲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_152.wav|i mˈɔʒɛ dˈɔbʒɛ, ʒˈɛbɨ tɕˈɔŋɡnɔw mˈawɔ̃ pʃɨtʃˈɛpkɛ, w jˈakix ˌɔɡrɔdɲˈitsɨ pʃɛvˈɔʒɔ̃ kɔɕˈarki, dmuxˈavɨ i ˈinnɛ tˈakʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_355.wav|pʃɨjʒˈawa ɕɛ tfˈaʒɨ i pʲˈɛrɕɔm alˈain.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_408.wav|lˈudʑɛ ɲʲɛ xtɕˈɛli mɲʲɛ swˈuxatɕ. ˈilɛ tʃˈasu mˈɔʒna ˌɔpɔvʲˈadatɕ ˈɔtɨm, ʒˈɛ zrˈɨva ɕɛ ɔkwˈatkɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_49.wav|mˈɔjɛ stɛrtʃˈɔntsɛ vwˈɔsɨ jˈuʃ ftˈɛdɨ trˈɔxɛ ɔdrˈɔswɨ i xˈɔtɕ nˈadal bˌɨwam blɔndˈɨŋkɔ̃, dˈɔbʒɛ vˌɨɡlɔndˈawam w zˌawɔʒˈɔnɨɣ za ˈuʃɨ vwˈɔsax ˌɔpadajˈɔntsɨx na kˈark.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_140.wav|vʲˈɛm ˈɔtɨm.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_111.wav|naprˈavdɛ dˈaw s ɕˈɛbjɛ fʃˈɨstkɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_92.wav|a ja ɲʲɛ vʲɛdʑˈawam, jˈaɡ zˌarɛaɡˈɔvatɕ.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_227.wav|fʃˈɨstsɨ ˌɔbʒutɕˈili zˌatɕɛkˌavʲɔnˈɨmi spˌɔjʒɛɲʲˈami sˈama, ktˌurɨ pʃˈɛʃɛd ˌɔbɔk ɲˈix.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_217.wav|lˈantsɛl zˈadrʒaw.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_360.wav|ɕˌɛdmʲɔramjˈɛnna ɡvʲˈazda i ɕfʲˈɛtsa, pʃɨ ktˌurɛj marɡˈarɨ mˈɔɡwa jˈɔ̃ tʃˈɨtatɕ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_77.wav|ɔ lˈudʑaɣ ɡrɛɡˈɔra.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_143.wav|tˈaka mˈɨɕl pɔvˈinna fpˈɛɲdʑitɕ mɲʲɛ f paɲˈikɛ i ɲʲˈɛvʲɛm dlatʃˈɛɡɔ tˈak ɕɛ ɲʲɛ stˈawɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_87.wav|kɔbjˈɛta pˌɔvʲɛdʑˈawa, ʒˈɛ jˌɛstɛm dʑˈɛlnɨ i pˌɔradʑˈiwa mˈamjɛ, ʒˈɛbɨ zabrˈawa mɲʲɛ dɔ psˌɨxɔlˈɔɡa.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_455.wav|tˈutaj, pɔdˈɔbɲʲɛ jˈak na dvˈɔʒɛ, ɲˈiɡdɨ ɲʲɛ bˌɨwɔ vʲadˈɔmɔ, ktˈɔ mˈɔʒɛ pˌɔtswuçˈivatɕ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_110.wav|ɲʲɛ jˈɛdɛn rˈas.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_26.wav|tˈɔm vɨtɕˈɔŋɡnɔw rˈɛŋkɛ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_360.wav|pˈɔdritsk ɲʲɛ zrˈɔbʲiw vam ʒˈadnɛj kʃˈɨvdɨ. mˈuj ˈɔjtɕɛdʑ zapwˈatɕi za ɲʲˈɛɡɔː ˈɔkup.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_78.wav|s fˌinansɔvˈɛɡɔ pˈuŋktu vidʑˈɛɲʲa, ˈɔfʃɛm, strˈatɕiwbˌɨ puwtˈɔrɛj bˈaɲki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_179.wav|jˈɛʃtʃɛ ɲʲɛ?|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_297.wav|ɲʲɛ kwaɲʲˈajɔ̃ ɕɛ lˈudʑɔm.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_101.wav|ˌalɛ tˌɨlkɔ malˈɛɲki.|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_129.wav|pˌɔzɔstˈali tɛxɲˈitsɨ zatʃˈɛli vrˈatsadʑ dɔ sfˈɔiɣ zˈajɛɲtɕ, vˈidʑɔnts, ʒˈɛ pʃˌɛtstavʲˈɛɲʲɛ skɔɲtʃˈɔnɛ.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_85.wav|jˈɛɕli ˈuda ɕɛ ɔtsˈunɔɲtɕ tsɛrsˈɛi...|1
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+Dataset/wavs/urwisko_ferenc/49_segment_101.wav|ˌalɛ ɲʲɛ pɔznˈawa zˌakɔɲtʃˈɛɲʲa tɛj pˌɔɡavˈɛntki.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_42.wav|sˈɛr dˈavɛn splˈunɔw. tɔ dla ɲʲˈɛɡɔː i dla jˈɛɡɔ dʑˈɛlnɨx kɔmpˈanuf.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_379.wav|jˈɛdnɛ vˌɨxɔdʑˈiwɨ na ulˈitsɛ, a drˈuɡʲɛ na kˈanaw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_75.wav|ʒˈɛbɨ nˈaɲʲɔ̃ vˈɛjɕtɕ, mˈuɕi ɕɛ pʃˌɛɡramˈɔlitɕ pʃˈɛs pʃˌɛvrutsˈɔnɔ̃ sˈɔsnɛ vɨdmˈɔvɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_207.wav|xˌɛrmɛtˈɨtʃnɛ zamkɲʲˈɛɲtɕa sɔ̃ dˈɔsɨtɕ pɔfʃˈɛxnɛ w bɔɡˈatɨɣ dˈɔmax.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_100.wav|tʃɨ s pˈɔla stˌartɔvˈɛɡɔ? tʃˈɨ. ˌalɛ ɲʲɛ vˈidʑaw ɲitʃˈɛɡɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_45.wav|tɔ prˈavda, ˌalɛ tʃˈɛka nˈas kɔntrˈɔla ˈɔfstɛt.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_393.wav|tˈak ɲʲˌɛdalˈɛkɔ jɛst mˈuj dˈɔm.|0
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+Dataset/wavs/urwisko_ferenc/63_segment_58.wav|swˈuxam?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_136.wav|ˈujɔw mˈɔjɛ dwˈɔɲʲɛ f sfˈɔjɛ.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_91.wav|lɛʒˈawa pʃɛt nˈami vɨzbˈɨta ˌɛrɔtˈɨzmu.|0
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+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_276.wav|mɨɕlˈawɛm, ʒˈɛ ɲˈikt tˈu ɲʲɛ mˈuvi.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_63.wav|ɔznˈajmiw jˈɛdɛn z ɲˈix.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_61.wav|zakwˈadam, ʒˈɛ pˈan vʲˈɛ, ˈiʃ kˈaʒda fˈɔrma nɛŋkˈaɲʲa uʒˈɨta dɔː ˌɔdʑɨskˈaɲʲa dwˈuɡu stanˈɔvi zwamˈaɲʲɛ prˈava.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_53.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_44.wav|ɲʲˈɛxtɕaw ˈɔtɨm mˈuvitɕ pʃɨ fʃˈɨstkix, bˈɔ jˈɛɡɔ zdˈaɲʲɛm i tˈak trˈudnɔ jɛzd bˈɨtɕ jɛdˈɨnɨm fatsˈɛtɛm w dʑˈalɛ spʃɛdˈaʒɨ i mˌarkɛtʲˈiŋɡu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_91.wav|kʲˈɛdɨ stˈɔi s kɔʃˈɨkʲɛm f kɔlˈɛjtsɛ dɔ kˈasɨ, znˈuf mˈɨɕli ˈɔtɨm, ʒˈɛbɨ ʒˈutɕitɕ tˈɛ rɔbˈɔtɛ, zvɨtʃˈajɲʲɛ zɲˈiknɔɲtɕ.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_449.wav|xtsˈɛ tˌɨlkɔ tɕi pˈɔmuts.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_316.wav|prˈaɡnɔw mɲʲɛ za ʒˈɔnɛ.|1
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+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_113.wav|zˈafʃɛ bˈɨw tɕˈɛpwɨ.|1
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+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_87.wav|ɲʲɛ xtɕˈawabˌɨm bˈɨtɕ na tfˈɔim mʲˈɛjstsu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_45.wav|ɔtfʲˈɛram dʒvˈi dɔ kˈɔɲtsa i vˈɔwam jˈɛʃtʃɛ rˈas ftɕˈɔ̃ʃ ɲˈits.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_233.wav|a ta tfˈɔja kɔbjˈɛta, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_31.wav|ˈalbɔ tɔː ˈɔn, ˈalbɔ jɛst jˈɛʃtʃɛ jˈɛdɛn.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_9.wav|mˈawɔ prˌavdɔpɔdˈɔbnɛ, ʒˈɛbɨ ʒˈutɕiw tsˈɔɕ w rɔdʑˈaju trˈɔxɛ ɕɛ jɛj dɔstˈawɔ tɔ fʃˈɨstkɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_135.wav|kʲˈɛdɨ drˈɔɡa jɛzd vˈɔlna, rˈuʃa dˈalɛj, vˌɨpatrˈujɔnts ˌɛvɛntuˈalnɨx krɨjˈuvɛk na vɨpˈadɛk, ɡdˈɨbɨ fˌurɡɔnˈɛtka zˌavrutɕˈiwa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_32.wav|tsˈɔ dʑˈiɕaj na ɕɲʲadˈaɲʲɛ, paɲʲˈɛŋkɔ mˈili?|4
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_62.wav|sˈama ɲʲˈɛvʲɛm, tʃɨ kʲˌɛdɨkˈɔlvʲɛk tˌaki nadˈɛjdʑɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_90.wav|ɲʲɛ mˈɨɕliʃ, ʒˈɛ tɛn tʃwˈɔvʲɛk mˈukw kˈɔxadʑ bˈɔks, tˈak sˈamɔ jˈak tɨ kˈɔxaʃ latˈaɲʲɛ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_41.wav|ˌɔstatˈɛtʃɲʲɛ uznˈawam, ʒˈɛ najlˈɛpʲɛj bˈɛɲdʑɛ, jˈɛɕli pˈɔvʲɛm mu, tsˈɔ vidʑˈawam, ˌalɛ ɔt rˈazu zaznˈatʃɛ, ʒˈɛ ɲʲɛ vʲˈɛʒɛ, ʒˈɛ tɔ naprˈavdɛ ˈɔn.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_326.wav|pˈanu zapˈɛvnɛ pʃˌɨpɔmˈina ɕɛ f tɛj xfˈili dˌɔstɔjˈɛfski.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_298.wav|ɔn tɔ lˈubʲi.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_436.wav|lˈɔrda dʒˈɔna ɔdrˈɔmbaw pɔ bʲˈitfʲɛ dʑvˈɔnuf.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_278.wav|tʃɨ nˈadal ɕɲʲˈɛ?|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_217.wav|tɔ zatrˈuta zdˈɔbɨtʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_133.wav|kʲˈɛdɨ mˈama vˈɨʃwa s salˈɔnu, bˌɨwa tsˈawkʲɛm blˈada. pˌɔpatʃˈɨwa nˈamɲʲɛ nɛrvˈɔvɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_40.wav|ˌuvaʒˈawam, ʒˈɛ tɔ jɛdˈɨnɨ spˈɔsup nˈatɔ, bˈɨ ɔxrˈɔɲitɕ rɔdʑˈinɛ i utʃˈɨmatɕ jˈɔ̃ f tsawˈɔɕtɕi.|3
+Dataset/wavs/urwisko_ferenc/34_segment_68.wav|vʲˈɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_9.wav|vˈitaj, kˈatɛ. mˈɔɡɛ vˈɛjɕtɕ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_128.wav|ɔstˈatɲʲɔ̃ litˈɛrɔ̃ bˌɨwɔː a, vʲˈɛnts xˈɨba kɔbjˈɛta bjˈɛʒɛ mɲʲɛ f sfˈɔjɛ rˈɛntsɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_83.wav|tsɔfnˈɛwam rˈɛŋkɛ. rɔˈussɛl ˌɔtfɔʒˈɨwa dʒvˈi i vˈɨʃwa.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_10.wav|mˈɔɡɛ zapˈɨtatɕ, jˈak ɕɛ zˌɔrjɛntɔvˈawaɕ, ʒˈɛ tɔ jˈa?|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_54.wav|ɲʲɛ, a tʃˌɛmu pˈɨtaʃ? tsˈɔɕ ɲʲɛ ɡrˈa?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_43.wav|tɨm bˈardʑɛj ɲʲɛ krˈɨwam zˌaskɔtʃˈɛɲʲa, kʲˈɛdɨ pɔ dʑɛɕˈɛɲtɕu minˈutaɣ zˌamɛldˈɔvaw ɕɛ pʃɨ mˈɔim stɔlˈiku.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_237.wav|ˈɔ, tʃˈɨʒbɨ? ɔmjˈɔtwam vzrˈɔkʲɛm vnˈɛntʃɛ bˈaru.|4
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+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_85.wav|f pɔwˈɔvʲɛ drˈɔɡʲi dɔ skˈarpɨ zwˈɔtɕiw ɕɛ kʃˈak.|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_116.wav|i tˈɛras tɔ ja jˌɛstɛm pɔddˈanɨ prˈubjɛ.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_198.wav|vɨsˈɔkʲɛ, vɔskˈɔvɛ ɕfʲˈɛtsɛ vˌɨpɛwɲʲˈawɨ pˌɔmjɛʃtʃˈɛɲʲɛ jˈasnɨm blˈaskʲɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_144.wav|— ɲʲɛ pʃˈɛjmuj ɕɛ, pˈan — pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_92.wav|dˈavnɔ tˌɛmu ɕɛ pʃˌɛkɔnˈawɛm, ʒˈɛ ɲʲɛ mˈɔʒna tɕˈɛ lˌɛktsɛvˈaʒɨtɕ, villjˈamjɛ.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_267.wav|tɔ bˌɨwa pʃɛsˈada.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_6.wav|sˈara jɛst xˈɨba nˌajpɛvɲʲˈɛjʃɨm ʑrˈudwɛm prˈavdɨ.|3
+Dataset/wavs/urwisko_ferenc/64_segment_88.wav|prˌɔkurˈatɔr ʃˈarpnɔw klˈamkɛ, lˈɛtʃ ɲʲɛ ˈuɕad, tˌɨlkɔ naxˈɨliw ɕɛ dɔ vnˈɛntʃa.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_67.wav|pʃˌɨzvɔˈitɨ tʃwˈɔvʲɛɡ z ɲʲˈɛɡɔ, stfʲɛrdʑˈiwa ŋɡˈuɡʲi. utʃtɕˈivɨ i prˌatsɔvˈitɨ bʲiznˈɛsmɛn, jˈak rˈuvɲʲɛʃ najlˈɛpʃɨ spˈavatʃ w mʲˈɛɕtɕɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_106.wav|bˈɔp xfˈɨtɕiw jˈɛdɛn s tɔrɲˈistruf.|4
+Dataset/wavs/urwisko_ferenc/63_segment_55.wav|— ktˈɔ tɔ jˈɛst? — zˌapɨtˈawa xˈɛrman. — pˈaɲi ʒartˈujɛ, tˈak?|0
+Dataset/wavs/urwisko_ferenc/07_segment_41.wav|mˈuvjɛ tɕi ɲˈits.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_38.wav|tɔ vɨtrˈɔntsa ɡˈɔ zˈɛ stupˈɔru i f kˈɔɲtsu dˈajɛ tʃˈɨ dwˈuɡʲɛ krˈɔki w mˈɔjɔ̃ strˈɔnɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_265.wav|ʑlˈɛ pamjˈɛntaʃ, ˈɛstɛr pɔvʲˈɛdʑaw. tˈak.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_10.wav|ɲˈiɡdɨ ɲʲɛ bˌɨwam nat mˈɔʒɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_36.wav|ɲʲɛktˌuʒɨ z vˈas mˈɔɡɔ̃ jˈuʃ ˈɔtɨm vʲˈɛdʑɛtɕ, ˌalɛ vˌɛrbɔvˈaɲʲɛ lˈudʑi na ˌuɲivˌɛrsɨtˈɛtaɣ dɔ rˈuʒnɨx psˈɛwdɔrˌɛliɡʲˈijnɨɣ ɡrˈup tɔ dˈɔɕtɕ pɔfʃˈɛxna prˈaktɨkˌa.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_216.wav|ˈɔɡar zˈabʲiw tʃˈɛx lˈudʑi sfˈɛɡɔ brˈata f stˈarɛj ɡɔspˈɔdʑɛ na skʃˌɨʒɔvˈaɲʲu drˈuk. tˈutaj.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_245.wav|fpˌatrujˈɔntsa ɕɛ f krulˈɔvɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_114.wav|pʃɨnˈajmɲʲɛj pˈɔtɨm, jˈaɡ zabʲˈiwɛm bˈɔba rɛˈɨnsa.|2
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+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_256.wav|ɲʲɛ zabʲˈijɛ jɛj, jˈɛɕli jˈɛʃtʃɛ ʒˈɨjɛ.|2
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+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_249.wav|ɲʲɛ s kˈuxɲʲɔ̃, bˈɔ tɛ sɔ̃ ˌapsurdˈalɲʲɛ drˈɔɡʲɛ. kˈaʒda kˈuxɲʲa mˈuɕi mʲˈɛtɕ ɔsˈɔbnɛ, ˌɔɡɲʲɔɔtpˈɔrnɛ pˌɔmjɛʃtʃˈɛɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_209.wav|a nˈɛza tʃˈɛba utɕˈɛkatɕ tɨm dˈuktɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_50.wav|zapˈɔmɲij pˈan ˈɔtɨm. pˈan bˌɛɲdʑɛ zdˌumjɛvajˈɔntsɨ tʃwˈɔvʲɛkpˈajɔŋk. tsˈɔ pˈan nˈatɔ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_11.wav|dɔ ɲʲɛdˈavna mʲɛʃkˈali w amˈɛrɨtsˌɛ pˌɔwudɲʲˈɔvɛj, ˌalɛ ˈɛmma xtɕˈawa vrˈutɕitɕ, ʒˈɛbɨ urˈɔdʑidʑ dʑˈɛtskɔ. vidʑˈawɛm ɡˈɔ tˌɨlkɔ kˈilka rˈazɨ, ɔt kʲˈɛdɨ ɕɛ dˌɔvʲɛdʑˈawɛm, ʒˈɛ ʒˈɨjɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_292.wav|bˌɨwam kˈilka lˈat w amˈɛrɨtsˌɛ, ˈu ˈɔjtsa.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_159.wav|pˌɔvʲɛɕˈiwɨ jˈɔ̃ lvˈɨ.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_342.wav|ɲʲɛ pamjˈɛntam, jˈak ɕɛ nˌazɨvˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_59.wav|ɲʲˈɛmʲawbˌɨm ɕˈiwɨ pʃɛɡˈɔɲidʑ zwɔdʑˈɛja.|2
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+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_154.wav|tɔ fʃˈɨstkɔ bˈardʑɔ pʲˈɛŋkɲʲɛ.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_97.wav|pɔɲʲˈɛvaʃ mˈɔʒɛ tɔ bˈɨdʑ dla mɲʲɛ kɔlˈɛjnɛ ʑrˈudwɔː ˌinfɔrmˈatsji, ˌalɛ ɲʲɛ mˈuʃɛ tˌɛɡɔ rˈɔbʲitɕ.|3
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+Dataset/wavs/urwisko_ferenc/64_segment_108.wav|ɕˈilɲik kɔpˈarki pʃˈɛstaw tɛrkˈɔtatɕ i mɛ̃ʃtʃˈɨʑɲi zɡrˌɔmadʑˈɛɲi vˈɔkuw vɨkˈɔpu zɲʲˌɛruxɔmjˈɛli.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_342.wav|z jˈɛɡɔ vˈarɡʲi w mʲˈɛjstsu, ɡdʑˈɛ ˌudɛʒˈɨwa ɡˈɔ lˈutɲʲa, skˌapɨvˈawa krˈɛf.|1
+Dataset/wavs/urwisko_ferenc/03_segment_125.wav|rˈamʃtajn|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_6.wav|w ɕrˈɔtku jɛst pˈɔrtfɛl s kartˈami krˌɛdɨtɔvˈɨmi i prˈavɛm jˈazdɨ na ɲʲˌɛjakʲˈɛɡɔ daltˈɔna tsˈurtʲis smˈitxa, zˌamjɛʃkawˈɛɡɔ f stˈɔwuf f stˈaɲʲɛ vˈɛrmɔnt.|2
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_6.wav|f tʃˈɛtɕim zastˈaliɕmˌɨ dʑɛtɕˈaka, ktˌurɨ ˌaɲi ɲʲˈɛmʲaw brˈɔɲi, ˌaɲi ɲʲˈɛbɨw ˌɔbvʲɛʃˈɔnɨ wˌaduŋkˈami vˌɨbuxɔvˈɨmi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_89.wav|vˈɛɕ pɔprˈafkɛ nˈatɔ, ʒˈɛ tfˈɔja mˈama lˈɛdvɔ zˌalitʃˈɨwa zajˈɛɲtɕa z ɡˌɔspɔdˈarstfa dˌɔmɔvˈɛɡɔ f ʃkˈɔlɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_43.wav|vʲˈɛ, dlatʃˈɛɡɔ jˌɛstɛm tˌɛmu pʃɛtɕˈivna.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_4.wav|bˈɨw tɔ dˈɔʑdʑ dʑˈivnɨ vˈidɔk, ˌalɛ tˈɔm ɲʲˈɛmʲaw sˈɛrtsa, ʒˈɛbɨ prˈɔɕidʑ ɡˈɔː ɔː ˌɔtsuɲʲˈɛɲtɕɛ ɕɛ dɔ tˈɨwu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_92.wav|pˈatʃɔnts nˈaɲih pwaskˈimi ɔtʃˈɨma.|0
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+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_161.wav|tɔ kʲˈɛpskɔː ˌɔpwatsˈanɨ zˈavut.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_79.wav|tɔ tˌɨrjɔnˈɔvi zˌaufˈawa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_118.wav|mˈɔʒɛ pˌɔvinɲˈiɕmɨ ix trˈɔxɛ ɔɕfʲˈɛtɕitɕ?|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_265.wav|ɲʲɛ, ɲʲˈɛma pɔtʃˈɛbɨ zvrˈatsatɕ ɕɛ dɔ tˈɛɡɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_287.wav|ɲʲɛ umjˈawabˌɨm jˈuʃ pɔ rˈaz drˈuɡʲi.|0
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+Dataset/wavs/urwisko_ferenc/23_segment_95.wav|ɲʲˈɛx pˈan pˈɔvʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_22.wav|tɔ tˈata zˈafʃɛ zajmˈɔvaw ɕɛ tsˌɔtɨɡˌɔdɲʲɔvˈɨmi zˌakupˈami. bˈɨw jɛdˈɨnɔ̃ ɔsˈɔbɔ̃, ktˌurɛj pˌɔzvalˈanɔ na vˈɨjɕtɕɛ z lˌakɛsˈidɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_256.wav|pʃˈɨjmij pʲɛɲʲˈɔndʑɛ i pˈɔftuʃ mi fʃˈɨstkɔ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_193.wav|zapˈɨtaw ɕadˈajɔnts.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_88.wav|ɲʲɛ pʃˌɛjmɔvˈawabˌɨm ɕɛ tɨm ʃtʃɛɡˈulɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_7.wav|dɔmˈiɲiɡ zˈɔstaw ˌarɛʃtɔvˈanɨ i ˌɔskarʒˈɔnɨ ɔ dvˈa mɔrdˈɛrstfa ˌɔras kˈilka ˈinnɨx, drɔbɲʲˈɛjʃɨx pʃˈɛstɛmpstf.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_477.wav|vɛstxnˈɛwa rˈaptɛm.|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_29.wav|tʃɨ t�� mˈuɡw bˈɨdʑ bwˈɔnt?|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_96.wav|tɕˈawɔ skurtʃˈɔnɛ f pɔzˈɨtsji ˌɛmbrjɔnˈalnɛj, jˈaɡbɨ f prˈubjɛ ɔbrˈɔnɨ lɛʒˈɔntsɛ f kawˈuʒɨ pɔfstˈawɛj pɔ ftʃɛɕɲʲˈɛjʃɨx ɔpˈadax.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_235.wav|xfˈilɛ lɛʒˈawɛm bˈɛs rˈuxu, a pˈɔtɛm...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_10.wav|bˈɛtskɨ pˌɔpatʃˈɨwa na kˌɔlɛʒˈaŋkɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_36.wav|dɔpˈuki ɲʲɛ stfʲɛrdʑˈimɨ, ʒˈɛ jɛst inˈatʃɛj, trˌaktujˈɛmɨ ɡˈɔ jˈak pˌɔdɛjʒanˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_146.wav|zˈatɔ bˈaɲka ɔldrˈina tɔ pravdʑˈivɨ ɔɕrˈɔdɛk ftʃasˈɔvɨ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_185.wav|xˈɔdʑ zˈɛmnɔ̃ jˈutrɔ dɔ sˈɛptu bˌaɛlˈɔra.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_44.wav|jˈasnɛ, ɲˈitsk.|2
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_60.wav|kɛlvˈiɲʲɛ, pʃˌɨjatɕˈɛlu, pʃɛt nˈami ɕfʲɛtlˈana pʃˈɨʃwɔɕtɕ.|4
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+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_131.wav|a pˈan pˈatʃɨ nˈatɔ z ɡˈurɨ i ɲʲɛ mˈɔʒɛ uvʲˈɛʒɨtɕ, ʒˈɛ tˈutaj dʑˈɛjɛ ɕɛ tˈɨlɛ zwˈa.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_21.wav|z vɨɕˈiwkʲɛm, tɕˈɛ̃ʃkɔ dˈɨʃɔnts, zanˈɔɕi valˈiski pɔd dʒvˈi, ktˌurɛ nastˈɛmpɲʲɛ ɔtfʲˈɛra sfˈɔim nˈɔvɨm klˈutʃɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_61.wav|tˈɛras ɲʲɛ jˌɛstɛm jˈuʃ tˌɛɡɔ tˈaka pˈɛvna.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_76.wav|tɛn vˈarjat pʃˈɨɲʲuz zvijˈanɨ ˈɛkran i ʒˈutɲik, pɔdwˈɔntʃɨw dɔ ɲʲˈɛɡɔ sfˈɔjɛ ɡʲˈizmɔː i jˈak tɔ zvˈɨklɛ bˈɨva s takˈimi ˌuʒɔndʑɛɲʲˈami, tsˈɔɕ ɲʲɛ xtɕˈawɔ dʑˈawatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_48.wav|paskˈudna mˈawa waɕˈitsa.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_93.wav|tɔ prˈavda.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_43.wav|zˌasadɲˈitʃɔ jˈɛdnak sˈɛktɨ mˌajɔ̃ tʃˈɨ tsˈɛxɨ.|3
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+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_216.wav|ɡdˈɨ tˌɨlkɔ sɔ̃ z ɲʲˈɔ̃ mɛ̃ʃtʃˈɨʑɲi, tˌɔvaʒˈɨʃɨ jɛj sˈɛpta ˈalbɔ kuzˈɨŋki.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_123.wav|kʲɛʃˈɛɲʲɛ tɛ ˌuɡʲinˈajɔ̃ ɕɛ pɔt tɕɛ̃ʒˈarɛm tˈɛɡɔ, tsˈɔ w ɲˈix jˈɛst.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_29.wav|ɲʲɛ pʃˌɛmavʲˈawɔ tɔ dɔ mɲʲɛ zbˈɨtɲʲɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_18.wav|ˌɔpuɕtɕˈiwɛm sfˈɔjɔ̃ strˈɛfɛ kɔmfˈɔrtu.|3
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+Dataset/wavs/urwisko_ferenc/33_segment_33.wav|kʲˈɛdɨ dʒvˈi s pɔvrˈɔtɛm ɕɛ ˌɔtfɔʒˈɨwɨ, kɔbjˈɛta mʲˈawa na sˈɔbjɛ ʃlˈafrɔk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_76.wav|vrˈatsa mɨɕlˈami dɔ falˈuʒɨ i dʑˌɛtɕɛntsˈɛɡɔ butɕˈika.|2
+Dataset/wavs/urwisko_ferenc/61_segment_42.wav|mˈarja xˈɛrman ˌɔdɛtxnˈɛwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_7.wav|kʲˈɛdɨ pʃɛstˈajɛ sˈɨpatɕ, vɨxˈɔdʑi z bˈakʲɛm na zˈɛvnɔntʃ i rˈazɛm rˈɔbjɔ̃ ˈɔrwɨ w ɕɲʲˈɛɡu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_117.wav|tsˈɔ lˈudʑɛ pɔtrˈafjɔ̃ vɨmˈɨɕlitɕ? jˈakʲɛ mˌajɔ̃ fˌanabˈɛrjɛ? a tsˈɔ za zbɔtʃˈɛɲʲa ˌupravʲˈajɔ̃?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_76.wav|fxˈɔdʑɔndʑ dɔ pˌɔmjɛʃtʃˈɛɲʲa muɕˈawam ˌaktɨvˈɔvatɕ jˈakiɕ tʃˈujɲik.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_213.wav|ˈalbɔ ʃtˈutʃnɨm fˈutrɛm tɨɡrˈɨsa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_99.wav|pʃɛprˈaʃam, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_355.wav|w dˈɔmu krˈula krulˈɛfskʲɛ swˈɔvɔ jɛst prˈavɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_399.wav|ˌalɛ ˌɔna jɛst rɛˈalna.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_192.wav|tʃɨ stɛrˈɔvɲʲa jɛst ɔddʑˈɛlnɔ̃ kabʲˈinɔ̃ tɕˌiɕɲʲɛɲʲˈɔvɔ̃? zapˈɨtaw ˈɔjtɕɛts.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_207.wav|ɡarˈɛɔn zapwˈatɕiw pɔdvˈujɲʲɛ za pˈɔkuj s kɔmˈiŋkʲɛm, ˌalɛ ɲˈiɡd z ɲˈix ɲʲɛ vʲˈɛdʑaw, ʒˈɛ drˈɛvnɔ bˌɛɲdʑɛ tˈu tˈakʲɛ drˈɔɡʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_64.wav|ɡdˈɨbɨ ɲʲɛ mʲˈawa pɛvnˈɔɕtɕi, ʒˈɛ tˈak ɲʲɛ jˈɛst, mˈɔɡwabˌɨ pʃˈɨɕɔnts, ʒˈɛ fpatrˈujɛ ɕɛ prˈɔstɔ w ɲʲˈɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_163.wav|vˈɨtɕɛk tˌɔksɨtʃnˈɛɡɔ ɡˈazu nadˈavaw ɕɛ dɔ tˌɛɡɔ tsˈɛlu dˈuʒɔ lˈɛpʲɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_90.wav|ɕɛŋɡnˈɛwa pɔ kˈulɛ, ktˌurɛ lɛʒˈawɨ ˌɔbɔk ɲʲˈɛj na pɔdwˈɔdʑɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_105.wav|jˈɛdnɔ mˈɔʒɛ ɕɛ vɨdˈavatɕ spʃˈɛtʃnɛ z drˈuɡʲim, ˌalɛ ɲʲɛ jˈɛst.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_95.wav|a vwˈɔsɨ ɡwˈɔvɨ jˈɛɡɔ jˈaɡ vˈɛwna tʃˈɨsta. tsˈɔ tɔ jˈɛst?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_31.wav|pʃˌɨkulˈɛɲi fˌuŋktsjɔnarjˈuʃɛ pˌɔdɔ̃ʒˈɨli za ɲˈimi. sˈandɨ tˈɛʒ vˈɛʃwa dɔ ɕrˈɔtka i ˌɔdvrutɕˈiwa ɕɛ, ʒˈɛbɨ zˈamknɔɲtɕ tɕˈixɔ dʒvˈi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_43.wav|tɨ tˈɛʃ tʃˈɛkaʃ na badˈaɲʲa psˌɨhiatrˈɨtʃnɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_33.wav|ɔtfʲˈɛram na xˈɨbʲiw, trˈafiw kˈilka ʃˈuflat, rɔbˈɔtʃɛj kɔmˈɔdɨ, ˌalɛ ɲitʃˈɛɡɔ ɲʲɛ znajdˈujɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_88.wav|bˌɨliɕmˌɨ rˈazɛm ɔt pʲˈɛrʃɛj dɔ tʃˈɛtɕɛj klˈasɨ. zˈaras.|0
+Dataset/wavs/urwisko_ferenc/35_segment_34.wav|f tɨm dˈɔmku?|0
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+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_139.wav|pɔbjˈɛɡwam s pɔvrˈɔtɛm dɔ kɔnsˈɔli stˌɛrɔvˈaɲʲa i spɔjʒˈawam na mˌɔɲitˈɔrɨ.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_230.wav|na pˈɛvnɔ jɛstˌɛɕtɕɛ spraɡɲʲˈɛɲi, kˌɔntɨnuˈɔvaw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_17.wav|ˈaʃ i tˈɛssa?|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_203.wav|wamˈimɨ fʃˈɨstkʲɛ mɔʒlˈivɛ zasˈadɨ|4
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+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_182.wav|pʲˈɛɲtɕ mˈinut pˈuʑɲʲɛj jˈuʃ xrˈapʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_220.wav|ʒˈɛ zˌaʒɔndʑˈawa spˈuwkɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_244.wav|z bjˈawɔ̃ pʲˈɛrɕɔ̃ xɨlˈɔntsɔ̃ ɕɛ kˈu ʑˈɛmi, a tɔ̃ zwˈɔ̃ xfˈilɔ̃ pˌɔjavʲˈɛɲʲa ɕɛ pɔlˈitsji.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_60.wav|xˈɨba, ʒˈɛ sprubˈujɛ tɔ naprˈavitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_213.wav|tʃɨ mˈuɡwbɨɕ jˈɔ̃ pɔfstʃˈɨmatɕ?|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_6.wav|ˌalɛ mˈɨɕl ˈɔtɨm, tsˈɔ mɲʲɛ tʃˈɛka i tʃɨ w ɔɡˈulɛ zɡˈɔdʑi ɕɛ mi pˈɔmuts, napˈɛwɲʲa mɲʲɛ strˈaxɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_111.wav|dˈɔbʒɛ. xtsˈɛ ɕɛ ˈupitɕ.|0
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+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_10.wav|bˌɛɲdʑɛ jˈɛʃtʃɛ vʲˈɛntsɛj.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_41.wav|ɲʲɛ zadˈajɛ jˈɛdnaɡ ʒadnˈɛɡɔ pɨtˈaɲʲa.|3
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_36.wav|krˈɛntsɛ ɡwˈɔvɔ̃, a ɔn rˈɔbʲi kɔlˈɛjnɨ krˈɔk w mˈɔjɔ̃ strˈɔnɛ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_151.wav|ɲʲˌɛnavˈidʑɛ mˈuwuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_31.wav|znˈɔvu ʃˈɛdwɛm pʃˈɛs mʲˈastɔ. mwˌɔdɔtɕˈanɨ fˌuŋktsjɔnˈarjuʒ dɨskrˈɛtɲʲɛ pɔdˈɔ̃ʒaw za mnˈɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_91.wav|zˌastɔmpˈiwa mi drˈɔɡa w mɔmˈɛɲtɕɛ nˈajmɲʲɛj spˌɔdʑɛvˈanɨm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_317.wav|kˈɔɡɔɕ rˈaptɛm uʒˈɛkwɛm, kˈɔɡɔɕ uvʲˈɔdwɛm, kˈɔɡɔʑ zˌɛpatɔvˈawɛm rɔskˈɔʃɲʲɛ.|0
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+Dataset/wavs/urwisko_ferenc/06_segment_15.wav|pɔlˈitsjand zˌauvˈaʒɨw, ʒˈɛ lˌɛvandˈɔfska w zasˈadʑɛ ɲʲɛ pˌublikɔvˈawa vwˈasnɨx trˈɛɕtɕi, a jɛdˈɨɲʲɛ pʃˌɛkazɨvˈawa dˈalɛj ˌinfɔrmˈatsjɛ z ˈinnɨɣ ʑrˈudɛw.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_278.wav|i na pˈɛvnɔ na fʃˈɨstkix sɔ̃ pxwˈɨ.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_25.wav|jɛzd vˌɨstartʃajˈɔntsɔ dˈuʒɛ dla tʃtˈɛrɛx ˈɔsup.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_25.wav|zˌaɔfˌɛrɔvˈawa ɕˈɛbjɛ nˌailˈɔvi i fpˈadwa w ɔpsˈɛsjɛ na jˈɛɡɔ pˈuŋktɕɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_39.wav|vʲɛtʃˈɔrɛm, kʲˈɛdɨ bʲˈillɨ vˌɨsɨpˈujɛ trˈavɲik navˈɔzɛm, jˈamal atskˈɛrman pʃɨxˈɔdʑi z dvˈɔma s ʃˈɛɕtɕu pˈif, ktˌurɛ ɔt ɲʲˈɛɡɔ dˈɔstaw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_49.wav|ʒˈɛ ɲˈiɡdɨ ɲʲɛ pɔzvˈɔli jɛj ˈɔdɛjɕtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_78.wav|f sfˈɔim pɔkˈɔju pɔ drˈuɡʲɛj strˈɔɲʲɛ ɕtɕˈanɨ pˈiʃɛ ˌɛsˌɛmˈɛsa dɔ butskʲˈɛɡɔ xansˈɔna.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_144.wav|tʃˈɨʒbɨ ktˈɔʑ zˈabraw jˈakʲɛɕ tˌajɛmɲˈitʃɛ ˌuʒɔndʑˈɛɲʲɛ i zɔstˈaviw tˌɨlkɔ kˈabɛl zˌaɕilajˈɔntsɨ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_54.wav|dlatʃˈɛɡɔ stanˈɛliɕmˌɨ?|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_412.wav|f ʃˈɔpʲɛ, f ktˌurɛj znajdˈɔvaw ɕɛ kɔwˈɔvrut,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_35.wav|— dʑˈɛŋki bˈɔɡu, ʒˈɛ tɔ zrɔbʲˈiwaɕ. lˈudʑɛ mˈɔɡlibˌɨ fpwˈatsatɕ tsawˈɨmi dɲʲˈami, zˈaɲim bˈɨm tɔ znalˈazwa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_49.wav|vˈidʑi jˈuʃ sfˈuj tɕˈɛɲ ɲʲɛ pʃɛt sˈɔbɔ̃, a z bˈɔku.|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_42.wav|tʃˈɛʑdʑ baʃˈara!|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_19.wav|tˈɔm fskˈazaw sxˈɔtki pɔ pʃɛtɕˈivnɛj strˈɔɲʲɛ ʃlˈaku.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_235.wav|ɔn rˈuvɲʲɛʒ bˈɨw nˈaɡʲi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(36) R.Abbott_Zamknij Drzwi_segment_5.wav|jˈɛɡɔ ɡwˈɔz vɨdˈajɛ ɕɛ dudɲʲˈɔntsɨ, ɔdlˈɛɡwɨ, jˈaɡbɨ dʑɛlˈiwa nˈaz mɡwˈa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_61.wav|tʃɨ tɔ jˈakiɕ pɔtʃˈɔntɛk sˈɛrji zˈabujstf?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_101.wav|tsˈɔ ɕɛ stˈaɲʲɛ, jˈɛɕli ɲʲɛ zapwˈatsɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_59.wav|tʃɨ ʒˌɛtʃɨvˈiɕtɕɛ bˌɨwɔː ix tˈɨɕɔnts? tʃɨ tˌɨlkɔ tˈak tɔ vˌɨɡlɔndˈawɔ w ˈɔtʃaɣ dʑˈɛtska?|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_6.wav|dvˈur marɡˈɛrɨ jɛst pˈɛwɛn ʒˈɨtɕa, muvˈiwa lˈadɨ mˌɛrivˈɛtxɛr. mˌamɨ ʒɔŋɡlˈɛruf, kˌɔmɛdjˈantuf, pɔˈɛtuf, mˌarjɔnˈɛtki.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_7.wav|zapˈɨtaw vɨjmˈujɔnts xˈɛwm z mˈɔiɣ bɛzvwˈadnɨx rˈɔŋk.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_83.wav|vɨwˈɔntʃam tˌɛlɛvˈizɔr.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_26.wav|pˌɔpʃɛstˈajɛ na kˈupku tʃˈarnɛj kˈavɨ, ktˌurɔ̃ vɨpˈija na stɔjˈɔntsɔ f kˈuxɲi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_219.wav|xfɨtɕˈili sfˈɔjɛ ˌinstrumˈɛntɨ pɔt pˈaxɛ i rˈuvɲʲɛʃ pˈɛndʑɔ̃ tsˈɔ ɕˈiw w nˈɔɡax f tˈamtɔ̃ strˈɔnɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_627.wav|ɲˈits mɲʲɛ ɲʲɛ bɔlˈawɔ, tˈɨlkɔ...|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_335.wav|vzruʃˈɨwa rˌamjɔnˈami. tɔ s pɛvnˈɔɕtɕɔ̃ bˌɨwɔ krˌɛmpujˈɔntsɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_31.wav|ˌalɛ ɲʲɛ znˈalaz dɔvˈɔduf ɲʲˌɛlɛɡˈalnɨx supstˈantsji, bˈɔː ˈɔɡʲɛɲ strˈaviw tsˈawɛ ʑˈɔwɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_250.wav|pʃˌɛkrɛɲtɕˈiwam zˈavur i rˈɔzlɛkw ɕɛ sˈɨk, kʲˈɛdɨ pɔvʲˈɛtʃɛ s tunˈɛlu zatʃˈɛwɔ pʃˌɛdɔstˈavatɕ ɕɛ dɔ sxrˈɔnu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_111.wav|pʲˈɛrʃa jɛst tˈaka, ʒˈɛ tʃˈujnɔɕtɕ ɲˈika mˈɔʒɛ i ɔswˈabwa, ˌalɛ ɲʲɛ dɔ kˈɔɲtsa.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_201.wav|pʃˈɨznaw kˈapwan, pˌɔtʃɔ̃sˈajɔnts pɛwnˈɨmi ˌɔtɕɛkajˈɔntsɨɣ vˈɔdɔ̃ vˌɔdɔrˈɔstuv vwɔsˈami.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_202.wav|ɲʲɛ maʒ za tsˈɔ pʃɛprˈaʃatɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_141.wav|ɡˈɔ bˈatsk tɔ lˈiviŋk, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_7.wav|dʑvˈɔnɛk ɲʲɛ dʑˈawa? ʒˈutsam z ɲʲˌɛzadˌɔvɔlˈɛɲʲɛm, ˌɔtsuvˈajɔnts kʃˈɛswɔ. ˈaʒ dˈajɛ mi rˈɛŋkɔ̃ znˈak, ʒˈɛbɨm zɔstˈawa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_58.wav|zˌapɨtˈawam, starˈajɔnts ɕɛ zaxˈɔvatɕ ˌɔpanɔvˈanɨ ɡwˈɔs.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_161.wav|ˈɔtpar tˈata.|3
+Dataset/wavs/urwisko_ferenc/63_segment_161.wav|— mˈɔʒna zˈabʲidʑ vwˈasnɔ̃ tsˈurkɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_146.wav|mˈuvjɛ tɕˈixɔ. pˈɔmɨɕl ɔ xˈɔllɨ i... baˈilɛj, prˈɔʃɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_384.wav|tɛn ɲʲɛ pɔrˈuʃɨw ɕɛ nˈavɛt.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_83.wav|s tɨm ˌarɡumˈɛntɛm ɲʲɛ bˌɨwɔ tsˈɔ pˌɔlɛmizˈɔvatɕ. strˈakan vʲˈɛdʑaw, ʒˈɛ mˈɔɡɔ̃ tɔ sprˈavdʑitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_161.wav|tɨm rˈazɛm ˈuɕmʲɛx xˈɔffa jɛst mˌarɡʲinˈalɲʲɛ bˈardʑɛj tʃˌarujˈɔntsɨ, bˈɔ ɲʲɛ ˌɔblizˈujɛ ˈust.|2
+Dataset/wavs/urwisko_ferenc/24_segment_68.wav|— i tsˈɔ pˈan sˈɔɲdʑi? — spɨtˈawa, kʲˈɛdɨ umˈɔtʃɨw ˈusta f kˈavʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_236.wav|dlatʃˈɛɡɔ tɔ zrɔbʲˈiwaɕ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_38.wav|ktˌurɨ pɔpˈatʃɨw nˈanas pɔ kɔlˈɛi i ɕɛ uɕmʲˈɛxnɔw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_27.wav|mˈiwɔ pˈaɲʲɔ̃ pˈɔznatɕ, inspˈɛktɔr kˈit sˈims. bˌɛɲdʑɛ mˈɔim wɔntʃɲˈikʲɛm s pˈaɲʲɔ̃, jˈɛɕli ɲʲɛ stanˈɔvi tɔ prɔblˈɛmu.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_411.wav|z rɛɡˈuwɨ mˈuvjɛ, ʒˈɛ ɲˈiɡdɨ ɕɛ z ɲʲˈɔ̃ ɲʲɛ pʲˌɛrdɔlˈiwɛm, a ˌɔna tfʲˈɛrdʑi, ʒˈɛ bˌɨwɔː inˈatʃɛj i...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_50.wav|ˈɔx, ɲʲɛ vɨdˈajɛ mi ɕɛ. mˈam tˈu mnˈustfɔ rɔbˈɔtɨ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_154.wav|muvˈiwɛɕ, ʒˈɛ jˈɛɡɔː ˈumɨsw ɲʲɛ jɛst jˈuʒ zbˈɨt sprˈavnɨ. mˈa dˈɔbrɛ i zwˈɛ dɲˈi.|1
+Dataset/wavs/urwisko_ferenc/52_segment_101.wav|bɔrˈɛvitʃ ɕɛ skʃˈɨviw. pˌɔvɔntpʲˈɛvaw w rˌɛvɛlˈatsjɛ starʃˈɛɡɔ mɛ̃ʃtʃˈɨznɨ.|0
+Dataset/wavs/urwisko_ferenc/63_segment_16.wav|pˈaɲi kɔmˈisaʃ mˈarja xˈɛrman?|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_205.wav|maʃ na mˈɨɕli tˈɛ sɛnsˈatsjɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_223.wav|jˈasnɛ zɡˈɔdʑiw ɕɛ ɲˈitsk.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_115.wav|a tˈɔbjɛ jˈak ˈidʑɛ? pʃɛprˈaʃam, pʃˌɛtɕɛʒ vˈidʑɛ.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_181.wav|zˌastanˈavʲam ɕɛ, tʃɨ w ɔɡˈulɛ ɡˈɔ kʲˌɛdɨkˈɔlvʲɛɡ znˈawɛɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_159.wav|pˈɔza tɨm ŋɡˈuɡʲi mʲˈawa rˈatsjɛ.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_61.wav|tɕi tˈamtɔ pʃɨnˈajmɲʲɛj mɛ̃ʃtʃˈɨʑɲi vˈɔlɔ̃ zɡʲˈinɔɲtɕ ɲˈiʃ ɕɛ pˈɔddatɕ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_251.wav|pˈɔtɛm pɔjˈaviw ɕɛ drˈuɡʲi.|1
+Dataset/wavs/urwisko_ferenc/25_segment_43.wav|mˈarja stɛ̃ʒˈawa|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_19.wav|mˈɔim pʲˈɛrʃɨm zadˈaɲʲɛm ˌɔkazˈawa ɕɛ spʃˈɛdaʒ bʲilˈɛtuf na lɔtˈɛrjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_24.wav|tʃɨ pʃˈɛjdɔ̃ mi pˈɔtɨm mdwˈɔɕtɕi?|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_21.wav|tɔ bˌɨwɔ tˈak, jˈaɡbɨ ktˈɔɕ klˈɛpnɔw ɡˈɔ f plˈɛtsɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_39.wav|pˌɔmɨɕlˈawɛm, ʒˈɛ ktˈɔɕ mˈɔʒɛ zɔbˈatʃɨtɕ tˌɛɡɔ ʃalˈɛɲtsa z ˌɔtfartˈɨmi ustˈami, vˌɔwajɔntsˈɛɡɔː ɔ pˈɔmɔts, ˌalɛ lˈaw dˈɛʃtʃ i fʃˈɨstsɨ stwɔtʃˈɨli ɕɛ pɔt pˌarasɔlˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_18.wav|pʃɨnˈajmɲʲɛj tˈakɔ̃ mˈa nadʑˈɛjɛ.|2
+Dataset/wavs/urwisko_ferenc/63_segment_104.wav|vˌɨʃɛptˈawa pˌɔlitsjˈantka, a kɔbjˈɛta vˌɨprɔstɔvˈawa plˈɛtsɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_180.wav|rˌɔspwakˈawam ɕɛ jˈak ɲˈiɡdɨ f tɕˈɔŋɡu tɨx lˈat.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_195.wav|mˈiwɔɕtɕ, tʃɨ tɔ tsˈɔ nˌazɨvˈamɨ miwˈɔɕtɕɔ̃, a tsˈɔː ɔkrˈaʃa nˈaʃ ˌaɲimˈalnɨ pʃˈɨmus prˌɔkrɛatsˈɨjnɨ,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_54.wav|jɛst stˈarʃɨ, sxludɲʲˈɛjʃɨ, ˌalɛ ftɕˈɔ̃ʃ mˈa tɛ sˈamɛ zvˌisajˈɔntsɛ blˈɔnd vwˈɔsɨ i ɲʲɛbjˈɛskʲɛ ˈɔtʃɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_47.wav|zˌastanˈavʲam ɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_12.wav|pˈɛwnɔ tˈakiɣ w zaxˈɔdɲʲɛj dʑɛvʲˈɔnttsɛ. tuwˈajɔ̃ ɕɛ tɔ tˈu, tɔ tˈam. tʃˈasɛm wˈapjɔ̃ ɡdʑˈɛɕ fˈuxɛ, a pˈɔtɛm ruʃˈajɔ̃ w dˈalʃɔ̃ drˈɔɡɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_135.wav|mˈɔjɛ spˈavɨ pʃɛtrfˈawɨ ɛksplˈɔzjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_83.wav|ˈɔtpuʑdʑ vʲˈɛnts sˈɔbjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_210.wav|patʃˈɨwa nˈamɲʲɛ zdˌumjɔnˈɨmi ɔtʃˈami i ftsˈalɛ mi ɲʲɛ xtɕˈawa pˈɔmuts.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_155.wav|mˈɔim zdˈaɲʲɛm dˈavit ɔʃtʃˈɛɲdʑiw ˌɔkrɛŋɡˈɔvi kˈɔʃtuf prɔtsˈɛsu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_237.wav|sˈal ɔsˈuva ɕɛ na kɔlˈana, zvʲˈɛʃa ɡwˈɔvɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_116.wav|xˈɔtɕ ɲˈiɡdɨ ɲʲɛ vʲɛdʑˈawam, na kˈim tˈak naprˈavdɛ xtɕˈawa zrˈɔbʲidʑ vraʒˈɛɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_323.wav|ɡdˈɨbɨ lˈudʑɛ mˈɔɡli tˈak umjˈɛratɕ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_468.wav|ʒˈɛ tˈɛʃ, pˈaɲʲɛ, ɲʲɛ mˈɔʒna ˌɔdrɔbʲˈinɛ vˌɨpɔɕrɔtkˈɔvatɕ. pˈan tˈam kʲˈɛdɨɕ trˈɔxɛ knˈuw, mɨ tɔ vʲɛdʑˈɛliɕmˌɨ, nˈɔː i tsˈɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_105.wav|tɔ fʃˈɨstkɔ, na tsˈɔ mɲʲɛ stˈatɕ, mˈuvi, tfˈɔja kˈɔlɛj. vˈɛɕ jˈɛdɛn addˈɛral, pˈɔtɛm kˈɔwɔ tʃfˈartɛj, kʲˈɛdɨ ɔklˈapɲʲɛʒ dvˈa nastˈɛmpnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_34.wav|ɡdʑˈɛ mˈuj tɛlˈɛfɔn? mʲˈawam ɡˈɔ f kˈurttsɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_89.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_76.wav|ftʃˈɛɕɲʲɛj z nˈuduf ˌupɔʒˌɔntkɔvˈawam ˌalfabɛtˈɨtʃɲʲɛ tsˈawɔ̃ jɛj zavˈartɔɕtɕ. nˈajpʲɛrf pɔː aŋɡʲˈɛlsku, a pˈɔtɛm pɔː arˈapsku.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_221.wav|ɡdˈɨbɨm ˈɔtɨm zˌapɔmɲʲˈawa, vɨstˈartʃɨ, ʒˈɛ spˈɔjʒɛ na tˈɛ rˈɛŋkɛ i jˈuʃ pamjˈɛntam.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_90.wav|rɔskˈazaw ˈɔtrutɕ nɔvˈɛɡɔ vʲɛlkʲˈɛɡɔ sɛptˈɔna, ʒˈɛbɨ ɔʃtʃˈɛɲdʑitɕ krulˈɛstfu fstˈɨdu.|1
+Dataset/wavs/urwisko_ferenc/12_segment_42.wav|— mˈuviʃ sˈɛrjɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_46.wav|ja zˈafʃɛ praɡnˈɛwam tʃˈɛɡɔɕ takʲˈɛɡɔ w dʑɛtɕˈiɲstfʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_97.wav|tɔ zmʲˈɛɲʲa xarˈaktɛr naʃˈɛɡɔ ɕlˈɛtstfa i dlatˈɛɡɔ mˈuʃɛ pɔprˈɔɕitɕ, ˈabɨ ɲʲɛ zdradʑˈawa pˈaɲi prˈavdɨ dʑˌɛnɲikˈaʒɔm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_79.wav|dˈɔm mˈɨɕli zapˈɛvnɛ, ʒˈɛ mi ɔdbʲˈiwɔ, ˌalɛ kʲˈɛdɨ jˈuʒ vʲˈɛm, ʒˈɛ mˈuj sˈɨn jɛzd bɛspʲˈɛtʃnɨ, mˈuʃɛ uɲˈiknɔɲdʑ dˈalʃɨx pˈɨtaɲ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_404.wav|ftˈɛdɨ nadjˈɛxaw dʑˈivnɨ samˈɔxut.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_64.wav|xtsˈɛʃ pˈujʑdʑ zˈɛmnɔ̃?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_186.wav|pˈuʑɲʲɛj uɲʲˈɔswɛm ɕɛ pɔtpˈartɨ wɔktɕˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_74.wav|mˈam nadʑˈɛjɛ, ʒˈɛ kʲˈɛdɨʑ bˌɛɲdʑɛʒ budˈɔvaw rakʲˈɛtɨ, tˈakʲɛ pravdʑˈivɛ, ɲʲɛ mɔdˈɛlɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_3.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, jˈak pˌɔradʑˈiwam sˈɔbjɛ z dʑˈɛtɕmi pʃˈɛs tsˈawɨ dʑˈɛɲ, ˌaɲi jˈak sˈɔbjɛ pɔrˈadʑɛ f kɔlˈɛjnɨɣ dɲʲˈax.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_58.wav|tʃɛkˈajɔ̃ tˈaɡ blˈiskɔ pɔvʲˈɛʃxɲi, ʒˈɛ ɲʲɛ sprˈavja mi tɔ vʲɛŋkʃˈɛɡɔ prɔblˈɛmu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_27.wav|musˈimɨ rɔzvˈaʒɨtɕ fʃˈɨstkʲɛ mˌɔʒlivˈɔɕtɕi, jˈɔɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_153.wav|na kanˈapɛ patʃˈɨwɛm jˈuʃ prˈavʲɛ ˌɔbɔjˈɛntɲʲɛ. tsˈɔ jˈakiɕ tʃˈas ʃwˈa kˈu mɲʲɛ ta nˈaɡa mwˈɔda kɔbjˈɛta s tˈatsɔ̃ w dwˈɔɲʲax.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_187.wav|na rˈaʑɛ z ɲʲˈɔ̃ skɔɲtʃˈɨwɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_95.wav|a jˈuʃ f ʃtʃˌɛɡulnˈɔɕtɕi pʃɛd vwˈasnɨm ʃˈɛfɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_223.wav|zatʃˈɔwɛm strˈaʃɲʲɛ dɨɡˈɔtatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_18.wav|mˈimɔ tɔ bˌɨwam praktˈɨtʃɲʲɛ ɲʲˌɛvidʑˈalna na tlˈɛ zˌalanˈɛɡɔ ɕfʲˈatwɛm krˌajɔbrˈazu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_74.wav|dlatʃˈɛɡɔ ja w ɔɡˈulɛ tˈɛras mˈɨɕlɛ ɔː adˈɔptsji?|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_431.wav|xtsˈɛ, ʒˈɛbɨ mˈɔim ɔbrˈɔɲtsɔ̃ bˈɨw...|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_200.wav|prˌubɔvˈawa kʃˈɨknɔɲtɕ tsɛrsˈɛi, ˌalɛ pˈaltsɛ kˈarwa fpˈiwɨ ɕɛ ɡwɛmbˈɔkɔ w jɛj ʃˈɨjɛ, zduʃˈajɔnts fʃˈɛlkʲɛ spʃɛtɕˈivɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_77.wav|pˌɔvʲɛdʑˈawam fskazˈujɔnts na mˈuj nˈɔvɨ strˈuj.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_292.wav|pɔtʃˈɔntɛk mˈɔʒɛ bˈɨtɕ trˈudnɨ zˈɛ vzɡlˈɛndu na ɡrˈubɔɕtɕ mˌatɛrjˈawu pɔvʲˈɛdʑaw ˈɔjtɕɛts.|4
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_8.wav|kupˈiwam tˈɛʃ tɕˌɛmnɔʑɛlˈɔnɨ ɲˈikap.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_132.wav|vʲˈɛm, ʒˈɛ tɔ trˈudnɛ, bˈɔ sˈama mˈam ɔxˈɔtɛ udˈuɕitɕ jˈɔ̃ zˈatɔ, w jˈaki spˈɔsup s tˈɔbɔ̃ rɔzmˈavja.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_184.wav|dɔ tʃˈɛɡɔ tɔ fʃˈɨstkɔ prɔvˈadʑi, zˌapɨtˈawam.|4
+Dataset/wavs/urwisko_ferenc/59_segment_80.wav|pˌɔlitsjˈantka spɔjʒˈawa na zdjˈɛɲtɕɛ pʃˌɛtstavʲajˈɔntsɛ ɔvˈada ɕˌɛdʑɔntsˈɛɡɔ na ʑdʑblˈɛ trˈavɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_120.wav|tɔ jɛzd dˈɔbrɨ krˈaj.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_298.wav|prˈavɔ ɡˌɔɕtɕinnˈɔɕtɕi ɲʲɛ znˈatʃɨ jˈuʃ tˈɨlɛ tsˈɔ kʲˈɛdɨɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_10.wav|znalˈazwam tʃˈujɲik tɕiɕɲʲˈɛɲʲa pˈɔttʃas pʃˌɛkɔpɨvˈaɲʲa ɕɛ dɔː awstrˈalji.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_62.wav|mˈɨɕliʃ, ʒˈɛ pɔtrˈafiwbˌɨɕ pˈɔmuts pˌɔlitsɨjnˈɛmu rˌɨsɔvɲikˈɔvi f spˌɔʒɔndʑˈɛɲʲu pɔrtrˈɛtu kturˈɛɡɔʑ z ɲˈix?|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_131.wav|i dʒvˈitʃki sˈɛjfu ˌɔtskɔtʃˈɨwɨ s tɕˈixɨm ʃtʃɛŋkɲʲˈɛɲtɕɛm.|4
+Dataset/wavs/urwisko_ferenc/46_segment_31.wav|za kˈaʒdɨm rˈazɛm mʲˌɛliɕtɕˌɛ pˌɔlitsˈɨjnɛ fspˈartɕɛ, prˈavda?|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_39.wav|bˈɔp tˈɛʃ tˈam bˈɨw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_246.wav|ɲˈikt ˈɔtɨm ɲʲˈɛvʲɛ, nˈavɛt tfˈɔja mˈama.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_108.wav|s tɨm kwɔpˈɔtu ɲʲɛ bˈɛɲdʑɛ. mˈɔʒɛ bˈɨtɕ jˈɛdnak s tʃˈɨmɕ ˈinnɨm.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_158.wav|bˌɨli blˈiskɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_37.wav|fʃˈɨstkʲɛ smsˈɨ zɔstˈawɨ ˌusuɲʲˈɛntɛ z ˌuʒɔndʑˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_350.wav|ˌalɛ tɔ rˈuvɲʲɛʃ ɲˈits ɲʲɛ pɔmˈɔɡwɔ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_18.wav|prˈaɡnɔw jˈɔ̃ pˌɔtsawˈɔvatɕ, zˈaɲʲɛʑdʑ dɔ sɨpʲˈalɲi, ʒˈutɕitɕ na wˈɔʒɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_53.wav|jˈakiɕ tʃwˈɔvʲɛɡ w bjˈawɨm kˈitlu vɨlˈɛtɕaw i ˈupad na tfˈaʃ pxɲʲˈɛntɨ pɔtˈɛ̃ʒnɨm ramjˈɛɲʲɛm tratsʲˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_37.wav|kʃˈɛswa zɔstˈawɨ bˈɛs swˈɔva ˌɔtsuɲʲˈɛntɛ i pɔ xfˈili fʃˈɨstsɨ vˈɨʃli, pˌɔzɔstavʲˈajɔnts tˌɨlkɔ mˈamɛ, tˈatɛ, mɲʲɛ i arˈama.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_19.wav|ɲʲɛ sɔɲdʑˈiwam, ʒˈɛ tˈak tɔ bˌɛɲdʑɛ vˌɨɡlɔndˈawɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_47.wav|ʃˈaɲitsˌɛ pˈatʃɨ na zabˈafkɛ bˈɛs ˌɛntuzjˈazmu, ˌalɛ dʑɛŋkˈujɛ tˈatɕɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_34.wav|— ɲʲˈɛvʲɛm, tsˈɔ tˈam sˈɔbjɛ mˈɨɕliʃ, tˈɔm, ˌalɛ vˈɨras tfˈɔjɛj tfˈaʒɨ pˌɔtpɔvʲˈada, ʒˈɛ ɲˈidʑ dɔbrˈɛɡɔ. ja nˈadal ɔpstˈavʲam ɔlmˈana jˈakɔ sprˈaftsɛ.|4
+Dataset/wavs/urwisko_ferenc/48_segment_25.wav|ˌaɲi dʑvʲˈɛŋk jˈɛɡɔ ɡwˈɔsu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_6.wav|sˈama ɲʲˈɛvʲɛm dlatʃˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_132.wav|f kˈɔɲtsu ɕɛ ɔdʑˈɨva, a ɡwˈɔs mˈa tˈak xraplˈivɨ, jˈaɡbɨ s trˈudɛm vˌɨpɔvʲˈadaw swˈɔva.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_103.wav|pˈiʃɛ dɔː ˈɛlis. vˌɨruʃˈamɨ ɔ pʲˈɔntɛj, ˈɔkɛj?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_110.wav|dɔ tˌɛɡɔ tˈak xˈɛntna dɔ pɔmˈɔtsɨ, ʒˈɛ ˈaʃ ɕɛ ɔ tɕˈɛbjɛ bˈɔjɛ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_93.wav|ɕfʲˈɛtɲʲɛ bˈɨ ɕɛ dˌɔɡadˈali s sˈɛr bˌɔɲifˈɛrɛm. ɲʲˈɛx i tˈaɡ bˈɛɲdʑɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_2.wav|pˌɔjɛxˈaliɕmˌɨ s pɔvrˈɔtɛm dɔ rˌivɛrxˈɛat.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_268.wav|a ˈandɛrsɔn dˈɔjʒaw, ˈiʃ mˌarɨnˈarki ix ɔtstˈajɔ̃ w ˌɔkɔlˈitsɨ pˈasa pɔ lˈɛvɛj strˈɔɲʲɛ,|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_270.wav|bˌɨwɨ rˌɔsɕfʲɛtlˈɔnɛ ʑɛlˈɔnɨm, dʑˈivnɨm ɕfʲˈatwɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_97.wav|musˈimɨ vʲˈɛdʑɛtɕ, ɡdʑˈɛ bˌɨwɛɕ ɔt mɔmˈɛntu vˈɨjɕtɕa s kasˈɛna dɔ xfˈili ˌɔdnalɛʑˈɛɲʲa tɕˈawa f tfˈɔim sˌamɔxˈɔdʑɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_26.wav|ɲʲɛ mˈɔɡɛ jˈɛdnak stˈavitɕ tʃˈɔwa tˌɛmu dɲʲˈu.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_6.wav|pɔ tsˈɔ jɛj ˈɔjtɕɛdʑ zadˈavawbˌɨ sˈɔbjɛ tˈɨlɛ trˈudu, bˈɨ zapˈɛvɲitɕ jɛj fʃˈɛlkʲɛ vɨɡˈɔdɨ, jˈɛɕli zamjˈɛʒaw skˈazatɕ jˈɔ̃ na ɕmʲˈɛrdʑ za zdrˈadɛ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_115.wav|mˈiltʃaw pʃˈɛs xfˈilɛ, pˈɔtɛm pɔvʲˈɛdʑaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_3.wav|jˈɔɛ i ˈaʒ vɨbrˈali ɕɛ na pʃɛxˈatskɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_4.wav|bʲˈillɨ mˈɨɕli, ʒˈɛ tˌaki xˈɨba nazˈɨva ɕɛ kˈɔkɔn i upˈada jˈaɡ dwˈuɡʲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_155.wav|f kˈɔɲtsu ɔtɕˈɛram tfˈaʒ z wˈɛs.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_100.wav|vɨtɕˈɔŋɡa s kʲɛʃˈɛɲi xustˈɛtʃkɛ i pʃɛtɕˈɛra ˈɔtʃɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_118.wav|kɔbjˈɛta fsˈuva rˈɛŋkɛ dɔ ʃɔfˈɛrki i pstrˈɨka mu paltsˈami pʃɛt nˈɔsɛm. ɕmʲˈɛrdʑɔ̃ pˌapʲɛrɔsˈami.|2
+Dataset/wavs/urwisko_ferenc/42_segment_102.wav|ɡdˈɨbɨ tɔ dˌɔtɨtʃˈɨwɔ vɨdˈaʒɛɲ w bjˈawɨm ʒˈaɡlu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_10.wav|zˌapɨtˈawa ɡˈɔ ftʃˈɛɕɲʲɛj lˌɔuˈisa, vʲˈɛnts tˈɔm zadʑvˈɔɲiw dɔ kˈatɛ, ʒˈɛbɨ tɔ pɔtfʲˈɛrdʑitɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_253.wav|i tʃwˈɔvʲɛk, kturˌɛɡɔ pɔznˈawam pɔ tˈɔbjɛ.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_185.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_450.wav|ɔn vˈaltʃɨ dʑˈiʑ vʲɛtʃˈɔrɛm, pɔvʲˈɛdʑaw bˈarɨ mʲɛlˈifɛ. mˈɔʒɛʒ ɡˈɔ zɔbˈatʃɨtɕ na kanˈalɛ pʲˈɔntɨm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_252.wav|tɨ jˌɛstɛɕ pravɲˈikʲɛm i vʲˈɛʃ, tsˈɔ tɔ znˈatʃɨ skˈazatɕ kˈɔɡɔɕ na ɕmʲˈɛrtɕ, ˌalɛ ɲʲˈɛvʲɛʃ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_60.wav|tʃɨ ɔn jˈɛ zˈafʃɛ tˈak kasˈɔvaw? tʃɨ tɔ tsˈɔɕ nɔvˈɛɡɔ?|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_5.wav|mˈuɕaw ɡˈɔ vʲˈɛnts tsˈɔ xfˈila pɔttɕˈɔŋɡatɕ.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_192.wav|mˈuj kˈuzɨn ɲʲɛ pʃˈɨjdʑɛ na kɔlˈatsjɛ?|1
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+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_56.wav|pɔvʲˈɛdʑaw sˈɔbjɛ.|1
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_60.wav|vˌɨkupˈiwam jˈɛdnak pˈɛwnɛ ˌubɛspʲɛtʃˈɛɲʲɛ, sɔ̃ vʲˈɛnts xrɔɲʲˈɛɲi, jˈɛɕli ɡˈɔ ɲʲɛ zvrˈutsɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_283.wav|zɡaɕˈiwɛm pɔswˈuʃɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_266.wav|ɔn ɔtfˈɔʒɨw ˈɔtʃɨ i pʃˈɛs mˈɔmɛnt mɲʲɛ ɲʲɛ pɔznˈavaw.|0
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+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_350.wav|pˈɔtɛm ta prɔfˈɛsja pʃˌɛxɔdʑˈiwa z mˈatki na tsˈurkɛ ˈaʃ pɔ dʑˈiʑ dʑˈɛɲ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_40.wav|dlatʃˈɛɡɔ zˈɛmnɔ̃ ɲʲɛ pˌɔrɔzmavʲˈawa tˈɔm?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_21.wav|dˈɔbra, zbjɛrˈamɨ ɕɛ.|3
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_69.wav|xtɕˈawam pɔʒˈɛɡnatɕ ɕɛ s xwɔpˈakʲɛm, kturˌɛɡɔ tˈak kɔxˈawam.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_270.wav|a jˈak tˈam tsɛrsˈɛi? pʲˈɛŋkna jˈaɡ zˈafʃɛ?|1
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+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_234.wav|i ftˈɛdɨ mɲʲɛ zɔstˈaviʃ, pɔvʲˈɛdʑaw tɕˈixɔ dɛvˈɛin.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_37.wav|jˈak pˈaɲi sˈɔɲdʑi, dlatʃˈɛɡɔ ɕɛ ɲʲɛ skˌɔntaktˈɔvaw?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_34.wav|dlatʃˈɛɡɔː ˌɔnɛ xtsˈɔ̃ rɔzmˈavʲadʑ z dˈɔmɛm?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_45.wav|ˈɔtpuɕtɕ sˈɔbjɛ bjˈurkɔ, kˈit.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_99.wav|ʒˈɛ kˈaʒdɨ pˈisaʃ, ktˌurɨ publˈitʃɲʲɛ ˌudɔstˈɛmpɲʲa sfˈɔjɛ dʑˈɛwɔː i ɡrˈa z ˈɔɡɲʲɛm,|2
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_15.wav|pɔdnˈɔʃɛ vzrˈɔk, kʲˈɛdɨ ktˈɔɕ ɔtfʲˈɛra dʒvˈi.|4
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+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_329.wav|bˈɨtɕ mˈɔʒɛ za rˈɔk.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_11.wav|tˌɛɡɔ jˌɛstɛm ˌapsɔlˈutɲʲɛ pˈɛvna.|4
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+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_344.wav|vɛ tʃˈɛɣ zajmˈujɔ̃ ɕɛ fʃˈɨstkim, tsˈɔ pʃɨstˈɔi mɛ̃ʃtʃˈɨʑɲʲɛ.|1
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+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_96.wav|dˈalɛ zˌastanˈavʲaw ɕɛ pʃˈɛs xfˈilɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_17.wav|vɨstˈavja ˈɛksɔˈutɛk faktˈurɨ s tʃˈɛx fˈirm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_211.wav|najbˈardʑɛj zalˈɛʒɨ mu ɲʲɛ nˈatɨm, bˈɨ ɡrˈatɕ w mˌɔnɔpˈɔlɨ. pˈitɕ pˈivɔ z dˈɔnɛm jɛnsˈɛnɛm, pˈujʑdʑ dɔ wˈuʃka s fˈil stanxˈɔpɛ, tʃɨ zastʃˈɛlitɕ jɔˈɛlla allˈɛna.|2
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_11.wav|ktˈɔ mˈuɡwbɨ xtɕˈɛtɕ pˈana zˈabʲitɕ, pˈaɲʲɛ ˈɛdmɔnts?|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_156.wav|xˌarɛnxɔlpˈadu|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_291.wav|tsˈɔ ɕɛ stˈawɔ zˈɛ zvɨtʃˈajɛm davˈaɲʲa kɔbjˈɛtɔm kfʲˈatuf?|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_304.wav|tˈak, ˌalɛ zapˈɛvnɛ ɲʲɛ jɛst jɛj zbˈɨt...|1
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+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_110.wav|a ɲʲˈɛzvɨkw tˈakix marnˈɔvatɕ.|2
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+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_20.wav|klˈɛrkɨ jɛst jˈɛdnɨm z nˌajbɔɡˈatʃɨx lˈudʑi w amˈɛrɨtsˌɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_125.wav|mˈɔim zdˈaɲʲɛm vɨɡlˈɔndaʒ zupˈɛwɲʲɛ jˈak ɲʲɛ tˈɨ, zvwˈaʃtʃa s tɨm drvʲˈɔntsɨm uɕmʲˈɛʃkʲɛm, ˌalɛ ʃkˈɔda, ʒˈɛ ɲʲɛ mɔʒˈɛmɨ ɕɛ pɔrˈadʑidʑ bakʲˈɛɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_23.wav|zˌapɔvʲadˈawɨ ɕɛ dla ɲʲˈɛj tɕˈɛ̃ʃkʲɛ tʃˈasɨ, dla mɲʲɛ zrˈɛʃtɔ̃ rˈuvɲʲɛʃ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_54.wav|pʃˌɨɡɔtɔvˈawɛm dla tɕˈɛbjɛ wˈadnɛ, narˈɔʒnɛ bjˈurɔ na tʃfˈartɨm pʲˈɛntʃɛ, mˈuvi xˈɔff. tʃˈɨ pˌɔmjɛʃtʃˈɛɲʲa, ɡabʲˈinɛt, sˌɛkrɛtˈarjat, mˈawa kˈuxɲʲa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_208.wav|bˈɔʒɛ ɲʲˈɛsmak ˈalbɔ fstˈɨd zɲʲˌɛxɛntsˈawɨ mɲʲɛ dɔ rɔzmˈɔvɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_42.wav|pʃɛsˈuvam ɕɛ f tɕˈɛɲ. jˈɛɕli vˈɨjdʑɛ kɕˈɛ̃ʒɨts, zɔstˈanɛ zˌauvaʒˈɔna.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_15.wav|tsˈɔɕ mi ɕɛ w ɲˈim ɲʲɛ zɡˈadʑa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_152.wav|a ɔn zˈamjast jˈɔ̃ ɔbrˈɔɲitɕ ˈutɕɛkw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_11.wav|zapˈɨtaj jˈɔ̃, dlatʃˈɛɡɔ zabrˈawa tɛlˈɛfɔn mˈartɨ dɔː ˌaktuˌalizˈatsji, ktˈɔ jˈɔ̃ ˈɔtɔ pɔprˈɔɕiw i kˈɔmu ɡˈɔ pʃˌɛkazˈawa.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_228.wav|zˈatɛm vˈɛdwuk pˈaɲi faxˈɔvɛj ɔpˈiɲʲi, jˈakʲɛ mʲˈɛjstsɛ nadˈajɛ ɕɛ lˈɛpʲɛj dɔ prɔdˈuktsji tˌɛɡɔː ˌinnɔvˌatsɨjnˈɛɡɔ vˌɨnalˈasku?|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_171.wav|i kʲˈɛdɨ fʃˈɛd, ɕɛdʑˈawɛm ɔpˈartɨ plɛtsˈami ɔ nˈɔɡʲi wˈuʃka i tsˌɛlɔvˈawɛm w ɲʲˈɛɡɔ z jˈɛɡɔ pˌistɔlˈɛtu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_62.wav|dla ʃɛrˈɨfa ɲʲɛ bˈɨwabˌɨ tɔ kˌɔnfɛrˈɛntsja prasˈɔva, tˌɨlkɔ pˌɔstavʲˈɛɲʲɛ pɔt prɛŋɡʲˈɛʒɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_75.wav|zamjˈɛʒaw vwˈaɕɲʲɛ vˈɨbratɕ nˈumɛr, ʒˈɛbɨ pʃɛkˈɔnatɕ ɕɛ, tʃɨ filˈipa nˈadal jɛst f sfˈɔim pɔkˈɔju, kʲˈɛdɨ rˈɔzbʒmʲaw dʑvˈɔnɛk jˈɛɡɔ tˌɛlɛfˈɔnu.|3
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_6.wav|lˈudʑɛ tˈutaj nˌazɨvˈajɔ̃ tɔ dʒˈɛmkɔ̃. ɲʲɛ bˌɨwɔ vɨpˈatkuf ɕmʲɛrtˈɛlnɨx ˌaɲi pɔvˈaʒnɨx ɔbrˈaʒɛɲ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_12.wav|f tɨm pʃɨlˈɛɡwɨm pɔkˈɔju jɛst stˈuw bʲˌilardˈɔvɨ, kˈilka stˈarɨx jˌɛdnɔrˈɛŋkiɣ bandˈɨtuf i bˈarɛk na kˈuwkax, ktˌurɨ lˈɛʒɨ pʃˌɛvrutsˈɔnɨ na bˈɔk fɕrˈut pˌɔtwutʃɔnˈɛɡɔ ʃkwˈa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_96.wav|xrˈɨstɛ, pˌɔmɨɕlˈawa bˈɛtskɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_45.wav|tɔː ˌɔnɛ pɔvˈinnɨ bˈɨtɕ xrɔɲʲˈɔnɛ, ɲʲɛ jˈa.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_291.wav|lˈɛpʲɛj ɲʲˈɛfxɔtɕ im w ˈɔtʃɨ pʃˈɛs pˈɛvʲɛn tʃˈas.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_33.wav|dʑˈivnɛ, bˈɔ tɛlˈɛfɔn ɲʲˈɛbɨw zˌablɔkɔvˈanɨ. kʲˈɛdɨ lˈudʑɛ mˌajɔ̃ sɛkrˈɛtnɨ tɛlˈɛfɔn, zvˈɨklɛ dbˈajɔ̃ ɔ jˈɛɡɔ zˌabɛspʲɛtʃˈɛɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_115.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_64.wav|tsˈɔraz vʲˈɛntsɛj ˈɔsup utɕˈɛka tsˈɔurt strˈit plˈatsɛ. twˈɔtʃɔ̃ ɕɛ na xɔdɲˈiku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_18.wav|ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ xtsˈɛ mʲˈɛtɕ mɲʲɛ nɔtsˈami pʃɨ sˈɔbjɛ jˈɛʃtʃɛ bˈardʑɛj ɲˈiʃ kʲˌɛdɨkˈɔlvʲɛɡ dˈɔtɔnt.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_311.wav|xˈaris sfˈift|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_45.wav|kazˈawa bʲilljˈɛmu zrˈɔbʲitɕ tɔ sˈamɔ, kʲˈɛdɨ rˈuʃɨ w ɕfʲˈat.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_512.wav|mjˈa pˌɔtʃɔ̃snˈɛwa ɡwˈɔvɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_51.wav|dwˈɔɲʲɛ mʲˈawam ftɕˈɔ̃ʒ zˌabandˌaʒɔvˈanɛ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_231.wav|ubrˈawabˌɨm ɕɛ ˌɔtpɔvʲˈɛdɲʲɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_19.wav|tˈaʃtʃɛ lɔdˈufkɛ tˌurɨstˈɨtʃnɔ̃ ˈiɡlu, zapˈɛvnɛ pˈɛwnɔ̃ pˈiva, a nˈaɲʲɛj tˈatsɛ pˌarujˈɔntsɨx parˈuvɛɡ w bˈuwkax.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_238.wav|tʃˈɛɡɔ xtɕˈawa?|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_25.wav|bʲˈillɨ pˈɔznaw tˌɛɡɔ vˌɨsɔkʲˈɛɡɔ na zaxˈɔdʑɛ. tʃˈɨma zɲˈikʲɛm ɔd dˈavna. nazˈɨva ɕɛ frˈaŋk ˌɛmtsˈɛ ˈintɔʃ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_189.wav|spɔjʒˈawɛm na ɲʲˈɛɡɔ, ɔn nˈamɲʲɛ i ˈɔbaj pˌɔmɨɕlˈɛliɕmˌɨ, ɲˈidʑ dɔbrˈɛɡɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_127.wav|pʃɛrvˈawa na xfˈilɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_127.wav|ɲʲɛ pˈatʃɔnts na ɲʲˈɛɡɔ, ˈɛlliz dɔdˈajɛ, mˈɔʒɛʒ zˈɔstatɕ, jˈɛɕli xtsˈɛʃ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_13.wav|ftˈɛdɨ tsˈɔɕ mi ɕɛ pʃˌɨpɔmɲʲˈawɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_272.wav|dˈalɛ nˈaxliw ɕɛ dɔ mɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_577.wav|tʃˈɛɡɔ ɲʲˈɛvʲɛʃ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_81.wav|zmˈuʃam ɕɛ, bˈɨ ɲʲɛ zdɛjmˈɔvatɕ stˈɔpɨ s pɛdˈawu ɡˈazu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_331.wav|ɲʲˈɛvʲɛm, tʃɨ kʲˌɛdɨkˈɔlvʲɛk spɔtkˈawɛm tɕˈɛbjɛ f sfˈɔim ʒˈɨtɕu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_15.wav|zˌamjɛʒˈawam stˈavitɕ tʃˈɔwɔ kˈaʒɛ i pɔɡˈardʑɛ, ktˌurɔ̃ ˈujʒɛ w ˈɔtʃax tʃwˈɔŋkuf spˌɔwɛtʃnˈɔɕtɕi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_8.wav|tˈak, ˌalɛ swˈabɔ ɕɛ tʃˈɨma. tɕˈɛrpi s pɔvˈɔdu çˌipɔtˈɛrmji i jɛst ɲʲˌɛpʃɨtˈɔmnɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_47.wav|tʃˈujɛ, jˈaɡbɨ f strˈɔnɛ kuxˈɛnnɨɣ dʒvˈi tɕˈɔŋɡnɔw mɲʲɛ jˈakiʑ vʲˈɛlki mˈaɡnɛs.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_95.wav|bʲˈillɨ vˌɨɔbrˈaʒa sˈɔbjɛ ɕˈɛbjɛ ɲʲɛ w drˈɔdʑɛ dɔ vistsˈɔnɕin, lˈɛtʃ martfˈɛɡɔ f pʃɨdrˈɔʒnɨm rˈɔvʲɛ, fɕrˈut pˈuʃɛk pɔ pˈivʲɛ i pudˈɛwɛk pɔ bʲˈik mˈatsax.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_113.wav|sˈunɔw mi jˈɛ̃zɨɡ dɔː ˈust.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_157.wav|dˈaw im dvanˈaɕtɕɛ ʃˈɨpkix wˈɔdʑi, bˈɨ lɔrdˈɔvʲɛ tartʃˈɔvɨɣ vˈɨsp ruʃˈɨli za ɲˈimi w dwˈuɡʲi pˈɔɕtɕik.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_361.wav|lɛʒˈawa na prˈɨtʃɨ pɔt stˈɛrtɔ̃ ˈɔftʃɨx skˈur. nad ɡwˈɔvɔ̃ mʲˈawa skˈawɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_216.wav|a ɔn dɔ mɲʲɛ jˈɛst.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_127.wav|ˌuɕiwˈɔvaw zwˈapadʑ zɛmbˈami mˈaŋkʲɛt mˈɔix spˈɔdɲi, vʲˈɛnts ʃˈɛdwɛm, vʲɛʒɡˈajɔnts ɲʲɛzrˈɛntʃɲʲɛ prˈavɔ̃ nˈɔɡɔ̃.|0
+Dataset/wavs/urwisko_ferenc/46_segment_160.wav|ʃtʃˈɛrpski pʃˈɛwknɔw ɕlˈinɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_87.wav|xtɕˈawabˌɨm vʲˈɛdʑɛtɕ, tsˈɔ sˈɔbjɛ mˈɨɕli.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_29.wav|stˈɛvɛ skrˈɛntsa na pˈarkiŋk, pɔ tʃɨm zavrˈatsa, vɨwˈɔntʃa rˌɛflɛktˈɔrɨ i pɔnˈɔvɲʲɛ zjˈɛʒdʒa na drˈɔɡɛ.|4
+Dataset/wavs/urwisko_ferenc/11_segment_21.wav|dlatʃˈɛɡɔ tˈak ftʃˈɛɕɲʲɛ pʃˌɨjɛxˈawɛɕ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_207.wav|ɲʲɛ mˈɨɕlaw jˈuʒ dˈalɛj ˈɔtɨm, tsˈɔ stˈaɲʲɛ ɕɛ ftˈɛdɨ, kʲˈɛdɨ samˈɔlɔd bˌɛɲdʑɛ dla ɲʲˈɛɡɔ ɲʲˌɛɔɕɔŋɡˈalnɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_48.wav|dˈaj mi pʲˈɛɲtɕ mˈinut, mˈuvi ɡʲˈɔrɡjɔ. ɡˈura dʑˈɛɕɛɲtɕ. i jˈɛɕli nˈadal bˌɛɲdʑɛʃ nˈaɲʲɛ, rˌɔzɛjdʑˈɛmɨ ɕɛ f pʃɨjˈaʑɲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_78.wav|xtɕˈawɛm tˌɨlkɔ spˈɨtatɕ, jˈak ɕɛ tˈu mʲˈɛʃka. nazˈɨvam ɕɛ dˈaltɔn smˈitx.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_104.wav|bˈɔ ja nˈatɔ ɲʲɛ pɔzvˈalam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_43.wav|— tsˈɔ, kɔxˈanɨ? — spɨtˈawa tɕˈixɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_290.wav|lˈɛtʃ stanˈɔftʃɔ prˌɔvadʑˈili mʲˌɛndʑɨ sˈɔbɔ̃|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_45.wav|ɲˈidʑ vʲˈɛntsɛj ɲʲɛ mʲˈawɔ znatʃˈɛɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_14.wav|pʲˌɛrdɔlˈɔna mˈɛrɡɛ, ɡdˈɨbɨ trafˈiwa tsɛntˈɨmɛtr w lˈɛvɔ, ɲʲɛ bɨwˈɔbɨ tsawˈɛɡɔ tˌɛɡɔ mˈɛʃu ɡˈas.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_49.wav|ˌalɛ vɨrˈaʑɲʲɛ tʃˈujɛ kipʲˈɔntsɔ̃ w ɲˈim fɕtɕˈɛkwɔɕtɕ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_452.wav|uɲʲˈɔswa spudɲˈitsɛ, zbjɛrˈajɔnts rˈɛʃtki ɡɔdnˈɔɕtɕi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_79.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_114.wav|vˌɨʃukˈujɛ pɔ nazvˈisku i pɔ xfˈili vˈidʑɛ sfˈɔjɛ zdjˈɛɲtɕɛ, zrɔbjˈɔnɛ ɲʲɛdˈavnɔː i bˈɛs mˈɔjɛj vʲˈɛdʑɨ. sɔ̃ tˈam tˈɛʃ ˈinnɛ zdjˈɛɲtɕa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_116.wav|jˈɛɕli ˌɔna ʒˌɛtʃɨvˈiɕtɕɛ jɛst tfˈɔjɔ̃ ʒˈɔnɔ̃, ˌɔna jˈɛst, mˈikɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_226.wav|tɔ ɲʲɛ jɛzd dˌɔskɔnˈawɛ ʒˈɨtɕɛ, ˌalɛ lɛpʃˈɛɡɔ ɲʲˈɛznam.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_28.wav|vʲˈɛm dˈɔbʒɛ, ʒˈɛ jˈɔ̃ mˈa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_66.wav|mˈɔjɛ mˈɨɕli pʃɛrˈɨva dʑvʲˈɛŋɡ dʑvˌɔɲʲɔntsˈɛɡɔ tˌɛlɛfˈɔnu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_41.wav|xˈɨba tsˈɔɕ mˈamɨ, ʃˈɛfjɛ zˌamɛldˈɔvaw.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_474.wav|ˌalɛ ɲʲɛ dla tɕˈɛbjɛ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_90.wav|ɲʲˈɛx mˈɔra i mˈɛlɛj pʃˌɨɡɔtˈujɔ̃ kˈɔmpʲɛl.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_8.wav|ɔn ʒˈatkɔ sprˈavja vraʒˈɛɲʲɛ zˌaɲʲɛpˌɔkɔjɔnˈɛɡɔ tʃɨmkˈɔlvʲɛk.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_191.wav|tʃɨ ˌɔɲi fʃˈɨstsɨ ɲʲɛ dʑɛdʑˈitʃɔ̃ pʃɛt xˈarɨm?|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_242.wav|a pˈɔtɛm spˈɔjʒaw na dˌɛvɛˈɨna i pˈatʃɨw, jˈak xwˈɔpʲɛts pɔdnˈɔɕi ɕɛ z ʑˈɛmi i stˈajɛ ˌɔbɔk ɲʲˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_55.wav|kˈaʒdɛ mʲˈastɔ mˈuɕi mʲˈɛtɕ jˈakɔ̃ɕ swˈabɔɕtɕ. najlˈɛpʲɛj zɔstˈavitɕ pʃɛstˈɛmptʃɛ pwˈɔtki f spɔkˈɔju i skˈupitɕ ɕɛ na pˌɔvaʒɲʲˈɛjʃɨx prɔblˈɛmax.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_184.wav|ɡdʑˈɛʑ w dˈɔmu nˌapʃɛtɕˈifkɔ rɨtmˈitʃɲʲɛ kˈutɔ kilˈɔfɛm ɔpˈɔrnɔ̃ ɕtɕˈanɛ.|0
+Dataset/wavs/urwisko_ferenc/40_segment_22.wav|pɔlˈitsjand zˈamknɔw ˈɔtʃɨ i ˈɔpar ɡwˈɔvɛ ɔ zaɡwˈuvɛk, prubˈujɔnts pʃˈɛtrfatɕ mˈɔmɛnt, f ktˌurɨm ɛmˈɔtsjɛ zˈɛrvɔ̃ ɕɛ z waɲtsˈuxa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_70.wav|kʲˈɛdɨ tɛn pˈan vrˈutɕiw dɔ dˈɔmu, bˈɨw bˈardʑɔ zwˈɨ.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_203.wav|zdaʒˈawɔ ɕɛ, xˈɔdʑ bˈardʑɔ ʒˈatkɔ, ʒˈɛ kˈɔɡɔɕ tɔ rˌɔzɡɲʲɛvˈawɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_179.wav|zɡʲˈinɔw f tʃˈaɕɛ pɔfstˈaɲʲa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_52.wav|i pʃˈɛs krˈutkɔ̃ xfˈilɛ lˈitʃɛ pɔ tɕˈixu, ʒˈɛ ɲʲɛ jɛst ɲˈim zˌaintˌɛrɛsɔvˈanɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_75.wav|bʲˈillɨ ɲʲɛ ˌɔtpɔvʲˈada. fpˈad na pˈɛvʲɛn pˈɔmɨsw, ɕmʲˈawɨ i pʃˌɛraʒajˈɔntsɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_169.wav|bˈɔjɛ ɕɛ ˈiɕtɕ i xtsˈɛ ˈiɕtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_307.wav|tʃˌɨtajˈɔntsɨ pʃˈɛrvaw i pɔvʲˈɛdʑaw pɔ xfˈili, f pʃɨʃwˈɔɕtɕi?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_310.wav|i zˌaɔfˌɛrɔvˈawa mi vˈɔlnɔɕtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_100.wav|mˈɔja naˈuka ˌɔdbɨvˈawa ɕɛ jˈuʃ ɔd dvˈux mʲɛɕˈɛntsɨ, kʲˈɛdɨ ˈaram ɔznˈajmiw, ʒˈɛ nˈaz zɔstˈavja.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_202.wav|ɲʲˈɛvʲɛm, tʃɨ ʃlˈuɡʲi dɔstˈavaw ɔt tɛj sˈamɛj ɔsˈɔbɨ, ktˌura zˌawatfʲˈawa ɡlɛnˈɔvi pˈivɔ, ˌalɛ tʃˈɨmaw pˈatʃkɛ malbˈɔrɔ za ˌɔbluzɔvˈanɔ̃ dˈɛskɔ̃ pɔt wˈuʃkʲɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_306.wav|nˈavɛt pʃɨ kɕˌɛ̃ʒɨtsˈɔvɛj ɡrˌavitˈatsji kˈɔmbajn bˈɨw vˌɨstartʃajˈɔntsɔ tɕˈɛ̃ʃki, ʒˈɛbɨ rˈɔzɡɲʲɛɕtɕ mɲʲɛ na mʲˈazɡɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_368.wav|ɲʲɛ. jˌɛstɛm pʃˌɛmɨtɲˈitʃkɔ̃, ɲʲɛ sˌabɔtaʒˈɨstkɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_212.wav|sˈɛr xˈɛil uɕmʲˈɛxnɔw ɕɛ blˈadɔ dɔ brjˈɛnnɛ. pˈaɲi, ʃkˈɔda, ʒˈɛ zˈamɲʲɛ ɲʲɛ vˈɨʃwaɕ, kʲˈɛdɨ tɕi ɕɛ ˌɔɕfʲattʃˈɨwɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_138.wav|starˈawam ɕɛ ɲʲɛ rˈuʃatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_72.wav|pˌɔkwutɕˈiwaɕ ɕɛ z mˈamɔ̃ ɔ tsˈɔɕ?|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_164.wav|ɲʲɛ vˈartɔ jɛj swˈuxatɕ.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_224.wav|ʒˈɛ vˈaltʃɔ̃ ˈu bˈɔku ɲʲˌɛznajˈɔmɨx pɔt xɔrˈɔŋɡvjɔ̃, ktˌurɔ̃ lˈɛdvʲɛ pɔznˈajɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_301.wav|ɡˌɛɔmɛtrˈɨtʃɲʲɛ dˌɔskɔnˈalɛ pʲˈɛŋknɔ̃, pˌɔraʒajˈɔntsɔ bjˈawɔ̃ pʲˈɛrɕ skwɔɲʲˈɔnɔ̃ kˈu mɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_165.wav|pɔmˈimɔ tsˈɛnɨ, pˈɔpɨt na kɕˌɛ̃ʒɨtsˈɔvɛ vakˈatsjɛ zˈafʃɛ pʃɛvˈɨʃʃa pˈɔdaʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_324.wav|zˌaprɔɡrˌamɔvˈawam tɔ dˈavnɔ tˈɛmu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_4.wav|xwˈɔpʲɛts|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_100.wav|jˈɛɕli jˌɛstɛʑ zˈɛmnɔ̃, mˌamɨ tˌɨlkɔ kˈilka mˈinut, bˈɨ tɔː ɔmˈuvitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_205.wav|w drˈɔdʑɛ pɔvrˈɔtnɛj fstɛmpˈujɛ dɔ markˈɛtu bˌudɔvlanˈɛɡɔː ˈatsɛ xardvˈarɛ i kupˈujɛ ɔstˈatɲʲɔ̃ pɔtʃˈɛbnɔ̃ ʒˈɛtʃ kwˈutkɛ jˈalɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_30.wav|ɲʲɛ zapˈɛwɲiw ɕɛ, jˈak nˈatɔ litʃˈɨwɛm, vɨznˈajɛ xˈɔff.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_59.wav|jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ...|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_173.wav|bʲˈillɨ vʲˈɛ, jˈaka tɔ bˌɨwa pʲɔsˈɛŋka.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_69.wav|zˌapɨtˈawa, tʃɨ zˌasuɡˌɛrɔvˈawaɕ nˈaʃɛ zˈɛjɕtɕɛ ɕɛ z mˈɨɕlɔ̃ ˈɔɲʲɛj, kʲˈɛdɨ mʲˈawa pʲˈɛɲtɕ lˈat.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_49.wav|tɔ jɛst mʲˈɛrɲik mˈɔtsɨ ɔptˈɨtʃnɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_342.wav|upˈartɨ, pˌɛdantˈɨtʃnɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_49.wav|zˈamjast tˌɛɡɔ skˌɔntsɛntrɔvˈawam ɕɛ na mɛntˈalnɨm ɔbrˈaʑɛ ˌɛkstsɨtˌujɔntsˈɛɡɔ ʒˈɨtɕa, ɔ ktˌurɨm maʒˈɨwam latˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_105.wav|zrˈɛʃtɔ̃ ˈɔmal ɲʲɛ sxfˈɨtaw ftˈɛdɨ ˌalvarˈɛza. mˈam tʃˈɨstɛ sumjˈɛɲʲɛ i ɡdˈɨbɨ sˌɨtuˈatsja ɕɛ pˌɔftuʒˈɨwa, pˌɔstɔmpˈiwabˌɨm tˈak sˈamɔ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_272.wav|ɛdmˈurɛ ɕˈɛdʑaw w bˈali.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_45.wav|tˈata pɔrˈuʃɨw brvʲˈami, ʒˈɛbɨm ɕɛ ˌuɕmʲɛxnˈɛwa, a ja ɔ ɲˈidʑ vʲˈɛntsɛj jˈuʃ ɲʲɛ pɨtˈawam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_30.wav|mɛ̃ʃtʃˈɨzna pɔ mˈɔjɛj lˈɛvɛj strˈɔɲʲɛ ɔtxˈɨla ɕɛ dɔ tˈɨwu s pˈɛwnɨm frustrˈatsji pɔmrˈukʲɛm i pasˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_27.wav|ˈax, nˈɔ tˈak. tɔ bʒmˈi bˈardʑɛj sɛnsˈɔvɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/27_segment_106.wav|— tʃɨ ja dˈɔbʒɛ rɔzˈumjɛm, tʃɨ xtsˈɛ mi pˈaɲi pɔvʲˈɛdʑɛtɕ... — tʃˈɛba zbˈadatɕ ubrˈaŋka dʑˈɛtska — pʃɛrvˈawa mu xˈɛrman.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_123.wav|ˈɛlis pˈɨta, tʃɨ na pˈɛvnɔ xtsˈɛ tɔ zrˈɔbʲitɕ. bʲˈillɨ mˈuvi, ʒˈɛ tˈak i jɛst tɔ ʃtʃˈɛra prˈavda.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_43.wav|i tˈaɡ bˈɨɕ ix ɲˈiɡdɨ ɲʲɛ vˌɨkɔʒˈɨstaw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_61.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_33.wav|starˈajɔnts ɕɛ pɔrˈuʃatɕ jˈak nˌajɔstrˈɔʒɲʲɛj, ˌɔbrutɕˈiwa klˈudʒ w zˈamku.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_77.wav|vɨjˈaɕɲiw mi, ʒˈɛ pˌɔtʃɛbˈujɛ lˈɛkuf na vɨpˈadɛk, ɡdˈɨbɨ ktˈɔɕ f spˌɔwɛtʃnˈɔɕtɕi ʑlˈɛ ɕɛ pˈɔtʃuw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_76.wav|ɲʲˈɛmam tʃˈasu, bˈɨ ɕɛ nˈattɨm zˌastanˈavʲatɕ i ɲʲɛ pˈɔtɔ tˈutaj pʃˌɨjɛxˈawam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_81.wav|zapˈɨtaw pɔlˈitsjant.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_122.wav|i vʲˈɛm, ʒˈɛ maʃ pʲˈɛtra.|2
+Dataset/wavs/urwisko_ferenc/61_segment_21.wav|pˈaɲi kɔmˈisaʃ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_222.wav|tˈak, ˌalɛ ɲʲɛ prˈɛntkɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_46.wav|mˈam ɔxˈɔtɛ vˈɨdʒɛtɕ ɕɛ na mˈamɛ, zapˈɨtatɕ jˈɔ̃, dlatʃˈɛɡɔ dɔ xɔlˈɛrɨ tɔ zrɔbʲˈiwa, ˌalɛ jˈuʒ znˈawam ɔtpˈɔvʲɛtɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_186.wav|na nˈɔvɨm ɕfʲˈɛtɕɛ ɔt strˈɔnɨ krˌakɔfskʲˈɛɡɔ pʃɛdmʲˈɛɕtɕa|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_215.wav|stˈatɕtɕɛ na tsˈɔɕ lɛpʃˈɛɡɔ.|2
+Dataset/wavs/urwisko_ferenc/19_segment_11.wav|jˈɛdnaɡ ʒˈadɛn pʲˈɛs ɲʲɛ pʃɨvˈitaw ɕɛ s pˌɔlitsjˈantkɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_22.wav|dʑˈɛvʲɛɲtɕ stˈɔpɲi w dˈuw prɔvˈadʑi ɡˈɔ dɔ nɔvˈɛɡɔ mʲɛʃkˈaɲʲa daltˈɔna smˈitxa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_231.wav|vwˈɔsɨ upʲˈɛwa xˈɨba kˌilkunastˈɔma spiŋkˈami i pʃɨkrˈɨwa pʃˌɛzrɔtʃˈɨstɔ̃ fˈɔljɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_200.wav|ˌɔna jˈɛdnak ɲʲɛ bˌɨwa pɔtˈulnɔ̃ marɡˈarɨ tˈɨrɛll.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_5.wav|zapˈɨtaw lˈudʑi mˌɔtsujˈɔntsɨx tsˈumɨ jˈɛɡɔ ʃalˈupɨ. tɔ vdˈɔvɨ i ɕɛrˈɔtɨ.|1
+Dataset/wavs/urwisko_ferenc/55_segment_66.wav|nˈajpʲɛrf ɕmʲˈɛrtɕ jɛj dʑˈɛtska, a pˈɔtɛm kɔbjˈɛta zˌavʲɛɕˈiwa ɡwˈɔs.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_47.wav|kˈilka z ɲˈix jɛzd dˈɔʑdʑ dˈuʒɨx i mˌajɔ̃ vzmɔtsɲʲˈɔnɛ ɡʒbjˈɛtɨ, jˈaɡbɨ xrɔɲˈiwɨ zavˈartɔɕtɕ pʃɛd zaɡʲˈɛɲtɕɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_108.wav|vɨrvˈawam ɕɛ s tsˈawɨx ɕˈiw, ˌalɛ mʲˈaw ʒɛrˈaznɨ ˈuɕtɕisk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_4.wav|kɔlˈɛjnɨ sˈɛŋk tʃˈaska f pʲɛtsˈɨku.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_43.wav|fʃˈɨstsɨ mʲˌɛli ɕfʲadˈɔmɔɕtɕ, tsˈɔ mˈɔʒɛ ɕɛ stˈadʑ zˌakwadɲˈikɔm, jˈɛɕli pˌɔrɨvˈatʃɛ ɔtkrˈɨjɔ̃, ʒˈɛ f sprˈavɛ zˌaaŋɡˌaʒɔvˈana jɛst pɔlˈitsja.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_28.wav|pɔ ʃɛptʃˈɔntsɨm lˈɛɕɛ bˈaliɕmˌɨ ɕɛ ɔ tɕˈɛbjɛ.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_257.wav|pɔxˈɨliw ɕɛ, fspʲɛrˈajɔndʑ vʲˈɛlkʲɛ dwˈɔɲʲɛ na ramjˈɔnax. jˈɛɕli tˈak...|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_101.wav|kʲˈɛdɨ ʃwˈa na dʑˈup.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_76.wav|ɲʲɛ bˌɛndɛ pˈɔɲʲɛj pwˈakaw.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_34.wav|a tsˈɔ z naʃˈɨmi nɔvˈɨmi drˌɔmɔnˈami?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_20.wav|tˈɔm pɔpˈatʃɨw pʃˈɛs ˈɔknɔ. bˈɛtskɨ xˈɨba mʲˈawa rˈatsjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_82.wav|dɔmˈiɲik pɔdnˈɔɕi ɡwˈɔvɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_19.wav|a ja tʃˈujɛ ˈutɕisk f tʃˈɛvʲax.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_196.wav|krulˈɔva pɔvˈinna ɕɛ mˈɔdlitɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_152.wav|xtsˈɛ, ʒˈɛbɨɕ pɔvʲˈɛdʑaw fʃˈɨstkim, ʒˈɛ jɛst mi bˈardʑɔ pʃˈɨkrɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_19.wav|jɛstˌɛɕmɨ na mʲˈɛjstsu.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_311.wav|ɔtfˈɔʒɨw ˈusta, ʒˈɛbɨ kʃˈɨknɔɲtɕ i pʃˈɛwknɔw kɔlˈɛjnɨ wˈɨɡ vˈɔdɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_131.wav|f tlˈɛ rˈɔzlɛkw ɕɛ ɡwˈɔs lɔrˈɛttɨ sˈanxɛs.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_18.wav|vʲˈɛʃ, ˌuzmɨswɔvˈiwɛm sˈɔbjɛ dɔpʲˈɛrɔ pʃɛt parˈɔma mʲˌɛɕɔntsˈami rˌɔzmavʲˈajɔndʑ z lˈutsɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_84.wav|stˈavʲam jˈɔ̃ na pɔdwˈɔdʑɛ, pʃˌɛxɔdʑˈimɨ dɔ kˌɔrɨtˈaʒa i pɔmˈaɡam jɛj vwˈɔʒɨtɕ pwˈaʃtʃɨk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_35.wav|i ɕɛ rɔzwˈɔntʃa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_138.wav|pɔmˈuʃtɕɛ, ɲʲɛ mˈɔɡɛ ɡˈɔː ɔtsˈutɕitɕ, vɔwˈaɲʲɛ z ɡˈurɨ. rɔzˈumjɛʃ? tˈak, tsˈɔ zamjˈɛʒaʃ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_13.wav|pʃˈɛs sˈɛtki kˌilɔmˈɛtruf jɛxˈali rˌuvɲinˈami i ˈɔtɔ ɲˈis tˌɛɡɔ ɲˌizɔvˈɛɡɔ vɨrˈɔswɨ pʃɛt ɲˈimi ɡˈurskʲɛ ʃtʃˈɨtɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_182.wav|ɲˈiɡdɨ ɲʲˈɛmʲaw pɔvˈɔdu ɲʲɛ ˈufatɕ ɲitskˈɔvi, ktˌurɨ bˈɛz vɔntpʲˈɛɲʲa jɛzd zwˈɨm tʃwɔvʲˈɛkʲɛm, ˌalɛ z ɲˈim zˈafʃɛ ɡrˈaw tʃˈɨstɔ.|2
+Dataset/wavs/urwisko_ferenc/24_segment_58.wav|bɔrˈɛvitʃ pɔnˈɔvɲʲɛ spˈɔjʒaw na zɛɡˈarɛk i ɔdvrˈutɕiw ɡˈɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_244.wav|dlatˈɛɡɔ mˈuʃɛ lˈatadʑ vʲˈɛntsɛj i vʲˈɛntsɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_392.wav|vwaɕtɕˈivʲɛ pʃˌɨsuvˈawɛm dɔ ɲʲˈɛj sfˈɔjɔ̃ tfˈaʃ, ˌɔpʲɛrˈajɔnts ɕɛ dwˈɔɲmi na taptʃˈaɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_370.wav|bˌɨwa nˈaɡa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_164.wav|lˈudʑɛ w ɲʲˈɛɡɔ vʲˈɛʒɔ̃ i mu ufˈajɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_34.wav|tˈak wˈatfɔ bɨwˈɔbɨ vrˈutɕidʑ dɔ dˈɔmu, zadʑvˈɔɲidʑ dɔ bˈɛki i zɔstˈavitɕ sprˈavɛ pɔlˈitsji. ɲʲɛ mˈɔɡɛ jˈɛdnak tˌɛɡɔ zrˈɔbʲitɕ. ɲʲɛ ˌɔdvaʒˈɨwabˌɨm ɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_70.wav|ɲʲɛ mɔʒˈɛmɨ vʲˈɛʒɨtɕ mu na pʲˈɛŋknɛ ˈɔtʃɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_63.wav|ˈaram pɔpˈatʃɨw na tʃˈɨ ɔsˈɔbɨ fpˌatrujˈɔntsɛ ɕɛ w ɲʲˈɛɡɔ z ˌɔtʃɛkivˈaɲʲɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_38.wav|ˌɔtpɔvʲɛdʑˈawa natˈɨxmʲast swɔvˈami jˈak mˈɨɕliʃ i dɔdˈawa ˌɛmɔtʲikˈɔŋkɛ pʃˌɛtstavʲajˈɔntsɔ̃ smˈutnɔ̃ bˈuɕkɛ.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_166.wav|sˈam tʃˈuw ɕɛ pʃˈɨɲih jˈak waxmˈaɲʲaʃ, w vˌɔrkɔvˈatɨm tʃˈarnɨm strˈɔju, vɨblˈakwɨm pwˈaʃtʃu i pɔkrˈɨtɨx plamˈami sˈɔli butɕˈɔrax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_80.wav|ɲʲɛ, ʒˈɛbɨ ktˈɔɕ mʲˈaw tˈam vˈɛjɕtɕ. tɔ mˈɔja ʑˈɛmʲa i jˈasnɔ dˈajɛ tɔ fʃˈɨstkim dɔ zrˌɔzumjˈɛɲʲa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_34.wav|pɔ lˈɛvɛj strˈɔɲʲɛ ʃˈɨi mˈa kɔlˈɛjnɛ dvˈa ɕiɲʲˈaki f kʃtˈawtɕɛ pˈaltsuf i bʲˈillɨ pʃˌɨpɔmˈina sˈɔbjɛ, jˈak pˌɔvʲɛdʑˈawa, ɲʲɛ ɲʲˈɛduɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_77.wav|martʲˈina sçˈiva ɡwˈɔvɔ̃ i bʲˈillɨ uznˈajɛ, ʒˈɛ tɔ vɨstˈartʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_194.wav|vʲˈara jɛst jˈɛɡɔ fɕˈaŋka.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_67.wav|sˈɛrtsɛ pɔtxˈɔdʑi mi dɔ ɡˈardwa. zˈaras pˈɔtɛm pɔjˈavja ɕɛ tfˈaʃ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_119.wav|ɲʲɛ vaxˈawam ɕɛ nˈavɛt pʃˈɛs xfˈilɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_50.wav|pʃˌɛkɔnˈamɨ ɕɛ, jˈaɡ vɨɡlˈɔnda tɛn nˈaʃ nˈɔvɨ dˈɔm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_78.wav|bˈɛtskɨ pʃˌɛsunˈɛwa fˌɔtɔɡrˈafjɛ pɔ blˈatɕɛ. dʑˈura w jˈɛɡɔ tʃˈɔlɛ zɔstˈawa zˌamaskɔvˈana. trˈudnɔ jˈɛdnaɡ bˌɨwɔ ɡˈɔː ˈuznadʑ za ʒɨvˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_258.wav|tʃɨ tɔ bˌɨwa bˈanda lˈɔrda bɛrˈika?|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_106.wav|jˈɛɡɔː ɔbˈɛtsnɛ ʒˈɨtɕɛ pˌɔmjɛʃˈawɔ mu ɕɛ z ʒˈɨtɕɛm f pʲˌɛrdɔlɲˈiku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_63.wav|ˈɔtpar tˈata.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_5.wav|jˈɔsmin pɛtsklˈɛdɔn natˈɨxmʲazd zˈɛrvaw ɕɛ na nˈɔɡʲi, ɕɛŋɡˈajɔnts pɔ pˈaz z mʲˈɛtʃɛm sfˈɛɡɔ pˈana.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_286.wav|muɕˈitɕɛ zapwˈatɕitɕ srˈɛbrɛm ˈalbɔ bɛɲdʑˌɛtɕɛ spˈatɕ w lˈɛɕɛ z vˌiɕɛltsˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_9.wav|naˈila, ktˌurɨ kˈazaw zvrˈatsatɕ mi ɕɛ dɔ ɕˈɛbjɛ pɔː imjˈɛɲʲu, znajdʑˈɛtɕɛ f kˈuxɲi.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_328.wav|ɡdˈɨ bˌɨwɛm mˈawɨm xwˈɔptsɛm,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_91.wav|ɔstʃˈɨwɔ sˈɔbjɛ kʲˈɛdɨɕ na tɕˈɛbjɛ zˈɛmbɨ? tʃɨ kʲˌɛdɨkˈɔlvʲɛk ɔdɲʲˈɔswɛʑ vraʒˈɛɲʲɛ, ʒˈɛ sɔ̃ ɡɔtˈɔvɛ zˈabʲitɕ, ʒˈɛbɨ tɕˈɛ zdˈɔbɨtɕ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_15.wav|jˌɛstɛm fstʃɔ̃ɕɲʲˈɛnta jˈɛɡɔ ɕmʲˈɛrtɕɔ̃, ˌalɛ jˈɛʃtʃɛ bˈardʑɛj tˈɨm, tsˈɔ tʃˈujɛ,|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_149.wav|pˈikɲik mˈiɕuf, jˈuʃ, mˈuvi bʲˈillɨ, xamˈujɛ i zjˈɛʒdʒa na pɔbˈɔtʃɛ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_453.wav|vbʲˈiwa w ɲʲˈɛɡɔ pˈɛwnɛ ɲʲˌɛdɔvʲɛʒˈaɲʲa spɔjʒˈɛɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_274.wav|f tɛj ˌɔkɔlˈitsɨ tɔ ʒˈatkɔɕtɕ, ˌalɛ w ɡˈurax...|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_42.wav|trˈɔmbʲi na pˌɔʒɛɡnˈaɲʲɛ klaksˈɔnɛm i rˈuʃa.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_70.wav|tsˈɔ lˈudʑɛ f tɨm vˈidʑɔ̃?|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_241.wav|i tʃˈuw tɕˈɛpwɔ jɛj pˌuxatˈɛɡɔ pɔlˈitʃka.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_39.wav|ɲʲɛ tˈaɲʲɔ̃ jˌɛdnɔrazˈufkɛ bˌɛˌitsˈɛ, tˌɨlkɔ ʑˈipɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_46.wav|na tfˈaʒɨ jˈɛɡɔː ˈɔdbʲiw ɕɛ bˈul. pˈɔwknɔw brɔ̃zˈɔvɔ̃ pastˈɨlkɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_131.wav|kʲˈɛdɨ pʃˈɨʃɛd, ɕɛdʑˈawam pʃɨ bjˈurku i prˌatsɔvˈawam nat ˌɔblitʃɛɲʲˈami.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_242.wav|mɔʒˈɛmɨ ix rɔspˈɛɲdʑitɕ, jˈɛɕli sˈɔbjɛ ʒˈɨtʃɨʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_430.wav|ɲʲˈɛvʲɛm, jˈakʲɛ prɔtsˈɛsɨ tˌɛlɛmˌaɡnɛtˈɨtʃnɛ zˌaxɔdʑˈiwɨ w ix ɕfʲˌadɔmˈɔɕtɕi nˌazɨvˈanɛj tʃˈasɛm dˈuʃɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_169.wav|jˈakʲɛʑ vʲˈɛɕtɕi ɔ ˈɛn?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_221.wav|i patʃˈɨwɛm bˈɛs ɛmˈɔtsji na nˈɔvɛ vˌidɔvˈiskɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_9.wav|mˈa tˌɨlkɔ jɛdnˈɛɡɔ rɔdʑˈitsa i tˈaɡ vwˈaɕɲʲɛ mˈa zˈɔstatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_123.wav|pʃˌɨpuʃtʃˈalɲʲɛ ftʃˈɛɕɲʲɛj nalˈɛʒɨ ɡˈɔː ɔpwˈukatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_194.wav|bʲˈillɨ ɲʲˈɛxtsɛ vʲˈɛʒɨtɕ, ʒˈɛ ɲˈitsk pˌɔsunˈɔwbɨ ɕɛ dɔ tˈɛɡɔ, ˌalɛ zdˈajɛ sˈɔbjɛ sprˈavɛ z jɛdnˈɛɡɔ ɲʲˌɛzapʃˌɛtʃalnˈɛɡɔ fˈaktu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_57.wav|tɔ ʒˈatkɔ pɔmˈaɡa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_13.wav|tʃɨ ktˌurɛkˈɔlvʲɛk mʲˈɛjstsɛ jɛst jˈɛʃtʃɛ bɛspʲˈɛtʃnɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_140.wav|mˈam dʑˈivnɛ pɨtˈaɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_87.wav|dʑvˈɔɲʲɛ z bˈutki tˌɛlɛfɔɲˈitʃnɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_35.wav|ɲʲˈɛmam vʲˈɛntsɛj tʃˈasu na rˌɔzmɨɕlˈaɲʲa. swˈɨʃɛ zɡʒˈɨt klˈutʃa w zˈamku. ktˈɔɕ ˈidʑɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_136.wav|tɔ ʒˈart, vʲˈɛndʑ bʲˈillɨ ɕɛ ɕmʲˈɛjɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_78.wav|tˌɨlkɔ bˈɨtɕ mˈiwa dla mˈɛ̃ʃtʃɨzn.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_164.wav|ɔt tʃarnˈɛɡɔ, martfˈɛɡɔ skʃˌɨʒɔvˈaɲʲa nˌatxɔdʑˈiwa jˈakaʑ zmɔkɲʲˈɛnta pˈara.|0
+Dataset/wavs/urwisko_ferenc/26_segment_37.wav|bɔrˈɛvitʃ ˈuznaw, ʒˈɛ kɕˈɛ̃ʒɨts ɕɛ z ɲʲˈɛɡɔ ɕmʲˈɛjɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_75.wav|tˌɨlkɔ ja vʲɛdʑˈawam, tsˈɔ zamˈavja i skˈɔnt.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_69.wav|tʃɨ pˈaɲi ɕɛ nazˈɨva karnˈɔfska? tˈak, tɔ mˈɔjɛ nazvˈiskɔ.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_75.wav|ɲʲɛ mˈɔɡwa udˈavatɕ, ʒˈɛ jɛzd z jamˈɛɛm, ɡdˈɨʒ za bˈardʑɔ ɕɛ ɔt ɲʲˈɛɡɔ rˈuʒɲiw. bˈɨw zbˈɨt ˈɔptsɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_312.wav|znˈam tɕˈɛ tˈɨlɛ lˈat.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_235.wav|mˈuɕiʃ tˌɨlkɔ pˈɔddadʑ zˈamɛk.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_176.wav|pˌɔpatʃˈɨwa bˈɛtskɨ prˈɔstɔ w ˈɔtʃɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_442.wav|mɨ ɕɛ trˌansfɔrmujˈɛmɨ, ˌalɛ i tsˈawɨ ɕfʲˈat ɕɛ pʃɛkʃtˈawtsa.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_155.wav|dˌɔjɛʒdʒˈajɔndʑ dɔ tsˈɛlu, pˈɔtɕɔŋɡ zˈatʃɔw zvˈalɲʲatɕ.|4
+Dataset/wavs/urwisko_ferenc/09_segment_63.wav|nˈɔː i?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_30.wav|tsˈɔʑ vˈɛmɲʲɛ rˈɔswɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_11.wav|tˈata bˈɨw xˈɨba rˌɔstʃarɔvˈanɨ, kʲˈɛdɨ mu pˌɔvʲɛdʑˈawam, ʒˈɛ ɲʲɛ vʲˈɛʒɛ jˈuʃ w ɕfʲɛntˈɛɡɔ mˌikɔwˈaja.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_379.wav|lˈup ʃtʃˈɨtɨ sfˈɔix pʲˈɛrɕi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_221.wav|lˈutsɨ, pʃˌɛtɕɛʒ vʲˈɛʃ, ʒˈɛ tɕˈɛ kˈɔxam, lˈutsɨ. pʃˌɛtɕɛʃ ɲʲɛ mˈɔʒɛ tˈaɡ bˈɨdʑ dwˈuʒɛj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_21.wav|dʒˈɔnsɔn pɔvʲˈɛdʑaw, ʒˈɛ bˌɨwɔ dˈuʒɔ lˈɛpʲɛj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_249.wav|mˈiltʃɔndʑ zdjˈɔw z ɲʲˈɛj sukʲˈɛŋkɛ i pˈatʃɨw, jˈak stˈɔi pʃˈɛdɲim nˈaɡa, smˈukwa i krˈuxa.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_150.wav|vˈɔrɛk fasˈɔli i dvʲˈɛ tsˈɛnnɛ pˌɔmarˈaɲtʃɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_262.wav|dlatʃˈɛɡɔ ɲʲɛ, jˈɛɕli jˌɛstɛɕ tʃwɔvʲˈɛkʲɛm xˈɔffɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_67.wav|ɲˈikt mʲˈɛʒɨ w ɲʲˈɛɡɔ s pˈaltsa, jˈak s pˌistɔlˈɛtu.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_117.wav|pɔ rˈas tʃfˈartɨ nˌatɕisnˈɛwam ɡˈuziɡ dʑvˈɔŋka.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_8.wav|tratɕˈili sfˈuj vdʑˈɛŋk s xfˈilɔ̃ zɛtkɲʲˈɛɲtɕa ɕɛ z drˈɔɡʲim sˌamɔxˈɔdɛm. pˈatʃɨw stˈɔjɔndʑ bˈɛs rˈuxu.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_325.wav|pˈɔvʲɛts mi, fxˈat?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_73.wav|spɨtˈawam, xˈɔtɕ ˌɔtʃɨvˈiɕtɕɛ vʲɛdʑˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_14.wav|jˈɛɡɔ mˈastɛr tsˈart, ˌamɛrˈitsan ˈɛksprɛss i vˈisa ˌuʒɨvˈanɛ sɔ̃ rˌɛɡulˈarɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_114.wav|ɲʲɛ sˈɔɲdʑiʃ, ʒˈɛ trˈɔxɛ pʃˌɛsadʑˈiwɛɕ? zˌapɨtˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_116.wav|tsˈɔɕ mi ɕɛ stˈawɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_105.wav|a ftˈɛdɨ pˈilɔd dˈɔjʒaw kʃˈɨʃ i pɔdˈɛrvaw samˈɔlɔt, ˌɔtfɔʒˈɨfʃɨ pʃˌɛpustɲˈitsɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_45.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_21.wav|na pɔwˈudɲʲɛ ɔt ʃikˈaɡɔ jɛst spˈɔrɨ rˈux. ʃˈɛɕtɕ, nˈavɛt ˈɔɕɛm pˈasuf f kˈaʒdɨm kʲɛrˈuŋku. ˌalɛ pɔt fpwˈɨvɛm ˌaddɛrˈallu ˈɛllis pˌɔkɔnˈujɛ tɛn ɔttɕˈinɛɡ bˈɛs lˈɛŋku.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_196.wav|na rˈaʑɛ vɨstˈartʃɨ mi snˈuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_56.wav|tɔ rˈuvɲʲɛʒ dʑˈawa na mˈɔjɔ̃ kˈɔʒɨɕtɕ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_97.wav|pʃˈɛʃɨw jˈɔ̃ drˈɛʃtʃ strˈaxu, ʑˈimnɨ jˈak lˈut.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_303.wav|jˈɛɕli vɨɕlˈɛmɨ ɡwˈɔvɛ sˈɛr ɛdmˈura jˈɛɡɔ strɨjˈɔvi, mˈɔʒɛ ɡˈɔ tɔ skwˈɔɲidʑ dɔ kˌapitulˈatsji.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_103.wav|i mɛ̃ʃtʃˈɨzna ɔ tfˈaʒɨ jˈasnɛj, zdrˈɔvɛj, mˈɔʒɛ nˈavɛt pʲˈɛŋknɛj,|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_187.wav|tʃɨ ˌɔna ɲʲˈɛma sˈɨnuv z vwˈasnɛj krfˈi?|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_330.wav|ɲʲɛ bˈɔjɛ ɕɛ ʒadnˈɛɡɔ tɕˈɛɲʲa, sˈɛr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_92.wav|jˈaɡbɨ bʲˈillɨ tɔ fʃˈɨstkɔ zapˈɔmɲʲaw.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_73.wav|ˌalɛ mˈimɔ fʃˈɨstkɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_206.wav|— tˈak — pɔvʲˈɛdʑaw dˈɛ vˈanɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_279.wav|ˈandɛrsɔn nˈapiw ɕɛ vˈɔdɨ, ˈɔbmɨw tfˈaʃ, vwˈɔʒɨw sfˈɔjɔ̃ tʃˈarnɔ̃, zrudʑˈawɔ̃ kˌanadˈɨjkɛ i vˈɔlnɔ vrˈutɕiw dɔ sˌamɔlˈɔtu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(36) R.Abbott_Zamknij Drzwi_segment_17.wav|pɔ spɔtkˈaɲʲu z ɲˈim bˌɛndɛ muɕˈawa tˈutaj vrˈutɕitɕ? ɲʲˈɛmam pɔjˈɛɲtɕa. ˌɔtpɔvʲˈada tˈɔm i ʒˈutsa mi pʃˌɛpraʃajˈɔntsɛ spɔjʒˈɛɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_86.wav|vʲˈɛʒɛ, mˈuvi bʲˈillɨ. tˈak jˈak f tɔ, ʒˈɛ vɨɡrˈaliɕmˌɨ w vʲɛtnˈamjɛ, a lˌɔndɔvˈaɲʲɛ na kɕɛ̃ʒˈɨtsu bˌɨwɔ mˌistɨfikˈatsjɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_22.wav|ˌalɛ ɡˈɔ ɲʲɛ zɔstˈavjɔ̃, bˈɔ tˈak ɕɛ ɲʲɛ rˈɔbʲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_68.wav|tˈak naprˈavdɛ spɔtkˈawam ix ftˈɛdɨ pɔ rˈas pʲˈɛrʃɨ i jɛdˈɨnɨ, ˌalɛ muɕˈawam tˈam pɔjˈɛxatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_56.wav|jˈutrɔ bɛɲdʑˌɛmɨ mʲˌɛli prɨvˈatnɔ̃ sˈɛsjɛ, ˈindjɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_165.wav|ˈilɛ kˌilɔɡrˈamuv zʒutɕˈiwɛɕ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_6.wav|mɨɕlˈawɛm, ʒˈɛ mˌamɨ jˈuʃ tˈɛ lˌɔkalizˈatsjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_68.wav|ˌalɛ ɲʲɛ zrɔbʲˈiwa prˈavʲɛ ʒˈadnɨɣ zakˈupuf. tsˈɔ ɕɛ dʑˈɛjɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_141.wav|ˌɔtpɔvʲˈada, ʒˈɛ ˈakt tˈu mˈɔʒɛ bˈɨtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_133.wav|zˌatʃɨmˈujɔ̃ ɕɛ pɔ palˈivɔː i prˈɔvʲant w mˌustsɔɡˈɛɛ, mʲˈɛɕtɕɛ rˌɔsswavʲˈɔnɨm pʃˈɛs mˈɛrla xaɡɡˈarda.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_158.wav|vrˈɛʃtɕɛ bˌɨwa nˈaɡa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_55.wav|bˈɨtɕ mˈɔʒɛ, mˈuvi ɲˈitsk.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_78.wav|mˈɔɡɛ prˈɔɕitɕ ɔː ˈimjɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_43.wav|tˈak naprˈavdɛ pɔftˈuʒɨw tɔ, tsˈɔ muvˈiwa nˈam ta drˈuɡa kɔbjˈɛta z bjˈura, xˈɨba mʲˈawa na ˈimjɛ tsˌarɔlˈinɛ. pˈɔza tɨm jɛst pʃˌɛkɔnˈanɨ, ʒˈɛ mˈarta ɲʲɛ mʲˈawa ɲˈits fspulnˈɛɡɔ z ɲˈilɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_281.wav|tɔ jɛst mˈuj dˈɔm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_290.wav|— ɲʲˈɛvʲɛm — pɔvʲˈɛdʑaw ˈandɛrsɔn. — ktˈɔɕ jˈɛ vʑˈɔw pʃɛt xfˈilɔ̃. vʲˈɛlkʲɛ ɲʲˈɛba.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_137.wav|vˈɨbatʃ, ʒˈɛ darˈujɛ sˈɔbjɛ ɔklˈaski.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_81.wav|zatɕˈiskam mˈɔtsnɔː ˈusta, ʒˈɛbɨ ɕɛ ɲʲɛ rɔspwˈakatɕ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_122.wav|ˈinɲi stˈali pɔt ɕtɕanˈami ˈalbɔ ɕɛdʑˈɛli zˈɛ skʃˌɨʒɔvanˈɨmi nɔɡˈami na ɕɛnɲˈikax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_95.wav|bʲˈillɨ ɔdvʲˈɛʃa kɔʃˈulɛ s pɔvrˈɔtɛm i bjˈɛʒɛ ˈinnɔ̃, ʃˈarɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_237.wav|dˌɔdatkˈɔvɨ zˈɨzɡ dla mɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_72.wav|kwˈamjɛ pɔ rˈas kɔlˈɛjnɨ. jˌɛstɛm pʃɛd bjˈurɛm zaʒˈɔndu i zˈaras fxˈɔdʑɛ na spɔtkˈaɲʲɛ. zˌɔstavˈiwam tɕi vʲadˈɔmɔɕtɕ.|3
+Dataset/wavs/urwisko_ferenc/02_segment_24.wav|sˈam mu jˈɔ̃ vʒutɕˈiwɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_18.wav|mˈam dla tɕˈɛbjɛ ɲʲˌɛspɔdʑˈaŋkɛ. ɔznˈajmʲam alfjˈɛmu, udˈajɔnts, ʒˈɛ ɡˈɔɲʲɛ ɡˈɔ pɔ sxˈɔdax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_172.wav|nˈɔɕi vwˈɔsɨ zˌatʃɛsˈanɛ dɔ ɡˈurɨ, tˈak jˈak ˈɔna.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_24.wav|ɲʲɛ vʲɛdʑˈawam nˈavɛt, ʒˈɛ vˌɨjɛʒdʒˈamɨ. dɔpʲˈɛrɔ rˈanɔ tˈata kˈazaw mi zˌapakˈɔvadʑ dɔ mˈawɛj tˈɔrbɨ ˌulubjˈɔnɛ ʒˈɛtʃɨ, bˈɔ pʃˌɛnɔɕˈiliɕmˌɨ ɕɛ w zupˈɛwɲʲɛ nˈɔvɛ mʲˈɛjstsɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_53.wav|— ɡdʑˈɛ tɨ bˈɨwɛɕ? — vˈɔwam ˌɔskarʒɨtɕˈɛlskim tˈɔnɛm. ˈaʃ ɲʲɛ pˈatʃɨ mi w ˈɔtʃɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_147.wav|ˌɔdɛzvˈawa ɕɛ pˈɔtʃta ɡwɔsˈɔva.|4
+Dataset/wavs/urwisko_ferenc/12_segment_16.wav|znˌajdɔvˈali ɕɛ w ɡwɔɡˈɔvʲɛ, fɕˈi pˌɔwɔʒˈɔnɛj kˌilkanˈaɕtɕɛ kˌilɔmˈɛtruf na fsxˈut ɔt tɔrˈuɲʲa.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_112.wav|pɔdjˈɛwam bwˌɨskavˈitʃnɔ̃ dɛtsˈɨzjɛ i ˌɔtfɔʒˈɨwam zˈavur dɔː ɔpˈɔru.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_238.wav|tˈaɡʒɛ dɔpʲˈɛrɔ pɔ xfˈili mɛ̃ʃtʃˈɨzna, ktˌurɨ vwˈɔʒɨw butˈɛlkɛ z ˌalkɔxˈɔlɛm dɔ tˈɔrbɨ,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_157.wav|tsamˈɛrɔn xtɕˈaw mʲˈɛdʑ ʒˈɔnɛ, ˌalɛ tɔ mˈuɕaw bˈɨtɕ ktˈɔɕ ulˈɛɡwɨ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_243.wav|prˈavʲɛ ɲˈiɡdʑɛ ɲʲɛ znajdʑˈɛmɨ tˈam bɛspʲˈɛtʃnɛj pʃɨstˈaɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_71.wav|bˌɨwɛm vɨ...|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_410.wav|nˌabuzɔvˈana tsˈɔɕ jˈɛstɛɕ, pɔvʲˈɛdʑaw.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_189.wav|pˌɔvʲɛdʑˈawa marˈɨjtsɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_43.wav|zajʒˈawa za jˈɛdnɔ̃ z ɲˈix i ɔt rˈazu zrˌɔzumjˈawa, dlatʃˈɛɡɔ jɛst tˈaɡ ʑˈimnɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_64.wav|ɲʲɛ xtɕˈawam za bˈardʑɔ zblˈiʒatɕ ɕɛ dɔ bˈɔba.|4
+Dataset/wavs/urwisko_ferenc/28_segment_57.wav|tɔ bˌɨwɔ ʑˈimɔ̃?|0
+Dataset/wavs/urwisko_ferenc/12_segment_102.wav|pɔdˈɔbnɔ tɔ tˈɨran.|0
+Dataset/wavs/urwisko_ferenc/12_segment_45.wav|spˈɔjʒaw nˈaɲʲɔ̃.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_37.wav|tˈɛras jˈuʃ ɲʲɛ mˈuɕiʃ ɕɛ tɨm mˈartfitɕ.|3
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+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_126.wav|tsˈɔ vˌɨdaʒˈɨwɔ ɕɛ dˈalɛj?|1
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+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_114.wav|fˈarid bˈɨw f pɔwˈɔvʲɛ sfˈɔjɛj ɡˈatki, kʲˈɛdɨ pʃɨjˈɛxaw nˈɔvɨ dɔvˈuttsa kɔmpˈaɲʲi, kapˈitan xˈarst.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_33.wav|brˈak rˈuvɲʲɛʃ ɕlˈaduf pʃɛmˈɔtsɨ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_426.wav|dˈɔrviʒ zˈamɲʲɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_103.wav|vrˈɛʃtɕɛ vrˈatsa na dˈuw.|2
+Dataset/wavs/urwisko_ferenc/12_segment_67.wav|bɔrˈɛvitʃ skˈupiw ɕɛ na trˈɛɕtɕi kɔlˈɛjnɛj nɔtˈatki swuʒbˈɔvɛj i ˈɔɲʲɛ mʲˈaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_218.wav|ja pɔ prˈɔstu vʲˈɛntsɛj vɨmˈaɡam ɔt pˈana bˈɔɡa.|0
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+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_125.wav|spɔjʒˈawam na zɛɡˈarɛk i zakl��ɛwam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_193.wav|bˈɨw tɔ zˈafʃɛ pˈuŋɡd vˈɨjɕtɕa, ˌalɛ nˌalɛʒˈawɔ rˈuvɲʲɛʃ uvzɡlˈɛndɲitɕ ˈinnɛ tʃɨnɲˈiki.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_15.wav|tʃˈas ftɕˈɔ̃ʃ pwˈɨɲʲɛ. mˈam ɔxˈɔtɛ vˈɛjɕtɕ na ɡˈurɛ i jˈɔ̃ pɔfstʃˈɨmatɕ, ˌalɛ vɨstˈartʃɨ jˈɛdɛn kʃˈɨk, a strˈaʒɲik natˈɨxmʲast pʃɨbjˈɛɡɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/41_segment_15.wav|sprˈaftɕ ɔstˈatɲix pʲˈɛɲtɕ lˈat.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_298.wav|prˌavdɔpɔdˈɔbɲʲɛ z jakʲˈɛɡɔɕ kˌatalˈɔɡu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_81.wav|muɕˈawaʑ zaɕpʲˈɛvadʑ w duˈɛtɕɛ i tˈɨlɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_100.wav|vˌɨtravʲˈajɔndʑ zamˈarwɛ ɔpʃˈarɨ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_96.wav|zˌatrfɔʒˈɔnɨ tˈɔrɔz vˈɛssaw pɔvʲˈɛtʃɛ f pwˈutsa. tʃɨ tɔ prˈavda?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_100.wav|zˌindjaɲˌizɔvˈana. rˌɔbatʃˈɨvɨ ɡʒˈɨp, ktˌurɨ zdmˈuxɲʲɛ pʲˈɛrʃɨ lˈɛpʃɨ xurˈaɡan.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_65.wav|mˈam ɔpˈuɕtɕitɕ lɛjkˈɔsat?|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_167.wav|vˌɨstartʃajˈɔntsɔ dˈɔbʒɛ bˈɨɕmɨ mˈɔɡli tˈu ɕˈɛdʑɛtɕ ˈaʃ pɔ krˈɛz dɲˈi, jˈɛɕli bˌɛɲdʑɛ tʃˈɛba.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_78.wav|bˈɛtskɨ zˌaçixɔtˈawa. pʃɨnˈajmɲʲɛj xˌɛrbatɲˈiki sɔ̃ dˈɔbrɛ, stfʲɛrdʑˈiwa ɡrˈɨzɔnts kavˈawɛk tɕˈastka.|3
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_50.wav|i tˈɨlɛ mˈa f sˈɔbjɛ tʃuwˈɔɕtɕi.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_274.wav|ɡdˈɨ tˌɨlkɔ mˈɔʒɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_151.wav|vʲˈɛ, ʒˈɛ mˈam znajˈɔmɨx w rˈuʒnɨx krˈɛŋɡax.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_134.wav|tʃɨ mˈɔɡɛ pʃˈɨjʑdʑ dɔ tɕˈɛbjɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_19.wav|ɕɛdʑˈawɨ pʃɨ ˈɔkɲʲɛ, vʲˈɛndʑ zrɔbʲˈiwa zdjˈɛɲtɕɛ tˌɛlɛfˈɔnɛm, ʒˈɛbɨ pɔkˈazatɕ pˌɔzɔstˈawɨm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_93.wav|pˈiʃɛ w ɲˈim ɔ mˈɔjɛj...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_25.wav|tʃˈujɛ, jˈak spwˈɨvam i pɔ wˈɨtkax, i rˈɛŋkax, i zˌastanˈavʲam ɕɛ, tʃɨ swˈɔnɨ smˈak pʃɨtɕˈɔŋɡa ˈɔsɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_53.wav|ˌɔna vʲˈɛ, ʒˈɛ jˌɛstɛm jɛj nˈɔvɔ̃ mamˈuɕɔ̃ i ʒˈɛ ɲˈits jɛj ɕɛ ɲʲɛ stˈaɲʲɛ. dʑˈɛtɕi sɔ̃ bˈardʑɔː upˈartɛ, dˈɔbʒɛ vʲˈɛʃ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_109.wav|jɛstˌɛɕmɨ narˈɔdɛm kˈundli, pˌɔtɔmkˈami ɲʲˌɛvɔlɲˈikuf, kˈurɛf i zwɔdʑˈɛi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_5.wav|mˈam tˈaɡ vʲˈɛlɛ pˈɨtaɲ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_98.wav|tʃɛkˈawa, ˈaʃ tɔː ɔn vɨkˈɔna pʲˈɛrʃɨ rˈux.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_160.wav|ˌɔna mu pˌɔvʲɛdʑˈawa, ʒˈɛ tˈak i zˌapɨtˈawa ɡˈɔ,|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_11.wav|bˈɨw dˈɔbrɨm tʃwɔvʲˈɛkʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_143.wav|dʒˈɔrtʃ faktˈɨtʃɲʲɛ mˈa na tʃɨm ˈuɕɔ̃ɕtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_213.wav|ɔdvrˈutɕiw ɕɛ w mˈɔjɔ̃ strˈɔnɛ vɨrˈaʑɲʲɛ zˌafastsˌɨnɔvˈanɨ sfˈɔim pɔmˈɨswɛm.|3
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+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_172.wav|ktˌura akˈurad vˈɨʃwa, ʒˈɛbɨ pˈɔdlatɕ kfʲˈatɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_123.wav|— ɲʲɛ — pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_210.wav|z mˈɔix ˈɔtʃu tɕˈɛkwɨ wzˈɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_20.wav|dˈɔkɔnt ˌɔnɛ prɔvˈadʑɔ̃? zapˈɨtaw fˌuŋktsjɔnarjˈuʃa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_78.wav|mˌamɨ vʲˈɛɕtɕi ɔd zɛspˈɔwu tˌɛlɛfˌɔɲitʃnˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_123.wav|jˈaɡ bˈardʑɔ ɡwˈupi jɛst tɛn plˈan f skˈali ɔt jɛdnˈɛɡɔ dɔː invˈazji na rˈɔsjɛ w ʑˈimj��.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_43.wav|swˈuxaj, ɲʲˈɛmam pʲɛɲʲˈɛndʑɨ, ˌalɛ znalˈazwɛm rˌɔzvʲɔ̃zˈaɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_50.wav|ɲʲɛstˈɛtɨ ɲʲɛ. vɨɡlˈɔnda tɔ jˈɛdnak na ˈudʑaw zˌɔrɡaɲˌizɔvˈanɛj ɡrˈupɨ. dlatˈɛɡɔ zapʃˈɛŋɡliɕmˌɨ dɔ prˈatsɨ tɨtˈana.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_133.wav|i lˈɔrdɛm pɛttˈɨrɛm. a fʃˈɨstsɨ ɕɛ zɡadʑˈali, ˈiʒ zˈɛjɕtɕɛ jɛst jˈɛʃtʃɛ bˈardʑɛj pʃˌɛraʒajˈɔntsɛ. bˈɔ tsˈawɨ tʃˈas tʃˈɛba bˌɨwɔ pˈatʃɛdʑ w dˈuw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_19.wav|znajdˈujɛ tɔ mɲʲˈɛj vʲˈɛntsɛj f pɔwˈɔvʲɛ stɔɕˈiku kˈɔpɛrt.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_75.wav|fʃˈɨstsɨ stwɔtʃˈɨli ɕɛ f salˈɔɲʲɛ, a ja pˈɔʃwam dɔ kˈuxɲi, ʒˈɛbɨ zapˈaʒɨtɕ xɛrbˈatɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_41.wav|musˈimɨ pɔɡˈadatɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_147.wav|kfilˈɛɲʲɛ dʑˈɛtska, ʃˈum vˌɔdɔspˈadu, ɡwˈɔs puʃtʃˈɨka.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_239.wav|jˈaɡ mdlˈɛtɕ, tɔ tˌɨlkɔ na kɕɛ̃ʒˈɨtsu.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_184.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_188.wav|i f tɨm vwˈaɕɲʲɛ mɔmˈɛɲtɕɛ fɔtˈɔɡraf skʲɛrˈɔvaw na ɲʲˈɛɡɔ sfˈɔ̃ kamˈɛrɛ. mˈuʒɨn zˌakɔwˈɨsaw ɕɛ lˈɛkkɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_7.wav|s pɔmˈɔtsɔ̃ mˌamɨ ˈaram pʃɛkʃtˈawtɕiw jˈɛdnɔ s pɔmjˈɛʃtʃɛɲ f pʃˈɛstʃɛɲ dɔ mˌɛdɨtˈatsji.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_216.wav|i tsˈɔ jˈakiɕ tʃˈas swˈɨxatɕ skʃɨpʲˈɛɲʲɛ, jˈaɡbɨ ˌɔbluzɔvˈanɛj dˈɛski pɔt nˈɔɡɔ̃ intrˈuza.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_250.wav|a tˈamta?|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_424.wav|mˈɔja ʒˈɔna bˌɨwa tˈɛʃ s pɔwˈudɲʲa i tˈɛʃ ɔdˈɛʃwa z jˈakimɕ fʃˈaʒɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_286.wav|fʃˈɨstkʲɛ ʃˈɨldɨ i napˈisɨ bˌɨwɨ aŋɡʲˈɛlskʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_351.wav|ˌudɛʒˈɛɲʲɛ vɨbʲˈiwɔ jɛj pɔvʲˈɛtʃɛ s pwˈuts. stʃˈaskʲɛm valnˈɛwa ɡwˈɔvɔ̃ w jˈakiɕ tʃɛɲɕtɕˈɔvɔ zˌaɡʒɛbˈanɨ w ʑˈɛmi kˈamjɛɲ. ɲʲɛ!|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_60.wav|tɔ rɔskˈɔʃnɨ spˈɔsup na ˌɔbudʑˈɛɲʲɛ kˈɔɡɔɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_156.wav|çˈiɲtʃɨk pʃɨɡlˈɔndaw mi ɕɛ z zˌatɕɛkavʲˈɛɲʲɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_98.wav|a mˈɔʒɛ pˈan pɔʒˈɨtʃɨtɕ na flˈakɔn, bˈɔ zˌapɔmɲʲˈawɛm pɔrtfˈɛla.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_9.wav|sˈandɨ bˈɛrfɔrt|4
+Dataset/wavs/urwisko_ferenc/63_segment_99.wav|pilˈɛfska pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃. ja tˌɨlkɔ dukˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_11.wav|ʒˈɛ zadˈajɛ pɨtˈaɲʲa, ktˌurɛ nalˈɛʒɨ zˈadatɕ f tˈakix ˌɔkɔlitʃnˈɔɕtɕax.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_73.wav|ɕpˈij, ˌalɛ ɲʲɛ dlatˈɛɡɔ dʑvˈɔɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_126.wav|pɔ vʲˈɛlu lˈatax jˈɛdnɔ̃ z ɡwˈuf smˈɔka vˈɔda vˌɨʒutɕˈiwa na bʒˈɛk na tɕˈixɛj vˈɨspʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_306.wav|jˈɛɕli miwˈujɛʃ ɕˈɛdmju.|1
+Dataset/wavs/urwisko_ferenc/14_segment_34.wav|— znˈaʒ ɡˈɔ? — spˈɨtaw ʃˈɛf tɔrˈuɲskix krˌɨminˈalnɨx. — ɲʲɛ, pʲˈɛrʃɛ swˈɨʃɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_118.wav|pʃɨstˈajɛ pʃɛd dʒvʲˈami z zˌamɨɕlˈɔnɔ̃ mˈinɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_98.wav|vɨjˈɛwam s tˈɔrbɨ ˌalumiɲʲˈɔvɨ prˈɛnt i uɲʲˈɔswam ɡˈɔ jˈak mʲˈɛtʃ, stˈɔjɔnts na ʃtʃˈɨtɕɛ kadwˈuba.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_263.wav|a tˈak sfˈɔjɔ̃ drˈɔɡɔ̃, tsˈɔ jɛst w ɕrˈɔtku.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_425.wav|ftˈɛdɨ zˌauvaʒˈɨwam, ʒˈɛ dʒvˈi sɔ̃ ˌuʃkɔdʑˈɔnɛ.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_26.wav|jˈamɛ pˌɔdʑɛŋkˈɔvaw mu za rˈadɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_319.wav|a fstˈavjɛ ɕɛ za tˈɔbɔ̃ ˈu ˌadmiɲˌistratˈɔrki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_60.wav|ruʃˈɨwɛm s pɔvrˈɔtɛm na bˌɛtɔnˈɔvɔ̃ pwˈɨtɛ, ˌalɛ ɡwˈɔz z dˌɔmɔfˈɔnu mɲʲɛ pɔfstʃˈɨmaw.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_186.wav|spɛɲdʑˈiwam w ukrˈɨtɕu tsˈawɨ vʲˈɛtʃur i tˌɨlkɔ dvˈa rˈazɨ vɨmknˈɛwam ɕɛ dɔ tˌɔalˈɛtɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_181.wav|rˈɛʃta jɛst prˈɔsta jˈak pʃˌɛvratsajˈɔntsɛ ɕɛ kˈɔstki dɔmˈina.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_46.wav|— vʲˈɛnts — pɔvʲˈɛdʑaw spʃˌɛdajˈɔntsɨ — skˈarʒɨʃ ɕɛ pˈan tʃɨ ɲʲɛ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_38.wav|ˌɔpsɛrvˈujtɕɛ i tʃɛkˈajtɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_108.wav|jˈɔt. rˈussɛll, tfˈuj rɛdˈaktɔr nˈadal jɛst f kˌalifˈɔrɲʲi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_194.wav|drɡˈaɲ ɛnˈɛrɡji, jakʲˈɛɡɔɕ ɲʲˌɛpɔkˈɔju, ktˌurɛ budʑˈiwɨ ix namjˈɛntnɔɕtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_49.wav|ɡwˈupja bˌɨwa mɲʲɛ?|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_66.wav|ˌɔtʃɨvˈiɕtɕɛ tʃɨmˈawa ɕɛ bˈardʑɔ sɔlˈidɲʲɛ. ˈɔjtɕɛts ɲitʃˈɛɡɔ ɲʲɛ rˈɔbʲiw pɔ wˈɛpkax.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_49.wav|pʃˌɨspavˈamɨ jˈɛ vˈɔkuw nɔvˈɛɡɔː ɔtfˈɔru, ʒˈɛbɨ zrˈɔbʲitɕ fˈartux, vɨjˈaɕɲiw.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_173.wav|kʲˈɛdɨ kˈɛd vrutɕˈiwa dɔ dˈɔmu brˈuska, nat mˈawɨm kanˈawɛm ɡɛ̃stɲʲˈawa jˈuʒ vʲɛtʃˈɔrna mɡwˈa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_60.wav|ja pˌɔvʲɛdʑˈawɛm, ʒˈɛ ɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_112.wav|tʃˈɨ rˈazɨ ɔttɕˈɔŋɡa zˈamɛk, fpˈuʃtʃa dɔ ɲʲˈɛɡɔ dvʲˈɛ krɔpˈɛlki ɔlˈɛju i rˌɛpɛtˈujɛ brˈɔɲ rˈas jˈɛʃtʃɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_31.wav|pʃˈɛs ʃklˈanɛ dʒvˈi dɔstʃˈɛɡam dvˈux ˌumundˌurɔvˈanɨx pˌɔlitsjˈantuf i kɔbjˈɛtɛ f spˈɔdɲʲu, ktˌuʒɨ stˈɔjɔ̃ f xˈɔlu.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_64.wav|tɔ bˈɨw tsˈɛl, dla kturˌɛɡɔ ɕɛ narˈɔdʑiw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_24.wav|jˈaɡ dˌɔvʲɛdʑˈɛliɕmˌɨ ɕɛ ɔd ɡˌɔspɔdˈɨɲi, tsamˈɛrɔn ˈɛdmunts sˈɛɲʲɔr pwˈɨva ɡdʑˈɛɕ na pˌɔwudɲʲˈɔvɨm pˌatsɨfˈiku.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_371.wav|najvˈɨʃʃɨ tʃˈas, bˈɨɕ ɕɛ uvˈɔlɲiw ɔt fstˈɨdu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_103.wav|tsˈuʃ, ʒˈɨtʃɛ pˈaɲstfu pˌɔvɔdʑˈɛɲʲa i dʑɛŋkˈujɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_64.wav|a dlatʃˈɛɡɔ mʲˌawɛm ɲʲɛ utɕˈɛkatɕ? ɲʲɛ vʲɛdʑˈawɛm, dlatʃˈɛɡɔ zɔstˈawɛm pɔrvˈanɨ i ʒˈɛ tɨ mʲˌawaɕ s tɨm tsɔkˈɔlvʲɛk fspulnˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_3.wav|tˈak krˈutkɔ̃, ʒˈɛ vˌɨɡlɔndˈawa prˈavʲɛ jˈak pˈasɛk. bluzˈɛtʃkɛ s tsˌɛkinˈami, ˌɔtswaɲʲajˈɔntsɔ̃ bʒˈux i najvˈɨʃʃɛ ʃpˈilki, jˈakʲɛ udˈawɔ mi ɕɛ znˈalɛɕtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_173.wav|zˈadʑvɔɲ dɔ lˈɛnɨ, a ja sprubˈujɛ skˌɔntaktˈɔvatɕ ɕɛ z bˈɔbɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_187.wav|ɡdˈɨbɨɕ mɲʲɛ pˌɔtʃɛbˈɔvaw, znˈaʃ mˈɔjɔ̃ nˈɔvɔ̃ tɔʃsˈamɔɕtɕ. zabrˈawam z jˈɛɡɔ bjˈurka ɡʲˈizmɔ xˈarplit, ktˌurɛ mi skˌɔnfiskˈɔvaw pˈɔttʃas ˌarɛʃtɔvˈaɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_379.wav|vˌɨmɨɕlˈiliɕmˌɨ vʲˈɛnts tsˈɔɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_44.wav|tˈaɡ zvˈanɨx pʃɨjˈatɕuw i pʃˌɛkɔnˈamɨ ɕɛ, tsˈɔ mˌajɔ̃ dɔ pˌɔvʲɛdʑˈɛɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_203.wav|tɕˈɛpwɔ, bʲˈillɨ. pʃɨnˈajmɲʲɛj jˌɛstɛɕ na vwaɕtɕˈivɨm trˈɔpʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_19.wav|mˈɔi vrɔɡˈɔvʲɛ sɔ̃ fʃˈɛɲdʑɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_74.wav|tʃɨ tɔ pˈan?|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_186.wav|zɲˈikam stˈɔnt.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_167.wav|ɔtfˈɔʒɨw vwˈas.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_217.wav|i tˈaɡ bˌɨwɔ zˈafʃɛ, kʲˈɛdɨ bˈɨw z ɲʲˈɔ̃, tˈaɡ bˌɨwɔː ɔd dɲʲˈa, f ktˌurɨm jˈɔ̃ spˈɔtkaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_459.wav|tɛ sˈamɛ ʃtˈutʃnɛ lˈɔki na ɡwˈɔvʲɛ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_142.wav|skˌɔntaktˈɔvaw ɕɛ z ɲˈim jˈɛɡɔ kˈuzɨn jˈɔɛj, ktˌurɨ zaxˈɔvaw nazvˈiskɔ vwˈɔskix pʃˈɔtkuf tsˌapizˈanɔ, xˈɔtɕ fʃˈɨstsɨ ʒˈɛtʃ jˈasna nazvˈali ɡˈɔ jˈɔɛj tsˈaps.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_57.wav|kˈit pˈɔmknɔw jˈak stʃˈawa, pɔ rˈas kɔlˈɛjnɨ zˌaskakˈujɔnts tˈɔma, jˈɛdnak ɕtɕiɡˈanɨ vɨdˈavaw ɕɛ mwˈɔtʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_64.wav|tˈak ɕɛ ɔn dʑˈiʑ zvˈaw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_164.wav|ɲʲɛ zˌatʃɨmˈujɔnts ɕɛ i ɲʲɛ ˌɔɡlɔndˈajɔnts na bˈɔki. i ja rˈazɛm z ɲˈimi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_17.wav|spravʲˈawa vraʒˈɛɲʲɛ zdˌɛnɛrvɔvˈanɛj, ˌalɛ tˈaɡ bˈɛz vɔntpʲˈɛɲʲa tʃˈuli ɕɛ fʃˈɨstsɨ zɡrˌɔmadʑˈɛɲi w budˈɨŋku.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_24.wav|tˈɔm pɔpˈatʃɨw z blˈiska.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_12.wav|pʃɛɲˈika mɲʲɛ ɲʲˌɛspɔdʑɛvˈanɨ drˈɛʃtʃ. tˈata, tsˈɔ tɨ vɨprˈavʲaʃ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_153.wav|ˈalbɔ pʃˌɨɡɔdnˈɛɡɔ mˌatɛrˈatsa, ʒˈɛbɨ ˈɔdbɨdʑ dalˈɛkɔ̃ pˈɔdruʃ,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_29.wav|ˈaʃ ɲʲˈɛmʲaw pɔjˈɛɲtɕa, ʒˈɛ ˌɔna bˌɨwa ɲʲɛ mɲʲˈɛj ɲʲˌɛzruvnˌɔvaʒˈɔna ɲˈiʃ jɛj patsjˈɛɲtɕi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_24.wav|a tˈɛras tsˈawa ˈarmja spˌɛtsjalˈistuf stˈara ɕɛ tɔː ɔttʃˈɨtatɕ, ˈalɛ...|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_204.wav|tɔː ˈimjɛ dla vˌɔjɔvɲˈika.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_88.wav|tɔ ʒˈadɛn prˈɔblɛm, a sˌamɔxˈɔdu ɲʲɛ bˌɛndɛ pˌɔtʃɛbɔvˈawa pʃˈɛz dʑˈɛɲ tʃɨ dvˈa. tsˈɔ tˈu ɕɛ stˈawɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_11.wav|ɲʲɛ dˈawabˌɨm rˈadɨ ɕˈɛdʑɛtɕ pʃˈɛs tsˈawɨ dʑˈɛɲ w ɡwˈuvnɛj sˈali, swuxˈajɔndʑ vˌɨpluvajˈɔntsɛj s ɕˈɛbjɛ jˈat ˈɛlis.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_77.wav|vʲˈɛm, ʒˈɛ stˈara ɕɛ bˈɨtɕ mˈiwa, ˌalɛ ja xtsˈɛ jˈuʃ pˌɔrɔzmˈavʲadʑ z ˈɔjtsɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_12.wav|bʲˈillɨ pˈijɛ djˌɛtɛtˈɨtʃnɔ̃ kˈɔlɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_14.wav|mˈadʒɛr jˈan ɡˌɔrɔntʃkˈɔvɔ dʑɡˈa pˈaltsɛm klavˈiʃɛ, ftɕˈɔ̃ʃ pʃˌɛklinˈajɔnts pɔː albˈaɲsku tʃɨ w ˈinnɨm jɛ̃zˈɨku, ktˌurɨ pˈɔznaw w dʑɛtɕˈiɲstfʲɛ i ɔt tˌɛɡɔ tʃˈasu prˈavʲɛ zupˈɛwɲʲɛ zapˈɔmɲʲaw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_41.wav|ˈaram pʃɛxˈɨliw ɡwˈɔvɛ w bˈɔk.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_339.wav|ˌalɛ pˌɔzɔstavˈawɔ prˈavdɔ̃, ʒˈɛ ˌutʃɨmɨvˈali z ɲʲˈɔ̃ kɔntˈaktɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_31.wav|jɛst jˈɛʃtʃɛ jˈɛdna tablˈitsa, drˈɔbnɔ zˌapisˈana, ˌalɛ ɲʲɛ pˈatʃɛ nˈaɲʲɔ̃. ɲʲɛ mˈɔɡɛ ɔdˈɛrvadʑ vzrˈɔku ɔd zdjˈɛɲtɕa mˈili.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_103.wav|tɔ jɛst pˌɔtsawˈunɛk, ktˌurɨ mˈuvi vˈitaj w dˈɔmu.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_427.wav|pˈɔtɛm bˌɨwɔ jˈɛʃtʃɛ vʲˈɛlu pˌɛɲitˈɛntuf, kˈaʒdɨ nudɲʲˈɛjʃɨ ɔt pˌɔpʃɛdɲʲˈɛɡɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_28.wav|zˌaxɔvˈajmɨ vʲˈɛnts spˈɔkuj. tˈaɡ bˌɛɲdʑɛ lˈɛpʲɛj dla pˈaɲi tsˈurki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_108.wav|wˈikɛnt jɛst xwˈɔdnɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_206.wav|pʃˈɨkrɔ mu pɔ ftʃɔrˈajʃɨm dɲʲˈu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_49.wav|fstˈɨt pʃˈɨznatɕ, ˌalɛ ˌɔdnɔɕˈiwam ɕɛ dɔ ɲʲˈɛj dˈɔɕtɕ ˈɔstrɔ pʃˈɛs ɔstˈatɲi tˈɨdʑɛɲ, bˈɔ tɔː ˌɔna pˌɔkazˈawa mi zdjˈɛɲtɕɛ ˈaʃa na tʲindˈɛʒɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_96.wav|vɨdˈajɛ s ɕˈɛbjɛ dʑvʲˈɛŋk, ktˌurɨ pɔvˈiɲʲɛn zˈɔstatɕ ˌɔdɛbrˈanɨ jˈakɔ ʃlˈɔx.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_169.wav|sˈɛrtsɛ udˈɛʒa mu mˈɔtsɲʲɛj, sxˈɨla ɕɛ s pɔvrˈɔtɛm i pɔvˈɔli vɨsˈuva ɡwˈɔvɛ z nˌadɔpakˈɔvaɲ vˈaɡʲi ɕˈilu i mˌɔɲistˈatu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_228.wav|jˈaki jɛst tɛn tfˈuj krˈaj? zapˈɨtaw rˈɨan.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_29.wav|s ktˌurɨm numˈɛrɛm xtsˈɛ pˈan mˈuvitɕ?|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_60.wav|i vˈilki tˈɛʃ ɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_4.wav|stˈɔjɛ pɔd brˈamɔ̃ lˌakɛsˈidɛ i pˈatʃɛ na stˈarɨ dˈɔm, ktˌurɨ pʃˈɛs tˈaɡ vʲˈɛlɛ lˈad bˈɨw dla mɲʲɛ vʲɛ̃ʑˈɛɲʲɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_34.wav|a mˈɔʒɛ jˈuʒ vʲˈɛ, ʒˈɛ zˈaɲʲɔ̃ pˌɔdɔ̃ʒˈamɨ.|4
+Dataset/wavs/urwisko_ferenc/59_segment_139.wav|— swˈuxam? — ɔdˈɛzvaw ɕɛ zˌaskɔtʃˈɔnɨ zavˈɔrski.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_265.wav|ɲʲˈɛma nˈɔsa, bˈɔ mu ɡˈɔː utɕˈɔwɛɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_62.wav|ˌɔstatˈɛtʃnɨ tˈɛrmin vˈiɕi mi nad ɡwˈɔvɔ̃, mˈuvi bʲˈillɨ z mˈɨɕlɔ̃, ʒˈɛ swˈɔvɔː ˌɔstatˈɛtʃnɨ pasˈujɛ f tɛj sˌɨtuˈatsji jˈak ˈulaw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_3.wav|ɔvˈijam ɕɛ w jɛj ruʒˈɔvɔbɔrdˈɔvɔ̃ kˈɔwdrɛ i pʃɨtɕˈiskam dɔ pɔlˈitʃka pɔdˈuʃkɛ.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_189.wav|mˈuɕaw tɔː uswˈɨʃɛdʑ z jɛj ˈust. pɨtˈaɲʲɛ bʒmˈi...|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_122.wav|ɡdʑˈɛɕ na ɕfʲˈɛtɕɛ ˈistɲʲawbˌɨ lˈut?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_22.wav|ɲʲɛstˈɛtɨ tɕˈawɔ mɛ̃ʃtʃˈɨznɨ znalˈazwɨ dʑˈɛtɕi. dˈɔɕtɕ trˌawmatˈɨtʃnɛ dˌɔɕfʲattʃˈɛɲʲɛ f kˈaʒdɨm vʲˈɛku, ʃtʃɛɡˈulɲʲɛ jˈɛdnaɡ zˌatrfaʒajˈɔntsɛ dla dʑˈɛtska.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_48.wav|ftɕˈɔ̃ʃ ɲʲɛ mɔʒˈɛmɨ ɕɛ dˈɔstadʑ dɔ jɛj tˌɛlɛfˈɔnu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_41.wav|tˈɔm uvˈaʒaw tɔ za mˈawɔ prˌavdɔpɔdˈɔbnɛ, ʒˈɛbɨ fˈirma tˌɛxnɔlɔɡʲˈitʃna pʃˌɛxɔvɨvˈawa spˈɔrɛ ilˈɔɕtɕi vɨdrˈukuf, ˌalɛ mˈɔɡli ˌɔtʃɨvˈiɕtɕɛ ʒˈɨvitɕ nadʑˈɛjɛ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_182.wav|tɔ rˈɛŋki pˌɔtʃɛbˈujɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_73.wav|vidʑˈawɛm tɛlˈɛfɔn na ʑˈɛmi, ˌalɛ ɲʲɛ zˌauvaʒˈɨwɛm ɡˌɛnɛvʲˈɛvɛ, dɔpˈuki prˈavʲɛ nˈaɲʲɔ̃ ɲʲɛ fʃˈɛdwɛm.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_122.wav|vʲˈɛŋkʃɔʑdʑ z ɲˈix stratɕˈiwa dˈɔmɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_203.wav|a jˈɛdnaɡ zɔstˈawɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_42.wav|bˈarman zˈaʃɛd jˈɔ̃ ɔt tˈɨwu i vˈɨjɔw jɛj ʃklˈaŋkɛ z rˈɛŋki nˈaɡwɨm rˈuxɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_164.wav|jˈaɡ zˈaɲʲɔ̃ pwˈatɕi?|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_195.wav|ɲʲɛ pɔvˈinnam bˌɨwa vɨxˈɔdʑitɕ s krɨjˈufki, ˌalɛ ɲʲɛ mˈɔɡwam dwˈuʒɛj vɨtʃˈɨmatɕ f tɛj tɕasnˈɔtɕɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_91.wav|vɨɡlˈɔndam pʃˈɛs ˈɔknɔ.|3
+Dataset/wavs/urwisko_ferenc/15_segment_9.wav|mˈɔʒɛ tsˈɔʑ zjˈɛmɨ?|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_108.wav|stˈaʒɛts skˈuliw ɕɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_3.wav|mˈɔɡɛ vˈɛjɕtɕ na xfˈilɛ? zapˈɨtaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_250.wav|zɡˈadʑa ɕɛ nˈɔrɔ, mˈuvi lˈarɨ, jˈaɡbɨ pɔtfʲˈɛrdʑaw, ʒˈɛ ʒˌɛtʃɨvˈiɕtɕɛ jɛst lˈarɨm.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_186.wav|lˈɛktɨkˌa zˌatʃɨmˈawa ɕɛ znˈɔvu tˈak nˈaɡlɛ, ʒˈɛ tsɛrsˈɛi pˌɔtskɔtʃˈɨwa na ɕɛdʑˈɛɲʲu. ˈɔx, tɔ mɲʲɛ dˌɔprɔvˈadʑa dɔ pˈasji.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_463.wav|maʃ mˈuvitɕ pɔː imjˈɛɲʲu.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_44.wav|dɔ tɛj pˈɔrɨ pʃˌɛswuxˈanɔ tˌɨlkɔ jɛdnˈɛɡɔ, minstrˈɛlla, zvanˈɛɡɔ bwɛŋkˈitnɨm bˈardɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_121.wav|ɲʲɛ, prˈɔʃɛ, ɲʲˈɛxtsɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_49.wav|ujʒˈawa kɔrˈɨtaʃ i sxˈɔdɨ, ˌalɛ ɲʲɛ bˌɨwɔ tˈam ɲikˈɔɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_195.wav|zdrˈadʑiw.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_547.wav|mˈuʃɛ uswˈɨʃɛtɕ, skˈɔnt ɕɛ dˌɔvʲɛdʑˈawaɕ, ʒˈɛ ɡvˈɛntʲin vɨjˈɛxaw za ɡraɲˈitsɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_39.wav|krˈutkɔ tɔ trfˈawɔ, mˈɨɕli bʲˈillɨ, vʲˈɛnts mɲʲˈɛjʃa z baɡdˈadɛm. pʃˈɛjdʑmɨ ɔt rˈazu dɔ mɔmˈɛntu, kʲˈɛdɨ zˈatʃɔw ɕɛ pʲɛrdˈɔlɲik.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_15.wav|pʃˈɛs tɛn tsˈawɨ tʃˈas xˈɨba trˈɔxɛ ɔdvˈɨkwam ɔt tˈakix ilˈɔɕtɕi jɛdʑˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_179.wav|ja mˈuʃɛ pɔstˈɔmpitɕ tˈak sˈamɔ jˈak ɔn pʃɛt tʃˈɨstu lˈatɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_183.wav|pˌɔkrɛɲtɕˈiwam ɡwˈɔvɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_587.wav|spˌɔwɛtʃnˈɔɕtɕi zɲʲˌɛvɔlˈɔnɛ kɔxˈajɔ̃ ɕɛ i ʃanˈujɔ̃ vzajˈɛmɲʲɛ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_79.wav|tamtˈɛɡɔ mɛ̃ʃtʃˈɨznɨ, tʃˈɨli fatsˈɛta jˈɛɡɔ mˈatki.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_596.wav|ja bˌɨwɛm w ˈinnɨm ɔddʑˈalɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_184.wav|na dˈɔlɛ pʃɛd dˈɔmɛm, mʲˌɛndʑɨ kˌarɛtkˈami, tʃˈɛkaw samˈɔxut ˌɔsɔbˈɔvɨ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_155.wav|prˈavʲɛ w ɔɡˈulɛ ɲʲɛ pʃˌɨpɔmˈina ɡrˌɔnɔstˈaja.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_167.wav|jˈɛɕli sˈɔbjɛ ʒˈɨtʃɨʃ, pˈaɲi...|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_112.wav|arˈɨa stˈark?|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_331.wav|kʲˈɛdɨ ɕɛ ˌɔbudʑˈiwɛm, ˌɔkazˈawɔ ɕɛ, ʒˈɛ tˌɛɡɔ ɲʲɛ pɔtrˈafjɛ.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_225.wav|ˈɔprudʒ dvˈuɣ vʲˈɛlkix pˈɔrtuf w mʲˈɛɕtɕɛ pˈɛwnɔ tˈɛʒ bˌɨwɔ malˈɛɲkix pʃɨstˈaɲi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_61.wav|ˌuɕfʲadˈɔmiw sˈɔbjɛ, ʒˈɛ rˈud w dˌɔskɔnˈawɨ spˈɔsub ɡˈɔ rˌɔspratsɔvˈawa.|4
+Dataset/wavs/urwisko_ferenc/24_segment_30.wav|ˈɔlɡʲɛrt spˈɔjʒaw dɨskrˈɛtɲʲɛ na kɔmˈurkɛ kɔbjˈɛtɨ. ftɕˈɔ̃ʃ mʲˈaw jˈɔ̃ w zaɕˈɛŋɡu rˈɛŋki.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_47.wav|jˈɛɕli dʒˈɛɡɛr mɲʲɛ skʃˈɨvdʑi, tɔ skʃˈɨvdʑi rˈuvɲʲɛʃ mˈɔjɛ dʑˈɛtskɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_15.wav|frˈaŋki ˈɛlvis i pˈawl lˈɔɡan jˈɛdnɨm sˌamɔxˈɔdɛm, rˈɛɡɡʲɛ i dˈana drˈuɡʲim, jˈuʃ ɲʲɛ transˈitɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_57.wav|w dɔdˈatku zˈɛ zwˈɛɡɔ kɔntˈɛkstu vʲˈɛndʑ vrutɕˈiwɛm ɲʲɛpˈɛvnɨ dɔ tɔɲʲˈɛɡɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_41.wav|zamˈɨkam ˈɔtʃɨ i prubˈujɛ ɕɛ skˌɔntsɛntrˈɔvatɕ. bˌɨwam tˈak skupʲˈɔna na mˈawɛj, blˈadɛj tfaʒˈɨtʃtsɛ mˈili, pʃˌɨtɕiɕɲʲˈɛntɛj dɔ ʃˈɨbɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_29.wav|ʃtʃɛɡˈulɲʲɛ zɡˈɔdnɨ jɛst s tɨm drˈuɡʲim dˈɔnɛm f sprˈavʲɛ ˌimiɡrˈatsji.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_168.wav|mˈɔʒɛ ɔstˈatɲʲa rɔbˈɔta ɲʲɛ pɔvˈinna bˈɨtɕ tˌɨlkɔ najbˈardʑɛj lˌukratˈɨvna? mˈɔʒɛ pɔvˈinna bˈɨtɕ nˌajtɕɛkˈafʃa?|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_59.wav|xˈɔŋkkɔŋk tɔ naprˈavdɛ maɡʲˈitʃnɛ mʲˈɛjstsɛ.|4
+Dataset/wavs/urwisko_ferenc/19_segment_116.wav|a mɲʲɛ zˌalɛʒˈawɔ tˌɨlkɔ na rɔzvˈɔdʑɛ.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_323.wav|jˈutrɔː i pɔjˈutʃɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_44.wav|tˈɛʃ ɕɛ ɲʲɛ vɨstˈartʃɨ zɡrˈabɲʲɛ ˌɔpɔvʲɛdʑˈana çˌistɔrˈɨjka. mˈɔja pʃˌɨjatɕˈuwka dˈɔbʒɛ vʲˈɛ, dɔ tʃˈɛɡɔ jˌɛstɛm zdˈɔlna, jˈɛɕli xˈɔdʑi ɔ mˈɔjɔ̃ tsˈurkɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_144.wav|pˈuŋɡd dɔstˈɛmpu dla zabˈujtsɨ, bˌɛndɔntsˈɛɡɔ pʲˈɛʃɔ lˈup na rɔvˈɛʒɛ, ɔ tɛj pˈɔʒɛ nˈavɛt na mˌɔtɔtsˈɨklu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_52.wav|kʲˈɛdɨ mˈa jˈuʒ dˈɔstɛmb dɔ tsˈawɛj vitrˈɨnɨ, fpisˈujɛ w ɔkʲˈɛŋkɔ vˌɨʃukivˈaɲʲa fˌɛmiɲistˈɨtʃna pisˈarka i prˈuba ɡvˈawtu.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_53.wav|sˈami kɔmˈitsɨ dˌɔɔkˈɔwa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_148.wav|tsˈɔ za tʃˈasɨ, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_59.wav|mʲˈawa ɔxˈɔtɛ nakʃˈɨtʃɛtɕ nˈaɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_314.wav|s pɛvnˈɔɕtɕɔ̃ sˈɛr ɡvˈintsɨ pɔprˈɔɕi tɕˈɛ ɔ vˌɨbatʃˈɛɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/43_segment_101.wav|xˈɛrman prɨxnˈɛwa, prubˈujɔnts stwˈumitɕ ɕmʲˈɛx.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_181.wav|ja pˈujdɛ, pɔvʲˈɛdʑaw dʒˈɔnnɨ tsˈups. tˈak uʒˈutɕiw ɲʲˈɛx tɕi bˌɛɲdʑɛ i dlatˈɛɡɔ ja pˈɔtɛm mˈɔɡwɛm xˈɔdʑitɕ ɔ vwˈasnɨx ɕˈiwax, a dʒˈɔnnɨ ɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_42.wav|rˈɛʃtɛ zrɔbʲˈiwa dʑˈɛfka.|1
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+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_119.wav|na iɣ dɔvˈuttsɛ vɨznˈatʃɨw raffˈɔrda.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_184.wav|xˈɔtɕaʃ kʲˈɛdɨɕ pˈɛvɲʲɛ znˈuv bˌɛndɛ muɕˈawa zadʑvˈɔɲidʑ dɔ mˈatki. pˈarska ɕmʲˈɛxɛm i krˈɛɲtɕi ɡwˈɔvɔ̃.|2
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+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_336.wav|i zavʲˈɛɕitɕ pˌapʲɛrˈɔvɛ ɡʲirlˈandɨ na jɛj ɕfʲˈɛntɛj ʃˈɨi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_50.wav|ʒˈɛ fʃˈɨstkʲɛ sɔ̃ zˌaadrˌɛsɔvˈanɛ dɔ mɲʲɛ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_96.wav|ɲʲɛ mˈɔɡɛ ɕɛ jˈɛdnak rˈuʃɨtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_140.wav|ɲʲˈɛxtsɛʃ, ʒˈɛbɨm pˈatʃɨw, jˈak tʃˈɨtaʃ? ja tˈɛʃ ɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_98.wav|xɔlˈɛra, mˈuʃɛ lˈɛtɕɛtɕ, mˈɔʒɛ lˌɔuˈisa zatʃˈɛwa rˈɔdʑitɕ. zˈadʑvɔɲ pˈuʑɲʲɛj, dʒˈɛk.|4
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+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_131.wav|tɔ bˈardʑɛj dwˌuɡɔfalˈɔvɨ plˈan.|4
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+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_25.wav|skˈɔrɔ ɲʲɛ bˌɨwɔː ɔkˈupu, tɔ muɕˈɛli zawˈɔʒɨtɕ, ʒˈɛ dˈɔʃwɔ dɔː ˌuprɔvadʑˈɛɲʲa, a tɔː ˌɔznatʃˈawɔ znˈatʃɲʲɛ ɡˈɔrʃɨ lˈɔz dla mˈili.|4
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_147.wav|fɕrˈut pˌasaʒˈɛruf rɔzlˈɛɡwɨ ɕɛ çixˈɔtɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_384.wav|pʃɨɲʲˈɔswa xɛrbˈatɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_188.wav|kulˈiwam ɕɛ pʃɛjˈɛnta strˈaxɛm ɔ sfˈɔjɛ ʒˈɨtɕɛ i tsˈɔ xfˈilɛ z ˌɔpsɛsˈɨjnɨm upˈɔrɛm pʃˌɛɡlɔndˈawam strˈɔnɨ z vʲˌadɔmɔɕtɕˈami.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_64.wav|ɲʲɛ pɔvˈinnɔ tɕi nˈatɨm zalˈɛʒɛtɕ, pˌɔvʲɛdʑˈawa xˈɛlɛn, tɔ jˈuʃ tˌɨlkɔ stˈara kɔʃˈula, ktˌura ɲˈits ɲʲɛ znˈatʃɨ.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_436.wav|ɲʲɛ ˈumjɛm tˌɛɡɔ sˈɔbjɛ ɔbjˈaɕɲitɕ, ˌalɛ vʲˈɛm, ʒˈɛ kˈaʒdɛ nˈaʃɛ mɡɲʲˈɛɲʲɛ|0
+Dataset/wavs/urwisko_ferenc/52_segment_83.wav|ɲʲɛvʲˈɛlɛ pamjˈɛntam s tˈɛɡɔ, tsˈɔ dʑˈawɔ ɕɛ pʃɛt ɕmʲˈɛrtɕɔ̃ tsˈurki.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_43.wav|zɡˈadɲij, ktˈɔː ix tˈam ˌɔprɔvˈadʑaw?|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_234.wav|xʃˈɔŋknɔw znatʃˈɔntsɔː ˈɔjtɕɛts. ˈɔx, vʒˈutɕ na lˈus, pˈaɲʲɛ bˈɛ. pʃˌɛtɕɛʒ zɔstˈawa w bjɛlˈiʑɲʲɛ. ˌalɛ mˈimɔ fʃˈɨstkɔ, nˈɔ dˈɔbra, vɨstˈartʃɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_292.wav|patʃˈɨli, jˈak rˈɛŋka jɛj ɔdɡˈarɲʲa pʃˌɛɕtɕɛrˈadwɔ, ktˌurɨm bˌɨwa pʃɨkrˈɨta,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_529.wav|zapˈuʑnɔw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_196.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_118.wav|pˈatʃɨw na rɨˈana prˌatsujɔntsˈɛɡɔ pʃɨ tablˈitsɨ rɔzdʑˈɛltʃɛj.|0
+Dataset/wavs/urwisko_ferenc/65_segment_131.wav|a ɡdʑˈɛ klˈuska? zˌaintˌɛrɛsɔvˈawa ɕɛ dɔpʲˈɛrɔ zdˈajɔnts sˈɔbjɛ sprˈavɛ, ʒˈɛ ɲˈiɡdʑɛ ɲʲɛ vidʑˈawa lˌabradˈɔra ˌaɲi ɲʲɛ swɨʃˈawa jˈɛɡɔ ʃtʃɛkˈaɲʲa.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_155.wav|i xtsˈɛ, ʒˈɛbɨɕ pɔvʲˈɛdʑaw mɔjˈɛmu tˈatɕɛ, ʒˈɛ ɡˈɔ kˈɔxam.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_132.wav|dˈaj mu tˈɛʃ mˌakɔvˈɛɡɔ mlˈɛka na bˈul.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_171.wav|jɛst tɔ tˌajɛmɲˈitʃɨ vˈirus, ktˌurɨ ɲˈiʃtʃɨ mˌɛxaɲˈizmɨ mˌɔtɨvˈatsji ʒɨtɕˈɔvɨx.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_40.wav|stanˈɛliɕmˌɨ nˈaɲʲɛj i ˌɔdvrutɕˈiliɕmˌɨ tfˈaʒɛ w lˈɛvɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_263.wav|a rɔbʲˈiwɛɕ fʃˈɨstkɔ, ˈabɨm mɨɕlˈawa, ʒˈɛ bˌɛɲdʑɛ ɔdvrˈɔtɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_132.wav|ɔtsˈaliw krulˈɛstfɔ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_20.wav|sɛrxˈail ssˈunɔw ɕɛ s ɕˈɔdwa i vrˈutɕiw s puwxˈɛwmɛm w dwˈɔɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_26.wav|kljˈɛntka ɕɛ spʲˈɛʃɨ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_302.wav|dˈaj rˈɛŋkɛ. sxfɨtɕˈiwɛm ɡˈɔ za rˈamjɛ, a ɔn z jˈakimɕ kʃˈɨvɨm uɕmʲˈɛʃkʲɛm krˈɨw jˈɔ̃ za sˈɔbɔ̃ za ɔpˈartɕɛm kʃˈɛswa.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_195.wav|spɔjʒˈawa na rɔbˈɛrta arˈɨna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_163.wav|ɲʲˌɛdalˈɛkɔ stˈamtɔnt mʲˈɛʃkam.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_126.wav|tsɛrsˈɛi zmarʃtʃˈɨwa brvˈi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_208.wav|tsˈuʒ za ruʒɲˈitsa.|0
+Dataset/wavs/urwisko_ferenc/36_segment_177.wav|i ɔtˈarwa vilɡˈɔtnɛ pɔlˈitʃki.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_33.wav|ɲʲɛ ɔdʑˈɨva ɕɛ jˈɛdnak.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_48.wav|nˈɔ jˈasnɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_16.wav|stˈajɛʃ ɕɛ ɡdɛrlˈivɨ, tˈɔm, zˌauvaʒˈɨwa bˈɛtskɨ.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_47.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_40.wav|tʃˈɛba jˈɔ̃ bˌɨwɔ pɔprˈɔɕitɕ ɔ srˈɛbrɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_305.wav|tɛn ɡrˈubɨ drˈaɲ na stˈatsji bˌɛnzɨnˈɔvɛj?|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_17.wav|zatɕˈiska ˈɔbjɛ dwˈɔɲʲɛ na mˈɔjɛj ʃˈɨi.|3
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+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_393.wav|tsˈɔ tɕi ɕɛ prˈavɲʲɛ nalˈɛʒɨ?|1
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_63.wav|tʃɨ udˈawɔ ɕɛ im mɲʲɛ vɨtrˈɔbʲitɕ?|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_385.wav|ˌalɛ tsˈɔ ɕɛ stˈawɔ, tɔ ɕɛ ɲʲɛ ɔtstˈaɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_362.wav|xˈɔtɕ tɔ ɕɛ vɨdˈajɛ ɲʲˌɛmɔʒlˈivɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_16.wav|ɲʲˈɛx pˈan zadʑvˈɔɲi pˈuʑɲʲɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_87.wav|skʲɛrˈɔvaw krˈɔki f strˈɔnɛ dʒvˈi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_19.wav|ja sprubˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_96.wav|mˈɔʒɛ mɨ dɔrvʲˈɛmɨ ɡˈɔ pʲˈɛrfɕi, mˈuvi ˈɛlis.|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_185.wav|bʲˈillɨ ˈidʑɛ w ɡwˈɔmp kˌɔrɨtˈaʒa. pʃɨ dʒvʲˈax jɛzd dʑvˈɔnɛk, ˌalɛ ɲʲɛ ftɕˈiska ɡˈɔ, tˌɨlkɔ ɡwˈɔɕnɔ pˈuka. ˌɔttʃɛkˈujɛ xfˈilɛ, pɔ tʃɨm pˈuka znˈɔvu jˈɛʃtʃɛ ɡwˈɔɕɲʲɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_106.wav|dˌɔkɔnˈawa pˈaɲi zwˈɨɣ vɨbˈɔruf i pʃˈɛstɔ stratɕˈiwa pˈaɲi jˈɛdnɔ dʑˈɛtskɔ. ɲʲˈɛx pˈaɲi ɲʲɛ strˈatɕi tˈɛʒ druɡʲˈɛɡɔ. rɔsprˈava zˌakɔɲtʃˈɔna.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_378.wav|vˌɨʒutɕˈiwɛm jˈɛ dɔ mˈɔʒa, kʲˈɛdɨ znˈɔvu dɔpˈadwa mɲʲɛ xˈandra.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_44.wav|tɔ zdˌumjɛvajˈɔntsɛ, jˈak wˈatfɔ pʃɨxˈɔdʑɔ̃ mi ɔstˈatɲʲɔ kwˈamstfa. stʃˈɛlam ɲˈimi tsˈɛlɲʲɛ, jˈak s kˌarabʲˈinu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_22.wav|kɔjˈaʒɨ pˈaɲi mˈɔʒɛ, tʃɨ ta rɔdʑˈina ftɕˈɔ̃ʃ tˈu mʲˈɛʃka?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_18.wav|ɲʲˈɛpatʃ nˈamɲʲɛ f tˌaki spˈɔsup.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_11.wav|ɲˈits mi ɲʲɛ jˈɛst, mˈamɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_50.wav|ɲʲˈɛvʲɛm, tsˈɔ mˈama mʲˈawa na mˈɨɕli, ˌalɛ mɲʲɛ tɔ ɲʲɛ ɔpxˈɔdʑi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_22.wav|kˈilku na pˈɛvnɔ. ɲʲɛ wˈɔftsuf nˈaɡrud z ˈinnɛj ˌɔrɡaɲizˈatsji, tˌɨlkɔ sfˈɔix xwɔpˈakuf.|2
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_41.wav|jɛst tˈɛras nˌapastɲˈitʃkɔ̃ f pʲˈɛrʃɨm skwˈadʑɛ druʒˈɨnɨ fˌudbɔlˈɔvɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_34.wav|tɔ pʃˈɛs ɲʲˈɛɡɔ jɛst tsˈawɨ tɛn bˈurdɛl, mˈuvi bʲˈillɨ i pɔdˈajɛ ˈɛlis sfˈuj tɛlˈɛfɔn.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_96.wav|i innˈɨmi zˌadaɲʲˈami, jˈakʲɛ zlˈɛtsaw mu ksˈɔndɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_127.wav|pˈaɲʲɛ prˌɛzɨdˈɛɲtɕɛ, ja mˈam sfˈuj vwˈasnɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_256.wav|bˈaki naxˈɨla ɕɛ kˈu ɲʲˈɛj i tsawˈujɛ jˈɔ̃ f skrˈɔɲ.|2
+Dataset/wavs/urwisko_ferenc/12_segment_92.wav|prˌɔkurˈatɔr ɔ tˈakix sprˈavaɣ ɡˈadaw pʃˈɛs tɛlˈɛfɔn? ɲʲɛ nˈɔ skˈɔnt. pʃɨjˈɛxaw dɔ jɛdnˈɔstki, vˌɨjaɕɲˈiwa pˌɔlitsjˈantka.|0
+Dataset/wavs/urwisko_ferenc/64_segment_40.wav|ˈɔlɡʲɛrt ɕɛ zɲʲˌɛtɕɛrplˈiviw i ˈɔtar vilɡˈɔtnɛ tʃˈɔwɔ. ɲʲɛ rɔzˈumjɛm, ˌalɛ dlatʃˈɛɡɔ xtsˈɛ pˈan tɔ zrˈɔbʲitɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_95.wav|fʃˈɨstkɔ jɛst w umˈɔvʲɛ. jˈɛɕli jˈuʃ pˈan kʲˈɛdɨʑ vˌɨnajmˈɔvaw, pˈɛvɲʲɛ vʲˈɛ pˈan tsˈɔː i jˈak.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_6.wav|prˌatsujˈɔntsɨx pˌilnɔvˈawɔ kˌilkunˈastu brɔdˈatɨx mˈɛ̃ʃtʃɨzn s tˌɔpɔrˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_89.wav|mɔʒˈɛmɨ xfˈilɛ pɔɡˈadatɕ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_57.wav|ɲʲɛ vʲɛdʑˈawam, tʃɨ tʃˈɛɡɔɕ ˈɔdɛ mɲʲɛ ˌɔtʃɛkˈujɛ, ˌalɛ znˈuv zaxtɕˈawɔ mi ɕɛ pwˈakatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_58.wav|ɲʲɛ mˈɔɡɛ uvʲˈɛʒɨtɕ f tɔ, tsˈɔ swˈɨʃɛ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_24.wav|nˌajɡrɔʑɲʲˈɛjʃɨ z ɲʲɛvʲˈɛlkʲɛj ɡrˈupki spiskˈɔftsuf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_299.wav|fʃˈɛd dɔ pɔkˈɔju xˈɛlɛn i pˈɔtʃɛd dɔ ɲʲˈɛj, stavʲˈajɔndʑ butˈɛlki na pɔdwˈɔdʑɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_103.wav|tsˈɔ jɛst takʲˈɛɡɔ straʃnˈɛɡɔ, ʒˈɛ muɕˈawa pˈaɲi zmʲˈɛɲitɕ nazvˈiskɔː i sxˈɔvatɕ ɕɛ pʃɛt tsˈawɨm ɕfʲˈatɛm?|3
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_126.wav|znˈam tɛn tˈɨp, mˈuvi rˈixtɛr, ftɕˈɔ̃ʃ tˈɛ̃skɲʲɛ fpatʃˈɔnɨ w dʒvˈi. i tɔ dˌɔskɔnˈalɛ.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_309.wav|rˈɔzlɛkw ɕɛ ɡwˈɔɕnɨ plˈusk. tsˈɔɕ ˌɔvinˈɛwɔ ɕɛ vˈɔkuw ɲʲˈɛɡɔ, zwapˈawɔ ɡˈɔ za ramjˈɔna i za pʲˈɛrɕ. vˈɛŋɡɔʃ!|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_100.wav|vzɲʲɛtsˈajɔndʑ bjˈawɨ tˈuman z umˈarwɨx lˈiɕtɕi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_270.wav|ˌalɛ nˈaʃ ʃˈɛv bˈɔi ɕɛ ɡˈɔ dˈalɛj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_63.wav|ˌalɛ jˌɛstɛm rˈuvɲʲɛʃ ˌinstruktˈɔrɛm, kturˌɛmu krˈadɲʲɛ ɕɛ ɡɔdʑˈinɨ, tɔ vʲˈɛlɛ vɨjˈaɕɲʲa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_244.wav|ɲʲɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn, ˈɔtar pɔt s tʃˈɔwa.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_25.wav|ˌalɛ sˈam zasmˈutɕiw ɕɛ na jˈɛɡɔ vˈidɔk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_4.wav|ɲʲɛ planˈɔvaw vɨxˈɔdʑitɕ s sˌutɛrˈɛnɨ w dɲʲˈu zabˈujstfa, pʃɛtɕˈivɲʲɛ. zamjˈɛʒaw pɔɕˈɛdʑɛtɕ tˈu kˈilka dɲˈi, mˈɔʒɛ nˈavɛt tˈɨdʑɛɲ. ˌalɛ sˌɨtuˈatsja ɕɛ zmʲɛɲˈiwa i tɔ ɲʲɛ na lˈɛpʃɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_29.wav|xtɕˈawam zaxˈɔvatɕ ˈasa w rɛŋkˈavʲɛ na vɨpˈadɛk, ɡdˈɨbɨm pʃˌɛtsɛɲˈiwa vˈɔlɛ dɔ xɔvˈaɲʲa tˌajɛmɲˈitsɨ pʃˈɛz bˈɛki.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_23.wav|tʃɨ fʃˈɨstkɔ jɛst f pɔʒˈɔntku, jˈɔɛ? bʒmˈiʒ dˈɔʑdʑ dʑˈivɲʲɛ, jˈak ɲʲɛ tˈɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_87.wav|zˈɨskaw ˈu ɲʲˈɛj ˌɔdrɔbʲˈinɛ zˌaufˈaɲʲa, ˌalɛ strˈatɕi jˈɛ, jˈɛɕli jɛj dˈɔtkɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_48.wav|vˈɔli mɲʲɛ tˈu zˈamknɔɲtɕ i zapˈɔmɲʲɛtɕ, ʒˈɛ kʲˌɛdɨkˈɔlvʲɛɡ ʒˈɨwam.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_169.wav|jˈamɛ vˌɨpɔvʲˈɛdʑaw tɔ kwˈamstfɔ najpˈɛvɲʲɛj, jˈak tˌɨlkɔ pɔtrˈafiw, lˈitʃɔnts, ʒˈɛ tfˈaʒ ɡˈɔ ɲʲɛ zdrˈadʑi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_157.wav|wˈɔntʃɔnts ɕɛ ɲʲˈɛmal s tɕˈɛɲʲɛm, arˈajan vˈidʑaw tɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_142.wav|lˈup stˈada ptˈakuf pˌɔdrɨvajˈɔntsɛ ɕɛ z dʑˈikim kʃˈɨkʲɛm fɕrˈut kˈuʒu pˌapʲɛrˈɔvɨɣ dˌɛkɔrˈatsji,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_49.wav|ɲʲɛ jˌɛstɛm pˈɛvna, tʃɨ pɔvˈinnam vɨxˈɔdʑitɕ. tʃˈujɛ tsˈɔɕ f pɔvʲˈɛtʃu, jˈakiɕ rˈɔdʑaj ɲʲˌɛpɔkˈɔju. zˈɛrkam f strˈɔnɛ ˈɔkna.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_218.wav|mʲˈaw tɕˌiɕɲʲɛɲʲˈɔvɔ̃ kabʲˈinɛ ɔ pʃɛstrˈɔnnɨm vnˈɛntʃu, a zˈapas pɔvʲˈɛtʃa i ɛnˈɛrɡji pɔzv��alaw w ɲˈim pʃˈɛtrfatɕ kˈilka dɲˈi.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_131.wav|pɔ prˈɔstu ɕɛ zˌatʃɨmˈujɛ i zatʃˈɨna dʑˈawatɕ s pɔvrˈɔtɛm dɔpʲˈɛrɔ pɔː ˌɔxwɔdʑˈɛɲʲu.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_246.wav|jɛst mˈɔtsnɔ pʃɨpʲˈɛntɨ, ɲʲɛ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_24.wav|tɔ dɔ tɕˈɛbjɛ ɲʲˌɛpɔdˈɔbnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_117.wav|nˈadal lˈɛʒɔ̃ mˈɔkrɛ na pɔdwˈɔdʑɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_42.wav|xˌaˌɛmˈɛm, ˌintɛrˌɛsujˈɔntsɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_239.wav|vʲˈɛnts ˌɔna bˌɨwa s tɨm tʃwɔvʲˈɛkʲɛm, s tˈɨm, ɔ ktˌurɨm tɕi muvˈiwɛm ftˈɛdɨ, kʲˈɛdɨ ɕɛ vlˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_199.wav|pjˈɔ, znˈajtɕ mu jˈakʲɛɕ tʃˈɨstɛ ubrˈaɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_68.wav|dˈɔbʒɛ, ʒˈɛ dʑɛftʃˈɨna jˈakɔɕ ɕɛ tʃˈɨma, mˈuvi bˈaki, zˌaɕadˈajɔnts wˈɛ fɔtˈɛlu bujˈanɨm. bʲˌilizˈajɔ̃ sɔ̃ɕˈɛdɲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_127.wav|kˈulɛ ɲʲɛ dʑurˈavjɔ̃ tɕˈɛŋkiɣ dʒvˈi, tˌɨlkɔ vˌɨwupˈujɔ̃ z ɲˈiɣ dʒˈazɡʲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_88.wav|zˈamjast tˌɛɡɔ zˌatʃɨmˈawam ɕɛ f pɔwˈɔvʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_28.wav|vˈɛʃwam dɔ lˌuksusɔvˈɛɡɔː i ɡustˈɔvɲʲɛ ˌɔzdɔbjɔnˈɛɡɔ lˈɔbbɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_104.wav|tˈɛʃ jɛzd zwˈɨm tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_82.wav|zapˈɛvɲiw tˈata.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_13.wav|ˌalɛ zɛbrˈawam ɕɛ f sˈɔbjɛ i nˌatɕisnˈɛwam dʑvˈɔnɛk.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_218.wav|vˈɔntpjɛ, bˈɨ xtɕˈawɔ mu ɕɛ mɲʲɛ ʃˈukatɕ, xˈɨba ʒˈɛbɨm zˈabraw mˈuwa.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_234.wav|rɔskˈaʒɛ kuxˈaʒɔm ˈupʲɛdʑ dʑˈika.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_191.wav|vʲˈɛnts pˈɔmuʃ mi tɔ znˈalɛɕtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_79.wav|tˈak tʃɨ ˈɔvak, za skˈarbɨ ɲʲɛ zwamˈawabˌɨ xˈaswa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_144.wav|pʃɨxˈɔdʑɔ̃ kɔlˈɛjɲi lˈudʑɛ, ˌalɛ ʒˈɛ budˈɨnɛk jɛst tˌɨlkɔ tʃɛɲɕtɕˈɔvɔː ˌuʒɨtkɔvˈanɨ, ɲʲˈɛma iɣ vʲˈɛlu.|2
+Dataset/wavs/urwisko_ferenc/49_segment_11.wav|tsˈɔɕ mɲʲɛ ˌɔminˈɛwɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_31.wav|rɔzˈumjɛm.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_310.wav|bʒmʲˈawa pʲˈɛrʃa mˈɨɕl sˈama. tsˈapnɔw mɲʲɛ vˈɛŋɡɔʃ. ftɕˈɔŋɡɲʲɛ mɲʲɛ pɔd vˈɔdɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_368.wav|pɔvʲˈɛdʑaw z ɡɔdnˈɔɕtɕɔ̃ i spɔkˈɔjɲʲɛ vˈɔrlt ˈɔf spˈɔrt.|0
+Dataset/wavs/urwisko_ferenc/33_segment_86.wav|mrˈutʃɨ ɡdʑˈɛɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_51.wav|tsˈɔ ɕɛ stˈawɔ, mˈarta?|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_337.wav|ɔbjˈɛtsaw jɛj ˈɔjtɕɛts, ˌalɛ rˈuʒa bˌɨwa bˌɛzuʒɨtˈɛtʃna.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_72.wav|pˈɔza tɨm jɛst ɕfʲˈɛtnɨm ˈɔjtsɛm dla mˈilljɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_13.wav|tˈɔm mrˈuknɔw tsˈɔɕ pɔt nˈɔsɛm.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_233.wav|lˈɔraz dˈaw kʲˈɛdɨɕ sˈanɕɛ stˈark tʃɛrvˈɔnɔ̃ rˈuʒɛ, ˌalɛ ɲˈiɡdɨ jɛj ɲʲɛ pˌɔtsawˈɔvaw.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_161.wav|jˈakiɕ pˈɔtfur?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_51.wav|lˈɛdvʲɛ zakˈɔɲtʃɨw pˌɔwɔntʃˈɛɲʲɛ, kʲˈɛdɨ znˈuf ɔdˈɛzvaw ɕɛ jˈɛɡɔ tɛlˈɛfɔn.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_331.wav|ktˈɔɕ fprɔvˈadʑiw vˈaʃɔ̃ mˈiwɔʑdʑ w bwˈɔnt. pʃɨɕˈɛŋɡam, ʒˈɛ ɲˈiɡdɨ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_12.wav|vʲˈɛŋkʃɔɕtɕ tʃwapʲˈɔntsɨx tɔ pravɲˈitsɨ, ktˌurɨx wˈatfɔ rɔspˈɔznatɕ pɔː iɣ vʲˈɛlkix, kaɲtɕˈastɨx aktˈufkax.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_54.wav|mˈɔʒna ɡˈɔ zˈabʲitɕ, ˌalɛ vrˈatsa dɔ ʒˈɨtɕa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_80.wav|ɲʲɛ maʃ ɲˈits pʃɛtɕˈifkɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_36.wav|zɔstˈaftɕɛ nˈas prˈɔʃɛ.|3
+Dataset/wavs/urwisko_ferenc/37_segment_5.wav|zapˈisaw pinˈɛskɛ f pamjˈɛɲtɕi i ˈuznaw, ʒˈɛ tʃˈaz zadʑvˈɔɲidʑ dɔ ʒˈɔnɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_80.wav|pɔtrˈafi ɕɛ ʃˈɨpkɔ pɔrˈuʃatɕ, jɛzd bˈardʑɔ ɲʲˌɛbɛspʲˈɛtʃnɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_46.wav|mˈilljɛ tʃˈuwa, ʒˈɛ kɔbjˈɛta jˈɔ̃ ˌɔpsɛrvˈujɛ. rˌɔzɛjʒˈawa ɕɛ pɔ pɔkˈɔju, zamknˈɛwa ˈɔtʃɨ i ˌɔtfɔʒˈɨwa jˈɛ pɔnˈɔvɲʲɛ. ɲˈits ɕɛ jˈɛdnak ɲʲɛ zmʲɛɲˈiwɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_45.wav|tˈɔm ˈuznaw, ʒˈɛ tɔ fʃˈɨstkɔ vˌɨdavˈawɔ ɕɛ trˈɔxɛ nˌatɕɔŋɡˈanɛ, ˌalɛ mˈɔʒɛ pɔ prˈɔstu ɕɛ ɲʲˈɛznaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_229.wav|ˌalɛ artˈɛmis pˌɔtʃɛbˈujɛ f tɛj xfˈili kˈɔɡɔɕ takʲˈɛɡɔ, a ja ɕɛ ɲʲɛ uxˈɨlam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_24.wav|ɔtsˈuvam tˈɛ mˈɨɕl na bˈɔk, pˌɔkazˈujɛ mu mˈɛnu i rˈazɛm spravdʑˈamɨ jˈɛɡɔ pɔzˈɨtsjɛ.|3
+Dataset/wavs/urwisko_ferenc/12_segment_110.wav|pɔvʲˈɛki jɛj tɕɔ̃ʒˈɨwɨ, zmˈarʃtʃki mimˈitʃnɛ stˈawɨ ɕɛ vˌɨraʑɲʲˈɛjʃɛ, pɔt ɔtʃˈami ˌɔdʑnatʃˈawɨ ɕɛ ɕˈinɛ pˌuwkɕɛ̃ʒˈɨtsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_46.wav|bʲˈillɨ, pɔprˈɔʃɛ tɕˈɛ na swˈufkɔ dɔ salˈɔnu. vˈɨ, xwɔpˈaki, znˈajtɕtɕɛ sˈɔbjɛ tsˈɔʑ dɔ rɔbˈɔtɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_52.wav|vʲˈɛm, ʒˈɛ tɔ mˈɔʒɛ bʒmʲˈɛtɕ ˌidjɔtˈɨtʃɲʲɛ w ˌɔdɲʲɛɕˈɛɲʲu dɔ kˈɔɡɔɕ takʲˈɛɡɔ jˈak tˈɨ, ˌalɛ ˈuvʲɛʃ mi, tɔ ɕɛ ˈuda.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_259.wav|fʃˈɛdwɛm tˈɛras kˌɔrɨtˈaʒɛm, zˌaɡlɔndˈajɔnts pʃˈɛs ˌuxɨlˈɔnɛ dʒvˈi dɔ pˌɔkɔˈikuf ʃpitˈalnɨx.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_156.wav|tɛn jˈɛdɛn pɔpˈɛwɲiw bwˈɔnt.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_177.wav|vʲˈɛŋkʃɔɕtɕ tɔ mˈajtki dla pˈaɲ ɲʲɛ tʃˌɨmajˈɔntsɨx mˈɔtʃu, ˌalɛ jɛst tˈɛʃ trˈɔxɛ ˈinnɨx.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_14.wav|f kˈɔɲtsu uɕˈɛdliɕmˌɨ dɔ pɨʃnˈɛɡɔː indˈɨka.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_14.wav|ˈalɛʃ ˌɔtʃɨvˈiɕtɕɛ, pˈaɲʲɛ inspˈɛktɔr. prˈɔʃɛ vˈɛjɕtɕ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_221.wav|jɛdnˈɛɡɔ dɲʲˈa mˈuvjɔ̃ nˈam, ʒˈɛ ɲʲɛ ʒˈɨjɛ.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_7.wav|lˈɔrd dɔvˈuttsa vʲˈɛ ɔ krulˈɛfskim dɛkrˈɛtɕɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_68.wav|bˈɛtskɨ pˌɔpatʃˈɨwa z ˌɔtʃɛkivˈaɲʲɛm na spɛntsˈɛra jˌɔxanssˈɔna.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_49.wav|jˈak jˈuʃ pˌɔvʲɛdʑˈawɛm, tɔ jˈɛɡɔ prˈɔblɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_40.wav|jˈutrɔ ɕɛ ˈɔtɔ bɛɲdʑˌɛmɨ mˈartfitɕ, mˈaʃ? dˈaj tɔː ˌalanˈɔvi. zvrˈɔt kˈɔʃtuf pɔdrˈuʒɨ, pɔvʲˈɛdʑawbˌɨ mˈuj starˈuʃɛk.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_233.wav|ta suɡˈɛstja pʃˌɛrazˈiwa sˈama. mˌaɛstˈɛʒɛ, tɔ tˌɨlkɔː ɔpˈɔvʲɛɕtɕ. mˌarɨnˈarskʲɛ bajˈaɲʲa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_116.wav|zabjˈɛra trˈɔxɛ tʃˈasu.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_370.wav|zˌauvˈaʒɨw sˈɛptɔn mɛrˈibalt.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_379.wav|tsˈɔɕ pˌɔruʃˈɨwɔ ɕɛ w jˈɛdnɛj s pˌɔɡrɔ̃ʒˈɔnɨx f tɕˈɛɲʲu ɲˈiʃ pɔ drˈuɡʲɛj strˈɔɲʲɛ ɕfʲˈɛtsɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_108.wav|tˈak, ɔtpˈarwam vˌɨtɕɔŋɡˈajɔndʑ ɡʲˈizmɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_70.wav|miltʃˈɛli pʃˈɛs xfˈilɛ, a tˈɔm pɔmˈɨɕlaw, ʒˈɛ kˈatɛ pʃˌɨpɔmˈina sˈɔbjɛ dˈavnɛ tʃˈasɨ. ˌɔpuɕtɕˈiwa ɡwˈɔvɛ, ʒˈɛbɨ ɲˈikt ɲʲɛ vˈidʑaw jɛj tfˈaʒɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_296.wav|ɲʲɛ jɛst pˈan zbˈɨt rɔzmˈɔvnɨ, pʃˌɨjatɕˈɛlu.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_150.wav|uɕˈadwam tˈam, ɡdʑˈɛ zvˈɨklɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_66.wav|tˈɔm dʑˈɛɲ ftʃˈɛɕɲʲɛj brˈaw ˈudʑaw f pɔɡʒˈɛbjɛ dʑˈatka luˈisɨ, a bˈɛtskɨ tʃˈuwa ɕɛ vˈinna, ʒˈɛ vɨtɕˈɔŋɡa ɡˈɔ z dˈɔmu, ˌalɛ ʃˈɨpkɔ rˈɔzvʲaw jɛj vˌɔntplivˈɔɕtɕi.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_182.wav|ɲʲɛ mˈɔɡwam inˈatʃɛj.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_40.wav|ˈaʃ mˈiltʃaw pʃˈɛs xfˈilɛ, pɔ tʃɨm pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_22.wav|bˈɛtskɨ ˌɔdvrutɕˈiwa ɕɛ dɔ ɲʲˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_104.wav|zˌapɨtˈawam pɔ xfˈili.|4
+Dataset/wavs/urwisko_ferenc/12_segment_4.wav|brunˈatna ʑˈɛmʲa vˈɔkuw dˈɔmu bˌɨwa vɨsxɲʲˈɛnta na vʲˈur i tˌɨlkɔ ɡdʑˈɛ ɲʲˈɛɡdʑɛ pˌɔrastˈawɨ jˈɔ̃ xfˈastɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_316.wav|ɲʲɛ zrɔbʲˈiwaɕ tˌɛɡɔ dla zabˈavɨ. tɔ mi zˌalatˈujɛ na kilˈɔmɛtr rɔbˈɔtɔ̃ na zlɛtsˈɛɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_370.wav|ɔznˈajmiw kˌuzɨnˈɔvi jˈamɛ.|1
+Dataset/wavs/urwisko_ferenc/48_segment_37.wav|ˈɔlɡʲɛrt ɲʲɛ vʲˈɛʒɨw f tɔ, tsˈɔ swˈɨʃaw.|0
+Dataset/wavs/urwisko_ferenc/38_segment_4.wav|vɨsˈɔkʲɛ xfˈastɨ vˌɨrastajˈɔntsɛ pɔmjˈɛndʑɨ dvˈɔma rˌuvnɔlɛɡwˈɨmi pasˈami pɔlnˈɛɡɔ trˈaktu xrˌɔbɔtˈawɨ ɔ pɔdvˈɔʑɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_123.wav|jˈɛɡɔ dʑˈɛtskɔ ɲʲɛ mˈɔɡwɔ zˈatɛm ɲˈiɡdɨ stˈatɕ ɕɛ tʃˈɛɲɕtɕɔ̃ mɔjˈɛɡɔ ʒˈɨtɕa.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_29.wav|z mʲˈɛtʃɛm ˈu pˈasa stˈaw za sfˈɔ̃ mˈawɔ̃ ɕˈɔstrɔ̃ ɲˈitʃɨm jˈasnɨ tɕˈɛɲ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_46.wav|kˈatɛ pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_100.wav|ɲʲɛ pɔtrˈafjɛ sˈɔbjɛ pʃɨpˈɔmɲʲɛtɕ, tʃɨ kʲˌɛdɨkˈɔlvʲɛk ftʃˈɛɕɲʲɛj praɡnˈɛwam tʃˈɛɡɔɕ ˈaʃ tˈaɡ bˈardʑɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_4.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ stsˈɔtt f tˌaki vwˈaɕɲʲɛ spˈɔsub zamjˈɛʒaw ʒˈutɕitɕ mi rˌɛŋkavˈitsɛ, pˌɔkazˈujɔnts, tsˈɔ mɲʲɛ tʃˈɛka.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_142.wav|dʑˈɛɲ dˈɔbrɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_41.wav|tsamˈɛrɔn uɕmʲˈɛxnɔw ɕɛ, pʃˌɛkʃɨvʲˈajɔnts lˈɛkkɔ ɡwˈɔvɛ na jˈɛdnɔ̃ strˈɔnɛ, jˈaɡbɨ rɔzˈumjaw mˈɔjɛ ɔbˈavɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_8.wav|a, ktˈɔɕ ɲʲɛ vɨɡlˈɔnda na zbˈɨt ˌuʃtʃɛɲɕlˌivʲɔnˈɛɡɔ dʑˈiɕ rˈanɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_30.wav|zamjˈɛʒaʒ vˈɛjɕtɕ tˈam ˌɔsɔbʲˈiɕtɕɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_134.wav|a ˈilɛ tɔ kɔʃtˈujɛ? tɔ sˈamɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_2.wav|ɲʲɛ pɔtrˈafjɛ ɕɛ na ɲˈitʃɨm skˌɔntsɛntrˈɔvatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_25.wav|tsˈawa ɕɛ tʃˈɛ̃sɛ, xˈɔtɕ ɲʲˈɛvʲɛm, tʃɨ tɔ dlatˈɛɡɔ, ʒˈɛ ɔbˈavʲam ɕɛ ˌɔdʒutsˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_368.wav|mˈɛɡɡa pʃˌɛvrutɕˈiwa jˈɛdnɔ̃ sˈɛptɛ na ɕfʲˈɛtʃɲik i jɛj ʃˈata zajˈɛwa ɕɛ ˈɔɡɲʲɛm, ˈalɛ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_43.wav|kazˈawam jɛj zapˈɨtatɕ mˈɛ̃ʒa.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_520.wav|dɔrˈɛa zʒˈutsa mˌɔrɡɛnstˈɛrnɛm pˌɔmarˈaɲtʃɛ z dʒˈɛf, a ˈɛlja i ɔbˈɛla stˈawɨ ɕɛ pɔstrˈaxɛm sadʑˈavɛk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_197.wav|ʒˈɛ ɲˈibɨ rˈas sɔ̃ ʑɛlˈɔnɛ, rˈas ɲʲɛbjˈɛskʲɛ, a kʲˈɛdɨ ˈiɲdʑɛj znˈuv bˈurɛ. tˈak mɲʲɛ skˌɔwbɔvˈawa, ʒˈɛ sˈam f kˈɔɲtsu tˌɛɡɔ ɲʲˈɛvʲɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_186.wav|ˌalɛ ɲʲɛ zraʒˈawam ɕɛ tˈɨm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_132.wav|na nˈɔdʑ zˌatʃɨmˈaliɕmˌɨ ɕɛ w dɨskrˈɛtnɨm mɔtˈɛlu. tɔ nˈaʃa spɛtsjˈalnɔɕtɕ. pɔd ɡˈɛrɨ. w indjˈaɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/12_segment_160.wav|pɔtrˈafiwbˌɨ pˈan ɔpˈisatɕ tˈɛ ɲʲˌɛznajˈɔmɔ̃? spɨtˈawa pˌɔlitsjˈantka.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_412.wav|ʃlˈaɡ bˈɨw strˈɔmɨ i dʑɛftʃˈɨna ˌutʃɛpˈiwa ɕɛ mˈɔtsnɔ ɕˈɔdwa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_63.wav|mˈɔɡɛ dˈatɕ tɕi ɕfʲˈɛntɨ spˈɔkuj, dʒˈɛk?|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_212.wav|w ramjˈɔnax tʃˈɨma rˌuʒɔvˈɛɡɔ flamˈiŋ��a, s kturˌɛɡɔ ɡwˈɔvɨ vzbʲijˈajɔ̃ ɕɛ sɛrdˈuʃka.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_149.wav|pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_84.wav|ˈɔtpar i spˈɔjʒaw na tsˈurkɛ.|4
+Dataset/wavs/urwisko_ferenc/56_segment_12.wav|ɲʲɛ tkfˈimɨ w mˈartfɨm pˈuŋktɕɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_27.wav|— dʑˈiɕ rˈanɔ rˌɔzmavʲˈawam s tfˈɔjɔ̃ pʃˌɨjatɕˈuwkɔ̃, tˈɛssɔ̃ ɔxˈanlɔn. pɔvˈinnaɕ ˈɔtɨm vʲˈɛdʑɛtɕ na vɨpˈadɛk, ɡdˈɨbɨ sˈama ˈɔtɨm fspɔmɲʲˈawa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_282.wav|tˈɛras ja pˌɔvʲɛdʑˈawɛm lɛŋklˈivʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_204.wav|jˈɛɕli ʒˌɛtʃɨvˈiɕtɕɛ tˈaɡ bˈɨwɔ, mˈɔʒɛ ta ɕˈudma ɡwˈɔva stˈaɲʲɛ ɕɛ balsˈamɛm, kturˌɛɡɔ waknˈɛwa jɛj dˈuʃa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_22.wav|ɕˈadam tɕˈɛ̃ʃkɔː i xfˈɨtam ɡˈɔ za rˈɛŋkɛ, ˌalɛ jˈɔ̃ ɔtpˈɨxa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_9.wav|jˈuʃ mɨɕlˈawam, ʒˈɛ ɲˈiɡdɨ sˈɔbjɛ ɲʲɛ pˈujdʑɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_76.wav|pʃˈɛs ˈɔknɔ zˌauvaʒˈɨwam sˈanxɛs, ktˌura ɕɛdʑˈawa w ɕrˈɔtku ubrˈana w mˈuj skafˈandɛr.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_7.wav|xtɕˈɛlibˌɨɕmɨ dˈatɕ pˈanu tʃˈas na ˌɔtpɔtʃˈɨnɛk, ˌalɛ ɔbˈavʲam ɕɛ, ʒˈɛ ɲʲɛ mɔʒˈɛmɨ sˈɔbjɛ f tɛj xfˈili nˈatɔ pɔzvˈɔlitɕ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_128.wav|sɛrˈilɲʲɛ, ˈilu udˈɛʒɛɲ bˈɨɕ pˌɔtʃɛbˈɔvaw, ʒˈɛbɨ jˈɔ̃ pʃˈɛtɕɔɲtɕ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_70.wav|vɨʃˈɛdwɛm na ulˈitsɛ i zdɛmbjˈawɛm. pʃɛt kˌɔmisarjˈatɛm stˈaw pʃɨ krˌavɛ̃ʒɲˈiku ɡʲˌiɡantˈɨtʃnɨ samˈɔxut.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_151.wav|dˈarjɔn rˈuvɲʲɛʃ jˈuʒ vɨxˈɔdʑiw.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_48.wav|ɲʲˈɛvʲɛm, tʃɨ pɔdˈɔba mi ɕɛ ta nˈazva, ɔdˈɛzvaw ɕɛ ˈɔjtɕɛts.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_19.wav|kʲˈɛdɨ bˈɛtskɨ spɔjʒˈawa na ˈɛkran tˌɛlɛfˈɔnu, ʒˈɛbɨ sprˈavdʑitɕ, tʃɨ ɲʲɛ dɔstˈawa ʒˈadnɛj pˈilnɛj vʲˌadɔmˈɔɕtɕi, zˌaskɔtʃˈɨwɔ jˈɔ̃ krˈutkʲɛ swˈɔvɔ vˌɨpɔvʲɛdʑˈanɛ pʃˈɛs tˈɔma.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_32.wav|pˌɔvʲɛdʑˈawa lˈutsɨ, çixˈɔtʃɔnts.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_46.wav|ɲʲɛ sˈɔndʑɛ, bˈɨ pˈɔttɨm vzɡlˈɛndɛm ɕɛ zmʲˈɛɲiw.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_340.wav|i zɡʲˈinɔw dla mɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_96.wav|i tfˈɔix f pˌɔɲʲɛdʑˈawɛk.|3
+Dataset/wavs/urwisko_ferenc/49_segment_53.wav|ɲʲɛ pɔvˈinna tˌɛɡɔ rˈɔbʲitɕ. dˌɔskɔnˈalɛ vʲɛdʑˈawa, tʃɨm tɔ ɕɛ mˈɔʒɛ skˈɔɲtʃɨtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_112.wav|dˈɔmɨ ɲʲɛ zɔstˈawɨ vˌɨstavʲˈɔnɛ na spʃˈɛdaʃ. ˌɔstʃɛɡˈaliɕmˌɨ tɕˈɛ, ˈanɔ.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_122.wav|pˌɔtʃɛbˈujɛ ix.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_213.wav|ɲʲɛ xˈɨba, ˌalɛ na pˈɛvnɔ.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_284.wav|tʃɨ spalˈili sˈɛpt f sɔlˈaŋkax?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_13.wav|tɕˈɛʃɛ ɕɛ, ʒˈɛ vrutɕˈiwɛɕ. mɨɕlˈawam, ʒˈɛ zvarjˈujɛ, kʲˈɛdɨ nˈuʃa zatʃˈɛwa na fʃˈɨstkɔ naʒˈɛkatɕ, a jˌɛdnɔtʃˈɛɕɲʲɛ prˌubɔvˈawa bˈɨtɕ mˈiwa dla fˌuŋktsjɔnarjˈuʃki wˌɔntʃɲikˈɔvɛj.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_111.wav|nˈud vɨʃtʃˈɛrʒɨw zˈɛmbɨ w uɕmʲˈɛxu. tɔ vʲˈɛlkʲɛ zvɨtɕˈɛ̃stfɔ!|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_386.wav|a ja lˈubjɛ ʒˈɨtɕɛ, pˌɔvʲɛdʑˈawa ˈɔna.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_200.wav|pˌɔvʲɛdʑˈawa i fʃˈɛd w jɛj tɕˈawɔ, tˈak jˈak fxˈɔdʑi ɕɛ w vˈɔdɛ.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_176.wav|pˈɛdʑɡ vɨbˈawʃɨw ˈɔtʃɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_157.wav|jˈak pɔt kˈɔɲʲɛts fˈilmu na kanˈalɛ lˌifɛtʲˈimɛ, takʲˈɛɡɔ s xˈappɨ ˈɛndɛm.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_205.wav|prˈaɡnɔw, bˈɨ jˈɛɡɔː ˈimjɛ ɔkrˈɨwɔ ɕɛ xfˈawɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_41.wav|tˈata ɲʲˈɛmʲaw pɔjˈɛɲtɕa, tsˈɔː ˌɔtpɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_118.wav|naxˈɔdʑi mɲʲɛ pɔlˈitsja.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_41.wav|ix rɔzmˈɔvɛ pʃɛrvˈawɔ tʃˈɨjɛʑ vɔwˈaɲʲɛ z druɡʲˈɛɡɔ kˈɔɲtsa pˌɔmjɛʃtʃˈɛɲʲa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_37.wav|pamjˈɛntaj, xˈɛlɛn, nˈɔts jɛzd dwˈuʃʃa ɔd dɲʲˈa. dˈaj mi trˈɔxɛ, pˌɔftuʒˈɨwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_155.wav|mˈuvi, ʒˈɛ pɔdˈɔba jɛj ɕɛ tɔ, ʒˈɛ dʑɛtɕˈiɲstfɔː ɔpˈisaw jɛ̃zˈɨkʲɛm dʑˈɛtska, ˌalɛ kʲˈɛdɨ pʃˈɛʃɛd dɔ pˌuʑɲʲɛjʃˈɛɡɔː ɔkrˈɛsu, zmʲˈɛɲiw stˈɨl.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_180.wav|kʲˈɛdɨ tɔ pˌɔvʲɛdʑˈawa, zˌauvaʒˈɨwam jˈɛdnak, ʒˈɛ jɛst tʃˈɨmʑ zˌatrɔskˈana.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_200.wav|ɲˈiɡd bˈɨ ɕɛ na tˌaki ɲʲɛ nˈabraw, stfʲˈɛrdʑa bˈaki. spˈujʃ tˌɨlkɔ nˈaɲʲɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_78.wav|ɲʲˈɛx ɕɛ pˈan dˈɔbʒɛ vˈɨɕpi. pɔ rˈas ɔstˈatɲi.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_338.wav|dlatˈɛɡɔː ˌuɕmʲɛxˈawa ɕɛ i tʃˌarɔvˈawa tsˈɛdrɛ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_90.wav|z ɡˈardwa rɛnlʲˈɛɡɔ tɕˈɛkwa krˈɛf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_415.wav|ˈalbɔ xˈɔdʑbɨ pʃˈɛs ɔpˈatʃnɔɕtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_146.wav|a tsˈɔ zdˈaʒa ɕɛ tˈɨm, ktˌuʒɨ ɲʲɛ sɔ̃ nˈavɛd dˈɔbʒɨ? zapˈɨtaw rˈɨan.|0
+Dataset/wavs/urwisko_ferenc/56_segment_3.wav|tʃɛkˈawa na ɲʲˈɛɡɔ na ɔkrˈɔŋɡwɨm, ˌɔbrɔtˈɔvɨm wˈɔʒu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_40.wav|ktˈɔ vʲˈɛ, mˈɔʒɛ mijˈawɛm ɡˈɔ na mˈɔɕtɕɛ bruklˈiɲskim, ˈalbɔ tʃaˈiwɛm ɕɛ ˌɔbɔk ɲʲˈɛɡɔ na tsmɛntˈaʒu w jˈɔlan, ɡdˈɨ vˈɔkuw xˈulaw vʲˈatr i ɡˈuvnɔ latˈawɔ rˈuvnɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_234.wav|mˈuɕaw ɕˈɛŋɡnɔɲtɕ pɔ zˌabuŋkrˌɔvanˈɛɡɔ ɡnˈata ʃˈɛfa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_83.wav|ɲʲˈɛmal f tɛj sˈamɛj xfˈili ɔdʑˈɨva ɕɛ mˈuj tɛlˈɛfɔn.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_41.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ ɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_140.wav|ɡdˈɨbɨ tɔ zrˈɔbʲiw, pɔzbˈaviwbˌɨ mɲʲɛ dɔpwˈɨvu pɔvʲˈɛtʃa w ɲʲɛʃtʃˈɛlnɨm tunˈɛlu.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_391.wav|zɔbˈatʃɨtɕ jˈaɡ zbʲˈirɨ tˈaɲtʃɔ̃ sfˈuj vˈɔdnɨ tˈaɲʲɛts, a ix mʲˈɛtʃɛ lɕɲʲˈɔ̃ w blˈasku ɡvʲˈast.|1
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_15.wav|pɔdˈɔbɲʲɛ jˈak kˈarta dˌɛbɛtˈɔva bˈaŋk ˈɔf ˌamɛrˈitsa.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_272.wav|pɔvˈiɲʲɛn pʃɨxˈɔdʑitɕ na mˈuj rˈɔskas.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_101.wav|mˈama ˌɔdvrutɕˈiwa ɕɛ na pʲˈɛɲtɕɛ ɔt pʲˈɛtsa, na ktˌurɨm mʲɛʃˈawa sˈɔz dɔ mˌakarˈɔnu, a tʃɨmˈana pʃˈɛzɲʲɔ̃ wˈɨʃka z bʒˈɛŋkʲɛm vˌɨlɔndɔvˈawa na pɔdwˈɔdʑɛ.|3
+Dataset/wavs/urwisko_ferenc/54_segment_4.wav|f kˈɔɲtsu dˈɔstʃɛɡw lˈɔkal z ɔpʃˈɛrnɨm ʃˈɨldɛm nad vitrˈɨnɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_199.wav|ɡdˈɨbɨ tɔ zˌalɛʒˈawɔ tˌɨlkɔː ˈɔdɛ mɲʲɛ, zmʲˈɛɲiwbˌɨm varˈuŋki, ʒˈɛbɨɕ mˈɔɡwa mʲˈɛtɕ jˈɛ jˈuʃ tˈɛras, ˌalɛ mˈuɕawbˌɨm ˈɔtɨm pɔvʲˈɛdʑɛtɕ tfˈɔjɛj mˈamjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_145.wav|dʒˈɛjn kˈɛllɔkk, ˌɔɕɛdlˈɔva ˌalkɔxɔlˈitʃka, ftsˈalɛ ɲʲɛ vɨɡlˈɔnda na zdumjˈɔnɔ̃.|2
+Dataset/wavs/urwisko_ferenc/53_segment_132.wav|zvrˈutɕiw uvˈaɡɛ bɔrˈɛvitʃ i xˈɛrman spˌɔdɔbˈawa ɕɛ ta uvˈaɡa.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_351.wav|ix panˈɛlɛ kɔntrˈɔlnɛ stʃɨtˈujɔ̃ dˈanɛ z ɡʲˈizmɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_57.wav|tˈɔm ɔdvrˈutɕiw ɕɛ dɔ kˈita.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_120.wav|drˈuɡʲi prɛzˈɛntɛr dɔdˈajɛ, ʒˈɛ ʒɛkˈɔmɛ sˌamɔbˈujstfɔ xˈɔffa mˈɔɡwɔ jˈɛdnaɡ bˈɨtɕ mɔrdˈɛrstfɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_390.wav|ˌalɛ ɲʲɛ bˌɨwɔ l��ɛpʲɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_493.wav|ɡdʑˈɛ mɲʲɛ zaɡnˈawɔ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_38.wav|jˈɛɕli pˈaɲi nazˈɨva ɕɛ frˈaŋklin, a tɛn ˈadrɛs nalˈɛʒɨ dɔ pˈaɲi, tɔ tˈak. sɔ̃ dla pˈaɲstfa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_45.wav|mɨxɲʲˈɛɲtɕa, jˈaɡbɨ bˈɨw ˌapsɔlvˈɛntɛm ɔksfˈɔrdu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_4.wav|mˈimɔ tɔ sprˈavʲaw vraʒˈɛɲʲɛ, jˈaɡbɨ vwˈaɕɲʲɛ ɕɛ ɔbˈudʑiw. mˈɔʒɛ xɔdʑˈiwɔ tˈutaj ɔ ɡwˈɔvɛ, ʒˈadɛn z vwˈɔsuf ɲʲɛ vɨdˈavaw ɕɛ na sfˈɔim mʲˈɛjstsu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_129.wav|bʲˈillɨ vjˈɛʒdʒa w nˌajɔstʃˈɛjʃɨ zˈakrɛnt jˈaɡ dɔ tɛj pˈɔrɨ i drˈɔɡa ʒˌɛtʃɨvˈiɕtɕɛ ɕɛ urˈɨva.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_89.wav|pˈɛvɲʲɛ ɲʲɛ mʲˈawabˌɨɕ ɔxˈɔtɨ...|2
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_93.wav|ˌalɛ kʲˈɛdɨ zadˈajɛʒ bˈul druɡʲˈɛmu tʃwˌɔvʲɛkˈɔvi, zɔstˈajɛ tɕi pˈɔtɛm blˈizna na dˈuʃɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_25.wav|swˈɨʃɛ w jɛj ɡwˈɔɕɛ tˈɨlɛ fspuwtʃˈutɕa, ʒˈɛ prˈavʲɛ ɕɛ rɔspˈadam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_46.wav|luˈisa nakrˈɨwa jˈuʃ stˈuw dla tʃˈɛx ˈɔsup. pʃˌɛɡɔɲˈiwa tˈɔma i kazˈawa mu ˈuɕɔ̃ɕtɕ, pɔ tʃɨm pˌɔstavˈiwa pʃˈɛdɲim kʲɛlˈiʃɛɡ vˈina.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_161.wav|lˈudʑɛ stˈarɛj dˈatɨ vɔlˈɛli jˈɛ ɔd ɡʲˈizmɔː i kˌɔnvɛrtˈɛruf mˈɔvɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_241.wav|tsˈɔɕ, tsˈɔ mu ɕɛ ɲʲɛ pɔdˈɔba.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_184.wav|tɛn dˈɨm vidˈɔtʃnɨ za vˌiɕɛltsˈami bʲˈijɛ vwˈaɕɲʲɛ z jɛj kɔmˈinuf.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_301.wav|zabʲˈitɕɛ ɛdmˈura zapˈɛvnɛ zvʲˈɛŋkʃɨ tˌɨlkɔ dˌɛtɛrminˈatsjɛ sˈɛr brɨndˈɛna.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_31.wav|mˈɔjɛ pɨtˈaɲʲɛ ʃtʃˈɛʒɛ jˈɔ̃ zˌaskɔtʃˈɨwɔ, ˌalɛ ʃˈɨpkɔ dˈɔʃwa dɔ ɕˈɛbjɛ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_491.wav|ktˈɔ zˈaʑ vʲˈɛ, kˈɔmu ˌɔnɛ ɕɛ zvʲɛʒˈajɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_402.wav|ˌɔpsɛrvˈujɔnts tˈɛ ɡrˈɔzɛ z zˈɛvnɔntʃ,|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_238.wav|nˈɔ, xˈɨba ɲʲˈɛma ˈinnɛj rˈadɨ. zˈapiʃ tɔ na mˈuj raxˈunɛk.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_323.wav|nˌaɡabˈɨvaw mɲʲɛ rˈudɨ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_340.wav|tˈak jˈaɡ dla fʃˈɨstkix mˈɔiɣ brˈatɕi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_481.wav|bˈurɨ mˈɛ alˈivɛ pʃɨsˈunɔw ɕɛ dɔː ˌandɛrsˈɔna i pɔvʲˈɛdʑaw tɕˈixɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_49.wav|dlatʃˈɛɡɔ sawdˈɨjskim?|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_35.wav|znalˈazwam ɕɛ w ˌɔpwakˈanɛj sˌɨtuˈatsji.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_264.wav|ɲˈikt ɲʲɛ bˌɛɲdʑɛ nˈavɛt mˈukw pˈɔznatɕ, ʒˈɛ kʲˈɛdɨɕ stˈaw tˈu zˈamɛk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_159.wav|bˈɔɲdʑmɨ ʃtʃˈɛʒɨ, mˈuvi sˈɔbjɛ bʲˈillɨ, ja tˈu jˌɛstɛm jɛdˈɨnɨm ɲʲˌɛznajˈɔmɨm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_60.wav|tɔ jɛdˈɨɲʲɛ fˈɔrma vwasnˈɔɕtɕi, a tɨ jˈuʃ pɔvˈinnaʑ vʲˈɛdʑɛtɕ, jˈakʲɛ tɔ ɲʲˌɛvwaɕtɕˈivɛ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_5.wav|sˈɛptɔn mɛrˈibalt skʲɛrˈɔvaw ɕɛ dɔ kˈuxɲi, bˈɨ nˌadʑɔrˈɔvadʑ ɡˌɔtɔvˈaɲʲɛ ɔfɕˈaŋki.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_205.wav|jɛst tˈɛʃ ɔt ɲˈix ˌɔkrutɲʲˈɛjʃɨ, jˈɛɕli vʲˈɛʒɨtɕ ˌɔpɔvʲˈɛɕtɕɔm.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_116.wav|pɔdˈɔbɲʲɛ jˈak tˌɛɔnˈɔvi ɡrˌɛɨjɔjˈɔvi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_8.wav|ɲʲˈɛxtsɛ ɡˈɔ strɛsˈɔvatɕ, vʲˈɛnts na fpˈuw bjˈɛɡnɔndʑ vɨmˈɨɕlam na pˌɔtʃɛkˈaɲʲu rˈɨmɨ dˌɔtɨtʃˈɔntsɛ pɔɕpʲˈɛxu. sˈama jˈɛdnak swˈɨʃɛ drʒˈɛɲʲɛ f sfˈɔim ɡwˈɔɕɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_249.wav|i tɔ jɛst tfˈɔja vʲˈara?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_56.wav|prubˈujɛ zˈatɔ pˈɔzbɨtɕ ɕɛ mˈɨɕli, ʒˈɛ kˈaʒda z ˈɔs mˈɔʒɛ uʒˈɔndlidʑ vʲˌɛlɔkrˈɔtɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_98.wav|w wikˈɛndɨ prˌatsɔvˈawam f xɔtˈɛlu.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_225.wav|valtʃˈɨwɛm za kɕˈɛɲtɕa rɛɡˈara.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_221.wav|tsɛrsˈɛi rˌɔstɕɔŋɡnˈɛwa ˈusta w vˌɨmuʃˈɔnɨm uɕmʲˈɛxu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_10.wav|ftɕˈɔ̃ʃ ɲʲɛ vʲˈɛʒɛ f tɔ, tsˈɔ zamjˈɛʒam zrˈɔbʲitɕ, ˌalɛ tʃɨ mˈam ˈinnɛ vˈɛjɕtɕɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_139.wav|ɔn dɔ tˌɛɡɔ fʃɨstkʲˈɛɡɔ jˈɔŋka ɕɛ ˌɔdrɔbʲˈinɛ, tˈɨlɛ ˈilɛ tʃˈɛba dla pʃɨdˈaɲʲa vˌɨtfɔrnˈɔɕtɕi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_9.wav|pˌɔpɛwɲʲˈawa bwˈɛndɨ, ˌalɛ rɔbʲˈiwa tɔ w ˈimjɛ miwˈɔɕtɕi, a ja muɕˈawam vʲˌɛlɔkrˈɔtɲʲɛ ˌɔtpɔvʲˈadatɕ sˈɔbjɛ na pɨtˈaɲʲa, jˈaɡ zˌaxɔvˈawabˌɨm ɕɛ vɛ vʲˈɛku dʑˌɛvʲɛtnˈastu lˈat.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_93.wav|bˈɔʒɛ, ktˈɔ ɕɛ tˈɛraz zˌaɔpʲɛkˈujɛ lˈɛnɨ?|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_108.wav|tˈak sˈamɔ jˈak tsˈawɨ tɛn intˈɛrɛz z lˈɔrdɛm ɛdmˈurɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_14.wav|jɛst tˈutaj tˌɨlkɔː ˈaram i dˈɔkɔnt ɕɛ tˈɛras ˈidʑɛ? mˈama dˈawa mi znˈak, ʒˈɛbɨm bˌɨwa tɕˈixɔ. mˈɔʒɛ jˈɛdnak pˌɔstanɔvˈiwa mi pˈɔmuts?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_81.wav|xtɕˈaw ɕɛ dɔvʲˈɛdʑɛtɕ, jˈak pˌɔstɛmpˈujɔ̃ rɔzmˈɔvɨ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_168.wav|ˌalɛ ɲʲɛ vˌɨdɔbˈɛɲdʑɛʒ zˈɛmɲʲɛ ʒˈadnɨx sɛkrˈɛtuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_6.wav|ˈɛlis fxˈɔdʑi pˈɔɲim. spwˈukaw vʲˈɛŋkʃɔɕtɕ krfˈi, ˌalɛ trˈɔxɛ zɔstˈawɔ na kravˈɛɲdʑi mˈuʃli i na pwˈɨtkax pɔsˈatski.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_84.wav|rɔzˈumjɛʃ, tsˈɔ mˈuvjɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_90.wav|xˈɔtɕaʃ trˈɔxɛ dˈɔbʒɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_106.wav|vʲˈɛnts mˈɔʒɛ tɔ bˈɨw ʒˈart.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_248.wav|bˌɨwɛɕ pʃˈɨtɨm, kʲˈɛdɨ ɡˈɔ mˌɔtsɔvˈaliɕmˌɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_231.wav|ˌɔʃukˈivawbˌɨ samˈɛɡɔ ɕˈɛbjɛ, ɡdˈɨbɨ prubˈɔvaw sˈɔbjɛ vmˈuvitɕ, ʒˈɛ jɛst inˈatʃɛj.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_130.wav|tʃɨ pɔvˈinnam zvrˈutɕitɕ ɕɛ dɔ rudjˈɛɡɔ?|4
+Dataset/wavs/urwisko_ferenc/65_segment_88.wav|ɲʲɛ mˈɔʒɛʃ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_93.wav|jɛst jˈɛʃtʃɛ tsˈɔɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_20.wav|ktˌura tɔ bˌɨwa ɡɔdʑˈina?|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_29.wav|ɡrˌandʲisˈɔna zvˈanɔ ɕˌivɔbrˈɔdɨm.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_164.wav|ʑɛmʲˈaɲʲɛ ɲʲɛ znˈɔʃɔ̃ nˈaʃɛj kˈavɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_94.wav|tɔ bˈɨw ʒˈart. zˈafʃɛ lubʲˈiwa sˈɔbjɛ pˌɔʒartˈɔvatɕ, ˌalɛ bˌɨwa tɔ tˈɛʃ prˈavda.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_48.wav|jˈɛɕli ɲikˈɔmu ɲʲɛ zvʲˈɛʒɨw ɕɛ zˈɛ sfˈɨx plˈanuf, ɲˈikt ɲʲɛ bˌɛɲdʑɛ mˈuɡw ɡˈɔ zdrˈadʑitɕ.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_251.wav|tɔ bˈɨw ptˈak s krulˈɛfskʲɛj pʃɨstˈaɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_6.wav|ɲˈitsk pɔvʲˈɛdʑaw, ʒˈɛ znˈa jɛdnˈɛɡɔ takʲˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_169.wav|ˈaram kˌɔntrɔlˈujɛ vˈas pʃˈɛz zˌastraʃˈɛɲʲɛ, pʃˈɛs ˌupɔkaʒˈaɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_87.wav|lˈɛnɛ jɛŋknˈɛwa tˈak, jˈak tˌɨlkɔ nˌastɔlˈatki pɔtrˈafjɔ̃. zˈafʃɛ mɲʲɛ vɨɡˈaɲʲaʃ, kʲˈɛdɨ rˈɔbʲi ɕɛ tɕɛkˈavʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_127.wav|tʃˈarna spudɲˈitʃka pʃˌɨkrɨvˈawa s trˈudɛm pˈɛmpɛk. patʃˈɨwa nˈamɲʲɛ vˌɨzɨvajˈɔntsɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_80.wav|ɲʲɛ salˈutuj, bawvˈaɲʲɛ, ɲʲɛ pˈɔttʃas ˌɔpɛrˈatsji. mˈatka tɕˈɛ na ɡwˈɔvɛ ˌupuɕtɕˈiwa, jˈaɡ bˌɨwɛɕ mˈawɨ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_400.wav|lˈɛʒɨ ˌɔbɔk mɲʲɛ i jˈuʃ ɔtpwˈɨva ˈɔdɛ mɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_35.wav|tʃɨ mˈa pˈan pʃɨ sˈɔbjɛ pʲɛɲʲˈɔndʑɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_31.wav|bʲˈillɨ zˌapisˈujɛ tɛ ˌinfɔrmˈatsjɛ f pamjˈɛɲtɕi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_5.wav|ʒˈɛbɨ tˈak pɔ prˈɔstu zɔstˈavidʑ za sˈɔbɔ̃ jˈɛdnɔ ʒˈɨtɕɛ i pʃɛstˈɔmpitɕ prˈuk nɔvˈɛɡɔ, ˈilu lˈudʑi zdˌɔbɨwˈɔbɨ ɕɛ nˈatɔ, nˈavɛd ɡdˈɨbɨ lˈɔz dˈaw im kˈu tˌɛmu ɔkˈazjɛ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_149.wav|a vʲˈɛnts tɔ prˈavda. tˈɔnɨ jɛst pravdʑˈivɨ i jˈɛɡɔ miljˈɔnɨ sɔ̃ pravdʑˈivɛ.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_20.wav|dˈɔbʒɛ, ʒˈɛ mˌamɨ kɕˌɛ̃ʒɨtsɔvˈɛɡɔ xwˈɔptsa, bˈɔː inˈatʃɛj muɕˈɛlibˌɨɕmɨ ɕɛ ˈɔbɨdʑ bˈɛz bwˈaznuf.|1
+Dataset/wavs/urwisko_ferenc/50_segment_44.wav|ˈɔlɡʲɛrt swˈuxaw z zˌamkɲʲɛntˈɨmi ɔtʃˈami. mʲˈaw vraʒˈɛɲʲɛ, ʒˈɛ prˌɔkurˈatɔr ˌɔpɔvʲˈada mu jˈɛɡɔ vwˈasnɔ̃ çistˈɔrjɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_6.wav|pɔ zˌakɔɲtʃˈɛɲʲu pʲˈɛrʃɨx ɔɡlˈɛɲdʑin i pʃˌɛkazˈaɲʲu zvwˈɔɡ dɔ transpˈɔrtu dɔ kɔstɲˈitsɨ ˌɔdvrutɕˈiwa ɕɛ dɔ tˈɔma.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_148.wav|pɔlˈitsja zˈatʃɲʲɛ ɡʒˈɛbadʑ w ʒˌɨtɕɔrˈɨɕɛ tsˌamɛrˈɔna.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_20.wav|tɔ̃ ɔsˈɔbɔ̃ mˈuɕi bˈɨtɕ tˈɛn, ktˈɔ zˌaplanˈɔvaw tɔ fʃˈɨstkɔː i zvɛrbˈɔvaw ɡˈɔ dɔ prˈatsɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_43.wav|ˈanɔ, ɡdʑˈɛ tɨ jˈɛstɛɕ? pˈɨta natˈɨxmʲast. ɲʲɛvˈaʒnɛ, tsˈɔ ɕɛ stˈawɔ, xˈɔllɨ. ɲʲɛ udˈawɔ mi ɕɛ skˌɔntaktˈɔvadʑ z dˌɔmiɲˈikʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_303.wav|zbjɛrˈaliɕmˌɨ jɛɕˈɛnnɛ kfʲˈatɨ f krulˈɛfskim lˈɛɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_103.wav|vɨjʒˈawam pʃˈɛz bˈɔtʃnɛ ɔkʲˈɛŋkɔː i mˈɔjɔ̃ uvˈaɡɛ pʃˈɨkuw pɔxˈɨwɨ ɡwˈas. jˈɛdnɨm sˈusɛm pʃˌɛskɔtʃˈɨwam na pʃˈut kabʲˈinɨ i ɔpˈadwam na fˈɔtɛl.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_125.wav|ɔt tʃˈasu dɔ tʃˈasu vˌɨmaçˈivaw sfˈɨm dˌɔkumˈɛntɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_155.wav|w ˈinnɛj tʃˈɛɲɕtɕi krˈaju, ɔː ˈinnɛj pˈɔʒɛ rˈɔku i dɲʲˈa, tʃwˈɔvʲɛɡ zatʃˈɨmaw ɕɛ pʃɛt xaŋɡˈarɛm,|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_112.wav|ɔstˈatɲi ˌɛsˌɛmˈɛs ɔd dʒˈɔrdʒja bˌɛɲdʑɛ bʒmʲˈaw tʃˈɛɡ w drˈɔdʑɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_162.wav|jˈakʲɛʒ bɨwˈɔbɨ iɣ zdʑivʲˈɛɲʲɛ, ɡdˈɨbɨ zˌɔbatʃˈɨli wˈazik, prˌɔvizɔrˈɨtʃnɔ̃ ɕlˈuzɛ i dalˈɛa rˌumjɛɲʲɔntsˈɛɡɔ ɕɛ zˈɛ fstˈɨdu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_569.wav|lˈubjɛ, ʒˈɛ maʃ jˈakɔ̃ɕ tˌajɛmɲˈitsɛ, ˌalɛ f kˈɔɲtsu mˈuʃɛ jˈɔ̃ pˈɔznatɕ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_402.wav|vˌɨtʃɛrpˈana i pʃˌɛraʒˈɔna.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_214.wav|pˌɔmɨɕlˈawa z rɔdʑˈɔntsɨm ɕɛ strˈaxɛm. jɛst iɣ zbˈɨd vʲˈɛlu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_42.wav|jˈɛɕli sprˈaftsa pˈɔʃɛt f tˈamtɔ̃ strˈɔnɛ...|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_482.wav|ˈɔjtɕɛts pɔzvˈɔli, ʒˈɛbɨm tˈu zɡɲˈiwa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_34.wav|kʲˈɛdɨ tˈɔm i bˈɛtskɨ vˈɛʃli dɔ pɔkˈɔju pʃɛswˈuxaɲ, ujʒˈɛli zˌatatʃˌajɔntsˈɛɡɔː ɔkrˈɛŋɡʲi stɛvˈɛa allmˈana.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_130.wav|tʃɨm mˈɔɡɛ swˈuʒɨtɕ?|2
+Dataset/wavs/urwisko_ferenc/53_segment_96.wav|skˈɔnd vʲˈɛʃ, ʒˈɛ tɔ kˈupki z jɛj kavʲˈarɲi?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_87.wav|ˌalɛ ɲʲɛ vʲadˈɔmɔ dˈɔkɔnt i pɔ tsˈɔ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_110.wav|kˈɛt pˌɔmɨɕlˈawa ɔ ɡrubˈaɕɛ, pʃˌɨpɔminˈajɔnts sˈɔbjɛ, jˈak ˌuratɔvˈawa ɡˈɔ pʃɛt tˈɛrɛm i ɔrbˈɛlɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_208.wav|a tɨmtʃˈasɛm pɔjˈaviw ɕɛ jˈakiɕ kɔtʃˈɔvɲik f tuwˈubjɛ s ʃarˈɛɡɔ vɔjwˈɔku.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_132.wav|zˈatɔ zaskˈɔtʃɨw mɲʲɛ vˈidɔk sxrˈɔnu pˌɔvʲɛtʃnˈɛɡ��, ktˌurɨ ftɕˈɔ̃ʒ znajdˈɔvaw ɕɛ tˈam, ɡdʑˈɛ ɡˈɔ zˌɔstavˈiliɕmˌɨ.|4
+Dataset/wavs/urwisko_ferenc/49_segment_21.wav|jˈɛɕli vʑˈɔɲtɕ pɔt uvˈaɡɛ kɔɲʲˈɛtʃnɔɕtɕ pʃˌɛmjɛʃtʃˈɛɲʲa tɕˈawa, vɨjˈɛɲtɕa ɡˈɔ z nˌɔsidˈɛwka tʃɨ rˌɔzɛbrˈaɲʲa na mʲˈɛjstsu zdaʒˈɛɲʲa i vrˈɛʃtɕɛ...|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_80.wav|zˌakɔɲtʃˈɨwam pˌɔwɔntʃˈɛɲʲɛ i pʃˈɛʃwam pʃˈɛs ˈɔtfur.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_48.wav|i mˈimɔ tɔ ɲitʃˈɛɡɔ ɲʲɛ pɔvʲˈɛdʑaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_125.wav|tɔ w ɔɡˈulɛ ɲʲɛ fxˈɔdʑi w raxˈubɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_4.wav|mˈuɡwabˌɨ vˈɨjɕtɕ pʃˈɛz dˈuʒɔ̃ dʑˈurɛ w ɕtɕˈaɲʲɛ f tɕˈɛmnɔ̃ nˈɔts, ˌalɛ ɲʲɛ rˌɔzumjˈawa tˈaɡ dɔ kˈɔɲtsa, tsˈɔː ɔznˈatʃa tɛn ɕrˈɔdɛk ɲitʃˈɛɡɔ.|4
+Dataset/wavs/urwisko_ferenc/22_segment_52.wav|pɔstˈaram ɕɛ ɔdvˈɔwatɕ spɔtkˈaɲʲɛ i pʃɛwˈɔʒɨtɕ jˈɛ na ˈinnɨ dʑˈɛɲ, vʲˈɛnts mˈudl ɕɛ, ʒˈɛbɨɕ mʲˈaw dla mɲʲɛ dˈɔbrɛ vʲˈɛɕtɕi.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_150.wav|zˈafʃɛ bˌɨwaɕ tɕɛkˈafska, ˌalɛ pɔtrˈafiʃ rˈuvɲʲɛʃ ɕfʲˈɛtɲʲɛ ɡwukˈɔvatɕ.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_276.wav|ˌalɛ ɡdˈɨbɨʑ ɡˈɔ zˌapɨtˈawa, s pɛvnˈɔɕtɕɔ̃ pɔvʲˈɛdʑawbˌɨ tɕˈi, ʒˈɛ vˈɔli ʒˈɨvɔ̃ tsˈurkɛ ɔt pˌɔɔptwˌukivˈanɛj tˈartʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_310.wav|trˈudnɔ dˈɔbrɛ bˈutɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_226.wav|dˈɔbʒɛ, mˈuʃɛ tˌɨlkɔ kˈupidʑ dla ɲʲˈɛj butˈɛlkɛ fçˈiskɨ.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_64.wav|swˈɔva ˈaksɛ xˈɔnda, ktˌurɨ ˌɔpɔvʲˈɛdʑaw mu ɔ smˈɔkax, ɲʲɛmˈalʒɛ pʃˌɨvrutɕˈiwɨ mu ɕˈiwɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_4.wav|tɔ kˌatastrˈɔfa, ʒˈɛ tˌaki fspaɲʲˈawɨ fˈatsɛd zˈɔstaw patrˈɔnɛm tɛj ɡuvɲʲˈanɛj tʃˈɛɲɕtɕi mʲˈasta.|4
+Dataset/wavs/urwisko_ferenc/14_segment_7.wav|ˌalɛ xˈɛrman pˌɔɡrɔ̃ʒˈɨwa ɕɛ w rˌɔzmɨɕlˈaɲʲax i ɲʲɛ ˌɔtpɔvʲɛdʑˈawa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_77.wav|na pˈɛvnɔ pˈujdʑɛʃ na badˈaɲʲa. tˈɛras tˈaka nˌaukˈɔva mˈɔda.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_292.wav|jˈak mˈɔʒna xtɕˈɛtɕ ɕɛ zˈabʲidʑ dlatˈɛɡɔ, ʒˈɛ tʃwˈɔvʲɛk tˌaki jˈak ja mˈɔʒɛ ˈɔdɛjɕtɕ? jˈak mˈɔʒna?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_107.wav|zapˈɨtaw tˈata z lˈɛkkɔ̃ nˈutɔ̃ ˌirɨtˈatsji w ɡwˈɔɕɛ. ˈaram rˈuvɲʲɛʃ jˈɔ̃ vɨxfˈɨtɕiw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_29.wav|vratsˈajɔnts pɔ rɛɡlˈantuf, mijˈajɔ̃ stʃɛlɲˈitsɛ rˈɨɕa snajpˈɛra.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_448.wav|— ja xtɕˈawɛm, ʒˈɛbɨ lˈudʑɛ bˌɨli lˈɛpɕi! — pˈɔtɛm vˈɛstxnɔw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_44.wav|bˈardʑɔ pʃɛprˈaʃam, ʒˈɛ tˈak pˈuʑnɔ, ˌalɛ tɔ bˈardʑɔ vˈaʒnɛ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_288.wav|mjˈa za swˈabɔ jˈɛ kˈarmi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_205.wav|ɡlˈɛnn ɔdvrˈutɕiw ɕɛ, zatɕˈisnɔw pʲˈɛɲɕtɕ i pɔvʲˈɛdʑaw ɔtʃtʃˈɛkaj tɔ, jˈak ɲʲˈɛxtsɛʃ ɕɛ sfɔˈimi zɛmbˈami zadˈuɕitɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_3.wav|rɔbˈɔvi zɔstˈawɔ pˌɔvʲɛʒˈɔnɛ zadˈaɲʲɛ tˌɔvaʒɨʃˈɛɲʲa mʲɛjstsˈɔvɛj pɔlˈitsji pʃɨ pʃˌɛswuxˈaɲʲu kʲɛrˈɔftsɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_192.wav|tsˈɔ ɕɛ dɔ xɔlˈɛrɨ dʑˈɛjɛ?|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_111.wav|ˌalɛ tsɛrsˈɛi ɲʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_267.wav|ˌalɛ pʃˌɛtɕɛʃ mˈɔʒɛ rˈɔzɛjɕtɕ ɕɛ bˈɛs jˈɛɡɔ zɡˈɔdɨ, ɡdˈɨbɨ tˌɛɡɔ xtɕˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_11.wav|kˈit, na tʃɨm stɔˈimɨ f kfˈɛstji tˌɔʃsamˈɔɕtɕi ɔfjˈarɨ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_242.wav|jˈasna, mwˈɔda tfˈaʃ ˌɔbɔk tfˈaʒɨ tɕˈɛmnɛj, sˈuxɛj i ˈɔstrɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_207.wav|sprubˈujɛ znˈalɛɕtɕ spˈɔsup, ʒˈɛbɨ pˌɔrɔzmˈavʲadʑ z mˈamɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_349.wav|ˌɔbartʃˈɔna zwˈɔ̃ tˌajɛmɲˈitsɔ̃ ˈalbɔ fatˈalnɨm pʃˌɛznatʃˈɛɲʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_80.wav|zɡadˈujɛ, ʒˈɛ jɛzd vbˌudɔvˈanɨ f tɔ pʲˈɛrʃɛ zbˈɔtʃɛ, mˈuvi bˈaki stukˈajɔnts pˈaltsɛm zˌalɛɕˈɔnɛ vzɡˈuʒɛ za dˈɔmɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_174.wav|bˌɨwam pʃɨnˈɛntɔ̃?|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_27.wav|sprˈaftɕ pˈan ˈɔlɛj, pɔvʲˈɛdʑaw pˈilɔt, a ja pˈanu vɨpˈiʃɛ tʃˈɛk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_235.wav|ˌɔna mˈuvi, ʒˈɛ tʃˈujɛ ɕɛ dˈɔbʒɛ i fxˈɔdʑi dɔ sɨpʲˈalɲi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_39.wav|sˈandɨ ruʃˈɨwa w dˈuw rˈampɔ̃, ukrˈɨta f twˈumjɛ kibʲˈitsuf. vidʑˈawa ˈaʃa dʑˈɛŋki jˈɛɡɔ pˌɔvɔlnˈɛmu kˌuɕtɨkˈaɲʲu ɔ kˈulax.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_134.wav|pˌɔvʲɛdʑˈawam, ʒˈɛbɨ vʑˈɔw ˌɔksɨkˈɔntʲin. ɔn stfʲˈɛrdʑiw, ʒˈɛ mˈuɕi zɔstˈavitɕ trˈɔxɛ na jˈutrɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_142.wav|a kʲˈɛdɨ jɛst f sfˈɔjɛj pˌɔɕadwˈɔɕtɕi w mˈɔntawk pˈɔint, zvrˈatsa ɕɛ dɔ kɔlˈɛɕa z nɔvˈɛɡɔ jˈɔrku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_101.wav|xtsˈɛmɨ vidˈɨvatɕ lˈutsɨ tˈak tʃˈɛ̃stɔ, jˈak tɔ mɔʒlˈivɛ.|3
+Dataset/wavs/urwisko_ferenc/24_segment_70.wav|a ɔn ɲʲˈɛmʲaw wɨʒˈɛtʃki, ʒˈɛbɨ zamjˈɛʃatɕ nˈapar.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_174.wav|bˌɛndɔ̃ tˈu lˈada xfˈila. mˈuʃɛ zɔstˈavitɕ ɔstˈatɲi kˈɔmbajn.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(28) R.Abbott_Zamknij Drzwi_segment_14.wav|ɲʲˈɛbɔ pɔ jˈɛdnɛj strˈɔɲʲɛ ˌɔdbʲijˈawɔ bˌurʃtɨnˈɔvɔ̃ pɔɕfʲˈatɛ latˈarɲi ulˈitʃnɨx, ˌalɛ vˌɨdavˈawɨ ɕɛ ˌɔnɛ dalˈɛkɔ, pˈɔza jˈɛɡɔ zaɕˈɛŋɡʲɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_45.wav|pˈɔmuts pˈanu f tʃˈɨmɕ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_25.wav|jˈak mˈam tɔ rɔzˈumjɛtɕ?|3
+Dataset/wavs/urwisko_ferenc/10_segment_75.wav|i spwˈukaw skrˈafki f tˌɔalˈɛtɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_304.wav|brɨndˈɛna blatskfˈiʃa ɲʲɛ dˈa ɕɛ tˈak wˈatfɔ zastrˈaʃɨtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_104.wav|ʒˈɛ tɔ fʃˈɨstkɔ w istˈɔtɕɛ ɲʲɛ mʲˈawɔ nˌajmɲʲɛjʃˈɛɡɔ sˈɛnsu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_120.wav|jˈɛɕli tsamˈɛrɔn ɕɛ dˈɔvʲɛ, ʒˈɛ vˈas fpuɕtɕˈiwam...|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_94.wav|dɔ jˈakʲɛjʑ brˌazɨlˈijskʲɛj spˈuwki.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_227.wav|tɔː ˌɔtʃɨvˈiɕtɕɛ ɔznˈatʃa, ʒˈɛ mˈɔʒna bˈɨ ˌuruxˈɔmitɕ prɔdˈuktsjɛ tˈutaj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_213.wav|swˈabɔ pamjˈɛntam tɛn mˈɔmɛnt. pʃˌɨpɔmˈinam sˈɔbjɛ mˈuj pˈɔkuj pˌɔzɔstavʲˈɔnɨ pʃɛd vʲɛtʃˈɔrɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_92.wav|sˈamɔ ɡʲˈizmɔ spˌɔtʃɨvˈawɔ bɛspʲˈɛtʃɲʲɛ vɛ vnˈɛntʃu skafˈandra. ɲʲɛ sɔ̃ tɔː ˌuʒɔndʑˈɛɲʲa pʃˌɨstɔsɔvˈanɛ dɔː ˌuʒɨvˈaɲʲa w varˈuŋkax pˌanujˈɔntsɨx na zˈɛvnɔntʃ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_71.wav|dɔ waʑˈɛŋki kˌɔmɛndɛrˈujɛ ˈɛlis, jˈɛɕli ɲʲˈɛxtsɛʒ zabrˈudʑitɕ fʃɨstkʲˈɛɡɔ krfjˈɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_175.wav|fiɡˈura bˌɛɲdʑɛ ɔdʑˈana f kɔltʃˈuɡɛ, jɛj ɡwˈɔvɛ ɔzdˈɔbʲi lvˈi xˈɛwm, a w dwˈɔɲi bˌɛɲdʑɛ tʃɨmˈawa vwˈutʃɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_7.wav|tɕˈi, ktˌuʒɨ tˈak pˌɔstɛmpˈujɔ̃, tˈatsɨ jˈak trˈib dɔnˈɔvan, ɲˈitsk majˈarjan i tˈɛn, ktˈɔ za ɲˈitskʲɛm stˈɔi, pɔtˈɛ̃ʒɲʲɛ ɡˈɔ fkuʒˈajɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_126.wav|zˌamɨkˈajɔnts mˈɔjɛ rˈamjɛ w ɔkrˈutnɨm uɕtɕˈisku, tɕˈɔŋɡɲʲɛ mɲʲɛ f strˈɔnɛ ˈinnɨɣ dʒvˈi i fpˈɨxa dɔ ɕrˈɔtka.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_26.wav|ɲˈim ɕmˈiɡwɔ pʃɛstˈawɔ ɕɛ krˈɛɲtɕitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_53.wav|mˌamɨ fʃˈɨstkɔ tsˈɔ ɲʲɛzbˈɛndnɛ dɔː ˌuzɨskˈaɲʲa vɨrˈɔku skˌazujɔntsˈɛɡɔ. sprˌavʲɛdlivˈɔɕtɕi stˈaɲʲɛ ɕɛ zˈadɔɕtɕ, rˈɛntʃɛ zˈatɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_149.wav|jˈɛzu, ˈalɛʒ ɡˈɔ bˈɔlɔ̃ nˈɔɡʲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_50.wav|rˌɛtsɛptsjɔɲˈistka zmʲɛʒˈɨwa mɲʲɛ vzrˈɔkʲɛm ɔt stˈub dɔ ɡwˈuf.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_47.wav|nˈajpʲɛrf musˈimɨ ɕɛ pʃɛkˈɔnatɕ, ʒˈɛ tˈɛssa mˈuvi prˈavdɛ na tˈɛmat tˌɔvaʒɨʃˈɔntsɛj jɛj ɔsˈɔbɨ. jˈɛʃtʃɛ lˈɛpʲɛj bˈɨ bˈɨwɔ, ɡdˈɨbɨ tɕi pˌɔvʲɛdʑˈawa, ktˈɔ tɔ tˈaki.|4
+Dataset/wavs/urwisko_ferenc/35_segment_6.wav|kʲˈɛdɨ pʃˌɛstraʃˈɔnɨ f kˈɔɲtsu zˈajɔw mʲˈɛjstsɛ wˈɛ fɔtˈɛlu,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_40.wav|tˈɔm pɔkˈivaw ɡwˈɔvɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_221.wav|tsˈɔː ɔn tʃˈɨma w rˈɛŋku?|1
+Dataset/wavs/urwisko_ferenc/06_segment_5.wav|pʃɨɡlˈɔndaw ɕɛ fˌɔtɔɡrˈafji i ɲʲˈɛmʲaw vˌɔntplivˈɔɕtɕi, ʒˈɛ pˈatʃɨ na tˈɛ sˈamɔ̃ kɔbjˈɛtɛ, ktˌurɔ̃ znˈaw pɔt ˈinnɨm imjˈɛɲʲɛm i nazvˈiskʲɛm.|0
+Dataset/wavs/urwisko_ferenc/21_segment_15.wav|ɡdˈɨbɨ ˈɔtɨm vʲˈɛdʑaw, ɔt pɔtʃˈɔntku mʲˈɛlibˌɨɕmɨ ɡˈɔ na tsˌɛlɔvɲˈiku. mʲˈawbɨ mˈɔtɨf, uznˈawa mˈarja.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_134.wav|pˌɔpatʃˈɨwam nˈaɲʲɔ̃ pʃˌɛraʒˈɔna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_9.wav|pʃɨnˈajmɲʲɛj tˈak mi ɕɛ vɨdˈajɛ.|2
+Dataset/wavs/urwisko_ferenc/35_segment_53.wav|pˌɔvɔntpʲˈɛvaw ˈɔlɡʲɛrt|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_165.wav|stsˈɔtt f kˈɔɲtsu ɔdvrˈutɕiw ɕɛ w mˈɔjɔ̃ strˈɔnɛ.|3
+Dataset/wavs/urwisko_ferenc/42_segment_13.wav|vidʑˈawam ˌinfɔrmˈatsjɛ w mˈɛdjax, ʒˈɛ jˌɛstɛm zˌaɡʲiɲʲˈɔna.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_164.wav|pɔ prˈɔstu bˌɨwɔ mi wˈatfʲɛj dɔstˈartʃatɕ mu jˈɛ f tˌaki spˈɔsup.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_25.wav|ˈalbɔ ʒˈɛ bˌɛndɔ̃ ˌɔstatɲˈimi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_50.wav|zˈaʒɔnt ʃkˈɔwɨ mˈɔʒɛ rˈuvɲʲɛʃ ɕɛ tɨm zˌaintˌɛrɛsˈɔvatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_81.wav|mˈam vwˈasnɛ vartˈɔɕtɕi i mˈuʃɛ brˈatɕ ˌɔtpɔvʲɛdʑˈalnɔʑdʑ za sfˈɔjɛ tʃˈɨnɨ?|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_197.wav|pʃɨpˈɔmɲʲaw viktˈarjɔn. ɲʲɛ pɔdˈɔba mi ɕɛ tɔ tˈak sˈamɔ jˈak tˈɔbjɛ, ˌalɛ ˈɛwrɔn jɛst krˈulɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_69.wav|tʃɨ mˈɔɡɛ zapˈɨtatɕ ɔ kˈilka nˈazvisk?|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_72.wav|ˈɛlis fskazˈujɛ na tɕˌɛmɲʲɛjˈɔntsɛ ɲʲˈɛbɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_75.wav|pˈɛvɲʲɛ pɔdrˈɛntʃnɛj flaʃˈɛtʃki, ˌalɛ zˈamjast ɲʲˈɛj vˈɨjɔw zˌabjɛdʑɔnˈɛɡɔ ɡɔwˈɛmbja, ktˌurɨ wˈɨpaw pʃˌɨkrɨtˈɨmi bjˈɛlmɛm ɔtʃˈami.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_31.wav|zˈafʃɛ ɕɛ zɡadʑˈaliɕmˌɨ, ʒˈɛ dla dˈɔbra lˈutsɨ bɛɲdʑˌɛmɨ zˌaxɔvˈɨvatɕ ɕɛ pʃˌɨzvɔˈitɕɛ i ɲˈiɡdɨ ɲʲɛ ˌuʒɨjˈɛmɨ jɛj w rˈɔli kˈartɨ pʃˌɛtarɡˈɔvɛj.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_44.wav|mˈɔja çistˈɔrja dɔtˈɨtʃɨ pʲˈɛŋknɛj dʑɛftʃˈɨnɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_104.wav|tɔ ɲʲɛ bˌɨwɔ dˈɔbrɛ rˌɔzvʲɔ̃zˈaɲʲɛ dla ɲikˈɔɡɔ, xˈɔtɕ trˈudnɔ bˌɛɲdʑɛ im zrɔzˈumjɛtɕ mˈɔjɔ̃ dɛtsˈɨzjɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_36.wav|tˈak tʃɨ inˈatʃɛj, ɲʲɛ vʲˈɛʒɛ, ʒˈɛ tˌaki ˈɔpis mˈuɡwbɨ dɔtˈɨtʃɨdʑ ʒˈɔnɨ. ˌɔna zˈafʃɛ sprˈavja vraʒˈɛɲʲɛ tˈakʲɛj ɲʲˌɛskazitˈɛlnɛj.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_42.wav|samˈɔtnɛ dʑˈɛtskɔ w ɲʲˌɛtɨpˈɔvɨm mʲˈɛjstsu. nˈavɛt jˈɛɕli pɔrˈɨvadʒ dʑˈawa vˈɛdwuk plˈanu, jɛzd zvˈɨklɛ sˈam.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_12.wav|a skˈɔrɔ jˈuʃ tˈu jˈɛstɛm...|4
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_37.wav|vɔlˈawabˌɨm, ʒˈɛbɨ pʃˌɛtʃɨmɨvˈanɔ jˈɔ̃ na drˈuɡʲim kˈɔɲtsu krˈaju.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_85.wav|mˈɔzɔl ɲʲɛ pratsˈujɛ nat kˈaʒdɨm zdˈaɲʲɛm. dˈɔbʒɛ xˈɔtɕ, ʒˈɛ ɲʲɛ mˈuɕi rɔzmˈɨɕlɲʲɛ rˈɔbʲidʑ bwˈɛnduf ˌɔrtɔɡrafˈitʃnɨx, kɔmpˈutɛr ˈalbɔ jˈɛ ˌawtɔmatˈɨtʃɲʲɛ pɔprˈavja, ˈalbɔ pɔtkrˈɛɕla na tʃɛrvˈɔnɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_30.wav|a ˈaram mɲʲɛ zwˈapaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_75.wav|tsˈɔ mˈɔɡɛ dla tɕˈɛbjɛ zrˈɔbʲitɕ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_86.wav|jˈɛdɛn s tɛxɲˈikuf klˈɛntʃaw mʲˌɛndʑɨ sˌamɔxɔdˈami, badˈajɔnts fˈɔrda fɔtsˈusa zˌaparkˌɔvanˈɛɡɔː ˌɔbɔk mˌɛrtsɛdˈɛsa.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_20.wav|tutˈɛjʃɛ tsˈɛntrum pˌɔttʃɨmɨvˈaɲʲa ʒˈɨtɕa jɛzd vˌɨjɔntkˈɔvɛ na tlˈɛ çistˈɔrji pɔdbˈɔju kɔsmˈɔsu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_31.wav|drˈuɡa vʲadˈɔmɔʑdʑ dˌɔtɨtʃˈɨwa mˈili.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_126.wav|ɲʲɛ zapˈɔmɲij ɕɛ nˈadʑatɕ na jˈakɔ̃ɕ ˈɔstrɔ̃ skˈawɛ, kʲˈɛdɨ bˌɛɲdʑɛʃ tˈam sˈɔbjɛ skˈakaw.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_264.wav|zamknˈɛwa za mnˈɔ̃ dʒvˈi bˈɛs swˈɔva pˌɔʒɛɡnˈaɲʲa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_37.wav|kɔʃˈulka jɛzd blˈadɔruʒˈɔva i mˈa ˈu dˈɔwu ɲʲɛvʲˈɛlkɔ̃ falbˈaŋkɛ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_231.wav|zwˈɔta dwˈɔɲ lɛʒˈawa na blˈatɕɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_62.wav|ˈaʃ jɛst xˌɔrɔblˈivʲɛ vrˈɛntʃ ˌupɔʒˌɔntkɔvˈanɨ. ɲʲɛ vʲɛdʑˈawam, ʒˈɛ kasˈɔvaw smsˈɨ, ˌalɛ tɔ w jˈɛɡɔ stˈɨlu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_498.wav|ˌalɛ i ɡvʲˈast jˈuʃ ɲʲˈɛma.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_234.wav|i ˈabɨ ɲʲɛ pɔzbˈɨvaw jɛj ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_225.wav|ɔbjˈɔwɛm jˈɔ̃ f pˈaɕɛ ramjˈɛɲʲɛm. pɔdɲʲˈɔswa nˈamɲʲɛ ˈɔtʃɨ. prˈavda?|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_228.wav|tsˈawɨ tʃˈas tʃɨmˈawɔ pʃˈɨɲim vˈartɛ dvˈux ˌɛksplɔratˈɔruf, ktˌuʒɨ zmʲɛɲʲˈali ɕɛ tsˈɔ kˈilka ɡˈɔdʑin.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_132.wav|stˈafka vˌɨdavˈawa ɕɛ sɛnsˈɔvna. f tɛj miɲʲˈuvʲɛ vˌɨɡlɔndˈawam naprˈavdɛ ɔbwˈɛndɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_69.wav|fsunˈɛwam ɡwˈɔvɛ dɔ ɕrˈɔtka i rˌɔzɛjʒˈawam ɕɛ dˌɔɔkˈɔwa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_123.wav|ˈɔkɛj, ɲʲɛ pʃˌɨprɔvˈadʑaj xˈɔffa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_102.wav|mˈɔʒɛ ɡdʑˈɛɕ sɔ̃ tɛ kɔbjˈɛtɨ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_485.wav|jˈɛdna z ɔstˈatɲiɣ ʑˈim tˌɛɡɔ stulˈɛtɕa i tˌɛɡɔ tˌɨɕɔntslˈɛtɕa.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_277.wav|muɕˈawam jˈakɔʑ zarˈabjatɕ na ʒˈɨtɕɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_23.wav|jˈumbɔ pɔpˈatʃɨw na ɲʲˈɛɡɔ s pɔvˈaɡɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_23.wav|bˈɛtskɨ zmarʃtʃˈɨwa tʃˈɔwɔ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_302.wav|ɲʲˌɛbɛspʲˈɛtʃnɨ, tɕˌɛmnɔvwˈɔsɨ mɛ̃ʃtʃˈɨzna, kturˌɛmu ɲʲɛ spˈɔsup ɔdmˈuvitɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_56.wav|ˈaram skˈinɔw ɡwˈɔvɔ̃, ˌalɛ mˈiltʃaw pʃˈɛz dwˈuʃʃɔ̃ xfˈilɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_9.wav|tˈɛraz zabʲˈijɛ kɔlˈɛjnɨx lˈudʑi, jˈɛɕli sˈam nˈajpʲɛrf ɲʲɛ zɡʲˈiɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_130.wav|pʃˈɛz vʲˈɛlɛ tɨɡˈɔdɲi kˌɔʒɨstawˈɨɕmɨ s kˈaʒdɛj nˌadaʒajˈɔntsɛj ɕɛ ɔkˈazji dɔ spˈɔtkaɲ, ktˌurɛ trfˈawɨ tʃasˈami pʃˈɛz vʲˈɛŋkʃɔ̃ tʃˈɛɲʑdʑ dɲʲˈa.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_211.wav|tɔ mˌarnɔvˈaɲʲɛ pʲɛɲʲˈɛndʑɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_72.wav|tsˈɔɕ tˈam jɛst pʃɨpʲˈɛntɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_189.wav|dʒˈɔnnɨ tʃˈɨmaw ɕɛ jˈɛʃtʃɛ na nˈɔɡax, ˌalɛ vɨɡlˈɔndaw na vˌɨkɔɲtʃɔnˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_74.wav|bʲˈillɨ vɨɕˈada i mˈaxa, jˈaɡbɨ zɔbˈatʃɨw znˌajɔmˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_465.wav|xtsˈɛ, ʒˈɛbɨ tɨm rˈazɛm tˈɔmmɛn sˈam ɡˈɔ vɨxwˈɔstaw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_306.wav|mˈɔʒɛ tɔ skrˈut? ɲʲɛ, pˈɛwnɛ ˈimjɛ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_347.wav|pɔnˈɔvɲʲɛ zvʲɔ̃zˈali brjˈɛnnɛ nadɡˈarstki i vˌɨprɔvadʑˈili jˈɔ̃ z jaskˈiɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_214.wav|jɛst tˌaki drˈɔɡʲi, bˈɔ mˈɔʒna rˌɛɡulˈɔvatɕ jˈɛɡɔ rˈɔzmʲar, w zˌalɛʒnˈɔɕtɕi ɔt tˈɛɡɔ, tʃɨ ɔsˈɔba xtsˈɛ vɨɡlˈɔndatɕ, jˈaɡbɨ bˌɨwa f ʃˈustɨm tʃɨ, pɔvʲˈɛdʑmɨ, dʑɛvʲˈɔntɨm mʲɛɕˈɔntsu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_8.wav|bʲˈillɨ ftɕˈɔ̃ʃ ɲʲɛ mˈɔʒɛ bˈɨtɕ pˈɛvʲɛn, tʃɨ ˈabɨ ɲʲɛ fpˈada f paɲˈikɛ, mˈuɕi vʲˈɛnts ˈɔtɨm ɕɛ pʃɛkˈɔnatɕ.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_375.wav|vˈaʃa mˈiwɔɕtɕ tˈak wˈadɲʲɛ ɕɛ ɕmʲˈɛjɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_61.wav|ɲʲɛ zdʑivˈiwabˌɨm ɕɛ, ɡdˈɨbɨ tɔ zrɔbʲˈiwa tˌɨlkɔ pˈɔtɔ, ʒˈɛbɨ pɔɡʒˈɛbatɕ kˈijɛm w mrɔvˈisku. zˌastanavʲˈawam ɕɛ, tʃɨ ˌɔna sˈama pʃɨpˈatkʲɛm ɲʲɛ lˈɛtɕi na naˈila.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_231.wav|tˈu ɲʲɛ xˈɔdʑi ɔ pʲɛɲʲˈɔndʑɛ ˌɔdɛzvˈawa ɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_220.wav|jɛdˈɨnɛ tsˈɔ mu pˌɔzɔstˈajɛ, tɔ vˈɨrvatɕ ɕɛ z ɲʲˈɛɡɔ jˈɛdnɨm tsˈɛlnɨm stʃˈawɛm.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_384.wav|f tɕˈɛlɛ zɡʒɨtˈawɨ ɔ ɕˈɛbjɛ kˈɔɕtɕi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_87.wav|bʲˈillɨ vˈɔntpi, tʃɨ w dˈɔbjɛ ˌintɛrnˈɛtu tsˈɛntra xandlˈɔvɛ mˈɔɡɔ̃ zrˌɛvitˌalizˈɔvatɕ tsɔkˈɔlvʲɛk, nˈavɛt ɕˈɛbjɛ sˈamɛ, ˌalɛ ɲˈits ɲʲɛ mˈuvi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_157.wav|tɕˈɔŋɡlɛ jˌɛstɛm zmɛntʃˈɔna, tɔː ˈɔbwɛnt.|2
+Dataset/wavs/urwisko_ferenc/24_segment_5.wav|— tsˈɔɕ ɕɛ stˈawɔ, ɡʒɛɕˈɔʑi? — zlɛŋkɲʲˈɔna pʃˌɨwɔʒˈɨwa rˈɛŋkɛ dɔː ˈust.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_22.wav|tˈɔm mˈuɕaw ɔtxˈɔdʑitɕ ɔd zmˈɨswuv z ɲʲˌɛpɔkˈɔju.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_148.wav|ɲʲɛ jˌɛstɛm ɡwˈɔdna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_187.wav|ɲʲɛ tˌɨlkɔː ˌɔrɡaɲizˈatsja ɲˈika, ˌalɛ i tʃtˈɛrɨ ˈinnɛ, kˌɔŋkurɛntsˈɨjnɛ, plˈuz bˈuk rˈatʃɛj vʲˈɛdʑɛtɕ ˈilu vˈɔlnɨx stʃˈɛltsuf.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_29.wav|mˈuʃɛ tɕi ɔ tʃˈɨmɕ pɔvʲˈɛdʑɛtɕ, ˌalɛ ɲʲɛ pɔtrˈafjɛ tˌɛɡɔ vɨjˈaɕɲitɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_21.wav|jˈɛɕli tˈak, pɔlˈitsja mˈɔʒɛ jˈuʃ mɲʲɛ ɕtɕˈiɡatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_229.wav|tˈak, dʑɛŋkˈujɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_169.wav|dvʲˈɛ z ɲˈiɣ zˌaʒɔndˈawɨ rɔzvˈɔdu zɡˈɔdɲʲɛ z islˈamskim prˈavɛm xˈula, ˌalɛ pˌɔzɔstˈawɛ dvʲˈɛ zɔstˈawɨ pʃˈɨɲim.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_265.wav|zˌauvaʒˈɨwa taˈina.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_35.wav|krˈutkɔ mˈuvʲɔnts, f tɨm rˈɔku trˈɔxɛ krˈuxɔː ˈu mɲʲɛ s fˈɔrsɔ̃. prɔblˈɛmɨ s pʃɛpwˈɨvɛm ɡɔtˈufki ɔt tʃˈasu, kʲˈɛdɨ zˌainvˌɛstɔvˈawɛm w vˌuvˌuˈɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_60.wav|— nˌaɔɡlɔndˈawaɕ ɕɛ fˈilmuf — ɔtpˈarwa krˈɛntsɔndʑ ɡwˈɔvɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_106.wav|bˌɨwa bˈardʑɔ ʑˈimna.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_545.wav|vʑˈɔw w rˈɛŋkɛ jˈɛdnɔ̃ s fˈiɡur sˈivas.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_122.wav|mˈuj rˈɛspɛɡd dla fˈirmɨ ɡvˈinsland vzrˈus ɔ kˈilka pˈuŋktuf.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_10.wav|ɲʲɛ mˈɔɡɛ tˈutaj ɕˈɛdʑɛdʑ bɛstʃˈɨnɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_218.wav|ˌalɛ jˈɛɕli vˈɨswadʑ zˈaɲim lˈudʑi, rɔspwˈɨva ɕɛ bˈɛs ɕlˈadu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_158.wav|f tʃˈaɕɛ, kʲˈɛdɨ rˈɔspatʃ i ʃtʃˈɛɲɕtɕɛ jˌɛdnakˈɔvɔ sɔ̃ samˈɔtnɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_112.wav|mˈɨɕlɛ, ʒˈɛ zˈaras ɕɛ ˈɔtɨm pʃˌɛkɔnˈamɨ, mˈuvi bʲˈillɨ. ɲˈitsk, tʃɨ tɕi dvˈaj, tsˈɔ lˈɛʒɔ̃ na pɔdwˈɔdʑɛ, zdˈajɔ̃ sˈɔbjɛ sprˈavɛ, ʒˈɛ pɔtrˈafjɛ stʃˈɛlatɕ? ʒˈɛ tɔ mˈuj fˈax?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_452.wav|dʑɛŋkˈujɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_31.wav|nˈail, prˈɔʃɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_13.wav|tʃɨ ja mˈuvjɛ ɲʲˌɛvɨrˈaʑɲʲɛ? rˈɛntsɛ pʃɛt ɕˈɛbjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_202.wav|krˈɛf pʃˌɛlɛvˈawa mu ɕɛ pʃˈɛs pˈaltsɛ i spwɨvˈawa na krˈɔki dvˈabnɨx spˈɔdɲi ɔt piʒˈamɨ. ɔ mˈuj bˈɔʒɛ, jˌɛstɛm rˈannɨ!|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_342.wav|tʃwˈɔvʲɛk tɛn ˈɔtʃɨ vbʲˈitɛ mʲˈaw w ɲʲˈɛbɔː i kʃˈɨviw ɕɛ za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ dˈɔtknɔɲtɕ mˈuɕaw ɔkwˈatki.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_96.wav|a ja mˈuʃɛ tɕi vʲˈɛʒɨtɕ, pɔvʲˈɛdʑaw rˈɨan. xˈɨba tˈak, xˈɨba mˈuɕiʃ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_218.wav|vʲˈɛlɛ lˈat tˈɛmu, w ˈinnɨm krˈaju, w ˈinnɛj tʃˈɛɲɕtɕi ɕfʲˈata i ɔː ˈinnɛj pˈɔʒɛ dɲʲˈa.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_14.wav|ɡdˈɨ tˌɨlkɔ fʃˈɛd dɔ samˈɔtɲi, zˌɔrjɛntɔvˈawa ɕɛ, ʒˈɛ vʲˈɛɕtɕi sɔ̃ dˈɔbrɛ.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_37.wav|ɲʲɛ mˌajɔ̃ vʲˈɛlu ʒˈɛtʃɨ, ktˌurɛ mˈɔɡwabˌɨ tknˈɔɲtɕ pˈaɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_249.wav|vzdrɨɡnˈɔwɛm ɕɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_268.wav|pɔʃˈukaw pˌapʲɛrˈɔsuf f kʲɛʃˈɛɲi. pʃɨpˈaliw zˌapalɲˈitʃkɔ̃, tˈɛʃ xˈɨba zˈɛ zwˈɔta.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_98.wav|ˌalɛ ɲʲˌɛkɔɲʲˈɛtʃɲʲɛ tɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_29.wav|ftsˈalɛ ɲʲɛ muɕˈɛli mɲʲɛ ʃˈukatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_90.wav|inspˈɛktɔr krˈɛɲtɕi ɡwˈɔvɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_98.wav|xˈɔnɔr mʲˈaw ʒˈɔnd bˈarvɨ lˌaɲistˈɛrskʲɛj tʃɛrvʲˈɛɲi, a xfˈawa nɔɕˈiwa bjˈɛl ɡvˈardji krulˈɛfskʲɛj.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_340.wav|zˈɛxtɕɛj pˈujʑdʑ zˈɛmnɔ̃, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_58.wav|nˈɔ tsˈuʃ, ɲʲɛbˈavɛm ɕɛ pʃˌɛkɔnˈamɨ, tʃɨ ˌɔɲi mˈɨɕlɔ̃ tˈak sˈamɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_288.wav|pɔ prˈɔstu zvˈɨkwɨm pʃɨtɕˈiskʲɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_56.wav|a ja pˌɔmɨɕlˈawɛm, ʒˈɛ bɨwˈɔbɨ lˈɛpʲɛj dla nˈas fʃˈɨstkix, ɡdˈɨbɨ tɔ bˈɨw ʒˈart, ˌalɛ ɲʲɛ jˈɛst.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_125.wav|tʃˈɛɕtɕ, stˈarɨ ɡarbˈatɨ ˈɔɕlɛ, pˌɔvʲɛdʑˈawɛm dɔ ɕˈɛbjɛ ɡˌarbjɔntsˈɛɡɔ ɕɛ pʃɨ bjˈurku f pɔkˈɔju ʒˈɔnɨ.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_185.wav|ˌɔbɔvʲˈɔ̃ski tʃɛkˈawɨ na ɲʲˈɛɡɔ w rivˈɛran.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_25.wav|ˈɛlis, bˈɛz dɨskˈusji. vidʑˈawɛɕ mɲʲɛ nˈaɡɔ̃, prˈavda? pˌɔtraktˈujmɨ tɔ jˈakɔ vˌɨruvnˈaɲʲɛ raxˈuŋkuf. vwˈaʑ dɔ vˈannɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_34.wav|ˌɔtʃɨvˈiɕtɕɛ sˈam tˈɛʃ muɕˈawɛm ɕɛ nˈapitɕ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_178.wav|jˌɛdɨnˈɨmi tˌɔvaʒˌɨʃɔntsˈɨmi mu dʑvʲɛŋkˈami bˌɨwɨ stˈukɔt kˈɔpɨd vawˈaxa ˌɔraz bʒˈɛŋk mʲˈɛtʃa f pˈɔxfʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_137.wav|fʃˈɨstsɨ ɕɛ zˌastanavʲˈali, tsˈɔ stˈaɲʲɛ ɕɛ dˈalɛj, ˌalɛ ja jˈuʃ xˈɨba vʲɛdʑˈawam, zˈaɲim ˈaram w ɔɡˈulɛ ɕɛ ɔdˈɛzvaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_67.wav|dʑˈurka w jˈɛɡɔ pˈasku, ktˌura kʲˈɛdɨʑ bˌɨwa ɲʲˌɛpɔtʃˈɛbna, tˈɛras jɛst w uʒˈɨtɕu, spɔɡlˈɔnda na kˈɔrʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_85.wav|vɨjˈaɕɲiw xˈɔtax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_193.wav|pɔtʃˈɛbnɛ bˌɛɲdʑɛ kˈɔntɔ baŋkˈɔvɛ, na ktˌurɛ zɔstˈaɲʲɛ dˌɔkɔnˈanɨ pʃˈɛlɛf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_237.wav|i ɲʲˈɛmɨɕl ˈɔmɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_151.wav|trˈɔnt ɲʲɛ zapwˈatɕi mi za tˈɛ fuʃˈɛrkɛ i ɲʲɛ mˈɔɡɛ ɡˈɔ zˈatɔ vˈiɲitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_33.wav|ɲˈiɡdɨ ɲʲɛ bˌɨwɛɕ tˌaki ɡwˈupi, jˈak ɕɛ vˌɨdavˈawɔ, prˈavda? ɡʲˈɔrɡjɔ tˈak mi pɔvʲˈɛdʑaw, ˌalɛ mu ɲʲɛ ˌuvʲɛʒˈɨwɛm.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_8.wav|ɔstʃˈɛɡwa jˈɔ̃ stˈara ɡrˈɛtxɛl, zˌawamˈujɔndʑ dwˈɔɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_79.wav|ˌuratɔvˈawɛm tɕi ʒˈɨtɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_102.wav|bʲˈillɨ pʃˈɨɕɔw, bˈɨ ʒˈɛ jɛj ˈɔtʃɨ jˈuʃ ʃˈɛʒɛj ɕɛ ɔtfˈɔʒɨtɕ ɲʲɛ mˈɔɡɔ̃, a jˈɛdnak tˈak ɕɛ dʑˈɛjɛ. pʃˌɛtɕɛʃ ɕɛ udˈuʃɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_205.wav|tsˈɔ mˈɔʒɛʃ mi ˈɔtɨm pɔvʲˈɛdʑɛtɕ?|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_64.wav|a ɡdˈɨ vrˈɛʃtɕɛ tɔ zrɔbʲˈili...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_72.wav|f tˈakim rˈaʑɛ ɔ tʃtɛrnˈastɛj.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_234.wav|tʃɨ nˈadal ɡˈɔ pˌɔʃukˈujɔ̃?|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_207.wav|ɔmˈalɲʲɛ pˌɔvʲɛdʑˈawa tsɛrsˈɛi. jɛst prˈavʲɛ rˈuvɲʲɛ vʲˈɛlkim bwˈaznɛm jˈak tfˈuj zmˈarwɨ mˈɔ̃ʃ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_179.wav|mˈuɕi z ɲˈim stˈatɕ ɕɛ tsˈɔɕ takʲˈɛɡɔ, ˈabɨ ɲʲˈɛstaw ɕɛ ɲˈiɡdɨ pʲˈɛrʃɨ, xˈɛlɛn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_137.wav|sprˈaj i ɔpˈaska sˌuɡɛrɔvˈawɨ, ʒˈɛ fʃˈɨstkɔ skrˌupulˈatɲʲɛ zˌaplanɔvˈanɔ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_261.wav|dɔpˈuki tɕi ɕɛ tɔ ɲʲɛ ˈuda, ɲʲɛ bˌɛɲdʑɛʃ mˈɔɡwa ˈufadʑ ʒadnˈɛmu z ɲˈix.|1
+Dataset/wavs/urwisko_ferenc/63_segment_115.wav|— vʲˈɛnts pˈɔvʲɛm, bˈɔ xtsˈɛ pˈaɲi pˈɔmuts.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_235.wav|vˈɛɕ sˈɔbjɛ kˈurva.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_222.wav|zɔstˈaɲʲɛʃ tˈu zˈɛmnɔ̃, pˈaɲi, dɔpˈuki ɲʲɛ znajdʑˈɛmɨ jakʲˈɛɡɔɕ spɔsˈɔbu, bˈɨ ɔdʑˈɨskatɕ tfˈuj zˈamɛk.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_84.wav|i ɲʲˈɛvʲɛm, jˈak ɕɛ uvˈɔlɲitɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_151.wav|i ʒˈɛbɨʃ ɔpˈadwa ta ɡɔrˈɔntʃka.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_77.wav|ɲˈilɛ ɲʲˌɛspɔdʑɛvˈaɲʲɛ nˈabraw pɔvʲˈɛtʃa i zˈɛrvaw ɕɛ na rˈuvnɛ nˈɔɡʲi, jˈaɡbɨ tsˈawa traɡˈɛdja vrutɕˈiwa dɔ ɲʲˈɛɡɔ na nˈɔvɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_228.wav|pˌɔtʃɛbˈɔvaw drˈuɡʲɛj pˈarɨ ʃtʃˈɨpʲɛts, ʒˈɛbɨ jˈɔ̃ pɔrˈuʃɨtɕ, ˌalɛ ɕɛ udˈawɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_30.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_207.wav|i tsˈɔ bˈɛɲdʑɛ, jˈɛɕli nˈaz zwˈapjɔ̃? zapˈɨtaw mˈikɛ.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_58.wav|a vʲˈɛʒɛ pʃˌɛtɕinˈawa skɔɕɲˈitsa f prˈavɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_277.wav|dɔ tʃˈɛɡɔ zmʲˈɛʒaʃ? zˌapɨtˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_171.wav|dɔ tʃˈɛɡɔ bˈɨ tɔ dˌɔprɔvadʑˈiwɔ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_166.wav|a na tsˈɔ tɕi ˈɔna? tʃtˈɛrɨ tsˈɛntɨ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_326.wav|zˌastanˈavʲam ɕɛ, tʃɨ tɔ rɔssˈɔndnɛ pɔ tˈak mɛntʃˈɔntsɨm zˈɛjɕtɕu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_35.wav|ɡdˈɨbɨm mˈuɕaw ɕɛ zˈapaɕtɕ pɔd ʑˈɛmʲɛ, zrˈɔbjɛ tɔ tˈutaj, ɲʲɛ w jˈakʲɛjɕ mɛlˈiɲʲɛ w vistsˈɔnɕin.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_233.wav|tʃˈɛɡɔɕ takʲˈɛɡɔ ɕɛ spˌɔdʑɛvˈawam.|4
+Dataset/wavs/urwisko_ferenc/53_segment_42.wav|pɔvˈinna zrˌɛzɨɡnˈɔvatɕ s prˈatsɨ z ɔlɡʲˈɛrdɛm, bˈɔ jˈɛʃtʃɛ xfˈila i jɛj pˈartnɛr zˈatʃɲʲɛ stˈatʃatɕ ɕɛ tsˈɔras ʃˈɨptɕɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_65.wav|dˌɔwɔʒˈɨwa pˈaɲi ˌɔɡrɔmnˈɛɡɔ vɨɕˈiwku, ʒˈɛbɨ usˈunɔɲtɕ fʃˈɛlkʲɛ ɕlˈadɨ sfˈɔjɛj bɨtʃnˈɔɕtɕi w ˈɛksɔtˈɛx.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_21.wav|a ktˈɔ pɔvˈiɲʲɛn pˈatʃɛtɕ na lˈudʑi, brˈatɕa? pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_9.wav|fˈatsɛd bˈɨw vʲˈɛlki pɔt kˈaʒdɨm vzɡlˈɛndɛm. f xˈɔlu pˌanɔvˈawa tɕˈiʃa i tˈɔm sˈɔbjɛ ˌuɕfʲadˈɔmiw, ˈilɛ ˌupwɨnˈɛwɔ tʃˈasu, ɔt kʲˈɛdɨ zˌadʑvɔɲˈiwa dɔ ɲʲˈɛɡɔ bˈɛtskɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_45.wav|a ja wudʑˈiwɛm ɕˈɛbjɛ, ʒˈɛ tɔ tˌɨlkɔː ɔ mˈam pamjˈɛɲtɕi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_195.wav|a tɕˈi, ktˌuʒɨ ɕˈɛdʑɛdʑ bˌɛndɔ̃ f sˌamɔxˈɔdax, ɲʲɛ zvrˈutsɔ�� na ɲʲˈɛɡɔː uvˈaɡʲi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_43.wav|— pɔ prˈɔstu jˈɔ̃ znˈajtɕtɕɛ — ˈɔtpar ˈaʃ. pɔwˈɔʒɨw ɡwˈɔvɛ na pɔdˈuʃtsɛ i pˌɔmasˈɔvaw nasˈadɛ nˈɔsa.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_74.wav|nastˈɛmpnɨ zjˈaviw ɕɛ sfɔbˈɔda dʑviɡˈajɔnts pˈudwɔ vˌɨpɛwɲʲˈɔnɛ spʃˈɛntɛm ˌɛlɛktrɔɲˈitʃnɨm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_579.wav|lˈɛpʲɛj ɲʲɛ zadˈavatɕ pˈɨtaɲ.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_10.wav|ˈalbɔ f tɕɛmɲˈitsɨ pɔd zˈamkʲɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_659.wav|pɔ sˈɛktsji zvwˈɔk ʃɛpnˈɔwɛm s trˈudɛm pʃˌɛwɨkˈajɔnts jˈakiɕ stʃˈɛmp kɔltʃˈastɛj ɕlˈinɨ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_323.wav|vratsˈajɔndʑ dɔ ɕfʲɔntˈɨɲi, arˈɨa zˌastanavʲˈawa ɕɛ, jˈaɡ zˌarɛaɡˈujɛ starˈuʃɛk, kʲˈɛdɨ mu ɔpˈɔvʲɛ ɔ dˌarɨˈɔɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_363.wav|ɲʲɛvʲˈɛlɛ mˈɔɡɛ zrˈɔbʲitɕ, dɔpˈuki pˌɔzɔstˈajɛ tˈu zamkɲʲˈɛnta.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_89.wav|ɲˈitsk mrˈuɡa ɔtʃˈami zˌaskɔtʃˈɔnɨ zmʲˈanɔ̃ tɛmˈatu.|2
+Dataset/wavs/urwisko_ferenc/41_segment_1.wav|i zˌastanavʲˈawa ɕɛ, tʃɨ pɔvˈinna dɔ ɲʲˈɛɡɔ zadʑvˈɔɲitɕ. tɨm bˈardʑɛj, ʒˈɛ xtɕˈawa ɡˈɔ vˌɨkɔʒˈɨstatɕ f sprˈavʲɛ swuʒbˈɔvɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_10.wav|mˈɔʒɛ na prˈɔʑbɛ dʒˈɔrdʒja.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_47.wav|a pʃɨnˈajmɲʲɛj ɕfʲˈat f tʃtˈɛrɛx ɕtɕˈanax mɔjˈɛɡɔ dˈɔmu?|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_307.wav|sˈɛr ˈilɨn ˈuɲʲus w ˌɔtpɔvʲˈɛdʑi mʲˈɛtʃ i jˈamɛ natˈɨxmʲast rˈuʃɨw dɔː atˈaku.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_66.wav|mˈɔʒɛ dvʲˈɛ nˈɔɡʲi trˈɔ̃ ɔ ɕˈɛbjɛ, kʲˈɛdɨ ktˈɔɕ ɕɛ pʃɛmjˈɛʃtʃa?|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_111.wav|mˈɔja ɕˈɔstra xtɕˈawa ˈupʲɛts tɕˈastka i jˈɛ pʃˌɨpalˈiwa. pˈɛvɲʲɛ zˌapɔmɲʲˈawa pilnˈɔvatɕ tʃˈasu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_479.wav|a tʃɨ tˈɨ, ɲʲɛznˈana kɔbjˈɛtɔ, vʲˈɛʃ, tsˈɔ tɔ jɛst sumjˈɛɲʲɛ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_6.wav|i ftˈɛdɨ kˈulka bˌɨwa mˈartfa na pʃɛxˈɨwax. xˈɔdʑiw tˈɛndɨ w dˈɛʃtʃ i f swˈɔɲtsu, jɛɕˈɛɲʲɔ̃ i lˈatɛm.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_239.wav|mʲˈawɛɕ nˈam pʃˈɨɲʲɛʑdʑ vˈinɔː i tsˈɔʑ dɔ jɛdʑˈɛɲʲa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_67.wav|vˈartɔ bˈɨ kˈɔɡɔɕ spˈɨtatɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_187.wav|bˌɛndɛ muɕˈawa tɔ zrˈɔbʲitɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_50.wav|w jˈakim tsˈɛlu zˌadʑvɔɲˈiwa?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_111.wav|zˌɔrjɛntˈɔvaw ɕɛ i pʃˈɨʃɛd dɔ mɲʲɛ z dʒɛɡˈɛrɛm. bˌɨwam pʃˌɛraʒˈɔna, ˌalɛ spˌɔdɔbˈawam ɕɛ tsˌamɛrɔnˈɔvi, a ɔn ˈuznaw, ʒˈɛ pˌɔɕadˈaɲʲɛ ʒˈɔnɨ i dʑˈɛtɕi znˈatʃɲʲɛ...|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_24.wav|mɛ̃ʃtʃˈɨzna pɔkˈivaw ɡwˈɔvɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_168.wav|s pʃˌɨjɛmnˈɔɕtɕɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_162.wav|tʃˈɨli tsˈɔ nˈajmɲʲɛj jˈɛdɛn s tɨɣ ɡwˈɔmbuf jɛzd w dˈɔmu. nˈɔ xˈɨba, ʒˈɛ fˌurɡɔnˈɛtka ɕɛ zɛpsˈuwa, tʃˈɛɡɔ ɲʲɛ mˈɔʒna vɨklˈutʃɨtɕ.|2
+Dataset/wavs/urwisko_ferenc/12_segment_10.wav|dʑvˈɔɲiʒ dɔ ɲʲˈɛɡɔ? zaɡˈadnɔw, pˈatʃɔnts, jˈak mˈarja ɔpˈɛndʑa ɕɛ ɔt natrˈɛntnɛj mˈuxɨ. nˈɔ pʃˌɛtɕɛʃ ɲʲɛ dɔ tɕˈɛbjɛ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_439.wav|tɔ znˈatʃɨ, ʒˈɛ bˌɛndɛ mʲˈawa blˈiznɨ?|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_349.wav|jˌɛstɛɕ tˈu mˈilɛ vidʑˈanɨm ɡˈɔɕtɕɛm.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_390.wav|ɔbˈɔjɛ spɔjʒˈɛli na ɕˈɛbjɛ zˈɛ zwˈɔɕtɕɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_88.wav|kʲˈɛdɨ znalˈazwam kajdˈaŋki, pʃɨkˈuwam zdrˈɔvɔ̃ rˈɛŋkɛ ˌalvarˈɛza dɔ kˈɔrbɨ sxrˈɔnu pˌɔvʲɛtʃnˈɛɡɔː i vˌɨʒutɕˈiwam klˈutʃɨk na kɔrˈɨtaʃ.|4
+Dataset/wavs/urwisko_ferenc/34_segment_60.wav|naprˈavdɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_47.wav|dɔ dʒˈɔrdʒja zadʑvˈɔɲitɕ ɲʲɛ mˈɔʒɛ, nˈavɛt s kɔmˈurki na kˈartɛ, bˈɔ ɡlˈinɨ mˈɔɡɔ̃ mʲˈɛtɕ tɛlˈɛfɔn vʲˈɛpʃka na pɔtswˈuxu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_53.wav|ˈaʃ ɲʲɛ rɔzmˈavja zˈɛmnɔ̃ tʃˈɛ̃stɔ na tˈɛmat sfˈɔix fspˌuwpratsɔvɲˈikuf. mˈartfi ɕɛ ɲʲˌɛustˈanɲʲɛ ɔ sfˈɔix patsjˈɛntuf, ˌalɛ kˈilka ˈɔsub znˈam z nazvˈiska.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_156.wav|ˌalɛ na pˈɛvnɔ tsˈɔʑ znˈatʃɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_43.wav|zatʃˈɨmaw samˈɔxut i pˈɔdaw mu rˈɛŋkɛ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_146.wav|a na tʃˈɔlɛ mʲˈawa strˈup, tʃɛɲɕtɕˈɔvɔ skrˈɨtɨ za ˌɔpadajˈɔntsɨm lˈɔkʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_178.wav|kazˈali nˈam tʃˈɨmatɕ ɕɛ stˈamtɔnd z dalˈɛka, ˌalɛ pʃˈɛstɔ jˈɛʃtʃɛ bˈardʑɛj nˈas tˈam tɕɔŋɡnˈɛwɔ.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_225.wav|kˈilka z ɲˈix fpˈadwɔ pʃˈɛs ˈɔknɔ, bˈɨ stˈɔpɲʲɛtɕ na jˈɛɡɔ tfˈaʒɨ. jˈamɛ tʃˈuw vwˈasnɨ ˈɔddɛx.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_60.wav|mˈuʃɛ jˈɔ̃ pˈɔdjɔɲtɕ.|4
+Dataset/wavs/urwisko_ferenc/36_segment_73.wav|sˈama ɲʲˈɛvʲɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_89.wav|na pɨtˈaɲʲa mˈɔɡɛ ˌɔtpɔvʲˈɛdʑɛtɕ tˈɛras, xˈɔtɕ ɲʲɛ sˈɔndʑɛ, ʒˈɛbɨm ˌɔkazˈawa ɕɛ bˈardʑɔ pɔmˈɔtsna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_7.wav|pˌɔviɲʲˈɛnɛʑ bˈɨw ɕɛ zˌadɔvˈɔlitɕ stʃaskˈanɔ̃ kˈɔstkɔ̃, mˈɨɕli bʲˈillɨ. nˈatɔ lɛkˈaʒɛ jˈɛʃtʃɛ mˈɔɡlibˌɨ tsˈɔɕ pɔrˈadʑitɕ.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_221.wav|pɔd dvˈɔrɛm sˌɛnɛsxˈala rɛktˈɔʒɨ zˌakuvˈali w dˈɨbɨ jakʲˈɛɡɔɕ ɲʲˈɛtsɔ jˈuʃ starʃˈɛɡɔ nˌɔvitsjˈuʃa.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_65.wav|jˈɛɕli mˈuɕi pʃˈɛlatɕ tʃˈɨjɔ̃ɕ krˈɛf, pɔvˈinna tɔ bˈɨtɕ mˈɔja.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_24.wav|bʲˈillɨ pˈatʃɨ na pʃˌɛʒɛdʑˈɔnɨ trˈavɲik i mˈɨɕli, ʒˈɛ ɡˈɔ pɔdlˈɛjɛ. jˈɛɕli ɲʲˈɛma vˈɛ̃ʒa ˌɔɡrɔdɔvˈɛɡɔ, kˈupi ɡˈɔ.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_187.wav|pʃˌɨsadʑˈistɨx, vwɔxˈatɨɣ ʒɛɡlˈaʒɨ z ibˈɛnu, pˌɔftaʒajˈɔntsɨx pʃɛklˈɛɲstfa ɲiskˈimi, ˌɔxrɨpwˈɨmi ɡwɔsˈami.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_324.wav|sɛrˈilin vˈɨdaw s ɕˈɛbjɛ klˌɛkɔtʃˈɔntsɨ dʑvʲˈɛŋk, ktˌurɨ mˈuɡw bˈɨtɕ ɕmʲˈɛxɛm i pʃɛsˈunɔw mʲˈɛtʃ kˈu ɡˈuʒɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_167.wav|i ftˈɛdɨ pamjˈɛntaj, ʒˈɛ na vˌɨsɔkˈɔɕtɕi tʃˈɛx stˈup ˌaltʲimˈɛtɛr jɛst mˈartfɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_85.wav|pˌɔmɨɕlˈawɛm, tʃɨ ɲʲɛ dˈɔdatɕ kˌɔlɛjnˈɛɡɔ nˈɔ ɲʲɛ, ˌalɛ pˌɔstanɔvˈiwɛm tˌɛɡɔ ɲʲɛ rˈɔbʲitɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_69.wav|dˌɔrastˈawaɕ f kˈiŋkstɔn.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_69.wav|najlˈɛpʃɛ jɛst jˈɛdnak tɔ, ʒˈɛ ɲʲɛ mˈuʃɛ jˈuʃ pˈɨtatɕ sˈamɛj ɕˈɛbjɛ, kˈim jˈɛstɛm. ɲʲˈɛma jˈuʃ ɔddʑˈɛlnɨɣ vˈɛrsji mɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_225.wav|vbʲˈiwam w ɲʲˈɔ̃ vzrˈɔk.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_97.wav|pɔː ˌuzupɛwɲʲˈɛɲʲu ɛnˈɛrɡji.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_384.wav|w minˈutɛ pˈuʑɲʲɛj rˈɔzlɛkw ɕɛ dʑvˈɔnɛk i ɡʲˈirls fˈirst lˈɔvɛ pɔvʲˈɛdʑaw dɔː ˌandɛrsˈɔna.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_66.wav|pˌaradɔksˈalɲʲɛ pɔtʃˈuwam ɔɡrˈɔmnɔ̃ ˈulɡɛ, ʒˈɛ f tɨm fʃˈɨstkim ɲʲɛ xɔdʑˈiwɔ pɔ prˈɔstu ɔː ˈinnɔ̃ dʑɛftʃˈɨnɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_9.wav|ɲʲˈɛvʲɛm, tsˈɔ mˈam tˈɛraz zrˈɔbʲitɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_51.wav|ˈandɨ ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_56.wav|bˌɛskɕɛ̃ʒɨtsˈɔva nˈɔts.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_72.wav|nˈaʃɔ̃ ɔfjˈarɔ̃ jɛst rˈɔɡɛr jˈaɡɡɛr.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_6.wav|ɡdˈɨ pˌɔstavˈili pʃˈɛdɲim rˈɨbɛ, vˌɨtɕɔŋɡnˈɛwa rˈɛŋkɛ nat talˈɛʒɛm pʃˌɛznatʃˈɔnɨm dla jɛj mˈɛ̃ʒa i dɔtknˈɛwa jˈɛɡɔ zwˈɔtɛj rˈɛŋki.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_56.wav|pˌɔkɔnˈali pʃɨnˈajmɲʲɛj puwtˈɔrɛj mˈili, ɲˈim ɡrˈunt pɔt ix stɔpˈami zrˈɔbʲiw ɕɛ tfˈartʃɨ i zˈatʃɔw ɕɛ pɔdnˈɔɕitɕ.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_21.wav|utˈɨkaw vɨrˈaʑɲʲɛ, tsˈɔ ɕfʲattʃˈɨwɔː ɔ jakʲˈɛɡɔɕ rɔdʑˈaju kalˈɛtstfʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_12.wav|vˈɨbatʃ, ɲʲɛ ˈufam jˈuʃ nˈavɛd vwˈasnɨm swˈɔvɔm.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_315.wav|jˈɛdɛn z ɲˈix, sˈɛr dˈɔnnɛl, bˈɨw rɨtsˈɛʒɛm krfˈawɛj brˈamɨ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_357.wav|vʲˈɛŋkʃɔɕtɕ stˌanɔvˈili dɔmˈɔvi i vɛndrˈɔvɲi rɨtsˈɛʒɛ, ˌalɛ bˌɨwa fɕrˈut ɲˈix rˈuvɲʲɛʒ ɡˈarstka ʃlaxˈɛtɲʲɛ ˌurɔdʑˈɔnɨx.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_190.wav|kʲˈɛdɨ vɨɡrˈaliɕmˌɨ tɛ pʲɛɲʲˈɔndʑɛ, jˈɛʃtʃɛ pʃɛt arˈamɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_6.wav|ˌalɛ ɡdʑˈɛ dɔ xɔlˈɛrɨ pˌɔdʑɛvˈawa ɕɛ xˈarljɛ? mɨɕlˈawɛm, ʒˈɛ pʃɛbˈɨva...|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_323.wav|zˈamknɔw zˈɛ znuʒˈɛɲʲɛm bjˈawɛ ˈɔtʃɨ, ˌalɛ zˈaras ɔtfˈɔʒɨw jˈɛ znˈɔvu.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_308.wav|jɛst tˈɛras tˈutaj.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_158.wav|ɕˈilnɨ dʑˈiɡ zwˈapaw za ʃnˈur i pˈɔdɲʲus taljˈɛɡɔ na nˈɔɡʲi. rˈɨba na smˈɨtʃɨ!|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_60.wav|ɡˈarstka ʃtʃɛɲɕlˈiftsuf, ktˌura bˌɨwa na mˈɔʒu, ɡdˈɨ nadˈɛʃli wupʲˈɛʃtsɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_26.wav|mɨɕlˈawam, ʒˈɛ f tɨx tʃˈasax kˈaʒdɨ vɨsˈɨwa jˈuʃ tˌɨlkɔ pˌɔzdrɔvʲˈɛɲʲa ɔnlˈinɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_202.wav|f pʃɛtɕˈivnɨm rˈaʑɛ mˈɔʒɛ nˈavɛd zɡʲˈinɔɲtɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_30.wav|pɔvˈinnam bˌɨwa ix pɔfstʃˈɨmatɕ, ɔdmˈuvidʑ zabrˈaɲʲa mˈɔjɛj tsˈurki, ˌalɛ pˌɔvʲɛdʑˈɛli pʃˈɛtɕɛʃ, ʒˈɛ sɔ̃ s pɔlˈitsji.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_95.wav|pˌɔlitsjˈantka fskazˈawa mʲˈɛjstsɛ, f ktˌurɨm tˈɔm zˌauvˈaʒɨw tɕˈɛmnɨ kʃtˈawt na ʑˈɛmi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_73.wav|tɔ pʃˌɛtɕɛʃ mˈuɕi bˈɨtɕ nˈaʃa çistˈɔrja.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_160.wav|ɡˈɔɕtɕɛ ˌutɕiʃˈali ɕɛ, zvratsˈajɔndʑ ɡwˈɔvɨ f strˈɔnɛ prˌaswɔvʲaɲskʲˈɛɡɔ dˈɛmbu, pɔt ktˌurɨm stˈanɔw bˌɨwɨ kɔmˈisaʃ kˈɔrsak.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_11.wav|ɲʲɛ jɛstˌɛɕmɨ bɛspʲˈɛtʃɲi. musˈimɨ stˈɔnd zɲˈikatɕ. i tɔ natˈɨxmʲast.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_26.wav|s tˈɛɡɔ, tsˈɔː udˈawɔ ɕɛ nˈam dɔvʲˈɛdʑɛtɕ...|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_199.wav|tɔ prˌavdɔpɔdˈɔbɲʲɛ skrˈut.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_228.wav|nastˈɛmpna ʒˈɛtʃ jɛzd bˈardʑɔ vˈaʒna.|3
+Dataset/wavs/urwisko_ferenc/59_segment_16.wav|kʲˈɛdɨ uɕˈadwa na kanˈapʲɛ, pˌɔprɔɕˈiwa, bˈɨ kʲɛrˈɔftsa rˈuʃɨw i fsunˈɛwa dwˈɔɲ dɔ plɛtsˈaka.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_129.wav|ɔlˈifka dla ɲʲɛmˈɔvlɔnt i nˌavilʒˈɔnɛ xustˈɛtʃki.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_208.wav|ɡdˈɨ fʃˈɨstsɨ dɔɕˈɛdli jˈuʃ mˈuwuf, mjˈa stˈɔnɛ vɨdˈawa krˈutki rˈɔskas i dvˈuɣ zbrˈɔjnɨɣ z ɲʲˈɛba ˌɔtfɔʒˈɨwɔ pʃɛt ɲˈimi brˈamɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_29.wav|a bˈɛs mˌatɛmˈatɨkˌi tɔ ɲʲˌɛmɔʒlˈivɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_105.wav|ɡdˈɨ fstˈawɛm, ˌɔbɛjʒˈawɛm ˌɔpatrˈunɛk. ˌaɲi ɕlˈadu krfˈi. bˈul tˈɛʃ ˈustaw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_40.wav|ˌalɛ tˌɛɡɔ ɲʲɛ rˈɔbjɛ.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_8.wav|mˈɔja jɛzd zwˈɔta.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_170.wav|f tɛn spˈɔsup ˌɔtʃɨmujˈɛmɨ ˌɔtpɔvʲˈɛdɲʲɔ̃ dˈafkɛ tlˈɛnu, a pʃɨ ɔkˈazji ˌɔbɲiʒˈamɨ dɔ mˈiɲimˌum ɕˈiwɛ natɕˈisku na ɕtɕˈanɨ bˈaɲʲɛk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_237.wav|muɕˈawabˌɨ bˈɨtɕ ɲʲɛspˈɛwna rɔzˈumu, ʒˈɛbɨ ɕɛ ɡˈɔ ɲʲˈɛbatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_155.wav|twumˈatʃɨw, ʒˈɛ ˌɔpʲɛkˈujɛ ɕɛ vˌɨxɔdʑɔntsˈɨmi z nawˈɔɡu, ʒˈɛ ɲʲɛktˌuʒɨ z jˈɛɡɔ pˌɔdɔpʲˈɛtʃnɨx pʃɛstˈali brˈatɕ i vrutɕˈili dɔ ʒˈɨtɕa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_170.wav|mˈam ɕɛ ɲʲɛ ʒˈutsatɕ w ˈɔtʃɨ, pamjˈɛnta pˈan?|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_93.wav|ɲˈikt mɲʲɛ ɲʲɛ ɡˈɔɲi, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_193.wav|pʃɨnˈajmɲʲɛj ɲˈikt jɛj ɲʲɛ spˈaliw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_56.wav|pˌɔvʲɛdʑˈawaɕ mi, ʒˈɛ rˈut pʃɨznˈawa ɕɛ pˌɔlitsjˈantɔm, ʒˈɛ jɛst f tɕˈɔ̃ʒɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_74.wav|ˌɔbjɛtsˈali dɔ ɲʲˈɛj ɔddʑvˈɔɲitɕ. jˈɛɡɔ tɛlˈɛfɔn jɛzd vˌɨwɔntʃˈɔnɨ, ˌalɛ jɛst jˈɛʃtʃɛ ftʃˈɛɕɲʲɛ rˈanɔ, vʲˈɛnts ɲʲˈɛma f tɨm ɲˈidʑ dʑivnˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_21.wav|dˈɔbʒɛ ɕɛ zˌastanˈuftɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_55.wav|dɔ tˌɛɡɔ tʃˈasu pɔlˈitsja zɲʲˈɛɕɛ blɔkˈadɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_78.wav|pɔvˈinnam bˌɨwa tɔ pʃˈɛrvatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_219.wav|ˌalɛ fʃˈɨstkɔ pˌɔtɔtʃˈɨwɔ ɕɛ tˈak ʃˈɨpkɔː i ˌintɛnsˈɨvɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_52.wav|rˌɔstʃaskˈanɔ mu ˈɔbjɛ ʒˈɛpki kˌɔlanˈɔvɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_8.wav|jɛj ɡwˈɔs ɕɛ zawˈamaw. pˈɔtʃuw xwˈut, kʲˈɛdɨ ˌɔtsunˈɛwa ɕɛ ɔt ɲʲˈɛɡɔ. pˌɔmjɛʃtʃˈɛɲʲɛ zadrʒˈawɔ, kʲˈɛdɨ tʃasnˈɛwa dʒvʲˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_28.wav|pˌɔvʲɛdʑˈawɛm, ʒˈɛ tˈak, bˈɔ jˈɔ̃ pɔdˈɛptaw i pˌɔɡruxˈɔtaw jɛj fʃˈɨstkʲɛ ʒˈɛbra.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_50.wav|i bˈuk rˈatʃɨ vʲˈɛdʑɛtɕ, jˈakʲɛ ˌɔbraʒˈɛɲʲa skrɨvˈajɔ̃ ɕɛ w ɕrˈɔtku.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_423.wav|i pɔtɕˈɔŋɡnɔw sfˈɛɡɔ kˌɔalitsjˈanta dɔ ʃɛrˈɛɡuf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_144.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_239.wav|pˈatʃɨw xfˈilɛ na sfˈɔjɛ prˈavɛ rˈamjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_95.wav|pɔvʲˈɛdʑaw, ʒˈɛ fʃˈɨstkɔ jɛst pɔt kɔntrˈɔlɔ̃ i maʒ dˈɔɕtɕ sprˈaf na ɡwˈɔvʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_358.wav|ɔn ɕfʲˈɛtɲʲɛ tɔ rɔzˈumjɛ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_8.wav|jˌamjɛˈɛɡɔ bˈardʑɛj ˌintɛrˌɛsɔvˈawɔ, tsˈɔ xˈɔkk mˈa dɔ pˌɔvʲɛdʑˈɛɲʲa ɔ vˈilkax.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_10.wav|xˈɨba jˈuʃ pˈɔra, ʒˈɛbɨʑ vrutɕˈiwa dɔ dˈɔmu mˈuvi.|4
+Dataset/wavs/urwisko_ferenc/60_segment_48.wav|pˌɔlitsjˈantka fpˌatrɨvˈawa ɕɛ w apˈarat, ˌalɛ ɡwˈɔs kˈiŋɡʲi ftɕˈɔ̃ʃ ɔdbʲˈijaw ɕɛ ˈɛxɛm w jɛj ɡwˈɔvʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_38.wav|mˈɔjɛ ɡrˌatulˈatsjɛ. ˌɔbavʲˈawam ɕɛ, ʒˈɛ pɔ pʃˈɛjɕtɕax s ʃˈɔnɛm zrˈaziʃ ɕɛ dɔ mˈɛ̃ʃtʃɨzn na ˈamɛn.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_99.wav|vɨɡlˈɔndaw mi na trˈɔxɛ ʃtɨvnˈɛɡɔ. tɔ rˈatʃɛj ktˈɔɕ mˈawɔ rˌɔzrɨfkˈɔvɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_145.wav|zɔstˈavaw tˈutaj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_26.wav|zˈabraw fˌiliʒˈaŋkɛ i pˈɔʃɛd dɔ ʃɛrˈɔkʲɛj, tsɛntrˈalnɛj vˈɨspɨ, ɡdʑˈɛ pʃˈɨɕad na stˈɔwku.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_89.wav|mˈɔɡɛ jɛdˈɨɲʲɛ pɔvʲˈɛdʑɛtɕ, ʒˈɛ xˈɔtɕaʃ ˌuɲivɛrsˈɨtɛt strˈatɕiw, tɔ pɔlˈitsja zɨskˈawa.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_50.wav|i pˌɔtʃɛbujˈɛmɨ tʃtˈɛrɛx rˌatɔvɲˈikuf.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_502.wav|ja ftsˈalɛ ɲʲɛ s tˌɛɡɔ ɕɛ ɕmʲˈɛjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_16.wav|pɔftˈuʒɨw xˈɨba tʃˈɛtɕi rˈas, ˌɔbɛjmˈujɔnts mɲʲɛ mˈɔtsnɔ, kʲˈɛdɨ ɲʲˈɛmal ɲʲˈɔswam ɡˈɔ dɔ sfɔjˈɛɡɔ pɔkˈɔju.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_9.wav|ˈɛlis ɕˈada pʃɨ stˈɔlɛ kuxˈɛnnɨm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_18.wav|jˈak tˈam dˈanɛ dˌɔtɨtʃˈɔntsɛ ˈaktu ˌurɔdʑˈɛɲʲa?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_107.wav|tʃˈɨli ˌɔna zˌaɡʲinˈɛwa?|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_352.wav|stˈawa nˈaɲim samˈɔtna pˈɔstadʑ zˈɛ ʃnˈurɛm na ʃˈɨi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_32.wav|lʒˈɛj mu, kʲˈɛdɨ ix ɲʲɛ vˈidʑi.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_142.wav|za sˈɔbɔ̃ mʲˌɛli ruʒˈɔvɛ ɲʲˈɛbɔ, a pʃɛt sˈɔbɔ̃ fjˌɔlɛtˈɔvɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_202.wav|kʲˈɛdɨ dɔtˈarwɔ dɔ ɲʲˈɛɡɔ, tsˈɔ vwˈaɕɲʲɛ zrˈɔbʲiw, jˈɛɡɔ tfˈaʒ zastˈɨɡwa w ɡrɨmˈaɕɛ pʃˌɛraʒˈɛɲʲa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_79.wav|xtɕˈawabˌɨm spˈɔtkatɕ ɕɛ s pˈaɲʲɔ̃ sˈɨlvjɔ̃ rˈɔbɛrts. znˈawam jɛj sˈɨna, pɔɲʲˈɛvaʃ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_14.wav|mɨɕlˈawɛm, ʒˈɛ dɔtʃˈɛmɨ dɔ bakʲˈɛɡɔ jˈɛʃtʃɛ dʑˈiɕaj. zrˈɛʃtɔ̃ nˈadal jɛst ʃˈansa, ˌalɛ vˈɔlɛ ɲʲɛ jˈɛxadʑ w ɡˈurax pɔ tɕˈɛmku. drˈɔɡa pˈɛvɲʲɛ jɛst krˈɛnta.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_63.wav|pjˈa ɡʒˈawa dla ɲˈiɣ vˈinɔ, mʲɛʃˈajɔnts wˈɨʃkɔ̃ f kɔtɕˈɔwku.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_27.wav|ɲʲɛ pˌɔkazˈanɔ nˈam pʃˌɛɕtɕɛrˈadwa, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_13.wav|zdˈajɛ ɕɛ, ʒˈɛ ftʃˈɛɕɲʲɛj bˌɨwɔː ɔdvrˈɔtɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_198.wav|vɛndrˈujɛ dɔ sɔrtˈɔvɲi na ɲˈiʃʃɨm pɔʑˈɔmjɛ, ɡdʑˈɛ virˈufka ɔddʑˈɛla anˈɔrtɨt ɔt ˈinnɨx mˌinɛrˈawuf.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_259.wav|a kʲˈɛdɨ ˈɛɡɔn ˈumar i lɔrdˈɔvʲɛ zbˌuntɔvˈali ɕɛ pʃɛtɕˈifkɔ jˈɛɡɔ sˈɨnɔm, ˈɔba zakˈɔnɨ stˈawɨ ɕɛ sˈɛrtsɛm rɛbˈɛlji.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_192.wav|vʲˈɛʃ tsˈɔ, mˈɨɕlɛ sˈɔbjɛ tʃˈasɛm, mˈɔʒɛ kˈupitɕ ɔt rˈuskix tˈɛ vɔrkˈutɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_53.wav|zalˈɛʒɨ mi nat tʃˈɨmʑ vʲˈɛntsɛj, ˌalɛ ɲʲɛ xtɕˈawabˌɨm pɔsˈunɔɲtɕ ɕɛ za dalˈɛkɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_123.wav|tɔ dlatʃˈɛɡɔ ɲʲɛ rɔzdˈaliɕmˌɨ ix fʃˈɨstkix?|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_93.wav|tˈuʃ ˌɔbɔk mʲˈɛɕtɕiw ɕɛ vʲˈɛlki, ɔkrˈɔŋɡwɨ lˈuk ɕlˈuzɨ tˌɔvarˈɔvɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_30.wav|ˌalɛ ja ɲˈiɡdɨ ɲʲɛ mʲˌawɛm pɔrtfˈɛlu.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_163.wav|ɲʲɛ spˈɔsub bˌɨwɔ pʃɛvˈidʑɛtɕ, jˈaɡ dwˈuɡɔː utʃˈɨma ɕɛ kɔʒˈɨstna pɔɡˈɔda.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_16.wav|pˈatʃɛ na ˈinnɨx kʲɛrˈɔftsuf, pʲˈɛʃɨx, pˌasaʒˈɛruf, ˌawtɔbˈusuf i zˌastanˈavʲam ɕɛ, tʃˈɛɡɔː ˌɔɲi ɕɛ bˈɔjɔ̃. kˈaʒdɨ f kˈɔɲtsu tʃˈɛɡɔɕ ɕɛ bˈɔi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_28.wav|pˈatʃɛ tˈɛras prˈɔstɔ f tʃɛrvˈɔnɔ̃ lˈampkɛ kamˈɛrɨ i mrˈuʒɛ lˈɛkkɔː ˈɔtʃɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_31.wav|ɲˈits w jˈɛɡɔ zˌaxɔvˈaɲʲu mɲʲɛ ɲʲɛ zˌaskakˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_69.wav|rɔbʲˈiwa tɔ, ˈɔtkɔnt ɕˈɛŋɡaw pamjˈɛɲtɕɔ̃, ˌalɛ dʑˈiɕaj ɕɛ pˌɔfstʃɨmˈawa.|1
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_60.wav|fkrˈuttsɛ pɔjˈavi ɕɛ dʑˈɛtskɔ, a tɔ pˌɔkʃɨʒˈujɛ fʃˈɨstkʲɛ nˈaʃɛ plˈanɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_215.wav|tˈak pɔ prˈɔstu ɲʲˌɛskalˈanɔ̃ i z jɛj rˌamjɔnˈami i spɔstʃˈɛɡwɛm z radˈɔɕtɕɔ̃, ʒˈɛ sɔ̃ ˌɔdrɔbʲˈinɛ zbˈɨt pˈulxnɛ.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_33.wav|rˌɔzɛɕmʲˈana kɔbjˈɛta sprˌubɔvˈawa pˌɔtsawˈɔvatɕ pˈɛjna w ˈusta, lˈɛdʒ ɡdˈɨ ujʒˈawa jˈɛɡɔː ˈɔtʃɨ, tsɔfnˈɛwa ɕɛ trfˈɔʒɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_234.wav|ɲˈitʃɨm kˈɔd vˌɨmɨkajˈɔntsɨ ɕɛ z dˈɔmu, mˈuj mˈawɨ kˈɔmpan pxnˈɔw stalˈɔvɔ̃ pɔkrˈɨvɛ i vˈɨʃɛd na zˈɛvnɔntʃ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_88.wav|ˌalɛ pˈɔza jˈɛɡɔ vɨɡlˈɔndɛm bˌɨwɔ jˈɛʃtʃ�� tsˈɔɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_124.wav|zˌɔxɨdʑˈɔnɨ tˌɔtalitˈarɨzm jɛst pʲˈɛŋknɨ, bˈɔ pɔzvˈɔli pʃˈɛʒɨtɕ planˈɛtɕɛ, ktˌurɔ̃ tɕˈɔŋɡɲʲɛ f pʃˈɛpaɕtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_52.wav|ɔxrˈɔɲʲaʃ pɔprˈaviw krˈavat i zapˈukaw dɔ dʒvˈi.|4
+Dataset/wavs/urwisko_ferenc/01_segment_78.wav|ˌalɛ na fˌɔtɔɡrˈafji mʲˈawa kˌilkutsˌɛntɨmɛtrˈɔvɛ tɕˈɛmnɛ ɔdrˈɔstɨ. vwˈɔsɨ ˌɔpadˈawɨ na ˌɔtswɔɲʲˈɛntɛ ramjˈɔna.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_145.wav|fʃˈɨstsɨ lˈudʑɛ spˌɔdʑɛvˈajɔ̃ ɕɛ tˌɛɡɔ z jakʲˈɛɡɔʑ dʑˌɛtɕinnˈɛɡɔ pɔvˈɔdu, kturˌɛɡɔ ɲʲɛ pɔtrˈafjɔ̃ nˈavɛt sprˌɛtsɨzˈɔvatɕ.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_131.wav|pˈɔza pˈitɕɛm i zˌabavʲˈaɲʲɛm ɕɛ s kurvˈami, vʲˈɛm ˈɔtɨm.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_37.wav|kˈɔxam sfˈɔjɛ mʲˈastɔː i jˈɛɡɔ çistˈɔrjɛ, a ˈɔʒɛw...|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_102.wav|ɲʲɛ pˌɔtʃɛbˈujɛʃ jɛj, arˈamjɛ?|3
+Dataset/wavs/urwisko_ferenc/39_segment_20.wav|— ˈaxa. bˈardʑɔ dʑɛŋkˈujɛ za tˈɛ ˌinfɔrmˈatsjɛ — pˌɔvʲɛdʑˈawa xˈɛrman.|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_30.wav|f prɔtsˈɛɕɛ vˌɨtapʲˈaɲʲa ˌalumˈiɲʲum pɔfstˈajɛ ɡˈɔ tˈaɡ dˈuʒɔ,|4
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_45.wav|kʲˈɛdɨ znˈajdʑɛ ɕɛ jˈuʒ za ɡraɲˈitsɔ̃, dˌɔpilnˈujɛ, ʒˈɛbɨ ktˈɔɕ ɕɛ ɲʲˈɔ̃ zˌaɔpʲɛkˈɔvaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_28.wav|dˈuʒɔ mˈuvi ɔ kˈatjɛ.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_354.wav|zˌapɔmɲʲˈawɛm swˈuf.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_46.wav|xtsˈɛ tˌɨlkɔ bˈɨdʑ blˈiskɔ tɕˈɛbjɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_74.wav|jɛst jˈɛʃtʃɛ tsˈɔɕ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_169.wav|najvʲˈɛntsɛj zˈɛʒar tɛn ɡrˈubɨ skˈurvʲɛl, pˈaɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_39.wav|tʃˈɛɕtɕ, tˈatɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_14.wav|ˈinna sprˈava, ʒˈɛ tʃˈɨma vʲˈɛlɛ srˈɔɡ za ˈɔɡɔn, ɲʲɛ fʃˈɨstkʲɛ na zaxˈɔdʑɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_107.wav|mˈɔʒɛ jɛst f tɨm trˈɔxɛ prˈavdɨ, ˌalɛ pˈɛvɲʲɛ ɲʲɛ za dˈuʒɔ. ɡwˈuvɲʲɛ dʑˈawa tɔ dʑˈɛŋki ɕˈilɛ suɡˈɛstji.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_83.wav|ftˈɛdɨ sɨɡnˈawɨ ɕɛ ˌurɨvˈajɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_179.wav|pxnˈɛwam dʒvˈi i zɲʲˌɛruxɔmjˈawam.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_338.wav|rˈɔbɛrd bˈɨ tɕˈɛ pɔkˈɔxaw na ɡɔdʑˈinɛ.|1
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_27.wav|ˌuɕmʲɛxnˈɛwa ɕɛ tˌɨlkɔ pˈɛndʑɔnts f kʲɛrˈuŋku rˈɔnda.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_349.wav|marɡˈarɨ parsknˈɛwa radˈɔsnɨm ɕmʲˈɛʃkʲɛm. mˈam nadʑˈɛjɛ, ʒˈɛ vɨbˈatʃɨʃ mi tɛn ʒˈart. vʲˈɛm, ˈiʒ dʑvˈiɡaʃ tɕˈɛ̃ʃkʲɛ bʒˈɛmjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_193.wav|tɔ tsˈɔ zvˈɨklɛ sˈaskja?|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_84.wav|mˈɨɕlɔnts, ʒˈɛ ɔn tʃˈujɛ tɔ sˈamɔ tsˈɔ tˈɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_53.wav|spɔtkˈali ɕɛ xˈɨba na stˈatku vˌɨtɕɛtʃkˈɔvɨm.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_451.wav|swɨʃˈawɛm, ʒˈɛ dʑˈɛlɲʲɛ valtʃˈɨwaʑ w ɡɔspˈɔdʑɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_3.wav|kʲˈɛdɨ ɕɛ ˌɔbudʑˈiwam, bˌɨwɔ tsˈawkʲɛm tɕˈɛmnɔ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_166.wav|mɔjˈɛɡɔ sˈɨna zdradʑˈɔnɔ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_166.wav|swɨʃˈawɛm, ʒˈɛ zˈabʲiw ɡˈɔ jˈakiɕ lˈɔrt.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_53.wav|stsˈɔdd vˈɨrvaw mi tɛlˈɛfɔn z rˈɛŋki. ɲʲˈɛrup tˈɛɡɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_472.wav|a ja vˈidʑɛ fʃˈɨstkɔ pˌɔvʲɛŋkʃˈɔnɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_274.wav|tʃˈɨli tˌɨlkɔ ɕɛ pʃˌɨjaʑɲˈitɕɛ.|4
+Dataset/wavs/urwisko_ferenc/61_segment_25.wav|tʃɨ pˈaɲi tɔ sˈɔbjɛ ˌɔtpuɕtɕˈiwa?|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_136.wav|vˈɔjna ɕɛ skɔɲtʃˈɨwa.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_58.wav|ˌalɛ ɲʲɛ dvudʑˈɛstu rɨtsˈɛʒɨ tˈakix jˈak jˈa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_82.wav|vrˈutɕmɨ dɔ tˌɛɡɔ zdjˈɛɲtɕa na tʲindˈɛʒɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_84.wav|tˈɛras, ˈalbɔ jˈɛɕli pˈaɲi vˈɔli, pɔː ˌidɛntˌɨfikˈatsji.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_64.wav|stˈar trˈɛk?|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_222.wav|ftˈɛdɨ fpˈada na ˈinnɨ pˈɔmɨsw. mˈɔʒɛ ɲʲɛ nˌajmɔndʒˈɛjʃɨ, ˌalɛ tsˈɔ tˈam, vˈaʒnɛ, ʒˈɛ tɔ pɔmˈɔʒɛ mu zˈasnɔɲtɕ. jɛst tˌɛɡɔ pˈɛvʲɛn.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_42.wav|mˈuɡwbɨm ˈɔtɨm mˈuvitɕ pʃˈɛz dʑˈɛɲ i nˈɔts. tɔ dlatˈɛɡɔ mˈuʃɛ pratsˈɔvadʑ w dvˈux mʲˈɛjstsax, dvʲˈɛ prˈatsɛ nˈaras.|0
+Dataset/wavs/urwisko_ferenc/43_segment_105.wav|kˈilka mˈɛtruv dˈalɛj ɕfʲˈatwa tɔjˈɔta ɔmjˈɔtwɨ stˌɔjɔntsˈɛɡɔ na drˈɔdʑɛ w ɔwˈɛjkɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_20.wav|latˈawɛm dʑˈiɕaj. pˈan mʲˈaw rˈatsjɛ. ɲʲɛ pˌɔviɲʲˈɛnɛm bˈatɕ ɕɛ ʃɨpkˈɔɕtɕi.|0
+Dataset/wavs/urwisko_ferenc/17_segment_11.wav|vˈuftʃas ktˈɔɕ fpˈad na pˈɔmɨsw, ʒˈɛbɨ rɔzˈɛjʒɛtɕ ɕɛ pɔ kɔrˈɔnaɣ dʒˈɛf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_106.wav|pʃɛvrˈatsa kˈartkɛ i pˈiʃɛ. mi jɛst sˈɔrdɔː i mˈudɔ, jˌɛstɛm ɡwˌuxɔɲʲˈɛmɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_118.wav|ɔ dʑɛvʲˈɔntɛj w ɡˈɛrart tˈɔvɛr. ɲʲˈɛjɛtɕ sfˈɔim sˌamɔxˈɔdɛm, vˈɛɕ ubˈɛra.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_52.wav|vʑˈɔw ɡwɛmbˈɔki ˈɔddɛx i ɔtkrˈɛɲtɕiw vˈɔdɛ pɔt prɨʃɲˈitsɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_139.wav|dʑˈɛŋki tˌɛmu dˈɔbʒɛ sˈɨpja.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_33.wav|ˈiʃ pˈɛvnɛ pˌɔdɛjmɔvˈanɛ pʃˈɛznas tʃɨnnˈɔɕtɕi sɔ̃ swˈuʃnɛ, a ˈinnɛ ɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_50.wav|f kˈɔɲtsu, kʲˈɛdɨ ɲʲɛ mˈɔɡɛ jˈuʃ tˌɛɡɔ dwˈuʒɛj ɔdvlˈɛkatɕ, fɕˈadam dɔ sˌamɔxˈɔdu zˈɛ ɕfʲˌadɔmˈɔɕtɕɔ̃, ʒˈɛ mˈuʃɛ zadʑvˈɔɲitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_19.wav|a jɛdˈɨnɔ̃ ʒˈɛtʃɔ̃, ktˌurɛj zˌapraɡnˈɛwam ɔt mɔmˈɛntu, kʲˈɛdɨ ɕɛ ˈɔɲim dˌɔvʲɛdʑˈawam, bˌɨwɔ zˌapɛvɲʲˈɛɲʲɛ mu bˌɛspʲɛtʃˈɛɲstfa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_40.wav|vʲˈɛnts pʃɨʃˈɛdwɛɕ mi dˈatɕ pʲɛɲʲˈɔndʑɛ pɔvʲˈɛdʑaw ˈandɛrsɔn. i xtsˈɛʃ, ʒˈɛbɨm vɨjˈɛxaw s tˌɛɡɔ mʲˈasta, ˌalɛ tsˈɔ stˈaɲʲɛ ɕɛ s tˈɔbɔ̃, mˈikɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_123.wav|tˈɛraz ʒˈɨwam rˈatʃɛj f strˈaxu, tsˈɔ bˈɛɲdʑɛ, kʲˈɛdɨ ɡˈɔ zabrˈakɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_67.wav|vɨpʃˈɛdʑam ɡˈɔː i rˈuʃam za pʲˌɛlɛŋɡɲʲˈarkɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_539.wav|vɛstxnˈɔwɛm, vɨʃˈɛdwɛm na sxˈɔdɨ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_208.wav|ktˌurɛ jˈakimɕ spɔsˈɔbɛm tʃɨɲˈiwɔ jˈɛ rˈuvɲʲɛ mˈawɔː ˌintɛrˌɛsujˈɔntsɨm jˈak trˈaʃki.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_22.wav|uɕmʲˈɛxnɔw ɕɛ dɔmˈɨɕlɲʲɛ i pʃɨwˈɔʒɨw lɔrnˈɛtkɛ dɔː ˈɔtʃu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_14.wav|dɔpˈuki z ɲˈim ɲʲɛ skˈɔɲtʃɨ? aʃˈɔvi tɔ ɕɛ ftsˈalɛ ɲʲɛ spˌɔdɔbˈawɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_72.wav|tɔ mˈɔʒɛ pɔ prˈɔstu mˈuɕiʒ vʲˈɛntsɛj jˈɛɕtɕ. zdrˈɔvɔ̃ ʒˈɨvnɔɕtɕ. ʑɛlˈɔnɛ i ʒˈuwtɛ vaʒˈɨva, ɲʲɛ tˌɨlkɔ pˈitsɛ i tˈatsɔ bˈɛlla.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_12.wav|tʃɨ nˈadal ˌɔpsɛrvujˈɛmɨ dˈɔm, sˈɛr? zapˈɨtaw kˈit, ktˌurɨ jˈaɡ zvˈɨklɛ stˈaw ɲʲˈɛmal na bˈatʃnɔɕtɕ, kʲˈɛdɨ ɕɛ ɔdʑˈɨvaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_119.wav|ɲʲˈɛmʲɛj dɔ ɕˈɛbjɛ prɛtˈɛnsji. ɔɡˈulɲʲɛ spisˈawɛɕ ɕɛ tsˈawkʲɛm ɲʲˈɛʑlɛ. zvwˈaʃtʃa jˈak na kˈɔɡɔɕ, ktˈɔ mˈuɕaw ɕɛ spʲˈɛʃɨtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_94.wav|mˈam tˈutaj pʃˈɨkwat, pɔswˈuxaj.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_35.wav|ɲʲɛ lˈubʲi ˌɔkrɛɕlˈɛɲʲa nˈapaɕtɕ, pɔɲʲˈɛvaʒ bɔlˈɛɕɲʲɛ pʃˌɨpɔmˈina mu tɔː ɔ tˈamtɨm vˌɨdaʒˈɛɲʲu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_89.wav|ɲʲˈɛma tˈakʲɛj ʃˈansɨ. ɔn ɲʲɛ ɔdvˈala ˌɔsɔbʲˈiɕtɕɛ brˈudnɛj rɔbˈɔtɨ. mˈa ɔt tˌɛɡɔ jaɡˈɛra.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_361.wav|mˈuɕaw ɡdʑˈɛɕ spˈatɕ.|1
+Dataset/wavs/urwisko_ferenc/04_segment_103.wav|kˈarɔl ɲˈits pˈanu ɲʲɛ pɔvʲˈɛdʑaw? spɨtˈawa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_16.wav|kʲˈɛdɨ bˈɛtskɨ vˌɨkɔnˈawa jˈɛɡɔ pˌɔlɛtsˈɛɲʲɛ, tˈɔm rɔzˈɛjʒaw ɕɛ pɔ zɡrˌɔmadʑˈɔnɨx.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_65.wav|dʑˈɛŋki bˈɔɡu, zˈafʃɛ xtɕˈawɛm mʲˈɛtɕ tˈɛ pˈɛvnɔɕtɕ, ʒˈɛ ɲˈikt jˈuʃ ɲʲɛ utɕˈɛrpi tˈak jˈak jˈa.|3
+Dataset/wavs/urwisko_ferenc/46_segment_162.wav|pˌɔlitsˈɨjna ɡrˈupa ˈɛ jɛst na trˈɔpʲɛ ɕˈatki pˌɛdɔfˈilskʲɛj s trujmʲˈasta.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_268.wav|bˈɨw tɔ mrˈɔtʃnɨ vˈɔntɛk nˈaʃɛj rɔdʑˈinnɛj çistˈɔrji, ɔ ktˌurɨm ˈɔjtɕɛdʑ ʒˈatkɔ fspɔmˈinaw.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_54.wav|lˈɛtʃ stˈaw ftɕˈɔ̃ʃ jˈɛʃtʃɛ f prˈɔɡu, ɲʲˌɛruxˈɔmɨ jˈak pˈɔsɔŋk,|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_58.wav|tɨm dˌɔrɲijtʃˈɨkɔm ɲʲɛ mˈɔʒna ˈufatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_108.wav|pˈɛvɲʲɛ, ʒˈɛ tˈak f psˈim ʒˈɔwdʑɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_96.wav|kɔbjˈɛta pʃɛsˈuva ɕɛ na skrˈaj sˈɔfi jˈaɡbɨ xtɕˈawa jˈuʃ fstˈatɕ.|3
+Dataset/wavs/urwisko_ferenc/36_segment_84.wav|krˈɨvi ɕɛ tˈam, ɲʲɛ spɔdʑˈɛvaj.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_246.wav|lˈubjɔ̃ tɕˈɛ pˈaɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_100.wav|w brˈamjɛ krˈɔ̃ʒɨw zdˌɛnɛrvɔvˈanɨ brɔɲˈiswaf tɕˈipun.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_322.wav|sɔ̃ mˈɔkrɛ i ʃˈɔrstkʲɛ zarˈazɛm. vʲɛtʃˈɔrna rˈɔsa. pamjˈɛntam z dʑɛtɕˈiɲstfa sfˈɛɡɔː ˈalbɔ tsudʑˈɛɡɔ vʲɛtʃˈɔrnɔ̃ rˈɔsɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_291.wav|zˈaɲim vˌɨruʃˈɨwam na tˈɛ mˈawɔ̃ vɨprˈavɛ, fsunˈɛwam dɔ ɲʲˈɛɡɔ sfˈɔjɛ ɡʲˈizmɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_173.wav|dɔ jˈakixɕ lˈudʑi pɔznˈanɨx kʲˈɛdɨɕ mˌimɔxˈɔdɛm, ktˌuʒɨ nˈaɡlɛ tɕˈɛ pʃˌɨpɔmɲʲˈɛli sˈɔbjɛ i zˌaprɔɕˈili dla xˈɛtsɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_138.wav|pˈatrɨɡ bˈɨw kɔɲˈikʲɛm pˈɔlnɨm, dˈɛjvin tʃtˈɛrɨ lˈata mwˈɔtʃɨ mrˈufkɔ̃, prˌatsɔvˈitɨ i bˈɨstrɨ, xarˈɔvaw jˈaɡ vˈuw, tˈɨraw f pˈɔtɕɛ tʃˈɔwa i tˈaɡ dˈalɛj.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_25.wav|f ktˌurɨm paxɲʲˈawɔ ɕmʲˈɛrtɕɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_5.wav|na tʃɨdʑˈɛstɨm tʃˈɛtɕim pʲˈɛntʃɛ pawˈatsu jɛst tˈaraz vˌidɔkˈɔvɨ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_248.wav|ˌalɛ kʲˈɛdɨ zjɛʒdʒˈali w dˈuw...|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_267.wav|— pʃˌɛtɕɛʃ xˈɨba ɲʲɛ zapʃˈɛtʃɨʃ, drˈɔɡa pʃˌɨjatɕˈuwkɔ — tˈak pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_302.wav|jˈɛʃtʃɛ nˈattɨm pˌɔpratsˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_2.wav|sˈara ˈɔzbɔrn mʲˈawa zˌapuxɲʲˈɛntɛ ˈɔtʃɨ, a bˈɛtskɨ tʃˈuwa ɕɛ fatˈalɲʲɛ zmuʃˈɔna dɔː ˌiŋɡɛrˈɛntsji w jɛj smˈutɛk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_89.wav|tɔ z mɔjˈɛɡɔ pɔvˈɔdu mˈuj ˈɔjtɕɛdʑ vɨɡlˈɔnda jˈak stˈaʒɛts?|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_226.wav|jˈamɛ zˈɛrknɔw na tˌɔvaʒˈɨʃa.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_42.wav|mˈɔjɛ zwˈɔtɛ pwˈaʃtʃɛ zamknˈɛwɨ ix fʃˈɨstkix w lˈɔxax.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_41.wav|pʃˌɛtɕɛʃ trˈatsɨ pɔvʲˈɛdʑaw vam, ʒˈɛ çˈiŋk ˈumar, a mɨ ɲʲɛ mɔʒˈɛmɨ ɔttʃˈɨtatɕ tɨx kɕˈɔ̃ʒɛk.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_240.wav|kapwˈana ɲʲɛ bˌɨwɔ jˈuʃ na stˈarɨj vˈɨk.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_215.wav|vɨɡlˈɔnda rˈatʃɛj na tʃwɔvʲˈɛka stfˌɔʒɔnˈɛɡɔ dɔ wamˈaɲʲa kˈɔɕtɕi, ɲʲɛ dɔː iɣ ɡɔjˈɛɲʲa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_82.wav|— jˈɔɛ, mˈuɕiʃ mi zaˈufatɕ. jˈɛɕli pˈɔvʲɛʃ im tsɔkˈɔlvʲɛk, jˈuʃ ɲˈiɡdɨ ɲʲɛ zˌɔbatʃˈɨmɨ mˈili. ˈuvʲɛʃ mi, prˈɔʃɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_32.wav|mˈuɕi bˈɨtɕ pʃˌɛraʒˈɔna.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_325.wav|ˌalɛ ˈu nˈaz zˈafʃɛ jɛzd vˈɨjɕtɕɛ, pʃɨnˈajmɲʲɛj jˈɛdnɔ, pˌɔvʲɛdʑˈawa ˈɔnas tˈak.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_26.wav|dʑɛftʃˈɨnɨ tʃˈasɛm pɔ prˈɔstu xtsˈɔ̃ tʃˈutɕ ɕɛ xtɕˈanɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_9.wav|kʲˈɛdɨ vjˈɛxaw na pˈɔdjast sfɔjˈɛɡɔː ˌɛdvardjaɲskʲˈɛɡɔ bliʑɲʲˈaka, zˌauvˈaʒɨw ɕfʲˈatwɔ zˌapalˈɔnɛ f sɨpʲˈalɲi lˈutsɨ.|3
+Dataset/wavs/urwisko_ferenc/38_segment_6.wav|dʒvˈi bˌɨwɨ ˌuxɨlˈɔnɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_54.wav|jˈadɔ̃ ˈɔbaj mɛ̃ʃtʃˈɨʑɲi nˈadal f taksˈuftsɛ. vrutɕˈili na trˈaffɔrt rˈɔat i jˈadɔ̃ na pɔwˈudɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_356.wav|dʑˈɛɲ dˈɔbrɨ pˈaɲi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_39.wav|ɲʲɛ jɛst jˈɛdnak na tˈɨlɛ fpwɨvˈɔva, ʒˈɛbɨ zlˈɛtɕitɕ ˌɛɡzɛkˈutsjɛ fˈina ˌɛmtsˈɛ ɡˌuinnˈɛssa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_157.wav|ˌalɛ mʲˌɛndʑɨ nˈami fʃˈɨstkɔ f pɔʒˈɔntku, bʲˈillɨ, prˈavda?|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_84.wav|nˌajvɨrˈaʑɲʲɛj dwuʒɲˈitsɨ tˈɛʒ dʑˈiɕ mˌajɔ̃ vˈɔlnɛ i bˈardʑɔ dˈɔbʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_196.wav|vɨɡlˈɔndaw jˈak lˈɔrt krulˈikuf.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_76.wav|sˈam rɔsstˈavaw ɕɛ z ɲˈimi z vʲˈɛlkɔ̃ ɲʲɛxˈɛɲtɕɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_120.wav|ɲʲɛ rˌɔzmavʲˈaliɕmˌɨ zbˈɨd vʲˈɛlɛ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_366.wav|a tsˈɔ s tɨm mɛrˈɨjskim kapwˈanɛm, ktˌurɨ mu tˌɔvaʒˈɨʃɨ? pˈɔnɔtɕ fʃˈɛɲdʑɛ ʃˈɛʒɨ sfˈɔ̃ fawʃˈɨvɔ̃ vʲˈarɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_219.wav|rˈaz w ʒˈɨtɕu zaxˈɔvaj ɕɛ xˌɔnɔrˈɔvɔ, pɔvʲˈɛdʑaw bʲˈillɨ dɔ ɲˈitska, darˈujɔnts mu ʒˈɨtɕɛ. i tʃˈɛba pʃˈɨznatɕ, ʒˈɛ fˈatsɛd ʒˌɛtʃɨvˈiɕtɕɛ ɕɛ stˈara.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_23.wav|ɲˈidʑ bˈɨ nˈam ɲʲɛ ɡrɔzˈiwɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_161.wav|tˈak, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_175.wav|— pˈujdɛ jˈuʃ — pɔvʲˈɛdʑaw. — ɲʲɛ mˈuɕiʃ ˈiɕtɕ — pˌɔvʲɛdʑˈawa. — mˈɔʒɛʒ zˈɔstatɕ tˈutaj.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_372.wav|pˌɔftaʒˈawa dʑɛɕˈɔntki rˈazɨ rˌɔbɛrtˈɔvi tsɛrsˈɛi.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_494.wav|ɲʲɛ vɨɡlˈɔnda nˈatɔ, ˌalɛ mˈɔʒɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_77.wav|zɛrˈɔva apsˈɔrptsja fˈali ɔptˈɨtʃnɛj.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_28.wav|vʲɛdʑˈɛliɕmˌɨ jˈuʃ, ʒˈɛ stɔjˈɔntsa za fʃˈɨstkim kɔbjˈɛta nazˈɨva ɕɛ rˈudɣ vikˈɛrɨ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_304.wav|pɔpwˈɨnɛ dɔ zatˈɔki ɲʲˌɛvɔlɲˈitʃɛj zˈamjast ɛmˈɔna.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_381.wav|vˈaʃa mˈiwɔɕtɕ mˈa prˈavɔ dˈɔvʲɛɕtɕ sfˈɛj ɲʲˌɛvinnˈɔɕtɕi f prˈubjɛ vˈalki.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_89.wav|jɛŋknˈɛwam z rɔspˈatʃɨ w rˌɛŋkavˈitʃkɛ na mˈɔix ˈustax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_260.wav|vˈɛɕ tɔ, pɔvʲˈɛdʑaw wapˈidux, w rˈɛŋku tʃˈɨmaw tablˈɛtki mɔrfˈinɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_173.wav|stˈajɔ̃ ɕɛ ˌɔbɔjˈɛntnɛ pˈanu swˈava, zaʃtʃˈɨtɨ, pˈɔdʑiv blˈiʑɲix, rɨzˈɨkɔ xazˈardu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_20.wav|ɔt tʃˈɛx tɨɡˈɔdɲi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_289.wav|tʃˈɛɡɔʃ mʲˈawbɨm ɕɛ bˈatɕ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_37.wav|kˈim bˈɨw tɛn tʃwˈɔvʲɛɡ dɔ xɔlˈɛrɨ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_72.wav|pʃɛxˈɔdʑɛ dɔː ɔstˈatɲʲɛj strˈɔnɨ na vɨpˈadɛk, ɡdˈɨbɨm ɕɛ pˌɔmɨlˈiwa.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_33.wav|pˌɔtʃɛbˈujɛ pɔmˈɔtsɨ ʃˌalɔnˈɛɡɔ nˌaukˈɔftsa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_124.wav|nˈɔ, tɔ jˈazda.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_324.wav|skˈɔnt ɕɛ bjˈɛʒɛ tˈaka tsˈɛra nˈatɨm mˈarnɨm ɕfʲˈɛtɕɛ?|0
+Dataset/wavs/urwisko_ferenc/03_segment_9.wav|ˌɔtʃɨvˈiɕtɕɛ, xˈɛrman tˈɛʃ fstˈawa i ɕɛŋɡnˈɛwa pɔ tɔrˈɛpkɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_205.wav|prɔstˈujɔ̃ vwˈɔsɨ? ɡdʑˈɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_107.wav|tʃɨ tˈɛras jˌɛstɛm s tˌɛɡɔ zˌadɔvɔlˈɔnɨ? ɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_53.wav|jˈɛɕli pˈɔdaʃ mi adrˈɛsɛ strˈɔn, mˈɔɡɛ pɔprˈɔɕitɕ kɔlˈɛɡuf, pˌɔlitsjˈantuf na vɨpˈadɛk, ɡdˈɨbɨʑ zapˈɔmɲʲaw, ʒˈɛbɨ mʲˌɛli nˈaɲʲɛ ˈɔkɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_6.wav|jˈak sˈɔɲdʑiʃ, bˈɛtskɨ, dˈɔkɔnt ˌɔna jˈɛdʑɛ?|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_418.wav|zapˈɨtaw pˈɔdritsk, ɡdˈɨ ˌɔtfʲɛrˈawa ˌɔkʲɛnɲˈitsɛ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_261.wav|pˌɔinfɔrmˈɔvaw krulˈɔvɔ̃ kˈɨbɛrn, ɡdˈɨ ɔdvʲˈɛdʑiw jˈɔ̃ w nˈɔtsɨ. dɔmˈaɡa ɕɛ mˌaɛstˈɛra.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_19.wav|jˈak tɔ ɕɛ stˈawɔ, ʒˈɛ tɨ tɔ vʲˈɛʃ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_47.wav|ja bˌɨwɛm w dˈɔmu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_105.wav|zˌaintˌɔnɔvˈaliɕmˌɨ vʲˈɛnts, jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ, dˈuʒa ɲʲˌɛspɔdʑˈaŋka spˈɔtka tɕˈɛ.|2
+Dataset/wavs/urwisko_ferenc/17_segment_29.wav|pˌɔfstʃɨmɨvˈawa jˈɔ̃ pʃˈɛttɨm jɛdˈɨɲʲɛ mˈiwɔʑdʑ dɔː ˈɔjtsa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_30.wav|tˈɔm vˈɨjɔw s kʲɛʃˈɛɲi tɛlˈɛfɔn i zˈatʃɔw pʃɛvˈijatɕ ɛkrˈanɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_234.wav|ɲʲˈɛmɨɕl tˈɛras ˈɔtɨm. musˈimɨ lˈatatɕ jˈak najtʃˈɛɲɕtɕɛj.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_100.wav|ʒˈutsa mi ɲʲɛpˈɛvnɛ spɔjʒˈɛɲʲɛ, ˌalɛ rˈɔbʲi ɔ tsˈɔ prˈɔʃɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_103.wav|marsjˈaɲʲɛ rɔzbjˈɛɡli ɕɛ, a tʃwˈɔvʲɛk s xˌɔrɔŋɡʲˈɛfkɔ̃ pˈad na ʑˈɛmʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_82.wav|na mˈɔʒu rɔˈiwɔ ɕɛ ɔt ɔkrˈɛntuf. ɲʲɛktˌurɛ pwɔnˈɛwɨ, ˈinnɛ tɔnˈɛwɨ, a jˈɛʃtʃɛ ˈinnɛ rɔspˈadwɨ ɕɛ na fraɡmˈɛntɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_63.wav|mˈɔʒɛ tɔ tˈata, ktˌurɨ ʑlˈɛ ɕɛ pˈɔtʃuw i dlatˈɛɡɔ zˈabraw zˈɛ sˈɔbɔ̃ mˈamɛ?|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_179.wav|ɲʲɛ jɛst tˈaka bʒˈɨtka jˈak tfˈɔja.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_102.wav|tˌɨlkɔ turˈɨɕtɕi vˌɨmɨɕlˈajɔ̃ tˈakʲɛ ʒˈɛtʃɨ.|4
+Dataset/wavs/urwisko_ferenc/44_segment_75.wav|jˈɛŋk sprˈɛ̃ʒɨn pɔt mˌatɛrˈatsɛm, ɡdˈɨ w jˈɛɡɔ wˈuʃku tˈuʃ ˌɔbɔk pɔwˈɔʒɨw ɕɛ ɲʲˌɛznajˈɔmɨ mɛ̃ʃtʃˈɨzna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_93.wav|pɔː ˈɔbu jɛj bˈɔkax sɔ̃ rabˈatɨ kfʲatˈɔvɛ. zˌamɔntɔvˈana na mˈuʒɛ ˌɔɡrɔdʑɛɲʲˈɔvɨm kamˈɛra zvˈisa smˈɛntɲʲɛ jˈak ptˈaɡ z ˌukrɛntsˈɔnɨm wbˈɛm.|2
+Dataset/wavs/urwisko_ferenc/49_segment_45.wav|ˌalɛ dɔ tˌɛɡɔ ɲʲɛ dˈɔʃwɔ, prˈavda?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_2.wav|ɔt xfˈili zˌakɔɲtʃˈɛɲʲa rɔzmˈɔvɨ z jˈɔɛ, tˈɛssa ɲʲɛ ruʃˈɨwa ɕɛ zˈɛ sfɔjˈɛɡɔ mʲˈɛjstsa na dˈɔlnɨm stˈɔpɲʲu sxˈɔduf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_44.wav|ˌalɛ ɲʲɛ mˈɔɡɛ mu ɲˈiɡdɨ tˌɛɡɔ pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_202.wav|pˈɔtɛm znˈuf ˌuruxɔmˈiwam kɔmpˈanɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_25.wav|lˈubjɛ tɛn tsˌɔtɨɡɔdɲʲˈɔvɨ prˈɔɡram.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_35.wav|jɛst tfˈɔim aɡˈɛntɛm lˌitɛrˈatskim, ɲʲˈɛmal vˌɨkʃɨkˈujɛ ɲˈitsk. ɲʲˈɛzwɛ jˈaja, tsˈɔ?|2
+Dataset/wavs/urwisko_ferenc/49_segment_42.wav|a vʲˈɛnts tʃɨ tɔ mɔʒlˈivɛ, bˈɨ f pʃɨpˈatku pʃˌɛwɔʒˈɛɲʲa zvwˈɔɡ z jɛdnˈɛɡɔ sˌamɔxˈɔdu dɔ druɡʲˈɛɡɔ ɲʲɛ pˈɛŋkwɨ?|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_221.wav|jˈamɛ ɲʲˈɛmukw pɔfstʃˈɨmatɕ ɕmʲˈɛxu. lˈɛpʲɛj mnˈɔ̃ ɲˈiʒ bˌaalˈɔrɛm bwˌɔɡɔswavʲˈɔnɨm. dˈarɨ pˌɔtʃɛbˈujɛ lvˈa, kuzˈɨŋku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_64.wav|stˈarɨ, bɔɡˈatɨ i navˈɨkwɨ dɔ zˌaɕadˈaɲʲa na trˈɔɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_224.wav|kɕˈɔ̃ʒɛ dʑˈikix stˈaw ɕɛ pʲɛʃtʃˈɔʃkʲɛm fʃˈɨstkix kˈɔbjɛd z zawˈɔɡʲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_81.wav|fpˈadwaɕ tˈu na drˈiŋka, ˈanna, tʃɨ w ˌintɛrˈɛsax?|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_194.wav|stanˈɛwam vrˈaz z innˈɨmi pʃɨ ˌɔɡrɔdʑˈɛɲʲu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_18.wav|xˈɔtɕaʃ tˈɛras, pˈɔtɨm, tsˈɔ zrɔbʲˈiwɛɕ s tɨm mˌɛksɨkaɲˈinɛm...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_150.wav|a ɔn ɲʲˈɛmal mɲʲɛ zɲˈiʃtʃɨw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_23.wav|— ɲʲɛ jˌɛstɛm pˈɛvna. zˌapɨtˈajmɨ lˈintsaj.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_25.wav|tˈakʲɛj na kˈartɛ? ˌɔtʃɨvˈiɕtɕɛ brˈawam ˈudʑaw w vʲˈɛŋkʃɛj lˈidʒbjɛ spɛktˈakli dˌɛtɛktˌɨvistˈɨtʃnɨx ɲˈiʃ mˈɔɡwɔ bˈɨtɕ ɕɛ vɨdˈavatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_87.wav|mˈɨɕli ɔ pluʃˈaku, kturˌɛɡɔ dla ɔtˈuxɨ ɕtɕiskˈawa w rˈɛŋku.|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_19.wav|lˌɛɡʲitɨmˈujɔ̃ tɕˈɛ f knˈajpax.|2
+Dataset/wavs/urwisko_ferenc/46_segment_152.wav|zrˈɔbʲiw ɕɛ sˈɨf.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_20.wav|mˈɔja rɔdʑˈina jɛzd zˈɛmɲʲɛ bˈardʑɔ dˈumna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_260.wav|sˈɛn bˈɨw tˈaɡ vˌɨrazˈistɨ, ʒˈɛ bʲˈillɨ zrˈazu ɲʲɛ mˈɔʒɛ ɕɛ zˌɔrjɛntˈɔvatɕ, tʃɨ jɛst w ramˈada ˈinn, tʃɨ w bjˈuʒɛ w ɡˈɛrart tˈɔvɛr.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_121.wav|pʃˌɛkrɛɲtɕˈiliɕmˌɨ pwˈaxtɛ vɛ dvˈujkɛ, stɛŋkˈajɔnts, pʃˌɛklinˈajɔnts i pilnˈujɔnts, bˈɨ xɔlˈɛrstfɔ pʃˈɛs tsˈawɨ tʃˈas tʃɨmˈawɔ ɕɛ na tsˈɔ nˈajmɲʲɛj dvˈux xˈakax.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_104.wav|rˌɔzɛɕmʲˈawa ɕɛ tˈaɡ ɡvawtˈɔvɲʲɛ, ʒˈɛ vˈinɔ trɨsnˈɛwɔ jɛj nˈɔsɛm.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_320.wav|prɔsˈimɨ mˈatkɛ ɔ zmˌiwɔvˈaɲʲɛ, a vˌɔjɔvɲˈika ɔ ɕˈiwɛ dla ɲʲˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_259.wav|i zmɲʲɛjʃˈɨwa zˌadwuʒˈɛɲʲɛ kɔrˈɔnɨ ɔ prˈavʲɛ mˈiljɔn smˈɔkuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_131.wav|tˈɔm pɔxˈɨliw ɕɛ dɔ pʃˈɔdu.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_434.wav|znalˈɛʑli ɕɛ na rɔsstˈajaɣ drˈuk.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_28.wav|jɛst mɲʲˈɛj vʲˈɛntsɛj w vʲˈɛku samjˈɛɡɔː i uɕmʲˈɛxa ɕɛ dɔ mɲʲɛ trɔsklˈivʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_23.wav|za ktˌurɔ̃ dˈɔstʃɛɡw ˌɔɡrɔdʑˈɛɲʲɛ, spˈali i ɕˈatki, majˈɔntsɛ zapˈɛvnɛ na tsˈɛlu zɲʲˌɛxɛntsˈɛɲʲɛ spˌatsɛrɔvˈitʃuv dɔ pʃˌɛxɔdʑˈɛɲʲa pʃˈɛs pʃɨlˈɛɡwɛ pˈɔla.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_77.wav|ˈɛdmund vɨpˈuɕtɕiw pɔvʲˈɛtʃɛ i ɲʲɛ pˌɔɕfʲɛntsˈajɔnts tɔmˈɔvi vʲˈɛŋkʃɛj uvˈaɡʲi rˈuʃɨw s pɔvrˈɔtɛm f strˈɔnɛ dˈɔmu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_67.wav|jˈɛzu, ktˈɔʑ zapˈɔmɲʲaw vwˈɔntʃɨtɕ klˌimatɨzˈatsjɛ. pˌɔtʃɛkˈajtɕɛ sɛkˈuntkɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_278.wav|tɨ tˌɛɡɔ jˈɛʃtʃɛ ɲʲˈɛvʲɛʃ i ɲˈiɡdɨ ɲʲɛ bˌɛɲdʑɛʒ vʲˈɛdʑɛtɕ, bˈɔ pʲɛɲʲˈɔndʑɛ tɕˈɛ zˈafʃɛ vɨtɕˈɔŋɡnɔ̃ s kˈaʒdɛj bjˈɛdɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_52.wav|tʃɨ tsˈawɛ mʲˈastɔ zbˌaŋkrutˈujɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_57.wav|tɨ i bˈaki?|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_132.wav|tʃɨ ɔn sˈam ɔdɡrˈɨva pɔdˈɔbnɔ̃ rˈɔlɛ f plˈanax ɲˈitska?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_87.wav|mˈuvi pɔvˈɔli mˈatka.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_55.wav|w ɔstˈatɲʲɛj xfˈili zatʃˈɨnam ɕɛ zˌastanˈavʲatɕ, tʃɨ pɔvˈinnam bˌɨwa pʃɛkˈazatɕ jˈakɔ̃ɕ ˌinfɔrmˈatsjɛ ʃkˈɔlɛ, pɔprˈɔɕitɕ ix ɔ spɛtsjˈalnɔ̃ ɔpʲˈɛkɛ nat mˈɔjɔ̃ tsˈurkɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_26.wav|a tsˈɔ nˌajvaʒɲʲˈɛjʃɛ, w bufˈɛtɕɛ ɕɲʲˌadaɲʲˈɔvɨm sˌɛrvɔvˈanɔː ˌɔrɨɡʲinˈalnɛ dˈaɲʲa kˈuxɲi kantˈɔɲskʲɛj.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_76.wav|ˌɔras swˈɔtki zˈapax mlˈɛka.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_41.wav|zɛbrˈawam sfˈɔjɛ ʒˈɛtʃɨ, ruʃˈɨwam f strˈɔnɛ dʒvˈi vɨjɕtɕˈɔvɨx i zastˈawam barˈɛɡɔ krˌɔ̃ʒɔntsˈɛɡɔ f xˈɔlu.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_231.wav|pɔː ˈɔbu strˈɔnax ʃlˈaku|1
+Dataset/wavs/urwisko_ferenc/46_segment_93.wav|— jˈak tɔ? f tˈakim rˈaʑɛ sprˈava ɕɛ pʃˌɛdavɲˈiwa — zdʑˈiviw ɕɛ pɔlˈitsjant.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_108.wav|xwˈɔpaɡ bˈɨw ɔdvˈaʒnɨ. zˈafʃɛ tɕi tɔ muvˈiwɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_79.wav|tɨm rˈazɛm tɔ tsˈɔʑ duʒˈɛɡɔ, znˈatʃɲʲɛ vʲˈɛŋkʃɛ pˌɔɕfʲɛntsˈɛɲʲɛ ɲˈiʃ ɔstˈatɲim rˈazɛm.|3
+Dataset/wavs/urwisko_ferenc/32_segment_16.wav|skˈɔrɔ ftɕˈɔ̃ʃ jˈɛʃtʃɛ ɲʲɛ pˌɔtrafˈiwa zaˈufatɕ sˈamɛj sˈɔbjɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_58.wav|dlatʃˈɛɡɔ tɕˈɛ pɔrvˈali?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_16.wav|ɲʲɛ mˈɔɡɛ zɲʲˈɛʑdʑ bˈulu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_19.wav|tʃˈɛka na pˈanuf f sˈali kˌɔnfɛrɛntsˈɨjnɛj. fskˈaʒɛ drˈɔɡɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_8.wav|w vitrˈɨɲʲɛ bˌɨwɔ zdjˈɛɲtɕɛ ʒɔwɲʲˈɛʒa marˈinɛz z nˌapisˈami ɲʲɛlˈitʃɲi i dˈumɲi i pʃɛkˈɔnaj ɕɛ na tsˈɔ tɕˈɛ stˈatɕ.|2
+Dataset/wavs/urwisko_ferenc/12_segment_150.wav|ˌalɛ ɔ tsˈɔ pˈaɲi pˈɨta?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_6.wav|ftɕˈɔ̃ʃ mˈa ʃɛrˈɔkɔː ɔtfˈartɛ ˈɔtʃɨ i pʃɛʒˈɨva sfˈuj kˈɔntaɡd z mˈɔʒɛm.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_56.wav|zabrˈanɔː iɣ dɔ mʲˈasta z dˈɛsɛk, ɡdʑˈɛ fɕˈɔndɔ̃ na stˈatɛk pwɨnˈɔntsɨ dɔ ɡˈastɔn ɡrˈɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_191.wav|dɔmˈɨɕlam ɕɛ, ʒˈɛ tɔ jˈɛʃtʃɛ ɲʲɛ fʃˈɨstkɔ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_143.wav|vʲˈara ɲʲˈɛma prˈava skˈazatɕ ɲikˈɔɡɔ na ɕmʲˈɛrdʑ bˈɛz vzɡlˈɛndu nˈatɔ, jˈakʲɛ zbrˈɔdɲʲɛ pɔpˈɛwɲiw. jˈakʲɛ zbrˈɔdɲʲɛ pɔpˈɛwɲiw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_47.wav|vʲˈɛm. mˈam vʲˈɛlkɔ̃ nadʑˈɛjɛ, ʒˈɛ ˈaʃ ɕɛ mˈɨliw i ʒˈɛ pˌɔvʲɛdʑˈawa mu tɔ tˌɨlkɔ pˈɔtɔ, ʒˈɛbɨ ɡˈɔ nastrˈaʃɨtɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_263.wav|ˈandɛrsɔn ɲʲɛ pˈatʃɨw jˈuʃ na ɲʲˈɛɡɔ. vʑˈɔw pʲˈurɔ sfˈɔjɔ̃ zˌabandˌaʒɔvˈanɔ̃ dwˈɔɲʲɔ̃|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_119.wav|tˈak, ˌɔtʃɨvˈiɕtɕɛ. ɲʲɛ rɔzˈumjɛm, dɔ tʃˈɛɡɔ pˈan zmʲˈɛʒa ɕɛ, rʒˈaɲtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_282.wav|i za blˈiskɔ valˈɛrjɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_131.wav|mˈam tɕi pʃɨpˈɔmɲʲɛtɕ ɔ pˌaraɡrˈafjɛ pˌɔʒɔntkˈɔvɨm pʲˈɛrʃɨm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_439.wav|ʃɨpnˈɔwɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_189.wav|zatɕˈɔŋɡa zaswˈɔnɛ i spɔɡlˈɔnda na zɛɡˈarɛk, kturˌɛɡɔ vʲɛtʃˈɔrɛm ɲʲˈɛzdjɔw z rˈɛŋki.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_2.wav|pʃˈɨʃɛt tʃˈaz zmʲˈɛʒɨtɕ ɕɛ s kˌɔnsɛkfɛntsjˈami.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_69.wav|ˈaram zˈafʃɛ pɔftˈaʒaw, ʒˈɛ ukrˈɨjɛ dɔvˈɔdɨ, dɔpˈuki jˌɛstɛm z ɲˈim w lˌakɛsˈidɛ.|3
+Dataset/wavs/urwisko_ferenc/36_segment_102.wav|zˈaras tɕi vɨjˈaɕɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_458.wav|na tfˈɔim mʲˈɛjstsu, pˈaɲi, mɔdlˈiwabˌɨm ɕɛ dɔ starˈuxɨ ɔ mˈɔndrɔɕtɕ i dɔ mˈatki ɔ zmˌiwɔvˈaɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_217.wav|ˌalɛ ɔn ɲʲɛ pʃɨjˈɛxaw dɔ tˌɛɡɔ mawˈɛɡɔ mʲˈasta pˈɔtɔ, bˈɨ ɔkrˈadatɕ sklˈɛpɨ. i vɛ vwaɕtɕˈivɨm tʃˈaɕɛ tɔ ɲʲɛ kɔbjˈɛta tɛn bʒˈuɣ zawˈɔʒɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_87.wav|lˈɛtɕi na sfɔjˈɛɡɔ ʃˈɛfa.|3
+Dataset/wavs/urwisko_ferenc/46_segment_58.wav|jˌɛstɛɕ pˈɛvʲɛn?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_13.wav|dʒˈɛk, tɔ jˈuʒ drˈuɡʲi rˈas f tɕˈɔŋɡu kˈilku ɡˈɔdʑin. tʃɨ mˈɔʒɛʃ pʃɨnˈajmɲʲɛj znˈalɛɕtɕ jˈakiɕ spˈɔsup, ʒˈɛbɨm mˈukw ɕɛ s tˈɔbɔ̃ kˌɔntaktˈɔvatɕ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_79.wav|tˈak mi pʃˈɨkrɔ, kɔxˈanɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_64.wav|bˌɨwam pʃˌɛpɔtsˈɔna i tsuxnˈɔntsa pɔ spatsˈɛʒɛ, kturˌɛɡɔː ɔmˈalɲʲɛ pʃˌɨpwatɕˈiwam ʒˈɨtɕɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_32.wav|ɲʲɛ bˌɛndɛ vʲɛdʑˈawa, jˈaɡ vˌɨɡlɔndˈajɔ̃ jˈɛɡɔ dɲˈi tʃɨ rutˈɨna tsɔdʑˈɛnnɨɣ zˈajɛɲtɕ.|3
+Dataset/wavs/urwisko_ferenc/04_segment_86.wav|mˌatɕɛ zˈɛ sˈɔbɔ̃ kˈɔntakt?|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_285.wav|pˈɛvnɛ dʒvˈi pɔvˈinnɨ pɔzˈɔstadʑ zamkɲʲˈɛntɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_132.wav|bˈɔ pˈan sɕˈiɲʲaw.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_322.wav|bˌɨwɔ jˈuʃ nˈatɔ za pˈuʑnɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_32.wav|kˈiŋk sˈupɛrs pwˈatɕi ɡɔtˈufkɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_157.wav|ɲʲɛ, pɔ prˈɔstu zamknˈɛli za sˈɔbɔ̃ dʒvˈi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_221.wav|ɲʲɛ jˈa, jˌɛstɛm tˌɨlkɔ pˌɔɕrɛdɲˈikʲɛm, pamjˈɛntaj, ktˈɔɕ ˈinnɨ, ktˈɔɕ ktˈɔ mˈa bˈardʑɔ ɡwɛmbˈɔkʲɛ kʲɛʃˈɛɲʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_605.wav|vrˈɛʃtɕɛ znalˈɛʑliɕmˌɨ ɕɛ w jˈakʲɛjɕ klˈattsɛ sxɔdˈɔvɛj.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_24.wav|tˈakʲɛ, ktˌurɛ vɔlˈawabˌɨm zˌiɡnɔrˈɔvatɕ i mˈuʃɛ stˈavitɕ tʃˈɔwɔ faktˈɔvi, ʒˈɛ ɲʲɛ dˈalɛj jˈak tˈɨdʑɛɲ tˌɛmu zˌɔbatʃˈɨwam jˈɛɡɔ zdjˈɛɲtɕɛ f sɛrvˈiɕɛ rantkˈɔvɨm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_78.wav|vˈɨwɔntʃ tɔ, nˌakazˈujɛ bʲˈillɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_119.wav|fʃˈɨstkʲɛ ˌɛlɛmˈɛntɨ wˌamiɡwˈufki trafˈiwɨ na sfˈɔjɛ mʲˈɛjstsɛ.|4
+Dataset/wavs/urwisko_ferenc/12_segment_90.wav|nˈɔ vʲˈɛnts tɛn sˈɛmtʃuɡ ɡˈadaw z lɛɡnˈɛrɛm i pɔvʲˈɛdʑaw mu, ʒˈɛ jˈɛdɛn z jˈɛɡɔː ˌinfɔrmatˈɔruf mˈa nˈɛfsa.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_266.wav|skɔɲtʃˈɨwɛm s tʃˈɛrɲʲɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_472.wav|pˈan stˈalɛ ɔstrˈɔʒnɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_170.wav|lˈɛdvʲɛ ˌɔtfɔʒˈɨli pˈuʃki, kʲˈɛdɨ fˈil mˈuvi ɡɔrˈɔntsɔ tˈu i rɔspˈina blˈuskɛ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_208.wav|zˌɔstavˈiwa vʲɛlkʲˈɛɡɔ mˌaɛstˈɛra na sˌɛrpɛntɨnˈɔvɨx sxˈɔdax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_42.wav|mˈuvjɛ ʃtʃˈɛʒɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_17.wav|tˈɔm pɔpˈatʃɨw na zɛɡˈarɛk. ftɕˈɔ̃ʒ bˌɨwɔ jˈɛʃtʃɛ ftʃˈɛɕɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_189.wav|naprˈavdɛ mʲˌɛndʑɨ nˈami fʃˈɨstkɔ ɡrˈa, prˈavda? tɔ znˈatʃɨ, jˈɛɕli tʃˈɨmɕ tɕˈɛ ˌɔbrazˈiwɛm ˈalbɔ fkuʒˈɨwɛm, pʃɛprˈaʃam.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_119.wav|zɔstˈawɨ skˌɔpʲɔvˈanɛ z mˈɔjɛj strˈɔnɨ na fˌatsɛbɔˈɔku.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_59.wav|vʲˈɛm, ʒˈɛ jˈuʃ ɲˈiɡdɨ tˈutaj ɲʲɛ vrˈutsɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_191.wav|tˈɛʃ ˌɔpɔvʲadˈali mu ɡwˈupstfa ˈɔtɨh sfˈɔiɣ ʒˈɔnax i mˈatkax i ɕˈɔstrax.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_71.wav|jˈɛɕli prubˈujɛ ɕɛ twumˈatʃɨtɕ, tɔ ɲʲˈɛxtsɛ vʲˈɛdʑɛtɕ.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_153.wav|vʲɛɕɲʲˈatsɨ mˈuvjɔ̃, ʒˈɛ pɔ vˈɨdmax krˈɔ̃ʒɨ tʃˈɛɣ zwamˈanɨx na zˈaxut ɔd vʲˈɛʒɨ straʒɲˈitʃɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_60.wav|tˈɛras jˈɛdnak jˈɛɡɔ zadˈaɲʲɛm bˌɨwa rɔzmˈɔva z ʒˈɔnɔ̃ tsˌamɛrˈɔna ɛdmˈuntsa, juɲʲˈɔra.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_354.wav|ɡdˈɨ tˌɨlkɔ vɨrˈɔɕɲʲɛ mi nˈɔva rˈɛŋka.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_177.wav|a pˈatridʑɡ zdˈɔbɨw zdjˈɛɲtɕa pˌɔkazujˈɔntsɛ ix rˈazɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_62.wav|sɨstˈɛmɨ ʃtˈutʃnɛj ˌintɛliɡˈɛntsji dla tˌɛlɛfˈɔnuf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_199.wav|ʒˈɛkw ˈandɛrsɔn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_15.wav|nˌastɛmpnˈɛɡɔ dɲʲˈa, kʲˈɛdɨ vˌɨxɔdʑˈiwam na vˈɨkwat, zastˈawam tʃˌɛkajɔntsˈɛɡɔ nˈamɲʲɛ jaɡˈɛra.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_229.wav|pɔnˈattɔ, jˈɛɕli sˈɛr brˈɨndɛn pʃɛʒˈɨjɛ ˌɔblɛ̃ʒˈɛɲʲɛ, mˈɔʒɛ zaʒˈɔndatɕ rivˈɛran dla ɕˈɛbjɛ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_101.wav|kʲˈɛdɨ tˈaran rˈɔzbʲiw brˈamɛ,|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_43.wav|tˈak krulˈɔvʲɛ i krulˈɔvɛ mˈuʃɔ̃ ɕɛ kwˈaɲʲatɕ ɕˈɛdmju, ktˌuʒɨ sɔ̃ jˈɛdnɨm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_16.wav|ˌalɛ ɲʲɛ zrɔbʲˈiwam tˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_256.wav|ˌɔtatʃˈajɔ̃ mɲʲɛ vrɔɡˈɔvʲɛ i ˌimbɛtɕˈilɛ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_410.wav|zˌasɛplˈɛɲiw. f pʃɛtɕˈivnɨm rˈaʑɛ...|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_218.wav|ɲʲˈɛx mɲʲɛ ɕˈɛdmju mˈa f sfˈɔjɛj ɔpʲˈɛtsɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_20.wav|ˌɔtʃɨvˈiɕtɕɛ pʃɨ zˌawɔʒˈɛɲʲu, ʒˈɛ mˈa pʃɨ sˈɔbjɛ tɛlˈɛfɔn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_60.wav|ˈɛliz zawˈatfja ɕɛ. kupˈujɛ f sklˈɛpʲɛ pʃɛkˈɔ̃ski i napˈɔjɛ, pɔ tʃɨm pʃɛxˈadʑa ɕɛ fɕrˈut tɕˌɛ̃ʒarˈuvɛk.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_201.wav|mˈɔja krɨjˈufka na dɲʲˈɛ bˈaɲki bʲˈina lˈɛdvʲɛ nˌadavˈawa ɕɛ dɔ spˈaɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_252.wav|ʒɛɡlˈaʒa nˈɔtsɨ zˌatʃɨmˈanɔː i lˈɔrda blatsktʲˈida zˌaprɔvadʑˈɔnɔ w waɲtsˈuxaɣ dɔ krˈula.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_240.wav|dʑɛftʃˈɨŋka kʃɨtʃˈawa tsˈɔʑ dɔ jˈɛɕtɕtsuf, ˌalɛ wˈɔskɔd ɡrˈɔmu zaɡwˈuʃɨw jɛj swˈɔva.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_34.wav|fʃˈɨstkɔ zˈafʃɛ bˈɨwɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_92.wav|tɔ swˈuʒɨ dɔ mɔdlˈitfɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_18.wav|— tˈak, ɲʲɛ pɔvʲˈɛdʑaw pˈan tˌɛɡɔ ftʃˈɔraj — ʒˈɛkw ˈandɛrsɔn i pˈɔʃɛd vˈɔlnɔ dɔ sˌamɔxˈɔdu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_100.wav|ɲˈikt jˈɛdnak tˌɛɡɔ ɲʲɛ dɔstʃˈɛɡa i tɔ mi ɕɛ pɔdˈɔba.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_2.wav|tˈɔm zˈamknɔw ɕɛ f prɨvˈatnɨm bjˈuʒɛ i stˈaraw ɕɛ zˌastɔsˈɔvatɕ sfˈuj najbˈardʑɛj dˌɨplɔmatˈɨtʃnɨ tˈɔn.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_186.wav|ɔvˈinɔw jɛj vwˈɔsɨ vˈɔkuw sfˈɛj lˈɛvɛj pʲˈɛɲɕtɕi, a prˈavɔ̃ bʲˈiw jˈɔ̃ rˈas pɔ rˈas krutkˈimi i spˌɔkɔjnˈɨmi ˌudɛʒɛɲʲˈami.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_126.wav|tˈak, mˈuvi bʲˈillɨ dɔː ˈɔkna.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_152.wav|ɲʲɛ, ɲʲɛ, dʲˈidɨ, ɲʲɛ mˈɔʒɛʃ!|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_82.wav|mˈam dʑˈivnɔ̃ nadʑˈɛjɛ, ʒˈɛ ɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_15.wav|mˈɔʒɛ mˈuviw dɔ rˈɔbʲin, mˈɔʒɛ dɔ sfɔjˈɛɡɔ pʃˌɨjatɕˈɛla ɡˈɛda.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_137.wav|pˈɔtɛm ˌɔmiɲʲˈɛmɨ palˈuxɨ i pˌɔpwɨɲʲˈɛmɨ dɔ ɕistˈɛrtɔn i bjawˈɛɡɔ pˈɔrtu, jˈɛɕli ʃtˈɔrmɨ pɔzvˈɔlɔ̃. ɔbjˈɛʒɨ ɕfʲˈat tɔ tʃˈɨstɨ stˈatɛk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_125.wav|fˈakt, ʒˈɛ bʲˈillɨ vˈɨɡraw rˌuʒɔvˈɛɡɔ flamˈiŋɡa dla ɕlˈitʃnɛj dʑɛftʃˈɨŋki zˈɛ fstɔ̃ʃkˈami vɛ vwˈɔsax, ɲitʃˈɛɡɔ ɲʲɛ zmʲˈɛɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_360.wav|dlatʃˈɛɡɔ mɲʲɛ ɲʲɛ ˌarɛʃtˈɔvaw?|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_25.wav|ɲʲɛktˌurɛ s tɨx rˌɛfɛrˈɛntsji zawˈatfiw bˈutskɨ xˈansɔn, wˈɔntʃɲiɡ bʲillʲˈɛɡɔ z nɔvˈɛɡɔ jˈɔrku, a zarˈazɛm jɛdˈɨnɨ tʃwˈɔvʲɛk, kturˌɛmu bˌɛzɡraɲˈitʃɲʲɛ ˈufa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_91.wav|ktˌurɛ zalˈɛdvʲɛ puʃtʃˈajɔ̃ pˈɔŋki, vʲˈɛnts f tˈɛj...|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_286.wav|kʲˈɛdɨ ɕɛ ˈɔtsknɔw, bˈɨw jˈuʃ na dvˈɔʒɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_29.wav|ɲʲɛ vɨɡlˈɔndaw na zˌaxfɨtsɔnˈɛɡɔ. ɕtɕˈisnɔw mˈɔjɔ̃ dwˈɔɲ ɲʲˈɛtsɔ mˈɔtsɲʲɛj i zˈaɡrɨz ɡˈurnɔ̃ vˈarɡɛ.|3
+Dataset/wavs/urwisko_ferenc/26_segment_20.wav|ˌɔras ɲʲˈɛtsɔ mɲʲˈɛjʃɨɣ balˈɔnax, ktˌurɛ znˌajdɔvˈawɨ ɕɛ blˈiʒɛj ˌɔɡrɔdʑˈɛɲʲa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_197.wav|tfˈɔjɛ pʃˌɛprɔɕˈinɨ rˈatʃɛj ɲʲɛ zrˈɔbjɔ̃ nˈaɲʲɛj vraʒˈɛɲʲa. mˈɛrx tɔ...|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_252.wav|pˌɔmɨɕlˈawa vˈuftʃas.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_479.wav|ˈaʒ dɔ mɔmˈɛntu, f ktˌurɨm ˌɔdʒutɕˈiwa ɡˈɔ kɔpɲʲˈɛɲtɕɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_35.wav|tɔ bˈɨstrɨ fˈatsɛt.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_75.wav|na pɔdwˈɔdʑɛ lɛʒˈawɔ tɕˈawɔ mɛ̃ʃtʃˈɨznɨ, ktˌurɛ ˌuɲʲɛmˌɔʒlivʲˈawɔ pˈɛwnɛ ɔtfˈartɕɛ skʃˈɨdwa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_207.wav|zupˈɛwɲʲɛ ɕɛ tˌɛɡɔ ɲʲɛ spˌɔdʑɛvˈaliɕmˌɨ i mʲˌɛliɕmˌɨ ʃtʃˈɛɲɕtɕɛ, ʒˈɛɕmɨ pʃɛʒˈɨli.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_40.wav|na zdrˈɔvɨ rˈɔzum ɲʲɛ pɔvˈinnɔ, a jˈɛdnaɡ bˌɛɲdʑɛ dˈɔbʒɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_224.wav|i ˌɔna ftˈɛdɨ, ɲʲɛ ˌɔtfʲɛrˈajɔnts ˈɔtʃu, pʃˌɨtɕɔŋɡnˈɛwa mɲʲɛ dɔ ɕˈɛbjɛ, a ja na fpˈuw ɔɕlˈɛpwɨ tsˌawɔvˈawɛm jˈɔ̃, pʲɛɕtɕˈiwɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_44.wav|pɔprˈavʲam rˈɛntʃɲik i zbjˈɛɡam na dˈuw, mˈɔdlɔnts ɕɛ, bˈɨ ɲˈidʑ vʲˈɛntsɛj ɕɛ ɲʲɛ stˈawɔ mˈɔjɛj rɔdʑˈiɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_13.wav|ɡdʑˈɛ mˈɔjɛ ubrˈaɲʲa?|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_222.wav|sˈama mɲʲɛ ˈɔtɔ prɔɕˈiwaɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_121.wav|maʃ mˈɔʒɛ zˈupɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_31.wav|kʲˈɛdɨ ftɕˈɔŋɡam w nˈɔzdʒa znajˈɔmɨ zˈapax lˌakɛsˈidɛ, natˈɨxmʲazd bˌɔmbardˈujɔ̃ mɲʲɛ dʑɛɕˈɔntki fspˈɔmɲʲɛɲ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_100.wav|ja ɡˈɔ tˈɛʒ znˈam.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_519.wav|zˈɛ zvˈɨkwɨx sɔsnˈɔvɨɣ dˈɛsɛk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_5.wav|bˈardʑɔ xtsˈɛ zɔbˈatʃɨtɕ tˈatɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_49.wav|nˈatɔ vɨɡlˈɔnda.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_131.wav|zˌatʃɨmˈujɛ ɕɛ, pɔ tʃɨm rˈɔbʲi ʃˈɨpki zˈamax, a ja ˌɔdruxˈɔvɔ pˌɔkʃɨkˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_29.wav|kˈivam ɡwˈɔvɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_182.wav|vˈɛʃliɕmˌɨ dɔ tˌɛɡɔ pɔkˈɔju, a rˈatʃɛj ɲʲˌɛfɔrˈɛmnɛj kɔmnˈatɨ pˈɛwnɛj mrˈɔtʃnɨɣ zˌakamˈarkuf.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_167.wav|kˈɔʃmar plaɡʲˈatuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_124.wav|jˌɛstɛm ɡɔtˈɔva. jˈuʃ ɕɛ f pˈɛwɲi ˌɔbudʑˈiwa. dˈɔkɔnt jɛdʑˈɛmɨ?|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_191.wav|dˈɛʃtʃ lˈaw tʃarnˈɨmi strˌumjɛɲʲˈami pʃˈɛz dwˈuɡʲɛ ɡɔdʑˈinɨ.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_194.wav|ˌalɛ ɲʲˈɛbɨw tɔ ɡwˈɔs starˈuxɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_120.wav|jˈaja sˈɔbjɛ rˈɔbʲiʃ?|4
+Dataset/wavs/urwisko_ferenc/22_segment_42.wav|xˈata ɲʲɛ utɕˈɛkɲʲɛ. najvˈɨʒɛj jˈutrɔ jˈɔ̃ spʃˈɔntnɛ, ˌalɛ ɲʲɛ sˈɔndʑɛ, bˈɨ tɔ bˌɨwɔ pɔtʃˈɛbnɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_126.wav|tɨ tˈɛʃ jˌɛstɛɕ jɛdˈɨnɨm tʃwɔvʲˈɛkʲɛm, kturˌɛɡɔ kɔxˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_154.wav|vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_177.wav|jˈɛɡɔ ɕˈɔstrɛ pˌɔtsawɔvˈawa rˈuvɲʲɛʃ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_89.wav|tʃɨ ɔ kˈimʑ zˌapɔmɲʲˈawam?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_20.wav|lˈutsɨ vrˈatsa dɔ krˈaju.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_83.wav|unˈɔʒɛ ɡwˈɔvɛ i pˈatʃɛ mu w ˈɔtʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_6.wav|xwˈɔpak mˈa dˈɔbrɛ ɔdrˈuxɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_211.wav|vɨtɕˈɔŋɡnɔw zˈɛ ɕtɕˈanɨ skwadˈanɛ wˈuʃkɔː i pɔwˈɔʒɨw nˈaɲim kˈɔts i pɔdˈuʃkɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_125.wav|prˈɔʃɛ pɔː aŋɡʲˈɛlsku, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_113.wav|i bwˈaɡatɕ ɔ vˌɨbatʃˈɛɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_18.wav|ɲʲɛ znˈɔɕiw awtˈɔpsji tˈak sˈamɔ jˈak tˈɔm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_39.wav|ɲʲˈɛvʲɛm, tsˈɔ ɕɛ zˈɛmnɔ̃ dʑˈɛjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_70.wav|ɲˈilɛ ɔtxˈɨliw ɡwˈɔvɛ, vɨʒˈutɕiw s ɕˈɛbjɛ krˈutkʲɛ xˈa i ɕɛ uɕmʲˈɛxnɔw. bˈɛtskɨ tʃɛkˈawa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_106.wav|dˈaj mi pʲɛɲʲˈɔndʑɛ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_340.wav|fʃˈɨstsɨ sɔ̃ zˈɛ sˈɔbɔ̃ w zmˈɔvʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_156.wav|brˈat xfʲˈɛjɛ ɕɛ xfˈilɛ, pɔ tʃɨm pˈada bɛzɡwˈɔɕɲʲɛ na pɔdwˈɔɡɛ ˈu mˈɔix stˈup.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_63.wav|ubjˈɛram ɡˈɔ pɔspʲˈɛʃɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_51.wav|ɕlˈuza kɔnrˈada vˌɨxɔdʑˈiwa na pˈuwnɔts.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_22.wav|dlatʃˈɛɡɔ mʲˈawabˌɨ pɔjˈɛxadʑ dɔ pustˈɛɡɔ dˈɔmu?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_80.wav|pʃˌɛjɛʒdʒˈawam w ˌɔkɔlˈitsɨ, pˌɔstanɔvˈiwam fpˈaʑdʑ z vizˈɨtɔ̃. ɔbˈavʲam ɕɛ tˈɨlkɔ, ʒˈɛ mˈɔʒɛ mɲʲɛ ɲʲɛ pamjˈɛntatɕ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_390.wav|ˌalɛ tɔ tˈɨrjɔn jɛst sˈɨnɛm tɨvˈina, ɲʲɛ tˈɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_157.wav|dlatʃˈɛɡɔ ɲʲˌɛvɨrˌafinɔvˈanɨ sˈɨstɛm kˌɔmputɛrˈɔvɨ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_108.wav|vʲˈɛm, ʒˈɛ tɔ skˌɔmplikɔvˈanɛ swˈɔvɔ. pɔ prˈɔstu pˌɔmɨɕlˈɛli, ʒˈɛ ˌuvaʒˈamɨ ɕɛ za lˈɛpʃɨx ɔt ɲˈix.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_14.wav|zˌaxamɔvˈawɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_29.wav|na kɕɛ̃ʒˈɨtsu. znajdˈujɛ ɕɛ w ɲʲˈɛj ɲʲɛvʲˈɛlka dɔmjˈɛʃka pˈɨwu rˌɛɡɔlˌitɔvˈɛɡɔ, dlatˈɛɡɔ jɛst pʃˌɨtɕɛmɲʲˈɔna.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_428.wav|zˌapɔmɲʲˈafʃɨ na xfˈilɛ ɔː ˌɔbɔvʲɔ̃skˈɔvɨm jɔŋkˈaɲʲu.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_523.wav|ɲʲɛ tˈaɡ dˈavnɔ sˈama ɕɛ bavˈiwaɕ f tɨx sadʑˈafkax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_175.wav|swˈɔvɔ, kturˌɛɡɔ sˈam dʑvʲˈɛŋɡ bˈudʑi ɡrˈɔzɛ, bʒmʲˈɔntsɛ jˈaɡ zˌavɔdʑˈɛɲʲɛ vʲˈatru pɔt ɔkˈapɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_233.wav|pɔ rɛklˈamjɛ libˈɛrtɨ mutˈual na ɛkrˈaɲʲɛ pɔjˈavja ɕɛ jˈɛɡɔ vwˈasnɛ zdjˈɛɲtɕɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_54.wav|vˌɨbatʃˈaram, pɔvʲˈɛdʑaw tˈata.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_109.wav|dˈɔbra, tˈɛras xˈɔtɕ tˈutaj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_119.wav|ʒˌɛtʃɨvˈiɕtɕɛ rɔzmˈavʲaw z ɡɛˈɔrɡɛm, xˈɔtɕaʃ rɔzmˈɔva ɲʲɛ bˌɨwa dwˈuɡa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_40.wav|tˈɔm ˈuznaw, ʒˈɛ natɕˈɛʃɨ ɕɛ ɲˈim bˈardʑɛj, kʲˈɛdɨ znˈajdʑɛ xfˈilɛ, ʒˈɛbɨ vɨʒˈutɕidʑ z ɡwˈɔvɨ vˌɨdaʒˈɛɲʲa s tsawˈɛɡɔ dɲʲˈa.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_129.wav|f prˈuʒɲi ɲʲɛ pɔfstˈajɔ̃ zˌavirɔvˈaɲʲa vˈɔkuw pwɔmjˈɛɲʲa. jɛdˈɨna ɕˈiwa tɔ tɕiɕɲʲˈɛɲʲɛ spalˈanɨɣ ɡˈazuf.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_212.wav|muɕˈawa tˌɨlkɔ vˈɨjʒɛtɕ pʃˈɛs ˈɔknɔ, bˈɨ zɔbˈatʃɨdʑ vʲˈɛlkɔ̃ kɔpˈuwɛ zˈɛ zwˈɔta i bˌarvʲɔnˈɛɡɔ ʃkwˈa na dˈɔlɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_101.wav|i zˈafʃɛ mʲˈawam tˌɛɡɔ ɕfʲadˈɔmɔɕtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_78.wav|ˈaram vˈɨjɔw s kʲɛʃˈɛɲi mˈawɔ̃ ʃklˈanɔ̃ kˈulkɛ, ktˌurɔ̃ zˈafʃɛ ɔbrˈatsaw w dwˈɔɲʲax i ˈuɲʲus jˈɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_417.wav|ˌɔbʒɨdlˈivɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_30.wav|zˌapɨtˈawam wˈapʲɔnts jˈɔ̃ za ramjˈɔna jˈakʲɛʑ zavˈɔrɨ i tˈakʲɛ ʒˈɛtʃɨ|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_15.wav|pˈɔtɛm ˈɛlis xtsˈɛ pˈujʑdʑ dɔ kasˈɨna.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_45.wav|s kˈaʒdɨm rˈazɛm, ɡdˈɨ mˈɨɕlɛ ɔ stɛvˈɛɲʲɛ, tʃˈujɛ vbʲˈitɨ f sˈɛrtsɛ nˈuʃ i prubˈujɛ sˈɔbjɛ vˌɨɔbrˈazitɕ, w jˈaki spˈɔsup prubˈɔvaw pɔrˈadʑitɕ sˈɔbjɛ z ˌɔdʒutsˈɛɲʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_229.wav|f pʃˌɨɕɛnɲˈiku klɛntʃˈawa ɔɡrˈɔmna, bʒˈɨtka kɔbjˈɛta zˈɛ ɕfʲˈɛtsɔ̃ w dwˈɔɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_413.wav|ja tʃˈasɛm mˈɨɕlɛ, ʒˈɛ mˈɔʒɛ tˈu, pɔɕrˈɔtku naʃˈɛɡɔ krˈaju, stˈɛrtʃɨ vʲɛʃxˈɔwɛk tʃˈubɛk.|0
+Dataset/wavs/urwisko_ferenc/24_segment_48.wav|bɔrˈɛvitʃ pˈɔtʃɛd i zˈajʒaw dɔ pustˈɛɡɔ vnˈɛntʃa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_10.wav|f kˈɔɲtsu zvlˈɛkam ɕɛ s ɕɛdʑˈɛɲʲa i vɨxˈɔdʑɛ na vʲˈatr i dˈɛʃtʃ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_171.wav|ˈilɛ maʃ lˈat, alˈain?|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_106.wav|takʲˈɛɡɔ vˈawa mˈɨɕli bʲˈillɨ. pˌɔkazˈujɛʒ ɡˈɔ kˈilku znajˈɔmɨm rˌɛdaktˈɔrɔm, ˌalɛ tɔ ʃtʃˈɛɡuw, ktˌurɨ dˈa ɕɛ skˌɔrɨɡˈɔvatɕ, ɡdˈɨbɨ zˈaʃwa tˈaka pɔtʃˈɛba.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_38.wav|mˈuvi tɕˈixɔ zˈɔj s pʃˌɛpraʃajˈɔntsɨm vɨrˈazɛm tfˈaʒɨ, dɔstʃˈɛkwʃɨ zapˈɛvnɛ mˈɔjɔ̃ kˌɔnstɛrnˈatsjɛ.|4
+Dataset/wavs/urwisko_ferenc/36_segment_50.wav|kɔɲʲˈɛtʃɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/45_Artemis_segment_5.wav|ɲʲˈɛvʲɛm, tʃɨ mˈuj mˈail dˈɔtʃɛ dɔ tɕˈɛbjɛ w drˈɔdʑɛ vɨjˈɔntku, ˌalɛ mˈuʃɛ sprubˈɔvatɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_299.wav|lˈufa znˈuf pɔtʃˈɛwa krˈɔ̃ʒɨtɕ pˌarabˈɔlɛ f pɔvʲˈɛtʃu.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_295.wav|tʃtʃˈɛ ɡrˈɔʑbɨ na ɲʲˈɛɡɔ ɲʲɛ pˌɔdʑawˈajɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_181.wav|zɛrvˈawa ɕɛ s kʃˈɛswa i utɕˈɛkwabˌɨ s kɔmnˈatɨ, ɡdˈɨbɨ strˈaʒɲik stɔjˈɔntsɨ w dʒvʲˈax ɲʲɛ zwˈapaw jɛj za rˈamjɛ. ɲʲɛ nˈɔɕi!|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_375.wav|dlatˈɛɡɔ mˈɔʒɛ, ʒˈɛbɨ uwˈatfitɕ ɲʲɛznˈɔɕnɔ̃ pʃˈɛs ɲʲˌɛzrɔzumjˈɛɲʲɛ ˌɛɡzɨstˈɛntsjɛ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_7.wav|kwˈadʑɛ dwˈɔɲʲɛ na kʃˈɨʒu i pʃɛtɕˈɔŋɡa ɕɛ, ˈaʃ mrˈufki mu pʃɛxˈɔdʑɔ̃ pɔ nˈɔɡax.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_227.wav|ˌalɛ pʃˌɛtɕɛʃ pˌɔvɔdɔvˈawa mnˈɔ̃ jˈakaʑ zwˈa tɕɛkˈavɔɕtɕ, ɲʲɛdˈɔbrɨ pˈɔpɛnt, pʃˈɨmus.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_29.wav|tʃɨ tɔ mˈa jˈakiʑ zvʲˈɔ̃zɛɡ z jˈɛdnɨm z jˈɛɡɔ patsjˈɛntuf?|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_27.wav|ɔstrˈɛŋɡʲi, sɛrtsˈufki, ɔmˈuwki.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_22.wav|pʃˌɛxadʑˈajɔnts ɕɛ pɔ xˈali mɔʒˈɛtɕɛ ɔbˈɛjʒɛtɕ ˈɔvɛ ɕlˈadɨ pɔt ruʒnˈɨmi kɔntˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_83.wav|tˈɨlɛ, ʒˈɛ klɛrkʲˈɔvi tˈak mwˈɔdɛ dʑɛftʃˈɨnɨ ɲʲɛ vˌɨstartʃˈɨwɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_45.wav|fʃˈɨstkɔ tɕi vɨjˈaɕɲʲɛ. zrɔzˈumjɛʃ i bˌɛɲdʑɛʒ zˌadɔvɔlˈɔnɨ. mˈuʃɛ ɕɛ s tˈɔbɔ̃ zɔbˈatʃɨtɕ. stɛ̃skɲˈiwam ɕɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_150.wav|vʲˈɛndʑ vʑˈɛli ɡˈɔ pɔt rˈɛntsɛ, lˈɛtʃ ɲʲˈɛmuɡw ˈiɕtɕ. tʃˈuw bˈul w dˈɔlɛ bʒˈuxa.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_194.wav|tɔ bˌɨwa skutˈɛtʃna ɔswˈɔna.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_105.wav|ɡdˈɨ nˈatʃɛt tʃˈas, bˈɨ ɕɛ ˈubratɕ, vɨbrˈawa prˈɔstɔ̃ sˈukɲʲɛ s pwˈutna bˈarvɨ kˈɔɕtɕi swɔɲʲˈɔvɛj.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_19.wav|ɲʲɛ vʲɛdʑˈawa, dɔ kˈɔɡɔ zvrˈatsa ɕɛ kɔbjˈɛta, bˈɔ ɲˈikt ˈinnɨ ɕɛ ɲʲɛ ɔdʑˈɨvaw. pˈɛvɲʲɛ rˌɔzmavʲˈawa pʃˈɛs tɛlˈɛfɔn.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_136.wav|ɡrˈunt pʃɛd vˈɛjɕtɕɛm dɔ jaskˈiɲi bˈɨw uɕˈanɨ ɡwazˈami, a ʑˈɛmnɛ rˈampɨ...|1
+Dataset/wavs/urwisko_ferenc/35_segment_36.wav|tɨ iɣ zavʲˈɔzwɛɕ?|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_34.wav|ˌutɕiʃˈɨwam ɡˈɔ, ˌɔtʃɛpˈujɔnts ɕɛ z vˈɔdɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_8.wav|tsˈɔɕ pʃɛvrˈatsa ɕɛ w ɡwɛmbʲˈisu tɛrˈɛnɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_52.wav|i stfʲˈɛrdʑiw, ʒˈɛ mˈɔʒɛ ˌinfɔrmatˈɨtsɨ bˌɛndɔ̃ mʲˌɛli vʲˈɛŋkʃɛ ʃˈansɛ na vwamˈaɲʲɛ ɕɛ dɔ tɛj kɔmˈurki.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_302.wav|jˈamɛ zˈadaw sˈɔbjɛ pɨtˈaɲʲɛ, tʃɨ xwˈɔpak ˌuɕfʲadˈamja sˈɔbjɛ, dɔ tʃˈɛɡɔ dˌɔprɔvadʑˈiwɨ jˈɛɡɔ swˈɔva. lantsˈɛlu, jˌɛstɛɕ xɔlˈɛrnɨm ɡwˈuptsɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_33.wav|f sfˈɔim pʃɛbrˈaɲʲu prˌɔstɨtˈutki pˌasɔvˈawam dɔ tˌɛɡɔ mʲˈɛjstsa jˈak pʲˈɛɲʑdʑ dɔ nˈɔsa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_64.wav|a pˈɔtɛm rˈɨan tsˈɔfnɔw dwˈɔɲ i pˈatʃɨw nˈaɲʲɔ̃ pʃˈɛs xfˈilɛ.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_71.wav|jˈɛɕli ʒˌɛtʃɨvˈiɕtɕɛ jˌɛstɛɕ tˈak lɔjˈalnɨ, jˈak tfʲˈɛrdʑiʃ...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_73.wav|ɡdʑˈɛ jɛzd bˈarɨ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_10.wav|bʲˈillɨ jɛst rˌɔstʃarɔvˈanɨ, ˌalɛ ɲʲɛ zˌaskɔtʃˈɔnɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_45.wav|kˈɔxam tɕˈɛ, lˈutsɨ. pɔvʲˈɛdʑaw i ɕɛ rɔzwˈɔntʃɨw, zˈaɲim zdɔ̃ʒˈɨwa pɔvʲˈɛdʑɛtɕ, ʒˈɛ jˈɛɕli jˈɔ̃ kˈɔxa, tɔ pɔvˈiɲʲɛn zrˈɔbʲitɕ tɔ, ɔ tsˈɔ prɔɕˈiwa.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_199.wav|sˈɛr bɔɲˈifɛr ˈuɲʲus ˌurɛŋkˌavitʃɲʲˈɔnɔ̃ dwˈɔɲ.|1
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_13.wav|pɔwˈɔva spʃˈɛntu jˈɛʃtʃɛ nˈavɛt ɲʲɛ dˌɔlɛtɕˈawa z ʑˈɛmi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_280.wav|i spravʲˈawɔ mi tɔ jˈakɔɕ prˈavʲɛ bɔlˈɛsnɔ̃ pʃɨjˈɛmnɔɕtɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_154.wav|i ɲʲɛ budʑˈiwɔ tɔ vˈɛmɲʲɛ ˌɛrɔtˈɨtʃnɨx ɛmˈɔtsji.|0
+Dataset/wavs/urwisko_ferenc/64_segment_22.wav|lˈitʃɨw nˈatɔ, ʒˈɛ ɕlˈɛttʃɨ zadʑvˈɔɲi dɔ ɲʲˈɛɡɔ jˈak tˌɨlkɔ vrˈutɕi z vɛzvˈaɲʲa dɔ ɕmʲˌɛrtɛlnˈɛɡɔ vɨpˈatku drˌɔɡɔvˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_118.wav|pˈɔʃliɕmˌɨ dɔ valmˈartu. tˈam znalˈazwa tɕˈɛmnɛ ˌɔkulˈarɨ pilˈɔtki i krˈɛm dɔ tfˈaʒɨ, dʑˈɛŋki kturˌɛmu stfʲɛrdʑˈiwa, zˈɨskam irlˈantskɔ̃ blˈadɔɕtɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_150.wav|vˈɨʃliɕmˌɨ z vˈindɨ na kɔrˈɨtaʃ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_116.wav|a tˈɛras xˈɔdʑmɨ ix nakˈarmitɕ. ɲʲɛ bˌɛndɛ stavʲˈawa tɕi pʃɛt nˈɔsɛm krɛvˈɛtɛk, dɔpˈuki ɕɛ ɲʲɛ upʲˈɛkɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_50.wav|vʲˈɛʃ, ʒˈɛ tɕˈɛ kˈɔxam, prˈavda?|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_26.wav|pʃˌɛwɔntʃˈɨwam stˌɛrɔvˈaɲʲɛ kˌɔmputɛrˈɔvɛ na ɔpswˈuɡɛ rˈɛntʃnɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_55.wav|pɔznˈawam ˈaʃa, kʲˈɛdɨ mˈili mʲˈawa ʃˈɛɕtɕ mʲɛɕˈɛntsɨ.|4
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_27.wav|tˈɨrjɔn, jˈɔn, dˈanɨ, stˈanɲis i mɛlˈisandr.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_30.wav|pʃˈɨkrɔ mi, ˌalɛ mˈuʃɛ kˈɔɲtʃɨtɕ, pɔvʲˈɛdʑaw. zadʑvˈɔɲʲɛ dɔ tɕˈɛbjɛ jˈutrɔ s prˈatsɨ, f pɔʒˈɔntku? ftˈɛdɨ spɔkˈɔjɲʲɛ pˌɔrɔzmavʲˈamɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_57.wav|tˈak, ˌɔtpɔvʲˈada ˈɔna, fʃˈɨstkɔ f pɔʒˈɔntku.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_184.wav|kˈuzɨn dʒˌɔnnɨˈɛɡɔ zawˈatfiw tɕi ˈinnɛ fˈuxɨ?|2
+Dataset/wavs/urwisko_ferenc/17_segment_43.wav|tʃɨ mʲˈawa zˈatɔ dʑɛŋkˈɔvatɕ xˌazardˈɔvi?|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_201.wav|ˌalɛ rˈatʃɛj nˈatɔ ɲʲɛ lˈitʃɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_279.wav|mˌarɨnˈarkɛ ˈɔtpʲɔw, a jˈɛɡɔ prˈava rˈɛŋka zɡʲˈɛwa ɕɛ i bwɔɲdʑˈiwa w ˌɔkɔlˈitsax pˈasa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_139.wav|tʃˈɛɲɕtɕ pʃɨstˈajɛ pʃɛd dʒvʲˈami vˌɛjɕtɕɔvˈɨmi, bˈɨ spˈɔjʒɛtɕ na swˈup tʃarnˈɛɡɔ dˈɨmu, vidˈɔtʃnɨ pˈɔnad ɡmˈaxɛm sˈɔndu, pˈatʃɔnts f kʲɛrˈuŋku tsˈɔdɨ.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_333.wav|kˈaʒda kˌurtɨzˈana bˌɨwa ɲʲɛzvˈɨklɛ pʲˈɛŋkna, nˈavɛd zˌakfɛfjˈɔna dˈama, xˈɔtɕ jɛj tfˈaʃ ˌɔɡlɔndˈali tˌɨlkɔ tɕˈi, ktˌurɨɣ vʑˈɛwa sˈɔbjɛ za kɔxˈaŋkuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_50.wav|kˈartɨ zɔstˈajɔ̃ rɔzdˈanɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_17.wav|butɕˈika ɲʲˈɛma jˈɛdnak f pɔblˈiʒu. ɔt pɔtʃˈɔntku vʲˈɛdʑaw, ʒˈɛ ɡˈɔ ɲʲɛ znˈajdʑɛ.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_212.wav|xtsˈɛ zɔbˈatʃɨtɕ tɨx jˈɛɲtsuf.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_177.wav|dɔpˈadwa dɔ sxˈɔduf, lˈɛtʃ f pɔwˈɔvʲɛ drˈɔɡʲi na ɡˈurɛ pʃˌɨpɔmɲʲˈawa sˈɔbjɛ ɔ tajˈɛɲʲɛ mˌɛrivˈɛtxɛr.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_80.wav|ɲʲˈɛxtsɛ ɔkˈazatɕ ɕɛ na tˈɨlɛ ˌintɛrˌɛsujˈɔntsa, ʒˈɛbɨ stˈatɕ ɕɛ tɛmˈatɛm rɔzmˈɔvɨ z jˈɛɡɔ ʒˈɔnɔ̃ lˈup kˌɔlɛɡˈami.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_57.wav|tˈɛna mʲˈawa pˈɛwnɛ ˈusta.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_195.wav|jˈak sˈɔɲdʑiʃ, ˈilɛ mɔʒˈɛmɨ zˈɛbratɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_47.wav|pˈɔza tɨm mˈuɕi jɛj pʃˈɨznatɕ rˈatsjɛ. jˈɛɕli tsˈɔʑ zwˈɛɡɔ spˈɔtka tˈɛ trˈujkɛ, bˌɛndɔ̃ vʲɛdʑˈɛli, ʒˈɛ mʲˈawa s tɨm tsˈɔɕ fspulnˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_284.wav|ˌɔdlitʃˈɨwa brjˈɛnnɛ i vʲˈɛrnɨ pʃɨɕˈɛndʑɛ ˈuɲʲus ɕɛ na spɔtkˈaɲʲɛ ʃˌarʒujɔntsˈɛɡɔ pʃˌɛtɕivɲˈika.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_175.wav|tʃˈɛɕtɕ, mˈɛrx. tamtˈɛɡɔ vʲɛtʃˈɔru, kʲˈɛdɨ sˌɛrvɔvˈawaɕ nˈam kɔlˈatsjɛ, bˌɨwaʑ bˈardʑɛj upʃˈɛjma?|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_190.wav|vʲˈɛʃ, tsˈɔ tɔ jɛst ˌɛkstradˈɨtsja, ɲʲɛ?|2
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+Dataset/wavs/urwisko_ferenc/42_segment_31.wav|f kˈɔɲtsu ɔdˈɛbraw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_227.wav|tʃˈɨɕtɕi ɕɛ xˌustɛtʃkˈami i ɔlˈifkɔ̃ dla ɲʲɛmˈɔvlɔnt na tˈɨlɛ, na ˈilɛ mˈɔʒɛ, pɔ tʃɨm stˈɔi pɔt prɨʃɲˈitsɛm, ˈaʒ brɔ̃zˈɔva vˈɔda ɕtɕˌɛkajˈɔntsa dɔː ɔtpwˈɨvu stˈajɛ ɕɛ z ɡrˈupʃa pʃɛjʒˈɨsta.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_86.wav|ˌalɛ mˈa pˈan xˈɨba na tɛn tˈɛmat jˈakɔ̃ɕ ˌɔsɔbʲˈistɔ̃ ɔpˈiɲʲɛ?|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_64.wav|ˈɔddawbˌɨ pɔwˈɔvɛ zˈɛmbuv za ʃˈansɛ vˌɨprubɔvˈaɲʲa sfˈɛɡɔ tɔpˈɔra w vˈaltsɛ s krˌulɔbˈujtsɔ̃ ˈalbɔ rɨtsˈɛʒɛm kfʲˈatuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_146.wav|rˌɔbɔtɲˈitsɨ na lˈinax ˌɔpukivˈali, jˈaɡ dʑɛɲtɕˈɔwɨ spruxɲʲˈawɨ pʲˈɛɲ tɛj budˈɔvli.|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_70.wav|jˈɛɡɔ blˈɔnd vwˈɔsɨ sɔ̃ krˈutkʲɛ, vˈɔ̃sɨ sxlˈudɲʲɛ pʃˌɨstʃɨʒˈɔnɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_35.wav|nˈaɡlɛ mˈɔim tɕˈawɛm fstʃɔ̃snˈɛwa sˈɛrja vˌɨwadˈɔvaɲ ˌɛlɛktrˈɨtʃnɨx. kʃɨknˈɛwam bˈardʑɛj z zˌaskɔtʃˈɛɲʲa ɲˈiʒ z bˈulu. uvˈaʒaj!|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_11.wav|pʃˈɛs ɔstˈatɲʲɛ tʃˈɨ lˈata mɔjˈɛɡɔ pɔbˈɨtu tˈutaj rˌɛɡulˈarɲʲɛ zˌajmɔvˈawam jˈɛdnɔ̃ s tɨx sɨpʲˈalɲi i mˈam ʃtʃˈɛrɔ̃ nadʑˈɛjɛ, ʒˈɛ ɲʲɛ bˌɛndɛ zmuʃˈɔna tˈam vrˈutɕitɕ.|3
+Dataset/wavs/urwisko_ferenc/18_segment_72.wav|zˈatɔ vˈidʑaw ix w lˈustʃɛ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_225.wav|— xˈɔtɕ, zˈaɲim rˈanɛk mˈiɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_14.wav|fˈatsɛd zrˈɔbʲiw fɔrtˈunɛ na nɔrvˈɛskim rˈɨŋku tˌɛlɛkˌɔmuɲˌikatsˈɨjnɨm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_2.wav|rˈɔp ɲʲɛ zatʃˈɛkaw, ˈaʒ vˈɛjdɔ̃ dɔ pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_131.wav|karˈabʲin pˈɔvʲɛɕ nat wˈuʃkʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_54.wav|rˌɛpɔrtˈɛrka f tʃɛrvˈɔnɛj sukʲˈɛntsɛ, ˈandra brˈadɔk tsˈɔfa ɕɛ ɔ krˈɔk.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_418.wav|bˈɔjɛ ɕɛ, ʒˈɛ mɲʲɛ ɔdˈuʒɨʃ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_413.wav|znˈɔvu zˌadɨɡɔtˈawɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_64.wav|ʑrudˈɛwkɔ xfilˈɔvɔ vˈɨsxwɔ.|2
+Dataset/wavs/urwisko_ferenc/04_segment_81.wav|rˈatʃɛj tˈak.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_285.wav|zˌatɕiskˈajɔnts paltsˈami dwˈuɡɔ̃, mˌakabrˈɨtʃnɔ̃ ʃrˈamɛ f ʃˈɨi i vɨkʃtˈuɕiw jˈɛʃtʃɛ pˈarɛ swˈuf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_16.wav|ˌalɛ vˌɨɡlɔndˈajɔ̃ tˈak sˈamɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_83.wav|bjˈɛʒɛ ʑɛlˈɔnɔ̃ tablˈɛtkɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_154.wav|ˌalɛ tˈɛ ˌɔfitsjˈalnɔ̃, a ɲʲɛ w vˈɛrsji tˈɔma dˌɔuɡlˈasa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_40.wav|pamjˈɛnta, ʒˈɛ jˈuʃ ftˈɛdɨ tʃˈudʑ bˌɨwɔ bʲijˈɔntsɔ̃ ɔt xˈɔffa lˈɛkkɔ̃ dˌɛspɛrˈatsjɛ.|2
+Dataset/wavs/urwisko_ferenc/55_segment_90.wav|kˈɔpɛr ˌuɕmʲɛxnˈɛwa ɕɛ pʃˌɛpraʃajˈɔntsɔ. xˈɛntɲʲɛ bˈɨm jˈɔ̃ pˈaɲi pˌɔkazˈawa, ˌalɛ jɛj ɲʲˈɛmam.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_333.wav|zˌaxɔvˈujɛʃ ɕɛ dʑˈivɲʲɛ, ʒˈɛbɨ sprˈavdʑitɕ, tʃɨ ɲˈikt mɲʲɛ ɲʲɛ tˌɛrɔrɨzˈujɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_109.wav|uɲʲˈɔswam pɔkrˈɨvɛ i zajʒˈawam dɔ ɕrˈɔtka.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_175.wav|pʃˌɨpɔmɲʲˈawam sˈɔbjɛ, jˈak pɔvʲˈɛdʑaw kʲˈɛdɨɕ ˈɛlis, ʒˈɛ pɛvnˈɛɡɔ dɲʲˈa bˌɛɲdʑɛ nˈatɔ ɡˈɔtuf.|3
+Dataset/wavs/urwisko_ferenc/08_segment_84.wav|ˌalɛ mˈɛdja dɔpʲˈɛrɔ tˈɛras pˌɔtxfɨtɕˈiwɨ tˈɛ ˌinfɔrmˈatsjɛ. lˈipski ɲʲɛ ɔdbjˈɛraw tˌɛlɛfˈɔnu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_161.wav|a pɔzˈaɲim ɲʲɛ ɔtfʲˈɛradʑ ɡˈɛmbɨ i ɲʲɛ ftrˈɔntsatɕ ɕɛ w jˈɛɡɔ ʒˈɨtɕɛ. tˈaka bˌɨwa umˈɔva.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_108.wav|lˈitʃɨ ɕɛ tˌɨlkɔ tɔ, ʒˈɛbɨm ɕɛ stˈɔnd vˌɨdɔstˈawa.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_351.wav|s pɛvnˈɔɕtɕɔ̃ sɔ̃ sprˈavɨ, f ktˌurɨx mˈɔɡwabˌɨm pˈɔmuts.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_28.wav|ɲʲɛ rˌɔzumjˈɛjɔ̃ ˈalbɔː udˈajɔ̃, ʒˈɛ ɲʲɛ rˌɔzumjˈɛjɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_115.wav|pɔdɲʲˈɔswa jˈɔ̃ i vˈɨʃwa s pˌɔmjɛʃtʃˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_155.wav|a vʲˈɛlki sˈɛptɔn namˈaɕtɕiw ɡˈɔː i pˌɔbwɔɡɔswˈaviw jˈakɔ krˈula.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_20.wav|ɔn ɲʲɛ pɔvˈiɲʲɛn nˈaɲih pˈatʃɛtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_123.wav|zrɔbʲˈiwa mi zdjˈɛɲtɕɛ na nɛwtrˈalnɨm tlˈɛ mˌurɔvˈanɛj ɕtɕˈanɨ bˈɛzd vˈɛstɛrn, f ktˌurɨm ɕɛ zˌatʃɨmˈaliɕmˌɨ i ˌɔbɛjʒˈɛliɕmˌɨ jˈɛ rˈazɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_114.wav|vˈɨʃliɕmˌɨ na kɔrˈɨtaʃ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_391.wav|a tfˈɔja mˈatka?|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_87.wav|jˈamal ɕɛ ɕmʲˈɛjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_595.wav|krˈɔjɔnts pwˈatɨ smˌaʒɔnˈɛɡɔ bɛkˈɔnu.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_221.wav|i xˈɔtɕaʃ ɲˈikt ˈɔtɨm ˌɔfitsjˈalɲʲɛ ɲʲɛ pˈisaw, bˌɨwa zˌamjɛʃˈana f ʃɛmrˈanɛ ˌintɛrˈɛsɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_42.wav|vˌɨklutʃˈɔnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_122.wav|jˈaɡbɨ pɔt fpwˈɨvɛm çipnˈɔzɨ tsˈɔfnɔw ɕɛ f tʃˈaɕɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_38.wav|zatʃɲˈijmɨ planˈɔvadʑ zˈaras pɔ fˈɛrjax ˌuʒɔndʑˈɛɲʲɛ nˈɔvɛj kˈuxɲi, pɔvʲˈɛdʑaw ɕɛŋɡˈajɔnts pɔt wuɡˈɔpis i pˈapʲɛr.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_177.wav|jɛst na ɡˈuʒɛ, f ʃˈafjɛ jɛnsˈɛnuf, zˈaraz za dʒvʲˈami.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_180.wav|zdˈajɛ ɕɛ, ʒˈɛ dʑˈiɕ tɛ mˌaɡazˈɨnɨ sɔ̃ ɲʲˌɛuʒɨvˈanɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_245.wav|ˌɔddʑɛlˈiwɛm tʃˈɛɲɕtɕ nˈaʃɨx pʲɛɲʲˈɛndʑɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_262.wav|ʒˈɛbɨ dɔkˈɔnatɕ na tˈɔbjɛ sˌamɔsˈɔndu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_153.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_497.wav|s kˈim bˌɨwam zˌarɛntʃˈɔna pʃˈɛstɛ fʃˈɨstkʲɛ lˈata?|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_297.wav|ˌalɛ dʒˈɛjmz znˈalaz ɛdvˈina i jˈɛɡɔ strˈɨja bɛŋkˈarta w namjˈɔtɕɛ tˌɛɡɔ druɡʲˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_281.wav|vɨjˈaɕɲiw stˈarʃɨ brˈat.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_120.wav|ɲikˈɔla mɲʲɛ vˈɛspʃɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_190.wav|pwˈɨta, ktˌurɔ̃ pʃˌɨspavˈawam, bˌɨwa stˌɔsuŋkˈɔvɔ tɕˈɛŋka, vʲˈɛnts mɔɡwˈɔbɨ ɕɛ vɨdˈavatɕ, ʒˈɛ rɔspˈuɕtɕi ɕɛ pʲˈɛrʃa, ˌalɛ prˈava fˈizɨkˌi ɲʲɛ dʑawˈajɔ̃ f tˌaki spˈɔsup.|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_7.wav|f kˈɔɲtsu pwˈɔmjɛɲ pʃˈɛʃɛd na vˈɨlɔt.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_71.wav|jˈɔː ˌuɕiwɔvˈawa ɕɛ uɕmʲˈɛxnɔɲtɕ, ˌalɛ bˈɛs pˌɔvɔdʑˈɛɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_574.wav|vʲˈɛ pˈan tsˈɔ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_54.wav|dʑvˈɔɲʲɛ z ˈizbɨ pʃˈɨjɛɲtɕ ʃpitˈala sˈalfɔrt rˈɔjal.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_45.wav|pɔlˈɛtɕiw tˈɔm. kˈid vɨtɕˈɔŋɡnɔw rˈɛŋkɛ. ɲʲɛ, sˈɛr, f pɔʒˈɔntku, ja tɔ zrˈɔbjɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_368.wav|a kˈim jɛst ta kɔbjˈɛta?|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_311.wav|ˈɔtʃɨ bwˌɛŋkitnˈɛɡɔ bˈarda mʲˌawɨ tɛn sˈam kˈɔlɔr, tsˈɔː ˈɔtʃɨ rɔbˈɛrta.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_184.wav|tʃɨ mˈɨɕliʃ, ʒˈɛ irlˈantski dʒˈɛrɨ mˈuɡwbɨ ɕɛ bʲˈidʑ z listˈɔnɛm?|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_90.wav|ɔkrˈɔ̃ʒa samˈɔxut, prˈavʲɛ ɲʲɛ ˌutɨkˈajɔnts i bˈɛs nˌajlʒɛjʃˈɛɡɔ ɡrɨmˈasu ɕˈada za kʲˌɛrɔvɲˈitsɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_147.wav|bʲˈillɨ mˈarʃtʃɨ brvˈi. rˈɔbʲin, tɔ tˈɨ?|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_102.wav|trˈɔnd zatrˈudɲiw pˌɛwnɔmɔtsɲˈikuf, ktˌuʒɨ zˌaʒɔndʑˈali vʲɛŋkʃˈɔɕtɕɔ̃ jˈɛɡɔ spˈuwɛk i pʃˌɛprɔvˈadʑiw ɕɛ dɔː artˈɛmis.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_23.wav|trˈudnɔ. ja ɲʲɛ lˈubjɛ, kʲˈɛdɨ ktˈɔɕ pɔrˈɨva mˈɔjɔ̃ tsˈurkɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_94.wav|ˌutʃɨmˈaɲʲɛ stawˈɛɡɔ tɕiɕɲʲˈɛɲʲa w artˈɛmis jɛst skˌɔmplikɔvˈanɨm zadˈaɲʲɛm.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_257.wav|ɔznˈajmiw zˈɛ vzɡˈardɔ̃ viktˈarjɔn, ˌalɛ ɡdˈɨ vrˈɔɲʲɔː ˈɔkɔ zaɡrˈɔziw, ʒˈɛ zabʲˈijɛ kɔbjˈɛtɛ, jˈɛɕli ɲʲɛ zɡˈɔdʑi ɕɛ jɛj pʃˈɨjɔɲtɕ, ʒɛlˈaznɨ kapˈitan zmʲˈɛŋkw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_49.wav|vʲˈɛmɨ, ktˈɔ ɡˈɔ zvɛrbˈɔvaw?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_86.wav|skrˈaj mɔjˈɛɡɔ pˈɔla vidʑˈɛɲʲa strˈatɕiw ˈɔstrɔɕtɕ.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_102.wav|ɔpˈɔvʲɛts im, jˈak jɛst na mˈuʒɛ, ɔː upʲˈɔrax i bjˈawɨx tɕˈɛɲʲax, ɔ nˈaɡwɨm ʑˈimɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_15.wav|pɔvˈinnam bˌɨwa pɔvʲˈɛdʑɛtɕ, tˈak, tˈɛʃ ˈɔtɨm swɨʃˈawam. pujdʑˈɛmɨ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_191.wav|na zˈɛvnɔntʃ ɲʲˈɛma jˈɛdnak ɲikˈɔɡɔ, ˈɔprutʃ tʃˈɛx tʃˈarnɨx kˈɔbjɛt prˌɔvadʑˈɔntsɨx sɛrdˈɛtʃnɔ̃ pˌɔɡavˈɛntkɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_31.wav|fʃˈɨstsɨ kwamjˈɛmɨ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_260.wav|ʒawˈujɛ. ˈɔ, jˈɛʃtʃɛ ɲʲɛ. ˌalɛ pˌɔʒawˈujɛʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_28.wav|ɲʲˈɛmam dla ɲʲˈɛɡɔ ʒˈadnɨx kˌɔmpʲɛlˈuvɛk, ˌalɛ tɔ bˈɛz znatʃˈɛɲʲa. na rˈaʑɛ mˈɔʒɛ trˈɔxɛ pɔbrˈɔdʑitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_150.wav|na pʃˈɨkwat, jˈɛɕli znˈajdʑɛ kˈɔɡɔɕ, ktˈɔ bˈɨ mu pasˈɔvaw jˈak ˈulaw?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_108.wav|zabrˈaliɕmˌɨ ɕɛ ɔstˈatɲʲɔ dɔː ˌɔɡlɔndˈaɲʲa ɡrˈɨ ɔ trˈɔn, vʲˈɛnts kʲˈɛdɨ dʑˈɛtɕi ˈidɔ̃ dɔ wˈuʒɛk ˌɔtpɔtʃɨvˈamɨ pʃɨ tʃˌɛkɔlˈadʑɛ i krfˈavɨɣ bʲˈitfax. ftʃˈɔraj m��ˌɛliɕmˌɨ marˈatɔn tʃˈɛx ɔttɕˈiŋkuf.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_274.wav|tɔ kˈɔɕtɕi ɕfʲˈɛntɨx mˈɛ̃ʒuf i ɲʲˈɛvʲast pˌɔmɔrdɔvˈanɨɣ za vʲˈarɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_81.wav|pˌɔviɲʲˈɛnɛʑ dɔvʲˈɛdʑɛtɕ ɕɛ ɔ ɲˈix kˈilku ʒˈɛtʃɨ i naˈutʃɨtɕ ɕɛ z ɲˈimi rɔzmˈavʲatɕ.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_38.wav|tˈak, dʑɛŋkˈujɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_149.wav|ˌalɛ xɔlˈɛrɲʲɛ xtɕˈawbɨm ɕɛ ɔdˈɛɡratɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_11.wav|vʲˈɛm, ʒˈɛ ɲʲɛ ʒˈɨjɛ.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_99.wav|ˌalɛ mʲˈɛtʃɛ ɲʲɛ zdˈadʑɔ̃ ɕɛ na vʲˈɛlɛ pʃˈɛtɕiv ʒɛlˈaznɨm lˈudʑɔm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_230.wav|bˈuɡ dˈavaw i bˈuɡ zabjˈɛraw, bˈuk kˈaraw i bˈuɡ vˌɨnaɡrˈadʑaw, bˈuɡ dˈaw mu vʲˈɛlɛ s tˈɛɡɔ, tʃˈɛɡɔ ɲʲˈɛdaw sfˈɔim ˈinnɨm sˈɨnɔm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_64.wav|prubˈujɛ ɕɛ skˌɔntsɛntrˈɔvatɕ, bˈɔ ɲʲɛ jɛʑdʑˈiwam tˌɨmi drɔɡˈami ɔt tamtˈɛɡɔ sɔndnˈɛɡɔ dɲʲˈa, kʲˈɛdɨ pɔznˈawam tˌɛɡɔ xwɔpˈaka w bjˈuʒɛ kurjˈɛrskim.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_58.wav|tʃˈarna rˈɨba f tʃˈarnɛj vˈɔdʑɛ pwɨnˈɔntsa tɕˈixɔ s prˈɔndɛm.|1
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+Dataset/wavs/urwisko_ferenc/04_segment_75.wav|dʑˈɛŋki za uvˈaɡɛ!|0
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+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_70.wav|z ˈulɡɔ̃ ɔtpˈina ʃtˈutʃnɨ bʒˈux i dɔxˈɔdʑi dɔ vɲʲˈɔsku, ʒˈɛ mˈuɕi sprˈavitɕ sˈɔbjɛ zasˈɨpkɛ dla dʑˈɛtɕi, ʒˈɛbɨ zapˈɔbjɛts ˌɔtpaʒˈɛɲʲɔm.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_345.wav|swˈuxam, pɔtrˈafiʃ tɔ pɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_68.wav|stɔmpˈajɔnts na kravˈɛɲdʑax stˈup, bʲˈillɨ bjˈɛʒɛ s kˈuxɲi nˈuʒ dɔː ˌɔbjɛrˈaɲʲa, pɔ t��ɨm ˈidʑɛ dɔ waʑˈɛŋki pɔ rˈɛʃtɛ pɔtʃˈɛbnɨɣ ʒˈɛtʃɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_6.wav|dˈavnɔ z ɲʲˈɛɡɔ ɲʲɛ kˌɔʒɨstˈawam.|4
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+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_460.wav|mɔɡwˈɔbɨ bˈɨtɕ inˈatʃɛj, ɡdˈɨbɨ ˈɔjtɕɛts jˈɔ̃ ˈuznaw, ˌalɛ tˌɛɡɔ ɲʲɛ zrˈɔbʲiw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_18.wav|kɔbjˈɛtɨ pilnˈujɔ̃ dʑˈɛtɕi, pɔvʲˈɛdʑaw, a mutˈavvin pilnˈujɛ kˈɔbjɛt, ʒˈɛbɨ ɲʲɛ rɔbʲˈiwɨ ɲˈits, tsˈɔ mɔɡwˈɔbɨ ɕˈadʑ zɡɔrʃˈɛɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_217.wav|bˈuffɛt jɛst ɲʲˈɛzwɨ. ˌɔtpɔvʲˈada i zɲiʒˈɔnɨm ɡwˈɔsɛm dɔdˈajɛ. vˈɛɕ pʲɛɲʲˈɔndʑɛ, zwˈɔtkɔ.|2
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+Dataset/wavs/urwisko_ferenc/35_segment_39.wav|nˈɔ, w zasˈadʑɛ ɲʲˈɛvʲɛm, ˌalɛ dˈɔkɔnt mʲˈawbɨ mˈatkɛ zˈavʲɛɕtɕ? mˈɔʒɛ dɔ ɕˈɛbjɛ, dɔ dˈɔmu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_31.wav|rɔzvˈaʒmɨ ˈinnɛ ˈɔptsjɛ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_106.wav|jˈaɡ zɡʲˈinɔw?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_63.wav|tsˈɔ ɕɛ dʑˈɛjɛ? pˈɨta sˈami.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_51.wav|z ˈalk ɲʲɛvʲˈɛlɛ dˈa ɕɛ vˌɨtʃarˈɔvatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_66.wav|ɲʲɛ, ɲˈits s tɨɣ ʒˈɛtʃɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_186.wav|vwˈɔʒɨ kˈurtkɛ i tˈak.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_454.wav|jɛj pwˈaʃtʃ ˈuɲʲus ɕɛ ɡvawtˈɔvɲʲɛ w ɡˈurɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_117.wav|ɲʲɛ vʲɛʒˈɨwam jˈuʃ w ɲʲˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_49.wav|tʃɨ vʲˈatr jɛst ɕˈilnɨ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_93.wav|tʃɨ tɔ pˈana ɲʲɛ bˈɔli? zapˈɨtaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_44.wav|dɔ tˌɛɡɔ strˈaʃɲʲɛ pʃɛtɕˈɔŋɡa ɕɛ jˈɛɡɔ pˈɔvrut.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_238.wav|vɨɡlˈɔnda jˈaɡbɨ ɕɛ mˈɔdliw, a pˈɔtɛm upˈada na tfˈaʃ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_222.wav|f tˌɛɡɔ rɔdʑˈaju vɨpˈatkax.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_5.wav|na ɡˈaŋku stˈɔi ɔpˈartɨ ɔ dʒvˈi vˈɔrɛk navˈɔzu dɔ travɲˈika s pʃˌɨklɛjˈɔnɔ̃ kˈartkɔ̃. pˌɔmɨɕlˈawɛm, ʒˈɛ tɕi ɕɛ pʃˈɨda jˈamal a.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_64.wav|ɲʲɛ. tsˈɔ tɔ mˈa dɔ ʒˈɛtʃɨ s tɔ̃ sprˈavɔ̃?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_33.wav|ˌɛkstsɨtˈatsja tˈɔma ʃˈɨpkɔː ˌustɔmpˈiwa jˈɛdnak mʲˈɛjstsa utʃˈutɕu pˈustki.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_166.wav|a ja pˌɔmɨɕlˈawɛm, ʒˈɛ xˈɨba tɔ ɕfʲˈɛrʃtʃ, kturˌɛɡɔː ˌɔna pʃɨɲʲˈɔswa.|0
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+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_71.wav|pˌɔtʃɔ̃sajˈɔntsɛj jˈɔ̃ za rˈamjɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_99.wav|rˈut jˈuʒ zˈafʃɛ bˌɛɲdʑɛ tˈuʒ za mɔˈimi plɛtsˈami.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_187.wav|rˈɨan fstˈaw.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_198.wav|nadˈali sˈɔbjɛ nˈazvɛ rɔɡˈatɨx.|1
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+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_365.wav|ɔtˈɔtʃɨw ʃˈɨjɛ brjˈɛnnɛ dwˈɔɲmi i zˈatʃɔw vˈalitɕ jɛj ɡwˈɔvɔ̃ ɔ ʑˈɛmʲɛ. znˈɔvu udˈɛʒɨw pʲˈɔrun.|1
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+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_146.wav|na pʃˈɨkwad bˈɔba, ktˌurɨ na pˈɛvnɔ ɕɛ zˌastanˈavja, ktˈɔː ɔpˈuɕtɕiw mʲˈastɔ bˈɛs uprˈavɲʲɛɲ, ʒˈɛbɨ uʒˈɔɲdʑitɕ tˈɛ dɛmˈɔlkɛ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_448.wav|ˌɔpuɕtɕˈimɨ tɛn ɕfʲˈat rˈazɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_236.wav|vwˈaɕɲʲɛ tɔ tɕˈɛ dɔ mɲʲɛ sprɔvˈadʑa?|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_221.wav|ˌɔdrɔbʲˈina rˌɨtsɛrskˈɔɕtɕi ɲʲɛ zaʃkˈɔdʑi, ˌalɛ lˈɛpʲɛj ɲʲˈɛɣ ɡwˈɔvɨ ɲʲɛ vˌɨpɛwɲʲˈajɔ̃ mu ɡwˈupstfa. znˈaʃ kˈɔɡɔɕ takʲˈɛɡɔ?|1
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+Dataset/wavs/urwisko_ferenc/14_segment_54.wav|lˈipska zɡwɔɕˈiwa zˌaɡʲiɲʲˈɛɲtɕɛ?|0
+Dataset/wavs/urwisko_ferenc/05_segment_22.wav|tˈaka bˌɨwa dla mˈarji.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_109.wav|bʲˈillɨ zˌatʃaskˈujɛ tɛlˈɛfɔn i ɔtkwˈada ɡˈɔ na stˈɔlik. najɡˈɔrʃɛ, ʒˈɛ miltʃˈɛɲʲɛ dʒˈɔrdʒja nˈavɛd ɡˈɔ ɲʲɛ zˌaskakˈujɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_113.wav|vˈidʑi pˈan pˌapʲɛrˈɔsa w mˈɔjɛj dwˈɔɲi?|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_291.wav|ˌɔtkaʃlnˈɛwam i vɨtˈarwam ˈusta.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_193.wav|lˈɔrt nˈɛstɔr pʃˌɨɡɔtˈɔvaw ˈutʃtɛ, ʒˈɛbɨ tɕˈɛ pʃɨvˈitatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_171.wav|jˈɛɕli xtsˈɛtɕɛ vʲˈɛʑdʑ bɛspʲˈɛtʃnɨ ʒˈɨvɔt, ɲʲɛ pʃˌɛprɔvadʑˈajtɕɛ ɕɛ na kɕˈɛ̃ʒɨts.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_178.wav|s pɛvnˈɔɕtɕɔ̃ ɲʲɛ zamjˈɛʒam kfˌɛstjɔnˈɔvatɕ swˈuf tˈak xˌɔnɔrɔvˈɛɡɔ rɨtsˈɛʒa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_138.wav|pamjˈɛntam zˈapaɣ vˈɔdɨ kɔlˈɔɲskʲɛj dʒɔnˈɛɡɔ mˈarki ˈɛŋɡliʃ lɛˈatxɛr.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_53.wav|i ɕfʲˈɛtɲʲɛ w ɲˈim vɨɡlˈɔnda.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_74.wav|prˈɔʃɛ zvrˈutɕitɕ uvˈaɡɛ, ʒˈɛ ɲʲɛ fspɔmɲʲˈawam ˌaɲi swˈɔvɛm ɔ pˈaɲi, landvˈikax, ˌaɲi kimkˈɔlvʲɛk ˈinnɨm. tˌɨlkɔː ɔ sˈɔbjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_59.wav|bˈɛtskɨ zˌatɕisnˈɛwa zˈɛmbɨ s frustrˈatsji.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_259.wav|pˌɔvʲɛdʑˈawa tɕˈixɔ xˈɛlɛn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_81.wav|jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ tsamˈɛrɔn xtɕˈawabˌɨm rɔbʲˈiwa tsˈɔʑ vʲˈɛntsɛj, ɲˈiʃ tˌɨlkɔː ˌuɕmʲɛxˈawa ɕɛ i sxlɛbjˈawa ˈinnɨm. zapˈɛvnɛ klˈutʃɛm dɔ tˌɛɡɔ bˌɨwɔ bˈɨtɕɛ ˌɛlastˈɨtʃnɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_84.wav|bˈɨw pˌɔdɲiʃtʃˈɔnɨ, ˌalɛ dˈuʒɨ, jˈak pravdʑˈivɨ pˈawadʑ zˈɛ mnˈustfɛm pɔkˈɔjuf. mʲˈaw dvˈa pʲˈɛntra, mˈɔʒɛ nˈavɛt tʃˈɨ.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_113.wav|tɔː ˌirɨtujˈɔntsɛ.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_60.wav|vˈaʃ xˈɛrp mˈa wˈadnɛ tsˈɨtski.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_259.wav|mˈɔjɛ mʲˈɛjstsɛ jɛst f krulˈɛfskʲɛj pʃɨstˈaɲi ˈu bˈɔku krˈula.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_144.wav|kʲˈɛdɨ vidʑˈawam rˈama, ˌutɕɛkˈawam w ˈinnɨm kʲɛrˈuŋku, ɲʲˈɛxtsɔndʑ bˈɨtɕ pˌɔstʃɛɡˈana jˈakɔ ktˈɔɕ kwˌɔpɔtlˈivɨ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_279.wav|ˌalɛ twˈum vˌɨkʃɨkˈivaw ˈimjɛ marɡˈarɨ, ɲʲɛ tsɛrsˈɛi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_156.wav|i pˌɔstanɔvˈiwa pʃˈɨɲim trfˈatɕ, ɲʲɛ vaxˈajɔnts ɕɛ nˈavɛt pʃˈɛs mˈɔmɛnt.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_172.wav|vˈɔjna tˈu ɲʲɛ dɔtˈarwa?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_196.wav|a jɛst iɣ dˈuʒɔ. ɡwˈupʲɛ, rɔzˈumnɛ, paskˈudnɛ, ɡˈɔdnɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_174.wav|zˌamruɡˈawam ɔtʃˈami, bˈɔ vʲˈadr vʲˈaw tˈak mˈɔtsnɔ, ʒˈɛ ˌuzavˈiwɨ i kʲˈɛdɨ spɔjʒˈawam znˈɔvu, jˈuʃ ɲˈits tˈam ɲʲɛ bˈɨwɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_171.wav|mˈɔɡɔ̃ dˈɔbratɕ ɕɛ dɔ tɕˈɛbjɛ, ʒˈɛbɨ mɲʲɛ zvˈabʲitɕ, bˈɔ jˌɛstɛɕ jɛdˈɨnɔ̃ ɔsˈɔbɔ̃, na ktˌurɛj mi zalˈɛʒɨ. vʲˈɛndʑ vˈɨnɔɕ ɕɛ stˈamtɔnt f xɔlˈɛrɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_21.wav|ˈɛlis ɕtɕˈiska ɡˈɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_180.wav|pɔtsˈawuj ɕɛ w dˈupɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_72.wav|tˈɛraz dʒˈamal zapˈɨta, ɡdʑˈɛ ɕɛ nˌautʃˈɨwɛm tˈak stʃˈɛlatɕ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_149.wav|tɨm rˈazɛm ɔbˈɛjdʑɛ ɕɛ bˈɛs pʲˈaŋki dɔ pʲˌɛkarɲˈika.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_307.wav|ktˈɔɕ mˈuɕaw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_5.wav|bˈudʑɛ ɕɛ ftʃˈɛɕɲʲɛ i znˈuf jˌɛstɛm tsˈawa pʃˌɛɕɔŋkɲʲˈɛnta pˈɔtɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_52.wav|mˈɔɡwɛm ˌɔtpɔvʲˈɛdʑɛtɕ ɲʲɛ i brˈama ɲʲˌɛvɔntplˈivʲɛ pˌɔzɔstˈawabˌɨ zamkɲʲˈɛnta, bˈɛz vzɡlˈɛndu nˈatɔ, jˈaɡ vʲˈɛlkɔ̃ klˈɛrki dʑˈiɕ mʲˈaw ɔxˈɔtɛ na dʑɛftʃˈɨnɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_97.wav|ɲʲˈɛvʲɛm, tʃɨ zɲʲˈɔswabˌɨm vˈidɔk trˈumnɨ i ɕfʲadˈɔmɔɕtɕ, ʒˈɛ spɔtʃˈɨva w ɲʲˈɛj tɕˈawɔ stsˈɔtta.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_91.wav|ktˌura tˈɛndɨ pʃˈɛʃwa, ʒˈɛ tɛn pˈawats i pɔlˈanɛ|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_66.wav|ˌalɛ bˌɨwam f ʃˈɔku.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_145.wav|tʃˌɛmu mʲˈawbɨ tɔ rˈɔbʲitɕ?|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_28.wav|ɡdˈɨ swˈɔtka tsɛrsˈɛi ˌɔtpwɨvˈawa, lˈɔrt pˈakstɛr wadˈɔvaw jˈuʒ zapˈasɨ na drˈɔɡɛ pɔvrˈɔtnɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_330.wav|lˈadɨ ɡˈɛnna vˌɨkʃɨvˈiwa tfˈaʃ. kˈɛvan zˈafʃɛ rˈɔbʲiw, ɔ tsˈɔ ɡˈɔ prɔʃˈɔnɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_118.wav|a ˈɔn, bʲˈillɨ, mˈɔʒɛ ʒˌɛtʃɨvˈiɕtɕɛ napˈiʃɛ kɕˈɔ̃ʃkɛ? na vwˈasnɨm laptˈɔpʲɛ, dɔ kturˌɛɡɔ mˈa zˌaufˈaɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_150.wav|dʑɛftʃˈɨna ˌɔdvrutɕˈiwa ɡwˈɔvɛ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_228.wav|znalˈazwa ɕɛ s pɔvrˈɔtɛm f ʃˈɛptax.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_231.wav|prˌubɔvˈali mɲʲɛ zˈabʲitɕ i tɔ ɲʲɛ rˈas.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_52.wav|a jˌɛmu na mˈɨɕl ɲʲɛ pʃˈɨjdʑɛ, ʒˈɛ ktˈɔɕ mˈɔʒɛ ɔʃˈukadʑ ɡˈɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_62.wav|mɔʒlˈivɛ, ˌalɛ prˈɔʃɛ mɲʲɛ pɔswˈuxatɕ. mˈuʃɛ s pˈaɲʲɔ̃ ɔ tʃˈɨmɕ pˌɔrɔzmˈavʲatɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_181.wav|ktˌurɨ pɔwˈɔʒɨw im rˈɛntsɛ na ramjˈɔnax i pɔvʲˈɛdʑaw zduʃˈɔnɨm ʃˈɛptɛm|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_56.wav|ɲʲɛ spˈuʃtʃa vzrˈɔku.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_201.wav|ˌalɛ ktˌura z ɲˈix jɛst ɲʲɛvˈinna?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_10.wav|ˈɔtpar skʃɨklˈivɨm ɡwˈɔsɛm ˈaʃ, jˈaɡbɨ muvʲˈɛɲʲɛ spravʲˈawɔ mu dˈuʒɛ trudnˈɔɕtɕi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_163.wav|pɔjˈaviw ɕɛ pˈɛvʲɛn vˈirus, mˈɔʒɛ nˈavɛt pɔdˈɔbnɨ dɔ virˈusa xˌaˌifˈaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_94.wav|vɨtɕˈɔŋɡnɔɲtɕ nˈas s tˌɛɡɔ bˈaɡna i ʒˈɛbɨɕ ɲʲɛ muɕˈawa zɡwˈaʃatɕ utrˈatɨ pʲɛɲʲˈɛndʑɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_81.wav|bˌɛɲdʑɛ mˈuɕaw ɡrˈatɕ w jɛj ɡrˈɛ i dɔvʲˈɛdʑɛtɕ ɕɛ vʲˈɛntsɛj na tˈɛmad dʑˈɛtska.|4
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_113.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_109.wav|zbˌudɔvˈaliɕmˌɨ kʲˈɛdɨʑ z lˌittlɛfiŋɡˈɛrɛm zˈamɛɡ z drɛvɲʲˈanɨx klˈɔtskuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_164.wav|tɔ bˌɨwa tɨpˈɔvɔ vɛvnˈɛntʃna avˈarja.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_127.wav|vzruʃˈɨwam rˌamjɔnˈami.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_195.wav|ˌɔstʃɛʒˈɛɲʲɛ pʃɛt rˌɔsʃtʃɛlɲʲˈɛɲʲɛm vɨjˈaɕɲiw dˈalɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_149.wav|ɲʲˈɛx tɕi dɔ ɡwˈɔvɨ ɲʲɛ pʃˈɨjdʑɛ tˈam wˈazitɕ, jˈasnɛ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_205.wav|pˈɔtɛm s kˈupkʲɛm kˈavɨ vrˈutɕiw dɔ pɔkˈɔju.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_37.wav|ʒˈutsa ˈɛlis, vˌɨkʃɨvʲˈajɔndʑ vˈarɡɛ f spˈɔsup, ktˌurɨ jɛdˈɨɲʲɛ pɔtfʲˈɛrdʑa, jˈaɡ bˈardʑɔ mɲʲɛ ɲʲɛ znˈɔɕi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_51.wav|kʲˈɛdɨ pɔtxˈɔdʑɛ pɔɕpʲˈɛʃɲʲɛ dɔ sxˈɔduf, pʃɨstˈajɛ na mˈɔmɛnt, ʒˈɛbɨ ɕɛ rɔzˈɛjʒɛtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_12.wav|tˈɔm pˈɔtʃɛd dɔ tablˈitsɨ, na ktˌurɛj pɔlˈitsjant pʃɨtʃˈɛpʲaw fˌɔtɔɡrˈafjɛ w ˌidɛˈalɲʲɛ rˈuvnɨɣ ʒˈɛndax.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_290.wav|ˌalɛ mɲʲɛ ɕɛ zˈafʃɛ nudʑˈiwɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_47.wav|ɲʲˈɛznam jɛj xˈaswa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_161.wav|jˈaɡɡɛr ɔtfˈɔʒɨw ɡvawtˈɔvɲʲɛ dʒvˈi, ɔtˈɔtʃɨw mˈɔjɔ̃ ʃˈɨjɛ ramjˈɛɲʲɛm i pɔwˈɔʒɨw mi na ˈustaɣ dwˈɔɲ w rˌɛŋkavˈitʃtsɛ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_42.wav|tʃɨ mˈɔʒna jˈɔ̃ znˈalɛɕtɕ w jaskˈiɲʲax?|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_262.wav|pʃˌɛjɛʒdʒˈamɨ pɔ rˌurɔtɕˈɔŋɡu.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_246.wav|lˈɛpʲɛj ɲʲɛ pɔkˈazuj mi ɕɛ na ˈɔtʃɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_82.wav|vɨtɕˈɔŋɡam fʃˈɨstkʲɛ lˈistɨ, jˈɛdɛn pɔ drˈuɡʲim. znajdˈujɛ tʃtˈɛrɨ, tʃˈɨ zˈɛ zdjɛɲtɕˈami, a jˈɛdnɔ...|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_231.wav|ˌɔɡlɔndˈawɛɕ mˈuj striptˈisɛ na kanˈalɛ dˈɛjla?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_43.wav|tɔ jˈɛɡɔ dˈɔm, dˈɔn.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_51.wav|zɔstˈawam s tɨm fʃˈɨstkim sˈama.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_309.wav|jˈɛɡɔ pɔlˈitʃki zˌaruʒɔvˈiwɨ ɕɛ lˈɛkkɔ. w dʑɛtɕˈiɲstfʲɛ nɔɕˈiwɛm ˈimjɛ wˈat.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_13.wav|bˈɛki ɲʲˈɛmal kipʲˈawa s frustrˈatsji.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_46.wav|jˈɛɕli xˈɔdʑi ˈɔmɲʲɛ, tɔ fʃˈɨstsɨ lˈudʑɛ ɕfʲˈata mˈɔɡɔ̃ ˈumʒɛtɕ tˌɛɡɔ samˈɛɡɔ dɲʲˈa i tɛj sˈamɛj ɡɔdʑˈinɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_260.wav|stˈalɛ jɛst ɕfʲˈadɔm lˈɔtu ɲʲɛbjˈɛskɔbjˈawɛj, lˈɛkkɔ zɡɲʲɛtɕˈɔnɛj kˈuli f pɔzˈɔrnɛj pˈusttsɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_120.wav|kʲˈɛdɨ prˌatsɔvˈawam pʃɨ kɔmbˈajnax, vˌɨstartʃˈɨwɨ prˈɔstɛ spˈavɨ, ktˌurɛ muɕˈawɨ tˌɨlkɔ vɨtʃˈɨmatɕ tɕiɕɲʲˈɛɲʲɛ dɔ tʃˈasu ɛksplˈɔzji.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_228.wav|ɔ tsˈɔ tɕi xˈɔdʑi? zˌapɨtˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_191.wav|jˈak jˈuʃ tsˈɔʑ vˌɨkɔmbʲˌinɔvˈawɛɕ, tɔ z bˈɔɡʲɛm, pɔvʲˈɛdʑaw, ˌalɛ jˈɛɕli ɲʲɛ, fpˈadliɕmˌɨ z ɡɛˈɔrɡɛm na xˈɨba tsˈawkʲɛm ɲʲɛɡwˈupi pˈɔmɨsw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_4.wav|pˌɔvʲɛdʑˈawaɕ ftʃˈɛɕɲʲɛj, ʒˈɛ mʲˈɛʃka sˈama, prˈavda?|4
+Dataset/wavs/urwisko_ferenc/48_segment_10.wav|vˈinɔ̃, bˈɔ ɡdˈɨbɨ ɲʲˈɛbɨw wakˈɔmɨ i ɲʲˈɛjad lˈɔduf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_42.wav|dˈɔbʒɛ tɔ rɔzˈumjɛm?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_55.wav|pˈɔza tɨm zdɔ̃ʒˈɨwa jˈuʒ zˈasnɔɲtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_66.wav|jɛj swˈɔva pˌɔdʑawˈawɨ nˈamɲʲɛ jˈak tɕˈɔs ɔbˈuxɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_119.wav|znˈuf swˈɨʃɛ pʃɨjˈɛmnɨ ɡwˈɔs mɛ̃ʃtʃˈɨznɨ ɔː imjˈɛɲʲu tˈɔm. jˌɛstɛm pˈɛvna, ʒˈɛ rɔzˈumjɛ mˈuj strˈax.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_59.wav|f sɔlˈaŋkax jɛst rˈɨtsɛʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_77.wav|skalˈɛtʃɨw sˈɔbjɛ nˈuʃkɛ nˈɔɲ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_146.wav|fˌɔtɔɡrˈafja pˌɔkazˈujɛ mɛ̃ʃtʃˈɨznɛ ɡrˈubɔ pɔ pʲˌɛɲdʑɛɕˈɔnttsɛ. mˈa ɔbvˈiswɛ pɔlˈitʃki i ʒˌɛdɲʲɛjˈɔntsɛ vwˈɔsɨ, pʲˌɛtʃɔwɔvˈitɕɛ zˌatʃɛsˈanɛ na wɨɕˈinɛ.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_201.wav|ktˌuʒɨ bˌɨli tˌɨlkɔ nˌɔbʲiltˌɔvanˈɨmi kuptsˈami.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_157.wav|ɔddˈamɨ lˈistɛ ɔd dʒˈɔna i ˌɔpɔvʲˈɛmɨ ɔ ɕmʲˈɛrtɕi mˌaɛstˈɛra ɛmˈɔna. mˈam nadʑˈɛjɛ, ʒˈɛ artsɨmˌaɛstˈɛʒɨ vˈɨɕlɔ̃ vˈuzɛk pɔ tɕˈawɔ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_54.wav|ɔbˈɔjɛ dˈɔbʒɛ bˈɨɕmɨ vˈɨʃli nˈatɨm mawʒˈɛɲstfʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_428.wav|jˈak ˈɔtʃɨ lˈalki, ktˌurɔ̃ tʃɨmˈawa w ramjˈɔnax.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_34.wav|pɔvʲˈɛdʑaw vɨrˈaʑɲʲɛ s ɕˈɛbjɛ zˌadɔvɔlˈɔnɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_77.wav|ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ udˈawɔ mi ɕɛ zmʲˈɛɲitɕ ustˈavʲɛɲ budʑˈika. pʃɨtɕˈiski ɲʲɛ zɔstˈawɨ zˌaprɔjˌɛktɔvˈanɛ dɔː ˌuʒɨvˈaɲʲa w ɡrˈubɛj, ɲʲɛzɡrˈavnɛj rˌɛŋkavˈitsɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_46.wav|zabrˈaliɕmˌɨ ɡˈɔ z ˈɛlis na jˈazdɛ prˈubnɔ̃ i bˌɨwɔ ɲʲɛ najɡˈɔʒɛj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_89.wav|ɕɛdʑˈawam pʃˈɛs tʃtˈɛrɨ ɡɔdʑˈinɨ ftɕˈɔ̃ʃ mˈɨɕlɔnts ɔ dʑˈɛtsku i zˌastanavʲˈajɔnts ɕɛ, ɡdʑˈɛ pɔdʑˈɛvaw ɕɛ stsˈɔtt, kʲˈɛdɨ tɛn f kˈɔɲtsu fʃˈɛd dɔ mʲɛʃkˈaɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_5.wav|ˌalɛ ʒˈadna z nˈas ɕɛ ɲʲɛ ɔdʑˈɨva.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_41.wav|ɲʲˈɛma zbˈɨd vʲˈɛlu ɲʲˌɛrɔzvʲɔ̃zˈanɨx sprˈav zˌamɔrdɔvˈanɨx kˈɔbjɛt.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_52.wav|kˌanadˈɨjtʃɨk ˈuɕad ˌɔbɔk mɲʲɛ i pɔstˈaviw na blˈatɕɛ sfˈɔjɔ̃ mˈiskɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_74.wav|ɲˈikt ɲʲɛ rˈatʃɨw ɔpˈuɕtɕidʑ ʒalˈuzji.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_362.wav|zˈɛ ɕtɕˈan vˌɨsuvˈawɨ ɕɛ kɔʒˈɛɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_73.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, w jˈaki spˈɔsup pʃˈɛʒɨw, ˌalɛ xˈɨba rɔzˈumjɛm, dlatʃˈɛɡɔ ɲˈiɡdɨ ɲʲɛ vrˈutɕiw dɔ dˈɔmu, dlatʃˈɛɡɔ vˈɔlawbˌɨ tsˈawɨ ɕfʲˈat uvˈaʒaw ɡˈɔ za martfˈɛɡɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_39.wav|lɛɲˈivʲɛ pɔdɲʲˈɔswa rˈɛntsɛ, ʒˈɛbɨ ɔdɡˈarnɔɲdʑ vwˈɔsɨ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_182.wav|tɔ zavˈɔwaj xɔtˈaxa i kˈaʃ mɲʲɛ vɨxwˈɔstadʑ za bɛstʃˈɛlnɔɕtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_62.wav|— jˌɛstɛɕ pˈɔdwɨ. — mˈɔʒɛ — pɔvʲˈɛdʑaw dʒˈɔnsɔn.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_347.wav|bˈardʑɔ smˈutnɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_67.wav|uvˈaʒam, ʒˈɛ tɔ muɕˈawɔ bˈɨdʑ blˈiʒɛj ʃˈɛɕtɕu. jˌɛstɛm pˈɛvna, ʒˈɛ znˈam pʃɨtʃˈɨnɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_6.wav|ɲʲɛ pɔzvˈɔlɔ̃ mi. ɲʲɛ sɔ̃ ˈaʃ tˈaɡ ɡwˈupi. tɔ pʃˌɛtɕɛʃ ˌɔtʃɨvˈistɛ, ʒˈɛ pɔlˈitsja zdɔwˈawabˌɨ namjˈɛʒɨtɕ mˈuj vwɔntʃˈɔnɨ tɛlˈɛfɔn.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_220.wav|udʑˈɛlam tɕi zˌɛzvɔlˈɛɲʲa, ʒˈɛbɨɕ ɲʲɛ mˈuɕaw ɕɛ fˌatɨɡˈɔvadʑ dɔː ˌadmiɲˌistratˈɔrki pɔ nˈakas.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_23.wav|tɔ stˈarɨ ɡadˈuwa z vʲɛvʲˈurkɔ̃ na upˈɔɲtʃɨ. vʲɛvʲˈurki ˌutɕɛkˈajɔ̃ pʃɛd lvˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_27.wav|mˈɔjɛ pravdʑˈivɛ ɡʒˈɛxɨ zvʲɔ̃zˈanɛ zˈɛ zdrˈadɔ̃ i brˈakʲɛm lˌɔjalnˈɔɕtɕi ɲʲɛ zɔstˈanɔ̃ fspɔmɲʲˈanɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_43.wav|stʃˈaw prˈavʲɛ na pˈɛvnɔ pˈat stˈamtɔnt, mˈuvi rˌɛpɔrtˈɛrka. i fkrˈuttsɛ pˌɔvinɲˈiɕmɨ vʲˈɛdʑɛtɕ, ktˈɔ kɔʒˈɨstaw s tˌɛɡɔ bjˈura. ɲʲˌɛvɨklutʃˈɔnɛ, ʒˈɛ pɔlˈitsja jˈuʃ tɔ vʲˈɛ.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_15.wav|tʃɨtˈali na zmʲˈanɛ ustˈɛmpɨ s ɕˌɛdmʲɔramjˈɛnnɛj ɡvʲˈazdɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_75.wav|pˌɔtsawɔvˈawam ɡˈɔ mʲˌɛndʑɨ wˌɔpatkˈami.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_127.wav|w mʲˈɛɕtɕɛ trˈudnɔ vɨtʃˈɨmatɕ w nˈɔtsɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_604.wav|i ɲˈikt ˈɔɲim ɲʲˈɛxtsɛ swˈɨʃɛtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_235.wav|tˈakʲɛ mʲˈasta jˈak...|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_46.wav|pˌɔviɲʲˈɛnɛɕ pʃˈɛstatɕ pˈitɕ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_267.wav|ˌalɛ tɔ ɲʲɛ stˈɔnt ta blˈizna.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_364.wav|ʃlaxˈɛtɲʲɛ ˌurɔdʑˈɔnɛj, tʃˌɨnastɔlˈɛtɲʲɛj dʑɛvˈitsɨ ɔ kˌastanɔvˈatɨɣ vwˈɔsax.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_8.wav|ɲʲɛ mˈuɕiʃ tʃˈɨmatɕ rˈɔŋɡ w ɡˈuʒɛ, ˌalɛ ʒˈutɕ tɛn nˈuʃ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_18.wav|fkrˈuttsɛ ˌɔtpɔvʲadˈawam za raxˈuŋki ɡˌɔspɔdˈarstfa i ˌɔpwatsˈaɲʲɛ fʃˈɛlkix prɨvˈatnɨɣ zakˈupuf arˈama.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_21.wav|pʃɨɕˈɛŋɡwa, ʒˈɛ ˌaɲi jˈɛdnɔ, ˌaɲi drˈuɡʲɛ ɲʲɛ jɛst prˈavdɔ̃, ʒˈɛ tɔ tˌɨlkɔ rɛlˈatsja, ɔ ktˌurɛj ɲʲˈɛxtsɛ ˌɔpɔvʲˈadatɕ. tɔ fʃˈɨstkɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_113.wav|a ɲˈits pˈɔtɛm pʃɨpˈɔmnɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_226.wav|— kʲˈɛdɨ tɕˈɛ pɔznˈawam, xtɕˈawɛɕ, ˈabɨ tɕˈɛ pˌamjɛntˈali — pˌɔvʲɛdʑˈawa ˈɛstɛr.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_68.wav|sˈam fˈakt, ʒˈɛ ˌumjɛɕtɕˈiwa f ɕˈɛtɕi zdjˈɛɲtɕɛ mˈartɨ pˈɔrtɛr i zˌasuɡˌɛrɔvˈawa, ʒˈɛ tɔː ˌɔna jɛst mˌɔrdɛrtʃˈɨɲʲɔ̃ bˈɨw pɔ prˈɔstu ɲʲɛ dɔ pʃɨjˈɛɲtɕa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_14.wav|vidʑˈawɛɕ, jˈaɡ bˈardʑɔ ɕɛ tˈam zmʲɛɲˈiwɔ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_63.wav|dʑˈɛtɕɔm ɲʲɛ vˈɔlnɔ vɨxˈɔdʑidʑ z wˈuʒɛɡ bˈɛs kˈaptɕi z ɡˌumɔvˈɨmi pˌɔdɛʃfˈami, ˌalɛ ja zˈafʃɛ ˈɔtɨm zˌapɔmˈinam. tɔ mˈɔja vˈina, ʒˈɛ pɔdwˈɔɡa tˈaɡ vɨɡlˈɔnda.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_152.wav|tʃɨ ta vˈɔda w waʑˈɛntsɛ mˈuɕi lˈɛtɕɛtɕ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_175.wav|vˈɛtɲij prˈavɛ skʃˈɨdwɔ w vʲˈatr i tsˈawɨ lˈɛvɨ pˈɛdaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_224.wav|pˈɔtɛm fxˈɔdʑi dɔ ɕrˈɔtka i zamˈɨka dʒvˈi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_225.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_196.wav|kɔbjˈɛta, s ktˌurɔ̃ bˌɨwɛm pʃˈɛz dʑˈɛɕɛɲtɕ lˈat, muvˈiwa mi, ʒˈɛ mˈɔjɛ ˈɔtʃɨ zmʲɛɲʲˈajɔ̃ kˈɔlɔr, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_162.wav|kʲˈɛdɨ vˈɛvnɔntʃ ɕlˈuzɨ zˌapanɔvˈawa prˈuʒɲʲa, ɔdˈɛzvaw ɕɛ dɔ nˈas pʃˈɛs rˈadjɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_169.wav|jˈɛʃtʃɛ ɲʲɛ tɔ jɛst najɡˈɔrʃɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_402.wav|mˈɔʒɛ tɛn dʑˈɛɲ, tsˈɔ natxˈɔdʑi z mˈɔix strˈɔn rɔdʑˈinnɨx,|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_23.wav|bʲˈilis ssˈuva bjustˈɔnɔʃ ɲˈiʒɛj, ɔbrˈatsa ɡˈɔ tˈɨwɛm nˈapʃut i rɔspˈina.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_40.wav|pɔpˈatʃɨw na zdumjˈɔnɔ̃ tfˈaʃ sfɔjˈɛɡɔ ɕɛrʒˈanta.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_82.wav|ˈɔ, rɔzˈumjɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_127.wav|i pɔfstʃˈɨmatɕ ɕɛ ɔt fʃˈɛlkix prˈuʑb dɔ ɲʲˈɛj skʲˌɛrɔvˈanɨx.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_73.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/urwisko_ferenc/02_segment_61.wav|xˈɔtɕaʃ, jˈaɡ zapˈɛvnɛ pˈan vʲˈɛ, ʒˈɨjɛ jˈuʒ z ˈinnɔ̃ kɔbjˈɛtɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_65.wav|pɔtxˈɔdʑi dɔ zdjˈɛɲtɕa sˈaski i pˈatʃɨ nˈamɲʲɛ, mrˈuʒɔnts ˈɔtʃɨ, jˈaɡbɨ prubˈɔvaw ɔtsˈɛɲitɕ, tʃɨ ja i ˌɔna tɔ tɛ sˈamɛ ɔsˈɔbɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_103.wav|mˈɨɕlɛ vʲˈɛnts, ʒˈɛ fʃˈɨstkɔ jˈuʃ jˈasnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_73.wav|kʲˈɛdɨ kˈɔɲtʃɨ, ˈɛllis mˈuvi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_30.wav|kjˈi lˈɛʒɨ na pɔdwˈɔdʑɛ. jɛst jˈɛdnaɡ za dalˈɛkɔ.|3
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+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_43.wav|tɛn lˈɛtɲʲak f pwˈaʃtʃu s pʲˈur.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_246.wav|ktˈɔ s tˈɔbɔ̃ jˈɛst?|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_80.wav|a tsˈɔ jˈɛɕli sprubˈujɛ ɔdʑˈɨskatɕ mˈuj zˈamɛk?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_547.wav|ja bˌɛndɛ tfˈɔim ʒˈɨtɕɛm, pˌɔvʲɛdʑˈawa pʃɛt ɕˈɛbjɛ i tfˈɔjɔ̃ ɕmʲˈɛrtɕɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_115.wav|ɲˈits tˈak ɲʲɛ pʃɨspʲˈɛʃa prˈatsɨ, jˈak ˌɔdrɔbʲˈina fprˈavɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_176.wav|ɔbˈɔjɛ jɛstˌɛɕtɕɛ jˈɛʃtʃɛ mwˈɔdʑi. bwˈaɡam tɕˈɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_33.wav|tˈɛras fʃˈɨstsɨ zˈatʃnɔ̃ ɕɛ zˌastanˈavʲatɕ.|3
+Dataset/wavs/urwisko_ferenc/46_segment_53.wav|ˌalɛ tɨ pʲˈɛrʃɨ, zˈastʃɛkw prˌɔkurˈatɔr.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_16.wav|jˈɔɛ! zˌastanavʲˈaliɕmˌɨ ɕɛ vwˈaɕɲʲɛ, tʃɨ tɔ ɲʲɛ tˈɨ. bˈɛtskɨ jɛst tˈutaj zˈɛmnɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_25.wav|dˈɨstans mʲˌɛndʑɨ ɲˈimi znˈatʃɲʲɛ ɕɛ pɔvʲˈɛŋkʃɨw, xˈɔtɕ ɲʲɛ vɔntpˈiwam ˌaɲi pʃˈɛs xfˈilɛ, ʒˈɛ ftɕˈɔ̃ʃ kˈɔxaw jˈɔ̃ tˈak sˈamɔ jˈak ftʃˈɛɕɲʲɛj.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_69.wav|pˈɔttʃas kɔlˈatsji pˌɔprɔɕˈiwa ˌɔrɛˈina, ʒˈɛbɨ pɔftˈuʒɨw tsˈawɔ̃ ɔpˈɔvʲɛɕtɕ rˈas jˈɛʃtʃɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_13.wav|dʑˈiɕ ʃɨkˈujɛ ɕɛ ɲʲˈɛzwɨ kˈɔntsɛrt, pɔvʲˈɛdʑaw jˈɛdɛn z ɲˈix.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_104.wav|tɔ ɲʲˈɛbɨw najvʲˈɛŋkʃɨ dˈɨstans, jˈaki kʲˌɛdɨkˈɔlvʲɛɡ dʑˈɛliw mɲʲɛ ɔd dˈɔmu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_14.wav|swˈɨʃɛ dˌɛspɛrˈatsjɛ vɛ vwˈasnɨm ɡwˈɔɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_66.wav|tɔ mˈuɕi bˈɨtɕ samˈɔtnɛ ʒˈɨtɕɛ, sɛptˈɔɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_52.wav|trˌadɨtsˈɨjna xˈusta dˈuku, ktˌurɔ̃ nɔɕˈiwa na ɡwˈɔvʲɛ, kˌɔntrastɔvˈawa z jɛj nˌɔvɔtʃˈɛsnɔ̃ sukʲˈɛŋkɔ̃ w zaxˈɔdɲim stˈɨlu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_37.wav|ˌalɛ ɲʲɛ tʃˈujɛ ɲitʃˈɛɡɔ.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_105.wav|pʃɛprˈaʃam, ʒˈɛ pˈɨtam, ˌalɛ tʃɨ tɨ ˈalbɔ ɡˌɛnɛvʲˈɛvɛ, vˈɛdwuk tfˈɔjɛj najlˈɛpʃɛj vʲˈɛdʑɨ, mʲˌɛliɕtɕˌɛ jˈakiɕ rˈɔmans f trˈaktɕɛ trfˈaɲʲa mawʒˈɛɲstfa?|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_72.wav|xˈɨba musˈimɨ z ɲʲˈɔ̃ pˌɔrɔzmˈavʲatɕ.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_191.wav|ftsˈalɛ jɛj ɲʲɛ pˌɔskwadˈawɛm.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_336.wav|ˌalɛ vˌɨɡlɔndˈawɔ tɔː inˈatʃɛj ɲˈiʃ f pɔpʃˈɛdɲix snˈax.|1
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_90.wav|ˈidʑɛʒ z nˈami, ˈanɔ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_69.wav|ɔbrˈatsa ɡwˈɔvɛ w lˈɛvɔː i prˈavɔ, jˈaɡbɨ davˈawa f tɛn spˈɔsub dɔ zrˌɔzumjˈɛɲʲa, ʒˈɛ dɔtˈɨtʃɨ tɔ fʃˈɨstkix tˈam zɡrˌɔmadʑˈɔnɨx.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_140.wav|tɔ tˈakʲɛ smˈutnɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_79.wav|ˌalɛ ftˈɛdɨ tsˈɔʑ zˌatʃɨmˈawɔ tʃˈarnɔ̃ kɔxˈɔrtɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_15.wav|muɕˈawam zɲˈiʃtʃɨtɕ tɛ dɔvˈɔdɨ, rɔzˈumjɛʃ?|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_47.wav|ɡdˈɨbɨm ɲʲɛ zˈaʃwa f tɕˈɔ̃ʒɛ, tɔ pˈɛvɲʲɛ ftɕˈɔ̃ʒ bˈɨm tˈutaj ʒˈɨwa, jˈaɡ zˌakwadɲˈitʃka djˈabwa, ktˌurɨm jɛst ˈaram fɔrˈakis.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_48.wav|pamjˈɛntaʃ mˈɔʒɛ, ktˌura tɔ bˌɨwa ɡɔdʑˈina? pˈɨta bˈɛtskɨ.|4
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+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_58.wav|xˈɔtɕ, pɔtsˈawuj ˈɔjtsa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_22.wav|— tˌɛɡɔ pˈan ɲʲɛ zrˈɔbʲi xˈɔrɛj kɔbjˈɛtɕɛ — pɔvʲˈɛdʑaw ɡwˈɔs f swuxˈaftsɛ.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_65.wav|tˈatsɨ jˈak ɔn ɲˈiɡdɨ mɲʲɛ ɲʲɛ pɔlˈubjɔ̃. tsɔkˈɔlvʲɛɡ bˈɨm ˌutʃɨɲˈiwa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_395.wav|zɛrvˈawɛm ɕɛ z wˈafki.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_382.wav|tsˈuxnɔw zɡɲˈiwɨm sˈɛrɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_197.wav|lɛŋklˈivɛ, zdˌɛtɛrmˌinɔvˈanɛ, mˌawɔstkˈɔvɛ, pˌatɛtˈɨtʃnɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_22.wav|jɛj ɲʲɛ mˈɔʒna ˈufatɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_94.wav|pʃˈɛttɛm ix ɲʲɛ mʲˈawɛm.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_24.wav|vratsˈajɔndʑ dɔ kfˈɛstji miwˈɔsnɨx. tʃɨ vʲɛʒˈɨmɨ, ʒˈɛ mˈarta...|3
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_72.wav|lˈɛʒɔ̃ dvˈa kʲˈɛrɨ i zˌastanˈavʲam ɕɛ, tʃɨ vwˈaɕɲʲɛ ˌɔnɛ ɡˈɔ tˈak pˌɔdɛkstsˌɨtɔvˈawɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_206.wav|ˌɔtʃɨvˈiɕtɕɛ prɔdˈutsɛnd zarˈɔbʲiwbˌɨ nˈaɲim krˈɔtɕɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_34.wav|ˌalɛ vrˈutsɛ dɔ dˈɔmu na wˈikɛnt, a zˈaɲim ɕɛ zˌɔrjɛntujˈɛtɕɛ, jˈuʒ bˌɛɲdʑɛ bˈɔʒɛ nˌarɔdʑˈɛɲʲɛ. tɔ tˌɨlkɔ kavˈawɛɡ drˈɔɡʲi pɔtɕˈɔŋɡʲɛm, mˈamɔ.|3
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+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_78.wav|tɔ, tsˈɔ ɕɛ zˈafʃɛ stˈajɛ.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_249.wav|jˈamɛ skˈupiw uvˈaɡɛ na pɔɕˈiwku, lˈɛvɔ̃ rˈɛŋkɔ̃ ˌɔdrɨvˈajɔnts kavˈawɨ xlˈɛba, prˈavɔ̃ tʃɨmˈajɔnts kʲˈɛlix.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_38.wav|tɔ znˈatʃɨ, ʒˈɛ ɲˈits ɕɛ ɲʲɛ stˈawɔ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_499.wav|i nˈatɨm kˈɔɲʲɛts.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_113.wav|tˈɛɡɔ, tsˈɔ pˈan rˈɔbʲiw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_24.wav|ɡdˈɨbɨ ɲʲɛ stsˈɔtt i praɡɲʲˈɛɲʲɛ, ʒˈɛbɨ mu pˈɔmuts, mˈɔjɛ ʒˈɨtɕɛ bɨwˈɔbɨ zupˈɛwɲʲɛ ˈinnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_126.wav|vˈɛjdʑ dɔ ɕrˈɔtka, zˈamkɲij dʒvˈi, spˈujʃ na zɛɡˈarɛk. ɔttʃˈɛkaj ɡɔdʑˈinɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_90.wav|tɔ jˈakʲɛɕ tˈakʲɛ, ɲʲˈɛvʲɛm, ɡrˌɔtɛskˈɔvɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_177.wav|ɲʲɛ xtɕˈawɛm, ʒˈɛbɨ tsˈɔɕ iɣ zˌaatˌakɔvˈawɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_49.wav|pˈɛmpɛk tfˈuj jˈakɔ tʃˈara tɔtʃˈɔna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_111.wav|mˈɔʒɛ dˈa ɕɛ zawˈatfitɕ tˈurbɔ dˌɔwadɔvˈaɲʲɛ?|2
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+Dataset/wavs/urwisko_ferenc/43_segment_93.wav|xˈɛrman uznˈawa, ʒˈɛ ɲʲɛ vɨjˈavi prˈavdɨ, ɲʲɛ fspˈɔmɲi ɔ rɔmˈanɕɛ tɨɣ dvˈɔjɡa.|0
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+Dataset/wavs/urwisko_ferenc/22_segment_57.wav|lˈɛtɕaw fprˈɔst na brˈuk.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_55.wav|ˌalɛ vʲˈɛm, ʒˈɛ mˈuɕiʃ jˈuʃ jˈɛxatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_39.wav|pɔvʲˈɛdʑaw z uɕmʲˈɛxɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_109.wav|mˈɔɡɛ spˈatɕ s tˈɔbɔ̃, jˈɛɕli xtsˈɛʃ?|2
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_152.wav|mˈama jɛst tʃɛrvˈɔna na tfˈaʒɨ i ʃˈɨpkɔː ɔddˈɨxa.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_278.wav|f ktˈurɨmʑ z mʲˈɛʃkaɲ xˌɨdrawlˈitsɨ kˈuli ɕtɕˈanɛ. z ɔtfˈartɨx ˈɔkʲɛn ɔpˈadaw bjˈawɨ pˈɨw vapʲˈɛnnɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_106.wav|tˌajɛmɲˈitsɛ ɲʲɛ bˌɨwɨ tʃˈɛɲɕtɕɔ̃ mɔjˈɛɡɔ ʒˈɨtɕa, xˈɔtɕ mʲˈawam ix kˈilka.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_38.wav|brˈatɕa vˌɔɔdrajtˈɔvʲɛ, tʃasˈami pɔrtʲˈifɛr.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_58.wav|vʲˈɛm, ʒˈɛ mˈuʃɔ̃ sprˈavdʑitɕ mˈɔjɛ zɛznˈaɲʲa, ˌalɛ mˈuvjɛ prˈavdɛ.|3
+Dataset/wavs/urwisko_ferenc/08_segment_131.wav|mˈam vraʒˈɛɲʲɛ, ʒˈɛ zɔstˈaliɕmˌɨ ˌɔʃukˈaɲi.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_79.wav|badˈajɔ̃ varjˈatuf.|0
+Dataset/wavs/urwisko_ferenc/04_segment_2.wav|ˌɔkazˈawɔ ɕɛ, ʒˈɛ tɔ ɲʲɛ bˌɨwa jˈɛɡɔ ʒˈɔna.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_20.wav|jˈɛdnak tɔ ɲʲɛ ˌɔbraʒˈɛɲʲa tsˈurki sɔ̃ pʃɨtʃˈɨnɔ̃ mˈɔiɣ zmˈartfʲɛɲ.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_225.wav|sxˈɔvaw sfˈɔjɔ̃ pamjˈɔntkɛ i pˈɔdɲʲus ʃklanˈɛtʃkɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_51.wav|zˌajɛxˈawam pʃɛd vˈarʃtat kˌɔlɛʒˈaŋki mɔjˈɛɡɔː ˈɔjtsa, jˈɔtski strˈɔbl, ktˌura prˌavdɔpɔdˈɔbɲʲɛ sfˈɔjɛ ˈimjɛ i nazvˈiskɔː ˌɔtʃɨmˈawa pˈɔttʃaz vʲɛlkʲˈɛɡɔ krɨzˈɨsu sˌamɔɡwˈɔsɛk.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_9.wav|ˌupɔzɔrˈɔvatɕ pɔrvˈaɲʲɛ mˈili?|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_173.wav|dʑɛŋkˈujɛ.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_79.wav|ɡdˈɨ natxˈɔdʑiw rˈanɛk, ɔ ɲˈitʃɨm jˈuʃ ɲʲɛ pamjˈɛntaw, a pʃɨnˈajmɲʲɛj prubˈɔvaw jɛj tɔ vmˈuvitɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_63.wav|tˌɨlkɔ tˈaka, ʒˈɛ ja mˈam dwˈuɡʲi dɔ pwatsˈɛɲʲa, a ɔn ɲʲɛ, xˈɔtɕaʃ f tɨm krˈaju tɔ ɕɛ mˈɔʒɛ jˈutrɔ zmʲˈɛɲitɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_106.wav|pˌɔlitsjˈaɲtɕi pˌɔvʲɛdʑˈɛli pʃˈɛtɕɛʃ, ʒˈɛ pʃˌɨjɛxˈali z mˌanxɛstˈɛru.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_162.wav|mˈuɕiʃ tʃˈɨmatɕ ɕɛ z dˈala ɔd dˈɔmu i ɔd varʃtˈatu.|4
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+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_12.wav|krulˈɔva spɔjʒˈawa na lˈadɨ mˌɛrivɛˈatxɛr. pˌɔvʲɛdʑˈawam, ʒˈɛ xtsˈɛ, bˈɨ rˈɔzbʲij ʒˈɨw, ɲʲɛprˈavdaʃ?|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_184.wav|zabrˈawam ɕɛ dɔ prˈatsɨ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_245.wav|zˈɛ sfˈɨmi ʃtɔrmˈami ˌɔraz ɡɲʲazdˈami lɛsˈɛɲskix i mɛrˈɨjskix pirˈatuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_111.wav|a tʃˈɛɡɔɕ takʲˈɛɡɔ ɲʲɛ tˌɔlɛrˈɔvaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_84.wav|xtɕˈawam na ɲʲˈɛɡɔ vʒˈasnɔɲtɕ, pɔvʲˈɛdʑɛtɕ mu, ʒˈɛ jɛzd drˈaɲʲɛm, skˈɔrɔ w ɔɡˈulɛ ˈɔtɨm pɔmˈɨɕlaw, ˌalɛ ɲʲɛ mˈɔɡwam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_144.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_117.wav|tʃˈɛx krulˈɔvɨx?|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_90.wav|pʃɨʃwˈɨɕmɨ pɔ vrˈuʒbɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_60.wav|tˈak tɔ ɕɛ nazˈɨva? mˈɨɕli bʲˈiɲi.|2
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+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_37.wav|ɔdˈɛʃwa kɔwˈɨʃɔnts ɕɛ na kˈulax.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_132.wav|pɔkˈazaw bʲilljˈɛmu zdjˈɛɲtɕɛ tʃwɔvʲˈɛka zˌadʑivʲajˈɔntsɔ pˌɔdɔbnˈɛɡɔ dɔː ɔrˈala rɔbˈɛrtsa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_78.wav|ʃˈala vˈaɡʲi zˈafʃɛ pʃˌɛxɨlˈawa ɕɛ f strˈɔnɛ dʑˈɛtska w ɲʲˌɛbɛspʲɛtʃˈɛɲstfʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_18.wav|pˈɔɡʒɛb ɡwˈɛmbjɛj, jˈɛɕli xˈɔdʑi ɔ strakˈana.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_195.wav|skʃɨvʲˈɛɲʲɛm ʃˈɛptʃɛ bʲˈili f pˈustɛj kˈuxɲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_46.wav|zˌafastsˌɨnɔvˈawɛm ɕɛ ʃtʃɛɡˈulɲʲɛ stˈɔwɛm dɔ blˈatsk jˈatska, bˈɔ mˈɔjɔ̃ uvˈaɡɛ zvrˈutɕiw jˈɛdɛn ɡˈɔɕtɕ, ktˌurɨ tsˈawɨ tʃˈaz vɨɡrˈɨvaw.|3
+Dataset/wavs/urwisko_ferenc/63_segment_116.wav|ɔn jɛzd zdˈaɲʲa, ʒˈɛ pˈaɲi ɡˈɔ zˌɔstavˈiwa f tɨm sˌamɔxˈɔdʑɛ na pˈɛvnɔ̃ ɕmʲˈɛrtɕ s pɔvˈɔdu çˌipɛrtˈɛrmji.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_388.wav|tsˈɔ tɔ za mʲˈɛjstsɛ?|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_178.wav|mˈuʃɛ tɕi zˈadatɕ jˈɛdnɔ pɨtˈaɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_42.wav|lˈɛpʲɛj ˈumʒɛdʑ vˈɔlnɨm ɲˈiʒ ʒˈɨtɕ f klˈattsɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_252.wav|ˈidɔndʑ dɔ bjˈura, uswˈɨʃaw dʑvˈɔnɛk i rˈas jˈɛʃtʃɛ pʃɨstˈanɔw i spˈɔjʒaw na mʲˈɛjstsɛ, s kturˌɛɡɔː ɔtxˈɔdʑiw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_133.wav|a mˈɔʒɛ tɔ bˌɨwɔ sˌamɔbˈujstfɔ, tʃɨ nˈavɛt mɔrdˈɛrstfɔ?|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_261.wav|rɔzˈumjɛm tɕˈɛ, kɔxˈana, pɔvʲˈɛdʑaw i naxˈɨliw ɕɛ w mˈɔjɔ̃ strˈɔnɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_29.wav|— tʃˈɛɡɔ mi ɲʲɛ mˈuviʃ, dˈɔm?|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_13.wav|na pɔdvˈuʒɛ vjɛxˈawa jˈakaɕ tɕˌɛ̃ʒarˈufka, dʑvˈik.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_45.wav|zwˈɛ ʒˈɛtʃɨ pʃˌɨdaʒˈajɔ̃ ɕɛ tˈɛʒ dˈɔbrɨm lˈudʑɔm. vʲˈɛts ˈɔtɨm.|3
+Dataset/wavs/urwisko_ferenc/27_segment_12.wav|xˈɛrman ftɕˈɔ̃ʃ tʃˈuwa na sˈɔbjɛ vzrˈɔk kɔbjˈɛtɨ, vʲˈɛndʑ zɛrknˈɛwa nˈaɲʲɔ̃ i uɲʲˈɔswa brvˈi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_73.wav|dlatʃˈɛɡɔː ɔn mˈɔʒɛ kɔʒˈɨstatɕ s tˌɛlɛfˈɔnu, a ja ɲʲɛ? ɡdʑˈɛ pratsˈujɛ tfˈuj brˈat sˈami?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_68.wav|fʃˈɨstkɔ f pɔʒˈɔntku. lˈɛpʲɛj ɲˈiʃ ˈu mɲʲɛ, mˈuʃɛ pʃˈɨznatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_195.wav|pʃɨnˈajmɲʲɛj tˈaɡ zakwˈadam. tˌɨlkɔ pˈɔttʃaz dˌɔkɔvˈaɲʲa pɔtɕˈɔŋɡu fʃˈɨstsɨ zˌamɨkˈajɔ̃ ɕɛ f stɛrˈɔvɲi i mˌajɔ̃ tˈam rˈuvɲʲɛʃ sxrˈɔn pɔvʲˈɛtʃnɨ na vɨpˈadɛk avˈarji.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_121.wav|xˈɨba ɲʲɛ maʃ tsˈɔ dɔ tˌɛɡɔ vˌɔntplivˈɔɕtɕi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_207.wav|pɔdɲʲˈɔswɛm ɕɛ tɕˈɛ̃ʃkɔ z wˈuʃka.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_74.wav|ˌalɛ mˈɔʒɛʃ mi pɔvʲˈɛdʑɛtɕ, jˈak ˌɔna vɨɡlˈɔnda?|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_114.wav|na kˈɔɲʲɛts wadˈujɛ mˌaɡazˈɨnɛk i fprɔvˈadʑa nˈabuj dɔ kɔmˈɔrɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_143.wav|mˈɔʒɛ pʃɨtʃˈɨnɔ̃ jɛst tɔ fʃˈɨstkɔ pɔ trˈɔxu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_45.wav|ɔt pˌɛrsɔnˈɛlu kasˈɛna udˈawɔ mi ɕɛ dɔvʲˈɛdʑɛtɕ, ʒˈɛ tʃasˈami vˌidɨvˈanɔ ɡˈɔ pʃɨ stɔlˈikax s kɔbjˈɛtɔ̃. tʃˈɛ̃stɔ stˈawa za jˈɛɡɔ plɛtsˈami pˈɔttʃaz ɡrˈɨ, xˈɔtɕ pʃˌɨjɛʒdʒˈali ɔddʑˈɛlɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_169.wav|ja ɲʲɛ pwakˈawɛm, ˌalɛ bˌɨwɔ mi smˈutnɔ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_174.wav|jɛdnˈaɡʒɛ, ɡdˈɨ tˌɨlkɔ vˈɨʃli bɛspʲˈɛtʃɲʲɛ na bʒˈɛk, sˈam pˈɔtʃuw ɕɛ ɡwˈɔdnɨ jˈaɡ vˈilk.|1
+Dataset/wavs/urwisko_ferenc/30_segment_16.wav|zrˈɔbʲiwbˌɨ tˈak.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_38.wav|pʃˈɛrvaw prˈatsɛ na pˈuw rˈɔku, ftˈɛdɨ tɔ wamˈanɔː i nˌastavʲˈanɔ mu kˈɔɕtɕi prubˈujɔnts naprˈavitɕ nˈɔɡɛ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_80.wav|vidˈɔki bˌɨwɨ fspaɲʲˈawɛ.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_126.wav|xwˈɔptsɨ stajˈɛnɲi, dʑˈɛfki swuʒˈɛbnɛ i kɔvˈalɛ swuxˈali ɡˈɔ, mˈiltʃɔnts pɔsˈɛmpɲʲɛ, a na fʃˈɨstkix ɕˈɔ̃ pˈiw lˈɛkki dˈɛʃtʃɨk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_74.wav|fʃˈɨstkʲɛ ˌɛlɛmˈɛntɨ sɔ̃ ɡɔtˈɔvɛ.|2
+Dataset/wavs/urwisko_ferenc/51_segment_43.wav|ˈawtɔ tɔtʃˈɨwɔ ɕɛ pɔvˈɔli.|0
+Dataset/wavs/urwisko_ferenc/03_segment_63.wav|tɔ znˈatʃɨ, ɲʲɛ xtɕˈawa.|0
+Dataset/wavs/urwisko_ferenc/23_segment_106.wav|ɕikˈɔrski zapʃˈɛtʃɨw rˈuxɛm ɡwˈɔvɨ. ɲʲɛ, prˈɔʃɛ pˈaɲi. jˈɛʃtʃɛ rˈas pɔtkrˈɛɕlam, mˈɔɲʲa muvˈiwa ɔ jˌɛdnɔrazˈɔvɨm spɔtkˈaɲʲu.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_85.wav|mʲˈawa ɔbvˈiswɛ, krˌɔstɔvˈatɛ, ʑˌɛlɔŋkˈavɛ pɔlˈitʃki. zˈɛmbɨ jɛj vɨpˈadwɨ, a tsˈɨtski zvisˈawɨ dɔ kˈɔlan.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_15.wav|ɲʲˈɛɕɛ tˈatsɛ s kʲˌɛliʃkˈami i dˈuʒɔ̃ ʑɛlˈɔnɔ̃ butˈɛlkɔ̃.|2
+Dataset/wavs/urwisko_ferenc/64_segment_123.wav|zdˈaw sˈɔbjɛ sprˈavɛ, ʒˈɛ suktsˈɛsɨ f tɛj rɔbˈɔtɕɛ ɲˈiɡdɨ ɡˈɔ ɲʲɛ tɕɛʃˈɨwɨ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_122.wav|ɡdˈɨ ˈarjan ujʒˈawa ɡˈɔ f tˈakim stˈaɲʲɛ, s tsawˈɛɡɔ sˈɛrtsa zˌapraɡnˈɛwa dɔ ɲʲˈɛɡɔ pˈɔdbjɛts.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_100.wav|fskˈazaw na stˈuw. stɔjˈɔntsɨ na ɕrˈɔtku blˈatu pʃˈɛdmʲɔd vɨɡlˈɔndaw ɲʲˌɛpɔzˈɔrɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_213.wav|zatʃˈɛwam pʃɛɡlˈɔndatɕ publˈitʃɲʲɛ dɔstˈɛmpnɛ ˌinfɔrmˈatsjɛ na jɛj tˈɛmat, vˈɔdʑɔnts pˈaltsɛm pɔ vˌɨɕfʲɛtlˈatʃu ɡʲˈizmɔ xˈarprit.|4
+Dataset/wavs/urwisko_ferenc/01_segment_63.wav|mˈarja xˈɛrman dˈɔbʒɛ vʲɛdʑˈawa, ʒˈɛ pʲˈɛɲtɕ lˈat tˈɛmu, w ɔtstˈɛmpʲɛ kˈilku mʲɛɕˈɛntsɨ, mɛ̃ʃtʃˈɨzna strˈatɕiw dvʲˈɛ nˌajukɔxˈaɲʃɛ ɔsˈɔbɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_52.wav|jˈɔɛ ˌɔpisˈawa jɛj nˈuʒɛ f tˌaki spˈɔsup, jˈaɡbɨ ta ɲˈiɡdɨ tˈaɡ dɔ kˈɔɲtsa ɲʲɛ dɔjʒˈawa. ˌalɛ tsˈɔː ˌɔna mˈɔɡwa vʲˈɛdʑɛtɕ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_137.wav|f kˈaʒdɨm rˈaʑɛ upˈadwa bˈɛs tʃˈutɕa i mˈɔʒɛ jˈɛʃtʃɛ ʒˈɨwa, ˌalɛ ftˈɛdɨ zˈatʃɔw jˈɔ̃ kˈɔpatɕ tˌɨmi butˈami, tsˈɔ jɛj zˈafʃɛ nˈɔɕiw, tˈɨmi, ktˌurɛ mˈama nˌazɨvˈawa ɡlanˈami.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_5.wav|ɲʲɛ mʲˈawam dˈɔɕtɕ tʃˈasu, ʒˈɛbɨ pʃɛmˈɨɕlɛdʑ zdrˈadɛ ˈaʃa i jɛj fpwˈɨf na nˈaʃɔ̃ pʃˈɨʃwɔɕtɕ. f tɛj xfˈili tɔ ɲʲɛ vɨdˈajɛ ɕɛ ˈaʃ tˈakʲɛ istˈɔtnɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_7.wav|jɛdˈɨnɨm vɨjˈɔntkʲɛm bˌɨwɨ tɛ dɲˈi lˈup nˈɔtsɛ, kʲˈɛdɨ jˈɛdna z ˈɔsub zˌɔstavˈawa vɨbrˈana pʃˈɛs arˈama dɔ pˌublitʃnˈɛɡɔ zwajˈaɲʲa za sfˈɔjɛ pɔrˈaʃki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_162.wav|bʲˈillɨ ɲʲˈɛma pɛvnˈɔɕtɕi, tʃɨ jɛzd bɛspʲˈɛtʃnɨ, ˌalɛ sˈɔɲdʑi, ʒˈɛ tˈak, ˈɔbɨ ɕɛ ɲʲɛ mˈɨliw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_241.wav|tsˈawa krˈɛv z ɲˈix spwˈɨɲʲɛ i zdrɛntfʲˈɛjɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_147.wav|tɔ bˌɨwa rɔbˈɔta kˌilkudʑɛɕˈɛɲtɕu ɔprˈɨxuf s kˌawaxˈami, ktˈuʒɨ...|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_173.wav|bʲˈili mˈarʃtʃɨ brvˈi zˈɛ skupʲˈɔnɔ̃ mˈinɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_5.wav|ɕɲˈiw mi ɕɛ dɔmˈiɲik, ˈɔsɨ i stˈɛvɛn, ˌalɛ ɔɡˈulɲʲɛ tʃˈujɛ ɕɛ ˌɔdrɛntfʲˈawa brˈakʲɛm ɡwˌɛmbɔkʲˈɛɡɔ snˈu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_80.wav|stˈanɔw w ˌɔdlɛɡwˈɔɕtɕi pˈuw mˈɛtra ɔt mɔjˈɛɡɔ pʃɛdɲʲˈɛɡɔ zdɛʒˈaka i zˌɔbatʃˈɨwam jˈɛɡɔ tfˈaʃ w ɕfʲˈɛtlɛ rˌɛflɛktˈɔruf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_78.wav|a dlatʃˈɛɡɔ mu pˈan ɲʲɛ dˈa sfˈɔix?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_26.wav|s trˈudɛm vˌɨpɔvʲˈadam tɛ swˈɔva.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_248.wav|prˌɛzɛntˈarka mɔdˈɛlka fxˈɔdʑi mu f swˈɔvɔ. bʲˈillɨ ɲʲˈɛvʲɛ, pɔ tsˈɔ mˈuvjɔ̃ na zmʲˈanɛ. xˈɔtɕ, zaɡˈatka.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_240.wav|tʃˈɨtatʃ mˈuviw dˈalɛj, vˌɨlitʃˈajɔnts fʃˈɨstkʲɛ ɲʲˌɛbɛspʲɛtʃˈɛɲstfa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_50.wav|ʑlˈɛ. mˈɔi kljˈɛɲtɕi tɔ vwˈaɕɲʲɛ tˈatsɨ jˈak tˈɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_26.wav|pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_69.wav|ˌalɛ tɔ kʲˈɛpski arɡˈumɛnt.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_50.wav|f prˈɔŋɡɔrn mˈɔtɔr rˈɛzd bˈɛs kwɔpˈɔtu dɔstˈajɔ̃ pʃˌɨlɛɡajˈɔntsɛ pɔkˈɔjɛ. sˈɔndʑɔnts pɔ lˈidʒbjɛ sˌamɔxˈɔduf na parkˈiŋɡu, sfɔbˈɔdɲʲɛ mˈɔɡlibˌɨ zˈajɔɲtɕ tsˈawɔ̃ kˌɔndɨɡnˈatsjɛ.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_87.wav|ɡdʑˈɛ znˈajdɛ tfardˈɛɡɔ kamjˈɛɲʲa?|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_122.wav|tˈaɡ vwˈaɕɲʲɛ utʃˈɨɲiw.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_35.wav|pʃˈɨkrɔ mi xˈɛlɛn pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_67.wav|zaswˈɔnɨ s kˌarmazˌɨnɔvˈɛɡɔ jɛdvˈabju kˌɔwɨsˈawɨ ɕɛ mʲarˈɔvɔ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_241.wav|pʃˈɨʃɛd dɔ sˈansɨ pɔ tɕˈɛmku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_71.wav|tʃˈɨma tˈam tˈɛʃ pˈiwɛ taɕmˈɔvɔ̃ i bʲˈillɨ z ˌaprɔbˈatɔ̃ zˌauvˈaʒa, ʒˈɛ vwˈɔntʃɲiɡ zˌabɛspʲɛtʃˈɔnɨ jɛzd zˌamɨkˈanɔ̃ na kwˈutkɛ pɔkrˈɨvɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_87.wav|na ˈinnɛ kˈɔntɔː ɛdvˈarda vˌɔɔdlˈɛja mʲˈawa fpwˈɨnɔɲtɕ spˈɔra sˈumka, jˈɛɕli ɲˈiɡd dɔtʃˈɨma swˈɔva, a sɔɲdʑˈiwɛm, ʒˈɛ tˈaɡ bˈɛɲdʑɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(88) R.Abbott_Zamknij Drzwi_segment_10.wav|fˈatsɛt stˈɛŋka, prubˈujɔndʑ dˈɔstatɕ ɕɛ dɔ sɨpʲˈalɲi, ˌalɛ f tɨm sˈamɨm mɔmˈɛɲtɕɛ nˈɔts rɔzdʑˈɛra ˌɔɡwuʃajˈɔntsa kˌakɔfˈɔɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_254.wav|ʒˈɛ tʃɛrvˈɔnɛ vˈidwɨ bˌɛndɔ̃ muɕˈawɨ stˈatɕ ɕɛ jˈɛʃtʃɛ tʃɛrvʲˈɛɲʃɛ.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_341.wav|vˌɨpɔvʲɛdʑˈawa tˌɨlkɔ dvˈa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_52.wav|dˈɔʃwɔ mʲˌɛndʑɨ vˈami dɔ jˈakʲɛjɕ kˌɔnfrɔntˈatsji?|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_156.wav|bʲˈillɨ swˈɨʃaw ɔ piɡˈuwkaɣ ɡvˈawtu, ˌalɛ pɔjˈɛɲtɕa ɲʲˈɛma, jˈakʲɛ sɔ̃ ix skˈutki ubˈɔtʃnɛ.|2
+Dataset/wavs/urwisko_ferenc/31_segment_11.wav|kʲˈɛdɨ tɛn ɲʲɛ ɔdˈɛbraw, vˈɨswaw vʲadˈɔmɔɕtɕ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_42.wav|kˈaʒdɨ mʲˈaw na ʃˈɨi pˈɛntlɛ i vˈiɕaw na kɔnˈɔpnɨm ʃnˈuʒɛ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_216.wav|ˈɛwrɔn jɛst nˈaʃɨm krˈulɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_16.wav|i ɲʲɛ bˌɛndɛ prubˈɔvaw vʲˈɛntsɛj drˈɔ̃ʒɨtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_124.wav|ɲʲˈɛx ɕɛ pˈaɲi ɲʲɛ fˌatɨɡˈujɛ, mˈuvi bʲˈillɨ i dɔtˈɨka jɛj nadɡˈarstka, zˈaɲim fˈilis mˈɔʒɛ ɕɛ zˈabradʑ dɔ pˌɔʃukˈivaɲ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_61.wav|tʃɨ tɔ vɨjˈaɕɲʲa fˈakt istɲʲˈɛɲʲa druɡʲˈɛɡɔ tˌɛlɛfˈɔnu i kˈɔnta na tʲindˈɛʒɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_196.wav|pɔtʃˈɔ̃snɔw ɡwˈɔvɔ̃, kʲˈɛdɨ vˌɨtɕɔŋɡnˈɛwa kˈu ɲʲˈɛmu rˈɛŋkɛ.|0
+Dataset/wavs/urwisko_ferenc/19_segment_100.wav|zˌavɔwˈawa, a pˈɔtɛm ɡvizdnˈɛwa pʃɛtɕˈɔŋɡlɛ ɡwˈɔɕnɔ.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_14.wav|sˈam vɨstʃˈɛliw rˈazɛm z innˈɨmi i tɨm rˈazɛm mʲˈaw vraʒˈɛɲʲɛ, ʒˈɛ jˈɛɡɔ stʃˈawa dɔtˈarwa dɔː ɔkrˈɛntu pʃˌɛtɕivɲˈika.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_62.wav|tɛj nˈɔtsɨ bʲˈillɨ lˈɛʒɨ w wˈuʃku z dwˈɔɲmi pɔt pɔdˈuʃkɔ̃ i pˈatʃɨ na rɔzmˈɨtɨ prɔstˈɔkɔnd ʒˌuwtavˈɛɡɔ ɕfʲˈatwa ʒˌutsanˈɛɡɔ na sˈufit pʃˈɛs latˈarɲʲɛ pʃɛd dˈɔmɛm fˈatsjuf.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_137.wav|fɔrmˈalɲʲɛ tɔ ɲʲɛ pʲˈɛɲʲɔnts.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_259.wav|f tˈakim rˈaʑɛ pɔjˈadɛ s sɛptˈɔnɨm mˌɛribˈaldɛm dɔ sɔlˈanɛk.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_169.wav|brˈat nˈarbɛrt fskˈazaw rˈɛŋkɔ̃ f prˈavɔ. tˈam jɛst nˈaʃa lˈɛtɲʲa vinɲˈitsa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_115.wav|ɲʲɛ mˈɔɡɛ ˈɔtɨm rɔzmˈavʲatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_41.wav|tɔː akˈurat prˈavda.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_241.wav|nˈavɛt ɲʲɛ zˌauvaʒˈɨwɛm tɕˈɔsu, ktˌurɨ mɲʲɛ pɔvˈaliw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_144.wav|w ɡwˈuvnɛj kʲɛʃˈɔntsɛ pɔrtfˈɛla bʲˈillɨ znajdˈujɛ dvˈa baŋknˈɔtɨ dʑˌɛɕɛɲtɕˌɔdɔlarˈɔvɛ, dvˈa jˌɛdnɔdˌɔlarˈɔvɛ i vɨtɕˈinɛɡ z ɡazˈɛtɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_50.wav|sxˈɔdʑi na dˈuw, ɡˈaɕi ɡˈurnɛ ɕfʲˈatwɔː i ɔdɡˈarɲʲa zaswˈɔnɛ na ˈɔkɲʲɛ pˌɛrɨskˈɔpʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_29.wav|tɔ bˈɨw jɛj tˈatuɕ. ɔ tsˈɔ xɔdʑˈiwɔ tɛj pˈaɲi, ʒˈɛ mʲˈawbɨ ɲʲɛ ʒˈɨtɕ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_262.wav|bˈutskɨ prɔstˈujɛ ɕɛ i ɔtsˈuva ɔt sˌamɔxˈɔdu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_16.wav|pˈɔkuɕ tˈɨkaw dɔ waʑˈɛŋki i ɔdvrˈutɕiw w jɛj strˈɔnɛ ɡwˈɔvɛ.|4
+Dataset/wavs/urwisko_ferenc/43_segment_79.wav|s tɨm tɔ trˈɔxɛ pʃˌɛsadʑˈiwam.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_70.wav|tˈɔm bˈɨw pʃˌɛkɔnˈanɨ, ʒˈɛ znˈawa ɔtpˈɔvʲɛtɕ tˈak sˈamɔ jˈak ˈɔn, ˌalɛ xtɕˈawa pʃˌɛtɛstˈɔvatɕ spˈɔsup jˈɛɡɔ mɨɕlˈɛɲʲa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_18.wav|uxˈɨlam ɲʲˈɛtsɔ ʃˈɨbɛ, ˌuɕfʲadamjˈajɔnts sˈɔbjɛ, ʒˈɛ nˌaswuxˈujɛ ɔdɡwˈɔsuv vɨstʃˈawuf.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_364.wav|a tsˈɔ dˈajɔ̃ lˈudʑɔm smˈɔki?|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_40.wav|lubʲˈimɨ vʲˈɛdʑɛtɕ, ktˈɔ pʃɛbˈɨva w budˈɨŋku.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_182.wav|sprˌubɔvˈawam jˈɛʃtʃɛ rˈas.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_31.wav|jˈɛɕli jɛzd w drˈɔdʑɛ, tɔ ɲʲɛvʲˈɛlɛ zdʑˈawam, dɔpˈuki ɕɛ tˈutaj ɲʲɛ pɔjˈavi. zɔstˈavjɛ jɛj vʲadˈɔmɔɕtɕ s prˈɔʑbɔ̃ ɔ kˈɔntakt, kʲˈɛdɨ tˌɨlkɔ vˌɨlɔndˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_8.wav|ɔpˈuʃtʃam dɔ kˈɔɲtsa ʃˈɨbɛ i zatʃˈɨnam tɕˈixɔ dɔ ɲʲˈɛɡɔ ɕpʲˈɛvatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_83.wav|a pˈɔtɛm vˈɔjna skɔɲtʃˈɨwa ɕɛ i ɔn ɔʒˈɛɲiw ɕɛ z jˈakɔ̃ɕ irlˈantskɔ̃ kˈurvɔ̃ i vrˈutɕiw dɔ krˈaju.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_46.wav|jˌɛstɛm zˌaskɔtʃˈɔna, ʒˈɛ tɛn zasrˈaɲʲɛdʑ dʒˈɛɡɛr pɔzvˈɔliw mu vrˈutɕitɕ samˈɛmu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_142.wav|kˈɔmuʑ z zˈɛvnɔndʒ vˌɨdawˈɔbɨ ɕɛ tɔ bwˈɛndɛm, ˌalɛ jˈaɡ dla ɲʲˈɛɡɔ jɛj pˌɔstɛmpɔvˈaɲʲɛ jɛzd zrˌɔzumjˈawɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_21.wav|pˈɔtɛm pˈatʃɔnts w lˈustrɔ fkwˈada pɛrˈukɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_288.wav|rˈɨan pɔvʲˈɛdʑaw ˈandɛrsɔn ja xtsˈɛ zˈɔstatɕ f tɨm vʲɛ̃ʑˈɛɲʲu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_10.wav|mˈɨɕlɛ, ʒˈɛ kʲˈɛdɨ maʃ ɕˌɛdɛmnˈaɕtɕɛ lˈat i pˈuw, ɲʲɛ jˌɛstɛɕ pˈɛvnɨ ɲitʃˈɛɡɔ, xˈɔtɕaʃ nadrˈabjaʃ mˈinɔ̃, ʒˈɛbɨ ɲʲˈɛvɨjɕtɕ na skˌɔɲtʃɔnˈɛɡɔ ɲʲɛdˈɔjdɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_13.wav|tsˈɔ bˌɛɲdʑɛ pˈaɲi mʲˈawa na sˈɔbjɛ, ʒˈɛbɨ mˈuj kɔlˈɛɡa mˈukw pˈaɲʲɔ̃ zˌidɛntˌɨfikˈɔvatɕ?|4
+Dataset/wavs/urwisko_ferenc/20_segment_70.wav|pɔ vˈaʃɨm ɔɡrˈɔdʑɛ krɛɲtɕˈiwa ɕɛ kɔbjˈɛta i pˈan pɔdˈɔbnɔ tfʲˈɛrdʑiw, ʒˈɛ tɔ kuzˈɨŋka. a, faktˈɨtʃɲʲɛ, bˌɨwɔ tˈak.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_104.wav|kˌɔnajˈɔntsɨɣ vʒˈutɕtɕɛ dɔ mˈɔʒa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_12.wav|bˌɨwam f tɨm dˈɔbra.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_435.wav|ja vʲˈɛm, ʒˈɛ tɨ nˌaɕladˈujɛʃ mˈuj ˈaktsɛnt, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_24.wav|ktˈɔɕ mˈuɕaw ɔtkrˈɛɲtɕidʑ zˈavur, bˈɔ kʲˈɛdɨ ɔt ˌudɛʒˈɛɲʲa mɛtˈalu ɔ mˈɛtal vˌɨtfɔʒˈɨwa ɕɛ ˈiskra, tsˈawɨ vˈarʃtat stˈanɔw w ˈɔɡɲʲu.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_53.wav|jˈak ɕɛ zapˈɛvnɛ dɔmˈɨɕlaʃ...|4
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_22.wav|spravˈiwa nˈavɛt, ʒˈɛ bjˈɛdnɨ dʒˈɛf uvʲˈɛʒɨw w jɛj zˌaintˌɛrɛsɔvˈaɲʲɛ, xˈɔtɕ ɲˈiɡdɨ ɲʲɛ zˌamjɛʒˈawa fpˈuɕtɕidʑ ɡˈɔ dɔ sfɔjˈɛɡɔ wˈuʃka.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_181.wav|jˈa, ˈilɛ rˈazɨ vɨjˈɛʒdʒam, tɔ zˈafʃɛ jˈadɛ na fsxˈut.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_63.wav|tɔ ftsˈalɛ ɲʲɛ bˌɨwɔ trˈudnɔ zˌapamjˈɛntatɕ tɛn dˈɔm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_171.wav|i pamjˈɛntaj ˈɔtɨm, ʒˈɛ tʃasˈami tɕˈɛ̃ʃkɔ jɛzd zɡˈubʲitɕ tɕˈɛɲ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_93.wav|mˈɔʒɛ jˈɛdnak pɔvˈinnam ɔdjˈɛxatɕ, xˈɔtɕaʃ tɔ rˌɨzɨkˈɔvnɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_83.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_377.wav|ɲʲɛ prˈubuj mɲʲɛ pɔˈutʃatɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_231.wav|ruʃˈɨwɛm f tɨm kʲɛrˈuŋku, ɡdʑˈɛ bˌɨwa ulˈitsa mˌarʃawkˈɔfska.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_33.wav|mˈɔja tsˈurka vɨɡlˈɔnda jˈaɡbɨ ɕɛ nˈattɨm zˌastanavʲˈawa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_164.wav|nˈɔ vwˈaɕɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_94.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_282.wav|zˌauvˈaʒɨw ˈadam mˈarbrantt. ˈinɲi pɔvʲˈɛdʑɔ̃ tɕˈi, ʒˈɛ jˈɛɡɔ ɲʲɛ mˈɔʒna zˈabʲitɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_48.wav|f tʃˈaɕɛ jˈazdɨ pʃˌɛtʃɨtˈawam rˈɛʃtɛ tfˈɔjɛj ˌɔpɔvʲˈɛɕtɕi, mˈuvi ˈɛlis. jɛst naprˈavdɛ dˈɔbra. ɲʲɛ mˈɔɡɛ ɕɛ dɔtʃˈɛkadʑ dalʃˈɛɡɔ tɕˈɔŋɡu.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_431.wav|bliʑɲʲˈatʃki fɔvlˈɛruf swɨnˈɛwɨ zˈɛ sfˈɛj pʃɨjˈaʑɲi z lˈadɨ nˈɨm.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_128.wav|tʃasˈami bˈardʑɔ ɕɛ tɕˈɛʃɛ s tˈɛɡɔ, ʒˈɛ jˌɛstɛm tˈaka mˈawa.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_33.wav|dʑvˈɔɲiʃ na ʑˈɛmʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_91.wav|ja pʃɨʃˈɛdwɛm pɔʒˈɛɡnatɕ ɕɛ s tˈɔbɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_97.wav|jˈɛɕli tsˈɔɕ tɕˈɛ drˈɛntʃɨ, mˈuɕiʃ mi ˈɔtɨm pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_72.wav|ˈɔtuʃ tɔ, tˈɛraz w duˈɛtɕɛ zˈɛmnɔ̃ i ɲʲɛ rɛtsˈɨtuj, tˌɨlkɔ ɕpʲˈɛvaj. jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ...|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_57.wav|bˌɨliɕmˌɨ w alˈɛjax jˌɛrɔzɔlˈimskix ɲʲˌɛɔpˈɔdal pawˈatsu.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_181.wav|trˈudnɔ bˌɨwɔ ɲʲɛ ɡˈardʑitɕ ɛmmˈɔnɛm frˈɛjɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_145.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_124.wav|dɔ kˈɔɡɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_151.wav|w ɲʲɛtsˈawɛ dvʲˈɛ ɡɔdʑˈinɨ pʃˌɛtʃɨtˈawa tɔ, tsˈɔ pˈisaw pʃˈɛs kˈilka mʲɛɕˈɛntsɨ. mˈa pɨtˈaɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_126.wav|zamjˈɛʒam kˈupitɕ xˈutɛ sˈanxɛs i pˌɔtʃɛbɔvˈawɛm jɛj bwˌɔɡɔswavʲˈɛɲstfa.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_96.wav|musˈimɨ zˈatɔ stɔsˈɔvatɕ trudɲʲˈɛjʃɔ̃ mɛtˈɔdɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_161.wav|fʃˈɨstsɨ pˌɔpatʃˈɨli nˈamɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_194.wav|jˈak muvˈiwɛm, pʲɛɲʲˈɔndʑɛ mɲʲɛ zˌaɕlɛpˈiwɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_87.wav|tɔ ɲʲɛ bˌɛɲdʑɛ kɔɲʲˈɛtʃnɛ, ɔtpˈarwa nɡˈuɡʲi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_75.wav|ˌalɛ dlatʃˈɛɡɔː ˈaram ɔprˈuʒɲiw sfˈɔjɔ̃ ʃˈafkɛ na dˌɔkumˈɛntɨ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_200.wav|a tsˈɔ tʃˈɛba zrˈɔbʲitɕ, jˈɛɕli ɕɛ tɔ jˈuʒ zrɔzˈumjɛ?|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_336.wav|ˈɛwrɔn zvrˈutɕiw ɕɛ kˈu ɲʲˈɛmu, vˌɨkʃɨvʲˈajɔnts ɕˈinɛ vˈarɡʲi f swˈabɨm uɕmʲˈɛʃku.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_73.wav|stsˈɔdd zvʲˈɛɕiw ɡwˈɔvɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_466.wav|najlˈɛpʲɛj bˈɛɲdʑɛ, jˈɛɕli zˌɔbatʃˈɨmɨ, tsˈɔ ʒˈɨtɕɛ pʃɨɲʲˈɛɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_227.wav|jˈɛɕli stˈarɨ lˈɔrd vˈaldɛr ɕɛ zɡˈɔdʑi. tˈak, mɨɕlˈawam ˈɔtɨm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_197.wav|ɲʲˈɛvʲɛm, tʃɨ pˌɔstɛmpˈujɛ swˈuʃɲʲɛ, ˌalɛ uznˈajɛ, ʒˈɛ ɲʲˈɛmam innˈɛɡɔ vˈɨjɕtɕa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_275.wav|— mˈɨɕlɛ, ʒˈɛ maʃ rˈatsjɛ — pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_204.wav|pˌɔvʲɛdʑˈawɛɕ mi ˈɔtɨm dlatˈɛɡɔ, ʒˈɛ ɔbˈavʲaʃ ɕɛ?|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_100.wav|tɔ bˌɨwa samˈɔtɲʲa mɔjˈɛɡɔː ˈɔjtsa.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_14.wav|bˈɨw vʲˈɛlkim tʃwɔvʲˈɛkʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_24.wav|pʃɨstˈaɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_63.wav|krˈul uɕtɕˈiskaw tˈɛʃ rɨtsˈɛʒa kfʲˈatuf, tsˈɔ ɲʲɛ lɛʒˈawɔ f plˈanax tsɛrsˈɛi, ˌalɛ tɔ jˈuʃ ɲʲɛ mʲˈawɔ znatʃˈɛɲʲa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_146.wav|w zasˈadʑɛ tˈak, za dˌɔdatkˈɔvɔ̃ ɔpwˈatɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_144.wav|xˈaŋk rˈɔbʲi tɔ, xˈɨba ʃtʃˈɛʒɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_35.wav|ˈɛliz zamˈɨka pɔkrˈɨvɛ ɡrˈida i pˈatʃɨ na bʲillʲˈɛɡɔ z nadʑˈɛjɔ̃.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_150.wav|i tɨ mɨɕlˈawɛɕ, ʒˈɛ ja tɕi vʲˈɛʒɛ pʃˈɛs minˈutɛ?|0
+Dataset/wavs/urwisko_ferenc/59_segment_112.wav|z dalˈɛka, ɔt jˌakʲɛjkˈɔlvʲɛɡ vˈɔdɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_154.wav|kˈartka jɛzd zwɔʒˈɔna, ˌalɛ pʃˈɛs pˈapʲɛr pʃˌɛbʲijˈajɔ̃ nˌamalɔvˈanɛ tʃɛrvˈɔnɔ̃ krˈɛtkɔ̃ sɛrdˈuʃka vˌɛndrujˈɔntsɛ ɔd ɡwˈɔvɨ flamˈiŋɡa dɔ ɡwˈɔvɨ dʑɛftʃˈɨŋki.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_26.wav|filˈipa, tsˈɔ za ɲʲˌɛspɔdʑˈaŋka, tʃˌɛmu zˌavdʑɛntʃˈamɨ pʃɨjˈɛmnɔɕtɕ ujʒˈɛɲʲa tɕˈɛbjɛ ɔ tɛj ɡɔdʑˈiɲʲɛ w ɲʲɛdʑˈɛlnɨ pɔrˈanɛk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_120.wav|tˈɔm skˈinɔw ɡwˈɔvɔ̃. tɔ s pɛvnˈɔɕtɕɔ̃ ˌuwatfiwˈɔbɨ nˈam ʒˈɨtɕɛ. zɔbˈatʃɛ, tʃɨ ˈuda mi ɕɛ pɔɡˈadatɕ s filˈipɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_112.wav|tsˈɔ mˈɔʒɛ bˈɨtɕ ʃkɔdlˈivɛ dla kˈɔɡɔɕ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_215.wav|i ʒˈɛ tɔ mˈuɕi vɨstˈartʃɨtɕ. ɔn sˈam mˈuɕi sˈɔbjɛ vɨstˈartʃɨtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_79.wav|tʃˈuw, ʒˈɛ jɛst f tɨm jˈakʲɛʑ drˈuɡʲɛ dnˈɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_110.wav|ɲʲɛ mʲˌawɛm ˈɔtɨm pɔjˈɛɲtɕa.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_3.wav|ˈarmstrɔŋk jɛzd dɔ dˈupɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_135.wav|uvˈaʒaʃ mɲʲɛ za ɡwˈupka?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_32.wav|f prˈɔɡu budˈɨŋku pˈɔtʃtɨ i pˈatʃɨ nˈamɲʲɛ z rˌɔzdʑavʲɔnˈɨmi ustˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_62.wav|bʲˈillɨ vrˈatsa dɔ wˈuʃka.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_118.wav|i ɔdbˈɨwɛm dwˈuɡɔ̃ rɔzmˈɔvɛ z aɡˈɛntɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_372.wav|ɲʲɛ mˈɔɡɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_112.wav|— tˈak sˈamɔ jˈɛst, kʲˈɛdɨ ɡrˈamɨ s tˈatɔ̃ — ˌɔtpɔvʲˈada ʃˈaɲitsˌɛ. — ˌalɛ ɔn tʃˈasɛm dˈajɛ nˈam vˈɨɡratɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_85.wav|ɲʲɛ, usˈɨpja tˌɨlkɔ tˈɨx, ktˌuʒɨ bjˈɔrɔ̃ tɔ, ʒˈɛbɨ ɔdlˈɛtɕɛtɕ. ja uʒˈɨvam tˌɛɡɔ w ˈinnɨm tsˈɛlu.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_243.wav|i pˌɔbwɔɡɔswˈavitɕ krˈula tɔmmˈɛna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_123.wav|tɔ tɨpˈɔva nˌɔvɔbɔɡˈatska rˌɛzɨdˈɛntsja, jˈakɔ̃ spɔdʑˈɛvaw ɕɛ zɔbˈatʃɨtɕ ftʃˈɔraj. sklɛtsˈɔna bˈɛz ʒˈadnɛj mˈɨɕli pʃɛvˈɔdɲʲɛj mˌakabrˈɨwa na xˈɨba xɛktˈaʒɛ travɲˈika.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_243.wav|vʲɛdʑˈawɛɕ, a mˈimɔ tɔ pˌɔzvɔlˈiwɛɕ nˈam ɔdjˈɛxadʑ z mɨrsˈɛllɔ̃?|1
+Dataset/wavs/urwisko_ferenc/14_segment_32.wav|— pamjˈɛntaʃ, jˈak mˈa na ˈimjɛ? — ɲʲɛ spˈɔsub ɡˈɔɕtɕa zapˈɔmɲʲɛtɕ — zasˈɛmpiw ɕɛ kˈɔrtʃ i dˈɔdaw — ɡʒˈɛɡɔʃ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_120.wav|ˈalbɔ mˈɔʒɛ bwˌɛŋkitnˈavɨm mˌatɛrjˈawɛm ɲʲˌɛmɔdnˈɛɡɔ dʑˈiɕ kˌɔstjumˈiku.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_130.wav|jɛst na bˈɔtʃnɛj kʲɛʃˈɛɲi, ktˌura zavʲˈɛra pˈɛwnɨ mˌaɡazˈɨnɛɡ zˈamjazd dvudʑˈɛstu kˈilku pɔtstˈavɛk pɔt pˈiwkɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_193.wav|bʲˈill jˈuʃ ftʃˈɛɕɲʲɛj ɕɛ tˌɛɡɔ dɔmˈɨɕliw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_57.wav|dɔ tɛj pˈɔrɨ ɲʲɛ vˌɨdavˈawɔ ɕɛ tɔː istˈɔtnɛ, ˌalɛ skˈɔrɔ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_358.wav|mɛlˈara bwaɡˈawa jˈɔ̃, ʒˈɛbɨ ɲˈiɡdɨ ɲʲɛ fspˌɔminˈawa ˈɔtɨm, tsˈɔː ˌuswɨʃˈawɨ ˈɔvɛj nˈɔtsɨ w namjˈɔtɕɛ maˈɛɡʲi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_71.wav|ɲʲɛ mˌajɔ̃ pʃˌɛtɕɛʃ ɲitʃˈɛɡɔ, tsˈɔ mɔɡwˈɔbɨ pɔvʲˈɔ̃zatɕ kˌɔɡɔkˈɔlvʲɛɡ z bjˈura z jɛj mɔrdˈɛrstfɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_58.wav|bˈɛtskɨ miltʃˈawa pʃˈɛs xfˈilɛ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_73.wav|ˈilɛ vwaɕtɕˈivʲɛ mʲˈaw lˈat?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_4.wav|ˈaʃ pˌɔstanˈɔviw xˈɨba na rˈaʑɛ ɲʲɛ ˌɔkazˈɨvatɕ sfɔjˈɛɡɔ rˌɔstʃarɔvˈaɲʲa, xˈɔtɕ jˌɛstɛm pˈɛvna, ʒˈɛ tɔ tˌɨlkɔ tˌɨmtʃasˈɔvɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_21.wav|mwˈɔda swuʒˈɔntsa vˈidʑi bʲillʲˈɛɡɔ, vˈidʑi pistˈɔlɛt, ɔtfʲˈɛra ˈusta, ˈiɡlu ɕɛ pʃɛxˈɨla. bʲˈillɨ pʃˌɨtʃɨmˈujɛ spˌadajˈɔntsɔ̃ tˈatsɛ s pˌarufkˈami i fsˈuva jˈɔ̃ s pɔvrˈɔtɛm na lɔdˈufkɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_177.wav|ˈɛlis mʲˈawa zdjˈɛɲtɕɛ pˌɔɕadwˈɔɕtɕi klˈɛrki, a ɕtɕɔŋɡɲʲˈɛntɛ z ɡɔˈɔɡlɛ ˈɛardɣ ɡjˌɛpˌɛˈɛs fskazˈɨvaw nˈam drˈɔɡɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_333.wav|ɡdʑˈɛ jɛst tfˈuj pʲˌɛrdɔlˈɔnɨ intˈɛrɛs, jˈɛɕli xˈɔdʑi ˈɔtɔ?|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_288.wav|ʒˈɛkw jˈamɛ. ˌalɛ jˈɛɕli ˈaʃ tˈak tɕˈɛ ɔbˈuʒa, zabjˈɔrɛ jˈɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_139.wav|pʲˈɛwɨ ɕɛ na ʃtʃˈɨd vzɡˈuʒa i fkrˈuttsɛ dˌɔvʲɛdʑˈawɛm ɕɛ, ʒˈɛ bˌɨwɨ tˈɛʃ pɔ drˈuɡʲɛj strˈɔɲʲɛ. im dˈalɛj, tɨm stˈarʃɛ i bˈardʑɛj zˌardʑɛvʲˈawɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_40.wav|fɕadˈajɔ̃ dɔ taksˈufki, mrˈuknɔw ˈal, ˌɔttʃɨtˈujɔnts nˈumɛr rˌɛjɛstratsˈɨjnɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_93.wav|uznˈajɛ, ʒˈɛ pisˈaɲʲɛ tˈɛʃ jɛst sfɔˈistɔ̃ vˈɔjnɔ̃, tˈakɔ̃, ktˌurɔ̃ tˈɔtʃɨʃ sˈam zˈɛ sˈɔbɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_251.wav|vˈillam pɔvʲˈɛdʑaw, ʒˈɛ bˌɛndɛ jˈɛɡɔ ɡʲˈɛrmkʲɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_52.wav|mˈɔʒɛ pʃɛʒˈɨwa jˈakiɕ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_41.wav|bˈɛz vzɡlˈɛndu na pɔɡˈɔdɛ i tˈak ɲˈiɡdʑɛ ɕɛ ɲʲɛ rˈuʃɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_32.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ na mʲˈɛjstsɛ ɕtɕɔŋɡnˈɛwa tsˈawa pɔlˈitsja z mʲˈasta, plˈuz dvˈa vˈɔzɨ tɛxɲˈikuf, f tɨm jˈɛdɛn s pɔlˈitsji stanˈɔvɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_106.wav|pɔmˈimɔ fʃˈɨstkɔ mˈam ɔxˈɔtɛ pˈɔdɛjɕtɕ i jˈɔ̃ ˈɔbjɔɲtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_88.wav|...jˈɛst.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_212.wav|tsˈɔ ɕɛ stˈawɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_46.wav|ftɕˈɔ̃ʃ tʃɨmˈawam nˈuʃ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_210.wav|xtɕˈawɛm pʃɨpˈɔmɲʲɛtɕ sˈɔbjɛ tɔ fʃˈɨstkɔ, tsˈɔ zdaʒˈɨwɔ ɕɛ w ɔstˈatɲiɣ dɲʲˈax, ˈalbɔ mˈɔʒɛ tɨɡˈɔdɲʲax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_212.wav|jˌɛstɛm jˈɛʃtʃɛ jˈa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_52.wav|strˈakan mʲˈaw ˌɔtʃɨvˈiɕtɕɛ rˈatsjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_3.wav|dlatʃˈɛɡɔ ɲʲˈɛdaʃ mi prɔvˈadʑitɕ?|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_167.wav|zafstˈɨdʑa xɛvˈɛta tˈak, jˈak kʲˈɛdɨʑ zafstˈɨdʑiw mɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_459.wav|tɔ fʃˈɨstkɔ jɛzd dˌɔzvɔlˈɔnɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_109.wav|bɛvˈɛrlɨ prˈɔɕi, ʒˈɛbɨ zɔbˈatʃɨw, tʃɨ jɛst pˈɔptsɔrn mˈarki pˈɔp sˈɛtsrɛt.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_40.wav|spˈɔrɔ bˌɨwɔ krfˈi, a ɔn mʲˈaw vɨrˈaʑɲʲɛ blˈiski kˈɔntaɡd z ɔfjˈarɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_130.wav|ˈalfjɛ zatʃˈɨna mɲʲɛ tɕˈɔŋɡnɔɲdʑ za rˈɛŋkɛ, zˌastanavʲˈajɔnts ɕɛ, tsˈɔ ɕɛ dʑˈɛjɛ, ˌalɛ mˈuʃɛ ɡˈɔ zˌiɡnɔrˈɔvatɕ i skˈupitɕ ɕɛ vɨwˈɔntʃɲʲɛ na tˈatɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_111.wav|ɲˈitʃɨm vʲˈɛntsɛj.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_230.wav|krˈasnal ˈɔdɡrɨz jɛj sˈutki.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_116.wav|tɔ jˈuʃ w ɔɡˈulɛ ɲʲɛ vˌɨdavˈawɔ mi ɕɛ vˈaʒnɛ.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_161.wav|pʃˌɛkɔnˈawɛm ɕɛ ˈɔtɨm, ɡdˈɨ zatʃˈɔwɛm skupˈɔvatɕ iɣ dwˈuɡʲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_135.wav|s pʃˌɨzvɨtʃajˈɛɲʲa pɔvʲˈɔdwam pwɔmjˈɛɲʲɛm vzdwˈuʃ spɔˈinɨ, ʒˈɛbɨ ɲʲɛ dɔpˈuɕtɕidʑ dɔ jɛj zˌastaxɲʲˈɛɲtɕa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_55.wav|ɲʲɛ pʃˌɛpadˈawa pˈaɲi za ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_86.wav|uvʲˈɛlbjaw, jˈak mu muvʲˈɔnɔ, ʒˈɛ jɛzd zdrˈɔvɨ i ɕˈilnɨ. tʃɨ mˈam kˈazatɕ mˈɛdʲi i ɡrˈɛtsxɛl pʃˈɨɲʲɛʑdʑ ɡɔrˈɔntsɛj vˈɔdɨ na kˈɔmpʲɛl? spɨtˈawa.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_53.wav|jasmˈinɛ, vrˈatsaʒ dɔː arˈabji sawdˈɨjskʲɛj.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_4.wav|musˈimɨ vˈɨbratɕ stˈan z lˌibɛralnˈɨmi pʃˌɛpisˈami dˌɔtɨtʃɔntsˈɨmi adˈɔptsji. ɔznˈajmiw rˌɔzɛntˌuzjazmɔvˈanɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_41.wav|na mˈɨɕl ɔ straʒɲˈiku tʃˈujɛ pʃˌɛbjɛɡajˈɔntsɨ pɔ plˈɛtsaɣ drˈɛʃtʃ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_364.wav|zabrˈali mi ubrˈaɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_464.wav|tʃɨ tɔ znˈatʃɨ, ʒˈɛ...|0
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+Dataset/wavs/urwisko_ferenc/23_segment_24.wav|zblˈiʒaw ɕɛ mˈɔmɛnt ˌuruxɔmjˈɛɲʲa lˈiɲʲi prˌɔduktsˈɨjnɛj drɛvɲʲˈanɨx ɔbjˈɛktuf mˌɔduwˈɔvɨx.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_255.wav|bˌɛɲdʑɛʃ tɔ pamjˈɛntatɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_101.wav|ˈɔtxɨl ɡwˈɔvɛ dɔ tˈɨwu i pˈɔwuʃ tɔ na tfˈaʒɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_243.wav|tsˈɔɕ tˈu tʃˈɛba bˌɛɲdʑɛ napˈisatɕ.|0
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+Dataset/wavs/urwisko_ferenc/65_segment_198.wav|a na pˈɛvnɔ ɲʲɛ vʲˈɛdʑaw ɔ jɛj mrˈɔtʃnɛj tˌajɛmɲˈitsɨ, ktˌurɔ̃ fspˈulɲʲɛ z ɔlɡʲˈɛrdɛm vɨvʲˈɔzwa z ɡrudʑˈɔndʑa.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_289.wav|dʒˈɛjn pʃɨpˈɔmɲʲaw sˈɔbjɛ ɡwˈɔvɛ, ktˌurɔ̃ dˈaw pˈi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_26.wav|f kˈɔɲtsu zdˈawa sˈɔbjɛ xˈɨba sprˈavɛ z ˌɔbɛtsnˈɔɕtɕi bˈɛtskɨ, a jɛj pˈɛwnɛ nadʑˈɛi spɔjʒˈɛɲʲɛ vˌɨvɔwˈawɔː ˈutɕizɡ w ɡˈardlɛ pˌɔlitsjˈantki.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_35.wav|tˈaɡ bˈardʑɔ ɕɛ tɕˈɛʃɛ.|3
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+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_112.wav|ˈɔprutʃ stawˈɛɡɔ mˌɔɲitˈɔra na bjˈurku zˌamɔntˈɔvaw tʃtˈɛrɨ dˌɔdatkˈɔvɛ na ɕtɕˈaɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_94.wav|tɔ ɲʲɛ pʃɨpˈadwɔ dɔ ɡˈustu tsɛrsˈɛi.|1
+Dataset/wavs/urwisko_ferenc/41_segment_38.wav|rˈɔzlɛkw ɕɛ dʑvˈɔnɛk tˌɛlɛfˈɔnu. tɔ bˈɨw ɡrˈɔx. — nˈɔ vʲˈɛndʑ ɡˌɛnɛrˈalɲʲɛ f papʲˈɛrax jɛst tʃˈɨstɔ — ɔdˈɛzvaw ɕɛ tubˈalnɨm ɡwˈɔsɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_235.wav|tʃɨ tɔ tɨ kazˈawɛɕ mu kˈupitɕ tɛn karˈabʲin?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_50.wav|bˈɛtskɨ ˌɔdvrutɕˈiwa ɕɛ dɔ tˈɔma i vzruʃˈawa rˌamjɔnˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_76.wav|vˈɨbatʃ, ʒˈɛ kazˈawam tɕi tˈɨlɛ tʃˈɛkatɕ na ɔtpˈɔvʲɛtɕ. ɔstˈatɲʲɛ dvˈa tɨɡˈɔdɲʲɛ bˌɨwɨ dˈɔʑdʑ zvˌarjɔvˈanɛ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_56.wav|pɔ tsˈuʃ krulˈɔva marɡˈarɨ mʲˈawabˌɨ prˈaɡnɔɲtɕ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_602.wav|vʲɛdʑˈawɛm, ʒˈɛ tɔ ɲʲɛdˈɔbʒɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_133.wav|a ja mˈɔɡwam zˈatʃɔɲtɕ nɔrmˈalɲʲɛ ɔddˈɨxatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_201.wav|zˌastanavʲˈawa ɕɛ, jˈak naprˈavdɛ vˌɨɡlɔndˈawɔː ix mawʒˈɛɲstfɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_34.wav|jˈɔɛ pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_144.wav|tsˈɔː ɔ ɲˈitʃɨm ɲʲɛ ɕfʲˈattʃɨ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_70.wav|tˈɔm bˈɨw rˌɔstʃarɔvˈanɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_22.wav|pˈɔtɛm spˈɨtaw, jˈak tˈam mˈuj zˈɔmp, bˈɔː ɔt pɛvnˈɛɡɔ tʃˈasu mˈɛntʃɨw mɲʲɛ jˈɛdɛn ˌupʲɛrdlˈivɨ tʃɔnˈɔvʲɛts.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_43.wav|pʃˈaɲis ɕˈɛŋɡa pɔ nastˈɛmpnɛ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_342.wav|skˈɔrɔ tˈak mˈuviʃ, pˈaɲi ɔtpˈarwa alˈain, pʃˌɨpɔminˈajɔnts sˈɔbjɛ ˌɔstʃɛʒˈɛɲʲɛ pɛtˈɛra.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_192.wav|pɔ xfˈili ˈɛliz vɨxˈɔdʑi w dʒinsˈɔvɛj spudɲˈitʃtsɛ i kɔʃˈultsɛ blˈatsk kˈɛɨs. ˈidɔ̃ na ɡˈurɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_56.wav|ɲʲˈɛvʲɛm, dlatʃˈɛɡɔː im tɔ fʃˈɨstkɔː ˌɔpɔvʲˈadam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_29.wav|dlatʃˈɛɡɔ ja w ɔɡˈulɛ ɕɛ z ɲˈim skˌɔntaktɔvˈawam?|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_84.wav|ˈɔtpar mɔrdˈɛrtsa s tɕˈɛ̃ʃkim aktsˈɛntɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_16.wav|bˈɛtskɨ dɔstʃˈɛɡwa, ʒˈɛ jˈɔ pʃɛwknˈɛwa ɕlˈinɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_40.wav|zˈafʃɛ xɔdʑˈimɨ dɔ ʃkˈɔwɨ na pʲɛxˈɔtɛ, ɔː ˈilɛ ɲʲɛ jˌɛstɛm spuʑɲʲˈɔna i nˈavɛt mˈimɔ tɛj ʑˈimnɛj, vilɡˈɔtnɛj ˈawrɨ, mˈili i vɛsˈɔwɔ pˌɔtskakˈujɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_323.wav|zdˈajɛ pˈan sˈɔbjɛ s tˌɛɡɔ sprˈavɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_223.wav|pˈɔtɛm kˈu jˈɛɡɔ zdumjˈɛɲʲu pˈɨta bʲillʲˈɛɡɔ, tʃɨ mˈɔʒɛ z ɲˈim zˈɔstatɕ.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_103.wav|nˈavɛt tˈakʲɛ ɡwˈupʲɛ vʲɛlbwˈɔɲdʑɛ pˈizdɨ jˈak tˈɛrɔː i ɔrbˈɛllɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_48.wav|znˈatʃɲʲɛ ɡˈɔrʃɛ ɲˈiʒ vˌɨskɔtʃˈɛɲʲɛ s sˌamɔlˈɔtu, pɔɲʲˈɛvaʃ ɔt pˌɔvɔdʑˈɛɲʲa tˈutaj zalˈɛʒaw mˈuj dˈɔm i mˈɔja rɔdʑˈina.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_88.wav|pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃, a jɛj ˈɔtʃɨ vˌɨpɛwɲˈiwɨ ɕɛ wzˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_11.wav|mɛtˈɔdɔ̃ ˌɛliminˈatsji ɔtpˈarwam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_40.wav|filˈipa zˌaɔfˌɛrɔvˈawa pˈɔmɔts. zˌavɔwˈawa bˈɛtskɨ, ˌɔtfʲɛrˈajɔndʑ ɡwˈuvnɛ dʒvˈi vɛjɕtɕˈɔvɛ i ruʃˈɨwa f strˈɔnɛ sxˈɔduf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_97.wav|mˈuɡwbɨ strˈatɕidʑ ʒˈɨtɕɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_96.wav|pxˈa vˈuzɛk, ˌalɛ jɛzd vˌɨpɛwɲʲˈɔnɨ jɛdˈɨɲʲɛ dɔ pɔwˈɔvɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_112.wav|a vʲˈɛnts mˈam pamjˈɛntatɕ ˈɔtɨm, ʒˈɛ zabʲˈili mi dʑˈɛtskɔ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_33.wav|ɲʲˈɛvʲɛm, jˈaɡ dwˈuɡɔ pˈɔtrfa iɣ zvʲˈɔ̃zɛk, ˌalɛ skˈɔrɔ sɔ̃ ʃtʃɛɲɕlˈivi, tɔ ja rˈuvɲʲɛʃ jˈɛstɛm.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_409.wav|nˈavɛt ɲʲɛ mruɡnˈɔwɛɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_8.wav|ˌalɛ dʑˈiɕaj w ɕrˈɔtku ɕˈɛdʑaw lˌɛvɔrˈɛntʃnɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_135.wav|nɡˈuɡʲi vɛstxnˈɛwa tɕˈɛ̃ʃkɔ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_445.wav|tɔ pˌɔspɔlˈita, ˌalɛ utʃtɕˈiva tfˈaʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_25.wav|zavˈɔwaw tˈakim ɡwˈɔsɛm, jˈaɡbɨ sˈam mʲˈaw ɕɛ za xfˈilɛ rɔspwˈakatɕ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_34.wav|pˈɔvʲɛts nˈam, w jˈaki spˈɔsup spravʲˈawɛɕ pʃɨjˈɛmnɔɕtɕ mˈawɛj krulˈɔvɛj?|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_191.wav|bʲˈili swˈɨʃɨ ʃtʃˈɛŋɡ zˈamka, znˈak, ʒˈɛ ftɕˈɔ̃ʃ jɛst ˈu ɲʲˈɛj na ɔkrˈɛɕɛ prˈubnɨm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_71.wav|tˈɛ mɔʒlˈivɔʑdʑ vˌɨkɔʒˈɨstam f tɛj xfˈili.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_215.wav|zavˈɔdʑi pɔt ɔkˈapɛm ulˈuru, ulˈuru. ilˈɛkrɔdʑ bʲˈillɨ jˈuʃ prˈavʲɛ zapˈada f sˈɛn.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_125.wav|f tɛj xfˈili prˌatsɔvɲˈitsɨ, ktˌuʒɨ vˌɨbjɛrˈali ɕɛ dɔ dˈɔmu, fprˌɔvadʑˈali sfˈɔiɣ zmʲɛnɲˈikuv w bjɛʒˈɔntsɛ sprˈavɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_38.wav|swˈɔva pasˈujɔ̃, ˌalɛ tɔ bˈɨw tɛlˈɛfɔn mˈartɨ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_118.wav|fspʲɛrˈajɔnts pˌɔdaɡrˈɨtʃnɛ nˈɔɡʲi na vˌɨɕtɕɔwˈanɨm pɔdnˈuʃku i bˈaviw ɕɛ ˌɔnɨksˈɔvɨm swˈɔɲʲɛm.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_505.wav|ɡˈarnɛk pwɨnnˈɛɡɔ zwˈɔta.|1
+Dataset/wavs/urwisko_ferenc/27_segment_72.wav|xˈɛrman uznˈava tɔ za tˈɛatr.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_430.wav|pʃˌɨpɔmˈina tɕˈɛbjɛ z vɨɡlˈɔndu, mˈɨɕli jˈak tɨ i zamjˈɛʒaʒ zɔstˈavitɕ mu dˈɔrn. ɲʲɛ prˈubuj zapʃˈɛtʃatɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_48.wav|tˌɛɡɔ ɲʲɛ vʲɛdʑˈawam.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_161.wav|pɛwnˈɛɡɔ vɛsˈɔwɨɣ drˈɔbʲin kˈuʒu.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_312.wav|kʲˈɛdɨ ˈɔtkrɨw, ʒˈɛ mɲʲɛ ɲʲɛ pɔsˈuvaʃ, jˈɛɡɔ stɔsˈunɛɡ dɔ tɕˈɛbjɛ bˈardʑɔ ɕɛ pɔprˈaviw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_25.wav|a tˈak pʃɨ ɔkˈazji rˈɔp, ʃˈɛf xtɕˈaw rˈuvɲʲɛʃ, ʒˈɛbɨɕmˌɨ pˌɔrɔzmavʲˈali s pˌɛrsɔnˈɛlɛm i dˌɔvʲɛdʑˈɛli ɕɛ, tʃɨ ɡˌɛnɛvʲˈɛvɛ bˌɨwa tˈutaj tʃˈɛ̃stɨm ɡˈɔɕtɕɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_64.wav|zwapˈaliɕtɕˌɛ ɡˈɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_56.wav|mˈuɡwbɨm tˈaɡ dwˈuɡɔː ˌɔpɔvʲˈadatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_103.wav|jˌɛstɛm jˈɛdnak pʃˌɛkɔnˈana, ʒˈɛ jˈɛɡɔ kˈartɨ ˌɔkazˈawɨbˌɨ ɕɛ lˈɛpʃɛ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_381.wav|zapˈɛvɲʲam, ʒˈɛ uswˈɨʃɨʃ.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_244.wav|ˌɔdjɛdʑˈɛtɕɛ jˈutrɔ z ɛdmˈurɛm i sˈɛr fɔrlˈajɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_155.wav|ta vʲˈɛɕ mˈɔɡwabˌɨ ʒˈɨdʑ zˈatɔ pˈuw rˈɔku. tˌɨlkɔ zavˈartɔɕtɕ tɛj bɛnzˈɨnɨ, ktˌurɔ̃ tˈam zuʒˈɨtɔ, tˈak ˈabɨ ɲʲɛ pˌɔzɔstˈawɔː ˌaɲi jˈɛdnɔ ʑˈarnɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_275.wav|znˈɔvu znalˈazwɛm ɕɛ w ɲʲˈɛj, a ˌɔna vˈɛmɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_127.wav|ˈilɛ w ɔɡˈulɛ mˈɔʒna ɡˈɔ bˌɨwɔ zvˈatɕ tʃˌɨimkˈɔlvʲɛk tʃwɔvʲˈɛkʲɛm?|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_174.wav|vʲɛdʑˈawɛm, ʒˈɛ ɲˈits s tˌɛɡɔ ɲʲɛ bˈɛɲdʑɛ. bˌɨwa dvˈa lˈata stˈarʃa i mˈɔtsnɔ ɕɛ bujˈawa w ɡlˈɛɲʲɛ. ˌalɛ na utʃˈutɕa ɲˈits ɲʲɛ pɔrˈadʑiʃ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_163.wav|i ftˈɛdɨ vrutɕˈiliɕmˌɨ s tɨɣ ɡˈur i ɔn mʲˈaw zˈatʃɔɲdʑ znˈuf lˈatatɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_73.wav|mˈuvi vrɛntʃˈajɔnts mi klutʃˈɨki.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_114.wav|ʒˈutsam ɕɛ na ɲʲˈɛɡɔ. tɕˈɔŋɡnɛ ɡˈɔ za rˈɛntsɛ, prubˈujɔnts ˌɔsfɔbˈɔdʑitɕ mˈamɛ. jɛzd zbˈɨt ɕˈilnɨ i ɲˈits mi ɕɛ ɲʲɛ udˈajɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_155.wav|jˈɛɕli dɔkˈɔpjɔ̃ ɕɛ dɔ kɔʒˈɛɲi i dˈɔjdɔ̃ dɔ vɲʲˈɔsku, ʒˈɛ tɔ dʒˈɛvɔ bˌɛɲdʑɛ f stˈaɲʲɛ pʃˈɨjɔɲtɕ ˈinnɔ̃ ɡlˈɛbɛ, pʃˈɨkrɔ mi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_293.wav|mˈuj ɲʲɛznˈanɨ, tˌajɛmɲˈitʃɨ sˈɔ̃ɕat, kturˌɛɡɔ zˈafʃɛ ɕɛ bˈawɛm, sˈapaw tˈɛraz bˈardʑɔ pɔ lˈutsku i pʃɨstˈɛmpɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_138.wav|kˈaʒdɨ, ktˈɔ mʲˈaw ɔkˈazjɛ ɡˈɔ pˈɔznatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_119.wav|vɨstˈartʃɨ na stˈudja i pɔtʃˈɔntɛk nɔvˈɛɡɔ ʒˈɨtɕa pˈɔɲih.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_16.wav|swˈuʃna uvˈaɡa. ˌalɛ zdˌɛtsɨdˈujmɨ nˈajpʲɛrf, tʃɨ mɔʒˈɛmɨ vɨklˈutʃɨtɕ mˈartɛ s krˈɛŋɡu pˌɔdɛjʒˈanɨx.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_285.wav|ˌuswɨʃˈawɛm, ʒˈɛ ktˈɔɕ strˈaʃɲʲɛ ɡrˈuxnɔw ɔ xˈɔdɲik. fstˈawɛm z wˈuʃka i pɔtʃˈɛdwɛm dɔː ˈɔkna.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_76.wav|ktˌurɨ zˈɛrvaw bˈɨw pʃɛxˈɔdʑɔnts pɔdvˈuʒɛm dˈɔmu, f ktˌurɨm mʲˈɛʃkaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_42.wav|kʲˈɛdɨ ɡˈaj kˈipnɔw, a fˈina fsadʑˈili za krˈatɨ, fʃˈɨstkɔː utɕˈixwɔː i ɲˈits ɲʲɛ fskˌazɨvˈawɔ nˈatɔ, ʒˈɛ vɛrbˈɔvɲik ftɕˈɔ̃ʒ ʒˈɨjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_77.wav|mʲˌawɛm bˈɨdʑ vˈaʃɨm ɔsfˈaldɛm.|2
+Dataset/wavs/urwisko_ferenc/65_segment_124.wav|zapˈatʃɨw ɕɛ na kˈartkɛ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_26.wav|ɡrˈatxɛl umjˈawa tʃˈɨmatɕ jˈɛ̃zɨɡ za zɛmbˈami, ˌalɛ mˈɛdli bˌɨwa bɛsfstˈɨdnɔ̃ plɔtkˈarɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_67.wav|pɔvʲˈɛdʑɛtɕ mu, ʒˈɛ vɨɡlˈɔnda dʑˈiɕ na ɕilnˈɛɡɔː i ˌɔdvaʒnˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_2.wav|nˌastɛmpnˈɛɡɔ dɲʲˈa sˈɛr dˈɛrmɔd z dˌɛʃtʃɔvˈɛɡɔ lˈasu vrˈutɕiw s pustˈɨmi rɛŋkˈami. ɡdˈɨ zˌapɨtˈanɔ ɡˈɔ, tsˈɔ znˈalaz, ˌɔtpɔvʲˈɛdʑaw vˈilki.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_77.wav|ʒˈɛkw, vrɛntʃˈajɔnts mi ɡʲˈizmɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_116.wav|ɲʲɛ, ˈaʃ jˈɛdʑɛ dɔ dˈɔmu.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_109.wav|ɡdˈɨ bˈɨw mwˈɔdɨ i ɕˈilnɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_113.wav|kˈɔmbajn ɲˈiɡdʑɛ ɕɛ ɲʲɛ vɨbjˈɛraw.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_514.wav|tsˈɔ pʃɛdˈɛmnɔ̃ ukrˈɨvaʃ?|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_29.wav|ʒˈɛbɨ ɲʲɛ mˈuɕɛtɕ jˈuʒ vʲˈɛntsɛj na ɲʲˈɛɡɔ pˈatʃɛtɕ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_78.wav|kɔnˈarɨ ˌustɔmpˈiwɨ mʲˈɛjstsa ʃˌubjɛɲˈitsɔm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_26.wav|jaɡbˈɨɕmɨ ˌɔtʃɛkivˈawɨ, ʒˈɛ prɛzˈɛntɛr za xfˈilɛ pˌɔinfɔrmˈujɛ nˈas ɔ vʲˈɛlkʲɛj pɔmˈɨwtsɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_19.wav|ɔt pɔtʃˈɔntku pʲˈɛʃa vɨprˈava vˌɨdavˈawa ɕɛ dˈɔɕtɕ nˌatɕɔŋɡˈana.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_85.wav|dvˈɔjɛ dˌɛtɛktˈɨvuv zajˈɛwɔ jˈuʃ sfˈɔjɛ mʲˈɛjstsa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_21.wav|ɔfˈitsɛr pɔlˈitsji rˈɔskuw ix i ˈandɛrsɔn fstˈaw rˌɔstɕɛrˈajɔnts pʃˈɛɡup.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_316.wav|jˌɛstɛm tˌɨlkɔ kɔvˈalɛm.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_83.wav|ˈadam zˈafʃɛ mʲˈaw jˈasnɨ ˈumɨsw.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_103.wav|sˈɛptɔn zmˈarʃtʃɨw brvˈi. vˈilki zrɔbʲˈiwɨ ɕɛ ɔstˈatɲʲɔ straʃlˈivʲɛ ɡrˈɔʑnɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_16.wav|pˌɔjɛxˈawa dɔ sfˈɔjɛj ɕˈɔstrɨ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_99.wav|pɔtˈɛ̃ʒɲʲɛ zbˌudɔvˈanɨ mɛ̃ʃtʃˈɨzna wˈɨpnɔw na ɲʲˈɛɡɔ spˈɔt ˈɔwba.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_47.wav|mʲˌawɛm na sˈɔbjɛ tˌɨlkɔ kˈurtkɛ ɔt piʒˈamɨ.|0
+Dataset/wavs/urwisko_ferenc/33_segment_107.wav|ɲʲɛ rˈuʃaj ɕɛ stˈamtɔnt, zˈaraz bˈɛndɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_28.wav|maʃ ɔxˈɔtɛ pɔɡˈadatɕ s tʃwɔvʲˈɛkʲɛm, ktˌurɨ zˈɛ fʃˈɛx mʲˈar vɨdˈajɛ ɕɛ rˈuvɲʲɛ trˈudnɨ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_60.wav|ɔ pˌɔpɛŋkˈanɨx pʃˈɛdɲix ʃˈɨbax mˌiɡɔtʃˈɔntsɨx f swˈɔɲtsu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_100.wav|jˈak sˈɔbjɛ s tɨm rˈadʑiʃ? vʲˈɛʃ s tˈɨm, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔː ˈu klˈɛrɡvja.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_10.wav|mˈɔjɛ sˈɛrtsɛ ɕɛ zˌatʃɨmˈujɛ. zupˈɛwɲʲɛ ˈɔtɨm zˌapɔmɲʲˈawam i ɲʲɛ pˌɔinfˌɔrmɔvˈawam ʃpitˈala, ʒˈɛ ɡˈɔ ɲʲɛ bˈɛɲdʑɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_32.wav|jˈuʃ ɲʲɛ ubjˈɛɡa ɕɛ ɔ prˈavɔ dɔː ɔpʲˈɛki nat ɛdvˈardɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_153.wav|ʒˈɛ bˈardʑɔː ix pʃɛprˈaʃam za fʃˈɨstkɔ, tsˈɔ zrɔbʲˈiwam.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_274.wav|pˌɔzɔstˈali ˌɔtsunˈɛli ɕɛ, bˈɨ ɔbˈɛjʒɛdʑ vˌidɔvˈiskɔ.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_283.wav|tfɔʒˈɨli dʑˈivnɨ ˈɔrʃak.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_99.wav|pˈan spˈɛtsk pʃˈɨmɲʲɛ tˌɨlkɔ pˈarɛ rˈazɨ tʃˈɛpnɔw dʑˈɛtɕi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_87.wav|ɔtfˈɔʒɨw dʒvˈi frɔntˈɔvɛ, ʒˈɛbɨ vɨpˈuɕtɕidʑ bˈɛki, ˌalɛ ˈuɕmʲɛx spˈɛwz jˈuʒ z jˈɛɡɔ tfˈaʒɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_46.wav|ˌalɛ bˈɛtskɨ, jˈɛɕli ˌɔna brˈawa f tɨm ˈudʑaw, tɔ dˌɔskɔnˈalɛ vʲˈɛ, jˈaɡ zɔstˈali pɔrvˈaɲi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_33.wav|krˈimɛ lˈakɛ tɔ naprˈavdɛ ˌɔtpɔvʲˈɛdɲʲa nˈazva mʲˈɛjstsa naʃˈɛɡɔ spɔtkˈaɲʲa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_101.wav|xˈɨba lˈɛpʲɛj zadʑvˈɔɲʲɛ na pɔlˈitsjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_156.wav|pˌɔtʃɛbˈujɛ ɔpˈiɲʲi kˌɔnsumˈɛntuf.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_197.wav|nat ɲˈimi ˌunɔɕˈiwa ɕɛ jˈɛɡɔ tfˈaʃ.|1
+Dataset/wavs/urwisko_ferenc/24_segment_96.wav|bˌɨwa w vʲˈɛku jˈɛɡɔː amˈɛlki.|0
+Dataset/wavs/urwisko_ferenc/63_segment_142.wav|pˈaɲi sɨŋkˈɔvi mˈɔʒɛ ɡrˈɔzitɕ tɔ sˈamɔ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_142.wav|a mˈinstrɛl ɔdwˈɔʒɨw xˈarfɛ i pɔtɕˈɔŋɡnɔw dʑɛftʃˈɨnɛ sˈɔbjɛ na kɔlˈana.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_141.wav|madʒˈɛrjan fxˈɔdʑi dɔ bˌɛspʲɛtʃnˈɛɡɔ pɔkˈɔju. spɔɡlˈɔnda na bʲˌilɨˈɛɡɔː ɔtʃˈami, ktˌurɛ pʃɛstˈawɨ vʲˈɛʒɨtɕ, ʒˈɛ ɕfʲˈad dɔ ɲˈix nalˈɛʒɨ i mˈɔʒɛ tɔ jɛzd vˌɨstartʃajˈɔntsɔ̃ zˈɛmstɔ̃.|2
+Dataset/wavs/urwisko_ferenc/15_segment_46.wav|— swɨʃˈawɛm, ʒˈɛ vʑˈɛliɕtɕˌɛ ɕɛ dɔ sprˈavɨ xudʑˈiɲskix — ɔdˈɛzvaw ɕɛ bˌɨwɨ pˈartnɛr, ɡdˈɨ minˈɛli rˈatuʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_117.wav|bʲˈillɨ prɔvˈadʑi ɡˈɔ dɔː ˌɔkrɔŋɡwˈɛɡɔ stɔlˈika.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_217.wav|na zˈajudʒ bʲˈillɨ xtsˈɛ vɨjˈɛxatɕ ftʃˈɛɕɲʲɛ rˈanɔ, ˌalɛ bˈutskɨ prˈɔɕi, bˈɨ zatʃˈɛkaw dɔ dʑɛɕˈɔntɛj, ˈaʃ ɔn zawˈatfi pˈɛvnɔ̃ sprˈavɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_229.wav|dlatʃˈɛɡɔ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_209.wav|i nˈaɡlɛ rˈɨan rɔzˈɛɕmʲaw ɕɛ, pˈatʃɔnts na pwˈɔmɨɡ zapˈawki skatʃˈɔntsɨ w jˈɛɡɔ dwˈɔɲi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_64.wav|— a tɨ ix ɲʲˈɛxtsɛʃ? — ɲʲɛ — pɔvʲˈɛdʑaw ˈandɛrsɔn. — pʃˈɨkrɔ mi, mˈikɛ, ˈalɛ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_65.wav|bʲˈillɨ pˈatʃɨ na ɕˈɛbjɛ zˌaskɔtʃˈɔnɨ. sxˈud?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_61.wav|jˈak ɕɛ ˈɔtɨm dˈɔvʲɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_125.wav|ʃˈɛdwɛm tˈam tsˈɔraz vˈɔlɲʲɛj.|0
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+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_38.wav|i ˌɔbratsˈajɔnts w rˈɛŋku ʃklˈaŋkɛ, f ktˌurɛj ɡʒɛxˈɔtaw lˈut,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_32.wav|ɲʲɛ mʲˌɛli ʒˈadnɛj vˌɔntplivˈɔɕtɕi, ʒˈɛ ˌantɨpˈatja ˈɛljaz dɔ mˈartɨ bˌɨwa ˌɔdvzajɛmɲʲˈɔna.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_54.wav|ftˈɛdɨ sˈɔbjɛ tsˈɔɕ pʃˌɨpɔmɲʲˈawa.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_330.wav|ɡdˈɨbɨ dɔstˈawa zwɔtˈɛɡɔ smˈɔka za kˈaʒdɨ rˈas, ɡdˈɨbɨ ʃˈɛptaw, ɲʲɛ pˌɔvinɲˈiɕmɨ tˌɛɡɔ rˈɔbʲitɕ...|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_217.wav|xˈɨba ˈuznaw, ʒˈɛ tɔ ja vˌɨvɔwˈawam bˈujkɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_213.wav|vˈɛɕ tsˈɔ tɕi pɔtʃˈɛbnɛ, ˌalɛ mˈuɕiʒ zvrˈutɕidʑ za ˌatsɛtˈɨlɛn i nˈɛɔn.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_78.wav|ɡdˈɨbɨ pˈɔʒar ɔɡˈarnɔw tsˈawɛ mʲˈastɔ, bɨwˈɔbɨ tɔː ɔ vʲˈɛlɛ ɡˈɔrʃɛ ɔt ɕmʲˈɛrtɕi kˈilku ˈɔsup.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_80.wav|vˈɨʃwam dɔ rɛtsˈɛptsji, bˈɔ ɲʲɛ xtɕˈawam, ʒˈɛbɨ pʃɨpˈatkʲɛm nˈas ˌuswɨʃˈawa, ˌalɛ vɨdˈajɛ mi ɕɛ, ʒˈɛ pˌɔvinɲˈiɕmɨ pʃˌɛdɨskutˈɔvatɕ fspˈulɲʲɛ dˈalʃɛ krˈɔki.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_59.wav|jɛst ɔdvˈaʒnɔ̃, pˈɛvnɔ̃ ɕˈɛbjɛ kɔbjˈɛtɔ̃, ktˌura kˈɔxa mˈɔtsnɛ vraʒˈɛɲʲa i ˌudɛʒˈɛɲʲɛ ˌadrɛnalˈinɨ, kʲˈɛdɨ ɡrˈa f pɔkˈɛra.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_278.wav|rivˈɛran ɕɛ pɔddˈawɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_33.wav|pʃɛt sˈɔbɔ̃ vidʑˈitɕɛ mˈɔduw lˌɔndɔvˈaɲʲa. na kˈɔɲʲɛts mˈisji nˈɛil ˈarmstrɔŋk i bˈuss ˈaldrin uʒˈɨli mɔdˈuwu stˌartɔvˈɛɡɔ, ʒˈɛbɨ vrˈutɕitɕ na ɔrbʲˈitɛ.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_59.wav|lˈɔrt xˈɛvɛtt i lˈɔrt xˈɛstɛr pɔlˈɛɡli.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_65.wav|luˈisa vɨjˈɛwa z lɔdˈufki tˈalɛʒ z ˌɔbjɛtsanˈɨmi pˌaluʃkˈami rɨbnˈɨmi i vwɔntʃˈɨwa pˈalɲik.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_97.wav|kˈurva, kˈurva!|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_116.wav|s puwnˈɔtsɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_102.wav|— i tsˈɔ? rɔbʲˈiwabˌɨɕ tɔ, tsˈɔ tɛn fˈatsɛt? — bʲˈillɨ pˌɔkazˈujɛ pˈaltsɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_169.wav|bʲˈillɨ fxˈɔdʑi i rˈaʑnɨm krˈɔkʲɛm rˈuʃa w ɡwˈɔmp kˌɔrɨtˈaʒa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_23.wav|bˌɛndɛ f kɔntˈaktɕɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_2.wav|xrˈɨstɛ, jˈɔɛ, vɨɡlˈɔndaʃ naprˈavdɛ traɡʲˈitʃɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_107.wav|tˈata pɔkˈivaw ɡwˈɔvɔ̃. ɔd dwuʃʃˈɛɡɔ tʃˈasu ɲʲɛ vidʑˈɛliɕmˌɨ w mˈamjɛ ˈaʃ takʲˈɛɡɔː ˌɛntuzjˈazmu i ɔt rˈazu uɕmʲˈɛxnɔw ɕɛ najʃˈɛʒɛj, jˈak tˌɨlkɔ pɔtrˈafiw.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_226.wav|ɲʲɛktˌuʒɨ ˌɛksplɔratˈɔʒɨ dɔvˈɔʒɔ̃ prˈupki dɔ ɕlˈuzɨ tˌɔvarˈɔvɛj i tˈam jˈɛ vˌɨwadɔvˈujɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_40.wav|kamˈɛra zwapˈawa jɛj dwˈɔɲʲɛ ˌuwɔʒˈɔnɛ na ˈudax.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_20.wav|jˈɛɕli pamjˈɛntaʃ, ɔpˈuɕtɕiw mʲˈɛjstsɛ ɕmʲˈɛrtɕi jaɡˈɛra, pɔ tʃɨm ɕlɛdʑˈiliɕmˌɨ ɡˈɔː ˈaʒ dɔ vjˈazdu na pˈarkiŋk pʃɨ manxˈɛstɛr tsˈɛntral.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_30.wav|pʃɨjʒˈɨmɨ ɕɛ jˈɛdnak rˈuvɲʲɛʃ ˈinnɨm mˌɔʒlivˈɔɕtɕɔm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_24.wav|bˈaki vɨtɕˈɔŋɡa dwˈɔɲ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_44.wav|pɔtʃˈuwam, jˈak tˈata ʃtɨvɲʲˈɛjɛ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_175.wav|ʃˈɛɕtɕ lˈat stˈarʃa vʲˈɛʒba.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_49.wav|rɔdʑˈiwɔ tɔ tsˈawɛ mnˈustfɔ kɔlˈɛjnɨɣ vˌɔntplivˈɔɕtɕi, s ktˌurɨx jˈɛdnɔ̃ z nˌajvaʒɲʲˈɛjʃɨx pˌɔzɔstavˈawɔ mʲˈɛjstsɛ pʃˌɛbɨvˈaɲʲa tsˌamɛrˈɔna ɛdmˈuntsa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_87.wav|tˈɔm pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_377.wav|tɕˈɛrpjɛ na zˈaɲik tˌɛɡɔ ɲʲˌɛznanˈɛɡɔ ɡrutʃˈɔwu, ktˌurɨ ˌuzasˈadɲʲa tsɔdʑˈɛnnɨ rˈux.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_37.wav|ɲˈiska, xˈuda, z ˌɔbʒɨdlˈivʲɛ pˌɔfarbˌɔvanˈɨmi blˈɔnt kɔltsˈami na ɡwˈɔvʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_19.wav|ˌalɛ jˈɛɕli mˈarta ɲʲɛ bˌɨwa zˌamjɛʃˈana w ɕmʲˈɛrdʑ ɡˌɛnɛvʲˈɛvɛ, tɔ dlatʃˈɛɡɔː ˌutɕɛkˈawa?|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_185.wav|mˈɔʒɛʃ mi tˈɛʃ pɔtʃˈɨtatɕ ɔ skʃɨdlˈatɨm rɨtsˈɛʒu.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_72.wav|tˈak jˈak pʃˌɨpuʃtʃˈawam, ɔtstˈaviw bˈutlɛ s tlˈɛnɛm, kʲˈɛdɨ zˈatʃɔw mɲʲɛ dˈuɕitɕ, a ˌupadˈajɔndʑ vɨpˈuɕtɕiw z ˈust kɔɲtsˈufkɛ vˈɛ̃ʒa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_67.wav|bʲˈillɨ pʃɨspʲˈɛʃa krˈɔku, zˌɔstavʲˈajɔnts pˈulxnɔ̃ kɔbjˈɛtɛ f tˈɨlɛ. vɨmˈija kɔlˈɛjnɨx lˈudʑi.|2
+Dataset/wavs/urwisko_ferenc/53_segment_123.wav|pˈɔstɨ pˌɔjavˈiwɨ ɕɛ krˈutkɔ pɔː ˌuruxɔmjˈɛɲʲu strˈɔnɨ ˌintɛrnɛtˈɔvɛj i tʃˈɛ̃stɔ bˌɨwɨ ˌɔtsɨwatʃˈami dɔ tamtˈɛjʃɨx ˌartɨkˈuwuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_45.wav|tsˈɔ tɨ tˈam maʒ za pʃˈɨʒɔnt? vɨɡlˈɔnda jˈak ɕˈitkɔ dɔ mˈɔŋki mˈɔjɛj ʒˈɔnɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_68.wav|ɲˈiɡdɨ ɲʲɛ bˌɨwɔ nˈas stˈatɕ na ɕɔstʃˈɛtʃkɛ lˈub bratɕˈiʃka dla tɕˈɛbjɛ, skˈarbjɛ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_204.wav|bˌɛɲdʑɛʃ mˈuɡw zjˈɛɕtɕ tˈɨlɛ, ˈilɛ tˌɨlkɔ zˈɛxtsɛʃ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_79.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_52.wav|mˈɔʒɛ jˈɛ vˌɨprubujˈɛmɨ, mˈuvi dˈɛan, ˌalɛ mˈa stsɛptˈɨtʃnɔ̃ mˈinɛ i bˈardʑɔ dˈɔbʒɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_183.wav|vʲˈɛlu lˈudʑi mˈɨɕli, ʒˈɛ tɛn krˈaj jɛst nˌajwadɲʲˈɛjʃɨ. swˈɔɲtsɛ, vˈɔda, ɡˈurɨ.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_194.wav|ˌutɔɲʲˈɛɲtɕɛ tɔ tˈaka zvɨtʃˈajna ɕmʲˈɛrtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_241.wav|ja ɲʲɛ jˌɛstɛm lˈudʑɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_47.wav|bʲˈillɨ xˈɔva kˈɔmiɡz dɔ tˈɨlnɛj kʲɛʃˈɛɲi spˈɔdɲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_109.wav|tɔ ɲʲɛ tˈak, ʒˈɛ ɲʲɛ ˈufam ɲikˈɔvi, mˈɨɕli w drˈɔdʑɛ pɔvrˈɔtnɛj dɔ ʒuwtˈɛɡɔ dˈɔmu.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_230.wav|sˈam pˌɔtʃɛrvʲˈɛɲʲaw. ɲʲɛɡdˈɨbɨm...|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_45.wav|swˈɨʃaw ɲʲˈɛmal jˈɛɡɔ ɡwˈɔs.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_154.wav|ktˈurɨɕ s pˌɔlitsjˈantuf natɕˈisnɔw tˈastɛr. zmruʒˈɨwɛm ˈɔtʃɨ pʃɛt pɔtˈɔpɛm pˌɔraʒˌajɔntsˈɛɡɔ ɕfʲˈatwa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_5.wav|ˌalɛ jˈak tɔ mɔʒlˈivɛ? ɲʲɛ vʲɛdʑˈawa pʃˌɛtɕɛʃ ɔ ɲˈitʃɨm. tˈɛssa ɲʲɛ mʲˈawa pɔjˈɛɲtɕa, tsˈɔ rˈɔbʲitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_162.wav|ɔstrˈɔʒɲʲɛ zajʒˈawɛm dɔ ɕrˈɔtka z nadʑˈɛjɔ̃, ʒˈɛ zdˈɔ̃ʒɛ ɕɛ uxˈɨlitɕ, jˈɛɕli jˈakiɕ mˈutʃ pˌɔstanˈɔvi ɔtstʃˈɛlitɕ mi wˈɛp, ˌalɛ ɲikˈɔɡɔ ɲʲɛ dɔstʃˈɛɡwɛm i ɲˈiɡd dɔ mɲʲɛ ɲʲɛ vɨpˈaliw.|2
+Dataset/wavs/urwisko_ferenc/47_segment_48.wav|uɕˈadwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_25.wav|tɕˈɛʃɛ ɕɛ, ʒˈɛ mˈɔɡɛ pˈana pˈɔznatɕ, pˈaɲʲɛ lˈɔtskridʒ, mˈuvi dˈɛan. ˈuɕmʲɛx rɔzjˈaɕɲʲa mu tfˈaʃ i ɔdmwˈadʑa ɡˈɔ. tˌɨlkɔ trˈɔxɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_33.wav|pʃɛswˈavna ɔstˈatɲʲa rɔbˈɔta ibʲˈili mˈɔʒɛ zɲˈiknɔɲtɕ, ˈukrɨtɕ ɕɛ pɔt nˈɔvɔ̃ tˌɔʃsamˈɔɕtɕɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_65.wav|ɲʲɛ pʃˈɛjmuj ɕɛ, ɲʲɛ pˈɔvʲɛm ˌaɲi swˈɔva.|4
+Dataset/wavs/urwisko_ferenc/63_segment_164.wav|pilˈɛfska ɔtˈarwa zˌawzavʲˈɔnɛ ˈɔtʃɨ. mˈarja xˈɛrman vɨjˈɛwa s tˈɛtʃki vɨdrˈuki.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_183.wav|na pɔtʃˈɔntku istɲʲˈɛɲʲa artˈɛmiz zavˈartɔ tˈakɔ̃ umˈɔvɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_156.wav|ˌalɛ naprˈavdɛ tɔ ja jˌɛstɛm xˈɔrɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_6.wav|ɔtfʲˈɛram dʒvˈi kavʲˈarɲi i natˈɨxmʲast tʃˈujɛ zˈapaɣ bɛkˈɔnu i tˈɔstuf. na mˈɨɕl ɔ jɛdʑˈɛɲʲu rˈɔbʲi mi ɕɛ ɲʲɛdˈɔbʒɛ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_357.wav|ɔznˈajmiw mwɔdʑˈɛɲʲɛts ɔ ʑɛmˈistɛj tsˈɛʒɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_23.wav|kʲˈɛdɨ skɔɲtʃˈɨwɛm, kˈazaw mi ɕɛ stˈavitɕ f pˌɔɲʲɛdʑˈawɛk.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_10.wav|ˌalɛ pˌɔzɔstˈali?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_91.wav|bˌɛɲdʑɛ tɨm s pɛvnˈɔɕtɕɔ̃ pˌɔdɛkstsˌɨtɔvˈana.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_138.wav|kʲˈɛdɨ mʲˌawɛm dvʲˈɛ rˈɛntsɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_78.wav|zˈafʃɛ zaxˈɛntsa ɕɛ tˈam dɔ pʲˌɛlɛŋɡnɔvˈaɲʲa vʲˈɛ̃ʑi rɔdʑˈinnɨx, a ˌɔna xtɕˈawabˌɨ, ʒˈɛbɨm ɔdvʲˈɛdʑaw jˈɔ̃ z dʑˈɛtskʲɛm tsˈɔ mʲˈɛɕɔnts, ˈaʒ dɔ ʃˌɛsnastˈɛɡɔ rˈɔku ʒˈɨtɕa.|4
+Dataset/wavs/urwisko_ferenc/21_segment_36.wav|pʃˌɨwɔʒˈɨwa tʃˈɔwɔ dɔ xwˈɔdnɛj ʃˈɨbɨ.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_177.wav|i ˌutfardʑˈanɔ̃ skˈurɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_2.wav|kʲˈɛdɨ tˈɔm zatʃˈɨmaw samˈɔxut pɔd dˈɔmɛm naˈila, bˈɛtskɨ zˌakɔɲtʃˈɨwa rɔzmˈɔvɛ pʃˈɛs tɛlˈɛfɔn.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_55.wav|prɛzˈɨdɛnt ɔdvrˈutɕiw ɕɛ dɔ nˈas plɛtsˈami i tsˈɔɕ pˈisaw ˈalbɔ rɨsˈɔvaw pˈaltsɛm na sfˌatɨɡɔvˈanɛj ɕtɕˈaɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_45.wav|mˈaxam mu pʃɛt ɔtʃˈami kˈartɔ̃ dɔ dʒvˈi, xˈɔdʑ vˈɔntpjɛ, bˈɨ tɔ vˌɨstartʃˈɨwɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_325.wav|mˈɔɡwa tɔ bˈɨtɕ kɔbjˈɛta ˈalbɔ ɲʲˌɛvɨsˈɔki mɛ̃ʃtʃˈɨzna.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_38.wav|ɔtsˈunɔw ɕɛ ɔt ɲˈix pʃˌɛstraʃˈɔnɨ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_31.wav|zɛrknˈɛwa na klɛntʃˈɔntsɨx starˈuʃkuf.|1
+Dataset/wavs/urwisko_ferenc/54_segment_18.wav|i tsˈɔ ta fˈirma nˈatɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_192.wav|kʲɛrˈɔftsa dɔwˈɔntʃa dɔ mʲɛɲɕɲʲˈaka, ˌɔdvratsˈajɔ̃ ɕɛ dɔː ɔtfˈartɨɣ dʒvˈi i f tɛj xfˈili ˌukazˈujɛ ɕɛ jˈɔɛl ˈallɛn.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_13.wav|ɲitʃˈɛɡɔ jˈɛdnaɡ dʑˈiʑ vʲɛtʃˈɔrɛm ɲʲɛ jˈadwam, ˈidɛ vʲˈɛndʑ dɔ tsˌawɔnˈɔtsnɛj rˌɛstawrˈatsji f çˈinatawn ftɕˈɔŋɡnɔɲtɕ trˈɔxɛ dʲˈim sˈum i xrupʲˈɔntsɛj kˈatʃki.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_94.wav|ˈaʃ jɛst jɛj ˈɔjtsɛm, ɔt kʲˈɛdɨ skɔɲtʃˈɨwa ʃˈɛɕtɕ mʲɛɕˈɛntsɨ. ɲʲɛ jɛst jˈɛdnak ˈɔjtsɛm bjˌɔlɔɡʲˈitʃnɨm.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_127.wav|ɲʲɛ zɔstˈaviw dʑˈɛtɕi zˈɛ sfˈɛɡɔ tɕˈawa, ˌalɛ jɛst pˌɔdɔpʲˈɛtʃnɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_131.wav|sprubˈujmɨ zˈatɛm pamjˈɛntatɕ ˈɔtɨm, ʒˈɛ prˈavʲɛ zˈabʲiw jˈɔ̃ rˈak i ʒˈɛ ʒˈɨjɛ f pɔtʃˈutɕu strˈaxu pʃɛt jˈɛɡɔ navrˈɔtɛm, pˌɔtsunˈɛwa lˌɔuˈisa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_57.wav|nˌalɛʒˈawɔ tˌɛɡɔː ˌɔtʃɛkˈivatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_85.wav|dˈam tɕi tˈɨlɛ, rˈɛʃtɛ dɔstˈartʃɛ pˈɔtɛm.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_100.wav|sˈɛr raˈɨman vrˈɛʃtɕɛ ɔdʑˈɨskaw mˈɔvɛ. zˈamkɲij ɡˈɛmbɛ, dʑˈifkɔ!|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_131.wav|rˈuvɲʲɛʒ bˌɨwa dʑˈɛwɛm ɲʲˌɛznanˈɛɡɔ spʃˌɛdaftʃˈɨka.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_27.wav|zˈamɛɡ zˌablɔkˈɔvaw ɕɛ ˌawtɔmatˈɨtʃɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_49.wav|kturˈɛɡɔʑ dɲʲˈa, w drˈɔdʑɛ pɔvrˈɔtnɛj, zˌɔbatʃˈɨliɕmˌɨ na pɔbˈɔtʃu pʃˌɛvrutsˈɔnɛ, dɨmjˈɔntsɛ mˌitsubʲˈiʃi ɛˈaɡlɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_124.wav|tʃˈɛba zˈabratɕ s pʃɛdɲʲˈɛɡɔ sˈɔfɛ stfʲˈɛrdʑa i na jˈɛɡɔ mʲˈɛjstsɛ pɔstˈavitɕ kʃˈɛswɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_106.wav|ɔdvʲˈɛʑliɕtɕˌɛ jˈɔ̃ dɔ dˈɔmu? jˈasnɛ, ʒˈɛ tˈak. fˌurɡɔnˈɛtkɔ̃ xˈɛŋka?|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_102.wav|ˈɛlis pɔsˈɨwa mu ɔstrˈɔʒnɨ ˈuɕmʲɛx.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_51.wav|dˈawɛm ˌɛdmurɛˈɔvi swˈɔvɔ, ʒˈɛ jˈɛɕli ɕɛ pˈɔdda, jˈɛɡɔ lˈudʑɛ bˌɛndɔ̃ mˈɔɡli ˈɔdɛjʑdʑ bˈɛs ʃkˈɔdɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_78.wav|ˌalɛ sˈupɛr, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_10.wav|ɲʲɛ ɔddˈɨxaw i ftˈɛdɨ vʲɛdʑˈawɛm na pˈɛvnɔ, ʒˈɛ ˈumar.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_65.wav|kˈatɛ jˈaɡ zvˈɨklɛ pʃˌɛsadʑˈawa.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_381.wav|mɔʒlˈivɛ, ʒˈɛ jɛzd z ɲˈim dʑɛftʃˈɨna, ɔ ktˌurɛj fspˈɔmɲʲaw pˈɔdritsk. naprˈavdɛ?|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_31.wav|a pˈɔza tˈɨm, na drˈu��ʲim pʲˈɛntʃɛ znajdˈɔvaw ɕɛ bˈar, ɡdʑˈɛ mˈɔɡwam tsˈɔʑ zjˈɛʑdʑ za rɔssˈɔndnɔ̃ tsˈɛnɛ i tsˈawɨ tʃˈas mʲˈɛtɕ na ˈɔku pʃɨnˈɛntɛ.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_38.wav|i rˈɛʃtɨ zabrˈanɨx mˌarɨnˈaʒɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_11.wav|ˈidʑɛ, pˌɔvʲɛdʑˈawa. pʃˈɛwɔntʃ na kamˈɛrɛ bˈɔtʃnɔ̃, ˈal.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_337.wav|bˈɨtɕ mˈɔʒɛ umjˈɛmɨ lˈatatɕ. fʃˈɨstsɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_18.wav|z nˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_4.wav|bʲˈillɨ znˈuf jɛst wˈɛ falˈudʒɨ i dʑɛtɕˈɛntsɨ bˈutɕiɡ zɲˈiknɔw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_48.wav|vʑˈɔw ɡwɛmbˈɔki ˈɔddɛx i pʃˈɛʃɛd dɔ nastˈɛmpnɛj tʃˈɛɲɕtɕi, ktˌura vˌɨdavˈawa ɕɛ starˈanɲʲɛ zˌaplanɔvˈanɔ̃ pʃɛmˈɔvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_147.wav|ˌɔtpɔvʲadˈajɔ̃ tɨm sˈamɨm ɡˈɛstɛm i vratsˈajɔ̃ dɔ pʃɛrvˈanɛj rɔzmˈɔvɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_56.wav|ˌalɛ zˈajʒaw dɔmˈiɲik.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_119.wav|ˈɔknɔ vɨxˈɔdʑi na bˈɔʒɨ ɡˈaj. sɨpʲˈalɲʲa sˌɔ̃ɕadˈujɛ s sɨpʲˈalɲʲɔ̃ pˈaɲi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_41.wav|musˈimɨ zawˈɔʒɨtɕ, ʒˈɛ mˈɔʒɛ bˈɨtɕ f tɔ zˌaaŋɡˌaʒɔvˈana. jˈɛɕli xtsˈɛʃ spˈɛɲdʑidʑ z ɲʲˈɔ̃ trˈɔxɛ tʃˈasu, tɔ dˈɔbʒɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_214.wav|ɔtfʲˈɛra dɔkˈumɛnt, nat ktˌurɨm pratsˈujɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_63.wav|dɔmˈiɲik ɔtfˈɔʒɨw ʃˈɛʒɛj ˈɔtʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_192.wav|ɡdˈɨ tˌɨlkɔ frˈɛj vˈɨʃɛd, jˈɛɡɔ pˈaɲi ʒˈɔna zˌatɔtʃˈɨwa ɔtʃˈɨma.|1
+Dataset/wavs/urwisko_ferenc/19_segment_70.wav|pɔvˈinna ɕɛ pˈaɲi zɡwˈɔɕitɕ s tˌɨmi mˌatɛrjawˈami na kɔmˈɛndɛ i pʃɛkˈazatɕ jˈɛ pɔlˈitsji.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_92.wav|bʲˈillɨ ɔkrˈɔ̃ʒa samˈɔxut i zajmˈujɛ mʲˈɛjstsɛ za kʲˌɛrɔvɲˈitsɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_128.wav|xtɕˈawam ɕɛ zatʃˈɨmatɕ, zavrˈutɕitɕ, pˈɔbjɛdʑ dɔ dˈɔmu, zˈaɲim bˌɛɲdʑɛ za pˈuʑnɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_47.wav|prˈaɡnɔndʑ vʲˈɛʒɨtɕ, ʒˈɛ xˈɔtɕ f tɛj ɔstˈatɲʲɛj xfˈili bˌɨwa mˈɔjɔ̃ mˈatkɔ̃...|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_98.wav|lˈɔrt rˈɛnlɨ fʃˈɛt pʃˈɛdɲʲɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_145.wav|ˈɛlis pˈatʃɨ na dʑɛftʃˈɨŋkɛ tulˈɔntsɔ̃ rˌuʒɔvˈɛɡɔ flamˈiŋɡa.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_230.wav|mrˈuknɔw viktˈarjɔn. mˈuɕiʒ bˈɨtɕ ʃalˈɔnɨ, jˈɛɕli sˈɔɲdʑiʃ, ʒˈɛ zdˈɔwaʃ ɔbˈalidʑ vrˈɔɲʲɛ ˈɔkɔ ɡadˈaɲʲɛm ɔ fˈalax i kamˈɨkax.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_15.wav|ɲʲˈɛma tˈutaj pɔvʲˈɛtʃa, f ktˌurɨm dɔxˈɔdʑi dɔ rˌɔsprɔʃˈɛɲʲa ɕfʲˈatwa.|4
+Dataset/wavs/urwisko_ferenc/60_segment_29.wav|pʃɛwknˈɛwa ɕlˈinɛ i dˈawa ˈɔtpur fˈali vzruʃˈɛɲʲa.|0
+Dataset/wavs/urwisko_ferenc/05_segment_3.wav|vˈɛʃwa pɔ sxˈɔdaɣ dɔ sfɔjˈɛɡɔ davnˈɛɡɔ mʲɛʃkˈaɲʲa, ktˌurɛ pˈɔmuɡw jɛj uʒˈɔɲdʑitɕ ˈɔjtɕɛts.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_198.wav|kʲˈɛdɨ kʃˈɛmjɛɲ udˈɛʒa ɔ stˈal, f pɔvʲˈɛtʃɛ vˌɨlatˈujɔ̃ mˌikrɔskɔpˈijnɛ ɔdwˈamki mɛtˈalu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_76.wav|na zˈɛvnɔntʃ jɛzd ɡɔrˈɔntsɔ, w ɕrˈɔtku zˈatɔ pratsˈujɛ klˌimatɨzˈatsja.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_21.wav|dʒˈɛs, swˈɨʃɨʃ mɲʲɛ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_80.wav|f tɕˈɔŋɡu ɲʲˈɛmal ʃˈɛɕtɕu lˈat, ktˌurɛ pʃɛʒˈɨwam sˈama, ˌɔdnalˈazwam sfˈɔjɔ̃ dˈuʃɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_5.wav|ɲʲɛ ˌuswɨʃˈawa zapˈɛvnɛ dʑvˈɔŋkuf tˌɛlɛfˈɔnu f xˌawaɕlˈivɨm sˌupɛrmarkˈɛtɕɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_48.wav|swˈɨʃɛ f sfˈɔim ɡwˈɔɕɛ ˌɔskarʒɨtɕˈɛlski tˈɔn i pʃˈɛs xfˈilɛ mˈɔjɛ pʃˌɛkɔnˈaɲʲɛ, ʒˈɛ stsˈɔdd ʒˈɨjɛ, zatʃˈɨna ˌulatˈɨvatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_49.wav|tˈɔm zmˈarʃtʃɨw tʃˈɔwɔ, ˌalɛ ɲˈits ɲʲɛ pɔvʲˈɛdʑaw.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_45.wav|namjˈɔtɨ spɔvˈijaw tɕˈɛɲ, a rɨtsˈɛʒɛ i swuʒˈɔntsɨ, ktˌurɨx mijˈawɨ, bˌɨli utkˈaɲi z mɡwˈɨ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_6.wav|na pˈɛvnɔ jɛst jˈuʃ tfˈardɛ i ʃtˈɨvnɛ jˈaɡ ɡˌarbɔvˈana skˈura.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_190.wav|zasˈada, ɲʲɛ vˈɨkrɛnt, ʒˈɛ zabʲˈija tˌɨlkɔ zwˈɨx lˈudʑi jˈuʃ mu ɲʲɛ vɨstˈartʃa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_85.wav|mˈuɕiʃ jˈɛdnaɡ zrɔzˈumjɛtɕ, ʒˈɛ tfˈuj ˌɛɡɔtsɛntrˈɨtʃnɨ i ˌarɔɡˈantski xarˈaktɛr vzbˈudʑa w nˈas pɔɡˈardɛ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_128.wav|tˈaɡ vwˈaɕɲʲɛ pˌɔvʲɛdʑˈawɛm sˌarɔsnɛjˈɔvi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_232.wav|ˈandɛrsɔn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw i mˈikɛ ʒˈɛkw pɔ xfˈili.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_142.wav|tʃˈɛɲɕtɕ upˈadwa im pɔt stˈɔpɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_41.wav|sɔ̃ dˈuʒɛ ʃˈansɛ, ʒˈɛ ɲitʃˈɛɡɔ ɲʲɛ zɔbˈatʃɨw, bˈɔ ʒˈatkɔ dɔstˈajɛ pˈɔtʃtɛ, a zvaʒˈɨfʃɨ nˈatɔ, ʒˈɛ xˈɔllɨ jɛzd w dˈɔmu, zapˈɛvnɛ pɔɕfʲˈɛntsa tsˈawɨ tʃˈas na jɛj zˌabavʲˈaɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/55_segment_18.wav|mˈarja vˌɨpalˈiwa dvˈa xˌɛstɛrfjˈɛldɨ. ɡdˈɨ zˌabjɛrˈawa ɕɛ dɔ tʃɛtɕˈɛɡɔ, tɛlˈɛfɔn f kˈɔɲtsu zadʑvˈɔɲiw.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_54.wav|na kamjˈɛɲʲaɣ bˌɨwɔ jˈɛʃtʃɛ vˈidatɕ tʃˈarnɛ ɕlˈadɨ pwɔmjˈɛɲi, ˌalɛ tʃˈas i dˈɛʒdʒ dˈadʑɔ̃ sˈɔbjɛ z ɲˈimi rˈadɛ.|1
+Dataset/wavs/urwisko_ferenc/46_segment_167.wav|fpatrˈɨvaw ɕɛ w ɲʲˈɔ̃ pʃˈɛs xfˈilɛ, ˌɔblizˈujɔndʑ vˈarɡʲi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_132.wav|bʲˈillɨ xtsˈɛ ɡˈɔ stˈamtɔnd vɨdˈɔbɨtɕ. tsˈɔɕ tɔ dla ɲʲˈɛɡɔ znˈatʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_42.wav|pˈɛdʑɡ bˈɨw ɲʲˈɔ̃ jˈɛdnaɡ zˌaxfɨtsˈɔnɨ.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_101.wav|pʲˈɛz dbˈa ɔ mˈɔjɛ bˌɛspʲɛtʃˈɛɲstfɔ na drˈɔɡax, nˈavɛt f tˈak ɲʲˌɛbɛspʲˈɛtʃnɨx tʃˈasax.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_8.wav|tʃɨ ˌɔna ɲʲɛ tʃˈuwa ʒadnˈɛɡɔ ʒˈalu?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_64.wav|pʃɛprˈaʃam, mˈamɔ, bˌɨwam na spɔtkˈaɲʲu i vˌɨwɔntʃˈɨwam tɛlˈɛfɔn.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_247.wav|zapˈɛvɲiw jˈamɛ, ˌuɕmʲɛxˈajɔnts ɕɛ puwɡˈɛmpkʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_98.wav|dˌɔstavˈawɛm pɔ ɡwˈɔvʲɛ tˌɨlkɔ ftˈɛdɨ, kʲˈɛdɨ mi ɕɛ nˌalɛʒˈawɔ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_75.wav|pˈaɲʲɛ, mˈɔɡɛ...|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_37.wav|vˈidwɨ xˈajuf, tʃˈɨ ɡawˈɔ̃ski jɛmjˈɔwɨ lˈɔrda xarltˈɔna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_32.wav|pʃˌɨjɛxˈawa jˈakʲɛʑ dʑˈɛɕɛɲtɕ mˈinut pʃɛt pˈanɛm, ˌalɛ pˌɔmɨɕlˈawɛm, ʒˈɛ nˈajpʲɛrv zamjˈɛɲʲɛ pˈarɛ swˈuf s pˈanɛm, a dɔpʲˈɛrɔ pˈɔtɛm z ɲʲˈɔ̃. na vɨpˈadɛk, ɡdˈɨbɨ xɔdʑˈiwɔː ɔ tsˈɔɕ kˌɔŋkrɛtnˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_231.wav|krˈata ˌɔpuɕtɕˈiwa ɕɛ bwˌɨskavˈitʃɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_34.wav|a tˈɛras jˈɛɡɔ vˈarta ɕɛ skɔɲtʃˈɨwa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_45.wav|vˌɨɡlɔndˈawa dˈuʒɔ mwˈɔdʑɛj i bˈardʑɛj bɛzbrˈɔnɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_76.wav|tɔ jˈak ɕɛ ɔdrˈuʒɲʲa vʲˈɛlkix sɛptˈɔnuf ɔt ɕˈɛbjɛ?|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_63.wav|zˌauvˈaʒɨw mwˈɔdɨ, ˌɛlɛɡˈantski rˈɨtsɛʃ ɔ ɡˈɛ̃stɛj, blˈɔnd ɡʒˈɨvʲɛ ˌɔpadajˈɔntsɛj pɔɲˈiʒɛj rˈamjɔn.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_40.wav|spˌɔtɨkˈawɛm ɕɛ s kˈimɕ...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_236.wav|mˈɔɡɛ ˈalbɔː utɕˈɛkatɕ pʃˈɛs rˈɛʃtɛ ʒˈɨtɕa, ˈalbɔ stˈanɔɲtɕ pʃɛt ɲˈimi i vˈaltʃɨtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_203.wav|ˈɛlis swˈuxa ɡˈɔː uvˈaʒɲʲɛ, ˌaɲi na xfˈilɛ ɲʲɛ ˌɔdrɨvˈajɔnts ɔt ɲʲˈɛɡɔ ʃɛrˈɔkɔː ɔtfˈartɨx ˈɔtʃu.|2
+Dataset/wavs/urwisko_ferenc/39_segment_11.wav|ʒˈɛ kɔʃˈulka mʲˈawa pl��amɛ vʲɛlkˈɔɕtɕi dʑɛtɕˈɛntsɛj dwˈɔɲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_92.wav|tˈɛrɛn vˈɔkuw artˈɛmiz bˈɨw pˌɔɔrˈanɨ ɕladˈami ˈɔpɔn i tsˌawkɔvˈitɕɛ ˌɔɡɔwɔtsˈɔnɨ zˈɛ skˈaw.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_337.wav|tɨm rˈazɛm ɲʲɛ mʲˈawa vatˈaxɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_85.wav|jˈɛɕli faktˈɨtʃɲʲɛ tˈutaj ˈidʑɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_186.wav|vʲˈɛnts tɕi jˈɛɡɔ kˈumplɛ ˌɔpɔvʲadˈali mu tɛ fʃˈɨstkʲɛ ɡwˈupstfa, a tɕi jˈɛɡɔ kɔlˈɛdʑɨ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_32.wav|tsˈɔlin fçˈitɛ na pˈɛvnɔ vˈɨʃɛd rˈazɛm z rˈɛʃtɔ̃ tˌɔvaʒˈɨstfa, ˌalɛ rˈatʃɛj ɲʲɛ pɔvˈinnɔ ɕɛ vˈɨdatɕ, ʒˈɛ mˈa sˌubɔptˈura, bˈɔ bʲˈillɨ zɔstˈaɲʲɛ s tˈɨwu, a ɲˈikt ɲʲɛ bˌɛɲdʑɛ ɔɡlˈɔndaw ɕɛ za ɕˈɛbjɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_119.wav|ktˈuʃ rɔzˈumjɛ tˈɨx, ktˌuʒɨ zˌabʲijˈajɔ̃ dʑˈɛtɕi, xˈɛlɛn?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_34.wav|ɲʲˈɛmam rɔvˈɛru, a jˈak jˈuʃ pˌɔvʲɛdʑˈawam, ɲʲˈɛvʲɛm nˈavɛt, ɡdʑˈɛ tɔ jˈɛst.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_129.wav|kˈɔval dˈaw lˈudʑɔm kˈɔɲʲɛ, bˈɨ pˌɔmaɡˈawɨ im f prˈatsɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_215.wav|dˈam jɛj trˈɔxɛ pʲɛɲʲˈɛndʑɨ, tˈɨɕɔnts, mˈɔʒɛ puwtˈɔra.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_297.wav|ɔ bˈarɔ, nˈɨm!|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_18.wav|tˈak jˈak mˈɔja rɔdʑˈina, nˈaɕi znajˈɔmi w lɔndˈɨɲʲɛ, tʃɨ tɕˈi, ktˌurɨm ufˈaliɕmˌɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_45.wav|kʲˈɛdɨɕ stˈaw tˈam lˌuksusˈɔvɨ xˈɔtɛl, ˌalɛ vʲˈɛlɛ kɕɛ̃ʒˈɨtsuf tˌɛmu dɔʃtʃˈɛntɲʲɛ spwˈɔnɔw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_106.wav|kwutɕˈili ɕɛ f tɨm tɛmˈatɕɛ ɲʲˌɛzlitʃˈɔnɔ̃ ˈilɔɕtɕ rˈazɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_81.wav|tsˈɔ f tˈakim rˈaʑɛ vɨɲˈika z ˌɔɕfʲattʃˈɛɲʲa pˈaɲi ˈɛdmɔnts, davˈidʑɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_101.wav|mˈɨɕlɛ fstʃɔ̃ɕɲʲˈɛntɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_76.wav|filˈipa dˈalɛj zˌadavˈawa pɨtˈaɲʲa, ˌalɛ tˈɔm uswˈɨʃaw pɔspʲˈɛʃnɛ krˈɔki bˈɛki f kˌɔrɨtˈaʒu i pˌɔjɛdˈɨntʃɛ stukɲʲˈɛɲtɕɛ dɔ dʒvˈi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_6.wav|uɕmʲˈɛxaw ɕɛ dɔ fʃˈɨstkix, ˌalɛ vˈidadʑ bˌɨwɔ vɨrˈaʑɲʲɛ, ʒˈɛ sprˈavja mu tɔ vɨɕˈiwɛk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_246.wav|bˌɨwɔː ix tʃˈɛx. klɛntʃˈɛli plɛtsˈami dɔ mɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_172.wav|xˈɔf tɔ vʲˈɛntsɛj ɲˈiʃ kwˈɔpɔt, tɔ pˌɔtɛntsjˈalna kˌatastrˈɔfa.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_162.wav|ɲʲɛ jˌɛstɛm jˈɛdnɔ̃ z ɲˈix.|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_127.wav|dlatˈɛɡɔ pˌɔstanɔvˈiwɛm pʃɛxˈɔvatɕ ɕˌɔstʃɛɲˈitsɛ ˈu ɕˈɛbjɛ tˈɨdʑɛɲ, mˈɔʒɛ puwtˈɔra, ˈaʃ ɕˈɔstra trˈɔxɛ ɔxwˈɔɲʲɛ. pˈɔtɛm ɔtstˈavjɛ dʑɛftʃˈɨnɛ dɔ dˈɔmu i pɔɡˈadam z mˈarɨ ɔ bˈɔbjɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_51.wav|a ˌɔna sˈama prˌɛzɛntɔvˈawa ɕɛ dˌɔskɔnˈalɛ jˈaɡ zˈafʃɛ, ubrˈana f tɕˈɛmnɨ ɡarɲˈitur i bjˈawɔ̃ blˈuskɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_129.wav|bˈɔ ʃˈukam nˈɔvɨx pɛrspˈɛktɨv w bʲiznˈɛɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_106.wav|tˈak, tɔ tʃˈapka.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_176.wav|mˈa na sˈɔbjɛ tɕˈɛpwɔ̃ blˈuzɛ z napˈisɛm kˈɔxam lˈaz vˈɛɡas i pˈatʃɨ na ɕˈɛrp kɕɛ̃ʒˈɨtsa.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_36.wav|mwˈɔt krˈula rɔbˈɛrta jɛst nˌajpɔtɛ̃ʒɲʲˈɛjʃɨm ɔkrˈɛntɛm f tsˈawɨm vɛstˈɛrɔs.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_112.wav|tɔ znˈatʃɨ, ʒˈɛ trafˈiwɔ ɕɛ ɕlˈɛpɛj kˈuʒɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_101.wav|ˌalɛ na kɕɛ̃ʒˈɨtsu mˈɔɡwa z watfˈɔɕtɕɔ̃ pɔrˈuʃatɕ ɕɛ ɔ kˈulax.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_140.wav|dlatʃˈɛɡɔ tˈutaj jˈɛstɛɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_14.wav|mʲˈaw tˈɛʃ lɛkˈarstfa na ˈinnɛ pʃˌɨpadwˈɔɕtɕi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_84.wav|mˈuʃɛ pʃˈɨznatɕ, ʒˈɛ rɔzɡʒˈɛvaʃ naprˈavdɛ vrˈɛdnɔ̃ pˈartjɛ pɔkˈɛra.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_314.wav|pˌɔtʃɛrvʲˈɛɲʲɔ̃ na tfˈaʒɨ. tʃɨ tɔ fʃˈɨstkɔ, tʃˈɛɡɔ bˌɨwɔ tʃˈɛba?|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_69.wav|mˈɔʒɛ pɔvˈinnam zˈɔstatɕ? pˌɔwɔʒˈɨwabˌɨm ɕɛ pɔ drˈuɡʲɛj strˈɔɲʲɛ wˈuʃka.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_63.wav|ˌɔdwɔʒˈɨwam jˈɛdnɔ̃ dla ɲʲˈɛɡɔ, ˌalɛ tɨ maʒ zjˈɛɕtɕ tɛ dvʲˈɛ, rˌɔzumjˈɛmɨ ɕɛ?|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_242.wav|xˈɔtɕ kˈapwan ˈɔtʃɛd, viktˈarjɔn ɲʲɛ zapˈɔmɲʲaw ɔ jˈɛɡɔ zwɔvrˈɔɡʲix ˌɔstʃɛʒˈɛɲʲax.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_51.wav|dˈavn uznˈawa, ʒˈɛ ɲʲɛ mˈɔʒɛ uvʲˈɛʒɨtɕ, ʒˈɛ tɛn bˈɨdlak ftɕˈɔ̃ʒ ʒˈɨjɛ, pɔ tʃɨm utɕˈixwa i pˌɔɡrɔ̃ʒˈɨwa ɕɛ w mˈɨɕlax.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_39.wav|a jˈɛɕli xtɕˈɛli, ʒˈɛbɨ ˈaʃ pʃˌɛprɔvˈadʑiw ˌɔpɛrˈatsjɛ na mˈili. jˈɛɕli zˌalɛʒˈawɔː im na jɛj naʒˈɔndax.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_6.wav|pˈɔkuj dɔ mˌɛdɨtˈatsji arˈama mʲˈɛɕtɕi ɕɛ na tˈɨwax, a jˈɛɡɔ vɨsˈɔki ɔt pɔdwˈɔɡʲi pɔ sˈufit ˈɔkna vɨxˈɔdʑɔ̃ na fsxˈud z vidˈɔkʲɛm na ˈɔɡrut.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_441.wav|ja tˈɛʃ ɲʲɛ ɔdmʲˈɛɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_76.wav|ɲʲɛ jˌɛstɛm pˈɛvna, tʃɨ xtsˈɛ vʲˈɛdʑɛtɕ, ˌalɛ mˈuʃɛ ˈɔtɔ zapˈɨtatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_526.wav|ˌɔtʃɨvˈiɕtɕɛ pɔ xfˈili rˈɔzlɛkw ɕɛ dʑvˈɔnɛk pʃɨ dʒvʲˈax. pɔʃˈɛdwɛm tˈam jˈak na ɕtɕˈɛɲtɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_98.wav|tʃɨ ɔn w ɔɡˈulɛ ˌɔtpɔvʲˈadaw na jɛj maˈilɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_74.wav|bʲˈili zaprˈaʃa fʃˈɨstkiɣ dɔ ɕrˈɔtka, ʒˈɛbɨ mˈɔɡli ˈuɕɔ̃ɕtɕ na pravdʑˈivɨx kʃˈɛswax.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_149.wav|tʃɨ mˈa znatʃˈɛɲʲɛ, w jˈaki spˈɔsub zɡʲˈinɔw?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_38.wav|mˈam dla tɕˈɛbjɛ ˈinnɛ zadˈaɲʲɛ. ˌɔkazˈawɔ ɕɛ, ʒˈɛ w vʲɛ̃ʑˈɛɲʲu w mˌanxɛstˈɛʒɛ dˈɔʃwɔ dɔ mɔrdˈɛrstfa. xtɕˈawabˌɨm, ʒˈɛbɨɕ pˌɔprɔvˈadʑiw ɕlˈɛtstfɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_39.wav|w jˈɛdnɛj xfˈili pˌɔdɛjmɔvˈawam dɛtsˈɨzjɛ ɔ pˌɔzɔstˈaɲʲu, ʒˈɛbɨ pɔ pʲˈɛɲtɕu minˈutax jˈɔ̃ zmʲˈɛɲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_249.wav|pʃˈɨbɨw dɔ mʲˈasta dʑˈɛɲ pʃɛt tˈɔbɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_167.wav|tsˈɔɕ ɕɛ z ɲˈim ˈalbɔ...|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_160.wav|ˌɔkrɔ̃ʒˈɨwa kɔmnˈatɛ dvˈa rˈazɨ, nastˈɛmpɲʲɛ tʃˈɨ i...|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_3.wav|tsˈɛla dla ˌarɛʃtˈantuf jɛst ɲˈitʃɨm ˈinnɨm jˈak pʃˌɛrɔbjˈɔnɨm sxrˈɔnɛm pɔvʲˈɛtʃnɨm. vwaɕtɕˈivʲɛ tɔ mˈuj ˈɔjtɕɛdʑ ɡˈɔ mɔntˈɔvaw.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_126.wav|i jˈaɡ zamjˈɛʒa kˈarmidʑ vrˈublɛ, ɡdˈɨ tɛn zˈapas ɕɛ skˈɔɲtʃɨ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_32.wav|dɔstʃˈɛɡam rɔvˈɛrki dʑˈɛtɕi ɔpˈartɛ ɔ ɕtɕˈanɨ, ˌalɛ ɲʲɛ vˈidʑɛ za ɲˈimi ʒadnˈɛɡɔ kartˈɔnu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_37.wav|jˈɔɛl pˈɨtaw, tʃɨ jɛst tˈutaj ˈindja.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_189.wav|a kʲˈɛdɨ rˌɔskazˈawam im ɡˈɔ pˈɔjmatɕ, jˈɛdɛn z jˈɛɡɔ rɨtsˈɛʒɨ mʲˈaw tʃˈɛlnɔɕtɕ pɔvʲˈɛdʑɛtɕ, ʒˈɛ mˈam zrˈɔbʲitɕ tˈak, jˈak kˈazaw lˈɔrt stɔkˈɛvɔrt.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_144.wav|bˈutskɨ krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_559.wav|sprˌavʲɛdlˈivɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_56.wav|tˈam jɛzd bjˈurɔ rˌaxuŋkˈɔvɛ, mˈuvi xˈɔff, pˌɔkazˈujɔnts pˈaltsɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_53.wav|xˈɔdʑ bˈutskɨ znˈuv vˈɨʃɛd na vɛrˈandɛ, ɡdʑˈɛ pˈali pˌapʲɛrˈɔsa i pˈijɛ sˈɔk pˌɔmaraɲtʃˈɔvɨ, bʲˈillɨ ɲʲɛ pɔjmˈujɛ, jˈak mˈɔʒna sˈɔbj�� zˌaɔrdɨnˈɔvatɕ tˈakɔ̃ mʲɛʃˈaŋkɛ. ˈɛlis ɕtɕˈiʃa ɡwˈɔs.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_171.wav|ɡdˈɨ jˈɛdnak ɔdbʲˈili ɔd bʒˈɛɡu i ruʃˈɨli na drˈuɡɔ̃ strˈɔnɛ kˌamjɛnnˈɛɡɔ nˈurtu, ɛdmˈurɛ tˈullɨ zwˈapaw jˌamjɛˈɛɡɔ za rˈamjɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_42.wav|ftˈɛdɨ pɔdjˈɛwa ɔdvˈaʒnɨ krˈɔk i zˌadɛnˌuntsjɔvˈawa ɡˈɔ pɔlˈitsji.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_36.wav|dˈɔbʒɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn, ɲʲɛ bˌɛndɛ nˈatɔ ˌɔtpɔvʲˈadatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_194.wav|ˌalɛ strˈax ɲʲˈɛma ɲˈits fspulnˈɛɡɔ z lˈɔɡʲikˌɔ̃.|4
+Dataset/wavs/urwisko_ferenc/23_segment_148.wav|ɔt fspulnˈɛɡɔ ʒˈɨtɕa i vˌɨxɔvɨvˈaɲʲa ˌukɔxanˈɛɡɔ dʑˈɛtska?|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_125.wav|lˈandviɡ bˈɨw nɔrvˈɛɡʲɛm.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_40.wav|mɨɕlˈawa vˈuftʃas. rˈɨtsɛʒ zaxˈɔvaw ɕɛ jˈɛdnak xˌɔnɔrˈɔvɔː i ɲʲɛ zrˈɔbʲiw ɲˈits f tɨm rɔdʑˈaju. ɡʲˈɛrmɛk jɔŋkˈawa, ʒˈutɕiw kamjˈɛɲʲɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_11.wav|rˈɔp tˈɛʃ jˈuʃ jˈɛdʑɛ, vwˈaɕɲʲɛ dʑvˈɔɲiw. vrˈutɕiw tˈu jˈɛʃtʃɛ ftʃˈɔraj i xˈɨba ɕˈɛdʑaw dɔ puwnˈɔtsɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_299.wav|a ˌɔna stulˈawa dwˈɔɲ, vʲˈɛ̃ʒɔnts mˈɔjɔ̃ rˈɛŋkɛ.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_136.wav|mʲˈawɔ brɔ̃zˈɔvɛ, ˌaksamˈitnɛ zaswˈɔnɨ i dɛmbˈɔvɛ swˈupki pɔkrˈɨtɛ ʒˌɛʑbjɔnˈɨmi pnɔntʃˈami i lˈiɕtɕmi.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_36.wav|lˈadɨ brjˈɛnnɛ, tʃɨ mˈɔɡɛ fskˈazatɕ tɕi drˈɔɡɛ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_48.wav|zˌamjɛʒˈawa zaʒˈɔndatɕ pɔwˈɔvɨ vartˈɔɕtɕi jˈɛɡɔː udʑˈawuf i mˈɨɕlɛ, ʒˈɛ kʲˈɛdɨ tɔ bˈɨ ɕɛ skɔɲtʃˈɨwɔ, zˈɔstawbˌɨ praktˈɨtʃɲʲɛ z ɲˈitʃɨm.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_132.wav|stˈali z dˌarɨˈɔnɛm na nabʒˈɛʒu, pˈatʃɔnts jˈaɡ vʲˈɔswa ɕɛ unˈɔʃɔ̃, a ɡalˈɛra zmʲˈɛʒa kˈu tˌɨtanˈɔvi i ˌɔtfartˈɛmu mˈɔʒu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_7.wav|prˈɔʃɛ. ɡwˈɔs ɲʲɛ nalˈɛʒaw dɔ tˈɔma, ˌalɛ dɔ nˌadʲinspˈɛktɔr stˈanlɛj. tˈɔm rɔzmˈavʲaw pʃˈɛs tɛlˈɛfɔn, ˌalɛ ɕɛ rɔzwˈɔntʃɨw, kʲˈɛdɨ vˈɛʃli.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_213.wav|jɛst tˈaɡ bˈardʑɔ dˌɔstrɔjˈɔnɨ dɔ mˈɔix ɛmˈɔtsji, ʒˈɛ vʲˈɛ dˈɔbʒɛ, kʲˈɛdɨ tsˈɔɕ mɲʲɛ drˈɛntʃɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_124.wav|ˈandɛrsɔn mˈiltʃaw. pˈatʃɨw na sfˈɔjɛ dwˈuɡʲɛ nˈɔɡʲi, pʃˈɛs ktˌurɛ ftɕˈɔ̃ʃ pʃˌɛskakivˈali lˈudʑɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_238.wav|vʲˈɛnts pʃˌɨɡarnˈɔwɛm jˈɔ̃ ɲʲɛɕmʲˈawɔ dɔ ɕˈɛbjɛ, a ˌɔna zavˈɨwa ɲʲɛɡwˈɔɕnɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_53.wav|mˌajɔ̃ za mwˈɔdɔ̃ dʑɛftʃˈɨnɛ, ktˌura dɔpʲˈɛrɔ tsˈɔː ˌɔpuɕtɕˈiwa rɔdʑˈinnɨ dˈɔm i trafˈiwa w ɲʲˌɛvwaɕtɕˈivɛ mʲˈɛjstsɛ z ɲʲˌɛvwaɕtɕivˈɨmi lˈudʑmi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_24.wav|zaɕpʲˈɛvaj pʲˈɛrʃɨ vˈɛrs pikɲˈiku mˈiɕuf.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(74) R.Abbott_Zamknij Drzwi_segment_6.wav|tˈɛrɨ ɕtɕˈɔŋɡnɔw ʃˈalik s ʃˈɨi, ˈaʃ ɔdvrˈutɕiw ɕɛ dɔ ɲʲˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_20.wav|ɲʲɛ ɔtprˈɛ̃ʒɛ ɕɛ, dɔpˈuki stˈɔnt ɲʲɛ vˌɨjɛdʑˈɛmɨ, dɔpˈuki ɲʲɛ ˌɔpuɕtɕˈimɨ mˌanxɛstˈɛru.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_214.wav|pˈuɕtɕtɕɛ ix.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_264.wav|ˈandɛrsɔn pˈatʃɨw na ɲʲˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_291.wav|tʃɨ zdˈɔwaʃ utʃˈɨmatɕ xarˈɛnxal s sˈamɔ̃ tˌɨlkɔ sˈɛtkɔ̃ ɕfʲˈɛntɨx? zapˈɨtaw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_7.wav|pˌɔtfʲɛrdʑˈili jˈuʃ, ʒˈɛ jˈɛɡɔ samˈɔxut pɔdjˈɛxaw pɔd dˈɔm f tʃˈaɕɛ, ɔ ktˌurɨm mˈuviw, ˌalɛ dla tˈɔma ɲʲɛ bˌɨwɔ tɔ vˌɨstartʃajˈɔntsɔ jˌɛdnɔznˈatʃnɛ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_82.wav|rɔspˈɔtʃɔw ɲʲɛpˈɛvɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_80.wav|ˈɔstʃɛɡw jˌasnɔvwˈɔsɨ zbʲˈir. ɲʲɛ, jˈɛɕli mˌajɔ̃ pazˈurki.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_84.wav|tʃˈɛɕtɕ, lˈutsɨ! zˌavɔwˈawa bˈɛtskɨ, a tˈɔm uswˈɨʃaw ɔtpˈɔvʲɛtɕ tsˈurki f prˈavɨm ˈuxu.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_454.wav|ɲʲɛ, ɡdˈɨ xˈɔdʑi ɔ mˈɔjɛ ʒˈɨtɕɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_81.wav|ja tˈɛʃ ix ɲʲɛ dɔstˈawɛm za dˈarmɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_140.wav|tʃˈɨmam tɕˈɛ za swˈɔvɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_387.wav|pɔxˈɨla, a jɛj lˈɛva pʲˈɛrʑ bˈɛs skˈazɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_74.wav|kˈu vwasnˈɛmu fstɨdˈɔvi ɲʲɛ pˌɔvʲɛdʑˈawam ɲitʃˈɛɡɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_43.wav|tˈakʲɛj vˈɛrsji sfˈɔjɛj tsˈurki jˈɛʃtʃɛ dɔ tɛj pˈɔrɨ ɲʲɛ vˈidʑaw.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_126.wav|maˈɛstɛr ˈɛmɔn pʃɛʑˈɛmbʲiw ɕɛ pˈɔttʃas rˈɛjsu i xɔrˈɔba vɲiknˈɛwa dɔ jˈɛɡɔ pʲˈɛrɕi.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_226.wav|sˈɛr tˈallat tɔ kˈavaw ɡwˈɔmba i mˈɔʒɛ sprubˈɔvatɕ stˈavʲatɕ ˈɔpur. pˌamjɛntˈajtɕɛ, ʒˈɛ ɲʲɛ mˈɔʒɛ zɡʲˈinɔɲtɕ pʃɛt pʃɨznˈaɲʲɛm ɕɛ dɔ vˈinɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_309.wav|jˈakiɕ mɛ̃ʃtʃˈɨzna ɔpˈartɨ na wɔpˈatɕɛ skˈinɔw ɡwˈɔvɔ̃ mˈɔjɛj tˌɔvaʒˈɨʃtsɛ. zˌɔbatʃˈɨwɛm pʃɛt sˈɔbɔ̃ lˈas i zɡʲˈinɔw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_16.wav|tɛlˈɛfɔn jɛj pʃˌɨdʑɛlˈɔnɨ zˈɔstaw uʒˈɨtɨ dɔ kɔntˈaktu z ɡˌɛnɛvʲˈɛvɛ i vˌɨvabjˈɛɲʲa jɛj z dˈɔmu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_300.wav|tˈɔɲi, ɲʲɛ dɛnˈɛrvuj ɕɛ. ɔt rˈazu pɔjˈavja ɕɛ arˈɨtmja.|0
+Dataset/wavs/urwisko_ferenc/51_segment_10.wav|jˈasnɛ, zɡɔdʑˈiwa ɕɛ xˈɛrman.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_32.wav|i dʒvˈi ˌustɔmpˈiwɨ s tɕˈixɨm ʃtʃɛŋkɲʲˈɛɲtɕɛm.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_161.wav|zɔstˈawɔ tˌɨlkɔ rivˈɛrun.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_168.wav|pˌɔtʃɛbɔvˈawa vwˈasnɨx ɕˈiw mˈɔrskix.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_70.wav|ɔpˈadwam s pɔvrˈɔtɛm na kʃˈɛswɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_51.wav|rˈɛtɨ, ʒˈɛbɨm ix tˌɨlkɔ ɲʲɛ ˌupuɕtɕˈiwa, sɔ̃ nɔvʲˈutkʲɛ i pˈɛvɲʲɛ kɔʃtˈujɔ̃ fɔrtˈunɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_114.wav|ˈilɛ mʲˌawɛm tɨx kˈɔbjɛd w ʒˈɨtɕu?|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_146.wav|w lˈatax ˌɔɕɛmdʑɛɕˈɔntɨx, kʲˈɛdɨ ɕfʲɛrʃtʃˈɨki jˈɛʃtʃɛ istɲʲˈawɨ,|2
+Dataset/wavs/urwisko_ferenc/25_segment_103.wav|pʲˈɛrʃɨ bˈɨw z mˈaja, drˈuɡʲi s tʃˈɛrftsa. majˈɔvɨ mʲˈaw tʃtˈɛrɨ strˈɔnɨ, tɛn s tʃˈɛrftsa ʃˈɛɕtɕ.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_220.wav|xtɕˈawɛm bˈɨtɕ tˈɔbɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_155.wav|vɨdˈajɛ ɕɛ bˈardʑɔ samˈɔtnɨ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_479.wav|jˈɛɕli nˈavɛt ˌutʃɨmɨvˈawɛm tɕˈɛ w ɲʲˌɛɕfʲadɔmˈɔɕtɕi zbˈɨd dwˈuɡɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_107.wav|prˈavdɛ mˈuvʲɔnts, ɲʲɛ bˈardʑɔ jɛst na tsˈɔ tʃˈɛkatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_65.wav|ˌalɛ ɲʲɛ tˌɛɡɔ tˈak naprˈavdɛ dɔtˈɨtʃɨ pɨtˈaɲʲɛ ˈɛlis.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_34.wav|pɔdnˈɔɕi drˈutɨ i zatʃˈɨna ɲˈimi pɔrˈuʃatɕ, a ja tʃˈɛkam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_58.wav|bɛvˈɛrlɨ|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_8.wav|ɲʲɛ mˈɔɡwam pɔsˈuvatɕ ɕɛ dˈalɛj, skˈatʃɔnts s kamjˈɛɲʲa na kˈamjɛɲ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_88.wav|ˌalɛ s fˌurɡɔnˈɛtki vʒutɕˈili tɕˈɛ tʃˈɛj mɛ̃ʃtʃˈɨʑɲi, a tɨ bˌɨwaɕ s tʃˈɛma mˌɛ̃ʃtʃɨznˈami, kʲˈɛdɨ ˈurvaw tɕi ɕɛ fˈilm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_80.wav|ɔn ˈuɲʲus lˈɛkkɔ brvˈi i pɔpˈatʃɨw nˈamɲʲɛ z nˌadɔkulˈaruf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_15.wav|mwˈɔdʑi pravɲˈitsɨ plˈus prˌaktɨkˈantka i sˌɛkrɛtˈarka ˈidɔ̃ dɔ bjˈura rˌaxuŋkɔvˈɛɡɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_87.wav|musˈimɨ ɕɛ z ɲˈim skˌɔntaktˈɔvatɕ i dɔvʲˈɛdʑɛtɕ, tʃɨ ktˈɔʑ zvrˈutɕiw ɕɛ dɔ ɲʲˈɛɡɔ f sprˈavʲɛ sˈɨna i vnˈutʃki.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_441.wav|ˌalɛ ɡdʑˈɛɕ pɔ drˈɔdʑɛ fprˌɔvadʑˈiwɛm xˈɨba tʃˈɛtɕɔ̃ ʃklanˈɛtʃkɛ dɔː ˌɔrɡaɲˈizmu|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_356.wav|mˈɔʒɛ kˌantsɛlˈarjɛ ˌadvɔkˈatskʲɛ sɔ̃ jˈɛʃtʃɛ tʃˈɨnnɛ. a tˌɛmu bjˌɛdakˈɔvi dˈaj pʲɛɲʲˈɔndʑɛ, dɔlˈarɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_175.wav|sɔ̃ jˈak ˈɔddɛx. sˈamɛ f tɕˈɛbjɛ fstɛmpˈujɔ̃, sˈamɛ s tɕˈɛbjɛ vɨxˈɔdʑɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_219.wav|ktˌura pʃˈɛs tsˈawɔ̃ nˈɔts mrˈutʃɨ mˌɛtalˈitʃɲʲɛ i jɛzd dla mɲʲɛ jˈakɔ̃ʑ dʑivˈatʃnɔ̃ kˌɔwɨsˈaŋkɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_233.wav|dˈɔbʒɛ, ʒˈɛ ɲʲˈɛma tˈu strˈuʒuf pˌɔlitˈɨtʃnɛj pˌɔpravnˈɔɕtɕi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_115.wav|sˈɔku ɲʲˈɛma, ˌalɛ jɛst nˈapuj ˌimbʲirˈɔvɨ, mˈɔʒɛ bˈɨtɕ.|2
+Dataset/wavs/urwisko_ferenc/60_segment_42.wav|mˈa tɕˈɛbjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_78.wav|a pɔ drˈuɡʲɛ, rˈuʃ lɛɲˈivɛ dˈupskɔː i pˈɔmuʃ mi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_491.wav|ˌalɛ ʃˈumu tʃˈɛɡɔ? ʃˈumu zmɛntʃˈɛɲʲa, bˈuntu?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_391.wav|mˈɔʒɛ i vˈɔbɛts ɲʲˈɛj zˌaviɲˈiwɛm.|0
+Dataset/wavs/urwisko_ferenc/63_segment_7.wav|ɔ tʃɨm pˈaɲi mˈuvi?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_55.wav|tɕˈɔŋɡɲʲɛ stɔpˈami pɔː asfˈaltɕɛ jˈak stˈara kɔbjˈɛta, dla ktˌurɛj kˈaʒdɨ krˈɔk stanˈɔvi vɨɕˈiwɛk.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_41.wav|— jˌɛstɛm inspˈɛktɔr bˈɛtskɨ rˈɔbʲinsɔn. tɔ mˈiwɛ, ʒˈɛ pʃˌɨɡɔtˌɔvawˈɨɕtɕɛ, pˈaɲʲɛ, jɛdʑˈɛɲʲɛ dla jˈɔɛ. jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ tɔ dɔtsˈɛɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_67.wav|swɨʃˈawɛm, ʒˈɛ fʃˈɨstsɨ w artˈɛmis sɔ̃ bjˈali.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_26.wav|pˌɔzɔstavˈawɔ mu tˌɨlkɔ mʲˈɛtɕ nadʑˈɛjɛ, ʒˈɛ vizˈɨta ɲʲɛ ɔkˈaʒɛ ɕɛ zbˈɨd dˌɔwujˈɔntsa.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_325.wav|ftˈɛdɨ, ɡdˈɨ pɔ rˈas pʲˈɛrʃɨ pʃˈɨbɨw nˈatart.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_105.wav|i pʃˈɛrvatɕ ˌɔblɛ̃ʒˈɛɲʲɛ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_44.wav|pˌɔvʲɛdʑˈawam mu kʲˈɛdɨɕ, ʒˈɛbɨ mˈuviw mi pɔː imjˈɛɲʲu, ˌalɛ ɲˈiɡdɨ ɕɛ ɲʲɛ ɔdvˈaʒɨw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_59.wav|jˈɛŋknɔw, ujʒˈafʃɨ ˈimjɛ dʑvˌɔɲʲɔntsˈɛɡɔ na ɛkrˈaɲʲɛ, ˌalɛ mˈimɔ tɔ sprubˈɔvaw nˈadatɕ sfɔjˈɛmu ɡwɔsˈɔvi pʃɨjˈaznɨ tˈɔn.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_17.wav|kˈɔɡɔ tˈutaj ɲʲˈɛɕɛ? vɔlˈawabˌɨm, ʒˈɛbɨ ɲˈikt ɲʲɛ pʃɨxˈɔdʑiw, ʒˈɛbɨm mʲˈawa ɕfʲˈɛntɨ spˈɔkuj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_146.wav|pˌɔjɛxˈawam dɔ mˌanxɛstˈɛru.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_402.wav|a tˈɛraz zˈamkɲij tˈɛ xɔlˈɛrnɔ̃ ɡˈɛmbɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_42.wav|zˈaraz zdˈɛjmɛ tɕi ˌɔpatrˈuŋki z ˈɔtʃu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_5.wav|bˈɨtɕ mˈɔʒɛ ˌɔtʃɛkˈujɛ pʃɛprˈɔɕin.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_17.wav|nad vwˈazɛm vˈidɲʲaw nˈapis.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_64.wav|bˈutskɨ i ˈɛlliz vˌɨjɛʒdʒˈajɔ̃ kfˈadrans pɔː ˈusmɛj. ˈɛllis ˌumalɔvˈawa tfˈaʃ tˈak, ʒˈɛ pɔ ɕˈiɲtsax ɲʲˈɛma ɕlˈadu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_46.wav|ɲʲɛ jˌɛstɛm zazdrˈɔsnɨ ɔ sfˈɔjɛ vwˈasnɛ nˈɔɡʲi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_64.wav|kˈiva ɡwˈɔvɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_54.wav|inspˈɛktɔr rˈɔbʲinsɔn fspɔmɲʲˈawa, ʒˈɛ znˈalaz ˈu pˈan ʒˈɔnɛ w alˈɛjtsɛ, pɔɲʲˈɛvaʃ namjˈɛʒɨw jɛj tɛlˈɛfɔn, zɡˈadʑa ɕɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_112.wav|kamˈɛra mˌɔɲitɔrˈiŋɡu pˈadwa. jˈɛɡɔ lˈudʑɛ rˈazɛm s ʃˈɛfɛm ˌɔɡlɔndˈajɔ̃ mˈɛdʒ w dˈɔmu, ˌalɛ ta kɔbjˈɛta jɛst tˈutaj z rˈɨdlɛm i kɔʃˈɨkʲɛm kfʲˈatuf.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_388.wav|jˈakim tsˈudɛm udˈawɔ tɕi ɕɛ zrˈɔbʲidʑ z rˈumu tsˈɔɕ takʲˈɛɡɔ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_96.wav|dʑɛŋkˈujɛ za rɔzmˈɔvɛ, stsˈɔtt. vɨɡlˈɔnda nˈatɔ, ʒˈɛ jˌɛstɛɕ w jˈakimʑ zˌatwɔtʃˈɔnɨm mʲˈɛjstsu. sˈɔndʑɔnts pɔː ɔdɡwˈɔsax, xˈɨba na lɔtɲˈisku. ɡdʑˈɛɕ f stˈanax?|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_271.wav|jˌɛstɛm zbˈɨt pɔtˈulnɨ, swˈabɨ i ɔstrˈɔʒnɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_148.wav|ˈɔtɔ mˈɔja prˌɔpɔzˈɨtsja.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_3.wav|— sˈama vʲˈɛʃ, jˈak tɔ jˈɛst — pɔvʲˈɛdʑaw z vɛstxɲʲˈɛɲʲɛm. — bˌɛndɔ̃ kˈɔpatɕ tˈaɡ dwˈuɡɔ, ˈaʃ tsˈɔʑ znˈajdɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_84.wav|ɕtɕˈanɨ pˌɔkrɨvˈajɔ̃ papʲˈɛrɨ, zdjˈɛɲtɕa, mˈapɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_187.wav|ˈaram sprˈaviw, ʒˈɛ pɔtʃˈuwa ɕɛ bˌɛzvartɔɕtɕˈɔva.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_19.wav|xtɕˈawam bˈɨtɕ pʃˌɨɡɔtɔvˈana na kˈaʒdɔ̃ ˌɛvɛntuˈalnɔɕtɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_301.wav|ɲʲɛ ˈumjawbˌɨm tˌɛɡɔ lˈɛpʲɛj sˈam pɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_77.wav|bˈardʑɔ skrˌupulˈatɲʲɛ zˌidɛntˌɨfikˈɔvaw kˈaʒdɔ̃ jɛj swˈabɔ̃ strˈɔnɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_85.wav|ˌɛmiɡrˈujɛ kˈilku znajˈɔmɨx, vˌɨrabjˈajɔ̃ sˈɔbjɛ pɔzˈɨtsjɛ w jˈakʲɛjʑ brˈanʒɨ i zˌatrudɲʲˈajɔ̃ sfˈɔix pʃɨjˈatɕuw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_67.wav|muɕˈawam bˈɨtɕ pʃˌɨɡɔtɔvˈana, bˈɔ vʲˈɛm dɔkwˈadɲʲɛ, tsˈɔ pˈɔvʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_3.wav|pamjˈɛntam, ʒˈɛ tˈɔm mɲʲɛ pɔxfˈaliw i pɔvʲˈɛdʑaw, ʒˈɛ ɕfʲˈɛtɲʲɛ sˈɔbjɛ pˌɔradʑˈiwam, ˌalɛ ʃtʃɛɡˈuwɨ bwˌɨskavˈitʃɲʲɛ mi ɕɛ zatˈarwɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_23.wav|tˌɛɡɔ mi ɲʲɛ pɔvʲˈɛdʑaw, ˌalɛ ɲʲɛ rˈaz dla ɲʲˈɛɡɔ prˌatsɔvˈawɛm. vʲˈɛm, jˈak ɕɛ tˈakʲɛ ʒˈɛtʃɨ ˌɔrɡaɲizˈujɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_92.wav|dˈɔkɔnt prɔvˈadʑi tɛn tˈunɛl? zˌapɨtˈawa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_92.wav|zˈamkɲij ɕɛ, lˈis, vˈarknɔw jˈɛdɛn z mˈɛ̃ʃtʃɨzn.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_74.wav|prˈɔʃɛ nˈavɛt pʃˈɛs sɛkˈundɛ f tɔ ɲʲɛ vˈɔntpitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_46.wav|mˈɔʒɛʃ pˌɔudˈavatɕ, ʒˈɛ jˌɛstɛɕ ɲˈim.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_263.wav|jɛj mˈawɨ, vˌɨpatʃˈɔnɨ bratɕˈiʃɛɡ bˈɨw za sprˈɨtnɨ, bˈɨ pɔzvˈɔliw, ʒˈɛbɨ lˈɔlis nadˈawa sfˈɛmu pʃˌɛklɛntˈɛmu bˌɛŋkartˈɔvi jˈɛɡɔː ˈimjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_93.wav|zdjˈɛɲtɕa zatʃˈɛwɨ vɨpˈadatɕ lˈɛpʲɛj, a tsamˈɛrɔn bˈɨw zˌadɔvɔlˈɔnɨ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_361.wav|bwɛŋkˈitnɨ bˈard ɡrˈaw dla nˈas, a sˈɛr tˈallat pɔkˈazaw nˈam, jˈak ɕɛ vˈaltʃɨ drˈɔŋɡʲɛm na spˈɔsup prɔstˈatʃkuf. jɛɕˈɛɲʲɔ̃ w lˈɛɕɛ jɛst pʲˈɛŋkɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_64.wav|tɔ tˌɨlkɔ jˈɔ̃ spɔvˈɔlɲiʃ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_331.wav|nˈaɡlɛ ˌɔdvrutɕˈiwɛm ɕɛ i spɔjʒˈawɛm na kanˈapkɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_43.wav|ˈɔkɛj, lˈutsɨ mˈɔʒɛ pˈɔmuts, prˈavda?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_87.wav|mˌamɨ kɔlˈɛjnɨ prˈɔblɛm, stsˈɔtt?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_62.wav|jˈakʲɛʑ vʲˈɛɕtɕi f sprˈavʲɛ adrˈɛsu mˈartɨ?|3
+Dataset/wavs/urwisko_ferenc/12_segment_115.wav|bˌɨliɕmˌɨ sˌɔ̃ɕadˈami. vˌɨnajmɔvˈawɛm dˈɔm na sˌɛzamkˈɔvɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_135.wav|ɔdbʲˈitɕɛ ɕfʲˈatwa jɛj tɕˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_222.wav|ˌɔtʃɨvˈiɕtɕɛ fʃˈɨstkʲɛ sɛrvˈisɨ dˌɔnɔɕˈiwɨ ɔ vˌɨsadʑˈɛɲʲu kɔmbˈajnuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_61.wav|bˈardʑɔ mˈiwɔ s tfˈɔjɛj strˈɔnɨ, mˈuvi bʲˈillɨ bjˈɔrɔnts tɔrˈɛpkɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_113.wav|fʃˈɛɲdʑɛ vˌɨxɔdʑˈiwɔ mi tɔ dˌɔskɔnˈalɛ, mˈɨɕli bʲˈili.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_170.wav|turˈɨɕtɕi zatʃˈɛli vzdˈɨxatɕ i vznˈɔɕitɕ ɔkʃˈɨki zaxfˈɨtu.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_43.wav|na kanˈapʲɛ ˌɔbɔk azjˈatɨ lɛʒˈawɔː ɔtfˈartɛ pudˈɛwkɔ.|4
+Dataset/wavs/urwisko_ferenc/52_segment_27.wav|— xtɕˈawam inˈatʃɛj, ˌalɛ pʃˌɛtɕɛʃ tɕˈɛbjɛ tɕˈɔŋɡlɛ ɲʲˈɛma w dˈɔmu, vʲˈɛnts kʲˈɛdɨ mʲˈawam tɕi ˈɔtɨm pɔvʲˈɛdʑɛtɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_191.wav|i na pˈɛvnɔ zdˈa sˈɔbjɛ s tˌɛɡɔ sprˈavɛ, mˈɨɕli.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_364.wav|vˈidʑiʃ tɔː ˈɔknɔ, sˈɛr?|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_156.wav|z zˌakratɔvˈanɨx ˈɔkʲɛn ɲʲˈɛpad ˌaɲi jˈɛdɛn stʃˈaw i bˈɛs pʃˈɛʃkud dɔtˈarliɕmˌɨ dɔ tsˌɛmɛntˈɔvɛj ɕtɕˈanɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_134.wav|ˌalɛ tˈɛras nˈaʃa pˌɔpulˈatsja ˌɔɕɔŋɡnˈɛwa stˈawɨ pˈɔʑɔm i ɲʲɛ musˈimɨ jˈuʃ rˌɔzbudɔvˈɨvatɕ mʲˈasta.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_94.wav|bʲˈillɨ znˈuf mˈuɕi ɔtsˈunɔɲtɕ tɛlˈɛfɔn ɔt ˈuxa. trafjˈɔnɨ, kˈurdɛ zˌatɔpʲˈɔnɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_223.wav|dˈɔbʒɛ, dˈɔlan. i bˈardʑɔ, bˈardʑɔ, ˌalɛ tɔ bˈardʑɔ tɕi dʑɛŋkˈujɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_332.wav|tɕˈiʃa|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_228.wav|rˈanɲi, ktˌuʒɨ sɔ̃ f stˈaɲʲɛ vʲɔswˈɔvatɕ, bˌɛndɔ̃ tɔ rˈɔbʲitɕ. pˌɔzɔstˈali zɔstˈanɔ̃ tˈutaj, ʒˈɛbɨ pˈɔmuts nˈɔvɨm lˈɔrdɔm tɨɣ vˈɨsp w ix ɔbrˈɔɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_40.wav|tˈaka jɛzd zalˈɛta ɲʲɛvʲˈɛdʑɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_23.wav|ftʃɔnxnˈɛwam batˈɔɲik i zajʒˈawam dɔ mˌiɲʲaturˈɔvɛj lɔdˈufki.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_15.wav|ʃukˈajɔ̃ fʃˈɛɲdʑɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_15.wav|ɲʲɛ jˌɛstɛm pˈɛvna, tʃɨ mɔtˈɛlɛ, w jˈakix ɕɛ zˌatʃɨmujˈɛmɨ, mˌajɔ̃ strˈɔnɨ ˌintɛrnɛtˈɔvɛ. mˈɔʒɛ i tˈak, ˈalɛ...|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_51.wav|zˈatɔ, ʒˈɛ bˌɨwaʑ ɡɔtˈɔva pɔɕfʲˈɛɲtɕidʑ ʒˈɨtɕɛ dla rˌatɔvˈaɲʲa artˈɛmis.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_424.wav|ktˌurɛ jˈuʃ xˈɨba bˌɨwɔː i mˈɔim ɲʲɛʃtʃˈɛɲɕtɕɛm.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_66.wav|brˈuskɔ lˈubʲiw dɔtɕˈɛratɕ na tˈark f tɛj sˈamɛj xfˈili, ɡdˈɨ tˈɨtan ɔbvʲˈɛʃtʃaw rˈɨkʲɛm fsxˈut swˈɔɲtsa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_50.wav|mˈartɔ, mˌamɨ dˈɔbrɛ vʲˈɛɕtɕi mˈuvi ɕˈɛrʒant.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_146.wav|z ɡˈɛ̃stɨx kʃˈakuf ʃpˌakɔvatˈɛɡɔ zarˈɔstu vˌɨdɔbɨvˈawɨ ɕɛ nˌajpʃɛruʒɲʲˈɛjʃɛ dʑvʲˈɛŋki.|0
+Dataset/wavs/urwisko_ferenc/28_segment_21.wav|xˈɛrman bˈɛs trˈudu jˈɔ̃ rˌɔspɔznˈawa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_166.wav|wˈamjɛ mi ɕɛ ɡwˈɔs i tɔ mˈɔtsnɔ pɔrˈuʃa ˈɔjtsa.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_22.wav|nˈɔ tɔ dɔ dʑˈɛwa!|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_47.wav|ˌalɛ pɔɲʲˈɛvaʃ ɲʲɛxˈɨbɲʲɛ nˈas swuxˈali, kazˈawɛm jɛj ɕɛ zˈamknɔɲtɕ i pɔtʃˈɛkatɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_31.wav|stsˈɔtt fʃˈɛd dɔ ɕrˈɔtka, ʒˈɛbɨ zamˈuvitɕ sˈɔbjɛ tsˈɔʑ dɔ pˈitɕa, a ja zɛrknˈɛwam na ɲʲˈɛɡɔ pʃˈɛs ʃˈɨbɛ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_77.wav|ɲʲɛ bˌɛndɛ ˈɔtɨm mˈuviw pʃɨ stˈɔlɛ, zrɔbʲˈiwɔ mi ɕɛ ɲʲɛdˈɔbʒɛ na tɛn vˈidɔk.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_3.wav|prˌɔvadʑˈiwam tsˈɨŋɡla dˈɔbʒɛ mi znanˈɨmi kˌɔrɨtaʒˈami, prubˈujɔnts ɲʲɛ zvrˈatsatɕ uvˈaɡʲi na ʒɛlˈaznɔ̃ rˈɛŋkɛ, ktˌura ɕtɕiskˈawa mi ʒɔwˈɔndɛk.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_49.wav|tˈɔm dɔˈuɡlas pɔvʲˈɛdʑaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_100.wav|zˈafʃɛ mi pˌɔftaʒˈawa, ʒˈɛ ɲˈiɡdɨ ɲʲɛ znˈajdɛ ɲikˈɔɡɔ, xˈɔdʑbɨ f pɔwˈɔvʲɛ tˈaɡ dɔbrˈɛɡɔ jˈak tˈɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_228.wav|jˈatsɔp. ɲʲɛ uʒˈɨvam ɡˈɔ ɲˈiɡdɨ.|0
+Dataset/wavs/urwisko_ferenc/03_segment_48.wav|tʃɨ tsˈurka pʃɨznˈawa ɕɛ dɔ vˈinɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_174.wav|ɕɲˈi mu ɕɛ ʃˈaɲitsˌɛ, ktˌura rvʲˈɛ na stʃˈɛmpɨ rɨsˈunɛɡ davˈɛa flamˈiŋɡa i pɔftˈaʒa ɲʲˌɛnavˈidʑɛ tɕˈɛ, ɲʲˌɛnavˈidʑɛ tɕˈɛ, ɲʲˌɛnavˈidʑɛ tɕˈɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_45.wav|bʒmˈi tɔ brutˈalɲʲɛ, ˌalɛ kʲˈɛdɨ spɔtkˈaliɕmˌɨ ɕɛ fʃˈɨstsɨ, tɔ tʃˈuliɕmˌɨ ɕɛ fspʲɛrˈaɲi, ʃtʃɛɲɕlˈivi, a dɔ tˌɛɡɔ fʃˈɨstsɨ mʲˌɛli ɔxˈɔtɛ mɲʲɛ pˈɔznatɕ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_467.wav|ˈaʃ xwˈɔpaɡ bˌɛɲdʑɛ krfˈaviw z ˈɔbu pɔlˈitʃkuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_199.wav|a tˈaɡʒɛ ʒˈalɛm zˈatɨm, tsˈɔ ɕɛ ɲʲɛ zdaʒˈɨwɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_99.wav|jˈak jˈuʃ ftʃˈɛɕɲʲɛj pˌɔvʲɛdʑˈawɛm, ɲʲɛ zdavˈawɛm sˈɔbjɛ sprˈavɨ, ʒˈɛ w dˈɔmu jɛzd dʑˈɛtskɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_160.wav|jɛst ˌɔdvrutsˈɔna dɔ ɲʲˈɛɡɔ plɛtsˈami, ˌɔbɛjmˈujɛ jˈɔ̃ ramjˈɛɲʲɛm i pʃɨtɕˈɔŋɡa dɔ ɕˈɛbjɛ.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_235.wav|brjˈɛnnɛ pˌɔxfalˈiwa iɣ vˌɨkɔnˈaɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_247.wav|rˈudɨ ˌarɛʃtˈɔvaw mɔrdˈɛrtsɛ, prˈavda? tʃɨtˈawɛm f ɕˈɛtɕi, ʒˈɛ tɔ jˈakiɕ pˌɔrtuɡˈaltʃɨk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_48.wav|klˈɛrki ɲʲˈɛras rˈɔbʲiw z ɲˈim ˌintɛrˈɛsɨ, vʲˈɛnts ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ mˈɔʒɛʃ ɕɛ za ɲʲˈɛɡɔ pˈɔdatɕ, ˌalɛ mˈuɡwbɨʑ bˈɨtɕ jˈɛɡɔ brˈatɛm ˈalbɔ kuzˈɨnɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_6.wav|vˈidɔk mˌalɛjˈɔntsɨx w ɔddˈali kˈɔpuw artˈɛmis sprˈaviw, ʒˈɛ pɔtʃˈuwam ɕɛ ɲʲɛsfˈɔjɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_28.wav|ɲʲɛ plˌanɔvˈawam tɕi tˌɛɡɔ mˈuvitɕ. tɔ mʲˈawa bˈɨtɕ ɲʲˌɛspɔdʑˈaŋka, ˈalɛ...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_23.wav|ɲʲɛ pamjˈɛntam nˈazvɨ aɡˈɛntsji ˌadɔptsˈɨjnɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_48.wav|jˈakʲɛɕ puwtˈɔra kˌilɔmˈɛtra dˈalɛj w bˈɔk ɔdbʲˈija drˈɔɡa pˈɔlna, f ktˌurɔ̃ ˈɛlis skrˈɛntsa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_215.wav|ɔn tˈak ɕɛ trˈɔʃtʃɨ ɔ sfˈɔjɛ vwˈɔsɨ, a ja mˈam iɣ za dˈuʒɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_247.wav|zˈɛ zvʲˌɛʃajɔntsˈɨmi ɕɛ kˌɔlɔrɔvˈɨmi ʃmatˈami.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_63.wav|xˈɨba çistˈɔrjɛ. ˈalbɔ sˌɔtsjɔlˈɔɡjɛ. mˈɔʒɛ nˈavɛt tˈɛatr.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_572.wav|i ɲʲɛ pˈɔʃwa zrˈɔbʲitɕ xɛrbˈatɨ. lɛʒˈawa pʃˈɨmɲʲɛ i na tsˈɔʑ vidˈɔtʃɲʲɛ tʃɛkˈawa.|0
+Dataset/wavs/urwisko_ferenc/19_segment_4.wav|z naɡʒˈanɨɣ za dɲʲˈa bˌɛtɔnˈɔvɨx ɕtɕˈan bʲˈiwɔ tɕˈɛpwɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_20.wav|tɛn tʃwˈɔvʲɛk ɲʲɛ pɔvˈiɲʲɛn lˈatatɕ tɔ fʃˈɨstkɔ. ɲʲˈɛma f tɨm ɲˈidʑ zwˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_191.wav|sˈɛr lˈɔras ftɕˈɔ̃ʃ tʃˈɨmaw ɕɛ ʒˈɨtɕa z ˌirɨtujˈɔntsɨm upˈɔrɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_107.wav|jˈɛɕli skwˈamjɛ ˌaramˈɔvi, ljˈa stˈɔnt ɔdˈɛjdʑɛ i ɔskˈarʒɨ ɡˈɔː ɔː ɔʃˈustfɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_202.wav|f ɕˈɛtɕi ɲʲɛ znalˈazwam ʒˈadnɛj vzmʲˈaŋki.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_63.wav|mˈama ftɕˈɔ̃ʃ tˈam bˌɨwa i stˈawa bˈɛs swˈɔva pʃɨ ɕtɕˈɛʃtsɛ. vidʑˈawam jˈɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_108.wav|ˌalɛ ɲʲɛ, ɲʲɛ jˌɛstɛm ˈaʃ tˈaɡ zvˈinna.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_157.wav|s pɔvˈɔdu fʃˈɛd dɔ mʲɛʃkˈaɲʲa i ʒˈutɕiw ɡʲˈizmɔ na pˈuwkɛ pʃɨ vˈɛjɕtɕu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_3.wav|dɔvˈɔdɨ fskˌazɨvˈawɨ na mˈartɛ pˈɔrtɛr, a tˈɔm mˈimɔ fʃˈɨstkɔ vɨdˈavaw ɕɛ ɲʲˌɛzdɛtsˌɨdɔvˈanɨ.|3
+Dataset/wavs/urwisko_ferenc/39_segment_2.wav|na patˈɛlɲi dˌɔxɔdʑˈiwɔ mʲˈɛ̃sɔ mʲɛlˈɔnɛ pɔdlˈanɛ sˈɔsɛm pˌɔmidɔrˈɔvɨm. dˌɔpravˈiwa jˈɛ i pʃˌɛmjɛʃˈawa.|0
+Dataset/wavs/urwisko_ferenc/24_segment_8.wav|znˌajdɔvˈali ɕɛ w vˈɔ̃skim, tɕˈɛmnɨm kˌɔrɨtˈaʒu bˈɛs ˈɔkʲɛn vˌɨwɔʒˈɔnɨm stˈarɔ̃ bˌɔazˈɛrjɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_188.wav|dˌɔbjɛrˈajɔnts ɕɛ dɔː ˈɛlis, ɲʲɛ uʒˈɨwɛʑ ʒˈɛlu nˌavilʒˌajɔntsˈɛɡɔ, prˈavda? tsˈɔ najvˈɨʒɛj splunˈɔwɛɕ sˈɔbjɛ na rˈɛŋkɛ, zˈaɲim w ɲʲˈɔ̃ fʃˈɛdwɛɕ.|2
+Dataset/wavs/urwisko_ferenc/48_segment_29.wav|ɲʲɛ tɛn latˈavʲɛts.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_115.wav|tɔ mɔrdˈɛrstfɔ na pʲɛntrˈɔvɨm parkˈiŋɡu.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_241.wav|pʃɛrvˈawam i spɔjʒˈawam w ˈɔtʃɨ kaʒdˈɛmu z zɛbrˈanɨx.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_87.wav|fʃˈɨstkɔ ɡrˈa, jɛst tˈutaj za mnˈɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_45.wav|tˈak tʃɨ inˈatʃɛj, sxrˈɔn bˈɨw vˌɨpɔsaʒˈɔnɨ w zbjɔrɲˈiki s tlˈɛnɛm, vʲˈɛndʑ vˌɨkɔʒˈɨstaw jˈɛdɛn z ɲˈix jˈakɔ prˌɔvizɔrˈɨtʃnɨ apˈarat ˌɔddɛxˈɔvɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_32.wav|xtɕˈawabˌɨm ɡˈɔ dɔ sɨpʲˈalɲi, mˈuvi. mˈɔɡɛ ɡˈɔ kˈupidʑ za mˈɔjɛ kʲˌɛʃɔŋkˈɔvɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_38.wav|dɔː ˈɔtʃu nˌapwɨnˈɛwɨ mi wzˈɨ, a ɔn zatɕˈisnɔw vˈarɡʲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_280.wav|ˈɛx, zˈamkɲij ɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_263.wav|zɡˈɔdʑiw ɕɛ sˈam. ˌalɛ tɨ pˈujdʑɛʒ zˈɛmnɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_66.wav|i dˈɔbʒɛ pˌɔvʲɛdʑˈawɛm.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_164.wav|ɡdˈɨ f kˈɔɲtsu udˈawɔ ɕɛ jɛj znˈɔvu zˈasnɔɲtɕ,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_75.wav|tɔ vʲˈɛmɨ rˈuvɲʲɛʃ, ɡdʑˈɛ ʃˈukatɕ ˌɔtpɔvʲˈɛdʑi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_33.wav|brˌakɔvˈawɔ ɲʲˈɛmal tʃˈɛx tɨɕˈɛntsɨ fˈuntuf. zbjɛrˈawam jˈɛ tˌɨɡɔdɲʲˈami, a kˈilku dartʃˈɛɲtsuf ˌɔkazˈawɔ ɕɛ naprˈavdɛ xˈɔjnɨx.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_309.wav|ˌalɛ nˈajpʲɛrv zˈabraw mu bˈutɨ.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_83.wav|kˈurvɨ zvˈawɨ ɡˈɔ tʃˈarnɨm minstrˈɛlɛm, ˌalɛ ɲʲɛ nˈɔɕiw jˈuʃ tˈɛras tʃˈɛrɲi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_133.wav|kʲˈɛdɨ ɔtfʲˈɛra dʒvˈi vɛjɕtɕˈɔvɛ, tʃˈɨmam ɕɛ tɕˈɛɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_52.wav|ɕlˈuza tˌɔvarˈɔva spˈuwki zatˈɔka spɔkˈɔju w bˈaɲtsɛ bʲˈina bˌɨwa skʲˌɛrɔvˈana na puwnˈɔtsnɨ zˈaxut.|4
+Dataset/wavs/urwisko_ferenc/53_segment_65.wav|tsˈɔ rɔbʲˈimɨ? spˈɨtaw.|0
+Dataset/wavs/urwisko_ferenc/45_segment_25.wav|— spˈujʃ na ɕˈɛbjɛ — pɔdɲʲˈɔswa pˈaltsɛm jɛj brˈɔdɛ i pˌɔpatʃˈɨwa ɡwɛmbˈɔkɔ w ˈɔtʃɨ. — spwˈatsaʒ dwˈuɡʲi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_359.wav|— mɨ ɲʲɛ palˈimɨ — ɔtpˈarwa zˌaskɔtʃˈɔna vˈɛra.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_46.wav|tˈɔm vˈɨtʃuw ix pʃˌɨɡnɛmbjˈɛɲʲɛ i vʲˈɛdʑaw, ʒˈɛ mˈuɕi pɔprˈavitɕ nastrˈɔjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_36.wav|ˌuvaʒˈawam, ʒˈɛ za bˈardʑɔː ɔpʲˈɛra ɕɛ ɔn na ɕlˈɛpɨm trˈafjɛ, a ja xtɕˈawam mʲˈɛtɕ pɔtʃˈutɕɛ kɔntrˈɔli.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_11.wav|ɲʲɛ bˈɨlɛ jˈaki tʃfˈartɛk, xˈalɔwˌɨn.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_176.wav|vʲˈɛnts xɛrbˈata tʃɨ kˈava tɕɛplˈɛjʃa jˈuʃ ɲʲɛ bˈɛɲdʑɛ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_63.wav|ja vidʑˈawɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_43.wav|tʃɨ pʃˈɨʃwɔ tɕi na mˈɨɕl, ʒˈɛ tfˈɔja ɲʲˈɛxɛɲdʑ dɔ prˈatsɨ nad vwasnˈɨmi ɲʲˌɛdɔtɕˌɔŋɡɲʲɛɲtɕˈami mˈɔʒɛ bˈɨtɕ pʃɨtʃˈɨnɔ̃ ɲʲˌɛpɔkˈɔju ɲikˈɔli?|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_122.wav|zˌɔstavˈiwɛm ɡˈɔ zˈɛ stʃˈɛlbɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_205.wav|ˌutɔpʲˈɔnɨ bˈuɡ vˈɨɲʲuz ɡˈɔ na trˈɔn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_178.wav|muvˈimɨ tˈu ɔ tʃwɔvʲˈɛku s krfˈi i kˈɔɕtɕi. jˌɛstɛɕ pˈɛvʲɛn, ʒˈɛ dˈaʃ rˈadɛ tɔ zrˈɔbʲitɕ? stʃˈɛlitɕ mu z ʑˈimnɔ̃ krfjˈɔ̃ w mˌuzɡɔvɲˈitsɛ? ɔdˈɛbratɕ mu ʒˈɨtɕɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_319.wav|a pˈɔtɛm vidʑˈawam, jˈak ɔtxˈɔdʑi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_395.wav|ˈaʒ dɔ kˈɔɲtsa ɲʲˈɛba,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_33.wav|rˈɔp tˈɛʃ jˈɛdʑɛ, prˈavda?|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_331.wav|pɔ ɕmʲˈɛrtɕi mɔjˈɛɡɔː ˈɔjtsa...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_56.wav|zamjˈɛʒa pˈaɲi zˈɔstadʑ w dˈɔmu pʃˈɛs tsˈawɔ̃ nˈɔts, pˈaɲi pˈɛtɛrsɔn?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_42.wav|pˈɔdɲʲuz vzrˈɔɡ znˈad bjˈurka.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_98.wav|jˌɛstɛm krulˈɔvɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_185.wav|f stˈanaɣ ʒɔndʑˈɔnɨx pʃˈɛs rˌɛpublikˈanuf ɲʲɛ tsatskˈajɔ̃ ɕɛ z bˌɛzvzɡlɛndnˈɨmi mˌɔrdɛrtsˈami.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_339.wav|skakˈawa pɔ dˈaxax i bjɛɡˈawa bɛzɡwˈɔɕɲʲɛ vzdwˈuʒ bʒˈɛɡuf kanˈawuf, ɕtɕiɡˈajɔnts tɕˈɛɲʲɛ vɛ mɡlˈɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_84.wav|alˈɛna ftˈɛdɨ pʃɛɲʲˈɛɕli jˈuʒ dɔ tsˈɛli jˌɛdnɔˌɔsɔbˈɔvɛj, bˈɔ ktˈɔʑ ɡˈɔ zˌaatakˈɔvaw. pˈɛvɲʲɛ na zlɛtsˈɛɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_289.wav|taɲtʃˈɔntsɨ z ɲʲˈɔ̃ lˈɔrt rˈɛnlɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_159.wav|tsˈuʃ, nastˈɛmpnɨm rˈazɛm dʒˈɛɡɛr ɲʲɛ bˌɛɲdʑɛ tˌaki dˌɛlikˈatnɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_70.wav|rɔzvˈaʒaw nˈavɛd zvɔlɲʲˈɛɲʲɛ jɛj, ˌalɛ ɲʲˌɛpɔkɔˈiwɔ ɡˈɔ w jˈakiɕ spˈɔsup.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_511.wav|tfɔjˈɛɡɔ brˈata ɡvɛntʲˈina tʃˈɛka trudɲʲˈɛjʃa drˈɔɡa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_119.wav|nˈɔː i zatʃˈɛwɔ bˈɨdʑ zˈɛmnɔ̃ tsˈɔraz ɡˈɔʒɛj. a pˈɔtɛm znˈuf spɔtkˈaliɕmˌɨ ɕɛ pɔ lˈatax, a ja mʲˌawɛm dˈɔbrɔ̃ prˈatsɛ, mˈikɛ, i ʒˈɨliɕmˌɨ spɔkˈɔjɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_137.wav|ɲʲɛ rɔzˈumjɛm tˈɨlkɔ, tsˈɔ mˈɔʒɛ tɔː ɔpxˈɔdʑitɕ pˈana.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_207.wav|ˈinna ʒˈɛtʃ, ʒˈɛ bʲˈillɨ zamjˈɛʒa ˌɔsɔbʲˈiɕtɕɛ dˌɔpilnˈɔvatɕ, bˈɨ jˈɛɡɔ ʒɨtʃˈɛɲʲɔm stˈawɔ ɕɛ zˈadɔɕtɕ, bˈɔː ˌaɲi mˈɨɕli dˈatɕ ɕɛ zˈabʲitɕ w nˈɔvɨm jˈɔrku.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_215.wav|mˈuɕiʒ vɨbˈatʃɨtɕ mˈɔjɛj tsˈurtsɛ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_98.wav|rɔskˈazaw jɛj mˈiwɨ starˈuʃɛk, vˌɨsɨwˈajɔnts jˈɔ̃ dɔ mʲˈasta.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_59.wav|bʲˈili vzrˈuʃa rˌamjɔnˈami.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_360.wav|pˈɛvɲʲɛ tˈak.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_31.wav|nat jɛj ramjˈɛɲʲɛm dɔstʃˈɛɡam zwˈɔtɨ kˈutsɨk ʃˈɔnɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_145.wav|vˌɨtwumˈatʃɨ tɔ fʃˈɨstkɔ, tʃɨ ɲʲɛ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_123.wav|zadrʒˈawɛm z rˌaptɔvnˈɛɡɔ xwˈɔdu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_64.wav|vʲɛdʑˈawam, tsˈɔ natxˈɔdʑi, ˌalɛ ɲʲɛ mʲˈawam pɔjˈɛɲtɕa, jˈak jɛj ˈɔtɨm pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/urwisko_ferenc/60_segment_30.wav|tˈɨlɛ rˈazɛm pʃˈɛʃli.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_47.wav|bʒmˈi, ʒˈɛ jˈaɡbɨʑ bˌɨwa na zˈɛvnɔntʃ. dˈɔkɔnt mˈam jˈɛxatɕ?|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_392.wav|prˈɔʃɔndʑ brɨndˈɛna taljˈɛɡɔː ɔː ˌɔpɔvʲˈɛɕtɕi ɔ mˌaɛlˈiɕɛ mˌɔnstruˈalnɨm i xˌɛbanˈɔvɨm kɕˈɛɲtɕu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_156.wav|lˈɛtɕaw pʃˌɛxɨlˈɔnɨ i prˈavɛ skʃˈɨdwɔ dˌɔtɨkˈawɔ prˈavʲɛ ʑˈɛmi.|0
+Dataset/wavs/urwisko_ferenc/63_segment_155.wav|— ˌalɛ jˈak tɔ? dlatʃˈɛɡɔ? — dukˈawa mwˈɔda kɔbjˈɛta. — pʃˌɛtɕɛʃ tɔ ɲʲˌɛmɔʒlˈivɛ. dlatʃˈɛɡɔ kˈarɔl mʲˈawbɨ tɔ zrˈɔbʲitɕ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_75.wav|uɕmʲˈɛxaw ɕɛ, jˈaɡbɨ ˌɔkazˈɨvaw trˈɔskɛ, xˈɔtɕ w jˈɛɡɔː ˈɔtʃax ɲʲɛ dɔstʃˈɛɡwa mˌaɲiɡrˈama fspuwtʃˈutɕa tʃɨ xumˈɔru.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_532.wav|zˌadrɛptˈawɛm ɲʲɛpˈɛvɲʲɛ w mʲˈɛjstsu tˈɨlɛ mʲɛɕˈɛntsɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_114.wav|ˌuɕfʲadɔmˈiwam sˈɔbjɛ zdˌɛtsɨdɔvˈaɲʲɛ za pˈuʑnɔ, ʒˈɛ ˈaram f kˈɔɲtsu zrɔzˈumjɛ, ˈiʃ tˈata pˈɔmuɡw mi w utɕˈɛtʃtsɛ, a ftˈɛdɨ dˌɔpilnˈujɛ, bˈɨ zˈatɔ tɕˈɛrpʲaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_169.wav|vˌɨstavˈiwam dɔ vʲˈatru jurnˈɛɡɔ bʲˌiznɛsmˈɛna, ˌalɛ ɲʲɛ vʑˈɛwam ɔt ɲʲˈɛɡɔ pʲɛɲʲˈɛndʑɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_17.wav|tsˈawɔ̃ trˈujkɔ̃?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_636.wav|jˈakʲɛʑ ɡwˈɔvɨ rˌɔstʃɔxrˈanɛ ˈalbɔ f pˌapilˈɔtaɣ vˌɨsunˈɛwɨ ɕɛ z jaskrˈavɛj jasnˈɔɕtɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_5.wav|nˌajsmutɲʲˈɛjʃɛ bˌɨwɔ tɔ, ʒˈɛ ftsˈalɛ sˈɔbjɛ tˌɛɡɔ ɲʲɛ tsɛɲˈiwam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_68.wav|ɲʲˈɛvʲɛm, tsˈɔː ˈɔtɨm mˈɨɕlɛtɕ, ˌalɛ pˌɔprɔɕˈiwɛm tɛxɲˈikuf ɔ pɔbrˈaɲʲɛ dˌɛˌɛnˈa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_5.wav|ɲʲɛ vˈidadʑ bˌɨwɔ pˈɔɲim ʒˈadnɨx ˈɔznak tɕɛrpʲˈɛɲʲa pɔ nˈɔtsɨ spɛndʑˈɔnɛj na tˈɨlnɨm ɕɛdʑˈɛɲʲu mawˈɛɡɔ sˌamɔxˈɔdu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_45.wav|bˈɨw tɔ jɛdˈɨnɨ budˈɨnɛɡ z bˌɛspɔɕrˈɛdɲim vidˈɔkʲɛm na tɛn i tɔ jɛj ɕɛ ɲʲɛ pˌɔdɔbˈawɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_274.wav|sfˈɔjɔ̃ drˈɔɡɔ̃, tɕˈɛkaf jˈɛstɛm, jˈak ɕɛ tɔ rˈɔbʲi.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_215.wav|tsˈawɛ ʃtʃˈɛɲɕtɕɛ, ʒˈɛ jˈamɛ ɲʲˈɛmʲaw mʲˈɛtʃa, bˈɔ f pʃɛtɕˈivnɨm rˈaʑɛ vɨdˈɔbɨwbˌɨ ɡˈɔː i ɡdˈɨbɨ ɲʲɛ zˈabʲiw ɡˈɔ sˈɛr brˈɨndɛn.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_62.wav|ɡdˈɨbɨm dˌɔstavˈawa ɡʲˈita za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ udʑˈɛlaw mi tˈakʲɛj ˌɔtpɔvʲˈɛdʑi, ɲitʃˈɛɡɔ ɲʲɛ vɨjˈaɕɲʲaw fprˈɔst.|4
+Dataset/wavs/urwisko_ferenc/30_segment_12.wav|ʒˈɛ ˌɔdratˈujɛ, tsˈɔ ɕɛ dˈa, ʒˈɛ pɔsˈadʑi nˈɔvɛ rɔɕlˈinɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_3.wav|nazˈɨvam ɕɛ jasmˈinɛ baʃˈara. lˈudʑɛ mˈuvjɔ̃ nˈamɲʲɛ dʒˈɛs.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_23.wav|ɡdˈɨbɨ pɔrvˈanɔ jɛj bustˈɛra, zˌaxɔvɨvˈawabˌɨ ɕɛ tˈak sˈamɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_73.wav|kˈatɛ miltʃˈawa, a tˈɔm pˌɔstanˈɔviw zatʃˈɛkatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_61.wav|ˌalɛ rˈuvɲʲɛʒ vˌɨɛmitˈɔvatɕ sɨɡnˈawɨ, jˈɛɕli ɲʲɛ ɔtpˈɔvʲɛ na mˈɔjɛ zˌapɨtˈaɲʲɛ ɔ mʲˈɛjstsɛ pɔbˈɨtu.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_226.wav|tsɛrsˈɛi pˌɔtsawɔvˈawa jˈɔ̃ f pɔlˈitʃɛk.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_168.wav|mˈatka i ɕˈɔstrɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_64.wav|ɲˈits ɕɛ ɲʲɛ zmʲɛɲˈiwɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_26.wav|dɔpˈuki ɲʲɛ vɨwˈɔntʃɛ sfɔjˈɛɡɔ tˌɛlɛfˈɔnu, bˌɛndɛ mˈɔɡwa ɡˈɔ ɕlˈɛdʑitɕ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_178.wav|jˈɛɡɔ lɔrdˈɔfska mˈɔʑdʑ zvˈinɔw dɔkˈumɛnt,|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_147.wav|ɲʲɛ jˌɛstɛm ɔt tɕˈɛbjɛ lˈɛpʃɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_195.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_4.wav|pˌɔstanˈɔviw bˈardʑɔː uvˈaʒɲʲɛ dˈɔbratɕ swˈɔva.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_102.wav|ja ɲʲˈɛxtsɛ pratsˈɔvatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_208.wav|zˈatʃɔw krˈɔ̃ʒɨtɕ pɔ pɔkˈɔju z rɛŋkˈami splˌɛtɕɔnˈɨmi za plɛtsˈami, mˈɨɕlɔndʑ ɡˌɔrɔntʃkˈɔvɔ, ɲʲɛ pˌɔdɔbˈawɔ mi ɕɛ tɔ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_34.wav|spɔjʒˈɛɲʲɛ sˈɛr davˈɛna pˈadwɔ na kˈikut, a vʲˈɛnts tɔ prˈavda.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_202.wav|ˌalɛ tɔ ɡˈɔ ɲʲɛ pɔfstʃˈɨma.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_68.wav|prˈavʲɛ tsˈawɛ pˌɔpɔwˈudɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_85.wav|ɔmjˈɔtwam vzrˈɔkʲɛm xˌɔtɛlˈɔvɛ lˈɔbbɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_13.wav|jˈɛdnɔ̃ zˈɛ fspaɲʲˈawɨɣ ʒˈɛtʃɨ zvʲɔ̃zˈanɨx s pisˈaɲʲɛm jɛst mˈuj kˈɔntaɡd z vˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_138.wav|ssunˈɛwam ɕɛ zˈɛ stˈɔwka i jˈɛdnɨm xˈawstɛm vˌɨxɨlˈiwam rˈɛʃtkɛ bɔvmˈɔrɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_83.wav|ɕˈɛŋɡnɔw rˈɛŋkɔ̃ dɔ stˈɔwu ˈɔbɔk, ɡdʑˈɛ stˈawa ʃklˈaŋka.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_43.wav|kʲˌɛdɨkˈɔlvʲɛk tsˈɔʑ zwˈɛɡɔ dʑˈɛjɛ ɕɛ w mˈɔim ʒˈɨtɕu, ɔn i dʑˈɛtɕi sɔ̃ skˈawɔ̃, dɔ ktˌurɛj mˈɔɡɛ pʃˈɨlɡnɔɲtɕ tʃˈɛɲɕtɕɔ̃ mɔjˈɛɡɔ ʒˈɨtɕa, ktˌura ftɕˈɔ̃ʃ mˈa sˈɛns.|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_59.wav|mˈɔja ɕˈɔstra xalˈima ˌɔznajmˈiwa nˈam, ʒˈɛ jɛst f tɕˈɔ̃ʒɨ. ˈɔjtsɛm jɛst pɔdˈɔbnɔ jˈakiʑ ʒˈɔwɲʲɛʃ, ˌalɛ ˌɔna nˈavɛt ɲʲɛ znˈa jˈɛɡɔ nazvˈiska.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_89.wav|mˈimɔ tɔ stˈajɔ̃ ɕɛ ɲʲˌɛɕfʲadɔmˈɨmi ˌɔfjarˈami pɔtstˈɛmpu i suptˈɛlnɨx tˈɛxɲik mˌaɲipulˈatsji psˌɨxɔlɔɡʲˈitʃnɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_72.wav|tsˈɔ mʲˈɛɕɔnts spwˈatsa rˈatɨ krɛdˈɨtu çˌipɔtɛtʃnˈɛɡɔ, a f tʃfartkˈɔvɛ vʲɛtʃˈɔrɨ ɡrˈa w ˌamatˈɔrskʲɛj lˈidʑɛ krɛŋɡlˈarskʲɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_184.wav|pɔtrˈafi zrɔzˈumjɛtɕ ɲʲˈɛxɛɲtɕ ˈɛriz dɔ tˈɛɡɔ, bˈɨ pˌɔkazˈɨvatɕ ɕɛ publˈitʃɲʲɛ, bˈɔ sˈam f tɛj xfˈili jˈɔ̃ pɔdʑˈɛla.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_225.wav|tutˈɛjʃɨ brˈak rˌɛɡulˈatsji prˈavnɨɣ dʑˈawa na tfˈɔjɔ̃ kˈɔʒɨɕtɕ.|4
+Dataset/wavs/urwisko_ferenc/38_segment_3.wav|ɔttʃˈɛkaw, ˈaʃ mɛrtsˈɛdɛz zɲˈikɲʲɛ mu z ˈɔtʃu. skrˈɛɲtɕiw w drˈɔɡɛ ɡruntˈɔvɔ̃ i dɔtɕˈisnɔw pˈɛdaw pʃˌɨspʲɛʃɲˈika.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_36.wav|bˈɛtskɨ, rˈɔp jˈakʲɛɕ pɔstˈɛmpɨ ɔt nˈaʃɛj ɔstˈatɲʲɛj rɔzmˈɔvɨ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_111.wav|tsˈɔː ˈu tɕˈɛbjɛ? spˈɨtaw i dɔpʲˈɛrɔ tˈɛras spɔstʃˈɛɡwɛm, ʒˈɛ mˈuvi s tsˌudʑɔʑˈɛmskim aktsˈɛntɛm. ˈɔ, pʃɛprˈaʃam.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_100.wav|mˈɔʒɛʃ tˈaɡ zrˈɔbʲitɕ, jˈasnɛ, ˌalɛ naprˈavdɛ lˈɛpʲɛj, ʒˈɛbɨʑ vʑˈɔw jˈɔ̃ zˈɛ sˈɔbɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_36.wav|— i pˈana tˈɛʃ — pɔvʲˈɛdʑaw dɔ pˈana spˈɛka.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_527.wav|zwapˈawa za vˌɨʃtʃɛrbjˈɔnɔ̃ skˈalnɔ̃ ɔstrˈɔɡɛ i pɔdɲʲˈɔswa ɕɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_307.wav|i ɲʲˈɛx pˈana bˈuɡ bwˌɔɡɔswˈavi.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_133.wav|dʒˈɛs, mˌamɨ tʃˈɛx lˈɛkkɔ rˈannɨx. ˌɔpaʒˈɛɲʲa druɡʲˈɛɡɔ stˈɔpɲʲa. pˈɔdvʲɛɕ iɣ dɔ dˈɔktɔr rˈussɛl.|4
+Dataset/wavs/urwisko_ferenc/22_segment_50.wav|na ʃˈɨi ɔlɡʲˈɛrda pɔvˈɔli zˌatʃɨnˈawa ɕɛ zatɕˈiskatɕ pˈɛntla.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_495.wav|tʃɨ tɨ ɕɛ mɲʲɛ ɲʲɛ bˈɔiʃ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_86.wav|ɔn mˈuɕi mɲʲɛ pˈɔznatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_371.wav|ˌɔtpɔvʲɛdʑˈawam. bˌɛɲdʑɛʃ mˈuɕaw pɔʃˈukatɕ kˈɔɡɔɕ innˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_2.wav|tsˈɔ dˈɔn ˈɛdmunt sˈɔbjɛ dɔ jˈasnɛj xɔlˈɛrɨ vˌɨɔbrˈaʒa? kʃˈɨknɔw tˈɔm, fpadˈajɔndʑ dɔ tsˈɛntrum kˌɔɔrdˌɨnatsɨjnˈɛɡɔ. rˌɔzmavʲˈawɛʑ z ɲʲˈɔ̃, bˈɛtskɨ?|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_213.wav|vˌɨjɛxˈaliɕmˌɨ zˈɛ ɕlˈuzɨ i kˈɔwa zatʃˈɛwɨ tˈɔtʃɨtɕ ɕɛ pɔ rˌɛɡɔlˈitɕɛ. spˌɔdʑɛvˈawam ɕɛ, ʒˈɛ bˌɛɲdʑɛ ʒutsˈawɔ, ˌalɛ zˌavʲɛʃˈɛɲʲɛ mʲˈawɔ dˌɔskɔnˈawɔ̃ ˌamɔrtɨzˈatsjɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_282.wav|pʃˈɛs xfˈilɛ stˈali w miltʃˈɛɲʲu, a pˈɔtɛm rˈɨan pɔvʲˈɛdʑaw|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_48.wav|xˈɔdʑ zˌamavʲˈawam jɛdʑˈɛɲʲɛ, sprˈavdʑam jˈɛʃtʃɛ kɔrˈɨtaʃ pʃˈɛz vˈizjɛr, pʃˌɛkɔnˈana, ʒˈɛ tɔ jˈakaɕ ʃtˈutʃka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_54.wav|dlatʃˈɛɡɔ w lˌakɛsˈidɛ ɲˈiɡdɨ ɲʲɛ ˌurɔdʑˈiwɔ ɕɛ ʒˈadnɛ dʑˈɛtskɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_175.wav|vbjˈɛɡɲʲɛʒ za rˈuk. vˈuz vɨdʑˈawu rˈɔbut publˈitʃnɨɣ bˌɛɲdʑɛ tˈam tʃˈɛkaw.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_256.wav|zˌapɔmɲʲˈawɛɕ ˈɔtɨm?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_23.wav|pˌɔzɔstavʲˈɛɲʲɛ bˌailɛjˈɛɡɔ s ɕˈɔstrɔ̃ na jˈɛdɛn dʑˈɛɲ w dˈɔmu vɨdˈajɛ mi ɕɛ dˈuʒɔ lˈɛpʃɨm rˌɔzvʲɔ̃zˈaɲʲɛm ɲˈiʃ tfˈɔja ˌudavˈana xɔrˈɔba.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_227.wav|nˈavɛt tɨ ɲʲɛ jˌɛstɛɕ na tˈɨlɛ bɔɡˈatɨ, ˈabɨ kˈupidʑ vʲˈɛdʑɛ ɔ drˈuɡʲim tʃwɔvʲˈɛku.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_58.wav|tˈakɔ ja sxɨlˈiliɕmˌɨ ɡwˈɔvɨ, kʲˈɛdɨ tˌɨlkɔ vˌɨwɔɲˈiliɕmˌɨ ɕɛ spˈɔt prˌɛzɛntˈɔvɛj ɔswˈɔnɨ. ɲʲɛ dlatˈɛɡɔ, ʒˈɛ tɔ nˈas mˈɔɡwɔː ɔxrˈɔɲitɕ, pɔ prˈɔstu zadʑˈawaw ˈinstɨŋkt.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_52.wav|tˈɛras jˈuʃ rɔzˈumjɛm, dlatʃˈɛɡɔ mˈama pˌɔvʲɛdʑˈawa, ʒˈɛ ɔn ɲˈiɡdɨ ɲʲɛ vˌɨkɔʒˈɨsta tɨx fawʃˈɨvɨɣ dɔvˈɔduf pʃɛtɕˈifkɔ mɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_117.wav|i ɔpˈada nˈamɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_50.wav|ˈax, ɲˈilɛs trˈakan fspˈɔmɲʲaw tsˈɔɕ ɔ tsɨtrˈɨnax.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_190.wav|a kʲˈɛdɨ mijˈaliɕmˌɨ samˈɔxud z jˈakɔ̃ɕ mwˈɔdɔ̃ dʑɛftʃˈɨnɔ̃, ˌuɕmʲɛxnˈɔwɛm ɕɛ i ftˈɛdɨ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_36.wav|rˈɛʃta fpwˈɨɲʲɛ pɔ rˌɛalizˈatsji zlɛtsˈɛɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_40.wav|jˈak mˈam brˈɔɲitɕ tɔmmˈɛna, jˈɛɕli ɲʲɛ bˌɛndɛ pʃˈɨɲim?|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_17.wav|dʑˈiʑ vʲɛtʃˈɔrɛm, kʲˈɛdɨ lˈatɔ pɔmˈawu pʃɛxˈɔdʑi w jˈɛɕɛɲ, zˌaɲʲɛpˌɔkɔjˈɔnɨ bʲˈillɨ lˈɛʒɨ z ˌɔtfartˈɨmi ɔtʃˈami.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_229.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_465.wav|ˌalɛ ɲʲɛ ˌɔɕmʲɛlˈiwɛm ɕɛ zˌaprɔpɔnˈɔvatɕ tɕi ʒadnˈɛɡɔ mɛ̃ʃtʃˈɨznɨ, kturˌɛɡɔ mˈɔɡwabˌɨʑ zˌaaktsɛptˈɔvatɕ. bˌɨwaɕ ˌɔbjɛtsˈana innˈɛmu, ˈarjan.|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_67.wav|najnˈɔfʃa ˌinfɔrmˈatsja w ɡazˈɛtɕɛ z rˈɛd blˈuff jɛst tˈaka, ʒˈɛ jˈɔɛl ˈallɛn zˈɔstaw ˌarɛʃtɔvˈanɨ pɔt innˈɨmi zˌaʒutˈami w lˈɔs ˈandʒɛlˌɛs.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_108.wav|zˌavɔwˈawa sˈara.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_290.wav|a vʲˈɛnts jɛst jˈakiɕ jɛj vwˈasnɨ ɕfʲˈat, kturˌɛɡɔ ɲʲˈɛznam.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_47.wav|ktˈɔɕ ɔstˈatɲʲɔ fspɔmˈinaw ɔ tsɨtrˈɨnax, ˈalɛ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_124.wav|ɲʲɛ lˈitʃɨ na ɔtpˈɔvʲɛtɕ i jɛj ɲʲɛ dɔstˈajɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_107.wav|tsˈuʃ...|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_200.wav|jˈɛɡɔ ɕˈɔstra ˈɛliz vˈɨʃwa za sˈɛr ɛlˈisa vˌainvɔˈɔda.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_32.wav|ɲʲɛ vʲˈɛmɨ, tʃɨ w jˌakikˈɔlvʲɛk spˈɔsub bˌɨwa f tɔ zˌamjɛʃˈana. prˈɔʃɛ natˈɨxmʲast usˈunɔɲtɕ stˈamtɔnt sfˈɔjɛ fpˈisɨ dˌɔtɨtʃˈɔntsɛ pˈaɲi pˈɔrtɛr.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_76.wav|sˈam zˌastanˈavʲaw ɕɛ pʃˈɛs xfˈilɛ nˈattɨm pɨtˈaɲʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_209.wav|pˌɔdɛjmˈɔvawbˌɨɕ rɨzˈɨkɔ. tɔ mɔɡwˈɔbɨ bˈɨtɕ ɲʲˌɛbɛspʲˈɛtʃnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_113.wav|dʑɛftʃˈɨna ftɕˈɔ̃ʒ vɨɡlˈɔnda na puwɕpʲˈɔntsɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_119.wav|na stˈɔlɛ lˈɛʒɨ jˈuʃ jˈɛdna ɕudˈɛmka, vʲˈɛnts wˈɔntʃɲʲɛ z mɔˈimi kartˈami mˈam fˈula.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_4.wav|nˈadal tʃˈujɛ paɲˈikɛ na fspɔmɲʲˈɛɲʲɛ vɨdˈaʒɛɲ mˌiɲʲɔnˈɛɡɔ vʲɛtʃˈɔru.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_123.wav|s pɛvnˈɔɕtɕɔ̃ nˈaʃ ˈɔjtɕɛts na ɡˈuʒɛ ɔsˈɔɲdʑi ɡˈɔ sprˌavʲɛdlˈivʲɛ.|1
+Dataset/wavs/urwisko_ferenc/39_segment_39.wav|ɲˈiɡdɨ ɕɛ tˌɛɡɔ ɲʲɛ dˈɔvʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_30.wav|i ɲʲɛ mˈuʃɛ ɲitʃˈɛɡɔː udˈavatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_218.wav|tʃˈɛba mʲˈɛtɕ tˌɨlkɔ pˈarɛ dɔlˈaruf na pɔtʃˈɔntɛk. a tɨ mˈaʃ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_41.wav|najtʃˈɛɲɕtɕɛj bˌɛndɛ tˈutaj ja ˈalbɔ lˈɔɡan, mˈuj zmʲˈɛnɲik, a ftˈɛdɨ tɔ mɨ pˈana fpuɕtɕˈimɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_127.wav|mˈuɕaw vʲˈɛnts fskˈazatɕ sfɔjˈɛɡɔ nastˈɛmptsɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_33.wav|bˈɔ mˈuʃɛ ɕɛ upˈɛvɲitɕ, tʃɨ ɲʲˈɛma ɲikˈɔɡɔː innˈɛɡɔ, ktˈɔ mˈuɡwbɨ fskˈazatɕ mɲʲɛ pˈaltsɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_4.wav|zˌasadɲˈitʃɔ tˈɔtʃɛ vˈɔjnɛ s fˈirmɔ̃ ɔ nˈazvʲɛ sˈanxɛs ˌalumˈiɲʲum.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_409.wav|i pˌɔzazdrɔɕtɕˈiwɛm rˈaptɛm fʃˈɨstkim zˌakɔnɲˈikɔm i zˌakɔnɲˈitsɔm ɕfʲˈata.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_160.wav|tsˈɔ rˈuvɲʲɛʒ vˌɨvɔwawˈɔbɨ pˈɔpwɔx fɕrˈut prˌatsɔvɲˈikuf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_4.wav|pʃˌɨjɛxˈawa pɔlˈitsja i sɔ̃ tˈutaj z mɔjˈɛɡɔ pɔvˈɔdu, tʃˈɛɡɔː ˌɔtʃɨvˈiɕtɕɛ ɕɛ spˌɔdʑɛvˈawam.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_327.wav|jˈakaɕ nˌɔnʃalˈanska rɔzʒˈutnɔʑdʑ drˌɔbjazɡˈɔvɛj natˈurɨ, jˈakiʑ zdˌumjɛvajˈɔntsɨ intsˈɨdɛnt f pɔtˈɔpʲɛ pʃɨpˈatkuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_77.wav|dɔ tˌɛɡɔ tʃˈasu stʃˈɛltsɨ muɕˈɛli ɔpstˈavitɕ tsˈawɨ drˈɔɡʲi bʒˈɛɡ ʒˈɛki.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_59.wav|zatʃˈɨnam pwˈakatɕ, kʲˈɛdɨ vɨpʃˈɛdʑam ˈaʃa i sxˈɔdʑɛ na dˈuw, ɲʲˈɔsɔnts jˈɛɡɔ valˈiskɛ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_260.wav|a pˈɔtɛm pʲˌɛrdɔlˈiwɛɕ ɕɛ s krulˈɔvɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_122.wav|mˈɔʒɛ zˈabraw jˈɔ̃ na rˌɔmantˈɨtʃnɔ̃ pʃɛjˈaʃtʃkɛ, zˌasuɡˌɛrɔvˈawam.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_231.wav|ɲʲɛ dˈɔjdʑɛʃ jˈuʃ ɲˈiɡdɨ dɔ sˌamɔlˈɔtu, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_184.wav|ˌalɛ ɲʲɛ mˈɔɡwam tʃˈɛkatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_67.wav|jˈak ˌusuɲʲˈɛɲtɕɛ ˌinfɔrmˈatsji ɔ sfˈɔim tˌɛlɛfˈɔɲʲɛ s sɨstˈɛmu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_124.wav|bˈɛz vɔntpʲˈɛɲʲa bˌɛɲdʑɛʃ ɕɛ zˌastanˈavʲatɕ nad vˌaruŋkˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_12.wav|tˈɛras jɛst tˈak sˈamɔ. a tsˈɔ tˈam? bˌɛɲdʑɛ tsˈɔ mˈa bˈɨtɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_399.wav|rˈɨan vzrˈuʃɨw rˌamjɔnˈami i vˈɨʃɛd.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_453.wav|ɲʲɛ pɔvˈiɲʲɛn ɕɛ ʃfˈɛndatɕ tˈutaj, pɔvʲˈɛdʑaw ˈandɛrsɔn. pɔvˈiɲʲɛn sˈɔbjɛ ɔtpˈɔtʃɔɲtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_76.wav|ˌalɛ mʲˈawam dʑˈɛtskɔ, ktˌurɛ mɲʲɛ pˌɔtʃɛbɔvˈawɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_97.wav|ɲʲˈɛxtsɛ tɕˈɛ skʃˈɨvdʑitɕ, ɡwˈupja sˈukɔ. pʃɨnˈajmɲʲɛj jˈɛʃtʃɛ ɲʲɛ tˈɛras.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_219.wav|vʲˈɔdwɛm rˈatʃɛj nˈɛndʑnɛ ʒˈɨtɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_503.wav|stˌaruʃkˈɔvʲɛ sɔ̃ tˈatsɨ vˈɔntli.|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_52.wav|bˈɔ mʲˌawɛm dˈɔsɨtɕ tɛj fɕtɕˈipskʲɛj sˈuki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_114.wav|ɔɕˈɛdlɛ, na ktˌurɨm mʲˈɛʃka tˈɛras, ɲʲˈɛma nˈavɛt nˈazvɨ, pʃɨnˈajmɲʲɛj bʲˈillɨ jɛj ɲʲɛ znˈa.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_234.wav|ˌɔdɛzɨvˈawam ɕɛ bˈardʑɛj pʃɨmˈilɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_53.wav|a vʲˈɛlki maˈɛstɛr paˈisɛl.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_114.wav|spˈɔdɲʲɛ ɲʲɛ sɔ̃ zwˈɔtɛ, xˈɔtɕ tsˈɔlin fçˈitɛ najxˈɛntɲʲɛj f tˈakix xˈɔdʑi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_224.wav|na sˈamɔ̃ mˈɨɕl ˈɔtɨm, tsˈɔ mɲʲɛ tʃɛkˈawɔ, prˈavʲɛ zatʃˈɛwam ɡˈɔ prˈɔɕitɕ, ʒˈɛbɨ zˈavʲuz mɲʲɛ s pɔvrˈɔtɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_221.wav|ɡdˈɨbɨ tsˈɔɕ pˈɔʃwɔ ɲʲɛ tˈak, wˈatfɔ mɔɡwˈɔbɨ ɕɛ tɔ nˈamɲʲɛ zˈɛmɕtɕitɕ, a jˌɛstɛm za stˈarɨ, ʒˈɛbɨ ˈiʑdʑ dɔ pʲˈɛrdla.|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_48.wav|bˈɔ rˈatʃɛj jɛst jɛdˈɨnɔ̃ kɔbjˈɛtɔ̃, ktˌurɔ̃ zɡvawtɕˈili w zˈɛʃwɨm tɨɡˈɔdɲʲu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_161.wav|ˌɔdvʲɔ̃zˈawɔ mi ɕɛ ʃnˌurɔvˈadwɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_42.wav|tˈɔm zˈamknɔw za sˈɔbɔ̃ dʒvˈi i pˈɔbjɛɡw dɔ sˌamɔxˈɔdu, ɡdʑˈɛ pʃɛwˈɔntʃɨw tɛlˈɛfɔn na sˈɨstɛm ɡwˌɔɕnɔmuvʲˈɔntsɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_443.wav|zˌapɔvʲˌadajˈɔntsɨ pʃˌɨklɛpˈaɲʲɛ vwˈɔsuf nat uʃˈami.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_215.wav|kˈɔmuɕ mˈuɕi bˈardʑɔ zalˈɛʒɛtɕ nˈatɨm, ʒˈɛbɨ fˈatsɛt ɲʲɛ pɔvʲˈɛdʑaw, tsˈɔ vʲˈɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_17.wav|f tˌɔalˈɛtɕɛ zˈɛrkam na ɕˈɛbjɛ w lˈustʃɛ i trˈudnɔ mi uvʲˈɛʒɨtɕ, ʒˈɛ ta blˈada kɔbjˈɛta ɔ pˌɔtkrɔ̃ʒˈɔnɨx ˈɔtʃax tɔ jˈa.|4
+Dataset/wavs/urwisko_ferenc/12_segment_66.wav|ˌalɛ kɔbjˈɛta f tsɨvˈilu prˌatsujˈɔntsa w rɛtsˈɛptsji pʃˌɛwɔntʃˈɨwa ɡˈɔ dɔ prˌɔvadʑɔntsˈɛɡɔ ɕlˈɛtstfɔ.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_118.wav|ɔ tɛj pˈɔʒɛ?|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_117.wav|tʃˈɛba jɛj dɔrˈadʑatɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_29.wav|tsˈɔː ˈɔtɨm mˈɨɕliʃ, bˈɛtskɨ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_92.wav|uɕˈadwa na wˈuʃku i znˈuv vɨpˈiwa ɲʲˈɛtsɔ fçˈiskɨ. pˈɔtɛm ˌɔtstavˈiwa ʃklˈaŋkɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_94.wav|patʃˈɨwam prˈɔstɔ pʃɛt ɕˈɛbjɛ bˈɛz ʒˈadnɨx ɛmˈɔtsji mˌalujˈɔntsɨx ɕɛ na tfˈaʒɨ, ˈaʃ f kˈɔɲtsu ˌuswɨʃˈawam jˈak mrˈutʃɨ z ɲʲˌɛzadˌɔvɔlˈɛɲʲɛm i kwˈadʑɛ kˈartɨ na ɕrˈɔdɛk stˈɔwu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_4.wav|ˌɔbjɛtsˈawam jɛj, ʒˈɛ fkrˈuttsɛ vrˈutɕi dɔ dˈɔmu. ˌɔkwamˈawam jˈɔ̃. zrɔbʲˈiwam tsˈɔɕ, tʃˈɛɡɔ ɲˈiɡdɨ mʲˈawam ɲʲɛ zrˈɔbʲitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_57.wav|pʃɨ stʃɛlɲˈitsɨ zɛbrˈawɔ ɕɛ kˈilku mˈɛ̃ʃtʃɨzn i dvʲˈɛ kɔbjˈɛtɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_45.wav|pˈatʃɨ mi w ˈɔtʃɨ, ktˌurɨm stˈaram ɕɛ nˈadatɕ jˈak nˌajvɛsˈɛlʃɨ vˈɨɡlɔnt.|4
+Dataset/wavs/urwisko_ferenc/65_segment_10.wav|kˈiŋɡa pˌɔvʲɛdʑˈawa tɕi pʃˈɛtɕɛʃ, ʒˈɛ ɲʲˈɛma ɕˈiwɨ ɕɛ ɲˈim zajmˈɔvatɕ. tɔ tsˈɔ? mʲˌɛliɕmˌɨ ɡˈɔ tˈu zɔstˈavitɕ na pˈɛvnɔ̃ ɕmʲˈɛrtɕ?|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_247.wav|tsˈɔ tɨ tɔ xɔlˈɛrɨ rˈɔbʲiʃ? zˌapɨtˈawam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_436.wav|ɡdˈɨbɨm ɡˈɔ spɔtkˈawa.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_46.wav|najlˈɛpʃɨ bˈɨwbɨ mˈɔ̃ʃ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_22.wav|jˈɛnnɨ ˌɔkrɔ̃ʒˈɨwa bjˈurkɔ, pˌɔʃukˈawa naɡrˈaɲʲa, pʃˌɛtɕɔŋɡnˈɛwa sˈuvaɡ vidˈɛɔ w ˌɔtpɔvʲˈɛdɲʲɛ mʲˈɛjstsɛ f prɔɡrˈamjɛ i nˌatɕisnˈɛwa pʃˈɨtɕisk ˌɔttfaʒˈaɲʲa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_19.wav|mˈɔim zdˈaɲʲɛm ˌɔɲi sɔ̃ bˈardʑɔ ɲʲˌɛpravdˌɔpɔdɔbnˈɨmi tsɛlˈami pɔrvˈaɲʲa dla ɔkˈupu.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_207.wav|kʲˈɛdɨ bˌɨwɛm ɡʲˈɛrmkʲɛm, ˌɔbjɛtsɨvˈawɛm sˈɔbjɛ, ʒˈɛ tɔ ja zabʲˈijɛ ˌuɕmʲɛxɲʲɛntˈɛɡɔ rɨtsˈɛʒa.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_43.wav|pʃˌɨtɕisnˈɛwam ˈuxɔ dɔː ˌalumiɲʲˈɔvɛj skɔrˈupɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_5.wav|spˈɛndʑaw z mˈamɔ̃ tsˈawɛ ɡɔdʑˈinɨ f pɔkˈɔju dɔ mˌɛdɨtˈatsji, a ˌɔna tʃˈɛ̃stɔ vˌɨxɔdʑˈiwa z ɲʲˈɛɡɔ rˌɔzɛɕmʲˈana, znˈuf ʃtʃɛɲɕlˈiva jˈak mˈatka, ktˌurɔ̃ zˈafʃɛ znˈawam.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_148.wav|vˈɔwaw sˈama, tfʲˈɛrdʑɔnts, ʒˈɛ mˈuɕi mu tsˈɔɕ pɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_12.wav|jˈa, ktˌurɨ s tˈakim trˈudɛm vrˈatsam na ʑˈɛmʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_65.wav|ɲʲɛ mʲˌawaɕ xˈɨba vɨpˈatku, tsˈɔ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_129.wav|tˈu zamˈɨɕliw ɕɛ, pɔpˈatʃɨw ɲʲˌɛruxˈɔmɔ w zɡaʃˈɔnɨ ˈɛkran tˌɛlɛvizˈɔra.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_93.wav|kɔʃˈulka zˌatʃɨmˈawa ɕɛ nat jɛj pʲɛrɕˈami. ɔptɕˈɔŋɡa jˈɔ̃ w dˈuw, nˈajpʲɛrf s pʃˈɔdu, pˈɔtɛm s tˈɨwu.|2
+Dataset/wavs/urwisko_ferenc/55_segment_45.wav|ɲʲɛ tʃɛkˈawa dwˈuɡɔ, pɔ xfˈili ujʒˈawa w dʒvʲˈax tˈɛ sˈamɔ̃ kɔbjˈɛtɛ, ktˌurɔ̃ ftʃˈɛɕɲʲɛj vˌɨpatʃˈɨwa na balkˈɔɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_297.wav|ˌalɛ mˈuvi nɔrmˈalnɨm ʃˈɛptɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_25.wav|dɔː ˈust napwˈɨva mi ɕlˈina i pʃˈɛs xfˈilɛ ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ zrˈɔbʲi mi ɕɛ ɲʲɛdˈɔbʒɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_13.wav|vɨmˈɨɕliw nˈavɛd dla mɲʲɛ pʃɛzvˈiskɔ spˈikɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_33.wav|tɔ sˈamɔ pɨtˈaɲʲɛ vwˈaɕɲʲɛ sˈɔbjɛ zadˈawɛm. dɔvˈɔdɨ s kasˈɨna fskazˈujɔ̃, ʒˈɛ vʲˈɔdwa pɔdvˈujnɛ ʒˈɨtɕɛ, f ktˌurɛ zˌamjɛʃˈanɨ bˈɨw tsamˈɛrɔn ˈɛdmɔnts.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_41.wav|mˌɛtalˈɔvɛ dʒvˈi, mˌɛtalˈɔva zasˈuva, kʃɨknˈɛwam.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_188.wav|pˈɔtɨm, jˈak muvˈiwaɕ mi pʃˈɛs tˈɨlɛ lˈat, ʒˈɛ ɲʲˈɛxtsɛʃ tˌɛɡɔ rˈɔbʲitɕ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_93.wav|zmɛntʃˈɨwɛm ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_121.wav|kʲˈɛdɨ pɔlˈitsja mɲʲɛ zɡˈarɲʲɛ mˈɨɕli, kˈɔltʃɨk trˈafi dɔ kɔpˈɛrtɨ na dɔvˈɔdɨ rˈazɛm z rˈɛʃtɔ̃ mɔjˈɛɡɔ dɔbˈɨtku i dʑɛftʃˈɨna zapˈɛvnɛ ɲˈiɡdɨ ɡˈɔ ɲʲɛ ɔdʑˈɨska.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_68.wav|jˈɛd zɔstˈavja za sˈɔbɔ̃ tˌurbulˈɛntsjɛ i tɔ ʃˈarpʲɛ stˈɛrɛm.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_108.wav|nˌajvɨrˈaʑɲʲɛj jˈɛdnak ɲʲˈɛmʲaw jɛj tˌɛɡɔ za zwˈɛ. ɲʲɛ ˌuvʲɛʒˈɨwabˌɨɕ f pɔwˈɔvɛ ʒˈɛtʃɨ, ktˌurɛ vˌɨdaʒˈɨwɨ ɕɛ f krulˈɛfskʲɛj pʃɨstˈaɲi, swɔdʑˈutka.|1
+Dataset/wavs/urwisko_ferenc/52_segment_80.wav|a nˈavɛd ɡdˈɨbɨ tˈaɡ bˈɨwɔ, tsˈɔ tɔ zmʲˈɛɲʲa?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_72.wav|i ɲʲˌɛzalˈɛʒɲʲɛ ɔt tˈɛɡɔ, tsˈɔ pˈan zrˈɔbʲiw, jˈakʲɛɕ ɕlˈadɨ tˈam bˈɛndɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_31.wav|bʲˈili f pɛrˈutsɛ i tɕˈɛmnɨx ˌɔkulˈarax, ktˌurɛ bˈutskɨ vɨʃpˈɛraw w jˈɛdnɨm zˈɛ sfˈɔix, jˈak tɔː ɔkrˈɛɕliw, jˈɛʃtʃɛ ɲʲˌɛrɔspˌakɔvˈanɨx tɔbˈɔwkuf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_182.wav|xfˈɨta trˈujpaɡ bˌavɛwɲʲˈanɨx ʃˈɔrtuf xaˈiɲis i zanˈɔɕi zakˈupɨ dɔ kˈasɨ, vˌɨpatrˈujɔndʑ za ʃˈɨbɔ̃ rˌadjɔvˈɔzuf.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_258.wav|xˈɔtɕ ja mˈɔʒɛ bˈɨm i vʲˈɛdʑaw. nˈɔ.|0
+Dataset/wavs/urwisko_ferenc/58_segment_25.wav|pˌɔlitsjˈanta jˈuʃ ɲʲɛ bˌɨwɔ pʃɨ sˌamɔxˈɔdʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_76.wav|ɲˈitsk skˌɔntaktˈɔvaw ɕɛ z rɔɡˈɛrɛm klˈɛrkim. klˈɛrki prˈavʲɛ na pˈɛvnɔ pʃˈɛs pˌɔɕrɛdɲˈika vɨnˈajɔw drɔɡʲˈɛɡɔː ˌadvɔkˈata, ktˌurɨ mʲˈaw ɲʲɛ dɔpˈuɕtɕidʑ dɔː ˌɛkstradˈɨtsji.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_147.wav|tʃɨ dˈɔm zˈɔstaw ˌɔbrabɔvˈanɨ?|3
+Dataset/wavs/urwisko_ferenc/03_segment_7.wav|jˈaɡbɨ w vɨɲˈiku tˈɛɡɔ, ʒˈɛ strˈatɕiw w ʒˈɨtɕu fʃˈɨstkɔ tsˈɔ nˌajtsɛnɲʲˈɛjʃɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_8.wav|ɡdˈɨbɨ ɲʲɛ ɕˈiɲtsɛ na mˈɔix plˈɛtsax, ɡɔtˈɔva bˈɨwabˌɨm pɔmˈɨɕlɛtɕ, ʒˈɛ fʃˈɨstkɔ mi ɕɛ pʃɨɕɲˈiwɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_231.wav|ʃtʃɛɡˈulɲʲɛ ta xfˈila, kʲˈɛdɨ pˈɔʃɛd zˈajɔɲtɕ ɕɛ ˌɛdʲisˈɔnɛm. lˌatajˈɔntsɛ dʒˈazɡʲi, ʃˈum spuʃtʃˈɔnɛj vˈɔdɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_153.wav|bʲˈillɨ vˈidʑi tɔː ɔtʃˈami vˌɨɔbrˈaʑɲi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_107.wav|tɔ sˈamɔ xtɕˈawɛm pɔvʲˈɛdʑɛtɕ, kʲˈɛdɨ vˈɨʃɛt s pɔkˈɔju.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_60.wav|ɔtfʲˈɛram pɔvˈɔli dʒvˈi i fxˈɔdʑɛ dɔ kˈuxɲi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_3.wav|spˈɛntsɛr mˈuviw, ʒˈɛ fʃˈɛlki ɕlˈat pɔ mˈartɕɛ zaɡʲˈinɔw i ʒˈɛ zˌɔstavˈiwa f ʃuflˈadʑɛ sfˈɔjɔ̃ swuʒbˈɔvɔ̃ kɔmˈurkɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_21.wav|stˌanɔvˈiskɔ prˈatsɨ swuʒˈɨwɔ mu tˈɛraz dɔ bˈadaɲ nad zˈafɔː i fʃˈɨstkʲɛ ˈinnɛ spʃˈɛntɨ ɔtsˈunɔw pɔt ɕtɕˈanɛ, ʒˈɛbɨ zrˈɔbʲidʑ vʲˈɛntsɛj mʲˈɛjstsa.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_212.wav|ɲˈiɡdɨ ɲʲɛ mˈɔɡɔ̃ ɕɛ nˈajɛʑdʑ dɔ sˈɨta.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_301.wav|rˈɔp, brˈan i rˈitskɔn ɲʲɛ ʒˈɨli.|1
+Dataset/wavs/urwisko_ferenc/55_segment_47.wav|xˈɛrman pɔtʃˈuwa dˌɛlikˈatnɨ pʃˈɛtɕɔŋk, ktˌurɨ pʃˈɨɲʲus ˌintɛnsˈɨvnɨ, lˈɛpki zˈapax kfʲˈatuv bˌalkɔnˈɔvɨx.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_263.wav|ɲˈiɡdɨ ɲʲɛ spˈawɛʑ z mˈɔjɔ̃ swˈɔtkɔ̃ ɕˈɔstrɔ̃?|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_79.wav|pʃˈɛrvaw na xfˈilɛ, ˈabɨ swuxˈatʃɛ mˈɔɡli pʃɛtrˈavitɕ jˈɛɡɔ swˈɔva.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_130.wav|ɔdvrˈutɕiw ɕɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_95.wav|ɔstrˈɔʒɲʲɛ ɔtfʲˈɛram kɔlˈɛjnɛ dʒvˈi prˌɔvadʑˈɔntsɛ dɔ prˈalɲi.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_318.wav|lˈadɨ tsatˈɛlɨn vbʲˈiwa pˈaltsɛ ɡwɛmbˈɔkɔ w ɡˈardwɔ. z jɛj ˈust pˌɔsɨpˈawɨ ɕɛ swˈɔva.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_62.wav|ɛntˈuzjazm w ɡwˈɔɕɛ ɲˈijak ɲʲɛ pasˈɔvaw dɔ pˌɔzbavʲɔnˈɛɡɔ blˈasku spɔjʒˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_95.wav|jˈak mˈɔɡlibˌɨ mi ˌɔtpɔvʲˈɛdʑɛtɕ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_265.wav|bˌɛndɛ muɕˈawa vɨskˈɔtʃɨdʑ z rˈɛntʃ rɔvˈɛra i pʃˈɛɕɔ̃ɕtɕ ɕɛ dɔ mɔjˈɛɡɔ nɔvˈɛɡɔ sˌamɔxˈɔdu.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_243.wav|ˈɔtpar mɛ̃ʃtʃˈɨzna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_179.wav|tɨm rˈazɛm zvˈilʒa ɕtɕɛrˈɛtʃkɛ pɔt krˈanɛm f kˈuxɲi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_33.wav|tˈak trˈudnɔ mi ɔkrˈɛɕlitɕ, kˈim jɛst pravdʑˈiva jˈa.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_283.wav|tˌɛɡɔ pʃɨnˈajmɲʲɛj alˈain bˌɨwa pˈɛvna.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_65.wav|f puʑɲʲˈɛjʃɛj pˈɔʒɛ kˈanaw vɨpˈɛwɲʲɔ̃ lˈitʃnɛ vɛ̃ʒˈɔvɛ wˈɔdʑɛ i bˈarki, ˌalɛ pʃɛt ɕfˈitɛm mʲˌɛli ɡˈɔ vɨwˈɔntʃɲʲɛ dla ɕˈɛbjɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_51.wav|tˈak, ˌalɛ tɔ vam ɲitʃˈɛɡɔ ɲʲɛ pˈɔvʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_283.wav|bˈardʑɔ kɔŋkrˈɛtna kfˈɔta.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_39.wav|dˈam pˈanu ˌidɛntˌɨfikˈatɔr, kʲˈɛdɨ bˌɛɲdʑɛ pˈan vɨxˈɔdʑiw. tʃˈɛba z ɲʲˈɛɡɔ kɔʒˈɨstatɕ, jˈɛɕli ɲikˈɔɡɔ ɲʲˈɛma na stˌanɔvˈisku ɔxrˈɔnɨ. vɨstˈartʃɨ ɡˈɔ zblˈiʒɨdʑ dɔ tˌɛɡɔ tʃɨtɲˈika.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_137.wav|ˌɔddalˈaliɕmˌɨ ɕɛ ɔd ʒˈɛki.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_12.wav|jɛdˈɨɲʲɛ zˈɔɛ, fˌuŋktsjɔnarjˈuʃka dɔ sprˈaf kɔntˈaktuv z rɔdʑˈinɔ̃, ftɕˈɔ̃ʃ jɛzd zˈɛmnɔ̃ i mˈiltʃɨ ɔt mɔmˈɛntu, kʲˈɛdɨ tˈɔm i bˈɛtskɨ stˈɔnd vˈɨʃli.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_440.wav|blˈɔunt ˈalbɔ trˈant.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_70.wav|spˈujʃ nˈamɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_300.wav|mˈɔʒɛ fstˈɨdʑiʃ ɕɛ sfˈɛɡɔː imjˈɛɲʲa?|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_32.wav|lˈudʑɛ pˌɔvʲadˈali, ʒˈɛ lɔrdˈɔfskʲɛ tsˈurki tʃˈɛɲɕtɕɛj ɔddˈajɔ̃ dʑɛvˈitstfɔ kˈɔɲʲɔm ɲˈiʃ mˈɛ̃ʒɔm, a marɡˈɛrɨ jɛʑdʑˈiwa kˈɔnnɔ̃, ˈɔtkɔnt nˌautʃˈɨwa ɕɛ xˈɔdʑitɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_367.wav|pˈɛvɲʲɛ pʃˈɨʃwɨ jˈuʃ pʲˈɛrʃɛ ɔdvˈilʒɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_204.wav|tɔ mˈawɛ mʲˈastɔ, a ja lˈubjɛ tʃˈɨmatɕ rˈɛŋkɛ na pˈulɕɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_40.wav|dʑˈɛŋki tˈɛmu, ʒˈɛ jˈɛɡɔ spˈadɛk uvˈɔlɲiw nˈas ɔt çˌipɔtˈɛki, zˈatʃɔw ɕɛ zˌastanˈavʲatɕ, tʃɨ ɲʲɛ pˌɔradʑˈimɨ sˈɔbjɛ bˈɛs jˈɛɡɔ pˈɛnsji.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_34.wav|ʒˈɛkw stˈarʃɨ brˈat.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_16.wav|pʃˌɛʃukˈawam jˈɛɡɔ kʲɛʃˈɛɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_73.wav|na vˈidɔk sˈɛr ilˈɛna ɔtfˈɔʒɨw ʃɛrˈɔkɔː ˈɔtʃɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_70.wav|mˈatka vˌɨxɔvɨvˈawa tɕˈɛbjɛ i ɕˈɔstrɛ, tsˈɔ jˈɛʃtʃɛ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_38.wav|ˈaʃ pˈatʃɨ nˈamɲʲɛ zˌaskɔtʃˈɔnɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_32.wav|zˌapɨtˈawa ˌɔtpɨxˈajɔnts mɲʲɛ ɔt ɕˈɛbjɛ.|3
+Dataset/wavs/urwisko_ferenc/47_segment_76.wav|xtɕˈawa pˈaɲi vˈɨswadʑ dɔ bˈadaɲ tɕˈuxɨ tˌɛɡɔ dʑɛtɕˈaka, ktˌurɨ ɕɛ ˌuɡɔtˈɔvaw f sˌamɔxˈɔdʑɛ, prˈavda?|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_94.wav|fʃˈɨstkʲɛ ɕɛdʑˈɛɲʲa bˌɨwɨ zajˈɛntɛ i kˌilkadʑˈɛɕɔnt ˈɔsup tʃɛkˈawɔ na stɔjˈɔntsɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_16.wav|ɡʲˈɔrɡjɔ pˈarska ɕmʲˈɛxɛm, ktˌurɨ pʃɛxˈɔdʑi vʒɛ̃ʒˈɛɲʲɛ, vʲˈɛnts mˈɔʒɛ jˈɛdnak ɲʲɛ jɛst jˈak nˌɔvɔnˌarɔdʑˈɔnɨ.|2
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+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_8.wav|jɛj pwˈaʒdʒ vɨdˈavaw ɕɛ rˈuvɲʲɛ tɕˈɛ̃ʃki jˈak kɔltʃˈuɡa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_366.wav|zbliʒˈaliɕmˌɨ ɕɛ dɔ starˈɛɡɔ mʲˈasta. vʲɛdʑˈawɛm, ʒˈɛ zˈaraz vɨɕˈɔɲdʑɛ.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_14.wav|pˌɔvʲɛdʑˈafʃɨ tɔ, ɔpˈarwa ɕɛ ɔ dʒvˈi f tˈɨlnɛj tʃˈɛɲɕtɕi ˈawta i zamknˈɛwa ˈɔtʃɨ, a tˈɔm i bˈɛtskɨ ɲʲɛ ftɕɔŋɡˈali jɛj w dˈalʃɔ̃ rɔzmˈɔvɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_84.wav|ɲʲɛ bˌɛɲdʑɛ mˈuɕaw, tˈak jˈak jˈa, stˈavatɕ pʃɛt fʃɨstkˈimi i swˈuxatɕ, jˈaɡ vɨmjˈɛɲʲa ɕɛ jˈɛɡɔ vˈadɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_101.wav|mafjˈɔʑi f stˌarɔɕfʲˈɛtskim stˈɨlu, ktˌuʒɨ zˌabʲijˈajɔ̃ w ˈimjɛ zˈasat.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_28.wav|dˈɛʃtʃ ˈustaw, ˌalɛ ɲʲˈɛbɔ ftɕˈɔ̃ʃ mˈa kˈɔlɔr dɔjʒˈawɛj ɕlˈifki.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_69.wav|ˌalɛ sˈamɔː ˌalumˈiɲʲum tˈɛʃ ɕɛ pʃˈɨda.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_22.wav|a pɔlˈitsjand zapˈɨtaw ɡˈɔ.|0
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+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_81.wav|mˈartʲin ɔt lˈad vˌɨkɔnˈɨvaw dla mɲʲɛ dɔrˈɨftʃɛ zlɛtsˈɛɲʲa, pˌɔlɛɡajˈɔntsɛ ɡwˈuvɲʲɛ na ˌusuvˈaɲʲu zˌabɛspʲˈɛtʃɛɲ ˌantɨpirˈatskix s pʃˌɛmɨtsanˈɛɡɔ spʃˈɛntu ˌɛlɛktrˌɔɲitʃnˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_17.wav|zabrˈawam sˈɨna i vrutɕˈiliɕmˌɨ dɔ dˈɔmu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_185.wav|blˈadɔ̃, spɔtsˈɔnɔ̃ i vˌɨkʃɨvʲˈɔnɔ̃ zwˈɨm ɡrɨmˈasɛm.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_222.wav|ɡdˈɨ dʒˈɛjn mʲˈaw jˈuʃ ɔdvrˈutɕitɕ ɕɛ i ˈɔdɛjɕtɕ,|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_189.wav|zˈafʃɛ bˌɨwaʑ znˈana s kfʲˌɛtɕistˈɛɡɔ jɛ̃zˈɨka.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_51.wav|pˌɔstanˈɔviw fʃˈɨstkɔ spʃˈɛdatɕ, nˈavɛt swuʒbˈɔvɨ tʃˈɔwk i dlatˈɛɡɔ tˈɛras ɔdbˈɨva pˈɔdruʒ dɔː ɔjtʃˈɨznɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_568.wav|zˌɔbatʃˈɨmɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_591.wav|pʃɛrvˈawɛm, tʃɛkˈajɔnts na rɛˈaktsjɛ kursˈaka.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_168.wav|zabˈavnɛ, pɔvʲˈɛdʑaw mwˈɔtʃɨ.|0
+Dataset/wavs/urwisko_ferenc/53_segment_10.wav|nˈɔ tɔ jɛstˌɛɕmɨ w dˈupʲɛ.|0
+Dataset/wavs/urwisko_ferenc/15_segment_24.wav|ˈaɡɛnt ɲʲˌɛruxɔmˈɔɕtɕi f xavˈajskʲɛj kɔʃˈuli vɨtsˈɛɲiw pɔsˈɛsjɛ na znˈatʃɲʲɛ ɲˈiʃʃɔ̃ kfˈɔtɛ ɲˈiʃ xˈɛrman ɕɛ spˌɔdʑɛvˈawa.|0
+Dataset/wavs/urwisko_ferenc/59_segment_106.wav|ɲʲɛ jɛst mʲˈɛjstsɛm jˈɛɡɔ ɕmʲˈɛrtɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_6.wav|vʑˈɛntɛ rˈazɛm ˌuɕfʲadamjˈajɔ̃ mu, ʒˈɛ im ftʃˈɛɕɲʲɛj vɨjˈɛdʑɛ z rˈɛd blˈuff, tɨm lˈɛpʲɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_128.wav|mˈuʃɛ kɔɲʲˈɛtʃɲʲɛ pʃˈɨtɨm bˈɨtɕ. a tˈak pʃɨ ɔkˈazji, ɕfʲˈɛtɲʲɛ tɔ fʃˈɨstkɔ bʒmˈi, ˌalɛ pɔ tsˈɔ zabʲˈijadʑ ɡˌɛnɛvʲˈɛvɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_21.wav|ktɔkˈɔlvʲɛɡ zˈabʲiw ɡˌɛnɛvʲˈɛvɛ s pɛvnˈɔɕtɕɔ̃ mˈuɕaw bˈɨtɕ tsˈawɨ vɛ krfˈi, vʲˈɛnts tsˈɔ ɕɛ stˈawɔ s tɔ̃ ɔdʑˈɛʒɔ̃?|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_254.wav|zdaʒˈawɨ ɕɛ dɲˈi, kʲˈɛdɨ, ɲˈim zˈaʃwɔ swˈɔɲtsɛ, tˌɔvaʒɨʃˈɨwɔ jɛj jˈuʃ kˌilkanˈaɕtɕɛ tɨɣ zvʲˈɛʒɔnt.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_46.wav|tˈata ɔbjˈɛtsaw jɛj, ʒˈɛ pɔwˈɔʒɨ pɔdwˈɔɡɛ, jˈakɔ̃ ˌɔna tˌɨlkɔ sˈɔbjɛ zaʒˈɨtʃɨ, ˌalɛ i tˈak stˈalɛ ˈɔtɨm zˌapɔminˈawa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_27.wav|mˌamɨ prˈavʲɛ pˈɛwɛn bˈak, bʲˈillɨ.|2
+Dataset/wavs/urwisko_ferenc/39_segment_9.wav|xˈɛrman zˌapalˈiwa pˌapʲɛrˈɔsa. nˈɔː i?|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_264.wav|dˈalɛ natɕˈisnɔw jˈɛdɛn s klavˈiʃɨ na kɔnsˈɔli i kabʲˈina zatʃˈɛwa ɕɛ unˈɔɕitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_182.wav|tˈak pɔ prˈɔstu.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_341.wav|vɔjˈɔvɲiɡ vˈaltʃɨ, a kˈɔval...|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_261.wav|kʲˈɛdɨ sˈɛɲdʑa tɕˈɛ zapˈɨta, tʃɨ jˌɛstɛʑ vˈinnɨ tʃɨ ɲʲɛ, ja ɔtpˈɔvʲɛm za tɕˈɛbjɛ i ftˈɛdɨ sˈɛɲdʑa zˌadɛtsɨdˈujɛ,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_104.wav|ta sprˈava rˈɔbʲi ɕɛ tsˈɔraz bˈardʑɛj skˌɔmplikɔvˈana.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_220.wav|ˈalbɔ bˈardʑɔ pɔdˈɔbnɛ.|0
+Dataset/wavs/urwisko_ferenc/59_segment_12.wav|ɲʲɛ sˈɔndʑɛ. dɔpʲˈɛrɔ ɲʲɛdˈavnɔ pʃˌɛkazˈanɔː ˌinfɔrmˈatsjɛ dɔ vwaɕtɕˈivɛj jɛdnˈɔstki.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_435.wav|kˌɛɲdʑɛʒˈavɨ ˈaʃ jˈɛŋknɔw zˈɛ zdʑivʲˈɛɲʲa. tsˈɔ pˈan?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_107.wav|bˈɔ znalˈazwɛm ɕɛ w vulɡˈarnɨx ˌɔkɔlitʃnˈɔɕtɕax?|0
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+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_53.wav|znˈajdɛ tɕi nˈaɲim mʲˈɛjstsɛ.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_189.wav|tɕˈɔŋɡnɔw ɡˈɔ mˈɔtsnɔ za vˈarɡaʃ. pʃˌɛstraʃˈɨwam ɕɛ, ʒˈɛ zrˈɔbʲi mu kʃˈɨvdɛ, ˈalɛ...|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_184.wav|tsˈɔ krˈakɛn zwˈapʲɛ, tˌɛɡɔ jˈuʃ ɲʲɛ vɨpˈuɕtɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_48.wav|vʲˈɛm, ʒˈɛ ɔn znˈuf tɔ rˈɔbʲi.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_105.wav|pʃɨnˈajmɲʲɛj ɲʲɛ nazvˈawa ɕˈɛbjɛ dʑɛvˈitsɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_33.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_203.wav|ɔn nˈas fʃˈɨstkix tˈak pˌɔnazˈɨvaw, ʒˈɛbɨ nˈas krˈɛv zˌalɛvˈawa, jˈak ˈɔtɨm mɨɕlˈimɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_132.wav|fʃˈɨstsɨ dˈamɨ sˈɔbjɛ rˈadɛ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_132.wav|dʒˈɛjn zatʃˈɨnaw ʒawˈɔvatɕ impˈulsu, ktˌurɨ kˈazaw mu tˈu pʃɨjˈɛxatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_312.wav|ˌuɕmʲɛxnˈɛwam ɕɛ ʃɛrˈɔkɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_385.wav|— tʃɨ tˌaki dʑˈɛɲ bˈɨwbɨ dˈɔbrɨ? — zˌapɨtˈawa pɔ xfˈili.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_177.wav|pˈiwɨ vˈinɔ, pwakˈawɨ i ˌɔpɔvʲadˈawɨ sˈɔbjɛ çistˈɔrjɛ ɔ lɔrˈaɕɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_17.wav|ɲʲˈɛmam pɔjˈɛɲtɕa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_70.wav|ɲʲɛ jɛst ʃtʃɛɲɕlˈiva, bˈɔ ɲʲˈɛma ɲikˈɔɡɔ, ktˈɔ zvrˈutɕiwbˌɨ nˈaɲʲɔ̃ uvˈaɡɛ. ˌɔna ɲʲɛ jɛzd zwˈa, r��atʃɛj tʃˈujɛ ɕɛ ɲʲˌɛdɔtsɛɲʲˈana.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_203.wav|tˈakʲɛ ˈimjɛ mɔɡwˈɔbɨ ɕɛ spɔdˈɔbatɕ nˈavɛt mɔjˈɛmu pˈanu ˈɔjtsu.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_179.wav|mˈuj ˈuɕmʲɛx ʃˈɨpkɔ zamjˈɛɲiw ɕɛ w vˈɨraz bˌɔlɛsnˈɛɡɔ rˌɔstʃarɔvˈaɲʲa. f pʃɛtɕˈɔŋku stˈaw dˈalɛ.|4
+Dataset/wavs/urwisko_ferenc/56_segment_21.wav|xˈɔtɕaʃ nˈaɲʲɔ̃ ɲʲɛ pˈatʃɨw, tʃˈuw, ʒˈɛ pʃˌɨɡlɔndˈawa mu ɕɛ pʃˈɛs xfˈilɛ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_36.wav|dʒˈɛjms kˈinɔw na bˌɛzbrudˈɛɡɔ dʒˈɔna bɛtlˈɛja. rˈɔzviɲ xɔrˈɔŋɡjɛ f pɔkˈɔju i zˈaɲʲɛʑ dɔ zˈamku vʲadˈɔmɔɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_336.wav|ɲˈikt ɲʲɛ vˈɔntpi w vˈartɔɕtɕ kɔvˈali. i dlatˈɛɡɔ tɔ vwˈaɕɲʲɛ ˈimjɛ nadˈaliɕmˌɨ jɛdnˈɛmu s ɕˈɛdmju.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_130.wav|ˌalɛ mˈimɔ tɔ tɕˈɛ̃ʃkɔ mi w nˈɔtsɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_152.wav|zrɔbʲˈiwa sˈɔbjɛ pʃˈɛrvɛ ɔd ʒˈɨtɕa i vˌɨkɔʒɨstˈujɛ tɛn tʃˈas, bˈɨ zˌastanˈɔvitɕ ɕɛ, tsˈɔ dˈalɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_20.wav|vrˈɛʃtɕɛ pɔdɲʲˈɔswa ɡwˈɔvɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_113.wav|mˈam dɔ tˌɛɡɔ tɛn fspaɲʲˈawɨ dˈɔm i dˈuʒɔ pʲɛɲʲˈɛndʑɨ, a mˈimɔ tɔ ɲʲɛ pɔtrˈafjɛ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_67.wav|— pˈɛvɲʲɛ, ʒˈɛ mˈɔʒɛʃ, jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ. — lˈɛpʲɛj zˈa... mi... mi...|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_79.wav|pˌɔftaʒˈawam sˈɔbjɛ pʃˈɛs tsˈawɨ tʃˈas, ʒˈɛ ɔn jɛzd zvɨtʃˈajnɨm xwɔpˈakʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_157.wav|pɔzˈaɲim dɔ tʃˈaʃki kˌɔxɔrˈika pʃˌɨlɛɡˈawɔ jˈɛʃtʃɛ tˌɨlkɔ kˈilka skrˈafkuf mʲˈɛ̃sa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_155.wav|ɲʲɛ bˌɨwɔ ʒˈadnɨɣ dʑˈɛtɕi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_500.wav|tɔ znˈatʃɨ bˌɛndɛ w ɲˈim, lˈɛtʃ jˈɛdnɔ̃ nˈɔɡɔ̃. bˌɛndɛ utɕˈɛkaw stˈalɛ mɨɕlˈami na nˈɔtsnɛ plˈatsɛ mʲˈasta i pˈustɛ ulˈitsɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_214.wav|tʃˈɛɕtɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_315.wav|kʲˈɛdɨɕ lubʲˈiwɛm spɔtkˈaɲʲa z ɲʲˌɛznanˈɨmi ˈalbɔ ɲʲˈɛdɔʑdʑ znanˈɨmi ˌɔsɔbˈami.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_134.wav|ɡdˈɨ tˌɨlkɔː ˈɛmɔn ɔdʑˈɨska ɕˈiwɨ, pɔvˈinɲi bˈɛs trˈudu znˈalɛɕtɕ stˈatɛk, ktˌurɨ zabjˈɛʒɛ ix, dˈɔkɔnt tˌɨlkɔ zˈɛxtsɔ̃ pɔpwˈɨnɔɲtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_42.wav|ˈindja ɲʲɛ pʃˈɨʃwa pɛvnˈɛɡɔ dɲʲˈa dɔ ʃkˈɔwɨ, a nˌautʃɨtɕˈɛlka pˌɔinfˌɔrmɔvˈawa dʑˈɛtɕi, ʒˈɛ rɔdʑˈina ɕɛ vˌɨprɔvadʑˈiwa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_294.wav|tʃɛkˈawɨ, ʒˈɛ ʒˈutsɛ im jˈakʲɛɕ ɔkrˈuxɨ. rˌɔssuvˈawɨ ɕɛ tɕˈɛ̃ʃkʲɛ xmˈurɨ i vˈɨʃɛd z mɡwˈɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_373.wav|ʃwˈa z ɡwˈɔvɔ̃ skwɔɲʲˈɔnɔ̃ f prˈavɔ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_142.wav|tˈɛraz vʲˈɛʃ, jˈak ɕɛ tʃˈuwam, kʲˈɛdɨ ˈumar jˈɔffrɛj.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_27.wav|ˌalɛ ɲʲɛ lˈɔras, ɲʲɛ nˈaʃ rˈɨtsɛʃ kfʲˈatuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_20.wav|tɛ̃skɲˈiwam za jˈɛɡɔ mwˈɔdɔ̃, vˈɔlnɔ̃ dˈuʃɔ̃, ktˌurɔ̃ xtɕˈawam pɔznˈavatɕ.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_46.wav|ɲʲɛdˈavnɔ...|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_180.wav|kɔlˈɛjna ɔsˈɔba, ktˌurɔ̃ znˈawam. xɔlˈɛra! ˈilɛ nˈɛrvuf kɔʃtˈujɛ pˌɔpɛwɲʲˈɛɲʲɛ pʃɛstˈɛmpstfa w mˈawɨm mʲˈɛɕtɕɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_429.wav|ˌalɛ tsˈɔ ɕɛ z ɲʲˈɔ̃ stˈawɔ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_80.wav|ɲʲɛvˈaʒnɛ, tsˈɔ tˈɛras tʃˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_126.wav|pʲˈɛrʃɨ rˈas jˈɔ̃ tsawˈujɛ f kˈɔɲtɕik ˈust.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_147.wav|tɔ nɔvˈitsjuʃ.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_78.wav|ɔstʃˈɛɡwa ɡˈɔ dʑɛftʃˈ��ŋka s tˈatʃkɔ̃. bˈɔ pˈɔtɛm zˌaʒɔndˈajɔ̃ ɔt tɕˈɛbjɛ bˈutuf i za xfˈilɛ bˌɛɲdʑɛʃ nˈaɡʲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_163.wav|pˌɔkrɛɲtɕˈiwam ɡwˈɔvɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_38.wav|i tˈam pˌɔzɔstˈawɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_157.wav|ɲʲɛ mˈɔɡɛ nˈatɔ pɔzvˈɔlitɕ, tˈatɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_40.wav|spɔkˈɔjɲʲɛ, mˈuvi mɛ̃ʃtʃˈɨzna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_94.wav|vɨjmˈujɛ s pɔrtfˈɛla kartˈɛtʃkɛ, na ktˌurɛj zapˈisaw nˈumɛr tˌɛlɛfˈɔnu dʒˈɔrdʒja.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_3.wav|ˈandɛrsɔn fʃˈɛd dɔ xaŋɡˈaru i pˈɔtʃɛd dɔ sˌamɔlˈɔtu, pʃɨ ktˌurɨm pratsˈɔvaw spɔtsˈɔnɨ mɛxˈaɲik.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_81.wav|ˈɔtfuʃ pˈan tˈɛras prˈavɨ zbjˈɔrɲik i pˈɔtstaf pˈan rˈɛŋkɛ pɔd zˈavur. ˌalɛ nˈajpʲɛrf pɔtʃˈɛkaj pˈan xfˈilɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_170.wav|dʒɛmˈawɨ pʃɨ krˌavɛ̃ʒɲˈikax ˌukraˈiɲskʲɛ tɕˌɛ̃ʒarˈufki i bɛtʃˈawɨ ˌuvʲɔ̃zˈanɛ ɲʲɛdbˈalɛ kˈɔzɨ s kawkˈazu.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_26.wav|ix pˈɔdruʒ dˌɔbjɛɡˈawa jˈuʃ kˈɔɲtsa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_46.wav|spɔjʒˈawɛm w dˈuw i zdrɛntfʲˈawɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_124.wav|mˈɛ llˈamɔ pˈablɔ lˈɔpɛs. ˈɛsta ˈɛs mi çˈija. ˈɛstɔs sˈɔn pˈara ˈɛl jˈardʲin.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_162.wav|muɕˈɛli jˈɛdnaɡ zjˈɛxatɕ na dˈuw, zˈaɲim lˈut na dˈɔbrɛ ɔdˈɛtɲʲɛ im drˈɔɡɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_53.wav|pˈɔɕrut rˈɔzmuf, ɕmʲˈɛxuf i ɡvˈaru ɲʲɛ swˈɨxadʑ dʑvʲˈɛŋku, vʲˈɛnts tsˈɔ kˈilka sˈɛkunt pˌɔjavʲˈajɔ̃ ɕɛ napˈisɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_259.wav|drˈɛntʃɨ tɕˈɛbjɛ pɔtʃˈutɕɛ vˈinɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_46.wav|fstˈajɛ i zatʃˈɨnam krˈɔ̃ʒɨtɕ pɔ pɔkˈɔju.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_175.wav|ɲʲɛ ɔpxˈɔdʑɔ̃ mɲʲɛ pʲɛɲʲˈɔndʑɛ! xtsˈɛ mˈɔjɛ dʑˈɛtskɔ! pˌɔtʃɛbˈujɛ ɡˈɔ!|3
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_30.wav|ˌuɕmʲɛxnˈɛwam ɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_359.wav|stfʲˈɛrdʑiw lˈɔrt pˈipɛr, ɲˈiski, pɛŋkˈatɨ mɛ̃ʃtʃˈɨzna ɔ kʃˈɨvɨx nˈɔɡax i zmʲɛʒvʲˈɔnɛj, rˈudɛj tʃuprˈɨɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_81.wav|kʲˈɛdɨ zabʲˈiwa pɔ rˈas pʲˈɛrʃɨ?|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_261.wav|ˌalɛ w rˈɔɲʲɛ ˈɔkɔ vrˈutɕiw tsˈawɨ i zdrˈɔvɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_146.wav|dˈavn pʃˈɛs xfˈilɛ miltʃˈawa, ˌalɛ kʲˈɛdɨ tɕˈiʃa ɕɛ pʃˌɛtɕɔŋɡˈawa, upˈiwa wˈɨɡ zˈɛ ʃklanˈɛtʃki i zatʃˈɛwa mˈuvitɕ s pˈɛvnɨm vaxˈaɲʲɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_62.wav|vʲˈɛŋkʃɔɕtɕ pˌartɛrˈɔva, ɔɡˈulɲʲɛ dˈɔbʒɛ ˌutʃɨmˈanɛ, xˈɔtɕaʃ kˈilka pʃˌɨdawˈɔbɨ ɕɛ ˌɔdmalˈɔvatɕ, nˈɔː i tʃˈɛɲɕtɕ travɲˈikuf pɔrˈɔswa xfastˈami.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_60.wav|vʲˈɛnts skˈɔnd vʲˈɛmɨ, ktˌura ɡɔdʑˈina?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_28.wav|tˈɔm zˈamknɔw ˈɔtʃɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_186.wav|mˈɔʒɛ tˈak tɔ vwˈaɕɲʲɛ jˈɛst, mˈɔʒɛ inˈatʃɛj?|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_109.wav|lˈitʃɨw, ʒˈɛ kʲˈɛdɨ ɔpˈɔvʲɛ tˈɛ çistˈɔrjɛ ɔt pɔtʃˈɔntku dɔ kˈɔɲtsa, wˈatfʲɛj mu bˌɛɲdʑɛ pˌɔukwˈadatɕ sˈɔbjɛ fʃˈɨstkɔ w ɡwˈɔvʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_177.wav|vɛstxnˈɛwam tɕˈɛ̃ʃkɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_63.wav|ɲʲˈɛvʲɛm, jˈaɡ dwˈuɡɔ tˈu zabˈavjɛ. pˌɔmɨɕlˈawam pɔ prˈɔstu, ʒˈɛ mˈɔɡwabˌɨm ɕɛ z ɲˈim spˈɔtkatɕ pʃɨ ɔkˈazji. dʑɛŋkˈujɛ za pˈɔmɔts.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_35.wav|vʑˈɛwam z vˈuska mˈaskɛ spˌavalɲˈitʃɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_23.wav|tɔ jˈɛʃtʃɛ jˈɛdna s tɨx rˈɛɡuw, ktˌura ˌɛɡzɛkfˈujɛ ɕɛ tˈutaj pʃɛmˈɔtsɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_168.wav|i ja ɡˈɔ pʲˈɛrʃɨ ɔtkrˈɨwɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_290.wav|pamjˈɛntaʃ, ˌutɕɛkˈaliɕmˌɨ tsˈawɨ dʑˈɛɲ dɔ pˈuʃtʃɨ, bˈɔ pˈɛwnɔ bˌɨwɔ dɔkˈɔwa strˌɨbʲitjˈɛlnɨɣ bˌataljˈɔnuf, ktˌurɛ nˈaz zɡaɲʲˈawɨ tsˈawɔ̃ vʲˈɔsnɛ, pamjˈɛntaʃ?|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_173.wav|zatʃˈɛwam rɔstɕˈɛratɕ nadɡˈarstki.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_131.wav|ɡdˈɨ w ɡrˈɛ fxˈɔdʑɔ̃ umˈɔvɨ mawʒˈɛɲskʲɛ. bˈardʑɔ bˈɨm ɲʲˈɛxtɕaw znˈɔvu ix rˌɔstʃarˈɔvatɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_148.wav|i zrɔbʲˈiwɔ mi ɕɛ fstˈɨt.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_130.wav|muɕˈawam vɨsˈadʑitɕ pˌɔzɔstˈawɛ dvˈa kɔmbˈajnɨ jˌɛdnɔtʃˈɛɕɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_123.wav|ˌalɛ jˈɛɕli sprubˈujɛʃ jˈɛxatɕ pʃˈɛs tsˈawɔ̃ nˈɔts, bˌɛɲdʑɛʃ ɕɛ prɔɕˈiwa ɔ vɨpˈadɛk.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_584.wav|jɛst jˈak jˈɛst.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_43.wav|tˈɔm ʒˈutɕiw bˈɛtskɨ pˈɛwnɛ zdumjˈɛɲʲa spɔjʒˈɛɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_352.wav|jˈɛɕli tˌɛɡɔ prˈaɡɲʲɛʃ.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_236.wav|zrˈup jˈɛdnɔː i drˈuɡʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_26.wav|pɔmˈimɔ vʲˌɛlɔlˈɛtɲʲɛj znˌajɔmˈɔɕtɕi, tˈɔm zˈafʃɛ ɔdnˈɔɕiw ɕɛ dɔ filˈipɨ z ˌɔtpɔvʲˈɛdɲim ʃatsˈuŋkʲɛm f tˌɔvaʒˈɨstfʲɛ ˈinnɨx ˈɔsup.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_222.wav|ktˌurɨx pʲɛɲʲˈɔndʑɛ rabˈɔvaw lˈup krˈad,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_79.wav|vɨxˈɔdʑɔnts s pɔkˈɔju lˈutsɨ pɔmˈɨɕlaw ɔ jˈɔɛ pˈalmɛr.|4
+Dataset/wavs/urwisko_ferenc/44_segment_17.wav|ɔstˈatɲʲɔ mʲˈaw pˈarɛ suktsˈɛsuf na kˈɔɲtɕɛ i zaˈistɲʲaw w mˈɛdjax. dˈaʃ mi dɔ ɲʲˈɛɡɔ nˈumɛr?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_28.wav|vˌɨkɔnˈanɨm fˌantazˈɨjnɔ̃ tʃtɕˈɔŋkɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_100.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_145.wav|pˌɔrɨsˈujɔ̃ tɕi kˌarɔsˈɛrjɛ, jˈak tɔ zɔbˈatʃɔ̃, mˈuvi bʲˈillɨ. tɔ mˈɔtsnɔ kˌɔnsɛrvatˈɨvnɨ stˈan.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_112.wav|tɔ ɲʲɛ jɛst pravdʑˈivɨ mʲˈɛtʃ. ˌɔna mˈuɕi ˈɔtɨm vʲˈɛdʑɛtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_243.wav|ˌuzmɨswɔvˈiwam tɔ sˈɔbjɛ, kʲˈɛdɨ pɔ rˈas sˈɛtnɨ ʃwˈam publˈitʃnɨm kˌɔrɨtˈaʒɛm f kɔʃˈuli nˈɔtsnɛj, ʒˈɛbɨ ɕɛ vɨɕˈikatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_13.wav|krˈɛɲtɕi ɡwˈɔvɔ̃, jˈaɡbɨ bˈɨw rˌɔstʃarɔvˈanɨ tˈɨm, dɔ tʃˈɛɡɔ dɔxˈɔdʑi na ɕfʲˈɛtɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_215.wav|tsˈuʃ, f tˈakim rˈaʑɛ pˈɔzvul, ʒˈɛ tɕˈɛ pˈɔʒɛ...|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_25.wav|mˈuvjɛ i pɔtxˈɔdʑɛ dɔ pɔdjˈazdu dˈɛli, ʒˈɛbɨ mˈɔɡwɨ dɔ mɲʲɛ pʃˈɨbjɛts.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_68.wav|mˈɔʒɛ zmʲˈɛɲi zdˈaɲʲɛ, jˈɛɕli sprˈavɨ ɕɛ ʑlˈɛ pɔtˈɔtʃɔ̃, ˌalɛ na rˈaʑɛ ɲʲˈɛma kˈu tˌɛmu pɔvˈɔdu.|2
+Dataset/wavs/urwisko_ferenc/36_segment_37.wav|a tsˈɔː ˈu tɕˈɛbjɛ, mˈɔja mˈarjɔ? spɨtˈawa lɛkˈarka, ɡdˈɨ xˈɛrman zˌapisˈawa sˈɔbjɛ kˈɔntaɡd dɔ rɨbˈatskʲɛj. dʑɛŋkˈujɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_224.wav|f kˈaʒdɨm rˈaʑɛ pˈɔtɛm znˈɔvu bˌɨliɕmˌɨ pʃˌɨjatɕˈuwmi, xˈɔtɕaʒ z dˈɔnɲʲɛm viɡmˈɔrɛm ɲˈiɡdɨ ɲʲɛ kˌumplɔvˈawɛm ɕɛ tˈak, jˈaɡ z rˈɔɲi i ɡlˈɛnnɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_161.wav|bˈɔp tsˈawɨ tʃˈas sprˈavdʑaw ɔttʃˈɨtɨ mʲɛrɲˈikuf, ʒˈɛbɨ ɕɛ upˈɛvɲitɕ, ʒˈɛ fʃˈɨstsɨ jɛstˌɛɕmɨ ʃtʃˈɛlɲʲɛ zamkɲʲˈɛɲtɕi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_19.wav|pʃˈɨkrɔ mi s tˌɛɡɔ pɔvˈɔdu.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_93.wav|f kˈaʒdɨm rˈaʑɛ ɲʲɛ tˈɨlɛ, ʒˈɛbɨ dˈawɔ ɕɛ ɡˈɔ vˌɨkɔʒˈɨstatɕ f tɨm tsˈɛlu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_50.wav|jˈaɡ dwˈuɡɔ dˈam rˈadɛ ʒˈɨtɕ f tˈakim strˈaxu?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_30.wav|spɨtˈawam dˌɛlikˈatɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_37.wav|stratɕˈiwam jɛdˈɨnɨx pʃɨjˈatɕuw, ktˌurɨx mʲˈawam.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_17.wav|ɡrˈa na tʃˈas, ˌalɛ ɲʲɛ zamjˈɛʒam ɕɛ pˈɔddatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_134.wav|tʃɨ ftɕˈɔ̃ʒ zajmˈɔvaw ɕɛ tɨm sˈamɨm?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_19.wav|bˈɛtskɨ, pˈɔdɛjtɕ prˈɔʃɛ i spˈujʃ nˈatɔ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_433.wav|dʒˈɔn kˈɔnɲiŋktɔn bˈɨw pʃˌɨjatɕˈɛlɛm kɕˈɛɲtɕa rɛɡˈara.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_205.wav|a ˌɔna ˌɔtsuvˈawa ɕɛ trɔʃˈɛtʃkɛ ˈɔdɛ mɲʲɛ, jˈaɡbɨ zˌaskɔtʃˈɔna mˈɔjɔ̃ ˌaɡrɛsɨvnˈɔɕtɕɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_41.wav|— xrˈɨstɛ, ɲʲɛ jˌɛstɛm pˈɛvnɨ, tʃɨ dˈam sˈɔbjɛ s tɨm rˈadɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_8.wav|f tʃˈaɕɛ ɕˌɛdmʲɔdɲʲˈɔvɛj pɔdrˈuʒɨ na kɕˈɛ̃ʒɨts ɔbrˈɔtɨ stɔpɲʲˈɔvɔ zvalɲʲˈajɔ̃, vʲˈɛnts ˈu tsˈɛlu ɕˈiwa dˌɔɕrɔtkˈɔva jɛst ʃˈɛɕtɕ rˈazɨ mɲʲˈɛjʃa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_196.wav|vɨ lˈudʑɛ zˈɛ fsxˈɔdu mˌatɕɛ jˈɛdnak mˈimɔ fʃˈɨstkɔ lˈɛpʲɛj, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_42.wav|pɔlˈitsjant krˈɛɲtɕi ɡwˈɔvɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_283.wav|rˈɨan ɔtfˈɔʒɨw dʒvˈi i ˈandɛrsɔn fʃˈɛd zˈaɲim i pˈatʃɨw na vʲˈɛlkʲɛ stˈarɛ wˈuʃkɔ s tʃtɛrˈɛma kˌɔlumjɛŋkˈami.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_94.wav|zˈaɲim zˌavinˈɛli tɕˈawɔ w brˌɛzɛntˈɔvɔ̃ plandˈɛkɛ, bˈaki tsˈɔʑ z ɲˈim zrˈɔbʲiw.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_155.wav|bjˈurɔ bˌɨwɔː ˌuʒɔndʑˈɔnɛ jˈɛʃtʃɛ skrˈɔmɲʲɛj ɲˈiʃ sˈɔbjɛ vˌɨɔbraʒˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_70.wav|pʃˌɨtulˈiwa mɲʲɛ, a ja zˌauvaʒˈɨwam, ʒˈɛ vˌɨmjɛɲˈili s tˈatɔ̃ spɔjʒˈɛɲʲa. ˌuɕmʲɛxnˈɛli ɕɛ dɔ ɕˈɛbjɛ i nˈaɡlɛ fʃˈɨstkɔ vɨdˈawɔ ɕɛ lˈɛpʃɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_454.wav|tˈak, dɔ dˈɔmu. pˈɛvɲʲɛ z bʲirbˈantki.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_65.wav|a pɔ tsˈɔ maʃ ˈɔtɨm mˈuvitɕ? pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_464.wav|i pʃɨprˈɔvatɕ tˈam pˈɛjta.|1
+Dataset/wavs/urwisko_ferenc/17_segment_8.wav|i ftˈɛdɨ pɔlˈitsja rˌɔspɔtʃˈɛwa ˈaktsjɛ pˌɔʃukivˈaɲʲa ʃtʃˈɔntkuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_113.wav|ˈɛlis tɕˈɔŋɡɲʲɛ ɡˈɔ za rˈɛŋkav dɔː ˈɔkna, pˌɔkazˈujɛ pˈaltsɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_252.wav|ˈɛstɛr i tsˈɔ dˈalɛj?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_56.wav|pʃˌɛprɔɕˈiwɛm tɕˈɛ i rˈɔbjɛ tɔ jˈɛʃtʃɛ rˈas. pˈɔza tˈɨm...|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_256.wav|ktˈurɨ? ɲʲɛ rɔzɡʒˈanɛ ʒɛlˈaza ˌaɲi wˈɔʒɛ tˈɔrtur, tˌɨlkɔ miltʃˈɛɲʲɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_161.wav|a pʃɨnˈajmɲʲɛj ɲʲɛ tˌɨlkɔ dlatˈɛɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_141.wav|pˈɔza tɨm bˈɨw ambʲˈitnɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_126.wav|zˈamknɔw vʲˈɛnts pɔnˈɔvɲʲɛ ˈɔtʃɨ. kʲˈɛdɨ jˈɛ ɔtfˈɔʒɨw, ˌɔddalˈawa ɕɛ jˈuʃ, a tˈɛrɨ tʃˈɛkaw w ɲʲɛdˈuʒɛj ˌɔdlɛɡwˈɔɕtɕi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_95.wav|pɔt tablˈitsɔ̃ ˌinstrumˈɛntuf ˌumjɛʃtʃˈɔna bˌɨwa mˈawa srˈɛbrna tablˈitʃka|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_68.wav|mwˈɔda kɔbjˈɛta vɨɡlˈɔnda pʃˈɛz brˈudnɔ̃ ʃˈɨbɛ w dʒvʲˈax.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_65.wav|pʃˈɛs xfˈilɛ vrˈɛndʒ vʲˈɛʒɛ, ʒˈɛ kʲˈɛdɨ jˈɛ ɔtfˈɔʒɛ, mˈɔja tsˈurka tˈam bˈɛɲdʑɛ. pɔvˈita mɲʲɛ sfˈɔim ɕmʲˈɛxɛm i pʃɨbjˈɛɡɲʲɛ, ʒˈɛbɨ ɕɛ pʃɨtˈulitɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_60.wav|dʒˈɛk ɕɛ rɔzwˈɔntʃɨw, a tˈɔm jˈuʒ vʲˈɛdʑaw, ʒˈɛ ɔstˈatɲʲa nadʑˈɛja na sˈɛn vwˈaɕɲʲɛ utɕˈɛkwa.|4
+Dataset/wavs/urwisko_ferenc/14_segment_60.wav|a pɔː ˌɔɡwɔʃˈɛɲʲu ˌinfɔrmˈatsji f prˈaɕɛ zɡwˈɔɕiw ɕɛ dɔ nˈas mɛ̃ʃtʃˈɨzna...|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_42.wav|swˈɔvɔ pɔtˈɛntsjaw|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_169.wav|dʑɛftʃˈɨna ɲʲɛ ˌɔtpɔvʲɛdʑˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_92.wav|s tɛj ˌɔdlɛɡwˈɔɕtɕi fˈatsɛd vɨɡlˈɔnda, jˈaɡbɨ ɲʲˌɛruxˈɔmɔ vˈiɕaw f pɔvʲˈɛtʃu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_194.wav|jˈɛɕli mi ɕɛ zdaʒˈɨwɔ kˈɔxadʑ w ʒˈɨtɕu, tɔ kɔxˈawɛm na pˈuw ɡˈazu, na pˈuw ɡvˈistka, jˈak mˈuvi lˈut.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_22.wav|tʃɨ tfˈɔja ʒˈɔna zmuʃˈawa tɕˈɛ dɔ naˈuki tˈaɲtsa?|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_154.wav|a vʲˈɛʃ ˈilɛ nˈatɔ pˈɔʃwɔ ɡalˈɔnuv bɛnzˈɨnɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_51.wav|ja pʲɛrdˈɔlɛ, tɔ fˈura pˌɔtpuwkɔvɲˈika, pɔvʲˈɛdʑaw dˈuʒɨ klˈuw.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_548.wav|rˌɔstɕɔŋɡɲʲˈɛntɛ na kanˈaptsɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_19.wav|tʃɨ mˈɔɡwabˌɨm jˈɛʃtʃɛ pˌɔrɔzmˈavʲadʑ z ˈaʃɛm, zˈaɲim pujdʑˈɛmɨ?|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_247.wav|ɲʲˈɛxtsɛʃ mʲˈɛtɕ s tɨm fʃˈɨstkim dɔ tʃɨɲʲˈɛɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_135.wav|zˈafʃɛ ˈɔtɔ pˈɨtaʃ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_193.wav|dʑˈɛŋki, vˈɔlɛ lˈitʃɨtɕ na ɕˈɛbjɛ, pˌɔvʲɛdʑˈawam i zvrutɕˈiwam ɕɛ dɔ ɡʲˈina xˈu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_183.wav|tˈɨlɛ, ʒˈɛ tɔ ftsˈalɛ ɲʲɛ bˈaki. tɔ bˈɛvʲɛnsɛn, ktˌura tɨm rˈazɛm ɕɛ ɲʲɛ ɕmʲˈɛjɛ. tɨm rˈazɛm... jˈak tɔː ɔkrˈɛɕlitɕ?|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_368.wav|mʲˈawa na sˈɔbjɛ ɡʲˈɛzwɔ z brɔ̃zˈɔvɛj vˈɛwnɨ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_354.wav|i ɲʲˈɛmuv dɔ mɲʲɛ malˈɛɲka.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_29.wav|ɔn ɲʲˈɛma prˈava xtɕˈɛtɕ, ˈabɨm znˈuf tɕɛrpʲˈawa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_65.wav|zɡaɕˈiwam ɕfʲˈatwɔ, ʒˈɛbɨ dˈɔm ɲʲɛ vˈidʑaw mˈɔix ˈɔtʃu, pɔ tʃɨm pʃɨlɡnˈɛwam dɔ jˈɛɡɔ plˈɛtsuf.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_29.wav|ʑɛlˈɔna pʃɛpˈaska na tʃˈɔlɛ, pʃˌɨtʃɨmujˈɔntsa strˈaʃɲʲɛ starɡˈanɛ, ɲʲɛzvˈɨklɛ ɡˈɛ̃stɛ tʃˈarnɛ vwˈɔsɨ skaʒˈɔnɛ ɕivˈiznɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_4.wav|jɛʒˈɛli ɲʲɛ vidʑˈɛliɕtɕˌɛ kɕˌɛ̃ʒɨtsˈɔvɨx ˌakrɔbˈatuf w ˈaktsji, tɔ ɲʲɛ mˌatɕɛ pɔjˈɛɲtɕa tsˈɔ stratɕˈiliɕtɕˌɛ. zˌajɛbʲˈistɨ vˈɨstɛmp!|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_47.wav|i rˈanɨ bˈɔskʲɛ rˈixtɛr ɲʲɛ ˈidʑɛ na ɡˈurɛ. ɔt rˈazu sxˈɔdʑi dɔ sˌutɛrˈɛnɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_19.wav|tɕˈawɔ, ktˌurɛ mˈɔɡwɔ, ˌalɛ ɲʲɛ muɕˈawɔ bˈɨtɕ pˌɔvʲɔ̃zˈanɛ zˈɛ ɕlˈɛtstfɛm tˈɔma, znˌalɛʑˈɔnɔ f pɔblˈiʒu ˌɔpuʃtʃɔnˈɛɡɔ dˈɔmu mʲˌɛndʑɨ bˈartɔn brˈidʒ a sfˈiŋk aɡvˈɛdutst.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_87.wav|vˈali pʲˈɛɲɕtɕɔ̃ w bˈɔk kˌɔntɛnˈɛra tˈak mˈɔtsnɔ, ʒˈɛ rˈɛŋka bˈɔli i swˈuxa vˈɨtɕa sˈɨrɛn.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_292.wav|dɔ tʃˈɛɡɔ bˈɨw im pɔtʃˈɛbnɨ tˌaki znuʒˈɔnɨ stˈaʒɛts jˈak jˈa?|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_126.wav|pɔtʃˈɛba trˈɔxɛ tʃˈasu, ʒˈɛbɨ pˈɔjast tˈakix rɔzmʲˈaruf nˈabraw prɛntkˈɔɕtɕi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_141.wav|ʒutɕˈiwam ɕɛ na wˈuʃkɔː i nakrˈɨwam ɡwˈɔvɛ pɔdˈuʃkɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_285.wav|mˈam mɲʲˈɛjʃɔ̃ pʃˈɛstʃɛɲ mʲɛʃkˈalnɔ̃ ɲˈiʃ pʃɛtɕˈɛntnɨ vʲˈɛ̃ʑɛɲ na ʑˈɛmi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_220.wav|zˈɛrɔ mˌakijˈaʒu, nˈɔ mˈɔʒɛ ˌɔdrɔbʲˈina.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_8.wav|pˈɔtɛm rˈɨan stˈar pˈɔt i vˈɨʃɛt s krˈɛŋɡu ɕfʲˈatwa i jˈuʃ pɔ drˈuɡʲɛj strˈɔɲʲɛ ulˈitsɨ zamknˈɛwa ɕɛ zˈaɲim tɕˈɛmnɔɕtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_45.wav|spˈalin i smˈaru, ktˌurɨ pɔtʃˈuli na xfˈilɛ,|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_100.wav|ɲʲɛ bˈɔjɛ ɕɛ psˈuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_94.wav|tsˈuʃ, mˈɔʒɛ kʲˈɛdɨɕ tɔ nastˈɔmpi, ˌalɛ na rˈaʑɛ pˌɔvʲɛdʑˈawam jɛj, ʒˈɛ tˈutaj jɛst jɛj mʲˈɛjstsɛ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_359.wav|kˈɛt ˌɔpɔvʲɛdʑˈawa ɔ tʃˈarnɛj pˈɛrlɛ rˈuvɲʲɛʃ miwˈɛmu stˌaruʃkˈɔvi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_171.wav|vɨsˈɔkɔ̃ tsˈɛnɛ mˈuʃɛ pwˈatɕitɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_85.wav|tsˈɔ bˈɛɲdʑɛ, jˈɛɕli ˈaram pʃɛwˈapʲɛ mɲʲɛ na prˈubjɛ utɕˈɛtʃki?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_107.wav|z ɲʲˌɛpɔtʃˈɛbnɔ̃ jˈuʃ ɲikˈɔmu smukwˈɔɕtɕɔ̃, urˈɔdɔ̃, s pʃˌɛraʑlˈivʲɛ bjawˈɨmi ˌɔvalˈami pʲˈɛrɕi zastˈɨɡwɨx na zˈafʃɛ.|0
+Dataset/wavs/urwisko_ferenc/11_segment_4.wav|pʲˈɛrʃa jˌɛdɛnˈaɕtɕɛ.|0
+Dataset/wavs/urwisko_ferenc/11_segment_82.wav|dˈɔbʒɛ swɨʃˈawɛɕ. mˈɔʒɛ pˈɔra bˈɨm vrˈɛʃtɕɛ ˌuswɨʃˈawa prˈavdɛ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_45.wav|pʃˌɨɡɔtɔvˈanɔ dla tɕˈɛbjɛ kɔmnˈatɛ.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_255.wav|pɔmˈɨɕlaw jˈamɛ. ˈalbɔ ɕpˈij mʲˌɛndʑɨ daɲʲˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_34.wav|tsˈɔ mˈamɨ? spˈɨtaw tˈɔm.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_190.wav|musˈimɨ ˌurɛɡulˈɔvatɕ kfˈɛstjɛ prˈava vwasnˈɔɕtɕi ɡrˈuntuf i ˌɔpɔdˌatkɔvˈaɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_25.wav|rɔzˈɛjʒɛ ɕɛ za tˈakɔ̃, ktˌura mˈa najlˈɛpʃɛ vwˌaɕtɕivˈɔɕtɕi dʑvʲˌɛŋkɔxwˈɔnnɛ f stɔsˈuŋku dɔ mˈasɨ i vˈɨɕlɛ tɕi tsˈawɛ pudˈɛwkɔ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_214.wav|a tˈɛras krˈadɲʲɛ mˈɔix lˈudʑi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_20.wav|ʒˈadɛn ɲʲɛ trˈafi dɔ ʃpitˈala, ˌalɛ fʃˈɨstsɨ swˈɔnɔ zˈatɔ zˌapwatɕˈili. nˈatɨm pˌɔpʃɛstˈaɲmɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_126.wav|kʲˈɛdɨ f kˈɔɲtsu zˌamjɛʒˈawam ɡˈɔ pɔprˈɔɕitɕ, bˈɨ vɨjˈaɕɲiw mi tˈɛ sprˈavɛ, vˈɨznaw, ʒˈɛ mɲʲɛ kˈɔxa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_320.wav|xtsˈɔ̃ ˈɔdɛ mɲʲɛ nɛktˈaru pˌɔtɕɛʃˈɛɲʲa, ambrˈɔzji ɔtˈuxɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_281.wav|tɕˈɛʃɛ ɕɛ, ʒˈɛ pʃɨnˈajmɲʲɛj kɔxˈanɛ dʑɛtɕˈɔntkɔ mˈa ɕɛ dˈɔbʒɛ pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_153.wav|pɔ pʲˈɛrʃɛ, pˌɔtʃɔntkˈɔvɔ fʃˈɨstsɨ bˌɛndɔ̃ vˌɨpatrˈɨvatɕ tˌɛɡɔː ˌawtsajdˈɛra, a pɔ drˈuɡʲɛ, tsˈɔɕ ɔdvrˈutɕi ix uvˈaɡɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_71.wav|ɲʲɛ vʲˈɛʒɛ, ʒˈɛ ɲʲɛ maʃ ɲˈidʑ vʲˈɛntsɛj dɔ pˌɔvʲɛdʑˈɛɲʲa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_171.wav|pˈatʃɨ nˈamɲʲɛ, jˈaɡbɨ mi ɔdbʲˈiwɔ, ˌalɛ kˌɔntɨnuˈujɛ z nadʑˈɛjɔ̃, ʒˈɛ tsˈɔʑ dɔ ɲʲˈɛj dˈɔtʃɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_4.wav|pˈɔtʃuw vʲˈɛnts lˈɛkkʲɛ rˌɔstʃarɔvˈaɲʲɛ, kʲˈɛdɨ tʃɨmˈawa ɕɛ prˈavɛj strˈɔnɨ jˈɛzdɲi na kˈaʒdɨm zakrˈɛɲtɕɛ i prˌɔvadʑˈiwa z rɔssˈɔndnɔ̃ prɛntkˈɔɕtɕɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_104.wav|pˈɛvnɛ jɛst jˈɛdnɔ, ʒˈɛ ɲˈiɡd ɡˈɔ ʃˈuka, tʃˈɛka na ɲʲˈɛɡɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_41.wav|ˌɔdvrutɕˈiwa ɕɛ dɔ ɲʲˈɛɡɔː i pɔtʃˈuwa tɕˈɛpwɔ jˈɛɡɔ tɕˈawa na sfˈɔim.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_60.wav|ɲʲɛ vʲˈɛdʑaw, jˈaɡ vɨbˈatʃɨtɕ kˈatɛ pʃˌɛkazˈaɲʲɛ tˈakʲɛj vʲˌadɔmˈɔɕtɕi tsˈurtsɛ bˈɛs ftʃɛɕɲʲˈɛjʃɛj z ɲˈim rɔzmˈɔvɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_152.wav|pˌɔɕrɛdɲitʃˈɨwɛm w zavˈartɕu umˈɔvɨ. vʲɛdʑˈawɛm, na tsˈɔ ɕɛ pˈiʃɛ.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_239.wav|ɔbˈɔjɛ jˈɛdnaɡ vʲˈɛmɨ, ʒˈɛ fʃˈɨstkɔ, tsˈɔ dˈawa mu lˈisa, tɔ sˈɛrja mˈartfɔː ˌurɔdʑˈɔnɨɣ dʑˈɛtɕi, pɔrˈɔɲʲɛɲ,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_83.wav|jˈasnɛ. zadʑvˈɔɲʲɛ dɔ ɲʲˈɛɡɔ s kˌɔrɨtˈaʒa na vɨpˈadɛk, ɡdˈɨbɨ vrˈutɕiw strˈakan.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_54.wav|zaʒˈɔndʑaw natˈɨxmʲast. bˈɛz vzɡlˈɛndu nˈatɔ, tsˈɔ mu prˌɔpɔnɔvˈanɔ, rˈɔbɛrd zˈafʃɛ ʒˈɔndaw vʲˈɛntsɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_121.wav|jˈɛɡɔ krˈavat jɛst ˌɛlɛɡˈantski, kɔʃˈula zˈatɔ vɨmjˈɛnta i tʃɛɲɕtɕˈɔvɔ vˌɨvlɛtʃˈɔna zˈɛ spˈɔdɲi pɔ jˈɛdnɛj strˈɔɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_209.wav|kʲˈɛdɨ ˌɔdɛrvˈaliɕmˌɨ ɕɛ ɔt ɕˈɛbjɛ, sfɔbˈɔda mʲˈaw kɔmplˈɛtɲʲɛ zbˌaraɲʲˈawɔ̃ mˈinɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_165.wav|rˈɔbjɔ̃ sfˈɔjɛ i ɲʲɛ fxˈɔdʑɔ̃ mi w drˈɔɡɛ, a ja kʲɛrˈujɛ fabrˈɨkɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_229.wav|rɔsɕˈanɛ kˈɛmpki ʒˈatkix, wamlˈivɨɣ vwˈɔsuf ɲʲɛ ˌukrɨvˈawɨ ɔbvˈiswɛj, ruʒˈɔvɛj skˈurɨ pɔt ˌɔpadajˈɔntsɨm pɔdbrˈutkʲɛm.|1
+Dataset/wavs/urwisko_ferenc/64_segment_29.wav|pˈɔtɕiw ɕɛ i stˈalɛ bˌɨwɔ mu ɡɔrˈɔntsɔ, a ilˈɛkrɔdʑ zamˈɨkaw ˈɔtʃɨ, vˈidʑaw ɲʲɛdˈavnɛ zdaʒˈɛɲʲa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_187.wav|muvˈiwɛɕ pʃˈɛtɕɛʃ, ʒˈɛ kˈaʒdɨ, ktˈɔ kˈɔxa, ftʃˈɛɕɲʲɛj tʃɨ pˈuʑɲʲɛj ˈidʑɛ na fsxˈut.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_117.wav|ɲʲɛ pɔdˈɔba mi ɕɛ tɔ.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_250.wav|jˈɛɕli ˈuda mu ɕɛ zakˈɔɲtʃɨtɕ ˌɔblɛ̃ʒˈɛɲʲɛ bˈɛs pʃɛlˈɛvu krfˈi,|1
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_68.wav|ˈaʃ krˈɛɲtɕi ɡwˈɔvɔ̃. musˈimɨ rˈatʃɛj pɔmˈɨɕlɛtɕ ˈɔtɨm,|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_37.wav|dˈɔbʒɛ, ˌɔtpɔvʲˈada ˈɔn. ˈidɔ̃ vʲˈɛnts na ɡˈurɛ i zˌalitʃˈajɔ̃ tʃˈɨ nastˈɛmpnɛ ɔttɕˈiŋki. mʲˌɛndʑɨ drˈuɡʲim a tʃˈɛtɕim ˈɛlis pɔtxˈɔdʑi dɔː ˈɔkna.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_310.wav|ˈalbɔː ˈɔddadʑ zˈaɲih ʒˈɨtɕɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_45.wav|pɔdˈɔbnɔ zˌaxɔrɔvˈawa i ɲʲɛ vˈɔlnɔ bˌɨwɔ jɛj pʃɛʃkˈadʑatɕ.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_196.wav|ˌalɛ mˈɔɡwabˌɨʑ dˈatɕ mu na ˈimjɛ ˈɛmɔn.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_214.wav|ˌɔznajmˈiwa stanˈɔftʃɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_31.wav|tˈɛras stɔjˈɔntsa pʃˈɛdɲim kɔbjˈɛta spravʲˈawa vraʒˈɛɲʲɛ spɔkˈɔjnɛj, zdrˈɔvɛj i ʃtʃɛɲɕlˈivɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_31.wav|kɔɲtʃˈɨwam vwˈaɕɲʲɛ pˌɔtstavˈufkɛ i mˈama uznˈawa, ʒˈɛ bˌɛɲdʑɛ mɲʲɛ utʃˈɨwa ˈaʒ dɔ lˈata.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_284.wav|pˈɔvʲɛts mi, jˈakix tʃˈɛx nˈɔvɨɣ ʒˈɛtʃɨ dˌɔvʲɛdʑˈawaɕ ɕɛ ɔt tʃˈasu, ɡdˈɨ nˈas ˌɔpuɕtɕˈiwaɕ?|1
+Dataset/wavs/urwisko_ferenc/54_segment_38.wav|a vˈidʑi pˈan, ˈɔtɨm ɲʲɛ vʲɛdʑˈawɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_121.wav|pˈɔɕtɕɛl ftsˈalɛ ɕɛ ɲʲɛ ˌupɔʒˌɔntkɔvˈawa tɨmtʃˈasɛm na mˈɔim wˈuʃku.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_24.wav|ˈalfjɛ, pɔswˈuxaj, kɔxˈaɲʲɛ, mˈam pˈɛvʲɛn pˈɔmɨsw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_90.wav|bʲˈili krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_85.wav|ta dʑɛftʃˈɨŋka jɛst rˌɛzultˈatɛm vwˈadʑɨ lˈudʑi, ktˌurɨm xˈɔdʑi ɔ pʲɛɲʲˈɔndʑɛ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_6.wav|jˈɛdɛn z ɲˈix pʲˈɛŋkɲʲɛ pasˈɔvaw dɔ jɛj dwˈɔɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_41.wav|dˈaʃ rˈadɛ, tˈatɔ, zapˈɛvɲʲa dˈɛrɛk s pʃˌɛkɔnˈaɲʲɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_79.wav|tsˈɔ maʃ na mˈɨɕli?|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_98.wav|tɛn tʃwˈɔvʲɛk ɕˈɛdʑaw na stˈɛrtɕɛ ˈɔpɔn f pˈustɨm ɡarˈaʒu, f ktˌurɨm ɕmʲɛrdʑˈawɔː ɔlˈɛjɛm ɕˌilɲikˈɔvɨm i spˌalinˈami.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_178.wav|fʃˈɨstsɨ muɕˈitɕɛ klˈɛŋkatɕ na ɔwtˈaʒu arˈama.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_133.wav|tɛ̃skɲˈiwɛm za tˈɔbɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_93.wav|a mˈɔʒɛ tɔ bˈɨw ˈɔjtɕɛts?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_88.wav|vrˈɛntʃ pʃɛtɕˈivɲʲɛ. na rˈaʑɛ ɕɛ nˈatɔ ɲʲɛ zˌanɔɕˈiwɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_66.wav|vˈuftʃaz dɔstʃˈɛɡa zdjˈɛɲtɕɛ stsˈɔtta zˈɛ mɲʲˈɛjʃɔ̃ vˈɛrsjɔ̃ mɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_229.wav|dʑɛftʃˈɨna ɕɛdʑˈawa zˈɛ vzrˈɔkʲɛm utkfʲˈɔnɨm w jˈakimɕ ɔdlˈɛɡwɨm pˈuŋktɕɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_312.wav|bˈɔʒɛ, ɲʲɛ ˈumjɛm, mˈuj bˈɔʒɛ, ɲʲɛ ˈumjɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_83.wav|kˈava zɔstˈawa jˈuʃ nˌasɨpˈana dɔ kˈupkuf, dˈawa vʲˈɛnts kɔbjˈɛtɕɛ xfˈilɛ na ˌɔpanɔvˈaɲʲɛ ɛmˈɔtsji, pɔ tʃɨm pˌɔstavˈiwa pʃˈɛdɲʲɔ̃ ɡɔrˈɔntsɨ nˈapuj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_84.wav|ɲʲɛ mˈɔʒɛ pɔfstʃˈɨmatɕ uɕmʲˈɛxu, vˈidʑɔnts tˈɛ jˌɛdnɔmˈɨɕlnɔɕtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_12.wav|ɲʲɛ sˈɔndʑɛ, ʒˈɛbɨ mˈɔɡli mɲʲɛ znˈalɛɕtɕ. ɲʲɛ uʒˈɨwam kˈartɨ krˌɛdɨtˈɔvɛj vˌɨstavʲˈɔnɛj na mˈartɛ pˈɔrtɛr.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_66.wav|muvˈiwɛɕ, ʒˈɛ pˌɔjɛxˈawa dɔ fɛrmˈarkɛt.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_19.wav|minˈɛliɕmˌɨ zˈakrɛnt i ujʒˈɛliɕmˌɨ pʃɛt sˈɔbɔ̃ vɨsˈɔki mˈur z rdʑˌɛvʲajˈɔntsɔ̃ brˈamɔ̃ zˌavʲɛʃˈɔnɔ̃ na jˈɛdnɨm zavʲˈaɕɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_52.wav|f swuxˈafkaɣ zapˈadwa tɕˈiʃa, a sˈandɨ zatʃˈɛwa bˈɛmbɲitɕ paltsˈami ɔ kɔlˈana.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_45.wav|zadˈalibˌɨ sˈɔbjɛ mnˈustfɔ trˈudu, ɡdˈɨbɨ mˈɔɡli pˈɔrvatɕ pɔdˈɔbnɔ̃ dʑɛftʃˈɨŋkɛ na ulˈitsɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_115.wav|a ja ɲʲɛ xtɕˈawɛm tˌɛɡɔː uswˈɨʃɛtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_82.wav|kʲˈɛdɨ ɲˈidʑɡ vɨmjˈɛʒa pilˈɔta f tˌɛlɛvˈizɔr, bʲˈillɨ z zˌadɔvɔlˈɛɲʲɛm zˌauvˈaʒa, ʒˈɛ dwˈɔɲ mu lˈɛkkɔ drʒˈɨ. mˈɛdʒ zɲˈika z ɛkrˈanu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_22.wav|tɔ vɨwˈɔntʃɲʲɛ mˈɔja vˈina, mˈɔja swˈabɔɕtɕ i ɲʲɛ zamjˈɛʒam ɕɛ ˌuspravʲɛdlˈivʲatɕ ˌaɲi umɲʲˈɛjʃatɕ ʃkˈut, ktˌurɛ pˌɔtʃɨɲˈiwɛm.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_78.wav|rajˈɛɡar bˈɨw mɛ̃ʃtʃˈɨznɔ̃, a tɔ tˌɨlkɔ sprˈɨtnɨ xwˈɔpak, ɲˈidʑ vʲˈɛntsɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_18.wav|mɨɕlˈawam ˈɔɲim kaʒdˈɛɡɔ dɲʲˈa, zˌastanavʲˈajɔnts ɕɛ, kʲˈɛdɨ znˈuf ɕɛ ujˈavɲi, tsˈɔ zrˈɔbʲi mɲʲɛ i mˈɔjɛj rɔdʑˈiɲʲɛ, jˈɛɕli ɲʲɛ zapwˈatsɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_94.wav|bɛvˈɛrlɨ vzdˈɨxa i mˈuvi, ʒˈɛ vwaɕtɕˈivʲɛ ɲˈits ɕɛ ɲʲɛ zmʲɛɲˈiwɔ. bʲˈillɨ vɨrˈaʒa nadʑˈɛjɛ, ʒˈɛ fkrˈuttsɛ ɕɛ jɛj pɔprˈavi, ˈɔbɨ, stfʲˈɛrdʑa bɛvˈɛrlɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_104.wav|vʲˈɛdʑɔ̃, ʒˈɛ ɡlˈinɨ tɕˈɛ ɲʲɛ zwapˈawɨ, vʲˈɛdʑɔ̃, ʒˈɛ ɲˈikt tɕˈɛ vɨstˈaviw i vʲˈɛdʑɔ̃, ʒˈɛ jɛzd vʲˈɛntsɛj ɲˈiʃ prˌavdɔpɔdˈɔbnɛ, ʒˈɛ bˌɛɲdʑɛʃ xtɕˈaw ɔdˈɛbratɕ tɔ, tsˈɔ tɕi ɕɛ nalˈɛʒɨ.|2
+Dataset/wavs/urwisko_ferenc/37_segment_54.wav|vˈus pɔtˈɔtʃɨw ɕɛ pɔː asfˈaltɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_166.wav|bˌɨwɔ jˈuʃ jˈɛdnaɡ za pˈuʑnɔ. ˈɔtʃɨ lˈutsɨ vˌɨpɛwɲˈiwɨ ɕɛ wzˈami.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_216.wav|dˈɔrnɛ jɛst nˈajmɲʲɛj lˈudnɨm s ɕˈɛdmju krˈulɛstf.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_5.wav|spɛɲdʑˈili nˈɔts f kamjˈɛɲʲu i w dˈalʃɔ̃ drˈɔɡɛ ruʃˈɨli rˈanɔ, ˌalɛ mjˈa ɲʲɛ xtɕˈawa ˈɔtɨm swˈɨʃɛtɕ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_174.wav|fkrˈuttsɛ pɔ ɕfˈitɕɛ pˌɔjavˈiwa ɕɛ taˈɛna.|1
+Dataset/wavs/urwisko_ferenc/19_segment_19.wav|jɛj ˈɔjtɕɛts xtɕˈawbɨ rˈas na zˈafʃɛ vɨjˈaɕɲitɕ, tsˈɔ ɕɛ stˈawɔ z jˈɛɡɔ tsˈurkɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_37.wav|ˈalɛks tsarpˈɛntɛr z bˈɨksp pʃˌɨɡɔtˈɔvaw fˌantastˈɨtʃnɔ̃ ɔkwˈatkɛ. ɲʲɛ bˌɨwɔ tɔ prˈɔstɛ, ˌalɛ rˌɛzultˈatɛm jˌɛstɛm pravdʑˈivʲɛ zˌaskɔtʃˈɔna.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_63.wav|ˈumjɛʃ pɔ çˈiɲsku? zapˈɨtaw ʃˈɛf. ʃˈɨpkɔ, ˈumjɛʃ tʃɨ ɲʲɛ? skˈɔnt?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_57.wav|prɛzˈɨdɛnd znˈɔvu prˈɨxnɔw i bˈɨw tɔ pɔɡˈɔdnɨ ɕmʲˈɛx.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_51.wav|ɲʲɛstˈɛtɨ ɲʲɛ znalˈɛʑliɕmˌɨ ˌaɲi tɕˈɛɲʲa dɔvˈɔdu nˈatɔ, ʒˈɛ mˈuɡwbɨ faktˈɨtʃɲʲɛ bˈɨtɕ nˈaʃɨm sprˈaftsɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_109.wav|pʲˈɛrʃɨ kˈɔlɔr f ʃarˈɔɕtɕi zˌɔstavʲˈɔnɛj pʃˈɛz ʑˈimɛ.|0
+Dataset/wavs/urwisko_ferenc/03_segment_19.wav|zdɔ̃ʒˈɨwa vɨpˈalitɕ pˌapʲɛrˈɔsa.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_149.wav|jɛst pʃˌɛmɨtɲˈitʃkɔ̃ i sˌabɔtaʒˈɨstkɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_56.wav|ɲʲɛ bˌɨwɔ tʃˈɛɡɔː ɔɡlˈɔndatɕ, vʲˈɛnts pˌɔwɔʒˈɨwɛm ɕɛ ftʃˈɛɕɲʲɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_120.wav|zrɔbʲˈiwɔ mi ɕɛ trˈɔxɛ ɲʲɛdˈɔbʒɛ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_66.wav|a pʲˈɛrɕi ɔɡrˈɔmnɛ, ʃˈɨja zˈaʑ bˌɨwa ɡrˈubɔ̃, ruʒˈɔvɔ̃ kɔlˈumnɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_52.wav|zapˈɔmɲʲaw ˈɔtɨm, jˈak ɔ blˈaxax w jurˈɨɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_149.wav|i ˌɔpɔvʲɛdʑˈawam im tsˈawɔ̃ tˈɛ pɔnˈurɔ̃ çistˈɔrjɛ.|4
+Dataset/wavs/urwisko_ferenc/36_segment_1.wav|ɔt kˈilku xfˈil bˌɨwa f sɨpʲˈalɲi na pʲˈɛntʃɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_20.wav|a ɔt kʲˈɛdɨ pˌɔʒɨtʃˈaɲʲɛ ɡɔtˈufki pʃˌɨjatɕɛlˈɔvi jɛst ɲʲˌɛlɛɡˈalnɛ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_287.wav|pʃɛskˈɔtʃɨw pʃˈɛs tˈaras i tɕˈixɔ, dwuɡʲˈimi i vɔlnˈɨmi krɔkˈami fʃˈɛd w mrˈɔk.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_557.wav|mˈɔjɛ sprˈavɨ kˌɔmplikˈujɔ̃ ɕɛ, ʒˈɛkwɛm z ɡɔrˈɨtʃɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_14.wav|ˈɔjtɕɛts uʒˈɨvaw ɡˈɔ dɔ zɡʒɛvˈaɲʲa rˈur za pɔmˈɔtsɔ̃ tˌɛrmɔkurtʃlˈivɨɣ zwˈɔntʃɛk.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_123.wav|zɛpsˈujɛʃ, pwˈatɕiʒ za naprˈavɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_34.wav|kʲˈɛdɨ vrutɕˈimɨ, mˈuʃɛ ɕɛ vˈɨbratɕ na tˈɛ awtˈɔpsjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_69.wav|dʑˈiɕaj fʃˈɨstkɔ vɨdˈajɛ ɕɛ ˈinnɛ i ɲʲɛ rˌɔspɔznˈajɛ tɨx nˈɔvɨɣ dˈɔmuf, fabrˈɨki i rˈɔnda, kturˌɛɡɔ s tsˈawɔ̃ pɛvnˈɔɕtɕɔ̃ kʲˈɛdɨɕ tˈutaj ɲʲɛ bˈɨwɔ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_113.wav|pɔmˈɨɕlaw viktˈarjɔn. vʲˈɛlkʲɛ zvɨtɕˈɛ̃stfɔ dla vrɔɲʲˈɛɡɔː ˈɔka i jˈɛɡɔ tʃˌarɔdʑˈɛjuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_151.wav|a f tɨm mʲˈɛjstsu znajdˈujɛ ɕɛ pɔtˈɛ̃ʒnɨ zbjˈɔrɲik s tʃˈɨstɨm tlˈɛnɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_124.wav|xˈɔtɕaʃ mˈɔʒɛ tɔ ɲʲɛ zˈapaw, tˌɨlkɔː ˌarɔɡˈantsja?|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_341.wav|pɔdˈɔbɲʲɛ jˈak mɛ̃ʃtʃˈɨznɔm, bˈɨ ɲʲɛ sprˌɔfanɔvˈawɨ sfˈɔjɔ̃ ˌɔbɛtsnˈɔɕtɕɔ̃ ɕfʲˈɛntɨx pʲˈɛɕɲi ɲʲˌɛvinnˈɔɕtɕi.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_183.wav|na turɲʲˈɛjax, z dalˈɛka.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_375.wav|pʃˈɛs xfˈilɛ ɕɛ zˌastanavʲˈawam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_151.wav|tʃɨ sfˈɔjskim dˈɔmɛm pˈɛwnɨm zˌasuʃˈɔnɨɣ ʑˈuw i jˈabwɛk?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_229.wav|ˌɔna tɔ zrɔbʲˈiwa mi na zwˈɔɕtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_61.wav|bˌɛɲdʑɛ za bˈardʑɔ vˌɨɛkspˌɔnɔvˈanɨ, kʲˈɛdɨ sprˈava zɔstˈaɲʲɛ zˌawatfʲˈɔna.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_118.wav|tɔ jˈuʃ wˈadɲʲɛ pˈuxɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/01_segment_39.wav|vʲɛʒˈɨwa, ʒˈɛ bˈuk jˈɛɕli ɡdʑˈɛɕ jˈɛst.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_133.wav|ʃˈarɨ bˈɨw kɔlˈɔrɛm miltʃˈɔntsɨx ɕˈustr.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_45.wav|xtsˈɛ zˈɔstatɕ w wˈuʃku.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_169.wav|i tsˈɔ tˈam jˈɛʃtʃɛ? pʃˌɛtɕɛʃ tɨ tsˈawɨ tʃˈas pˈatʃɨʃ na tˌɛlɛvˈizjɛ. pˈɔmuʃ mi!|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_79.wav|jˈak tɕi ɕɛ mʲˈɛʃka vɨ, jˈak tɔ ɕɛ nazˈɨva, midvˈɔɔt?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_86.wav|mˈɔʒɛ pˌɔvinɲˈiɕmɨ zˌasuɡɛrˈɔvatɕ, ʒˈɛbɨ zɔstˈawa pʃˈɛs kˈilka dɲˈi?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_155.wav|ɔn nˈavɛt ɲʲɛ vʲˈɛdʑaw, tsˈɔ ɡˈɔ trafˈiwɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_37.wav|pˈɔtɛm zamˈɨtʃaw sfˈɔim zvɨtʃˈajɛm i ʒˈɛkw ˌɛmxˈa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_14.wav|bˌɨwam tˈam z ɲˈim i kwutɕˈiliɕmˌɨ ɕɛ w mʲˈɛjstsu, ɡdʑˈɛ znˌalɛʑˈɔnɔ ɡˈɔ martfˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_243.wav|ˌuswɨʃˈawɛm tˈɛntɛnt kˈɔpɨd za plɛtsˈami i pˌɔmɨɕlˈawɛm kˈɔɲ! ˌalɛ ɲˈim zdɔ̃ʒˈɨwɛm ɕɛ ɔdvrˈutɕitɕ…|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_249.wav|pˌɔtrafˈili dʑˈɛŋki tɨm ʃklˈanɨm ɕfʲˈɛtsɔm pʃɛɲˈikadʑ vzrˈɔkʲɛm ɡˈurɨ, mˈɔʒa i pustˈɨɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_204.wav|nɡˈuɡʲi ˌɔtxɨlˈiwa ɕɛ na ɔpˈartɕɛ fɔtˈɛla.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_245.wav|miltʃˈɛɲʲɛ trfˈawɔ bˈɛs kˈɔɲtsa.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_281.wav|kʲˌɛrɔvˈaɲʲɛ tʃˈɨmɕ tˈakim tɔː ˈistnɛ ˌutrapʲˈɛɲʲɛ, ˌalɛ nadˈajɛ ɕɛ dɔ transpˈɔrtu tɕˈɛ̃ʃkiɣ ʒˈɛtʃɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_236.wav|zapwˈatsɛ tɕi stˈɔ ɡʲˈituf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_17.wav|ɲʲˈɛma vˌɔntplivˈɔɕtɕi, ʒˈɛ tɔ bˈɨw ˈɔn?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_32.wav|mˈuʃɛ bˈɨtɕ rɔzdˈarta, vˌɨvrutsˈɔna na lˈɛvɔ̃ strˈɔnɛ, ʒˈɛbɨm mˈɔɡwa ɕɛ ˌɔdbudˈɔvatɕ jˈakɔ ktˈɔɕ lˈɛpʃɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_216.wav|bʲˈillɨ rˈɔbʲi vʲˈɛlkʲɛ ˈɔtʃɨ. ʒartˈujɛʃ sˈɔbjɛ, dlatʃˈɛɡɔ? za rɔbˈɔtɛ pwatɕˈili mi tˌɨlkɔ dvˈa.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_295.wav|ɲʲɛ bˌɨwɔ tɔː ˌidɛˈalnɛ alˈibʲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_96.wav|fkrˈuttsɛ rˌɔspɛndʑˈajɔ̃ ɕɛ dɔ sˈɛtki. bʲˈillɨ bˈɛz vaxˈaɲʲa vɨpʃˈɛdʑa vɔlɲʲˈɛjʃɛ ˈawta. ˈɛllis tʃˈɛka, kʲˈɛdɨ lˈɛɡz zˈatʃɲʲɛ ɔswˈabjatɕ mu rˈɛflɛks. tˈak ɕɛ ɲʲɛ dʑˈɛjɛ.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_73.wav|s tfˈardɔː ubʲˈitɛj ʑˈɛmi vˌɨrastˈawɨ xfˈastɨ, a vˈɔkuw martfˈɛɡɔ kˈɔɲʲa latˈawɨ bzɨtʃˈɔntsɛ mˈuxɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_29.wav|ftˈɛdɨ zmʲˈɛɲʲaw mɲʲɛ pɔ prˈɔstu f kˈɔɡɔɕ mˌɔndʒɛjʃˈɛɡɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_37.wav|kʲˈɛdɨ ɡˈuj bˈɛntlɛj kʲɛrˈɔvaw ɛkˈipɔ̃, a fˈinn bˈɨw jˈɛɡɔː ˌɛɡzɛkutˈɔrɛm, na jˈɛɡɔ lˈiɕtɕɛ pwˈadʑ znajdˈɔvaw ɕɛ ktˈɔɕ jˈɛʃtʃɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_171.wav|bʲˈillɨ ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_258.wav|pʃɨpˈɔmɲʲaw mu jˈamɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_57.wav|z vɨjˈɔntkʲɛm mɲʲɛ ˌɔtʃɨvˈiɕtɕɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_78.wav|stˈɔi ˌɔdvrutsˈɔnɨ dɔ mɲʲɛ plɛtsˈami, vʲˈɛndʑ vɨtɕˈɔŋɡam rˈɛŋkɛ, ʒˈɛbɨ ɡˈɔ dˈɔtknɔɲtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_24.wav|ktˈɔ f tˈakim rˈaʑɛ jɛst f kˈuxɲi?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_115.wav|ɡdʑˈɛ znˈɔvu krɛɲtɕˈili ɕɛ malˈaʒɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_140.wav|vʲɛdʑˈawam, ʒˈɛ ɲʲˈɛmam ɔxˈɔtɨ na jˈɛɡɔ tˌɔvaʒˈɨstfɔ. tsˈɔɕ f tɨm tʃwɔvʲˈɛku ɲʲɛ davˈawɔ mi spɔkˈɔju.|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_76.wav|a nˈaʃa rɔdʑˈina zˈɨska nɔvˈɛɡɔ tʃwˈɔŋka, kturˌɛɡɔ bˌɛɲdʑɛ xɔwˈubʲitɕ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_3.wav|zapˈadaw zmʲˈɛʃx.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_142.wav|bˈɔː ɔn rɔspˈɔznawbˌɨ tsˌamɛrˈɔna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_75.wav|tˈɛras mˈuɕi tˌɨlkɔː ustˈalitɕ, dˈɔkɔnd vwaɕtɕˈivʲɛ jˈadɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_75.wav|pˈɔtɛm vˈɔlnɔ sxˈɨliw ɕɛ i rˈaptɛm zˈɛrvaw tɛn nˈaʃ stˈarɨ kˈɔts, ktˌurɨ zjˈɛʑdʑiw z nˈami pɔwˈɔvɛ ɕfʲˈata.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_388.wav|zalˈɛtsa ɕɛ dɔ mɲʲɛ, vʲˈɛnts jˈɔ̃ dˌɛlikˈatɲʲɛ tsawˈujɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_148.wav|a tɔ dlatʃˈɛɡɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_188.wav|ʒˈɛ ktˈɔɕ mʲˈaw prˌatsɔvˈitɔ̃ nˈɔts.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_84.wav|ɲʲɛ mʲˌawɛm vɨbˈɔru.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_24.wav|— ja vʲˈɛm — pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_54.wav|zdrˈadʑɛ jɛj pravdʑˈivɛ ˈimjɛ, jˈɛɕli zɔstˈanɛ vɨbrˈanɨ kɔxˈawɛm jˈɔ̃, bˌɨwa dla mɲʲɛ fʃˈɨstkim|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_40.wav|ˈɔptʃaj tɛ lˈaski, stˈarɨ, bɨwˈɔbɨ ɕɛ pɔt tsˈɔ branslˈɔvatɕ.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_256.wav|pɔnˈɔvɲʲɛ spˈɔjʒaw na lˈadɨ mˈarjɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_56.wav|s pʃˈɔdu znajdˈɔvaw ɕɛ nabjˈɛraɡ zˌavʲɛʃˈɔnɨ na pʃˌɛɡubˈɔvɨm ramjˈɛɲʲu.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_307.wav|ʒˈadɛn z ɲˈix ɲʲˈɛbɨw nˈavɛt ˌɔdrɔbʲˈinɛ kʃˈɨvɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_32.wav|dɔ kɔrsˈaka pɔdˈɛʃwa ɡrˈupa starʃˈɨznɨ. vitˈali ɕɛ tsˌɛrɛmɔɲʲˈalɲʲɛ, ˌɔbɛjmˈujɔnts ɕɛ pˌɔufˈalɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_282.wav|mˈili ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_14.wav|bʲˈillɨ mˈɨɕli, ʒˈɛ pˈitskup tɔ dˈɔbrɨ vˈɨbur.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_111.wav|ɔ tsˈɔ tɕi xˈɔdʑi, kˈatɛ? pˈɔvʲɛts mi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_147.wav|xɔdʑˈɛɲʲɛm zabʲˈijam zɡrɨzˈɔtɨ, ɲʲˌɛɔtʃˌɛkivˈanɛ klˈɛ̃ski i zwˈɛ pʃɛtʃˈutɕa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_23.wav|vʲɛdʑˈawam, tsˈɔ mˈuʃɛ zrˈɔbʲitɕ i kˌɔntrɔlɔvˈawam sˌɨtuˈatsjɛ, jˈɛdnak tˈɛras tsamˈɛrɔn mˈɔʒɛ pɔʃˈukatɕ sˈɔbjɛ innˈɛɡɔ pˌɔmaɡʲˈɛra, kturˌɛɡɔ w ɔɡˈulɛ ɕɛ ɲʲɛ spɔdʑˈɛvam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_37.wav|tˈa, ktˌura ˌɔpɔvʲadˈawa mi ɔ rɔɕlˈinax i stfɔʒˈɛɲʲaɣ ʒɨjˈɔntsɨɣ w vˈɔdʑɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_154.wav|bʲˈillɨ, ɲʲɛ pˌɔtʃɛbˈujɛ pʲˈɛɲtɕu mˈinut. tʃˈɨ pɔvˈinnɨ vɨstˈartʃɨtɕ, mˈɔʒɛ nˈavɛd dvʲˈɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_63.wav|stˈɔjɛ z wˌamɔtʃˈɔntsɨm sˈɛrtsɛm, fpatrˈujɔnts ɕɛ f swˈɔva.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_213.wav|pˌɔvʲɛdʑˈawa sˈɔbjɛ. tˌɨlkɔ stˈarɨ sˈɛn i splɔntˈanɨ kˈɔts, ɲˈidʑ vʲˈɛntsɛj.|1
+Dataset/wavs/urwisko_ferenc/25_segment_91.wav|i nˈaɡlɛ w ɡwˈɔvʲɛ rɔzbwˈɨswa jˈasnɔɕtɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_175.wav|ʒˈɛbɨ ɕɛ pɔxfˈalitɕ ˈalbɔ zˌaʃɔkˈɔvadʑ dʑɛftʃˈɨnɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_79.wav|nɔrmˈalɲʲɛ mˈɔʒɛ bˈɨ ɡˈɔ ɲʲɛ ˌɔbudʑˈiwɔ, ˌalɛ ɔstˈatɲʲɔ ɕpˈi pwˈɨtkɔ, jˈɛɡɔ snˈɨ sɔ̃ zvʲˈɛvnɛ, ulˈɔtnɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_43.wav|fskazˈawam na ˌusɨpˈiskɔ rˌɛɡɔlˈitu rɔsnˈɔntsɛ pɔvˈɔli na pɔdwˈɔdʑɛ kɔmˈɔrɨ. pɔvʲˈɛtʃɛ w bˈaɲtsɛ jɛst nˌavilʒˈanɛ, ˌalɛ f pʃɛɡrˈɔdax mʲˌɛndʑɨ skˌɔrupˈami jɛst sˈuxɛ jˈak pʲˈɛpʃ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_6.wav|pˌɔvʲɛdʑˈawa bˈɛtskɨ.|3
+Dataset/wavs/urwisko_ferenc/19_segment_88.wav|— swˈuxam? — ɔn jɛj ɲʲɛ vˈidʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_295.wav|i ɲʲɛ zapˈɔmɲij ɔ mˈastsɛ. vʲˈɛm, vʲˈɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_7.wav|vʲˈɛm tˈɨlkɔ, ʒˈɛ mˈuʃɛ ɡˈɔ znˈalɛɕtɕ, zˈaɲim rɔzˈɛrvʲɛ mˈɔjɛ ʒˈɨtɕɛ na stʃˈɛmpɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_32.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, jˈakim tsˈudɛm dɔmˈiɲik fʃˈɛt f pˌɔɕadˈaɲʲɛ fʃˈɨstkix tɨx ˌinfɔrmˈatsji, ˌalɛ f tɛj xfˈili ɲʲˈɛma tɔː ˈaʃ takʲˈɛɡɔ znatʃˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_15.wav|blˈadɨm, bɛskrfˈistɨm kalˈɛkɔ̃, zˈafʃɛ ɔdʑˈanɨm w bjˈɛl.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_48.wav|lˈiɲʲa bˌɨwa ɡwˈuxa.|3
+Dataset/wavs/urwisko_ferenc/54_segment_24.wav|ʒˈɛ mˈɔʒɛ xtɕˈawbɨ jˈɛ pˈan dla ɕˈɛbjɛ zatʃˈɨmatɕ. tsˈɔ prˈavda tɔ tˌɨlkɔ ksˌɛrɔkˈɔpja, ˌalɛ jɛst nˈaɲim pˈan z mˈɔɲikˌɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_417.wav|tˌɨlkɔ ɲˈikt ˈɔtɨm ɲʲˈɛvʲɛ, bˈɔ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_24.wav|krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_120.wav|jˈutrɔ vɨrˈuʃɨ w drˈɔɡɛ na zˈaxut.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_414.wav|xtsˈɛʃ jˈɔ̃ naprˈavdɛ vˈidʑɛtɕ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_80.wav|tʃɨ mˈam sprɔvˈadʑitɕ ɕlusˈaʒa dɔ sˈɛjfu, sˈɛr?|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_231.wav|xtɕˈawɛm rˌɔsprɔstˈɔvatɕ nˈɔɡʲi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_384.wav|bɛzbrˈɔnna pʲˈɛrɕ pˌɔxɨlˈɔna kˈu mɲʲɛ, mˌɛntʃɔnˈɛmu pʃˈɛs raptˈɔvnɔ̃ ʒˈɔndʑɛ i lˈɛŋki zwˈɨx pʃˈɛtʃutɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_139.wav|ˈɛlis klˈɛŋka na jˈɛdnɔ kɔlˈanɔː i kwˈadʑɛ kɕˈɔ̃ʃkɛ na ɡrˈɔbjɛ. mˈɔʒɛ pʃɨkrˈɨjɛ jˈɔ̃ ɕɲʲˈɛk, mˈɔʒɛ pˈɔrvʲɛ vʲˈatr, ɲʲɛvˈaʒnɛ.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_354.wav|s pɔtʃˈɔntku ɕɛ z ɲˈix ɕmʲˈawam, ˈalɛ...|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_59.wav|tɔ bˌɨwɨ najɡˈɔrʃɛ nˈɔtsɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_107.wav|jˈak pˈan sˈɔɲdʑi, ktˈɔ tɔ mˈuɡw bˈɨtɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_38.wav|pˈɔrtfɛl jˈɛst, ˌalɛ tɛlˈɛfɔn zɲˈiknɔw. tɨ ɡˈɔ zabrˈawɛɕ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_92.wav|ktˌurɨ pˈɔfstaw dʑˈɛŋki rˌɔzɛntˌuzjazmɔvˈanɛj ɡrˈupʲɛ dʑˈɛtɕi i nˌautʃɨtɕˈɛlɔm. ɲʲɛ vˈidʑɛ ɲitʃˈɛɡɔ pˈɔza ˌɔbrazˈami s pʃɛʃwˈɔɕtɕi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_60.wav|ɲʲɛ mˈɔɡɛ ɲˈidʑ zrˈɔbʲitɕ. tɔ vɨwˈɔntʃɲʲɛ jɛj sprˈava.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_230.wav|tɔ ɲʲɛ jɛst mɛ̃ʃtʃˈɨzna, tˌɨlkɔ ruˈina, pˌɔmɨɕlˈawa.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_46.wav|ɲʲɛ vˈɔntpjɛ, ʒˈɛ pʃɨɲʲˈɛɕliɕtɕˌɛ tˈɛʃ nˈɔvɛ, wˈadnɛ vʲˈadrɔ dɔ srˈaɲʲa. tɔ mˈiwɔ z vˈaʃɛj strˈɔnɨ, sˈɛr.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_24.wav|ftˈɛdɨ sˈɔbjɛ ˌuzmɨswˈavʲam, ʒˈɛ jˈɛɡɔ tɕˈawɔ jɛzd ɡɔrˈɔntsɛ, za ɡɔrˈɔntsɛ.|3
+Dataset/wavs/urwisko_ferenc/46_segment_103.wav|lˈɛɡnɛr ɔddˈɨxaw pwˈɨtkɔ, jˈɛdnak pɔ zbjɛlˈawɨx kwˈɨktɕaɣ zˌatɕiɕɲʲˈɛntɨx na kʲˌɛrɔvɲˈitsɨ pɔlˈitsjant pˈɔznaw, ʒˈɛ ɕlˈɛttʃɨ ɔstˈatkʲɛm ɕˈiw tʃˈɨma ɛmˈɔtsjɛ na vˈɔdʑɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_28.wav|pratsˈujɛ tˈu zˈɛmnɔ̃ tˈaka kɔbjˈɛta, ktˌura mˈa ɔpsˈɛsjɛ na pˈuŋktɕɛ naˈila, naʃˈɛɡɔ ʃˈɛfa i mˈɛ̃ʒa ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_26.wav|na ʃtʃˈɛɲɕtɕɛ ɔdˈɛʃwa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_18.wav|xfˈɨtam za krˈavɛɲtɕ stˈɔwu, ʒˈɛbɨ zwˈapatɕ rˌuvnɔvˈaɡɛ, pɔ tʃɨm pɔdnˈɔʃɛ ɡwˈɔvɛ i vɨxˈɔdʑɛ s sˈali.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_149.wav|stˈanɔw f pˈuw krˈɔku i pʃˈɨjʒaw nˈam ɕɛ zmrˌuʒɔnˈɨmi ɔtʃˈami.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_116.wav|znˈajda mˈɔʒɛ bˈɨtɕ pʲˈɛŋknɨ, ˌalɛ s pɛvnˈɔɕtɕɔ̃ zrˈɔdʑiw ɕɛ f pʲˈɛklɛ.|1
+Dataset/wavs/urwisko_ferenc/63_segment_46.wav|bˌɨwa mˈɔtsnɔ zˌaɲʲɛpˌɔkɔjˈɔna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_103.wav|pamjˈɛntaʃ, jˈak pɨtˈawɛɕ, tsˈɔ xtɕˈawabˌɨm studjˈɔvatɕ? pˌɔvʲɛdʑˈawam, ʒˈɛ çistˈɔrjɛ, sˌɔtsjɔlˈɔɡjɛ, mˈɔʒɛ nˈavɛt tˈɛatr.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_179.wav|lˈɛpʲɛj, ʒˈɛbɨɕ pʃɨznˈawa ɕɛ dɔ fʃɨstkʲˈɛɡɔː i zɔstˈawa dˌɛpɔrtɔvˈana. w arˈabji sawdˈɨjskʲɛj bˌɛɲdʑɛ wˈatfʲɛj tɕi ɕɛ ˈukrɨtɕ ɲˈiʃ tˈutaj.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_77.wav|pʃɨʃˈɛdwɛm ɕɛ pɔʒˈɛɡnatɕ, ˈɛstɛr pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_86.wav|nˈaɡlɛ mˈur skrˈɛntsa f prˈavɔ pɔt kˈɔntɛm prˈɔstɨm i dʒˈɛva ɕɛ kˈɔɲtʃɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_190.wav|dlatʃˈɛɡɔː ˈaʃ tˈɨlɛ?|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_372.wav|ɔznˈajmiw i pɔtɕˈɔŋɡnɔw mˈɔtsnɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_29.wav|trˈudnɔ bˌɨwɔ jɛj pʃɛwˈɨkatɕ, tˈaɡ bˈardʑɔ zˌatɕiɕɲʲˈɛntɛ mʲˈawa ɡˈardwɔ.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_88.wav|tɕˈɔŋɡnɔw za wˈaɲtsux kɔtfˈitʃnɨ, zvˈijaw lˈinɨ, pɔlˈɔvaw na ʃtʃˈurɨ, sʃˈɨvaw rɔzdˈartɛ ʒˈaɡlɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_52.wav|jˌɛstɛm xˈɔrɨ, jɛŋknˈɔwɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_105.wav|ɔstˈatɲʲa rɔbˈɔta, ˈɛm? pɔvˈaʒɲʲɛ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_214.wav|f krˈɔpli tʃˈasu fʃˈɨstkʲɛ rɔzbwˈɨski mˈɛɡɔ naʃˈɛɡɔ lˈɔsu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_94.wav|pˈɔvʲɛm, ʒˈɛ ɲʲˈɛxtsɛ dwˈuʒɛj tʃˈɛkatɕ, ʒˈɛ prˈaɡnɛ z ɲʲˈɔ̃ tˈɛraz bˈɨtɕ, ʒˈɛ dˌɔvʲɛdʑˈawaɕ ɕɛ ɔ rɔmˈanɕɛ i ʒˈɛ jˈɔ̃ kˈɔxam, a tɨ vˌɨʒutɕˈiwaɕ mɲʲɛ z dˈɔmu|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_42.wav|bˈɛtskɨ muɕˈawa zmʲˈɛɲitɕ sfˈɔjɔ̃ ɔpˈiɲʲɛ na tˈɛmad dˈɔmu f piwkˈaʒɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_11.wav|tˈɔm dɔˈuɡlas. vˈitaj pɔnˈɔvɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/24_segment_89.wav|pɔmˈɨɕlaw ɔ naɡʒˈanɨm vnˈɛntʃu tɔjˈɔta i zrɔbʲˈiwɔ mu ɕɛ swˈabɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_49.wav|a rˈam, jˈak tɔ mʲˈaw w zvɨtʃˈaju, ɔkˈazaw jɛj dˈuʒɔ tɕˈɛpwa i pɔprˈɔɕiw mˈamɛ ɔ pʃˌɨɡɔtɔvˈaɲʲɛ spˌɛtsjalnˈɛɡɔ pˌɔvitalnˈɛɡɔː ɔbjˈadu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_194.wav|mˈɔjɛ pravdʑˈivɛ pʲˈɛrʃɛ i drˈuɡʲɛ ˈimjɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_29.wav|ɲʲˈɛxtsɛ, ʒˈɛbɨɕ mɨɕlˈawa, ʒˈɛ skˈɔrɔ ɲʲɛ jˌɛstɛm pʃɨ tˈɔbjɛ, tɔ ɲˈits ɕɛ ɲʲɛ dʑˈɛjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_159.wav|skˈɔnd vʲɛdʑˈawɛɕ?|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_453.wav|i jˈak tfˈɔi prˌavɔvˈitɕi sɨnˈɔvʲɛ bˌɛndɔ̃ kturˈɛɡɔʑ dɲʲˈa swuʒˈɨli tˈɔbjɛ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_420.wav|tɔ bˈɨw pˈɔmɨsw mɔjˈɛɡɔː ˈɔjtsa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_19.wav|kʲˈɛdɨ ɕɛ ˌurɔdʑˈiwam, mˈɔʒna ɡˈɔ jˈɛʃtʃɛ bˌɨwɔː ˈuznadʑ za xwɔpˈaka.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_11.wav|tʃɨ ɲʲɛ maʃ ɲˈidʑ dɔ rɔbˈɔtɨ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_90.wav|ɲʲˌɛmɔʒlˈivɛ stawˈɔbɨ ɕɛ rˈuvɲʲɛʒ zwɔʒˈɛɲʲɛ jɛj s pɔvrˈɔtɛm w jˈɛdnɔ̃ tsˈawɔɕtɕ, ˌɔdbudɔvˈaɲʲɛ jɛj.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_78.wav|ɲʲɛ, uvˈaʒa pˈaɲi, ʒˈɛ tɕi lˈudʑɛ ɲʲɛ bˌɨli s pɔlˈitsji i ɔpʲˈɛki spɔwˈɛtʃnɛj? tɔ vwˈaɕɲʲɛ xtsˈɛ mi pˈaɲi pɔvʲˈɛdʑɛtɕ, prˈavda?|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_174.wav|pˌɔftuʒˈɨwa unˈɔʃɔndʑ brvˈi.|4
+Dataset/wavs/urwisko_ferenc/36_segment_46.wav|jˈɛdna zwˈa dɛtsˈɨzja mˈɔɡwa jˈɔ̃ zˈabʲitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_50.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ tsˈawkʲɛm dˈɔbʒɛ ɕɛ sprˈavdʑa. mˈɔʒɛ vˈɛzmɛ s tɕˈɛbjɛ pʃˈɨkwat?|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_64.wav|mˈuʃɛ ɕɛ dɔvʲˈɛdʑɛtɕ, tʃˈɛɡɔ mˈam ɕɛ spɔdʑˈɛvatɕ w rivˈɛrun.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_4.wav|bʲˈillɨ zjˈavja ɕɛ f pˌɔʒɨtʃˈɔnɛj mˌakabrˈɨlɛ ɲˈika pʃɛt ɕˈudmɔ̃ f tʃfˈartɛɡ vʲɛtʃˈɔrɛm. ɡdʑˈɛʑ vɨtʃˈɨtaw, ʒˈɛ upʃˈɛjmɨ ɡˈɔɕtɕ pʃɨxˈɔdʑi pʲˈɛɲtɕ mˈinut pʃɛt tʃˈasɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_42.wav|w blˈasku lˈampɨ ˌɔɕfʲɛtlajˈɔntsɛj kɔrˈɨtaʃ tfˈaʃ ˈaʃa vɨdˈajɛ ɕɛ ʑɛlˈɔna.|4
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_133.wav|zdˈaɲʲɛm bʲirjˈɛɡɔː ˌaɲi jˈɛdnɔ, ˌaɲi drˈuɡʲɛ f pˈɛwɲi ɲʲɛ ˌuspravʲɛdlˈivja udʑˈawu xˈɔffa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_150.wav|z mʲˌɛrnɔtˈami ɲʲɛ zdˈaʒa ɕɛ ɲˈiɡdɨ ɲˈidʑ zwˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_149.wav|vʲˈɛnts mˈuɕaw w jˈakiɕ spˈɔsub zˌamaskˈɔvatɕ tɛ ɲʲˌɛdɔbˈɔrɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_121.wav|znˈuf umˈilkwam, ɲʲɛ lˈitʃɔnts wukˈaɲʲa, ktˌurɛ vˌɨrɨvˈawɔ ɕɛ z mɔjˈɛɡɔ ɡˈardwa.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_326.wav|jˈɛɡɔ pʲɛʃtʃˈɔtɨ bˌɨwɨ ɲʲˌɛudˈɔlnɛ, pˌɔtsawˈuŋki nɛrvˈɔvɛ, a ɡdˈɨ bˌɨli zˈɛ sˈɔbɔ̃ pɔ rˈas pʲˈɛrʃɨ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_229.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_7.wav|za bˈardʑɔ ɕɛ bˈɔjɛ, ʒˈɛbɨ mʲˈɛtɕ apˈɛtɨt. jˌɛstɛm zˌatrfɔʒˈɔna jˈadɛm ˈɛlis i ɲʲˈɛmal pˈɛvna, ʒˈɛ pɔlˈitsja pɔdvˈɔi vɨɕˈiwki, ʒˈɛbɨ mɲʲɛ znˈalɛɕtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_8.wav|tˈaɡ vwˈaɕɲʲɛ mˈɨɕli, pʃɨznˈajɛ ɲʲɛ pˈatʃɔnts na ɲʲˈɛɡɔ. pʃˈɛs tsˈawɨ tʃˈaz vɨɡlˈɔndam pʃˈɛs ˈɔknɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_427.wav|dla pɔʒˈɔntku mˈuʃɛ pɔvʲˈɛdʑɛtɕ, ʒˈɛ f tɕˈɔŋɡu tsawˈɛɡɔ ʒˈɨtɕa nˌazbjɛrˈawɔ ɕɛ vˈɛmɲʲɛ trˈɔxɛ brˈudu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_117.wav|pʃɛrˈɨvam im w mˈawɔ suptˈɛlnɨ spˈɔsup.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_176.wav|a tʃɨ tˈɛraz ɡɔspˈɔda mˈa jˈakɔ̃ɕ nˈazvɛ?|1
+Dataset/wavs/urwisko_ferenc/53_segment_129.wav|jˈakɔɕ tɔ ɕɛ ɲʲɛ spˈina.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_30.wav|tˈak, ˈɔtpar kˈit.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_15.wav|tʃɨ ˌɔna bˌɨwa w nˈaʃɨm dˈɔmu?|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_226.wav|pˈɔvrud vʲˈarɨ vˌɔjujˈɔntsɛj. tɔ bˈɨwabˌɨ ɔtpˈɔvʲɛtɕ na tʃˈɨsta lˈat mˈɔdlitf, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_165.wav|dlatˈɛɡɔ mˈuɕiʃ sˈɔbjɛ zˈadatɕ jˈɛdnɔ pɨtˈaɲʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_251.wav|bɛɲdʑˌɛmɨ jˈuʒ vrˈatsatɕ, pɔvʲˈɛdʑaw. ɲʲɛ bˌɨwɔ ʑlˈɛ. jˈɛɕli tˈaɡ dˈalɛj pˈujdʑɛ, tɔ za tˈɨdʑɛɲ bˌɛɲdʑɛʃ mˈukw pɔlˈatatɕ sˈam dˌɔɔkˈɔwa lɔtɲˈiska.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_32.wav|prˈɔʃɛ pˈujʑdʑ zˈɛmnɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_441.wav|ˈalbɔː ɛpˈɔka nɛrvˈɔvɔ vˌɨmɨɕlˈanɨɣ vʲˈar.|0
+Dataset/wavs/urwisko_ferenc/23_segment_7.wav|a tsˈɔ z dˈaxɛm?|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_373.wav|ˈɔtpar mwɔdʑˈɛɲʲɛts.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_73.wav|i fprɔvˈadʑidʑ w bwˈɔnt kamˈɛrɨ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_81.wav|i fʃˈɨstkʲɛ sɔ̃ stfɔʒˈɔnɛ dɔ pˌɔtsawˈuŋkuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_6.wav|ˌintuˈitsja mi mˈuvi, ʒˈɛ ɲʲɛ, ˌalɛ jɛst spˌɔstʃɛɡˈaftʃɨ. zˌauvˈaʒɨw, ʒˈɛ ɲʲˈɛmam jˈuʒ vˈɔ̃suf.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_135.wav|ɲʲɛ mˌamɨ tʃˈasu, a jˈɛɕli tɕi pˈɔvʲɛm, tɔ tˈɛʃ stˈaɲʲɛʃ ɕɛ f tɔ zˌamjɛʃˈanɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_61.wav|sˈara vɛstxnˈɛwa. ʒˈɨtɕɛ tˈɔtʃɨ ɕɛ sfˈɔim tˈɔrɛm. prˈɔʃɛ vɨbˈatʃɨtɕ na xfˈilɛ. lˈɛpʲɛj tˈam pˈujdɛ, zˈaɲim vɨbˈuxɲʲɛ kwˈutɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/46_segment_138.wav|dlatʃˈɛɡɔ ɕˈɛdʑiʃ pɔ tɕˈɛmku?|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_6.wav|bˈɨw xwɔpˈakʲɛm mˈɔjɛj mˈamɨ, ˌalɛ ɲʲɛ pɔvˈiɲʲɛn ɲˈim bˈɨtɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_59.wav|fɔrsˈujɔnts pʲˈɛrʃɔ̃ ɕtɕˈanɛ, ɲʲɛ mʲˈawam vɨbˈɔru, ˌalɛ z rɛɡˈuwɨ ɲʲɛ pʃɛpˈadam zˈatɨm, kʲˈɛdɨ rˌɔspalˈɔnɛ mˌɛtalˈɔvɛ pwˈɨtɨ lˈɛtsɔ̃ prˈɔstɔ nˈamɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_60.wav|tˈak, ˌalɛ ɲʲɛ fspɔmɲʲˈɛliɕmˌɨ ˈɔtɨm, ʒˈɛ bˌɨwɛʑ bˈardʑɔ ʃtʃɛɲɕlˈivɨ i ɲʲɛ vʲɛdʑˈawɛɕ ˈɔtɨm, ʒˈɛ sprˈavɨ ɕɛ ɲʲɛ ˌukwadˈajɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_99.wav|ɡˈɛnna ˌusadʑˈiwa pɔkˈaʑnɨ tˈɨwɛk na ˌɔbɔzˈɔvɨm stɔlˈiku, ktˌurɨ ɲʲˌɛpɔkɔjˈɔntsɔ zaskʃˈɨpʲaw pɔt jɛj tɕɛ̃ʒˈarɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_132.wav|nˈazvawbˌɨm tɔ rˈatʃɛj kwˈamstfɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_313.wav|vʑˈɔwɛm tˈɛ kɔpˈɛrtɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_119.wav|zˌauvaʒˈawam ʒutsˈanɛ w mˈɔjɔ̃ strˈɔnɛ spɔjʒˈɛɲʲa ˈinnɨx i bˌɨwam pʃˌɛkɔnˈana, ʒˈɛ vʲˈɛdʑɔ̃, tsˈɔ zrɔbʲˈiwam.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_129.wav|tˈak pˈuʑnɔ̃ jɛɕˈɛɲʲɔ̃ ʃˈansɛ na kɔlˈɛjnɛ ʒɲˈiva ɲʲɛ bˌɨwɨ jˈɛdnaɡ zbˈɨd vʲˈɛlkʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_89.wav|fʃˈɨstkɔ bˌɛɲdʑɛ dˈɔbʒɛ. mˈuʃɛ pɔ prˈɔstu ɔtpˈɔtʃɔɲtɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_500.wav|vˈɔbɛts mɲʲɛ dˌɛmɔnstrˈɔvaw skrˈɨtɕɛ, ʒˈɛbɨm tˌɨlkɔ ja tɔ vˈidʑaw, bˌɛznamjˈɛntnɔ̃ ɲʲɛˈufnɔɕtɕ i ˌɔdrɔbʲˈinɛ dʑˈivnɛj vrɔɡˈɔɕtɕi trˈudnɔ.|0
+Dataset/wavs/urwisko_ferenc/11_segment_3.wav|tsˈɔ jˈakiɕ tʃˈaz zɛrkˈawa na ˌɛlɛktrɔɲˈitʃnɨ zˈɛɡar stɔjˈɔntsɨ na ʃˈaftsɛ nˈɔtsnɛj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_74.wav|jˈɛɡɔː ˈɔstrɛ rˈɨsɨ ɲʲɛ zmʲɛɲʲˈawɨ ɕɛ, ˌalɛ vˈɔdʑiw mawˈɨmi tɕɛmnˈɨmi ɔtʃˈami za mnˈɔ̃ i s kˈɔtɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_110.wav|udˈawam, ʒˈɛ jˌɛstɛm tɨm pˌɔdɛkstsˌɨtɔvˈana jˈak fʃˈɨstsɨ dˌɔɔkˈɔwa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_371.wav|i jˈaɡbɨ pʃɛbrˈana spɛtsjˈalɲʲɛ dla mɲʲɛ na tˈɛ ɔkˈazjɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_26.wav|pˈan pˌɔtkɔmˈisaʃ kˈɔrsaɡ zaprˈaʃa dɔ ɕˈɛbjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_66.wav|ɲʲˈɛʑlɛ kˌɔmbʲinˈɔvaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_20.wav|pˌɔstrɔŋkˈɔvɨ fçitˈɛlɛj pɔjˈɛxaw s pɔvrˈɔtɛm dɔ kasˈɨna ftʃˈɔraj vʲɛtʃˈɔrɛm i vˌɨpɨtˈɨvaw ɔ kɔbjˈɛtɛ vˌidɨvˈanɔ̃ s tsˌamɛrˈɔnɛm ɛdmˈuntsɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_12.wav|vidʑˈawam w jɛj ˈɔtʃaɣ zrˌɔzumjˈɛɲʲɛ tsˈawɛj tɛj sˌɨtuˈatsji i fʃˈɨstkix mˈɔix ɛmˈɔtsji. mˈuʃɛ z ɲʲˈɔ̃ pˌɔrɔzmˈavʲatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_7.wav|ɔː ˈilɛ zˌaɡrɔʒˈɛɲʲɛ ʒˌɛtʃɨvˈiɕtɕɛ istɲʲˈɛjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_9.wav|jˈakɔ zadˈaɲʲɛ dɔmˈɔvɛ...|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_193.wav|tˌɨlkɔ krˈul tˈɔmmɛn brˈɔɲi ɕfʲˈɛntɛj vʲˈarɨ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_390.wav|ˌɔpadˈawa pɔ spirˈali f tɕˈɛmnɔɕtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_31.wav|ɲˈiʃ jˌakɔŋkˈɔlvʲɛk ˈinnɔ̃ jˈɛɡɔ tʃˈɛɲɕtɕ.|3
+Dataset/wavs/urwisko_ferenc/59_segment_92.wav|w jˈɛɡɔ ɡwˈɔɕɛ swˈɨxadʑ bˌɨwɔ trjˈumf. tˈu ˌɔdnalˈazwɛm naʃˈɛɡɔ ɡˈɔɕtɕa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_359.wav|vˈɛʃwa pʲˌɛlɛŋɡɲʲˈarka.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_55.wav|mˈinstrɛl kʃˈɨknɔw.|1
+Dataset/wavs/urwisko_ferenc/09_segment_57.wav|tɔ bˈɨw vˈuz z bɨdʒˈɔʃtʃɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_68.wav|tʃˈujɔnts ɕtɕˈizɡ w ɡˈardlɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_137.wav|bˈɔː uvˈaʒam, ʒˈɛ mˈɔɡɛ zamjˈɛɲitɕ jˈɔ̃ s pɔvrˈɔtɛm w bˈardʑɔ rɛntˈɔvnɨ intˈɛrɛs.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_69.wav|tˈɔm zrˌɛlatsjɔnˈɔvaw mu pɔspʲˈɛʃɲʲɛ rɔzmˈɔvɛ s kˈitɛm, a rˈɔp ɔtfˈɔʒɨw ʃɛrˈɔkɔː ˈɔtʃɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_5.wav|mˈuʃɛ zadʑvˈɔɲidʑ dɔ bˈɛtskɨ. ɲʲɛ ɔpxˈɔdʑi mɲʲɛ, tsˈɔː uvˈaʒa na tɛn tˈɛmat ˈaʃ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_111.wav|ɲˈikt mi ɲʲɛ pɔvʲˈɛdʑaw, nˈavɛd ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_137.wav|ja ɕɛ ɲʲɛ pˈɨtam ɔ dʑvˈik, pɔvʲˈɛdʑaw xundˈɛbawx. ja ɕɛ pˈɨtam, dlatʃˈɛɡɔ ɕˈɛdʑiʃ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_130.wav|tʃɨ dˌɔvʲɛdʑˈawaɕ ɕɛ tʃˈɛɡɔɕ, tʃˈɛɡɔ ɲʲɛ vʲɛdʑˈawaɕ, ˌɔpuʃtʃˈajɔnts nˈas?|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_54.wav|tɔ bˈɨw kˈaʃɛl na fʃˈɨstkiɣ bˈɔɡuf. jˈa... vˈaʃa mˈiwɔɕtɕ ɲʲɛ mˈɔʒɛ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_219.wav|a bˌɛɲdʑɛʃ tˈu jˈɛʃtʃɛ pʃˈɛs pˈarɛ dɲˈi?|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_108.wav|tˈɛras mˈuɕi ɕɛ skˈupitɕ na rɔbˈɔtɕɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_40.wav|pɔdˈɛʃwam z misˈɛtʃkɔ̃ dɔ stɔlˈika pʃɨ ˈɔkɲʲɛ i uɕˈadwam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_149.wav|a ja mʲˈawam pˈɛvnɛ nadʑˈɛjɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_211.wav|a mˈɔim zdˈaɲʲɛm tɨ vɨɡlˈɔndaʃ jˈaɡ ɡʲˈirls fˈirst lˈɔvɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_24.wav|sˈami ftɕˈɔ̃ʃ ɕɛ ɲʲɛ ɔdʑˈɨvaj i dɔ rɔzmˈɔvɨ pˌɔzɔstˈajɛ mi tˌɨlkɔ zˈɔj.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_20.wav|ftɕˈɔ̃ʒ dʑawˈamɨ. za kˈilka mˈinut sprˈavdʑɛ, na tʃɨm stɔˈimɨ. ˌalɛ jˈɛɕli mˌamɨ dɔ tʃɨɲʲˈɛɲʲa s pɔrvˈaɲʲɛm, tɔ dlatʃˈɛɡɔ ɲʲˈɛma jˈɛʃtʃɛ ʒɔndˈaɲʲa ɔ kˈupu?|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_154.wav|xtɕˈɛlibˌɨɕtɕɛ tˌɨlkɔ mɔrdˈɔvatɕ, krˈaɕtɕ i pʲɛrdˈɔlitɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_167.wav|bjˈɛʒɛ ɕtɕɛrˈɛtʃkɛ i znˈuf xfˈilɛ pʃˈɛzɲʲɔ̃ ɔddˈɨxa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_131.wav|sprˈavdʑiw rˈɔskwat mˈɛtʃuf. ɡʲˈantɕi ɡrˈajɔ̃ s tsˌardʲinalsˈami ɔ tʃfˈartɛj tʃˈasu fsxɔdɲʲˈɛɡɔ, tʃˈɨli ɔ pʲˈɛrʃɛj w nɔvˈadʑɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_15.wav|jˈakiɕ kfˈadrans pɔ dʑɛvʲˈɔntɛj jˈassim vˈɨʃɛd zˈɛ sfɔjˈɛɡɔ sklˈɛpu.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_9.wav|ˌuswɨʃˈafʃɨ krˈɔki vrˌatsajɔntsˈɛɡɔ kapwˈana,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_81.wav|mˈɔɡwɛm mu jˈɛdnaɡ dˈatɕ tˌɨlkɔ tɛ tʃˈɨ tɨɕˈɔntsɛ, ktˌurɛ pˌɔʒɨtʃˈɨwɛm ɔt tɕˈɛbjɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(36) R.Abbott_Zamknij Drzwi_segment_23.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_6.wav|ɲʲɛ znˈawam radˈɔɕtɕi, pˌɔdɲʲɛtsˈɛɲʲa i bˈulu, ktˌurɨɣ dˌɔɕfʲattʃˈawɨ ˈinnɛ dʑɛftʃˈɛnta w mˈɔim vʲˈɛku.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_81.wav|tɛlˈɛfɔn bˈɨw ˈalbɔ vˌɨwɔntʃˈɔnɨ, ˈalbɔ vˌɨjɔntɔkˈartɛ ˌɛsˌiˈɛm, ˌalɛ vwˈaɕɲʲɛ zˈatʃɔw ɕɛ pɔjˈavʲatɕ. mˌamɨ lˌɔkalizˈatsjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_108.wav|zˈaɲim tˈɔm zdˈɔ̃ʒɨw tsɔkˈɔlvʲɛɡ dˈɔdatɕ, dʒvˈi ɕɛ ˌɔtfɔʒˈɨwɨ i ɲˈilɛ vrˈutɕiw na sfˈɔjɛ mʲˈɛjstsɛ jˈɛʃtʃɛ blˈɛtʃɛ ɲˈiʃ ftʃˈɛɕɲʲɛj.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_51.wav|tʃɨ dɔmˈiɲik mˈa rˈatsjɛ? tʃɨ stsˈɔtt nˈas ˌɔpsɛrvˈujɛ?|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_155.wav|mˈuɡwbɨm tɕi zˈaɡratɕ, ˈɔx, nˌajruʒɲʲˈɛjʃɛ ʒˈɛtʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_26.wav|pʃɛkˈaʒɛ swˈɔva vˈaʃɛj miwˈɔɕtɕi, jˈɛɡɔ vʲˈɛlkʲɛj ɕfʲˌɔntɔblivˈɔɕtɕi. ˌalɛ mˈuʃɛ zˈɛ smˈutkʲɛm ɔznˈajmitɕ, ʒˈɛ mwˈɔdɛj krulˈɔvɛj i jɛj dˈam...|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_389.wav|ɲʲɛ pˌɔvʲɛdʑˈawa jˈɛdnak tˌɛɡɔ na ɡwˈɔs, bˈɔ xɛˈilxant mˈuɡwbɨ jˈɔ̃ uswˈɨʃɛtɕ i vˈɨɕmʲatɕ jɛj kɔbjˈɛtsɔ̃ swˈabɔɕtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_101.wav|mˈama bˌɨwa kʲˈɛdɨʑ ɡˌadatlˈiva, ˌalɛ z upwˈɨvɛm lˈat jɛj pɔtʃˈɛba muvʲˈɛɲʲa stɔpɲʲˈɔvɔ vɨɡˈaswa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_14.wav|pʃˈɛstaɲ pˌaɲikˈɔvatɕ. jˈɛɕli ˌɔna ɲʲɛ zabjˈɛra ˈaʃa dɔ mˈili, zˌatʃɛkˈamɨ na ix rˌɔmantˈɨtʃnɛ spɔtkˈaɲʲɛ, a pˈɔtɛm pˌɔjɛdʑˈɛmɨ zˈaɲʲɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_138.wav|fstˈajɛ i ˈidʑɛ dɔ kˈuxɲi, ɡdʑˈɛ ˌɔklapˈujɛ tfˈaʒ ʑˈimnɔ̃ vˈɔdɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_53.wav|tˈaɡ vwˈaɕɲʲɛ sˈɔbjɛ pˌɔmɨɕlˈawɛm, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_56.wav|a kʲˈɛdɨ mˈuvjɛ, ʒˈɛ zajmˈujɛ ɕɛ ɔpswˈuɡɔ̃, tɔ znˈatʃɨ, ʒˈɛ ɲʲˈɛma ɡrˈaɲits, jˈɛɕli xˈɔdʑi ɔ zˈakrɛs ˈuswuk im ˌɔfɛrɔvˈanɨx.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_44.wav|jɛdˈɨnɨm mʲˈɛjstsɛm, f ktˌurɨm mɔʒˈɛtɕɛ znˈalɛɕtɕ tsɔkˈɔlvʲɛk ˌintɛrˌɛsujɔntsˈɛɡɔ, jɛst jˈɛɡɔ ɡabʲˈinɛt.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_172.wav|pˈɔza tɨm xtɕˈawabˌɨ vʲˈɛdʑɛtɕ, tsˈɔː ɔn pˈiʃɛ.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_75.wav|tʃɨ tˈɔmmɛn pɔvˈiɲʲɛn ɕɛ ˈɔtɨm dɔvʲˈɛdʑɛtɕ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_3.wav|stˈaw f tɕˈɛɲʲu xaŋɡˈaru, pˈatʃɔnts na samˈɔlɔt pˌɔtxɔdʑˈɔntsɨ dɔ lˌɔndɔvˈaɲʲa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_141.wav|stfʲˈɛrdʑɔ̃, jɛdnˈɛɡɔ ɕmʲˈɛtɕa mɲʲˈɛj, rɔzˈumjɛʃ?|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_97.wav|pˈaɲi bʲˈin, pˈaɲska ʒˈɔna tˈam, bˌɨwa dʑˈiɕ rˈanɔː ˈu dˈɔktɔr rˈussɛl.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_119.wav|dɔ tˌɛɡɔ mˈawɨ, zwˈɔtɨ klˈips, ɲʲɛ na zbˈɨt ˌɔstɛntatsˈɨjnɨ, ktˌurɨ mʲˌawɛm fpʲˈɔɲtɕ sˈɔbjɛ w lˈɛvɛ ˈuxɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_83.wav|tˈɔɲi ʃˈɛpnɔw, kʃˈɨvʲɔnts ɕɛ z bˈulu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_133.wav|i ɕfʲɛtlˈistɛ ˈɔtʃɨ, ɔ ktˌurɨx ɔn i dvˈaj muʒˈɨɲi stɔjˈɔntsɨ pɔd brˈudnɔ̃ i ɡɔrˈɔntsɔ̃ ɕtɕˈanɔ̃ sklˈɛpu z ˌalkɔxˈɔlɛm,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_35.wav|zamknˈɛwam ˈɔtʃɨ. skˈɔnt tɔ vʲˈɛdʑaw?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_27.wav|mˈuʃɛ vʲˈɛdʑɛdʑ vʲˈɛntsɛj.|3
+Dataset/wavs/urwisko_ferenc/45_segment_72.wav|fʃˈɨstkɔ fskazˈujɛ nˈatɔ, ʒˈɛ tˈaɡ vwˈaɕɲʲɛ bˈɨwɔ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_4.wav|w mˈawɨm pˌɔkɔˈiku na pɔddˈaʃu, ktˌurɨ dʑɛlˈiwa s tsurkˈami brˈuska.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_53.wav|ʒˈɨtɕɛ fɕrˈut lˈitʃnɛj swˈuʒbɨ, ˌalɛ bˈɛz zˌaintˌɛrɛsɔvˈaɲʲa zˈɛ strˈɔnɨ rɔdʑˈitsuf, ɲʲɛ mˈɔɡwɔ zaʃtʃˈɛpidʑ w dʑɛftʃˈɨɲʲɛ ʒˈadnɨx pˌɔtstavˈɔvɨɣ vartˈɔɕtɕi.|4
+Dataset/wavs/urwisko_ferenc/01_segment_89.wav|kʲˈɛdɨ xˈɛrman ˌɔɡlɔndˈawa ˈakta i nˌatrafˈiwa na mˌatɛrjˈawɨ pʃˌɛtstavʲajˈɔntsɛ ɕˌikɔrskʲˈɛɡɔ, mɛ̃ʃtʃˈɨzna bˈɨw mˈɔtsnɔː ɔ tˈɨwɨ.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_99.wav|pɔmˈɨɕlaw jˈamɛ. tɛn tˈɨtuw rˈuvɲʲɛʒ dʑˈɛrʒɨ mˈɔja swˈɔtka ɕˈɔstra.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_206.wav|bˌɛssɛnsˈɔvna bjˌurɔkrˈatsja.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_18.wav|tʃɨ uvʲˈɛʒɨʃ mi, jˈɛɕli tɕi pˈɔvʲɛm, ʒˈɛ jˌɛstɛm zˌaintˌɛrɛsɔvˈanɨ vɨwˈɔntʃɲʲɛ bɛspʲˈɛtʃnɨm sprˌɔvadʑˈɛɲʲɛm mˈili dɔ dˈɔmu?|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_204.wav|ɲʲɛ, mˈam jˈuʃ tʃtˈɛrɨ ˈinnɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_59.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_442.wav|ˈujʒɨj na vwˈasnɛ ˈɔtʃɨ urˈɔdɛ tˈɛj, ɔ ktˌurɛj mˈuvjɛ i pʃˈɨvʲɛɕ jˈɔ̃ dɔ mɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_36.wav|i ˌɛlɛˈanɔr tˈɨrɛll|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_47.wav|tɔ jɛzd vwˈaɕɲʲɛ nˌajwadɲʲˈɛjʃɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_100.wav|stˈali f swˈɔɲtsu pˈatʃɔnts na ɕˈɛbjɛ. mɛ̃ʃtʃˈɨzna, ktˌurɨ bˈɨw jˈɛʃtʃɛ mwˈɔdɨ, ɲʲɛ vˌɨɡlɔndˈajɔnts jˈuʃ nˈatɔ i mɛ̃ʃtʃˈɨzna, ktˌurɨ ɲʲˈɛbɨw jˈuʃ mwˈɔdɨ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_395.wav|mˈɔja kuzˈɨŋki?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_19.wav|pʃɨnˈajmɲʲɛj tɔ ɲʲˌɛxɔlˈɛrnɨ tɛlˈɛfɔn na kˈartɛ, vʲˈɛnts mˈam jˈakiɕ pˈuŋɡd zˌatʃɛpʲˈɛɲʲa. ʃkˈɔda jˈɛdnak, ʒˈɛ ɲʲɛ wˈɔntʃɨ ɕɛ z ɲˈikim na lˈiɕtɕɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_164.wav|ɲʲɛ bˌɨwɔ plˌanɔvˈanɛ, ˌalɛ ɲˈiɡdɨ ɲʲɛ rˌɔzvaʒˈawam abˈɔrtsji, xˈɔtɕ utʃˈɨwam ɕɛ ftˈɛdɨ na ˌuɲivˌɛrsɨtˈɛtɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_124.wav|xˈɨba zatʃˈɨna rɔzˈumjɛtɕ, dlatʃˈɛɡɔ dʑɛftʃˈɨna ɲʲɛ ʒˈɔnda, bˈɨ zadʑvˈɔɲiw na pɔlˈitsjɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_40.wav|s pɔvrˈɔtɛm kˈu buntˈɔvi. ɲʲˈɛma mˈɔvɨ, tˈatɔ. ɲˈiɡdʑɛ ɲʲɛ lˈɛtsɛ. a jˈɛɕli ktˈurɨʑ z vˈaz bˌɛɲdʑɛ prubˈɔvaw mɲʲɛ dɔ tˌɛɡɔ zmˈuɕitɕ, utɕˈɛknɛ z dˈɔmu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_94.wav|jˈɛnnɨ praktˈɨtʃɲʲɛ kʃˈɨtʃɨ.|3
+Dataset/wavs/urwisko_ferenc/65_segment_121.wav|vʲˈɛnts mˈɔʒɛ jɛst ktˈɔɕ jˈɛʃtʃɛ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_31.wav|vʲˈɛʃ mˈɔʒɛ, tʃɨ sˈami dʑˈiɕ pʃˈɨjdʑɛ?|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_93.wav|ɡˈɔʑdʑik i ix utɕˈɛtʃka|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_24.wav|zˌaparkɔvˈawam tsˈɨŋɡla ˌɔbɔɡ vˈɛjɕtɕa.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_207.wav|tsˈɔɕ f tɨm rɔdʑˈaju.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_436.wav|pˈana ˌawtɔˌanalˈiza bˌɨwa tɕɛkˈava.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_235.wav|tʃɨ nˈadal pˌɔtʃɛbˈujɛʃ kˈɔbjɛd dɔ sfˈɛi...|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_477.wav|tʃɨ tɔ mɔʒlˈivɛ, ʒˈɛ ftsˈalɛ ɲʲɛ zɡʲinˈɛwa f sɔlˈaŋkax?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_241.wav|na pɔdwˈɔdʑɛ valˈawɨ ɕɛ ɡazˈɛtɨ z dˈavnɨx ˈɛpɔk, krɛɲtɕˈili ɕɛ malˈaʒɛ f pˌapʲɛrˈɔvɨx fˌuraʒˈɛrkax na ɡwˈɔvʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_59.wav|vʲɛʒˈɨwam, ʒˈɛ tˈata ftɕˈɔ̃ʃ ɕɛ zajmˈujɛ zˌakupˈami i ɲʲɛ pɔtrˈafjɛ sˈɔbjɛ nˈavɛd vˌɨɔbrˈazitɕ mˌamɨ valtʃˈɔntsɛj s tʃˈɛma pɛwnˈɨmi vuskˈami.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_45.wav|pʃɨxˈɔdʑɔ̃ tˈɛʃ ˈinɲi, ktˌuʒɨ zˌalɛtsˈajɔ̃ ɕɛ dɔ jɛj kuzˈɨnɛk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_157.wav|mˈuɡwbɨ tɔ fʃˈɨstkɔ zrˈɔbʲitɕ, ˌalɛ tˌɨlkɔ jˈɛɕli pˈiʃɛ i dla ɕˈɛbjɛ, i dla ɲʲˌɛznajɔmˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_221.wav|bɛspʲˈɛtʃɲʲɛj pɔtʃˈɛkatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_64.wav|mʲˈɛvaʃ tˈakʲɛ vˌɔntplivˈɔɕtɕi?|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_442.wav|kɔrˈɔnɛ mˈɔʒɛʒ zɔstˈavitɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_58.wav|dʒˈin jɛst prɔdˈuktɛm ˌɛkskluzˈɨvnɨx ˌamɛrɨkˈaɲskix ʃkˈuw.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_191.wav|dˈanɛ ɲʲˈɛkrɨw zdʑivʲˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_374.wav|fʃˈɨstkʲɛ tɛ mˈɔjɛ pʲˈɛŋknɛ drɔmˈɔnɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_20.wav|lˈintsaj skinˈɛwa ɡwˈɔvɔ̃ i uɕˈadwa s pɔvrˈɔtɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_302.wav|pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/urwisko_ferenc/01_segment_127.wav|mˈatkɔ bˈɔska! w ˈɔtʃax stanˈɛwɨ mˈuzɨ. dɔ ɕmʲˈɛrtɕi mˈɔjɛj vnˈɔɕi? ˌalɛ pɔ tsˈɔ?|0
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_30.wav|a vʲˈɛnts mˈɔjɛ pʃˌɛtɕivʲˈɛɲstfɔ pɔt kˈaʒdɨm vzɡlˈɛndɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_64.wav|— mˈɔim zdˈaɲʲɛm tɔ tˈɛʒ dˈuʒɔ — pɔvʲˈɛdʑaw vwaɕtɕˈitɕɛl pˈɔmpɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_58.wav|pˌaranˈɔja pɔd vʲɛlˈɔma vzɡlɛndˈami bˈɨwabˌɨ lˈɛpʃa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_21.wav|ɔtfʲˈɛra ɕɛ ˌawtɔmatˈɨtʃɲʲɛ, dʑˈɛŋki tʃˌɛmu ɲʲɛ muɕˈawa ɕɛ zˌatʃɨmˈɨvatɕ i tʃˈɛkatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_247.wav|tɕˈɛkaf jˈɛst, tʃɨ ˈɛliz vʲˈɛ, tsˈɔ tɔ jɛst sˈɨndrɔm ʃtɔkxˈɔlmski. jˈɛɕli ɲʲɛ, bˌɛɲdʑɛ jɛj tɔ mˈuɕaw vˌɨtwumˈatʃɨtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_124.wav|tʃɨ tɔ tfˈɔim zdˈaɲʲɛm tʃɨɲˈiwɔ pˌɔdɛjʒˈanɔ̃, tʃɨ pɔ prˈɔstu tɔ kɔbjˈɛta prˌɔvadʑˈɔntsa pɔdvˈujnɛ ʒˈɨtɕɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_38.wav|ˈalbɔ bˈɨdʑ zdˌɛspɛrɔvˈanɨm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_134.wav|xtsˈɛʃ ˈiɕtɕ s tɨm sˈama dɔ pɔkˈɔju, tʃɨ vɔlˈawabˌɨɕ mˈɔʒɛ, ʒˈɛbɨ jˈaɡɡɛr tɕˈɛ dla bˌɛspʲɛtʃˈɛɲstfa ˌɔtprɔvˈadʑiw?|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_125.wav|ɲʲɛ mˈɔʒɛ nˈaɲʲɛ nˈavɛt pˈatʃɛtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_11.wav|vɨɡlˈɔnda na kɔrˈɨtaʃ. ɲʲɛ vˈidʑi tˈam ɲikˈɔɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_27.wav|ˌɔtʃɛkˈujɔ̃, ʒˈɛ zarˈɔbjɛ fɔrtˈunɛ.|3
+Dataset/wavs/urwisko_ferenc/07_segment_24.wav|stʃɛpnˈɛwa pˈɔpʲuw, a jˈarɔɲ zawˈɔʒɨw nˈɔɡɛ na nˈɔɡɛ i pʃɨɡlˈɔndaw jɛj ɕɛ pʃˈɛs xfˈilɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_9.wav|ɲʲɛ xtsˈɛtɕɛ vʲˈɛdʑɛtɕ, ˈilɛ kɔʃtˈujɛ ʒˈɨtɕɛ w bˈaɲtsɛ ʃɛpˈarda.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_451.wav|ja tˈaɡ dwˈuʒɛj ɲʲɛ mˈɔɡɛ ʒˈɨtɕ! ˈɔtfuʒ dʒvˈi, mˈarɨ!|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_114.wav|bʲˈillɨ prubˈujɛ pʃˈɨbradʑ ʒɨtʃlˈivɨ, ˌalɛ i ʒɛtʃˈɔvɨ tˈɔn.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_69.wav|pʃˈɨjtɕtɕɛ jˈutrɔ vɨpˈɔtʃɛɲtɕ i pʃˌɛkɔnˈamɨ ɕɛ, ˈilɛ zdɔwˈamɨ zdʑˈawatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_127.wav|ja stˈavʲam pˈɛvnɛ varˈuŋki dla tfɔjˈɛɡɔ dˈɔbra.|2
+Dataset/wavs/urwisko_ferenc/25_segment_11.wav|vˈɨtar dwˈɔɲʲɛ w ɲʲɛvʲˈɛlki rˈɛntʃɲik.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_126.wav|z dˈɔwu ɔn i pˌɔzɔstˈali vidʑˈɛli tˌɨlkɔ nˈaʃɛ nˈɔɡʲi plɔntʃˈɔntsɛ ɕɛ ɲʲɛzdˈarɲʲɛ jˈak na lˈɛktsji vˈaltsa f pˌɔtstavˈuftsɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_81.wav|na stɔlˈiku nˈɔtsnɨm lˈɛʒɔ̃ tʃˈɨ wˌadujˈɔntsɛ ɕɛ tˌɛlɛfˈɔnɨ. bʲillʲˈɛɡɔ, davˈɛa i daltˈɔna.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_124.wav|ɲʲˈɛvʲɛm jˈɛʃtʃɛ tˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_148.wav|trˈɔnd vɨnˈajɔw mɲʲɛ, ʒˈɛbɨm ˌuɲʲɛrˌuxɔmˈiwa fʃˈɨstkʲɛ tʃtˈɛrɨ kɔmbˈajnɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_80.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_101.wav|jˈak tɕi pˈɔvʲɛm, dˈaʃ mi ɕɛ pɔmˈɔdlitɕ, zˈaɲim tɔ zrˈɔbʲiʃ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_64.wav|ɕɛrʒˈaɲtɕɛ kˈamba, pˈɔzvul, ʒˈɛ tɕi ɔ tʃˈɨmɕ ɔpˈɔvʲɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_436.wav|pʃˌɨɔbrˈɛkli ɕɛ f tʃˈarnɛ skˈurɨ dˈɔɕtɕ ɲʲˌɛlitsujˈɔntsɛ zˈɛ swɔvʲˈaɲskim ɛtˈɔsɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_85.wav|dˈɛbɛl dˈɔm tɔ dɔˈublɛ dɔmˈinɔ, xˈɔtɛl s kasˈɨnɛm nˌalɛʒˈɔntsɨ dɔ ɲˈika.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_46.wav|ɲʲɛ mˈɔʒɛ ɡˈɔ jˈɛdnaɡ zˈɛ sˈɔbɔ̃ zˈabratɕ, bˈɔ pˈuʑɲʲɛj ɲʲˈɛmuɡwbˌɨ z ɲˈim vˈɨjʑdʑ z ɡˈɛrart tˈɔvɛr.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_88.wav|zˈatɛ tʃˈɨ tɨɕˈɔntsɛ, ktˌurɛ pˌɔʒɨtʃˈɨwaɕ, bˌɛɲdʑɛ ˌɔtʃɛkˈivaw tʃˈɨstu fˈuntuf pʃˌɛkazɨvˈanɨx jˌaɡɡɛrˈɔvi tsˈɔ mʲˈɛɕɔnts, dɔpˈuki ɲʲɛ zvrˈutɕiʃ mu tsˈawɨx tʃˈɛx kavˈawkuf.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_59.wav|vʑˈɛwam dwuɡˈɔpis i zwɔʒˈɨwam sfˈuj pˈɔtpis.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_281.wav|tˈaɡ bʒmˈi jˈɛdna z ˌɔpɔvʲˈɛɕtɕi.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_110.wav|jˈak tɔ mɔʒlˈivɛ, ʒˈɛ tsˈawɨ urˈɔbɛk ɲʲɛ vˌɨsɨpˈɨvaw ɕɛ w drˈɔdʑɛ pɔvrˈɔtnɛj?|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_102.wav|tˈu jɛzd ʑˈimnɔ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_238.wav|fʃˈɨstsɨ bˌɨli ˌɔpʃarpˈaɲi, brˈudɲi i zˌarɔɕɲʲˈɛɲtɕi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_150.wav|fʃˈɨstkɔ ɕɛ kˌɔmplikˈujɛ. trˈatsɛ jˈuʃ tɕɛrplˈivɔɕtɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_383.wav|tʃɛkˈawɛm, ˈaʃ ɕɛ ɔdˈɛzvʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_64.wav|filˈipa zˌawɔʒˈɨwa rˈɛntsɛ na pʲˈɛrɕi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_50.wav|ˌukwɔɲˈiliɕmˌɨ ɕɛ sˈɔbjɛ ɡʒˈɛtʃɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_5.wav|na ˌutfardʑˈɔnɨm platsˈɨku stˈɔjɔ̃ tʃˈɨ sˌamɔxˈɔdɨ sˈɛdan, mˈawɨ ˌɛsˌufˈaw i lˌambɔrɡˈiɲi, ktˌurɛ mˈuɕi nalˈɛʒɛdʑ dɔ ɲˈika.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_258.wav|mɛ̃ʃtʃˈɨzna skˈuliw ɕɛ drvˈɔʒɲʲɛ, swˈɨʃɔnts fˈurjɛ w jɛj ɡwˈɔɕɛ. mʲˈaw...|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_7.wav|ɲʲɛ pɔtrˈafjɛ tɕˈɛ ɲʲˌɛnavˈidʑitɕ, pɔvʲˈɛdʑaw rˈɨan, ɲʲɛ ˌɔdvratsˈajɔnts ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_91.wav|tɔ ɲʲɛ jɛst tˈak, jˈak s tˈamtɨm butɕˈikʲɛm, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_147.wav|tˈɔm pɔpˈatʃɨw na ˌuɲʲɛɕˈɔnɨ pɔdbrˈudɛk i vbʲˈitɛ w ɲʲˈɛɡɔ spɔjʒˈɛɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_30.wav|zˌastanˈavʲam ɕɛ pʃˈɛs xfˈilɛ, tʃɨ dˈɔbʒɛ ɡˈɔ zrˌɔzumjˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_115.wav|pɔ tɨɣ dvˈux rɔsprˈavax pˈan spˈɛtsk pɔvʲˈɛdʑaw dɔ mɲʲɛ, ɲʲˈɛx tɕˈɛ bˈuk stʃˈɛʒɛ. tˈɛras mˈɔʒɛʃ rˈɔbʲitɕ, tsˈɔ xtsˈɛʃ, bˈɛnji.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_159.wav|pʃˌɨwɔʒˈɨwam ɡʲˈizmɔ dɔː ˈuxa.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_245.wav|mwˈɔdɨ lˈɔrd ʒˈɛɡw vˈuftʃas, ba��ɛlɔn bˈɨw ʃalˈɔnɨ, a aˈɛrɔn jɛst jˈɛʃtʃɛ bˈardʑɛj ʃalˈɔnɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_376.wav|jˈakaʑ dˌɔskɔnˈawɔɕtɕ muzˈɨtʃna, ˌalɛ tˈɛʃ i vˌizuˈalna.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_289.wav|jˈɛɕli dʑɛftʃˈɨna bˌɛɲdʑɛ rɔssˈɔndna...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_138.wav|ɲʲɛ mˈuɕiʃ rˈɔbʲitɕ tʃˈɛɡɔɕ takʲˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_114.wav|jˈɛʃtʃɛ puwtˈɔra kˌilɔmˈɛtra, mˈɔʒɛ trˈɔxɛ vʲˈɛntsɛj, pɔ lˈɛvɛj strˈɔɲʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_218.wav|bˈɔ za ˈɔknɛm mˈam lˈampɛ ulˈitʃnɔ̃, xˌalɔɡɛnˈɔvɔ̃ latˈarɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_39.wav|pˈatʃɛ na jˈɛɡɔ tɕˈɛmnɛ vwˈɔsɨ, tˈak pɔdˈɔbnɛ dɔ vwˈɔsuf stsˈɔtta.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_10.wav|jˈɛɕli ɲʲɛ vrˈutsɛ pʃɛt pʃɨjˈazdɛm stɛvˈɛa allmˈana, upˈɛvɲij ɕɛ, ʒˈɛbɨ nˈamɲʲɛ zatʃˈɛkaw.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_44.wav|mˈɔʒɛ pˈan ɕɛ trˈɔxɛ ubjˈɛʒɛ, pɔvʲˈɛdʑaw, a kˈaʒdɔ̃ sfˈɔjɔ̃ kfˈɛstjɛ zatʃˈɨnaw ɔt jakʲˈɛɡɔɕ...|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_169.wav|kˈarɔ̃ za tˌaki pɔstˈɛmpɛk jɛst ɕmʲˈɛrtɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_49.wav|a zɡˈɔdʑiʃ ɕɛ na adˈɔptsjɛ?|4
+Dataset/wavs/urwisko_ferenc/63_segment_106.wav|zrɔbʲˈiwam tɔ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_23.wav|tɕˈɛmna ɡvʲˈazda ˈutɕɛkw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_690.wav|mˈɔʒɛ kʲˈɛdɨɕ swɨʃˈawɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_52.wav|ˈɛliz bˌɛɲdʑɛ muɕˈawa ɔtfˈɔʒɨtɕ, bˈɔ fˈatsɛd vˈidʑaw samˈɔxut na pɔdjˈɛʑdʑɛ, vʲˈɛndʑ vʲˈɛ, ʒˈɛ ktˈɔɕ jɛzd w dˈɔmu.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_344.wav|zrˈɔbjɛ tɔ, jˈɛɕli tˌɛɡɔ prˈaɡɲʲɛʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_220.wav|ɲˈiɡd vˈɨdaw zlɛtsˈɛɲʲɛ, ˌalɛ ɲʲɛ sˈɔndʑɛ, ʒˈɛbɨ tɔ bˌɨwɨ jˈɛɡɔ pʲɛɲʲˈɔndʑɛ. pɔdˈɔbɲʲɛ zrˈɛʃtɔ̃ jˈak tˈɛ, ktˌurɛ ɔbjˈɛtsaw tˈɔbjɛ, mˈuvi bˈutskɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_85.wav|bʲˈili ɲʲˈɛma jˈuʃ ɔxˈɔtɨ ɕɛ z ɲʲˈɔ̃ ʃˈarpatɕ, ˌalɛ i ɲʲˈɛxtsɛ, bˈɨ lɛʒˈawa nˈaɡa.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_345.wav|tˈɛna zadrʒˈawa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_29.wav|dwˈuɡʲɛ tʃˈarnɛ vwˈɔsɨ. vɨɡlˈɔnda nˈatɔ, ʒˈɛ mˈa klˈutʃ.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_353.wav|tsɛrsˈɛi ɲʲɛ pʃɨpˈadwa dɔ ɡˈustu ta ɔtpˈɔvʲɛtɕ. tˈa, mˈɛɡʲi, vˌɨɡwɔɕˈiwa pˈɛvnɛ prɔrˈɔtstfa.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_182.wav|ɔ rˈanɨ, tɔ pɔvˈaʒna sprˈava. pɔvˈinnaɕ ɕɛ zɡwˈɔɕidʑ dɔ rudjˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_3.wav|zbjɛrˈali ɕɛ na plˈatsu ɔ ɡɔdʑˈiɲʲɛ ʃˈustɛj rˈanɔː i stˈali f ʃɛrˈɛɡu, ʑɛvˈajɔnts i mrˈuʒɔnts ˈɔtʃɨ za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ na plˈadʑ vjɛʒdʒˈawa tɕˌɛ̃ʒarˈufka.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_178.wav|tˈɛras pˈuʑnɔ̃ jɛɕˈɛɲʲɔ̃ rˈuɣ bˈɨw mˈawɨ. zˌapɨtˈawɛm jˈɔ̃, tʃɨ xtsˈɛ fpˈaʑdʑ dɔ jɛdnˈɛɡɔ s fˈast fɔˈɔduf na ɔbʒˈɛʒax rˌivɛrxˈɛat. parsknˈɛwa nɛrvˈɔvɨm ɕmʲˈɛxɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_119.wav|ˈɛliz zatʃˈɨna pwˈakatɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_415.wav|— a tsˈɔ pˈɔtɛm? — pˈɔtɛm nastˈɛmpnɨ rˈɔzbjur.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_61.wav|rˈɔb zˈatar rˈɛntsɛ.|3
+Dataset/wavs/urwisko_ferenc/28_segment_13.wav|muɕˈawa pˈaɲʲɔ̃ bˈardʑɔ kˈɔxatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_18.wav|ɲʲˈɛma vzmʲˈaŋki ɔ kˈɛɲʲɛ xˈɔffjɛ. jˈɛɕli pɔlˈitsja pˌɔvʲɔ̃zˈawa ɡˈɔ z zabˈujstfɛm alˈɛna, ɲʲɛ ˌujavɲˈili tˌɛɡɔ mˈɛdjɔm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_20.wav|xˈɔtɕaʃ pɔ fʃˈɨstkim, pʃˈɛs tsˈɔ pʃɛʃˈɛdwɛm, ftˈɛdɨ i pˈuʑɲʲɛj ɲʲˈɛvʲɛm, tʃɨ tˈatsɨ w ɔɡˈulɛ istɲʲˈɛjɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_7.wav|s pɛvnˈɔɕtɕɔ̃ ɲʲɛ planˈujɛ mɲʲɛ zˈabʲitɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_17.wav|ɲʲɛ spˈɔsup tˌɛɡɔ stfʲˈɛrdʑitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_109.wav|bʲˈillɨ jɛst ɲʲˌɛbɛspʲˈɛtʃɲʲɛ blˈiski pʃˌɨtakɲʲˈɛɲtɕa, bˈɔ tɔ fʃˈɨstkɔ tsˈɔraz bˈardʑɛj ɡˈɔ krˈɛɲtɕi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_33.wav|tʃasˈami tfʲɛrdʑˈimɨ jˈɛdnak, ʒˈɛ sɔ̃ ˌɔnɛ ɲʲɛzbˈɛndnɛ, ʒˈɛbɨ xrˈɔɲitɕ ˈinnɨx pʃɛt kʃˈɨvdɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_255.wav|bˌɨwɨ tʃˈasɨ, ɲʲɛ tˈaɡ dˈavnɔ tˈɛmu, ɡdˈɨ dʒˈɛjms s pɛvnˈɔɕtɕɔ̃ ˌɔpɔvʲˈɛdʑawbˌɨ ɕɛ za tˈakim sˈamɨm rˌɔzvʲɔ̃zˈaɲʲɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_304.wav|pˈɔtɛm nˈaɡlɛ ɔpˈuɕtɕiw karˈabʲin.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_31.wav|vˈɛɕ tɔː i zamˈɛlduj ɕɛ f xɔtˈɛlu. pɔdˈawam mu pʲɛɲʲˈɔndʑɛ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_274.wav|xˈɔtɕ mˈam vraʒˈɛɲʲɛ, ʒˈɛ f tɛj xfˈili pʃɨdˈawabˌɨ tɕi ɕɛ ˌɔdrɔbʲˈina tɛj vˌɨrɔzˌumjawˈɔɕtɕi.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_196.wav|jɛj tʃˈarnɛ vwˈɔsɨ pˌɔvʲɛvˈawɨ na vʲˈɛtʃɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_75.wav|vɨbrˈawam jˈɛdɛn s trujkˈɔntnɨx panˈɛli ɔ dvˌumɛtrˈɔvɨɣ bˈɔkax, s ktˌurɨɣ zbˌudɔvˈana bˌɨwa pɔvwˈɔka bˈaɲki i ˌɔtʃɨɕtɕˈiwam ɡˈɔ s pˈɨwu ʃtʃˈɔtkɔ̃ drutɕˈanɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_149.wav|ɲʲɛ mʲˈawam ʒˈadnɨɣ vˌɔntplivˈɔɕtɕi.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_3.wav|nˈɔ ɲʲɛ, tɔ jˈakʲɛʑ ʒˈɛvnɛ jˈaja, pˌɔvʲɛdʑˈawam dɔ kɔmbˈajnu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_51.wav|dˈɔbʒɛ, ʒˈɛ jˈuʃ spˈawɛɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_39.wav|— ˈaʃ mˈuɕiʒ dɔ mɲʲɛ zadʑvˈɔɲitɕ, kʲˈɛdɨ spˈɔtkaʃ ɕɛ z mˈili. mˈuɕiʃ mʲˈɛtɕ tɛn tɛlˈɛfɔn. prˈɔʃɛ, jˌɛstɛɕ mi tɔ vˈiɲʲɛn.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_317.wav|ˈɔsnɛj bˈardʑɔ mɲʲɛ rˌɔstʃarˈɔvaw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_303.wav|i lˈɛŋkuf f sˈɔbjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_102.wav|pʃɛwˈɨkam ɕlˈinɛ, ʒˈɛbɨ pɔfstʃˈɨmadʑ wzˈɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_107.wav|f tˈamtɛj pˈuʃtʃɨ pɔɕrˈɔtku stɔlˈitsɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_51.wav|a fˈil nˌajvɨrˈaʑɲʲɛj vʑˈɛwa sˈɔbjɛ dʑˈiʑ vˈɔlnɛ.|2
+Dataset/wavs/urwisko_ferenc/47_segment_89.wav|mˈɔja ɔfˈɛrta vˈaʒna jɛst jˈɛʃtʃɛ minˈutɛ, ɔznˈajmiw tfˈardɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_74.wav|tsˈɔ ɕɛ stˈawɔ, mˈatkɔ bˈɔska?|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_48.wav|kavˈawɛɡ dˈalɛj smˈɛntnɨ mˈawɨ pˈasaʃ xandlˈɔvɨ i ʃˈɛrɛɡ dˈɔmuf, ktˌurɛ starˈajɔ̃ ɕɛ vɨɡlˈɔndatɕ pʃˌɨzvɔˈitɕɛ, xˈɔdʑ bˈɛs pˌɔvɔdʑˈɛɲʲa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_5.wav|dɔmˈiɲik pˈatʃɨ nˈamɲʲɛ z ɲʲˌɛpɔkˈɔjɛm, kʲˈɛdɨ vrˈatsam dɔ sɨpʲˈalɲi pɔ prɨʃɲˈitsu i ɔznˈajmʲam, ʒˈɛ zɔstˈajɛ w dˈɔmu s xˈɔli.|3
+Dataset/wavs/urwisko_ferenc/36_segment_51.wav|pɔstˈaram ɕɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_130.wav|ɔpˈatʃnɔɕtɕ ˈalbɔ bɛzmˈɨɕlnɨ zbjˈɛk ˌɔkɔlitʃnˈɔɕtɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_222.wav|ɡʲˈɔrɡjɔː ɔptˈɔvaw za pɔvʲˈɛɕtɕɔ̃ ɲʲɛ dlatˈɛɡɔ, ʒˈɛ sˈɔɲdʑi, ʒˈɛ bʲˈill jɛzd dˈɔʑdʑ bˈɨstrɨ, bˈɨ jˈɔ̃ napˈisatɕ. pɔ prˈɔstu xˈɔdʑi ˈɔtɔ, ʒˈɛbɨ mʲˈaw tsˈɔ pɔvʲˈɛdʑɛtɕ, kʲˈɛdɨ ktˈɔʑ zapˈɨta.|2
+Dataset/wavs/urwisko_ferenc/08_segment_74.wav|zapˈatʃɨw ɕɛ w jˈakiɕ pˈuŋkt nat jɛj ɡwˈɔvɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_5.wav|pwˈatɕi ɡɔtˈufkɔ̃. ɡɔtˈufka mˈa krˈutkɔ̃ pˈamjɛɲtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_138.wav|bˈɔ pʃˌɛtɕɛʃ kɛnˈɔvʲɛ xɔffˈɔvʲɛ tˌɛɡɔ ɕfʲˈata sɔ̃ spɛtsˈami ɔd dˌɔbʲijˈaɲʲa tˈarɡu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_250.wav|xwˈɔpak pˈɔʃɛd, zastʃˈɛliw aɡˈɛnta.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_96.wav|— vʲˈɛnts tsˈuʃ f tɨm dʑivnˈɛɡɔ? ˌalɛ dlatʃˈɛɡɔː ɔn utɕˈɛka na pˈuwnɔts? — pʃˌɛtɕɛʒ ɡra��ˈitsa jɛzd blˈiʒɛj — pˌɔvʲɛdʑˈawa jˈudɨ.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_291.wav|jɛj sɨnˈɔvi tˌɔvaʒɨʃˈɨwɨ kˈɔtki.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_34.wav|pʃˌɛkɔnˈajmɨ ɕɛ, tʃɨ strˈakan pɔvʲˈɛdʑaw jɛj tsˈɔɕ ɔ sfˈɔjɛj ʒˈɔɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_48.wav|ˌɔɕfʲattʃˈɨwa, ʒˈɛ vɨxˈɔdʑi za mˈɔ̃ʃ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_81.wav|pɔɲʲˈɛvaʃ ɲʲɛ mʲˌawɨ pʲɛɲʲˈɛndʑɨ na psˌɨhiˈatrɛ tʃɨ na kˈɔɡɔɕ f tɨm rɔdʑˈaju.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_194.wav|pˈɨta bˈarman, a ja kˈivam ɡwˈɔvɔ̃ i uɕmʲˈɛxam ɕɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_60.wav|ˈaʃ ɲʲˈɛvʲɛ, tsˈɔ pɔvˈiɲʲɛn f tɛj xfˈili tʃˈutɕ. tfʲˈɛrdʑi, ʒˈɛ dʑˈɛtskɔ jɛst mˈɔjɛ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_241.wav|ɲʲɛ mˈɔɡɛ vˈaltʃɨtɕ, ˌalɛ s pˈitɕɛm jˈakɔɕ sˈɔbjɛ rˈadʑɛ pɔmˈɨɕlaw jˈamɛ, ɡdˈɨ xwˈɔpaɡ zˌavʲɔ̃zˈɨvaw ʒɛmjˈɛɲʲɛ na jˈɛɡɔ kikˈutɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_114.wav|ɡlˈinɨ bjˈɔrɔ̃ mɛ̃ʃtʃˈɨznɛ pɔt ramjˈɔna i prɔvˈadʑɔ̃ pɔ ʃɛrˈɔkix sxˈɔdax kˈu ˌɔtʃɛkujˈɔntsɛj sprˌavʲɛdlivˈɔɕtɕi.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_195.wav|s pʃˌɨjɛmnˈɔɕtɕɔ̃ bˈɨm pˌɔpatʃˈɨwa, jˈak kˌanadˈɨjtʃɨk spˈuʃtʃa tˌɛmu skˌurvʲɛlˈɔvi wˈɔmɔt i zakˈuva ɡˈɔ f kajdˈaŋki.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_35.wav|zvwˈaʃtʃa ʃlaxˈɛtɲʲɛ ˌurɔdʑˈɔnɨx.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_105.wav|ɔjˈatɕɛ!|4
+Dataset/wavs/drzwi_anna_szymanczyk/(36) R.Abbott_Zamknij Drzwi_segment_7.wav|kanˈapka lɛʒˈawa pʃˈɛs tsˈawɨ tʃˈas pʃɛdˈɛmnɔ̃ i zatʃˈɛwa ɕɛ jˈuʃ kˈurtʃɨtɕ na kravˈɛɲdʑax.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_449.wav|tˈak jˈak rˈazɛm na ɲʲˈɛɡɔ pʃˈɨʃliɕmˌɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_25.wav|ˌalɛ nˈavɛt nˈɔʒɛm dɔ mˈaswa mˈɔʒna ɲʲˈɛʑlɛ zrˈaɲitɕ, jˈɛɕli udˈɛʒɨʃ s tsˈawɛj ɕˈiwɨ i trˈafiʃ w ˌɔtpɔvʲˈɛdɲʲɛ mʲˈɛjstsɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_166.wav|ʃwˈam vʲˈɛndʑ dˈalɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_54.wav|dʑˈiɕaj pʃɛlˈɛjɛ tɕi pʲɛɲʲˈɔndʑɛ. ɲʲɛ, zˌaprɔtˌɛstɔvˈawam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_576.wav|vɨstxnˈɔwɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_100.wav|ɲʲɛ pɔʃˈɛdwam na dˈuw, ʒˈɛbɨ tɕˈɛ pɔʃˈukatɕ, ˈalɛ...|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_191.wav|vɨjˈaɕɲiw z uɕmʲˈɛxɛm sˈɛptɔn mɛrˈibalt. mʲˈɛʃkaw w ɲʲˈɛj pʲˈɛrʃɨ ɕfʲˈɛntɨ mˈɔ̃ʃ, ktˌurɨ trˈafiw na vˈɨspɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_56.wav|tˌɛɡɔ dɲʲˈa, kʲˈɛdɨ zˌɔbatʃˈɨwam ˌɔpsɛrvujˈɔntsɔ̃ nˈas mˈamɛ, ˈaram vɨjˈaɕɲiw mi sfˈɔjɛ pɔdˈɛjɕtɕɛ dɔ sˈɛksu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_115.wav|pamjˈɛntam, jˈak rˌɔzɡlɔndˈawam ɕɛ pɔ tsˈawɨm bɔˈisku, bˈɨ ˈuznatɕ f kˈɔɲtsu, ʒˈɛ ɡˈɔ...|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_70.wav|zjˈadɛ na dˈuw tˌɨlkɔ z ɲʲˈɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_106.wav|tɔ znˈatʃɨ, praktˈɨtʃɲʲɛ jɛstˌɛɕmɨ f kɔsmˈɔɕɛ, ˌalɛ tˈak sˈamɔ jˈak i lˈɔndɨn.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_148.wav|ˌɔna pˌɔɕfʲɛɲtɕˈiwa dla mɲʲɛ fʃˈɨstkɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_49.wav|dla mɲʲɛ tɔ vˌɨjɔntkˈɔvɨ dʑˈɛɲ, jˈɛdnak ɲʲɛ mˈɔɡɛ z ɲˈikim pɔdʑˈɛlitɕ ɕɛ jˈɛɡɔ dˌɔɲʲɔswˈɔɕtɕɔ̃. sˈama mˈuʃɛ pɔrˈadʑitɕ sˈɔbjɛ z bˈulɛm.|3
+Dataset/wavs/urwisko_ferenc/10_segment_73.wav|wzˈa skapnˈɛwa na kˈartkɛ, vʲˈɛnts jˈɔ̃ stˈar, pʃɨ ɔkˈazji rˌɔzmazˈujɔndʑ dˈuʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_20.wav|zˌawɔmɔtˈawam w brˈamɛ, ktˌura pɔ xfˈili rˌɔssunˈɛwa ɕɛ ɲʲɛznˈatʃɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_341.wav|krulˈɔva sɛrtsˈuvɛk?|1
+Dataset/wavs/urwisko_ferenc/65_segment_154.wav|ɕikˈɔrski xtɕˈaw jˈɔ̃ ɔdvʲˈɛdʑitɕ na kɔmˈɛɲdʑɛ w bɨdʒˈɔʃtʃɨ, ˌalɛ dˈawa mu znˈatɕ, ʒˈɛ vɨbjˈɛra ɕɛ dɔ tɔrˈuɲʲa.|0
+Dataset/wavs/urwisko_ferenc/25_segment_95.wav|zˌakrɛɲtɕˈiwa krˈan.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_237.wav|tɔː arˈɨa z rˈɔdu stˈarkuf pʃɨɡrˈɨza vˈarɡɛ, kʲˈɛdɨ ɕɛ zˌastanˈavja. tʃɨ jˌɛstɛɕ arˈɨɔ̃ z rˈɔdu stˈarkuf? jˌɛstɛm ɲˈikim.|1
+Dataset/wavs/urwisko_ferenc/41_segment_21.wav|pɔdˈawa pˌɔlitsjantˈɔvi ɔbˈɛtsnɛ mʲˈɛjstsɛ zˌamjɛʃkˈaɲʲa sɔlskʲˈɛɡɔ, ˌalɛ ˌintɛrˌɛsɔvˈawɨ jˈɔ̃ tˈaɡʒɛ lˈata, kʲˈɛdɨ mʲˈɛʃkaw pʃɨ sˌɛzamkˈɔvɛj.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_79.wav|ɲʲɛ tʃɛkˈajɔnts na ɔtpˈɔvʲɛtɕ, znˈuf pɔxˈɨliw ɕɛ dɔ pʃˈɔdu.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_27.wav|tˈɛn, w ɕrˈɔtku sɔ̃ rɔbˈaki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_7.wav|bʲˈillɨ pɔdnˈɔɕi jˈɔ̃ dɔ pɔzˈɨtsji ɕɛdʑˈɔntsɛj, mamrˈɔtʃɔnts, nˈɔ vˈɛɕ pˈɔmuʃ trˈɔxɛ.|2
+Dataset/wavs/urwisko_ferenc/53_segment_94.wav|tɔ lˈɔkal xˈannɨ pilˈɛfskʲɛj.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_3.wav|fspinˈatʃka na ʃtʃˈɨd vzɡˈuʒa visˈɛnɨ trfˈawa dwˈuɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_137.wav|ɲʲɛ, ɔn xˈɨba bˈɨw nˌautʃɨtɕˈɛlɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_37.wav|tˈata vˈɛzvaw nˈaz ɡˈɛstɛm rˈɛŋki.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_11.wav|tsˈɔ tɔ mˈa dɔ xɔlˈɛrɨ znˈatʃɨtɕ?|3
+Dataset/wavs/urwisko_ferenc/04_segment_16.wav|nˈɔ tsˈuʃ, bˈardʑɔ dʑɛŋkˈujɛ za ˌinfɔrmˈatsjɛ, ʒˈutɕiw dɔ swuxˈafki. ɲʲɛ mˈɔɡɛ dwˈuʒɛj rɔzmˈavʲatɕ, ɔddʑvˈɔɲʲɛ pˈuʑɲʲɛj. rɔzwˈɔntʃɨw ɕɛ.|0
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+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_50.wav|mˈɔɡwam zasˈuvatɕ pˈɛwnɔ̃ pˈarɔ̃.|4
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+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_274.wav|bˈawɛm ɕɛ, ʒˈɛ ɲʲɛ bˌɛndɛ mˈuɡw lˈatatɕ.|0
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+Dataset/wavs/urwisko_ferenc/18_segment_4.wav|w vˌɨtɕiʃˈɔnɨm tˌɛlɛvizˈɔʒɛ bɔrˈɛvidʒ zˌauvˈaʒɨw zdjˈɛɲtɕɛ zˌaɡʲiɲʲˈɔnɛj dʑɛftʃˈɨnɨ. pɔɡwˈɔɕɲiw dʑvʲˈɛŋk pilˈɔtɛm.|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_9.wav|vˈɨbatʃ, ʃˈɔna, dˈaj mi xfˈilɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_68.wav|zɔstˈawɔ na strˈɔjɛ, a tɔ jˈɛʃtʃɛ lˈɛpʃa vʲadˈɔmɔʑdʑ dla mɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_96.wav|ktˌurɨ vˈɨʃɛd z vnˈɛŋki pʃɛtɕˈɔŋka.|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_26.wav|tsˈɔː ˌɔɲi dɔ xɔlˈɛrɨ vˌɨmɨɕlˈili?|4
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+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_145.wav|pɔjˈadɛ sˌamɔxˈɔdɛm.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_246.wav|tsˈɔ tɔ zaʃkˈɔdʑi, jˈɛɕli ɕɛ tˌɛɡɔ dˈɔvʲɛm?|1
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+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_272.wav|xˈak swˈuʒɨwbˌɨ mi rˈuvɲʲɛ dˈɔbʒɛ.|1
+Dataset/wavs/urwisko_ferenc/08_segment_119.wav|vʒˈutɕiw jɛdˈɨŋkɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_34.wav|pˈiʃɛ ˈɔtɨm, jˈak pˈɔznaw butskʲˈɛɡɔː i ɔ puʑɲʲˈɛjʃɨɣ zlɛtsˈɛɲʲax.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_131.wav|a mˈɔʒɛ jˈuʃ tɨx pʲɛɲʲˈɛndʑɨ ɲʲˈɛxtsɛ, zvaʒˈɨfʃɨ, tsˈɔ zrɔbʲˈiwɛm i dla kˈɔɡɔ tɔ zrɔbʲˈiwɛm? mˈɔɡɛ ɕɛ ˌuspravʲɛdlˈivʲatɕ tˈɨm, ʒˈɛ ftˈɛdɨ ɲʲɛ znˈawɛm ʃtʃɛɡˈuwuf, ˌalɛ tɔ kʲˈɛpska vɨmˈufka.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_26.wav|pˌɔviɲʲˈɛnɛm ʒˈutɕitɕ tɔ w djˈabwu i zˈavʲɛɕtɕ jˈɔ̃ s pɔvrˈɔtɛm dɔ kˌɔlɔrˈadɔ, mˈɨɕli?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_13.wav|z butˈɛlkɔ̃ rˌɔsɨjskʲˈɛɡɔ ʃampˈana i s plˌastʲikˈɔvɨm kubˈɛtʃkʲɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_3.wav|kʲˈɛdɨ stsˈɔdd zˌasuɡɛrˈɔvaw pɔ rˈas pʲˈɛrʃɨ, ʒˈɛbɨɕmˌɨ pˌɔjɛxˈali dɔː amˈɛrɨkˌi na nˌarɔdʑˈinɨ naʃˈɛɡɔ dʑˈɛtska, kɔŋkrˈɛtɲʲɛ dɔ nɛbrˈaskji, ɲʲɛ rˌɔzumjˈawam tˈaɡ dɔ kˈɔɲtsa, ɔ tsˈɔ mu xɔdʑˈiwɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_49.wav|dɔkwˈadnɨ ˈadrɛs pʃˈɛɕlɛ tɕi smsˈɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_182.wav|zmʲɛɲˈiwɔ ɕɛ jɛj zˌaxɔvˈaɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_120.wav|pɔ ɕrˈɔtku jɛst kɔmˈurka dla swˌuʒɔntsˈɛɡɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_21.wav|pɔ spɔjʒˈɛɲʲu na zdjˈɛɲtɕɛ pˌɔkazˈanɛ mu pʃˈɛs tˈɔma pɔtfʲˈɛrdʑiw, ʒˈɛ nˈuʒ znˌalɛʑˈɔnɨ f pʃɛpˈuɕtɕɛ pasˈujɛ dɔ tˈɨx, ktˌurɛ tʃɨmˈajɔ̃ f kˈuxɲi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_94.wav|a vʲˈɛndʑ ʒˈɔna tsˌamɛrˈɔna pˌɔvʲɛdʑˈawa prˈavdɛ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_29.wav|zˌamɛldˈɔvaw lˈɔrd vˈatɛrs. pʃɨpˈuʃtʃam, ʒˈɛ ɡwˈuvna tʃˈɛɲɕtɕ jˈɛɡɔ flˈɔtɨ vˌɨpwɨnˈɛwa jˈuʃ na mˈɔʒɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_58.wav|kʲˈɛdɨ znalˈazwam ɕɛ na zˈɛvnɔntʃ, zmuɕˈiwam ɕɛ, ʒˈɛbɨ ˈiɕtɕ nɔrmˈalɲʲɛ, a ɲʲɛ bjˈɛts.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_108.wav|ktˌurɨ zavʲˈɛɕiw na drɛvɲʲˈanɨm swˈupʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_136.wav|zdʑˈitʃaw ɔt ˌintɛnsɨvnˈɔɕtɕi duxˈɔvɛj, a najpˈɛvɲʲɛj zdʑitʃˈɨwɔ ɡˈɔ ʒˈɨtɕɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_310.wav|pʃˌɛtɕɛʒ dʒˈɔnnɨ vɨpˈuɕtɕiw mu fʃˈɨstkʲɛ kˈiʃki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_28.wav|dˌɔskɔnˈawɨ pˈɔmɨsw. dˈɔbʒɛ, pʃˈɛjdʑmɨ dɔ tʃˈɛɡɔɕ innˈɛɡɔ. rˈɔp, jˈakʲɛɕ pʃˌɛmɨɕlˈɛɲʲa?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_147.wav|stɔjˈɔntsɔ̃ samˈɔtɲʲɛ i ˌɔpsɛrvujˈɔntsɔ̃ mɲʲɛ pˈɔstatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_84.wav|spɨtˈawa mwˈɔda dʑɛftʃˈɨna ɔ dwˈuɡʲix, tɕˈɛmnɨɣ vwˈɔsax.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_170.wav|w rˌɔsxɨlˈɔnɨx ˈustaɣ zˌɔbatʃˈɨwɛm...|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_289.wav|a kʲˈɛdɨ ɔdvrˈutɕiw ɕɛ, zɔbˈatʃɨw, ˈiʃ tʃwˈɔvʲɛɡ w bjˈawɛj kɔʃˈuli stˈɔi ftɕˈɔ̃ʃ jˈɛʃtʃɛ i pˈatʃɨ zˈaɲim, ɲʲɛ ruʃˈajɔnts ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_89.wav|tˈɛras jˈuʃ ɲʲɛ, kʃˈɨtʃɨ bˈɛf.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_330.wav|jˈamɛ uɕmʲˈɛxnɔw ɕɛ dɔ ɲʲˈɛɡɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_100.wav|lˈɛtʃ ɲʲɛ stˈawɔ ɕɛ ɲˈits.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_24.wav|vʲˈɛnts tɔ jɛst tɔ, tsˈɔ dʑˈɛjɛ ɕɛ s tˈɔbɔ̃ i z ˈɛstxɛr?|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_117.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, ɔ tʃɨm mˈuviʃ, ɔtpˈarwam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_102.wav|zanˈɔʃɔ̃ sfˈɔjɛ ʒˈɛtʃɨ dɔ mɔtˈɛlu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_58.wav|ruʃˈajmɨ ʒˈɨvɔ!|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_93.wav|ɲʲɛ, xˈɨba, ʒˈɛ ktˈurɨʑ z ɲˈix mʲˈaw dʑˈɛtɕi f ʃkˈɔlɛ, ɡdʑˈɛ utʃˈɨwɛm.|3
+Dataset/wavs/urwisko_ferenc/15_segment_65.wav|ruʃˈɨli f kʲɛrˈuŋku uʒˈɛndu mʲˈasta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_90.wav|ɲʲˈɛvʲɛ, ˈilɛ tˈak stˈɔi. xˈɨba dwˈuɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_140.wav|ɲˈitsk prˈɔɕiw, ʒˈɛbɨm zamjˈɛɲiw s tˈɔbɔ̃ swˈufkɔ. mˈɔɡɛ vˈɛjɕtɕ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_30.wav|— ɲʲɛ, tatˈuɕu, tɔ vʲˈɛdʑma. — a tsˈɔ ta vʲˈɛdʑma rˈɔbʲi? — pˈɨta. — pʃˈɨʃwa mɲʲɛ zˈabradʑ dɔ sfɔjˈɛɡɔ zˈamku.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_250.wav|dlatʃˈɛɡɔ xˈarɨ jɛzd dʑɛdʑˈitsɛm?|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_63.wav|tʃɨ mˈuj ˈɔjtɕɛdʑ zamjˈɛʒa ix strˈatɕitɕ?|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_229.wav|dˌɔndarʲɔnˈɔvi tˌɔvaʒˈɨʃɨ tˈɔrɔs.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_163.wav|pʃˈɨjʒaw ɕɛ blˈiʒɛj mwˈɔdɛj kɔbjˈɛtɕɛ. tˈutaj dʑˈawɔ ɕɛ tsˈɔɕ jˈɛʃtʃɛ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_132.wav|na pɔdvˈuʒu lˈaw dˈɛʃtʃ, vʲˈɛndʑ brjˈɛnnɛ ɔkrˈɨwa jɛdʑˈɛɲʲɛ pwˈaʃtʃɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_227.wav|ɲʲˈɛmam tˌɛɡɔ f plˈanax.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_18.wav|pˌɔjɛxˈawabˌɨm na najblˈiʃʃɔ̃ stˈatsjɛ kˌɔlɛjˈɔvɔ̃, ɔtpˈarwa bˈɛtskɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_126.wav|zawˈɔʒɛ ɕɛ, ʒˈɛ fʃˈɨstsɨ tˈak mˈuvjɔ̃.|2
+Dataset/wavs/urwisko_ferenc/50_segment_59.wav|lˈɛɡnɛr ɔtxʃˈɔŋknɔw i ˌɔpɔvʲˈadaw dˈalɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_183.wav|tˈɛras jˈɛdnak tsˈɔɕ krˈɛɲtɕi, inˈatʃɛj ɲʲɛ ukrˈɨvawbˌɨ, ʒˈɛ sklɔnˈɔvaw mˈatsa bʲilljˈɛɡɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_142.wav|zbzikˈɔvaw w amˈɛrɨtsˌɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_216.wav|ɲʲɛ mˌajɔ̃ paɲskʲˈɛɡɔ numˈɛru pɔvʲˈɛdʑaw ˈandɛrsɔn. fʃˈɨstkɔ jɛst f pɔʒˈɔntku.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_36.wav|ˌalɛ ˌɔna ˈɔtɨm vʲɛdʑˈawa i jˈɛʃtʃɛ bˈardʑɛj mɲʲɛ zɲʲˌɛnavidʑˈiwa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_505.wav|zʒˈɛɲdʑiʃ jˈak stˈarɨ mˈɔ̃ʃ, ˌalɛ ja tɔ lˈubjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_114.wav|prˈavdɛ mˈuvʲɔnts kʲˈɛpskɔ.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_294.wav|zˈastɛmp frˈɛjuv zˈatʃɔw zvˈijatɕ ˈɔbus kˈilka ɡˈɔdʑin pɔ kˌapitulˈatsji rivˈɛran.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_158.wav|ɡdˈɨ pʃɨbˈɨwa jˈɛɡɔ ɡwˈuvna flˈɔta,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_212.wav|zˌalitʃˈɨlibˌɨɕmɨ f sˈalfɔrt ˈuɲi, manxˈɛstɛr mˈɛt, lɔkˈalnɛ utʃˈɛlɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_145.wav|rˈɔbʲi pˈawzɛ, pɔ tʃɨm dɔdˈajɛ, ja stˈavʲam.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_50.wav|tʃˈuwɛm tʃasˈami, ʒˈɛ mˈuʃɛ xrˈɔɲitɕ jˈɔ̃ pʃˈɛdɲʲɔ̃ sˈamɔ̃. ɡˌɛnɛvʲˈɛvɛ zvˈɨklɛ za vʑˈɛɲtɕɛ flˌirtɔvˈawa z innˈɨmi fˌatsɛtˈami.|3
+Dataset/wavs/urwisko_ferenc/04_segment_5.wav|tɔ, tsˈɔ swɨʃˈawɛɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_127.wav|ftʃɔwɡˈawam ɕɛ pɔt kˈadwup pɔtˈɛ̃ʒnɛj maʃˈɨnɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_291.wav|ɲʲˈɛx tɔ bˌɛɲdʑɛ mˈɔjɛ ˌɔtkupʲˈɛɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_149.wav|mˈɨɕliʃ, ʒˈɛ bʲˈillɨ tɔ vʲˈɛdʑaw?|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_208.wav|vitrˈɨna ɔ nˈazvʲɛ ɡˌɛnɛrˈatɔr nˈazvisk.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_20.wav|i kˌarmazɨnˈɔvɨ pwˈaʃtʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_149.wav|jˈak kˈɔɡɔʑ ɡɔrʃˈɛɡɔ, a ɔn zˈafʃɛ pɔftˈaʒa, ʒˈɛ ɲˈikt ɲʲɛ pɔvˈiɲʲɛn bˈɨdʑ ɡˈɔrʃɨ ɔt ˈinnɨx.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_48.wav|kˈiva ˌɛnɛrɡʲˈitʃɲʲɛ ɡwˈɔvɔ̃. tˈak, pɔlˈitsja!|3
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_21.wav|ˈaʃ spˈɔjʒaw na ɲʲˈɛɡɔ z ɲʲˌɛdɔvʲɛʒˈaɲʲɛm i tˈɔm pˌɔstanˈɔviw, ʒˈɛ na rˈaʑɛ ɔtpˈuɕtɕi sˈɔbjɛ tˈɛ ɕtɕˈɛʃkɛ dɔ xɔdʑˈɛɲʲa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_67.wav|skanˈujɛ mˈɔjɛ prˈavɔ jˈazdɨ i zˌastanˈavʲam ɕɛ, tʃɨ na ɛkrˈaɲʲɛ ɲʲɛ vɨskˈɔtʃɨw jˈakiɕ ˌɔstʃɛɡˈaftʃɨ nˈapis.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_219.wav|jakʲˈɛɡɔ rɔdʑˈaju vɨɡrˈanɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_46.wav|f pʃɨpˈatku alfjˈɛɡɔ tˈɛmpɔ bˌɨwɔ jˈɛdnak istˈɔtnɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_97.wav|ɲʲɛ vʲɛdʑˈawam, tsˈɔ tˈam ɕɛ vˌɨdaʒˈɨwɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_198.wav|a kˈɔmu dˌɔstawˈɔbɨ ɕɛ nalˈɛʒnɛ bʲilljˈɛmu puwtˈɔra miljˈɔna dɔlˈaruf? ɲitskˈɔvi ˌɔtʃɨvˈiɕtɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_164.wav|pamjˈɛntaj, maʒ vɨɡlˈɔndatɕ jˈak swˈɔtkʲɛ, skrˈɔmnɛ dʑˈɛftʃɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_47.wav|ustˈavʲam ɕɛ na zˈɛvnɔntʃ, ʒˈɛbɨ mˈudʑ dˈɔstʃɛts mɲʲɛ zaftʃˈasu i fʃtʃˈɔɲtɕ ˈalarm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_28.wav|ˈallɛn stˈaɲʲɛ pʃɛt sˈɔndɛm f pʲˈɛrʃɨ ftˈɔrɛɡ vʒˈɛɕɲʲa. jˈɛɡɔː advˈɔkad zwˈɔʒɨ vɲʲˈɔsɛk ɔ nastˈɛmpnɛ ˌɔdrɔtʃˈɛɲʲɛ. tʃɨ pɔstˈavi na sfˈɔim?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_3.wav|ɡdˈɨbɨ ɲˈilɛ ɲʲˈɛmʲaw ʒˌɛlaznˈɛɡɔː alˈibʲi, tɔː ɔn bˈɛz vaxˈaɲʲa kˈazawbˌɨ kˈɔmuɕ pɔjˈɛxatɕ i ɡˈɔː ˌarɛʃtˈɔvatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_58.wav|tsˈawɛ mˈɔjɛ tɕˈawɔ ɕɛ naprˈɛ̃ʒa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_248.wav|pˈɔtɛm ɔdvrˈutɕiw ɕɛ kˈu ɲʲˈɛmu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_49.wav|tfɔʒˈɔntsɨ ɡˈɔ mɛ̃ʃtʃˈɨzna i kɔbjˈɛta ˈujdɔ̃ za pˈarɛ pʃˌɨjɛʒdʒajˈɔntsɔ̃ dɔ xɔtˈɛlu.|4
+Dataset/wavs/urwisko_ferenc/23_segment_68.wav|na pˈɛvnɔ mˈa pˈaɲi rˈatsjɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_284.wav|ɔdvrˈutɕiw ɕɛ kˈu ɲʲˈɛmu plɛtsˈami i pɔvʲˈɛdʑaw tɕˈixɔ.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_60.wav|ˈɔtpar starˈuʃɛk.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_310.wav|jˈɛɕli ˈɔjtɕɛts jˈɛ skʃˈɨvdʑiw, ɲˈiɡdɨ mu ɲʲɛ vɨbˈatʃɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_40.wav|ɲʲɛ jɛstˌɛɕmɨ tˈatsɨ ʑlˈi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_375.wav|pɔvʲˈɛdʑaw lˈɛkaʃ, tˌɨlkɔ vɨbrˈanɨm udˈajɛ ɕɛ tɔː utʃˈɨɲitɕ. ˌalɛ ktˈɔ jɛzd vɨbrˈanɨm?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_113.wav|mˈam na ˈimjɛ tˈɔm.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_174.wav|mˈam rˈatsjɛ, pʃˈɛ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_81.wav|prˈavdɛ mˈuvʲɔnts, ɲʲˈɛvʲɛm, tʃɨ vʑˈɔwbɨm tsˈɔɕ takʲˈɛɡɔ pɔt uvˈaɡɛ, planˈujɔnts kˈɔɡɔʑ zˈabʲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_15.wav|dʒˈɛjn dɔstʃˈɛɡaw f tɨm rˈɛŋkɛ sfˈɛɡɔ strˈɨja, pɔdˈɔbɲʲɛ jˈaɡ w vɨbˈɔʒɛ ʒˈɔnɨ dla lantsˈɛla.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_426.wav|kʲɛrˈɔftsa tɕˌɛ̃ʒarˈufki stˈanɔw pʃɛt ˌandɛrsˈɔnɛm, pˈatʃɨw xfˈilɛ na ɲʲˈɛɡɔː i zapˈɨtaw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_111.wav|pˌɔvʲɛdʑˈawa vʲˈɛnts ftɕˈɔ̃ʃ ɕɛ ˌuɕmʲɛxˈajɔnts, ɲʲˈɛma tˈu ɲikˈɔɡɔ, kˈɔɡɔ mˈuɕawbˌɨʑ ʒˈɛɡnatɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_404.wav|ɲʲɛ, ˈɛstxɛr.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_26.wav|ˌuprɔvadʑˈanɛ dʑˈɛtɕi zˌabjɛrˈanɔ zazvˈɨtʃaj z ulˈitsɨ, xˈɔtɕ tɔmˈɔvi trˈudnɔ bˌɨwɔ sˈɔbjɛ vˌɨɔbrˈazitɕ, ʒˈɛ ktˈɔɕ mˈuɡwbɨ ˈukraɕtɕ mˈilljɛ spʃˈɛt nˈɔsa jˈɔɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_108.wav|prubˈujɛ vɨmˈinɔɲtɕ jaɡˈɛra z jˈɛɡɔ lˈɛvɛj strˈɔnɨ, ˌalɛ ɔn vɨtɕˈɔŋɡa rˈɛŋkɛ, ktˌura vɨdˈajɛ ɕɛ zrɔbjˈɔna zˈɛ stˈali, pɔ tʃɨm zatɕˈiska pˈaltsɛ na mˈɔim ramjˈɛɲʲu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_144.wav|jɛst tˈuʒ za ɡraɲˈitsɔ̃ strˈɛfɨ ɔbjˈɛntɛj plˈanɛm zˌaɡɔspˌɔdarɔvˈaɲʲa pʃˌɛstʃɛnnˈɛɡɔː i dlatˈɛɡɔ ɲˈikt ɕɛ ɲʲɛ mˈɔʒɛ pʃɨtʃˈɛpitɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_50.wav|pˈɔvʲɛts, ʒˈɛ pˌɔprɔʃˈɔnɔ tɕˈɛ ɔ ɲʲˌɛpʃɛkˌazɨvˈaɲʲɛ jˌakixkˈɔlvʲɛk ʃtʃɛɡˈuwuf.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_334.wav|ɡdˈɨbɨ jˈakʲɛɕ jˈaja tˈam zɔstˈawɨ...|1
+Dataset/wavs/urwisko_ferenc/27_segment_59.wav|a ja xˈɛntɲʲɛ tɕi jˈɛ pɔʒˈɨtʃɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_49.wav|ktˈurɨ, pɔdˈɔbɲʲɛ jˈak tɛn ɔt frˈɔntu, ɔdrˈadʑa ɕɛ pɔt jˈɛɡɔ kˌuratˈɛlɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_95.wav|xtsˈɛ, ʒˈɛbɨ sˈɔbjɛ pˈɔʃwɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_328.wav|na ɕtɕˈanax ɲʲɛ vˈiɕaw ˌaɲi jˈɛdɛn ˈɔbras. ˈandɛrsɔn vˈɨjɔw z lɔdˈufki dvʲˈɛ butˈɛlki pˈiva i pˈɔdaw jˈɛdnɔ̃ rˌɨanˈɔvi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_72.wav|tɨ swˈuxaj, tɔ ɲʲɛwˈadɲʲɛ ɔdvrˈatsatɕ ɕɛ plɛtsˈami.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_65.wav|sˈaskja pˈɛtɛrsɔn|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_5.wav|tsˈɔ sˈɔɲdʑiʃ ˈɔtɨm arˈamjɛ, fˌɔrakˈiɕɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_315.wav|tɔ tˈɛʃ mi ɕɛ pˌɔdɔbˈawɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_458.wav|i raptˈɔvnɛj nadʑˈɛi mʲɔtˈawɨ ɕɛ w mˈɔjɛj ˌɔbɔlˈawɛj ɡwˈɔvʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_42.wav|varknˈɛwam, jˈaɡbɨ uʒˈɨtɕɛ mɔjˈɛɡɔ pʃɛzvˈiska bˌɨwɔ najtɕˈɛ̃ʃʃɨm z jˈɛɡɔ ɡʒˈɛxuf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_92.wav|znˈuf pʃˈɛʃɛt kˈɔwɔː ɛndjˈɛɡɔ, ktˌurɨ ɲʲɛ ɔdvrˈutɕiw ɕɛ, nˈavɛt ɲʲɛ ɔdwˈɔʒɨw ɡazˈɛtɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_33.wav|ˌalɛ s tˈakim ˌɔptɕɔ̃ʒˈɛɲʲɛm bˈɨw tɔ najlˈɛpʃɨ spˈɔsup.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_22.wav|pɔmˈimɔ tɔ, kʲˈɛdɨ ˈaram vɨbjˈɛraw na nˈɔts kˈɔɡɔɕ innˈɛɡɔ, tʃˈuwam bˈul.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_41.wav|i ɕfʲˈɛtɲʲɛ ɕɛ tˈɔbɔ̃ zˌaɔpʲɛkˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_249.wav|fstˈaw, zdjˈɔw sfˈuj fˈartuɣ z nˌamalɔvˈanɨm f ɕˈɛtɕi pajˈɔŋkʲɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_99.wav|nˈapʃut, dʑˈɛlnɨ rumˈaku!|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_79.wav|pˈannɔ pˈɔrtɛr, tʃɨ mɔʒˈɛmɨ prˈɔɕitɕ ɔː ɔtfˈartɕɛ dʒvˈi?|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_28.wav|f tˌɛlɛvˈizji lˈɛtɕi rɛklˈama pˈiva. bʲˈillɨ tʃˈɛka ˈaʃ ɕɛ skˈɔɲtʃɨ, bˈɔ xtsˈɛ, bˈɨ uvˈaɡa tɨx na dˈɔlɛ znˈuf skupˈiwa ɕɛ na mˈɛtʃu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_7.wav|ˌɔtpɔvʲˈɛdʑaw, kʲˈɛdɨ dɔ ɲʲˈɛɡɔ pɔdˈɛʃwa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_54.wav|uswˈɨʃaw w jɛj ɡwˈɔɕɛ rˌɔstʃarɔvˈaɲʲɛ ɲʲɛ mɲʲˈɛjʃɛ ɲˈiʃ tɔ, ktˌurɛ sˈam ɔttʃˈuvaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_11.wav|pʃɨnˈajmɲʲɛj pʃˈɛs xfˈilɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_69.wav|pʃˌɛwapˈawaɕ mɲʲɛ na ɡɔrˈɔntsɨm ɔtʃˈɨŋku. tɔ mʲˈawa bˈɨtɕ ɲʲˌɛspɔdʑˈaŋka.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_310.wav|pʲɛɲʲˈɔndʑɛ, pɔtʃˈɛbnɛ dˌɔkumˈɛntɨ i ɕfʲadˈɛtstfa. znˈajtɕ nˌajlɛpʃˈɛɡɔː ˌadvɔkˈata.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_29.wav|jˈɔɛ bˌɨwa zˌaɲʲɛpˌɔkɔjˈɔna, ʒˈɛ pɔmˈimɔ vˈaʃɨx ustˈalɛɲ dˌɔtɨtʃˈɔntsɨx kˈɔduv blɔkˈadɨ, pˈan nˌajvɨrˈaʑɲʲɛj sfˈuj zmʲˈɛɲiw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_137.wav|ɲʲɛ pamjˈɛntam, ktˌurɨ tɔ dʒˈɛk, a ktˌurɨ xˈaŋk.|2
+Dataset/wavs/urwisko_ferenc/46_segment_61.wav|tɛn skˈurvʲɛl kʃˈɨvdʑi dʑˈɛtɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_69.wav|ɔt pɔtʃˈɔntku tˈu vwˈaɕɲʲɛ zmʲɛʒˈawɛm, stfʲˈɛrdʑa w dˈuxu i prubˈujɛ zbˈɨtɕ ɕmʲˈɛxɛm tˈɛ mˈɨɕl, ɲʲɛ dˈɔɕtɕ, ʒˈɛ zwɔvrˈuʒbnɔ̃, tɔ jˈɛʃtʃɛ prˌɛtɛnsjɔnˈalnɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_59.wav|pˈɔmuʃ mi ˈuɕɔ̃ɕtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_16.wav|pˈɔtɛm bʲˈilljɛ ɔddˈajɛ sɨpʲˈalɲʲɛ i waʑˈɛŋkɛ dɔ jɛj vɨwˈɔntʃnɛj dˌɨspɔzˈɨtsji, bˈɨ mˈɔɡwa f spɔkˈɔju vʑˈɔɲtɕ prˈɨʃɲits i ɕɛ ˈubratɕ.|2
+Dataset/wavs/urwisko_ferenc/56_segment_28.wav|f sˈumjɛ dlatʃˈɛɡɔ ɲʲɛ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_55.wav|— tˈak, ɡdʑˈɛ jɛst mˈili? dˈɔkɔnt jˈɔ̃ zabrˈaliɕtɕˌɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_115.wav|tˈɨlɛ, ʒˈɛ na pɔʑˈɔmjɛ dvunˈastɨm bˈaɲki kɔnrˈada pʃˈɛs kˈilka dɲˈi bˌɛɲdʑɛ ɕɛ ˌutʃɨmˈɨvaw sfˈɔnt spˌalɛɲˈiznɨ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_135.wav|tfˈaʒ vˌɨʒɛʑbjˈɔnɔ̃ w jˈɛɡɔ pɲʲˈu pɔrˈastaw tɛn sˈam fjˌɔlɛtˈɔvɨ mˈɛx.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_9.wav|— ɲʲɛ bˌɨwɔ tɕˈɛ pʃˈɛz ɡɔdʑˈinɛ, a vˌɨdaʒˈɨwɔ ɕɛ tˈɨlɛ, ʒˈɛ sˈama ɲʲˈɛvʲɛm, ɔt tʃˈɛɡɔ zˈatʃɔɲtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_99.wav|ɲʲˌɛzalˈɛʒɲʲɛ ɔt tˈɛɡɔ, jˈak tʃˈɛ̃stɔ ɡrˈam, mˈɔjɛ mʲˈɛɲɕɲʲɛ nˌapinˈajɔ̃ ɕɛ, ɡdˈɨ zajmˈujɛ mʲˈɛjstsɛ pʃɨ stˈɔlɛ, a sˈɛrtsɛ pʃɨspʲˈɛʃa.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_124.wav|dlatˈɛɡɔ pˌɔtʃɛbɔvˈawam kˌɔnsultˈatsji.|4
+Dataset/wavs/urwisko_ferenc/63_segment_170.wav|zrˈɔbjɛ tɔ za pˈaɲʲɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_405.wav|ɲʲɛ zaxˈɔvuj ɕɛ jˈaɡ dˈupɛk.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_63.wav|tsˈɔ s tɨm fʃˈɨstkim fspulnˈɛɡɔ mˈa mˈili?|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_201.wav|ktˌurɨ bˈɨw pʃˌɛtɕɛʃ tˈɛʃ mɛ̃ʃtʃˈɨznɔ̃, mɛ̃ʃtʃˈɨznɔ̃, ktˌurɨ ɡˈɔ ɕɛ bˈaw. i kʲˈɛdɨ mˈɨɕlaw ˈɔtɨh fʃˈɨstkix mɛ̃ʃtʃˈɨznax, tˈakix jˈak ɔn sˈam,|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_72.wav|pˈatʃɨ nˈatɔ, tsˈɔ napˈisaw i mˈɨɕli, ʒˈɛ ʒˌɛtʃɨvˈiɕtɕɛ mˈɔʒɛ tɔ zrˈɔbʲitɕ. tsˈɔ vʲˈɛntsɛj, xtsˈɛ tɔ zrˈɔbʲitɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_8.wav|pɔ dwˈuɡʲix namˈɔvaɣ dɔwˈɔntʃa dɔ ɲˈiɣ vɛtˈɛran marˈinɛs i pwˈatnɨ zabˈujtsa.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_102.wav|sɛrˈɔsnɛj ɲʲɛ pʃɛbˈɨvaw dalˈɛkɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_82.wav|ɡdˈɨbɨɕ ɲʲɛ umˈarwa z vˌɨʑɛmbjˈɛɲʲa, zˌadwavˈiwabˌɨɕ ɕɛ vwasnˈɨmi vˌɨmjɔtɕinˈami.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_26.wav|pɔ xfˈili ˌɔvʲɔnˈɛwɔ jˈɔ̃ tɕˈɛpwɛ pɔvʲˈɛtʃɛ, f ktˌurɨm unˈɔɕiw ɕɛ zˈapax ɕfʲɛʒˈɛɡɔ pʲɛtʃˈɨva, tʃˈɔsŋku i ʑˈuw.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_364.wav|bˈɨvaj zdrˈɔf.|0
+Dataset/wavs/urwisko_ferenc/12_segment_141.wav|ʒˌɛtʃɨvˈiɕtɕɛ tˈaɡ bˈɨwɔ. xɔdʑˈiwɔː ɔ mɛ̃ʃtʃˈɨznɛ tʃɨ kɔbjˈɛtɛ? dɔpˈɨtaw bɔrˈɛvitʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_233.wav|bˈɛnji kˈɔmpsɔn, fˈatsɛt, ktˌurɨ fpakˈɔvaw mɲʲɛ f tˈɛ kabˈawɛ.|2
+Dataset/wavs/urwisko_ferenc/43_segment_26.wav|zrˈɛʃtɔ̃ pɔ tsˈɔ ɡdˈɨbatɕ, skˈɔrɔ tɔ ɕɛ vˌɨdaʒˈɨwɔ? xˈɔtɕaʃ ˌɔna pɔdˈɔbnɔː ˌuvaʒˈawa, ʒˈɛ ktˈɔɕ jˈɔ̃ vrˈɔbʲiw, prˈavda?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_35.wav|ˈidʑɛʃ na ɕiwˈɔvɲʲɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_291.wav|vʲˈɛnts f tɨm ʃˈɔku pɔdɲʲˈɔswɛm ɕɛ z wˈuʃka. za ˈɔknɛm pˌɔstɛŋkivˈawɔ mʲˈastɔ budʑˈɔntsɛ ɕɛ dɔ ʒˈɨtɕa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_45.wav|tˈɔ̃, ktˌura nˈɔtsɔ̃ mʲˈɛva atˈaki paɲˈiki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_127.wav|vɨɲˈikuf sɔ̃ tsˈawɛ sˈɛtki, ˌalɛ vɛ fʃˈɨstkix pɔftˈaʒa ɕɛ tɔ sˈamɔ nazvˈiskɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_261.wav|pˌɔvʲɛdʑˈawam z nˈutkɔ̃ ˌɔstʃɛɡaftʃˈɛɡɔ tˈɔnu w ɡwˈɔɕɛ. dˈɔbʒɛ jˈuʃ, dˈɔbʒɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_45.wav|— tˈak — ʒˈɛkw mˈikɛ. lˈɛʒaw ɲʲˌɛruxˈɔmɔː ˌɔbɔk ˌandɛrsˈɔna i tɛn pˈatʃɨw na jˈɛɡɔ jˈasnɔ̃, wˈadnɔ̃ tfˈaʃ, skaʒˈɔnɔ̃ ˌɔpuxlˈiznɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_295.wav|xˈarvin bˈɨw jˈɛdnak ˈinnɨm rɔdʑˈajɛm plˈama.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_39.wav|zapˈɛvnɛ pˈɔvʲɛ lɔrdˈɔvi rˌandɨlˈɔvi, ʒˈɛ sˈam zˈabʲiw fʃˈɨstkix tʃˈɛx.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_43.wav|pʃɨtʃˈɛpiw ɕɛ dɔ mɲʲɛ f kɔɕtɕˈɛlɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_67.wav|tʃɨ ˌɔna tˈutaj ˈidʑɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_72.wav|fʃˈɨstkɔ fskˌazɨvˈawɔ nˈatɔ, ʒˈɛ mˈanaws jɛst ɔ vʲˈɛlɛ bˈardʑɛj vˌɔjɔvɲˈitʃɨm mʲˈastɛm ɲˈiʃ artˈɛmis. w utʃtɕˈivɛj vˈaltsɛ ɲʲɛ mʲˈawam s tɔ̃ kɔbjˈɛtɔ̃ ʃˈans.|4
+Dataset/wavs/urwisko_ferenc/12_segment_114.wav|— znˈaw jˈɔ̃ pˈan, prˈavda?|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_52.wav|zˈɛ ʃtʃɛlˈinɨ w blˈatɕɛ vɨsˈunɔw ɕɛ mɔɲˈitɔr, na ktˌurɨm zˌɔbatʃˈɨwam pˌɔvʲɛŋkʃˈɔnɛ ikˈɔnɨ pulpˈitu.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_148.wav|ɡdˈɨ uswˈɨʃɛ ɔt tɕˈɛbjɛ ɔː ɔstˈatɲim ʒɨtʃˈɛɲʲu lˈɔrda ɡʲillˈɛsa.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_53.wav|ˌalɛ pˌɔmijˈajɔndʑ valˈɔrɨ ˌartɨstˈɨtʃnɛ, tsˈawkʲɛm zɡrˈabnɨ prˈɔjɛkt. skˌɔpʲɔvˈawaʑ ɡˈɔ skˈɔntɕ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_30.wav|pʃɨpˈuʃtʃam, ʒˈɛ ta kɔbjˈɛta zˌarɔbʲˈiwa vʲˈɛntsɛj pʲɛɲʲˈɛndʑɨ, masˈujɔnts mu ˈɛɡɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_127.wav|mˈam zˈɛ sˈɔbɔ̃ ɛɡzˈɛmplaʃ ʃtˈuki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_176.wav|f kˈɔɲtsu vɨwˈɔntʃa laptˈɔpa. ɔtsˈɛɲʲa, ʒˈɛ tˈɛkst jɛst na pɔʑˈɔmjɛ trˌujkɔvˈɛɡɔː ˈutʃɲʲa, ktˌurɨ pˈiʃɛ ɔ tʃˈɨmɕ, tsˈɔ naprˈavdɛ ɡˈɔ spɔtkˈawɔ.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_154.wav|xtɕˈawa zapˈɨtatɕ, ˌalɛ ɲʲɛ mʲˈawa jˈuʒ vʲˈɛntsɛj pˈɨtaɲ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_19.wav|ˈaʒ zˈamknɔw na xfˈilɛ ˈɔtʃɨ i pɔvˈɔli pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_274.wav|a, ɲʲˈɛx ɕɛ udwˈavi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_115.wav|pˈɔra zmʲˈɛɲitɕ tˈɛmat.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_31.wav|tɔ jɛst kˌakɔfˈɔɲʲa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_87.wav|tˈak, sˈɛr. pˈan strˈakan jɛzd vwˈaɕɲʲɛ vʲɛʑˈɔnɨ s pɔvrˈɔtɛm z bjˈura f sfˈintɔn.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_10.wav|ʒˈɔna kˌamɛrˈɔna ɔdmˈuntsa zˌaswuɡʲivˈawa nˈatɔ, bˈɨ pˈɔznatɕ prˈavdɛ na tˈɛmat ɕmʲˈɛrtɕi sfɔjˈɛɡɔ mˈɛ̃ʒa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_65.wav|prˈɔʃɛ vɨbˈatʃɨtɕ, ɲʲɛ vʲɛdʑˈawɛm, ʒˈɛ jɛst pˈaɲi z dʑˈɛtskʲɛm. prˈɔʃɛ dˈatɕ mi xfˈilkɛ, vˈɨjmɛ fɔtˈɛliɡ z bˌaɡaʒɲˈika, f pɔʒˈɔntku?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_143.wav|ɲʲˈɛvʲɛm sˈama, dlatʃˈɛɡɔ ɲʲɛ fpˈadwam nˈatɔ ftʃˈɛɕɲʲɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_167.wav|vɔlˈawam rˈuvɲʲɛʃ tʃˈɨmatɕ ɕɛ z dalˈɛka ɔt ˌɛksplɔratˈɔruf.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_13.wav|dlatʃˈɛɡɔ ɲʲɛ pˌɔlɛtɕˈimɨ dɔ dˈultsɛ, ʒˈɛkw rˈɨan. dlatʃˈɛɡɔ musˈimɨ lˈatatɕ tˈutaj, a ja ftɕˈɔ̃ʃ mˈɨɕlɛ ˈɔtɨm tfˈɔim brˈatɕɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_143.wav|pˌɔstɛruŋkˈɔvɨ mˈɔlkin pɔvʲˈɛdʑaw, ʒˈɛ tɔ zˈakwad brˈata spˈɛka. skˌaradʑˈɛɲstfɔ tsˈɔ?|2
+Dataset/wavs/urwisko_ferenc/27_segment_122.wav|i xˈɨba ɲʲɛ mˈuʃɛ pˈaɲi mˈuvitɕ, ʒˈɛ na rˈaʑɛ tʃˈujɛ ɕɛ zˌavʲɛdʑˈɔnɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_8.wav|tsˈɔ mˈɔʒɛ nˈam pˈan pɔvʲˈɛdʑɛtɕ na tˈɛmad ɡˌɛnɛvʲˈɛvɛ strˈaxan?|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_204.wav|pɔ krˈutkʲɛj vɨmjˈaɲʲɛ zdˈaɲ ɲˈikt ɕɛ zɡˈadʑa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_138.wav|ɲʲɛ spɔdˈɔbaw mi ɕɛ ʃɨdˈɛrtʃɨ ˈuɕmʲɛx na tfˈaʒɨ jaɡˈɛra, ˌalɛ rˈuvɲʲɛ ɲʲˌɛkɔmfɔrtˈɔvɔ tʃˈuwam ɕɛ na mˈɨɕl ɔ samˈɔtnɨm pɔvrˈɔtɕɛ dɔ pɔkˈɔju.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_187.wav|tʃˈɛtɕim kˈursɛm zjɛxˈawɨ na dˈuw mˈaddɨ i ɡrˈɛtxɛl, a tˈaɡʒɛ mjˈa stˈɔnɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_19.wav|ɲʲɛ sˈɔndʑɛ, bˈɨ tˈamta mɲʲɛ rˌɔspɔznˈawa. vidʑˈawa mɲʲɛ jˈakɔ blɔndˈɨŋkɛ s pʃˌɨklɛjɔnˈɨmi ʒɛ̃sˈami i jˈasnɔtʃɛrvˈɔnɔ̃ ʃmˈiŋkɔ̃, a pˈɔtɛm bˈɛs mˌakijˈaʒu.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_198.wav|ɲʲɛ. w zbjɔrɲˈikax mˌamɨ spˈɔrɨ zˈapas. znˈatʃɲʲɛ vʲˈɛntsɛj ɲˈiʃ pˌɔtʃɛbujˈɛmɨ. bˈɔp tɔ pʃɛvˈidʑaw.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_22.wav|— xɔlˈɛrɲʲɛ tˈam ʑˈimnɔ. ʃukˈawam tɕˈɛ na sɔ̃ɕˈɛdɲix ulˈitsax, tˈɛss, ˌalɛ ɲʲɛ mˈɔɡwam znˈalɛɕtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_220.wav|f tɛj xfˈili kɔlˈɛjna ɡrˈupa pʃˌɨɡɔtˌɔvɨvˈawa ɕɛ dɔ vˈɨjɕtɕa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_291.wav|pɔvʲˈɛdʑaw mˈikɛ rˈɨan.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_50.wav|f tɨm mɔmˈɛɲtɕɛ rˈɔb vɨstˈaviw ɡwˈɔvɛ zzˈa dʒvˈi prˌɔvadʑˈɔntsɨɣ dɔ pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_101.wav|na pʲˈɛrɕi mʲˈaw naʃˈɨtɛ ɡˈɔdwɔ bˌataljˈɔnu tʃˈarnɨ kˈɔɲ, vɨtrˈavɲi prˌɔfɛsjˌɔnalˈiɕtɕi ˈu ɡˈurɨ i dɔ bˈɔju ˈu dˈɔwu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_7.wav|mʲˈaw tsˈɔɕ innˈɛɡɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_115.wav|a tsˈɔ s tsˌamɛrˈɔnɛm, jaɡɡˈɛrɛm i nˈaʃɨm dwˈuɡʲɛm?|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_402.wav|tʃɨ jˈɛɡɔ pˈalɛdʑ ʒˌɛtʃɨvˈiɕtɕɛ jɛst tˌaki mˈawɨ?|1
+Dataset/wavs/urwisko_ferenc/50_segment_12.wav|ʒˈɛ fʃˈɛɲdʑɛ tɕˈɛ znˈajdɛ, ˈɔstʃɛɡw ɡˈɔ bɔrˈɛvitʃ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_169.wav|mˈɔɡwabˌɨm pˈɔbjɛts, ˌalɛ ɲʲɛ dɔtˈarwabˌɨm zapˈɛvnɛ nˈavɛd dɔ dʒvˈi frɔntˈɔvɨx.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_86.wav|prˌubɔvˈawam pɔfstʃˈɨmadʑ wzˈɨ.|4
+Dataset/wavs/urwisko_ferenc/44_segment_25.wav|jˈutrɔ bˌɛɲdʑɛ pɔ fʃˈɨstkim, pʃˈɛrvaw mu ˈɔlɡʲɛrt. dɔ zˌɔbatʃˈɛɲʲa na mʲˈɛjstsu, dˈɔdaw i ɲʲɛ tʃɛkˈajɔnts na ɔtpˈɔvʲɛdʑ zakˈɔɲtʃɨw pˌɔwɔntʃˈɛɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_255.wav|— pamjˈɛntaʃ tɨɣ ʒɔwɲʲˈɛʒɨ, ktˌuʒɨ palˈili rˈɨʃ? — pˌɔvʲɛdʑˈawa xˈɛlɛn.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_25.wav|tɕˈindɨ ruʃˈɨwa ɕtɕˈɛʃkɔ̃, a jɛj krˈɔki bˌɨwɨ lˈɛdvʲɛ swɨʃˈalnɛ na brˈuku. nˌaswuçivˈawa jˌakixkˈɔlvʲɛk ɔstʃˈɛʒɛɲ f swuxˈafkax.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_21.wav|a tˈak, kɔbjˈɛta, s ktˌurɔ̃ znˌajɔmˈɔɕtɕi ɔt pɔtʃˈɔntku ɕɛ vɨpʲˈɛraw. i tsˈɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_226.wav|mˈɔʒɛ nˈavɛt tsˈawɛ mʲˈastɔ, ktˌurɛ lˈɛʒɨ na fsxˈut ɔd ʒˈɛki mˌisɕisɕˈippi, tˈuʃ pɔt lˈiɲʲɔ̃ masˈɔna dʲiksˈɔna.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_267.wav|— zaʒˈɔndaw sˈɛr bɔɲˈifɛr. — vʲˈɛʃ, ktˈurɔ̃?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_110.wav|jˌɛstɛm jˈuʒ bˈardʑɔ blˈiskɔ brˈada, ktˌurɨ uwˈatfja mi trˈɔxɛ sprˈavɛ, vɨdˈajɔnts s ɕˈɛbjɛ jˈɛŋk.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_244.wav|na mʲˈɛŋkkim, ɲʲɛbjˈɛskim ˌaksamˈitɕɛ spˌɔtʃɨvˈawa ɡwˈɔva kˈarwa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_46.wav|ɲʲˈɛmam ʒadnˈɛɡɔ dˌɔkumˈɛntu na nazvˈiskɔ pˈɛtɛrsɔn. jˌɛstɛm blˈiska paɲˈiki, kʲˈɛdɨ swˈɨʃɛ tɕˈɛ̃ʃkʲɛ sapˈaɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/47_segment_4.wav|pˌɔdɔbˈawa ɕɛ sˈɔbjɛ w nˈɔvɛj ɔtswˈɔɲʲɛ.|0
+Dataset/wavs/urwisko_ferenc/33_segment_82.wav|xˈɨba mˈam vˌɨtɕiʃˈɔnɨ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_9.wav|mˈimɔ tɔ kˈaʒdɨ pʃˌɛxɔdʑˈɔntsɨ kˈɔt swˈɨʃaw valˈɛɲʲɛ jˈɛɡɔ sˈɛrtsa, a w braˈavɔz bˌɨwɔ mnˈustfɔ kˈɔtuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_24.wav|ʒˈadnɛ z nˈas ɲʲɛ vʲɛdʑˈawɔ jˈɛʃtʃɛ ftˈɛdɨ, ʒˈɛ tɔ dɔpʲˈɛrɔ pɔtʃˈɔntɛk tˈɛɡɔ, tsˈɔ mʲˈawɔ nˈadɛjɕtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_52.wav|tˈɔm ˈɔpar ɕɛ pɔkˈuɕɛ i ɲʲɛ fspˈɔmɲʲaw, ʒˈɛ ɔlmˈana ɲʲɛ bˌɨwɔ f xˈali pˌɔpʃɛdɲʲˈɛɡɔ dɲʲˈa. zˈɛrknɔw na bˈɛki i pʃˈɛjɔw pawˈɛtʃkɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_30.wav|a skˈɔrɔ mˈɔva ɔ mˈuzɡax stɔjˈɔntsɨɣ zˈatɔ̃ ˈapkɔ̃, tɔ ɲʲɛ mˌamɨ ɲitʃˈɛɡɔ na naˈila.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_45.wav|tˌɨlkɔ filmˈɔvi ɡaŋkstˈɛʒɨ tʃɨmˈajɔ̃ f sxˈɔfkax plˈiki baŋknˈɔtuf ɔt pɔdwˈɔɡʲi pɔ sˈufit. fspuwtʃˈɛɕɲʲɛ fʃˈɨstkɔ zawˈatfja ɕɛ pʃˌɛlɛvˈami kˌɔmputˌɛrɔvˈɨmi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_41.wav|mˈam na lˈiɲʲi nˌadʲinspˈɛktɔr stˈanlɛj. tfʲˈɛrdʑi, ʒˈɛ bˌɛsskutˈɛtʃɲʲɛ prˌubɔvˈawa ɕɛ dɔdʑvˈɔɲitɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_27.wav|tɔ pɔtfʲˈɛrdʑa jɛj pˌɔvʲɔ̃zˈaɲʲa z ɛdmˈuntsɛm, jaɡˈɛrɛm i stsˈɔttɛm rɔbˈɛrtsɛm. tsˈɔ jˈɛʃtʃɛ ˌɔtkrɨjˈɛmɨ na jɛj tˈɛmat?|3
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_99.wav|pˈɔtɕɔŋk jˈuʒ zˌadɔkˈɔvaw i tʃˈɛkaw z ˌɔtfartˈɨmi dʒvʲˈami, a kˌɔnduktˈɔrka vwˈaɕɲʲɛ vɨjˈɛwa tɛrmˈinal pwatɲˈitʃɨ, pʃˌɨɡɔtɔvˈujɔnts ɕɛ dɔ spʃɛdˈaʒɨ bʲilˈɛtuf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_31.wav|ˌɔdɛpxnˈɛwam ɡˈɔː i upˈadwam na kɔlˈana, pɔ tʃɨm vˌɨʃarpnˈɛwam z ɲʲˈɛj nˈuʃ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_58.wav|bʲˈili kˈiva ɡwˈɔvɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_393.wav|jˈɛɕli bˌɛndɛ tˈak tɕfˈitʃɨw jˈɛʃtʃɛ rˈɔk...|1
+Dataset/wavs/urwisko_ferenc/08_segment_50.wav|jˈaka jɛzd vˈusku?|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_261.wav|zˈamjast pʃɛdʑˈɛratɕ ɕɛ mʲˌɛndʑɨ ɲˈimi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_191.wav|ˈɛliz zamˈɨɕla ɕɛ nˈattɨm.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_127.wav|tsˈɔɕ lɛpʃˈɛɡɔ. zɡˈaduj rˈas jˈɛʃtʃɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_40.wav|a tˈɛras jˌɛstɛɕ rˌɔzbɛtʃˈanɨm dʑɛtɕˈɔntkʲɛm.|3
+Dataset/wavs/urwisko_ferenc/45_segment_66.wav|kɔlˈɛjnɨ bwˈɨsk sprˈaviw, ʒˈɛ pʃɨmknˈɛwa ˈɔtʃɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_224.wav|tˈu jɛst rubrˈɨka kˈɔɡɔ zˌavʲadˈɔmitɕ w rˈaʑɛ pˈaɲskʲɛj ɕmʲˈɛrtɕi lˈub vɨpˈatku.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_276.wav|zˌauvaʒˈɨwɛm, ʒˈɛ ktˈɔɕ stˈɔi pɔd dʒvʲˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_65.wav|jˌɛstɛm pˈɛvʲɛn, ʒˈɛ tˈutaj mˈɔɡwabˌɨʑ zˈɔstatɕ nˌaukˈɔftsɛm ˈalbɔː ˌinʒɨɲʲˈɛrɛm i zarˈabjadʑ dˈuʒɔ pʲɛɲʲˈɛndʑɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_55.wav|tˈak, swɔnˈɛtʃnɛ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_60.wav|ɲʲɛ ˌustɛmpˈɔvaw sˈɛr arvˈɔɔt. sxˈɔvaw ɕɛ za murˈami, pˌɔzvalˈajɔnts, bˈɨ klɛɡˈanɛ zˈɛ sfˈɨmi fɕtɕɛkwˈɨmi psˈami spustˈɔʃɨw mʲˈastɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_373.wav|i z nˈami pɔɕrˈɔtku tˈɛʃ jɛst tˌɨlkɔː ˌawtɔsuɡˈɛstjɔ̃ rˌaçitˈɨtʃnɛj zbjˌɔrɔvˈɔɕtɕi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_450.wav|mˈɔʒɛ i ja pˈɔʃɛdwbˌɨm ix ɕlˈadɛm, ɡdˈɨbɨ ɲʲɛ nˌurtujˈɔntsa mɲʲɛ ɔd zˈafʃɛ tɕɛkˈavɔɕtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_59.wav|nˈatɔ vɨɡlˈɔnda, bˈɔ na dʒvʲˈax ɲʲˈɛma tablˈitʃki. bˌɛndɛ mˈuɕaw spˈɨtatɕ w aɡˈɛntsji ɲʲˌɛruxɔmˈɔɕtɕi. rˈɛʃta pʲˈɛntra jɛzd vˈɔlna.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_20.wav|mijˈawɨ mʲɛɕˈɔntsɛ, a ˈaram zaprˈaʃaw dɔ naʃˈɛɡɔ ɡrˈɔna tsˈɔraz vʲˈɛntsɛj lˈudʑi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_231.wav|tɨm rˈazɛm udˈajɛ mu ɕɛ fʃˈɨstkɔ zatʃˈɨmadʑ w ʒɔwˈɔntku.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_57.wav|jˈak mˈam jɛj pɔvʲˈɛdʑɛtɕ, ʒˈɛ fpˈadwam tˌɨlkɔ ɕɛ pʃˈɛbratɕ i zˈaras jˈadɛ dɔ mˈɛ̃ʒa?|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_116.wav|zˈɔɲiz znajdˈujɛ ɕɛ na sˈamɨm kˈɔɲtsu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_28.wav|bɨwˌɨɕmɨ tˈaɡ bˈardʑɔː ɔt ɕˈɛbjɛ ˌɔddalˈɔnɛ, ʒˈɛ trˈudnɔ bˌɨwɔ mi nˈavɛd zrɔzˈumjɛtɕ jɛj dʑawˈaɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_20.wav|tˈatsɨ lˈudʑɛ vʲˈɛlɛ pˌɔdruʒˈujɔ̃ i mˌajɔ̃ w zvɨtʃˈaju zˌatʃɨmˈɨvatɕ ɕɛ tˈam, ɡdʑˈɛ mˈɔʒna dˈɔbʒɛ zjˈɛɕtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_154.wav|ˌalɛ jˈuʃ ftˈɛdɨ muɕˈawɛm vʲˈɛdʑɛtɕ, tsˈɔ rˈɔbjɛ, mˈɨɕli, kʲˈɛdɨ vrˈatsa dɔ stˈɔwu i laptˈɔpa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_115.wav|zˌɔrɡaɲˌizujˈɛmɨ pˈaɲi trˈanspɔrt, a nˈaʒ zˈɛspuw fkrˈuttsɛ pɔjˈavi ɕɛ na mʲˈɛjstsu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_221.wav|ˈalbɔː ɔdvrˈɔtɲʲɛ. tɔ bˌɛɲdʑɛ trfˈawɔ mʲɛɕˈɔntsɛ i rˌɛkɔnstrˈuktsja kɔʃtˈɔvadʑ bˌɛɲdʑɛ tˈɨlɛ, ˈilɛ pʲˈɛɲtɕ nˈɔvɨx sˌamɔlˈɔtuf. tˈak ɕɛ zˈafʃɛ rˈɔbʲi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_137.wav|kʲˈɛdɨ pˌɔstɛruŋkˈɔvɨ mˈɔlkin zajˈɛxaw rˌadjɔvˈɔzɛm pʃɛd dˈɔm, prˈavʲɛ ˌɔɕlɛpˈiwɔ mɲʲɛ tɔ, tsˈɔ zˌɔbatʃˈɨwɛm na sɔ̃ɕˈɛdɲʲɛj dʑˈawtsɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_28.wav|vʲˈɛŋkʃɔɕtɕ lˈudʑi ˈɔtɨm ɲʲˈɛvʲɛ, ˌalɛ na kɕɛ̃ʒˈɨtsu jɛst ɲʲˌɛvɨˌɔbraʒˈalɲʲɛ dˈuʒɔ tlˈɛnu.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_360.wav|vʲˈɛm, ʒˈɛ jˈɛɡɔ mˈiwɔʑdʑ bˈɨwbɨ zˌaxfɨtsˈɔnɨ tˈakɔ̃ vɨtɕˈɛtʃkɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_111.wav|tsˈɔ ɕɛ dʑˈɛjɛ s tɨm xwɔpˈakʲɛm?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_31.wav|mɨɕlˈawam, ʒˈɛ fʃˈɨstkiɣ vɨpʃˈɛdʑam, ˌalɛ jˈuʃ tˈak ɲʲɛ uvˈaʒam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_118.wav|tsˈurka ˌɔdvrutɕˈiwa ɕɛ i pˌɔmaxˈawa f pɔvʲˈɛtʃu drɛvɲʲˈanɔ̃ wˈɨʃkɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_45.wav|pˈɨta pɔnˈɔvɲʲɛ tˈɔm. xtɕˈawbɨm s tˈɔbɔ̃ ˈuɕɔ̃ɕtɕ i ɔmˈuvidʑ bʲilˈiŋɡʲi s tˌɛlɛfˈɔnu ˈaʃa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_48.wav|jˌɛstɛm pˈɛvna, ʒˈɛ ɔ tʃˈɨmɕ nˈamɲʲɛ mˈuvi. i tɔ mɲʲɛ fkˈuʒa. kwˈamjɛ na pʃˈɨkwat f sprˈavʲɛ tˌɛɡɔ kˈɔdu f sfˈɔim pʲɛpʃˈɔnɨm tˌɛlɛfˈɔɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_67.wav|bˈɔb dˈɔtar vrˈɛʃtɕɛ dɔ ɕlˈuzɨ i zˌɔbatʃˈɨwam, jˈaɡ zaɡlˈɔnda dɔ ɕrˈɔtka pʃˈɛs mˈawɛ, ɔkrˈɔŋɡwɛ ɔkʲˈɛŋkɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_71.wav|pˈɔvʲɛm tɕˈi, dˈɔbʒɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_185.wav|prɔɕˈiwɛm, ʒˈɛbɨɕ mi mˈuviw pɔː imjˈɛɲʲu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_238.wav|tɔ bˌɨwɔ tˈɨm, ɔ tʃɨm mˈɨɕlaw, jˈadɔnts tˈɛras pʃˈɛs nˈɔts.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_181.wav|mˈɔʒɛ pˈuʑɲʲɛj, ˌalɛ jˈɛʃtʃɛ ɲʲɛ tˈɛras.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_333.wav|i vˈɨʃɛt s tˈɨwu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_33.wav|jɛdnˈɛɡɔ ɲʲˌɛpɔdvˌaʒalnˈɛɡɔ fˈaktu, ktˌurɨ pɔvʲˈɔ̃zawbˌɨ mˈartɛ z mɔrdˈɛrstfɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_10.wav|ˈaʃ pˈatʃɨw nˈaɲʲɔ̃ pʃˈɛs ɔtfˈartɛ dʒvˈi. zɛrknˈɛwa pʃˈɛs rˈamjɛ i zatʃˈɛwa majstrˈɔvatɕ pʃɨ rɛntʃɲˈikax f spˈɔsup, ktˌurɨ vɨdˈavaw ɕɛ dˈɔʑdʑ zˌaɡatkˈɔvɨ.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_207.wav|aˈɛrɔn ʒˈutɕiw zwɔvrˈuʒbnɛ spɔjʒˈɛɲʲɛ, ɔt jakʲˈɛɡɔ pˈɔnɔdʑ vˈɔda f stˈudɲʲax kfaɕɲʲˈawa, a kɔbjˈɛtɨ stavˈawɨ ɕɛ bɛspwˈɔdnɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_290.wav|tʃɨ mˈajɡ vʲˈɛʒɨ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_146.wav|vʲˈɛm, tsˈɔ mˈɔja dʑɛftʃˈɨna tʃˈuwabˌɨ f tˈakʲɛj sˌɨtuˈatsji, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_165.wav|ja bˈɨm tˈɛʃ xtɕˈaw zɔbˈatʃɨtɕ. ɲʲˈɛxtsɛ vaʃˈɛɡɔː ɔlˈɛju.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_43.wav|xtɕˈawam fspˈɔmɲʲɛtɕ ˈɔtɨm ftʃˈɛɕɲʲɛj, ˌalɛ zatʃˈɛliɕmˌɨ rɔzmˈavʲatɕ ɔː ˈabu zˈabʲi i uznˈawam, ʒˈɛ tɔ ɲʲˈɛma ɲˈits fspulnˈɛɡɔ s pɔrvˈaɲʲɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_132.wav|tʃɨ ta kɔbjˈɛta znˈuf tˈu pʃɨjˈɛdʑɛ? zˌapɨtˈawa xˈɛlɛn.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_273.wav|bˈudʑiɡ zatʃˈɨna dʑvˈɔɲitɕ i ˈɔbvut ɕɛ zamˈɨka.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_456.wav|dʑɛŋkˈujɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_172.wav|i tʃɛkˈawɨ na kˈuptsuv dʑˈawa rˌakʲɛtˈɔvɛ tˈɨpu katjˈuʃa.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_120.wav|vˌɨruvnˈanɨ tˈɛrɛn mʲˈaw kʃtˈawd zbliʒˈɔnɨ dɔː ɔkrˈɛŋɡu.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_411.wav|na kˈɔɲʲɛts arjˈanɛ dˈɔʃwa dɔ vɲʲˈɔsku, ʒˈɛ nadʑˈɛjɛ rɔkˈujɛ tˌɨlkɔ dvˈux kˌandɨdˈatuf.|1
+Dataset/wavs/urwisko_ferenc/63_segment_148.wav|xˈanna pʃɛwknˈɛwa ɕlˈinɛ i ˌɔtfɔʒˈɨwa ʃɛrˈɔkɔː ˈɔtʃɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_18.wav|ʒˈɛ tɛn stˈatɛk rˈɔbʲi vraʒˈɛɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/57_segment_31.wav|prˌɔvadʑˈiwa fprˈɔst na zˌabudɔvˈaɲʲa tsˌaritˈasu i dɔ pˈarku mʲɛjskʲˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_93.wav|vʲˈɛnts ix mawʒˈɛɲstfɔ ɲʲɛ bˌɨwɔ bˈɛs fskˈazɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_142.wav|dʑvˈɔɲi dɔ ɲˈika, ɲʲɛpˈɛvnɨ tʃɨ ɔdbjˈɛʒɛ, a jˈɛdnak ɔdbjˈɛra.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_201.wav|mʲˌɛliɕmˌɨ krˈutki mʲˈɛɕɔnts mʲɔdˈɔvɨ na pʃɨlˈɔntku sˈan blˈas, bˌuratʃˈanɛj rivʲˈɛʒɛ, jˈak tɔ nˌazɨvˈajɔ̃, ˌalɛ ɔt tamtˈɛɡɔ tʃˈasu ɲˈiɡdʑɛ ɲʲɛ vˌɨjɛʒdʒˈaliɕmˌɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_22.wav|tɔ ɲʲɛ mʲˈawɔ ʒadnˈɛɡɔ znatʃˈɛɲʲa. fʃˈɨstsɨ bˌɨli mˈilɛ vidʑˈaɲi.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_208.wav|dɔstˈaɲʲɛʃ tɛ mawʒˈɛɲstfa.|1
+Dataset/wavs/urwisko_ferenc/09_segment_8.wav|vˈidʑaw ɡˈɔ, jˈak ɔtfʲˈɛraw brˈamɛ ɔɕrˈɔtka bjˈawɨ ʒˈaɡʲɛl f pɔblˈiʒu ɲʲˌɛstʃɛʒˈɔnɛj plˈaʒɨ nat jɛʑˈɔrɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_96.wav|bʲˈillɨ klˈɛŋka pʃˈɨɲim, fkwadˈajɔnts s plˈuvɛ dˈɔna jɛnsˈɛna zˈapas na plˈɛtsax, ʒˈɛbɨ dɔnˈɔvan jɛj ɲʲɛ dɔɕˈɛŋɡnɔw, pɔ tʃɨm vɨtɕˈɔŋɡa ɔpˈaskɛ zˌatɕiskˈɔvɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_107.wav|mˈam ˈu pˈaɲstfa rˌɛzɛrvˈatsjɛ, mˈuvjɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_96.wav|tɔ ɲʲˌɛpɔkɔjˈɔntsa mˈɨɕl. s tˌɛɡɔ tsˈɔ swɨʃˈawam, tɛn tʃwˈɔvʲɛɡ zˈɛxtɕawbˌɨ sprˈavdʑitɕ, tʃɨ ɲʲɛ blɛfˈujɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_51.wav|sˈam ɲʲˈɛvʲɛ, dlatʃˈɛɡɔː ˈaʃ tˈaɡ ɡˈɔ tɔ tɕˈɛʃɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_178.wav|vɨtɕˈɛra ɕlˈinɛ s tfˈaʒɨ ramjˈɛɲʲɛm zabrˈanɨm zzˈa jɛj plˈɛtsuf. ˌɔkazˈujɛ ɕɛ, ʒˈɛ jɛst jˈak najbˈardʑɛj zdˈɔlna ɕˈɛdʑɛtɕ prˈɔstɔː ɔ vwˈasnɨx ɕˈiwax.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_35.wav|nˈɔ tɔ tˈak pˌɔvʲɛdʑˈawɛm. a ftˈɛdɨ uɕtɕˈisnɔw mi dwˈɔɲ i pɔvʲˈɛdʑaw, ʒˈɛ mˈiwɔ bˌɨwɔ mɲʲɛ pˈɔznatɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_56.wav|zˈasxwɔ mi w ˈustax i lˈɛdvʲɛ ˌɔtpɔvʲɛdʑˈawam.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_106.wav|na rɛŋkˈavax ˈiɡɔr sɛtɕˈiku fjˌɔlɛtˈɔvɔ̃ ɲˈitɕɔ̃ vˌɨxaftɔvˈanɔ vˈinnɔ̃ latˈɔrɔɕl z ɡrɔnˈami.|1
+Dataset/wavs/urwisko_ferenc/45_segment_53.wav|— tɔ ɲʲɛ tfˈɔja vˈina. xˈɛrman pˌɔɡwadʑˈiwa jˈɔ̃ pɔ dwˈɔɲi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_22.wav|na jɛj tfˈaʒɨ pɔjˈaviw ɕɛ vˈɨras, kturˌɛɡɔ ftʃˈɛɕɲʲɛj ɲʲɛ vidʑˈawam i ktˌurɨ ftsˈalɛ mi ɕɛ ɲʲɛ spɔdˈɔbaw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_29.wav|tʃˈɛɕtɕ jˈɔɛ, dʑˈɛŋki za tɛlˈɛfɔn.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_10.wav|kʲˈɛdɨ ɔpˈuɕtɕiw ʃpˈital, a lɛkˈaʒɛ pˌɔvʲɛdʑˈɛli, ʒˈɛ pˌɔtʃɛbˈujɛ ˌɔtpɔtʃˈɨŋku w wˈuʃku, vɨjˈɛxaw natˈɨxmʲazd dɔ sfˈɔix rɔdʑˈitsuf f puwnˈɔtsnɛj vˈalji.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_191.wav|ˈɛllis mˈaɡzvɛll mˈa ɲʲɛ vʲˈɛntsɛj ɲˈiʃ mˈɛtr ʃɛʑdʑˈɛɕɔnd vzrˈɔstu i kʲˈɛdɨ bʲˈillɨ sˈɔbjɛ vˌɨɔbrˈaʒa, jˈak tɛn drˈɔŋɡal stˈaw nˈadɲʲɔ̃, ɔɡˈarɲʲa ɡˈɔ fɕtɕˈɛkwɔɕtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_73.wav|ˌɔznajmˈiwa tɕˈixɔː i s pɔvˈaɡɔ̃.|3
+Dataset/wavs/urwisko_ferenc/43_segment_76.wav|ɲʲɛ, xˈɔdʑi ɔ tsˈɔɕ innˈɛɡɔ. ɲʲɛ paɲˈikuj. dˈam tɛlˈɛfɔn mˈɔjɛj partnˈɛrtsɛ s pɔlˈitsji, ktˌura mˈa dɔ tɕˈɛbjɛ jˈɛdnɔ prˈɔstɛ pɨtˈaɲʲɛ. jˈɛdnɔ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_256.wav|jɛst wˈɨsɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_102.wav|a ɲʲɛ bˌɨwa tɔ jɛdˈɨna zmʲˈana.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_177.wav|tʃɨ mˈa pˈan trˈɔxɛ tʃˈasu?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_97.wav|pˌɔtʃɛbˈujɛ tfˈɔjɛj pɔmˈɔtsɨ. ɲʲɛ zadˈavaj ʒˈadnɨx pˈɨtaɲ. pɔ prˈɔstu mˈuʃɛ stˈɔnd vɨjˈɛxatɕ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_15.wav|na jɛj pˈaltsax i w zwˈɔtɨɣ vwˈɔsaɣ bwɨʃtʃˈawɨ ʃmarˈaɡdɨ. ˈɔtʃɨ dvˈɔru i mʲˈasta bˌɨwɨ skʲˌɛrɔvˈanɛ nˈaɲʲɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_34.wav|bʲˈillɨ pʃɨtˈula jˈɔ̃ i tsawˈujɛ f pɔlˈitʃɛk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_99.wav|pʃɨ tʃfˈartɨm pˌɔftuʒˈɛɲʲu jˈamisɔn ɕpʲˈɛvaw z nˈami ɔt pɔtʃˈɔntku dɔ kˈɔɲtsa s tfˈaʒɔ̃ ˌɔtɕɛkajˈɔntsɔ̃ pˈɔtɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_13.wav|jˈɔɛ? jˌɛstɛɕ tˈam?|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_369.wav|ɡʒˈɛxɨ mˈɔɡɔ̃ zˈatrudʑ dˈuʃɛ tʃwɔvʲˈɛka, jˈɛɕli pɔzvˈala ɕɛ ɡɲˈitɕ im w ukrˈɨtɕu.|1
+Dataset/wavs/urwisko_ferenc/34_segment_48.wav|pɔxˈɨliw ɡwˈɔvɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_117.wav|pɔnˈɔvɲʲɛ vwɔntʃˈɨwam jˈɔ̃ dɔpʲˈɛrɔ vɛ ftˈɔrɛk rˈanɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_210.wav|spɨtˈawa s pˌɔbwaʒlˈivɨm uɕmʲˈɛʃkʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_24.wav|na mˈuʒɛ pˈɔttʃas jˈɛɡɔ swˈuʒbɨ zmʲɛɲˈiwɔ ɕɛ kˌilkunˈastu lˈɔrduv dɔvˈuttsuf, ˌalɛ ɔn dɔrˈadʑaw im fʃˈɨstkim.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_11.wav|zamjˈɛʒaw vwˈaɕɲʲɛ fstˈadʑ zzˈa bjˈurka, kʲˈɛdɨ dɔ jˈɛɡɔ pɔkˈɔju zˌapukˈawa bˈɛtskɨ. bˈɛs swˈɔva uɕˈadwa na kʃˈɛɕlɛ napʃˈɛtɕif ɲʲˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_28.wav|skˈurvʲɛl mˈuɕi zˈatɔ zapwˈatɕitɕ i pˈɔznatɕ prˌavdʑivˈɛɡɔ bʲillʲˈɛɡɔ summˈɛrsa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_56.wav|vˈaxam ɕɛ pʃˈɛs xfˈilɛ, pɔ tʃɨm pˌɔstanˈavʲam pˈujɕtɕ na spɔtkˈaɲʲɛ s tˈɛssɔ̃. ˌɔna bˌɛɲdʑɛ vʲɛdʑˈawa, tsˈɔ pɔvˈinnam zrˈɔbʲitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_115.wav|a jˈɛɕli tˈak, tʃɨ ɕɛ ɔbʒˈɛra i pɔpˈija ʃˈɛjki w vˈɛɡas, tʃɨ rˈatʃɛj lˈɛʒɨ pˌɔɡʒɛbˈanɨ ɡdʑˈɛɕ na ˌɔtatʃajˈɔntsɛj mʲˈastɔ pustˈɨɲi?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_49.wav|ˈaʃ unˈɔɕi vzrˈɔk, ʒˈɛbɨ spˈɔjʒɛtɕ mi w ˈɔtʃɨ i ɕtɕˈiska ɕˈɔstrɛ pɔ rˈas ɔstˈatɲi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_45.wav|ɲˈikt tˈutaj ɲʲɛ vɨrˈuʒɲʲa ɕɛ s twˈumu.|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_85.wav|pˈuʑɲʲɛj ɕɛ rɔzɲʲˈɔswɔ, ʒˈɛ ʃˈukam prˈatsɨ i zatʃˈɛli kˌɔntaktˈɔvatɕ ɕɛ zˈɛmnɔ̃ rˈuʒɲi faxˈɔftsɨ. xˌɨdrawlˈitsɨ, ˌɛlɛktrˈɨtsɨ, ʃklˈaʒɛ. mˈɔʒna bˈɨ vɨlˈitʃatɕ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_94.wav|zdɔbˈɨliɕmˌɨ xfˈawɛ.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_273.wav|vʲˈɛnts lˈɔrd bˈɛrits pˌɔtsawˈɔvaw jˈɔ̃ zˈamjast mɲʲɛ i pwˈɔmjɛɲ ʒˈɨtɕa pʃˈɛʃɛd ɔt ɲʲˈɛɡɔ dɔ ɲʲˈɛj. ftˈɛdɨ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_29.wav|stˈaw pʃˈɛs xfˈilɛ rˌɔzɡlɔndˈajɔnts ɕɛ dˌɔɔkˈɔwa, pɔ tʃɨm skˈinɔw ɡwˈɔvɔ̃ bˈɛki i rˈuʃɨw vzdwˈuʃ lˌiɕtɕastˈɛɡɔ ʃlˈaku.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_135.wav|tˈak ɕɛ tɕˈɛʃɛ, ʒˈɛ ɲˈits tɕi ɲʲɛ jˈɛst, sˈanxɛs.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_132.wav|bˌɨwam ɡwˈupja, vʲˈɛʒɔnts, ʒˈɛ mˈɔʒɛ bˈɨtɕ inˈatʃɛj.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_133.wav|ɲʲɛ vʲˈɛʒɛ, ʒˈɛbɨ mʲˈawa kˈartɨ tˈaɡ dˈɔbrɛ jˈak mˈɔjɛ. zɡadˈujɛ, ʒˈɛ tʃˈɨma kˈɔlɔr.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_108.wav|zˌauvˈaʒam jˈakʲɛʑ bɛzɡrˈɔwɨ na ɔdvrˈɔtɕɛ jˈɛdnɛj s kˈɔpɛrt. tɔ pˈismɔ dˌɔmiɲˈika.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_185.wav|zwˈɔtɛ pwˈaʃtʃɨ ˌɔdɛpxnˈɛwɨ nˈas na bˈɔk, ʒˈɛbɨ mˈukw pʃˈɛjɕtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_157.wav|ktˌurɛ zˌamɨkˈawɔ ɕɛ w ɕlˈad za ɕmˈiɡwɛm ʃˈɨpkɔ ɲˈibɨ vˈɔda za kˈimɕ, ktˈɔ tˈɔɲʲɛ w ɕrˈɔtku nˈɔtsɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_156.wav|ɲʲˈɛx tɕi bˈuk ɲʲˈɛba pʃɨxˈɨli, kˈɔrʲɛ, mˈɨɕli bʲˈillɨ i tʃˈujɛ, ʒˈɛ dɔː ˈɔtʃu ɔ dʑˈivɔ nˌapwɨvˈajɔ̃ mˈuzɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_97.wav|ˌalɛ prˈɔʃɛ ɲʲɛ zamˈɨkadʑ dʒvˈi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_253.wav|stʃˈawuv dʑɛɕˈɔntkɛ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_116.wav|tsˈawɔ̃ dˈɔbɛ bˈɔli mɲʲɛ ɡwˈɔva.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_283.wav|pwˈatsɛ tsˈɔ mʲˈɛɕɔndʑ za pˌarkɔvˈaɲʲɛ tsˈɨŋɡla f pˈɔrtɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_201.wav|dˈɔbra, zɡˈɔdʑiw ɕɛ bʲˈillɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_113.wav|tsˈɔ tɨ dɔ xɔlˈɛrɨ...|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_254.wav|drˈuɡɔ̃ fˈalɔ̃ bˌɛndɔ̃ frɛjˈɔvʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_174.wav|tɔ bˈɨw pravdʑˈivɨ tsˈut?|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_323.wav|pɔtʃˈɛbnɨ mi nˈɔvɨ mˈɔ̃ʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_229.wav|a mˈɔʒɛ ˌɔna fstˈaɲʲɛ nˈaɡlɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_89.wav|ˈɔjtɕɛts mʲˈaw tˌɨlkɔ pʃˌɨɡɔtˈɔvatɕ pɔvʲˈɛʃxɲʲɛ wɔntʃˈɛɲʲa s pwaʃtʃˈɨznɔ̃ ɕtɕˈanɨ, ˌalɛ ɔɕˈɔŋɡnɔw ʃtʃˈɨt pɛrfˈɛktsji.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_196.wav|ʒˈadɛn ɲʲɛbjˈɛski ɲʲɛ vˌɨskakˈujɛ jˈɛdnaɡ zzˈa dvˌupʲɛntrɔvˈɛɡɔ budˈɨŋku, a f sˌutɛrˈɛɲʲɛ jɛst tˌɨlkɔ dʑɛftʃˈɨna.|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_5.wav|pˈɔza tɨm jˈɛdnak prˌɛzɛntˈujɛ ɕɛ tsˈawkʲɛm ˌɛlɛɡˈantskɔ, w lˈɛtɲim ɡˌarɲitˈuʒɛ i stˌɔnɔvˈanɨm ʃˈarɨm kravˈatɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_47.wav|zˌavaxˈawa ɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_100.wav|rˈudɨ spʲɔrnˈɔvaw mɲʲɛ vzrˈɔkʲɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_18.wav|ˌalɛ ɲʲɛ mˈɔɡɛ zɔstˈavidʑ ɡˈɔ tˈutaj samˈɛɡɔ, vʲˈɛnts mˈuʃɛ pʃˈɛstatɕ mˈɨɕlɛtɕ i zˈatʃɔɲdʑ dʑˈawatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_91.wav|ˌalɛ tʃɨ ˌɔna bˌɛɲdʑɛ f tɨm mʲˈɛɕtɕɛ? pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_206.wav|ɲʲɛ mˌamɨ jˈuʒ drˈɛvna.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_91.wav|ˈɔt, vʲˈɛlka brˈɨwa s tɕˌɔŋɡnɔntsˈɨmi ɕɛ vˈɔkuw ɡrubˈɨmi rurˈami.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_28.wav|rɔbˈaki ɕɛ vɨmˈɨjɛ, xwˈɔptʃɛ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_158.wav|blˈiskɔ krulˈɛfskʲɛj pʃɨstˈaɲi, na krulˈɛfskim trˈaktɕɛ bˌɨwɔ tˈaɡ bɛspʲˈɛtʃɲʲɛ, jˈak tɔ tˌɨlkɔ mɔʒlˈivɛ f tɨx tʃˈasax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_18.wav|tˌɨlkɔ lˈɛkkɔ, ˌalɛ tˈak tɔ jɛst ˈuɕmʲɛx.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_61.wav|ɲʲˈɛmam vˌɨstartʃajˈɔntsɨɣ dɔvˈɔduf, ʒˈɛbɨ ɔskˈarʒɨtɕ tɕˈɛ ɔ pʃˈɛmɨt.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_228.wav|nazˈɨva ɕɛ tɔ vdrˌukɔvˈaɲʲɛ. ta dʑɛftʃˈɨna vdrˌukɔvˈawa sˈɔbjɛ tɕˈɛbjɛ, bʲˈillɨ.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_78.wav|mˈam nadʑˈɛjɛ, ʒˈɛ mˈawa krulˈɔva i jɛj kuzˈɨŋki znalˈazwɨ dˈuʒɔ pʃˌɨjɛmnˈɔɕtɕi f tˈɨx...|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_5.wav|drˈɔbnɨ i ʒɛlˈastɨ, mʲˈaw ʒˌɛdɲʲɛjˈɔntsɛ vwˈɔsɨ, xˌatʃɨkɔvˈatɨ nˈɔs i mˈawɛ ˌɔkulˈarɨ bˈɛs ɔprˈavɛk, ktˌurɛ tɕˈɔŋɡlɛ tʃˈɨɕtɕiw.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_426.wav|pˌɔtʃɛbˈujɛ tɕˈɛ bˈardʑɛj ɲˈiʃ kʲˌɛdɨkˈɔlvʲɛɡ dˈɔtɔnt.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_194.wav|vˈidʑiʃ, pɔvʲˈɛdʑaw ˈandɛrsɔn, tɔ mˈɔʒna tʃˈutɕ, ˌalɛ ɲʲɛ mˈɔʒna tˌɛɡɔ zrɔzˈumjɛtɕ.|0
+Dataset/wavs/urwisko_ferenc/38_segment_42.wav|lˈɛpʲɛj mɲʲɛ ˈɔdvʲɛɕ i pɔɡˈadaj z ɡʒɛɡˈɔʒɛm.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_57.wav|a jaxˈɛrɨs pˌɔjɛdnˈaftsa pɔzbˈaviw nˈas ʃˈal sɔndʑˈɛɲʲa.|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_38.wav|ɲʲˈɛmam pɔjˈɛɲtɕa.|4
+Dataset/wavs/urwisko_ferenc/44_segment_67.wav|wˈɔftsa pˌɛdɔfˈiluf|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_75.wav|i zrˈɔbjɛ fʃˈɨstkɔ, tsˈɔ w mˈɔjɛj mˈɔtsɨ, ʒˈɛbɨ zapˈɛvɲidʑ dʑˈɛtɕɔm ʃtʃˈɛɲɕtɕɛ i pɔtʃˈutɕɛ bˌɛspʲɛtʃˈɛɲstfa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_16.wav|vʲˈɛm, ʒˈɛ pɛvnˈɛɡɔ dɲʲˈa zˈɛxtsɛ pˈɔznatɕ prˈavdɛ ɔ sfˈɔim ˈɔjtsu i mˈɔʒɛ nˈavɛd ɡˈɔ pˈɔznatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_11.wav|ʒˈɛ zdˈɔwam jˈɛ ˈɔddatɕ, zˈaɲim ɕɛ zˌɔrjɛntˈujɛʃ.|3
+Dataset/wavs/urwisko_ferenc/14_segment_17.wav|kˈɔrdʒ zˈɛrknɔw na ˌɛlɛɡˈantski zɛɡˈarɛk s lɕɲʲˈɔntsɨm skuʒˈanɨm pˈaskʲɛm na pʃɛɡˈubjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_73.wav|ˌalɛ ftɕˈɔ̃ʒ vˈidʑɛ f tfˈɔim zˌaxɔvˈaɲʲu bjˈɛrnɔ̃ aɡrˈɛsjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_49.wav|jˈɛdnɔː i drˈuɡʲɛ vˌɨlɔndɔvˈawɔ na zˌakuʒˈɔnɨm xɔdɲˈiku.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_150.wav|ˌalɛ krˈula pˌɔbwɔɡɔswˈavitɕ ɲʲˈɛxtsɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_108.wav|mˈuj ˈumɨsw ˌanalizˈɔvaw sˌɨtuˈatsjɛ f ʃalˈɛɲtʃɨm tˈɛmpʲɛ. zˈamknɛ zˈavur i tsˈɔ dˈalɛj?|4
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_19.wav|ˌalɛ ktˈɔɕ tˈam jˈɛst?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_15.wav|bˌɛɲdʑɛʃ mˈuɕaw vˈɨjɕtɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_11.wav|prubˈɔvaw ukrˈɨvatɕ pʃɛdˈɛmnɔ̃ sfˈɔjɛ ˌuzalɛʒɲʲˈɛɲʲɛ ɔt xazˈardu, a ja pʃˌɨmɨkˈawam nˈaɲʲɛ ˈɔkɔ, bˈɔ tˈaɡ bˌɨwɔ vɨɡˈɔdɲʲɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_76.wav|bˈɨtɕ mˈɔʒɛ, mˈuvi bʲˈillɨ, ˌalɛ ɲʲɛ zamjˈɛʒa stʃˈɛlatɕ nˈavɛt na ɡwɛmbˈɔkʲɛj prɔvˈintsji, ɡdʑˈɛ kˈaʒdɨ znˈak stˈɔpu jɛst pˌɔdʑuravʲˈɔnɨ kulˈami. za dˈuʒɛ rɨzˈɨkɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_262.wav|irˈina ˌɔpsɛrvɔvˈawa mɲʲɛ zˈɛ zwɔvrˈɔɡɔ̃ mˈinɔ̃, kʲˈɛdɨ ʃwˈam pʃˈɛs xˈɔl dɔ vˈɨjɕtɕa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_41.wav|zakwˈadam, ʒˈɛ dɔmˈiɲik mˈuɡw zadʑvˈɔɲidʑ dɔ jˈɛnnɨ, kʲˈɛdɨ ɲʲɛ udˈawɔ mu ɕɛ zˈɛmnɔ̃ skˌɔntaktˈɔvatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_122.wav|tʃɨ tˈamtɛ, s kturˈɨmi zˌamɛntʃˈɨwɛm ɕɛ prˈavʲɛ na ɕmʲˈɛrtɕ,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_5.wav|dʑˈiɕ s trˈudɛm pʃˌɨxɔdʑˈiwɔ mi jˈɛdnak skˌɔntsɛntrɔvˈaɲʲɛ ɕɛ na zajˈɛɲtɕax, a ɡɔdʑˈinɨ tɕɔŋɡnˈɛwɨ ɕɛ ɲʲˌɛmiwɔɕˈɛrɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_8.wav|ˌalɛ jˈak mˈɔɡwabˌɨm tɔ zrˈɔbʲitɕ, vʲˈɛdʑɔnts, ʒˈɛ tsˈawɛ nˈaʃɛ ʒˈɨtɕɛ zˌɔstawˈɔbɨ zˌaɡrɔʒˈɔnɛ z mˈɔjɛj vˈinɨ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_146.wav|w jˈaki spˈɔsup udˈawɔ tɕi ɕɛ pʃˈɛʒɨtɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_177.wav|na pˈɛwnɛj ɲʲˌɛdɔpˈawku f kɔnsˈɔli lˈɛʒɨ ˌalumiɲʲˈɔva fˈɔrma dɔ tɕˈasta tˈablɛ tˈalk.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_4.wav|zatʃˈɨnam ɕɛ rˈuvɲʲɛʒ zˌastanˈavʲatɕ, tʃɨ w ɔɡˈulɛ tˌɛɡɔ xtsˈɛ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_219.wav|ɲʲɛ ɔdvˈaʒɨwbˌɨɕ ɕɛ tˈaɡ zˌaxɔvˈɨvatɕ, ɡdˈɨbɨ bˈɨw tˈu pˈɛtɛr.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_433.wav|pʃɛt ɲˈimi tɕɔŋɡnˈɛwɔ ɕɛ vɨsˈɔkʲɛ skˈalnɛ ɕˈɔdwɔ, vˈɔ̃skʲɛ i skˈutɛ lˈɔdɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_117.wav|fxˈɔdʑɔ̃ pɔ sxˈɔdaɣ dɔ pʃɛtɕˈɔŋka. rˈixtɛr pʃˈɔdɛm, bʲˈillɨ lˈɛkkɔ zˌasapˈanɨ s tˈɨwu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_481.wav|kɔʒˈɨstam z miwˈɔɕtɕi tˈɨlɛ, tsˈɔ tʃˈɛba.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_53.wav|mˈilljɛ pˌɔstanɔvˈiwa jɛj pˈɔmuts i traktˈujɛ sfˈɔjɔ̃ mˈisjɛ bˈardʑɔ pɔvˈaʒɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/56_segment_26.wav|bˈɨw pˈɛvʲɛn, ʒˈɛ ˈumjɛ rˌɔspɔznˈavadʑ zˌakɔxˈanɨx f pikˈantnɨx rɔzrˈɨfkax, a ˌɔna mʲˈawa tsˈɔɕ takʲˈɛɡɔ w ˈɔtʃax...|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_49.wav|ja tɔ vʲˈɛm ɔd dɲʲˈa mˈɛɡɔː ˌurɔdʑˈɛɲʲa. nˈɔnsɛns.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_128.wav|i pwˈatɕi mi prˈɔtsɛnt.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_35.wav|ʃtʃɛɡˈulɲʲɛ vˈitam tɕˈɛbjɛ, spˈikɛ, bˈɔ mˈam nadʑˈɛjɛ, ʒˈɛ tˌɛɡɔ swˈuxaʃ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_89.wav|ˈɛstɛr pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_6.wav|ɲˈidʑɡ znˈuf tʃˈɛka f kˌɔrɨtˈaʒu, pˈɔza pˈɔlɛm vidʑˈɛɲʲa ˌɛvɛntuˈalnɨɣ drˈɔnuf pˌɔlitsˈɨjnɨx. mˈawɔ prˌavdɔpɔdˈɔbnɛ, bˈɨ krɔ̃ʒˈɨwɨ f pɔblˈiʒu, ˌalɛ ɲʲɛ ɲʲˌɛmɔʒlˈivɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_93.wav|jɛst tˈam tˈɛʃ mˈɔjɛ dˈuʒɔ bˈardʑɛj ˌaktuˈalnɛ zdjˈɛɲtɕɛ s fˌatsɛbɔˈɔka.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_41.wav|— tˈak — pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_97.wav|a mˈaʒɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_94.wav|dʑɛftʃˈɨna znˈɔvu drʒˈɨ i tɕˈixɔ pˌɔjɛŋkˈujɛ. bʲˈillɨ fsˈuva rˈɛŋkɛ pɔt jɛj kɔlˈana, unˈɔɕi jˈɛ i ɔpˈuʃtʃa rˈɔmbɛk kɔʃˈulki na jɛj pɔɕlˈatki i ˈuda.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_102.wav|zˌauvaʒˈɨwam, ʒˈɛ fʃˈɨstkim kʲɛrˈujɛ jˈɛdna kɔbjˈɛta.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_12.wav|ɡdʑˈɛ pˈaɲi pʃˌɛbɨvˈawa, kʲˈɛdɨ ˌuswɨʃˈawa tˈɛ rɔzmˈɔvɛ mʲˌɛndʑɨ mˈartɔ̃ pˈɔrtɛr a pˈaɲʲɔ̃ strˈaxan?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_88.wav|pɔwˈɔva mɲʲɛ rˌɔspatʃlˈivʲɛ prˈaɡɲʲɛ, bˈɨ tsamˈɛrɔn bˈɨw mˈartfɨ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_503.wav|ɲʲɛprˈavda.|1
+Dataset/wavs/urwisko_ferenc/31_segment_32.wav|pɔ mˌɛrtsɛdˈɛɕɛ ɲʲɛ bˌɨwɔ ɕlˈadu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_71.wav|jˈɛdɛn s pˌɔlitsjˈantuv bˈɨw mˈiwɨ. pɔsˈadʑiw mɲʲɛ w rˌadjɔvˈɔʑɛ, ʒˈɛbɨ sɔ̃ɕˈɛdʑi mɲʲɛ ɲʲɛ vidʑˈɛli i mɲʲɛ pʃɨtˈuliw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_105.wav|dˈaʃ rˈadɛ zˈasnɔɲtɕ? pˈɨta ˈɛlis.|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_55.wav|mˈɨɕliʃ, ʒˈɛ bˈɨwbɨ zˌadɔvɔlˈɔnɨ, ʒˈɛ tˈaɡ zrɔbʲˈiwam? ʒˈɛ ˌutʃɨmˈawam ɡˈɔ pʃɨ ʒˈɨtɕu?|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_175.wav|bˈaki mˈa pɔvˈaʒnɔ̃ mˈinɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_50.wav|vʲˈɛm i zapˈɛvɲʲam tɕˈɛ, ʒˈɛ mi nˈaɲʲɛj zalˈɛʒɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_56.wav|xˈɔff ˌɔtpɔvʲˈada, fpˈadnɛ dɔ tfɔjˈɛɡɔ dˈɔmu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_30.wav|zˈaɲim zdɔ̃ʒˈɨwa pɔvʲˈɛdʑɛtɕ tsˈɔʑ vʲˈɛntsɛj, pˈɔtʃɛd dɔ ɲˈix ˌuɕmʲɛxɲʲˈɛntɨ kˈɛlnɛr i zapˈɨtaw, tʃɨ mˈɔʒɛ im tsˈɔɕ pˈɔdatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_196.wav|fˈajɲʲɛ mʲˈɛtɕ tˌaki f pɔblˈiʒu. f kˈaʒdɛj xfˈili mˈɔʒna vɨskˈɔtʃɨtɕ pɔ ɕfʲˈɛʒɛ vaʒˈɨva i w ɔɡˈulɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_46.wav|tˈɔm zˈamknɔw ˈɔtʃɨ.|3
+Dataset/wavs/urwisko_ferenc/16_segment_33.wav|— tfˈuj vˈus? — spˈɨtaw pʃɨjˈaʑɲʲɛ pɔlˈitsjant.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_335.wav|ˌalɛ ɔn bˈɨw jˈuʃ na sxˈɔdax. pɔdbjˈɛɡwɛm dɔː ˈɔkna.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_100.wav|w ɕrˈɔtku ɲʲɛ bˌɨwɔ ʒˈɨvɛj dˈuʃɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_126.wav|fˈilis uɕmʲˈɛxa ɕɛ i taksˈujɛ ɡˈɔ vzrˈɔkʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_220.wav|mɔʒlˈivɛ, ʒˈɛ jɛst jˈɛɲtsɛm w bliʑɲʲˈakax.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_691.wav|pˈɛvɲʲɛ bˈɨm ɕɛ zˌatʃɛrvʲˈɛɲiw, ɡdˈɨbɨm mˈuɡw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_89.wav|tʃˈarnɨ ˌɛjɛlˈinɛr.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_11.wav|vʲˈɛŋkʃɨ z dvˈux mˈɛ̃ʃtʃɨzn ɕɛ uɕmʲˈɛxnɔw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_49.wav|— tˈak, mˈuvi ˈɛlis, pˈatʃɔnts na ɲʲˈɛɡɔ spˈɔd brvˈi. nˈadal mˌaɲipulˈujɛ ɲˈim na tsawˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_75.wav|vˈɨʒɛj pɔprˈɔʃɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_73.wav|pˈujdɛ vʑˈɔɲtɕ prˈɨtʃɲits, a tɨ jˈatɕ pɔ dʑˈɛtɕi.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_153.wav|ʒartˈujɛʃ sˈɔbjɛ? tˈatɔ, tɛn spˈaf jɛst sɔlˈidnɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_47.wav|pˌɔjɛxˈawam dɔ kˌɔlɛʒˈaŋki i zˌaparkɔvˈawam na jɛj mʲˈɛjstsu. tˈam zabʲˈitɔ tˌɛɡɔ tʃwɔvʲˈɛka.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_15.wav|ˌɔtʃɨvˈiɕtɕɛ, ˈɔtpar zˌatɕɛrˈajɔnts rˈɛntsɛ z vʲˈɛŋkʃɨm ˌɛntuzjˈazmɛm ɲˈiʒ vˌɨpadˈawɔ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_236.wav|tɔ prˈavda.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_165.wav|muɕˈɛliɕmˌɨ zbudˈɔvatɕ tɛ ɔkrˈɛntɨ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_48.wav|istɲʲˈawɔ stˈɔ rˈuʒnɨx ˌɔpɔvʲˈɛɕtɕi ɔ jˈɛɡɔ pʃɨɡˈɔdax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_123.wav|naprˈavdɛ ɡˈɔ zˌastʃɛlˈiwɛɕ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_104.wav|tɔ zdˈajɛ ɕɛ spɛtsjˈalnɔɕtɕ pisˈaʒɨ, tɕɛkˈavɔɕtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_81.wav|jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ, vɨxrˈɨpʲaw pˌɔtpuwkˈɔvɲik, pɔ tʃɨm pˈikɲik mˈiɕuf jˈaja sˈɔbjɛ zˈɛmɲʲɛ rˈɔ...|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_145.wav|zbjˈɛʃ lˈudʑi z ɡˌarɲizˈɔnu f kɔmnˈatɕɛ stˈup alˈɛɲisk. jˈɛɲtsuf rˈuvɲʲɛʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_110.wav|i vɨtɕˈɔŋɡa sfˈɔjɔ̃ tˈɔrbɛ z laptˈɔpɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_56.wav|f tɕˈɔŋɡu tɨx kˈilku dɲˈi vʲˈɛlɛ ɕɛ tˈɛʃ nˌautʃˈɨwam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_104.wav|jˈɛɕli zalˈɛʒɨ tɕi na jˈɛɡɔ miwˈɔɕtɕi i ˌaprɔbˈatɕɛ,|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_11.wav|tsɛrsˈɛi vˌɨrɨvˈawa mu vwˈɔs spˈɔt pɔdbrˈutka i uɲʲˈɔswa ɡˈɔ dɔː ˈɔtʃu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_17.wav|swˈuxam?|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_163.wav|nˈastaf sˈɔbjɛ bˈudʑik f tˌɛlɛfˈɔɲʲɛ na ʃˈustɔ̃, mˈuvi, kʲˈɛdɨ vɨpˈuʃtʃa jˈɔ̃ zˈɛ sfˈɔix rˈamjɔn.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_59.wav|ˌalɛ z ɡˈurɨ ɔstʃˈɛɡam, jˌɛstɛm f tɨm dˈɔbrɨ i ɡrˈam, ʒˈɛbɨ vˈɨɡratɕ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_254.wav|rjˈɛn uɲʲˈɔswa nˈaɡlɛ vzrˈɔk.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_116.wav|ta pʲɔsˈɛŋka pɔdˈɔba mi ɕɛ bˈardʑɛj.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_302.wav|jˈɛʃtʃɛ rˈaz zˌaʃamɔtˈawɛm ɕɛ s xaˈɔsɛm ɔdrˈuxuf prˈaɡɲʲɛɲ,|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_321.wav|pɔtɕˈɔŋɡaw nˈɔsɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_113.wav|w jˈaki spˈɔsup ɕɛ ɡˈɔː ˌɔpswuɡˈujɛ?|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_123.wav|bˌɨwɔː ix xˈɨba zˈɛ stˈu.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_102.wav|zbʲˈirɨ ɲˈiɡdɨ ɲʲɛ zˌatʃɛpʲˈajɔ̃ ɲikˈɔɡɔ, ktˈɔ ɲʲˈɛma mʲˈɛtʃa.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_46.wav|f pˈɨsku tʃˈɨmaw pˌɔkɔnanˈɛɡɔ skˌɔrupʲˈaka. tʃɨ ɲʲɛ tˈam xtsˈɛmɨ ˈiɕtɕ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_320.wav|ɲʲɛbˈavɛm mʲˈaw vrˈutɕitɕ w mʲˈɛjstsɛ, kturˌɛɡɔ kʲˈɛdɨɕ ɲʲɛ zˌamjɛʒˈawam ɔpˈuʃtʃatɕ.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_77.wav|wˌaɡɔdɲʲˈɛjʃɛ swˈɔva mˈɔɡwɨbˌɨ jˈɔ̃ pʃɛkˈɔnatɕ, ˌalɛ ɔstˈatɲʲɔ na sˈam vˈidɔk ɕˈɔstrɨ ɔɡˈarɲʲaw ɡˈɔ ɡɲʲˈɛf.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_7.wav|tˈɛssa vɨtˈarwa ukrˈatkʲɛm dwˈɔɲ f xustˈɛtʃkɛ, pɔ tʃɨm fɕtɕisnˈɛwa jˈɔ̃ dɔ kʲɛʃˈɛɲi i fstˈawa. ˌuɕmʲɛxnˈɛwa ɕɛ dɔ ɲʲˈɛɡɔː i vˌɨtɕɔŋɡnˈɛwa rˈɛŋkɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_117.wav|jɛst tˈaka ˌusamɔtɲʲˈɔna f tɨm sfˈɔim dˈɔmu, tsˈɔ?|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_149.wav|pˈɔtɕɔŋk rˈuʃɨw z mʲˈɛjstsa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_51.wav|uvˈaʒaj, ɡdʑˈɛ stˈavʲaʃ nˈɔɡʲi, ʒˈɛbɨɕ sˈɔbjɛ ɲʲɛ zwamˈawa kˈɔstki? tsˈɔ tˈɨ, jɛj tatˈuɕɛm jˈɛstɛɕ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_15.wav|fspɔmɲʲˈɛɲʲa na nˈaʃ tˈɛmad drˈɛntʃɔ̃ mɲʲɛ pʃˈɛs tsˈawɨ dʑˈɛɲ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_136.wav|bʲˈillɨ vɨɕˈada, zˌɔstavʲˈajɔndʑ dʒvˈi ɔtfˈartɛ i prɔvˈadʑi jˈɔ̃ na tˈɨw pˈitskˈupa.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_259.wav|ˈɔɡar ɲʲɛ ʒˈɨjɛ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_169.wav|brˈuskɔ s tsurkˈami pˌɔdʑɛlˈili mˈawʒɛ na tʃˈɨ tˈatʃki, ˌukwadˈajɔnts jˈɛ na vˈarstfaɣ vˌɔdɔrˈɔstuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_94.wav|vʲˈɛʃ, tsˈɔ pˌɔvʲɛdʑˈawɨbˌɨ mˈama i dʒˈɛrɨ, ɡdˈɨbɨ vʲɛdʑˈawɨ, tsˈɔ mɲʲɛ spɔtkˈawɔ w mʲɛʃkˈaɲʲu trˈipa? i tsˈɔ rˈɔbjɛ tˈɛras tˈutaj s tˈɔbɔ̃?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_84.wav|tʃɨ mɔʒˈɛmɨ f tʃˈɨmɕ pˈɔmuts, zˈaɲim vrˈutɕi spˈɛntsɛr?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_33.wav|tsˈawa mˈɔja sˌamɔkɔntrˈɔla ˌulɛtɕˈawa pʃˈɛs ˈɔknɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_44.wav|pˌɔvʲɛdʑˈafʃɨ tɔ, tˈɔm vˈɨʃɛt s sˈali.|3
+Dataset/wavs/urwisko_ferenc/42_segment_67.wav|z ɲˈiskɔ̃ zˌabudˈɔvɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_237.wav|ˌɔna bˌɨwa bˈardʑɔ pɔvˈaʒnɨm pʃˌɛtɕivɲˈikʲɛm. ɲʲˈɛmal ɔt rˈazu pɔznˈawa bʲillʲˈɛɡɔ, mˈimɔ pʃɛbrˈaɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_92.wav|ɕtɕˈɛʃka znˈɔvu zˌakrɛɲtɕˈiwa i ujʒˈɛli pʃɛt sˈɔbɔ̃ xˈatɨ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_265.wav|kˈaʃɛl sprˈavʲaw jɛj straʃlˈivɨ bˈul.|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_39.wav|ˌalɛ mˈɔʒɛ pˈan xˈɔtɕaʃ pɔvʲˈɛdʑɛtɕ, tʃɨ f kɕˈɔ̃ʃtsɛ bˌɛɲdʑɛ dˈuʒɔ krfˈi?|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_94.wav|jˌɛstɛm krulˈɔvɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_52.wav|bʲˈillɨ kˈɔpjɛ ɡˈɔ w nˈɔɡɛ. ɲʲɛmˈɔtsnɔ, ˌalɛ martʲˈinɛs kʃˈɨtʃɨ i vˌiklinˈɔvɨ fˈɔtɛl znˈuv zatʃˈɨna ɕɛ bˈujatɕ. rˌɔzrɨfkˈɔvɨ mˈɛbɛl dla tʃˈɛx rˌɔzrɨfkˈɔvɨx kˈumpli.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_4.wav|dɔpʲˈɛrɔ ɡdˈɨ stsˈɔdd vɨjˈaɕɲiw mi, dlatʃˈɛɡɔ zˈabraw tɛ pʲɛɲʲˈɔndʑɛ, pɔtʃˈuwam ɕɛ ˌɔdrɔbʲˈinɛ lˈɛpʲɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_256.wav|kˈaʒdɨ krˈɔk jɛst tˈak trˈudnɨ, jˈaɡ za pʲˈɛrʃɨm rˈazɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_29.wav|jɛdʑˈɛmɨ nat mˈɔʒɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_65.wav|ˌɔnɛ ˈutʃɔ̃ ɕɛ zaxˈɔvaɲ ˌuʒɨtkɔvɲˈika, pʃˌɛvidˈujɔ̃ tʃɨnnˈɔɕtɕi, ktˌurɛ zamjˈɛʒa vɨkˈɔnatɕ i dʑawˈajɔ̃ ɲʲˌɛzalˈɛʒɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_165.wav|dʑˈɛŋki ˌaramˈɔvi tʃˈuwam ɕɛ zˈatɔ, jˈaɡbɨ mʲˈaw dla mɲʲɛ tsˈawɨ tʃˈas na ɕfʲˈɛtɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_186.wav|ˌalɛ dɔmˈɨɕla ɕɛ, ʒˈɛ tɛn jɛj ˈakt jˈuʃ ɕɛ prˈavʲɛ skˈɔɲtʃɨw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_109.wav|zadˈɛptaw jˈɔ̃ na ɕmʲˈɛrtɕ? ɲʲɛ zmɨɕlˈiwɛɕ tˈɛɡɔ?|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_230.wav|kazˈawam rˌɔbɔtˈɔvi zɛskˈɔtʃɨtɕ na pɔdwˈɔɡɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_149.wav|mˈa zˈatɔ plˈusa ˈubɨtɕ jˈɛɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_157.wav|i tˈak jˈuʃ tɕˈɛrpiʃ, prˈavda?|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_314.wav|tɔ mˈɔɡwɔː ɔznˈatʃatɕ tˌɨlkɔ jˈɛdnɔ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_130.wav|krˈɛf, ktˌura spwɨnˈɛwa pɔ tfˈaʒɨ mɨrtsˈɛlli,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_93.wav|ɲʲɛ mˈɔɡɛ ɕˈɛdʑɛtɕ f ʃkˈɔlɛ, dɔpˈuki tɔ fʃˈɨstkɔ ɕɛ ɲʲɛ skˈɔɲtʃɨ. a jˈɛɕli zamjˈɛʒam vʑˈɔɲdʑ vˈɔlnɛ dɔ kˈɔɲtsa tɨɡˈɔdɲʲa, mˈuʃɛ vɨmˈɨɕlidʑ dˈɔbrɛ ˌuspravʲˌɛdlivʲˈɛɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_279.wav|ktˌurɛj ɲʲɛ ˌɔɕmʲɛlˈiwɛm ɕɛ zaswˈaɲʲatɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_364.wav|skˈɔntɕ nˌadlɛtɕˈawɨ ɡɔwˈɛmbjɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_114.wav|a vʲˈɛndʑ dˈɔbʒɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_25.wav|xˈɔtɕ prubˈujɛ ˈuznatɕ tɔ za krˈadʑɛʃ tˌɔʃsamˈɔɕtɕi f ɕˈɛtɕi lˈup tʃˈɨjɛɕ xˈɔrɛ pɔtʃˈutɕɛ xumˈɔru, mˈuʃɛ pʃˈɨznatɕ, ʒˈɛ ʑˈarnɔ zvɔntpʲˈɛɲʲa zɔstˈawɔ zaɕˈanɛ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_199.wav|spˌɔpʲɛlˈɔnɨ i ɲʲˌɛpɔɡʒɛbˈanɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_189.wav|zɔstˈawa bˈɛs ɲˈitʃɨm. ɔt lˈat ɲˈiɡdʑɛ ɲʲɛ prˌatsɔvˈawa.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_209.wav|s tˌɛɡɔ stˈartsa ɲʲˈɛma jˈuʒ ʒadnˈɛɡɔ pɔʒˈɨtku.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_53.wav|i pˌɔmɨɕlˈawɛm rˈaptɛm, ʒˈɛ ɔt lˈat ɲʲɛ vˈidʑɛ vrˈɔn, ɲʲɛ vˈidʑɛ ptˈakuf mɔjˈɛɡɔ dʑɛtɕˈiɲstfa.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_95.wav|a tsˈɔ ɕɛ dʑˈɛjɛ pˈɔtɛm?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_134.wav|pɔ mˈɔkrɨm asfˈaltɕɛ xwˈɔptsɨ ɡaɲʲˈali pˈiwkɛ w bjˈawɔtʃˈarnɛ wˈatɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_110.wav|ˈilɛ jɛzd vˈarta tsˈawa ɕˈɛtɕ tˌɛlɛkˌɔmuɲˌikatsˈɨjna na ʑˈɛmi?|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_177.wav|bˈutskɨ dɔʒˈutsa jˈɛʃtʃɛ dvˈa i kˈaʒɛ bʲilljˈɛmu vˈɨswatɕ fʃˈɨstkʲɛ pʲˈɛɲtɕ maˈilɛm dɔ dʒˈɔrdʒja.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_243.wav|f tʃˈaɕɛ pʃˈɛrvɨ ˌɔbjadˈɔvɛj dɔː ˌandɛrsˈɔna pˈɔtʃɛd mˈuraj. ˌɔtɔtʃˈɔnɨ bˈɨw ɡrɔmˈadɔ̃ rˌɔbɔtɲˈikuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_138.wav|jˈɛɕli pɔmˈinɔɲdʑ dʑɛɕˈɔntki xˈadʒix, ktˌurɨɣ zawˈatfiw w irˈaku.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_9.wav|i pɔwˈɔʒɨw ɕɛ, pˌɔdwɔʒˈɨfʃɨ vʲatrˈufkɛ pɔd ɡwˈɔvɛ i ˌɔdvrutɕˈifʃɨ tfˈaʒ dɔ ɕtɕˈanɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_243.wav|— zɔstˈawaɕ — bʲˈillɨ ʃˈuka vwˌaɕtɕivˈɛɡɔ swˈɔva — nˌapadɲʲˈɛnta. mˈuɕiʃ ˌɔtpɔtʃˈɨvatɕ, mˈuɕiʃ ɕɛ vˈɨspatɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_95.wav|ɔ dvudʑˈɛstɛj drˈuɡʲɛj krˈɔ̃ʒɛ jˈuʒ ɡˌɔrɔntʃkˈɔvɔ pɔ dˈɔmu, pˈɛwna zwˈɨx pʃˈɛtʃutɕ. dʑvɔɲˈiwam dɔ dˈɔma pʃɨnˈajmɲʲɛj dvadʑˈɛɕtɕa rˈazɨ, ˌalɛ ɲʲɛ ɔdbjˈɛraw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_82.wav|kˈim jɛst kljˈɛnt?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_575.wav|ja ɲʲɛ bˌɨwɛm ɲˈiɡdɨ tˈakim flˈakʲɛm rˌɔzdɛptɨvˈanɨm pʃˈɛs çistˈɔrjɛ na rˈɔɡax ˈulits. mʲˌawɛm pˈɛvnɛ ambʲˈitsjɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_150.wav|ˌalɛ tʃɨ vʲˈɛʃ, jˈak iɣ znˈalɛɕtɕ?|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_165.wav|jˈɛɕli ɔɕmʲˈɛli ɕɛ fspˈɔmɲʲɛtɕ ɔ zwˈɔtɕɛ,|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_149.wav|pˈawl rˈɛɡlant ɲʲɛ mˈɔʒɛ ɕɛ nadʑˈivitɕ, ʒˈɛ bˈɨw tˌaki ɡwˈatki w ɔbˈɛjɕtɕu, tˌaki nˌaturˈalnɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_27.wav|uɕˈɔɲtɕtɕɛ, prˈɔʃɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_128.wav|ɲʲɛ lˈubʲi kˈɛna xˈɔffa. prˈavdɛ mˈuvʲɔnts, ɲʲɛ pɔdˈɔbaw mu ɕɛ jˈɛʃtʃɛ zˈaɲim ɔtfˈɔʒɨw ˈusta. tˈaka ˌinstɨŋktˈɔvna rɛˈaktsja.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_206.wav|pˌɔlitʃˈɨwa jˈɛɕtɕtsuf. dvˈux, tʃtˈɛrɛx, ʃˈɛɕtɕu, ɕˈɛdmju.|1
+Dataset/wavs/urwisko_ferenc/49_segment_93.wav|dˌɔdatkˈɔvɔ na lˈɛvɨm pʃˌɛdramjˈɛɲʲu dʑɛftʃˈɨŋki, tɨm vˌɨstavʲˈɔnɨm dɔ swˈɔɲtsa, vˈiwɨ ɕɛ pɔt skˈurɔ̃ tɕˈɛmnɛ smˈuɡʲi dˌɨfuzˈɨjnɛ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_361.wav|pˌɔinfˌɔrmɔvˈawa ɡˈɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_184.wav|pɔ tʃˈɨmɕ tˈakim zɔstˈajɛ blˈizna, ktˌura ɔt tʃˈasu dɔ tʃˈasu bˈɔli.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_52.wav|mˈuɡwbɨ ˌɔtpɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_244.wav|tsˈɔʑ valnˈɛwɔ mɲʲɛ w ɡwˈɔvɛ i zvalˈiwɛm ɕɛ dɔ ʒˈɛki.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_282.wav|— vʲˈɛ pˈan, tɔ ja vˈaz zˌɔbatʃˈɨwɛm nat rˈanɛm — pɔvʲˈɛdʑaw mɛ̃ʃtʃˈɨzna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_20.wav|dʒˈɛk lˈup xˈaŋk ɲʲɛ mˌaʃɛrˈujɛ, tˌɨlkɔː ˈidʑɛ xfʲˈɛjnɨm krˈɔkʲɛm nˈapʃut, vˌɨmaxˈujɔnts skrˌɛmpɔvanˈɨmi rɛŋkˈami pʃɛt sˈɔbɔ̃ f pˌɔʃukivˈaɲʲu pʃˈɛʃkut.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_23.wav|mˈuʃɛ ɡˈɔ vɨvˈabʲitɕ, ʒˈɛbɨ stˈavitɕ mu tʃˈɔwɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_262.wav|a dla ɲʲˈɛɡɔ puwˈɔbrut na vwˈasnɛj ˈɔɕi?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_123.wav|prˌavdɔpɔdˈɔbɲʲɛ dɔ pˈuʑna.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_364.wav|muɕˈawam ɕɛ nˈapitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_70.wav|pɔ minˈutɕɛ zamknˈɛwa zˈavur, a lˈudʑɛ na zˈɛvnɔntʃ ˌuʃtʃɛlɲˈili nˈamjɔd dɔ kˈɔɲtsa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_209.wav|tˈu jˈɛʃtʃɛ jˈɛdna rubrˈɨka, pˌɔvʲɛdʑˈawa kɔbjˈɛta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_85.wav|pʃˌɨpɔminˈajɔnts sˈɔbjɛ, ʒˈɛ jɛst tˈu swuʒbˈɔvɔ, pʃɨɡwˈadʑa krˈavat i pʃɨbjˈɛra zˌavɔdˈɔvɨ ˈuɕmʲɛx.|2
+Dataset/wavs/urwisko_ferenc/45_segment_38.wav|vˌɨʃtʃɔtkɔvˈanɛ, lˈɛkkɔː ˌuɲʲɛɕˈɔnɛ nat tʃˈɔwɛm vwˈɔsɨ f kɔlˈɔʒɛ kɕˌɛ̃ʒɨtsɔvˈɛɡɔ blˈɔndu ˌɔkalˈawɨ jɛj ʃtʃˈupwɔ̃ tfˈaʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_236.wav|sfɔbˈɔda, mˈɔʒɛʃ pˌɔtraktˈɔvatɕ tɔ jˈakɔ rˈɛvanʒ za fʃˈɨstkʲɛ pʃɨswˈuɡʲi, jakˈimi vɨɕfʲˈattʃaʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_69.wav|n��autʃˈɨwaɕ ɕɛ tˌɛɡɔ dʑˈiɕaj?|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_58.wav|ʃˈarpʲɔnts ˌudrɛntʃˈɔnɛ strˈunɨ ˌɛlɛktrˈɨtʃnɛj ɡʲitˈarɨ, ktˌurɨɣ ɡwˈɔs...|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_405.wav|jˈamɛ tʃˈuw w jˈɛɡɔː ɔddˈɛxu zˈapaɣ vˈina. tʃɨ tɔ prˈavda, ʒˈɛ dʑˈɛfka valtʃˈɨwa nˈaɡɔ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_206.wav|ɔdʑˈɨva ɕɛ vrˈɛʃtɕɛ. mˈam rˈatsjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_65.wav|jˈak trˈump mˈavja tsˈɔ nˈajmɲʲɛj rˈaz dʑˈɛnɲʲɛ. ktˈɔ vʲˈɛ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_164.wav|ʒˈɛ ɡˈarbjɛ ɕɛ tˈam.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_159.wav|sɔ̃ tˈu jˈakʲɛɕ ʃkˈɔwɨ dla dʑˈɛtɕi f pɔblˈiʒu?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_68.wav|mʲˈɛʃam kˈavɛ zˌastanavʲˈajɔnts ɕɛ nat ˌɔtpɔvʲˈɛdʑɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_98.wav|ˈɔfʃɛm, f prˈaktɨtsˌɛ ɔtxˈɨla ɕɛ ɲʲɛznˈatʃɲʲɛ fskˈutɛɡ zjavˈiska librˈatsji, ˌalɛ ɲʲˈɛma sˈɛnsu zavrˈatsatɕ sˈɔbjɛ tɨm ɡwˈɔvɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_20.wav|tʃɨ jɛj ˈadrɛz zˌamjɛʃkˈaɲʲa tɔ ɕɛdʑˈiba fˈirmɨ?|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_210.wav|ˌalɛ dʒˈɛjn mˈuɕi zatʃˈɛkadʑ z zˌamɔ̃ʃpˈujɕtɕɛm pˈɛwnɛ dvˈa lˈata.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_161.wav|tˌɨlkɔː ˌɔna jɛst jˈɛʃtʃɛ pravdʑˈiva.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_285.wav|xtɕˈawabˌɨm, ʒˈɛbɨ tˈu bˈɨw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(74) R.Abbott_Zamknij Drzwi_segment_13.wav|— tˈak, ˌɔtʃɨvˈiɕtɕɛ. ˌalɛ dlatʃˈɛɡɔ tɔ rɔbʲˈili? ɲʲɛ pˌɔdɛjʒɛvˈajɔ̃ mɲʲɛ ɔ ɲˈits. jˌɛstɛm tˌɛɡɔ pˈɛvnɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_74.wav|dˈuʒa ɲʲˌɛspɔdʑˈaŋka spˈɔtka tɕˈɛ. jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ, lˈɛpʲɛj za mˈiɕa pʃˈɛbjɛʃ ɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_169.wav|tsˈawkʲɛm rɔssˈɔndɲʲɛ. jˈɛtɕ ɔstrˈɔʒɲʲɛ, fˈilis.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_266.wav|ʃarpnˈɛwam pɔkrˈɨvɛ vwˈazu i vˈɛʃwam dɔ ɕrˈɔtka.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_210.wav|mˈɔɡwabˌɨm vwˈɔʒɨtɕ ˌɛlastˈɨtʃnɨ tˈɔp spwˌaʃtʃajˈɔntsɨ tsˈɨtski.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_167.wav|skˈɔrɔ ɲʲɛ ˌɔtstʃɛlˈili mi ɡwˈɔvɨ, ɔdvˈaʒɨw ɕɛ pɔpˈatʃɛtɕ trˈɔxɛ dwˈuʒɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_182.wav|tˈɨlɛ, ʒˈɛ jˈuʃ ɲʲˈɛʒɨw, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_223.wav|tˈakɔ̃, pɔ ktˌurɛj bˌɛndɔ̃ jˈɛʃtʃɛ bˈardʑɛj zdˌɛspɛrɔvˈaɲi, ʒˈɛbɨ mɲʲɛ znˈalɛɕtɕ.|3
+Dataset/wavs/urwisko_ferenc/63_segment_65.wav|tˈaɡ bˈɨwɔ. pɔvʲˈɛdʑaw, ʒˈɛ ʑlˈɛ ɕɛ tʃˈujɛ i dʑˈivɲʲɛ ɕɛ zˌaxɔvˈɨvaw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_112.wav|tɔ najlˈɛpʃɛ zˈɛ fʃɨstkʲˈɛɡɔ, tsˈɔ pˈan mˈɔʒɛ zrˈɔbʲitɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_87.wav|mˈam jˌasnɔbrɔ̃zˈɔvɔ̃ skˈurɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_105.wav|kʲˈɛdɨ spravdʑˈaliɕmˌɨ naɡrˈaɲʲa s kˈamɛr mˌɔɲitɔrˈiŋɡu f pɔblˈiʒu parkˈiŋɡu, na ktˌurɨm znˌalɛʑˈɔnɔ pʲˈɛrʃɛ tɕˈawɔ, ɲʲɛ mˈɔʒna bˌɨwɔ zˌidɛntˌɨfikˈɔvadʑ ʒˈadnɨx pˌɔdɛjʒˈanɨx.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_146.wav|pˈɛ.ˈɛs. zabjˈɛram sfɔjˈɛɡɔ laptˈɔpa. tɔ stˈarɨ drˈux. ˌalɛ zɔstˈavʲam pˌɛndrivˈɛa z mˈɔjɔ̃ ˌɔpɔvʲˈɛɕtɕɔ̃. jɛst w mˈɔim pɔkˈɔju rˈazɛm s klˌutʃɨkˈami dɔ sˈuva.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_28.wav|ɡɔtˈufkɛ, pɔvʲˈɛdʑaw spʃˌɛdajˈɔntsɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_161.wav|lˈɛtʃ f strˈɔnɛ ˈɛlji.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_78.wav|lˈana zˈafʃɛ bwaɡˈawa minstrˈɛla ɔ ɡwˈupʲɛ pʲɔsˈɛŋki miwˈɔsnɛ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_126.wav|ʒˈɛkw sˈɛr xˈɛil, ˌalɛ ja mˈuɡwbɨm ˈɔdɡrɨɕtɕ tɕi drˈuɡʲɛ, ɡdˈɨbɨɕ pˈɔtʃɛd dɔ mɲʲɛ z ˌɔɡrɔdɲitʃˈɨmi nˌɔʒɨtsˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_85.wav|pɔdˈɔbɲʲɛ jˈak ɲʲɛktˌurɛ rɛɡʲˈɔnɨ ʃkˈɔtsji.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_359.wav|ˌɔtfɔʒˈɨwa dʒvˈi i vˈɨʃwa na dʑɛdʑˈiɲʲɛts.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_118.wav|ɔt tʃˈasu dɔ tʃˈasu pʃˈɨda ɕɛ jɛj trˈɔxɛ ɛmˈɔtsji.|3
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_10.wav|kˌakˌazˈɛt ftɨkˈawa nˈɔs f plˈanɨ tˌɛxnɔlɔɡʲˈitʃnɛ pˈɔttʃaz zˌakwadˈaɲʲa kˌɔmbʲinˈatu, tsˈɔ ɲʲɛ pˌɔdɔbˈawɔ ɕɛ jˈɛɡɔ vwˌaɕtɕitɕˈɛlɔm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_7.wav|bʲˈillɨ ɕmʲˈɛjɛ ɕɛ. tˌɛɡɔ tɔ ja jˈɛʃtʃɛ ɲʲɛ swɨʃˈawɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_23.wav|mˈama spravʲˈawa vʲˈɛndʑ vraʒˈɛɲʲɛ, jˈaɡbɨ mʲˈaw jˈɔ̃ pɔvˈalidʑ bˈɨlɛ pˈɔdmuɣ vʲˈatru.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_258.wav|ˈuɕad na wˈuʃku i patʃˈɨwa tˈɛras na jˈɛɡɔ mˈɔtsnɛ rˈɛntsɛ, ʃtʃˈupwɨ bʒˈux i ˈɔstrɨ prˈɔfil.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_404.wav|jˈakʲɛɕ rˈɛʃtki rɔssˈɔndnɨx mˈɨɕli pʃˌɛsɨpɨvˈawɨ ɕɛ w mˈɔjɛj ɡwˈɔvʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_165.wav|ɔstrˈɔʒɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_111.wav|mˈɨɕli ɔ mˈawɛj dʑɛftʃˈɨntsɛ s tʲˌijuˈana, ktˌura kurtʃˈɔvɔ ɕtɕiskˈawa zabˈafkɛ, fswuxˈana w dʑvʲˈɛŋɡ zblˌiʒajˈɔntsɨx ɕɛ krˈɔkuf.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_38.wav|nˌamaʃtʃˈɔnɨ rˈɨtsɛʃ pʃˈɨɕɔŋɡw na sfˈuj mʲˈɛtʃ, ʒˈɛ ɔptsˈɔvaw tɕɛlˈɛɕɲʲɛ z ɲʲˈɔ̃ i z dvʲˈɛma z jɛj tʃˈɛx kuzˈɨnɛk.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_267.wav|vˈɨpiw pɔwˈɔvɛ bukwˈaka, a rˈɛʃtɛ vˈina vˈɨlaw dɔ mˈɔʒa.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_105.wav|w ɕtɕˈaɲʲɛ nˌapʃɛtɕˈifkɔ znajdˈɔvaw ɕɛ dˈuʒɨ vwˈas s panˈɛlɛm kɔntrˈɔlnɨm. prɔvˈadʑiw dɔ ɕlˈuzɨ pɔvʲˈɛtʃnɛj, ktˌura bˌɨwa na tˈɨlɛ dˈuʒa, ʒˈɛ mˈɔɡwa pɔmjˈɛɕtɕitɕ tsˈawɔ̃ ɡrˈupɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_420.wav|pʃˈɛz vʲˈɛlɛ lˈad vmavʲˈanɔ mi, ʒˈɛ jɛst xjɛrˈarhja, lˈɔɡʲikˌa i ɔɡˈulnɨ sˈɛns.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_480.wav|tsˈarlɔs rɔmˈɛɔ|0
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_35.wav|mˈɔʒɛ nˈavɛd z uvˈaɡʲi na çistˈɔrjɛ ɲˈika ˈɔtɨm, jˈak tɔ tsˈɛl kʲˈɛdɨɕ rˈɔmbnɔw pʲˌɛtnastˌɔlɛtɲʲˈɛɡɔ vzˌɔrɔvˈɛɡɔː ˈutʃɲʲa.|2
+Dataset/wavs/urwisko_ferenc/44_segment_4.wav|ˈɔtsknɔw ɕɛ i ɔblˈizaw sˈuxɛ ˈusta. ulˈitsa bˌɨwa pˈusta.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_120.wav|ˌustavʲˌajɔntsˈɛɡɔ trˈim ˌɛlɛvatˈɔra i stˌabʲilˌizatˈɔra i pˈɔtɛm, kʲˈɛdɨ rˈɨan sprubˈɔvaw jˈuʃ ˈɔba maɡnˈɛta,|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_139.wav|ˌalɛ samˈɔlɔt wˈɔntʃɨ ɕɛ s tɕˈɛɲʲɛm, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_3.wav|bʲˈillɨ kupˈujɛ xˌamburɡˈɛra zˈɛ fʃɨstkˈimi dˌɔdatkˈami i ɕˈada na jˈɛdnɛj z wˈavɛk s pravɲˈikʲɛm dʒˈimɛm, kturˌɛɡɔ pˈɛwnɛ nazvˈiskɔ bʒmˈi dʒˈim ˈalbrikt.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_128.wav|ˌɔptɕɛrˈajɔnts tɛ sfˈɔjɛ mˈawɛ rˈɛntsɛ s krfˈi,|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_274.wav|ˌɔtɕɛrˈajɔnts krˈɛv z rˌɔzbʲitˈɛɡɔ nˈɔsa i rɔzbʲˈitɨx ˈust.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_193.wav|ɔn ʃˈuka nɛtflˈiksa f tˌɛlɛvizˈɔʒɛ jɛnsˈɛnuf, tʃtˈɛrɨ rˈazɨ vʲˈɛŋkʃɨm ɔt jˈɛɡɔ vwasnˈɛɡɔ. ˌɔna pˈatʃɨ pʃˈɛs ˈɔknɔ sɨpʲˈalɲi na ɔɡrˈudɛk.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_316.wav|tˈɔbjɛ ʒˈal kaʒdˈɛɡɔ z ɲˈix, prˈavda?|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_153.wav|pˈiw, bˈɨ utˈɔpitɕ sfˈuj bˈul w mˈɔʒu vˈina.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_14.wav|sɔ̃ ˈinɲi, ktˌuʒɨ ɲʲɛ pɔtrˈafjɔ̃ pwˈɨvatɕ, a ja na pʃˈɨkwat ɲʲɛ ˈumjɛm tˈaɲtʃɨtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_40.wav|bʲˈillɨ mˈɨɕli ɔ bˈɔbbɨ rˌainˈɛɕɛ, ˌɔdʒutsˈɔnɨm kˈulɔ̃ dɔ tˈɨwu.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_75.wav|kʲˈɛdɨ mˈaɡɡʲɛ ʒˈaba ˌɔtfɔʒˈɨwa ˈɔtʃɨ,|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_9.wav|xˈɔff jˈaɡbɨ pɔfɕtɕˈɔŋɡnɔw ɡˌɛʃɛftɕˈarskɔ̃ juvʲˈalnɔɕtɕ, pʃɨnˈajmɲʲɛj trˈɔxɛ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_53.wav|ɲʲɛktˌuʒɨ mˈɔɡlibˌɨ pɔvʲˈɛdʑɛtɕ, ʒˈɛ tɔ mˈɔja jɛdˈɨna zalˈɛta.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_87.wav|rˈɔbjɛ ɡwɛmbˈɔki vdˈɛx. mˈɔʒɛ pˈuʑɲʲɛj tˌɛɡɔ pˌɔʒawˈujɛ, ˌalɛ mˈuʃɛ tɔ zrˈɔbʲitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_95.wav|nˈaʃ rˈudɨ pʃɨjˈatɕɛl zawˈatfiw tsˈɔ tʃˈɛba? tˈak.|2
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_88.wav|pɔtxˈɔdʑi dɔː ˈɔkna pˌɛrɨskˈɔpu sfɔjˈɛɡɔː ˌuʑɛmjɔnˈɛɡɔː ɔkrˈɛntu pˌɔdvɔdnˈɛɡɔː i pˈatʃɨ na skrˈɔmnɨ trˈavɲik, ulˈitsɛ i pˈustɔ̃ dʑˈawkɛ zˈaɲʲɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_53.wav|vʲˈɛm, ʒˈɛ jˈɔ̃ swˈɨʃaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_39.wav|— vɨpˈijɛ zˈatɔ. xtsˈɛʃ jˈɛʃtʃɛ pˈivɔ? — ɲʲɛ, dʑˈɛŋki — mˈuvi bʲˈili fstˈajɔnts. — mˈuʃɛ trˈɔxɛ pˌɔpratsˈɔvatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_93.wav|ɡdˈɨbɨm w jˌakikˈɔlvʲɛk spˈɔsup ˌɔkazˈawa, ʒˈɛ jɛzd dla mɲʲɛ vˌɨjɔntkˈɔva, ˈaram vɨʒˈutɕiwbˌɨ jˈɔ̃ z dˈɔmu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_64.wav|utɕˈiʃɛ tˈɛ bˈandɛ i vˈɨɕlɛ iɣ dɔ wˈuʒɛk. prˈɔʃɛ ɕɛ pˌɔtʃɛ̃stˈɔvatɕ tɕˈastkʲɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_18.wav|f tɛj kfˈɛstji rˈuvɲʲɛʒ bˌɨwam w bwˈɛɲdʑɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_86.wav|tɔ mwˈɔdɨ azjˈata ɔː ˌɔɡɔlˈɔnɛj ɡwˈɔvʲɛ i pʃˈɛs krˈutki mˈɔmɛnd vɨdˈajɛ mi ɕɛ, ʒˈɛ tɔ ktˈɔɕ, kˈɔɡɔ znˈam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_18.wav|ɲʲɛ bˌɨwam pˈɛvna, kˈɔɡɔ prubˈɔvaw pʃɛkˈɔnatɕ. mɲʲɛ tʃɨ ɕˈɛbjɛ samˈɛɡɔ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_62.wav|ɔt mʲɛɕˈɛntsɨ pˌɔʃukˈujɛ vɨdˈaftsɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_5.wav|fˈil jɛst f kˈuxɲi, bˈɔsa, w jˈɛdnɛj z jˈɛɡɔ zˌapinˈanɨx kˈɔʃul.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_370.wav|tɔ dla mɲʲɛ ɲʲɛvˈaʒnɛ. vˈaʒna jɛst tˌɨlkɔ kɔbjˈɛta, ktˌura tˈu pʃɨxˈɔdʑi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_37.wav|vɲʲˈɔswɛɕ tˈaɡ vʲˈɛlɛ blˈasku w mˈɔjɛ ʒˈɨtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_415.wav|zbjɛrˈawa ɕɛ w ɲˈiɣ vˈɔda, lɕɲʲˈɔntsa zwɔtɕˈistɨm blˈaskʲɛm f pˌɔpɔwudɲʲˈɔvɨm swˈɔɲtsu. tˈɛras tɔ jɛzd vˈɔda.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_367.wav|ˈɔstʃɛf jˈɛɡɔ tɕˈawɔ, pʃˌɛsunˈɛwa ʃtɨlˈɛtɛm pɔ jˈɛɡɔ bʒˈuxu i pɔtʃˈuwa mʲˌɛndʑɨ paltsˈami tɕˈɛpwɨ pwˈɨn.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_19.wav|mˈɔʒɛ vˈartɔ tˈakim bˈɨtɕ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_182.wav|kʲˈɛdɨ mʲˈaw ɔxˈɔtɛ na ɲʲɛlˈɛtɲʲɛ jˈɛʑdʑiw za ɡraɲˈitsɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_229.wav|vˈɨjɕtɕɛ na zˈɛvnɔntʃ f pˌɔjɛdˈɨŋkɛ ɲʲɛ jɛst ɲʲˌɛbɛspʲˈɛtʃnɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_142.wav|— ɲʲˈɛvʲɛm — ɔdʒˈɛkwɛm, ʃtʃɛŋkˈajɔndʑ zɛmbˈami.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_176.wav|pˌɔpatʃˈɨwa nˈamɲʲɛ zmrˌuʒɔnˈɨmi ɔtʃˈami. im tɕˈɛmɲʲɛj ɕɛ rɔbʲˈiwɔ na pɔlˈaɲʲɛ,|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_139.wav|pɔtʃˈuwa ˈutɕizɡ w ɡˈardlɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_214.wav|z rˌɔssuɲʲɛntˈɨmi fˌiraŋkˈami, z rˌɔzwɔʒˈɔnɔ̃ ɡazˈɛtɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_39.wav|bˌɛndɔ̃ tˈam pʲɛrnˈatɨ, muvˈiwa sˈɔbjɛ. mʲˈɛŋkkʲɛ, tɕˈɛpwɛ i ɡwɛmbˈɔkʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_21.wav|tɕˈɛ̃ʃkɔ dˈɨʃɨ. ɲʲɛ wˈapʲɛ jˈɛdnak pɔvʲˈɛtʃa tˈak rˌɔspatʃlˈivʲɛ jˈak ˈɛlis. ɲʲɛ tʃˈɛba ɡˈɔː ˈutʃɨtɕ pʲˈɛrʃɛj zvrˈɔtki pikɲˈiku mˈiɕuf.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_124.wav|ɲʲɛ planˈɔvaw vˈɨpidʑ vʲˈɛntsɛj ɲˈiʃ jˈɛdɛn kʲɛlˈiʃɛk pʃɛt pɔɕˈiwkʲɛm, ˌalɛ nˈavɛt ɲʲɛ zˌauvˈaʒɨw, kʲˈɛdɨ pɔxwˈɔnɔw zavˈartɔɕtɕ pʲɛrʃˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_202.wav|mˈɔɡwabˌɨm tˈu mʲˈɛʃkatɕ.|2
+Dataset/wavs/urwisko_ferenc/23_segment_62.wav|a ftˈɛdɨ kˈaʒdɨ s pʃˌɛkazˈanɨx sɨɡnˈawuf|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_613.wav|jˈak mi ɕɛ zdavˈawɔ, ɔɡrˈɔmnɛ, ɡɔrˈɔntsɛ pʲˈɛrɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_16.wav|— rˌɔzɛbrˈawɛɕ mɲʲɛ? — spɔɡlˈɔnda w dˈuw na tˈɛʃˈirt.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_174.wav|ɲʲɛ, ɲʲɛ jˌɛstɛm ˌɔbɨvatˈɛlɛm ˌamɛrɨkˈaɲskim.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_64.wav|na vɨpˈadɛk, ɡdˈɨbɨ ˌɔdɛzvˈali ɕɛ pˌɔrɨvˈatʃɛ, ɔddˈanɔ mi tɛlˈɛfɔn, vʲˈɛnts ɕˈɛŋɡam pɔ ɲʲˈɛɡɔ.|4
+Dataset/wavs/urwisko_ferenc/36_segment_32.wav|ɲʲɛ zˌaswuɡˈujɛʃ na ɡrˈɔxa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_98.wav|pɔswˈuxaj ˈanɔ, lˈudʑɛ zvˈɨklɛ dɔ mɲʲɛ pʃɨxˈɔdʑɔ̃, bˈɔ mˌajɔ̃ kwɔpˈɔtɨ i ʃukˈajɔ̃ pɔmˈɔtsɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_17.wav|nˌajvaʒɲʲˈɛjʃɛ jɛst tɔ, ʒˈɛ ɔn pɔmˈaɡa mi zrɔzˈumjɛtɕ, dlatʃˈɛɡɔ lˈudʑɛ ɕɛ rˈaɲʲɔ̃. dlatʃˈɛɡɔ lˈudʑɛ, ktˌuʒɨ pˈɔnɔtɕ nˈas kɔxˈajɔ̃, mˈɔɡɔ̃ stˈanɔɲtɕ pʃɛtɕˈifkɔ nˈam.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_365.wav|vˈɨtʃuw w ɲˈim tˈɛ swˈabɔɕtɕ i ˈɔjtɕɛdʑ zɡˈɔdʑiw ɕɛ tˌɨlkɔ dlatˈɛɡɔ, bˈɨ sprˈavitɕ mu pʃɨjˈɛmnɔɕtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_265.wav|tfˈaʃ jˈɛɡɔ vˌɨɡlɔndˈawa f puwɕfʲˈɛtlɛ jˈak mˈaska.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_84.wav|ˌalɛ fkrˈuttsɛ dˈɔtrɛ dɔ pˈuŋktu bˈɛs ɔdvrˈɔtu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_172.wav|ktˈɔɕ prubˈɔvaw ɡˈɔ pɔfstʃˈɨmatɕ, pˈɛvɲʲɛ ˈinnɨ frˈajɛr, ktˌurɨ z ɲˈimi ɡrˈaw, i jˈɔɛ jˈɛɡɔ tˈɛʃ rˈɔmbnɔw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_51.wav|tsˈɔ maʃ na mˈɨɕli?|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_101.wav|bˈaki ɡˈaɕi pˌapʲɛrˈɔsa, ɔtstˈavja pˌɔpʲɛlɲˈitʃkɛ i vɨxˈɨla ɕɛ dɔ pʃˈɔdu.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_40.wav|zˌadʑvɔɲˈiwaʑ dɔ mɲʲɛ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_14.wav|prubˈujɛ ɕɛ pɔzbjˈɛratɕ mˈuʃɛ ɲʲˈɛtsɔ lˈɛpʲɛj ftʃˈutɕ ɕɛ f sfˈɔjɔ̃ rˈɔlɛ|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_160.wav|mˈinstrɛl vwˈɔʒɨw kapˈɛluʃ, ˌalɛ najtʃˈɛɲɕtɕɛj zvˈaw mɲʲɛ tˈɔmɛm ɕudˈɛmkɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_98.wav|fʃˈɨstkɔ fskˌazɨvˈawɔ nˈatɔ, ʒˈɛ jˈɛɡɛr bˈɨw najlˈɛpʃɨm pʃˌɨjatɕˈɛlɛm ɛdmˈuntsa, ˌalɛ fˈatsɛt tˌɨlkɔ vɨɡlˈɔndaw na ɲʲˈɛtsɔ zˌamɨɕlɔnˈɛɡɔ. ɲʲɛ ˌɔkazˈɨvaw ʒˈadnɨx ˈutʃutɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_90.wav|tʃɨ istɲʲˈɛjɛ jˌakakˈɔlvʲɛk mɔʒlˈivɔɕtɕ, ʒˈɛ stsˈɔdd ʒˈɨjɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_144.wav|w bˌaɡaʒɲˈiku znˈajdʑɛʒ valˈiskɛ z ˌubraɲʲˈami, butˈami i innˈɨmi ʒɛtʃˈami, ktˌurɛ uznˈawɛm za pʃɨdˈatnɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_307.wav|jˌɛmu ɲʲɛ vˈɔlnɔ pʃɛʒˈutsatɕ prˌɔpɛlˈɛra, ja tɔ rˈɔbjɛ. ɔn ɲʲˈɛxtsɛ trˈatɕitɕ kljˈɛntuf, ˌalɛ bˈɔi ɕɛ sˈam dˈɔjʑdʑ dɔ ɕmˈiɡwa.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_60.wav|kapˈitan wɔftʃˈɨɲi bˈɨw vɨsˈɔkim mɛ̃ʃtʃˈɨznɔ̃, ɔdʑˈanɨm f ʃˈarɨ jˈaɡ dˈɨm pwˈaʒdʒ z ɔpʃˈɨtɕɛm s tʃˌɛrvɔnˈɛɡɔ ɲˈitʃɨm ʒˈar atwˈasu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_167.wav|tˈak ɕɛ stˈawɔ. swɨʃˈawam, jˈak ˈɔtɨm rˌɔzmavʲˈali, a ɲˈilɛ zˈafʃɛ mʲˈaw jˈakʲɛʑ vˌɨtwumatʃˈɛɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_251.wav|a ˈandɛrsɔn...|0
+Dataset/wavs/urwisko_ferenc/43_segment_73.wav|ˈɔlɡʲɛrd zˈɛrknɔw na zɛɡˈarɛk. ɲʲˈɛvʲɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_185.wav|jˈɛdnɛj ʒˈɛtʃɨ zazdrˈɔʃtʃɛ ʑɛmʲˈanɔm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_51.wav|ktˈɔ ɲˈim jˈɛst.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_48.wav|pɛwɲˈiwɔ fˈuŋktsjɛ, pɔɲʲˈɛvaʃ w artˈɛmis ɲʲˈɛma ʃpitˈala.|4
+Dataset/wavs/urwisko_ferenc/27_segment_32.wav|— tsˈɔ ɕɛ pˈaɲi stˈawɔ? — zˌaɲʲɛpˌɔkɔˈiwa ɕɛ rɨbˈatska i xˈɛrman dɔstʃˈɛɡwa dvʲˈɛ pʲɔnˈɔvɛ zmˈarʃtʃki mʲˌɛndʑɨ jɛj brvʲˈami. — fʃˈɨstkɔ f pɔʒˈɔntku?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_51.wav|tɔ ɲʲɛ fʃˈɨstkɔ, dˈɔdaw rˈɔp.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_90.wav|mˈark natˈɨxmʲast ˌɔtpɔvʲˈada, bˈardʑɔ mˈɔndʒɛ. pˈɔʃɛd dɔ waʑˈɛŋki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_45.wav|tsˈuʃ, znˈuf pɛxˈɔvɔ pˈaɲi trafˈiwa. sˈɨlvja rˈɔbɛrdz ʒˈɨjɛ, ˌalɛ bˈuja w ɔbwˈɔkax.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_47.wav|a tˈɨ, ˈindjɔ, tʃɨ uvˈaʒaʃ, ʒˈɛ pɔnˈɔɕiʃ jˌakɔŋkˈɔlvʲɛk ˌɔtpɔvʲɛdʑˈalnɔʑdʑ za ɲʲɛʃtʃˈɛɲɕtɕɛ ɲikˈɔli?|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_399.wav|uvˈaʒaj mɲʲɛ za ɲʲˌɛzadˌɔvɔlɔnˈɛɡɔ kljˈɛnta.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_203.wav|brjˈɛnnɛ spɔjʒˈawa na pˈaɲʲɔ̃ kamjˈɛnnɛ sˈɛrtsɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_69.wav|nˈatɔ vɨɡlˈɔnda.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_57.wav|bˈardʑɔ zmɛntʃˈɔnɨ.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_338.wav|bˌɨwa mˈatkɔ̃ pˌɔmɲʲɛjʃˈɛɡɔ lˈɔrda, bˌɔɡatˈɛɡɔ kˈuptsa, ktˌurɨ ɔtʃˈɨmaw tˈɨtuw ɔt mɔjˈɛɡɔ dʑˈatka.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_133.wav|ɡdˈɨ pʃˌɛxɔdʑˈiwa ˌɔbɔk stˈajɲi, ktˈurɨɕ s kˈɔɲi zˈarʒaw.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_385.wav|dˈɛjvɛn uɕmʲˈɛxnɔw ɕɛ pɔt kʃatʃˈastɔ̃ brˈɔdɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_213.wav|vˌɨtɕɔŋɡnˈɛwam ɕrɔtkˈɔvɨ pˈalɛts f strˈɔnɛ panˈɛlu s tʃɨtɲˈikʲɛm pʃɨ vˈɛjɕtɕu, ʒˈɛbɨ zˌadɛmɔnstrˈɔvatɕ sfˈɔjɔ̃ vˈɨʃʃɔɕtɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_340.wav|mˈawɨ sˈufit pɔddˈaʃa pˈɛwɛn zˌardʑɛvʲˈawɨɣ ɡvˈɔʑdʑi.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_91.wav|spɔjʒˈawam na ɡʲˈizmɔ, ʒˈɛbɨ sprˈavdʑitɕ, ˈilɛ zɔstˈawɔ mi tʃˈasu. tʃɨdʑˈɛɕtɕi pʲˈɛɲtɕ mˈinut.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_53.wav|i pˈɛvɲʲɛ dʑˈatɕ ɕɛ s tˈɔbɔ̃ bˌɛɲdʑɛ tɔ sˈamɔ, tsˈɔ stˈawɔ ɕɛ dʑˈiɕaj z jˈudɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_180.wav|bˌɨwa tɔ ta z vɨtɕˈɛɲtɕɛm w wˈutkɛ, fjˌɔlɛtˈɔva w bjˈawɛ kfʲatˈuʃki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_130.wav|ɲʲɛ mˈuɕiʃ ɕɛ tˈɛʒ z ɲˈikim pʲˈɛpʃɨtɕ, vʲˈɛnts tɔ dla tɕˈɛbjɛ dˌɔdatkˈɔvɨ bˈɔnus. prˈavdɛ mˈuvʲɔnts, w ɔɡˈulɛ ɲʲɛ pɔvˈinnaʑ z ɲˈikim stˈamtɔnd vɨxˈɔdʑitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_116.wav|ɲʲɛ zbˈɨt. ɲʲˈɛstatɕ ix nˈatɔ, ˌalɛ trafjˈajɔ̃ ɕɛ stˈarʃɛ pˈarɨ, ktˌurɛ ʃukˈajɔ̃ nˈɔvɨɣ dˈɔznaɲ f sɨpʲˈalɲi.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_299.wav|ˈalɛʃ ˌɔtʃɨvˈiɕtɕɛ, ɲˈiɡdɨ ɕɛ dɔ ɲˈix ɲʲɛ zapˈiʃɛ, jɛzd dˌɔskɔnˈawɨm ˌɛlɛktrˈɨkʲɛm, vʲˈɛnts tʃˌɛmu mʲˈawbɨ ɕɛ zˌaxɔrɔvˈɨvatɕ, ʒˈɛbɨ zarˈabjatɕ mɲʲˈɛj?|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_88.wav|ˈarɛs|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_29.wav|xˈɨba ɲʲɛ dɔ kˈɔɲtsa, tsˈɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_167.wav|ˈɛlis nˈatɛ swˈɔva pˌɔvaʒɲʲˈɛjɛ i bˈutskɨ bjˈɛʒɛ ɕɛ dɔ rɔbˈɔtɨ.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_153.wav|na ʃnˈuʒɛ bˌɨwa zakʃˈɛpwa krˈɛf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_38.wav|tɨ ɲˈits ɲʲɛ pˈɔvʲɛʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_143.wav|tsˈɔ tɕi xˈɔdʑi pɔ ɡwˈɔvʲɛ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_191.wav|bˈɔ kʲˈɛdɨ bˈɨwbɨɕ jˈuʃ tʃwˈɔŋkʲɛm zvʲˈɔ̃sku, tˈamtɛn skurvˈɨsɨn ɲʲˈɛmuɡwbˌɨ tˈɔbɔ̃ pɔmjˈatatɕ, ˌalɛ tʃˌɨdʑɛstˈɛɡɔ dɲʲˈa...|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_20.wav|bˌɨliɕmˌɨ zjarˈaɲi i nˌavalˈɛɲi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_103.wav|vˈɔlawbˌɨm ɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_222.wav|ɲʲɛ, jˌɛstɛɕ jˈɛʃtʃɛ dʑˈɛtskʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_156.wav|ɲˈitsk pˈarska ɕmʲˈɛxɛm. nˈavɛt ɲʲˈɛvʲɛʃ, jˈaɡ bˈardʑɔ.|2
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+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_25.wav|bˈɔɲtɕ pˌɔzdrɔvʲˈɔnɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_210.wav|fʃˈɨstkɔ pɔvˈinnɔ dˈɔbʒɛ ɕɛ skˈɔɲtʃɨtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_307.wav|ɲʲɛ vʲˈɛdʑaw, ʒˈɛ mʲˈawam jˈuʃ ftʃˈɛɕɲʲɛj tˌaki plˈan.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_265.wav|dɔwˈɔntʃɨw dɔ ɲˈix lˈɔrt ˈɛm. mˈɔnfrɛj z ʒˈɔnɔ̃.|1
+Dataset/wavs/urwisko_ferenc/49_segment_47.wav|ɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_165.wav|mˈɔʒɛʒ zˈɔstadʑ dla ɲʲˈɛɡɔ fʃˈɨstkim. mˈɔʒɛʃ kˈɔxadʑ ɡˈɔ tˈak, jˈak kɔxˈawɛɕ mɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_262.wav|tˌɨlkɔ ɲʲˈɛx pˈan uvˈaʒa na kɔbjˈɛtɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_85.wav|xtsˈɛ, ʒˈɛbɨɕ ˌɔpisˈawa fʃˈɨstkɔ, tsˈɔ tɕi zrˈɔbʲiw, ɔt pʲɛrʃˈɛɡɔ dɔtˈɨku dɔː ˌɔstatɲʲˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_54.wav|bʲˈillɨ pʃˌɛvidˈujɛ, ʒˈɛ pɔjˈadɔ̃ na zˈaxut, pɔɲʲˈɛvaʃ tˈam znajdˈujɛ ɕɛ bˈardʑɛj ˌɛlɛɡˈantska tʃˈɛɲɕtɕ mʲˈasta.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_82.wav|ʃnˈur pravdʑˈivɨx kɔrˈali, pˌɔplamjˈɔna palˈɛta, zasxɲʲˈɛnta rˈuʒa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_47.wav|mˈuvi, ʒˈɛ mɲʲɛ rɔspˈɔznaw z vɔrkˈutɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_258.wav|s sˌɔ̃ɕɛdɲʲˈɛɡɔ pɔkˈɔju dɔbjˈɛɡa bˈardʑɔ tɕˈixɛ dɔbrˈanɔts.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_248.wav|mˈɔɡwabˌɨm nˈavɛd vɨnˈajɔɲtɕ tˌaki z vnˈɛŋkɔ̃ dɔ ɡˌɔtɔvˈaɲʲa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_20.wav|i dɔ tˌɛɡɔ sprˈɨtnɛ. tɔ vwˈaɕɲʲɛ mɲʲɛ ɲʲˌɛpɔkˈɔi. dʑawˈajɔ̃ w dˈɔbʒɛ skˌɔɔrdˌɨnɔvˈanɨ spˈɔsup, a tɔ mˈartfi mɲʲɛ jˈɛʃtʃɛ bˈardʑɛj.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_10.wav|swˈɨʃɛ nˌavɔwɨvˈaɲʲa dˌɔbjɛɡajˈɔntsɛ z ulˈitsɨ, ˌalɛ dʑˌɛnɲikˈaʒɛ vʲˈɛdʑɔ̃, ʒˈɛ ɲʲɛ pɔvˈinɲi fxˈɔdʑitɕ na mˈuj pˈɔdjast.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_16.wav|a zɔbˈatʃɨw ɡrubˈasa w ɕrˈɛdɲim vʲˈɛku zˈɛ zmˌaltrɛtɔvˈanɔ̃ ɲʲɛlˈɛtɲʲɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_150.wav|blˈatskfiʃ ɲʲɛ zvrˈatsa na tˈɛ kˌɔmɛdjˈanskɔ̃ fˈarsɛ najmɲʲˈɛjʃɛj uvˈaɡʲi, vʲˈɛnts tsˈɔ vʲˈɛtʃur ɛdmˈura sprɔvˈadʑa ɕɛ na dˈuw.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_124.wav|vɨlˈanɔ na ɲʲˈɛɡɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_29.wav|vɨʒˈarka jɛzd dˈɔbra. nˈajpʲɛrv zˈupa tsˌɛbulˈɔva, pˈɔtɛm vˌɔwɔvˈina mˌarɨnɔvˈana f tʃɛrvˈɔnɨm vˈiɲʲɛ, a na kˈɔɲʲɛts ˌɔbjɛtsˈana pʲɛtʃˈɔna alˈaska.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_32.wav|mˈɔim ˌulubjˈɔnɨm mʲˈɛjstsɛm w lˌakɛsˈidɛ bˌɨwa vʲˈɛlka vʲˈɛʒba pwatʃˈɔntsa, ktˌura rˈɔswa tˈuʃ pʃɨ bʒˈɛɡu jɛʑˈɔra.|3
+Dataset/wavs/urwisko_ferenc/04_segment_22.wav|tsˈɔ mˈɔɡwɔ ɕɛ stˈatɕ tɛj blɔndˈɨntsɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_4.wav|pʃˌɛʒɨvˈajɔnts nˌastɔlˈɛtɲi ˈɔkrɛs mɔjˈɛɡɔ ʒˈɨtɕa ɲʲɛ tɛ̃skɲˈiwam zˈatɨm, tʃˈɛɡɔ ɲˈiɡdɨ ɲʲɛ pɔznˈawam.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_297.wav|miltʃˈɔntsɨ rˈɨtsɛʃ fstˈaw, ˌuɕmʲɛxˈajɔnts ɕɛ puwɡˈɛmpkʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_113.wav|ʃˈan atskˈɛrman na pˈɛvnɔ bˈɨ ɕɛ ˌutɕɛʃˈɨwa, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_154.wav|bˌɨliɕmˌɨ f salˈɔɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_25.wav|vʲˈɛnts tˈɛras nalˈɛʒɔ̃ dɔ nˈas i mɔʒˈɛmɨ z ɲˈimi zrˈɔbʲitɕ, tsˈɔ xtsˈɛmɨ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_43.wav|ˌɔbɛjmˈujɔndʑ ɡˈɔ rˌamjɔnˈami i ftulˈajɔnts tfˈaʃ w jˈɛɡɔ pʲˈɛrɕ. sˈam rˈuvɲʲɛʃ pˌɔtʃɛbˈɔvaw snˈu.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_94.wav|sˈɨn pˈɔdɲʲus rˈɛŋkɛ pʃˈɛtɕif ˈɔjtsu.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_139.wav|s tˌɛɡɔ tsˈɔ tˈu vˈidʑɛ,|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_101.wav|zaxˈɔvaʃ tɔ dla ɕˈɛbjɛ, jˈɛɕli tɕi pˈɔvʲɛm?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_22.wav|tˈɔm i bˈɛtskɨ p��ˈɛʃli vrˈaz z ɲʲˈɔ̃ kˌɔrɨtˈaʒɛm, a ix krˈɔki bˌɨwɨ jɛdˈɨnɨm ɔdɡwˈɔsɛm, jˈaki swɨʃˈɛli.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_6.wav|ɲʲɛ jˌɛstɛm jˈɛʃtʃɛ ɡɔtˈɔva, bˈɨ pɔɕfʲˈɛɲtɕitɕ sfˈɔjɛ maʒˈɛɲʲa, vʲˈɛnts upˈarwam ɕɛ pʃɨ sfˈɔim.|4
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_114.wav|ˌukwadˈaɲʲɛ frɨzˈurɨ, pɔʒˈɔndnɨ makˈijaʃ, bˈutɨ stukˈɔtki.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_101.wav|znˈam z ˌɔpɔvʲˈɛɕtɕi vʲɛtʃˈɔrnɨx pʃɨ naftˈɔvɛj lˈampʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_476.wav|ɔt ɕˈɛdmju lˈat jˌɛstɛm dɔrˈɔswɔ̃ kɔbjˈɛtɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_371.wav|zˌɔbatʃˈɨmɨ, tʃɨ pɔtrˈafi tˈaɲtʃɨtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_16.wav|dɔ nazvˈiska dɔdˈavaw zvˈɨklɛ jˈuɲʲɔr. jˈak pˈɛvɲʲɛ zˈatɛm pˌɔdɛjʒɛvˈatɕɛ, jɛst tˈɛʃ ˈɛdmunts sˈɛɲʲɔr, ˌalɛ dɔ tˌɛɡɔ jˈɛʃtʃɛ vrˈutsɛ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_276.wav|bˈawa ɕɛ ɡˈɔː i tɔ ɲʲɛ bˈɛs pɔvˈɔdu. zmˈuɕiw mɲʲɛ, ʒˈɛbɨm jˈɔ̃ zdrˈadʑiw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_438.wav|mˈɔʒɛ ˌɔna mˈa rˈatsjɛ?|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_182.wav|pɔ krˈutkʲɛj xfˈili sˈam sˈapaw jˈuʒ zˈɛ zmɛntʃˈɛɲʲa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_33.wav|pʃɛnˈɔɕi vzrˈɔɡ zˈɛmɲʲɛ na stˌɔjɔntsˈɛɡɔː ˌɔbɔk mɲʲɛ xwˈɔptsa i nˈavɛt s tɛj ˌɔdlɛɡwˈɔɕtɕi vˈidʑɛ, jˈak jˈɛɡɔː ˈɔtʃɨ vˌɨpɛwɲʲˈajɔ̃ ɕɛ wzˈami.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_88.wav|mˈɔjɛ ˌidɛˈalnɛ ɲʲɛdʑˈɛlɛ mˈɔɡɔ̃ ɕɛ skˈɔɲtʃɨtɕ ʃˈɨptɕɛj ɲˈiʃ sɔɲdʑˈiwam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_24.wav|tˈak, jˈɛʃtʃɛ ɲʲɛ zˌidɛntˌɨfikɔvˈali ɔfjˈarɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_117.wav|dɔpʲˈɛrɔ kʲˈɛdɨ spˈɔrɨ kavˈawɛɡ dʑˈɛliw mɲʲɛ ɔt pˈɔrtu, zˌatʃɨmˈawam ɕɛ i uɕˈadwam ɔpˈarta plɛtsˈami ɔ skɔrˈupɛ bˈaɲki.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_69.wav|uɲʲˈɔswam pɔvˈɔli vzrˈɔk i spɔjʒˈawam pˈɔnat jˈɛɡɔ ɡwˈɔvɔ̃ pʃˈɛs ˈɔknɔ, nˌakwɛmbjˈɔntsɛ ɕɛ nad dˈɔmɛm tɕˈɛ̃ʃkʲɛ xmˈurɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_102.wav|— skɔɲtʃˈɨwɔ ɕɛ vˈinɔ, a znˈaʃ mɲʲɛ dˈɔbʒɛ. jˈɛɕli tʃˈɛka mɲʲɛ pˈɔnad ɡɔdʑˈinɛ ˌɔɡlɔndˈaɲʲa simˈɔna tsɔˈɛlla, tɔ mˈuʃɛ vˈɨpitɕ pʃɨnˈajmɲʲɛj dvʲˈɛ lˈampki.|4
+Dataset/wavs/urwisko_ferenc/09_segment_26.wav|tʃˈɛkaj. jˈɛɕli dˈɔbʒɛ pamjˈɛntam, ɡlatsˈɔfski mʲˈɛʃkaw sˈam w dˈuʒɛj xawˈupʲɛ. pɔ xɔlˈɛrɛ mʲˈawbɨ vˌɨnajmˈɔvadʑ vˈillɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_106.wav|f tʃˈasax mˈɔjɛj ɲʲˌɛspɔkˈɔjnɛj mwɔdˈɔɕtɕi mʲˈawam z ɲˈim kˈilka pʃˈɛpraf i mˈuʃɛ pʃˈɨznatɕ, ʒˈɛ skˈurvʲɛl mˈa kʃˈɛpɛ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_267.wav|vɨrˈɔɕɲʲɛ mu tˈɨlɛ pʲˈur, ʒˈɛ rɔdʑˈɔna mˈatka vʑˈɛwabˌɨ ɡˈɔ za ɡˈɛɲɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_225.wav|kʲˈɛdɨ pˈalɲik pˈujdʑɛ w rˈux, zˈaraz zrˈɔbʲi ɕɛ tɕˈɛplɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_54.wav|jˈuʃ ɲʲˌɛdalˈɛkɔ, dʲˈidʲi. ˌɔbjɛtsˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_57.wav|pˈɔntʃkʲɛm ɲˈiɡdɨ ɲʲɛ vzɡˈardʑɛ. dʑɛŋkˈujɛ, pˈaɲi jˈɛnsɛn.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_92.wav|pɔmˈɔʒɛ tɕi f tɨm mˌɛdɨtˈatsja.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_139.wav|a f tɛj xfˈili uvˈaʒam, ʒˈɛ tˈakʲɛ mʲˈɛjstsɛ jɛst tˈutaj.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_235.wav|vʲˈatr ˈalbɔ xurˈaɡan ɡɲʲˈɛvu bɔskʲˈɛɡɔ.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_348.wav|ɔtxˈɔdʑitɕ s tˌɛɡɔ ɕfʲˈata nalˈɛʒɨ z namˈɨswɛm, w jˈakimɕ pʃˌɨzvɔˈitɨm tsˌɛrɛmɔɲʲˈalɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_16.wav|tˈɔm zˌastanˈavʲaw ɕɛ, tʃɨ bˌɨwɨ tɔ rˈɛʃtki z innˈɛɡɔ dɲʲˈa, tʃɨ jˈuʒ zatʃˈɛwa pɔpˈijatɕ tˌɛɡɔ vʲɛtʃˈɔru. nalˈawa ��ɔdrɔbʲˈinɛ vˈina dɔ kʲɛlˈiʃka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_206.wav|pʃɛprˈaʃam.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_158.wav|tˈɛras pɔprˈɔʃɛ, ʒˈɛbɨɕ fstˈaw, ɕtɕˈɔŋɡnɔw spˈɔt ɲʲˈɛj mˈajtki, a pˈɔtɛm pɔwˈɔʒɨw ɕɛ na bʒˈuxu.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_270.wav|ɡˈɔrɡɔn zˈɛ starˈɛɡɔ ɡʲˈis napˈisaw kʲˈɛdɨɕ, ʒˈɛ prɔrˈɔtstfɔ jɛst jˈaɡ zdradlˈiva kɔbjˈɛta.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_245.wav|i patʃˈɨwa na pɔdwˈuʒnɔ̃ blˈiznɛ na jˈɛɡɔ pʃˌɛdramjˈɛɲʲu.|0
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+Dataset/wavs/urwisko_ferenc/65_segment_196.wav|bˈɔ xˈɛrman mˈimɔ tlˈɔntsɛj ɕɛ w ɲʲˈɛj radˈɔɕtɕi bˈardʑɛj bˈawa ɕɛ tˈɛɡɔ, tsˈɔ tʃɛkˈawɔ na najblˈiʃʃɨm zakrˈɛɲtɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_93.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_227.wav|ˌɔznajmˈiwa. ɲʲɛ vɨpˈɔvʲɛm tˈɛʃ jˈɛɡɔː imjˈɛɲʲa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_68.wav|dʒvˈi ɡʒɛxˈɔtʃɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_190.wav|tʃˌɛrvɔnˈavɔzwˈɔtɛ stˈarɛ mʲˈastɔ, mʲˈastɔ pɔdˈɔbnɛ dɔ mʲastˈɛtʃka lˈalɛk.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_96.wav|zˌɔbatʃˈɨwɛm, ʒˈɛ f kˈɛmpʲɛ zˌasuʃˈɔnɨx trˈaf|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_202.wav|ɲʲˈɔswɛm dla tɕˈɛbjɛ kfʲˈatɛk pʃɨlˈaʃtʃki.|0
+Dataset/wavs/urwisko_ferenc/12_segment_19.wav|zˈɛrɔ ɕˈɛdɛm zmrˈuʒɨw ˈɔtʃɨ i pʃɨstˈaviw dwˈɔɲ dɔ tʃˈɔwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_186.wav|tˌɨlkɔ trˈɔxɛ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_224.wav|pʃɛkˈɔnaʃ ɕɛ, ɡdˈɨ jˈuʃ tˈam dɔtʃˈɛmɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_59.wav|dɔdˈajɛ inspˈɛktɔr ɔldbˈɛrɨ s pˈɛwnɨm fspuwtʃˈutɕɛ uɕmʲˈɛxɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_37.wav|skˈɔnt mˌamɨ vʲˈɛdʑɛtɕ, ktˌurɨ tɔ dˈɔm? jɛst ix tˈu xˈɨba zˈɛ dvadʑˈɛɕtɕa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_16.wav|s pɛvnˈɔɕtɕɔ̃ ɲʲɛ zˈabraw zˈɛ sˈɔbɔ̃ ɲitʃˈɛɡɔ, kʲˈɛdɨ pɔrvˈanɔ ɡˈɔ f sɔbˈɔtɲi vʲˈɛtʃur. mˈuɕaw jˈɔ̃ zˈatɛm pʃˈɨɲʲɛʑdʑ dʑˈiɕaj dɔ dˈɔmu f kʲɛʃˈɛɲi sfɔjˈɛɡɔ ʃpˌitalnˈɛɡɔ strˈɔju.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_390.wav|ˌalɛ ɲˈiɡdɨ z ˈallɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_87.wav|jˈakiʑ ɡˈɔɕtɕ pʃɛsˈunɔw ɡʲˈizmɔ dɔ tʃɨtɲˈika i dʒvˈi vˈindɨ rˌɔssunˈɛwɨ ɕɛ pʃˈɛdɲim.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_650.wav|pˈɛvɲʲɛ pˈɔttʃas upˈatku na sxˈɔdax skˌalɛtʃˈɨwɛm ɕɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_25.wav|zapˈɔmɲij pˈan ˈɔtɨm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_136.wav|krfˈavɨ pɔwˈudɲik.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_226.wav|i fkrˈuttsɛ zasnˈɛwa vˌɨtʃɛrpˈana.|1
+Dataset/wavs/urwisko_ferenc/01_segment_70.wav|pʃˈɛwknɔw ɕlˈinɛ, zatɕˈisnɔw pɔvʲˈɛki.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_290.wav|ɲʲɛ zˌauvaʒˈɨwam ɲitʃˈɛɡɔ ɲʲˌɛpɔkˌɔjɔntsˈɛɡɔ. tˈatɔ, z dˌɔkumɛntˈatsji vɨɲˈika, ʒˈɛ tˈutaj jɛst tˈak sˈamɔ jˈaɡ w bˈaɲkax mʲˈɛjskix.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_97.wav|pˌɔviɲʲˈɛnɛʑ dʑɛftʃˈɨnɛ zˈɛ sˈɔbɔ̃ zˈabratɕ.|2
+Dataset/wavs/urwisko_ferenc/27_segment_89.wav|pˈaɲi zbˈɨt wˈatfɔ zakwˈada, ʒˈɛ tɛlˈɛfɔn mʲˈawa xudʑˈiɲska.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_34.wav|mˌamɨ zˈatɔ pˈɔdɡlɔnt na mʲˈɛjstsɛ zdaʒˈɛɲʲa i xtsˈɛ pˈaɲstfu pɔkˈazatɕ tsˈɔɕ, tsˈɔ pʃɛt kilkˈɔma mˌinutˈami zˌauvˈaʒɨw dʒˈɔrdʒ vˈilsɔn, mˈuj ɲʲɛzvˈɨklɛ dʑˈɛlnɨ kˌamɛʒˈɨsta. dʒˈɔrdʒ, bˈɨwbɨɕ wˈaskaf?|2
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_43.wav|vʲɛdʑˈawam, ʒˈɛ tɔ prˈavda. f tsˈawɨm kampˈuɕɛ viɕˈawɨ plakˈatɨ z ˌɔfɛrtˈami pɔmˈɔtsɨ dla ˌuzalɛʒɲʲˈɔnɨx ɔt xazˈardu.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_228.wav|jˈɛɕli pˈadaw tˈutaj, rˈuvɲʲɛ dˈɔbʒɛ mˈukw pˈadatɕ w lˌanɲispˈɔrtɕɛ i f krulˈɛfskʲɛj pʃɨstˈaɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_372.wav|fʃˈɨstkɔ zvalˈiwɔ ɕɛ nˈaɡlɛ jˈak stˈarɨ dˈɔm, s kturˌɛɡɔ vˌɨkfatˌɛrɔvˈanɔ lˈudʑi.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_214.wav|tɔ jˈɛɡɔ dˈɛkrɛt nakˈazaw vʲˈɛʒɛ ɔdwˈɔʒɨtɕ mʲˈɛtʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_43.wav|xˈɔtɕaʃ kanˈapkɛ.|2
+Dataset/wavs/urwisko_ferenc/17_segment_10.wav|ɲʲɛ nˌatrafjˈɔnɔ na ʒˈadnɛ ˈinnɛ kˈɔɕtɕi.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_104.wav|bʲˈili ɲʲɛ pʃɨpˈuʃtʃa, bˈɨ mʲˈawa tʃˈɨm, zvaʒˈɨfʃɨ nˈatɔ, ˈilɛ vˌɨʒɨɡˈawa f pʃɛtɕˈɔŋku, ˌalɛ ktˈuʃ tɔ mˈɔʒɛ vʲˈɛdʑɛtɕ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_46.wav|na ɡˈuʒɛ, na pˌɔzɔstˈawɨx pʃɛdmʲˈɔtax, lˈɛʒɨ stˈɛrta kˈɔpɛrt.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_92.wav|tʃɨ mɔʒˈɛmɨ ˈuɕɔ̃ɕtɕ?|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_199.wav|ˈuɲʲus prˈavɔ̃ rˈɛŋkɛ i bˈɛz zrˌɔzumjˈɛɲʲa fpˈatʃɨw ɕɛ w bʒˈɨtki kˈikut.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_73.wav|kʲˈɛdɨ vˈɛʃli za zˈawɔm kˌɔrɨtˈaʒa, dɔjʒˈɛli jˈasnɛ ɕfʲˈatwɔ rˌɔzlɛvajˈɔntsɛ ɕɛ zzˈa tʃɛɲɕtɕˈɔvɔː ɔtfˈartɨɣ dʒvˈi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_233.wav|zˌavʲadɔmˈimɨ jˈɛɡɔ, jˈɛɕli bˈɨwabˌɨ pɔtʃˈɛba.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_21.wav|ɔdvʲˈɛʑɛʃ mɲʲɛ dɔ dˈɔmu, dˈavɛ? xtsˈɛ ɕɛ pʃˈɛbratɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_156.wav|ˌalɛ mˈuʃɛ ˈiɕtɕ. tʃɨ pˈujdʑɛʒ zˈɛmnɔ̃?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_52.wav|spˈuʃtʃa vzrˈɔk.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_73.wav|tɔ dlatˈɛɡɔ starˈawam ɕɛ uɲˈikatɕ utʃtɕˈivɛj vˈalki.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_93.wav|— mɛ̃ʃtʃˈɨzna ˈuznaw tɔ za zaxˈɛntɛ. — ɲʲˈɛx mɲʲɛ vˌɨruxˈajɔ̃ w dˈupɛ xɔlˈɛrnɔ̃ vwˈutʃɲʲɔ̃! — pɔftˈuʒɨw i rˈuvɲʲɛʒ zˈatʃɔw ɕɛ ɕmʲˈatɕ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_193.wav|wˈaxɨ tɔ tˈɛras najmɲʲˈɛjʃɛ s tfˈɔiɣ zmˈartfʲɛɲ.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_130.wav|ɲʲɛ jˌɛstɛɕ na pɔtswˈuxu, ˌaɲi ɲˈits f tɨm rɔdʑˈaju, tsˈɔ?|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_179.wav|rˈudɨ pʃˈɨʃɛd dʑˈiɕaj dɔ lˌabɔratˈɔrjum i vˌɨpɨtˈɨvaw ɔ tɕˈɛbjɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_247.wav|ja tˈak mˈɨɕlɛ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_16.wav|zrɔbʲˈiwɛm fʃˈɨstkɔ, tʃˈɛɡɔː ˈɔdɛ mɲʲɛ ʒɔndˈanɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_68.wav|zˌiɡnɔrɔvˈawɛm tɔ. jˌɛstɛm tˈɛras ʃtʃɛɲɕlˈivʲɛ ʒɔnˈatɨ i ɲʲɛ xtɕˈawɛm jɛj pɔnˈɔvɲʲɛ f sfˈɔim ʒˈɨtɕu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_107.wav|ˈindja jˈɛdʑɛ zˈɛmnɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_162.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_119.wav|w rˈamax ʃkɔlˈɛɲʲa dɔstˈawam kˈilka tsɛlˈɔvɔː ˌuʃkɔdʑˈɔnɨx tɔrɲˈistruf i muɕˈawam ɔkrˈɛɕlitɕ f tʃɨm tkfˈi prˈɔblɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_356.wav|tɛn bjˈɛdnɨ pɔlˈitsjant. tsˈɔɕ mu ɕɛ rˈɔli f tɛj ruʒˈɔvɛj ɡwˈɔvʲɛ. znˈaʃ tˈakʲɛ tˈɨpki.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_331.wav|ˌuɕmʲɛxnˈɛwa ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_342.wav|vʲɛlkʲˈɛɡɔ vrˈubla zastˈawa, jˈaɡ zvˈɨklɛ, na klˈɛntʃkax. tɨm rˈazɛm mˈɔdliw ɕɛ pʃɛt ɔwtˈaʒɛm ˈɔjtsa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_256.wav|pˈɔvʲɛts mu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_62.wav|kuɕˈiwɔ ɡˈɔ, ʒˈɛbɨ spˈɨtatɕ, tʃɨ pʃ��pˈatkʲɛm ɲʲɛ nazˈɨva ɕɛ ˈɛlis xˈapman, ˌalɛ ˈɔpar ɕɛ tɛj pɔkˈuɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_207.wav|dˈaj mu tˈak na ˈimjɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_271.wav|spɔjʒˈawɛm na kɔʃˈulɛ lɛʒˈɔntsɔ̃ na wˈuʃku.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_87.wav|lˌɔkatˈɔʒɨ ɡˈɛrart tˈɔvɛr ˌuvaʒˈajɔ̃ ɡˈɔ za davˈida lɔtskrˈidʒa, pˌɔtʃɔntkˌujɔntsˈɛɡɔ pisˈaʒa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_552.wav|ja jˈuʃ ɲˈits ɲʲˈɛvʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_15.wav|spˈujʃ na tˌɛɡɔ ɡˈɔɕtɕa pʃɨ vˈusku s xˈɔd dɔɡˈami. ɲʲɛtʃˈɛ̃stɔ vˈidʑi ɕɛ tˌaki strˈuj.|2
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_106.wav|rˈɨan ˈuɕat tɕˈɛ̃ʃkɔ na ʑˈɛmi i ˈɔtar pɔt s tʃˈɔwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_264.wav|dˈalɛ nˌajvɨrˈaʑɲʲɛj ɲʲɛ spɔdʑˈɛvaw ɕɛ tˈakʲɛj ˌɔtpɔvʲˈɛdʑi. naprˈavdɛ? spˈɨtaw zˌaskɔtʃˈɔnɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_76.wav|tʃɨ jɛst tˈak ɲʲˌɛʃtʃɛɲɕlˈivɨ, tˈaɡ zrˌɔspatʃˈɔnɨ, ʒˈɛ rɔspˈɔtʃɔw jˈuʃ pˌɔʃukivˈaɲʲa nˈɔvɛj partnˈɛrki?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_285.wav|ˌɔna spɔjʒˈawa zˈɛ zɡrˈɔzɔ̃ na kˌawkastʃˈɨka.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_98.wav|pʃˈɛs xfˈilɛ ʒawˈujɛ, ʒˈɛ zatʃˈɛwam tɔ fʃˈɨstkɔ, ˌalɛ ɲʲɛ mˈɔɡɛ mu tˈɛras ɔdmˈuvitɕ spɔtkˈaɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_70.wav|stˈawa nadˈɛmnɔ̃ sɛrdˈɛtʃɲʲɛ ˌuɕmʲɛxɲʲˈɛnta.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_96.wav|— jɛstˌɛɕmɨ tsˈɔraz blˈiʒɛj — pɔvʲˈɛdʑaw z uɕmʲˈɛxɛm tˈɔm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_59.wav|jˈɛɕli pɔdjˈɛdʑɛ dɔ vˈɛjɕtɕa dla swˈuʒbɨ pʲɛrdʑˈɔntsɨm, kʃtuʃˈɔntsɨm ɕɛ ʒˈɛnxɛm, vɨpˈadɲʲɛ bˈardʑɛj pʃˌɛkɔnujˈɔntsɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_262.wav|mˈɔʒɛ pˈan ɕmʲˈawɔ napˈisatɕ. jɛst rˈɨan.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_149.wav|vʲˈɛlɛ lˈat fstɨdʑˈiwɛm ɕɛ tɛj ˌuwɔmnˈɔɕtɕi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_195.wav|ja jˈɔ̃ nazvˈawɛm w mˈɨɕlaɣ dʑɛftʃˈɨnɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_277.wav|pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_64.wav|pʃɨnˈajmɲʲɛj mˈɔʒna tʃˈasnɔɲtɕ swuxˈafkɔ̃, kʲˈɛdɨ rɔzmˈuftsa ɡˈada bzdˈurɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_113.wav|ɲˈitsk ʃtʃˈɛʒɨ ɕɛ radˈɔɕɲʲɛ, ɡʲˈɔrɡjɔ kˈiva ɡwˈɔvɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_30.wav|tˈɔm pɔpˈatʃɨw nˈaɲʲɔ̃ i zɔbˈatʃɨw, ʒˈɛ zmarʃtʃˈɨwa brvˈi.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_280.wav|ɲʲɛ zˌaswuɡˈujɔ̃ nˈatɔ, bˈɨ ˈumʒɛdʑ w ɡˈastɔn ɡrˈɛj.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_342.wav|ɡdˈɨ trˈɔn tɔmmˈɛna bˌɛɲdʑɛ jˈuʒ bɛspʲˈɛtʃnɨ, bˈɨtɕ mˈɔʒɛ bˌɛɲdʑɛ mˈɔɡwa fprɔvˈadʑitɕ tɛn pˈɔmɨsw w ʒˈɨtɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_76.wav|pˌɔmɨɕlˈawa krulˈɔva.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_13.wav|dɔstˈava pˈitsɨ mˈɔɡwabˌɨ zaskˈɔtʃɨtɕ, xˈɔdʑ dalˈɛkɔ jɛj dɔː ˌɔstʃɛʒˈɛɲʲa, a tsˈawɔ̃ rˈɛʃtɛ mˈɔʒna bˈɨ pɔttɕˈɔŋɡnɔɲtɕ pɔt jˈakiʑ ʒˈart.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_111.wav|xˈɨba tˌɛɡɔ mi vwˈaɕɲʲɛ tʃˈɛba, jˈɔɛl.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_12.wav|i ɔdvrˈutɕiw ɕɛ dɔpʲˈɛrɔ ftˈɛdɨ, kʲˈɛdɨ mˈikɛ pɔwˈɔʒɨw mu rˈɛŋkɛ na ramjˈɛɲʲu.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_325.wav|jˈak ɔn ɕɛ ˈɔtɨm dɔvʲˈɛdʑaw?|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_138.wav|bʲˈin ɡɔrlˈivʲɛ pɔkˈivaw ɡwˈɔvɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_45.wav|vɛstxnˈɛwam tɕˈɛ̃ʃkɔ. mˈuɡwbɨɕ pɔmˈinɔɲtɕ fʃˈɨstkɔ tɔ, tsˈɔ ɲʲɛ ɔdbjˈɛɡa ɔt nˈɔrmɨ i pɔvʲˈɛdʑɛtɕ mi, tsˈɔː ɔtkrˈɨwɛɕ?|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_147.wav|bˈɔp tsˈawɔ̃ uvˈaɡɛ skˈupʲaw na turˈɨstax, a tɔː ˌɔznatʃˈawɔ, ʒˈɛ jɛst ˌɔdvrutsˈɔn�� tˈɨwɛm dɔ rɔbˈɔta.|4
+Dataset/wavs/urwisko_ferenc/64_segment_89.wav|pˈada jˈak xɔlˈɛra, ˌuvalˈimɨ ɕɛ w bwˈɔtɕɛ pɔ pˈaxɨ, naʒˈɛkaw.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_346.wav|w ˈɔku ɛwrˈɔna ɔdbʲˈijaw ɕɛ blˈask ˈɔɡɲʲa, w jˈɛɡɔː ˌuɕmʲɛxɲʲˈɛntɨm ˈɔku.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_452.wav|a pˈɔtɛm ja tɕˈɛbjɛ pɔvʲˈɔdɛ lɛɕnˈɨmi ɕtɕɛʃkˈami na pˈuwnɔts.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_81.wav|mˌiljɔnˈɛʒɨ tˈɛʃ xɔrˈujɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_13.wav|ɲʲɛ pamjˈɛntam, kʲˈɛdɨ ˌutratɕˈiwam kɔntrˈɔlɛ nad vwˈasnɔ̃ vˈɔlɔ̃, ˌalɛ s pˌɛrspɛktˈɨvɨ tʃˈasu vʲˈɛm, ʒˈɛ z upwˈɨvɛm lˈat...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_65.wav|spravʲˈawa vraʒˈɛɲʲɛ vrˈɛndʒ zdrˌuzɡɔtˈanɛj.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_455.wav|pˈɔznaw vˈidatɕ kɔrsˈaka, bˈɔ ɲʲɛdbˈalɛ zˌasalutˈɔvaw dɔː ɔtkrˈɨtɛj ɡwˈɔvɨ i zˈabraw ɕɛ dɔː ˌɔtfʲɛrˈaɲʲa brˈamɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_200.wav|dɔbrˈanɔts, znaxˈɔrkɔ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_97.wav|pijˈatski ɕmʲˈɛɣ ɡˌɛmbɔsrˈaja ˈumilkw nˈaɡlɛ. tʃˈɨmaj tɔ xɔlˈɛrstfɔ z dˈala ˈɔdɛ mɲʲɛ!|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_159.wav|tˈak jˈaɡ vʲˈɛlu ˈinnɨx.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_319.wav|mʲˈawa tˈu tˌɨlkɔ dvˈux rɨtsˈɛʒɨ, a ˌɔtatʃˈawɔ jˈɔ̃ mˈɔʒɛ vrˈubli.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_65.wav|ˌalɛ pˌɔzɔstˈavitɕ jˈakiɕ ɕlˈat, na pʃˈɨkwat na tˈɨlnɨm ɕɛdʑˈɛɲʲu.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_435.wav|jɛŋknˈɛwam i ʒutɕˈiwam ɕɛ s pɔvrˈɔtɛm f strˈɔnɛ vˈɨjɕtɕa. ɲʲɛ, ɲʲɛ, ɲʲɛ!|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_19.wav|tˈɔm sprˈavʲaw pʃˈɛs xfˈilɛ vraʒˈɛɲʲɛ, jˈaɡbɨ w ɔɡˈulɛ ɲʲɛ vʲˈɛdʑaw, ɔ tʃɨm ˌɔna dɔ ɲʲˈɛɡɔ mˈuvi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_89.wav|rɔbʲˈiwam tɔ tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛbɨɕmˌɨ bˌɨli bɛspʲˈɛtʃɲi. mˈuɕiʒ zrɔzˈumjɛtɕ, ʒˈɛ tsamˈɛrɔn tɔ pˈɔtfur.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_84.wav|ɕˈɛdmju pˌɔbwɔɡˌɔswavˈiwɔ naʃˈɛɡɔ starʃˈɛɡɔ brˈata ˌuzdravʲˌajɔntsˈɨmi dwɔɲˈimi. pʃɨvrˈutɕiw zdrˈɔvʲɛ vʲˈɛlu lˈudʑɔm, ktˌurɨx nˈavɛt mˌaɛstˈɛʒɨ ɲʲɛ pˌɔtrafˈili vɨlˈɛtʃɨtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_487.wav|vˈɨbʲij ˈɔknɔ!|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_48.wav|tˈɛras mˈam ʃˈansɛ, ʒˈɛbɨ tɔ naprˈavitɕ, a zˈɛmnɔ̃ tɔ ɲˈiɡdɨ ɲˈits ɲʲɛ vʲadˈɔmɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_144.wav|w ɡwˈɛmbʲi mʲˈasta pˈɛɲdʑiw spuʑɲʲˈɔnɨ nˈɔtsnɨ trˈamvaj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_18.wav|tʃɨ tɔ mˈɔja, tʃɨ mˈɔix rɔdʑˈitsuv dˌɔprɔvadʑˈiwa nˈaz dɔ ʒˌɛtʃɨvistˈɔɕtɕi, f ktˌurɛj tkfˈimɨ dʑˈiɕaj?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_118.wav|tʃˈɨli rˌɛasumˈujɔnts, ˈaʒ dɔ dʑˈiɕaj ɲʲɛ swɨʃˈawa pˈaɲi ɔ rɔɡˈɛʒɛ jaɡɡˈɛʒɛ i tsˌamɛrˈɔɲʲɛ dmˈɔɲdʑɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_30.wav|tsɔkˈɔlvʲɛk tʃˈujɛʃ, ɔn tɔ zrɔzˈumjɛ i ɲʲɛ bˌɛɲdʑɛ tɕˈɛ ɔtsˈɛɲʲaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_84.wav|ɲʲɛ vʲɛdʑˈawam, ʒˈɛ maʒ ɡˈɔɕtɕi.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_299.wav|fʃˈɨstsɨ ɕɛ zɡadʑˈali, ʒˈɛ mˈa dˈɔbrɛ sˈɛrtsɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_65.wav|pɔlˈitsja prɔɕˈiwa, ʒˈɛbɨm z vˈami ɲʲɛ rˌɔzmavʲˈawa, ˈalɛ...|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_110.wav|fʃˈɨstsɨ tˌɛɡɔ ʒˌawujˈɛmɨ.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_134.wav|vʲˈɛʃ tɔ s tsˈawɔ̃ pɛvnˈɔɕtɕɔ̃?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_409.wav|jˈɛdliɕmˌɨ kanˈapki pˌɔɡrɨzˈajɔnts jˈapkʲɛm, a za ˈɔknɛm ˌutʃɨɲˈiwɔ ɕɛ xˌɔlɛndˈɛrskʲɛ ɲʲˈɛbɔ.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_130.wav|bˌɨwɔː ˌɔnɔ tˈaɡ dˈuʒɛ, ʒˈɛ mɔɡwˈɔbɨ w ɲˈim spˈatɕ ˈɔɕmju lˈudʑi, vʲˈɛnts ˌɔbɛrʒˈɨsta zaʒˈɔndaw zapwˈatɨ za tˈɨlu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_152.wav|plˌanɔvˈawam zɡwˈɔɕitɕ ɕɛ dɔ vˈaz z vwˈasnɛj vˈɔli.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_67.wav|starˈanɲʲɛ nˌakrɛɕlɔnˈɨmi lˌitɛrˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_263.wav|dˈalɛ pʃˈɛrvaw i zamˈɨɕliw ɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_407.wav|ˌalɛ kʲˈɛdɨ pʃɨtɕˈisnɔw iɣ ɡwˈut...|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_225.wav|pʃɛprˈaʃam, ˈalɛ...|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_394.wav|pˈɔdaw jˈɛdɛn s kʲɛlˈixuv vˌiktarjɔnˈɔvi. kapˈitan vʑˈɔw w rˈɛŋkɛ tɛn drˈuɡʲi pˈuxar i pˌɔdɛjʒlˈivʲɛ pɔvˈɔnxaw jˈɛɡɔ zavˈartɔɕtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_53.wav|ɲʲɛ znˈɔɕiw rɔbˈɔtɨ pˌapʲɛrkˈɔvɛj.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_22.wav|tˈɔm pˈɔdɲʲus kɔmˈurkɛ zˈɛ stɔlˈika pʃɨ wˈuʃku. ˌɔtpɔvʲɛdʑˈawa pɔ pʲˈɛrʃɨm sɨɡnˈalɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_530.wav|i xtsˈɛʃ, ʒˈɛbɨm tɕˈɛbjɛ pˌɔprɔvadʑˈiwa za rˈɛŋkɛ dɔ tɛj ɡraɲˈitsɨ, ɔ ktˌurɛj fspɔmɲʲˈawɛɕ?|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_328.wav|mˈuɕaw bˈardʑɔ ɕɛ ˈuvʑɔɲtɕ na trˈɔnda, skˈɔrɔ bˈɨw nˈavɛd ɡˈɔtuf pʃɛpˈuɕtɕitɕ ɔkˈazjɛ ˌuʑɛmɲʲˈɛɲʲa mɲʲɛ rˈas na zˈafʃɛ, ˈalɛ...|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_8.wav|bˈɛtskɨ vidʑˈawa vɨrˈaʑɲʲɛ, jˈak ɲʲˌɛkɔmfɔrtˈɔvɔ ɕɛ tʃˈuw i jˈaɡ bˈardʑɔː ɔbˈavʲaw ɕɛ vizˈɨtɨ ˈu rɔdʑˈinɨ, ktˌurɛj tʃwˈɔnɛɡ zˈɔstaw brutˈalɲʲɛ zˌamɔrdɔvˈanɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_125.wav|tʃɨ pˈan ɲˈits ɲʲɛ rɔzˈumjɛ?|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_116.wav|lˈɛpʲɛj ɲitʃˈɛɡɔ jɛj ɲʲɛ mˈuftɕɛ, dɔpˈuki tˈam ɲʲɛ dˌɔjɛdʑˈɛmɨ. jˈak jˈuʃ pˈɛvɲʲɛ vʲˈɛtɕɛ, ɲʲɛ pɔtrˈafi panˈɔvatɕ nˈattɔ̃ sfˈɔjɔ̃ jadˈatʃkɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_78.wav|zɔstˈawɔ pʲɛtnˈaɕtɕɛ mˈinut. dˈalɛ pʃɨkˈutsnɔw i fsˈunɔw rˈɛntsɛ pɔt mˈɔjɔ̃ kˈulɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_77.wav|i rˌɔstɔpˈiwa ɕɛ w mrˈɔku ˌamfilˈadɨ pɔkˈɔjuf, kˌɔrɨtˈaʒɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_125.wav|ˌɔstʃɨʒˈɔna krˈutkɔ jˈak xwˈɔpak.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_20.wav|bwˈaɡam, ɲʲˈɛx pˈan jˈɛʃtʃɛ rˈas pˈujdʑɛ, tɔ vˈaʒna sprˈava.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_74.wav|mˈuvi mˈarta pˈɔrtɛr.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_99.wav|ɲʲɛ fspˌɔminˈajɔnts ɔ tfˈɔim kˌapɛlˈuʃu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_19.wav|ɲˈits ɲʲɛ pɔvˈinnɔ mɲʲɛ dʑˈivitɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_11.wav|vʲˈɛm jɛdˈɨɲʲɛ tˈɨlɛ, ʒˈɛ xtsˈɛ vɨmˈazadʑ z naʃˈɛɡɔ ʒˈɨtɕa kˈaʒdɛ fspɔmɲʲˈɛɲʲɛ dˌɔtɨtʃˈɔntsɛ tɛj kɔbjˈɛtɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_252.wav|i dlatʃˈɛɡɔ?|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_291.wav|mˈɔɡlibˌɨ strˈatɕitɕ jˈɛ̃zɨk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_505.wav|dʑɛŋkˈujɛ.|0
+Dataset/wavs/urwisko_ferenc/09_segment_125.wav|muɕˈawa ɕɛ pʃˌɨɡɔtˈɔvatɕ nˈatɔ, ʒˈɛ dˈuxɨ pʃɛʃwˈɔɕtɕi...|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_16.wav|tʃˈɛ̃stɔ, kʲˈɛdɨ bˈavjɛ ɕɛ z ˈalfim, pʃˌɨpɔmˈinam sˈɔbjɛ, jˈaɡ brˈaw mɲʲɛ f sfˈɔjɛ ɕˈilnɛ ramjˈɔna i ɔbrˈatsaw dˌɔɔkˈɔwa, a ja piʃtʃˈawam z zaxfˈɨtu.|3
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+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_103.wav|tɛn frˈ��j bˈɨw masˈɨvnɨm mɛ̃ʃtʃˈɨznɔ̃ ɔ ʃɛrˈɔkʲɛj tfˈaʒɨ, mˈawɨx ˈɔtʃkax i mʲˈɛŋkkim, pɔdvˈujnɨm pɔdbrˈutku.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_28.wav|tˈak tʃɨ inˈatʃɛj, pʲˈɛrdɔl ɕɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_77.wav|ʒˈɨjɛʃ na vwˈasnɨ raxˈunɛk.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_30.wav|pˈijɔnts pˈivɔ, pˈatʃɨw na jˈakɔ̃ʑ dʑɛftʃˈɨnɛ ɕɛdʑˈɔntsɔ̃ samˈɔtɲʲɛ f kˈɔɲtɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_73.wav|pʃɛt rˌɔspɔtʃˈɛɲtɕɛm pisˈaɲʲa pɔvʲˈɛdʑawbˌɨ, tˈak, pamjˈɛntam, tsˈɔ ɕɛ stˈawɔ, ˌalɛ tˌɨlkɔ trˈɔxɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_192.wav|bʲˈillɨ sxˈɔdʑi na dˈuw dɔ pustˈɛɡɔ xˈɔlu i nalˈɛva dvʲˈɛ kˈavɨ z ɲʲˌɛɕmʲɛrtɛlnˈɛɡɔ mˌɔtɛlɔvˈɛɡɔː ɛksprˈɛsu bˈan.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_107.wav|znˈuf pɔtʃˈuwam nˌapwɨvajˈɔntsɛ dɔː ˈɔtʃu wzˈɨ i mɔdlˈiwam ɕɛ, ʒˈɛbɨ ɕɛ ɲʲɛ rɔspwˈakatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_36.wav|za kˈilka dɲˈi prˌavdɔpɔdˈɔbɲʲɛ vɨvʲˈɔzɛ jˈɔ̃ s krˈaju, dʑˈɛŋki tʃˌɛmu bɛɲdʑˌɛmɨ mˈɔɡli dʑˈawatɕ sfɔbˈɔdɲʲɛj.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_270.wav|tʃɨ zˌauvaʒˈɨwaɕ ˈu ɲʲˈɛɡɔ jˈakʲɛʑ drʒˈɛɲʲa?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_131.wav|muɕˈitɕɛ pˌɔrɔzmˈavʲadʑ z mˈartɔ̃, pˈɔrtɛr. tɔ mˈɔja kʲˌɛrɔvɲˈitʃka bjˈura.|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_111.wav|pʃɛʒˈɨvam xfilˈɔvɛ trudnˈɔɕtɕi fˌinansˈɔvɛ. tɔ fʃˈɨstkɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_201.wav|swɨʃˈawɛm, ʒˈɛ ɔblˈawaɕ ɛɡzˈamin.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_83.wav|zakwˈadam, ʒˈɛ tɔ sˈɛjv z ɡˈurnɛj pˈuwki, a ɲʲɛ tsˈɔɕ s prɔmˈɔtsji w markˈɛtɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_41.wav|na pɔdwˈɔdʑɛ stˈɔjɔ̃ nˈɔvɛ bˈutɨ dɔ bjɛɡˈaɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_192.wav|ɲʲˈɛmʲaw f sˈɔbjɛ ɲˈits skˌɔmplikˌɔvanˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_196.wav|fkrˈuttsɛ mˈɔʒɛ mi bˈɨtɕ pɔtʃˈɛbna pʲˈɛɕɲ, pɔvʲˈɛdʑaw mu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_83.wav|kʲˈɛdɨ sˈɔntʃɛ kˈavɛ z mlˈɛkʲɛm, pɔxˈɨla ɕɛ ɲʲˈɛtsɔ blˈiʒɛj, ʒˈɛbɨm mˈɔɡwa lˈɛpʲɛj vˈidʑɛtɕ ˈɛkran, a ja vɨtʃˈuvam zˈapax jɛj pˈɛrfum.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_80.wav|jˈɛɕli tɕi ɕɛ ˈuda spʃˈɛdatɕ tɔ tsˈɔ zrˈɔbʲiʃ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/urwisko_ferenc/51_segment_8.wav|mɛ̃ʃtʃˈɨzna f ʃˈarɨm tˈɛʃˈɛrtɕɛ ɔtstˈaviw pˈudwɔ na kɔmˈɔdɛ, pɔ tʃɨm zˈɛrknɔw na smˈartfatx.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_48.wav|bʲˈillɨ xˈɛntɲʲɛ pˌɔmɨʃkˈɔvawbˌɨ pɔ rɛɡˈawax. jɛst prˈavʲɛ pˈɛvʲɛn, ʒˈɛ dɔstʃˈɛɡa fʃˈɨstkʲɛ dʑˈɛwa kiplˈiŋɡa i dʲitskˈɛnsa.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_206.wav|fʃˈɨstsɨ tˌɛɡɔ praɡɲʲˈɛmɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_165.wav|tˈak naprˈavdɛ kˈatɛ zˌaintˌɛrɛsɔvˈawa ɕɛ tˈɔmɛm tˌɨlkɔ f xfˈili, kʲˈɛdɨ ˌɔdʑɛdʑˈitʃɨw spˈadɛk pɔ sfˈɔim brˈatɕɛ jˈatsku, ˌalɛ jˈɛɡɔ tsˈurka ɲʲɛ muɕˈawa tˌɛɡɔ vʲˈɛdʑɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_259.wav|vɨdˈajɛ mu ɕɛ, ʒˈɛ jɛst sprˈɨtnɨ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_79.wav|nˈɔts jɛst tɕˈɛmna i...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_39.wav|pʃɛprˈaʃam.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_369.wav|fʃˈɨstkɔ f pɔʒˈɔntku, kɔxˈana?|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_244.wav|ˌɛmxˌaˈɛm.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_188.wav|ˌalɛ tʃˈɛba pʃˈɨznatɕ, ʒˈɛ dˈawa frɨˈɔvi tʃtˈɛrɛx sˈɨnuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_59.wav|skˈɔɲtʃɛ z rˌɔznɔʃˈɛɲʲɛm pʃɛsˈɨwɛk i zatrˈudɲʲɛ ɕɛ pʃɨ zbjɛrˈaɲʲu prˈubɛk. ftˈɛdɨ ɲʲɛ bˌɛndɛ muɕˈawa ɔtpˈaladʑ dˈɔli na kɔʃʲˈɛmu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_164.wav|na vɨpˈadɛk, ɡdˈɨbɨ stsˈɔtt naprˈavdɛ ʒˈɨw.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_102.wav|pʃɨjʒˈawam ɕɛ dɔkwˈadɲʲɛj.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_84.wav|pʃˌɛkɔnˈawam jˈɔ̃, ʒˈɛ tɔ jɛst jɛj dˈɔm i xˈɔtɕ jˌɛstɛm pˈɛvna, ʒˈɛ mˈiwɔ jˈɔ̃ pˌɔvitˈawɛɕ, mˈuɕi zrɔzˈumjɛtɕ, ʒˈɛ tɕi pʃɛʃkˈadʑa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_13.wav|dlatʃˈɛɡɔ xtɕˈɛli ɡˈɔ zˈabʲitɕ, tˈatɔ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_37.wav|jɛst w ɲˈix tsˈɔɕ smutnˈɛɡɔː i pʃˈɛs xfˈilɛ ɕɛ zˌastanˈavʲam, tʃɨ ɲʲɛ ɔtpxnˈɛwam ɡˈɔ zbˈɨd dalˈɛkɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_7.wav|pˌɔstavˈiwam kʃˈɛswɔ pɔt ɕtɕˈanɔ̃ w ɡwˈɛmbʲi pˌɔmjɛʃtʃˈɛɲʲa, tˈuʃ ˌɔbɔk sxrˈɔnu pˌɔvʲɛtʃnˈɛɡɔ, f ktˌurɨm vˌɨpalˈiwam mɔjˈɛɡɔ pʲɛrʃˈɛɡɔ pˌapʲɛrˈɔsa.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_33.wav|vɨstˈartʃɨ spˈɔjʒɛtɕ na tfˈɔjɛ ruʒˈɔvɛ pɔlˈitʃki i dˈuʒɛ ɲʲɛbjˈɛskʲɛ ˈɔtʃɨ, ʒˈɛbɨ zrɔzˈumjɛtɕ jˈaɡ bˈardʑɔ jˌɛstɛɕ tsnɔtlˈiva.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_119.wav|na tsˈɔː ˌɔna tʃˈɛka, pɔvʲˈɛdʑaw pˈɛtɛrsɛn. ɲʲˈɛɣ vˈɛjdʑɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_115.wav|tɨ ɲʲɛ rɔzˈumjɛʃ, ˈannɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_33.wav|tʃɨ xtsˈɛ pˈisatɕ ɔː ˌɔpɛrˈatsji irˈatska vˈɔlnɔɕtɕ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_253.wav|i ɔn zdˈajɛ ɕɛ ɲʲˌɛnavˈidʑi lˈudʑi.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_10.wav|sfɔbˈɔdɨ ɲˈiɡdʑɛ ɲʲɛ bˈɨwɔ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_30.wav|nˌajwadɲʲˈɛjʃɛ w ɲʲˈɛj bˌɨwɨ ˈɔtʃɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_126.wav|jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ vɨtʃˈuva vˈɛmɲʲɛ paɲˈikɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_76.wav|tɔ ɲʲɛ pˈɔra na tˈakʲɛ ʒˈartɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_155.wav|bˈɛtskɨ skinˈawa ɡwˈɔvɔ̃ i napˈiwa ɕɛ kˈavɨ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_361.wav|natxˈɔdʑiw ɕfˈit.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_43.wav|zˌapɨtˈawa mˈama pisklˈivɨm ɡwˈɔsɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_46.wav|sˈama ɲʲˈɛvʲɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_43.wav|jˈakim tsˈudɛm tɔ mˈɔʒɛ bˈɨtɕ stsˈɔtt?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_7.wav|ɲʲɛ bˈɔjɛ ɕɛ ɔ sfˈɔjɛ bˌɛspʲɛtʃˈɛɲstfɔ. tsˈɔ z mˈili? z ˈaʃɛm? dlatʃˈɛɡɔ ktˈɔɕ mʲˈawbɨ zˈɛxtɕɛtɕ ix pˈɔrvatɕ? tʃˈɛɡɔ mˈɔɡɔ̃ xtɕˈɛtɕ ɔt mˈɔjɛj rɔdʑˈinɨ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_32.wav|tˈak rˈɔp, jˈak pˈɔʃwɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_37.wav|tʃɨ tɔː ɔznˈatʃa jˈɛdnak, ʒˈɛ zrɔbʲˈiwa tsˈɔɕ takʲˈɛɡɔ jˈuʃ ftʃˈɛɕɲʲɛj?|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_44.wav|pʲɛɲʲˈɔndʑɛ tɔ sprˈava drˌuɡɔʒˈɛndna, tɨm bˈardʑɛj, ʒˈɛ vˈɔntpi, bˈɨ mˈuɡw jˈɛ tˈu i tˈɛras ɔt ɲˈika vɨtɕˈɔŋɡnɔɲtɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_374.wav|ˌalɛ dla mɲʲɛ tɛn tʃwˈɔvʲɛk jɛzd bandˈɨtɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_176.wav|ˌɔɲi ɲʲɛ mˌajɔ̃ psˈa, spravdʑˈiwɛm tɔ, zˈaɲim fpuɕtɕˈiwɛm tˈam zˈɛspuw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_10.wav|vˈɔwa za mnˈɔ̃, ˌalɛ zˈaɲim udˈajɛ ɕɛ jɛj tsɔkˈɔlvʲɛɡ dˈɔdatɕ, zamˈɨkam spɔkˈɔjɲʲɛ dʒvˈi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_2.wav|kʲˈɛdɨ f kˈɔɲtsu dɔtɕˈɛram dɔ ʃkˈɔwɨ, mˈɔjɛ nˈɛrvɨ sɔ̃ f stʃˈɛmpax.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_312.wav|tsɛrsˈɛi ɲʲˌɛnavidʑˈiwa ɡˈɔ jˈuʃ xˈɔdʑbɨ s tˌɛɡɔ pɔvˈɔdu.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_75.wav|ɲˈiɡdɨ ɲʲɛ ˌudavˈawɛm, ʒˈɛ pɔxfˈalam tfˈɔjɛ dɛtsˈɨzjɛ. ɲʲˈɛmam takʲˈɛɡɔː ˌɔbɔvʲˈɔ̃sku, ˌalɛ tˈɛʃ ɲʲɛ zamjˈɛʒam tɕˈɛ kˌɔntrɔlˈɔvatɕ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_8.wav|tsˈɔː ɔn mˈa w ˈustax?|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_5.wav|i vidʑˈɛli ɲʲˌɛruxˈɔmɔ̃ i srˈɛbrnɔ̃ mˈisɛ mˈɔʒa za kˈaʒdɨm rˈazɛm,|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_36.wav|jˈakɔʑ ʒˈatkɔ tˈu bˈɨvaʃ, zˌauvˈaʒa dˈɔn. ɲʲɛ ʃkˈɔda tɕi kˈasɨ na pwatsˈɛɲʲɛ tʃˈɨnʃu?|2
+Dataset/wavs/urwisko_ferenc/05_segment_46.wav|jˈak mˈɔ̃ʃ xudʑˈiɲskʲɛj ɔdˈɛbraw tfˈɔjɔ̃ vizˈɨtɛ?|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_240.wav|ɲʲɛtkɲʲˈɛntɨm pʃˈɛs tsˈawɛ zwˈɔ ɕfʲˈata. ja jˌɛstɛm ɡʒɛʃɲˈikʲɛm.|1
+Dataset/wavs/urwisko_ferenc/64_segment_70.wav|dˈɔstʃɛɡw na ɛkrˈaɲʲɛ tsˈɔɕ, na tsˈɔ ftʃˈɛɕɲʲɛj ɲʲɛ zvrˈutɕiw uvˈaɡʲi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_34.wav|ɲʲɛ sˈɔndʑɛ, ʒˈɛbɨ tɔ bˌɨwɔ tsˈɔʑ dla mɲʲɛ, ˈɔtpar tˈata.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_32.wav|dˈawa mi pɔ ʃkˈɔlɛ kanˈapkɛ.|3
+Dataset/wavs/urwisko_ferenc/45_segment_31.wav|tˈɛras mˈɔɡɛ tɕˈɛʃɨtɕ ɕɛ z zˌarɔbjˈɔnɨx pʲɛɲʲˈɛndʑɨ i s tˈɛɡɔ, ʒˈɛ ɔt tʃˈasu dɔ tʃˈasu zrˈɔbjɛ pʃɨjˈɛmnɔʑdʑ blˈiskim.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_35.wav|zblˈiʒam ɕɛ pɔvˈɔli dɔ mwˈɔta pnˌɛwmatɨtʃnˈɛɡɔ, ktˌurɨ zakwˈutsa mi ˈɔdbjur.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_214.wav|vʲˈatr pʃˈɨbraw na ɕˈilɛ. ˈɔtkɔnd zɲiknˈɛwa pʃɛʃkˈɔda f pɔstˈatɕi stˈatsji kˌɔlɛjˈɔvɛj, sfɔbˈɔdɲʲɛ pʃɛtɕˈɔŋɡa nat pˈustɔ̃ dʑˈawkɔ̃ na drˈuɡɔ̃ strˈɔnɛ pˈɛarsɔn strˈit.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_146.wav|a jˈɛɕli dʑvˈik ɲʲɛ nadˈɛjdʑɛ dɔ vʲɛtʃˈɔra?|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_189.wav|pɔvʲˈɛdʑaw jɛj sˈam. ɲʲɛ pˈɔtɔ tˈu pʃɨʃˈɛdwɛm.|1
+Dataset/wavs/urwisko_ferenc/43_segment_78.wav|ˌalɛ ɲʲɛ zɡvˈawtɕiw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_33.wav|tsˈɔ jɛst kˈurva ɡrˈanɛ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_15.wav|w jˈɛɡɔ ɕmʲˈɛxu ɲʲɛ bˌɨwɔ jˈɛdnaɡ vzɡˈardɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_51.wav|ˈɔtʃɛd. tˈɛras ˈidʑɛ pɔd ɡˈurɛ drˈɔɡɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_235.wav|jˈɛɡɔː ˈɔtʃɨ sɔ̃ ʃɛrˈɔkɔː ɔtfˈartɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_74.wav|f tɛj xfˈili jˌɛstɛɕ nˈas ɲʲɛɡˈɔdna.|3
+Dataset/wavs/urwisko_ferenc/52_segment_12.wav|vʲˈɛdʑaw, ʒˈɛ bˌɛɲdʑɛ mˈuɕaw tˈu vrˈutɕitɕ pɔː ɔkrˈɔŋɡwɛ tʃɛrvˈɔnɛ wˈɔʒɛ i kɔtˈarɨ, ˌalɛ jˈɛʃtʃɛ mʲˈaw nˈatɔ tʃˈas.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_122.wav|zˌiɡnɔrɔvˈawa mɲʲɛ, uɲʲˈɔswa ɡwˈɔvɛ z ramjˈɛɲʲa tˈatɨ i lˈɛkkɔ ɡˈɔː ˌɔdɛpxnˈɛwa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_32.wav|w ɔtfˈartɨɣ dʒvʲˈax ɕˈɛɲi sˈɨpnɔw ɕɛ ɡrˈubɨ, vʲɔsˈɛnnɨ ɡrˈat.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_120.wav|ˈɔtuʃ ɲʲɛ. zalˈɛva nˈas fˈala ɲˌiçilˈizmu, ˌambʲivalˈɛntsji, anˈarhji.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_189.wav|prˈɛntkɔɕtɕ ɕfʲˈatwa ɲʲɛ jɛst tˈaɡ vʲˈɛlka, jˈaɡbɨm xtɕˈawa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_66.wav|ɲʲɛ pɔvˈiɲʲɛn ɕɛ strɛsˈɔvatɕ tˈɨm, ʒˈɛ mˈuɡwbɨ utrˈatɕitɕ lˈutsɨ, ktˌura znalˈazwabˌɨ ɕɛ na drˈuɡʲim kˈɔɲtsu ɕfʲˈata.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_19.wav|ˌalɛ lˈɛnɛ patʃˈɨwa na trˈɔnda tˈak, jˈaɡbɨ fprˈaviw planˈɛtɨ w rˈux.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_159.wav|s tsˈawɔ̃ pɛvnˈɔɕtɕɔ̃ dˈɔvʲɛ ɕɛ ɔ jˈɛdnɛj ʒˈɛtʃɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_70.wav|tʃɛkˈawam nˈatɔ ɔt ftʃˈɔraj.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_226.wav|tʃɨ ktˈurɨʑ z ˌɛksplɔratˈɔruf mɲʲɛ swˈɨʃɨ?|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_134.wav|mrˈuknɔw ˌɔtstavʲˈajɔnts swˈɔɲʲa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_159.wav|tˈak ɔ tˌɛɡɔ ɲʲɛ ujˈavɲiw, ja tˈɛʃ ɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/20_segment_91.wav|najlˈɛpʲɛj bˈɛɲdʑɛ, jˈak ɕɛ zˈaras spɔtkˈamɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_46.wav|dʒvˈi rˌɛntʃrɔvˈɛra ɕɛ ˌɔtfʲɛrˈajɔ̃ i pɔjˈavja ɕɛ pˈɔstatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_31.wav|ɲˈiɡdɨ bˈɨ vam ɲʲɛ vˈɨʃwɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_134.wav|i vɨmˈɨɕlnɨx likʲˈɛrax. tɕˈipun pʃɨtʃˈɨmaw mɲʲɛ, kʲˈɛdɨ jˈuʃ kwˈadwɛm rˈɛŋkɛ na klˈamtsɛ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_314.wav|tsɛrsˈɛi bˌɨwa ˌɔtɛmpʲˈawa z brˈaku snˈu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_77.wav|kʲˈɛdɨ ɕˈɛdʑɛ na wˈuʃku tsˈurki ɡwˈaʃtʃɔnts jɛj dwˈɔɲ, pʃˌɨpɔmˈinam sˈɔbjɛ tʃˈasɨ, kʲˈɛdɨ pʃɛd dʑˌɛvʲɛɲtɕˈɔma lˈatɨ pɔznˈawam dˌɔmiɲˈika.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_223.wav|bʒmˈi tɔ jˈaɡ vɛrsˈɛtɨ zˈɛ fspuwtʃˈɛsnɛj bʲˈiblji, pˌɔvʲɛdʑˈawɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_65.wav|mˈuʃɛ tˈɛraz vˈɨjɕtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_69.wav|nˈavɛd dɔzˈɔrtsa tɔ pɔtfʲˈɛrdʑiw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_29.wav|jˌɛstɛm mwˈɔtʃɨm brˈatɛm, stsˈɔtt.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_86.wav|jˈɛɕli ktˈɔʑ za bˈardʑɔ ɕɛ dɔ ɲʲˈɛj zblˈiʒɨw, mˈukw pˈɔtʃutɕ fˈɛtɔr xɔrˈɔbɨ, a kʲˈɛdɨ ɕɛ ˌɔdʑɨvˈawa...|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_150.wav|naprˈavdɛ mɨɕlˈawɛm, ʒˈɛ dˈavɛ bˈɨw tˈɨm, za kˈɔɡɔ ɕɛ pɔdˈavaw. vɨdˈavaw ɕɛ sˌɨmpatˈɨtʃnɨ. tsˈɔ dɔvˈɔdʑi, ʒˈɛ f tɨx tʃˈasax ɲikˈɔmu ɲʲɛ mˈɔʒna ˈufatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_45.wav|ɕˌɛdɛmnˈaɕtɕɛ rˈazɨ uɲˈiknɔw sxfɨtˈaɲʲa, ˌalɛ tˈɛʃ ɲˈiɡdɨ ɲʲˈɛbɨw f tˈakʲɛj jˈak ta sˌɨtuˈatsji.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_209.wav|pɔmˈɔtsɨ mˌiljardˈɛrki.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_352.wav|vʲˈɛlki rˈɛmɔnt pɔ ɲʲˌɛudˈanɨm ˌɛkspɛrɨmˈɛɲtɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_92.wav|tɕˈɛ̃ʒar zwˈɔtɛj dwˈɔɲi dɔskfʲˈɛraw mu tsˈɔraz bˈardʑɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_188.wav|znˈanɨm bʲˌiznɛsmˈɛnɛm jɛst ˌɔtʃɨvˈiɕtɕɛ kˈɛnnɛtx pˈɛ. xˈɔuɡ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_22.wav|mˈa na mˈɨɕli sˌɨtuˈatsjɛ, f ktˌurɛj ktˈɔɕ jɛst ˌɔpwatsˈanɨ pʃˈɛs pˌɔrɨvˈatʃɨ.|4
+Dataset/wavs/urwisko_ferenc/65_segment_179.wav|prɔvˈadʑiw pˈɛvɲʲɛ, ˌalɛ ˌɛvidˈɛntɲʲɛ tsˈɔʑ ɡˈɔ trafˈiwɔ.|0
+Dataset/wavs/urwisko_ferenc/46_segment_94.wav|nˌadjɛʒdʒajˈɔntsɨ spʃɛtɕˈifka samˈɔxut ɔɕfʲˈɛtliw tfˈaʃ tˌɛŋɡavˈɛɡɔ prˌɔkuratˈɔra.|0
+Dataset/wavs/urwisko_ferenc/63_segment_90.wav|ˌalɛ ɲʲɛ vˌɨbjɛɡˈajmɨ f pʃˈɨʃwɔɕtɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_542.wav|pɔ drˈuɡʲɛj strˈɔɲʲɛ ulˈitsɨ rˈuvɲʲɛʃ rˌɛmɔntɔvˈanɔ dˈɔm. ˌɔxlapˈaɲi vˈapnɛm rˌɔbɔtɲˈitsɨ bˌɛbɛʃˈɨli vnˈɛntʃɛ partˈɛru.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_73.wav|ɲʲˈɛma sprˈavɨ, mˈuvi rˈixtɛr.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_82.wav|zˌatʃɨmˈaliɕmˌɨ ɕɛ na pˌɛrɨfˈɛrjaɣ davˈɛnpɔrt w ɔpskˈurnɨm mɔtˈɛlu ɔ nˈazvʲɛ bˈɨ dˈɛ vˈi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_27.wav|mˈatkɔ bˈɔska, kʲˈɛdɨ tɔ ɕɛ skˈɔɲtʃɨ?|0
+Dataset/wavs/urwisko_ferenc/48_segment_45.wav|lˈɛɡnɛr s trˈudɛm ɔdˈɛrvaw vzrˈɔk ɔt ʃtʃɛrpskʲˈɛɡɔː i spˈɔjʒaw na pˌɔlitsjˈanta. spʲɛrdˈalaj stˈɔnt!|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_36.wav|jˈak ɕɛ pˈaɲi tʃˈujɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_253.wav|rˈatsja pʃˌɨtaknˈɛwa sˈanxɛs. tˈam jɛst pˈɔtɕɔŋk, a w ɕrˈɔtku mˈɔi lˈudʑɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_66.wav|i pɔ rˈas kɔlˈɛjnɨ ˌanalizˈujɛ w ɡwˈɔvʲɛ nastˈɛmpnɛ krˈɔki mɔjˈɛɡɔ plˈanu.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_276.wav|dˌɔvɔdʑˈiwa?|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_365.wav|dʒˈɛjn fskˈazaw nˈaɲʲɛ mʲˈɛtʃɛm.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_126.wav|f tsˌɨtadˈɛli ɲʲɛ pˌɔzvalˈanɔ, bˈɨ nˌɔvitsjˈuʃɛ mʲˌɛli ʒˈɔnɨ ˈalbɔ fˌavɔrˈɨtɨ, pʃɨnˈajmɲʲɛj ɲʲˌɛɔtfˈartɕɛ.|1
+Dataset/wavs/urwisko_ferenc/28_segment_68.wav|jˈaɡ dwˈuɡɔ ɡˈɔː ˌɔpsɛrvɔvˈawaɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_209.wav|— tɔ ɲʲɛ jˈa — pˌɔvʲɛdʑˈawa ˈɛlis. — bʲˈillɨ, tɔ ɲʲɛ ja stʃɛlˈiwam, pʃɨɕˈɛŋɡam.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_117.wav|istˈɔtna uvˈaɡa! pɔjˈazdɨ kɕˌɛ̃ʒɨtsˈɔvɛ ɲʲɛ mˌajɔ̃ ˌaɛrˌɔdɨnamˈitʃnɛj sɨlvˈɛtki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_91.wav|dˌɔpɨtˈujɛ, ɡdʑˈɛ jˌɛstɛɕ i tsˈɔ ɕɛ dɔ xɔlˈɛrɨ stˈawɔ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_5.wav|ɲʲɛ zˌatʃɨmˈali ɕɛ w ʒˈadnɨm ˈinnɨm mʲˈɛjstsu. vrutɕˈili bˌɛspɔɕrˈɛdɲʲɔ dɔ lˌakɛsˈidɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_114.wav|a pˈɔtɛm pˈɔʃɛd dɔ stˈatsji bˌɛnzɨnˈɔvɛj.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_19.wav|mˈɔʒɛ tˈɛras jɛstˌɛɕtɕɛ kfˈita, tsˈɔ?|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_94.wav|swɨʃˈawɛʑ ɡˈɔ pɔvʲˈɛdʑaw dʒˈɛjn dɔː ɛlˈina pˌaɨnˈɛa.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_15.wav|vˌɨstartʃˈɨwa jˈɛdna sˈɛrja.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_43.wav|tsˈɔɕ na skrˈaju pˈɔla vidʑˈɛɲʲa pʃˌɨtɕɔŋɡnˈɛwɔ mˈɔjɔ̃ uvˈaɡɛ i ˌɔdvrutɕˈiwam ɡwˈɔvɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_19.wav|pˈɔʃwa na pʲˈɛntrɔ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_141.wav|ɡdˈɨ ˌɔpruʒɲˈiwa kˈubɛk, dʑɛftʃˈɨna nˌapɛwɲˈiwa ɡˈɔ z bukwˈaka.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_65.wav|zadˈawam zdˌɛtsɨdɔvˈaɲʲɛ za vʲˈɛlɛ pˈɨtaɲ. nˈavɛt jˈɛɕli jˈutrɔ ɲʲɛ vrˈutsɛ i tˈak mu ˈɔmɲʲɛ pˈɔvʲɛ, a ɔn ɕɛ zˌɔrjɛntˈujɛ, ʒˈɛ tɔ bˌɨwam jˈa.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_163.wav|tɔ ɲʲˌɛdɔʒˈɛtʃnɛ, ɔbˈuʒɨw ɕɛ dʲibˈɔis. jɛst ˌɛvidˈɛntɲʲɛ vˈinna. mˈa pˈaɲi ɔpsˈɛsjɛ na pˈuŋktɕɛ tɛj dʑɛftʃˈɨnɨ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_579.wav|kˈɔrsak spˈɔjʒaw nˈamɲʲɛ pʃˌɛɲiklˈivʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_297.wav|tɔ pʃɨnˈajmɲʲɛj pˈɔvʲɛts, jˈak maʃ na ˈimjɛ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_139.wav|xtɕˈawɛm tɕi tˌɨlkɔː ɔʃtʃˈɛɲdʑitɕ. vʲˈɛm, tʃˈɛɡɔ xtɕˈawaɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_9.wav|ɲʲˌɛvɨklutʃˈɔnɛ. xˈɔdʑi ɔ lˈutsɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_92.wav|prˈavda jɛst tˈaka, ʒˈɛ tˈata trˈafiw tˈakʲɛ zvɨtɕˈɛ̃skʲɛ numˈɛrɨ kˈilka tɨɡˈɔdɲi tˈɛmu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_31.wav|jˈɛɕli zdˈɔwam zapwˈatɕitɕ tsˌamɛrɔnˈɔvi kɔlˈɛjnɔ̃ rˈatɛ, mˈɔʒɛ tɔ vɨstˈartʃɨ i sˈaskja bˌɛɲdʑɛ mˈɔɡwa ˈɔdɛjʑdʑ w zˌapɔmɲʲˈɛɲʲɛ?|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_200.wav|prˈɛndʑɛj sˈam ɕˈɛbjɛ zabʲˈijɛʒ ɡwɔdˈufkɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_152.wav|kˈɔrsɛk pˈɔʃɛd dɔ waʑˈɛŋki, za xfˈilɛ vrˈutɕiw s pustˈɨmi rɛŋkˈami.|0
+Dataset/wavs/urwisko_ferenc/64_segment_96.wav|dˈawɛm ɕɛ vam ɔʃˈukatɕ, pɔskˈarʒɨw ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_173.wav|ɡdʑˈɛ tfˈuj ˈɔjtɕɛts?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_133.wav|tɔː ˌɔdraʒajˈɔntsɛ i ɲʲɛ mˈɔʒɛ dwˈuʒɛj trfˈatɕ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_164.wav|mjˈa dˌɔpilnˈujɛ, ʒˈɛbɨ mˈuwɨ ɲʲɛ ɡrˈɨzwɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_5.wav|ʒawˈɔvaw, ʒˈɛ ɲʲɛ mˈɔʒɛ zrˈɔbʲitɕ tʃˌɛɡɔkˈɔlvʲɛk, ʒˈɛbɨ jɛj tɔː uwˈatfitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_167.wav|ˌalɛ s tˈɛɡɔ, tsˈɔ bʲˈillɨ zˌauvˈaʒɨw, pˈɔza tɨm jɛst tʃˈɛʑvɔ patʃˈɔntsɨm na ɕfʲˈat rˌɛalˈistɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_32.wav|zvrutɕˈiwa ɕɛ ɡvawtˈɔvɲʲɛ w jˈɛɡɔ strˈɔnɛ. tfˈaʃ mʲˈawa zupˈɛwɲʲɛ ʒˈuwtɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_296.wav|ˌalɛ tʃˈujɛ ɕɛ samˈɔtnɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_167.wav|na skrˈaju ɔtkrˈɨfki tsˈɔʑ zˌamiɡɔtˈawɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_130.wav|za bˈardʑɔ dʑawˈawa mi na nˈɛrvɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_122.wav|pʃˌɛmɔtʃˈɔnɛ bɔksˈɛrki zvisˈajɔ̃ z bjˈɔdɛr, ɲʲɛ vˈidʑi ɲikˈɔɡɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_219.wav|ˌalɛ jˈuʃ fʃˈɛd dɔ brˈamɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_14.wav|tɔ ɲʲɛ jɛst tˌajɛmɲˈitsa, kɔxˈaɲʲɛ, ˌalɛ xˈɔdʑi ɔ prˈɔblɛm f prˈatsɨ, zˈatɛm ɲʲɛ jɛst tɔ mˈɔja tˌajɛmɲˈitsa, ˌalɛ tʃɨ tʃˈɨjaɕ, vʲˈɛnts ɲʲɛ mˈɔɡɛ jɛj zdrˈadʑitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_246.wav|mˈam zˈamjar tʃˈɨmatɕ ɕɛ f pɔblˈiʒu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_29.wav|ɲʲɛ pʃɨjmˈujɛ pˈan tʃˈɛkuf?|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_257.wav|ɲʲˈɛma mˈɔvɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_156.wav|pʲˈɛrʃɛ dvˈa ˌudɛʒˈɛɲʲa ˌɔbluzɔvˈawɨ jˈɔ̃ trˈɔxɛ, ˌalɛ nˈadal ɲʲɛ puʃtʃˈawa. za tʃˈɛtɕim rˈazɛm ɕɛ udˈawɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_234.wav|çˈiŋk ˈumar, jˈudɨ pˈijɛ, tɨ udˈajɛʃ, ʒˈɛ xtsˈɛʃ ɕɛ zˈabʲitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_41.wav|tˈɛraz dʒˈɔn vɨdˈajɛ ɕɛ ˌɔʃɔwɔmjˈɔnɨ i ɡwɛmbˈɔkɔ pʃˌɨɡnɛmbjˈɔnɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_121.wav|dɔstˈaɲʲɛ pˈan zˌapalˈɛɲʲa pwˈuts, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_22.wav|jˈɛɕli bɔɡˈɔvʲɛ bˌɛndɔ̃ waskˈavi, pɔxwˈɔnɔ̃ ix ruxˈɔmɛ pʲˈaski ˈalbɔ pˈɔʒrɔ̃ jaʃtʃˈurɔ lvˈɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_43.wav|ˈaʃ tˈaɡ bˈardʑɔ ɕɛ ɲʲɛ starˈawa. tɛlˈɛfɔn mˈam f kiʃˈɛɲi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_42.wav|pˌɔvʲɛdʑˈawa. spɔdʑˈɛvaw ɕɛ tˌɛlɛfˈɔnu ɔt pˌɔrɨvˈatʃɨ, ktˌuʒɨ pʃɛkˈaʒɔ̃ ˌinfɔrmˈatsjɛ ɔː ɔkˈupʲɛ, ˌalɛ kʲˈɛdɨ uswˈɨʃaw jɛj ɡwˈɔs, uɡʲˈɛwɨ ɕɛ pˈɔdɲim kɔlˈana.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_340.wav|pɔ stˈali spwɨvˈawɨ ʒɛtʃˈuwki vˈɔdɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_104.wav|tɛ ʒˈɛtʃɨ sɔ̃ dɔː ɔɡrˈɔdu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_11.wav|muvˈiwa, ʒˈɛ ta kɕˈɔ̃ʃka jɛzd dˈɔbra.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_22.wav|vwˈaɕɲʲɛ jɛxˈawam ɔdˈɛbratɕ kɔlˈɛjnɔ̃ pˈatʃkɛ, kʲˈɛdɨ ˌɔdɛzvˈawɔ ɕɛ mˈɔjɛ ɡʲˈizmɔ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_7.wav|daˈɛmɔn bˈɨw jˈɛdnaɡ bɛŋkˈartɛm, a pˈɔza tɨm kˌaˈɛs. dˈɔran ɲʲˈɛxtɕaw, bˈɨ vˈɨʃwa za dˌɔrɲijtʃˈɨka.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_214.wav|pʃɨ pʲˈɔntɨm pɔdˈɛjɕtɕu dʑˈɛɕɛɲtɕ fawʃˈɨvɨx, srˈɛbrnɨɣ dˌɔlarˈuvɛk sˈɨpʲɛ ɕɛ z bʒˈɛŋkʲɛm dɔ rɨɲʲˈɛŋki i dʑɛftʃˈɨna pˈiʃtʃɨ radˈɔɕɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_231.wav|jˈɛɕli zˈamknɛ ˈɔtʃɨ, bˌɛndɛ mˈɔɡwa udˈavatɕ, ʒˈɛ tɔ rˈɨtsɛʃ kfʲˈatuf.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_351.wav|mˈuj brˈat ɲˈiɡdɨ ɕɛ ɲʲɛ naˈutʃɨw lˈubʲitɕ smˈaku rˌɔstʃarɔvˈaɲʲa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_15.wav|ɲʲɛ mˈɔɡɛ ˈɔɲim ɲʲɛ mˈɨɕlɛtɕ, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_247.wav|rˈɔbɛrt ɲʲˈɛbɨw pravdʑˈivɨm krˈulɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_16.wav|xˈɔtɕ, naprˈavdɛ musˈimɨ jˈuʃ ˈiɕtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_76.wav|ˌadmiɲˌistratˈɔrka spɔjʒˈawa nˈamɲʲɛ zˈɛ zdʑivʲˈɛɲʲɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_120.wav|ˌalɛ ja ɕɛ dɔ ɲˈix ɲʲɛ zˌalitʃˈawam. mˈɔjɛ dʑˈɛtskɔ bˌɨwɔ tʃˈɛɲɕtɕɔ̃ mɲʲɛ i ɲʲɛ mˈɔɡwam ɡˈɔ zɔstˈavitɕ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_343.wav|buzdˈɨɡan, tˈɔpur tʃɨ mʲˈɛtʃ, fʃˈɨstkɔ mi jˈɛdnɔ.|1
+Dataset/wavs/urwisko_ferenc/02_segment_99.wav|i zˈamar.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_21.wav|w jˈɛɡɔ ɡwˈɔɕaʃ nˈattɔ vˌɨtʃuvˈalnɛ jɛst rˌɔstʃarɔvˈaɲʲɛ, a tɔ bˈɔli, xˈɔtɕ jɛst ˌuzasadɲʲˈɔnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_157.wav|pɔdˈuʃka vɨdˈajɛ pʲɛrdʑˈɔntsɨ dʑvʲˈɛŋk pɔt jˈɛɡɔ tˈɨwkʲɛm. martʲˈinɛs i flanˈaɡan ɲʲɛ ruʃˈajɔ̃ ɕɛ. pˈatʃɔ̃ tˌɨlkɔ na mˈiksɛr vʲɛlkˈimi ɔtʃˈami.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_314.wav|zˌaufɛrˈɔvaw ɕˈilnɨ dʑˈik. mˈuvjɛ vam, dˈajmɨ pˌɔsmakˈɔvatɕ rˈɨbjɛ ˈɔɡɲʲa i stˈali.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_7.wav|bjˈɔrɛ ɡwɛmbˈɔki vdˈɛx, vɨpˈuʃtʃam pɔvˈɔli pɔvʲˈɛtʃɛ i zatʃˈɨnam mˈuvitɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_132.wav|jˈaɡbɨ ɔdbʲˈita f ʃˈɨbjɛ pˌɔkazˈawa ɕɛ jɛj tfˈaʃ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_54.wav|pʃˈɨkrɔ mi, ˌalɛ ɲʲɛ mɔʒˈɛmɨ pɔvʲˈɛdʑɛtɕ ɲˈidʑ vʲˈɛntsɛj pˈɔnat tɔ, tsˈɔ pˌɔdavˈanɔ f tˌɛlɛvˈizji. ˌalɛ tɔ mˈiwɛ z vˈaʃɛj strˈɔnɨ, ʒˈɛ ɕɛ trɔʃtʃˈɨtɕɛ.|4
+Dataset/wavs/urwisko_ferenc/27_segment_14.wav|dˈɔbʒɛ znˈawam pˈaɲi mˈatkɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_62.wav|alvˈarɛs mˈukw skrˈɛɲtɕitɕ mi kˈark ˈalbɔ nˈajpʲɛrf pɔddˈuɕitɕ mɲʲɛ, a pˈɔtɛm skrˈɛɲtɕitɕ mi kˈark.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_80.wav|a jˈɛdnak w istˈɔtɕɛ ʒˈɛtʃɨ tɔ tɛn sˈam kˈɛnxɔff tsˈɔ zˈafʃɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_41.wav|ɡwˈɔɕɲik ˌumjɛʃtʃˈɔnɨ bˈɨw pˈɔnat stˈatsjɔ̃ bˌɛnzɨnˈɔvɔ̃, pʃɛt ktˌurɔ̃ ɕˈɛdʑaw ˈandɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_66.wav|krˈɛɲtɕi ɡwˈɔvɔ̃ i za wzˈami w ˈɔtʃaɣ bjˈɛʒɛ kɔlˈɛjnɨ vdˈɛx. ɲʲɛ mˈɔɡɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_81.wav|pɔ drˈuɡʲɛj strˈɔɲʲɛ nˈadal pˌanɔvˈawa tɕˈiʃa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_42.wav|ja jˌɛstɛm z druɡʲˈɛɡɔ. ˌɛkɔnˈɔmja i pɔlˈitɨk, a tˈɨ?|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_237.wav|a vʲˈɛnts tɔ zwˈɔta prˈaɡɲʲɛʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_124.wav|jˈɛɕli samˈɔxut ɲʲɛ vɨjˈɛdʑɛ stˈɔnt f tɕˈɔŋɡu nastˈɛmpnɛj minˈutɨ lˈub dvˈux, vzbˈudʑi tɔ pˌɔdɛjʒˈɛɲʲa, a ja mˈuʃɛ...|3
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_13.wav|ɲʲɛ zˌapɨtˈawa, kˈim jɛzd bˈɛtskɨ, a ja ɲʲɛ fpˈadwam nˈatɔ, ʒˈɛbɨ jˈɛ sˈɔbjɛ pʃɛtstˈavitɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_233.wav|ɔtsˈuvam tˈɛ mˈɨɕl.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_268.wav|ʒˈɛ ɲʲɛ bˌɛɲdʑɛʃ tˌɛɡɔ lˈubʲitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_55.wav|mˈuʃɛ rˌɔsprɔstˈɔvatɕ nˈɔɡʲi. jˈak ɕɛ tʃˈujɛʃ, bʲˈillɨ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_76.wav|nazˈɨva ɕɛ lˈɛax mˈidvaj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_48.wav|mˈama ɕɛ ˌɔdvrutɕˈiwa i ˌuɕmʲɛxnˈɛwa dɔ mɲʲɛ, zˈaɲim ˌɔtfɔʒˈɨwa dʒvˈi.|3
+Dataset/wavs/urwisko_ferenc/33_segment_2.wav|zjˈad drɔʒdʒˈufkɛ i tfˈiksa, kturˌɛɡɔ pˈɔpiw kɔlˈɛjnɨm ʑˈimnɨm ˌɛnɛrɡʲizˈɛrɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_89.wav|a ja vˈɔlɛ tʃˈarnɔ̃ xɛrbˈatɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_168.wav|dˈɔbʒɨ lˈudʑɛ mi pˌɔvʲɛdʑˈɛli.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_120.wav|mˈuʃɛ pˌɔrɔzmˈavʲatɕ s kuzˈɨnɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_88.wav|bˈɔ jˈuʃ ftˈɛdɨ vʲɛdʑˈɛli, ʒˈɛ ɲʲɛ udˈawa im ɕɛ ta tsˈawa zasrˈana rˌɛvɔlˈutsja.|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_88.wav|jˈɛɕli vˈɔlnɔ spˈɨtatɕ, ˈilɛ pˈaɲstfɔ pwatɕˈitɕɛ mʲɛɕˈɛntʃɲʲɛ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_271.wav|f ktˌurɔ̃ zamjˈɛʒa ɕɛ ʒˈutɕitɕ, pɔ tʃɨm ʒˈutɕiw ɕɛ kˈu ɲˈim. — fstˈatɕ! — kʃˈɨtʃaw.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_397.wav|paˈɨnɛ vˈɨdaw s ɕˈɛbjɛ sfˈuj klˌɛkɔtʃˈɔntsɨ dʑvʲˈɛŋk, zˌastɛmpujˈɔntsɨ ɕmʲˈɛx.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_211.wav|najvˈɨʃʃɨ tʃˈas, bˈɨɕmɨ ˌɔtpwatɕˈili mu tɨm sˈamɨm.|1
+Dataset/wavs/urwisko_ferenc/30_segment_38.wav|tsˈɔ mʲˈawa dɔ tɛj pˈɔrɨ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_34.wav|dˈɔkɔnt ɕɛ vɨbjˈɛraʃ i jˈak xtsˈɛʃ tˈam dˈɔtʃɛtɕ?|4
+Dataset/wavs/urwisko_ferenc/47_segment_69.wav|pʃɨnˈajmɲʲɛj z ˌɔpɔvʲˈɛɕtɕi. a pˈɨta pˈan, bˈɔː ɔbˈavʲam ɕɛ, ʒˈɛ mˈɔʒɛ bˈɨtɕ ɲʲˌɛbɛspʲˈɛtʃnɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_130.wav|zbliʒˈaɲʲɛ ɕɛ tɔ zwˈɨ pˈɔmɨsw, pˌɔtɛntsjˈalnɛ zˌaɡrɔʒˈɛɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_126.wav|ˌɔznajmˈiwa starˈuxa, ɡdˈɨ jˈuʃ ɕɛ napˈiwa. ɲʲɛ spˌɔdɔbˈajɔ̃ ɕɛ vam mˈɔjɛ ˌɔtpɔvʲˈɛdʑi.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_297.wav|bˈɨtɕ mˈɔʒɛ kˈaʒɛ mˌaɛstɛrˈɔvi xjuˈɛta ɔbˈɛjʒɛtɕ rˈanɛ, jˈɛɕli ɡˈɔ ɲʲɛ zabʲˈitɔ.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_4.wav|ɛdmˈurɛ tˈullɨ stˈaw na vʲˈɛlkim, ʃˈarɨm ʃafˈɔtɕɛ zˈɛ ʃnˈurɛm na ʃˈɨi.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_172.wav|vʲˈɛlɛ bˈɨ ˌɔpɔvʲˈadatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_23.wav|mˈɔʒɛ ɡˈɔ pˈaɲi zˈabratɕ i sfˈuj tɛlˈɛfɔn rˈuvɲʲɛʃ?|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_318.wav|nalˈɛjɛ tɕi jˈɛʃtʃɛ pˈiva, vɨpˈiwaʑ dɔpʲˈɛrɔ jˈɛdnɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_127.wav|tɛn kɔmpˈutɛr zɔstˈaɲʲɛ tˈutaj. nˈaɲim i f tsˈawɨm bjˈuʒɛ jɛst pˈɛwnɔː ɔttɕˈiskuf pˈaltsuv bʲilljˈɛɡɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_110.wav|tsˈɔ tˌɨlkɔ ja jˈɛdɛn na ʑˈɛmi vˈidʑɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_181.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_81.wav|mˈam nadʑˈɛjɛ, ʒˈɛ tˈak.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_158.wav|jˈɛɡɔ ɡwˈɔs nˈabraw bwˌaɡalnˈɛɡɔ tˈɔnu, ktˌurɨ natˈɨxmʲazd zɲʲˌɛnavidʑˈiwam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_113.wav|ʒˈutɕiw prˌɔtɛktsjɔnˈalɲʲɛ, ˌalɛ pˌɔstanɔvˈiwa mɲʲɛ rˌɛaɡˈɔvatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_29.wav|ˌɔtʃɨvˈiɕtɕɛ, vˈartɔɕtɕ tɛj fˈirmɨ pʃɛbʲˈijɛ ɲʲɛbˈavɛm ɲʲˈɛbɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_82.wav|ˌɔdɛzvˈawam ɕɛ dɔ trˈɔnda.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_32.wav|mˌɔntujˈɛmɨ kamˈɛrɨ f kʃˈakax, ʒˈɛbɨ mʲˈɛdʑ vˈidɔɡ z blˈiska vɨjˈaɕɲiw mu rˈɔɲi. pɔvˈinnɨ zadʑˈawadʑ za xfˈilɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_138.wav|mˈam fstˈatɕ?|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_430.wav|ɲʲɛ skwˈadaw ʒˈadnɨx pʃˈɨɕɔŋk ˌɔdnɔʃˈɔntsɨx ɕɛ dɔ sˈansɨ.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_195.wav|brˈamɨ tsˌɨtadˈɛli stʃˈɛɡwa pˈara vɨsˈɔkix, ʑɛlˈɔnɨx sfˈiŋksuf ɔ tɕˈawaɣ lvˈuf, skʃˈɨdwax ˈɔrwuf i ɔɡˈɔnaɣ vˈɛ̃ʒɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_64.wav|pˈatʃɨ nˈatɔ prˈavʲɛ minˈutɛ, pɔ tʃɨm pˈiʃɛ dˈalɛj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_70.wav|i xˈɔtɕ tˈɛras kˈɔxam sfˈɔjɔ̃ prˈatsɛ, f tˈamtɨx tʃˈasax ɲˈiɡdɨ ɲʲɛ xtɕˈawam zˈɔstatɕ nˌautʃɨtɕˈɛlkɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_135.wav|sxˈɔdʑi dɔ pɔwˈɔvɨ sxˈɔduv z vˌɨtɕɔŋɡɲʲˈɛntɔ̃ rˈɛŋkɔ̃ jˈak pˈan na vwˈɔɕtɕax.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_279.wav|xˈɔtɕ mʲˈawa mɲʲɛ f sˈɔbjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_80.wav|zˈaɲʲɔ̃ vznɔɕˈiwa ɕɛ pˈɛwna bɔɡˈatɨɣ dˈupkuv bˈaɲka ʃɛpˈarda.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_273.wav|i w ɔɡˈulɛ dɔ tʃˈɛɡɔ ja tɕi jˌɛstɛm pɔtʃˈɛbnɨ?|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_300.wav|vzruʃˈɨwa rˌamjɔnˈami. ˌalɛ kturˈɛmu?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_322.wav|zˈaɕɲij.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_468.wav|tɔ jɛdˈɨnɛ vˌɨjaɕɲʲˈɛɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_49.wav|pɔstˈaraj ɕɛ ɲʲɛ zabrˈudʑitɕ fartˈuxa pˈɨwɛm, pˌɔvʲɛdʑˈawam. jˈasnɛ.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_49.wav|tɔ lɛtɲʲˈatsɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_112.wav|tʃɨ ɔn vʲˈɛ, ʒˈɛ skwamˈawam rˈuvɲʲɛʃ f kfˈɛstji mɔjˈɛɡɔ dʑˈɛtska?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_105.wav|mˈuʃɛ pʃˈɛtrfadʑ dla mˈɔiɣ dʑˈɛtɕi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_19.wav|ɲʲɛ, jˈɛɕli bˌɨwaɕ f ʃpitˈalu, tɔ znˈatʃɨ, ʒˈɛ ˌɔkwamˈawaɕ mɲʲɛ f sprˈavʲɛ tɛj zabˈavɨ. ɡdʑˈɛ jɛst mˈili?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_43.wav|fskˈazaw jɛj drˈɔɡɛ dɔ vˌɨɡɔdnˈɛɡɔ salˈɔnu, ɡdʑˈɛ zatˈɔnɔw fɕrˈut mʲˈɛŋkkix pɔdˈuʃɛk na ˌaksamˈitnɛj sˈɔfjɛ f kɔlˈɔʒɛ tɕɛmnˈɛɡɔ turkˈusu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_95.wav|sˈɛn jɛst krˈutki, rvˈanɨ, pˌɔvʲɛʃxˈɔvnɨ, a ʒˈɨtɕɛ dwˈuɡʲɛ, z dwˌuʒɨznˈami jˈak fˈilm.|0
+Dataset/wavs/urwisko_ferenc/23_segment_22.wav|s tɨm ɕɛ tʃˈɛba urˈɔdʑitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_25.wav|dˈumnɨ mˈɔ̃ʃ w naɡrˈɔdɛ za sfˈuj vˈɨtʃɨn dɔstˈajɛ tˌɛkturˈɔvɨ tsɨlˈindɛr s pˌapʲɛrˈɔvɨm kfʲˈatkʲɛm zatkɲʲˈɛntɨm za fstˈɔ̃ʃkɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_5.wav|fʃˈɨstkʲɛ vˌɨdaʒˈɛɲʲa f tɕˈɔŋɡu dɲʲˈa i krˈutki ɛpˈizɔt s tˌɛmpɛratˈurɔ̃ zɛbrˈawɨ sfˈɔjɛ ʒɲˈivɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_2.wav|vɛzvˈanɨ pʃˈɛz bˈɛtskɨ, tˈɔm ɔtfˈɔʒɨw dʒvˈi dɔ pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔː i pˈɔtʃɛd dɔ kˈita, ʒˈɛbɨ zamjˈɛɲidʑ z ɲˈim tɕˈixɔ kˈilka swˈuf.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_222.wav|pˈɔvʲɛʃ prˈavdɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_89.wav|ftˈɛdɨ jˈɛdnaɡ brˈama zatʃˈɛwa ɕɛ rɔssˈuvatɕ na mˈawɨɣ ɡumˈɔvɨx kˈuwkax.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_160.wav|zamˈɨka ɡˈɔː i xˈɔva klˈudʒ dɔ kʲɛʃˈɛɲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_68.wav|tˌɨlkɔː ˌadmiɲˌistratˈɔrka artˈɛmis mˈa tˈakɔ̃ vwˈadʑɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_298.wav|tfˈuj pʃɨjˈatɕɛl jˈɛst...|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_162.wav|za drˈuɡʲim rˈazɛm ˌɔbudʑˈiwa ɕɛ z nˈɔʒɛm w rˈɛŋku, ˌalɛ ˌɔkazˈawɔ ɕɛ, ʒˈɛ ɲʲˌɛpɔtʃˈɛbɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_99.wav|prˈavʲɛ ɕɛ tˈam ˌuduɕˈiwɛm.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_24.wav|stˈaʒɛdʑ vzdrˈɨɡnɔw ɕɛ, swˈɨʃɔnts jɛj tˈɔn. ɲˈikt ɲʲɛ pɔtrˈafiwbˌɨ zrˈɔbʲidʑ vʲˈɛntsɛj, vˈaʃa mˈiwɔɕtɕ. zˈa... zˈafʃɛ swuʒˈɨwɛm vʲˈɛrɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/20_segment_89.wav|tɕˈiʃa f swuxˈaftsɛ ɲʲɛ zvʲˌastɔvˈawa ɲˈidʑ dɔbrˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_210.wav|ɔn zˈaʑ bˈɨw vɨsˈɔki, vˌɨprɔstɔvˈanɨ i pɔrˈuʃaw ɕɛ z viɡˈɔrɛm mɛ̃ʃtʃˈɨznɨ f ɕˈilɛ vʲˈɛku.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_49.wav|ɲʲɛ rɔstɕˈɛwam jˈɛʃtʃɛ ʃfˈu, ˌalɛ nɔʒˈɨtʃki sɔ̃ w waʑˈɛntsɛ, a tʃˈujɛ vɨrˈaʑɲʲɛ, ʒˈɛ ˈaʃ xtsˈɛ ɕɛ pɔ prˈɔstu stˈɔnt ɔddˈalitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_193.wav|mˈɔʒna tɔ tˈak nˈazvatɕ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_22.wav|i zˈaɲim strˈatsɛ rˈɛʃtɛ nˈɛrvuf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_75.wav|ɲʲɛ, ɲʲɛ zˌaɲʲɛpɔkˈɔitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_148.wav|uɕˈɔɲtɕtɕɛ vɨɡˈɔdɲʲɛ, a ja pɔdʑˈɛlɛ ɕɛ z vˈami fʃˈɨstkim, tsˈɔ vʲˈɛm.|4
+Dataset/wavs/urwisko_ferenc/33_segment_89.wav|tʃɨ ɔn tsˈɔɕ pʃɛskrˈɔbaw?|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_150.wav|litʃˈɛbnɔʑdʑ bˌɨwa jˈɛdnak ɔstˈatɲim, tʃˈɛɡɔ pˌɔtʃɛbɔvˈali w rivˈɛrun.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_173.wav|na vˌɨsuʃˈɔnɨ trˈavɲik tʃtˈɛrɨ pʲˈɛntra ɲˈiʒɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_120.wav|pʲɛɲʲˈɔndʑɛ za tˌɛɡɔ sɔ̃ naprˈavdɛ pɔʒˈɔndnɛ. zawˈatfiʃ tɔː i rˈɛʃtɛ ʒˈɨtɕa bˌɛɲdʑɛʃ mˈukw spˈɛɲdʑitɕ f tɕˈɛpwɨx krˈajax. pɔpˈijatɕ pˌiɲʲakɔlˈadɛ f xamˈaku.|2
+Dataset/wavs/urwisko_ferenc/33_segment_4.wav|lˈɛdvɔ zdˈɔ̃ʒɨw dɔ tˌɔalˈɛtɨ, a bɔlˈɛsnɨ skˈurtʃ ɲʲɛ ˌustɛmpˈɔvaw.|0
+Dataset/wavs/urwisko_ferenc/54_segment_8.wav|pilˈɛfska bˌɨwa skupʲˈɔna na sfˈɔjɛj rɔbˈɔtɕɛ, tsˈɔ ɡˈɔː ˌutɕɛʃˈɨwɔ.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_264.wav|i z ˈɔjtsɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_173.wav|vʲˈɛdʑaw ɔ tʃwɔvʲˈɛku, ktˌurɨ zˈabʲiw tfˈɔjɔ̃ mwˈɔtʃɔ̃ ɕˈɔstrɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_322.wav|ktˌurɨ vɨdˈavaw ɕɛ tˈak sˈamɔ bɛspʲˈɛtʃnɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_66.wav|ɲʲˈɛmam ʒadnˈɛɡɔː ˌaɲʲɛlskʲˈɛɡɔ pˈɨwu, ktˌurɨ mˈuɡwbɨm rɔssˈɨpatɕ, ʒˈɛbɨ zmʲˈɛɲidʑ vˈaʃɛ ʒˈɨtɕɛ f pˈuw ɡɔdʑˈinɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_121.wav|ˌɔtfɔʒˈɨwam pʲˈɛrʃɨ vwˈas i fskɔtʃˈɨwam dɔ tɕˈasnɛj kɔmˈɔrɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_26.wav|jˈak najʃˈɨptɕɛj, ˌalɛ kʲˈɛdɨ pˈujdʑɛ pˈaɲi dɔ sˌamɔxˈɔdu, prˈɔʃɛ ɕɛ ɲʲɛ rɔzɡlˈɔndatɕ f pˌɔʃukivˈaɲʲu kˌɔɡɔkˈɔlvʲɛk.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_256.wav|vwˈɔʒɨw ɡˈɔ dɔː ˈust.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_68.wav|jˈamɛ uɕtɕˈiskaw jˈɔ̃ ˌɔbɔvʲɔ̃skˈɔvɔ, tʃɛkˈajɔnts, ˈaʃ uʃtʃˈɨpɲʲɛ ɡˈɔ w ˈuxɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_131.wav|pɔ pʲˈɛɲtɕu minˈutax jˈadɔ̃ jˈuʃ ˌawtɔstrˈadɔ̃ na zˈaxut.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_97.wav|vˈɨbatʃ, tˈɔm, ˌalɛ dʑvɔɲˈiwa lˈutsɨ. pˌɔvʲɛdʑˈawa, ʒˈɛ ɲʲɛ mˈɔʒɛ ɕɛ dɔ tɕˈɛbjɛ dɔdʑvˈɔɲitɕ, vʲˈɛnts ˌɔdɛzvˈawa ɕɛ dɔ mɲʲɛ. mˈɔʒɛʒ dɔ ɲʲˈɛj ɔddʑvˈɔɲitɕ? tɔ pˈilnɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_20.wav|ɲʲɛ jˌɛstɛm jˈuʃ f stˈaɲʲɛ naprˈavitɕ fʃˈɨstkix sfˈɔiɣ bwˈɛnduf.|3
+Dataset/wavs/urwisko_ferenc/21_segment_14.wav|dɔː ˈuʃu xˈɛrman tʃasˈami dˌɔlatɨvˈawɨ pˌɔjɛdˈɨntʃɛ sɨlˈabɨ. ˈalbɔ jɛst xɔlˈɛrɲʲɛ zdˈɔlnɨm aktˈɔrɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_189.wav|a ɲʲɛ jˈaɡ w ʒˌɛtʃɨvistˈɔɕtɕi, kʲˈɛdɨ bˌɨli ɔ dvˈa krˈɔki ɔt ɕˈɛbjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_8.wav|tɔ, ktˌurɛ nazˈɨva sfˈɔim pˌɛrɨskˈɔpɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_226.wav|kazˈawam mu ɕɛ zˈapʃɛtɕ ɔ vrˈɛŋɡɛ i xfˈɨtɕitɕ kˈɔrbɛ vwˈazu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_75.wav|ftɕˈiskam ɕɛ mʲˌɛndʑɨ dvˈa sˌamɔxˈɔdɨ i zastˈɨɡam w bɛzrˈuxu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_149.wav|fʃˈɨstsɨ ɕɛ badˈajɔ̃, ˌɔbmatsˈujɔ̃, spravdʑˈajɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_342.wav|i tʃˈɨstɛ ɲʲˌɛdɔvʲɛʒˈaɲʲɛ w ˈɔtʃax pʃˌɛtɕivɲˈika.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_11.wav|prubˈujɛ ɔɡˈarnɔɲtɕ rˈɔzmʲar sfˈɔjɛj pɔrˈaʃki.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_308.wav|f kˈaʒdɨm rˈaʑɛ mˈɔʒɛʃ sˈɔbjɛ dɔkwˈadɲʲɛ ɔbˈɛjʒɛtɕ mˈɔjɛ kɔmbˈajnɨ. ˌɔtʃɨvˈiɕtɕɛ, fʃˈɨstkɔ f tˌajɛmɲˈitsɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_178.wav|ɲʲɛ mˈuɕi tˌɛɡɔ pɔvʲˈɛdʑɛdʑ ɡwˈɔɕnɔ, bˈɔ vɨrˈɛntʃa ɡˈɔ ɡʲˈɔrɡjɔ. jˈasnɛ, bˌɨwɛm na jˈɛɡɔː uswˈuɡʲi. dˈɔbʒɛ pwˈatɕiw, nˈɔː i xtɕˈawɛm ʒˈɨtɕ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_337.wav|ɲʲɛ zdˈɔbɨw ɕɛ nˈavɛt nˈatɔ, ʒˈɛbɨ zrˈɔbʲitɕ mi dʑˈɛtskɔ. stˈartsɨ mˌajɔ̃ swˈabɛ naɕˈɛɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_43.wav|ɔn rɔstʃˈaskaw jˈɔ̃ na tɨɕˈɔntsɛ kavˈawkuf.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_175.wav|a drˈuɡʲi bˈɛŋkard z ˈinnɔ̃ dʑˈɛfkɔ̃ jɛzd w drˈɔdʑɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_134.wav|kˈu vwasnˈɛmu zˌaskɔtʃˈɛɲʲu tˈɔm ˈuznaw, ʒˈɛ ɲʲɛ jɛzd zdʑivʲˈɔnɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_83.wav|bˈɛtskɨ bˌɨwa pʃˌɛkɔnˈana, ʒˈɛ vʲˈɛ, dˈɔkɔnd zmʲˈɛʒa ta çistˈɔrja i mʲˈawa ɔxˈɔtɛ, ʒˈɛbɨ ɲˈilɛ jˈuʃ pʃˈɛʃɛd dɔ sˈɛdna.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_194.wav|pɔstˈaviw kˈaptur i pʃɨspʲˈɛʃɨw krˈɔku.|1
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_21.wav|f pˈɛvnɨm mɔmˈɛɲtɕɛ xwˈɔptsɨ zatʃˈɛli ɕɛ bˈavitɕ nˌaʒɛɲdʑˈami. pɔvˈinnam bˌɨwa ix pɔfstʃˈɨmatɕ, ˌalɛ fʃˈɨstsɨ ɕɛ ɕmʲˈali i bˌɨwɔ tˈak fˈajɲʲɛ. ɲʲɛ xtɕˈawam psˈutɕ nastrˈɔju.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_34.wav|dˈafnɛ i valtˈɛra|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_78.wav|uznˈawɛm, ʒˈɛ vˈɨɡram kˈilka rˈazɨ i zˈaraz ɡˈɔ spwˈatsɛ, ˌalɛ mi ɕɛ ɲʲɛ udˈawɔ.|3
+Dataset/wavs/urwisko_ferenc/18_segment_43.wav|jˈak tɔ? dlatʃˈɛɡɔ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_267.wav|tsˈɔ ɕɛ dʑˈawɔ zˈɛmnɔ̃ f tɨx nˈɔtsax?|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_184.wav|pˈɔvʲɛʃ, mˈikɛ, ɔn jˈɛʃtʃɛ ɲˈiɡdɨ ɲʲˈɛmʲaw kɔbjˈɛtɨ i ɲʲɛ vʲˈɛdʑaw, jˈak tɔ jˈɛst.|0
+Dataset/wavs/urwisko_ferenc/01_segment_10.wav|ˌɔras ˈɔdɡwɔz drapˈaɲʲa vɨsˈɔkix trˈaf ɔ pɔdvˈɔʑɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_80.wav|bˈɛtskɨ vʲɛdʑˈawa, s kˈim mˌajɔ̃ dɔ tʃɨɲʲˈɛɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_171.wav|rˈanɔ pˈiva ftɕˈɔ̃ʒ bˌɛndɔ̃ stˈawɨ ɔtfˈartɛ na stɔlˈiku, zvʲɛtʃˈawɛ i prˈavʲɛ ɲʲɛtkɲʲˈɛntɛ.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_135.wav|a fʃˈɨstkʲɛ mˈɛblɛ bˌɨwɨ nˈɔvɛ i kʲˈɛpskɔ vˌɨkɔnˈanɛ. wˈɔʒɛ rˌaimˈuna darˈɛɡɔ bˌɨwɔ tˈaɡ vʲˈɛlkʲɛ, ʒˈɛ mɔɡwˈɔbɨ w ɲˈim spˈatɕ ʃˈɛɕtɕ ˈɔsup.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_21.wav|mˈɔʒɛʒ zadʑvˈɔɲitɕ jˈɛʃtʃɛ rˈaz dɔ jɛj kˌɔlɛʒˈanɛk, rˈɔp?|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_74.wav|pˈɔtʃɔw kɔwˈɔvadʑ ʒˈuwtɔ̃ lˈiɲʲɔ̃ i ˌɔtʃɨmˈafʃɨ pˌɔzvɔlˈɛɲʲɛ stˈartu, vˌɨpɔvʲɛdʑˈanɛ sˈɛnnɨm ɡwˈɔsɛm pʃˈɛs jakʲˈɛɡɔɕ tʃwɔvʲˈɛka, kturˌɛɡɔ ɡwˈɔs...|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_357.wav|a tˈaɡʒɛ sˌɛrarˈɨsɛm, sfˈɨm zˌapʃɨɕɛ̃ʒˈɔnɨm brˈatɛm.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_76.wav|prˈavda mˈɔɡwabˌɨ ɡˈɔ kɔʃtˈɔvatɕ trˈɔn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_213.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/urwisko_ferenc/33_segment_42.wav|kɔrˈɨtaʒ bˈɨw dwˈuɡʲi, vˈɔ̃ski i tɕˈɛmnɨ. panˈɔvaw w ɲˈim zˈadux i ɕmʲɛrdʑˈawɔ pˈɔtɛm. na prˈavɔ pˌɔlɛtɕˈiwa kɔbjˈɛta.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_50.wav|a jˈak tɨ ɕɛ tʃˈujɛʃ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_188.wav|ɲʲɛ vʲɛdʑˈawam, tʃɨ tɔ rɛˈaktsja na ɛmˈɔtsjɛ, tʃɨ strˈax.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_143.wav|rˈatʃ fʃˈɛd dɔ ɕrˈɔtka za ɔstˈatɲim pˌasaʒˈɛrɛm, zamknˈɔ̃fʃɨ pɔ drˈɔdʑɛ jˈɛdnɛ i drˈuɡʲɛ dʒvˈi pʃɛtɕˈɔŋka, a pˈɔtɛm stˈanɔw s pʃˈɔdu vaɡˈɔnu i xfˈɨtɕiw mikrˈɔfɔn.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_88.wav|nˈɔ tsˈuʃ, f ɕˈɛdmju krulˈɛstfax ɲʲɛ brˌakɔvˈawɔ zdˈɔlnɨx lˈudʑi.|1
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_32.wav|ɡdˈɨbɨm dɔ ɲʲˈɛj zaɡˈadnɔw, nˌarazˈiwbɨm ɕɛ tˌɨlkɔ na ˌupɔkɔʒˈɛɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_26.wav|a mˈɔʒɛ tɨ tˈaɡʒɛ ɲʲɛ maʃ tsˈɔ pˈalitɕ? tɔ bˈɨw mˈuj ɔstˈatɲi. i rɔzdˈɛptaw tˈɨtɔɲ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_111.wav|mɨɕlˈawɛm, ʒˈɛ mˈama bˌɛɲdʑɛ na rɔsprˈavʲɛ, na ktˌurɛj ˌɔdɛbrˈali jɛj vwˈadʑɛ rˌɔdʑitɕˈɛlskɔ̃, ˌalɛ ɲʲɛ pʃˈɨʃwa.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_132.wav|dʑɛdʑˈiɲʲɛdʑ vˌɨpɛwɲʲˈawɔ prastˈarɛ tʃˈar dʒˈɛvɔ.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_171.wav|bˈɨ skˈɔɲtʃɨtɕ rˈɛjs na sˈamɨɣ vʲˈɔswax.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_11.wav|pɔ prˈavɛj mˈam mwɔdˈɛɡɔ xwɔpˈaka, ktˌurɨ xˈɨba ɲʲɛ pʃɛkrˈɔtʃɨw jˈɛʃtʃɛ dvudʑˈɛstki. vɨdˈajɛ ɕɛ ˌɔtprɛ̃ʒˈɔnɨ i pˈɛvnɨ ɕˈɛbjɛ i tɔ ftsˈalɛ mi ɕɛ ɲʲɛ pɔdˈɔba.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_42.wav|pɔdɲʲˈɛɕliɕmˌɨ vzrˈɔk. ˌɔtʃɨvˈiɕtɕɛ bˌɨwa tˈam kamˈɛra.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_38.wav|na tsˈɔ nˈajmɲʲɛj jˈɛdnɨm vɨrˈaʑɲʲɛ vˈidadʑ bˌɨwɔ tfˈaʃ jˈɛɡɔː ˈɔjtsa, kʲˈɛdɨ...|2
+Dataset/wavs/urwisko_ferenc/57_segment_11.wav|mˈarja pɔdˈawa mu ˈadrɛz zˌavɔrskʲˈɛɡɔ. pˈɔtɛm kɔlˈɛjnɨ rˈas prˌubɔvˈawa pɔwˈɔntʃɨtɕ ɕɛ z ɔlɡʲˈɛrdɛm, znˈɔvu bˌɛsskutˈɛtʃɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_156.wav|pʃˈɛs pʲˈɛɲtɕ lˈat, ktˌurɛ spɛɲdʑˈiwɛm ˈu spˈɛkuf, dˈɔm vʲˈɛtʃnɛj fˈarbɨ tʃˈɨ rˈazɨ zmʲˈɛɲʲaw bˈarvɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_140.wav|pʃɛjʒˈɨstɛ vˈidmɔ kɕɛ̃ʒˈɨtsa.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_28.wav|tʃfˈɔrɔ tɔ bˈɨwabˌɨ ɡˈarstka.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_223.wav|zˈaɲim ɕɛ ˈɔtskɲʲɛ, nˈaz dˈavnɔ ɲʲɛ bˈɛɲdʑɛ, a pˈɔtɛm jˈɛʃtʃɛ dwˈuɡɔ ɲʲɛ dˈɔjdʑɛ dɔ ɕˈɛbjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_57.wav|sˈanxɛz zakrˈɨwa ˈusta dwˈɔɲmi i stwumˈiwa ʃlˈɔx. ˌɔɲi fʃˈɨstsɨ...|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_40.wav|ɲʲɛ mʲˈawam pɔjˈɛɲtɕa, tʃɨ dˈam sˈɔbjɛ rˈadɛ, ˌalɛ muɕˈawam sprubˈɔvatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_182.wav|a tɔ ɲʲɛ f tfˈɔim stˈɨlu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_18.wav|nalˈɛva sˈɔbjɛ tsˈɔʑ dɔ pˈitɕa. ɔtsˈuvam fˈɔljɛ, starˈajɔnts ɕɛ ɲʲˈɔ̃ jˈak nˈajmɲʲɛj pɔrˈuʃatɕ.|4
+Dataset/wavs/urwisko_ferenc/28_segment_50.wav|skˈɔnd vʲɛdʑˈawa?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_6.wav|— tsˈɔ vɨ muvˈitɕɛ? — zapˈɨtaw drʒˈɔntsɨm ɡwˈɔsɛm. — ɲʲɛ rɔzˈumjɛm, tsˈɔ ɕɛ stˈawɔ z mˈinɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_70.wav|ɔn s pɛvnˈɔɕtɕɔ̃ vɨtʃˈuva tɔː iskʃˈɛɲʲɛ, tˈak jˈak ja vɨtʃˈuvam.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_128.wav|ˌɔttʃɛkˈawam jˈɛʃtʃɛ xfˈilɛ i jˈuʃ mʲˈawam dˈadʑ za vɨɡrˈanɔ̃, kʲˈɛdɨ rɔzlˈɛɡwɔ ɕɛ ʃtʃɛŋkɲʲˈɛɲtɕɛ ˌustɛmpˌujɔntsˈɛɡɔ zˈamka.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_11.wav|i pˈɔtʃɔw kɔwˈɔvatɕ na stˈart.|0
+Dataset/wavs/urwisko_ferenc/01_segment_120.wav|dʑviɡˈali jˈɔ̃ kaʒdˈɛɡɔ dɲʲˈa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_71.wav|ʒˈɛ tˈak fpwɨnˈɛwɔ nˈamɲʲɛ ɔdˈɛjɕtɕɛ ljˈi bˈɛs swˈɔva.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_204.wav|pˈɔtɛm ˌɔdɛswˈawa ɡˈɔ z jɔtsˈɛlɨn sfˈift.|1
+Dataset/wavs/urwisko_ferenc/56_segment_37.wav|— nˈɔ vwˈaɕɲʲɛ, tˈak sɔɲdʑˈiwɛm, ʒˈɛ tɔ ftˈɛdɨ bˈɨwɔ — rɔstɕˈɔŋɡnɔw ˈusta w uɕmʲˈɛxu.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_57.wav|tʃɨ mˈɔɡɛ tˈu fpˈuɕtɕitɕ trˈɔxɛ swˈɔɲtsa?|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_295.wav|brˈɔɲi ɡˈɔ ɡvˈardja krulˈɛfska.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_184.wav|mˈuɕiʃ tɔ vʲˈɛdʑɛtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_54.wav|vwˈuʃ jˈɛ dɔ vˈɔrka i pˈɔtɛm dˈaj fʃˈɨstkɔ mɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_143.wav|ɲʲɛktˌuʒɨ z vʲˈɛŋkʃɔ̃ ɡrˈatsjɔ̃ ɔt ˈinnɨx. bˈɔb zblˈiʒɨw ɡʲˈizmɔ dɔ panˈɛlu kˌɔntrɔlnˈɛɡɔː i kʲˈɛdɨ ɔtfˈɔʒɨw ɕɛ vwˈas, fpˈuɕtɕiw nˈaz dɔ ɕlˈuzɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_41.wav|pɔmˈɔɡwabˌɨ mi jɛj tɔ fʃˈɨstkɔ vˌɨprɔstˈɔvatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_75.wav|ˈanɔ pˈɔtɨm, ʒˈɛ fʃˈɨstsɨ ɕɛ na tɕˈɛbjɛ ɡˈapjɔ̃ tˈak jˈak f tɛj xfˈili.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_199.wav|zˌablɔkɔvˈawam tɕˈɔs i vˌɨmjɛʒˈɨwam jɛj pɔlˈitʃɛk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_9.wav|ɲʲɛ mˈɔʒna bˈɛs kˈɔɲtsa vɨʒˈutsatɕ ɕudˈɛmɛk f kˈɔɕtɕi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_660.wav|tˈak, tɔ sɔ̃ jˈuʒ zvwˈɔki.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_389.wav|i fʃˈɨstkʲɛ lˈɛɕnɛ stˈɔki mˈɛɡɔ dʑɛtɕˈiɲstfa.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_208.wav|tʃɨ alvˈarɛz bˈɨw tˈu jɛdˈɨnɨm zbʲˈirɛm ɔt mˈɔkrɛj rɔbˈɔtɨ prˌatsujˈɔntsɨm dla ˌɔpalˈaɕɔ?|4
+Dataset/wavs/urwisko_ferenc/47_segment_90.wav|valtʃˈɨwa zˈɛ sˈɔbɔ̃, pˈɔttʃaz ɡdˈɨ ˈɔlɡʲɛrt ftɕˈɔ̃ʃ mˈiltʃaw. uznˈawa, ʒˈɛ ɲʲˈɛma vɨbˈɔru.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_19.wav|dʒˈanɛt pˈatʃɨ nˈamɲʲɛ s trˈɔskɔ̃, ˌalɛ vɨrˈaʑɲʲɛ tʃˈujɛ krˈɛf pˌulsujˈɔntsɔ̃ w ʒˈɨwax.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_80.wav|ɲʲˈɛmam s tɨm ɲˈits fspulnˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_190.wav|a pˈatritsk mˈuɕaw bˈɨdʑ dˈɔʑdʑ bˈɨstrɨ, bˈɨ vʲˈɛdʑɛtɕ, ʒˈɛ ɡdˈɨbɨ zdjˈɛɲtɕa vˌɨpwɨnˈɛwɨ, ˈaktsjɛ fˈirmɨ pˌɔlɛtɕˈawɨbˌɨ na wˈɛp na ʃˈɨjɛ, bˈɛz vzɡlˈɛndu nˈatɔ, ktˈɔ bˈɨ ɲʲˈɔ̃ ʒˈɔɲdʑiw.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_477.wav|tɔ ɲˈits ɲʲɛ ʃkˈɔdʑi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_222.wav|ɡdʑˈɛ tkfˈi xˈatʃɨk?|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_478.wav|pɔftˈuʒɨw lˈɔrt rˈɔbɛrt i alˈain zrˌɔzumjˈawa, ʒˈɛ ɲʲɛ ɔdvˈaʒɨ ɕɛ tʃˈɛkatɕ na pˈɔvrut mjˈi.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_274.wav|kˈɔxatɕ i utʃtˈɔvatɕ ˈaʃ pɔ krˈɛz dɲˈi.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_156.wav|a ɔ frizbˈɛɛ lˈɛpʲɛj jˈuʃ nˈavɛt ɲʲɛ fspɔmˈinatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_31.wav|tsˈawa rˈɛʃta tʃˈɛkam nˈavaz vˌɨpɔtʃˈɛntɨx jˈutrɔ rˈanɔ. vɨɕpˈijtɕɛ ɕɛ dˈɔbʒɛ i vidʑˈimɨ ɕɛ ɔ ɕfˈitɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_57.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_99.wav|pɔstʃˈɛliw dvˈux lˈudʑi, bˈɔ pʃˈɛɡraw dˈuʒɔ̃ sˈumɛ f pɔkˈɛra i xtɕˈaw jˈɔ̃ ɔdʑˈɨskatɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_306.wav|ɲˈits, s tʃɨm ɲʲˈɛmuɡwbˌɨ sˈɔbjɛ pɔrˈadʑitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_177.wav|s tsˈawɛj ɕˈiwɨ napˈarwam na rˈurkɛ, pʃˌɛsuvˈajɔnts jˈɔ̃ w bˈɔk i pɔtʃˈuwam jˈaɡ zˈavur ˌustɛmpˈujɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_132.wav|ɲʲɛ mˈɨɕlɛ, ʒˈɛbɨ tɔ dˈɔbʒɛ vˌɨɡlɔndˈawɔ, pɔvʲˈɛdʑaw mˈikɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_106.wav|jˌɛstɛɕ wɔntʃˈɔntsɨm nˈas fʃˈɨstkix ɔɡɲˈivɛm i dˈɔbʒɛ ˈɔtɨm vʲˈɛʃ. dlatˈɛɡɔ prˌɔvadʑˈimɨ tˈɛ rɔzmˈɔvɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_56.wav|dʑˈɛŋki, ʒˈɛ pˈɨtaʃ, ˌalɛ tʃˈɛkam na kˈɔɡɔɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_73.wav|ɔt samˈɛɡɔ pɔtʃˈɔntku naʃˈɛɡɔ zvʲˈɔ̃sku pɔtkrˈɛɕlaw znatʃˈɛɲʲɛ prˈavdɨ, a mˈimɔ tɔ bˌɛndɛ muɕˈawa ɔkwˈamadʑ ɡˈɔ tsˈɔ dɔ tˌɛɡɔ pˌɔpɔwˈudɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_170.wav|tˈu na ʃlˈaku mˈɔʒɛʃ mɲʲɛ zvˈatɕ rˈandɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_30.wav|kʲˈɛdɨ ˌɔpɔvʲadˈawaɕ sfˈɔjɔ̃ çistˈɔrjɛ?|2
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_10.wav|f kˈaʒdɨm rˈaʑɛ pʃɨxˈɔdʑi tˈu pˈɛvʲɛn stˈawɨ kljˈɛnt. mˈa na ˈimjɛ dˈalɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_203.wav|kˈu ɲʲˌɛsamɔvˈitɛj, prˈavʲɛ bɔlˈɛsnɛj ˌɔstatɛtʃnˈɔɕtɕi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_19.wav|vɨdˈajɛ mi ɕɛ, ʒˈɛ tsˈɔɕ mˈamɨ, sˈɛr|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_179.wav|dʑˈiɕaj jɛzd za ʑˈimnɔː i bˈɔli mɲʲɛ ɡwˈɔva.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_242.wav|kˈɔts, ktˌurɨm mɲʲɛ ˈɔkrɨw, bˈɨw jˈaɡ bɛspʲˈɛtʃnɨ kˈɔkɔn.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_100.wav|tʃɨ zɛxtɕˈawabˌɨɕ pɔftˈuʒɨtɕ tɔ jˈɛʃtʃɛ rˈas? tsˈɔ?|0
+Dataset/wavs/urwisko_ferenc/09_segment_25.wav|ˌɔkazˈawɔ ɕɛ, ʒˈɛ kʃˈɨʃtɔv vˌɨnajmˈɔvaw ɔt ɲʲˈɛɡɔ tɛn dˈɔm.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_350.wav|pˌɔstanɔvˈiwa zˌadɛmɔnstrˈɔvatɕ pɔkˈɔrɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_34.wav|jˈɛɕli zˌamɔrdɔvˈawa ɡˌɛnɛvʲˈɛvɛ...|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_90.wav|pˌɔvʲɛdʑˈawam, fskazˈujɔnts na vˌɨʃtʃɛrbjˈɔnɨ kavˈawɛk mɛtˈalu.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_245.wav|ˌalɛ tɨ ftɕˈɔ̃ʃ jˌɛstɛɕ adˈɛptkɔ̃, zˌauvaʒˈɨwa sˈara. ɲʲɛ pɔvˈinnaɕ ɔpˈuʃtʃatɕ mʲˈasta na vwˈasnɔ̃ rˈɛŋkɛ. jɛst s tˈɔbɔ̃ jˈakiɕ mˈistʃ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_44.wav|zawˈɔʒɛ ɕɛ, ʒˈɛ villjˈamu tɛn tˈɛɡzd bˈɨ ɕɛ ɲʲɛ spɔdˈɔbaw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_45.wav|vˌɨɔbrˈaziw sˈɔbjɛ tfˈaʃ jˈɔ, mˌalujˈɔntsɔ̃ ɕɛ nˈaɲʲɛj ɔt rˈazɨ i fɕtɕˈɛkwɔɕtɕ, ɡdˈɨbɨ ɕɛ dˌɔvʲɛdʑˈawa, ʒˈɛ zatˈaiw tsˈɔɕ pʃɛt pɔlˈitsjɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_50.wav|tsˈɔ takʲˈɛɡɔ xtsˈɛʃ mi pɔvʲˈɛdʑɛtɕ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_57.wav|muvˈiwaɕ xˈɨba, ʒˈɛ ɲikˈɔɡɔ ɲʲˈɛznaʃ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_49.wav|pɔkˈɔju ˌɔdvʲɛdʑˈanɨm pʃˈɛs ɲʲɛvʲˈɛlu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_201.wav|zˈatʃɔw ɡʒˈɛbatɕ f pɔrtfˈɛlu nabʲˈitɨm kartˈami krˌɛdɨtɔvˈɨmi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_575.wav|vʲˈɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_18.wav|ɔdvrˈutɕiw ɕɛ dɔ ɲʲˈɛj, a ˌɔna ʃˈɨpkɔ zɛrknˈɛwa na ɲʲˈɛɡɔː i ɕɛ rˌɔzɛɕmʲˈawa. ɲʲˈɛrup tˈakʲɛj zdʑivʲˈɔnɛj mˈinɨ. tɨ naprˈavdɛ ftɕˈɔ̃ʒ vʲˈɛʒɨʃ, ʒˈɛ ɔt pʲɛrʃˈɛɡɔ dɲʲˈa...|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_11.wav|sˈɔntʃɨ vˈinɔ s kʲɛlˈiʃka.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_583.wav|ɲʲɛ bˌɛndɛ pwˈakatɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_80.wav|tˈɛ̃skɲi zaxˈarɛm, jˈak kˈaʒda nˌastɔlˈatka za dʑˈɛtskʲɛm f tˈakim vʲˈɛku.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_38.wav|vʲˈɛm ˈɔtɨm, bˈɔ sˈama jˈɔ̃ pʃˌɛpɨtɨvˈawam, ˌalɛ pɔftˈaʒa jˈɛ fʃˈɨstkʲɛ pɔ kɔlˈɛi, tʃɛkˈajɔnts na jˌajɛtʃɲˈitsɛ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_2.wav|prˌavɔvˈita dʑɛdʑˈitʃka kɕˈɛɲtɕa dɔrˈana ɲʲɛ tɕɛʃˈɨwa ɕɛ vɔlnˈɔɕtɕɔ̃, na jˈakɔ̃ kɕˈɔ̃ʒɛ ɔbˈɛrɨn pɔzvˈalaw sfˈɨm bɛŋkˈartɕim tsˈurkɔm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_33.wav|trˈɔxɛ zaʃtʃˈupu jˈak na mˈuj ɡˈust, ˌalɛ tɔ pʃɨjˈaznɛ ɔblˈitʃɛ i ˈuɕmʲɛx mɲʲɛ dɔ ɲʲˈɛɡɔ pʃˌɨtɕɔŋɡˈawɨ.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_100.wav|kʲˈɛdɨ pˌɔjavʲˈawa ɕɛ na pɔkwˈadʑɛ, ɔn sxˈɔdʑiw na dˈuw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_67.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_15.wav|pʃˌɨɡɔtɔvˈujɛ ɕɛ dɔ kʃˈɨku, vʲˈɛdʑɔnts, ʒˈɛ tˈata mɲʲɛ uswˈɨʃɨ, ˌalɛ ˈaram jˈaɡ zvˈɨklɛ ˌɔttʃɨtˈujɛ mˈɔjɛ mˈɨɕli, dˌɔskakˈujɛ dɔ mɲʲɛ i xfˈɨta za ɡˈardwɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_113.wav|i ktˌurɛj tɕˈiʃɛ ɲiʃtʃˈɨwɔ bʒɛntʃˈɛɲʲɛ sˌamɔxˈɔduf i vʒˈaski ɕpʲɛvˈakuv dˌɔxɔdʑˈɔntsɛ z rˌadjɔˌaparˈatuf i ɡrajˈɔntsɨx mˈaʃɨn,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_10.wav|jˌɛstɛm xɔlˈɛrɲʲɛ spʲˈɛnta i ɲʲˈɛvʲɛm, tʃɨ pʃɨtʃˈɨnɔ̃ tˌɛɡɔ jɛst strˈax, tʃɨ pɔtʃˈutɕɛ vˈinɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_114.wav|rɔsɕfʲˈɛtlaw ʒˈɨvɨ vɛvnˈɛntʃnɨ ˈuɕmʲɛx.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_203.wav|kʲˈɛdɨ bˈudʑi jˈɔ̃ ɔ fpˈuw dɔː ˈusmɛj, ˈɛlis rˈuɡa ɡˈɔ zˈatɔ, ʒˈɛ pɔzvˈɔliw jɛj tˈaɡ dwˈuɡɔ spˈatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_84.wav|ˌalɛ ɲʲɛvʲˈɛlɛ ˈɔsup pˌɔdɛjmˈujɛ ɕfʲadˈɔmɔ̃ dɛtsˈɨzjɛ ɔ fstɔmpʲˈɛɲʲu dɔ sˈɛktɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_105.wav|tɔ sˌuɡɛrˈujɛ, ʒˈɛ dˈɛnad vrˈutɕiw dɔ sˌamɔxˈɔdu i zamjˈɛʒaw ɔdjˈɛxatɕ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_233.wav|ˈarɨn ɲʲɛ pɔʒˈɨjɛ vˌɨstartʃajˈɔntsɔ dwˈuɡɔ, bˈɨ dɔtʃˈɛkatɕ ɕɛ pɔtˈɔmstfa. pˈɔza tˈɨm, dlatʃˈɛɡɔ lˈɔrt ɔrlˈɛɡɔ ɡɲʲˈazda mʲˈawbɨ prˈaɡnɔɲtɕ rivˈɛran?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_130.wav|kazˈanɔ tɕi mˈɨɕlɛtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_88.wav|dˈɔbrɛ vʲˈɛɕtɕi sɔ̃ tˈakʲɛ, ʒˈɛ na sfˈɔim zˌarɛjˌɛstrɔvˈanɨm tˌɛlɛfˈɔɲʲɛ ɲʲˈɛma ˌaplikˈatsji tʲindˈɛra.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_133.wav|a vʲˈɛnts f tɛn spˈɔsup jˈɔ̃ znˈalaz. ɲʲɛ jɛst tɔ pʲˈɛrʃɛ mʲˈɛjstsɛ, ktˌurɛ pʃɨʃwˈɔbɨ tʃwˌɔvʲɛkˈɔvi dɔ ɡwˈɔvɨ, tsˈɔ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_34.wav|pˈadaw ɡrˈat, a jɛj samˈɔxut stˈaw na drˈuɡʲim kˈɔɲtsu parkˈiŋɡu.|4
+Dataset/wavs/urwisko_ferenc/57_segment_56.wav|xˈɛrman zɲʲˌɛruxɔmjˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_43.wav|bˈɔ xtsˈɛ ˌɔtpɔvʲˈɛdʑi.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_106.wav|tsˈawkʲɛm mɔʒlˈivɛ, ʒˈɛ ɔ pʃˌɛstɛmptʃˈɔɕtɕi zˌɔrɡaɲˌizɔvˈanɛj w mˈɔim mʲˈɛɕtɕɛ vʲˈɛm vʲˈɛntsɛj ɲˈiʃ tˈɨ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_89.wav|zˈamjazd z vˌɨdrɔ̃ʒˈɔnɨɣ bˈɔxnuf tʃɛrstfˈɛɡɔ xlˈɛba, kˌapitanˈɔvʲɛ jˈɛdli s talˈɛʒɨ zˈɛ ʃtʃɛrˈɛɡɔ srˈɛbra.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_266.wav|a w dˈarɨ ˈɔɕad nˈɔvɨ, mwˈɔdɨ lˈɔrt, pɔbˈɔʒnɨ tʃwˈɔvʲɛk, ktˌurɨ s pɛvnˈɔɕtɕɔ̃ zˌaprɔvˈadʑi pɔʒˈɔndɛk na sfˈɨɣ ʑˈɛmʲax.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_17.wav|i zˈamknɔw ˈusta. vˈaʃa mˈiwɔɕtɕ s pɛvnˈɔɕtɕɔ̃ vʲˈɛ, ʒˈɛ zrɔbʲˈiwɛm dla tˌɛɡɔ ɲʲˌɛʃtʃɛɲɕɲˈika fʃˈɨstkɔ, tsˈɔ tˌɨlkɔ bˌɨwɔ mɔʒlˈivɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_595.wav|pˈadaw dˈɛʃtʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_73.wav|tʃɨ pˌɔdɛjʒˈanɨ tsˈɔɕ pɔvʲˈɛdʑaw?|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_136.wav|brˈaw jˈɛ za swˈuʃki pʃɛbrˈanɛ f sˈukɲʲɛ lˈadɨ xˈɛvitt i jɛj dˈam, dɔpˈuki xˈɔtɔ ɲʲɛ pɔvʲˈɛdʑaw mu, ʒˈɛ tɔ sɔ̃ lˈadɨ xˈɛvitt i jɛj dˈamɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_42.wav|bˈɔ ɲʲɛ uznˈawam tˌɛɡɔ za istˈɔtnɛ.|4
+Dataset/wavs/urwisko_ferenc/34_segment_19.wav|tʃˈas mˈinɔw, dʑɛŋkˈujɛ za rɔzmˈɔvɛ. zˌatɕɔŋɡnˈɛwa ɕɛ i vˌɨdmuxˈawa ɕˈivɨ ˈɔbwɔk. nˈɔ ɲʲˈɛx pˈaɲi ɲʲɛ ʒartˈujɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_54.wav|s pɛvnˈɔɕtɕɔ̃ ɲʲɛ jɛst tɔ mʲˈɛjstsɛ, f ktˌurɨm ʃˈukawbˌɨ idˈɔntsɛj pɔbˈɔtʃɛm mˈilljɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_115.wav|ʒˈadnɨɣ ɡvawtˈɔvnɨx rˈuxuf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_45.wav|mˈɔʒɛʃ pratsˈɔvadʑ dla mɔjˈɛɡɔ brˈata.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_507.wav|dɔstˈawɛm matʃˈuɡɔ̃ w wˈɛp.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_97.wav|zavˈɔwaw, kʲˈɛdɨ ɔtfˈɔʒɨw dʒvˈi. stˈaraw ɕɛ bʒmʲˈɛtɕ radˈɔɕɲʲɛj ɲˈiʃ faktˈɨtʃɲʲɛ ɕɛ tʃˈuw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_77.wav|kʲˈɛdɨɕ, kʲˈɛdɨ tʃɨmˈawɛm w ramjˈɔnax jɛj drʒˈɔntsɛ s pˌɔʒɔndˈaɲʲa tɕˈawɔ, mɨɕlˈawɛm...|0
+Dataset/wavs/urwisko_ferenc/64_segment_118.wav|pʃɛʒˈarta ɲʲɛbjˈɛska fˈɔlja ˌɔtswaɲʲˈawa frˈaɡmɛnt skrˌɛmpɔvˈanɨɣ zvwˈɔk.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_122.wav|za xɔlˈɛrɛ ɲʲɛ zɔstˈanɛ dwˈuʒɛj, ʒˈɛbɨ tɔː ɔdrˈɔbʲitɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_427.wav|pˈɔttʃaz ɡdˈɨ ˈɔddɛx xˈɛlɛn rvˈaw ɕɛ...|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_212.wav|brjˈɛnnɛ vɛssˈawa pɔvʲˈɛtʃɛ pʃˈɛz zˈɛmbɨ, vˌɨtɕɔŋɡˈajɔndʑ vʲɛrnˈɛɡɔ pʃɨɕˈɛndʑɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_202.wav|i ˌɔdbɨvˈaliɕmˌɨ dalˈɛkɔ̃ pˈɔdruʃ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_151.wav|ujʒˈafʃɨ stɔjˈɔntsɔ̃ pʃˈɛdɲim krulˈɔvɔ̃, pʃɛsˈunɔw jɛ̃zˈɨkʲɛm pɔ spʲɛʃxɲʲˈɛntɨɣ vˈarɡax.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_137.wav|uɕmʲˈɛxnɔw ɕɛ tˈaɡ drvʲˈɔntsɔ, ʒˈɛ mʲˈawam ɔxˈɔtɛ mu pʃɨvˈalitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_57.wav|tsˈɔ nˈajmɲʲɛj jˈɛdɛn z ɲˈix ɲʲɛ ˈuʒɨw zˌabɛspʲɛtʃˈɛɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_197.wav|tʃˈɨʒbɨ dɔbjˈɛraw swˈɔva?|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_387.wav|mɨɕlˈawa tʃˈɛ̃stɔ, xˈɔtɕ ɲʲɛkʲˈɛdɨ tʃˈuwa ɕɛ tˈak samˈɔtna, ʒˈɛ muɕˈawa sprubˈɔvatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_94.wav|kɔlˈɛjnɨ dˈɔvut nˈatɔ, mˈɨɕli bʲˈili w drˈɔdʑɛ pɔvrˈɔtnɛj dɔ dˈɔmu, ʒˈɛ ɲʲɛ nalˈɛʒɨ ɔsˈɔndʑatɕ tʃwɔvʲˈɛka pɔ jˈɛɡɔ pˌɔtkɔʃˈulku.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_265.wav|ˈinnɛ trˈupɨ twˈuʃtʃa zˌɔstavˈiwa na ʑˈɛmi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_86.wav|mˈama pʃɨɕˈɛŋɡwa mu, ʒˈɛ ɲʲˈɛxtsɛ vrˈatsadʑ dɔ starˈɛɡɔ ʒˈɨtɕa. muɕˈawa tˌɨlkɔ znˈalɛɕtɕ jˈakiɕ sˈɛns f tɨm nˈɔvɨm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_427.wav|ɲʲɛ mˈɔɡɛ ɔ ɲˈitʃɨm ˈinnɨm mˈɨɕlɛtɕ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_201.wav|ˈɔbɨ tɨm rˈazɛm ɲʲɛ bˌɨwɔ pɔmˈɨwɛk. ɲʲˈɛɣ zˈɛmsta vrˈɛʃtɕɛ ɕɛ dɔkˈɔna, bˈɨ jˈɔvɛ mˈuɡw ɔtpˈɔtʃɔɲtɕ f pɔkˈɔju.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_95.wav|xtɕˈawam, ʒˈɛbɨ kɔxˈawa mɲʲɛ najbˈardʑɛj.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_7.wav|mdwˈɛ, pwatʃlˈivɛ stfɔʒˈɛɲʲa bˈɛs pʃˈɛrvɨ pˌɔftaʒajˈɔntsɛ plˈɔtki i prˌubujˈɔntsɛ ɕɛ fɕlˈizɡnɔɲtɕ mʲˌɛndʑɨ mɲʲˈadʑɛjm jˈɛɡɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_43.wav|tˈɔm ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_91.wav|ɲʲɛ ˈɔddam jɛj frˈɛjɔm na pˌɔvʲɛʃˈɛɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_25.wav|zmʲˈana pʃˈɨʃwa pɔvˈɔli, ɲʲˈɛmal ɲʲˌɛdɔstʃɛɡˈalɲʲɛ, pʃɨnˈajmɲʲɛj z mɔjˈɛɡɔ pˈuŋktu vidʑˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_64.wav|tˌɨlkɔ tˈɨlɛ, ʒˈɛbɨm vidʑˈawa bˈuʑɛ mɔjˈɛɡɔ swɔvˈitʃka.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_80.wav|zapˈɨta jˈɔ̃, kʲˈɛdɨ ɕɛ ˈɔtskɲʲɛ, xˈɔtɕ pˈɛvɲʲɛ tɔ ɲˈits ɲʲɛ dˈa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_149.wav|tɔ bˌɨwa tʃˈɨsta pʃɨjˈɛmnɔɕtɕ pˈɔtɨm, tsˈɔ mi zrˈɔbʲiw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_245.wav|tˈɛras rɔzˈumjɛm, pɔvʲˈɛdʑaw ɡwˈɔɕnɔ. tˈɛraz vʲˈɛm, tʃɨm jɛst ta jˌɛrɔzɔlˈima, dɛvˈɛin.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_50.wav|ʒˈɨjɛ vʲˈ��ntsɛj ɲˈiʃ jˈɛdɛn stsˈɔdd z valˈijskim aktsˈɛntɛm, prˈavda?|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_34.wav|tʃfˈartɨ pˈɔʑɔm parkˈiŋɡu, kɔlˈɛjnɛ laptˈɔpɨ, a tˈɛras tsˈɔlin fçˈitɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_5.wav|ˈɛlis jɛzd zdumjˈɔna, zˌaurɔtʃˈɔna, a zarˈazɛm pʃˌɛraʒˈɔna ɡvawtˈɔvnɔ̃ zamjˈɛtɕɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_485.wav|zdɛnˈatkɔ̃?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_38.wav|na tˈɛ mˈɨɕl rˈɔbʲi mi ɕɛ dˈuʃnɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_161.wav|i fʃˈɨstsɨ pˌɔrɔzˌumjɛvˈali ɕɛ na mˈiɡʲi, z ʒˈatka vɨdˈajɔnts jˈakʲɛɕ xˌarkɔtlˈivɛ dʑvʲˈɛŋki.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_15.wav|ʒˈɛ tˈutaj tʃˈujɛ ɕɛ ʒˈɨva.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_138.wav|pɔwˈɔva kɔnˈaruv vˌɨɡlɔndˈawa na usxɲʲˈɛntɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_124.wav|maʃ pɔjˈɛɲtɕɛ, ˈilɛ pʲɛɲʲˈɛndʑɨ trˈatsɛ pʃˈɨtɨh stˈɔwax kaʒdˈɛɡɔ tɨɡˈɔdɲʲa? a jˌɛstɛm ɲʲˈɛzwɨm ɡrˈatʃɛm. ɲʲˈɛbɔɲtɕ idjˈɔtkɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_21.wav|pʃˌɨpɔmˈina sˈɔbjɛ pˈaɲi tsɔkˈɔlvʲɛk, tsˈɔ pˌɔvʲɛdʑˈawa?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_317.wav|vˈɛjdɛ dɔ tˌɛɡɔ pˈarku pʃɛdˈɛmnɔ̃, ʒˈɛbɨ ɕɛ ɔxwˈɔdʑitɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_222.wav|tˈɨlɛ pˌɔviɲʲˈɛnɛɕ ˈɔmɲʲɛ vʲˈɛdʑɛtɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_53.wav|dlatʃˈɛɡɔ na zˈɛvnɔndʒ bˌɨwɔ tˈaɡ dʑˈivɲʲɛ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_22.wav|fjˈɛlts pɔdˈɛjmʲɛ dɛtsˈɨzjɛ ɔ zˌaaŋɡˌaʒɔvˈaɲʲu tɨtˈana, kʲˈɛdɨ zɡrɔmˈadʑi vʲˈɛntsɛj ˌinfɔrmˈatsji.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_141.wav|vˈɛra karnˈɔfska|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_41.wav|a pˈɔtɛm fʃˈɨstkɔ spʲɛpʃˈawam.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_271.wav|pˌɔvʲɛdʑˈawa sˈɔbjɛ. ˈuɕmʲɛx jɛst swˈuɡɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_189.wav|dvanˈaɕtɕɛ lˈat tˈɛmu? ɲʲɛ, rˈatʃɛj tʃtɛrnˈaɕtɕɛ. jˈak tɛn tʃˈas lˈɛtɕi, tsˈɔ?|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_344.wav|a ja mˈam pʲɛɲʲˈɔndʑɛ i pˌɔtʃɛbˈujɛ kˈɔɡɔɕ naprˈavdɛ ˌintɛlˌiɡɛntnˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_157.wav|ɲʲɛ rɔzˈumjɛʃ jɛdnˈɛɡɔ. tɨ jˌɛstɛʑ dla mɲʲɛ kˈimɕ ˈinnɨm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_37.wav|spɔjʒˈawɛm na ˌɛllisˈɔna, nˈamɲʲɛ, ʃɛrˈɔkɔː ˌɔtfartˈɨmi ɔtʃˈami.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_141.wav|jˈɛʃtʃɛ jˈɛdna pamjˈɔntka?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_367.wav|nˈaʃa planˈɛta jɛst ɔkrˈɨta ɲʲɛ vʲadˈɔmɔ pʃˈɛs kˈɔɡɔ pwˈaʃtʃɛm vˈɔdɨ i ʑˈɛmi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_148.wav|ˈalbɔ mˈɔɡɔ̃ zaɕpʲˈɛvadʑ w duˈɛtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_9.wav|mʲˌɛliɕmˌɨ trˈɔxɛ kwɔpˈɔtuv z bˈandɔ̃ vˈilkuf ɔd bjˈawɛj ɡvʲˈazdɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_11.wav|kɔbjˈɛta bˌɨwa f tɕˈɔ̃ʒɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_28.wav|zapˈɨtaw, ɲʲɛ vʲˈɛdʑɔnts, tʃɨ jˈɛɡɔ bˌɨwa ʒˈɔna i tsˈurka zˈaras ɲʲɛ fstˈanɔ̃ i ɲʲɛ vˈɨjdɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_7.wav|pˌɔvʲɛdʑˈawa, ʒˈɛ ɡˌɛnɛvʲˈɛvɛ fspɔmɲʲˈawa ɔstˈatɲʲɔ kˈilka rˈazɨ ɔː ˈɛdʲim, tsˈɔɕ ˈɔtɨm, ʒˈɛ mˈuɡwbɨ ɔkˈazatɕ ɕɛ pɔmˈɔtsnɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_13.wav|na dˈɔlɛ stˈaw fˌuŋktsjɔnˈarjuʃ pɔlˈitsji, ktˌurɨ tsˈɔfnɔw ɕɛ ɔ krˈɔk, ʒˈɛbɨ fpˈuɕtɕitɕ tˈɔma i bˈɛtskɨ na ʃɛrˈɔki ˌasfaltˈɔvɨ trˈakt.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_84.wav|dʑɛftʃˈɨna pˈatʃɨ na ɲʲˈɛɡɔ. jɛj ɲʲɛbjˈɛskʲɛ ˈɔtʃɨ sɔ̃ ʃɛrˈɔkɔː ɔtfˈartɛ, ˈusta pˌɔruʃˈajɔ̃ ɕɛ bɛzɡwˈɔɕɲʲɛ. vrˈɛʃtɕɛ spˈuʃtʃa ɡwˈɔvɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_369.wav|tˈak pɔznˈawɛm w arˈɛʃtɕɛ. fʃˈɛɲdʑɛ jˈɔ̃ mˈɔʒna spˈɔtkatɕ, fʃˈɛɲdʑɛ strˈa��ɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_259.wav|tɔ zadˈaɲʲɛ ɡˈɔdnɛ mˈistʃa.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_348.wav|a tˈɛras ˈitɕ ɕɛ pɔbˈavitɕ s kɔtkˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_218.wav|a tsˈɔ z ˌubraɲʲˈami?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_97.wav|dˈɔm vʲˈɛ, ʒˈɛ s kˈimɕ ɕɛ spˌɔtɨkˈawam, xˈɔtɕ ɲʲˈɛma pɔjˈɛɲtɕa, jˈaɡ bˈardʑɔ tˌɛɡɔ kˈɔɡɔɕ kɔxˈawam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_68.wav|prˈavda na jˈaki tˈɛmat?|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_87.wav|vɨjmˈujɛ s kɔmˈɔdɨ sfˈuj tˈɛʃˈirt, ɕˈada ˌɔbɔɡ dʑɛftʃˈɨnɨ, lˈɛvɔ̃ rˈɛŋkɔ̃ unˈɔɕi jˈɔ̃ dɔ pɔzˈɨtsji ɕɛdʑˈɔntsɛj, a prˈavɔ̃ fkwˈada jɛj kɔʃˈulkɛ pʃˈɛz ɡwˈɔvɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_117.wav|dˈuʒɔ pisˈaɲʲa jˈak na ɡrˈɛ kˌɔmputɛrˈɔvɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_64.wav|ɲʲˈɛma ɲˈidʑ vˌaʒɲʲɛjʃˈɛɡɔ ɲˈiʃ rɔdʑˈina.|4
+Dataset/wavs/urwisko_ferenc/23_segment_154.wav|ˌɛvɛntuˈalnɛ pˌɔdɛjʒˈɛɲʲa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_68.wav|ɡrˈamɨ na dˈɔlɛ, mˈuvi ʃˈaɲitsˌɛ i znˈɔvu bjˈɛʒɛ ɡˈɔ za rˈɛŋkɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_28.wav|ɔtpˈarwam, ʒˈɛ tɔ ɲˈits takʲˈɛɡɔː i ʒˈɛ xˈɨba za bˈardʑɔ zˌadʑawˈawa mˈɔja vˌɨɔbrˈaʑɲʲa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_12.wav|ftʃɔrˈajʃɨ ˈupaw f pˌɔwɔntʃˈɛɲʲu z ulˈɛvɔ̃ sprˈaviw, ʒˈɛ pɔvʲˈɛtʃɛ stˈawɔ ɕɛ tɕˈɛ̃ʃkʲɛ, a na ɲʲˈɛbjɛ tfɔʒˈɨwɨ ɕɛ kɔlˈɛjnɛ xmˈurɨ buʒˈɔvɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_39.wav|sˈɛr?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_3.wav|vɨstˈartʃɨ tˈɛɡɔ. ɔtfʲˈɛram z impˈɛtɛm dʒvˈi.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_207.wav|brˈut spwˈɨvaw z ɲʲˈɛɡɔ ʃarˈɨmi ˌɔbwɔkˈami.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_426.wav|tˈaɡ vwˈaɕɲʲɛ zrɔbʲˈili z lˌukamˈɔrɛm lubjˈɛʒnɨm.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_386.wav|pˌɔjɛdˈɨnɛk, kuzˈɨŋku? tɔ ɲʲɛ vɨɡlˈɔnda na sprˌavʲɛdlˈivɛ rˌɔzvʲɔ̃zˈaɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_60.wav|najlˈɛpʃɛ, tsˈɔ mˈuɡwbɨ zrˈɔbʲitɕ, tɔ vˈɨmknɔɲtɕ ɕɛ ukrˈatkʲɛm i skˈɔtʃɨdʑ dɔ mˈɔʒa.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_181.wav|tɛlˈɛfɔn na pɔlˈitsjɛ f trˈaktɕɛ ˈaktsji sˌabɔtaʒˈɔvɛj ɲʲˈɛbɨw najlˈɛpʃɨm pɔmˈɨswɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_88.wav|jˈakaʑ vʲˈɛlka krˈɔpla patsnˈɛwa mɲʲɛ f tʃˈɔwɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_534.wav|vˌɨdavˈawɔ mi ɕɛ, ʒˈɛ sˈɛrtsɛ pʃɛstˈawɔ bʲˈitɕ i brakˈujɛ mi rˈaptɛm pɔvʲˈɛtʃa.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_146.wav|xtsˈɛ iɣ zɔbˈatʃɨtɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_28.wav|tsˈɔɕ takʲˈɛɡɔ vwˈaɕɲʲɛ znalˈɛʑliɕtɕˌɛ? pˈɨtam, a ˈutɕisk f klˈattsɛ pʲɛrɕˈɔvɛj sˌɨɡnalizˈujɛ, jˈak pɔvˈaʒna jɛst tɔ sˌɨtuˈatsja.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_13.wav|a pˈɔtɛm ˈandɛrsɔn vɨrˈuvnaw na vˌɨsɔkˈɔɕtɕi tɨɕˈɔntsa stˈup i ɕˈilɲik pʃˈɛstaw vˈɨtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_49.wav|jˈakɔ̃ kˈupiwbˌɨ tɕi ɲʲˌɛkumˈatɨ vˈujɛk f sˌɨtuˈatsji ˌavarˈɨjnɛj? ɲʲˈɛbuj ɕɛ, ʒˈɛ zrˈaɲiʃ mˈɔjɛ utʃˈutɕa, mˈam ɡrˈubɔ̃ skˈurɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_98.wav|i ɲˈikt mi ɲʲɛ zabrˈɔɲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_21.wav|dʒˈim ɕɛ ɕmʲˈɛjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_407.wav|ftˈɛdɨ zˌɔbatʃˈɨwɛm w dˈɔlɛ stˌɔjɔntsˈɛɡɔ mɛ̃ʃtʃˈɨznɛ pʃɛt nˈaʃɔ̃ brˈamɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_90.wav|xtsˈɛ ɕɛ dɔvʲˈɛdʑɛtɕ, pɔ tsˈɔ tɕˈɛ pˌɔtʃɛbˈujɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_105.wav|bˈɛtskɨ mˈɔɡwa sˈɔbjɛ tˌɨlkɔ vˌɨɔbrˈazitɕ, jˈak tɔ fˌuŋktsjɔnɔvˈawɔ, skˈɔrɔ mˈarta bˌɨwa kʲˌɛrɔvɲˈikʲɛm bjˈura i ɕɛdʑˈawa f sɔ̃ɕˈɛdɲim pˌɔmjɛʃtʃˈɛɲʲu.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_245.wav|kʲˈɛdɨ vrˈutɕiw dɔː ɔbˈɔzu,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_113.wav|pˈatʃɛ na ˈɛkran w bɛzrˈuxu, ˈaʃ f kˈɔɲtsu ˌuruxˈamjam pʃˌɛɡlɔndˈarkɛ i ftʃɨtˈujɛ nˌajpɔpˌularɲʲˈɛjʃɔ̃ strˈɔnɛ fˌinansɔvˈaɲʲa spˌɔwɛtʃnˌɔɕtɕɔvˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_192.wav|tɔ dˈɔbʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_202.wav|stˈarɕi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_99.wav|pˌɔviɲʲˈɛnɛm, mˈɨɕli bʲˈillɨ. f pˈɛwɲi nˈatɔ zˌaswuʒˈɨwɛɕ. kˈim bˈɨw kljˈɛnt?|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_108.wav|zɡˈɔda.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_236.wav|ˌalɛ tˈɛ pʃˈɛʃwɔɕtɕ pʃˌɨvalˈiwɨ dɔstˈatɛk, pˌɔvɔdʑˈɛɲʲɛ, ˈinnɛ zvˌarjɔvˈanɛ ʒˈɨtɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_89.wav|jˈɛɡɔ vʲˈɛlka ɕfʲˌɔntɔblˈivɔɕtɕ ɲʲɛ pˈɔdɲʲus ɕɛ s klˈɛntʃɛk, ɡdˈɨ skˈɔɲtʃɨw mɔdlˈitfɛ. najvrˈaʑɲʲɛj mʲˌɛli tˈɔtʃɨtɕ rɔzmˈɔvɛ na kɔlˈanax.|1
+Dataset/wavs/urwisko_ferenc/47_segment_61.wav|ˌalɛ tsˈɔ kˈurva jˈaɕɲʲɛj? jˈaɕɲʲɛj jˈuʃ ɕɛ ɲʲɛ dˈa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_213.wav|ˌalɛ ktˌura ˈɔna?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_20.wav|tʃˈujɛ, jˈak mˈɔjɛ tɕˈawɔ dɛ̃ʒˈɛjɛ, kʲˈɛdɨ pɔdnˈɔʃɛ kˈartkɛ pɔtʃtˈɔvɔ̃ s kˌɔlɔrˈɔvɨm zdjˈɛɲtɕɛm pʃˌɛtstavʲajˈɔntsɨm stˈɛrtɛ kɕˈɔ̃ʒɛk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_49.wav|fʃˈɨstkɔ ɡrˈa, a bjˈawɛ vˈina tɔ dˌɔskɔnˈawɨ pˈɔmɨsw. dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_79.wav|pˌɔkɔnˈawam kɔlˈɛjnɨ tˈunɛl i stanˈɛwam ˈu pɔdnˈuʒa ɔldrˈina.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_283.wav|tsˈɔɕ tɔ fʃˈɨstkɔ napˈɛndʑa, pɔrˈuʃa, pʃɨɕpʲˈɛʃa i zvˈalɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_150.wav|lˈɛtʃ xɔrˈɔ̃ʒɨ mˈuɕi bˈɨtɕ pɔswˈuʃnɨ sˌɛɲʲɔrˈɔvi.|1
+Dataset/wavs/urwisko_ferenc/42_segment_50.wav|pˌɔkivˈawa ɡwˈɔvɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_37.wav|dˈalɛ ɕˈɛŋɡnɔw dɔ pilˈɔta na pʃˌɛdramjˈɛɲʲu.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_47.wav|mɛ̃ʃtʃˈɨʑɲi i kɔbjˈɛtɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_123.wav|ˌalɛ ɲʲɛ muvˈimɨ tˈu ɔ ɡvʲˈɛʑdʑɛ filmˈɔvɛj, pˌɔlitˈɨku tʃɨ papʲˈɛʒu. fˈatsɛt jɛzd zwˈɨm tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_11.wav|bˈɔb zˌaprɔvˈadʑiw nˈaz w ɡwˈɔmb vʲˈɛlkʲɛj xˈali tˌɛrminˈala pˌɔrtɔvˈɛɡɔ, ɡdʑˈɛ w jˈɛdnɨm s kˈɔntuf ustˈaviw pʃɛnˈɔɕnɛ ɕtɕˈanɨ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_207.wav|ɲʲɛktˌuʒɨ tˈak jˈɔ̃ zvˈɔwɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_27.wav|vʲˈɛnts tsˈuʃ s tˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_127.wav|ɲˈiɡdɨ ɲʲɛ vˈaltʃɨw s tʃwɔvʲˈɛkʲɛm ˌuzbrɔjˈɔnɨm w mʲˈɛdʒ z vˌalɛrjˈaɲskʲɛj stˈali, ˌalɛ ɡdˈɨ bˌɨli mwˈɔdʑi...|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_424.wav|pʲˈɛz dɔtʃˈɨma mu tˌɔvaʒˈɨstfa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_150.wav|jˌɛstɛm pˈɛvna, ʒˈɛ spˈɛntsɛr jˈɔxanssɔn fpwˈatɕiw pʲɛɲʲˈɔndʑɛ, ʒˈɛbɨ ˌuzupˈɛwɲitɕ tɔ, tsˈɔ zˈabraw ɲˈilɛ.|3
+Dataset/wavs/urwisko_ferenc/65_segment_199.wav|tʃɨ mʲˈawa prˈavɔː ˌaŋɡaʒˈɔvatɕ ɕɛ w zvʲˈɔ̃zɛk, zˌaxɔvˈujɔnts tɛn sˈɛkrɛd dla ɕˈɛbjɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_91.wav|xtɕˈawabˌɨm pɔvʲˈɛdʑɛtɕ, ʒˈɛ ɔtˈatʃa nˈaz zˈɛfʃɔnt ˌuʒɛkajˈɔntsɛ pustkˈɔvʲɛ i tˌɛɡɔ tˈɨpu bzdˈurɨ, ˌalɛ ɲʲɛ bɨwˈɔbɨ tɔ prˈavdɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_28.wav|mˈɔʒɛ pˈatridʑɡ zˌaprɔpɔnˈɔvaw mu pˌɛndrivˈɛa w zˈamjan zˈa...|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_399.wav|vˈinɔ stˈawɔ ɕɛ tʃˈɛɲɕtɕɔ̃ ix tsˌɔnɔtsnˈɛɡɔ rˌɨtuˈawu.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_212.wav|pʃɛdmʲˈɔtɛm mɔjˈɛɡɔ zˌaintˌɛrɛsɔvˈaɲʲa bˌɨwa spˈuwka sˈanxɛs ˌalumˈiɲʲum.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_196.wav|dʑɛŋkˈujɛ, tˈatɔ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_368.wav|prˈavʲɛ jˈuʃ ɲʲɛ pamjˈɛntam, jˈaɡ vˌɨɡlɔndˈawa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_69.wav|kʲˈɛdɨ pʃˌɨjɛxˈawam dɔ fˈirmɨ dʑˈiɕ rˈanɔ, mwˈɔda kɔbjˈɛta zˌasuɡˌɛrɔvˈawa, ʒˈɛ ktˈɔɕ pɔvˈiɲʲɛn nˈam pɔvʲˈɛdʑɛtɕ ɔː imprˈɛʑɛ i ɔ tʃˈɨmɕ, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ w zvʲˈɔ̃sku z mˈartɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_33.wav|rˈatʃɛj ɲʲɛ musˈimɨ ɕɛ ɔbˈavʲatɕ, ʒˈɛ tʃˈɛj ɡwupˈɔlɛ zadʑvˈɔɲʲɔ̃ na pɔlˈitsjɛ.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_120.wav|sˈɛr ˈilɨn bˈɨw pɔwˈɔvɔ̃ tsˈɛnɨ, jˈakʲɛj zaʒˈɔndaw dʒˈɛjmz zˈatɔ, ʒˈɛ pʃˈɛwknɔw rˈɔskas mˌawɔlɛtɲʲˈɛɡɔ krˈula ɲˈitʃɨm ɡʒˈɛtʃnɨ, mˈawɨ lˈɔrd dɔvˈuttsa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_86.wav|ˌalɛ ˌupwɨnˈɛwɔ jˈuʃ trˈɔxɛ tʃˈasu i uznˈawam, ʒˈɛ jˌɛstɛm bɛspʲˈɛtʃna.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_11.wav|mˈɔʒɛ tɔ dla ɲˈix jˈɛdɛn s tɨx spˌɔkɔjɲʲˈɛjʃɨɣ dɲˈi.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_175.wav|pʃˈɨkrɔ mi s pɔvˈɔdu tfˈɔjɛj strˈatɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_31.wav|w jˈakim vʲˈɛku bˈɨ mi jˈɛ ˌɔdɛbrˈanɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_160.wav|jˈɛɕli ɲʲɛ maʃ ɲˈits pʃɛtɕˈifkɔ,|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_124.wav|dˈavɛ, zapˈɔmɲʲaw pˈan? dˈavɛ, jˈasnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_50.wav|bʲˈillɨ tɕˈɛʃɨ ɕɛ jɛj radˈɔɕtɕɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_82.wav|mʲˌɛndʑɨ kɔnrˈadɛm a ʃɛpˈardɛm znˌajdɔvˈawa ɕɛ bˈaɲka bʲˈina.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_146.wav|ɲʲˈɛxtsɛ vˌɨvɔwˈɨvatɕ kɔlˈɛjnɨɣ zamjˈɛʃɛk.|1
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_106.wav|tˌɨlkɔ dvˈa dɲˈi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_6.wav|bʲˈillɨ stfʲˈɛrdʑa, ʒˈɛ tˈɛʃ mˈuɕi sˈɔbjɛ tˈakʲɛ kˈupitɕ. kɔɲʲˈɛtʃɲʲɛ, mˈuvi dʒˈim ˈalbrikt.|2
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_120.wav|ta bjɛdˈulka tɔ tsˈurka mˈɔjɛj ɕˈɔstrɨ mˈarɨ, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_57.wav|mruknˈɛwa bˈɛtskɨ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_144.wav|ʃtʃˈam na tfˈɔjɛ prɔrˈɔtstfɔ, starˈuxɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_155.wav|ɲʲɛ vˈidʑi mˈɛrxfɛl mamˈuɕki ɛlvˈisa, ˌalɛ dɔstʃˈɛɡa jɛj tɕˈɛɲ xɔdʑˈɔntsɨ tˈam i s pɔvrˈɔtɛm ˌɔras tɕˈɛɲ kˈabla tˌɛlɛfˌɔɲitʃnˈɛɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_29.wav|pɔtfʲˈɛrdʑa z lˈɛkkɔ̃ nˈutɔ̃ smˈutku, jˈaɡbɨ bˈaw ɕɛ, ʒˈɛ narˈɔbʲi vʲˈɛntsɛj zˌamjɛʃˈaɲʲa, ɡdˈɨbɨ pɔvʲˈɛdʑaw tsˈɔː innˈɛɡɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_91.wav|vˈɛʃli na tɕˌɛ̃ʒarˈufkɛ, ktˌurɛj kʲɛrˈɔftsa, mˌɛksɨkˈaɲin, stˈaw ʃɛrˈɔkɔ rˌɔskratʃˈɔnɨ i pˈaliw krˈutkʲɛ tsɨɡˈarɔ.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_40.wav|paˈisɛl? naprˈavdɛ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_29.wav|mˈam pʃˈɨjʑdʑ dɔ tɕˈɛbjɛ dɔ bjˈura s kˈavɔ̃, kʲˈɛdɨ dɔvʲˈɛmɨ ɕɛ tʃˈɛɡɔɕ? pɔprˈɔʃɛ. zakwˈadam tˈɛʃ, ʒˈɛ spravdʑˈamɨ, dˈɔkɔnt pɔjˈɛxaw tɛn samˈɔxut.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_141.wav|ˌalɛ vʲˈɛʃ, tsˈɔ jɛst nˌajpʲɛŋkɲʲˈɛjʃɛ? jˈɛɕli tˌɨlkɔ ɲˈikt ɲʲɛ zwˈamjɛ nˈɔɡʲi pˈɔttʃas utɕˈɛtʃki, jɛdˈɨnɔ̃ ɔsˈɔbɔ̃, ktˌura utɕˈɛrpi, bˌɛɲdʑɛ jˈɔɛl ˈallɛn.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_183.wav|pˌɔwɔʒˈɨwam zˌabandˌaʒɔvˈanɔ̃ dwˈɔɲ na jˈɛɡɔ ramjˈɛɲʲu.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_202.wav|vrˈublɛ ɕɛdʑˈawɨ nˈavɛt na sxˈɔdax, pɔd vˌɨsɔkˈimi dʒvʲˈami vʲɛlkʲˈɛɡɔ sˈɛptu.|1
+Dataset/wavs/urwisko_ferenc/39_segment_15.wav|— tɔ vˌɨmjɔtɕˈinɨ? — tˈak tɔː ˌɔkrɛɕlˈiwam, ˌalɛ zˌastanˈavʲam ɕɛ, tʃɨ trˈafɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_289.wav|mwˈɔdʑi ˌintɛlˌɛktualˈiɕtɕi ujˈɛli pɔt rˈɛntsɛ intrˈuza.|0
+Dataset/wavs/urwisko_ferenc/36_segment_75.wav|prˈɔʃɛ, ja zˌavʲɛɕˈiwa ɡwˈɔs.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_41.wav|mɔʒlˈivɛ, ʒˈɛ kʲˈɛdɨɕ na ɕˈɛbjɛ trafˈili. tˈɛssa vʲˈɛ, ʒˈɛ mˈilljɛ ɲʲɛ jɛzd bjˌɔlɔɡʲˈitʃnɔ̃ tsˈurkɔ̃ ˈaʃa. ɲˈiɡdɨ jˈɛdnak ɲʲɛ fspɔmɲʲˈawam jɛj ɔ stɛvˈɛjɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_133.wav|tɔ pʃɨ dʒvʲˈaɣ dʑvɔɲʲˈɔnɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_102.wav|dwˈuʃʃɛ rˈamjɛ dʑvˈiɡɲi davˈawɔ mi nˈadɲim pʃɛvˈaɡɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_94.wav|ɲʲɛ zˌaaktsɛptˈɔvawbˌɨ ʒˈadnɛj pʃɨjˈaʑɲi, ktˌura pˌɔdvaʒˈɨwabˌɨ jˈɛɡɔː ˌawtɔrˈɨtɛt.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_43.wav|bˈɛtskɨ pˌɔstanɔvˈiwa zɔstˈavitɕ tɛn vˈɔntɛk na pˈuʑɲʲɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_238.wav|ɡdˈɨbɨ ktˈɔʑ vɨxˈɔdʑiw z mʲˈasta, lˈɛpʲɛj, ʒˈɛbɨm ˈɔtɨm vʲɛdʑˈawa.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_302.wav|jˈɛdnɔ̃ z nˌɛɡatˈɨvnɨx strˈɔn sɨstˈɛmu, f ktˌurɨm ɲʲɛ ˌɔbɔvʲɔ̃zˈujɔ̃ prˈavʲɛ ʒˈadnɛ prˈava, sɔ̃ mˌɔnɔpɔlˈiɕtɕi i ix ˌaɡrɛsˈɨvnɛ tˈaktɨkˌi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_40.wav|vʲˈɛm, ʒˈɛ tɔ ɲʲɛ jɛst jɛj vˈina, ˌalɛ mˈuʃɛ vɨʒˈutɕitɕ s ɕˈɛbjɛ tɛ ɛmˈɔtsjɛ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_251.wav|urˈɔdʑiw ɕɛ w dɔʒˈɛtʃu i tˈu spˈɛɲdʑiw tsˈawɛ ʒˈɨtɕɛ. jˈutrɔ vɨrˈuʃa w dˈalʃɔ̃ drˈɔɡɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_12.wav|tʃˈɨ tˌɛlɛfˈɔnɨ bˈɛs kˈartɨ ˌɛsˌiˈɛm lɔndˈujɔ̃ f pˌapʲɛrˈɔvɛj tˈɔrbjɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_45.wav|bˈɛtskɨ zˌiɡnɔrɔvˈawa lˈɛkkɔ sʃˌɔkɔvanˈɛɡɔ kˈita, ˌɔdvrutɕˈiwa ɕɛ dɔ lˈintsaj i mruɡnˈɛwa dɔ ɲʲˈɛj.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_13.wav|ɔt tˈaɡ vʲˈɛlu lˈad ʒˈɨli f strˈaxu, ʒˈɛ ˌɛmtsˈɛ ɡuˈinnɛss, ˌɛɡzɛkˈutɔr ɡrˈupɨ pʃɛstˈɛmptʃɛj, trˈafi na ɕlˈat jˈatska.|4
+Dataset/wavs/urwisko_ferenc/20_segment_71.wav|tsˈɔ pˈana kuzˈɨŋka rɔbʲˈiwa ftˈɛdɨ w ɔɡrˈɔdʑɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_218.wav|pˈɔvʲɛ, ʒˈɛ maʃ prɔblˈɛmɨ psɨçˈitʃnɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_38.wav|kˈatɛ zˌapɨtˈawa luˈisɛ, ktˌura pʃˌɨɡlɔndˈawa ɕɛ tɛj zabˈavʲɛ mʲˌɛndʑɨ ˈɔjtsɛm i tsˈurkɔ̃ i mɨɕlˈawa ˈɔtɨm, jˈakim fspaɲʲˈawɨm ˈɔjtsɛm jɛst tˈɔm.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_140.wav|ˈɔtpar kapˈitan. wadˈɔvɲʲɛ mˈam pˈɛwnɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_26.wav|pɔvʲˈɛdʑaw pɔlˈitsji, ʒˈɛ mɲʲɛ tˈutaj ɲʲˈɛma.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_253.wav|tɔ fʃˈɨstkɔ jɛst ɲʲɛvˈaʒnɛ, jˈɛɕli mˈa ɕɛ jˈɛdnɔ̃ tˌɨlkɔ ʒˈɛtʃ, ktˌura jɛzd dˈarɛm bˈɔɡa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_374.wav|bjˈɛdna.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_10.wav|ˌalɛ mˈuj ˈumɨsw i dˈuʃa pˌɔzɔstavˈawɨ rˌɔzwɔntʃˈɔnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_40.wav|zˌabjɛʒˈɛmɨ jˈɛ zˈɛ sˈɔbɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_287.wav|mˈuɕiʒ dˈɔvʲɛɕtɕ sfˈɛj vʲɛrnˈɔɕtɕi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_88.wav|ˌalɛ jˈɛɕli tɕi tɔ ɲʲɛ rˈɔbʲi ruʒɲˈitsɨ, tɔ kˈup tˈɛn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_221.wav|ɔbrˈuɲtsɔ̃?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_337.wav|ktˌura bˌɨwa studˈɛntkɔ̃ çistˈɔrji ʃtˈuki ˈalbɔ malˈarstfa tʃɨ ɡrˈafikˌi ˌuʒɨtkˈɔvɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_125.wav|tɔ ɲʲɛ bˌɛɲdʑɛ wˈatfɛ, ˈindjɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_74.wav|tfˈaʃ mu zmˌizɛrɲʲˈawa, pɔlˈitʃki pˈɔkrɨw ɕˌivʲɛjˈɔntsɨ zˈarɔst.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_12.wav|uɲˈikam pˌɔvʲɛdʑˈɛɲʲa im jˈɛdnɛj ʒˈɛtʃɨ, ʒˈɛ jˈɛɕli ix ˈɔjtɕɛdʑ zɔstˈaɲʲɛ skazˈanɨ, tɔ kʲˈɛdɨ vˈɨjdʑɛ na vˈɔlnɔɕtɕ, bˌɛndɔ̃ jˈuʃ s pɛvnˈɔɕtɕɔ̃ dɔrˈɔswɛ.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_208.wav|a jˈakiɕ ˈinnɨ lˈɔrt kʃˈɨtʃɨ, ʒˈɛ tˈɛras nalˈɛʒɔ̃ dɔ ɲʲˈɛɡɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_76.wav|ktˈɔ pɔ ɲʲˈɔ̃ jˈɛdʑɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_6.wav|pʃˌɛtɕɔŋɡnˈɛwam ɕɛ, vˌɨɡʲinˈajɔnts plˈɛtsɨ vwˈuk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_127.wav|dˈɔbrɨ vˈɨbur, bˈɔ bʲˈillɨ mˈa f krɛdˈɛnɕɛ dvʲˈɛ pˈuʃki rɔsˈɔwu i tˌɨlkɔ jˈ��dnɔ̃ pˌɔmidɔrˈɔvɛj.|2
+Dataset/wavs/urwisko_ferenc/32_segment_9.wav|zrˌɛzɨɡnˈɔvaw.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_390.wav|kɕɛ̃ʒɲˈitʃka ɲʲɛ dˈawa ɕɛ zastrˈaʃɨtɕ. prˈaɡnɛ, bˈɨ mˈɔjɛ kuzˈɨŋki ˌɔdʑɨskˈawɨ vˈɔlnɔɕtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_129.wav|pɔvʲˈɛdʑaw pɔlˈitsjant ˈɔlbʒɨm.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_147.wav|tɔ znˈatʃɨ ta drˈuɡa pˈaɲi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_6.wav|tˈɔm ɲʲɛ zdˈɔwaw ɕɛ ˈɔpʃɛtɕ, ʒˈɛbɨ ɲʲɛ sprˈavdʑitɕ, jˈak tˈɔtʃɨ ɕɛ pˌɔstɛmpɔvˈaɲʲɛ pʃɛtɕˈifkɔ rˈud vikˈɛrɨ i dvukrˈɔtɲʲɛ rɔzmˈavʲaw s pˈawlɛm ɡrˈinɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_60.wav|tˈɛʃ mɨɕlˈawam, ʒˈɛ ɔn ɲʲɛ ʒˈɨjɛ, ˌalɛ ɕɛ mɨlˈiwam. jˈuʃ muvˈiwam, ʒˈɛ vˈɨswaw mi vʲadˈɔmɔɕtɕ i pɔprˈɔɕiw, ʒˈɛbɨm tˈu pʃˌɨjɛxˈawa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_110.wav|ˈanna pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃, ˌalɛ ɲʲɛ spɔjʒˈawa w ˈɔtʃɨ bˈɛtskɨ ˌaɲi lˈintsaj, a jɛj skˈura stratɕˈiwa sfˈuj ˈɔttɕɛɲ pɔt tɕˈɛŋkɔ̃ vˈarstfɔ̃ starˈanɲʲɛ nˌawɔʒɔnˈɛɡɔ mˌakijˈaʒu.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_100.wav|ɡdˈɨbɨ tˈunɛl ˈulɛɡw ˌuʃkɔdʑˈɛɲʲu, dʒvˈi zamknˈɛwɨbˌɨ ɕɛ ˌawtɔmatˈɨtʃɲʲɛ pɔt fpwˈɨvɛm ruʒɲˈitsɨ tɕˈiɕɲʲɛɲ.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_225.wav|tˈaɡ vʲˈɛnts jˈin xˈu ftɕˈɔ̃ʒ bˈɨw w mʲˈɛɕtɕɛ.|4
+Dataset/wavs/urwisko_ferenc/28_segment_90.wav|skˈɔnd vʲˈɛʃ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_233.wav|i tsˈɔ mɨɕlˈitɕɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_199.wav|tɨpˈɔvɛ dla vˈɛɡas xˈaswɔ na jˈɛɡɔ kɔʃˈultsɛ, tɔ kturˌɛɡɔ ɲʲˈɛmʲaw ɔkˈazji pɔkˈazatɕ ɲitskˈɔvi, ˌalɛ vɨkʃˈɨtʃaw jˈɛ dɔ mˌamɨ frˈaŋka bʒmˈi xtsˈɛʒ ɡrˈatɕ, tɔ pwˈatɕ.|2
+Dataset/wavs/urwisko_ferenc/18_segment_47.wav|vɛstxnˈɛwa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_99.wav|mˈɔja ɔbˈɛtsnɔɕtɕ jˈɔ̃ dˌɛkɔntsɛntrˈujɛ. f tɛj xfˈili pˌɔtʃɛbˈujɛ pʃɛstʃˈɛɲi dɔ mɨɕlˈɛɲʲa. ɲʲɛ mˈɔʒɛ tˈɛraz zajmˈɔvatɕ ɕɛ mnˈɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_135.wav|pɕˈakrɛf, tsˈɔ takʲˈɛɡɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_157.wav|ˈɔkɛj. jˈɛʃtʃɛ jˈɛdnɔ, tˈak pɔvʲˈɛdʑmɨ kˈu pʃɛstrˈɔdʑɛ. znˈaʃ tsˈɔdɨ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_101.wav|ɲʲɛ mˈɔɡɛ ɕɛ pɔrˈuʃɨtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_110.wav|mˈuɕaw pʃɨjˈɛxatɕ prˈɔstɔ zˈɛ ʃpitˈala, bˈɔ mʲˈaw jˈɔ̃ w ɡʲˈipɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_281.wav|tʃɨ nˈadal ˌuvaʒˈawabˌɨ, ʒˈɛ tɔ tˈɨrjɔn bˈɨw sˈɨnɛm tɨvˈina?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_121.wav|umˈarwa ɲʲˈɛtsɔ pˈɔnat rˈɔk tˌɛmu i zˌɔstavˈiwa mi sfˈuj dˈɔm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_43.wav|ˌalɛ tʃˈuwa ɕɛ dʑˈɛŋki tˌɛmu ʃtʃɛɲɕlˈiva.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_74.wav|zrɔbʲˈiwɛɕ tsˈɔ kɔɲʲˈɛtʃnɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_254.wav|tɨ mˈuviʃ prˈavdɛ, ˈandɛrsɔn?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_20.wav|spɔtsˈɔnɨ spˈɛntsɛr jˈɔxanssɔn, ubrˈanɨ w jˈɛʃtʃɛ jaskrˈafʃɔ̃ kɔʃˈulkɛ ɲˈiʃ pˌɔpʃɛdɲʲˈɛɡɔ dɲʲˈa,|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_81.wav|ɲʲɛktˌuʒɨ z ɲˈix nˈavɛt ɕɛ w ɲʲɛ ubrˈali.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_140.wav|swɨʃˈawam, ʒˈɛ bˈɨvaw vrˈɛdnɨ, kʲˈɛdɨ rˈɔbʲiw ɕɛ zazdrˈɔsnɨ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_123.wav|ˈɔrlɛ ɡɲʲˈazdɔ jɛst ɲʲˌɛzdɔbˈɨtɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_34.wav|jˈɔɛ uɲʲˈɔswa ɡwˈɔvɛ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_115.wav|ʒˈɛkw kˈaʒɛw zˈɛ ɕmʲˈɛxɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_85.wav|zˌawɔʒˈɨwam mˈaskɛ i pɔdˈawam mu dˈɨʃɛ.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_185.wav|bˈawam ɕɛ, ʒˈɛ jˈɛ upˈuɕtɕi, ˌalɛ tˌɛɡɔ ɲʲɛ zrˈɔbʲiw.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_169.wav|ˌadmiɲˌistratˈɔrka ˌuɕmʲɛxnˈɛwa ɕɛ z vɨʃʃˈɔɕtɕɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_46.wav|vʲˈɛlɛ rˈazɨ budʑˈiwɛm ɕɛ pʃˌɛtɕɛʃ f pɔɕrˈɔtku nˈɔtsɨ pʃˌɛkɔnˈanɨ, ʒˈɛ swˈɨʃɛ jaskrˈavɨ, vɨrˈaʑnɨ ɡwˈɔz dʑvˈɔŋka tˌɛlɛfˌɔɲitʃnˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_198.wav|jˈɛɕli nadˈaʒɨ ɕɛ spɔsˈɔbnɔɕtɕ, najpˈɛvɲʲɛj tˈak.|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_79.wav|vˌɨɔbrˈaʒa sˈɔbjɛ, jˈak tɔ ɕɛ rɔzˈɛɡra.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_116.wav|ɲʲˈɛbɨwbˌɨ pʲˈɛrʃɨ, a ɲʲɛ ɔstˈatɲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_279.wav|prˈɔnt ɔmˈiɲʲɛ tsˈawɨ ˈukwad bˌɛspʲɛtʃɲˈikuf, vʲˈɛndʑ ɡwˈuvnɨ pʃɛrˈɨvatʃ ɲʲɛ zadʑˈawa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_16.wav|kˈit, jˈaɡ vˌɨɡlɔndˈajɔ̃ sprˈavɨ?|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_50.wav|lˈadɨ ɡˈɛna zˌasuɡˌɛrɔvˈawa, ʒˈɛbɨ pˈɔddatɕ kˈilku ʒɔwɲʲˈɛʒɨ tɔrtˈurɔm, ˌalɛ jˈamɛ ɔdmˈuviw.|1
+Dataset/wavs/urwisko_ferenc/61_segment_39.wav|— a ɔ kˈadrax ɲʲɛ zˌapɔmɲʲˈawɛɕ? — za kˈɔɡɔ tɨ mɲʲɛ mˈaʃ? — ˈudaw ˌɔbuʒˈɛɲʲɛ.|0
+Dataset/wavs/urwisko_ferenc/50_segment_16.wav|spɔkˈɔjnɔ̃|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_93.wav|ɔn pʃˌɛkazˈujɛ mi ˌinfɔrmˈatsjɛ, ʒˈɛ ɲʲɛ zapˈɔmɲʲaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_201.wav|bʲˈillɨ jˈɛdnak mˈiltʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_119.wav|xˈɔdʑ bˌɨwɨ tɔ pɔtˈɛ̃ʒnɛ stˈatki, mknˈɛwɨ pɔ fˈalaɣ z ɲʲˌɛzruvnˈanɔ̃ ɡrˈatsjɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_164.wav|jɛst jˈɛʃtʃɛ vʲˈɛŋkʃɨ ɔt tˈɛɡɔ, ktˌurɨ vwˈaɕɲʲɛ zɡˈarnɔw ljˈɔnɛl kˈɔrbraj.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_14.wav|ˈidɛ dɔ xˈɔlu i ɔtfʲˈɛram frɔntˈɔvɛ dʒvˈi, ɡɔtˈɔva ʒˈutɕitɕ mu ˌɔtpɔvʲˈɛdɲʲɔ̃ vʲɔ̃zˈaŋkɛ, ˌalɛ na zˈɛvnɔndʒ dɔstʃˈɛɡam dvˈux mˈɛ̃ʃtʃɨzn, ktˌurɨx ɲʲɛ rˌɔspɔznˈajɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_78.wav|tˈɛras ɲʲˈɛx pˈaɲi spˈɔjʒɨ f kamˈɛrɛ.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_66.wav|ɲˈikt ɲˈiɡdɨ ɲʲɛ ʃˈukaw dʑɛftʃˈɨnɨ.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_189.wav|jˈɛʃtʃɛ ɡˈɔrʃa bˌɨwa mˈɨɕl, ʒˈɛ mˈɔʒɛ ɡˈɔ zɔbˈatʃɨtɕ ktˈɔɕ, ktˈɔ ɡˈɔ pˈɔzna.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_143.wav|bˈɨwbɨm bɔɡˈatɨ jˈak tfˈɔi pʃˌɨjatɕˈɛlɛ lˌanɲistɛrˈɔvʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_70.wav|ˈiʃ ɲʲˈɛma pʃɛt sˈɔbɔ̃ jˈɛdnɛj kɔbjˈɛtɨ, a dvʲˈɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_41.wav|vrˈutɕmɨ dɔː ˈaʃa. tʃɨ jakʲˈɛmuʑ dʑˈɛtsku ˌɔdmuvʲˈɔnɔ lɛtʃˈɛɲʲa? tʃɨ ktˈɔɕ mˈɔʒɛ ʒˈɔndatɕ ɔt ɲʲˈɛɡɔ zdɔbˈɨtɕa ʒatkʲˈɛɡɔː i drɔɡʲˈɛɡɔ lˈɛku?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_38.wav|pˌɔrɔzmavʲˈamɨ pˈuʑɲʲɛj lˈutsɨ, ˌalɛ ˌuswɨʃˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_32.wav|dˈalʃɨ tɕˈɔŋɡ znˈam, uɕmʲˈɛxa ɕɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_40.wav|tɔ ɕɛ ɲʲɛ dʑˈɛjɛ pʃˌɛtɕɛʒ z jˈɛɡɔ vˈinɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_268.wav|ustˈaviw pɔ ɕrˈɔtku stˈɔwu mˌaɡnɛtˈɔfɔn f skuʒˈanɨm fˌutɛrˈalɛ i vˌɨkɔnˈafʃɨ jˈakiʑ dʑˈivnɨ, ˈalɛ...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_263.wav|a dˈalɛj na swˈupax, na pˌɔdmurˈufkax, na vˈɛŋɡwaɣ budˈɨŋkuf plakˈatɨ rˌɛklamujˈɔntsɛ çindˈuskix fˌilɔzˈɔfuf i rɔsˈɨjskiɣ znaxˈɔruf.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_44.wav|ɲʲɛ zrɔbʲˈiwam tˌɛɡɔ jˈɛdnak.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_161.wav|jˈatsɨ lˈudʑɛ? fʃˈɨstsɨ lˈudʑɛ!|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_114.wav|ɲʲɛ zadʑˈɛraj zˈɛmnɔ̃, paɲʲˈɛŋkɔ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_233.wav|pˈɔbɨt f tɕɛmɲˈitsɨ,|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_288.wav|ɲˈidʑ vʲˈɛntsɛj tɕi ɲʲɛ pˈɔvʲɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_13.wav|dlatʃˈɛɡɔ tɔ rˈɔbʲiʃ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_69.wav|tʃɨ kʲˌɛdɨkˈɔlvʲɛk jˈɛʃtʃɛ iɣ zɔbˈatʃɛ?|3
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+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_54.wav|s krfjˈɔ̃ ˌɔbwɔŋkanˈɛɡɔ krˈula na mʲˈɛtʃu.|1
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+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_331.wav|ˌalɛ mˈuɡwbɨm jˈɛʃtʃɛ rˈas ˌɔpɔvʲˈɛdʑɛdʑ zupˈɛwɲʲɛ inˈatʃɛj. tˈɨlɛ ɕɛ tˌɛɡɔ vʲɛtʃˈɔru zdaʒˈɨwɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_63.wav|kʲˈɛdɨʑ bˌɛndɛ budˈɔvaw pravdʑˈivɛ rakʲˈɛtɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_12.wav|ɲʲˈɛma skˈali pˌɔruvnˈaftʃɛj.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_72.wav|f tɨm krˈaju tʃˈujɛ ɕɛ zˈapax tʃˈɛɡɔʑ dɔpʲˈɛrɔ ftˈɛdɨ, kʲˈɛdɨ tɔ tsˈɔɕ umjˈɛra.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_74.wav|tɨ ɲʲɛ jˈɛdʑɛʃ, mamˈuɕu?|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_100.wav|tʃˈɨli xˈɔdʑi ɔ sˈɛɡz dla sˈɛksu. ɔ zdˌɔbɨvˈaɲʲɛ pˈɔtɔ, ʒˈɛbɨ zdˈɔbɨtɕ. tɔ tˈakʲɛ mʲˈawkʲɛ, tˈakʲɛ pˈustɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_10.wav|a vwaɕtɕˈivʲɛ w mˈawɨm krɛsˈɔvɨm mʲastˈɛtʃku.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_205.wav|mˈuɕiʃ mi pˈɔmuts. dˈɔkɔnt mˈam pˈujɕtɕ? tsˈɔ tˈɛras pˈɔtʃnɛ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(74) R.Abbott_Zamknij Drzwi_segment_21.wav|— ɲʲˈɛvʲɛm i pʃˈɛstaɲ zadˈavadʑ ɡwˈupʲɛ pɨtˈaɲʲa, dˈɔbʒɛ? ɲˈikt ɲʲˈɛvʲɛ, ɡdʑˈɛ ˌɔna mʲˈɛʃka. jɛdˈɨɲʲɛ tˈɨlɛ, ʒˈɛ jɛst tɔ vʲˈɛntsɛj ɲˈiʃ jˈɛdnɔ mʲˈɛjstsɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_58.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_10.wav|dlatʃˈɛɡɔ ktˈɔɕ pˈɔrvaw ˈaʃa i mˈilljɛ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_179.wav|mˈuviw tɔ waɡˈɔdnɨm tˈɔnɛm, ˌalɛ jˈɛɡɔ rˌɛprɨmˈɛnda zˌabɔlˈawa.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_60.wav|ˈɔjɛj, w ɔɡˈulɛ tˌɛɡɔ ɲʲɛ pamjˈɛntam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_64.wav|dʑˈɛɲ w rˈɔku, akˈurat tɛn spˈɔɕrut fʃˈɨstkix mɔʒlˈivɨx, imjˈɔna fspɔmɲʲˈɛɲʲɛ nɛbrˈaski.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_145.wav|vɨɡlˈɔnda dʑˈiɕ lˈɛpʲɛj, ˌalɛ jˈɛɡɔː ˈɔddɛx tɔ zupˈɛwɲʲɛ ˈinna çistˈɔrja.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_83.wav|tsˈuʃ, za pˈuʑnɔ, ʒˈɛbɨ ɕɛ tɨm mˈartfitɕ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_14.wav|fʃˈɨstkʲɛ pˈaɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_185.wav|i ɲʲɛ vʲɛdʑˈɛliɕmˌɨ, tsˈɔ dˈalɛj rˈɔbʲitɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_82.wav|luˈisa ɲʲɛ vʲɛdʑˈawa pʃˈɛs xfˈilɛ, tsˈɔ pɔvʲˈɛdʑɛtɕ, ˌalɛ kʲˈɛdɨ dɔlˈawa ɔlˈɛju i ˈɔtstu dɔ sawˈatki...|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_4.wav|pʃˌɨpɔmɲʲˈawam sˈɔbjɛ, jˈakɔ̃ bwˌazɛnˈadɛ ˌɔtstavˈiwam w nˈɔtsɨ i skʃɨvˈiwam ɕɛ z ɲʲɛsmˈakʲɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_8.wav|f pˈɛvnɛj xfˈili, bˈɛz vɔntpʲˈɛɲʲa, zaʒˈɔndam fʃˈɛlkix ʃtʃɛɡˈuwuf. kʲˈɛdɨ tɔ ɕɛ zatʃˈɛwɔ? jˈaɡ dwˈuɡɔ trfˈawɔ? dlatʃˈɛɡɔ tɔ kˈurva zrˈɔbʲiw?|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_284.wav|pɔnˈɔvɲʲɛ zwˈapaw ɕɛ za ɡˈardwɔ.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_172.wav|rˈɔnɛt tʃˈɨmaw f pˈaltsax rˈuʒɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_309.wav|jɛst jˈɛʃtʃɛ pˈarɛ vrˈakuf, ktˌurɛ tʃˈɛba krˈɛɲtɕitɕ rˈɛŋkɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_72.wav|a pˈɔtɛm ɔtfˈɔʒɨdʑ brˈamɛ ɔt ɕrˈɔtka, ɡdˈɨ mɨ valtʃˈɨlibˌɨɕmɨ s pɔʒˈarɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_12.wav|ʃkˈɔda tˈɨlkɔ, ʒˈɛ ɲʲɛ mˈɔʒna rˈɔbʲitɕ tˈɔux ˈand ɡˈɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_165.wav|jˈɛ, tsˈɔ mˈa na talˈɛʒu, pɔ tʃɨm ˈidʑɛ pɔ rˈɛʃtɛ. tɔ tˈɛʒ zjˈada. vɨpˈija kˈɔlɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_20.wav|kʲˈɛdɨ ˈalfjɛ pɔdrˈɔɕɲʲɛ, dˈuʒɔ trˈudɲʲɛj bˌɛɲdʑɛ mu zrɔzˈumjɛtɕ, dlatʃˈɛɡɔ ftɕˈɔ̃ʃ musˈimɨ ɕɛ ɡdʑˈɛɕ pʃɛnˈɔɕitɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_56.wav|mˈukw ɕɛ tˌɛɡɔ dɔvʲˈɛdʑɛtɕ f tˌɨlkɔ jˈɛdɛn spˈɔsup.|4
+Dataset/wavs/urwisko_ferenc/07_segment_46.wav|kɔlˈɛɡa stɔpɲʲˈɔvaw napʲˈɛɲtɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_45.wav|a pʃˌɨjatɕˈɛlɛ mˈuvjɔ̃ mi bʲˈili, ˈɔkɛj?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_174.wav|tˈɔrba|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_65.wav|zˌaɔpatrˈujɔnts sfˈɔjɔ̃ krɨjˈufkɛ ɲʲɛ kˈupiw vʲˈɛlu ʒˈɛtʃɨ, ktˌurɛ bˈardʑɔ bˈɨ ɕɛ f tɛj xfˈili pʃɨdˈawɨ, xˈɔdʑbɨ pintsˈɛtɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_121.wav|xˈɨba tɔ rɔzˈumjɛʃ, ˈars.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_153.wav|ɔn ɲʲˈɛxtsɛ tɕˈɛbjɛ, ˈindjɔ!|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_234.wav|ɲʲɛ bˌɛɲdʑɛ tˈakʲɛj pɔtʃˈɛbɨ, ʒˈɛkw ˈandɛrsɔn. ˈɔɲim vʲˈɛm na pˈɛvnɔ, ʒˈɛ ɲʲɛ ʒˈɨjɛ. zˈabʲiw ɕɛ pʃɨ lˌɔndɔvˈaɲʲu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_13.wav|tsˈawkʲɛm ɲʲɛdˈavnɔ kɔbjˈɛta zɔstˈawa zadʑɡˈana na ɕmʲˈɛrtɕ pʃˈɛs sfˈɔjɔ̃ rɨvˈalkɛ i tɔ ftsˈalɛ ɲʲɛ mˈiljɔn kˌilɔmˈɛtruf ɔt mˌanxɛstˈɛru.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_54.wav|stˈaɲʲɛʃ ɕɛ xɔlˈɛrɲʲɛ mˈawɔ pˌɔpulˈarna fɕrˈut fʃˈɨstkix lˈudʑi nˈatɨm kˌɔrɨtˈaʒu, jˈɛɕli pɔlˈitsja zˈatʃɲʲɛ ix pʃˌɛswuçˈivatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_76.wav|ɲʲɛ jˌɛstɛm pɔˈɛtkɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_102.wav|tɔ pɔ prˈɔstu tʃˈɛɲɕtɕ tsawˈɛɡɔ prɔtsˈɛsu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_249.wav|kˈilku rˌɔzɔspˈanɨɣ ɡˈɔɕtɕi mˌɔtɛlˈɔvɨx, dvˈaj ˌakfizɨtˈɔʒɨ, jˈakaɕ rɔdʑˈina, vɨnˈɔɕi baɡˈaʒɛ i ʃɨkˈujɛ ɕɛ dɔ vɨjˈazdu.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_80.wav|tɔ ɲˈiɡdɨ ɲʲɛ zvʲastˈujɛ ɲitʃˈɛɡɔ dɔbrˈɛɡɔ pˈɔttʃas nˌɛɡɔtsjˈatsji.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_208.wav|mˈarvin nˈɔɕiw na bˈɨtʃɛj ʃˈɨi wˈaɲtsuɣ z ˌɔɡɲivˈami z vʲˈɛlu mɛtˈali.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_5.wav|tɔ tɨpˈɔvɨ sˈalɔn rˌɔzrɨfkˈɔvɨx sˈiŋɡli z wˌukɔvˈatɔ̃ dvˌuɔsɔbˈɔvɔ̃ kanˈapɔ̃ na fprˈɔzd vʲˌɛlkɔˌɛkranɔvˈɛɡɔ tˌɛlɛvizˈɔra.|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_101.wav|zdˌɛtsɨdɔvˈawam ɕɛ na stˈudja wˈɛ fˈɔrt tsˈɔllins, na ˌuɲivˌɛrsɨtˈɛtɕɛ tsˌɔlɔrˈadɔ.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_97.wav|ɲʲɛ, ˌalɛ tɔ bˈɨw dˈɔbrɨ pʲˈɛs.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_287.wav|kˈaʒdɛ pˌɔkɔlˈɛɲʲɛ tʃˈɛka na kˈɔɲʲɛts ɕfʲˈata, tsˈɔɕ f tɨm jˈɛst, ˈalbɔ pʃɨnˈajmɲʲɛj pɔvˈinnɔ bˈɨtɕ.|0
+Dataset/wavs/urwisko_ferenc/22_segment_46.wav|swavˈɔmir jˈarɔɲ, ɡlˈiɲʲaʒ z ɡrudʑˈɔndʑa, vˈɛ̃ʃɨ vˈɔkuw zˌaɡʲiɲʲˈɛɲtɕa ɡlˌatsɔfskʲˈɛɡɔ. xtsˈɛ zˈɛmnɔ̃ jˈutrɔ pɔɡˈadatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_180.wav|xˈɔva ɔpˈaski zˌatɕiskˈɔvɛ dɔ kʲɛʃˈɛɲi spˈɔdɲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_52.wav|ftˈɛdɨ jˈuʒ vidʑˈawɛm, ʒˈɛ ɲʲɛ tˌɨlkɔ tʃˈapka mu spˈadwa, vˈɛvnɔntʃ ɲʲˈɛj bˈɨw tʃˈubɛk jˈɛɡɔ ɡwˈɔvɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_36.wav|f kˈaʒdɨx ˈinnɨx ˌɔkɔlitʃnˈɔɕtɕaɣ zˌarɛˌaɡɔvˈawabˌɨm nˈatɔ ɕmʲˈɛxɛm.|4
+Dataset/wavs/urwisko_ferenc/28_segment_2.wav|jˈɛzdɲʲɔ̃ tɕˈɔŋɡnɔw ʃnˈur sˌamɔxˈɔduf, rˌɔsɕɛvˈajɔnts f smrˈut i xˈawas, a ˌɔna ɲʲɛ mʲˈawa dˈɔkɔnt ˈutɕɛts.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_37.wav|xtsˈɛ mʲˈɛdʑ vwˈasnɨ prˈɨʃɲits.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_131.wav|i mˈɨɕlaw ˈɔtɨm, stˈɔjɔnts ˌɔbɔk sˌamɔlˈɔtu, kturˌɛɡɔ ɕmˈiɡwɔ zrɔbjˈɔnɛ bˌɨwɔ z drˈɛvna.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_114.wav|mˈuviʃ, ʒˈɛ mˈɔɡɛ ˈɔdɛjɕtɕ sfɔbˈɔdɲʲɛ, ˌalɛ dˈɔkɔnt mʲˈawbɨm ɕɛ ˈudatɕ?|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_165.wav|ˌalɛ za kˈaʒdɨm rˈazɛm, ɡdˈɨ pʃˌɛxɔdʑˈiwam ˌɔbɔk tɛj xɔlˈɛrnɛj ɕlˈuzɨ, ktˈɔɕ krˈɛɲtɕiw ɕɛ f pɔblˈiʒu.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_163.wav|tʃˈɛɲʑdʑ zɡɲˈiwa, sˈɛr.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_27.wav|ʒutɕˈiwa i ˌɔdɛpxnˈɛwa ɡˈɔ, ˌɔpʲɛrˈajɔndʑ dwˈɔɲʲɛ na jˈɛɡɔ pʲˈɛrɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_117.wav|f tɛj xfˈili jˈɛdnak mˈɨɕli ɡwˈuvɲʲɛ ˈɔtɨm, ʒˈɛ jɛst xɔlˈɛrɲʲɛ ʑˈimnɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_10.wav|tˈɔm i bˈɛtskɨ pˌɔpatʃˈɨli na jˈasnɨ dˈɨvan na pɔdwˈɔdʑɛ, pˈɔtɛm na ɕˈɛbjɛ vzajˈɛmɲʲɛ, ˈaʃ f kˈɔɲtsu bˈɛs swˈɔva zdjˈɛli ɔbˈuvʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_92.wav|jˈɛɕli sˈaskja ɕɛ zˈɛmnɔ̃ skˌɔntaktˈujɛ, pɔprˈɔʃɛ jˈɔ̃, ˈabɨ bˌɨwa w zaɕˈɛŋɡu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_50.wav|mˈɔʒɛ jˈuʃ tˈaɡ zrˈɔbʲiw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_201.wav|mˈɔja ɕˈɔstra mʲˈawa innˈɛɡɔː ˈɔjtsa i ˈinnɛ nazvˈiskɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_44.wav|mˈɔʒɛ pɔvˈinnam pˌɔrɔzmˈavʲatɕ s kˈimɕ, ktˈɔ mɲʲɛ pʃɛkˈɔna, ʒˈɛ fʃˈɨstkɔ bˌɛɲdʑɛ dˈɔbʒɛ, ʒˈɛ pɔ prˈɔstu pʃɛsˈadʑam z rˌɛaktsjˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_10.wav|upˈuʃtʃa karˈabʲin na pɔdwˈɔɡɛ i ˈidʑɛ dɔ sˌɛkrɛtarjˈatu.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_249.wav|tʃˈɨnʃ jɛst ˌɔpwatsˈɔnɛ za rˈɔɡ z ɡˈurɨ, a tʃˈɨtɲik pʃɨ dʒvʲˈaɣ zˌaprɔɡrˌamɔvˈanɨ na tfˈɔjɛ ɡʲˈizmɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_111.wav|tˌɔvaʒˈɨʃɨw xɔffˈɔvi, ɡdˈɨ pʃˈɨʃli dɔ ɡˈɛrart tˈɔvɛr pɔkˈazadʑ bʲilljˈɛmu jˈɛɡɔ pratsˈɔvɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_149.wav|ˈɔsnɛj kɛttlˈɛblatsk ɔtfˈɔʒɨw ˈɔtʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_278.wav|ˈinɲi brˈatɕa ˈɔprutʃ tɕˈɛbjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_33.wav|mˈɔɡɛ tɕi mˈuvitɕ pɔː imjˈɛɲʲu?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_105.wav|a mˈimɔ tɔ zjavˈiwa ɕɛ tˈutaj pˈaɲi, pˌɔprɔɕˈiwa ɡˈɔ…|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_22.wav|jˈɛɕli nˈam ɕɛ pɔʃtʃˈɛɲɕtɕi, mˈɔʒɛ nˈavɛd vɛ vzɡlˈɛndnɨm kɔmfˈɔrtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_233.wav|zɡʲˈinɔw w bʲˈitfʲɛ dʑvˈɔnuf.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_38.wav|unˈɔɕi ɡwˈufkɛ i uɕmʲˈɛxa ɕɛ dɔ ɲʲˈɛɡɔ s tˈakɔ̃ miwˈɔɕtɕɔ̃, ʒˈɛ ˈaʃ tɔpɲʲˈɛjɛ mi sˈɛrtsɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_132.wav|pɔfstˈawɔ tsˈɔɕ w rɔdʑˈaju xamˈaka.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_110.wav|pʃˌɨpɔmɲʲˈawa sˈɔbjɛ, ʒˈɛ jˈɔffrɛj ɲˈiɡdɨ ɲʲˈɛmʲaw bliskʲˈɛɡɔ pʃˌɨjatɕˈɛla vɛ vwˈasnɨm vʲˈɛku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_48.wav|mˈa prˈavʲɛ tˈaɡ dˈuʒɛ ˈuʃɨ jˈak klˈarɡ ɡˈablɛ. jˈɛɡɔː ˌidjɔtˈɨtʃnɨ stˈɛtsɔn zdˈajɛ ɕɛ nˈaɲih ɔpʲˈɛratɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_117.wav|rˌɔspɔznˈawam ɡˈɔː ɔt rˈazu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_131.wav|xtsˈɛʒ vˈɨjʑdʑ za ɲʲˈɛɡɔ za mˈɔ̃ʃ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_24.wav|ɲʲɛ kɔjˈaʒɨw numˈɛru. mʲˈaw jˈɛdnak nadʑˈɛjɛ, ʒˈɛ tɔ dʒˈɛɡ znˈuv dɔ ɲʲˈɛɡɔ dʑvˈɔɲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_19.wav|bʲillʲˈɛmu ɲʲˈɛxtsɛ ɕɛ f tɔ vʲˈɛʒɨtɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_93.wav|tʃɨ dla tɕˈɛbjɛ istɲʲˈɛjɛ tsˈɔɕ ɕfʲɛntˈɛɡɔ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_211.wav|spɔjʒˈawa nˈamɲʲɛ sˈɛnɲʲɛ, ˌɔpuɕtɕˈiwa rˈɛŋkɛ za tˈaptʃan.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_74.wav|ktˈɔɕ mi dˈɔɲʲus, ʒˈɛ spuʃtʃˈɔnɔ mu mˈantɔ. tɔ pˈɛvɲʲɛ jˈatsɨɕ psˌɛwdɔkibʲˈitsɛ tʃɨ ˈinnɛ wˈɔtrɨ, tsˈɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_96.wav|a tɨ kʲɛrˈujɛʃ ɕɛ na firmˈɔvɨ pˈarkiŋk, ˌawtɔmatˈɨtʃɲʲɛ vˈɨɕlɛ ˌɔna vʲadˈɔmɔɕtɕ ˈɔtɨm, ʒˈɛ jˌɛstɛʑ w drˈɔdʑɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_144.wav|rˈaz w ʒˈɨtɕu zaxˈɔvaj ɕɛ xˌɔnɔrˈɔvɔ, mˈuvi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_51.wav|tˈɔm fstʃˈɨmaw ˈɔddɛx, zˌastanavʲˈajɔnts ɕɛ, tʃɨ tsˈurka ɕɛ zdˌɛnɛrvˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_269.wav|jˈɛɕli tsˈɔɕ ɕɛ zˈɛmnɔ̃ stˈaɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_201.wav|spɔdʑˈɛvam ɕɛ, ʒˈɛ ˈumʒɛ. a jˈak uvˈaʒaʃ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_51.wav|pʃɨnˈajmɲʲɛj zˈɛ ʃkˈɔwɨ nˌaturˌalistˈɨtʃnɛj.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_56.wav|pɔwˈɔʒɨw pʃɛt ˌandɛrsˈɔnɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_42.wav|zrˌɔzumjˈawam jˈɛdnak, ʒˈɛ ɲʲɛ xtɕˈawa zˈɛmnɔ̃ rɔzmˈavʲatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_151.wav|klnˈɔnts ɕɛŋɡnˈɛwam dɔ zavˈɔru pˌɔvʲɛtʃnˈɛɡɔː i pʃˌɛkrɛɲtɕˈiwam ɡˈɔ dɔː ɔpˈɔru.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_109.wav|kʲˈɛdɨ znajdˈujɛʃ ɕɛ f prˈuʒɲi, pɔzbˈɨtɕɛ ɕɛ nadmʲˈaru tɕˈɛpwa stanˈɔvi prˈɔblɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_17.wav|pˈuʑɲʲɛj jˈɛdnak, jˈuʃ f pɔblˈiʒu prˌɔmɔntˈɔrɨ pˈɔint, vˈɨɡlɔnt tˌɛɡɔ vˈɔzu mˈɔʒɛ mʲˈɛtɕ klutʃˈɔvɛ znatʃˈɛɲʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_251.wav|tˈamtɛj ɲʲˈɛma.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_122.wav|vɨjmˈujɛ jˈɔ̃ z ˌuɲʲɛɕɔnˈɨmi brvʲˈami.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_232.wav|kɔbjˈɛta f ʃˈarɨx ʃˈataɣ zˌasɨtʃˈawa pʃˈɛs pˈaltsɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_52.wav|bˈɛtskɨ ɕɛ rˌɔzɛɕmʲˈawa. ʒˈɨtʃ mi pˌɔvɔdʑˈɛɲʲa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_84.wav|tsˌawkɔvˈitɕɛ. na stˈɔ prˈɔtsɛnt. ɕˈɛŋɡam pɔ stɔjˈɔntsɔ̃ na stˈɔlɛ ʃklˈaŋkɛ z vˈɔdɔ̃ i upˈijam kɔlˈɛjnɨ wˈɨk.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_44.wav|pʃˈɛs twˈum pʃˌɛtɔtʃˈɨwa ɕɛ fˈala ʃˈɛptuf, kʲˈɛdɨ lˈudʑɛ pˌɔkazɨvˈali sˈɔbjɛ navzˈajɛm bjˈawɨ skrˈavɛk flˈaɡʲi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_81.wav|prˌubɔvˈawam ɔbrˈutɕidʑ ɡwˈɔvɛ. bˌɨwam pˈɛvna, ʒˈɛ rˌɔspɔznˈajɛ tɛn ɡwˈɔs, ˌalɛ mˈɔɡwam tˈɛʃ ɕɛ mˈɨlitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_101.wav|ˈɛlis tʃˈɛka f sˌamɔxˈɔdʑɛ, tsˈɔ pʃˌɨpɔmˈina bʲilljˈɛmu stˈarɨ kavˈawɛk amˈaziŋk rxˈɨtxm ˈatsɛs, tˈirt rˈatɛ rɔmˈantsɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_136.wav|spɔjʒˈawa mi w ˈɔtʃɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_63.wav|sˈanxɛs ɔtˈarwa wzˈɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_325.wav|a ˌɔna muvˈiwa, nˈɔ dˈɔbʒɛ, dˈɔbʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_84.wav|ʒˈɛɡw bˈardʑɔ tɕˈixɔ. uvˈaʒaʃ, ʒˈɛ tɔ bjˈɛdnɛ dʑˈɛtskɔ jɛzd z ɔɡˈarɛm?|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_23.wav|ja tˌɨlkɔ zˌaarˌanʒɔvˈawɛm spɔtkˈaɲʲɛ. ɡdˈɨbɨm tˌɛɡɔ ɲʲɛ zrˈɔbʲiw, bˈɨwbɨm jˈuʃ trˈupɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_116.wav|pˌɔstanˈavʲam za ɲˈimi pɔjˈɛxatɕ. ɲʲˈɛvʲɛm, tʃɨ mˈam ˈinnɨ vˈɨbur.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_62.wav|mɨɕlˈawam, ʒˈɛ zadˈuɕi mɲʲɛ na ɕmʲˈɛrtɕ. mˈuviw, ɕtɕˈɔŋɡaj ɡˈatki, tˈakim dʑˈivnɨm, vartʃˈɔntsɨm ɡwˈɔsɛm. bʒmʲˈaw zupˈɛwɲʲɛ jˈak ɲʲɛ ˈɔn. a pˈɔtɛm ɕɛ ˌɔbudʑˈiwam.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_18.wav|tɔ bˈɨw klˈutʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_14.wav|tʃˈɔwɛm, pɔvʲˈɛdʑaw dˈalɛ f prˈɔɡu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_227.wav|ˈɛlis ɔdvrˈatsa ɕɛ dɔ ɲʲˈɛɡɔː i jˈuʃ ɕɛ ɲʲɛ uɕmʲˈɛxa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_41.wav|ˌupwɨvˈajɔ̃ kɔlˈɛjnɛ sɛkˈundɨ, a ja vʲˈɛm, ʒˈɛ mˈɔɡwam ˈutɕɛts.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_84.wav|ɲʲɛ, mˈajk, ja ɲʲɛ kwˈamjɛ, ˌalɛ xtsˈɛ bˈɨdʑ z ɲʲˈɔ̃ sˈam na sˈam i pɔvʲˈɛdʑɛtɕ jɛj, ʒˈɛ tɔ ɲʲˈɛma sˈɛnsu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_63.wav|luˈisa prˌubɔvˈawa ɕɛ pˈɔdɲʲɛɕtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_30.wav|ˌalɛ tɔ ɲʲɛprˈavda.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_368.wav|tɔː ˌɔznatʃawˈɔbɨ vˈɔjnɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_8.wav|ʃkˈɔda, ʒˈɛ mɲʲɛ tˈam ɲʲɛ bˈɨwɔ. jˈaɡ zˌarɛaɡˈɔvaw rˈɔp?|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_85.wav|ʃˈɛɕtɕu, ʃˌɛʑdʑɛɕˈɛɲtɕu ˈalbɔ ʃˈɛɕtɕusˌɛt.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_162.wav|ˌalɛ kʲˈɛdɨ pʃˌɨjɛxˈawɛm tˈutaj, ɲˈikt ɲʲɛ ˈumjaw vɨmˈavʲatɕ mˈɛɡɔ nazvˈiska.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_70.wav|klˈutʃ xˈɔva dɔ kʲɛʃˈɛɲi rˈazɛm s tˌɛlɛfˈɔnɛm daltˈɔna i pˌɛndrivˈɛɛm s çistˈɔrjɔ̃ bɛnjˈɛɡɔ kɔmpsˈɔna.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_487.wav|plɔtkˈaʒɛm jˈak fʃˈɨstkʲɛ ɕɛrˈɔtɨ, a tjˈɛn ɲʲɛ ukrˈɨva ɲitʃˈɛɡɔ pʃɛt ɔbˈarɔ̃ i lɛjdˈɨnɛm. a ɡdˈɨbɨ ˌɔnɛ ɕɛ dˌɔvʲɛdʑˈawɨ...|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_64.wav|tˈɛraz zˌatʃɨnˈawɨ ɕɛ sxˈɔdɨ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_248.wav|sˈɛr ˈadam mˈarbrantt pʃˈɨznaw, ʒˈɛ ix kɔlˈumna mʲˈawa pɔdˈɔbnɛ kwɔpˈɔtɨ pɔ drˈɔdʑɛ s krulˈɛfskʲɛj pʃɨstˈaɲi.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_270.wav|zˈamjazd vˈina pˌɔjavˈiwa ɕɛ jˈɛdnak sˌɛptawnˈɛlla, bˈɨ, jˈak tsˈɔ ɡɔdʑˈina,|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_64.wav|mˈɨɕli, ʒˈɛbɨ tɔ zrˈɔbʲitɕ, a pˈɔtɛm vˌɨlatˈujɛ mu tɔ z ɡwˈɔvɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_58.wav|vˈɨtar ɕɛ pɔspʲˈɛʃɲʲɛ, vrˈutɕiw dɔ sɨpʲˈalɲi, kˈutsnɔw pʃɨ lˌɔuˈiɕɛ i pˌɔtsawˈɔvaw jˈɔ̃ dˌɛlikˈatɲʲɛ w ˈusta.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_86.wav|pʃˌɨɡɔtɔvˈawam jˈuʒ dla nˈas fʃˈɨstkix nˈɔvɛ tˌɔʃsamˈɔɕtɕi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_177.wav|a ix ɔt ɕˈɛbjɛ navzˈajɛm.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_68.wav|tɛn vɨɕˈiwɛɡ vɨtʃˈɛrpaw jˈɔ̃ tˈaɡ bˈardʑɔ, ʒˈɛ dɔvlˈɔkwa ɕɛ s pɔvrˈɔtɛm dɔ wˈɔʒa i pʃɛspˈawa pˈuw dɲʲˈa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_62.wav|ɔdvrˈatsam ɕɛ vʲˈɛnts i ˈidɛ f strˈɔnɛ vˌɨnajɛntˈɛɡɔ sˌamɔxˈɔdu.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_115.wav|vˈɨbatʃ, pˈaɲi.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_357.wav|zapˈɨtaw jˈaj mɲʲɛ spˌɔdʑɛvˈaɲʲɛ nˈavɛd dla samˈɛɡɔ ɕˈɛbjɛ. tɕˈɔtka pˌɔpatʃˈɨwa na ɲʲˈɛɡɔ dʑˈivɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_64.wav|ɲʲˈɛvʲɛm, tsˈɔ zˈɛmnɔ̃ bˈɛɲdʑɛ. znalˈazwɛm ɕɛ w jˈakʲɛjɕ ˌapsurdˈalnɛj sˌɨtuˈatsji.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_43.wav|tɔ zˈafʃɛ mˈɔʒna tɔ kˈupitɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_9.wav|zˈamjast tˌɛɡɔː ˌɔpsɛrvˈujɛ, ukrˈɨta f tɕˈɛɲʲu ʒˌɨvɔpwˈɔtu, jˈak pɔtxˈɔdʑi dɔ dʒvˈi frɔntˈɔvɨx.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_49.wav|rˈudɨ dubˈɔis jɛst naprˈavdɛ pʃɨstˈɔjnɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_26.wav|f tˈakim rˈaʑɛ pˈujdɛ ɕɛ pʃˈɛbratɕ i zdˈɛjmɛ tɛn kˈɔstjum. tɔ ɲʲɛ pˈɔtrfa dwˈuɡɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_28.wav|pɔzˈɔstaw mi tˌɨlkɔ jˈɛdɛn spˈɔsup na zdɔbˈɨtɕɛ tˈakʲɛj kfˈɔtɨ.|3
+Dataset/wavs/urwisko_ferenc/03_segment_142.wav|bɛɲdʑˌɛmɨ f kɔntˈaktɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_62.wav|kˈaʒdɨ ˈɔddɛɣ bˈɨw tɕɛrpʲˈɛɲʲɛm.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_143.wav|zɔstˈawɔ tˌɨlkɔ kˌilkanaɕtɕˈɔrɔ lˈudʑi zˌajmujˈɔntsɨx ɕɛ lˈɔrdɛm rɔbˈɛrtɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_61.wav|jˈɛɕli zmʲˈɛɲiw ɕɛ ˈaʃ tˈaɡ bˈardʑɔ, ʒˈɛ ɡˈɔtuv bˈɨw dvukrˈɔtɲʲɛ zˈabʲitɕ, tɔ tsˈɔ mˈɔʒɛ mi zrˈɔbʲitɕ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_23.wav|pɔlˈitsja jɛst pʃɛd brˈamɔ̃. ɡdˈɨbɨ udˈawɔ mi ɕɛ dˈɔjʑdʑ dɔː ˌintɛrkˈɔmu, mˈɔɡwabˌɨm vˈɛzvatɕ pˈɔmɔts?|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_364.wav|tʃɨ ɲʲɛ mˈɔɡlibˌɨɕmɨ ustˈavitɕ na ʒˈɛtsɛ tˈamɨ i pɔ prˈɔstu utˈɔpitɕ tˈɛ tsˈawɔ̃ bˈandɛ, kuzˈɨŋku?|1
+Dataset/wavs/urwisko_ferenc/33_segment_13.wav|ʃtʃˈɛrpski ɲʲɛ ɔdbjˈɛraw, ˌalɛ bˌɔrɛvˈitʃa tɔ ɲʲɛ zdʑivˈiwɔ. ʃˈɛv zˈafʃɛ ɔddʑvˈaɲʲaw, vˌɨstartʃˈɨwɔ pɔtʃˈɛkatɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_13.wav|xˈɨba mˈa rˈatsjɛ. bˌɨwa vˌɨjɔntkˈɔvɔ spʲˈɛnta, jˈaɡbɨ ɡrˈaɲʲɛ rˈɔli bˌɨwɔ dla ɲʲˈɛj utɕˈɛtʃkɔ̃ pʃɛd ʒˌɛtʃɨvistˈɔɕtɕɔ̃.|4
+Dataset/wavs/urwisko_ferenc/27_segment_110.wav|çˌipɛrtˈɛrmi. pɔnˈɔvɲʲɛ ɡˈɔ pˌɔpravˈiwa. vzɲʲˈus ˈɔtʃɨ. çˌipɛrtˈɛrmi, ɲʲˈɛx pˈaɲi bˈɛɲdʑɛ. ˈɔtpar i splˈutuw dwˈɔɲʲɛ na bʒˈuxu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_155.wav|na brˈuku lɛʒˈawa pˈiwka fˌudbɔlˈɔva. dʒˈɔrdʒ dʲˈinɛrʃtajn pʃˌɛbjɛɡˈajɔnts kˈɔpnɔw jˈɔ̃ vɛvnˈɛntʃnɔ̃ tʃˈɛɲɕtɕɔ̃ stˈɔpɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_164.wav|ɲʲɛ, pʃɛprˈaʃam, rˈatʃɛj xˈɨba zbliʒˈɔnɨ f sfˈɔjɛj ɡrˈɔʑɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_165.wav|i jˈɛɕli tʃˈaz dɔtɕˈɛraw dɔː ix ɕfʲˌadɔmˈɔɕtɕi, tɔ tˌɨlkɔ f pɔstˈatɕi nɔvˈɛɡɔ sˌamɔxˈɔdu, ktˌurɨ kˌupɔvˈali na dwˈuɡɔ pʃɛt kˈɔɲtsɛm rˈɔku.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_80.wav|ˈɔ, tɔ xˈɨba tɔ pɔvʲˈɛdʑaw, vɨjmˈujɔnts kˈilka sˌɛɡrɛɡatˈɔruf, pɔt tʃɨm pʃˈɛɲʲus jˈɛ na bjˈurkɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_301.wav|mˈɔʒɛ...|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_24.wav|nɔʒˈɔvɲik prubˈɔvaw ɔdʑˈɨskatɕ rˌuvnɔvˈaɡɛ i ɲʲɛ spɔdʑˈɛvaw ɕɛ atˈaku, vʲˈɛnts spˌɔtɨkˈajɔnts ɕɛ, vˈɨpad na kɔrˈɨtaʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_195.wav|tˌɛmpɛratˈura vˈɔdɨ ɲʲɛ pʃɛkrˈɔtʃɨ zˈɛra, dɔpˈuki ɲʲɛ rɔspˈuɕtɕi ɕɛ ɔstˈatɲʲa kˈɔstka lˈɔdu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_19.wav|ɲʲɛ pʲˈɛrʃɨ rˈas ɕtɕˈiska dwˈɔɲ ɲˈitska i zˈafʃɛ rˈɔbʲi tɔ ɲʲɛxˈɛntɲʲɛ, bˈɔ ɲˈitsk jɛzd zwˈɨm tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_93.wav|uɕmʲˈɛxnɔw ɕɛ z ˌafɛktˈatsjɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_34.wav|prubˈujɛ spˈɔjʒɛtɕ mi w ˈɔtʃɨ, ˌalɛ ɔdvrˈatsa vzrˈɔk.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_314.wav|ɔnˈalbɔ tˈɔrɔs|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_309.wav|xˈarɨ dʑˈɛdʑits? pˌɔdɔpʲˈɛtʃnɨ lˈadɨ vˌainvˈɔɔt, xˈarɔlt xˈardʲiŋk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_101.wav|ɲʲɛvʲˈɛlɛ zabrˈakwɔ, bˈɨ pˈɔʃɛd na pˈɛarsɔn strˈit f pɛrˈutsɛ, kˈurttsɛ z lˈɔɡɔ rˈɔlliŋk stɔnˈɛsuf i pʲɛpʃˈɔnɨx, bufjˈastɨx spˈɔdɲʲax.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_60.wav|tˈɔm pʃˈɨjʒaw ɕɛ blˈiʒɛj mˈartɕɛ. w jɛj ˈɔtʃax...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_41.wav|vˌɨtɕɔŋɡnˈɔwɛm dwˈɔɲʲɛ, ʒˈɛbɨ jˈɔ̃ dˈɔtknɔɲtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_126.wav|zazvˈɨtʃaj tˈak, ˈalɛ...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_60.wav|— ɲʲˈɛpatʃ nˈamɲʲɛ tˈak, jˈaɡbɨɕ ɲʲɛ vʲɛdʑˈawa, ɔ tʃɨm mˈuvjɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_259.wav|ʒˈɛ ɲʲɛ umjˈɛtɕɛ ɕɛ kˈɔxatɕ, ˌalɛ pɛvnˈɛɡɔ dɲʲˈa|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_18.wav|w zvʲˈɔ̃sku s xˌaraktˈɛrɛm zaʒˈutuv vˈɔbɛts pˈaɲi partnˈɛra musˈimɨ zˈabratɕ mˈili, ʒˈɛbɨ zˈadatɕ jɛj kˈilka pˈɨtaɲ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_204.wav|pˈɔtɛm ˈɛliz zmˈɨva mˈiskɛ i kwˈadʑɛ jˈɔ̃ na suʃˈartsɛ.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_266.wav|vʲˈɛntsɛj bˈɨwbɨ vˈard ʒˈɨvɨ.|1
+Dataset/wavs/urwisko_ferenc/58_segment_2.wav|bˌɨliɕmˌɨ ˌumuvʲˈɛɲi na puwtˈɔrɛj stˈufki, ɲʲɛ? ʒˈutɕiw lˈipski, a mwˈɔdɨ skˈinɔw ɡwˈɔvɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_61.wav|ˈilɛ zˌuʒɨjˈɛmɨ dɔ tˌɛɡɔ panˈɛli?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_419.wav|i pˈɔtɛm ˌɔnɛ pˌɔjɛxˈawɨ na sɨbˈɛrjɛ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_129.wav|kʲˈɛdɨ zˌakradˈawa ɕɛ s pɔvrˈɔtɛm dɔ ɕfʲɔntˈɨɲi na vzɡˈuʒu w nˈɔts nˈɔvju kɕɛ̃ʒˈɨtsa, mˈiwɨ starˈuʃɛɡ zˈafʃɛ nˈaɲʲɔ̃ tʃˈɛkaw.|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_103.wav|mˈa pɔdbʲˈitɛ ˈɔkɔ, jˈak tfʲˈɛrdʑi lˈɛkaʃ, krfʲˈaka na pɔlˈitʃku, dvˈa stwutʃˈɔnɛ ʒˈɛbra i fstʃɔ̃ɕɲʲˈɛɲʲɛ mˈuzɡu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_197.wav|i tʃɨ ˈɔn, tˈɛnʒɛ zabˈujtsa, tˈɛraz zabʲˈijɛ ɲˈika mˌadʒɛrjˈana?|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_5.wav|ˌɔbudʑˈiwam ɕɛ?|4
+Dataset/wavs/urwisko_ferenc/09_segment_117.wav|a pˈɔtɛm ɔlɡʲˈɛrda.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_183.wav|na stɔlˈiku, ˌɔbɔk jɛj wˈɔktɕa,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_82.wav|prˌatsɔvˈawam jˈuʒ dla tsˌamɛrˈɔna i xˈɔtɕ ʃtʃˈɛʒɛ ɡˈɔ ɲʲɛ znɔɕˈiwam, ɛmˈɔtsjɛ zvʲɔ̃zˈanɛ s kasˈɨnɛm zatʃˈɛwɨ pʃɛɲˈikadʑ dɔ mɔjˈɛɡɔ krfʲɔbjˈɛɡu.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_123.wav|dˌɛpɔrtɔvˈanɨ dɔ xɔŋkkˈɔŋɡu bˈɛs stavʲˈaɲʲa zaʒˈutuf. a tsˈɔ dɔ pˈana ˌalvarˈɛza, musˈimɨ zɡrɔbjˈɛɲitɕ matˈɛrjaw dˌɔvɔdˈɔvɨ dla sˈɔndu vɨ...|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_192.wav|jˈak jˈɛdnak mˈɔɡwa ɕɛ uvˈɔlɲitɕ ɔt tsˈurki, ɲʲɛ trˈatsɔnts jˌɛdnɔtʃˈɛɕɲʲɛ ˈɔjtsa?|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_318.wav|pˈɔtɛm sprˌubɔvˈawa ʃtʃˈɛɲɕtɕa s tʲimˈɔtɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_250.wav|dlatʃˈɛɡɔ mʲˈawbɨɕ rɔzˈumjɛtɕ mɲʲɛ, kʲˈɛdɨ ja sˈam ɲʲɛ rɔzˈumjɛm ɕˈɛbjɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_130.wav|pˈɛvɲʲɛ jˈuʒ vʲˈɛtɕɛ, ʒˈɛ spˌɔtɨkˈawa ɕɛ s piwkˈaʒɛm. bˈɨw pravdʑˈivɨm fjˈutɛm i jˈɛn ˈɔtɨm vʲɛdʑˈawa, ˈalɛ...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_560.wav|zrɔbjˈɔnɔ vʲˌarɨɡˈɔdnɛ badˈaɲʲa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_23.wav|mˈɔʒɛ pʃɨtʃˈɨnɔ̃ jɛj ˌantɨpˈatji bˌɨwa tˈɛʃ rɔzmˈɔva mʲˌɛndʑɨ ɲʲˈɔ̃ a arˈamɛm, ktˌurɔ̃ pˌɔtswuxˈawam kˈilka tɨɡˈɔdɲi tˈɛmu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_9.wav|pʃˈɛz dwˈuɡʲi tʃˈaz vʲɛʒˈɨwam, ʒˈɛ ˈaram swˈuʃɲʲɛ ʒˈɔndaw tˈɛɡɔ, tsˈɔ nazˈɨvaw ruvnˈɔɕtɕɔ̃, a ktˌurɔ̃ tˈɛras uvˈaʒam za tsˈɔɕ kɔmplˈɛtɲʲɛ innˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_168.wav|zˌatɕisnˈɛwam kurtʃˈɔvɔ rˈɛntsɛ na ɔpˈartɕu tˈɨlnɛj kanˈapɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_111.wav|pʃɨnˈajmɲʲɛj tˈakix, jˈakʲɛ vˌɨkratʃˈawɨbˌɨ pˈɔza trˈɔski pʃˌɛtɕɛntnˈɛɡɔ tʃwɔvʲˈɛka.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_131.wav|tʃɨ zamjˈɛʒaʃ jˈɔ̃ zaɕpʲˈɛvatɕ na mɛlˈɔdjɛ dˈɛʃtʃuf tsastˈamɛr?|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_8.wav|ˌalɛ tɨm rˈazɛm bˌɨwɔ dˈɔɕtɕ skrˈɔmɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_116.wav|tsˈɔ mu zrɔbʲˈiliɕtɕˌɛ?|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_63.wav|zˈafɔ tɔ ɲʲˌɛsamɔvˈitɨ matˈɛrjaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_58.wav|mˈɔʒɛ nˈavɛt fʃˈɨstsɨ.|2
+Dataset/wavs/urwisko_ferenc/33_segment_17.wav|w ɲʲˈɛtsɔː ˌuxɨlˈɔnɨɣ dʒvʲˈax pɔjˈaviw ɕɛ vˌɨtatˌuɔvˈanɨ kˈark w ɔptɕˈiswɨɣ bɔksˈɛrkax.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_428.wav|lˈudʑɛ pʃɨzvˈali jˈɔ̃ dwˈuɡɔ̃ dʒˈɛjn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_91.wav|a, tˈɛraz bˌɛɲdʑɛ nˌajfajɲʲˈɛjʃɛ, mˈuvi ɲitsktˈɔnɛm dʑˈɛtska, ktˌurɛ swˈuxa ˌulubjˈɔnɛj bˈajki na dɔbrˈanɔts. i bʲˈillɨ mˈa vraʒˈɛɲʲɛ, ʒˈɛ ɲʲɛ pʃɛsˈadʑa ˌaɲi ɲʲɛ udˈajɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_61.wav|fʃˈɨstsɨ tʃujˈɛmɨ, ʒˈɛ ʒɨjˈɛmɨ tˈutaj s tʃˈɨjɛjʑ dˈɔbrɛj vˈɔli.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_12.wav|ɲʲɛ mˈɔɡwam ɕɛ pʃˈɨznatɕ, ˌalɛ ˌɔdbjɛrˈawam tɔ fʃˈɨstkɔ jˈaɡ vɨrvˈaɲʲɛ ɕɛ na vˈɔlnɔɕtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_65.wav|jˌɛstɛm pˈɛvna, ʒˈɛ ˈɛliz bˈɨ mɲʲɛ ɲʲɛ rˌɔspɔznˈawa, nˈavɛd ɡdˈɨbɨm fpˈadwa nˈaɲʲɔ̃ na ulˈitsɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_56.wav|ˌɔna ɲʲɛ mˈɔʒɛ tˌɛɡɔ zɔbˈatʃɨtɕ. tsˈɔfam ɕɛ ɔ krˈɔk i ɔpʲˈɛram ɔklˈamkɛ dʒvˈi kuxˈɛnnɨx.|4
+Dataset/wavs/urwisko_ferenc/42_segment_39.wav|pˈuɕtɕiw jɛj vˈɛntkɛ. mʲˈaw nadʑˈɛjɛ, ʒˈɛ trˈasa z vʒˈɔsuv dɔ kaʃtʃˈɔrka zˈajmʲɛ im ɲʲɛspˈɛwna dvadʑˈɛɕtɕa mˈinut.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_176.wav|ɲʲɛktˌuʒɨ turˈɨɕtɕi zˌatʃɨmˈali ɕɛ tˈam, ˌalɛ vʲˈɛŋkʃɔɕtɕ skʲˌɛrɔvˈawa krˈɔki f strˈɔnɛ xˈali vˌidɔkˈɔvɛj.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_37.wav|pɔ mˈurax xɔdʑˈili ʒalˈaʑɲi lˈudʑɛ z vwutʃɲʲˈami i tˌɔpɔrˈami, a tˈaɡʒɛ ɡrˈupa kˈundli ɛwrˈɔna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_68.wav|dlatʃˈɛɡɔ tɔ pˈaɲi zrɔbʲˈiwa?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_81.wav|pˌɔtʃɛbˈujɛ trˈɔxɛ tʃˈasu, ʒˈɛbɨ ɕɛ zˌaaklˌimatɨzˈɔvatɕ. tɔ fʃˈɨstkɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_50.wav|fʃˈɨstsɨ w mʲˈɛɕtɕɛ ˈumrɔ̃, jɛʒˈɛli ɲʲɛ ˌɔpanˈujɛ sˌɨtuˈatsji.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_146.wav|w bˈaɲtsɛ ɔldrˈina jɛst pˈɛwnɔ burdˈɛli. ˌɛkskluzˈɨvnɛ, z ɲˈiʃtʃɛj pˈuwki, tsɔkˈɔlvʲɛɡ zˈɛxtsɛʃ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_248.wav|ˌalɛ lˈɛpʲɛj ˈumʒɛtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_30.wav|nˈɔ, ˌalɛ fʃˈɨstkɔ pɔ kɔlˈɛi.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_180.wav|pˈɔtɛm vrˈaz z dalˈɛɛm vˈɛʃwam dɔ ɕlˈuzɨ s tˈɨwu kabʲˈinɨ wazˈika i fspˈulɲʲɛ zˌawɔʒˈɨliɕmˌɨ drˈuɡɔ̃ ˈɔbrɛntʃ na mʲˈɛjstsɛ.|4
+Dataset/wavs/urwisko_ferenc/12_segment_57.wav|jˈɛdna tɔ ta ˌɔtʃɨvˈista, tʃˈɨli ɲʲˌɛznajˈɔma.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_22.wav|ˌɔbavʲˈawam ɕɛ, ʒˈɛ vɨtʃˈujɛ ɛmˈɔtsjɛ, ktˌurɛ vɨvˈɔwaw vˈɛmɲʲɛ pɔrˈannɨ prˈɔɡram w rˈadju.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_185.wav|zmuɕˈili jˈɔ̃ dɔ tˈɛɡɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_63.wav|pˈɔɲim mˈam ˈinnɨx kljˈɛntuf.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_188.wav|frɛjˈɔvʲɛ sprˌɔvadʑˈajɔ̃ prˈɔvʲant i pˈaʃɛ z bliʑɲʲˈakuf, ˌalɛ sˈɛr rɛˈiman tfʲˈɛrdʑi, ʒˈɛ mˈa iɣ za mˈawɔ, bˈɨ pɔdʑˈɛlitɕ ɕɛ z nˈami.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_132.wav|ɲʲɛ, pɔvʲˈɛdʑaw spʃˌɛdajˈɔntsɨ. spʃɛdˈawɛm fʃˈɨstkʲɛ xˌamburɡˈɛrɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_98.wav|ɔpˈarwam ɕɛ ɔ ɕtɕˈanɛ i vɨjʒˈawam pʃˈɛs ɔkʲˈɛŋkɔ s tˈɨwu kabʲˈinɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_189.wav|jˈɛdɛn ˌidɛˈalnɨ ˈɔttɕizɡ bˈuta mˈuɡwbɨ uwˈatfitɕ im ʒˈɨtɕɛ, ˌalɛ sprˈavɨ ʒˈatkɔ mʲɛvˈawɨ ɕɛ tˈaɡ dˈɔbʒɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_58.wav|jˈuʃ tˈɛras jɛj ɲʲɛ vidʑˈawɛm. swɨʃˈawɛm tˌɨlkɔ wˈɔskɔt jɛj ˈalbɔ mˈɔjɛj krfˈi.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_158.wav|jˈɛʃtʃɛ vʲˈɛntsɛj zɲˈiʃtʃɛɲ.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_39.wav|vˈarɡɔ xˈɔtx|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_158.wav|mˈɨɕli, ʒˈɛ mˈam sɛkrˈɛtnɔ̃ prˈatsɛ i zbjˈɛram pʲɛɲʲˈɔndʑɛ na dˈuʒɔ̃ ɲʲˌɛspɔdʑˈaŋkɛ dla tɕˈɛbjɛ. xˈaxa!|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_180.wav|tɔ tˌɨlkɔ drˈɔbnɨ kˈɔ̃sɛk, ɲˈidʑ vʲˈɛntsɛj. ˌalɛ ɲˈim zapˈadɲʲɛ nˈɔts...|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_84.wav|ɡdʑˈɛ ɔn jˈɛst? pˈɨta bʲˈillɨ. ktˈɔ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_145.wav|pˌɔtʃɔ̃snˈɛliɕmˌɨ zwˌɔntʃɔnˈɨmi dwˈɔɲmi i vˌɨprɔstɔvˈaliɕmˌɨ ɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_150.wav|kˈɔja dɔtknˈɛwa sˈama mʲˌɛndʑɨ nɔɡˈami.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_223.wav|ˈɔtpar kˈapwan. i bˈuk jɛzd zˈɛmnɔ̃. stˈɔi za mnˈɔ̃ pɔtˈɛŋɡa mˈɔʒa.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_42.wav|pˌɔswuxˈajtɕɛ, ɔdˈɛzvaw ɕɛ. w vɨtfˈurɲi ʃkwˈa vˈɨbux pˈɔʒar, ktˌurɨ vɨpˈaliw tsˈawɨ tlˈɛn f pˌɔmjɛʃtʃˈɛɲʲu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_134.wav|krˌɛmpɔvˈawɛm ɕɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_41.wav|— xˈɛntɲʲɛ zjˈadwbɨm jˈɛʃtʃɛ ˌɔdrɔbʲˈinɛ tɨx tfˈɔiɣ ʑɛmɲʲˈakuf, jˈɔɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_11.wav|vʲɛdʑˈawɛm, tsˈɔ mˈuʃɛ tˈɛraz zrˈɔbʲitɕ, ˌalɛ fpʲˈɛrf pɔdˈɛʃwɛm dɔ tsˈasɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_19.wav|fˈil sˈama mˈa kwɔpˈɔtɨ z ˌalkɔxˈɔlɛm ˈalbɔ bˌɛɲdʑɛ mʲˈawa w najblˈiʃʃɛj pʃɨʃwˈɔɕtɕi.|2
+Dataset/wavs/urwisko_ferenc/46_segment_99.wav|kwˈamjɛʃ. tsˈɔɕ tˈu ɲʲɛ ɡrˈa.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_17.wav|pɔvˈinɲi zˈɔstatɕ pˌɔddanˈɨmi ˈalbɔ mɔrskˈimi ʒɔnˈami.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_170.wav|f sˌamɔlˈɔtɕɛ pˈipɛr bˈɨw xwˈɔpaɡ z dʑɛftʃˈɨnɔ̃, pɔvʲˈɛdʑaw rˈɨan. vʲˈɛm.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_18.wav|rˌɔzmavʲˈawaɕ s krulˈɔvɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_114.wav|ɲʲˈɛma w mˈɔim ʒˈɨtɕu mʲˈɛjstsa dla tɕˈɛbjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_235.wav|dʑˈɛɕɛɲtɕ nabˈɔjuf w mˌaɡazˈɨŋku plˈus jˈɛdɛn w lˈufjɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_57.wav|z vʲˈɛŋkʃɨm prˌavdɔpˌɔdɔbjˈɛɲstfɛm pɔʒˈɨtʃɛ...|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_199.wav|ɡdʑˈɛ jɛst pˈaɲski samˈɔxut?|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_147.wav|ˌɔpɔvʲˈɛdʑaw mi tsˈawɔ̃ çistˈɔrjɛ, kʲˈɛdɨ ɕɛ spɔtkˈaliɕmˌɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_156.wav|utɕˈɛkwɛm dɔː ix pɔkˈɔju, mˈuvi bʲˈillɨ i pˈiʃɛ dˈalɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_51.wav|f pˈɛvnɨm sˈɛnɕɛ tɔ trˈɔxɛ tˈak, jˈaɡ zˈɛ spuʃtʃˈɛɲʲɛm vˈɔdɨ pʃˈɛs ˌupadˌajɔntsˈɛɡɔ ɕmʲɛrtˈɛlɲʲɛ rannˈɛɡɔː ˌɛdʲisˈɔna.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_243.wav|jˈɛɕli dɔ mɲʲɛ stʃˈɛliʃ...|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_50.wav|maʒ dla mɲʲɛ jˈɛʃtʃɛ jˈakʲɛɕ rˈadɨ, tˈatɔ?|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_86.wav|ˈɔtpar vʲˈɛlki sˈɛptɔn.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_57.wav|— tˈu nˈajn rˈɔmjɔ — pɔvʲˈɛdʑaw. — ɲʲɛ bˌɛɲdʑɛʃ mʲˈaw kwɔpˈɔtu s tˈɨm, çirˈɔki. jɛst ˌidɛntˈɨtʃnɨ jˈak tˈɛn, na ktˌurɨm ɲʲˌɛlɛɡˈalɲʲɛ ˈutʃɨʃ rɨˈana.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_25.wav|na pɔdjˈɛʑdʑɛ stˈɔi samˈɔxut. mˈawa tɔjˈɔta, z vɨɡlˈɔndu kˌilkulˈɛtɲʲa, xˈɔtɕaʃ s tˌɔjɔtˈami ɲˈiɡdɨ ɲˈits ɲʲɛ vʲadˈɔmɔ.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_203.wav|dlatʃˈɛɡɔ vɨʒˈɛkwɛɕ ɕɛ rɨtsˈɛrstfa?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_97.wav|ɲʲɛ mˈɔɡɛ tˌɛɡɔ zrˈɔbʲitɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_9.wav|vwˈasnɨx puʃtʃˈaɲskiɣ vʲˈatruf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_140.wav|tɨm rˈazɛm rɔzdʑvˈɔɲiw ɕɛ tɛlˈɛfɔn tˈɔma.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_382.wav|f tˈakim rˈaʑɛ musˈimɨ ɕɛ mˈɔdlidʑ za bjɛdˈatstfɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_48.wav|tˌɨlkɔ tɔː iɣ zˈɛ sˈɔbɔ̃ wɔntʃˈɨwɔ. ɲʲɛ stʃɛlˈawɛʑ dɔ duxˈɔvnɨx lɛkˈaʒɨ tʃɨ tˈɨx, tsˈɔ pʃˌɛprɔvadʑˈajɔ̃ dʑˈɛtɕi pʃˈɛs ulˈitsɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_115.wav|tɔ dʑvʲˈɛŋk, jˈaki vɨdˈajɛ mˈatka na vˈidɔk ɲʲˌɛpʃɨtɔmnˈɛɡɔ, mˈɔʒɛ ˌumjɛrˌajɔntsˈɛɡɔ sˈɨna, tʃɨ nˈavɛt jˈuʃ martfˈɛɡɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_249.wav|mʲˈɛjmɨ tɔ za sˈɔbɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_139.wav|a rˈamjɛ jɛj, na ktˌurɨm pɔwˈɔʒɨw sfˈɔjɔ̃ tɕˈɛ̃ʃkɔ̃, tʃˈarnɔ̃ ɔt smˈaruf rˈɛŋkɛ,|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_96.wav|i tsˈɔ ɕɛ z ɲˈim stˈawɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_101.wav|tsˈɔ tɔ vwaɕtɕˈivʲɛ mˈa bˈɨtɕ, pˈaɲʲɛ pˌɔtpuwkɔvɲˈiku?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_18.wav|fʃˈɨstsɨ pˌɔtʃɛbɔvˈaliɕmˌɨ rˌɔdʑinnˈɛɡɔ pʃˌɨtulˈɛɲʲa, tʃˈɛɡɔɕ, tsˈɔ zdaʒˈawɔ ɕɛ tsˈɔraz ʒˈadʑɛj w ɔstˈatɲix kˈilku tɨɡˈɔdɲʲax.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_156.wav|pˌɔtʃɛbujˈɛmɨ ɡˈɔ.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_92.wav|tsˈɔ mˈam z ɲʲˈɔ̃ zrˈɔbʲitɕ?|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_203.wav|kapwˈaɲi i ˌakɔlˈitɕi zjˈɛdli jˈuʃ kɔlˈatsjɛ, ˌalɛ kuxˈarka zˌɔstavˈiwa dla ɲʲˈɛj wˈadnɨ kavˈawɛk smˌaʒɔnˈɛɡɔ dˈɔrʃa z ʒuwtˈɨmi, twˌutʃɔnˈɨmi ʒɛpˈami.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_32.wav|tʃɨ vˈɨʃwam, tʃɨ ɲʲɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_8.wav|bˈɛtskɨ vrutɕˈiwa z urlˈɔpu mˌatɕɛʒɨɲskʲˈɛɡɔː i xˈɔtɕ trˈudnɔ bˌɨwɔ jɛj zɔstˈavidʑ dʑˈɛtskɔ w dˈɔmu, vɨrˈaʑɲʲɛ pˌɔdɛkstsˌɨtɔvˈawa ɕɛ na mˈɨɕl ɔ nˈɔvɛj sprˈavʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_11.wav|kɔlˈɛjna kɕˈɔ̃ʃka dˌɔruvnujˈɔntsa ˌɔbjɛntˈɔɕtɕɔ̃ tˈɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_84.wav|tsˈuʃ, pʃˌɨjɛxˈawɛm tˌɨlkɔː ɔ tʃˈɨmɕ upʃˈɛdʑitɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_16.wav|pˈɔtɛm nˌavʲɔ̃zˈali kˈɔntaɡd z ˌɛksplɔrˌatɔrˈami. ɲʲˈɛznam dɔkwˈadɲʲɛ pʃɛbjˈɛɡu rɔzmˈɔvɨ, ˌalɛ pʃɨpˈuʃtʃam, ʒˈɛ muɕˈawa vɨɡlˈɔndatɕ mɲʲˈɛj vʲˈɛntsɛj tˈak.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_47.wav|prˈɔʃɛ bˈɔʒɛ, ɲʲɛ pˈɔzvul mu tˈɛndɨ pʃˈɛjɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_311.wav|sɛrwˈɔftsa mˈuɕi ɕɛ naˈutʃɨdʑ brˈɔɲitɕ sfˈɨx prˈaf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_449.wav|na tˈɛ xfˈilɛ ˌɛɡzɨstˈɛntsji ɲʲɛ vʲadˈɔmɔ ɡdʑˈɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_152.wav|jˈaɡbɨm stɔtʃˈɨwa vˈalkɛ bɔksˈɛrskɔ̃?|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_345.wav|pˈɔla, na ktˌurɨx pɔvˈinna dɔjʒˈɛvatɕ jɛɕˈɛnna pʃɛɲˈitsa, zarˈɔswɨ xfˈastɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_54.wav|tɔ bˌɨwɔ vʲˈɛntsɛj ɲˈiʃ f pɔʒˈɔntku, ˌalɛ tˈɔm ɲʲˈɛxtɕaw tˌɛɡɔ pʃˈɨznatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_61.wav|tɛlˈɛfɔn dɔ mˈɛ̃ʒa mʲˈaw na tsˈɛlu spravdʑˈɛɲʲɛ, tʃɨ ɲʲɛ vɨbjˈɛra ɕɛ dɔ dˈɔmu w najblˈiʃʃɨm tʃˈaɕɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_5.wav|ɲʲɛktˌurɛ spˌɔtʃɨvˈawɨ na ɕɛdʑˈɛɲʲax, ˈinnɛ pʲɛntʃˈɨwɨ ɕɛ na pɔdwˈɔdʑɛ f pʃˈɛjɕtɕu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_187.wav|pˈɔtɛm ɕˈada na wˈuʃku i tʃˈɨta artˈɨkuw. jɛst krˈutki.|2
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_88.wav|xɔlˈɛra jˈasna! kʃɨknˈɛwam na ɲʲˈɛɡɔ. pʃɛstˈaɲʲɛʃ rɔstʃˈulatɕ ɕɛ nat sˈɔbɔ̃, kʲˈɛdɨ mɲʲɛ tˈu mɔrdˈujɔ̃?|4
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_75.wav|ʃtʃˈɛʒɛ mˈuvʲɔnts, ɲʲɛ jˌɛstɛm zˌaxfɨtsˈɔna tɨm pɔmˈɨswɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_191.wav|tˌaki mɛxˈaɲizm skwˈadaw ɕɛ zˈɛ stalˈɔvɛj rˌɔfkɔvˈanɛj ɡwɔvˈitsɨ i zvɨkwˈɛɡɔ kʃɛmjˈɛɲʲa na kˈɔɲtsu sprˌɛ̃ʒɨnˌujɔntsˈɛɡɔː uxfˈɨtu f kʃtˈawtɕɛ dˈuʒɛj aɡrˈafki.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_88.wav|smɔknˈɛwa f swuxˈafkɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_88.wav|vˈidʑiʃ, tsˈɔɕ pˈiʃɛ, tˈakɔ̃ jˈaɡbɨ ˌawtɔbjɔɡrˈafjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_11.wav|pɔ ɕmʲˈɛrtɕi tsˈasɛj zatʃˈɛwa dˈuʒɔ pˈitɕ, ɡwˈuvɲʲɛ w dˈɔmu, ˌalɛ tʃˈasɛm xɔdʑˈiwa dɔ bˈaruf i pʃˌɨprɔvadʑˈawa fatsˈɛtuf.|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_9.wav|ˌɔɲi ɲʲɛ sɔ̃ mˈartfi. ˌɔɲi ɲʲɛ sɔ̃ mˈartfi. ˌɔɲi ɲʲɛ sɔ̃ mˈartfi, pˌɔftaʒˈawam w mˈɨɕlax jˈak mˈantrɛ, ʒˈɛbɨ ɲʲɛ pˈɔpaɕtɕ w ˈɔbwɛnt.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_139.wav|kʲˈɛdɨ bɛɲdʑˌɛmɨ na parkˈiŋɡu, stˈanɛ jˈak najblˈiʒɛj mawˈɛɡɔ bjawˈɛɡɔ fˈɔrta. jɛst tfˈuj. mˈuɕiʃ tˌɨlkɔ dɔ ɲʲˈɛɡɔ fɕˈɔ̃ɕtɕ i ɔdjˈɛxatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_80.wav|pˌɔstanɔvˈiwam vˌɨkɔʒˈɨstatɕ ˈinnɨ plˈan.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_350.wav|ɕɛrˈɔtɨ sɔ̃ vɔlnˈɨmi duxˈami, ʒˈɨjɔ̃ pˈɔtɔ, bˈɨ vɛndrˈɔvatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_140.wav|ˌidɛntˈɨtʃnɛ s tˌɨmi na drˈuɡʲim kˈɔɲtsu i ɡɔtˈɔvɛ zatʃˈasnɔɲtɕ ɕɛ ʃtʃˈɛlɲʲɛ w rˈaʑɛ spˈatku tɕiɕɲʲˈɛɲʲa f tunˈɛlu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_205.wav|kʲˈɛdɨ vrˈatsa dɔ sˌamɔxˈɔdu, pwˈatʃɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_29.wav|pɔstˈavitɕ mu dˈɔbrɨ ˈɔbjat?|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_305.wav|tˈak jˈaɡ zrɔbʲˈili tɔ na krfˈavɨɣ ɡˈɔdax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_25.wav|ˌalɛ jɛst mi ɲʲɛzvˈɨklɛ trˈudnɔː uvʲˈɛʒɨtɕ f tɔ, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_134.wav|maʃ tˈakɔ̃ nadʑˈɛjɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_43.wav|mˈuvi f kˈɔɲtsu i ɕɛ uɕmʲˈɛxa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_323.wav|fʃˈɨstsɨ fʃˈɨstkɔ mˈɨlɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_8.wav|musˈimɨ vˌɨkɔʒˈɨstadʑ vʲˈɛdʑɛ, ktˌurɔ̃ zɡrɔmˈadʑiw rˈɔp f tɕˈɔŋɡu ɔstˈatɲʲɛj dˈɔbɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_22.wav|nazˈɨvam ɕɛ jˈudɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_30.wav|ɲʲɛ zˌadʑvɔɲˈiwam dɔː ˈaʃa, ʒˈɛbɨ zapˈɨtadʑ ɡˈɔː ɔ zdjˈɛɲtɕɛ na tʲindˈɛʒɛ i pˈuʑɲʲɛj rˈuvɲʲɛʃ ˈɔtɨm ɲʲɛ fspɔmɲʲˈawam.|4
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_11.wav|ɔstˈatɲʲɔ ɲʲɛ dʑˈawɔ ɕɛ najlˈɛpʲɛj.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_166.wav|jˈɛɕli mˌɛistˈajrɛl ɲʲɛ ɔdvˈaʒɨ ɕɛ nˈavɛt pʃɨpˈuɕtɕitɕ ʃtˈurmu na kˈɔɲʲɛdʑ bˈuʒɨ, tɔ vɨdˈajɛ tɕˈi ɕɛ, ʒˈɛ ɕmʲˈɛ zˈadʒɛdʑ z bɔɡˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_77.wav|ˌupɛvɲˈijmɨ ɕɛ, ʒˈɛ zˌɔstaɲʲˈɛmɨ pˌɔinfˌɔrmɔvˈaɲi, jˈɛɕli ɕɛ zjˈavi wˈɛ fˈirmʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_19.wav|ˌɔtpɔvʲɛdʑˈawa stˈarʃa kɔbjˈɛta. pʃɨɕˈɛŋɡa, ʒˈɛ bˈɨw najvˈɨʒɛj pˈuw dɲʲˈa za ɲˈimi, ɡdˈɨ zɲiknˈɛli na pʃɛsmˈɨku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_112.wav|jɛj ɕˈiɲtsɛ ˌɔttɕinˈajɔ̃ ɕɛ na tlˈɛ bjˈawɛj skˈurɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_113.wav|zˈaras.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_225.wav|ftsˈalɛ ɲʲˈɛxtsɛ ɕɛ pʃˌɛkɔnˈɨvatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_99.wav|nˈɔs tɕi krfˈavi, ˌalɛ ɲʲɛ jɛzd zwamˈanɨ. jˈɛɕli xtsˈɛʃ, ʒˈɛbɨ tˈaɡ zɔstˈawɔ, zwˈɔntʃ rˈɛntsɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_222.wav|jɛʒˈɛli ɲʲɛ rɔzˈumjɛʃ, dlatʃˈɛɡɔ musˈimɨ tɔ zrˈɔbʲitɕ, stˈaɲ f kˈɔɲtɕɛ i zatʃˈɛkaj, ˈaʃ tɔ dɔ tɕˈɛbjɛ dˈɔtʃɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_113.wav|zvwˈaʃtʃa w ɲʲɛdʑˈɛlɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_153.wav|ˌintɛrɛsˈujɔ̃ jˈɔ̃ ɡwˈuvɲʲɛ lˈudʑɛ, zvwˈaʃtʃa rˈɔɲi, ɡlˈɛnn.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_116.wav|ɡdʑˈɛ jɛst pˌɔɡʒɛbˈanɨ?|1
+Dataset/wavs/urwisko_ferenc/53_segment_44.wav|tʃɨ mˈɔʒɛ brˈatɕ na ɕˈɛbjɛ vʲˈɛŋkʃɔɕtɕ ˌɔbɔvʲˈɔ̃skuf?|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_131.wav|ɡʲˈɔrɡjɔ pɔvʲˈɛdʑaw, ʒˈɛ tsˈɛlɛm tɨm rˈazɛm jɛst ɲʲˌɛzalˈɛʒnɨ tfˈurtsa pɔrnˈɔsuf nazvˈiskʲɛm tsˈarl prˈilbɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_129.wav|ɲˈikt tɨm rˈazɛm ɲʲɛ pʃˌɛpwukˈujɛ ˈuzd brˈɛndɨ, tˌɨlkɔː ɔt rˈazu pʃɛwˈɨka. kʃtˈuɕi ɕɛ, ˌalɛ kˈaʃɛl zˈaras pʃɛxˈɔdʑi w ɕmʲˈɛx.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_106.wav|mʲˈaw ʃtʃˈɛrɔ̃ nadʑˈɛjɛ, ʒˈɛ tɔ jɛst tɔ, ɔ tʃɨm mˈɨɕlaw. tˈɛras pˌɔtʃɛbɔvˈali jˈuʃ tˌɨlkɔ jˈumbɔ, ktˌurɨ sprˈavdʑi ɕlˈadɨ ˈɔpɔn.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_156.wav|dʑˈɛŋki.|3
+Dataset/wavs/urwisko_ferenc/63_segment_34.wav|pˌɔlitsjˈantka ɲʲɛ kˌɔjaʒˈɨwa tˌɛɡɔ nazvˈiska. jˈɛʃtʃɛ jˈɛdnɔː ˌɔdɛzvˈawa ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_78.wav|ɡdˈɨ viktˈarjɔn fʃˈɛd dɔ kɔmnˈatɨ,|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_130.wav|ˌɔna mˈa matˈɔvɔ̃ tsˈurkɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_130.wav|pˈatʃɛ, jˈak kljˈɛɲtɕi fxˈɔdʑɔ̃ dɔ sˈanspɔt kafˈɛ.|2
+Dataset/wavs/urwisko_ferenc/38_segment_24.wav|mʲˈaw vraʒˈɛɲʲɛ, ʒˈɛ spɛtsjˈalɲʲɛ kɔwˈɨʃɛ bjɔdrˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_185.wav|zaxˈɔvaj tʃˈujnɔɕtɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_46.wav|mˈuviw ɔ jˈakimɕ mɛ̃ʃtʃˈɨʑɲʲɛ, ˌalɛ ʃˈɨpkɔː ˈusnɔw.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_86.wav|ˈɔtʃɨ ʃtʃɨpˈawɨ ɡˈɔː ɔt pˈɔtu, ktˌurɨ spwˈɨvaw pɔ tʃˈɔlɛ pˈɔttʃaz vˈalki.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_135.wav|i tɔ bˌɨwɔ tˈak, jˈaɡbɨ tʃˈɨmaw rˈɛŋkɛ na ɡwˈɔvʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_28.wav|ˌatmɔsfˈɛra ˌɔkazˈawa ɕɛ zdˌumjɛvajˈɔntsɔ lˈɛkka, kʲˈɛdɨ tsˈawa tʃfˈurka sɔntʃˈɨwa napˈɔjɛ w ɔɡrˈutku.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_146.wav|ˌalɛ z im vʲˈɛŋkʃɔ̃ pilnˈɔɕtɕɔ̃ stˌɔsujˈɛmɨ bʲˈitʃ, tɨm bˈardʑɛj zmʲɛɲʲˈajɔ̃ ɕɛ pʃˌɛviɲʲˈɛɲʲa sˌɛrɔsnˈɛja.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_138.wav|ɔn jɛzd ɡɛɲʲˈalnɨ. maʃ naprˈavdɛ spˈɔrɔ ʃtʃˈɛɲɕtɕa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_374.wav|a tɕˈɛɲʲɛ jˈɛʃtʃɛ bˈardʑɛj vˌɨpʲɛŋkɲʲˈawɨ jɛj tfˈaʒ z jˈakɔ̃ʑ zˌasmutsˈɔnɔ̃ tˌajɛmɲˈitsɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_216.wav|za tʃˈɛ̃stɔ jˈɛ pɔdlˈɛvaʃ? xtsˈɛʃ, ʒˈɛbɨ ɕɛ ˌutɔpˈiwɨ?|2
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_175.wav|pɔvwˈɔka kˈuli napʲˈɛwa ɕɛ i zatʃˈɛwa pˈɛŋkatɕ f pɔblˈiʒu ɔtfˈɔru.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_23.wav|ftɕˈɔ̃ʒ bˈavʲɔnts ɕɛ pˈasmɛm sfˈɨɣ vwˈɔsuf, a pɔrˈuʃɨw ɕɛ dɔpʲˈɛrɔ ftˈɛdɨ, kʲˈɛdɨ ˈandɛrsɔn zapˈaliw pˌapʲɛrˈɔsa.|0
+Dataset/wavs/urwisko_ferenc/03_segment_102.wav|xˈɛrman pˌɔkivˈawa ɡwˈɔvɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_95.wav|xˈɔtɕ nˈavɛt tˈakʲɛ ˌɔkrɛɕlˈɛɲʲɛ jɛst mɨlˈɔntsɛ, bˈɨw pˈɔtɔ, ʒˈɛbɨɕmˌɨ bˌɨli bɛspʲˈɛtʃɲi, tˈak?|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_68.wav|zapʲˈɛwam pˈasɛk, pɔ tʃɨm uɕˈadwam zˈɛ skʃˌɨʒɔvanˈɨmi nɔɡˈami i zˌavʲɔ̃zˈawam vwˈɔsɨ f kˈɔɲski ˈɔɡɔn.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_224.wav|ˌalɛ ɲʲɛ f pʃɨpˈatku ɡʲˈituf ˌartɛmizjˈaɲskix, ɔtpˈarwam.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_243.wav|tɕˈɛbjɛ tˈɛʃ lˈubjɛ sˈam.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_195.wav|ˌɔtpɔvʲˈada bˈɛs namˈɨswu. jˈadɛ s tˈɔbɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_59.wav|kˈid zɲˈikw, a tˈɔm bjˈɛɡw dˈalɛj.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_329.wav|zˌapɛvɲˈiwa dʑɛftʃˈɨna.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_66.wav|tˈak ˈɔtpar rˈudɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_49.wav|ˌalɛ vidʑˈɛliɕmˌɨ maˈilɛ, ktˌurɛ vˌɨsɨwˈawa mˈarta. mˈɔim zdˈaɲʲɛm iɣ vɨmˈɔva bˌɨwa dˈɔɕtɕ ˌɔtʃɨvˈista, ɲʲɛ sˈɔɲdʑiʃ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_255.wav|zˌapisˈujɛ ɕɛ f çistˈɔrji krˈaju zdrˈajtsɔ̃, rˌɛnɛɡˈatɛm, sɨmbˈɔlɛm xˈaɲbɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_325.wav|ˈɔtɨm, ʒˈɛ ktˈɔɕ mʲˈaw kˈumpla, ktˌurɨ ʃˈɛt pɔ jˈɛɡɔ strˈɔɲʲɛ ˈaʒ dɔ ɲʲˈɛba.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_470.wav|i mˈam pˈɔtɛm fʃˈɨstkʲɛ prˈava i kˈaʒdɨ lˈɛkaʃ ˌɛfˌaˈa pˈɔvʲɛ tɕˈi, ʒˈɛ instrˈuktɔr, kturˌɛɡɔ tʃˈɛx ˈutʃɲʲuv zɡʲinˈɛwɔ pʃɨ lˌɔndɔvˈaɲʲu,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_25.wav|w bˈaʒɛ panˈɔvaw xˈawas i ɲʲɛ spˈɔsub bˌɨwɔ znˈalɛʑdʑ vɔlnˈɛɡɔ mʲˈɛjstsa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_93.wav|tɕɛkˈafskɔ̃ ɲˈits s tɨɣ ʒˈɛtʃɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_255.wav|xˈɨba mʲˈawam tˈaɡ zbɔlˈawɔ̃ mˈinɛ, ʒˈɛ dˈawɔ ɕɛ tɔ zˌauvˈaʒɨtɕ nˈavɛd z druɡʲˈɛɡɔ kˈɔɲtsa bˈaru.|4
+Dataset/wavs/urwisko_ferenc/62_segment_10.wav|— ɲʲˌɛspɛtsjˈalɲʲɛ vʲˈɛm, tsˈɔ mˈɔɡwabˌɨm pˈanu pɔvʲˈɛdʑɛtɕ. muɕˈawa mʲˈɛtɕ ɕɛ na batʃnˈɔɕtɕi.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_153.wav|znˈuf pˈɔtʃta ɡwɔsˈɔva.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_19.wav|mˈɨɕliʃ, ʒˈɛ ˌɔɲi kˈɔɡɔʑ zabʲˈili?|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_83.wav|pʃˈɨznaw nˈarbɛrt. tˈɛ, ktˌurɛ nˈas ˌɔdvʲɛdʑˈajɔ̃, sɔ̃ xˈɔrɛ, rˈannɛ ˈalbɔ spˌɔdʑɛvˈajɔ̃ ɕɛ dʑˈɛtɕi.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_68.wav|jˈɛɕli ɲʲɛ vɨkˈɔɲtʃɨ ɡˈɔ rɔˈɔsɛ bˈɔltɔn, zrˈɔbʲi tɔ ʑˈima.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_113.wav|najlˈɛpʲɛj jˈɛdnaɡ bˈɛɲdʑɛ, jˈɛɕli zˌabjɛʒˈɛmɨ pˈana dɔ dˈɔmu i dˌɔpilnujˈɛmɨ, ʒˈɛbɨ ɲˈikt pˈana ɲʲɛ vˈidʑaw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_54.wav|bˈɛtskɨ jˈɛʃtʃɛ rˈas ɕtɕˈiska mˈɔjɛ rˈamjɛ i sxˈɔdʑi na dˈuw, zˌɔstavʲˈajɔnts mɲʲɛ fpatʃˈɔnɔ̃ f pˈustɔ̃ sɨpʲˈalɲʲɛ tsurˈɛtʃki.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_383.wav|w ˈɔrlim ɡɲʲˈɛʑdʑɛ bˈɨw sˈɛpt, ˌalɛ ɲʲɛ bˌɨwɔ sɛptˈɔna.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_103.wav|na stɛlˈaʒax tɕɔŋɡnˈɔntsɨx ɕɛ vzdwˈuʃ pˌɔmjɛʃtʃˈɛɲʲa viɕˈawɨ sflatʃˈawɛ xɔmˈitʃɛ kˈulɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_155.wav|bʲˈillɨ pɔxˈɨla ɕɛ nat kˌɔmputˈɛrɛm.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_29.wav|zˌauvaʒˈɨwa ɡˈɔʑɲik.|1
+Dataset/wavs/urwisko_ferenc/49_segment_99.wav|tʃɨ ˌɔna naprˈavdɛ kɔxˈawa ɡrˈɔxa?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_51.wav|tˈɔm vʲˈɛdʑaw dˌɔskɔnˈalɛ, skˈɔnt tˈaka rɛˈaktsja. pʃɨ ˌɔdrɔbʲˈiɲʲɛ ʃtʃˈɛɲɕtɕa znˈajdɔ̃ nˈaɲim ɕlˈadɨ krfˈi, ktˌurɔ̃ bˌɛndɔ̃ mˈɔɡli dˌɔpasˈɔvadʑ dɔː ɔfjˈarɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_34.wav|jɛst pʲˈɛŋknɨ, jˈɔɛl.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_78.wav|jˈɛɡɔ prˈava rˈɛŋka ftɕˈɔ̃ʒ viɕˈawa na tɛmblˈaku, ˌalɛ w lˈɛvɛj ɕtɕˈiskaw nˈuʃ, ktˌurɨ mˈuɡwbɨ mɲʲɛ vˌɨpatrˈɔʃɨtɕ jˈak pstrˈɔŋɡa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_128.wav|tˈɨlɛ tʃˈasu tˈu spˈɛɲdʑiw, ʒˈɛ xˈɔdʑbɨ ɲʲɛ vʲadˈɔmɔ jˈaɡ dwˈuɡɔ vɨtɕˈɛraw, i tˈak fʃˈɨstkix ɲʲɛ usˈuɲʲɛ, ˌalɛ tɔ ɲˈits.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_6.wav|dlatʃˈɛɡɔ mʲˈawbɨm tɔ zrˈɔbʲitɕ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_82.wav|dlatʃˈɛɡɔ ɲʲɛ zɲˈiʃtʃɨʃ tɛj lˈalki?|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_173.wav|ˌɔtfɔʒˈɨwam ʃɛrˈɔkɔː ˈɔtʃɨ zˈɛ zdumjˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_346.wav|krulˈɛstfɛm vwadˈajɔ̃ sˈɛr xˈaris sfˈift i vʲˈɛlki maˈɛstɛr pɨtsˈɛllɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_218.wav|fxɔdʑˈiwɛɕ pʃˌɛtɕɛʒ dɔ ʃkˈɔwɨ. tsˈɔ tɔ bˌɨwa za ʃkˈɔwa?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_67.wav|na kˈɔɲʲɛts jˈuʃ tˌaki ɲʲˈɛbɨw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_152.wav|bʲˈillɨ pʃɨpˈuʃtʃaw, ɲʲɛ, vʲˈɛdʑaw, ʒˈɛ tˈaɡ bˈɛɲdʑɛ, ˌalɛ ɲʲɛ ɔ tɨɡˈɔdɲʲu trˈavɨ xtsˈɛ pˈisatɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_29.wav|ˈɔkɛj, zˌavɔwˈajmɨ ɡˈɔ f tˈakim rˈaʑɛ tˈutaj. pʃˌɛkɔnˈamɨ ɕɛ, tsˈɔ mˈɨɕli na tɛn tˈɛmat.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_97.wav|kʲˈɛdɨʑ zrˈɔbjɛ sˈɔbjɛ litsˈɛntsjɛ ˌɛksplɔratˈɔra i bˌɛndɛ mˈɔɡwa vɨxˈɔdʑitɕ, kʲˈɛdɨ tˌɨlkɔ zˈɛxtsɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_4.wav|kˈarta dˌɛbɛtˈɔva zɔstˈawa zˌarɛjˌɛstrɔvˈana ɲʲˈɛmal ʃˈɛɕtɕ lˈat ftʃˈɛɕɲʲɛj i dˌɔwadɔvˈana ɡɔtˈufkɔ̃ ˈaʒ dɔ limˈitu.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_143.wav|tʃasˈami, kʲˈɛdɨ jˌɛstɛm z jˈakimɕ mɛ̃ʃtʃˈɨznɔ̃...|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_55.wav|kɔbjˈɛtsɛ pɔrtrˈɛtɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_41.wav|pʃˌɨɡɔtˈujɛ jɛdʑˈɛɲʲɛ. tˈɔm, tʃɨ mˈɔʒɛʃ rɔspˈalidʑ ɡrˈill?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_31.wav|bˈɛtskɨ zˌadʑvɔɲˈiwa, ʒˈɛbɨ zapˈɨtatɕ, jˈak ɕɛ tʃˈujɛ i fspɔmɲʲˈawa ˈɔtɨm, jˈak piʃtʃˈawɛɕ pʃɨ kˈaʒdɨm ˌukwutɕiwˈɔsɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_28.wav|tɔ kɔlˈɛjnɛ swˈɔvɔ, kturˌɛɡɔ ɲʲɛ pɔvˈinnam uʒˈɨvatɕ. swˈɔvɔ, ktˌurɛ fpˈɛɲdʑi ɡˈɔ w jˈɛʃtʃɛ vʲˈɛŋkʃɛ pɔtʃˈutɕɛ vˈinɨ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_67.wav|zrɔbʲˈiwa ɕɛ z ɲˈim vilɡˈɔtna tˌɨlkɔ rˈas.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_60.wav|dlatʃˈɛɡɔ ɲʲɛ zˌadʑvɔɲˈiwɛɕ na pɔlˈitsjɛ, ˌaɲi ɲʲɛ zabrˈawɛɕ mɲʲɛ dɔ ʃpitˈala?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_317.wav|pʃˈɛʃɛd na tˈɨw rˈɛntʃ rɔvˈɛra, ɔtfˈɔʒɨw klˈapɛ bˌaɡaʒɲˈika i pˈɔdaw mi klutʃˈɨki dɔ sˌamɔxˈɔdu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_33.wav|pˌɔvʲɛdʑˈawa xˈɔllɨ. ˌalɛ jˈajkɔ bˌɨwɔ paskˈudnɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_23.wav|zˌatʃɨnˈajɔ̃ mi ɕɛ tʃˈɔ̃ɕtɕ nˈɔɡʲi. jˈak ˌɔɲi mˈɔɡɔ̃ mˈɨɕlɛtɕ, ʒˈɛ mˈɔɡwabˌɨm skʃˈɨvdʑitɕ mˈili ˈalbɔ nˈatɔ pɔzvˈɔlitɕ?|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_6.wav|tɔ ja ɲʲɛ umˈarwam? prˌubɔvˈawam pɔvʲˈɛdʑɛtɕ, ˌalɛ z mˈɔix ˈuzd vɨdˈɔbɨw ɕɛ ɲʲˌɛvɨrˈaʑnɨ bˈɛwkɔt.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_156.wav|pˈɔtɛm fstˈawa i stʃɛpnˈawa ɕɲʲˈɛɡ zˈɛ spudɲˈitsɨ.|1
+Dataset/wavs/urwisko_ferenc/55_segment_48.wav|prˈɔʃɛ dˈalɛj. kɔbjˈɛta zˌaprɔvadʑˈiwa mˈarjɛ dɔ salˈɔnu z anˈɛksɛm kuxˈɛnnɨm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_120.wav|mˈuj pˈɔmɨsw mˈɔʒɛ i tˈak ɲʲɛ vɨpˈali, ˌalɛ bˈɔɲdʑmɨ ˌɔptɨmistˈami. pɔʃˈukaj kˈartɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_82.wav|ɔtfʲˈɛram jˈɛ ʃˈɨpkɔ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_328.wav|ɲʲɛwˈatfɔ jɛst pˈɔjɔɲtɕ prˈɔstɨm lˈudʑɔm, a pɔɲʲˈɛvaʃ ja s pɛvnˈɔɕtɕɔ̃ jˌɛstɛm prˈɔstɨ, zˈafʃɛ mˈuvjɛ ɔ ɕˈɛdmju bˈɔɡax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_142.wav|ˌɔna pˈatʃɨ lˈudʑɔm w ˈɔtʃɨ, kʲˈɛdɨ ɲʲɛ zɔstˈawa dɔ tˌɛɡɔ zˌaxɛntsˈɔna. jɛzd zbˈɨd zuxfˈawa. fʃˈɨstsɨ ɕɛ z ɲˈim zɡɔdʑˈili.|3
+Dataset/wavs/urwisko_ferenc/12_segment_97.wav|— ʒˈɛ tsˈɔ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_32.wav|dˈɔn pˌɔpatʃˈɨwa na kˌamɛrˈɔna, ɲʲɛ dwˈuʒɛj ɲˈiʃ pʃˈɛz dvʲˈɛ sɛkˈundɨ, pɔ tʃɨm zɲiknˈɛwa w ɡwˈɛmbʲi dˈɔmu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_42.wav|ɲʲɛ vʲɛdʑˈawam, tʃɨ pɔvˈinnam ɕɛ spɔdʑˈɛvatɕ...|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_70.wav|i tɔː ˈu ɲʲˌɛvwaɕtɕˈivɛj krulˈɔvɛj.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_384.wav|mˈɨɕlɛ, ʒˈɛ nˈas jɛzd dˈuʒɔ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_11.wav|ʃˌarɔʑɛlˈɔna tfˈaʒ viɕˈɛltsa vˌɨɡlɔndˈawa ɔkrˈɔpɲʲɛ, a ɔtfˈartɛ ˈusta bˌɨwɨ ʃɛrˈɔkɔ rˌɔstɕɔŋɡɲʲˈɛntɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_221.wav|jɛdˈɨnɔ̃ fizˈɨtʃnɔ̃ kɕˈɔ̃ʃkɔ̃, jˈakɔ̃ mˈa, jɛst tɛrˈɛsɛ ˌaratsˈain, ˌalɛ mˈɔʒɛ ɕtɕˈɔŋɡnɔɲtɕ tsˈɔɕ na laptˈɔpa i tʃˈɨtatɕ w wˈuʃku, ˈaʒ zrˈɔbʲi ɕɛ sˈɛnnɨ.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_367.wav|dwˈuɡʲi, bjˈawɨ ʃtˈandar z vilkˈɔrɛm stˈarkuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_31.wav|ɲʲɛ pɔtrˈafjɛ zapˈɔmɲʲɛtɕ tɨx tʃˈasuf, kʲˈɛdɨ vmavʲˈanɔ mi, ʒˈɛ jˌɛstɛm sˌamɔlˈubna, bɛzmˈɨɕlna i ɲʲˌɛrɔzvˈaʒna.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_11.wav|— vʲˈɛm, ʒˈɛ xtɕˈawbɨɕ jˈuʃ rˈuʃɨdʑ dɔ pʃˈɔdu, ˌalɛ jˈɛʃtʃɛ nˈatɔ ɲʲɛ pˈɔra, kɔxˈaɲʲɛ. jˈɛʃtʃɛ trˈɔxɛ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_184.wav|jˈɛɕli tɔ sˈɛr ɡˈɛrald bˈɨw rɔbˈakʲɛm w jˈapku, dlatʃˈɛɡɔ mʲˈawbɨ ˌatakˈɔvatɕ mɛrsˈɛllɛ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_23.wav|zˌatʃɨnˈawam jˈuʃ trˈatɕitɕ nadʑˈɛjɛ, kʲˈɛdɨ znalˈazwam pɔt pɔdˈuʃkɔ̃ kartˈɛtʃkɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_5.wav|ˌalɛ znˈawam ix rˈɔskwat na pˈamjɛɲtɕ. ˌɔtʃɨvˈiɕtɕɛ ɕlˈuza tˌurɨstˈɨtʃna znˌajdɔvˈawa ɕɛ w mʲˈɛjstsu najbˈardʑɛj ˌɔddalˈɔnɨm ɔd vɨlˈɔtu tunˈɛlu. f kˈɔɲtsu dɔtˈarwam dɔ tsˈɛlu.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_71.wav|ˌɔbjɛtsˈawa vʲˈɛnts sˈɔbjɛ.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_68.wav|bˈɔː inˈatʃɛj tɕˈɛ vˈɨzvɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_177.wav|ˌalɛ tɛ zavˈɔrɨ sɔ̃ ˌɔpswuɡʲivˈanɛ rˈɛntʃɲʲɛ i znajdˈujɔ̃ ɕɛ na zˈɛvnɔntʃ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_373.wav|pɔ tfˈaʒɨ jɛj ˈɔjtsa pʃˈɛbjɛkw spˈazm ɡɲʲˈɛvu. ɔstʃˈɛɡam tɕˈɛ, ˈarjan, zatʃˈɨna mi jˈuʒ brakˈɔvatɕ tɕˌɛrplivˈɔɕtɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_199.wav|jˈɛdna zˈɛ ʃtˈutʃnɨɣ ʒˈɛ̃s ˌɔtklɛˈiwa ɕɛ i ɔpˈadwa na jɛj pɔlˈitʃɛk jˈak mˈartfɨ pˈajɔŋk.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_233.wav|tˈɛras uɲʲˈɔswɛm kˈɔwdrɛ, bwɨsnˈɛwɔ rˈudɔ jɛj tɕˈawɔ, tsˈɔɕ mrutʃˈawa, mˈɔʃtʃɔndʑ ɡwˈɔvɛ f pɔdˈuʃtsɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_251.wav|— jˌɛstɛm xˈɔra — pˌɔvʲɛdʑˈawa ˈɛstɛr. — ja vʲˈɛm — pɔvʲˈɛdʑaw. — ˌalɛ ɲʲɛ pʃɛʃkˈadʑa mi tɔ.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_56.wav|nˌazɨvˈawa ɕɛ wɔftʃˈɨɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_135.wav|ɡˈuvnɔ prˈavda.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_282.wav|ɡdˈɨ krulˈɔva vrutɕˈiwa dɔ sɨpʲˈalɲi, taˈɛna spˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_69.wav|plˈastrɨ ˌɔzdɔbjˈɔnɛ sɔ̃ pˌɔstatɕˈami s tˈɔj stˈɔrɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_166.wav|pʲɛɲdʑˈɛɕɔnt, mˈuvi ɡ��ˈɔrɡjɔ z bˈɨtɕ mˈɔʒɛ ˌuzasadɲʲˈɔnɔ̃ dˈumɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_163.wav|zˈamjast tˌɛɡɔ skwˈada rɨsˈunɛk i xˈɔva dɔ kʲɛʃˈɛɲi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_385.wav|pʃˈɛrva ˌɔbjadˈɔva. ˈidʑɛʃ tsˈɔʑ zjˈɛɕtɕ?|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_411.wav|w ɕrˈɔtku i na zˈɛvnɔntʃ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_137.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_484.wav|ʑˈimnɔ mi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_480.wav|a tsˈɔ tɔ jɛst sumjˈɛɲʲɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_19.wav|zˌatʃɨmˈujɛ ɕɛ ˈu ʃtʃˈɨtu. jˈakɔ̃? pˈɨta vɨrˈaʑɲʲɛ pˌɔdɛkstsˌɨtɔvˈanɨ. mˈuj sˈɨn uvʲˈɛlbja ɲʲˌɛspɔdʑˈaŋki.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_204.wav|ˈɔsfrɨt, drˈuɡʲi z brˈatɕi kˌɛttlɛblˈɛkuf, bˈɨw spˌɔkɔjɲʲˈɛjʃɨ ɔt pˌɔzɔstˈawɨx i tʃˈɛɲɕtɕɛj ɕɛ zasˈɛmpʲaw ɲˈiʃ uɕmʲˈɛxaw.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_422.wav|vɨtɕˈɔŋɡnɔw s kʲɛʃˈɛɲi klˈutʃ,|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_245.wav|ɲʲɛ vʲˈɛdʑawbˌɨm, kˈɔɡɔː ˈɔtɔ pˈɨtatɕ, ˌaɲi w jˈakim jɛ̃zˈɨku.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_16.wav|tˈak, ˌalɛ tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ pˌɔprɔɕˈiwɛm jˈɔ̃ ɔ pʃˌɛtɛstɔvˈaɲʲɛ nˈɔvɛj fˈuŋktsji z mˈɨɕlɔ̃ ɔ jɛj bˌɛspʲɛtʃˈɛɲstfʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_89.wav|i bˌɛndɔ̃ tˈam dʒvˈi bˈɛs klˈamɛk i lˈudʑɛ w bjˈawɨx fartˈuxax, ktˌuʒɨ ɲʲɛ bˌɛndɔ̃ nˈavɛt xtɕˈɛli tɕˈɛ swˈuxatɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_38.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ pamjˈɛntam. tɔ bˌɨwɔ pɔ tfˈɔim pɔvrˈɔtɕɛ z amˈɛrɨkˌi. bˌɨwaɕ f kʲˈɛpskim stˈaɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_366.wav|ɡdʑˈɛ jɛzd vʲˈɛlki sˈɛptɔn?|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_206.wav|pˈɛvɲʲɛ dlatˈɛɡɔ ta kɔbjˈɛta ˈɔdɛ mɲʲɛ ɔdˈɛʃwa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_196.wav|vʲˈɛnts lˈɛpʲɛj tʃˈasɛm w nˈɔtsɨ ˈiʑdʑ za pwɔmjˈɛɲʲɛm, ktˌurɨ ɲʲˈɛɕɛ ˈinnɨ tʃwˈɔvʲɛk, ɲˈiʃ w jˈasnɨ dʑˈɛɲ ˈiɕtɕ samˈɛmu.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_22.wav|ɲˈits ɕɛ ɲʲɛ dʑˈawɔ, dɔpˈuki kˌɔnduktˈɔrka ɲʲɛ ˌɔtfɔʒˈɨwa ɕlˈuzɨ. ftˈɛdɨ fʃˈɨstsɨ stratɕˈili pʃɨtˈɔmnɔɕtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_20.wav|ˌɔtʃɨvˈiɕtɕɛ, dlatʃˈɛɡɔ pˈaɲi pˈɨta?|4
+Dataset/wavs/urwisko_ferenc/65_segment_65.wav|mɛ̃ʃtʃˈɨzna vˈɨznaw, ʒˈɛ uvˈaʒaw mawʒˈɛɲstfɔ z mˈɔɲikˌɔ̃ ɕikˈɔrskɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_13.wav|pwˈatʃ mˈuɕaw mɲʲɛ vɨtʃˈɛrpatɕ i spˈawam xˈɨba dvʲˈɛ ɡɔdʑˈinɨ.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_186.wav|dˈɔbʒɛ bˌɨwɔ znˈɔvu tʃˈutɕ pɔt stɔpˈami stˈawɔ̃ ʑˈɛmʲɛ zˈamjast kˌɔwɨʃɔntsˈɛɡɔ ɕɛ pɔkwˈadu, lˈɛtʃ mˈimɔ tɔ tʃˈuw ɕɛ skrˌɛmpɔvˈanɨ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_103.wav|brˈavɔz bˌɨwɔ mʲˈastɛm pˈɛwnɨm sɛkrˈɛtuf, mʲˈastɛm mɡʲˈɛw, mˈasɛk i ʃˈɛptuf.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_77.wav|nˈaɡlɛ pʃɨxˈɔdʑi mi dɔ ɡwˈɔvɨ mˈɨɕl, ʒˈɛ mˈɔɡɛ zˈɔstatɕ ˌɔdɛbrˈana jˈak jˈakiɕ pasˈɔʒɨt, ˌutʃɨmɨvˈanɨ pʃˈɛs mɛ̃ʃtʃˈɨznɛ i ɲʲˌɛpɔtrafjˈɔntsɨ ɔ ɕˈɛbjɛ zˈadbatɕ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_234.wav|ɲʲˈɛbɔ bˌɨwɔ bwɛŋkˈitnɛ, a w ɡˈuʒɛ krɔ̃ʒˈɨwɨ sɔkˈɔwɨ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_303.wav|ˌalɛ mɨ mɨɕlˈɛliɕmˌɨ inˈatʃɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_70.wav|tʃɛkˈawam tsawˈɨmi ɡˌɔdʑinˈami. tʃtˈɛrɨ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_351.wav|ɔn rˈuvɲʲɛʃ f tɔ ɲʲɛ uvʲˈɛʒɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_251.wav|ˈalbɔ pijˈatskʲɛj nˈɔtsɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_147.wav|vˈɔwaj tˈɛraz vʲˈɛʒɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_9.wav|pʃˈɛdwɛm bʒˈɛɡʲɛm vˈiswɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_167.wav|stˈajɛ. jˈɛɡɔ kɔlˈana stʃɛlˈajɔ̃. mˈatka frˈaŋka swˈɨʃɨ tɔ, vɨxˈɔdʑi zzˈa lɔdˈufki, ɲʲɛ tˈaɡ dˈuʒɛj jˈak tˌɛlɛvˈizɔr, ˌalɛ prˈavʲɛ, i fpˈija ɕɛ w ɲʲˈɛɡɔ vzrˈɔkʲɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_53.wav|z mɔjˈɛɡɔ ɡˈardwa vˌɨdɔbˈɨva ɕɛ tɕˈixɨ jˈɛŋk, kʲˈɛdɨ pˈatʃɛ na mˈɔjɔ̃ ɲʲˈɛɡdɨɕ pʲˈɛŋknɔ̃, pˈɛwnɔ̃ ʒˈɨtɕa mˈatkɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_31.wav|a jˈɛdnak jˈɛstɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_62.wav|ˈɛlis stˈɔi na prˈɔɡu w ɔpʃˈɛrnɛj ɲʲɛbjˈɛskʲɛj piʒˈamjɛ, ktˌurɔ̃ kupˈiwa, kʲˈɛdɨ bˌɨwa na zakˈupaɣ z bˈakim. jɛzd bˈɔsɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_39.wav|pˌɔkazˈawa ˈɛkran jˈɔ, ktˌura zɛrknˈɛwa krˈutkɔ na zdjˈɛɲtɕɛ i skinˈɛwa ɡwˈɔvɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_38.wav|xtɕˈawabˌɨm, ʒˈɛbɨɕ tsˈɔʑ dla mɲʲɛ zrɔbʲˈiwa. ˈitɕ pɔʃˈukadʑ zˈɔɛ i tʃɨm ɕɛ zˈajmi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_2.wav|f kˈɔɲtsu dɔxˈɔdʑɛ dɔ vɲʲˈɔsku, ʒˈɛ ɲʲɛ mˈɔɡɛ zˈɔstadʑ w dˈɔmu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_11.wav|i çirˈɔki bˈɨw jˈɛɡɔː ˌulubjˈɔnɨm mˈawɨm sˌamɔlˈɔtɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_251.wav|ʃalˈɔnɨ bˈul f tʃˈɔlɛ i zˌasɨxˈaɲʲɛ ɡˈardwa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_47.wav|dʒvˈi frɔntˈɔvɛ ˌɔtfɔʒˈɨwa dʑɛftʃˈɨŋka f ʃˈɔrtax i bwɨʃtʃˈɔntsɛj ruʒˈɔvɛj kɔʃˈultsɛ, mɲʲˈɛj vʲˈɛntsɛj dʑˌɛvʲɛɲtɕɔlˈɛtɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_27.wav|mˈɔɡli ˌarɛʃtˈɔvatɕ kˈɔɡɔɕ innˈɛɡɔ, ˌalɛ s pɛvnˈɔɕtɕɔ̃ zˈatʃnɔ̃ ɕɛ zˌastanˈavʲatɕ, tʃɨ ɲʲɛ jˌɛstɛm f tɔ zˌamjɛʃˈana w vʲˈɛŋkʃɨm stˈɔpɲʲu, ɲˈiʃ im ɕɛ ɔbˈɛtsɲʲɛ vɨdˈajɛ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_361.wav|tˈard z vˌɔ̃ʃafirˈɔvɔ̃ vˈɨspɔ̃, vɨɕlˈijtɕɛ xwɔpˈaka z mɔˈimi kˈɔɕtɕmi dɔ vʲˌɛtʃɔrnˈɛɡɔ dvˈɔru, a dˌɔstaɲʲˈɛtɕɛ ʃafˈirɨ, srˈɛbrɔ, tsˈɔ tˌɨlkɔ zɛxtsˈɛtɕɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_106.wav|na ulˈitsaɣ bˌɨwɔ pustˈavɔ, ˈalɛ...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_110.wav|bˌɨwaɕ tˌɨlkɔ naʒˈɛɲdʑɛm dɔː ˌɔɕɔŋɡɲʲˈɛɲtɕa vɨʃʃˈɛɡɔ tsˈɛlu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_44.wav|tˈɔm, fʃˈɨstkɔ f pɔʒˈɔntku?|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_62.wav|ɲʲɛ pˌɔtʃɛbˈujɛ psˌɨhiˈatrɨ, bˈɨ vʲˈɛdʑɛtɕ, tsˈɔ ta dʑɛftʃˈɨna dla ɲʲˈɛɡɔ znˈatʃɨ. jɛzd dɔrˈɔswɔ̃ vˈɛrsjɔ̃ tsˈatxɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_162.wav|dˈalɛ, pˈɔdaj mi vʲˈɛntsɛj prˈɛntuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_60.wav|ˌalɛ z ˌastrɔnˌɔmitʃnˈɛɡɔ pˈuŋktu vidʑˈɛɲʲa mʲˌɛliɕmˌɨ kɕˌɛ̃ʒɨtsˈɔvɨ rˈanɛk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_22.wav|xtɕˈawɛm jˈɛ zdjˈɔɲtɕ sˌamɔdʑˈɛlɲʲɛ, ˌalɛ ˈanɲʲɛ mɨɕlˈawa nˈatɔ pɔzvˈɔlitɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_14.wav|tɔ ɲʲɛ tˈak, ʒˈɛ ˈɔtɨm zapˈɔmɲʲaw. pɔ prˈɔstu ɲʲɛ pʃɛvˈidʑaw, ʒˈɛ pistˈɔlɛt mˈɔʒɛ stˈatɕ ɕɛ pɔtʃˈɛbnɨ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_32.wav|ˌuɕfʲadˈɔmiw ˌɔrtɔnˈɔvi mˌɛrivˌɛtxɛrˈɔvi vˈatɛrs. tˌɨlkɔː ˈarbɔr dˌɨspɔnˈujɛ flˈɔtɔ̃ zdˈɔlnɔ̃ ɕɛ pʃˌɛtɕifstˈavitɕ pɔdˈɔbnɛj pɔtˈɛndʑɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_11.wav|tˈɔm i bˈɛtskɨ zajˈɛli mʲˈɛjstsa pɔ pʃɛtɕˈivnɛj strˈɔɲʲɛ stˈɔwu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_10.wav|rˈɔbʲi mi ɕɛ ɲʲɛdˈɔbʒɛ na sˈamɔ̃ mˈɨɕl, ʒˈɛ lɛʒˈawam w wˈuʃku ˌɔbɔk kˈɔɡɔɕ, ktˈɔ planˈɔvaw zabˈujstfɔ z ʑˈimnɔ̃ krfjˈɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_264.wav|zˌarɔˈiwɔ ɕɛ na ɕfʲˈɛtɕɛ ɔt lɛkˈaʒɨ dˈuʃ i ˌuzdrɔvitɕˈɛli tɕˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_42.wav|pˈɔswaw mi ɡɲʲˈɛvnɛ spɔjʒˈɛɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_40.wav|bˈɛtskɨ uɲʲˈɔswa ɔtfˈartɛ dwˈɔɲʲɛ w ɡˈɛɕtɕɛ bˌɛzradnˈɔɕtɕi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_91.wav|ɕˈɛdʑaw na mˈurku f sfˈɔim pwˈaʃtʃu, jˈaɡbɨ nˈaɡlɛ zrɔbʲˈiwɔ ɕɛ bˈardʑɔ ʑˈimnɔ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_107.wav|ʃˈɛɕtɕ lˈat tɔ ɲʲɛ jɛzd zbˈɨt mwˈɔdɨ vʲˈɛk. tˈɔmmɛn pˌɔtʃɛbˈujɛ tˌɔvaʒˈɨstfa ˈinnɨx xwˈɔptsuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_157.wav|ɔn vˈidʑi pʃˈɛs firˈaŋkɛ, tsˈɔ jɛst na zˈɛvnɔntʃ, ˌalɛ rˈɛɡɡʲɛ ɕɛdʑˈɔntsɨ na mʲˈɛjstsu pˌasaʒˈɛra ɲʲɛ vˈidʑi jˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_70.wav|w drˈɔdʑɛ pɔvrˈɔtnɛj dɔ bˈazɨ vidʑˈawɛm mˈɛ̃ʃtʃɨzn w brˈamaɣ dˈɔmuf i kɔbjˈɛtɨ patʃˈɔntsɛ pʃˈɛs ˈɔkna.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_158.wav|ja ɲʲˈɛmam tˈu ʒˈadnɨɣ baɲdʑˈɔruf. tɔ ɲʲɛ sɔ̃ mˈɔi pɔdvwˈadɲi. ɡˈuvnɔ prˈavda.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_173.wav|mɛ̃ʃtʃˈɨzna, ɔ ktˌurɨm muvˈimɨ, ɲʲɛ jɛst ɲˈitʃɨm nˈɔvɨm, pˌɔvʲɛdʑˈawa xˈɛlɛn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_114.wav|sˈummɛrs, swɨʃˈawɛm, ʒˈɛ jˌɛstɛɕ najlˈɛpʃɨm stʃˈɛltsɛm f kɔmpˈaɲʲi, pɔvʲˈɛdʑaw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(87) R.Abbott_Zamknij Drzwi_segment_9.wav|mˈɔʒɛ mˈɔɡwabˌɨm ɔpˈuɕtɕitɕ jˈɔ̃ pʃˌɨvʲɔ̃zˈanɔ̃ dɔ pʃˌɛɕtɕɛrˈadwa i vɨʒˈutɕitɕ pɔdˈuʃki i kˈɔwdrɛ, ʒˈɛbɨ zapˈɛvɲitɕ ɲʲˈɛtsɔ bˈardʑɛj mʲˈɛŋkkʲɛ lˌɔndɔvˈaɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_16.wav|ˈɔn, tɛn mɛ̃ʃtʃˈɨzna.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_85.wav|ʃukˈawa znajˈɔmɨx tfˈaʒɨ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_196.wav|xtɕˈawam ˌɔpɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_161.wav|zvwˈaʃtʃa ftˈɛdɨ, ɡdˈɨ jɛzd vdˈɔvɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_97.wav|tʃɨ tˈaɡ vˌɨɡlɔndˈawa jˈɛɡɔ dˌɛfiɲˈitsja dɔbrˈɛɡɔ mawʒˈɛɲstfa?|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_181.wav|bˈaki kˈiva ɡwˈɔvɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_35.wav|ɲʲɛ zamjˈɛʒa ˌupɔftˈaʒatɕ tˌɛɡɔ bˈɛtskɨ. ɲʲɛ mʲˈawabˌɨ pɔjˈɛɲtɕa, ɔ tʃɨm mˈuvi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_27.wav|stˈɛvɛ vwˈɔntʃa kʲˌɛruŋkˈɔfskas.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_44.wav|pˈanu tɔ ɲʲɛ pʃɛʃkˈadʑa? zapˈɨtaw mˈikɛ. tsˈɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_139.wav|znˈuf spɔjʒˈawa na arˈama. mˈuvjɛ pɔvˈaʒɲʲɛ. pˌɔvitˈamɨ iɣ z ˌɔtfartˈɨmi rˌamjɔnˈami.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_34.wav|ʒˈɔna ɲʲɛ rˌɔzmavʲˈawa z ɲˈim ɔt xfˈili vɨjˈazdu dɔ spˈa pʃɛt tʃˈɛma dɲʲˈami. ɲʲɛ vʲɛdʑˈawa vʲˈɛnts, ʒˈɛ ɲʲˈɛma ɡˈɔ w dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_114.wav|bɔɡˈɔvʲɛ s pɛvnˈɔɕtɕɔ̃ ɡˈɔ kɔxˈali, jˈɛɕli dˈali mu tˌaki ɡwˈɔs.|1
+Dataset/wavs/urwisko_ferenc/50_segment_4.wav|jˈɛdʑɛʒ za mnˈɔ̃, pˌɔstanˈɔviw ˈɔlɡʲɛrt.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_43.wav|ˈandɛrsɔn fʃˈɛd dɔ ɕrˈɔtka.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_30.wav|za rˈadɔ̃ ɲʲˈɛma ˌɛkspɛdjˈɛntki, ktˌura zɔstˈawa ˌɔkradʑˈɔna, vˈandɨ jˈakʲɛjɕ tˈam...|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_97.wav|ɔbˈavja ɕɛ, ʒˈɛ pɔvʲˈɛdʑaw za dˈuʒɔ. uɕmʲˈɛxam ɕɛ vʲˈɛnts na zaxˈɛntɛ i ɡwˈaʃtʃɛ ɡˈɔ pɔ pɔlˈitʃku paltsˈami. pʲˈurkɔ jɛzd ɡdʑˈɛɕ na vˌɨsɔkˈɔɕtɕi ɕrˈɔtka mˈɔix plˈɛtsuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_88.wav|fkrˈuttsɛ ɕɛ dˌɔvʲɛdʑˈawɛm, ʒˈɛ dʑɛtɕˈaki, kturˈɨmi ˌɔpʲɛkɔvˈali ɕɛ spɛkˈɔvʲɛ, rˈɔk w rˈɔk mˌalɔvˈawɨ ɡˈɔ na nˈɔvɔː i dˌɔstavˈawɨ dvˈa dɔlˈarɨ za ɡɔdʑˈinɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_344.wav|ktˈɔɕ nˈam tɔ pʃɛtʃˈutɕɛ ɡʒˈɛxu fstʃˈɛliw mʲˌɛndʑɨ ʑdʑbwˈa kˈɔdu ɡˌɛnɛtɨtʃnˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_76.wav|ˌalɛ tɔ ɲʲɛ jɛst mˈuj pʲˈɛs.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_378.wav|i pˌɔzɔstˈaɲʲɛ nˈaʃɨm xˌɔnɔrˈɔvɨm ɡˈɔɕtɕɛm, dɔpˈuki ɲʲɛ dɔvʲˈɛdʑɛʃ sfˈɛj vʲɛrnˈɔɕtɕi dla jˈɛɡɔ miwˈɔɕtɕi krˈula tɔmmˈɛna.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_192.wav|prˈɔʃɛ zmˈiwuj ɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_261.wav|ɡdˈɨ jˈɛdnaɡ viktˈarjɔn nˈaɲʲɔ̃ pˈatʃɨw, tʃasˈami pʃˌɨpɔmˈinaw sˈɔbjɛ pʲˈɛrʃɔ̃ kɔbjˈɛtɛ, ktˌurɔ̃ dˈaw mu brˈat, bˈɨ utʃˈɨɲidʑ z ɲʲˈɛɡɔ mɛ̃ʃtʃˈɨznɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_3.wav|ta rɔdʑˈinna, mˈama dvˈɔjɡa urˈɔtʃɨɣ dʑˈɛtɕi i ʒˈɔna ɕilnˈɛɡɔ, pˌɔzɔstˌajɔntsˈɛɡɔ na ˌutʃɨmˈaɲʲu mˈɛ̃ʒa,|3
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_24.wav|tˈɔm skˈinɔw ɡwˈɔvɔ̃ dɔ rˈɔba.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_20.wav|tˈɔm krˈɛɲtɕi ɡwˈɔvɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_75.wav|ɡdʑˈɛɕ na ɡˈuʒɛ s pɛvnˈɔɕtɕɔ̃ swˈɨxadʑ bˌɨwɔ ɕmʲˈɛɣ bˈɔɡuf.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_150.wav|vʲˈɛlki mɛ̃ʃtʃˈɨzna rˈɨknɔw ɕmʲˈɛxɛm. tsˈɔɕ mi ɕɛ zdˈajɛ, ʒˈɛ jˈɛdnak rˌɔzumjˈɛmɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_166.wav|ɲˈiʃ fʃˈɨstsɨ mɨɕlˈɛli.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_279.wav|tɨ mɲʲɛ vɨdˈawɛɕ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_24.wav|ˌalɛ ktˈuʃ mˈuɡwbɨ ʒˈɛts, ʒˈɛ bˌɨli pʲɛrʃˈɨmi, ktˌuʒɨ tˈu zɡʲinˈɛli?|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_472.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_63.wav|tˈɔm ˈuznaw, ʒˈɛ tʃˈas pʃɛmˈuvidʑ dɔ lˈudʑi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_199.wav|ˌuɕmʲɛxnˈɛwa ɕɛ.|3
+Dataset/wavs/urwisko_ferenc/63_segment_145.wav|i dˈaw jɛj klˈudʒ zˌapasˈɔvɨ ɔt sˌamɔxˈɔdu ʒˈɔnɨ.|0
+Dataset/wavs/urwisko_ferenc/19_segment_20.wav|xˈɛrman zɛrknˈɛwa na ʃklˈaŋkɛ s pˌarujˈɔntsɨm tɕˈɛmnɨm napˈarɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_54.wav|xtsˈɛ ʃɨjrˈɔki na ɡɔdʑˈinɛ, dʒˈɔnsɔn.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_177.wav|skˈɔrɔ tˈak mˈuviʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_532.wav|tˈɛraz bˌɛɲdʑɛ najɡˈɔrʃɛ.|0
+Dataset/wavs/urwisko_ferenc/51_segment_53.wav|xˈɛrman pˌɔpatʃˈɨwa f tˈamtɔ̃ strˈɔnɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_45.wav|nˈɔ tsˈuʃ, vˌɨɡlɔndˈawɔ nˈatɔ, ʒˈɛ ta rɔzmˈɔva mʲˈawa jˈɛdnak ˈɔdbɨtɕ ɕɛ tˈɛras.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_9.wav|na kˈɔntax ɲʲɛ znalˈɛʑli ɲitʃˈɛɡɔ, tsˈɔː ˌɔdʑvʲɛrtɕˌɛdlawˈɔbɨ vɨɡrˈanɛ lˈup pʃɛɡrˈanɛ f kasˈɨɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_8.wav|ɔdvrˈatsam ɕɛ dɔː alfjˈɛɡɔ, ktˌurɨ lˈɛʒɨ na tˈɨlnɨm ɕɛdʑˈɛɲʲu pɔt mˈɔjɔ̃ mˌarɨnˈarkɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_13.wav|spˈaɲʲɛ f sˌamɔxˈɔdʑɛ ɲʲɛ jɛst ˌidɛˈalnɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_277.wav|pɔvʲˈɛdʑaw mrˈuʒɔnts ˈɔtʃɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_106.wav|bjˈɔrɛ vʲˈɛndʑ ɡwɛmbˈɔki ˈɔddɛx i zmˈuʃam pˈaltsɛ.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_52.wav|pʲˈɛz zaʃtʃˈɛkaw ɡwˈɔɕnɔ.|1
+Dataset/wavs/urwisko_ferenc/14_segment_79.wav|pɔ prˈɔstu vˌɨstavʲˈawa dˈupɛ dɔ kamˈɛrki.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_12.wav|tʃˈaz zatʃˈɨna ɕɛ dwˈuʒɨtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_46.wav|tɔ dˈɔbʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_241.wav|ˈɔɡʲɛɲ ɡˈɔ ɲʲɛ pɔxwˈaɲʲa.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_113.wav|pɔɡwˈaskaw psˈa pɔ ɡwˈɔvʲɛ. ɲʲɛktˌuʒɨ pˌɔvʲadˈajɔ̃, ʒˈɛ tɔ ɲʲɛ vˈilki, ˌalɛ dɛmˈɔnɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_48.wav|kˈiva ɲʲɛpˈɛvɲʲɛ ɡwˈɔvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_96.wav|tˈak ˈɔtɔ ʒɔwɲʲˈɛʒɛ z ɡɔrˈɔntsɛj dʑɛvʲˈɔntki zˌaɕpʲɛvˈali pʲˈɛrʃɔ̃ zvrˈɔtkɛ pikɲˈika mˈiɕuf pˌɔtpuwkˌɔvɲikˈɔvi jˌamisɔnˈɔvi.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_388.wav|pˈɔtɛm pʃˈɨʃwa jɛj dɔ ɡwˈɔvɨ mˈatka ɡarˈina i ɕɛrˈɔtɨ z ʑɛlˈɔnɛj krfˈi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_38.wav|ˌɔpsmarɔvˈawam tɕˈɛbjɛ, drˈaɲʲu, f sfˈɔix pˌamjɛntɲˈikax.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_250.wav|mˈɔɡwabˌɨm zˈamknɔɲtɕ ˈɔtʃɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_91.wav|zˌapwatɕˈimɨ tɕi za ɔpʲˈɛkɛ nat ɲˈimi, pˈaɲʲɛ kˌɔmputɛrˈɔvʲɛts. stˈatɕ nˈas!|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_148.wav|pɔtrˈafjɛ zˈajɔɲtɕ ɕɛ ˈalfim.|3
+Dataset/wavs/urwisko_ferenc/38_segment_1.wav|pʃˌɛtɕɛʃ ˌɔɲi mu tˌɛɡɔ ɲʲɛ pɔvʲˈɛdʑɔ̃. kˌɔʒɨstˈajɔndʑ z ɔkˈazji, ʒˈɛ ʒadnˈɛɡɔ z mˈɛ̃ʃtʃɨzn ɲʲɛ bˌɨwɔ tˈɛraz w drɛvɲʲˈanɨm dˈɔmu, ˈuznaw, ʒˈɛ zˈajmʲɛ ɕɛ lˌɛvandˈɔfskɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_40.wav|ɲʲɛ mˈɔɡɛ tˈak pɔ prˈɔstu ɕˈɛdʑɛtɕ i tʃˈɛkatɕ, tsˈɔ ɕɛ vɨdˈaʒɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_61.wav|ɲʲɛ rˈɔbʲiw ɲitʃˈɛɡɔ ʃtʃˌɛɡulnˈɛɡɔ, pɔ prˈɔstu pˈatʃɨw.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_18.wav|tˈak jˈaɡ dla jɔffrˈɛja?|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_380.wav|dˈɛʃtʃ spwˈɨvaw s kaptˈura kɔ̃sˈatʃa, ktˌurɨ naxˈɨliw ɕɛ ɲˈiʒɛj.|1
+Dataset/wavs/urwisko_ferenc/28_segment_17.wav|ˌɔttʃɛkˈawa trˈɔxɛ i zvinˈɛwa dwˈɔɲ f pʲˈɛɲɕtɕ, bˈɨ jˈɛʃtʃɛ rˈaz zastˈukatɕ, lˈɛdʒ vˈuftʃas ˌuswɨʃˈawa ˈɔdɡwɔs pʃˌɛkrɛntsanˈɛɡɔ klˈutʃa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_213.wav|f pˌɔɲʲɛdʑˈawɛk fprɔvˈadʑi ɕɛ dɔ mawˈɛɡɔ, ʒuwtˈɛɡɔ dˈɔmu vˌɨnajɛntˈɛɡɔ pʃˈɛs jˈɛɡɔː aɡˈɛnta, aɡˈɛnta lˌitɛratskʲˈɛɡɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_313.wav|kʲˈɛdɨɕ nˈavɛt puɕtɕˈiwam ˈɔkɔ dɔ tɕˈɛbjɛ, ˌalɛ tɨ ɲʲɛ spɔstʃˈɛɡwɛɕ, bˈɔ ɡadˈawɛʑ dɔ ɕˈɛbjɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_35.wav|unˈɔɕi rˈɛŋkɛ, ʒˈɛbɨ skʲɛrˈɔvatɕ mɲʲɛ f strˈɔnɛ dʒvˈi, ˌalɛ stˈɔjɛ jˈaɡ vmˌurɔvˈana i vʲˈɛm, ʒˈɛ ɕˈiwɔ̃ mɲʲɛ stˈɔnt ɲʲɛ vˌɨprɔvˈadʑi.|4
+Dataset/wavs/urwisko_ferenc/03_segment_21.wav|uɕˈadwa wˈɛ fɔtˈɛlu pˌasaʒˈɛra i zɛrknˈɛwa na klˈutʃɨk f statsˈɨjtsɛ.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_194.wav|uɕmʲˈɛxnɔw ɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_27.wav|ʒˈadna tʃˈɛɲɕtɕ ɲʲɛ bˌɨwa ɔbjˈɛnta tˌajɛmɲˈitsɔ̃, ˌaɲi vˌɨkɔʒˌɨstɨvˈana f tsˈɛlax pʃˌɛmɨswˈɔvɨx.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_85.wav|bʲˈillɨ! pˌɔtskakˈujɛ na dʑvʲˈɛŋɡ ɡwˈɔsu xˈɔffa, jˈaɡbɨ vɨrvˈanɨ zˈɛ snˈu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_69.wav|ɔt jɛdnˈɛɡɔ zˈɛ sfˈɔix kɔxˈaŋkuf ˌuswɨʃˈawa, ʒˈɛ ˌɔkazˈawa ɕɛ impˈulsɛm, kturˌɛɡɔ pˌɔtʃɛbɔvˈali w mawʒˈɛɲstfʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_104.wav|tsˈɔɕ mi tˈu ɲʲɛ ɡrˈa.|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_95.wav|vˌɨmaɡˈajɔ̃ tɕˈɛ̃ʃkʲɛj xarˈufki.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_360.wav|tɔ bˌɛɲdʑɛ tˌɨlkɔ zwˈɨ sˈɛn, muvˈiwa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_21.wav|ɲʲɛ pɔvˈinnam tˈak mˈɨɕlɛtɕ. ɲˈiɡdɨ ɲʲɛ zˌastɔsɔvˈawam pʃɛmˈɔtsɨ vˈɔbɛts ɲikˈɔɡɔ. ˌalɛ ɡdˈɨbɨm zˌɔbatʃˈɨwa, ʒˈɛ ktˈɔɕ kʃˈɨvdʑi mˈili, sˈama ɲʲˈɛvʲɛm, tsˈɔ bˈɨm zrɔbʲˈiwa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_109.wav|ɲʲˈɛvʲɛm, ˌalɛ mˈuʃɛ ɕɛ nˈapidʑ vˈina. xˈɔdʑ dˈɔɕtɕ mʲˌɛliɕmˌɨ jˈuʃ prɔblˈɛmuf jˈak na jˈɛdɛn dʑˈɛɲ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_424.wav|ˌɔdɛswˈawɛm ɡˈɔ z dˈɔmu, ɡdˈɨ bˈɨw jˈɛʃtʃɛ dʑˈɛtskʲɛm, za mwˈɔdɨm, bˈɨ rɔzˈumjɛtɕ pɔtʃˈɛbɨ dˈɔrnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_14.wav|tsˈɔ ɲʲɛ mʲˈawɔ ɲˈits fspulnˈɛɡɔ z ˌɔʒɨvʲˈɔnɔ̃ pˌɔrnɔɡrafˈitʃnɔ̃ kˌɔrɛspɔndˈɛntsjɔ̃ wˌapidˈuxa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_48.wav|ˌɔɲi vʲˈɛdʑɔ̃, jˈak pratsˈɔvatɕ nad ɡˈɔɕtɕɛm, pɔvʲˈɛdʑaw. ɔ xrˈɨstɛ!|0
+Dataset/wavs/urwisko_ferenc/19_segment_122.wav|ja na pˈɛvnɔ jɛj ix ɲʲɛ pˌɔkazɨvˈawam. ɔtpˈarwa kɔbjˈɛta, ˌalɛ na jɛj tfˈaʒɨ ˌɔdmalɔvˈawɔ ɕɛ vaxˈaɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_123.wav|dʑˈɛŋki bˈɔɡu brɲʲˈɛ pʃˈɛs kawˈuʒɛ s pɔvrˈɔtɛm na sfˈɔjɔ̃ strˈɔnɛ ulˈitsɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_11.wav|tsˈɔ jˈɛʃtʃɛ vʲˈɛmɨ? ɔtfˈɔʒɨw dʒvˈi dɔ pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔː i natˈɨxmʲazd vˈɨtʃuw pˌanujˈɔntsɔ̃ tˈam ˌɔʒɨvʲˈɔnɔ̃ ˌatmɔsfˈɛrɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_76.wav|tsˈɔ ja w ɔɡˈulɛ mˈuvjɛ? musˈimɨ tɔ fʃˈɨstkɔ pʃɛkˈazatɕ pɔlˈitsji. ɲʲˈɛma ˈinnɛj ˈɔptsji. ɲʲɛ!|4
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_41.wav|swˈuxam?|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_90.wav|bˌɛndɛ pɔdlˈɛvaw dˈafnɛ i valtˈɛra bˈɛs ˈɔbaf, zapˈɛvɲʲa bʲˈillɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_29.wav|ˌuvaʒˈawa, ʒˈɛ bˌɨwɛʑ zˈɛmnɔ̃ tˌɨlkɔ s pɔvˈɔdu mˈili.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_204.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_41.wav|pɔdnˈɔʃɛ ɡwˈɔvɛ i pʃɨsˈuvam sˈɔbjɛ klˌavʲatˈurɛ. jˈɛɕli ɕɛ ɲʲɛ mˈɨlɛ, jɛst tˌɨlkɔ jˈɛdɛn spˈɔsup, ʒˈɛbɨ ɕɛ z ɲˈim skˌɔntaktˈɔvatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_122.wav|i na fˈalɛ bˌɛsʃɛlˈɛstɲʲɛ ˌumjɛrajˈɔntsɛ na tɕˈɛmnɨm jˈuʃ tˈɛras pʲˈasku.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_79.wav|tʃˈujɛ na sˈɔbjɛ tʃˈɨjɛʑ dwˈɔɲʲɛ, kʲˈɛdɨ ɔsˈuvam ɕɛ na pɔdwˈɔɡɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_93.wav|kʲˈɛdɨ ɕˈɛŋɡa pɔ ʒˈuwtɔ̃, ʑɛlˈɔnɔ̃, jɛdvˈabnɔ̃ kɔʃˈulɛ, bˈaki wˈapʲɛ ɕɛ za ɡwˈɔvɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_215.wav|kʲˈɛdɨ ɡʲˈɔrɡjɔ zapˈɨtaw, tsˈɔ tˈam bˌɛɲdʑɛ rˈɔbʲiw, bʲˈillɨ ˈɔtpar, ʒˈɛ nˈajpʲɛrf ɕtɕˈɔŋɡɲʲɛ kˌɔmiksɔlˈɔɡji na laptˈɔpa i mˈɔʒɛ kˈilka ɡʲˈɛr.|2
+Dataset/wavs/urwisko_ferenc/14_segment_20.wav|ˈɔkɛj. tsˈɔ xtɕˈawbɨʑ vʲˈɛdʑɛtɕ?|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_12.wav|xˈɔtɕ ɛdmˈurɛ bˈɨw straʃlˈivʲɛ vˌɨxudʑˈɔnɨ i tˈaɡ vɨɡlˈɔndaw na lˈɔrda znˈatʃɲʲɛ bˈardʑɛj ɲˈiʃ ˈɛmmɔn frˈɛj.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_14.wav|ˈaʃ ftɕˈɔ̃ʃ tˈam jˈɛst, ˌalɛ ɲʲɛ zamjˈɛʒam ɡˈɔ dwˈuʒɛj swˈuxatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_43.wav|ˌɔtpɔvʲˈɛdʑaw pˌɔklɛpˈujɔnts pɔkrˈɨtɔ̃ skˈurɔ̃ kʲˌɛrɔvɲˈitsɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_610.wav|a mˈɔi kɔlˈɛdʑɨ z vɔrkˈutɨ tɔ ɲʲɛ bˌɨli bˈɨlɛ tsˈɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_33.wav|ɡdʑˈɛʑ ɡadˈawɔ mˌɔnɔtˈɔnɲʲɛ pˌɔlitsˈɨjnɛ rˈadjɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_21.wav|tˈaka vɨprˈava f skafˈandʒɛ kɔʃtˈujɛ vʲˈɛlɛ pˈɔtu. ˌɔkazˈawɔ ɕɛ, ʒˈɛ ˌɔtpɔtʃˈɨnɛɡ vˈɨʃɛd mi na dˈɔbrɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_248.wav|spˈɨtaw sˌaɲitˈarjuʃ i zamˈɨɕliw ɕɛ tʃˈɛmuɕ.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_279.wav|vʲˈɛdʑa mˈɔɡwa bˈɨtɕ rˈuvɲʲɛ tsˈɛnna jˈaɡ zwˈɔtɔ, bˈardʑɛj ɕmʲˌɛrtɕɔnˈɔɕna ɲˈiʃ ʃtˈɨlɛt.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_109.wav|ɲʲɛ sˈɔndʑɛ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_336.wav|ˌɔznajmˈiwa tsɛrsˈɛi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_91.wav|tˈatsɨ jˈak ˈallɛn vˈɔntpjɔ̃ vɛ fʃˈɨstkɔ, ˌalɛ ɲʲˈɛmʲaw vɨbˈɔru.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_320.wav|ɔtpˈɔtʃɲij.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_110.wav|ɲˈits mi ɕɛ ɲʲɛ stˈawɔ f pʃɛʃwˈɔɕtɕi, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_60.wav|dˈɔkɔnt pˈɔʃwa ta kɔbjˈɛta?|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_253.wav|tʃɨ vidʑˈawaɕ kʲˈɛdɨ kˈɔta bˈɛz vˈɔ̃suf?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_66.wav|mˈama i tˈata vʲˈɛdʑɔ̃, ʒˈɛ dɔ tɕˈɛbjɛ pˈiʃɛ i ɲʲɛ mˌajɔ̃ s tɨm ʒadnˈɛɡɔ prɔblˈɛmu, skˈɔrɔ ja tˌɛɡɔ xtsˈɛ, a xtsˈɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_78.wav|ʃˈaɲis jˈɛʃtʃɛ mˈɔtsɲʲɛj ɕɛ f tˈɔbjɛ pˌɔtkɔxˈujɛ ɔt tʃˈasu, kʲˈɛdɨ vɨɡrˈawɛʑ dla ɲʲˈɛj tˌɛɡɔ flamˈiŋɡa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_433.wav|dʑɛŋkˈujɛ.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_89.wav|f pˈɛntɔs pɔprˈɔɕiw, bˈɨ vˌɨɲʲɛɕˈɔnɔ ɡˈɔ na pˈɔkwat, ʒˈɛbɨ sˈam mˈuɡw mu nˌamalˈɔvatɕ swɔvˈami ˈɔbras mʲˈasta.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_291.wav|mʲˈaw ɔxˈɔtɛ kˈɔɡɔɕ udˈɛʒɨtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_573.wav|dɔtknˈɔwɛm jɛj pɔlˈitʃka, bˈɨw sˈuxɨ. dɔtknˈɔwɛm pɔvʲˈɛki.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_64.wav|ɲʲɛ rˌɔzmavʲˈamɨ ɔ jˈɛɡɔː ˌintɛrˈɛsax. nˈavɛt ɲʲɛ xtɕˈawabˌɨm ɔ ɲˈiɣ vʲˈɛdʑɛtɕ. a pʲɛɲʲˈɔndʑɛ na dʑˈɛtɕi i dˈɔm pɔxˈɔdʑɔ̃ ɔt jˈɛɡɔː ˈɔjtsa. ɲʲɛ pˈɨtam ˈɔtɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_110.wav|ɲʲˈɛma ɲˈidʑ zwˈɛɡɔ, jˈɛɕli ɔ tɕˈɛbjɛ xˈɔdʑi, pɔvʲˈɛdʑaw. sɔ̃ pɔ prˈɔstu ʒˈɛtʃɨ, na ktˌurɛ ɲˈits ɲʲɛ mˈɔʒna pɔrˈadʑitɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_72.wav|ktˈɔ tɔ jɛst mˈarta pˈɔrtɛr? zˌapɨtˈali ɡˈɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_27.wav|ɔt jakʲˈɛɡɔɕ tʃˈasu dʑˈawɨ ɕɛ dʑˈivnɛ ʒˈɛtʃɨ. pɛvnˈɛɡɔ dɲʲˈa, kʲˈɛdɨ vratsˈawam zˈɛ ʃkˈɔwɨ, swɨʃˈawam nˈavɛt kˈɛlsɛj s sɔ̃ɕˈɛtstfa kʃɨtʃˈɔntsɔ̃ na mˈamɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_98.wav|rˈɔbʲi pˈawzɛ i kʲˈɛdɨ znˈuf ɕɛ ɔdʑˈɨva, bʒmˈi prˈavʲɛ tʃˈɛʑvɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_98.wav|tˈak, za xfˈilɛ. musˈimɨ jˈɛʃtʃɛ uzˈɨskatɕ jˈak najvʲˈɛntsɛj ˌinfɔrmˈatsji na tˈɛmat tsˌamɛrˈɔna ɛdmˈuntsa, skˌɔntaktˈɔvatɕ ɕɛ z rɔdʑˈinɔ̃, zˈaɲim ktˈɔɕ tsˈɔɕ pˈɔvʲɛ na zˈɛvnɔntʃ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_62.wav|dɔ zˌɔbatʃˈɛɲʲa pˈuʑɲʲɛj.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_121.wav|w ˈinnɨx pʃɨpˈatkaɣ bˈɨw tɔː ˈɛwstas.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_93.wav|spˌɔdʑɛvˈawa ɕɛ tˌɛɡɔː ɔt xfˈili, ɡdˈɨ lˈɔraz vɨbwˈaɡaw, bˈɨ pˌɔvʲɛʒˈɔnɔ mu dɔvˈutstfɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_30.wav|zˌatʃɨmˈawam ɕɛ, ɡdˈɨ tˌɨlkɔ rˈɔzlɛkw ɕɛ sˈɨk ˌuxɔdʑɔntsˈɛɡɔ pɔvʲˈɛtʃa.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_173.wav|stfʲˈɛrdʑiw sˈɛptɔn mɛrˈibalt.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_190.wav|mɛ̃ʃtʃˈɨzna ɔdvrˈutɕiw ɕɛ i skˈinɔw dwˈɔɲʲɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_286.wav|jɛzd bˈardʑɔ rɨtsˈɛrski.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_49.wav|tsɛrsˈɛi zˌasɛmpˈiwa ɕɛ jˈɛʃtʃɛ bˈardʑɛj.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_370.wav|prɛzˈɨdɛnt s tsˈawɔ̃ mˈɔtsɔ̃ vˈɨpluw jˈakɔ̃ɕ kˈɔstkɛ, ktˈura...|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_160.wav|ˈuɲʲus ɕɛ na ramjˈɔnax, pˈɔtpar ɡwˈɔvɛ pʲɛɲɕtɕˈami i pˈatʃɨw nˈaɲʲɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_444.wav|ɔː ˈilɛ kɕˈɔ̃ʒɛ dˈɔran ɲʲɛ pɔzbˈaviw jɛj prˈaf,|1
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_50.wav|zˌatʃɨmˈali samˈɔxut i vɨvlˈɛkli mɲʲɛ na zˈɛvnɔntʃ. jˈɛdɛn z ɲˈix mɲʲɛ pʃɨtʃˈɨmaw.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_229.wav|ʑˈima mˌaʃɛrˈujɛ na pɔwˈudɲʲɛ, a pɔwˈɔva s pˈixʃuf jɛst pˈusta.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_132.wav|vˈinɔ bˌɨwɔ w najlˈɛpʃɨm ɡatˈuŋku.|1
+Dataset/wavs/urwisko_ferenc/64_segment_117.wav|pˈɔtʃuw drˈɛʃtʃ rˌɔsxɔdʑˈɔntsɨ ɕɛ vˈɛvnɔntʃ tɕˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_80.wav|pˌɔmaɡˈajɔnts tɕi vɨbjˈɛram mɲʲˈɛjʃɛ zwˈɔ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_74.wav|tfˈuj tˈaɲʲɛdʑ vˈɔkuw dʑɛvˈitsɨ marɡˈarɨ zˈatʃɔw ɕɛ jˈɛʃtʃɛ pʃɛt ɔdjˈazdɛm sˈɛr lɔrˈasa na smˈɔtʃɔ̃ skˈawɛ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_372.wav|mˈɔɡwabˌɨm pˌɔtpɔvʲˈɛdʑɛtɕ mɨrtsˈɛlli, tsˈɔ mˈa ʒˈɛts, ˌalɛ dlatʃˈɛɡɔ mʲˈawabˌɨm tɔ zrˈɔbʲitɕ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_26.wav|tɔ jɛst tɔ, tsˈɔ dʑˈɛjɛ ɕɛ zˈɛmnɔ̃, jˈɛɕli xˈɔdʑi ɔː ˈɛstɛr. ˌalɛ ˈɛstɛr, jˈaɡ vʲˈɛʃ, ˈumjɛ kwˈamatɕ, ja ɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_61.wav|a mˈɔʒɛ kˈɔpnɔɲtɕ w jˈaja, ʒˈɛ tˈak spʲˈɛpʃɨw sprˈavɛ s tsˌamɛrˈɔnɛm?|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_46.wav|zdˈawam sˈɔbjɛ sprˈavɛ, jˈaɡ bˈardʑɔ pʃˌɨspʲɛʃˈɨwam, dɔpʲˈɛrɔ kʲˈɛdɨ trujkˈɔntnɛ panˈɛlɛ bˈaɲki kɔnrˈada vˌɨpɛwɲˈiwɨ tsˈawɛ mˈɔjɛ pˈɔlɛ vidʑˈɛɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_214.wav|w ɡˈɛ̃stfʲɛ tɕˈɛmnɨɣ ʒˈɛ̃s, jˈak lˈɛɕna vˈɔda, a ja vitˈawɛm ɕɛ z jɛj ɲʲˌɛskalˈanɔ̃ ʃˈɨjɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_28.wav|vʲˈɛndʑ znˈawa vʲˈɛlu jˈɛɡɔ kɔlˈɛɡuf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_16.wav|uvˈaʒaw mɲʲɛ za swˈɔtkɔ̃ i ɲʲɛvˈinnɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_214.wav|vʲˈɛʃ tsˈɔ, tˈɔnɨ?|0
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+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_67.wav|ɲˈits s tɨɣ ʒˈɛtʃɨ. vɨstˈartʃɨ zvˈɨkwɛ ubrˈaɲʲɛ, a sˈam tɔrɲˈistɛr ɲʲɛ jɛzd zbˈɨt tɕˈɛ̃ʃki.|4
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+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_25.wav|spɔkˈɔjɲʲɛ, ˈaʃ. ɲʲˈɛvʲɛm nˈavɛt, tʃɨ zabrˈalibˌɨ tɕˈɛ f tɔ sˈamɔ mʲˈɛjstsɛ.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_104.wav|tˌɨlkɔ na kˈilka mˈinut.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_79.wav|— mɨ tˈɛʃ tɔ vidʑˈɛliɕmˌɨ — ɔdˈɛzvaw ɕɛ f swuxˈaftsɛ ɡwˈɔs sfɔbˈɔdɨ. — ɕfʲˈɛtɲʲɛ, ˌalɛ na rˈaʑɛ ɕɛ rɔzwˈɔntʃam. ɔdˈɛzvɛ ɕɛ, kʲˈɛdɨ bˌɛɲdʑɛ pɔ fʃˈɨstkim.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_217.wav|lˈadɨ amˈarɨ pʃɨvʲˈɔzwa zˈɛ sˈɔbɔ̃ dɔ dˈarɨ ɔkˈɔwɔ dvudʑˈɛstu frˈɛjuf. ɕˈɔstrɨ, strˈɨja, strˌɨjɛtʃnˈɛɡɔ brˈata, rˌɔzmaˈitɨx kuzˈɨnuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_57.wav|pʃˌɨjatɕˈuwtsɛ, s ktˌurɛj pɔmˈɔtsɨ kˌɔʒɨstˈawɛm rˈuvɲʲɛʃ f kfˈɛstjaɣ zvʲɔ̃zˈanɨɣ z islˈamɛm ˌɔraz dʒˈanɛt tˈuɛr.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_86.wav|z rɛɡˈuwɨ nˌajpɔbɔʒɲʲˈɛjɕi vɨnˈɔʃɔ̃ nˈatɔ stˌanɔvˈiskɔ kˈɔɡɔʑ zˈɛ sfˈɛɡɔ ɡrˈɔna, ˌalɛ zdaʒˈawɨ ɕɛ jˈuʒ vɨjˈɔntki.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_518.wav|pɔ rˈas pʲˈɛrʃɨ patʃˈɨliɕmˌɨ sˈɔbjɛ w ˈɔtʃɨ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_105.wav|bʲˈili ɕtɕˈɔŋɡa ˌaplikˈatsjɛ na jˈɛdɛn z ɔlttˈɛkuf. zajmˈujɛ tɔ trˈɔxɛ tʃˈasu, bˈɔ vˈifˈi w mɔdˈɛlu pˈɛnnɨ pˈinɛs jɛzd bɔlˈɛɕɲʲɛ swˈabɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_97.wav|ɲʲɛ dʑvˈɔɲʲɛ dɔ ɲʲˈɛɡɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_44.wav|tɔ ɲʲˌɛpɔrˌɔzumjˈɛɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_191.wav|ʃɛrˈɛɡʲi baɲˈituf rˌɔsstɔmpˈiwɨ ɕɛ i pʃˌɨprɔvadʑˈɔnɔ dvˈux kɔlˈɛjnɨx jˈɛɲtsuf.|1
+Dataset/wavs/urwisko_ferenc/23_segment_28.wav|mʲˈaw rumjˈanɔ̃, prˌɔstɔkˈɔntnɔ̃ tfˈaʃ i ˈɔtʃɨ pˈɛwnɛ sˌɛrdɛtʃnˈɔɕtɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_119.wav|kˈatrin, tˈak mʲˈawa na ˈimjɛ, ˌalɛ uʒˈɨjɛ innˈɛɡɔ, xˈɔtɕ pˌɔdɔbnˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_416.wav|tɔ zˌaskɔtʃˈɨwɔ jˌamjɛˈɛɡɔ. brjˈɛnnɛ ɲˈiɡdɨ ɲʲɛ fspˌɔminˈawa ɔ ʒˈadnɨɣ zˌarɛntʃˈɨnax.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_11.wav|prˈɔʃɛ pˈɔdɛjʑdʑ dɔ ʃˈɨbɨ. dla fʃˈɨstkiɣ vɨstˈartʃɨ mʲˈɛjstsa.|4
+Dataset/wavs/urwisko_ferenc/14_segment_10.wav|vˌɨɡlɔndˈawɨ na nˈɔvɛ, jˈaɡbɨ pʃɛt xfˈilɔ̃ vɨjˈɛntɛ s pudˈɛwka.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_98.wav|ˌɔdmuvˈiwam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_94.wav|trˌadɨtsˈɨjɲʲɛ zapˈɔmɲʲaw jˈɔ̃ vˈɨjɔɲtɕ pɔ pɔvrˈɔtɕɛ zˈɛ sklˈɛpu.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_199.wav|ɲˈiɡdɨ tˌɛɡɔ ɲʲɛ rˈɔbʲiw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_137.wav|bˈaki ɕɛ ɕmʲˈɛjɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_157.wav|dɔstʃˈɛɡam tˌɨlkɔ stˈarɨ kˈij dɔ krɨkʲˈɛta i blˈask rˌɛflɛktˈɔruf na pɔʒˈuwkwɨm drˈɛvɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_108.wav|ɲʲɛ jˌɛstɛm zˌaintˌɛrɛsɔvˈana zˌalitʃˈaɲʲɛm fatsˈɛtuf. jˈɛdɛn w zˌupɛwnˈɔɕtɕi mi vɨstˈartʃa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_52.wav|vˈɨbatʃ, ˌalɛ musˈimɨ natɕˈiskatɕ tɕˈɛ dˈalɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_105.wav|jˈuʒ vʲˈɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_23.wav|zˌakazɨvˈanɔː ˌɔtʃɨvˈiɕtɕɛ pˌɔɕadˈaɲʲa tʃˌɛɡɔkˈɔlvʲɛk. muɕˈɛli zˈatɛm jˈuʃ na vˈɛjɕtɕu pʃɛkˈazatɕ ˌaramˈɔvi kɔntrˈɔlɛ nat sfɔˈimi ɲʲˌɛruxˌɔmɔɕtɕˈami.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_638.wav|tˈɨ, ɔː ˈilɛ pamjˈɛntam, ʃˌɨkɔvˈawɛɕ ɕɛ na kɕˈɛndʑa, a tˈu afˈɛra ˌɛrɔtˈɨtʃna f stˈɨlu ˌamɛrɨkˈaɲskim.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_36.wav|ɡwˈadʑɛ jˈɔ̃ dˌɛlikˈatɲʲɛ pɔ nˈɔdʑɛ. jˈuʒ dˈɔbʒɛ, kɔxˈaɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_277.wav|f tɛj pʃˌɛtɕɔŋɡajˈɔntsɛj ɕɛ w vʲˈɛtʃnɔɕtɕ xfˈili swɨʃˈawɛm, ʒˈɛ tsˈɔɕ muvˈiwa, pwakˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_89.wav|tʃˈujɛ, ʒˈɛ ˈɔjtɕɛts mˈatʃaw f tɨm pˈaltsɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_29.wav|ktˈɔɕ tˈu zˈaras pʃˈɨjdʑɛ. pˌɔdlɛvˈawam rɔɕlˈinɨ i vidʑˈawam, jˈak pɔd dˈɔm zajˈɛxaw samˈɔxut.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_26.wav|jˈaki pˈan, skˈarbjɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_19.wav|bʲˈillɨ pʃɨkwˈada stˌɨrɔpʲanˈɔvɨ rɛkfˈizɨd dɔ bʒˈuxa i ɕɛ ɔdvrˈatsa.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_319.wav|marɡˈarɨ mˈuvi, ʒˈɛ vrˈutɕi. mɔdlˈimɨ ɕɛ za ɲʲˈɛɡɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_187.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/urwisko_ferenc/02_segment_22.wav|ˌalɛ dlatʃˈɛɡɔː ɔ ɲʲˈɛɡɔ pˈɨtaʃ? ɔn jˈakɔː ɔstˈatɲi zajmˈɔvaw ɕɛ sprˈavɔ̃ zˌaɡʲiɲʲˈɛɲtɕa xudʑˈiɲskʲɛj.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_181.wav|pɔnˈɔvɲʲɛ ˌɔtfɔʒˈɨwɨ intˈɛrɛs.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_47.wav|— ɔ kˈurdɛ! — mˈuvi ˈɛlis tɕˈixɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_62.wav|tɛ z ubrˈaɲʲɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_91.wav|fʃˈɨstkʲɛ ɕtɕˈanɨ bˌɨwɨ pˌɔrɨsɔvˈanɛ i pˌɔpisˈanɛ ʃprɛjˈɔvɔ̃ fˈarbɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_58.wav|pˌɔvʲɛdʑˈawɛm, ʒˈɛ pɔlˈitsja jˈuʃ jˈɛdʑɛ, swˈɨʃɛ sɨrˈɛnɨ, vʲˈɛndʑ vrˈatsaj dɔ dˈɔmu i ɲʲˈɛdaj im zˈabratɕ mɲʲɛ dɔ vʲɛ̃ʑˈɛɲʲa, bˈɔ jˈaɡbɨm ɡˈɔ ɲʲɛ zˈabʲiw, tɔː ɔn zˈabʲiwbˌɨ mɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_14.wav|a jˈutrɔ? dʑˈiʑ vʲɛtʃˈɔrɛm zadʑvˈɔɲi dɔ tɕˈɛbjɛ dɔ xɔtˈɛlu. pˈɔda tʃˈas i mʲˈɛjstsɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_271.wav|znˈɔvu zˌɔbatʃˈɨwɛm tˈuʃ pʃɛt sˈɔbɔ̃, bˈardʑɔ blˈiskɔ, jɛj ˈɔtʃɨ, ˌalɛ jˈaɡbɨ ˌɔdrɔbʲˈinɛ spwɔvʲˈawɛ zmɛntʃˈɛɲʲɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_245.wav|tʃtɛrnˈaɕtɕɛ z ɲˈiɣ vˈɨswaw mˈuj ˈɔjtɕɛts, ktˌurɨ rˌɔspatʃlˈivʲɛ prubˈɔvaw navʲˈɔ̃zadʑ zˈɛmnɔ̃ kˈɔntakt.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_79.wav|bʲˈillɨ skrˈɛntsa na drˈɔɡɛ ɡruntˈɔvɔ̃, pˌamjɛntˈajɔnts, bˈɨ pɔtsˈunɔɲtɕ kapˈɛluʃ ɲʲˈɛtsɔ vˈɨʒɛj na ɡwˈɔvʲɛ. klˈɛpʲɛ pʃˈɛdɲʲɔ̃ kʲˈɛʃɛɲ ˌɔɡrɔdɲˈitʃkuf, rˈuɡɛr s twumˈikʲɛm i bˈɔtʃnɔ̃ ɡlˈɔk.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_241.wav|ˌurɔdʑˈiwam ɕɛ jˈakɔ jɛdˈɨnɛ dʑˈɛtskɔ stˌarɔʒɨtnˈɛɡɔ rˈɔdu.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_57.wav|f tɨm ɕɲʲˈɛ zˈafʃɛ pwakˈawa jˈak pʃˌɛraʒˈɔnɨ dʑˈɛtɕak.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_65.wav|tɔ, tʃˈɛɡɔ ɲʲˈɛvʲɛm, ɲʲɛ mˈɔʒɛ mɲʲɛ zrˈaɲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_129.wav|vʲˈɛnts lˈudʑɛ zˌapɔmɲʲˈɛli ɔ smˈɔku i zatʃˈɛli nazˈɨvatɕ kˈartʃmɛ nadʒˈɛtʃnɔ̃ ɡɔspˈɔdɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_70.wav|pˈɔtɛm bˈɛz zˌastanɔvʲˈɛɲʲa pˌɔwɔʒˈɨwam dwˈɔɲ na kravˈɛɲdʑi ɔtfˈɔru, ʒˈɛbɨ zaxˈɔvatɕ rˌuvnɔvˈaɡɛ. kˈurva!|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_29.wav|ɲʲɛ mˈɔʒɛʃ pɔ prˈɔstu pɔvʲˈɛdʑɛtɕ, ʒˈɛ ɕɛ tˌɛmu pʃɨjʒˈawɛɕ?|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_15.wav|tsˌɨlindrˈɨtʃna kɔmˈɔra tɕˌiɕɲʲɛɲʲˈɔva bˌɨwa vˌɨpɔsaʒˈɔna f pˌɔjɛdˈɨntʃɨ, ˌɔpswuɡʲivˈanɨ rˈɛntʃɲʲɛ vwˈas i tʃtˈɛrɨ zbjɔrɲˈiki s pɔvʲˈɛtʃɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_100.wav|tˈak mi pʃˈɨkrɔ, ljˈɔ.|3
+Dataset/wavs/urwisko_ferenc/64_segment_14.wav|ftɕˈɔ̃ʃ jɛst f tɕˈɛ̃ʃkim stˈaɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_171.wav|dʑɛftʃˈɨna bˌɨwa tˈak xˈuda, ʒˈɛ vˌɨɡlɔndˈawa na zˌaɡwɔdʑˈɔnɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_158.wav|ja tɕˈɛ ɲʲɛ vˈiɲʲɛ ɔ ɲˈits, pˌɔvʲɛdʑˈawa jˈudɨ.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_331.wav|tʃɨ tˈaɡ vitˈatɕɛ krulˈɔvɔ̃? zˌapɨtˈawa.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_127.wav|ʑˈimɔ̃ bˌɛndɔ̃ ʒˈarli ʃtʃˈurɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_84.wav|tʃˈɨ tɨɕˈɔntsɛ w ɔtsˈɛtkax?|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_77.wav|pɔvʲˈɛdʑɔ̃, ʒˈɛ mʲˌɛli ɡˈɔ za pˌɔʒɔndnˈɛɡɔ tʃwɔvʲˈɛka, ʒˈɛ rˈɔbʲiw dˈɔbrɛ vraʒˈɛɲʲɛ i...|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_76.wav|pʃˌɨpɔmɲʲˈawam sˈɔbjɛ swˈɔva lˈi. zˈamkɲij ˈɔtʃɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_53.wav|zˌapɛvɲʲˈawɨ ˌɔnɛ dˈɔstɛmb dɔ mawˈɛɡɔ kˌɔrɨtˈaʒa s prɨvˈatnɔ̃ waʑˈɛŋkɔ̃ i sxɔdˈami prˌɔvadʑɔntsˈɨmi dɔ bˈɔtʃnɨɣ dʒvˈi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_8.wav|tˈɔm mˈuɕaw pʃˈɨznatɕ jɛj rˈatsjɛ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_271.wav|zˌavɔwˈawa tsɛrsˈɛi, zvratsˈajɔnts ɕɛ dɔ twˈumu. xtsˈɛtɕɛ pɔxˈɔvadʑ bwˌɔɡɔswˌavʲɔnˈɛɡɔ bˌaɛlˈɔra w ɡˈuʒɛ padlˈinɨ?|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_37.wav|tˈɛras naprˈavdɛ zˌapʲɛrɲitʃˈawam. zˌɔstavˈiwam f tˈɨlɛ nˈavɛd bˈɔba, a ɔn jɛst najbˈardʑɛj dˌɔɕfʲattʃˈɔnɨm ɛkspˈɛrtɛm ɔt spatsˈɛruf kɕˌɛ̃ʒɨtsˈɔvɨx.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_145.wav|dˈatɕɛ mi butˈɛlkɛ ɡʲˈinu i dˈuʒɔ̃ butˈɛlkɛ tsˈɔli na krˈɛdɨt? zapˈɨtaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_67.wav|xtɕˈawabˌɨm tˌɨlkɔ tsˈɔɕ pɔʒˈɨtʃɨtɕ na pˈarɛ dɲˈi. mˈɔɡɛ pˈaɲi zˈatɔ zapwˈatɕitɕ tˈɨɕɔndʑ ɡʲˈituf.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_376.wav|tˈak mi mˈuviw sˈɛr xˈɨall.|1
+Dataset/wavs/urwisko_ferenc/64_segment_102.wav|mɛ̃ʃtʃˈɨzna vɨrˈaʑɲʲɛ pˈɔblad.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_251.wav|ʒˈɛ tɕˈɛ tˈaɡ zdˌɛnɛrvɔvˈawam.|3
+Dataset/wavs/urwisko_ferenc/15_segment_76.wav|vˈɛʃli na tˈɛrɛn tʃɛɲɕtɕˈɔvɔ zˌatɕɛɲʲɔnˈɛɡɔ parkˈiŋɡu i ɡrˈɔɣ vˈɨjɔw klutʃˈɨki ɔt ˈawta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_197.wav|rˈaz ɡlˈɛnn mʲˈaw ˈaʃ tʃˈɨ pˈuʃki i fʃˈɨstsɨ trˈɔxɛ ɕɛ upˈiliɕmˌɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_74.wav|tsˈuʃ, mˈa pˈɛxa. dˈɔɕtɕ jˈuʃ stratɕˈiwam nˈɛrvuf, ˌɔpsɛrvˈujɔnts ˈinnɨx lˈudʑi, ktˌuʒɨ prubˈujɔ̃ znˈalɛɕtɕ mˈɔjɛ dʑˈɛtskɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_231.wav|pˈatʃɔnts na strˈuɡʲi dˈɛʃtʃu ˌudɛʒˌajɔntsˈɛɡɔː ɔ ʃˈɨbɛ, zapˈaliw ɕfʲˈatwɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_150.wav|mˈɔʒɛ ɕɛ tˈaɡ zdˈaʒɨtɕ, ʒˈɛ jɛj ɲʲɛ znˈajdɔ̃, a tɔ bˌɛɲdʑɛ ˌɔznatʃˈawɔ, ʒˈɛ bɛɲdʑˌɛtɕɛ krɔ̃ʒˈɨli z bˈɛki pɔ krˈaju, marnˈujɔnts tʃˈas.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_38.wav|tʃˈɛɕtɕ lˈutsɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_65.wav|spɔjʒˈawam na ɲʲˈɛɡɔ zmʲɛʃˈana. mɛ̃ʃtʃˈɨzna pɔklˈɛpaw ɕɛ pɔ pʲˈɛrɕi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_34.wav|pɔdˈɔbnɔ mʲˌɛliɕtɕˌɛ tˈu dɛʃtʃˈɔvɛ lˈatɔ, bʲˈillɨ. prˈavda tɔ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_137.wav|patʃˈɨwɛm s pʃˌɨjɛmnˈɔɕtɕɔ̃ na tˈɛ dʑɛftʃˈɨnɛ, ˌɔkrɔŋɡlˈutkɔ̃, ˌapɛtˈɨtʃnɔ̃.|0
+Dataset/wavs/urwisko_ferenc/13_segment_33.wav|tˌɛɡɔ jˈuʃ mi ɲʲɛ mˈuviw.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_329.wav|pˌɔmɨɕlˈawa ɔ tɨrjˈɔɲʲɛ, ɔː ɔɡˈaʒɛ i ˈɔtɨm, jˈak jˈɔ̃ pˌɔtsawˈɔvaw.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_176.wav|jˈatsɔp|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_97.wav|pʃˌɛtɕɛʃ sɔ̃ jˈɛʃtʃɛ ˈinnɛ kɔbjˈɛtɨ na ɕfʲˈɛtɕɛ pˌɔvʲɛdʑˈawa xˈɛlɛn. jɛzd dˈuʒɔ kˈɔbjɛt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_79.wav|jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ, dˈuʒa ɲʲˌɛspɔdʑˈaŋka spˈɔtka tɕˈɛ. jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ, lˈɛpʲɛj za mˈiɕa pʃˈɛbjɛʃ ɕɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_217.wav|vʲˈɛnts tɨ mˈɨɕliʃ, ʒˈɛ nˈam ɕɛ ˈuda?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_325.wav|zaswˈɔnɨ na ˈɔknaɣ bˌɨwɨ rˌɔssuɲʲˈɛntɛ. swˈɔɲtsɛ lɛʒˈawɔ jˈuʃ na dˈaxu z mˈasɔ̃ dɨmɲˈikuf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_36.wav|tɔ tɛn mˈiwɨ fˌuŋktsjɔnˈarjuʒ z ˌubjɛɡwˈɛɡɔ vʲɛtʃˈɔru, ktˌurɨ ˈalbɔ kˈɔɲtʃɨ zmʲˈanɛ, ˈalbɔ zatʃˈɨna vwˈaɕɲʲɛ nˈɔvɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_161.wav|mˈɔʒɛ sprˌubujˈɛmɨ zˈasnɔɲtɕ?|0
+Dataset/wavs/urwisko_ferenc/35_segment_20.wav|— dˈɔkɔnt tˈɛras? — spˈɨtaw mˈixaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_19.wav|uvˈadʑɛ tˈɔma ɲʲɛ umknˈɛwɨ znatʃˈɔntsɛ spɔjʒˈɛɲʲa pˌɔzɔstˈawɨx tʃwˈɔŋkuv zɛspˈɔwu. kitˈɔvi swˈɔvɔː imprˈɛza ɲʲɛ pʃɛʃwˈɔbɨ pˈɛvɲʲɛ pʃˈɛz ɡˈardwɔ.|4
+Dataset/wavs/urwisko_ferenc/04_segment_63.wav|bˈɨtɕ mˈɔʒɛ pʃˈɛʃwa pʃˈɛz barjˈɛrki i ʒutɕˈiwa ɕɛ dɔ vˈiswɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_66.wav|tˈɛras ɲʲɛ mˌamɨ jˈuʃ pʃɛt sˈɔbɔ̃ tajˈɛmɲits.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_16.wav|jˌɛstɛm pˈɛvna, ʒˈɛ zakˈɔxaw ɕɛ w ɲʲˈɛj, zˈaɲim ɔbdˈaʒɨw utʃˈutɕɛm mɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_98.wav|dlatʃˈɛɡɔ mˈuɕaw z ɲʲˈɛɡɔ fʃˈɨstkɔ vɨtɕˈɔŋɡatɕ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_35.wav|ɲʲɛ davˈawɔ mu tˈɛʃ spɔkˈɔju pɨtˈaɲʲɛ, tʃɨ rˈɔbjɔ̃ vˌɨstartʃajˈɔntsɔ vʲˈɛlɛ, ʒˈɛbɨ jˈɔ̃ znˈalɛɕtɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_52.wav|tsˈɔː ɔn mˈa na mˈɨɕli?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_452.wav|pʃˌɛstavʲˈajɔnts ɕˈilɲik na lˈus, s kʃˈakuv vˈɨlaz mwˈɔdɨ tʃwˈɔvʲɛk.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_626.wav|zˌaçixɔtˈawa.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_115.wav|sˈɛr ˈilɨn paˈɨnɛ pɔdjˈɛxaw dɔ jˌamjɛˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_202.wav|musˈimɨ ix pʃɨwˈapatɕ na ɡɔrˈɔntsɨm utʃˈɨŋku.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_42.wav|tsɔkˈɔlvʲɛk rɔbʲˈiwam, zˈafʃɛ rɔbʲˈiwam tɔ s pʃˌɛkɔnˈaɲʲɛm, ʒˈɛ xrˈɔɲʲɛ f tɛn spˈɔsup rɔdʑˈinɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_104.wav|zapˈɨtaw, ktˌurɨ z nˈas tɔ sˈummɛrs, ɔtpˈarwɛm, ʒˈɛ jˈa. ftˈɛdɨ pɔvʲˈɛdʑaw, ʒˈɛ nazˈɨva ɕɛ xˈɔff.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_57.wav|lˈɛdʒ dˈɔbʒɛ pɔznˈawɛm tarɡˈɔvɛ mʲˈasta, varˈɔvɲʲɛ i vʲˈɔski tˈak mˈawɛ, ʒˈɛ nˈavɛt ɲʲɛ mˌajɔ̃ nˈazvɨ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_206.wav|kʲˈɛdɨ tʃˈɛkaw, ˈaʃ lˈana bˌɛɲdʑɛ vˈɔlna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_125.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_69.wav|bˈardʑɔ nˈam pʃˈɨkrɔ s pɔvˈɔdu pˈaɲi strˈatɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_26.wav|mˈɔʒɛ pɔvˈinna bˌɨwa pʃˈɨjɕtɕ ftʃˈɛɕɲʲɛj?|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_137.wav|a kˌɔmɛdjˈaɲtɕi zˈɛ stˈatku ˌɔtpɔvʲˈɛdʑɔ̃ im ɕɛdmʲˈɔma pˌijanˈɨmi vʲˌɛɕlaʒˈami.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_12.wav|jˈɛɡɔ skˈura ɔː ɔttɕˈɛɲʲu kˈavɨ lɕɲˈiwa w ɕfʲˈɛtlɛ fpˌadajˈɔntsɨm pʃˈɛz dʒvˈi, kˌɔntrastˈujɔnts w ɲʲˌɛbɨvˈawɨ spˈɔsub z ˌidɛˈalɲʲɛ bjˈawɔ̃ pɔɕtɕˈɛlɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_383.wav|zˌapɨtˈawɛm ɕˈɔstrɛ, tʃɨ mˈam ɡˈɔ zˈaɲʲɛɕtɕ na wˈɔʒɛ, a ˌɔna ˌɔtpɔvʲɛdʑˈawa...|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_281.wav|dʑɛlˈiwɨ zˈɛ sˈɔbɔ̃ pɔɕˈiwki, wˈɔʒɛ i klɛjnˈɔtɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_120.wav|ʒˈɔka pɔdˈawa mi pˈanɛl stˌɛrɔvɲˈitʃɨ. ɲʲɛvʲˈɛlkʲɛ ˌuʒɔndʑˈɛɲʲɛ z ˌɛkraɲˈikʲɛm ˌɔtɔtʃˈɔnɨm pʃˌɨtɕiskˈami i dʑvˌiɡʲɛŋkˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_125.wav|xwˈɔpak mˌamɨ vʒˈɛʃtʃaw i rɔzɡˈaɲʲaw rˈɛŋkɔ̃ dˈɨm, ktˌurɨ zˈatʃɔw bˈuxatɕ tˈuʃ pʃɛt jˈɛɡɔ pʃˈɨjɕtɕɛm. pˈɨtaw, tsˈɔɕ tɨ zrɔbʲˈiwa, a kˈatxɨ...|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_335.wav|spɔjʒˈawɛm w dˈuw i zˌɔbatʃˈɨwɛm kˈɔwɔ ɕˈɛbjɛ, ˌalɛ f pˈɛvnɨm ˌɔddalˈɛɲʲu ɕpʲˈɔntsɔ̃ lˈubɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_128.wav|tɛ swˈɔva znatʃˈɨwɨ dla mɲʲɛ fʃˈɨstkɔ. vʲˈɛnts nˈavɛt jˈɛɕli skwˈamaw na tˈɛmat tˌɛɡɔ mˈɛtʃu, tɔ tʃɨ mʲˈawɔ tɔ jˌakʲɛkˈɔlvʲɛɡ znatʃˈɛɲʲɛ?|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_252.wav|bˌɛɲdʑɛʃ mˈuɡw mɲʲɛ znˈɔvu pˌɔtsawˈɔvatɕ, kʲˈɛdɨ dɔtʃˈɛmɨ dɔ brˈam, pɔd varˈuŋkʲɛm, ʒˈɛ dɔtʃˈɨmaʃ swˈɔva.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_60.wav|ɲʲˈɛxtɕaw jɛj bˈudʑitɕ, vʲˈɛnts ɔtfˈɔʒɨw pɔ tɕˈixu lɔdˈufkɛ, ʒˈɛbɨ vˈɨjɔɲdʑ butˈɛlkɛ vˈina.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_228.wav|vɨjˈɔwɛm sfˈɔjɛ vɛzvˈaɲʲɛ i ʒutɕˈiwɛm na pwɔnˈɔntsɔ̃ ɡwˈɔvɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_27.wav|tˈata pɔvʲˈɛdʑaw, ʒˈɛ dˈɔm jɛst pˈustɨ, jˈɛɕli ɲʲɛ lˈitʃɨtɕ mˌamɨ i arˈama.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_506.wav|ˌɔna pˈɛvɲʲɛ spˈawa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_39.wav|bˈɔː i tsˈɔ mˈuɡwbɨɕ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_61.wav|kˈit mʲˈaw rˈatsjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_130.wav|ˌalɛ i sɔntʃˈɨwɔ ɕɛ kˈu mɲʲɛ zvʲˈɛvnɛ tɕˈɛpwɔ jɛj tɕˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_152.wav|tˈaɡ vʲˈɛnts mʲˈawam spˈɔrɛ ʃˈansɛ, ʒˈɛbɨ ɲˈikt ɲʲɛ zˌauvˈaʒɨw mɔjˈɛɡɔ tˌɔvaʒˈɨʃa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_35.wav|ʒˈadna z ˈɔptsji ɲʲɛ jɛzd dˈɔbra.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_9.wav|a ɔn sˈam ɲʲɛ jɛzd w dˈuʒɛj sɨpʲˈalɲi na pʲˈɛntʃɛ dˈɔmu pʃɨ ɛvˈɛrɡrin strˈit, lˈɛtʃ w ˈinnɛj, znˈatʃɲʲɛ mɲʲˈɛjʃɛj, f sˌutɛrˈɛɲʲɛ na pˈɛarsɔn strˈit.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_79.wav|bˌɨwa najmwˈɔtʃɔ̃ s tutˈɛjʃɨx kˈurɛf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_281.wav|a ja zdradʑˈiwɛm kˈɔɡɔɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_122.wav|uɕmʲˈɛxa ɕɛ dɔ mɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_21.wav|zamˈavʲam dvˈa pudˈɛwka pʲˈaŋki.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_123.wav|znˈanɨm na tsˈawɨm ˌuɲivˌɛrsɨtˈɛtɕɛ lixfʲˈaʒɛm, pɔmˈaɡaw studˈɛntɔm, a pˈɔtɛm iɣ dˈɔiw.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_226.wav|kˈɔnta tfɔjˈɛɡɔː ˈɔjtsa stˈawɨ ɕɛ tfˈɔjɔ̃ vwasnˈɔɕtɕɔ̃ w mɔmˈɛɲtɕɛ, kʲˈɛdɨ dˈɔktɔr rɔˈussɛl stfʲɛrdʑˈiwa jˈɛɡɔ zɡˈɔn.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_122.wav|a vʲˈɛndʑ dˈɔbʒɛ, pɔvʲˈɛdʑaw. tsˈɔ xtsˈɛʒ zrˈɔbʲidʑ z rɨˈanɛm?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_49.wav|ɲʲɛ sˈɔndʑɛ, ʒˈɛbɨ ˌɔna i ˈɔjtɕɛts ˌukrɨvˈali tsˈɔɕ pʃɛt sˈɔbɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_124.wav|pˌɔvʲɛdʑˈawam, starˈajɔnts ɕɛ sprˈavʲadʑ vraʒˈɛɲʲɛ pˈɛvnɛj ɕˈɛbjɛ. nˈɔ, ɔbˈavʲam ɕɛ, ʒˈɛ tɔ tˌɨlkɔ kfˈɛstja sɛmˈantɨkˌi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_287.wav|ɡdʑˈɛʑ w ɡwˈɛmbʲi tɛj tɕˈɛmnɛj pratsˈɔvɲi ɔdˈɛzvaw ɕɛ tɛlˈɛfɔn. drɡnˈɔwɛm, xtɕˈawɛm fstˈatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_97.wav|maʃ ˈastmɛ?|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_276.wav|jˈ��dɛn s tɕˈɛɲi ɔdˈɛpxnɔw dʑɛftʃˈɨnɛ na bˈɔk.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_268.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_176.wav|zzˈa vzɡˈuʃ, jˈɛɕli bˌɛɲdʑɛ tʃˈɛba.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_3.wav|pˈɔla pɔt murˈami dˈarɨ znˈɔvu ɔrˈanɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_280.wav|uɲʲˈɔswɨ tʃˈujɲʲɛ ɡwˈɔvɨ i pʃˌɨpatrɨvˈawɨ ɕɛ nˈam jˈaɡbɨ ˌɔsɔblivˈɛmu pˌatrɔlˈɔvi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_96.wav|bʲˈillɨ kˈaʒɛ ˈɛlliz vˌɨpatrˈɨvatɕ mɔtˈɛlu, ktˌurɨ ɲʲɛ nalˈɛʒɨ dɔ ʒˈadnɛj z dˈuʒɨx ɕˈɛtɕi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_76.wav|a. ɔzbˈɔrnɛ|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_77.wav|fʃˈɨstsɨ jɛstˌɛɕmɨ zdrˈɔvi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_82.wav|na pˈarstɛk ˌɔtpɔvʲˈada ˈɔna.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_318.wav|ˌalɛ tˈɛraz ʒˈɨwka mɨɕlˈifska ɔswˈabwa, ˌɔdɛxtɕˈawɔ mi ɕɛ pɔrˈɔvatɕ na ɲʲˌɛzamˈɔʒnɨx, vˌɨɡʲiɲʲˈawɨx.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_36.wav|tˈak, zɡˈadʑa ɕɛ. pˌɔtpalˈili dˈɔm s kɔbjˈɛtɔ̃ i dvˈɔjɡʲim dʑˈɛtɕi w ɕrˈɔtku.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_40.wav|dɔpˈuki ɲʲɛ dˈɔvʲɛ ɕɛ vʲˈɛntsɛj, mˈuɕi tʃˈɨmatɕ tɛlˈɛfɔn f pɔblˈiʒu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_148.wav|ɔn vʲˈɛdʑaw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_153.wav|vɨ jɛstˌɛɕtɕɛ jˈaɡ dʑˈɛtɕi, pɔvʲˈɛdʑaw pɔlˈitsjant prɔvˈadʑɔnts ˌandɛrsˈɔna kˌɔrɨtˈaʒɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_640.wav|tsˈɔ bˌɨwɔ pˈuʑɲʲɛj, ɲʲɛ pamjˈɛntam.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_86.wav|kˈaʒdɨ tʃwˈɔvʲɛk, ktˌurɨ kˈɔɡɔɕ kˈɔxa ftʃˈɛɕɲʲɛj tʃɨ pˈuʑɲʲɛj, mˈuɕi ˈɔdɛjɕtɕ na fsxˈut.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_150.wav|bʲˈillɨ pʃˌɨpɔmˈina sˈɔbjɛ ftˈɛdɨ, ɡdʑˈɛ jˈɔ̃ pʃˈɛttɛm vˈidʑaw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_163.wav|mˈɔʒɛ ʒˌɛtʃɨvˈiɕtɕɛ pˌɔtʃɛbɔvˈawa pɔtɕˈɛxɨ, tɕɛpwˈɛɡɔː uɕtɕˈisku, a mˈɔʒɛ dˈɨɡɔt ˈustawbˌɨ sˈam s ɕˈɛbjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_386.wav|ʒˈɛ na pɔdwˈɔdʑɛ zɔstˈawɨ jaɕɲʲˈɛjʃɛ plˈamɨ ɲʲˌɛzapˌastɔvˈanɛj pɔdwˈɔɡʲi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_23.wav|zˌɔstavˈawam ftˈɛdɨ ˌɔdʒutsˈɔna, ˌɔdɛpxɲʲˈɛnta, jˈaɡbɨm ɲʲɛ spravˈiwa mu vˌɨstartʃajˈɔntsɛj pʃˌɨjɛmnˈɔɕtɕi.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_210.wav|ˈɔjtɕɛts skʃɨʒˈɔvaw rˈɛntsɛ na pʲˈɛrɕi i zmˈarʃtʃɨw tʃˈɔwɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_119.wav|tʃɨ tɔː ˌɔznatʃˈawɔ, ʒˈɛ zamjˈɛʒaw vɨjˈɛxatɕ na dwˈuʒɛj?|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_235.wav|kljˈɛɲtɕi pʃˌɛprɔvadʑˈili ɡwˌɔsɔvˈaɲʲɛ i zˌadɛtsˌɨdɔvˈali, ʒˈɛ ta kɔlˈɛjka jɛst na tfˈuj kˈɔʃt.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_334.wav|ɲʲɛ maʃ nˈatɔ dɔvˈɔdu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_66.wav|ɲʲˈɛx pˈan ˈidʑɛ dɔ tˌɔalˈɛtɨ i ɔbmˈɨjɛ jˈɔ̃ ʑˈimnɔ̃ vˈɔdɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_355.wav|kˈɨbɛrn mˈuviw, ʒˈɛ jˈuʃ prˈavʲɛ stˈu rɨtsˈɛʒɨ pʃɨɕˈɛŋɡwɔ pɔɕfʲˈɛɲtɕidʑ ʒˈɨtɕɛ i mʲˈɛtʃ sˈɨnɔm vˌɔjɔvɲˈika, a tsɔdʑˈɛnɲʲɛ zjavʲˈajɔ̃ ɕɛ nastˈɛmpɲi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_66.wav|pˈilɔt rɔstɕˈɛraw sfˈɔjɛ xˈudɛ pˈaltsɛ pʃˈɛs xfˈilɛ, pˈɔtɛm pɔvʲˈɛdʑaw.|0
+Dataset/wavs/urwisko_ferenc/65_segment_146.wav|pˈɔtɨm, tsˈɔ rˈazɛm pʃˈɛʃliɕmˌɨ? pˈɔtɨm, tsˈɔ za sˈɔbɔ̃ tɕɔŋɡɲʲˈɛmɨ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_137.wav|mˈɔʒɛʃ jˈuʃ ɔtfˈɔʒɨtɕ ˈɔtʃɨ, ˈanɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_7.wav|ɔtfˈɔʒɨw na ɛkrˈaɲʲɛ mˈapɛ i fskˈazaw tsˈɛntrum xandlˈɔvɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_84.wav|tɨ bˌɛɲdʑɛʃ pamjˈɛntatɕ i nˈam bˌɛɲdʑɛ wˈatfʲɛj.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_43.wav|jˈɛzu, jˈɔɛ, dlatʃˈɛɡɔ tɔ zrɔbʲˈiwaɕ? ɲʲˈɛbɔɲtɕ jˈɛndʑɔ̃. fstˈajɛ, a kʲˈɛdɨ ʃˈɔna pɔtxˈɔdʑi dɔ naʃˈɛɡɔ stɔlˈika, ɕtɕˈiskam jˈɔ̃ krˈutkɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_56.wav|pˈɔtɨm, tsˈɔ ja zrɔbʲˈiwam dla mʲˈasta?|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_315.wav|ʒˈal mi ɡˈɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_400.wav|a ˌɔna lˈɛʒɨ na vznˈak i jˈakiɕ kwˈɛmbɛɡ zˌabwɔŋkanˈɛɡɔ ɕfʲˈatwa pʃɨtˈuliw ɕɛ dɔ tˌɛɡɔ mʲˈɛjstsa mʲˌɛndʑɨ ʃˈɨjɔ̃ i bˈarkʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_92.wav|dʒˈɔrtʃ pʃˈɨtknɔw, ˌalɛ dˈɔdaw, ʒˈɛ tʃˈɛba ix pˈɔmɕtɕitɕ. tʃɨ tɔ bˌɨwɔ ɡwupˈɔtɔ̃, tʃɨ ɲʲɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_53.wav|ˌalɛ zrɔbʲˈimɨ tsˈɔɕ, tʃˈɛɡɔ jˈɛʃtʃɛ ɲˈiɡdɨ ɲʲɛ rɔbʲˈiliɕmˌɨ. pʃɛkˈɔnaʃ ɕɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_123.wav|tɨm rˈazɛm jˈuʃ ɕɛ ɲʲɛ uɕmʲˈɛxa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_66.wav|ˌalɛ ɲʲɛ zrɔbʲˈiwam tˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_210.wav|tˈɛras tɔ tsˈɔː innˈɛɡɔ pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_108.wav|ɔdvrˈutɕiw ɕɛ s pɔvrˈɔtɛm dɔː ɛkrˈanu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_60.wav|dˌɔtɕɛrˈamɨ dɔː ɔstˈatɲiɣ dʒvˈi. rˈɔp pˈuka i natɕˈiska klˈamkɛ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_205.wav|ix sˈɨn, ˈalbɛrt, rˈɔdʑiw ɕɛ w jˈɛdnɨm wˈɔʒu, a bjˈɛdnɨ rˈɔnɛl umjˈɛraw w drˈuɡʲim, tˈuʃ ˈɔbɔk.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_120.wav|ˈɔjtɕɛts tsˌamɛrˈɔna pˌɔstanˈɔviw zrˌɛxabʲˌilitˈɔvatɕ ɕɛ za brˈak kɔntˈaktuf s sˈɨnɛm, zˌapɛvɲʲˈajɔnts mu fʃˈɨstkɔ, tʃˈɛɡɔ tɛn zaprˈaɡnɔw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_13.wav|xtsˈɛ tˌɨlkɔ vʲˈɛdʑɛtɕ, tsˈɔ plˌanujˈɛtɕɛ. tʃɨ mˌatɕɛ jˈakixɕ pˌɔdɛjʒˈanɨx? mˈɔʒɛʃ mi tɔ pɔvʲˈɛdʑɛtɕ?|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_87.wav|tˈɛʒ zˌatrudɲʲˈajɔ̃ lˈudʑi, ktˌurɨɣ znˈajɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_139.wav|swɨʃˈawɛɕ, tsˈɔ pˌɔvʲɛdʑˈawɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_190.wav|zabʲˈili ɡˈɔ lˈudʑɛ, dɔ ktˌurɨx nalˈɛʒɨ sˈanxɛs ˌalumˈiɲʲum.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_135.wav|pɔ dwˈuɡʲim dɲʲˈu spɛndʑˈɔnɨm f ɕˈɔdlɛ, brjˈɛnnɛ tɕɛʃˈɨwa ɕɛ s ʃˈansɨ rˌɔsprɔstɔvˈaɲʲa nˈuk.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_15.wav|a ɡdɨbˈɨɕmɨ ˌusɨpˈali pɔmjˈɛndʑɨ ɲˈimi xˈawdɛ ʒvˈiru?|4
+Dataset/wavs/urwisko_ferenc/10_segment_9.wav|zaxˈɔvatɕ xwˈɔdnɨ ˈumɨsw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_13.wav|bˈɛtskɨ skinˈɛwa ɡwˈɔvɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_67.wav|ɲikˈɔmu ɲˈits ɲʲɛ zapwˈatsɛ, vrˈatsaj dɔ wˈuʃka.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_43.wav|ɲʲɛktˌurɛ pˌɔtsawˈuŋki sɔ̃ vˈartɛ vʲˈɛntsɛj ɔd ʒuwtˈɛɡɔ zwˈɔta, zabˈujtsɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_160.wav|lˈɛtʃ ɲʲɛ vˈidʑaw ix tfˈaʒɨ, a pˈɔtɛm uswˈɨʃaw mʲarˈɔvɨ, spɔkˈɔjnɨ ɡwˈɔs pˌɔlitsjˈanta.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_70.wav|zvwˈaʃtʃa w rɔzmˈɔvʲɛ s takˈimi ɡrˌubjanˈami jˈak mˈɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_10.wav|pˈatrik klˈɛrki ɲʲˈɛbɨw jˈaɡ dla mɲʲɛ vˌɨstartʃajˈɔntsɔ zwˈɨm tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_462.wav|f kˈɔɲtsu dˈawa za vɨɡrˈanɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_81.wav|vʲɛdʑˈawam, ʒˈɛ mˈuʃɛ tɔ zrˈɔbʲidʑ dla dˈɔbra dʑˈɛtska, a pˈɔmuts mˈɔɡwa mi tˌɨlkɔ jˈɛdna ɔsˈɔba.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_368.wav|naprˈavdɛ ɲʲɛ nazˈɨvam ɕɛ zabˈujtsa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_192.wav|mˈɔʒɛ pˈan jˈɔ̃ ɔdvʲˈɛdʑitɕ f ʃpitˈalu. tɛn dˈɔktɔr, ktˌurɨ tˈu bˈɨw, pɔvʲˈɛdʑaw...|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_282.wav|srˈɛbrɔ? pɔftˈuʒɨw zˈɛ ɕmʲˈɛxɛm sˈɛr xˈɨdɛ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_154.wav|vidʑˈaw��m ɡˈɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_162.wav|zˈabʲiw dʒˈɔrdʒja ˈalbɔ kˈazaw ɡˈɔ zˈabʲitɕ. tɔ sˈamɔ xtɕˈaw zrˈɔbʲitɕ mɲʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_284.wav|tˈak pˌɔvʲɛdʑˈawa ˈɛstxɛr? tˈak.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_177.wav|pʃˈɨjʒɨj ɕɛ sˈɔbjɛ dˈɔbʒɛ i zˈɔbatʃ, tsˈɔ ɕɛ s tˈɔbɔ̃ stˈawɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_107.wav|vʲˈɛnts tsˈɔ jɛzd zwˈɛɡɔ, jˈɛɕli ˈɔmɲʲɛ xˈɔdʑi? ɲˈits, jˌɛstɛɕ mwˈɔda, wˈadna. ɲʲˈɛma ɲˈidʑ zwˈɛɡɔ, jˈɛɕli xˈɔdʑi ɔ tɕˈɛbjɛ, jˈudɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_102.wav|tʃɨ mˈɔʒɛ mˈɔja ɕmʲˈɛrtɕ tɕi ɲʲɛ vɨstˈartʃɨ? xtsˈɛʃ tˈɛʃ, ʒˈɛbɨm na vʲˈɛki smˈaʒɨw ɕɛ f pʲˈɛklɛ? znˈuf pwˈɨnɔ̃ mu wzˈɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_37.wav|a drˈuɡʲi mwˈɔtʃɨ, mˈajɔr ˈalbɔ pˌɔtpuwkˈɔvɲik, tˌɔvaʒˈɨʃɨw zvʲˌɛʃxɲikˈɔvi jˈakɔː adjˈutant.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_26.wav|f tɨm mɔmˈɛɲtɕɛ ˌɔtfɔʒˈɨwɨ ɕɛ dʒvˈi i dɔ ɕrˈɔtka vmˌaʃɛrˈɔvaw rˈɔp.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_225.wav|mˈɔra i mˈɛlɛj zˌabjɛrˈawɨ brˈudnɛ ubrˈaɲʲa i pʃˌɨnɔɕˈiwɨ jˈɛ s pɔvrˈɔtɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_396.wav|pˈuw lˌɛʒɔntsˈɛmu z jˈapkʲɛm w rˈɛŋku.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_36.wav|dwˈuɡɔ ɲˈikt ɲʲɛ ɔtfʲˈɛraw i ɲʲɛ swɨʃˈawɛm vˈɛvnɔntʃ tˌɛɡɔ pɔddˈaʃa ʒˈadnɨx stˈɔmpɲʲɛɲtɕ, ʃɛlˈɛstuf tʃɨ skʃˈɨpɲʲɛɲtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_194.wav|jˈuʒ ɡˈɔ ɲʲˈɛma.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_248.wav|ɲʲɛ pʃˌɨpɔwˈɛnta ɕɛ tˈam ʒˈadɛn dˈurnɨ turˈɨsta. a ɡdˈɨbɨ tsˈɔɕ ɕɛ pɔpsˈuwɔ?|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_130.wav|vʲˈɛnts jˈin xˈu pɔkˈazaw trɔndˈɔvi zˈafɔ, a tɛn mu zapwˈatɕiw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_171.wav|pˌɔmjɛʃtʃˈɛɲʲɛ pɔ lˈɛvɛj strˈɔɲʲɛ tɔ prˈalɲʲa s kilkˈɔma pralkˈami i sˌuʃarkˈami na mɔnˈɛtɨ. pɔ prˈavɛj sɔ̃ sxˈɔdɨ w dˈuw dɔ pivɲˈitsɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_52.wav|tʃɨ tɛn dˈɔm naprˈavdɛ nalˈɛʒaw dɔ nˈas?|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_288.wav|pɔvˈinna bˌɨwa ɔdɡˈadnɔɲtɕ, ʒˈɛ jˈɛɡɔː ɔtpˈɔvʲɛtɕ ɔkˈaʒɛ ɕɛ rˈuvɲʲɛ bˌɛzuʒɨtˈɛtʃna jˈak ɔn sˈam.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_65.wav|jˈadɛ vʲˈɛndʑ dˈalɛj vzdwˈuʒ ʒˈɛndu mʲˈɛjsts pˌɔstɔjˈɔvɨx ˈaʒ dɔ kˈɔɲtsa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_35.wav|pˈɔɕɛtɕ sˈɔbjɛ xfˈilɛ, vˈɛɕ ɕɛ w ɡˈarɕtɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_39.wav|pɔtʃˈɛkaj pˈan tˈutaj. ɲʲɛ tʃˈɛba, ʒˈɛbɨ dʒˈɔnsɔn i ta tsˈawa pʃɛklˈɛnta ʃkˈɔwa vʲɛdʑˈɛli.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_82.wav|ˈidɛ ɔ zˈakwat, ʒˈɛ mʲɛjstsˈɔvi sɔ̃ innˈɛɡɔ zdˈaɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_374.wav|pˌɔstɛmpˈujɛʒ bˈardʑɔ ʃlaxˈɛtɲʲɛ, prubˈujɔnts jˈɔ̃ ɔswˈaɲʲatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_7.wav|zˌastanˈavja ɕɛ, tʃɨ ɲʲɛ zadʑvˈɔɲidʑ dɔː ˈɛlis tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ xtsˈɛ uswˈɨʃɛtɕ jɛj ɡwˈɔs.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_361.wav|pʃˈɛbjɛɡw na ˈukɔs pɔ pɔkˈɔju, a pˈɔtɛm zˈaɕmʲaw ɕɛ trˈɔxɛ dɔ ɕˈɛbjɛ i trˈɔxɛ dɔ mɲʲɛ.|0
+Dataset/wavs/urwisko_ferenc/28_segment_1.wav|rɔzɡʒˈanɛ mʲˈɛjskʲɛ pɔvʲˈɛtʃɛ ˌudɛʒˈɨwɔ jˈɔ̃, ɡdˈɨ tʃɛkˈawa na ʑɛlˈɔnɛ ɕfʲˈatwɔ na pʃˈɛjɕtɕu pʃɨ ˌɔdrɔdʑˈɛɲʲa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_204.wav|ˌalɛ s tˌɛɡɔ tsˈɔ swˈɨʃɛ, jˈɔɛ xtsˈɛ tsˌawkɔvitˈɛɡɔː ˌuɲʲɛvinɲʲˈɛɲʲa. mˈuɕi mʲˈɛtɕ mˈɔtsnɛ kˈartɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_226.wav|i zˌaprɔpɔnˈujɛ tˈɛ sˈamɔ̃ uswˈuɡɛ nˈatɨh sˈamɨɣ zasˈadax.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_20.wav|dˈɔbrɨ vʲˈɛtʃur, ˈɔjtʃɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_71.wav|kˈupjɛ tɕˈi, jˈɛɕli bˈɛɲdʑɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_153.wav|ʒˌɛtʃɔnˈɨmi fspˌuwlɔkˌatɔrˈami bˌɨli xˈaŋk i dʒˈɛk. ˈɛlis ��ʲɛ znˈa ix nˈazvisk.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_13.wav|tsamˈɛrɔn pʃˈɨznaw, ʒˈɛ stsˈɔtt ɲʲˈɛʒɨw, ˌalɛ ɲʲɛ pɔvʲˈɛdʑaw, ʒˈɛ zmˈar w amˈɛrɨtsˌɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_44.wav|jˌɛdnɔtʃˈɛɕɲʲɛ xtɕˈawam mʲˈɛtɕ pˈɛvnɔɕtɕ, ʒˈɛ jɛzd zˈɛmɲʲɛ zˌadɔvɔlˈɔnɨ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_219.wav|ˌɔɲi ɲʲɛ sɔ̃ ɲˌitʃɨˈimi pʃˌɨjatɕˈuwmi.|1
+Dataset/wavs/urwisko_ferenc/53_segment_50.wav|mˈarja pɔtɕˈixu vʑˈɛwa tˈɛtʃkɛ z aktˈami sprˈavɨ mˈɔɲikˌi xudʑˈiɲskʲɛj i pˈɔʃwa dɔ salˈɔnu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_178.wav|fstˈaw i pˈɔtʃɛd dɔ tˌɛlɛvizˈɔra.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_22.wav|pˈɔza tɨm pʃˌɛtɕɛʃ jɛst pʃˌɛkɔnˈanɨ, ʒˈɛ ɲʲɛ mʲˈawɛɕ pɔjˈɛɲtɕa, ktˈɔ vˈɨdaw vˈɨrɔk na alˈɛna.|2
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_92.wav|ˈilɛ swˈuv dʑˈiɕ napˈisaw?|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_153.wav|mˈɔʒɛ pʃɛkrˈatʃa tɔ jˈɛɡɔ zdˈɔlnɔɕtɕ pˌɔjmɔvˈaɲʲa? na tɛj sˈamɛj zasˈadʑɛ, na jˈakʲɛj bʲˈillɨ ɲʲɛ pɔtrˈafi sˈɔbjɛ vˌɨɔbrˈazitɕ kɔsmˈitʃnɨx tʃˈarnɨɣ dʑˈur.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_26.wav|na jˈɛɡɔ skupʲˈɛɲʲu|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_80.wav|tɔ ɲʲɛ vˌɨdavˈawɔ ɕɛ prˌavdɔpɔdˈɔbnɛ.|1
+Dataset/wavs/urwisko_ferenc/11_segment_89.wav|ʒˈɛ rˌɛalˌizɔvˈawɛʑ dʑawˈaɲʲa kɔmˈɛndɨ w bɨdʒˈɔʃtʃɨ i ɲʲɛ mˈɔɡɛ zdrˈadʑitɕ ʃtʃɛɡˈuwuf ɕlˈɛtstfa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_187.wav|fʃˈɨstsɨ ɕɛ zaɕmʲˈaliɕmˌɨ, a pˈɔtɛm rˈɔɲi pˌɔvʲɛdʑˈawa pˈɛvɲʲɛ ɲˈidʑ dɔbrˈɛɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_51.wav|rˈɔɡɛr jˈaɡɡɛr zɡʲˈinɔw ftʃˈɔraj vʲɛtʃˈɔrɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_32.wav|tʃˈɛkam, ˈaʃ ɕɛ ɔdˈɛzvʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_230.wav|krˌɔkɔdˈɨlɛ ɡˈuvnɔ?|0
+Dataset/wavs/urwisko_ferenc/57_segment_52.wav|dɔpʲˈɛrɔ pˈɔtɛm spɔjʒˈawa na tˈɨlnɔ̃ kanˈapɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_29.wav|bˈardʑɔ fspuwtʃˈuwa tɛj kɔbjˈɛtɕɛ i bˌɨwa zdˌɛtɛrmˌinɔvˈana, ʒˈɛbɨ znˈalɛɕtɕ jɛj partnˈɛra i dʑˈɛtskɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_36.wav|kʲˈɛdɨ pˈɔtɕɔŋɡ dɔjˈɛxaw dɔ mʲˈasta, kazˈawam kˌɔmpanˈɔvi vdrˈapatɕ ɕɛ na bˈaɲkɛ ɔldrˈina. ɔt tɛj pˈɔrɨ zˌatʃɨnˈawa ɕɛ watfˈizna.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_5.wav|tsˈɔ za dˈurɲʲɛ. tʃɨ ˌɔɲi ɲʲɛ zdˈajɔ̃ sˈɔbjɛ sprˈavɨ, ʒˈɛ prˌubujˈɛmɨ zapˈɛvɲitɕ im bˌɛspʲɛtʃˈɛɲstfɔ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_70.wav|kˈiva ɡwˈɔvɔ̃ ukrˈɨtɔ̃ w mˈɔim ramjˈɛɲʲu, a ja bˈɛs swˈɔva pɔdnˈɔʃɛ ɡˈɔ z ʑˈɛmi i ɔdvrˈatsam ɕɛ ɔt arˈama.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_32.wav|fˈirma mˈɔʒɛ dˈalɛj rɔzvˈijatɕ ˌaplikˈatsjɛ i mˌamɨ fundˈuʃɛ na prɛmjˈɛrɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_5.wav|kʃɨtʃˈawaɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_291.wav|dʑɛŋkˈujɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_63.wav|jˈuʃ mˈa dˈadʑ za vɨɡrˈanɔ̃, kʲˈɛdɨ zˌauvˈaʒa pˌɔvarkˌujɔntsˈɛɡɔ pˈɛtɛr bʲˈilla z ʑɛlˈɔnɨm jɛzˈusɛm na dˈɛstsɛ rɔzdʑˈɛltʃɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_145.wav|mʲˈaw na sˈɔbjɛ ɲʲɛbjˈɛskɔ̃ jɛdvˈabnɔ̃ piʒˈamɛ.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_168.wav|zˈarɔzd vɨɡlˈɔndaw dʑivˈatʃɲʲɛ w zˌɛstavʲˈɛɲʲu z bjawˈɨmi vwɔsˈami za uʃˈami mwɔdʑˈɛɲtsa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_345.wav|ʃˈɛptʃɔnts pʃˈɨtɨm swˈɔva mɔdlˈitfɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_167.wav|tsˈuʃ tɛn tʃwˈɔvʲɛk tɕi zrˈɔbʲiw?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_195.wav|vɨtɕˈiska trˈɔxɛ ɕfʲˈɛʒɛj limˈɔŋki, dɔdˈajɛ vˈɔdɨ ɡˌazɔvˈanɛj z lˈɔdɛm i pʃɛsˈuva ʃklˈaŋkɛ w mˈɔjɔ̃ strˈɔnɛ. ɲˈiɡdɨ ɲʲɛ pˈijɛ ˌalkɔxˈɔlu, kʲˈɛdɨ tˈutaj jˈɛstɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_34.wav|ktˌurɨ znajdˈɔvaw ɕɛ ɲʲɛtsˈawɨ mˈɛtr ɔt mˈɔjɛj tfˈaʒɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_12.wav|drˈɔŋɡal vɨʒˈutsa ustˈami pɔvʲˈɛtʃɛ. stʃˈɛmpki pʲˈaŋki lɔndˈujɔ̃ na vˌɨkwadʑˈiɲʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_323.wav|ɲʲɛ, vʲˈɛm, ʒˈɛ lɛpʃˈɛɡɔ ɲʲɛ znˈajdɛ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_221.wav|dˌɔskɔnˈalɛ! dˈalɛ ˈuɲʲuz dwˈɔɲ w rˌɛŋkavˈitsɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_108.wav|ɡdˈɨbɨ pɔznˈawa jˈɛɡɔ nazvˈiskɔ, jɛj ʒˈɨtɕɛ mɔɡwˈɔbɨ bˈɨdʑ zˌaɡrɔʒˈɔnɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_117.wav|stˈalɛ ʃukˈajɔ̃ drˈɔɡʲi kˈu lɛpʃˈɛmu sˌamɔpɔtʃˈutɕu.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_96.wav|kɕˈɛ̃ʒɨts jɛzd zvrutsˈɔnɨ f strˈɔnɛ ʑˈɛmi zˈafʃɛ tɔ̃ sˈamɔ̃ strˈɔnɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_14.wav|rɔbˈɔvi udˈawɔ ɕɛ jˈɛdnaɡ vɨtɕˈisnɔɲtɕ tsˈɔʑ vʲˈɛntsɛj ɔt jˈɛdnɛj z jɛj kˌɔlɛʒˈanɛk.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_224.wav|a tsˈɔ tɨ ˈɔmɲʲɛ vʲˈɛʃ, pʃˌɨjatɕˈɛlu? zapˈɨtaw.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_160.wav|mˈatka uɲʲˈɔswa dwˈɔɲ, bˈɨ jˈɔ̃ spˌɔlitʃkˈɔvatɕ, ˌalɛ dʒˈɛjms stˈanɔw pɔmjˈɛndʑɨ ɲˈimi. ɲʲˈɛvaʃ ɕɛ!|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_258.wav|vˈɨman tʃˈɛkaw w dʒvʲˈax.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_98.wav|uvˈaʒaj, aʒˈɛbɨ tɕi ɕɛ ɲʲɛ mɨlˈiwɔ. jˈɛɕli dɔwˈɔʒɨʃ mi sfˈɛɡɔ pajˈɔŋka dɔ mˈɔix kˈurɛf, tɔ salvˈatɔr dɔstˈaɲʲɛ ʃˈawu.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_102.wav|z dʑˈurɨ pɔ pʃˈɛdɲiɣ zˈɛmbaɣ vˌɨpwɨvˈawa krˈɛf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_4.wav|ɲʲɛstˈɛtɨ tˈakʲɛ ˈajbjɛ mʲˈawɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_37.wav|zˌapɨtˈawa filˈipa. mˈɔʒɛ pɔvˈinɲiɕtɕˌɛ pɔprˈɔɕitɕ jˈɔ, ʒˈɛbɨ dɔ ɲʲˈɛj zˌadʑvɔɲˈiwa. f kˈɔɲtsu ɕɛ znˈajɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_428.wav|ˌalɛ ɲikˈɔmu ˈɔtɨm ɲʲɛ pˈɔvʲɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_112.wav|pʃˈɨjdɛ tˈu znˈuf pɔjˈutʃɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_47.wav|vˌɨdavawˈɔbɨ ɕɛ, ʒˈɛ bˌɛɲdʑɛ ɡˈɔ xrˈɔɲiw dɔ samˈɛɡɔ kˈɔɲtsa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_7.wav|pʃɨnˈajmɲʲɛj bˈuʒa ɔtɕfʲˈɛʒɨ tɔ ɲʲˌɛruxˈɔmɛ pɔvʲˈɛtʃɛ.|3
+Dataset/wavs/urwisko_ferenc/12_segment_55.wav|a tsˈɔ ʃtʃɛɡˈulɲʲɛ uɲʲˈɔswa lˈɛkkɔ brˈɔdɛ, tˈak jˈaɡ zˈafʃɛ, ɡdˈɨ ɡˈɔ sˌɔndɔvˈawa. dvʲˈɛ ʒˈɛtʃɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_95.wav|vˈidʑɛ vɨrˈaʑɲʲɛ tɕˈɛmnɛ pantˈɔflɛ, dɔmˈɨɕlam ɕɛ pˈɔɲtʃɔx.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_314.wav|umˈɨkam dɔ kˈuxɲi, krˈɨjɛ ɕɛ w waʑˈɛntsɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_64.wav|bˌɛɲdʑɛ mi tˌɔvaʒɨʃˈɨwɔ pʃɨnˈajmɲʲɛj kˈilka ɡˈɔdʑin.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_216.wav|ʒˈɛkwa tɕˈixɨm ɡwˈɔsɛm. znˈajdʑ ɡdʑˈɛɕ mʲˈɛtʃ i zbrˈɔjɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_60.wav|ɲʲɛ, ɲʲɛ tˌɨlkɔ pˈɔnat ɲˈimi, pˈɔnat nˈami, bˈɔ ja tˈɛʃ ɕɛ dɔ ɲˈiɣ zalˈitʃam.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_271.wav|tʃɨ jɛst tsˈɔɕ jˈɛʃtʃɛ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_124.wav|a mˈuj brˈat stˈavaw ftˈɛdɨ i tʃˈɛkaw, ˌalɛ ɲʲɛ mˈuviw ɲˈits. i pˈatʃɨw na tˌɛɡɔ mawˈɛɡɔ tˈaɡ dwˈuɡɔ, ˈaʃ tɛn pɔdnˈɔɕiw ɕɛ i ʃˈɛd dˈalɛj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_53.wav|vˈidʑɛ zdumjˈɔnɔ̃ mˈinɛ dˌɔmiɲˈika i vʲˈɛm, ʒˈɛ mˈam pɔdˈɔbnɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(74) R.Abbott_Zamknij Drzwi_segment_26.wav|tʃˈɛkam z ɲʲˌɛtɕɛrplivˈɔɕtɕɔ̃, pˌɔftaʒˈawa zˈafʃɛ, xˈɔdʑ z drˈuɡʲɛj strˈɔnɨ rˌɛaɡɔvˈawa tˈak na kˈaʒdɔ̃ pɔɡˈɔdɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_213.wav|ktˈɔɕ mɲʲɛ ˈɔtɔ ɔskˈarʒa?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_65.wav|vɨɡrˈawaɕ jˈɛ na lɔtˈɛrji? sˈɛrjɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_174.wav|bʲˈillɨ mˈɨɕli, ʒˈɛ skɔjˈaʒɨwbˌɨ f��aktɨ ftʃˈɛɕɲʲɛj i ɔʃtʃˈɛɲdʑiw sˈɔbjɛ spˈɔrɔ zaxˈɔdu, ɡdˈɨbɨ ɲʲɛ tɔ vʲɛlɡˈaxnɛ sɔmbrˈɛrɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_133.wav|w ʒˈɨtɕu bˈɨɕ ɲʲˈɛzɡad, ʒˈɛ zatʃˈɨnaw ɔt wamˈaɲʲa nˈuk na pˌɔlɛtsˈɛɲʲɛ lixfʲˈaʒa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_43.wav|vrutɕˈiwa ˈinnɔ̃ drˈɔɡɔ̃, bˈɨwabˌɨm pʃˈɨvaz vɛ vwaɕtɕˈivɨm mɔmˈɛɲtɕɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_171.wav|f tʃɨm tɕi mˈɔɡɛ pˈɔmuts?|4
+Dataset/wavs/urwisko_ferenc/57_segment_51.wav|kʃˈɨvʲɔnts ɕɛ, zajʒˈawa dɔ vnˈɛntʃa. ɕɛŋɡnˈɛwa dɔ sxˈɔfka i vˌɨmatsˈawa brˈɔɲ. ˌɔdɛtxnˈɛwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_28.wav|tˈɛʃ nˈatɔ lˈitʃɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_99.wav|f kˈɔɲtsu zapˈɨtaw, tʃɨ mɔʒˈɛmɨ pˈujʑdʑ dɔ mɔjˈɛɡɔ pɔkˈɔju.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_124.wav|dvˈa stwutʃˈɔnɛ ʒˈɛbra, tˈak?|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_68.wav|tˈam, ɡdʑˈɛ lˈitʃɨ ɕɛ jˈakɔɕtɕ, vʲˈɛk ɲʲˈɛma znatʃˈɛɲʲa, ˈɔtpar jˈɛan.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_39.wav|nˈɔ tsˈuʃ, jˈɛɕli ɲʲˈɛxtsɛʃ, ʒˈɛbɨ swɨʃˈawa, tsˈɔ tɕˈɛ mˈartfi, tɔ lˈɛpʲɛj udˈavaj, ʒˈɛ jɛj ɲʲɛ vˈidʑiʃ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_340.wav|brˈaɡ vˈɔli i ɲʲɛxlˈujnɔʑdʑ duxˈɔvɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_87.wav|kʲˈɛdɨ f kˈɔɲtsu zmuɕˈiwam ɕɛ dɔː ɔdˈɛjɕtɕa, zatʃˈɛwam ˈutʃɨtɕ f ʃkˈɔlɛ f puwnˈɔtsnɨm lˌantsaʃˈajɛr.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_12.wav|tɛn blˈaɡ bˈɨw bˈardʑɔ pɔmˈɔtsnɨm znˈakʲɛm ʃtʃɛɡˈulnɨm. dʑˈɛŋki ɲʲˈɛmu wˈatfɔ mˈɔɡwam ɡˈɔ rɔspˈɔznatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_179.wav|sfˈɔjɔ̃ drˈɔɡɔ̃ tɔ zabˈavnɛ. ftɕˈɔ̃ʒ zakwˈada, ʒˈɛ kʲˈɛdɨ vrˈutɕi, zastˈaɲʲɛ jˈɔ̃ w dˈɔmu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_288.wav|a tˈɛras pˈɔvʲɛts mu, ˈilɛ rˈazɨ kˈɔɲtʃɨʃ, jˈak jˌɛstɛʑ zˈɛmnɔ̃ pɔvʲˈɛdʑaw ˈandɛrsɔn. ˈɔx, ɲʲˈɛvʲɛm pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_44.wav|tʃɨ mɔʒˈɛmɨ vrˈutɕidʑ dɔ tamtˈɛɡɔ pɔkˈɔju?|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_303.wav|jˈɛdɛn kˈɔmbajn zˌawatfʲˈɔnɨ, zɔstˈawɨ jˈɛʃtʃɛ tʃˈɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_27.wav|nˈail vʲˈɛ, ʒˈɛ ɲˈiɡdɨ ɲʲɛ pˌɔdʑɛlˈiwabˌɨm ɕɛ z ɲˈikim tˌɨmi ˌinfɔrmatsjˈami, pɔɲʲˈɛvaʃ pˌɔtʃɛbˈujɛ tɛj prˈatsɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_165.wav|ʒˈɛ tɔ vwˈaɕɲʲɛ mɲʲɛ muɕˈawa ɕɛ trˈafitɕ tˈa...|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_31.wav|navzˈajɛm, frˈaŋk. tɔ pˌɔlilˈɔɡan.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_54.wav|muvˈiwɛɕ, ʒˈɛ jˈɔ̃ pˌɔturbɔvˈali.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_424.wav|jˈamɛ zˈɛrknɔw na ɔpˈɔɲtʃɛ rudˈɛɡɔ rɔnˈɛtta, na ktˌurɛj dvˈa ɡrˈɨfɨ spˌɔɡlɔndˈawɨ na ɕˈɛbjɛ na pˈɔlax tʃɛrvˈɔnɨm i bjˈawɨm.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_51.wav|vʲˈɛm, tsˈɔ tɔ jɛst twumjˈɛnnɔɕtɕ, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_52.wav|z dˈanɨɣ vɨɲˈika jˈasnɔ, ʒˈɛ bˌɨwa ˈu ɕˈɔstrɨ, pˈɔtɛm pˌɔjɛxˈawa dɔ dˈɔmu, spɛɲdʑˈiwa tˈu mɲʲˈɛj vʲˈɛntsɛj ɡɔdʑˈinɛ i...|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_125.wav|— vˌɨnaɡrˈɔdʑɛ tɕˈi tɔ. fˈatsɛd vˈiɕi mi puwtˈɔrɛj bˈaɲki. s tˌɛɡɔ mˈiljɔn ˈɔddam tˈɔbjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_29.wav|ˌɔbrutɕˈiwam ɡwˈɔvɛ vˈɛvnɔntʃ xˈɛwmu, ɕtɕisnˈɛwam zɛmbˈami ˈustɲik i zassˈawam trˈɔxɛ vˈɔdɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_16.wav|jˈaɡbɨm zˈabʲiw tˌɛɡɔ sˌukinsˈɨna ftʃˈɛɕɲʲɛj, ftˈɛdɨ bˈɨwbɨm dla ɲʲˈɛj dˈɔbrɨm ˌɔpʲɛkˈunɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_14.wav|ɲʲɛ vidʑˈawɛm ˈindji ɲʲˈɛmal ʃˈɛɕtɕ lˈat.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_90.wav|pʃˈɛs xfˈilɛ rˌɔstɕɛrˈawam ˌupuxɲʲˈɛntɛ pɔvʲˈɛki.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_215.wav|ɲˈiɡdɨ ɡˈɔ ɲʲɛ xtɕˈawɛm.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_260.wav|tsɛrsˈɛi tɕisnˈɛwa ɲʲˈɔ̃ w ɡwˈɔvɛ kɔbjˈɛtɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_27.wav|ˈaram pɔftˈaʒaw mi vʲˈɛlɛ rˈazɨ, ʒˈɛ tʃasˈami lˈudʑɛ zˌaswuɡˈujɔ̃ na ɕmʲˈɛrtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_140.wav|ˈaram ɔdvrˈatsa ɡwˈɔvɛ i zˈɛrka w mˈɔjɔ̃ strˈɔnɛ, ˌalɛ uɲˈikam jˈɛɡɔ spɔjʒˈɛɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_138.wav|ˌinfɔrmˈatɨk, tsˈɔ? mˈuvi rˈixtɛr, xɔvˈajɔnts tʃˈɛɡ dɔ ʃuflˈadɨ bjˈurka.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_381.wav|ˌɔkrɨvajˈɔntsɛ ɡˈɔ kˈɔtsɛ spˈadwɨ na ʑˈɛmʲɛ. ˈuɕad i pˈɔtar pɔvʲˈɛki.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_39.wav|nˌastɛmpnˈɛɡɔ dɲʲˈa vɨjˈɛxaw f tˌɔvaʒˈɨstfʲɛ ɡʲˈɛrmka i ɡrˈupɨ zbrˈɔjnɨx, a tˈaɡʒɛ bˌɛzbrɔdˈɛɡɔ dʒˈɔna bɛtlˈɛja.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_105.wav|xtɕˈawa tsˈɔfnɔɲdʑ dwˈɔɲ, ˌalɛ pɔ krˈutkim namˈɨɕlɛ pɔddˈawa ɕɛ mˈɛmu ɡɛstˈɔvi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_14.wav|xtsˈɛʃ pɔjˈɛxadʑ zˈɛmnɔ̃ dɔ pˈaɲi ˈɛdmɔnts? lˈins?|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_161.wav|zapˈɨta mˈiwɨ starˈuʃɛk, ɡdˈɨ tˌɨlkɔ jˈɔ̃ zɔbˈatʃɨ. vʲˈɛm, ʒˈɛ tsˈurka brˈuska, brˈɛa, spɔtˈɨka ɕɛ na dˈaxu s xwɔpˈakʲɛm, kʲˈɛdɨ jɛj ˈɔjtɕɛts ɕpˈi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_32.wav|fˈatsɛt, s ktˌurɨm mɲʲɛ vidʑˈawaɕ, jɛst tˌɨlkɔ vˌɨnajˈɛntɨm zbʲˈirɛm, ktˌurɨ rˈɔbʲi tɔ, tsˈɔ mu kˈaʒɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_95.wav|i tˈaɡ bˈɨtɕ pɔvˈinnɔ, bˈɔ zˌadavˈaɲʲɛ bˈulu, zˌabʲijˈaɲʲɛ ɲʲɛ jɛzd bˈɨlɛ drɔbnˈɔstkɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_190.wav|jˌamjɛˈɛmu dˈanɔ mʲˈɛjstsɛ na pˌɔdvɨʃʃˈɛɲʲu, na prˈavɔː ɔt pustˈɛɡɔ kʃˈɛswa lantsˈɛla.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_57.wav|prˈɔʃɛ ˌɔtpɔvʲˈɛdʑɛtɕ na pɨtˈaɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_385.wav|ɲʲˌɛvɨklutʃˈɔnɛ jˈɛdnak, ʒˈɛ sˌɛrɡɛrˈɔlda udˈawɔ ɕɛ jˈuʒ zwˈapatɕ, a jˈɛɕli ɲʲɛ...|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_343.wav|ɡɛrˈɨɔn strˈɔiw sˈɔbjɛ ʒˈartɨ.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_441.wav|rˈɛŋka mu drʒˈawa. ˈɔɲʲɛ!|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_197.wav|f tɨm ɕɲʲˈɛ vʲɛdʑˈawɛɕ, tsˈɔː ˌutʃɨɲˈiwɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_77.wav|i pˈan tˈutaj? vˌɨstɛŋkˈawɛm f kˈɔɲtsu.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_238.wav|jˌɛstɛm kɕˈɛɲtɕɛm dˈɔrnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_219.wav|nˈavɛt jˈɛɕli tɔ, tsˈɔ napˈiʃɛ, bˌɛɲdʑɛ dɔ ɲitʃˈɛɡɔ, pʃɨnˈajmɲʲɛj tʃˈas ʃˈɨptɕɛj zlˈɛtɕi.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_91.wav|tʃɨ ktˈurɨʑ z vˈaz ɡˈɔ vɨtɕˈɔŋɡnɔw?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_61.wav|nˈɔvi rɔdʑˈitsɛ ruʃˈɨli f strˈɔnɛ dʒvˈi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_102.wav|pɔlˈitsjant pʃɨkrˈɨvaw kˈɔtsɛm tˈɛ ɲʲɛznˈanɔ̃ dʑɛftʃˈɨnɛ, a kˈɔrsak pʃɨɡlˈɔndaw mi ɕɛ bˈatʃɲʲɛ ˌɔddʑɛlˈɔnɨ ˈɔdɛ mɲʲɛ tˌɨlkɔ prˈɔɡʲɛm balkˈɔnu.|0
+Dataset/wavs/urwisko_ferenc/64_segment_97.wav|bɔrˈɛvidʒ zmʲˈɛʒɨw ɡˈɔ vzrˈɔkʲɛm, ˌalɛ ɕɛ ɲʲɛ ɔdˈɛzvaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_52.wav|ɲʲɛ ˌɔkazɨvˈaliɕmˌɨ sˈɔbjɛ tˈu ʒˈadnɨx ˈutʃutɕ.|3
+Dataset/wavs/urwisko_ferenc/03_segment_20.wav|f kˈɔɲtsu ɕikˈɔrski pɔjˈaviw ɕɛ na parkˈiŋɡu i zaprˈɔɕiw xˈɛrman dɔ srɛbrnˈɛɡɔ sˈuva xˌɨundaˈia.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_60.wav|ɲʲɛ mˌamɨ krɛdˈɨtu f tɛj ʃkˈɔlɛ, pɔvʲˈɛdʑaw dʒˈɔnsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_218.wav|tɔ bˌɛɲdʑɛ zadˈaɲʲɛ dla ɲʲˈɛɡɔ.|2
+Dataset/wavs/urwisko_ferenc/24_segment_26.wav|tʃasˈami dˈawa ɕɛ zaprˈɔɕitɕ na ˈɔbjat, ˌalɛ zˈafʃɛ pˈɔtɛm pˌɔzmɨvˈawa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_162.wav|mˈɔʒɛ z ɛpˈɔki ftʃˈɛsnɨx sumˈɛruf ˈalbɔ sxˌɨwkɔvˈɛɡɔ kˌɔmsɔmˈɔlu.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_232.wav|znˈɔvu ɡˈɔː ˌɔkwamɨvˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_194.wav|jɛst tˈaɡ zˌamulˈɔnɨ, ʒˈɛ na ɲˈits lɛpʃˈɛɡɔ ɡˈɔ ɲʲˈɛstatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_86.wav|tˈɔm pˈɔdaw sfˈɔjɛ nazvˈiskɔ fˌuŋktsjɔnˌarjuʃˈɔvi stʃˌɛɡɔntsˈɛmu vɨlˈɔtu z alˈɛjki, pɔ tʃɨm rˈuʃɨw drˈɔɡɔ̃ vˌɨznatʃˈɔnɔ̃ pʃˈɛz zˈɛspuw krˌɨminˌalistˈɨtʃnɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_78.wav|zapˈɨtaw f kˈɔɲtsu ˈaram.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_237.wav|ˈandɛrsɔn ʃˈɛd zˈaɲim. kʲˈɛdɨ fɕˈɛdli jˈuʃ i ruʃˈɨli, mˈikɛ zapˈɨtaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_33.wav|tsˈɔ ɕɛ f tˈakim rˈaʑɛ zmʲɛɲˈiwɔ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_168.wav|i mˈɨɕlaw ˈɔtɨm, ˈiʒ vʲˈadr dˈɔɲdʑ bˌɛɲdʑɛ tˈɛras pʃˈɛz vʲˈɛlɛ dɲˈi.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_122.wav|lˈubjɛ rɔɕlˈinɨ, a rɛwmˈatɨzm dˈajɛ mi ɕɛ vɛ znˈaki. tutˈɛjʃa ɡrˌavitˈatsja jɛst wˌaɡɔdɲʲˈɛjʃa dla mˈɔix stˈavuf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_31.wav|ʃˈɛptʃɛ jɛj tʃˈulɛ dɔː ˈuxa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_178.wav|bʲˈillɨ vɨʒˈutsa jˈɔ̃ pʃˈɛs ˈɔknɔ. jˈɛʃtʃɛ jˈɛdnɔ, tsˈɔ ɲˈidʑɡ bˌɛɲdʑɛ mˈuɕaw upʃˈɔntnɔɲtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_31.wav|vɨjˈaɕɲʲa tɨm vˈidmɔm, ʒˈɛ ɲʲɛ dˈa im fˈɔruf tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ jɛzd dɔrˈɔswɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_5.wav|zbˈɨd dˈuʒɔ dʒˈɛf, ʒˈɛbɨ ˈuznatɕ, ʒˈɛ vrutɕˈili f tˈamtɔ mʲˈɛjstsɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_41.wav|zˈɛ vzɡlˈɛnduv bˌɛspʲɛtʃˈɛɲstfa zɛvnˈɛntʃnɛ dʒvˈi ɕlˈuzɨ ɲʲɛ mˌajɔ̃ ˌanalˌɔɡʲitʃnˈɛɡɔ zˌabɛspʲɛtʃˈɛɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_327.wav|ˌalɛ mɨ ɲʲɛ bɛɲdʑˌɛmɨ ɲikˈɔɡɔ nˌaɕladˈɔvatɕ. ɲʲɛ mˌamɨ tʃˈasu ˌaɲi ɡwˈɔvɨ dɔ nˌaɕladˈɔvɲitstf.|0
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_77.wav|vwˈɔʒɨw strˈuj z radˈɔɕtɕɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_227.wav|darmˈɔvɛ dɔstˈavɨ tlˈɛnu za darmˈɔvɔ̃ ɛnˈɛrɡjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_41.wav|mlˈɛkɔ jˈuʃ ɕɛ rɔzlˈawɔ. jɛstˌɛɕmɨ tˈu tˈɛraz ɡwˈuvɲʲɛ pˈɔtɔ, ʒˈɛbɨ zapˈɛvɲitɕ jɛj i dʑˈɛtɕɔm bˌɛspʲɛtʃˈɛɲstfɔ, ɡdˈɨbɨ ktˈɔɕ nˈadal pɔlˈɔvaw na jɛj mˈɛ̃ʒa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_73.wav|dɔ nˈada.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_13.wav|mʲˈaw na sˈɔbjɛ tɛn sˈam ʃlˈafrɔk tsˈɔ zvˈɨklɛ i rɔzmˈavʲaw s kˈimɕ, ktˈɔ ɕˈɛdʑaw nˌapʃɛtɕˈifkɔ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_340.wav|jˌɛstɛm pˈɛvna, ʒˈɛ trˈafi.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_274.wav|dvˈujka stˈawɨx kljˈɛntuv zˌajmɔvˈawa ɕɛ sfɔˈimi spravˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_227.wav|dˈɔʑdʑ dwˈuɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_49.wav|mˈimɔ tɔ s trˈudɛm zmuɕˈiwam ɕɛ dɔː ˌuɲʲɛɕˈɛɲʲa vzrˈɔku, tsˈɔː ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ bˌɨwɔ zbˈɨd ɡʒˈɛtʃnɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_65.wav|ˈɔtpar ˈɔjtɕɛts. ˌalɛ dla pɛvnˈɔɕtɕi ˌuʒɨjˈɛmɨ ˈɔɕmju.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_249.wav|pˌɔtfʲɛrdʑˈiwam ˌɔtʃɨmˈaɲʲɛ pʃɛlˈɛvu i transˈaktsja bˌɨwa zˌakɔɲtʃˈɔna.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_270.wav|vˌɨstʃɛlˈɔnɛ s trɛbˈuʃa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_8.wav|ɡdˈɨ vʲˈɛdʑaw, ʒˈɛ jˈɛɕli dʑˈiʑ vrˈatsa z ˈaktsji tsˈawɨ i zdrˈɔvɨ, tɔ rˈɔɕɲʲɛ prˌavdɔpˌɔdɔbjˈɛɲstfɔ, ʒˈɛ jˈutrɔ ɲʲɛ bˌɛɲdʑɛ mʲˈaw tˈɨlɛ ʃtʃˈɛɲɕtɕa.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_35.wav|skˌurvɨsˈɨnɨ utɕˈɛwɨ tɕi rˈɛŋkɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_58.wav|ˌalɛ tɔ ɲʲɛvˈaʒnɛ, rˌɔspɔznˈawam ɡˈɔ. vʲˈɛm, ktˈɔ tɔ jˈɛst.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_340.wav|ˈalbɔ ɕˈɔŋkɲʲɛ nˈɔsɛm i pʃˈɛstɔ stˈaɲʲɛ ɕɛ ˌɔdrɔbʲˈinɛ bˈardʑɛj zvɨtʃˈajna i pˌɔspɔlˈita.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_10.wav|pˈan xundˈɛbawx pʃˈɨjmʲɛ pˈana za xfˈilɛ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/urwisko_ferenc/12_segment_71.wav|mˈarja pˌɔkivˈawa ɡwˈɔvɔ̃, fpatrˈujɔnts ɕɛ w dˌɔkumˈɛntɨ rˌɔzwɔʒˈɔnɛ na bjˈurkax.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_15.wav|ɲʲɛtsˈawɔ̃ ɡɔdʑˈinɛ pˈuʑɲʲɛj pʃˌɛɲʲɛɕˈɔnɔː iɣ dɔ pˌɔjɛdɨntʃˈɛɡɔ pɔkˈɔju. luˈisa z uɕmʲˈɛxɛm fpˌatrɨvˈawa ɕɛ w bˈuɕkɛ sˈɨna.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_15.wav|jˈakiɕ ɛmˈɛrɨt s psˈɛm na smˈɨtʃɨ, bˈɔː ˌɛmɛrˈɨtuf jɛst tsˈɔraz vʲˈɛntsɛj na ɕfʲˈɛtɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_11.wav|kʲˈɛdɨ vˈɨʃɛd z namjˈɔtu, jˈɛɕtɕtsɨ sɕadˈali jˈuʃ s kˈɔɲi. ʃˈɛɕtɕu rɨtsˈɛʒɨ ˌɔras tʃtɛrdʑˈɛstu kˈɔnnɨx wutʃɲˈikuf i zbrˈɔjnɨx.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_11.wav|zvwˈaʃtʃa tˈutaj. f kɔmnˈatɕɛ pˌanɔvˈawɨ pʃɛtɕˈɔŋɡʲi, a na dˈɔmjar zwˈɛɡɔ pˈɔttɨm bˌaldaçˈimɛm skˈɔnaw jɛj pʃɛklˈɛntɨ krulˈɛfski mˈɔ̃ʃ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_31.wav|za swˈɔtkɔ̃ tfˈaʒɔ̃ tʃˈɛ̃stɔ krˈɨjɛ ɕɛ ɡʒˈɛʃnɛ sˈɛrtsɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_115.wav|kʲˈɛdɨ ˈiɲdʑɛj, mˈuvi bʲˈillɨ, mˈam zasˈadɛ, ʒˈɛ spˈuʃtʃam mwˌɔdɔtɕˈanɨm lˈaɲʲɛ tˌɨlkɔ rˈas na wˈikɛnt.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_331.wav|w zˈamku xˌaɨfˈɔrduf mˌajɔ̃ ɡɔrˈɔntsɛ dʑˈɛfki.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_40.wav|jˈakɔ najvˈɨʃʃɨ rˈaŋɡɔ̃ z ɔbˈɛtsnɨx na mʲˈɛjstsu tʃwˈɔŋkuv ɡʲˈildji ˌɔtpɔvʲˈadaw za kʲˌɛrɔvˈaɲʲɛ ˈaktsjɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_176.wav|tˌɨlkɔ stˈaw w dʒvʲˈax, jˈaɡbɨ ɲˈits ɕɛ ɲʲɛ stˈawɔ, ˌalɛ vʲɛdʑˈawɛm, ʒˈɛ dˈɔstaw, bˈɔ vidʑˈawɛm, jˈak krˈɛf trˈɨswa mu s plˈɛtsuf.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_148.wav|a tˈɛras tɛn xwˈuki ʃˈum za ˈɔknɛm.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_9.wav|w mˌaɛstˈɛra jˈɛɡɔ lɔrdˈɔfska mˈɔʑdʑ ʒˈutɕiw nɔtsɲˈikʲɛm.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_196.wav|jˈɛdɛn z ɲˈix mʲˈaw tfˈaʃ mɛ̃ʃtʃˈɨznɨ, a drˈuɡʲi kɔbjˈɛtɨ.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_230.wav|pʃˈɨɕlɛ dɔ tɕˈɛbjɛ tfˈɔjɔ̃ ʒˈɔnɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_49.wav|mˈɔʒɛ pˈujdʑɛʒ dɔ sfɔjˈɛɡɔ pɔkˈɔju i zabjˈɛʒɛʒ zˈɛ sˈɔbɔ̃ sfˈɔjɔ̃ ˌulubjˈɔnɔ̃ zabˈafkɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_13.wav|bʲˈillɨ pʃɛrˈɨva pisˈaɲʲɛ i krˈɛɲtɕi ɡwˈɔvɔ̃, pʃˌɨpɔmˈina sˈɔbjɛ, ʒˈɛ ɡwupˈavɛ ja tɔ jˈuʃ pʃˈɛʃwɔɕtɕ, kasˈujɛ kɔɲtsˈufkɛ i zatʃˈɨna ɔt nˈɔva.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_58.wav|tˈɛras s pˌɛrspɛktˈɨvɨ tʃˈasu zdˈajɛ sˈɔbjɛ sprˈavɛ, ʒˈɛ pɔvˈinnam vʲˈɛdʑɛtɕ, ʒˈɛ tɔ tˌɨlkɔ mˈiraʃ, ʒˈɛ ɲʲˌɛɔbɛtsnˈɔɕtɕi stsˈɔtta s tʃˈɨmɕ mˈuʃɔ̃ ɕɛ vʲˈɔ̃zatɕ.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_267.wav|vʒˈutɕ tɔ dɔː ˈɔɡɲʲa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_7.wav|jˈɛɕli xˈɔli ɲˈits ɲʲɛ bˈɛɲdʑɛ, pˈɔvʲɛm dɔmˈɔvi ɔ fʃˈɨstkim. ˈalbɔ...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_60.wav|bˌɨwɛm tɕi tɔ vˈiɲʲɛn.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_40.wav|tˈɔm pˌɔdʑɛŋkˈɔvaw fˌuŋktsjɔnˌarjuʃˈɔvi, pˌɔzɔstˈaviw kitˈɔvi sprˈavɛ zdɔbˈɨtɕa numˈɛru tˌɛlɛfˈɔnu i ɔdvrˈutɕiw ɕɛ dɔ bˈɛki.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_14.wav|vˌɨpuɕtɕˈili ˈaʃa? tʃɨ w jˈakiɕ spˈɔsup udˈawɔ mu ɕɛ ˈutɕɛts? pɔ tsˈɔ w ɔɡˈulɛ mʲˈɛlibˌɨ ɕɛ zˌatʃɨmˈɨvatɕ f tˈakim mʲˈɛjstsu jˈak tsˈadʲis xˈɛt mˈɔs?|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_164.wav|ˌɔna tˈu vrˈutɕi i s pˈanɛm fʃˈɨstkɔː ɔbɡˈada. vˈɨʃli pʃɛd bˈarak i patʃˈɨli na ˈinnɨ samˈɔlɔt ˌunɔʃˈɔntsɨ ɕɛ s pˈɔla stˌartɔvˈɛɡɔ.|0
+Dataset/wavs/urwisko_ferenc/28_segment_29.wav|mʲˈawa na sˈɔbjɛ sprˈanɨ, vˌɨtɕɔŋɡɲʲˈɛntɨ tˈɛʃˈird z lˈɔɡɔ ɡˈuns ˈɛn rˈɔsɛs ˌɔraz dʒinsˈɔvɛ ʃˈɔrtɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_53.wav|ˌalɛ tɔ ɲʲɛ mʲˈawɔ znatʃˈɛɲʲa. bˌɨwam zamkɲʲˈɛnta f xɔmˈitʃɛj kˈuli, a drˈɔɡa na zˈɛvnɔntʃ stˈawa pʃɛdˈɛmnɔ̃ ɔtfˈɔrɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_192.wav|tˈak ˈɔstaw za klˈuɛm. ja bˌɨwɛm tʃfˈartɨ. wapˈidux jˈaɡ zˈafʃɛ ustˈaviw ɕɛ na kˈɔɲtsu ʃɛrˈɛɡu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_54.wav|pɔ prˈɔstu tʃˈujɛ ɕɛ...|3
+Dataset/wavs/urwisko_ferenc/06_segment_9.wav|pʃɨpˈɔmɲʲaw sˈɔbjɛ, ʒˈɛ ɡdˈɨ w zˈɛʃwɨm tɨɡˈɔdɲʲu pʃˌɨjɛxˈawa na imprˈɛzɛ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_222.wav|vɨɡlˈɔnda dˈɔbʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_213.wav|mˈam tˈɛʒ dvˈux sˈɨnuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_101.wav|lˌɔuˈisa mɨlˈiwa ɕɛ jˈɛdnak tsˈɔ dɔ jˈatska.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_53.wav|bʲˈillɨ pɔrˈuʃa ɕɛ wˈɛ fɔtˈɛlu i kʃˈɨvi ˈusta w ɡrɨmˈaɕɛ bˈulu. kˈaʃ mu spˈadatɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_65.wav|zdrˈadʑiʃ nˈam jɛj ˈimjɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_156.wav|bʲˈillɨ pʃɛtʃˈɨtaw bʲˈibljɛ ɔd dˈɛski dɔ dˈɛski. kʲˈɛdɨ bˈɨw f pʲˌɛrdɔlɲˈiku, jˈakim stˈaw ɕɛ ˈirak, dɔstˈavaw jˈɔ̃ kˈaʒdɨ mˈarin, ktˌurɨ ˈɔtɔ pɔprˈɔɕiw.|2
+Dataset/wavs/urwisko_ferenc/49_segment_63.wav|zˌaintˌɛrɛsɔvˈawa ɕɛ xˈɛrman. tʃasˈami tˈaɡ bˈɨva f kˈaʒdɨm fˈaxu.|0
+Dataset/wavs/urwisko_ferenc/27_segment_49.wav|— nˈɔ tɔ dɔ miwˈɛɡɔ — ʒˈɛkw i ɔdwˈɔʒɨw swuxˈafkɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_51.wav|nɡˈuɡʲi fstˈawa ɔt stˈɔwu i pɔdˈɛʃwa dɔ mɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_30.wav|fˈilis ɔtxˈɔdʑi na bˈɔk i pʃɨɕˈada ɕɛ dɔ kˈilku kˈɔbjɛt. pˈaru kamrˈatuf kɔlˈina fçitˈɛa ɔtsˈuva ɕɛ, bˈɨ zrˈɔbʲidʑ dla ɲʲˈɛɡɔ mʲˈɛjstsɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_180.wav|tɔ vʲˈɛlɛ dla mɲʲɛ znˈatʃɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_76.wav|tʃɨ mˈɔʒɛʃ ɔtfˈɔʒɨdʑ dʒvˈi?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_69.wav|tˈak mi pʃˈɨkrɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_153.wav|— zˈapal ɕfʲˈatwɔ — pɔvʲˈɛdʑaw ʒɛtʃˈɔvɨm tˈɔnɛm tɛn ɔd vʲˈɛlkʲɛj valˈizɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_320.wav|tˈaɡ vwˈaɕɲʲɛ ʑimˈɔvɨm, a ɲʲɛ ʑˈimnɨm tʃɨ lˌɔdɔvˈatɨm, vzrˈɔkʲɛm pʃɛjʒˈɨstɨm jˈaɡ ʑimˈɔvɨ pɔrˈanɛk.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_225.wav|jˈɛɕli ɡˈɔ kˈɔxa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_385.wav|pɔ tsˈɔ mi dˈaw tˈɛ kɔpˈɛrtɛ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_48.wav|ɲʲɛ bjˈɔrɛ tˌɛɡɔ filˈipa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_146.wav|ubrˈaɲʲɛ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_6.wav|swˈɨʃaw, jˈak rˈɨan ɔdˈɛtxnɔw ɡwˈɔɕnɔː i jˈaɡbɨ z ˈulɡɔ̃ pˈatʃɔnts na kɔrˈɔnɛ dʒˈɛva ˌuɡʲinajˈɔntsɔ̃ ɕɛ pɔd vʲˈatrɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_85.wav|jˈuʃ tɕi fʃˈɨstkɔ pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_351.wav|pˌɔkɔnanˈɛmu vrɔɡˈɔvi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_96.wav|tɔ kʲɛrˈɔftsa sˌalvatˈɔrɛ. skurvˈɨsɨn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_18.wav|zɡˈɔdɲʲɛ z mɔˈimi pʃˌɛtʃutɕˈami çistˈɔrja stsˈɔtta fʃˈɨstkiɣ zˌaintrˌɨɡɔvˈawa, a pˈɔdɲʲɔ̃ mnˈɔʒɔ̃ ɕɛ rˌɔzmaˈitɛ tɛˈɔrjɛ.|3
+Dataset/wavs/urwisko_ferenc/21_segment_52.wav|vˌɨʃɛptˈawa zˈɛ spuʃtʃˈɔnɔ̃ ɡwˈɔvɔ̃ i rɛŋkˈɔma zvˌisajɔntsˈɨmi vzdwˈuʃ tɕˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_190.wav|tɕˈɔŋɡlɛ mˈɨɕli ɔ plˈaɲʲɛ utɕˈɛtʃki pʃˌɛtstavʲˈɔnɨm pʃˈɛs ɲˈika.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_665.wav|a jˈutrɔ zˌɔbatʃˈɨmɨ.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_160.wav|ɡdˈɨ trˈɔxɛ ɔdʑˈɨskam ɕˈiwɨ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_450.wav|i fɕˈɔ̃ɕtɕ na stˈatɛk, ktˌurɨ zavʲˈɛʑɛ mɲʲɛ na tˈart, jˈak rˈadʑiw stˈarʃɨ brˈat.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_253.wav|ulˈituj ɕɛ nat jɛj ɲʲɛʃtʃˈɛ̃snɔ̃ tsˈurkɔ̃ i pˈɔvʲɛts mi, ʒˈɛ ˈɔjtɕɛdʑ zamjˈɛʒa mɲʲɛ ɔdvʲˈɛdʑitɕ. prˈɔʃɛ, prˈɔʃɛ!|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_52.wav|jˈɛɕli zaʒˈɔnda dvˈa rˈazɨ vʲˈɛntsɛj...|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_227.wav|pwˈɔmjɛɲ ɲʲɛ miɡˈɔtaw nˈavɛt ftˈɛdɨ, ɡdˈɨ artsɨmaˈɛstɛr mˈarvin zatʃˈasnɔw dʒvˈi tˈak mˈɔtsnɔ, ʒˈɛ s pˌɔbliskʲˈɛɡɔ stˈɔwu pˌɔspadˈawɨ papʲˈɛrɨ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_52.wav|prˌɔstatʃkˈɔvʲɛ rˈuvɲʲɛʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_125.wav|tɔː ɔ tsˈɔ f tˈakim rˈaʑɛ?|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_158.wav|pˈɔtɛm zawˈatfjɛ vˈus i kˈɔɲʲɛ, ʒˈɛbɨ zˈavʲɛɕtɕ tɕˈɛ dɔ xˈɔrnçill, dɔ mˈɔjɛj mˈatki.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_204.wav|pˈɔtɛm ɕtɕɔŋɡnˈɔwɛm z vwˈɔsuf, a vwaɕtɕˈivʲɛ s tʃˈɔwa tˈɛ kˌɔlɔrˈɔvɔ̃ pʃɛpˈaskɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_56.wav|mˈɨɕliʃ, ʒˈɛ bɛspʲˈɛtʃɲʲɛ jɛzd vɨxˈɔdʑitɕ, kʲˈɛdɨ ɡdʑˈɛɕ tˈam krˈɔ̃ʒɨ mɔrdˈɛrtsa?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_67.wav|tˈɔm ˈɔpar rˈɛŋkɛ na blˈatɕɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_143.wav|mɨɕlˈawam, ʒˈɛ lˈɛnɛ pʃɛlˈawa tɕi mˈiljɔn.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_104.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/urwisko_ferenc/07_segment_36.wav|i ɲˈits.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_197.wav|lɔrdˈɔvʲɛ ˈalbɔ dʑɛdʑˈitsɛ, ˌɔtʃɨvˈiɕtɕɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_360.wav|ˈɔj, ɲʲɛdˈɔbʒɛ, pˈaɲʲɛ mitskʲˈɛvitʃ. prˈɔʃɛ lˈɛʒɛtɕ spɔkˈɔjɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_132.wav|zɡrˌɔmadʑˈiwɛm trˈɔxɛ pʲɛɲʲˈɛndʑɨ na kˈɔɲtɕɛ nˌalɛʒˈɔntsɨm dɔ ɲʲˌɛjakʲˈɛɡɔː ɛdvˈarda vˌɔɔdlˈɛja i jˈɛɕli ɲˈiɡd dɔtʃˈɨma swˈɔva, bˌɛɲdʑɛ iɣ vʲˈɛntsɛj.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_5.wav|tsˈɔ mˈɔɡɛ dla pˈana zrˈɔbʲitɕ? zˌapɨtˈawa ɲˈiskim, mˌɛlɔdˈɨjnɨm ɡwˈɔsɛm. ɲʲɛ bˌɨwɔ tɔ pɨtˈaɲʲɛ, bˌɨwɔ tɔ vɨznˈaɲʲɛ miwˈɔɕtɕi, pʃˌɨvʲɔ̃zˈaɲʲa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_234.wav|w mˈɔim krˈaju ˌuvaʒˈajɔ̃ rˈuvɲʲɛʃ, ʒˈɛ kɔbjˈɛta pʃɨnˈɔɕi ɲʲɛʃtʃˈɛɲɕtɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_65.wav|ɲˈitsk ʃˈɛʒɛj ɔtfʲˈɛra ˈɔtʃɨ i ɔsˈuva ɕɛ na kʃˈɛɕlɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_74.wav|fʃˈɨstkɔ fskˌazɨvˈawɔ na vˈinɛ mˈartɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_35.wav|tɔ na pˈɛvnɔ jˈakiɕ tsˈɨɡan ˈalbɔ vʲɛtnˈamtʃɨk. ɲʲˈɛvʲɛm. ɲʲɛvʲˈɛlka strˈata.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_61.wav|w bˈardʑɔ dˈɔbrɨm stˈaɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_115.wav|pˈaɲʲɛ prˌɛzɨdˈɛɲtɕɛ, zalˈɛjɛ ɛwrˈɔpɛ pˈɔtɔb zˈɛ fsxˈɔdu, s pɔwˈudɲʲa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_5.wav|i kʲˈɛdɨ lˈɛtɕaw pˈɔtɛm, jˈɛɡɔ stˈɔpɨ prˌatsɔvˈawɨ tɕˈɛ̃ʃkɔ na pɛdˈawax. lˈup tˈɛʃ kʲˈɛdɨ bˈɨw zbˈɨd zmɛntʃˈɔnɨ, prˌatsɔvˈawɨ ɲʲˌɛskutˈɛtʃɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_233.wav|tɔ dwˈuɡa çistˈɔrja.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_134.wav|ɲʲɛ mʲɛʃkˈawa tˈam ɔd vʲˈɛlu lˈat, ˌalɛ ɲʲɛ xtɕˈawa tˌɛɡɔ zdrˈadʑatɕ ˌaramˈɔvi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_61.wav|ɲʲɛ pˌɔvinɲˈiɕmɨ bˌɨli dɔ tˌɛɡɔ fʃɨstkʲˈɛɡɔ dɔpˈuɕtɕitɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_10.wav|ˌɔpɔvʲɛdʑˈawɛɕ mi, jˈak ɕɛ tʃˈuwɛɕ pɔː ɔdˈɛjɕtɕu mˈatki, a ja ɲʲɛ pˌɔtrafˈiwam tɕi tˌɛɡɔ vɨjˈaɕɲitɕ, ɲʲɛ mˈuvʲɔnts tsˈawɛj rˈɛʃtɨ ɔ fʃˈɨstkim, tsˈɔ zrɔbʲˈiwam.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_17.wav|ˌɔtʃɨvˈiɕtɕɛ, ɲʲɛ pʃˈɛjmuj ɕɛ tˈɨm, jˈaɡ dʑˈivnɛ mˈɔɡɔ̃ ɕɛ vɨdˈavatɕ tfˈɔjɛ pɔmˈɨswɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_124.wav|xtɕˈawɛm dˈɔbʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_380.wav|mʲˌawɛm nadʑˈɛjɛ, ʒˈɛ ɔdbjˈɔrɛ mu fʃˈɨstkɔ, tsˈɔ dla ɲʲˈɛɡɔ drˈɔɡʲɛ, zˈaɲim ɡˈɔ zabʲˈijɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_9.wav|pˌɔmɨɕlˈawam, ʒˈɛ dɔ tɕˈɛbjɛ zadʑvˈɔɲʲɛ i ɕɛ upˈɛvɲʲɛ, ʒˈɛ dˈɔbʒɛ ɕɛ s xˈarɛm tʃujˈɛtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_214.wav|ɡdˈɨ tˌɨlkɔ brjˈɛnnɛ zamknˈɛwa ˈɔtʃɨ, vidʑˈawa trˈupɨ kˌɔwɨʃˈɔntsɛ ɕɛ na nˈaɡʲix, brɔ̃zˈɔvɨx kɔnˈarax, ix tʃˈarnɛ, ɔbʒˈɛŋkwɛ tfˈaʒɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_85.wav|pˈɔtɛm zˌaswɔɲˈiwa ɡˈɔ mˌɔnumɛntˈalna sɨlvˈɛtka kˌanadɨjtʃˈɨka.|4
+Dataset/wavs/urwisko_ferenc/53_segment_39.wav|tʃˈuwa, ʒˈɛ pɔvˈinna z ɲˈim pɔɡˈadatɕ ɔ tʃɛʑvʲˈɛɲʲu, ˌɔpɔvʲˈɛdʑɛtɕ mu ɔ sfˈɔiɣ zmaɡˈaɲʲaɣ z ˌuzalɛʒɲʲˈɛɲʲɛm, dˈatɕ ɕfʲadˈɛtstfɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_27.wav|skwamˈawɛm ˌɔtʃɨvˈiɕtɕɛ dla tɕˈɛbjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_464.wav|tʃɨ tsˈɔʑ zˌapamjɛntˈawaɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_185.wav|ɲʲɛ zvlˈɛkaj za dwˈuɡɔ, pʃɛstʃˈɛɡa ɡʲˈɔrɡjɔ.|2
+Dataset/wavs/urwisko_ferenc/23_segment_122.wav|mˈɔʒɛ mˈɨɕlɛtɕ ɔ rɔmˈanɕɛ? sˈɛrjɔ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_40.wav|tˈak mi pʃˈɨkrɔ spˈikɛ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_95.wav|pɔlˈitʃki mwˈɔtʃɛj krulˈɔvɛj spwɨnˈɛwɨ wzˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_297.wav|ɔstˈatɲʲɔ ɕɛ fkˈuʒa na ɡʲˈildjɛ ˌɛlɛktrˈɨkuf.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_170.wav|swˈɔtkʲɛ swˈufka.|1
+Dataset/wavs/urwisko_ferenc/17_segment_4.wav|ʒˈɛdʒ dˌɔtɨtʃˈɨwa mwɔdˈɛɡɔ mɛ̃ʃtʃˈɨznɨ, ktˌurɨ pˈɔʃɛd dɔ lˈasu i ɲˈiɡd ɡˈɔ ɲˈiɡdɨ vʲˈɛntsɛj ɲʲɛ vˈidʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_184.wav|ɡˈaɕi ɕfʲˈatwɔː i pɔː ɔmˈatsku vrˈatsa dɔ kɔmˈɔdɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_29.wav|dˌɨspɔnˈujɛ jɛdˈɨɲʲɛ pɛwnˈɨmi pʃɛsˈadnɨx stfʲˈɛrdʑɛɲ, fpisˈami ˈɛlis, ktˌurɨx tsˈɛlɛm jɛst tˈak naprˈavdɛ zvratsˈaɲʲɛ na ɕˈɛbjɛ uvˈaɡʲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_66.wav|mˈɨɕli, ʒˈɛ jˈɛɕli bʲˈillɨ ˈɔtɨm vʲˈɛ, tɔ jˈɛɡɔː ɔstˈatɲʲa ʃˈansa na ˌɔtsalˈɛɲʲɛ ʒˈɨtɕa vwˈaɕɲʲɛ ˌulɔtɲˈiwa ɕɛ bˈɛs ɕlˈadu i pˈɛvɲʲɛ mˈa rˈatsjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_141.wav|bʲˈillɨ ɲʲˈɛma pɔjˈɛɲtɕa, jˈatsɨ lˈudʑɛ kˌɔʒɨstˈajɔ̃ z jˈɛɡɔː ˈuswuk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_27.wav|jɛdnˈɨmi ˈɔprudʒ bʲilljˈɛɡɔ kljɛntˈami z ˈɔɲis sɔ̃ dvˈaj lˌatɨnˈɔɕi ˌɔɡlɔndajˈɔntsɨ zavˈartɔɕtɕ ʃˈaf xwɔdɲˈitʃɨx s pˈivɛm.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_352.wav|ɲˈiɡdɨ ɲʲɛ bˌɨwɔ jɛj dˈɔbʒɛ z ɲˈikim.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_81.wav|sɔ̃ jˈakʲɛɕ pɨtˈaɲʲa?|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_19.wav|bˈɨk jɛst mʲˌɛndʑɨ ɲˈimi, ɲʲɛ w ɡwˈɛmbʲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_166.wav|lˈɛʒɔ̃ na dˈɔlnɛj pˈuwtsɛ.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_207.wav|brˈamɨ bˌɨwɨ zamkɲʲˈɛntɛ na ɡwˈuxɔ. ɡdˈɨ brjˈɛnnɛ i jɛj tˌɔvaʒˈɨʃɛ sprˌɔvadʑˈili kˈɔɲʲɛ s prˈɔmu, na mˈuʒɛ ɲʲɛ pˌɔruʃˈawɔ ɕɛ ɲˈits ˈɔprutʃ xɔrˈɔŋɡvi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_34.wav|tʃɨ mˈɔjɛ dʑˈɛtskɔ rˈuvɲʲɛʒ bɨwˈɔbɨ krˌɨtɨkɔvˈanɛ za sfˈɔjɛ swabˈɔɕtɕi, a jˈɛɡɔ pɔtʃˈutɕɛ vwˈasnɛj vartˈɔɕtɕi lɛɡwˈɔbɨ w ɡrˈuzax?|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_128.wav|jˈudɨ mˈa znajˈɔmɨx, ktˌuʒɨ skwˈɔnɲi sɔ̃ spˈɛwɲʲatɕ tˈakʲɛ zaxtɕˈaŋki.|2
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_85.wav|na kˈɔɲtsu kˌɔrɨtˈaʒa, f ktˌurɨm mʲˈɛʃtʃɔ̃ ɕɛ ɕɛdʑˈibɨ aɡˈɛntsji kɔsmˈitʃnɨx.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_16.wav|pˈɔdatɕ nˈavɛt sfɔjˈɛɡɔː adrˈɛsu na mˈiwɔʑdʑ bˈɔskɔ̃, vʲˈɛndʑ vˈɔntpjɛ, ʒˈɛbɨ bˌɨwa ɡɔtˈɔva dʑˈɛlitɕ ɕɛ sfˈɔim tɕˈawɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_32.wav|tˈɨw sˌamɔxˈɔdu zdɔbʲˈiwa kˌalkɔmˈaɲʲa pʃˌɛtstavʲajˈɔntsa tʃarnˈɛɡɔ kˈɔɲʲa s tʃˌɛrvɔnˈɨmi ɕlɛpʲˈami.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_115.wav|dʒˈɛɡɛr uɕmʲˈɛxnɔw ɕɛ w ɲʲˌɛpʃɨjˈɛmnɨ spˈɔsup.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_116.wav|zˈamkɲij za mnˈɔ̃ vwˈas! kʃɨknˈɛwam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_4.wav|vʲˈɛm, tsˈɔ mˈa na mˈɨɕli i tʃˈɛɡɔ mi ɲʲɛ mˈuvi. pˌɔrɨvˈatʃɛ mˈɔɡlibˌɨ spˌaɲikˈɔvatɕ, a ɲˈikt tˈak naprˈavdɛ ɲʲˈɛvʲɛ, tsˈɔ mɔɡwˈɔbɨ tɔː ɔznˈatʃadʑ dla mˈilljɛ.|4
+Dataset/wavs/urwisko_ferenc/51_segment_51.wav|w dˈɔlɛ dɔstʃˈɛɡwa tʃtɕˈinɛ vˈɔdnɔ̃ i rˌɔspʃɛstʃˌɛɲʲajˈɔntsɔ̃ ɕɛ ʒˈɛ̃sɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_75.wav|kʲˈɛdɨ ˌɔtpɔvʲˈada, dɔstʃˈɛɡam w jˈɛɡɔː ˈɔtʃax fspuwtʃˈutɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_366.wav|zˌauvaʒˈɨwa, ʒˈɛ ktˈɔʑ zdjˈɔw z ɲʲˈɛj zbrˈɔjɛ i ubrˈaɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_15.wav|tʃɛrvˈɔnɨ pwˈaʃtʃ i tˌurkusˈɔvɨ ʃˈal skˈɔnd bˌɛndɛ vʲɛdʑˈawa, tʃɨ ɲʲɛ jˌɛstɛm ɕlɛdʑˈɔna?|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_525.wav|bˌɨwa vɨsˈɔka i mʲˈawa blˈɔnd vwˈɔsɨ tɕˈɛŋkʲɛ i rˌɔzvixʃˈɔnɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_131.wav|kˈaʒdɨ bˈɨw zajˈɛntɨ sˈɔbɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_160.wav|rɔskˈazaw tɕˈixɔ lˈantsɛl.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_176.wav|dwˈuɡʲi rˈɛjs na pɔwˈudɲʲɛ spˌɔvɔdˈɔvaw, ʒˈɛ strˈatɕiw na vˈadʑɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_99.wav|dlatʃˈɛɡɔ? zapˈɨtaw ˈandɛrsɔn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_179.wav|tˈu umˈilkwɛm, ɡdˈɨʒ vɨdˈawɔ mi ɕɛ, ʒˈɛ tɨm vɨznˈaɲʲɛm ɔptɕˈɔ̃ʒam ɕˈɛbjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_137.wav|ɲˈitsk unˈɔɕi dwˈɔɲ.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_335.wav|ɡrubˈasɨ pɔvˈinnɨ ɕɛ unˈɔɕitɕ na vˈɔdʑɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_34.wav|bˈɛz vzɡlˈɛndu nˈatɔ, jˈaɡ bˈɨɕmɨ jˈɛ ˌuspravʲˌɛdlivʲˈali, jakʲˈɛɡɔ nabrˈawɨbˌɨ kʃtˈawtu, nˈadal pˌɔzɔstˈanɔ̃ kwamstfˈami.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_162.wav|a tʃɨ xtɕˈawbɨʑ zˈasnɔɲtɕ rˈazɛm na zˈafʃɛ? tʃɨ vˈɔlawbˌɨʑ zˌarɨzɨkˈɔvatɕ jˈɛʃtʃɛ vʲˈɛlɛ pɔrˈaŋkuf?|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_280.wav|pˈaɲi...|1
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_16.wav|— pʃˈɨkrɔ mi, ʒˈɛ ɲʲɛ udˈawɔ tɕi ɕɛ zdˈɔ̃ʒɨtɕ na pˈɔrut — pˌɔvʲɛdʑˈawa ɲʲɛ pɔ rˈas pʲˈɛrʃɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_94.wav|fspʲˈɛwa ɕɛ na pˈaltsɛ i mˈɔtsnɔ pˌɔtsawɔvˈawa mɲʲɛ w ˈusta, a ja mʲˈawam ɔxˈɔtɛ nˈatɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_114.wav|mˈam tˈu lˈudʑi, ktˌuʒɨ mˈuʃɔ̃ dˈɔstatɕ ɕɛ dɔ prˈatsɨ, a iɣ zmʲɛnɲˈitsɨ f xˈutɕɛ tʃɛkˈajɔ̃ na pˈɔvrud dɔ dˈɔmu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_358.wav|tˈaɡ zˈafʃɛ ʒˈɨli, dla ɲˈix tɔ ɲʲɛ nɔvˈina.|0
+Dataset/wavs/urwisko_ferenc/41_segment_33.wav|bˈɔɲtɕ pˌɔzdrɔvʲˈɔna, marˈɨjɔ, zˌarɛxˈɔtaw bɔrˈɛvitʃ. ɲʲˈɛx tɕi bˌɛɲdʑɛ bˈɛs ɔdbjˈɔru.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_106.wav|ʒɔwɲʲˈɛʒɛ, ktˌuʒɨ pʃɨbjˈɛɡli dɔ namjˈɔtu, ɕpʲɛvˈali rˈazɛm z nˈami.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_25.wav|a jˈɛɕli tˈaɡ zrˈɔbjɛ?|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_167.wav|dˈɔbrɨ, pˈaɲʲɛ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_30.wav|nˈɔɕiʒ ɡˈɔ tˌɨlkɔ dɔː ɔxrˈɔnɨ kˈɔstki, ˌalɛ ɕˈɛŋɡa ˈaʃ pɔt kɔlˈanɔ, a tɔ mˈawɨ tɛlˈɛfɔn.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_36.wav|pʃˌɨpɔmˈina sˈɔbjɛ swˈɔva rˈɔbʲin mˌaɡuˈirɛ, ʒˈɛ pravdʑˈivɨ ˈuɕmʲɛx tɔ tˈaki, f ktˌurɨm vˈidatɕ tɕi zˈɛmbɨ, ˈinnɛ ɕɛ ɲʲɛ lˈitʃɔ̃.|2
+Dataset/wavs/urwisko_ferenc/07_segment_8.wav|mʲˈawa prɛtˈɛnsjɛ dɔ ɕˈɛbjɛ, ʒˈɛ zˌarɛˌaɡɔvˈawa lˈɛŋkʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_114.wav|f tɕˈɛɲʲu pˌɔbliskʲˈɛɡɔ dʒˈɛva lˈɛʒɨ butˈɛlka vˈɔdɨ i kanˈapka zˌaviɲʲˈɛnta w vˌɔskɔvˈanɨ pˈapʲɛr, tsˈɔ ɕfʲˈattʃɨ ˈɔtɨm, ʒˈɛ kɔbjˈɛta zamjˈɛʒa tˈu zˈɔstatɕ na dwˈuʒɛj.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_205.wav|pʃˈɛdɛ fʃˈɨstkim xtɕˈawam ɕɛ dɔvʲˈɛdʑɛtɕ, tʃɨ rˈudɨ dˈɔpad lˌɛvɔrɛntʃnˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_132.wav|vɨjˈɛwam s tɔrˈɛpki rɔbˈɔta i pˌɔwɔʒˈɨwam ɡˈɔ na pɔdwˈɔdʑɛ tˈuʃ ˌɔbɔk ʃˈafɛk.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_82.wav|sɔlˈidɲi ɕlusˈaʒɛ, tˈatsɨ jˈaɡ ʒˈɔka, rˌɛɡulˈarɲʲɛ k��ɔntrɔlˈujɔ̃ stˈan spˈɔin.|4
+Dataset/wavs/urwisko_ferenc/33_segment_57.wav|pɔlˈitsja jˈuʃ tˈu bˈɨwa?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_11.wav|jˈɔ ɲʲˈɛma rˈatʃɛj dɔstˈɛmpu dɔ vʲˈɛŋkʃɨx pʲɛɲʲˈɛndʑɨ, xˈɔdʑ bˈɨwabˌɨ ɡɔtˈɔva bwˈaɡatɕ, pɔʒˈɨtʃatɕ lˈup krˈaɕtɕ, ʒˈɛbɨ jˈɛ zdˈɔbɨtɕ. ˈaʃ mˈɔʒɛ mʲˈɛtɕ tsˈɔɕ ˌɔdwɔʒˈɔnɛ.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_216.wav|jˈɛɕli xtsˈɔ̃ mʲˈɛtɕ nˈɔvɛ bˈutɨ,|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_42.wav|vˈɔkuw ɲˈix krɛɲtɕˈili ɕɛ lˈudʑɛ f kɛfˈijax plˈus pˈaru f tʃˈapkax kˈufi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_141.wav|tɔ pˌɔvʲɛdʑˈafʃɨ, pˈuʃtʃa jɛj dwˈɔɲʲɛ i pˈada na plˈɛtsɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_122.wav|bʲˈillɨ ɲʲɛ jɛst pˈɛvʲɛn, tʃɨ bˈɨwabˌɨ tˌɛɡɔ samˈɛɡɔ zdˈaɲʲa, ɡdˈɨbɨ znˈawa xˈɔtɕ pɔwˈɔvɛ zlˈɛtsɛɲ, f ktˌurɨɣ zavˈartɕu pˌɔɕrɛdɲˈitʃɨw ˈɛlmɛr bˈutskɨ xˈansɔn.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_4.wav|tʃɨmˈawa nat stˈɛrtɔ̃ papʲˈɛruv dwuɡˈɔpis, jˈaɡbɨ davˈawa pˌɔdvwadnˈɛmu tʃˈas na vˌɨpɔvʲɛdʑˈɛɲʲɛ jɛdnˈɛɡɔ krutkʲˈɛɡɔ zdˈaɲʲa, zˈaɲim pɔvrˈutɕi dɔ pʃˌɛrvanˈɛɡɔ zajˈɛɲtɕa.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_260.wav|jˈɛdɛn z ɡʲˈɛrmkuv zˌaçixˈɔtaw. tˈɛras...|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_261.wav|mˈam ɔxˈɔtɛ vˌɨprubˈɔvatɕ na tɛj pɔzˈɨtsji sˈɛr xarˈɨsa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_63.wav|zˌakɔɲtʃˈɨwa pˌɔwɔntʃˈɛɲʲɛ i ɔpˈarwa ɡwˈɔvɛ ɔ zaɡwˈuvɛk.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_272.wav|tsˈɛna ɲʲˌɛvɔlɲˈikuf rˈɔɕɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_197.wav|na ʑˈɛmi lɛʒˈawɨ vɛwɲʲˈanɛ dɨvˈanɨ, a na ɕtɕˈanaɣ viɕˈawɨ arˈasɨ.|1
+Dataset/wavs/urwisko_ferenc/10_segment_78.wav|ɕfʲˈatwɔ vlˈawɔ ɕɛ s kˌɔrɨtˈaʒa i kʲˈɛdɨ ˈɔlɡʲɛrd zmrˈuʒɨw ˈɔtʃɨ...|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_369.wav|jɛst tˈakʲɛ pʲˈɛŋknɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_8.wav|tɔ dˈɔbra nˌautʃɨtɕˈɛlka, xˈɔtɕaʒ zabrˈawa mi mˈɔjɛ ɡʲˈizmɔ, kʲˈɛdɨ bavˈiwam ɕɛ ɲˈim na lˈɛktsji.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_271.wav|zvˈanɔː ix mʲɛtʃˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_18.wav|tˈɔm pɔmˈɨɕlaw, ʒˈɛ kʲˈɛdɨʑ bˌɨwɔ w ɲˈim dˈɔɕtɕ pʃɨtˈulɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_287.wav|nadˈaftsɔ̃ jɛst travˈɛrtʲin ˌɛntɛrprˈisɛs. w ʒˈɨtɕu ɲʲɛ swˈɨʃaw ɔ tɛj fˈirmʲɛ, ˌalɛ ɔt rˈazu vʲˈɛ, ktˈɔ zˈaɲʲɔ̃ stˈɔi. ɔtfʲˈɛra vʲadˈɔmɔɕtɕ i tʃˈɨta.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_4.wav|i dɔ zˈakwat, ʒˈɛ ˌɔna zˌaxɔvˈawa dʑɛvˈitstfɔ pɔ dʑˈiʑ dʑˈɛɲ.|1
+Dataset/wavs/urwisko_ferenc/03_segment_138.wav|swɨʃˈawɛm ˈɔɲim.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_27.wav|dʑˈiɕ pɔ lˈatax tɕˈɛkaf jˈɛstɛm, tʃɨ tɔ bˈɨ pˌɔskutkɔvˈawɔ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_94.wav|jˈak jˈɛɡɔ ɡwˈɔva pˌɔlɛtɕˈawa vɨsˈɔkɔ f pɔvʲˈɛtʃɛ.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_27.wav|pɔvʲˈɛdʑaw, ʒˈɛbɨ ɔddˈali jˈɔ̃ jˈɛɡɔ mwɔtʃˈɛmu brˈatu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_157.wav|ɲʲˌɛɔpˈɔdal mˈɛɡɔ dˈɔmu, na ˌɔtsɛmbrɔvˈanɨm skfˈɛrku z akˈatsjɔ̃,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_81.wav|ˌalɛ prˈavdɨ i sprˌavʲɛdlivˈɔɕtɕi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_20.wav|f kˈɔɲtsu nˈatʃɛt tʃˈas pɔvrˈɔtu dɔ mˌanxɛstˈɛru, ˌalɛ ta mˈɨɕl ftsˈalɛ mɲʲɛ ɲʲɛ rˌadɔvˈawa.|3
+Dataset/wavs/urwisko_ferenc/28_segment_34.wav|ɡdˈɨ mˈarja pʃˌɨɡlɔndˈawa ɕɛ zvwˈɔkɔm, jˈɛʃtʃɛ ɲʲɛ znˈawa çistˈɔrji, ktˌura stˈawa za dramˈatɛm mwˈɔdɛj brunˈɛtki ɔ klasˈɨtʃnɨx rˈɨsax tfˈaʒɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_3.wav|bˈɛs pʃˈɛrvɨ ˌanalizˈujɛ ɔt samˈɛɡɔ pɔtʃˈɔntku fʃˈɨstkɔ, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ, zˌatʃɨnˈajɔnts ɔt pˌɔɲʲɛdʑˈawku i prɔɡrˈamuf rˈadju.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_390.wav|muɕˈawɔ tsˈɔɕ pˈujɕtɕ ɲʲɛ tˈaɡ z ˌɔdvadɲʲˈaɲʲɛm mˌɛtanˈɔlu. mˈam jˈɛʃtʃɛ vˈutkɛ, ɡdˈɨbɨɕ mʲˈawa ɔxˈɔtɛ na dˌɛɡustˈatsjɛ. mˈɔʒɛ ˈinnɨm rˈazɛm. tˈɛras xtsˈɛ drˈuɡʲɛ pˈivɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_72.wav|s kˈaʒdɨm mˌijajˈɔntsɨm dɲʲˈɛm tsˈɔraz bˈardʑɛj brˌakɔvˈawɔ mu tsˈurki.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_65.wav|zapˈɨtaw dʒˈɔnsɔn, kʲˈɛdɨ pʃˈɛbʒmʲaw jˈuʃ xˈuk.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_32.wav|jɛzd blˈadɨ na tfˈaʒɨ, a jˈɛɡɔ tʃˈɔwɔ znˈatʃɔ̃ ɡwɛmbˈɔkʲɛ brˈuzdɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_130.wav|bˈaki ɡwɛmbˈɔkɔ vˈɔntpi, tʃɨ bʲˈillɨ ʒˌɛtʃɨvˈiɕtɕɛ spˈaw, skˈɔrɔ mʲˈaw krfˈɔtɔɡ vɛvnˈɛntʃnɨ i pˌɔstɛmpujˈɔntsɛ zˌakaʒˈɛɲʲɛ, ˌalɛ zˌaxɔvˈujɛ tɔ dla ɕˈɛbjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_53.wav|dɔ tɛj kˌatɛɡˈɔrji ɲʲˌɛvɔntplˈivʲɛ nalˈɛʒɨ pˈɔbɨd ɡˌɛɔrɡʲˈɛɡɔ vʲˈɛpʃka w ɡuwˈaɡu dla ɡrubˈasuf.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_246.wav|ˌalɛ zmˈar na pʃˌɛʑɛmbjˈɛɲʲɛ pɔ drˈɔdʑɛ dɔ krulˈɛfskʲɛj pʃɨstˈaɲi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_159.wav|a drˈuɡʲi prˈɔstɔ z mʲˈasta. ˈandɨ akˈurat ʃˈɛt s pˈuʃkɔ̃ ɔlˈɛju, a ja ɡˈɔ zˌatʃɨmˈawɛm. ˈandɨ, mˈuvjɛ, xˈɔtɕ na xfˈilɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_54.wav|ftˈɛdɨ dˈɔbʒɛ ˌɔttʃɨtˈawɔ mˈɔjɛ mˈɨɕli, tsˈɔ dˌɔprɔvadʑˈiwɔ dɔ traɡˈɛdji.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_198.wav|s pʃˈɔdu jɛst smɔɡˈɔva ɲʲˈɛtska lˈaz vˈɛɡas, ktˌurɔ̃ z ˈulɡɔ̃ zɔstˈavi za sˈɔbɔ̃.|2
+Dataset/wavs/urwisko_ferenc/34_segment_5.wav|fɔrmˈalnɨ ˈuɕmʲɛɣ ɡˌɔspɔdˈaʒa pʃˈɨɡas.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_90.wav|bʲˈillɨ fkwˈada rˈɛntsɛ dɔ kʲɛʃˈɛɲi i kɔwˈɨʃɛ ɕɛ na pʲˈɛntax, tˈaɡ ʒˈɛ ʃtˈutʃnɨ bʒˈux ɲʲˈɛtsɔː ˌuvɨdˈatɲʲa ɕɛ pɔd blˈuzɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_63.wav|vzdwˈuʃ ramjˈɛɲʲa pʃˌɛbjɛɡˈawɨ bwˌɨskavˈitsɛ aɡˈɔɲʲi.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_311.wav|ɲʲɛ rɔzˈumjɛʃ f tʃɨm ʒˈɛtʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_136.wav|ɲʲˈɛma na sˈɔbjɛ kˌɔmbʲinɛzˈɔnu prˌatsɔvɲˈika vɨdʑˈawu rˈɔbut publˈitʃnɨx. dʑˈiɕ jɛst pˈanɛm ɲijˈakim, w lˈuʑnɨx, tɕˈɛmnɨx spˈɔdɲʲax i ʃˈarɛj mˌarɨnˈartsɛ spɔrtˈɔvɛj.|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_143.wav|ɕˈɛdʑaw tˈam i mˈɨɕlaw, ʒˈɛ pwˈatʃɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_138.wav|ja ˌaɲi rˈazu ɲʲɛ mruɡnˈɔwɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_23.wav|pˈajzaʃ prˈavʲɛ ɕɛ ɲʲɛ zmʲˈɛɲʲaw, ɲˈits tˌɨlkɔ ruvɲˈinɨ i ruvɲˈinɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_179.wav|ˈɛlis pˈuʃtʃa ˌɔstʃɛʒˈɛɲʲɛ mˈimɔː ˈuʃu.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_193.wav|fstˈaɲ, marˈɔɲʲɛ vˈɔlmark, lˈɔrdʑɛ ʑɛlˈɔnɛj tˈartʃɨ!|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_12.wav|a tsˈɔ s tˌɛlɛfˈɔnɛm, ktˌurɨ znˌalɛʑˈɔnɔː ˈu tɕˈɛbjɛ f ʃuflˈadʑɛ?|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_119.wav|ktˈɔʑ zdrˈadʑiw.|1
+Dataset/wavs/urwisko_ferenc/56_segment_61.wav|fʃˈɨstkɔ zɲʲˌɛruxɔmjˈawɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_150.wav|ˈɔtpar i fskˈazaw na ˈinnɔ̃ tʃˈɛɲɕtɕ plˈanu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_160.wav|lˈɛʒɨ z dwˈɔɲmi f tɨm ulˈɔtɲʲɛ xwˈɔdnɨm zˌakamˈarku pɔt pɔdˈuʃkɔ̃ i mˈɨɕli, ʒˈɛ tɔ ɲʲˈɛma sˈɛnsu.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_209.wav|uvˈaʒam, ʒˈɛ pˌɔvinɲˈiɕmɨ ix pɔvʲˈɛɕitɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_13.wav|zatʃˈɨmaw ɕɛ tˈuʃ pʃɨ dʒvʲˈax, a sˈandɨ ɡˈɔ minˈɛwa i vˈɛʃwa dɔ jˈɛdnɛj s kavʲˈarɲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_165.wav|bʲˈillɨ ɔdvrˈatsa ɕɛ i tsˈɔɕ mu xrˈupʲɛ f ʃˈɨi. jɛst pˈɛvʲɛn, ʒˈɛ tɔː ɔstˈatɲi dʑvʲˈɛŋk, jˈaki uswˈɨʃɨ, pʃɨnˈajmɲʲɛj nˈatɨm ɕfʲˈɛtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_208.wav|zɛznˈaɲʲa bwˌɛŋkitnˈɛɡɔ bˈarda s pɛvnˈɔɕtɕɔ̃ ɲʲɛ vɨstˈartʃɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_183.wav|pɔvʲˈɛdʑaw sˌɛksɔlˈɔɡɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_64.wav|dwˈuɡʲɛ, falˈistɛ blˈɔnd vwˈɔsɨ mʲˈawa tˈɛras w ɲʲɛwˈadʑɛ, a ˈɔtʃɨ zˌatʃɛrvʲɛɲʲˈɔnɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_229.wav|mˈɔɡwabˌɨm ɔt rˈazu dɨskrˈɛtɲʲɛ vnˈɔɕitɕ trˈɛfnɛ tɔvˈarɨ ˈalbɔ ɡdʑˈɛ ɕɛ ukrˈɨvatɕ i vɨmˈɨkatɕ ɕɛ pˈɔɲʲɛ w nˈɔtsɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_488.wav|zamˈɨɕliw ɕɛ i ʃˈɛt fpatʃˈɔnɨ f kˈaɲʲɔn ulˈitsɨ.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_219.wav|ɲʲɛ mˈija vʲˈɛlɛ tʃˈasu, a zˌatʃɨnˈajɔ̃ ɔkrˈadatɕ tˈɛʒ ʒˈɨvɨx.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_281.wav|ɲʲɛ, tˈɨvin ɲʲɛ ˈufaw ɕmʲɛxˈɔvi.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_259.wav|pʃˈɛs ˈɔknɔ bɛɲdʑˌɛmɨ mˈɔɡli zˈajʒɛdʑ dɔ vnˈɛntʃa xˈali.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_13.wav|tˈɛmpɛ, zˌapijatʃˈɔnɛ bˈɨdlɛ, ɲʲˈɛx pwˈatʃɛ f pʲˈɛklɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_50.wav|pɔswˈaliɕmˌɨ pɔ tɨx fʃˈɨstkix lˈudʑi, ktˌuʒɨ mˈɔɡɔ̃ mʲˈɛtɕ s tɨm tsˈɔɕ fspulnˈɛɡɔ pɔvʲˈɛdʑaw ʃˈɛf.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_120.wav|patʃˈɨwam, jˈaɡ vɨtɕˈɔŋɡa sfˈɔjɛ ɡʲˈizmɔː i vɨbjˈɛra nˈumɛr.|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_16.wav|ˌalɛ ɲʲɛ ɕɛdʑˈawam f tsˌawkɔvˈitɛj tɕɛmnˈɔɕtɕi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_33.wav|mˈuj kljˈɛnt jɛst tʃwɔvʲˈɛkʲɛm ɡvawtˈɔvnɨm i w ɔɡˈulɛ ɲʲɛ mˈuvmɨ jˈuʃ ˈɔtɨm.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_82.wav|tɔ bˌɨli ʑlˈi lˈudʑɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_134.wav|— pʃˌɛtɕɛʒ dʑvˈik ɔdjˈɛxaw — pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_44.wav|pʃˈɛrvaw na kˈilka sˈɛkunt, zˈaɲim sˈam ˌɔtpɔvʲˈɛdʑaw nˈatɔ pɨtˈaɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_80.wav|ɲʲɛ dˌɔprɔvadʑˈiwɛɕ mɲʲɛ dɔ zɡˈubɨ. ˌuratɔvˈawɛɕ mɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_120.wav|zavʲˈɛra tˈɛʒ ɡwˈɔs jˈɛɡɔ vˌɛvnɛntʃnˈɛɡɔ dʑˈɛtska.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_293.wav|swˈuxaj, tʃɨ mˈɔɡɛ tɕi vʲˈɛʒɨtɕ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_301.wav|i rˈɨan, f kturˌɛɡɔ rˈɛŋkax lˈufa zˌatatʃˈawa krˈɛŋɡʲi tsˈɔras ʃˈɨpʃɛ i dʑˈikʃɛ,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_64.wav|ˌalɛ dlatʃˈɛɡɔ tɔ mˈuɕi ɕɛ stˈatɕ f pʃˈɨʃwɨm tɨɡˈɔdɲʲu? pɔ tsˈɔ tɕˈɔŋɡɲʲɛʃ jˈɔ̃ za sˈɔbɔ̃ jˈuʃ tˈɛras, kʲˈɛdɨ mˌamɨ ʃˈansɛ jɛj ˌuɕfʲadˈɔmitɕ, ʒˈɛ jɛst tˈak sˈamɔ vˈaʒna jˈak xˈarɨ?|4
+Dataset/wavs/urwisko_ferenc/41_segment_48.wav|kʲˈɛdɨ dɔkwˈadɲʲɛ spɨtˈawa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_104.wav|dʒˈɔnsɔn ʒˈɛkw pɔ xfˈili.|0
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_78.wav|skwˈada ɕɛ s suʃˈɔnɨx ˈalk i supstˈantsji smakˈɔvɨx.|4
+Dataset/wavs/urwisko_ferenc/04_segment_7.wav|tʃˈɛba tɔ vɨjˈaɕɲitɕ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_31.wav|bɛɲdʑˌɛmɨ kɔʒˈɨstadʑ z lˈatrɨn, ktˌurɛ mˈuj kuzˈɨnɛk tˈak upʃˈɛjmʲɛ kˈazaw dla nˈaz vɨkˈɔpatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_47.wav|jˈaɡ zɲˈiknɔɲtɕ, ɡdˈɨ zastʃˈɛliʃ tʃwɔvʲˈɛka s tʃfartˈɛɡɔ pʲˈɛntra bjurˈɔftsa f pˈɛwnɨm mɡlˈiɲ tsˈɛntrum mʲˈasta?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_11.wav|w zˈamjan ˌɔtʃɛkivˈawam jɛdˈɨɲʲɛ pʃˌɨzvɔitˈɛɡɔ vˌɨnaɡrɔdʑˈɛɲʲa i sfɔbˈɔdɨ w vˌɨkɔnɨvˈaɲʲu prˈatsɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_12.wav|tˌɛɡɔ sˈara ɲʲɛ vʲɛdʑˈawa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_7.wav|ɡdˈɨ pʃɛd vdˈartɕɛm ɕɛ dɔ kaʒdˈɛɡɔ dˈɔmu dɔtˈɨkaw dʑˌɛtɕɛntsˈɛɡɔ butɕˈika ˈu sfɔjˈɛɡɔ pˈasa.|2
+Dataset/wavs/urwisko_ferenc/12_segment_95.wav|vʲˈɛm, ʒˈɛbɨɕ pʃɨjˈɛxaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_3.wav|dˈɔm vɨdˈajɛ ɕɛ zˌaskakujˈɔntsɔ tɕˈixɨ, kʲˈɛdɨ fxˈɔdʑɛ dɔ ɕrˈɔtka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_71.wav|mˈuɕaw nalˈɛʒɛdʑ dɔ dʑɛftʃˈɨŋki, bˈɔ bˈɨw ruʒˈɔvɨ.|2
+Dataset/wavs/urwisko_ferenc/19_segment_86.wav|i ktˌurɔ̃ ʒɛkˈɔmɔ vˈidʑaw mˈuj bˌɨwɨ mˈɔ̃ʃ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_207.wav|dla ɲʲˈɛɡɔ tɔ tˈɨlɛ, tsˈɔ splˈunɔɲtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_29.wav|na kʲˌɛrɔvɲˈitsɨ jɛst mnˈustfɔː ɔttɕˈiskuf pˌɛdʲikuʒˈɨstɨ, a ˈinnɛ ɕlˈadɨ, ktˌurɛ znalˈɛʑliɕmˌɨ pˌasɔvˈawɨ dɔː ɔttɕˈiskuv z mʲɛʃkˈaɲʲa mˈartɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_46.wav|ɲʲɛ vʲˈɛʒɛ, ʒˈɛ mˈɔɡɔ̃ mˈɨɕlɛtɕ f tˌaki spˈɔsup.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_339.wav|musˈimɨ zawˈɔʒɨdʑ vwˈasnɨ bˈaŋk.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_48.wav|fʃˈɨstsɨ miltʃˈɛli pʃˈɛs xfˈilɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_4.wav|pʃˈɛs jˈakɔ̃ʑ ɡɔdʑˈinɛ prˈavʲɛ ɕɛ ɲʲɛ ˌɔdʑɨvˈaliɕmˌɨ.|2
+Dataset/wavs/urwisko_ferenc/12_segment_80.wav|sˈɔlski krˈɛɲtɕiw ɕɛ vˈɔkuw xudʑˈiɲskix.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_68.wav|vidʑˈawɛm pˈana pɔt kˌɔmisarjˈatɛm. vidʑˈawɛɕ, pʃˌɨjatɕˈɛlu?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_445.wav|jˈɛdɲi zɡʲˈɛɲtɕi f pˈuw, bjɛɡˈali ukˈɔsɛm, jˈaɡbɨ ʃukˈajɔndʑ ɡʒˈɨbuf.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_247.wav|dɔpʲˈɛrɔ ɡdˈɨ utʃɲˈitsɨ trafˈili kˌilkanˈaɕtɕɛ, rˈɛʃta utɕˈɛkwa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_369.wav|tɔ tˌɨlkɔ zbjɔrˈɔva ˌawtɔsuɡˈɛstja, kɔxˈanɨ pˈaɲʲɛ prˌɛzɨdˈɛɲtɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_34.wav|vˌɨpɔvʲɛdʑˈawam tɛ swˈɔva i pʃɛwknˈɛwam ɕlˈinɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_447.wav|i tɕˈixɔ jˈak w ɲʲˈɛbjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_201.wav|nˌapʃɛtɕˈifkɔ ɕlˈuzɨ kˌɔlɛjˈɔvɛj viɕˈawa vʲˈɛlka flˈaɡa kˈɛɲʲi, a pˈɔdɲʲɔ̃ vˈidɲʲaw nˈapis.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_211.wav|pɔlˈubʲiw ˈɔbu i bˈardʑɔ bˈɨ ɲʲˈɛxtɕaw ˈɔddatɕ ix sˌɛrilinˈɔvi.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_144.wav|ˌalɛ ɲʲɛ vˈartɔ trˈatɕidʑ dla ɲʲˈɛj krulˈɛstfa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_485.wav|ˌɔdvrutɕˈiwa ɕɛ zˈɛ ʃtʃˈɔtkɔ̃ w rˈɛŋku i patʃˈɨwa nˈamɲʲɛ z uɕmʲˈɛxɛm.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_134.wav|ɡˈɔ dɔdˈajɛ dɔː ɔstrˈɛɡɔ sˈɔsu, ktˌurɨ uʒˈɨva dɔ sfˈɔix ˈɔstrɨx.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_34.wav|mˈuʃɛ vrˈutɕidʑ dɔ mʲɛʃkˈaɲʲa, pʃˈɛbratɕ ɕɛ, pɔjˈɛxadʑ dɔ dˈɔmu i stˈavitɕ tʃˈɔwɔ dˌɔmiɲikˈɔvi. tʃˈas pɔvʲˈɛdʑɛtɕ mu tsˈawɔ̃ prˈavdɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_45.wav|dlatʃˈɛɡɔ ɲʲɛ fɕˈadwaʑ dɔ pɔtɕˈɔŋɡu? zˌapɨtˈawam. pɔvˈinnaɕ ɕɛ ˌɛvakuˈɔvatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_70.wav|ʃˈɛptʃɔnts, ʒˈɛ jˌɛstɛm jˈuʃ na mʲˈɛjstsu, ʒˈɛ ɲˈits jɛj ɲʲɛ ɡrˈɔʑi i jˈɔ̃ kˈɔxam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_18.wav|mʲˈawam nadʑˈɛjɛ dɔvʲˈɛdʑɛtɕ ɕɛ ɔt tɕˈɛbjɛ, ʒˈɛ fʃˈɨstkɔ zɔstˈawɔ pɔmˈɨɕlɲʲɛ zˌawatfʲˈɔnɛ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_107.wav|tˈɨrjɔn pˌɔkazˈɨvaw mu tɕɛmɲʲˈɛjʃɛ plˈamɨ na mˈurax, ɡdʑˈɛ kʲˈɛdɨʑ viɕˈawa rˈasɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_118.wav|ɲˈiɡd dɔvˈɔdʑiw, vʲˈɛpʃɛɡ bˈɨw jˈɛɡɔ kˌɔnɕiljˈɛrɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_258.wav|i vʲˈɛm, dlatʃˈɛɡɔ tˈak jˈɛst, kʲˈɛdɨ jˌɛstɛm sˈam.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_407.wav|ɲʲˈɛma innˈɛɡɔ vˈɨjɕtɕa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_107.wav|tʃɨ stˈɔnt tɛn krˈɔk f tˈɨw?|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_194.wav|a mˈimɔ tɔ fʃˈɛɲdʑɛ pˈali ɕɛ i plɔndrˈujɛ sˈɛptɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_29.wav|vˈartɔ tˈɛʒ zˈajʒɛtɕ w jɛj finˈansɛ. ja zdɔbˈɛndɛ pˌɔzvɔlˈɛɲʲɛ na ɕlɛdʑˈɛɲʲɛ jɛj tˌɛlɛfˈɔnu. musˈimɨ jˈɔ̃ namjˈɛʒɨtɕ, ˌalɛ dʑawˈamɨ w ˌapsɔlˈutnɛj tˌajɛmɲˈitsɨ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_163.wav|f tɕˈasnɛj kajˈutɕɛ bˌɨwɔ tɕˈɛmnɔː i minˈɛwa xfˈila, ɲˈim brjˈɛnnɛ sˈɔbjɛ pʃˌɨpɔmɲʲˈawa, ʒˈɛ zrˈɛntʃnɨ dʲˈitsk ɲʲɛ ʒˈɨjɛ.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_216.wav|ɕpʲɛvˈawɛm jɛj pʲˈɛɕɲi miwˈɔsnɛ.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_84.wav|mˈuj pˈan mˈɔ̃ʃ mˈuvi, ʒˈɛ tɛn nˈɔvɨ urˈɔdʑiw ɕɛ z brˈudɛm pɔt pˌaznɔktɕˈami.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_362.wav|ʃukˈamɨ dʑɛftʃˈɨnɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_25.wav|namˈatsaw tsˈɔɕ tfardˈɛɡɔ. ɔt rˈazu ɕɛ zˌɔrjɛntˈɔvaw, tsˈɔ tɔ takʲˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_233.wav|nˈɔ, pɔvʲˈɛdʑaw, nˈavɛt i tɔ bˌɨwɔ za trˈudnɛ dla tɕˈɛbjɛ. tsˈuʃ tɔ za xɔlˈɛrnɨ dʑˈɛɲ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_3.wav|dʒˈɛk, ˈɛmma i lˌɔuˈisa zɔstˈali f kˈuxɲi, ɡdʑˈɛ bˈɛz vɔntpʲˈɛɲʲa dˌɨskutɔvˈali ʒˈɨvɔ na tˈɛmat ɲʲˌɛbɛspʲˈɛtʃnɛj sˌɨtuˈatsji, dɔ ktˌurɛj vwˈaɕɲʲɛ dˈɔʃwɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_54.wav|zapˈɨtaw bˈɛs fstˈɛmpu.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_187.wav|ɲʲɛ, dɔpˈuki dɔstˈartʃa nˈam tlˈɛn.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_137.wav|ˌalɛ musˈimɨ jˈɛʃtʃɛ rɔzvʲˈɔ̃zatɕ kfˈɛstjɛ kˈarɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_120.wav|dʑˈɛŋki, ʒˈɛ im ˌumilˈiwɛʑ dɛʃtʃˈɔvɨ dʑˈɛɲ, mˈuvi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_28.wav|ɲˈikt ɲʲɛ nˈazvʲɛ mɲʲɛ zdrˈajtsɔ̃ i udˈaʃɛm, bˈɔ tˌɨlkɔ dvʲˈɛ ɔsˈɔbɨ vʲˈɛdʑɔ̃ ɔ mˈɔix utʃˈɨŋkax.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_184.wav|ɡˈɛnna rˈuvɲʲɛʃ ˌɔdɛɡrˈawa sfˈɔjɔ̃ rˈɔlɛ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_271.wav|mˈuɕi zapˈɛvɲidʑ bˌɛspʲɛtʃˈɛɲstfɔ vʲˈɛʒbjɛ i dʑˈɛtɕɔm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_57.wav|xtɕˈaw tɕi zapˈɛvnɛ pʃɛkˈazatɕ, ʒˈɛ bˌɨliɕmˌɨ w bjˈuʒɛ pˌɔrɔzmˈavʲadʑ z mˈartɔ̃ pˈɔrtɛr.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_28.wav|ɲʲˌɛtsawˈɛɡɔ, ˌɔtpɔvʲˈadam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_77.wav|nˌatɕisnˈɛwa klˈamkɛ jˈɛʃtʃɛ mˈɔtsɲʲɛj. ʃarpnˈɛwa ɲʲˈɔ̃, znˈuf pˌɔtɕɔŋɡnˈɛwa dʒvˈi. ɲˈits.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_18.wav|bˈɔ f tˈakix sˈamɨx ʃpanˈɛʒɨ z jˈɛɡɔː ɔkˈɔlits pʃˌɨxɔdʑˈili na pʲɔntkˈɔvɛ tˈaɲtsɛ w rˌɔllɛrdˈɔmjɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_26.wav|jˈakʲɛɕ pʃˌɛmɨɕlˈɛɲʲa?|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_138.wav|zˈaɲim ɔtpˈɔvʲɛʃ, bʲˈillɨ, dˈɔdam jˈɛʃtʃɛ jˈɛdɛn arɡˈumɛnd zˈa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_63.wav|na zˈɛvnɔntʃ mˈɔʒɛ bˈɨtɕ tɕˈɛpwɔ, ˌalɛ tˈutaj pɔd ʑˈɛmʲɔ̃ zˈafʃɛ jɛst xwˈɔdnɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_41.wav|xrˈɨstɛ, tɔ pʃˌɛtɕɛʃ fˈirma tˌɛxnɔlɔɡʲˈitʃna.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_102.wav|ˌudɛʒˈɛɲʲɛ f tˈɨw ɡwˈɔvɨ, pˈɔtɛm zɔstˈawa jˈɛʃtʃɛ dvukrˈɔtɲʲɛ dʑɡɲʲˈɛnta w ɡˈurnɔ̃ tʃˈɛɲʑdʑ bʒˈuxa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_306.wav|a mɨɕlˈawɛm, ʒˈɛ mɲʲɛ vɨbrˈawaɕ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_59.wav|w vˌiktarjˈɔɲʲɛ zapwˈɔnɔw ɡɲʲˈɛf.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_133.wav|nˈɔ tsˈuʃ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_295.wav|nadˈɛmnɔ̃ rˈuvɲʲɛʃ pratsˈɔvaw. ˌupɔkˈaʒaw mɲʲɛ za pɔrˈaʃki. ˈaʒ zɛxtɕˈawɛm stˈatɕ ɕɛ kˈimɕ lˈɛpʃɨm, lˈɛpʃɨm mˈɛ̃ʒɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_57.wav|jˈɛɕli jɛstˌɛɕmɨ ɡɔtˈɔvi zˌaaktsɛptˈɔvatɕ fˈakt, ʒˈɛ tɔ ɲʲɛ ˌɔna jɛst mˌɔrdɛrtʃˈɨɲʲɔ̃,|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_72.wav|kʲˈɛdɨ jˈɛdnak jˈuʃ sɔ̃ w waʑˈɛntsɛ i bʲˈillɨ z jɛj pɔmˈɔtsɔ̃ ɕtɕˈɔŋɡa kɔʃˈulɛ, s tʃɛrvˈɔnɔtʃarnˈɛɡɔː ɔtfˈɔru vɨpwˈɨva tˌɨlkɔː ˌɔdrɔbʲˈina krfˈi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_118.wav|ɡˈɔʑdʑ balˈujɛ jˈak pʲɛpʃˈɔnɨ ˈɛrnɛst xɛmˈiŋɡvaj. kʲˈɛdɨ ɲʲɛ pratsˈujɛ, xlˈa s kumplˈami ˈalbɔ lˈɛtʃɨ kˈatsa. nawˈɔɡʲi ˈidɔ̃ f pˈaʒɛ s talˈɛntɛm, prˈɔʃɛ tɕˈɛbjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_286.wav|ɲʲˈɛvʲɛm, tʃɨ tˈaɡ bˈɨwɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_65.wav|fˌuŋktsjɔnarjˈuʃki mˈɔjɛj pˈartji, a jˈuʒ zˌamjɛʒˈawɛm vˈɨswatɕ jˈɛ na kˈɔŋɡrɛz dɔ lizbˈɔnɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_50.wav|dˌɔpadɲʲˈɛmɨ jˈɔ̃, tˈɔm.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_52.wav|tɔ bˌɨwɔ bˈardʑɔ rɨtsˈɛrskʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_33.wav|zˈamɛk lˈɔrda xɛvˈɛta bˈɨw mˈawɨ, ˌalɛ trˈudnɨ dɔ zdɔbˈɨtɕa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_105.wav|tˈɛɡɔ, ktˌurɨ fkrˈuttsɛ zɔstˈaɲʲɛ f tˈɨlɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_40.wav|tkfjˈɛ w bɛzrˈuxu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_24.wav|stˈɔjɔ̃ f sˈamɨm ɕrˈɔtku ɡrˈupɨ kibʲˈitsuf. jˌɛstɛm dʑˈɛɕɛɲtɕ mˈɛtruf ɔt ɲˈix. rˌɔzmavʲˈajɔ̃ i ɕɛ kwˈutsɔ̃ zˌamɛldˈɔvaw tɕˈixɔː ˈal.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_70.wav|tˈaɡ vʲˈɛndʑ dʑawˈajɔ̃ tˈu pˈɛvnɛ mˌɛxaɲˈizmɨ kɔntrˈɔli i rˌuvnɔvˈaɡʲi.|4
+Dataset/wavs/urwisko_ferenc/13_segment_36.wav|jˈuʃ ɲˈiɡdɨ. tɔ znˈatʃɨ dɔ xfˈili, kʲˈɛdɨ kupˈiwɛm tˈɛ ɡazˈɛtɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_22.wav|zapˈada xfˈila miltʃˈɛɲʲa.|4
+Dataset/wavs/urwisko_ferenc/24_segment_74.wav|mʲˈawa pˈaɲi rˈatsjɛ. vɨɡlˈɔnda nˈatɔ, ʒˈɛ zabrˈawa fʃˈɨstkʲɛ sfˈɔjɛ ʒˈɛtʃɨ, ˈɔprutʃ pwˈɨt i kɕˈɔ̃ʒɛk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_13.wav|vˈizja mʲɛʃkˈaɲʲa ɡdʑˈɛʑ w blˈɔku, ɡdʑˈɛ lˈudʑɛ mijˈajɔ̃ ɕɛ w vˈɛjɕtɕu zˈafʃɛ mɲʲɛ pʃˌɛraʒˈawa.|3
+Dataset/wavs/urwisko_ferenc/45_segment_81.wav|zɲiʃtʃˈɨwɨ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_215.wav|najblˈiʃʃa ɡɔspˈɔda jɛst na rɔsstˈajaɣ drˈuk, na zˈaxut stˈɔnt.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_228.wav|ɲʲˈɛmam pɔjˈɛɲtɕa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_20.wav|tˈɔm fstʃˈɨmaw ɕɛ z ripˈɔstɔ̃. tɔ ɲʲɛ mʲˈawɔ sˈɛnsu. jɛj zadˈaɲʲɛm bˌɨwɔ pʃˌɛtɕɛʃ xfalˈɛɲʲɛ ɕɛ suktsˈɛsɛm zɛspˈɔwu pʃɨ kˈaʒdɛj mɔʒlˈivɛj ɔkˈazji.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_112.wav|swˈɨʃɛ, jˈak mˈama zatʃˈɨna ɕɛ dwˈavitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_140.wav|pɔdˈɛʃwam dɔː ɛkrˈanu, ktˌurɨ ˌɔtʃɨvˈiɕtɕɛ dʑˈawaw jˈuʒ bˈɛz zaʒˈutu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_51.wav|jˈasim zrˈɔbʲiw nˈavɛd dvˈa krˈɔki dɔ pʃˈɔdu.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_42.wav|jˈak tɔ zrɔbʲˈimɨ, zˌapɨtˈawam.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_205.wav|pɔː ˌɔkɔlˈitsɨ krˈɔ̃ʒɔ̃ jˈɛʃtʃɛ bˈandɨ lˈudʑi s puwnˈɔtsɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_88.wav|— pˈa, kɔxˈaɲi — ʃɛptˈawa swˈɔtkɔː annˈɛɛ, ktˌurɔ̃ pʲɛrdˈalaw pʃɛt lˈatɨ ˌɛstablˈiʃmɛnt ˌupadwˈɛɡɔ rɛʒˈimu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_188.wav|ˌalɛ ja ɲʲˈɛvʲɛm, ktˌurɛ sɔ̃ istˈɔtnɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_57.wav|tˈak, minˈɛwɔ jˈuʃ ˈusma tʃɨdʑˈɛɕtɕi, a ja ftɕˈɔ̃ʃ ɲʲˈɛmam ɔt tɕˈɛbjɛ ʒadnˈɛɡɔ rapˈɔrtu dˌɔtɨtʃɔntsˈɛɡɔ sprˈavɨ tˈɛj... strˈakan. zaspˈawɛɕ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_116.wav|ɔdnˈalɛɕtɕ sˈamɛj ɕˈɛbjɛ, jˈɛɕli tɔ ɲʲˈɛbʒmi zbˈɨd dʑivˈatʃɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_12.wav|mɔʒˈɛtɕɛ pʃˈɛstatɕ udˈavatɕ, ʒˈɛ vʲˈɛtɕɛ, tsˈɔ tɔ jɛst ɲˈikap.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_23.wav|mˈam ɡˈɔ pˈɛvɲʲɛ na lˈiɕtɕɛ pɔwˈɔntʃɛɲ. mˈɔɡɛ tɔ sprˈavdʑitɕ i ɔddʑvˈɔɲidʑ dɔ tɕˈɛbjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_105.wav|pɔdˈɛʃwam dɔ sxrˈɔnu pˌɔvʲɛtʃnˈɛɡɔː i stanˈɛwam pʃˈɨɲim tˈak, ʒˈɛbɨ kamˈɛra zˌamɔntɔvˈana na xˈɛwmʲɛ ˌɔbɛjmɔvˈawa ˌalumiɲʲˈɔvɨ fˈartux.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_162.wav|ɔː ˈilɛ bˌɛɲdʑɛ jˈakʲɛɕ jˈutrɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_161.wav|ɲʲɛ mɔʒˈɛmɨ ɕtɕˈɔŋɡnɔɲtɕ na ɲʲˈɛɡɔ lˌasɛrˈɔvɔ nˌaprɔvadʑˈanɛj bˈɔmbɨ, bˈɔ pʃɨ ɔkˈazji rˌɔzvalˈilibˌɨɕmɨ kˈilku mˌawɔlˈatuv ɡrajˈɔntsɨx na kˌɔmputˈɛrax i ˈal jˌazɛˈɛra znˈɔvu mʲˈawabˌɨ ˌuʒɨvˈaɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_173.wav|m��ɔʒɛ naprˈavdɛ zvarjˈɔvaw?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_23.wav|tʃɨ tɔ bˌɨwa ˈɛlis xˈapman?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_77.wav|ʃˈɔpa zɔstˈawa splˌɔndrɔvˈana i dlatˈɛɡɔ xˈɔllɨ zdɔwˈawa dˈɔstatɕ ɕɛ dɔ ɕrˈɔtka.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_65.wav|tˈɛras mˈuɕaw jˈɛdnak pʃɛkˈɔnatɕ rˈut, ʒˈɛ tɔː ˌɔna jɛst fʃˈɨstkim, tʃˈɛɡɔ prˈaɡɲʲɛ na ɕfʲˈɛtɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_139.wav|jɛst jˈɛdna kˈarta krˌɛdɨtˈɔva zˈɛ starˈanɲʲɛ skrɛɕlˈɔnɨm pɔtpˈisɛm ˈɛlis rˈɛɡan mˈaɡzvɛll.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_49.wav|tɔ mˈɔja pʃˌɨjatɕˈuwka tˈɛssa.|4
+Dataset/wavs/urwisko_ferenc/26_segment_27.wav|zˈaxfʲaw ɕɛ i ˈupat pʃɛt ɕˈɛbjɛ. pˈɔtʃuwbˌɨ pˈɛvɲʲɛ zˈapax lɛɕnˈɛɡɔ rˈuna, ɡdˈɨbɨ ɲʲɛ tɔ, ʒˈɛ nˈɔzdʒa zalˈawa mu krˈɛf.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_275.wav|ˌalɛ mɲʲɛ ɕɛ ɕpʲˈɛʃɨ, mˈuɕiʒ brˈatɕ ɕɛ dɔ dʑˈɛwa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_3.wav|tˈɛras jˈuʃ rɔzˈumjɛm, dlatʃˈɛɡɔ sxˈu lˈɔŋk ɲʲˈɛbɨw zbˈɨtɲʲɔ pˌɔdɛkstsˌɨtɔvˈanɨ ˈasɛm kʲˈɛr.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_8.wav|sprˈavdʑɛ jˈɔ̃ nˈajpʲɛrv w ɡɔˈɔɡlɛ. zˌɔbatʃˈɨmɨ, tsˈɔ vɨskˈɔtʃɨ. mˈɔʒɛ zˌaɔʃtʃɛɲdʑˈimɨ sˈɔbjɛ vɨɕˈiwku.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_9.wav|ɲʲɛ mˈɔɡɛ vˈɨjʑdʑ z dˈɔmu. a jˈɛɕli pʃɨvʲˈɔzɔ̃ mˈili s pɔvrˈɔtɛm, a mɲʲɛ tˈu ɲʲɛ bˈɛɲdʑɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_188.wav|xtsˈɛ vʲˈɛdʑɛtɕ fʃˈɨstkɔː ɔ tˈɔbjɛ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_50.wav|vrutɕˈiwa s pɔvrˈɔtɛm i zɛrknˈɛwa za fˈɔljɛ, ktˌura pˌɔruʃˈawa ɕɛ na vʲˈɛtʃɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_22.wav|nˈɔː i jɛst jˈɛʃtʃɛ jˈɛdɛn pˈɔvut.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_12.wav|mˈɔʒɛ na pɔtʃˈɔntɛk pˈɔvʲɛ nˈam pˈaɲi, tsˈɔ ɕɛ dʑˈawɔː ɔt mɔmˈɛntu vˈɨjɕtɕa s prˈatsɨ f pˌɔɲʲɛdʑˈawɛk pɔ pɔwˈudɲʲu dɔ pɔvrˈɔtu vɛ ftˈɔrɛk rˈanɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_33.wav|s pʃˈɛdɲʲɛj kʲɛʃˈɛɲi ˌɔɡrɔdɲˈitʃkuv vɨjmˈujɛ nˈɔtɛs i ɔwˈuvɛk, pɔ tʃɨm pˈiʃɛ mʲˈɛsɔ, sˈɔrdɔː i mˈudɔ.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_49.wav|bˈɛz vzɡlˈɛndu na fʃˈɛlkʲɛ starˈaɲʲa ɲʲɛ mˈɔɡwa jˈɛdnak uvˈɔlɲitɕ ɕɛ ɔt ˈarji.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_22.wav|z dˈala ɔt ˈinnɨx lˈutskix ˈɔsat. na ˈɔɡuw spravʲˈali vraʒˈɛɲʲɛ bˌɔjaʑlˈivɨx, ˌalɛ ɔkˈɔwɔ pɔwˈudɲʲa...|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_24.wav|jˈaɡ vɨɡlˈɔnda dla tɕˈɛbjɛ samˈɔlɔt, mˈikɛ? zapˈɨtaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_209.wav|prˈɔm jˈuʒ vˈuftʃas ɔtpwˈɨnɔw i zˈatʃɔw pˈadadʑ dˈɛʃtʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_172.wav|ɲʲˈɛvʲɛm, jˈaɡ dwˈuɡɔ ftʃˈɛɕɲʲɛj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_27.wav|rɔzˈɛɕmʲaw ɕɛ, zwˈaʒɔnts s taptʃˈana.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_70.wav|vjˈɛʒdʒam na drˈuʃkɛ pʃɛt xɔspˈitsjum i rɔzɡlˈɔndam ɕɛ dˌɔɔkˈɔwa. ɲʲɛ tˌɛɡɔː ˌɔtʃɛkivˈawam.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_34.wav|nˈuʃa fpˈada dɔ pɔkˈɔju, kʲˈɛdɨ fkwˈadam akˈurat sfˈɛtɛr pʃˈɛz ɡwˈɔvɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_125.wav|tʃˈɨli najblˈiʃʃɨ klˈutʃ ˈalbɔ wˈɔm znajdˈɔvaw ɕɛ w mʲˈɛɕtɕɛ. zbˈɨd dalˈɛkɔ, ʒˈɛbɨ pɔ ɲʲˈɛɡɔː ˈiɕtɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_202.wav|pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_25.wav|ɲʲɛ pɔtrˈafjɛ jˈɛʃtʃɛ zdˌɛtsɨdˈɔvatɕ, kʲˈɛdɨ pɔvˈinnam ɕɛ pɔkˈazatɕ i tsˈɔ mˈam pɔvʲˈɛdʑɛtɕ. mˈɔʒɛ najlˈɛpʲɛj bˌɛɲdʑɛ ɡˈɔ pʃɛxfˈɨtɕitɕ, zˈaɲim zˈatʃɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_53.wav|mwˈɔtʃɨ dɛtˈɛktɨf xfˈɨta ˈaʃa pɔt rˈɛŋkɛ i kʲɛrˈujɛ ɡˈɔ f strˈɔnɛ dʒvˈi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_12.wav|ɲˈitsk pˌɔtakˈujɛ s kiɲʲˈ��ɲʲɛm ɡwˈɔvɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_201.wav|ˌalɛ mˈiwɔɕtɕ tɔ tˈaɡʒɛ umˈɔvna fˈɔrma nˈaʃɛj kultˈurɨ.|0
+Dataset/wavs/urwisko_ferenc/05_segment_4.wav|na zˌatɕɛɲʲˈɔnɨm balkˈɔɲʲɛ z rˌuxɔmˈɨmi pwɨtkˈami, ˌɔtspɔjɔnˈɨmi jˈuʃ ɔd zˈɛʃwɛj ʑˈimɨ, zˌapalˈiwa xˌɛstɛrfjˈɛlda.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_263.wav|nˈɔː i tsˈɔ s tˈɛɡɔ?|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_264.wav|a nɔtsˈami bɛɲdʑˌɛmɨ fˌɔrtɨfikˈɔvatɕ ɔbˈɔzɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_117.wav|i ɲʲɛ vˈidʑaw, jˈaɡ vˌɨkɔnˈujɛ skrˈɛnt, ftɕˈɔ̃ʃ stˈaw ɲʲˌɛruxˈɔmɔ, ˌɔdvrutsˈɔnɨ tfˈaʒɔ̃ dɔ ɕtɕˈanɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_174.wav|tʃɨ tfˈɔjɛ vwˈɔsɨ ˈiskʃɔ̃?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_8.wav|tsˈurka pˌɔvʲɛdʑˈawa lˌɔuˈiɕɛ tˌɨlkɔ tˈɨlɛ, ʒˈɛ nˈajpʲɛrf xtsˈɛ pˌɔrɔzmˈavʲatɕ s tˈatɔ̃ i ɲʲɛ pˈɔvʲɛ ɲˈits, dɔpˈuki ɔn ɲʲɛ vrˈutɕi dɔ dˈɔmu.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_244.wav|pʃˌɛwɔntʃˈɨwam ɡˈɔ f trˈɨp ˌɔʃtʃɛndʑˈaɲʲa ɛnˈɛrɡji i sxɔvˈawam pˈanɛl stˌɛrɔvɲˈitʃɨ dɔ fˌutɛrˈawu na ˈudʑɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_272.wav|ˌuɕmʲɛxnˈɛwa ɕɛ pˌɔraʒajˈɔntsɔ pʲˈɛŋknɨm uɕmʲˈɛxɛm.|0
+Dataset/wavs/urwisko_ferenc/63_segment_195.wav|a vɨ ɲʲɛ xtɕˈɛliɕtɕˌɛ jˈuʒ dwˈuʒɛj tʃˈɛkatɕ.|0
+Dataset/wavs/urwisko_ferenc/63_segment_76.wav|tɔ jɛst pˌɔtkɔmˈisaʃ ˈɔlɡʲɛrd bɔrˈɛvitʃ, pˌɔvʲɛdʑˈawa tfˈardɔ xˈɛrman.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_94.wav|vɨdˈavaw tˌɨlkɔ tɕˈixɨ pˈɔmruk, a ɡdˈɨ dɔtknˈɛwam jˈɛɡɔ ɕtɕˈanɨ, pɔtʃˈuwam dˌɛlikˈatnɛ tɕˈɛpwɔ.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_292.wav|vˈɔda vdˈarwa mu ɕɛ dɔː ˈɔtʃu i nˈɔsa, tɕˈɛmna, ʑˈimna i swˈɔna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_48.wav|dɔmˈiɲik krˈɛɲtɕi ɡwˈɔvɔ̃ zɡˈɔdɲʲɛ z mɔˈimi ˌɔtʃɛkˌivaɲʲˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_8.wav|vˈɛʃli dɔ pˌɛnsjɔnˈatu, ˌalɛ vˈɨʃli pʃɛt pʲɛɲtɕˈɔma mˌinutˈami i pˌɔjɛxˈali f strˈɔnɛ plˈaʒɨ.|3
+Dataset/wavs/urwisko_ferenc/27_segment_126.wav|zalˈɛʒɨ pˈanu na tɛj sprˈavʲɛ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_320.wav|tˈɔnɨ pˈad bˈɛs ɕˈiw na pɔdˈuʃkɛ,|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_19.wav|ˌuʒɔɲdʑˈiliɕmˌɨ imprˈɛzɛ. ɲˈidʑ vʲɛlkʲˈɛɡɔ, zalˈɛdvʲɛ kˈilku kˈumpli ʃˈɔna i jˈa.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_4.wav|ˌɔtʃukˈawam vzrˈɔkʲɛm tsˈɨŋɡla.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_94.wav|strˈaʃɲʲɛ ɕɛ ʑlˈɛ tʃˈujɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_144.wav|tʃˈuwam jˈɛdnak, ʒˈɛ jˌɛstɛm tˈam dla ɲʲˈɛj.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_278.wav|pˈɔvʲɛts, ɡdʑˈɛ mˈɔʒna znˈalɛɕtɕ ˌɔdrɔbʲˈinɛ rɔzrˈɨfki?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_134.wav|stˈaw tˈak pʃˈɛs xfˈilɛ, jˈaɡbɨ nˌaswuçˈivaw. f kˈɔɲtsu ˈuɲʲuz vɨsˈɔkɔ ɡwˈɔvɛ i spˈɔjʒaw prˈɔstɔ nˈamɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_57.wav|bˌɨwa mi tsˌawkɔvˈitɕɛ ˌɔbɔjˈɛntna, prˈavda mˈuvʲɔnts.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_52.wav|ɲʲɛ znˈɔʃɛ jˈak nazˈɨvam ɲʲˌɛpratsɔvɲˈikʲɛm, jˈaɡbɨm ˌuvaʒˈawa ɡˈɔ za ɡˈɔrʃɔ̃ istˈɔtɛ s tˌɛɡɔ pɔvˈɔdu, ʒˈɛ ɲʲɛ pʃɨnˈɔɕi dɔ dˈɔmu pˈɛnsji.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_45.wav|na rˈaʑɛ jˈɛdnaɡ bˈɨw tˈutaj z ɲˈim.|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_91.wav|mˌaɡazˈɨnɨ i dˈɔmɨ ˈidɔ̃ dɔ rɔzbjˈurki, tˈak mˈam tɔ rɔzˈumjɛtɕ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_533.wav|— tˈu ɲʲˈɛma fstˈɨdu — ʃˈɛpnɔw kˈɔrsak.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_50.wav|tˈak na pˈɛvnɔ zˈɔstawbˌɨm nˌawɔɡˈɔvɨm pijˈakʲɛm, ɡdˈɨbɨ ɲʲɛvˈɔntwɛ zdrˈɔvʲɛ vˌɨizɔlˈɔvatɕ ɕɛ ɔt ɲʲɛvˈɨɡut ɕfʲˈata tɕfʲˈartkɔ̃ vˈutki.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_4.wav|w artˈɛmis mʲˈɛʃka ɲʲɛvʲˈɛlka spɔwˈɛtʃnɔɕtɕ mˌuzuwmˈanuf, dɔ ktˌurɨx nalˈɛʒɨ mˈuj ˈɔjtɕɛts, vʲˈɛnts jɛst tˈu kˈilka sklˈɛpuf, f ktˌurɨx ɕɛ zˌaɔpatrˈujɔ̃.|4
+Dataset/wavs/urwisko_ferenc/54_segment_27.wav|tˈaɡ bˈɨ bˌɨwɔ najlˈɛpʲɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_127.wav|vˈɨɕlij zˈɛspuw. ɲʲˈɛɣ zrˈɔbjɔ̃ sfˈɔjɔ̃ rɔbˈɔtɛ i ɕtɕˈɔŋɡnɔ̃ jˈɔ̃ tˈutaj, ʒˈɛbɨɕ mˈukw pʃɛswˈuxatɕ jˈɔ̃ na mʲˈɛjstsu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_163.wav|i rˈɨan zɔbˈatʃɨw ˌutɕɛkajˈɔntsɨ w dˈuw pˈɔza ɲˈix tɕˈɛɲ, pˈɔttʃaz ɡdˈɨ pʃˌɛlɛtɕˈɛli dvʲˈɛ stˈɔpɨ nad dʒɛvˈami.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_418.wav|mˈa jˈɛ̃zɨɡ dwˈuɡʲi na stˈɔpɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_31.wav|mˈa dɔpʲˈɛrɔ ɕˈɛdɛm lˈat.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_101.wav|ɲˈikt tˌɛɡɔ napˈisu ɲʲɛ zˈatar. pʃˌɨzvɨtʃaˈili ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_276.wav|a vʲˈɛndʑ zɔstˈaliɕmˌɨ tˈɛras xˌandlaʒˈami ɲʲˌɛvɔlɲˈikuf?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_393.wav|nˈaʒ vwˈasnɨ fʃˈɛxɕfʲat.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_55.wav|zɔstˈajɛ zvɔlɲʲˈɔna. ɔddˈalam ɕɛ z ˈulɡɔ̃ f kʲɛrˈuŋku vˈint, kʲˈɛdɨ swˈɨʃɛ za sˈɔbɔ̃ ɡwˈɔz dɛtˈɛktɨf.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_254.wav|vʑˈɛwam ɡwɛmbˈɔki ˈɔddɛx, zˌaʒutɕˈiwam na rˈamjɛ pˈasɛk tˈɔrbɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_132.wav|ˌalɛ jˈɛɕli tsɔkˈɔlvʲɛk tɔ dla tɕˈɛbjɛ znˈatʃɨ, zadbˈawɛm ɔ fʃˈɨstkɔ, tsˈɔ tˌɨlkɔ pʃˈɨʃwɔ mi na mˈɨɕl.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_67.wav|pˌɔmɨɕlˈawɛm vʲˈɛnts, ʒˈɛ kaʒdˈɛɡɔ rˈɔku vˈɨɕlɛ tɕi lˈist, f ktˌurɨm ɔpˈɔvʲɛm tɕi ˈɔmɲʲɛ i ɔ mˈɔim ʒˈɨtɕu, na vɨpˈadɛɡ ɡdˈɨbɨʑ bˌɨwa xˈɔtɕ trˈɔxɛ zˌaintˌɛrɛsɔvˈana.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_18.wav|ɔznˈajmiw i ˈɔtʃɛd.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_52.wav|swɨʃˈawɛm, jˈak mˈuvjɔ̃ ɔ fsadʑˈɛɲʲu mɲʲɛ dɔ bˌaɡaʒɲˈika, pɔ tʃɨm tˈɛn, ktˌurɨ mɲʲɛ tʃˈɨmaw, pˈɔʃɛd ɡˈɔː ɔtfˈɔʒɨtɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_89.wav|jɛstˌɛɕmɨ tˈutaj, ʒˈɛbɨ sprubˈɔvadʑ znˈalɛɕtɕ tfɔjˈɛɡɔ mˈɛ̃ʒa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_135.wav|fskˈazaw na drɛvɲʲˈanɔ̃ pɔtstˈafkɛ zˌawadɔvˈanɔ̃ kfˌadratɔvˈɨmi patʃkˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_95.wav|xtsˈɛ pɔ prˈɔstu ɔmˈuvitɕ rˈuʒnɛ varjˈantɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_65.wav|prˈɔʃɛ mˈuvidʑ dˈalɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_70.wav|rɨsˈujɔnts tsˈɔɕ na kˈarttsɛ papʲˈɛru.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_40.wav|tˈak, tɔ nˈuʃa.|4
+Dataset/wavs/urwisko_ferenc/43_segment_30.wav|tʃɨ pamjˈɛnta pˈan tsˈɔɕ s tamtˈɛɡɔ pɔrˈaŋka?|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_265.wav|tɕˈɛŋkɔ̃, ʃˈarɔ̃ i zˌalatujˈɔntsɔ̃ plˈɛɕɲʲɔ̃,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_179.wav|lˈudʑɛ pˌɔtʃɛbɔvˈalibˌɨ dɔvˈɔdu. muɕˈɛlibˌɨɕmɨ pɔkˈazatɕ im nˈaʃɛ tsˌɛrtɨfikˈatɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_228.wav|nˈavznak|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_146.wav|ˈalbɔ pʃɛkˈaʒɛ ubrˈaɲʲa i nˈuʃ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_30.wav|vʲˈɛŋkʃɔɕtɕ smˈatʃnɨɣ ʒˈɛtʃɨ jɛst ɲʲɛdˈɔbra dla zdrˈɔvja tɔ mˈɔʒɛ kˈava, vˈɔda? ɲʲɛ, dʑɛŋkˈujɛ, naprˈavdɛ|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_437.wav|pˈɔtɛm upˈadwa na vznˈak i ja jˈɔ̃ zatʃˈɔwɛm kˈɔxatɕ. kɔxˈaliɕmˌɨ ɕɛ bˈɛs pɔɕpʲˈɛxu.|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_28.wav|xˈɔtɕtɕɛ dɔ kˈuxɲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_192.wav|vʲˈɛ tˈɛʃ tsˈɔɕ jˈɛʃtʃɛ. bɛvˈɛrlɨ zˌadʑvɔɲˈiwa dɔ ɲʲˈɛɡɔ pɔ pijˈaku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_62.wav|ˌalɛ ɲˈilɛ strˈaxan bˈɨw bˈɨstrɨm fatsˈɛtɛm, zdˈɔlnɨm dɔː ˌɔtpɔvʲɛdɲʲˈɛɡɔ pʃˌɨɡɔtɔvˈaɲʲa ɕɛ i vwɔʒˈɛɲʲa jakʲˈɛɡɔɕ kˌɔmbʲinɛzˈɔnu, ktˌurɨ ɔxrˈɔɲiwbˌɨ jˈɛɡɔː ubrˈaɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_78.wav|nˈavɛd ɡdˈɨbɨ ɕɛ udˈawɔ, ɲʲˈɛmʲawbˌɨ pɛvnˈɔɕtɕi, tʃɨ tɔ vwaɕtɕˈivɨ pʲˌɛtnastɔlˈatɛk.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_363.wav|mˈa ˈɔtʃɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_12.wav|a mˈɔjɛ ɔbˈavɨ sɔ̃ ˌiratsjɔnˈalnɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_25.wav|zˈɔɛ zdˌɔbɨvˈawa vwˈaɕɲʲɛ ɔdnˈuʃɨ lˈistɛ kɔntˈaktuf samjˈɛɡɔ, pˌɔvʲɛdʑˈawa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_94.wav|mˈama ɕɛ ɔdvrˈatsa i lˈɛkkɔ kˈuli, jˈaɡbɨ valtʃˈɨwa zˈɛ wzˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_142.wav|zamjˈɛʒam tˌɛɡɔ dˌɔpilnˈɔvatɕ, ɔː ˈilɛ zdˈɔwam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_12.wav|ʒˈɛ xtsˈɛ mi ɕɛ pwˈakatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_11.wav|na pˈɛvnɔ maʃ jˈuʒ dˈɔsɨdʑ ʒarsˈija z mˌikrɔfˈali, prˈavda? prˈavda?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_156.wav|dɔ vidʑˈɛɲʲa, kɔxˈaɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/49_segment_88.wav|na prɔfˈilu fˌatsɛbˌɔɔkˈɔvɨm ɔstˈatɲʲa ˌinfɔrmˈatsja bˌɨwa ɲʲˈɛmal ˌidɛntˈɨtʃna s tɔ̃ zavˈartɔ̃ w vitrˈɨɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_128.wav|fʃˈɨstsɨ pˈɔʃli na imprˈɛzɛ.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_63.wav|ubrˈanɨx pʃɛvˈaʒɲʲɛ w nˌajruʒɲʲˈɛjʃɛ sfˈɛtrɨ i vdʑˈaŋka.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_122.wav|pˌɔtʃɛbˈujɛ kˈɔɡɔɕ, ktˈɔ bˌɛɲdʑɛ pratsˈɔvaw dla mɲʲɛ pʃˈɛs tʃtˈɛrɨ vʲɛtʃˈɔrɨ f tɨɡˈɔdɲʲu.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_107.wav|zˌastanˈavʲam ɕɛ, jˈaɡ dalˈɛkɔ zˈajdɔ̃ ɲʲˌɛuzbrɔjˈɛɲi, zˈaɲim napˈadnɔ̃ iɣ baɲˈitɕi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_644.wav|tʃˈasnɔw klavˈiʃɛm mˌaɡnɛtɔfˈɔnu i pɔvʲˈɛdʑaw skɔɲtʃˈɨwa ɕɛ tˈaɕma.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_70.wav|dˌɛnɛrvˈujɛʃ ˈindjɛ.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_42.wav|dlatʃˈɛɡɔ ɲʲɛ mʲˈawa pʃˌɨpisanˈɛɡɔ dɔ ɕˈɛbjɛ tˌɛlɛfˈɔnu?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_33.wav|ˌalɛ ɲʲɛ spˌɔdɔbˈawɔ mu ɕɛ tɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_28.wav|pˌɔvʲɛdʑˈawa, zvˈalɲʲam tɕˈɛ. ˌɔtpɔvʲˈɛdʑaw, ɲʲɛ mˈɔʒɛ mɲʲɛ pˈaɲi zvˈɔlɲitɕ, bˈɔ sˈam ɔtxˈɔdʑɛ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_519.wav|pʃˌɛbɨvˈajɔ̃ ʃtʃɛɲɕlˈivʲɛ w vˈɔdnɨx ɔɡrˈɔdax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_94.wav|dˈajtɕɛ tˌɛmu tʃwˌɔvʲɛkˈɔvi mˈɛdal, pˌɔmɨɕlˈawa bˈɛtskɨ.|3
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_19.wav|najprˈɔstʃɨm rˌɔzvʲɔ̃zˈaɲʲɛm bɨwˈɔbɨ vʑˈɔɲtɕ tɔ, tsˈɔ jˈuʃ nˌapisˈawɛm, pɔdʑˈɛlitɕ mˌɛxaɲˈitʃɲʲɛ na pˈuw|1
+Dataset/wavs/urwisko_ferenc/15_segment_97.wav|xˈɛrman ɲʲɛ bˌɨwa tsˈɔ dɔ tˌɛɡɔ pʃˌɛkɔnˈana.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_96.wav|dla mɲʲɛ kˈava tɔ tˌɨlkɔ pɔdwˈana mʲˈastka xɛrbˈatɨ, ˌɔtpɔvʲɛdʑˈawam.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_354.wav|a jˈɛɕli tɔ sandˈɔra klˌiɡaˈina spɔtkˈamɨ, tsˈɔ mˈam ftˈɛdɨ zrˈɔbʲitɕ?|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_48.wav|bˈɨw najlˈɛpʃɨm ˌinʒɨɲʲˈɛrɛm ˌɛlɛktrɔɲˈikʲɛm f tsˈawɨm mʲˈɛɕtɕɛ i tsˈɔɕ takʲˈɛɡɔ ɲʲɛ pɔvˈinnɔ sprˈavitɕ mu trudnˈɔɕtɕi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_49.wav|kʲˈɛdɨ fxˈɔdʑɛ dɔ pɔkˈɔju pʃɛswˈuxaɲ, ɕˈɛrʒant kˈamba tʃˈɛka tˈam nˈamɲʲɛ z ˈinnɨm pˌɔlitsjˈantɛm, kturˌɛɡɔ ɲʲɛ rˌɔspɔznˈajɛ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_334.wav|ɲʲɛ pˌɔtrafˈiwa pˈɔtʃutɕ tˈɛɡɔ, tsˈɔ tʃˈuw rˈɔbɛrt f tˈɛ nˈɔtsɛ, ɡdˈɨ jˈɔ̃ brˈaw.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_24.wav|zapˈadwa jˈuʃ tɕˈɛmna, ɡwɛmbˈɔka nˈɔts. zˈamɛk i mʲˈastɔ spˈawɨ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_144.wav|sˈɛr ˈɛlɛn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_151.wav|ɲʲˈɛx ɕɛ jɛj pɔʃtʃˈɛɲɕtɕi w ʒˈɨtɕu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_54.wav|jˈak mʲˈaw ɕɛ skˌɔntsɛntrˈɔvatɕ na plˈanax ˌutʃɨmˈaɲʲa zˌatrudɲʲˈɛɲʲa pˌɛrsɔnˈɛlu, skˈɔrɔ na zˈɛvnɔndʒ ɡrasˈɔvaw mɔrdˈɛrtsa?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_14.wav|— pʃˌɨjɛxˈawaɕ sˈama? — zˌapɨtˈawa jˈɔ, pˈatʃɔnts pˈɔnat ramjˈɛɲʲɛm bˈɛtskɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_118.wav|pʃˌɛswɔɲˈiwa mi jˈɔ̃ jˈɛdnaɡ vˌɨsɨpujˈɔntsa ɕɛ z ˌawtɔkˈaru ludˈɔva kapˈɛla.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_212.wav|ɡdˈɨbɨm mɨɕlˈawa tʃˈɛʑvɔ, pˈɔʃwabˌɨm dɔ jakʲˈɛɡɔɕ xɔtˈɛlu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_407.wav|i tˈaɡ bˌɨwɔ pʃˈɛs tʃtɛrdʑˈɛɕtɕi lˈat i tsˈɔ?|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_374.wav|swɨʃˈawa ʃtʃɛkˈaɲʲɛ psˈa i kʃˈɨki lˈudʑi, a f pʃˈɛrvax mʲˌɛndʑɨ ˌudɛʒɛɲʲˈami pʲɔrˈunuf rˈuvɲʲɛʃ ʃtʃˈɛŋk stˈali.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_247.wav|rˈɔbjɔ̃ dvˈa kˈursɨ tˈam i s pɔvrˈɔtɛm. pˈɔtɛm bʲˈillɨ zˌatʃaskˈujɛ tˈɨlnɔ̃ klˈapɛ pˈitskˈupa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_13.wav|tʃɨ zɨskˈawa tsˈɔɕ fˌinansˈɔvɔ na sfˈɔim rɔzvˈɔdʑɛ? tʃɨ bˈɨwabˌɨ ɡɔtˈɔva vɨwˈɔʒɨtɕ pʲɛɲʲˈɔndʑɛ dla ˈaʃa?|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_137.wav|dɔpˈuki w rivˈɛrun ɕˈɛdʑi blˈatskfiʃ, rˈuvɲʲɛ dˈɔbʒɛ mˈɔʒɛʃ sˈɔbjɛ pɔdˈɛtʃɛtɕ ɲˈim dˈupɛ.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_72.wav|na pˌɔwudɲʲˈɔvɨm bʒˈɛɡu ʒˈɛki pˌɔʃukˌivaɲʲˈami dɔvˈɔdʑiw sˈɛr ˈadam mˈarbrantt.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_342.wav|a tɨ maʃ sfˈɔix f siɡˈardʑɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_518.wav|ˌɔtfɔʒˈɨwɛm dʒvˈi na bˈalkɔn, vˌɨʒutɕˈiwɛm ʃmˈiŋkɛ, ˌalɛ ftˈɛdɨ ɡdʑˈɛʑ z dˈɔwu ˌuswɨʃˈawɛm xˌawaɕlˈivɨ bʒˈɛŋɡ blˈaxɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_53.wav|bˌɛndɛ mˈuɕaw zavˈɔwatɕ pɔlˈitsjɛ, ʒˈɛkwɛm surˈɔvɔ, xˈɔdʑ dˈɔbʒɛ vʲɛdʑˈawɛm, ʒˈɛ pɔlˈitsja pʃɛʒˈɨva ˈɔkrɛs xaˈɔsu.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_84.wav|tˈata ɕɛ spˈisaw.|4
+Dataset/wavs/urwisko_ferenc/65_segment_197.wav|ˈarɛk pʃˌɛtɕɛʃ prˈavʲɛ jɛj ɲʲˈɛznaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_269.wav|vˌɨsadʑˈanɔ̃ jakˈimiɕ kˌamjɛɲʲˈami.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_291.wav|dlatʃˈɛɡɔ xtsˈɛʃ tˈu zˈɔstatɕ?|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_310.wav|tˈɛras pˈɛvɲʲɛ pɔvˈinnɔ ɕɛ ɡˈɔ zvˈatɕ sˈɛr xˈarɨm. spiʒˈɔvɨ jˈɔn pasˈɔvaw ɡˈɔ na rɨtsˈɛʒa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_272.wav|ˌɔtʃɨvˈiɕtɕɛ tˌɛɡɔ ɲʲɛ pɔvˈinnam rˈɔbʲitɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_150.wav|vˈidʑiʃ, ˈanɔ, zabrˈawaɕ mˈɔjɛ pʲɛɲʲˈɔndʑɛ i ɲˈiɡdɨ ix ɲʲɛ ɔddˈawaɕ. ˌɔbjɛtsˈawaɕ, ʒˈɛ tɔ zrˈɔbʲiʃ. nˈavɛt kˈilka rˈazɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_122.wav|upʲˈɛkwɔ ɕɛ pˈanu, pˌɔvʲɛdʑˈawɛm. vɨkˈɔnaw jˈakiɕ ɲʲˌɛɔkrɛɕlˈɔnɨ rˈux rˈɛŋkɔ̃. a ɲˈibɨ dlatʃˈɛɡɔ?|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_196.wav|dˈalɛ pʃɛɕlˈizɡnɔw ɕɛ pʃˈɛs twˈum i fskˈɔtʃɨw na pˈɛrɔn.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_234.wav|kˈupki rˈuvɲʲɛʒ bˌɨwɨ vˌɨkɔnˈanɛ z vˌɨʒutsɔnˈɛɡɔ pʃˈɛs mˈɔʒɛ drˈɛvna i kˈaʒdɨ z ɲˈiɣ vɨɡlˈɔndaw inˈatʃɛj.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_220.wav|mˈɔʒɛ zɲˈikwa tˈak jˈak pʃˈɨʃwa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_125.wav|pɔstˈaraj ɕɛ s tsˈawɨx ɕˈiw, ʒˈɛbɨ zaxˈɔvatɕ spˈɔkuj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_9.wav|kˈid zapˈɨtaw bˈɛtskɨ ˌɔbɔjˈɛntnɨm tˈɔnɛm. ɲʲɛ nalˈɛʒaw dɔ lˈudʑi, ktˌuʒɨ skˈatʃɔ̃ z radˈɔɕtɕi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_46.wav|fʃˈɨstkɔ jɛst f pɔʒˈɔntku, ˈalfjɛ. bɛɲdʑˌɛmɨ ɕɛ dˈɔbʒɛ bavˈili. lˈubʲiʃ mˈɔʒɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_285.wav|pˌɔxɨlˈiwam ɕɛ nat ɛkrˈanɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_68.wav|na rˈaʑɛ jˈɛdnak fʃˈɨstsɨ pˌɔvinɲˈiɕmɨ vrˈutɕidʑ dɔ dˈɔmu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_100.wav|tsˈɔː innˈɛɡɔ pˌɔzɔstˈajɛ dla ɲʲˈɛɡɔ zaɡˈatkɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_105.wav|pˈɔza tɨm kɕˌɛ̃ʒɨtsˈɔva ɡrˌavitˈatsja znˈatʃɲʲɛ uwˈatfja pʃˌɛnɔʃˈɛɲʲɛ ɲʲˌɛpʃɨtˈɔmnɨx ˈɔsup, a tˈutaj s kaʒdˈɛɡɔ mʲˈɛjstsa jɛzd blˈiskɔ dɔ dˈɔktɔr rɔˈussɛl.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_17.wav|ɲˈikt ɲʲɛ znˈa vʲˈɛntsɛj ʃtʃɛɡˈuwuf. pˌɔlɛtɕˈiwam nˌajrɔssˈɔndɲʲɛj vˌɨɡlɔndˌajɔntsˈɛmu spˈɔɕrut ɲˈix, ʒˈɛbɨ pˌɔvʲadˈɔmiw mɲʲɛ, kʲˈɛdɨ tˌɨlkɔ zjˈavi ɕɛ ˈɔlman.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_13.wav|ja znˈam rˈuvɲʲɛʃ arˈapski.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_77.wav|vwˈaɕɲʲɛ pɔvʲˈɛdʑaw rˈɨan. krˈutka lˈufa.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_62.wav|ɲʲɛvʲˈɛlka ɡrˈupa turˈɨstuf ˌɔtɔtʃˈɨwa trˈujkɛ ˌɛksplɔratˈɔruf, pˈɔttʃaz ɡdˈɨ pˌɔzɔstˈali, tɕi bjɛdɲʲˈɛjɕi, nˈadal spˌatsɛrɔvˈali vzdwˈuʃ pʃɛʃklˈɔnɛj ɕtɕˈanɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_46.wav|pˌɔstanˈɔviw zmʲˈɛɲitɕ tˈɛmat.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_448.wav|ja ɕpjˈɛ.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_25.wav|pˌɔvʲɛdʑˈawɛm prˈavdɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_412.wav|tˌɨlkɔ ɲʲɛ swuxˈawaɕ tˌɛɡɔː uvˈaʒɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_58.wav|vzrˈuʃɨw rˌamjɔnˈami.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_200.wav|ɲʲˈɛɣ bˌɛɲdʑɛ tɛn ʃˈarɨ z ˌɔdɡrɨʑˈɔnɨm ˈuxɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_295.wav|pʃˈɨswaw mi ˈɛkstrakt, a ja ɡˈɔ rˌɔspuɕtɕˈiwɛm w vˈɔdʑɛ z ˌɛtanˈɔlɛm. pɔvˈinna mʲˈɛtɕ ˌidɛntˈɨtʃnɨ smˈak.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_18.wav|ujˈɛwa ɡˈɔ za ˈɔbjɛ rˈɛntsɛ i pˌɔtsawɔvˈawa f pɔlˈitʃki. vʲˈɛm, ʒˈɛ tˈɔmmɛn rˈuvɲʲɛʃ ɕɛ utɕˈɛʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_98.wav|jˈuʃ tˈak ɲˈiskɔː upˈadliɕmˌɨ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_66.wav|rˈuxɨ, kˈurva, ʒˈutɕiw jˈamisɔn. zˌastavʲˈamɨ xwɔpˈakɔm drˈɔɡɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_118.wav|sˈama vidʑˈawaɕ, jˈak pˌɔtraktˈɔvaw mɲʲɛ za spuʑɲʲˈɛɲʲɛ z ˌɔtsɛtkˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_123.wav|ɲʲɛ mɔʒˈɛmɨ tˈɛras rɔzmˈavʲatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_84.wav|ɡwˈuvɲʲɛ rɔbʲˈiwam tɔ, tsˈɔ kazˈawɨ mˈama i ɕˈɔstra.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_53.wav|dlatʃˈɛɡɔː ɔn xtɕˈaw, ʒˈɛbɨm ˌurɔdʑˈiwa tɔ dʑˈɛtskɔ, mˈamɔ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_3.wav|stˈarɛ kamjˈɛɲʲɛ, s ktˌurɨx jˈɛ vzɲʲɛɕˈɔnɔ, pˌɔtʃɛrɲʲˈawɨ pʃˈɛs lˈata, a ˈɔkna sɔ̃ pˈustɛ i strˈaʃɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_42.wav|bˈawɛm ɕɛ vˈɛjʑdʑ dɔ kˈuxɲi, dɔ waʑˈɛŋki.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_19.wav|tɔ ɲˈits ɲʲɛ dˈa, kʲˈɛdɨ vnˈɛntʃɛ zalˈɛjɛ rˌɔstɔpʲˈɔna stˈal. mˈuʃɛ jˈɔ̃ stˈamtɔnd vɨtɕˈɔŋɡnɔɲtɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_464.wav|mˈɔʒɛ pˈan jɛst jˈuʒ zmɛntʃˈɔnɨ?|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_218.wav|pˌɔkrɛɲtɕˈiwam ɡwˈɔvɔ̃ i ˌupɔmɲʲˈawam ɕɛ w mˈɨɕlax. pɔd ʒˈadnɨm pɔzˈɔrɛm ɲʲɛ pɔvˈinnam ɡˈɔ mʲˈɛʃatɕ f tɔ tsˈawɛ ɡˈuvnɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_345.wav|vˈɛmɲʲɛ mˈɔʒna vwˈɔʒɨtɕ tsˈudʑɔ̃ pˈamjɛɲtɕ jˈaɡ dɨskʲˈɛtkɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_232.wav|prˈɔblɛm tkfˈi vˈɛmɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_118.wav|ɔtpˈɔvʲɛdʑ butskʲˈɛɡɔ pʃɨxˈɔdʑi bwˌɨskavˈitʃɲʲɛ ɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_433.wav|tˈak mu nˌapisˈawɛɕ.|1
+Dataset/wavs/urwisko_ferenc/52_segment_66.wav|xudʑˈiɲski ɕtɕˈɔŋɡnɔw brvˈi. sˈɛrjɔ?|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_194.wav|jɛst pˌɔwɔntʃˈɔna z rˈɛʃtɔ̃ ɔbjˈɛktu. ɔpswˈuɡa mˈuɕi tˈak tʃˈɛ̃stɔ vɨxˈɔdʑidʑ dɔ xˈali ɡwˈuvnɛj, ʒˈɛ kˌɔʒɨstˈaɲʲɛ zˈɛ ɕlˈuzɨ bɨwˈɔbɨ spˈɔrɨm ˌutrudɲʲˈɛɲʲɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_106.wav|pˈɔttʃas rɔzmˈɔvɨ z jˈɛdnɨm s tʃwˈɔŋkuv zawˈɔɡʲi ˌɔbrutɕˈiwa ɡwˈɔvɛ i ftˈɛdɨ zˌɔbatʃˈɨwam vrˈɛʃtɕɛ jɛj tfˈaʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_56.wav|jˈɛɡɔː ˌamɛrɨkˈaɲski ˈaktsɛnt kɔmplˈɛtɲʲɛ mɲʲɛ zaskˈɔtʃɨw i xˈɨba dˈawam tɔ pɔ sˈɔbjɛ pˈɔznatɕ, bˈɔ trˈɔnt pˈarsknɔw ɕmʲˈɛxɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_56.wav|ˈalbɔ pɔjˈɛxaw dɔ nɔvˈɛɡɔ jˈɔrku tʃɨ xˌɔllɨvˈɔɔt pɔɡˈadatɕ s prˌɔdutsɛntˈami ɔ tfˈɔim pʃˈɨʃwɨm bˌɛstsɛllˈɛʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_45.wav|vˌɨsɨpˈaliɕmˌɨ w ɲʲˈɛj ɕfʲˈɛʒɛ ɕitˈɔvʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_166.wav|ʒɛtʃˈɔnɨm firtsˈɨkʲɛm ˌɔtʃɨvˈiɕtɕɛ jɛst tsˈɔlin fçˈitɛ z buɕˈinɛss sɔlˈutjɔns.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_172.wav|bʲˈillɨ mˈaxa dɔ jɛj tˈɨlnɨx ɕfʲˈatɛw, pɔ tʃɨm fxˈɔdʑi na tʃfˈartɨ pˈɔʑɔm. jɛzd vˈinda, ˌalɛ ɔn vˈɔli ɕɛ pʃˈɛjɕtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_24.wav|zˌɔbatʃˈɨmɨ, tsˈɔ bˌɛɲdʑɛ nˈam mʲˈaw dɔ pˌɔvʲɛdʑˈɛɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_349.wav|tˈakʲɛ jˈakʲɛ vˌidɨvˈawɛm kʲˈɛdɨɕ w mwɔdˈɔɕtɕi.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_185.wav|vʲˈɛnts tsˈɔ dɔ xɔlˈɛrɨ mˈam tˈɛras rˈɔbʲitɕ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_53.wav|i ʒˈɛ dɔmˈɔvi tˌɛmu ɲˈits ɲʲɛ zaɡrˈɔʑi f tʃˈaɕɛ tɨɣ zwˈɔtɨɣ dɲˈi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_162.wav|rˌɛvɛlˈatsja, ɲʲɛ? mˈuvi bˈutskɨ, pʃɨnˈɔɕi sfˈuj tˈalɛʃ i ɕˈada dɔ stˈɔwu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_97.wav|ˈɛlis pˌɔtskakˈujɛ jˈaɡ vˌɨstraʃˈɔna tʃˈaskʲɛm zˌamɨkˈanɨɣ dʒvˈi. pˈɛtɛr pˈɔlx jˈakɔɕ tˈak? mʲˈaw pʃˈɛjɔɲtɕ intˈɛrɛs pɔː ˈɔjtsu.|2
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_6.wav|ɲʲɛ muɕˈawam tˈam pʃɨxˈɔdʑitɕ jˈuʃ ɔ pʲˈɔntɛj, ˌalɛ ɲʲɛ bˈɨwabˌɨm sˈɔbɔ̃, ɡdˈɨbɨm dˌɔpuɕtɕˈiwa, ʒˈɛbɨ jˈin xˈu zjˈaviw ɕɛ pʃɛdˈɛmnɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_121.wav|xˈɔlm ɕɛ, tfˈuj zmˈɨsw dɛdˈuktsji mɲʲɛ zadʑˈivja, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_56.wav|sˈama zɔbˈatʃɨʃ, kʲˈɛdɨ ɕɛ ɔbmˈɨjɛʃ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_136.wav|a pˈɔtɛm rˈɨan pɔvʲˈɛdʑaw nˈaɡlɛ...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_45.wav|kˈit ɔtfˈɔʒɨw ʃˈɛʒɛj ˈɔtʃɨ, kʲˈɛdɨ sˈɔbjɛ ˌuɕfʲadˈɔmiw, tsˈɔ sˌuɡɛrˈɔvaw tˈɔm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_160.wav|ɲʲˈɛmam ʒˈadnɨx, ˌɔtpɔvʲˈada bʲˈillɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_60.wav|bʲˈillɨ pamjˈɛnta, jˈaɡ zˈamir za brˈamɔ̃ ɔbˈɛjʒaw ɕɛ i ɔstˈatɲi rˈas kʃˈɨknɔw, zdˈɔbɨw bˈazɛ kˈu wvˈɨ sˈɨnu.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_204.wav|jˈamjɛ, sˈɛr?|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_38.wav|pˌɔinfˈɔrmuj sˈɛr brɨndˈɛna taljˈɛɡɔ, ʒˈɛ xtsˈɛ z ɲˈim pɔmˈuvitɕ jˈutrɔː ɔ bʒˈasku.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_80.wav|ɲʲˈɛmal ɕɛ uɕmʲˈɛxam w rɛˈaktsji na jɛj sprˈɨt.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_35.wav|tʃɨ mˈɔja lˈitɔɕtɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_111.wav|kasˈujɛ ɔstˈatɲʲɛ zdˈaɲʲɛ i zaɕˈɛŋɡa rˈadɨ mˈawpɨ, ktˌura ʒˈɨjɛ mʲˌɛndʑɨ jˈɛɡɔː uʃˈami i pɔt tʃˈɔwɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_47.wav|ɲʲɛ zˌamjɛʒˈawa ɔsˈɔndʑatɕ rɛlˈatsji ˈinnɨx lˈudʑi i zˌɔrjɛntɔvˈawa ɕɛ, ʒˈɛ tɛn brˈak pɔvˈaɡʲi ɲʲɛ ɔkˈaʒɛ ɕɛ pɔmˈɔtsnɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_96.wav|vˌɨʒutɕˈiwam s ɕˈɛbjɛ tɛ swˈɔva, zˈaɲim zdɔ̃ʒˈɨwam ɕɛ nat ɲˈimi zˌastanˈɔvitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_43.wav|vˈidʑi, jˈak tʃˈarna lˈaska i kˈilka jɛj kˌɔlɛʒˈanɛk pɔ fˈaxu pˌɔdrɨvˈajɔ̃ tʲirˈɔftsuf, ˌalɛ dɔ ɲʲˈɛɡɔ ɕɛ ɲʲɛ zbliʒˈajɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_5.wav|pʃˈɛs kˈilka mˈinut mɔdlˈiwam ɕɛ ɔ ɕmʲˈɛrtɕ, a pˈɔtɛm vɨpˈiwam tˈɨlɛ vˈɔdɨ, ˈilɛ zdɔwˈawam f ɕˈɛbjɛ vlˈatɕ i vɨpˈɛwzwam s tɛj tɕˈasnɛj nˈɔrɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_139.wav|rˈɛʃtɛ dˌɔpɔvʲadˈajɔ̃ rˈazɛm, ˌalɛ ʒadnˈɛɡɔ dʒˈɛmu dʑˈiɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_51.wav|fˈatsɛd zˈɛ stʃɛlɲˈitsɨ uɕmʲˈɛxa ɕɛ i pʃɛxˈɨla kapˈɛluʃ na drˈuɡɔ̃ strˈɔnɛ. frˈaŋk i frˈɛt i fɛlˈisja, fʃˈɨstkɔ jˈɛdnɔ, bˈɨlɛ dʑɛvˈuʃka mʲˈawa frˈajdɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_26.wav|pˈustɔ dʑˈiɕaj, pɔvʲˈɛdʑaw bˈarman. tˈaɡ zˈafʃɛ jɛst f pˌɔɲʲɛdʑˈawɛk. pˈivɔ? tˈak.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_185.wav|zamjˈɛʒaʒ dˈɔpaɕtɕ pˈana kˈa.?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_20.wav|xˈɔdʑ drˈɛntʃɔ̃ mɲʲɛ tɛ fʃˈɨstkʲɛ kɔʃmˈarnɛ vˈizjɛ, pʃˈɛs tsˈawɨ tʃˈaz ʒˈɨvjɛ jˈɛdnak pʃˌɛkɔnˈaɲʲɛ, ʒˈɛ mˈɔja tsˈurka ʒˈɨjɛ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_364.wav|jˈɛɕli iɣ zawˈɔɡʲi zˈɛjdɔ̃ na bʒˈɛk, pɔvˈinnɔ mu vɨstˈartʃɨtɕ lˈudʑi, ʒˈɛbɨ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_14.wav|fɕrˈut ɲˈix nˌajpravdˌɔpɔdˈɔbɲʲɛj znalˈazwabˌɨ ɕɛ i mˈɔja fˌɔtɔɡrˈafja, ktˌurɔ̃ ˈujʒawbˌɨ tsˈawɨ ɕfʲˈat.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_275.wav|ˌalɛ tsˈɔ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_171.wav|ˌɔbɛjdʑˈɛmɨ pˈawats i spɔjʒˈɨmɨ na pˈuʃtʃɛ pɔdˈɔbnɔ̃ dɔ litˈɛfskix.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_118.wav|dˈavnɔ tˈɛmu, kʲˈɛdɨ nˌapravʲˈawam z ˈɔjtsɛm wazˈiki, vˌɨmjɛɲʲˈaliɕmˌɨ vʲˈɛlɛ tˈakiɣ zavˈɔruf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_107.wav|jˈɛɡɔː ubrˈaɲʲɛ zɔstˈawɔ zˌabɛspʲɛtʃˈɔnɛ, bˈɔ bˌɨwa nˈaɲim krˈɛf nˌalɛʒˈɔntsa dɔː ɔfjˈarɨ s tˈɛɡɔ, tsˈɔː udˈawɔ ɕɛ dɔ tɛj pˈɔrɨ ustˈalitɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_14.wav|tɔ ɲʲɛ tˈakʲɛ prˈɔstɛ, skˈɔrɔ mʲˈɛʃka w ˌɛmirˈatax.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_65.wav|na rˈaʑɛ pˌɔvinɲˈiɕmɨ pɔzvˈɔlitɕ jˈɔɛ zɔbˈatʃɨtɕ sfɔjˈɛɡɔ partnˈɛra. mˈɔʒɛ pˈɔvʲɛ jɛj tsˈɔɕ, tʃˈɛɡɔ ɲʲɛ pɔvʲˈɛdʑaw nˈam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_34.wav|mˈɔʒɛ tɔ dlatˈɛɡɔ, ʒˈɛ ɕtɕiskˈawam ɡˈɔ zbˈɨt mˈɔtsnɔ?|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_207.wav|jˈak mˈɔʒɛ pamjˈɛntaʃ, klˈɛɔs ɔʒˈɛɲiw ɕɛ z jˈɛdnɔ̃ s tsˈurɛk ɔrˈatʃa.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_298.wav|jˈɛɕli bˌɛɲdʑɛ tʃˈɛba, zabʲˈijɛ pɔwˈɔvɛ lˈɔrduv w vɛstˈɛrɔs i fʃˈɨstkix prɔstˈatʃkuf, ʒˈɛbɨ zapˈɛvɲitɕ mu bˌɛspʲɛtʃˈɛɲstfɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_99.wav|rɔzmˈɔva ɔ jˈatsku bˌɨwa dla tˈɔma zˈafʃɛ trˈudna.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_65.wav|jɛdˈɨnɨm rɔdʑˈajɛm pɔkˈɔju, jˈaki mˈɔʒna bˌɨwɔː ɔtʃˈɨmatɕ ɔt lˈudʑi sˈɛr ɡrɛɡˈɔra bˈɨw pˈɔkuj ɡrˈɔbu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_23.wav|ʒˈadnɨɣ vʲˈɛɕtɕi ɔː alˈɛɲʲɛ? pˈɨta bʲˈillɨ. kʲˈɛdɨ kˈɔɲtʃɔ̃ jˈɛɕtɕ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_413.wav|tʃɨ mˈɔʒɛʃ nˈaɲʲɛ pɔpˈatʃɛtɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_94.wav|mˈɔʒɛ tɔ dˈɔbʒɛ, mˈɔʒɛ ɲʲɛ. skˈɔnt ˌɔna mˈa vʲˈɛdʑɛtɕ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_58.wav|bjˈurɔ mˈartɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_82.wav|mˈama ɲʲɛ ˌɔtpɔvʲˈada, a dɔ kˈuxɲi fxˈɔdʑi ˈaram.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_16.wav|ɲʲɛ jɛzd zˌaintˌɛrɛsɔvˈanɨ naʃˈɨmi spˌɛktaklˈami, a jˈɔɛ i ja spˌɔtɨkˈamɨ ɕɛ ˈalbɔ na prˈubax, ˈalbɔ f tɕˈɔŋɡu dɲʲˈa. bˈardʑɔ jˈɔ̃ lˈubjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_74.wav|tɔ dɔ tɕˈɛbjɛ ɲʲˌɛpɔdˈɔbnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_76.wav|ˌalɛ tˌɨlkɔ w rˌɔzumjˈɛɲʲu mwˈɔdɛj kɔbjˈɛtɨ, ktˌura dɔpʲˈɛrɔː ɔt ɲʲɛdˈavna mˈɔʒɛ lɛɡˈalɲʲɛ kupˈɔvatɕ alkˈɔxɔl, jɛst pˈɛvʲɛn, ʒˈɛ pɔdˈɔbɲʲɛ mˈɨɕlaw kˈɛnxɔff.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_82.wav|bˌɛɲdʑɛʒ w dˈɔmu mʲˈɛɕɔnts? mˈɔʒɛ nˈavɛt puwtˈɔra, bˈɔ...|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_44.wav|nˈavɛd ɡdˈɨbɨm ɕɛ ɲʲɛ pɔjˈaviw, sˈam bˈɨ ɔt tɕˈɛbjɛ ˈɔtʃɛd.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_110.wav|mɨɕlˈawɛɕ ɔ sfˈɔjɛj kɕˈɔ̃ʃtsɛ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_35.wav|mˈɔʒɛ nˈavɛt sprˌubɔvˈali trˈɔxɛ...|3
+Dataset/wavs/urwisko_ferenc/49_segment_71.wav|mˈarja ɲʲɛ mʲˈawa ɕˈiwɨ ˌɔpɔvʲˈadatɕ mu ˈɔtɨm, ʒˈɛ jɛj tɛˈɔrja vwˈaɕɲʲɛ lˈɛɡwa w ɡrˈuzax. ˌɔbjɛtsˈawa, ʒˈɛ ɕɛ ɔdˈɛzvʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_162.wav|i tʃˈarnɔ̃ tˈɛtʃkɛ aktˈufkɛ, dˈumnɨ sˈɨmbɔl jˈɛɡɔ nˈɔvɛj prɔfˈɛsji.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_8.wav|dʒvˈi za plɛtsˈami bakʲˈɛɡɔː ˌɔtfʲɛrˈajɔ̃ ɕɛ i swˈɨxatɕ nˌatxɔdʑˈɔntsɛ krˈɔki.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_416.wav|krɔ̃ʒˈɨliɕmˌɨ dwˈuɡɔ nat rˌɔspalˈɔnɔ̃ f swˈɔɲtsu varʃˈavɔ̃, tʃɨ rˈatʃɛj nat tʃˌɛrvʲɛɲʲɛjˈɔntsɨm lˈavɔ̃ vˌɛzuvʲˈuʃɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_202.wav|lˈudʑɛ f tɨm mʲˈɛjstsu kˌɔntsɛntrˈujɔ̃ ɕɛ, maskˈujɔ̃ sfˈɔjɛ pravdʑˈivɛ utʃˈutɕa, a ja jˌɛstɛm f tɨm ʃtʃɛɡˈulɲʲɛ dˈɔbra.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_103.wav|jˈɛɡɔ vrˈak nˈavɛt ɲʲɛ pʃˌɨpɔmˈinaw pɔjˈazdu. s pɔdvˈɔʑa zɔstˈawa kˈupa pˌɔvɨɡʲˌinanˈɛɡɔ mɛtˈalu, a pɔwˈɔva maʃˈɨnɨ lɛʒˈawa tˈɛras rˌɔzʒutsˈɔna f kavˈawkax pɔ vˌɨrɔbʲˈisku.|4
+Dataset/wavs/urwisko_ferenc/62_segment_28.wav|ta rɔzmˈɔva?|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_100.wav|zwapˈawa ɡˈɔ za ramjˈɔna, ʒˈɛbɨ utʃˈɨmatɕ rˌuvnɔvˈaɡɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_175.wav|ˌalɛ nˈamɲʲɛ ɲʲɛ tʃˈɛka tˈam ɲˈits ˈɔprutʃ xɔrˈɔbɨ ɡrˌavitatsˈɨjnɛj.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_50.wav|ɔtfˈɔʒɨw dʒvˈi i zapˈaliw ɕfʲˈatwɔː i stˈaw pʃˈɛs xfˈilɛ f prˈɔɡu, pˈatʃɔnts na xˈɛlɛn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_50.wav|i ftˈɛdɨ vʲˈɛ, ʒˈɛ znˈuf jɛzd z nˈami. vʲˈɛʃ, rˈɨan?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_42.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_96.wav|pʃɛwknˈɛwam ɕlˈinɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_92.wav|rˈazɛm s tɨm dɔmˈɨɕlam ɕɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_181.wav|ˌɔtʃɨmˈujɛ ɕɛ jˈɛ s prˈɔʃku rˌɔspuʃtʃanˈɛɡɔ w vˈɔdʑɛ i turˈɨɕtɕi tfʲˈɛrdʑɔ̃, ʒˈɛ smakˈujɛ jˈak ʃtʃˈɨnɨ, ˌalɛ tɔ jɛdˈɨnɛ pˈivɔ jˈakʲɛ znˈam, vʲˈɛnts mi ˌɔtpɔvʲˈada.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_80.wav|vˈɛʃwam dɔ pʃɛtɕˈɔŋka, zˌakrɛɲtɕˈiwam kˈɔrbɛ vwˈazu i ˌɔsunˈɛwam ɕɛ na wˈafkɛ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_136.wav|vʲˈɛm, ʒˈɛ kˌɔmɛdjˈaɲtɕi z bwɛŋkˈitnɛj latˈarɲi vɨstˈavjɔ̃ lˈɔrda smɛntnˈɛɡɔː ɔblˈitʃa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_186.wav|vɨtɕˈɛram wzˈɛ s pɔlˈitʃka i pɔdnˈɔʃɛ vzrˈɔk. dɔmˈiɲik mɲʲɛ ˌɔpsɛrvˈujɛ, a jˈɛɡɔː ɔblˈitʃɛ wˌaɡɔdɲʲˈɛjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_57.wav|dvˈa dʑvˈɔŋki tˈɛʃ ɲʲɛ ɡvˌarantˈujɔ̃ pˌɔwɔntʃˈɛɲʲa?|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_147.wav|pˌɔzvɔlˈimɨ ɔtpwˈɨnɔɲtɕ lɔrdˈɔvi rˌɛdvijnˈɔvi i jˈɛɡɔ flˈɔtɕɛ dɔpʲˈɛrɔ ftˈɛdɨ, ɡdˈɨ zˈamɛk pˈadɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_188.wav|na tsˌɨnamɔnˈɔvɨm vʲˈɛtʃɛ znˈaw kˈaʒdɔ̃ tfˈaʃ, a tˈutaj ɡdʑɛkˈɔlvʲɛk spˈɔjʒaw, vˈidʑaw ɲʲˌɛznajˈɔmɨx.|1
+Dataset/wavs/urwisko_ferenc/27_segment_123.wav|ja tˈɛʃ, bˈɔ ɲʲɛ ˌɔtpɔvʲˈɛdʑaw pˈan na mˈɔjɛ pɨtˈaɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_143.wav|ˈaldrin jɛst pʃˌɛtɕivʲˈɛɲstfɛm kɔnrˈada pɔt kˈaʒdɨm vzɡlˈɛndɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_193.wav|dʑɛftʃˈɨna, za ktˌurɔ̃ zˌapwatɕˈiwɛm?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_60.wav|ˈaʒ vzdˈɨxa tɕˈɛ̃ʃkɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_138.wav|zˈatɔ vɨɡˈɔdnɨ, mˈuvi bʲˈillɨ i bjˈɛʒɛ wˈɨk pˈiva.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_329.wav|ɲʲɛbjˈɛskɔtʃɛrvˈɔnɔ̃ sˈukɲʲɛ pˌɔdʑɛlˈɔnɔ̃ na tʃtˈɛrɨ pˈɔla, ˌɔzdɔbjˈɔna zwɔtˈɨmi swɔɲtsˈami i srɛbrnˈɨmi pˌuwkɕɛ̃ʒɨtsˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_42.wav|ɲˈikt ɲʲɛ vɨdˈavaw ɕɛ zˌaintˌɛrɛsɔvˈanɨ ɡˈɔɕtɕmi. vˈɛʃli pɔ mˌɛtalˈɔvɨx sxˈɔdax na pʲˈɛrʃɛ pʲˈɛntrɔː i bˈɛtskɨ ˌɔtfɔʒˈɨwa dʒvˈi, ktˌurɛ fskˈazaw jɛj rˈɔp.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_119.wav|pʃˈɛs tɕˈɛbjɛ trˈatsɛ kljˈɛntuf, pɔvʲˈɛdʑaw ˈandɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_159.wav|fʃˈɨstkɔ jˈuʃ pʃˌɨɡɔtɔvˈawɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_205.wav|tɔ tɨ pˌɔviɲʲˈɛnɛʑ vʲˈɛdʑɛtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_103.wav|sˈara bˌɨwa vrˈɛdnɔ̃ dʑɛftʃˈɨnɔ̃ i w ɔɡˈulɛ zwˈɨm tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_50.wav|swɔdʑˈutki, musˈimɨ ˈiɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_453.wav|tɔ bˌɨwɨ tfˈɔjɛ plˈanɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_54.wav|i stˌarawˈɨɕmɨ ɕɛ rˈɔbʲitɕ tɔ jˈak najtʃˈɛɲɕtɕɛj.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_182.wav|ɡdʑˈɛɕ tˈam, na sˈamɨm dɲʲˈɛ pamjˈɛɲtɕi, bwˈɔŋka ɕɛ nazvˈiskɔ mitskʲˈɛvitʃ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_322.wav|ɔznˈajmiw tʃwˈɔvʲɛk s puwnˈɔtsɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_54.wav|ˈalbɔ zrˈɔbʲiw tɔ ktˈɔɕ ˈinnɨ, bˈɔ bˈɛz vɔntpʲˈɛɲʲa dɔ vɨswˈaɲʲa tˈɛkstu uʒˈɨtɔ tˌɛɡɔ vwˈaɕɲʲɛ ˌuʒɔndʑˈɛɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_4.wav|ˈɛlis muɕˈawa tʃˈɛkadʑ zˈaraz za dʒvʲˈami sfɔjˈɛɡɔ pɔkˈɔju, bˈɔː ɔtfʲˈɛra, ɡdˈɨ tˌɨlkɔ bʲˈillɨ zatʃˈɨna pˈukatɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_78.wav|prˌɔjɛktˈujɛ sˈukɲʲɛ, pˌɔvʲɛdʑˈawa. s tˌɛɡɔ ʒˈɨjɛʃ? tˈak.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_236.wav|w dʑɛtɕˈiɲstfʲɛ xɔdʑˈiwa jˈak lˌunatˈɨtʃka pɔ tsˈawɨm dˈɔmu.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_129.wav|mʲˌɛli ftˈɛdɨ jˈɛʃtʃɛ pˈɛwɛn mʲˈɛʃɛk srˈɛbra i darˈɛɔn zamˈuviw najvʲˈɛŋkʃɛ wˈɔʒɛ w ɡɔspˈɔdʑɛ.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_101.wav|pɔ rˈas pʲˈɛrʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_22.wav|xˈɔtɕ lɛˈivant lanɲˈistɛr pʃˌɨpɔmˈinaw z vɨɡlˈɔndu lvˈa, pʃɛmˈavʲaw waɡˈɔdɲʲɛ jˈaɡ barˈanɛk. ˌalɛ mwˈɔdɨ vˈilk pʲˈɛrʃɨ dˈɔbraw ɕɛ dɔ karstˈarka.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_317.wav|ɲʲɛ tɛn twˈustɨ xwˈɔpak.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_164.wav|a s tʃɨm mˈam pˈitɕ tˈɛ kˈɔlɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_46.wav|sxˈɔdʑi na dˈuw dɔ kˈuxɲi. klutʃˈɨki dɔ tɔjˈɔta lˈɛʒɔ̃ na stˈɔlɛ ˌɔbɔɡ vˌɨɡravˌɛrɔvˈanɛj vˌizɨtˈufki z napˈisɛm kˈɛnnɛtx xˈɔff i pʃˌɛtɕɛmbjˈɔrtsa.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_349.wav|muɕˈawabˌɨm ɕɛ dˈɔstadʑ dɔ ɕlˈuzɨ pɔvʲˈɛtʃnɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_396.wav|a tsˈɔ tɔ mˈa dɔ ʒˈɛtʃɨ?|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_203.wav|ɔbˈudʑiw ɕɛ natˈɨxmʲast.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_33.wav|ɲʲɛ pˌɔdɔbˈawa mi ɕɛ, bˈɔ jˈuʃ sˈɔbjɛ vˌɨɔbraʒˈawɛm, jˈak irˈatski ˌɔpsɛrvatˈɔʒɨ zvratsˈajɔ̃ nˈaɲʲɔ̃ uvˈaɡɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_40.wav|na jˈɛdnɨm txˈu dˈuʒa ɲʲˌɛspɔdʑˈaŋka spˈɔtka tɕˈɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_43.wav|napˈijɔ̃ ɕɛ pˈaɲʲɛ xɛrbˈatɨ tʃɨ kˈavɨ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_26.wav|pˈɔtɛm dˈɔʃwɔ dɔ tɛj kwˈutɲi z ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_319.wav|pˌɔlitʃkˈujɔ̃ ɕɛ rɨtmˈitʃɲʲɛ i vɨɡlˈɔnda tɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_37.wav|ɡʲˈɔrɡjɔ swˈuxa i zadˈajɛ pˈarɛ pˈɨtaɲ, ˌalɛ ɔbjˈɛktsji ɲʲɛ zɡwˈaʃa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_259.wav|a pˈɔtɛm zɔbˈatʃɨw pwˈaskʲɛ i ʒˈuwtɛ ˈɔtʃɨ sˌalvatˈɔra patʃˈɔntsɛ na ɲʲˈɛɡɔ skˈɔnta.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_33.wav|tʃɨ uvˈaʒaʃ, ʒˈɛ mˈili ftɕˈɔ̃ʒ ʒˈɨjɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_204.wav|pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_188.wav|ɲʲˈɛbɨw vˌɨstartʃajˈɔntsɔ zwˈɨm tʃwɔvʲˈɛkʲɛm?|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_26.wav|zavrˈutɕiw i ˈɔtʃɛd w ɡwˈɔmp tunˈɛlu.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_74.wav|ʒˈɔka prˌatsɔvˈawa pʃɨ budˈɔvʲɛ bʲˈina i ʃɛpˈarda.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_58.wav|ˌaplikˈatsja na tˌɛlɛfˈɔɲʲɛ ɡˌɛnɛvʲˈɛvɛ mˈɔɡwa zˈɔstatɕ...|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_255.wav|tɔ tfˈɔja vˈina, blˈatskfiʃ.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_217.wav|jˈak mˈɔɡli mɲʲɛ tˈaɡ zɔstˈavitɕ?|1
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+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_197.wav|tˈak, ˌalɛ bˌɨwam tˌɨlkɔ f pˈaru.|2
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_68.wav|w jˈakim jˌɛstɛɕ stˈaɲʲɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_22.wav|pɔɲʲˈɛvaʃ pɔd vɛrˈandɔ̃ ɲʲˈɛma jˈuʃ mʲˈɛjstsa, zˌaparkɔvˈali ɡˈɔ na kˈɔɲtsu pɔdjˈazdu.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_157.wav|ˈɔrtɔn mˈuvi, ʒˈɛ jˌɛmu xˈɔdʑi tˌɨlkɔː ɔ zwˈɔtɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_276.wav|vˌidʑanˈɛɡɔ s kaʒdˈɛɡɔː ˈɔkna i s kˈaʒdɨx ɔtfˈartɨɣ dʒvˈi.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_20.wav|nˈalɛj, tsˈɔ maʃ nˌajlɛpʃˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_44.wav|sɔɲdʑˈiwaɕ, ʒˈɛ zɲˈikw na dˈɔbrɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_102.wav|dˌɛpɔrtujˈɛmɨ ɡˈɔ dɔ çˈin.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_45.wav|ˈaʃ tˈu pʃˈɨlaz za mnˈɔ̃.|0
+Dataset/wavs/urwisko_ferenc/53_segment_19.wav|a mˈarja fstʃɨmˈawa ɕɛ ɔt kˌɔmɛntˈaʒa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_105.wav|a pˈɔtɛm ɕɛ zaɕmʲˈawa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_105.wav|najɡˈɔrʃɛ bˌɛɲdʑɛ ˌɔtʃɛkivˈaɲʲɛ, ɡˌɔdʑinˈami, mˈɔʒɛ dɲʲˈami, bˈɛs ɕfʲˌadɔmˈɔɕtɕi, tsˈɔ ɕɛ dʑˈɛjɛ, kʲˈɛdɨ ɡˈɔ tˈutaj ɲʲˈɛma.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_85.wav|rɔzˈumjɛm i vʲˈɛm, ʒˈɛ jɛzd zwˈa, ˌalɛ ftɕˈɔ̃ʃ ɲʲˈɛmam pɛvnˈɔɕtɕi, tʃɨ pɔvˈinnam pɔvʲˈɛdʑɛtɕ jɛj ɔː ˈaʃu.|4
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_93.wav|pɔdˈɛʃwam dɔ pˌɔtʃɛkˈalɲi ˌɔbɔk ɕlˈuzɨ kˌɔlɛjˈɔvɛj i ftɔpˈiwam ɕɛ f twˈum turˈɨstuf.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_51.wav|mˈɔɡwɔ bˈɨdʑ ɡˈɔʒɛj.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_223.wav|a ɲʲɛ ktˈɔː ˈinnɨ.|0
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+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_198.wav|f tˈakim rˈaʑɛ f pɔʒˈɔntku.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_24.wav|znˈatʃɲʲɛ tˈaɲʃɛ i praktˈɨtʃɲʲɛ ɲʲˌɛvɨtʃɛrpˈanɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_61.wav|ɲˈiʒɛj vidɲʲˈɛjɛ nˈumɛr tˌɛlɛfˈɔnu aɡˈɛnta ɲʲˌɛruxɔmˈɔɕtɕi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_37.wav|i ʃtʃˈɛŋka zɛmbˈami.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_29.wav|jˈakaɕ pɔtpˈɔvʲɛtɕ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_27.wav|zˌastanavʲˈawa ɕɛ zapˈɛvnɛ, dlatʃˈɛɡɔ pʃˌɨjɛxˈawɨ dvˈa sˌamɔxˈɔdɨ, vʲˈɛndʑ bˈɛtskɨ vɨɕˈadwa zˈɛ sfɔjˈɛɡɔ, ʒˈɛbɨ ˈɔstʃɛts jˈɔ̃ pʃˈɛttɨm, tsˈɔ mʲˈawɔ nastˈɔmpitɕ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_422.wav|sˈɛptɔn mɛrˈibald vɨbjˈɛraw ɕɛ dɔ nˈuttɛn, rivˈɛrbɛnt i mʲastˈɛtʃka lˈɔrda xˌaruˈɛja.|1
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_28.wav|pˌɔdruʒɔvˈaliɕmˌɨ f stˈaɲʲɛ ɲʲˌɛvaʃkˈɔɕtɕi i mʲˈawam vʲˈɛlkɔ̃ frˈajdɛ, kʲˈɛdɨ mˈɔɡwam ɕɛ ɔt fʃɨstkʲˈɛɡɔː ɔdbʲˈijatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_75.wav|ɡdʑˈɛɕ tɨ ɕɛ ˈu lˈixa pɔdʑˈɛvaw. prˌubɔvˈawɛm ɕɛ s tˈɔbɔ̃ skˌɔntaktˈɔvatɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_136.wav|i vˌɨɡlɔndˌajɔntsˈɨmi tˈɛras jˈaɡ drˈutɨ pɔkrˈɨtɛ smˈarɛm, vʲɛdʑˈɛli, ˈiʃ sɔ̃ ɔtʃˈami irlˈantki.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_62.wav|tˈɔm vɨpˈuɕtɕiw pɔvˈɔli pɔvʲˈɛtʃɛ s pwˈuts.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_588.wav|mʲˌawɛm strˈaʃnɔ̃ ɔxˈɔtɛ vˈɨpludʑ z ɡˈardwa zasxɲʲˈɛntɔ̃ ɕlˈinɛ.|0
+Dataset/wavs/urwisko_ferenc/59_segment_5.wav|mˈuvi, ʒˈɛbɨ jˈɔ̃ rɔspˈɔznaw, vʲˈɛndʑ zrɔbʲˈimɨ pˈɔrtrɛt pˌamjɛɲtɕˈɔvɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_59.wav|mˈɨ, kljˈɛɲtɕi dˈavnɛj kˌɔmuɲistˈɨtʃnɛj milˈitsji,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_85.wav|zdavˈawam sˈɔbjɛ sprˈavɛ, ʒˈɛ tɔ ɲʲɛ sɔ̃ pˈustɛ ˌɔbjɛtɲˈitsɛ. pɔ prˈɔstu sˈam ɲʲɛ vʲˈɛdʑaw, tsˈɔ naprˈavdɛ mˈuɡwbɨ zrˈɔbʲitɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_9.wav|mˈa zwamˈanɔ̃ kˈɔstkɛ, a rˈɛntsɛ mʲˈaw skˈutɛ pʃɛt sˈɔbɔ̃ xˌɛjdɛŋkˈami.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_226.wav|vɛ vwˈaʑɛ znˌajdɔvˈawɔ ɕɛ mˈawɛ, ɔkrˈɔŋɡwɛ ɔkʲˈɛŋkɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_203.wav|mˈɨɕlɛ, ʒˈɛ mˈɔɡwɔ bˈɨtɕ tˈak, jˈak mˈuviʃ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_8.wav|ʒˈutsam zˈɔɛ pˌɨtajˈɔntsɛ spɔjʒˈɛɲʲɛ, a ˌɔna kˈiva ɡwˈɔvɔ̃.|4
+Dataset/wavs/urwisko_ferenc/23_segment_51.wav|f sprˈavʲɛ prˈatsɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_206.wav|ˈax...|0
+Dataset/wavs/urwisko_ferenc/63_segment_162.wav|mˈarja ɕɛŋɡnˈɛwa pɔ tˈɛtʃkɛ i ssunˈɛwa jˈɔ̃ sˈɔbjɛ na kɔlˈana.|0
+Dataset/wavs/urwisko_ferenc/46_segment_46.wav|tʃˈɛɡɔː ɔt ɲʲˈɛɡɔ xtsˈɛʃ?|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_174.wav|twˈɔtʃɔnts ɕɛ w dʒvʲˈax, vˈɨʃliɕmˌɨ s pɔtɕˈɔŋɡu prˈɔstɔ dɔ sklˈɛpu s pˌamjɔntkˈami.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_29.wav|jˈɔɛ tˈɛʃ tˌɛɡɔ ɲʲˈɛvʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_134.wav|kˈɔmbajn rˈuʃɨw dɔ pʃˈɔdu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_89.wav|ɲʲɛ spɔɡlˈɔndam lɛŋklˈivʲɛ na tˈɛ pʃɛklˈɛntɔ̃ kanˈapɛ. mɲʲɛ jˈuʃ fʃˈɨstkɔ jˈɛdnɔ mˈɔɡɔ̃ mɲʲɛ utˈɔpitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_150.wav|dɔː upʲˈɔra jˈɛdnak ɲˈiɡdɨ ɕɛ tˈak ɲʲɛ ɔdˈɛzvaw.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_169.wav|dɛmbˈɔva tˈartʃa brɔɲˈiwa ɕɛ pˈuw dɲʲˈa dwˈuʒɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_34.wav|ˈanna frˈaŋklin, xˈɔdʑbɨ bˌɨwa blɔndˈɨŋkɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_28.wav|a dlatʃˈɛɡɔ mʲˈawbɨ ɕɛ rˈɔsstadʑ z jˈɔɛ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_27.wav|nˈajpʲɛrf pˈɔvʲɛts mi dlatʃˈɛɡɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_18.wav|stˈɛvɛ ˈallman bˈɨw ftʃˈɔraj nˈatɨm ʃˈɔf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_59.wav|ʒˈɛ mˈuʃɛ tˈutaj z ɲˈim mʲˈɛʃkatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_9.wav|tʃɨ mʲˈawbɨ ɔkˈazjɛ ɡˈɔː ˈuʒɨtɕ? tˌɛɡɔ tˈɛʃ ɲʲˈɛvʲɛ. ˌalɛ bˈutskɨ tfʲˈɛrdʑi, ʒˈɛ z jˈɛɡɔ zdɔbˈɨtɕɛm ɲʲɛ pɔvˈinnɔ bˈɨtɕ kwɔpˈɔtu.|2
+Dataset/wavs/urwisko_ferenc/61_segment_16.wav|ɕɛŋɡnˈɛwa pɔ kɔmˈurkɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_67.wav|ˈɔ, tʃˈɛɕtɕ!|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_423.wav|mˈɨɕlɛ, ʒˈɛ ɲʲɛ ˌuxɔdʑiwˈɔbɨ, ʒˈɛbɨm zˈabʲiw sfˈɛɡɔ zˌapʃɨɕˌɛ̃ʒɔnˈɛɡɔ brˈata.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_125.wav|pʃˌɛtɕɛʃ tɔ zvˈɨkwa uswˈuɡa, za ktˌurɔ̃ pwˈatɕiʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_110.wav|spɛɲdʑˈiwam w mˈɔim fˈɔrtɕɛ jasmˈinɛ kˈilka mˈinut, pʃˌɛrabjˈajɔnts mˌɛxaɲˈizmɨ zˌɛɡarˈɔvɛ na zvɨtʃˈajnɛ kˈablɛ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_20.wav|ˌalɛ nˈajpʲɛrf musˈimɨ ɔttˈaɲtʃɨtɕ tɛn tˈaɲʲɛts i ɲʲɛ pɔstˈavitɕ ˌaɲi jɛdnˈɛɡɔ fˌawʃɨvˈɛɡɔ krˈɔku.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_41.wav|ˈɔx, jˈakʲɛ ˌɔnɛ sɔ̃ xtɕˈivɛ, brˈatɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_292.wav|ˌutɕɛʃˈɨwa jˈɔ̃ mˈɨɕl, ʒˈɛ jɛst lˈɛpʃɨm vwˈattsɔ̃ ɲˈiʃ rˈɔbɛrt.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_25.wav|zaɡˈadnɛ mˈam dɔ ɲʲˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_58.wav|ɲʲɛ lˈubjɛ ɡˈɔ, mˈuvi bʲˈillɨ na ɡwˈɔs. jˈuʃ ɕɛ ɲʲɛ uɕmʲˈɛxa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_135.wav|tˈɔm vʲˈɛdʑaw, ʒˈɛ sˈɛtki tɨɕˈɛntsɨ ɡɔspˈɔdarzdv dɔmˈɔvɨɣ bˌɨwɔ dwˌuʒɲikˈami lixfʲˈaʒɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_44.wav|tɔ ɲʲɛ pˈɔtrfa dwˈuɡɔ. za kfˈadranz bɛɲdʑˌɛmɨ na mʲˈɛjstsu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_28.wav|pˈɨta jˈɛnnɨ, a ja zˌastanˈavʲam ɕɛ, tʃɨ ɲʲɛ pˌɔmɨɕlˈawa, ʒˈɛ ftʃˈɔraj skwamˈawa mi, ʒˈɛ naprˈavdɛ jˌɛstɛm xˈɔra.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_236.wav|tˌaki mˈawɨ, ʒˈɛ zmʲˈɛɕtɕi tɕi ɕɛ f tɔrˈɛptsɛ. jɛst nˌawadɔvˈanɨ, vʲˈɛnts ɔstrˈɔʒɲʲɛ ɡˈɔ vˈɨjmuj, ɡdˈɨbɨ tɔ bˌɨwɔ kɔɲʲˈɛtʃnɛ.|2
+Dataset/wavs/urwisko_ferenc/08_segment_54.wav|znˈɔvu spˈiw krˈɛv z rˈanɨ i tʃˈɛkaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_121.wav|dˈɔbʒɛ ɕɛ pˈan dɔmˈɨɕla?|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_45.wav|tˈak, ˌalɛ ɲʲɛ jˌɛstɛm krɨtˈɨkʲɛm lˌitɛrˈatskim.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_123.wav|dʑˈɛɲ i nˈɔts, ˌalɛ tˈɛras starˈuʃɛk prubˈɔvaw ˈuɕɔ̃ɕtɕ. musˈimɨ ˈiʑdʑ dɔ stˈatkuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_30.wav|pɔt ɕfʲadˈɔmjɛ ˌɔtʃɛkˈujɛ, ʒˈɛ dʑˈɛtɕi zɔstˈawɨ ftʃˈɛɕɲʲɛj pʃˌɨvʲɛʑˈɔnɛ dɔ dˈɔmu, ˌalɛ kˈu mɔjˈɛmu zˌaskɔtʃˈɛɲʲu vˈidʑɛ mɛ̃ʃtʃˈɨznɛ f tʃˈarnɛj skˈuʒɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_172.wav|znˈuf pɔdɲʲˈɔswam ɡwˈɔs, a ɔn ɕɛ tsˈɔfnɔw, ˈɔpar ɔ barjˈɛrkɛ i spˈɔjʒaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_18.wav|tɔ muɕˈawa ˌɔna zˈɔstadʑ vɨswˈana w ɔbrˈɛmbjɛ ɕˈɛtɕi vˈifˈi.|3
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+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_163.wav|ɲʲɛ pɔ rˈas pʲˈɛrʃɨ vidʑˈawam tˈakɔ̃ rɛˈaktsjɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_28.wav|zɡˈadɲij, ktˈɔ vwˈaɕɲʲɛ pʃˈɨʃɛd.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_339.wav|ˌudɛʒˈɨwɔ mɲʲɛ pˌɔftaʒˈaɲʲɛ ɕɛ jɛdnˈɛɡɔ sɨmbˈɔlu.|0
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+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_112.wav|zaˈistɛ.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_420.wav|swˈuxam vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(70) R.Abbott_Zamknij Drzwi_segment_11.wav|ktˈɔʑ ɡˈɔ ɕlˈɛdʑiw?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_17.wav|uspˈɔkuj ɕɛ, jˈɔɛ.|4
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_63.wav|tsˌawkɔvˈitɔ̃ ˌɔbɔjɛntnˈɔɕtɕɔ̃.|3
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+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_15.wav|jˌɛstɛm pʲˌɛlɛŋɡɲʲˈarkɔ̃. nˈɔ, vwaɕtɕˈivʲɛ tɔ pɔmˈɔtsɔ̃ pʲˌɛlɛŋɡɲʲˈarskɔ̃. tɔ xˈɨba spˈɔrɔ vɨjˈaɕɲʲa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_20.wav|mɛ̃ʃtʃˈɨzna vzrˈuʃa rˌamjɔnˈami.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_45.wav|bˌɨwam stɛ̃skɲʲˈɔna lutskʲˈɛɡɔ dɔtˈɨku.|3
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+Dataset/wavs/urwisko_ferenc/25_segment_67.wav|krˈutkɔ pʃɛt puwnˈɔtsɔ̃ bɔrˈɛvitʃ stfʲˈɛrdʑiw, ʒˈɛ pɔjˈɛdʑɛ jˈuʒ dɔ dˈɔmu.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_144.wav|nˌapijˈɛmɨ ɕɛ pɔ kʲɛlˈixu, jˈaɡ za dˈavnɨx lˈat.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_70.wav|jˈɛɕli ˌɔna tˈu vˈɛjdʑɛ, bˌɛndɛ stˈawa tˈuʃ pʃˈɛdɲʲɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_22.wav|z vnˈɛntʃa dˈɔmu dɔbjˈɛɡwɔ jˈakʲɛʑ ɡwˈuxɛ ˌudɛʒˈɛɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_87.wav|z ˈust mˈɔjɛj mˈatki.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_155.wav|ˈɛwrɔn vˈɨswaw w ɡˈurɛ mandˈɛru tɔrvˈɔlda brˌɔ̃zɔvˈɛɡɔ zˈɛmba i rudˈɛɡɔ vʲɔɕlˈaʒa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_4.wav|tˈak, ɡʲˈit.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_8.wav|tˈɛras jˈak tsamˈɛrɔn ɲʲɛ ʒˈɨjɛ, bˌɛndɛ mˈɔɡwa ɔbʒˈɛratɕ ɕɛ frɨtkˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_83.wav|bɨwˈɔbɨ mi fstˈɨt, ɡdˈɨbɨ ktˈɔɕ tɔ pʃɛtʃˈɨtaw.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_100.wav|mˈɔjɛ lˈistɨ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_67.wav|jˈɛɕli mˈarta ɲʲɛ prˌubɔvˈawa ˈuvʲɛɕtɕ naˈila, tɔ dlatʃˈɛɡɔ tʃˈɨmaw ɕɛ ɔt ɲʲˈɛj z dalˈɛka?|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_91.wav|tsˈɔ jɛst s tˈɔbɔ̃? pɔvʲˈɛdʑaw pɔlˈitsjant. rˈɛŋkɛ tʃˈɛba tʃˈɨmatɕ spɔkˈɔjɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_95.wav|na ˈɔkɔ pˈuw mˈɛtra vˌɨsɔkˈɔɕtɕi, mˈɛdr dvadʑˈɛɕtɕa dwuɡˈɔɕtɕi, ʃɛʑdʑˈɛɕɔnt tsˌɛntɨmˈɛtruv ɡwˌɛmbɔkˈɔɕtɕi jɛst pˈustɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_27.wav|vɨɕˈɔndɛ i zadʑvˈɔɲʲɛ dɔ brˈamɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_27.wav|natˈɨxmʲast spɔɡlˈɔndam w mʲˈɛjstsɛ.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_19.wav|mˈuɕiʒ zrɔzˈumjɛtɕ sfˈ��jɛ vˈadɨ, stˈatɕ ɕɛ kˈimɕ lˈɛpʃɨm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_126.wav|jˈakiɕ pʲˈɛsɛk f pˌikɔvˈanɛj kˌamizˈɛltsɛ zˈatʃɔw mɲʲɛ ˌɔpʃtʃɛkˈivatɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_115.wav|maʃ na mˈɨɕli, tʃɨ bˌɨwɛm rˌɔbɔtɲˈikʲɛm? tˈak. tʃɨ bˌɨwɛɕ rˌɔbɔtɲˈikʲɛm? ɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_117.wav|tɔ z ɲˈila dˌaɨmˈɔnda, prˈavda? pˈɨta ˈɛlis. mˈɔja mˈama ɡˈɔː uvʲˈɛlbja.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_114.wav|a jˈak tfˈɔim zdˈaɲʲɛm mˌajɔ̃ ɔɕˈɔŋɡnɔɲtɕ tɛn tsˈɛl bˈɛs ɔkrˈɛntuf, pˈaɲi?|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_34.wav|tˈam ɕɛ stʃˈɛla na tsˈɔ dʑˈɛɲ, f tˌɛnnɛssˈɛɛ tɔ prˈavʲɛ jˈak xˈɔbbɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_336.wav|a ja fʃˈɛdwɛm mʲˌɛndʑɨ najblˈiʃʃɛ matsˈɛvɨ pʃˌɛswɔɲʲˈɛntɛ ɲʲˌɛʒɨvˈɨmi kʃakˈami mˈalin.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_46.wav|dlatʃˈɛɡɔ tɔ zrˈɔbʲiw?|3
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+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_150.wav|dɔ mɲʲɛ mˈanɔ̃, ftrɔɲtɕˈiwam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_39.wav|zavˈɔwam tɕˈɛ, kʲˈɛdɨ bˌɛɲdʑɛ tʃˈas jˈɛxadʑ dɔ ʃkˈɔwɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_95.wav|pɔɕˈada tˈɛʃ tʃˈɨ stˈatsjɛ tˌɛlɛvizˈɨjnɛ, jˈɛdnɔ̃ tˈu, w rˈɛd blˈuff i dvʲˈɛ w ˌalabˈamjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_87.wav|rɔzbʲˈiwa tɕi wˈɛp.|0
+Dataset/wavs/urwisko_ferenc/25_segment_92.wav|mʲˈɛɲɕɲʲɛ drʒˈawɨ ɔt rɨtmˈitʃnɨx mˌikrɔskˈurtʃuf, ktˌurɛ pˈɛwzwɨ pɔ tsˈawɨm tɕˈɛlɛ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_21.wav|mʲˈawa ɔxˈɔtɛ pɔvʲˈɛdʑɛtɕ, pˌɔfstʃɨmˈawa ɕɛ jˈɛdnak.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_246.wav|vˈɨbatʃ tˈatɔ, pˌɔvʲɛdʑˈawam dɔ ɕˈɛbjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_12.wav|zˌakɔpʲˈɛmɨ ɡˈɔ z innˈɨmi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_168.wav|jˈɛɕli zɡˈarɲʲɛ mɲʲɛ pɔlˈitsja, pˈɔtɛm pʃˈɨjdɔ̃ tˈutaj. pˈɔvʲɛʃ im, ʒˈɛ bˈawaɕ ɕɛ vˈɨjɕtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_19.wav|ɲˈiɡdɨ ftʃˈɛɕɲʲɛj ɲˈikt mɲʲɛ ˈɔɲʲɔ̃ ɲʲɛ pˈɨtaw i ɲʲˈɛvʲɛm, tʃɨ pɔtrˈafjɛ skwˈamatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_92.wav|pɔvʲˈɛtʃɛ rˈɔbʲi ɕɛ tsˈɔras tɕˈɛ̃ʃʃɛ, a na tɕˈɛmnɨm ɲʲˈɛbjɛ vˈidʑɛ pʲˈɛrʃɨ rˈɔzbwɨsk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_33.wav|xfˈɨta mˌartʲinˈɛza za ramjˈɔna, ɔbrˈatsa ɡˈɔː i pɔpˈɨxa na vˌiklinˈɔvɨ fˈɔtɛl.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_73.wav|brˈuskɔ xˈɔdʑiw ɔt wˈɔdʑi dɔ wˈɔdʑi, pʃˌɨɡlɔndˈajɔnts ɕɛ mˈawʒɔm, a ɔt tʃˈasu dɔ tʃˈasu pukˈajɔnts sfˈɔjɔ̃ lˈaskɔ̃ f skʃˈɨɲʲɛ ˈalbɔ bˈɛtʃkɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_87.wav|tʃɨ mˈɔɡɛ tsˈɔʑ dla tɕˈɛbjɛ zrˈɔbʲitɕ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_32.wav|zavˈɔwaw, kʲˈɛdɨ bˈɛtskɨ ɲʲˈɛmal pʃˌɛɡapˈiwa rˌɔzvidlˈaɲʲɛ drˈuk. spɔkˈɔjɲʲɛ tˈam panˈujɛ nat sˌɨtuˈatsjɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_252.wav|jˈutrɔ. ɲʲɛ w nˈɔts pɔɕlˈubnɔ̃.|1
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+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_146.wav|mˈikɛ bˈɨw jˈuʃ lˈɛkkɔ fstavʲˈɔnɨ. bˈarman znˈuf pʃˈɨɲʲus ʃklˈaŋki, nˌapɛwɲˈifʃɨ jˈɛ kɔstkˈami lˈɔdu i ˌalkɔxˈɔlɛm.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_34.wav|ɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_144.wav|zˈafʃɛ mɔʒˈɛmɨ vrˈutɕidʑ dɔ ɲʲˈɛɡɔ pˈuʑɲʲɛj, ɡdˈɨ jˈuʃ kˈɔɲʲɛdʑ bˈuʒɨ jɛzd vˈart stˈɔ rˈazɨ vʲˈɛntsɛj ɲˈiʃ tartʃˈɔvɛ vˈɨspɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_160.wav|zrɔbʲˈimɨ, pˌɔvʲɛdʑˈawa ˈɛliz z natɕˈiskʲɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_234.wav|pɔxˈɨla ɕɛ w mˈɔjɔ̃ strˈɔnɛ, tɕˈɔ̃ʒɨ mˈartfɔ kˈu ʑˈɛmi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_62.wav|fˈinn ˌɛmtsˈɛ ɡuˈinnɛzz bˈɨw xɔdʑˈɔntsɨm zwˈɛm, a tˈɔm ɕɛ tɕˈɛʃɨw, ʒˈɛ tɛn tʃwˈɔvʲɛk ɲikˈɔɡɔ jˈuʃ ɲʲɛ skʃˈɨvdʑi.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_253.wav|dʑˈɛŋki tfˈɔjɛj vizˈɨtɕɛ f xɔtˈɛlu jˌɛstɛm bɛspʲˈɛtʃnɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_97.wav|tɔ mˈama pʲˈɛrʃa pʃɛrˈɨva tɕˈiʃɛ i pˈɨta ɲʲɛɕmʲˈawɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(36) R.Abbott_Zamknij Drzwi_segment_14.wav|ˈaʃ jɛst jɛdˈɨnɔ̃ ɔsˈɔbɔ̃, ktˌura pɔtʃˈujɛ tɛn sˈam bˈul i ktˌura tˈak sˈamɔ bˌɛɲdʑɛ ɕɛ bˈatɕ ɔ mˈili jˈak jˈa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_81.wav|xtsˈɛʃ tɔ naprˈavdɛ vʲˈɛdʑɛtɕ?|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_293.wav|ɔdvˈaʒɛ ɕɛ na vʲˈɛntsɛj ɲˈiʃ tɕi ɕɛ ɕɲˈi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_54.wav|na partˈɛʒɛ w dˈɔmu ɔ xˈanlɔn palˈiwɔ ɕɛ ɕfʲˈatwɔ, jˈɛdnak pʲˈɛntrɔː ɔt frˈɔntu, zapˈɛvnɛ mʲɛɕtɕˈiwa ɕɛ tˈam sɨpʲˈalɲʲa, pˌɔzɔstavˈawɔ tɕˈɛmnɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_14.wav|dʑˈɛŋki.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_246.wav|brjˈɛnnɛ runˈɛwa w jˈɛʃtʃɛ ɡwˈɛmpʃɔ̃ tɕˈɛmnɔɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_355.wav|ɡdˈɨ jˈamɛ vˈɨʃɛt s sˈɛptu w nˈɔts, vrˈublɛ nˈadal tʃɛkˈawɨ na sxˈɔdax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_72.wav|drˌɛptʃɔntsˈɛɡɔ pɔ pˈarku jˈɔlan trˌujnɔʒnˈɛɡɔ psˈa, ktˌurɨ tʃˈɨmaw f pˈɨsku pˈuw lˈutskʲɛj dwˈɔɲi.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_79.wav|pɔt ɔwtˈaʒɛm mˈatki sˈɛptɔn prɔvˈadʑiw mɔdlˈitfɛ sˈɛtki ˌɔbdartˈusuf.|1
+Dataset/wavs/urwisko_ferenc/26_segment_36.wav|w ɡˈuʒɛ, ukrˈɨta za dˌɛlikˈatɲʲɛ kˌɔwɨʃɔntsˈɨmi ɕɛ kˌɔrɔnˈami sˈɔsɛn, bwɨʃtʃˈawa ɕˈina tˈartʃa kɕɛ̃ʒˈɨtsa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_70.wav|tsˈɔraz vʲˈɛntsɛj ɔvˈaduv vˌɨdɔstavˈawɔ ɕɛ s pʃˌɛvrutsˈɔnɛj pʃɛzˈɛmɲʲɛ kɔpɲʲˈakʲɛm dɔɲˈitsɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_178.wav|bʲˈillɨ rɔzˈumjɛ ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ tˈak.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_86.wav|ftɕˈɔ̃ʃ pʃɛɡlˈɔndaw pɔt strˈɔnɛ, kʲˈɛdɨ vrutɕˈiwa bˈɛtskɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_25.wav|pˈatʃɨ nˈaɲʲɔ̃. vʲˈɛ, ʒˈɛ ɕɛ ɲʲɛ pʃɛswˈɨʃaw. naprˈavdɛ pˌɔvʲɛdʑˈawa, ʒˈɛ z ɲˈim vɨjˈɛdʑɛ. a jˌɛdnɔtʃˈɛɕɲʲɛ ɲʲɛ bˈardʑɔ mˈɔʒɛ f tɔː uvʲˈɛʒɨtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_120.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_13.wav|kʲˈɛdɨ ˌɔtfʲɛrˈajɔ̃ ɕɛ dʒvˈi, swˈɨʃɛ pstrɨkˈaɲʲɛ ˌaparˈatuf, pravdʑˈivɔ̃ kˌakɔfˈɔɲʲɛ dʑvʲˈɛŋkuf.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_112.wav|zˈɛɡar na vʲˈɛʒɨ zˈamku krˌulɛfskʲˈɛɡɔ vɨbʲˈijaw ɡɔdʑˈinɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_187.wav|ftʃɔwɡˈawam ɕɛ dɔ mˈɔjɛj krɨjˈufki i zˌaswɔɲˈiwam ˈɔtfur panˈɛlɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_7.wav|pʃˌɛprɔvˈadʑɛ pˈuʑɲʲɛj awtˈɔpsjɛ tˈam. zakwˈadam, ʒˈɛ ɕɛ tˈam pɔjˈaviʃ.|3
+Dataset/wavs/urwisko_ferenc/65_segment_22.wav|ɲʲɛstˈɛtɨ, f trˈaktɕɛ kwɔpˈɔtuf mawʒˈɛɲskix ˈalbɔ rɔzvˈɔduv zdˈaʒa ɕɛ, ʒˈɛ psˈɨ lɔndˈujɔ̃ ˈu nˈas, ˌalɛ na ʃtʃˈɛɲɕtɕɛ ʒˈatkɔ.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_283.wav|trˈudnɔ jɛzd vˈɨznadʑ ɡʒˈɛxɨ ɡˌɛstɨkulˈatsjɔ̃ i kivˈaɲʲɛm ɡwˈɔvɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_177.wav|tsˈɔfnɔw, ɔpˈuɕtɕiw sfˈɔjɔ̃ prˈavɔ̃ dwˈɔɲ, ktˌura ɔpˈadwa ɲˈibɨ mˈarkfa, ˌudɛʒˈajɔnts ɔ jˈɛɡɔ bjˈɔdrɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_80.wav|pɔɕˈiwɛk pʃˌɨɡɔtɔvˈawa i pɔdˈawa pˈara swuʒˈɔntsɨx, pˈɛvɲʲɛ mʲɛjstsˈɔvi, bˈɨtɕ mˈɔʒɛ mawʒˈɛɲstfɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_64.wav|kʲˈɛdɨ vˌɨpɔvʲˈadaw tɛ swˈɔva, w ɔstˈatɲʲɛj xfˈili zmʲˈɛɲiw mˈartfiwbˌɨm ɕɛ na pɔdɲʲˈɛtsawbˌɨm ɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_207.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ tˈak.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_148.wav|tsˈɔ zdˈaʒa ɕɛ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_6.wav|vˈidʑiʃ tɛn dˈɔm?|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_68.wav|vrutɕˈiwa, kʲˈɛdɨ spˈaliɕmˌɨ. ˌɔna ɲˈiɡdɨ ɲʲɛ sˈɨpja.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_68.wav|mˈɔɡwabˌɨm jˈɔ̃ vɨmjˈɛɲidʑ z zˌavʲɔ̃zanˈɨmi ɔtʃˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_163.wav|pʃɨpˈuʃtʃam, ʒˈɛ tsɔkˈɔlvʲɛɡ vˌɨmɨɕlˈiwaʑ bˌɛɲdʑɛ na pˈɛvnɔ spʃˈɛtʃnɛ s prˈavɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_50.wav|jˈumbɔ jɛst jˈuʃ tˈutaj z zɛspˈɔwɛm, ˌalɛ ɲitʃˈɛɡɔ ɲʲɛ ruʃˈamɨ, dɔpˈuki ɕɛ ɲʲɛ pɔjˈaviʃ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_161.wav|dlatʃˈɛɡɔ ftɕˈɔ̃ʃ jˌɛstɛm tˌaki ɡwˈupi?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_153.wav|bˌɨliɕmˌɨ na ɡʲˌiɡantˈɨtʃnɨm plˈatsu pɔt pawˈatsɛm kultˈurɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_17.wav|kˈim ɔn jˈɛst, mˈamɔ? i dlatʃˈɛɡɔ pˈatʃɨ f tˌaki spˈɔsup?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_22.wav|bˈɛtskɨ pˌɔpatʃˈɨwa na prˈɔfil ˈu ɡˈurɨ strˈɔnɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_181.wav|rɔstɕˈɔŋɡa ɕɛ, zˈaɲim zatʃˈɨna bjˈɛɡatɕ pɔ sxˈɔdax, bˈɔ ɡdˈɨbɨ zˈɛrvaw ɕtɕˈɛŋɡnɔ, ɲʲˈɛmuɡwbˌɨ zˌarɨzɨkˈɔvadʑ vizˈɨtɨ ˈu lɛkˈaʒa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_282.wav|ɲʲɛ bˌɛɲdʑɛ pˈan xˈɨba tˈak ɲʲɛmˈɔndrɨ, ˈabɨ stˈavʲatɕ ˈɔpur.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_140.wav|tˈam vwˈaɕɲʲɛ lubʲˈiwɨ ɕˈadatɕ krˈuki.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_91.wav|ˌɔdvrutɕˈiwam ɕɛ dɔː ˈɔjtsa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_39.wav|s pɛvnˈɔɕtɕɔ̃ ɲʲɛ dʑˈawa tɔ nˈamɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_20.wav|ʃkˈɔda, ʒˈɛ sprˈavɨ ˌuwɔʒˈɨwɨ ɕɛ tˈak, ɲʲɛ inˈatʃɛj, bˈɔ f sˈumjɛ xˈɛntɲʲɛ vʑˈɔwbɨ jˈɔ̃ dɔ wˈuʃka.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_263.wav|ɡʲˈillɛs, tɨ mˈɔʒɛʃ spʃˈɔntnɔɲtɕ rɔzbʲˈitɨ nˈɔtsɲik.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_52.wav|ɔt tˌɛɡɔ pwˈatʃu mˈam ɔxˈɔtɛ dˈatɕ jɛj pɔ ɡˈɛmbjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_45.wav|dˈɔstaw dvʲˈɛ krˈutkʲɛ vʲˌadɔmˈɔɕtɕi ɔd butskʲˈɛɡɔ xansˈɔna.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_182.wav|jˈuʃ ɲʲˈɛras nˌazɨvˈanɔ mɲʲɛ vɛsˈɔwkʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_181.wav|fʃˈɨstkɔ tɕi ɕɛ pˌɔmjɛʃˈawɔ. tɔ ɲˈitsk jɛst jɛbˈanɨm zdrˈajtsɔ̃? vˌɨkɔnˈawɛm zlɛtsˈɛɲʲɛ, a ɔn zˈamjazd zapwˈatɕitɕ, ˌɔkantˈɔvaw mɲʲɛ i planˈɔvaw zˈabʲitɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_175.wav|zˈaznatʃ jˈɛ, mˈuvi bˈutskɨ.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_137.wav|bˈɛs ɲʲˈɛj jˈɛɡɔ lɔrdˈɔfski tˈɨtuw bˈɨw jɛdˈɨɲʲɛ pˈustɨm zaʃtʃˈɨtɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_15.wav|ˈɔkɛj, uʒˈɨjɛ tfɔjˈɛɡɔː imjˈɛɲʲa i pʃɛkˈaʒɛ tɔ tˈatɕɛ, ˌalɛ ɲʲɛ rɔzˈumjɛm, tsˈɔ tɕˈɛ tˈaɡ zdˌɛnɛrvɔvˈawɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_5.wav|sˈɛrtsɛ valˈiwɔ mu jˈak mwˈɔtɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_33.wav|pɔ rˈas pʲˈɛrʃɨ unˈɔʃɛ vzrˈɔk i pˈatʃɛ mu w ˈɔtʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_180.wav|tsˈɔ mʲˌawaʑ z ɲʲˈɔ̃ zrˈɔbʲitɕ?|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_129.wav|bˌɨwa f tɨm dˈɔbra i wˈatfɔ ɕɛ ɕmʲˈawa, ˌalɛ tsˈat ˌɔdnɔɕˈiwa vraʒˈɛɲʲɛ, ʒˈɛ krˈɨjɛ ɕɛ w ɲʲˈɛj jˈakiɕ smˈutɛk.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_216.wav|nˈavɛt pɔ dʑiɕˈɛjʃɛj pʃɨɡˈɔdʑɛ z zavˈɔrɛm ɲʲɛ ˌɔminˈɛwɔ mɲʲɛ tʃɨʃtʃˈɛɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_39.wav|vʲɛdʑˈawa, ʒˈɛ ɲʲɛ pɔvˈinna vʲˈɛntsɛj kʃˈɨtʃɛtɕ. jɛst na zaplˈɛtʃu i mˈuɕi zˌaxɔvˈɨvatɕ ɕɛ tɕˈixɔ jˈak mˈɨʃka.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_63.wav|nˈail ɲʲɛ tˌɨlkɔ pɔvʲˈɛdʑaw mu ˈɔtɨm, ʒˈɛ pɔlˈitsja spravdʑˈawa dˈɔstɛmb dɔ xˈaswa dɔ vˈifˈi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_16.wav|mˈɔʒɛ fʃˈɨstkɔ zˈabraw zabˈujtsa, xˈɔtɕ tˈatsɨ rˈatʃɛj zˌɔstavʲˈajɔ̃ ɕmʲˈɛtɕi, ktˌurɛ ɔfjˈarɨ mʲˌawɨ f kʲɛʃˈɛɲʲax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_43.wav|tɛn ɕɛ na tˌaki zˌapɔvʲˈadaw. mˈavʲaw tˈɛʃ, tɔ jɛst jˈak sˈɛks, mˈɔjɛ mˈawɛ pravˈitʃki. ɲˈiɡdɨ ɲʲɛ zˌapɔmɲˈitɕɛ pʲɛrʃˈɛɡɔ rˈazu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_83.wav|mˈɔʒɛ zaʃkˈɔdʑitɕ i tɔ bˈardʑɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_189.wav|vʲˈɛm, ʒˈɛ ɲʲˈɛxtsɛʃ pˈujʑdʑ z ɲʲˈɔ̃ dɔ wˈuʃka. zrˈɛʃtɔ̃ ˌɔna s tˈɔbɔ̃ rˈatʃɛj tˈɛʃ ɲʲɛ, pˈɔtɨm tsˈɔ pʃˈɛʃwa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_215.wav|ˌalɛ pɔɲʲˈɛvaʃ nˌautʃˈɨwɛɕ ɕɛ uʒˈɨvatɕ nˈajpʲɛrf sˌamɔlˈɔtu,|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_146.wav|ɲʲɛ ɕmʲˈɛrdʑi ɡɔʒˈawɔ̃, ˌalɛ ɕmʲˈɛrdʑi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_26.wav|tʃɨmˈajɔnts ɕɛ blˈiskɔ ɕtɕˈanɨ, kˈutsam pɔt ɔknˈami na vɨpˈadɛk, ɡdˈɨbɨ ktˈɔʑ bˈɨw w ɕrˈɔtku, pɔ tʃɨm vɨstˈavʲam ɡwˈɔvɛ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_68.wav|tʃɨ vˈaʃa mˈiwɔʑdʑ zˈɛxtsɛ pˈujʑdʑ za nˈami?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_57.wav|tsˈɔ ɕɛ stˈawɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_185.wav|dʑˈiɕaj tˌɨlkɔ tɨ bˌɛɲdʑɛʒ vˌɨjɛbˈanɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_235.wav|nˈɔvɛ ɡvʲˈazdɨ vˈɨʃwɨ na ɲʲˈɛbɔ. w dˈuxtɕɛ lˈɛɕnɨm fstavˈawa mˈɔɡwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_22.wav|blˈat stˈɔwu pˌɔkrɨvˈawɨ rˈuʒnɛ ˌuʒɔndʑˈɛɲʲa, ktˌurɨx pʃˌɛznatʃˈɛɲʲɛ bˌɨwɔ dla mɲʲɛ tˌajɛmɲˈitsɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_146.wav|w jˈakiɕ spˈɔsup ˌudɔvˈɔdɲiʃ mi, ʒˈɛ mʲˈawɛɕ rˈatsjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_63.wav|swˈɨʃɛ w ɡwˈɔvʲɛ ɡwˈɔs lˈi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_16.wav|ɲʲɛ brˈawam nˈavɛt pɔt uvˈaɡɛ, ʒˈɛ mˈuɡwbɨ mɲʲɛ zdrˈadʑadʑ z ˈinnɔ̃ dʑɛftʃˈɨnɔ̃. ɲʲɛ ukrˈɨvaw mɲʲɛ pʃˌɛtɕɛʃ i zɔstˈawam zˌaaktsˌɛptɔvˈana pʃɛt jˈɛɡɔ pʃɨjˈatɕuw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_139.wav|jˌɛstɛm pˈɛvʲɛn, ʒˈɛ jˈɔɛl ɕɛ tˈɔbɔ̃ zˈajmʲɛ, ɲitsˈɔlɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_143.wav|mˈɔʒɛ w naɡrˈɔdɛ pɔʃtʃˈɛɲɕtɕi mi ɕɛ.|0
+Dataset/wavs/urwisko_ferenc/50_segment_33.wav|bɔrˈɛvitʃ fpatrˈɨvaw ɕɛ w drˈɔɡɛ, ktˌura ˌutɕɛkˈawa pɔt mˈaskɛ sˌamɔxˈɔdu.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_99.wav|na ʑˈɛmi|4
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_15.wav|tɔ xwˈɔpʲɛts i dʑɛftʃˈɨŋka. ɔn bjˈawɨ, ˌɔna tʃˈarna.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_213.wav|kwˈadʑɛ ɕɛ s pɔvrˈɔtɛm, ˌalɛ tɨm rˈazɛm ɲʲɛ mˈɔʒɛ zˈasnɔɲtɕ. pɔ tʃˈɛɲɕtɕi pʃˈɛstɔ, jˈak tɛn stˈarɨ dvˌupʲɛntrˈɔvɨ dˈɔm tʃˈɛʃtʃɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_674.wav|dlatʃˈɛɡɔ tɔ mˈɔjɛ jˈɛdnɔ ɲʲɛvˈinnɛ, pʃˌɨpatkˈɔvɛ pˌɔstanɔvʲˈɛɲʲɛ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_418.wav|jˌɛstɛm pɛdˈantɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_86.wav|f strˈɛfjɛ tʃasˈɔvɛj bʲiljˈɛɡɔ jɛst tʃˈɛtɕa nat rˈanɛm. w vˈɛɡas ɲˈidʑɡ zapˈɛvnɛ vwˈaɕɲʲɛ kwˈadʑɛ ɕɛ spˈatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_55.wav|a pɔɲʲˈɛvaʃ xˈɔff xˈɨba mˈa tsˈɔ dɔ tˌɛɡɔ rˈatsjɛ, bʲˈillɨ ˌɔtpisˈujɛ ɔkˈɛj.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_48.wav|fawʃˈɨva pɔlˈitsja? zdavˈali sˈɔbjɛ xˈɨba sprˈavɛ, ʒˈɛ f pˈɛvnɛj xfˈili ɔfjˈara bˌɛɲdʑɛ muɕˈawa zvrˈutɕitɕ ɕɛ dɔ nˈas.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_154.wav|pˈɔvʲɛm vam, ɔ tʃɨm ɔstˈatɲʲɔ mɨɕlˈawɛm, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_81.wav|jˈɛdnɔː ˈɔknɔ vˌɨxɔdʑˈiwɔ na fsxˈut i mˈɔɡwa w ɲˈim ɔɡlˈɔndatɕ fsxˈut swˈɔɲtsa nat mˈɔʒɛm.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_336.wav|a pɔmˈɔdliʃ ��ɛ zˈɛmnɔ̃, jˈamɛ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_25.wav|tˈak, vɨɡlˈɔnda nˈatɔ, ʒˈɛ pˈan ˈɛdmundz bˈɨw stˈawɨm kljˈɛntɛm, a fˈatsɛt ɕɛ utɕˈɛʃɨw, bˈɔ tˈamtɛn zˈafʃɛ zɔstˈavʲaw pʃˌɨzvɔˈitɨ napˈivɛk.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_197.wav|nˈavɛt jɛʒˈɛli sxfˈɨta mɔrdˈɛrtsɛ, lˈudʑɛ, ktˌuʒɨ zˈatɨm stˈɔjɔ̃, vˈɨɕlɔ̃ nˌastɛmpnˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_399.wav|nˌajpɔtɛ̃ʒɲʲˈɛjʃɨm z dɔrɲˈijskix lˈɔrduv bˈɨw ˈandɛrs ˌirɔnvˈɔɔt, krulˈɛfska krˈɛf.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_132.wav|pˌɔwɔʒˈɨwam nˈɔɡʲi na stɔlˈiku kavˈɔvɨm.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_135.wav|jɛʒˈɛli mˈɔʒna, sˈam xtɕˈawbɨm ˈɔtɨm zˌadɛtsɨdˈɔvatɕ, pɔvʲˈɛdʑaw rˈudɨ.|4
+Dataset/wavs/urwisko_ferenc/09_segment_68.wav|jˈarɔɲ zvʲˈɛɕiw ɡwˈɔvɛ i ɲʲˈɔ̃ pɔkˈivaw.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_216.wav|ˌɔznajmˈiwa. ɲʲɛ xtsˈɛmɨ tˈu ˈɔptsɨx.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_10.wav|tˈɔm zˌastanˈɔviw ɕɛ pʃˈɛs xfˈilɛ. tʃɨ jˈɔ ɲʲɛ pˌɔvʲɛdʑˈawa im pʃɨpˈatkʲɛm, ʒˈɛ ˈaʃ mʲˈaw rˈɛntsɛ skˈutɛ za plɛtsˈami?|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_151.wav|dʑˈiɕ w nˈɔtsɨ pˌɔvinɲˈiɕmɨ bˈɨtɕ tʃˈujɲi, pʃˌɨjatɕˈɛlɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_3.wav|pˌɔtʃɛbɔvˈawam rudjˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_46.wav|tˈata pˈuʃtʃa mɲʲɛ i natˈɨxmʲast kˈutsa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_365.wav|ˌalɛ tsˈɔ tɔ mˈa fʃˈɨstkɔ fspulnˈɛɡɔ zˈɛ spˈɔrtɛm?|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_124.wav|ɲˈiɡdɨ ɲʲɛ pˌɔtrafˈiwam zrɔzˈumjɛtɕ, dlatʃˈɛɡɔ ʑɛmʲˈaɲʲɛ zazvˈɨtʃaj rˈɔbjɔ̃ ɕɛ spʲˈɛɲtɕi, kʲˈɛdɨ rɔzmˈɔva sxˈɔdʑi na tˈakʲɛ tɛmˈatɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_77.wav|sˈɛrtsɛ valˈiwɔ mi f pʲˈɛrɕi.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_243.wav|mˈɔja mˈatka umˈarwa, kʲˈɛdɨ bˌɨwam mˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_64.wav|ˈallɛn uvˈaʒaw, ʒˈɛ pˌɔkɔʒˈɨsta ˌɔʃukˈivaw, a pisˈarka prɨsnˈɛwa w ɲʲˈɛɡɔ ɡˈazɛm pʲɛpʃˈɔvɨm.|2
+Dataset/wavs/urwisko_ferenc/21_segment_21.wav|mˈuɡw vʑˈɔɲtɕ rˈɔzvut.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_168.wav|i stˈawɨ dʑˈɛʒɛ kumˈɨsu s pustˈɨɲi ɡˈɔbʲi.|0
+Dataset/wavs/urwisko_ferenc/02_segment_64.wav|pɔ prˈɔstu mˈam dɔ vˈas ɔɡrˈɔmnɨ ʒˈal, ʒˈɛ dˈaliɕtɕˌɛ dˈupɨ f tɛj sprˈavʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_108.wav|tʃˈɨli ˈalan mˈuɕaw ˈuʒɨtɕ tʃˈɛpka.|2
+Dataset/wavs/urwisko_ferenc/02_segment_81.wav|tɔ bˈɨw nˌajtɕɛplˈɛjʃɨ dʑˈɛɲ mʲɛɕˈɔntsa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_162.wav|fʃˈɨstkɔ, tsˈɔ pˈaɲi pˈɔvʲɛ, mˈɔʒɛ bˈɨdʑ vˌɨkɔʒɨstˈanɛ jˈakɔ dˈɔvut pʃɛtɕˈifkɔ pˈaɲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_180.wav|ɲʲɛ mˈɔɡɛ mu zaˈufatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_62.wav|ɲʲɛ mˈɔɡɔ̃ mʲˈɛtɕ pʃˌɛtɕɛʒ ʒˈadnɨɣ dɔvˈɔduf pʃɛtɕˈifkɔ mɲʲɛ f sprˈavʲɛ mɔrdˈɛrstfa. ɡˌɛnɛvʲˈɛvɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_171.wav|ulˈitsa jɛst pˈusta, xˈɔdɲik tˈɛʃ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_58.wav|vzrˈuʃam z rˌɛzɨɡnˈatsjɔ̃ rˌamjɔnˈami ˈaɡɛnt smˈɔka w rɛˈaktsji na iɣ brˈak pˌɔʃanɔvˈaɲʲa dla ˈinnɨx.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_65.wav|ɔdʑˈɨva ɕɛ tʃˈɛtɕi rˈas.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_2.wav|pˌɔpɔwˈudɲʲɛ na artsˈadɛ tɔ najbˈardʑɛj ruxlˈiva pˈɔra dɲʲˈa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_32.wav|ˈɛlis mˈɨɕli, ʒˈɛ xˈɔdʑi ɔ ɡrˈɛ w mˌɔnɔpˈɔlɨ, bˈɔ bʲˈillɨ kˈaʒɛ kˈɔmuɕ ʃˈɨptɕɛj ʒˈutsatɕ kɔstkˈami i twumˈatʃɨ, ʒˈɛ kɔlˈɛjɛ tɔː ˌɔpwatsˈalnɨ zˈakup, ˌalɛ ɔbjˈɛktɨ ˌuʒɨtɛtʃnˈɔɕtɕi publˈitʃnɛj ɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_149.wav|stˈɔi z rɛŋkˈami f kʲɛʃˈɛɲʲax. pˈatʃɨ pˈɔpʃɛs pʃˈɛstfur ʑimnˈɛɡɔ pɔvʲˈɛtʃa dʑɛlˈɔntsɨ tˈɛ strˈɔnɛ ɔt tˈamtɛj i stfʲˈɛrdʑa, ʒˈɛ mˈɔɡwabˌɨ stfˈɔʒɨtɕ tsˈawɛ ɕfʲˈatɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_128.wav|ˌalɛ pˌɔʃukivˈana jˈakɔ ɕfʲˈadɛk f sprˈavʲɛ pˌɔdvujnˈɛɡɔ mɔrdˈɛrstfa bˌɨwɔ vˌɨstartʃajˈɔntsɔ pɔvˈaʒnɨm pɔvˈɔdɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_60.wav|a pˈɔtɛm ˌɔdjɛʒdʒˈajɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_55.wav|mˈɔʒɛ zˌajɛdˈajɔ̃ naxˈɔsɨ i sˈɔntʃɔ̃ dˈɔs ˈɛkis.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_2.wav|tˈɛssa ɲʲɛ znɔɕˈiwa pˌɔstɛrˈuŋkuf pɔlˈitsji, a tˈɛn, xˈɔdʑ vɨɡlˈɔndaw pʃˌɨzvɔˈitɕɛ, ɲʲɛ stanˈɔviw vɨjˈɔntku.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_66.wav|zˈafʃɛ pˈɔtɛm dɔkˈutʃaw jɛj bˈul mʲˌɛndʑɨ nɔɡˈami i f pʃˌɨɡɲʲɛtɕˈɔnɨx pʃˈɛs ɲʲˈɛɡɔ pʲˈɛrɕax.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_54.wav|a ʃˈɔvi zrɔbʲˈiwɔ ɕɛ ɲʲɛdˈɔbʒɛ na sˈamɔ̃ mˈɨɕl, tsˈɔ tɔː ˌɔznatʃˈawɔ dla mˈili.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_206.wav|ɲʲɛ vʲɛdʑˈawɛm, tsˈɔ pɔvʲˈɛdʑɛtɕ i bˈawɛm ɕɛ ɔdˈɛzvatɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_60.wav|tˈɔm spˈɔjʒaw na sfˈuj tɛlˈɛfɔn z zˌapisˈanɔ̃ kˈɔpjɔ̃ vʲˌadɔmˈɔɕtɕi, ktˌurɔ̃ pʃɛswˈawa mu bˈɛtskɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_66.wav|ɕlɛntʃˈawam nˈattɨm pʃˈɛs kˈilka wˈadnɨɣ ɡˈɔdʑin i f kˈɔɲtsu sfɔbˈɔda vrˈutɕiw s prˈatsɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_67.wav|ɔtpˈala fʃˈɨstkʲɛ pɔ kɔlˈɛi, upˈɛvɲʲa ɕɛ, ʒˈɛ mˈa nˈaɲih nˈɔvɨ klidʑɡbˈait.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_50.wav|ˌalɛ ɲʲˌɛspɔdʑˈaŋkɛ nˈam zrˈɔbʲiw!|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_257.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_149.wav|kˈɔval mˈuɕi jˈɛɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_16.wav|na pɔdwˈɔdʑɛ sɔ̃ ɕlˈadɨ krfˈi.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_21.wav|dʒˈɛs ɕɲʲadˈaɲʲɛ dla tɕˈɛbjɛ. w lɔdˈuftsɛ jɛst sˈɔk. sfɔbˈɔda.|4
+Dataset/wavs/urwisko_ferenc/21_segment_42.wav|rˈatsja, pʃˈɨznaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_15.wav|pɔ prˈɔstu vˈɨʃwa za dˈɔm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_254.wav|s tˈɨwu ktˈɔɕ pɔvʲˈɛdʑaw, ˌalɛ ʃˈɨpkɔ nazˈɨvatɕ ɕɛ bˌɛɲdʑɛ ˈɛstɛr rˈɨan, ɲʲˈɛx pˈan pɔ prˈɔstu napˈiʃɛ ˈɛstɛr rˈɨan, pʃˌɨjatɕˈɛlu.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_263.wav|mɨɕlˈawɛm, ʒˈɛ mʲanˈujɛ ɡˈɔ krulˈɛfskim nˌamjɛstɲˈikʲɛm.|1
+Dataset/wavs/urwisko_ferenc/21_segment_46.wav|znˈɔvu mʲˈawa zalˈɛdvʲɛ kˈilka lˈat. krˈutkɔ̃ spudɲˈitʃkɛ i tʃɛrvˈɔnɔ̃ kɔʃˈulkɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_52.wav|dʑˈiʑ bˈɨw vwˈaɕɲʲɛ tˌaki dʑˈɛɲ, spɛtsjˈalnɨ.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_39.wav|pɔdrˈitsku, ˈitɕ s sˈɛr xˈɨlɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_46.wav|kʲˈɛdɨ samˈɔlɔd vrˈatsaw na stˈart.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_31.wav|dɔmˈiɲik ɲʲɛ dɔvʲˈɛdʑawbˌɨ ɕɛ ftˈɛdɨ, ʒˈɛ ɡrˈawam f pɔkˈɛra, ʒˈɛbɨ spwˈatɕidʑ dwˈuk i ʒˈɛ ˌɔkwamɨvˈawam ɡˈɔ pʃˈɛs tsˈawɨ tɛn tʃˈas.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_356.wav|za ʃafˈɔtɛm tɕɔŋɡnˈɛwɔ ɕɛ bɛzvzwˈɔdnɛ ˌɔbɔzɔvˈiskɔ pˈɛwnɛ namjˈɔtuf i ˈɔɡɲisk.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_177.wav|mˈa mʲˈɛŋkkʲɛ, rudˈɔblɔnd vwˈɔsɨ i tɕˈɛmnɔɲʲɛbjˈɛskʲɛ ˈɔtʃɨ, a kʲˈɛdɨ ɕɛ uɕmʲˈɛxa, rˈɔbjɔ̃ mu ɕɛ dɔwˈɛtʃki na pɔlˈitʃkax. swɨʃˈawɛm tˈɛʃ, ʒˈɛ jɛzd bˈardʑɔ rɨtsˈɛrski.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_23.wav|bʲillʲˈɛɡɔ ɲʲɛ ɔpxˈɔdʑi trˈump ˌaɲi sˌɨtuˈatsja ɡˌɔspɔdˈartʃa pɔt jˈɛɡɔ ʒɔndˈami.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_9.wav|ɲʲˈɛvʲɛm, jˈak ˌɔtpɔvʲˈɛdʑɛtɕ mu na zadˈanɛ pɨtˈaɲʲɛ, a ɲʲˈɛxtsɛ, ʒˈɛbɨ ɔstˈatɲʲɛ swˈɔva, ktˌurɛ ˈɔdɛ mɲʲɛ uswˈɨʃɛ, ˌɔkazˈawɨ ɕɛ kwˈamstfɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_54.wav|dɔstʃˈɛɡam vʲˈɛʃak s pwaʃtʃˈami, kilkˈɔma pˌarasɔlkˈami i...|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_89.wav|xˈɛlis krˈɛɲtɕi ɡwˈɔvɔ̃. ɲʲɛ pamjˈɛntam.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_60.wav|kɔbjˈɛta ɔ vˈɔ̃skiɣ vˈarɡax mruknˈɛwa tsˈɔʑ drvʲˈɔntsɔ pɔt nˈɔsɛm.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_214.wav|bˌɨwa dʑɛftʃˈɨna, s ktˌurɔ̃ praɡnˈɔwɛm ɕɛ ɔʒˈɛɲitɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_261.wav|zˈajmij ɕɛ pɔ prˈɔstu sˈɔbɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_46.wav|ɡdʑˈɛ sɔ̃ fʃˈɨstsɨ?|3
+Dataset/wavs/urwisko_ferenc/65_segment_138.wav|jˈaɡ vrˈutɕiʒ dɔ prˈatsɨ? spˈuɕtɕiw vzrˈɔk i vˈɨpxnɔw jɛ̃zˈɨkʲɛm pɔlˈitʃɛk.|0
+Dataset/wavs/urwisko_ferenc/49_segment_15.wav|tʃˈarnɛ xmˈurɨ zɲiknˈɛwɨ, na ɲʲˈɛbjɛ srɛbʒˈɨwa ɕɛ tˈartʃa kɕɛ̃ʒˈɨtsa, ɡvʲˈazdɨ mruɡˈawɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_131.wav|mˈɔʒɛ kʲˈɛdɨɕ, na ˌɛmɛrɨtˈuʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_219.wav|jɛzd za ʑˈimnɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_441.wav|z jˈakimɕ raptˈɔvnɨm utʃˈutɕɛm pʃɨkrˈɔɕtɕi zbjˈɛɡwɛm na dˈuw.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_230.wav|vɨbrˈawabˌɨm ˌɔptɨmˈalnɛ rˌɔzvʲɔ̃zˈaɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_161.wav|tɔ jɛdˈɨnɛ nˌaturˈalnɛ mʲˈɛjstsɛ f tɨm mʲˈɛɕtɕɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_122.wav|tsˈɔ tɔ znˈatʃɨ? zapˈɨtaw trˈɔnt, pɔtxˈɔdʑɔndʑ blˈiʒɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_389.wav|pʃɨkrˈɨwa pˌɔvʲɛkˈami ˈɔtʃɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_36.wav|vˌɨtsɛlɔvˈawɛm f tʃɛrvˈɔnɔ̃ tʃˈapkɛ i tʃɛkˈawɛm, ˈaʃ jˈassim zapˈali.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_82.wav|w ɕrˈɔtku ɲikˈɔɡɔ ɲʲˈɛma.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_34.wav|swˈɔɲtsɛ iɡrˈawɔ na iɣ zwˈɔtɨx ˌɛpɔlˈɛtax i zwˈɔtɨx ʃnˈurax tʃɨ ʃˌamɛrˈuŋkax ɔtˈɔku tʃˈapɛk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_135.wav|ʑɛlˈistka tɔ, ktˈɔ vʲˈɛ dlatʃˈɛɡɔ, vˈaltɛr.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_133.wav|ruʃˈɨwam pɔvˈɔli f strˈɔnɛ sˌamɔxˈɔdu, a jˈaɡɡɛr ɔtfˈɔʒɨw mi tˈɨlnɛ dʒvˈi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_39.wav|xtɕˈawɛɕ stˈatɕ ɕɛ tʃwɔvʲˈɛkʲɛm tˈakim jˈak jˈa, ɲʲɛ trˈatsɔnts pʃˈɨtɨm ɲˈits s ɕˈɛbjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_10.wav|pɔvˈɔli krˈɛntsɛ ɡwˈɔvɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_177.wav|nˈɛɔn jɛst ɔ pɔwˈɔvɛ lʒˈɛjʃɨ ɔt arɡˈɔnu, vʲˈɛnts ˌuʒɨvˈamɨ nɛˈɔnu.|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_20.wav|dɔkwˈadɲʲɛ ɔː ˈusmɛj ˌɔtfɔʒˈɨwɨ ɕɛ dʒvˈi i jˈin xˈu fʃˈɛd ɔstrˈɔʒɲʲɛ dɔ ɕrˈɔtka.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_33.wav|xˈɔtɕ tsɨprˈɨsɨ f stˈɨlu vwˈɔskim mˈɔʒna bˌɨwɔ jˈuʃ ˈuznadʑ za lˈɛkkɔ̃ pʃɛsˈadɛ, w mˌanxɛstˈɛʒɛ vˌɨɡlɔndˈawɨ bˈardʑɔ dˈɔbʒɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_80.wav|a ftˈɛdɨ spavˈatʃɛ pʃˌɨstɔmpˈili dɔ trfawˈɛɡɔ wɔntʃˈɛɲʲa ˌɛlɛmˈɛntuf skɔrˈupɨ.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_146.wav|dɔpˈuki pˌɔzɔstˈajɛ w rˈɛŋkax staɲˈisa bˌaratjˈɔna, jɛst nˈɔʒɛm vˌɨmjɛʒˈɔnɨm w ɡˈardwɔ mɔjˈɛɡɔ sˈɨna.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_111.wav|vʲˈɛʒɨ ɕɛ w bˈɔɡa, ˈabɨ pamjˈɛntatɕ ɔ fʃˈɨstkim.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_33.wav|kwɔpˈɔtɨ w rˈaju?|4
+Dataset/wavs/urwisko_ferenc/30_segment_13.wav|ʒˈɛ fʃˈɨstkɔ bˌɛɲdʑɛ jˈaɡ dˈavɲʲɛj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_33.wav|ɔdˈɛjdʑɛ i ɲˈiɡdɨ jˈuʃ ɲʲɛ vrˈutɕi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_414.wav|dˈɔbʒɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_362.wav|mˈuj zmˈarwɨ mˈɔ̃ʃ tˈɛʃ kˈɔxaw lˈas.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_75.wav|ktˌuʒɨ pʃˌɨɡlɔndˈali ɕɛ sɕˌadajɔntsˈɛmu s kˈɔɲʲa jˌamɛˈɛmu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_67.wav|jˈɛʃtʃɛ jˈɛdnɔ. tʃwˈɔvʲɛk tˌaki jˈak pˈan ɲʲɛ mˈɔʒɛ mɲʲɛ ɔbrˈazitɕ.|0
+Dataset/wavs/urwisko_ferenc/48_segment_39.wav|— ˈɔddam tɕi tsˈawɨ tɛn rˈɛɡʲɔn, kˈuɕiw ʃtʃˈɛrpski fʃˈɨstkɔ. pʃˈɛjmʲɛʃ tˈu ʒˈɔndɨ i zarˈɔbʲiʃ jˈɛʃtʃɛ vʲˈɛntsɛj ɲˈiʃ ɔbˈɛtsɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_115.wav|mˈɔʒɛ tɕi pˈɔmuts?|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_183.wav|bʲˈillɨ vʲˈɛ, ʒˈɛ zˈaras pɔ fsxˈɔdʑɛ swˈɔɲtsa tˌɛmpɛratˈura pˈujdʑɛ ˈɔstrɔ w ɡˈurɛ.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_43.wav|lˈɔrt rˈɔdrik skʃˈɨviw ˈusta.|1
+Dataset/wavs/urwisko_ferenc/53_segment_38.wav|zɛrknˈɛwa na ɔlɡʲˈɛrda, ktˌurɨ ˈɔpar rˈɛntsɛ na zˌaɔkrɔŋɡlˈɔnɨm bʒˈuxu i zˈamknɔw ˈɔtʃɨ.|0
+Dataset/wavs/urwisko_ferenc/36_segment_135.wav|kʲˈɛdɨ vrutɕˈiwa dɔ kˈuxɲi, xwˈɔpak ftɕˈɔ̃ʃ ɕˈɛdʑaw zˈɛ spuʃtʃˈɔnɔ̃ ɡwˈɔvɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_289.wav|ɕmʲˈawɨ ɕɛ i ˌɔkwadˈawɨ zvˌiɲʲɛntˈɨmi pwaʃtʃˈami, a kˌilkunˈastu mˈɛ̃ʃtʃɨzn zˌaɡʒɛvˈawɔ jˈɛ dɔ bˈɔju.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_39.wav|w nɔrmˈalnɨx ˌɔkɔlitʃnˈɔɕtɕax ɲʲɛ rˈɔbʲi ɕɛ tˈakiɣ ʒˈɛtʃɨ pˈɔttʃaz dˌɛkɔmprˈɛsji ɕlˈuzɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_26.wav|xˈuta sˈanxɛs ˌalumˈiɲʲum, pˌɔwɔʒˈɔna kilˈɔmɛtr ɔt mʲˈasta, vɨtfˈaʒa tlˈɛn pˈɔttʃaz vˌɨtapʲˈaɲʲa mɛtˈalu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_43.wav|ʒˈutsa z lˈɛkkɔ̃ nˈutɔ̃ ˌirɨtˈatsji, ˌalɛ nˈadal ɲʲɛ nˌavʲɔ̃zˈujɛ kɔntˈaktu vzrˌɔkɔvˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_66.wav|lˈudʑɛ stɔjˈɔntsɨ za mˌɛtalɔvˈɨmi stɔwˈami sˌɛɡrɛɡɔvˈali kˌɔlɔrˈɔvɛ zɛʃˈɨtɨ. skwadˈali jˈɛ na kˈupɛ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_238.wav|na ɡˈaŋɡu ɕɛdʑˈawɨ tʃtˈɛrɨ dʑɛftʃˈɨŋki, pʃˌɨɡlɔndajˈɔntsɛ ɕɛ mu uvˈaʒɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/37_segment_3.wav|ˈɔlɡʲɛrt ɕˈɛŋɡnɔw pɔ tɛlˈɛfɔn i zˈɛrknɔw na mˈapɛ ɡˌɔɔɡlˈɛa.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_57.wav|tˈakʲɛ sˈamɛ jˈak f xˈali vˌidɔkˈɔvɛj tsˈɛntrum vˌɨtɕɛtʃkɔvˈɛɡɔ. vˌɨprɔdˌukɔvˈanɛ tˈutaj, na kɕɛ̃ʒˈɨtsu.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_252.wav|zatʃˈɛwa ˈarjan kˈilka dɲˈi pˈuʑɲʲɛj. jˈɛɕli kʲˌɛdɨkˈɔlvʲɛk kɔxˈawaɕ mˈɔjɔ̃ pˈaɲʲɔ̃ mˈatkɛ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_97.wav|mˈa dˈɔbrɔ̃ pˈamjɛɲtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_31.wav|pˌɔvʲɛdʑˈawɛm, dʑɛŋkˈujɛ pˈaɲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_127.wav|tˈɛras ʃˈafka bˌɨwa zˌɛstrɔjˈɔna z mˈɔim ɡʲˈizmɔː i tˌɨlkɔ ja mˈɔɡwam pɔnˈɔvɲʲɛ jˈɔ̃ ɔtfˈɔʒɨtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_262.wav|a tɔ tɕɛkˈavɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_128.wav|xˈɨba ɲʲɛ xˈɔvv zˈajmʲɛ ɕɛ pˌɔdwɔʒˈɛɲʲɛm tɨx wadˈuŋkuf, tsˈɔ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_6.wav|ɲʲɛ bˈɨwabˌɨm f stˈaɲʲɛ vˌɨdɛdukˈɔvatɕ tˌɛɡɔ sˈama.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_285.wav|ta dˈɔbra pˈaɲi bˌɨwa ˈistnɨm ftɕɛlˈɛɲʲɛm mɔndrˈɔɕtɕi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_352.wav|tʃˈɛba ˌuruxˈɔmitɕ krutsjˈatɛ pʃˌɛbatʃˈɛɲʲa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_150.wav|ˌɔtʃɨvˈiɕtɕɛ. tsˈɔ ɲʲɛ zmʲˈɛɲʲa fˈaktu, ʒˈɛ tˈaka jɛst prˈavda.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_83.wav|i znˈuf nalˈɛʒɨ dɔ ɲʲˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_153.wav|a ˈɔva ɲʲˌɛupʲɛŋkʃˈɔna prˈavda jɛst tˈaka, ʒˈɛ bˈɨw tɔ nˌajzvɨklˈɛjʃɨ w ɕfʲˈɛtɕɛ zbjˈɛk ˌɔkɔlitʃnˈɔɕtɕi, ktˌurɨ pɔtɕˈɔŋɡnɔw za sˈɔbɔ̃ tˈakʲɛ, ɲʲɛ ˈinnɛ kˌɔnsɛkfˈɛntsjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_352.wav|dʑˈiɕ na ɡwˈɔvʲɛ mʲˈawa zˈamjast kˌapɛlˈuʃa jˈakiɕ ˌɔrjɛntˈalnɨ tˈurban.|0
+Dataset/wavs/urwisko_ferenc/47_segment_91.wav|— pˌɔstanɔvʲˈɛɲʲɛ bˌɛɲdʑɛ ɡɔtˈɔvɛ s samˈɛɡɔ rˈana, zɡˈɔda? — tˈak, kˈurva, zɡˈɔda! — bˈɔŋknɔw lˈɛɡnɛr. — ˈadrɛs!|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_61.wav|a tɨ ɲˈiɡdʑɛ ɲʲɛ ˈidʑɛʃ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_153.wav|lˈadɨ vɨnvˈɔɔt stanˈɔftʃɔː ˌɔznajmˈiwa, ʒˈɛ ɲʲɛ zmˈuɕi ɡˈɔ dɔ mawʒˈɛɲstfa vbrˈɛf jˈɛɡɔ vˈɔli.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_268.wav|ˈarja ˌuɕmʲɛxnˈɛwa ɕɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_196.wav|zblˈiʒɨw ɕɛ dɔ t��ˈawa tˈaɡ blˈiskɔ, jˈak tˌɨlkɔ mˈuɡw, ɲʲɛ nˌaruʃˈajɔnts pʃˈɨtɨm mʲˈɛjstsa zbrˈɔdɲi, pɔ tʃɨm pʃɨkˈutsnɔw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_77.wav|ˈɔkɛj, jˈak tɔ dˈalɛj lˈɛtɕi?|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_86.wav|tsˈɔː ˌuswɨʃˈawɛɕ ɔt tˌɛɡɔ ɡaŋkstˈɛra? pˈɔvʲɛts, pɔ tsˈɔ tɔ fʃˈɨstkɔ?|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_9.wav|pʃɛskˈɔtʃɨw pʃˈɛs nadbˈurtɕɛ, lɔndˈujɔnts na pɔkwˈadʑɛ na dˈɔlɛ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_103.wav|ˌuɕfʲadɔmˈiwa sˈɔbjɛ, pɔ rˈas pʲˈɛrʃɨ w ʒˈɨtɕu bˈɔjɛ ɕɛ vwasnˈɛɡɔː ˈɔjtsa.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_240.wav|jˈamɛ z radˈɔɕtɕɔ̃ udˈuɕiwbˌɨ vrˈɛdnɔ̃ bˈabɛ jɛj vwˈasnɨm nˌaʃɨjɲˈikʲɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_39.wav|ftˈɛdɨ dɔtɕˈɛra dɔ mɲʲɛ fstʃˌɔ̃sajˈɔntsa mˈɨɕl.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_45.wav|i pˈɔtʃɛd dɔ dʒvˈi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_231.wav|jˈɛtʲi tˈɛʃ tˈak, mˈɨɕlɛ, uʒˈutɕiw trˈɔmba. skˈur vʲˈɛlɛ pɔtrˈafjɔ̃ stʃˈɛlatɕ. ɔdvrˈutɕiw ɕɛ dɔ mɲʲɛ. tsˈɔ rɔbʲˈimɨ, bʲˈillɨ? vzɨvˈamɨ fspˈartɕɛ s pɔvʲˈɛtʃa?|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_98.wav|i rˈup tˈaɡ dˈalɛj, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/urwisko_ferenc/24_segment_59.wav|mʲˈɛjstsɛ, f ktˌurɨm pɔvˈinna ɕɛ znajdˈɔvadʑ batˈɛrja bˌɨwɔ pˈustɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_13.wav|uɕˈadwa pɔvˈɔli i pʃɛtˈarwa ˈɔtʃɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_157.wav|prˌubɔvˈawam sˈɔbjɛ vmˈavʲatɕ, ʒˈɛ tɔ jɛdˈɨɲʲɛ bɔlˈɛsnɨ kʃˈɨk lˈisa,|3
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_2.wav|mˈilljɛ pɔvˈɔli ˌɔtfɔʒˈɨwa ˈɔtʃɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_192.wav|a tɛn pɔvʲˈɛdʑaw dɔ ɲʲˈɛɡɔ,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_147.wav|tʃˈujɛ, jˈaɡ zatɕˈiska mi ɕɛ krtˈaɲ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_128.wav|pɔ tsˈɔ tɕi xˈuta ˌalumˈiɲʲum?|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_271.wav|ktˌura krfavˈiwa tˈɛras. ˈandɛrsɔn pˈɔtʃɛd vˈɔlnɔ dɔ dʒvˈi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_48.wav|zˈɛrkam na ˈɛkran.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_5.wav|luˈisa bˌɨwa f prˈatsɨ, vʲˈɛnts pʃˌɨɡɔtˈɔvaw sˈɔbjɛ mˈiskɛ spaɡˈɛttʲi na ˈɔbjat, vwˈɔntʃɨw muzˈɨkɛ i rˈɔsɕat ɕɛ vɨɡˈɔdɲʲɛ, prubˈujɔnts ɔtʃˈɨɕtɕitɕ ˈumɨsw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_473.wav|ɲʲˈɛma ʒˈadnɛj pɔtʃˈɛbɨ mʲɛʃkˈaɲʲa f tɕˈɛɲʲu zvˈɨkwɨɣ ʑɛlˈɔnɨɣ dʒˈɛf.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_83.wav|vɨbˈatʃɛ, ˌalɛ ɲʲɛ pɔjmˈujɛ, dlatʃˈɛɡɔ ɲʲɛ mˈɔɡliɕmˌɨ zawˈatfitɕ tˌɛɡɔ f pɔʒˈɔndnɨ spˈɔsup. zˈamjast stˈavʲadʑ dʑˈɛtskɔ f pˌɔwɔʒˈɛɲʲu, f ktˌurɨm mˈuɕi ˌɔpɔvʲˈɛdʑɛtɕ ɕɛ za jˈɛdnɔ̃ zˈɛ strˈɔn.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_62.wav|bˈɛtskɨ i tˈɔm mˈiltʃɔ̃. tʃɛkˈajɔ̃, ˈaʃ pˈɔvʲɛm tsˈɔʑ vʲˈɛntsɛj, ˌalɛ ɲʲˌɛspɔdʑɛvˈaɲʲɛ zjˈavja ɕɛ rˈɔp.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_31.wav|ˌɔkazˈujɛ ɕɛ, ʒˈɛ tˈak, a kʲˈɛdɨ nˈuʃa fxˈɔdʑi dɔ kˈuxɲi, swˈɨʃɛ ɡwˈɔs mˈɔjɛj pʃˌɨjatɕˈuwki. jˌɛstɛm zˌaskɔtʃˈɔna jɛj pˈɛwnɨm zwˈɔɕtɕi tˈɔnɛm.|4
+Dataset/wavs/urwisko_ferenc/59_segment_1.wav|ktˈɔ ɡˈɔ znˈalaz? zˌaintˌɛrɛsɔvˈawa ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_380.wav|a tʃɨ ˌɔna ˈɔtɨm vʲˈɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_176.wav|zvrˈatsa ɕɛ dɔ bʲillʲˈɛɡɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_63.wav|ɔ jˈaɡ dˈɔbʒɛ!|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_249.wav|tɔ tsˈɔ bˈɨwɔ, jˌɛstɛm tˌɨlkɔ jˈa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_47.wav|ktˈɔɕ pˌɔtʃɛbˈɔvawbˌɨ tˌɨlkɔ xfˈili, ʒˈɛbɨ ˈukraɕtɕ pʲɛɲʲˈɔndʑɛ.|3
+Dataset/wavs/urwisko_ferenc/40_segment_7.wav|dʑɛftʃˈɨna drɡnˈɛwa. — tɛn tsˈawɨ lˈɛɡnɛr jɛst ɲʲˌɛnɔrmˈalnɨ — zatʃˈɛwa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_163.wav|ˌalɛ mɨ ɲʲɛ nˌalɛʒˈɨmɨ dɔː ˈinnɨx, jɛdˈɨɲʲɛ dɔ ɕˈɛbjɛ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_192.wav|stˈarʃɨ brˈat ˈu mˈilku|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_64.wav|ˈiʃ mˈɔʒna mˈɨɕlɛdʑ bˈɨwɔ, ˈiʃ ˈuʒɨw dɔ tˌɛɡɔ ʃpˈɔnuv djˈabwa, zapˈɛvɲiw, ˈiʃ ɕpʲˈɛva tˈaɡ ɡwˈɔɕnɔ.|0
+Dataset/wavs/urwisko_ferenc/20_segment_14.wav|rɔbˈɔta mɲʲɛ vzˈɨva. ˈɔtpar i vɨstˈukaw ɔtpˈɔvʲɛtɕ na klˌavʲatˈuʒɛ smartfˈɔna. jˌɛstɛm ˈu ɲʲˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_161.wav|pˈusta tˈatʃka kˈɛt stukˈawa na brˈuku, tfˈɔʒɔnts sfˈɛɡɔ rɔdʑˈaju ɡʒˌɛxɔtʃˈɔntsɔ̃ muzˈɨkɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_18.wav|ɲʲɛ stˌaranˈujɛʃ mɔjˈɛɡɔ vˈɔzu. zrˈɔbjɛ tɔ, jˈɛɕli zˈaraz ɡˈɔ ɲʲɛ pʃɛstˈaviʃ. mˈuʃɛ jˈɛxatɕ, stˈɛvɛ. ɲʲˈɛmam tʃˈasu na kwˈutɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_83.wav|bʲˈillɨ pˈiʃɛ pʃˈɛs puwtˈɔrɛj ɡɔdʑˈinɨ. xtsˈɛ jˈak najʃˈɨptɕɛj ɡnˈatɕ nˈapʃut, ˌalɛ ɕɛ xamˈujɛ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_431.wav|vˌɨdavˈawɔ ɕɛ, ʒˈɛ trfˈa tɔ tsˈawɛ ʒˈɨtɕɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_248.wav|zrˈɛʃtɔ̃, ɡdˈɨbɨ xtɕˈaw pˈan ʒˈutɕitɕ f kˈaʒdɔ̃ kˈurvɛ kamjˈɛɲʲɛm, mˈuɕawbˌɨ pˈan rɔzˈɛbratɕ mˈurɨ tˌɛɡɔ mʲˈasta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_114.wav|zˌapisˈujɛ tˈɛkst na tfˈardɨm dˈɨsku, vɨwˈɔntʃa kɔmpˈutɛr i ɔtfʲˈɛra dʒvˈi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_209.wav|zˈamkɲij mˈɔrdɛ, pɔvʲˈɛdʑaw rˈɨan. ˈɔʃtʃɛɲtɕ mi pʃɨnˈajmɲʲɛj tˈɛɡɔ.|0
+Dataset/wavs/urwisko_ferenc/62_segment_37.wav|a tʃɨ tɛn pɔlˈitsjant tsˈɔɕ pˈanu pɔvʲˈɛdʑaw na tˈɛmat tˌɛɡɔ zdjˈɛɲtɕa?|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_214.wav|swɨʃˈawɛɕ jˈɛɡɔ dʑvʲˈɛŋk?|1
+Dataset/wavs/urwisko_ferenc/19_segment_1.wav|i ɡˈɛ̃stɨ lˈas, pˌɔrastajˈɔntsɨ skˈarpɛ viɕlˈanɔ̃ na rˌubʲiŋkˈɔvʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_137.wav|ɲˈits ɲʲɛ rɔzˈumjɛʃ. nˈɔtsɔ̃ utʃtɕˈiliɕtɕˌɛ pˈamjɛɲtɕ ˌumarwˈɛɡɔː i ɔddˈaliɕtɕˌɛ tʃˈɛʑdʑ bˈɔɡɔm, ktˌuʒɨ stfɔʒˈɨli vˈas ɔbˈɔjɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_226.wav|tʃˈasɛm ktˈɔʑ zaɡvˈizdaw ˈalbɔ zˈaɕmʲaw, ɡdˈɨ pɔlˈitsjant pʃɛvrˈutɕiw ɕɛ dɔ kawˈuʒɨ z narˈɛntʃɛm ˈakt.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_240.wav|jɛdnˈaɡʒɛ ix rˈanɨ vˌɨtʃɨʃtʃˈɔnɔː i zˌabandˌaʒɔvˈanɔ.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_160.wav|tsˈɔ tɔ jɛzd valˈɔnkar?|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_165.wav|najɡˈɔrʃɛ vʲˈɛɕtɕi z zˈɛvnɔndʒ zˌatʃɨmˈujɛ dla ɕˈɛbjɛ, bˈɨ ɲʲɛ mˈɔɲtɕitɕ pˌanujɔntsˈɛɡɔ f sɛktˈɔʒɛ spɔkˈɔju.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_22.wav|xtsˈɛʃ ɔptɕˈɔ̃ʒɨtɕ mɲʲɛ vˈinɔ̃ zˈatɔ, ʒˈɛ tfˈɔi lˈudʑɛ pˌɔzvɔlˈili mu pʃˈɛmknɔɲtɕ ɕɛ pʃˈɛs sfˈɔjɛ lˈiɲʲɛ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_58.wav|ɲʲɛ, ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ ɲʲɛ. ɕtɕˈiskam trˈɔxɛ mˈɔtsɲʲɛj dʒvˈi.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_369.wav|s pɛvnˈɔɕtɕɔ̃ ɔn pɔvʲˈɛdʑawbˌɨ tɔ sˈamɔː ɔ tˈɔbjɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_225.wav|ʒˈɨtʃɛ pˈanu ʃtʃˈɛɲɕtɕa w ʒˈɨtɕu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_55.wav|zasˈɨpja prˈavʲɛ ɔt rˈazu, ˌalɛ nˌajvɨrˈaʑɲʲɛj jɛst pˌɔtɕfʲadˈɔmjɛ vˌɨtʃulˈɔnɨ na jɛj atˈaki paɲˈiki, bˈɔ kfˈadrans pɔ drˈuɡʲɛj w nˈɔtsɨ bˈudʑi ɡˌɔʒɛ̃ʒˈɛɲʲɛ dˌɔxɔdʑˈɔntsɛ s sˌɔ̃ɕɛdɲʲˈɛɡɔ pɔkˈɔju.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_313.wav|kˌatɔlˈikɔ buˈɛnɔ mˈɨɕli, ʒˈɛ tɨ tɔ rˈɔbʲiʃ na zwˈɔɕtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_32.wav|ˌalɛ mˈa jˈɛ ˈindja kalˈɔɔ.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_164.wav|nˈaɡlɛ s tɕˈɛɲi vˌɨnuʒˈɨwa ɕɛ jˈakaɕ kɔbjˈɛta, ktˌura pɔdˈɛʃwa pɔvˈɔli dɔ mˈar.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_419.wav|lˈubjɛ pɔʒˈɔndɛk, ˌalɛ pɔʒˈɔntku ɲʲˈɛma nˈatɨm ɕfʲˈɛtɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_88.wav|drˈɔɡa zatˈatʃa pˈɛntlɛ, pɔ tʃɨm kʲɛrˈujɛ ɕɛ dɔ dˈuʒɔ skrɔmɲʲˈɛjʃɛj brˈamɨ, ktˌurɛj ʃˈukaw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_96.wav|fʃˈɨstkʲɛ sɔ̃ vˈilljam i vɔrldvˈidɛ ˌɛntɛrtaˈinmɛnt, tsˈɔ pˈɛvɲʲɛ twumˈatʃɨ, dlatʃˈɛɡɔ w rɔzmˈɔvʲɛ z bʲˈillim fspˈɔmɲʲaw ɔ vˌuvˌuˈɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_38.wav|bʲˈillɨ ɲʲˈɛxtsɛ tˌɛɡɔː ɔɡlˈɔndatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_15.wav|kʲˈɛdɨʑ bˌɨwɔ nˈas stˈatɕ jɛdˈɨɲʲɛ na kurtʃˈaka, ˌalɛ tɨm rˈazɛm mʲˌɛliɕmˌɨ fʃˈɨstkɔ, ɔ tʃɨm tˌɨlkɔ mˈɔʒna bˌɨwɔ zamˈaʒɨtɕ f trˌadɨtsˈɨjnɛ bˈɔʒɛ nˌarɔdʑˈɛɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_38.wav|zˌapɔmɲʲˈawɛm, ʒˈɛ rɔzmˈavʲam s kɔbjˈɛtɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_82.wav|dʑˈɛŋki bʲilljˈɛmu pʃɛʃˈɛdwɛm na ˌɛmɛrɨtˈurɛ. stˈawɛm ɕɛ tˌɨlkɔ jˈɛʃtʃɛ jˈɛdnɨm tʃwɔvʲˈɛkʲɛm z ɡˈur.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_12.wav|pɔvˈiɲʲɛn bˈɨw ɔdˈɛbratɕ xˈɔli zˈɛ ʃkˈɔwɨ, ˌalɛ ɲʲɛ zadʑvˈɔɲiw, ʒˈɛbɨ pɔvʲˈɛdʑɛtɕ, ʒˈɛ vɨxˈɔdʑi.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_432.wav|jˈakɔ̃ smɔtʃˈɨtsɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_164.wav|dˌɔkɔɲtʃˈɨwa zdˈaɲʲɛ i pɔswˈawa mi ˈuɕmʲɛx.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_59.wav|pˈɔtɛm vʑˈɛwam pɔt lˈupɛ lɔrˈɛtɛ sˈanxɛs i znalˈazwam jɛj rɔsprˈavɛ na tˈɛmat ˌudɔskˌɔnalˈɛɲʲa tˌɛxnɔlˈɔɡji vɨtˈɔpu mɛtˈali.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_134.wav|zˈaɲim bˈɨɕmɨ tˈam dɔtˈarli...|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_139.wav|mɲʲˈɛj vʲˈɛntsɛj za ɡɔdʑˈinɛ zˈɛjdʑɛ tˈu na lˈantʃ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_136.wav|tˈɛras tʃˈujɛ jɛdˈɨɲʲɛ lˈɛkkʲɛ ukwˈutɕɛ smˈutku. tɔ fʃˈɨstkɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_24.wav|tɔ dˈɔɕtɕ kuʃˈɔntsɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_29.wav|vˈidʑɛ tˌɨlkɔ jˈɛdɛn. ktˈɔɕ xtɕˈaw zˈamknɔɲtɕ mu ˈusta, ʒˈɛbɨ ɲʲˈɛmukw pɔvʲˈɛdʑɛtɕ tˈɛɡɔ, tsˈɔ vʲˈɛ, w zˈamjan za zwˌaɡɔdʑˈɛɲʲɛ kˈarɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_343.wav|pʃˌɛtɕɛʃ mˈa pˈan xˈɨba trˈɔxɛ vˌɨɔbrˈaʑɲi, tɔ wˈuʃkɔ jɛst tˈaɡ vˈɔ̃skʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_76.wav|ɲˈiɡd z lˈudʑi majˈɔntsɨx pʲɛɲʲˈɔndʑɛ ɲʲɛ mˈɔʒɛ mɲʲɛ kʲˌɛdɨkˈɔlvʲɛk ɔbrˈazitɕ, pˈaɲʲɛ rˈɨan.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_320.wav|vidʑˈawa drˈɔŋɡʲi i kˈɔsɨ, pˈawki i matʃˈuɡʲi, nˈavɛt kˈilka tɔpˈɔruf. ɲʲɛ pɔzvˈɔlɛ na pʃˈɛlɛf krfˈi f tɨm ɕfʲˈɛntɨm mʲˈɛjstsu, sˈɛr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_104.wav|fˈarid zrˈɔbʲiw tɔː i ɲˈikt ɲʲɛ vˈɨʃɛd.|2
+Dataset/wavs/urwisko_ferenc/37_segment_52.wav|ɔttʃˈɛkaw kˈilka mˈinut, ˌalɛ ʒˈɔna ɲʲɛ ˌɔtpɔvʲɛdʑˈawa.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_274.wav|zˌastanavʲˈawa ɕɛ tsɛrsˈɛi, ɡdˈɨ vˈɔ̃ski skrˈavɛk ɲʲˈɛba za ˈɔknɛm znˈɔvu zˈatʃɔw tɕˈɛmɲʲɛtɕ.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_167.wav|swˈɔtka tsɛrsˈɛi, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_132.wav|ɡˈɔɕtɕɛ pˈɔnɔtɕ wɔvˈili pstrˈɔŋɡʲi, vˌɨstavʲˈajɔndʑ vˈɛntkɛ pʃˈɛs ˈɔknɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_23.wav|vʲˈɛʒɨ, ʒˈɛ mˈɔja ɔbˈɛtsnɔɕtɕ pʃɛnˈɔɕi mu ʃtʃˈɛɲɕtɕɛ, xˈɔtɕ ɲʲˈɛma nˈatɔ ʒˈadnɨɣ vɨmjˈɛrnɨɣ dɔvˈɔduf.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_10.wav|pˌɔvʲɛdʑˈawam, pɔ tʃɨm zɛrvˈawam ɕɛ na rˈuvnɛ nˈɔɡʲi, lˈɛdvʲɛ ˌɔdnɔtɔvˈujɔnts jɛj zdumjˈɛɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_625.wav|ɡdʑˈɛ ɡrˈaliɕmˌɨ w nˈɔɡɛ ˈalbɔ tɔtʃˈɨliɕmˌɨ pˌɔjɛdˈɨŋki?|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_157.wav|zawˈɔɡa pˌɔstɔmpˈiwa dɔkwˈadɲʲɛ tˈak, jˈak xtɕˈawam.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_287.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_173.wav|fʃˈɨstkɔ rˌɔzɛɡrˈawɔ ɕɛ tˈak, jˈak mˈuviw ˈɛwrɔn.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_47.wav|ɲʲɛ ˌɔtpɔvʲɛdʑˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_232.wav|bˈɔ pʃˌɛtɕɛʒ znˈa tamtˈɛɡɔ bʲiljˈɛɡɔ tˈaɡ dˈɔbʒɛ jˈak samˈɛɡɔ ɕˈɛbjɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_5.wav|stˈawam f prˈɔɡu zbˈɨd dwˈuɡɔ, ˌalɛ fˌuŋktsjɔnˈarjuʃ ɔkˈazaw ɕɛ mˈiwɨ.|3
+Dataset/wavs/urwisko_ferenc/14_segment_1.wav|— i xˌudʑiɲskʲˈɛɡɔ tˈɛʃ. — xˈɔdʑi mi ɔ vraʒˈɛɲʲɛ z rɔzmˈɔvɨ — pˌɔtsumˈɔvaw ˈɔlɡʲɛrt i ɕɛ skʃˈɨviw. — strˈaʃɲʲɛ dʑˈivnɨ fˈatsɛt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_156.wav|stfʲˈɛrdʑa, ʒˈɛ pɔvˈiɲʲɛn pˈisadʑ dˈalɛj. ˌɔna f tɨm tʃˈaɕɛ pˈujdʑɛ na ɡˈurɛ, pˌɔɔɡlˈɔnda tˌɛlɛvˈizjɛ i ɕɛ zdʒˈɛmɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_51.wav|f kˈɔɲtsu tɕiɕɲʲˈɛɲʲɛ vˈɛvnɔntʃ ɕlˈuzɨ spˈadwɔ na tˈɨlɛ, ʒˈɛ zdɔwˈawam ɔttɕˈɔŋɡnɔɲtɕ pɔkrˈɨvɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_117.wav|bˈɔ zawˈatfʲaʃ pwatnˈɛmu zabˈujtsɨ karˈabʲin, snajpˈɛrski i stˌanɔvˈiskɔ stʃɛlˈɛtskʲɛ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_44.wav|swˈɨʃɛ jˈɛɡɔ stˈɔpɨ, mlaʃtʃˈɔntsɛ w bwˈɔtɕɛ, ˌalɛ ɲʲɛ mˈɔɡɛ vˈɨjʒɛtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_35.wav|vˌɨdavˈawɔ mi ɕɛ, ʒˈɛ tsˈɔɕ ˌuswɨʃˈawɛm i pˌɔmɨɕlˈawɛm, ʒˈɛ mˈɔʒɛ tɔ xwˈɔpak mˌamɨ fstˈaw i zˈaras ɕɛ nˈamɲʲɛ ʒˈutɕi, xˈɔtɕaʒ bˈɨw mˈartfɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_83.wav|f tɛj xfˈili bɛvˈɛrlɨ pʃɛjmˈujɛ tɛlˈɛfɔn i bʲˈillɨ znˈuf mˈuɕi ɔtsˈunɔɲtɕ kɔmˈurkɛ ɔ pˈarɛ tsˌɛntɨmˈɛtruf ɔt ˈuxa, ʒˈɛbɨ ɔʃtʃˈɛɲdʑitɕ nˌadvɨrɛ̃ʒˈɔnɨ bɛmbˈɛnɛk.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_102.wav|pɔvʲˈɛdʑɛtɕ, jˈaɡ bˈardʑɔ ɡˈɔ kˈɔxa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_11.wav|ˌupwɨnˈɛwɔ tʃɨdʑˈɛɕtɕi mˈinut, lˈɛtʃ tʃɛkˈaɲʲɛ mu ɲʲɛ pʃɛʃkˈadʑa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_110.wav|pˈuʑɲʲɛj bˈardʑɔː ɔstrˈɔʒɲʲɛ pɔtkrˈadwɛm ɕɛ pɔt sfˈuj dˈɔm. bˈawɛm ɕɛ pɔ prˈɔstu tɕipˈuna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_135.wav|ɲʲɛ zrɔbʲˈiwɛʑ dɔbrˈɛɡɔ vraʒˈɛɲʲa na bʲˈili, a ɔn jɛst nˈaʃɨm tʃwɔvʲˈɛkʲɛm na mʲˈɛjstsu, vʲˈɛndʑ ɡˈɔː uɡwˈaskaj.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_97.wav|ˈɛmɔn pʃɨ kˈaʒdɨm ɔddˈɛxu xˈartʃaw tɕˈixɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_62.wav|bˈɨɕmɨ tˈak pˌɔmɨɕlˈɛli i sfˌabrɨkˈɔvaw tɛ maˈilɛ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_330.wav|pˈɔɕtɕitɕ, ʒˈɛbɨ ɕɛ ɔtʃˈɨɕtɕitɕ? ˈaxa, pʃɛd dɲʲˈɛm dʑɛvˈitsɨ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_314.wav|na jɛ̃zˈɨku ftɕˈɔ̃ʃ jˈɛʃtʃɛ tʃˈuwa smˈak tsɛbˈuli.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_62.wav|prubˈujɛ ɕɛ uɕmʲˈɛxnɔɲtɕ, ˌalɛ tɔ trˈudnɛ i tˈɛssa dɔtˈɨka mɔjˈɛɡɔ ramjˈɛɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_52.wav|pˈatʃɨw nˈamɲʲɛ pɔnˈurɔ vʲɛlkˈimi brˌɔ̃zɔvˈɨmi ɔtʃˈami jˈak krˈɔva.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_143.wav|zavˈinɔw dɔ pʃɨstˈaɲi tɨx lˈudʑi pɔt fawʃˈɨvɔ̃ bandˈɛrɔ̃, zrˈaɲiw ix utʃˈutɕa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_67.wav|kʲˈɛdɨ ja ʒˈutsam kɔstkˈami, ɲʲˈɛma ʃˈans, ɔɕfʲˈattʃa bʲˈillɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_116.wav|strˈaɣ vɨxˈɨnɔɲtɕ s tɛj pˈuʃtʃɨ na bˈɔʒɨ ɕfʲˈat.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_62.wav|pʃɛnˈɔʃɛ spɔjʒˈɛɲʲɛ na arˈama i pʃɛpˈɛwɲʲa mɲʲɛ fɕtɕˈɛkwa fˈurja.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_199.wav|na ʒˈadnɨm s trˈupuf ɲʲɛ znalˈɛʑli rˈan.|1
+Dataset/wavs/urwisko_ferenc/03_segment_129.wav|vwˈaɕɲʲɛ ˌɔnɔ pʃˌɨtɕɔŋɡnˈɛwɔ jɛj vzrˈɔk.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_177.wav|pʃɨɕˈɔŋɡwɛm, ʒˈɛ dˈam vam vɛstˈɛrɔs.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_17.wav|tɔ jˈuʃ kɔlˈɛjnɛ kwˈamstfɔ dʑˈiɕaj f tɨm dˈɔmu.|3
+Dataset/wavs/urwisko_ferenc/09_segment_71.wav|ˈidɛ ˈinnɨm trˈɔpɛm. i xtɕˈawbɨm jˈak najʃˈɨptɕɛj vɨklˈutʃɨtɕ ɔlɡʲˈɛrda. jɛst tˈɨlkɔ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_19.wav|ɲʲˈɛma rɔspˈɔrka, ktˌurɨ tʃˈɛba bˈɨ zasˈun��ɲtɕ.|2
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_75.wav|swˈuʃna uvˈaɡa. pˌɔrɔzmˈavʲam z lˌɔuˈisɔ̃ i pɔprˈɔʃɛ, ʒˈɛbɨ tɔ zˌɔrɡaɲˌizɔvˈawa.|3
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_26.wav|lˈintsaj tɔ bˈɨstra dʑɛftʃˈɨna. zakwˈadam, ʒˈɛ mˌamɨ tablˈitsɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_57.wav|pwˈatʃɛ i jˌɛdnɔtʃˈɛɕɲʲɛ prubˈujɛ tɔ zˌamaskˈɔvatɕ.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_290.wav|dɔmˈɨɕlam ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_221.wav|pʃˌɨnɔɕˈili pɔɕˈiwki, swˈali wˈɔʒɛ i ˌɔpruʒɲʲˈali nˈɔtsɲik, ˌalɛ ʒˈadnɛ z ɲˈix ɲʲɛ xtɕˈawɔ z ɲʲˈɔ̃ rɔzmˈavʲatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_222.wav|zˌatfʲɛrdʑˈɛɲʲɛ tˌɛstamˈɛntu bˌɛɲdʑɛ ɕɛ tɕɔŋɡnˈɛwɔ mʲˌɛɕɔntsˈami, mˈɔʒɛ nˈavɛt latˈami.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_47.wav|mˈɔɡlibˌɨɕmɨ zjˈɛɕtɕ tˈam lˈɔdɨ. ɔd vʲˈɛlu lˈat ɲʲɛ jˈadwɛm lˈɔduf. tsˈɔː ˈɔtɨm mˈɨɕliʃ? dˈɔbrɨ pˈɔmɨsw?|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_66.wav|skˈɔrɔ tˈak mˈuviʃ, kɕɛ̃ʒɲˈitʃkɔ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_101.wav|mɲʲˈɛj, bˈɔli, vɨdˈɨʃaw pˌɔtpuwkˈɔvɲik.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_428.wav|vʲˈɛ pˈan, jˈaka bˌɛɲdʑɛ pʲˈɛrʃa pɔzˈɨtsja?|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_95.wav|ɔt jakˈɔɕtɕi spˈavuv zˌalɛʒˈawɔ ʒˈɨtɕɛ jˈɛɡɔ tsˈurki.|4
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+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_22.wav|tˈu na vˌɨɡvizdˈɔvʲɛ vʲˈɛŋkʃɔɕtɕ kljɛntˈɛli tɔ mamˈuɕki i tˌatuɕˈɔvʲɛ, ktˌuʒɨ mˈɔɡlibˌɨ zʒˈutɕitɕ pˈarɛ kˈilɔ.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_148.wav|ɔn jˈuʃ ɲʲˈɛma ɕˈiw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_196.wav|bʲˈillɨ ɲʲˈɛvʲɛ, tʃɨ w ɡazˈɛtɕɛ napˈiʃɔ̃, ʒˈɛ sˌamɔxˈɔdɛm, f ktˌurɨm znˌalɛʑˈɔnɔ xˈɔffa, bˈɨw viɕɲʲˈɔvɨ mˈustaŋk tsabrjˈɔlɛt, ˌalɛ jɛst pˈɛvʲɛn, ʒˈɛ tˈaɡ bˈɨwɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_66.wav|pˌɔdɔ̃ʒˈajɔnts tɨlnˈɨmi druʃkˈami nˈavɛt f tɕɛmnˈɔɕtɕax, pɔɲʲˈɛvaʃ tʃˈuwam ɕɛ pʃˈɨɲim bɛspʲˈɛtʃɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_16.wav|ɔt kʲˈɛdɨ vˈɨʃɛd, ɕˈɛdʑɛ tˈutaj sˈama.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_110.wav|wˈɛ fˈilmʲɛ s sɨlvˈɛstrɛm stallˈɔnɛm tʃɨ jasˈɔnɛm stɛtˈɛmɛm bˈɨwɨbˌɨ iɣ dʑɛɕˈɔntki, ˌuzbrɔjˈɔnɨɣ vɛ fʃˈɨstkɔː ɔt ˌɛrkˌaˈɛmˈuf pɔ rˈɛntʃnɛ vɨʒˈutɲʲɛ pɔtɕˈiskuf rˌakʲɛtˈɔvɨx.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_46.wav|jˈɛdɛn z lˈudʑi ɡˈurɨ prubˈɔvaw zɡvˈawtɕitɕ pˈɛ.ˈɛf. xarˈɛnxal i vɨdˈavaw ɕɛ ʃtʃˈɛʒɛ zdʑivʲˈɔnɨ, ɡdˈɨ jˈamɛ rɔskˈazaw ˌilɨnˈɔvi pˌaɨnˈɔvi ɡˈɔ ɕtɕˈɔɲtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_173.wav|mˈɔɡɛ pɔvʲˈɛdʑɛtɕ, ʒˈɛ pʃˌɨjɛxˈawam pɔ pʃɛsˈɨwkɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_159.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_48.wav|rˌɔskɔʃˈujɛ ɕɛ tˌɨmi swɔvˈami.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_46.wav|mˈɔʒɛ faktˈɨtʃɲʲɛ ɲʲɛ jɛst jˈɛʃtʃɛ tˈaɡ dɔjʒˈawɨ, jˈaɡbɨm tˌɛɡɔː ˌɔtʃɛkivˈawa, ˌalɛ pɔrˈadʑɛ sˈɔbjɛ s tɨm i bˌɛɲdʑɛ dˈuʒɔ wˈatfʲɛj, jˈɛɕli ɲʲɛ bɛɲdʑˌɛmɨ muɕˈɛli ɔpˈuʃtʃatɕ krˈaju.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_58.wav|mɨɕlˈawɛm, ʒˈɛ znˈam jˈuʃ ɔtpˈɔvʲɛtɕ nˈatɔ pɨtˈaɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_52.wav|zabʲˈitɕɛ ˌɛmtsˈɛ ɡˌuinnˈɛssa ɲʲɛ fpwˈɨɲʲɛ vʲˈɛnts na jˈɛɡɔ vˈɨrɔk. ɔn pˈɔnɔtɕ nˈavɛt ɲʲˈɛxtɕawbˌɨ vˈɨjɕtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_7.wav|xˈɨba f pɔʒˈɔntku, a ˈu tɕˈɛbjɛ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_138.wav|jˌɛstɛʑ bɛspʲˈɛtʃna.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_99.wav|idʑˈɛmɨ, pɔvʲˈɛdʑaw mˈikɛ.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_220.wav|kʲˈɛdɨ ɲʲɛ valtʃˈɨwɛm, bˌɨwɛm pijˈanɨ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_133.wav|pɔdˈanɔ tˈɛʃ pʲˌɛtʃɔnˈɛɡɔ, krfistˈɛɡɔ vˈɔwu, nˌadʑɛvˈanɛ kˈatʃki ˌɔras tsˈawɛ vʲˈadra ɕfʲˈɛʒɨx krˈabuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_5.wav|vɨbrˈawam pˈuŋkt na ɕtɕˈaɲʲɛ i zbliʒˈɨwam dɔ ɲʲˈɛɡɔ pˈalɲik.|4
+Dataset/wavs/urwisko_ferenc/12_segment_98.wav|ˈuznaw, ʒˈɛ ɕɛ pʃɛswˈɨʃaw. pʃɨnˈajmɲʲɛj pɔbˈɨwɛɕ trˈɔxɛ s tsˈurkɔ̃ i ʒˈɔnɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_17.wav|f kˈɔɲtsu zˈatʃɔw mˈuvitɕ tɕˈixɨm ɡwˈɔsɛm.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_14.wav|f prɔmjˈɛɲʲu vʲˈɛlu mˈil ɲʲɛ bˌɨwɔ dʒˈɛf, tˌɨlkɔ mˈɔʒɛ, ɲʲˈɛbɔː i pʲˈasɛk.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_228.wav|nˈɔ tsˈuʃ, tˈak ɕɛ skwˈada, ʒˈɛ ˌɛlbɛrtˈɔvi pʃɨdˈaʒɨw ɕɛ ˌɔbwɔŋkˈanɨ krˈul ˈɛris. znˈaʃ tˈɛ çistˈɔrjɛ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_74.wav|a ktˈɔɕ mɲʲɛ dˌɔbrɔtlˈivʲɛ vˈaliw pʲˈɛɲɕtɕɔ̃ f plˈɛtsɨ. i bˈɨw tɔː ˌɔtʃɨvˈiɕtɕɛ prɛzˈɨdɛnt...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_78.wav|dʑɛŋkˈujɛ. jɛst na mʲˈɛjstsu, tʃɨ pˈɔʃli mˈɔʒɛ na plˈaʒɛ?|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_265.wav|zˌauvaʒˈɨwa, ʒˈɛ dvˈa stˈatki, ktˌurɛ stˈawɨ ftʃˈɔraj f pˈɔrtɕɛ, ˌɔtpwɨnˈɛwɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_29.wav|mʲˈawa tˌɔmɔɡrˈafjɛ ɡwˈɔvɨ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_142.wav|fʃˈɨstkɔ tɔ rˈɔbjɛ dla tɔmmˈɛna i dla krulˈɛstfa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_94.wav|tɨ pʃˌɛtɕɛʒ vʲˈɛʃ, ʒˈɛ tˈak jˈɛst, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_51.wav|vˈɨrvaw rˌɨtsɛʒˈɔvi mʲˈɛdʒ z rˈɛŋki i tɕˈisnɔw dɔ mˈɔʒa.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_303.wav|a zabʲˈitɕɛ mɲʲɛ mˈɔʒɛ ɡˈɔː utɕˈɛʃɨtɕ jˈɛʃtʃɛ bˈardʑɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_50.wav|dbˈa ɔ dˈɔm i ˌɔpʲɛkˈujɛ ɕɛ nˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_200.wav|xˈɔf ɕɛ rˌɔsprɔmjˈɛɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_27.wav|i vɨpxnˈɛwam jˈɛ nˈɔɡɔ̃ pɔt najblˈiʃʃɔ̃ wˈafkɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_123.wav|dˈalɛ mʲˈaw rˈatsjɛ. pˈɔttʃas ˌɔttʃɛpʲˈaɲʲa tunˈɛlu pʲˈɛrɕtɕɛɲ ˌɔtatʃajˈɔntsɨ pɔkrˈɨvɛ vwˈazu ˈulɛɡw vˌɨpatʃˈɛɲʲu i pɔfstˈawa ʃtʃɛlˈina.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_169.wav|valˈawa ɕɛ ˌɛlɛktrˈɔɲikˌa japˈɔɲska i bʒɔzˈɔvɛ vʲɛnɲˈiki z wˈaʑɲi rɔsˈɨjskix.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_37.wav|tʃˈɛɡɔː ˈɔdɛ mɲʲɛ ˌɔtʃɛkujˈɛtɕɛ? mˈɔɡɛ dɔ ɲʲˈɛj zadʑvˈɔɲitɕ i zapˈɨtatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_235.wav|swˈuxaʃ mɲʲɛ, dʲˈidʲi?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_91.wav|mɛ̃ʃtʃˈɨzna vbʲˈiw vzrˈɔk f stˈuw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_96.wav|rˈadjɔ ftɕˈɔ̃ʒ ɡrˈa, ˌalɛ ɲʲɛ swuxˈawam ɡˈɔ pʃˈɛs ɔstˈatɲʲɛ minˈutɨ, ˈaʒ dɔ tɛj pˈɔrɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_66.wav|vɨpˈaliw tˈɔm, natˈɨxmʲast pɔjmˈujɔnts ˌantɨpˈatjɛ dˈɔn ˈɛdmundz dɔ tˌɛɡɔ tʃwɔvʲˈɛka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_160.wav|zˈamkɲij ɕɛ, kɔbjˈɛtɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_21.wav|dʒˈɔnsɔn vˈɨʃɛd.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_122.wav|na zˈajutʃ rˈanɔ bˈaki zatʃˈɨna pʃˌɨɡɔtɔvˈaɲʲa dɔ sˈɛsji fˌɔtɔɡrafˈitʃnɛj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_29.wav|skfitˈɔvaw dɔmˈiɲik ˌɔdvratsˈajɔnts ɕɛ dɔ mɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_299.wav|ˈutɕɛkw jˈak pʲˈɛs.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_107.wav|zalˈɛjɛ nˈas pˈɔtɔb ʒˈuwtɨx, tʃˈarnɨx i tˈɨx...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_268.wav|patʃˈɨwɛm i fstɨdʑˈiwɛm ɕɛ, a zˌafstɨdʑˈawɔ mɲʲɛ jˈakʲɛɕ nˌaduʒˈɨtɕɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_123.wav|ja tˈaɡʒɛ ɲʲɛ pɔvʲˈɛdʑaw ˈandɨ i vrˈutɕiw dɔ tʃɨtˈaɲʲa ɡazˈɛtɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_561.wav|bˌɛsʃɛlˈɛstɲʲɛ zjˈaviw ɕɛ kˈɛlnɛr pˌɔpɨxajˈɔntsɨ srɛbʒˈɨstɨ vˈuzɛk.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_565.wav|ɲˈits ɲʲɛ pamjˈɛntam.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_145.wav|pɔvˈinna vˈɨjɕtɕ na vˈɔlnɔɕtɕ. ɲʲɛ sˈɔɲdʑi pˈan?|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_85.wav|ɲˈits mi ɲʲɛ bˈɛɲdʑɛ. w irˈaku vidʑˈawɛm tɕˈɛ̃ʒɛj rˈannɨx, ktˌuʒɨ nˌastɛmpnˈɛɡɔ dɲʲˈa vratsˈali dɔ vˌɨmjatˈaɲʲa bˌɔjɔvɲˈikuv z mʲˈasta.|2
+Dataset/wavs/urwisko_ferenc/44_segment_60.wav|za drˈuɡʲim rˈazɛm ʃˈɛptɛm.|0
+Dataset/wavs/urwisko_ferenc/25_segment_46.wav|vʲˈɛm, mˈam ʒˈɔnɛ. ɡrˈɔx ɕɛ tsˈɔfnɔw i ˈuɲʲuz dwˈɔɲʲɛ w ɔbrˈɔnnɨm ɡˈɛɕtɕɛ. pʃɛprˈaʃam, tɔ tɛ pˈiva i...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_33.wav|ɔn ɲˈiɡdɨ ɲʲɛ pˈiʃɛ ˌaɲi ɲʲɛ dʑvˈɔɲi, kʲˈɛdɨ jˌɛstɛm f ʃkˈɔlɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_98.wav|bˌɨwa blˈada, ˌalɛ w jɛj ˈɔtʃaɣ dɔstʃˈɛɡwam ˈɔɡʲɛɲ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_136.wav|bˌɛɲdʑɛʃ ˈɔtɨm pamjˈɛntaw, brˈudnɨ skˌurvɨsˈɨnu?|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_449.wav|ˈɔddatɕ mu mʲˈɛtʃ.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_246.wav|znˈam tˌɨlkɔ trˈɔxɛ stˌarɔvˌalɛrjaɲskʲˈɛɡɔ, a kʲˈɛdɨ mˈuvjɔ̃ dɔ mɲʲɛ pɔ bravˈɔsku, ɲʲɛ rɔzˈumjɛm pɔwˈɔvɨ swˈuf.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_339.wav|ɲʲɛ vˈɔntpjɛ, ʒˈɛ tɔ ɕmʲɛrtˈɛlna trutɕˈizna.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_201.wav|mˈɔɡwabˌɨm ɕɛ pɔmˈɨlitɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_90.wav|uswˈɨʃaw krˈutkɔ̃, stwumjˈɔnɔ̃ rɔzmˈɔvɛ f tlˈɛ i pɔ xfˈili swuxˈafkɛ pʃɛjˈɛwa lˈutsɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_84.wav|a tsˈɔ z ˌɔpisˈami tɨɣ dˌɛtɛktˈɨvuf, ktˌuʒɨ zjavˈili ɕɛ w dˈɔmu?|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_225.wav|vˈɨɕad i w dˈɛʃtʃu pʃˈɛbjɛkw pʃˈɛs pɔdvˈurkɔ. na kˌɔrɨtˈaʒu drˈɔɡɛ zastˈɔmpiw mu vwaɕtɕˈitɕɛl dˈɔmu.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_55.wav|zbjˈɔrɲiɡ bˈɨw na vˌɨkɔɲtʃˈɛɲʲu i ɲʲˈɛmʲaw jˈuʃ tʃɨm rˌuvnɔvˈaʒɨtɕ ubˈɨtku tɕiɕɲʲˈɛɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_133.wav|nˌatɕisnˈɛwam xamˈulɛts.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_62.wav|tɛn fˈatsɛt xtɕˈaw, ʒˈɛbɨʑ zˈabʲiw jɔˈɛlla allˈɛna? ˈɔn? pʃˌɛtɕɛʃ jɛst stˈarɨ i bɔɡˈatɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_53.wav|pˈaɲʲɛ ˈɛdmunts, musˈimɨ pɔprˈɔɕitɕ pˈaɲʲɔ̃ ɔ pˈujɕtɕɛ z nˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_80.wav|nˈaʃ mɔrdˈɛrtsa pɔvˈiɲʲɛn sˈɔbjɛ ˌuɕfʲadˈɔmitɕ, ʒˈɛ tɛlˈɛfɔn pɔwˈɔntʃɨ ɕɛ ˌawtɔmatˈɨtʃɲʲɛ s ɕˈɛtɕɔ̃ vˈifˈi, jˈɛɕli zˌapisˈanɔ nˈaɲim xˈaswɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_21.wav|vɨɕfʲˈɛtlatʃ ˈɔʒɨw i zˌɔbatʃˈɨwam znajˈɔmɔ̃ tapˈɛtɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_75.wav|ɲˈikt ɲʲɛ ɔdʑˈɨvaw ɕɛ pʃˈɛs xfˈilɛ, ktˌura zdavˈawa ɕɛ tɕˈɔŋɡnɔɲtɕ mˌinutˈami, xˈɔtɕ ˌupwɨnˈɛwɔ tˌɨlkɔ kˈilka sˈɛkunt.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_80.wav|jˈɛɕli ktˈɔɕ xtsˈɛ, zˈafʃɛ mˈɔʒɛ ɕɛ dɔvʲˈɛdʑɛtɕ, jˈaɡ bʒmʲˈawɨ ix imjˈɔna, ˌalɛ ˌɔɲi ɕɛ ˌɔbraʒˈajɔ̃, ɡdˈɨ ktˈɔɕ ix uʒˈɨva.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_280.wav|vrutɕˈiwaʑ dɔ nˈas.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_58.wav|zatʃˈɨna ɡʒˈɛbatɕ f tɔrˈɛptsɛ f pˌɔʃukivˈaɲʲu pˌɔrtmɔnˈɛtki.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_253.wav|ˌɔznajmˈiwa f kˈɔɲtsu tsɛrsˈɛi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_64.wav|ˌalɛ zrˈɔbʲiw tɔ, a jˈɔɛ i mˈilljɛ pwatɕˈiwɨ tˈɛraz zˈatɔ tsˈɛnɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_4.wav|tʃˈɛɕtɕ, nazˈɨvam ɕɛ jˈaz baʃˈara, ˌɔznajmˈiwam.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_360.wav|zˈadrviw ˈɛdvin.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_181.wav|dʑɛftʃˈɨna nˈavɛt ɲʲɛ drɡnˈɛwa. ɔddˈɨxa pɔvˈɔli, tsˈɔ fskazˈujɛ, ʒˈɛ ɡwɛmbˈɔkɔ ɕpˈi, a tɔ dˈɔbʒɛ.|2
+Dataset/wavs/urwisko_ferenc/59_segment_126.wav|pˈɔtɛm pʃɛɲʲˈɔswa vzrˈɔk na tˈuwuf i vɨɡʲˈɛntɨ ˈɔdvwɔk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_68.wav|tsˈɔ tɔ? imprˈɛskɛ sˈɔbjɛ ˌuʒɔɲdʑˈiliɕtɕˌɛ? mˈɔʒna ɕɛ fkrˈɛɲtɕitɕ? pˈɨta pˈaɲi kˈɛllɔkk.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_62.wav|znalˈazwam f ɕˈɛtɕi kˈilka instrˈuktsji i z ɲˈix skˌɔʒɨstˈawam.|4
+Dataset/wavs/urwisko_ferenc/23_segment_94.wav|sˈɔndʑɛ, ʒˈɛ dˈɔbʒɛ pˈaɲi vʲˈɛ, dlatʃˈɛɡɔ.|0
+Dataset/wavs/urwisko_ferenc/36_segment_160.wav|mˈixaw skʃˈɨtski vˈɨʃɛd na tˈaras. xrˈɔbɔt lˈuʑnɨx pwˈɨtɛɡ zdrˈadʑaw kˈaʒdɨ jˈɛɡɔ rˈux.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_199.wav|i prˈavʲɛ fʃˈɨstkɔ, tsˈɔ f tɨm krˈaju mˈɔʒna kˈupitɕ. dlatʃˈɛɡɔː upˈarwa ɕɛ pʃˈɨtɨm? bˈɔ tˌɛɡɔ vwˈaɕɲʲɛ kˈupitɕ ɲʲɛ mˈɔʒna, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_70.wav|nadˈɛʃwa xfˈila, ɡdˈɨ ɔbˈudʑiw jˈɔ̃ dˈɔtɨk ʃˈɔrstkʲɛj dwˈɔɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_38.wav|ˈɛlis, ktˌura bˌɛɲdʑɛ muɕˈawa jˈɛʃtʃɛ vʲˈɛlɛ lˈat pʃˈɛʒɨtɕ, zˈaɲim strˈatɕi zdrˈɔvʲɛ dɔ plˈɔ̃suf, ɔdvrˈatsa ɕɛ dɔ bʲillʲˈɛɡɔ, rˌɔspʲɛrˈana ˌɛntuzjˈazmɛm. vidʑˈawɛɕ pˈitskˈupa?|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_130.wav|kˈilku z ɲˈix ɕɛ ˌuɕmʲɛxˈawɔ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_66.wav|jˈamɛ ɲʲɛ prubˈɔvaw ɕɛ zaswˈɔɲitɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_9.wav|jˈɔɛ mʲˈawa jˈuʒ dˈɔʑdʑ zmˈartfʲɛɲ bˈɛz dˌɔkwadˈaɲʲa jɛj kˌɔlɛjnˈɛɡɔ bʒɛmjˈɛɲʲa.|4
+Dataset/wavs/urwisko_ferenc/23_segment_10.wav|xˈɛrman skinˈɛwa ɡwˈɔvɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_144.wav|jɛst pʃˈɛstɔ ɲʲˌɛʃtʃɛɲɕlˈiva.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_181.wav|i zarˈazɛm ˌɔbudʑˈiwa ɕɛ vˈɛmɲʲɛ jˈakaʑ dvuznˈatʃna tɕɛkˈavɔɕtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_63.wav|spˈɛntsɛr ɔdvrˈutɕiw ɕɛ dɔ kɔbjˈɛtɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_186.wav|w mʲˈɛɕtɕɛ tʃˈɛba xˈɔdʑitɕ pɔvˈɔli, ʒˈɛbɨ ɲʲɛ stˌaranˈɔvatɕ jakʲˈɛɡɔɕ turˈɨstɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_74.wav|ɲʲˈɛma tˈakʲɛj pɔtʃˈɛbɨ. tʃɨ jɛst tˈam tsˈɔɕ, tsˈɔ mɔɡwˈɔbɨ tɕˈɛ zˌaɲʲɛpɔkˈɔitɕ?|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_339.wav|ˈidʑ dɔ stˈatkuf sˈam.|1
+Dataset/wavs/urwisko_ferenc/46_segment_115.wav|bˈuʒa ʃalˈawa kˌilkanˈaɕtɕɛ kˌilɔmˈɛtruf stˈɔnt, nat puwnˈɔtsnɔfsxɔdɲˈimi pʃˌɛdmʲɛɕtɕˈami tɔrˈuɲʲa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_11.wav|ɲˈiʃʃa ˈɔdɛ mɲʲɛ i tˈak ʃtʃˈupwa, ʒˈɛ bˌalansˈujɛ na ɡraɲˈitsɨ kˌɔɕtɕistˈɔɕtɕi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_72.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_315.wav|jˈak mˈuɡwbɨ ftˈɛdɨ ɔdnˈalɛɕtɕ pɔdvˈɔdnɛ kɔmnˈatɨ ˌutɔpʲɔnˈɛɡɔ bˈɔɡa, bˈɨ pˈitɕ w ɲˈix i utʃtˈɔvatɕ pʃˈɛs tsˈawɔ̃ vʲˈɛtʃnɔɕtɕ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_520.wav|ˈaʒ vrˈɛʃtɕɛ i ˌɔna zdɔbˈɨwa ɕɛ na ɔdvˈaɡɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_159.wav|jˈɛɡɔ starˈanɲʲɛ ˌuwɔʒˈɔna frɨzˈura rˌɔssɨpɨvˈawa ɕɛ, vwˈɔsɨ ˌɔpadˈawɨ strɔŋkˈami na pˌɔmarʃtʃˈɔnɔ̃, ɔbvˈiswɔ̃ tfˈaʃ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_254.wav|i ktˌura tʃˈɨɲi pˈana tˈak sˈamɔ dˈɔbrɨm i vˈaʒnɨm jˈak lˈudʑi, ktˌuʒɨ mˌajɔ̃ tɛ dˈɔmɨ, tɛ sˌamɔxˈɔdɨ i tɛ kɔbjˈɛtɨ.|0
+Dataset/wavs/urwisko_ferenc/64_segment_131.wav|spˈɔjʒaw z ɔddˈali pʃˈɛz dʒvˈi tˌarasˈɔvɛ na xˌudʑiɲskʲˈɛɡɔ, ktˌurɨ spˈuɕtɕiw ɡwˈɔvɛ.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_201.wav|ˈaʃ f kˈɔɲtsu trˈatsɔ̃ raxˈubɛ bʲˈitɛf, f ktˌurɨɣ brˈali ˈudʑaw.|1
+Dataset/wavs/urwisko_ferenc/32_segment_6.wav|ˌalɛ pʃˌɛtɕɛʃ ɔt xfˈili, ɡdˈɨ pɔwˈɔʒɨw pˈapɛ, w ɔɡˈulɛ ɲʲɛ padˈawɔ. dˈɔbʒɛ ˈɔtɨm vʲˈɛdʑaw. ɲʲˈɛmɲʲɛj rˈas jˈɛʃtʃɛ mu pˌɔdʑɛŋkɔvˈawa.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_132.wav|pˌɔtpisˈanɨ pʃˈɛs krˈula, pʃˈɛs tɔmmˈɛna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_100.wav|ʒˈɛ mi tɔ vˈiɕi, bˈɔ tɔ jɛst mˈɔjɛ ʒˈɨtɕɛ, mˈam prˈavɔ pʃˈɛʒɨtɕ jˈɛ tˈak jˈak xtsˈɛ, zˌaswuʒˈɨwam nˈatɔ.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_77.wav|pˈɔzvul, ʒˈɛ pʃɛtstˈavjɛ tɕi sˈɛr bɨrˈɔna, sˈɛr mɔrɡˈarta...|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_56.wav|ˈalbɔ kʲˈɛdɨ zˈavʒɛw ɡˈɔdɛ f sprˈavʲɛ ɔ zabˈujstfɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_96.wav|a jˈakʲɛ sɔ̃ tɛ varjˈantɨ?|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_51.wav|uɕˈadwam pʃɨ bjˈurku i fsunˈɛwam ɡʲˈizmɔ dɔ ɡɲʲˈazda.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_186.wav|dɔmˈɨɕlam ɕɛ, ʒˈɛ ɲʲɛ maʃ nɛtflˈiksa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_13.wav|pɔt kɔɕtɕˈɔwɛm ɕfʲɛntˈɛɡɔ kʃˈɨʒa zˌɔbatʃˈɨwɛm ɕɛdʑˈɔntsɔ̃ na najɲˈiʃʃɨm stˈɔpɲʲu ˈannɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_46.wav|jˈɛɕli mɲʲɛ dɔpˈadɲʲɛ, zɔstˈanɛ dˌɛpɔrtɔvˈana dɔː arˈabji sawdˈɨjskʲɛj.|4
+Dataset/wavs/urwisko_ferenc/01_segment_71.wav|i trfˈaw tˈak jˈakiɕ tʃˈas.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_262.wav|ɲˈiɡdɨ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_23.wav|zvʲɔ̃zˈanɔ jɛj rˈɛntsɛ w nadɡˈarstkax i nˈɔɡʲi f kˈɔstkax.|1
+Dataset/wavs/urwisko_ferenc/63_segment_50.wav|pɔ xfˈili xmˈura dˈɨmu zavˈiswa mʲˌɛndʑɨ kˌɔbjɛtˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_24.wav|tˈɛras mˈuʃɛ ɕɛ skˌɔntsɛntrˈɔvatɕ na vˈɨjɕtɕu stˈɔnt, na zabrˈaɲʲu alfjˈɛɡɔ w bɛspʲˈɛtʃnɛ mʲˈɛjstsɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_56.wav|mˈɨɕlɛ, ʒˈɛ ftɕˈɔ̃ʃ mˌajɔ̃ tɛn na kˈartɛ, ktˌurɨ znalˈɛʑli f ʃuflˈadʑɛ w jˈɛɡɔ ɡˌabʲinˈɛtɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_33.wav|ˌalɛ malˈɛɲki zˈamɛk, zdʑivˈiwa ɕɛ, ɲʲɛ znˈawa innˈɛɡɔ dˈɔmu ɲˈiʃ xarˈɛnxɔl.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_211.wav|tɔ ɲʲɛ sɔ̃ ftˈɨtʃki.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_396.wav|dʑɛŋkˈujɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_11.wav|f kˈaʒdɨm rˈaʑɛ vˈɛʃliɕmˌɨ dɔ ɕrˈɔtka i pˌɔrɔzmavʲˈawɛm s ɕɛrʒˈantɛm ʃtabˈɔvɨm valtˈɔnɛm flˈɛkʲɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_23.wav|tsˈɔɕ tˈu jɛst ɲʲɛ f pɔʒˈɔntku, dɔ jˈasnɛj xɔlˈɛrɨ, kʃˈɨtʃaw w mˈɔjɛj ɡwˈɔvʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_277.wav|tsˈɔ vaʒɲʲˈɛjʃɛ, jˈɛɕli bˌɛɲdʑɛ zmuʃˈɔna uklˈɛŋknɔɲtɕ, brɔ̃zˈɔvɨ kˈɔlɔr pɔmˈɔʒɛ ˈukrɨdʑ brˈut.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_259.wav|fʃˈɨstsɨ tˈu vˌɨpwɨvˈajɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_162.wav|mˈuj brˈat kˈɔxaw vˈalkɛ dla sˈamɛj vˈalki.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_187.wav|ɲʲˈɛx ɕɛ pˈan skrˈatsa, prˈɔʃɛ mˈuvitɕ tˌɨlkɔː ɔ sprˈavax nˌajistɔt��ʲˈɛjʃɨx.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_105.wav|ˌalɛ jˈɛɕli dɔtʃˈɛmɨ dɔ sˌidɛvˈindɛr, dɔ kraˈinɨ fʃˌɛxɔbˈɛtsnɛj brˈɔɲi kˈɔɡɔʑ znˈajdʑɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_63.wav|ɲʲɛ pˌɔtrafˈiwabˌɨm jɛj nˈavɛt tˌɛɡɔ vɨjˈaɕɲitɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_100.wav|— pʃɛprˈaʃam, ʒˈɛ tɕˈɛ ˌɔbudʑˈiwɛm. vʲɛdʑˈawɛm jˈɛdnak, ʒˈɛ jˈuʃ ɲʲɛ zˈasnɛ i pɔʃˈɛdwɛm ɕɛ pʃˈɛjɕtɕ. vʲˈɛʃ, jˈak tɔ rˈanɔ pɔmˈaɡa.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_132.wav|mˈajɔnts f ʃuflˈadʑɛ mˈɔjɛ vɨznˈaɲʲɛ ɡʒˈɛxuf, mˈɔʒɛ pˈaɲi tʃˈɨmatɕ mɲʲɛ f ʃˈaxu, ʒˈɛbɨm zbˈɨtɲʲɔ ɕɛ ɲʲɛ zˌaɡalˌɔpɔvˈawa. kɔntrˈɔla rˌuvnɔvˈaɡʲi i tˈakʲɛ tˈam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_121.wav|ɲʲɛ bˌɛɲdʑɛ pˈaɲi nˈas fpˈuʃtʃatɕ. bɛɲdʑˌɛmɨ mʲˌɛli nˈakas pʃˌɛʃukˈaɲʲa. s pɛvnˈɔɕtɕɔ̃ tɔ zrɔzˈumjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_141.wav|swˈɨʃɛ tɕˈixɨ jˈɛŋk mˈamɨ, ˌalɛ ˌiɡnɔrˈujɛ tɔ tsˌawkɔvˈitɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_63.wav|ɲʲɛ pˈɛŋkɲʲɛ wˈatfɔ, ˌalɛ ftɕˈɔ̃ʃ tʃˈɛkam na tɛn mˈɔmɛnt, kʲˈɛdɨ pˌɔkaʒˈɛmɨ jɛj nˈuʃ.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_74.wav|ɲʲɛ xtɕˈawabˌɨm, ʒˈɛbɨ tsˈɔɕ mɲʲɛ ˌɔminˈɛwɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_16.wav|dˈɔkɔnt mʲˈawabˌɨm pˈujɕtɕ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_19.wav|kɕˈɛ̃ʒɨts tsˈɔ pˈɛvʲɛn tʃˈaz vɨnˈuʒaw ɕɛ zzˈa xmˈur, ˌɔdbʲijˈajɔnts ɕɛ w ɲʲˌɛruxˈɔmɛj vˈɔdʑɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_124.wav|tsˈɔ spravˈiwɔ, ʒˈɛ ˌadmiɲˌistratˈɔrka zˌaʃtʃɨtɕˈiwa tɕˈɛ sfˈɔjɔ̃ vizˈɨtɔ̃? spɨtˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_196.wav|nˌajvaʒɲʲˈɛjʃɛ dˌɔtɨtʃˈɨwɔ tˈɛɡɔ, z jˈakim vˌɨpʃɛdʑˈɛɲʲɛm pˈɔzna tˈɛrmin rˌɛalizˈatsji zlɛtsˈɛɲʲa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_177.wav|ˈandɛrsɔn zˈafʃɛ fpˈɨxaw mɲʲɛ f tˌaki kˈɔnt plˈatsu, s kturˌɛɡɔ muɕˈawɛm bjˈɛts.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_51.wav|pˌɔwɔʒˈɨwam jɛj dwˈɔɲ na ramjˈɛɲʲu. mˈama zastˈɨɡwa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_19.wav|bɨvˈawɨ ɔstˈatɲʲɔ tˈakʲɛ xfˈilɛ,|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_34.wav|nˌajpravdˌɔpɔdˈɔbɲʲɛj bˌɨwa tɔ kɔlˈɛjna ɕlˈɛpa ulˈitʃka, ˌalɛ tˈak naprˈavdɛ pˌɔzɔstavˈawa jɛdˈɨnɨm trˈɔpɛm, ktˌurɨm mˈɔɡli pɔdˈɔ̃ʒatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_26.wav|jˈɔɛ, ɡdʑˈɛ tˈɛras jˈɛstɛɕ? f sˌamɔxˈɔdʑɛ s pɔlˈitsjɔ̃. mrˈutʃɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_37.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_253.wav|pˈaɲi kamjˈɛnnɛ sˈɛrtsɛ ˌɔpuɕtɕˈiwa kˈaptur i ˌɔdvinˈɛwa ʃˈarɨ, vɛwɲʲˈanɨ ʃˈalik, ktˌurɨ zaswˈaɲʲaw jɛj tfˈaʃ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_220.wav|jˈɛɕli pɔtrˈafiʃ ɕɛ vˈɨʒɛts s tˌɛɡɔ fʃɨstkʲˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_246.wav|tɔ ɲʲˌɛmɔʒlˈivɛ.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_248.wav|pˌɔmijˈajɔnts nˈɔts ɕlˈubu jɔffrˈɛja.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_51.wav|ˌalɛ tsˈɔ s travɲˈikʲɛm na tˈɨwax? tˈamtɛn jɛzd dˈuʒɔ vʲˈɛŋkʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_174.wav|tɔ bˈɨw jˈɛɡɔ rˈumak.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_75.wav|makˈintɔʃ pʲˈɛrʃɨ fxˈɔdʑi pɔ sxˈɔdax na ɡˈanɛk.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_2.wav|kʲˈɛdɨ tˌɨlkɔ zˌamɨkˈajɔ̃ ɕɛ za nˈami dʒvˈi, ˈaʒ vɨtɕˈɔŋɡa ramjˈɔna i mˈɔtsnɔ mɲʲɛ ˌɔbɛjmˈujɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_36.wav|zˌasadɲˈitʃɔ ɲʲɛ lˈubjɛ plɔtkˈɔvatɕ na tˈɛmat tutˈɛjʃɨx mʲɛʃkˈaɲtsuf. ɔznˈajmɛ, xˈɔtɕ ˌɔsɔbʲˈiɕtɕɛ trˈudnɔ mi f tɔː uvʲˈɛʒɨtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_131.wav|jˈɛm jˈak prˈɔɕak, kʲˈɛdɨ jˌɛstɛm ɡwˈɔdna. mˈɔja mˈama zˈafʃɛ tˈak muvˈiwa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_47.wav|zɔstˈawɔ jˈɛʃtʃɛ kˈilka ʒˈɛtʃɨ dɔ vɲʲɛɕˈɛɲʲa, vʲˈɛnts prˈɔʃɛ vɨbˈatʃɨtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_31.wav|tˈɔm zˈɛrknɔw na bˈɛtskɨ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_280.wav|zblˈiʒaw ɕɛ ɕfˈid druɡʲˈɛɡɔ dɲʲˈa i krulˈɔva vˌɨlizɨvˈawa rˈɛʃtki ɔfɕˈaŋki z dnˈa mˈiski.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_217.wav|tʃɨ sɔ̃ jˈakʲɛʑ varˈuŋki, ktˌurɛ bˈɨʑ zˌaaktsɛptˈɔvaw?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_56.wav|tʃɨ tɔ mˈuɡw bˈɨtɕ mˈuj drɛntʃˈɨtɕɛl?|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_53.wav|zrɔbʲˈiwɛm tɔ,|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_295.wav|tʃɨm tɔ fʃˈɨstkɔ ɕɛ skˈɔɲtʃɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_240.wav|ɲʲˈɛmam pɔjˈɛɲtɕa jˈaki na pˈuwnɔts stˈɔnt jɛzd zˈaɕɛŋk.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_68.wav|zdʑˈiviwbˌɨm ɕɛ, ɡdˈɨbɨ bˌɨwɔː inˈatʃɛj. jˈɛɕli vˈinnɨ jɛst strˈakan, tɔ ɲʲɛ vɨdˈajɛ mi ɕɛ, ʒˈɛbɨ mʲˈaw dˈɔɕtɕ tʃˈasu na pˈɔvrut ˈinnɔ̃ trˈasɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_155.wav|pʃɛprˈaʃam, ʒˈɛ muɕˈɛliɕtɕˌɛ pˈɔmɲʲɛ tˈutaj pʃɨjˈɛʒdʒatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_205.wav|fˈakt. jɛzd drˈuɡʲɛ vˈɛjɕtɕɛ, pʃˈɨznaw ɡʲˈɔrɡjɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_115.wav|pʃˈɛs kˈilka tɨɡˈɔdɲi pɔ tˈamtɨm dɲʲˈu, f ktˌurɨm mʲˈawam ˈutɕɛdʑ z ljjˈɔ̃, ˈaram tʃˈɨmaw mɲʲɛ pʃɨ sˈɔbjɛ dɲʲˈami i nɔtsˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_224.wav|trˈanspɔrt mʲˈɛ̃sa lɔndˈɔvaw rˈas f tɨɡˈɔdɲʲu, a f tɨm ɔkrˈɛɕɛ ɲʲɛ bˌɨwɔ ʒadnˈɛɡɔ rˈɛjsu na ʑˈɛmʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_200.wav|tɔ bˈɨw tˌɨlkɔ kɔlˈɛjnɨ ʒˈart.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_401.wav|ktˈuʒ bˈɨwbɨ lˈɛpʃɨm mˈɛ̃ʒɛm ɲˈiʃ nˈaʃ ɕmʲˈawɨ lˈɔrt prɔtˈɛktɔr? xˈɔdʑ vɔlˈawabˌɨm, ʒˈɛbɨ ɲʲɛ nazˈɨvaw ɕɛ lˌittlɛfˈiŋɡɛr.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_220.wav|tʃwˈɔvʲɛk s flˈaɡɔ̃ pˈɔtʃɛt kˈu ɲˈim ˌɔtɔtʃˈɔnɨ ɡrˈɔnɛm mˈarsjan.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_96.wav|mˈuɕaw pˈɔtʃutɕ ɕɛ tˌaki ˌɔdʒutsˈɔnɨ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_53.wav|pʲˈɛrɕi mʲˈawa vʲˈɛŋkʃɛ ɲˈiʃ krulˈɔva, a iɣ vʲˈɛlkʲɛ sˈutki bˌɨwɨ tʃˈarnɛ jˈaɡ z rˈɔɡu.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_233.wav|bˌɨwa tˈɛʃ tʃˈarna i bwɨʃtʃˈɔntsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_42.wav|pˈuw ɡɔdʑˈinɨ pˈuʑɲʲɛj, kʲˈɛdɨ pˈara jˈuʒ vˌɨvʲɛtʃˈawa z waʑˈɛŋki, ˈɛlis stˈajɛ w dʒvʲˈax i pˈatʃɨ na ɡˌɔlɔntsˈɛɡɔ ɕɛ bʲiljˈɛɡɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_78.wav|— tɔ ɲʲɛ jɛzd dˈɔbʒɛ — pɔvʲˈɛdʑaw ˈandɛrsɔn. — ɲʲˈɛx pˈan sprˈavdʑa samˈɔlɔt, ɔpxˈɔdʑɔndʑ ɡˈɔ, ˈidɔnts jˈaɡbɨ za fskazˈufkɔ̃ zɛɡˈara.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_104.wav|pˈɨta, i tsˈɔ pˈɔvʲɛʃ ˈɔtɨm pʲˌɛrdɔlˈɔnɨm trˈumpʲɛ, a bʲˈillɨ ˌɔtpɔvʲˈada, ʒˈɛ ɲʲˈɛma ɔ tʃɨm mˈuvitɕ.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_211.wav|tɔː ˌɔɲi ʒutɕˈili nˈanas jˈakʲɛʑ zaklˈɛɲtɕɛ, bˈɨɕmɨ ɲʲɛ swɨʃˈɛli ɡwˈɔsu mˈɔʒa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_7.wav|dˌɔmɨɕlˈawa ɕɛ xˈɨba, tsˈɔ nattɕˈɔŋɡa i kʲˈɛdɨ ˌɔtxɔdʑˈiwa, ˌɔskarʒˈɨwa mɲʲɛ ɔ spˌiskɔvˈaɲʲɛ majˈɔntsɛ na tsˈɛlu ˌɔdɛbrˈaɲʲɛ fʃˈɨstkix marˈama.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_274.wav|s pɛvnˈɔɕtɕɔ̃ vʒutɕˈili ɡˈɔ pɔ prˈɔstu dɔ ʒˈɛki zˈɛ strˈaxu pʃɛd ɡɲʲˈɛvɛm mɔjˈɛɡɔː ˈɔjtsa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_12.wav|jˌɛstɛm tˈu zazvˈɨtʃaj najpˈuʑɲʲɛj ɡɔdʑˈinɛ pʃɛt pʃɨbˈɨtɕɛm pʲˈɛrʃɨx ˈutʃɲʲuf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_73.wav|ˌalɛ ɔn tˈak naprˈavdɛ pɔbjˈɛraw pwˈɨn z jˈɛdnɛj strˈɔnɨ mˈɔʃnɨ tˌɛɡɔ tʃwɔvʲˈɛka i fstʃɨkˈivaw ɡˈɔ z drˈuɡʲɛj.|3
+Dataset/wavs/urwisko_ferenc/47_segment_62.wav|mˈarja ɕɛ rˌɔzwɔntʃˈɨwa i zˌadʑvɔɲˈiwa dɔː ɔlɡʲˈɛrda. ˌɔttʃɛkˈafʃɨ kˈilka sɨɡnˈawuf, ˌɔtpuɕtɕˈiwa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_90.wav|jˈakʲɛɕ puwtˈɔrɛj ɡɔdʑˈinɨ.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_259.wav|xˌɔrɔ̃ʒˈɔvʲɛ dʒˈɔna arˈɨna ɲˈiɡdɨ ɲʲɛ pˌɔkɔxˈajɔ̃ mɲʲɛ ˌaɲi naʃˈɛɡɔ ɡwupʲˈɛɡɔ, drʒɔntsˈɛɡɔ rɔbˈɛrta, ˌalɛ mwɔdˈɛɡɔ sɔkˈɔwa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_180.wav|pɔ tʃɨm z ɲʲˌɛdɔʒˈɛtʃnɨm i pʃˌɛraʒajˈɔntsɨm ˌɔbuʒˈɛɲʲɛm zˌapwatɕˈiwɛm parxˈɔvi ɡrˈubɛ miljˈɔnɨ, ˈɔrʒnɔw mɲʲɛ!|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_3.wav|jˈɛdnɔ̃ z ˌumjɛjɛntnˈɔɕtɕi, ktˌurɨx nabˈɨwam pɔ pʃɨbˈɨtɕu arˈama dɔ lˌakɛsˈidɛ jɛst ˌumjɛjˈɛntnɔʑdʑ bˈɨtɕa sˈamɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_23.wav|uvˈaʒaʃ, ʒˈɛ tɔ tsˈɔʑ zwˈɛɡɔ?|4
+Dataset/wavs/urwisko_ferenc/47_segment_67.wav|tsˈɔ mu ɡrˈɔʑi? znˈa pˈaɲi adˈama ʃtʃɛrpskʲˈɛɡɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_46.wav|ʒˈutɕiw s ʃatsˈuŋkʲɛm, jˈaɡ zvˈɨkw tɔ rˈɔbʲitɕ w ˌɔbɛtsnˈɔɕtɕi ɲˈiʃʃɨx rˈaŋɡɔ̃ pˌɔlitsjˈantuf, mˈɔʒɛ z vɨjˈɔntkʲɛm bˈɛki.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_190.wav|pˈatʃɨw nˈaɲʲɔ̃ pʃˈɛs xfˈilɛ i pʃˌɛtʃɨtˈafʃɨ pɔvʲˈɛdʑaw|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_23.wav|pʃˈɛs tsˈawɛ ʒˈɨtɕɛ zmuʃˈanɔ mɲʲɛ dɔ stavʲˈaɲʲa tʃˈɔwa.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_133.wav|pˌɔmɨɕlˈawa ɔ ɡˌɛɔffrˈɛju.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_15.wav|ɔstˈatɲʲa ʃˈansa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_60.wav|ɔdʑˈɨskam tɔ. a jˈɛɕli ɲʲɛ, tɔ bˈɛz znatʃˈɛɲʲa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_49.wav|tɔ dlatʃˈɛɡɔ ɲʲɛ znˈa pˈan rˌɛɡulamˈinu ˌɔbɔvʲˌɔ̃zujɔntsˈɛɡɔ wˈɛ fɛdˈɛral kˌɔrɛtstjˈɔnal ˌinstʲitˈutjɔn tˌɛksarkˈana?|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_201.wav|w vˈɔdɛ, ktˌura s xfˈili na xfˈilɛ zamjˈɛɲʲa ɕɛ w ɕfʲˈatwɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_112.wav|tɔ fstrˈɛntnɛ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_8.wav|pˈɔtɛm pʃˈɨʃwa pˈɔra na jˈɛɡɔ nˈɔɡʲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_5.wav|kʲˈɛdɨ dɔtˈarliɕmˌɨ dɔ xɔtˈɛlu, mˈuj bʒˈux i rˈɛŋka bˌɨwɨ jˈuʒ dˈɔɕtɕ mˈɔtsnɔ zˌɛʃtɨvɲʲˈawɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_51.wav|ɲʲˌɛzalˈɛʒɲʲɛ ɔt tˈɛɡɔ, tsˈɔː ˈɔmɲʲɛ mˈɨɕli, ɲʲˌɛzalˈɛʒɲʲɛ ɔt tˈɛɡɔ, tsˈɔ zamjˈɛʒa, ɲʲɛ mˈɔɡɛ tˈaɡ ʒˈɨtɕ, tʃɛkˈajɔnts, ˈaʃ ɔpˈadɲʲɛ tˈɔpur.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_103.wav|pʃˈɛs mˈɔmɛnd vɨdˈajɛ ɕɛ fstʃɔ̃ɕɲʲˈɛntɨ i ˌuɕfʲadˈamjam sˈɔbjɛ, ʒˈɛ pɔmˈɨɕlaw ɔ lˈi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_122.wav|ɡdˈɨbɨ tɔ bˈɨw tˈata.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_24.wav|ɡdʑˈɛ ɔn tˈɛras jˈɛst?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_52.wav|vʲˈɛmɨ, ʒˈɛ bˌɨwa tˈam ɛlˈisɛ xˈapman, ˌalɛ mˈɔʒɛ ɲʲɛ tˌɨlkɔː ˈɔna.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_54.wav|pˌɔvʲɛdʑˈanɔ mi, ʒˈɛ tɔ vˈaʒnɛ, ˈabɨ dʑˈɛtskɔ vˌɨtfɔʒˈɨwɔ nˌatɨxmʲastˈɔvɔ̃ vʲˈɛ̃ʑ z nɔvˈɨmi rˌɔdʑitsˈami.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_42.wav|jˈɛɕli xtsˈɛʃ, mˈɔʒɛʃ mi pɔtʃˈɨtatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_58.wav|nˈavɛt kˈɔrʲɛ atskˈɛrman, fspaɲʲˈawa kɔbjˈɛta, ɲʲɛ mˈɔɡwabˌɨ ɡˈɔ dˈalɛj brˈɔɲitɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_41.wav|maʃ sfˈɔjɛ tˌajɛmɲˈitsɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_25.wav|twˈum vˌivatˈujɛ. ktˈɔɕ kʃˈɨtʃɨ, jˈazda s kurvˈami, ɡʲˈant sˈi!|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_61.wav|ɔpˈuʃtʃam zaswˈɔnɨ i ˈidɛ dɔ waʑˈɛŋki.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_252.wav|pˈannɔ baʃˈara dʑɛŋkˈujɛ za ˌɔtsalˈɛɲʲɛ mi ʒˈɨtɕa.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_176.wav|i vˈaʃɛ pwˈɨvɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_80.wav|prˈɔʃɛ tʃˈɨmatɕ sukʲˈɛŋkɛ za dˈartɔ̃. pˈan klˈɛrki xtɕˈawbɨ, ʒˈɛbɨ ˌɔblizˈawa pˈaɲi sˈɔbjɛ ˈusta.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_19.wav|stfʲˈɛrdʑiw, ʒˈɛ kɔmˈurka na kˈartɛ jˈɛdnaɡ bˌɛɲdʑɛ mu pɔtʃˈɛbna i ɲʲɛ tʃˈɨɲi sˈɔbjɛ vɨʒˈutuf ˈɔtɔ, ʒˈɛ jˈɛʃtʃɛ rˈanɔ tˈakɔ̃ mʲˈaw, tsˈawkʲɛm pɔʒˈɔndnɔ̃, ˌalɛ jˈɔ̃ vɨʒˈutɕiw.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_67.wav|stˈarɨ sˈɛr ɡvˈintsɨ tˈak ɕɛ vɨstrˈaʃɨw, ʒˈɛ ɲʲˈɛxtɕaw nˈam ɔtfˈɔʒɨdʑ brˈamɨ.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_276.wav|pˈɔʒuw pʃˈɛs xfˈilɛ. ˌalɛ z drˈuɡʲɛj strˈɔnɨ...|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_250.wav|ɔn pɔmˈɔʒɛ tɕi zˈasnɔɲtɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_67.wav|jˈɛʃtʃɛ ɲʲɛ tˈɛras.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_144.wav|bˌɨwam pˈɛvna, ʒˈɛ dla ɲʲˈɛɡɔ w ɡrˈɛ fxˈɔdʑi ˈalbɔ mawʒˈɛɲstfɔ, ˈalbɔ ɲˈits innˈɛɡɔː i pʃˈɛs xfˈilɛ miltʃˈawam.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_8.wav|vʲˈɛm, ʒˈɛ istɲʲˈɛjɛ, ˌalɛ ʒˈatkɔ mʲˈɛvam z ɲʲˈɔ̃ ˌɔsɔbʲˈiɕtɕɛ dɔ tʃɨɲʲˈɛɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_285.wav|sprˈubuj na kˈɔʃt fˈirmɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_39.wav|pˈɨta znudʑˈɔnɨ kʲɛrˈɔftsa. s pɛvnˈɔɕtɕɔ̃ jɛst mu ɡɔrˈɔntsɔ, kʲˈɛdɨ tˈak tʃˈɛka na kljˈɛnta, vʲˈɛnts ɲʲɛ ɔbrˈaʒam ɕɛ za jˈɛɡɔ tˈɔn.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_341.wav|ˈɔtpar ˈɛdvin ɡˈɔʃkim tˈɔnɛm. mˈɔʒɛʒ bˈɨtɕ pˈɛvʲɛn, ʒˈɛ mˈa ʃpʲˈɛɡuf f tɨm ɔbˈɔʑɛ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_187.wav|bˈɨw tˈak pijˈanɨ, ʒˈɛ ˈɔmal mɲʲɛ ɲʲɛ stratˈɔvaw.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_105.wav|xtsˈɛ ˌɔdbudˈɔvatɕ nˈaʃɔ̃ pʃˈɨjaʑɲ. tɔ mˈɔjɛ ɔstˈatɲʲɛ swˈɔvɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_96.wav|pˈartɛr zajmˈujɔ̃ kˈuxɲʲa, sˈalɔn i jadˈalɲʲa. tˈak mˈawa, ʒˈɛ nˌalɛʒawˈɔbɨ jˈɔ̃ rˈatʃɛj nˈazvatɕ kɔɲtɕˈikʲɛm jˌadalɲʲˈanɨm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_126.wav|tʃɨ rˌɔzmavʲˈawa pˈaɲi z ɲˈim w wˈikɛnt, a mˈɔʒɛ vidʑˈawa ɡˈɔ ɲʲˈaɲʲa ˈalbɔ dʑˈɛtɕi?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_24.wav|sˈami ɕɛ ɔdˈɛzvɔ̃?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_45.wav|ˈaʒ zˈɛrka na pˌanujˈɔntsɨ tˈutaj bawˈaɡan, ˌalɛ ɲʲɛ kˌɔmɛntˈujɛ ɡˈɔ w ʒˈadɛn spˈɔsup.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_15.wav|pɔkˈɔnaw bjˈɛɡʲɛm dʑɛlˈɔntsɨɣ dˈɨstans.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_158.wav|brˈɔnn ɲʲˈɛbɨw rɨtsˈɛʒɛm, tɔ prˈavda.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_430.wav|lˈɔras mˈa dvˈuɣ brˈatɕi, ɲʲɛ ʃˈɛɕtɕu. jˈɛɕli mˈa ɕɛ ˈɔdbɨtɕ prˈuba vˈalki...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_8.wav|dʑˈɛɲ dˈɔbrɨ, ja jˌɛstɛm inspˈɛktɔr bˈɛtskɨ rˈɔbʲinsɔn s pɔlˈitsji xrˈapstfa ɡrɛˈatɛr manxˈɛstɛr.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_5.wav|skˈɔnt ˌɔɲi mˌajɔ̃ tˈɨlɛ dɔvˈɔduf, ktˌurɛ fskazˈujɔ̃ nˈamɲʲɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_119.wav|tɔ ɲʲɛ jɛst utʃtɕˈivɛ zaɡrˈaɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/19_segment_103.wav|sˈɛrjɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_207.wav|sˈuva z ramjˈɛɲʲa tˈɔrbɛ z laptˈɔpɛm, pɔdnˈɔɕi kˈartkɛ, ɔɡlˈɔnda jˈɔ̃ i mˈɨɕli, ʒˈɛ mˈuɡwbɨ ɕɛ bˈɛs tˌɛɡɔː ˌɔstatɲʲˈɛɡɔː akˈɔrdu ˈɔbɛjɕtɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_265.wav|vˈɔlɛ tɕˈɛbjɛ bˈɛs imjˈɛɲʲa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_134.wav|tʃˈɛ̃stɔ mi muvˈiwa, ʒˈɛ jˈaɡ vɨjˈadɛ, fpakˈujɛ ɕɛ f tˌarapˈatɨ i mʲˈawa rˈatsjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_267.wav|jˈak jaskˈuwki vˌɨlɛtɕˈawɨ pʃɛt nˈɔtsɔ̃ zˈɛ sfˈɔiɣ ɡɲʲˈast.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_537.wav|zbliʒˈɨwɛm ɕɛ dɔ zˌardʑɛvʲˈawɨx krˈat.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_9.wav|xˈɔdʑbɨ tɔ, ʒˈɛ ˌatskɛrmanˈɔvʲɛ i ˈinɲi sɔ̃ɕˈɛdʑi z ɛvˈɛrɡrin strˈit tˈaɡ bˈardʑɔ ɡˈɔ pɔlˈubjɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_20.wav|pwˈaskiɣ bˈutuf, tɕˈɛmnɛj ɔdʑˈɛʒɨ, latˈarki. pʃˈɛs mˈɔmɛnd zˌastanˈavʲam ɕɛ nad zabrˈaɲʲɛm zˈɛ sˈɔbɔ̃ brˈɔɲi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_72.wav|zatʃɲʲˈɛmɨ ɔt mˈartɨ, a pˈɔtɛm pˌɔrɔzmavʲˈamɨ na ˌɔsɔbnˈɔɕtɕi, pˈaɲʲɛ jˈɔxanssɔn ˌɔtʃɨvˈiɕtɕɛ|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_284.wav|sˈɛrxajl na kˌaʃtanɔvˈatɨm rumˈaku.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_49.wav|blˈɔndɨn zatʃˈɛkaw dɨskrˈɛtɲʲɛ, ˈaʃ upˈɔram ɕɛ z ɡˌardɛrˈɔbɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_120.wav|ˈalɛʒ bˈardʑɔ tɕˈɛ prˈɔʃɛ. tɔ pʃˌɛtɕɛʃ rˈɨan jɛst tfˈɔim ˈutʃɲʲɛm i pʃˌɨjatɕˈɛlɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_229.wav|ɲˈiɡdʑɛ ɲʲɛ jɛzd zˌastʃɛʒˈɔnɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_120.wav|na ɡˈuʒɛ znˈuf swˈɨxatɕ skˈɔvɨt rɔspˈatʃɨ, a pˈɔtɛm vɔwˈaɲʲɛ pɔmˈɔtsɨ, ɲʲˈɛx mi ktˈɔɕ pɔmˈɔʒɛ!|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_13.wav|jˈak jˈɛɡɔ mˈatka pʃˈɛdɲim. pˈaɲi dɔlˈinɨ bˌɨwa jɛj tɕˈɔtkɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_49.wav|rˌɔzmavʲˈawaʑ zˈɛ spɛnsˈɛrɛm jˌɔxanssˈɔnɛm f tɕˈɔŋɡu miɲʲˈɔnɛj ɡɔdʑˈinɨ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_409.wav|ʒˈɛ sɔ̃ tˈam tʃˈɨstɛ ʒˈɛki i spˈɔkuj i tɕˈiʃa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_337.wav|za pawˈatsɛm pˈɛŋkwa tɕˈɛmnɔɕtɕ i vɨlˈawɔ ɕɛ trˈɔxɛ tʃɛrvˈɔnɛj i pˌɔzaxˈɔdɲʲɛj wˈunɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_130.wav|stˈaram ɕɛ ɲʲɛ zˌapɔmˈinatɕ, ʒˈɛ tʃˈɨmam w dwˈɔɲi ˈasɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_205.wav|tɨm rˈazɛm pʃɛt ɔtʃˈami stˈajɛ mu fspɔmɲʲˈɛɲʲɛ ɔstˈatɲʲɛj partˈɨjki mˌɔnɔpˈɔlɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_304.wav|pˈan ɕɛ pˈɛvɲʲɛ vˈɔnxaw z ˌɔpɔzˈɨtsjɔ̃, a mɨ ftˈɛdɨ ʃlˈiɕmɨ ˈɔstrɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_130.wav|tɛn samˈɔxud vˌɨnajˈɔwɛɕ jˈakɔ dˈaltɔn smˈitx. zɡˈadʑa ɕɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_275.wav|tsˈɔ? zapˈɨtaw ˈandɛrsɔn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_82.wav|ˌalɛ mˈɔʒɛ mɲʲɛ urˈaʑɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_237.wav|ɲʲɛ mˈɔʒna zbjˈɛratɕ i pʃˌɛxɔvˈɨvatɕ mʲɛjskʲˈɛɡɔ pɔvʲˈɛtʃa. tɔ bˈardʑɔ pɔvˈaʒnɛ vˌɨkrɔtʃˈɛɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_36.wav|tʃɨ lˈintsaj mˈɔɡwabˌɨ sprˈavdʑitɕ, tʃɨ fpwɨnˈɛwɨ jˈakʲɛʑ zɡwɔʃˈɛɲʲa ɔ vɨpˈatkax?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_65.wav|tɔ bˌɨwa tfˈɔja ʒˈɔna?|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_78.wav|najvʲˈɛŋkʃɛ z ɲˈiɣ bˌɨwɨ vˈɨʃʃɛ ɲˈiʃ alˈain, a ix tɕˌɛmnɔbrɔ̃zˈɔvɛ klˈɛpki ˌɔtɔtʃˈɔnɔ ʒˌɛlaznˈɨmi pʲˌɛrɕtɕɛɲʲˈami.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_253.wav|vɨɡlˈɔnda nˈatɔ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_42.wav|kʲˈɛdɨ dɔtʃˈɛmɨ na mʲˈɛjstsɛ, bˌɛɲdʑɛ ɲʲɛstˈɛtɨ rˌɔstʃarɔvˈanɨ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_190.wav|lˈudʑɛ ɡˈurɨ pˌɔpatʃˈɨli na ɕˈɛbjɛ navzˈajɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_165.wav|a ja tˈak tʃɨ ˈɔvaɡ bˈɨm trˈafiw, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_22.wav|ɔpˈuʃtʃam vzrˈɔk na drˈuk.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_217.wav|a ja znˈɔvu ɕɛ pɔdɲʲˈɔswɛm i ˌɔɡlɔndˈawɛm jˈɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_3.wav|ɕlˈuza kɔnrˈada vɨxˈɔdʑi na pˈuwnɔts, a xˈuta ˌalumˈiɲʲum znajdˈujɛ ɕɛ na pɔwˈudɲʲu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_57.wav|ɲʲɛ, ɲʲɛ i jˈɛʃtʃɛ rˈas ɲʲɛ. xˈɔff w jˈɛɡɔ dˈɔmu?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_41.wav|dʑˈɛŋki za ˈimjɛ, jˈɛn dˌɔskɔnˈalɛ pˌasɔvˈawɔ dɔ mˈɔjɛj pˈɛwnɛj ˌɔptɨmˈizmu i ˌɛnɛrɡʲˈitʃnɛj pɔstˈatɕi.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_206.wav|pˈɔmudl ɕɛ zˈɛmnɔ̃, jˈamɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_55.wav|jˈak mˈɔɡwabˌɨm pɔzbˈavitɕ mˈɔjɔ̃ rɔdʑˈinɛ i mˈatkɛ dˈɔmuf?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_318.wav|w mˈartfɔ̃ ʑˈɛmʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_75.wav|pʃˌɛbɨvajˈɔntsɨ w ɕrˈɔtku lˈudʑɛ ɲʲɛ mˈɔɡɔ̃ vɨdˈɔstatɕ ɕɛ na zˈɛvnɔntʃ. ˌutɕɛkˈajɔ̃ dɔ sxrˈɔnu pˌɔvʲɛtʃnˈɛɡɔː ˈalbɔ ɡʲˈinɔ̃.|4
+Dataset/wavs/urwisko_ferenc/40_segment_10.wav|mˈarja xˈɛrman dˌɔbʲijˈawa ɕɛ dɔ ɲʲˈɛɡɔ, ˌalɛ ɲʲˈɛmuɡw z ɲʲˈɔ̃ tˈɛras rɔzmˈavʲatɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_76.wav|tɔ ja tɕˈɛbjɛ vˌɨtɛ̃skɲˈiwɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_629.wav|mˈɔʒɛ ˌulɛvnˈɛɡɔ dˈɛʃtʃu, tˌɨlkɔ jˈakiɕ ʃˈum.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_68.wav|xˈɨba, ʒˈɛ jˈɛdnak mˈɨli.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_38.wav|ɲˈiɡdɨ w ʒˈɨtɕu ɲʲɛ vidʑˈawɛm ˌɔdvaʒɲʲɛjʃˈɛɡɔ rɨtsˈɛʒa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_104.wav|mʲˌɛndʑɨ nˈami mˈuvʲɔndʑ dˈɛ, mˈɨɕlɛ, ʒˈɛ tˈak tʃɨ ˈɔvak jˌɛstɛʑ zˌawatfʲˈɔnɨ.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_46.wav|ktˈɔɕ mˈuɕi tˈɛʒ zˌaprɔvˈadʑitɕ pɔʒˈɔndɛk f xarˈɛnxal.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_174.wav|pˌɔtʃɛbˈujɛ wˈɨʃki dɔ mˌɔntɔvˈaɲʲa ˈɔpɔn, pɔvʲˈɛdʑaw. najvʲˈɛŋkʃɛj, jˈakɔ̃ pˈan mˈaʃ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_14.wav|tˈata ɲʲˈɛmukw ɕɛ ɔdvrˈutɕitɕ, bˈɔ prɔvˈadʑiw sfˈuj nˈɔvɨ samˈɔxut i rˈɔbʲiw tɔ bˈardʑɔː ɔstrˈɔʒɲʲɛ. ˌɔtpɔvʲˈɛdʑaw mi pʃˌɛkʃɨkˈujɔnts ʃˈum ɕilɲˈika.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_143.wav|ʒˈɛ tɔ ɲʲɛznˈaɲi ɡˈɔɕtɕɛ zbliʒˈajɔ̃ ɕɛ dɔ nˈaʃɛj zmɛntʃˈɔnɛj planˈɛtɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_81.wav|kʲˈɛdɨ fɕˈadwam dɔ sˌamɔxˈɔdu, ɲʲɛ xtɕˈawam vwˈɔntʃatɕ rˈadja.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_59.wav|dˈɔbʒɛ zatˈarwam sfˈɔjɛ ɕlˈadɨ.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_253.wav|darˈaɔn fstˈaw, vʑˈɔw ʒˈɔnɛ za rˈɛŋkɛ i rˈuʃɨw kˈu sxˈɔdɔm, tɕˈɔŋɡnɔnts jˈɔ̃ za sˈɔbɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_248.wav|mɨ ɲʲɛ znˌɔɕiwˈɨɕmɨ ɕɛ z vˈɛrɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_15.wav|nˌajvaʒɲʲˈɛjʃa jɛst lˈutsɨ i jɛj dˈɔbrɛ rɛlˈatsjɛ z ɔbˈɔjɡʲɛm rɔdʑˈitsuf. vɨdˈajɛ mi ɕɛ jˈɛdnak, ʒˈɛ kˈatɛ xtsˈɛ vbʲˈitɕ mʲˌɛndʑɨ nˈas klˈin.|3
+Dataset/wavs/urwisko_ferenc/07_segment_6.wav|dɔpʲˈɛrɔ tˈɛraz zˌauvaʒˈɨwa duʒˈɛɡɔ ɡrˌanatɔvˈɛɡɔ vˈana zˌaparkˌɔvanˈɛɡɔ w ɡwɛmbˈɔkim tɕˈɛɲʲu pɔ drˈuɡʲɛj strˈɔɲʲɛ drˈɔɡʲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_170.wav|tˌɛmpɛratˈura tɔpɲʲˈɛɲʲa mʲˈɛdʑi jɛzd vˈɨʃʃa ɔt tˈɛj, jˈaka tˌɔvaʒˈɨʃɨ zˌaxɔdʑˈɔntsɛj w ɕrˈɔtku rɛˈaktsji.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_137.wav|pˈujdɛ dɔ zˈɔɲis, na pˈɛvnɔ mˌajɔ̃ mlˈɛkɔː i jˈajka.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_194.wav|nˈɔ vˈidʑiʃ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_24.wav|mˈɔrisɔn, pˌɔvʲɛdʑˈawa jˈudɨ. a, tˈak, mˈɔrisɔn.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_261.wav|pʃˌɨpɔmˈinaw jɛj kˈɔta, kturˌɛɡɔ kʲˈɛdɨʑ ɡaɲʲˈawa pɔ tʃɛrvˈɔnɛj tfʲˈɛrdʑɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_130.wav|ˌɔtpɔvʲˈɛdʑaw s tˌɛatrˈalnɔ̃ ɛnfˈazɔ̃. tɔ jɛst mˈɔjɛ pˌɔvɔwˈaɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_7.wav|tˈɔm ɕɛ uɕmʲˈɛxnɔw, ˌalɛ ɲˈits ɲʲɛ pɔvʲˈɛdʑaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_46.wav|vʲɛdʑˈawam ˈɔtɨm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_95.wav|fskazˈujɛ pˈaltsɛm dʒvˈi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_69.wav|bʲˈillɨ vˌɨtʃɨtˈujɛ ˈulɡɛ zˈɛ zvʲɛʃˈɔnɨx rˈamjɔn xˈɔffa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_74.wav|ɲʲˌɛnavidʑˈiwɛm tˌɛɡɔ ɡwˈɔsu. ɲʲˌɛnavidʑˈiwɛm ix ˈɔbu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_68.wav|xtsˈɛ ɕɛ s tˈɔbɔ̃ ɔʒˈɛɲitɕ, bˈɔ tɕˈɛ kˈɔxam. tˈutaj ɲʲɛ xˈɔdʑi vɨwˈɔntʃɲʲɛ ɔ mˈili.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_3.wav|ɲʲˈɛvʲɛm jˈakʲɛj rɛˈaktsji na mˈɔjɛ swˈɔva ˌɔtʃɛkivˈawam ɔt mˈamɨ, ˌalɛ f kˈuxɲi zapˈadwa tɕˈiʃa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_29.wav|mˈɔʒɛ ɕɛ ɔkˈaʒɛ, ʒˈɛ dˈɔstaw jˈakʲɛɕ pɔɡrˈuʃki. tʃɨ mˌamɨ tfˈɔjɛ pˌɔzvɔlˈɛɲʲɛ, ʒˈɛbɨ zˈabradʑ z jˈɛɡɔ ɡˌabʲinˈɛtu fʃˈɨstkɔ, tsˈɔ mˈɔʒɛ ɕɛ ɔkˈazatɕ ɲʲɛzbˈɛndnɛ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_139.wav|ɲitʃˈɛɡɔ jˈuʃ ɲʲɛ pʃɛʒˈɨjɛ. ɕfʲˈat jɛzd w ɡɔrˈɔntʃtsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_128.wav|kʲˈɛʃɛɲ na pʲˈɛrɕi jɛst pˈusta. jˈɛdna z bˈɔtʃnɨɣ zavʲˈɛra mˈɛ̃ski pˈɔrtfɛl, drˈuɡa tɛlˈɛfɔn.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_315.wav|na tfˈɔim mʲˈɛjstsu zrˈɔbʲiwbˌɨm tɔ ʃˈɨpkɔ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_286.wav|tʃɛɲɕtɕˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_78.wav|bˈɔli|2
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_22.wav|pɔː ɔstˈatɲʲɛj rɔzmˈɔvʲɛ z ˈaʃɛm ˌuɕfʲadɔmˈiwam sˈɔbjɛ, jˈaɡ bˈardʑɔ ɡˈɔ kˈɔxam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_22.wav|takʲˈɛɡɔ nˈɔʒa vˈɛdwuɡ zˈɛznaɲ zɛspˈɔwu tɛxɲˈikuf ɲʲɛ znˌalɛʑˈɔnɔ jˈɛdnak na mʲˈɛjstsu.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_51.wav|pˌɔtraktˈujɛ tɔ jˈakɔ zɡˈɔdɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_103.wav|ˈandɛrsɔn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_286.wav|ˈɔstʃɛ pʃɛbʲˈiwɔ waxmˈanɨ i pʃˌɛdʑuravˈiwɔ kɔltʃˈuɡɛ f tɛj sˈamɛj xfˈili, ɡdˈɨ napˈastɲiɡ zamˈaxnɔw ɕɛ tɔpˈɔrɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_63.wav|tɔ fspaɲʲˈawɛ vʲˈɛɕtɕi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_57.wav|bˈɔː ˈɔtɨm, jˈaka ˌɔna jɛst w wˈuʃku, mˈikɛ, tɨ i ja ɲˈiɡdɨ ɕɛ ɲʲɛ dɔvʲˈɛmɨ.|0
+Dataset/wavs/urwisko_ferenc/63_segment_12.wav|mˈarja ftɕˈɔ̃ʃ ɲʲɛ ˌɔpuɕtɕˈiwa mrˈɔku kˌɔrɨtˈaʒa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_34.wav|tʃɨ ktɔkˈɔlvʲɛk mɲʲɛ znˈajdʑɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_2.wav|drˈɔɡʲi kɛlvˈiɲʲɛ ɔtjˈɛnɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_122.wav|ɲʲˌɛzupˈɛwɲʲɛ. f sprˈavʲɛ jɛdnˈɛɡɔ mˌamɨ tɕɛkˈavɛ ˌinfɔrmˈatsjɛ. bˌɨwam ftʃˈɔraj w ˌapartˌamɛntˈɔftsu i pˈɛvna kɔbjˈɛta pɔdˈawa mi fawʃˈɨvɛ nazvˈiskɔ. ˈanna frˈaŋklin.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_305.wav|spʃɛtɕˈiviw ɕɛ sˈam. jˈak mˈɔʒɛʃ jˈɛ pamjˈɛntatɕ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_62.wav|fʃˈɨstsɨ kivˈamɨ z ˌɛntuzjˈazmɛm ɡwɔvˈami, kʲˈɛdɨ rˌɛlatsjɔnˈujɛ vˈɨjɕtɕɛ dɔ klˈubu s pʃˌɨjatɕˈuwmi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_682.wav|mˌamɨ jɛj pˌɛrsɔnˈalja. nazˈɨva ɕɛ vˈɛra karnˈɔfska.|0
+Dataset/wavs/urwisko_ferenc/58_segment_22.wav|a tˈɨ, mˈixaw, rˈɔŋk ˈumɨtɕ ɲʲɛ ˈumjɛʃ? skartɕˈiwa ɡˈɔ. xˈɨba mˈattsɛ pˈɔvʲɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_288.wav|bˈɔp lˈubʲi ɕɛ vˈɔzitɕ s fasˈɔnɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_75.wav|tɛn jˈɛdɛn krˈutki akˈapit uxˈɨliw dʒvˈi i ɔtfˈɔʒɨw ˈɔknɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_8.wav|za dˈuʒɔ ɕɛ uɕmʲˈɛxaʃ, vʲˈɛʃ ˈɔtɨm?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_106.wav|a ja mˈam tˌɨlkɔ kwɔpˈɔtɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_104.wav|bˈɔp pˈɔtʃɛd dɔ kˌɔnduktˈɔrki i pɔwˈɔʒɨw rˈɛŋkɛ na tˌɛrminˈalu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_68.wav|ɔtʃˈukaw dˈɔm jˈudɨ. zapˈukaw dɔ dʒvˈi, lˈɛtʃ ɲʲɛ ɔtfˈɔʒɨw ɲˈikt. dˈɔm bˈɨw nat mˈɔʒɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_44.wav|vɨdˈajɛ s ɕˈɛbjɛ ˈɔdɡwɔs, ktˌurɨ pʃˌɨpɔmˈina tsˈɔɕ mʲˌɛndʑɨ vɨsˈɔkim çixˈɔtɛm a wkˈaɲʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_186.wav|aˈɛrɔn mˈɔkra tʃuprˈɨna mˈuɡwbɨ znˈatɕ ɔtpˈɔvʲɛtɕ nˈatɔ pɨtˈaɲʲɛ, ˌalɛ kˈapwan zˈɔstaw na ʒɛlˈaznɨɣ vˈɨspax.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_146.wav|bwˈaɡaw sˈam. tˌɨlkɔ kˈilka dɲˈi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_46.wav|zaɡʲˈinɔw.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_46.wav|lˈɛpʲɛj ɲʲˈɛx ɕɛ pɔɕpʲˈɛʃɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_182.wav|zˌatʃɨmˈali ɕɛ na trˈavʲɛ. pˈɔttʃaz ɡdˈɨ ˈɔɡɔn sˌamɔlˈɔtu zajmˈɔvaw ftɕˈɔ̃ʃ jˈɛʃtʃɛ pʲˈɛɲtɕ stˈup pˈɔla stˌartɔvˈɛɡɔ,|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_165.wav|kˈurtʃak jɛzd dla tɕˈɛbjɛ zbˈɨt ɕmʲˈawɨ.|1
+Dataset/wavs/urwisko_ferenc/01_segment_32.wav|na fʃˈɛlki vɨpˈadɛk ˌɔttʃɛkˈawa jˈɛʃtʃɛ xfˈilɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_72.wav|ɲˈika ɲʲɛ mˈuɕi pˈɨtatɕ, bˈɔ f tɨm krɛtˈɨɲskim strˈɔju ɲʲˈɛmʲawbˌɨ jɛj ɡdʑˈɛ ˈukrɨtɕ.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_128.wav|jˈɛɨm ɲʲɛ vʲˈɛdʑaw, tʃɨ ɕɛ ɕmʲˈatɕ, tʃɨ bwˈaɡatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_62.wav|vnˈɛntʃɛ pɔtˈɛ̃ʒnɛj kɔpˈuwɨ vˌɨpɛwɲʲˈawɨ maʃˈɨnɨ pʃˌɛmɨswˈɔvɛ, nat kturˈɨmi ɡˌurɔvˈawa stɔjˈɔntsa na ɕrˈɔtku xˈali vˈanna ˌɛlɛktrˌɔlitˈɨtʃna.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_302.wav|nˈavɛd w vˈɔjsku swuʒˈɨwɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_53.wav|latˈawɛm tamtˈɛndɨ ɔt tʃˈasu dɔ tʃˈasu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_72.wav|ɲʲɛ ˈuʃwɨ jˈɛdnak mˈɔjɛj uvˈaɡʲi zˌatɕiɕɲʲˈɛntɛ ˈusta i ʃtʃˈɛŋki stsˈɔtta. ɲʲɛ spˈuʃtʃaw vzrˈɔku s tsˌamɛrˈɔna.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_180.wav|tʃˈɨmaw rˈɛntsɛ skʃˌɨʒɔvˈanɛ na pʲˈɛrɕi, a na jˈɛɡɔ tfˈaʒɨ malˈɔvaw ɕɛ ʃɨdˈɛrtʃɨ puwˈuɕmʲɛx.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_129.wav|a vʲˈɛnts umˈɔva stˈɔi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_9.wav|ʃkˈɔlna skarbɲˈitʃka pʃɨbjˈɛra pɔnˈurɔ̃ mˈinɛ, kʲˈɛdɨ fxˈɔdʑɛ dɔ bjˈura.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_90.wav|bʲˈillɨ ustˈaviw tɛmpˈɔmat na sˈɛtkɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_359.wav|tɔ ɲʲɛ jɛst ftsˈalɛ dˈuʒɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_81.wav|tɔ mˈɔʒɛ znajdˈɔvatɕ ɕɛ fʃˈɛɲdʑɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_121.wav|dɔpʲˈɛrɔ tˈɛras spɔstʃˈɛɡwɛm, ʒˈɛ na nˈɔɕɛ mˈa ˌɔkulˈarɨ w zwˈɔtɛj ɔprˈavʲɛ. ʒˌɛtʃɨvˈiɕtɕɛ, jˈak ˌamɛrɨkˈaɲski baŋkˈɔvʲɛts.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_13.wav|ˌɛliskˈiva ɡwˈɔvɔ̃. dˈɔbrɛ, tɔ fʃˈɨstkɔ twumˈatʃɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_33.wav|tˌɨlkɔ ɕɛ pˈatʃɨw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_26.wav|jˈuʒ zvrˈatsam tɕi bjˈurkɔ.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_185.wav|iɣ ʒɔwɲʲˈɛʒɛ rˈuvɲʲɛʃ mˌajɔ̃ ˈɔstrɛ mʲˈɛtʃɛ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_537.wav|jˈɛɕli ukrˈadnɛ jɛj kɔlˈɛjnɛ dʑˈɛtskɔː i...|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_309.wav|na jɛj brɔ̃zˈɔvɛ vwˈɔsɨ, ktˌurɛ bˌɨwɨ tˈɛraz zwˈɔtɛ ɔt swˈɔɲtsa tɨx fʃˈɨstkiɣ dɲˈi, pʃˈɛs ktˌurɛ pʃˌɛxɔdʑˈiwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_31.wav|mˈɨɕlaw, ʒˈɛ skˈɔrɔː ˈɔjtɕɛts jˈuʃ pˌɔvʲadˈɔmiw zˈaʒɔnt, ʒˈɛ ɔddˈajɛ fˈirmɛ w jˈɛɡɔ rˈɛntsɛ, ɲˈits mu ɲʲɛ ɡrˈɔʑi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_84.wav|na fsxˈut?|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_80.wav|pʲɛɲʲˈɔndʑɛ mɲʲɛ zˌaɕlɛpˈiwɨ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_351.wav|ftrˈɔɲtɕiw s pʃɛkˈɔ̃sɛm xˈɛil. ˌalɛ pɔ tsˈɔ zavrˈatsatɕ im ɡwˈɔvɛ, kʲˈɛdɨ mˈɔɡwɛɕ pɔ prˈɔstu zaxˈɔvadʑ bˈutɨ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_433.wav|tsˈɔ bˌɛɲdʑɛ zˈɛmnɔ̃, pˈaɲʲɛ kˌɔmisˈaʒu?|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_67.wav|ˌalɛ trˈɔxɛ mu zabrˈakwɔ.|4
+Dataset/wavs/urwisko_ferenc/43_segment_24.wav|vɔwˈajkɔ nˈabraw ɡwɛmbˈɔkɔ pɔvʲˈɛtʃa.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_77.wav|pɔ pʲˈɛrʃɛ, jˈɛɕli ˌɔdɡrɨvˈamɨ stsˈɛŋkɛ z dɔbrˈɛɡɔ, zwˈɛɡɔː i bʒɨtkʲˈɛɡɔ, tɔ ja jˌɛstɛm klˈintɛm ˌɛastfɔˈɔdɛm, a ɲʲɛ tˈɨ.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_61.wav|pɔtpwˈɨnɔw sfˈɔjɔ̃ ɡalˈɛrɔ̃ dɔ tsˌɨnamˌɔnɔvˈɛɡɔ vʲˈatru, ˈuɲʲuz vʲˈɔswa i zɲˈiknɔw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_101.wav|kʲˈɛdɨ zrˈɔbʲiʃ, tsˈɔ dɔ tɕˈɛbjɛ nalˈɛʒɨ, zˌadɔvɔlˈɛɲi bˌɛndɔ̃ fʃˈɨstsɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_17.wav|dˈana ˈɛdʲisɔn jɛst ˈinnɨ. tɔ rudʑˈɛlɛts s tɕˈasnɔ spʲˈɛntɨm mˈɛ̃skim krˈɔkʲɛm s tˈɨwu, rˌɛkɔmpˌɛnsujˈɔntsɨm strˈatɨ pˌɔɲʲɛɕˈɔnɛ ɔt frˈɔntu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_93.wav|stratɕˈiliɕmˌɨ dvadʑˈɛɕtɕa stˈup, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_64.wav|jˈak ɕɛ nazˈɨva ta pʃˌɨjatɕˈuwka?|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_20.wav|pˌɔprɔvˈadʑiw mɲʲɛ dɔ lˌabɔratˈɔrjum, ktˌurɛ bˈardʑɔ ɕɛ zmʲɛɲˈiwɔ, ˈɔtkɔnd bˌɨwam tˈu ɔstˈatɲʲɔ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_126.wav|lˈadɨ ˈalla zrɔbʲˈiwa ɕɛ bjˈawa jˈak krˈɛda i utɕˈɛkwa s kɔmnˈatɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_65.wav|ˌalɛ ja tɕˈɛʃɛ ɕɛ bˈardʑɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_118.wav|drˈɔɡa dˈɔtɔnt rˈuvna stˈajɛ ɕɛ tsˈɔraz bˈardʑɛj vˌɨbɔˈista.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_198.wav|dʒˈɔn rɔskˈazaw mu tˈak mˈuvitɕ.|1
+Dataset/wavs/urwisko_ferenc/11_segment_85.wav|bˈɔ ja jˌɛstɛm innˈɛɡɔ zdˈaɲʲa. vwˈaɕɲʲɛ zatʃˈɛwam ˌɔkwamˈɨvatɕ jarˈɔɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_98.wav|tfˈardɛ prˈɨtʃɛ, sɔlˈɔnɛ dˈɔrʃɛ i tɕˈɔŋɡwa swˈuʒba vˌartɔvɲˈitʃa.|1
+Dataset/wavs/urwisko_ferenc/11_segment_25.wav|tˌɨlkɔ ʒˈɛ mɲʲɛ vˌɨkaɲtʃˈajɔ̃ upˈawɨ, a tɨ tsˈɔ?|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_418.wav|zamjˈɛɲi ɕɛ w lˈut.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_57.wav|tɔː ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ ɔtsˈuva pɔdˈɛjʒɛɲ ɔt tˈɛssɨ ɔxˈanlɔn.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_395.wav|splˈunɔw, uɕmʲˈɛxnɔw ɕɛ i pɔnˈɔvɲʲɛ zatˈɔpiw zˈɛmbɨ w jɛj tɕˈɛlɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_105.wav|strˈaʃɲʲɛ tɕˈɛ̃ʃkɔ xˈɔdʑɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_37.wav|pˈɔza tɨm tʃˈuva nat tˌɛmpɛratˈurɔ̃, tɕiɕɲʲˈɛɲʲɛm i innˈɨmi takˈimi bzdurˈami.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_16.wav|na tʃɨm stɔˈimɨ, kˈit?|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_44.wav|— zupˈɛwɲʲɛ. bˈaf ɕɛ dˈɔbʒɛ. mʲˈɛj ˈɔtʃɨ ɔtfˈartɛ i ɲʲɛ krˈɛmpuj ɕɛ pɔvʲˈɛdʑɛtɕ mu, ʒˈɛbɨɕ tɕˈiʃɨw rˈadjɔ, jˈɛɕli plˈɔmbɨ zˈatʃnɔ̃ tɕi lˈatadʑ w zˈɛmbax.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_319.wav|tɔ mˈa tsˈɛvɨ, ʃɛpnˈɔwɛm fstʃɔ̃ɕɲʲˈɛntɨ.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_384.wav|sˈam tɕˈɛʃɨw ɕɛ pʃɨnˈajmɲʲɛj s tˈɛɡɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_487.wav|dlatʃˈɛɡɔ tɔ zrɔbʲˈiwɛɕ? zapˈɨtaw ˈandɛrsɔn.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_9.wav|pˌɔvʲɛdʑˈawaɕ, ʒˈɛ tsˈɔɕ ɲʲɛ pˌɔdɔbˈawɔ tɕi ɕɛ f tˈɛɕɛ ɔxˈanlɔn, kʲˈɛdɨ jˈɔ̃ pɔznˈawaɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_26.wav|ˌalɛ ktˈɔ?|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_119.wav|vˈaʃ rˈut i jˈɛɡɔ vasˈalɛ spravˈujɔ̃ ʒˈɔndɨ nat tʃˈɛma tˌɨɕɔntsˈami mˈil vɨbʒˈɛʒa. tʃɨ nˈatɨh bʒˈɛɡax ɲʲˈɛma rɨbˈakuf?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_312.wav|ɲʲˈɛvʲɛm, pʃˌɛznatʃˈɛɲʲɛ, pʃɨpˈadɛk.|0
+Dataset/wavs/urwisko_ferenc/42_segment_71.wav|xˈɛrman pʃɛrvˈawa jˈɛɡɔ rˌɔzmɨɕlˈaɲʲa.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_147.wav|mʲˌawaɕ jˈuʃ ɔkˈazjɛ pʃˌɛtɛstˈɔvatɕ mˈuj vˌɨnalˈazɛk?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_152.wav|ˌalɛ mˈɔʒɛ i zˈatɔ, tsˈɔ zrɔbʲˈiwaɕ stsɔttˈɔvi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_172.wav|tfˈɔja tsˈurka pˌɔtʃɛbˈujɛ xˈɨba ˌɔdrɔbʲˈinɨ pɛrsfˈazji.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_84.wav|— ɲʲˈɛvʲɛm. jˈak sˈɔɲdʑiʃ? ˈaʒ znˈuf pʃˈɛwknɔw ɕlˈinɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_112.wav|pɔprˈɔʃɛ ɔ ʃtʃɛɡˈuwɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_232.wav|vʲˈɛnts ɔ tsˈɔ xˈɔdʑi?|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_72.wav|mˈawa kɕɛ̃ʒɲˈitʃkɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_243.wav|zɔstˈaviw rɨsˈunɛk ʃˈɔn, pʃˌɛtstavʲajˈɔntsɨ frɛdjˈɛɡɔ flamˈiŋɡa ˈaljaz davˈɛa flamˈiŋɡa, pʃˌɨklɛjˈɔnɨ dɔ dˈɛski rɔzdʑˈɛltʃɛj starˈɛɡɔ pˈitskˈupa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_161.wav|mˈɔʒɛ lˈɛpʲɛj bɨwˈɔbɨ bˈɨtɕ tˈɛras pˈanɛm tɕipˈunɛm?|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_36.wav|zapwˈatsɛ tɕi vʲˈɛntsɛj ɲˈiʒ brˈuskɔː i ɲʲɛ bˌɛɲdʑɛʃ ɕmʲɛrdʑˈawa rɨbˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_211.wav|mˈɔʒɛ pɔvˈinnaʑ vʑˈɔɲdʑ dvʲˈɛ ˌaspirˈɨnɨ i ɕɛ pɔwˈɔʒɨtɕ?|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_21.wav|ɔznˈajmiw radˈɔsnɨm tˈɔnɛm sˈɛr kˈɛnɔs.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_315.wav|vjɛxˈaliɕmˌɨ na ɲʲɛvʲˈɛlkʲɛ vzɲʲɛɕˈɛɲʲɛ i zˌɔbatʃˈɨliɕmˌɨ rˌɔspɔtɕˌɛrajˈɔntsɔ̃ ɕɛ pʃɛt nˈami ruvɲˈinɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_178.wav|bʲˈillɨ zˌastanˈavja ɕɛ, tʃɨ ɲʲˈɛvʑɔɲdʑ bʲikˈiɲi, stfʲˈɛrdʑa jˈɛdnak, ʒˈɛ ˈɛlis mˈɔɡwabˌɨ pɔmˈɨɕlɛtɕ, ʒˈɛ tsˈɔɕ jɛj f tɛn spˈɔsup sˌuɡɛrˈujɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_14.wav|tʃˈɛɕtɕ, tˈatɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_265.wav|tˈɛras, kʲˈɛdɨ bˈɨw zmɛntʃˈɔnɨ,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_136.wav|zmʲˈana plˈanuf, ˈindjɔ. mˈam dla tɕˈɛbjɛ ɕfʲˈɛtnɔ̃ vʲadˈɔmɔɕtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_142.wav|mˈɔjɛ vwˈɔsɨ musnˈɛwɨ jˈɛɡɔ tfˈaʃ, ˌalɛ zdˈavaw ɕɛ ɲʲɛ zvrˈatsatɕ nˈatɔ uvˈaɡʲi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_35.wav|— pˌɔpɛwɲʲˈɔnɔ mɔrdˈɛrstfɔ — ʒˈɛɡw blˈɔndɨn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_312.wav|ja ɕɛ bˈɔjɛ takʲˈɛɡɔ zamkɲʲˈɛɲtɕa z bliʑɲˈimi, ktˌurɨx uɲˈikam na ulˈitsɨ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_513.wav|ˈarjan pˌɔpatʃˈɨwa nˈaɲih pˌɔdɛjʒlˈivʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_109.wav|kˈit ɕɛ uɕmʲˈɛxaw, tˈɔm swˈɨʃaw tɔ w jˈɛɡɔ ɡwˈɔɕɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_22.wav|jˈuʃ sˈamɔ mɔrdˈɛrstfɔ tsˌamɛrˈɔna mˈɔʒɛ bˈɨdʑ zˌaɡrɔʒˈɛɲʲɛm, jˈɛɕli mˈɔja rɛlˈatsja z ɲˈim vˈɨjdʑɛ na jˈaf. ɲʲˈɛvʲɛm vʲˈɛnts, pʃˈɛs ktˌurɛ rˈamjɛ pɔvˈinnam ɕɛ ɔɡlˈɔndatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_34.wav|rˈanɔ znˈuv bˌɨwɔ swˈɔɲtsɛ i vʲˈatr s pˌuwnɔtsnˈɛɡɔ zaxˈɔdu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_165.wav|ˌuzɨskˈanɛ fundˈuʃɛ fspɔmˈɔɡɔ̃ nˈaʒ vʲˈɛlki mˈarʃ na ɛwrˈɔpɛ. rɔzlˈɛɡwɨ ɕɛ ɔklˈaski.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_138.wav|ɲʲˈɛma tˈam pɔvʲˈɛtʃa, ktˌurɛ mɔɡwˈɔbɨ ˌɔtprɔvˈadʑitɕ tɕˈɛpwɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_105.wav|nˈatɨm tɛmˈatɨ im ɕɛ vˌɨtʃɛrpˈujɔ̃, ˌalɛ tɔ ɲˈits, bˈɔ ˌɛmtsˈɛ ˈintɔʒ vrˈatsa z dvʲˈɛma vˌɨsɔkˈimi ʃklaŋkˈami na tˈatsɨ i jˈak tˌɨlkɔ znˈuv zɔstˈavja ix sˈamɨx, ɲˈitsk pʃɛxˈɔdʑi dɔ ʒˈɛtʃɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_111.wav|a vwaɕtɕˈivʲɛ lˈustrɔ mˈɔjɛj ɕfʲˌadɔmˈɔɕtɕi stʃaskˈawɔ ɕɛ na drˈɔbnɛ kavˈawki.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_170.wav|ɲʲɛ ukwˈada ɔt lˈat.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_486.wav|jˈaɡ bˌɛɲdʑɛ pˈan mʲˈaw vɔlɲʲˈɛjʃɔ̃ ɡwˈɔvɛ, tɔ zaprˈaʃam dɔ fspuwprˈatsɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_163.wav|sxˈɔdʑi na dˈuw i ɔtfʲˈɛra dʒvˈi mʲɛʃkˈaɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_18.wav|pˌɔxɨlˈɔnɨ nat mˌikrɔskˈɔpɛm mˈartʲin sfɔbˈɔda ɕˈɛŋɡnɔw mˌaçinˈalɲʲɛ pɔ kˈavɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_7.wav|vɨbrˈawɛm kˌandɨdˈata na naʃˈɛɡɔ prˌatsɔvɲˈika.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_263.wav|kˈutɕɛ utɕˈixwɔ nˈaɡlɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_407.wav|pˌɔvʲɛdʑˈawa kɔbjˈɛta z drˈuɡʲɛj strˈɔnɨ dʒvˈi.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_423.wav|starˈawa ɕɛ pˈatʃɛtɕ nˈaɲih.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_349.wav|skrɨvˈawa sfˈɔ̃ pravdʑˈivɔ̃ tfˈaʃ pʃɛt m��ɔim spɔjʒˈɛɲʲɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_96.wav|pˌɔzvɔlˈiwaɕ im mɲʲɛ pˈɔbʲitɕ, stʃˈaskatɕ mˈɔjɔ̃ nˈɔɡɛ i ʒˈɛpkɛ i nˈavɛt ɲˈits ɲʲɛ pˌɔvʲɛdʑˈawaɕ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_175.wav|mˈɔʒɛ ɔkˈazatɕ ɕɛ kɔɲʲˈɛtʃnɨ jakʲˈɛɡɔɕ rɔdʑˈaju prˈɔtsɛs.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_256.wav|znˈajdʑɛ pˈan sˈam sfˈɛɡɔ znˌajɔmˈɛɡɔ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_72.wav|jˈakaɕ mˈawa, swˈɔtka ˌɛkspɛdjˈɛntka? tʃɨ tˈɛʃ jˈakaɕ mˈawa nˌarkɔmˈaŋka?|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_455.wav|pˈɔwknɔw pʃɨnˈɛntɛ.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_250.wav|ˈɔrtɔn mˌɛrivˈɛtxɛr pˈiw mnˈustfɔ vˈina i tsˈɔ xfˈila zˈɛrkaw ukrˈatkʲɛm na minstrˈɛlla.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_314.wav|prˌatsɔvˈawɛm tˈak jˈak fʃˈɨstsɨ ˈinɲi.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_167.wav|pʃˈɨznaw rˈaffɔrt. sˈɛr pɔvʲˈɛdʑaw, ʒˈɛbɨ dˈatɕ mu pʲɛtʃˈɔnɛj kɔzˈinɨ, ˌalɛ na kˌɔxɔrˈiku ɲʲɛ bˌɨwɔ za dˈuʒɔ mʲˈɛ̃sa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_168.wav|lˈɔs ˈandʒɛlˌɛs jɛst na drˈuɡʲim kˈɔɲtsu krˈaju.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_212.wav|a tʃɨ tɨ utʃˈɨɲiʃ mɲʲɛ lˈɔrdɛm?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_80.wav|vˈidʑɛ, ʒˈɛ vɨstˈajɛ z ɲʲˈɛj tsˈɔɕ pʃˌɨpɔmˌinajɔntsˈɛɡɔ kɔʃˈulkɛ i lɲʲˈanɛ spˈɔdɲʲɛ w jˈasnɨx kɔlˈɔrax.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_371.wav|stˈarɨ sˈumnɛr krˈaik xˈɔl rɔskˈazaw mi pʃɛkˈazadʑ vʲadˈɔmɔɕtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_133.wav|pɔt jˈɛdnɨm z ɲˈiɣ zˌɔstavˈiwam spʃˈɛnd dɔ spavˈaɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_33.wav|z rɛʃtkˈami zˌatartˈɛɡɔ mˌakijˈaʒu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_86.wav|mʲˌawɨ ˈu ɡˈurɨ ɔkʲˈɛŋkɔ, kturˌɛɡɔ tʃˈɛɲʑdʑ zɔstˈawa ˌɔtʃɨʃtʃˈɔna s kˈuʒu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_224.wav|ˌuɕmʲɛxnˈɛwa ɕɛ lˈɛdvɔ dˌɔstʃɛɡˈalɲʲɛ i ˌaprɔbujˈɔntsɔ pʃɨmknˈɛwa pɔvʲˈɛki.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_157.wav|ɲʲɛ mˈɔɡɛ vɨskˈɔtʃɨtɕ s sˌamɔlˈɔtu. spɔnsˈɔriŋk tɔ ɕfʲˈɛtnɨ pˈɔmɨsw, ˌalɛ ɲʲɛ f tˌaki spˈɔsup.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_18.wav|tɨ za mˈawɔ znˈatʃɨʃ, ˈabɨ tˈu bˈɨdʑ vˈinnɨm.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_366.wav|vˈɨrvaw vˌalɛnˈɔvi tˈɔpur i uvˈɔlɲiw pɔtfˈɔra s ɕˈɛtɕi, ktˌurɔ̃ na ɲʲˈɛɡɔ zˌaʒutɕˈili.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_184.wav|sˈam stˈaraw ɕɛ ix uɲˈikatɕ, tʃɨmˈajɔnts ɕɛ pʃɨbʒˈɛʒnɛj drˈɔɡʲi, ktˌura vˈiwa ɕɛ vzdwˈuʒ bʒˈɛɡu mʲˌɔdɔvˈinɨ, zmʲɛʒˈajɔnts kˈu sˈɛrtsu mʲˈasta.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_46.wav|a tsˈɔː ɔn rˈɔbʲi, ˈandɨ? rɔzɡlˈɔnda ɕɛ za rɔbˈɔtɔ̃. pʃˌɛtɕɛʃ ta ɡazˈɛta jɛst stˈara, ˈandɨ pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_159.wav|tɛn drˈuɡʲi dˈana zˌauvˈaʒɨwbˌɨ na pˈɛvnɔ mˈɨɕli bʲˈili.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_200.wav|ktˌurɨ vɨdˈavaw ɕɛ tʃɛrvˈɔnɨ lˈup tɕˈɛmnɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_30.wav|sprubˈujɛ pˌɔrɔzmˈavʲatɕ s tfˈɔjɔ̃ mˈamɔ̃, mˈɔʒɛ dɔjdʑˈɛmɨ dɔ jakʲˈɛɡɔɕ kˌɔmprɔmˈisu|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_13.wav|ɡrˈunt tʃˈɛ̃stɔ bˈɨw mʲˈɛŋkki, vʲˈɛnts w ɲʲɛktˌurɨx mʲˈɛjstsax sˈɛptɔn ʃˈɛt pʃˈɔdɛm, badˈajɔndʑ ʑˈɛmʲɛ kɔstˈurɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_114.wav|pʃɨnˈajmɲʲɛj f tɨm ɕɛ zɡadʑˈamɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_68.wav|tʃwˈɔvʲɛk lɛʒˈɔntsɨ tfˈaʒɔ̃ dɔ swˈɔɲtsa fstˈaw tˈɛras i tˈɨwɛm pˈɔtʃɛd dɔ sˌamɔlˈɔtu.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_274.wav|na pˈɛvnɔ bˌɛɲdʑɛ xtɕˈaw, ʒˈɛbɨm ɕɛ z ɲˈim pˌɔmɔdlˈiwa.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_351.wav|ɡˈawki ix mʲˈɛtʃɨ ˌɔraz ɡʒɛbjˈɛɲʲɛ xˈɛwmuv zdɔbʲˈiwɨ krɨʃtˈawɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_237.wav|ɲʲɛ ˌɔtpɔvʲɛdʑˈawɛm, tˌɨlkɔ pɔɡnˈawɛm na drˈuɡɔ̃ strˈɔnɛ ulˈitsɨ, dɔ ɲʲˌɛvɨkˌɔɲtʃɔnˈɛɡɔ budˈɨŋku mʲˌɛʃkalnˈɛɡɔ. ɲʲˈɛmʲaw dʒvˈi. tɕˈɛmnɛ vnˈɛntʃɛ paxɲʲˈawɔ mˈɔkrɨm tsɛmˈɛntɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_12.wav|zˈapad jˈuʒ ɡwɛmbˈɔki zmrˈɔk, tɔ jˈɛdɛn plˈus.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_62.wav|ʒˈutsaw ɡwˈɔvɔ̃ na bˈɔki. s pʃˌɛraʒˈɛɲʲɛm vˌɨbawˈuʃaw zdrˈɔvɛ ˈɔkɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_230.wav|pɔmˈaɡam tɕˈi, bˈɔ jˌɛstɛɕ mˈɔjɔ̃ pʃˌɨjatɕˈuwkɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_36.wav|tʃɨ mʲˈaw pˈan rˈɔmans?|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_104.wav|mˈɔɡwam ɕɛ pɔʒˈɛɡnadʑ z miljˈɔnɛm ɡʲˈituf, nˈavɛd ɡdˈɨbɨm zɲiʃtʃˈɨwa ɔstˈatɲi kˈɔmbajn.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_52.wav|musˈimɨ tɕˈɛ zˈabratɕ f tˈakʲɛ vˌɨjɔntkˈɔvɛ mʲˈɛjstsɛ. spɔdˈɔba tɕˈi ɕɛ. jɛst tˈam dˈuʒɔ zabˈavɛk. ɲʲɛ bˌɛɲdʑɛʃ tˈam dwˈuɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_175.wav|kɔlˈatsja pˈɔtrfa kˈilka ɡˈɔdʑin. ɕˈɛnɲiɡ vɨɡlˈɔnda na tfˈardɨ, ˌalɛ xˈɨba ɕɛ nˈada.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_219.wav|ɲʲɛ xtɕˈawam bˈɨtɕ swˈavna.|4
+Dataset/wavs/urwisko_ferenc/12_segment_29.wav|— dˈɔbʒɛ, rɔzˈumjɛm. jˈasnɛ, dɔ zˌɔbatʃˈɛɲʲa — zˌakɔɲtʃˈɨwa rɔzmˈɔvɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_69.wav|tɨ vʲˈɛʃ, ʒˈɛ ja mˈuʃɛ lˈɛtɕɛtɕ. ɲʲˈɛvʲɛm, jˈak tɕi tɔ pɔvʲˈɛdʑɛtɕ, ja pɔ prˈɔstu tʃˈujɛ, ʒˈɛ mˈuʃɛ lˈɛtɕɛtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_93.wav|tɔ bˌɨwa tˌɨlkɔ ʃˌatsuŋkˈɔva kˌalkulˈatsja. mʲˈawam nadʑˈɛjɛ, ʒˈɛ s pˈɛvnɔ̃ dˈɔzɔ̃ ˌɔptɨmˈizmu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_70.wav|bˈɛtskɨ pɔtʃˈuwa nˌarastajˈɔntsɔ̃ ˌirɨtˈatsjɛ. ɲʲɛ sɔɲdʑˈiwa, ʒˈɛ fʃˈɨstkɔ tˈak ɕɛ skˌɔmplikˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_178.wav|bʲˈili krˈɛɕli prˈɔstɔ̃ lˈiɲʲɛ f pɔvʲˈɛtʃu nat kʲˌɛrɔvɲˈitsɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_227.wav|ˌalɛ ftɕˈɔ̃ʃ tˈu bˈɨw.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_48.wav|tɔ ɲʲɛ mˈɔʒɛ dwˈuʒɛj trfˈatɕ ˈaʃ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_481.wav|pwˈaʃtʃɛ wˌɔpɔtˈawɨ za ɲˈimi, tarɡˈanɛ vʲˈatrɛm. zˈɛ fʃˈɨstkix strˈɔn ˌɔtatʃˈawɨ ix pˈustka i ɲʲˈɛbɔ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_459.wav|pˌɔmɨɕlˈawa, ʒˈɛ brjˈɔn bˈɨwbɨ dˈɔbrɔ̃ pˈartjɔ̃ dla dʑɛftʃˈɨnɨ ɲʲˌɛpravˈɛɡɔ pˌɔxɔdʑˈɛɲʲa, tˈakʲɛj jˈak mjˈa stˈɔnɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_37.wav|pɔdnˈɔɕi nˈuʃ, ktˌurɨm ɕɛ ɡˈawa vaʒˈɨva.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_116.wav|i skˈɔnt tɔ vʲˈɛʃ?|0
+Dataset/wavs/urwisko_ferenc/19_segment_79.wav|kɔmˈisaʃ pʃɛɲʲˈɔswa vzrˈɔk na tɕˈɛmnɛ ɲʲˈɛbɔ. mʲˈawa mˈɛntliɡ w ɡwˈɔvʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_685.wav|tʃɨ pˈanu tsˈɔɕ mˈuvi tɔ nazvˈiskɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_79.wav|muɕˈawɛɕ mu naprˈavdɛ mˈɔtsnɔ pʃɨwˈɔʒɨtɕ mˈuvi ɡʲˈɔrɡjɔ s pɔdʑˈivɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_116.wav|tsˈɔ? jˈɛdɛn s tɨɣ ɡaŋkstˈɛruf ɲʲˈɛmukw tɕi zawˈatfidʑ brˈɔɲi? tˈak, ʒˈɛbɨ ɡˈɔ nˈatɨm ɲʲɛ pʃˌɨwapˈali?|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_59.wav|pʃɨvʲˈɛʑɛ karˈabʲin zˌaviɲʲˈɛntɨ f kˈɔts? ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ tˈak. mˈimɔ, ʒˈɛ kˈaʒdɨ, ktˈɔ mˈa dvʲˈɛ ʃˈarɛ kɔmˈurki na kʃˈɨʃ i jˈɛdnɔ sprˈavnɛ ˈɔkɔː ɔt rˈazu dɔmˈɨɕliwbˌɨ ɕɛ, tsˈɔ jɛst w ɕrˈɔtku.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_120.wav|udˈɛʒɨw ɡˈɔ kˈantɛm dwˈɔɲi w ˈɔkɔː i pˈuɕtɕiw jˈɛɡɔ ɡwˈɔvɛ, ktˌura stuknˈɛwa ɔ pɔdwˈɔɡɛ.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_435.wav|tʃɨ bˈɔrɔz dɔpˈuɕtɕiw ɕɛ jˈakʲɛjʑ zdrˈadɨ?|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_97.wav|ʒˈɛ tˈutaj ɲʲˈɛma pɔvʲˈɛtʃa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_225.wav|ktˈɔ tɔ bˈɨw?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_17.wav|ɔ ɲˈix tˈɛʒ zˌapɔmɲʲˈawam dɔ xɔlˈɛrɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_157.wav|tɔ jɛst nˌajvaʒɲʲˈɛjʃɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_77.wav|ɲʲˈɛma jɛj tˈamtɔ̃. dʑˈɛtska tˈɛʃ ɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_156.wav|sˈamɔ̃ pˈɔrɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_33.wav|jˈɛɕli zbˈɨt tʃˈɛ̃stɔː uʒˈɨvaʃ tɨx sˈamɨx pʃˈɛklɛɲstf, trˈatsɔ̃ sfˈɔjɔ̃ mˈɔts.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_2.wav|rˈɔp kˈamba pˈɔdɲʲuz vzrˈɔɡ z nadbjˈurka, ˌɔtkwadˈajɔnts swuxˈafkɛ tˌɛlɛfˈɔnu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_174.wav|ɲʲɛktˌurɛ jˈakɔ drˈɔbnɛ ɲʲˌɛpɔrˌɔzumjˈɛɲʲa, ˈinnɛ jˈakɔː ɔɡrˈɔmnɛ ɔʃˈustfa, ktˌurɛ tkfˈiwɨ mʲˌɛndʑɨ nˈami f tsˈawɛj sfˈɔjɛj ɔxˈɨdʑɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_120.wav|pʃˈɛs pˈɛvʲɛn tʃˈas jˈɛ ɔɡlˈɔnda. pˈɔtɛm ɔtfʲˈɛra laptˈɔpa i sprˈavdʑa kˈilka çiʃpˈaɲskiɣ zvrˈɔtuf.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_461.wav|na dɔkwˈatkɛ mˈɛdʲi mˈuvi, ʒˈɛ ˌɔna jˈuʃ ɲʲɛ jɛzd dʑɛvˈitsɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_21.wav|dˈaj mi tʃˈɨtatɕ, bʲˈillɨ, jˈuʃ prˈavʲɛ skɔɲtʃˈɨwam.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_58.wav|jɛst sˈam ɕrˈɔdɛɡ ʑˌimɔvˈɛɡɔ pˌɔpɔwˈudɲʲa i fʃˈɛɲdʑɛ panˈujɛ ʃˈarɔɕtɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_60.wav|dˌɔtɨtʃˈɨwɔ xˌaraktˈɛru mɔjˈɛɡɔ vɨjˈazdu z dˈɔmu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_35.wav|bˈɨw jˈɛdnaɡ zbˈɨd zmɛntʃˈɔnɨ, ʒˈɛbɨ ɕɛ tˈɛras tɨm pʃɛjmˈɔvatɕ. vˈaʒnɛ bˌɨwɔ jɛdˈɨɲʲɛ tɔ, ʒˈɛbɨ ˌusunˈɛwa sfˈɔjɛ fpˈisɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_69.wav|tɔ bˈardʑɔ vˈaʒnɛ, ʒˈɛbɨ ˌɔptɕɔ̃ʒˈɛɲʲɛ rakʲˈɛtɨ bˌɨwɔ rˌuvnɔmjˈɛrɲʲɛ rˌɔzwɔʒˈɔnɛ i zˌabɛspʲɛtʃˈɔnɛ. f pʃɛtɕˈivnɨm rˈaʑɛ stˈart mˈɔʒɛ ɕɛ ɲʲɛ pˈɔvʲɛɕtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_51.wav|vidˈujɛʃ rˌɛɡɡʲɛˈɛɡɔ i dˈanɛ w mʲˈɛɕtɕɛ?|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_73.wav|dla mˈatki zˌapalˈɔnɔː ix xˈɨba s tˈɨɕɔnts, a dla dʑɛvˈitsɨ prˈavʲɛ tˈɨlɛ sˈamɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_20.wav|pˈɔtɔ vwˈaɕɲʲɛ pʃˌɨjɛxˈawam, xˈɔtɕ jɛst mi dˈuʒɔ trˈudɲʲɛj ɲˈiʃ sɔɲdʑˈiwam.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_51.wav|ɲʲɛ mʲˌawɛm ɲˈits fspulnˈɛɡɔ zˈɛ ɕmʲˈɛrtɕɔ̃ lˈadɨ tsatˈɛlɨn, a jɛj tsˈurɛk ɲʲɛ bˌɨwɔ jˈuʃ f krulˈɛfskʲɛj pʃɨstˈaɲi, ɡdˈɨ tˈam vrutɕˈiwɛm.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_3.wav|dʑˈɛɲ bˈɨw ʑˈimnɨ, pɔxmˈurnɨ i dɛʃtʃˈɔvɨ.|1
+Dataset/wavs/urwisko_ferenc/59_segment_23.wav|tɔ s pɔvˈɔdu mɔjˈɛɡɔː ˌuzalɛʒɲʲˈɛɲʲa?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_27.wav|dʑvʲˈɛŋk mʲɛlˈɛɲʲa ʑˈarɛn zaɡwˈuʃɨw jˈɛɡɔ swˈɔva, a f pˌɔmjɛʃtʃˈɛɲʲu rˈɔzɲʲus ɕɛ zˈapax kˈavɨ. tˈɔm zˈatʃɔw ʒawˈɔvatɕ, ʒˈɛ ɔdmˈuviw ftʃˈɛɕɲʲɛj pˌɔtʃɛ̃stˈuŋku.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_50.wav|tɕˈi, ktˌuʒɨ jˈɔ̃ ˌɔpsɛrvɔvˈali, ɲʲɛ ˌɔtpɔvʲɛdʑˈɛli.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_107.wav|tɛ bjˈɛdnɛ dʑˈɛtɕi stratɕˈiwɨ tˈatɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_28.wav|na jˈɛɡɔ vˌɨpɛwɲʲˈɔnɨɣ wzˈami ˈɔtʃax, kʲˈɛdɨ zɔbˈatʃɨw f tˌɛlɛvˈizji zˌaɲʲɛdbanˈɛɡɔ pɕˈaka,|3
+Dataset/wavs/urwisko_ferenc/04_segment_14.wav|xudʑˈiɲski pɔjˈaviw ɕɛ na tarˈaɕɛ i kˈivnɔw rˈɛŋkɔ̃ na ɔlɡʲˈɛrda.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_33.wav|mˈuvjɛ, zdˈajɔnts sˈɔbjɛ sprˈavɛ, ʒˈɛ swˈɔva w ɔɡˈulɛ tˌɛɡɔ ɲʲɛ ɔddˈajɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_386.wav|pˈɔprɔɕ starˈuxɛ, ʒˈɛbɨ zˌapalˈiwa dla mɲʲɛ lˈampɛ i zˌaprɔvadʑˈiwa mɲʲɛ dɔ lˈadɨ sˈansɨ i vˌɔjɔvɲˈika.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_155.wav|ɔdˈɛzvaw ɕɛ zˌaɲʲɛpˌɔkɔjˈɔnɨ dˈalɛ. dʒˈɛs, ɲʲɛ ɔtpwˈɨvaj! jˈuʒ dˈɔbʒɛ pˌɔvʲɛdʑˈawam, dʑviɡˈajɔnts ɕɛ na kɔlˈana.|4
+Dataset/wavs/urwisko_ferenc/57_segment_45.wav|mˈarja ɔstrˈɔʒɲʲɛ zbliʒˈɨwa ɕɛ dɔ sˌamɔxˈɔdu.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_64.wav|jɛzd vɨbrˈɨkʲɛm natˈurɨ, tˌɛmu bɨnˈajmɲʲɛj ɲʲɛ pʃˈɛtʃɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_149.wav|tɔ ɲʲˈɛbɨw zvˈɨkwɨ pʃˈɛvut ˌɛlɛktrˈɨtʃnɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_8.wav|pʃˌɨtɕisnˈɛwam nˈɔz dɔ ʃˈɨbɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_243.wav|znˈuf pɔwˈɔʒɨw rˈɛntsɛ na kʲˌɛrɔvɲˈitsɨ i jˈɛxaw w miltʃˈɛɲʲu ˌawtɔstrˈadɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_147.wav|zˈabʲiwbˌɨm rˈɔba stˈarka f ʃɛptʃˈɔntsɨm lˈɛɕɛ, ɡdˈɨbɨm zdˈɔwaw dɔ ɲʲˈɛɡɔ dˈɔtʃɛtɕ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_76.wav|pɔ xfˈili dʒˈɛva zatʃˈɛwɨ ʒˈɛdnɔɲtɕ, ˌalɛ trˈupuf ftɕˈɔ̃ʒ bˌɨwɔ tˈɨlɛ sˈamɔ.|1
+Dataset/wavs/urwisko_ferenc/57_segment_39.wav|ɲʲˈɛmam pɔjˈɛɲtɕa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_63.wav|nadˈɛʃwa pˈɔra na ˌɔdrɔbʲˈinɛ ɔdvˈaɡʲi. muɕˈawam ɔkˈazatɕ ɕɛ ˌambʲitɲʲˈɛjʃa.|3
+Dataset/wavs/urwisko_ferenc/20_segment_73.wav|ɲʲɛ mˈɔɡwɛm sˈam pɔdjˈɛxatɕ, vʲˈɛnts pˌɔprɔɕˈiwɛm ˈalɛ, ʒˈɛbɨ vʑˈɛwa ˈɔdɛ mɲʲɛ klˈutʃɛ dɔ dˈɔmu i pʃɨvʲˈɔzwa mi ɡˈɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_178.wav|pˈɔʒar mˌaɡazˈɨnu f tsˈɔdɨ? sˈɛrjɔ? tʃɨ ɲˈikt ˈɔtɨm vʲˈɛ? vɔntplˈivɛ, upʃˈɛdʑiwbˌɨ bʲillʲˈɛɡɔ, ɡdˈɨbɨ mʲˈawɔ ɕɛ vɨdˈaʒɨtɕ tsˈɔɕ, tsˈɔ mˈɔʒɛ vɨtrˈɔɲtɕidʑ ɡˈɔ z rˈɨtmu.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_183.wav|ˈɔtuʃ pʃɛpˈuʃtʃa jˈɛ pʃˈɛz vʲˈɛlkɔ̃ kˈɔstkɛ lˈɔdu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_139.wav|zmˌaʒarjˈana jɛst kˈavaw xwˈɔpa, ˌalɛ tˌɔvaʒɨʃˈɔntsɨ mu mɛ̃ʃtʃˈɨzna vɨɡlˈɔnda pʃˈɨɲim jˈak ˈɔlbʒɨm, tsˈɔ nˈajmɲʲɛj stˈɔ kˌilkadʑˈɛɕɔnt kˈilɔ ʒˈɨvɛj vˈaɡʲi.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_7.wav|tˈak paskˈudna pɔɡˈɔda ˌɔdɛbrˈawa xˈɛɲtɕ na vɨtɕˈɛtʃki nˈavɛt mˈawɛj krulˈɔvɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_376.wav|ˌalɛ dˈɔʃwam dɔ vɲʲˈɔsku, ʒˈɛ darmˈɔvɛ pˈivɔ pʲɛxˈɔtɔ̃ ɲʲɛ xˈɔdʑi.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_196.wav|jˈɛɡɔ ʃtʃˈɛra tfˈaʃ ˌɔkazˈawa ɕɛ jɛdˈɨɲʲɛ kˌɔmɛdjˈantskɔ̃ mˈaskɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_125.wav|ˈirv dʲˈinn, pˌɔtstaʒˈawɨ strˈaʒɲik, pɔdnˈɔɕi vzrˈɔɡ znˈat tʃˌasɔpˈisma. dʑˈiɕ tɔ mˈɔtɔr trˈɛnt i ɔbdˈaʒa ɡˈɔ ʃɛrˈɔkim uɕmʲˈɛxɛm.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_53.wav|xtsˈɛ pɔvʲˈɛdʑɛtɕ, ʒˈɛ jɛstˌɛɕmɨ lˈudʑmi.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_163.wav|pjˈa rˌɔskwadˈawa nˈɔɡʲi dla pɔwˈɔvɨ ˈarmji jˈɛɡɔː ˈɔjtsa i ɲʲɛ pɔtʃˈɛwa ˌaɲi rˈazu. zapˈɛvnɛ bˌɨwa bɛspwˈɔdna.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_56.wav|ˌalɛ zˈafɔ jɛst nˈaʃɨm vˌɨbavʲˈɛɲʲɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_38.wav|jˈɛdna mˈɨɕl napˈɛwɲʲa mɲʲɛ trfˈɔɡɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_47.wav|fatsjˈɔvʲɛ sumjˈɛnɲʲɛ pilnˈujɔ̃ tɛj dvˈujki, kʲˈɛdɨ ɔbˈɔjɛ jɛstˌɛɕmɨ f prˈatsɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_115.wav|zˌabɔbˈɔnɨ ˌurɔzmˌaitsˈajɔ̃ ʒˈɨtɕɛ. ˌɔna zˌavaxˈawa ɕɛ pʃˈɛs mˈɔmɛnt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_131.wav|vʑˈɛwam jˈɛʃtʃɛ dvʲˈɛ piɡˈuwki i jɛxˈawam dˈalɛj.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_36.wav|pɔtxˈɔdʑi dɔ mɲʲɛ pɔvˈɔli i fspˈina ɕɛ na mˈɔjɛ kɔlˈanɔ, tsˈɔ tˌɨlkɔː ˌudɔvˈadɲʲa, jˈaɡ bˈardʑɔ ɕɛ bˈɔi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_87.wav|fstˈajɛ i pʃɛxˈɔdʑɛ dɔ xˈɔlu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_153.wav|stsˈɔtt pɔpˈatʃɨw pɔt nˈɔɡʲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_44.wav|ˈalbɔ fstˈɔ̃ʃkɛ zˌavʲɔ̃zˈanɔ̃ na klˈamtsɛ.|2
+Dataset/wavs/urwisko_ferenc/60_segment_9.wav|tsˈɔ vˈɨʃwɔ f tˌɔksɨkɔlˈɔɡji?|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_106.wav|tɨm rˈazɛm jˈɛdnak tˈakɔ pɔvʲˈɛdʑaw fˌaridˈɔvi, ʒˈɛbɨ pɔftˈuʒɨw ˌɔstʃɛʒˈɛɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_134.wav|dwˈuɡɔ bˈɨ vɨjˈaɕɲʲatɕ, tˈatɔ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_133.wav|ˌɔras lˈɔrda staɲˈisa i jˈɛɡɔ tʃtɕit��ˈɛli dɛmˈɔnuf.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_256.wav|twˈum rɔsstˈɔmpiw ɕɛ pʃˈɛdɲʲɔ̃, lˈɛtʃ ɲʲɛxˈɛntɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_272.wav|tˈɛʒ dˈɔbʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_6.wav|ʒɛlˈaznɛ zvɨtɕˈɛ̃stfɔː ɔtˈarwɔ ɕɛ ɔ bˈurtɛ pʃˌɛtɕivɲˈika s tˈakim impˈɛtɛm, ʒˈɛ pɔwˈɔva ɔddʑˈawu ˌabɔrdˌaʒɔvˈɛɡɔ zvalˈiwa ɕɛ z nˈuk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_23.wav|vɨɕˈatwʃɨ z ˌawtɔbˈusu stˈaw xfˈilɛ pʃɛd dˈɔmɛm, f ktˌurɨm mʲˈɛʃkaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_13.wav|ˈuɕɔɲtɕ, ja jˈɔ̃ pʃˌɨɡɔtˈujɛ. vwˈaɕɲʲɛ nˌastavˈiwam tʃˈajɲik.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_21.wav|vʲˈɛm, kˈim jˈɛstɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_99.wav|kʲˈɛdɨ tˌɨlkɔ dˌɔstʃɛɡˈawam ɔkˈazjɛ, dʑvɔɲˈiwam dɔ pɔkˈɔju ɡˈɔɕtɕa, ktˌurɨ ɕɛ zˌamɛldˈɔvaw i ˌinfɔrmɔvˈawam, ʒˈɛ tɛrmˈinal ɲʲɛ zadʑˈawaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_163.wav|brakˈujɛ mi ɔtfˈartɛj pʃɛstʃˈɛɲi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_98.wav|pˈaltsɛ vˈɔkuw jˈɛɡɔ dwˈɔɲi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_106.wav|ftˈɛdɨ ˌuswɨʃˈawam ɡwˈɔs i zdwavˈiwam ˈɔkʃɨk strˈaxu, ktˌurɨ ɲʲˈɛmal vˈɨrvaw ɕɛ z mɔjˈɛɡɔ ɡˈardwa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_75.wav|a jˈɛɕli zalˈɛʒɨ tɕi na nˈaʃɛj miwˈɔɕtɕi, mˈuɕiʃ ɔtʃˈɨɕtɕitɕ ˈumɨsw s tˈɛɡɔ, tsˈɔ zapʃˈɔnta tɕi mˈɨɕli.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_56.wav|ɲʲɛ jˌɛstɛm jˈɛdnak pˈɛvna, tʃɨ tˈak naprˈavdɛ f tɔ vʲˈɛʒɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_114.wav|ˈɔfʃɛm, jˈɛst.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_23.wav|pʃɨvˈitaw ɡˈɔ brˈɨndɛn.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_43.wav|ɲʲɛ, ɲʲɛ mˌamɨ tʃˈasu, a ja mˈuvjɛ zˌaɡatkˈami. pɔswˈuxaj, ˈaʃ i ja mˌamɨ prɔblˈɛmɨ. ˌɔkazˈawɔ ɕɛ, ʒˈɛ jˈɛdnak mʲˈaw rˈɔmans.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_75.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_370.wav|zrɔbʲˈiwa ɕɛ bjˈawa jˈak mlˈɛkɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_123.wav|ɲʲɛ spɔdʑˈɛvaw ɕɛ, ʒˈɛ kɔbjˈɛta bˌɛɲdʑɛ mu pˌɔlɛtsˈawa dʑˈifki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_12.wav|pɔdʑˈivʲam tfˈɔjɔ̃ dɨskrˈɛtsjɛ. mɨɕlˈawɛm, ʒˈɛ pisˈaʒɛ ˌuvʲɛlbjˈajɔ̃ mˈuvitɕ, nat tʃɨm pratsˈujɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_123.wav|w zasˈadʑɛ ɡʲˈizmɔxˈartrit, ˌalɛ vʲˈɛtɕɛ, tsˈɔ mˈam na mˈɨɕli.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_41.wav|prˈɔʃɛ ɲˈiɡdʑɛ ɲʲɛ vɨjˈɛʒdʒatɕ i mɛldˈɔvatɕ ɕɛ f kˌɔmisarjˈatɕɛ tsˈɔ tʃˈɨ dɲˈi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_71.wav|fskˈazaw ktɕˈukʲɛm ˈɛwfrat i pˈɛwnɛ puwˈapɛk mʲˈastɔ pɔ drˈuɡʲɛj strˈɔɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_42.wav|tˈɔm pˈɔtʃɛd blˈiʒɛj. ɔ tsˈɔ xˈɔdʑi?|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_130.wav|drˈuɡʲɛ pˌɔkazˈujɛ ɡˈɔ jˈakɔ ɕfʲˈɛʒɔː ˌupʲɛtʃɔnˈɛɡɔ, ˌɔstʃɨʒɔnˈɛɡɔ na zapˈawkɛ rɛkrˈuta, s pɔvˈaʒnɔ̃, a zarˈazɛm ɡwupˈavɔ̃ mˈinɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_38.wav|tɔ ɲˈidʑ vʲˈɛntsɛj jˈak ˌɔbudɔvˈana prˈɨtʃa z dʒvʲˈami vˌɨpɔsˌaʒɔnˈɨmi w zˈamɛk.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_205.wav|ɛdmˈurɛ skˈinɔw ɡwˈɔvɔ̃, lˈɛtʃ jˈɛɡɔː ˈɔtʃɨ ftɕˈɔ̃ʃ wɨpˈawɨ pˌɔdɛjʒlˈivʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_84.wav|dˌɔvʲadˈujɛ ɕɛ, ʒˈɛ jˈamal jɛzd brˌɨɡadʑˈistɔ̃ w ɛkstsˈɛllɛnt tʲˈirɛ, a tsˈɔrɛj, jˈaki tɛn ɕfʲˈat mˈawɨ, s tˌɛnɔtɨpˈistkɔ̃ f sˈɔɲdʑɛ.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_332.wav|tɔ miwˈɔsnɛ ˌukɔ̃ʃˈɛɲʲa, xwˈɔptʃɛ.|1
+Dataset/wavs/urwisko_ferenc/49_segment_52.wav|ʒˈɛ pʃɛnˈɔɕi zˌaxɔvˈaɲʲa z ɔkrˈɛsu xɔrˈɔbɨ dɔ ʒˈɨtɕa zˌavɔdɔvˈɛɡɔ,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_57.wav|tɔ tʃɨ znˌalazwˈɔbɨ lˈɛpʃɨ spˈɔsup, ʒˈɛbɨ usˈunɔɲtɕ mɲʲɛ z drˈɔɡʲi?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_176.wav|ʒˈɛ nˌaruʃˈɨwɛm jˈakiɕ tˈabu, ʒˈɛ zrɔbʲˈiwɛm pɔ prˈɔstu tsˈɔɕ ˌɔkrɔpnˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_20.wav|swɔvˈitʃɛɡ zˈasnɔw f ɕˈɔdlɛ, kɔwˈɨʃɔnts ɕɛ w rˈɨtm rˈuxuf mˈuwa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_6.wav|pʃˈɨkrɔ mi s pɔvˈɔdu pˈaɲskʲɛj strˈatɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_77.wav|mˈɔɡliɕmˌɨ rˈazɛm z ɲʲˈɔ̃ pˌɔrɔzmˈavʲatɕ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_256.wav|na tfˈɔim mʲˈɛjstsu tˈɛʒ bˈɨm tˌɛɡɔ xtɕˈaw.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_17.wav|ktˈɔ tˈak ɕɛ strˈɔi dɔ prˈatsɨ f tˈakim mʲˈɛjstsu?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_99.wav|tsˈɔ pˈan jˈaɡɡɛr rˈɔbʲiw ftʃˈɔraj vʲɛtʃˈɔrɛm w mˌanxɛstˈɛʒɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_76.wav|tsˈɔ mʲˈawɔ stˈartʃɨtɕ mi na bjɛʒˈɔntsɛ ɔpwˈatɨ, a rˈɛʃtɛ zˌamjɛʒˈawɛm pʃɛznˈatʃɨtɕ na kɔlˈɛjnɔ̃ prˈubɛ ˌɔdʑɨskˈaɲʲa pʲɛɲʲˈɛndʑɨ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_150.wav|xwˈɔpak ɲʲɛ ʒˈɨjɛ.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_33.wav|kʲˈɛdɨ dɔtˈarli dɔ brˈam stˈavu dʑˈɛvits, xuntˈɔvi tˌɔvaʒˈɨʃɨw rˈuj mˈux.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_155.wav|zˌapɨtˈawam pɔtxˈɔdʑɔnts s pˌɔdɛjʒlivˈɔɕtɕɔ̃ dɔ fʃɨstkʲˈɛɡɔ, tsˈɔ dˌɔtɨtʃˈɨwɔ jaɡˈɛra.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_111.wav|kʲˈɛdɨ ˈaram ɕɛ ɔdvrˈutɕiw, ʒˈɛbɨ vˈɨjɕtɕ s pˌɔmjɛʃtʃˈɛɲʲa, zɛrvˈawa ɕɛ na rˈuvnɛ nˈɔɡʲi i zatʃˈɛwa ɡˈɔ bwˈaɡatɕ, ʒˈɛbɨ vrˈutɕiw, ˌalɛ jˈɔ̃ zˌiɡnɔrˈɔvaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_129.wav|sprˈavdʑam kˈilka tfɛˈɛtuf, ʒˈɛbɨ ɕɛ upˈɛvɲitɕ, ʒˈɛ ɲʲɛ sɔ̃ tɔ tˌɨlkɔ pʃˌɛkazˈanɛ fpˈisɨ dˌɔtɨtʃˈɔntsɛ jˈɛdnɛj tɛˈɔrji. ɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_253.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_37.wav|w rɛtsˈɛptsji ɕɛdʑˈawa nɔblˈiva azjˈatka.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_272.wav|tˌaki rˈɔbɔt tɔ dˌɔskɔnˈawɨ spˈɔsup na ɔtfˈartɕɛ ɕlˈuzɨ bˈɛs ˌawtɔrɨzˈatsji.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_366.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_382.wav|fstˈaw ɔt stˈɔwu, zɡˈarnɔw starˈanɲʲɛ ɔkrˈuxɨ, zavˈinɔw jˈɛ f pˈapʲɛr i vɨʒˈutɕiw zˌaviɲʲˈɔntkɔ dɔ kˈɔnta pɔkˈɔju.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_141.wav|lˈɛna ɕɛdʑˈawa na kanˈapʲɛ f kˈɔɲtɕɛ salˈɔnu, prˈavʲɛ tsˈawkʲɛm pˌɔɡrɔ̃ʒˈɔna f tɕˈɛɲʲu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_349.wav|tɔ ɲi ja jˈuʃ ɲʲˈɛvʲɛm, jˈaɡ bˌɨwɔ naprˈavdɛ s tɔ̃ dʑɛftʃˈɨnɔ̃ w mˈɔim mʲɛʃkˈaɲʲu.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_9.wav|swɨʃˈawa tɕˈixɛ ɔddˈɛxɨ ˈɔbu dʑˈɛftʃɔnt.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_40.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_3.wav|pˈuw ɡɔdʑˈinɨ pˈuʑɲʲɛj, pˌɔdlɛvˈajɔndʑ dˈafnɛ i valtˈɛra w mʲɛʃkˈaɲʲu jɛnsˈɛnuf na pʲˈɛntʃɛ, pˌɔdɛjmˈujɛ dɛtsˈɨzjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_34.wav|bʲˈillɨ ɕpʲˈɛva jɛj pʲˈɛrʃɨ vˈɛrs pikɲˈiku mˈiɕuf. w ˌɔtpɔvʲˈɛdʑi swˈɨʃɨ...|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_361.wav|tˈam ɲʲɛ bˌɨwɔ vrˈubli.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_204.wav|turˈɨɕtɕi rɔzˈɛʃli ɕɛ vɛ fʃˈɨstkix kʲɛrˈuŋkax, bˈɨ pɔdʑˈivʲatɕ lˌɔndɔvˈiskɔ z rˈuʒnɨx pˈuŋktuf.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_297.wav|mɲʲˈɛj ɲˈiʒ bˈɨwɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_67.wav|ɡdˈɨbɨ ɲʲɛ pʃˌɛtstavˈiwa mi tsˈawɛj tɛj drˌamatˈɨtʃnɛj sˌɨtuˈatsji, mˈɔɡwabˌɨm w ɔɡˈulɛ ɕɛ ɲʲɛ zˌɔrjɛntˈɔvatɕ, ʒˈɛ pɔlˈitsja xtsˈɛ pʃɛswˈuxatɕ prˌatsɔvɲˈikuf ɲilˈɛa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_503.wav|i vrˈutsɛ dɔ mˌɔnɔtˈɔnnɛj tsˌɔdʑɛnnˈɔɕtɕi. z ˈulɡɔ̃ vˈɛjdɛ f tˈɛ zvˈɨkwɔɕtɕ, ktˌura stˈajɛ mi kˈɔɕtɕɔ̃ w ɡˈardlɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_6.wav|i ɔt tɛj pˈɔʒɛ zazvˈɨtʃaj vɨxˈɔdʑiw z barˈaku ʃˈɛf i ʃˈɛd vzdwˈuʃ ɲˈix, stɔjˈɔntsɨx f ʃɛrˈɛɡu,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_71.wav|pʃˌɛʃukˈaliɕmˌɨ rˈuvɲʲɛʒ vnˈɛntʃɛ pɔt kˈɔntɛm ɕlˈaduf krfˈi.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_13.wav|tˌaki vˈidɔk tˈutaj tɔ dla mɲʲɛ xlˈɛp pɔfʃˈɛdɲi. turˈɨɕtɕi ˌuvʲɛlbjˈajɔ̃ dˌɛɡustˈɔvatɕ nˈaʃɛ lɔkˈalnɛ pɔtrˈavɨ, ˌalɛ prˈɔblɛm f tˈɨm, ʒˈɛ tutˈɛjʃa kˈuxɲʲa jɛzd dɔ dˈupɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_15.wav|tˈɔm ˈuznaw jˈɛdnak, ʒˈɛ f tɨm uɕmʲˈɛxu jɛst tsˈɔɕ ʃtutʃnˈɛɡɔ, jˈaɡbɨ za bˈardʑɔ ɕɛ starˈawa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_144.wav|tʃɨ rɔbʲˈiwɛm zdjˈɛɲtɕa mwˈɔdɨx kˈɔbjɛt, ˌudajˈɔntsɨx ɲʲɛlˈɛtɲʲɛ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_167.wav|pɔlˈitsjant umˈilkuw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_98.wav|dɔ ɲitʃˈɛɡɔ ɕɛ ɲʲɛ pʃˈɨdam?|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_388.wav|jˈɛɕli sprubˈujɛ, kˈaʒɛ mɔjˈɛmu brˈatu jˈɔ̃ zˈabʲitɕ.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_415.wav|i vˈɨznaj prˈavdɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_30.wav|dˈaj jɛj ˌɔdrɔbʲˈinɛ pʃɛstʃˈɛɲi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_170.wav|vˌɨxɔvˈawɛɕ ɕɛ na fɕˈi?|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_110.wav|pˌɔvʲɛdʑˈawɛm mu, ʒˈɛ ɛdmˈurɛ zɡʲˈiɲʲɛ, jˈɛɕli zˈamɛk ɕɛ ɲʲɛ pˈɔdda.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_208.wav|ˌɔbudʑˈiwa ɕɛ, dˈɨʃɔnts f tɕɛmnˈɔɕtɕi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_238.wav|ɛlˈizbɛs spʃɛtɕˈivu xˈɔva pʲɛɲʲˈɔndʑɛ dɔ kʲɛʃˈɛɲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_54.wav|ˈilɛ vˈidʑiʃ pˈaltsuf? zˌapɨtˈawa.|4
+Dataset/wavs/urwisko_ferenc/47_segment_50.wav|a kʲˈɛdɨ zbjɛrˈawam ɕɛ dɔ vˈɨjɕtɕa, ˌuswɨʃˈawam...|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_97.wav|ɔ tʃɨm klˈɛrki mʲˈawbɨ rɔzmˈavʲatɕ s ʃˌɛsnastɔlˈatkɔ̃? ɔ pɔlˈitɨtsˌɛ? sˌɨtuˈatsji na ɕfʲˈɛtɕɛ? f sfˈɔix stˈatsjax tˌɛlɛvizˈɨjnɨx? a ɔ tʃɨm ˌɔna mʲˈawabˌɨ rɔzmˈavʲadʑ z ɲˈim?|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_303.wav|dʑɛŋkˈujɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_151.wav|bˈɨw mˈuj, tʃˈuwam tɔ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_26.wav|vˈɔlɛ zˈɔstatɕ sˈɛr.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_52.wav|tɔ bˌɨwɔː ˌɔɕɛmnˈaɕtɕɛ mʲɛɕˈɛntsɨ tˈɛmu, a ja sˈama ɲʲˈɛvʲɛm, jˈak pʃɛtrfˈawam kˈilka kɔlˈɛjnɨɣ dɲˈi i jˈak pʃˌɛkɔnˈawam ˈinnɨx, ʒˈɛ ɲˈits ɕɛ ɲʲɛ dʑˈɛjɛ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_57.wav|ˈɔtɨh, ktˌuʒɨ ɲʲɛ mˈuʃɔ̃ zɡʲˈinɔɲtɕ, ˌalɛ zɡʲˈinɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_106.wav|ɲˈilɛ ˈɔpar pʃˌɛdramjˈɔna na stˈɔlɛ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_420.wav|marɡˈarjɛ zrˌɔzumjˈawa natˈɨxmʲast.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_178.wav|ɕɲʲˈadɛ psˈɨ i dˌɔrɲijtʃˈɨkuf, ɕfˌiɲʲartʃˈɨkuf, kalˈɛki, krɛtˈɨnuf, a tˈɛras rˈuvɲʲɛʃ ˌɔdʑanˈɛɡɔ na tʃˈarnɔ vʲˌɛlɔrˈɨba.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_245.wav|a pˈɔtɛm vɨdwˈubjɛ tɕi tɛ jɛbˈanɛ ɕlˈɛpja i kˈaʒɛ tɕi jˈɛ zjˈɛɕtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_226.wav|pɔvˈinnam jˈɛdnaɡ bˌɨwa pɔswˈuxadʑ ɡwˈɔsu w mˈɔjɛj ɡwˈɔvʲɛ, ktˌurɨ mˈuviw mi, ʒˈɛ pˌɔstɛmpujˈɛmɨ ʑlˈɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_96.wav|bʲˈillɨ mu vʲˈɛʒɨ, ˌalɛ xtɕˈaw uswˈɨʃɛtɕ tɔ z jˈɛɡɔː ˈust i zɔbˈatʃɨtɕ jˈɛɡɔ mˈinɛ. tɔː i tˈaɡ bˈɛz znatʃˈɛɲʲa bˌɨwɔ minˈɛwɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_69.wav|bʲˈillɨ, naprˈavdɛ ɲʲɛ zˌamjɛʒˈaliɕmˌɨ tɕˈɛ...|2
+Dataset/wavs/urwisko_ferenc/53_segment_34.wav|zaskˈɔtʃɨw jˈɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_68.wav|ˌalɛ mˈam pˈɔmɨsw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_97.wav|a jˌɛdnɔtʃˈɛɕɲʲɛ nˈadal xtsˈɛ prubˈɔvatɕ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_268.wav|zˈafʃɛ pɔftˈaʒaw, ʒˈɛ tɔ dla ɲʲˈɛɡɔ kˈara za tɕˈɔs, ktˌurɨm zˈabʲiw brˈata.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_81.wav|pʃɛbˈɨwam tʃˈɛɲʑdʑ drˈɔɡʲi pɔd ɡˈurɛ, ˌalɛ ɲʲɛ mˈɔɡwam vˈɛjɕtɕ na sˈam ʃtʃˈɨt.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_165.wav|lˈɔrdʑɛ vˈatɛrs|1
+Dataset/wavs/urwisko_ferenc/25_segment_71.wav|ˈɔtsknɔw ɕɛ i ɲʲˌɛpʃɨtˈɔmɲʲɛ rɔzˈɛjʒaw pɔ pɔkˈɔju. kʲˈɛdɨ ɔdnˈalaz vzrˈɔkʲɛm xˈɛrman, pɔnˈɔvɲʲɛ pʃˈɨmknɔw ˈɔtʃɨ i ˈɔtar tfˈaʃ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_3.wav|ɲʲɛ pɔtrˈafiw spˈɔjʒɛtɕ jɛj w ˈɔtʃɨ. zdˈavaw sˈɔbjɛ sprˈavɛ, ʒˈɛ ˈujʒawbˌɨ w ɲˈiɣ bˈɛz vɔntpʲˈɛɲʲa ɡɲʲˈɛf i pɔɡˈardɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_247.wav|sɔ̃ pˌɔpaʒˈɔnɛ pˈɛwnɔ nˈaɲih bˈɔmbli i bˈɔlɔ̃ jˈak xɔlˈɛra.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_286.wav|vʲˈɛm, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_221.wav|zɔstˈawɔ mi ɲʲɛvʲˈɛlɛ tʃˈasu i muɕˈawam ɡˈɔ vˌɨkɔʒˈɨstatɕ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_406.wav|bˈɨtɕ mˈɔʒɛ jˈɛɡɔ dʑˈɛdʑits.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_11.wav|ɲʲˈɛx ˈɔjtɕɛts ɔsˈɔɲdʑi ɡˈɔ sprˌavʲɛdlˈivʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_62.wav|swˈɨʃɛ, jˈaɡ dɔmˈiɲik ɔtstˈavja kʲɛlˈiʃɛk na blˈat i vʲˈɛm jˈuʃ, ʒˈɛ rˈuʃa mˈɔim ɕlˈadɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_24.wav|bˈɛtskɨ pˌɔpatʃˈɨwa na zˌatrɔskˈanɔ̃ tfˈaʃ mɛ̃ʃtʃˈɨznɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_44.wav|jˌɛstɛm dalˈɛkɔ za tˈɔbɔ̃, ɲʲɛ tʃˈɛkaj nˈamɲʲɛ!|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_196.wav|mˈɨɕlaw ˈɔtɨm, ʒˈɛ vʲˈɛlu lˈudʑɔm ɲʲɛ pɔvʲˈɔdwɔ ɕɛ na zaxˈɔdʑɛ i ˈɔtɨm, ʒˈɛ vratsˈajɔ̃ na fsxˈut.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_5.wav|ɕˈadaj nˈuʃ, mˈuvjɛ. ʒˈutsa mi zˌaskɔtʃˈɔnɛ spɔjʒˈɛɲʲɛ i zɔstˈajɛ na sfˈɔim mʲˈɛjstsu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_18.wav|jˈɛdna ruʒɲˈitsa.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_183.wav|zˌapɛvɲˈiwa tsɛrsˈɛi.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_106.wav|ɲʲˈɛʑlɛ pˌɔmɨɕlˈawam, ˌalɛ pʃɨ pˌɔzɔstˈawɨx tʃˈɛɣ bˌɛndɛ muɕˈawa ɕɛ sprˈɛ̃ʒɨtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_78.wav|skˈɔnt ɕɛ tˈu vʑˈɛwam? tsˈɔ ɕɛ stˈawɔ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_80.wav|ɔɡrˈɔmnɨ, ɲˈiski tˈaptʃan jˈak pˈɔdɛzd vɨpˈɛwɲʲaw vʲˈɛŋkʃɔʑdʑ vnˈɛntʃa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_207.wav|vrˈɛʃtɕɛ ɕˈilɲiɡ zˌaskakˈujɛ i pˈitskup ftˈatʃa ɕɛ na tˈɛrɛn pˌɔɕadwˈɔɕtɕi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_15.wav|tˈak, vˈɨbatʃ, ɲʲɛ rˌɔspɔznˈawam tfɔjˈɛɡɔ numˈɛru. swˈɨʃɛ, jˈak nabjˈɛra ˈɔstrɔ pɔvʲˈɛtʃa.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_274.wav|jˈɛɕli rˈɨtsɛʃ kfʲˈatuv zdˈɔwa vrˈutɕidʑ ʒˈɨvɨ zˈɛ smˈɔtʃɛj skˈawɨ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_32.wav|tsˈɔ zamjˈɛʒaʃ utʃˈɨɲitɕ, vˈaʃa mˈiwɔɕtɕ?|1
+Dataset/wavs/urwisko_ferenc/03_segment_45.wav|zalˈɛʒɨ mi na vˌɨjaɕɲʲˈɛɲʲu sprˈavɨ zˌaɡʲiɲʲˈɛɲtɕa pˈana tsˈurki.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_297.wav|ˈalbɔ ɲʲˌɛznajˈɔmɨ pʃˈɨjdʑɛ pɔ tsˈawɔ̃ vˈaʃɔ̃ ɕfʲˈɛntɔ̃ zɡrˈajɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_10.wav|nˈajpʲɛrf pɔtxˈɔdʑi dɔ kɔmˈurki davˈida lɔtskrˈidʒa, ˌalɛ tɔ ɲʲɛ ˈɔna.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_98.wav|zˌamɛldˈujɛʃ ɕɛ f xɔtˈɛlu.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_53.wav|spɔjʒˈawam na ɲʲˈɛɡɔ pʃˈɛz vˈɔ̃skɔ̃ ʃtʃɛlˈinɛ. tˈak.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_104.wav|f xfˈili, kʲˈɛdɨ samˈɔlɔt pʃɛlˈɛtɕaw pˈɔnat prˈɔɡʲɛm,|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_135.wav|ja tɔ vʲˈɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_7.wav|pɔ vˈɛjɕtɕu dɔ pɔkˈɔju muɕˈawa pˈɔmuts mi zdjˈɔɲtɕ kˈurtkɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_221.wav|zzˈa rˈɔɡu vɨwˈɔɲiw ɕɛ ˈɔjtɕɛts, kturˌɛɡɔ pʃˌɨprɔvadʑˈiwa tˈu nˌaviɡˈatsja w ɡʲˈizmɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_358.wav|jˈak mʲˈawabˌɨm jˈɛ uʃkˈɔdʑitɕ i pɔzˈɔstatɕ ɲʲˌɛzawvaʒˈɔna?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_151.wav|vˌɨʃɛptˈawam f tɕˈixɨm pˌɔmjɛʃtʃˈɛɲʲu.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_62.wav|tʃˈarnɨ i bjˈawɨ pʲˈɛpʃ.|1
+Dataset/wavs/urwisko_ferenc/20_segment_6.wav|xudʑˈiɲski nˈabraw pɔvʲˈɛtʃa i vɨpˈuɕtɕiw jˈɛ pɔvˈɔli, rˌɔzluʑɲʲˈajɔnts mʲˈɛɲɕɲʲɛ. ˈɔpar ɡwˈɔvɛ na zaɡwˈufku fɔtˈɛla i pʃˈɨmknɔw ˈɔtʃɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_58.wav|jˈɛnnɨ, ɲʲˈɛvʲɛm, tsˈɔ mˈam na dʑˈiɕ f kˌalɛndˈaʒu, ˌalɛ fʃˈɨstkɔ tʃˈɛba ˌanulˈɔvatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_8.wav|mˈɔɡwabˌɨɕ pˈujɕtɕ jˈɛʃtʃɛ dɔ sfɔjˈɛɡɔ pɔkˈɔju? mˈuʃɛ pˌɔrɔzmˈavʲatɕ s tatˈuɕɛm. taksˈufka zatʃˈɛka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_76.wav|zˌamjɛʒˈaliɕmˌɨ tɕˈɛ spʃˈɔntnɔɲtɕ. tˌaki bˈɨw jˈɛdɛn z varˈuŋkuf umˈɔvɨ. mʲˈaw tɔ zrˈɔbʲidʑ dˈana.|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_155.wav|ɲʲɛ zmʲˈɛɲʲa tɔ fˈaktu, ʒˈɛ tʃˈujɛ ɕɛ jˈak kˈapwan i lɛvˈita, ktˌuʒɨ ˌɔbɔjˈɛntɲʲɛ pʃˈɛʃli ˈɔbɔk, zˈaɲim zjˈaviw ɕɛ mˌiwɔɕˈɛrnɨ sˌamarɨtˈaɲin i ˌuratˈɔvaw sˌɨtuˈatsjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_255.wav|— umˈarwa? — ˈɛlis pɔdɲʲˈɔswa dwˈɔɲʲɛ dɔː ˈust. — jˈɛɕli ɲʲɛ, prˈɔʃɛ, ɲʲɛ zabʲˈijaj jɛj tˈak jˈak... tˈak jˈak...|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_52.wav|pʃˈɨtɛj ruʒɲˈitsɨ vʲˈɛku na pˈɛvnɔ mˈuɡwbɨɕ ɲˈim bˈɨtɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_15.wav|pˈatʃɛ f tɛj xfˈili na tˌɛlɛvˈizjɛ, pɔvʲˈɛdʑaw ɡwˈɔs f swuxˈaftsɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_132.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_26.wav|ɔtfˈɔʒɨw dʒvˈi prˌɔvadʑˈɔntsɛ dɔ druɡʲˈɛɡɔ pɔkˈɔju.|0
+Dataset/wavs/urwisko_ferenc/47_segment_35.wav|bˈɔ pʃˌɛtɕɛʃ ftˈɛdɨ stratɕˈiwa i jˈɛɡɔː i tɕˈɛbjɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_43.wav|ˌalɛ bˌɨwa tɔː annˈɛɛ, ubrˈana jˈak ˌɔɕɛmnˌastɔvʲˈɛtʃna markˈiza.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_74.wav|bʲˈillɨ zabjˈɛra kɔmˈurkɛ. ˈɛlis pɔtɕˈɔŋɡa nˈɔsɛm, jˈaɡbɨ pwakˈawa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_23.wav|spˈɛntsɛr zvʲˈɛɕiw ɡwˈɔvɛ i zˈatʃɔw ɕɛ bˈavitɕ sɨɡnˈɛtɛm na pˈaltsu.|3
+Dataset/wavs/urwisko_ferenc/14_segment_63.wav|tsˈɔ tˈam rɔbʲˈiwa?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_38.wav|tˈɛt fʃˈɨstkɔ vˌɨdrukˈujɛ, vʲˈɛnts tɔ spravdʑˈimɨ. spravdʑˈimɨ tˈɛʃ jɛj lˌɔkalizˈatsjɛ, vˌɨkɔʒɨstˈujɔndʑ dˈanɛ ɔt naˈila.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_265.wav|zvrutɕˈiwam ɕɛ dɔ ɲʲˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_104.wav|ɲˈiɡdɨ mu tˌɛɡɔ ɲʲɛ vɨbˈatʃɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_6.wav|ˌɔtʃɨvˈiɕtɕɛ tɨm rˈazɛm sˌɨtuˈatsja vˌɨɡlɔndˈawa trˈɔxɛ inˈatʃɛj.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_200.wav|ˌaɲi jˈɛʃtʃɛ nˌastɛmpnˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_105.wav|brˈad ɡʲˈilam nakˈarmi jɛj napˈɔji.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_165.wav|jˈak inˈatʃɛj mˈuɡwbɨ ɕɛ ɔdvˈaʒɨtɕ pˌɔʒɛɡlˈɔvatɕ tˈaɡ dalˈɛkɔ na zˈaxut, zˈamjazd zɡˈɔdɲʲɛ s tradˈɨtsjɔ̃ pwˈɨnɔɲdʑ vzdwˈuʃ lˈiɲʲi bʒɛɡˈɔvɛj?|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_149.wav|ˌalɛ tʃˈɛ̃stɔ zˌapɔmˈinaw, tsˈɔ tɔ mʲˈawɔ bˈɨtɕ, ɲˈim xwˈɔpak pʃˈɨbɨw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_16.wav|spˈaɲʲɛ ɔznˈatʃa snˈɨ, a nˈatɔ ɲʲɛ mˈɔɡɛ sˈɔbjɛ pɔzvˈɔlitɕ.|3
+Dataset/wavs/urwisko_ferenc/18_segment_69.wav|zˈaras pˈɔtɛm ɔpˈɔnɨ zˌapiʃtʃˈawɨ na kˈaflax. vˈarkɔt ɕilɲˈika ˈustaw nˈaɡlɛ i dˈɔbjɛɡw ɡˈɔ ɡwˈuxɨ ˈɔdɡwɔz zˌamɨkˈanɨɣ dʒvˈi.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_267.wav|ˈaɲʲa vˌainvˈɔɔt?|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_332.wav|tɔ jˈɛdnaɡ bɨwˈɔbɨ kwˈamstfɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_98.wav|ˈɛlis pʃɛstˈajɛ ɡˈɔː utɕˈiʃatɕ. vʲˈɛ, ʒˈɛ tɔ sɔ̃ jˈɛɡɔː ɔstˈatɲʲɛ swˈɔva i jɛj rˈɔlɔ̃ jɛst swˈuxadʑ ɡˈɔ, dɔpˈutɨ, dɔpˈuki bˌ��ɲdʑɛ f stˈaɲʲɛ mˈuvitɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_45.wav|jɛst ˈɔkɛj. tsˈɔ mˈamɨ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_260.wav|patʃˈɨwɛm na kanˈapɛ i vidʑˈawɛm, ʒˈɛ stˈɔi ˌɔna kʃˈɨvɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_92.wav|jˈɛɕli dˈa im tɔ, pɔ tsˈɔ pʃˌɨjɛxˈali.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_360.wav|i ftɕɔŋɡnˈɛwa z drʒˈɛɲʲɛm nˈɔtsnɔ̃ kɔʃˈulɛ, bˈɨ ˈɔkrɨtɕ nˈaɡɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_5.wav|nˌajvɨrˈaʑɲʲɛj bˈutskɨ i ˈɛlljɛ zvrutɕˈili z zakˈupuf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_114.wav|ɲʲɛ, ˌalɛ tʃˈasɛm tˈak tɔ ɕɛ pɔmˈɨɕlɲʲɛ ukwˈada.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_71.wav|pʃɛsˈuvam pʃɛt ɕˈɛbjɛ tɔrˈɛpkɛ, ɕˈɛŋɡam pɔ mˈɔjɔ̃ vˌɨkɔnˈanɔ̃ w dˈɔmu brˈɔɲ i zastˈɨɡam w ˌɔtʃɛkivˈaɲʲu.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_338.wav|tˈak ˈɔtɔ zɔstˈawam mˈawɔː ˌuʒɨvˈanɔ̃ vdˈɔvɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_87.wav|bˈɛtskɨ vʲɛdʑˈawa, tsˈɔ tɔː ɔznˈatʃa. ɲʲɛ bˌɨwɔ tˈam dˌɔkumˈɛntuv dˌɔtɨtʃˈɔntsɨx mˈartɨ pˈɔrtɛr.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_553.wav|ʒˈɛ f tɛj kˌamjɛɲˈitsɨ mʲˈɛʃkaw i pˈisaw vʲˈɛlki pˈɔlski prɔzˈaik.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_55.wav|sprˈavdʑitɕ, ktˈɔ jɛzd vwˌaɕtɕitɕˈɛlɛm?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_62.wav|tɔ dˈɔbrɨ dˈɔm. zˈafʃɛ tˌaki bˈɨw, xˈɔtɕ ɲʲɛ mˈɔɡɛ pʃɨpˈisatɕ sˈɔbjɛ zˈaswuɡ za rˈɛmɔnt. mˈuʃɛ pʃˈɨznatɕ, ʒˈɛ ftʃˈɛɕɲʲɛj vɨɡlˈɔndaw dˈɔɕtɕ paskˈudɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_104.wav|rɔzɡlˈɔnda ɕɛ, jˈaɡbɨ ɕɛ bˈaw, ʒˈɛ jɛstˌɛɕmɨ ˌɔpsɛrvɔvˈaɲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_186.wav|sfɔbˈɔda ɕɛ uɕmʲˈɛxnɔw. a vʲˈɛnts mɲʲɛ zˌaufˈawaɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_142.wav|tʃɨ tɛn idjˈɔta bˈɨw ˈaʃ tˈak ʃlaxˈɛtnɨ?|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_20.wav|ɡwˈɔva bɔlˈawa ɡˈɔ dɔtklˈivʲɛ. ɲʲɛ pʃˌɨpɔmˈinam sˈɔbjɛ, ʒˈɛbɨm tɕi kˈazaw pɔzvˈɔlitɕ ˈutɕɛts sˈɛr brˌɨndɛnˈɔvi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_79.wav|jˈɛɡɔː ɔtsˈɛtki sɔ̃ straʃlˈivɛ, ˈanɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_139.wav|ɔbˈalaw tˌɔtalitˈarɨzm f ʃkˈɔlɛ pˈɔlskʲɛj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_331.wav|i vˌɨɡlɔndawˈɔbɨ na skradʑˈɔnɛ, ɡdˈɨbɨ ɲʲɛ fˈakt, ˈiʃ pʃˌɨtʃɛpʲˈɔnɛ bˌɨwɔ dɔ ɕtɕˈanɨ xakˈami.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_112.wav|tʃˈɛɲɕtɕɔ̃ jˈaʑɲi vʲɛdʑˈawa, ʒˈɛ tɔ kɔʃmˈarnɨ sˈɛn.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_80.wav|tʃˈɨ tʃfˈartɛ nˈaʃɨx kɕˈɔ̃ʒɛk i tʃˈɨ tʃfˈartɛ nˈaʃɨx fˈilmuf tɔ çistˈɔrjɛ ɔ dʑɛftʃˈɨnax, ktˌurɛ zɔstˈawɨ kurvˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_117.wav|mˌamɨ jˈakʲɛɕ pɔjˈɛɲtɕɛ, ɔ ktˌurɛj dɔ tˌɛɡɔ dˈɔʃwɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_26.wav|pɔ jˈɛdnɛj strˈɔɲʲɛ dɔstʃˈɛɡwam tsˈɔɕ, tsˈɔ vˌɨɡlɔndˈawɔ na jɛʑˈɔrɔ, a drˈuɡʲɛj strˈɔnɨ ɲʲɛ udˈawɔ mi ɕɛ nˈavɛd zɔbˈatʃɨtɕ, tˈaɡ zˌarɔɕɲʲˈɛntɨ bˈɨw ˈɔɡrut.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_67.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ mˈa tɔ znatʃˈɛɲʲɛ. pˈɔvʲɛts mi f tɛj xfˈili.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_22.wav|bˈaki jɛŋknˈɛwa.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_250.wav|ˈɔx, i zˈamkɲij tˈɛʃ mʲˈɛjskʲɛ brˈamɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_32.wav|ˌɔpuʑɲʲˈaɲʲɛ ɲʲˌɛuɲˌikɲʲɔnˈɛɡɔ w ɲˈitʃɨm ɲʲɛ pɔmˈaɡa, vʲˈɛnts f kˈɔɲtsu ɔtpˈinam pˈas i ɔtfʲˈɛram dʒvˈi sˌamɔxˈɔdu.|3
+Dataset/wavs/urwisko_ferenc/63_segment_82.wav|tɨm rˈazɛm pˌɔwɔʒˈɨwa pʃɛt mwˈɔdɔ̃ kɔbjˈɛtɔ̃ kˈadrɨ z zapˈisu mˌɔɲitɔrˈiŋɡu z dvˈux sklˈɛpuf nˈɛttɔː i ˈaldʲi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_101.wav|zˌastanˈavʲam ɕɛ, tʃɨ pɔvˈinnam skwˈamatɕ, ˌalɛ ɲʲɛ vˈidʑɛ f tɨm nˌajmɲʲɛjʃˈɛɡɔ sˈɛnsu. tɔː ɔn tʃˈɨma fʃˈɨstkʲɛ kˈartɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_56.wav|jɛzd bʒˈɨtki, ˌalɛ jˈak tɔ z bʒɨtkˈimi ʒɛtʃˈami tʃˈɛ̃stɔ bˈɨva, jɛst tˈɛʒ vɨɡˈɔdnɨ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_167.wav|tɔ s tɔ̃ krulˈɔvɔ̃ ɕɛ pʲˌɛrdɔlˈiwɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_96.wav|tʃɨ skʃˈɨvdʑi jˈɛɡɔː ˈumɨsw, dˈuʃɛ, dˈuxa? ɔ tˈak!|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_115.wav|f kˈɔɲtsu kˈɔmbajn vjˈɛxaw na pwaskˈɔvɨʃ i pʃɛstˈawɔ mnˈɔ̃ ʒˈutsatɕ.|4
+Dataset/wavs/urwisko_ferenc/20_segment_2.wav|uɕˈɛdli wˈɛ fɔtˈɛlaɣ z ratˈanu vˌɨwɔʒˈɔnɨɣ vɨɡˈɔdnɔ̃ ɡˈɔmpkɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_33.wav|tʃˈujɛ ɔɡrˈɔmnɨ tɕˈɛ̃ʒar f pʲˈɛrɕi, ktˌurɨ ɲʲˈɛmal ɔdbjˈɛra mi ˈɔddɛx.|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_14.wav|tɔ ɲʲɛ jɛst tˌɨlkɔ draɕɲʲˈɛɲtɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_24.wav|na pɔtstˈavʲɛ zdjˈɛɲdʑ z zˈillɔf jˈakɔ tˈakɔː ˌɔrjɛntˈujɛ ɕɛ w rɔskwˈadʑɛ pɔmjˈɛʃtʃɛɲ, ˌalɛ ɲˈikt mˈuɡw zrˈɔbʲidʑ ɡˌɛnɛrˈalnɨ rˈɛmɔnt pˈɔtɨm, jˈak ɕɛ fprɔvˈadʑiw.|2
+Dataset/wavs/urwisko_ferenc/01_segment_81.wav|ʒuwtˈavɨ kɕˈɛ̃ʒɨts f pˈɛwɲi na tlˈɛ ɲʲˈɛba zwˌɔʒɔnˈɛɡɔ z dvˈux pʲɔnˈɔvɨx pˈaskuf pʃˌɛsuɲʲˈɛntɨɣ vzɡlˈɛndɛm ɕˈɛbjɛ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_151.wav|jˌɛstɛɕ mˈɔjɔ̃ mˈatkɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_134.wav|dɔ kˌɔwɨʃˈɔntsɨx ɕɛ mˌamɨ i tˈatɨ ɔbjˈɛntɨx mˈɔtsnɔ, ɕmʲɛjˈɔntsɨx ɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_47.wav|vʲˈɛŋkʃɔɕtɕ tˌɨlkɔ xtsˈɛ ˈutɕɛts. ktˈɔʑ vʒˈɛʃtʃɨ stʃɛlˈajɔ̃, ktˈɔɕ ˈinnɨ kʃˈɨtʃɨ bˈɔmba f sˈɔɲdʑɛ. jˈɛʃtʃɛ ˈinna ɔsˈɔba dʒˈɛ ɕɛ mˌajɔ̃ brˈɔɲ.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_48.wav|ɔtsˈunɔw nˈas fʃˈɨstkiɣ dɔ tˈɨwu, ʒˈɛbɨ zrˈɔbʲidʑ vˈɔlnɛ mʲˈɛjstsɛ pʃɛd vˈɛjɕtɕɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_44.wav|bʲˈillɨ najxˈɛntɲʲɛj zatʃˈɛkawbˌɨ, bˈɨ sprˈavdʑitɕ, tʃɨ rˈixtɛr pˈujdʑɛ na ɡˈurɛ dɔ jɛnsˈɛnuf, ˌalɛ vʲˈɛ, ʒˈɛ ɲʲɛ mˈɔʒɛ sˈɔbjɛ nˈatɔ pɔzvˈɔlitɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_276.wav|tɔ, ʒˈɛ samˈɔlɔd zɔstˈavja ɕlˈat na ɲʲˈɛbjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_151.wav|jˌɛstɛm tˈutaj, mˈɨɕli. ˌɔdnalˈazwam ɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_310.wav|a pɔt krɔkfʲˈami kɔmnˈatɨ skupʲˈawɨ ɕɛ ɡˈɛ̃stɛ xmˈurɨ dˈɨmu.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_89.wav|mˈɔʒɛ spɔkˈɔju rˌɔstɕɔŋɡˈawɔ ɕɛ jˈak ˈɔkʲɛm ɕˈɛŋɡnɔɲtɕ. ʃˈarɛ vzɡˈuʒa i pˌɔstʃɛmpʲˈɔnɛ ɡwˈazɨ znatʃˈɨwɨ krajˈɔbras ˈaʃ pɔ xɔrˈɨzɔnt.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_59.wav|nˌazɨvˈawɔ mɲʲɛ ftˈɛdɨ sˌamɔlˈubnɔ̃ i ˌɛɡɔtsɛntrˈɨtʃnɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_316.wav|ˌɔttʃuvˈawɛm jˈakɔ̃ʑ vɛvnˈɛntʃnɔ̃ drʒˈɔntʃkɛ, jˈak mɨɕlˈivɨ f kɲʲˈɛj.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_8.wav|mˈuɕi zˈabratɕ sfˈuj tɛlˈɛfɔn. tɔ jɛdˈɨnɨ varˈunɛk, ktˌurɨ mˈuɕi spˈɛwɲitɕ, ʒˈɛbɨm ɕɛ nˈatɔ fʃˈɨstkɔ zɡɔdʑˈiwa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_24.wav|ˈandɛrsɔn pˈatʃɨw, jˈak tˈɨtɔɲ sˈɨpʲɛ ɕɛ na pɔdwˈɔɡɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_45.wav|ɲʲɛ, ɲʲɛ vɨdˈajɛ mi ɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_49.wav|ɔt kʲˈɛdɨ ɕɛ ˈu nˈaz zjˈaviw, dvukrˈɔtɲʲɛ zˈaʃwa f tɕˈɔ̃ʒɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_16.wav|xˌaˈɛm, vʲˈɛʃ, ʒˈɛ ɲʲɛ pɔvˈinnaʑ vɨwˈɔntʃatɕ kɔmˈurki, prˈavda?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_72.wav|dlatʃˈɛɡɔ vɛrbˈɔvɲiɡ zˌɔrɡaɲˌizɔvˈanɛj ɡrˈupɨ pʃɛstˈɛmptʃɛj zˌaaŋɡaʒˈɔvawbˌɨ ɕɛ f pɔrvˈaɲʲɛ, jˈɛɕli ɲʲɛ xɔdʑˈiwɔː ɔː ˈɔkup ˌaɲi pˌɔraxˈuŋki mʲˌɛndʑɨ ɡaŋɡˈami?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_33.wav|jˈɛɡɔ tfaʒˈɨtʃka jɛzd zˌatʃɛrvʲɛɲʲˈɔna.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_30.wav|jɛdnˈɛɡɔ dɲʲˈa pɔtrˈafiw mi pɔvʲˈɛdʑɛtɕ, ʒˈɛ dʑˈɛŋki mɲʲɛ ɕfʲˈat jɛst pʲɛŋkɲʲˈɛjʃɨm mʲ��ɛjstsɛm, a ja pɛntʃɲʲˈawam z dˈumɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_81.wav|zatʃˈɛwam fʃˈɨstkɔ pʃɛtʃˈɔ̃satɕ. ɲʲɛ vidʑˈawam sˈɛnsu, ʒˈɛbɨ bˈavitɕ ɕɛ f sˌuptɛlnˈɔɕtɕi. nˌatrafˈiwam na ʒˈɛtʃɨ, ktˌurɨx mˈɔʒna bˌɨwɔ ɕɛ spɔdʑˈɛvatɕ pɔ kˈaʒdɨm bʲˌiznɛsmˈɛɲʲɛ f pɔdrˈuʒɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_6.wav|kʲˈɛdɨ udˈajɛ mi ɕɛ trˈɔxɛ ˌuspɔkˈɔitɕ, vˈɔwam jˈɛnnɨ s pɔvrˈɔtɛm dɔ ɕˈɛbjɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_28.wav|w jˈakimɕ sˈɛnɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_319.wav|wˈat mˈɔʒɛ skˈɔnatɕ pɔt ˌudɛʒɛɲʲˈami bʲˈitʃa i marɡˈɛrɨ ɲʲɛ bˌɛɲdʑɛ jˈuʃ f stˈaɲʲɛ pɔdvˈaʒɨtɕ jˈɛɡɔ zˈɛznaɲ.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_243.wav|bˌɛɲdʑɛ mi pɔtʃˈɛbnɨ tˈɛʃ kˈɨbɛrn.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_65.wav|tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ tɨm rˈazɛm?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_216.wav|ukrˈatkʲɛm spɔjʒˈawɛm tˈɛras nˈaɲʲɔ̃, ɕɛdʑˈɔntsɔ̃ ˌɔbɔk mɲʲɛ,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_118.wav|jˈakaɕ fˈala pʃɨkrˈɔɕtɕi ˌɔɡarnˈɛwa mɲʲɛ zɲʲɛnˈatska,|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_216.wav|ktˈɔ napˈisaw tɔː ˌɔpɔvʲadˈaɲʲɛ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_39.wav|zapˈɨta mɲʲɛ, tʃɨ uvˈaʒam, ʒˈɛ ˈaʃ mˈɔʒɛ mʲˈɛtɕ rˈɔmans.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_266.wav|na vˌɨɕfʲɛtlˈatʃu pˌɔjavˈiwɔ ɕɛ zˌavʲadɔmjˈɛɲʲɛ ɔ zlɛtsˈɛɲʲu. mʲˈawam dwˈuɡʲi stˈaʃ prˈatsɨ i znˌajdɔvˈawam ɕɛ f pɔblˈiʒu, vʲˈɛnts sˈɨstɛm vˈɨswaw jˈɛ nˈajpʲɛrv dɔ mɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_118.wav|ɲʲˈɛrup jɛj kʃˈɨvdɨ, prˈɔʃɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_208.wav|mˈɔʒɛ nˈavɛt ɲʲɛ jˌɛstɛɕ pʲˈɛrʃa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_187.wav|tˈak pˈɛvʲɛn jˈak tˈɛɡɔ, ʒˈɛ swˈɔɲtsɛ fstˈajɛ na fsxˈɔdʑɛ. tsˈɔɕ jˈɛʃtʃɛ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_216.wav|pˈujdɛ jˈuʃ, pɔvʲˈɛdʑaw. mˈɔʒɛʒ vʑˈɔɲtɕ mˈuj samˈɔxut, pˌɔvʲɛdʑˈawa. ɲʲɛ bˌɛɲdʑɛ mi pɔtʃˈɛbnɨ pʃˈɛs pˈarɛ dɲˈi. uɕmʲˈɛxnɔw ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_154.wav|pʃˌɛʃukivˈawa ix ubrˈaɲʲa i litʃˈɨwa mɔnˈɛtɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_9.wav|zrɔbʲˈiwam, tsˈɔ mi kazˈawa. nˈuʒ vˈɔlnɔ pˌɔʃɨbˈɔvaw kˈu pɔdwˈɔdʑɛ, ˌalɛ ŋɡˈuɡʲi nˈadal tʃɨmˈawa mɲʲɛ na mˈuʃtsɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_169.wav|bʲˈillɨ dˈajɛ tˌɛmu spˈɔkuj.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_32.wav|nˌadʲinspˈɛktɔr dɔˈuɡlas i ja vʲˈɛmɨ, ʒˈɛ lˈintsaj mˈa brˈata w vʲɛ̃ʑˈɛɲʲu, xˈɔtɕ ɲikˈɔmu ˈɔtɨm ɲʲɛ muvˈimɨ. mˈa ˈinnɛ nazvˈiskɔ pɔː ˈinnɨm ˈɔjtsu.|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_53.wav|ɲʲɛ sɔɲdʑˈiwɛm, ʒˈɛ kˈɔmuɕ tsˈɔɕ ɕɛ stˈaɲʲɛ, ja tˈɨlkɔ...|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_105.wav|tsamˈɛrɔn bˈɨw jˈɛdnɔ̃ z mˈɔix ˈɔfjar.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_25.wav|fkrˈuttsɛ pˌɔstanˈɔvjɔ̃ ˌɛvakuˈɔvatɕ ɕɛ z budˈɨŋku i pʃɨnˈajmɲʲɛj tʃˈɛɲʑdʑ zˈɛjdʑɛ sxɔdˈami, bˈɔ w vˈiɲdʑɛ fʃˈɨstsɨ ɕɛ ɲʲɛ zmʲˈɛʃtʃɔ̃.|2
+Dataset/wavs/urwisko_ferenc/50_segment_40.wav|ˌalɛ nˈɔtsɔ̃...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_62.wav|ˈɔlman pɔxˈɨliw ɕɛ dɔ pʃˈɔdu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_132.wav|pɔ xfˈili miltʃˈɛɲʲa pˌɔxɨlˈiwam ɕɛ nˈadɲim i vˌɨtɕɔŋɡnˈɛwam rˈɛŋkɛ, ʒˈɛbɨ mu pˈɔmuts fstˈatɕ, ˌalɛ ɔtsˈunɔw jˈɔ̃.|3
+Dataset/wavs/urwisko_ferenc/63_segment_125.wav|vˌɨdmuxˈawa dˈɨm i strɔɲtɕˈiwa swˈupɛk pɔpʲˈɔwu. kɔbjˈɛta pɔdɲʲˈɔswa ɡwˈɔvɛ. — swˈuxam?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_65.wav|zavˈɔwaw, jaɡbˈɨɕmɨ bˌɨli dɔbrˈɨmi starˈɨmi znˌajɔmˈɨmi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_28.wav|pˈɛtɛrsɔn tɔ jɛdˈɨɲʲɛ asˈɨstɛnt, tʃɨ rˈɔbʲi tˈɛʒ za ˌɔxrɔɲʲˈaʒa?|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_22.wav|jˈak lˈɛtɕi, ˈir, fʃˈɨstkɔ dˈɔbʒɛ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_47.wav|pˌɔzɔstˈawɛ ɡvʲˈazdɨ tɔ mˈawra vˈildʲiŋk,|3
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_25.wav|tʃɨ pʃˌɨpɔmˈina pˈan sˈɔbjɛ, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ, kʲˈɛdɨ zabrˈali pˈana na zˈɛvnɔntʃ i fsadʑˈili dɔ sˌamɔxˈɔdu?|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_71.wav|zˌapɨtˈawa vɛŋɡʲˈɛrka.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_22.wav|bˈɛlkʲɛf fskazˈawa ˈɛkran.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_361.wav|a pˈɔtɛm zvrutɕˈiwa ɕɛ dɔ mɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_19.wav|a ja xtɕˈawbɨm ˈurvatɕ tɕi tsˈɨtski i fsˈadʑidʑ w dˈupskɔ, ˈɔtpar ˈupʲur.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_89.wav|rˈɛɡɡʲɛ ɲʲɛ jɛzd zbˈɨt lˈɔtnɨ, ˌalɛ dˈana mˈa wˈɛp na kˈarku. i ˈɔbaj sɔ̃ dɔbrˈɨmi kʲˌɛrɔftsˈami.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_46.wav|tˈaɡ vwˈaɕɲʲɛ pɔstˈɔmpiwbˌɨ jɛj ˈɔjtɕɛts, ˌalɛ rˌɔbɛrtˈɔvi zˈafʃɛ brˌakɔvˈawɔː ɔdvˈaɡʲi pɔtʃˈɛbnɛj krulˈɔvi, ktˌurɨ xtsˈɛ utʃˈɨmatɕ pˈɔkuj f sfˈɨm krulˈɛstfʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_114.wav|nˈaʃ strˈɨj dˈɔʃɛd dɔ vɲʲˈɔsku, ʒˈɛ pɔmˈɔʒɛ lˌantsɛlˈɔvi pɔzˈɨskatɕ prɔstˈatʃkuv dˈarɨx.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_356.wav|mˈɔɡwa vˈaltʃɨtɕ tˌɨlkɔ rɛŋkˈami, ˌalɛ ɡdˈɨ valnˈɛwa ɡˈɔ pʲˈɛɲɕtɕɔ̃ f tfˈaʃ, tɔ bˌɨwɔ tˈak, jˈaɡbɨ ˌudɛʒˈɨwa f kˈulɛ mɔkrˈɛɡɔ bjawˈɛɡɔ tɕˈasta.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_27.wav|advˈɔkat pɔvʲˈɛdʑaw, ɲʲɛ dˈawa mi pˈaɲi dɔ rˈɛŋki mˈɔtsnɨx ˌarɡumˈɛntuf, pˈaɲi kˈɔmpsɔn.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_31.wav|ɲʲˌɛvɨklutʃˈɔnɛ, ʒˈɛ ɲˈitsk f tˌajɛmɲˈitsɨ pʃˈɛdɲim ɕtɕˈɔŋɡnɔw vʲˈɛntsɛj lˈudʑi.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_350.wav|lˈɔrt ˌirɔnvˈɔɔt utʃtˈɔvaw rˈazɛm z ɲˈim pʃˈɛz dvˈa tɨɡˈɔdɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_34.wav|nˈɔ tsˈuʃ, f tˈakim rˈaʑɛ idʑˈɛmɨ. zdˌɛtsɨdɔvˈaɲʲɛ ˈɔtpar.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_247.wav|pˈɔtɛm vʑˈɛwam lˈɛnɛ za rˈɛŋkɛ i fsunˈɛwam zɛɡˈarɛk na jɛj nadɡˈarstɛk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_180.wav|ɲˈits mu ɕɛ ɲʲˈɛɕɲi, pʃɨnˈajmɲʲɛj ɲˈits, tsˈɔ bˈɨ zˌapamjˈɛntaw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_16.wav|ɲˈitʃɨm pɔstˈatɕɛ s fˈilmu tsɔppˈɔli tʃɨ stsˌɔrsɛsɛˈɛɡɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_30.wav|xtɕˈawabˌɨm pɔtrˈafidʑ ɡˈɔ stˈamtɔnt tsˌawkɔvˈitɕɛ vˌɨɛlˌiminˈɔvatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_19.wav|tɔ ɲʲɛ bɛvˈɛrlɨ, tɔ jɛj mˈɔ̃ʃ. jˈak tˈam w ˌalabˈamjɛ?|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_286.wav|vˈɔlawbˌɨm, ʒˈɛbɨ pˈɛvnɛ aspˈɛktɨ tfɔjˈɛɡɔ ʒˈɨtɕa vˌɨɡlɔndˈawɨ inˈatʃɛj, ˌalɛ w ɔɡˈulnɨm rˌɔzraxˈuŋku vɨrˈɔswaɕ na ɕˈilnɔ̃ i ɲʲˌɛzalˈɛʒnɔ̃ kɔbjˈɛtɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_179.wav|ktˈɔ dɔ xɔlˈɛrɨ mɔntˈujɛ rˈɛntʃnɛ zavˈɔrɨ pˈɔza ɔbrˈɛmbɛm mʲˈasta?|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_143.wav|bˈɛz ɡˈalɛrs ˈarbɔr jˈaɡ zdɔwˈamɨ utʃˈɨmatɕ ˌɔblɛ̃ʒˈɛɲʲɛ kˈɔɲtsa bˈuʒɨ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_73.wav|tˈak jˈɛst, sˌaɲitˈarjuʒ brˈikks. mˈuɕi pˈan zaɕpʲˈɛvatɕ pˌɔtpuwkɔvɲˈiku. bˈɔli jˈaɡ djˈabli.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_102.wav|lˈufa, zˈamɛk, vˈɨtɕɔŋk, vɨʒˈutɲik, tʃˈɛvik kˈɔlbɨ, pɔtkwˈatka dˌɨstansˈɔva pɔt tʃˈɛvik, tsˈawa rˈɛʃta.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_217.wav|dɔvˈɔdʑiw atˈakʲɛm na sɔlˈaŋki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_180.wav|ˈidʑɛ na skrˈaj tsˌɛmɛntɔvˈɛɡɔ xɔdɲˈika i tˈaʒa nˈɔvɛ rˌɛŋkavˈitsɛ w ʑˈɛmi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_66.wav|ʒˈɛbɨ ftɔpˈili ɕɛ f twˈɔ, mˈuvi bʲˈillɨ zˈɛ sfˈɔim najlˈɛpʃɨm, ɡwupˈavɨm uɕmʲˈɛxɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_69.wav|ˌalɛ ja ɡˈɔ ɲʲɛ rˌɔspɔznˈajɛ, tsˈɔ pˌɔvɔdˈujɛ, ʒˈɛ tsˈawa ɕɛ tʃˈɛ̃sɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_14.wav|stˈarɨ spˈɔjʒaw na ˌandɛrsˈɔna i kˈivnɔw mu ɡwˈɔvɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_50.wav|vɨsˈuvam ɡwˈɔvɛ.|4
+Dataset/wavs/urwisko_ferenc/09_segment_20.wav|ftʃˈɛɕɲʲɛj ɲʲɛ mʲˌawɛm ˈɔɲim pɔjˈɛɲtɕa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_44.wav|nˈɔ, mˈɔʒɛ ɲʲɛ ˈaʃ tˈak tʃˈɛ̃stɔ, ˌalɛ tɔ kɔlˈɛjnɛ kwˈamstfɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_164.wav|zˌamjɛɲˈili nˈavɛt nˈapis na znatʃɲˈiku strˈɛf tʃasˈɔvɨɣ z nɛrˈɔbʲi na artˈɛmis.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_159.wav|xˈɔtɕaʃ ɲʲɛ pʃˌɛʃkɔdʑˈiwɔ tɕi tɔ rˈɔbʲidʑ z ɲˈim ˌintɛrˈɛsuf, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_91.wav|dɔpˈuki tˈak ɕɛ ɲʲɛ stˈaɲʲɛ, fʃˈɨstsɨ prˌatsujˈɔntsɨ nat sprˈavɔ̃ mʲˌɛli skrˌɛmpɔvˈanɛ rˈɛntsɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_13.wav|dlatˈɛɡɔ jˈɛʃtʃɛ trˈɔxɛ xˈɔdʑi pɔ mʲɛʃkˈaɲʲu, a kʲˈɛdɨ tɔ mu ɲʲɛ vɨstˈartʃa, rˈɔbʲi pˈɔmpki na pɔdwˈɔdʑɛ salˈɔnu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_81.wav|vzrˈuʃɨw rˌamjɔnˈami.|2
+Dataset/wavs/urwisko_ferenc/43_segment_103.wav|bɔrˈɛvidʒ zˌarɛxˈɔtaw krˈutkɔ, ˌalɛ pɔ xfˈili i jˌɛmu puɕtɕˈiwɨ xamˈultsɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_69.wav|f kˈɔɲtsu zˈɛrka na mˈapɛ nɛbrˈaska i ɔdvrˈatsa ɕɛ w mˈɔjɔ̃ strˈɔnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_19.wav|pɔɲʲˈɛvaʒ dʒˈamal nˈadal mˈa dɔ dˌɨspɔzˈɨtsji fˌurɡɔnˈɛtkɛ, a w ɲʲɛdʑˈɛlɛ jɛst wˈadna pɔɡˈɔda, zapˈada dɛtsˈɨzja, ʒˈɛ tʃˈɛba zˈabradʑ dʑˈɛtɕi dɔ lˈuna pˈarku.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_112.wav|pˈatʃmɨ vʲˈɛnts na jˈasnɔ̃ strˈɔnɛ ʒˈɨtɕa, dˈɔbʒɛ? zadʑvˈɔɲʲɛ dɔ tɕˈɛbjɛ za jˈakiɕ tʃˈas.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_186.wav|dˈuʒɔ ʃɨpʃˈɛɡɔː ˌintɛrnˈɛtu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_30.wav|kˈatɛ ɲʲɛ mˈɔɡwa vɨdˈɔbɨtɕ s ɕˈɛbjɛ swˈɔva. ɕɛdʑˈawa tˌɨlkɔ pʃɨ stˈɔlɛ z ɔtʃˈami pɛwnˈɨmi wˈɛs. fʃˈɨstkɔ vʲˈɛnts spˈadwɔ na tˈɔma.|3
+Dataset/wavs/urwisko_ferenc/57_segment_3.wav|ɲʲˌɛpʃɛvidʑˈanɛ tɔ znˈatʃɨ? muɕˈawɛm vˈɛzvatɕ jɛdnˈɛɡɔ s kɔlˈɛɡuf. a tsˈɔ ɕɛ stˈawɔ? pʃɛrvˈawa mu.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_178.wav|bˈaɲka ɔldrˈina pˌɔwɔʒˈɔna jɛst najblˈiʒɛj strˈɛfɨ lˌɔndɔvˈaɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_108.wav|mˈatkɔ bˈɔska, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_302.wav|xtɕˈawa tsˈɔɕ pɔvʲˈɛdʑɛtɕ, lˈɛtʃ pɔwˈɔʒɨw pˈalɛts na ˈustax. tɕˈixɔ, pɔvʲˈɛdʑaw, tɕˈixɔ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_30.wav|a ˌɔna ɲʲɛ xtɕˈawa zɲˈiʃtʃɨtɕ sˈɔbjɛ sˈukɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_68.wav|pʃˈɛs xfˈilɛ bˌɛndɛ zajˈɛnta kɔpˈaɲʲɛm, pˌɔvʲɛdʑˈawam pʃˌɨtɕiskˈajɔnts pˈaltsɛm swuxˈafkɛ w ˈuxu. zadʑvˈɔɲʲɛ dɔ vˈas pˈuʑɲʲɛj.|4
+Dataset/wavs/urwisko_ferenc/34_segment_26.wav|i zˌɔbatʃˈɨmɨ ɕɛ w bɨdʒˈɔʃtʃɨ, ɔstʃˈɛɡwa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_38.wav|zˌaprɔɕˈiwɛm jˈɛdnɔ̃ dɔ dˈɔmu, zatʃˈɔwɛm ɡɔtˈɔvatɕ, kupˈiwɛm butˈɛlkɛ fçˈiskɨ i...|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_14.wav|mˈuj ˈɔjtɕɛts rɔskˈazaw mu pustˈɔʃɨdʑ dɔ ʒˈɛtʃɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_7.wav|vzmˈaɡa ɕɛ, kʲˈɛdɨ jɛstˌɛɕmɨ f pɔtʃˈɛbjɛ, vɨɡˈasa, ɡdˈɨ ˌɔɕɔŋɡˈamɨ pˌɔvɔdʑˈɛɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_328.wav|ɔn ʃˈɛt pɔ jˈɛɡɔ strˈɔɲʲɛ ˈaʒ dɔ kˈɔɲtsa ɲʲˈɛba.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_161.wav|mɔʒˈɛmɨ ɕɛ zamjˈɛɲitɕ. bˌɨwɔ ɲʲɛ bˈɨwɔ, tɔ tfˈɔjɛ zapˈasɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_391.wav|trˈɔxɛ zˌafstɨdʑˈɔnɨ prˌubɔvˈawɛm nˈɔskʲɛm bˈuta zˈɛtʃɛdʑ bjˈawɨ, krɛdˈɔvɨ rɨsˈunɛk s pwˈɨtɨ xɔdɲˈitʃka.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_301.wav|zaʒˈɔndaw lˈɔrt ˈɛm. mˈɔnfrɛj.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_62.wav|ˌalɛ tɔ mˈuɕi bˈɨtɕ prˈavda.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_128.wav|pɔt ˈɔknɛm tʃˈɛkaw jˈuʒ znajˈɔmɨ mˌaɡnɛtˈɔfɔn s krfˈavɨm ˈɔkʲɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_71.wav|ɡvawtˈɔvɲʲɛ tsɔfnˈɛwam rˈɛŋkɛ i zˌamaxˈawam ɲʲˈɔ̃ f pɔvʲˈɛtʃu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_20.wav|tˌɨlkɔ bˈuk mˈɔʒɛ fʃˈɨstkɔ pʃɛvˈidʑɛtɕ. zrˈɛʃtɔ̃ ɲʲɛ bˌɨwɔ tɔ tˈaɡ ɡwˈupʲɛ jˈak fˈakt, ʒˈɛ ˈɔmal ɲʲɛ vˈɨʃɛt s tamtˈɛɡɔ zawˈuka pʃɛbrˈanɨ za kɔlˈina fçitˈɛa.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_315.wav|vʲˈɛm, ʒˈɛ bˈɨwbɨ zˌaxfɨtsˈɔnɨ, ˈalɛ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_81.wav|bʲˈillɨ mˈuɡwbɨ zapˈɨtatɕ, ˈilɛ ɲˈidʑɡ dˈɔstaw, ˌalɛ tʃɨ xtsˈɛ tɔ vʲˈɛdʑɛtɕ? ɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_83.wav|vʲˈɛʃ, ʒˈɛ ta dʑˈura jɛzd za mˈawa i ɲʲɛ pʃˈɛjdɛ pʃˈɛzɲʲɔ̃ f skafˈandʒɛ, pɔvʲˈɛdʑaw. jɛʒˈɛli tsˈɔɕ ɕɛ stˈaɲʲɛ, ɲʲɛ bˌɛndɛ mˈukw tɕi pˈɔmuts.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_32.wav|ɲˈikt ɲʲˈɛvʲɛ, tsˈɔ ɕɛ stˈawɔ, a ˈallɛn jˈuʃ nˈam ɲʲɛ pˈɔvʲɛ, jˈak ɕɛ dɔvʲˈɛdʑaw ɔ rɔɡˈɛʒɛ klˈɛrkju i tɛj dʑɛftʃˈɨntsɛ s tʲˌijuˈana.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_115.wav|mˈɔʒɛ dɔ kˈɔɲtsa mˈɛtʃu, kʲˈɛdɨ ktˈɔɕ jˈɔ̃ zluzˈujɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_423.wav|ʒˈadnɛj ɲʲɛ vʲˈɛʒɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_36.wav|pˈɔtɛm ɕˈada tɕˈɛ̃ʃkɔ na kanˈapʲɛ i klˈɛpʲɛ ɕɛ pɔ pʲˈɛrɕi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_90.wav|mˌɛtalˈɔvɨ dˈax ɔdbʲˈija swˈɔɲtsɛ jˈak xɛljˈɔɡraf.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_30.wav|jˈɛɕli xtsˈɛtɕɛ dʑˈiɕ w nˈɔtsɨ spˈatɕ pɔd dˈaxɛm,|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_127.wav|uvˈaʒaj nˈatɔ bwˈɔtɔ, dʑˈɛtskɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_17.wav|pɔstʃˈɛɡa ɡˈɔ jˈakɔ pˌɔtɛntsjalnˈɛɡɔ kˈumpla, ɲˈidʑ vʲˈɛntsɛj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_364.wav|vˈɔkuw sfˈɛɡɔ ɲʲˌɛpɔkaʑnˈɛɡɔ swˈɔɲtsa.|0
+Dataset/wavs/urwisko_ferenc/44_segment_62.wav|zdˈaɲʲɛm prˌɔkuratˈurɨ udˈawɔ ɕɛ pɔtfʲˈɛrdʑidʑ dˈanɛ ˌuzɨskˈanɛ ɔt ˌinfɔrmatˈɔra,|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_179.wav|mˈɔʒɛʒ bˈɨtɕ ɲʲˌɛpravˈɛɡɔ pˌɔxɔdʑˈɛɲʲa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_41.wav|fspˌɔminˈaɲʲɛ jɛj jɛzd zbˈɨd bɔlˈɛsnɛ i prubˈujɛ tɛ mˈɨɕli ɔtsˈunɔɲtɕ, ˌalɛ ftɕˈɔ̃ʒ vratsˈajɔ̃.|3
+Dataset/wavs/urwisko_ferenc/16_segment_3.wav|za plɛtsˈami ɔlɡʲˈɛrda zɡʒˈɨtnɔw trˈamvaj, ktˌurɨ pʃˈɛtɕɔw ruxlˈivɛ skʃˌɨʒɔvˈaɲʲɛ i ftˈɛdɨ jˈak na zˌavɔwˈaɲʲɛ z brˈamɨ budˈɨŋku vˈɨʃɛt stˈarʃɨ mɛ̃ʃtʃˈɨzna.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_70.wav|vˈɔntpjɛ, bˈɨ pɔ ɕmʲˈɛrtɕi stˈali ɕɛ lˈɛpɕi.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_83.wav|dˌɔpɨtˈɨvaw ɕɛ pˈɔdritsk.|1
+Dataset/wavs/urwisko_ferenc/41_segment_52.wav|ɡdʑˈɛ jˈɔ̃ znˈajdɛ? tɔ bˌɨwɔ f xavˈaɲʲɛ, na bɨdʒˈɔskim pʃɛdmʲˈɛɕtɕu, ˌalɛ dˈavnɔ jˈɔ̃ zamknˈɛli.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_283.wav|mirˈanda vˌɨkʃɨvˈiwa ˈusta f xˈɨtrɨm uɕmʲˈɛʃku.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_264.wav|tɔ naprˈavdɛ bˈɨw xɔlˈɛrɲʲɛ dˈɔbrɨ spˈaf.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_157.wav|a tɨ ˌɔdmuvˈiwɛɕ pˌɔbwɔɡˌɔswavʲˈɛɲʲa krˈula tɔmmˈɛna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_145.wav|ɲˈidʑɡ zamˈɨka dʒvˈi z ɡwˈuxɨm tʃˈaskʲɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_33.wav|tɔ ɲʲɛ jɛst ɕfʲˈɛʒa sprˈava.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_179.wav|dʑˈawɔ ɕɛ tɔ f tɨm vwˈaɕɲʲɛ zˈamku.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_23.wav|dvʲˈɛ ˈinnɛ bˌɨwɨ jˈuʒ ɡɔtˈɔvɛ. f pɔwˈɔvʲɛ pˌɔkrɨvˈawɨ jˈɛ ɲʲˌɛvɨpravʲˈɔnɛ kˈɔɲskʲɛ skˈurɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_35.wav|tsˈɔ bˈɛɲdʑɛ, jˈɛɕli ɕɛ znˈajdʑɛʃ w nˈɔvɛj ɲʲˌɛskɔɲtʃɔnˈɔɕtɕi vˌɨpɛwɲʲˈɔnɛj naʃˈɨmi pravˈami, naʃˈɨmi tˌɛ̃sknɔtˈami?|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_131.wav|w ˈɔvɨɣ dɲʲˈax trˈidɛnt pʃɛpwˈɨvaw tˈuʃ pɔt jɛj tɨlnˈɨmi dʒvʲˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_144.wav|ɲʲɛ bˈɔiʃ ɕɛ vˈɨjʑdʑ bˈɛs pˌarasˈɔla?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_4.wav|za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ vɨtɕˈɛram wzˈɨ ɡɲʲˈɛvu i ˌɔbʒɨdʑˈɛɲʲa dɔ sˈamɛj ɕˈɛbjɛ, nˌapwɨvˈajɔ̃ nˈɔvɛ i mɲʲɛ ˌɔɕlɛpʲˈajɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_185.wav|mˈɔɡlibˌɨ jˈɔ̃ nˈazvadʑ ɡɔspˈɔdɔ̃ pɔt ʃˌubjɛɲˈitsɔ̃, zˌauvˈaʒɨw sˈɛr xˈɛil.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_186.wav|ja pʲɛrdˈɔlɛ! jjj... pʃɛprˈaʃam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_128.wav|ɲʲɛ ˈidʑɛ na fˈilm, ˌalɛ swˈuxa pɔttsˈastu z jˈɛɡɔ rɛtsˈɛnzjɔ̃, kʲˈɛdɨ jˈɛdʑɛ pʃˈɛs mʲˈastɔ na vʲˌɛlɔpˌɔʑɔmˈɔvɨ pˈarkiŋk, na ktˌurɨm tʃˈɛka vˌɨnajˈɛntɨ fˈɔrt fˈuɕɔn.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_318.wav|tˈak jˈak tɔ pˌɔvʲɛdʑˈawɛɕ, ˌɔdvrutɕˈiwa ɕɛ kˈu ɲʲˈɛmu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_111.wav|fˈakt, pʃˌɨtakˈujɛ bʲˈillɨ. ˌalɛ sˈɔndʑɔnts pɔʒˈɔntku mˌɔtɔtsˈɨkli zˌaparkɔvˈanɨx ɔt frˈɔntu, ɲʲˈɛma f tɛj nˈazvʲɛ ɲˈidʑ dʑivnˈɛɡɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_439.wav|swɨʃˈɛliɕmˌɨ vwˈasnɛ ˌudɛʒˈɛɲʲa krfˈi, vzmɔʒˈɔnɔ̃ prˈatsɛ pɔswˈuʃnɨx sˈɛrts.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_145.wav|zvʲɛɕˈiwam ɡwˈɔvɛ, a wzˈɨ pˌɔpwɨnˈɛwɨ mi na kamjˈɛnnɛ pwˈɨtki, ktˌurɛ vwˈaɕɲʲɛ pˌɔzamjatˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_16.wav|bʲˈillɨ xˈɔva nˈɔtɛz dɔ pʃˈɛdɲʲɛj kʲɛʃˈɛɲi ˌɔɡrɔdɲˈitʃkuf i rˈuʃa f strˈɔnɛ dʑvʲˈɛŋku.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_191.wav|jɛst tˈam vʲˈɛlkʲɛ ˈɔknɔ, pʃˈɛs ktˌurɛ vˈidatɕ tsˈawɔ̃ xˈalɛ, vʲˈɛndʑ bˌɛndɛ muɕˈawa ɕɛ skrˈadatɕ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_298.wav|tsˈɔ pamjˈɛntaʃ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_55.wav|zˌatʃɨnˈamɨ? dˈɔbʒɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_46.wav|tsˈɔ mˌajɔ̃ dɔ pˌɔvʲɛdʑˈɛɲʲa na tˈɛmat ˌɔbɛtsnˈɔɕtɕi bˈɔɲtɕ ɲʲˌɛɔbɛtsnˈɔɕtɕi strakˈana?|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_260.wav|muvˈiwɛɕ, ʒˈɛ xɨbʲˈiwa.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_361.wav|lˈɛtʃ tɔ, tsˈɔ bˌɨwɔ dˈɔbrɛ dla xwˈɔptsa imjˈɛɲʲɛm rˈɔbɛrt, ɲʲɛ zˈafʃɛ bˌɨwɔ dˈɔbrɛ dla lˈɔrda arˈɨna.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_362.wav|tɨ maʒ dˈuʒɛ jˈak na dʑɛftʃˈɨnɛ f tfˈɨm vʲˈɛku, ˌalɛ tɔ sɔ̃ bɛŋkˈartɕɛ pʲˈɛrɕi, vʲˈɛnts ɲʲɛ zamjˈɛʒam ɕɛ ɲˈimi pʃɛjmˈɔvatɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_455.wav|miljˈɔnɨ ɡwˌupkɔvˈatɨx mˈɛ̃ʃtʃɨzn nad vˈiswɔ̃, vˈɔwɡɔ̃ tʃɨ rˈɛnɛm|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_209.wav|ɲˈitsk ˈuɲʲuz dwˈɔɲ, jˈaɡbɨ ɔdɡˈaɲʲaw nˌatartʃˈɨvɔ̃ mˈuxɛ.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_55.wav|jˈaɡ vˈaltʃɨtɕ s tˈakim tʃwɔvʲˈɛkʲɛm?|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_52.wav|fˈatsɛd vˈɨjɔw zˈaɲim skˈɔɲtʃɨw mˈɨɕli bʲˈillɨ, pɔ tʃɨm pʃˌɨpɔmˈina sˈɔbjɛ, ʒˈɛ f tˈamtɛj fˌurɡɔnˈɛttsɛ vˈidʑaw tʃˈɨ sɨlvˈɛtki i sˈɔndʑɔnts pɔː ix ɕmʲˈɛxu bˌɨli tɔ sˈami mɛ̃ʃtʃˈɨʑɲi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_104.wav|jˈɛɕli tʃˈujɛʃ, ʒˈɛ pˌɔtʃɛbˈujɛʃ pɔmˈɔtsɨ,|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_420.wav|ɔznˈajmiw z aktsˈɛntɛm z vˈɔlnɨx mʲˈast.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_34.wav|pˌɔlitsjˈaɲtɕi i prˌɔvadʑˈɔnɨ pʃˈɛzɲih tʃwˈɔvʲɛk, kturˌɛɡɔː ˈɔtʃɨ dˈavnɔ pɔvˈinnɨ jˈuʒ bˌɨwɨ vɨskˈɔtʃɨtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_112.wav|dˈɛʃtʃ ɲʲˈɛtsɔː ɔtpˈuɕtɕiw, ˌalɛ nˈadal jɛzd ʑˈimnɔː i bʲˈill jɛzd zˌadɔvɔlˈɔnɨ, ʒˈɛ vwˈɔʒɨw blˈuzɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_32.wav|tɔ xˌaraktˌɛrɨstˈɨtʃnɨ zˈapaɣ vilɡˈɔtɕi, kturˌɛɡɔ ɲˈiɡdɨ ɕɛ ɲʲɛ pɔzbˈɨliɕmˌɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_61.wav|ˈalbɔ dˈɔbrɔ̃ nɔvˈinɛ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_189.wav|jɛst jˈɛʃtʃɛ tˌɔvaʒˈɨstfɔ, f ktˌurɨm ɕɛ ɔbrˈatsaʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_111.wav|ˌalɛ ʃˈɔn pɔstˈaviw sprˈavɛ jˈasnɔ na sˈamɨm pɔtʃˈɔntku, vʲˈɛnts ɲʲɛ mˈɔɡɛ naʒˈɛkatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_146.wav|pamjˈɛntaj tˈɨlkɔ, ʒˈɛ jˈɛɕli zˈamjast mɲʲɛ zjˈavjɔ̃ ɕɛ ɡlˈinɨ, maʃ pɔvʲˈɛdʑɛtɕ, ʒˈɛ bˈawaɕ ɕɛ vˈɨjɕtɕ, ʒˈɛ zˌaɡrɔzˈiwɛm, ʒˈɛ tɕˈɛ znˈajdɛ i zrˈɔbjɛ tɕi kʃˈɨvdɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_69.wav|ɲʲɛ pratsˈujɛ na kˌɔmisarjˈatɕɛ w nˈɛftɔn xˈɛatx.|4
+Dataset/wavs/urwisko_ferenc/47_segment_32.wav|pɔ ɕmʲˈɛrtɕi tfɔjˈɛɡɔː ˈɔjtsa zˌaprɔɕˈiwa mɲʲɛ dɔ ɕˈɛbjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_113.wav|pɔtrˈafi stʃˈɛlatɕ, mˈuvi ɲˈitsk. jˈɛɡɔː ˌɔlifkˈɔva tsˈɛra pɔʒˈuwkwa. naˈutʃɨw ɕɛ w marˈinɛs, bˈɨw snajpˈɛrɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_12.wav|ɲˈits ɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_443.wav|lˈubjɛ tɕˈɛ f kɔrˈɔɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_51.wav|kʲˈɛdɨ fpˈada dɔ waʑˈɛŋki i zrˈɨva s xatʃˈɨka ʃtˈutʃnɨ bʒˈux, swˈɨʃɨ pukˈaɲʲɛ rixtˈɛra.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_13.wav|pˈɛvɲʲɛ bˌɛndɔ̃ muɕˈɛli zmʲˈɛɲitɕ ʃkˈɔwɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_125.wav|ʃˈɛptʃɛ, ˌuʒɨvˈajɔnts swˈɔva, ktˌurɛ ɔd vʲˈɛlu lˈad bˌɨwɔ zˌakazˈanɛ,|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_146.wav|i tˈaɡ zrɔbʲˈiwɛm. xɔdʑˈɛɲʲɛ tɔ mˈuj narkˈɔtɨk.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_371.wav|ɲʲˌɛvidˈɔtʃna pʃˌɛlɛtɕˈawa pʃˈɛs pˈɔkuj i z bʒˈɛŋkʲɛm ˌudɛʒˈɨwa f ʃˈɨbɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_22.wav|mruknˈɛwam, zˌamɨkˈajɔnts pˈɔkuj na klˈutʃ. fʃˈɨstkɔ bˌɛɲdʑɛ sˈupɛr.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_124.wav|pˈɔtɕɔŋk pʃɨjˈɛxaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_61.wav|ˈaʃ tˈaɡ bˈardʑɔ ɲʲɛ ˈufam ɲikˈɔmu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_142.wav|sˈara zaɕmʲˈawa ɕɛ krˈutkɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_24.wav|ˈaram pɔwˈɔʒɨwbˌɨ wˈapska na mˈɔim sˈɨnu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_138.wav|w jˈɛdnɨm mʲˈɛjstsu kˈuʒ zˈɔstaw stˈartɨ, jˈaɡbɨ ktˈɔɕ xtɕˈaw pɔzvˈɔlitɕ kˈɔmuʑ zˈajʒɛdʑ dɔ vˈɛvnɔntʃ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_34.wav|vrˈutɕmɨ zˈatɛm dɔ tˌɛɡɔ tˌɛlɛfˈɔnu na kˈartɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_55.wav|tˈata ɕɛ uɕmʲˈɛxa i z jˈɛɡɔ tfˈaʒɨ zɲˈika tsˈawɛ napʲˈɛɲtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_25.wav|xtɕˈawbɨʑ dˈɔstatɕ xˈɛwm?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_163.wav|sˈara ˌɔtfɔʒˈɨwa dʒvˈi lɔdˈufki i zatʃˈɛwa mˈuvitɕ, ɲʲɛ ˌɔdvratsˈajɔnts ɕɛ dɔ ɲʲˈɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_51.wav|vʲɛtʃˈɔrɛm pʃɨ kɔlˈatsji pˈɨta butskʲˈɛɡɔ, tʃɨ tɔː ɔn tɕˈɔŋɡlɛ vʲˈɛʃa tɔ mˌalɔvˈidwɔ s pɔvrˈɔtɛm. bˈutskɨ ˌɔtpɔvʲˈada, ʒˈɛ ɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_302.wav|tɔ pʃɛkˈɔna sˈɛr brɨndˈɛna, ʒˈɛ ɲʲɛ ʒˌartujˈɛmɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_169.wav|jˈɛʃtʃɛ rˈas pʃɨjʒˈawam ɕɛ kɔnsˈɔli stˌɛrɔvˈaɲʲa, a pˈɔtɛm pɔdˈɛʃwam dɔ mˈapɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_98.wav|ja pʲɛrdˈɔlɛ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_287.wav|dlatʃˈɛɡɔ mˈuwɨ mˈuʃɔ̃ bˈɨtɕ tˈakʲɛ kɔɕtɕˈistɛ i vrˈɛdnɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_99.wav|pˈɛvɲʲɛ ˈaʒ ɡˈɔ tˈɛlɛp jɛst tɛ̃sknˈɔtɨ za vˈɛɡas.|2
+Dataset/wavs/urwisko_ferenc/64_segment_58.wav|ˈɛkran vˌɨpɛwɲʲˈawɔ zdjˈɛɲtɕɛ travɲˈika. na dˈalʃɨm plˈaɲʲɛ bˌɨwɔ vˈidadʑ dˈɔm xˌudʑiɲskʲˈɛɡɔː i ɡˈɛ̃stɛ, ʃˈarɛ xmˈurɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_57.wav|kwˈadʑɛ kupʲˈɔnɨ tɛlˈɛfɔn na stɔlˈiku i pʃɨɡlˈɔnda mu ɕɛ tɕˈɛkaf, tʃɨ mˈɨɕli tʃˈɛʑvɔ, tʃɨ pɔ prˈɔstu pɔpˈada f pˌaranˈɔjɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_300.wav|skˈɔnt ja tɔ mˈɔɡɛ vʲˈɛdʑɛtɕ?|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_410.wav|pˈɔtɛm ɲʲɛ bˌɛɲdʑɛ jˈuʃ mʲˈawɔ znatʃˈɛɲʲa, tʃɨ mɲʲɛ zjˈɛ.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_178.wav|tɛ swˈɔva uvʲˈɛ̃zwɨ mu w ɡˈardlɛ. znˈaw jˈɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_60.wav|zapˈɨtaw tˈɔm i rˈuvɲʲɛʒ vzrˈuʃɨw rˌamjɔnˈami.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_38.wav|ftˈɛdɨ ˌuzmɨswˈavʲam sˈɔbjɛ tsˈɔɕ jˈɛʃtʃɛ ɡɔrʃˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_67.wav|pʃˌɛtɕɛʃ xˈɨba istɲʲˈɛjɛ mˌiwɔɕˈɛrdʑɛ, nˈavɛt jˈɛɕli tɔ bˌɨwa mˈɔja vˈina, mˈarɨ!|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_37.wav|stsˈɔtt tˈuliw mɲʲɛ i ɡwˈaskaw pɔ vwˈɔsax, ʃˈɛptʃɔnts ɲˈits ɲʲˌɛznatʃˈɔntsɛ banˈawɨ, ktˌurɛ mˈimɔ fʃˈɨstkɔ mɲʲɛ ˌuspɔkɔˈiwɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_175.wav|jˈakiɕ tʃˈas pˈuʑɲʲɛj bʲˈillɨ zrˈɨva ɕɛ zˈɛ snˈu f tɕɛmnˈɔɕtɕi, pʃˌɛkɔnˈanɨ, ʒˈɛ zˈaspaw na sfˈɔjɛ randˈɛvu z jɔˈɛllɛn allˈɛnɛm i zavˈaliw rɔbˈɔtɛ, dɔ ktˌurɛj pʃˌɨɡɔtɔvˈɨvaw ɕɛ mʲˌɛɕɔntsˈami.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_201.wav|jˈuʃ mˈa fɕˈɔ̃ʑdʑ dɔ ʃɔfˈɛrki, ˌalɛ zmʲˈɛɲʲa zdˈaɲʲɛ i vˌɨsɨpˈujɛ tɕˈɛntɛ kfʲˈatɨ s kɔʃˈɨka mˈɛrx.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_292.wav|bˌɨwɨ vˈɛ̃ʃʃɛ ɲˈiʃ w jɛj kɔmnˈatɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_44.wav|ˌalɛ bˈɨw pijˈanɨ rˈumɛm, kɔbjˈɛtsɨm mlˈɛkʲɛm i ɡˈɔʑdʑik.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_242.wav|ˌɔɕmʲɔtsˌɛntɔvˈɛɡɔ znˈatʃka.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_214.wav|kwˈadɛ dwˈɔɲ na jˈɛɡɔ ɡwˈɔvʲɛ i mʲˈɛʒ vʲɛlˈɔtʃki.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_325.wav|vɨpˈiwam dʑbˈanɛɡ dɔ kɔlˈatsji i drˈuɡʲi z lˈadɨ stɔkˈɛvɔrt.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_42.wav|ˈaram mʲˈaw vʲˈɛlɛ ɡˈɔdʑin nˈatɔ, ʒˈɛbɨ na ɲʲˈɛɡɔ fpwˈɨnɔɲtɕ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_246.wav|w ɕfʲˈɛtlɛ dɲʲˈa snˈɨ ˌɔbratsˈajɔ̃ ɕɛ f prˈɔx. tʃɨ tɔ znˈɔvu bˈɨw kˈaʒɛw?|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_73.wav|jɛst tˈɛʃ mˈawɨ tˌɛlɛvˈizɔr pˌɔdwɔntʃˈɔnɨ dɔ tˈaɲʲɛj kɔnsˈɔli dɔ ɡʲˈɛr, tˈakʲɛ i na kasˈɛtɨ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_327.wav|ˈumar nˈamɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_157.wav|swuxˈawa mˈɛɡɔː ɔbwˈɛndu ˈalbɔ jˈakixɕ fspˈɔmɲʲɛɲ tʃɨ pʃˈɛtʃutɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_62.wav|ˌɔna ɲʲˈɛma sˌamɔxˈɔdu, vʲˈɛndʑ zˌarɛjˌɛstrɔvawˈɨɕmɨ mˈuj na jɛj mʲˈɛjstsɛ pˌarkiŋɡˈɔvɛ, ʒˈɛbɨm mˈɔɡwa sfɔbˈɔdɲʲɛ parkˈɔvatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_149.wav|zjˈad dʑˈiɕ tˌɨlkɔ sˈuxɔ̃ ɡʒˈaŋkɛ, a i tɔ dˈavnɔ tˈɛmu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_21.wav|xtɕˈawam mu zaˈufatɕ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_133.wav|ktˌurɛ rˈɔswɔ tˈu, ˈɔtkɔnd zbˌudɔvˈanɔ mˈurɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_242.wav|pˌɔmɨɕlˈawɛm tˈɨlkɔ, ʒˈɛ tɔ ɕɛ rɔzˈumjɛ sˈamɔ pʃˈɛs tɕˈɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_125.wav|ɔn pɔpˈɛwɲiw bwˈɔnt, a ja xtɕˈawam bˈɨtɕ f tɨm z ɲˈim.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_123.wav|tɔ jˈuʃ nˈaʃa prˈatsa. pˈaɲi pʃɛkˈaʒɛ nˈam tɛ drɔbjˈazɡʲi, a mɨ sprˌubujˈɛmɨ jˈɛ dɔ ɕˈɛbjɛ dˌɔpasˈɔvatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_23.wav|kʲˈɛdɨ kˈuʃ ɔpˈadɲʲɛ, dˈavnɔ tɕˈɛ tˈam ɲʲɛ bˈɛɲdʑɛ.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_70.wav|ˌɔpsɨpˈawa tˌɨlkɔ jˈɛɡɔ pɔlˈitʃki mʲɛŋkkˈimi, vˌilɡɔtnˈɨmi pˌɔtsawuŋkˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_71.wav|mʲˈawam jˈɛdnak nadʑˈɛjɛ, ʒˈɛ ɲʲɛvʲˈɛlɛ ˈɔsup spˌatsɛrˈujɛ tˈam ɔ tˈak ftʃˈɛsnɛj pˈɔʒɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_238.wav|dˈɔbrɨ vʲˈɛtʃur, stˈarɨ xwˈɔpʲɛ. xtɕˈawbɨm ɕɛ zɔbˈatʃɨdʑ z jˌɔsɛfˈinɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_99.wav|ˈɔfʃɛm, wˈatfʲɛj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_141.wav|mˈam pˈɛvʲɛn pˈɔmɨsw, ˌalɛ jɛzd dˈɔɕtɕ rˌɨzɨkˈɔvnɨ i...|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_130.wav|bʲˈillɨ mˈuvi, pʃɨjˈɔwɛm i vʒ��utsa bjˈɛk.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_116.wav|ɲʲɛ vidʑˈawɛm ɲikˈɔɡɔ, arˈamjɛ. mˈam pˈɔmuts tɕi jɛj ʃˈukatɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_46.wav|a ɔn f kˈuwkɔ ɡlˈɛɲdʑiw, jˈaɡ vʲˈɛlɛ mˈɔɡwabˌɨm ɔɕˈɔŋɡnɔɲdʑ z mˈɔjɔ̃ ˌintɛliɡˈɛntsjɔ̃, ʒˈɛ s ʃˈɔnɛm marnˈujɛ tˌɨlkɔ tʃˈas, blˈa, blˈa, blˈa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_20.wav|ɲʲɛ mˈɔɡɛ dɔ tˌɛɡɔ dɔpˈuɕtɕitɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_87.wav|tsˈɔ mitskʲˈɛvitʃ? mitskʲˈɛvidʒ z ɡʲimnˈazjum.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_88.wav|kʲˈɛdɨ bɛɲdʑˌɛtɕɛ na mʲˈɛjstsu, sˈɛr?|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_120.wav|jɛst stˈarɨ i w jˈɛɡɔ pwˈutsax tʃˈai ɕɛ ɕmʲˈɛrtɕ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_459.wav|vˈɨbur nalˈɛʒɨ dɔ tɕˈɛbjɛ, brˈatɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_87.wav|bʲˈillɨ zˌastanˈavja ɕɛ, ˌalɛ ɲʲˈɛma ʒadnˈɛɡɔ pɔmˈɨswu. ˈɛlis uɕmʲˈɛxa ɕɛ ʃɛrˈɔkɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_54.wav|ɲʲɛ vʲˈɛʒɛ, ʒˈɛ tɔ zrɔbʲˈiwaɕ. vˈɔwa sˈami, ˌalɛ nˈavɛt ɔn ɲʲɛ pˌɔfstʃɨmˈujɛ ɕɛ ɔt ɕmʲˈɛxu w rɛˈaktsji na mˈɔjɔ̃ zuxfˈawɔɕtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_163.wav|kˈazaw im tˈɛʒ zamjˈɛɲitɕ fskˈaʑɲik fˈas kɕɛ̃ʒˈɨtsa na fskˈaʑɲik fˈaz ʑˈɛmi. tɔ bˌɨwɔ trˈudnɛ, bˈɔ fˈazɨ ʑˈɛmi zmʲɛɲʲˈajɔ̃ ɕɛ w ˌɔdvrutsˈɔnɨm pɔʒˈɔntku.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_248.wav|ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_4.wav|pɔ rɔsprˈavʲɛ vrutɕˈiliɕmˌɨ z mˈamɔ̃ dɔ dˈɔmu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_59.wav|na tɛj ɕiwˈɔvɲi, kɔxˈaɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_258.wav|i vˌɨrazˈiwɛm mu sfˈɔjɔ̃ vdʑˈɛntʃnɔɕtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_89.wav|i jˈak pˈaltsɛ jˈɛɡɔ zˌɔstavʲˈajɔ̃ tʃˈarnɛ ɕlˈadɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_58.wav|a ftˈɛdɨ vɨtɕˈɔŋɡnɔw rˈɛŋkɛ i fskˈazaw jɛj na psˈa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_13.wav|f pˈɔʒɛ ˌɔtfarsˈija sklˈɛpuf ˈidʑɛ z ˈɛliz dɔ nˌajbliʃʃˈɛɡɔː ˈalta bɛˈawtɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_132.wav|a jˈɛdnak tɔ bˈɨw.|3
+Dataset/wavs/urwisko_ferenc/08_segment_129.wav|ˈɔlɡʲɛrt mˈuvi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_231.wav|a ja ˌɔtswuʒˈɨwɛm sfˈɔjɛ dvˈa lˈata.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_83.wav|vˈaʃa mˈiwɔɕtɕ f sfˈɛj mɔndrˈɔɕtɕi pʃɛjʒˈawa jˈɛɡɔ plˈan.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_295.wav|zˌiɡnɔrˈɔvaw mˈɔjɛ pɨtˈaɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_102.wav|vɨkʃˈɨtʃaw mi tɔ f tfˈaʃ, zbliʒˈajɔnts nˈɔs na tsˌɛntɨmˈɛtrɨ dɔ mɔjˈɛɡɔ, plˈujɔnts tɕˈɛpwɔ̃ ɕlˈinɔ̃ w mˈɔjɛ ˈusta.|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_46.wav|tɛn pˈɨw zadʑˈawaw jˈak ɕrˈɔdɛk ˌɔsuʃajˈɔntsɨ i fxwˈɔnɔw tsˈawɔ̃ vˈilɡɔtɕ s pɔvʲˈɛtʃa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_4.wav|mɛ̃ʃtʃˈɨzna stˈavaw ɕɛ jˈɛdnak tsˈɔraz bˈardʑɛj pˌɔirˌɨtɔvˈanɨ i jˌɛstɛm pˈɛvna, ʒˈɛ tˈɛras tsɛlˈɔvɔ prɔvˈadʑi vˈɔlɲʲɛj. pʃɛstˈajɛ vʲˈɛnts nadˈavatɕ i dʑvˈɔɲʲɛ dɔ jˈɛnnɨ.|3
+Dataset/wavs/urwisko_ferenc/07_segment_22.wav|na ʃtʃˈɛɲɕtɕɛ spudwˈɔvaw. xˈɛrman dɔ dʑˈiɕ swɨʃˈawa ɡvˈist kˈuli, ktˌura pʃɛmknˈɛwa ˌɔbɔk jɛj ˈuxa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_76.wav|tɔ ɲʲˌɛbɛspʲˈɛtʃnɛ pɨtˈaɲʲɛ, ˌalɛ ɲʲɛ mˈɔʒɛ ɕɛ pɔfstʃˈɨmatɕ, bˈɔ ɲʲˈɛxtɕawbˌɨm...|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_305.wav|pʃɨpˈɔmɲij mi, ʒˈɛbɨm mu ˈɔtɨm pˌɔvʲɛdʑˈawa, kʲˈɛdɨ vrutɕˈimɨ dɔ zˈamku.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_332.wav|ˌalɛ ɲʲɛ z ɲʲˈɔ̃. zˈɛmnɔ̃. vˈɛmɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_153.wav|a vʲˈɛnts pɔ krfˈavɨɣ ɡˈɔdaɣ dˈɔʃwɔ dɔ pɔkwˈadʑin? pˈɔttʃas krfˈavɨɣ ɡˈɔduf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_294.wav|sˌɛrɛdɨnˈɔva liɲˈijka na mˌɔɲitˈɔʒɛ vˌɨstʃɛmpˈiwa ɕɛ ɡvawtˈɔvɲʲɛ. pʃɨtʃˈɛpiw ɕɛ i ɲʲɛ ˌɔtstɛmpˈujɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_118.wav|ɕˈada nˌapʃɛtɕˈifkɔː ˈɛlis.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_90.wav|sxɔvˈawam ɡʲˈizmɔ s pɔvrˈɔtɛm dɔ kʲɛʃˈɛɲi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_24.wav|ɲʲɛ spˌɔdɔbˈawɔ mu ɕɛ tɔ pˌɔɡɔrʃˈɛɲʲɛ rɛlˈatsji jˈɔɛ i ˈaʃa, a dʑˈɛtskɔ tkfˈiwɔ f sˈamɨm tsˈɛntrum prɔblˈɛmuf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_93.wav|bˈɛtskɨ pɔdˈɛʃwa blˈiʒɛj i stanˈɛwa za ɲˈimi.|3
+Dataset/wavs/urwisko_ferenc/15_segment_71.wav|jˈak ɕɛ nazˈɨva? jˈan sˈɔlski. tˈɛras mʲˈɛʃka za lubʲˈitʃɛm, w ɔbrˈɔvʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_24.wav|tʃɨ mʲˌɛli jˌakikˈɔlvʲɛk pˈɔvut, ʒˈɛbɨ vʲˈɛʒɨtɕ, ʒˈɛ tɔ ɲˈilɛ zˌamɔrdˈɔvaw sfˈɔjɔ̃ ʒˈɔnɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_152.wav|tʃˈas na nˈɔvɔ̃ intrˈɨɡɛ. ɲʲɛ mʲˈawam pɔjˈɛɲtɕa, jˈakɔ̃ fˈɔrmɛ mˈɔɡwabˌɨ pʃˈɨbratɕ, ˌalɛ muɕˈawam tsˈɔʑ vɨmˈɨɕlitɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_121.wav|ˈandɛrsɔn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_14.wav|— vˈidʑɛ tɕˈɛ — pˌɔvʲɛdʑˈawa tˈamta ɕpʲˈɛvnɨm ɡwˈɔsɛm.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_538.wav|ɲʲɛ mˈɔɡwɛm tˌɛɡɔ zrˈɔbʲitɕ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_85.wav|ɔstʃˈɛɡaw tsɛrsˈɛi, lˈɛtʃ ˌɔna ɡˈɔ vɨɕmʲˈawa. fʃˈɨstsɨ mˌamɨ sfˈɔjɛ tˌajɛmɲˈitsɛ, brˈatɕɛ, ɔtpˈarwa.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_292.wav|mˈinstrɛl pɔkwˈɔɲiw ɕɛ. vˈaʃa mˈiwɔɕtɕ jɛzd bˈardʑɔː upʃˈɛjma.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_21.wav|tɛn tʃwˈɔvʲɛk ɲʲɛ ˈumjaw ʒˈɨdʑ bˈɛs latˈaɲʲa i bˈɨw jˈuʃ mˈartfɨ. nadwˈuɡɔ pʃˈɛttɛm ɲˈim ɕɛ zˈabʲiw.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_32.wav|bˌɨwɔ s tɕˈɛbjɛ mɲʲˈɛj pɔʒˈɨtku ɲˈiʃ s kɕˌɛ̃ʒɨtsɔvˈɛɡɔ xwˈɔptsa.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_272.wav|xtɕˈawa ɡˈɔ sprˌɔvɔkˈɔvatɕ i udˈawɔ jɛj ɕɛ tɔ. ʒˈutɕiw ɕɛ dɔː atˈaku, vˌɨkʃɨkˈujɔnts pʃɛklˈɛɲstfa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_15.wav|jˈakaɕ tʃˈɛɲɕtɕ mɲʲɛ prˈaɡɲʲɛ ɕɛ ˈɔddatɕ w ix rˈɛntsɛ, pɔvʲˈɛdʑɛtɕ im ɔ fʃˈɨstkim i pɔzvˈɔlidʑ zrˈɔbʲitɕ tɔ, tsˈɔ najɡˈɔrʃɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_146.wav|tɔ kʲˈɛpski pˈɔmɨsw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_69.wav|ɲˈiɡdɨ zˈaɲim ɲʲɛ pʃˌɛpadˈawɛɕ, tsˈɔ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_24.wav|i tsˈɔ tfˈɔja mˈama nˈatɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_53.wav|zwɔʒˈɔnɔ mu ˌɔbjɛtɲˈitsɛ, a ktˈɔ ɲʲɛ dˌɔtʃɨmˈujɛ ɔbjˈɛtɲits?|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_64.wav|ʒˈɛkwa krulˈɔva. ˌalɛ mˈimɔ tɔ jɛzd vʲˈɛrnɨm rɨtsˈɛʒɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_111.wav|ɲʲɛ bˌɛndɛ ɡˈɔː ˈɔtɔ prɔɕˈiwa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_90.wav|ʒˈɛ ɔzbˈɔrnɛ tɔ jɛj paɲʲˈɛɲskʲɛ nazvˈiskɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_188.wav|vˈidʑi tˌɨlkɔ pˈustɔ̃ ulˈitsɛ. ftɕˈɔ̃ʃ lˈɛjɛ, ˌalɛ vʲˈatr ɲʲˈɛtsɔː ˈɔswab.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_92.wav|ʒˈɛbɨ ˌuwaɡˈɔdʑitɕ tɨrˈɛlluf, zˈafʃɛ bˈɨw jˈɛʃtʃɛ mˈatʲis rˈɔvan.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_215.wav|pˈɔʑɔm mˈinuz drˈuɡʲi mʲˈaw f sˈɔbjɛ vʲˈɛntsɛj vˌɨtfɔrnˈɔɕtɕi ɲˈiʃ rˈɛʃta dˈɔlnɨx kˌɔndɨɡnˈatsji kɔnrˈada, ˌalɛ ruʒɲˈitsa bˌɨwa ɲʲɛvʲˈɛlka.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_65.wav|jɛdˈɨnɨ mˈɔtɨf, ɔ jˈakim nˈam vʲadˈɔmɔ, tɔ jɛj ɔpsˈɛsja na pˈuŋktɕɛ strakˈana.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_35.wav|ɲʲɛ kˌɔʒɨstˈamɨ s tɨx xˈat tʃˈɛ̃stɔ, ˌalɛ jɛst tˈam tɕˈɛpwɔː i sˈuxɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_8.wav|jˈɛʃtʃɛ ɲʲɛ pˌɔukwˈadaw sˈɔbjɛ fʃɨstkʲˈɛɡɔ w ɡwˈɔvʲɛ, ˌalɛ mˈa ɡɔtˈɔvɛ pʲˈɛrʃɛ zdˈaɲʲɛ i ɕɛ ɡˈɔ tʃˈɨma.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_48.wav|dlatʃˈɛɡɔː uvˈaʒaʃ, ʒˈɛ tɛ sprˈavɨ mˈɔɡɔ̃ bˈɨtɕ pˌɔvʲɔ̃zˈanɛ?|3
+Dataset/wavs/urwisko_ferenc/12_segment_70.wav|pʃˌɛtɕɛʃ tɔ jˈakaʑ bzdˈura. ɔbˈɔjɛ trafˈili ftˈɛdɨ na ˈɔddʑaw psˌɨhiatrˈɨtʃnɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_52.wav|pˌɔzɔstˈajɛ mi tˌɨlkɔ jˈɛdnɔ. zadʑvˈɔɲitɕ na pɔlˈitsjɛ.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_186.wav|lˈɔrd vˈaldɛr i rˈɛstɔn|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_79.wav|mˈɔʒɛ ˈuda mi ɕɛ sprˈavitɕ, ʒˈɛ fʃˈɨstkɔ zrɔzˈumjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_101.wav|nɡˈuɡʲi uɲʲˈɔswa ɡwˈɔvɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_116.wav|a jˈɛɕli ɲʲˈɛdaʃ mi pʲɛɲʲˈɛndʑɨ, bˌɛndɛ mˈuɕaw pɔskˈarʒɨtɕ ɕɛ tfˈɔjɛj mˈamjɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_40.wav|vʲɛŋkʃˈɛɡɔ jˈɛʃtʃɛ xˈɨba ɲˈiɡdɨ ɲʲɛ vidʑˈawa na ˈɔtʃɨ.|4
+Dataset/wavs/urwisko_ferenc/25_segment_119.wav|zmˈarwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_166.wav|tˈɛras pʃˌɨpɔmˈina sˈɔbjɛ, ʒˈɛ ɲˈidʑɡ vrˈɛntʃɨw jɛj plˈiɡ baŋknˈɔtuv dla alˈana, kuxˈaʒa, ktˌurɨ pɔtpˈaliw ix pʲɛtʃˈɔnɔ̃ alˈaskɛ, ˌalɛ jɛj ɲʲˈɛdaw ˌaɲi ɡrˈɔʃa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_171.wav|danˈatka ftɕˈɔ̃ʃ jɛst jˈɛʃtʃɛ ɲʲˈɛtsɔ tɕˈɛpwa, ˌalɛ jˈuʒ zatʃˈɛwa ʃtˈɨvɲʲɛtɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_15.wav|bɔɡˈatstfɔ ʃtʃɛɡˈuwuf mˈɔjɛj vˌɨpɔvʲˈɛdʑi zˌastanɔvˈiwɔ mwɔdˈɛɡɔ fˌuŋktsjɔnarjˈuʃa.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_169.wav|prˈaɡnɛ tˌɨlkɔ spˈɛwɲʲatɕ tfˈɔjɛ ʒɨtʃˈɛɲʲa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_17.wav|karˈɔlɛm dʲitskˈɛnsɛm kɔʃmˈaruf.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_635.wav|ˌalɛ ftˈɛdɨ zatʃˈɛwɨ ɕɛ ɔtfʲˈɛradʑ dʒvˈi mʲˈɛʃkaɲ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_412.wav|aˈɛrɔn jɛst jˈɛʃtʃɛ bˈardʑɛj ʃalˈɔnɨ, a ˈɛwrɔn najbˈardʑɛj ʃalˈɔnɨ z ɲˈix fʃˈɨstkix.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_93.wav|ʒˈɨtɕɛ, kturˌɛɡɔ praɡnˈɛwa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_6.wav|— jˈak ɕɛ spˈawɔ? — pˈɨta bʲˈillɨ. — dˈɔbʒɛ, a tˈɔbjɛ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_191.wav|fɕrˈut pˌɔbɛkivˈaɲʲa klaksˈɔnuf sunˈɛliɕmˌɨ vˈɔlnɔ f strˈɔnɛ plˈatsu tʃˈɛx kʃˈɨʒɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_53.wav|tɨmtʃˈasɛm kˈɔmbajn nˈadal dʑˈawaw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_12.wav|f kˈɔɲtsu zmuɕˈiwam ɕɛ dɔ vwɔʒˈɛɲʲa ɡwˈɔvɨ dɔ mˈiski i ˌɔtfarsˈija ˈɔtʃu, ʒˈɛbɨ pˈɔzbɨtɕ ɕɛ iɣ zˌatʃɛrvʲɛɲʲˈɛɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_241.wav|i xtsˈɛ mʲˈɛdʑ vwˈasnɔ̃ waʑˈɛŋkɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_192.wav|jˈak jˈuʃ maʃ kˈɔɡɔʑ zˈatɔ vˈiɲitɕ, vˈin mɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_82.wav|ɔznˈajmiw. tʃˈarnɨ sˈam bˌɛɲdʑɛ pratsˈɔvaw za tʃtˈɛrɛx.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_29.wav|tɔ, tsˈɔ tʃˈujɛʃ, tɔ rɛvˈɔlvɛr, vʲˈɛnts ɲʲˈɛkaʃ mi zadˈavatɕ tˌɛɡɔ pɨtˈaɲʲa pɔ rˈas tʃˈɛtɕi. jˈak ɕɛ nazˈɨvaʃ? dʒˈɛk! prˈavʲɛ vʒˈɛʃtʃɨ. dʒˈɛk martʲˈinɛs! ɲʲɛ stʃˈɛlaj, prˈɔʃɛ!|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_123.wav|ˈitɕ, dʑɛftʃˈɨnɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_190.wav|kˈaʒdɔ̃ ɕtɕˈaŋkɛ pˌɔkrɨvˈawɨ mistˈɛrnɛ zdɔbjˈɛɲʲa, a na vɨtfˈɔrnɛj ˌɛtɨkʲˈɛtɕɛ vˈidɲʲaw nˈapis pɔ çiʃpˈaɲsku.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_6.wav|ʒˈɛ fkrˈuttsɛ bˌɛndɔ̃ jˈɛ mʲˈɛli.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_78.wav|sˈam bˈɨw pʃˌɛraʒˈɔnɨ. s pɛvnˈɔɕtɕɔ̃ ɲʲɛ zˌamjɛʒˈajɔ̃ nˈapaɕtɕ na stˈarɛ mʲˈastɔ.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_436.wav|sˈɛr ˈɛlɨn pʃɛjˈɛxaw pˈaltsɛm pɔ ɡˈardlɛ.|1
+Dataset/wavs/urwisko_ferenc/53_segment_27.wav|nat klˈapɔ̃ kˈubwa krɔ̃ʒˈɨwɔ pˈɛwnɔ mˈux.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_293.wav|skʃɨvˈiwam ɕɛ. ɲʲɛ pʃɛstˈanɛ ɔt tˈaɡ bˈɨtɕ na tɕˈɛbjɛ fɕtɕˈɛkwa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_165.wav|ɲʲˈɛx tɕi bˈɛ��dʑɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_63.wav|pˈɔtɛm tsɔˈɔkʲɛ ˌɔpwatɕˈiwabˌɨ naˈukɛ fˈaitx ˌi taɡ dˈalɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_246.wav|fʃˈɨstkɔ zmˌarnɔvˈawaɕ. tʃˈɨ tɨɕˈɔntsɛ ɡʲˈituf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_130.wav|ˌɔbjɛtsˈujɛ, ʒˈɛ zatʃˈɨmam ɕɛ na nˈɔts.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_147.wav|jɛʒˈɛli dɔpˈuɕtɕiʃ ɕɛ pˌɔvaʒnˈɛɡɔ pʃɛstˈɛmpstfa, dˌɛpɔrtˈujɔ̃ tɕˈɛ na ʑˈɛmʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_53.wav|tˈaɡ dwˈuɡɔ tɔ ɲʲɛ pˈɔtrfa, mˈɨɕli bʲˈillɨ. w ʒˈadnɨm rˈaʑɛ...|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_328.wav|natˈɨxmʲazd ɡʲˈiɲʲɛ f pwɔmjˈɛɲʲax.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_69.wav|ɔpˈuɕtɕiw vzrˈɔk, tsˈɔ muɕˈawɔː ɔznˈatʃatɕ, ʒˈɛ natxˈɔdʑi vʲˈɛntsɛj.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_43.wav|ktˌurɨ na dɔdˈatɛk pɔdˈɔba mi ɕɛ bˈardʑɛj ɲˈiʃ mˈɨɕlɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_110.wav|xtsˈɛ zapˈɨtatɕ, pɔ tsˈɔ mˈam sxˈɔdʑitɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_141.wav|dlatʃˈɛɡɔ pˌɔstanɔvˈiwaɕ studjˈɔvatɕ tˈutaj? tˌɛɡɔ ɲʲɛ rɔzˈumjɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_74.wav|mˈama nˈavɛt ɕɛ ɲʲɛ ɔdvrˈatsa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_37.wav|mʲɛjstsˈɔvɨx ʃˈɨx, bʲˌiznɛsmˈɛnuf, pravɲˈikuf ˌi taɡ dˈalɛj., ʒˈɛbɨ mˈuts ix pˈuʑɲʲɛj ʃˌantaʒˈɔvatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_61.wav|tɔ pɔ lˈɛvɛj strˈɔɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_152.wav|tʃˌɛmu tˈaɡ bˈardʑɔ trˈɔʃtʃɨ ɕɛ pˈaɲi ɔ dʒˈɛs?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_328.wav|na vʲˈatr, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_384.wav|ˈɔsnɛj zamrˈuɡaw pˌɔvʲɛkˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_152.wav|ɲʲɛ sˈɔndʑɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_213.wav|ɲʲɛ mˈɔɡwam ɲˈits pɔvʲˈɛdʑɛtɕ, bˈɔ w ɡwˈɛmbʲi dˈuʃɨ ˈɔtɨm fʃˈɨstkim vʲɛdʑˈawam.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_53.wav|fkrˈuttsɛ stˈaɲʲɛ pʃɛtɕˈifkɔ nˈam tsˈawa pɔtˈɛŋɡa rˈɛax, balvʲˈɛʒu.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_377.wav|ˌalɛ jˌɛstɛʑ zbˈɨt prˈavɨm rɨtsˈɛʒɛm, bˈɨɕ mˈuɡw ʒˈɨdʑ zˈɛ sfˈɔjɔ̃ zbrˈɔdɲʲɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_118.wav|ftˈɛdɨ fsˈunɔw dwˈɔɲ pɔt mˈɔjɔ̃ kɔʃˈulkɛ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_49.wav|mˈawɨ rˈɔbɛrd znˈaw fʃˈɨstkʲɛ tˈaɡ dˈɔbʒɛ, ʒˈɛ mˈuɡw jˈɛ rˌɛtsɨtˈɔvatɕ s pamjˈɛɲtɕi, ˌalɛ i tˈak lˈubʲiw ix swˈuxatɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_58.wav|zˌavɔwˈawa ɕpʲɛvˈajɔnts pʲɔsˈɛŋkɛ, ktˌura trafˈiwa na lˈistɛ pʃɛbˈɔjuf tˌɛɡɔ dɲʲˈa, kʲˈɛdɨ pʃˌɨjɛxˈawa dɔ lˌakɛsˈidɛ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_180.wav|z jakʲˈɛɡɔɕ pɔvˈɔdu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_92.wav|dˈɔbʒɛ ɕɛ tʃˈujɛʃ?|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_144.wav|ɲʲɛ zdɔwˈawabˌɨm zrˈɔbʲitɕ tˌɛɡɔ sˈama, pɔɲʲˈɛvaʒ bˈɨwabˌɨm vˌɨstartʃajˈɔntsɔ zajˈɛnta duʃˈɛɲʲɛm ɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_67.wav|wˈatfɔ tɔ sprˈavdʑitɕ. jˌɛstɛm tˈɛʃ pʃˌɛkɔnˈana, ʒˈɛ ɲikˈɔɡɔ bˈɨ ɲʲɛ zˌaatˌakɔvˈawa. ɲʲɛ mʲˈawabˌɨ nˈatɔ ɕˈiwɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_63.wav|bˌɨwam rɔzbʲˈita, sˈam ˈɔtɨm vʲˈɛʃ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_11.wav|xˈɨba jˈuʃ ɲʲɛ tˈak strˈaʃɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_238.wav|ftɕˈɔ̃ʃ pˈatʃɔnts mi w ˈɔtʃɨ, na kˈɔɕi ɕˈɛŋɡnɔw pɔt stˈuw, vˈɨjɔw zˌapʲɛtʃˌɛntɔvˈanɔ̃ pˈatʃkɛ i pʃɛsˈunɔw jˈɔ̃ pɔ blˈatɕɛ w mˈɔjɔ̃ strˈɔnɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_118.wav|kɔxˈawa mɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_98.wav|a tsˈɔ jɛst na dˈɔlɛ? mʲɛʃkˈaɲʲɛ f sˌutɛrˈɛɲʲɛ? bˈɔ s tˌɛɡɔ tsˈɔ vˈidʑɛ jɛzd dʑvˈɔnɛk.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_203.wav|fʃˈɨstkɔ zrɔbjˈɔnɔ z vˌɨʒutsɔnˈɛɡ�� na bʒˈɛɡ drˈɛvna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_94.wav|ɲʲɛ bˌɛndɔ̃ mʲˌɛli pɔvˈɔduf, ʒˈɛbɨ pʃɛkrˈatʃatɕ prˈuk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_80.wav|naprˈavdɛ fˌastsɨnujˈɔntsɛ. prɔstˈujɛ ɕɛ i rɔzɡlˈɔnda dˌɔɔkˈɔwa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_47.wav|i s pɛvnˈɔɕtɕɔ̃ ʒˈɨvi nadʑˈɛjɛ, ʒˈɛ ˌinfɔrmˈatsja ɔ vnˈuku sprˈavi, ˈiʃ xˈɛntɲʲɛj dɔ ɲʲˈɛɡɔ dɔwˈɔntʃɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_67.wav|tˈɔm ɕɛ rɔzwˈɔntʃɨw. mˈɔʒɛ sprˈava tˌɛɡɔ mɔrdˈɛrstfa ftsˈalɛ ɲʲɛ bˌɨwa tˈaka skˌɔmplikɔvˈana.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_18.wav|pʲˈɛrʃa mˈɨɕl, ktˌura pɔjˈavja ɕɛ w mˈɔjɛj ɡwˈɔvʲɛ, dɔtˈɨtʃɨ jɛdnˈɛɡɔ z dʑɛtɕˈakuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_119.wav|mˈɔɡwam udˈavatɕ, ʒˈɛ jɛstˌɛɕmɨ w mɔtˈɛlu bˈɨ dˈɛ vɛ pɔd davˈɛnpɔrt w iˈɔva.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_59.wav|jˈak jˈuʒ vʲˈɛtɕɛ, tʃˈuwam ɕɛ zˌaɡubjˈɔna, brˌakɔvˈawɔ mi tsˈɛlu, a ˈaram uvˈaʒa, ʒˈɛ zdˈawa mi pˈɔmuts.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_46.wav|vˈɛstxnɔw, prubˈujɔnts ɔtsˈunɔɲtɕ mˈɨɕli zvʲɔ̃zˈanɛ z bˈɨwɔ̃ ʒˈɔnɔ̃ ɡdʑˈɛʑ dalˈɛkɔ, pɔ tʃɨm vˈɨbraw nˈumɛr pˈawla ɡrˈina.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_236.wav|ˌalɛ ja mˈuʃɛ stˈɔnt ʃˈɨpkɔː ˈɔdɛjɕtɕ, mˈikɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_87.wav|ˌaɲi tˈɨ, ˌaɲi tɛ fʃˈɨstkʲɛ kɕˈɔ̃ʃki, ktˌurɛ pʃˌɛtʃɨtˈawɛɕ, mˈikɛ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_154.wav|muvˈiwɛm tɕˈi, ʒˈɛ jˈaɡ bˌɨwɛm mˈawɨ, jˈɛdɛn prubˈɔvaw mɲʲɛ ˈuɡrɨɕtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_99.wav|i mˈam naprˈavdɛ mˈawɔ tʃˈasu, ʒˈɛbɨ tɕˈɛ dɔ ɲʲˈɛj pʃɛkˈɔnatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_114.wav|ɔdˈɛzvaw ɕɛ znˈuf nɛrvˈɔvɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_92.wav|tˈak pˈɔfstaw prˌɛzɛntˈɔvɨ kˈɔkɔn ˌɔkrɨvajˈɔntsɨ kˈɔʃ i trˌansfɔrmˈatɔr.|2
+Dataset/wavs/urwisko_ferenc/23_segment_104.wav|bˈɔ mˈɔɲʲa ɕɛ zˌaʒɛkˈawa, ʒˈɛ tɔ bˌɨwɔ bˈɛz znatʃˈɛɲʲa i bˈɛz dalʃˈɛɡɔ tɕˈɔŋɡu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_186.wav|mˈɔʒɛ skɔʒˈɨstam.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_61.wav|i vˈɨjɔnts tˈak, ˈiʒ drʒˈawɨ ʃˈɨbɨ, prˈɔɕiw, ˈabɨ mu ɔddˈanɔ jˈɛɡɔ sˈɛrtsɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_86.wav|tˈam, ɡdʑˈɛ ɲʲɛ zˌapuʃtʃˈajɔ̃ ɕɛ turˈɨɕtɕi, kˈaʒdɨ stˈɔpʲɛɲ jɛzd vɨsˈɔki na pˈuw mˈɛtra.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_31.wav|jˈɛdʑmɨ dɔ dˈɔmu. xtsˈɛʃ pʃˌɛtɕɛʒ zdˈɔ̃ʒɨtɕ pʃɛd zmrˈɔkʲɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_11.wav|ktˈɔ vʲˈɛ, jˈaɡ dalˈɛkɔ ɕˈɛŋɡnɔw jˈuʃ fpˈis ˈɛlis?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_7.wav|prˈɔʃɛ rˈuvɲʲɛʒ vɨbˈatʃɨtɕ, ʒˈɛ mˈuʃɛ zadˈavatɕ pˈanu pɨtˈaɲʲa f tˈak trˈudnɨm tʃˈaɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_382.wav|lˈadɨ brjˈɛnnɛ?|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_82.wav|tɨɕˈɔntsɛ kˌilɔɡrˈamuf rˈudɨ pˌɔsɨpˈawɔ ɕɛ w ɡwˈɔmp kanˈawu, vzbʲijˈajɔnts ˈɔbwɔk pˈɨwu, ktˌurɨ ɲʲˈɛmal natˈɨxmʲast ˈɔpad.|4
+Dataset/wavs/urwisko_ferenc/36_segment_138.wav|pɔlˈawa jˈɛ kɛtʃˈupɛm, a pˈɔtɛm pˌɔvʲɛdʑˈawa mˌixawˈɔvi, ʒˈɛbɨ pˈɔʃɛd dɔ salˈɔnu i vwˈɔntʃɨw sˈɔbjɛ tˌɛlɛvˈizɔr lˈup fˈilm na stˈarɨm dˌividˈi jɛj ˈɔjtsa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_56.wav|kˈɔʒ zˈatʃɔw ɔpˈadadʑ bˈardʑɔ pɔvˈɔli. tˈakʲɛ mʲˌawɛm vraʒˈɛɲʲɛ, zvwˈaʃtʃa ɡdˈɨ na drˈuɡʲim bʒˈɛɡu ʒˈɛki rɔzlˈɛɡwɨ ɕɛ stʃˈawɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_5.wav|ˈɛlis muɕˈawa pɔvʲˈɛdʑɛtɕ im ɔː imprˈɛʑɛ i naˈilu, ktˌurɨ ɔt tˈamtɛj pˈɔrɨ uɲˈikaw mˈɔjɛj ˌɔbɛtsnˈɔɕtɕi.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_181.wav|tʃɨ zɔstˈaɲʲɛʒ dˌɛpɔrtɔvˈana?|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_461.wav|tsˈɨtrɨn i jˈɛɡɔ lˈudʑɛ mˈɔɡlibˌɨ znˈalɛʑdʑ w ɡɔspˈɔdʑɛ tˌɨlkɔ trˈupɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_425.wav|a pˈɔtɛm zdˈar z ɲʲˈɛj kɔʃˈulɛ i ɲʲɛ dwˈɔɲʲɔ̃, lˈɛtʃ ˌudɛʒˈɛɲʲɛm pʲˈɛɲɕtɕi rɔzʒˈutɕiw jɛj ˈuda.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_488.wav|pˌɛrsɔnˈalja|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_309.wav|vʲɛdʑˈawa, tsˈɔ ɕɛ tˈam vɨprˈavja.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_62.wav|pˈatʃɨw zwɔvrˈɔɡɔ na tsˌamɛrˈɔna, jˈaɡbɨ tɛn bˈɨw ɲʲˌɛbɛspʲˈɛtʃnɨm zvʲɛʒˈɛɲtɕɛm, mɔɡˈɔntsɨm ˈuɡrɨɕtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_24.wav|— jˌɛstɛʑ bɛspʲˈɛtʃna — pˌɔvʲɛdʑˈawa. — tɔ jˈuʃ kˈɔɲʲɛts.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_180.wav|zadˈudɲiw mˌɛɡafɔnˈɔvɨ ɡwˈɔs i ˈɔdbʲiw ɕɛ krˈutkim ˈɛxɛm fɕrˈut mʲˈɛjskim bˈɔʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_125.wav|tʃɨ tɔ sˈukɲʲa?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_430.wav|ɲʲɛ swɨʃˈawɛm ɔ tˈakʲɛj ʃtˈutsɛ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_363.wav|jˈɛɡɔ krˈɛntɨt.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_86.wav|kʲˈɛdɨ vwˈɔntʃa ɕɛ prɛzˈɛntɛr swˈɨʃɛ tɕˈixɛ ˈax.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_112.wav|lˈintsaj pˌɔdʑɛlˈiwa ˈɛkran na dvˈa sˌɔ̃ɕadujˈɔntsɛ ˈɔkna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_61.wav|jˈamisɔn pʃˈɨzvaw ɡˈɛstɛm jˈɔɛ klˌɛtʃɛfskʲˈɛɡɔ. ɔn tˈɛʒ bˈɨw z ɡɔrˈɔntsɛj dʑɛvʲˈɔntki, jˈak nˌazɨvˈaliɕmˌɨ nˈaʃ ˈɔddʑaw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_45.wav|zˌatʃɨmˈujɔ̃ ɕɛ na nˈɔdʑ w bʲˈivɛr f stˈaɲʲɛ jˈuta, f kɔlˈɛjnɨm pɔdʒˈɛndnɨm, ˌalɛ ɲʲɛ najɡˈɔrʃɨm mɔtˈɛlu.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_335.wav|mˈɔja rˈada.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_20.wav|pɔbjˈɛɡwɛm w zwˈɔ̃ strˈɔnɛ. pˌɔviɲʲˈɛnɛm bˈɨw ˈutɕɛts sxɔdˈami jˈak mˈarki, ˈalɛ...|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_13.wav|pʲˈɛɕɲ miwˈɔsnɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_120.wav|kˈatrin ˈɛn. sˈummɛrs, ɲʲɛspˈɛwna dʑˌɛvʲɛɲtɕɔlˈɛtɲʲa w dɲʲˈu, kʲˈɛdɨ umˈarwa, jˌasnɔvwˈɔsa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_193.wav|bʲˈijɛ sˈɛrtsɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_108.wav|pɔ dʑiɕˈɛjʃɨm pɔrˈaŋku i vizˈɨtɕɛ pɔlˈitsji ɲʲɛ jˌɛstɛm pˈɛvna, tsˈɔ bˈɨm mu tˈɛras pˌɔvʲɛdʑˈawa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_143.wav|tɔ z ˌɛvandʒˈɛlji mˌatɛˈuʃa.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_74.wav|rɔzˈumjɛm, ʒˈɛ bʲˌiznɛsmˈɛɲi ɕɛ fkuʒˈajɔ̃, kʲˈɛdɨ ktˈɔɕ ɲˈiʃtʃɨ iɣ vwˈasnɔɕtɕ, ˌalɛ ʒˈɛbɨ ˈaʃ tˈak? ʒˈɛbɨ mɔrdˈɔvatɕ lˈudʑi?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_11.wav|tˈɔm mˈuɕaw ɕɛ s tɨm zɡˈɔdʑitɕ. ɲʲɛ vˈartɔ bˌɨwɔ zadˈavatɕ pɨtˈaɲʲa, jˈɛɕli ɔtpˈɔvʲɛtɕ s pɛvnˈɔɕtɕɔ̃ bˈɨwabˌɨ kwˈamstfɛm.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_285.wav|sˈam udˈɛʒɨw rˈuvɲʲɛʃ intrˈuza i tsˈɔɕ tfardˈɛɡɔ valnˈɛwɔ ɡˈɔ w ɡwˈɔvɛ.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_246.wav|pʃˌɨpɔmɲʲˈawa sˈɔbjɛ, ʒˈɛ pˈɔttʃaz drˈɔɡʲi na ɡˈurɛ mjˈa stˈɔnɛ ɔstʃˈɛɡwa jˈɔ̃, bˈɨ patʃˈɨwa pʃɛt ɕˈɛbjɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_122.wav|tɔ znˈatʃɨ, ʒˈɛ tɨ nˌavalˈiwaɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_122.wav|pʃɨʃˈɛdwɛm tˈu, bˈɔ pˌɔvʲɛdʑˈawaɕ, ʒˈɛ pˌɔtʃɛbˈujɛʃ mˈɔjɛj pɔmˈɔtsɨ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_184.wav|ˌalɛ mˈɔʒɛ maʃ wˈɨɡ vˈina?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_16.wav|xtɕˈawbɨm ɕɛ vwˈɔntʃɨtɕ kʲˈɛdɨʑ dɔ tsawˈɔɕtɕi i zrɔzˈumjɛtɕ xˈɔdʑbɨ tʃˈɔ̃stkɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_56.wav|tsɔrˈinnɛ kwˈaɲʲa ɕɛ ɲˈiskɔ, pɔ tʃɨm rˈɔbʲi zdjˈɛɲtɕɛ plˈanʃɨ. bʲˈillɨ pilnˈujɛ, bˈɨ bˈɨtɕ pˈɔza kˈadrɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_299.wav|jɛst mi bˈardʑɛj pʃˈɨkrɔ, ɲˈiʃ pɔtrˈafjɛ vɨrˈazitɕ tɔ swɔvˈami.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_327.wav|zˌauvaʒˈɨwa w dˈuxu tsɛrsˈɛi. tɔ bˌɨwɔː ˈalbɔ bˈardʑɔ mˈɔndrɛ, ˈalbɔ bˈardʑɔ ɡwˈupʲɛ.|1
+Dataset/wavs/urwisko_ferenc/63_segment_113.wav|— a ja ɲʲɛ pɔvˈinnam w ɔɡˈulɛ tˌɛɡɔ pˈaɲi pɔftˈaʒatɕ — zˌatɕɔŋɡnˈɛwa ɕɛ. — ˌalɛ ʒˈal mi pˈaɲi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_435.wav|tʃɨ ja bˌɛndɛ ʒˈɨtɕ tˈaɡ dwˈuɡɔ, ˈabɨ bˈɨtɕ s tˈɔbɔ̃, kʲˈɛdɨ vɨɡlˈɔndadʑ bˌɛɲdʑɛʃ tˈak jˈak ˈɔna? dla ˈinnɨx, ɲʲɛ dla mɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_19.wav|ɲʲˈɛmam tˈɛras tʃˈasu nabʲˈijatɕ ɕɛ s tfɔjˈɛɡɔ pijˈaɲstfa. mˈuɕiʃ tɔ zɔbˈatʃɨtɕ. xˈɔtɕ!|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_130.wav|i ɲʲɛ udˈawɔː im ɕɛ. lˈɛʒaw pˈɔtɛm kˈɔwɔ ɲʲˈɛj s tfˈaʒɔ̃ ftɕiɕɲʲˈɛntɔ̃ f pɔdˈuʃkɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_94.wav|f kˈɔɲtsu dˌɔtɕɛrˈamɨ dɔ dˈɔmu i zamˈɨkam za nˈami dʒvˈi. natˈɨxmʲast ɔdʑˈɨva ɕɛ mˈuj tɛlˈɛfɔn.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_71.wav|jɛdˈɨnɨ tɕˈɔs, jˈaki zdˈɔwaw zˈadatɕ, dɔkˈɔɲtʃɨw dʑˈɛwa zɲiʃtʃˈɛɲʲa tˈartʃɨ vˌiktarjˈɔna, ˌalɛ ɔtpˈɔvʲɛtɕ kˌapitˈana...|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_162.wav|tʃɨ pɔ prˈɔstu zrˈɔbʲiw sˈɔbjɛ ɡɔdʑˈiŋkɛ lˈub dvʲˈɛ vɔlnˈɛɡɔ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_55.wav|bˈaki zapwˈatɕi. pˈɔtɛm ɕɛ z ɲˈim rɔzlˈitʃɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_27.wav|ta kɔbjˈɛta zmʲɛɲˈiwabˌɨ ɕɛ w vˌɔjɔvɲˈitʃkɛ, stajˈɔntsɔ̃ w ɔbrˈɔɲʲɛ sfɔjˈɛɡɔ dʑˈɛtska.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_82.wav|tʃɨ ʃˌandɛrɛkˈɔvi i pˌɔzɔstˈawɨm dʑˈɛtɕɔm bˌɛɲdʑɛ lʒˈɛj, kʲˈɛdɨ ɕɛ dɔvʲˈɛdʑɔ̃, ʒˈɛ ix kˈumpɛl ɔt mˌɔnɔpˈɔlɨ zastʃˈɛliw zwˈɛɡɔ tʃwɔvʲˈɛka?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_356.wav|pˌɔvɔdujˈɔntsɛ vˈɛmɲʲɛ ɡvawtˈɔvnɨ ɲʲɛpˈɔkuj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_201.wav|znalˈɛʑliɕmˌɨ ɕɛ na ɔvˈalnɨm skfˈɛrku, ɡdʑˈɛ ˌumjɛrˈawɔ kˈilka ɡˈɔwɨɣ dʒˈɛf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_84.wav|ʃukˈawɛm butɕˈika zˈaras pʃɛd vˈɛjɕtɕɛm dɔ tˌɛɡɔ budˈɨŋku w dʑɛlɲˈitsɨ pʃˌɛmɨswˈɔvɛj.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_385.wav|musˈimɨ tˈɛʃ mˈɨɕlɛtɕ ɔ kˈuptsax.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_75.wav|tʃɨ zrˈɔbjɔ̃ tɕi tˈɛʒ zwɔtˈɛɡɔː ˈɔjtsa?|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_286.wav|prˈɔʃɛ rˈuvɲʲɛʃ pamjˈɛntatɕ, ˈiʃ mˈa pˈan kˌɔnstɨtutsˈɨjnɛ prˈavɔ dɔː ɔdmˈɔvɨ zˈɛznaɲ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_151.wav|xˈɔtɕ jˈuʃ jɛst tˌɛɡɔ blˈiski, bʲˈillɨ pʃɨbjˈɛra na tfˈaʃ ˈuɕmʲɛɣ ɡwˌupavˈɛɡɔ jˈa.|2
+Dataset/wavs/urwisko_ferenc/46_segment_154.wav|mˈɔʒɛʃ, kˈurva, jˈaɕɲʲɛj? ɲʲˈɛvʲɛm, tsˈɔ jɛzd ɡrˈanɛ, ˌalɛ prɔɕˈiwɛm, ʒˈɛbɨɕ pʃɨjˈɛxaw, bˈɔ sprˈavɨ rˈɔbjɔ̃ ɕɛ dla nˈaz zbˈɨt trˈudnɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_59.wav|pˈɔvʲɛts mˈili, ʒˈɛ jˈɔ̃ kˈɔxam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_129.wav|spˈɔjʒaw na lˈintsaj i vzrˈuʃɨw rˌamjɔnˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_110.wav|tʃˈujɛ ɕɛ, jˈaɡbɨ jɛj bˈarki pʃˈɨɡɲʲut ɔɡrˈɔmnɨ tɕˈɛ̃ʒar.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_4.wav|nˈaʃɛ pʲˈɛrʃɛ bˈɔʒɛ nˌarɔdʑˈɛɲʲɛ w lˌakɛsˈidɛ. nˈavɛt ja uznˈawam, ʒˈɛ tɛj nˈazvʲɛ brakˈujɛ ˌɔrɨɡʲˌinalnˈɔɕtɕi. ˌɔkazˈawɔ ɕɛ trˈudnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_14.wav|bˌɨwa jˈak pʲˈɛs, tsˈɔ ʒˈɨɡa, a pˈɔtɛm zʒˈɛra sfˈɔjɛ ʒˈɨɡʲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_58.wav|nˌautʃˈɨwam ɕɛ, jˈaɡ bˈɨtɕ tɔ̃ drˈuɡɔ̃ mnˈɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_46.wav|ˈɛlis ssˈuva ɕtɕɛrˈɛtʃkɛ s tfˈaʒɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_180.wav|fˈil ɕɛ ɕmʲˈɛjɛ. ˌaɲi ɕɛ vˈaʃ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_141.wav|i zˌaɡwɔdʑˈiwɛm ɕɛ, a kʲˈɛdɨ vrˈɛʃtɕɛ zˌɛskrɔbˈawɛm tsˈawɔ̃ fˈɔrsɛ dɔ kˈupɨ, ˈabɨ vɨlˈatadʑ ɡɔdʑˈinɨ i dˈɔstatɕ litsˈɛntsjɛ...|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_59.wav|nˈavɛt rɨbˈatsɨ ˌɔtpwɨnˈɛli.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_25.wav|nˌadʲinspˈɛktɔr dɔˈuɡlas? jˌɛstɛm inspˈɛktɔr kˈarɛn spˈaliŋk.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_52.wav|dˈam sˈɔbjɛ rˈadɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_48.wav|a vʲˈɛndʑ dʑˈɛtskɔ tɔ xwˈɔpʲɛts.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_195.wav|dlatˈɛɡɔ, ʒˈɛ jˌɛstɛʑ bɛspʲˈɛtʃnɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_119.wav|jˈudɨ, pɔvʲˈɛdʑaw ˈandɛrsɔn, ja pʃˌɛtɕɛʒ vɨʃˈɛdwɛm tʃˈɨ dɲˈi tˌɛmu z vʲɛ̃ʑˈɛɲʲa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_7.wav|ɡdˈɨ zadʑvˈɔɲi tɛlˈɛfɔn, bɛɲdʑˌɛmɨ na kˈɔɲtsu kˌɔrɨtˈaʒa. i pʃɨjdʑˈɛmɨ tˈu, zˈaɲim jˈɛʃtʃɛ zdˈɔ̃ʒɨʃ ɔdˈɛbratɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_189.wav|zatʃˈɛwam ˈiɕtɕ f strˈɔnɛ vˈɨjɕtɕa, ˌalɛ pʃɨ dʒvʲˈax pʃˌɨstanˈɛwam i ˌɔdvrutɕˈiwam ɕɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_63.wav|ˌalɛ ʒˈadnɛ z ɲˈix ɲˈits ɲʲɛ ˌuswɨʃˈawɔ.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_50.wav|tʃɛrvˈɔnɛ ˈɔkɔ s tʃˈarnɔ̃ ʑrɛɲˈitsɔ̃ pɔt tʃˈarnɔ̃, ʒɛlˈaznɔ̃ kɔrˈɔnɔ̃ pˌɔttʃɨmɨvˈanɔ̃ pʃˈɛz dvʲˈɛ vrˈɔnɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_198.wav|maʒ vraʒˈɛɲʲɛ, jˈaɡbɨɕ naprˈavdɛ tˈam bˈɨw.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_262.wav|zˌardʑɛvʲˈawɨx kɔtfˈitsax i swˈuxa pˈan ˌɔpɔvʲˈɛɕtɕi ˈɔtɨh fʃˈɨstkix kɔbjˈɛtax.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_170.wav|ɲʲɛ tʃˈuwam dɔ stˌɔjɔntsˈɛɡɔ pʃɛdˈɛmnɔ̃ xwɔpˈaka ɲitʃˈɛɡɔ pˈɔza ˌɔbʒɨdʑˈɛɲʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_23.wav|pˈɔtɛm pʃˈɛz dwˈuɡʲi tʃˈas ɲʲɛ mʲˈawa ɲˈidʑ dɔ rɔbˈɔtɨ pˈɔza ɕɛdʑˈɛɲʲɛm i ʑɛvˈaɲʲɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_84.wav|ɡrˈatʃ pɔ mˈɔjɛj prˈavɛj rˈɛntsɛ spasˈɔvaw.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_96.wav|alˈain ˌuswɨʃˈawa tʃˈazɡ bʲˈitʃa mˈɔrda i ɡʒˈɛx ɔt waɲtsˈuxa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_9.wav|vʲˈɛ, dˈɔkɔnd zmʲˈɛʒa, tsˈɔ rˈɔbʲi, ˌalɛ mˈimɔ tɔː ˌɔpsɛrvˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_51.wav|ˈɔtpar sˈɛptɔn.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_13.wav|jˈɛɕli tɔ stˈɛvɛ, mˈuʃɛ ɡˈɔ natˈɨxmʲast ɔtprˈavitɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_42.wav|pˈɛvɲʲɛ ɕɛ fstɨdʑˈiwa. pʃˈɨkrɔ mi, bˈɛtskɨ. vʲˈɛm, ʒˈɛ jˈɔ̃ lubʲˈiwaɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_70.wav|mˈajɔr jˈan dˈajɛ ɕɛ nˈabratɕ na jˈɛɡɔ ɡwupˈavɛ jˈa, bˈɔ bʲˈillɨ stˈara ɕɛ f tɛj rˈɔli ɲʲɛ pʃˌɛʃarʒˈɔvatɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_82.wav|fspulnˈɨmi ɕiwˈami pʃˌɛtɕɔŋɡnˈɛliɕmˌɨ tsˌɨlindrˈɨtʃnɔ̃ kɔmˈɔrɛ i ˌumjɛɕtɕˈiliɕmˌɨ pɔt ɕtɕˈanɔ̃, a nastˈɛmpɲʲɛ dˌɔtɕisnˈɛliɕmˌɨ ˌalumiɲʲˈɔvɨ fˈartuɣ dɔ lɕɲʲˈɔntsɛj pɔvʲˈɛʃxɲi panˈɛlu.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_235.wav|jˈak fʃˈɨstkʲɛ dˈɔbrɛ zaklˈɛɲtɕa mˈɔɡwɨ jˈɔ̃ zˌaprɔvˈadʑitɕ ɲʲˈɛmal fʃˈɛɲdʑɛ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_347.wav|ˌirɨtujˈɔntsɛ pɨtˈaɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_168.wav|ʃˈara tˈartʃa, ʑɛlˈɔna tˈartʃa i pˌɔwudɲʲˈɔva tˈartʃa pˈadwɨ pʃɛt fsxˈɔdɛm swˈɔɲtsa.|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_102.wav|na vˌɨɕfʲɛtlˈatʃu vidɲʲˈawɔ zdjˈɛɲtɕɛ kɔbjˈɛtɨ s pˌɔɕiɲʲatʃˈɔnɔ̃ tfˈaʒɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_141.wav|ˌalɛ tɔ bˌɨwa kʲˈɛpska vɨmˈufka.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_110.wav|jˌɛstɛm lˈɔrdɛm i pɔvˈiɲʲɛn rˈɔbʲitɕ tɔ, tsˈɔ mu mˈuvjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_63.wav|jˌɛstɛɕ nˈɔva?|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_24.wav|ftˈɛdɨ tˈɛʒ zɡʲˈiɲʲɛʃ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_123.wav|na pɔdwˈɔdʑɛ rɔzlˈɛɡa ɕɛ jˈɛŋk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_60.wav|ʒutɕˈiwa i spɔjʒˈawa na tˈɔma.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_61.wav|vˈɔntpjɛ, tʃɨ ˈalan xtɕˈaw, ʒˈɛbɨ ɡˈɔ zwapˈali. nˈɔː i skˈɔrɔ ɕɛ pɔwˈapaw, dlatʃˈɛɡɔ tɔ zdjˈɛɲtɕɛ jɛst tˈakʲɛ tsˈɛnnɛ, pˈɛvɲʲɛ ɲʲˈɛbɨw bɛzdˈɛnɲʲɛ ɡwˈupi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_59.wav|bɔxˈatɛr vɨrˈuʃa z valˈiskɔ̃ na spɔtkˈaɲʲɛ pʃɨʃwˈɔɕtɕi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_195.wav|kʲˈɛdɨ tˌɨlkɔ tɛn lˈizd zˈɔstaw ˌɔpublˌikɔvˈanɨ f prˌɔtɔkˈɔlɛ pˌɔɕɛdʑˈɛɲʲa zaʒˈɔndu, pˈatritsk ˈɔddaw pˌɛndrivˈɛa ˈɔjtsu.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_194.wav|spuɕtɕˈiwam vzrˈɔk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_209.wav|pɔprˈɔɕiʃ ix ɔ zˌaxɔvˈaɲʲɛ f tˌajɛmɲˈitsɨ tfɔjˈɛɡɔː adrˈɛsu, nˈavɛt mʲˈasta, f ktˌurɨm ɔɕˈɔɲdʑɛʃ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_37.wav|xˈɔv ɡˈɔ drˈaʒɲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_105.wav|ʒˈadnɨx prˈɔxuf ˌaɲi brˈɔɲi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_65.wav|jɛdˈɨnɔ̃ ɔsˈɔbɔ̃, ktˌura tˈɛras pʃɨxˈɔdʑi mi dɔ ɡwˈɔvɨ jɛst pˈaɲi rˈɔbɛrts. tɔ tʃˈɨstɨ stʃˈaw f tɕˈɛmnɔ, ˌalɛ jˌɛstɛm pʃˌɛtɕɛʃ tˈutaj, a pʃɨnˈajmɲʲɛj dˈɔɕtɕ ɲʲˌɛdalˈɛkɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_140.wav|dɔ tˌɛɡɔ tʃˈasu prˈɔʃɛ tʃˈɨmatɕ spʃˈɛnd w bɛspʲˈɛtʃnɨm mʲˈɛjstsu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_54.wav|ɲʲɛktˌurɨm ɲʲɛ ˌudavˈawɔ ɕɛ spwˈatɕidʑ dwˈuɡu, ˌalɛ na ˈɔɡuw fʃˈɨstkɔ kɔɲtʃˈɨwɔ ɕɛ dˈɔbʒɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_399.wav|i mˈɨɕlɛ tˈɛʃ, ʒˈɛ ɕfʲˈat mɲʲɛ pʃɛɡˈɔɲiw f ʃukˈaɲʲu rɔskˈɔʃɨ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_421.wav|sˈɔɲdʑiʃ, ʒˈɛ mˈɔja ɕˈɔstra tsawˈujɛ ɕɛ s kˌɛttlɛblˈɛkʲɛm?|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_40.wav|vrˈatsa dɔ pisˈaɲʲa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_40.wav|dˈupki z mʲɛjstsˈɔvɛj ɛlˈitɨ ˌuvaʒˈajɔ̃, ʒˈɛ pʃˌɛinvˌɛstɔvˈawɛm, ˌalɛ tʃˈɛba stˈavʲatɕ na rˈɔzvuj ɡˌɔspɔdˈarki. mˈam rˈatsjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_19.wav|trˈudnɔː ˌɔtʃɛkˈivatɕ, ʒˈɛbɨ pˈan nadʑˈanɨ bˈurʒuj sˈam pɔ sˈɔbjɛ spʃˈɔntaw, ɲʲɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_217.wav|vɨɡlˈɔnda na vˌɨluzˌɔvanˈɛɡɔ. rɔskwˈada rˈɛntsɛ f pˌɨtajˈɔntsɨm ɡˈɛɕtɕɛ kɛpˈasa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_2.wav|stsˈɛna na parkˈiŋɡu ˌɔkazˈawa ɕɛ dɔkwˈadɲʲɛ tˈaka, jˈak ˌɔpisˈawa jˈɔ̃ bˈɛtskɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_10.wav|pʃɛsˈada tɔ drˈuɡʲɛ ˈimjɛ, ˈɛlis, stfʲɛrdʑˈiwa.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_435.wav|ɲʲɛ vˈɔntpjɛ, ʒˈɛ vwˈaɕɲʲɛ ˌɔnɔ jɛzd ʑrˈudwɛm ɡɔrˈɔntʃki.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_122.wav|tɔ jˈak tɕi ɕɛ vɨdˈajɛ, tsˈɔ bˈɨm zrˈɔbʲiw?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_37.wav|kˈɔxam ix jˈɛdnak i zˈafʃɛ tɕˈɛʃɨ mɲʲɛ ix tˌɔvaʒˈɨstfɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_151.wav|dwˈɔɲ kɔbjˈɛtɨ vɛndrˈujɛ dɔ jˈɛdnɛj z dˈuʒɨɣ bˈɔtʃnɨx kʲɛʃˈɛɲi sukʲˈɛŋki ˌɔɡrɔdɲˈitʃɛj. bʲˈillɨ pɔspʲˈɛʃɲʲɛ vɨɕˈada i udˈɛʒa jˈɔ̃ na ˈɔdlɛf f tfˈaʃ.|2
+Dataset/wavs/urwisko_ferenc/55_segment_30.wav|nˈɔ vʲˈɛndʑ brˈaxu bˈɨw f klˈaɕɛ dˈɛ, a xudʑˈiɲski f tsˈɛ, ˈu kˈɔpra, pˌɔinfɔrmˈɔvaw ɡrˈɔx. f kˈaʒdɨm rˈaʑɛ tɛn sˈam rˈɔtʃɲik.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_138.wav|w jˈaki spˈɔsup?|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_205.wav|vɨrvˈawa z nˌɔtatɲˈika kˈartkɛ i nˌapisˈafʃɨ sfˈuj ˈadrɛs pɔdˈawa jˈɔ̃ ˌandɛrsɔnˈɔvi.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_211.wav|bˈajart nˈɔrtsrɔss, lˈambɛrt turnbˈɛrɨ|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_13.wav|dʑˈɛtɕi i sɔ̃ɕˈatkɛ zabrˈanɔ w bɛspʲˈɛtʃnɛ mʲˈɛjstsɛ, a ˈɔba dˈɔmɨ ɔbjˈɛntɔ dɔzˈɔrɛm.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_92.wav|tʃɨ jˈuʃ jɛst rˈanɔ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_54.wav|jɛzd zdjˈɛɲtɕɛ tɛj pisˈarki. vɨɡlˈɔnda sɛksˈɔvɲʲɛ i mˈa spˈɔrɔ dɔ pˌɔvʲɛdʑˈɛɲʲa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_72.wav|— ɲʲˈɛʑlɛ tɔː ujˈɛwaɕ, bˈɛtskɨ — pɔvʲˈɛdʑaw tˈɔm.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_219.wav|ɔt ˈɔjtsa nˌautʃˈɨwam ɕɛ jɛdnˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_113.wav|zapˈɛvnɛ kˈilka mˈinut pʃɛt mˈɔim pʃɨjˈazdɛm, skˈɔrɔ jˈɛɡɔ mˈatka jɛst tˈɛras f tˈakim stˈaɲʲɛ, ˌalɛ pʃˈɛtɕɛʃ...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_139.wav|ɲʲɛ ˌɔɡlɔndˈajɔnts ɕɛ za ɕˈɛbjɛ, vɨxˈɔdʑɛ s tɕˈɛɲʲa i ˈidɛ f strˈɔnɛ dʒvˈi, ɲʲɛ spuʃtʃˈajɔndʑ vzrˈɔku s pˌɔlitsjˈantuf.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_350.wav|pˈɔmudl ɕɛ zˈamɲʲɛ, jˈɛɕli xtsˈɛʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_144.wav|jɛdˈɨnɨm ɕfʲadˈɛtstfɛm jɛj statˈusu bˌɨwa tablˈitʃka na dʒvʲˈaɣ z napˈisɛm|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_22.wav|f kˈɔɲtsu ˈidɛ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_59.wav|kˈɔtɨ ɲˈiɡdɨ ɲʲɛ pwˈatʃɔ̃, pˌɔftaʒˈawa sˈɔbjɛ w dˈuxu.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_182.wav|vʒˈutɕ tɔ dɔ jɛʑˈɔra.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_45.wav|vzdˈɨxam. ɲʲˈɛxtsɛ rɔzmˈavʲatɕ ˌaɲi mˈɨɕlɛtɕ na ˈinnɨ tˈɛmat ɲˈiʃ mˈili.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_38.wav|tsˈɔ ɕɛ dʑˈɛjɛ? spɨtˈawa, kʲˈɛdɨ zbjɛɡˈali pɔ sxˈɔdax.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_92.wav|i ɲʲˈɛmal zɛmdlˈawam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_115.wav|patʃˈɨwam na dʒvˈi tˌɛɡɔ xɔspˈitsjum pʃˈɛz dˈɔbrɛ dʑˈɛɕɛɲtɕ mˈinut, zˈaɲim vˈɛʃwam dɔ ɕrˈɔtka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_170.wav|ˌɔdvrutɕˈiliɕmˌɨ ɕɛ dɔ tˈaka.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_230.wav|vˈaʃa vʲˈɛlka ɕfʲˌɔntɔblˈivɔɕtɕ fspɔmˈinaw pʃˈɛttɛm ɔ vˌɨbatʃˈɛɲʲu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_195.wav|ˈɛlis mˈaɡzvɛll, studˈɛntka bʲiznˈɛsu, dʑɛftʃˈɨna, ktˌura pʃɛʒˈɨwa ɡvˈawt, ɕˈɛdʑi f stˈarɨm pikˈapʲɛ z mɛ̃ʃtʃˈɨznɔ̃, ktˌurɨ zarˈabjaw na ʒˈɨtɕɛ zˌabʲijˈaɲʲɛm lˈudʑi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_32.wav|jɛdˈɨnɨm nˌavʲɔ̃zˈaɲʲɛm dɔ pɔpʃˈɛdɲʲɛj ɛpˈɔki pˌɔzɔstavˈawɨ vɨsˈɔkʲɛ ˈɔkna, dʑˈɛŋki ktˌurɨm vnˈɛntʃɛ bˌɨwɔ mˈɔtsnɔ rˌɔsɕfʲɛtlˈɔnɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_6.wav|jˈuʃ im pˌɔvʲɛdʑˈawam, ʒˈɛ ɲˈiɡdʑɛ ɕɛ ɲʲɛ vɨbjˈɛram.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_121.wav|tʃɨ bˈɨwbɨʑ zˌaskɔtʃˈɔnɨ, ɡdˈɨbɨɕ ɕɛ dɔvʲˈɛdʑaw, ʒˈɛ ɡˌɛnɛvʲˈɛvɛ skˌɔntaktɔvˈawa ɕɛ ɲʲɛdˈavnɔ z ˈɛdʲim tsarlsˈɔnɛm i zˌasuɡˌɛrɔvˈawa mu, ʒˈɛ mˈɔɡlibˌɨ ɕɛ pɔnˈɔvɲʲɛ zˈɛjɕtɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_38.wav|ˈɔv vrˈɛstliŋk tʃɨ tsˈɔɕ takʲˈɛɡɔ, a mˈɔʒɛ tɛn mˈɔnstɛr trˈatsk jˈam, ktˌurɨ na ɔkrˈɔŋɡwɔ rˌɛklamˈujɔ̃ f tˌɛlɛvˈizji?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_69.wav|bˈɛtskɨ spɔjʒˈawa tˈɛ̃sknɨm vzrˈɔkʲɛm na kˈavɛ i xˌɛrbatɲˈiki.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_124.wav|lˈɔrt ˈɛmmɔn ɔtxʃˈɔŋknɔw, pˌɔruʃˈajɔndʑ ɡrdˈɨkɔ̃ w ɡˈurɛ i w dˈuw. s pɛvnˈɔɕtɕɔ̃ vidʑˈawɛɕ maçˈinɛ ˌɔblɛ̃ʒɲˈitʃɛ, tarˈanɨ, trɨbˈuʃɛ, vʲˈɛʒɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_6.wav|ɲʲˈɛvʲɛm, ktˈɔ pɔxˈɔvaw xwɔpˈaka mˌamɨ i ɲˈits mɲʲɛ tɔ ɲʲɛ ɔpxˈɔdʑi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_10.wav|tɔː ɔn ʒˈɨjɛ? ˈanna ˌuvaʒˈawa, ʒˈɛ tɔ ɲʲˌɛmɔʒlˈivɛ. pʃˌɨɕɛŋɡˈawa, ʒˈɛ zɡʲˈinɔw w nɛbrˈaska.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_114.wav|skˈɔrɔː ˌukrɨvˈawɛɕ jˈɛ pʃˈɛs tsˈawɛ lˈata, tɔ tʃˈɨɲʲɔ̃ tɕˈɛ fspuwvˈinnɨm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_19.wav|jɛj mˌamɨ dɔ wˈɛz dˌɔprɔvadʑˈawɨ tˌɨlkɔ radˈɔsnɛ ʒˈɛtʃɨ, jˈak tɛn pʲˈɛs, ktˌurɨ ˌuratˈɔvaw xwˈɔptsa w ʒˈɛtsɛ, vˌɨtɕɔŋɡˈajɔndʑ ɡˈɔ na bʒˈɛk.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_41.wav|zɡˈɔdɲʲɛ z jɛj swɔvˈami, ftɕˈɔ̃ʃ pulxnˈɛɡɔ, pˌɔtɕɔ̃ʒɔvˈɛɡɔ bʒˈuʃka i pʃˌɨwɔʒˈɨwa ɡˈɔ dˈɔɕtɕ tˌɛatrˈalɲʲɛ dɔ tfˈaʒɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_76.wav|ˌintɛrˌɛsujˈɔntsɨ dˈɔbur swˈuf ˈuznaw tˈɔm, xˈɔtɕ ɲʲɛ tˌɨlkɔ dʑˈɛtɕi bˌɨwɨ zdˌɛzɔrjˌɛntɔvˈanɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_23.wav|rˈɛŋka starˈɛɡɔ zˌatʃɨmˈawa ɕɛ, pˈɔtɛm napˈisaw.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_509.wav|pˌɔvʲɛdʑˈawam ɔ mˈawɔ.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_499.wav|alˈain zjˈadwa pɔɕˈiwɛɡ z mˈijɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_154.wav|bˈɛs ɲʲˈɛj bˌɨwɔ smˈutnɔ.|2
+Dataset/wavs/urwisko_ferenc/22_segment_62.wav|pʃɛʒˈɨvaw na nˈɔvɔ tɛn sˈam kˈɔʃmar tsˈɔ ftˈɛdɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_70.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_261.wav|ɕfʲˈatwɔ latˈarɲi ɲʲɛ dˌɔɕɛŋɡˈawɔ jˈuʒ ɡˈɔː i tfˈaʃ jˈɛɡɔ zɡˈaswa w mrˈɔku.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_214.wav|vʲˈɛm. musˈimɨ ˈiɕtɕ, ˈɛlis.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_216.wav|tsɛrsˈɛi zatʃˈɛwa dɨɡˈɔtatɕ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_116.wav|pˌɔvʲɛdʑˈawa sˈɔbjɛ brjˈɛnnɛ. tɔ kɔlˈɛjnɨ zwˈɨ sˈɛn.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_25.wav|tˈak, a tˈɛras nalˈɛʒɨ dɔ mɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_117.wav|xfˈitam mˌarɨnˈarkɛ, ˌalɛ ɲʲɛ mˈɔɡɛ znˈalɛɕtɕ rɛŋkˈavuf.|0
+Dataset/wavs/urwisko_ferenc/18_segment_58.wav|tʃɨ jˈak pʃˌɛkazˈujɛ tɛ ˌinfɔrmˈatsjɛ pɔlˈitsji, tɔ vɨ tˈam tsˈɔʑ z ɲˈimi w ɔɡˈulɛ rɔbʲˈitɕɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_189.wav|bɛɲdʑˌɛmɨ pˌɔtʃɛbɔvˈali ɔddʑˈɛlnɨx fˌɔrmulˈaʒɨ, vʲˈɛnts jˈɛɕli uvˈaʒaʃ, ʒˈɛ ɲˈikt ɲʲɛ pʃˈɨjdʑɛ tɕˈɛ fspʲˈɛratɕ, tɔ pˈɛvɲʲɛ ɲʲˈɛma znatʃˈɛɲʲa, tʃɨ ˌɔstatˈɛtʃɲʲɛ skˈɔtʃɨʃ, tʃɨ ɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_192.wav|kʲˈɛdɨ pɔdˈanɔ tɕi dɔ pˌɔtpisˈaɲʲa kˈartɛ zvʲɔ̃skˈɔvɔ̃, tɨ ɲʲɛ pˌɔtpisˈawɛɕ jɛj. vʑˈɔwɛɕ sfˈɔjɛ pʲɛɲʲˈɔndʑɛ i vɨʃˈɛdwɛɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_3.wav|dˌɔkɔnˈali pˈɛvnɨx pɔstˈɛmpuf, ˌalɛ s pɛvnˈɔɕtɕɔ̃ ɲʲˌɛvɨstˌartʃajˈɔntsɨx.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_71.wav|tˈak, rɔzˈumjɛm tfˈuj tˈɔk mɨɕlˈɛɲʲa. ɲʲɛ vʲˈɛmɨ jˈɛdnak, tʃɨ tɔ jɛst ˈaʃ.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_267.wav|tɔ bˌɨli sfˈɛɡɔ rɔdʑˈaju brˈatɕa ʒɛbʒˈɔntsɨ, ˌalɛ zˈamjast misˈɛtʃɛk nɔɕˈili tɔpˈɔrɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_4.wav|w jˌakikˈɔlvʲɛk spˈɔsup mɲʲɛ rˌɔsstrɔˈiwa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_127.wav|jˈaɡbɨ ɲʲɛ vʲɛʒˈɨwa f tɔ, tsˈɔ vˈidʑi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_64.wav|pɔlˈitsjant pɔklˈɛpaw mɲʲɛ pɔ ramjˈɛɲʲu i pɔvʲˈɛdʑaw, s tʃˈasɛm bˌɛɲdʑɛ lʒˈɛj, sˈɨnu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_157.wav|ktˈɔ ɕɛ w jˈakiɕ spˈɔsub vɨvˈabʲiw na zˈɛvnɔntʃ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_54.wav|a vʲˈaɡra ɕɛ zmarnˈujɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_175.wav|i zmˌɔntɔvˈawam spʃˈɛnd dɔ spavˈaɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_14.wav|kʲˈɛdɨ brjˈɛnnɛ uɕˈadwa pʃˈɨɲim, fskˈazaw ɡwˈɔvɔ̃ na drˈuɡʲi kˈɔɲʲɛts sˈali.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_10.wav|zvˈɨklɛ jɛzd bˈardʑɔː ˌɔpanɔvˈanɨ, mˈɨɕlɛ vʲˈɛnts ˈɔtɨm, ʒˈɛbɨ vˈɨɕɔ̃ɕtɕ i dɔ ɲʲˈɛɡɔ pˈɔdɛjɕtɕ.|4
+Dataset/wavs/urwisko_ferenc/03_segment_121.wav|pɔznˈawa tɔ pɔ tɕˈɛmnɛj plˈamjɛ w ˌɔkɔlˈitsɨ nˈɔzdʒɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_136.wav|skˈɔrɔ mʲˈaw pʃˌɨɡɔtɔvˈanɛ pʲɛɲʲˈɔndʑɛ, tɔ skˈɔnd vʲˈɛdʑaw, ʒˈɛ ɕɛ zjˈavjɛ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_22.wav|ɲʲˈɛxtsɛ brnˈɔɲdʑ dˈalɛj f tɛn tˈɛmat, vʲˈɛnts pɔxˈɨlam ɕɛ w jɛj strˈɔnɛ i mˈuvjɛ pɔspʲˈɛʃɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/59_segment_128.wav|fpˌatrɨvˈawa ɕɛ vɛ fraɡmˈɛntɨ zˌasuʃɔnˈɛɡɔː ɔvˈada i ˌintɛnsˈɨvɲʲɛ mɨɕlˈawa.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_195.wav|nˈavɛt miltʃˈɔntsɛ ɕˈɔstrɨ zaznˈawɨ ɡvˈawtuf i ix kʃˈɨki bˈulu ɲʲˈɔsɔ̃ ɕɛ pɔt ɲʲˈɛbɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_212.wav|vɨxˈɔdʑɛ, pɔvʲˈɛdʑaw. mˈam tʃˈɛkatɕ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_38.wav|mˈuʃɛ ɡˈɔ zapˈɨtatɕ, bwˈaɡatɕ ˈɔtɔ, bˈɨ pɔvʲˈɛdʑaw mi prˈavdɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_95.wav|ɔ tsˈɔ mˈɔɡwɔ xˈɔdʑitɕ w ɔbˈɛtsnɨx rɛlˈatsjax lˈutsɨ i jɛj mˈatki?|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_139.wav|pˈɔb vˈɨjɔw s ʃˈafki sfˈuj skafˈandɛr i zawˈɔʒɨw ɡˈɔ f tʃˈɨ minˈutɨ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_123.wav|ɔznˈajmiw ɕˈɔstʃɛ i tsɛrsˈɛi ɲʲɛ stavʲˈawa ɔpˈɔru.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_151.wav|vʲˈɛm, ˌalɛ tˈak naprˈavdɛ tɔ dʒˈɔrdʒ rˈussɔ, tfˈuj ˈaɡɛnt.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_236.wav|fkwˈat frˈɛja dɔ tɛj vˈalki pɔlˈɛɡaw nˈatɨm, ʒˈɛ zarˈaziw ɕɛ frˈantsɔ̃ ɔt mˌarkɛtˈaŋki i dˈaw ɕɛ pˈɔjmadʑ bjˈawɛj wˈaɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_256.wav|tʃˈɛtɕi pɔlˈitsjand bˌarɨkadˈɔvaw dʒvˈi kˌɔmisarjˈatu. fˈuj!|0
+Dataset/wavs/urwisko_ferenc/36_segment_128.wav|pˈɔtɛm musˈimɨ pʃɛswˈuxatɕ mʲɛʃkˈaɲtsuf sˌɛzamkˈɔvɛj, stfʲɛrdʑˈiwa. tˈaɡ zrɔbʲˈimɨ. fprɔvˈadʑiʃ mɲʲɛ pɔ drˈɔdʑɛ. mˈarja fskazˈawa na jˈɛɡɔ tfˈaʃ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_25.wav|ɔn mi pɔmˈɔʒɛ, kɔxˈaɲʲɛ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_104.wav|bˈutkɛ tˌɛlɛfɔɲˈitʃnɔ̃ zajmˈɔvaw jˈakiɕ tʃwˈɔvʲɛk ˌɔdvrutsˈɔnɨ dɔ fʃˈɨstkix plɛtsˈami.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_20.wav|tɔ bˌɨwɔ zˌaskɔtʃˈɛɲʲɛ tʃɨ strˈax?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_53.wav|ˈɔtpar i vrˈutɕiw dɔ prˈatsɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_96.wav|pˈɔza tɨm artˈɨsta s sˈɔbjɛ tˌɨlkɔ znˈanɨx pɔvˈɔduf nˈaɲʲus tʃɛrvˈɔnɛ plˈamki na ɕlˈɛpja lvˈuf, bˈɨ nˈadatɕ im djˌabɔlˈitʃnɨ vˈɨɡlɔnt.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_67.wav|pɔ prˈɔstu rˈɔzwuʃ rˈɛntʃɲik na vʲˈɛʃxu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_95.wav|tˈɔm pˈɔdɲʲuz ɡwˈɔs, ʒˈɛbɨ ˌuswɨʃˈɛli ɡˈɔ fʃˈɨstsɨ zɡrˌɔmadʑˈɛɲi f pˌɔmjɛʃtʃˈɛɲʲu. musˈimɨ znˈalɛɕtɕ ˈannɛ frˈaŋklin!|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_158.wav|ktˈɔ tɔ mˈuvi?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_178.wav|ɔdvrˈatsa ɕɛ dɔ ɲʲˈɛj. ˈitɕ pɔ tˈɔrbɛ!|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_306.wav|spʃɛdʑˈiviw ɕɛ maˈɛstɛr.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_324.wav|lˈɛtʃ pˌɔzɔstˈali ɡwˈuɕi na fʃˈɛlkʲɛ bwaɡˈaɲʲa.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_303.wav|dˈalɛ zˌakɔwˈɨsaw ɔtfˈartɔ̃ dwˈɔɲʲɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_91.wav|bʲˈillɨ rˈɔbʲi tɔː i vˈidʑi ɡwˈupka pʃˌɨlatˌujɔntsˈɛɡɔ na lˈɔtɲi nat parˈɔvɛm ɡwɛmbˈɔkim jˈak rˈana kwˈuta.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_43.wav|pʃɛxˈɔdʑɛ pʃˈɛs pˈɔkuj i ɕˈadam ˌɔbɔk ɲʲˈɛɡɔ, ˌalɛ dˈɔm zrˈɨva ɕɛ i ftɕˈiska dwˈɔɲʲɛ f kʲɛʃˈɛɲʲɛ spˈɔdɲi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_24.wav|tˈɔm zakˈɔɲtʃɨw pˌɔwɔntʃˈɛɲʲɛ i mˈiltʃaw pʃˈɛs kˈilka mˈinut, fpatrˈujɔnts ɕɛ w mijˈanɛ krˌajɔbrˈazɨ.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_70.wav|ɔstrˈɨɡʲi jˈuʃ spʃɛdˈawam.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_8.wav|jˈɛɕli xˈɔllɨ ɲˈits ɲʲɛ bˈɛɲdʑɛ, pˈujdɛ na pɔlˈitsjɛ i pˈɔvʲɛm, skˈɔnd znˈam tsˌamɛrˈɔna.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_208.wav|ˌalɛ kʲˈɛdɨ nadˈɛjdʑɛ ˌɔtpɔvʲˈɛdɲʲa pˈɔra, pɔvˈinnaɕ pɔprˈɔɕitɕ pravɲˈika ɔ kˈɔntaɡd zˈɛ spˈuwkɔ̃ pˌɔvʲɛrɲˈitʃɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_189.wav|pwˈatɕi kˈartɔ̃ krˌɛdɨtˈɔvɔ̃ daltˈɔna smˈitxa i vɨxˈɔdʑi s pɔvrˈɔtɛm na dˈɛʃtʃ, ktˌurɨ pʃˈɛʃɛd w drˈɔbnɔ̃ mʒˈafkɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_77.wav|fˈatsɛt f kɔʃˈultsɛ z vwattsˈami fʃɛxɕfʲˈata i jˈɛɡɔ xˈuda, jˌasnɔvwˈɔsa ʒˈɔna tɔ rˌɛɡlandˈɔvʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_64.wav|tˈɔm, mˈuɡwbɨɕ na xfˈilɛ pɔtʃˈɨmatɕ xarˈɛɡɔ? xtɕˈawabˌɨm zapˈɨtatɕ ɔ tsˈɔɕ kˈatɛ na ˌɔsɔbnˈɔɕtɕi.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_205.wav|fɔtˈɛlɛ wazˈika bˌɨwɨ tˈaɡ zˌaprɔjˌɛktɔvˈanɛ, ʒˈɛ dˈawɔ ɕɛ z ɲˈix kɔʒˈɨstatɕ rˈuvɲʲɛʃ f skafˈandrax.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_208.wav|ɲˈiɡdɨ ɲikˈɔɡɔ ɲʲɛ zˌastʃɛlˈiwɛm s pɔvˈɔdu pʃɛɡrˈanɛj f pɔkˈɛra. ɲʲˈɛɡram f pɔkˈɛra i ɲʲɛ krˈadnɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_115.wav|jɛst f tˈɔbjɛ pˈɛvna naˈivnɔɕtɕ, ktˌura pɔvˈinna spɔdˈɔbatɕ ɕɛ ɲʲɛktˌurɨm mɛ̃ʃtʃˈɨznɔm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_92.wav|ɲʲˈɛvʲɛm, jˈaɡ bˌɛndɛ mˈɔɡwa vjˈɛxatɕ pɔnˈɔvɲʲɛ na tɛn pˈarkiŋk, ˌalɛ ɲʲˈɛmam vˌɔntplivˈɔɕtɕi, ʒˈɛ tˈu vrˈutsɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_146.wav|pɔ xfˈili zatʃˈɛwa dʑˈawatɕ kamˈɛra, vʲˈɛndʑ vidʑˈawam fʃˈɨstkɔ z jˈɛɡɔ pˌɛrspɛktˈɨvɨ, jˈak rˈuvɲʲɛʒ z mˈɔjɛj vwˈasnɛj.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_229.wav|ˈalɛʃ tɔ sˈamɔ, tsˈɔ zˈafʃɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_53.wav|kˈɔwɔ dʑɛɕˈɔntɛj jˈassim zvˈɨklɛ vɨxˈɔdʑi zapˈalitɕ i pɔɡˈadadʑ zˈɛ sfɔˈimi vʲˌɛlbʲitɕɛlˈami, f tɨm pˈɛvɲʲɛ tˈaɡʒɛ tˌɨmi samˈɨmi kˌɔlɛɕˈami, ktˌuʒɨ ˌɔtfɔʒˈɨli ˈɔɡʲɛɲ dɔ xwɔpˈakuv z blatskfˈatɛr.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_35.wav|dɔmˈiɲik xˈɨba ɲʲɛ zamˈuviw pˈitsɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_237.wav|ɡʲˈizmɔ zˌabʒɛntʃˈawɔ w mˈɔjɛj dwˈɔɲi i na vˌɨɕfʲɛtlˈatʃu pɔjˈaviw ɕɛ kˌɔmuɲˈikat prɔɡrˈamu pˌɔtʃtɔvˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_82.wav|na dɲʲˈɛ lˈɛʒɨ dwˈuɡʲi nˈuʃ s tɕˈɛŋkim ˈɔstʃɛm, kturˌɛɡɔ kʃtˈawt jɛzd vɨrˈaʑɲʲɛ vidˈɔtʃnɨ pʃˈɛs ˌɛlastˈɨtʃnɔ̃ fˈɔljɛ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_99.wav|kʃɨknˈɛwabˌɨ krulˈɔva, ɡdˈɨbɨ mʲˈawa jˈɛ̃zɨk. jˈɛʃtʃɛ mɔʒˈɛtɕɛ ˈutɕɛts. zvʲɛvˈajtɕɛ stˈɔnt, mˈawɛ idjˈɔtki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_149.wav|jˈak jˈuʃ tsˈɔʑ vˌɨkɔmbʲˌinɔvˈawɛɕ, tɔ z bˈɔɡʲɛm, ˌalɛ jˈɛɕli ɲʲɛ...|2
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_59.wav|ɔ brajˈaɲʲɛ, ktˌurɨ pɔɡɲʲˈɛvaw ɕɛ nˈamɲʲɛ za brˈak fsparsˈija dla jˈɛɡɔ vˈalki ɔ rˈɔlɛ sˈɛr tɔmˈasa mˈɔra, w nˈaʃɛj prɔdˈuktsji ˈɔtɔ jɛzd ɡwˈɔva zdrˈajtsɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_65.wav|— tɔ pˈaɲi kˈɛllɔkk — mˈuvi dʒˈamal zɲiʒˈɔnɨm ɡwˈɔsɛm. — vdˈɔva. stratɕˈiwa mˈɛ̃ʒa w zˈɛʃwɨm rˈɔku. dˈɔstaw udˈaru.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_19.wav|dˈɛlas pɔɡlˈɔnda w mʲˈɛjstsɛ, ɡdʑˈɛ mˈuɕi stˈatɕ mˈuj sˈɨn.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_33.wav|rˈɨan rɔzˈɛɕmʲaw ɕɛ. ɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_136.wav|ɲˈiɡdʑɛ ɲʲɛ bˌɨwɔ pɔrtfˈɛla, ˌalɛ tɛlˈɛfɔn ftɕˈɔ̃ʃ lˈɛʒaw na ɕɛdʑˈɛɲʲu. bˈɛtskɨ uznˈawa, ʒˈɛ ɲʲˈɛma f tɨm ʒˈadnɛj pʃˌɨpatkɔvˈɔɕtɕi.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_19.wav|tˈɔpur tʃɛtɕˈɛɡɔː ˈuɡʒɔ̃z w dɛmbˈɔvɛj tˈartʃɨ vˌiktarjˈɔna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_18.wav|mˈama vɨrˈaʑɲʲɛ ɕɛ ˌɔtprɛ̃ʒˈɨwa. ˈɔx, kɔxˈaɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_147.wav|tˈak skˈɔɲtʃɨ ɕɛ w mɔmˈɛɲtɕɛ, kʲˈɛdɨ vˌɨjɛxˈaliɕmˌɨ dɔ mˈɔntawk pˈɔint, ˌalɛ mˈɔʒɛ dɔpˈiʃɛʃ rˈɛʃtɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_56.wav|ɲʲɛ na pˈiɕmʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_44.wav|nɔʒˈɔvɲiɡ znˈuf ɕɛ tsˈɔfnɔw, ˌalɛ z ɡwˈɛmbʲi kˌɔrɨtˈaʒa ɔt strˈɔnɨ vˈindɨ dˈɔbjɛɡw ɡwˈɔz zvˌalistˈɛɡɔː ˌɔxrɔɲʲˈaʒa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_89.wav|ɲˈitsk ɕmʲˈɛjɛ ɕɛ vɛsˈɔwɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_84.wav|ɲʲɛ nadˈɔ̃ʒam za ix rˌɔzumɔvˈaɲʲɛm. f kˈaʒdɨm rˈaʑɛ ˌuvaʒˈajɔ̃, ʒˈɛ bˈɨwabˌɨm f tɨm dˈɔbra.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_366.wav|fskˈazaw ɡrubjˈaɲskim ɡˈɛstɛm na ɛdvˈina frˈɛja i valdˈɛra rivˈɛrsa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_165.wav|tˈam skazˈanɨ na puwtˈɔra rˈɔku vʲɛ̃ʑˈɛɲʲa za znɛntsˈaɲʲɛ ɕɛ nat jˈɛdnɨm zˈɛ sfˈɨx ˈutʃɲʲuf|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_4.wav|kʲˈɛdɨ vˈɨɕat s sˌamɔxˈɔdu, pʲˈɛrʃɛ tɕˈɛ̃ʃkʲɛ krˈɔplɛ dˈɛʃtʃu ˌudɛʒˈɨwɨ f xˈɔdɲik i jˈɛɡɔ ɡwˈɔvɛ, vʲˈɛnts pˈɔbjɛkw f strˈɔnɛ ɲʲɛdˈuʒɛj vɛrˈandɨ i natɕˈisnɔw dʑvˈɔnɛk.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_78.wav|zɔstˈawɨ zamkɲʲˈɛntɛ na klˈutʃ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_13.wav|tɔ fʃˈɨstkɔ jˈuʃ na dʑˈiɕaj, lˈudʑɛ, ɡdˈɨʃ ˌɔznatʃˈawɔ tɔ, ˈiʃ ɲʲˈɛma vʲˈɛntsɛj prˈatsɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_199.wav|vʲɛtʃˈɔrɛm ɕˈada ˌɔbɔk ˈɛlis na kanˈapʲɛ. dʑɛftʃˈɨna mˈa na sˈɔbjɛ tʃˈarnɛ spˈɔdɲʲɛ i kɔʃˈulɛ f pˈaski. vɨɡlˈɔnda dˈɔbʒɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_136.wav|bˈɔ fʃˈɨstkɔ mˈɔʒɛ bˈɨtɕ tˈak, jˈak xtsˈɛʃ, a ja xtsˈɛ, ʒˈɛbɨɕ nˈadal ʒˈɨw i f tɛj ˌɔpɔvʲˈɛɕtɕi ʒˈɨjɛʃ i bˌɛɲdʑɛʒ ʒˈɨw zˈafʃɛ.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_356.wav|swˈɔtka krulˈɔvɔ, jˈak mˈam tɕi sprˈavitɕ pʃɨjˈɛmnɔɕtɕ?|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_18.wav|vɨjˈɛwam s kʲɛʃˈɛɲi ɡʲˈizmɔː i vwɔntʃˈɨwam jˈɛ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_326.wav|ɲʲɛ mˌajɔ̃ stˈali.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_246.wav|tɔː i tˈaɡ bˈɨ ɕɛ na ɲˈits ɲʲɛ pʃɨdˈawɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_42.wav|pˈɛvɲʲɛ za bˈardʑɔ ɕɛ pʃɛjmˈujɛ i tˈɨlɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_20.wav|vwˈaɕɲʲɛ vrˈatsa na ʑˈɛmʲɛ pˈɛvʲɛn fˈatsɛt, ɲʲɛjˈaki jˈin xˈu. mɔʒlˈivɛ, ʒˈɛ tɔ fawʃˈɨvɛ nazvˈiskɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_9.wav|ɕmʲˈɛrdʑi mu z ˈust.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_87.wav|ˌalɛ znajdˈujɔ̃ ɕɛ w ɲˈim rˈuvɲʲɛʃ ɕladˈɔvɛ ilˈɔɕtɕi tantˈalu, lˈitu i ɡɛrmˈanu.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_5.wav|strˈatɕiw pʃˈɛzɲʲɛ dvˈuɣ vˌartɔvɲˈikuf. bˈɛstjɛ vɨpˈadwɨ z mrˈɔku i iɣ zabʲˈiwɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_248.wav|na tˈɨlɛ ɕɛ ˌumavʲˈaliɕmˌɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_132.wav|bˈɔ vʲˈɛdʑaw, ʒˈɛ kwˈamjɛ.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_41.wav|na bʒˈɛɡu vidʑˈɛli spalˈɔnɛ pˈɔla i puʃtʃˈɔnɛ z dˈɨmɛm vʲˈɔski, a na pˌuwkɔvnitɕˈiznax i wˈaxax pˈɛwnɔ bˌɨwɔ vrˈakuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_70.wav|jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ nˈail tʃˈɛɡɔɕ prubˈɔvaw. ˌɔna ɡˈɔː ˌɔdʒutɕˈiwa, pɔ tʃɨm vidʑˈana jˈɔ̃ vˌɨbjɛɡajˈɔntsɔ̃ s pɔkˈɔju.|3
+Dataset/wavs/urwisko_ferenc/20_segment_3.wav|ʒˌɛtʃɨvˈiɕtɕɛ, f pɔblˈiʒu bˌɨdʒɔskʲˈɛɡɔ fɔrdˈɔnu vˌɨwɔvʲˈɔnɔ z vˈiswɨ zvwˈɔki kɔbjˈɛtɨ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_58.wav|zˈafʃɛ jˈɛʑdʑi f pʃˈɛdɲʲɛj strˈaʒɨ lˈɔrda tɨrˈɛlla.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_110.wav|pʃɨɲʲˈɛɕtɕɛ vˈɔdɨ, ʃˈɨpkɔ, zˌakɔmˌɛndɛrɔvˈawa uwˈɔmna.|0
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+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_393.wav|sˈɛr brˈɨndɛn bˈɨw vˈuftʃas mwˈɔtʃɨ ɲˈiʃ ja tˈɛras.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_116.wav|kamˈɛrɨ sɔ̃ pʃɨ vjˈɛʑdʑɛ i vɨjˈɛʑdʑɛ, ˌalɛ ɲʲɛ na kˈaʒdɨm pɔʑˈɔmjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_17.wav|zˌadavˈalibˌɨ tˌɨlkɔ pɨtˈaɲʲa, na ktˌurɛ ɲʲɛ mˈɔɡwabˌɨm zɡˈɔdɲʲɛ s prˈavdɔ̃ ˌɔtpɔvʲˈɛdʑɛtɕ, vʲˈɛndʑ vˈɔlɛ zaxˈɔvadʑ dˈɨstans.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_93.wav|xˌaˈɛm, tɔ banˈalna ˌasɔtsjˈatsja, vʲˈɛm ˈɔtɨm, ˌalɛ ɲʲˈɛma nˈatɔ rˈadɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_197.wav|i vʲˈɛdʑaw, ʒˈɛ vʲˈɛdʑɔ̃ ˈɔtɨm tˈaɡʒɛ pˌɔlitsjˈaɲtɕi.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_285.wav|vʲˈɛʃ, ʒˈɛ ja tˈɛʃ ɔɕfʲˈattʃɨw sfɔbˈɔda. uvʲˈɛlbjam tˈakɔ̃ dɛmˈɔlkɛ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_147.wav|i tɛ kˈurvɨ zrɔstˈajɔ̃ w drˈuk.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_264.wav|vʲˈɛm, ʒˈɛ ɲʲɛ pɔdˈɔba tɕˈi ɕɛ, skˈɔnt mˈam tɛ pʲɛɲʲˈɔndʑɛ, ˈalɛ...|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_318.wav|tɔ tsˈawɛ zˈafɔ jɛst ɲʲˌɛsamɔvˈitɛ!|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_74.wav|dlatʃˈɛɡɔ rˈɔp i jˈɛnnɨ jˈuʒ vrutɕˈili? tsˈɔ ɕɛ dʑˈɛjɛ?|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_216.wav|tɔ tsɛnɲʲˈɛjʃa zdˈɔbɨtʃ ɲˈiʒ dˈarɨ.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_246.wav|nˈɔ dˈɔbra, a tˈɛras mɲʲɛ vɨɕtɕˈiskaj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_251.wav|ɲʲˈɛmuf mi tˈɛʃ, dˈɔkɔnt jˈɛdʑɛʃ.|3
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+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_126.wav|nˈatɔ vɨɡlˈɔnda, pˌɔtfʲɛrdʑˈiwam. kˈɔpnɔw lˌɛʒɔntsˈɛɡɔ mɛ̃ʃtʃˈɨznɛ w lˈɛvɨ bˈɔk. vʲɛtnˈamtʃɨk prubˈɔvaw kʃˈɨknɔɲdʑ z bˈulu, ˌalɛ ɲʲˈɛmuɡw zwˈapatɕ txˈu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_83.wav|xˈɔff, tʃɨm ɲʲˈɛtsɔ zɨskˈujɛ w ˈɔtʃaɣ bʲilljˈɛɡɔ, vɨtɕˈɔŋɡa z bˌaɡaʒɲˈika tˈɔrbɛ ɡɔlfˈɔvɔ̃ f ʃkˈɔtskɔ̃ krˈatɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_151.wav|ˌuswɨʃˈawam ɡwˈɔs f swuxˈafkax.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_115.wav|ja bˌɨwɛm na pɔdwˈɔdʑɛ pʃɨtʃˈɛpɨ. ˌukwadˈawɛm pˈuzla s pʲˈɛɲtɕusˌɛt kavˈawkuf, ktˌurɨ ˌukɔɲtʃˈɔnɨ mʲˈaw pˌɔkazˈɨvadʑ dvˈa kˈɔtki bavʲˈɔntsɛ ɕɛ kwˈɛmpkʲɛm vwˈutʃki.|2
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_35.wav|ɲʲɛ zrɔbʲˈiwabˌɨ tʃˈɛɡɔɕ takʲˈɛɡɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_135.wav|ˈalbɔ zˌapɔvʲˈadaw prɔɡrˈamɨ dla dʑˈɛtɕi f tˌɛlɛvˈizji.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_272.wav|zatʃˈɔwɛm znˈɔvu pʲˈɛɕtɕitɕ ɲʲɛɕmʲˈawɔ tɔ fʃˈɨstkɔ, tsˈɔ budʑˈiwɔ jˈuʒ vˈɛmɲʲɛ strˈaʃnɨ dˈɨɡɔt.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_358.wav|najlˈɛpʃa dɔ tˌɛɡɔ bˌɨwa kɕˈɛŋɡa dʑɛvˈitsɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_68.wav|nabrˈawam rɔspˈɛndu, tˈɔtʃɔnts ɕɛ pɔ rˌɛɡɔlitˈɔvɨm pɔdwˈɔʒu.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_263.wav|ɲˈiɡdɨ ftʃˈɛɕɲʲɛj tˌɛɡɔ ɲʲɛ zˌauvaʒˈɨwam.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_42.wav|zbʲˈirɨ pɨʃɲˈiwɨ ɕɛ jˈak pˈavʲɛ, ɲʲɛ zdɛjmˈujɔndʑ dwˈɔɲi z rˌɛŋkɔjˈɛɕtɕi mʲˈɛtʃɨ.|1
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+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_150.wav|bˈardʑɔ mɲʲɛ zmartfˈiwa vʲˈɛɕtɕ ɔ jˈɛɡɔ ɕmʲˈɛrtɕi.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_149.wav|bˌɛndɔ̃ z nˈami sˈɛr lˈɔtxɔr i mjˈa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_125.wav|pˈɔli sˌuɡɛrˈɔvaw, ʒˈɛbɨ drˈuɡʲi zɔstˈavitɕ nˈatɨm vʲˌɛlɔpˌɔʑɔmˈɔvɨm parkˈiŋɡu, ˌalɛ tɔ za dalˈɛkɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_135.wav|na ɡwˈɔvʲɛ mˈa bˌɛjzbɔlˈufkɛ ɲʲˈu jˈɔrk rˈaŋɡɛrs, w ˈustaɣ zˌapalɔnˈɛɡɔ pˌapʲɛrˈɔsa.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_193.wav|fʃˈɨstkɔ tɔ jɛst tʃˈɛɲɕtɕɔ̃ tsˈɨklu ʒˌɨtɕɔvˈɛɡɔ ɡˌɔspɔdˈarki.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_96.wav|ˌɔbjɛtsˈujɛ zadʑvˈɔɲidʑ dɔː ˈaʃa, ˈabɨ jˈakiɕ rɔzwˈɔntʃa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_5.wav|zˌapadˈajɔnts f sˈɛn, mˈɨɕlaw jɛdˈɨɲʲɛ ˈɔtɨm, tsˈɔ na zˈajutʃ napˈiʃɛ.|2
+Dataset/wavs/urwisko_ferenc/19_segment_74.wav|tɔ mˈɔja pɔlˈisa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_63.wav|tˈak jˈaɡbɨ, ʒˈutɕiw tˈɔm z uɕmʲˈɛxɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_52.wav|bʲˈiljɔp uznˈawa.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_39.wav|nˈud bˈalvʲɛʒ vʒˈasnɔw radˈɔɕɲʲɛ na iɣ vˈidɔk.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_228.wav|pˌɔvɔdˈujɛ ɡvawtˈɔvnɛ ʃalˈɛɲstfɔː ˈu lˈudʑi i zvʲˈɛʒɔnt.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_97.wav|jɛst tɕˈɛmnɔː i ɲˈikt jˈuʃ ix ɲʲɛ kˈupi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_418.wav|a pˈɔtɛm ˌɔna rˈaptɛm zˌavɔwˈawa kˈɔɡɔɕ, mˈɔʒɛ mɲʲɛ,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_119.wav|dˈɔstʃɛkw fɕtɕˈɛkwɔɕtɕ w jɛj ˈɔtʃax i ˈɔdɲʲuz vraʒˈɛɲʲɛ, ʒˈɛ vˈidʑi pravdʑˈivɔ̃ tfˈaʃ tɛj kɔbjˈɛtɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_149.wav|ɡdˈɨbɨ tɔ nˈadɲim zavˈiswɔ vˈidmɔ zastʃˈɨku trutɕˈiznɨ za fspuwˈudʑaw w zabˈujstfʲɛ pʲɛrʃˈɛɡɔ stˈɔpɲʲa?|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_58.wav|tˈak naprˈavdɛ mɨɕlˈawɛm ftˈɛdɨ ˈɔtɨm, ʒˈɛ ɕˈɛrʒant ˈupʲur vɨɡwˈɔɕiwbˌɨ tˈɛ ɡrˈɔʑbɛ zˈɛ znˈatʃɲʲɛ vʲˈɛŋkʃɔ̃ mˈɔtsɔ̃ i pʃˌɛkɔnˈaɲʲɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_6.wav|jˈɛɡɔ pʲˈɛŋknɛ ˈɔtʃɨ vɨdˈajɔ̃ ɕɛ pʃɛɲˈikatɕ mˈɔjɛ mˈɨɕli. natˈɨxmʲast ɔttɕˈinam vʲˈɛnts tɛn ˈɔpʃar w ɡwˈɔvʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_76.wav|tɔ ɲʲɛ jɛdˈɨɲi lˈudʑɛ, ktˌuʒɨ mɲʲɛ pˌɔʃukˈujɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_251.wav|i tɔ jɛst jˌɛrɔzɔlˈima.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_79.wav|kʲˈɛdɨ tˈɛndɨ pʃˌɛbjɛɡˈali, tˈɔm ɲʲˈɛmʲaw tʃˈasu ɕɛ rɔzˈɛjʒɛtɕ.|3
+Dataset/wavs/urwisko_ferenc/05_segment_2.wav|mʲˈawa vraʒˈɛɲʲɛ, ʒˈɛ ʒˈadɛn rˈɛmɔnd bˈɨ tˌɛɡɔ ɲʲɛ zmʲˈɛɲiw.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_428.wav|ɲʲɛ mˈɔɡɛ tˈɛʒ zˌapɔmˈinatɕ ɔ jˈɛɡɔ brˈatɕax.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_207.wav|tsɛrsˈɛi sˈama fpisˈawa nazvˈiska.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_148.wav|jˈak mɨɕlˈitɕɛ, xwɔpˈaki, znalˈɛʑli ɕɛ tˈam pʃɨpˈatkʲɛm?|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_193.wav|mɔʒˈɛmɨ zmʲˈɛɲitɕ tˈɛmat?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_127.wav|ktˈɔ ɡˈɔ nˈazvaw?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_48.wav|tˈɔm ɕɛ rɔzwˈɔntʃɨw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_75.wav|vʲɛdʑˈawam, ʒˈɛ jˈɛɕli ɡˈɔ fpˈuʃtʃɛ, ˈɔsɨ vlˈɛtsɔ̃ dɔ ɕrˈɔtka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_20.wav|tʃɨ tɨ s kˈimɕ rˌɔzmavʲˈawaɕ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_351.wav|dla mˈɛɡɔ lˈɔsu i dla mˈɔjɛj kˌatastrɔfˈalnɛj sˌɨtuˈatsji, f ktˌurɛj nˈaɡlɛ ɕɛ znalˈazwɛm.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_209.wav|jˈɛɡɔ kˈɔɲ krfˈaviw, xfʲˈɛjɔnts ɕɛ pɔt tɕɛ̃ʒˈarɛm jˈɛɕtɕtsa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_279.wav|ˈandɛrsɔn ɔdvrˈutɕiw ɕɛ kˈu ˈɛstxɛr.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_107.wav|pɔʃˈɛdwɛm f strˈɔnɛ skˈarpɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_10.wav|tɨm rˈazɛm nˌadmuxˈujɔnts ʃtˈutʃnɨ bʒˈux tɕɔ̃ʒˈɔvɨ prˈavʲɛ dɔ pˈɛwna.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_202.wav|vʲˈɛdʑaw, ˈiʃ mˈuɕi tɔ znˈuv zɔbˈatʃɨtɕ, ˈiɕtɕ tamtˈɛndɨ tˈaɡ dwˈuɡɔ, jˈak stˈartʃɨ mu ɕˈiw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_55.wav|vrˈɛʃtɕɛ stanˈɛliɕmˌɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_54.wav|pˈɔtɛm vɲʲˈɛɕli dɔ ɕrˈɔtka tˈunɛl xˌarmɔɲijkˈɔvɨ.|4
+Dataset/wavs/urwisko_ferenc/65_segment_178.wav|pˌɔpatʃˈɨwa na ˈarka tɕˈɛpwɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_64.wav|ˈanna frˈaŋklin s tsˈawɔ̃ pɛvnˈɔɕtɕɔ̃ ɲʲɛ bˌɨwa ftʃˈɔraj vʲɛtʃˈɔrɛm w dˈɔmu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_154.wav|rˈɔzlɛkw ɕɛ pʃˌɛɲiklˈivɨ vʒˈask.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_191.wav|tsˈɔ tˈu mˈamɨ? zˌaintˌɛrɛsˈɔvaw ɕɛ jˈɛan.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_58.wav|zˈamjast tˌɛɡɔ vɨɕˈada, vɨjmˈujɛ wˈɔ̃ z jˈɛdnɛj z brˈudnɨɣ bˈɛtʃɛk i rˈɔbʲi ɲˈim kˈilka dʑˈur f twumˈiku rˈama i bˈɛs tˌɛɡɔ lˈɛdvɔ ʑipʲˈɔntsɨm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_14.wav|inspˈɛktɔr ɔldbˈɛrɨ vrˈutɕi za jˈakiɕ tʃˈas, ʒˈɛbɨ s pˈaɲʲɔ̃ pˌɔrɔzmˈavʲatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_219.wav|dˈɔbʒɛ, ɔdˈɛzvɛ ɕɛ. pʃˌɛtɕɛʃ pʃˌɨjɛxˈawɛm dɔ tɕˈɛbjɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_17.wav|ʒˈutsam bˈɛki pˈɛwnɛ ɲʲˌɛpɔkˈɔju spɔjʒˈɛɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_60.wav|bʲˈillɨ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_517.wav|ˌɔtkrɨvˈajɔnts nˈɔvɛ ɲʲˌɛspɔdʑˈaŋki, radˈɔsnɛ zˌaskɔtʃˈɛɲʲa i vʲˈɛlɛ rɔskˈɔʃnɨɣ vˌɨnalˈaskuf.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_258.wav|vɨʒˈɛkɲij ɕɛ tɨx pˌɔʃukˈivaɲ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_33.wav|ˈɛliz bjˈɛʒɛ pistˈɔlɛt, vʒˈutsa ɡˈɔ dɔ tɔrˈɛpki i pɔdjˈɛʒdʒa dɔ kˌilkudʑɛɕˈɛɲtɕu tɕˌɛ̃ʒarˈuvɛk stɔjˈɔntsɨx jˈɛdnɔː ˌɔbɔɡ drˈuɡʲɛj. vʲˈɛŋkʃɔɕtɕ tɕˈixɔ pˌɔmrukˈujɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_202.wav|ktˌuʒɨ bˈɨ ɲˈiɡdɨ ɲʲɛ zrˌɔzumjˈɛli, ʒˈɛ zawˈamaw ɕɛ na mˈɔmɛnt i pʃɛbˈatʃɨw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_91.wav|kwˈamjɛʃ, ˈindjɔ, i bˈardʑɔ mɲʲɛ tɔ bˈɔli.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_38.wav|vʲˈɛm jˈuʃ, jˈakʲɛ pɨtˈaɲʲɛ mi zˈada.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_99.wav|vʲˈɛŋkʃɔɕtɕ lˈudʑi pɔstʃˈɛɡa sˈɛktɨ jˈak ˌɔrɡaɲizˈatsjɛ zˌakɔʒɛɲʲˈɔnɛ w rɛlˈiɡji, ˌalɛ ɡwˈuvnɨm zˌaɡrɔʒˈɛɲʲɛm stˈajɔ̃ ɕɛ sˈɛktɨ tˌɛrapɛwtˈɨtʃnɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_24.wav|xˈɔtɕ ɲʲɛ jˌɛstɛm ɔbˈɛtsɲʲɛ jɛj idˈɔlɛm, ɲʲɛ sˈɔndʑɛ, ʒˈɛbɨ pˌɔdɔbˈawɔ ɕɛ jɛj tɔ tʃɨmˈaɲʲɛ mɲʲɛ na dˈɨstans.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_138.wav|mˈama vˈɛʃwa mu na spɔtkˈaɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_304.wav|ɔd dˈavna zvˈɔdʑiw sfˈɔix lˈudʑi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_56.wav|fʃˈɨstsɨ trˈɔjɛ mˌamɨ ɕɛ dˈɔbʒɛ, a vˈɨ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_187.wav|a f tɛj zmarʃtʃˈɔnɛj tˈɔɲi jɛst jˈɛʃtʃɛ ˈakfɛn zmɔntsˈɔnɛj pamjˈɛɲtɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_30.wav|bʲˈillɨ kwˈadʑɛ pˈalɛts na ˈustax, ɕtɕˈiɕlɛ tˈajnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_12.wav|ubjˈɛra ɕɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_59.wav|bˈɛtskɨ ɕɛ rˌɔzɛɕmʲˈawa, a tˈɔm vˌɨprɔstˈɔvaw ɕɛ na kʃˈɛɕlɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_128.wav|kʲˈɛdɨɕ spˈɔrɔ pˌɔdruʒɔvˈawɛm za prˈatsɔ̃. ɲʲɛ pʃˌɛʃkadʑˈawɔ mi tɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_7.wav|pʃɨʃˈɛdwɛm f sprˈavʲɛ prˈatsɨ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_217.wav|ɲʲɛ pamjˈɛntam.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_177.wav|tɔ bˌɨwɔ nˈaʃɛ ˌulubjˈɔnɛ mʲˈɛjstsɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_76.wav|madʒˈarjan pɔvˈitaw ɡˈɔ z ˌɔtfartˈɨmi rˌamjɔnˈami, ˌalɛ znˈuf ɲʲɛ vɨstˈaviw nˈɔsa z dˈɔmu.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_48.wav|zˌiɡnɔrɔvˈawam ɡˈɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_221.wav|kɔbjˈɛta zˌapɨtˈawa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_26.wav|xˈɨba tˈak, xˈɔtɕ ɲʲɛ pʃɨxˈɔdʑi mi dɔ ɡwˈɔvɨ ɲˈits, tsˈɔ pˌɔmɔɡwˈɔbɨ rɔzvˈikwatɕ tˈɛ zaɡˈatkɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_101.wav|zɔstˈaɲʲɛ mʲˌɛndʑɨ nˈami.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_17.wav|jˈaɡbɨ w ʑˈimnɨx pɔpʲˈɔwax pʃɛtrfˈawɨ jˈɛʃtʃɛ rˈɛʃtki tɕˈɛpwa. ɲʲɛ lˈubʲi bˈɨdʑ z nˈami.|1
+Dataset/wavs/urwisko_ferenc/53_segment_7.wav|ɲˈibɨ tˈak. mˈarja uɕˈadwa pʃɨ stˈɔlɛ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_182.wav|stʃˈɛɡɔ̃ jɛj mˈanfrɛt jˈux i rɛˈɨnart ruttʲˈiɡɛr, vʲˈɛnts ɲˈikt ɲʲɛ utɕˈɛkɲʲɛ wˈɔdʑɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_198.wav|xtsˈɛ zˈaɡratɕ na jˈɛɡɔ vˈiɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_245.wav|ˌɔbɛjʒˈawam ɕɛ f strˈɔnɛ tsˈɛntrum vˌɨtɕɛtʃkɔvˈɛɡɔ.|4
+Dataset/wavs/urwisko_ferenc/37_segment_62.wav|ˌɔkazˈawɔ ɕɛ jˈɛdnak, ʒˈɛ ˈɔlɡʲɛrt ɕɛ pɔmˈɨliw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_156.wav|a tsˈɔ z nˈajlɛm? jˈakim ɕɛ ˌukwadˈawɔ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_128.wav|— jɔˈurɛ klˈir fˈɔr tˈakɛˈɔff! — vʑˈɔw mikrˈɔfɔn i pʃˌɨtɕisnˈɔ̃fʃɨ ɡˈuzik pɔvʲˈɛdʑaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_77.wav|s pɔtʃˈɔntku ɕɛ ˌɔpʲɛrˈawa, ˌalɛ f kˈɔɲtsu ulˈɛɡwa, xˈɔtɕ ˌuvaʒˈawa, ʒˈɛ nˌaruʃˈɨwɔ tɔ jɛj pɔtʃˈutɕɛ bˈɨtɕa mˈatkɔ̃ lˈup nˈavɛt tʃwɔvʲˈɛkʲɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_5.wav|a im ʃˈɨptɕɛj ɕɛ tˈam znˈajdɔ̃, tɨm vʲˈɛŋkʃɔ̃ bˌɛɲdʑɛ mʲˈaw ʃˈansɛ na pˈɔvrud dɔ dˈɔmu vʲɛtʃˈɔrɛm, dʑˈɛŋki tʃˌɛmu spˈɔtka ɕɛ z lˈutsɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_93.wav|jˌɛstɛm zvˈartɨ i ɡɔtˈɔvɨ, mˈuvi bʲˈillɨ. pʃɨnˈajmɲʲɛj na pˈɛvʲɛn tʃˈas.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_298.wav|zrɔbʲˈiwɛm dla ɲʲˈɛj tsˈɔ mˈɔɡwɛm, ˌalɛ ɲʲɛ na vʲˈɛlɛ ɕɛ tɔ zdˈawɔ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_307.wav|a tˈaɡʒɛ pˈɛvnɔ̃ pivɲˈitsɛ, ɡdʑˈɛ tʃarˈɔdʑɛj zamjˈɛɲʲa ˈɔwuv w zwˈɔtɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_83.wav|a ɲʲˈɛx mɲʲɛ, mruknˈɛwam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_30.wav|zɡˈadʑa ɕɛ. zadʑvˈɔɲiw jˈɛdɛn z vˈaʃɨɣ dˌɛtɛktˈɨvuf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_194.wav|ˈadrɛz znˈajdʑɛʃ w ˈinnɨɣ dˌɔkumˈɛntax.|3
+Dataset/wavs/urwisko_ferenc/64_segment_104.wav|— kwˈamstfa, tɔ mˈuɡwbɨm ɕɛ ɔt tɕˈɛbjɛ ˈutʃɨtɕ — skˌɔnstatˈɔvaw, a pˈɔtɛm zapˈadwa tɕˈiʃa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_145.wav|ja ɲʲɛ jˈɛstɛm, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_134.wav|ɡdˈɨbɨ ktɔkˈɔlvʲɛɡ ɡˈɔ ʃˈukaw, mʲˈawam pɔ prˈɔstu pɔvʲˈɛdʑɛtɕ, ʒˈɛ prɔvˈadʑi pˌɔwɔntʃˈɛɲʲɛ kˌɔnfɛrɛntsˈɨjnɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_39.wav|surˈɔftsa dɔ prɔdˈuktsji pˌɔʒɨvʲˈɛɲʲa dla bjɛdˈɔtɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_179.wav|ɲʲɛ mˈɔɡwɛm nˈavɛt ˈɔtɨm mˈɨɕlɛtɕ. ɲʲɛ mˈɔɡɛ tɕˈɛ udˈɛʒɨtɕ, ˈɛstɛr, a zˈabʲitɕ ɲʲˈɛvʲɛm, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_469.wav|viktˈarjɔn ɔtfˈɔʒɨw pʲˈɛɲɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_145.wav|bˈardʑɔ, jˈɛɕli tɨ mɲʲɛ kˈɔxaʃ tˈak, jˈak tfʲˈɛrdʑiʃ, dˈaj vˈɨras tɛj miwˈɔɕtɕi, vʲˈɔdɔndʑ dˈɔbrɛ, pˌɔʒɨtˈɛtʃnɛ ʒˈɨtɕɛ. ɕtɕˈiskam, bʲˈillɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_124.wav|spˈɛtɕal fˌawˌɛfˈɛr prˌɔtsɛdˈurɛ|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_345.wav|ˌalɛ tˈam, ɡdʑˈɛ bˈɨwɛm, ɲʲɛ mˈɔɡwɛm dˈɔstatɕ prˈatsɨ f sfˈɔim fˈaxu.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_31.wav|zdˈawa sˈɔbjɛ sprˈavɛ, ʒˈɛ mˈɔʒɛ zˌaɔfɛrˈɔvatɕ tsˈɔʑ vʲˈɛntsɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_178.wav|jˈumbɔ ɕɛ uɕmʲˈɛxnɔw. pˌɔmɨɕlˈawɛm, ʒˈɛ jˈɛɕli vˈɨʃwa s psˈɛm pʃɛt pˌɔwɔʒˈɛɲʲɛm ɕɛ dɔ wˈuʃka, tɔ mˈɔɡwɔ dˈɔjʑdʑ dɔ pʃˌɨpatkɔvˈɛɡɔː atˈaku.|3
+Dataset/wavs/urwisko_ferenc/21_segment_43.wav|swˈabɔ tɕˈɛ swˈɨxatɕ, mˈarja. pˌɔɡadˈamɨ jˈutrɔ. tʃˈɨmaj ɕɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_9.wav|a pˈɔtɛm zvˈɔlna jˈɛwa ɕɛ ˌurɛˈalɲʲatɕ jˈava.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_243.wav|ˈukwat tsˌɛntralnˈɛɡɔ zˌaɕilˈaɲʲa dˌɔprɔvˈadʑa ˌatsɛtˈɨlɛn, tlˈɛn i nˈɛɔn dɔ kaʒdˈɛɡɔ mʲˈɛjstsa w varʃtˈatɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_240.wav|ɔtʃˈɨmaʃ ˈɔdɛ mɲʲɛ tˈɨtuw lɔrdˈɔfski vrˈaz z bˌɔɡatˈɨmi ʑɛmʲˈami i tfʲɛrdʑˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_293.wav|pɔ prˈɔstu tʃˈɨmaj pˈalɲik w mʲˈɛjstsu i pɔstˈaraj ɕɛ ɡˈɔ ɲʲɛ pʃɛxˈɨlatɕ. im pɛvɲʲˈɛjʃa bˌɛɲdʑɛ tfˈɔja rˈɛŋka, tɨm ʃˈɨptɕɛj ɕɛ pʃɛbʲˈijɛʃ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_25.wav|ɔdvrˈatsam ɕɛ pʃˌɛraʒˈɔna, ʒˈɛ ktˈɔɕ mˈɔʒɛ tʃˈaitɕ ɕɛ za mɔˈimi plɛtsˈami, skrˈadatɕ ɕɛ ɕtɕˈɛʃkɔ̃ z jɛdnˈɛɡɔ z ˌɔpuʃtʃˈɔnɨɣ budˈɨŋkuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_43.wav|dˈɔbʒɛ, dʑɛŋkˈujɛ. a ja jˌɛstɛm dˈaltɔn. pʃɛprˈaʃam, ʒˈɛ ɲʲɛ mˈɔɡɛ pˌɔtʃɛ̃stˈɔvatɕ kˈavɔ̃ ˌaɲi ɲˈitʃɨm ˈinnɨm. jˈɛʃtʃɛ ɲʲɛ zrɔbʲˈiwɛm zakˈupuf.|2
+Dataset/wavs/urwisko_ferenc/31_segment_15.wav|ˈɔlɡʲɛrt pʃɨpˈɔmɲʲaw sˈɔbjɛ xwɔpˈaka, ktˌurɨ vɨmjˈɛɲʲaw klˈɔtski xˌamultsˈɔvɛ f pʃˈɛdɲim kˈɔlɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_5.wav|lˈɛtʃ ˈidɔndʑ vzdwˈuʃ sˈɔbjɛ tˌɨlkɔ vʲadˈɔmɛj, ɲʲˌɛvidˈɔtʃnɛj ˈɔɕi, pɔtxˈɔdʑi dɔː ˈɔkna i ʃarpɲʲˈɛɲtɕɛm pɔdnˈɔɕi zaswˈɔnɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_87.wav|dˈɔbra, zˈatʃɲij kˈɔɡɔɕ ʃˈukatɕ, ˌalɛ zaklˈinam tɕˈɛ, rˈup tɔ dɨskrˈɛtɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_4.wav|jˈɔɛ s kɔlˈɛi vˌɨɡlɔndˈawa jˈak pʃˌɛraʒˈɔnɛ zvʲˈɛʒɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_252.wav|mˈɔʒɛ i swˈuʃɲʲɛ, mˈuvi ˈɔna, zˈaɲim ɕɛ dɔ rˈɛʃtɨ rɔsklˈɛjɛ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_201.wav|ɔkrˈɨtɨ krfjˈɔ̃ i xfˈawɔ̃, jˈɛɡɔ pˌɔɡrɔ̃ʒˈɔna w ʒawˈɔbjɛ ɕˈɔstra zɔstˈaɲʲɛ pˌɔzbavʲˈɔna ɔswˈɔnɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_193.wav|vˈidʑaw ɕˈɛbjɛ ˌidɔntsˈɛɡɔ bɔtʃnˈɨmi drɔɡˈami, ɡdʑˈɛ zatʃˈɨmadʑ ɡˈɔ ɲʲɛ mˈɔɡli pˌɔlitsjˈaɲtɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_261.wav|ftˈɛdɨ tɕˈɛ ɲʲɛ dɔpˈadɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_17.wav|jˈumbɔ pɔkˈivaw ɡwˈɔvɔ̃. ɲʲɛ pɔ rˈas pʲˈɛrʃɨ prˌatsɔvˈali fspˈulɲʲɛ pʃɨ trˈudnɨm ɕlˈɛtstfʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_81.wav|kʲˈɛdɨ pʃɨnˈɔʃɔ̃ jˈɛdnɔː i drˈuɡʲɛ, ɕˈada pʃɨ ˈɔkɲʲɛ i jˈɛdʑɔnts, tʃˈɨta tɛrˈɛsɛ rˈaɡvɛl.|2
+Dataset/wavs/urwisko_ferenc/60_segment_20.wav|mˈarja dɔtknˈɛwa tɕˈɛpwɛj dwˈɔɲi ɔlɡʲˈɛrda.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_112.wav|i ɲʲɛ bˌɨwa tɔ pʲˈɛrʃa vizˈɨta dʒˈɔrdʒja f tɨm budˈɨŋku.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_99.wav|pˌɔkivˈawa ɡwˈɔvɔ̃.|3
+Dataset/wavs/urwisko_ferenc/36_segment_148.wav|— ɔ dˈɔmu? — ɲʲɛ, ˈɔmɲʲɛ. — tʃɨ pˌɔvʲɛdʑˈawa pˈaɲi tsˈɔɕ jˈɛʃtʃɛ?|0
+Dataset/wavs/urwisko_ferenc/33_segment_41.wav|ˌɔtsunˈɛwa ɕɛ na bˈɔk i fpuɕtɕˈiwa ɡˈɔ dɔ vnˈɛntʃa.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_488.wav|jɛj mˈatka dˈavnɔ jˈuʃ ɲʲɛ ʒˈɨwa, vʲˈɛnts lˈadɨ mirˈanda...|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_97.wav|bʲˈillɨ vɨtɕˈɔŋɡa dwˈɔɲ, bˈɨ dˈɔtknɔɲtɕ jɛj ramjˈɛɲʲa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_57.wav|pʃˌɨpɔmˈinam sˈɔbjɛ, jˈak stsɔttˈɔvi brˌakɔvˈawɔ krɨkʲˈɛta, kʲˈɛdɨ bˌɨliɕmˌɨ w nɛbrˈastsɛ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_247.wav|tɔ ɲʲɛ jɛst mˈuj brˈat.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_143.wav|tˈak, vwˈaɕɲʲɛ tˈak nˈatɔ pˈatʃɛ. a tˈɛras jˈɛdʑ dɔ dˈɔmu, ja zˈajmɛ ɕɛ rˈɛʃtɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_35.wav|tɛj vɨɡlˈɔndam jˈaɡ dʑɛftʃˈɨna.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_21.wav|tˈɔm tʃˈuw nˌarastajˈɔntsɔ̃ ˌirɨtˈatsjɛ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_87.wav|tɨ jˌɛstɛɕ ɔɡˈarɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_235.wav|tʃɛkˈawam na tɛn trˈanspɔrt ɔt tɨɡˈɔdɲi. rˌɔzmavʲˈaliɕmˌɨ ˈɔtɨm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_82.wav|na ʃtʃˈɛɲɕtɕɛ sˈɔ̃ɕat uswˈɨʃaw mˈɔjɛ kʃˈɨki i pˈɔmuɡw mi. ˌuratˈɔvaw mɲʲɛ, swˈuʒɨw pɔmˈɔtsɔ̃, kʲˈɛdɨ stavʲˈawɛm pʲˈɛrʃɛ krˈɔki w nˈɔvɨm ʒˈɨtɕu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_19.wav|lˈampka nˈɔtsna f kʃtˈawtɕɛ sˈɔvɨ ʒˈutsa na wˈuʃkɔ tˌurkusˈɔvɔ̃ pɔɕfʲˈatɛ, a baˈilɛj ɕˈɛdʑi na wˈuʃku i ɔtɕˈɛra wzˈɨ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_244.wav|vˌɨjaɕɲˈiwa swˈabɨm ɡwˈɔsɛm. tʃɨ kʃɨtʃˈawam?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_77.wav|tʃɨ mɔʒˈɛmɨ dɔkˈɔnatɕ mˈawɛj zmʲˈanɨ? mˈuʃɛ ɕɛ s kˈimɕ spˈɔtkatɕ, ʒˈɛbɨɕmˌɨ mˈɔɡli vˈɛjɕtɕ rˈazɛm. vɨsˈadʑi mɲʲɛ pˈan na parkˈiŋɡu pʃɨ stsˈɔtt lˈanɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_73.wav|tsˈɔ najvˈɨʒɛj ˌɛdɨtˈɔra tˈɛkstu i mˈɔʒɛ ʑˈimnɛj tsˈɔli.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_51.wav|bˈɛtskɨ vɨbrˈawa mʲˈɛjstsɛ skʲˌɛrɔvˈanɛ plɛtsˈami dɔ tˌɛɡɔ vidˈɔku, bˈɔː uznˈawa, ʒˈɛ trˈudnɔ bɨwˈɔbɨ ɕɛ jɛj skˌɔntsɛntrˈɔvatɕ pʃˈɛstɛ fʃˈɨstkʲɛ rɔɕlˈinɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_224.wav|brˈak mi rˈaptɛm pɔvʲˈɛtʃa, zrˈɨvam ɕɛ s pɔɕtɕˈɛli i ɲʲɛ mˈɔɡɛ ɕɛ zˈɛrvatɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_54.wav|jˈuʃ tɕi muvˈiwɛm, jɛʑdʑˈiwɛm pɔː ˌɔkɔlˈitsɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_99.wav|zrˈɨva ɕɛ na rˈuvnɛ nˈɔɡʲi i spʲˈɛʃɨ dɔ vɨlˈɔtu za wˈuka. vˈidʑi kˈilka sˌamɔxˈɔduf, tranzˈɨta ˌaɲi ɕlˈadu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_8.wav|tʃɨ tɨ pɔvˈinnaɕ tˈutaj bˈɨtɕ, dʲˈidʲi?|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_94.wav|skˈupiw uvˈaɡɛ na stˈarɨm mʲˈɛɕtɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_46.wav|w ˌɔtpɔvʲˈɛdʑi pˌɔkazˈawam jɛj kajdˈaŋki.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_114.wav|vˌɨtɕɔŋɡnˈɛwa rˈɛŋkɛ i ɕtɕisnˈɛwa mˈɔjɔ̃ dwˈɔɲ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_61.wav|i ɲʲɛ mˈɔʒna ɕɛ bˌɨwɔ tˌɛmu dʑˈivitɕ, jˈɛɕli ɕɛ pˌamjɛntˈawɔː ɔ zˌavartˈɔɕtɕi ɡˌɛnɛralskʲˈɛɡɔ baɡˈaʒu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_30.wav|tɕˈɛkaf jˈɛstɛm, tsˈɔ nˈatɔ pˈɔvʲɛ sˈɛɲdʑa, ktˌurɨ vˈɨda vˈɨrɔk f tfˈɔjɛj sprˈavʲɛ za ʃˈɛɕtɕ tɨɡˈɔdɲi ɔd dʑˈiɕaj.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_97.wav|tʃˈarna xɛrbˈata jɛst jɛdˈɨnɨm tɕˈɛpwɨm napˈɔjɛm, na jˈaki vˈartɔ ɕɛ skˈuɕitɕ.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_154.wav|ɲʲˈɛxtsɛ, ʒˈɛbɨ ˈumar na lˈadɨ ˌuʃanˈɔʒɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_71.wav|fstʃˈɨmadʑ dɔ vʒˈɛɕɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_87.wav|jɛdˈɨɲʲɛ tɛn stsˈɔdd znˈawbɨ znatʃˈɛɲʲɛ dʑˌiɕɛjʃˈɛɡɔ dɲʲˈa.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_74.wav|ɲʲɛ vʲɛʒˈɨwam vwˈasnɨm ˈɔtʃɔm. zaɕˈadaw dɔ stˈɔwu z nˌajvaʒɲʲˈɛjʃɔ̃ ɔsˈɔbɔ̃ w mʲˈɛɕtɕɛ tˌɨlkɔ f ʃlafrˈɔku.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_123.wav|na vˈidɔk tʃarnˈɛɡɔ, ʒˌɛlaznˈɛɡɔ smˈɔka ɔɡˈarnɔw ɡˈɔ ɡɲʲˈɛf.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_264.wav|vʲɛdʑˈawa, ʒˈɛ ɲʲˈɛma sˈɛnsu bˈɛs kˈɔɲtsa fspɔmˈinatɕ sˈɛr arˈɨsa. zˈamjast tˌɛɡɔ pˌɔstanɔvˈiwa pɔmˈɨɕlɛtɕ ɔ ʒmijˈɔvɨɣ bˌɛŋkartɕˈitsax.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_135.wav|brjˈɛnnɛ pɔtʃˈuwa pʃˌɛbjɛɡajˈɔntsɨ vzdwˈuʃ krˌɛŋɡɔswˈupa drˈɛʃtʃ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_31.wav|swˈɨʃɛ ɡwˈɔs tˈɔma, dˌɔbjɛɡajˈɔntsɨ z ɡwɔɕɲˈikuf tˌɛlɛvizˈɔra i ˌuɕfʲadˈamjam sˈɔbjɛ, ʒˈɛ znˈuf pˌɔftaʒˈajɔ̃ zˈapis s kˌɔnfɛrˈɛntsji prasˈɔvɛj.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_44.wav|bˈɛtskɨ ɕɛ vˌɨprɔstɔvˈawa, a jˈɔɛ pʃˌɛkazˈawa jɛj fʃˈɨstkɔ, tʃˈɛɡɔ ɕɛ ɔt ɲʲˈɛɡɔ dˌɔvʲɛdʑˈawa.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_165.wav|jˈamɛ ɲʲɛ vˈɔntpiw, ʒˈɛ tsɛrsˈɛi pˈɔʒrɛ mˌɔnafrˈɛja,|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_282.wav|vˌɨruʃˈɨli w drˈɔɡɛ nˌastɛmpnˈɛɡɔ rˈaŋka, ɡdˈɨ fsxɔdʑˈiwɔ swˈɔɲtsɛ.|1
+Dataset/wavs/urwisko_ferenc/42_segment_75.wav|ʒˈɛ ktˈɔʑ zˈabʲiw tˈɛ mˈawɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_122.wav|ˈɔtpar z rˌɛzɨɡnˈatsjɔ̃.|3
+Dataset/wavs/urwisko_ferenc/08_segment_107.wav|pɔvˈiɲʲɛn ɕɛ dɔvʲˈɛdʑɛtɕ, jˈak na zˌaɡʲiɲʲˈɛɲtɕɛ lˌɛvandˈɔfskʲɛj zˌarɛˌaɡɔvˈali klˌubɔvˈitʃɛ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_264.wav|tɔ bˌɨwa utʃtɕˈiva pɔmˈɨwka. fʃˈɨstkʲɛ kˈarwɨ vˌɨɡlɔndˈajɔ̃ tˈak sˈamɔː i ɲʲˈɛɣ vˈaʃa mˈiwɔɕtɕ pɔpˈatʃɨ, ɔn ɲʲˈɛma nˈɔsa.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_134.wav|i dˈɔjʑdʑ dɔ starˈɛɡɔ mʲˈasta na pʲɛxˈɔtɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_72.wav|bʲˈillɨ spˈɛwɲʲa jɛj prˈɔʑbɛ, pɔmˈija tˌɨlkɔ tɔ, tsˈɔː uswˈɨʃaw ɔt ɲˈitska, zˈaɲim vˈɨswaw ɡˈɔ dɔ bˌɛspʲɛtʃnˈɛɡɔ pɔkˈɔju, jˈak ɲʲɛɡʒˈɛtʃnɛ dʑˈɛtskɔ, ktˌurɛ dɔstˈawɔ ʃlˈaban.|2
+Dataset/wavs/urwisko_ferenc/08_segment_72.wav|bɔrˈɛvidʒ vˈɨpxnɔw jɛ̃zˈɨkʲɛm pɔlˈitʃɛk i zɲʲˌɛruxˈɔmjaw.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_268.wav|na pˈɛvnɔ bˌɛɲdʑɛʃ xtɕˈaw zɔbˈatʃɨdʑ dʑˈɛtskɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_204.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ jˈa, varknˈɛwa, a tɨ mʲˌawaɕ tʃˈɛlnɔɕtɕ ɲˈiʃtʃɨdʑ dɔrˈɔbɛk mɔjˈɛɡɔ ʒˈɨtɕa. xɔlˈɛra jˈasna!|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_105.wav|rɔzˈumjɛm, ˌalɛ tsˈɔ tˈu rˈɔbʲiʃ w ɲʲɛdʑˈɛlɛ? mˈuf, pˈɛdrɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_131.wav|xtɕˈawbɨm, ˈabɨɕmˌɨ pɛvnˈɛɡɔ dɲʲˈa mʲˌɛli dʑˈɛtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_55.wav|bʲˈillɨ narˈɛʃtɕɛ zatʃˈɨna zapˈadatɕ f sˈɛn.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_92.wav|ɲʲɛ, ˌalɛ mˈɔɡwɛm mʲˈɛtɕ.|0
+Dataset/wavs/urwisko_ferenc/44_segment_19.wav|vʲˈatr pɔtʃˈɨnaw sˈɔbjɛ tsˈɔras ɕmʲˈɛlɛj i w ɔddˈali ɡdʑˈɛɕ nat mʲˈastɛm bwˈɨsnɔw pʲˈɔrun.|0
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+Dataset/wavs/urwisko_ferenc/15_segment_82.wav|xtɕˈawabˌɨɕ, ʒˈɛbɨm ɡˈɔː ɔdvʲˈɛdʑiw?|0
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+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_6.wav|zˌaskɔtʃˈɔnɨ, f pʲˈɛrʃɨm ɔdrˈuxu prubˈujɛ ɕɛ vˈɨrvatɕ, ˌalɛ vˈidʑɔnts jɛj ˌuraʒˈɔnɔ̃ mˈinɛ, ˌɔdvzajˈɛmɲʲaw ɕtɕˈisk.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_205.wav|sˈuxɨ jˈak kˈɔʑdʑ vˈɨkwat na tˈɛmad dɔrɲˈijskix prˈaf.|1
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+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_29.wav|tsˈɔ mˈɔɡɛ zrˈɔbʲitɕ, jˈɔɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_18.wav|ɲʲɛ s pɔvˈɔdu kˌarabʲˈinu f tˈɔrbjɛ ɡɔlfˈɔvɛj. mˈɨɕli ɔ zlɛtsˈɛɲʲu, ktˌurɛ zɡˈɔdʑiw ɕɛ vɨkˈɔnatɕ pʃɨ uʒˈɨtɕu tˌɛɡɔ kˌarabʲˈinu.|2
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+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_183.wav|kawˈuʒɛ, bwˈɔta i kˈupɨ ɡˈuvna, ja tɕˈɛ xrɔmˈɔlɛ, ɡarbˈuɕɛ.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_404.wav|mˈɔʒɛ vˈartɔ dla ɲʲˈɛj pˈujʑdʑ dɔ pʲˈɛkwa, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_204.wav|zˈadrʒaw w ramjˈɔnax sˈam. dlatʃˈɛɡɔ tˈu jɛst tˈaɡ ʑˈimnɔ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_84.wav|xtɕˈawabˌɨm tɕˈɛ prˈɔɕitɕ, ʒˈɛbɨɕ ɲʲɛ vrˈatsaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_150.wav|m��amɔ, musˈimɨ vˈɛzvatɕ pɔlˈitsjɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_33.wav|tɛ swˈɔva vˌɨstartʃˈɨwɨ, bˈɨ zbˌudɔvˈana pʃˈɛs jɔtˈama pˈɛŋkwa.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_24.wav|spʃɛtɕˈiviw ɕɛ sˈɛr dˈanvɛll frˈɛj. ftsˈalɛ bˈɨm ɕɛ ɲʲɛ zdʑˈiviw, ɡdˈɨbɨ ɕɛ ˌɔkazˈawɔ, ʒˈɛ vɨspʲˈaʒɛ ˌɔswaɲʲˈajɔ̃ baɲˈituf.|1
+Dataset/wavs/urwisko_ferenc/02_segment_13.wav|ɲʲɛ znˈalaz ɲˈits, tsˈɔ pˌɔmɔɡwˈɔbɨ mu ˌɔtpɔvʲˈɛdʑɛtɕ nˈatɔ pɨtˈaɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_48.wav|tˈak, bˈardʑɔ pɔmˈaɡa. trˈɔʃtʃɨ ɕɛ ˈɔmɲʲɛ. jˈɛɕli xˈɔdʑi ɔ dʑˈɛtskɔ, vɨdˈajɛ ɕɛ pɔ tʃˈɛɲɕtɕi pˌɔdɛkstsˌɨtɔvˈana i pʃˌɛraʒˈɔna.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_43.wav|jɛdnˈɛɡɔː ɔblˈitʃa ˈannɨ vɨdˈajɛ ɕɛ ɲʲˌɛvzruʃˈɔnɛ. tɔ dˈɔɕtɕ ɲʲˌɛpɔkɔjˈɔntsɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_38.wav|dlatʃˈɛɡɔ, xˈaram? dlatʃˈɛɡɔ muɕˈawɛɕ tɔ zrˈɔbʲitɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_40.wav|ˈumjɛm sˌamɔdʑˈɛlɲʲɛ vˌɨkɔnˈɨvatɕ prˈɔstʃɛ prˈatsɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_8.wav|i ˈidɔ̃ f kʲɛrˈuŋku xaŋɡˈaru.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_73.wav|umˈilkwɛɕ, bratɕˈiʃku. vʲˈɛm ˈɔtɨm ɲʲˈɛtsɔ dwˈuʒɛj ɲˈiʃ tˈɨ. mˈam tɕi zˈatɛm pɔvʲˈɛdʑɛtɕ, tsˈɔ mˈɨɕlɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_223.wav|ɲʲɛ zˌauvaʒˈɨwam ɲitʃˈɛɡɔ ɲʲˌɛpɔkˌɔjɔntsˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_41.wav|vˌɨjaɕɲˈiwam mu, ʒˈɛ dˈɔm jɛst ɔbˈɛtsɲʲɛ trˌaktɔvˈanɨ jˈakɔ mʲˈɛjstsɛ pʃɛstˈɛmpstfa i zˌaprɔpˌɔnɔvˈawam, ʒˈɛbɨ pɔjˈɛxaw dɔ pʃɨjˈatɕuw tʃɨ nˈavɛt sɔ̃ɕˈaduf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_38.wav|a tɨmtʃˈasɛm ɲʲɛ mʲˈɛʃaj ɕɛ dɔ jˈɛɡɔː ˌintɛrˈɛsuf i ɲʲˈɛbrutɕ sˈɔbjɛ rˈɔŋk, jˈasnɛ?|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_252.wav|tsˈɔ jˈɛʃtʃɛ ˌutʃɨɲˈiwɛɕ, ʒˈɛ pˌɔtʃɛbˈujɛʃ tˈak srˈɔɡʲɛj pɔkˈutɨ? pˈɔvʲɛts mi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_69.wav|spˈɨtaw pˌɔxɨlˈajɔnts ɕɛ dɔ pʃˈɔdu. jˈɛɡɔ ɡˈɛ̃stɛ brvˈi ˌuwɔʒˈɨwɨ ɕɛ na kʃtˈawt litˈɛrɨ fˈaw.|3
+Dataset/wavs/urwisko_ferenc/21_segment_49.wav|ɡdˈɨ tˌɨlkɔː ɔbjˈɛwa jˈɔ̃ za ˈuda, kɔbjˈɛta ɕɛ ˌɔtsunˈɛwa i kazˈawa tsˈurtsɛ ˈiɕtɕ ɕɛ pʃˈɛbratɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_317.wav|tɔː ˌawtɔmatˈɨtʃnɛ pɔjˈazdɨ pˌɔzbavʲˈɔnɛ jˌakixkˈɔlvʲɛɡ zˌabɛspʲˈɛtʃɛɲ. jˌɛstɛʑ bˈɨstra. na pˈɛvnɔ tsˈɔʑ vɨmˈɨɕliʃ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_185.wav|a mʲˈaw ɕɛ spɔvʲˈadatɕ pʃɛt ɕmʲˈɛrtɕɔ̃ i xtɕˈaw ˌɔpɔvʲˈɛdʑɛtɕ tˌɛmu kɕˈɛndʑu jˈak najvʲˈɛŋkʃɔ̃ ˈilɔʑdʑ ɡwˈupstf, ˈabɨ pˈɔʒɨtɕ pˈarɛ mˈinud dwˈuʒɛj.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_234.wav|tˈɨrjɔn uɕmʲˈɛxnɔw ɕɛ tˌɨlkɔ dɔ ɲʲˈɛj ʃɨdˈɛrtʃɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_66.wav|ˌalɛ stˈaram ɕɛ zˈɛ fʃˈɨstkix ɕˈiw, ʒˈɛbɨ pˈɔmuts jɛj tɔ zrɔzˈumjɛtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_47.wav|ˈɛɲi uɕmʲˈɛxnɔw ɕɛ zdafkˈɔvɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_143.wav|tˈɨlnɛ ɕfʲˈatwa mawˈɛɡɔ ɲʲˌɛbjɛskʲˈɛɡɔ prjˈusa ˌɔtpɔvʲadˈajɔ̃ mruɡɲʲˈɛɲtɕɛm.|2
+Dataset/wavs/urwisko_ferenc/37_segment_18.wav|mʲˈaw ɔxˈɔtɛ ʒˈutɕidʑ vʲɔ̃zˈaŋkɛ, ˌalɛ ɕɛ pɔfstʃˈɨmaw. a tɨ ɕˈɛdʑiʒ w dˈɔmu, vʲˈɛnts mˈɔɡwabˌɨɕ xˈɔtɕaʃ... nˈɔː ˌɔtʃɨvˈiɕtɕɛ!|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_426.wav|dʒvˈi zˈamknɔw na klˈutʃ, ktˌurɨ sxˈɔvaw dɔ kʲɛʃˈɛɲi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_76.wav|ɲʲˈɛma f tɨm ɲˈits ɕmʲɛʃnˈɛɡɔ, ˌalɛ bʲˈillɨ mˌimɔvˈɔlɲʲɛ ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_203.wav|jɛj ˌapartˈamɛnt w armstrˈɔŋɡu pʃɨlˈɛɡa dɔ skɔrˈupɨ vɛvnˈɛntʃnɛj.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_28.wav|ˈaʃ pɔvʲˈɛdʑaw jˈɔɛ, ʒˈɛ ˌɔna uɲˈika fʃˈɛlkix radˈaruf. pˌɔzɔstˈajɛ vʲˈɛnts mʲˈɛtɕ nadʑˈɛjɛ, ʒˈɛ pɔpˈɛwɲi jˈakʲɛʑ bwˈɛndɨ i bɛɲdʑˌɛmɨ mˈɔɡli zlˌɔkalizˈɔvatɕ tɛn dˈɔm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_102.wav|jˈaɡɡɛr pˈatʃɨ nˈamɲʲɛ, jˈaɡbɨm bˌɨwa ˌɔbwɔŋkˈana.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_18.wav|ɔbˈɔjɛ ɲʲɛ zdɔ̃ʒˈɨliɕmˌɨ, kɔxˈaɲʲɛ, ˌalɛ tɔ bˈɛz znatʃˈɛɲʲa, skˈɔrɔ dˈɔbʒɛ ɕɛ tʃujˈɛtɕɛ. vʲˈɛʃ ˈɔtɨm i ɔbˈɔjɛ jɛstˌɛɕtɕɛ fspaɲʲˈali.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_350.wav|f tsˈawɨm mʲˈɛɕtɕɛ sɔ̃ tˌɨlkɔ tʃtˈɛrɨ ɕlˈuzɨ i tʃˈɛba bˈɨtɕ lˌitsɛntsjˌɔnɔvˈanɨm tʃwˈɔŋkʲɛm ɡʲˈildji ˌɛksplɔratˈɔruf, ʒˈɛbɨ z ɲˈix kɔʒˈɨstatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_179.wav|ɲʲɛktˌurɛ fˈɔrmɨ tʃˌasɔvɲˈikuf sɔ̃ bwˈɛndnɛ, ˌalɛ tɔ ɲˈits, bˈɔ tˈakiɣ dɛtˈali kɔmpˈutɛr ɲʲɛ vˌɨwapˈujɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_126.wav|ˌuɕiwˈɔvaw ˌuruxˈɔmitɕ ɕˈilɲik, ktˌurɨ zɡˈas.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_40.wav|ɲʲˈɛtsɔ lˈɛpʲɛj.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_482.wav|tʃˈarna ʑˈɛmʲa skˈuta lˈɔdɛm, ʃˈarɛ dʒˈɛva ɕtɕˈɛntɛ mrˈɔzɛm.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_249.wav|ˌɔtatʃˈawɨ ix tɕˈɛɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_134.wav|vɨɡlˈɔnda jˈak ˈaktɔr w rɛklˈamjɛ pˈastɨ dɔ zˈɛmbuf, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_30.wav|tˈɔm tʃˈɨmaw ɕɛ mˈɔtsnɔ w rˈɨzax.|3
+Dataset/wavs/urwisko_ferenc/32_segment_13.wav|a pˈɔza tɨm ɲʲɛ vʲɛdʑˈawa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_185.wav|i znˈuv vˈidʑaw jɛj brɔ̃zˈɔvɔ̃ tfˈaʃ i tɕˈɛmnɛ, jˈuʃ tˈɛras spalˈɔnɛ pʃˈɛs swˈɔɲtsɛ i vʲˈatr,|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_132.wav|ʑɛlˈistka jɛzd w dˌɔskɔnˈawɛj fˈɔrmʲɛ, ˌalɛ ɲʲɛtɕˈɛrpɛɡ vɨɡlˈɔnda mˈarɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/33_segment_64.wav|pˈaɲi sˈɨn ˈumjɛ jˈɛʑdʑitɕ sˌamɔxˈɔdɛm?|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_375.wav|rˈɔbɛrt pɔvʲˈɛdʑaw jɛj, ʒˈɛ jɛst ɔkrˈutna i ʃalˈɔna.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_277.wav|dʑɛŋkˈujɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_258.wav|mˈɔʒɛʒ zrˈɔbʲitɕ tˌɨlkɔ jˈɛdnɔ̃ ʒˈɛtʃ, ʒˈɛbɨ ɡˈɔ pɔfstʃˈɨmatɕ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_140.wav|w ʒˈuwtɨx ˈɔtʃax mˈɛɡʲi pɔjˈaviw ɕɛ bwˈɨzɡ zwˌɔɕlivˈɔɕtɕi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_676.wav|pʃɛklˈɛntɛ ˌimjɛɲˈinɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_89.wav|pɔvˈɔli pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_115.wav|kʲˈɛdɨɕ udʑˈɛlɛ tɕi kˈilku lˈɛktsji na tˈɛmat mˈɛ̃ʃtʃɨzn.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_161.wav|jɛst tˌaki jˈɛdɛn kˈɔlɛʑ z dʒˈɛrzi, pɔvʲˈɛdʑaw, ktˌurɨ lˈubʲi pɔdrˈɨvatɕ kɔbjˈɛtɨ w bˈarax, a pˈɔtɛm jˈɛ bʲˈitɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_249.wav|ˌalɛ tɔ ɲʲˈɛma znatʃˈɛɲʲa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_67.wav|spˈujʃ nˈamɲʲɛ, ˈindjɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_132.wav|tˈutaj jɛj ɲʲˈɛma.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_324.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_14.wav|jˈakʲɛ bˌɨwɔ tfˈɔjɛ ˌulubjˈɔnɛ pʃɛbrˈaɲʲɛ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_259.wav|tɔ ɡwˈupʲɛ, ja vʲˈɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_25.wav|ftˈɛdɨ ˌuɕfʲadɔmˈiwam sˈɔbjɛ tsˈawɔ̃ ɕˈiwɛ mˈɔjɛj zdrˈadɨ i pɔbjˈɛɡwam s pɔvrˈɔtɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_14.wav|ˈidɛ f strˈɔnɛ mˈɔjɛj fjˈɛstɨ, ɲʲɛ dbˈajɔnts jˈuʃ ˈɔtɔ, tʃɨ zˈɔɛ mɲʲɛ uswˈɨʃɨ. mˈuʃɛ jˈɛxatɕ. natˈɨxmʲast. jˈɔɛ, zatʃˈɛkaj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_80.wav|kʲˈɛdɨ tˈata jɛzd w dˈɔmu, mʲˈɛjstsɛ jˈɛɡɔ pʃˌɛbɨvˈaɲʲa ɲʲˈɛma jˈuʒ dla ɲʲˈɛɡɔ vʲɛŋkʃˈɛɡɔ znatʃˈɛɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_96.wav|ˈɔbras tɛn jɛzd bˈardʑɔ vɨrˈaʑnɨ.|2
+Dataset/wavs/urwisko_ferenc/09_segment_21.wav|ɲʲˈɛʑlɛ. xˈɛrman muɕˈawa jˈakɔʑ zˌarɛaɡˈɔvatɕ. wˈadna ta xˈata?|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_28.wav|jˈaɡ vʲˈɛlu lˈudʑi zdˌɔbɨwˈɔbɨ ɕɛ na tsˈɔɕ takʲˈɛɡɔ?|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_17.wav|pˈɔtɛm ˈɔbjɛ vɨvlˈɛkwɨ jɛj stˈarʃɔ̃ ɕˈɔstrɛ z wˈuʃka, a brˈɛa mˌamrɔtˈawa rˌɔzɛspˈanɨm ɡwˈɔsɛm jˈakʲɛjʑ ɡrˈɔʑbɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_9.wav|ˌutʃɨmɨvˈali ɕɛ w brˈanʒɨ dʑˈɛŋki dˌɔskɔnˈawɛj rˌɛputˈatsji.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_277.wav|allˈɛras pˈɔtʃɛd dɔ sˈama.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_89.wav|ɔdɲʲˈɔswɛm vraʒˈɛɲʲɛ, ʒˈɛ tsˈɔɕ tˈam bˈɨwɔ, ˌalɛ kʲˈɛdɨ nˌatɕisnˈɔwɛm mˈɔtsɲʲɛj pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃, jˈaɡbɨ uznˈawa, ʒˈɛ tˌɨlkɔ sˈɔbjɛ tɔ vˌɨɔbrazˈiwa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_10.wav|ʒˈɛtʃɨ, ktˌurɛ tˈam mˈa, sɔ̃ na vˈaɡɛ zwˈɔta.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_22.wav|vʲˈɛm jˈɛdnak, ʒˈɛ ɲʲɛ mˈɔɡɛ tˌɛɡɔ dwˈuʒɛj ɔdvlˈɛkatɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_149.wav|tʃˈasɨ sɔ̃ tɕˈɛ̃ʃkʲɛ, sˈɛr pɔvʲˈɛdʑaw ˈandɛrsɔn. a mˈuʒɨn zˈafʃɛ jɛst tˈaɲʃɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_446.wav|ˈidɔnts tˈaɲtʃɨw. jˈɛɡɔ mˈawa, kfˌadratˈɔva ɡwˈɔva vˌɨsuɲʲˈɛnta bˌɨwa dɔ pʃˈɔdu.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_63.wav|zˈafʃɛ bˌɨwɛm fˈanɛm stɕˈɛntsɛ fˈitstjɔn. vˌɨxɔvˈawɛm ɕɛ na stˈar trˈɛku, a tˈɛraz dɔɕfʲˈattʃam ɡˈɔ na ʒˈɨvɔ.|4
+Dataset/wavs/urwisko_ferenc/04_segment_102.wav|ɲʲɛ bˈardʑɔ rɔzˈumjaw, tsˈɔ mʲˈawa na mˈɨɕli.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_142.wav|dʑˈiɕ mˈa na sˈɔbjɛ dʑvˈɔnɨ f psˌɨxɔdɛlˈitʃnɛ vzˈɔrɨ i pwɔmjˈɛnnɔpˌɔmaraɲtʃˈɔvɔ̃ kɔʃˈulkɛ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_156.wav|jˌɛstɛʑ ɡwˈɔdnɨ, mˌaɛstˈɛʒɛ?|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_10.wav|jˌɛstɛm lˈɔrdɛm i kˈaʒɛ ɡˈɔ ɕtɕˈɔɲtɕ!|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_237.wav|tɛn tʃwˈɔvʲɛk kˈɔxa, pɔvʲˈɛdʑaw ˈandɛrsɔn. i tɨm rˈazɛm ja ɲˈits ɲʲɛ zrˈɔbjɛ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_116.wav|ɔʃtʃˈɛndʑɛ tɕi nˌajɡɔrʃˈɛɡɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_117.wav|bʲˈillɨ rˈɔbʲi ɡʒˈaŋkɛ, nalˈɛva napˈɔju ˌimbʲirɔvˈɛɡɔ dɔ ʃklˈaŋki i vʒˈutsa kˈɔstkɛ lˈɔdu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_24.wav|ɲʲˈɛvʲɛm i ɲʲˈɛxtsɛ tˈɛras ˈɔtɨm mˈɨɕlɛtɕ, bˈɔ ɲʲˈɛznam ˌɔtpɔvʲˈɛdʑi. skˈupmɨ ɕɛ na dˈɔan ˈɛdmunts, dˈɔbʒɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_33.wav|pɔd ɡmˈaxɛm sˈɛjmu f kaɲʲˈɔɲʲɛ ˈulits swˈɨxadʑ bˌɨwɔ kʃˈɨki i ɡvˈizdɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_31.wav|ˌalɛ tsˈɔ bˈɛɲdʑɛ, kʲˈɛdɨ ˌɔdɛrvʲˈɛmɨ ɕɛ ɔt tˌɛɡɔ balˈastu, na ktˌurɨm tɨ nˈas ˌuvʲɔ̃zˈawɛɕ?|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_406.wav|ˈɔjtɕɛts marɡˈɛrɨ ɲʲɛ bˌɛɲdʑɛ mʲˈaw innˈɛɡɔ vɨbˈɔru, jˈaɡ zɡˈɔdʑitɕ ɕɛ na jɛj ˌɛɡzɛkˈutsjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_60.wav|ɕfʲˈatwɔː ˌɔdbʲijˈawɔ ɕɛ jɛdˈɨɲʲɛ ɔt kˈilku pˈustɨɣ bjˈawɨɣ vˈas, ktˌurɛ rˌɔsstavʲˈɔnɔ rˌuvnɔmjˈɛrɲʲɛ na rɛɡˈawax.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_77.wav|pˌɔjavʲˈajɔ̃ ɕɛ kɔlˈɛjnɛ pɨtˈaɲʲa, ɡwˈɔsɨ pʃˌɛkʃɨkˈujɔ̃ ɕɛ f tlˈɛ, ˌalɛ ʒˈɔna tsˌamɛrˈɔna ɔdvrˈatsa ɕɛ i rˈuʃa vzdwˈuʃ pɔdjˈazdu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_281.wav|s ʃɨpkˈɔɕtɕɔ̃ rˈɛŋki bɔksˈɛra prˌatsujɔntsˈɛɡɔ w zvˈartɕu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_79.wav|bˈɔʒɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_60.wav|ˌalɛ pʃˌɛtɕɛʒ vidʑˈawɛm jˈɔ̃ pˈarɛ ɡˈɔdʑin tˈɛmu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_206.wav|pʃɨ kˈaʒdɨm kɔlˈɛjnɨm kʃˈɨku krˈɛf lˈawa ɕɛ z ɲʲˈɛɡɔ tsˈɔras ɔpfˈitʃɨm strumjˈɛɲʲɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_38.wav|dɛrˈɛka ɲʲɛ ˌintɛrɛsˈujɔ̃ zˌaviwˈɔɕtɕi ɡramˈatɨkˌi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_277.wav|tˈak, ja jˌɛstɛm tsˈawɨ tʃˈas napʲˈɛntɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_367.wav|tʃwˈɔvʲɛk, kturˌɛɡɔ mi brˌakɔvˈawɔ dɔ kɔmplˈɛtu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_11.wav|tsˈawɨ jˈɛɡɔ vɨɕˈiwɛk pˈɔʃɛdwbˌɨ na mˈarnɛ, ɡdˈɨbɨ xtɕˈaw mɲʲɛ vɨstrˈaʃɨtɕ, a ja nˈavɛd bˈɨm ɕɛ ˈɔtɨm ɲʲɛ dˌɔvʲɛdʑˈawa.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_259.wav|darˈɨɔn zatɕˈisnɔw zˈɛmbɨ f tfˈardɨm ɡrɨmˈaɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_116.wav|tʃˈuwɛm ɔt tˌɛɡɔ pˈana ɡɔʒˈawɛ, nˈavɛt pɔmˈimɔ dˈɨmu s tɕˈastɛk, i pˈuʑɲʲɛj dˌɔvʲɛdʑˈawɛm ɕɛ, ʒˈɛ s kˈimɕ ɕɛ pˈɔbʲiw w vˈallis tˈavɛrn.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_219.wav|ɲʲˈɛx ɕɛ pˈan stʃˈɛʒɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_97.wav|ɲʲɛ mˈɔɡɛ pʃˈɛjɕtɕ pʃˈɛs xˈɔl vɛjɕtɕˈɔvɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_124.wav|ʃˈɨpkɔ vˈɛʃli dɔ ɕrˈɔtka i pˈɔtɕɔŋɡ bˈɨw ɡɔtˈɔvɨ dɔ drˈɔɡʲi pɔvrˈɔtnɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_81.wav|ɲʲɛ ɕpʲɛvˈawa w ɔɡˈulɛ. maʃ wˈadnɨ ɡwˈɔs.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_100.wav|— ɲʲɛ ʒˈɨjɛ. nˌapijˈɛtɕɛ ɕɛ zˈɛmnɔ̃? ˈandɛrsɔn pɔxˈɨliw ɕɛ kˈu ɲʲˈɛmu i pɔwˈɔʒɨw mu rˈɛŋkɛ na ramjˈɛɲʲu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_442.wav|a jˈɛdnak pˌɔzvɔlˈiwa mi vˈɨjɕtɕ. ʒˈadnɨx prˈub zˌatʃɨmˈaɲʲa, ʒˈadnɨx sˌɛntɨmɛntˈalnɨx pɔʒˈɛɡnaɲ, pɔ prˈɔstu mruknˈɛwa. xˌaˌɛmˈɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_226.wav|kʲˈɛdɨ w ɕrˈɔtku zˌapanɔvˈawa prˈuʒɲʲa, ˌɔtfɔʒˈɨwam vwˈas pɔ pʃɛtɕˈivnɛj strˈɔɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_37.wav|ɲˈiɡdɨ ɕɛ ɲʲɛ spʲˈɛʃɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_83.wav|tɔ xˈɔtɕ jˈɛdna dˈɔbra ʒˈɛtʃ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_387.wav|ʒˈɛbɨ dˈaw ɕˈiwɛ mɔjˈɛmu ramjˈɛɲʲu, bˈɨm mˈɔɡwa jɛj brˈɔɲitɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_255.wav|dˈɔbʒɛ pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_80.wav|pˈulpa jɛst ˌɔbʒɨdlˈiva.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_70.wav|xfilˈɛtʃkɛ, ʒutɕˈiwa dɔ swuxˈafki. ʃˈɛf xtsˈɛ tsˈɔɕ pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_219.wav|zˈamjast ɔdbjˈɛradʑ vʲˈɛrnɨm mʲˈɛtʃɛ, pɔvˈiɲʲɛn bˈɨw vˌɨkɔʒˈɨstatɕ iɣ dɔ vwˈasnɨx tsˈɛluf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_59.wav|tsˈɔ znˈatʃɨ, ʒˈɛ mˈuɕiʃ mʲˈɛtɕ pˈɔvut, bˈɨ ɕˈɛdʑɛtɕ tˈutaj w rˈɛd blˈuff, ktˌurɛ turˈɨstuf rˈatʃɛj ɲʲɛ pʃɨtɕˈɔŋɡa?|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_284.wav|jˌɛmu ɲˈits ɕɛ ɲʲɛ stˈaɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_25.wav|mˈuviw bˈardʑɔ vʲˈɛlɛ.|1
+Dataset/wavs/urwisko_ferenc/20_segment_29.wav|ʒˈadna ɡˈɔ ɲʲɛ ˌɔdvʲɛdʑˈawa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_45.wav|sˈami ɲʲɛ rˈadʑi sˈɔbjɛ zbˈɨd dˈɔbʒɛ w ʒˈɨtɕu.|4
+Dataset/wavs/urwisko_ferenc/46_segment_22.wav|ɡdʑˈɛ ɕɛ ˌɔdbɨvˈajɔ̃? rˈɨknɔw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_64.wav|sˈɔbur swɔvʲˈaɲski|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_8.wav|a ja jˌɛstɛm na mʲˈɛjstsu.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_54.wav|tʃɨ tɔ ʒˈart?|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_15.wav|mˌaɛstˈɛra ɛmˈɔna ˌɔpuɕtɕˈiwɨ ɕˈiwɨ. ɡˈɔʑdʑiɡ zˈaɕ tʃˈuwabˌɨ ɕɛ tˈu zˌaɡubjˈɔna, nˈavɛd ɡdˈɨbɨ ɲʲɛ zˌavwadnˈɛwa ɲʲˈɔ̃ ʒawˈɔba, ˌalɛ darˈɨɔn...|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_6.wav|kʲˈɛdɨ stˌartɔvˈali stˈɔnt s kˈɔmptɔn i ˈandɛrsɔn pɔvʲˈɛdʑaw|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_140.wav|a ja tˈak. bʲˈillɨ pʃɨstˈavja lˈufɛ ɡlˈɔka dɔ skrˈɔɲi ˌɛdʲisˈɔna.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_127.wav|dvˈux mˈɛ̃ʃtʃɨzn ɲʲɛ ʒˈɨjɛ. jˈɛdɛn z ɲˈiɣ zapˈɛvnɛ dlatˈɛɡɔ, ʒˈɛ ktˈɔʑ ɡˈɔ pɔmˈɨliw s pˈanɛm, a drˈuɡʲi pʃˌɨpuʃtʃˈalɲʲɛ z rˈatsji vˈaʃɨx pɔvʲˈɔ̃zaɲ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_109.wav|a tsˈɔ bˌɛɲdʑɛ zˈɛmnɔ̃?|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_25.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ tɔ ɲʲɛ jɛst pʃɨpˈadɛk, ˌɔdɛzvˈawa ɕɛ sˈanxɛs.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_101.wav|bˈɔp lˈɛvis tɔ bˌɨwɨ ʒˈɔwɲʲɛʃ pʲɛxˈɔtɨ mˈɔrskʲɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_108.wav|ɔdwˈɔʒɨw kɕˈɔ̃ʃkɛ na stˈuw.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_354.wav|znˈajmiw xwˈɔpak.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_180.wav|tʃˈujɔnts tfˈardɛ, samˈɔtnɛ i ɡwˈɔɕnɛ bʲˈitɕɛ sfˈɛɡɔ sˈɛrtsa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_59.wav|ˈukwɔn f strˈɔnɛ fawlknˈɛra, na pˈɛvnɔ ɲʲˌɛzrɔzumjˈawɨ dla ɲˈitska i dʒˈɔrdʒja.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_112.wav|vrˈatsam mɨɕlˈami dɔ tˌɛɡɔ dʑivnˈɛɡɔː utɕˈisku w ʒɔwˈɔntku, ktˌurɨ pɔtʃˈuwam pɔ rˈas pʲˈɛrʃɨ, kʲˈɛdɨ zdˈawam sˈɔbjɛ sprˈavɛ, ʒˈɛ stsˈɔtt mɲʲɛ ˌɔkwamˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_341.wav|mˈak ɲʲɛ uznˈajɛ mˌarnɔvˈaɲʲa tʃˈasu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_120.wav|kʲˈɛdɨ zˌɔbatʃˈɨwaɕ tɛ fʃˈɨstkʲɛ drɔbjˈazɡʲi zvʲɔ̃zˈanɛ z vˈaʃɨm ʒˈɨtɕɛm,|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_52.wav|pʃɨxˈɔdʑi pˈaɲi dɔ ɡwˈɔvɨ jˈakiɕ pˈɔvut?|3
+Dataset/wavs/urwisko_ferenc/52_segment_40.wav|ktˈɔʑ zˈatʃɔw ɕɛ dɔ ɲʲˈɛɡɔ dɔbʲˈijatɕ, vʲˈɛnts ɕˈɛŋɡnɔw pɔ kɔmˈurkɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_83.wav|xˈɔtɕ tˈɨlɛ mˈɔɡɛ zrˈɔbʲidʑ dla dˌɔbrɔdʑˈɛja, ktˌurɨ ˌɔbjɛtsˈujɛ mi mˈiljɔn dɔlˈaruf.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_371.wav|vʲɛdʑˈawa tˈɛʃ ɔ bɛŋkˈartax rɔbˈɛrta na vʲˈɛlɛ lˈat pʃˈɛttɨm, ɲˈim spwˈɔdʑiw pʲɛrʃˈɛɡɔ z ɲˈix.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_60.wav|ɲˈikt pɔftˈaʒa jˈɛɡɔ ɡˈɛzd zˈɛ zɲʲˌɛtɕɛrplivʲˈɔnɔ̃ mˈinɔ̃. tsˈɔ tɔ znˈatʃɨ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_202.wav|na kˈilka sˈɛkund zapˈada tɕˈiʃa, pɔ tʃɨm ɲˈitsk pˈɨta, jˈak mˈa spwˈatɕitɕ rˈɛʃtɛ sfɔjˈɛɡɔ dwˈuɡu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_216.wav|spalˈɔnɛ bˌɨwɨ swˈɔɲtsɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_41.wav|ɲʲˈɛdaʒ vʲˈarɨ, ˌalɛ na kɔlˈɛjnɨm parkˈiŋɡu, tɨm rˈazɛm f pɔblˈiʒu ˌɛlɛɡˈantskix ˌapartˌamɛntˈɔftsuf pʃɨ fçˈitfɔrtx strˈit, vˈɨɕlɛ tɕi ˈadrɛs.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_2.wav|pʲɛtnˈaɕtɕɛ lˈat ftʃˈɛɕɲʲɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_92.wav|dʑˈivnɛ mʲˈɛjstsɛ na ˈɔbras, ɡdʑˈɛ ɕfʲˈatwɔ pɔrˈaŋka ɲʲɛ ɕˈɛŋɡa.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_10.wav|ɲʲɛ bɛɲdʑˌɛmɨ ɕɛ ɕpʲˈɛʃɨtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_22.wav|tʃˈɨli tɔ dˈɔm zˈabaf, stfʲˈɛrdʑiw trˈɔmba.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_176.wav|znˈam ɔtpˈɔvʲɛtɕ, ˌalɛ tˈata ɔdvrˈatsa ɡwˈɔvɛ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_490.wav|kʲˈɛpski kˈapwan i jˈɛʃtʃɛ ɡˈɔrʃɨ tʃarˈɔdʑɛj.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_120.wav|lˈɛʒɨ na bˈɔku s tfˈaʒɔ̃ skʲˌɛrɔvˈanɔ̃ w drˈuɡɔ̃ strˈɔnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_27.wav|lˈubʲi fˈudbɔl ˌamɛrɨkˈaɲski, vɨɕtɕˈiɡʲi nˈastsar, ʒɛbˈɛrka i kurtʃˈaka z ɡrˈilla, kˈilka brɔvˈarkuf f pʲɔntkˈɔvɨ vʲˈɛtʃur s kumplˈami.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_197.wav|bˈɔ tˌɨlkɔ ftˈɛdɨ, jˈɛɕli tʃˈujɛʃ tsˈɔɕ, tsˈɔ tʃˈɨɲi tɕˈɛ smˈutnɨm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_23.wav|napˈijɛʃ ɕɛ kˈavɨ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_42.wav|w mˈawɨx mʲˈastax ɲʲɛ tʃˈɛba ˈiʑdʑ dalˈɛkɔ, bˈɨ ˌɔtɔtʃˈɛɲʲɛ tsˌawkɔvˈitɕɛ ɕɛ zmʲɛɲˈiwɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_14.wav|jˈaɡbɨ na pˌɔtkrɛɕlˈɛɲʲɛ tˌɛɡɔ fˈaktu, zapxˈanɔ̃ ulˈitsɔ̃ pɔvˈɔli nadjˈɛʒdʒa mˈawɨ awtˈɔbus, ɲʲˈɛɡdɨɕ tʃɛrvˈɔnɨ, dʑˈiʑ blˌadɔruʒˈɔvɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_77.wav|pˈan tˌaki mˈiwɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_82.wav|tɔ ɲʲɛ jɛst stsˈɔtt.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_44.wav|tɔ ɲʲɛ jɛst prˈavda.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_162.wav|ɡʲˈɔrɡjɔ znˈuf fsˈuva dwˈɔɲ dɔ kʲɛʃˈɛɲi sfˈɔjɛj ɡʲˌiɡantˈɨtʃnɛj mˌarɨnˈarki i vɨtɕˈɔŋɡa tɛlˈɛfɔn.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_10.wav|na çirˈurɡuv dʑɛtɕˈɛntsɨx jɛzd zˌapɔtʃˌɛbɔvˈaɲʲɛ na tsˈawɨm ɕfʲˈɛtɕɛ, prˈavda?|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_304.wav|tɔ pɔvˈinnɔ pɔfstʃˈɨmadʑ drɡˈafki pˈɔttʃas pɔdrˈuʒɨ na dˈuw.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_56.wav|rˈɔzlɛkw ɕɛ tɕˈixɨ dʑvʲˈɛŋk, jˈaɡbɨ f sˈali trɔnˈɔvɛj vˌɨpuʃtʃˈɔnɔ na vˈɔlnɔɕtɕ tˈɨɕɔnts ˈɔs.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_401.wav|ˌalɛ mʲˈɛtʃɛ sɔ̃ ˌɔbɔɕˈɛtʃnɔ̃ brˈɔɲʲɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_50.wav|i bʲˈillɨ ɡˈɔtuf jɛst pʃˈɨɕɔnts, ʒˈɛ lvˈɨ sɔ̃ jˈɛʃtʃɛ blˈiʒɛj ɲˈiʒ bˈɨwɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_68.wav|tɨm rˈazɛm tɔ dɔ mˈɔix ˈɔtʃu nˌapwɨvˈajɔ̃ wzˈɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_37.wav|ˌalɛ jˈɛɕli kʲˌɛdɨkˈɔlvʲɛk mˈam mu pɔvʲˈɛdʑɛtɕ prˈavdɛ, tɔ vwˈaɕɲʲɛ tˈɛras.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_63.wav|pʃɛt ɔtʃˈami stˈajɛ mi ˈɔbras tˈɔrbɨ z zˌakrfavʲˈɔnɨm ubrˈaɲʲɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_206.wav|spɔjʒˈawam jɛj prˈɔstɔ w ˈɔtʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_483.wav|vˈixɛr zavˈɔdʑiw pʃˌɛraʑlˈivʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_177.wav|mˈɔʒɛ s tʃˈasuf, kʲˈɛdɨ zˌatʃɨmɨvˈawɨ ɕɛ tˈam pɔtɕˈɔŋɡʲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_86.wav|w ˈɔtʃax ɲˈitska i dʒˈɔrdʒja, a tˈaɡʒɛ kˈɛna xˈɔffa, tsˈɔ mu ɕɛ ftsˈalɛ ɲʲɛ pɔdˈɔba, jɛst pwˈatnɨm zabˈujtsɔ̃ nazvˈiskʲɛm bʲˈillɨ sˈummɛrs.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_182.wav|pˌɔwɔʒˈɨwam dwˈɔɲ na jɛj ramjˈɛɲʲu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_142.wav|pɔkˈivaw ɡwˈɔvɔ̃ i jˈɔ̃ spˈuɕtɕiw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_48.wav|swˈɔɲtsɛ ɕfʲɛtɕˈiwɔ jˈak w lˈiptsu, pʃˌɛswɔɲʲˈɛntɛ naɡʲˈimi ɡˌawɛ̃ʑˈami dʒˈɛf.|0
+Dataset/wavs/urwisko_ferenc/27_segment_124.wav|lˈɛɡnɛr vˈɨdaw vˈarɡʲi i pˈɔtpar ɕɛ pɔd bˈɔki.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_253.wav|pʃˌɛtɕɛʃ pˌɔvʲɛdʑˈawam tɕi jˈuʃ prˈavdɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_58.wav|jɛzd zajˈɛntɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_2.wav|tsˈɔ vʲˈɛmɨ, rˈɔp?|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_119.wav|rˈadʒ vˈɨʃɛd na pˈɛrɔn i pʃɨɡwˈadʑiw mˈundur.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_33.wav|zapˈɨtaw lˈɔrt mˌɛrivˈɛtxɛr, ɕɛdʑˈɔntsɨ za stˈɔwɛm rˈadɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_136.wav|bʲˈillɨ fskazˈujɛ ɡˈɛstɛm na kˈɔɲtɕik tˌɛlɛvizˈɨjnɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_25.wav|vˈɨtɕɛk jɛst ɔɡrˈɔmnɨ, ˈɔtpar sˈapʲɔndʑ z vɨɕˈiwku. trˈatɕiʃ pɔvʲˈɛtʃɛ i tɔ ʃˈɨpkɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_128.wav|sˈɛrtsɛ bʲˈijɛ mu vˈɔlnɔː i rˌɛɡulˈarɲʲɛ, jɛst spɔkˈɔjnɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_218.wav|xɔlˈɛra, jˈakim tsˈudɛm bˈɔp mʲˈɛɕtɕi ɕɛ w zalˈɛdvʲɛ tʃˈɛx? tɛn fˈatsɛt tɔ pʲɛpʃˈɔnɨ ɡˈɛɲʲuʃ.|4
+Dataset/wavs/urwisko_ferenc/46_segment_66.wav|prˌɔkurˈatɔr ˈuɲʲuz w dwˈɔɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_27.wav|rˈandɔ|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_363.wav|bˈarman tɛj dʑɛftʃˈɨɲʲɛ ɕɛ vɨdˈajɛ, ʒˈɛ mˈa mɔtsɲʲˈɛjʃɔ̃ ɡwˈɔvɛ ˈɔdɛ mɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_49.wav|prɔblˈɛmɨ s pʃɛpwˈɨvɛm ɡɔtˈufki ɔt tʃˈasu, kʲˈɛdɨ zˌainvˌɛstɔvˈawɛm w vˌuvˌuˈɛ, ˌalɛ mˌajɔ̃ tʃˈɨ fˈiljɛ, jˈak mˈɔɡwɛm ɔdmˈuvitɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_13.wav|dˈɔn ˈɛdmunts pʃɨɕˈɛŋɡa, ʒˈɛ tɔ ɲʲɛ jɛst jɛj mˈɔ̃ʃ i vɨdˈajɛ ɕɛ pʃɨ ɔkˈazji bˈardʑɔ tɨm fˈaktɛm rˌɔstʃarɔvˈana.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_242.wav|vʑˈɔw butˈɛlki pɔt pˈaxɛ i vˈɨʃɛd.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_181.wav|bɛɲdʑˌɛmɨ utʃtˈɔvatɕ!|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_30.wav|kʲˈɛdɨ ʃˌɨkɔvˈali ɕɛ dɔ vˈɨjɕtɕa z ˈawta, f tˌɛlɛfˈɔɲʲɛ bˈɛtskɨ rˈɔzlɛkw ɕɛ sˈɨɡnaw pˌɔvʲadɔmjˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_45.wav|tɔ, tsˈɔ vˈɨznaw, bˌɨwɔ ɲʲˌɛpɔkɔjˈɔntsɛ.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_50.wav|ˌalɛ ɲʲɛktˌuʒɨ rɨtsˈɛʒɛ sɔ̃ mrˈɔtʃɲi i straʃlˈivi, pˈaɲi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_133.wav|i stˈaw tˈak xfˈilɛ, tʃˈujɔnts tɕˈɛpwɔː i zˈapaɣ drˈɛvna,|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_66.wav|muɕˈawam vɨɡˈarnɔɲtɕ s pʃɛɡrˈɔdɨ matˈɛrjaw vˌɨpɛwɲʲajˈɔntsɨ, ʒˈɛbɨ ɔtswˈɔɲitɕ tʃˈujɲik tɕiɕɲʲˈɛɲʲa i, tsˈɔ vaʒɲʲˈɛjʃɛ, dˈɔstatɕ ɕɛ dɔ skɔrˈupɨ vɛvnˈɛntʃnɛj.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_86.wav|bˈɨtɕ mˈɔʒɛ sˈɛr kˈɛvan zɡˈɔdʑi ɕɛ zˈɔstatɕ nˌamjɛstɲˈikʲɛm.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_204.wav|pɔpʃˈɨɕɔŋɡw, ʒˈɛ zabʲˈijɛ tˌɛɡɔ pɔtfˈɔra.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_75.wav|ɡdˈɨ jˈuʃ tˌɛɡɔ sprubˈujɛʃ, zmʲˈɛɲiʒ zdˈaɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_117.wav|dˈɔn rˌɔzɛɕmʲˈawa ɕɛ zˈɛ smˈutkʲɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_76.wav|dˌɔdatkˈɔvɔ kˈaʒdɛ z ɲˈix mʲˈawɔ sprˈavitɕ pʃɨjˈɛmnɔɕtɕ ˌaramˈɔvi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_199.wav|sˈara vˌɨdavˈawa ɕɛ kˈɔxatɕ sfˈɔjɔ̃ ɕˈɔstrɛ, ˌalɛ jˌɛdnɔtʃˈɛɕɲʲɛ nˌamalɔvˈawa ˈɔbraz ɡˌɛnɛvʲˈɛvɛ jˈakɔ kɔbjˈɛtɨ pwˈɨtkʲɛj i ˌɛɡɔtsɛntrˈɨtʃnɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_41.wav|pɔ tsˈɔ tɕi karˈabʲin, mˈikɛ?|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_139.wav|tʃwˈɔvʲɛk, ktˌurɨ zabʲˈijaw i ɡvˈawtɕiw f sɔlˈaŋkax, ɲʲˈɛbɨw sandˈɔrɛm klˌiɡaˈinɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_30.wav|rˈudɨ, tɛn fɕtɕˈipski dˈupɛk s pɔlˈitsji kˌanadˈɨjskʲɛj, xtɕˈaw mɲʲɛ dˌɛpɔrtˈɔvatɕ na ʑˈɛmʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_346.wav|f strˈɔnɛ swɔnˈɛtʃnɛj vwˈutʃɲi zmʲˈɛʒa pɔvˈɔli drˈuɡʲi rˈɨtsɛʒ ɡvˈardji krulˈɛfskʲɛj.|1
+Dataset/wavs/urwisko_ferenc/46_segment_51.wav|prˈavda za prˈavdɛ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_32.wav|zˈɛ fʃˈɨstkix strˈɔn jˈak tɔ w varʃˈavʲɛ nˌadlatˈɨvaw mrˈɔʑnɨ vʲˈatr.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_176.wav|a ˈɔna...|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_5.wav|pɔdˈɔbɲʲɛ jˈak jˈɛɡɔ brˈad dˈɛʑɛl, rˈɨtsɛʃ s tsˌɨtrɨnɔvˈɛɡɔ lˈasu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_2.wav|f pɔkˈɔju ˌɔpɛratsˈɨjnɨm zrɔbʲˈiwɔ ɕɛ twˈɔtʃnɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_126.wav|ɲˈits ɲʲɛ rɔzˈumjɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_94.wav|ˈɔjtɕɛts pˈɔtʃɛd dɔ ɲʲˈɛj i xfˈɨtɕiw jˈɔ̃ za rˈɛŋkɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_222.wav|mˈɔɡli ɡˈɔ bˈɛs trˈudu dˈɔbʲitɕ, ˌalɛ ɲʲɛ ˈɔtɔ im xɔdʑˈiwɔ. dʒˈɔnnɨ mʲˈaw bˈɨtɕ pʃɨnˈɛntɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_21.wav|maʃ ɔxˈɔtɛ ɕɛ rɔspwˈɨnɔɲtɕ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_255.wav|tɛrˈɛntsɛ i ɡʲˈillɛz zˈafʃɛ pˌɔtrafˈili zvˈɛ̃ʃɨtɕ kwɔpˈɔtɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_248.wav|mˈɔjɛ tˈɛntnɔ zatʃˈɛwɔ vrˈatsadʑ dɔ nˈɔrmɨ. dʑˈɛŋki bˈɔɡu za napʲˈɛɲtɕɛ pˌɔvʲɛʃxɲʲˈɔvɛ i pˌɔttɕɔŋɡˈaɲʲɛ kˌapilˈarnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_160.wav|mˈɔʒɛ vˈɨbratɕ ɕɛ na spˈatsɛr, jˈɛɕli mˈa tˌaki kˈaprɨs.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_186.wav|tˌɨlkɔ vˈɔda.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_51.wav|ɲʲɛ, dʑvˈɔɲiw, ˌalɛ ˌɔdʒutɕˈiwɛm pˌɔwɔntʃˈɛɲʲɛ. ɲʲˈɛmam ɔxˈɔtɨ tˈɛraz z ɲˈikim rɔzmˈavʲatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_89.wav|i pˌɔkʃɨʒɔvˈawam mu plˈanɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_184.wav|tˈakɔ fskˈazaw pˈaltsɛm na jitjˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_28.wav|ˈɛlis spɔjʒˈawa na ɲʲˈɛɡɔ badˈaftʃɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_110.wav|zrɔbʲˈiwɔ mi ɕɛ ɲʲɛdˈɔbʒɛ. ˌɔkazˈawam ɕɛ prɔblˈɛmɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_12.wav|jɛj swˈɔva sɔ̃ vˈaʒnɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_34.wav|ɲʲˈɛmuɡw zrɔzˈumjɛtɕ, jˈak tʃˈɛɲɕtɕ mɲʲɛ mˈɔɡwa tʃˈɨmatɕ ɕɛ z dˈala ɔt ɲʲˈɛɡɔː i tɔ ɲʲɛ davˈawɔ mu spɔkˈɔju.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_111.wav|tˈutaj ɲˈikt ɲʲˈɛma ɡwˈɔvɨ dɔ prˈatsɨ. fʃˈɨstsɨ stˈɔjɔ̃ ˈalbɔ ɕˈɛdʑɔ̃ i rˌɔspravʲˈajɔ̃, jˈak jɛzd ʑlˈɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_57.wav|jˌɛstɛm zˌaskɔtʃˈɔnɨ, ʒˈɛ udˈawɔ tɕi ɕɛ vˈɨrvatɕ, zvwˈaʃtʃa, ʒˈɛ tfˈuj sˈɨnɛk ɲʲɛ pˈɔʃɛd dɔ ʃkˈɔwɨ. ʑlˈɛ ɕɛ tʃˈujɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_126.wav|ftˈɛdɨ ɔn pɔstˈukaw pˈaltsɛm w vɨɕfʲˈɛtlatʃ i ɔbrˈutɕiw ɡˈɔ w mˈɔjɔ̃ strˈɔnɛ. w ɔkʲˈɛŋku trˌanslatˈɔra zˌɔbatʃˈɨwam vˈɨras|4
+Dataset/wavs/urwisko_ferenc/52_segment_105.wav|jˈak tɔ jˈaki? ɲʲˈɛx pˈan mi pˈɔda mˈarkɛ i kˈɔlɔr. dla ˌuwatfʲˈɛɲʲa dˈɔdam, ʒˈɛ stˈɔi tˈam, bˈɔkʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_74.wav|zˈadrviw jˌasnɔvwˈɔsɨ zbʲˈir.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_12.wav|dˈaltɔn smˈitx|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_131.wav|jˈasnɛ ˈɔtʃɨ stˈawɨ ɕɛ ʑɛlˈɔnɛ, pˌɔɡrɔ̃ʒˈajɔnts ɕɛ w mrˈɔku.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_288.wav|i sfˈɔjɛ vwˈasnɛ lˈɔsɨ ɔddˈali prˈavɔm ʃalˈɛɲstfa, rɔspˈatʃɨ i ɕmʲˈɛxu.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_189.wav|ɔ tˈak ftʃˈɛsnɛj pˈɔʒɛ ɲikˈɔɡɔ tˈam ɲʲɛ bˈɨwɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_7.wav|kˈitt skˈinɔw ɡwˈɔvɔ̃, a tˈɔm pʃˈɛʃɛd dɔ tɕˈixʃɛj tʃˈɛɲɕtɕi pɔkˈɔju i vˈɨjɔw tɛlˈɛfɔn, ʒˈɛbɨ zadʑvˈɔɲidʑ dɔ luˈizɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_63.wav|ɲʲɛ pʃˈɛjmuj ɕɛ jˈɛdnak. bɛɲdʑˌɛmɨ tˈak ɔstrˈɔʒɲi, jˈak tɔ tˌɨlkɔ mɔʒlˈivɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_124.wav|dʑɛftʃˈɨna ˈidʑɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_41.wav|brˈak jˈɛdnak jˌakixkˈɔlvʲɛɡ dɔvˈɔduf nˈatɔ, ʒˈɛ ɡˈɔː uʒˈɨwa.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_324.wav|tɔ tˌɨlkɔ vˈinɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_163.wav|a ja ɲʲɛ umjˈawɛm ˌaɲi swˈɔva pɔː aŋɡʲˈɛlsku. ftˈɛdɨ pˌɔstanɔvˈiwɛm zmʲˈɛɲitɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_127.wav|nazˈɨvam ɕɛ mˈartʲin sfɔbˈɔda i jˌɛstɛm pʃˌɨjatɕˈɛlɛm dʒˈɛs.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_49.wav|kʲˈɛdɨ ʃˌɨkujˈɛmɨ ɕɛ dɔ vˈɨjɕtɕa, zˌauvˈaʒam dˈuʒɨ tˌɛlɛvˈizɔr i stˈajɛ jˈaɡ vrˈɨta, tʃˈujɔnts jˈak mʲˈɛŋknɔ̃ mi kɔlˈana.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_89.wav|tsˈɔ nˈajmɲʲɛj tʃˈɨ pˌɔruʃajˈɔntsɛ ɕɛ, ɲʲɛ tʃtˈɛrɨ.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_197.wav|tʃˈɛrpʲaw bˈul.|1
+Dataset/wavs/urwisko_ferenc/34_segment_14.wav|ˈupaw udˈɛʒaw w ɲʲˈɔ̃ s ɕˈiwɔ̃ mwˈɔta i ɔdbjˈɛraw dˈɛx.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_116.wav|jˈɛɡɔ tɕˈɛmna tfˈaʒ vˌɨɡlɔndˈawa jˈak mˈaska.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_61.wav|ˌalɛ ja tʃɨtˈawɛm sˈɛtki rˈazɨ, ʒˈɛ latˈaɲʲɛ jɛst jˈak ˌɔptsɔvˈaɲʲɛ s kɔbjˈɛtɔ̃ vidʑˈawɛm. stˈɔ fˈilmuf na tɛn tˈɛmat.|0
+Dataset/wavs/urwisko_ferenc/01_segment_122.wav|zadˈawa mu tɔ pɨtˈaɲʲɛ, ˌalɛ ɕlˈɛttʃɨ zapʃˈɛtʃɨw. prˈɔɕiw, bˈɨ ɲʲɛ dˌɔʃukivˈawa ɕɛ rɔdʑˈinnɨx kˌɔliɡˈatsji, bˈɔː ix ɲʲɛ znˈajdʑɛ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_274.wav|rˈɔt lˌanɲistˈɛruv zˈafʃɛ pwˈatɕi sfˈɛ dwˈuɡʲi i tɨ rˈuvɲʲɛʃ spwˈatɕiʃ sfˈuj.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_110.wav|starˈawa ɕɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_284.wav|ɕlˈiskʲɛ ˌudɛʒˈɛɲʲa kˈart ɔ stˈuw i vɨznˈaɲʲa bandˈɨtuf w mˌɛlɔɲˈikax, stʃˌɛlajˈɔntsɨx tˌɨlkɔ zzˈa vˈɛŋɡwa i tˌɨlkɔ f tˈɨw ɡwˈɔvɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_273.wav|skˈɔnt mˈɔɡɛ vʲˈɛdʑɛtɕ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_256.wav|tɔ jˈak tɔ jˈɛst?|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_86.wav|fstˈaw, pˈatʃɨw na vˈɔ̃skʲɛ, brˈudnɛ wˈuʃkɔ, na ktˌurɨm lˈɛʒaw ˈandɛrsɔn i ktˌurɛ ˌuɡʲinˈawɔ ɕɛ pˈɔdɲim.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_81.wav|tɕˈixɔ.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_177.wav|kʲˈɛdɨ uswˈɨʃaw prɔrˈɔtstfɔ, rɔskˈazaw sfˈɨm ʒɔwɲʲˈɛʒɔm pɔzˈɔstatɕ na kfatˈɛrax i ɔtfˈɔʒɨw brˈamɨ mʲˈasta pʃɛt ɛɡˈɔnɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_100.wav|ɔkˈɔwɔ, ˌalɛ xtɕˈawabˌɨm tˌɨlkɔ spˈɔjʒɛtɕ jˈɛʃtʃɛ rˈas.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_80.wav|ˌɔpuɕtɕˈifʃɨ ɡwˈɔvɛ, rˈuʃɨw pɔspʲˈɛʃnɨm krˈɔkʲɛm f strˈɔnɛ dʒvˈi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_32.wav|ˈidɛ dɔ mɔjˈɛɡɔ varʃtˈatu. ɲʲˈɛxtsɛ, ʒˈɛbɨ ktɔkˈɔlvʲɛk mi pʃɛʃkˈadʑaw.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_144.wav|ɡʲˈit ɔkˈazaw ɕɛ pʃɨdˈatnɔ̃ jɛdnˈɔstkɔ̃ f xˈandlu, vʲˈɛnts kˌakˌazˈɛt pˈɛwɲi fˈuŋktsjɛ bˈaŋku.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_121.wav|krˈul tˈɔmmɛn rˈuvɲʲɛʒ vɨbˈatʃɨ vrˈublɔm, ɡdˈɨ jˈuʒ vrˈutsɔ̃ dɔ dˈɔmuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_35.wav|jˈutrɔ lɛtɕˈimɨ dɔ st. lɔˈuis. na lɔtɲˈisku musˈimɨ vɨnˈajɔɲtɕ samˈɔxut i pɔjˈɛxadʑ dɔ zapˈadwɛj dʑˈurɨ ɔ nˈazvʲɛ dʲˈiɡɡʲins.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_331.wav|tɔ ɲʲˌɛpɔdˈɔbnɛ dɔ ɲʲˈɛɡɔː uxˈɨlatɕ ɕɛ ɔt ˌɔbɔvʲˈɔ̃sku.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_23.wav|tʃˈujɛ ɕɛ tˈaka samˈɔtna. nˈuʃa zɔstˈawa na nˈɔts, ˌalɛ xˈɨba pˌɔtʃɛbˈujɛ jˈɛʃtʃɛ vʲˈɛntsɛj fsparsˈija ɲˈiʃ jˈa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_66.wav|skrˈɛntsam i zvrˈatsam, bˈɨ f kˈɔɲtsu zˌaparkˈɔvatɕ ɲʲˈɛtsɔ dˈalɛj z bˈɔku.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_39.wav|lubʲˈiwa vɨwˈɔʒɨtɕ fʃˈɨstkʲɛ fˈaktɨ na stˈuw, zˈaɲim lˈudʑɛ zˈatʃnɔ̃ zadˈavatɕ pɨtˈaɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_24.wav|tɔ bˌɨwa prˈavda, atʃkˈɔlvʲɛk ɲˈilɛ bˈɨw f trˈaktɕɛ dˈuʒɨx nˌɛɡɔtsjˈatsji zvʲɔ̃zˈanɨx s pʃɛʃwˈɔɕtɕɔ̃ jˈɛɡɔ fˈirmɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_60.wav|tˈɔm ɕɛ rɔzwˈɔntʃɨw. tˈɛras naprˈavdɛ mˈɔɡli ɕɛ vʑˈɔɲdʑ dɔ rɔbˈɔtɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_105.wav|pˌɔxɨlˈiwam ɕɛ i vˈɛʃwam pɔt pɔdvˈɔʑɛ.|4
+Dataset/wavs/urwisko_ferenc/55_segment_17.wav|a mˈɔʒɛʒ ɡˈɔː ˈɔtɔ zapˈɨtatɕ? dˈɔbra, dˈam znˈatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_31.wav|nˈajpʲɛrf fpadɲʲˈɛmɨ dɔ buffˈalɔː ɛksxˈaŋɡɛ ˈalbɔ kˈɔmmɔn trˈadɛs. f tˈam kˈupjɛ kapˈɛluʃ kɔvbˈɔjski i natɕˈɔŋɡnɛ ɡˈɔ sˈɔbjɛ na ˈuʃɨ. viɕtˈavjɔ!|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_181.wav|dˈaj spˈɔkuj, pʃˌɛtɕɛʒ vʲˈɛʃ, ʒˈɛ tɔ ɲʲɛ tˈak.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_47.wav|rˈɛd blˈuff kˌɔmmuɲˈitɨ kˈɔlɛdʒ. trˈip rˈɔbʲi stˈudja pˌɔdɨplɔmˈɔvɛ, zaˈɔtʃnɛ. pˈiʃɛ prˈatsɛ ɔ vˈɔjɲʲɛ ˌawstralˈijskɔvɛŋɡʲˈɛrskʲɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_42.wav|pˌɔvʲɛdʑˈawa tɕˈixɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_16.wav|— ɲʲɛ mˈɔɡɛ uvʲˈɛʒɨtɕ, ʒˈɛ zrɔbʲˈiwaɕ tɔ fʃˈɨstkɔ dla nˈas — pɔvʲˈɛdʑaw.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_401.wav|arjˈannɛ vʲɛdʑˈawa jˈɛdnak, ʒˈɛ ɲʲˈɛma sˈɛnsu zvrˈatsatɕ ɕɛ ɔ pˈɔmɔdʑ dɔ tʃwɔvʲˈɛka, ktˌurɨ bˈɨw ˌɔpʲɛkˈunɛm jɛj brˈata ɡvɛntʲˈina.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_150.wav|zˌatʃɛkˈajtɕɛ, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_82.wav|tɔ bˌɨwɔ za mˈawɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_39.wav|tˈɔm bˈɨw zbˈɨt ɲʲˌɛtɕɛrplˈivɨ, ʒˈɛbɨ tʃˈɛkatɕ na vˈindɛ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_355.wav|prˈɛndʑɛj tʃɨ pˈuʑɲʲɛj sˈɛr baˈɛlɔn mˈuɕi jˈɛdnak pɔjˈavitɕ ɕɛ f krulˈɛfskʲɛj vwˈutʃɲi, a ɡdˈɨ jˈuʃ tɔ ɕɛ stˈaɲʲɛ...|1
+Dataset/wavs/urwisko_ferenc/46_segment_52.wav|zˌaprɔpɔnˈɔvaw bɔrˈɛvitʃ, a kʲɛrˈɔftsa ˈɔtar tʃˈɔwɔ xˈustkɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_28.wav|dla ɲʲˈɛɡɔ bˈɨw tɔ pɔ prˈɔstu kɔlˈɛjnɨ prˈɔblɛm, ˌalɛ ja dɔ tˌɛɡɔ tˈak ɲʲɛ pˌɔtxɔdʑˈiwam.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_181.wav|mˈa zˈamjar vˈɨswatɕ sfɔjˈɛɡɔ mˌaɛstˈɛra, bˈɨ ɕɛ ɲˈim zˌaɔpʲɛkˈɔvaw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_88.wav|nastˈɛmpɲʲɛ ɔtfʲˈɛram ʃuflˈadɛ zˈɛ ʃkatˈuwkɔ̃ na kɔsmˈɛtɨkˌi i zatʃˈɨnam nakwˈadatɕ makˈijaʃ. tɕˌɛmnɔtʃɛrvˈɔnɔ̃ ʃmˈiŋkɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_143.wav|a nˈavɛt ɲʲɛ mˈɔɡliɕmˌɨ ɡˈɔ pɔxˈɔvatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_82.wav|vʲˈɛm, ʒˈɛ tɔ trˈudnɛ, ˌalɛ bɛɲdʑˌɛmɨ pˌɔtʃɛbɔvˈali pˈaɲi pɔmˈɔtsɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_116.wav|trˈɔʃkɛ w lˈɛvɔ, xˈarɨ, pɔvʲˈɛdʑaw zzˈa kamˈɛrɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_92.wav|tɔ tfˈɔja dˈuʃa, ɲitsˈɔlɔ.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_93.wav|pˈaɲi? ɲʲɛ jˌɛstɛm ʒˈadnɔ̃ pˈaɲʲɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_217.wav|ˈɔjtɕɛts udˈavawbˌɨ, ʒˈɛ dɛˈatsɔn jɛst jˈɛɡɔ jɛdˈɨnɨm sˈɨnɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_46.wav|nˈuʃ! vˈidʑiʃ tˈɔ̃? xˈa! ɲʲɛ fʃˈɨstsɨ mɔrdˈɛrtsɨ sɔ̃ tˈatsɨ mˈɔndʒɨ.|3
+Dataset/wavs/urwisko_ferenc/43_segment_54.wav|pˌɔlitsjˈantka pɔtʃˈuwa, jˈak nˌapinˈajɔ̃ jɛj ɕɛ mʲˈɛɲɕɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_28.wav|tˈam fʃˈɨstsɨ nˈadal stˈɔjɔ̃ w ˈɔknax.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_269.wav|ɲʲˈɛmɨɕl ˈɔtɨm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_34.wav|zˌastanavʲˈaliɕmˌɨ ɕɛ z nˌadʲinspɛktˈɔrɛm dˌɔuɡlˈasɛm, dlatʃˈɛɡɔ mˈarta tˈaɡ bˈardʑɔ starˈawa ɕɛ pʃˈɛz vʲˈɛlɛ lˈad ʒˈɨtɕ f tɕˈɛɲʲu.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_129.wav|tˌɨlkɔ na tˈakʲɛ zˌaprɔʃˈɛɲʲɛ mˈɔɡwam lˈitʃɨtɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_11.wav|ɲʲɛ pɔtrˈafjɛ vɨʒˈutɕitɕ s pamjˈɛɲtɕi tfˈaʒɨ kʃɨtʃˈɔntsɛj nˈamɲʲɛ ɡˌɛnɛvʲˈɛvɛ, jɛj ʃɛrˈɔkɔː ɔtfˈartɨx ˈust, zˌatʃɛrvʲɛɲʲˈɔnɛj z ɡɲʲˈɛvu skˈurɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_61.wav|mˈuɡwbɨ mɲʲɛ zapˈɨtatɕ ɔ rˌɛzɛrvˈatsjɛ, ˌalɛ f pʃɨpˈatku sawdˈɨjskix kˈɔbjɛt na fʃˈɨstkim fˌiɡurɔvˈawɔ nazvˈiskɔ mˈɛ̃ʒa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_14.wav|mˈɔjɔ̃ uvˈaɡɛ pʃɨtɕˈɔŋɡa tʃɛrvˈɔnɔʒˈuwtɨ ʃˈɨlt pˈɔtʃtɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_159.wav|vɨjˈɔwɛm dvʲˈɛ ʃklˈaŋki.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_344.wav|pɔmˈɨɕlaw pʃˌɨɡnɛmbjˈɔnɨ.|1
+Dataset/wavs/urwisko_ferenc/08_segment_60.wav|pˌɔmaraɲtʃˈɔva tˈartʃa swˈɔɲtsa, ktˌura viɕˈawa nat xˌɔrɨzˈɔntɛm, kwˈadwa dwˈuɡʲɛ tʃˈarnɛ tɕˈɛɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_172.wav|nˈɔ jˈasnɛ, ɔtpˈarwa sˈanxɛs. mˈuɕaw bˈɨdʑ z ɲˈimi w zmˈɔvʲɛ, jɛʒˈɛli mu zˌalɛʒˈawɔ, ʒˈɛbɨ jˈɛɡɔ zapˈasɨ dˈawɔ ɕɛ pɔwˈɔntʃɨdʑ z ix ɕˈɛtɕɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_29.wav|kɔlˈɛjnɛ mɔrdˈɛrstfɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_207.wav|zrˈɛʃtɔ̃ ɲʲɛ ja jˈɛ vɨbrˈawɛm, tˌɨlkɔ kɔmpˈutɛr.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_2.wav|kʲˈɛdɨ zajmˈujɛ mʲˈɛjstsɛ pʃɨ stˈɔlɛ dɔ pɔkˈɛra, jˌɛstɛm jˈuʒ zupˈɛwɲʲɛ ˌɔpanɔvˈana.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_237.wav|a jˈɛɕli tˌɛɡɔ ɲʲɛ zrˈɔbjɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_67.wav|dˈɔbʒɛ, tatˈuɕu, ˌɔtpɔvʲˈada bˈutskɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_13.wav|pˈɔtɛm muɕˈawam tʃˈɛkatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_5.wav|pʲˈaŋka ˌizɔlatsˈɨjna f sprˈɛju.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_406.wav|ɲʲˈɛvʲɛm, ɲˈiɡdɨ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_69.wav|vˈaxam ɕɛ pʃˈɛs xfˈilɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_218.wav|tˈak, fʃˈɨstkɔ ɡrˈa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_224.wav|na rˈɔɡu vˈarnɛr ˌavɛnˈuɛ.|0
+Dataset/wavs/urwisko_ferenc/64_segment_68.wav|ɕˈɛŋɡnɔw pɔ tɛlˈɛfɔn i vˈɨbraw nˈumɛr lɛɡnˈɛra, ʒˈɛbɨ ˌudɔvˈɔdɲitɕ mˈarji, ʒˈɛ zdɔbˈɛɲdʑɛ nˈakaz bˈɛs prɔblˈɛmu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_107.wav|ʒˈɛbɨ mˈuts spˈɛndʑatɕ tʃˈaz z lˈijɔ̃ f tɕˈɔŋɡu kˈilku ɔstˈatɲix tɨɡˈɔdɲi.|3
+Dataset/wavs/urwisko_ferenc/28_segment_25.wav|kɛlnˈɛrka zabrˈawa brˈudnɛ natʃˈɨɲʲa, ˌalɛ zˌɔstavˈiwa im fˌiliʒˈaŋki, f ktˌurɨx pˌɔzɔstˈawɔ jˈɛʃtʃɛ kˈilka wˈɨkuf kˈavɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_116.wav|ɲʲɛ zɡadʑˈawam ɕɛ z ɲˈim, ˌalɛ ˌɔtʃɨvˈiɕtɕɛ ɲˈiɡdɨ ɲʲɛ vˌɨrazˈiwam na ɡwˈɔs jˌakʲɛjkˈɔlvʲɛk ɔpˈiɲʲi, ktˌura bˈɨwabˌɨ spʃˈɛtʃna z ɔpˈiɲʲɔ̃ arˈama.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_352.wav|ʒˈɨtɕɛ ʃwˈɔ nˈapʃut.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_67.wav|zˈafʃɛ ˌuvaʒˈawɛm, ʒˈɛ jɛzd z ɲʲˈɔ̃ tsˈɔɕ ɲʲɛ tˈak, xˈɔdʑ bˌɨwa xɔlˈɛrɲʲɛ dˈɔbra f sfˈɔjɛj prˈatsɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_135.wav|i vɨɡlˈɔndaw jˈak pʃɛt pʲˈɛɲtɕu mˌinutˈami, jˈaɡ ɡdˈɨbɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_37.wav|krˈɛntsɛ ɡwˈɔvɔ̃. ɲʲɛ, tɔ ɲʲɛ jɛst mˈuj dˈɔm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_77.wav|i tsˈɔ mˈɨɕliʃ? zapˈɨtaw jˈumbɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_28.wav|bʲˈillɨ fɕˈada vʲˈɛnts s ʃˈan i tˈak mu tˈam tɕˈasnɔ, ʒˈɛ pɔ pʃɛjˈaʃtʃtsɛ jˈamal mˈuɕi ɡˈɔ vɨtɕˈɔŋɡnɔɲtɕ jˈak kˈɔrɛɡ z butˈɛlki. fʃˈɨstsɨ mˌajɔ̃ s tˌɛɡɔː ˈubaf.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_7.wav|pˌɔlitsˈɨjnɨ samˈɔxut pɔdjˈɛʒdʒa blˈiʒɛj, kʲˈɛdɨ fxˈɔdʑɛ na stˈɔpɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_289.wav|ɲˈiɡdɨ ɲʲɛ bˌɨwam f ʃikˈaɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_227.wav|ˈidɛ pɔ ɲʲˈɛɡɔ. ʒˈutɕiw jˈɛtʲi i fpˈad dɔ ɕrˈɔtka zɡʲˈɛntɨ prˈavʲɛ f pˈuw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_14.wav|pʃˈɛs xfˈilɛ pˌanɔvˈawa tɕˈiʃa, ˌalɛ f kˈɔɲtsu ktˈɔʑ zapˈɨtaw ɲʲɛpˈɛvɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/19_segment_6.wav|lˈɛtʃ tˈak kˌɔnsɛkfˈɛntɲʲɛ ˌuɲikˈawa ˌɔtpɔvʲˈɛdʑi na pɨtˈaɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_73.wav|ˈɔtɔ vwˈaɕɲʲɛ xɔdʑˈiwɔ wupʲˈɛʃtsɔm. ɔ ɡalˈɛrɛ ˈalbɔ kˈɔɡɛ.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_305.wav|mˈam ɡwˈɔvɛ skʲˌɛrɔvˈanɔ̃ w dˈuw.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_139.wav|jˈamɛ ɲʲɛ ˌɔʃukˈivaw ɕɛ. w ɔbˈɛtsnɛj xfˈili...|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_490.wav|pˈɛvɲʲɛ jˈaɡ zˈafʃɛ s puwnˈɔtsɨ natxˈɔdʑiw vʲˈatr.|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_63.wav|sˈɛr vˈɔwa, a w jˈɛɡɔː ˈɔtʃaɣ dɔstʃˈɛɡam pˌɔdɛkstsˌɨtɔvˈaɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_142.wav|a pˈɔtɛm kulˈɛjɔnts ˈɔtʃɛd na bˈɔk, tʃˈujɔnts strˈaʃnɔ̃, bɔlˈɛsnɔ̃ pˈustkɛ w dˈɔlɛ vwasnˈɛɡɔ bʒˈuxa.|0
+Dataset/wavs/urwisko_ferenc/51_segment_54.wav|— xtsˈɛʒ zɔbˈatʃɨtɕ? — zatɕˈɔŋɡnɔw ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_215.wav|zˌapinˈanɨ jɛst na ʒˈɛpɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_22.wav|ɕˈada na wˈuʃku, a ja pɔtxˈɔdʑɛ dɔ kɔmˈɔdɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_145.wav|ɔpʃˈɛtwʃɨ ɡˈɔ dˌɔɔkˈɔwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_157.wav|pʃɛprˈaʃam, mˈuʃɛ zadʑvˈɔɲitɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_62.wav|— xtsˈɛʒ zˈatʃɔɲtɕ ɔd dʑˈiɕaj? — zapˈɨtaw mˈarɨj.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_335.wav|ɔstˈatɲi dʑˈɛɲ ix pɔdrˈuʒɨ bˈɨw ʑˈimnɨ i vʲˈɛtʃnɨ.|1
+Dataset/wavs/urwisko_ferenc/09_segment_90.wav|jarˈɔmik stˈaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_32.wav|ɲʲɛ pʃɨvʲˈɛʑliɕmˌɨ pˌɔzɔstˈawɛj dvˈujki dʑɛtɕˈakuf.|4
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+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_423.wav|zˌadʑvɔɲˈiwam jˈɛʃtʃɛ rˈas.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_79.wav|rˈuʃɨw w mˈɔjɔ̃ strˈɔnɛ, spravdʑˈiwam vʲˈɛnts ʃˈɨpkɔ zˈamki.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_57.wav|ɲʲɛktˌurɛ z dˈam ɕɛdʑˈɔntsɨx na ɡalˈɛrji zatʃˈɛwɨ ɕɛ nˈaɡlɛ vɨmˈɨkatɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_221.wav|ɔ ɲˈits, ja xtsˈɛ ˈiʑdʑ dɔ dˈɔmu. mˈuʃɛ fstˈatɕ ɔ tʃfˈartɛj rˈanɔ, a ˌɔna xtsˈɛ pˈitɕ tɔ fʃˈɨstkɔ.|0
+Dataset/wavs/urwisko_ferenc/21_segment_4.wav|ˈaɕka vɨdˈawa ɕɛ mˈarji jˈakaɕ tˌajɛmɲˈitʃa, jˈaɡbɨ mʲˈawa vˈɔbɛts ɲʲˈɛj kɔŋkrˈɛtnɛ plˈanɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_2.wav|minˈɛliɕmˌɨ brˈamɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_10.wav|zˌɔbatʃˈɨwɛm pʃɛt sˈɔbɔ̃ ɕtɕˈanɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_53.wav|vɨɡlˈɔnda na vˌɨtʃɛrpanˈɛɡɔ, mˈa pˌɔtkrɔ̃ʒˈɔnɛ ˈɔtʃɨ i zˌastanˈavʲam ɕɛ ɔt rˈazu, tsˈɔː ˌɔna zrɔbʲˈiwa ˈalbɔ pˌɔvʲɛdʑˈawa.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_62.wav|vˈidʑɛ, ʒˈɛ tfˈɔjɛ vˌɨɔbraʒˈɛɲʲɛ ɔ mɛ̃skˈɔɕtɕi ɕɛ zmʲɛɲˈiwɔ, brˈatɕɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_108.wav|ɲʲɛ jˌɛstɛm pʃˌɛkɔnˈanɨ, ʒˈɛ tɔ dˈɔbra dʑɛftʃˈɨŋka, jˈɔɛl.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_86.wav|dʒˈɛs i ja mˌamɨ intˈɛrɛz dɔː ˌɔbɡadˈaɲʲa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_25.wav|kʲˈɛdɨ pˌɔtxɔdʑˈimɨ dɔ lˌɔndɔvˈaɲʲa, tsˈawɨ tʃˈas mˈuvjɛ dɔ ɲʲˈɛɡɔ f pɔʒˈɔntku, xwˈɔpʲɛ, rˈɔbʲiʃ fʃˈɨstkɔ dˈɔbʒɛ, a pˈɔtɛm...|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_213.wav|alˈain ˌɔvinˈɛwa sˈɔbjɛ lˈɔtʃɛɡ vˈɔkuw pˈaltsa.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_178.wav|bˌɛɲdʑɛ ɡɲˈiw dɔ kˈɔɲtsa ʒˈɨtɕa w nɔrvˈɛskim vʲɛ̃ʑˈɛɲʲu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_123.wav|tɨm rˈazɛm tɔ ja ɔmˈalɲʲɛ vɨpˈadwɛm s kˈɔʃa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_25.wav|ɔtsˈuvam ɕɛ ɔt ɲʲˈɛɡɔ, uɕmʲˈɛxam ɕɛ i ɔdvrˈatsam, ʒˈɛbɨ ɲʲɛ pʃɨɡlˈɔndaw mi ɕɛ zbˈɨt uvˈaʒɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_62.wav|vˈɔlaw, kʲˈɛdɨ lˈudʑɛ valtʃˈɨli z dˌɔlɛɡlˌivɔɕtɕˈami, tfʲˈɛrdʑɔnts, ʒˈɛ ɲʲɛ pˌɔvinɲˈiɕmɨ pɔddˈavatɕ ɕɛ swabˈɔɕtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_186.wav|za dʒvʲˈami swˈɨxatɕ krˈɔki.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_3.wav|pɔ prˈatsɨ pˈɔʃɛd dɔ sklˈɛpu z ˌalkɔxˈɔlɛm, ɡdʑˈɛ zˈafʃɛ kupˈɔvaw fçˈiskɨ dla xˈɛlɛn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_68.wav|bˈɔ ɲˈibɨ w jˈakim tsˈɛlu mʲˈɛlibˌɨ tɔ zrˈɔbʲitɕ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_70.wav|drˈuɡa suɡˈɛstja rˈɔba, ʒˈɛ zˌaaŋɡˌaʒɔvˈawa ɕɛ f tsˈɔɕ ɲʲˌɛlɛɡalnˈɛɡɔ, vˌɨdavˈawa ɕɛ bˈardʑɛj vʲˌarɨɡˈɔdna.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_87.wav|jˈɛɕli pɔzvˈɔlɛ prˈavdʑɛ vɨdˈɔstatɕ ɕɛ z mʲˈɛjstsa, f ktˌurɨm zɔstˈawa zˌaɡʒɛbˈana, mˈɔɡɛ strˈatɕitɕ fʃˈɨstkɔ, rɔdʑˈinɛ, prˈatsɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_298.wav|pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_539.wav|ɲˈiɡdɨ ɲʲɛ zaɡwˈɛmbjɛ ɕɛ f tɛ lˈɔxɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_143.wav|pɔtʃˈuwam dwˈɔɲʲɛ arˈama na ramjˈɔnax.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_48.wav|tʃˈujɛ ɔt rˈazɨ dɔ mwˈɔtʃɛj ɕˈɛbjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_223.wav|bʲˈillɨ spˈɔjʒaw pˈɔnat mˈɔim ramjˈɛɲʲɛm f strˈɔnɛ vˈɛjɕtɕa i ɔtfˈɔʒɨw ʃɛrˈɔkɔː ˈɔtʃɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_113.wav|xˈɔtɕaʃ ɲʲˌɛpɔrˈadnɨ, ftɕˈɔ̃ʒ bˈɨw suktsˈɛsɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_66.wav|ɲʲɛ, tˈak naprˈavdɛ rˈɔvɛr nalˈɛʒɨ dɔ ɲʲˈɛɡɔ, ˌalɛ mˈarta mʲˈawa dɔ ɲʲˈɛɡɔ dˈɔstɛmp, vʲˈɛnts tɔ xˈɨba bˈɛz znatʃˈɛɲʲa, tʃɨj tɔ spʃˈɛnt.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_87.wav|— ɲʲɛ — pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_2.wav|ˈaʃ ɲʲˈɛbɨw f stˈaɲʲɛ lˈɛʒɛtɕ spɔkˈɔjɲʲɛ w wˈuʃku w ˌɔtʃɛkivˈaɲʲu nˈatɔ, tsˈɔ ɕɛ vɨdˈaʒɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_60.wav|vˈɨjɔw sfˈɔjɛ ɡʲˈizmɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_262.wav|zˌawatfˈimɨ tɨx skurvʲˈɛli.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_39.wav|pˌɔvʲɛdʑˈawɛm swˈɔva, pˌɔvʲɛdʑˈawɛm swˈɔva.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_222.wav|f pɔʒˈɔntku, dʑɛŋkˈujɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_58.wav|pˈannɔ pˈalmɛr, tʃɨ mˈɔɡɛ zvrˈatsatɕ ɕɛ dɔ pˈaɲi jɔˈanna?|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_130.wav|vʲˈɛʃ, tʃˈɛ̃stɔ mˈɨɕlɛ ˈɔtɨm tʃwɔvʲˈɛku, ɔt ˈɛstɛr, a vwaɕtɕˈivʲɛ tʃˈɛ̃stɔ mɨɕlˈawɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_21.wav|maʒˈɨwam ˈɔtɨm, bˈɨ zrɔzˈumjɛtɕ, jˈak mˈɔʒɛ vɨɡlˈɔndatɕ jˈɛɡɔ ʒˈɨtɕɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_162.wav|kɔbjˈɛta zvrutɕˈiwa ɕɛ dɔː innˈɛɡɔ pˌasaʒˈɛra.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_96.wav|nˈaɡlɛ fʃˈɨstkɔ ɕɛ skɔɲtʃˈɨwɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_109.wav|kˈɔxam tɕˈɛbjɛ, dˈɔm. jˌɛstɛɕ ˈɔjtsɛm mˈɔiɣ dʑˈɛtɕi.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_124.wav|f tɨm zavˈɔdʑɛ lˈitʃɔ̃ ɕɛ ɛfˈɛktɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_160.wav|tʃɛkˈajɔnts, ˈaʒ vɨskˈɔtʃɔ̃ pʃˌɨpʲɛtʃˈɔnɛ, znˈɔvu vɨtɕˈɔŋɡa s kʲɛʃˈɛɲi rɨsˈunɛk ʃˈan.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_120.wav|ɕˈɛdʑaw vʲˈɛndʑ w ɡˈurax rˈazɛm zˈɛ sfˈɔim sˈɨnɛm, ktˌurɨ mʲˈaw ɲʲɛvʲˈɛlɛ pˈɔnad dʑˈɛɕɛɲtɕ lˈat.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_187.wav|tʃɨ zwapˈaliɕtɕˌɛ sˈɛr ɡɛrˈɔlda?|1
+Dataset/wavs/urwisko_ferenc/64_segment_106.wav|ˌalɛ i na zˈɛvnɔntʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_224.wav|ktˈɔ tʃˈɨɲi zwˈɔ, mˈuɕi zˈatɔ zapwˈatɕitɕ, a tsˈɛna pɔvˈinna bˈɨdʑ vɨsˈɔka.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_37.wav|dʑˈɛɲ dˈɔbrɨ ʃɛfˈɔvɔ. pˌɔtʃɛbˈujɛ pˌɔzvɔlˈɛɲʲa na ɕlɛdʑˈɛɲʲɛ pˌɔwɔʒˈɛɲʲa tˌɛlɛfˈɔnu kˌɔmurkɔvˈɛɡɔ f tʃˈaɕɛ ʒˌɛtʃɨvˈistɨm. xˈɔdʑi ɔ tɛlˈɛfɔn ɔsˈɔbɨ pˌɔdɛjʒˈanɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_244.wav|ɔd dwuʃʃˈɛɡɔ tʃˈasu kˌupɔvˈawɛm ɲʲɛvʲˈɛlkʲɛ ilˈɔɕtɕi za pˌɔɕrɛdɲˈitstfɛm rˈuʒnɨx fˈirm fˌasadˈɔvɨx, ʒˈɛbɨ ɲˈikt ɕɛ ɲʲɛ zˌɔrjɛntˈɔvaw tsˈɔ knˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_29.wav|s prˈinsa, mˈuvi ˈɛlis, ɲʲɛ dɔ vʲˈarɨ, jˈakʲɛ tɛ ɡˈurɨ sɔ̃ pʲˈɛŋknɛ. ɔ zaxˈɔdʑɛ swˈɔɲtsa xˈɨba ɲʲɛ bˌɛndɛ mˈɔɡwa nˈaɲʲɛ pˈatʃɛtɕ, bˈɔ sˈɛrtsɛ bˈɨ mi pˈɛŋkwɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_142.wav|prˈɔʃɛ sprˈavitɕ sˈɔbjɛ nˈɔvɨ, zˈaɲim pˈan fʃˈɨstkɔ strˈatɕi.|2
+Dataset/wavs/urwisko_ferenc/43_segment_61.wav|xˈɛrman fstˈawa i pˌɔdʑɛŋkɔvˈawa za pˌɔɕfʲɛntsˈɔnɨ tʃˈas.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_71.wav|bˈɛtskɨ skʃɨvˈiwa ɕɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_4.wav|tʃɨ mˈɔɡɛ prˈɔɕitɕ fʃˈɨstkix ɔː uvˈaɡɛ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_8.wav|pɔpˈɛwɲʲaw bwˈɛndɨ. ɔbˈɔjɛ jˈɛ pˌɔpɛwɲʲˈaliɕmˌɨ. i bˈardʑɔ ɕɛ bˈaliɕmˌɨ.|3
+Dataset/wavs/urwisko_ferenc/07_segment_18.wav|tɔ bˈɨw jˈuʒ dʑɛvʲˈɔntɨ tˌɛɡɔ dɲʲˈa. ˌɔbjɛtsˈawa sˈɔbjɛ zrˌɛdukˈɔvatɕ lˈidʒbɛ vˌɨpalˈanɨx pˌapʲɛrˈɔsuf ɔ pɔwˈɔvɛ, ˌalɛ swˈabɔ jɛj tɔ vˌɨxɔdʑˈiwɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_196.wav|ˈɔ, nˈɔ tˈak!|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_79.wav|ʒˈɛ vˌɨsadʑˈiwaɕ kɔmbˈajnɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_4.wav|ɲʲɛ tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ pɔ rˈas kɔlˈɛjnɨ mˈuɡw vˈɨtʃutɕ mˈɔjɛ napʲˈɛɲtɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_210.wav|ˌalɛ mˈɔɡɛ ˌudɔvˈɔdɲitɕ, ʒˈɛ jɛzd vˈinnɨ vɨmˈuʃɛɲ, ˈɔʃustf i vʲˈɛlu ˈinnɨɣ ʒˈɛtʃɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_190.wav|ɲʲˈɛmʲawbˌɨm ʃˈans ɕɛ pʃˈɛbʲitɕ jˈakɔ kɔŋkˈurɛnt.|4
+Dataset/wavs/urwisko_ferenc/63_segment_28.wav|xˈɛrman pɔtˈarwa tʃˈɔwu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_97.wav|swˈɨʃɛ ɔdɡwˈɔsɨ dˌɔbjɛɡajˈɔntsɛ s kˈuxɲi i ˌuɕfʲadˈamjam sˈɔbjɛ, ʒˈɛ dʒvˈi sɔ̃ ˌuxɨlˈɔnɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_145.wav|ɲʲɛ zamjˈɛʒam ɕɛ ˌuspravʲɛdlˈivʲatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_8.wav|xˈɔtɕ ɲʲɛ bˌɨliɕmˌɨ f ʃkˈɔlɛ snajpˈɛruf, ˈuppiŋktɔn pɔdʑˈɛliw nˈas na pˈarɨ. jˈɛdɛn mʲˈaw bˈɨtɕ stʃˈɛltsɛm, drˈuɡʲi ˌɔpsɛrvatˈɔrɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_127.wav|tˌaki pˈan ɲʲˌɛdɔmˈɨɕlnɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_186.wav|vʲɛdʑˈawɛm tɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_54.wav|tʃɨ uznˈawabˌɨ tɔ za dʑˈivnɛ, ɡdˈɨbɨɕ tˈɛraz zˌadʑvɔɲˈiwa? jɛst jˈuʃ pɔ puwnˈɔtsɨ, mˈuvi bˈɛtskɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_72.wav|nˈavɛd zabʲˈitɕɛ kˈɔɡɔɕ mˈɔʒɛ bˈɨtɕ swˈuʃnɨm pˌɔstɛmpɔvˈaɲʲɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_17.wav|ɡdʑˈɛ znajdʑˈɛmɨ ɕɛ fʃˈɨstsɨ za tˈɨdʑɛɲ, jˈɛɕli ɲˈits ɲʲɛ zrˈɔbjɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_16.wav|vʲˈɛnts jˈakiɕ ɛmˈɛrɨt s kˌɔnfidˌɛntsjɔnˈalnɨm uɕmʲˈɛxɛm pɔvʲˈɛdʑaw dɔ mɲʲɛ|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_55.wav|f pɔʒˈɔntku, tˈatɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_16.wav|tɨm rˈazɛm tˈɔm uswˈɨʃaw w jɛj ɡwˈɔɕɛ tsˈɔɕ ɲʲˌɛpɔkˌɔjɔntsˈɛɡɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_34.wav|prˌubɔvˈaliɕmˌɨ dɔdʑvˈɔɲitɕ ɕɛ dɔ ɲʲˈɛj na kɔmˈurkɛ, ˌalɛ ɲʲɛ ˌɔtpɔvʲˈada.|4
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_29.wav|trˈɔxɛ ɲʲɛɕmʲˈawɨ, upʃˈɛjmɨ dla fʃˈɨstkix i pʃɛstʃˈɛɡa fʃˈɨstkiɣ zˈasat jˈak skˈawt.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_110.wav|ˈɛlis fxˈɔdʑi dɔ wˈuʃka, ɔn kwˈadʑɛ ɕɛ ˌɔbɔk ɲʲˈɛj, lˈɛʒɔ̃ na plˈɛtsax.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_38.wav|prˈɔʃɛ zˈɛmnɔ̃, pˈaɲi pˈɔrtɛr. pɔlˈitsjand z mˌanxɛstˈɛru, ɕˈɛrʒant kˈamba, xtsˈɛ s pˈaɲʲɔ̃ pˌɔrɔzmˈavʲatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_105.wav|pˈɔtɨm fʃˈɨstkim, tsˈɔ zrɔbʲˈiwaɕ, pɔ tɨx fʃˈɨstkix kwˈamstfax, kturˈɨmi mɲʲɛ karmˈiwaɕ, tʃɨmˈawɛm ɕɛ kurtʃˈɔvɔ jˈɛdnɛj ʒˈɛtʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_267.wav|zrɔdʑˈɔnɨ pˈɔɕrut sˈɔli i dˈɨmu, pɔt krfavʲˈɔntsɔ̃ ɡvʲˈazdɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_55.wav|a pʃɛt nˈɔs pˌɔwɔʒˈɔnɔ mi ˌɔstatˈɛtʃnɨ fɔrmˈulaʒ dɔ pɔtpˈisu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_48.wav|bˈɔ pʃˌɛtɕɛʃ ɕɛ zjˈavi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_119.wav|mˈɔɡɔ̃ tɔ bˈɨdʑ dɲˈi ˈalbɔ nˈavɛt lˈata.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_190.wav|ɔddˈɨxam pɔvˈɔli, ʒˈɛbɨ ɕɛ ˌuspɔkˈɔitɕ. dʑˈiɕaj mˈuʃɛ zˈaɡratɕ ɔ vʲˈɛlɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_52.wav|ɲˈikt ɲʲˈɛvʲɛ, nˈatɨm pɔlˈɛɡa dˈɔftɕip.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_232.wav|plˌatɨnˈɔvɔ̃ blɔndˈɨŋkɔ̃ ɲʲɛ bˈɛɲdʑɛ. mˈɔʒɛ dlatˈɛɡɔ, ʒˈɛ jɛj nˌaturˈalnɛ vwˈɔsɨ sɔ̃ za tɕˈɛmnɛ, ˌalɛ zmʲˈana i tˈak jɛzd vɨrˈaʑɲʲɛ vidˈɔtʃna.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_272.wav|i tɕˈɔŋɡlɛ litʃˈɨtɕɛ na tsˈut, ˌalɛ tˈu ɲʲɛ bˌɛɲdʑɛ tsˈudu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_87.wav|unˈɔʃɛ tˈɔrbɛ i vzrˈuʃam rˌamjɔnˈami.|3
+Dataset/wavs/urwisko_ferenc/19_segment_28.wav|kɔbjˈɛta pʃɛrvˈawa xˈɛrman i zamknˈɛwa ˈɔtʃɨ. ɲʲɛ zˌamjɛʒˈawam ɔ ɲʲˈɛɡɔ pˈɨtatɕ. xtɕˈawam tˌɨlkɔ pɔvʲˈɛdʑɛtɕ, ʒˈɛ pˈaɲi mˈɔ̃ʃ pʃɛvˈija ɕɛ w ˈaktax sprˈaf.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_100.wav|mʲˈaw dwˈuɡʲɛ rˈɛntsɛ i nˈɔɡʲi, pʃˌɛtwuʃtʃˈɔnɛ, mˌɨʃɔvˈatɛ vwˈɔsɨ i pɔlˈitʃki pɔkrˈɨtɛ mwɔdʑˈɛɲtʃɨm pˈuʃkʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_75.wav|nˈɔ dˈɔbra, tˈak.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_437.wav|tɔ pilnˈujɛ tˈɛɡɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_24.wav|udˈawɔ ɕɛ nˈam vɨdˈɔbɨtɕ ˌinfɔrmˈatsjɛ s fɔldˈɛruf na kˌɔmputˈɛʒɛ mˈartɨ pˈɔrtɛr i znalˈɛʑliɕmˌɨ xˈaswɔ dɔ tˌɛlɛfˈɔnu ɡˌɛnɛvʲˈɛvɛ strˈaxan.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_69.wav|jɛj rɔdʑˈitsɛ ɲʲɛ xtɕˈɛli, bˈɨ ix nazvˈiskɔ ɕfʲɛtɕˈiwɔ s pʲˈɛrʃɨx strˈɔn ɡˈazɛt.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_94.wav|tˈak pɔznˈajɛ, xˈɔtɕaʃ tɔ vʲˈɛlɛ lˈat. tˈɔɲi mitskʲˈɛvitʃ, tɔ ja tɕˈɛbjɛ vˌɨkupˈiwɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_131.wav|kʲˈɛdɨ ˌuswɨʃˈawa mˈɔjɛ krˈɔki na kamˈɨkax lɛʒˈɔntsɨx pʃɨ bʒˈɛɡu ʒˈɛki,|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_82.wav|ɲʲˈɛxtɕaw ˈɔtɔ pˈɨtatɕ, bˈɔ ɲʲˈɛbɨw tɔ jˈɛɡɔː intˈɛrɛs, ˌalɛ tʃˈuw f kˈɔɕtɕax, ʒˈɛ kˈatɛ zˌamjɛʒˈawa ɡˈɔ f tɛn intˈɛrɛs ftɕˈɔŋɡnɔɲtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_6.wav|vˈɨznaw f kˈɔɲtsu stsˈɔtt.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_84.wav|ɡˈɛrmund bˈatlɛj nˈɔɕiw ʃnˈur pˈɛrɛw i ɡranˈatuf na pˌɔzwatsˈanɨm lˌaɲistˈɛrskim nˌapʲɛrɕɲˈiku.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_101.wav|mˈawʒ bˈɨw smˈatʃnɨ, vʲˈɛnts sˈam zjˈad nˌastɛmpnˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_326.wav|dɔpʲˈɛrɔ pˈɔtɛm sxˈɔvaw brˈɔɲ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_133.wav|a tˈɛras swˈuxaj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_82.wav|xˈɛlis ˌɔpuɕtɕˈiwa sukʲˈɛŋkɛ i spɔjʒˈawa nˈamɲʲɛ, jˈaɡbɨ xtɕˈawa zapˈɨtatɕ, tsˈɔ ja ˈu lˈixa vɨprˈavʲam.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_285.wav|pˌɔvʲɛdʑˈawa sˈɔbjɛ.|1
+Dataset/wavs/urwisko_ferenc/50_segment_51.wav|dɔmˈiɲik jˈak kˈaʒdɛ dʑˈɛtskɔ pʃˈɨvʲuz zdjˈɛɲtɕa z vakˈatsji.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_136.wav|zˌatɕisnˈɛwam zˈɛmbɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_512.wav|bˈɔ tɨ tˈɛʃ jˌɛstɛɕ pˈɔdwɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_112.wav|mˈarʃtʃɨ nˈɔs, jˈaɡbɨ pɔtʃˈuwa smrˈut, ˌalɛ bʲˈillɨ swˈɨʃɨ w jɛj ɡwˈɔɕɛ nˈutɛ zazdrˈɔɕtɕi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_29.wav|bjˈɛɡɲʲɛ dɔ sɨpʲˈalɲi i vˈidʑi, ʒˈɛ ˈɛlis ɕˈɛdʑi na wˈuʃku ɕtɕiskˈajɔnts ɕɛ za ɡˈardwɔ. zˌatrfaʒajˈɔntsɔ pʃˌɨpɔmˈina ɛlbjˈɛɡɔ f tɛj pʲˈɛrʃɛj xfˈili, kʲˈɛdɨ mˈɨɕlaw, ʒˈɛ kˈula ɡˈɔ tˌɨlkɔ drasnˈɛwa.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_312.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_392.wav|rɨsˈunɛk, ktˌurɨ pˌɔzɔstavˈiwɨ tˈu dʑˈɛtɕi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_130.wav|ˈɔbraz zɲˈiknɔw. ˌukazˈawa ɕɛ pʲˌɛɲdʑɛɕˌɛɲtɕɔɡvʲˈɛzdna flˈaɡa.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_236.wav|pʃɛswˈawam mu vˌizɨtˈufkɛ, a ɔn zdafkˈɔvɔ kˈivnɔw ɡwˈɔvɔ̃, kʲˈɛdɨ pˌɔjavˈiwa ɕɛ na jˈɛɡɔ vˌɨɕfʲɛtlˈatʃu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_22.wav|mˈam jˈɛdnak ɕfʲadˈɔmɔɕtɕ, ʒˈɛ pˈatʃɔ̃ nˈamɲʲɛ dɔswˈɔvɲʲɛ fʃˈɨstsɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_22.wav|ɲʲɛ zarˈɔbjɛ nˈatɨm ˌaɲi jɛdnˈɛɡɔ ɡʲˈita.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_85.wav|jˈɔɛ pʃˌɛkazˈawa jˈɛ zˈɔɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_28.wav|pˈatʃɛ zdumjˈɔna na mɛ̃ʃtʃˈɨznɛ, kturˌɛɡɔ pʃˌɛtɕɛʃ tˈaɡ dˈɔbʒɛ znˈam.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_39.wav|ˌɔtʃɨvˈiɕtɕɛ tˈakʲɛ ˌɛvɔlˈutsjɛ sɔ̃ rˌɨzɨkˈɔvnɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_213.wav|tˈak jˈak f pʃɨpˈatku fʃˈɨstkix ˈinnɨx uʒˈɔndʑɛɲ w mʲˈɛɕtɕɛ, sˈɨɡnaw pilˈɔta dɔtɕˈɛra dɔ tsˈɛlu dʑˈɛŋki ɕˈɛtɕi wɔntʃnˈɔɕtɕi bˌɛspʃɛvɔdˈɔvɛj.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_57.wav|ɲʲɛ trfˈawɔ tɔ zbˈɨd dwˈuɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_26.wav|lˈɛnɛ fskazˈawa ɡwˈɔvɔ̃ na dʒvˈi ɡˌabʲinˈɛtu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_64.wav|nˈɔ dˈɔbʒɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_72.wav|tsˈɔras tʃˈɛɲɕtɕɛj mˈa nadʑˈɛjɛ, ʒˈɛ ˈallɛn uɲˈikɲʲɛ ˌɛkstradˈɨtsji, zɡʲˈiɲʲɛ w arˈɛʃtɕɛ ˈalbɔ nˈavɛt utɕˈɛkɲʲɛ i sprˈava stˈaɲʲɛ ɕɛ ɲʲˌɛaktuˈalna.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_15.wav|ja stˌanɔvˈiwam vɨjˈɔntɛk i pˌɔdɛjʒˈɛvam, ʒˈɛ tɔ muɕˈawɔ ɡˈɔ zmˌɔtɨvˈɔvadʑ dɔ dʑawˈaɲʲa. mˈɔʒɛ pˌɔtraktˈɔvaw mɲʲɛ jˈaɡ vɨzvˈaɲʲɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_60.wav|zakwˈadam, ʒˈɛ za jˈakiɕ tʃˈaz zjˈavi ɕɛ w dˈɔmu jˈaɡbɨ ɲˈiɡdɨ ɲˈits.|3
+Dataset/wavs/urwisko_ferenc/43_segment_17.wav|ˌalɛ ɲʲɛ dˈa ɕɛ vˈɨzbɨtɕ katˈaru ɕˈiwɔ̃ vˈɔli.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_9.wav|nˈaʃ pˈɔdjast jɛzd dˈɔʑdʑ zdradlˈivɨ. zakrˈɛntsa f pɔwˈɔvʲɛ, a vzdwˈuʃ ɲʲˈɛɡɔ lˈɛʒɔ̃ dˌɛkɔratsˈɨjnɛ kamjˈɛɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_240.wav|ɕˈɔstrɨ bˌɨwɨ dla ɲʲˈɛɡɔ dˈɔbrɛ, a xˈɔtɕ ˈinnɛ dʑɛftʃˈɛnta tʃasˈami z ɲʲˈɛɡɔ drvˈiwɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_185.wav|znˈaʃ tɛn dˈɔm jˈaɡ vwˈasnɔ̃ kʲˈɛʃɛɲ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_34.wav|jˈɛɕli vʲˈɛdʑɔ̃, kˈim jˈɛstɛm, znˈajdɔ̃ samˈɔxut.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_162.wav|natˈɨxmʲast pˌɔvrutɕˈiwɨ fspɔmɲʲˈɛɲʲa s tˈamtɛj nˈɔtsɨ w brˌukɔvˈanɛj alˈɛjtsɛ. ɲʲɛ mˈuɕaw ɲˈits mˈuvitɕ, ʒˈɛbɨm zrˌɔzumjˈawa kˌɔmuɲˈikat.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_180.wav|ʒˈɛ tɔ ɕɛ zmʲˈɛɲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_112.wav|ˌalɛ jˈazda pɔ vɛrtˈɛpax i tˈaɡ bˌɨwa lˈɛpʃa ɔt mˈarʃu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_523.wav|fʃˈɨstkɔː ukwˈada ɕɛ fatˈalɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_88.wav|rˈɔp, jˈɛdʑɛʒ zˈɛmnɔ̃. bˈɛtskɨ, vrˈudʑ dɔ sˈarɨ ˈɔzbɔrn. pˌɔvʲadɔmˈimɨ tɕˈɛ, tsˈɔː ˌɔtkrɨjˈɛmɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_21.wav|ʃtʃɛɡˈulɲʲɛ, kʲˈɛdɨ pˈujdʑɛʒ dɔ nˈɔvɛj ʃkˈɔwɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_182.wav|vwaɕtɕˈivʲɛ ɲʲɛ bˌɨwɔ tʃˈɛɡɔː ɔtswˈaɲʲatɕ, bˈɔ pɔt spˈɔdɛm zˈamjast stˈaɲikˌa mʲˈawa tˈɔp spwˌaʃtʃajˈɔntsɨ bjˈust.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_311.wav|ˈalbɔ zɡʲˈinɔɲtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_110.wav|rˈɔp mˈiltʃaw pʃˈɛs xfˈilɛ.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_168.wav|tɔ ʃˈɨpki ˈɔkrɛnt i ɕˈilnɨ jˈak tˈa, na ktˌurɛj tʃˈɛʑdʑ ɡˈɔ nazvˈanɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_20.wav|vʲˈɛnts jˈɛɕli jˈuʃ ˈɔɲim mˈɨɕliʃ, tɔ mˈɨɕl ˈɔɲim tˈak, jˈak ja ˈɔɲim mˈɨɕlɛ pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_99.wav|pˈɔvʲɛts mu, ʒˈɛ fʃˈɨstkɔ ɡrˈa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_97.wav|zˈɔstaw zˌastʃɛlˈɔnɨ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_58.wav|vʲˈɛnts patʃˈɨwɛm w napʲˈɛɲtɕu na stˌarɔɕfʲˈɛtski apˈarat s tʃarnˈɛɡɔː ˌɛbɔɲˈitu s tɕˈɛ̃ʃkim, jˈak ɔdvˈaʒɲik mˌɛxaɲˈizmɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_85.wav|ɲʲɛ mˈɔʒɛ pɔpˈɛwɲidʑ druɡʲˈɛɡɔ. lˈɔs ɲʲɛ znˈa litˈɔɕtɕi.|2
+Dataset/wavs/urwisko_ferenc/20_segment_47.wav|mˈa pˈan jˈakʲɛɕ kɔŋkrˈɛtnɛ pˌɔdɛjʒˈɛɲʲa?|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_136.wav|ˈandɛrsɔn ɕˈɛdʑaw ɲʲˌɛruxˈɔmɔ, ɔpˈarwʃɨ ɡwˈɔvɛ na pʲˈɛɲɕtɕax, pˈɔtɛm pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_130.wav|pɔɲʲˈɛvaʒ dɔ ɲʲˈɛj ˌɔɡraɲitʃˈawɔ ɕɛ tsˈawɛ mʲˈastɔ. ˌalɛ kʲˈɛdɨ armstrˈɔŋɡa zˈatʃɔw vɨpˈɛwɲʲadʑ dˌɔkutʃlˈivɨ wˈɔskɔt prˌatsujˈɔntsɨx mˈaʃɨn, pʃɛɲʲˈɔswa ɕɛ ɡdʑˈɛ ˈiɲdʑɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_106.wav|tɔ tˈɛʃ ɔt ɕˈɛbjɛ ɔtpˈɨxa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_57.wav|w jˈaki spˈɔsub zɔstˈawam kɔbjˈɛtɔ̃, ktˌura ɲitʃˈɛɡɔ ɲʲɛ mˈɔʒɛ ɲikˈɔmu pɔvʲˈɛdʑɛtɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_250.wav|dʑˈɛŋki za ˌuratɔvˈaɲʲɛ ʒˈɨtɕa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_66.wav|sˈam ɕɛ pʃɛkˈɔna, ˈilɛ jˈɔ̃ tɔ kɔʃtˈujɛ zdrˈɔvja, vʲˈɛnts jˈɛɕli tsˈɔɕ ukrˈɨva, jˈɔɛ mˈɔʒɛ ɡˈɔ pʃɛkˈɔnatɕ, ʒˈɛbɨ tɨm ɕɛ z nˈami pɔdʑˈɛliw.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_187.wav|ˈɔjtɕɛts ʃɛrˈɔkɔː ɔtfˈɔʒɨw ˈɔtʃɨ, udˈajɔndʑ zdʑivʲˈɛɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_24.wav|pɔtxˈɔdʑɛ dɔ stɔlˈika nɔtsnˈɛɡɔ, ɔtfʲˈɛram ʃuflˈadɛ i zatʃˈɨnam w ɲʲˈɛj ɡʒˈɛbatɕ, ˈaʒ znajdˈujɛ ˌuʒɔndʑˈɛɲʲɛ ftɕiɕɲʲˈɛntɛ ɡdʑˈɛɕ s tˈɨwu.|4
+Dataset/wavs/urwisko_ferenc/04_segment_100.wav|jˈakʲɛ kˌɔmɛntˈaʒɛ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_35.wav|mˈɔɡɛ prˈɔɕitɕ ɔ jˌajɛtʃɲˈitsɛ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_131.wav|zrɔbʲˈiwam fʃˈɨstkɔ, tsˈɔ mɔʒlˈivɛ, ʒˈɛbɨ tɕi pˈɔmuts, ˌalɛ tɔ jˈuʒ zdˌɛtsɨdɔvˈaɲʲɛ za vʲˈɛlɛ. ˈɔddaj im tɛ pʲˌɛrdɔlˈɔnɛ pʲɛɲʲˈɔndʑɛ!|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_59.wav|pɔstˈɔjɛ tˈu pʃˈɛs xfˈilɛ na vɨpˈadɛk, ɡdˈɨbɨ vrˈutɕiw. ɲˈits pˈaɲi ɲʲɛ ɡrˈɔʑi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_69.wav|jˈɛɡɔ jɛdˈɨnɔ̃ tsˈurkɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_139.wav|zaklˈɛɲtɕɛ prˈɨswɔ, a ja pɔtʃˈuwam ɕɛ vˌɨtʃɛrpˈana, jˈaɡbɨm zɔstˈawa pʃˌɨwapˈana na rɔbjˈɛɲʲu tʃˈɛɡɔɕ ɲʲˌɛstɔsɔvnˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_130.wav|ˌɔttsumɔvˈɨvaw jˈuʃ, bˈɨ vɨpwˈɨnɔɲtɕ na mˈɔʒɛ z vʲɛtʃˈɔrnɨm ɔtpwˈɨvɛm.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_350.wav|lˈɛpʲɛj ɲʲˈɛx ɕɛ ɕpʲˈɛʃɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_8.wav|ftɕˈɔ̃ʒ vidʑˈawam vˈɨras jˈɛɡɔ tfˈaʒɨ s tamtˈɛɡɔ vʲɛtʃˈɔru, kʲˈɛdɨ pˌɔvʲɛdʑˈawam mu ɔ tɕˈɔ̃ʒɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_208.wav|zˈaɲim pɔdˈɔ̃ʒaw adjˈutant tˈɛʒ z rɔvˈɛrɛm, kˌɔrpulˈɛntnɨ ɔfˈitsɛr pʃˌɨpɔmˌinajˈɔntsɨ z blˈadɛj tfˈaʒɨ nˌapɔlɛˈɔna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_37.wav|pɔ ɲʲɛtsˈawɛj minˈutɕɛ jˈuʃ ix ɲʲˈɛma. pˈɛvɲʲɛ vratsˈajɔ̃ dɔ mˌakabrˈɨwɨ i ɕˌikajɔntsˈɛɡɔ xˌɛrubʲˈiŋka na ɡʲˌiɡantˈɨtʃnɨm pɔdvˈuʒu.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_372.wav|ˌuɕmʲɛxˈajɔnts ɕɛ ɔt ˈuxa dɔː ˈuxa, pɔtsˈunɔw mi ʃklanˈɛtʃkɛ. spɔjʒˈawam nˈaɲʲɔ̃ pˌɔdɛjʒlˈivʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_200.wav|vˈɨʃɛd ɔ zmʲˈɛʃxu i znˈuf tˈak jˈak i pˌɔpʃɛdɲʲˈɛɡɔ dɲʲˈa pˈatʃɨw na muʒˈɨnuv vˌɨrɨvajˈɔntsɨx sfˈɔjɛ pʲˈɛŋknɛ vˈɔzɨ s parkˈiŋɡu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_31.wav|vɨbˈuxam pwˈatʃɛm pˈɔttʃas rɔzmˈɔvɨ tˌɛlɛfɔɲˈitʃnɛj z jɛdˈɨnɔ̃ ɔsˈɔbɔ̃, ktˌura ɲʲɛ bˌɛɲdʑɛ mɲʲɛ ɔtsˈɛɲʲatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_6.wav|ftˈɛdɨ ɔdʒˈutɕiw pˌapʲɛrˈɔsa i fʃˈɛd dɔ xaŋɡˈaru. stˈaw tˈam w mrˈɔku i vˈidʑaw, jˈak rˈɨan i jˈɛɡɔː instrˈuktɔr dʒˈɔnsɔn...|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_158.wav|pɔstˈaviw kˈuflɛ na kˌɔntuˈaʒɛ. bˈarman pɔvʲˈɛdʑaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_16.wav|kˈɔrsak rˈuʃɨw s kɔpˈɨta vˈɔ̃skɔ̃, ˌasfaltˈɔvɔ̃ drˈuʃkɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_57.wav|tɔ tɨ spˈajaʃ tɛ rɔdʑˈinɨ. pˌɔtʃɛbˈujɛ tɕˈɛ. mˈili tɕˈɛ pˌɔtʃɛbˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_146.wav|bʲˈillɨ pʃɛrˈɨva pisˈaɲʲɛ i z lˈɛkkim uɕmʲˈɛxɛm fspɔmˈina pˈita trˈɔmbɛ tsaʃmˈana.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_368.wav|maʒ zˈamjar pɔvʲˈɛɕitɕ tˈɛ sˈukɛ, tsˈɨtrɨn?|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_62.wav|zˌavaxˈawa ɕɛ, jˈaɡbɨ ɲʲɛpˈɛvna tʃɨ vˈɨznatɕ, tsˈɔ jɛj xˈɔdʑi pɔ ɡwˈɔvʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_4.wav|tʃfˈartɛk rˈanɔ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_93.wav|ɲˈits ɕɛ jɛj ɲʲɛ stˈaɲʲɛ. maʃ nˈatɔ mˈɔjɛ swˈɔvɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_24.wav|ɡˌɛnɛvʲˈɛvɛ...|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_7.wav|nˈastruj pʃɨ vʲɛtʃˈɛʒɨ ɲʲˈɛbɨw tˈɛʃ smˈutnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_84.wav|ɡwˈufki tʃtˈɛrɛx kˈijuf pˌɔwɨskˈujɔ̃ w dˌɔɡasajˈɔntsɨm ɕfʲˈɛtlɛ dɲʲˈa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_47.wav|mˈɔjɛ ɡˈardwɔ nabʒmʲˈawɔː ɔt strˈaxu. ɲʲɛ zatɕˈiska ɕɛ, vʲˈɛndʑ zmˈuʃam ɕɛ dɔ rˌuvnɔmjɛrnˈɛɡɔː ˌɔddɨxˈaɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_123.wav|tˌɔtalitˈarɨzm ˈumar i jˈuʒ z mˈartfɨx fstˈajɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_138.wav|i tˈam ˌuzalˈɛʒɲiw ɕɛ ɔt prˈɔxuf pʃˌɛtɕivbulˈɔvɨx.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_185.wav|mˈuj instrˈuktɔr mˈuvi tsˈɔː innˈɛɡɔ. pˈaɲski instrˈuktɔr!|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_38.wav|pʃɨbˈɨtɕɛ krˌulɔbˈujtsɨ ɲʲɛ pˌɔzɔstˈawɔ ɲʲˌɛzawvaʒˈɔnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_161.wav|najɡˈɔrʃɛ, ʒˈɛ sˈama mˈɔʒɛ xtɕˈɛtɕ ɕɛ f tɔ fpakˈɔvatɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_45.wav|dʑɛŋkˈujɛ bˈardʑɔ.|3
+Dataset/wavs/urwisko_ferenc/12_segment_94.wav|— nˈɔ tɔ tʃˌɛmu ɲʲɛ dˈawaɕ mi znˈatɕ? pʃˌɛtɕɛʒ bˈɨm pʃɨjˈɛxaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_68.wav|zɡwɛmbʲˈiwɛm tˈɛmat. pʃˌɛtʃɨtˈawɛm kˈilka pˈism lˌitɛrˈatskix i mˈasɛ mˌatɛrjˈawuf w ˌintɛrnˈɛtɕɛ.|2
+Dataset/wavs/urwisko_ferenc/01_segment_103.wav|dɨrˈɛktɔr ɲʲɛspʲˈɛʃɲʲɛ pˈɔvʲud vzrˈɔkʲɛm pɔ ɡˌabʲinˈɛtɕɛ, a nastˈɛmpɲʲɛ prˈɨxnɔw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_206.wav|ja f kˈɔɲtsu jˌɛstɛm tˈɨm, ktˌurɨ pɔtrˈafi lˈatatɕ i tɔ jɛst tˌɨlkɔ vˈaʒnɛ z vaʃˈɛɡɔ pˈuŋktu vidʑˈɛɲʲa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_50.wav|ɲʲɛ pˌɔmɨɕlˈawɛm ˈɔtɨm, zˌapraʃˈajɔnts pˈana tˈutaj, pɔvʲˈɛdʑaw mˈikɛ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_25.wav|ɡdʑˈɛ darˈɛɔn ftʃˈɛɕɲʲɛj vˌɨstɛmpˈɔvaw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_45.wav|mˈɔʒɛ dʑˈiʑ bˌɛndɛ nˌazɨvˈawa tɕˈɛ jˈamjɛ, tsˈɔ?|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_415.wav|bˌɨwɛm z ɲʲˈɔ̃ zˌarɛntʃˈɔnɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_5.wav|na jˈɛɡɔ mʲˈɛjstsu stˈawa tʃˈarnɔː ubrˈana kɔbjˈɛta ˌɔtɔtʃˈɔna pʃˈɛs kˈilku muʒˈɨnuf ɔpˈartɨx wɔktɕˈami ɔ lˈadɛj kˌivajˈɔntsɨɣ zˈɛ zrˌɔzumjˈɛɲʲɛm ɡwɔvˈami.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_65.wav|ɲʲɛ uvʲˈɛʒɨʃ, jˈaɡ zɔbˈatʃɨʒ dʑˈɛtɕi. bˌɛɲdʑɛʃ tˈɛʃ mˈukw pˈɔznatɕ sfˈɔjɔ̃ nˈɔvɔ̃ brˌataɲˈitsɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_153.wav|mʲˈawam nadʑˈɛjɛ, ʒˈɛ zˈavur mˈa vʲˈɛŋkʃɔ̃ pʃˌɛpustˈɔvɔɕtɕ ɲˈiʃ ʃtʃɛlˈina vˌɨpatʃɔnˈɛɡɔ vwˈazu.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_398.wav|dˈaʃ rˈadɛ utʃˈɨmadʑ w ʒɔwˈɔntku kˈubɛk mlˈɛka?|1
+Dataset/wavs/urwisko_ferenc/63_segment_134.wav|pˈaɲi mˈuɕi zˈatʃɔɲdʑ vrˈɛʃtɕɛ mˈuvitɕ prˈavdɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_46.wav|ˈɛlis fskazˈujɛ pʃɛt ɕˈɛbjɛ na bwɛŋkˈitnɛ kwˈɨ ɡˈur skalˈistɨx.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_18.wav|ɔt rˈazu zɡaɲˈiwam ɕɛ w mˈɨɕlax. ɲʲɛ mʲˈawam tʃˈasu na tʃɛpʲˈaɲʲɛ ɕɛ tˈakiɣ dˌupɛrˈɛli.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_111.wav|tʃɛrvˈɔna plˈama rˈɔswa ʃˈɨpkɔ, lˈɛtʃ fʃˈɨstsɨ ˌudavˈali, ʒˈɛ ɲitʃˈɛɡɔ ɲʲɛ zˌauvaʒˈɨli.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_168.wav|zˈaɲim dˌɔjɛxˈaliɕmˌɨ dɔ tsˈɛlu, pɔznˈawam fʃˈɨstkʲɛ ʃtʃɛɡˈuwɨ nˌajnɔfʃˈɛɡɔ skandˈalu f sawdˈɨjskʲɛj rɔdʑˈiɲʲɛ krulˈɛfskʲɛj. nastˈɛmptsa trˈɔnu zdrˈadʑaw sfˈɔjɛ ʒˈɔnɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_88.wav|ɲˈilɛ ˈurvaw.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_338.wav|w dˈar jɛst lˈɔrt lˈantsɛl zˈɛ sfˈɔim ɡˌarɲizˈɔnɛm, a f stˈavʲɛ dʑˈɛvits stˌatsjɔnˈujɛ lˈɔrt rˈandɨl.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_213.wav|rɔzwˈɔntʃaj ɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_18.wav|jˈuʃ prˈavʲɛ ɲʲɛ lˈɛtɕi. ɡˈuzik prˈavda, pʃɨ kˈaʒdɨm rˈuxu lˈɛjɛ ɕɛ ɔt nˈɔva. mˈuɕiʃ ɕɛ rɔzˈɛbratɕ i vˈɛjʑdʑ dɔ vˈannɨ, ʒˈɛbɨm ˌɔpatʃˈɨwa rˈanɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_132.wav|jˌɛstɛm jˈuʒ zˌakɔxˈanɨ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_252.wav|mˈɔʒɛʃ sprubˈɔvatɕ, pˈaɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_318.wav|sˈɔndʑɔnts pɔ sˈuxɨx ˈɔtʃax ɛdvˈina, nˈavɛt jˈɛɡɔ sɨnˈɔvʲɛ ɲʲɛ pɔɡrˈɔ̃ʒɔ̃ ɕɛ w zbˈɨd ɡwɛmbˈɔkim ʒˈalu.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_253.wav|ɲʲˈɛma mˈɔvɨ. tɔ rɔbˈɔta mɔjˈɛɡɔː ˈɔjtsa. prˈɛndʑɛj swˈɔɲtsɛ zɡˈaɕɲʲɛ, ɲˈiʃ pˈuʃtʃɔ̃ jˈɛɡɔ spˈavɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_39.wav|z jˈɛdnɨm nˌapastɲˈikʲɛm nˈavɛd dvˈɔma mˈuɡwbɨ sˈɔbjɛ pɔrˈadʑitɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_99.wav|dvˈaj mɛ̃ʃtʃˈɨʑɲi pɔbjˈɛɡli w ɡwˈɔmp ulˈitʃki. dʒˈɛɡɛr pxnˈɔw mɲʲɛ i rˈuʃɨw ix ɕlˈadɛm.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_356.wav|fʃˈɨstsɨ upˈili ɕɛ bɔɡˈami. ktˈɔ bˈɨ pɔmˈɨɕlaw, ʒˈɛ f krulˈɛstfʲɛ jɛst ˈaʃ tˈɨlu ʃalˈɛɲtsuf?|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_276.wav|zˈamknɔw rˈuvɲʲɛʃ ˈɔknɔ sˌamɔxˈɔdu.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_179.wav|vʲɛdʑˈawam, ʒˈɛ vʲˈɛntsɛj pɔ ɲʲˈɛɡɔ ɲʲɛ ɕˈɛŋɡɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_3.wav|pˈɔtɨm, tsˈɔ mi pˌɔvʲɛdʑˈɛli na tˈɛmat tˈɛssɨ, mˈuʃɛ zawˈɔʒɨtɕ, ʒˈɛ mˈa rˈatsjɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_121.wav|vˌɨkɔmbʲˌinɔvˈawɛm. zˌɔbatʃˈɨwɛm, ʒˈɛ ˌamɛrɨkˈaɲʲɛ mˌajɔ̃ prˈɔblɛm z vˌɨpruʒɲʲˈaɲʲɛm ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_19.wav|zrˌɔzumjˈɛjɔ̃, ʒˈɛ mˌajɔ̃ tˌɨlkɔ jˈɛdnɔ̃ pravdʑˈivɔ̃ krulˈɔvɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_230.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/urwisko_ferenc/16_segment_8.wav|i maʒˈɛɲʲɛ ɕɛ spɛwɲˈiwɔ. ɔt rˈazu pˈɔtʃuw xwˈɔdnɨ pˈɔvʲɛf ɔt strˈɔnɨ zˌatɕɛɲʲɔnˈɛɡɔ pɔdvˈurka znˌajdujɔntsˈɛɡɔ ɕɛ za kˌamjɛɲˈitsɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_130.wav|dˈaj mi ʃˈɛɕtɕ mʲɛɕˈɛntsɨ na pʃˌɛkazˈaɲʲɛ pʲˈɛrʃɛj pwatnˈɔɕtɕi. jˈɛɕli ftˈɛdɨ zɡˈɔdʑiʃ ɕɛ na stˈɔ tɨɕˈɛntsɨ, rˈɛʃtɛ dɔstˈaɲʲɛʃ f tɕˈɔŋɡu rˈɔku. tsˈɔ tɨ nˈatɔ?|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_239.wav|na mˈɨɕl ˈɔtɨm, ʒˈɛ zavʲˈɛdʑɛ ɡˈɔ tˈak, jˈaɡ zavʲˈɔdwa lˈɔrda rɛnɲʲˈɛɡɔ, zaxtɕˈawɔ ɕɛ jɛj pwˈakatɕ. mˈuj mʲˈɛtʃ, prˈɔʃɛ, mˈuʃɛ znˈalɛɕtɕ mˈuj mʲˈɛtʃ!|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_55.wav|prˈɔʃɛ ɔ dwuɡˈɔpis, tʃˈɛɡɛr.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_298.wav|i bˌɨwɔ pɔ sprˈavʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_287.wav|fʃˈɨstkɔ mi ɕɛ plˈɔntʃɛ, tsˈɔʑ z dalˈɛkʲɛj pʃɛʃwˈɔɕtɕi, tsˈɔʑ z dˈavnɨx lˈat.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_104.wav|pˌɔɡadˈamɨ pˈuʑɲʲɛj, mˈuvi ɲˈitsk. jˈɛʃtʃɛ pʃˈɛs jˈakiɕ tʃˈas mˈɔʒɛʃ kɔʒˈɨstatɕ s tˌɛɡɔ tˌɛlɛfˈɔnu, jˈɛɕli xtsˈɛʃ, ˌalɛ skˈasuj smsˈa ˈɔdɛ mɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_242.wav|nˈatɔ tˈɛʃ ɲʲɛ ˌɔtpɔvʲˈada.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_85.wav|ˈandrik ɲʲˌɛuɕmʲɛxɲʲˈɛntɨ fʃˈɛd dɔ kɔmnˈatɨ xfʲˈɛjnɨm krˈɔkʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_99.wav|w dɔdˈatku bˌɨwɔ pʲɛkʲˈɛlɲʲɛ ɡɔrˈɔntsɔ, bˈɔ fʃˈɨstkʲɛ dʒvˈi bˌɨwɨ pˌɔzamɨkˈanɛ, a w ɡarˈaʒax ɲʲɛ zˌainstˌalɔvˈanɔ klˌimatɨzˈatsji.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_39.wav|vˈɛʑmɨ tˈɛʃ jɔˈɛla allˈɛna, ɔbˈɛtsɲʲɛ vʲˌɛ̃ʑɔnˈɛɡɔ w lˈɔs ˈandʒɛlˌɛs.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_17.wav|i tsˈɔ, pɔdˈɔba tɕˈi ɕɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_16.wav|kʲˈɛdɨ sˌaɲitarjˈuʃɛ zrɔbʲˈili mi zˈastʃɨk pʃɛtɕˈifkɔ bɔlˈɔntsɨm ˌuʒɔndlˈɛɲʲɔm, trafˈiwam na pɔlˈitsjɛ, s ktˌurɔ̃ rˌɔzmavʲˈawam pʃˈɛs tʃtˈɛrɨ ɡɔdʑˈinɨ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_455.wav|mʲˈɛŋkkix, bɛzrˈadnɨx kˈɔbjɛt, kturˈɨmi muɕˈɛlibˌɨ ɕɛ ˌɔpʲɛkˈɔvatɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_164.wav|a ftˈɛdɨ tɛn vwaɕtɕˈitɕɛl pɔvʲˈɛdʑaw dɔː ˈɛstɛr.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_346.wav|pɔxˈɔdʑi ɔt smˈɔkuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_92.wav|ɲʲˈɛmukw pʃˈɛʒɨtɕ pˈɔtɨm, tsˈɔ mu zrɔbʲˈiwam.|3
+Dataset/wavs/urwisko_ferenc/19_segment_96.wav|kɔbjˈɛta pxnˈɛwa stalˈɔvɛ dʒvˈi, zavʲˈasɨ jɛŋknˈɛwɨ.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_187.wav|a vʲˈɛnts tɔ prˈavda.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_92.wav|a tsˈɔ tfˈɔim zdˈaɲʲɛm ɡˌɛnɛvʲˈɛvɛ tʃɛrpˈawa s tˌɛɡɔ mawʒˈɛɲstfa, skˈɔrɔ tˈak tɔː ujˈɔwɛɕ? spˈɨtaw tˈɔm.|3
+Dataset/wavs/urwisko_ferenc/12_segment_43.wav|tʃˈɨtaj, pˌɔnaɡlˈiwa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_44.wav|nˌajtrudɲʲˈɛjʃa dɔː ˌudɔvɔdɲʲˈɛɲʲa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_20.wav|xrˈɨstɛ, tsˈɔ za bawˈaɡan! nˌajvaʒɲʲˈɛjʃɛ jɛst tˈɛras pˌilnɔvˈaɲʲɛ rˌadʑavʲˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_339.wav|tɔ muɕˈawɔ bˈɨdʑ dla ɲʲˈɛɡɔ trˈudnɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_109.wav|dˈalɛ i ja mˌamɨ skafˈandrɨ, vʲˈɛnts mɔʒˈɛmɨ pˈɔdɛjʑdʑ dɔ ɕlˈuzɨ ˈisrɔː i dˈɔstatɕ ɕɛ dɔ mʲˈasta nɔrmˈalɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_40.wav|vɨdˈajɛ mi ɕɛ tɔ trˈɔxɛ sˌamɔlˈubnɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_76.wav|sˌɨtuˈatsja bˌɨwa dˈɔɕtɕ ɲʲˌɛkɔmfɔrtˈɔva, ˌalɛ xˈɨba dˈɔbʒɛ sˈɔbjɛ pˌɔradʑˈiwɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_11.wav|tˈutaj mɔʒˈɛmɨ pˌɔrɔzmˈavʲatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_7.wav|ˌɔna fspɔmɲʲˈawa, ʒˈɛ rajˈavi ɲʲɛ spɔdˈɔbaw mu ɕɛ w rˈɔli ˈɔjtsa jˈɛɡɔ tsˈurki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_9.wav|dvˈa dɲˈi pˈuʑɲʲɛj tˌɛmpɛratˈura znˈɔvu pˌɔtskakˈujɛ dɔ kˌilkunˈastu stˈɔpɲi i ɕɲʲˈɛk tɔpɲʲˈɛjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_56.wav|nˈɔ vʲˈɛnts...|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_258.wav|tsˈɔɕ ɲʲɛ dˈajɛ mu spɔkˈɔju.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_17.wav|zˌaxɔvˈujɛ ɕɛ w ɲʲˌɛtɨpˈɔvɨ dla ɕˈɛbjɛ spˈɔsup i tɔ jɛst ɲʲˌɛpɔkɔjˈɔntsɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_183.wav|bwˈɔŋkam ɕɛ fɕrˈud zvˈiduf.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_75.wav|prubˈɔvaw dɔɕˈɛŋɡnɔɲdʑ bˈutli, ˌalɛ zwapˈawam ɡˈɔ za kˈɔwɲʲɛʃ i ˌɔttɕɔŋɡnˈɛwam kavˈawɛɡ dˈalɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_76.wav|stˈamtɔnt pˌɔxɔdʑˈiwa mˈɔja mˈama.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_216.wav|jˈɛɡɔ mˈiwɔɕtɕ rɔskˈazaw mi ɔdʑˈɨskadʑ dɔ ʒˈɛtʃɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_99.wav|ˌalɛ istɲʲˈɛjɔ̃ ˈinnɛ spɔsˈɔbɨ na pʃɛtrfˈaɲʲɛ atˈakuf paɲˈiki.|2
+Dataset/wavs/urwisko_ferenc/58_segment_23.wav|zbˈɨw tˈɛ uvˈaɡɛ miltʃˈɛɲʲɛm. pɔwˈɔʒɨw dvˈa baŋknˈɔtɨ na tʃˈarnɛj tˈaɕmʲɛ pɔdˈaftʃɛj, ɔdˈɛbraw kˈartɛ i rˈuʃɨw f strˈɔnɛ vˈɨjɕtɕa.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_495.wav|uvˈaʒaj pʃˈɨɲʲɛj, tsˈɔ mˈuviʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_124.wav|ɕˈɛdʑaw na kanˈapʲɛ f salˈɔɲʲɛ trˈɔnda.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_32.wav|zˈatʃɔw tˈɔm, pˌɔxɨlˈajɔnts ɕɛ z lˈɛkkim uɕmʲˈɛxɛm na tfˈaʒɨ, ʒˈɛbɨ pɔtkrˈɛɕlitɕ, ʒˈɛ ˌinfɔrmˈatsjɛ sɔ̃ pˌɔzɨtˈɨvnɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_173.wav|ˌɔtfɔʒˈɨwa natˈɨxmʲast i bˌɨwa zupˈɛwɲʲɛ ˈinna.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_55.wav|ɲʲɛ pˌɔtrafˈiwabˌɨm ɡˈɔ pʃɛkˈɔnadʑ dɔ sfˈɔix rˈatsji.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_20.wav|i tsˈɔ zrɔbʲˈili?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_94.wav|vˈɨpiʃ mu pˌɔkfitɔvˈaɲʲɛ za rˈɛjɛstr.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_70.wav|vʲˈɛm, ʒˈɛ mˈɔtsnɔ ɡˈɔ tɔ strˌɛsɔvˈawɔ, bˈɔ dʑˈawɔ ɕɛ tˈam vʲˈɛlɛ zwˈa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_224.wav|kʲˈɛdɨ zvˈalɛ ɕɛ kʲˈɛdɨɕ na wˈɛp, pɔvʲˈɛdʑaw, xtsˈɛ ʒˈɨtɕ tˈak, jˈak ɲʲˈɛʒɨw ɲˈikt.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_135.wav|i ɔn pˈɛvɲʲɛ mˈɨɕlaw, ʒˈɛ tɔː ˈɔna.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_106.wav|lˈɔrd viktˈarjɔn|1
+Dataset/wavs/urwisko_ferenc/33_segment_26.wav|— mʲˈawɛʑ brˈatɕ klˈutʃɛ dɔ xɔlˈɛrɨ. ˈilɛ rˈazɨ mˈam tɕi tɔ pɔftˈaʒatɕ, mˈixaw?|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_44.wav|pʃˌɛtɕɛʃ ɲʲɛ dɔ lˈudʑi, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_127.wav|pʃˈɛʃɛd dɔ druɡʲˈɛɡɔ pɔkˈɔju i vɨkrˈɛɲtɕiw nˈumɛr tˌɛlɛfˈɔnu.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_217.wav|ˌadmiɲˌistratˈɔrka pˌɔkivˈawa ɡwˈɔvɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_152.wav|ɔdˈɛzvaw ɕɛ sˈɛptɔn, ɡdˈɨ jˈuʒ vrutɕˈili na ʃlˈak.|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_87.wav|ˌalɛ tɨm rˈazɛm rˈɔbʲiw tɔ dla mɲʲɛ, a ɲʲɛ pʃɛtɕˈifkɔ mɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_48.wav|ɲʲɛ na tsˈawɔ̃ vɨsˈɔkɔɕtɕ, tˌɨlkɔ na jˈakʲɛɕ tʃˈɨ stˈɔpɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_37.wav|ɲʲˈɛmam jˈuʒ zdrˈɔvja dɔ plˈɔ̃suf.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_189.wav|tʃˈasɛm zˌakɔxˈawɛm ɕɛ na krˈutkɔ, a pˈɔtɛm dʑivˈiwɛm ɕɛ sfˈɛmu zˌakɔxˈaɲʲu.|0
+Dataset/wavs/urwisko_ferenc/13_segment_9.wav|w nɔtˈattsɛ dʑˌɛlɲitsɔvˈɛɡɔ jɛst mˈɔva ɔ dvˈux pʃɨpˈatkax.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_159.wav|zapˈɨtaw vʲˈɛlki sˈɛptɔn vɨrˈaʑnɨm, stanˈɔftʃɨm ɡwˈɔsɛm. tʃɨ ˌɔptsɔvˈawɛɕ tɕɛlˈɛɕɲʲɛ s krulˈɔvɔ̃?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_30.wav|jɛst na pʲˈɛntʃɛ, sxɔvˈanɛ f ʃuflˈadʑɛ pɔt paxnˈɔntsɨm lavˈɛndɔ̃ papʲˈɛrɛm, ktˌurɨm mˈɔja mˈatka starˈanɲʲɛ vˌɨwɔʒˈɨwa fʃˈɨstkʲɛ ʃuflˈadɨ, kʲˈɛdɨ ɕɛ fprˌɔvadʑˈiliɕmˌɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_17.wav|ɲʲɛ swˈuf, jˈak jˈuʃ pˌɔvʲɛdʑˈawam, ˌalɛ fɕtɕˈɛkwɛj ɡˌɛnɛvʲˈɛvɛ, ktˌura twˌumatʃˈɨwa tsˈɔɕ mˈartɕɛ.|3
+Dataset/wavs/urwisko_ferenc/52_segment_98.wav|kʲˈɛdɨ dɔkwˈadɲʲɛ? spˈɨtaw pɔlˈitsjant.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_5.wav|pɔː ˌɔɕmʲɔɡɔdʑˈinnɨm dɲʲˈu prˈatsɨ f pˌɔmjɛʃtʃˈɛɲʲu bˈɛs ɕfʲɛʒˈɛɡɔ pɔvʲˈɛtʃa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_149.wav|mˈɨɕlɛ, ʒˈɛ f kˈɔɲtsu jˌɛstɛʑ ɡɔtˈɔva.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_152.wav|tsɛrsˈɛi ɲʲɛ mʲˈawa pɔjˈɛɲtɕa, tsˈɔ mˈukw pʃˈɨɕɔndʑ dʒɛxˈɛrɨ s pˌɔjɛdnˈaftsa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_60.wav|a tɔ blˈiʒɛj ɲˈiʃ ʃkˈɔtsja, a jˈuʃ na pˈɛvnɔ ɲʲɛ tˈaɡ dalˈɛkɔ jˈak awstrˈalja, kɔxˈaɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_374.wav|tˈak pʃɨnˈajmɲʲɛj mɨɕlˈawa bjˈɛdna mjˈa, dɔ xfˈili ɡdˈɨ pɔɕlˈubʲiw jˈɛdnɔ̃ s tsˈurɛk s pˌiʒɔvˈɛɡɔ jˈɔna.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_168.wav|i f pʃˌɛtɕivʲˈɛɲstfʲɛ dɔ ɕlˈuzɨ kɔnrˈada, ɲʲɛ rˈɔi ɕɛ tˈam ɔt ˌɛksplɔratˈɔruf.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_336.wav|tʃˈɛba bˌɨwɔ ɡˈɔː usˈunɔɲtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_63.wav|i z ɲʲˈɔ̃ jˈɛst, pʃɨnˈajmɲʲɛj na rˈaʑɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_9.wav|ˈaram ɲʲɛ mˈɨliw ɕɛ jˈɛdnak f kfˈɛstji mɔjˈɛɡɔ tɕˈawa. bˌɨwɔ ɡɔtˈɔvɛ i rˌɛaɡɔvˈawɔ jˈak samˈɔxut, f ktˌurɨm ftɕˈiska ɕɛ pˈɛdaw ɡˈazu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_330.wav|mˈɔʒɛ na zˈafʃɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_252.wav|pʃˌɛkɔnˈajmɨ ɕɛ, na ˈilɛ tɕˈɛ stˈatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_68.wav|ˌɔtʃɨvˈiɕtɕɛ, ɔː ˈilɛ tfˈɔja mˈama ɲʲɛ bˌɛɲdʑɛ mʲˈawa ɲˈits pʃɛtɕˈifkɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_155.wav|vˌɨtɕɔŋɡnˈɛwam ɡʲˈizmɔ s tɔrˈɛpki i zmarʃtʃˈɨwam tʃˈɔwɔ pˈatʃɔnts na pˈustɨ vɨɕfʲˈɛtlatʃ, jˈaɡbɨm dɔstˈawa jˈakɔ̃ʑ vˈaʒnɔ̃ vʲadˈɔmɔɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_119.wav|— vˈaʃa mˈiwɔɕtɕ jɛst waskˈava, ˌalɛ rˈussɛll ɲˈiɡdɨ ɲʲˈɛznaw innˈɛɡɔ dˈɔmu ɲˈiʒ dwˈuɡʲi stˈuw. ɔbˈavʲam ɕɛ, ʒˈɛ f tˈaɡ vʲˈɛlkim mʲˈɛɕtɕɛ tʃˈuwbɨ ɕɛ zˌaɡubjˈɔnɨ.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_71.wav|na pɔtʃˈɔntɛk rˌɛimˈana.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_59.wav|jˈɛdɛn tˌɨlkɔ spˈuɕtɕiw jɛj ��ɛ na bʒˈux. tˈak pʃɨnˈajmɲʲɛj tfʲˈɛrdʑiw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_28.wav|tˈamtɛn tsˈɔɕ mˈuvi, a ˈaʃ ɕɛ zˌatʃɨmˈujɛ. pˈatʃɨ na mɛ̃ʃtʃˈɨznɛ pʃˈɛs xfˈilɛ zˌaʃtɨvɲʲˈawɨ. f kˈɔɲtsu vrˈatsa dɔ ɕˈɛbjɛ z ɲˈiskɔ spuʃtʃˈɔnɔ̃ ɡwˈɔvɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_18.wav|dɔkˈɔɲtʃɨw pʲˌɛɡɔvˈatɨ xwˈɔpaɡ z ɡwˈɔvɔ̃ pˈɛwnɔ̃ kurtˈɨzan. tˈak jˈɛst.|1
+Dataset/wavs/urwisko_ferenc/23_segment_102.wav|xˈɛrman tʃˈuwa, ʒˈɛ mɛ̃ʃtʃˈɨzna ɕɛdʑˈɔntsɨ nˌapʃɛtɕˈifkɔ ɲʲˈɛj zˈɛ zvʲɛʃˈɔnɔ̃ ɡwˈɔvɔ̃ jɛst pˈɛwɛn ʒˈalu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_236.wav|dˈana i mˈɛrx ˌɔtʃɨvˈiɕtɕɛ.|2
+Dataset/wavs/urwisko_ferenc/53_segment_11.wav|pˈɔjɛdʑ dɔ dˈɔmu, zˈɔbatʃ ɕɛ s tsˈurkɔ̃ i ʒˈɔnɔ̃, nˈapraf klˈimɛ f tɔjˈɔtɕɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_316.wav|ˌalɛ ɔn tˌɛɡɔ ɲʲɛ rɔzˈumjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_20.wav|vˈɨznam mi kʲˈɛdɨɕ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_35.wav|zapˈɨtaw sˈɛr xˈaris. drakkˈarɨ ʒɛlˈaznɨx lˈudʑi s pɛvnˈɔɕtɕɔ̃ ɲʲɛ mˈɔɡɔ̃ ɕɛ im ˈɔpʃɛtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_55.wav|prɔblˈɛmɨ ɲʲɛ zɲʲˌɛxɛntsˈajɔ̃ bʲillʲˈɛɡɔ, pʃɛtɕˈivɲʲɛ, mˌɔbʲilizˈujɔ̃ ɡˈɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_69.wav|ˈɔɣ dˈaj spˈɔkuj!|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_33.wav|znˈawam ɔtpˈɔvʲɛtɕ. ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ jˈɔ̃ znˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_98.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_175.wav|ˈalbɔ z zaxˈɔdu.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_174.wav|pˈɔʃɛd dɔ ɡˈɔʑdʑik.|1
+Dataset/wavs/urwisko_ferenc/12_segment_20.wav|stˈarɨ bjˈawɨ mɛrtsˈɛdɛs klˈasɨ tsˈɛ tɕˈɔŋɡnɔw za sˈɔbɔ̃ bjˈawɨ vˈɛlɔn kˈuʒu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_222.wav|bʲˈillɨ ɔdʒˈutsa ɡwˈɔvɛ dɔ tˈɨwu i vɨbˈuxa ɕmʲˈɛxɛm, a ɕˈɔstra...|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_220.wav|pɔtsˈunɔw ɔtfˈartɔ̃ skʃɨnˈɛtʃkɛ ɡʲinˈɔvi, ktˌurɨ upʃˈɛjmʲɛ ɔdmˈuviw ɡˈɛstɛm dwˈɔɲi.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_8.wav|i tɔ wˈuʃkɔ. mʲɛɕtɕˈiwam ɕɛ nˈaɲim nˈavɛt ftˈɛdɨ, ɡdˈɨ lɛʒˈawam f pˈɔpʃɛk.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_272.wav|ɡdˈɨ jˈɛdnak paˈisɛl zvrˈutɕiw ɕɛ kˈu dʒvʲˈɔm, zˌavɔwˈawa ɡˈɔ znˈɔvu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_19.wav|tɔnˈuʃa ɔtfʲˈɛra dʒvˈi, a ja tʃˈɨmam ɕɛ s tˈɨwu i nˌaswuxˈujɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_18.wav|bˌɛndɛ muɕˈawa zapˈɨtatɕ ˈɔtɔ kljˈɛnta.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_199.wav|nˈuʒ z mɔˈimi ˌɔttɕiskˈami.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_68.wav|tʃɨ tɨ vidʑˈawɛɕ jˈɔ̃, kʲˈɛdɨ ˈandɛrsɔn? zapˈɨtaw rˈɨan.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_143.wav|ɲʲɛ mˈɔʒna ɔbvˈiɲʲatɕ jˈɛɡɔ miwˈɔɕtɕi ɔ zbrˈɔdɲʲɛ kaʒdˈɛɡɔ tʃwɔvʲˈɛka, ktˌurɨ kʲˌɛdɨkˈɔlvʲɛk swˈuʒɨw rɔdˈɔvi lˌanɲistˈɛruf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_283.wav|tʃɨ rˌɨanˈɔvi pˌɔkazɨvˈawɛɕ tˈɛ blˈiznɛ? ɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_66.wav|zatʃˈɛwa pɔpˈijadʑ z dɨstˈɨŋktsjɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_434.wav|ɲʲɛ xtɕˈawabˌɨm, bˈɨɕ ˈuznaw, ʒˈɛ zrɔbʲˈiwam s tɕˈɛbjɛ kwˈamtsɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_194.wav|vidʑˈawɛm, ʒˈɛ jˈɛɡɔː ˈusta pˌɔftaʒˈawɨ bɛzɡwˈɔɕɲʲɛ, dɔ bˈɔju, dɔ bˈɔju, kˈurva dɔ bˈɔju.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_179.wav|zadrvˈiwa z ɲʲˈɛj lˈadɨ mirˈanda. tʃɨ mˈɔʒɛ jˈakiɕ namjˈɛntnɨ ɡʲˈɛrmɛk mˈaʒɨ ɔ tfˈɔix wˈaskax?|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_15.wav|mˈɔʒɛ vˌɨtʃɨmˈajɔ̃ dɔ pʃɨlˈɔtu kˈɔbrɨ s xˌɛllfirɛˈami, mˈɔʒɛ ɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_359.wav|lˈɛpʲɛj jˈuʃ pˈujdɛ, jˈɛɕli mˈam ˈiɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_132.wav|dla zabʲˈitɕa tʃˈasu ˌɔpɔvʲˈada ˈɛlis ˈɔtɨm, jˈak trˈafiw dɔ brˈanʒɨ, s ktˌurɔ̃ vwˈaɕɲʲɛ ɕɛ rˈɔsstaw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_65.wav|ftʃˈɛɕɲʲɛj pratsˈɔvaw ɡwˈɔɕnɔ, tˈɛras xˌawasˈujɛ jˈɛʃtʃɛ bˈardʑɛj.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_45.wav|bˈaviw ɕɛ vwˈasnɨm tʃwˈɔŋkʲɛm i zɡʒˈɨtaw spˌiwɔvanˈɨmi zɛmbˈami.|1
+Dataset/wavs/urwisko_ferenc/46_segment_84.wav|maʒ zɛznˈaɲʲa ɕfʲˈatkuf?|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_314.wav|w jˈɛdnɔ̃ i w drˈuɡɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_46.wav|pˈɛvɲʲɛ jˈuʃ fkrˈuttsɛ ɕɛ stˈɔnd zabjˈɛʒɛʃ, pˌɔvʲɛdʑˈawa tˌɛɡɔ dɲʲˈa, kʲˈɛdɨ ɕɛdʑˈɛli rˈazɛm w rɔzbʲˈitɨm mˌɛrtsɛdˈɛɕɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_175.wav|i bˈɨwbɨʑ vlˈanɨ dvˈa rˈazɨ dwˈuʒɛj.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_22.wav|xˈɨba na ɡˈuʒɛ. xtsˈɛʒ vˈɛjɕtɕ?|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_336.wav|tˈak pˌɔvʲɛdʑˈawa mu tsɛrsˈɛi, ɡdˈɨ stˈali nat trˈupɛm ˈɔjtsa. vʲˈɛ ˈɔnas.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_227.wav|a swɨʃˈawam, ʒˈɛ zamjˈɛɲiw mnˈustfɔ pʲɛɲʲˈɛndʑɨ na ɡʲˈitɨ, pʃˌɨɡɔtɔvˈujɔnts ɕɛ dɔ pˌɔtkupʲˈɛɲʲa sˈanxɛs.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_150.wav|natˈɔmjazd znˈanɨ pˈiwkaʃ, kturˌɛɡɔ ʒˈutsa kɔbjˈɛta, stanˈɔviw znˈatʃɲʲɛ tɕɛkˈafʃɨ tˈɛmad dla dʑˌɛnɲikˈaʒɨ.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_248.wav|sˈɛptɔn mɛrˈibalt pɔtɕˈɛraw sˈɔbjɛ stˈɔpɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_270.wav|a pamjˈɛntaʃ, ktˈɔ mɲʲɛ vˈɨdaw?|0
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+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_142.wav|ɲʲɛ mʲˈawa tˌɛɡɔ fʃɨstkʲˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_367.wav|i vɨʒˈutɕiw pʃˈɛs ˈɔknɔ tɕɛ̃ʃkʲˈɛɡɔ muʒˈɨna. mˈuɕaw trˈɔxɛ mʲˈɛtɕ kʃˈɛpɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_133.wav|ʒˈɛ natˈɨxmʲazd vrutɕˈiwam mɨɕlˈami dɔ naʃˈɛɡɔ mawˈɛɡɔ mʲɛʃkˈaɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_37.wav|pɔʃˈɛdwɛm vʲˈɛndʑ dla tʃˈɨstɛj rɔzrˈɨfki.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_370.wav|vɨɕˈɛdliɕmˌɨ ɲʲˌɛɔpˈɔdal plˈatsu zˌamkɔvˈɛɡɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_246.wav|kˈaʒdɨ, ktˈɔ ʒˈɨjɛ s tˈɔbɔ̃, pɔtrˈafi tɔ zrˈɔbʲitɕ pɔ jˈakimɕ tʃˈaɕɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_51.wav|tʃˈas nˈamɲʲɛ. pʃɛprˈaʃam. tsˈɔɕ pˈanu pɔkˈaʒɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_30.wav|f kˈuxɲi, ˌɔtpɔvʲˈada pʃˈɛz wzˈɨ nˈuʃa. pˈujdɛ mu pɔvʲˈɛdʑɛtɕ, ʒˈɛ tˈutaj jˈɛstɛɕ. zˌastanˈavʲam ɕɛ pʃˈɛs xfˈilɛ, tʃɨ tˈɛssa ftɕˈɔ̃ʃ tˈu tʃˈɛka.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_71.wav|zjˈɛtɕ na pɔbˈɔtʃɛ, jˈɔɛl.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_34.wav|rɔzwˈɔntʃam ɕɛ bˈɛs pˌɔʒɛɡnˈaɲʲa i pˈatʃɛ na bˈɛki, ktˌura mˈarʃtʃɨ tʃˈɔwɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_100.wav|pʃɨsˈunɔw ɕɛ blˈiʒɛj mˌɔɲitˈɔra, na ktˌurɨm vˈidɲʲaw ˈɔpis rɛˈaktsji xɛmˈitʃnɨɣ zˌaxɔdʑˈɔntsɨx na kˈaʒdɨm ɛtˈapʲɛ prɔdˈuktsji ˌalumˈiɲʲum.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_108.wav|mˈuvi, ʒˈɛ jˈɔ̃ kˈɔxa.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_53.wav|zˌauvˈaʒɨw jɛj admˈiraw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_74.wav|jˈɛɕli mˈa kamˈɛrɛ, tɔ pʃˈɛkas mˈuɕi bˈɨdʑ ɡdʑˈɛɕ kʲˌɛrɔvˈanɨ. mˈa pˈaɲi pɔjˈɛɲtɕɛ, ɡdʑˈɛ?|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_48.wav|musˈimɨ zˈɛjɕtɕ pɔɲˈiʒɛj ɕɲʲˈɛɡu, zˈaɲim zˈajdʑɛ swˈɔɲtsɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_342.wav|a vwaɕtɕˈivʲɛ ruʒˈɔvɨ, dˌɛlikˈatnɨ tɕˈɛɲ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_43.wav|zˌawɔʒˈɨwɛm, ʒˈɛ ɲʲɛ mˈajɔndʑ ʒˈadnɨx kˌandɨdˈatuv dɔ vɛrbˈuŋku, pɔ prˈɔstu ɕɛ vɨtsˈɔfaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_201.wav|mʲˈaw rˈatsjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_142.wav|ˈɔjtɕɛts ˈuɲʲuz brvˈi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_78.wav|muɕˈawam pˌɔrɔzmˈavʲadʑ z ɲˈim na ˌɔsɔbnˈɔɕtɕi.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_468.wav|jˈɛɕli bˌɛɲdʑɛ tʃˈɛba, mˈɔɡɛ pɔpwˈɨnɔɲdʑ z ʒɛlˈaznɔ̃ flˈɔtɔ̃ xˈɔdʑbɨ dɔ pʲˈɛkwa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_43.wav|ˌalɛ tɔ xˈɨba ɲʲɛ mˈuj prˈɔblɛm, tɔ sprˈava ˌɔsɔbʲˈiɕtɕɛ na nˈajla.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_100.wav|zˈɛ sfˈɔim dʑˈɛtskʲɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_20.wav|bˌɨliɕmˌɨ tˈatsɨ ɔstrˈɔʒɲi. ɲʲɛ mɔʒˈɛmɨ tˈɛras rˌɨzɨkˈɔvatɕ. mˈuɕiʃ ɕɛ ˈubratɕ i vˈɨjɕtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_207.wav|xˈɔdʑ dɔ mɔjˈɛɡɔ pɔkˈɔju, tˈam tɔ zˌawatfˈimɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_140.wav|ɲˈiɡdɨ ɲʲɛ zdaʒˈɨwɔː im ɕɛ nˈavɛt najmɲʲˈɛjʃɛ ˌuxɨbjˈɛɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_21.wav|vʲˈɛm, ʒˈɛ tɨ zrˈɔbʲiʃ tsˈɔɕ takʲˈɛɡɔ spɔkˈɔjɲʲɛ, vʲˈɛndʑ dɔpˈilnuj prˈɔʃɛ, ʒˈɛbɨʑ bˈɨw jɛdˈɨnɔ̃ ɔsˈɔbɔ̃, ktˌura bˌɛɲdʑɛ z ɲˈim rɔzmˈavʲatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_78.wav|sˈama vʲˈɛʃ, dɔ tʃˈɛɡɔ jɛzd zdˈɔlnɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_88.wav|pˈatʃɛ zˌaskɔtʃˈɔna na tˈɔma.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_134.wav|dlatʃˈɛɡɔ vʲˈɛnts pɔstˈɔmpiw tˈak, jˈak pɔstˈɔmpiw?|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_155.wav|kʲˈɛdɨ tˈam ɔstˈatɲi rˈas spˌatsɛrɔvˈawɛm z marʃˈawkʲɛm juzˈɛfɛm stalˈinɛm,|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_18.wav|vwˈas jɛst ɔtfˈartɨ. vidʑˈitɕɛ flˈaɡɛ kɛɲˈijskɔ̃ na ɕtɕˈaɲʲɛ pɛrˈɔnu?|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_12.wav|jɛj pʃˈɛdɲʲɔ̃ ʃˈɨbɛ pˌɔkrɨvˈawɨ vˌɨmalɔvˈanɛ mˈɨdwɛm napˈisɨ na spʃˈɛdaʃ i sprˈavna.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_211.wav|tfˈaʃ mʲˈaw ʃɛrˈɔkɔ̃ i bɛzvwˈɔʃɔ̃, bjˈawɔ̃ jˈak rˈɔbak, a pˌutsuwɔvˈatɛ pɔlˈitʃki pɔkrˈɨtɛ rˌɔpʲɛjɔntsˈɨmi vʒɔdˈami.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_70.wav|i jˈak ˌɔna vɨɡlˈɔnda?|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_139.wav|pʃɛpxnˈɛwam ɕɛ ˌɔbɔk ɲʲˈɛɡɔ pʃˈɛz vrˈɔta tɕˌiɕɲʲɛɲʲˈɔvɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_99.wav|— xˈɛj, ˈɛlis — ˌɔdvrutɕˈiwa ɕɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_8.wav|jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ ʑˈimɔ̃ ɲʲɛ jɛst tˈutaj zbˈɨt pʃɨjˈɛmɲʲɛ pˌɔvʲɛdʑˈawa bˈɛtskɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_22.wav|fʃˈɨstkɔ ɕɛ zɡˈadʑa.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_141.wav|pɔdˈɛʃwam blˈiʒɛj i pˌɔxɨlˈiwam ɕɛ nad bjˈurkʲɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_162.wav|dʑˈiɕ lˈɛpʲɛj ɡˈɔ ɲʲɛ vɨtɕˈinaj. swˈɔɲtsɛ pʃˈɛs tsˈawɛ pˌɔpɔwˈudɲʲɛ ɕfʲˈɛtɕi na tˈɛ strˈɔnɛ budˈɨŋku i ktˈɔɕ mˈuɡwbɨ zˌauvˈaʒɨdʑ dʑˈurɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_40.wav|kˈɔxam ˈaʃa i tɔ ɕɛ ɲʲɛ zmʲˈɛɲʲa ɔt ɕˈɛdmju lˈat, ˌalɛ ɲʲˈɛxtsɛ vɨxˈɔdʑidʑ za mˈɔ̃ʃ ɲˈiɡdɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_115.wav|tˈɔkɛn xˈɔvɛ|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_143.wav|ɔpˈɔvʲɛts mi ˈɔtɨm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_58.wav|bʲˈillɨ tˈɛʃ tɔ zˌauvˈaʒɨw, xˈɔdʑ zwˈɔʒɨw tɔ na kˈarp jɛɕˈɛnnɛj ˈawrɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_94.wav|mˈuvjɛ ɕmʲˈɛjɔnts ɕɛ z ɡɔrˈɨtʃɔ̃. tʃɨ skʃˈɨvdʑi ɡˈɔ fizˈɨtʃɲʲɛ? ɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_429.wav|a ktˌurɛj ˈɔtʃɨ bˌɨwɨ kʲˈɛdɨɕ ɲʲɛbjˈɛskʲɛ, lˈɛtʃ tˈɛras pɔ lˈatax...|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_216.wav|tsɛrsˈɛi pˌɔtʃɔ̃snˈɔwa ɡvawtˈɔvɲʲɛ dʑɛftʃˈɨnɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_251.wav|ˈalbɔ rɔzmˈavʲatɕ s kˈimɕ, ktˈɔ pʃɛbˈɨvaw na drˈuɡʲim kˈɔɲtsu ɕfʲˈata.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_18.wav|muɕˈawam tˈɛʃ sprˈavitɕ sˈɔbjɛ nˈɔvɛ ɡʲˈizmɔ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_398.wav|ʒˈadɛn z mˈɛ̃ʃtʃɨzn ɲʲɛ zˌarɛaɡˈɔvaw. pˌɔvʲɛdʑˈawɛm, ɕadˈajtɕɛ!|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_25.wav|vʲˈɛnts ɔn rˈuvɲʲɛʃ jɛj ɲʲɛ ɡrˈɔziw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_293.wav|bˈɛz vɔntpʲˈɛɲʲa, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_30.wav|fʃˈɨstkɔ fskazˈujɛ nˈatɔ, ʒˈɛ mˌamɨ dɔ tʃɨɲʲˈɛɲʲa z nˌajzvɨklˈɛjʃɨm jˌɛdnɔmɔdˈɔvɨm kˈablɛm ɕfʲˌatwɔvɔdˈɔvɨm.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_287.wav|tɕˈɛmnɔ̃ nˈɔtsɔ̃ tʃwˈɔvʲɛɡ zadˈajɛ sˈɔbjɛ fʃˈɨstkʲɛ pɨtˈaɲʲa, ktˌurɨx ɲʲɛ ɔdvˈaʒɨ ɕɛ pɔstˈavidʑ za dɲʲˈa.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_281.wav|ˌɔddalˈiliɕmˌɨ ɕɛ jˈuʃ spˈɔrɨ kavˈawɛk ɔt mʲˈasta i ʒˈɛʑba tɛrˈɛnu stˈawa ɕɛ tsˌawkɔvˈitɕɛ nˌaturˈalna.|4
+Dataset/wavs/urwisko_ferenc/38_segment_37.wav|bɔrˈɛvitʃ mˈuɕaw zmʲˈɛɲitɕ tˈaktɨkˌɛ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_186.wav|tɕɛ̃ʃkʲˈɛɡɔ kˈɔɲʲa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_145.wav|bʲˈillɨ ˌɔtpɔvʲˈada tɨm sˈamɨm ɡˈɛstɛm, pˈɔtɛm bjˈɛɡɲʲɛ dɔ sˌutɛrˈɛnɨ.|2
+Dataset/wavs/urwisko_ferenc/37_segment_49.wav|bɔrˈɛvidʒ zˈamknɔw ˈɔtʃɨ i zvʲˈɛɕiw ɡwˈɔvɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_73.wav|ˌalɛ vʲˈɛm, ʒˈɛ ɕɛ ɲʲɛ mˈɨlɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_293.wav|xˈɔtɕ ˈinɲi zmʲɛɲʲˈali ɕɛ tsˈɔ pˈuw kˌilɔmˈɛtra.|0
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_30.wav|lˈɛdvʲɛ vʲˈɔ̃ʒɛ kˈɔɲʲɛts s kˈɔɲtsɛm. jˈak mˈɔɡwabˌɨm vrˈutɕidʑ dɔ dˈɔmu pˈɔtɨm, tsˈɔ zrɔbʲˈiwam?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_132.wav|fsˈunɔw ɕɛ bɛzɡwˈɔɕɲʲɛ dɔ ɕrˈɔtka, jˈaɡbɨ ɔbˈavʲaw ɕɛ, ʒˈɛ ktˈɔʑ bˌɛɲdʑɛ na ɲʲˈɛɡɔ tʃˈɛkaw, pɔ tʃɨm pˈɔtʃɛd dɔ mɲʲɛ i ˈɔbjɔw mɲʲɛ ɔt tˈɨwu.|3
+Dataset/wavs/urwisko_ferenc/33_segment_91.wav|vwˈaɕɲʲɛ tɔ bˈɨm xtɕˈaw ustˈalitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_190.wav|tɔ mˈɔʒɛ napˈijɛʃ ɕɛ kˈavɨ? xˈɛntɲʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_83.wav|mɲʲɛ tˈɛʃ prˌɔpɔnɔvˈanɔ ɲʲɛ tˈaɡ dˈavnɔ fˈɔtɛl vitsɛmiɲˈistra.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_84.wav|fskˈazaw jˈɛdɛn s fpˈisuf.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_81.wav|tɔ dˈɔbrɨ znˈak. ɲʲˌɛvɨklutʃˈɔnɛ, ʒˈɛ mˈuɕaw pɔ prˈɔstu ˌutʃɨmˈɨvatɕ s kˈimɕ ɔtfˈartɔ̃ wˈɔntʃnɔɕtɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_106.wav|ɔstˈatɲʲɛ swˈɔvɔ vˌɨpɔvʲˈada s trˈudɛm, bˈɔː ˈaram zatʃˈɨna jˈɔ̃ ɕtɕˈiskatɕ.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_64.wav|fʃˈɨstkɔ tɔ jˈɛɡɔ vˈina.|1
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_102.wav|ˌalɛ zˈɔstaɲ tˈam tˌɨlkɔ xfˈilɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_33.wav|pɔlˈitsja prubˈujɛ tˈɛʃ namjˈɛʒɨdʑ vaʃˈɛɡɔː ˈɔjtsa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_37.wav|ˈitɕ prˈɔʃɛ na ɡˈurɛ i pˌɔtɔvˈaʒɨʃ xfˈilɛ bˌailɛjˈɛmu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_353.wav|ˌalɛ ɲʲɛ mˈɔjɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_36.wav|pˈatʃɨw nˈaɲʲɔ̃ i vˈidʑaw, jˈak jɛj ʑɛlˈɔnɛ ˈɔtʃɨ nˌapɛwɲʲˈajɔ̃ ɕɛ wzˈami.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_193.wav|sˈɛŋkɲʲɛ f tˈɨm, ʒˈɛ pˈɔmɨsw jɛzd zwˈɨ, pʃɛtɕˈivɲʲɛ jɛzd dˈɔbrɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_200.wav|kʲˈɛdɨ bʲˈilljɛ vɨwˈɔntʃa tˌɛlɛvˈizɔr i mˈuvi, ʒˈɛ xtsˈɛ z ɲʲˈɔ̃ pˌɔrɔzmˈavʲatɕ, na jɛj tfˈaʒ vɨpwˈɨva vˈɨras pʃˌɛraʒˈɛɲʲa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_201.wav|pɔt nˈami bˈɨw strˈɔmɨ stˈɔk pɔrˈɔswɨ budʑˈɔntsɔ̃ ɕɛ dɔ ʒˈɨtɕa trˈavɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_27.wav|tˈak, mˌamɨ tˈamtɛn tɛlˈɛfɔn i spravdʑˈiliɕmˌɨ jˈɛɡɔ çistˈɔrjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_19.wav|pˈuʑɲʲɛj bˌɛɲdʑɛ mʲˈawa tsˈɔː ˌɔpɔvʲˈadatɕ, mˈɨɕli bʲˈillɨ. mˈɔja nˈɔdʑ z mɔrdˈɛrtsɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_200.wav|rɔbʲˈiwɛm z ɲʲˈɔ̃, rɔbʲˈiwɛm jɛj, dɔkwˈadɲʲɛ tɔ, pʃɛt tʃɨm pʃɛstʃˈɛɡaw mɲʲɛ bˈaki.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_13.wav|vˌɨdavˈawɔ ɕɛ, ʒˈɛ mˈuwɨ mi znˈajɔ̃ kˈaʒdɨ kˈɔʒɛɲ i kˈamjɛɲ pɔ drˈɔdʑɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_61.wav|ɲʲɛdwˈuɡɔ pʃˈɨjdʑɛ spˈɛntsɛ, ʒˈɛbɨ z nˈami pˌɔrɔzmˈavʲatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_122.wav|fstˈaw z mʲˈɛjstsa i kˈu mɔjˈɛmu zˌaskɔtʃˈɛɲʲu pˈɔtʃɛd blˈiʒɛj i ˈuklɔŋkw pʃɛdˈɛmnɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_27.wav|jˈak nˈaz znalˈɛʑliɕtɕˌɛ? zˌapɨtˈawa jˈɔ, ftɕˈɔ̃ʃ tʃɨmˈajɔndʑ vˌɨtʃɛrpˈanɔ̃ mˈili.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_67.wav|klˈɛrki xtɕˈaw ɔbˈɛjʒɛtɕ tˈɔvar i zdˌɛtsɨdˈɔvatɕ, tʃɨ ɡˈɔ kˈupi, tʃɨ ɔtprˈavi nˈas s kfˈitkʲɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_61.wav|ɲʲˈɛxtsɛ jˈuʃ tˌɛɡɔ swˈuxatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_130.wav|f tɨm tsˈɛlu vɨnˈajmɛ dla tɕˈɛbjɛ dˈɔm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_123.wav|vˈɛʃli dɔ dˈɔmu i ˈandɛrsɔn ɕˈɛdʑaw wˈɛ fɔtˈɛlu, nˌaswuxˈujɔnts ʃˈumu vˈɔdɨ dˌɔbjɛɡajˈɔntsɛj z waʑˈɛŋki.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_41.wav|zɡʲinˈɛwɔ tˈɨɕɔnts lˈudʑi ˈalbɔ prˈavʲɛ tˈɨɕɔnts. w vʲɛŋkʃˈɔɕtɕi nˈaʃɨx.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_150.wav|aɲʲˈɛtɨ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_121.wav|ɡdʑˈɛ ɕɛ tˌɛɡɔ fʃɨstkʲˈɛɡɔ nˌautʃˈɨwaɕ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_202.wav|ˈɔtsknɔw ɕɛ blˈɔndɨn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_38.wav|swˈɨʃɛ f tɨɣ dvˈux sɨlˈabax nˈutɛ ɲʲˌɛpɛvnˈɔɕtɕi, ˌalɛ jˈɛnnɨ rˈɔbʲi f tˈɨw zvrˈɔt i vrˈatsa dɔ sfɔjˈɛɡɔ bjˈura.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_25.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_600.wav|pˈatʃ, za ˈɔknɛm lˈɛtɕi ˌɔdʒutˈɔvʲɛts. jˈɛmɨ ɕɲʲadˈaɲʲɛ f xɔtˈɛlu z ˌiksˌiksˈi vʲˈɛku.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_110.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_53.wav|jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ drˈɔɡɛ dɔ mˌanxɛstˈɛru pˌɔtrafˈiwabˌɨm pɔkˈɔnadʑ z zˌamkɲʲɛntˈɨmi ɔtʃˈami.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_330.wav|ɡdˈɨ ɡrabˈaʒɛ ˌukwadˈali tˈɛ lˈutskɔ̃ kˈukwɛ ˌɔviɲʲˈɛntɔ̃ w bjˈawɛ pwˈutnɔ na dɲʲˈɛ mɔɡʲˈiwɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_116.wav|vʲˈɛnts tɨ ɲʲɛ swɨʃˈawaɕ, ʒˈɛ mˈuvjɛ s tɨm pʃɛklˈɛntɨm aktsˈɛntɛm?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_104.wav|spɔjʒˈawa ʃˈɨpkɔ na tˈatɛ, ktˌurɨ zˈaɡrɨz vˈarɡɛ, a pˈɔtɛm s pɔvrˈɔtɛm na arˈama. f kˈɔɲtsu na jɛj ˈustaɣ zaɡˈɔɕtɕiw ˈuɕmʲɛx.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_337.wav|mɔtˈɨvɨ dɔ ʒˈɨtɕa|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_241.wav|i ja ɲʲˈɛxtsɛ f tɔː uvʲˈɛʒɨtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_45.wav|rˈɔp sprˈavʲaw vraʒˈɛɲʲɛ, jˈaɡbɨ xtɕˈaw zˌaprɔtɛstˈɔvatɕ, ˌalɛ bˈɛtskɨ ʒutɕˈiwa mu ˈɔstrɛ spɔjʒˈɛɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/55_segment_8.wav|pɔ prˈɔstu dˈaj mi jˈɛɡɔ nˈumɛr.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_23.wav|swɨʃˈawa, jˈak ˈal zamˈavja pˈivɔ, kturˈɛɡɔ, mʲˈawa nadʑˈɛjɛ, ɲʲɛ zamjˈɛʒaw vˈɨpitɕ i tʃɛkˈawa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_64.wav|za ɡrˈupɔ̃ pwˈaxtɔ̃, ktˌura prˌavdɔpɔdˈɔbɲʲɛ zaswˈaɲʲa pʃˈɛjɕtɕɛ dɔː ˈinnɛj tʃˈɛɲɕtɕi dˈɔmu, zˌauvˈaʒam ɕfʲˈatwɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_160.wav|jˈuʒ vidʑˈawam. ˈɛliz zavʲˈɛʃa ɡwˈɔs, pɔ tʃɨm dɔdˈajɛ f pˈɛvnɨm sˈɛnɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_28.wav|pʃɨ parkˈiŋɡu jɛzd ʒˈɔndɛk tɔjtˈɔjuf i bʲˈillɨ w jˈɛdnɨm ɔprˈuʒɲʲa pˈɛnxɛʃ pˌɛŋkajˈɔntsɨ ɔd vɨpˈitɛj kˈavɨ i sˈɔku.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_89.wav|pɔvlˈɔkwɛm ɕɛ pʃɛt ɕˈɛbjɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_59.wav|ɲʲɛ pˌɔvʲɛdʑˈawa mu ˈɔtɨm ftʃˈɛɕɲʲɛj w ɔbˈavʲɛ, ʒˈɛ fpˈadɲʲɛ f ʃˈawu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_148.wav|bʲˈillɨ pʃˌɨtʃaskˈujɛ dʒvʲˈami rˈɛŋkɛ kɔbjˈɛtɨ. rˈɨdɛl upˈada na pɔdwˈɔɡɛ ˌɔbɔk jˈɛɡɔ lˈɛvɛj nˈɔɡʲi. ˈaw, kˈurva!|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_45.wav|ɔtxˈɨliw ɕɛ na ɔpˈartɕɛ kʃˈɛswa i tʃˈɛkaw, vʲˈɛdʑɔnts, ʒˈɛ ʃɛfˈɔva zˈɛxtsɛ tsˈɔɕ na tɛn tˈɛmat pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_82.wav|jɛxˈali pʃˈɛs mrˈɔtʃnɨ lˈas.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_116.wav|vˈɛdwuk instrˈuktsji nˌalɛʒˈawɔ fprɔvˈadʑitɕ tʃtˌɛrɔtsɨfrˈɔvɨ kˈɔt.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_202.wav|tɔ, tsˈɔː ɔdˈɛbraw dʑˈiɕaj, zmʲˌɛɕtɕiwˈɔbɨ ɕɛ f sxˈɔfku nad dʒvʲˈami mʲˌɛndʑɨ ɡˌabʲinˈɛtɛm a kˈuxɲʲɔ̃, ˌalɛ ɲʲɛ zamjˈɛʒa tˌɛɡɔ tˈam tʃˈɨmatɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_36.wav|mˈɔɡɛ prɔvˈadʑitɕ, mˈam pʃˌɛtɕɛʃ ˌawtɔmatˈɨtʃnɔ̃ skʃˈɨɲʲɛ bjˈɛɡuf. xtsˈɛ pɔʃˈukatɕ mˈilljɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_3.wav|tˈɔm mˈiltʃaw pʃˈɛs xfˈilɛ, fstukˈujɔnts kˈɔt ˌumɔʒlˌivʲajˈɔntsɨ ɔtfˈartɕɛ dʒvˈi.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_458.wav|alˈain ujˈɛwa ˌurɛŋkˌavitʃɲʲˈɔnɔ̃ rˈɔntʃkɛ rɔbˈɛrta, ʒˈɛbɨ pɔfstʃˈɨmadʑ drʒˈɛɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_27.wav|lˈɛpʲɛj ɕɛ jˈuʃ tʃˈujɛʃ, mˈɔm blˈuɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_175.wav|ftˈɛdɨ dɔ ɲʲˈɛɡɔ stʃɛlˈiwɛm f sˈam ɕrˈɔdɛk mˈasɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_134.wav|vɨjˈɛwam s tˈɔrbɨ tsˌɨlindrˈɨtʃnɨ zbjˈɔrɲiɡ z ɡˈazɛm i xfɨtɕˈiwam zˈavur, ˌalɛ tsɔfnˈɛwam rˈɛŋkɛ i jˈɛʃtʃɛ rˈas spravdʑˈiwam ʃtʃˈɛlnɔɕtɕ tˈaɕmɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_33.wav|vɨtɕˈɛra kuxˈɛŋkɛ dwˈɔɲmi, w ɡumˈɔvɨx rˌɛŋkavˈitʃkax i ʒˈutsa mi pˈɛwɛn fspuwtʃˈutɕa ˈuɕmʲɛx.|4
+Dataset/wavs/urwisko_ferenc/46_segment_105.wav|ɲʲɛ mˈuviʃ mi fʃɨstkʲˈɛɡɔ. ɔdˈɛzvij ɕɛ, jˈaɡ zmʲˈɛɲiʒ zdˈaɲʲɛ. zatʃˈɛkaj, kˈurva!|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_15.wav|ɲʲɛktˌurɛ bˌɨwɨ lˈɛvɛ, ˈinnɛ ɲʲɛ. zˈatɔ fʃˈɨstkʲɛ pʃɨnˈajmɲʲɛj tʃasˈami dʑawˈawɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_156.wav|pˈɔʒar xurtˈɔvɲi ˈɔbjɔw sɔ̃ɕˈɛdɲi maɡˈazɨn. ɕtɕɔŋɡɲʲˈɛntɔ zawˈɔɡʲi strˈaʒɨ pɔʒˈarnɛj z ˌɔkɔlˈitʃnɨx ɔkrˈɛŋɡuf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_13.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ mɲʲɛ vˈidʑaw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_357.wav|tɔ fʃˈɨstkɔ, tsˈɔː ˈɔɲim vʲˈɛʃ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_16.wav|vˈɨɕat s sˌamɔxˈɔdu, a tˈɛrɨ, ktˌurɨ jˈuʃ ɲʲˈɛbɨw tˌaki pʃˌɨjatɕˈɛlski, zaxˈɛɲtɕiw ɡˈɔ pɔpxɲʲˈɛɲtɕɛm dɔ mˈarʃu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_61.wav|ˌɔpsɛrvˈujɛ mɲʲɛ uvˈaʒɲʲɛ pʃˈɛs xfˈilɛ, pɔ tʃɨm ɔpˈuʃtʃa vzrˈɔk, jˈaɡbɨ ɲʲˈɛxtɕaw pˈatʃɛtɕ na mˈɔjɔ̃ tfˈaʃ i vˈɨras mˈɔix ˈɔtʃu.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_59.wav|vrˈɛʃtɕɛ zbˌudujˈɛmɨ rˈɨnɛk ˌɛkspɔrtˈɔvɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_149.wav|vzruʃˈɨwɛm rˌamjɔnˈami, jˈaɡbɨm ɲʲɛ vʲˈɛdʑaw. pˌɔzvɔlˈiwɛm, ʒˈɛbɨ tˈakɔ̃ mɲʲɛ vɨrˈɛntʃɨw, tsˈɔ tˈɛʃ utʃˈɨɲiw.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_24.wav|dɔpˈuki ɲʲɛ vrˈutɕi vwaɕtɕˈitɕɛl dˈɔmu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_22.wav|jˈuʃ tˈaka jˈɛst, vɨjˈaɕɲʲam, twumˈatʃɔnts jˈɔ̃ dɔkwˈadɲʲɛ f tˌaki sˈam spˈɔsup, w jˈaki rɔbʲˈiwam tɔ pʃɛt ˈaʃɛm, ktˌurɨ ɔtfˈartɕɛ pɔtˈɛmpja jɛj stˈɨl ʒˈɨtɕa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_36.wav|ɲʲˈɛmam vˌɔntplivˈɔɕtɕi, ʒˈɛ mˈuvi prˈavdɛ. uvˈaʒa, ʒˈɛ ˌɔna mˈa jˈakʲɛɕ kwɔpˈɔtɨ. pˌɔvʲɛdʑˈawa mu, ʒˈɛ mˈuɕi tsˈɔʑ zrˈɔbʲitɕ i tɔ tˈɛras, dʑˈiɕaj.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_155.wav|sfɔbˈɔdɛ zˌakɔwˈɨsaw dwˈɔɲʲɔ̃. tɔ ɲʲɛ dɔ kˈɔɲtsa tfˈɔja vˈina.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_80.wav|stsˈɔdd bˈɨw pʃˌɨjatɕˈɛlɛm z ˌuɲivˌɛrsɨtˈɛtu. bwˈaɡaw mɲʲɛ ɔ pˌɔʒɨtʃˈɛɲʲɛ mu pʲɛɲʲˈɛndʑɨ.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_148.wav|pʃˌɛkazˈujɛ tɕi dɔvˈutstfɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_143.wav|pˌɔvʲɛdʑˈawa s pˌɔfɕtɕɔŋɡlˈivɨm uɕmʲˈɛxɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_244.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_23.wav|ɲʲɛ utʃˈɔnɔː ix ˌupʃɛjmˈɔɕtɕi.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_111.wav|xˈɔtɕ ɲʲɛ bˌɨwɔ tʃwɔvʲˈɛka, ktˌurɨ bˈɨ ɡˈɔ ʒˈutsaw.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_214.wav|i xtɕˈaw jɛj pˈɔmuts, lˈɛtʃ ɲʲɛ ˈumjaw, ɲˈiɡdɨ tˌɛɡɔ ɲʲɛ ˈumjaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_9.wav|tˈak, ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ tˈak. sɔ̃ tˈam nˈavɛt plˈaʒɛ, vʲˈɛndʑ bˌɛɲdʑɛʒ zˌaxfɨtsˈɔna.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_216.wav|mˈuʃɛ jˈuʒ dɔ dˈɔmu. xtsˈɛ ɕɛ pɔwˈɔʒɨtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_160.wav|zˌatʃɨmˈawam ɕɛ f pˌɛnsjɔnˈatɕɛ. mˈɔʒɛʃ tˈam zˈabratɕ alfjˈɛɡɔ. mˈam pʲɛɲʲˈɔndʑɛ i bˌɛɲdʑɛʃ mˈuɡw z ɲˈix skɔʒˈɨstatɕ w rˈaʑɛ pɔtʃˈɛbɨ, jˈɛɕli ɲʲɛ vrˈutsɛ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_66.wav|pʲˈɛz zaʃtʃˈɛkaw, a sˈɛptɔn mɛrˈibalt rɔzˈɛjʒaw ɕɛ vˈɔkuw, mˈarʃtʃɔndʑ brvˈi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_4.wav|kˈim sɔ̃ tɛ kɔbjˈɛtɨ? pˈɨta ˌɔptsɛsˈɔvɔ, fskazˈujɔndʑ ɡwˈɔvɔ̃ bˈɛtskɨ i zˈɔɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_80.wav|vɨtɕˈɔŋɡam klˈutʃɛ s tˈɔrbɨ i vɨbjˈɛram najnˈɔfʃɛ, najbˈardʑɛj lɕɲʲˈɔntsɛ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_263.wav|artsɨmaˈɛstɛr, allˈɛras i drˈuɡʲi nɔvˈitsjuʃ swuxˈali ɡˈɔ z uvˈaɡɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_171.wav|frˈaŋka ˌɛmtsˈɛ intˈɔʃa nˌazɨvˈajɔ̃, ɲˈiɡdɨ w jˈɛɡɔː ˌɔbɛtsnˈɔɕtɕi, frˈaŋkʲɛm ɛlvˈisɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_122.wav|trˈɔxɛ krˈutsɛj.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_266.wav|ˈarjan kɔxˈawa fʃˈɨstkʲɛ sfˈɛ ɲʲɛprˈavɔː ˌurɔdʑˈɔnɛ kuzˈɨŋki.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_148.wav|kɔlˈɛjnɛ kwˈamstfa, kɔlˈɛjnɛ ɔʃˈustfa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_277.wav|swˈuxam?|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_16.wav|twˈuɡw ɡʒbjˈɛtɛm kɕˈɔ̃ʃki tɔrbjˈɛlɛ wɔjˈɔvɛ i ˌɔpuxlˈiznɛ, ʒˈɛbɨ zɲiknˈɛwɨ. nazˈɨvaw tɔ bʲˌibljɔtɛrˈapjɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_97.wav|dlatˈɛɡɔ stɔsˈujɛ ɕɛ vzmatsɲʲˈatʃɛ, ktˌurɛ ˌɔdbjɛrˈajɔ̃ sˈɨɡnaw i pʃˌɛsɨwˈajɔ̃ ɡˈɔ dˈalɛj.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_224.wav|skˈinɔw ɡwˈɔvɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_72.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_138.wav|ksˈɔndɔ zrˈɔbʲiw tɔ sˈamɔ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_506.wav|kɕɔ̃ʒˈɛnta pʃˌɨɡɔtɔvˈujɔ̃ mistˈɛrnɛ plˈanɨ, a bɔɡˈɔvʲɛ vˌɨprɔvadʑˈajɔ̃ ix na manˈɔftsɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_575.wav|ɲʲˈɛvʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_199.wav|pɔznˈajɔ̃ smˈaɡ bʲˈitfɨ. dla ɲʲɛktˌurɨx jˈɛdɛn rˈas tɔ dˈɔsɨtɕ, ʒˈɛbɨ iɣ zwˈamatɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_46.wav|tɔ pɔ prˈɔstu bˈardʑɔ ɲʲˌɛʃtʃɛɲɕlˈiva rɔdʑˈina z dvˈɔjɡʲɛm rɔdʑˈitsuf, ktˌuʒɨ mˈuʃɔ̃ znˈalɛɕtɕ f sˈɔbjɛ dˈɔɕtɕ ɕˈiwɨ, bˈɨ kaʒdˈɛɡɔ rˈaŋka fstˈadʑ z wˈuʃka, ɔʃtʃˈɛndʑatɕ ʃtʃɛɡˈuwuf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_106.wav|a jˈɛdnak jˈakaɕ tʃˈɛɲɕtɕ mɲʲɛ ftɕˈɔ̃ʃ xtɕˈawa stˈɔnt ˈutɕɛts i zˈɔstadʑ z lˈijɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_37.wav|pˈɔtɨm, tsˈɔː ˌɔdvalˈiwɛɕ, dlatʃˈɛɡɔ mʲˈawbɨm vʲˈɛʒɨtɕ f xˈɔtɕ jˈɛdnɔ tfˈɔjɛ swˈɔvɔ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_319.wav|i kˌɔlɔrˈɔvɛ spˈɔdɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_86.wav|mˈuɕi mʲˈɛtɕ jˈakiɕ pˈɔvut, bˈɨ ɕɛ tˈaɡ zˌaxɔvˈɨvatɕ, a dɔpˈuki ɲʲɛ dˈɔvʲɛm ɕɛ vʲˈɛntsɛj, bˌɛndɛ tʃɨmˈawa jˈɛ̃zɨɡ za zɛmbˈami.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_237.wav|bɛzbˈɔʒɲik ɲʲɛ mˈɔʒɛ zaɕˈadatɕ na trˈɔɲʲɛ z mɔrskʲˈɛɡɔ kamjˈɛɲʲa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_29.wav|na mʲˈɛjstsu dɔvˈɔdʑi ɕɛ ʒˈat sˈandɨ bˈɛrfɔrt. jɛzd bˈardʑɔ dˌɔɕfʲattʃˈɔna i ɲʲɛbˈavɛm pɔvˈinɲiɕtɕˌɛ zɔbˈatʃɨtɕ pʃˈɛkas na sfˈɔix ɛkrˈanax.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_7.wav|pˌɔmɨɕlˈawa krulˈɔva.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_211.wav|mɨ tɕˈɛ tˈu pʃˌɨvʲɛʑˈɛmɨ, tˈaɡ ʒˈɛ ɲˈikt tˌɛɡɔ ɲʲɛ bˌɛɲdʑɛ vˈidʑɛtɕ ˌaɲi vʲˈɛdʑɛtɕ i zˌapwatɕˈimɨ tɕi tʃˈɨsta dɔlˈaruf tˌɨlkɔ zˈatɔ, ʒˈɛ...|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_349.wav|ˈuznawbˌɨm iɣ za brˈatɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_13.wav|tɨm rˈazɛm jˈɔ̃ dˌɔpadɲʲˈɛmɨ. ɕlˈɛtɕtɕɛ tˈɛ kˈartɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_20.wav|— sɔɲdʑˈimɨ, ʒˈɛ tɛn tʃwˈɔvʲɛɡ bˈɨw azjˈatɔ̃ lˈup arˈabɛm — pɔvʲˈɛdʑaw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_131.wav|zˌauvaʒˈɨwam jˈuʃ ftʃˈɛɕɲʲɛj, ʒˈɛ kʲˈɛdɨ tˌɨlkɔ ktˈuraɕ s kˈɔbjɛt ɕmʲˈawa ɕɛ z ɲˈim lˈub ɡˈɔ dˌɔtɨkˈawa, fpadˈawa w zwˈɔɕtɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_349.wav|ˌɔtʃɨvˈiɕtɕɛ, pˌɔvʲɛdʑˈawa. mˈɔjɛ pɨtˈaɲʲɛ bˌɨwɔ ɡwˈupʲɛ, vʲˈɛʃ?|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_271.wav|jɛstˌɛɕtɕɛ pˈarɔ̃, ɲʲɛ? fˈatsɛt ʃalˈɛjɛ na tfˈɔim pˈuŋktɕɛ, a tɨ vɨdˈajɛʃ ɕɛ jˈaɡbɨ...|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_70.wav|mɨɕlˈawam ˈɔɲim rˈuvɲʲɛʃ jˈak ɔ psˌɨxɔpˈatɕɛ, ˌalɛ ɕɛ mɨlˈiwam, bˈɨw pɔ prˈɔstu ˌintɛliɡˈɛntnɨm zbʲˈirɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_53.wav|prˌubujˈɛmɨ jˈɔ̃ znˈalɛɕtɕ, a nˈuʃ pɔmˈɔʒɛ nˈam natrˈafitɕ na jˈɛɡɔ ɕlˈat.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_216.wav|dʒˈɛjn kikˈutɛm zʒˈutɕiw kˈɔtsɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_20.wav|ˈaʃ krˈɛɲtɕi ɡwˈɔvɔ̃ z vɨrˈazɛm bˌɛzradnˈɔɕtɕi na tfˈaʒɨ. vˈidʑɛ, ʒˈɛ xˈɨba ɲʲˈɛma ɔxˈɔtɨ ʃˈukadʑ ʒadnˈɛɡɔ rˌɔzvʲɔ̃zˈaɲʲa.|4
+Dataset/wavs/urwisko_ferenc/57_segment_46.wav|i zajʒˈawa dɔ vˈɛvnɔntʃ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_344.wav|a vʲˈɛnts tˈak tɔ vɨɡlˈɔnda.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_171.wav|mˈɔjɛ spɔjʒˈɛɲʲɛ lɔndˈujɛ na mˈapʲɛ nɛbrˈaska, na kˈuwku nˌarɨsɔvˈanɨm vˈɔkuw lˈinkɔln. ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ dɔmˈiɲik pɔtrˈafi mi tʃˈɨtatɕ w mˈɨɕlax.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_93.wav|vzdwˈuʒ bˈɔku kaʒdˈɛɡɔ z ɲˈix tɕˈɔŋɡnɔw ɕɛ nˈapis lˈandvik.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_474.wav|stˈara ɡrˈɛtʃɛl muvˈiwa, ʒˈɛ sɔlˈidnɨ zˈapas tfardˈɛɡɔ, zmrˌɔʒɔnˈɛɡɔ mʲˈɛ̃sa zˌapɔvʲˈada lˈatɛm dˈɔbrɛ plˈɔnɨ.|1
+Dataset/wavs/urwisko_ferenc/65_segment_133.wav|i tsˈɔ dˈalɛj?|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_136.wav|pɔ prˈɔstu pˈɔvʲɛts, tsˈɔ maʒ dɔ pˌɔvʲɛdʑˈɛɲʲa, a ɔʃtʃˈɛɲdʑiʃ sˈɔbjɛ bˈulu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_12.wav|pˌɔradʑˈiliɕmˌɨ sˈɔbjɛ jˈɛdnak rˈuvɲʲɛʒ dʑˈɛŋki mˈɔjɛj mˈamjɛ, ktˌura dɔ nˈas pʃˌɨjɛxˈawa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_30.wav|jˈɛʃtʃɛ bˈardʑɛj pʃˌɨpɔmˈinaw dˈalajlˈamɛ. dʑvˈɔɲiw ɲʲɛɡwˈɔɕnɔ zɛmbˈami.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_31.wav|ˈɔprudʒ dɛsˈɛru.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_54.wav|ɡdʑˈɛ ɕɛ spˌɔtɨkˈatɕɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_196.wav|pˈɔvʲɛts mu, ʒˈɛ xˈɔdʑi ɔː ˌintɛrˈɛsɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_154.wav|mˈɔʒɛ ˈɛlis xtɕˈaw tˌɨlkɔ dɔstˈartʃɨtɕ tɕˈɛ tˈutaj i skˈɔɲtʃɨtɕ s tɨm fʃˈɨstkim?|2
+Dataset/wavs/urwisko_ferenc/49_segment_30.wav|zɡˈɔn s pʃɛɡʒˈaɲʲa pˈɔpʃɛz vˌɨklutʃˈɛɲʲɛ ˈinnɨx pʃˈɨtʃɨn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_149.wav|jˈak skˈɔɲtʃɛ pˈitɕ i rɔzmˈavʲatɕ s tɔ̃ mwˈɔdɔ̃ ɔsˈɔbɔ̃? ˈɔkɛj, ja pɔtʃˈɛkam, pɔvʲˈɛdʑaw irlˈanttʃɨk i ˈuɕat s pɔvrˈɔtɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_23.wav|zapʲˈɛkwɨ mɲʲɛ ˈɔtʃɨ i zatʃˈɛwam wuzˈavitɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_277.wav|tɛn tsˈawɨ tˈɨdʑɛɲ jɛst ɔkrˈɔpnɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_66.wav|dˈaj mi jˈakiɕ pˈɔvut.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_24.wav|nastˈɛmpnɛ pʲˈɛɲtɕ mˈinud vɨdˈajɛ ɕɛ tɕˈɔŋɡnɔɲtɕ w ɲʲˌɛskɔɲtʃˈɔnɔɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_329.wav|mˈa bˈardʑɛj kfˌadratˈɔvɔ̃ ʒˈuxfɛ i bˈardʑɛj kʃatʃˈastɛ brvˈi.|1
+Dataset/wavs/urwisko_ferenc/15_segment_50.wav|— nˈaɕi trˈɔxɛ ɕɛ fkurvʲˈajɔ̃ — ʒˈutɕiw pɔlˈitsjant.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_14.wav|ˌalɛ za bˈardʑɔ ɕɛ spʲɛʃˈɨwam, ʒˈɛbɨ vɨbʒˈɨdʑatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_23.wav|vɨmˈɨɕlaʃ jˈakʲɛɕ pʲɛpʃˈɔnɛ vɨmˈufki, xˈɔtɕ ɲʲˈɛvʲɛm dlatʃˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_9.wav|ɔː ix ˌustalˈɛɲʲax mˈɔɡli pˌɔrɔzmˈavʲatɕ na zɛbrˈaɲʲu, ˌalɛ zˌalɛʒˈawɔ mu nˈatɨm, ʒˈɛbɨ dɔvʲˈɛdʑɛtɕ ɕɛ tʃˈɛɡɔɕ sˌamɔdʑˈɛlɲʲɛ, vʲˈɛndʑ vɨʃˈukaw jˈɛɡɔ nazvˈiskɔ w ɡɔˈɔɡlɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_6.wav|tˈak naprˈavdɛ ɲʲɛ muɕˈawam pʃɛmˈɨkatɕ tɕi xˈatʃɛm. ɔ tɛj bˌarbaʒˈɨɲskʲɛj pˈɔʒɛ ɲʲɛ bˌɨwɔ dˌɔɔkˈɔwa ʒɨvˈɛɡɔ dˈuxa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_36.wav|bˈɨlibˌɨɕmɨ w jˈɛɡɔ sˌamɔxˈɔdʑɛ, zˈaɲim zdˈɔ̃ʒɨwbˌɨɕ tɔ nawˈɔʒɨtɕ. dʑɡˈa ɡˈɔ pˈaltsɛm f ʃtˈutʃnɨ bʒˈux.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_29.wav|zapˈɨtaw z nadʑˈɛjɔ̃, ʒˈɛ luˈisa tʃˈujɛ tɔ sˈamɔ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_104.wav|vɨvˈijaw mˌɔrɡɛnstˈɛrnɛm nad ɡwˈɔvɔ̃, zˌabʲijˈajɔndʑ vrˈɔɡuf pɔ lˈɛvɛj i prˈavɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_122.wav|kɔxˈawam kˈaʒdɔ̃ spɛndʑˈɔnɔ̃ z ɲˈim xfˈilɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_41.wav|ˈɛlis ˌuɕmʲɛxnˈɛwa ɕɛ na mˈuj vˈidɔk, ˌalɛ bˈɨw tɔː ˈuɕmʲɛɣ zwɔɕlˈivɛj sˌatɨsfˈaktsji.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_262.wav|jˈɛɕli xˈɔdʑi ɔ bˈɛstjɛ, ktˌura nˈɔɕi tˈɛras jˈɛɡɔ xˈɛwm,|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_383.wav|pʲˈɛrʑ brjˈɛnnɛ vɨpˈɛwɲiw palˈɔntsɨ bˈul, a w jɛj tʃˈaʃtsɛ ʃalˈawa bˈuʒa, ktˌura jˈɔ̃ ˌɔɕlɛpʲˈawa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_32.wav|dˌɨspɔnujˈɛmɨ tˌɨlkɔ jˈɛdnɨm swˈabɨm pˌɔvʲɔ̃zˈaɲʲɛm, ktˌurɨm sɔ̃ parkˈiŋɡʲi, ˌalɛ mˈimɔ tɔ ɲʲɛ mˈɔɡɛ pˈɔzbɨtɕ ɕɛ vraʒˈɛɲʲa, ʒˈɛ ˈɔbjɛ zbrˈɔdɲʲɛ mˌajɔ̃ jˈakiʑ zvʲˈɔ̃zɛɡ z ɛdmˈuntsɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_6.wav|mˈɔja fjˈɛsta jɛzd bjˈawa, a f pɔblˈiʒu stˈɔi kˈilka ˈinnɨx ˈawt f tˈakim sˈamɨm kɔlˈɔʒɛ. ɲʲɛ pɔvˈiɲʲɛn vʲˈɛnts mɲʲɛ zɔbˈatʃɨtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_73.wav|ˈaʃ pˈatʃɨ mi prˈɔstɔ w ˈɔtʃɨ i vˈidʑɛ, ʒˈɛ bwˈaɡa mɲʲɛ bˈɛs swˈuf, ʒˈɛbɨm pʃɛstˈawa drˈɔ̃ʒɨtɕ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_92.wav|jˈɛɡɔ dwˈɔɲ zrɔbʲˈiwa ɕɛ tʃɛrvˈɔna i lˈɛpka ɔt kfaɕnˈɛɡɔ lˈiɕtɕa.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_105.wav|zapʃˈɛtʃɨw stˈaʒɛts. tɨ mˈuɕiʃ tɔ zrˈɔbʲitɕ. ɔpˈɔvʲɛts im.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_111.wav|tsˈasɕɛ pˌɔvʲɛdʑˈawa, ʒˈɛ ɲˈiɡdɨ tˈak naprˈavdɛ tˈam ɲʲɛ pˌasɔvˈaliɕmˌɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_401.wav|ja tˈam ɲʲɛ jˌɛstɛm ʒˈadɛn pˈijak, ˈalɛ...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_39.wav|mˈɨɕliʃ, ʒˈɛ lˈudʑɛ zapˈɔmnɔ̃ tɕi pʃˈɛʃwɔɕtɕ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_197.wav|a pˈɔtɛm rɔstɕˈɛli mu rɛŋkˈavɨ kɔʃˈuli i zˌawɔʒˈɨli ˌɛlɛktrˈɔdɛ na ɡwˈɔvɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_90.wav|nˈajpʲɛrf jˈɛdʑɛ ɕɛ na zˈaxut, ˌalɛ pˈɔtɛm vrˈatsa ɕɛ na fsxˈut. tˈak mˈuɕi bˈɨtɕ.|0
+Dataset/wavs/urwisko_ferenc/14_segment_49.wav|za dvˈa mʲɛɕˈɔntsɛ? pɔdˈɔbnɔ w umˈɔvʲɛ mʲˌawɨ zˈapis ɔ dvˌumjɛɕˈɛntʃnɨm tɛrmˈiɲʲɛ vˌɨpɔvʲɛdʑˈɛɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_69.wav|jˈɛ̃zɨɡ vˌɨprɔvˈadʑiw nˈas na manˈɔftsɛ na tsˈawɨ tˈɨɕɔnts lˈat.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_228.wav|zatʃˈɛwam, ˌalɛ tsˈɔɕ ɕtɕisnˈɛwɔ mɲʲɛ w ɡˈardlɛ i ɔmˈalɲʲɛ vɨbˈuxwam çˌistɔrˈɨtʃnɨm ʃlˈɔxɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_263.wav|xtɕˈawam zɔbˈatʃɨtɕ pˈana w dʑˈɛɲ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_90.wav|mˈuj bjˈawɨ rˈɨtsɛʃ.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_205.wav|ɲʲɛ vɨbrˈawɛm sˈɔbjɛ tˌɛɡɔ zajˈɛɲtɕa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_501.wav|tɔ ftsˈalɛ ɲʲɛ jɛst ɕmʲˈɛʃnɛ, pɔvʲˈɛdʑaw bˈarɨ mʲˈɛlajf.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_242.wav|ˌɔpɔvʲˈɛdʑaw jɛj ˈɔtɨm, ʒˈɛ lˈantsɛl pˌɔstanˈɔviw vˈɨʒɛts ɕɛ ʒˈɔnɨ i pˌɔɕadwˈɔɕtɕi, bˈɨ vˈaltʃɨdʑ za ɕfʲˈɛntɔ̃ vʲˈarɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_41.wav|spwˈatɨ ɔtsˈɛtɛk ˌɔdbɨvˈawɨ ɕɛ za pˌɔɕrɛdɲˈitstfɛm jaɡˈɛra, pɔdˈɔbɲʲɛ jˈak fʃˈɨstkiɣ dˌɔdatkˈɔvɨx kˈar.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_364.wav|ˌɔtpɔvʲɛdʑˈawa ʃˈɛptɛm kɕɛ̃ʒɲˈitʃka.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_15.wav|ɔtfˈɔʒɨw mi mɛ̃ʃtʃˈɨzna ɔː ˌɔɡɔʒˈawɛj tfˈaʒɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_49.wav|mrˈuknɔw ɲʲˌɛzadˌɔvɔlˈɔnɨ tˈɔm.|3
+Dataset/wavs/urwisko_ferenc/47_segment_37.wav|ɔ tsˈɔ tɕˈɛ spɨtˈawa? mˈarja tʃˈuwa, ʒˈɛ bɛzvʲˈɛdɲʲɛ napˈina mʲˈɛɲɕɲʲɛ. zrɔbʲˈiwɔ jɛj ɕɛ xwˈɔdnɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_113.wav|tɔ dʒˈɔrdʒ rˈussɛll. pɔznˈaliɕtɕˌɛ ɕɛ w zˈɛʃwɨm tɨɡˈɔdɲʲu, pɔvʲˈɛdʑaw xˈɔvv dɔː ˈirva dˈina, prˌatsɔvɲˈika ɔxrˈɔnɨ.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_294.wav|pɔ bʲˈitfʲɛ bˌɨwɛm zwˈɨ na jɛj mˈiwɔɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_336.wav|ɲʲˈɛznam lˈudʑi, ɔ ktˌurɨx mˈuviʃ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_280.wav|pˈɔttʃas spɔvʲˈɛdʑi vˈɔlnɔ nˈam zwˈamatɕ ɕlˈubɨ miltʃˈɛɲʲa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_200.wav|bʲˈillɨ xfˈilɛ stˈɔi nˈadɲʲɔ̃, bˈɨ ɕɛ upˈɛvɲitɕ, ʒˈɛ ɔddˈɨxa, pɔ tʃɨm vʒˈutsa jɛj tɛlˈɛfɔn dɔ pˈitskˈupa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_52.wav|tɛ swˈɔva pʃˌɨpɔmɲʲˈawɨ mi tsˈɔɕ, tsˈɔ mˈama pˌɔvʲɛdʑˈawa kˈilka mʲɛɕˈɛntsɨ tˌɛmu pɔ jˈɛdnɛj s sˈɛsji z arˈamɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_97.wav|ˌɔtʃɨvˈiɕtɕɛ jˈuʃ ɲʲɛ mˈɔɡɛ ɕɛ dɔtʃˈɛkatɕ. fʃˈɨstkɔ f pɔʒˈɔntku?|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_152.wav|ɔ tˈak, jɛʒˈɛli lˈubʲiʃ tʃˈasɛm ɔbˈɛrvatɕ tʃˈɨmʑ w ɡwˈɔvɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_144.wav|jˈɔɛj zˌaprɔpɔnˈɔvaw kˌuzɨnˈɔvi, bˌɔxatɛrˈɔvi vˌɔjɛnnˈɛmu, pɔsˈadɛ kɕˌɛŋɡɔvˈɛɡɔ, ˌalɛ tˌɨlkɔ pɔd varˈuŋkʲɛm, ʒˈɛ ɔtstˈavi prˈɔxɨ.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_175.wav|jˈɛɡɔ bliʑɲʲˈatʃa ɕˈɔstra.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_6.wav|na zaxˈɔdʑɛ pɔt kravˈɛɲdʑɔ̃ tʃˈarnɨx xmˈur rˌuʒɔvʲˈawɔ pasˈɛmkɔ tʃɨstˈɛɡɔ ɲʲˈɛba.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_357.wav|tʃɨ mˈɔɡɛ pˈaɲstfa pˌɔtʃɛ̃stˈɔvatɕ pˌapʲɛrˈɔsɛm?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_62.wav|tsɛlˈujɛ vˈɛmɲʲɛ tʃˈupkʲɛm nˈɔʒa i xˈɔtɕ stˈɔjɛ pˈɔza jɛj zaɕˈɛŋɡʲɛm, ˌɔdruxˈɔvɔ tsˈɔfam ɕɛ ɔ krˈɔk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_34.wav|mˈimɔ tɔ ftɕˈɔ̃ʃ ɕɛ ɲʲɛ pɔrˈuʃɨw, pɔdˈɔbɲʲɛ jˈak jˈa.|3
+Dataset/wavs/urwisko_ferenc/55_segment_27.wav|— tɔ jˈɛʃtʃɛ spˈɨtaj ɡˈɔ, tʃɨ xˈɔdʑiw dɔ jˈɛdnɛj klˈasɨ s xudʑˈiɲskim — pˌɔprɔɕˈiwa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_160.wav|dˈɔvʲɛ ɕɛ, ʒˈɛ jˈɛɡɔ dʑˈɛtskɔ ɲʲɛ bˌɛɲdʑɛ mˈɔim pʲˈɛrʃɨm.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_184.wav|lˈɛɔ tˈɨrɛll|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_148.wav|jˈatsɨʑ ɡwˈuptsɨ stanˈɛli mi na drˈɔdʑɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_42.wav|ˌalɛ tˈɛras, kʲˈɛdɨ zatʃˈɛwam zarˈabjatɕ, fstʃˈɨmaw mi kʲˌɛʃɔŋkˈɔvɛ. tˈaɡ vʲˈɛnts pratsˈujɛ za ɲʲɛvʲˈɛlɛ vʲˈɛntsɛj ɲˈiʒ dˌɔstavˈawam za ɲˈits.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_18.wav|mˈiwɔ bˌɨwɔ vˈaz ɡˈɔɕtɕitɕ, mˈuvi bˈutskɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_10.wav|jˌɛstɛm pˈɛvna, dʑɛŋkˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_13.wav|ɔt tʃˈasu nˈaʃɛj pʃˌɛprɔvˈatski f tɔ mʲˈɛjstsɛ nˌautʃˈɨwa ɕɛ sfɔbˈɔdɲʲɛj kɔʒˈɨstatɕ s pɔtɕˈɔŋɡuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_66.wav|ɔn pɔvʲˈɛdʑaw, ʒˈɛ tɔ jˈɛɡɔ nazvˈiskɔ. frˈaŋklin vˈinfjɛlt stsˈɔtt mˈalkin.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_291.wav|— ˈax — pˌɔvʲɛdʑˈawa ˈɛstxɛr — tˈɛras rɔzˈumjɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_111.wav|ɔstˈatɲi jɛst tsɛlˈɔvɲik i bʲˈillɨ pɔnˈɔvɲʲɛ sprˈavdʑa za pɔmˈɔtsɔ̃ spɛtsjˈalnɛj ˌaplikˈatsji, tʃɨ jɛzd dˈɔbʒɛ vˌɨrɛɡˌulɔvˈanɨ.|2
+Dataset/wavs/urwisko_ferenc/16_segment_20.wav|pˈan ɲʲɛ tˈɨka tˌɛɡɔ ɕfˈiɲstfa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_67.wav|pʃˌɛbatʃˈɛɲʲa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_12.wav|znˌalɛʑˈɔnɔ jakʲˈɛɡɔʑ zˌamɔrdˌɔvanˈɛɡɔ fatsˈɛta na parkˈiŋɡu w mʲˈɛɕtɕɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_19.wav|vˈɔda w artˈɛmis jɛzd drˈɔɡa, ˌalɛ ɲʲɛ ˌusuvˈamɨ jɛj na zˈɛvnɔntʃ. krˈɔ̃ʒɨ w zamkɲʲˈɛntɨm ɔbjˈɛɡu, vʲˈɛnts tˈak naprˈavdɛ pwˈatɕi ɕɛ za jɛj ˌɔtʃɨʃtʃˈaɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/53_segment_108.wav|zˈɛrknɔw pɔnˈɔvɲʲɛ na mˈarjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_51.wav|zrˈɔbʲiw, tsˈɔ dɔ ɲʲˈɛɡɔ nˌalɛʒˈawɔː i tɔ ɲʲɛ tˌɨlkɔ ftʃˈɔraj.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_104.wav|lˈubʲiw ɕˈadatɕ pʃˈɨtɨm ˈɔkɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_209.wav|mˈudʒ vɨkˈuli ɔtfˈɔrɨ stʃɛlɲˈitʃɛ w bɛtˈɔɲʲɛ ˈu dˈɔwu kɔpˈuwɨ pɔt ɔswˈɔnɔ̃ ɲiskʲˈɛɡɔ mˈurku ˌɔkalˌajɔntsˈɛɡɔ bˈalkɔn.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_99.wav|rˈɨan|0
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_41.wav|— ɲˈiɡdɨ ɲʲɛ zrˈɔbʲiwbˌɨm jɛj ʒˈadnɛj kʃˈɨvdɨ, jˈɔɛ. mˈuɕiʃ mi uvʲˈɛʒɨtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_17.wav|a i tˈamtɛn dˈɔmɛm bˈɨw mˈarnɨm, zvwˈaʃtʃa pˈɔtɨm, jˈaɡ bˈɔp raˈinɛz zˈabʲiw mu ɕˈɔstrɛ.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_258.wav|ˈɔvɛn zɡʲˈinɔw ɔt tɕˈɔsu bˌuzdɨɡˈana, ktˌurɨ rˈɔzbʲiw mu ɡwˈɔvɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_201.wav|jɛzd bˈardʑɔ zwˈɨm tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_18.wav|ɲʲˈɛmam vˌɔntplivˈɔɕtɕi, ʒˈɛ tsamˈɛrɔn zɔstˈaɲʲɛ rˈuvɲʲɛʃ ˌarɛʃtɔvˈanɨ za sfˈɔjɛ ɡʒˈɛxɨ i ʒˈɛ pʃɨɲʲˈɛɕɛ tɔː ˈulɡɛ vʲˈɛlu jˈɛɡɔː ɔfjˈarɔm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_254.wav|i tˈak xˈɨba zɡʲˈinɛ jˈa, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_168.wav|ɔpˈadwam na jˈɛdnɔ z dvˈux kʃˈɛsɛw stɔjˈɔntsɨx nˌapʃɛtɕˈifkɔ bjˈurka.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_133.wav|ˌadmiɲˌistratˈɔrka rˌɔzvaʒˈawa mˈɔjɛ swˈɔva pʃˈɛs ɲʲˌɛpɔkɔjˈɔntsɔ dwˈuɡɔ̃ xfˈilɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_13.wav|i kˈaʒda nˈaʃa klˈɛ̃ska, jˈak i kˈaʒdɛ ʃtʃˈɛɲɕtɕɛ jɛzd dʑˈɛwɛm...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_10.wav|ɡdʑˈɛ ɔn jˈɛst?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_51.wav|w rˌɛzultˈatɕɛ jˈɛdna z nˈas lˈup ˈɔbjɛ tɕˌɛrpʲawˈɨɕmɨ s pɔvˈɔdu sfˈɛɡɔ rɔdʑˈaju ˌupɔkɔʒˈɛɲʲa, ʒˈɛ fʃˈɨstsɨ vˈɔkuw ˌɔtatʃˈali ljˈɛ miwˈɔɕtɕɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_375.wav|nˈavɛd ɡdˈɨ bˌɨli tˈu jˈɛʃtʃɛ straʒɲˈitsɨ i swuʒˈɔntsɨ, zˈamɛɡ vɨdˈavaw ɕɛ pˈustɨ jˈaɡ ɡrɔbˈɔvʲɛts.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_289.wav|pɔdɲʲˈɔswa ɡwˈɔs. dˈɔbʒɨ lˈudʑɛ!|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_308.wav|dlatʃˈɛɡɔ jɛj ɲʲɛ ˌɔtpɔvʲɛdʑˈawɨ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_55.wav|mˈam vɨɲˈiki sˈɛktsji. zmˈarwa fskˈutɛɡ vɨlˈɛvu spˌɔvɔdˌɔvanˈɛɡɔ pʃˈɛs ˈuras prˈavɛj ɕtɕˈanɨ tʃˈaʃki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_19.wav|xfˈɨtam za klˈamkɛ i ɔtfʲˈɛram ˈɔknɔ, kʲˈɛdɨ zrˈɨva ɕɛ vʲˈatr, rˌɔskɔʃˈujɔnts ɕɛ dɔtˈɨkʲɛm ʑˈimnɛj vˈɔdɨ na ɡɔrˈɔntsɛj skˈuʒɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_106.wav|ɡˌɔɔɲˈibʲirt pʃˈɛdar ɕɛ pʃˈɛs tɕˈɛ̃ʃkʲɛ pɔvʲˈɛtʃɛ ɡɔdʑˈinɨ pɔwˈudɲʲa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_117.wav|ɲʲɛ mˈuʃɛ jˈuʃ xˈɔdʑitɕ na pˈaltsax.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_220.wav|fskazˈawa na pˈɔsɔŋɡ vˌɔjɔvɲˈika ˌustavʲˈɔnɨ nat ɔwtˈaʒɛm s tʃˌɛrvɔnˈɛɡɔ marmˈuru.|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_43.wav|rˈɔzlɛkw ɕɛ znajˈɔmɨ ɡwˈɔz za mɔˈimi plɛtsˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_57.wav|vˈɔli zˈaʃɨtɕ ɕɛ w jˈakimɕ tɕˈixɨm mʲˈɛjstsu i za jˈɛdnɨm zamˈaxɛm vˈɨlatɕ s ɕˈɛbjɛ fʃˈɨstkɔ, jˈak trutɕˈizna z butˈɛlki.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_54.wav|i jˈak ɕɛ s tɨm tʃˈujɛʃ, skˈarbjɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_161.wav|ssunˈɔwɛm kˈɔts i ˌɔtfɔʒˈɨwɛm tɛn kˈufɛr. mʲˈaw dɔ ɲʲˈɛɡɔ kwˈutkɛ, ˌalɛ ʒˈatkɔ jɛj uʒˈɨvaw. mˈɔʒɛ ftsˈalɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_48.wav|praɡnˈɛwam jɛdˈɨɲʲɛ tʃuwˈɔɕtɕi zˈɛ strˈɔnɨ arˈama.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_378.wav|i pˈaliw pˌapʲɛrˈɔsa, ɔbʒˈutɕiw mɲʲɛ xmˈurnɨm spɔjʒˈɛɲʲɛm.|0
+Dataset/wavs/urwisko_ferenc/15_segment_70.wav|w ɕlˈɛtstfʲɛ dˌɔtɨtʃˈɔntsɨm zˌaɡʲiɲʲˈɛɲtɕa, ˌalɛ tˈɛʃ ftʃˈɛɕɲʲɛj, f sprˈavʲɛ ɕmʲˈɛrtɕi jɛj dʑˈɛtska, w ˈaktax stˈalɛ pʃɛvˈija ɕɛ ix uftʃˈɛsnɨ sˈɔ̃ɕat s sˌɛzamkˈɔvɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_167.wav|kturˈɨmi vˌɨwɔʒˈɔnɔ ɲˈiʃɛ brˈamɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_60.wav|ˈɔkɛj, mˈuvi ɡwˈɔɕnɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_102.wav|mˈɔʒɛ jˈɛdnɨm i drˈuɡʲim. bʲilljˈɛmu zˈafʃɛ trˈudnɔ bˌɨwɔ ɕɛ pɔɡˈɔdʑitɕ s tˈakɔ̃ ɲʲˌɛjɛdnˌɔznatʃnˈɔɕtɕɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_124.wav|ɲʲˈɛmukw tˈak tˌɛɡɔ zɔstˈavitɕ. spˈɔrɔː ɔstˈatɲʲɔ pʃɛʃˈɛdwɛm. vʲˈɛm, ʒˈɛ rˈɔbʲiʃ tɔ dla nˈas.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_67.wav|vɨdˈɨma dˈɔlnɔ̃ vˈarɡɛ w bˈardʑɔ ɲʲˌɛatraktsˈɨjnɨ spˈɔsup.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_652.wav|ɲʲˈɛvʲɛm, mˈɔʒɛ...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_50.wav|vʲˈɛm, ɔ tsˈɔ prˈɔɕi i kˈivam ɡwˈɔvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_40.wav|mˈa na sˈɔbjɛ ʑɛlˈɔnɨ kˌɔmbʲinˈɛzɔn rɔbˈɔtʃɨ zˈɛ sfˈɔim nazvˈiskʲɛm, vɨʃˈɨtɨm zwˈɔtɔ̃ ɲˈitɕɔ̃ na jˈɛdnɛj pʲˈɛrɕi i nˈazvɔ̃ ɛkstsˈɛllɛnt tʲˈirɛ na drˈuɡʲɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_48.wav|zɡˈadʑaʃ ɕɛ s tˌɨmi mˌɔʒlivɔɕtɕˈami, kˈit?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_4.wav|jˈɛɡɔ skˈura pˌɔwɨskivˈawa, xˈɔtɕ tɔː akˈurat mˈɔʒna zʒˈutɕitɕ na kˈarp pˌanujɔntsˈɛɡɔ na zˈɛvnɔntʃ upˈawu.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_180.wav|ɔttɕˈiski bˈutuf sɔ̃ tɔ vɨrˈaʑɲʲɛ vidˈɔtʃnɛ.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_89.wav|pˈɔdridʑɡ vɨrˈaʑɲʲɛ ɲʲɛ vʲˈɛdʑaw, tsˈɔ sˈɔɲdʑitɕ ɔ pɕˈɛ, ktˌurɨ mˈa na ˈimjɛ pʲˈɛs. xwˈɔpaɡ zˌastanˈavʲaw ɕɛ nˈattɨm pʃˈɛs xfˈilɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_257.wav|trˈɔnt fstˈaw i pˈɔtʃɛd dɔ bˈarku, ˌalɛ tɨm rˈazɛm vˈɨbraw butˈɛlkɛ rˈumu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_35.wav|ɲʲɛ prubˈujɛ ɕˈɛbjɛ vɨbjˈɛratɕ i pˈiʃɛ za ʃˈɨpkɔ, bˈɨ uɲˈiknɔɲdʑ bwˈɛnduf, ˌalɛ i tˈak ɲʲˈɛma iɣ vʲˈɛlɛ.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_312.wav|pɔː ulˈitsax wazˈiwa ɡrˈupa pʃˌɨɡnɛmbjˈɔnɨx ɲʲˌɛdɔbʲˈitkuf, ktˌuʒɨ pʃˌɛɡaɲʲˈali tʃˈarnɛ ptaʃˈɨska i ʒutsˈali zabʲˈitɨx na vˈus, ʒˈɛbɨ ix pɔxˈɔvatɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_233.wav|ʒˈɛ pʃˈɛz vʲˈɛlɛ lˈat tɛ̃skɲˈiwɛm za tˌɨmi ɔtʃˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_83.wav|zdˈala ɔt tʃˌɨjɛɡɔkˈɔlvʲɛɡ vzrˈɔku.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_62.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_281.wav|tˈak ɕɛ skwˈada, ʒˈɛ zɡˈadʑam ɕɛ s tɔ̃ ɔpˈiɲʲɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_28.wav|bˈɛtskɨ vˌɨstartʃˈɨwɔ jˈɛdnɔ spɔjʒˈɛɲʲɛ na fxˌɔdʑɔntsˈɛɡɔ dɔ pɔkˈɔju tˈɔma, ʒˈɛbɨ ɕɛ zˌɔrjɛntˈɔvatɕ, ʒˈɛ tsˈɔʑ vaʒnˈɛɡɔ ɕɛ vˌɨdaʒˈɨwɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_35.wav|ɲʲɛ zrɔbʲˈiwam ɲitʃˈɛɡɔ, bˈɨ zakwˈutɕitɕ jˈɛɡɔ stˈatuz ɡvˈɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_230.wav|prˈɔʃɛ ɕɛ ɲʲɛ vɨkrˈɛntsatɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_444.wav|jˈuʃ kˈɔwɔ kɔlˈumnɨ krˈula zɨɡmˈunta pˌɔkazˈali ɕɛ pʲˈɛrfɕi nˌarkɔmˈaɲʲi.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_277.wav|zamjˈɛʒam jɛj brˈɔɲitɕ, ɲʲɛ spʃˈɛdatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_98.wav|vˈidɔk ix, lɛʒˈɔntsɨx jˈɛdna ˌɔbɔɡ drˈuɡʲɛj, jˈak na rɨsˈuŋku zɛspˈɔwu rˌɔzɛbranˈɛɡɔ f pˌɔdrɛntʃɲˈiku ɔpswˈuɡʲi brˈɔɲi pˈalnɛj, pʃˌɨvɔwˈujɛ fspɔmɲʲˈɛɲʲa sfalˈudʒɨ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_351.wav|pʃˈɨʃɛt prˈɔstɔ z dʑɛdʑˈiɲtsa, bʲˈiwa ɔt ɲʲˈɛɡɔ vˈɔɲ pˈɔtu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_620.wav|tˈɔnɨ zˈatʃɔw kˈɔwɔ ɕˈɛbjɛ tʃˈɛɡɔɕ ʃˈukatɕ, vɨrˈaʑɲʲɛ zˌaʒɛnɔvˈanɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_85.wav|rˈɨan mˈiltʃaw pʃˈɛs xfˈilɛ, pˈatʃɔnts na dwˈɔɲ ˌandɛrsˈɔna.|0
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_121.wav|vʲˈɛʃ jˈak uʒˈɨvatɕ?|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_384.wav|ʒˈɛ tɔ jˈɔ̃ mˈam tˈam zˈaɲʲɛɕtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_84.wav|dlatʃˈɛɡɔ pˈan mɲʲɛ ˈɔtɔ pˈɨta?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_246.wav|ɕpˈij.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_101.wav|trˈɔxɛ tɔ kwˌɔpɔtlˈivɛ, jˈɛɕli pɔ drˈɔdʑɛ zamjˈɛʒaʃ fpˈaʑdʑ z ɲʲɛnˈatska dɔ kɔxˈaŋki.|3
+Dataset/wavs/urwisko_ferenc/53_segment_13.wav|pɔdˈɔbnɔ pɔɡˈɔda mˈa ɕɛ zmʲˈɛɲitɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_357.wav|vɨstˈartʃɨ pˈanu pʲɛɲʲˈɛndʑɨ, ˈabɨ vɨnˈajɔɲtɕ ˈinnɨ pˈɔkuj i mʲˈɛtɕ tʃˈɨstɛ wˈuʃkɔ. tˈɨlɛ pˈan na pˈɛvnɔ zarˈɔbʲi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_23.wav|— zˈɔstaf sˈɔbjɛ mˈɔʒɛ tɛ ʃpitˈalnɛ spˈɔdɲʲɛ. ɲʲɛ bˌɛɲdʑɛʃ pʃˌɛtɕɛʃ prubˈɔvaw ftɕˈiskatɕ tʃˈɛɡɔɕ innˈɛɡɔ pʃˈɛs tɛn bˈut, prˈavda?|4
+Dataset/wavs/urwisko_ferenc/12_segment_89.wav|ˈanɔ tˈak zaskˈɔtʃɨw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_173.wav|ˌalɛ mˈɔʒɛ pˈan xtɕˈaw vʑˈɔɲtɕ ˈudʑaw w ˈawktsji? ɲʲɛ, ja tˈɛʃ tˈu trafˈiwɛm pʃˌɨpatkˈɔvɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_163.wav|f tɕˈɔŋɡu ɔstˈatɲix lˈat pʃˌɛmɨtsˈawam dla ɲʲˈɛɡɔ tˈɨlɛ ɲʲˌɛlɛɡˈalnɨx supstˈantsji xɛmˈitʃnɨx, ʒˈɛ pˈɔdaw mi kˈɔd dɔ sfɔjˈɛɡɔ zˈamka.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_331.wav|ɲʲɛ bˌɨwɔ z ɲʲˈɛj ʒadnˈɛɡɔ pɔʒˈɨtku.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_87.wav|spˈɨtaw luˈisɛ, ktˌura vˌɨkwadˈawa zwˈɔtɛ palˈuʃki rˈɨbnɛ na talˈɛʒɛ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_366.wav|tˈam bˌɨwa sɨpʲˈalɲʲa rˌaimˈuna darˈɛɡɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_28.wav|zˈafʃɛ ˈɔtɨm mˈuviw, ˌalɛ ɲʲɛ vʲɛʒˈɨwɛm, ʒˈɛ tsˈɔɕ s tˌɛɡɔ bˈɛɲdʑɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_211.wav|ktˈɔ jˈɛʃtʃɛ mʲˈɛʃka f tɨm budˈɨŋku? tɕˈixɔ tˈu jˈaɡ vɨ...|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_229.wav|ɲʲɛ utɕˈɛkwaɕ sˈama. bˌɨwam ftˈɛdɨ tˈaɡ ɡwˈupja, ˈiʃ mɨɕlˈawam, ʒˈɛ tʃwˈɔvʲɛk, s ktˌurɨm utɕˈɛkam, ɔbrˈɔɲi mɲʲɛ i ʒˈɛ pɔmˈɔʒɛ mi zapˈɔmɲʲɛtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_10.wav|ˈandɛrsɔn pˈɔtʃɛd dɔ tˌɛlɛfˈɔnu i vɨkrˈɛɲtɕiw nˈumɛr lˈɛvɔ̃ rˈɛŋkɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_61.wav|ɔ jˈaɡ dˈɔbʒɛ!|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_96.wav|zɡˈɔdʑiw ɕɛ xˈɔtax.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_62.wav|vˈaʃa mˈiwɔɕtɕ, pʃɨɕˈɛŋɡam, ʒˈɛ lˈɔrd ɡʲˈilɛs ˈumar na kˈaʃɛl.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_394.wav|ˌalɛ ja ɲˈim jˈɛstɛm, pˈipɛr.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_218.wav|viktˈarjɔn vˈɨpiw rˈazɛm s tsˈawɔ̃ rˈɛʃtɔ̃. ʒˈadnɛ vˈinɔ ɲʲɛ jɛst swˈɔtʃɛ ɔd zˌabranˈɛɡɔ vrɔɡˈɔvi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_61.wav|a jˈɛdnak ɕmʲˈaw ɕɛ trjumfˈalɲʲɛ. fʃˈɨstsɨ ɕɛ ɕmʲˈali.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_25.wav|rɔzɡlˈɔndam ɕɛ, ˌalɛ ɲʲˈɛvʲɛm, kˈɔɡɔ mˈam vˌɨpatrˈɨvatɕ i mˈuʃɛ vɨɡlˈɔndatɕ ɲʲˈɛtsɔ dʑˈivɲʲɛ, s ʃɛrˈɔkɔː ˌɔtfartˈɨmi ɔtʃˈami i vɨrˈazɛm strˈaxu na tfˈaʒɨ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_88.wav|brˈuskɔ mʲˈaw xˈɔrɛ plˈɛtsɨ i ɲʲˈɛmuɡw udʑvˈiɡatɕ ɲitʃˈɛɡɔ, tsˈɔ bˌɨwɔ tɕˈɛ̃ʃʃɛ ɲˈiʃ kˈufɛl brˌɔ̃zɔvˈɛɡɔː ˈajl.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_107.wav|jˈɛɕli plˈats splˌuɡavʲˈɔnɔ, tɔː ˌɛɡzɛkˈutsjɔ̃, ktˌura ɕɛ tˈu ɔdbˈɨwa.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_299.wav|sˈɛr rˈɨman zrˈɔbʲiw z nˈas pˌɔɕmʲɛvˈiskɔ tɔ̃ ʃˌubjɛɲˈitsɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_92.wav|a tsˈɔ mˈɔɡɔ̃ mi zrˈɔbʲitɕ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_3.wav|pʃˈɛs pʲˈɛɲdʑ dɲˈi, ktˌurɛ stsˈɔtt spˈɛɲdʑiw f ʃpitˈalu, ɲʲɛ jˈadwam ˌaɲi ɲʲɛ spˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_189.wav|zrˈɛʃtɔ̃ ɲʲɛ sˈɔndʑɛ, bˈɨ f tɨm vʲˈɛku jˈɛʑdʑiw na nˈartaɣ vˈɔdnɨx tʃɨ uprˈavʲaw bˌɔdɨsˈurfiŋk.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_28.wav|ktˈɔʑ vˌɨprɔvˈadʑiw psˈa na spˈatsɛr. za dvʲˈɛ minˈutɨ ˈu vˈas.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_144.wav|s kˈimɕ pʃɛɡrˈɨva. pˈɔza tɨm zˈafʃɛ xˈɔdʑiw fkuʒˈɔnɨ, vʲˈɛndʑ ɡwˈuvɲʲɛ pʃɛmˈavʲaw pʃˈɛs ɲʲˈɛɡɔː alkˈɔxɔl.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_64.wav|mˈikɛ fʃˈɛd.|0
+Dataset/wavs/urwisko_ferenc/19_segment_80.wav|pʃˈɛʃwa dɔ pʃˌɛtpɔkˈɔju, ɡdʑˈɛ sˈɔlska vwɔʒˈɨwa klˈapki i ɕɛŋɡnˈɛwa pɔ klˈutʃɛ zˌavʲɛʃˈɔnɛ na xatʃˈɨku f pɔblˈiʒu dʒvˈi.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_340.wav|vdˈɔvɔm, mˈatkɔm i kˈurvɔm zˌabraɲʲˈanɔ fstˈɛmpu dɔ sˈɛptuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_137.wav|ˌɔpisɨvˈawa ɡɔdʑˈinɨ spɛndʑˈanɛ w ɔɡrˈutkax kˌavʲarɲʲˈanɨx s kˌɔlɛʒaŋkˈami i kˌɔlɛɡˈami.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_4.wav|vˌɨkɔnˈanɛj z ɡaɡˈatu i zˈɛ zwˈɔta.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_61.wav|swˈɔɲtsɛ viɕˈawɔ nat xˌɔrɨzˈɔntɛm i zˌalɛvˈawɔ pˈark ɕfʲˈatwɛm.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_294.wav|rɨbˈatsɨ pʃɨvʲˈɛʑli ix pʃˈɛz zatˈɔkɛ, ɡdˈɨ pɔʒˈarɨ jˈuʒ vɨɡˈaswɨ i uznˈali, ʒˈɛ mˈɔɡɔ̃ bɛspʲˈɛtʃɲʲɛ pʃˈɨbʲidʑ dɔ bʒˈɛɡu.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_50.wav|a jˈakɔ̃ sprˈavɛ mˈa samˈuɛl tˈarlɨ dɔː artsɨmˌaɛstˈɛra tˌɛɔbˈalda?|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_211.wav|lˈadɨ ɛlˈisa zˈafʃɛ tʃɛsˈawa jˈɛ sˈama i stʃˈɨɡwa ftˈɛdɨ, ɡdˈɨ vˌɨmaɡˈawɨ skrutsˈɛɲʲa.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_69.wav|ɔn zˈaʑ vɨkˈɔnaw zadˈaɲʲɛ w rivˈɛrun, ɲʲɛ stˈajɔndʑ dɔ vˈalki pʃɛtɕˈifkɔ stˈarkɔm ˌaɲi tˈallim.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_143.wav|i pˈɛvɲʲɛ mʲˌɛndʑɨ innˈɨmi dʑˈɛŋki tˌɛmu jˈɛʃtʃɛ ʒˈɨjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_619.wav|i pʃˌɨmjɛʒˈawɛm ɕɛ tsˈɔraz ɡvawtˈɔvɲʲɛj, a ˌɔna ˌɔsuvˈawa ɕɛ bˈɔkʲɛm pɔ ɕtɕˈaɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_314.wav|vˈaʃa mˈiwɔɕtɕ jɛzd bˈardʑɔ waskˈava.|1
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_34.wav|bɛɲdʑˌɛmɨ bɔɡˈatɕi, pʃˌɨjatɕˈɛlu. ˌɔbʒɨdlˈivʲɛ bɔɡˈatɕi.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_41.wav|nˈaʃɛ skafˈandrɨ sɔ̃ sɔlˈidnɛ, ˌalɛ lˈɛpʲɛj ɲʲɛ ʃɔrˈɔvatɕ ɲˈimi ɔ rɛɡˈɔlit.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_146.wav|zˈasxwɔ mu w ɡˈardlɛ i ˈustax i dˈuʃkʲɛm vɨpˈija tsˈawɔ̃ ʃklˈaŋkɛ.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_9.wav|jɛj ˌulubjˈɛɲtsɛm jɛst jˈɛdnaɡ bwɛŋkˈitnɨ bˈart.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_152.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_383.wav|zˌakazˈiwɛm ɕɛ ɔt kˈɔɡɔɕ ɲʲˌɛzidˌɛntɨfˌikɔvˈanɨm baktsˈɨlɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_73.wav|ta dʑɛftʃˈɨna mʲˈawa dvanˈaɕtɕɛ lˈat.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_133.wav|ˈirf pˌɔkazˈujɛ dwˈɔɲmi rˈɔzmʲar bʒuʃˈɨska ɡʲˈɔrɡja.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_14.wav|ɔpˈaski dɔ kˈabli.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_157.wav|— ja tʃˈɛ̃stɔ mˈɨɕlɛ ɔ tˈɔbjɛ, ˈandɛrsɔn — pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_287.wav|zjavˈiwɔ ɕɛ dvˈux sˌaɲitarjˈuʃɨ w ˌɔkulˈarax.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_190.wav|zˈaɲim ʃˈɛt kɕˈɔnts i tˈɛʃ ɲʲɛ vɨɡlˈɔndaw lˈɛpʲɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_73.wav|ɕˈɛdʑi tˌɨlkɔː i mˈɨɕli.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_36.wav|zˈaras pʃɨɕlˈɛmɨ ɔxrˈɔnɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_38.wav|jˌɛstɛm pˈɛvna, ʒˈɛ ktˈɔɕ tˈam stˈɔi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_10.wav|tˈɔm swˈɨʃaw vɨrˈaʑnɛ rˌɔzdraʒɲʲˈɛɲʲɛ w jɛj ɡwˈɔɕɛ.|4
+Dataset/wavs/urwisko_ferenc/18_segment_29.wav|mˈa pˈaɲi sfˈuj lˈɔkal?|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_329.wav|ɕɲˈiwɔ mi ɕɛ, ʒˈɛ ˈumjɛm lˈatatɕ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_322.wav|skˈɔnaw w mˈɔix ramjˈɔnaɣ w dvudʑˈɛstɨm pʲˈɛrʃɨm rˈɔku ʒˈɨtɕa.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_208.wav|nˈadal mˌajɔ̃ vˈilka.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_16.wav|ˌɔdɛbrˈaliɕmˌɨ pˌɔwɔntʃˈɛɲʲɛ s pɔlˈitsji f puwnˈɔtsnɛj vˈalji.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_502.wav|ɔkˈaʒɛ ɕɛ, kʲˈɛdɨ rˈazɛm jˈɔ̃ pʃˌɛkrɔtʃˈɨmɨ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_52.wav|kˌurduplɔvˈatɨ vˈɨɡlɔnt.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_71.wav|f kˈɔɲtsu unˈɔɕi ɡwˈɔvɛ, uɕmʲˈɛxa ɕɛ i ˌinfɔrmˈujɛ, ɡdʑˈɛ mˈɔɡɛ znˈalɛɕtɕ samˈɔxut.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_67.wav|ɲʲɛ mˈɔɡɛ ɕɛ pɔrˈuʃɨtɕ. lˈɛdvʲɛ ɔddˈɨxam. pˈatʃɛ tˌɨlkɔ na ɲʲˈɛɡɔ.|4
+Dataset/wavs/urwisko_ferenc/55_segment_51.wav|w vazˈɔɲʲɛ na blˈatɕɛ stˈawɨ tɕˈɛntɛ rˈuʒɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_131.wav|tˈɨlɛ kˌukurˈɨdʑɨ, mˈuvi, pˈatʃɔnts nat jɛj ramjˈɛɲʲɛm.|2
+Dataset/wavs/urwisko_ferenc/08_segment_2.wav|karˈɔla xˌudʑiɲskʲˈɛɡɔ pˌɔstanˈɔviw zɔstˈavitɕ sˈɔbjɛ na pˈuʑɲʲɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_29.wav|zapˈɛvɲʲa jɛj dˈɔstɛmb dɔ ɕˈɛtɕi, jˈɛɕli ɡˈɔ pˌɔtʃɛbˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_25.wav|ˈumknɔw fʃˈɨstkim ɕtɕˌiɡajˈɔntsɨm i z mʲˈɛtʃɛm zbrɔtʃˈɔnɨm krfjˈɔ̃ zɲˈiknɔw na ɡwɛmbˈɔkʲɛj pustˈɨɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_30.wav|jɛstˌɛɕmɨ jˈɛʃtʃɛ pʃɨkˈutɕi dɔ pˈaru vʲˈadɛr, vˈɔdɨ z rˌɔspuʃtʃˈɔnɔ̃ w ɲʲˈɛj ɡˈarɕtɕɔ̃ najprˈɔstʃɨx pʲɛrvʲˈastkuf.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_272.wav|ɲʲɛ zˌastanˈavʲaw ɕɛ nˈattɨm. ˈuɲʲus rˈɛŋkɛ, zatɕˈisnɔw pʲˈɛɲɕtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_122.wav|xˈaʃtak mˈɔrdmaŋk. jˈɛɡɔ nazvˈiskɔ tˈam vˌɨskakˈujɛ, vʲˈɛnts ɲʲɛ pˌɔvʲɛdʑˈawɛm ɲitʃˈɛɡɔ, tʃˈɛɡɔ ɲʲɛ pˌɔviɲʲˈɛnɛm. tɔ jˈɛst...|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_123.wav|nˈaɡlɛ w mˈɔjɛj kʲɛʃˈɛɲi zˌadʑvɔɲˈiw�� ɡʲˈizmɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_133.wav|pʃɛd vʲɔsˈɛnnɨm tʃˈaɕɛ, tˈak ˌɔbjɛtsujˈɔntsɨm vˈɛdlɛ mˈɛɡɔ xˌɔrɔskˈɔpu,|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_343.wav|ˈɔmal ɲʲɛ rˌɔzlɛvˈajɔndʑ vˈina.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_132.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_31.wav|ɲʲɛ tʃˈɛkaw na ɔtpˈɔvʲɛtɕ.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_88.wav|ɲʲɛ fpˈuʃtʃɛ tɕˈɛ pɔt sfˈuj dˈax.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_285.wav|stˈal zɡʒɨtnˈɛwa ɔ stˈal.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_341.wav|— ɲʲɛ mˈɔʒɛʃ ˈɔtɨm vʲˈɛdʑɛtɕ — pɔvʲˈɛdʑaw. — jɛst tɕˈɛmnɔ. ɲʲɛ zˌapalˈiwaɕ ɕfʲˈatwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_163.wav|drɔɡˈɛrja nalˈɛʒɨ dɔ ɕˈɛtɕi tsˌɛfˌawˈɛs. bʲˈillɨ znajdˈujɛ piɡˈuwki dʑˈɛɲ pɔ w dʑˈalɛ plˌanɔvˈaɲʲa rɔdʑˈinɨ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_222.wav|ˌalɛ nˈajpʲɛrf mˈuɕiʃ ɕɛ ˈumɨtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_268.wav|rˈaz vwɔʒˈɔna, a jˈuʒ dɔ vˌɨʒutsˈɛɲʲa pˌɔmɨɕlˈawɛm, jˈaka ʃkˈɔda. mˈɔʒɛ jˈɛdnak tʃˈɛba bˌɨwɔ kˈupitɕ tˈɛ ʑɛlˈɔnɔ̃?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_122.wav|jˈaɡʒɛ muɕˈɛli vrˈaz z jaɡˈɛrɛm ɕmʲˈatɕ ɕɛ z mˈɔjɛj nˌaivnˈɔɕtɕi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_433.wav|kˈɔwɔ kɔlˈumnɨ krˈula zɨɡmˈunta na plˈatsu zamkˈɔvɨm jˈakʲɛɕ ɲʲɛznˈanɛ dvʲˈɛ kˌɔŋkurɛntsˈɨjnɛ pˈartjɛ pˌɔlitˈɨtʃnɛ bʲˈiwɨ ɕɛ zˈɛ sˈɔbɔ̃ zajˈadlɛ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_471.wav|pʲˈɛŋkna brjˈɛnnɛ|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_240.wav|zabrˈawam jˈɛʃtʃɛ ʃˈɛʑdʑ dˌɔdatkˈɔvɨx, s ktˌurɨx kˈaʒdɨ zapˈɛvɲʲaw mi kɔlˈɛjnɛ ˈɔɕɛm ɡˈɔdʑin ˌɔddɨxˈaɲʲa.|4
+Dataset/wavs/urwisko_ferenc/36_segment_61.wav|jˈɛɕli pʃˈɨjɔɲtɕ, ʒˈɛ pʃɨ tˈakim skfˈaʒɛ jˈaɡ dʑˈiɕ...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_24.wav|prˈɔʃɛ mi tɔ vɨjˈaɕɲitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_32.wav|i dlatˈɛɡɔ tʃˈujɛʃ ɕɛ f pɔʒˈɔntku, sɨpʲˈajɔndʑ z mˈɔim xwɔpˈakʲɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_206.wav|— pˈij pˈan — pɔvʲˈɛdʑaw. rˈɛntsɛ mˈajka tʃˈɛ̃swɨ ɕɛ i ˈandɛrsɔn mˈuɕaw pʃɨtʃˈɨmatɕ jˈɛɡɔ kˈubɛk ʃtʃˌɛŋkajˈɔntsɨ ɔ zˈɛmbɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_222.wav|fxˈɔdʑɔndʑ dɔ pˈubu xartnˈɛla, ɲʲɛ bˌɨwam pˈɛvna, tʃˈɛɡɔ ɕɛ spɔdʑˈɛvatɕ.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_231.wav|tɔ pʃˌɛrazˈiwɔ ɡˈɔ bˈardʑɛj ɲˈiʃ fʃˈɨstsɨ vrɔɡˈɔvʲɛ, jˈakix spɔtˈɨkaw na pˈɔlu bʲˈitfɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_96.wav|jˈɛzu, dˈɔbrɨ jˌɛstɛɕ f tɛ klˈɔtski, pˌɔxfalˈiwam ɡˈɔ.|4
+Dataset/wavs/urwisko_ferenc/47_segment_77.wav|xˈɛrman stɛ̃ʒˈawa|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_44.wav|jˈakʲɛ ˌinfɔrmˈatsjɛ?|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_111.wav|vʲˈadrɔ zˌakɔwɨsˈawɔ ɕɛ na bˈɔki, virˈujɔnts f pɔvʲˈɛtʃu, a pˈɔtɛm ˌudɛʒˈɨwɔ mˈɔtsnɔ f skˈalnɔ̃ ɕtɕˈanɛ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_362.wav|ʃtˈɨlɛt!|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_146.wav|ˌɔɕlɛpʲˈɔna pʃˈɛz wzˈɨ i ɡˈɛ̃stɨ mrˈɔk, i tˈaɡ zˌauvaʒˈɨwam jaɕɲʲˈɛjʃɔ̃ plˈamɛ pʃɨ ɕtɕˈɛʃtsɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_156.wav|bʲˈillɨ jɛzd zˌaɲʲɛpˌɔkɔjˈɔnɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_259.wav|zˈamknɔɲtɕ ˈɔtʃɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_80.wav|nˈudnɔ tˈu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_129.wav|mˈɔʒɛʃ tɔ zrˈɔbʲitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_71.wav|ɲʲɛ xlˈusta w ɲʲˈɛɡɔ kˈavɔ̃, upˈija wˈɨk i mˈɔtsnɔ zatɕˈiska vˈarɡʲi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_123.wav|ʒˌartujˈɛtɕɛ, prˈavda?|3
+Dataset/wavs/urwisko_ferenc/03_segment_33.wav|ˈɛfɛkt jˈɛdnaɡ bˈɨw tˈaki, ʒˈɛ pɔ kˈilku lˈatax ɕlˈɛtstfɔ f tɛj sprˈavʲɛ|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_123.wav|lˈɛpʲɛj pɔdvˈɔitɕ tˈɛ lˈidʒbɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_124.wav|na ɕtɕˈɛʃtsɛ prˌɔvadʑˈɔntsɛj dɔ dʒvˈi dʑɛftʃˈɨna, ktˌurɔ̃ ɲʲˈɛɕɛ, ɔdvrˈatsa ɡwˈɔvɛ, vɨdˈajɛ zdwavʲˈɔnɨ dʑvʲˈɛŋk i vɨʒˈutsa vˈɔ̃skɔ̃ strˈuʃkɛ vɨmjˈɔtɕin prˈɔstɔ na jˈɛɡɔ paxfˈinɛj nˈɔɡɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_6.wav|na mˈɔjɔ̃ kɔmˈɛndɛ kˈɔmpan ˈɔʒɨw.|4
+Dataset/wavs/urwisko_ferenc/57_segment_37.wav|ˌɔddʑvaɲʲˈawa pilˈɛfska.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_76.wav|ɲʲɛ uvʲˈɛʒɨwbˌɨɕ, tsˈɔ zrˈɔbʲiw z ɲʲˌɛkturˈɨmi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_117.wav|ɲʲɛ kˈurtʃɛ ɕɛ ˌaɲi ˌɔdrɔbʲˈinɛ, kʲˈɛdɨ stˈaram ɕɛ ɲʲɛ pˈatʃɛdʑ zbˈɨd dwˈuɡɔ na stˈuw.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_127.wav|brjˈɛnnɛ ɲʲɛ pˌɔznavˈawa ix tfˈaʒɨ. lɛʒˈawa na ʑˈɛmi, fspˈarta plɛtsˈami ɔ pʲˈɛɲ dʒˈɛva.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_49.wav|pˌɔvʲɛdʑˈafʃɨ tɔ, tʃmɨxnˈɛwa w ɡwˈɔmb dˈɔmu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_201.wav|vɨtɕˈɔŋɡa dwˈɔɲ dɔ dʑɛftʃˈɨnɨ, ktˌura ɔtxˈɨla ɕɛ lˈɛkkɔ, jˈaɡbɨ w ɔbˈavʲɛ, ʒˈɛ jˈɔ̃ udˈɛʒɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_225.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_241.wav|zˌanudʑˈiwɛʑ ɡˈɔ na ɕmʲˈɛrtɕ sfɔˈimi vˌɨʒutˈami? darˈɨɔn rɔzˈɛɕmʲaw ɕɛ ɡwˈɔɕnɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_71.wav|pɔftˈuʒɨw, dˈajɔnts mi jˈasnɔ dɔ zrˌɔzumjˈɛɲʲa, ʒˈɛ mˈam spˈɔjʒɛtɕ mu prˈɔstɔ w ˈɔtʃɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_157.wav|xˈɨba fʃˈɨstsɨ mɔʒˈɛmɨ bˈɨdʑ zɡˈɔdɲi tsˈɔ dɔ tˈɛɡɔ, ʒˈɛ sˌɨtuˈatsja jɛst pʃɛsrˈana.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_51.wav|tɔ znˈatʃɨ, ʒˈɛ...|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_31.wav|xˈɔtɕ jˌɛstɛm tˈak fɕtɕˈɛklɛ zdˌɛtɛrmˌinɔvˈana, bˈɨ xrˈɔɲitɕ sˈɨna, sˈɛrtsɛ pˈɛŋka mi na mˈɨɕl ˈɔtɨm, jˈak kˈaraw ˈɔjtsa pʃˈɛz dvˈa dwˈuɡʲɛ lˈata.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_276.wav|vʲˈɛndʑ ɡˈura vˈɨbʲiw jɛj zˈɛmbɨ zakˈutɔ̃ f stˈal pʲˈɛɲɕtɕɔ̃, wˈamjɔnts pʃɨ ɔkˈazji wˈadnɨ nˈɔsɛk.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_34.wav|ɲʲɛ pˌɔviɲʲˈɛnɛm ˈiʑdʑ z ɲˈim dɔ wˈuʃka, kʲˈɛdɨ jˈɛʃtʃɛ bˌɨliɕtɕˌɛ rˈazɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_58.wav|i ɲˈiɡdɨ ɲʲɛ ɔtkrˈɨli, kˈim bˌɨwam kʲˈɛdɨɕ.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_31.wav|sprˈaf pʃɨjˈɛmnɔɕtɕ mɔjˈɛmu pʃˌɨjatɕɛlˈɔvi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_252.wav|jɛj pʲˈɛŋknɔ bˌɨwɔ zwɔvrˈɔɡʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_53.wav|dla mɲʲɛ bˌɨwɨ tɔ mˈimɔ fʃˈɨstkɔ jɛdˈɨɲʲɛ ɡrˈɨ lɔsˈɔvɛ, ˌalɛ ɲʲɛ xtɕˈawam mu tˌɛɡɔ mˈuvitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_161.wav|bʲˈillɨ ˌɔrjɛntˈujɛ ɕɛ, ʒˈɛ zatʃˈɨna mˈuvitɕ jɛ̃zˈɨkʲɛm sfɔjˈɛɡɔ ɡwˌupavˈɛɡɔ jˈa, ˌalɛ mˈa tɔ ɡdʑˈɛɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_57.wav|ɔː ˈilɛ jˈɛʃtʃɛ ʒˈɨjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_39.wav|dˈaj spˈɔkuj, f tɨm jɛzd ɡɔrˈɔntsɔ jˈak xɔlˈɛra i...|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_326.wav|jˈɛdna z jˈɛɡɔ stˈup pˌɔɕlizɡnˈɛwa ɕɛ na bwˈɔtɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_263.wav|mʲˈaw ɔxˈɔtɛ jˈɛʃtʃɛ rˈaz zrˈɔbʲitɕ uʒˈɨtɛɡ zˈɛ smˈaɡwɛj kɔbjˈɛtɨ, ˌalɛ ɲʲˈɛbɨw jˈuʃ f stˈaɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_21.wav|jˌɛstɛm ɡɔtˈɔva ˈumʒɛdʑ za mɔjˈɛɡɔ sˈɨna, ˌalɛ mˈɔja ɕmʲˈɛrtɕ pˌɔzɔstavˈiwabˌɨ ɡˈɔ w rˈɛŋkax jˈɛɡɔː ˈɔjtsa.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_320.wav|jˈɛɡɔ vʲˈɛlka ɕfʲˌɔntɔblˈivɔɕtɕ pˈiʃɛ, ʒˈɛ krˈul tˈɔmmɛn vɨrˈaziw zɡˈɔdɛ. jˈɛɕli xtsˈɛʃ, pɔkˈaʒɛ tɕi lˈist.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_72.wav|jˈɛɕli tɔ ɲʲɛ jɛst pɔrvˈaɲʲɛ, tɔ tsˈɔ jˈɛʃtʃɛ fxˈɔdʑi w raxˈubɛ?|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_395.wav|a ja bˌɨwɛm mwˈɔtʃɨ ɲˈiʃ pˈɛk.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_258.wav|ɲʲɛ vˈidʑɛ pɔvˈɔdu.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_87.wav|ɲʲɛʃtʃˈɛ̃snɨ wˈad vɨmjˈɛɲiw sˈɛr tallˈada vˌɨsɔkʲˈɛɡɔ, lambˈɛrta tˌurnbɛrˈɛɡɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_138.wav|sprˈɔvatɕ ix tˈutaj, ˌuɕmʲɛxnˈɛwa ɕɛ dɔ tˈatɨ. mˌamɨ mnˈustfɔ pɔkˈɔi, prˈavda, jˈɔɛl?|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_111.wav|zˈafʃɛ bˈɨw dˈɔbrɨm swuxˈatʃɛm, mˌaɡazɨnˈɔvaw ˌinfɔrmˈatsjɛ jˈaɡ vʲɛvʲˈurka ɔʒˈɛxɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_53.wav|kˈivam ɡwˈɔvɔ̃.|4
+Dataset/wavs/urwisko_ferenc/05_segment_85.wav|znˈuf ˌuswɨʃˈawa sfˈɔjɛ ˈimjɛ.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_175.wav|ɡvˈɛlɔn xˈumblɛ vˈɨznaw mu ʃˈɛptɛm, ʒˈɛ na pɔkwˈadʑɛ tɕˈiʃɨ jɛst ix tʃˈɛx.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_21.wav|uɕmʲˈɛxnɔw ɕɛ dɔ bˈɛki, vʲˈɛdʑɔnts, ʒˈɛ ta zˌirɨtˈujɛ ɕɛ na sˈamɔ̃ mˈɨɕl, pɔ tʃɨm natɕˈisnɔw dʑvˈɔnɛk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_107.wav|tɔ naprˈavdɛ spɔtkˈawɔ tfˈɔjɔ̃ ɕˈɔstrɛ?|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_60.wav|pɔt mˈaʃtɛm brɔɲˈiwa ɕɛ jˈɛʃtʃɛ spˈɔra ɡrˈupa pʃˌɛtɕivɲˈikuf ˌustavʲˈɔnɨx f pʲˈɛrɕtɕɛɲ rˈamjɛ pʃɨ ramjˈɛɲʲu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_173.wav|tɔ jɛst pʃˈɛʃwɔɕtɕ, a ɔn jɛst w ɲʲˈɛj tˌɨlkɔ vˈidʑɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_293.wav|ˈɔtɔ ɕɛ ɲʲˈɛmartf ˌuspɔkˈɔiw mɲʲɛ trˈɔnt. xtsˈɛ kˈupitɕ tˈɛ xˈutɛ, a ɲʲɛ dˌɔprɔvˈadʑidʑ dɔ ruˈinɨ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_92.wav|tʃˌɛmu mʲˈawabˌɨ bˈɨdʑ zˌaskɔtʃˈɔna?|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_46.wav|mˈɔʒɛ ɲʲɛ ɔt rˈazu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_655.wav|kɔmˈisaʃ uɕmʲˈɛxnɔw ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_59.wav|viktˈarjɔn tʃˈuw tɕˈɛpwɔ̃ krˈɛf, ɕtɕˌɛkajˈɔntsɔ̃ mu pɔ pˈaltsax pˌɔtskuʒˈanɔ̃ kˈurtɔ̃, kɔltʃˈuɡɔ̃ i klˌɛpsɨdrˈɔvɔ̃ stˈalɔ̃. tɔ jˈɛdnak ɲʲɛ mʲˈawɔ znatʃˈɛɲʲa.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_209.wav|utʃˈɨwɛm ɕɛ vˈalki ɔd dɲʲˈa, ɡdˈɨ uznˈanɔ, ʒˈɛ jˌɛstɛm vˌɨstartʃajˈɔntsɔ dˈuʒɨ, bˈɨ ˈuɲʲɛʑdʑ drɛvɲʲˈanɨ mʲˈɛtʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_26.wav|ˌalɛ tˈɛraz bˌɨwɔ tɕˈixɔ, pˈustɔː i tˌɨlkɔ na pɔdwˈɔdʑɛ uswˈanɛj ɡˌazɛtˈami valˈawa ɕɛ jˈɛʃtʃɛ jˈɛdna butˈɛlka rˌɔsɨjskʲˈɛɡɔ ʃampˈana.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_45.wav|na pɔlˈitʃku mˈɔʒna bˌɨwɔ dˈɔstʃɛts tʃˈarnɨ pˈuŋktɕik tˈaɡ zvˈanɛj mˈuʃki.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_233.wav|jɛzd dˈɔbra, lˈubjɛ jˈɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_65.wav|znatʃˈɨwɔ tɔ, ʒˈɛ tˈaɡ zvˈanɨ lˈɔrd bwˌɨskavˈitsa mˈuɡw bˈɨdʑ blˈiskɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_131.wav|tɔ ɲʲɛ f stˈɨlu ɲˈitska i dʒˈɔrdʒja, ʒˈɛbɨ ftɕˈɔŋɡatɕ jakʲˈɛɡɔɕ mʲˌɛjstsɔvˈɛɡɔ f sfˈɔjɛ sprˈavɨ, zvwˈaʃtʃa ɡdˈɨ ɡrˈa ˈidʑɛ ɔ najvˈɨʃʃɔ̃ stˈafkɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_97.wav|xtɕˈawbɨ ɕɛ mɲʲɛ pˈɔzbɨtɕ i ʃtʃˈɛʒɛ mˈuvʲɔnts mˈɔʒɛ lˈitʃɨtɕ na vzajˈɛmnɔɕtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_54.wav|xtsˈɛ jɛj pɔvʲˈɛdʑɛtɕ, ʒˈɛ fʃˈɨstkɔ jɛj vɨbˈatʃam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_56.wav|ɲˈiɡdɨ jˈɛdnak jɛj ɲʲɛ ɡrɔzˈiwɛm, kʲˈɛdɨ nˈaʒ zvʲˈɔ̃zɛk jˈuʃ ɕɛ rɔssˈɨpaw.|3
+Dataset/wavs/urwisko_ferenc/11_segment_70.wav|pɔvʲˈɛdʑaw ɔstrˈɔʒɲʲɛ ˈɔlɡʲɛrt. tsˈɔɕ jˈɛʃtʃɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_151.wav|nˌajvɨrˈaʑɲʲɛj tˌɛɡɔ vʲɛtʃˈɔru trˈɔnt mʲˈaw nˈastruj dɔ zvʲˈɛʒɛɲ.|4
+Dataset/wavs/urwisko_ferenc/47_segment_70.wav|ˈɔlɡʲɛrt ɲˈiɡdɨ ɡˈɔ tˈak ɲʲɛ ɔkrˈɛɕlaw, pˌɔmɨɕlˈawa, ɡdˈɨ vrutɕˈiwa pamjˈɛɲtɕɔ̃ dɔ ɲʲɛlˈitʃnɨɣ dɨskˈusji ɔ ʒˈɨtɕu partnˈɛra i jˈɛɡɔ rɔzrˈɨfkax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_26.wav|tsˈɔ ɡˈɔrʃa, ˌɔna pˈatʃɨ na ɲʲˈɛɡɔ, jˈaɡbɨ ɲʲɛ pˌɔdlɛɡˈawɔ tɔ ʒˈadnɛj dɨskˈusji.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_135.wav|ˌalɛ xˈɨba pˈustki f kˈaɕɛ tɔ za mˈawɔ, ʒˈɛbɨ ɕɛ fplˈɔntat�� f plˌanɔvˈaɲʲɛ zabˈujstfa.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_55.wav|ɲʲɛktˌuʒɨ z mˈɔiɣ brˈatɕi bˌɨli dɔbrˈɨmi lˈudʑmi, ɡdˈɨ tɔ ɕɛ zatʃˈɛwɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_5.wav|tɔ mˈuɕi ɕɛ vɨdˈaʒɨdʑ dʑˈiɕaj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_8.wav|ˈuznaw, ʒˈɛ jˈɛ zɡɔlˈiwam, vʲˈɛnts fʃˈɨstkɔ ɡrˈa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_99.wav|bˈɔʒɛ, tsˈɔ za bawˈaɡan.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_92.wav|tsˈɔ tˈak naprˈavdɛ mɔʒˈɛmɨ zrˈɔbʲitɕ, ˈaʃ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_33.wav|ɲʲɛ mˈɔɡɛ tˌɛɡɔ zrˈɔbʲitɕ.|3
+Dataset/wavs/urwisko_ferenc/45_segment_45.wav|ˌɔdɛzvˈawa ɕɛ jɔˈanna. — jˌɛstɛɕ pɔdˈɔbna dɔ sfˈɔjɛj mˈatki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_73.wav|pʃɛʒˈutsa tɛlˈɛfɔn z rˈɛŋki dɔ rˈɛŋki, fspˌɔminˈajɔndʑ dʑˈɛɲ, kʲˈɛdɨ, dʑˈiʑ ʒawˈujɛ, ʒˈɛ ɕɛ nˈatɔ zɡˈɔdʑiw, frˈaŋk ˌɛmtsˈɛ ˈintɔʃ i pˈawl lˈɔɡan zabrˈali ɡˈɔ dɔ dˈɔmu w midvˈɔɔt.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_136.wav|w zasˈadʑɛ drˈɔbjask.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_39.wav|sˈiri, pˈɔwɔndʒ z ˈaʃ, vɨdˈajɛ tˌɛlɛfɔnˈɔvi pˌɔlɛtsˈɛɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_131.wav|tˈɛn, ktˌurɨ ˌɔɡlɔndˈawɛm, prˈavda?|2
+Dataset/wavs/urwisko_ferenc/15_segment_72.wav|tʃɨm ɕɛ zajmˈujɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_47.wav|tʃɨ mˈɔɡɛ vrˈutɕidʑ dɔ tʃˈɛɡɔɕ, tsˈɔ pˌɔvʲɛdʑˈawɛɕ ɔ sfˈɔjɛj ˌaplikˈatsji? zapˈɨtaw tˈɔm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_422.wav|mˈɔʒɛ mˈa pˈan sfˈɔjɔ̃ rˈatsjɛ, ˌalɛ ja tɕˈɔŋɡlɛ mˈɨɕlɛ ɔ mˈɔim zmartfʲˈɛɲʲu. upʲˈɛtʃɛ ɕɛ, pˈanu!|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_221.wav|— tɔ swˈɔvik? — spɨtˈawɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_236.wav|dlatʃˈɛɡɔ fʃˈɨstsɨ jɛstˌɛɕtɕɛ tˈatsɨ ɲʲɛdˈɔbʒɨ dla mɲʲɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_79.wav|twˌumatʃˈɨwɛm kljɛntˈɔvi, ʒˈɛ ɲʲɛ pˈuɕtɕiʃ pˈarɨ, tsɔkˈɔlvʲɛk ɕɛ stˈaɲʲɛ. ɔn nalˈɛɡaw, nˈɔː i jˈak fspɔmɲʲˈawɛm...|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_624.wav|ktˌurɛ ʃˌamɔtˈawɔ ɕɛ ɡdʑˈɛɕ ˈu ʃtʃˈɨtu sxˈɔduf, ɡdʑˈɛɕ xˈɛn pɔd dˈaxɛm.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_29.wav|a jˈaɡ vˌɨɡlɔndˈawa jɛj rɛlˈatsja z ɲˈilɛm? zˌapɨtˈawa bˈɛtskɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_43.wav|pˈan tˌaki mˈiwɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_158.wav|ˈalbɔ dlatʃˈɛɡɔ kɔmbʲˈinat skwadˈɔvaw mˈɛtan, tlˈɛn i xlˈɔr f pˌɔmjɛʃtʃˈɛɲʲu zˌaɡrɔʒˈɔnɨm vɨtɕˈɛkʲɛm pʃˌɛɡʒanˈɛɡɔː ˌɛlɛktrɔlˈitu?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_68.wav|dlatʃˈɛɡɔ f tˈakim rˈaʑɛ tɔ zrɔbʲˈiwaɕ?|3
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+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_232.wav|rɔbʲˈiwam tɔ f tˌajɛmɲˈitsɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_47.wav|fskazˈujɛ na jɛj pɔdˈɔwɛk.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_139.wav|stˈaw, zˌamɨkˈajɔnts starˈanɲʲɛ parˈasɔl.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_51.wav|ɲʲɛ pˈɔtɨm, jˈak tɕˈɛ pˌɔtraktɔvˈali.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_60.wav|bˈɛvi tˈɛʃ. pʃɨvˈitaj ɕɛ, bˈɛvi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_107.wav|i tˈɛʃ sɔ̃ zˌaxfɨtsˈɛɲi. ˌalɛ zˈaɲim vɨbˈulɔ̃ ɡrˈubɔ̃ kˈasɛ, mˈɔva jɛst nˈavɛt ɔ ɕˌɛdmʲɔtsɨfrˈɔvɛj sˈumjɛ, xtsˈɔ̃, ʒˈɛbɨɕ ukˈɔɲtʃɨw kɕˈɔ̃ʃkɛ.|2
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+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_30.wav|ɲʲɛtsˈawɔ̃ minˈutɛ pˈuʑɲʲɛj zˌauvˈaʒam blˈask latˈarki f pˈustɨm vˈɛjɕtɕu dɔ jɛdnˈɛɡɔ z budˈɨŋkuf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_94.wav|ˌɔna xtɕˈawa pɔ prˈɔstu bˈɨdʑ vˌɨjɔntkˈɔva.|3
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+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_239.wav|i pʃɨvrˈutɕiw dɔ ʒˈɨtɕa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_40.wav|xˌɔrujˈɛmɨ z zazdrˈɔɕtɕi, ʒˈɔndʑɨ, zavˈiɕtɕi. dlatʃˈɛɡɔ, jˈɔɛl? dlatʃˈɛɡɔ?|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_394.wav|jˈak ʃtʃˈurɨ musˈimɨ ɕɛ krˈɨtɕ w nˈɔrax, ɡdˈɨ vˈɛ̃ʃɔ̃ za nˈami psˈɨ, a tɨx psˈuv z dɲʲˈa na dʑˈɛɲ jɛst tsˈɔraz vʲˈɛntsɛj.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_74.wav|ˌuɕmʲɛxnˈɛwa ɕɛ pʃɛlˈɔtɲʲɛ, pɔ tʃɨm na jɛj tfˈaʒɨ zˌaɡɔɕtɕˈiwɔ pʃˌɛraʒˈɛɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_134.wav|a tfˈaʃ jˈɛɡɔ vˌɨɡlɔndˈawa znˈuf jˈak mˈaska, znˈuf pˈɛwna zmɛntʃˈɛɲʲa, ktˌurɛ kwˈadwɔ nˈaɲʲɔ̃ ˈɔstrɛ ɕfʲˈatwɔ lˈampɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_268.wav|tʃɨ tɔ na pˈɛvnɔ jɛzd bɛspʲˈɛtʃnɛ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_101.wav|pˈatʃɔnts na kˈartɨ lɛʒˈɔntsɛ na stˈɔlɛ, prubˈujɛ skˌalkulˈɔvatɕ, na tsˈɔ mˈɔʒɛ lˈitʃɨtɕ.|3
+Dataset/wavs/urwisko_ferenc/53_segment_3.wav|tˌɨlkɔ frˈaɡmɛnt.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_48.wav|jˈɛdna z ɲʲɛlˈitʃnɨɣ zˈalɛt mʲɛʃkˈaɲʲa w ˌɔɡɲʲɔɔtpˈɔrnɨx pˌɔmjɛʃtʃˈɛɲʲax. ɔ vʲˈɛlɛ lˈɛpʃɛ ɔt mˌikrɔfalˈufki.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_94.wav|tʃɨ mˈɔʒɛ pˈaɲi dˈatɕ jɛj xfˈilɛ, zˈaɲim zˈatʃɲʲɛ z ɲʲˈɔ̃ rɔzmˈavʲatɕ? xtɕˈawabˌɨm, ʒˈɛbɨ ɕɛ ˌuspɔkɔˈiwa. zˈafʃɛ jɛst tˈak sˈamɔ, kʲˈɛdɨ ɔn pʃɨxˈɔdʑi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_430.wav|tˈak tɔ vɨɡlˈɔnda, ˈɛstɛr, pɔvʲˈɛdʑaw.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_205.wav|bʲˈillɨ vʒˈutsa rɛvˈɔlvɛr i krˌutkɔfalˈufkɛ dɔ ʃɔfˈɛrki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_166.wav|jˈɛɡɔː ˈɔtʃɨ lɕɲʲˈɔ̃ w ˈɔstrɨm ɕfʲˈɛtlɛ rˌɛflɛktˈɔruf i pʃˈɛs xfˈilɛ ɔbˈɔjɛ miltʃˈɨmɨ,|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_57.wav|mˈuʃɛ ɕˈɛdʑɛdʑ bˈɛs rˈuxu.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_158.wav|ˌɔtatʃajˈɔntsɛ nˌaʃɨjɲˈikʲɛm ʃˈɨjɛ i ramjˈɔna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_106.wav|tʃɨ bˌɨwɛm zˌadɔvɔlˈɔnɨ, ʒˈɛ vɨdˈɨmaw mɲʲɛ ktˈɔɕ, kˈɔmu ufˈawɛm?|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_6.wav|mijˈali vwˈaɕɲʲɛ spʲɛtʃˈɔnɛ swˈɔɲtsɛm pˌɔwudɲʲˈɔvɛ vɨbʒˈɛʒɛ dˈɔrn.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_62.wav|mˈam jˌɛdnɔtʃˈɛɕɲʲɛ nadʑˈɛjɛ, ʒˈɛ ɔbˈɛtsnɔɕtɕ pɔlˈitsji ɔtstrˈaʃɨ jaɡˈɛra.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_391.wav|drˈɔbna tfˈaʃ frˈɛja pɔblˈadwa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_99.wav|ɲʲɛ rˌɛaɡˈujɛ nˈavɛt, kʲˈɛdɨ bʲˈillɨ nazˈɨva ɕˈɛbjɛ zwˈɨm tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_168.wav|kʲˈɛdɨ vrutɕˈili dɔ dˈɔmu, kˈat pɔmˈɔɡwa sˈɨnɔm brˈuska rˌɔzwadˈɔvatɕ wˈutɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_156.wav|xˈɨba mˈɔʒna pɔvʲˈɛdʑɛtɕ, ʒˈɛ zˈabraw mɲʲɛ z ulˈitsɨ.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_156.wav|tʃɨ nˈadal jɛst ˌɔbɛrʒˈɨstkɔ̃?|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_42.wav|bʲˈillɨ mˈuɕi pɔfstʃˈɨmatɕ ˈuɕmʲɛx, tɕisnˈɔntsɨ ɕɛ na ˈusta.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_51.wav|vʲˈɛm, ʒˈɛ skˈupʲam ɕɛ nˈatɨh ʒˈɛtʃax, ʒˈɛbɨ zˌablɔkˈɔvadʑ w ɡwˈɔvʲɛ ˈinnɛ mˈɨɕli, tˈɛ, ktˌurɛ pʃˈɛs tsˈawɨ tʃˈas ɲʲɛ dˈajɔ̃ mi spɔkˈɔju, ˌalɛ tɔ ɲʲɛ dʑˈawa.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_108.wav|bʲˈillɨ stˈajɛ na tʃfˈartɨm pɔʑˈɔmjɛ i dɔpʲˈɛrɔ ftˈɛdɨ tʃˈɨta vʲadˈɔmɔɕtɕ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_99.wav|vɨmjˈɛɲʲaʃ tˌɨlkɔː imjˈɔna mˈɛ̃ʃtʃɨzn, ktˌurɨɣ vidʑˈawɛɕ w jɛj kɔmnˈatax. xtsˈɛmɨ uswˈɨʃɛtɕ prˈavdɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_135.wav|a jˈɛɕli ɲʲɛ pʃˌɛbɨvˈajɔ̃ zˈɛmnɔ̃?|3
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+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_30.wav|dlatʃˈɛɡɔ mˈili?|4
+Dataset/wavs/urwisko_ferenc/37_segment_35.wav|rɔzɡʒˈanɛ pɔvʲˈɛtʃɛ zɲʲˌɛkʃtawtsˈawɔː ˈɔbras.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_193.wav|tɔ dˈɔbʒɛ, bˈɔ ja tˌɛɡɔ ɲʲɛ rɔzˈumjɛm, pɔvʲˈɛdʑaw ˈandɛrsɔn. bˈɨw jˈuʃ trˈɔxɛ pijˈanɨ i dɛvˈanɛ vˈidʑaw tɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_16.wav|pˈɔza mˈasɔ̃ pʃɛsˈɨwki, rˈɛʃta zlɛtsˈɛɲʲa bˌɨwa ɲʲɛjˈasna.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_90.wav|nˈaɡlɛ sˈɔbjɛ pʃˌɨpɔmˈinam, ʒˈɛ jɛst jˈɛʃtʃɛ jˈɛdna ɔsˈɔba, ktˌura fxˈɔdʑi na pʲˈɛntrɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_112.wav|i bˈardʑɛj zɡˈɔdnɨ s kˈiblɔ̃ ɲˈiʒ zvratsˈaɲʲɛ ɕɛ na zˈaxut.|4
+Dataset/wavs/urwisko_ferenc/46_segment_169.wav|skˈɔrɔ tɛn lˈipski jˈuʃ tˈu bˈɨw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_122.wav|pʲˈɛpʃɛ, kˌamɛrˈɔna, znajdʑˈɛmɨ ˈinnɨ spˈɔsup na zdɔbˈɨtɕɛ pʲɛɲʲˈɛndʑɨ. ˈalbɔ pɔ prˈɔstu ɲʲɛ vrutɕˈimɨ. mɔʒˈɛmɨ tˈu zˈɔstatɕ, pˈɔdjɔɲtɕ prˈatsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_131.wav|pɔtʃˈuwam fstˈɨd za sfˈɔjɔ̃ wˌatfɔvʲˈɛrnɔɕtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_144.wav|rɔskwˈada jˈɔ̃, dˌɛlikˈatɲʲɛ vɨɡwˈadʑa i pʃɨlˈɛpja dɔ dˈɛski rɔzdʑˈɛltʃɛj kupʲˈɔnɔ̃ f tarɡˈɛtɕɛ tˈaɕmɔ̃ klɛjˈɔntsɔ̃.|2
+Dataset/wavs/urwisko_ferenc/39_segment_10.wav|vˌɨpuɕtɕˈiwa dˈɨm s pwˈuts. mˈam ˌɔdnɔtɔvˈanɛ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_16.wav|bʲˈillɨ ɔt rˈazu ˌɔdɡadˈujɛ, ktˈɔ pʃɛtstˈaviw rɨsˈɔpis, na kturˌɛɡɔ pɔtstˈavʲɛ pˈɔfstaw.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_393.wav|na dˈɔlɛ ftɕˈɔ̃ʃ lɛʒˈawɨ ʃtʃˈɔntki ɲʲɛdʑvʲˈɛdʑa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_394.wav|stfʲɛrdʑˈifʃɨ, ʒˈɛ pɔpˈɛwɲiw mˌimɔvˈɔlnɨ plˈaɡʲat.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_37.wav|jɛst pˈaɲi pˈɛvna, ʒˈɛ...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_103.wav|a jˈɛɡɔ vʲˌadɔmˈɔɕtɕi ɲʲɛ mˈuvjɔ̃ ɲitʃˈɛɡɔ, tsˈɔ vˌɨɡlɔndawˈɔbɨ dʑˈivɲʲɛ dla kˌɔɡɔkˈɔlvʲɛk pɔzˈamnɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_60.wav|zwɔʒˈɨwam vʲˈɛnts pˈɔtpis, vʲˈɛdʑɔnts, ʒˈɛ bˌɛndɛ tˌɛɡɔ ʒˌawɔvˈawa dɔ kˈɔɲtsa ʒˈɨtɕa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_96.wav|zdavˈawam sˈɔbjɛ sprˈavɛ, ʒˈɛ jɛzd dɔ tˌɛɡɔ zdˈɔlnɨ i ɲʲɛ mʲˈawam vˌɔntplivˈɔɕtɕi, ʒˈɛ mˈa jˈakɔ̃ʑ brˈɔɲ pɔt rˈɛŋkɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_454.wav|mʲˈastɔ budʑˈiwɔ ɕɛ s tɕˈɛ̃ʃkim vɛstxɲʲˈɛɲʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_69.wav|ˈɔrtɔn pɔvʲˈɛdʑaw mi, ʒˈɛ vʲˈɛlki sˈɛptɔn ɲʲˈɛma imjˈɛɲʲa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_253.wav|i prˈɔʃɛ bˈardʑɔ, vɨpˈada rˈɛʃka.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_32.wav|ɔn tɔ fʃˈɨstkɔ vɨtʃˈuvaw, tˈak jˈaɡ vɨtʃˈuvaw kˈaʒdɔ̃ mˈɔjɔ̃ mˈɨɕl.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_34.wav|bˈɔ ɕɛ bˈawaɕ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_427.wav|lˈɔrt fˈɔvlɛr mˈuɡw bˈɨdʑ bˌɛspʲɛtʃɲʲˈɛjʃɨm vɨbˈɔrɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_173.wav|pɔkrˈɨlibˌɨɕmɨ vɨdˈatki zˈɛ zɡrˌɔmadʑˈɔnɨx pʲɛɲʲˈɛndʑɨ. rˈɛʃta bˈɨwabˌɨ nˈaʃa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_173.wav|naɡʲˈɛɡɔ tɕˈawa mwˈɔdɛj kɔbjˈɛtɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_104.wav|jɛzd ɡwˈuvnɨm ʃkˌɔlɛɲʲˈɔftsɛm ɡʲˈildji ˌɛksplɔratˈɔruf.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_75.wav|a jˈɛɕli jɛdˈɨnɨm tsˈɛlɛm pˌɔɕlubjˈɛɲʲa mɲʲɛ jɛst jˈɛɡɔ rɛlˈatsja z mˈili i pʃˌɛkɔnˈaɲʲɛ, ʒˈɛ ftˈɛdɨ bˌɛɲdʑɛ mˈuɡw mɲʲɛ bɛspʲˈɛtʃɲʲɛ zɔstˈavitɕ?|4
+Dataset/wavs/urwisko_ferenc/38_segment_41.wav|pʃˈɛs xfˈilɛ miltʃˈɛli.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_97.wav|jˈɔɛl ˈallɛn bˈɨw zwˈɨm tʃwɔvʲˈɛkʲɛm, pwˈatnɨm zabˈujtsɔ̃.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_39.wav|a pˈɔtɛm ˈɔpar ɕɛ ɔ dʒvˈi sfˈɨm ɔɡrˈɔmnɨm tɕˈawɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_105.wav|mʲˈɛlibˌɨɕtɕɛ pʃɛsrˈanɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_127.wav|dɔ vidʑˈɛɲʲa, ˈandɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_131.wav|pɔt ɔtfˈartɔ̃ vɛrˈandɔ̃ stˈɔi jˈɛɛp xˌɛrɔkˈɛɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_113.wav|bˈɨ ta ɔsˈɔba zdˌɛtsɨdɔvˈawa ɕɛ vrˈɔbʲitɕ pˈaɲʲɔ̃ w mɔrdˈɛrstfɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_4.wav|kʲˈɛdɨ ˈalfjɛ ɕɛ ɔbˈudʑiw, natˈɨxmʲazd zaprˈaɡnɔw zɔbˈatʃɨtɕ mˈɔʒɛ.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_194.wav|ˌuɕmʲɛxnˈɛwa ɕɛ zˈɛ smˈutkʲɛm. pˈɔlitʃ sfˈɔjɛ rˈɛntsɛ, dʑˈɛtskɔ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_37.wav|pʲˈɛz zaʃtʃˈɛkaw i pˈɔdɲʲus nˈɔɡɛ pɔd dʒˈɛvɛm.|1
+Dataset/wavs/urwisko_ferenc/43_segment_98.wav|mˈarja pˌɔdʑɛŋkɔvˈawa jɛj za rɔzmˈɔvɛ i ɔddˈawa tɛlˈɛfɔn bˌɔrɛvitʃˈɔvi.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_343.wav|ʃafˈirɨ|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_63.wav|rˌɔzwɔntʃˈɨwa ɕɛ. mˌajɔ̃ ɡˈɔ, tˈɔm. jˌɔxanssˈɔna bˈɨw na pikˈɛdli i prubˈɔvaw fɕˈɔ̃ʑdʑ dɔ pɔtɕˈɔŋɡu jˌadɔntsˈɛɡɔ dɔ lɔndˈɨnu. vwˈaɕɲʲɛ ɡˈɔ tˈutaj vʲˈɔzɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_408.wav|jɛzd ɡˈɔɕtɕɛm lˈɔrda ˌirɔnvɔˈɔda na ʃlˈaku kˈɔɕtɕi. mˈuʃɛ pʃˈɨznatɕ, ʒˈɛ bjˈɛɡlɛ kwˈamjɛʃ, ˈɔjtʃɛ.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_218.wav|jˈak mˈuɡwbɨm ɕɛ ˈɔpʃɛtɕ tɛj tfˈaʒɨ?|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_4.wav|a pˈɔtɛm mˈinɔɲtɕ namjˈɔtɨ lˈɔrduv dɔ ʒˈɛtʃa, ktˌuʒɨ uɡʲˈɛli kˈɔlan i pʃɨjˈɛntɔː ix s pɔvrˈɔtɛm w ˈɔbrɛmp krˌulɛfskʲˈɛɡɔ pɔkˈɔju.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_313.wav|pʃɨ ˌakɔmpˌaɲʲamˈɛɲtɕɛ kʃˈɨkuf i wkˈaɲʲa jɛj ɕˈustr.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_100.wav|pˈɔdɲim stˈawɨ dvˈa pɔsˈɔŋɡʲi.|4
+Dataset/wavs/urwisko_ferenc/38_segment_28.wav|zɡʒˈɨtnɔw fstˈɛtʃnɨ i vˈus pɔtˈɔtʃɨw ɕɛ dɔ tˈɨwu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_41.wav|ktˈɔ ɡˈɔ zɔbˈatʃɨ, pɔ pʲˈɛɲtɕu minˈutax ˈɔɲim zapˈɔmɲi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_55.wav|kʲˈɛdɨ lˈutsɨ ɕɛ ˌɔtsunˈɛwa, lˌɔuˈisa pˌɔpravˈiwa ɕɛ na wˈuʃku, vˌɨkɔnˈujɔnts ɲʲˈɛtsɔ bˈardʑɛj zˌamaʃˈɨstɛ rˈuxɨ ɲˈiʒ zdˈaɲʲɛm tˈɔma tɔ bˌɨwɔ kɔɲʲˈɛtʃnɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_100.wav|ɔbrˈatsa ɕɛ w mʲˈɛjstsu i pʃɛxˈɔdʑi fˈazɨ,|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_136.wav|za pˈuw rˈɔku kˈɔʒd bˈɨ ɕɛ zvrˈutɕiw i pˈuʑɲʲɛj mʲˈɛlibˌɨɕmɨ miljˈɔnɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_53.wav|pɔvʲˈɛdʑaw ˈandɛrsɔn i zɛskˈɔtʃɨw s tɕˌɛ̃ʒarˈufki.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_75.wav|kɔbjˈɛta ɕɛdʑˈawa z zˌamkɲʲɛntˈɨmi ɔtʃˈɨma, swuxˈajɔnts jˈaɡ darˈɛɔn ɡrˈa na drɛvɲʲˈanɛj xˈarfjɛ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_257.wav|i dvukrˈɔtɲʲɛ stˈarʃɨ ɔt mɔjˈɛɡɔ brˈata. tsˈɔ ɕɛ stˈawɔ z jˈɛɡɔ zɛmbˈami?|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_281.wav|lˈadɨ lˈisa pˌɔstɔmpˈiwa bˈardʑɔ mˈɔndʒɛ, ɲʲɛ pˌɔzvalˈajɔnts, bˈɨ fplɔntˈanɔ nˈaz w vˈɔjnɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_6.wav|pˌɔjɛxˈaliɕmˌɨ na pˈuwnɔts ɔt lɔtɲˈiska.|3
+Dataset/wavs/urwisko_ferenc/21_segment_73.wav|stˈarwa jˈɔ̃ vilɡˈɔtnɔ̃ xustˈɛtʃkɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_118.wav|bʲillʲˈɛɡɔː ˌɔbjɛtɲˈitsɛ ɲˈika ɲʲɛ ˌintɛrɛsˈujɔ̃, ˌaɲi sɔlˈɛnnɛ, ˌaɲi ʒˈadnɛ ˈinnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_141.wav|zˌatʃɨmˈujɛ ɕɛ na skʃˌɨʒɔvˈaɲʲu i pˈatʃɨ f kʲɛrˈuŋku, f ktˌurɨm pɔjˈɛxaw trˈansit. vˈidʑi tˌɨlkɔ kˈilka sˌamɔxˈɔduf i fˌurɡɔnˈɛtkɛ ˌupˌɛtsˈɛ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_119.wav|pɔvʲˈɛdʑaw vam prˈavdɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_428.wav|tʃɨ bavˈiwɨ ix tɛ sˈamɛ kɔlˈɔrɨ, tʃˈasɛm waɡˈɔdnɛ, kʲˈɛdɨ ˈiɲdʑɛj pɔsˈɛmpnɛ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_271.wav|xtɕˈawa dˈɔtknɔɲtɕ jˈɛɡɔ tʃˈɔwa, lˈɛtʃ ɔn ɔttrˈɔɲtɕiw jɛj rˈɛŋkɛ. — nˈɔ vʲˈɛnts? — pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_58.wav|vˈɛstxnɔw i pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃, jˈaɡbɨ ɲʲɛ mʲˈawɔ tɔ z ɲˈim ɲˈits fspulnˈɛɡɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_60.wav|ɲʲɛ vʲˈɛdʑaw, tʃɨ pɔvˈiɲʲɛn ɕɛ z ɲʲˈɔ̃ pʃɨvˈitatɕ. ɔbˈavʲaw ɕɛ, ʒˈɛ mˈɔʒɛ jˈɔ̃ zˌirɨtˈɔvatɕ i narˈazitɕ mˈili na dˈalʃɛ ɲʲˌɛbɛspʲɛtʃˈɛɲstfɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_5.wav|f pɔkˈɔju jɛst tɕˈɛmnɔ, xˈɔtɕ ˈɔkɔ vˈɨkɔl. nˈavɛt ˌɔdrɔbʲˈina ɕfʲˈatwa ɲʲɛ vɨsˈɔntʃa ɕɛ zzˈa rɔlˈɛtɨ na ˈɔkɲʲɛ vˌɨxɔdʑˈɔntsɨm na ɔɡrˈudɛk.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_25.wav|lˈubjɛ tɛ vwɔɕˈiska. nˈɔtsɛ sɔ̃ tsˈɔraz ʑimɲʲˈɛjʃɛ i ˌɔdrɔbʲˈina kwˈakuf ɔɡʒˈɛva tʃwˌɔvʲɛkˈɔvi tfˈaʃ.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_183.wav|ɛdmˈurɛ ɔblˈizaw spɛŋkˈanɛ vˈarɡʲi. pɔt sɨpʲˈalɲʲɔ̃ stˈali skʃɨpkˈɔvʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_35.wav|ɔddˈalaw ɕɛ ɔd dʒvˈi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_40.wav|na tlˈɛ swˈabɔː ˌɔɕfʲɛtlɔnˈɛɡɔ vnˈɛntʃa stˈawa ˈɔna.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_7.wav|zrɔbʲˈiwɔ mi ɕɛ ɡˈɔ ʒˈal. ja tˈɛʃ lubʲˈiwam ʃkˈɔwɛ i ɲʲˈɛxtsɛ, ʒˈɛbɨ ˈalfjɛ tɕˈɛrpʲaw s pɔvˈɔdu mˈɔix ɲʲˌɛdɔtɕˈɔŋɡɲʲɛɲtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(36) R.Abbott_Zamknij Drzwi_segment_4.wav|tʃˈɨmam jɛj ˈɔbraz w ɡwˈɔvʲɛ, ɲʲˈɛxtsɔndʑ ɡˈɔ vɨpˈuɕtɕitɕ, a jˌɛdnɔtʃˈɛɕɲʲɛ prubˈujɛ ɕɛ skˌɔntsɛntrˈɔvatɕ na swˈɔvax tˈɔma.|4
+Dataset/wavs/urwisko_ferenc/48_segment_19.wav|pˈɔtɛm w litsˈɛum i na stˈudjax kʃˈɨvdʑiw dʑɛftʃˈɨnɨ, s kturˈɨmi vʲˈɔ̃zaw ɕɛ vɨwˈɔntʃɲʲɛ dla sˈɛksu.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_191.wav|ɲʲˌɛustˈannɛ pɔtʃˈutɕɛ zˌaɡrɔʒˈɛɲʲa, nˈɛndʑa i ɡɲʲˈɛf, ˌalɛ najbˈardʑɛj zˈɛ fʃɨstkʲˈɛɡɔ dˌɔskfʲɛrˈawɔ mi kɔmplˈɛtnɛ znuʒˈɛɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_11.wav|mɛ̃ʃtʃˈɨzna vzrˈuʃa rˌamjɔnˈami, a ja vbjˈɛɡam pɔ stˈɔpɲʲax.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_325.wav|bˌɨwam tˈam bɛspʲˈɛtʃna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_35.wav|zvrutsˈɔna bˌɨwam f kʲɛrˈuŋku taɲtʃˈɔntsɨx i kʲˈɛdɨ ˌɔdvrutɕˈiwam ɡwˈɔvɛ, ujʒˈawam xwɔpˈaka.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_175.wav|vˈɨʃɛd na zˈɛvnɔntʃ i dˈaw nˈam rˈɛŋkɔ̃ znˈak, ʒˈɛbɨɕmˌɨ pˌɔdɔ̃ʒˈali zˈaɲim.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_59.wav|ʒˈutsam, kʲˈɛdɨ zˌauvˈaʒam, ʒˈɛ ktˈɔɕ jˈɛ zˈajɔw. na fstˈɛtʃnɨm bjˈɛɡu vˌɨtsɔfˈujɛ ɕɛ na jɛdˈɨnɛ vˈɔlnɛ mʲˈɛjstsɛ pˌarkiŋɡˈɔvɛ w najdˈalʃɨm zakˈɔntku.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_58.wav|zˌaintˌɛrɛsɔvˈanɨm ˌɔfɛrujˈɛmɨ vˈɨjɕtɕɛ na z��ɛvnɔntʃ pɔt ɔpʲˈɛkɔ̃ vˌɨkfalˌifikˌɔvanˈɛɡɔ pˌɛrsɔnˈɛlu.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_431.wav|ˌaɲi ʒɨvˈɛɡɔ dˈuxa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_39.wav|tɕˈɛpwɨ kˈɔts, ktˌurɨm ɔn nˈas ɔtˈatʃa tˈɛras mˈɔʒɛ mɲʲɛ zadˈuɕitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_21.wav|a tˈɛras, pɔ ɲʲˈɛmal ʃˈɛɕtɕu lˈatax, vrˈatsam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_28.wav|f tɨm sˈamɨm mɔmˈɛɲtɕɛ ˌɔtfɔʒˈɨwɨ ɕɛ jˈɛdnaɡ dʒvˈi f sˌamɔxˈɔdʑɛ tˈɔma i na tfˈaʒɨ dˈɔn zˌaɡɔɕtɕˈiwa pravdʑˈiva trfˈɔɡa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_172.wav|pˈatʃɨ nˈamɲʲɛ uvˈaʒɲʲɛ, ˌalɛ ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ znˈa jˈuʃ ɔtpˈɔvʲɛtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_18.wav|ftˈɛdɨ tɔ bˈɨw najɲˈiʃʃɨ dˌɔpuʃtʃˈalnɨ vʲˈɛk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_17.wav|xˈɔva dɔ ɲʲˈɛɡɔ tˈɛʃ pʃˌɨvʲɛʑˈɔnɛ tɔjˈɔtɔ̃ tˈaɲʲɛ valˈiski, pˈɛwnɛ tˈaɲix ˈubraɲ z valmˈartu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_363.wav|jˈaɡbɨ ɲʲɛ xtɕˈawa ˈɔdɛjɕtɕ, zˌatʃɨmɨvˈawa ɕɛ, tsɔfˈawa, prˌubɔvˈawa zapˈalitɕ pɔnˈɔvɲʲɛ zɡaʃˈɔnɨ papʲˈɛrɔs.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_165.wav|prɔvˈadʑi prˈɔstɔ dɔː alˈɛi w bˈaɲtsɛ armstrˈɔŋɡa, pʃɨ ktˌurɛj mʲˈɛʃtʃɔ̃ ɕɛ ɕɛdʑˈibɨ aɡˈɛntsji kɔsmˈitʃnɨx.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_309.wav|w ɡɲʲˈɛvʲɛ jˌɛstɛɕ strˈaʃna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_46.wav|ˈanna skinˈawa ɡwˈɔvɔ̃ dɔ drˈuɡʲɛj dɛtˈɛktɨf, ˈabɨ pˌɔinfɔrmˈɔvatɕ jˈɔ̃, ʒˈɛ jɛst rˈuvɲʲɛʒ zˌaprɔʃˈɔna.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_49.wav|a jˈakʲɛj naɡrˈɔdɨ ˌɔtʃɛkˈujɛʒ za tˈɛ swˈuʒbɛ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_194.wav|sˈukɲʲa pʃɨlɡnˈɛwa dɔ jɛj tɕˈawa i vˌɨɡlɔndˈawa tˈɛras ɲˈibɨ nˈaɡa.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_43.wav|jˈɛɡɔ pɔlˈitʃki pˌɔkrɨvˈawɨ rˌɔpʲɛjˈɔntsɛ vʒˈɔdɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_76.wav|trˈɔnt skwˈɔɲiw ɕɛ pʃˈɛdɲim pɔkˈɔrɲʲɛ. ɲˈiɡdɨ vʲˈɛntsɛj ɲʲɛ bˌɛndɛ prubˈɔvaw zˈaɡʲɔɲtɕ tɕˈɛ w ɲˈitʃɨm, tsˈɔ dɔtˈɨtʃɨ stˈar trˈɛka.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_151.wav|pjˈa bˈardʑɛj ɕɛ nadˈajɛ dɔ wˈɔʒa tɨrjˈɔna ɲˈiʒ dɔ tfɔjˈɛɡɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_154.wav|ɲˈidʑ dla ɲʲˈɛɡɔ ɲʲɛ znatʃˈɨwɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_99.wav|dɔmˈiɲik ɔtfʲˈɛra jˈuʃ ˈusta, ˌalɛ mwˈɔda fˌuŋktsjɔnarjˈuʃka, ktˌura dɔ tɛj pˈɔrɨ miltʃˈawa, dɔdˈajɛ|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_201.wav|ɲʲɛ zˌamjɛʒˈawa vdʑˈatɕ ix nˈɛndʑnɛj kɔʃˈuli i pɔɡˈɔdʑitɕ ɕɛ z ˌuvʲɛ̃ʑˈɛɲʲɛm. pɔkˈaʒɛ vam, tsˈɔ tɔ znˈatʃɨ zˈamknɔɲtɕ jɛlˈitɛ f klˈattsɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_3.wav|tˈɛras swˈɨʃɛ jɛj krˈɔki. fxˈɔdʑi pɔ drɛvɲʲˈanɨx stˈɔpɲʲax na pʲˈɛntrɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_171.wav|ɲʲɛ tɛj fpʲˌɛrdɔlɲˈiku, ɡdʑˈɛ fʃˈɨstkɔ ɕmʲˈɛrdʑi prˈɔxɛm stʃɛlɲˈitʃɨm, kɔzˈami, rˈɔpɔ̃ i spˌalinˈami.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_15.wav|kˈit ɕɛ tɨm zˈajmʲɛ. zakwˈadam, ʒˈɛ xtsˈɛʃ pɔprˈɔɕitɕ jɛdnˈɔstkɛ vˌɨvʲadˈɔftʃɔ̃ ɔ pʃˈɛkas ˈawdjɔ z jɛj dˈɔmu, ʒˈɛbɨɕmˌɨ mˈɔɡli ɕɛ pʃɛkˈɔnatɕ, tsˈɔ ɕɛ tˈam dʑˈɛjɛ?|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_6.wav|kˈu sˈɛrtsu vzɡˈuʒa visˈɛnɛj.|1
+Dataset/wavs/urwisko_ferenc/59_segment_127.wav|f kˈɔɲtsu spɔjʒˈawa na pˌɔwamˈanɛ tʃˈarnɛ ɔdnˈuʒa.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_202.wav|tˈɔmmɛn pɔtpˈisaw jˈɛ ˈin blˈantsɔː i z ɔxˈɔtɔ̃ ftɕˈisnɔw pʲˈɛtʃɛɲtɕ f tɕˈɛpwɨ lˈak.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_82.wav|rˌɔsɕfʲɛtlˈɔnɨ jɛst ˈɛkran jˈɛɡɔ vwˈasnɛj kɔmˈurki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_92.wav|na kʃˈɛɕlɛ ɕˈɛdʑi zˌapwakˈana kɔbjˈɛta, ktˌura vɨɡlˈɔnda jˈaɡbɨ dɔpʲˈɛrɔ pʃˌɛkrɔtʃˈɨwa ʃˌɛʑdʑɛɕˈɔntkɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_68.wav|tɔ jɛst ˌɔstʃɛʒˈɛɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_323.wav|vˌɨɡwadʑˈiwa jˈɛɡɔ vwˈɔsɨ, mʲˈɛŋkkʲɛ, zwɔtɕˈistɛ lˈɔki, ktˌurɛ tˈaɡ bˈardʑɔ pʃˌɨpɔminˈawɨ jɛj jˈɔfa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_6.wav|pɔvˈinna pˈaɲi ɔpˈuɕtɕidʑ dˈɔm i pʃˈɛɲʲɛɕtɕ ɕɛ w bɛspʲˈɛtʃnɛ mʲˈɛjstsɛ, ɡdʑˈɛ bɛɲdʑˌɛmɨ mˈɔɡwɨ pˌɔrɔzmˈavʲatɕ i ɔmˈuvidʑ dˈalʃɛ krˈɔki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_165.wav|fˈɔs pˈuɕtɕiw jˈɛɡɔ swˈɔva mˈimɔː ˈuʃu.|2
+Dataset/wavs/urwisko_ferenc/09_segment_35.wav|tɔ znˈatʃɨ, jˈak tɛn ɡlatsˈɔfski trˈafiw na tˈɛɡɔ, nˈɔ, jˈak mu tˈam, xˈɛrman zˌalɛʒˈawɔ na pɔznˈaɲʲu nazvˈiska vwˌaɕtɕitɕˈɛla ɔɕrˈɔtka.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_50.wav|xˈɔtɕ pʃˈɨdawbˌɨ mi ɕɛ jˈakiɕ strˈuj stɔsˈɔvnɨ dla alfˈɔnsa.|2
+Dataset/wavs/urwisko_ferenc/38_segment_58.wav|bɔrˈɛvidʒ zˌastanˈavʲaw ɕɛ, tsˈɔ rˈɔbʲitɕ. jˈɛɕli mɲʲɛ ɲʲɛ ɔdvʲˈɛʑɛʃ, zˌaɡrɔzˈiwa, tɔ tfˈɔja pˌɔlitsˈɨjna blˈaxa ɡˈuvnɔ tɕi pɔmˈɔʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_198.wav|vidʑˈawa kˈɔɕtɕi i tʃˈaʃki nˈaʃɨx mˌɛntʃɛnɲˈikuf?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_385.wav|tɔ sɔ̃ tɕi fʃˈɨstsɨ, ktˌuʒɨ mˈiltʃɔ̃ ˈalbɔː ˌuɕmʲɛxˈajɔ̃ ɕɛ bˈɛs swˈuf.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_234.wav|ˌalɛ zˈɛ ɕlˈubɛm tʃˈɛba bˌɛɲdʑɛ zatʃˈɛkatɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_46.wav|ɡˌɛnɛvʲˈɛvɛ vʲɛdʑˈawa, tsˈɔ zrˈɔbʲiw, prˈavda?|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_73.wav|vˈɛdlɛ rɔskˈazu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_28.wav|mˈɔjɛ dʑˈɛtskɔ znˈajdʑɛ ɕɛ tˈaɡ dalˈɛkɔ stˈɔnt. bˌɛɲdʑɛ vʲˈɔdwɔ ʒˈɨtɕɛ, kturˌɛɡɔ ɲʲɛ znˈawam.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_167.wav|jˈɛɕli ˌɔtpɔvʲˈɛdɲʲɔ zatɕˈisnɔ̃ pˈasa.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_33.wav|tˈaɡ vwˈaɕɲʲɛ zrˈɔbʲiw sˈɛr ˈartxur daˈɨnɛ, kʲˈɛdɨ valtʃˈɨliɕmˌɨ z brˈatstfɛm s krˌulɛfskʲˈɛɡɔ lˈasu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_62.wav|bɨwˈɔbɨ jˈɛʃtʃɛ lˈɛpʲɛj, ɡdˈɨbɨm mˈukw tˈutaj dɔ tɕˈɛbjɛ dɔwˈɔntʃɨtɕ. ˌɔtpɔvʲˈɛdʑaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_181.wav|i tɔ mʲˈawɔ tsˈɔɕ fspulnˈɛɡɔ z ɲˈilɛm?|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_306.wav|ˈɔtpar ˈɔjtɕɛts.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_173.wav|ɲʲɛ znˈawam ɕɛ kɔmplˈɛtɲʲɛ na zɛɡˈarkax, ˌalɛ tɛn vɨɡlˈɔndaw naprˈavdɛ pʲˈɛŋkɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_112.wav|kʲˈɛdɨ ɕɛ ˌɔdɛzvˈawa, zrɔbʲˈiwa tɔ tˈak tɕˈixɔ, ʒˈɛ tˈɔm lˈɛdvʲɛ uswˈɨʃaw jɛj swˈɔva.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_31.wav|kʲˈɛdɨ tɕˈɛ pɔrvˈanɔ, pɔlˈitsja ʃukˈawa dɔvˈɔduf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_129.wav|zˌastanˈavʲam ɕɛ, tʃɨ zˈaras ɲʲɛ zvˌɨmjɔtˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_74.wav|tɨ ɲˈiɡdɨ ɲʲɛ ɡrˈawaɕ w ɲʲˈɔ̃ z ɲˈikim.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_90.wav|mˈam dvˈujkɛ dʑˈɛtɕi. jˈɛdnɔ dʑˌɛɕɛɲtɕɔlˈɛtɲʲɛ, drˈuɡʲɛ dvˈa lˈata mwˈɔtʃɛ. xwɔpˈaka i dʑɛftʃˈɨŋkɛ. jˈɛɕli bˌɛndɔ̃ tɕi pʃɛʃkˈadʑatɕ, a bˈɛndɔ̃, pʃˈɛɡɔn iɣ dɔ dˈɔmu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_40.wav|pˌɔvʲɛdʑˈawa ʃˈɨpkɔ mˈama, dˈajɔnts tˈatɕɛ znˈaɡ ɡwˈɔvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_166.wav|pʃˈɛs xfˈilɛ ɔɡlˈɔnda rɛklˈamɛ kˌɔsmɛtˈɨkuf i vrˈɛʃtɕɛ ɡˈaʑi tˌɛlɛvˈizɔr.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_8.wav|w ɡwɔɕɲˈiku rɔzlˈɛɡwɨ ɕɛ vɨrˈaʑɲʲɛ swɨʃˈalnɨ vdˈɛx.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_95.wav|tɔ bˌɨwɔ watfʲˈɛjʃɛ ɲˈiʃ stavʲˈɛɲʲɛ tʃˈɔwa fstɨdˈɔvi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_196.wav|rˈɨan ɕˈɛdʑaw kˈɔwɔ ɲʲˈɛɡɔ, ɡrˈɨzɔnts trˈavɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_199.wav|zɡubjˈɛɲʲɛ pˌanɔvˈaɲʲa nat sˈamɨm sˈɔbɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_144.wav|zˈɛrka pʃɛlˈɔtɲʲɛ na stˈuw, na ktˌurɨm lˈɛʒɨ ɔtfˈartɨ ˌɔsɔbʲˈistɨ lˈaptɔb bʲillʲˈɛɡɔ z vwɔntʃˈɔnɔ̃ partˈɨjkɔ̃ krˌɛɛbˈadʒa.|2
+Dataset/wavs/urwisko_ferenc/25_segment_17.wav|— ɡdˈɨbɨ tɔ bˌɨwɔ tˈakʲɛ prˈɔstɛ, ktˈɔ naprˈaviwbˌɨ tɕi tɛn dˈax?|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_296.wav|tsˈɔ vʲˈɛnts mi rˈadʑiʃ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_202.wav|ɡdˈɨʃ mʲˈaw jˈɛʃtʃɛ ɕˈiwɛ i ˈupur zvʲɛʒˈɛɲtɕa i mˈɨɕlaw ˈɔtɨm, ʒˈɛ mˈiɲʲɛ jˈɛʃtʃɛ kˈilka lˈat,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_33.wav|tʃasˈami ɕadˈawam pˈɔdɲʲɔ̃, ukrˈɨta f kɔkˈɔɲʲɛ ˌufɔrmɔvˈanɨm pʃˈɛz zvˌisajˈɔntsɛ ɡawˈɛ̃ʑɛ, ɲʲˌɛvidˈɔtʃna ɔt strˈɔnɨ dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_164.wav|ˌalɛ jˈɛɕli vˈɛʑmʲɛʃ jˈɔ̃ dɔ wˈɔʒa, bˈɔɲdʑ dla ɲʲˈɛj dˈɔbrɨ dˈɔdaw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_2.wav|tˈɔm pɔwˈɔntʃɨw ɕɛ s kˈitɛm sˈimsɛm i pʃɛkˈazaw ˌinfɔrmˈatsjɛ dˌɔtɨtʃˈɔntsɛ ˈɔjtsa patsjˈɛntki ˈaʃa. kɔɲʲˈɛtʃɲʲɛ muɕˈɛli ɡˈɔ zˌidɛntˌɨfikˈɔvatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_34.wav|sˈandɨ iɣ zˌɔbatʃˈɨwa. ʃlˈi f strˈɔnɛ pravˈɛɡɔ skʃˈɨdwa tɛˈatru, pˈatʃɔnts ɔt jɛj strˈɔnɨ.|4
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+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_175.wav|ˌalɛ ɲʲɛ ˌɔbjɛtsˈujɛ, ʒˈɛ vɨbjˈɛɡnɛ stˈɔnt i natˈɨxmʲast kˈɔɡɔʑ zalˈitʃɛ. nˈɔ pˈɛvɲʲɛ, ˌalɛ ɡdˈɨ tˌɨlkɔ nadˈaʒɨ tɕi ɕɛ nastˈɛmpna ɔkˈazja, dˈɔbra?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_6.wav|dlatʃˈɛɡɔ mʲˈawbɨ tsˈɔɕ takʲˈɛɡɔ zrˈɔbʲitɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_28.wav|zatʃˈɛwam rɔzmˈɨɕlatɕ, jˈak mˈɔɡwabˌɨm ɕɛ zrˌɛvanʒˈɔvatɕ sfɔbˈɔdʑɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_23.wav|kɔbjˈɛta ɔpˈuʃtʃa dwˈɔɲ i pˈatʃɨ nˈamɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_103.wav|jˈɛɕli zɛmdlˈɛjɛ z ɡwˈɔdu, kʲˈɛdɨ nadˈɛjdɔ̃ vʲˈɛɕtɕi na tˈɛmat mˈili, tɔ ɲikˈɔmu ɕɛ dɔ ɲitʃˈɛɡɔ ɲʲɛ pʃˈɨdam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_119.wav|tʃˈɛka, ˈaʒ bʲˈillɨ zapˈɨta ɔ ʃtʃɛɡˈuwɨ. bʲˈillɨ mˈiltʃɨ, vʲˈɛnts ɲˈitsk mˈuvi dˈalɛj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_157.wav|xˌandlɔvˈawɨ tˈu fʃˈɨstkʲɛ narˈɔdɨ ˈazji i fsxˈɔdɲʲɛj ɛwrˈɔpɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_84.wav|vˈaltʃɨ dˈalɛ pɔ mˈɨɕli rˈɔŋk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_55.wav|aɲˈikma jˈarjan lˈubʲi ʒˈɨtɕ jˈak krˈul, tʃɨ jɛst ˈu ɕˈɛbjɛ, tʃɨ na vɨjˈɛʑdʑɛ. xɔtˈɛli ɲʲɛ uznˈajɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_434.wav|ˌɔkwadˈajɔnts ɕɛ kˌɔlɔrɔvˈɨmi trˌansparɛntˈami.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_44.wav|tʃɨ ktˈɔʑ z vˈas ˈumjɛ pɔ japˈɔɲsku?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_11.wav|ix ˌinfɔrmˈatsjɛ sɔ̃ pˌɔbjɛrˈanɛ tˌɨlkɔ ftˈɛdɨ, ɡdˈɨ prˈɔɕi ɕɛ ix ɔ pʃˌɛtɛstɔvˈaɲʲɛ pˈɛvnɛj fˈuŋktsji.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_33.wav|rˈɔb vˈɨjɔw tɛlˈɛfɔn i ɔttʃˈɨtaw trˈɛʑdʑ z ɛkrˈanu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_119.wav|jˈɛɕli ftʃˈɛɕɲʲɛj ɲʲɛ tʃˈuwam dɔ dˌɔmiɲˈika ɲʲˌɛnavˈiɕtɕi, tɔ tˈɛras tʃˈujɛ jˈɔ̃ s tsˈawɔ̃ pɛvnˈɔɕtɕɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_61.wav|dʑˈɛŋki bˈɔɡu vˈɛstxnɔw i rɔzlˈuʑɲiw ɕɛ trˈɔxɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_80.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/urwisko_ferenc/63_segment_150.wav|zˌapɛvɲˈiwa jˈɔ̃ mˈarja xˈɛrman. ta kɔbjˈɛta ɲʲɛ ˌɔdjɛxˈawa dalˈɛkɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_32.wav|rɔbʲˈiwam vʲˈɛnts fʃˈɨstkɔ, ʒˈɛbɨ ɔdbˈɨwɔ ɕɛ tɔ z jˈak najmɲʲˈɛjʃɨm fpwˈɨvɛm na mˈɔjɛ dʑˈɛtskɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_80.wav|tɨ sˈukin sˈɨnu! tˈaɡ bˈardʑɔ tɕˈɛ pʃɛprˈaʃam, zaʃlˈɔxaw çˈiɲtʃɨk. ˌɔɲi bˈɨ mɲʲɛ zabʲˈili, tˌɨlkɔ tˈak mˈɔɡɛ ˈujʑdʑ z ʒˈɨtɕɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_38.wav|tfʲˈɛrdʑi, ʒˈɛ zˌabujtʃˈɨɲʲɔ̃ jɛst mˈarta pˈ��rtɛr i ˌumjɛɕtɕˈiwa nˈavɛt jɛj zdjˈɛɲtɕɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_27.wav|vˈɨbatʃ, kɔxˈaɲʲɛ, ɲʲɛ pɔvˈinnam bˌɨwa tˌɛɡɔ pɔvʲˈɛdʑɛtɕ. ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ tɔ ɲʲɛ bˌɨwa tfˈɔja vˈina. vʲˈɛm, ʒˈɛ nˈavɛt pʃˈɛs xfˈilɛ ix ɲʲɛ zˌaɲʲɛdbˈawɛɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_160.wav|mˈuvi, ʒˈɛ mˈa lˈajkɛ i xˈɛntɲʲɛ bˈɨ jɛj ˈuʒɨw, ˌalɛ tɔ vɨʃwˈɔbɨ trˈɔxɛ zbˈɨt prˌɔfɛsjɔnˈalɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_15.wav|tˈak, sˈɛr. zajʒˈɨmɨ wˈɛ finˈansɛ zvʲɔ̃zˈanɛ s kˈartɔ̃ najʃˈɨptɕɛj, jˈak tˌɨlkɔ ɕɛ dˈa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_23.wav|vʲˈɛʃ lˈup ɲʲɛ, ˌalɛ vrutɕˈiwa pˈɔtɛm dɔ dˈɔmu i uʒˈɨwa vˌɨʃukivˈarki ɡrˈafikˌi w ɡɔˈɔɡlɛ, ʒˈɛbɨ sprˈavdʑitɕ, tʃɨ ɲʲɛ ˈuda ɕɛ jɛj pʃɨpˈatkʲɛm zˌidɛntˌɨfikˈɔvatɕ tɛj kɔbjˈɛtɨ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_8.wav|ˌuspɔkˈɔiw ɡˈɔ jˈamɛ. ɲʲɛ bˌɛndɛ pˌɔtʃɛbˈɔvaw mʲˈɛtʃa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_120.wav|jɛst tˈɛʃ tʃˈɛtɕi rˈɔdʑaj lˈudʑi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_58.wav|bˌɨwɛm badˈanɨ pʃˈɛs ˌɔfitsˈɛruf tsˌɛˌiˈa, zˈaɲim fpuʃtʃˈɔnɔ mɲʲɛ dɔ tˌɛɡɔ krˈaju.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_282.wav|ɲʲɛ kˈɔɲtʃɛ z ɲˈim ɲˈiɡdɨ, pˌɔvʲɛdʑˈawa, a ɡwˈɔs jɛj bˈɨw spɔkˈɔjnɨ i vˈɔlnɨ. muvˈiwa jˈaɡbɨ z namˈɨswɛm ɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_44.wav|ʒˈɨɡatɕ mi ɕɛ xtsˈɛ, kʲˈɛdɨ swˈɨʃɛ jˈɛ ɔt ˈɔjtsa, ɔt nˌautʃɨtɕˈɛli i ɔt fʃˈɨstkix tɨx xɔlˈɛrnɨɣ dɔrˈɔswɨx, na ktˌurɨx trˈafjam.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_57.wav|sɔ̃ jˈɛdnak tˈatsɨ, ktˌuʒɨ pˌɔvʲadˈajɔ̃, ʒˈɛ mɛ̃ʃtʃˈɨznɨ ɲʲɛ pɔznˈajɛ ɕɛ pˈɔtɨm, jˈaɡ zatʃˈɨna, ˌalɛ pˈɔtɨm, jˈak kˈɔɲtʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_54.wav|nastˈɛmpnɨ dʑˈɛɲ bˈɨw ʑˈimnɨ i mɡlˈistɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_9.wav|muvˈiwa jˈɛɡɔ mˈina.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_12.wav|ˌɔras mˈiskɛ ɡulˈaʃu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_179.wav|rˈɔɲi pˌɔvʲɛdʑˈawa, ʒˈɛ tɔ jˈaɡ dʒˈɛvɔ z zˌakazˈanɨm ɔvˈɔtsɛm, kturˌɛɡɔː ˈɛvʲɛ ɲʲɛ vˈɔlnɔ bˌɨwɔ skɔʃtˈɔvatɕ w rˈaju.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_117.wav|mɔʒˈɛmɨ ɕɛ tˈak umˈuvitɕ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_34.wav|ˌalɛ mɲʲɛ ɲʲɛ zwˈapʲɛ, bˈɔ zˈaras nˌarɨsˈujɛ tɕˈɛbjɛ. tɨ mɲʲɛ ˌuratˈujɛʃ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_153.wav|mˈɔvɨ sɔ̃ ɲʲɛdˈɔbrɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_200.wav|tɔ, ʒˈɛ tɕˈɛ pˈarɛ dɲˈi ɡɔɕtɕˈiwɛm, ɲʲɛ dˈajɛ mi prˈava dɔː ɔdmˈɔvɨ vˌɨswuxˈaɲʲa kˌɔntrarɡumˈɛntuf, vʲˈɛnts mˈuf ɕmʲˈawɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_61.wav|pɔvʲˈɛdʑaw ˈandɛrsɔn nˈɔvɛ.|0
+Dataset/wavs/urwisko_ferenc/08_segment_7.wav|ʒˈɛ zˌadʑawawˈɔbɨ tɔ f tˌaki sˈam spˈɔsup, jˈak prˈɔʑba, bˈɨ ɲʲɛ mˈɨɕlaw ɔ ruʒˈɔvɨm swˈɔɲʲu. dlatˈɛɡɔ vˈɔlaw ɔtpˈuɕtɕitɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_25.wav|jˈakʲɛɕ pɔmˈɨswɨ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_125.wav|zapˈarkuj tˈam, ɡdʑˈɛ stˈɔjɔ̃ kampˈɛrɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_23.wav|kˈaʒda s klˌavʲatˈurɔ̃ i dvˈɔma mˌɔɲitɔrˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_76.wav|ɲʲɛ kupˈujɛ ˈu ˌakfizɨtˈɔruf, ɔznˈajmja pˈaɲi jˈɛnsɛn.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_11.wav|dwˈuɡɔ ɕɛ nˈattɨm zˌastanavʲˈawam, ˌalɛ mˈuʃɛ ˌɔstatˈɛtʃɲʲɛ pʃˈɨjɔɲtɕ, ʒˈɛ mˈɔja mˈiwɔʑdʑ dɔ sˈɨna ɲʲɛ vɨstˈartʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_197.wav|mˈam vraʒˈɛɲʲɛ, ʒˈɛ jˌɛstɛm z ɡˈurɔ̃ dvˈa rˈazɨ stˈarʃɨ ɔt tɕˈɛbjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_10.wav|vˌɨvɔwanˈɛɡɔ strˈaxɛm ˌudɛʒˈɛɲʲa ˌadrɛnalˈinɨ, kʲˈɛdɨ ɕˈɛdʑiʒ za kʲˌɛrɔvɲˈitsɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_81.wav|vˈɔntpi, tʃɨ bˌɛɲdʑɛ tsɔkˈɔlvʲɛk pˌamjɛntˈawa.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_100.wav|vɨpˈiwa tˈɛʃ trˈɔxɛ vˈina.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_162.wav|tsˈɔ prˈavda lˈadɨ ˈaɲʲa ɲˈiɡdɨ ɲʲɛ spʃɛdˈawabˌɨ sˈɨna za zwˈɔtɔ, ˌalɛ pˌɔdɔpʲˈɛtʃnɨ tɔ tsˈɔː innˈɛɡɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_46.wav|ˈidɔ̃ za dˈɔmɛm dɔ pɔkˈɔju, a ja za ɲˈimi, ɲʲɛ vʲˈɛdʑɔnts nˈavɛt, tʃɨ pɔvˈinnam tˈam zˈɔstatɕ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_246.wav|a ˈɛwrɔn najbˈardʑɛj ʃalˈɔnɨ z ɲˈix fʃˈɨstkix.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_54.wav|ˌɔtfɔʒˈɨwa ʃˈɛʒɛj ˈɔtʃɨ i dˈɔdaw, ʒˈɛ zˈafʃɛ pʃˌɨɡɔtˌɔvɨvˈawa jˈɛ mˈarta, prˈavda?|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_166.wav|pˌɔtʃɛbɔvˈawa mi jakʲˈɛɡɔɕ prɛtˈɛkstu, ʒˈɛbɨ ɔpˈuɕtɕidʑ ɡwˈɔvɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_106.wav|ɔ zˌaɔpʲˌɛkɔvˈaɲʲɛ ɕɛ ˈalfim, a nastˈɛmpɲʲɛ ɔddˈawa ɕɛ w rˈɛntsɛ pɔlˈitsji.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_83.wav|ɔtfʲˈɛra laptˈɔpa, kturˌɛɡɔ mˈɨɕlaw, ʒˈɛ strˈatɕiw, talˈizman znˈatʃɲʲɛ drˈɔʃʃɨ ɔd brudnˈɛɡɔ, sfˌatɨɡˌɔvanˈɛɡɔ dʑˌɛtɕɛntsˈɛɡɔ butɕˈika, a jˈɛdnak spˌɛwɲʲajˈɔntsɨ z ɡrˈupʃa tˈɛ sˈamɔ̃ fˈuŋktsjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_135.wav|tʃˈɨnʒ ʒˌɛtʃɨvˈiɕtɕɛ jɛzd dˈɔʑdʑ vɨsˈɔki, ˌalɛ vˈɛzmɛ tɔ mʲɛʃkˈaɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_17.wav|pˈan jɛst nˈaʃɨm nˈɔvɨm sɔ̃ɕˈadɛm? pˈɨta xwˈɔpak.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_27.wav|w rˈɛŋku tʃˈɨma pˌapʲɛrˈɔvɔ̃ tˈɔrbɛ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_438.wav|vʲˈɛm, ʒˈɛ pʃɨbˈɛɲdʑɛ. jˈamɛ jɛst mˈɔjɔ̃ jɛdˈɨnɔ̃ nadʑˈɛjɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_385.wav|tʃasˈami ɔpˈarɨ ˌunɔʃˈɔntsɛ ɕɛ nad ʑˈɛmʲɔ̃ bˌɨwɨ tˈaɡ ɡˈɛ̃stɛ, ʒˈɛ ɲʲɛ vˈidʑaw vwˈasnɨx stˈup.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_12.wav|bˈɛs pʃˈɛrvɨ pɔftˈaʒam w ɡwˈɔvʲɛ tɛ sˈamɛ dvˈa swˈɔva. stsˈɔdd ʒˈɨjɛ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_79.wav|dlatˈɛɡɔ, ʒˈɛ jˌɛstɛɕ ɕlˈɛpɨ. ˈɔtkɔnt pʃɨbˈɨli dɔ braˈavɔs, ɛmˈɔna tsˈɔras tʃˈɛɲɕtɕɛj ɔpˈuʃtʃaw rˈɔzum.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_442.wav|tɔ mˈuɕawbˌɨ bˈɨtɕ jˈɛdɛn z ɲˈix.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_176.wav|mˈɔim dˈɔmɛm jɛst artˈɛmis. ɲʲɛ rˈuʃɛ ɕɛ stˈɔnt i ɲʲɛ zamjˈɛʒam dɔpˈuɕtɕitɕ, ʒˈɛbɨ rˌɔspanɔʃˈɨli ɕɛ tˈu ɡaŋkstˈɛʒɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_116.wav|vɨjˈaɕɲʲɔ̃ pˈaɲi ʃtʃˌɛɡuwˈɔvɔ prˈɔtsɛs pʃˌɛʃukˈaɲʲa. pʃɨjˈadɛ tˈam f tɕˈɔŋɡu ɡɔdʑˈinɨ, ftˈɛdɨ pˌɔrɔzmavʲˈamɨ.|3
+Dataset/wavs/urwisko_ferenc/50_segment_9.wav|dɔkwˈadɲʲɛ vˈɨtar klˈutʃɨk ɔd vˈɔlvɔ, pˌɔzbavʲˈajɔndʑ ɡˈɔː ɔdbʲˈitɛk lˈiɲʲi pˌapilˈarnɨx i zɔstˈaviw na stɔlˈiku kavˈɔvɨm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_129.wav|stˈarɛ i nˈɔvɛ, brˈudnɛ i lɕɲʲˈɔntsɛ ɲˈibɨ zˈɛmbɨ tɨx fʃˈɨstkix lˈudʑi, ktˌurɨx spˈɔtkaw tˈutaj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_13.wav|ɡˈɔdɲi zˌaufˈaɲʲa, pɔtrˈafjɔ̃ tʃˈɨmatɕ jˈɛ̃zɨɡ za zɛmbˈami.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_250.wav|jˈɛɕli dɔvʲˈɛmɨ ɕɛ tʃˈɛɡɔɕ ˈɔtɨh smˈɔkax, tɔ mˈɔʒɛ ɡˈɔː ˌuspɔkˈɔitɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_59.wav|ftˈɛdɨ fpˈadwɛm f kwɔpˈɔtɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_28.wav|jɛst na pˈɛarsɔn strˈit, ɲʲɛ wˈɛ fallˈudʒɨ. i tɔ ɲʲɛ ˈalbʲi starɡʒˈɛnʑi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_66.wav|kʲˈɛpski s tɕˈɛbjɛ ˈaktɔr. jˈɔx natˈɨxmʲazd bˈɨ ɕɛ dˌɔmɨɕlˈiwa. vˈaʒnɛ bˈɨwɔ, ʒˈɛbɨʑ vɨɡlˈɔndaw na vˌɨstraʃɔnˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_17.wav|xˈɔtɕ urˈɔdʑiw ɕɛ f pˌɔwudɲʲˈɔvɨm lɔndˈɨɲʲɛ, zˈafʃɛ uvˈaʒaw, ʒˈɛ rˈuxɨ ˌɔdʑɛdʑitʃˈɨliɕmˌɨ pɔ jˈɛɡɔ ɲˌiɡɛrˈɨjskix pʃˈɔtkax.|3
+Dataset/wavs/urwisko_ferenc/44_segment_8.wav|vrˈutɕiw mˈɨɕlɔ̃ dɔ rɔzmˈɔvɨ spʃˈɛt xfˈili.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_237.wav|ɡdˈɨ nˈatʃɛd rˈanɛk, ɕɲʲˈɛk ɕˈɛŋɡaw jˈuʃ kˈ��stɛk.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_94.wav|ɲʲɛ ɕˈɛdʑi za kʲˌɛrɔvɲˈitsɔ̃, vʲˈɛnts ɲʲˈɛmuɡwbˌɨ za mnˈɔ̃ rˈuʃɨtɕ, ˌalɛ zˌɔrjɛntˈujɛ ɕɛ w jˈɛdnɛj xfˈili, ʒˈɛ jˌɛstɛm f pɔblˈiʒu lˌakɛsˈidɛ, w jˈɛɡɔ zaɕˈɛŋɡu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_3.wav|na tsˈadʲis xˈɛt mˈɔz znˌalɛʑˈɔnɔ mɛ̃ʃtʃˈɨznɛ, ktˌurɨ rˌɨsɔpˈisɛm ˌɔtpɔvʲˈada ˌaʃrafˈɔvi rˌajavʲˈɛmu. ɔznˈajmiw, kʲˈɛdɨ ʃlˈi pɔspʲˈɛʃɲʲɛ kˌɔrɨtˈaʒɛm.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_288.wav|ɲʲɛ spwɔdʑˈiliɕmˌɨ bɛŋkˈarta.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_342.wav|na dʑvʲˈɛŋk jˈɛɡɔː imjˈɛɲʲa tsˈɛdra uɲʲˈɔswa ɲʲɛɕmʲˈawɔ vzrˈɔk.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_338.wav|ɲʲˈɛzwɨ pˈɔmɨsw. a ɡdˈɨbɨm kʲˈɛdɨɕ pˈisaw dɔ tɕˈɛbjɛ pɔt pʃɨmˈusɛm, fplˈɔtɛ w rɔzmˈɔvɛ vˈɨraz dˈɛlfin. dˈɔbra?|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_370.wav|sɛrxˈarɨ zɔbˈavja ɕɛ, ʒˈɛ zamjˈɛʒa pʃˈɛjɕtɕ na strˈɔnɛ lˈɔrda staɲˈisa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_92.wav|dlatʃˈɛɡɔ tˈak mˈuviʃ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_303.wav|ˌɔddɨxˈajɔnts pʃˈɨtɨm ɡwˈɔɕnɔː i xraplˈivʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_264.wav|tɔ mˈɔʒɛ tˈutaj jɛst jˈaɡ zˈɛmbɨ fʃˈɨstkix ʃlaxˈɛtnɨx ʃɛrˈɨfuf, zrɔbjˈɔnɛ z nɨlˈɔnu tʃˈɨstɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_77.wav|pˌɔkwutɕˈiwam ɕɛ s ʃˈɔnɛm, ˌalɛ pˈɔtɛm ɕɛ pˌɔɡɔdʑˈiliɕmˌɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_29.wav|ˈɛlis f tɨm tʃˈaɕɛ wˈɨka dvʲˈɛ ˌaspirˈɨnɨ i pɔmˈawu ˈidʑɛ dɔ waʑˈɛŋki. zamˈɨka ɕɛ w ɕrˈɔtku, ˌalɛ bʲˈiljɔ tɔ ɲʲɛ dbˈa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_99.wav|jˈasnɛ, vʲˈɛndʑ vɨɕlˈɛtɕtɕɛ jˈɔ̃. bˈɨtɕ mˈɔʒɛ jˈɛdʑɛ dɔ sfˈɔjɛj mˈatki ɲʲˌɛzalˈɛʒɲʲɛ ɔt tˈɛɡɔ, tʃɨ starˈuʃka upˈadwa tʃɨ ɲʲɛ. sprˈavdʑmɨ tɔ, dˈɔbʒɛ?|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_135.wav|pɔ prˈɔstu vɔlˈɛliɕmˌɨ ɡˈɔ zɔstˈavitɕ lˈɛpʃɨm ɔt nˈas.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_70.wav|ɲitʃˈɛɡɔ sˈɔbjɛ ɲʲɛ pʃˌɨpɔmˈinam, ˌalɛ pɔstˈaram ɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_264.wav|pʃˈɛs tsˈawɨ tʃˈas pˌɔftaʒˈawam sˈɔbjɛ w ɡwˈɔvʲɛ jɛj swˈɔva, ˈaʃ fʃˈɨstkɔ mi ɕɛ f kˈɔɲtsu pˌɔplɔntˈawɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_70.wav|ɔpˈɔvʲɛɕtɕ nˈuʃɨ pʃɛrˈɨva tɛlˈɛfɔn ˈaʃa, ktˌurɨ lˈɛʒɨ na krɛdˈɛnɕɛ f pɔblˈiʒu, ˌalɛ ɲʲɛ w ɕrˈɔtku xlɛbˈaka.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_396.wav|viktˈarjɔn sprubˈɔvaw mˈawɨ wˈɨtʃɛk i natˈɨxmʲazd ɡˈɔ vˈɨpluw. tsˈuʃ tɔ za ɕfˈiɲstfɔ?|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_182.wav|upˈadwam na plˈɛtsɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_153.wav|zˈatɛm mʲˈawam tʃɨm ɔddˈɨxatɕ jˈɛʃtʃɛ pʃˈɛs ˈɔɕɛm ɡˈɔdʑin.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_114.wav|vidʑˈawam jˈɛdnak, ʒˈɛ ɲʲɛ pɔdˈɔba mu ɕɛ spˈɔsup, w jˈaki ˈaram vɨrˈaʒa ɕɛ ˈɔmɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_390.wav|ˈalbɔ tfˈɔix ɛkspˈɛrtuf, zbˌudɔvˈaliɕmˌɨ vwˈasnɨ ɲʲˌɛvidʑˈalnɨ nˈamjɔt|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_227.wav|kapˈɛluʃ ɔpˈada mu na ˈuʃɨ i bʲˈillɨ zˌapisˈujɛ sˈɔbjɛ f pamjˈɛɲtɕi, ʒˈɛbɨ vɛ vwaɕtɕˈivɨm tʃˈaɕɛ ɲʲˈɛtsɔ ɡˈɔː ˈuɲʲɛɕtɕ, ɔtswˈɔɲitɕ tʃˈarnɛ, dwˈuɡʲɛ vwˈɔsɨ pʃˌɨpruʃˈɔnɛ ɕivˈiznɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_279.wav|tʃɨ mˈɔʒna pʃˌɛpɔvʲˈɛdʑɛtɕ pʃˈɨʃwɔɕtɕ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_40.wav|zˈɛrka na lˈistɛ pʃˌɛʒutsˈajɔnts kˈartki, ˈaʃ natrˈafja na ʃˈustɛ pʲˈɛntrɔ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_131.wav|pɔt kaptˈurɛm bwɨʃtʃˈawɨ ˈɔtʃɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_40.wav|pɔvʲˈɛdʑaw tˈɛʃ, ʒˈɛ mˌamɨ vnˈuka.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_50.wav|i ftˈɛdɨ dɔpʲˈɛrɔ pˈɔtʃɛd dɔː ˈɔkna i ˌɛnɛrɡʲˈitʃɲʲɛ rɔssˈunɔw zaswˈɔnɨ.|0
+Dataset/wavs/urwisko_ferenc/35_segment_25.wav|— tˈak. — dˈɔkɔnt pˌɔjɛxˈaliɕtɕˌɛ? — ɔn mˈa dʑˈawkɛ f tʃˈarnɨm bwˈɔtɕɛ pɔt lˈasɛm i tˈam mˈa tˌaki drɛvɲʲˈanɨ dˈɔmɛk.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_115.wav|kwˈadɛ ɕɛ na wˈuʃkɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_132.wav|bˈɔb zavʲˈɛɕiw sfˈuj kˌɔmbʲinˈɛzɔn f ʃˈaftsɛ, zˈamknɔw jˈɔ̃ i rˈuʃɨw dɔ vˈɨjɕtɕa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_102.wav|ɲʲɛ kˈaʒɛ tɕi kwˈamatɕ.|3
+Dataset/wavs/urwisko_ferenc/37_segment_43.wav|mʲˈaw pɔjˈɛɲtɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_274.wav|jˈɛɕli xtsˈɛʃ kˈurɛf, tɔ tˈɛʃ ix ɲʲˈɛma.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_75.wav|mwˈɔdɨ lˈɛkaʃ, vɨsˈɔki jˈak tˈɨka, z ˌɔpadˌajɔntsˈɨmi vɔ̃sˈami, zupˈɛwɲʲɛ pɔdˈɔbnɨ dɔ maksˈɨma ɡɔrkʲˈɛɡɔ, zˈajɔw ɕɛ ˌɛnɛrɡʲˈitʃɲʲɛ tˈɔɲim.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_111.wav|pɔdˈɔbɲʲɛ jˈak ɔdvˈaɡa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_128.wav|ˌidjɔtˈɨtʃnɨ kwˈɔpɔt. pˈan jˈutrɔː ˈidʑɛ na badˈaɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_166.wav|jˈak mwˈɔdɨx pˈɨta ˈɔna?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_32.wav|tʃɨmˈajɔndʑ dwˈɔɲ mˈili tˈak mˈɔtsnɔ, ʒˈɛ ˈaʒ bɔlˈawɔ, kɔbjˈɛta zˌaprɔvadʑˈiwa dʑɛftʃˈɨŋkɛ na pʲˈɛntrɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_23.wav|pˈɨtam pʃˌɨtɕɔŋɡˈajɔndʑ ɡˈɔ mˈɔtsɲʲɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_112.wav|fstʃɨmˈawam ˈɔddɛx.|3
+Dataset/wavs/urwisko_ferenc/47_segment_26.wav|mˈarja vʑˈɛwa wˈɨɡ vˈina, ktˌurɛ mʲˈawɔ pˈɔsmak pɔʑˈɔmɛk i swˈɔtkix tsɨtrˈusuf.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_109.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_169.wav|vɨbrˈawam nˈumɛr ˈɔjtsa i pʃˌɨtɕisnˈɛwam ɡʲˈizmɔ dɔː ˈuxa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_198.wav|ʃˈansɛ na vɨɡrˈanɔ̃ sɔ̃ mˈɔim zdˈaɲʲɛm zbˈɨt ɲˈiskʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_63.wav|pʃɨvˈitaw ɡˈɔ jɛdˈɨɲʲɛ maˈɛstɛr, ɔdʑˈanɨ f ʃˈarɔ̃ ʃˈatɛ pˌɔvʲɛvajˈɔntsɔ̃ vˈɔkuw xˈudɨx nˈuk.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_237.wav|stɛ̃skɲˈiwɛm ɕɛ za naʃˈɨmi pˌɔlitɨtʃnˈɨmi dˌɨsputˈami.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_20.wav|— ɲˈiɡdɨ jɛj ɲʲɛ dɔtknˈɔwɛm — pɔvʲˈɛdʑaw, dwˈavʲɔndʑ wzˈɨ. — ɲʲɛ zrˈɔbʲiwbˌɨm tʃˈɛɡɔɕ takʲˈɛɡɔ. ja jˈɔ̃ kˈɔxam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_147.wav|ɲʲɛ vˈartɔ spʃˈɔntadʑ balkˈɔnu.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_180.wav|tsˈɔ tɕˈɛ sprɔvˈadʑa dɔː artˈɛmis?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_141.wav|ˌɔna ɲʲɛ ukrˈɨva ɕɛ dla spˈɔrtu, a ja xtsˈɛ ɕɛ dɔvʲˈɛdʑɛtɕ, dlatʃˈɛɡɔ tɔ rˈɔbʲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_142.wav|pʃˌɛkupˈujɛ ɡliɲʲˈaʒɨ. jˈaɡ dɔ kˈurvɨ nˈɛndʑɨ tɛn fˈatsɛt mɲʲɛ tˈu vɨɕlˈɛdʑiw?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_39.wav|tʃɨ ˌɔbrutsˈɛɲʲɛ nˈɔʒa w rˈaɲʲɛ tsɔkˈɔlvʲɛk kˈɔmuʑ z vˈas pˌɔtpɔvʲˈada?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_4.wav|tˈɔm pˈɔtʃɛd dɔ ɲʲˈɛɡɔː i uɕtɕˈisnɔw mu dwˈɔɲ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_169.wav|i rˈɨbɨ z mˌɛtalˈɔvɨx pˈuʃɛk.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_252.wav|pɔtʃˈɛkaj nˈamɲʲɛ, pˈujdɛ nˈapitɕ ɕɛ vˈɔdɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_63.wav|jˈaɡ dwˈuɡɔ ɡˈɔjɔ̃ ɕɛ tfˈɔjɛ rˈanɨ?|4
+Dataset/wavs/urwisko_ferenc/51_segment_2.wav|dʑˈɛtskɔ zmˈarwɔ f sˌamɔxˈɔdʑɛ na skˈutɛk çˌipɛrtˈɛrmji. pˌɔinfˌɔrmɔvˈawa ɡˈɔ f prˈɔɡu, a ɔn zaprˈɔɕiw jˈɔ̃ dɔ ɕrˈɔtka.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_33.wav|vˌɨɔbraʒˈawam sˈɔbjɛ, jˈak mˈuvjɔ̃, ɲʲɛ mɔʒˈɛmɨ ɔbjˈɛtsatɕ, ʒˈɛ pʃˌɛkazˈanɛ ˌinfɔrmˈatsjɛ zˌaxɔvˈamɨ dla ɕˈɛbjɛ, jˈɛɕli mˌajɔ̃ ˌɔnɛ jˌakikˈɔlvʲɛk fpwˈɨf na dˌɔxɔdʑˈɛɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_422.wav|jˈasnɛ. mʲˈawɛɕ rˈatsjɛ, ˈadam.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_401.wav|pɔvʲˈɛdʑaw tɔ tˌɨlkɔ pˈɔtɔ, ʒˈɛbɨ dˈɔdatɕ mi ɔdvˈaɡʲi. na dˈɔlɛ bˌɛɲdʑɛ muɕˈawa bˈɨtɕ ɔdvˈaʒna, jˈakɔ ʒˈɛ ʃˈansa zdˌɛmaskɔvˈaɲʲa bˌɨwa tˈam znˈatʃɲʲɛ vʲˈɛŋkʃa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_129.wav|sprˌubujˈɛmɨ rˈazɛm?|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_43.wav|swˈɔɲtsɛ pˌɔkazˈujɛ ɕɛ tˌɛɡɔ pˌɔpɔwˈudɲʲa z ˌɔtɕɔŋɡˈaɲʲɛm, jˈaɡbɨ ɲʲɛ mʲˈawɔ nˈatɔ vʲˈɛŋkʃɛj ɔxˈɔtɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_179.wav|pˈɔtɛm mʲˈaw ɕiɲʲˈaka nat mˈɔstkʲɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_378.wav|pɔfʃˈɛdɲʲɔ̃ kʃˌɔntaɲˈinɛ, ktˌurɨ kˈaʒɛ rˈanɔ fstˈatɕ, ˈumɨtɕ ɕɛ, ɔɡˈɔlitɕ i vˈɨjɕtɕ na ulˈitsɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_405.wav|pɔvʲˈɛdʑaw tɕˈixɔː ˈandɛrsɔn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_207.wav|pʃˈɨkrɔ mu, tʃɨ ɕɛ bˈɔi?|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_50.wav|ɲʲˈɛxtsɛ ɕɛ pʃˌɛprɔvˈadʑatɕ, ɲˈiɡdɨ, ɔznˈajmja ʃˈaɲis, pɔ tʃɨm dɔdˈajɛ z urˈɔtʃɔ̃, dʑɛtɕˈinnɔ̃ ɡɔdnˈɔɕtɕɔ̃. mˈam tˈu kɔlˈɛɡuf.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_199.wav|i tˌɨlkɔ ftˈɛdɨ mˈɔʒɛʒ dˈɔjʒɛtɕ pravdʑˈivɔ̃ tfˈaʒ bˈɔɡa tʃɨ miwˈɔɕtɕi. i tɔ jɛst jˌɛrɔzɔlˈima, dɛvˈɛin. tʃɨ tˈɛras rɔzˈumjɛʃ?|0
+Dataset/wavs/urwisko_ferenc/23_segment_124.wav|a tʃˈɛtɕi pˈɔvut?|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_144.wav|pʃɛwˈɔntʃɨw s pɔzˈɨtsji ˈɔff na ɔn i fskazˈufka vrutɕˈiwa na sfˈɔjɛ mʲˈɛjstsɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_14.wav|skˈɔrɔ jˈɛʃtʃɛ tʃɛkˈamɨ, tɔ mˌamɨ tsˈɔɕ na tˈɛmat mˈartɨ pˈɔrtɛr?|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_73.wav|ɲitʃˈɛɡɔ takʲˈɛɡɔ ɲʲɛ zrˈɔbjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_66.wav|tʃasˈami vˌɨxɔdʑˈiwa z bjˈura, ʒˈɛbɨ kˈupitɕ pɔtʃˈɛbnɛ ʒˈɛtʃɨ, na pʃˈɨkwad znˈatʃki tʃɨ kˈavɛ, ˌalɛ zˈafʃɛ pɨtˈawa, a w zasˈadʑɛ ˌinfɔrmɔvˈawa, tsˈɔ rˈɔbʲi. ʃukˈatɕɛ jɛj?|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_65.wav|jˈɛɕli tfʲˈɛrdʑi, ʒˈɛ f tɨm ˌutʃɛstɲˈitʃɨw...|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_138.wav|zˌapɨtˈawa jɛj mwˈɔtʃa vˈɛrsja.|1
+Dataset/wavs/urwisko_ferenc/27_segment_112.wav|xˈɛrman ɕtɕɔŋɡnˈɛwa wɔpˈatki. musˈimɨ zbˈadatɕ tɕˈuxɨ dʑˈɛtska.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_31.wav|uznˈawam, ʒˈɛ vɨpˈijɛ drˈiŋka i vrˈutsɛ dɔ ɕˈɛbjɛ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_279.wav|zwɔʒˈɨwam pʃɨɕˈɛŋɡɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_283.wav|prˌubɔvˈawɛm jˈakɔɕ pʃˌɨɡɔtˈɔvatɕ tɕˈɛ dɔ ʒˈɨtɕa.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_126.wav|a jˈa, ˌɔdɛzvˈawa ɕɛ sˈanxɛs, mˈɔɡɛ jˈakɔɕ pˈɔmuts?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_30.wav|vʲˈɛʃ, ɡdʑˈɛ w mˌanxɛstˈɛʒɛ jɛst tɛn pˈarkiŋk?|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_357.wav|jɛdnˈaɡʒɛ tɔ jɛzd dˈɔm bˈɔɡuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_126.wav|ɲʲˌɛkɔntrˌɔlɔvˈana, puxnˈɔntsa mˈaɡma mʲˈɛ̃sa lutskʲˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_29.wav|s pɔdnˈuʒa sxˈɔduv dɔbjˈɛɡa vɔwˈaɲʲɛ ɲˈika. mˈarja, ɡdʑˈɛ tɛ xˈɔd dˈɔɡʲi?|2
+Dataset/wavs/urwisko_ferenc/25_segment_9.wav|tsˈɔ tɕi jˈɛst?|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_132.wav|— spˈɔrɔ mu zavdʑˈɛntʃam. — jˈasnɛ. xˈɔtɕaʃ pˈan rˈasɔ na ɡɔlfˈistɛ mi ɲʲɛ vɨɡlˈɔnda.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_77.wav|mˈɔʒɛ ɕɛ nˈam vɨmˈɨkatɕ pʃˈɛs pˈɛvʲɛn tʃˈas.|1
+Dataset/wavs/urwisko_ferenc/46_segment_56.wav|ʃtʃˈɛrpski ˌɔrɡaɲizˈujɛ sfˈiŋɡɛrs pˈartɨ dla dɔrˈɔswɨx pɔvʲˈɛdʑaw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_164.wav|lˈata, ktˌurɛ pʃˌɛvalˈawɨ ɕɛ nat ɕfʲˈatɛm, mˈawɔ ʃkɔdʑˈiwɨ zdrˈɔvju tɨx lˈudʑi.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_315.wav|lˈadɨ marɡˈarɨ mˈuvi, ʒˈɛ sprˈavʲam jɛj pʃɨjˈɛmnɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_117.wav|bˈutskɨ ɲʲɛ rˈɔbʲi vraʒˈɛɲʲa zˌaskɔtʃɔnˈɛɡɔ zmʲˈanɔ̃ tɛmˈatu.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_72.wav|f pʃɛtɕˈivnɨm rˈaʑɛ tʃˌɛmu mʲˈawbɨ nˈam rɔskˈazatɕ, ʒˈɛbɨɕmˌɨ pˌɔzvɔlˈili krˈukɔm xɛvˈɛta ɔdlˈɛtɕɛtɕ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_40.wav|ɲʲɛ mˈɔɡɛ pɔfstʃˈɨmatɕ ɕmʲˈɛxu.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_195.wav|nˈadal jɛstˌɛɕmɨ brˈatɕmi bˌaɛlˈɔna, tʃˈɨʃ ɲʲɛ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_18.wav|lˈintsaj bˌɨwa tˈu tsˈawɔ̃ nˈɔts i ɕɛdʑˈawa nat mˌatɛrjˈawɛm s kˈamɛr s parkˈiŋɡu, na ktˌurɨm zɲˈikw nˈaʃ pˌɔdɛjʒˈanɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_8.wav|ˈalfjɛ, kˈiba ɡwˈɔvɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_67.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_144.wav|vʲˈɛlki sˈɛptɔn pɔftˈuʒɨw pɔvˈɔli tɛ swˈɔva, jˈaɡbɨ vˈaʒɨw jˈɛ na ʃˈalax.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_48.wav|a pˈɔtɛm pˈatʃɨw na xwˈɔptsuf i dʑɛftʃˈɨnɨ pʃˌɛxɔdʑˈɔntsɨɣ bˈɔsɔ pʃˈɛs jˈɛzdɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_138.wav|i ramjˈɔna kɔlˈɔru mˌatɔvˈɛɡɔ ʃkwˈa, pʃˈɛs ktˌurɛ pˈada swˈɔɲtsɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_111.wav|stˈuw bˈɨw ɔɡrˈɔmnɨ, vʲˈɛndʑ vɨbrˈawam kʃˈɛswɔː ˌɔddalˈɔnɛ ɔ dvˈa mʲˈɛjstsa ɔt ɲʲˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_73.wav|ˈu bˈɔku mˈɛɡɔ sˈɨna.|1
+Dataset/wavs/urwisko_ferenc/59_segment_52.wav|bjˈɛɡwɨ skˈinɔw ɡwˈɔvɔ̃. — lˈubʲi, ɲʲɛ lˈubʲi. ɲˈikt tˌɛɡɔ ɲʲɛ zrˈɔbʲi lˈɛpʲɛj ɲˈiʃ tˈɨ — zapˈɛvɲiw kɔmˈisaʒ vaʒˈɛxa.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_56.wav|mˌajɔ̃ ɡrˈubɛ, sɔlˈidnɛ ɕtɕˈanɨ i swˈuʒɔ̃ dɔ vˌɨprɔvadʑˈaɲʲa lˈudʑi zˈɛ sxrˈɔnuf tlɛnˈɔvɨx w mʲˈɛjstsax, ɡdʑˈɛ na zˈɛvnɔntʃ panˈujɛ kɔmplˈɛtna prˈuʒɲʲa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_65.wav|mˈiltʃaw pʃˈɛs xfˈilɛ, a pˈɔtɛm pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_306.wav|zapˈɨtaw zˌaskɔtʃˈɔnɨ jˈamɛ. tɔ tɨ ɡˈɔː ˌɔdɛswˈawɛʑ dɔ dˈɔmu, prˈavda?|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_308.wav|tɔ ɲʲɛ jɛst jˈakaʑ drˈɔbna kˌɔntrabˈanda.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_227.wav|mˈɔʒɛ prubˈujɛ ˈuɕpitɕ jˈɛɡɔ tʃˈujnɔɕtɕ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_136.wav|pʃˌɛtstavʲˈɛɲʲɛ ˌuʒɔndʑˈɔnɛ pʃˈɛs mˈawɛ lˈutskʲɛ ɲˈidʑ dla tˈakix sˈamɨx jˈak i tˈɨ.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_248.wav|ɔn mɲʲɛ zabʲˈijɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_142.wav|skwɔɲˈiwam mu ɕɛ z vdʑɛntʃnˈɔɕtɕɔ̃, pɔ tʃɨm uɕˈadwam i pˌɔwɔʒˈɨwam sˈɔbjɛ tɔrˈɛpkɛ na kɔlˈanax.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_370.wav|ɲʲɛ vidʑˈawɛm jɛj ɲˈiɡdɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_16.wav|tɔ trˈɔxɛ zbˈɨt nˌatɕɔŋɡˈanɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_5.wav|ˈuɕad napʃˈɛtɕif kˈɔbjɛt.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_504.wav|nˈavɛt ɲʲɛ zvrutɕˈiwɛm uvˈaɡʲi na jˈɛɡɔ swˈɔva dajˈɔntsɛ dɔ mɨɕlˈɛɲʲa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_577.wav|dlatʃˈɛɡɔ? tsˈɔ dlatʃˈɛɡɔ? ˌɔtpɔvʲɛdʑˈawa pɨtˈaɲʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_151.wav|trˈib vˈɨʃɛt pɔ ɲʲˈɔ̃, jˈak na dʒˌɛntɛlmˈɛna pʃɨstˈawɔ, pˌɔtsawˈɔvaw jˈɔ̃ f pɔlˈitʃɛk i zˈavʲuz vˈindɔ̃ na drˈuɡʲɛ pʲˈɛntrɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_30.wav|pˈɔtɛm zˌabjɛrˈaliɕmˌɨ jˈɔ̃ s pɔvrˈɔtɛm, prubˈujɔndʑ znˈalɛɕtɕ xfˈilɛ na zrɔbjˈɛɲʲɛ zakˈupuf, prˈaɲʲɛ i pˌɔspʃɔntˈaɲʲɛ w dˈɔmu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_72.wav|vˌɨɔbraʒˈawam sˈɔbjɛ ɕˈɛbjɛ jˈakɔ stsˌɛnaʒˈɨstkɛ filmˈɔvɔ̃ lˈup rˌɛdaktˈɔrkɛ vˌɔɡuˈɛa.|3
+Dataset/wavs/urwisko_ferenc/46_segment_64.wav|ˈɔlɡʲɛrt ɲʲɛ bˈardʑɔ vʲˈɛdʑaw, dlatʃˈɛɡɔ ɕlˈɛttʃɨ tˈak ˌɛmɔtsjɔnˈalɲʲɛ rˌɛaɡˈujɛ na jˈɛɡɔ swˈɔva.|0
+Dataset/wavs/urwisko_ferenc/25_segment_110.wav|mˈarja pˌɔlitʃˈɨwa jˈɛ f pɔɕpʲˈɛxu. f sˈumjɛ kˌilkanˈaɕtɕɛ.|0
+Dataset/wavs/urwisko_ferenc/03_segment_13.wav|mɛ̃ʃtʃˈɨzna pʃˈɨɡrɨz vˈarɡɛ, ˈalɛ...|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_202.wav|kɔbjˈɛtɨ ɲʲɛ mˈɨlɔ̃ ɕɛ ɲˈiɡdɨ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_21.wav|rˈɨan ɔdvrˈutɕiw ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_168.wav|kɔbjˈɛta bˌɨwa miltʃˈɔntsɔ̃ ɕˈɔstrɔ̃ spɔvˈitɔ̃ f ʃˈarɨ strˈuj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_163.wav|jˈɛɕli tɔ pʃˈɛɡraʃ, dˌɔlitʃˈɨmɨ tɔ dɔ tfɔjˈɛɡɔ raxˈuŋku.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_83.wav|vɨɕlˈɛtɕɛ tˈu kˈɔɡɔɕ? prˈɔʃɛ, ɲʲˈɛx ktˈɔɕ pʃɨjˈɛdʑɛ i znˈajdʑɛ mˈili i ˈaʃa.|4
+Dataset/wavs/urwisko_ferenc/36_segment_96.wav|vbʲˈiw dwˈɔɲʲɛ f kʲɛʃˈɛɲʲɛ i ɔbˈɛjʒaw ɕɛ nɛrvˈɔvɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_17.wav|ɲʲˈɛmam ɲˈidʑ dɔ prˌɔstɨtˈutɛk.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_262.wav|jˈɛɡɔː ˈɔkna znˌajdɔvˈawɨ ɕɛ znˈatʃɲʲɛ vˈɨʒɛj ɔt nˈaʃɨx i s pɔʑˈɔmu wazˈika vˈidadʑ bˌɨwɔ tˌɨlkɔ sˈufit w ɕrˈɔtku.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_27.wav|a tsˈɔ nˈaɲih vˈidatɕ? tɔ prˌɔstɨtˈutki, ktˌurɛ krˈɛntsɔ̃ ɕɛ pɔ klˈubjɛ, ˈɔkɛj?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_38.wav|pʃɛd vˈɛjɕtɕɛm zbˌudɔvˈanɔ kamjˈɛnnɨ pˈɔrtɨk, ktˌurɨ sprˈavʲaw vraʒˈɛɲʲɛ, jˈaɡbɨ dˌɔwɔʒˈɔnɔ ɡˈɔ pɔ dwˈuʃʃɛj rɛflˈɛksji.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_118.wav|ɲʲˈɛma tɔ jˈak ʃˌɛɕtɕɔkrˈɔtɲʲɛ swˈapʃa ɡrˌavitˈatsja.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_395.wav|ɔsˈɔɲdʑi ɡˈɔ sprˌavʲɛdlˈivʲɛ.|1
+Dataset/wavs/urwisko_ferenc/59_segment_129.wav|ˌɔdwɔʒˈɨwa ʃkwˈɔ pˌɔvʲɛŋkʃajˈɔntsɛ i pˌɔpatʃˈɨwa pɔ kɔlˈɛi na ˈɔbu mˈɛ̃ʃtʃɨzn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_89.wav|jˌɛstɛɕ tˈakim rˌɔmantˈɨkʲɛm, tˈɔm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_61.wav|mˈama vɛstxnˈɛwa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_72.wav|tʃˈasɛm mˈam vraʒˈɛɲʲɛ, ʒˈɛ mˈuviʃ mɔˈimi tɛkstˈami.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_38.wav|dʒˈɛvɔː i ʑˈɛmʲa|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_60.wav|zvʲɛʃxɲˈitstfɔː ˌadmiɲˌistratˈɔrki nadˈɛmnɔ̃ jɛst tsˈɔ nˈajmɲʲɛj dˌɨskusˈɨjnɛ. pɔdlˈɛɡam bˌɛspɔɕrˈɛdɲʲɔ kˌakˌazˈɛt.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_376.wav|ʒˈɛbɨ tˈak mˈuts skasˈɔvatɕ ɔstˈatɲi tˈɨdʑɛɲ i zˈatʃɔɲtɕ fʃˈɨstkɔː ɔt nˈɔva?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_25.wav|ɲʲˈɛx rˈɔp jˈɔ̃ sprˈavdʑi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_107.wav|ˈandɛrsɔn i rˈɨan patʃˈɨli xfˈilɛ na mˈarsjan i na ix ʃˈɛfa, vˌɨmaxˌujɔntsˈɛɡɔ tʃɛrvˈɔnɔ̃ xɔrˈɔŋɡvjɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_41.wav|tʃajnˈɔsɨ mˌartʲinˈɛza pˌɔtɕɛmɲʲˈawɨ f krˈɔku.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_95.wav|ktˌurɛ ˌɔpadˈajɔ̃ pʃɛdˈɛmnɔ̃ jˈak kˌɔlɔrˈɔvɛ pwˈatki ɕɲʲˈɛɡu.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_182.wav|pɔvʲˈɛdʑaw sˈɔbjɛ. mˈuɡw mi ɔdmˈuvitɕ i nˈadal pɔzˈɔstatɕ krulˈɛfskim kˈatɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_52.wav|pɔdrˈɨvam ɕɛ s kʃˈɛswa i zatʃˈɨnam krˈɔ̃ʒɨdʑ dˌɔɔkˈɔwa, ʒˈɛbɨ zmɲʲˈɛjʃɨtɕ nˌarastajˈɔntsɛ lapʲˈɛɲtɕɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_105.wav|z ɡwˈɔɕnɨm stukɲʲˈɛɲtɕɛm ɔtkwˈadam tɛlˈɛfɔn na stˈɔlik.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_117.wav|ɲˈits takʲˈɛɡɔ ɲˈiɡdɨ ɕɛ ɲʲɛ vˌɨdaʒˈɨwɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_4.wav|jˈutrɔ pɔjˈɛdʑɛ dɔ prˈatsɨ sfˈɔim nˈɔvɨm, ˌuʒɨvˈanɨm sˌamɔxˈɔdɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_75.wav|tɔ prˈavda, pˈaɲʲɛ pˌɔtpuwkɔvɲˈiku, pɔtfʲˈɛrdʑiw tˈakɔ, ˌalɛ pˈɔswaw mi spɔjʒˈɛɲʲɛ pˌɨtajˈɔntsɛ, tsˈɔ jɛst kˈurva ɡrˈanɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_13.wav|tˈaɡ vʲˈɛndʑ dɔpˈuki bˈɨw z ɲʲˈɔ̃, stanˈɔviw jɛj vʲˈarɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_10.wav|kʲˈɛdɨ zatʃˈɛwɨ mɲʲɛ bˈudʑidʑ mdwˈɔɕtɕi, pˌɔmɨɕlˈawam pɔ prˈɔstu, ʒˈɛ zjˈadwam tsˈɔɕ ɲʲˌɛvwaɕtɕivˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_170.wav|ˌalɛ dlatʃˈɛɡɔ zɔstˈawa pˈaɲi mˈɔim aɲʲˈɔwɛm strˈuʒɛm?|4
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_90.wav|ɡdˈɨbɨ nakrˈɛɲtɕitɕ tˈu sˈɛrjal, dˈalibˌɨ mu tˈɨtuw mwˈɔdʑi pravɲˈitsɨ, mˈuvi dʒˈɔn.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_273.wav|tsˈɔ ja tˈu rˈɔbjɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_70.wav|pʃˌɨjɛʒdʒˈajɔ̃ s tsawˈɛɡɔ ɕfʲˈata, ʒˈɛbɨ tˈu pratsˈɔvatɕ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_441.wav|dʑɛftʃˈɨna zˌastanavʲˈawa ɕɛ, tsˈɔ sˈɔɲdʑi mjˈa ɔ sˌɛrlɔtˈɔʒɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_18.wav|pʃˈɛs tsˈawɨ tʃˈas mʲˈawam rˈatsjɛ. ktˈɔʑ za mnˈɔ̃ xˈɔdʑiw. tʃˈuwam na sˈɔbjɛ jɛj vzrˈɔk, ˌalɛ ɲˈiɡdɨ jɛj ɲʲɛ vidʑˈawam.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_200.wav|nastˈɛmpnɨm rˈazɛm, kʲˈɛdɨ pˈan rˈɨan pˈijɛ i prɔvˈadʑi samˈɔxut...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_33.wav|ˌalɛ maʃ ˈɔmɲʲɛ mˈɨɕlɛtɕ. ɲʲɛ pʃɛstˈavaj, nˈavɛt pʃˈɛs xfˈilɛ.|4
+Dataset/wavs/urwisko_ferenc/27_segment_105.wav|— zˈaras, zˈaras! — lˈɛɡnɛr ɔtxˈɨliw ɕɛ na ɔpˈartɕu. fˈɔtɛl zaskʃˈɛtʃaw.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_172.wav|nˌalɛɡˈajɔnts, ʒˈɛbɨ tˈɔmmɛn i marɡˈɛrɨ natˈɨxmʲast ɕɛ pɔbrˈali, lˈadɨ ɔlˈɛnna skazˈawa sfˈɔ̃ drˌɔɡɔtsˈɛnnɔ̃ rˈuʒɛ na spɔtkˈaɲʲɛ s kˈatɛm.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_135.wav|uɕmʲˈɛxnɔw ɕɛ, bˈɨ zwaɡˈɔdʑidʑ vɨmˈɔvɛ sfˈɨx swˈuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_66.wav|zˌastanavʲˈawam ɕɛ, tʃɨ ɲʲɛ pɔɕfʲˈɛɲtɕiwbˌɨɕ mi kˈilku mˈinut.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_420.wav|xwˈɔpʲɛts fstˈaw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_14.wav|swˈɔva tɛ ʃtʃɛɡˈulɲʲɛ pasˈujɔ̃ dɔ sˌɨtuˈatsji, kʲˈɛdɨ pˈiʃɛʃ ɔ vˈɔjɲʲɛ, a tʃɨ ɲʲɛ ˈɔtɨm vwˈaɕɲʲɛ jɛst jˈɛɡɔː ɔpˈɔvʲɛɕtɕ?|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_116.wav|na dvˈɔʒɛ jɛst pʲˈɛŋkɲʲɛ, swɔvˈitʃku.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_364.wav|tˈaɡ vwˈaɕɲʲɛ pɔvˈinɲi ɡʲˈinɔɲdʑ bjˈali rɨtsˈɛʒɛ z ɡvˈardji krulˈɛfskʲɛj, ɔddˈajɔndʑ ʒˈɨtɕɛ za tˈɨx, ktˌurɨx pʃɨɕˈɛŋɡli xrˈɔɲitɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_249.wav|pˈɔtɛm dˌɛlikˈatɲʲɛ pʲɛɕtɕˈiwɛm jˈɔ̃ tsˈawɔ̃, ˌɔtpulsujˈɔntsɛj dˌɛlikˈatɲʲɛ ʃˈɨi,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_59.wav|mˈa pʲˈɛɲtɕ lˈat i istɲʲˈɛjɛ dˈuʒa ʃˈansa nˈatɔ, ʒˈɛ ɔtfˈɔʒɨ dʒvˈi i ɡdʑˈɛɕ ɕɛ ɔddˈali.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_493.wav|stˈɔrɨ bˌɨwɨ zˌatɕɔŋɡɲʲˈɛntɛ. ktˈɔ jˈɛ zasˈunɔw?|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_362.wav|tˈak pɔvʲˈɛdʑaw jɛj pˈɛtɛr i bˌɨwɔ tɔ prˈavdɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_508.wav|maʃ mˈɔjɛ swˈɔvɔ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_345.wav|ɲʲˈɛmam tʃˈasu na jɛʒdʒˈɛɲʲɛ pɔ lˈɛɕɛ i zbjɛrˈaɲʲɛ kfʲˈatkuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_187.wav|ɔkrˈɔ̃ʒa wˈuʃkɔ, vɨtɕˈɔŋɡa rˈɛŋkɛ, ʒˈɛbɨ pˈɔmuts mi fstˈatɕ s kʃˈɛswa i pʃɨtˈula mɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_53.wav|tʃɨ mˈɔʒɛ pˈan pɔtfʲˈɛrdʑitɕ, ʒˈɛ jɛzd bjˌɔlɔɡʲˈitʃnɨm ˈɔjtsɛm mˈillɨ pˈalmɛr?|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_117.wav|ˈɔtkrɛɲdʑ ɡˈɔ dɔː ɔpˈɔru i bˌɛɲdʑɛ pɔ fʃˈɨstkim.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_76.wav|vɨtɕˈɔŋɡa rˈɛntsɛ i ɔdvrˈatsa jɛj tfˈaʃ kˈu sˈɔbjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_48.wav|mˈɔʒɛ mɲʲɛ tˈu fsadʑˈili pɔ prˈɔstu za ɔpˈilstfɔ, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_200.wav|tˈɛ vwˈaɕɲʲɛ tsˈat lubʲˈiwa najbˈardʑɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_121.wav|ˌɔkazˈawɔ ɕɛ jˈɛdnak, ʒˈɛ mʲˈawa nˈauk, ɔ ktˌurɨm ɲˈikt ɲʲɛ vʲˈɛdʑaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_83.wav|bˈɛs swˈɔva pɔmˈɔɡwam mu ɕɛ uvˈɔlɲit�� ɔt xˈɛwmu i rɛŋkˈavits.|4
+Dataset/wavs/urwisko_ferenc/14_segment_66.wav|pʃˌɛtɕɛʃ muvˈiwɛɕ, ʒˈɛ bˌɨwɔ tɕˈɛmnɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_241.wav|vʲˈɛnts najlˈɛpʲɛj zatʃɲˈijtɕɛ jˈuʃ ˈiɕtɕ, dˌɔradʑˈiwam jɛj. starˈawam ɕɛ uɲˈikatɕ fɕtɕɛkwˈɛɡɔ vzrˈɔku lɔrˈɛttɨ sˈanxɛs.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_47.wav|rˌɔspɔznˈawam tɛn fɔrmˈulaʃ. vidʑˈawam ɡˈɔ kˈilka dɲˈi ftʃˈɛɕɲʲɛj w bjˈuʒɛ rudjˈɛɡɔ. bˈɨw tɔː ˌɔfitsjˈalnɨ nˈakaz dˌɛpɔrtˈatsji.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_31.wav|lˈubʲi sɔ̃ɕˈaduv z midvˈɔɔt, zvwˈaʃtʃa ˌatskɛrmˈanuf, ˌalɛ f tɨm mʲɛʃkˈaɲʲu tʃˈujɛ ɕɛ lˈɛpʲɛj, bɛspʲˈɛtʃɲʲɛj.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_54.wav|jˈɛɕli dˈɔʃwa dɔ vɲʲˈɔsku, ʒˈɛ sˈansa stˈark mˈɔɡwa pɔjˈɛxadʑ dɔ rivˈɛran...|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_232.wav|tɔ strˈaʃɲʲɛ ɲʲˌɛbɛspʲˈɛtʃnɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_82.wav|ɲʲɛ mʲˈawam pɔjˈɛɲtɕa, tʃɨ zˈɛxtsɛ ɕɛ zˈɛmnɔ̃ pɔnˈɔvɲʲɛ zɔbˈatʃɨtɕ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_278.wav|lˈantsɛl, sˈɛr ˈɔsmunt i ˈilu jˈɛʃtʃɛ? tʃɨ s tɨm kɕˌɛ̃ʒɨtsˈɔvɨm xwˈɔptsɛm tɔ bˌɨwa tˌɨlkɔ drvˈina?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_67.wav|pɔvˈiɲʲɛn bˈɨw pˈan nˈam tɔ pɔvʲˈɛdʑɛtɕ na sˈamɨm pɔtʃˈɔntku.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_278.wav|— ˈɛmɔn pˌɔpwɨnˈɔwbɨ dɔ ɲʲˈɛj, ɡdˈɨbɨ tˌɨlkɔ mʲˈaw ɕˈiwɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_195.wav|pˌɔtʃɛbɔvˈawam xfˈili, ʒˈɛbɨ ɕɛ pɔzbjˈɛratɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_5.wav|bʲˈillɨ pʃɨpˈada dɔ kanˈapɨ f tʃˈɛx ʃˈɨpkix krˈɔkax i ɔstrˈɔʒɲʲɛ vɨɡlˈɔnda zzˈa ɲʲˈɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_132.wav|zapˈiwam ɡˈɔ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_264.wav|ɡʲˈillɛz ɡrˈaftɔn skʃˈɨviw ɕɛ. ɲʲɛ jˌɛstɛm pˌɔmɨvˈatʃkɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_131.wav|dvˈa tɨɕˈɔntsɛ ɡʲˈituf ɔtpˈarwam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_174.wav|vʲˈɛ pˈaɲi, ʒˈɛ jˌɛstɛm pˌɔsɔndʑˈɔnɨ ɔ mɔrdˈɛrstfɔ mwˈɔdɛj kɔbjˈɛtɨ? pˌɔvʲɛdʑˈawɛm sˈam, ɲʲˈɛvʲɛm dlatʃˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_143.wav|ɲʲˈɛvʲɛm, ˈilɛ rˈandɛɡ zalˈitʃɨw pɔ mˈɔim vɨjˈɛʑdʑɛ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_370.wav|vʲˈɛm, ʒˈɛ s pɛvnˈɔɕtɕɔ̃ trˈudnɔ tɕi ʒˈɨtɕ s tˈɨm, tsˈɔː ˌutʃɨɲˈiwɛɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_41.wav|pɔdbʲˈija, a tˈamta sprˈavdʑa.|3
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_31.wav|vɨtɕˈɔŋɡnɔw tɛ plˈanɨ s kˌɔmputˈɛra sfɔjˈɛɡɔ ʃˈɛfa. ɲʲɛ bˌɨwɨ xrɔɲʲˈɔnɛ xˈaswɛm.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_127.wav|pʃɛmˈɔvɨ swˈuxaw rˈuvɲʲɛʃ mˈinstrɛl, tˈɛn, kturˌɛɡɔ dʒˈɛjmz zˈabraw sˈɛr rˌaɨmɔndˈɔvi frɛjˈɔvi.|1
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_3.wav|fʃˈɨstkɔː ˈu tɕˈɛbjɛ f pɔʒˈɔntku?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_71.wav|kɔbjˈɛta rɔzɡlˈɔnda ɕɛ, jˈaɡbɨ pˌɔdɛjmɔvˈawa dɛtsˈɨzjɛ, kturˌɛmu z rˌɛpɔrtˈɛruf pɔvˈinna ˌɔtpɔvʲˈɛdʑɛtɕ, ˌalɛ nˌajvɨrˈaʑɲʲɛj vɨbjˈɛra skˈɨ nˈɛfs, bˈɔ pˈatʃɨ prˈɔstɔ f kamˈɛrɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_39.wav|kˈuxɲʲa, stfʲˈɛrdʑiw.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_152.wav|kʲˈɛdɨ rɨbˈatsɨ dɔstʃˈɛɡli pwɔnˈɔntsɛ na vʲˈɛʒax ˈɔɡɲʲɛ, ˌɔtkwadˈali na bˈɔk ɕˈɛtɕi i pwˈuɡʲi, zˌamjɛɲʲˈajɔnts jˈɛ na mʲˈɛtʃɛ i tɔpˈɔrɨ.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_146.wav|ˌutɕɛʃˈɨwa ɕɛ. dˈavaj jˈɛ tˈu, dʑˈɛtskɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_110.wav|vzdwˈuʒ vɛvnˈɛntʃnɨx ɕtɕˈanɛk tɕɔŋɡnˈɛwɨ ɕɛ ʒˈɛndɨ mˈawɨx ɔtfˈɔruf, a pɔɕrˈɔtku stˈɛrtʃaw pʃˌɨtfʲɛrdʑˈɔnɨ dɔ dnˈa mˌɛtalˈɔvɨ tsɨlˈindɛr ɔː ˈɔbwɨm vʲɛʃxˈɔwku.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_260.wav|tˈɔmu jˌɛstɛm vˈiɲʲɛn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_249.wav|jˈɛʃtʃɛ jˈɛdnɔ.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_156.wav|bɨvˈawɨ dɲˈi, ʒˈɛ brˈaw ɡˈɔ za jɛdnˈɛɡɔ zˈɛ sfˈɨx ɲʲˌɛʒɨjˈɔntsɨɣ brˈatɕi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_27.wav|xˈɔtɕ kuɕˈiwɔ mɲʲɛ, bˈɨ ɕɛ ɔdvrˈutɕitɕ i rˈuʃɨdʑ w drˈɔɡɛ pɔvrˈɔtnɔ̃ dɔː ˌakadɛmˈika, zmuɕˈiwam ɕɛ dɔ pʃɛpxɲʲˈɛɲtɕa pʃˈɛs twˈum dɔ bˈaru, ʒˈɛbɨ zamˈuvitɕ pˈuw ʃklanˈɛtʃki tsˈɨdru.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_59.wav|mˈuɕi bˈɨtɕ jˈakaʑ drˈɔɡa, ktˌura ɲʲɛ pˌɔzɔstˈavja ɕlˈadu, pɔvʲˈɛdʑaw rˈɨan pɔ xfˈili.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_246.wav|jˈak tfˈɔjɛ dwˈɔɲʲɛ? zapˈɨtaw dˈalɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_211.wav|na tɨɕˈɔntsɛ tɨɣ ʑˈɛmʲan ɡˌɛstɨkˌulujˈɔntsɨɣ bˈɛs swˈɔva i nˈanas, ktˌuʒɨ stˈaliɕmˌɨ ˌɔbɔk tɛj dwˈuɡʲɛj jˈaɡ ɡˌɔ̃ɕɛɲˈitsa lˌimuzˈɨnɨ,|0
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_2.wav|a tɨmtʃˈasɛm na mˈuʒɛ.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_110.wav|bˈɨtɕ mˈɔʒɛ xtɕˈawɛm jˈɔ̃ mʲˈɛtɕ. fʃˈɨstsɨ ɕɛ ˌɔkwamujˈɛmɨ, kʲˈɛdɨ praɡɲʲˈɛmɨ f tsˈɔɕ uvʲˈɛʒɨtɕ. a mɛlˈisantr ʃtʃɛɡˈulɲʲɛ, jˈak sˈɔndʑɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_12.wav|rˈɔzum tɕˈɛ ɔdjˈɛwɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_89.wav|i jˈɛɕli, ɲʲɛ jˈɛɕli, kʲˈɛdɨ namjˈɛʒɔ̃ jɛj pˌɔxɔdʑˈɛɲʲɛ, tsˈɔː ustˈalɔ̃?|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_230.wav|ˈalbɔ dla mwɔdˈɛɡɔ rɔbˈɛrta arˈɨna.|1
+Dataset/wavs/urwisko_ferenc/04_segment_6.wav|ʃtʃˈɛrpski ɲʲɛ ʒartˈɔvaw.|0
+Dataset/wavs/urwisko_ferenc/42_segment_46.wav|ɲʲɛ ˈɔtɔ xˈɔdʑi, pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_314.wav|tɕɛkˈavɛ, ktˈɔ tɔ zrˈɔbʲiw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_49.wav|rˌɔzwɔntʃˈɨwa ɕɛ, bˈɔ ɲʲɛ mʲˈawa ɔxˈɔtɨ tʃˈɛkatɕ na ɲiʃʃˈɛɡɔ stˈɔpɲʲɛ fˌuŋktsjɔnarjˈuʃa, f tɨm vɨpˈatku na ɲʲˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_84.wav|kʲˈɛdɨ uklˈɛŋknɔw pʃɛt ɔwtˈaʒɛm,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_90.wav|vɨdˈavaw ɕɛ mˈiwɨ, rɔssˈɔndnɨ i ˌintɛliɡˈɛntnɨ. ˌuspɔkajˈawam ɕɛ w jˈɛɡɔː ˌɔbɛtsnˈɔɕtɕi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_111.wav|ˌalɛ ɔɡˈarɲʲa mɲʲɛ ɔ ɲʲˌɛɕmʲɛlˈɛɲʲɛ, xfˈilɛ ʃamˈɔtʃɛ ɕɛ sˈam zˈɛ sˈɔbɔ̃,|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_211.wav|ɔbrˈazɛk pʃɛtstˈavja ˌuɕmʲɛxɲʲˈɛntɔ̃ dʑɛftʃˈɨŋkɛ ɔ tɕˌɛmnɔbrɔ̃zˈɔvɛj skˈuʒɛ, z vwɔsˈami zˌaplɛtɕɔnˈɨmi w vˌarkɔtʃˈɨki, ˌɔzdɔbjˈɔnɛ jˈasnɔtʃˌɛrvɔnˈɨmi fstɔ̃ʃkˈami.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_82.wav|ʒɛlˈaʑɲi lˈudʑɛ zˈafʃɛ plˌɔndrɔvˈali ɡdʑˈɛ tˌɨlkɔ mˈɔɡli.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_10.wav|a pˈɔtɛm zavrˈatsaw dɔ barˈaku, mˈuvʲɔnts|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_88.wav|jˈakɔː ˈana spˌasɔvˈawabˌɨm, vˌɨbjɛrˈajɔnts nˌajrɔssɔndɲʲˈɛjʃɔ̃ drˈɔɡɛ i ˌɔɡraɲitʃˈajɔnts strˈatɨ. ˌalɛ bˌɨwam sˈaskjɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_136.wav|kˈɔmuɕ takʲˈɛmu jˈak sˈɛr, ˈalbɔ tˈɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_367.wav|ta mwˈɔda kɔbjˈɛta.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_265.wav|zatʃˈasnɔw za sˈɔbɔ̃ dʒvˈi.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_216.wav|rˈɔllam jɛzd zˈɛmnɔ̃, ˌalɛ rɛˈinalt jɛst rɨtsˈɛʒɛm i pɔjˈɛxaw z bˌuntɔvɲikˈami dɔ bliʑɲʲˈakuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_86.wav|xtɕˈawbɨm jˈɛdnaɡ vʲˈɛdʑɛtɕ prˈavdɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_96.wav|ɲʲɛ vʲˈɛmɨ, tsˈɔ ɕɛ stˈawɔ, pˈaɲi ˈɛdmunts, ˌalɛ jˈɛɕli pˈaɲi mˈɔ̃ʒ bˈɨw tsˈɛlɛm, a vˈɨjdʑɛ nˈajaf, ʒˈɛ ɲʲɛ zɡʲˈinɔw, mˈɔʒɛ znˈalɛɕtɕ ɕɛ w ɲʲˌɛbɛspʲɛtʃˈɛɲstfʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_55.wav|ˈɔx, ˌalɛ na pˈɛvnɔ mʲˈawam tˈu dɔ ɲʲˈɛɡɔ pʃˈɨjɕtɕ na ɡɔdʑˈinɛ.|4
+Dataset/wavs/urwisko_ferenc/34_segment_44.wav|trˈɔxɛ ɕɛ pˌɔɡubʲˈiwɛm, pʃˈɨznaw i dˈɔtknɔw ɡwˈɔvɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_49.wav|mˈuvjɛ radˈɔsnɨm ɡwˈɔs��m. tʃˈas na vakˈatsjɛ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_5.wav|mʲˌɛli vʲˈadra vˌɨpɛwɲʲˈɔnɛ vˈɔdɔ̃ z mˈɨdwɛm i ʃˌɔrɔvˈali pɔsˈatskɛ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_313.wav|kʲˈɛdɨ pɔpwˈɨɲʲɛʒ dɔ sɔlˈanɛk...|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_47.wav|mˈɔja trˈumna ɲʲɛprˈɛntkɔ zaɡˈɔɕtɕi f prɔɡrˈamjɛ kɕˌɛ̃ʒɨtsˈɔvɨ dˈɔm mˈaʒɛɲ, ˌalɛ ɲʲˈɛstatɕ mɲʲɛ na ɲˈits lɛpʃˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_209.wav|kʲˈɛdɨ kɔmpˈutɛr ɔtʃˈɨmaw ˌinfɔrmˈatsjɛ, ʒˈɛ tˌɛmpɛratˈura spˈadwa pɔɲˈiʒɛj nˈɔrmɨ, ˌuruxˈɔmiw ɡwˈuvnɨ ɡʒˈɛjɲik.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_55.wav|ˌɔna ɲʲɛ mʲˈawa ɲˈits pʃɛtɕˈifkɔ lɔrdˈɔvi ʒˌɨlasˈɔvi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_8.wav|ˌɔpsɛrvˈujɛ jˈɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_475.wav|a tsˈɔ mɲʲɛ tɔ fʃˈɨstkɔː ɔpxˈɔdʑi, pˌɔmɨɕlˈawɛm. ʃˈɛd ˌɔbɔk mɲʲɛ, bˈatʃɔnts na sfˈɔjɔ̃ tˈɔrbɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_24.wav|bˌɨwam tˈaka zdˌɛnɛrvɔvˈana, ʒˈɛ pˈɛvɲʲɛ ʑlˈɛ ɡˈɔ fprˌɔvadʑˈiwam, kʲˈɛdɨ dʒˈanɛd dˌɨktɔvˈawa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_507.wav|a ja znˈɔvu praɡnˈɔwɛm jˈɔ̃ ˈɔbjɔɲtɕ, pʃɨtɕˈɔŋɡnɔɲdʑ dɔ ɕˈɛbjɛ.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_295.wav|fʃˈɨstkɔ tɔ rˈɔbjɛ dla ɲʲˈɛɡɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_43.wav|pɔftˈaʒam ɡwˈɔɕɲʲɛj i mˈɔtsɲʲɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_79.wav|kʲˈɛdɨ pʃˌɨjɛxˈawa ɔstˈatɲi rˈas, brˌakɔvˈawɔ jɛj kˈilku zˈɛmbuf i mʲˈawa brˈudnɛ vwˈɔsɨ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_38.wav|ɡrˈawɛm i ɕpʲɛvˈawɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_87.wav|stˈulp pˈisk|2
+Dataset/wavs/urwisko_ferenc/15_segment_44.wav|bˈɔ ʒˌɛtʃɨvˈiɕtɕɛ mˈɔɡwabˌɨ zakˈɔxatɕ ɕɛ w ɡrˈɔxu.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_180.wav|pʃˈɨznaw brˈuskɔ, ˌalɛ tɛ sɔ̃ nˈamɲʲɛ za mˈawɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_33.wav|ʒˈɛbɨ sˈɔbjɛ pɔʃˈukaw innˈɛɡɔː ˌinstruktˈɔra. ja ɲʲɛ bˌɛndɛ ɡˈɔ mˈuɡw ˈutʃɨtɕ na rˈaʑɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_105.wav|dɔkwˈadɲʲɛ spˌasɔvˈanɛ tʃˈɛɲɕtɕi fskɔtʃˈɨwɨ na sfˈɔjɛ mʲˈɛjstsɛ. zˈatɔ aˈarɔn i mˈɛrtsɨ muɕˈɛli pʃɨtɕˈisnɔɲtɕ sfˈuj kˈɔɲʲɛdʑ dɔ fɔljˈɔvɛj ɕtɕˈanɨ namjˈɔtu i ɔklˈɛidʑ ɡˈɔ tˈaɕmɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_228.wav|jɛj ɕfʲˈatwɔ fpwɨvˈawɔ tˈɛʒ dʑˈivɲʲɛ na kɔlˈɔrɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_192.wav|vrutɕˈimɨ dˈɔ, nˈɔ vʲˈɛʃ, tfɔjˈɛɡɔ pʃˌɨjatɕˈɛla?|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_168.wav|kʲˈɛdɨ tʃˈuwɔ ɕɛ inˈatʃɛj, kʲˈɛdɨ tʃwˈɔvʲɛɡ bˈaw ɕɛ...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_7.wav|zɡˈɔdɲʲɛ z naʃˈɨmi pˌɔdɛjʒɛɲʲˈami bˈɨw nˌɔtɔvˈanɨ, ˌalɛ ɲʲɛ za pɔdˈɔbnɛ pʃɛstˈɛmpstfa, tˌɨlkɔ za pʃˈɛmɔdʑ dɔmˈɔvɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_110.wav|madʒˈarjan prubˈujɛ ɕɛ uɕmʲˈɛxnɔɲtɕ, jˈak tʃwˈɔvʲɛk na wˈɔʒu ɕmʲˈɛrtɕi, ktˌurɨ zdˈɔbɨw ɕɛ na kʲˈɛpski ʒˈart, ˌalɛ bʲˈillɨ lˈɛdvɔ tɔ zˌauvˈaʒa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_73.wav|zˌainstˌalɔvˈawam nˈaɲim ˌaplikˈatsjɛ ɕlɛdʑˈɔntsɔ̃, kʲˈɛdɨ ˈaʒ bˈɨw w waʑˈɛntsɛ, vʲˈɛnts nˈavɛt jˈɛɕli pɔzbˈɛɲdʑɛ ɕɛ sfˈɔjɛj kɔmˈurki, bˌɛndɛ znˈawa mʲˈɛjstsɛ jˈɛɡɔ pɔbˈɨtu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(74) R.Abbott_Zamknij Drzwi_segment_5.wav|nˌajvɨrˈaʑɲʲɛj ɔtʃˈɨmaw sfˈɔjɛ instrˈuktsjɛ i vʲˈɛdʑaw dˌɔskɔnˈalɛ, dˈɔkɔnt mˈa jˈɛxatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_118.wav|bˈaki mˈuviw, ʒˈɛ za pɔʒˈɔndnɛ pʲɛɲʲˈɔndʑɛ bˈɨtɕ mˈɔʒɛ dˈaʃ ɕɛ namˈuvitɕ na jˈɛʃtʃɛ jɛdnˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_65.wav|xˈɔf, zˈatru ʑrudˈɛwkɔ, mˈɨɕli.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_491.wav|mjˈa stˈɔnɛ rˌɔzɛɕmʲˈawa ɕɛ ɡwˈɔɕnɔː i uɲʲˈɔswa rɔbˈɛrta, bˈɨ ɡˈɔː uɕtɕˈiskatɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_29.wav|tˈɔm skrˈɛɲtɕiw za narˈɔʒɲik i zakˈɔɲtʃɨw pˌɔwɔntʃˈɛɲʲɛ. pˈawl ɡrˈin jˈuʃ tˈam bˈɨw i na ɲʲˈɛɡɔ tʃˈɛkaw.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_35.wav|jˈɛɡɔː ɔblˈitʃɛ zamˈarwɔ w bɛzrˈuxu, jˈaɡ vɨkˈutɛ s kamjˈɛɲʲa. pʃˈɨkrɔ mi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_8.wav|pˌɔkɔxˈawam tˈɛ kɔbjˈɛtɛ, xˈɔtɕ mˈa tˈaɡ vʲˈɛlɛ vˈat.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_416.wav|krˈul mˈuɕi mʲˈɛdʑ ʒˈɔnɛ, ktˌura dˈa mu dʑɛdʑˈitsuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_2.wav|lˌakɛsˈidɛ|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_34.wav|ʒˈɛbɨ pɔvʲˈɛdʑɛdʑ vʲˈɛntsɛj, bˌɛndɛ muɕˈawa vˈidʑɛtɕ jɛj tfˈaʃ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_407.wav|pˈɛvɲʲɛ mˈam fstʃɔ̃ɕɲʲˈɛɲʲɛ mˈuzɡu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_177.wav|ɔ tɛj pˈɔʒɛ ɲʲɛ bˌɨwɔ tˈu ɲikˈɔɡɔ. stˈatsja bˌɛnzɨnˈɔva bˌɨwa zamkɲʲˈɛnta.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_125.wav|jˈamɛ zˌastanˈavʲaw ɕɛ, ˈilɛ kʲˈɛwbas mˈa w zapˈaɕɛ jˈɛɡɔ kˈuzɨn, a f tɨm rˈɔku ɲʲˈɛma.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_396.wav|a jˈak mi ɕɛ trˈafi ktˈɔɕ rˈuvnɨ, tɔ kˈupjɛ mu pˈivɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_109.wav|kˈilka dɲˈi tˌɛmu spˌɔtkawˈɨɕmɨ ɕɛ ˈu trˈɔnda.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_278.wav|bɛɲdʑˌɛmɨ jɛj stʃˈɛɡli.|1
+Dataset/wavs/urwisko_ferenc/01_segment_98.wav|zikˈɔrski zmˈarʃtʃɨw brvˈi i stˈɛ̃ʒaw.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_305.wav|ɲʲɛ zamjˈɛʒam tɕˈɛ ˈutʃɨtɕ, jˈak tˈɔtʃɨdʑ vˈɔjnɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_28.wav|ɲʲɛ mˈɔʒɛ zɔbˈatʃɨtɕ ʃˈɔku na mˈɔjɛj tfˈaʒɨ, kturˌɛɡɔ nˈavɛt ja pˈɛvɲʲɛ ɲʲɛ zdɔwˈawabˌɨm zˌamaskˈɔvatɕ, xˈɔtɕ sˈama ɲʲˈɛvʲɛm, dlatʃˈɛɡɔ jˌɛstɛm zˌaskɔtʃˈɔna.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_6.wav|w jˈɛɡɔ tʃˌɛrvɔnˈavɨm blˈasku tfˈaʒ ɡˈɔʑdʑiɡ vˌɨdavˈawa ɕɛ rumjˈana.|1
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_151.wav|xˈɔdʑmɨ dɔ pivɲˈitsɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_91.wav|jˌɛstɛɕ pˈɛvna, ʒˈɛ xtsˈɛʒ z ɲˈimi zadʑˈɛratɕ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_497.wav|ˌɔdvaʒˈɨwɛm ɕɛ vʑˈɔɲtɕ prˈɨʃɲits.|0
+Dataset/wavs/urwisko_ferenc/09_segment_80.wav|mˈarja patʃˈɨwa mu prˈɔstɔ w ˈɔtʃɨ i pɔ xfˈili mɛ̃ʃtʃˈɨzna pˈarsknɔw ɕmʲˈɛxɛm. ˈɔkɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_169.wav|kˈivam ɡwˈɔvɔ̃, ɲʲɛzdˈɔlna pʃˈɛs xfˈilɛ dɔ vˌɨpɔvʲɛdʑˈɛɲʲa xˈɔdʑbɨ swˈɔva.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_110.wav|ɕɛdʑˈawam na skrˈaju wˈuʃka sfɔbˈɔdɨ i pʃˌɨɡlɔndˈawam ɕɛ jˈɛɡɔ pʃˌɨɡɔtɔvˈaɲʲɔm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_330.wav|pˌɔmiltʃˈawɛm xfˈilɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_36.wav|mˈuvi tɕˈixɔ dˈɔm, ɲʲɛ zdradʑˈajɔndʑ w ʒˈadɛn spˈɔsup, ʒˈɛ nˈaɕi ɡˈɔɕtɕɛ ɡˈɔ ɲʲˌɛpɔkˈɔjɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_219.wav|nˈaʃɛ skafˈandrɨ spˌɔtʃɨvˈawɨ ˌuwɔʒˈɔnɛ sxlˈudɲʲɛ na pˈuwkax pɔt ɕtɕanˈami.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_20.wav|ujˈavɲʲa ʑrˈudwɔː ix nˌɛɡatɨvnˈɛɡɔ nˌastavʲˈɛɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_106.wav|spˈujʃ nˈatɔ s ʃˈɛrʃɛj pˌɛrspɛktˈɨvɨ, jasmˈinɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_74.wav|zˈafɔ|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_91.wav|mˈusk mu ɕɛ lasˈujɛ, jˈaɡbɨ mʲˈaw za sˈɔbɔ̃ najdwˈuʃʃɨ, najbˈardʑɛj skˌɔmplikɔvˈanɨ ɛɡzˈamin na ɕfʲˈɛtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_284.wav|zatɕˈisnɔw ˈusta jˈɛʃtʃɛ mˈɔtsɲʲɛj i zˈɛrknɔw na sˈɛr ilˈina pˌaɨnˈɛa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_87.wav|ˈinnɛ nazvˈiskɔ na lˈiɕtɕɛ, a ɔzbˈɔrnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_91.wav|z ˈuzd vʲatkʲˈɛɡɔ kɔlˈina fçitˈɛa, dʑˈiɕ ˌubranˈɛɡɔ w zwˈɔtɛ, bufjˈastɛ spˈɔdɲʲɛ i kɔʃˈulɛ f turˈɛtskʲɛ vzˈɔrɨ z vɨsˈɔkim kɔwɲʲˈɛʒɛm, pwˈɨɲʲɛ ɡwˈɔs fkˌuʒɔnˈɛɡɔ pravɲˈika.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_100.wav|s pɛvnˈɔɕtɕɔ̃ znˈa pˈan ɔtpˈɔvʲɛtɕ nˈatɔ pɨtˈaɲʲɛ, a tɔ pˌɔmɔɡwˈɔbɨ nˈam znˈalɛɕtɕ mɔrdˈɛrtsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_11.wav|ɡdˈɨbɨ tˌɨlkɔ vʲɛdʑˈawa, ʒˈɛ tsˈawɛ mˈɔjɛ ʒˈɨtɕɛ jɛst jˈɛdnɔ̃ vʲˈɛlkɔ̃ tˌajɛmɲˈitsɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_56.wav|ˌalɛ tˈak, tɕi kɔlˈɛɕɛ mˈuʃɔ̃ zapwˈatɕidʑ zˈatɔ, tsˈɔ zrɔbʲˈili. dˈaj mi xfˈilɛ pɔmˈɨɕlɛtɕ.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_321.wav|vɨɕˈadwɨ z lˈɛktɨkˌi pɔt pɔsˈɔŋɡʲɛm bˌaɛlˈɔra bwˌɔɡɔswˌavʲɔnˈɛɡɔ. krulˈɔva z zˌadɔvɔlˈɛɲʲɛm zˌauvaʒˈɨwa, ʒˈɛ spʃɔntɲʲˈɛntɔ stˈamtɔnt kˈɔɕtɕi i ˈinnɛ ɔtpˈatki.|1
+Dataset/wavs/urwisko_ferenc/47_segment_29.wav|rˌɔzmavʲˈawam z ɲʲˈɔ̃ tˌɨlkɔ rˈas.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_15.wav|tʃˈɛkam na zˈɛvnɔntʃ, na ɕtɕˈɛʃtsɛ prˌɔvadʑˈɔntsɛj dɔ luplˈinɛ. jˈɛɕli xtsˈɛʃ ˌɔtpɔvʲˈɛdʑi, xˈɔtɕ tˈutaj i mɲʲɛ pɔʃˈukaj.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_14.wav|bˈutɨ mʲˈaw tʃˈarnɛ, a spˈɔdɲʲɛ ɲʲɛbjˈɛskʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_94.wav|vɨjˈɛʒdʒa s parkˈiŋɡu, na ktˌurɨm ɕpjˈɔ̃ dˈuʒɛ tɕˌɛ̃ʒarˈufki i zvˈinɲʲɛ vwˈɔntʃa ɕɛ dɔ rˈuxu na lˈɔŋk ˈislant ɛksprˈɛssfaj za pikˈapɛm tɕɔŋɡnˈɔntsɨm pʃɨtʃˈɛpɛ z wˈɔdʑɔ̃, a pʃɛd vɨvrˈɔtkɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_204.wav|tˈaka jɛst prˈavda.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_40.wav|— vɨɕlˈɛmɨ kˈɔɡɔɕ, ʒˈɛbɨ zdjˈɔw ɔttɕˈiski fʃˈɨstkix ˈɔsup, ktˌurɛ zɡˈɔdɲʲɛ s prˈavɛm pʃˌɛbɨvˈawɨ f tfˈɔim dˈɔmu.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_183.wav|pɔ prˈɔstu...|4
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_135.wav|a mˈɔʒɛ bʲilljˈɛmu tˈak ɕɛ tˌɨlkɔ vɨdˈajɛ? bˈɔ vˈidʑaw jˈɔ̃ vˌɨɡlɔndajˈɔntsɔ̃ znˈatʃɲʲɛ ɡˈɔʒɛj ɲˈiʃ najbˈardʑɛj ɲʲˌɛudˈana fˈɔtka s prˈava jˈazdɨ.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_85.wav|pˌɔdɛjʒˈɛvam, ʒˈɛ tɔ prˈavda.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_207.wav|na zˈɛvnɔntʃ jɛst ɔ vʲˈɛlɛ jˈaɕɲʲɛj ɲˈiʃ w ɕrˈɔtku.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_11.wav|ˌinfɔrmɔvˈawɛm pˈana, ʒˈɛ pˈiʃɛ kɕˈɔ̃ʃkɛ? nˈɔ vwˈaɕɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_25.wav|nˈail pɔnˈɔvɲʲɛ pˈɔtʃɛd dɔː ɛksprˈɛsu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_101.wav|pˌɔpatʃˈɨwa z blˈiska na rɔzdˈɛntɔ̃ tfˈaʃ mɛ̃ʃtʃˈɨznɨ, ɕfʲadˈɔma, ʒˈɛ bˈɨw tʃˈɨimɕ mˈɛ̃ʒɛm, ˈɔjtsɛm lˈup sˈɨnɛm.|3
+Dataset/wavs/urwisko_ferenc/48_segment_44.wav|— a ɡdʑˈɛ pɔlˈitsja? — spˈɨtaw ɲʲˈɛtsɔ spwɔʃˈɔnɨ bɔrˈɛvitʃ. — zˈaras tˈu bˈɛɲdʑɛ. — f tˈakim rˈaʑɛ zɔstˈajɛ — ˈɔtpar kɔmˈisaʃ, xɔvˈajɔndʑ brˈɔɲ za plˈɛtsɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_96.wav|na jˈɛɡɔː ˌɔɡɔʒˈawɛj tfˈaʒɨ malˈɔvaw ɕɛ vˈɨraz vʲɛtʃnˈɛɡɔ ɲʲˌɛzadˌɔvɔlˈɛɲʲa.|4
+Dataset/wavs/urwisko_ferenc/36_segment_7.wav|jˈuʃ kʲˈɛdɨ fxɔdʑˈiwa z ɡrˈɔxɛm na ɡˈurɛ i zatʃˈɛli ɕɛ tsawˈɔvatɕ, mʲˈawa pʃɛt ɔtʃˈami tfˈaʃ tɛj kɔbjˈɛtɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_25.wav|rˈɔp rɔzmˈavja pʃˈɛs tɛlˈɛfɔn, a kˈilku ˈinnɨx fˌuŋktsjɔnarjˈuʃɨ ɕˈɛdʑi pʃɛt mˌɔɲitɔrˈami.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_56.wav|dlatʃˈɛɡɔ ɕɛ z ɲʲˈɔ̃ spɔtkˈawaɕ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_244.wav|xtɕˈawɛm ɕɛ vˈidʑɛdʑ z mˈɔim pʃˌɨjatɕˈɛlɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_181.wav|ˌɔpalˈaɕɔ ɲʲɛ ɔtpˈuʃtʃɔ̃ tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ zwapˈawɛm ix tsˈɨŋɡla. mˈɔʒɛʒ bˈɨtɕ pˈɛvna, ʒˈɛ pʃˈɨɕlɔ̃ nɔvˈɛɡɔ najblˈiʃʃɨm stˈatkʲɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_97.wav|pɔː ˈɔbu strˈɔnaɣ drˈɔɡʲi stˈawɨ stˌarɔmˈɔdnɛ latˈarɲʲɛ. s pʃˈɔdu vidʑˈawɛm ɕfʲˈatwa dˈɔmu, ktˌurɨ stˈarux nˈazvaw ˈiɔs, ˌɔdruʒˈanɔ pˈaltsɛ i bɔɡʲˈiɲi jutʃˈɛŋki.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_215.wav|zapˈɨtaw rˈaffɔrt. mˈam ʃtʃˈɛrɔ̃ nadʑˈɛjɛ, ʒˈɛ tˈak.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_136.wav|f sɔlˈaŋkaɣ zˈabʲiw starˈɛɡɔ sɛptˈɔna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_155.wav|a mˈɔʒɛ tɔ rɛˈaktsja na tsˈɔɕ, tsˈɔ tɕi mɛ̃ʃtʃˈɨʑɲi vʒutɕˈili dɔ jɛj drˈiŋka?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_132.wav|dɔmˈiɲik ɔbrˈatsa mˈɔjɔ̃ tfˈaʃ, ʒˈɛbɨ nˈamɲʲɛ spˈɔjʒɛtɕ i xˈɨba dɔstʃˈɛɡa pʃˌɛraʒˈɛɲʲɛ w mˈɔix ˈɔtʃax.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_152.wav|vˈaltʃɨw, ˌalɛ zvɨtɕˈɛ̃stfɔ ɲʲɛ pʃˌɨnɔɕˈiwɔ mu radˈɔɕtɕi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_451.wav|wakɲʲˈɛɲʲɛ vzɲʲɔswˈɔɕtɕi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_128.wav|kˈim tʃˈɛba bˈɨtɕ, ʒˈɛbɨ ˈuznatɕ, ʒˈɛ fatsˈɛtɕi sɔ̃ vaʒɲʲˈɛjɕi ɔd dʑˈɛtɕi?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_83.wav|tˈata pɔjˈɛxaw dɔ lˌakɛsˈidɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_55.wav|ɲʲˈɛxtɕawbˌɨm nˌaduʒˈɨvatɕ ˌupʃɛjmˈɔɕtɕi, mˈuvi bʲˈillɨ. kˈupjɛ vwˈasnɔ̃ kɔɕˈarkɛ. ˌɔtʃɨvˈiɕtɕɛ, jˈɛɕli rˈuʃɛ s kɕˈɔ̃ʃkɔ̃, ktˌurɔ̃ prubˈujɛ pˈisatɕ i zɔstˈanɛ na dwˈuʒɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_76.wav|nˈɔ, tɔ jɛdʑˈɛmɨ, pɔvʲˈɛdʑaw wapˈidux. zˈatʃɔw ɕpʲˈɛvatɕ. mʲˈaw dˈɔbrɨ ɡwˈɔs.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_105.wav|swɨʃˈawam zapˈɔvʲɛtɕ çistˈɛrji vɛ vwˈasnɨm ɡwˈɔɕɛ. jˈɛɕli ɲʲɛ bˌɛndɛ ɡˈɔ kˌɔntrɔlɔvˈawa, strˈatsɛ tɛn arɡˈumɛnt.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_95.wav|jɛst prˈavʲɛ pˈɛvʲɛn, ʒˈɛ vʲˈɛ ɔ kˌɔmputˈɛraɣ vʲˈɛntsɛj ɲˈiʃ tɛ dvˈa spaɕlˈaki, ˌalɛ tˌɛɡɔ ʃtʃɛɡˈuwu tˈɛʃ ɲʲɛ ujˈavɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_122.wav|tʃˈɨmaw w dwˈɔɲi ɡʒɛxˈɔtkɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_63.wav|nˈaɡlɛ zastˈɨɡam bˈɛs rˈuxu.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_478.wav|bˌɛɲdʑɛ nˌalɛʒˈawa dɔ mɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_49.wav|tˈatsɨ jˈak ˈallɛn ɲʲɛ mˌajɔ̃ pˈɔlitʃ ˌubɛspʲˌɛtʃɛɲʲˈɔvɨx, tʃˈujɔ̃ ɕɛ ɲʲˌɛzɲiʃtʃˈalɲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_57.wav|tʃɨ tɔ ɲʲˈɛbʒmi dˌɔskɔnˈalɛ? xˈɔdʑitɕ w jˈakʲɛɕ fˌantastˈɨtʃnɛ mʲˈɛjstsa.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_290.wav|ɲʲˈɛvʲɛm, tʃɨ mi tɔː ˌɔtpɔvʲˈada.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_45.wav|i tʃˈarnɛ jˈaɡ bˌɛskɕɛ̃ʒɨtsˈɔva nˈɔts.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_30.wav|ˌɔvʲɔnˈɛwɔ mɲʲɛ dˌɛlikˈatnɛ tɕˈɛpwɔː ɔddˈɛxu.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_183.wav|sˈam ɡˈɔ znˈaw.|1
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_81.wav|pamjˈɛntam, ʒˈɛ ˈɔjtɕɛts spˈɔrɔ nˈatɨm zarˈɔbʲiw.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_352.wav|ˌalɛ jɛj jˈɛ̃zɨk lˈɛʒaw na pɔdwˈɔdʑɛ ˌɔbɔk rˈuʒɨ.|1
+Dataset/wavs/urwisko_ferenc/65_segment_8.wav|ɔdvrˈutɕiw ɕɛ dɔ tɛɕtɕˈɔvɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_191.wav|ktˌurɨ vˈɨlɛŋkw ɕɛ s tɕˈɛ̃ʃkix kˈɔtar na ˈɔkɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_32.wav|vˈɔjtak ɲʲɛ zˌamaskˈɔvawbˌɨ sfˈɔjɛj pɔɡˈardɨ dla jˌɔxanssˈɔna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_144.wav|na zˈɛvnɔndʒ dvˈaj ɡliɲʲˈaʒɛ, pravdʑˈivi ɲʲˌɛɔxrˈɔna valmˈartu, sˈɔntʃɔ̃ kˈavɛ i rˌɔzmavʲˈajɔ̃ ɔ ɕilɲˈikaɣ dɔ wˈɔdʑi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_9.wav|xwɔpˈaki nˈaɡlɛ zˌatʃɨnˈawɨ xraplˈivʲɛ wˈapatɕ pɔvʲˈɛtʃɛ, zɡʲˈinatɕ ɕɛ f pˈuw. ɲʲɛktˌuʒɨ ˌupadˈali.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_66.wav|xˈɔdʑ bˈɛtskɨ patʃˈɨwa na ˈaʃa, tʃˈuwa dˌɔskɔnˈalɛ vvʲˌɛrtsajˈɔntsɛ ɕɛ w ɲʲˈɛɡɔ spɔjʒˈɛɲʲɛ jˈɔɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_97.wav|ˌalɛ ɲʲɛ zˈatʃɔw ɕpʲˈɛvatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_55.wav|ɲʲɛ bˈɔi ɕɛ pˈisatɕ ˈɔtɨm, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ w dˈɔmu zˈabaf. ɲʲɛ tsˈawkʲɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_116.wav|ˈidʑ z dʑˈatkʲɛm f skˈarbjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_36.wav|ˌalɛ bˌɨwɨ tˈɛʒ zalˈɛtɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_18.wav|pʃɛsˈuvam ɕɛ blˈiʒɛj i prubˈujɛ ɡˈɔː ɔdˈɛpxnɔɲtɕ. tʃɨ ɔn ɔʃˈalaw?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_23.wav|xfɨtɕˈiwa mɲʲɛ za rˈɛntsɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_176.wav|jˈɛʃtʃɛ rˈas pˌɔtɔtʃˈɨwam vzrˈɔkʲɛm vzdwˈuʃ artsˈadɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_86.wav|mɲʲˈɛj vʲˈɛntsɛj f tɨm sˈamɨm tʃˈaɕɛ bˈɔb vˌɨkazˈɨvaw ɕɛ tɨpˈɔvɔ̃ dla ɕˈɛbjɛ ˌupʲɛrdlivˈɔɕtɕɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_297.wav|ɲʲˌɛspɔkˈɔjnɨ.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_396.wav|kˈaʒdɛ s tɨx rɔzvʲˈɔ̃zaɲ ˌɔznatʃˈawɔ prɔblˈɛmɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_85.wav|tʃˌɛmu tɨm rˈazɛm bˌɨwɔː inˈatʃɛj?|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_104.wav|ɲʲɛ w ɕfʲˈɛtɕɛ ʒˌɛtʃɨvˈistɨm. bˈaki tˈakix sprˈaf ɲʲɛ zawˈatfja.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_12.wav|ɔtpˈarwa, starˈajɔnts ɕɛ uɕmʲˈɛxɛm dˈɔdatɕ mwɔtˈuxɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_47.wav|mˈɔʒɛ tˈɛras ktˈɔʑ z ˈindji?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_48.wav|musˈimɨ pˈɔdɛjɕtɕ rˈampɔ̃ na nastˈɛmpnɨ pˈɔʑɔm pɔɕrˈɛdɲi.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_356.wav|mˈawɔ̃ krulˈɔvɔ̃ zamkɲʲˈɛntɔ na ʃtʃˈɨtɕɛ jˈɛdnɛj zˈɛ smˈukwɨɣ vʲˈɛʒ vʲɛlkʲˈɛɡɔ sˈɛptu.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_21.wav|w ɕrˈɔtku nˈadal bˌɨwa tʃˈaʃka zˌabʲitˈɛɡɔ, a tˈaɡʒɛ trˈɔxɛ rɔbˈakuf i xʃˈɔ̃ʃtʃɨ. dˈɔbra stˈal!|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_172.wav|jɛdnˈɛɡɔ dɲʲˈa pˈan ɕɛ bˈudʑi i ɲʲˈɛxtsɛ ɕɛ pˈanu kˈɔxatɕ ɔjtʃˈɨznɨ. ɲʲˈɛma pˈan ɔxˈɔtɨ zarˈabjatɕ pʲɛɲʲˈɛndʑɨ.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_161.wav|tɔ jˈɛdnaɡ bˈɨw xlˈɛp, ktˌurɨm ɕɛ kˈarmiw.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_174.wav|dla tɕˈɛbjɛ arˈabja sawdˈɨjska tɔ stˈarɨ krˈaj.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_230.wav|rɔzˈumjɛm tʃɨdʑˈɛɕtɕi dɲˈi ɔt tˈɛras. ɔtfˈɔʒɨw dʒvˈi. pˈɔtɛm stˈaw xfˈilɛ w mrˈɔku.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_71.wav|ɔpˈɔvʲɛm jɛj sˈama.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_133.wav|rˈɛʃta ˈɛkip pˈɛvɲʲɛ ɕtɕɔŋɡnˈɛwa na mʲˈɛjstsɛ pɔʒˈaru f tsˈɔdɨ, a mˈɔʒɛ jˈɔɛl ˈallɛn ɲʲɛ jɛzd dla ɲˈix prjˌɔrɨtˈɛtɛm?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_13.wav|ɕˈɛdʑi zˈɛ zvʲɛʃˈɔnɔ̃ ɡwˈɔvɔ̃ f kˈɔɲtɕɛ, ɕtɕiskˈajɔndʑ w dwˈɔɲʲax ˌɔpuʃtʃˈɔnɨx mʲˌɛndʑɨ kɔlˈana plˌastʲikˈɔvɨ kˈubɛk s tʃˈɨmɕ, tsˈɔ pʃˌɨpɔmˈina xɛrbˈatɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_117.wav|jˈaɡɡɛr ftɕˈɔ̃ʒ bˌɛɲdʑɛ na vɔlnˈɔɕtɕi. ɔn mɲʲɛ zabʲˈijɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_55.wav|sɨpnˈɛwɔ mi f tfˈaʒ ɡˈarɕtɕɔ̃ ʃɔrstkʲˈɛɡɔ, lˌɔdɔvatˈɛɡɔ ɡrˈadu.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_416.wav|s pɔtʃˈɔntku tɔ bˌɨwɔ ɲʲɛvˈinnɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_21.wav|tɔ mʲastˈɛtʃkɔ, f ktˌurɨm znajdˈujɛ ɕɛ stˈarɨ dˈɔm pˈaɲi rˈɔbɛrts, ˌalɛ tutˈɛjɕi fˌuŋktsjɔnarjˈuʃɛ pˌɔvʲɛdʑˈɛli, ʒˈɛ rˈanɔ ɲʲɛ bˌɨwɔ tˈam ɲikˈɔɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_65.wav|rˈuvɲʲɛʃ ɲʲɛ jˈadwa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_229.wav|dlatʃˈɛɡɔ pˈan ɲʲɛ kˈupi sˈɔbjɛ innˈɛɡɔ wˈuʃka? zapˈɨtaw mˈikɛ. pɔʒˈɨtʃɛ pˈanu fˈɔrsɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_58.wav|dʒˈɛk ɔdvrˈutɕiw ɕɛ plɛtsˈami dɔ dʒvˈi, jˈaɡbɨ xtɕˈaw pɔʒˈɛɡnatɕ ɕɛ z lˌɔuˈisɔ̃ i xˈarɨm, a ˈɛmma fstˈawa i sxɨlˈiwa ɕɛ pɔ tɔrˈɛpkɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_76.wav|ɲʲˈɛvʲɛm, tsˈɔ nˈatɔ ˌɔtpɔvʲˈɛdʑɛtɕ. ɲʲˈɛxtsɛ zaˈɔɡɲʲatɕ sˌɨtuˈatsji, ˌalɛ ɔn stˈɔi za blˈiskɔː i tɔ sprˈavja, ʒˈɛ tʃˈujɛ ɕɛ ɲʲˌɛkɔmfɔrtˈɔvɔ.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_125.wav|ɲʲˈɛma tˈam vˈɔdɨ, tˌɨlkɔ bwˈɔtɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_42.wav|i na tɕˈɛɲ jˈɛɡɔ, samˈɔtɲʲɛ vˌɛndrujˈɔntsɨ pɔ ʑˈɛmi ɔblˈanɛj xwˈɔdnɨm ɕfʲˈatwɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_253.wav|ɔdvrˈutɕiw ɕɛ. ɔtxˈɔdʑiw jˈuʃ, kʲˈɛdɨ rˈɨan zastˈɔmpiw mu drˈɔɡɛ i pɔwˈɔʒɨw mu rˈɛŋkɛ na ramjˈɛɲʲu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_486.wav|a fʃˈɨstkɔ dɔkˈɔwa pˌɔbwɛŋkitɲʲˈawɔː ɔt jɛj spɔjʒˈɛɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_137.wav|ˌalɛ bˌɛndɛ krulˈɔvɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_18.wav|jˈɛɕli xtsˈɛʃ ɕɛ zapˈisatɕ, vˈɛjtɕ na strˈɔnɛ vˌuvˌuvˈu.rˈaxɛlˈabɔt.kˈɔmkˈɔntakt i vɨpˈɛwɲij fɔrmˈulaʃ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_146.wav|zˌamuvʲˈɛɲʲɛ zwˈɔʒɨw ɡʲˈɔrɡjɔ na mˈɔjɔ̃ prˈɔʑbɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_40.wav|mˈɔjɛ dwˈɔɲʲɛ zˌatɕiskˈajɔ̃ ɕɛ ˌɔdrɔbʲˈinɛ mˈɔtsɲʲɛj na kʲˌɛrɔvɲˈitsɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_217.wav|ˌalɛ nad daxˈami kwˈɛmbʲi ɕɛ tʃˈarnɨ, smɔlˈistɨ dˈɨm. swˈɨʃɛ jˈɛŋki sˈɨrɛn. jˈatsɨɕ lˈudʑɛ bjˈɛɡnɔ̃ ukˈɔɕnɔ̃ ulˈitʃkɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_123.wav|prubˈɔvaw dɔ ɲʲˈɛj dʑvˈɔɲitɕ, ˌalɛ ɲʲɛ ˌɔdɛbrˈawa. ftˈɛdɨ pˌɔstanˈɔviw sprˈavdʑitɕ, ɡdʑˈɛ jɛst jɛj tɛlˈɛfɔn.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_181.wav|ʒˈɛbɨ zˌaxɔvˈawɨ ɕɛ dɔ tʃˈasu dˌɔtarsˈija dɔ starˈɛɡɔ mʲˈasta.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_87.wav|pɔvʲˈɛdʑaw tˈɔm.|3
+Dataset/wavs/urwisko_ferenc/17_segment_55.wav|mˈarja xˈɛrman ɕɛ pʃˌɛtstavˈiwa. tʃˈɛɡɔ pˈaɲi xtsˈɛ?|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_334.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ kaʒdˈɛɡɔ, ktˈɔ vwˈada tɨm zˈamkʲɛm, spɔtˈɨka zwˈɨ kˈɔɲʲɛts. ɡˈurɛ, kˈɔzwa, nˈavɛt mɔjˈɛɡɔː ˈɔjtsa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_71.wav|stˈawa pʃˈɨɲih pʃˈɛs xfˈilɛ, zˌastanavʲˈajɔnts ɕɛ, tʃɨ pɔvˈinna jˈɛ ɔtfˈɔʒɨtɕ i vˈɨjɕtɕ.|4
+Dataset/wavs/urwisko_ferenc/34_segment_41.wav|sˈɔlski rɔzˈɛjʒaw ɕɛ vˈɔkuw, jˈaɡbɨ sprˈavdʑaw, tʃɨ ɲˈikt ix ɲʲɛ pˌɔtswuxˈujɛ.|0
+Dataset/wavs/urwisko_ferenc/44_segment_2.wav|stˈarʃa pˈaɲi mʲˈawabˌɨ brˈaɲʲɛ vɨʃˈɛptaw ˌɔtprɔvadʑˈajɔndʑ vzrˈɔkʲɛm ˈɔbjɛ kɔbjˈɛtɨ na ɡˈanɛk starˈɛɡɔ dˈɔmu na vʒˈɔsax|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_379.wav|ɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_568.wav|a vˈɛmɲʲɛ fʃˈɨstkɔ ɕɛ rˌɔssɨpˈawɔ dɔ kˈɔɲtsa.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_154.wav|pˈɔwuʒ drˈuɡɔ̃ vˈarstfɛ jasmˈinɛ.|4
+Dataset/wavs/urwisko_ferenc/12_segment_167.wav|bɔrˈɛvidʒ zrˈɔbʲiw tɔ sˈamɔ,|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_51.wav|bwɨʃtʃˈɔntsɛ pɔwˈɔvɔ̃ sˈɛtki rˈuʒnɨx ɔttɕˈɛɲi.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_116.wav|maˈɛstɛr ɔtxˈɔmɔr zˌaprɔvˈadʑiw jˌamjɛˈɛɡɔ na sˈam ʃtʃˈɨd vʲˈɛʒɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_85.wav|mˈɔʒɛ zrˈɔbʲidʑ vam xɛrbˈatɛ ˈalbɔ kˈavɨ, zˌaprɔpɔnˈɔvaw ɡɔspˈɔdaʃ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_125.wav|ʒˌɛtʃɨvˈiɕtɕɛ jɛst xˌɛrubʲˈinɛk, ɕˌikajˈɔntsɨ dɔː ˈɔtʃka vɔdnˈɛɡɔ, a tˈaɡʒɛ dvˈa ˈinnɛ pɔsˈɔŋɡʲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_45.wav|ɲˈiɡdɨ ɲʲˈɛbɨwbˌɨ ʃtʃɛɲɕlˈivɨ s kɔbjˈɛtɔ̃ i tˈu ɲʲɛ xˈɔdʑi ɔ tɕˈɛbjɛ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_239.wav|ɲʲɛktˌuʒɨ mʲˌɛli tˈɛʃ ɕfʲˈɛʒɛ ɕiɲʲˈaki, pˌɔwamˈanɛ zˈɛmbɨ i brˌakɔvˈawɔː im pˈaltsuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_11.wav|bˈardʑɛj ɡɔtˈɔvi xˈɨba ɲʲɛ bɛɲdʑˈɛmɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_94.wav|ˌuɕmʲɛxnˈɛwa ɕɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_7.wav|prˈɔʃɛ tˈɛras ˌɔtpɔtʃˈɨvatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_66.wav|lˈɛʒɔnts na vznˈak, zdjˈɛwam ˈubjur xwɔdʑˈɔntsɨ, ktˌurɨ nɔɕˈiwam pɔt skafˈandrɛm i zˌawɔʒˈɨwam ɲʲɛbjˈɛski kˌɔmbʲinˈɛzɔn.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_90.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ tˈak pˌɔmɨɕlˈɛli.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_83.wav|a tsˈɔ bˌɨwɔ pʃˈɛttɛm?|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_102.wav|ɡdɨbˈɨɕtɕɛ f tɨm tʃˈaɕɛ znˌajdɔvˈali ɕɛ f tunˈɛlu...|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_49.wav|spuɕtɕˈiwa f tɛn spˈɔsup pˈarɛ s tˈɔma, ktˌurɨ ˈuznaw, ʒˈɛ ɲʲˈɛma jˈuʃ sˈɛnsu ˌɔkazˈɨvatɕ ˌirɨtˈatsji.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_236.wav|kˈɔɕtɕuw ɲʲɛzɡˈɔdɨ jɛst tɔ, ktˈɔ mˈa spˈatɕ w wˈuʃku, a ktˈɔ na kanˈapʲɛ. bʲˈillɨ xtsˈɛ ˈɔddatɕ jɛj wˈuʃkɔ. twumˈatʃɨ, ʒˈɛ na kanˈapʲɛ bˌɛɲdʑɛ mu dˈɔbʒɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_352.wav|tʃˈujɛ ɕɛ tˈɛras tˈak, jˈak tʃˈutɕ ɕɛ mˈuɕi dʑˈiɕaj tɛn mˈuʒɨn, jˈɛɕli pamjˈɛnta, tsˈɔ vɨprˈavʲaw ftʃˈɔraj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_19.wav|i tˈak ɕɛ dʑˈivjɛ, ʒˈɛ dɔ tɛj pˈɔrɨ ˈɔtɔ ɲʲɛ spˈɨtaw. tˌɨlkɔ rˈas, kʲˈɛdɨ vɨkˈazaw jˌakʲɛkˈɔlvʲɛɡ zˌaintˌɛrɛsɔvˈaɲʲɛ, zapˈɨtaw, tʃɨ mˈa tatˈuɕa.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_370.wav|pʃˈɨkrɔ mi, ˌalɛ tɔ ɲʲɛ dla mɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_66.wav|ɔpswˈuɡa f xɔtˈɛlax tɛj klˈasɨ ɲʲɛ zavrˈatsa ɡwˈɔvɨ ɡˈɔɕtɕɔm, nˈavɛt jɛʒˈɛli ktˈɔɕ tfʲˈɛrdʑi, ʒˈɛ bˈɨw z ɲˈimi ˌumuvʲˈɔnɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_123.wav|rɔzˈumjɛm. rˈixtɛr pˈatʃɨ na dʒvˈi vɨjɕtɕˈɔvɛ, jˈaɡbɨ ɲʲˈɛmukw ɕɛ dɔtʃˈɛkatɕ, kʲˈɛdɨ vrˈutɕi dɔ sfɔjˈɛɡɔ sˌamɔxˈɔdu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_53.wav|tˈak, pɔvʲˈɛdʑaw tsˈɔɕ ɔ lˈɔdʑɛ i tsɨtrˈɨnaɣ dɔ drˈiŋkuf, kʲˈɛdɨ pʃɨjmˈujɛ ɡˈɔɕtɕi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_178.wav|ɛˈɛɛ, ɲʲɛ vʲˈɛʒɛ. mˈɔɡɛ fʃˈɛɲdʑɛ pɔrˈɛntʃɨdʑ za pˈana.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_141.wav|zˈamjast kˈavɨ f tˌɛkturˈɔvɨm kˈupku ɲʲˈɛɕɛ rˈɛd bˈulla.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_6.wav|uvʲˈɛlbjam pɔmˈaɡatɕ f pʃˌɛprɔvˈatskax.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_430.wav|pˌɔtʃɛbˈujɛ ˈinnɛj kɔbjˈɛtɨ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_319.wav|mˈɨɕlaw, ˌalɛ tɔ vrˈɔɲʲɛ ˈɔkɔ jˈɔ̃ zˈabʲiw, kʲˈɛdɨ jɛj ɡˈɔ vˈɛpxnɔw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_335.wav|pɔvʲˈɛtʃɛ pʃˌɛsɨtsˈɔnɛ bˌɨwɔ tˌɨtɔɲʲˈɔvɨm, ˈɔptsɨm dˈɨmɛm. ˌɔtfɔʒˈɨwɛm vʲˈɛnts ˈɔknɔː i patʃˈɨwɛm na nˈaʃɔ̃ ulˈitsɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_71.wav|tˈɔm pˌɔstanˈɔviw tˌɛɡɔ ɲʲɛ skˌɔmɛntˈɔvatɕ.|3
+Dataset/wavs/urwisko_ferenc/19_segment_78.wav|za xfˈilɛ lˈuɲʲɛ jˈak ɲˈits.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_251.wav|pˌɔvʲɛdʑˈawam i spɔjʒˈawam na ɡʲˈina.|4
+Dataset/wavs/urwisko_ferenc/63_segment_57.wav|vˈɨʃɛt sˈam?|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_40.wav|ktˌurɨ tsˈudɛm tʃˈɨmaw ɕɛ ɕtɕˈanɨ, pʃɨvˈarwʃɨ dɔ ɲʲˈɛj brudnˈɨmi pˌazurˈami.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_187.wav|bʲˈillɨ vɨɡlˈɔnda na zˈɛvnɔntʃ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_6.wav|mʲˈaw nadʑˈɛjɛ, ʒˈɛ ˌinspirˈatsja pʃˈɨjdʑɛ dɔ ɲʲˈɛɡɔ sˈama i pɔzvˈɔli rɔzvʲˈɔ̃zadʑ zaɡˈatkɛ ɲʲɛ tˌɨlkɔ dˌɔtɨtʃˈɔntsɔ̃ jˈɛɡɔ tsˈurki i bˈɨwɛj ʒˈɔnɨ, ˌalɛ rˈuvɲʲɛʃ mɔrdˈɛrstfa na parkˈiŋɡu.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_64.wav|mˈɔʒɛ jˈɛɡɔ kˈɔwa ɲʲɛ ˌɔbratsˈawɨ ɕɛ zbˈɨt ʃˈɨpkɔ, ˌalɛ pɔtˈɛ̃ʒna ɕˈiwa nˌabjɛrˈaka ʃarpˈawa tsˈawɔ̃ maʃˈɨnɔ̃ pʃɨ kˈaʒdɨm ˌudɛʒˈɛɲʲu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_208.wav|pɔpˈija piɡˈuwkɛ vˈɔdɔ̃ s kˌuxɛnnˈɛɡɔ krˈanu.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_30.wav|jɛj tfˈaʃ spˈuxwa. pɔlˈitʃɛɡ bˈɨw lˈɛpki ɔt krfˈi, a pʃɨ kˈaʒdɨm krˈɔku rˈamjɛ pʃɛsˈɨvaw bˈul.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_112.wav|ɲʲˈɛma tʃˈɛɡɔ kˈɔɲtʃɨtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_4.wav|ɔn ɲʲɛ ʒartˈɔvaw.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_69.wav|zvrˈutsɛ tɕi bratˈaŋka w zˈamjan zˈaɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_21.wav|prˈɔsim ɲʲɛ, bˈɨm zˌadʑvɔɲˈiwa dɔ ʃˈɔnɨ, ʒˈɛbɨ mˈɔɡli vˌɨɛlˌiminˈɔvatɕ jɛj ɔttɕˈiski pˈaltsuf.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_19.wav|tʃˈɨʒbɨ jˈakiʑ vɨjˈɛntɨ spˈɔt prˈava zwɔtʃˈɨɲtsa ˈukrat tɕi bʒˈɨtfɛ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_108.wav|i mˈɔɡwam mʲˈɛtɕ tˌɨlkɔ nadʑˈɛjɛ, ʒˈɛ mɲʲɛ vɨswˈuxa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_156.wav|stsˈɔtt spˈɔjʒaw nˈamɲʲɛ s pʃˌɛraʒˈɛɲʲɛm w ˈɔtʃax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_122.wav|tˈaɡ zrˈɔbjɛ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_492.wav|prˈɛndʑɛj tʃɨ pˈuʑɲʲɛj s pɛvnˈɔɕtɕɔ̃ spˈɔtkaʃ mirˈandɛ rɔˈɨtsɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_146.wav|ɲʲɛ mˈɔɡɛ kˌɔŋkurˈɔvatɕ s sˈanxɛs. tɔ pɔ prˈɔstu ɲʲˌɛvɨkɔnˈalnɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_580.wav|ɲʲɛ vʲˈɛʒɨ mi, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_117.wav|fspɔmɲʲˈɛli rˈuvɲʲɛʃ ˈɔtɨm, ʒˈɛ vʲˌadɔmˈɔɕtɕi i mɛssˈaɡɛ f kɔmˈurtsɛ ɡˌɛnɛvʲˈɛvɛ fskˌazɨvˈawɨ na nˈumɛr tˌɛlɛfˈɔnu, ktˌurɨ bˈɛz vɔntpʲˈɛɲʲa nalˈɛʒaw dɔ mˈartɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_105.wav|i jˈɛdɛn tʃˈɨmaw dwˈɔɲ druɡʲˈɛɡɔ, a tɕˈɛɲʲɛ iɣ zɲʲˌɛruxɔmjˈawɨ na bɛtˈɔɲʲɛ i pˌɔruʃˈɨli ɕɛ dɔpʲˈɛrɔ kʲˈɛdɨ...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_151.wav|pɔtʃˈɔntkuf mwɔdˈɔɕtɕi,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_12.wav|pʲˌɛlɛŋɡɲʲˈarka ˌɔtswɔɲˈiwa na xfˈilkɛ kˈɔtsɨk, ʒˈɛbɨ tˈɔm mˈukw spˈɔjʒɛtɕ na jˈɛɡɔː ˌidɛˈalnɛ mˈawɛ tɕˈawkɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_17.wav|— tˈutaj jˈɛstɛɕ, xˈɔtɕ, kɔxˈaɲʲɛ. zabjˈɔrɛ tɕˈɛ s tˌɛɡɔ ʑimnˈɛɡɔ pɔkˈɔju f pʃˌɨjɛmɲʲˈɛjʃɛ mʲˈɛjstsɛ. spɔdˈɔba tɕˈi ɕɛ, ˌɔbjɛtsˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(74) R.Abbott_Zamknij Drzwi_segment_3.wav|ramjˈɔna bɔlˈawɨ ɡˈɔː ɔt ˌɔpʲɛrˈaɲʲa tsawˈɛɡɔ tɕɛ̃ʒˈaru tɕˈawa na kˈulax, a pɔtkwˈatka pɔt prˈavɔ̃ pˈaxɔ̃ zdˈarwa mu jˈuʃ skˈurɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_490.wav|ɲʲɛ muɕˈawam pˈɨtatɕ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_326.wav|sˈɛr kˈɛvan ɔdmˈuviw pʃɨjˈɛɲtɕa tɛj pɔzˈɨtsji.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_91.wav|mɨɕlˈawɛm ˈɔtɨm.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_229.wav|swˈɔva tɔ tˌɨlkɔ vʲˈatr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_169.wav|dʑɛftʃˈɨna ˈalbɔ ɲʲɛ wˈapʲɛ alˈuzji, ˈalbɔ jˈɛʃtʃɛ jɛzd zbˈɨt ˌupɔjˈɔna vˌidɔkˈami, bˈɨ pˈɔswatɕ mu xˈɔdʑbɨ zdafkˈɔvɨ ˈuɕmʲɛx.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_18.wav|dlatʃˈɛɡɔ nˌazɨvˈajɔ̃ jˈɔ̃ tɕˈixɔ̃ vˈɨspɔ̃?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_32.wav|kɔbjˈɛta kˈiva pɔvˈɔli ɡwˈɔvɔ̃.|3
+Dataset/wavs/urwisko_ferenc/36_segment_27.wav|ˌalɛ tˈɛʃ ɲikˈɔɡɔ vˈɔkuw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_146.wav|ɲʲɛ mˈɔɡɛ utɕˈɛkatɕ w ɲʲˌɛskɔɲtʃˈɔnɔɕtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_39.wav|vʲˈɛlu studˈɛntuf tˈak rˈɔbʲi, vʲˈɛʃ?|3
+Dataset/wavs/urwisko_ferenc/11_segment_15.wav|xˈɛrman pʃˈɛʃwa dɔ kˌɔrɨtˈaʒa i ˌɔtfɔʒˈɨwa dʒvˈi. tsˈɔ tˈak ftʃˈɛɕɲʲɛ? ʒutɕˈiwa ɲʲˌɛspɔkˈɔjɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_287.wav|vʲˈɛm pɔ prˈɔstu jˈak udˈavatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_71.wav|bʲˈillɨ krˈɛɲtɕi ɡwˈɔvɔ̃ tˈɛʃ ˌuɕmʲɛxɲʲˈɛntɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_57.wav|klasˈɨtʃna tˈɛxɲikˌa stˌɔsɔvˈana pʃɨ vˌɨrɨvˈaɲʲu brˈɔɲi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_383.wav|vʲˈatr utɕˈixaw, zˌatʃɨnˈawɔ ɡˈadatɕ mʲˈastɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_75.wav|mˈuɕiʒ dˌɔpilnˈɔvatɕ, ʒˈɛbɨ tˈak ɕɛ ɲˈiɡdɨ ɲʲɛ stˈawɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_318.wav|ɔn jɛzd za mwˈɔdɨ na wˈaɡʲɛr.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_24.wav|uʒˈɨwam kˌalkulatˈɔra w ˌintɛrnˈɛtɕɛ i prˈavʲɛ zɛmdlˈawam, kʲˈɛdɨ zˌɔbatʃˈɨwam pˈɛwnɔ̃ kfˈɔtɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_66.wav|tʃɨ ɲʲˈɛma lɛpʃ��ɛɡɔ spɔsˈɔbu na pɔzbˈɨtɕɛ ɕɛ kˌɔŋkurˈɛntsji ɲˈiʒ zˌamɔrdɔvˈaɲʲɛ jˈɛɡɔ ʒˈɔnɨ i zʒutsˈɛɲʲɛ fʃˈɨstkix pɔdˈɛjʒɛɲ na ɡwˈuvnɔ̃ pˌɔdɛjʒˈanɔ̃?|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_172.wav|bʲˈillɨ dwˈuɡɔ ɕɛ nˈattɨm zˌastanˈavja.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_244.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_168.wav|pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_14.wav|rˈanɔ, kʲˈɛdɨ vɨxˈɔdʑiw dɔ prˈatsɨ, zamknˈɛwa ɕɛ w waʑˈɛntsɛ. vˈɨswaw jɛj vʲˈɛndʑ vʲadˈɔmɔɕtɕ, f ktˌurɛj napˈisaw, jˈaɡ bˈardʑɔ jˈɔ̃ kˈɔxa i ʒˈɛ vrˈutsɔ̃ dɔ rɔzmˈɔvɨ vʲɛtʃˈɔrɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_34.wav|ˌalɛ pʃˌɛtɕɛʃ ɲʲˈɛvʲɛm, tʃɨ tɔ prˈavda vidʑˈana kʲˈɛdɨɕ i zˌapamjɛntˈana, tʃɨ zmɨɕlˈɛɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_201.wav|tsˈɔ pˈan pɔvʲˈada?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_88.wav|— ja vˈas lˈubjɛ — pɔftˈaʒaw jˈuʃ w ˈinnɨm mʲˈɛjstsu ɡɛnˈɛraw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_203.wav|ˌuvɔlɲʲɔnˈɛɡɔ s pˈɔkuz ʒɨtɕˈɔvɨx, zˌastɨɡwˈɛɡɔ w ɲʲɛbˈɨtɕɛ, w ɲʲɛbˈɨtɕɛ, ɔ ktˌurɨm ɲˈits ɲʲɛ vʲˈɛmɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_66.wav|f ʃɔfˈɛrtsɛ ɕˈɛdʑi fˈatsɛt ɔ skˌandɨnˈafskim tˈɨpʲɛ urˈɔdɨ, rˈudɨ blˈɔndɨn s pɔkˈaʑnɨm bʒuʃˈɨskʲɛm. mˈa lˌɔdɔvˈatɛ ɲʲɛbjˈɛskʲɛ ˈɔtʃɨ, pˈatʃɨ nˈaɲʲɔ̃ bˈɛz vɨrˈazu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_215.wav|prˈɔstɛ i tɕˈɛmnɛ jˈak skʃˈɨdwa jaskˈuwki.|0
+Dataset/wavs/urwisko_ferenc/12_segment_119.wav|sfˈɔjɔ̃ drˈɔɡɔ̃, tˈamtɔ tˈɛʒ vˌɨnajmɔvˈaliɕmˌɨ. tɔ znˈatʃɨ ʒˈɔna, a rˈatʃɛj bˌɨwa ʒˈɔna vˌɨnajmˈujɛ jˈɛ dɔ dʑˈiɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_71.wav|jɛdʑˈɛmɨ dɔ sˈalfɔrt rˈɔjal, tˈak? mˈam nadʑˈɛjɛ, ʒˈɛ tɔ ɲˈits pˌɔvaʒnˈɛɡɔ. ktˌurɛ vˈɛjɕtɕɛ?|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_60.wav|ɡˈɛna lanɲˈistɛr bˌɨwa w mwɔdˈɔɕtɕi ˌatraktsˈɨjnɔ̃ kɔbjˈɛtɔ̃ ɔː ɔpfˈitɨx kʃtˈawtax.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_76.wav|znˈana jˈakɔ dʑɛvˈitsa stˈartu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_107.wav|mˈam pʲɛɲʲˈɔndʑɛ, tsˈawkʲɛm spˈɔrɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_62.wav|jˈuʃ ɔd dˈavna ɲʲɛ nˌazɨvˈajɔ̃ ɡˈɔ pˈanɛm lɔtskrˈidʒɛm. tˈak jˈak kazˈawɛɕ tˈatɕɛ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_27.wav|zˌamjɛʒˈawam vʲˈɛnts ˌufarbˈɔvatɕ jˈɛ na blˈɔnt i krˈutkɔ pʃˈɨtɕɔɲtɕ. ɔdvˈaʒna dɛtsˈɨzja, ˌalɛ ktˈɔ ɲʲɛ rˌɨzɨkˈujɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_114.wav|dɔ dʑˈiɕaj bˈɨwabˌɨm ɡɔtˈɔva pɔvʲˈɛdʑɛtɕ, ʒˈɛ mˈuj mˈɔ̃ʃ ɲˈiɡdɨ ɲʲɛ kwˈamjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_438.wav|sfˈabɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_137.wav|tfˈaʃ mˌamɨ nˈaɡlɛ ɕɛ rˌɔzjaɕɲˈiwa.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_274.wav|zɡˈɔdʑiw ɕɛ mɛrˈibalt. mˈam jˈɛdnak nadʑˈɛjɛ, ʒˈɛ uswˈɨʃɛ ɔ jˈakixɕ tɕɛkˈafʃɨɣ ɡʒˈɛxax ɲˈiʃ pɔpʃˈɛdɲim rˈazɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_10.wav|ɲʲɛ vʲadˈɔmɔ, ktˈɔ jˈɛ zɔbˈatʃɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_179.wav|i dˈɔkɔnt pɔjˈɛdʑɛʃ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_32.wav|i tˈɛraz bʲˈilljɛ zˌauvˈaʒa tˈaɡʒɛ tʃˈɨ ɕˈiɲtsɛ na jɛj mˈawɨx pʲˈɛrɕax, vˈɔ̃skʲɛ, fjˌɔlɛtˈɔvɛ ɕlˈadɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_215.wav|f kˈaʒdɨm rˈaʑɛ ɲʲɛ tˈak ɔt rˈazu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_84.wav|dˈalɛj vidɲʲˈɛjɛ nˈumɛr s kʲˌɛruŋkˈɔvɨm lˈaz vˈɛɡas.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_103.wav|pˈadnɛ xˈɨba na zˈavaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_247.wav|ɲʲɛ zapˈɔmɲij zˈamknɔɲdʑ za sˈɔbɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_3.wav|pɔvʲˈɛdʑaw tˈɔm. tʃɨ mˈɔʒɛ mi pˈan pˈɔdatɕ kˌɔmbʲinˈatsjɛ dɔ sˈɛjfu? lˈup ɔtfˈɔʒɨdʑ ɡˈɔ samˈɛmu, a pˈɔtɛm ɕɛ ɔtsˈunɔɲtɕ, ʒˈɛbɨɕmˌ�� mˈɔɡli vˈɨjɔɲdʑ zavˈartɔɕtɕ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_176.wav|ɲʲɛ mˈɔɡwɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_26.wav|mˈuj ɡwˈɔs jɛzd zˌaskakujˈɔntsɔ spɔkˈɔjnɨ, kʲˈɛdɨ pˈɨtam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_28.wav|tsˈɔ bˈɛɲdʑɛ, jˈɛɕli pʃɨjˈɛdʑɛ ˈinnɨm sˌamɔxˈɔdɛm i ɡˈɔ ɲʲɛ rɔspˈɔznam?|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_191.wav|jˈɛɡɔ mˈɛ̃ski kˈɔɡ vɨɡlˈɔnda jˈak tɕˌɛmnɔrˈuda ɡˈawka dɔ dʒvˈi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_453.wav|jˌɛstɛm zˌaskɔtʃˈɔnɨ, pˌɔftuʒˈɨwɛm.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_139.wav|tsɛrsˈɛi vʲɛdʑˈawa ɔ jˈɛɡɔ zakˈusax na smˈɔtʃɔ̃ skˈawɛ, ˌalɛ ˌuvaʒˈawa, ʒˈɛ tɔ zbˈɨd vʲˈɛlɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_102.wav|xtsˈɛ tɔ zawˈatfitɕ, dɔpˈuki jɛst ftʃˈɛɕɲʲɛ i na ulˈitsax ɲʲˈɛma twˈɔku.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_48.wav|ɲʲɛ, naprˈavdɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_131.wav|a ktˈɔ pɔprˈɔɕiw ɔ pˈaɲi tɛlˈɛfɔn?|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_8.wav|a vʲˈɛnts jˈakʲɛ ja mʲˈawam ʃˈansɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_200.wav|vɨɡlˈɔnda fspaɲʲˈalɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_88.wav|dʑˈɛŋki tɨm uxfˈɨtɔm rɔbˈɔtɨ mˌajɔ̃ dˈɔstɛmb dɔ dˌɔvɔlnˈɛɡɔ mʲˈɛjstsa na zɛvnˈɛntʃnɛj pɔvʲˈɛʃxɲi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_73.wav|ˈaʒ vɨjˈaɕɲʲa mi, w jˈaki spˈɔsup ta kɔbjˈɛta zˌaplanɔvˈawa krˈadʑɛʃ mˈɔjɛj rɔdʑˈinɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_141.wav|bʲˈillɨ zˌastanˈavja ɕɛ, tʃɨ ɕmʲˈɛx jɛzd vˌɨmuʃˈɔnɨ. tsˈawkʲɛm mɔʒlˈivɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_36.wav|ˈaʃ trˈudnɔː uvʲˈɛʒɨtɕ, ʒˈɛ kʲˈɛdɨʑ vɔntpˈiwam f tɔ, tʃɨ w ɔɡˈulɛ pɔvˈinnam ɡˈɔː urˈɔdʑitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_233.wav|ɲʲɛ pɔtrˈafjɛ tˌɛɡɔ zrˈɔbʲitɕ.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_275.wav|skwamˈawam ɔ kwˈamstfʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_30.wav|tʃɨ jˈɛdnak ɲʲɛ pˈɔtɔ vwˈaɕɲʲɛ ɡˈɔ stfˈɔʒɨw?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_67.wav|jˈɛɡɔ nazvˈiskɔ jɛzd vˌɨkrɛɕlˈɔnɛ w rɛjˈɛstʃɛ, pɔɲʲˈɛvaʒ zdˈaɲʲɛm ɛdmˈuntsa stsˈɔtt rˈɔbɛrts ɲʲɛ ʒˈɨjɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_316.wav|vwˈɔsɨ kɔlˈɔru swˈɔmɨ i ˈɔtʃɨ, ktˌurɛ bˌɨwɨ brunˈatnɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_22.wav|zˈajʒɨj dɔ ɕrˈɔtka. tˈam zɔbˈatʃɨʃ, kˈim bˌɛɲdʑɛʃ f tɛj zapˈadwɛj dʑˈuʒɛ.|2
+Dataset/wavs/urwisko_ferenc/25_segment_50.wav|xˈɛrman ɲʲɛ ruʃˈɨwa ɕɛ z mʲˈɛjstsa, prubˈujɔnts pɔzbjˈɛratɕ mˈɨɕli, ɡdˈɨ ɲʲɛdwˈuɡɔ pˈɔtɛm znˈuv zˌaskʃɨpʲˈawɨ zavʲˈasɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_99.wav|ɡˈuvnɔ prˈavda, vɨmˈɨɕliw. tsˈɔʑ znˈatʃɲʲɛ lɛpʃˈɛɡɔ. pʃɨnˈajmɲʲɛj tˈakʲɛ mˈa ɲʲˌɛɔtpˈartɛ vraʒˈɛɲʲɛ. ilˈɛkrɔtɕ rɔzbjˈɛra tɔ na tʃɨnɲˈiki pʲˈɛrʃɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_44.wav|kʲˈɛdɨ pʃˌɨjɛʒdʒˈajɔ̃ bˈarɨ na kˈuwkax, bʲˈillɨ sxˈɔdʑi na dˈuw i kupˈujɛ tˌakɔikˈɔlɛ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_221.wav|f tɨm stˈaɲʲɛ starˈuʃɛk ɲʲɛ vɨtʃˈɨmawbˌɨ swˈɔnɨɣ brˈɨzɡuf i vilɡˈɔtnɨɣ vʲˈatruv vʲɛjˈɔntsɨx nat mˈɔʒɛm, a tˈutaj tsˈawɛ mʲˈastɔ lɛʒˈawɔ nat mˈɔʒɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_109.wav|ɡdˈɨ f kˈɔɲtsu pɔvʲˈɛtʃɛ znˈuf stˈawɔ ɕɛ pʃɛjʒˈɨstɛ, pʃɨjʒˈawam ɕɛ dɔkwˈadɲʲɛ klˌavʲatˈuʒɛ zˈamka ʃˌɨfrɔvˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_119.wav|ˌalɛ mwˈɔdɨ vˈilk s pɛvnˈɔɕtɕɔ̃ rˈuvɲʲɛʒ vʲˈɛʒɨw, ʒˈɛ vintˈɛrfɛll jɛst tsˌawkɔvˈitɕɛ bɛspʲˈɛtʃnɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_34.wav|dɔmˈiɲik pɔdnˈɔɕi pilˈɔta i vɨwˈɔntʃa tˌɛlɛvˈizɔr. zˌauvˈaʒa tʃɨmˈanɔ̃ pʃɛzˈɛmɲʲɛ tɔrˈɛpkɛ i pˈatʃɨ nˈamɲʲɛ zdʑivʲˈɔnɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_15.wav|f sfˈɔim tʃˈaɕɛ mˈam nadʑˈɛjɛ. tˈɛras ɲʲɛ jˌɛstɛm tˌɛɡɔ tˌaki pˈɛvnɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_63.wav|ɲʲɛ vɨɡrˈawabˌɨm ʒadnˈɛɡɔ kɔŋkˈursu pʲɛŋknˈɔɕtɕi, ˌalɛ pʃɨnˈajmɲʲɛj pɔtʃˈuwam ɕɛ ɲʲˈɛtsɔ vɨɡˈɔdɲʲɛj.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_64.wav|ɲʲˈɛvʲɛm, tsˈɔ nˈatɔ pɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_130.wav|vɨtɕˈɔŋɡa rˈɛŋkɛ, tʃɨmˈajɔnts w ɲʲˈɛj xustˈɛtʃkɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_76.wav|ˌɔdvrutɕˈiwa ɕɛ i tˈɔm pˈɔtʃuw fˈalɛ ˈulɡʲi, xˈɔdʑ zdˈavaw sˈɔbjɛ sprˈavɛ, ʒˈɛ drˈɔɡa dɔ nˌɛɡɔtsjˈatsji s kˈatɛ mˈɔʒɛ bˈɨdʑ bˈardʑɔ vˌɨbɔˈista.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_502.wav|tsˈɔ mɲʲɛ ˌɔddʑɛlˈiwɔː ɔt mˈɛɡɔ ɡˌasnɔntsˈɛɡɔ ʒɨvˈɔta?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_72.wav|vrˈatsam dɔ dˈɔmu, f ktˈurɨm...|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_86.wav|ɲʲɛ kˌɔmuɲˌikɔvˈali ɕɛ f tɛn spˈɔsup ɔt kˈilku lˈat, ˌalɛ bʲˈillɨ pamjˈɛnta, tsˈɔ znˈatʃɨ vˌuˌɛnpˈɛ. vʲˈɛntsɛj ɲʲɛ pˈiʃ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_63.wav|i bˌɛndɛ tˈuʒ zˈaɲim.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_78.wav|tɔ bˈɨw bwˈɔnt, za ktˌurɨ pwˈatsɛ pɔ dʑˈiʑ dʑˈɛɲ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_90.wav|ɲʲɛ bˌɨwam jˈuʃ kɔxˈana.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_93.wav|kupˈiwɛɕ tʃɨ vˌɨnajmˈujɛʃ?|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_338.wav|vˈɨkaʃ ɕɛ ɔdvˈaɡɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_117.wav|nazˈɨva ɕɛ lˌakɛsˈidɛ i s pɛvnˈɔɕtɕɔ̃ bˌɛɲdʑɛʃ ɲˈim zˌaxfɨtsˈɔna.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_11.wav|tsˈɔː ˌɔna tˈam rˈɔbʲi?|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_352.wav|xˈustɛj zwˈɔʒɨw dwˈɔɲʲɛ f pˌiramˈitkɛ, f spˈɔsup ɲʲˌɛpʃɨjˈɛmɲʲɛ pʃˌɨvɔdʑˈɔntsɨ jˌamjɛˈɛmu na mˈɨɕl ˈɔjtsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_25.wav|ɲˈits, tsˈɔ fskˌazɨvawˈɔbɨ, ʒˈɛ mˈa ʒˈɔnɨ i dʑˈɛtɕi.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_65.wav|vʒutɕˈili ɕɛ na ɕˈɛbjɛ s kˌɔmɛdjaɲskˈimi mʲɛtʃˈami, a pˈɔtɛm ˈɔbaj ˌɔpuɕtɕˈili trˈupɛ. vɨɡlˈɔnda nˈatɔ, ʒˈɛ dʑˈiɕaj bɛɲdʑˌɛmɨ mʲˌɛli tˌɨlkɔ pʲˈɛɲtɕu pijˈanɨɣ vʲɔɕlˈaʒɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_43.wav|pˌɔtʃɛbɔvˈawam kˈɔɡɔɕ, ktˈɔː ɔtfˈɔʒɨ mi ɕlˈuzɛ ɔd zˈɛvnɔntʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_101.wav|ˌalɛ ɲʲɛ pɔrˈuʃa ɕɛ pɔ ɲʲˈɛbjɛ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_395.wav|mʲˈaw na sˈɔbjɛ vˌɨstʃɛmpʲˈɔnɛ pˌɔzɔstawˈɔɕtɕi stˈarɛj, ruʒˈɔvɔbjˈawɛj ʃˈatɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_179.wav|na fʃˈɛlki vɨpˈadɛk ɲʲɛ zapˈɨtam, tʃɨ tɨ zrɔbʲˈiwaɕ tɔ z zˈɛmstɨ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_209.wav|ˈarjan vʲˈɛlɛ bˈɨ ɔddˈawa za ɛɡzˈɛmplaʒ dʑɛɕˈɛɲtɕu tɨɕˈɛntsɨ ɔkrˈɛntuf ˈalbɔ miwˈɔstɛk krulˈɔvɛj nɨmˈɛrji.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_135.wav|ɡdˈɨbɨm ˌɔtʃɛkivˈawa, ʒˈɛ pɔdbjˈɛɡɲʲɛ dɔ mɲʲɛ i vˈɛʑmʲɛ mɲʲɛ w ramjˈɔna, tɔ srˈɔɡɔ bˈɨm ɕɛ rˌɔstʃarɔvˈawa.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_227.wav|imjˈɔna tɨɣ dʑˈɛftʃɔnt ɔkrˈɨjɔ̃ ɕɛ fstˈɨdɛm na vʲˈɛki.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_411.wav|a vwaɕtɕˈivʲɛ blˈadɔ̃ tsˈɛrɛ tfˈaʒɨ, xrɔɲʲˈɔnɔ̃ pʲˌɛtʃɔwɔvˈitɕɛ pʃɛt swˈɔɲtsɛm rˈɔndɛm kˌapɛlˈuʃa,|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_159.wav|ja tˈɛʃ xˈɨba ɲʲɛ, ˌalɛ ɔbˈɔjɛ musˈimɨ sprubˈɔvatɕ. xˈɔtɕ tˈu, uɕtɕˈiskaj mɲʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_78.wav|bˈɔ ɲˈiɡdɨ dˈɔtɔnt ɲʲɛ vɨɕɲˈiwɛm ʒˈadnɛj pʃˌɨzvɔˈitɛj, pˌɛwnɔmˌɛtraʒˈɔvɛj fabˈuwɨ.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_45.wav|tɔ rˈuvɲʲɛʃ rˌɔzɡɲʲɛvˈawɔ sˈama.|1
+Dataset/wavs/urwisko_ferenc/65_segment_135.wav|pˈɨtam ɔ klˈuskɛ, ɲʲɛ ɔ kˌanalˈiki. jˈak tɔ tsˈɔ dˈalɛj? bˌɛɲdʑɛ tˈu mʲˈɛʃkaw rˈazɛm zˈɛmnɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_43.wav|ɲʲɛ xtɕˈawa tˌɛɡɔ rˈɔbʲitɕ. bˌɨwa zbˈɨd vˌɨstraʃˈɔna, vʲˈɛnts kɔbjˈɛta tsmɔknˈɛwa z ɲʲˌɛzadˌɔvɔlˈɛɲʲɛm i sˈama zˌaswɔɲˈiwa jɛj ˈɔtʃɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_167.wav|pʲɛɲʲˈɔndʑɛ i dˈɔm, ktˌurɛ dˈawɨ rɔdʑˈitsɔm tˈɨlɛ nadʑˈɛi i radˈɔɕtɕi na pʃˈɨʃwɔɕtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_39.wav|tˈatɕɛ vɨrˈaʑɲʲɛ ˌɔdɛbrˈawɔ mˈɔvɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_117.wav|ɲʲɛ bˌɨwɔ nˈaɲʲɛj ɡɲʲˈɛvu, ɲʲɛ bˌɨwɔ w ɲʲˈɛj radˈɔɕtɕi, a ˈɔstrɛ ɕfʲˈatwɔ tʃɨɲˈiwɔ jˈɔ̃ bˈardʑɛj jˈɛʃtʃɛ zmɛntʃˈɔnɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_134.wav|tʃɨ pʃɨxˈɔdʑi pˈaɲi na mˈɨɕl ktɔkˈɔlvʲɛk, ktˈɔ mˈuɡwbɨ zˈɛxtɕɛtɕ skʃˈɨvdʑitɕ mˈɛ̃ʒa? ktˈɔɕ, ktˈɔ ʒˈɨviwbˌɨ dɔ ɲʲˈɛɡɔ jˈakɔ̃ɕ urˈazɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_4.wav|ɡdˈɨ jˈɛdnaɡ vˈɛʃwam dɔ ɕrˈɔtka f pʲˈɛrʃɨm dɲʲˈu mˈɔjɛj dˌɨrɛktˈɔrskʲɛj kadˈɛntsji, bˌɨwɔ tˈam ɔ vʲˈɛlɛ vɛsˈɛlɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_106.wav|ˈɛliz vɨtɕˈɛra nˈɔs nasˈadɔ̃ dwˈɔɲi, dʑɛtɕˈinnɨ i ˌɔsɔblˈivʲɛ ˌujmujˈɔntsɨ ɡˈɛst.|2
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_76.wav|tɕˈɛbjɛ tˈɛʃ mˈuʃɛ pʃɛprˈɔɕitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_41.wav|ɲˈitsk pɔtxˈɔdʑi xfʲˈɛjɲʲɛ dɔ ɕrˌɔtkɔvˈɛɡɔː i ɕˈada. vɨtɕˈɔŋɡa rˈɛŋkɛ za ɕˈɛbjɛ i pstrˈɨka w wˈɔntʃɲik, ktˌurɨ zapˈala tʃˈɨ lˈampɨ viʃˈɔntsɛ nad ʑɛlˈɔnɨm fˈiltsɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_65.wav|skʲˌɛrɔvˈaliɕmˌɨ ɕɛ prˈɔstɔ dɔ mɔjˈɛɡɔː ˌakadɛmˈika.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_33.wav|zapˈɨtaw za pʲˈɛrʃɨm rˈazɛm, kʲˈɛdɨ pˌɔstanˈɔviw mɲʲɛ zˌaatakˈɔvatɕ w ɲʲˌɛsprɔvˌɔkɔvˈanɨ spˈɔsup.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_70.wav|vʲˈɛʃ, tɨ i mˈama...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_10.wav|jˈɛɕli zˈaʃwa kɔɲʲˈɛtʃnɔɕtɕ.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_164.wav|vʲˈɛ, dlatʃˈɛɡɔː ubjˈɛraʃ ɕɛ na tʃˈarnɔː i pwˈɨɲʲɛʒ dɔ starˈɛɡɔ mʲˈasta.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_123.wav|zˈafʃɛ jˈɛdnak lˈɛpʲɛj bˈɨtɕ pʃˌɨɡɔtɔvˈanɨm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_136.wav|tˌɨlkɔ jˈɛdna sprˈava, mˈuvi bʲˈillɨ. dˌɔpilnˈujɛ pˈan, ʒˈɛbɨ spʃˈɛnt trˈafiw w mˈɔjɛ rˈɛntsɛ, kʲˈɛdɨ bˌɛɲdʑɛ pɔtʃˈɛbnɨ, prˈavda?|2
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_33.wav|ɡvʲˈazdɨ filmˈɔvɛ pʃɨxˈɔdʑɔ̃ i ɔtxˈɔdʑɔ̃, ˌalɛ brudˈasɨ zɔstˈajɔ̃ na zˈafʃɛ, stfʲˈɛrdʑa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_395.wav|mˈatka ɲʲɛ ʒˈɨjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_127.wav|rˈanɔ vɨrˈuʃɨʒ vˌɨpɔtʃˈɛnta i pˈuʑnɨm pˌɔpɔwˈudɲʲɛm bˌɛɲdʑɛʃ ˈu bakʲˈɛɡɔ w ɡˈurax.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_124.wav|brˈama prˌɔvadʑˈɔntsa na dwˈuɡʲi, krˈɛntɨ pˈɔdjast ɔtfʲˈɛra ɕɛ, kʲˈɛdɨ pˈɔli dɔtˈɨka ktɕˈukʲɛm ɡadʒˈɛtu na ɔswˈɔɲʲɛ pʃˌɛtɕifswɔnˈɛtʃnɛj.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_69.wav|tsˈuʃ, ja pamjˈɛntam ɲʲˈɛtsɔ lˈɛpʲɛj tˈɛɡɔ, ktˌurɨ spʃɛdˈavaw nˈam tsˈawɔ̃ tˈɛ bajˈɛtʃkɛ, pˌɔvʲɛdʑˈawa.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_146.wav|a dɔː ˈuzd vɛpxɲʲˈɛntɔ vʲˈɛlkɔ̃ bjˈawɔ̃ ʒˈɔtkʲɛf.|1
+Dataset/wavs/urwisko_ferenc/15_segment_23.wav|tˈɨŋk ɕɛ sˈɨpaw, pwˈɨtki na sxˈɔdax i balkˈɔɲʲɛ ˌɔtpadˈawɨ. dɔ tˌɛɡɔ zˌaɲʲɛdbˈana dʑˈawka skutˈɛtʃɲʲɛ ˌɔtstraʃˈawa pˌɔtɛntsjˈalnɨx nabˈɨftsuf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_26.wav|ɲʲˌɛzalˈɛʒɲʲɛ ɔt jˈɛɡɔ mˌɔtɨvˈatsji ɲʲɛ pɔtrˈafjɛ sˈɔbjɛ tˌɛɡɔ vˌɨɔbrˈazitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_81.wav|ɔbrvˈawa w lˈɛvɔ̃ ɡˈɔlɛɲ.|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_48.wav|tɔ ɲʲɛ mˈɔja vˈina! zˌaprɔpˌɔnɔvˈali mi tˈɨlɛ pʲɛɲʲˈɛndʑɨ!|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_4.wav|s tˌɨmi kwakˈami vɨɡlˈɔndaʃ jˈak rˈɔbɛrt.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_157.wav|ta mˈɨɕl pˌɔzɔstavˈiwa w jˈɛɡɔː ˈustaɣ ɡˈɔʃki pˈɔsmak.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_12.wav|vɛndrˈujɔnts tɕasnˈɨmi kˌɔrɨtaʒˈami bˈaɲki armstrˈɔŋɡa, dɔtˈarwam dɔ ɡwuvnˈɛɡɔ vˈɛjɕtɕa tsˈɛntrum bˌadaftʃˈɛɡɔː ˌɛˌɛsˈa.|4
+Dataset/wavs/urwisko_ferenc/02_segment_41.wav|pɔlˈitsjant ɔdwˈɔʒɨw tˈɛtʃkɛ, zmʲˈɔw pˌapʲɛrˈɔvɔ̃ tɔrˈɛpkɛ pɔ tɕˈastku i ʒˈutɕiw jˈɔ̃ na tˈɨlnɔ̃ kanˈapɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_135.wav|tˈam pˌɔkazˈujɛ pˈaltsɛm budˈɨnɛɡ z jˈasnɔpˌɔmarˌaɲtʃɔvˈɨmi mˌarkizˈami.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_21.wav|kʲˈɛdɨ bˈɛtskɨ vˈɛʃwa dɔ pɔkˈɔju, jˈɔɛ krɔ̃ʒˈɨwa pˈɔɲim zˈɛ zvʲɛʃˈɔnɔ̃ ɡwˈɔvɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_156.wav|tˈaɡ ɡˈɔ bɔlˈawɔ?|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_313.wav|tʃˈas ɲʲɛ bˌɛɲdʑɛ mʲˈaw znatʃˈɛɲʲa, jˈɛɕli jˈɛɡɔ lɔrdˈɔfska mˈɔʑdʑ dɔstˈaɲʲɛ pɔ drˈɔdʑɛ atˈaku drɡˈavɛk i spˈadɲʲɛ z ɡˈurɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_162.wav|ˌaɲi ɕlˈadu rudjˈɛɡɔ, zˈatɔ f pɔblˈiʒu bufˈɛtu dɔstʃˈɛɡwam zbjˌɛɡɔvˈiskɔ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_256.wav|pɔjˈadɛ s tˈɔbɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_18.wav|tɔ kˈɛvan pɔvˈiɲʲɛn zˈɔstatɕ nˌamjɛstɲˈikʲɛm tɔmmˈɛna. xˈaris sfˈift tɔ nˈɛndʑna krˌɛatˈura, a mˈɔja ɕˈɔstra jɛzd ɡwˈupja, jˈɛɕli tˌɛɡɔ ɲʲɛ vˈidʑi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_15.wav|uɕˈadwɛm pʃɨ stˈɔlɛ i ɕɛŋɡnˈɔwɛm pɔ ɲʲˌɛdɔpˈitɔ̃ xɛrbˈatɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_8.wav|a bˈɔ ja vʲˈɛm! fɕtɕˈɛkw ɕɛ sˈɔ̃ɕat.|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_97.wav|mˈilkɲʲɛ i pˈatʃɨ na bʲillʲˈɛɡɔ ʃɛrˈɔkɔː ˌɔtfartˈɨmi ɔtʃˈami, pˌɔtkrɛɕlɔnˈɨmi ˌɔdrɔbʲˈinɔ̃ tˈuʃu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_17.wav|vɨɡlˈɔnda jˈaɡbɨ bˈɨw jˈɛdnɔ̃ nˈɔɡɔ̃ w ɡrˈɔbjɛ i ɲˈidʑ dʑivnˈɛɡɔ, bˈɔ tˈaɡ vwˈaɕɲʲɛ jˈɛst. a mˈimɔ tɔ ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_20.wav|tʃɨ dˈaltɔn smˈidɣ zˌauvˈaʒa jˈɔ̃ w ˈɔkɲʲɛ na pʲˈɛntʃɛ? ɲʲɛ, uznˈajɛ bʲˈillɨ. dˈaltɔn jɛst maɲʲˈakʲɛm kˌɔmputɛrˈɔvɨm, ʒˈɨjɛ vɛ vwˈasnɨm ɕfʲˈɛtɕɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_77.wav|ˌɔna rˈuvɲʲɛʃ xtsˈɛ mʲˈɛtɕ kˈɔntakt s tɨm dʑˈɛtskʲɛm, kʲˈɛdɨ bˌɛɲdʑɛ w vʲɛ̃ʑˈɛɲʲu.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_463.wav|ɡdˈɨ nˈatʃɛt tʃˈas, bˈɨ ˈarjan ɕɛ vˌɨkɔmpˈawa,|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_70.wav|tɔ stɔjˈɔntsɨ pɔ drˈuɡʲɛj strˈɔɲʲɛ laɡˈunɨ tˈɨtan ɔznˈajmʲaw, ʒˈɛ zapˈadwa nˈɔts.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_70.wav|pʃˌɨpɔmɲʲˈawa sˈɔbjɛ brjˈɛnnɛ. ʃlaxˈɛtɲʲɛ ˌurɔdʑˈɔnɛj tʃˌɨnastɔlˈɛtɲʲɛj dʑɛvˈitsɨ ɔ ɲʲɛbjˈɛskix ˈɔtʃax i kˌaʃtanɔvˈatɨɣ vwˈɔsax. pˈaɲi?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_72.wav|tsˈɔɕ f tɛn dˈɛsɛɲ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_9.wav|nˈuʃ jɛst mˈawɨ. tɔ tˈɛn, ktˌurɨm vˌɨdwubˈɨvaw sˈɔbjɛ dʒˈazɡʲi zˈɛ stˈɔpɨ. zɔstˈaviw ɡˈɔ na stɔlˈiku.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_115.wav|ɡdˈɨ bˌɨwa ɡɔtˈɔva, zˈapad zmʲˈɛʃx.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_41.wav|na samˈɔlɔt spwˌɨvajˈɔntsɨ s ʃˈumɛm zamkɲʲˈɛntɨx klˈap|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_24.wav|pʃˌɛtakˈujɛ, a ˌɔna vrˈatsa pɔspʲˈɛʃɲʲɛ dɔ sfɔjˈɛɡɔ bjˈura i pɔ xfˈili pʃɛnˈɔɕi ruʒˈɔvɔ̃ kartˈɛtʃkɛ z nɔtˈɛsu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_157.wav|dˈana uɕmʲˈɛxa ɕɛ ʃɛrˈɔkɔ, ˌɔbnaʒˈajɔndʑ zˈɛmbɨ tˈaɡ drˈɔbnɛ i zadbˈanɛ jˈak ɔn sˈam.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_15.wav|vˈɨrvatɕ ɕɛ stˈɔnt na xfˈilɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_479.wav|ˌɔbudʑˈiwaɕ ɕɛ? ʃɛpnˈɔwɛm.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_73.wav|mˈam tˈɛras nˈɔvɔ̃ rˈɛŋkɛ, zˈɛ zwˈɔta.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_169.wav|xtsˈɛʃ stˈɔnd vɨjˈɛxatɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_177.wav|pilnˈujɛ, ʒˈɛbɨ ɲʲɛ pʃɛkrˈatʃatɕ prɛntkˈɔɕtɕi, skˈɔrɔ w bˌaɡaʒɲˈiku vʲˈɛʑɛ karˈabʲin ɔ dalˈɛkim zaɕˈɛŋɡu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_100.wav|pʃɨznˈaɲʲɛ ɕɛ, ʒˈɛ jˈɔ̃ ˌɔʃukˈawam, zwˈamjɛ mi sˈɛrtsɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_218.wav|tɔ bʒmˈi sɛnsˈɔvɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_112.wav|upʃˈɛjmɛ zˌaxɔvˈaɲʲɛ pʃɨ stˈɔlɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_90.wav|ɲˈikt ɕɛ ɲʲɛ ɔdʑˈɨva.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_55.wav|vˈarknɔw i zˈɛpxnɔw ɡˈɔ za bˈurtɛ w zˌabarvʲˈɔnɛ krfjˈɔ̃ mˈɔʒɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_61.wav|vɨbˈatʃtɕɛ, ˈamɨ jˈumbɔ, ɔbˈavʲam ɕɛ, ʒˈɛ mˈuʃɛ vˈas s tɨm zɔstˈavitɕ. zatʃˈɛkam, ˈaʃ pʃɨjˈɛdʑɛ inspˈɛktɔr sˈims, ktˌurɨ mɲʲɛ zastˈɔmpi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_134.wav|bˈutskɨ xˈɛnsɔn fstˈajɛ s fɔtˈɛla bˌujanˈɛɡɔː i pɔtxˈɔdʑi dɔ barjˈɛrki z ʒˈɛrdʑi.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_513.wav|pamjˈɛntam mɛ̃ʃtʃˈɨznɛ, ktˌurɨ pɔdʒˈutsaw mɲʲɛ dɔ ɡˈurɨ, ɡdˈɨ bˌɨwam malˈɛɲka.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_311.wav|najlˈɛpʲɛj, jˈɛɕli zˌawatfˈimɨ tɔ dʑˈiɕaj.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_43.wav|zˌauvˈaʒam kˈilka budˈɨŋkuf, ktˌurɨɣ vʲˈɛŋkʃɔʑdʑ vɨdˈajɛ ɕɛ ˌɔpuʃtʃˈɔna. sɔ̃ jˈɛdnak ɕlˈadɨ pɔ prˈatsaɣ bˌudɔvlˈanɨx.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_41.wav|jˌɛstɛɕ na pˈɛvnɔ ɲʲɛ lˈɛpʃɨ ɔt ɲʲˈɛɡɔ. jˈak kˈaʒdɨ pʃɨstˈɔjnɨ bˈɛŋkart, jˌɛstɛɕ na pˈɛvnɔ pˈɔdwɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_97.wav|ɲʲɛ xtɕˈawam, ʒˈɛbɨ znalˈɛʑli mɲʲɛ lˈudʑɛ z mɔjˈɛɡɔ davnˈɛɡɔ ʒˈɨtɕa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_7.wav|a vɛ ɕɲʲˈɛ vidʑˈawam krˈɛf.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_14.wav|ɲʲɛ mˈɔɡwam bˈɨtɕ pʃˌɛtɕɛʃ ˈaʃ tˈak ɕlˈɛpa.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_278.wav|ʒˈɨtɕɛ ˌimiɡrˈantuf w mʲˈɛɕtɕɛ na kˈɔɲtsu ɕfʲˈata.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_27.wav|tɔ tɨ jˌɛstɛɕ na tsˌɛlɔvɲˈiku, bʲˈillɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_54.wav|makˈatki vˌɨɔbrˌaʒajˈɔntsɛ ˌuprɔʃtʃˈɔnɛ mˈartfɛ natˈurɨ, a tˈaɡʒɛ...|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_330.wav|taˈɛna mʲˈawa vwˈɔsɨ tʃˈarnɛ jˈak rˈɔbɛrt, nˈavɛt mʲˌɛndʑɨ nɔɡˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_61.wav|tˌɨlkɔ zvˈɨkwɛ dˈɔmɨ, pʃɛt kturˈɨmi zraʃˈatʃɛ ˌɔbratsˈajɔ̃ ɕɛ na spwaxˈɛtkax trˈavɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_49.wav|tʃɨ ktɔkˈɔlvʲɛɡ ɡˈɔ dɔtˈɨkaw ɔt mɔmˈɛntu, kʲˈɛdɨ ɡˈɔ pˈan znˈalaz?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_58.wav|ɲʲɛ zˌapɨtˈawa nˈavɛt ɔ mˈɔjɛ sˌamɔpɔtʃˈutɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_47.wav|jɛʑdʑˈiliɕmˌɨ zdɔbˈɨvatɕ sˈɛrtsa i umˈɨswɨ. vratsˈaliɕmˌɨ dɔ bˈazɨ jˈɛʃtʃɛ pʃɛd zmrˈɔkʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_87.wav|tɔ bˌɨwɔ tˌɨlkɔ jˈɛdnɔ swˈɔvɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_43.wav|nˈatɨm bʲˈillɨ pʃɛrˈɨva, pɔ tʃɨm spɔɡlˈɔnda nat laptˈɔpɛm w ˈɔknɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_29.wav|bʲˈillɨ bjˈɛʒɛ jˈɛdɛn i pɔtxˈɔdʑi dɔ kˈasɨ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_51.wav|tˈaɡ bˈardʑɔ pɔdʑˈivʲaw naʃˈɛɡɔ dʑɛlnˈɛɡɔ rɨtsˈɛʒa kfʲˈatuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_229.wav|nˈɔtɛ z bʲillʲˈɛɡɔ vɨstˈajɛ s pʃˈɛdɲʲɛj kʲɛʃˈɛɲi ˌɔɡrɔdɲˈitʃkuf.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_165.wav|tɔ jˈɛdnaɡ bˌɨwa tˌɨlkɔ jˈɛdna ʒˈɛtʃ. tsˈad bˌɛɲdʑɛ pˌɔtʃɛbɔvˈawa jˈɛʃtʃɛ dvˈux.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_432.wav|zˈafʃɛ ɕɛ uɕmʲˈɛxa, ɡdˈɨ mˈuvi ɔ mˌɛɛstˈɔnɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_55.wav|vˌɨwɔntʃˈɨwam tɛlˈɛfɔn, vʲˈɛndʑ ɡˈɔ vwˈɔndʒ dɔ xɔlˈɛrɨ.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_326.wav|bˈɨw vʲˈɛlki, tʃˈarnɨ i ɔtɕˈɛkaw vˈɔdɔ̃. jˌɛstɛʑ vˈiɲʲɛn ksxɔndˈɔvi vʲˈɛlɛ pʲˈur.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_111.wav|na ʃtʃˈɛɲɕtɕɛ f prˈu��ɲi ɲʲɛ rɔsxˈɔdʑi ɕɛ dʑvʲˈɛŋk, bˈɔː inˈatʃɛj bˈɔp jˈak ɲˈits uswˈɨʃawbˌɨ ˈɔdɡwɔs mɔjˈɛɡɔː upˈatku. ˌalɛ ɲʲɛvˈaʒnɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_22.wav|vˈɨʃwa s tɕˈɛɲʲa dʒˈɛf ˌɔtatʃajˈɔntsɨx pˈuŋɡd vˌitɔkˈɔvɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_108.wav|jɛst prˈavʲɛ pʲɔnˈɔva.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_64.wav|bˈul pʃˈɨtɕmiw fʃˈɨstkɔ. bˈɔli, bˈɔʒɛ mˈuj, kˈurva mˈatɕɛk, bˈɔli.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_79.wav|pʃˈɛstɔ fʃˈɨstkɔ, tsˈɔ ɕɛ dʑˈɛjɛ, mˈɔʒɛʒ bˈɨtɕ skˌɔwɔvˈana i zˌastanˈavʲatɕ ɕɛ, kˈɔmu w ɔɡˈulɛ mˈɔʒɛʒ zaˈufatɕ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_45.wav|swˈuʒba kˈɔmpʲɛ i ubjˈɛra jˈɛɡɔ lɔrdˈɔfskɔ̃ mˈɔɕtɕ.|1
+Dataset/wavs/urwisko_ferenc/02_segment_74.wav|minˈɛwɔ kˈilka sˈɛkunt, ɡdˈɨ vrˈɛʃtɕɛ zamrˈuɡaw, pʃˈɛtar pɔvʲˈɛki ˌɔpuʃkˈami pˈaltsuf, ktˌurɛ vˈɨtar f spˈɔdɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_20.wav|mˈɔɡwabˌɨm zamjˈɛʃkadʑ z ɲʲˈɔ̃ w mˌanxɛstˈɛʒɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_45.wav|i dˌɔkumˈɛntɨ ˌadɔptsˈɨjnɛ.|3
+Dataset/wavs/urwisko_ferenc/42_segment_61.wav|ˈɔlɡʲɛrd vʲˈɛdʑaw, tsˈɔ mʲˈawa na mˈɨɕli i xtɕˈaw tsˈɔɕ ˌɔtpɔvʲˈɛdʑɛtɕ, ˌalɛ zrˌɛzɨɡnˈɔvaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_91.wav|ɲˈiɡdɨ ɲʲɛ zamjˈɛʒaw pɔzvˈɔlitɕ mi ˈɔtɨm zapˈɔmɲʲɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_137.wav|dʑɛftʃˈɨna pɔnˈɔvɲʲɛ pˌɔtsunˈɛwa jɛj kˈubɛk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_187.wav|a ɲʲˈɛx tɕˈɛ ʃlˈak trˈafi.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_390.wav|zˈabʲiwbˌɨm ɡˈɔ na mʲˈɛjstsu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_129.wav|jˈak mɔʒˈɛmɨ uzˈɨskatɕ kˈɔd dɔ tˌɛlɛfˈɔnu ɡˌɛnɛvʲˈɛvɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_105.wav|jˈak xtsˈɛʃ tˌɛɡɔː uʒˈɨvatɕ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_47.wav|sprˈɨtnɛ mˈawɛ rˌɛflɛktˈɔrɨ ʒutsˈajɔ̃ smˈuɡʲi ɕfʲˈatwa na skuʒˈanɛ ɔprˈavɨ.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_305.wav|ʃukˈajɔ̃ jɛj tˈɛʃ ˈinɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_114.wav|a dlatʃˈɛɡɔ ɲʲɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_240.wav|mɲʲɛ pʃɨɲʲˈɔswa ɲʲɛʃtʃˈɛɲɕtɕɛ, ˌalɛ f kˈɔɲtsu tɔ tˌɨlkɔ pʃˈɛsɔnt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_41.wav|tʃɨmˈajɔ̃ kˈartɨ pʃɨ ɔrdˈɛrax, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_75.wav|kɔmnˈata bˌɨwa pʃɛstrˈɔnna i vˈidna. ɲʲɛ brˌakɔvˈawɔ w ɲʲˈɛj tˈɛʒ vˈɨɡut.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_128.wav|stsˈɔtt mˈinɔw mɲʲɛ i vˈɨbjɛɡw na bˈalkɔn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_101.wav|fstˈajɛ, pɔnˈɔvɲʲɛ ɔtɕˈɛra tʃˈɔwɔː i pʃɨkrˈɨva jˈɔ̃ kˈɔtsɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_164.wav|ˈɛliz vwɔʒˈɨwa kˈɔstjum kˌɔmpʲɛlˈɔvɨ i pˌɔpwɨvˈawa w basˈɛɲʲɛ. pˈuʑɲʲɛj pˈɔʃliɕmˌɨ na spˈatsɛr, a na lˈantʃ kupˈiliɕmˌɨ xˈɔd dˈɔɡʲi z vˈuska.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_134.wav|sˈamɛ spalˈɔnɛ.|2
+Dataset/wavs/urwisko_ferenc/15_segment_2.wav|pˌɔmaraɲtʃˈɔvɛ prɔmjˈɛɲʲɛ swˈɔɲtsa ɕlizɡˈawɨ ɕɛ pɔ daxˈufkax, bwɨʃtʃˈawɨ, ˌɔdbʲijˈajɔnts ɕɛ ɔd brˈuku.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_119.wav|nˌajvaʒɲʲˈɛjʃɛ, ʒˈɛbɨ ɲʲɛ bˌɨwɔ tɔksˈɨtʃnɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_64.wav|prubˈɔvaw mɲʲɛ rɔsɕmʲˈɛʃɨtɕ, ˌalɛ ɲʲɛ mʲˈawam ɔxˈɔtɨ ɕɛ ɕmʲˈatɕ. zˈafʃɛ bˌɨwam dʲˈidʲi, bˈɔ kʲˈɛdɨ zatʃˈɛwam mˈuvitɕ, ɲʲɛ pˌɔtrafˈiwam vɨmˈuvitɕ sfɔjˈɛɡɔː imjˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_19.wav|muɕˈawa sˈɔbjɛ pɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_48.wav|swɨʃˈawam, jˈak muvʲˈɔnɔ, ʒˈɛ mˈa vˈɨjʑdʑ za brˈata lˈadɨ bˈalvɛr.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_5.wav|uswˈɨʃaw tˌɨlkɔ jˈɛdɛn dʑvˈɔnɛk.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_96.wav|a mˈinstrɛl pɔvˈiɲʲɛn bˈɨtɕ na mˈuʒɛ.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_170.wav|jˌasnɔvwˈusɨ mwɔdʑˈɛɲʲɛts ɔdvrˈutɕiw vzrˈɔk ɔt ɕfʲˈɛtsɨ, mruɡˈajɔnts ˌintɛnsˈɨvɲʲɛ. nˈaɡʲix kˈɔbjɛt.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_67.wav|bʲˈillɨ krˈɛɲtɕi ɡwˈɔvɔ̃ i pɔprˈavja tɔ tˈak, ʒˈɛbɨ bˌɨwɔ lˈɛpʲɛj, pʃɨnˈajmɲʲɛj w jˈɛɡɔː ɔttʃˈutɕu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_17.wav|maʃ jˈakʲɛʑ zdjˈɛɲtɕa ˈaʃa i mˈili?|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_367.wav|tˌɨlkɔ tɨ mˈɔʒɛʃ ˌuratˈɔvadʑ ɡarˈina.|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_78.wav|pˈɔtɛm vɨtˈɨtʃa drˈuɡɔ̃ lˈiɲʲɛ bjɛɡnˈɔntsɔ̃ dˈalɛj dɔ mˈawɨɣ bˈɔtʃnɨɣ dʒvˈi, tˈɨx, s ktˌurɨx kˌɔʒɨstˈajɔ̃ prˌatsɔvɲˈitsɨ sˈɔndu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_443.wav|pʃˌɛlɛtɕˈawɛm pˈuw ɕfʲˈata, ʒˈɛbɨ zalˈitʃɨtɕ, tsˈɔ ɕɛ dˈa z lˈutskiɣ dɔɕfʲˈattʃɛɲ.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_166.wav|mˈiwɔ tɕˈɛ vˈidʑɛtɕ, mˈɔja drˈɔɡa. ˈuɕɔɲtɕ, prˈɔʃɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_18.wav|tʃɨ mˈili ftɕˈɔ̃ʃ jɛst na tɛj zabˈavʲɛ? pˈɨta nˈuʃa, ˌalɛ jɛj ˈɔtʃɨ zˈaras ɕɛ zvɛ̃ʒˈajɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_183.wav|mˈuj rˌɛprɛzˈɛntant pʃɛtɕˈifkɔ tfɔjˈɛmu.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_38.wav|tɔ sɔ̃ jˈɛɡɔː ˈɔtʃɨ i jˈɛɡɔ vwˈɔsɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_259.wav|mʲˈastɔ bˌɛɲdʑɛ pˌɔtʃɛbɔvˈawɔ ʃɨpkʲˈɛɡɔ rˌɔzvʲɔ̃zˈaɲʲa, vʲˈɛndʑ dɔstˈanɛ kˈɔntrakt na dɔstˈavɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_101.wav|mˈɔjɛ tɕˈawɔ vɔwˈawɔː ɔ ɲʲˈɛɡɔ, xˈɔtɕ jˌɛdnɔtʃˈɛɕɲʲɛ bˌɨwam pʃˌɛraʒˈɔna.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_37.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, jˈakʲɛ sɔ̃ skwadɲˈiki. ɔː ˈilɛ vʲˈɛm, mˈɔɡɔ̃ tˈam fkwˈadatɕ mˈartfɛ tɛrmˈitɨ i vwˈɔsɨ spˈɔt pˈaxɨ, ˌalɛ zvˈisa mi tɔ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_62.wav|a pˈuʑɲʲɛj znˈɔvu zˌasɨpʲˈawa.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_340.wav|krulˈɔva fsunˈɛwa pˈalɛts w mrˈɨjskʲɛm ɔkrˈadu, a pˈɔtɛm drˈuɡʲi, pˌɔruʃˈajɔnts ɲˈimi rɨtmˈitʃɲʲɛ. ˌalɛ ɡdˈɨ jˈuʒ bˈɨ ɕɛ f tɕˈɛbjɛ spˈuɕtɕiw...|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_36.wav|mˈam bˈɨtɕ pisˈaʒɛm? tɔ mˈɔja pʃɨkrˈɨfka?|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_182.wav|jɛʒˈɛli ɲʲɛ zˈadam tɕˈɔsu vwˌasnɔrˈɛntʃɲʲɛ, tʃɨ nˈadal bˌɛndɛ zabˈujtsɔ̃ krˈɛvnɨx?|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_69.wav|tɔ tˈak ɲʲˌɛspɔdʑɛvˈana zamjˈana rˈul, ʒˈɛ bʲˈili mˌimɔvˈɔlɲʲɛ pˈarska ɕmʲˈɛxɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_6.wav|pɔdˈɔbɲʲɛ jˈak nˌapakɔvˈanɨ ɡlˈina.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_155.wav|ˈɔtpar allˈɛras.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_11.wav|jˈɛɕli tˈamta fˈirma ɲʲɛ zvrˈutɕi fpwˈat, ˈɔddam jˈɛ z vwˈasnɛj kʲɛʃˈɛɲi.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_361.wav|tʃˌasunˈɛwa lˈɛkkɔ kˌɔɲʲuʃkˈami pˈaltsuf pɔ jˈɛɡɔ blˈiznax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_190.wav|ɔtfʲˈɛra mɛ̃ʃtʃˈɨzna ɔː ˌɔlifkˈɔvɛj tsˈɛʒɛ, dˈɔbrɨx kˌilkanˈaɕtɕɛ tsˌɛntɨmˈɛtruv vˈɨʃʃɨ ɔt ɲʲˈɛɡɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_107.wav|tɔ ɲʲɛ jɛzd zvɨtʃˈajnɨ kˈɔndɔm, vɨjˈaɕɲiw pɔdˈajɔnts mi pɔdwˈuʒnɛ natʃˈɨɲʲɛ vʲɛlkˈɔɕtɕi tɛrmˈɔsu z ˌɔtxɨlˈanɔ̃ pɔkrˈɨvɔ̃ i kˈablɛm zˌaɕilajˈɔntsɨm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_23.wav|a jˈɛɡɔ ʒˈɔna?|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_225.wav|pʃˈɛvʲɛɕ sˈɔbjɛ kutˈasa pʃˈɛs rˈamjɛ i pˈɔvʲɛts pˈaɲʲɛ i panˈɔvʲɛ, ja jˌɛstɛm tɛksˈatsɔ ɡˈas stˈatjɔn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_446.wav|pˈan drˈɛntʃɨw lˈudʑi.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_80.wav|rɔzˈumjɛm, ɔ tsˈɔ tɕi xˈɔdʑi pɔvʲˈɛdʑaw.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_57.wav|zapˈɨtaj ɛdmʲˈura, jˈaɡ bˈardʑɔ jˌɛstɛm rɨtsˈɛrski.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_88.wav|mˈam tˈutaj ɲʲˈaɲʲa. bˌɛndɛ pɔt jɛj ɔpʲˈɛkɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_105.wav|vˈɨkuw nˈɔvɨ ʃˈɨlt.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_297.wav|kamjˈɛɲʲɛ bˌɨwɨ jˈɛdnak ɕlˈiskʲɛ i pɔkrˈɨtɛ ʃlˈamɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_239.wav|ɔt rˈazu zjˈaviw ɕɛ mwˈɔdɨ tʃwˈɔvʲɛk f strˈɔju sˌaɲitarjˈuʃa.|0
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+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_164.wav|stˈarʃɨ brˈad bˌɛɲdʑɛ vʲˈɛdʑaw vʲˈɛntsɛj na tɛn tˈɛmat.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_13.wav|bʲˈillɨ vɨrˈɨva sprˈintɛm dɔ mˈɛ̃skʲɛj ˌubʲikˈatsji, pɔ drˈɔdʑɛ vˌɨtɕɔŋɡˈajɔnts klˈutʃ s kʲɛʃˈɛɲi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_369.wav|mˈuviw ɡwˈɔsɛm sˈɛnnɨm i spɔkˈɔjnɨm.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_253.wav|ɡdˈɨ ˌuzdrɔvitɕˈɛlɛ z dˈɔmu tʃɛrvˈɔnɨɣ dwˈɔɲi pˌɔvʲɛdʑˈɛli mɔjˈɛmu ˈɔjtsu, tsˈɔː ˌutʃɨɲˈiwa,|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_145.wav|vʲˈɛm, ʒˈɛ zvˈɨklɛ sˈam planˈujɛʃ sfˈɔjɔ̃ utɕˈɛtʃkɛ i zˈafʃɛ bˌɨwɛɕ f tɨm dˈɔbrɨ. xɔlˈɛrnɨ xˌɔudʲˈiɲi, jˈak muvˈiwɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_28.wav|bˈutskɨ i ˈɛllis tˈaɲtʃɔ̃ na ɕrˈɔtku duʒˈɛɡɔ pɔkˈɔju.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_312.wav|vwˈaɕɲʲɛ zaɕˈadam dɔ kɔlˈatsji.|4
+Dataset/wavs/urwisko_ferenc/08_segment_111.wav|f tˈakim rˈaʑɛ pɔvˈiɲʲɛn dʑˈawatɕ i natˈɨxmʲazd zmʲˈɛɲitɕ lˈɔkal.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_53.wav|bˈɛtskɨ ɕɛ ˌuɕmʲɛxnˈɛwa, a tˈɔm vˈɨʃɛt s pɔkˈɔju.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_113.wav|spˈɔjʒaw f strˈɔnɛ ɔtfˈartɛj brˈamɨ ɡˌaraʒˈɔvɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_309.wav|jˈakɔ̃ tɛn tʃwˈɔvʲɛk mˈɔʒɛ mʲˈɛtɕ pʃˈɨʃwɔɕtɕ?|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_26.wav|bˈɔiʃ ɕɛ ɡˈarstki dʑˈɛtɕi?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_184.wav|pɔː iɣ vɨdˈaɲʲu kˈarta stˈaɲʲɛ ɕɛ bˌɛzuʒɨtˈɛtʃna.|3
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+Dataset/wavs/urwisko_ferenc/27_segment_103.wav|pˈaɲi ʒartˈujɛ, tˈak? vɨɕlˈijmɨ jˈɛ bjɛɡwˈɛmu, mˈɔʒɛ znˈajdʑɛ w ɲˈix tsɔkˈɔlvʲɛk na sɔlskʲˈɛɡɔ, na pʃˈɨkwad vwˈɔs.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_201.wav|tsˈɔ pˈɔvʲɛʃ nˈatɔ, ʒˈɛbɨ zˈɔstatɕ ˌɛlizˈabɛtx ˈandɛrsɔn?|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_213.wav|vʲˈɛm, ʒˈɛ i bˈɛs tˌɛɡɔ ɲʲˈɛmam duʒˈɛɡɔ bjˈustu, ˌalɛ f spwaʃtʃˈaku vˌɨɡlɔndˈawabˌɨm, nˈɔ vʲˈɛtɕɛ, prˈavʲɛ jˈaɡ dˈɛska.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_81.wav|xˈɔtɕ tˈak naprˈavdɛ ɲˈiɡdɨ ɲitʃˈɛɡɔ mu ɲʲɛ ˌɔdmuvˈiwa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_183.wav|zblˈiʒa ɕɛ pˈuwnɔts.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_50.wav|ɲˈilɛs trˈakan zˌaprɔvˈadʑiw ix na tˈɨw dˈɔmu, ɡdʑˈɛ dˈuʒɛ pɔdvˈujnɛ dʒvˈi vˌɨxɔdʑˈiwɨ z jadˈalɲi pˌɔwɔntʃˈɔnɛj s kˈuxɲʲɔ̃ na starˈanɲʲɛ ˌutʃɨmˈanɨ ˈɔɡrut.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_236.wav|i vʲˈɛdʑaw, ʒˈɛ jˈɛɕli pɔzbˈɛɲdʑɛ ɕɛ jɛj tɕˈawa, tɔ pɔzbˈɛɲdʑɛ ɕɛ na zˈafʃɛ vwasnˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_104.wav|ˈɔbjɛ kɔbjˈɛtɨ mʲˌawɨ rˌɔzɛɕmʲˈanɛ tfˈaʒɛ, a xˈaŋɡɛ dˌɔtɨkˈawa dwˈɔɲʲɔ̃ pʃˌɛdramjˈɛɲʲa ˌartɛmˈidɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_215.wav|kʲˈɛdɨ bʲˈillɨ znˈuf ˈidʑɛ ɕɛ pʃˈɛjʒɛtɕ w lˈustʃɛ, stfʲˈɛrdʑa, ʒˈɛ vɨɡlˈɔnda lˈɛpʲɛj, ˌalɛ ftɕˈɔ̃ʃ ɲʲɛ jɛst f pˈɛwɲi ˌusatˌɨsfaktsjˌɔnɔvˈanɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_185.wav|vʲˈɛʃ, ɲʲɛ pamjˈɛntam, kʲˈɛdɨ ɔstˈatɲʲɔ dɔ mɲʲɛ zˌadʑvɔɲˈiwa. sˈɛrjɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_28.wav|radˈɔsnɨ ɡwˈɔz znˈuf ɔd��ˈɨva ɕɛ w mˈɔjɛj kˈuxɲi, vbʲijˈajɔnts ɕɛ w ɔstˈatɲʲɛ nˈutɨ utfˈɔru.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_137.wav|zˌavɔwˈawam, a mˈuj ɡwˈɔs ˈɔdbʲiw ɕɛ ˈɛxɛm ɔt mˌɛtalˈɔvɨx ɕtɕˈan.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_202.wav|uɕmʲˈɛxnɔw ɕɛ puwɡˈɛmpkʲɛm. ˈɛlis i ˈɛlis. tʃɨ tɔ ɲʲɛ zabˈavnɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_101.wav|kˈɔɲtʃɨ rɔzmˈɔvɛ i ɕˈada s pɔvrˈɔtɛm na kʃˈɛɕlɛ bjurˈɔvɨm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_157.wav|zˈaɲim bʲˈillɨ mˈɔʒɛ ˌɔtpɔvʲˈɛdʑɛtɕ, fxˈɔdʑi ˈɛlis. w bjˈawɛj blˈustsɛ, ɲʲɛbjˈɛskʲɛj spudɲˈitʃtsɛ i pˌɔtkɔlanˈufkaɣ ʒˌɛtʃɨvˈiɕtɕɛ vɨɡlˈɔnda bˈardʑɔ mwˈɔdɔ.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_190.wav|lˈɛɔ pʃˈɨjʒaw mu ɕɛ pɔnˈɔvɲʲɛ. xˈɨba ʒˌɛtʃɨvˈiɕtɕɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_69.wav|ɲʲˈɛvʲɛm, dlatʃˈɛɡɔ tɔ pˌɔvʲɛdʑˈawam. tˈɛras naprˈavdɛ ɲʲˈɛma tɔ vʲɛŋkʃˈɛɡɔ znatʃˈɛɲʲa, ˌalɛ ˈaʃ sprˈavja vraʒˈɛɲʲɛ fstʃˌɔ̃ɕɲʲɛntˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_86.wav|ˈɛlis ˌɔstatˈɛtʃɲʲɛ kupˈujɛ lˈɛkkɔ̃ pˌikɔvˈanɔ̃ pˈarkɛ, tʃtˈɛrɨ spudɲˈitʃki, dvʲˈɛ kɔʃˈulɛ, blˈuskɛ i tʃˈɨ sukʲˈɛŋki.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_13.wav|f tˈakix sˌɨtuˈatsjax w jɛj ɡwˈɔɕɛ pˌɔjavʲˈawa ɕɛ spɛtsjˈalna nˈuta.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_22.wav|a skˈɔrɔː ˈɔtɨm mˈɔva, vʲˈɛmɨ jˈuʃ mˈɔʒɛ, ɡdʑˈɛ ɕɛ pɔdʑˈɛva samˈira jˈavi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_97.wav|ʒˈɛ ɲʲɛ skˈarbjɛ.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_70.wav|zabʲˈili zawˈɔɡɛ, pʃɛbrˈali ɕɛ w jɛj strˈɔjɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_5.wav|tʃɨ tɔ znatʃˈɨwɔ, ʒˈɛ zɲiknˈɛwabˌɨ, ɡdˈɨbɨ ˌɔpuɕtɕˈiwa budˈɨnɛk?|4
+Dataset/wavs/urwisko_ferenc/38_segment_27.wav|ɔt tɛj pˈɔrɨ tˌɨlkɔ ja zadˈajɛ pɨtˈaɲʲa.|0
+Dataset/wavs/urwisko_ferenc/46_segment_48.wav|— pˈan ɡˈɔ znˈa? — zdʑˈiviw ɕɛ lˈɛɡnɛr, a ˈɔlɡʲɛrt ɕɛ utɕˈɛʃɨw, ʒˈɛ lˌɛvandˈɔfska muvˈiwa prˈavdɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_25.wav|s krˈaj mɔjˈɛɡɔ pˈɔla vidʑˈɛɲʲa ɕɛ rˌɔzmazˈujɛ, jɛdˈɨɲʲɛ mˈamɛ ftɕˈɔ̃ʒ vˈidʑɛ ˈɔstrɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_4.wav|panˈujɛ tˈu napʲˈɛnta ˌatmɔsfˈɛra, a na kˈilku tfˈaʒax ˌɔdmalɔvˈujɛ ɕɛ pravdʑˈivɨ ʃˈɔk.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_35.wav|mʲˈawam ɔxˈɔtɛ zapˈɨtatɕ jˈɔ̃ fprˈɔst, kˈɔɡɔ ɡɔɕtɕˈiwa f sfˈɔjɛj sɨpʲˈalɲi, ˌalɛ bˈɛtskɨ mi zˌakazˈawa.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_312.wav|ˌutɕisnˈɛwa jˈɔ̃ lˈɛkkɔ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_335.wav|pʃˈɨʃwam pˌɔrɔzmˈavʲadʑ z dˈɔbrɔ̃ tsˈurkɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_35.wav|zabʲˈiwabˌɨm za tˈɨlɛ pʃɛstʃˈɛɲi. f kˈɔɲtɕɛ pˌɔstavˈiwabˌɨm sˈɔbjɛ mˈawɨ dˈɔmɛk, a rˈɛʃtɛ, sˈama ɲʲˈɛvʲɛm, mˈɔʒɛ pɔkrˈɨwabˌɨm ʃtˈutʃnɔ̃ trˈavɔ̃?|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_121.wav|ɡdˈɨ tɔ pʃˈɨznaw, z jˈɛɡɔ ɕlˈɛpɨx, bjˈawɨx ˈɔtʃu pˌɔpwɨnˈɛwɨ wzˈɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_136.wav|pɔftˈuʒɨw tɨm rˈazɛm ɡwˈɔɕɲʲɛj.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_6.wav|i pɔdˈɛrʒnɔw ɡˈardwɔ kˈɔmuɕ, kˈɔɡɔ lˈubʲiw, a tˈɛras spˈaw vˈalɔnts ɕɛ w bˈɔk pʃɨ kˈaʒdɨm pʃɛxˈɨlɛ sˌamɔxˈɔdu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_234.wav|ɲʲɛ, ɲʲɛ, ˌɔna umˈarwa w mˈɔim mʲɛʃkˈaɲʲu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_128.wav|ɲʲɛ mˈɔɡɛ na ɲʲˈɛɡɔ spˈɔjʒɛtɕ, ˌalɛ pˈɛvɲʲɛ zˈɛrka pʃˈɛs rˈamjɛ, tʃɨ dʑˈɛtɕi nˈadal jˈɛdʑɔ̃ ɕɲʲadˈaɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/55_segment_35.wav|pɔdˈɔbnɔː ˌuʒɛndˈujɛ na kˌɔmunˈalnɨm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_118.wav|nˈɔ, tɔ jɛstˌɛɕmɨ f kɔmplˈɛtɕɛ, mˈuvi tsˈawa nˈaʃa vɛsˈɔwa pˈatʃka.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_41.wav|pʲɛɲʲˈɔndʑɛ zɡʲinˈɛwɨ. tɔ ɲʲɛ tfˈɔja vˈina, spˈikɛ.|3
+Dataset/wavs/urwisko_ferenc/46_segment_109.wav|ɲʲɛ ɔdˈɛbraw, ˌalɛ pʃɨpˈuʃtʃaw, ʒˈɛ dʑvˈɔɲi ʃtʃˈɛrpski.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_185.wav|jˈuʒ vɨprˈava dɔ drɔɡˈɛrji bˌɨwa mˈɔtsnɔ strˌɛsujˈɔntsa, a tˈɛras jɛzd ɡˈɔʒɛj, bˈɔ mˈa dɔ pˌɔkɔnˈaɲʲa dwˈuʃʃɨ dˈɨstans.|2
+Dataset/wavs/urwisko_ferenc/63_segment_118.wav|çˌipɛrtˈɛrmji.|0
+Dataset/wavs/urwisko_ferenc/59_segment_22.wav|pˈɔttʃas kˌɔlɛjnˈɛɡɔ spɔtkˈaɲʲa f prˈatsɨ ˈɔlɡʲɛrt pʃɛprˈɔɕiw jˈɔ̃ za zˌaxɔvˈaɲʲɛ ʒˈɔnɨ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_393.wav|ɔbˈavʲam ɕɛ, ʒˈɛ ˌɔnɛ rˈuvɲʲɛʃ sɔ̃ ˌɔskarʒˈɔnɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_586.wav|mˈɔɡwa mɲʲɛ upʃˈɛdʑitɕ, mˈɔʒɛ i tˈak pˈɔʃɛdwbˌɨm zˈaɲʲɔ̃. ftɕɔŋɡnˈɛwa mɲʲɛ w zasˈatskɛ, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/urwisko_ferenc/55_segment_34.wav|tɔ, tɔ nˈavɛt ja vʲˈɛm, pɔtfʲˈɛrdʑiw ɡrˈɔx.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_47.wav|rɛsˈɔrɨ tˈakʲɛ sˈɔbjɛ, ˌalɛ pɔ tˈɨlu lˈatax tɔ nɔrmˈalnɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_252.wav|ɲʲˌɛvɨsˈɔki pˈan ˈuɲʲuz dɔ ɡˈurɨ ˈɔbjɛ rˈɛntsɛ f stˌɨlizɔvˈanɨm znˈaku fˈaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_122.wav|tɔ sˈɨn mɛ̃ʃtʃˈɨznɨ, kturˌɛɡɔ kɔxˈawam. a na pɔtstˈavʲɛ fʃɨstkʲˈɛɡɔ, tsˈɔ znˈalas f kartˈɔɲʲɛ, dɔmˈiɲik ˈuznaw, ʒˈɛ kɔxˈawam stsˈɔtta ɔ vʲˈɛlɛ bˈardʑɛj ɲˈiʃ jˈɛɡɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_276.wav|kʲˈɛdɨ bˈɨ tɕi ˈɔtɨm pˌɔvʲɛdʑˈɛli ˈinɲi?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_53.wav|ʃtʃɛɲɕlˈivɛ mawʒˈɛɲstfɔ, fˈajnɨ mˈɔ̃ʃ, nˈavɛt fspaɲʲˈawɛ ʒˈɨtɕɛ ˌɛrɔtˈɨtʃnɛ. ɲʲɛ pɨtˈawɛm ˈɔtɔ, sˈamɛ tˈak muvˈiwɨ. jˈɛdna z ɲˈix...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_9.wav|ktˌurɛj mˈɔ̃ʃ ɔɕˈɔŋɡnɔw najvʲˈɛŋkʃɨ sˈuktsɛs, ktˌura mʲˈawa najbˈardʑɛj ˌɔdjɛxˈanɨ dˈɔm, ktˌura vɨbjˈɛra ɕɛ na najdrˈɔʃʃɛ vakˈatsjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_27.wav|ˈɔx, bʲˈillɨ, tˈaɡ bˈardʑɔ, bˈardʑɔ mi pʃˈɨkrɔ.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_145.wav|tɛn tˈam tˈɛʃ jɛst frˈɛjɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_43.wav|dˈɔdaw, ʒˈɛ mˈam tɕi ˈɔtɨm ɲʲɛ mˈuvitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_22.wav|pʃɨpˈuʃtʃam, ʒˈɛ ɲʲɛktˌuʒɨ s tɨx fatsˈɛtuv bˌɨli krɛvnˈɨmi dʑɛftʃˈɨnɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_61.wav|ɡdˈɨbɨ tɔ tˌɨlkɔ bˌɨwɔ tˈakʲɛ prˈɔstɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_177.wav|pˈaɲi xˈɨba ɲitʃˈɛɡɔ ɲʲɛ rɔzˈumjɛ, pˈaɲi inspˈɛktɔr?|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_19.wav|i bʲˈillɨ tɕˈɛkaf jˈɛst, tsˈɔ takʲˈɛɡɔ vˈidʑi i tsˈɔ zɔbˈatʃɨ pɔ drˈuɡʲɛj strˈɔɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_51.wav|i pɔdrˈɨva barˈistki, mˈuvi bʲˈillɨ. zvwˈaʃtʃa tˈɛ, ktˌurɛ sɔ̃ nˈɔvɛ w mʲˈɛɕtɕɛ i xtsˈɔ̃ pˈɔznatɕ kˈɔɡɔɕ miwˈɛɡɔ. xˈɛ?|2
+Dataset/wavs/urwisko_ferenc/19_segment_120.wav|ˌɔbjɛtsˈawam mɛ̃ʒˈɔvi, ʒˈɛ ɲˈikt ɕɛ ˈɔtɨm ɲʲɛ dˈɔvʲɛ, jˈɛɕli zɡˈɔdʑi ɕɛ na rˈɔzvut.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_2.wav|kʲˈɛdɨ nˈail vrˈutɕiw dɔ kˈuxɲi, vɨɡlˈɔndaw na jˈɛʃtʃɛ blɛtʃˈɛɡɔ ɲˈiʃ pɔpʃˈɛdɲʲɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_34.wav|tsˈɔ ɕɛ w ɔɡˈulɛ dɔ xɔlˈɛrɨ tˈutaj dʑˈɛjɛ?|4
+Dataset/wavs/urwisko_ferenc/01_segment_94.wav|xˈɛrman pʃˌɨɡlɔndˈawa mu ɕɛ z uvˈaɡɔ̃ i vˈuftʃaz dɔstʃˈɛɡwa kˈupɔn tˌɔtɔlˈɔtka vˌɨstajˈɔntsɨ s tˌɛrminˈaʒa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_44.wav|tˈɔm vʲˈɛdʑaw, ʒˈɛ tɔ jˈɛʃtʃɛ ɲʲɛ kˈɔɲʲɛts.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_56.wav|ˌidɛˈalna pɔzˈɨtsja, ʒˈɛbɨ ɡˈɔ rɔzbrˈɔitɕ. zwapˈawam ɡˈɔː ɔbˈurɔndʑ za pʃɛdrˈamjɛ i vˌɨkrɛɲtɕˈiwam jˈɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_2.wav|lˌakɛsˈidɛ|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_46.wav|pˈatʃɨw na jˈasnɨ nˈɔvɨ dˈɔm, f kturˌɛɡɔ ʃˈɨbax ˌɔdbʲijˈawɔ ɕɛ swˈɔɲtsɛ i ktˌurɨ pˈaxɲʲaw fˈarbɔ̃ jˈɛʃtʃɛ tˈɛras.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_9.wav|ɲʲɛ lˈubjɛ kˈɔmptɔn, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_175.wav|krˈɔplɛ nˈaɲʲɛj ˌɔɕadˈajɔ̃ zˈamjast fɕˈɔŋkatɕ. pravdʑˈivɛ vwˈɔsɨ rˈɔbjɔ̃ ɕɛ mˈɔkrɛ i pʃˌɨlɛɡˈajɔ̃ dɔ ɡwˈɔvɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_132.wav|tsamˈɛrɔn zatɕˈisnɔw zˈɛmbɨ, a tˈɔm bˈɨw pʃˌɛkɔnˈanɨ, ʒˈɛ mˈartfiw ɕɛ za vartˈɔɕtɕɔ̃ sfɔjˈɛɡɔ sˈɛjfu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_82.wav|ftˈɛdɨ jˈuʒ bˌɨwɛm nˌastɔlˈatkʲɛm, a nˌastɔlˈatki pɔvʲˈɛdʑɔ̃ fʃˈɨstkɔ, bˈɨ zrˈaɲitɕ ˈinnɨx, kʲˈɛdɨ sˈami tɕˈɛrpjɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_141.wav|dlatʃˈɛɡɔ ɕɛ ɲʲɛ zatʃˈɨmaw?|3
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_28.wav|ʃtʃɛɡˈuwɨ prɔtsˈɛsu prɔdˈuktsji sˈanxɛs ˌalumˈiɲʲum zˌaxɔvˈawa dla ɕˈɛbjɛ, ˌalɛ tsˈawa rˈɛʃta znajdˈujɛ ɕɛ w dˌɔkumɛntˈatsji ˌarçitˌɛktɔɲˈitʃnɛj.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_55.wav|tˈɔm, jˈɛɕli vɨdˈajɛ tɕi bˌɛspɔɕrˈɛdɲi rˈɔskas, tɔː ˌɔtʃɛkˈujɛ jˈɛɡɔ vˌɨpɛwɲʲˈɛɲʲa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_7.wav|pˌɔvʲɛdʑˈawa xˈɛlɛn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_87.wav|vʲˈɛ pˈan, ɔ tʃɨm tˈɛras mˈɨɕlɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_234.wav|pɔ tsˈɔ stˈajɛʃ? mˈuj pistˈɔlɛt. kˈazaw ɡˈɔ zɔstˈavitɕ pɔt swˈupkʲɛm. sɔ̃ nˈaɲim mˈɔjɛ ɔttɕˈiski pˈaltsuf.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_208.wav|kˈilku ˈinnɨɣ dɔrˈattsuf tsɛrsˈɛi zɡadʑˈawɔ ɕɛ z ɲˈim.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_60.wav|jˈɛɕli dɔvʲˈɛtɕɛ ɕɛ, ktˈɔ tɔ zrˈɔbʲiw, dˈajtɕɛ mi znˈatɕ. xtɕˈawabˌɨm mu pˌɔdʑɛŋkˈɔvatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_97.wav|i jˈaɡ vʲˈɛlu ɔprˈɨxuf tʃˈuva f pɔblˈiʒu na vɨpˈadɛk, ɡdˈɨbɨ pwˈatnɨ zabˈujtsa nazvˈiskʲɛm bʲˈillɨ sˈummɛrs pʃˈɨʃɛt pɔ rˈɛʃtɛ nalˈɛʒnɨx mu brˈudnɨx pʲɛɲʲˈɛndʑɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_53.wav|bˈɨw ɔɡrˈɔmnɨ jˈak pˈawats.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_85.wav|xwˈɔpak, s ktˌurɨm stˈawa, vɨɡlˈɔndaw na zˌafrasˌɔvanˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_192.wav|tˈak, ˌalɛ xrɔɲʲˈɔnɨ xˈaswɛm. mˈɔʒɛ kˌɔʒɨstˈawa z rˌɔspɔznavˈaɲʲa tfˈaʒɨ, ˌalɛ ɔbˈavʲam ɕɛ, ʒˈɛ tˈɛras jɛj ɲʲɛ rɔspˈɔzna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_257.wav|ˈɔptɕɔw jˈuʃ nɔɡˈafki jˈɛɡɔ spˈɔdɲi, ɔdwˈamki kˈɔɕtɕi ˌɔblɛpʲˈawɨ matˈɛrjaw i stɛrtʃˈawɨ zˈɛ skˈurɨ rannˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_71.wav|pɔː ix ɔdjˈɛʑdʑɛ bʲˈillɨ rˈuʃa ɕtɕˈɛʃkɔ̃, ktˌurɔ̃ ˈɛlis ʃwˈa ftʃˈɔraj. zˌatʃɨmˈujɛ ɕɛ pʃɨ xˈattsɛ, ktˌurɔ̃ bˈutskɨ nˈazvaw dˈɔmkʲɛm lˈɛtɲim i zaɡlˈɔnda dɔ ɕrˈɔtka.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_272.wav|dɔ jɛdʑˈɛɲʲa mˌamɨ tˌɨlkɔ kɔɲˈinɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_42.wav|jˈɛɕli ˌɔznatʃˈawɔ tɔ mɔʒlˈivɔɕtɕ spɛndʑˈaɲʲa tʃˈasu z lˈutsɨ, tɔ bˌɨwɔ vˈartɔ, ɲʲˌɛzalˈɛʒɲʲɛ ɔt tsˈɛnɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_75.wav|tʃˈujɛ, jˈak mʲˈɛŋknɔ̃ mi kɔlˈana.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_20.wav|tʃˈɨli pʃˈɛs tɛn tʃˈas ɲʲɛ ˌɔpuʃtʃˈawa pˈaɲi dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_95.wav|lˌittlɛfˈiŋɡɛr bˈɨw bˈɨstrɨ i sˌɨmpatˈɨtʃnɨ, a dɔ tˌɛɡɔ zbˈɨt ɲˈiskɔː ˌurɔdʑˈɔnɨ, bˈɨ mˈukw stˈatɕ ɕɛ zˌaɡrɔʒˈɛɲʲɛm dla vʲˈɛlkix lˈɔrduf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_153.wav|tˈak lˈɛkkɔ vzrˈuʃɨw rˌamjɔnˈami, jˈaɡbɨ xtɕˈaw pɔvʲˈɛdʑɛtɕ, jɛst jˈak jˈɛst. i pˈɔbjɛkw pʲˈɛrʃɨ pʃˈɛz dʑɛdʑˈiɲʲɛts, zɡʲˈɛntɨ f pˈuw, zˈɛ spuʃtʃˈɔnɔ̃ ɡwˈɔvɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_69.wav|ɲʲˈɛvʲɛm, ˌalɛ mˈɨɕlɛ, ʒˈɛ wˈatfɔ bɨwˈɔbɨ jɛj pɔjˈɛxatɕ tˈam i vrˈutɕitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_109.wav|bˈɨtɕɛ dˈɔbrɨm sɔ̃ɕˈadɛm jɛst mɛntʃˈɔntsɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_173.wav|ɲitskˈɔvi pɔvʲˈɛdʑaw, ʒˈɛ tˌɨlkɔ rˈas, pɨtˈaɲʲɛ tʃɨ mˈɔʒna f tɔ vʲˈɛʒɨtɕ, bˈɨw z dʑɛftʃˈɨnɔ̃ dˈuʒɔ mwˈɔtʃɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_301.wav|bˌɨwɨ dwˈuɡʲɛ i krɛntsˈɔnɛ, ˌɔpadˈawɨ mu na ramjˈɔna i paxɲʲˈawɨ tˈak, jˈaɡbɨ mˈɨw jˈɛ w ruʒˈanɛj vˈɔdʑɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_116.wav|zadrʒˈawam.|3
+Dataset/wavs/urwisko_ferenc/08_segment_40.wav|i zadʑvˈɔɲiw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_67.wav|mɔʒˈɛmɨ sprubˈɔvatɕ tˈutaj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_154.wav|ɲʲɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_302.wav|znalˈɛʑliɕmˌɨ ɕɛ na ɲʲɛznˈanɛj mi ulˈitsɨ s ʃɨnˈami trˌamvajɔvˈɨmi.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_283.wav|fʃˈɨstsɨ tfˈɔi fspˌuwspiskˈɔftsɨ bˌɨli tˌɨlkɔ ɡwupˈimi dʑˈɛtɕmi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_85.wav|bʲˈillɨ ɕˈada z dwˈɔɲmi na kɔlˈanax, tʃˈupki pˈaltsuf kɔstɲʲˈɛjɔ̃ mu ʑˈimna, pʃɨ kˈaʒdɨm vɨdˈɛxu pˈara bˈuxa z ˈust.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_224.wav|vwˈaɕɲʲɛ dlatˈɛɡɔ, dˈɛ vaˈɨnɛ. ɲʲˈɛvʲɛʃ, tsˈɔ tɔ jɛst ɕˈɛdʑɛdʑ w vʲɛ̃ʑˈɛɲʲu w mɛksˈɨku.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_119.wav|sˈandɔr mʲˈaw zˈɛ sˈɔbɔ̃ jakʲˈɛɡɔɕ xwɔpˈaka, ˌɔbdartˈɛɡɔ, xwɔpskʲˈɛɡɔ sˈɨna.|1
+Dataset/wavs/urwisko_ferenc/12_segment_58.wav|ktˌura pʃˌɨxɔdʑˈiwa dɔ dˈɔmu, ɲˈiɡdɨ ftʃˈɛɕɲʲɛj ˈɔɲʲɛj ɲʲɛ swɨʃˈɛliɕmˌɨ, ˌalɛ drˈuɡa jɛzd dˈuʒɔ bˈardʑɛj ˌintɛrˌɛsujˈɔntsa.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_29.wav|rakʲˈɛta vˌɨstʃɛlˈɔna z ruvɲˈika mˈɔʒɛ vˌɨkɔʒˈɨstatɕ f pˈɛwɲi rˈux ˌɔbrɔtˈɔvɨ ʑˈɛmi, ʒˈɛbɨ ɔʃtʃˈɛɲdʑitɕ spˈɔrɔ palˈiva.|4
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_108.wav|zˈuʒɨw jˈuʃ tsˈawɨ zˈasup xwˈɔdu pɔt pɔdˈuʃkɔ̃, vʲˈɛnts pʃɛvrˈatsa ɕɛ na prˈavɨ bˈɔk i ɲʲˈɛmal natˈɨxmʲazd zasˈɨpja.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_52.wav|bˌɨli tˈam rˈɛnlɨ, zrˈɛntʃnɨ dʲˈitsk i kˈatxlin stˈark.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_74.wav|bʲˈillɨ zɡʲˈina pˈalɛts fskˌazujˈɔntsɨ prˈavɛj dwˈɔɲi. mˈɔʒna bˈɨ tɔː ɔdˈɛbratɕ jˈakɔ ɡˈɛst muvʲˈɔntsɨ pˈɔdɛjdʑ blˈiʒɛj, ˌalɛ ɲʲɛ f tɨm kɔntˈɛkɕtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_302.wav|zˌasuɡˌɛrɔvˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_26.wav|bʲˈillɨ rˈɔbʲi pʃˈɛrvɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_52.wav|ˌuɕmʲɛxnˈɛwabˌɨm ɕɛ, ɡdˈɨbɨm umjˈawa ɕɛ jˈɛʃtʃɛ uɕmʲˈɛxatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_17.wav|skʃˈɨviw ɕɛ, kʲˈɛdɨ sˈɔbjɛ ˌuɕfʲadˈɔmiw, jˈak ˌirɔɲˈitʃɲʲɛ tɔ zabʒmʲˈawɔ f tɨx ˌɔkɔlitʃnˈɔɕtɕax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_28.wav|bʲˈillɨ zapˈaʒa kˈavɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_135.wav|dɔ tˌɛɡɔ mɲʲɛ ˌɔkwamˈawa. zˈafʃɛ pˌɔftaʒˈawɛɕ, ʒˈɛbɨm ɲʲɛ kwamˈawa, tˈatɔ, i bˈardʑɔ ɕɛ stˈaram tˌɛɡɔ ɲʲɛ rˈɔbʲitɕ. dlatˈɛɡɔ bˌɨwam nˈaɲʲɔ̃ tˈaka fɕtɕˈɛkwa.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_24.wav|tsˈantɔn, pʲˌɛɲtɕɔɡvʲastkˈɔvɨ xˈɔtɛl w bˈaɲtsɛ ɔldrˈina, bˈɨw pʃˌɛznatʃˈɔnɨ dla çˈiɲskʲɛj ɛlˈitɨ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_319.wav|zdwavʲˈɔnɛ, ˌurɨvˈanɛ i ʑˈimnɛ jˈak lˈut.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_94.wav|bʲˈillɨ vɨbjˈɛra jˈɛ, ɲʲɛ ftɕˈiska jˈɛdnak plˈɛj.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_167.wav|tɔ pˌɔkʃɨʒˈujɛ fʃˈɨstkʲɛ jˈɛɡɔ plˈanɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_217.wav|pʃˌɨpɔmˈinam sˈɔbjɛ tɛn pˈɔkuj pˌɔɡrɔ̃ʒˈɔnɨ w mrˈɔku, w mrˈɔku kɔlˈɔru tsˌɛɡlastˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_4.wav|ɔ mˈuj bˈɔʒɛ, vrutɕˈiwa pɔlˈitsja.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_56.wav|tʃɨ spˈaf narˈɔʒnɨ vɨtʃˈɨma f prˈuʒɲi?|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_40.wav|vʲˈɛm, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_61.wav|ɲˈits ɕɛ ɲʲɛ zmʲɛɲˈiwɔ, jˈɛɕli bˈɨli.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_57.wav|miljˈuɕa|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_104.wav|mˈiltʃaw pʃˈɛs xfˈilɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_63.wav|tˈaka urˈɔtʃa dʑɛftʃˈɨŋka, ktˌura vɛ fʃˈɨstkim swuxˈawa tatˈuɕa.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_76.wav|maʃ mlˈɛkɔ zˈamjast krfˈi.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_304.wav|mʲˈɔtaw ɕɛ jˈak ʃalˈɛɲʲɛts, prubˈujɔndʑ vrˈutɕitɕ na pɔvʲˈɛʃxɲʲɛ, ˌalɛ udˈɛʒɨw tˌɨlkɔ tfˈaʒɔ̃ w dnˈɔ kanˈawu.|1
+Dataset/wavs/urwisko_ferenc/04_segment_42.wav|i zˌamɨkˈawa ˈɔtʃɨ|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_3.wav|pˈuʑɲʲɛj bˌɛndɔ̃ mˈɔɡli skˌɔntsɛntrˈɔvatɕ ɕɛ na dˈalʃɛj ˌanalˈiʑɛ jˈɛɡɔ çistˈɔrji.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_48.wav|stsˈɔtt mˈuvi ʃˈɨpkɔ, a mwˈɔt pnˌɛwmatˈɨtʃnɨ jˈɛʃtʃɛ bˈardʑɛj utrˈudɲʲa swuxˈaɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_241.wav|mˈam nadʑˈɛjɛ, ʒˈɛ zdˈajɛʃ sˈɔbjɛ s tˌɛɡɔ sprˈavɛ.|1
+Dataset/wavs/urwisko_ferenc/11_segment_73.wav|ɡrdˈɨka bˌɔrɛvˈitʃa pʃˌɛsunˈɛwa ɕɛ w ɡˈurɛ i w dˈuw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_98.wav|jˈak jˈa, mˈɨɕli bʲˈillɨ, ˌalɛ jɛst mʲˌɛndʑɨ nˈami tsˈɔ nˈajmɲʲɛj jˈɛdna ruʒɲˈitsa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_10.wav|mˈuɕi bˈɨtɕ tʃˈɨsta, prˈavda?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_140.wav|fʃˈɛdwɛm dɔ mʲɛʃkˈaɲʲa i vɨdˈawɔ mi ɕɛ, ʒˈɛ vˌɨpɔmpɔvˈanɔ z ɲʲˈɛɡɔ pɔvʲˈɛtʃɛ. tɕˈɛ̃ʃki zˈadux ˌɔpuʃtʃˈɛɲʲa vˈiɕaw nat pɔdwˈɔɡɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_146.wav|xˈɨba rˈɔbʲi stˈudja pˌɔdɨplɔmˈɔvɛ tʃɨ tsˈɔɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_123.wav|pʃɛprˈaʃam tɕˈɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_95.wav|bʒmˈi bˈardʑɔ vʲˌarɨɡˈɔdɲʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_127.wav|tɔ bˈɨ ɲʲɛ zabrˈawɔ dˈuʒɔ tʃˈasu, jˈudɨ. ˈɔtɨm ɲʲɛ pˌɔmɨɕlˈawaɕ, kʲˈɛdɨ patʃˈɨwaɕ nˈamɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_261.wav|tɔ pˈɔtɔ pʃˌɛtɕɛʃ kˈupiw tɛn karˈabʲin, ˈabɨ brˈɔɲitɕ tˌɛɡɔ dˈɔmu i tɕˈɛbjɛ. bˌɨwɛm ftˈɛdɨ z ɲˈim.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_11.wav|ɲʲɛ bˌɨwam ftsˈalɛ ɲʲˌɛʃtʃɛɲɕlˈiva.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_165.wav|dɔ virˈusa kˌɔmputˌɛrɔvˈɛɡɔ, tˌɛɡɔ tʃˈɛɡɔɕ, tsˈɔ kasˈujɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_125.wav|a tɔ za tsˈɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_253.wav|mˈɔʒɛ sˈɔbjɛ vmˈavʲatɕ, ʒˈɛ tɔ tˌɨlkɔ pʃˈɛsɔnt. tˌaki sˈam jˈaɡ vʲˈara, ʒˈɛ f tɨm stˈarɨm, spalˈɔnɨm xɔtˈɛlu f sˌidɛvˈintɛr bˌɨwɨ dˈuxɨ.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_155.wav|pɔvʲˈɛdʑaw, ʒˈɛ tɔ bˌɛɲdʑɛ prˈɔstɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_120.wav|a f pˌɔmjɛʃtʃˈɛɲʲax tˌɛxnɔlɔɡʲˈitʃnɨx ɲʲɛ ˌinstalˈujɛ ɕɛ ɡʒɛjɲˈikuf.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_70.wav|krˈɔ̃ʒɔ̃ rˈuʒnɛ ˌɔpɔvʲˈɛɕtɕi.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_50.wav|dlatˈɛɡɔ vwˈaɕɲʲɛ tˈam tɕˈɛ vɨsˈɨwam. tɕˈɛbjɛ tˈɛʃ mˈɔɡɔ̃ zjˈɛɕtɕ, mˈuj dʑˈɛlnɨ brˈatɕɛ, ˌalɛ lˈitʃɛ nˈatɔ, ʒˈɛ pʃɨprˈaviʃ ix ɔ ɲʲɛstrˈavnɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_92.wav|bʲˈillɨ kwˈadʑɛ dʑɛftʃˈɨnɛ s pɔvrˈɔtɛm, vɨpˈuʃtʃa pɔvʲˈɛtʃɛ i ramjˈɛɲʲɛm ɔtɕˈɛra pɔt s tʃˈɔwa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_64.wav|lˈɛŋka ɕɛ, ʒˈɛ kʲɛrˈɔftsa jˈɔ̃ vɨɕmʲˈɛjɛ ˈalbɔ spˈɔjʒɨ nˈaɲʲɔ̃ jˈak na idjˈɔtkɛ, ˌalɛ bʲˈillɨ tɕˈɛrpi, a ˌɔna zrɔbʲˈiwabˌɨ dla ɲʲˈɛɡɔ fʃˈɨstkɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_103.wav|tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ dˌɔpisˈawɔː im ʃtʃˈɛɲɕtɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_10.wav|pˈɔza tɨm paskˈudnɛ mʲɛʃkˈaɲʲɛ bˌɨwɔ jɛdˈɨnɨm dˈɔmɛm, jˈaki znˈawam i ˌuvʲɛlbjˈawam jˈɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_156.wav|tˈatɔ vɨbjˈɛraw fʃˈɨstkɔ, tsˈɔ najlˈɛpʃɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_65.wav|mˈam ɔxˈɔtɛ zapˈɨtatɕ ɔ jɛj sˌamɔpɔtʃˈutɕɛ, ˌalɛ ɡˈɔɲi mɲʲɛ tʃˈas.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_142.wav|i tˈarɡaw nˈaɲim kɔʃˈulɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_12.wav|pˌɔvʲɛdʑˈawa tɕˈixɔ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_356.wav|jˌɛstɛɕ wadɲʲˈɛjʃa ˈɔdɛ mɲʲɛ, ˈalɛ...|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_22.wav|zvˈɔlɲij mɲʲɛ s tˌɛɡɔː ˌɔbɔvʲˈɔ̃sku, a bˌɛɲdʑɛʃ mˈɔɡwa mi rɔskˈazatɕ ˈuʒɨdʑ bʒˈɨtfɨ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_39.wav|tsˌudʑɔwˈustfɔː i spˈisɛk majˈɔntsɨ na tsˈɛlu pˌɔpɛwɲʲˈɛɲʲɛ zdrˈadɨ stˈanu.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_257.wav|pˌɔtʃɨɲˈiwɛm ˌɔtpɔvʲˈɛdɲʲɛ krˈɔki, ʒˈɛbɨ ɕɛ zˌabɛspʲˈɛtʃɨtɕ i pʃɛbˈɨvam w ukrˈɨtɕu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_35.wav|ˈaʃ ɕɛ pɔxˈɨla i tsawˈujɛ jˈɔ̃ w ɡwˈɔvɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_77.wav|f tɛj xfˈili ɲʲˈɛmam ɔxˈɔtɨ ˈɔtɨm rɔzmˈavʲatɕ. a jˈak tˈam ˈu tɕˈɛbjɛ? pˈɨtam. maʃ kˈɔɡɔɕ na radˈaʒɛ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_21.wav|jˈɛdnɛj ˌukrɨvˈanɛj tˌajɛmɲˈitsɨ ɲˈiɡdɨ mi ɲʲɛ vɨbˈatʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_265.wav|pʃˌɨɡaɲʲˈawa vrˈɔna krukˈɔvi.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_350.wav|mʲˌɛndʑɨ dʒɛvˈami pʃˌɛsɔntʃˈawɨ ɕɛ ukˈɔɕnɛ snˈɔpɨ blˈasku fsxˌɔdʑɔntsˈɛɡɔ swˈɔɲtsa. mˌajɔ̃ tˈɨlɛ dʒˈɛv dɔ vɨbˈɔru.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_52.wav|tˈak sˈɔndʑɛ, spɔtkˈawa jˈɔ̃ pˈaɲi ftʃˈɔraj vʲɛtʃˈɔrɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_21.wav|ɡrˈunt, ʒˈɛ tɔ dʑˈawa. xˈɔtɕaʒ ɡwˈuvɲʲɛ dlatˈɛɡɔ, ʒˈɛ ja tˈak mˈuvjɛ, a ˌɔɲi vʲˈɛʒɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_10.wav|jˈɛɕli ɕɛ ɲʲɛ mˈɨlɛ, ktˈɔɕ xtɕˈaw pɔzbˈavitɕ tˌɛɡɔ tʃwɔvʲˈɛka ʒˈɨtɕa, a mɨ musˈimɨ ɕɛ dɔvʲˈɛdʑɛtɕ ktˈɔː i dlatʃˈɛɡɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_275.wav|ja mʲˌawɛm ˈɔkɔ na pˈaɲskʲɛ mʲɛʃkˈaɲʲɛ. pˈujdɛ s pˈanɛm, bˈɔ tʃˈɛba zˈɛrvatɕ pʲɛtʃˈɛɲtɕɛ. bˌɛndɛ ɕfʲˈatkʲɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_33.wav|ˈaʃ ɔtfˈɔʒɨw ʃˈɛʒɛj ˈɔtʃɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_155.wav|spɔtkˈawam pɛvnˈɛɡɔ ɲʲˈɛmtsa, studˈɛnta, a ɔn mˈɨɕlaw, ʒˈɛ tˈu ɕɛ ɔdbˈɨva zlˈɔt pɔlˈakuf praɡnˈɔntsɨɣ zˈɔstatɕ ɲʲɛmtsˈami.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_50.wav|mˈɨɕl ɔ stɔjˈɔntsɨm za plɛtsˈami jaɡɡˈɛʒɛ s pɛvnˈɔɕtɕɔ̃ ɲʲɛ pˌɔmaɡˈawa mˈɔim nˈɛrvɔm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_161.wav|zˌapɔminˈajɔnts na krˈutkɔ̃ vʲˈɛtʃnɔɕtɕ ɔ sfˈɔix ˌɔbɔvʲˈɔ̃skaɣ zbˌavitɕˈɛla,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_14.wav|mˈɔʒɛ napˈisatɕ ɔ ʒˈɨtɕu.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_163.wav|ɲʲɛ pˈɛŋkɲʲɛ, ˌaɲi ɲˈits takʲˈɛɡɔ. ˈɔ, ɲʲˈɛma mˈɔvɨ! pɔddˈawɛm ɡˈɔ tˈɛstɔm na vˌɨtʃɨmˈawɔɕtɕ. rˌɔstɕɔŋɡˈaɲʲɛ, zɡɲʲatˈaɲʲɛ, pˌɔtɕɛrˈaɲʲɛ, fʃˈɨstkɔ!|4
+Dataset/wavs/urwisko_ferenc/46_segment_100.wav|ɔtfˈɔʒɨw dʒvˈi i vɨstˈaviw nˈɔɡɛ na zˈɛvnɔntʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_114.wav|ɲˈikt ɲʲɛ çixˈɔtaw djˌabɔlˈitʃɲʲɛ s paltsˈami zwˌɔʒɔnˈɨmi f pˌiramˈitkɛ.|4
+Dataset/wavs/urwisko_ferenc/42_segment_65.wav|bɔrˈɛvitʃ nˈabraw pɔvʲˈɛtʃa i pɔvˈɔli jˈɛ vɨpˈuɕtɕiw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_49.wav|znˈuv zalˈɛva mɲʲɛ pɔtʃˈutɕɛ vˈinɨ, ɕilɲʲˈɛjʃɛ ɲˈiʃ kʲˌɛdɨkˈɔlvʲɛɡ dˈɔtɔnt.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_625.wav|— ʒˈɨjɛʃ? — ʃɛpnˈɔwɛm. — tˈak, jˈɛʃtʃɛ ʒˈɨjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_17.wav|nˌautʃˈɨwam ɕɛ tˌɛɡɔː ɔt mɔjˈɛɡɔ tˈatɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_20.wav|ktˈɔ bˌɛɲdʑɛ nastˈɛmpnɨ?|3
+Dataset/wavs/urwisko_ferenc/43_segment_57.wav|mˈarja ɲʲɛ znˈawa ˌɔtpɔvʲˈɛdʑi nˈatɔ pɨtˈaɲʲɛ. ˈawtɔ jɛxˈawɔ ʃˈɨpkɔ? zˌaintˌɛrɛsɔvˈawa ɕɛ?|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_397.wav|pˌɔtʃɛbˈujɛ lˈɔrda.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_184.wav|ɔɡˈarɲʲaw ɡˈɔ ��ʲɛpˈɔkuj.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_402.wav|ʒˈɛ jˈa, lˈɛkkɔː ˌarxaˈitʃnɨ i mˈɔtsnɔ naˈivnɨ,|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_217.wav|i tɔ tɨ jˌɛstɛɕ prˌavɔvˈitɨm dʑɛdʑˈitsɛm rˈɔdu tˈallix, ɲʲɛ ˈɔn.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_137.wav|ˈaram vɨmˈaɡa pˌɔswuʃˈɛɲstfa, pɔdˈɔbɲʲɛ jˈaɡ vʲˈɛlɛ rɛlˈiɡji.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_632.wav|ɲʲɛ vidʑˈawɛm jɛj f tɨm mrˈɔku, dˌɔtɨkˈawɛm tˌɨlkɔ mˈɔkrɨx rɛŋkˈavuf, plˈɛtsuf, ʃˈɨi.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_155.wav|alˈain lˈɛdvʲɛ mˈɔɡwa f tɔː uvʲˈɛʒɨtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_473.wav|ɲʲɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_4.wav|mˈili, ˈidʑ zapˈɨtatɕ tatˈuɕa, tʃɨ napˈijɛ ɕɛ xɛrbˈatɨ, dˈɔbʒɛ, kɔxˈaɲʲɛ?|4
+Dataset/wavs/urwisko_ferenc/20_segment_72.wav|ɲˈidʑ vʲɛlkʲˈɛɡɔ, pɔ prˈɔstu vˌɨɕfʲattʃˈɨwa mi pʃɨswˈuɡɛ. prˌɔvadʑˈiwɛm ʃkɔlˈɛɲʲɛ, a zˌapɔmɲʲˈawɛm zˈabradʑ z dˈɔmu pˌɛndrivˈɛa s prˌɛzɛntˈatsjɔ̃.|0
+Dataset/wavs/urwisko_ferenc/08_segment_139.wav|zˈɛrɔ ɕˈɛdɛm zatɕˈisnɔw ʃtʃˈɛŋki.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_119.wav|ɔbˈuʒɨw ɕɛ xwˈɔpak.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_73.wav|zɡˈadʑam ɕɛ, ʒˈɛ ɲʲˈɛxtɕawbˌɨ zˈɔstatɕ pˌɔstʃɛɡˈanɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_97.wav|— ˈitɕ! — kʃˈɨknɔw.|4
+Dataset/wavs/urwisko_ferenc/47_segment_55.wav|xˈɛrman ɕtɕɔŋɡnˈɛwa brvˈi.|0
+Dataset/wavs/urwisko_ferenc/47_segment_58.wav|pˌɔlitsjˈantka mʲˈawa vraʒˈɛɲʲɛ, ʒˈɛ lˈɛɡnɛr dˈaw f ʃˈɨjɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_59.wav|— dˈɛdɨ tfʲˈɛrdʑi, ˈiʃ jɛst ɲʲɛvˈinnɨ. jˈɛdɛn s tɨtˈuwuf ɔtklˈɛiw ɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_115.wav|na pɔdwˈɔdʑɛ ɲʲɛ bˌɨwɔ nˈavɛd dˈɔsɨtɕ mʲˈɛjstsa, ʒˈɛbɨm mˈɔɡwa ɕɛ pɔwˈɔʒɨtɕ. f pˌɔruvnˈaɲʲu s tɔ̃ klˈitkɔ̃ mˈɔja trˈumna bˌɨwa pawˈatsɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_9.wav|dɔpˈuki ɲʲɛ ɔdjˈɛxaw ɔstˈatɲi z ɲˈix, a tˈɛras pɔd vʲˈɛtʃur tɕˈɛɲ jˈɛɡɔ lˈɛʒaw pʃˈɛdɲim.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_257.wav|vʲˈɛʃ ɔ tʃɨm mɨɕlˈawɛm, kʲˈɛdɨ pˌɔtxɔdʑˈiwɛm dɔ lˌɔndɔvˈaɲʲa?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_48.wav|dʑˈiɕ jˈɛdnak mˈuʃɛ ɔpˈuʑɲitɕ sfˈuj pˈɔvrut.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_193.wav|ja zˈafʃɛ ɕɛdʑˈawɛm s tˈɨwu, tʃˈasɛm z dˈɔɲim, kʲˈɛdɨ z nˈami pʃɨxˈɔdʑiw, ˌalɛ pʃɛvˈaʒɲʲɛ sˈam.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_139.wav|tsɔdʑˈɛnɲʲɛ skrˈapʲaw ɕɛ parˈɔma krɔplˈami, ɔʃtʃˈɛndɲʲɛ, ʒˈɛbɨ startʃˈɨwɔ na jˈak najdwˈuʒɛj. lˈitʃɨw, ʒˈɛ tɔ pʃɨɲʲˈɛɕɛ mu ʃtʃˈɛɲɕtɕɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_87.wav|pʃɛprˈaʃam, bˈɛtskɨ. muɕˈawam ɕɛ pʃɛvʲˈɛtʃɨtɕ. tʃˈujɛ, jˈaɡbɨ fʃˈɨstkɔ f tɨm dˈɔmu nˈamɲʲɛ tɕɔ̃ʒˈɨwɔː i pʃˌɨpɔminˈawɔ mi ɔ mˈilljɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_102.wav|mˈam ɔxˈɔtɛ zˈajʒɛdʑ dɔ tˌajɛmɲitʃˈɛɡɔ puɡʲˈila rˈɛsu, ktˌurɨ lˈɛʒɨ na stˈɔlɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_52.wav|maʒˈɨwa ɔː ɔɡrˈɔdʑɛ, ˌalɛ na rˈaʑɛ dˌɨspɔnɔvˈawa jɛdˈɨɲʲɛ balkˈɔnɛm w mʲɛʃkˈaɲʲu f tsˈɛntrum mˌanxɛstˈɛru.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_44.wav|jˈaɡ zˈafʃɛ mˈuɕiʒ vˈɨjɕtɕ tˈɨwɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_65.wav|ɡdˈɨʃ ɲʲɛ mˈɔʒɛ ʒˈɨtɕ f tɕˈiʃɨ, ɲʲɛ swˈɨʃɔndʑ bʲˈitɕa vwasnˈɛɡɔ sˈɛrtsa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_164.wav|— tˈak — pˌɔvʲɛdʑˈawa kɔbjˈɛta.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_214.wav|pɔvʲˈɛdʑaw i naxˈɨliw ɕɛ w mˈɔjɔ̃ strˈɔnɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_97.wav|na rˈaʑɛ fʃˈɨstkɔ f pɔʒˈɔntku. jˈaɡ dʑawˈajɔ̃ kamˈɛrɨ?|4
+Dataset/wavs/urwisko_ferenc/36_segment_97.wav|tfˈaʃ xwɔpˈaka ʃpɨtɕˈiwɔ kˈilka tʃɛrvˈɔnɨx krˈɔst na brˈɔdʑɛ, pʃɨ nˈɔzdʒax i na skrˈɔɲʲax.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_395.wav|jˈɛɕli maʃ tsˈɔɕ jˈɛʃtʃɛ dɔ pˌɔvʲɛdʑˈɛɲʲa, xˈɔtɕ na zˈɛvnɔntʃ.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_131.wav|spʃɛtɕˈiviw ɕɛ pˈɔdritsk. dɔ xfˈili, ɡdˈɨ vɨpˈɛwɲi tɕi ˈusta i zˈatʃɲʲɛ ftɕˈiskatɕ ɕɛ dɔ nˈɔsa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_34.wav|tɔ jɛst kurˈɛfskɔ ɲʲˌɛdɔʒˈɛtʃnɛ, ɲˈitsk.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_306.wav|pˌɔtɕɔŋɡnˈɛwa mɲʲɛ i mʲˌɛndʑɨ pˌɛndʑɔntsˈɨmi awtˈami pʃˌɛdɔstˈaliɕmˌɨ ɕɛ na drˈuɡɔ̃ strˈɔnɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_14.wav|natɕˈiska klˈamkɛ. dʒvˈi ɕɛ ˌɔtfʲɛrˈajɔ̃. zˌaskakujˈɔntsɛ, ˌalɛ ɲʲɛ ʃˌɔkujˈɔntsɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_230.wav|xˈɔtɕaʃ pʃˌɛbjɛrˈajɔnts ɕɛ zamknˈɛwa waʑˈɛŋkɛ na zˈamɛk, tˈaɡ vʲˈɛnts nˈadal mu dɔ kˈɔɲtsa ɲʲɛ ˈufa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_175.wav|tˈak, tʃˈasɛm na spˈuwkɛ kˌupujˈɛmɨ zdrˈapki.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_329.wav|vˈɔmɛns vˈɔrlt ɔtxˈɔdʑi ɲʲɛdwˈuɡɔ dɔ vʲɛtnˈamu, ɡdʑˈɛ bˌɛɲdʑɛ kˌapɛlˈanɛm. tʃɨ tɨ jˌɛstɛʑ ʒɔnˈatɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_168.wav|zˈabraw tɕˈɛ z ulˈitsɨ, xˈa?|2
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_67.wav|pˌɔvʲɛdʑˈɛli mi, ʒˈɛ pɔː ɔkrˈɛɕɛ prˈubnɨm skʲɛrˈujɔ̃ mɲʲɛ na kˈurs rˌɔzmʲɛʃtʃˈaɲʲa wadˈuŋkuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_91.wav|ˈɛlis fɕˈadwa zˈɛ sfˈɔjɛj strˈɔnɨ, ja zˈɛ sfˈɔjɛj, drʒˈawa na tsˈawɨm tɕˈɛlɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_103.wav|a ja tʃˌɛladɲˈikʲɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_85.wav|ˌintɛrˌɛsujˈɔntsa pˈɔra na tɛlˈɛfɔn. ɕmʲˈɛjɛ ɕɛ, ʒˈɛbɨ zˌamaskˈɔvatɕ ˌirɨtˈatsjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_203.wav|vˈidʑi kˈɛmpkɛ jˌasnɔbrɔ̃zˈɔvɨɣ vwˈɔsuf stɛrtʃˈɔntsɔ̃ s tˈɨwu ɡwˈɔvɨ alˈɛna.|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_152.wav|na xfˈilɛ ˌɔdɛrvˈawam mˈaskɛ ɔt tfˈaʒɨ i zˌatʃɛrpnˈɛwam bˈardʑɔ pwˈɨtki ˈɔddɛx.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_371.wav|ɔpˈuʃtʃɛ tɕˈɛ jˈuʃ, jˈɛɕli ɲʲɛ maʃ ɲˈits pʃɛtɕˈifkɔ tˈɛmu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_12.wav|tʃɨ pɔdˈawɛm mu ˈinnɛ? ɲʲɛ. nˌazɨvˈawɛm tɕˈɛ tˌɨlkɔ mˈɔjɔ̃ ɕˌɔstʃɛɲˈitsɔ̃. i pˌɔvʲɛdʑˈawɛm, ʒˈɛ pˈɔbʲiw tɕˈɛ fˈatsɛt tfˈɔjɛj mˈatki, bˈɔ ɲʲɛ xtɕˈawaɕ pˈujʑdʑ z ɲˈim dɔ wˈuʃka.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_269.wav|jˈak na mˈuj ɡˈuzd vɨɡlˈɔnda ɲʲˈɛʑlɛ, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_44.wav|ɲʲɛ mˈɔɡwabˌɨm mu tˌɛɡɔ pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_36.wav|vˈidʑɛ, ʒˈɛ nˈadal tʃˈɨtaʃ kɔmˈiksɨ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_192.wav|tʃɨ tˈaɡ bˈardʑɔ ɕɛ fstˈɨdʑiw sfˈɛɡɔː utʃˈɨŋku, ʒˈɛ vˈɔlaw zɡʲˈinɔɲtɕ nad ʑɛlˈɔnɔ̃ krfjˈɔ̃ ɲˈiʒ ʒˈɨtɕ s xˈaɲbɔ̃?|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_58.wav|stˈarɨ, lˈɛpʲɛj tɔ ja ɕɛ ɲˈiɡdɨ ɲʲɛ mʲˈawɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_104.wav|ˈaram ɲʲɛ tˌɨlkɔ kˈazaw mi spˈatɕ w ˈinnɛj tʃˈɛɲɕtɕi dˈɔmu, ˌalɛ rˈuvɲʲɛʒ zvrˈatsatɕ ɕɛ dɔ rɔdʑˈitsuf pɔː imjˈɛɲʲu. ɲikˈɔla!|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_60.wav|i mʲˈawa dɔ tʃɨɲʲˈɛɲʲa zˈɛ zdrˈadɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_235.wav|ˈɔjtɕɛdʑ bˈɨw mˈistʃɛm f tˈakix rɔzɡrˈɨfkax, a ja ɲʲˈɛmam pɔjˈɛɲtɕa tsˈɔ rˈɔbʲitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_48.wav|ˌalɛ i tˈak pwakˈawɛm, bˈɔ jˈɔ̃ kɔxˈawɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_359.wav|tɔ ʃlaxˈɛtnɛ s pˈaɲskʲɛj strˈɔnɨ, ʒˈɛ pˈan tˈak wˈatfɔ vɨrˈaziw zɡˈɔdɛ, pɔvʲˈɛdʑaw mˈikɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_34.wav|tɔː ˈimɛjl, ktˌurɨ vɨswˈawam stsɔttˈɔvi, kʲˈɛdɨ bˈɨw tˈutaj z rˌɔdʑitsˈami pˈɔtɨm, jˈak jˈaɡɡɛr pˈɔbʲiw ɡˈɔ pɔ rˈaz drˈuɡʲi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_41.wav|a dlatʃˈɛɡɔ fʃˈɛɲdʑɛ pʃɨjmˈujɔ̃ mˈɔjɛ tʃˈɛki? nˈɔ, ɲʲɛ pɔskˈarʒɨʃ ɕɛ, pˈan?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_102.wav|a pˌɔʃtʃɛɡˈulnɛ nˈɛrvɨ wˈɔntʃɔ̃ ɕɛ s sˈɔbɔ̃, fɔrmˈujɔnts xarmˈɔɲʲɛ bˈulu w mˈɔim tɕˈɛlɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_53.wav|jˌɛstɛm tˌɛɡɔ ɲʲˈɛmal pˈɛvna. jˈɛdnak kˈilka lˈat mwɔtʃˈɛɡɔ ɲˈiʃ na zdjˈɛɲtɕu, ktˌurɛ ftʃˈɛɕɲʲɛj znalˈazwam f ʃˈɔpʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_140.wav|pʃˌɨdawˈɔbɨ mi ɕɛ trˈɔxɛ pɔmˈɔtsɨ pʃˈɨtɨm ɔpˈɔrnɨm ʒˈɛnxu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_91.wav|ja ɲʲˈɛmam vɨbˈɔru.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_219.wav|fʃˈɨstsɨ tsˈɔ dɔ jɛdnˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_324.wav|ɲʲɛdˈɔbʒɛ ɕɛ stˈawɔ, ʒˈɛ ˌɔpuɕtɕˈiwɛm mˈur.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_171.wav|ɲʲˈɛma sprˈavɨ. ˌɔtpisˈujɛ bʲˈillɨ, pɔ tʃɨm nastˈavja bˈudʑik na pʲˈɔntɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_191.wav|pˈuʑɲʲɛj ɲʲɛ bˌɛndɛ jˈuʃ pˌɔtʃɛbɔvˈawa ɲikˈɔɡɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_20.wav|dˈɔbʒɛ vʲˈɛʃ, ʒˈɛ ˌɔna i tˈak ɲʲɛ pɔswˈuxa, tsˈɔ mˈam dɔ pˌɔvʲɛdʑˈɛɲʲa na tɛn tˈɛmat.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_56.wav|zɲiʃtʃˈɨwaʑ vwˈasnɔɕtɕ kˌɔmbʲinˈatu. tʃˌɛmu dɔ xɔlˈɛrɨ tɔ zrɔbʲˈiwaɕ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_42.wav|jɛstˌɛɕmɨ na mʲˈɛjstsu, mˈili. ˈɔtɔ tfˈɔja ɲʲˌɛspɔdʑˈaŋka. zˈamkɲij ˈɔtʃɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_145.wav|tˌɛɡɔ pˌɔpɔwˈudɲʲa zasˈɨpja, kʲˈɛdɨ jˈadɔ̃ dˈalɛj na puwnˈɔtsnɨ zˈaxut i pɔ jˈakʲɛjʑ ɡɔdʑˈiɲʲɛ bʲˈillɨ swˈɨʃɨ jɛj jˈɛŋki.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_221.wav|vˌɨdavˈawɔ ɕɛ, ʒˈɛ minˈɛwɨ vʲˈɛki, ɲˈim vrˈɛʃtɕɛ vʲˈɛlki maˈɛstɛr paˈisɛl fʃˈɛd dɔ kɔmnˈatɨ ʃurˈajɔnts nɔɡˈami.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_29.wav|ɲʲɛ pˌɔtrafˈiwam sˈɔbjɛ w ɔɡˈulɛ vˌɨɔbrˈazitɕ, jˈaɡ dɔrˈasta.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_94.wav|ɲʲɛ dʑˈɛŋki.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_285.wav|a tɔː ɔznˈatʃa fstʃɨmˈaɲʲɛ prɔdˈuktsji i dˈɔstaf tlˈɛnu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_153.wav|zˈamjast tˌɛɡɔ pˈɔdaw mi kɔpˈɛrtɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_29.wav|jˈɛɕli tɔ ɲʲɛ jɛst ˈaʃ, tɔ tˈɛssa mˈɔɡwa zˈɔstadʑ zˌastraʃˈɔna lˈup jɛst w ˈinnɨ spˈɔsub zˌaaŋɡˌaʒɔvˈana.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_16.wav|nˌajvɨrˈaʑɲʲɛj ɲʲɛ, ˌɔtpɔvʲadˈajɔnts na tfˈɔjɛ dvˈa pɨtˈaɲʲa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_150.wav|vˈɨrvaw tsˌɨɡanˈɔvi tɛn zwˈɔtɨ kˈɔltʃɨk s kavˈawkʲɛm ˈuxa, ʒˈutɕiw tɔ na stˈuw i pɔvʲˈɛdʑaw dɔ tˌɛɡɔ druɡʲˈɛɡɔ ʃulˈɛra.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_370.wav|pʃˌɛtɕɛʃ tɨ ɕpˈiʃ najwˈadɲʲɛj na ɕfʲˈɛtɕɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_580.wav|kʲˈɛdɨ tˈak pʃˌɛʒutsˈaliɕmˌɨ ɕɛ zdaɲʲˈami, jˈaɡbɨ w raptˈɔvnɨɣ zatɕmʲˈɛɲʲax,|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_139.wav|f tɨm mɔmˈɛɲtɕɛ pˌɔstavˈili fʃˈɨstkɔ na jˈɛdnɔ̃ kˈartɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_33.wav|i ˌutʃɛpˈiwam ɕɛ kurtʃˈɔvɔ tɛj mˈɨɕli.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_402.wav|tɕˈɛ̃ʃkɔ mi ɕɛ pʃˈɨznatɕ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_323.wav|ˌuvʲɛdʑˈɛɲʲɛ sˌɛrarˈɨsa zajˈɛwɔ jɛj pˈuw rˈɔku.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_154.wav|ˌalɛ zvʲɔ̃zˈawa ɕɛ z ɡrˈupɔ̃ ˈɔsup, ktˌurɛ tfɔʒˈɨwɨ pˈɛvnɔ̃ sˈɛktɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_48.wav|swˈɔva ˌɔpuʃtʃˈajɔ̃ pwˈɨnɲʲɛ mˈɔjɛ ˈusta, ˌalɛ mˈɨɕli bwˈɔndʑɔ̃ ɡdʑˈɛ ˈiɲdʑɛj. tɔ dˈɔɕtɕ ˌɔsɔblˈivɛ utʃˈutɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_145.wav|i navzˈajɛm. xˈɛj, kʲˈɛdɨ sɔ̃ jˈɛɡɔː ˌurɔdʑˈinɨ? napˈiʃɛ xˈɔtɕaʃ kˈartkɛ tʃɨ tsˈɔɕ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_184.wav|a ɲʲˈɛx tɔ djˈabli...|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_272.wav|ˌɔbrutɕˈiwam ɡwˈɔvɛ w jˈɛɡɔ strˈɔnɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_68.wav|— nˈuʃa, pʃˈɨkrɔ mi, ʒˈɛ nˈas ɲʲˈɛma na mʲˈɛjstsu. vʲˈɛm, ʒˈɛ tɔ dˈɔʑdʑ dʑˈivna pˈɔra na zabˈavɛ, ˌalɛ tˈak ɕɛ zdˈaʒa. vrˈutsɛ tˈak ʃˈɨpkɔ, jˈak tɔ mɔʒlˈivɛ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_337.wav|pˈɔtɛm pˈaɲi kamjˈɛnnɛ sˈɛrtsɛ pʃˌɛmuvˈiwa znˈɔvu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_18.wav|vʲˈɛŋkʃɔʑdʑ dbˈawa ˈɔtɔ, bˈɨ ɲʲɛ nadˈuʒɨtɕ iɣ ɡˌɔɕtɕinnˈɔɕtɕi, ɕfʲadˈɔma, ʒˈɛ w ɔstˈatɲiɣ dɲʲˈaɣ ʒˈadnɛ z ɲˈix ɲʲɛ nˌaʒɛkˈawɔ na nˈadmʲar snˈu.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_290.wav|pˈɔʃɛd na dnˈɔ jˈak kˈamjɛɲ, jˈak tɕˈɛ̃ʃki ɡwˈas.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_259.wav|dlatʃˈɛɡɔː upˈartɕɛ mi ɕɛ spʃɛtɕˈivja?|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_278.wav|jˈɛdnɔ na nˈaɡʲix plˈɛtsaɣ druɡʲˈɛɡɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_4.wav|zˌarɔbʲˈimɨ kˈupɛ fˈɔrsɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_40.wav|tʃˈɛɕtɕ kɔxˈaɲʲɛ, jˈak sˈɔbjɛ rˈadʑiʃ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_110.wav|tɔ ɲʲɛ jɛst sˈɛnz vʲˈarɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_10.wav|ɲʲɛ pɔtrˈafiwbˌɨ ɔttʃˈɨtatɕ mˈɔvɨ jɛj tɕˈawa, bˌɨwa pravdʑˈivɔ̃ mistʃˈɨɲʲɔ̃ krɛntˈatstfa i vʲɛdʑˈawabˌɨ dˌɔskɔnˈalɛ, jˈaɡ ɡˈɔː urˈɔbʲitɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_4.wav|vʑˈɔw ɡwɛmbˈɔki ˈɔddɛx. ɔt tˈɛɡɔ, jˈak tɔ pˌɔprɔvˈadʑi, zˌalɛʒˈawɔ ʒˈɨtɕɛ mˈili, a rˈut ɲʲɛ mˈɔɡwa ɕɛ dɔmˈɨɕlitɕ, tsˈɔ naprˈavdɛ dɔ ɲʲˈɛj tʃˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_49.wav|vʲˈɛm, ʒˈɛ tɕˈɛ zraɲˈiwam, ˌalɛ musˈimɨ naˈutʃɨtɕ ɕɛ s tɨm ʒˈɨtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_9.wav|pɔvʲˈɛdʑaw, ʒˈɛ bˈɨw prˈavʲɛ pˈɛvʲɛn, ʒˈɛ ɲʲɛvʑˈɔwbɨm tɛj rɔbˈɔtɨ, bˈɔ skrupˈuwɨ bˈɨ mi ɲʲɛ pˌɔzvɔlˈiwɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_276.wav|vwˈɔntʃɨw fskˈaʑɲik lˌasɛrˈɔvɨ f sfˈɔim ɡʲˈizmɔː i vˌɨtsɛlˈɔvaw ɡˈɔ f pˌaɡurkɔvˈatɨ tˈɛrɛn lɛʒˈɔntsɨ na pɔwˈudɲʲɛ ɔt mʲˈasta.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_110.wav|a rˈanɨ krfavˈiwɨ, bˈarvʲɔndʑ bjˈawɛ ʃˈatɨ na tʃɛrvˈɔnɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_28.wav|mɛ̃ʃtʃˈɨʑɲi pɔtrˈafjɔ̃ bˈɨtɕ takˈimi dˌɛfɛtɨstˈami. vʲˈɛʃ pʃˈɛtɕɛʃ, ʒˈɛ jˈɔ tɕˈɛ ɲʲɛ kˈɔxa. ˌudɔvɔdɲˈiwa tɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_35.wav|ˌudavˈawam, ʒˈɛ ɲitʃˈɛɡɔ ɲʲɛ swɨʃˈawam i ɲʲɛ pʃɛrvˈawam prˈatsɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_37.wav|zbˈɔtʃɛ jɛst strˈɔmɛ, ˌalɛ vɨɡlˈɔndaʃ na mwˈɔdɔ̃ i ɕˈilnɔ̃. tˌɨlkɔ sprˈɨskaj ɕɛ tʃˈɨmɕ na ɔvˈadɨ. pɔvˈinnɔ bˈɨtɕ w waʑˈɛntsɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_9.wav|kˈartɨ krˌɛdɨtˈɔvɛ i prˈavɔ jˈazdɨ f pɔrtfˈɛlu davˈida lɔtskrˈidʒa sɔ̃ bˈardʑɔ dˈɔbrɛj jakˈɔɕtɕi, ˌalɛ ɲʲɛ mˈɔɡɔ̃ ɕɛ rˈuvnadʑ z zˌavartˈɔɕtɕɔ̃ pwaskʲˈɛɡɔ ʃarˈɛɡɔ fˌutɛrˈawu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_59.wav|pˈɔza tɨm ɲʲɛ jɛstˌɛɕmɨ ˌɔptɕɔ̃ʒˈɛɲi çˌipɔtˈɛkɔ̃.|3
+Dataset/wavs/urwisko_ferenc/53_segment_71.wav|— tsˈɔ jˈɛst? — zˌaintˌɛrɛsɔvˈawa ɕɛ xˈɛrman. bɔrˈɛvitʃ ɕˈɛŋɡnɔw pɔ dɔkˈumɛnt i pʃˈɨjʒaw mu ɕɛ z blˈiska.|0
+Dataset/wavs/urwisko_ferenc/37_segment_2.wav|ʑlˈɛ tɔ vruʒˈɨwɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_6.wav|na kɔlˈatsji sɔ̃ frˈaŋkʲɛ, pˈɔllɨ i dvajnˈɔvi, rˈɛɡɡʲɛ i dˈana.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_159.wav|nˌatxɔdʑˈɔntsɔ̃ s pɔkˈɔju ʒˈɔnɨ.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_227.wav|iɣ dʑˈɛtɕi bˈɨwɨbˌɨ ˌarɨnˈami i zɔstˈawɨbˌɨ dʑˌɛdʑitsˈami ɔrlˈɛɡɔ ɡɲʲˈazda, ɡdˈɨbɨ ˌɛlbɛrtˈɔvi pʃˌɨdaʒˈɨwɔ ɕɛ tsˈɔʑ zwˈɛɡɔ.|1
+Dataset/wavs/urwisko_ferenc/27_segment_94.wav|dɔ tʃˈɛɡɔ pˈaɲi zmʲˈɛʒa?|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_469.wav|tʃɨ tɔ jˈakʲɛɕ kɔlˈɛjnɛ kwˈamstfɔ?|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_258.wav|dˌɔɡɔɲˈiwa jˈɔ̃ mirˈanda rɔˈɨtsɛ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_130.wav|tɔ jɛzd vɨbʒˈɛʒɛ dˈɔrnɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_24.wav|tʃɨ tɔ bˈɨw zvɨtʃˈajnɨ zbjˈɛk ˌɔkɔlitʃnˈɔɕtɕi, ʒˈɛ stˈɛvɛ pɔjˈaviw ɕɛ pɔt mˈɔim dˈɔmɛm dɔkwˈadɲʲɛ f tɛj sˈamɛj xfˈili, kʲˈɛdɨ ˈaʃ jˈɛxaw na spɔtkˈaɲʲɛ s tɔ̃ kɔbjˈɛtɔ̃?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_198.wav|ˈɔva mˈiwɔɕtɕ tɔ stˈan ɲiʃʃˈɔɕtɕi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_17.wav|jˈɛɕli iɣ zwˈapjɔ̃ i pɔstˈavjɔ̃ pɔt lˈiɲʲɔ̃, ˈɔx, kʲˈɛdɨ ˈɔtɨm mˈɨɕlɛ mˈam!|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_80.wav|mˈɔja nˌaturˈalna i bˈardʑɔ bˈɨstra tsˈurka.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_82.wav|ˌalɛ tˈɛraz zdˈajɛ sˈɔbjɛ sprˈavɛ, ʒˈɛ tɔ mˈuɕaw bˈɨdʑ dla tɕˈɛbjɛ dˈuʒɨ fstʃˈɔ̃s.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_68.wav|tsˈɔɕ jˈɛʃtʃɛ mu ɕɛ pʃˌɨpɔmˈina.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_123.wav|ɲˈiɡdɨ ɲitʃˈɛɡɔ ɲʲɛ ukrˈadwam.|3
+Dataset/wavs/urwisko_ferenc/63_segment_59.wav|pˌɔlitsjˈantka vˌɨdmuxˈawa dˈɨm w jɛj strˈɔnɛ. pɨtˈawam, tʃɨ vˈɨʃɛt sˈam, ɔ vwˈasnɨx ɕˈiwax.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_81.wav|f tɛj sˈamɛj xfˈili ˌuɕfʲadˈamjam sˈɔbjɛ, ʒˈɛ samˈɔxut jɛzd zˌarɛjˌɛstrɔvˈanɨ na ˈannɛ frˈaŋklin, a mʲɛʃkˈaɲʲɛ na sˈaskja pˈɛtɛrsɔn.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_94.wav|naʃˈɛɡɔ zvʲastˈuna kaprˈɨɕnɛj vʲˈɔsnɨ. swˈɔɲtsɛ trˈɔxɛ zˌarumjɛɲʲˈɔnɛ ɡʒˈɛ̃zwɔ jˈuʃ f pˈustɨx kɔrˈɔnax najvˈɨʃʃɨɣ dʒˈɛf.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_74.wav|sˈɛr kˈɛvan ɔpˈuɕtɕiw nˈas fkrˈuttsɛ pɔ ɕlˈumjɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_47.wav|ˈɔjtɕɛts ɕˈɛŋɡnɔw dɔ vˈuska i vˈɨjɔw z ɲʲˈɛɡɔ stˈɛrtɛ ˌalumiɲʲˈɔvɨx panˈɛli.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_102.wav|ˌɔɡlɔndˈawam zdjˈɛɲtɕa. bˈardʑɔ tˈam wˈadɲʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_229.wav|ˈiʒ zajmˈujɛ ɕɛ litʃˈɛɲʲɛm pʲɛɲʲˈɛndʑɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_12.wav|s tɛj jˈuʃ prˈavʲɛ vɨrˈɔswa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_45.wav|tˈɔm pʃˈɨtknɔw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_37.wav|zɛrkˈawam nɛrvˈɔvɔ na jˈɛɡɔ kʲɛʃˈɛɲʲɛ. ɡdʑˈɛ sɔ̃ pʲɛɲʲˈɔndʑɛ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_53.wav|ɲʲɛ pˌɔvʲɛdʑˈawam ˌaɲi swˈɔva aʃˈɔvi, bˈɔ f tɛn spˈɔsub dˌɔprɔvadʑˈiwabˌɨm jɛdˈɨɲʲɛ dɔ tˈɛɡɔ, ʒˈɛ pˈɔtʃuwbˌɨ ɕɛ rˌɔstʃarɔvˈanɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_196.wav|bʲˈillɨ mˈuvi, ʒˈɛ zˈaras pɔ ɲʲˈɔ̃ zˈɛjdʑɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_125.wav|bˈɔ ɲʲˌɛzalˈɛʒɲʲɛ ɔt iɣ vɨjˈaɕɲʲɛɲ ftɕˈɔ̃ʃ ˌuvaʒˈawam, ʒˈɛ ˌutɕɛkˈamɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_234.wav|vʲˈatr çistˈɔrji, vʲˈatr kɔsmˈɔsu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_592.wav|ˌalɛ ɔn zvˈinɔw ˈusta f trˈɔmpkɛ i ˌɔznatʃˈawɔ tɔ trɔsklˈivɨ nˈamɨsw, a pˈɔtɛm ʒˈɛkw ɕpʲˈɛʃɲʲɛ|0
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_32.wav|pʃˈɛs xfˈilɛ ɕɛ ɲʲɛ ɔdʑˈɨvaw.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_65.wav|uɕmʲˈɛxam ɕɛ kʃˈɨvɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_183.wav|jˈɛɕli jˈuʃ ɔbˈɔjɛ f tsˈɔʑ vʲɛʒˈɨmɨ i jˈɛɕli umjˈɛmɨ ˈɔtɨm mˈuvidʑ zˈɛ sˈɔbɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_3.wav|zavˈɔwaw tˈɔm tˈuʃ pɔ vˈɛjɕtɕu dɔ pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_98.wav|ɔ kfʲɛtɲʲˈɔvɨm natˈartɕu, ktˌurɛ rˌɔspɔtʃˈɛwɔ ɕɛ ɲʲɛspˈɛwna tˈɨdʑɛɲ pɔ zabˈujstfʲɛ jˈasimˌa i zˌakɔɲtʃˈɨwɔː ɔdvrˈɔtɛm, kʲˈɛdɨ pˌɔlitˈɨtsɨ vɨmjˈɛŋkli.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_13.wav|tʃtˈɛrɨ minˈutɨ pɔ dvunˈastɛj dɔ xˈɔlu fxˈɔdʑɔ̃ frˈaŋk ˌɛmtsˈɛ ˈintɔʃ i pˈawljɛ lˈɔɡan, ˈɔbaj w ɡˌarɲitˈurax.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_73.wav|pɔ prˈɔstu ɡˈɔ lˈubjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_134.wav|ɲʲɛ, ɲʲɛ mˈuɕiʃ. mˈam pˈɛvʲɛn plˈan, spˈikɛ.|3
+Dataset/wavs/urwisko_ferenc/25_segment_107.wav|rˌɔspɔznˈawa nˈumɛr sɔlskʲˈɛɡɔː i jˈɛɡɔ ʒˈɔnɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_17.wav|ˈɔddɛɣ vʲˈɛ̃ʑɲʲɛ mi f krtˈaɲi pɔtxˈɔdʑɛ dɔ ɲʲˈɛɡɔ, pɔxˈɨlam ɕɛ i prubˈujɛ ɡˈɔ pʃɨtˈulitɕ|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_558.wav|ʒˈadna ɕˈiwa pˌɔzaʑˈɛmska ɲʲɛ dˈawa mi znˈaku.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_463.wav|tsɔkˈɔlvʲɛk innˈɛɡɔ mˈɔɡwaɕ utʃˈɨɲitɕ, tɛ rˈanɨ ɔdɲʲˈɔswaɕ xˌɔnɔrˈɔvɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_72.wav|jˈuʃ kˈilka rˈazɨ zdaʒˈɨwɔ mu ɕɛ dʑˈiɕ strˈatɕitɕ kˌɔntsɛntrˈatsjɛ, dˈumatɕ ɔ rɨsˈuŋku ʃˈan, zˈamjast skˈupitɕ ɕɛ nˈatɨm, na tʃɨm pɔvˈiɲʲɛn, tʃˈɨli pʃˌɨɡɔtɔvˈaɲʲax.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_132.wav|pʲˈasɛk, skˈawɨ, skɔrpʲˈɔnɨ i ʒˈadnɛj bɛspʲˈɛtʃnɛj pʃɨstˈaɲi pʃˈɛz dwˈuɡʲɛ sˈɛtki mˈil.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_42.wav|ɕɛdʑˈɛli f kˈɔɲtsu sˈali.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_462.wav|bˈɨtɕ mˈɔʒɛ vwˈaɕɲʲɛ dlatˈɛɡɔ dʒˈɛjn ˌɔpatʃˈɨwa tfˈɔjɛ rˈanɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_48.wav|vˈɨbratɕ sˈɔbjɛ jakʲˈɛɡɔɕ pluʃˈaka, jˈɛɕli bˈɨw tˈaɲi, tʃɨ pʃɛjˈɛxatɕ ɕɛ ˌawtɔbˈusɛm na pʃɨstˈanɛk kɔɲtsˈɔvɨ, bˈɔ lubʲˈiwam tɔ rˈɔbʲitɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_51.wav|tɔ rɔzlˈɛɡwɨ tˈɛrɛn zˌavalˈɔnɨ ɡrˈuzɛm i ɕmʲɛtɕˈami.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_88.wav|mˈa pʲˈɛŋknɨ, zˌaraʑlˈivɨ ɕmʲˈɛɣ dɔ kɔmplˈɛtu s tɨm ʃɛrˈɔkim uɕmʲˈɛxɛm. makˈintɔʃ mu fturˈujɛ, lˈɔɡan ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_132.wav|ɔdˈɛzvaw ɕɛ dʑvˈɔnɛk. mˌaçinˈalɲʲɛ pɔdɲʲˈɔswɛm swuxˈafkɛ i ˌuswɨʃˈawɛm sˈɨɡnaw vˌɨvɔwˈaftʃɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_151.wav|tˈak tʃɨ ˈɔvak, bʲˈilljɛ jɛzd dla ɲʲˈɛj pˈɛwɛn uznˈaɲʲa zˈatɔ, ʒˈɛ ɲʲɛ krˈɨjɛ ɕɛ zˈɛ sfɔˈimi pʃˌɛkɔnaɲʲˈami, ʒˈɛ jɛst ɔdvˈaʒna.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_590.wav|i xtsˈɔ̃ pɔfsˈadʑadʑ dɔː ɔbˈɔzuf ˈalbɔ vʲˈɛ̃ʑɛɲ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_206.wav|ɡdɨbˈɨɕmɨ xtɕˈɛli ˈɔratɕ xɔlˈɛrnɔ̃ ʑˈɛmʲɛ, mˈɔɡliɕmˌɨ zˈɔstadʑ w dˈɔmu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_227.wav|a ja jˈuʒ zupˈɛwɲʲɛ ɕlˈɛpɨ vdʑɛrˈawɛm ɕɛ w ɲʲˈɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_16.wav|ɔː ˈilɛ w ɔɡˈulɛ dˈɔjdʑɛ ˌɔna dɔ skˈutku.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_133.wav|prˌavdɔpɔdˈɔbɲʲɛ mˈɔʒna bˈɨ mɲʲɛ vʑˈɔɲdʑ za pˈɔstadʑ z jakʲˈɛɡɔɕ xɔrˈɔru. nˈɔ tsˈuʃ, mˈɔjɛ plˈanɨ zˌalatɨvˈawɨ ɡrˈɔzɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_324.wav|xˈɔtɕ ɔˈakxart tfʲˈɛrdʑiw, ʒˈɛ znˈaw ˈinnɛ kɔbjˈɛtɨ, zˈaɲim pʃˈɨvdʑaw bjˈɛl,|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_73.wav|a w ˌɔstatˈɛtʃnɨm rˌɔzraxˈuŋku tˌɨlkɔ tɔ ɕɛ lˈitʃɨ. ɔd ɡˌɔspɔdˈarki zalˈɛʒɨ ʃtʃˈɛɲɕtɕɛ, zdrˈɔvʲɛ i bˌɛspʲɛtʃˈɛɲstfɔ lˈudʑi.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_228.wav|ˌalɛ rˈuvɲʲɛ prˌavdɔpɔdˈɔbnɨ jɛst xwˈɔpʲɛts, a jˈɛɡɔ mˈawɨ kutˈaɕik skˌɔmplikˈɔvawbˌɨ sprˈavɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_44.wav|mˈɔɡɛ ɕɛ z ɲˈim zɔbˈatʃɨtɕ? spɨtˈawa zdwavʲˈɔnɨm ɡwˈɔsɛm jˈɔɛ.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_346.wav|ɕlˈubɨ zwɔʒˈɔnɛ krulˈɔvi bˌɨwɨ vaʒɲʲˈɛjʃɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_13.wav|tʃɨ w lɔndˈɨɲʲɛ ɲʲˈɛma tˈakix wˈadnɨɣ dˈɔmuf?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_54.wav|ɲʲɛ mɔʒˈɛmɨ ɲitʃˈɛɡɔ zˈabratɕ i jɛst mi pʃˈɨkrɔ, ʒˈɛ mˈuʃɛ zɔstˈavitɕ rɨsˈuŋki, zabˈafki i kɕˈɔ̃ʃki alfjˈɛɡɔː ˌɔraz ɡˈarɕtɕ tɕˈuxuf, ktˌurɛ sˈama kupˈiwam.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_107.wav|pɔtʃˈuwa, ʒˈɛ ɕɛ tʃɛrvʲˈɛɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_5.wav|nˈɔ vʲˈɛnts ˌatakˈujɛ mɲʲɛ jˈakiɕ fˈatsɛd z nˈɔʒɛm. mˈa ˌuʃkɔdʑˈɔnɔ̃ rˈɛŋkɛ, prˌavdɔpɔdˈɔbɲʲɛ pʃˈɛs irˈinɛ, ktˌurɔ̃ zˌamɔrdˈɔvaw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_55.wav|bˌɨliɕmˌɨ ʃtʃɛɲɕlˈivi w nˈaʃɨm mˈawɨm ɕfʲˈɛtɕɛ, ˌalɛ tˈɛras musˈimɨ zɔstˈavidʑ ɡˈɔ za sˈɔbɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_236.wav|ɛdmˈurɛ ˈuɲʲuz dwˈɔɲʲɛ, pˈatʃɔnts jˈaɡ vˈɔda spwˈɨva mʲˌɛndʑɨ jˈɛɡɔ paltsˈami.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_25.wav|wˌadɔvˈarka jɛst ftɕˈɔ̃ʃ pˌɔdwɔntʃˈɔna, vʲˈɛnts fkwˈadam ftˈɨtʃkɛ dɔ ɡɲʲˈastka.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_16.wav|dˈɔm? vˈɔwam, bjˈɛɡnɔnts w jˈɛɡɔ strˈɔnɛ. ɡdʑˈɛ jɛst xˈɔllɨ? ɲˈits jɛj ɲʲɛ jˈɛst?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_19.wav|spˌɔdʑɛvˈawɛm ɕɛ tɕˈɛbjɛ ftʃˈɛɕɲʲɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_8.wav|vʲˈɛm, bˈɔ swɨʃˈawam, jˈak ɔddˈɨxaw. xˈartʃaw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_61.wav|mˈɔʒɛ pɔ prˈɔstu dɔ lɛkˈaʒa?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_4.wav|jˌɛstɛm w bjˈuʒɛ ʃˈɛfa. tsˈɔ mˈaʃ? maʃ jˈuʃ lˈistɛ pɔwˈɔntʃɛɲ s tˌɛlɛfˈɔnu rˌadʑɛvʲˈɛɡɔ. s tˌɛɡɔː ˌɔfitsjalnˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_59.wav|kʲˈɛdɨ bɛɲdʑˌɛmɨ blˈiskɔ mˈɔntawk,|2
+Dataset/wavs/urwisko_ferenc/63_segment_133.wav|ˌalɛ vrˈutɕiw dɔ dˈɔmu tˈuʃ pˈɔtɨm, jˈak jˈɛɡɔ ʒˈɔna vˌɨjɛxˈawa dɔ prˈatsɨ. — ɔ tʃɨm pˈaɲi... xˈɛrman uɲʲˈɔswa rˈɛŋkɛ. — ɲʲˈɛx pˈaɲi pɔswˈuxa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_83.wav|f pʲˈɛrʃɛj xfˈili ɲʲˈɛvʲɛm, tsˈɔ napˈisatɕ, ˌalɛ pɔ xfˈili swˈɔva ˌukwadˈajɔ̃ ɕɛ f spˈujnɨ tɕˈɔŋk w mˈɔjɛj ɡwˈɔvʲɛ i sˈɛrtsu.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_191.wav|s puwnˈɔtsnɨm skʃˈɨdwɛm wɔntʃˈɨwɨ ɕɛ krˈɨta stʃˈɛxɔ̃ stˈajɲʲa ˌɔraz dʑvɔnɲˈitsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_165.wav|— jˌɛstɛʑ dˈuʒɔ bɨstʃˈɛjʃɨ ɲˈiʃ mɨɕlˈawɛm — mˈuvi ɲˈitsk jˈaɡbɨ dɔ ɕˈɛbjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_45.wav|nˌazvʲɛdʑˈawɛm ɕɛ mɔtˈɛli dɔ pʃɛsˈɨtu. rˈɛʃtɛ tˌɛɡɔ tɨɡˈɔdɲʲa spˈɛndʑɛ w lˈinkɔln f stˈaɲʲɛ nɛbrˈaska, pˈɔtɛm jˈadɛ dɔː ɔmˈaxa.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_358.wav|pˈɔvʲɛts mi, tʃɨ fɕrˈut tɨx jˈɛɲtsuf jɛst sˈɛr rɛˈinald vɛstˈɛrliŋk?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(70) R.Abbott_Zamknij Drzwi_segment_4.wav|ʒˈɛbɨ jˈɛdnaɡ dˈɔtʃɛtɕ tˈam na tʃˈas, mˈuɕi natˈɨxmʲast ˈiɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_72.wav|lˈɛpʲɛj ˈidʑ dɔ mˈarɨ pɔrˈadʑiw jɛj jˈɔss.|1
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_21.wav|nˌapijˈɛmɨ ɕɛ xɛrbˈatɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_200.wav|znˈawam ix fʃˈɨstkiɣ z vidʑˈɛɲʲa, a ɲʲɛktˌurɨx nˈavɛd z imjˈɛɲʲa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_22.wav|tˈak mi pʃˈɛkrɔ spˈikɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_150.wav|ɲʲɛ vɨdˈajɔ̃ ɕɛ ˈaʃ tˈak fkuʒˈɛɲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_195.wav|zdˈajɛ sˈɔbjɛ sprˈavɛ, ʒˈɛ tˈakʲɛ spɔtkˈaɲʲɛ jɛst stˌatɨstˈɨtʃɲʲɛ mˈawɔ prˌavdɔpɔdˈɔbnɛ, ˌalɛ pɔdˈɔbnɛ ʒˈɛtʃɨ dʑˈɛjɔ̃ ɕɛ na ɔkrˈɔŋɡwɔ.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_169.wav|na jˈɛɡɔ vwˈɔsaɣ zˌaliɕɲˈiwɨ ɔstˈatɲʲɛ prɔmjˈɛɲʲɛ zˌaxɔdʑɔntsˈɛɡɔ swˈɔɲtsa. nˈɔ tsˈuʃ, tˈɛras jˈuʃ jɛzd za pˈuʑnɔ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_314.wav|ʒˈadɛn pravdʑˈivɨ sˈɨn mˈɔʒa ɲʲˈɛxtɕawbˌɨ ɡɲˈitɕ pɔd ʑˈɛmʲɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_29.wav|xˈɔva klˈutʃɛ s pɔvrˈɔtɛm dɔ kɔpˈɛrtɨ i dˈajɛ jˈɔ̃ bʲilljˈɛmu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_71.wav|tˌɨlkɔ tɔ mu zɔstˈawɔ dɔ zrɔbjˈɛɲʲa. tˈɛras, kʲˈɛdɨ vɨkˈɔnaw zlɛtsˈɛɲʲɛ, ktˌurɛ ɡˈɔ tˈutaj ɕtɕɔŋɡnˈɛwɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_128.wav|pamjˈɛntam, ʒˈɛ z ɔddˈali dɔbjˈɛɡaw vˈarkɔt xˌɛlikɔptˈɛra. pamjˈɛntam, ʒˈɛ jˈakiʑ bˈawvan dmˈuxaw w ɡvˈizdɛk. fjˈufju! bˈuɡ vʲˈɛ pɔ tsˈɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_172.wav|lˈɛpʲɛj, ʒˈɛbɨʑ bˌɨwa na dɔrˈɔpku.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_39.wav|a dˈɔkɔnt, tfˈɔim zdˈaɲʲɛm, mˈɔɡwa ɕɛ vˈɨbratɕ ɔ tˈakʲɛj ɡɔdʑˈiɲʲɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_125.wav|pˌɔzvɔlˈiwɔ zabˈujtsɨ fskˈɔtʃɨtɕ na tˈɨlnɛ ɕɛdʑˈɛɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_40.wav|trˈip i jˈɛɡɔ kˈumplɛ ɔ ɲˈix mˈuvjɛ.|2
+Dataset/wavs/urwisko_ferenc/56_segment_24.wav|tɕˈɛʃɛ ɕɛ. xˈanna pilˈɛfska ɲʲɛ pʃˌɛstavˈawa ɕɛ uɕmʲˈɛxatɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_99.wav|dʑɛŋkˈujɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_15.wav|swˈɨʃɛ jˈɛɡɔ pɔspʲˈɛʃnɛ krˈɔki. — xfilˈɛtʃkɛ!|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_77.wav|ɲʲɛktˌurɛ z waɲtsˈuxuf pʃˌɨtfʲɛrdʑˈɔnɔ dɔ vˌiklinˈɔvɨx kˈɔʃɨ, ˈinnɛ dɔ mˈɔtsnɨɣ dɛmbˈɔvɨɣ vʲˈadɛr.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_379.wav|spˌɔvɔdɔvˈanɛ ɲʲˌɛpɔftaʒˈalnɨm ˌintsɨdˈɛntɛm, a sɔ̃ tˌɨlkɔː ɔdrˈuxɛm vwaɕtɕˈivɨm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_63.wav|ɲʲˈɛxtɕaw rˈuvɲʲɛʃ, ʒˈɛbɨ mˈuj ɲʲɛpˈɔkuj udʑˈɛliw ɕɛ ˈinnɨm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_61.wav|i dlatʃˈɛɡɔ xˈɔff skˈɔɲtʃɨw mˈartfɨ vɛ vwˈasnɨm ɡarˈaʒu?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_9.wav|jˈasna xɔlˈɛra, vˈarknɔw.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_375.wav|— ʃɛpnˈɛwa ˈɔna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_136.wav|i ˈɔbɨm ɕɛ tsˈɔ dɔ tˌɛɡɔ ɲʲɛ mˈɨliw. tˈak tʃɨ ˈɔvak klˈamka zapˈadwa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_165.wav|bˈɨtɕ mˈɔʒɛ mʲˈaw rˈatsjɛ, ˌalɛ ɲʲɛ pˌɔtrafˈiwam ˈukrɨtɕ rˌɔstʃarɔvˈaɲʲa. bˌɨwam pˈɛvna, ʒˈɛ ɡˈɔ pˌɔkɔxˈajɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_42.wav|jɛst jˈɛʃtʃɛ tsˈɔɕ, mˈuvjɛ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_379.wav|ˈɔtpar ˈɛdvin.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_38.wav|vɨbjˈɛraʃ ɕɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_178.wav|i tˈam pɔwˈɔʒɨw kavˈawɛɡ ʒɛlˈaza ˌɔviɲʲˈɛntɨ f pˈapʲɛr.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_55.wav|dˈɔn pˌɔpatʃˈɨwa tɔmˈɔvi w ˈɔtʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_211.wav|tʃˈɨɲʲɔnts tʃwɔvʲˈɛka spɔkˈɔjnɨm i ɕˈilnɨm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_93.wav|tˈata mˈuvi, ʒˈɛ musˈimɨ bˈɨdʑ bˈardʑɔː ɔstrˈɔʒɲi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_142.wav|a ja zˈafʃɛ mˈɨɕlɛ ɔ tˈakʲɛj pʲˈɛrʃɛj, mˈɔtsnɔ ɕfʲɛtsˈɔntsɛj ɡvʲˈasttsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_75.wav|tˈɨlɛ, ʒˈɛ mˈama ɲˈiɡdɨ ɲʲɛ stanˈɛwa na nˈɔɡʲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_53.wav|ɲʲɛ zamˈɨkaj ˈɔtʃu i pˈatʃ prˈɔstɔ f strˈumjɛɲ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_90.wav|pɔ prˈɔstu jˌɛstɛm dɔkwˈadnɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_53.wav|ɲʲɛ jɛzd zˌaintˌɛrɛsɔvˈana zvʲˈɔ̃skʲɛm bˈardʑɛj ɲˈiʃ jˈa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_38.wav|— mˈɛrx. mɔʒˈɛtɕɛ jˈuʒ z alˈanɛm ˈiɕtɕ, mˈuvi ɲˈitsk. pɔɕˈiwɛɡ bˈɨw vˌɨɕmʲɛɲˈitɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_21.wav|bˈɛtskɨ pɔtʃˈuwa lˈɛkki ˈutɕizɡ w ʒɔwˈɔntku.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_85.wav|ˈaram pɔtxˈɔdʑi blˈiʒɛj i kwˈadʑɛ jɛj dwˈɔɲʲɛ na ramjˈɔnax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_21.wav|xˈɔff ɔtpˈala sfˈuj ˈurɔk s pˈɛwnɨm tˈurbɔ dˌɔwadɔvˈaɲʲɛm. pɔtxˈɔdʑi dɔ starˈuʃka ʃɛrˈɔkɔː ˌuɕmʲɛxɲʲˈɛntɨ, z vˌɨtɕɔŋɡɲʲˈɛntɔ̃ rˈɛŋkɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_28.wav|ˌɔna tsˈɔɕ pʃɛdˈɛmnɔ̃ ukrˈɨva, ˌalɛ jˌɛdnɔtʃˈɛɕɲʲɛ vɨrˈaʒa ʃtʃˈɛrɔ̃ trˈɔskɛ ɔ mˈili.|4
+Dataset/wavs/urwisko_ferenc/40_segment_25.wav|ɡʒˈɛɕɛk mˈa dˈɔrvatɕ tfɔjˈɛɡɔ ʃˈɛfa, ʒutɕˈiwa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_68.wav|tˈɔm pɔstˈaraw ɕɛ ɲʲɛ rˌɛaɡˈɔvatɕ na tˈak ɲʲˌɛstɔsˈɔvnɨ dˈɔbur swˈuf.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_324.wav|ɡdˈɨ jˈɛdnak ruʃˈɨwa pʃˈɛs twˈumku sxˈɔdɔm sˈɛptu, pˌɔjavˈiwa ɕɛ ɡrˈupka ˌuzbrɔjˈɔnɨx mˈɛ̃ʃtʃɨzn, ktˌuʒɨ stanˈɛli w dʒvʲˈax.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_49.wav|mˈam tˈɛʃ ʃtʃˈɛɲɕtɕɛ fspˌuwpratsˈujɔnts s tˈakɔ̃ ɡrˈupɔ̃ rˌɛdaktˈɔruf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_64.wav|f kˈaʒdɨm rˈaʑɛ vˈɨʃwɛm nˈatɛ sxˈɔtki, bˈɔ ɲʲɛ xtɕˈawɛm bˈɨtɕ w ɕrˈɔtku s trupˈami.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_12.wav|ɲʲɛ rˌɔzumjˈawa, jˈak mˈɔʒna uwˈɔʒɨtɕ na pɔdwˈɔdʑɛ tsˈɔɕ tˈak tsɛnnˈɛɡɔ, ʒˈɛ tʃwˈɔvʲɛɡ bˈɔi ɕɛ pˈɔtɨm xˈɔdʑitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_285.wav|ɲʲɛ zakwˈadam ɕɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_43.wav|xtɕˈawam kʃˈɨknɔɲtɕ, ʒˈɛ ˌapsɔlˈutɲʲɛ ɕɛ ɲʲɛ zɡˈadʑam, ʒˈɛ tɔː ˌapsurdˈalna prˈɔʑba i ʒˈɛ zdˌɛtsɨdɔvˈaɲʲɛ pʃɛkrˈɔtʃɨw ɡraɲˈitsɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_35.wav|mˈɔʒɛ nˈam pɔtpˈɔvʲɛʃ, tʃɨ tˌɛɡɔ rɔdʑˈaju nˈɔtsnɛ vɛndrˈufki bˌɨwɨ ˈu ɲʲˈɛj jˈakimɕ navˈɨkʲɛm? tʃɨ rˈuvɲʲɛʃ uvˈaʒaʃ tɔ za tsˈɔʑ dʑivnˈɛɡɔ?|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_135.wav|pʃˌɛtɕɛʃ tɔ ʒawˈɔsnɛ. mˈam rˌɛzɨɡnˈɔvadʑ zˈɛ sfˈɔix plˈanuf, bˈɔ ɡʲˈildja mˈa tˈakʲɛ vˌidʑimˈiɕɛ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_12.wav|vɨdˈajɛ s ɕˈɛbjɛ tɕˈixɨ jˈɛŋk paɲˈiki, ˌalɛ pɔvˈɔli vɨjˈɛʒdʒam tˈɨwɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_14.wav|rˌɔspwakˈawam ɕɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_131.wav|tɔ jɛst ɲʲˌɛvɨkɔnˈalnɛ, pɔvʲˈɛdʑaw vzruʃˈajɔnts rˌamjɔnˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_65.wav|kɔpˈuwa pˌɔzɔstˈawa ɲʲɛtkɲʲˈɛnta i ɡɲʲˈɛvna tɨrˈada pʃɨnˈajmɲʲɛj ɔt tɛj strˈɔnɨ ɲʲˈɛtsɔ pʃɨtɕˈixwa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_35.wav|s pɛvnˈɔɕtɕɔ̃ mɲʲɛ pˌɔdɛjʒɛvˈajɔ̃ i zˌakwadˈajɔ̃, ʒˈɛ ˈalbɔ pˌɔzvɔlˈiwam, bˈɨ tsˈɔɕ ɕɛ vˌɨdaʒˈɨwɔ, ˈalbɔ pʃɨmknˈɛwam nˈatɔ ˈɔkɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_185.wav|bˈaɲka, f ktˌurɛj mʲˈɛɕtɕi ɕɛ xˈuta, jɛzd znˈatʃɲʲɛ mɲʲˈɛjʃa ɔd bˈaɲɛk mʲˈɛjskix.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_83.wav|ʒawˈujɛ, ʒˈɛ w ɔɡˈulɛ ˈɔtɨm fspɔmɲʲˈawɛm. pʃɛprˈaʃam tɕˈɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_192.wav|vrutɕˈiwɛm dɔ sfˈɛɡɔ pɔkˈɔju, ˈalɛ...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_61.wav|bˈɔli mɲʲɛ ɡwˈɔva, ɲʲɛ mˈɔɡɛ zˈɛbratɕ mˈɨɕli.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_204.wav|tʃˈɛba tɕˈɛ sprˈɨskatɕ. tɔ mazˈidwɔ zatʃˈɨna dʑˈawadʑ dɔpʲˈɛrɔ pɔ jˈakixɕ tʃtˈɛrɛɣ ɡɔdʑˈinax.|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_83.wav|ɲˈiɡdɨ tˌɛɡɔ ɲʲɛ zˌapɔmɲʲˈawɛm, bˈɔ tɔ bˌɨwɔː ɔkrˈutnɛ i pravdʑˈivɛ jˌɛdnɔtʃˈɛɕɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_101.wav|tˈak, pˈɛvɲʲɛ, ʒˈɛ tˈak.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_121.wav|ɛmˈɔtsjɛ vˈɛmɲʲɛ rˌɔspɔtʃˈɛwɨ vˈalkɛ.|3
+Dataset/wavs/urwisko_ferenc/14_segment_22.wav|rˌɔzmavʲˈaliɕmˌɨ dʑˈiɕ ˈɔɲʲɛj na ɔtprˈavʲɛ i ɲʲɛ vɨɡlˈɔnda tɔ dˈɔbʒɛ|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_130.wav|ˌɔtʃɨvˈiɕtɕɛ bˈaɲka pˌɔzɔstˈawa ɲʲɛtkɲʲˈɛnta.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_6.wav|pɔtskˈɔtʃɨw kˈilka rˈazɨ radˈɔɕɲʲɛ, kʲˈɛdɨ mu pˌɔvʲɛdʑˈawam, ʒˈɛ zjˈɛmɨ ɕɲʲadˈaɲʲɛ f kavʲˈarɲi z vidˈɔkʲɛm na plˈaʒɛ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_172.wav|a ktˈɔ tɔ znˈɔvu?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_91.wav|kʲˈɛdɨ pɔʃwˈɨɕmɨ na lˈantʃ, vʑˈɛwa sfˈuj tˈalɛʃ i pˌɔvʲɛdʑˈawa dʑɛŋkˈujɛ. fˌantastˈɨtʃɲʲɛ, prˈavda?|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_268.wav|f pɔʒˈɔntku, ˈɛstɛr, pɔvʲˈɛdʑaw ˈandɛrsɔn, ɔddˈajɔnts jɛj lˈist. ɲʲˈɛx pˈaɲi napˈiʃɛ dɔ ɕˈɛbjɛ lˈist.|0
+Dataset/wavs/urwisko_ferenc/25_segment_68.wav|pʃˌɛɡlɔndˈali bʲilˈiŋɡʲi, ˌalɛ ɲʲɛ fpˈadli na ɲˈits sˌɛnsɔvnˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_39.wav|spˈɔsup, w jˈaki fʃˈɨstsɨ stˈɔnd vˈɨʃli.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_11.wav|tˈɔrɔs pʃˈɨɲʲus xlˈɛp, sˈɛr,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_234.wav|jˈuʒ zˈafʃɛ bˈɨlibˌɨɕmɨ zmuʃˈɛɲi dɔː utɕˈɛtʃki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_127.wav|ɲʲɛ na tɕˈɛlɛ, tˌɨlkɔ na dˈuʃɨ i umˈɨɕlɛ.|2
+Dataset/wavs/urwisko_ferenc/44_segment_73.wav|ɲʲɛ zˈamknɔw ˈɔtʃu tˈak jˈak ftˈɛdɨ, ɡdˈɨ bˈɨw dʑˈɛtskʲɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_162.wav|pʃˈɛs xfˈilɛ ɕɛ zˌastanˈavʲam, ɔ tʃɨm ˌɔna muvˈiwa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_564.wav|tʃˈujɛ, ʒˈɛ xtsˈɛʃ jˈuʃ ˈɔdɛjɕtɕ, ʃɛpnˈɛwa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_88.wav|jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ mˈa pˈaɲi dɔ pʃˌɛkazˈaɲʲa vʲˈɛlɛ bˈardʑɔ pʃɨdˈatnɨx ˌinfɔrmˈatsji, pˌɔvʲɛdʑˈawa bˈɛtskɨ, ˌalɛ musˈimɨ nˈajpʲɛrf pˌɔrɔzmˈavʲatɕ s pˈaɲi kˌɔlɛʒˈaŋkɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_13.wav|jˈak tɛn bˈustɛr?|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_166.wav|kwˈamjɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_75.wav|pɔvʲˈɛdʑaw pɔlˈitsjand dɔː ˌandɛrsˈɔna i tɛn pˈɔtʃɛd dɔ ɕtɕˈanɨ i rɔskrˈatʃɨw nˈɔɡʲi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_46.wav|a mˈɔʒɛ ɡˌɛnɛvʲˈɛvɛ mʲˈawa pɔ prˈɔstu pˈɛxa, ʒˈɛ tɛn ktˈɔɕ pʃɛtʃˈɨtaw ɡdʑˈɛɕ ɔ tˈakʲɛj tˈɛxɲitsˌɛ? rˈɔp, rˌɔzmavʲˈawɛʑ z jɛj pʃˌɨjatɕuwkˈami, tsˈɔ vʲˈɛmɨ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_75.wav|pˈɛvɲʲɛ xtɕˈawbɨɕ pʃˌɛtɛstˈɔvadʑ brˈɔɲ, pɔstʃˈɛlatɕ sˈɔbjɛ ɡdʑˈɛɕ na fɕˈi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_127.wav|ˈutʃɨw na sfˈɔim ramjˈɛɲʲu tɕˈɛ̃ʃkɔ̃ rˈɛŋkɛ i ɔdvrˈutɕiw ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_289.wav|pˌɔkazˈujɛ jɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_123.wav|lˈɛpʲɛj dɔ ɲˈiʃtɕa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_26.wav|jˈɛɕli tfʲˈɛrdʑiʃ, ʒˈɛ ˌɔna vʲˈɛ, tɔ ja tɕi vʲˈɛʒɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_7.wav|ˌɔna stˈalɛ mˈa jˈakʲɛɕ rɔmˈansɛ i zˈafʃɛ ˌɔpɔvʲˈada mi, ktˈɔ jɛst na tapˈɛtɕɛ.|4
+Dataset/wavs/urwisko_ferenc/59_segment_50.wav|uɲʲˈɔswa lˈɛŋkɛ f pʃˌɛpraʃajˈɔntsɨm ɡˈɛɕtɕɛ i bɛzɡwˈɔɕɲʲɛ, pˌɔruʃˈajɔnts tˌɨlkɔː ustˈami, pˌɔvʲɛdʑˈawa dɔ zˌavɔrskʲˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_205.wav|bʲˈillɨ tʃˈɛka, tɕˈɛkaf tsˈɔ jˈɛʃtʃɛ ɲˈitsk mˈa dɔ pˌɔvʲɛdʑˈɛɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_309.wav|ɔt tɕˈɛbjɛ xtsˈɛ tˈɨlkɔ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_12.wav|bʲˈillɨ i ˌatskɛrmanˈɔvi jˈadɔ̃ tˈam fˌurɡɔnˈɛtkɔ̃ pˌɔʒɨtʃˈɔnɔ̃ pʃˈɛs jamˈala z ɛkstsˈɛllɛnt tʲˈirɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_39.wav|rˈanɔ bˈɨw pˈustɨ, ˌalɛ tɔ bˌɨwɔ prˈavʲɛ tʃˈɨ ɡɔdʑˈinɨ tˈɛmu. zˈadʑvɔɲ dɔ kˈita f sprˈavʲɛ adrˈɛsu, ˌalɛ mˈam vraʒˈɛɲʲɛ, ʒˈɛ tɔ bˌɛɲdʑɛ tˈɛn.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_359.wav|zˌatʃɛkˈajtɕɛ nˈamɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_343.wav|ˌɔtpɔvʲɛdʑˈawa kˈat.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_49.wav|— ˈidʑ ɡdʑˈɛɕ i ɕɛ tʃˈɨmʑ zˈajmij — pɔvʲˈɛdʑaw mu dʒˈɛjmsɔn.|2
+Dataset/wavs/urwisko_ferenc/64_segment_94.wav|kˈarɔl xudʑˈiɲski vˈidʑaw tɔ fʃˈɨstkɔ s fɔtˈɛla.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_48.wav|tʃɨ tɔ tɕi ɲʲɛ pʃɛʃkˈadʑa f prˈatsɨ? ɲʲɛ pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_128.wav|pˈɔtʃɛd i pˈɔdaw spʃˌɛdajɔntsˈɛmu dɔlˈara.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_208.wav|bˈɔ tɨm vwˈaɕɲʲɛ jɛzd ɡrˈin çˈills, pˈɔlɛm ɡɔlfˈɔvɨm z lˌuksusɔvˈɨmi rˌɛzɨdɛntsjˈami.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_77.wav|a vʲˈɛnts pˈaɲi pˈɛtɛrsɔn tɔ pɔtfʲˈɛrdʑi, tˈak?|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_227.wav|zakˈutɕi f stˈal lˈudʑɛ bˈɛs tfˈaʒɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_26.wav|spˈɔjʒaw na dʒvˈi, ʒawˈujɔnts, ʒˈɛ ɲʲɛ mˈɔʒɛ iɣ zˌablɔkˈɔvatɕ, pɔ tʃɨm ɔstrˈɔʒɲʲɛ vˈɨjɔw s pɔmjˈɛndʑɨ rɛntʃɲˈikuf tɛlˈɛfɔn kˌɔmurkˈɔvɨ i ɡˈɔ vwˈɔntʃɨw.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_51.wav|— i tɔ — pɔvʲˈɛdʑaw rˈɨan, ˈurvaw nˈaɡlɛ i ˈɔpar ɕɛ stʃˈaskʲɛm ɔː ˈɔknɔ, tˈak ˈiʃ ʃˈɨba pˈɛŋkwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_155.wav|tɨm rˈazɛm ˈɛlis ˈidʑɛ z ɲˈim dɔ rɛtsˈɛptsji i ˌuʒɛndujˈɔntsɨ tˈam fˈatsɛt lˈɛdvɔ ʒˈutsa nˈaɲʲɔ̃ ˈɔkʲɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_165.wav|bɨwˈɔbɨ sˈupɛr.|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_88.wav|dˈɔn kˈɔɕi trˈavɲik. bɛvˈɛrlɨ ɕˈɛdʑi na ɡˈaŋku w ɲʲˌɛfɔrtˈunɲʲɛ dɔbrˈanɨx, ʒˈuwtɔʑɛlˈɔnɨx ʃˈɔrtax.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_279.wav|ɲˈim jˈɛdnaɡ dʑɛftʃˈɨŋka zdɔ̃ʒˈɨwa ˌɔtpɔvʲˈɛdʑɛtɕ, dɔ pˌɔmjɛʃtʃˈɛɲʲa fʃˈɛd mˈiwɨ starˈuʃɛk.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_308.wav|tʃˈɨʒbɨ sˈɛr rajmˈana spɔtkˈawɔ tsˈɔʑ zwˈɛɡɔ?|1
+Dataset/wavs/urwisko_ferenc/24_segment_72.wav|ˌalɛ ˈuznaw, ʒˈɛ i tˈak jˈuʃ mˈuɕi utɕˈɛkatɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_214.wav|pɔvˈiɲʲɛn pˈana vʑˈɔɲtɕ na pʲˈɛɲtɕ tɨɕˈɛntsɨ, zˈamknɔɲdʑ ɡˈas i kˈazatɕ pˈanu vˌɨruvnˈɨvatɕ na tʃtˈɛrɛx i tʃˈɨmatɕ samˈɔlɔt, dɔpˈuki ɲʲɛ zatʃˈɨna spˈadatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_24.wav|ɔt tʃˈasu dɔ tʃˈasu zˈɛrka w lustˈɛrku fstˈɛtʃnɨm na kʃtˈawt lɛʒˈɔntsɨ na tˈɨlnɨm ɕɛdʑˈɛɲʲu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_64.wav|— vrˈutsɛ tˈɛraz dɔ bjˈura, jˈɔɛ. zˈɔɛ zɔstˈaɲʲɛ tˈutaj na pˌɔstɛrˈuŋku, a jˈɛɕli tsɔkˈɔlvʲɛk tɕi pʃˈɨjdʑɛ dɔ ɡwˈɔvɨ, tɔ mˈɔʒɛʃ jɛj pʃɛkˈazatɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_23.wav|ɲi tɔ trˈɔxɛ ˌutsɨvˌilizɔvˈanɨm lˈasɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_162.wav|ˌɔtsunˈɛwa ɕɛ ɔt stˈɔwu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_56.wav|jˈɛɕli tˌɛɡɔ swˈuxaʃ, spˈikɛ, tɔ vʲˈɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_25.wav|xˈɔdʑ bˌɛɲdʑɛ ʃtʃɛɲɕlˈiva, ʒˈɛ ɡˈɔ znˌalɛʑˈɔnɔ, kˈaʒdɨ ˈatɔm w jɛj tɕˈɛlɛ bˌɛɲdʑɛ kʃˈɨtʃaw, ɡdʑˈɛ jɛst mˈili.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_42.wav|— bˈɔː i nˈatɔ ɲʲɛ bˌɨwɔ tʃˈasu. zˈajmɛ pˈanu tˌɨlkɔ xfˈilkɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_235.wav|bˈɔjɛ ɕɛ, ʒˈɛ maʃ rˈatsjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_173.wav|bʲˈillɨ ˈidʑɛ tˈɨwɛm w ɡwˈɔmp kˌɔrɨtˈaʒa, ˈaʒ dɔtɕˈɛra dɔ dʒvˈi vɛjɕtɕˈɔvɨx.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_164.wav|dʑɛftʃˈɨna ˌɔdrɔbʲˈinɛ mɲʲˈɛj ˌintɛliɡˈɛntna. dʑɛftʃˈɨna, ktˌura ɲʲɛ zɔstˈawa ɲʲɛdˈavnɔ zɡvawtsˈɔna, mˈɔɡwabˌɨ tˌɛɡɔ ɲʲɛ ɔdɡˈadnɔɲtɕ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_119.wav|ʒˈadna pijˈafka ɲʲɛ pʃɨvrˈutɕi mu mwɔdˈɔɕtɕi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_70.wav|ta kɔbjˈɛta jɛst mˈɔim pʃˌɛznatʃˈɛɲʲɛm. ɲʲɛ vʲɛdʑˈawɛm jˈɛʃtʃɛ ftˈɛdɨ, tʃɨm jɛst pʃˌɛznatʃˈɛɲʲɛ, vʲˈɛm tɔ dʑˈiɕaj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_24.wav|blɔndˈɨŋka tʃˌarujˈɔntsa ʃwˈa dˈumnɨm krˈɔkʲɛm.|3
+Dataset/wavs/urwisko_ferenc/23_segment_150.wav|zapˈɛvnɛ pˌɔinfɔrmˈɔvawbˌɨ ˈɔɲim pɔlˈitsjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_231.wav|rˈɔnɲʲɛ ɡʲˈivɛns naprˈavdɛ nazˈɨvaw ɕɛ rˈɔbʲin mˌaɡuˈirɛ, a ɡlˈɛnn dˈuttɔn ɡˈadzdɛn drˈakɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_155.wav|tsˈɔɕ unˈɔɕi ɕɛ f pɔvʲˈɛtʃu nat jˈɛɡɔ ɡwˈɔvɔ̃, pɔ tʃɨm rɔzlˈɛɡa ɕɛ tʃˈask.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_205.wav|mˈikɛ prˈɔɕiw mɲʲɛ, ˈabɨm tˈu pʃˌɨjɛxˈawa pˌɔvʲɛdʑˈawa ˈɛstxɛr.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_96.wav|tɔ znˈatʃɨ, pˈɔmɨɕl tˈɨlkɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_21.wav|ɔt pɔtʃˈɔntku vˌɨbjɛrˈawam ɕɛ dɔ nˈɔrt tˌambɛrlˈandu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_13.wav|pˌɔkrɛɲtɕˈiwam ɡwˈɔvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_122.wav|zapˈɛvnɛ skˌɔntsɛntrˈujɔ̃ ɕ�� na zaxˈɔdʑɛ, ʒˈɛbɨ ɲʲɛ rɔsprˈaʃatɕ ɕˈiw. w idˈaxɔ, ˈutax, mˈɔʒɛ w ˌarizˈɔɲʲɛ, ˌalɛ ɡwˈuvɲʲɛ w nɔvˈadʑɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_118.wav|xˈɨba mˈɔɡɛ tɕi zaˈufatɕ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_67.wav|tɕˈawa ɡˈɛnɨ stˌartʃɨwˈɔbɨ na dvˈux tˈakix jˈak jɛj mˈɔ̃ʃ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_205.wav|zbˌudɔvˈanɔ ɡˈɔ tˈu, bˈɨ stʃˈɛkw pˈɔrt.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_257.wav|ɲʲɛznˈana mwˈɔda kɔbjˈɛta, zwɔvrˈuʒbna sɨrˈɛna varʃˈafska.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_302.wav|tˈɛʃ mɨɕlˈɛli, ʒˈɛ sɔ̃ ɡˈɔɕtɕmi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_49.wav|sˈɛrtsɛ wɔmˈɔtʃɛ w mˈɔjɛj pʲˈɛrɕi, jˈaɡbɨm pʃɛbjˈɛɡwa marˈatɔn. tɔ ɲʲˈɛmal rˈɛplikˌa pɔkˈɔju mˈili w nˈaʃɨm dˈɔmu. skˈɔnt ˌɔna tɔ fʃˈɨstkɔ vʲɛdʑˈawa?|4
+Dataset/wavs/urwisko_ferenc/46_segment_126.wav|ˌuvʲɛlbjˈanɔ ɡˈɔ tˈɛʒ w ɡrudʑˈɔndʑu, pʃɨnˈajmɲʲɛj ftˈɛdɨ, ɡdˈɨ spˌɔnsɔrˈɔvaw druʒˈɨnɛ ʒuʒlˈɔvɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_38.wav|tˈak, mˈama s pɛvnˈɔɕtɕɔ̃ jɛst na stsˈɛɲʲɛ i ɡrˈa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_154.wav|jˈak i tɕˈɛ̃ʒar martfˈɛɡɔ rajˈana.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_72.wav|mˈɔʒɛʒ bˈɨtɕ pˈɛvnɨ, ʒˈɛ tɔ bˌɨli bandˈɨtɕi, pɔvʲˈɛdʑaw ʃˈɛf.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_102.wav|pˌɔvʲɛdʑˈawɛm, ʒˈɛbɨɕ ɕɛ ɲʲɛ martfˈiwa.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_16.wav|ɲʲɛ, ɲʲɛ rˈuʃaj rɛŋkˈami. ˌɔnɛ tˈɛʃ ˌutɕɛrpʲˈawɨ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_390.wav|mˈam ɔbrˈɔɲtsɛ, kturˌɛɡɔ ʒˈadɛn mˈɔ̃ʃ ɲʲɛ pɔkˈɔna, ˌalɛ ɲʲɛ vˈɔlnɔ mi z ɲʲˈɛɡɔ skɔʒˈɨstatɕ.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_230.wav|ɲʲˌɛzɛbrˈanɛ plˈɔnɨ na pˈɔlaɣ bˌɨwɨ stratsˈɔnɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_139.wav|i znˈuf ˈandɛrsɔn pɔfstʃˈɨmaw jˈɛɡɔ rˈɛŋkɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_124.wav|zˌastanavʲˈawam ɕɛ jˈɛdnak, tʃɨ ɲʲɛ prɨɕɲʲˈɛntɔ mu tʃˈɨmɕ w ˈɔtʃɨ, tsˈɔ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_61.wav|tɛ tsˌɔtɨɡɔdɲʲˈɔvɛ partˈɨjki stˈawɨ ɕɛ dla dɛrˈɛka i ʃˈaɲitsˌɛ vˈaʒnɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_163.wav|i pʃˌɛjmujˈɔntsa rˈɔskɔʒ vˌɨpɛwɲˈiwa mˈuj fʃˈɛxɕfʲat.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_45.wav|fʃˈɨstsɨ ʒɔwɲʲˈɛʒɛ jˈak jˈɛdɛn mˈɔ̃ʃ pʃɨɕˈɛŋɡli, ʒˈɛ ɲˈits ɲʲɛ vʲˈɛdʑɔ̃ ɔ plˈanax sˈɛr brɨndˈɛna.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_180.wav|xtɕˈaw jˈɔ̃ zˈabʲitɕ, ɲʲɛ ˌukɔrɔnˈɔvatɕ.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_32.wav|pˈɔtɛm, ɡdˈɨ vznɔvˈili pˈɔdruʃ, pˌɔdjɛxˈawa dɔ sɛptˈɔna.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_24.wav|ɲʲɛ mʲˈawam pɔjˈɛɲtɕa, tsˈɔ tɔ bˈɨw za sˈɔk, ˌalɛ ˌɔdvaʒˈɨwam ɕɛ vˈɨpitɕ wˈɨk. ˌɔkazˈawɔ ɕɛ, ʒˈɛ tɔ rˌɔspuʃtʃˈɔnɨ ˈɛkstrakt marxfʲˈɔvɔjapkˈɔvɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_275.wav|kturˈɛɡɔʑ dɲʲˈa mˈɔɡɛ udˈɛʒɨtɕ tɕˈɛ zbˈɨt mˈɔtsnɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_12.wav|jˈɛɕli zdˌɛtsɨdɔvˈawa, ʒˈɛ lˈɛpʲɛj bˌɛɲdʑɛ s tˈɔbɔ̃ i tfˈɔjɔ̃ nˈɔvɔ̃ kɔbjˈɛtɔ̃, tɔ tsˈɔ mˈɔɡɛ zrˈɔbʲitɕ?|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_120.wav|zwˈapaw jˈɔ̃ brutˈalɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_37.wav|tˈɔm tʃˈɛkaw, spˌɔdʑɛvˈajɔnts ɕɛ fˌajɛrvˈɛrkuf. kˈu sfˈɛmu zˌaskɔtʃˈɛɲʲu ʒˈadnɨx ɕɛ ɲʲɛ dɔtʃˈɛkaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_88.wav|mˈuvjɛ prˈavdɛ, ˌalɛ f tɛj ɡʒˈɛ ɲʲˈɛma ʒˈadnɨɣ zˈasat.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_204.wav|i tʃˈujɔnts jɛj ˈusta i jɛj rˈɛntsɛ zˌatɕiɕɲʲˈɛntɛ vˈɔkuw jˈɛɡɔ ʃˈɨi,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_19.wav|xˈɨba pˌɔviɲʲˈɛnɛʑ zˌastanˈɔvitɕ ɕɛ nˈattɨm jˈɛʃtʃɛ rˈas.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_219.wav|dˈaj im vˈɨjɕtɕ na dvˈuri, ɲʲˈɛx ɕɛ bʲˈijɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_162.wav|jˈak mˈɔʒɛʃ ɔdʑˈɨskatɕ ɕˈiwɨ, jˈɛɕli ɲˈits ɲʲˈɛjɛʃ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_39.wav|zˌastanˈavʲam ɕɛ pʃˈɛs mˈɔmɛnt, tʃɨ tɔ tɛn sˈam nˈuʃ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_22.wav|xˈɔdʑ bˌɨwa f tɨm pˈɛvna pʃˌɛvidɨvˈalnɔɕtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_14.wav|pˈɔza tɨm ɲʲɛ mˌamɨ nakˈazu, vʲˈɛnts ɲʲɛ mɔʒˈɛmɨ vˈɛjʑdʑ dɔ ɕrˈɔtka. ɲʲɛ vɨɡlˈɔnda mi tɔ na dˈɔm rɔdʑˈinnɨ, xˈɔtɕ ˈɔbaj vidʑˈɛliɕmˌɨ jˈuʒ ɡˈɔrʃɛ pʃɨpˈatki.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_7.wav|— ˈɔ, vˈɛʃwɔː ix tʃˈɛx i kazˈali mu ɕɛ ɔdvrˈutɕitɕ — pˌɔvʲɛdʑˈawa tʃˈarnɔː ubrˈana pˈaɲi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_53.wav|mˌajɔ̃ ˌɔtʃɨvˈiɕtɕɛ rˈatsjɛ, a ja mˈuʃɛ ɕɛ pɔzbjˈɛratɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_10.wav|tʃɨ mˈɔɡɛ f tʃˈɨmɕ pˈɔmuts? nazˈɨvam ɕɛ ˈadam fɔrˈakis.|3
+Dataset/wavs/urwisko_ferenc/12_segment_88.wav|tɛn kɔlˈɛɡa pʃˈɛmka vɔʑɲʲˈaka, kturˌɛɡɔ pɔznˈawɛɕ ɲʲɛdˈavnɔ, pʃˌɨpɔmɲʲˈawa xˈɛrman.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_4.wav|tʃˈujɛ jɛj swˈɔtki zˈapax, pʃˈɛs tsˈɔ jˈɛʃtʃɛ bˈardʑɛj prˈaɡnɛ jˈɔ̃ ɔdʑˈɨskatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_2.wav|kʲˈɛdɨ tˈɔm stˈanɔw w dʒvʲˈax pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔ, natˈɨxmʲazd vˈɨtʃuw pˌanujˈɔntsɛ tˈam pˌɔdɲʲɛtsˈɛɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_20.wav|ftɕˈɔ̃ʃ jɛzd za ftʃˈɛɕɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_70.wav|praɡnˈɛwa dɔkwˈadɲʲɛ zˌapamjˈɛntatɕ fʃˈɨstkʲɛ ʃtʃɛɡˈuwɨ. ɲʲɛ xtɕˈawabˌɨm, ʒˈɛbɨ nˈaʃa drˈɔɡa marɡˈɛrɨ ˌuswɨʃˈawa tɛ vʲˈɛɕtɕi ɔt kˈɔɡɔɕ ɔptsˈɛɡɔ, ˌɔznajmˈiwa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_216.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_69.wav|a ja rɔbʲˈiwɛm za kɛlnˈɛra, mˈɨɕli bʲˈidʑi.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_320.wav|pɔdˈawam mu ɡʲˈizmɔ, a ɔn pʃɨwˈɔʒɨw jˈɛ dɔ kˈasɨ i vrˈɛntʃɨw mi s pɔvrˈɔtɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_350.wav|za nˌadʑvɨtʃˈajna dla mɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_48.wav|f tɨm rˈɔku trˈɔxɛ krˈuxɔː ˈu mɲʲɛ s fˈɔrsɔ̃. ɲʲɛ tˈak mˈuviw xˈɔff.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_52.wav|nastˈɛmpnɛ ˌuʒɔndlˈɛɲʲɛ w ɡʒbjˈɛd dwˈɔɲi vˌɨvɔwˈujɛ mˈuj stwumjˈɔnɨ kʃˈɨk, ˌalɛ tɔ dɔpʲˈɛrɔ tʃˈɛtɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_19.wav|nɔrmˈalɲʲɛ ˌintɛrɛsˈujɔ̃ ɡˈɔ jɛdˈɨɲʲɛ dvʲˈɛ pˌɔtstavˈɔvɛ ʒˈɛtʃɨ stʃˈaw i utɕˈɛtʃka.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_96.wav|kʲˈɛdɨ ɡˈɔː ˈɔtɔ zˌapɨtˈawam, prubˈɔvaw ɕɛ uɕmʲˈɛxnɔɲtɕ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_176.wav|rˈɛʃtɛ nˈɔtsɨ spɛɲdʑˈiwa zviɲʲˈɛnta pɔt kˈɔtsɛm, swuxˈajɔnts ʃˈumu dˈɛʃtʃu ˌudɛʒˌajɔntsˈɛɡɔː ɔ pˈɔkwat nat jɛj ɡwˈɔvɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_157.wav|dˈɔbʒɛ, zabʲˈijɛ kˈɔɡɔʑ dʑˈiʑ vʲɛtʃˈɔrɛm i pʃɨɲʲˈɔsɛ pˈanu pˈaɲskɔ̃ fˈɔrsɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_45.wav|ɲʲˈɛmam ʒˈadnɨɣ vˌɔntplivˈɔɕtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_21.wav|na tɛrˈɛɲʲɛ pˌɔɕadwˈɔɕtɕi? ɲʲɛ, jˈɛɕli uvˈaʒa, ʒˈɛ zɡʲinˈɔwɛɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_52.wav|ɲʲɛ tˈak tɔ mʲˈawɔ vɨɡlˈɔndatɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_168.wav|ɲʲɛ, pɔvʲˈɛdʑaw mˈuʒɨn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_3.wav|pˌɔvʲɛdʑˈawa bˈɛtskɨ, tˌɔvaʒˈɨʃɔnts tɔmˈɔvi w drˈɔdʑɛ z jˈɛɡɔ bjˈura dɔ pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔ.|3
+Dataset/wavs/urwisko_ferenc/08_segment_71.wav|ˌalɛ ɲʲɛ mʲˈɛʃka tˈu ʒˈadɛn ɡʒˈɛɡɔʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_68.wav|pˈan, s ktˌurɨm mʲɛʃkˈawa mˈɔja mˈama, pʃˈɨʃɛd dɔ dˈɔmu zˈɛ zwamˈanɔ̃ rˈɛŋkɔ��. mˈuɕaw pʃɨjˈɛxatɕ prˈɔstɔ zˈɛ ʃpitˈala, bˈɔ mʲˈaw jˈɔ̃ w ɡʲˈipɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_87.wav|tɔ kˈuxɲʲa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_31.wav|dɔxˈɔdʑi stˈamtɔnt tˈu pɔd vʲˈɛlu nˈuk i ɡvˈar pˌɔdɲʲɛtsˈɔnɨɣ ɡwˈɔsuf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_9.wav|vʲˈɛm, ʒˈɛ pˌɔviɲʲˈɛnɛm bˈɨw tɕˈɛ nˈajpʲɛrv zapˈɨtatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_427.wav|pɔtʃˈuwam ʑˈimnɨ drˈɛʃtʃ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_146.wav|tɔ dlatˈɛɡɔ, ʒˈɛ mˈam muʒˈɨna, aɲʲˈɔwa strˈuʒa.|0
+Dataset/wavs/urwisko_ferenc/11_segment_86.wav|dlatʃˈɛɡɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_140.wav|dˈɔɕtɕ jˈuʃ mʲˌawɛm vˌɨdwubɨvˈaɲʲa z ɲˈix ɔkrˈuxuf, mˈuvi bʲˈillɨ. rˈixtɛr ɕɛ ɕmʲˈɛjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_229.wav|a ɲʲˈɛxtsɛ, ʒˈɛbɨ stˈawa ɕɛ jɛj kʃˈɨvda.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_151.wav|ɔt tʃˈasu dɔ tʃˈasu bˌɨwɛm jˈɛɡɔː ˌasɨstˈɛntɛm w ˈɔbu prɔfˈɛsjax.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_192.wav|swˈabɨ rˈux f swˈabɨm mʲastˈɛtʃku.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_49.wav|vˌɨtʃuvˈawam f tɨm fʃˈɨstkim tsˈɔʑ bˈardʑɔ ɲʲˌɛpɔkˌɔjɔntsˈɛɡɔ, ˌalɛ ɲʲɛ pˌɔtrafˈiwam tˌɛɡɔ zˌidɛntˌɨfikˈɔvatɕ, a bˌɨwam tˈak pˌɔdɛnˌɛrvɔvˈana, ʒˈɛ pɔ prˈɔstu skinˈɛwam ɡwˈɔvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_34.wav|bʲˈillɨ pɔdˈajɛ mu prˈavɔ jˈazdɨ davˈida lɔtskrˈidʒa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_11.wav|w vʲˈɛku dʑɛɕˈɛɲtɕu lˈat ɲʲɛ rˌɔzumjˈawam zbˈɨd vʲˈɛlɛ, ɡdˈɨ muvʲˈɔnɔː ɔ pʲɛɲʲˈɔndʑax.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_95.wav|zˈɔstaɲ z rajˈanɛm i ʒˈɨj z ɲˈim.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_2.wav|pˌɔɲʲɛdʑˈawɛk jɛzd zazvˈɨtʃaj mˈɔim ˌulubjˈɔnɨm dɲʲˈɛm tɨɡˈɔdɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_17.wav|ɲʲɛ ulˈɛɡa vˌɔntplivˈɔɕtɕi, ʒˈɛ jˌɛstɛʑ zjˈɛbɛm, jɛʒˈɛli rɔdʑˈɔna mˈatka dˈajɛ tɕi tɔ dɔ zrˌɔzumjˈɛɲʲa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_9.wav|s kˈaʒdɔ̃ ˌupwɨvajˈɔntsɔ̃ minˈutɔ̃ tʃˈujɛ ɕɛ jˈɛdnaɡ bˈardʑɛj vˌɨtʃɛrpˈana.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_357.wav|pɔvˈinnam mʲˈɛtɕ sˈɔs. bˈɛkkɔ ɡˈɔ mˈa i spʃɛdˈajɛ tʃˈɨ rˈazɨ vʲˈɛntsɛj ˈɔstrɨx ɔd brˈuska.|1
+Dataset/wavs/urwisko_ferenc/13_segment_28.wav|xˈɛrman tʃɛkˈawa na tɕˈɔŋɡ dˈalʃɨ, lˈɛtʃ sˈɔlski zɲʲˌɛruxˈɔmjaw na xfˈilɛ.|0
+Dataset/wavs/urwisko_ferenc/35_segment_50.wav|ɔ tsˈɔː im pˈɔʃwɔ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_400.wav|nˈapiwbˌɨm ɕɛ vˈɔdɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_36.wav|bʲˈillɨ pʃˈɛs xfˈilɛ ɲʲɛ kɔjˈaʒɨ, ɡdʑˈɛ ftʃˈɛɕɲʲɛj vˈidʑaw tɛn vˈus, ˌalɛ pʃˌɨpɔmˈina sˈɔbjɛ jˈɛʃtʃɛ zˈaɲim kʲɛrˈɔftsa vɨɕˈada.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_142.wav|pʃɨnˈajmɲʲɛj f pˈɛvnɨm sˈɛnɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_229.wav|tfˈuj pˈan ˈɔjtɕɛts fspɔmˈinaw, ʒˈɛ jˈɛɕli fʃˈɨstkɔ pˈujdʑɛ zɡˈɔdɲʲɛ s plˈanɛm, rɛˈinalt ɔtʃˈɨma ɔt ɲʲˈɛɡɔ jˈɔj.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_195.wav|tʃɨ tfˈuj dˈurnɨ bˈalman fplˈɔntaw f tɔ mˈɔjɛ ˈimjɛ? pˈɔvʲɛts, ʒˈɛ tˌɛɡɔ ɲʲɛ zrˈɔbʲiw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_57.wav|ɲʲɛ zˌauvaʒˈɨwa mɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_364.wav|mˈam nadʑˈɛjɛ, ʒˈɛ vʲˈɛʃ, ˈiʃ nˈaʃa mjˈa ɲʲɛ jɛst jˈuʒ dʑɛvˈitsɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_69.wav|stanˈɛwam za plɛtsˈami turˈɨstuf i starˈawam ɕɛ ɲʲɛ pˈatʃɛtɕ pʃɛt ɕˈɛbjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_192.wav|swɨʃˈawɛɕ kʲˈɛdɨɕ ɔ tˌɛlɛfˈɔnax? pˌɔzvalˈajɔ̃ rɔzmˈavʲadʑ z lˈudʑmi na ɔdlˈɛɡwɔɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_31.wav|vˈaʃa mˈiwɔɕtɕ s pɛvnˈɔɕtɕɔ̃ vʲˈɛ, vʲˈɛm, ʒˈɛ ɡdˈɨ mɔjˈɛɡɔ sˈɨna ɔtrˈutɔ...|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_244.wav|ɡdˈɨbɨm tɔ ja bˈɨw na mˈurax...|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_231.wav|ˌalɛ bˈuk ɲʲˈɛdaw mu jɛdnˈɛɡɔ, tʃˈɛɡɔ naprˈavdɛ prˈaɡnɔw.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_238.wav|stanˈɛwam jˈaɡ vrˈɨta.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_163.wav|vʲˈɛnts rˈuɣ bˈɨw mˈawɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_98.wav|tɔ znˈatʃɨ ja i mˈɔja ɕˌɔstʃɛɲˈitsa.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_42.wav|ˈilɛ bˈɨw tɕi vˈiɲʲɛn?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_32.wav|pʃɨnˈajmɲʲɛj zmuɕˈiwam ɕɛ dɔ tˌɛɡɔː i pʃˌɛkɔnˈawam sˈamɔ̃ ɕˈɛbjɛ, ʒˈɛ bˌɛɲdʑɛ wˈatfɔ.|3
+Dataset/wavs/urwisko_ferenc/46_segment_130.wav|tʃɨ ʒˌɛtʃɨvˈiɕtɕɛ tɛn stˈarʃɨ mɛ̃ʃtʃˈɨzna mˈuɡw nakrˈɛntsatɕ prɔtsˈɛdɛr pˌɛdɔfˈilski w ˈinnɛj tʃˈɛɲɕtɕi krˈaju?|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_120.wav|pˈɔvʲɛts jɛj, ʒˈɛ ɕpjˈɛ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_280.wav|jˈɛɡɔ vʲɔɕlˈaʒɛ vʑˈɛli ɕɛ dɔ rɔbˈɔtɨ, zmʲɛʒˈajɔnts kˈu dɛmbˈɔvɛj tˈartʃɨ, a ʒɛlˈaznɨ kapˈitan vrˈutɕiw pɔt pˈɔkwat.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_325.wav|ˈɔsfrɨt kɛttlˈɛblatsk ɲʲɛ dɔvˈɔdʑi jˈuʃ strˈaʒɔ̃ mʲˈɛjskɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_31.wav|kupˈujɛʃ ˈalbɔ mˈɨɕliʃ ˈɔtɨm, ʒˈɛbɨ kˈupitɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_152.wav|najlˈɛpʃɨ prɔdˈutsɛnd zɛɡˈarkuf na ʑˈɛmi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_15.wav|vwˈɔntʃɲʲɛ za rˈamɨ.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_128.wav|znˈajda jɛzd zvʲɛʒˈɛɲtɕɛm pˌɔtɕɔŋɡˈɔvɨm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_116.wav|a nˈaʃɛ tɕˈawa bˌɨwɨ rˈuvnɔː ˌuwɔʒˈɔnɛ napʃˈɛtɕif ɕˈɛbjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_79.wav|vʲˈɛm, ˌalɛ mˈuʃɛ tɔː uswˈɨʃɛtɕ, vʲˈɛnts tʃˈɛkam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_10.wav|zapˈɛvɲiw, ʒˈɛ ɲˈits jɛj ɲʲɛ ɡrˈɔʑi, ˌalɛ xˈɔdʑ bwaɡˈawam ɔ ʃtʃɛɡˈuwɨ, ɲʲɛ pɔvʲˈɛdʑaw ɲˈidʑ vʲˈɛntsɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_47.wav|tɔ ɲʲɛ jɛst tˈata.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_98.wav|a jˈɛdnaɡ ɡʲˈɔrɡjɔː ɔdbjˈɛra pɔ drˈuɡʲim sɨɡnˈalɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_103.wav|jˈɛɡɔ dwˈɔɲʲɛ pˌɔruʃˈajɔ̃ ɕɛ ʃˈɨpkɔː i prˈavʲɛ ɲʲˌɛzalˈɛʒɲʲɛ ɔt ɲʲˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_81.wav|tɔ ɲʲɛ sɔ̃ zvˈɨkli wupʲˈɛʃtsɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_209.wav|ˌalɛ ɲʲˈɛbɔː ˈu nˈas jɛst tˈakʲɛ sˈamɔ vʲˈɔsnɔ̃ i jɛɕˈɛɲʲɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_36.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_53.wav|bˌɨwɔ jˈuʒ blˈiʒɛj ɕfˈitu ɲˈiʒ zmʲˈɛʃxu i vʲˈɛŋkʃɔɕtɕ lˈudʑi w zˈamku spˈawa, ˌalɛ ɲʲɛ pˈɛdr bˈɛjliʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_270.wav|nˌaduʒˈɨtɕɛ pˌɔtɕfʲadˈɔmɨx rˈɛɡuw, nˌaduʒˈɨtɕɛ jɛj ɡɔdnˈɔɕtɕi, pamjˈɛɲtɕi, dˈumɨ kɔbjˈɛtsɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_17.wav|tˈɨlɛ pˈartji pɔfstˈajɛ, ʒˈɛ zabrˈakwɔ jˈuʃ nˈasf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_64.wav|pʃɛt ˈinnɨm ɡrˈubɨ fˈatsɛd w bɛrmˈudax i pˌɔtkɔʃˈulku ɕˈɛdʑi na kʃˈɛɕlɛ ˌɔɡrɔdˈɔvɨm kupʲˈɔnɨm f kˈɔstkɔ tʃɨ sˈams klˈup i pˌɔpijˈajɔnts pˈivɔ pˈatʃɨ jˈak pʃˌɛjɛʒdʒˈajɔ̃.|2
+Dataset/wavs/urwisko_ferenc/27_segment_99.wav|xˈɛrman zˌastanavʲˈawa ɕɛ, tʃɨ pɔvˈinna snˈudʑ dˈalɛj sfˈɔjɛ rˌɔzvaʒˈaɲʲa, skˈɔrɔ lˈɛɡnɛr ɲʲɛ jɛst ɲˈimi zˌaintˌɛrɛsɔvˈanɨ. pˌɔstanɔvˈiwa zˌarɨzɨkˈɔvatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_168.wav|vˈɨɕpjɛ ɕɛ, kʲˈɛdɨ bˌɛɲdʑɛ pɔ fʃˈɨstkim. tsˈawɨ dʑˈɛɲ z wˈuʃka ɲʲɛ fstˈanɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_95.wav|tɔ ɲʲˌɛvɨrˈaʑnɛ vidˈɛɔ naɡrˈanɛ tˌɛlɛfˈɔnɛm kˌɔmurkˈɔvɨm. ˈawdjɔ na pˈɛvnɔ jɛzd dɔ dˈupɨ. a pˈɔza tɨm ɲʲɛ muzˈɨka ɡˈɔ tˈu ɕtɕɔŋɡnˈɛwa.|2
+Dataset/wavs/urwisko_ferenc/47_segment_23.wav|f tɛn spˈɔsup jɔˈanna pˌɔmaɡˈawa xˈɛrman budˈɔvatɕ pɔtʃˈutɕɛ vwˈasnɛj vartˈɔɕtɕi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_109.wav|na lɔtɲˈisku vɨɡlˈɔnda ʑlˈɛ, pˌɔvʲɛdʑˈawa s tˈɨwu jˈudɨ. zupˈɛwɲʲɛ ɲʲˈɛma sˈɛnsu, ʒˈɛbɨɕ tˈam ʃˈɛd.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_216.wav|dˈɔbrɔ̃ tˈu mˌatɕɛ rˌɛstawrˈatsjɛ? pˈɨta ˈɛlis.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_9.wav|fʃˈɨstkɔ f pɔʒˈɔntku, ˌalɛ tʃˈɛba bˈɨ pˌɔdʑɛŋkˈɔvatɕ krˌɛtɨnˈɔvi, ktˌurɨ zˈɛpxnɔw mɲʲɛ z drˈɔɡʲi. bˈɨdlak ɕɛ nˈavɛt ɲʲɛ zatʃˈɨmaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_20.wav|skʃˌɨʒɔvˈawam rˈɛntsɛ na pʲˈɛrɕi.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_383.wav|ɲʲɛktˌuʒɨ z rɨtsˈɛʒɨ bˈɨtɕ mˈɔʒɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_28.wav|ɔdvrˈatsa ɕɛ ɲʲˈɛtsɔː i pʃɛkʃˈɨvja lˈɛkkɔ ɡwˈɔvɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_58.wav|nastˈɔmpi pɔtˈɛ̃ʒnɨ vzrˈɔst kˌɔɲʲuŋktˈurɨ. pɔfstˈanɔ̃ nˈɔvɛ fabrˈɨki, mnˈustfɔ lˈudʑi pʃˌɛprɔvˈadʑi ɕɛ tˈu za prˈatsɔ̃ i fʃˈɨstkim bˌɛɲdʑɛ ɕɛ dˌɔskɔnˈalɛ pˌɔvɔdʑˈiwɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_48.wav|tsˈɔ tɔ za pʲɔsˈɛŋka?|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_93.wav|w ɕrˈɔtku zˌaxɔdʑˈiwa buʒlˈiva rɛˈaktsja, f ktˌurɛj pˌɔwɔntʃˈɔnɛ ɕˈiwɨ fˈizɨkˌi i xˈɛmji zˌamjɛɲʲˈawɨ skˈawɛ w mˈɛtal, ˌalɛ na zˈɛvnɔntʃ kˈɔlɔs ˌɛmanˈɔvaw spɔkˈɔjɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_67.wav|tʃtˈɛrɨ nastˈɛmpnɛ pʃˌɛvratsˈajɔ̃ tʃtˈɛrɨ blaʃˈanɛ ptˈaki.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_147.wav|ˌalɛ ɲʲɛ jˌɛstɛm zˌaskɔtʃˈɔnɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_83.wav|nˈɔ tɔ xˈɨba ɲʲˈɛma sˈɛnsu.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_61.wav|f tɨm straʃlˈivɨm vʲɛ̃ʑˈɛɲʲu pʃˌɛtʃɨmɨvˈanɔ najɡˈɔrʃɨɣ zbrɔdɲʲˈaʒɨ, ktˌuʒɨ ɡɲˈili tˈam tʃɛkˈajɔnts na ɕmʲˈɛrtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_33.wav|tˈaɡ bˈardʑɔ za tˈɔbɔ̃ tɛ̃skɲˈiwɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_82.wav|jɛst tɨm ʒˈɨvɔ zˌaintˌɛrɛsɔvˈanɨ. vʲˈɛtɕɛ, ɔt tˌɛɡɔ zalˈɛʒɨ rˈuvɲʲɛʃ jˈɛɡɔ pʃˈɨʃwɔɕtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_53.wav|a tsˈɔ s pˌɔzɔstawˈɨmi tʃwˌɔŋkiɲʲˈami ɡrˈupɨ tˌɛatrˈalnɛj?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_154.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_65.wav|ˌɔtʃɨvˈiɕtɕɛ, ɡdˈɨbɨ tɔ dʒˈɛvɔ mɔʒlˈivɛ bˌɨwɔ dɔː ˌuratɔvˈaɲʲa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_134.wav|z jˈakʲɛjɕ mˈarnɛj ɡazˈɛtɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_74.wav|zatʃˈɛli ˌɔtʃɨvˈiɕtɕɛ ɔd zˌadavˈaɲʲa pˈɨtaɲ. tʃɨ jˌɛstɛm mɛ̃ʒˈatkɔ̃? tʃɨ ʒˈɨjɛ w zvʲˈɔ̃sku? tʃɨ mˈam dʑˈɛtɕi? zˈafʃɛ ˌɔtpɔvʲadˈawam, ʒˈɛ ɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_62.wav|tʃɨmˈajɔnts ɕɛ ɕtɕˈanɨ, pʃɛsˈuvam ɕɛ dˈalɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_212.wav|vɨxˈɔdʑi i ʃˈɨpkɔ rˈuʃa w ɡwˈɔmp kˌɔrɨtˈaʒa. ɲʲɛ zvalɲʲˈajɔnts krˈɔku, zdɛjmˈujɛ mˈaskɛ i xˈɔva jˈɔ̃ dɔ rɔspʲˈɛntɛj tˈɔrbɨ na laptˈɔpa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_72.wav|w jˈɛɡɔ mˈawɨm ɕfʲˈɛtɕɛ fʃˈɨstkɔ ɡrˈa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_65.wav|mˈɨɕliʃ, ʒˈɛ tɔ ɲʲɛ pʃˈɛjdʑɛ, a ja tɕi mˈuvjɛ, ʒˈɛ tˈak. pˈɔzvul, ʒˈɛ vˌɨtwumˈatʃɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_40.wav|kʲˈɛdɨ jˈɔ̃ vidʑˈawam, dalˈɛkɔ jɛj bˌɨwɔ dɔ wˈɛs, ˌalɛ znˈam jˈɔ̃ dˌɔskɔnˈalɛ. zalˈɛʒɨ jɛj nˈatɨm, ʒˈɛbɨ lˈudʑɛ bwaɡˈali jˈɔ̃ ɔ ʃtʃɛɡˈuwɨ i tɔ vwˈaɕɲʲɛ rˈɔbjɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_4.wav|tɨm rˈazɛm ɲʲɛ bˌɨwɔ jˈɛdnak spʃɛdˈaftsɨ, ktˌurɨ ɡˈɔː ˌɔpswuɡʲˈivaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_91.wav|ɲʲɛ zˌauvˈaʒam w ɔɡˈulɛ pʲɛŋknˈɛɡɔ, barvnˈɛɡɔː ɔɡrˈɔdu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_143.wav|skrˈɛntsa f pˈɛarsɔn, pˌɔkɔnˈujɛ bjˈɛɡʲɛm ɔstˈatɲʲɔ̃ pʃɛtʃɲˈitsɛ i jˈuʒ vˈidatɕ jˈɛɡɔ budˈɨnɛk.|2
+Dataset/wavs/urwisko_ferenc/09_segment_12.wav|bˈɨw pʃˌɛkɔnˈanɨ, ʒˈɛ ɲʲˈɛmal rˈɔk tˌɛmu vwˈaɕɲʲɛ tˌɛɡɔ fatsˈɛta vˈidʑaw f pɔblˈiʒu dʑikʲˈɛɡɔ kˌɔmpʲɛlˈiska.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_38.wav|ɲʲɛ ɔptɕˈɔŋɡɲʲɛʃ mˌɛksɨkaɲtsˈɔvi, tsˈɔ mˈɨɕli?|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_15.wav|ɡʲˈɔrɡjɔ pˌɔtɕɔŋɡˈawɨ kʃˈɛjka pʃˈɛs swˈɔmkɛ. kˈurtʃɛ, pɨxˈɔta, f sˈam rˈas na tɕˈɛpwɨ vʲˈɛtʃur.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_460.wav|lˈampa vɨpˈadwa mu z rˈɔŋk i pˈɛŋkwa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_317.wav|klɛpnˈɔwɛm dˌɛlikˈatɲʲɛ jɛj pʲˈɛrɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_178.wav|mˈawɨ dˈɔm na kˈɔɲtsu ˌɛdʒɛvˈɔɔt mˌɔuntˈain dɹˈajv vˌɨpɔsaʒˈɔnɨ jɛst w mˌikrɔfalˈufkɛ i antˈɛnɛ sˌatɛlitˈarnɔ̃, ˌalɛ ɲʲˈɛma zmɨvˈarki.|2
+Dataset/wavs/urwisko_ferenc/34_segment_9.wav|— jˈasnɛ. mˈɔʒɛ pˈan ɡrˈatɕ na tʃˈas, uɲˈikatɕ ˌɔtpɔvʲˈɛdʑi i udˈavatɕ pʃɛdˈɛmnɔ̃ idjˈɔtɛ pˈana vˈɨbur?|0
+Dataset/wavs/urwisko_ferenc/65_segment_143.wav|pɔlˈitsjant napˈɛwɲiw pwˈutsa ʒˈɛɕkim pɔvʲˈɛtʃɛm. lˈɛkki vʲˈatr ɲʲˈus ˌintɛnsˈɨvnɨ zˈapax lˈasu.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_181.wav|ˈuɲʲus jˈɛdɛn z ɲˈix i pʃˈɨjʒaw ɕɛ mu uvˈaʒɲʲɛ. dʑˈiɕaj bˌɛɲdʑɛ nˈuf!|1
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_4.wav|ɲʲɛ rɔzɡlˈɔndaj ɕɛ, ɲʲɛ rɔzɡlˈɔndaj ɕɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_52.wav|kʲˈɛdɨ bˌɛɲdʑɛʃ mˈɨɕlɛtɕ ˈɔnas, lˈudʑax.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_72.wav|pˈɔza tɨm tɔː ˌarɔɡˈantski sukˈinsɨn, ktˌurɨ zˌasuɡɛrˈɔvaw, ʒˈɛ pˌɔviɲʲˈɛnɛm zrɔzˈumjɛdʑ zdrˈadɛ tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ jˌɛstɛm fatsˈɛtɛm.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_113.wav|jˈɛtstɕɛ zˈamjazd zavrˈatsatɕ ʃlaxˈɛtnɨm ɡˈɔɕtɕɔm ɡwˈɔvɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_181.wav|ʒˈɛ ɲʲɛ zapˈɔmnɛ jɛj nˈavɛt f pʲˈɛklɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_8.wav|vʲˈɛ jˈɛdnak, ʒˈɛ nˈavɛd ɡdˈɨbɨ xtɕˈawa, ɲʲɛ bˈɨwabˌɨ f stˈaɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_81.wav|mɔʒlˈivɛ, ʒˈɛ jˈɛʃtʃɛ ɲʲɛ vɨjˈɔwɛm ɡˈɔ s sˌamɔxˈɔdu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_109.wav|bˈaki xˈɨba tˈɛʃ, bˈɔː ˌudʑɛlˈiwa mu ɕɛ jɛj rˈadɔɕtɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_82.wav|a ja sˈɔbjɛ sˈama pˌɔzvɔlˈiwam, xwɔptʃˈɨku.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_89.wav|tɔ bˌɨwa dˈɔɕtɕ ɲʲˌɛtɨpˈɔva sˌɨtuˈatsja, jˈak na pˌɔɲʲɛdʑawkˈɔvɨ vʲˈɛtʃur.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_223.wav|vɨjˈɛwam ɡʲˈizmɔ zˌarɛjˌɛstrɔvˈanɛ na xarplˈitsiŋk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_149.wav|tɔ ɲʲɛ mˈɔʒɛʃ nˈam ɲˈiɡdɨ vrˈutɕitɕ!|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_94.wav|bˌɨwam pʃˌɛraʒˈɔna, ʒˈɛ ˈɔtʃɨ fʃˈɨstkix utkfʲˈɔnɛ bˌɛndɔ̃ vˈɛmɲʲɛ, ʒˈɛ fʃˈɨstsɨ vʲˈɛdʑɔ̃, ʒˈɛ ɡˈɔ zabʲˈiwam.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_174.wav|talˈɛra jˈaɡ zvˈɨklɛ bˌɛɲdʑɛ ʃukˈawa ʃtʃˈɛɲɕtɕa w zawˈukax ˌɔtatʃajˈɔntsɨx kɕˌɛ̃ʒɨtsˈɔvɔ̃ sadʑˈafkɛ ˈalbɔ pˈɔɕrut ɕfʲˈɔntɨɲ na vˈɨspʲɛ bˈɔɡuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_626.wav|vʲˈɛnts pˌɔmɨɕlˈawɛm sˈɔbjɛ, ʒˈɛbɨ zawˈɔʒɨtɕ tˈu ˈu nˈas, f krˈaju, pˈartjɛ pʃˌɛbatʃˈɛɲʲa.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_129.wav|ˌɔkazˈawɔ ɕɛ, ʒˈɛ jɛst fˈanɛm stˈar trˈɛka.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_14.wav|zaɡˈajam z uɕmʲˈɛxɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_251.wav|vrˈɛʃtɕɛ ˌukɔɲtʃˈɨwam sfˈɔjɛ dʑˈɛwɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_65.wav|uɕˈɔndɛ s tfˈɔjɔ̃ mˈamɔ̃ i fʃˈɨstkɔː ˌɔmuvˈimɨ. jˌɛstɛɕ jˈuʃ na tˈɨlɛ dˈuʒa, ʒˈɛ mˈɔʒɛʃ mʲˈɛtɕ tsˈɔʑ dɔ pˌɔvʲɛdʑˈɛɲʲa f tɛj sprˈavʲɛ, a mɨ na pˈɛvnɔ tɕˈɛ vˌɨswuxˈamɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_368.wav|ˈɔx, ɲʲɛ lˈubjɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_353.wav|ˌɔna uɕmʲˈɛʒɨ mˈɛŋkɛ fʃˈɨstkix lˈudʑi z vʲˈɛ̃ʑɛɲ, wˈaɡruf, slˈumsuf, rˈuvɲʲɛʒ z rˌɛzɨdˈɛntsji i sˌublɔkatˈɔrskix pˌɔkɔˈikuf.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_10.wav|vʲˈɛm, ʒˈɛ ɲʲɛ kˈaʒda dɛtsˈɨzja, ktˌurɔ̃ pɔdjˈɛwam f tɨm vʲˈɛku, bˌɨwa mˈɔndra.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_155.wav|tɛn pʃɛklˈɛntɨ kˈapwan mɲʲɛ pɔswˈuxa ˈalbɔ pʃɛkˈɔna ɕɛ, ʒˈɛ nˈadal jɛst swˈabɨm tʃwɔvʲˈɛkʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_190.wav|vʲˈɛm i dɔstˈaɲʲɛʃ tɛ pʲɛɲʲˈɔndʑɛ. nˈaʃ pʃɨjˈatɕɛl vɨpwˈatɕiw tsˈawɔ̃ sˈumɛ, jɛst pʃˌɛkɔnˈanɨ, ʒˈɛ ɲʲɛ ʒˈɨjɛʃ.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_116.wav|pʲˈɛɲtɕu krˈuluv zˌɔstavˈiwɔ nˈam f spˈatku bˈardʑɔ ɲʲɛvʲˈɛlɛ pɔkˈɔju i pɔʒˈɔntku, a ɔbˈavʲam ɕɛ, ʒˈɛ i tɔ ɲʲɛ pʃɛʒˈɨjɛ tʃˈɛx krulˈɔvɨx.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_141.wav|ɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_280.wav|a tɨ mˈɨɕliʃ, ʒˈɛ tɔ jɛzd zvɨtʃˈajna blˈizna, ˈɛstɛr?|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_100.wav|tˈak sˈamɔ jɛzd w brˈanʒɨ filmˈɔvɛj, ftrˈɔntsa ɲˈitsk. aktˈɔʒɨ ˌaktɔrˈami, ˌalɛ tˈak naprˈavdɛ nˌajvaʒɲʲˈɛjɕi sɔ̃ aɡˈɛɲtɕi. tɔː ˌɔɲi mˌajɔ̃ pravdʑˈivɔ̃ vwˈadʑɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_19.wav|pʃɛsˈunɔw dwˈɔɲ f strˈɔnɛ sˈɨna, ktˌurɨ lˈɛʒaw zˌadɔvɔlˈɔnɨ w ramjˈɔnax mˌamɨ i pɔɡwˈaskaw dˌɛlikˈatɲʲɛ jˈɛɡɔ pɔlˈitʃɛk ɔpˈuʃkɔ̃ pˈaltsa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_148.wav|trˈɔmba tˈak ʃˈɨpkɔ zˈɛrvaw ɕɛ na rˈuvnɛ nˈɔɡʲi, ʒˈɛ ɔmˈalɲʲɛ fˈiknɔw i vʒˈasnɔw ɲʲɛ, pˈaɲʲɛ ɕɛrʒˈaɲtɕɛ, jˈɛʃtʃɛ zˈaɲim f pˈɛwɲi ˌɔpʃɨtˈɔmɲʲaw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_223.wav|jˈɛdnak w ˌɔdruʒɲʲˈɛɲʲu ɔd bˌɨstrɔˈɔkʲɛj mˈatki frˈaŋka, sˌalbʲiljˈɛɡɔ ɲʲɛ rˌɔspɔznˈajɛ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_110.wav|jɛʒˈɛli ʒɛlˈaʑɲi lˈudʑɛ panˈujɔ̃ nat tˌɨmi skawˈami, mˈɔɡɔ̃ zaɡrˈɔzitɕ starˈɛmu mʲˈastu jˈarbɔr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_97.wav|mˈuvi jˈɛdnak rˌixtɛrˈɔvi, ʒˈɛ na jˈakiɕ tʃˈaz vˌɨjɛxˈali i ʒˈɛ ɔn sˈam pɔdlˈɛva ix rɔɕlˈinɨ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_89.wav|sˈɛr çˈiɡlant pˈɔtʃɛd blˈiʒɛj. vˈaʃa lɔrdˈɔfska mˈɔɕtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_144.wav|mˈɔʒɛ uvˈaʒa, ʒˈɛ vrutɕˈiwam, bˈɔ xtsˈɛ ɔdʑˈɨskadʑ dla ɕˈɛbjɛ arˈama.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_150.wav|jˈakiɕ prˈɔblɛm? zapˈɨtaw dˈalɛ. sfɔbˈɔdɲʲɛ ɔdbjˈɛra.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_33.wav|tɔ fʃˈɨstkɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_119.wav|ˌalɛ mˈɔɡwabˌɨm tɕi pˈɔmuts, xˈɛntɲʲɛ tɔ zrˈɔbjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_54.wav|ɲˈikt pˈɛvɲʲɛ vwˈaɕɲʲɛ ɕˈada spˈɔt kˌɔmɛndnˈɨmi pʃɛt tˌɛlɛvizˈɔrɛm f sfˈɔjɛj dˈuʒɛj bjˈawɛj xatsjˈɛɲdʑɛ, bˈɨ ɔbˈɛjʒɛtɕ stˈudjɔ pʃˌɛdmɛtʃˈɔvɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_110.wav|i rˌɔzɡlɔndˈajɔnts ɕɛ pɔ ɕtɕˈanax pɔkˈɔju zmrˌuʒɔnˈɨmi ɔtʃˈɨma.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_14.wav|maʃ tˈaɡʒɛ tɛlˈɛfɔn sfɔjˈɛɡɔ partnˈɛra? tʃɨ ˌɔnɛ sɔ̃ zˌablɔkɔvˈanɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_113.wav|zˈabʲiw mi ɕˈɔstrɛ i nˈavɛt ɲʲɛ pamjˈɛntam, jˈak mʲˈaw na ˈimjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_39.wav|skˈɔrɔ bˌɨwɔ tɔ lˌuksusˈɔvɛ rˌɔzvʲɔ̃zˈaɲʲɛ, bˈɔp mˈuɕaw jˈɛ mʲˈɛtɕ f sfˈɔim pɔjˈɛʑdʑɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_107.wav|lɔndˈujɔndʑ vrˈɛʃtɕɛ pʃɨ ˈinnɨm stɔlˈiku i rˌɔzlɛvˈajɔnts ˈinnɨm lˈudʑɔm ix trˈuŋki.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_209.wav|takʲˈɛɡɔ z virˈufkɔ̃ ɡrˌavitatsˈɨjnɔ̃, zbˌudɔvanˈɛɡɔ spɛtsjˈalɲʲɛ f tɨm tsˈɛlu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_51.wav|zdʑivˈiwa ɕɛ lˈutsɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_33.wav|artˈɛmis tʃˈɛka rˌɔzbudˈɔva, a tɔː ɔznˈatʃa vʲˈɛntsɛj kljˈɛntuv dla nˈas.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_46.wav|bˈɔli mɲʲɛ, ˌalɛ ʒˈɨjɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_5.wav|skʃɨʒˈɔvaw rˈɛntsɛ na stˈɔlɛ i ˈɔpar nˈaɲih ɡwˈɔvɛ.|4
+Dataset/wavs/urwisko_ferenc/38_segment_29.wav|tʃɨj tɔ bˈɨw pˈɔmɨsw?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_393.wav|tˈak lubʲˈili mɲʲɛ lˈudʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_50.wav|bˌɛɲdʑɛ mʲˈaw tsˈawɨ dˈɔm na pˈɛarsɔn strˈid dla ɕˈɛbjɛ, nˈɔ xˈɨba, ʒˈɛ jˌɛnsɛnˈɔvʲɛ vrˈutsɔ̃, zˈaɲim jˈɔɛl ˈallɛn ɔpˈuɕtɕi kˌalifˈɔrɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_47.wav|zˌavʲɛɕˈiwa ɡwˈɔs i uɲʲˈɔswa rˈɛŋkɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_320.wav|i kʲˈɛdɨ skrˈɛɲtɕiw jˈuʃ i ʃˈɛt pˈɔpʃɛs plˈaʒɛ kˈu drˈɔdʑɛ, rˈaz drˈɔɡɛ pʃˈɛbjɛɡw mu tɕˈɛɲ sˌamɔlˈɔtu.|0
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_82.wav|mˈam nadʑˈɛjɛ, ʒˈɛ vʲˈɛntsɛj ɲˈiʒ vɨdˈajɛʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_223.wav|maʃ ɕɛ na ˈusta.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_95.wav|rˌudɔɡɲʲˈadɔ̃ klˈatʃkɛ i pʲɛŋknˈɛɡɔ ɕivˈɛɡɔː ɔɡʲˈɛra.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_8.wav|zabˈujtsa mʲˈaw pʃɨ sˈɔbjɛ pɔdvˈujnɛj dwuɡˈɔɕtɕi ɔpˈaskɛ dɔ kˈabli i xˈɔtɕ ɲʲɛ zɔstˈawɔ tɔ jˈɛʃtʃɛ pˌɔtfʲɛrdʑˈɔnɛ, sprˈaj, ktˌurɨm prˈɨsnɔw ɔfjˈɛʒɛ w ˈɔtʃɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_20.wav|zadʑvˈɔɲitɕ, ˌalɛ ja xˈɨba ɲʲˈɛmam ɕˈiwɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_103.wav|tˈaka jɛst prˈavda i ɲʲˈɛma f tɨm ˌaɲi kʃtˈɨ ɕtɕˈɛmɨ.|2
+Dataset/wavs/urwisko_ferenc/48_segment_23.wav|ˌalɛ na tˈaɕmʲɛ jˈɛɡɔ pamjˈɛɲtɕi.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_327.wav|bɛspʲˈɛtʃna.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_509.wav|i dɔtknˈɔwɛm pˈaltsɛm tʃˈɔwa i pɔtʃˈuwɛm ˌɔbʒɨdlˈivɔ̃ nˈarɔɕl zasxɲʲˈɛntɛj rˈanɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_58.wav|nazˈɨvam ɕɛ ˈanna frˈaŋklin i bˌɨwam jˈɛɡɔ dʑɛftʃˈɨnɔ̃ na ˌuɲivˌɛrsɨtˈɛtɕɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_44.wav|ɲʲˈɛxtsɛ, ʒˈɛbɨ mɲʲɛ zˌauvˈaʒɨw, bˈɔ zamjˈɛʒam ɡˈɔ ɕlˈɛdʑitɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_20.wav|i zˈafʃɛ ɕɛ ɔ ɲʲˈɛɡɔ mˈartfjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_64.wav|ɲʲɛ muɕˈɛliɕtɕˌɛ tˌɛɡɔ rˈɔbʲitɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_35.wav|ɲʲɛ pʃɛsˈadʑam. dlatʃˈɛɡɔ mʲˈawabˌɨ dʑvˈɔɲitɕ ɔ tˈakʲɛj pˈɔʒɛ? znˈaʃ jˈɔ lˈɛpʲɛj ɲˈiʃ jˈa. pɔ tsˈɔ dʑvɔɲˈiwa, skˈɔrɔ ɲʲɛ mʲˈawa tˈak naprˈavdɛ ɲˈidʑ dɔ pˌɔvʲɛdʑˈɛɲʲa?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_135.wav|plˈan, ktˌurɨ rɔzvʲˈɔ̃ʒɛ fʃˈɨstkʲɛ nˈaʃɛ prɔblˈɛmɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_107.wav|tɔ xˈɨba ˌɔtʃɨvˈistɛ, ʒˈɛ ɲʲɛ jɛstˌɛɕmɨ blˈiskɔ̃ sˈɔbjɛ i kˌɔxajˈɔntsɔ̃ ɕɛ pˈarɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_71.wav|ɲʲɛ sɔ̃ tˈɛʃ najlˈɛpɕi, ˌalɛ ɲʲɛ mʲˌɛliɕmˌɨ z ɲˈimi ʒˈadnɨx kwɔpˈɔtuf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_285.wav|zˌatʃɨmˈujɛ ɕɛ w zatˈɔtʃtsɛ, bjˈɛʒɛ kɔmpˈutɛr s tɨlnˈɛɡɔ ɕɛdʑˈɛɲʲa i pɔdnˈɔɕi klˈapɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_3.wav|zbˈɨd vʲˈɛlɛ ɕɛ tˈam dʑˈawɔ, a ɔn zamjˈɛʒaw tˈam zˈɔstatɕ, dɔpˈuki ɲʲɛ ˌuzɨskˈajɔ̃ jˌakixkˈɔlvʲɛɡ vɨɲˈikuf.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_351.wav|mˈaɡja krfˈi jɛst nˌajmrɔtʃɲʲˈɛjʃɔ̃ pɔstˈatɕɔ̃ tʃˈaruf.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_6.wav|ˌɔbɔk ˈust jɛdnˈɛɡɔ z mˈɛ̃ʃtʃɨzn rɔzlˈawa ɕɛ kawˈuʒa vɨmjˈɔtɕin.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_208.wav|vzrˈuʃa rˌamjɔnˈami.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_36.wav|bˌɨwa jˈɛʃtʃɛ jˈɛdna vʲadˈɔmɔɕtɕ. zavˈaxaw ɕɛ jˈɛdnak pʃɛt jɛj ˌɔttʃɨtˈaɲʲɛm. bˈaw ɕɛ, ʒˈɛ bˌɛɲdʑɛ tɔ ʒɔndˈaɲʲɛ tʃˈɛɡɔɕ, tʃˈɛɡɔ ɲʲɛ zdˈɔwa utʃˈɨɲitɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_10.wav|pʃˌɨpɔmˈinam sˈɔbjɛ, jˈaɡ bˈardʑɔ jˈɛɡɛr bˈɨw pʃˌɛkɔnˈanɨ ɔ ɕmʲˈɛrtɕi stsˈɔtta.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_132.wav|pˌɔmɨɕlˈawa, ʒˈɛ jˌɛstɛm sˈama.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_434.wav|tɔ jɛzd dˌɔpisˈanɛ w bjˈaw��j kɕˈɛndʑɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_104.wav|vʲɛtʃˈɔrɛm nˌastavˈiwɛm bˈudʑik f tˌɛlɛfˈɔɲʲɛ na pʲˈɛrʃɔ̃ w nˈɔtsɨ, bˈɔ ftˈɛdɨ ˈɛliz bˌɛɲdʑɛ jˈuʃ spˈawa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_176.wav|lɛtɕˈawɛɕ tˈɨlɛ tɨɕˈɛntsɨ kˌilɔmˈɛtruf, ʒˈɛbɨ zdˈɛʒɨtɕ ɕɛ s pʃˌɨpatkˈɔvɨm, ɲʲˌɛfartˈɔvnɨm fatsˈɛtɛm?|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_147.wav|rˈudɲi ɲʲˈɛkrɨw zˌaskɔtʃˈɛɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_266.wav|tˈak pˌɔkivˈawam ɡwˈɔvɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_12.wav|dˈaltɔn smˈitx tɔ tsˈɔʑ vʲˈɛntsɛj ɲˈiʃ tˌɨlkɔ pˈɔrtfɛl mˈarki lˈɔrd bˈukstɔn s prˈavɛm jˈazdɨ mʲɛʃkˈaɲtsa vɛrmˈɔntu.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_313.wav|zˈatɛm mˈɔim zadˈaɲʲɛm jɛzd znˌalɛʑˈɛɲʲɛ swabˈɛɡɔ pˈuŋktu f tɛj mˌaʃɨnˈɛrji?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_184.wav|zdˈajɛ ɕɛ, bˌɨliɕmˌɨ ftˈɛdɨ s tɔ̃ dʑɛftʃˈɨnɔ̃ na ulˈitsɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_174.wav|mˈuj ˈɔddɛx stˈaw ɕɛ pwˈɨtki, a sˈɛrtsɛ zatʃˈɛwɔ kɔwˈatatɕ tˈak mˈɔtsnɔ, jˈaɡbɨ xtɕˈawɔ vɨskˈɔtʃɨtɕ s pʲˈɛrɕi.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_168.wav|i mˈɔʒɛʒ zamˈuvitɕ fʃˈɨstkɔ, tsˈɔ zˈɛxtsɛʃ, pɔd varˈuŋkʲɛm, ʒˈɛ tɔ bˌɛɲdʑɛ pˈivɔ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_158.wav|ɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_77.wav|mˈɔʒɛ vˌɨrɛɡulˈɔvatɕ tsɛlˈɔvɲik pʃɨ uʒˈɨtɕu ˌaplikˈatsji na i fɔnˈɛjɛ i lˌasɛrɔvˈɛɡɔ ɡadʒˈɛtu dˌɔstɛmpnˈɛɡɔ na ˌamazˈɔɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_83.wav|tʃɨm mˈɔɡɛ swˈuʒɨtɕ, pˈaɲʲɛ rˈixtɛr?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_52.wav|pˈɔza tɨm vɨpˈarli ɕɛ sfˈɔjɛj tsˈurki jˈɔɛl.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_213.wav|ɲˈits s tˌɛɡɔ ɲʲɛ mʲawˈɔbɨ znatʃˈɛɲʲa, ɡdˈɨbɨ zɡˈɔdɲʲɛ s plˈanɛm bɛzzvwˈɔtʃɲʲɛ vˌɨpwɨnˈɛli dɔ starˈɛɡɔ mʲˈasta, ˌalɛ ˌuɲʲɛmˌɔʒlivˈiwa im tɔ xɔrˈɔba mˌaɛstˈɛra ɛmˈɔna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_9.wav|mˈarta, ɲʲɛ uvʲˈɛʒɨʃ, tsˈɔ ɕɛ stˈawɔ!|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_184.wav|bʲˈili ɲʲɛ ˌɔtpɔvʲˈada. uznˈajɛ, ʒˈɛ pɔdˈɛjmʲɛ dɛtsˈɨzjɛ f tɛj sprˈavʲɛ, kʲˈɛdɨ i jˈɛɕli zˈajdʑɛ tˈaka pɔtʃˈɛba.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_175.wav|tʃɨ pˈan swˈuxa?|0
+Dataset/wavs/urwisko_ferenc/56_segment_25.wav|ɔblˈizaw vˈarɡʲi zˌastanavʲˈajɔnts ɕɛ, tʃɨ mˈuɡwbɨ jɛj fprˈɔzd zˌaprɔpɔnˈɔvatɕ ˈudʑaw f sfˈɔiɣ zabˈavax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_45.wav|vwˈɔntʃ kˌɔmputˈɛrɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_155.wav|ɲʲˈɛbɨw tɔ dˌɔskɔnˈawɨ plˈan, ˌalɛ na lˈɛpʃɨ tˈɔm ɲʲˈɛmuɡw lˈitʃɨtɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_171.wav|i ˌuɕiwɔvˈawɛm ɔtpˈɛɲdʑitɕ spˈɔt pˈɔvʲɛk.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_129.wav|pɔzvˈalam vam vɨnˈajɔɲtɕ mˈɔrskix nˌajɛmɲˈikuv z zˌavɔ̃skʲˈɛɡɔ mˈɔʒa.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_415.wav|vɛ fʃˈɨstkix pˌanɔvˈawa ɲʲˌɛpʃɛɲikɲʲˈɔna tɕˈɛmnɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_100.wav|jˈɛdɛn z ɲˈix ˈumar.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_71.wav|ˈɔdɲʲus sˈuktsɛs i pˈatsjɛnt ɲʲɛ ˌɔkazˈɨvaw ʒˈadnɨx ˈɔznaɡ bˈulu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_51.wav|ja tˈɛʃ, ftɕˈina ɕɛ dˈɛrɛk. pˈaɲʲɛ lˈɔtskridʒ, ˈumjɛ pˈan ɡrˈatɕ w mˌɔnɔpˈɔlɨ? idʑˈɛmɨ s ʃˈan zˈaɡratɕ, ˌalɛ vɛ dvˈujkɛ jɛzd ɡwˈupjɔ, a mˈama ɲʲˈɛxtsɛ.|2
+Dataset/wavs/urwisko_ferenc/50_segment_43.wav|ɡwˈɔs ɕlɛttʃˈɛɡɔ pˌɔtʃɔntkˈɔvɔ drʒˈaw, ˌalɛ im dˈalɛj bjˈɛɡwa ɔpˈɔvʲɛɕtɕ, tɨm bˈɨw vˌɨraʑɲʲˈɛjʃɨ i pɛvɲʲˈɛjʃɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_124.wav|ta pʃɛklˈɛnta utʃtɕˈivɔɕtɕ, ɔ ktˌurɛj tˈak pʲˈɛŋkɲʲɛ muvˈiwɛɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_8.wav|dɔtˈarwam dɔ ɕlˈuzɨ.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_89.wav|frɛjˈɔvʲɛ pˌɔtfʲɛrdʑˈili tˈɛ vʲadˈɔmɔɕtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_102.wav|mɛ̃ʃtʃˈɨzna zastˈukaw f klˌavʲatˈurɛ, upˈɛvɲiw ɕɛ, ʒˈɛ nazvˈiskɔ pasˈujɛ dɔ numˈɛru pɔkˈɔju i na jˈɛɡɔ tfˈaʒɨ pɔjˈaviw ɕɛ ˈuɕmʲɛx. jˈuʃ pɔdˈajɛ, prˈɔʃɛ pˈaɲi.|4
+Dataset/wavs/urwisko_ferenc/63_segment_62.wav|— ʒˈɛ tsˈɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_235.wav|vˌɨɡlɔndˈajɔ̃ ɲʲˈɛʑlɛ, mˈuvi bˈutskɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_68.wav|bˈɛtskɨ pʃˌɨpɔmɲʲˈawa mu, tʃˈɛɡɔ ɕɛ dˌɔvʲɛdʑˈɛli na tˈɛmat ˈannɨ frˈaŋklin i sˈaski pˈɛtɛrsɔn.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_150.wav|rˈɔslin i dˈɔrtsas jˈuʃ spˈawɨ, ˌalɛ ɲʲɛ taˈɛna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_67.wav|mˈɔʒɛ tɔ dˈa im dɔ mɨɕlˈɛɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_69.wav|kʲˈɛdɨ zˌatrasnˈɔwɛm klˈapɛ, zˌɔbatʃˈɨwɛm tsˈɔɕ lˌɛʒɔntsˈɛɡɔ na ʑˈɛmi. dʑɛtɕˈɛntsɨ bˈutɕik.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_71.wav|ɲʲɛ pˌɔmɨlˈiwa ɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_102.wav|mˈɔʒɛ pˈɔtɛm bˌɛɲdʑɛ fkuʒˈɔnɨ, ˌalɛ z drˈuɡʲɛj strˈɔnɨ, tʃˌɛmu mʲˈawbɨ ɕɛ fkˈuʒɨtɕ, skˈɔrɔ zlɛtsˈɛɲʲɛ zɔstˈaɲʲɛ vˌɨkɔnˈanɛ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_158.wav|pɔtʃˈuwam nˌapwɨvajˈɔntsɛ dɔː ˈɔtʃu wzˈɨ.|3
+Dataset/wavs/urwisko_ferenc/47_segment_54.wav|xˈalɔ? zˌaɲʲɛpˌɔkɔˈiwa ɕɛ? pˈaɲi mˈarjɔ, vʲˈɛm, ʒˈɛ jˈuʃ pˈuʑnɔ, ˌalɛ pˌɔtʃɛbˈujɛ na ɡvˈawt kɔntˈaktu z ɔlɡʲˈɛrdɛm bˌɔrɛvˈitʃɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_170.wav|pɔd vzɡlˈɛndɛm ɛtˈɨtʃnɨm|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_56.wav|jˈadɔ̃ jˈɛdnak na puwnˈɔtsnɨ fsxˈut.|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_93.wav|dˈɔbʒɛ ɕɛ tˈutaj tʃˈujɛ, tɔ spɔkˈɔjnɛ mʲˈɛjstsɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_132.wav|pʃɛtstˈavja mɲʲɛ f ʃpitˈalu w vˈalli z ˌɔpuʃtʃˈɔnɔ̃ ɡwˈɔvɔ̃, zˌatɔpʲˈɔnɔ̃ w mˈɨɕlax.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_60.wav|nˈɔ tsˈuʃ, xˈɨba ɕɛ mˈɨli.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_225.wav|sɔ̃ ix sˈɛtki i fʃˈɨstsɨ sɔ̃ tˈatsɨ brˈudɲi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_82.wav|ɕˈadam na sˈɔfjɛ i krˈɨjɛ tfˈaʒ w dwˈɔɲʲax.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_36.wav|tʃɨ pɔvˈinnam im ɔ ɲˈix pɔvʲˈɛdʑɛtɕ?|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_25.wav|xˈutɛ ˌalumˈiɲʲum.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_17.wav|vɨjˈɛwam s kʲɛʃˈɛɲi ɡʲˈizmɔː i spravdʑˈiwam ɡɔdʑˈinɛ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_231.wav|i pʃɨprˈɔvatɕ mi kˈɔɡɔɕ, ktˈɔ vˈidʑaw tɛ smˈɔki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_125.wav|tɔ jˈak pˈaz bˌɛspʲɛtʃˈɛɲstfa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_261.wav|tɔː ɔ jˈɛdnɨm tˈakim xwɔpˈaku s kˈansas tsˈitɨ, ktˌurɨ pɔrˈɨvaw trˈupɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_22.wav|fʃˈɨstkɔ, ɡrˈada, dʑɛŋkˈujɛ. jˌɛstɛm tɕi bˈardʑɔ vdʑˈɛntʃna za ˌɔdɛbrˈaɲʲɛ xˈɔli.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_146.wav|kʲˈɛdɨ ˌuɕiwˈɔvaw ˈuɲʲɛɕtɕ ɕɛ s klˈɛntʃɛk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_43.wav|sprubˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_128.wav|mˌɛksɨkˈaɲin pɔpˈatʃɨw na ˌandɛrsˈɔna, zɛskˈɔtʃɨw s tɕˌɛ̃ʒarˈufki i pɔvʲˈɛdʑaw|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_113.wav|dˈalɛ zˈatʃɔw pɔrˈuʃatɕ ɕɛ dvˈa rˈazɨ ʃˈɨptɕɛj. ɡɔtˈɔvɛ, tsˈɔ tˈɛras?|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_236.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/urwisko_ferenc/65_segment_181.wav|— a tɨ s tʃɨm ɕɛ mʲˈɛʒɨʃ? — spɨtˈawa, ˌalɛ ɡrˈɔx ɲʲɛ ɔdvrˈutɕiw vzrˈɔku ɔd drˈɔɡʲi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_25.wav|dɔmˈiɲik ɔdvrˈutɕiw vzrˈɔk.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_139.wav|jˈɛɕli kʲˌɛdɨkˈɔlvʲɛɡ dɔ ɲʲˈɛj vrˈutɕi, tɔ tˌɨlkɔ jˈakɔ trˈup.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_31.wav|pʃɨnˈajmɲʲɛj jˈɛdnaɡ bˌɨli rˈazɛm w jˈɛdnɨm pˌɔmjɛʃtʃˈɛɲʲu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_343.wav|tʃɨ ɲʲɛ prˌatsɔvˈawɛɕ?|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_184.wav|muvˈiwa ɡˈɔʑdʑik.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_119.wav|tˈak, mˈɛrtʃ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_390.wav|ɡˈɔtuv zrˈɛʃtɔ̃ f kˈaʒdɛj xfˈili dɔ rˌɛjtɛrˈadɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_95.wav|pˈatʃɨw na sfˈɔjɔ̃ ˌɔbandˌaʒɔvˈanɔ̃ dwˈɔɲ spˌɔtʃɨvajˈɔntsɔ̃ f tʃˈɨstɨx, mˈɔtsnɨx rˈɛŋkax rajˈana i pɔvʲˈɛdʑaw dɔpʲˈɛrɔ pɔ xfˈili.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_250.wav|bˈɔ mʲˈɛjstsɛ dɔɡˈɔɲi tɕˈɛ zˈafʃɛ, a jˈɛɕli tɕˈɛ ɲʲɛ dɔɡˈɔɲi, tɔ ftˈɛdɨ sˈam vrˈutɕiʃ pˈɔtɔ, ˈabɨ tˈam zɡʲˈinɔɲtɕ.|0
+Dataset/wavs/urwisko_ferenc/42_segment_10.wav|dʑˈɛɲ dˈɔbrɨ, pʃˌɨvitˈawa ɕɛ. ˌɔtʃɨmˈawam ˌinfɔrmˈatsjɛ, ʒˈɛ pɔdˈɔbnɔ pɔlˈitsja mɲʲɛ ʃˈuka, bˈɔ ɲˈibɨ zˌaɡʲinˈɛwam.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_227.wav|tɨm rˈazɛm vˌɨʃɛptˈawam tɔ swˈɔvɔː i pɔtʃˈuwam drˈɛʃtʃ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_37.wav|dˈaj mi sɛkˈundɛ, dˈɔbʒɛ?|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_82.wav|pɔvʲˈɛdʑaw sˈɔbjɛ sˈam. ˌalɛ pʃˌɛtɕɛʃ f tʃˈarnɨm zˈamku ɲʲˈɛbɨw mwˈɔtʃɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_104.wav|fʃˈɨstkɔ vʒˈutsa na fˌatsɛbˈɔɔk.kˈɔm.ˈats. naprˈavdɛ mˈuɡwbɨ s tˌɛɡɔ ʒˈɨtɕ, ˌalɛ tsˈɔ bˈɨ tɔ bˌɨwɔ za ʒˈɨtɕɛ?|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_95.wav|kˈɛd vʲɛdʑˈawa, ʒˈɛ mˈuvjɔ̃ ɔ xwɔpˈaku brˈaj, tˈɨm, s ktˌurɨm spˌɔtɨkˈawa ɕɛ na dˈaxu, kʲˈɛdɨ jɛj ˈɔjtɕɛdʑ zˈasnɔw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_65.wav|ʒˈɛbɨɕmˌɨ jˈɛ vˌɨxɔvˈali.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_13.wav|ˌuvʲɛlbjˈawa drˈɔbnɛ, tɕˈɛmnɛ vwˈɔski na jˈɛɡɔ pʲˈɛrɕi, ktˌurɛ zvɛ̃ʒˈawɨ ɕɛ f pˈasɛɡ bjɛɡnˈɔntsɨ f strˈɔnɛ pˈɛmpka i dˈalɛj na pɔwˈudɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_314.wav|tɔ ɲʲɛ zˌadɔvɔlˈiwɔ mɛ̃ʃtʃˈɨznɛ z ɡvʲˈazdɔ̃ na tʃˈɔlɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_60.wav|kʲˈɛdɨ vwɔntʃˈɨwa tʃˈajɲik, f salˈɔɲʲɛ rˈɔzlɛkw ɕɛ ˈɔkʃɨk i pˈadwɨ bwaɡˈalnɛ swˈɔva. mˈamɔ, tɔ ɲʲˌɛspravʲɛdlˈivɛ!|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_37.wav|trfawˈɔbɨ jˈɛʃtʃɛ krˈutsɛj, ɡdˈɨbɨm bˌɨwa na ʑˈɛmi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_150.wav|dlatʃˈɛɡɔ tɔ rˈɔbʲiʃ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_143.wav|rˈuxɨ ˌɛdʲisˈɔna sɔ̃ zvˈinnɛ, pˈɛvnɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_130.wav|ɔn ɲʲɛ ʒˈɨjɛ ɔt tʃtɛrnˈastu lˈat, a ja znˈuf tʃˈujɛ znajˈɔmɛ ukwˈutɕɛ vˈinɨ, kʲˈɛdɨ pʃˌɨpɔmˈinam sˈɔbjɛ jˈɛɡɔː ɔstˈatɲʲɛ xfˈilɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_47.wav|zamknˈɛwam dʒvˈi za rˌɔdʑitsˈami i ɔpˈarwam ɕɛ ˈɔɲʲɛ, a sˈɛrtsɛ zabʲˈiwɔ mi ʃˈɨptɕɛj, kʲˈɛdɨ ˌɔɡarnˈɛwa mɲʲɛ mʲɛʃˈaŋka pˌɔdɲʲɛtsˈɛɲʲa i ɔbˈavɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_32.wav|kʲˈɛdɨ vidʑˈanɔ jˈɔ̃ pɔ rˈas ɔstˈatɲi?|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_130.wav|jˈamɛ pʃˈɨjʒaw mu ɕɛ uvˈaʒɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_80.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_145.wav|trɔɲtɕˈiwam jɛdnˈɛɡɔ s tɛxɲˈikuf, ktˌurɨ zvˈisaw bɛzvwˈadɲʲɛ s fɔtˈɛla ˌɔbɔk mɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_153.wav|tʃˈuwam na sˈɔbjɛ spɔjʒˈɛɲʲɛ mˈamɨ, ktˌura ˌanalˌizɔvˈawa mˈɔjɛ swˈɔva i zˌastanavʲˈawa ɕɛ, tʃɨ mˈam rˈatsjɛ. f kˈɔɲtsu pʃɛrvˈawa tɕˈiʃɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_4.wav|pʃˌɨtsupɲʲˈɛntɛ mʲˌɛndʑɨ vzɡuʒˈami na sˈamɨm skrˈaju pˈarku nˌarɔdɔvˈɛɡɔ snɔvdˈɔɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_171.wav|zˈamjast tˌɛɡɔ zasˈɨpja i ɕɲˈi mu ɕɛ zˌadɨmjˈɔna kˈuxɲʲa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_199.wav|— pɔtʃˈɛkaj, rɔzlˈɛjɛʃ xɛrbˈatɛ — ʒˈɛkwa tɕˈixɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_17.wav|twˈumik na rˈaʑɛ vɨstˈartʃɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_61.wav|ɲˈits s tˌɛɡɔː ɔtpˈarwam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_46.wav|pˌɔwɔʒˈɨwam dwˈɔɲ na bʒˈuxu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_32.wav|bʲˈillɨ ɲʲɛ vˈɔntpi, ʒˈɛ tɔ prˈavda.|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_78.wav|ja vʲˈɛm, pɔvʲˈɛdʑaw mˈikɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_111.wav|xtɕˈawabˌɨm pˈisadʑ vwˈasnɛ ˌɔpɔvʲˈɛɕtɕi.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_114.wav|bˌɛndɛ mˈuɡw z ɲʲˈɛɡɔ drvˈitɕ pʃˈɛz dwˈuɡʲɛ lˈata.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_110.wav|pɔtʃˈɔ̃snɔw ɲˈimi nˈaɡwɨ pˈɔdmux.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_368.wav|tɔ jˈɛɡɔ vɛzvˈawam.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_44.wav|fʃˈɨstkɔ bˌɛɲdʑɛ dˈɔbʒɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_41.wav|vʲˈɛm s tsˈawɔ̃ pɛvnˈɔɕtɕɔ̃, ʒˈɛ tɨm rˈazɛm swˈɨʃɛ stsˈɔtta.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_16.wav|dˌɔskɔnˈawɨ spˈɔsup na nɔʃˈɛɲʲɛ mˈaski bˈɛz vzbudʑˈaɲʲa pɔdˈɛjʒɛɲ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_86.wav|nˈɔ dˈɔbra, skˈɔrɔ tɕi jˈuʃ lˈɛpʲɛj...|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_67.wav|swɨʃˈɛliɕmˌɨ, ʒˈɛ zmʲˈɛʒaʒ dɔ rivˈɛrun.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_193.wav|lˈɛnɛ ukrˈɨwa tfˈaʒ w dwˈɔɲʲax.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_270.wav|ɲʲɛ ˌɔtpɔvʲɛdʑˈawɛɕ na pɨtˈaɲʲa xarlˈawa.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_168.wav|zˌakɔɲtʃˈɨli ɔbwˈavɛ pɔ pʲˈɛɲtɕu ɡɔdʑˈinax i f tɛj xfˈili spravdʑˈali kaʒdˈɛɡɔ, ktˈɔ dˌɨspɔnˈɔvaw skafˈandrɛm pruʒɲʲˈɔvɨm.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_156.wav|zwˈɔtɛ bˌɛndɔ̃ ix kɔrˈɔnɨ.|1
+Dataset/wavs/urwisko_ferenc/16_segment_6.wav|pɔlˈitsjant pˈɔtʃɛd dɔ ɲʲˈɛɡɔ s pʃˌɨklɛjˈɔnɨm uɕmʲˈɛxɛm i pɔprˈɔɕiw, bˈɨ rˈazɛm tsɔfnˈɛli ɕɛ dɔ brˈamɨ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_2.wav|kˈɛd z nat kanˈawuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_13.wav|kʲˈɛdɨ pʃˈɛʃwa pʃˈɛs pˈɔkuj ˌɔpɛratsˈɨjnɨ, dɔ ɕrˈɔtka fʃˈɛd rˈɔp. uɕmʲˈɛxnɔw ɕɛ i pˈɔtʃɛd blˈiʒɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_190.wav|nˈadal mˈiltʃɨ, ˌalɛ bwˈɨsk w jɛj tɕˈɛmnɨx ˈɔtʃax mˈuvi bʲilljˈɛmu fʃˈɨstkɔ, tsˈɔ pˌɔtʃɛbˈujɛ vʲˈɛdʑɛtɕ. pɔdnˈɔɕi tɛlˈɛfɔn kˌɔmurkˈɔvɨ, ˌɔtʃɛpˈujɛ ɡˈɔː i pɔdˈajɛ jɛj.|2
+Dataset/wavs/urwisko_ferenc/43_segment_25.wav|ɲʲˈɛvʲɛm, pɔdrˈapaw ɕɛ pɔ ɡwˈɔvʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_51.wav|znˈuf ˌumuvˈiwam ɕɛ z ɛdʒˈarɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_68.wav|xfʲˈɛjɛ ɕɛ na nˈɔɡax, blˈiska ɔmdlˈɛɲʲa. bʲˈillɨ mˈɨɕli, ʒˈɛ tɔ tsˈut, ʒˈɛ ɲʲɛ zaswˈabwa na kˌɔrɨtˈaʒu. pɔtʃˈɔ̃sa ɲʲˈɔ̃. ʑlˈɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_11.wav|a dˈɔwɛm kwɛmbʲˈiwa ɕɛ ɲʲˌɛsamɔvˈita plˌɔntaɲˈina kʃˈakuf, vɨsˈɔkix trˈaf i mˌurʃɛjˈɔntsɨx pɲˈi stɛrtʃˈɔntsɨɣ z mɔkrˈadɛw.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_179.wav|stˈatki s ɕɔstʃˈanɨx mʲˈast ˌɔras s tsawˈɛɡɔ ʃˌɛrɔkʲˈɛɡɔ ɕfʲˈata muɕˈawɨ zavˈijadʑ dɔ pˈɔrtu wˌaxmaɲʲˈaʒa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_25.wav|ɲʲɛ bˌɨwa s tˌɛɡɔ dˈumna, ˌalɛ uznˈawa tɔ za kɔɲʲˈɛtʃnɔɕtɕ. nˌajvaʒɲʲˈɛjʃɛ bˌɨwɔ zˌamaskɔvˈaɲʲɛ prˈavdɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_83.wav|mʲˈawam ɔxˈɔtɛ ɔdvrˈutɕidʑ ɡwˈɔvɛ, ˌalɛ pˈatʃɔ̃ mi prˈɔstɔ w ˈɔtʃɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_185.wav|stanˈɛwam na kamjˈɛɲʲu i pʃˌɛskɔtʃˈɨwam na sɔ̃ɕˈɛdɲi, a pˈɔtɛm na nastˈɛmpnɨ i tˈaɡ dˈalɛj.|4
+Dataset/wavs/urwisko_ferenc/23_segment_131.wav|tsˈɔ bˈɨ mu ta vʲˈɛdʑa dˈawa?|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_62.wav|lˈɛpʲɛj zaxˈɔvaj jˈɔ̃ dla ɕˈɛbjɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_191.wav|ɡdˈɨ fʃˈɨstsɨ vˈɨʃliɕmˌɨ, bˈɔb zˈamknɔw za nˈami vwˈas i pˌɔprɔvˈadʑiw nˈaʃɔ̃ ɡrˈupɛ f strˈɔnɛ pʲɛrʃˈɛɡɔ lˌɔndɔvˈiska.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_573.wav|lˈɛtʃ ɔt pɛvnˈɛɡɔ mɔmˈɛntu rˈɔbjɛ ɕɛ xˈɨtrɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_112.wav|ˈɛlis pɔspʲˈɛʃɲʲɛ vɨɕˈada i ɡˈɔ pˌɔttʃɨmˈujɛ. bˈardʑɔ ʑlˈɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_52.wav|nˈajpʲɛrf tʃˈɛba bˈɨ ɡˈɔ skˈɔɕitɕ, a ɲʲˈɛmam kɔɕˈarki. jˈɛʃtʃɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_143.wav|tˈɛraz bˌɛndɔ̃ muɕˈɛli ˌɔdbudɔvˈɨvatɕ fʃˈɨstkɔː ɔt pˈɔtstaf, ˌalɛ zˈatɔ sprˈavnɨ sxrˈɔn pɔvʲˈɛtʃnɨ i rˌɛɡulˈarnɛ tɕfitʃˈɛɲʲa ˌuratɔvˈawɨ vʲˈɛlɛ ˈistɲʲɛɲ lˈutskix.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_122.wav|jˈudɨ blˈatnɛr|2
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_46.wav|jˈaɡ vʲˈɛlɛ pˌɔdupˌadajˈɔntsɨɣ dʑˈɛlɲits, ta tˈaɡʒɛ stˈawa ɕɛ ʒˌɨvʲɛɲʲˈɔvɔ̃ pustˈɨɲʲɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_160.wav|vˌɨnvɔɔdˈɔvʲɛ tɔ bˈardʑɔ stˈarɨ i dˈumnɨ rˈut, ˌalɛ ɲʲɛ sɔ̃ tˈaɡ bɔɡˈatɕi, jˈak mɔɡwˈɔbɨ ɕɛ zdˈavatɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_163.wav|dˈalɛj bˌɨwa ulˈitsa s pʃˌɨɡarbjɔnˈɨmi sˌamɔxɔdˈami nad bʒˈɛɡʲɛm trˌɔtuˈaru.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_119.wav|tˈak jˈɛst, pˈaɲʲɛ kˌapitˈaɲʲɛ, pɔvʲˈɛdʑaw tˈakɔ. dˈajɛ im tˌɨlkɔ jˈɛʃtʃɛ jˈɛdnɔ̃ ʃˈansɛ nˈatɔ, ʒˈɛbɨ ˈuʃli z ʒˈɨtɕɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_44.wav|naprˈavdɛ xˈɔrɨ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_46.wav|bɛɲdʑˌɛmɨ muɕˈɛli pɔvˈɔwadʑ zˈɛspuw, ktˌurɨ sprˈavdʑi bjˈurkɔː i pˈɔkuj pˈannɨ pˈɔrtɛr. mˈɔʒɛ rˈuvɲʲɛʃ ˈinnɛ bjˈura, tʃɨ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_152.wav|vʲˈɛm tsˈɔɕ ɔ tˈɔbjɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_65.wav|bˈɔ za ɲʲˈɛtsɔ pˈɔnad dvanˈaɕtɕɛ ɡˈɔdʑin mʲˈawam spˈɔtkatɕ ɕɛ z lˈijɔ̃ pʃɨ ʒˈɛtsɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_54.wav|tɕˈɛʃɛ ɕɛ, ʒˈɛ jˈɛɡɔ krˈutka ɡɔrˈɔntʃka jˈuʃ ˌustɔmpˈiwa, ˌalɛ jɛzd vɨrˈaʑɲʲɛ rˌɔstʃarɔvˈanɨ, ʒˈɛ ɲʲɛ bˌɛɲdʑɛ mʲˈaw ɔkˈazji pɔpˈatʃɛtɕ na sˌamɔlˈɔtɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_27.wav|fʃˈɨstkɔ bˌɨwɔ na mʲˈɛjstsu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_3.wav|kʲˈɛdɨ rˌɔzmavʲˈali z jˌɔxanssˈɔnɛm, zˈɛspuw jˈumbɔ znˈalas f sˌamɔxˈɔdʑɛ ɕlˈadɨ krfˈi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_23.wav|xtsˈɛʒ zadʑvˈɔɲitɕ?|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_146.wav|vˌɨɡramɔlˈiwam ɕɛ zˈɛ skʃˈɨɲi i zˌaskɔtʃˈɨwam z vˌɨsɔkˈɔɕtɕi tʃtˈɛrɛx mˈɛtruf na pɔdwˈɔɡɛ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_248.wav|pɔmˈɨɕlaw dʒˈɛjms.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_93.wav|ɲʲɛ pɔmˈaɡaʃ ɲikˈɔmu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_48.wav|zˌatʃɨnˈajɔ̃ bˈɔlɛtɕ mɲʲɛ ˈuda i tʃˈujɛ pɔtʃˈɛbɛ zmʲˈanɨ pɔzˈɨtsji, fstˈaɲʲa, vˌɨprɔstɔvˈaɲʲa ɕɛ, ˌalɛ ɲʲɛ mˈɔɡɛ tˌɛɡɔ zrˈɔbʲitɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_17.wav|tˈɔm vɨswˈuxaw rɛlˈatsji bˈɛtskɨ zˈɛ spɔtkˈaɲʲa z jˈɔɛ, vwˈɔntʃɲʲɛ s pˌɔdɛjʒˈɛɲʲɛm ɔ pʃˌɛkazɨvˈaɲʲɛ ˌinfɔrmˈatsji na zˈɛvnɔntʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_12.wav|spiʒˈarɲʲa alˈana mʲˈawa dˈɔʑdʑ vˌɨɡurɔvˈanɛ tsˈɛnɨ, zvaʒˈɨfʃɨ nˈatɔ, ʒˈɛ jɛj ˌasɔrtˈɨmɛnt stˌanɔvˈiwɔ ɡwˈuvɲʲɛ ɕmʲɛtɕˈɔvɛ ʒˈartɕɛ i kˌitʃɔvˈatɛ pamjˈɔntki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_107.wav|rˈixtɛr vɨtɕˈɔŋɡa mˈawɨ nˈɔtɛz z vɛvnˈɛntʃnɛj kʲɛʃˈɛɲi mˌarɨnˈarki i pʃˌɛpisˈujɛ nˈumɛr srˈɛbrnɨm ɔwˈufkʲɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_5.wav|vʲˈɔsna raptˈɔvɲʲɛ ɕɛ skɔɲtʃˈɨwa. zˈɛ fʃˈɨstkix strˈɔn lˈɛtɕaw xwˈɔdnɨ vʲˈatr, pˈɛwɛn zapˈaxuf ɲʲɛdˈavnɛj ʑˈimɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_145.wav|kɔbjˈɛta pɔ rˈas pʲˈɛrʃɨ ˌɔkazˈujɛ ɛmˈɔtsjɛ.|3
+Dataset/wavs/urwisko_ferenc/53_segment_21.wav|rɔbˈɔta jɛzd dˈɔbra na fʃˈɛlkʲɛ smˈutki.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_257.wav|ktˌurɛj tɛn pˈuwmrɔk pʃɨdˈavaw jˈakʲɛjɕ tˌajɛmɲˈitʃɛj pˌɔdɲʲɔswˈɔɕtɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_39.wav|ftʃɛɕɲʲˈɛjʃɛ awtˈɔpsjɛ jˈuʒ ɡˈɔ nˌautʃˈɨwɨ, ʒˈɛ nˈuʃ mˈuɕi zvˈɨklɛ pɔkˈɔnadʑ dˈɔʑdʑ dˈuʒɔ̃ ɔdlˈɛɡwɔɕtɕ, ʒˈɛbɨ trˈafidʑ w vˈaʒnɨ nˈaʒɔnt lˈup artˈɛrjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_117.wav|pˌɔtʃɔntkˈɔvɔ mʲˈawa bˈɨtɕ pisˈana s pˌɛrspɛktˈɨvɨ jˈɛɡɔ ɡwˌupavˈɛɡɔ jˈa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_85.wav|tɛ ɔdɡwˈɔsɨ mʲˌawɨ mɲʲɛ pˈuʑɲʲɛj pʃˌɛɕladˈɔvatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_157.wav|mˈimɔ tɔ ɕˈada s pɔvrˈɔtɛm tˈak, jˈak stˈawa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_69.wav|zamjˈɛʒam ɕɛ zatʃˈɨmatɕ f sˈamɨm ɕrˈɔtku ɲitʃˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_12.wav|ɲˈiɡdʑɛ jˈɛdnak ɲʲɛ bˌɨwɔ mˈartɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_96.wav|dˈɔbʒɛ vɨbrˈawam ˌɔtpɔvʲˈɛdɲi mˈɔmɛnt.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_134.wav|skˈɔnt tɔ vʲɛdʑˈawam?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_36.wav|a ja ɕɛ zˌɔrjɛntɔvˈawam, ʒˈɛ ɲʲɛ ʒˈɨjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_45.wav|jɛst sklˈɛp spɔʒˈɨftʃɨ na rˈɔɡu, ˌalɛ zamkɲʲˈɛntɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_13.wav|tʃˈutɕ smrˈut rɔzlˈanɛj fçˈiskɨ, mˈɔtsnɨ ˈaʃ ˈɔtʃɨ wzˈavjɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_147.wav|mˈɨɕli, ʒˈɛ pɔvˈiɲʲɛn jˈɔ̃ namˈuvidʑ dɔː ˌɔtɕpʲɛvˈaɲʲa pʲˈɛrʃɛj zvrˈɔtki pikɲˈiku mˈiɕuf.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_351.wav|tsˈuʃ tɔ mˈa fspulnˈɛɡɔ zˈɛ spˈɔrtɛm?|0
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+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_73.wav|dla mɲʲɛ nˌajpʲɛŋkɲʲˈɛjʃɨm vidˈɔkʲɛm jɛst rˈɛʃta zˌabudˈɔvɨ artˈɛmis.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_273.wav|ɲʲɛ jˌɛstɛʑ zwˈɨm ˈɔjtsɛm.|4
+Dataset/wavs/urwisko_ferenc/19_segment_22.wav|— fʃˈɨstsɨ xtɕˈɛlibˌɨɕmɨ tɔ vʲˈɛdʑɛtɕ. — sˈɔlska pɔnˈɔvɲʲɛ spɔjʒˈawa za ˈɔknɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_129.wav|sxrˈɔn pˈustɨ! kʃɨknˈɛwa, zˌaɡlɔndˈajɔndʑ dɔ ɕrˈɔtka.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_18.wav|mʲˈastɔ pˌɔtʃɛbˈujɛ rˈuvɲʲɛʃ ɕˈiwɨ rɔbˈɔtʃɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_293.wav|ɲʲɛdˈɔbʒɛ pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/urwisko_ferenc/04_segment_43.wav|dʑˈɛŋki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_87.wav|ɲʲɛ vʲˈɛʒɨʃ, ʒˈɛ dɔstˈanɛ tɛ pʲɛɲʲˈɔndʑɛ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_284.wav|dˈavnɔ ɲʲɛ bˌɨwɛm nˈatɨh ulˈitsax.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_377.wav|zwˈɨ dʑˈɛɲ na lˌɔndɔvˈaɲʲɛ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_33.wav|uɕmʲˈɛxa ɕɛ tˌɨlkɔ pˌɔɡardlˈivʲɛ i vrˈatsa dɔ krɔjˈɛɲʲa vˈaʒɨf.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_244.wav|mˈɔʒɛ jˈɛʃtʃɛ ɲʲɛ zakfˈitwɨ, ˌalɛ jˈɛdnɔ̃ vˌɨtʃarɔvˈawam dla pˈana.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_117.wav|tsˈɔris xˈɔdʑi na dˈuw zɔbˈatʃɨtɕ, tsˈɔ tɔ za xawˈasɨ i ɕmʲˈɛjɛ ɕɛ, ʒˈɛbɨ z ɲʲˈɛɡɔ zˈɛʃli, zˈaɲim ɡˈɔː udˈuʃɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_69.wav|xtsˈɛ, ʒˈɛbɨɕ kˈɔɡɔʑ zabrˈawa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_140.wav|tɔ ftˈɛdɨ, kʲˈɛdɨ vrˈatsa na ʑˈɛmʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_96.wav|tˈak ɕɛ na ʃtʃˈɛɲɕtɕɛ ɲʲɛ stˈawɔ, ˌalɛ ta trˈawma bˌɛɲdʑɛ z ɲˈim pʃˈɛs tsˈawɛ ʒˈɨtɕɛ.|2
+Dataset/wavs/urwisko_ferenc/46_segment_40.wav|zˈɔstaɲ tˈu, rɔskˈazaw mˌɔtɔtsˈɨkliɕtɕˌɛ. jˈɛɕli zɔbˈatʃɛ, ʒˈɛ stˈɔnt ˌɔdjɛxˈawɛɕ, ɲʲɛ zɔbˈatʃɨʃ ʃtʃɛrpskʲˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_177.wav|dla kturˌɛɡɔ prˌatsɔvˈawɛɕ, mˈɨɕli znˈɔvu bʲˈillɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_193.wav|ɲʲˈɛxɔdʑ za mnˈɔ̃ dwˈuʒɛj, jˈudɨ pɔvʲˈɛdʑaw. pɔwˈɔʒɨw jɛj rˈɛŋkɛ na tfˈaʒɨ i tʃˈuw, jˈak puxˈatɨ pɔlˈitʃɛk pʃɨtɕ��iska ɕɛ dɔ jˈɛɡɔ dwˈɔɲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_301.wav|zbjˈɔrɲik s pɔvʲˈɛtʃɛm bˈɨw vˌɨpɔsaʒˈɔnɨ f ʃˈɛlki, ktˌurɛ pˌɔzvalˈawɨ zavʲˈɛɕidʑ ɡˈɔ na plˈɛtsax, ʒˈɛbɨ ɲʲɛ zavˈadʑaw.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_455.wav|mˈɔi sɨnˈɔvʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_66.wav|sɔ̃ tˈu rˈuvɲʲɛʃ ˈinɲi rɔdʑˈitsɛ. zˌɔrɡaɲˌizɔvˈali sˈɔbjɛ vwˈasnɔ̃ imprˈɛzɛ. zˌɔbatʃˈɨmɨ ɕɛ pˈuʑɲʲɛj.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_23.wav|tˌɨlkɔ zapˈɨtam, tʃɨ mˈɔɡɛ pˈɔmuts. tɔ fʃˈɨstkɔ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_149.wav|sˈɨn mˈa ˌɔbɔvʲˈɔ̃zɛk swˈuxatɕ ˈɔjtsa, tɔ prˈavda.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_9.wav|jˌɛstɛɕ ʃˈɛfɛm. maʃ prˈavɔː ɔt tʃˈasu dɔ tʃˈasu strˈatɕitɕ pˌanɔvˈaɲʲɛ nat sˈɔbɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_74.wav|pɔ prˈɔstu ɕɛ martfˈiwɛm. tɔ fʃˈɨstkɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_50.wav|ˌalɛ mˈajɔndʑ dɔ dˌɨspɔzˈɨtsji zˈɛstaf pˈɔmp i zavˈɔruf pruʒɲʲˈɔvɨx, mˈɔʒna jˈɛ vˌɨkɔʒˈɨstatɕ rˈuvɲʲɛʃ f tˌaki spˈɔsup.|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_53.wav|ɲʲɛ urˈabja sˈɔbjɛ rˈɔŋk pɔ wˈɔktɕɛ, ʒˈɛbɨ lˈɛdvʲɛ startʃˈɨwɔ na pʃɛʒˈɨtɕɛ. tˈak jˈak ja pɔvˈinnam zdˈaɲʲɛm fʃˈɨstkix.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_349.wav|kʲˈɛdɨ mˈaʃa xˈɛdl bˌɨwa tˈu ˌɔbɛrʒˈɨstkɔ̃,|1
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_5.wav|mˈam za dˈuʒɔ sprˈav dɔ pʃˌɛmɨɕlˈɛɲʲa.|3
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+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_50.wav|jɛst tɔː ɔstˈatɲʲa ɔsˈɔba, ktˌurɛj bˈɨm ɕɛ spˌɔdʑɛvˈawa i ˈaʃ mˈuʃɛ utʃˈɛpitɕ ɕɛ dʒvˈi, ʒˈɛbɨ utʃˈɨmatɕ rˌuvnɔvˈaɡɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_85.wav|jˈakʲɛ swˈɔva?|3
+Dataset/wavs/urwisko_ferenc/52_segment_24.wav|rˌɔspwakˈawa ɕɛ. ˈalɛ...|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_209.wav|zˌavijˈajɔ̃ ɕrˈɛdɲʲɔ rˈas na tˈɨdʑɛɲ i najblˈiʃʃɨ jɛst pʃˌɛvidʑˈanɨ dɔpʲˈɛrɔ za tʃˈɨ dɲˈi.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_257.wav|xˌaˌɛmˈɛm, mˈɔʒɛ f tˈakim rˈaʑɛ pˌɔviɲʲˈɛnɛm dɔkwˈadɲʲɛ skˌɔntrɔlˈɔvadʑ zavˈartɔɕtɕ. zɔbˈatʃɨtɕ, tʃɨ w ɕrˈɔtku ɲʲˈɛma tʃˈɛɡɔɕ, tsˈɔ ɲʲɛ pɔvˈinnɔ...|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_20.wav|ˌɔdʒutɕˈiwɛm fʃˈɛlkʲɛ pʃɨmˈusɨ, rˈɛʃtkɔ̃ ɕˈiw brnˈɛ pɔt prˈɔnt.|0
+Dataset/wavs/urwisko_ferenc/05_segment_27.wav|mˈarja tsˈawɛ ʒˈɨtɕɛ kɔxˈawa ˈɔjtsa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_46.wav|mˈɔʒɛ zdaʒˈɨwɔ tɕi ɕɛ vˈɨjɕtɕ i ɲʲɛ zˈamknɔɲdʑ dʒvˈi na klˈutʃ?|3
+Dataset/wavs/urwisko_ferenc/23_segment_72.wav|f pˈɔlstsɛ jˈɛʃtʃɛ ɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_75.wav|uɕmʲˈɛxam ɕɛ, ˌalɛ zˌaxɔvˈujɛ mˈɨɕli dla ɕˈɛbjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_14.wav|ftʃˈɛɕɲʲɛj bˈɨw dˈɔɕtɕ pˈulxnɨm xwˈɔptsɛm, jˈɛdnak f tɕˈɔŋɡu mˌiɲʲɔnˈɛɡɔ rˈɔku...|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_250.wav|tɔ trˈunɛɡ dla smˈɔkuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_103.wav|pʃˌɨjɛxˈawɛm tˈak ʃˈɨpkɔ, jˈak tˌɨlkɔ mˈɔɡwɛm. pʃɛprˈaʃam, ʒˈɛ dɔpʲˈɛrɔː ɔ tɛj pˈɔʒɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_39.wav|ʒˈɔnt stˈalɛ zmʲˈɛɲʲa tɛ pʃɛpˈisɨ, vʲˈɛnts lˈɛpʲɛj pˈuʑɲʲɛj ɲʲɛ ʒawˈɔvatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_141.wav|bˈɨw naprˈavdɛ ʃˈɨpki. mɲʲɛ najʃˈɨptɕɛj udˈawɔ ɕɛ tɔ w dʑˈɛvʲɛɲtɕ mˈinut.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_41.wav|na stɔjˈɔntsɨm na sˈamɨm ɕrˈɔtku stɔlˈiku pˌɔstavʲˈɔnɔ vˈazɔn z rˌɨʒɲʲɛntˈɛɡɔ ʃkwˈa pˈɛwɛn rˈuʃ w rˌɔzmaˈitɨx kɔlˈɔrax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_13.wav|fˈili jɛst mˈiwɔ̃ dʑɛftʃˈɨnɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_89.wav|ˈɔtɨm, ktˌurɨ ˌɔpsɛrvˈujɛ dˈɔm.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_145.wav|tˈak tˈutaj dʑˈawa vˈɨmjar sprˌavʲɛdlivˈɔɕtɕi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_36.wav|mˈɔʒɛ mʲˈawa ɕɛ tˈutaj tˌɨlkɔ zdʒˈɛmnɔɲtɕ, a mˈama jɛzd za dʒvʲˈami.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_37.wav|ˌalɛ ɡdʑˈɛ xtsˈɛʃ jˈɛxatɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_45.wav|pɛvnˈɛɡɔ dɲʲˈa pʃˈɨʃɛd ɲʲɛznˈanɨ mi pˌɔtpuwkˈɔvɲik, ʒˈɛbɨ pɔpˈatʃɛtɕ, jˈak stʃɛlˈamɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_339.wav|tˌɛɡɔ ɲʲɛ mˈɔɡɛ tɕi zdrˈadʑitɕ, ɔtpˈarwam.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_194.wav|bˈuɡ ɡˈɔː ɔpˈuɕtɕiw dʑˈiʑ vʲɛtʃˈɔrɛm, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_179.wav|pɔɲʲˈɛvaʃ mˈuʃɛ ɕɛ skˈupitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_157.wav|vʲˈɛm, ɡdʑˈɛ jɛst i mˈɔɡɛ tɕˈɛ dɔ ɲʲˈɛɡɔ zˈabratɕ.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_203.wav|zˌapɨtˈawa drˈuɡa.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_37.wav|pɔdˈɛʃwam dɔ stˌɔjɔntsˈɛɡɔ najblˈiʒɛj kɔmbˈajnu i zadˈarwam ɡwˈɔvɛ.|4
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+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_240.wav|ɡdˈɨ mɛrˈibalt skˈɔɲtʃɨw, nat ix mˈawɔ̃ ɡrˈupkɔ̃ zapˈadwa ɡwɛmbˈɔka tɕˈiʃa.|1
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+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_176.wav|i nˈadal ɲʲˈɔ̃ jˈɛstɛɕ. tɔ dlatˈɛɡɔː ˌintɛrvˌɛɲʲɔvˈawam ftʃˈɔraj i nˌakwɔɲˈiwam rudjˈɛɡɔ, ʒˈɛbɨ tɕˈɛ vɨpˈuɕtɕiw.|4
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+Dataset/wavs/drzwi_anna_szymanczyk/(70) R.Abbott_Zamknij Drzwi_segment_15.wav|ˈaʃ ɔdˈɛtxnɔw z ˈulɡɔ̃. jˈuʃ prˈavʲɛ dˈɔtar na mʲˈɛjstsɛ.|4
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+Dataset/wavs/urwisko_ferenc/03_segment_132.wav|a mˈɔʒɛ ɕikˈɔrski pʃɛsˈadʑaw s klˌimatɨzˈatsjɔ̃?|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_26.wav|zatʃɲˈijmɨ ɔt pɔstˈɛmpuf.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_194.wav|tfˈuj pˈan ˈɔjtɕɛts|1
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+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_33.wav|tsɛrsˈɛi ɕɛdʑˈawa pʃɨ ˈɔkɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_12.wav|tsˈɔ tɨ rˈɔbʲiʒ w bjˈuʒɛ? filˈipa pˌɔvʲɛdʑˈawa, ʒˈɛ luˈisa muɕˈawa pʃˈɛjɕtɕ tsɛsˈarskʲɛ tɕˈɛɲtɕɛ. fʃˈɨstkɔ f pɔʒˈɔntku?|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_45.wav|pɔ vˈɛjɕtɕu dɔ sfɔjˈɛɡɔ pɔkˈɔju bʲˈillɨ vwˈɔntʃa laptˈɔpa, pʃɛstˈavja zˈɛɡar na lɔkˈalnɔ̃ strˈɛfɛ tʃasˈɔvɔ̃ i sprˈavdʑa fˌawpˌɛˈɛn, bˈɔ xakˈɛʒɨ ˌuvʲɛlbjˈajɔ̃ xɔtˈɛlɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_237.wav|ˌɔstɛmplˈɔvaw pˈan pˈatʃkɛ?|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_88.wav|tʃɨ vɨmjˈɛɲiʒ vˌɛstɛrlˈiŋɡuf na ɛdmˈura?|1
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+Dataset/wavs/urwisko_ferenc/56_segment_22.wav|smakˈujɛ pˈanu?|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_111.wav|ɲʲɛ mʲˈawam pravdʑˈivɛj pʃˌɨjatɕˈuwki ɔt...|1
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+Dataset/wavs/urwisko_ferenc/44_segment_23.wav|ɡdʑˈɛ jˈɛstɛɕ? zapˈɨtaw, ɡdˈɨ ʃˈɛf ɔdˈɛbraw pˌɔwɔntʃˈɛɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_105.wav|vʲˈɛ, tsˈɔ pʃˌɨdaʒˈɨwɔ ɕɛ naʃˈɛmu dʑˈɛtsku.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_89.wav|tˈɛras ˌɔfɛrˈujɛ tɕi mɔʒlˈivɔʑdʑ zajʒˈɛɲʲa w ɡwˈɔmb vwˈasnɛj dˈuʃɨ, pɔzbˈɨtɕa ɕɛ fʃɨstkʲˈɛɡɔ, tsˈɔ tʃˈɨma tɕˈɛ mˈɔtsnɔ w uɕtɕˈisku.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_60.wav|ˌalɛ tɔ ɲʲɛ jɛdˈɨnɨ pˈɔvut, dla kturˌɛɡɔ xtɕˈɛliɕmˌɨ s pˈaɲʲɔ̃ pˌɔrɔzmˈavʲatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_20.wav|ˈɔfʃɛm, tʃˈujɛ jˈɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_101.wav|pˈaɲʲɛ prˌɛzɨdˈɛɲtɕɛ, tsˈɔ ɕɛ stˈawɔ?|0
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+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_175.wav|uvˈaʒaj na ɕˈɛbjɛ, mˈɔja drˈɔɡa, ˌɔtpɔvʲɛdʑˈawa nɡˈuɡʲi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_43.wav|vˈidʑiʃ? dɔdˈajɛ.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_51.wav|mˌajɔ̃ nɔvˈɛɡɔ krˈula.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_70.wav|ɲʲɛktˌurɛ drɔɡˈɛrjɛ spʃɛdˈajɔ̃ tˈɛʒ dˈamskɔ̃ bjɛlˈiznɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_33.wav|ɔttɕˈinam ɕɛ ɔt tˌɛɡɔ zɡʲˈɛwku, dʑˈɛŋki tʃˌɛmu bʒmˈi jˈak stwumjˈɔnɨ pˈɔmruk. kˌɔntsɛntrˈujɛ ɕɛ vɨwˈɔntʃɲʲɛ na mˈili.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_55.wav|mˈimɔ fʃˈɨstkɔ mˈuʃɛ tɔ sprˈavdʑitɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_274.wav|nˈɔ vʲˈɛnts, jˈak tɔ ɕɛ zatʃˈɛwɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_65.wav|tʃɨ ˈɛlis ˌɔpublˌikɔvˈawa jˈuʃ mˈɔjɛ zdjˈɛɲtɕɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_204.wav|ɔtfʲˈɛra dwˈɔɲ i jɛj pˌɔkazˈujɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_102.wav|ɔn mɲʲɛ kˈɔxa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_20.wav|mˈɔʒɛ dˈɔbʒɛ bɨwˈɔbɨ zawˈɔʒɨtɕ, ʒˈɛ ˈɔba sˌamɔxˈɔdɨ jɛxˈawɨ tɔ̃ sˈamɔ̃ trˈasɔ̃. musˈimɨ zmʲˈɛɲitɕ nˈaʃ pˈuŋɡd vidʑˈɛɲʲa.|4
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+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_75.wav|a pɔt spˈɔdɛm jɛst mˈuj pˈɔtpis.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_23.wav|tsˈɔ ɕɛ stˈawɔ? spɨtˈawɛm. ɲˈits, ɲˈits.|0
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+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_284.wav|dʑɛŋkˈujɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_36.wav|tsˈɔ ja tˈutaj rˈɔbjɛ dɔ xɔlˈɛrɨ? kazˈaliɕtɕˌɛ mi tʃˈɛkatɕ pˈuw ɡɔdʑˈinɨ, a ja nˈavɛt ɲʲˈɛvʲɛm, dlatʃˈɛɡɔ zɔstˈawɛm vɛzvˈanɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_18.wav|tɔ ɲʲɛ za mnˈɔ̃ tˈak pˈɛndʑɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_49.wav|tsˈɔ maʃ na mˈɨɕli, dˈɔm?|3
+Dataset/wavs/urwisko_ferenc/63_segment_201.wav|ktˌurɛ mˈarja z ɔlɡʲˈɛrdɛm vˌɨtɨpɔvˈali jˈuʃ ftʃˈɛɕɲʲɛj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_43.wav|pˈitsɛ pˌɔtpɔvʲɛdʑˈawɨ mi tsˈɔɕ jˈɛʃtʃɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_63.wav|ɲʲˈɛɣ dɔ ɕrˈɔtka fpˈadɲʲɛ vʲˈatr. jɛzd ʑˈimnɨ, ˌalɛ i ʒˈɛɕki, a ɔn za dwˈuɡɔ ʒˈɨw w dˈuʃnɨm pɔkˈɔju.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_63.wav|ɲʲɛ bˌɛɲdʑɛ tˈam mˈili. zvlˈɛkam jˈɛʃtʃɛ pʃˈɛs xfˈilɛ, a bˈɛtskɨ i zˈɔɛ ftsˈalɛ mɲʲɛ ɲʲɛ pˌɔɡaɲʲˈajɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_136.wav|ˌɔtfɔʒˈɨwɛm dʒvˈi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_558.wav|kˈilka ˈɔkʲɛn jˈasnɨx, kˈilka tɕˈɛmnɨx.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_169.wav|ˌɔna spɔstʃˈɛɡwa tɔ mˈɔjɛ zˌapatʃˈɛɲʲɛ i ˌɔdvzajɛmɲˈiwa ɕɛ uɕmʲˈɛxɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_132.wav|ɡˈɔ̃ʃtʃ jˈɛɡɔ zarˈɔstu pɔrˈuʃaw ɕɛ mʲarˈɔvɔ jˈak tʃˈarnɛ vˌɔdɔrˈɔstɨ na dɲʲˈɛ jɛʑˈɔra.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_35.wav|nastˈɛmpɲʲɛ pɔjˈaviw ɕɛ vˈɨpiz z rɛjˈɛstru ɡrˈuntuf. jˈɔɛl i ɲitsˈɔla kˈalu kupˈili lˌakɛsˈidɛ bˈɛs çˌipɔtˈɛki.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_22.wav|ɲʲɛvˈaʒnɛ, jˌɛstɛɕ jˈuʃ na mʲˈɛjstsu. zɡwɔɕˈiwɛɕ tɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_35.wav|pˌɔstanˈɔviw na rˈaʑɛ ɲʲɛ zapʃˈɔntatɕ sˈɔbjɛ tˈɛ ɡwˈɔvɛ i pˈɔtʃɛd dɔ stˈɔwu kˌɔnfɛrˌɛntsɨjnˈɛɡɔ.|3
+Dataset/wavs/urwisko_ferenc/16_segment_41.wav|ftˈɛdɨ jˈɔ̃ pˈan zastˈaɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_18.wav|pˈɔmpki bʒˈuʃki, pˌɔdnɔʃˈɛɲʲɛ nˈuk, pʃɨɕˈadɨ z vˌɨʒutsˈɛɲʲɛm nˈuɡ dɔ tˈɨwu.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_90.wav|rˈudɨ ɲʲɛ sprˈavʲaw vraʒˈɛɲʲa, jˈaɡbɨ ˈɔtɨm fʃˈɨstkim vʲˈɛdʑaw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_18.wav|tˈɛras, kʲˈɛdɨ pˈatʃɛ nˈatɔ s pˌɛrspɛktˈɨvɨ tʃˈasu, ˌuɕfʲadˈamjam sˈɔbjɛ, ʒˈɛ tɔ bˈɨw pɔtʃˈɔntɛk jɛj prɔblˈɛmuf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_260.wav|uɕmʲˈɛxnɔw ɕɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_517.wav|bɛsfstˈɨdnɛ i ɲʲˌɛpʃɨjˈɛmɲʲɛ bʒmʲˈɔntsɛ.|0
+Dataset/wavs/urwisko_ferenc/21_segment_71.wav|tʃɨ mʲˈawa ɕˈiwɛ bˈavitɕ ɕɛ f tɔ pɔnˈɔvɲʲɛ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_62.wav|skˈinɔw na rajˈana, a tɛn pˈɔʃɛd zˈaɲim i pɔdˈɛʃli dɔ sˌamɔlˈɔtu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_122.wav|nˈɔː i dɔ tˌɛɡɔ tɛ zasˈadɨ muvʲˈɔntsɛ ɔ pʃˌɛtɕivdʑawˈaɲʲu kradʑˈɛʒɔm. tɔ tˈɛʒ bˌɨwɔː ˈɛkstra.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_117.wav|pˈanɛl sɨstˈɛmu rˌɛɡulˈatsji tˌɛmpɛratˈurɨ bˈɨw vidˈɔtʃnɨ z ˈɔkʲɛn stɛrˈɔvɲi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_307.wav|nˈavɛt rubrˈɨkɔm stˌatɨstˈɨtʃnɨm, a mˈɔʒɛ nˈavɛt samˈɛmu pˈanu bˈɔɡu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_85.wav|i pamjˈɛntam, ʒˈɛ bˌɨwɔ tɔ strˈaʃnɛ. jˈaɡ dwˈuɡɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_127.wav|na pɔtʃˈɔntɛɡ zamjˈ��ɲʲa f tsˈawɨm tˈɛkɕtɕɛ bɛnjˈina bʲˈillɨ i kˈɔmpsɔn na sˈummɛrs.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_50.wav|tˈak ˈu ɲˈiɣ vɨɡlˈɔnda ʒawˈɔba.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_106.wav|ɔ tʃɨm jɛst ta tfˈɔja kɕˈɔ̃ʃka?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_134.wav|f tˈakʲɛj jˈɛdnɛj mwˈɔdɛj kɔbjˈɛtɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_184.wav|pˌɔdɔbˈawɔ ɕɛ jɛj rˈuvɲʲɛʃ, ʒˈɛ vˈidʑi, jˈakʲɛ stˈatki pʃˌɨbɨvˈajɔ̃ dɔ mʲˈasta z vʲɛtʃˈɔrnɨm pʃɨpwˈɨvɛm, a jˈakʲɛ ˌɔpuʃtʃˈajɔ̃ pˈɔrt.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_89.wav|dvˈɔjɛ studˈɛntuv vˌɨdavˈawɔ ɕɛ zˌadɔvɔlˈɔnɨx s prˌɔpɔzˈɨtsji, vʲˈɛnts stsˈɔtt ɔdvrˈutɕiw ɕɛ dɔ mɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_286.wav|ˌɔna mˈuvi, ʒˈɛ swˈɔva tɔ tˌɨlkɔ vʲˈatr, ɔznˈajmiw tʃwˈɔvʲɛk s puwnˈɔtsɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_64.wav|i ftˈɛdɨ zdˌɔbɛɲdʑˈɛmɨ tsˈɔɕ nˌamatsalnˈɛɡɔ, na tʃɨm bˌɛɲdʑɛ ɕɛ mˈɔʒna skˈupitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_53.wav|ˌalɛ tˈɛras ɕɛ uɕmʲˈɛxaw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_420.wav|— ɲʲˈɛvʲɛm. kˌɔmisˈarjat ɕɛ spˈaliw. kˈɔrsaɡ zˈaɕmʲaw ɕɛ s sˌatɨsfˈaktsjɔ̃. — tɛn vˈarjat!|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_86.wav|dˈalɛ tˈɛʒ bˈɨw pɔd vraʒˈɛɲʲɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_49.wav|kʲˈɛdɨ vrˈutɕi? ɲʲˈɛvʲɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_52.wav|zˈɔstaf tɔ mɲʲɛ ˈaʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_231.wav|ˌɛksplɔratˈɔʒɨ rˈɔbjɔ̃ tɔ tsˈawɨ tʃˈas, ˌalɛ jˈa...|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_379.wav|mˈuɕiʃ jˈɛʃtʃɛ dʑˈiɕ w nˈɔtsɨ pˈujʑdʑ dɔ vʲɛlkʲˈɛɡɔ sˈɛptu bˌaɛlˈɔra i pˌɔrɔzmˈavʲadʑ z vʲˈɛlkim sɛptˈɔnɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_8.wav|uɕmʲˈɛxnɔw ɕɛ pʃɛlˈɔtɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_76.wav|w mʲˈarɛ zˌadavˈaɲʲa djˈɛmu tsˌarlsɔnˈɔvi kɔlˈɛjnɨx pˈɨtaɲ ˈɔbraz ʒˈɔnɨ strakˈana w jɛj ɡwˈɔvʲɛ stˈavaw ɕɛ tsˈɔras mɲʲˈɛj ˌatraktsˈɨjnɨ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_495.wav|bˌɨwam ˌɔbjɛtsˈana.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_29.wav|tɔ ʑˈimna, ˌalɛ i s ʃˈɔku.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_282.wav|maʃ tˈɛʒ druɡʲˈɛɡɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_115.wav|arˈɛʃtant jɛzd dɔkwˈadɲʲɛ tˈam, ɡdʑˈɛ bˌɛɲdʑɛ tsˈɛl bʲillʲˈɛɡɔ, kʲˈɛdɨ pʃˈɨjdʑɛ pˈɔra pɔtɕˈɔŋɡnɔɲdʑ za spˈust, ɔː ˈilɛ pʃˈɨjdʑɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_180.wav|ukrˈɨta w zanˈadʒu na zwˈɔ̃ ɡɔdʑˈinɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_260.wav|jˈaɡbɨ ˌufɔrmɔvˈanɨx f tˈɛ krˈɔŋɡwɔɕtɕ pʃɨ pɔmˈɔtsɨ tsˈɨrkla.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_190.wav|tɔ bˌɨwa kuʃˈɔntsa prˌɔpɔzˈɨtsja, ˌalɛ ɲʲɛ mˈɔɡwam z ɲʲˈɛj skɔʒˈɨstatɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_83.wav|pɔtstˈaviw sfˈɔjɔ̃ dwˈɔɲ pɔd zˈavur, tʃˈɨmaw jˈɔ̃ tˈam xfˈilɛ, a pˈɔtɛm vɨtɕˈɔŋɡnɔw dwˈɔɲ kˈu tfˈaʒɨ rɨˈana.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_54.wav|znˈuf pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_418.wav|tɔ znˈatʃɨ, ʒˈɛ jɛstˌɛɕtɕɛ dvˈa rˈazɨ ɡɔrʃˈɨmi zdrajtsˈami ɲˈiʃ pˈipɛr.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_75.wav|tɔ mʲˈawɔ bˈɨ sˈɛns.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_215.wav|jɛʒˈɛli zdˈɔwa ɕɛ dɔ kˈɔɡɔʑ dɔdʑvˈɔɲitɕ, bˈardʑɔ mɲʲɛ tɔː utɕˈɛʃɨ, ˈɔtpar.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_82.wav|tˈɔm pˈɔtʃuw, jˈak sˈɛrtsɛ pɔtxˈɔdʑi mu dɔ ɡˈardwa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_24.wav|tɔ jɛst pɔ prˈɔstu ɲʲˌɛdɔʒˈɛtʃnɛ. mˈili tɔ mˈɔjɛ dʑˈɛtskɔː i ɲˈiɡdʑɛ ɕɛ bˈɛzɛ mɲʲɛ ɲʲɛ rˈuʃɨ. lˈɛpʲɛj, ʒˈɛbɨɕtɕˌɛ tɔ zrˌɔzumjˈɛli f tɛj xfˈili.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_78.wav|vˈɔbɛts tɛj xfˈili ɲikˈɔɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_64.wav|ktˈuʃ lˈɛpʲɛj pɔtrˈafiwbˌɨ ɔsˈɔɲdʑitɕ ɲʲˌɛɡɔdʑˈivɔɕtɕ kˈɔbjɛt?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_274.wav|z jˈakɔ̃ɕ rɔspˈatʃɔ̃ pˌɔvalˈiwɛm ɕɛ nˈaɲʲɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_138.wav|jˈak ˈɔkʲɛm ɕˈɛŋɡnɔɲtɕ, tɕɔŋɡnˈɛwɨ ɕɛ tˈam vrˈaki sˌamɔxˈɔduf, tsˈawɛ sˈɛtki vrˈakuf.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_244.wav|ɲʲɛstˈɛtɨ ˌɔkazˈawɔ ɕɛ, ʒˈɛ f kˈuxɲʲax ɲʲɛ mˌajɔ̃ dʑˈika.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_18.wav|tˈɔm zˌastanˈɔviw ɕɛ pʃˈɛs mˈɔmɛnt.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_61.wav|ˌustavˈiwa ɕɛ za plɛtsˈami tˈɔma, ktˌurɨ pxnˈɔw dʒvˈi dɔ ɕrˈɔtka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_143.wav|tɔ pˈan zawˈatfja pˌɔdwɔntʃˈɛɲʲɛ ˌɔɡʒɛvˈaɲʲa prˈɔndu, vˈɔdɨ i kablˈufki?|2
+Dataset/wavs/urwisko_ferenc/47_segment_73.wav|lˈɛɡnɛr mˈiltʃaw. — pˈaɲʲɛ prˌɔkuratˈɔʒɛ! — varknˈɛwa. — ˈalbɔ mi pˈan pˈɔvʲɛ tsˈɔɕ mɔndrˈɛɡɔ, ˈalbɔ dˈajmɨ sˈɔbjɛ spˈɔkuj. ˈɔlɡʲɛrt ɲʲɛ jɛst mˈawɨm dʑˈɛtskʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_124.wav|mˈɔʒɛ zˌaswuɡʲˈivaw na tɕɛrpʲˈɛɲʲɛ pˈɔtɨm, tsˈɔ zrˈɔbʲiw tˈamtɛj dʑɛftʃˈɨntsɛ w mɛksˈɨku i sfɔjˈɛmu sɨnˈɔvi i ˈinnɨm dʑɛftʃˈɨnɔm tɔ tˈɛʃ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_268.wav|tɔ fʃˈɨstkɔ dlatˈɛɡɔ, ʒˈɛ ʃˈɛf ɲʲˌɛnavˈidʑi xˈɔffɨ, pɔvʲˈɛdʑaw bˈɛrɨm i ɛlˈifɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_21.wav|jˈaɡʒɛ trˈudnɔ jɛzd zapˈɔmɲʲɛtɕ, jˈaɡ znˈatʃnɔ̃ tʃˈɛɲɕtɕ naʃˈɛɡɔ ʒˈɨtɕa pˌɔkazujˈɛmɨ ɕfʲˈatu bˈɛz vʲˈɛdʑɨ ˈɔtɨm, ktˈɔ jˈɔ̃ zɔbˈatʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_131.wav|mˈuj pˈan mˈɔ̃ʃ prˈɔɕiw bˈɔɡuf, ʒˈɛbɨ pˌɔbwɔɡˌɔswavˈili nˈaz drˈuɡʲim sˈɨnɛm na vɨpˈadɛk...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_135.wav|znˈuf rˌɔzɛɕmʲˈawa ɕɛ xwˈɔdnɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_223.wav|ɲʲɛ mʲˌawɛm za tsˈɔ pʃɛprˈaʃatɕ, pɔ prˈɔstu bˌɨwɔ mi pʃˈɨkrɔ, ʒˈɛ ɕɛ pˌɔpaʒˈɨwa, ˌalɛ i bˌɨwɛm zˌadɔvɔlˈɔnɨ, ʒˈɛ ˈɔɡʲɛɲ ɲʲɛ ɔʃpˈɛtɕiw jɛj wˈadnɛj tfˈaʒɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_77.wav|ˌalɛ bˌɨwɔ jˈuʒ za pˈuʑnɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_206.wav|ɲʲɛ xɔdʑˈiwɔː ˈɔtɔ, ʒˈɛ kˈa. ɲʲˈɛxtɕaw tɕi vɨpwˈatɕitɕ puwtˈɔrɛj bˈaɲki.|2
+Dataset/wavs/urwisko_ferenc/23_segment_149.wav|zˌastanɔvˈiwa ɕɛ nat jˈɛɡɔ swɔvˈami i pˈɔʃwa tɨm trˈɔpɛm dˈalɛj. ɡdˈɨbɨ kˈarɔl xudʑˈiɲski vʲˈɛdʑaw ɔ rɔmˈanɕɛ ʒˈɔnɨ...|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_328.wav|pɔzvˈɔliw ˈutɕɛdʑ baɲˈitɔm, ɡdˈɨ zˌamɔrdɔvˈali mɛrˈɛta i pɛtˈɛra.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_459.wav|dɔ fspˈulnɛj sˈali na kɔlˈatsjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_93.wav|ɡdʑˈɛ tɨ bˈɨwɛɕ, stsˈɔtt?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_36.wav|tɔ lˈista ˈɔsup, ktˌurɛ f tˈakim tʃɨ ˈinnɨm tʃˈaɕɛ zvrutɕˈiwɨ ɕɛ dɔ mɲʲɛ jˈakɔ dɔ pʃˌɨjatɕˈɛla pɔ pˈɔmɔts i pɔʒˈɨtʃkɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_16.wav|mʲˈawam ɔxˈɔtɛ dɔ ɲʲˈɛɡɔ zadʑvˈɔɲitɕ, zapˈɨtatɕ ɔ pʃɨtʃˈɨnɛ, ˌalɛ zˌɔstavˈiwam tɛlˈɛfɔn na stɔlˈiku.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_417.wav|a pˈɔtɛm ɡˈɔ zdradʑˈiliɕtɕˌɛ.|1
+Dataset/wavs/urwisko_ferenc/22_segment_51.wav|— tsˈɔ mu pˈɔvʲɛʃ? — zapˈɨtaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_27.wav|xˈɨba pˌɔvinɲˈiɕmɨ tʃˈɨmatɕ ɕɛ plˈanu i pɔjˈɛxadʑ dɔ lˌakɛsˈidɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_3.wav|pɔvʲˈɛdʑaw mu jˈuʒ zˈɛ dvadʑˈɛɕtɕa rˈazɨ, ʒˈɛ mˈɔʒɛ ɕɛ ɔdʑˈɨvatɕ, ˌalɛ ɔn zˈafʃɛ uvˈaʒaw, ʒˈɛ tˈɔm jɛzd zbˈɨd zajˈɛntɨ, ʒˈɛbɨ mu pʃɛʃkˈadʑatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_107.wav|ɡdˈɨbɨ ktˌurɨkˈɔlvʲɛɡ z jˈɛɡɔ lˈudʑi ɕɛ dɔvʲˈɛdʑaw, ɡdʑˈɛ jˈɛstɛm, natˈɨxmʲazd zˈɔstawbˌɨ ˈɔtɨm pˌɔinfˌɔrmɔvˈanɨ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_95.wav|i ja tɔ tɕi pʃɨʒˈɛkam.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_308.wav|nˈavɛd vwˈasnɨ brˈat ɲʲɛ zdˈɔwaw ɡˈɔ skwˈɔɲidʑ dɔ mawʒˈɛɲstfa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_250.wav|pˈɔtɛm ˈandɛrsɔn pɔwˈɔʒɨw rˈɛŋkɛ na sfˈɔim ramjˈɛɲʲu i dwˈɔɲʲɛ ix spɔtkˈawɨ ɕɛ.|0
+Dataset/wavs/urwisko_ferenc/18_segment_81.wav|pɔdˈɔbnɔ vˌɨwɔvʲˈɔnɔ z vˈiswɨ ʃtʃˈɔntki jˈakʲɛjɕ kɔbjˈɛtɨ ɔt pˈaru.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_27.wav|mˈuʃɛ sprˈavʲadʑ vraʒˈɛɲʲɛ pˈɛvnɛj ɕˈɛbjɛ i pˌanujˈɔntsɛj nat fʃˈɨstkim. ʃˈukam vʲˈɛnts ʃmˈiŋki i prubˈujɛ pˌɔmalˈɔvatɕ ˈusta drʒˈɔntsɔ̃ dwˈɔɲʲɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_340.wav|ɲˈikt jˈɛdnak ɲʲɛ fspɔmˈinaw pʃˈɨɲim ˈɔtɨm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_46.wav|dˈɔbrɨ bˈɔʒɛ, fʃˈɛɲdʑɛ jˈuʃ rˈɔbʲi ɕɛ ɲʲˌɛbɛspʲˈɛtʃɲʲɛ. ˌalɛ tsˈɔ tɔ mʲˈawɔ fspulnˈɛɡɔ s tˈɔbɔ̃?|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_281.wav|ɲʲɛ, rɔbʲˈiwɔ ɕɛ jɛj ɲʲɛdˈɔbʒɛ na mˈɨɕl ˈɔtɨm zˈamku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_142.wav|mˈɔʒɛ pɔvʲˈɛdʑɛtɕ, jˈasnɛ, znˈam ɡˈɔɕtɕa, ˌalɛ jˈɛɕli tɔ zrˈɔbʲiw, dʑˈawaw na vwˈasnɔ̃ rˈɛŋkɛ. ja ɲˈits ˈɔtɨm ɲʲɛ vʲɛdʑˈawɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_16.wav|ˌuʃkɔdʑˈɛɲʲɛ kabʲˈinɨ tɕˌiɕɲʲɛɲʲˈɔvɛj w zdɛʒˈɛɲʲu s pʃɛʃkˈɔdɔ̃ tɔ ɲʲɛ bˈɨlɛ stwˈutʃka.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_19.wav|kˈɔxam tɕˈɛ, ˈɛlis.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_202.wav|zˌapwatɕˈiwabˌɨm mʲɛɕˈɛntʃnɛ ɔtsˈɛtki i zˌɔstawˈɔbɨ mi trˈɔxɛ, ˌalɛ pˌɔzɔstˈavaw jˈɛʃtʃɛ stsˈɔtt.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_58.wav|tɔ dlatʃˈɛɡɔ zˈatʃɔw dʑˈawadʑ dɔpʲˈɛrɔ tˈɛras?|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_174.wav|ˌupʃɔntɲʲˈɛɲtɕɛ tˌɛɡɔ bˈajzlu kˌɔʃtɔvawˈɔbɨ mnˈustfɔ rɔbˈɔtɨ, ˌalɛ sˈama vˈanna bˈɨwabˌɨ ˌuratɔvˈana.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_175.wav|tˈata tɕi pɔmˈɔʒɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_183.wav|ɲʲˈɛma ˌaɲi jɛdnˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_389.wav|ɲʲɛ, ɲʲɛ ˈɔnɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_156.wav|dlatʃˈɛɡɔ spˈɛntsɛr jˈɔxanssɔn mʲˈawbɨ pʃˌɛkazˈɨvatɕ sfˈɔjɛ pʲɛɲʲˈɔndʑɛ bˈɛs nˌajmɲʲɛjʃˈɛɡɔ ɕlˈadu na pˈiɕmʲɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_69.wav|vzrˈuʃam rˌamjɔnˈami.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_137.wav|ˌɔtpuɕtɕˈiwam sˈɔbjɛ, uznˈafʃɨ, ʒˈɛ stˈawɔ ɕɛ tˈak, pɔɲʲˈɛvaʒ vɨbrˈawam ˈinnɔ̃ nˈɔts nˈatɔ vˈɨjɕtɕɛ.|3
+Dataset/wavs/urwisko_ferenc/26_segment_30.wav|i tʃˈɛkam.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_41.wav|i jˈɛʃtʃɛ jˈɛdnɔ, tˌɛɡɔ lˈɔtu ɲʲɛ bˌɛɲdʑɛ pˈan mˈukw fpˈisadʑ dɔ sfˈɔjɛj kɕˈɔ̃ʃki.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_244.wav|swˈuxaj, pˈajɔŋk pɔvʲˈɛdʑaw mˈarɛk sprˈavɨ ɲʲɛ vˌɨɡlɔndˈajɔ̃ dˈɔbʒɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_8.wav|rˌɔzwɔntʃˈɨwa ɕɛ i spɔjʒˈawa na tˈɔma ʃɛrˈɔkɔː ˌɔtfartˈɨmi ɔtʃˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_175.wav|ɔː ˈilɛ mu vʲadˈɔmɔ, jɛst jɛdˈɨnɨm pwˈatnɨm zabˈujtsɔ̃, s ktˌurɨm bˈutskɨ fspˌuwpratsˈujɛ, ˌalɛ ɲʲɛ zapʃˈɛtʃa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_49.wav|ftɕˈɔŋɡa dɔ sfɔjˈɛɡɔ ɕfʲˈata, kˌɔntrɔlˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_42.wav|bˈɛtskɨ pˌɔpatʃˈɨwa na tfˈaʃ kɔbjˈɛtɨ, ktˌura muɕˈawa vʲˈɛdʑɛtɕ, ʒˈɛ stˈawɔ ɕɛ tsˈɔʑ zwˈɛɡɔ, skˈɔrɔ pʃˌɨjɛxˈawɨ zˈaɲʲɔ̃ dɔ prˈatsɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_15.wav|zwˈapa i mɔrdˈɛrtsɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_75.wav|tɔ ɲʲɛ mˈɔʒɛ bˈɨdʑ dɔmˈiɲik. jɛst pʃˌɛtɕɛʒ z dʑˈɛtɕmi w dˈɔmu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_62.wav|mˈukw pʃɛbˈɨvatɕ w lˌakɛsˈidɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_155.wav|tʃɨ mˈuj plˈan nˈadal bˈɨw vˌɨkɔnˈalnɨ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_40.wav|w zasxɲʲˈɛntɨm bwˈɔtɕɛ vˈidatɕ ɕlˈadɨ ˈɔpɔn. vɨɡlˈɔnda mi tɔ na sˈuva, ˌalɛ musˈimɨ tɔ jˈɛʃtʃɛ sprˈavdʑitɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_6.wav|utknˈɛwam i ɲʲɛ zˌɔbatʃˈɨwam nˈavɛt, kturˈɛndɨ vˈɔlvɔː ˌɔpuɕtɕˈiwɔ pˈarkiŋk.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_47.wav|tʃwˈɔvʲɛk, kturˌɛɡɔ vidʑˈanɔ f pɔblˈiʒu mʲˈɛjsts, ɡdʑˈɛ zabʲˈitɔ dɛrˈɛka brˈɛnta i rɔɡˈɛra jaɡɡˈɛra, nazˈɨva ɕɛ stsˈɔtt rˈɔbɛrts.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_261.wav|a pˈɔtɛm ɕˈɛdʑi pˈan w jˈakʲɛjɕ mˈawɛj rˌɛstawrˈatsji i pˈijɛ pˈan pˈivɔː i mˈɨɕli pˈan ˈɔtɨh fʃˈɨstkix ʃkʲɛlˈɛtax lɛʒˈɔntsɨx tˈam na dɲʲˈɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_21.wav|pɔ kˈilku dɲʲˈax pɔdˈɛʃwa dɔ mɲʲɛ ˌatraktsˈɨjna mwˈɔda kɔbjˈɛta i zˌapɨtˈawa, tʃɨ ɲʲɛ dɔkˈutʃa mi samˈɔtnɔɕtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_106.wav|nˈɔ ɲʲˈɛx mɲʲɛ, pʃˌɛtɕɛʃ tɔ jˈɛzba ʃˈara, zaɡˈadnɔw jˈakiʑ dˈupɛk, ktˌurɨ ʃˈɛd ˌɔbɔk mɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_251.wav|skˈɔnt mˈɔʒɛ mɲʲɛ pˈaɲi znˈatɕ? zˌaɲʲɛpˌɔkɔˈiwɛm ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_13.wav|bˈɛtskɨ ˌɔdɛtxnˈɛwa z ˈulɡɔ̃ i ˌɔdvrutɕˈiwa ɕɛ dɔ lˈintsaj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_121.wav|bʲˈill vʲˈɛ, ˌalɛ krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_12.wav|a mˈɔʒɛ pˌɔvʲɔ̃zˈali mɲʲɛ z ˌintsɨdˈɛntɛm na parkˈiŋɡu zɛʃwˈɛɡɔ vʲɛtʃˈɔru? ɔdʒˈutsam tˈɛ mˈɨɕl. tɔ ɲʲɛ tɔ. mˈuɕi xˈɔdʑitɕ ɔ kˌamɛrˈɔna.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_108.wav|i vˌɨʒutsˌajɔntsˈɛɡɔ s ɕˈɛbjɛ fˈalɛ pʃˈɛklɛɲstf jˈɛdna za drˈuɡɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_113.wav|za tˈakʲɛ pʲɛɲʲˈɔndʑɛ mˈɔʒna zˈabʲitɕ.|4
+Dataset/wavs/urwisko_ferenc/33_segment_1.wav|i ɕfʲɛʒˈɨmi ranˈami na dwˈɔɲi vɨɡlˈɔnda jˈaɡ zakˈapʲɔr.|0
+Dataset/wavs/urwisko_ferenc/33_segment_69.wav|tʃɨ zdaʒˈawɔ ɕɛ, ʒˈɛ mˈixaw kʲɛrˈɔvaw mˌɛrtsɛdˈɛsɛm lˈipskʲɛj?|0
+Dataset/wavs/urwisko_ferenc/19_segment_69.wav|pʃˌɛtɕɛʃ ɲˈikt mɲʲɛ ɲˈiɡdɨ ˈɔtɔ ɲʲɛ pˈɨtaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_87.wav|tˈak, ɡʲˈit, tsˈɔ mˈamɨ?|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_54.wav|ɔdvrˈutɕiw spɔjʒˈɛɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_44.wav|dʑɛŋkˈujɛ bˈɔɡu za bˈɛki.|4
+Dataset/wavs/urwisko_ferenc/38_segment_12.wav|dɔrˈɔta lˌɛvandˈɔfska stˈawa f kˈuxɲi, bˈɔkʲɛm dɔ ɲʲˈɛɡɔː i mˈɨwa natʃˈɨɲʲa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_129.wav|jɛzd zupˈɛwɲʲɛ ˌɔbɔjˈɛntnɨ na bˈul brˈada, a dɔ mɲʲɛ zatʃˈɨna pɔvˈɔli dɔtɕˈɛratɕ prˈavda, ʒˈɛ ɲˈits, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ, ɲʲɛ bˌɨwɔ sprˈafkɔ̃ stsˈɔtta.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_142.wav|f pɔkˈɔju vˈɨjɔw s kʲɛʃˈɛɲi flˈaʃkɛ fçˈiskɨ jˈakʲɛjɕ ɲʲɛznˈanɛj.|0
+Dataset/wavs/urwisko_ferenc/42_segment_73.wav|ɕmʲˈɛrdʑ dʑˈɛtska xudʑˈiɲskʲɛj|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_275.wav|zˌaɔʃtʃɛɲdʑˈimɨ na ʃnˈuʒɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_106.wav|ɲʲɛ vˈidʑaw frˈaŋka f sfˈɔjɛj dʑɛlɲˈitsɨ, ˌalɛ frˈaŋɡ vˈidʑaw jˈɛɡɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_89.wav|zbjˈɛram ˌinfɔrmˈatsjɛ ɔ sˈanxɛs ˌalumˈiɲʲum. mˈuʃɛ vɨmˈɨɕlitɕ jˈakiɕ spˈɔsup, ʒˈɛbɨ spˌaraliʒˈɔvatɕ xˈutɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_74.wav|zatʃˈɨmaw ɕɛ tˈɨwɛm dɔ mɲʲɛ i pˈatʃɨw xfˈilɛ na ˈɔbwɔɕtɕ skwˌɛmbjɔnˈɛɡɔ kˈɔtsa.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_178.wav|s pɛvnˈɔɕtɕɔ̃ mˈuvi tɕˈi, ʒˈɛbɨɕ jˈɛ ɔtfˈɔʒɨw.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_69.wav|jˈɛɡɔ tʃˈarna zrudʑˈawa ɔt swˈɔɲtsa kˌanadˈɨjka lɛʒˈawa ˌɔbɔk ɲʲˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_67.wav|zastˈɨɡwam bˈɛs rˈuxu, jˈaɡbɨ ɔɡˈarnɔw mɲʲɛ parˈaliʃ. ʒɔwˈɔndɛk pɔdjˈɛxaw mi dɔ ɡˈardwa i dɨɡˈɔtʃɔnts sprˌubɔvˈawam zˌapanˈɔvatɕ nat ɔdrˈuxɛm vɨmjˈɔtnɨm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_60.wav|vrˈatsam mɨɕlˈami dɔː ɔstˈatɲʲɛj ɡrˈɨ i vʲˈɛm, ʒˈɛ stratɕˈiwam kˌɔntsɛntrˈatsjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_244.wav|dˌɔmɨɕlˈawam ɕɛ, ʒˈɛ tɔ dɔpʲˈɛrɔ pɔtʃˈɔntɛk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_76.wav|tɔ mˌamɨ tˈutaj ˌɔtʃɨvˈistɛ ˌuspravʲˌɛdlivʲˈɛɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_37.wav|ɲʲɛ pɨtˈajɔnts ɔ ɲˈits, bˈɛtskɨ zabrˈawa sfˈɔjɔ̃ lˈɛtɲʲɔ̃ kˈurtkɛ, klutʃˈɨki i tɔrˈɛpkɛ, pɔ tʃɨm vˈɨʃwa zˈaɲim s pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_48.wav|mˈili ɲʲɛ ˌɔtpɔvʲɛdʑˈawa. pɔdˈɛʃwa dɔ ɕtɕˈanɨ i vˌɨtɕɔŋɡnˈɛwa rˈɛŋkɛ, ʒˈɛbɨ dˈɔtknɔɲtɕ tapˈɛtɨ pʃˌɛtstavʲajˈɔntsɛj xmˈurɨ i ptˈaki na ruʒˈɔvɨm tlˈɛ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_72.wav|dʒvˈi znˈajdʑɛʒ za sˈɔbɔ̃, sˈɛr.|1
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_13.wav|ɔkˈɔwɔ pʲɛtnˈastu fatsˈɛtuf. stwˈukli ɡˈɔ na kfˈaɕnɛ jˈapkɔ. ɲʲˈɛxtɕaw ˈɔtɨm rɔzmˈavʲatɕ, ˌalɛ vʲˈɛm ɔ tsˈɔ pˈɔʃwɔ.|4
+Dataset/wavs/urwisko_ferenc/16_segment_34.wav|a bˈɔ tsˈɔ?|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_127.wav|dˈavɛn xtsˈɛ zrˈɔbʲidʑ vˈɨwɔm w mˈɔix mˈurax. rɔzvˈalitɕ mˈɔjɛ brˈamɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_162.wav|ɡdˈɨ f kˈɔɲtsu zɛbrˈawam ɕɛ na ɔdvˈaɡɛ i vˌɨxɨlˈiwam ɡwˈɔvɛ z zaɡwˈazu, mˈɔim ˈɔtʃɔm ukˈazaw ɕɛ ɲʲɛtkɲʲˈɛntɨ tʃfˈartɨ kˈɔmbajn.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_75.wav|i ftˈɛdɨ zɔstˈaɲʲɛʃ tˌɨlkɔ z ɲʲˈɔ̃, tʃɨ mˈɔʒɛ z ɲˈim?|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_122.wav|ˌalɛ tɔ, tsˈɔ spɔtkˈawɔ jˈɔ̃, jɛzd ɡˈɔrʃɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_7.wav|kˈaʒdɛ mʲˈɛjstsɛ jɛst lˈɛpʃɛ ɲˈiʃ tɔ paskˈudnɛ mʲɛʃkˈaɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_12.wav|ɔdvrˈatsa ɕɛ. dʑˈɛtɕi sɔ̃ɕˈaduf, dˈɛrɛk i ʃˈaɲitsˌɛ ˌatskɛrmanˈɔvʲɛ, stˈɔjɔ̃ na sfˈɔim ɡˈaŋku i pˈatʃɔ̃ na ɲʲˈɛɡɔ pʃˈɛz zaswˈɔnɛ dˈɛʃtʃu. tɔ xwˈɔpʲɛdʑ ɡˈɔ zavˈɔwaw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_151.wav|pɔvʲˈɛdʑaw ˈaram.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_248.wav|bˌɛɲdʑɛʃ mˈuɡw.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_140.wav|ɲʲɛ pɔmˈɔɡwabˌɨm w rˌɔzvʲɔ̃zˈaɲʲu sprˈavɨ mˈɔrdɛrstf, a tˌɨlkɔ dˌɔstartʃˈɨwabˌɨm mu fʃˈɨstkiɣ dɔvˈɔduf, jˈakix pˌɔtʃɛbˈɔvaw, ʒˈɛbɨ zˈɛswatɕ mɲʲɛ na ʑˈɛmʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_177.wav|drˈɔbnɨ rˌɛɡɔlitˈɔvɨ ʒvˈir xʃˈɛɲɕtɕiw pɔt mˈɔjɔ̃ kˈulɔ̃.|4
+Dataset/wavs/urwisko_ferenc/63_segment_193.wav|a jˈak mˈɔʒna pˈɔzbɨtɕ ɕɛ mwˈɔdɛj mˈatki, ʒˈɛbɨ ɲˈikt ɕɛ ɲʲɛ zˌɔrjɛntˈɔvaw?|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_65.wav|bʲˈillɨ krˈɛɲtɕi ɡwˈɔvɔ̃. ˈinnɛ ʒˈɛtʃɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_112.wav|pʃɨ stˈɔlɛ panˈujɛ ˌapsɔlˈutna tɕˈiʃa.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_360.wav|sˈɛr rˈɨman ɲʲˈɛxtsɛ, ʒˈɛbɨ jˈɛɡɔ xwɔpˈakɔm ɕɛ nudʑˈiwɔ, vʲˈɛndʑ dˈajɛ im kˈurvɨ, vˈalki kɔɡˈutuf i ʃtʃˈutɕɛ ɲʲɛdʑvʲˈɛdʑa|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_74.wav|tsˈɔː ɔn tɕi zrˈɔbʲiw?|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_166.wav|jɛst jˈɛdnɔ̃ z nˈas, vˌɨjaɕɲˈiwa ˌadmiɲˌistratˈɔrka.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_81.wav|tɔː im pʃˌɨpɔmˈina, ʒˈɛ ˌurɔdʑˈili ɕɛ jˈakɔ zvɨtʃˈajɲi lˈudʑɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_196.wav|tʃˈɨli tsˈɔ, ɲʲɛ pwɨɲʲˈɛtɕɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_22.wav|ta upʃˈɛdʑa kʲɛrˈɔftsuf, bˈɨ tˌɛɡɔ rˈaŋka pʃˌɨɡɔtɔvˈali ɕɛ na vɔlɲʲˈɛjʃɔ̃ jˈazdɛ ɲˈiʒ zvˈɨklɛ s pɔvˈɔduv zmɔʒˈɔnɨx kɔntrˈɔli drɔɡˈɔvɨx.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_210.wav|ˈalla taˈɨrɛl bˈɨwabˌɨ bˈardʑɔ pɔmˈɔtsna, jˈɛɕli taˈɛna zdˈɔwa rɔzvʲˈɔ̃zatɕ jɛj jˈɛ̃zɨk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_252.wav|i tˈaɡ zɡʲˈinɔw tfˈuj brˈat.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_450.wav|pˌɔtɕɔŋɡnˈɛwam tɕˈɛbjɛ na dnˈɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_222.wav|f pʃˌɛtɕivʲˈɛɲstfʲɛ dɔ tˈatɨ, ʒˈɛ ˈaram mˈɔʒɛ ˌɔpɔvʲˈɛdʑɛtɕ pɔlˈitsji zupˈɛwɲʲɛ ˈinnɔ̃ çistˈɔrjɛ na mˈuj tˈɛmat.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_602.wav|ˌɔtʃɨvˈiɕtɕɛ, jˈɛɕli maʒ ʒˈɔnɛ.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_124.wav|jɛst ˈɔtpwɨf, sˈɛr, pˈaɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_253.wav|sˈɨk pɔvʲˈɛtʃa stˈavaw ɕɛ tsˈɔras tɕˈixʃɨ, ˈaʃ f kˈɔɲtsu ˈustaw tsˌawkɔvˈitɕɛ.|4
+Dataset/wavs/urwisko_ferenc/37_segment_61.wav|fstʃˈɨmaw ˈɔddɛx, ˌalɛ na ʃtʃˈɛɲɕtɕɛ mɛ̃ʃtʃˈɨzna vˈɨbraw drˈɔɡɛ pʃˈɛs lˈas f strˈɔnɛ ʃˈɔsɨ wɔntʃˈɔntsɛj tˈɔruɲ z bɨdʒˈɔʃtʃɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_35.wav|luˈisa zˌatʃɨmˈawa ɕɛ pʃɨ dʒvʲˈax.|3
+Dataset/wavs/urwisko_ferenc/24_segment_99.wav|a tʃˈasu mʲˈaw tsˈɔras mɲʲˈɛj. ɕˈɛŋɡnɔw pɔː apˈarat i vˈɨswaw dɔ ɲʲˈɛɡɔ ˌɛsˌɛmˈɛsa.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_402.wav|ɔznˈajmiw, kʲˈɛdɨ skɔɲtʃˈɨwa.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_82.wav|ʒutɕˈiwam f strˈɔnɛ sˈali, ɲʲɛ zvratsˈajɔnts ɕɛ dɔ ɲikˈɔɡɔ kˌɔŋkrɛtnˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_207.wav|ftˈɛdɨ uɲʲˈɔswam dwˈɔɲ dɔ tfˈaʒɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_15.wav|ˈaxa, tˈam na pˈana tʃˈɛka ɡˈɔɕtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_33.wav|bʲˈillɨ vɨmjˈɛɲʲa ˈuɕtɕizɡ dwˈɔɲi s tɨm ɲˈiskim.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_87.wav|lˈutsɨ zˌɔstavˈiwa fʃˈɨstkix sfˈɔix pʃɨjˈatɕuw, ʒˈɛbɨ vɨjˈɛxadʑ dɔː awstrˈalji.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_174.wav|tsˈɔ z zasˈadɔ̃ bˈɔɲtɕ pʃɨjˈaznɨ, ˌalɛ tʃˈɨmaj ɕɛ na dˈɨstans?|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_285.wav|jˈaɡ zamjˈɛʒaʃ jˈɔ̃ skˈɔɲtʃɨtɕ, skˈɔrɔ jˈuʃ tˈu pʃɨbˈɨwɛɕ?|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_222.wav|vʲɛtʃˈɔrɛm bˌɛndɛ mˈukw tɕi pɔvʲˈɛdʑɛtɕ tsˈɔʑ vʲˈɛntsɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_28.wav|ɲʲɛ bˌɨwɔ tˌɛɡɔ dˈuʒɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_330.wav|ˌalɛ tsˈɔ mɲʲɛ tɔː ɔpxˈɔdʑi? tʃɨ jˈutrɔ bˌɛɲdʑɛ vʲˈatr, tʃɨ ɲʲɛ bˈɛɲdʑɛ?|0
+Dataset/wavs/urwisko_ferenc/01_segment_87.wav|dlatʃˈɛɡɔ tˈɛras? pɔftˈuʒɨw ɕikˈɔrski, ktˌurɨ zdˈɔwaw jˈuʃ ˌɔpanˈɔvatɕ ɛmˈɔtsjɛ i jˈɛɡɔ ɡwˈɔz vrˈutɕiw dɔ nˌaturalnˈɛɡɔ, ɲiskʲˈɛɡɔ bʒmʲˈɛɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_163.wav|ɲʲɛ nadˈavaw ɕɛ dɔ mˈɔrskix pɔdrˈuʒɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_106.wav|ˌalɛ ɲʲˈɛvʲɛm, tʃɨ bˈɨ zdɔ̃ʒˈɨwa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_102.wav|tˈata i mˈama ˌɔdʑɨvˈajɔ̃ ɕɛ jˌɛdnɔtʃˈɛɕɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_46.wav|dʒˈim pɔdnˈɔɕi pˈalɛts.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_22.wav|— ˈitɕ — mˈuvi, fskazˈujɔnts na ɔtfˈartɛ dʒvˈi vɛjɕtɕˈɔvɛ. — zˈabjɛʃ tɔː i zmˈɨkaj jˈak najdˈalɛj stˈɔnt.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_65.wav|i ˌuvʲɛʒˈɨwaɕ f tɔ fʃˈɨstkɔ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_52.wav|bˈɨwbɨ pˈɛvɲʲɛ zˌaskɔtʃˈɔnɨ, ʒˈɛ mˈimɔ fʃˈɨstkɔ zɔstˈawam nˌautʃɨtɕˈɛlkɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_160.wav|tʃɨ pɔ prˈɔstu dlatˈɛɡɔ, ʒˈɛ jɛst kɔbjˈɛtɔ̃, a kɔbjˈɛtɨ trˈudɲʲɛj zvʲˈɛɕtɕ pʃɛbrˈaɲʲɛm?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_24.wav|çˈit, sprˈubuj dɔvʲˈɛdʑɛtɕ ɕɛ fʃɨstkʲˈɛɡɔ, tsˈɔ mɔʒlˈivɛ pʃɨ zˌawɔʒˈɛɲʲu, ʒˈɛ tɔ jɛj pravdʑˈivɛ nazvˈiskɔ, a mˈarta pˈɔrtɛr jɛst tˌɨlkɔ pʃɨkrˈɨfkɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_161.wav|ɡˈɛndrɨ vbʲˈiw mu vwˈutʃɲʲɛ f kˈark.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_55.wav|zvʲɛɲtʃˈɔnɨx xˌudɛrlˈavɔ̃ kɔrˈɔnɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_79.wav|ˈɛddjɛ ɕɛ skʃˈɨviw.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_111.wav|ɡlˈiɲʲaʃ mˈiltʃaw pʃˈɛs xfˈilɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_271.wav|dɔ pʃˌɛkaʑɲˈika bˈɨw pˌɔdwɔntʃˈɔnɨ zvˈɨkwɨ bˈudʑik na batˈɛrjɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_52.wav|zabʲˈiwɛɕ pˈan jˈuʃ kˈɔɡɔɕ? ɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_217.wav|fstˈavaj i ˈitɕ pɔ pˌaisˈɛla. pʃɨpˈuʃtʃam, ʒˈɛ bˌɛɲdʑɛ ˈu lˈɔrda ɡʲillˈɛsa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_22.wav|ɲʲɛ znajdˈujɛ dˌɛlikatɲʲˈɛjʃɨx swˈuf.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_81.wav|vʲˈɛm, ʒˈɛ f tˌaki spˈɔsup xtsˈɛ mi pʃɛkˈazatɕ, ʒˈɛ ɡˈɔ ɲʲɛ vɨpˈuɕtɕi zˈɛ sfˈɔix rˈɔŋk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_223.wav|bʲˈillɨ rɔzwˈɔntʃa ɕɛ, bˈɛs pˌɔʒɛɡnˈaɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_283.wav|nˈavɛd zavˈartɔɕtɕ mɔjˈɛɡɔ nɔtsɲˈika jɛst ɔt ɲʲˈɛɡɔ zdɔlɲʲˈɛjʃa. tʃɨ zɡˈɔdʑiʃ ɕɛ swˈuʒɨtɕ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_43.wav|nˈaʃa fˈirma zajmˈujɛ ɕɛ rˌɔsprɔvadʑˈaɲʲɛm kɔmˈiksuf. ɲʲˈɛma ɡˈuvna.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_100.wav|prˌubɔvˈawɔ mɲʲɛ pʃˌɛkɔnˈɨvatɕ, ʒˈɛ abˈɔrtsja jɛst jɛdˈɨnɨm sɛnsˈɔvnɨm rˌɔzvʲɔ̃zˈaɲʲɛm, ˌalɛ ɲʲɛ bˌɨwam na tsˈɔɕ takʲˈɛɡɔ ɡɔtˈɔva. tɔ bˌɨwɔ mˈɔjɛ dʑˈɛtskɔː i xtɕˈawam, ˈabɨ ʒˈɨwɔ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_103.wav|jˈɛɕli nˈɔvɨ vʲˈɛlki sˈɛptɔn ɲʲɛ pʃɛstˈaɲʲɛ jɛj ˌirɨtˈɔvatɕ. f tɨx sprˈavax tsɛrsˈɛi lanɲˈistɛr ɲʲɛ muɕˈawa ɕɛ ˈutʃɨtɕ ɔt nˌamjɛstɲˈika bˌaɛlˈɔra.|1
+Dataset/wavs/urwisko_ferenc/27_segment_26.wav|xtɕˈawa zatʃˈɨmatɕ tɛn dˈɔm.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_97.wav|xˈɛwm zˌabʲitˈɛɡɔ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_190.wav|ˌalɛ jˈuʃ ɔt pɛvnˈɛɡɔ tʃˈasu bˌɨli mawʒˈɛɲstfɛm, vʲˈɛnts pˈɛvɲʲɛ mˈuɕawbˌɨ i tˈaɡ dˈatɕ jɛj pɔwˈɔvɛ fʃɨstkʲˈɛɡɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_44.wav|skinˈɛwam ɔstrˈɔʒɲʲɛ ɡwˈɔvɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_128.wav|ɲʲɛ vʲɛdʑˈawɛɕ ˈɔtɨm?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_16.wav|— dʑˈɛɲ dˈɔbrɨ, pˈanu — pˌɔvʲɛdʑˈawa swˈɔtkim, rˌɔstɕɔŋɡlˈivɨm ɡwˈɔsɛm.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_222.wav|ɡarbˈatɨ pwˈatnɛʒ zvˈanɨ bˈɛnɛm tʃˈarnɨm ktɕˈukʲɛm ˌɔraz dʑɛftʃˈɨna imjˈɛɲʲɛm pjˈa.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_13.wav|mˈɔjɛ bˈutɨ znalˈazwam ˌustavʲˈɔnɛ ruvɲʲˈutkɔː ˌɔbɔk ʃˈafki nˈɔtsnɛj.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_57.wav|swuxˈawam rˈanɔ rˈadja i dʑvɔɲˈiwam kˈilka rˈazɨ, ˌalɛ vwɔntʃˈawa ɕɛ pˈɔtʃta ɡwɔsˈɔva.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_36.wav|mˈam nˈɔvɔ̃, zrɔbjˈɔnɔ̃ zˈɛ zwˈɔta.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_380.wav|ˌalɛ ɕɛ stˈawɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_155.wav|tfˈarda kɔbjˈɛta.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_68.wav|ɲʲˈɛmuɡw vʲˈɛdʑɛtɕ, ʒˈɛ ɕɛ zjˈavjɛ.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_228.wav|f tʃˈarnɨm pwˈaʃtʃu vɨdˈɛntɨm na vʲˈɛtʃɛ ɲˈitʃɨm ʒˈaɡʲɛl.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_236.wav|sˈam vˈɨjɔw lˈistɨ, ktˌurɛ dˈaw mu dʒˈɔn snˈɔf. vˌɨruʃˈɨwɛm z mˈuru z manstˈɛrɛm ɛmˈɔnɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_154.wav|fˈil prˈavʲɛ ɲʲɛ rˈuʃa kɔlˈatsji. twumˈatʃɨ, ʒˈɛ rɔsstˈaɲʲɛ bˌɨwɔ dˈɔɕtɕ pʃˈɨkrɛ. tʃˈɛɲɕtɕ pʲˈɛrʃa tfˈaʒɔ̃ f tfˈaʃ, tʃˈɛɲʑdʑ drˈuɡa pʃˈɛs tɛlˈɛfɔn i ɲʲɛ jɛzd zbˈɨd ɡwˈɔdna.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_209.wav|drˈɛvnɔ na ˈɔpaw dˌɔstartʃˈanɔ tˌubarkˈami, ktˌurɛ dˌɔtɕɛrˈawɨ ɔt nɔɡˈami ʒˈɛki dɔ laɡˈunɨ, a nastˈɛmpɲʲɛ jˈɔ̃ pʃˌɛkratʃˈawɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_138.wav|dʑɛftʃˈɨna kˈiva ɡwˈɔvɔ̃. tˈak.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_243.wav|jˈɛɕli ɲʲˈɛxtsɛʒ vˈɨpidʑ za mˈɔjɛ mawʒˈɛɲstfɔ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_38.wav|mˈuvi ɔ tʃɛɲɕtɕˈɔvɔ stratsˈɔnɨm dˈuʒɨm pˈaltsu ˈu nˈɔɡʲi i tsˌawkɔvˈitɕɛ stratsˈɔnɨm dʑɛtɕˈɛntsɨm butɕˈiku, ɔ bˈakim, ˈɛlis i jˈakʲɛjɕ tɛrˈɛɕɛ rˈatskin.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_114.wav|vʲˈɛnts tɔ vwˈaɕɲʲɛ t��x tsˈɨfr mˈuɕaw ˈuʒɨtɕ jˈin xˈu, fstukˈujɔnts sfˈɔjɔ̃ kˌɔmbʲinˈatsjɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_19.wav|zɡˈadʑa ɕɛ, jˈɛst, ˌalɛ mˈa kˌɔnfɛrˈɛntsjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_56.wav|puʃtʃˈajɔ̃ tɛ stˈatsjɛ f xˈɔlax xˌɔtɛlˈɔvɨx i tˌɛrminˈalax lˌɔtɲiskˈɔvɨx.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_253.wav|tɔ mˈɔʒɛ zupˈɛwɲʲɛ ɲʲˈɛma zapˈaxu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_271.wav|patʃˈɨli pʃˈɛs xfˈilɛ na ɕˈɛbjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_167.wav|na ʃtʃˈɛɲɕtɕɛ rˈadʒ zˈajɔw ɕɛ kɔnsˈɔlɔ̃ stˌɛrɔvɲˈitʃɔ̃ i ɲʲɛ pˈatʃɨw w mˈɔjɔ̃ strˈɔnɛ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_18.wav|zˌaɲʲɛpˌɔkɔˈiwam ɕɛ, kʲˈɛdɨ ɕɛ ˌɔbudʑˈiwam i zˌauvaʒˈɨwam, ʒˈɛ tɕˈɛ ɲʲˈɛma.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_195.wav|sˈam zɔbˈatʃɨw dvʲˈɛ tʃˌɨmajˈɔntsɛ ɕɛ za rˈɛntsɛ dʑɛftʃˈɨnɨ plˌɔ̃zajˈɔntsɛ vˈɔkuw tʃˌɛrvɔnˈɛɡɔ kapwˈana.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_27.wav|zmarʃtʃˈɨwa brvˈi. pˈɔdritsk paˈɨnɛ tɔ jˈɛʃtʃɛ dʑˈɛtskɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_236.wav|vʲˈɛʃ, ˈɔmal fʃˈɨstkix ɲʲɛ ɔtrˈuwaɕ, vʲˈɛnts mˈuɕiʃ tɔː ˌɔtpɔkutˈɔvatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_151.wav|tsˈɔ ɕɛ dʑˈawɔ z mˈɔjɔ̃ rɔdʑˈinɔ̃?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_27.wav|f tˈakim rˈaʑɛ mˈuf.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_309.wav|ɲʲˈɛx marnˈujɔ̃ ɕˈiwɨ na fɕtɕˈɛkwɛ atˈaki.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_7.wav|pˈɔɕrut tsawˈɛɡɔ tˌɛɡɔ xaˈɔsu, w jˈaki zˌamjɛɲˈiwɔ ɕɛ ɔstˈatɲʲɔ mˈɔjɛ ʒˈɨtɕɛ, ɲʲɛ mʲˈawam tʃˈasu na dˌɔrɛntʃˈaɲʲɛ pʃɛsˈɨwɛk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_38.wav|ɲʲɛ muɕˈawa dwˈuɡɔ tʃˈɛkatɕ na ɔtpˈɔvʲɛtɕ. rˈɔb vˈɨswaw jɛj lˈiŋk, pɔ tʃɨm pˈɔtʃɛd dɔ jɛj bjˈurka i pʃɨsˈunɔw sˈɔbjɛ kʃˈɛswɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_257.wav|mˈɔɡwɛm tɔː ɔbjˈɛtsatɕ, bˈɔ vʲɛdʑˈawɛm, ʒˈɛ ɲʲɛ mʲˈawa ʃˈans pʃˈɛʒɨtɕ. ɲʲɛ pˈɔtɨm, jˈak ˌɔbɛrvˈawa prˈɔstɔ w ɡwˈɔvɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_189.wav|tʃˈɛkaj, sprˈavdʑɛ, tʃɨ spudɲˈitʃka mi vˈɨsxwa.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_324.wav|minstrˈɛlɛ ˌukwadˈali ɔ ɲˈix pʲˈɛɕɲi, zwɔtɲˈitsɨ i jˌubʲilˈɛʒɨ ˌɔpsɨpɨvˈali jˈɛ darˈami.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_3.wav|ˈɔdjɔw ʃkwˈa ɔt ˈɔtʃu i vɨbˈuxnɔw na mˈuj vˈidɔk.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_83.wav|ɔdvrˈatsam ɕɛ dɔ pˌɔlitsjˈanta, ktˌurɨ mˈuɕi bˈɨtɕ jˈuʃ f pʃɛdˈɛdɲʲu ˌɛmɛrɨtˈurɨ i uɕmʲˈɛxam ɕɛ tʃˌarujˈɔntsɔ, starˈajɔnts ɕɛ zˌamaskˈɔvadʑ drʒˈɛɲʲɛ w ɡwˈɔɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_180.wav|nˌapʃɛtɕˈifkɔː ˈɔjtsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_10.wav|jˈɛʃtʃɛ ɲʲɛ pɔtfʲˈɛrdʑa, ʒˈɛ f tɔ fxˈɔdʑi, ˌalɛ rˈɔbʲi dˈuʒɨ krˈɔk f tɨm kʲɛrˈuŋku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_46.wav|tʃɨ ɡdˈɨbɨ vˌɨbjɛrˈawa ɕɛ na vizˈɨtɛ ˈu stˌɔmatɔlˈɔɡa lˈup tsˈɔɕ f tɨm rɔdʑˈaju, vˈɨʃwabˌɨ vwˈaɕɲʲɛ tˈɛndɨ?|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_367.wav|pˈɛvʲɛn mɛrˈɨjski tʃarˈɔdʑɛj pʃɨɕˈɛŋɡaw, ʒˈɛ pɔtrˈafi jˈɛ vˈɨklutɕ, jˈɛɕli dˈam mu rˈɔk i tˈɨlɛ zwˈɔta, ˈilɛ tˌɨlkɔ zaʒˈɔnda.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_50.wav|bʲˈillɨ mˈa vraʒˈɛɲʲɛ, ʒˈɛ kˈɛnxɔff nˌaɔɡlˈɔndaw ɕɛ zbˈɨd vʲˈɛlu fˈilmuf.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_153.wav|vʲˈɛm, ʒˈɛ jˌɛstɛɕ f tɕˈɔ̃ʒɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_204.wav|tɨ zˈafʃɛ jˌɛstɛɕ sˈam pˌɔvʲɛdʑˈawa ˈɛstɛr.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_4.wav|stˈaram ɕɛ ɔddˈɨxatɕ i ˌuspɔkˈɔitɕ na tˈɨlɛ, ʒˈɛbɨ mˈɨɕlɛtɕ rˌatsjɔnˈalɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_32.wav|pʃˌɛkɔnˈajmɨ ɕɛ, tsˈɔ sˈɔɲdʑi ɔ ɡˌɛnɛvʲˈɛvɛ tˈɛras pɔ tɨx fʃˈɨstkix lˈatax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_118.wav|ɲʲɛ dˈɔʑdʑ ʑˈimnɔ, bˈɨ dˈɛʒdʒ zmʲˈɛɲiw ɕɛ w dˈɛʒdʒ zˈɛ ɕɲʲˈɛɡʲɛm. pʃɨnˈajmɲʲɛj jˈɛʃtʃɛ ɲʲɛ, ˌalɛ prˈavʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_582.wav|a ja mɨɕlˈawɛm ɔ tʃˈɨmɕ ˈinnɨm.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_45.wav|tsɛrsˈɛi dɔtknˈɛwa dwˈɔɲʲɔ̃ pʲˈɛrɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_163.wav|rɛlˈiɡja jɛst nˌajpɔfʃɛxɲʲˈɛjʃɨm spɔsˈɔbɛm ˌuɕidlˈaɲʲa tʃwɔvʲˈɛka, ˌalɛ tˈɛras mˈɔʒɛ ɲˈim bˈɨtɕ tɛrˈapja, fˈɔrmɨ prˈatsɨ nat sˈɔbɔ̃, a nˈavɛt jˈɔɡa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_42.wav|xˈɨba bˈɨm tɕi pɔvʲˈɛdʑaw, tsˈɔ?|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_124.wav|bˌɛzuʒɨtˈɛtʃnɛ ɡˈɛmbɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_2.wav|tˈɔm spˈɛɲdʑiw spɔkˈɔjnɨ vʲˈɛtʃur w dˈɔmu, prubˈujɔnts rˌɔspratsˈɔvatɕ, tsˈɔ takʲˈɛɡɔ dʑˈɛjɛ ɕɛ mʲˌɛndʑɨ lˈutsɨ i kˈatɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_16.wav|ktˌurɨ zˈɔstaw vwɔntʃˈɔnɨ dɔ mʲˈɛjstsa zbrˈɔdɲi, f ktˌurɨm zˌarɔˈiwɔ ɕɛ ɔt tɛxɲˈikuf.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_175.wav|vwaɕtɕˈivʲɛ ɲʲɛ vʲadˈɔmɔ, jˈakiɕ fˈatsɛd vˈɨbʲiw ʃˈɨbɛ kɔpɲʲˈakʲɛm i vɨskˈɔtʃɨw. tɔ jɛzd drˈuɡʲɛ pʲˈɛntrɔ. mˈɨɕliʃ, ʒˈɛ ɕɛ zˈabʲiw?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_105.wav|tsˈɔ za ɡˈura kamjˈɛɲi pˌɔruʃˈɨwa ɕɛ ftʃˈɔraj tʃɨ pʃɛtftʃˈɔraj?|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_257.wav|vˈɨʃwam zˌɔstavʲˈajɔnts ix s tˈɨm, f tʃɨm im pʃˌɛʃkɔdʑˈiwam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_128.wav|tfˈɔjɛ nazvˈiskɔ? flanˈaɡan?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_106.wav|dlatʃˈɛɡɔː uvˈaʒaʒ dʑˈɛtskɔ za prˈɔblɛm?|3
+Dataset/wavs/urwisko_ferenc/36_segment_3.wav|ftˈɛdɨ zadʑvˈɔɲiw ˈɔlɡʲɛrt.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_258.wav|a ɡˈardwɔ mˈam ɕtɕiɕɲʲˈɛntɛ ɔt tɕˈɔŋɡwɨx prˈup pˌɔfstʃɨmɨvˈaɲʲa wˈɛs.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_61.wav|a tsˈɔ pˈan rɔbʲˈiwɛɕ tˈutaj?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_43.wav|uɕmʲˈɛxnɔw ɕɛ ʃɛrˈɔkɔ na mˈɨɕl, ʒˈɛ pʃɨnˈajmɲʲɛj mɲʲɛ ɕɛ dˈɔm pɔdˈɔba.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_277.wav|ɔtpˈɔvʲɛm na fʃˈɨstkʲɛ tɛ pɨtˈaɲʲa, ˌalɛ nˈajpʲɛrf mˈuʃɛ vʲˈɛdʑɛtɕ, tʃɨ ˈɛtap pʃˌɛkɔnɨvˈaɲʲa mˌamɨ jˈuʒ za sˈɔbɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_267.wav|f spɔjˈɛɲʲu pʲˈɛŋknɨx nˈuk.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_88.wav|nˌajvɨrˈaʑɲʲɛj fʃˈɨstsɨ ˈɔtɨm zˌapɔmɲʲˈɛli, ˌalɛ jˌɛstɛm pʃˌɛmɨtɲˈitʃkɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_27.wav|ʒˈadnɨɣ ɡˈadɛk, ɔt rˈazu vˌɨtsɛlˈɔvatɕ i stʃˈɛlitɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_46.wav|jˈɛtɕtɕɛ z jˈɛnnɨ na pˌɔstɛrˈunɛk, ʒˈɛbɨɕtɕˌɛ bˌɨli ɡɔtˈɔvi dɔ jɛj pʃˌɛswuxˈaɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_55.wav|ɲʲɛ, tˌɨlkɔ tɔ fʃˈɨstkɔ bˌɨwɔ tˈakʲɛ dʑˈivnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_164.wav|tsˈɔɕ tʃˈujɛ, ʒˈɛ tˈakɔ̃ rɔbˈɔtɛ pɔvʲˈɛʒɨwbˌɨɕ jˌɛmu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_79.wav|pʃˈɛs krˈutkɔ̃ xfˈilɛ rɔzvˈaʒam mɔʒlˈivɔɕtɕ utɕˈɛtʃki dɔ sˌamɔxˈɔdu, ˌalɛ vʲˈɛm, ʒˈɛ mɲʲɛ zwˈapʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_140.wav|tfˈɔjɛ ɔbˈuvʲɛ zɔstˈawɔ zabrˈanɛ s pɔkˈɔju. ɲʲɛ bˌɛɲdʑɛʃ tˈɛʃ mˈɔɡwa kɔʒˈɨstatɕ s sˌamɔxˈɔdu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_593.wav|dʑɛŋkˈujɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_74.wav|pˌɔvʲɛdʑˈafʃɨ tɔ, lˈutsɨ vˌɨtɕɔŋɡnˈɛwa rˈɛŋkɛ, pʃˌɨtɕɔŋɡnˈɛwa dɔ ɕˈɛbjɛ jˈɛɡɔ ɡwˈɔvɛ i pˌɔtsawɔvˈawa ɡˈɔ f pɔlˈitʃɛk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_39.wav|fstˈajɛ ɲʲˈɛtsɔ za ʃˈɨpkɔː i znˈuf mˈuʃɛ ɕɛ pʃɨtʃˈɨmatɕ ɕtɕˈanɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_78.wav|bʲˈillɨ mˈiltʃɨ, ɲʲˈɛvʲɛ tsˈɔ pɔvʲˈɛdʑɛtɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_393.wav|— pʃɛprˈaʃam. — kˈɔrsak ʃtʃˈɛ��knɔw klˌavʲatˈurɔ̃. — vʲˈɛ pˈan, pˈuw rˈɔku tˌɛmu mʲˌɛliɕmˌɨ tˌaki vɨpˈadɛk. — pˈɛvʲɛn ˈawtɔr pɔvʲˈɛɕiw ɕɛ.|0
+Dataset/wavs/urwisko_ferenc/65_segment_107.wav|xˈɛrman vrutɕˈiwa dɔ ʒˌɛtʃɨvistˈɔɕtɕi.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_171.wav|vˈarɡɔ xˈɔlt i rˈudɨ rˈɔnɛt kˈɔnɲiŋktɔn|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_37.wav|pˈatʃɨ zˈaɲʲɔ̃ vʲˈɛltsɛ zˌadɔvɔlˈɔnɨ.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_174.wav|jˈamɛ zˈabraw zˈɛ sˈɔbɔ̃ sˈɛr i lˌinapɛˈina.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_215.wav|a tˈaj dɔstˈaɲʲɛ rivˈɛrun.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_32.wav|ɲʲɛ xtɕˈawɛm tɕˈɛ zrˈaɲitɕ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_86.wav|ɔpˈɔvʲɛts ɕɛ ˈɔtɨm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_91.wav|a tɕˈi, ktˌuʒɨ bˌɛndɔ̃ xtɕˈɛli tɕˈɛ swˈuxatɕ, bˌɛndɔ̃ takˈimi jˈak tˈɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_17.wav|lˈɛtʃ tɨm rˈazɛm samˈɔxud zatʃˈɨmaw ɕɛ pʃɨ krˌavɛ̃ʒɲˈiku i kɔbjˈɛta vˌɨxɨlˈifʃɨ ɡwˈɔvɛ zˌapɨtˈawa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_59.wav|tɔ vwˈaɕɲʲɛ xtsˈɛʃ nˈam pɔvʲˈɛdʑɛtɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_111.wav|bˈɨw tɔ pˌɔjɛdˈɨntʃɨ vˈaɡɔn, a ɲʲɛ tɕɔŋɡnˈɔntsɨ ɕɛ w ɲʲˌɛskɔɲtʃˈɔnɔɕtɕ skwˈat, jakˈimi pˌɔdruʒˈujɔ̃ ʑɛmʲˈaɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_254.wav|i zˈaɕmʲaw ɕɛ dˌɔbrɔdˈuʃɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_310.wav|na smˈukwɔ̃ ʃˈɨjɛ i nˈatɛ rɔskˈɔʃnɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_4.wav|s kˈɔʃtu i tˌɛɡɔ dʒˈim pɔtsˈuva mu twˈustɨ krˈɔ̃ʒɛk tsˌɛbulˈɔvɨ. zˌajɛbʲˈistɛ!|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_194.wav|bˌɛɲdʑɛʃ mˈɔɡwa tˈam zˈɔstatɕ ˈalbɔ pɔjˈɛxadʑ zˈɛmnɔ̃ na fsxˈut, ɡdʑˈɛ zakˈɔɲtʃɛ tˈɛ sprˈavɛ. vˈɨbur nalˈɛʒɨ dɔ tɕˈɛbjɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_18.wav|a nˈaʃa ʃkˈɔwa mˈa tˌɨlkɔ tʃˈɛx ˌinstruktˈɔruf.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_23.wav|kɔbjˈɛta tsˈɔɕ mˈa mrˈɔtʃɛ i fxˈɔdʑi dɔ stɔdˈɔwɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_43.wav|tʃˈujɛ ɕɛ dˈɔbʒɛ i xtsˈɛ, ʒˈɛbɨm z ɲʲˈɔ̃ pˌɔrɔzmavʲˈawa na tˈɛmat jɛj rɔzmˈɔvɨ z ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_18.wav|tɔ xɛˈilxant ˈupar ɕɛ, ʒˈɛbɨ zˈabradʑ ɡwˈɔvɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_32.wav|jˈak ˌukwadˈawɨ ɕɛ sprˈavɨ mʲˌɛndʑɨ vˈami w ɔstˈatɲim tʃˈaɕɛ? jˈakʲɛɕ prɔblˈɛmɨ? pˈɨta tˈɔm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_81.wav|xˈɨba ɲʲɛ muvˈiwa pɔvˈaʒɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_36.wav|jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ...|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_14.wav|ɲʲɛ sˈɔɲdʑiʃ xˈɨba, ʒˈɛ zrˈɔbʲiw tɔ tsɛlˈɔvɔ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_174.wav|pˈɔvʲɛts mi tsˈɔɕ ɔ kɔbjˈɛtɕɛ. mˈɔʒɛ ˌɔna bˌɛɲdʑɛ tɕɛkˈafʃa.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_318.wav|s pʃˌɨjɛmnˈɔɕtɕɔ̃ pʃɨznˈajɛ, ʒˈɛ dˌɔvʲɛdʑˈawɛm ɕɛ dʑˈɛŋki ɲʲˈɛj bˈardʑɔ vʲˈɛlɛ, ˌalɛ tɛ naˈuki pˌɔtɕɔŋɡnˈɛwɨ za sˈɔbɔ̃ pˈɛvʲɛn kˈɔʃt.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_160.wav|ɡdˈɨ dɔrˈɔswa kɔbjˈɛta vˌɨxɔdʑˈiwa za mˈɔ̃ʒ za dʑˈɛtskɔ, zˈafʃɛ istɲʲˈawɔ tˈakʲɛ ɲʲˌɛbɛspʲɛtʃˈɛɲstfɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_246.wav|mˈajɔndʑ zˌakɔmpˈana xwˈɔptsa s pˌɔwudɲʲˈɔvɨx krˈɛsuf, f tʃtɛrdʑˈɛstɨm tʃfˈartɨm jɛɕˈɛɲʲu|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_179.wav|ˌalɛ vɔlˈawam tɔ zaxˈɔvadʑ dla ɕˈɛbjɛ. pˈɔza tɨm zˌamjɛʒˈawam tɕˈɔɲtɕ stˈal, a ɲʲɛ ˌalumˈiɲʲum. ˌalɛ ˈɔtɨm tˈɛʃ ɲʲɛ xtɕˈawam mˈuvitɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_10.wav|ktˌura mʲˈawa rɔzvˈinɔɲtɕ ɕɛ w dʑˈɛtskɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_29.wav|pɔvʲˈɛdʑaw tˈata, starˈajɔnts ɕɛ dˌɛlikˈatɲʲɛ vˌɨprɔvˈadʑitɕ mˈamɛ s pɔkˈɔju.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_180.wav|dɔ kˈɔɲtsa dɲʲˈa ˌɔtʃɛkˈujɛ na pʃˈɛlɛf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_144.wav|ɲʲɛ maʒ vɨbˈɔru.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_154.wav|ˈuznaj tɔ zˈatɛm za ˌɔstʃɛʒˈɛɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_76.wav|ɲʲɛ, pˌɔvʲɛdʑˈawa, pɔ prˈɔstu prˌatsɔvˈawam tɕˈɛ̃ʃkɔ. a ja zˈafʃɛ tɕˈɛ̃ʃkɔ znˈɔʃɛ tɛ pʃɛklˈɛntɛ tʃˈɨ dɲˈi.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_150.wav|tʃˈɨ dɲˈi s kˈaʒdɨx tʃɨdʑˈɛstu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_53.wav|zɔstˈajɛ ˌɔbʒutsˈɔnɨ kɔlˈɛjnɨm pˌɔirˌɨtɔvˈanɨm spɔjʒˈɛɲʲɛm, a stˈarʃɨ z dvˈux fˌuŋktsjɔnarjˈuʃɨ ɔdvrˈatsa ɕɛ dɔ mɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_236.wav|uɲʲˈɔswam brˈɨvi zˈɛ zdʑivʲˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_293.wav|tʃˈɨ zdrˈadɨ, ktˌurɨm tsɛrsˈɛi nadˈawa imjˈɔna jˈɔffrɛj, tˈɔmmɛn i mɨrtsˈɛlla.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_102.wav|dɔtknˈɛwam jˈɛɡɔ bˈɔku i tfˈaʒɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_44.wav|zˌapisˈawaɕ tɔ na papʲˈɛʒɛ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_36.wav|bˈɛtskɨ fstˈajɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_8.wav|ˈaram ɲʲɛ zamjˈɛʒa spˈuɕtɕitɕ mɲʲɛ z ˈɔtʃu, vʲˈɛndʑ dˈajɛ znˈak mˈamjɛ, ʒˈɛbɨ ˌɔdɛbrˈawa.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_196.wav|jˌɛdnɔˈɔka kɔbjˈɛta pʃˌɨtɕisnˈɛwa pʲˈɛrɕi dɔ jˈɛɡɔ klˈatki pʲɛrɕˈɔvɛj. ɲʲˈɛrup tˈɛɡɔ! ɲʲɛ pˈɔtɔ tˈu pʃɨʃˈɛdwɛm!|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_288.wav|i ʃˈɛt pʃɛt ɕˈɛbjɛ mˈɔʒɛ pˈuw minˈutɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_95.wav|muɕˈawam dˈɔstatɕ ɕɛ dɔ vnˈɛntʃa bˈaɲki pʃɛt pʃɨjˈazdɛm pɔtɕˈɔŋɡu, a jˈɛʃtʃɛ nˈavɛt ɲʲɛ zatʃˈɛwam vɨtɕˈinatɕ ɔtfˈɔruf f skɔrˈupʲɛ vɛvnˈɛntʃnɛj.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_48.wav|pˈatʃɨw na mˈawɨ, ɲʲˈɛtsɔ pɛŋkˈatɨ samˈɔxut spɔrtˈɔvɨ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_135.wav|bʲˈillɨ ɲʲɛ bjˈɛʒɛ pɔt uvˈaɡɛ mˌɔʒlivˈɔɕtɕi, bˈɨ zavrˈutɕitɕ i pɔstˈavitɕ tɨɣ dvˈuɣ dɔ pʲˈɔnu. ix napʲˈɛntɛ mˈinɨ jˈasnɔ davˈawɨ dɔ zrˌɔzumjˈɛɲʲa, ʒˈɛ prˈɔɕiwbˌɨ ɕɛ ɔ ɕmʲˈɛrtɕ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_243.wav|znˈajdʑ dla mɲʲɛ tˈɛ prˈavdɛ sˈam.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_27.wav|ɲʲɛ bˌɨwɔ jˈuʃ mˈɔvɨ ɔ tʃɨmkˈɔlvʲɛk, tsˈɔ mˈɔʒna bˈɨ ɔkrˈɛɕlitɕ jˈakɔ nɔrmˈalnɛ.|3
+Dataset/wavs/urwisko_ferenc/42_segment_103.wav|tɔ pʃˌɛtɕɛʃ lˈɛɡnɛr ɲʲˈɛmʲawbˌɨ ɲˈidʑ dɔ ɡadˈaɲʲa. tɔ ɲʲɛ jˈɛɡɔ rˈɛvir.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_195.wav|mɔʒlˈivɛ, ʒˈɛ tʃɛkˈajɔ̃ na tˈɨwaɣ dˈɔmu ˈalbɔ w mʲɛʃkˈaɲʲu, mˈɨɕli.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_35.wav|ˌɔna xtɕˈawa zaɡˈarnɔɲtɕ tɔ, tsˈɔ najlˈɛpʃɛ w mˈɔim ʒˈɨtɕu, tˌɨlkɔ dla ɕˈɛbjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_147.wav|ˌɔbrazˈiwaʑ ɡˈɔ, prˌɔpɔnˈujɔnts mu pʲɛɲʲˈɔndʑɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_137.wav|jɛj tfˈaʃ jɛst ɕmʲɛrtˈɛlɲʲɛ pɔvˈaʒna, ˌalɛ spɔkˈɔjna.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_56.wav|nˌabjɛʒˈɨwɛm tfˈɔjɛ ɡʲˈizmɔ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_147.wav|tˈɛras xtsˈɛ nˈas pʃɛkˈɔnatɕ, ʒˈɛ ɲˈiɡdɨ ɲʲˈɛtknɔw marɡˈɛrɨ tˈɨrɛll.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_440.wav|jˈuʃ mi prɛzˈɨdɛnt prˌɔpɔnˈɔvaw pɔsˈadɛ miɲˈistra.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_50.wav|ˈarjan rˌɔzwɔntʃˈɔnɔ z ɡarˈinɛm, drˈɛjɛm i pˌɔzɔstawˈɨmi fkrˈuttsɛ pɔ pɔjmˈaɲʲu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_133.wav|mˈikɛ spˈɔjʒaw na ˌandɛrsˈɔna.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_405.wav|i zɲikˈawɨ w ɡɔrˈɔntsɛj ruʒˈɔvɛj tɕɛmnˈɔɕtɕi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_152.wav|ɲʲɛ ˌɔdvratsˈajɔnts ɕɛ pˈɔʃɛd dɔ barˈaku i pxnˈɔ̃fʃɨ dʒvˈi f��ˈɛd dɔ ɕrˈɔtka.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_245.wav|vʲˈɛnts pɔ drˈuɡʲɛj strˈɔɲʲɛ, bʒˈɛɡʲɛm strˈɔmɛj rɛʃtˈufki davnˈɛɡɔ pˈarku,|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_136.wav|bˈɨw najmɲʲˈɛjʃɨ, ˌalɛ zˈatɔ mʲˈaw najvʲˈɛŋkʃɔ̃ brˈɔdɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_64.wav|dlatʃˈɛɡɔ zɔstˈaviw mɲʲɛ sˈamɔ̃, kʲˈɛdɨ ɲʲˈɛma z nˈami nˈaʃɛj tsˈurki?|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_37.wav|ɲʲˈɛx ʃanˈɔvnɨ pˈanu ʃtʃɛɲɕlˈivi tsurˈɛtʃkɛ, vɨstˈartʃɨ ustʃˈɛlitɕ tʃˈɨ krulˈiki ˈalbɔ tʃtˈɛrɨ ptˈaki z ɡurnˈɛɡɔ ʒˈɛndu i bˌɛɲdʑɛ mˈɔɡwa zˈabratɕ frɛdjˈɛɡɔ flamˈiŋɡa dɔ dˈɔmu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_51.wav|kˈiva ɡwˈɔvɔ̃ ˌɔdrɔbʲˈinɛ ɲʲɛpˈɛvɲʲɛ, vʲˈɛndʑ vɨtɕˈɔŋɡam rˈɛntsɛ, ʒˈɛbɨ ɡˈɔ pʃɨtˈulitɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_41.wav|ˈandɛrsɔn fʃˈɛd.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_18.wav|nˈɔ pˈɛvɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_16.wav|ɡdɨbˈɨɕtɕɛ xtɕˈɛli ɕɛ pˈɔzbɨtɕ sˌamɔxˈɔdu, tɔ tsˈɔ bˈɨɕtɕɛ zrɔbʲˈili? jˈakʲɛɕ pɔmˈɨswɨ?|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_132.wav|ɔbˈɨdva bˌɨwɨ nˌapɔmpɔvˈanɛ tlˈɛnɛm i mʲˌawɨ ɔtfˈartɛ kasˈɛtɨ z bˌɛspʲɛtʃɲikˈami, s ktˌurɨɣ zvisˈawɨ pʃɨpʲˈɛntɛ dɔ bjɛɡˈunuv dɔdˈatɲix kˈablɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_215.wav|mˈarna pɔtɕˈɛxa, ˌalɛ lˈɛpʃa tˈaka ɲˈiʒ ʒˈadna.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_87.wav|drʒɔntsˈɨmi rɛŋkˈami ukwˈadam lˈistɨ vɛ vwaɕtɕˈivɛj kˌɔlɛjnˈɔɕtɕi i zatʃˈɨnam ɔt pʲɛrʃˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_79.wav|kʲˈɛdɨ mˈatt pʃˌɛtwumˈatʃɨw tɛ swˈɔva, kapˈitan rˈɨknɔw ɕmʲˈɛxɛm. kˌuxurˈumɔ mˈuvi, ʒˈɛ ʃˈaʒɨ mɛ̃ʃtʃˈɨʑɲi i tˈaɡ dɔstˈanɔ̃ tɛ kɕˈɛŋɡʲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_394.wav|vɨjˈɛwam jˈɛ i ˌɔttʃɨtˈawam vʲadˈɔmɔɕtɕ ɔt trˈɔnda.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_13.wav|tsˈɔː ˌɔna tˈam rˈɔbʲi? ftɕˈɔ̃ʒ dˌɔbjɛɡˈajɔ̃ dɔ mˈɔix ˈuʃu jˈakʲɛɕ ɔdɡwˈɔsɨ. swˈɨʃɛ ʃˈum pwɨnˈɔntsɛj vˈɔdɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_155.wav|a mˈɔʒɛ tɔ bˌɨwa ɡrˈa vidˈɛɔ? ɲʲɛ jɛst pˈɛvna.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_31.wav|ɡdʑˈɛ ˌɔɲi sˈɔ̃?|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_504.wav|ˌuɕfʲadɔmˈiwa sˈɔbjɛ, ʒˈɛ tɔ prˈavda. w bʒˈuxu mʲˈawa pˈustkɛ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_319.wav|kʲˈɛdɨ ˌɔpuɕtɕˈili mʲˈɛtʃɛ,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_29.wav|ˌalɛ pʃˌɛsunˈɛwam sˈɔbjɛ pɔdˈuʃkɛ, ʒˈɛbɨ ˈuɕɔ̃ʑdʑ blˈiskɔ tˈatɨ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_503.wav|na pˈɛvnɔː umjˈɛraʒ z ɡwˈɔdu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_33.wav|ɔdʑˈɨvam ɕɛ ɲʲɛpˈɛvɲʲɛ, kʲˈɛdɨ ɔdbjˈɛra tɛlˈɛfɔn. pʃɛprˈaʃam, ʒˈɛ bˌɨwam tˈaka ɲʲɛznˈɔɕna ftʃˈɛɕɲʲɛj.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_342.wav|ˌusuɲʲˈɛntɔ mɲʲɛ z rˈadɨ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_289.wav|tɔ swˈɔvɔ pʃɛʃˈɨwɔ jˈɔ̃ ukwˈutɕɛm strˈaxu.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_30.wav|ˈɔ! tʃˈɛɕtɕ, dʒˈɛs!|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_12.wav|pɔdnˈɔʃɛ ɡˈɔː i mˈɔtsnɔ pʃɨtˈulam.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_284.wav|uɕtɕˈiɕɲij ɡˈɔː ˈɔdɛ mɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_282.wav|ɲʲɛstˈɛtɨ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_32.wav|ɲʲɛ rɔzˈumjɛm jɛdnˈɛɡɔ, bˈɛtskɨ, dlatʃˈɛɡɔː ˌɔna jˈuʃ ɔt tˈaɡ dˈavna zatɕˈɛra ɕlˈadɨ?|3
+Dataset/wavs/urwisko_ferenc/63_segment_144.wav|ustˈaviw na tˈɨlnɛj kanˈapʲɛ jɛj sˌamɔxˈɔdu nˌɔsidˈɛwkɔ z dʑˈɛtskʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_383.wav|ɔtpˈarwa bˈɛs ɔɡrˈudɛk krulˈɔva.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_43.wav|a pɔtˈɛ̃ʒɲi ˌubjɛrˈali ɕɛ f strˈɔjɛ tɕˌɛmnɔʃˈarɛ i fjˌɔlɛtˈɔvɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_130.wav|bˈɨtɕ m��ɔʒɛ, dˌɔpɔvʲˈada w dˈuxu bʲˈillɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_31.wav|ɲʲˈɛmuɡw zrˈɔbʲitɕ ˌaɲi pɔvʲˈɛdʑɛtɕ ɲitʃˈɛɡɔ, tsˈɔ vˌɨdavawˈɔbɨ ɕɛ stɔsˈɔvnɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_23.wav|ɲʲˈɛxtsɛ, ʒˈɛbɨ dɔvʲˈɛdʑaw ɕɛ ɔ mˈili z vʲˌadɔmˈɔɕtɕi tˌɛlɛvizˈɨjnɨx.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_46.wav|kʲˈɛdɨ ˈaʒ dɔtɕˈɛra dɔ stˈup sxˈɔduf, sˈami zɲˈika s pˈɔla vidʑˈɛɲʲa. pɔ kˈilku xfˈilaɣ vrˈatsa i ʃɨkˈujɛ ɕɛ dɔ ʒˈutu tˌɛlɛfˈɔnɛm, kʲˈɛdɨ ˈaʒ vɨtɕˈɔŋɡa rˈɛŋkɛ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_9.wav|pɛvnˈɛɡɔ rˈɔku ɔdvʲˈɛdʑiw iɣ brˈat krˈula rɔbˈɛrta.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_38.wav|f pɔvʲˈɛtʃu unˈɔɕiw ɕɛ zˈapax rˌɔzɡʒanˈɛɡɔ bɛtˈɔnu i rˌɔzɡɔtɔvˈanɨɣ vˈaʒɨf, ktˌurɨ prˌavdɔpɔdˈɔbɲʲɛ dɔxˈɔdʑiw zˈɛ stɔwˈufki dla pˌɛrsɔnˈɛlu sɔ̃ɕˈɛdɲiɣ bjˈur.|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_76.wav|mˈɨɕli, ʒˈɛbɨ pɔʃˈukatɕ tamtˈɛɡɔ pʲˌɛtnastˌɔlɛtɲʲˈɛɡɔ vzˌɔrɔvˈɛɡɔː ˈutʃɲʲa, ˌalɛ mˈa za mˈawɔː ˌinfɔrmˈatsji.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_152.wav|tˈakɔ spˈɔjʒaw nˈamɲʲɛ, ja na ɲʲˈɛɡɔː i ˈɔbu nˈam, mˈarnɨm trˈɛpɔm pʃˌɨtɕɔŋɡajˈɔntsɨm kˈulɛ, pʃˈɨʃwa dɔ ɡwˈɔvɨ ta sˈama mˈɨɕl. kˈi tʃˈɔrt?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_126.wav|pˈɨta mˈama tɕˈixɨm, drʒˈɔntsɨm ɡwˈɔsɛm.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_181.wav|mˈɔʒɛʃ tˈɛʒ dˈɔstatɕ trˈɔxɛ swɔtkʲˈɛɡɔ mlˈɛka i pˈɔvʲɛm ɡrˈɛtxɛl, ʒˈɛbɨ pʃɨɲʲˈɔswa nˈam plˈastrɨ mʲˈɔdu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_157.wav|bɛɲdʑˌɛmɨ ɕɛ ɡwˈɔvitɕ nˈattɨm pʃˈɛs rˈɛʃtɛ ʒˈɨtɕa.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_280.wav|artˈɛmis tɔ ɲʲɛ pˈaɲstfɔ pˌɔlitsˈɨjnɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_425.wav|ktˌurɛ ˌapɛlɔvˈawɨ dɔ pʃɛxˈɔdɲʲuf ɔ jawmˈuʒnɛ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_347.wav|vɨswˈali krˈuka dɔ tsastˈɛrlɨ ɹˈɔk s prˈɔʑbɔ̃ dɔ tfˈɛɡɔ strˈɨja, bˈɨ vrˈutɕiw na dvˈur i zˈɔstaw rɛɡˈɛntɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_3.wav|kˈit ɕˈɛdʑaw zdˌɛtsɨdɔvˈaɲʲɛ za blˈiskɔː ɛkrˈanu w mˌanxɛstˈɛʒɛ i jˈɛɡɔ tfˈaʒ vˌɨɡlɔndˈawa na ʃˈɛrʃɔ̃ na ɕrˈɔtku i vˈɛ̃ʃʃɔ̃ na ɡˈuʒɛ i na dˈɔlɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_165.wav|zamˈɨka samˈɔxut i vrˈatsa dɔ dˈɔmu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_13.wav|— pˌɔvʲɛdʑˈawaɕ, ʒˈɛ maʃ jˈakɔ̃ʑ bɛspʲˈɛtʃnɔ̃ pʃˈɨstaɲ. dlatʃˈɛɡɔ tˈam ɲʲɛ pˌɔjɛdʑˈɛmɨ i ɲʲɛ pʃˌɛtʃɛkˈamɨ tɛj bˈuʒɨ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_39.wav|jˈɛʃtʃɛ jˈɛdɛn trˈɛp pʃˌɨtɕɔŋɡajˈɔntsɨ kˈulɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_240.wav|ɔttʃˈuwɛm nˈaɡwɔ̃ vdʑˈɛntʃnɔɕtɕ. xtɕˈawɛm dˈɔtknɔɲtɕ jɛj mˈawɛj, prˈavʲɛ dʑɛtɕˈinnɛj rˈɛŋki.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_56.wav|kʲˈɛdɨ mu pɔvʲˈɛmɨ, tsˈɔ vˌɨpravʲˈawɛʑ dʑˈiʑ vʲɛtʃˈɔrɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_76.wav|jˈɛʃtʃɛ rˈaz vɨjʒˈawam pʃˈɛz vˈizjɛr.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_9.wav|tɨm rˈazɛm tɔ ɲʲɛ pʲɔsˈɛŋka pˈɔp, ˌalɛ jˈɛɡɔː ˌulubjˈɔna lˈɔndɔn brˈidʒ ˈis fˈalliŋɡ dˈawn.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_88.wav|kʲˈɛdɨ vrˈutɕiʒ dɔ dˈɔmu?|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_152.wav|zabjˈɛʃtɕɛ tɔː i pʃˌɨprɔvˈatɕtɕɛ kɕˈɛɲtɕa dɔrˈana.|1
+Dataset/wavs/urwisko_ferenc/45_segment_2.wav|ɲʲɛ lɛŋkˈawa ɕɛ ɕˈiw natˈurɨ. bˈawa ɕɛ tˈɛɡɔ, tsˈɔ zɔbˈatʃɨ w ɔdbʲˈitɕu lˈustra.|0
+Dataset/wavs/urwisko_ferenc/63_segment_128.wav|ˌɔkazˈujɛ ɕɛ, ʒˈɛ jˈɛɡɔ tsˈurka ftsˈalɛ ɲʲɛ zmˈarwa f sˌamɔxˈɔdʑɛ mˈɔɲikˌi xudʑˈiɲskʲɛj.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_91.wav|pˌɔvʲɛdʑˈawa xˌɔtaxˈɔvi.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_68.wav|tˈaka ʃkˈɔda, ʒˈɛ ɕɛ pˌɔkwutɕˈiliɕtɕˌɛ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_489.wav|zˌaʒɔndʑˈawa zˈamkʲɛm w imjˈɛɲʲu ˈɔjtsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_44.wav|f tˈamtɨm ɔkrˈɛɕɛ mʲˌɛliɕmˌɨ dˈuʒɔ tɕfˈitʃɛɲ stʃɛlˈɛtskix. dʒˈɔrdʒ i trˈɔmba trafˈili ɡdʑˈɛ ˈiɲdʑɛj, ˌalɛ mɨ s tˈatsɔ nˈadal bˌɨliɕmˌɨ rˈazɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_6.wav|tˈutaj ɲikˈɔɡɔ ɲʲɛ ɔpxˈɔdʑi, tsˈɔ lˈudʑɛ rˈɔbjɔ̃ w wˈuʃku, ɔː ˈilɛ sɔ̃ dɔrˈɔɕli i rˈɔbjɔ̃ tɔ dˌɔbrɔvˈɔlɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_151.wav|tˈaɡ vʲˈɛnts ɔdˈɛrvaw tfˈaʃ ɔt pɔdˈuʃki i tfˈaʃ jɛj dˈɔjʒaw tˌɨlkɔ f pwɔmˈɨku pˌapʲɛrˈɔsa.|0
+Dataset/wavs/urwisko_ferenc/59_segment_49.wav|ˌɔna mɲʲɛ ɲʲɛ lˈubʲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_7.wav|zˈaraz bˈɛndɛ, tʃˈɛkaj nˈamɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_64.wav|mˈɨɕlɛ, ʒˈɛ pɔdˈɔwam mˈuvi bʲˈillɨ z uɕmʲˈɛxɛm. sxˈudwɛɕ kˈɔrʲɛ zavʲˈɛʃa ɡwˈɔs. fʃˈɨstkɔ f pɔʒˈɔntku.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_103.wav|ɡrˈɛtska bɔɡʲˈiɲi, ktˌurɛj ˈimjɛ nɔɕˈiwɔ nˈaʃɛ pʲˈɛŋknɛ mʲˈastɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_7.wav|tˈak ˌɔpsɛrvˈujɛ, ɲʲɛ tˌɨlkɔ pˈatʃɨ, bˈɔ mˈɔʒɛ pʃˈɨɕɔnd, ʒˈɛ vˈidʑi, jˈaɡ ʑdʑbwˈa ˌɔʒɨvˈajɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_32.wav|kʲˈɛdɨ bʲˈillɨ zvrˈatsa mu uvˈaɡɛ na tˈɛ spʃˈɛtʃnɔɕtɕ, dˈɔn jˈɛnsɛn zbˈɨva tɔ maxɲʲˈɛɲtɕɛm rˈɛŋki.|2
+Dataset/wavs/urwisko_ferenc/07_segment_38.wav|a mˌɔɲitˈɔriŋk?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_448.wav|vˌɨspɛtsjˌalizɔvˈaɲi w bwˌɨskavˈitʃnɨm rˌɨsɔvˈaɲʲu pɔrtrˈɛtuf.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_68.wav|vˈillas jɛst pʃˌɛkɔnˈanɨ, ʒˈɛ ʒɛlˈaʑɲi lˈudʑɛ ɲʲɛ pwɨnˈɛli vzdwˈuʒ bʒˈɛɡu.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_78.wav|nˈɔ tɔ prˈubuj.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_4.wav|bˈɛtskɨ zrɔbʲˈiwa mˈinɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_91.wav|tɔ zˌaprɔʃˈɛɲʲɛ ɔd dˈalʃɨx sɔ̃ɕˈaduf, rɛɡlˈɛnduf, na ʒɛbˈɛrka, surˈufkɛ z bjˈawɛj kapˈustɨ i plˈatsɛɡ viɕɲʲˈɔvɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_170.wav|a ja pˌɔvʲɛdʑˈawɛm jɛj, ʒˈɛ ɲʲɛ ˈumjɛm mˈuvitɕ pɔː aŋɡʲˈɛlsku, a ftˈɛdɨ ˌɔna rˌɔzɛɕmʲˈawa ɕɛ i pˌɔvʲɛdʑˈawa tsˈɔʑ dɔ tˌɛɡɔ ɡˈɔɕtɕa nazvˈiskʲɛm ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_140.wav|jˈaɡbɨm ʒˌɛtʃɨvˈiɕtɕɛ tɔ pɔtrˈafiw, mˈɨɕli bʲˈillɨ. jˈaɡbɨ sˈam xrˈis kˈɨlɛ tɔ pɔtrˈafiw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_172.wav|i tɔ bˌɨwa jˈɛdna dˈɔbra ʒˈɛtʃ, ktˌura vˌɨɲiknˈɛwa zˈɛ ɕmʲˈɛrtɕi pˈɛɡɡɨ.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_94.wav|tʃˈasɨ dla lvˈuf, vˈilkuf i rˌɔsfɕtɕɛtʃˈɔnɨx psˈuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_82.wav|xtɕˈawam pɔvʲˈɛdʑɛtɕ stsɔttˈɔvi ɔ mˈɔjɛj dɛtsˈɨzji, ˌalɛ ɔn vˈɨʃɛd z mʲɛʃkˈaɲʲa kˈilka ɡˈɔdʑin ftʃˈɛɕɲʲɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_145.wav|ʒˈɛ ljˈa zɡʲinˈɛwa z mˈɔjɛj rˈɛŋki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_201.wav|vˈidʑi zmˈarʃtʃki na spalˈɔnɛj swˈɔɲtsɛm ʃˈɨi tɛŋɡʲˈɛɡɔ ʃɛrˈɨfa f stɛtsˈɔɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_83.wav|s pˈɛvnɨm ˌɔtɕɔŋɡˈaɲʲɛm dɔdˈajɛ, xˈɨba ʒˈɛ pˈan ɡˈɔ xtsˈɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_30.wav|swˈɔɲtsɛ pʃˌɛɕfʲɛtlˈawɔ dˌɔbrɔtlˈivʲɛ butˈɛlki s tʃˈɨstɔ̃ vˌɨbɔrˈɔvɔ̃,|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_138.wav|pɔtʃˈuwɛm, ʒˈɛ kˈula pʃˈɛʃwa ˌɔbɔk mˈɔjɛj kˈɔstki i ˌɔdvrutɕˈiwɛm ɕɛ, ʒˈɛbɨ sprˈavdʑitɕ, tʃɨ ˈɛlis ɲʲɛ ˌɔbɛrvˈawa.|2
+Dataset/wavs/urwisko_ferenc/46_segment_44.wav|— tsˈɔ pˈan tˈu rˈɔbʲi? — lˈɛɡnɛr ɕɛ vɨstrˈaʃɨw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_92.wav|jɛj ɔttɕˈiskuf ɲʲɛ bˌɛndɔ̃ mˈɔɡli jˈɛdnaɡ zdjˈɔɲtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_51.wav|pˌɔzɔstˈali dvˈaj tˈɛʃ tʃɨmˈajɔ̃ tˈakʲɛ mˈiski, a tɔ dˈɔbʒɛ, bˈɔ mˌajɔ̃ zajˈɛntɛ rˈɛntsɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_56.wav|ɔdbʲˈijam ɲʲˈɛtsɔ w lˈɛvɔ, z dˈala ɔd vˈɛjɕtɕa dɔ sklˈɛpu, ɲʲɛ planˈujɔnts jˈuʃ ɲikˈɔmu pʃɛtɕˈinadʑ drˈɔɡʲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_43.wav|vˈɨ, xwɔpˈaki, znˈajtɕtɕɛ sˈɔbjɛ tsˈɔʑ dɔ rɔbˈɔtɨ. pˈɔllɨ, jˈɛɕli zapˈaliʃ tɔ sfˈɔjɛ paskˈutstfɔ na zˈɛvnɔntʃ, jˈutrɔ ɲʲˈɛxtsɛ znˈalɛɕtɕ pˈɛta na travɲˈiku.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_28.wav|xˈɔtɕ jˈuʃ, ˈiris, kɔxˈaɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_121.wav|pɔdˈɛʃwa dɔː ˈɔkna kʲɛrˈɔftsɨ i jˈɛʃtʃɛ rˈas spɔjʒˈawa na tfˈaʃ mɛ̃ʃtʃˈɨznɨ.|3
+Dataset/wavs/urwisko_ferenc/01_segment_110.wav|vˈɔntki ftrɔɲtɕˈiwa. ɲʲˈɛɣ bˌɛɲdʑɛ vˈɔntki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_72.wav|dɔ tˌɛɡɔ dɔxˈɔdʑi pʃˌɛrɨvˈanɛ bwɨskˈaɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_463.wav|tʃɨ jɛst f pˈɔlstsɛ kˈara ɕmʲˈɛrtɕi?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_41.wav|tɛn fˈatsɛt mˈuɕaw dˈɔbʒɛ rɔzˈumjɛtɕ spˈɔsup mɨɕlˈɛɲʲa pʃɛstˈɛmptsuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_129.wav|bˌɨwɨ ɲʲɛzbˈɛndnɛ, zvaʒˈɨfʃɨ nˈatɔ, tsˈɔ za xfˈilɛ zˌamjɛʒˈawam zrˈɔbʲitɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_146.wav|tʃˈasnɔw tˌɨlkɔ dʒvʲˈami waʑˈɛŋki i vɨlˈɛtɕaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_7.wav|pɔznˈawɛɕ tˌɛɡɔ jˌɔxanssˈɔna, rˈɔp? jˈaki ɔn jˈɛst?|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_61.wav|najvˈɨʒɛj zɔstˈaɲʲɛ blˈizna.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_105.wav|vɨdˈuɕiw vrˈɛʃtɕɛ s ɕˈɛbjɛ drʒˈɔntsɨm ɡwˈɔsɛm stˈaʒɛts.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_229.wav|dla tɕˈɛbjɛ na kˈɔʃt fˈirmɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_23.wav|ɔtfʲˈɛra jˈɛ ˈinnɨm klˈutʃɛm.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_187.wav|w ʒˌɛtʃɨvistˈɔɕtɕi mˈɛɡʲi vʒasnˈɛwa nˈaɲʲɛ w jˈakimʑ dʑivˈatʃnɨm, tsˌudʑɔʑˈɛmskim jɛ̃zˈɨku i pʃɛklˈɛwa jˈɛ, ɡdˈɨ ˌutɕɛkˈawɨ z namjˈɔtu.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_34.wav|jˈaɡ za dˈavnɨx tʃˈasuf, tsˈɔ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_11.wav|nˈaɡlɛ pɔjˈavja ɕɛ w mˈɔjɛj ɡwˈɔvʲɛ mˈɨɕl, ktˌura udˈɛʒa mɲʲɛ ɲˈitʃɨm rˌɔspɛndʑˈɔna tɕˌɛ̃ʒarˈufka.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_406.wav|ɔdˈɛzvaw ɕɛ zˈɛɡar z vʲˈɛʒɨ zamkˈɔvɛj.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_319.wav|spɨxˈajɔnts pʃˌɛtɕivɲˈika dɔ ʒˈɛki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_22.wav|frˈaŋk prɔvˈadʑi, pˈɔllɨ ɕˈada s tˈɨwu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_153.wav|nˈɔ tɔ znˈajtɕ tɛ ʃklanˈɛtʃki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_85.wav|ɲˈiɡdɨ ɲʲɛ pʃˈɨʃwɔ mi nˈavɛd dɔ ɡwˈɔvɨ, ʒˈɛ jˌɛstɛm f tʃˈɨmʑ dˈɔbra.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_121.wav|tʃɨ ta vˈɔda w waʑˈɛntsɛ mˈuɕi lˈɛtɕɛtɕ?|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_184.wav|stˈaw swɔˈitʃɛɡ z jˈakimʑ ɡˈɛ̃stɨm spˌɛtsɨfˈikʲɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_130.wav|rˈuʃaj, ɲʲˈɛkaʃ mi ˈuʒɨtɕ ɕˈiwɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_70.wav|jˈɛɕli ɲʲˈɛma pˈaɲi ɲˈits pʃɛtɕˈifkɔ ɕɛdʑˈɛɲʲu na sxˈɔdax, bʲˈillɨ fstˈajɛ i pɔdˈajɛ jɛj rˈɛŋkɛ. dˈavɛ lˈɔtskridʒ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_228.wav|s ktˌurɨx jˈɛdɛn tʃˈɨmaw rˈɛŋkɛ f ʃuflˈadʑɛ kˈasɨ i rˈɔbʲiw fʃˈɨstkɔ, tsˈɔ mɔʒlˈivɛ, bˈɨ vʲˈɛʒɨtɕ,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_94.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, tʃˈɨjɛ tɔ swˈɔva, ˌalɛ tˌɨlkɔː ˌɔnɛ pxˈajɔ̃ mɲʲɛ dɔ pʃˈɔdu.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_205.wav|pˈɔdritsk i sˈɛr xˈɨlɛ ɲʲɛ mʲˌɛli z ɲʲˈɔ̃ ɲˈits fspulnˈɛɡɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_39.wav|ɲʲɛ ɔdbjˈɛraw tˌɛlɛfˈɔnu, jˈɛdnak w jˈɛɡɔ ʃkˈɔlɛ ˌɔdbɨvˈawa ɕɛ vʲɛtʃˈɔrna prˈuba ʃtˈuki tˌɛatrˈalnɛj i pˈɛvɲʲɛ ɕɛ spuʑɲʲˈawɔ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_504.wav|— zˌarumjɛɲˈiwa ɕɛ, swˈɨʃɔnts tɛn kɔmplˈɛmɛnt. — bˈardʑɔ ɕɛ bˈawam. xˈɨba bˈɨm tamtˈɛndɨ ɲʲɛ pʃˈɛʃwa, ɡdˈɨbɨ ɲʲɛ lˈɔrt rˈɔbɛrt.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_103.wav|i tˈak ˈɔtɔ jˈɛɡɔ tsˈurka znˈuf mˈɔɡwa xˈɔdʑitɕ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_41.wav|wutʃɲˈitsɨ mˈɔɡɔ̃...|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_62.wav|vˌɨpatrˈujɛ ˌɔpuʃtʃˈɔnɛj ɔswˈɔnɨ pʃˌɛtɕifswɔnˈɛtʃnɛj, ˌɔzdɔbjˈɔnɛj tʃˈɨmʑ ʑɛlˈɔnɨm, ˈalbɔ fstˈɔ̃ʃki pˌɔvʲɛvajˈɔntsɛj ˈu klˈamki.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_27.wav|ʒˈɛbɨ dˈɔjʑdʑ dɔ klˈubu, musˈimɨ vˈɨjʑdʑ bˈɔtʃnɔ̃ brˈamɔ̃ i pʃˈɛjɕtɕ alˈɛjkɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_67.wav|pʃˌɛtɕɛʃ ɔn mˈa zˈɛ stˈɔ lˈat.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_145.wav|bʲˈillɨ krˈɛɲtɕi nɔɡˈami, ˈaʃ mˈajtki zjɛʒdʒˈajɔ̃ mu dɔ kˈɔstɛk, vɨxˈɔdʑi z ɲˈix i ɔdʒˈutsa jˈɛ kɔpɲʲˈɛɲtɕɛm na bˈɔk, jˈak w jˈakimɕ kɔʃmˈarnɨm, vˌɔdɛvilˈɔvɨm numˈɛʒɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_369.wav|ɡdˈɨ ktˈɔɕ pˈatʃɨ, kʲˈɛdɨ ɕpjˈɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_109.wav|tˈɔm dˈɔbʒɛ vʲˈɛdʑaw, tsˈɔ sˌuɡɛrɔvˈawa bˈɛtskɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_7.wav|pˈatʃɛ nˈaɲʲɔ̃ z ˌɔbɔjɛntnˈɔɕtɕɔ̃. ɲʲɛ dɔtʃˈɛka ɕɛ ˈɔdɛ mɲʲɛ ʒadnˈɛɡɔ pˌɨtajɔntsˈɛɡɔ spɔjʒˈɛɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_35.wav|jˈɛɕli tˈu ˈumrɛ, tsˈɔ ɕɛ stˈaɲʲɛ z mɔˈimi dʑˈɛtɕmi?|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_20.wav|tˈaɲʲa ɕˈiwa rɔbˈɔtʃa. kɔlˈɛjnɨ dˈɔvut nˈatɔ, ʒˈɛ xˈɔff jɛst f tˌarapˈatax. i tɔ pɔvˈaʒnɨx, jˈɛɕli sˈam pɔnˈɔɕi kˈɔʃtɨ, fˌuŋktsjɔnɔvˈaɲʲa budˈɨŋku.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_31.wav|f kˈɔɲtsu vɨdˈawam na tɛn skafˈandɛr mnˈustfɔ pʲɛɲʲˈɛndʑɨ. bˈɨwbɨ tɔː ˌidɛˈalnɨ spʃˈɛnt, ɡdˈɨbɨ ɲʲɛ navˈaliw akˈurat pˈɔttʃas mɔjˈɛɡɔː ˌɛɡzamˈinu.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_103.wav|xˈɛrp rˈɔdu xwɔpˈaka.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_190.wav|i zdrˈadʑiw sfˈɔ̃ nˈɔvɔ̃ kɕɛ̃ʒɲˈitʃkɛ, bˈɨ zˌadɔɕtɕutʃˈɨɲidʑ zazdrˈadɛ stˈarɛj.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_185.wav|znˈɔvu bwɨsnˈɛwɔː i zaɡʒmʲˈawɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_61.wav|— prˌɔpɔnˈujɛʃ mi tsˈɔʑ w zvʲˈɔ̃sku s tˈɨm?|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_105.wav|mˈawɔ ktˈɔ mˈa ɔkˈazjɛ zmʲˈɛʒɨtɕ i pʃɛlˈitʃɨtɕ mˈiwɔɕtɕ sfɔjˈɛɡɔː ˈɔjtsa.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_270.wav|pˈanuj nat tfˈaʒɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_99.wav|pʲˈɔntɛ pʃˈɛz dʑɛɕˈɔntɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_90.wav|mˈam mnˈustfɔ kɔntˈaktuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_97.wav|kˈɔlɛɕ mˈa na sˈɔbjɛ jaskrˈavɔ tʃɛrvˈɔnɨ pˌɔtkɔʃˈulɛk i ʒˈuwtɨ kˈask, ktˌurɨ w rˈaʑɛ zdɛʒˈɛɲʲa zˈɛ zbˈɔtʃɛm ɡˈurɨ ɡˈuvnɔ mu pɔmˈɔʒɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_66.wav|vʲˈɛm, ʒˈɛ dˈɔm ɲʲɛ pɔzvˈɔli mi tˈam zˈɔstatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_78.wav|xtsˈɛ na ɲʲˈɛɡɔ nakʃˈɨtʃɛtɕ, pɔvʲˈɛdʑɛtɕ mu, ʒˈɛ jɛzd ɡwˈuptsɛm i ʒˈɛ na ʃˈali lˈɛʒɨ ʒˈɨtɕɛ mˈili, kʲˈɛdɨ rɔzlˈɛɡa ɕɛ dʑvˈɔnɛɡ dɔ dʒvˈi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_63.wav|tɔ bˌɨwɨ strˈaʃnɛ tʃˈasɨ, a spˈikɛ zdˌɛtsɨdɔvˈawa, ʒˈɛ tɔ kˈɔɲʲɛts, zvwˈaʃtʃa dla mɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_61.wav|i tsˈɔ jɛst tɔ̃ drˈɔɡɔ̃?|0
+Dataset/wavs/urwisko_ferenc/51_segment_36.wav|kˈurva, vˈɛstxnɔw tˈɛxɲik. tsˈɔ tɕi lˈudʑɛ mˌajɔ̃ w ɡwˈɔvax, ʒˈɛ zˌapɔminˈajɔ̃ ɔ vwˈasnɨɣ dʑˈɛtɕax?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_52.wav|fʃˈɨstkɔ tɔ mʲˈawɔ dɔpʲˈɛrɔ nˈadɛjɕtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_85.wav|zˌauvˈaʒam tˈɛʃ fˌɔtɔɡrˈafjɛ pʃˌɨklɛjˈɔnɔ̃ dɔ jˈɛɡɔ skʃˈɨŋki z nˌaʒɛɲdʑˈami.|3
+Dataset/wavs/urwisko_ferenc/12_segment_120.wav|dˈɔbʒɛ znˈaliɕtɕˌɛ ɕɛ s xˌudʑiɲskˈimi? zˌapɨtˈawa pˌɔlitsjˈantka.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_304.wav|tɔ bˌɨwa mˈɨɕl tˈak radˈɔsna, ʒˈɛ viktˈarjɔn mˈuɕaw pˈɔpitɕ jˈɔ̃ vˈinɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_154.wav|tɔ bˌɛɲdʑɛ trˈudnɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_123.wav|mˈɔʒɛ tɨm vwˈaɕɲʲɛ jɛst pisˈaɲʲɛ? tˈakʲɛ, ktˌurɛ naprˈavdɛ tsˈɔʑ znˈatʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_289.wav|spalˈili fʃˈɨstkɔː ˈɔprudʒ zˈamku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_99.wav|zˈɛrka zˈɛ fstˈɨdɛm na rɨsˈunɛɡ davˈɛa flɛmˈiŋɡa lɛʒˈɔntsɨ na stɔlˈiku nˈɔtsnɨm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_6.wav|na ɔbʒˈɛʒax tsɔˈuɲtɕil blˈuvvz vɨpʃˈɛdʑiw nˈas pɛndʑˈɔntsɨ samˈɔxut s klˈawnɛm i bˌalɛtɲˈitsɔ̃ na tˈɨlnɨm ɕɛdʑˈɛɲʲu.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_145.wav|lˈɔrt mˌɛrɨvɛˈatxɛr mˈa rˈatsjɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_20.wav|vɨdˈajɛ mi ɕɛ, ʒˈɛ bˈɛtskɨ rɔzmˈavja pʃˈɛz zˈɛstav ɡwˌɔɕnɔmuvʲˈɔntsɨ i prɔvˈadʑi, vʲˈɛnts pˈɛvɲʲɛ ɲʲɛ swˈɨʃɨ, ʒˈɛ tˈɛʃ ɕˈɛdʑɛ f sˌamɔxˈɔdʑɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_88.wav|ɲˈilɛ ɔtxˈɨliw ɕɛ dɔ tˈɨwu i zawˈɔʒɨw rˈɛntsɛ na pʲˈɛrɕi.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_14.wav|tɔ trˌadɨtsˈɨjna xˈusta, ktˌurɔ̃ kɔbjˈɛtɨ islˈamu zˌaswaɲʲˈajɔ̃ dˈɔlnɔ̃ tʃˈɛɲɕtɕ tfˈaʒɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_11.wav|a kʲˈɛdɨ sxˈɔdʑɛ na dˈuw pɔ sxˈɔdax, tʃˈujɛ...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_74.wav|vʒutɕˈimɨ tɔ dɔ bˈazɨ dˈanɨx i zˌɔbatʃˈɨmɨ, tʃɨ pɔjˈavi ɕɛ trafjˈɛɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_59.wav|zapˈɨtaw, tʃɨ planˈujɛ fpakˈɔvatɕ ɕɛ w jˈakʲɛɕ kwɔpˈɔtɨ.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_422.wav|ˌalɛ lˈɔras jɛst rˈannɨ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_359.wav|dʑɛftʃˈɨna nˌajvɨrˈaʑɲʲɛj ɲʲɛ pˌɔtrafˈiwa rɔspˈɔznatɕ sarkˈazmu. nastˈɛmpnɨm rˈazɛm tɨ i tˈɔmmɛn muɕˈitɕɛ vˈɨbratɕ ɕɛ z nˈami.|1
+Dataset/wavs/urwisko_ferenc/55_segment_65.wav|strˈaʃna çistˈɔrja.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_6.wav|spʃˈɛdatɕ tʃɨ pˈɔzbɨtɕ ɕɛ w ˈinnɨ spˈɔsup?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_8.wav|rˈɔp natˈɨxmʲast skʲɛrˈɔvaw tˈam samˈɔxut i pɔstˈaviw sprˈavɛ jˈasnɔ. jˈɛɕli mˈarta jɛzd w dˈɔmu, tɔ mˈa tˈam pɔzˈɔstatɕ ˈaʒ dɔ jˈɛɡɔ pʃɨbˈɨtɕa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_124.wav|xwˈɔpʲɛdʑ zakwˈutɕiwbˌɨ rˌuvnɔvˈaɡɛ, a dɔmˈiɲik ɲʲˈɛmʲawbˌɨ jˈuʃ sfˈɔjɛj ˌidɛˈalnɛj rɔdʑˈinɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_181.wav|— pˈɛvɲʲɛ. sfɔbˈɔda ɔbrˈutɕiw ɡwˈɔvɛ, ʒˈɛbɨ nˈamɲʲɛ spˈɔjʒɛtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_86.wav|tˈɔm ɲʲˈɛznaw ˌɔtpɔvʲˈɛdʑi nˈatɔ pɨtˈaɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_92.wav|ɲʲɛ zˈɛ zwˈɔɕtɕi na ˈɔjtsa. ɲˈits s tɨɣ ʒˈɛtʃɨ. pɔ prˈɔstu stˈaram ɕɛ rˈadʑitɕ sˈɔbjɛ pɔ sfɔjˈɛmu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_11.wav|pˈaɲʲɛ lˈɔtskridʒ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_6.wav|bʲˈili ˌɔdvzajˈɛmɲʲa ˈuɕtɕizɡ z rˈuvnɔ̃ mˈɔtsɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_122.wav|ɡrˌaɲitʃˈɔntsɔ̃ s pɛvnˈɔɕtɕɔ̃, mˈuvi bʲˈillɨ. ɡɔtˈɔva?|2
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_101.wav|jˈaɡ ɡaŋkstˈɛʒɨ pˈɛwnɔ̃ ɡˈɛmbɔ̃, mˈɨɕli ˈɛlis.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_146.wav|sprˌɔvadʑˈajɔ̃ ɡˈɔ z ʑˈɛmi w ɔɡrˈɔmnɨx tsɨstˈɛrnax.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_226.wav|zˌapravʲˈɔnɔ krfjˈɔ̃ bˌazɨlˈiʃka.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_51.wav|tɔ vʲˈɛntsɛj ˌinfɔrmˈatsji, ɲˈiʃ xtɕˈaw ˈɔdɛ mɲʲɛ uzˈɨskatɕ.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_45.wav|nˈarbɔ zrˈɛntʃɲʲɛ ɔbrˈabjaw lˈudʑɔm kʲɛʃˈɛɲʲɛ, ˌalɛ ɲʲˈɛmʲaw ʃtʃˈɛɲɕtɕa dɔ kˈurɛf.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_5.wav|tɛn xwˈɔpaɡ bˈɨw pˈɛwɛn ˌɛntuzjˈazmu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_61.wav|vʲˈɛntsɛj ix ɲʲɛ vidʑˈɛli.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_14.wav|kwˈɔmp trfˈawɨx fˈal, ɲʲˌɛzɲiʃtʃˈalnɨ ˈɔttɕisk na zmarzlˈiɲʲɛ ɲʲˌɛskɔɲtʃɔnˈɔɕtɕi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_50.wav|tʃɨ dˈarjus radʑˈavi stˈaw ɕɛ tsˈɛlɛm ɔkˈupu?|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_186.wav|ftsˈalɛ ɡˈɔ tɔ ɲʲɛ rˈaʑi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_8.wav|dʒˈɛva twumˈiwɨ ɔdɡwˈɔsɨ s pɔblˈiskiɣ drˈuk i tˈɔm bˈɨw ɡˈɔtuf ˌɔtʃɛkˈivatɕ ptˈaɕix trˈɛli.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_221.wav|zdjˈɔw kˈask i vaxlˈɔvaw ɲˈim pʃˈɛs xfˈilɛ spɔtsˈɔnɔ̃ tfˈaʃ.|0
+Dataset/wavs/urwisko_ferenc/19_segment_33.wav|ɲʲˈɛx pˈaɲi jˈɛɡɔ zapˈɨta.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_32.wav|ˌalɛ zapˈɛvɲʲam tɕˈɛ, ʒˈɛ ɲʲɛ bˌɛndɛ mʲˈaw ɡˈɔ s tˈɔbɔ̃, ˈɛlis.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_26.wav|jˈuʃ ftʃˈɛɕɲʲɛj tʃˈuwam na sˈɔbjɛ jˈɛɡɔ spɔjʒˈɛɲʲɛ. pɔvʲˈɛdʑaw, ʒˈɛ ɲʲɛ bˌɛɲdʑɛ tʃˈɛkaw w ɲʲˌɛskɔɲtʃˈɔnɔɕtɕ. prˈɔʃɛ, muɕˈitɕɛ ɡˈɔ znˈalɛɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_205.wav|dlatʃˈɛɡɔ... dlatʃˈɛɡɔ ɕɛ ɕmʲˈɛjɛʃ?|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_115.wav|pɔd varˈuŋkʲɛm, ʒˈɛ fstˈaɲʲɛʒ z wˈɔʒa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_44.wav|tɔː ˌɔɲi sɔ̃ pʃɨtʃˈɨnɔ̃ tˌɛɡɔ fʃɨstkʲˈɛɡɔ, tsˈɔ rˈɔbjɛ? fʃˈɨstkɔ dʑˈɛjɛ ɕɛ z mˈɨɕlɔ̃ ɔ ɲˈix.|3
+Dataset/wavs/urwisko_ferenc/36_segment_42.wav|— jˌɛstɛɕ ɲʲɛzvˈɨklɛ ɕˈilnɔ̃ kɔbjˈɛtɔ̃ — pˌɔxfalˈiwa jˈɔ̃ raʃˈɛja, a xˈɛrman pɔtʃˈuwa pʲɛtʃˈɛɲʲɛ pɔt pˌɔvʲɛkˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_27.wav|pɔvˈinnam bˌɨwa zawˈɔʒɨdʑ ɡˈɔɡlɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_76.wav|pˌɔvʲɛdʑˈawa znˈuf, dˌɔtɨkˈajɔnts jˈɛɡɔ tfˈaʒɨ. zatɕˈisnɔw zˈɛmbɨ, ɲʲˈɛxtsɔnts ɕɛ skʃˈɨvitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_129.wav|ˈɛlis skwˈada jˈɛ i xˈɔva dɔ sfˈɔjɛj tɔrˈɛpki. f pɔkˈɔju zastˈajɛ bʲillʲˈɛɡɔ lˌɛʒɔntsˈɛɡɔ na wˈuʃku.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_43.wav|zvratsˈajɔnts ɕɛ ɲʲˈɛmal plɛtsˈami dɔ stsɛptˈɔru.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_55.wav|— jˈasna xɔlˈɛra — ʒutɕˈiwa bˈɛtskɨ. — tɔ ɲʲɛ dla mɲʲɛ. ɲʲɛ lˈubjɛ, jˈak ktˈɔɕ mʲˈɛʃa mi w ɡwˈɔvʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_221.wav|tɔ jɛst ˌɔkrutɲʲˈɛjʃa trutɕˈizna, ˌalɛ zˈatɔ ɲʲˈɛma smˈaku i zapˈaxu, vʲˈɛnts wˈatfʲɛj mˈɔʒna jˈɔ̃ ˈukrɨtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_94.wav|vɨtɕˈɔŋɡam rˈɛntsɛ i xfˈɨtam jˈɛɡɔ dwˈɔɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_76.wav|pˌɔkazˈawa drɛvɲʲˈanɨ tabˈɔrɛt. pˈɔdam pˈanu ɡɔrˈɔntsɛj xɛrbˈatɨ. dˈɔbʒɛ pˈanu zrˈɔbʲi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_127.wav|a tsˈɔ s tfˈɔjɔ̃ mˈamɔ̃?|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_129.wav|ɲʲɛ nˈaʃa vˈina, ʒˈɛ jɛwˈɔpɨ zrɔbʲˈiwɨ ˈɔtfur za zwˈɛj strˈɔnɨ, bˈurknɔw tˈak ˈɔdɔ mɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_145.wav|fʃˈɨstkɔ pɔxˈɔdʑi s sˌupɛrmarkˈɛtu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_18.wav|ˈɛlis sprˈavdʑa tsˈɔɕ f tˌɛlɛfˈɔɲʲɛ, pɔ tʃɨm pˌilɔtˈujɛ bʲillʲˈɛɡɔ dɔ bʲˈik tˈɔmmɨs, xɔtˈɛlu s kasˈɨnɛm vɛ fsxˈɔdɲim lˈaz vˈɛɡas.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_202.wav|vʲˈɛŋkʃɔʑdʑ bˌɨwa zwɔtˈɛɡɔ kɔlˈɔru.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_19.wav|ˌalɛ ɔn jɛst mˈuj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_254.wav|pˈustɨ pˈɔkuj. tɕˌɛmnɔʃˈara lampˈɛrja ɔbjˈɛɡa nˈaɡʲɛ ɕtɕˈanɨ. ktˈɔɕ tsˈɔʑ vˌɨdrapˈɨvaw na tɛj ʃarˈɔɕtɕi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_11.wav|tʃɨ pamjˈɛnta pˈan, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ mˌiɲʲɔnˈɛɡɔ vʲɛtʃˈɔru?|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_225.wav|ɲʲˈɛxtsɛ vɨxˈɔdʑitɕ, dɔpˈuki ɕɲʲˈaki ɲʲɛ zɲˈiknɔ̃, mˈuvi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_7.wav|tˈɔm pɔmˈɨɕlaw jˈɛdnak, ʒˈɛ pʃɨtʃˈɨna bˌɨwa bˈardʑɛj prˌɔzaˈitʃna i znˌajdɔvˈawa ɕɛ f tɛj ʃklanˈɛtʃtsɛ, ktˌurɔ̃ ˌɔpruʒɲˈiwa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_17.wav|ˌɔdmuvˈiwa ˌɔtpɔvʲˈɛdʑi na pɨtˈaɲʲɛ ɔ jˈɛɡɔ tɔʃsˈamɔɕtɕ.|4
+Dataset/wavs/urwisko_ferenc/27_segment_88.wav|ɲʲɛ vɨdˈavaw ɕɛ pʃˌɛkɔnˈanɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_93.wav|tɔ bˌɨwɔ dˈɔsɨtɕ prˈɔstɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_11.wav|f tɛj xfˈili jˈɛdnak stanˈɔvjɛ dla ɲʲˈɛɡɔ zˌaɡrɔʒˈɛɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_107.wav|bʲˈillɨ ɲʲɛ ˈidʑɛ spˈatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_62.wav|ˌalɛ ɲʲɛ xˈɔdʑi tˌɨlkɔː ˈɔtɔ.|2
+Dataset/wavs/urwisko_ferenc/51_segment_1.wav|ˌalɛ jˌɛdnɔtʃˈɛɕɲʲɛ ˌɛnɛrɡʲˈitʃnɨ i zˌaintˌɛrɛsɔvˈanɨ tˈɨm, tsˈɔ ɡˈɔ tʃɛkˈawɔ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_170.wav|brjˈɛnnɛ tɔ vidʑˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_242.wav|z drˈuɡʲɛj strˈɔnɨ ulˈitsɨ ftɕˈɔ̃ʒ dˌɔbjɛɡˈawɨ sˈɛrjɛ skˌarabʲˈinuf i kʃˈɨki dʒˌɔnnɨˈɛɡɔ tsˈapsa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_23.wav|mˈama pˌɔvʲɛdʑˈawa, ɲˈiɡdɨ pˈan ɲʲˈɛbɨw w mˈɔim pˌɔwɔʒˈɛɲʲu.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_58.wav|ˌudɛʒˈɛɲʲɛ sˈɛrtsa pˈuʑɲʲɛj, pɔː ˈɔbu jɛj strˈɔnax pˌɔjavˈiwɨ ɕɛ dvʲˈɛ mɲʲˈɛjʃɛ ɡalˈɛrɨ pʃˌɨpɔmˌinajˈɔntsɛ pˈarɛ xˈartuf pˌɔdɔ̃ʒajˈɔntsɨx tˈuʒ za pˈanɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_446.wav|tˌɛɡɔ vˌɨmɨɕlɔnˈɛɡɔ pʃˈɛs lˈudʑi ɲʲˈɛba.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_142.wav|ɲʲɛ nˈazvɛ iɣ vilkˈami. vˈilki sɔ̃ ʃlˌaxɛtɲʲˈɛjʃɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_134.wav|f kˈɔɲtsu pˈɔdɲʲuz ɡwˈɔvɛ i spˈɔjʒaw nˈamɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_261.wav|xˈɔdʑ vwˈɔsɨ lˈadɨ mˈarjɛ nˌaznatʃˈɨwɨ pˈasɛm kˌaɕɛvˈiznɨ, nˈadal pˌɔzɔstavˈawa ˌatraktsˈɨjnɔ̃ kɔbjˈɛtɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_84.wav|bˈardʑɔ mi pʃˈɨkrɔ, ˌalɛ mˈuʃɛ zˈadatɕ pˈaɲi kˈilka pˈɨtaɲ, sˈara.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_401.wav|i vˈɨʃɛd z namjˈɔtu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_174.wav|zˈɔstawbˌɨ z ɲˈitʃɨm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_329.wav|tɔ jˈɛdnɔ jɛst pˈɛvnɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_122.wav|klˈɛrki kʃˈɨtʃaw, prˈavda?|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_13.wav|tʃɨ vˌilkɔʒˈɨtsa sˌɛrdɛrmˈɔta?|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_300.wav|pˌɔlɛvˈajɔnts mʲˈɔdɛm krˈɔmkɛ jˈɛʃtʃɛ tɕɛpwˈɛɡɔ, rˌazɔvˈɛɡɔ xlˈɛba.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_23.wav|tˈak jˈak mˈuviw jɛj mˈɔ̃ʃ, fʃˈɨstkɔ ʃwˈɔ pʃˈɛz vˈifˈi ˈalbɔ dˈanɛ kˌɔmurkˈɔvɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_24.wav|tʃˈujɛ, jˈaɡbɨm bˌɨwa w jˈakimɕ ɕɲʲˈɛ, pˈɔza sfˈɔim tɕˈawɛm.|4
+Dataset/wavs/urwisko_ferenc/42_segment_92.wav|lˈɛɡnɛr pˈɨtaw ɔ tɕˈɛbjɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_4.wav|rˈaʒɔnts ix ɕilnˈɨmi ɕfʲatwˈami.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_93.wav|spɔtkˈali ɕɛ na vˈɨspʲɛ na pˈudʒɛt sˈɔunt i tˈam dɔbʲˈili tˈarɡu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_105.wav|za nˈaɡʲim ˈɔknɛm spˈawɔ mʲˈastɔ. tʃˈarnɨ tɕˈɛɲ pawˈatsu vˈaliw ɕɛ na dˈaxɨ dˈɔmuf.|0
+Dataset/wavs/urwisko_ferenc/18_segment_39.wav|ˈɔtʃɨ mˈaltsa fpˌatrɨvˈawɨ ɕɛ f pˌɔlitsjˈanta, ktˌurɨ uɕmʲˈɛxnɔw ɕɛ na vˈidɔɡ zdʑivʲˈɔnɛj mˈinɨ xwˈɔptsa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_121.wav|pʃɨvʲˈɛzwam dʑˈiɕ trˈɔxɛ ˈubraɲ, vʲˈɛnts ɲʲɛ mˈuʃɛ vrˈatsadʑ dɔ dˈɔmu pʃˈɛs jˈakiɕ tʃˈas.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_136.wav|a mˈɔʒɛ umˈarwa ɔt rˈazu, jˈak tˌɨlkɔ vˈalnɔw jˈɔ̃ ɡʲˈipsɛm w ɡwˈɔvɛ i pˌɔlɛtɕˈawa na ɕtɕˈanɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_153.wav|ˈɛdʲisɔn kˈiva ɡwˈɔvɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_106.wav|xˈɔdʑmɨ lˈɛpʲɛj jɛj pˌɔtɔvaʒˈɨʃɨtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_156.wav|pʃˈɛkrɔ mi tˈɨlkɔ, ʒˈɛ ɲʲɛ bˌɛɲdʑɛ mɲʲɛ pʃɨ nˌarɔdʑˈinax mɔjˈɛɡɔ vnˈuka lˈub vnˈutʃki.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_78.wav|kɔɲʲˈɛtʃɲʲɛ. swɨʃˈawɛm, ʒˈɛ mˈɔʒna tˈam pˈɔdɛjɕtɕ f skafˈandʒɛ. mˈɨɕliʃ, ʒˈɛ pˌɔviɲʲˈɛnɛm ɕɛ ʃˈarpnɔɲtɕ na tˌaki spˈatsɛr?|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_437.wav|tˈɛraz bˈawa ɕɛ rˈuvɲʲɛʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_5.wav|pˈɔtɛm fstɔmpˈiwam dɔ salˈɔnu frˌɨzjɛrskʲˈɛɡɔ na ʃˈɨpkʲɛ tʃɛsˈaɲʲɛ i vˌualˈa!|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_85.wav|lˈɔrt stˈanɲis stˈara ɕɛ pɔzˈɨskatɕ lˈudʑi s puwnˈɔtsɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_7.wav|zˈɛ vzɡlˈɛndu na alfjˈɛɡɔ bˌɛndɔ̃ ʃˈukatɕ jˈɛʃtʃɛ ˌintɛnsˈɨvɲʲɛj, zˌaɲʲɛpˌɔkɔjˈɛɲi zˌaɡʲiɲʲˈɛɲtɕɛm dʑˈɛtska pʃˌɛbɨvˌajɔntsˈɛɡɔ w ˌɔbɛtsnˈɔɕtɕi kˈɔɡɔɕ, kˈɔɡɔ pˌɔdɛjʒɛvˈajɔ̃ ɔ mɔrdˈɛrstfɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_25.wav|kɔbjˈɛta ɔpstˈavja pʲˈɛrʃɨ zˈakwat, tˈaɡ zvˈanɔ̃ mˈawɔ̃ tɕˈɛmnɔ̃, a xwˈɔpak rˌɛaɡˈujɛ dˈuʒɔ̃ tɕˈɛmnɔ̃, pɔt tʃɨm kˈartɨ zɔstˈajɔ̃ rɔzdˈanɛ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_81.wav|vɨɡˈarnɔw jˈakiɕ pˌɔɕivʲˈawɨ zbrˈɔjnɨ. tɛn xɔlˈɛrnɨ krˌulɔbˈujtsa, xwɔpˈaki!|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_67.wav|zvʲadˈɔftsɨ sˈɛr adˈama zˌamɛldɔvˈali, ʒˈɛ brˈama xarˈɛnxal jɛzd zamkɲʲˈɛnta.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_117.wav|bʲˌiliznˈufka, ʒˈɛ mu stˈulitɕ pˈɨsk i ˈidʑɛ za kanˈapɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_96.wav|i vrˈutɕiw dɔ sfˈɛɡɔ pɔswˈaɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_11.wav|bˈɨw mwˈɔdɨ i ˌurɔdʑˈivɨ. tʃɨ tɔ mɔʒlˈivɛ, ʒˈɛ tsˈɔɕ ɕɛ zˈatɨm krˈɨjɛ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_563.wav|pˌɔxɨlˈiwa ɕɛ nadˈɛmnɔ̃, patʃˈɨwa dwˈuɡɔ w mˈɔjɛ ˈɔtʃɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_108.wav|dˈalɛ ˈuɲʲus ʃklˈaŋkɛ jˈaɡ dɔ tɔˈastu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_236.wav|litfˈiŋka ɔdˈɛʃwa w miltʃˈɛɲʲu f strˈɔnɛ alˈɛjki.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_216.wav|alˈain ˌutɕɛʃˈɨwa ɕɛ, ʒˈɛ ubrˈawa ɕɛ tˈak tɕˈɛpwɔ.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_42.wav|xˈatɨ dla kˈɔbjɛd znˌajdɔvˈawɨ ɕɛ pɔ fsxˈɔdɲʲɛj strˈɔɲʲɛ vˈɨspɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_146.wav|mɔʒˈɛmɨ xˈɔtɕaʃ pɔjˈɛxatɕ pɔ bˈutɨ, jˈak ˌɔbjɛtsˈawaɕ, nˈavɛt jˈɛɕli ɲʲɛ kupˈimɨ ubrˈaɲʲa dɔ ʃkˈɔwɨ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_167.wav|bˈɔ bˌɨwa zˌatrudɲʲˈɔna ˈu ɲʲˈɛɡɔ na stˈawɛ. mˈawɔ tˈɛɡɔ, jɛst tʃwˈɔŋkʲɛm rɔdʑˈinɨ. tsˈawkʲɛm zabˈavnɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_83.wav|ɡdˈɨbɨ ɲʲɛ ta dˈata, ˈaktsɛnt i imjˈɔna.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_17.wav|ʒˈadnɨx ˌinfɔrmˈatsji na tˈɛmad zˌavartˈɔɕtɕi ˌaɲi pˈuŋktu dˌɔrɛntʃˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_297.wav|kˈaʒdɛ dʑˈɛtskɔ w vɛstˈɛrɔs swɨʃˈawɔː ˈɔtɨm, jˈak kɕˈɔ̃ʒɛ ˈɛmɔn smˈɔtʃɨ rˈɨtsɛʒ brˈɔɲiw sfˈɛj ɕˈɔstrɨ, krulˈɔvɛj naˈɛrɨ, spʃˈɛt ˌɔskarʒɛɲʲˈami sˈɛr mɔrɡʲˈila.|1
+Dataset/wavs/urwisko_ferenc/42_segment_87.wav|pˈaɲi pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃. vʲˈɛnts mˈɔʒɛ tɔ ɲʲɛprˈavda, mˈɔʒɛ fskazˈawa ɡˈɔ ftˈɛdɨ, a ɔn prubˈujɛ ɕɛ nˈaɲʲɛj zˈɛmɕtɕitɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_353.wav|jɛj vɨsxɲʲˈɛnta tfˈaʃ s pʲˌɔnɔvˈɨmi, pʃˌɛraʒajˈɔntsɔ dwuɡʲˈimi zmarʃtʃkˈami pɔkrˈɨta bˌɨwa jˈakimɕ upʲˈɔrnɨm, brɔ̃zˈɔvɨm mˌakijˈaʒɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_295.wav|pˈawats kultˈurɨ, na ktˌurɨ tʃˈɛ̃stɔ pˈatʃɛ i ɲˈits w ɲˈim ɲʲɛ vˈidʑɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_216.wav|a zˈatɛm bˈardʑɛj tʃwɔvʲˈɛtʃɛ i tɕɛʃˈɨwɛm ɕɛ, ʒˈɛ bjˈɔdra zdˈajɔ̃ ɕɛ...|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_194.wav|zdrˈada jɛzd zdrˈadɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_228.wav|ɕˈilnɨ dʑˈik mˈuɕaw jˈɔ̃ ɔttɕˈɔŋɡnɔɲtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_222.wav|ˈalbɔ pʃɨlˈɛtɕaw dɔː artˈɛmis pɔt fawʃˈɨvɨm nazvˈiskʲɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_59.wav|ɲʲˈɛvʲɛm, ˈilɛ zɔstˈawɔ mi tʃˈasu, ˌalɛ ɲˈikt f prˈatsɨ ɲʲˈɛma pɔjˈɛɲtɕa, ɡdʑˈɛ mʲˈɛʃkam, vʲˈɛnts pɔlˈitsja ɲʲɛ znˈajdʑɛ mɲʲɛ za ʃˈɨpkɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_318.wav|vˌɨdavˈawɨ ɕɛ zwˈɔtɛ, a ˈandɛrsɔn pˈatʃɨw xfˈilɛ na jˈɛɡɔ jˈasnɔ̃ kɔʃˈulɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_206.wav|ˌalɛ ˈulɡa!|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_302.wav|ja pˈaɲi nazvˈiskɔ skˈɔntɕ pamjˈɛntam.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_264.wav|sˈɛr xˈarɨs jɛst krulˈɛfskim nˌamjɛstɲˈikʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_129.wav|ɔtfˈɔʒɨw dʒvˈi pʲˌɛkarɲˈika i buxnˈɛwɔ vʲˈɛntsɛj dˈɨmu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_21.wav|ɲʲɛ pɔdjˈɛʒdʒam bˌɛspɔɕrˈɛdɲʲɔ pɔd dʒvˈi vɛjɕtɕˈɔvɛ. ɲʲˈɛxtsɛ, bˈɨ vʲˈɛdʑaw, ʒˈɛ tˈu jˈɛstɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_414.wav|vʲˈɛnts ɔtpˈuʃtʃaʃ sˈɔbjɛ drˈuɡʲɛ pˈivɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_156.wav|tˈak tɔː ˈujɔw. vrutɕˈili dɔ ʒˈɨtɕa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_111.wav|rˈɔbʲiʃ tɔː ɔt tʃˈasu, kʲˈɛdɨ zʒutɕˈiwɛɕ mˈundur.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_124.wav|nˈɔː i prˈɔʃɛ, a im vʲˈɛntsɛj lˈudʑi, tɨm vʲˈɛŋkʃɛ zˌapɔtʃˌɛbɔvˈaɲʲɛ na kˌɔntrabˈandɛ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_201.wav|pʃˈɨɡrɨs kˈɔɲʲɛdʑ vˈɔ̃sa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_48.wav|ɲʲˈɛma tˈu ʒadnˈɛɡɔː innˈɛɡɔ rɔbˈɛrta, tˌɨlkɔ stsˈɔtt, vʲˈɛnts jˈɛɕli tɔ jɛzd brˈadlɛj, a pˌamjɛntˈajmɨ, ʒˈɛ tɔ naprˈavdɛ vʲˈɛlkʲɛ jˈɛɕli.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_444.wav|tɔ bˈɨ tɕi ˌɔtpɔvʲadˈawɔ, prˈavda?|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_52.wav|tˈu jˈɛstɛɕ!|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_157.wav|w ɕrˈɔtku bˌɨwɔ kˈilka butˈɛlɛɡ z rɛʃtkˈami ˌalkɔxˈɔlu na dɲʲˈɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_381.wav|ˌutɕiʃˈɛɲʲɛ ɡwˈɔdu ʒˌɨtɕɔvˈɛɡɔ, ˌɔswabjˈɛɲʲɛ pɔpˈɛnduf, apˈatja zmˌɛntʃɔnˈɛɡɔː ˌɔrɡaɲˈizmu.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_176.wav|xˈarɨ s pɛvnˈɔɕtɕɔ̃ pɔtrˈafi bˈɨtɕ tʃˌarujˈɔntsɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_175.wav|jɛj mˈina mˈuvi, ʒˈɛ xˈɔtɕ uvˈaʒa starˈɛɡɔ ɡˈada za skɔɲtʃˈɔnɔ̃ ɡɲˈidɛ, tɔ xtsˈɛ vʲˈɛʒɨtɕ, ʒˈɛ jˈɛɡɔ dˌɛmɔrˌalizˈatsja mˈa sfˈɔjɛ ɡraɲˈitsɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_34.wav|ˌɔznajmˈiwa lˈutsɨ ˌɔdvratsˈajɔnts ɕɛ na mˈɔmɛnt ɔt sfɔjˈɛɡɔ bratɕˈiʃka.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_111.wav|nˈamjɔt ɔtfˈartɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_163.wav|f pɔʒˈɔntku, mˈuvi bˈaki tɕˈixɔ. rɔzˈumjɛm, tɔ kfˈɛstja xɔnˈɔru.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_120.wav|tɔ dˈana ˈɛdʲisɔn ɲʲˌɛpɔkˈɔiw jˈɛɡɔ najbˈardʑɛj.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_9.wav|ɕˈadam zˈɛ zvʲɛʃˈɔnɔ̃ ɡwˈɔvɔ̃, prubˈujɔnts skˌɔntsɛntrˈɔvatɕ ɕɛ na tʃˈɨmɕ ˈinnɨm ɲˈiʃ tɕˈɔŋɡwa i ta sˈama mˈɨɕl dˌɔtɨtʃˈɔntsa mɔjˈɛɡɔ dʑˈɛtska.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_4.wav|vʲɛdʑˈawa, ʒˈɛ drˈɛj jɛj prˈaɡɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_157.wav|fskazˈujɛ ktɕˈukʲɛm w ɡˈurɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_204.wav|a mɲʲɛ ɕɛ zdˈawɔ.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_132.wav|kapˈitan dʑɛftʃˈɨnɨ z ɡˈaltawn vʑˈɔw brjˈɛnnɛ za kˈurvɛ i ɔznˈajmiw jɛj, ʒˈɛ jˈɛɡɔ stˈatɛk tɔ ɲʲɛ zˈamtus.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_640.wav|pɔmˈɔʒɛʃ mi, prˈavda?|0
+Dataset/wavs/urwisko_ferenc/49_segment_41.wav|lɛkˈarka pˌɔtfʲɛrdʑˈiwa.|0
+Dataset/wavs/urwisko_ferenc/04_segment_87.wav|pɔlˈitsjant ˌɔtpɔvʲˈɛdʑaw pɨtˈaɲʲɛm na pɨtˈaɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_15.wav|pɔvˈɨʒɛj i pɔɲˈiʒɛj jɛj pˌɔmalɔvˈanɨx na tɕˌɛmnɔtʃɛrvˈɔnɨ kˈɔlɔr ˈuzd vˈidadʑ ɡwɛmbˈɔkʲɛ zmˈarʃtʃki, ˌalɛ fpwatɕˈiwa fpisˈɔvɛ, ʒˈɛbɨ…|3
+Dataset/wavs/urwisko_ferenc/49_segment_76.wav|zˈatɛm jɛj zˌaɡʲiɲʲˈɛɲtɕɛ mˈɔɡwɔ mʲˈɛtɕ pɔdwˈɔʒɛ sˌamɔbˈujtʃɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_192.wav|bˈɔ tɔ dla mɲʲɛ vˈaʒnɛ, mˈuvi xˈɔff.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_104.wav|fspɔmɲʲˈɛɲʲa pˌɔvratsˈajɔ̃ jˈɛdnɔ za drˈuɡʲim i tʃɨ mˈɔʒɛ jˈɛ fʃˈɨstkʲɛ spˈisatɕ, nˈavɛt jˈakɔ bˈɛnji kˈɔmpsɔn?|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_17.wav|bʲˈillɨ pɔxˈɨla ɕɛ nat kˈɔʃɛm, ɔdʒˈutsa pˌapʲɛrˈɔvɛ rɛntʃɲˈiki na bˈɔk i vɨjmˈujɛ pʃɛbrˈaɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_104.wav|ɲʲɛ dˈajɛ rˈadɨ dɔjˈɛxadʑ dɔ sˈamɛj ɡraɲˈitsɨ pˌɛnsɨlvˈaɲʲi, ˌalɛ zˌatʃɨmˈujɛ ɕɛ na mˈawɨm parkˈiŋɡu w ɡmˈiɲʲɛ nˈɛtkɔŋk.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_6.wav|tˈaɡ vʲˈɛlɛ rˈazɨ xtɕˈawam ˌɔpɔvʲˈɛdʑɛtɕ mu ɔ tsˌamɛrˈɔɲʲɛ, jaɡɡˈɛʒɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_51.wav|ɲˈiɡd z ulˈitsɨ ɲʲˈɛmuɡw ɡˈɔ zɔbˈatʃɨtɕ, ˌalɛ tsˈɔ nˌajvaʒɲʲˈɛjʃɛ, ɲʲɛ vidʑˈawa ɡˈɔ rˈuvɲʲɛʃ jˈɔɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_137.wav|ɲʲɛ mˌamɨ dˈuʒɔ tʃˈasu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_31.wav|ɲʲɛ muɕˈɛli dwˈuɡɔ tʃˈɛkatɕ na ɔtpˈɔvʲɛtɕ s puwnˈɔtsnɛj vˈali.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_178.wav|— tˈɛn, ktˌurɨ ʒˈɛɡna ɕɛ pʃɛd vˈalkɔ̃, tɛn sˈam. znˈaʒ ɡˈɔ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_114.wav|ɲʲɛ, jˈudɨ, ftsˈalɛ ɲʲɛ, mɲʲɛ tˈam ɲʲɛ bˈɨwɔ. tɔ mˈuj ˈutʃɛɲ rˈɔzbʲiw tɛn samˈɔlɔt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_192.wav|dɔ mʲɛʃkˈaɲʲa f sˌutɛrˈɛɲʲɛ vrˈatsa z zadˈɨʃkɔ̃, ˌalɛ pʃˈɨtɨm jɛst rˌɔzluʑɲʲˈɔnɨ i rɔzɡʒˈanɨ. tʃˈujɛ ɕɛ na ɕˈiwax pˈisatɕ jˈɛʃtʃɛ ɡɔdʑˈinɛ, mˈɔʒɛ nˈavɛd dvʲˈɛ.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_300.wav|pˌɔlɛtɕˈiwa xwˈɔptsu pɔ ɕɲʲadˈaɲʲu.|1
+Dataset/wavs/urwisko_ferenc/59_segment_105.wav|mʲˈɛjstsɛ ˌɔdnalɛʑˈɛɲʲa zvwˈɔɡ dʑˈɛtska.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_30.wav|jˈɛɕli zˈatʃɲʲɛ sˈɨpatɕ ɕɲʲˈɛk,|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_138.wav|ɔznˈajmiw pɔtˈɛ̃ʒɲʲɛ zbˌudɔvˈanɨ mɛ̃ʃtʃˈɨzna. tɔː ˈɔna!|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_6.wav|zbˈɔtʃa pˌɔkrɨvˈawɨ tarˈasɨ pˈul.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_22.wav|ɲˈikt ɲˈiɡdɨ ɲʲɛ mˈɔʒɛ jɛj pˈɔznatɕ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_287.wav|ɲʲɛ pɔzvˈɔlɔ̃ mi nˈatɔ.|1
+Dataset/wavs/urwisko_ferenc/64_segment_114.wav|prˌɔkurˈatɔr tʃˈɨmaw nat sˈɔbɔ̃ parˈasɔl, s kturˌɛɡɔ spwɨvˈawɨ strˈuɡʲi dˈɛʃtʃu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_168.wav|zrˈuʃa rˌamjɔnˈami.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_343.wav|uwˈɔʒɨw ɕɛ na jɛj pɔlˈitʃku.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_15.wav|zˈafʃɛ pˌilnɔvˈawam tˈɛɡɔ, ʒˈɛbɨ mˈuj bjurˈɔvɨ ˈimidʒ bˈɨw surˈɔvɨ, z zˌatʃɛsanˈɨmi dɔ tˈɨwu vwɔsˈami i ˌɔkularˈami w ɡrˈubɨx ɔprˈafkax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_173.wav|kʲˈɛdɨ vratsˈaliɕmˌɨ dɔ kˈɔʃar, pˈatrɔl vɨjˈɛxaw bˈɛs nˈas, tˈak ɔ zapˈɨtaw, tʃɨ jˌɛstɛm pˈɛvʲɛn, ʒˈɛ dˈam rˈadɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_390.wav|tˈak, ˌalɛ ɲʲˈɛx pˈan ˈɔtɨm ɲʲɛ mˈɨɕli. za pˈarɛ dɲˈi pʃˈɨjdɔ̃ tˈu lˈudʑɛ i zˈɛtnɔ̃ jˈɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_183.wav|ɲʲɛ zˌastanˈavja ɕɛ ˌaɲi xfˈili.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_445.wav|sˈɛr jˈɔt. ɲʲˈɛma prˈavɛj rˈɛŋki.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_79.wav|a zˈaɲim vˌɨjɛxˈawam dɔ ʃkˈɔwɨ rˈaŋkʲɛm, ɲʲɛ mʲˈawam ɔkˈazji jˈuʃ mu ɲitʃˈɛɡɔ pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_52.wav|pˌɔruvnˈamɨ vˈaʃɛ zɛznˈaɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_122.wav|vʲˈɛ pˈaɲi, dˈɔkɔnt pɔjˈɛxaw?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_34.wav|mˈuʃɛ zadʑvˈɔɲidʑ dɔ ʃˈɛfa, sˈarax. pʃˈɨkrɔ mi s tˌɛɡɔ pɔvˈɔdu. tɔ ɲʲɛ pɔvˈinnɔ ɕɛ vɨdˈaʒɨtɕ. prˈɔʃɛ f t�� fʃˈɨstkɔ ɲʲɛ vʲˈɛʒɨtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_54.wav|za plɛtsˈami turˈɨstuv w ɡwˈɛmbʲi xˈali bˈɔp lˈɛvis i dvˈaj tʃwɔŋkˈɔvʲɛ ɡʲˈildji stˈali ˌɔbɔɡ dʒvˈi z napˈisɛm spatsˈɛrɨ lunˈarnɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_60.wav|jˈɛʃtʃɛ xfˈilɛ vɨtʃˈɨmaj. zˈaras pʃɨjˈɛdʑɛ karˈɛtka.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_381.wav|ɲʲɛ mˈɔɡɔndʑ vɨkʃtˈuɕitɕ swˈɔva, fskazˈawam nalˈɛvaɡ dɔ pˈiva. bʲˈillɨ xʃˈɔŋknɔw i napˈɛwɲiw pˌuwlitrˈɔvɔ̃ ʃklˈaŋkɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_52.wav|muɕˈawɛm vʑˈɔɲtɕ jˈɛ na rˌɛkɔlˈɛktsjɛ, ˌɔpɔvʲˈadaw prɛzˈɨdɛnt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_5.wav|pˈɔtɛm ɔdvʲˈɛdʑa tʃˈɨ rˈuʒnɛ sklˈɛpɨ ɕɛtɕˈɔvɛ i kupˈujɛ jˈɛʃtʃɛ tʃˈɨ laptˈɔpɨ. fʃˈɨstkʲɛ za ɡɔtˈufkɛ, fʃˈɨstkʲɛ ɲʲˌɛmarkˈɔvɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_88.wav|jˈakiɕ tʃwˈɔvʲɛk ɔ tfˈaʒɨ ɲʲˌɛʃtʃɛɲɕlivˈɛɡɔ sˌɨfilˈitɨkˌa sadˈɨstɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_57.wav|ɔddˈɨxaw ʃˈɨpkɔ, pˌɔlɛvˈajɔnts tɕˈawɔ ʑˈimnɔ̃ vˈɔdɔ̃ i ɔpˈuɕtɕiw ɡwˈɔvɛ, pˈatʃɔnts na strˈuʃki spwˌɨvajˈɔntsɛ pɔ jˈɛɡɔ nˈɔɡax na pwˈɨtki.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_242.wav|ˌɔna vʲˈɛ, ʒˈɛ jˌɛstɛm ɲʲɛvˈinnɨ. ɔː ˈilɛ jˌɛstɛm ɲʲɛvˈinnɨ?|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_97.wav|kɔlˈɛjnɨ ˈɛtap mɔjˈɛɡɔ plˈanu ɕɛ pˈɔvʲud çˌixɔtˈawam jˈak mˈawa dʑɛftʃˈɨŋka. f kˈɔɲtsu jˌɛstɛm dʑɛftʃˈɨŋkɔ̃, vʲˈɛnts mi vˈɔlnɔ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_211.wav|tɔ prˈavda, ˌalɛ ɲʲɛ sˈɔndʑɛ, ʒˈɛbɨ nˈaʃ pʲˈɛs ɔddˈaliw ɕɛ zbˈɨtɲʲɔː ɔt jɛj ˈujɕtɕa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_15.wav|tsˈɔ mˈɔɡwabˌɨm rˈɔbʲitɕ f tɨm ˈɔptsɨm ɕfʲˈɛtɕɛ, ɔ ktˌurɨm tˈak ɲʲɛvʲˈɛlɛ vʲɛdʑˈawam?|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_115.wav|ɲˈits. ɡrˈam na kˌɔmputˈɛʒɛ.|2
+Dataset/wavs/urwisko_ferenc/12_segment_168.wav|i bˈardʑɔ ɕɛ stˈaraw zaxˈɔvatɕ spˈɔkuj.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_63.wav|jˈɛɕli xtsˈɛʃ, mˈɔʒɛʃ pʃˈɨjɔɲtɕ mˈɔjɔ̃ rˌɛzɨɡnˈatsjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_3.wav|pɔ vˌɨswuxˈaɲʲu vɨjˈaɕɲʲɛɲ mˌamɨ na tˈɨlnɛj kanˈapʲɛ naʃˈɛɡɔ nɔvˈɛɡɔ sˌamɔxˈɔdu sprˌubɔvˈawam strˈɔitɕ mɲʲˈɛj fˈɔxuf.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_170.wav|pʃɛbrˈawam ɕɛ w nɔrmˈalnɨ strˈuj, ˌalɛ ftɕˈɔ̃ʃ mʲˈawam mˈɔjɔ̃ kurˈɛfskɔ̃ frɨzˈurɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_18.wav|vʲˈɛ pˈan ˈɔtɨm, ʒˈɛ...|3
+Dataset/wavs/urwisko_ferenc/59_segment_99.wav|pˈɔtɛm zˌadʑawˈawa fˈizɨkˌa. jˈɛntka ftʃɛpˈiwa ɕɛ ˌɔdnuʒˈami vˈɛvnɔntʃ kʲɛʃˈɔŋki i ɲʲɛ bˌɨwa f stˈaɲʲɛ ɕɛ vɨdˈɔstatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_160.wav|ˌalɛ tɔ ɲˈits.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_277.wav|ɲʲɛ mʲˌawɛm ʒˈadnɨɣ vzˈɔrtsuf, a dɔ tˌɛɡɔ vɨbrˈawɛm dla nˈas ɲʲɛwˈatfɔ̃ drˈɔɡɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_60.wav|ɲʲɛ mˈuvjɛ ɲˈidʑ vʲˈɛntsɛj w ɔbˈavʲɛ pʃɛd drʒˈɛɲʲɛm ɡwˈɔsu. xfˈɨtam tˌɨlkɔ tˈɔrbɛ na ɕiwˈɔvɲi i rˈuʃam f strˈɔnɛ dʒvˈi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_325.wav|ˈalbɔː ɔdvrˈɔtɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_14.wav|zmʲˈɛɲʲa pˈas, ʒˈɛbɨ mɲʲɛ vɨpʃˈɛdʑitɕ, a fˌuŋktsjɔnˈarjuʒ za kʲˌɛrɔvɲˈitsɔ̃ zˈɛrka w mˈɔjɔ̃ strˈɔnɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_23.wav|tʃɨ pɔvˈinnam pɔvʲˈɛdʑɛtɕ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_24.wav|kʲˈɛdɨ pɛɲdʑˈili vʲɛjskˈimi drɔɡˈami, znˈuv zazwˈɔɲiw kˈit.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_35.wav|zadʑvˈɔɲiw tɛlˈɛfɔn bˈɛtskɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_402.wav|ˈalbɔ mˈɔɡɛ jˈutrɔ zapˈɔmɲʲɛtɕ i vrˈutɕidʑ dɔ sfˈɛɡɔ lɛtˈarɡu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_136.wav|ɲʲˈɛma tˈakʲɛj ʃˈansɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_8.wav|a mˈɔʒɛ i ˌɔna xtɕˈawabˌɨ uswˈɨʃɛtɕ jˈɛɡɔ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_75.wav|ɡdˈɨbɨm pˈɔʃwa na pɔlˈitsjɛ pɔː utɕˈɛtʃtsɛ z dˈɔmu,|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_35.wav|bˈɔ pʃˌɛtɕɛʃ mˈɔɡwam tˈam zɡʲˈinɔɲtɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_161.wav|ɔbʲˈijaʃ ɕɛ tˌɨlkɔ vˌɨɡrɨvˈajɔnts pɔ stˈuvʲɛ, tˈu tʃɨ tˈam.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_187.wav|tɕˈi, ktˌuʒɨ tˌɛɡɔ zaprˈaɡnɔ̃,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_27.wav|dlatʃˈɛɡɔ ɲʲɛ pɔzvˈɔliʃ mi zˈɔstatɕ na kˈilka nˈɔtsɨ?|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_46.wav|jˈasnɛ. sfɔbˈɔda ɕˈɛŋɡnɔw pɔː ˈinnɛ ˌuʒɔndʑˈɛɲʲɛ i ˈujɔw jˈɛ w dwˈɔɲ.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_75.wav|jˈɛɡɔ tɕˌɛmnɔvwˈɔsɨ tɔvˈaʒɨʃ uɕmʲˈɛxnɔw ɕɛ i pɔvʲˈɛdʑaw tsˈɔɕ pɔ bravˈɔsku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_291.wav|jˈakɔ tˈɨtuw pʃɛlˈɛvu fpisˈanɔ tˌɨlkɔ za vˌɨɕfʲattʃˈɔnɛ uswˈuɡʲi.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_290.wav|ˈarjan zatʃˈɛwa vˈalitɕ f pɔdwˈɔɡɛ pʲˈɛntɔ̃ sandˈawa, a ɡdˈɨ ɲˈikt jɛj ɲʲɛ ˌɔtpɔvʲˈɛdʑaw, vˌɨxɨlˈiwa ɕɛ pʃˈɛs ˈɔknɔː i spɔjʒˈawa w dˈuw.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_215.wav|znˈanɨ jˈakɔ bwɛŋkˈitnɨ bˈart.|1
+Dataset/wavs/urwisko_ferenc/41_segment_18.wav|tɕˈiʃa tɛ̃ʒˈawa f swuxˈaftsɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_12.wav|maʃ rˈatsjɛ. tɔ jɛst nˈudnɛ, prˈavda? pˈɔza tˈɨm, tɨ jˌɛstɛɕ tˈu ʃˈɛfɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_161.wav|i pˌɔʃtʃɛɡˈulnɛ pʃɨpˈatki zdaʒˈajɔ̃ ɕɛ s pɛvnˈɔɕtɕɔ̃ w amˈɛrɨtsˌɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_274.wav|vʲˈɛm, ʒˈɛ tɔ fʃˈɨstkɔ bˌɛɲdʑɛ dla tɕˈɛbjɛ bˈardʑɔ trˈudnɛ, ˌalɛ jˌɛstɛɕ mˈɔndrɔ̃ dʑɛftʃˈɨŋkɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_187.wav|kʲˈɛdɨ vɨkˈɔna zlɛtsˈɛɲʲɛ i ɔdbjˈɛʒɛ zapwˈatɛ, rɔspˈɔtʃɲʲɛ nˈɔvɛ ʒˈɨtɕɛ. mˈɔʒɛ jˈakɔ dˈaltɔn smˈitx, mˈɔʒɛ jˈakɔ ktˈɔɕ ˈinnɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_51.wav|w lˈɛvɨm nˌarɔʒɲˈiku vɨɕfʲˈɛtla ɕɛ tfˈaʃ naˈila.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_71.wav|jɛj brvˈi uɲʲˈɔswɨ ɕɛ ɲʲˈɛmal dɔ sufˈitu, ˌalɛ skinˈɛwa ɡwˈɔvɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_212.wav|jˈɛɡɔ ɡwˈɔva bˌɨwa vʲˈɛlka i kaɲtɕˈasta, spɔjʒˈɛɲʲɛ sprˈɨtnɛ, a tʃɛrvˈɔnɨ nˈɔxal pˌɔkrɨvˈawɨ drˈɔbnɛ ʒˈɨwki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_143.wav|jɛst tˈɛʃ fˌɔtɔɡrˈafja ˌuɕmʲɛxɲʲɛntˈɛɡɔ nˌastɔlˈatka bˈɛs kɔʃˈuli, mˈɔʒɛ jɛj xwɔpˈaka s tʃˈasuf lˌitsɛˈalnɨx.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_17.wav|kʲˈɛdɨ rɔdʑˈitsɛ pˌɔʒutɕˈili jˈuʃ fʃˈɛlkɔ̃ nadʑˈɛjɛ na dʑˈɛtskɔ,|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_151.wav|zabrˈanɔ jˈɔ̃ dɔ ʃpitˈala rˈɔtsklant mɛmˈɔrjal i pɔː ˌɔpatʃˈɛɲʲu rˈanɨ ɡwˈɔvɨ vˌɨpisˈanɔ dɔ dˈɔmu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_114.wav|ɲˈikt tˈutaj ɲʲɛ nˈɔɕiw bˈutuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_74.wav|a ɡdˈɨbɨ ktˈɔʑ valˈiskɛ pʃɛʃˈukaw i znˈalas tˈɛ kɕˈɔ̃ʃkɛ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_85.wav|xtsˈɛʃ pɔjˈɛxadʑ dɔː ˈabu txˈabʲi, prˈavda?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_16.wav|ktˌura z ɲˈix tɔ pravdʑˈiva jˈa? dˌɨrɛktˈɔrka i nˌautʃɨtɕˈɛlka, ɲʲˌɛzavˈɔdna, ʃtʃˈɛra i ˌasɛrtˈɨvna, mˈatka, tʃˈuwa, kˌɔxajˈɔntsa i vraʒlˈiva, ʒˈɔna?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_40.wav|dˈɔn lɛʒˈawa skulˈɔna na wˈuʃku z ustˈami zˌatɕiɕɲʲɛntˈɨmi f tɕˈɛŋkɔ̃ lˈiɲʲɛ i spˌɔ̃sɔvʲawˈɨmi pˌɔlitʃkˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_83.wav|pɔrˈuʃa ɕɛ tʃɨ jɛst w jˈɛdnɨm mʲˈɛjstsu?|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_123.wav|vˈɨxɔtɕ, dˈana, mˈuvi. jˈɛɕli tɔ zrˈɔbʲiʃ, mˈɔʒɛ pʃɛʒˈɨjɛʃ. jˈɛɕli ɲʲɛ, zabʲˈijɛ tɕˈɛ na pˈɛvnɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_98.wav|tsˈɔ ɕɛ ftˈɛdɨ stˈaɲʲɛ z mˈɔjɔ̃ mˈawɔ̃ dʑɛftʃˈɨŋkɔ̃?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_31.wav|pʃˈɛs xfˈilɛ sw��ɨxatɕ tˌɨlkɔː ɔdɡwˈɔsɨ twˈa w jˈakimʑ zˌatwɔtʃˈɔnɨm mʲˈɛjstsu.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_136.wav|varknˈɛwa jˈɛɡɔ ʒˈɔna.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_255.wav|ˈandɛrsɔn ɔdvrˈutɕiw ɕɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_44.wav|skɔɲtʃˈɨwɨ mu ɕɛ pʲɛɲʲˈɔndʑɛ, a mˈɔʒɛ ktˈɔʑ zapwˈatɕiw vʲˈɛntsɛj.|4
+Dataset/wavs/urwisko_ferenc/60_segment_12.wav|tˈak pɔdˈɔbnɔ vɨʃˈarpaw jˈɛ tɛj kɔbjˈɛtɕɛ z ɡwˈɔvɨ. s tˈɛɡɔ, tsˈɔ muvˈili, w jˈɛdnɨm pʃɨpˈatku nˈavɛt s tsɛbˈulkɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_256.wav|a ɔdvrˈutɕiw ɕɛ dɔpʲˈɛrɔ ftˈɛdɨ, kʲˈɛdɨ xundˈɛbawx ˌiˈi pɔwˈɔʒɨw mu dwˈɔɲ na ramjˈɛɲʲu.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_127.wav|tʃɨ tɕiɕɲʲˈɛɲʲɛ ɲʲɛ bˌɛɲdʑɛ ɔdrˈɨvatɕ krˈɔpɛl i fpˈɨxatɕ iɣ dɔ vnˈɛntʃa?|4
+Dataset/wavs/urwisko_ferenc/18_segment_63.wav|dʑˈawɔ ɕɛ tsˈɔɕ na ɡrˈupʲɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_8.wav|ɲʲɛ, ˌɔtpisˈawam.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_24.wav|muɕˈɛlibˌɨ bˈɨtɕ ʃalˈɛɲi, ʒˈɛbɨ zˌaatakˈɔvatɕ tˈak ɕˈilnɨ ˈɔddʑaw. ʃalˈɛɲi ˈalbɔ bˈardʑɔ vˌɨɡwɔdɲʲˈali.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_139.wav|trˈudʑiw ɕɛ pʃɨ kɔpˈaɲʲu ɡrˈɔbu.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_101.wav|pˌɔvʲadˈajɔ̃, ʒˈɛ dʒaxˈɛrɨs sˈɨpʲaw tˈu zˈɛ sfˈɔjɔ̃ krulˈɔvɔ̃ pˈɔttʃas pɔdrˈuʒɨ pɔ krulˈɛstfʲɛ.|1
+Dataset/wavs/urwisko_ferenc/47_segment_39.wav|dwˈuɡɔ ɲʲɛ mˈɔɡwa dˈɔjʑdʑ dɔ ɕˈɛbjɛ, ˈaʃ f kˈɔɲtsu zˌapɨtˈawa, tʃɨ tɔ mɔʒlˈivɛ, ʒˈɛ fpˈadwaɕ w nˈawuk pʃˈɛzɲʲɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_212.wav|xˈɔtɕ. fsunˈɔwɛm zˈiɡa za pˈas i zˌawɔʒˈɨwɛm tɔrˈɛpkɛ na jɛj rˈamjɛ. musˈimɨ ˈiɕtɕ.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_336.wav|zwˈapaw sˈama za vˈamz vʲˈɛlkɔ̃ tʃˈarnɔ̃ dwˈɔɲʲɔ̃ i pɔstˈaviw ɡˈɔ na nˈɔɡʲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_44.wav|ɲʲɛ tˌɨlkɔ tsˈɔlin tɔ filmˈujɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_30.wav|tʃˈɛɕtɕ, bʲˈillɨ tsɔppˈɛlat. tɕˈɛʃɛ ɕɛ, ʒˈɛ tɕˈɛ vˈidʑɛ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_67.wav|zˌauvaʒˈɨwa, w jˈaki spˈɔsup tˈɨɕɔnts ɔkrˈɛntuf mˈɔɡwɔ jˈɔ̃ pɔkˈɔnatɕ ɲʲˌɛpɔstʃɛʒˈɛɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_206.wav|mˈuj ˈɔjtɕɛdʑ bˈɨw rɨtsˈɛʒɛm i jˈɛɡɔː ˈɔjtɕɛts pʃˈɛdɲim.|1
+Dataset/wavs/urwisko_ferenc/65_segment_188.wav|ɔtʃˈɛdwɛm ɔd bˈaɕki vˈɨznaw tɕˈixɔː i dˈalɛj ɡˈapiw ɕɛ na drˈɔɡɛ|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_222.wav|ktˌurɨ lˈɛkaʃ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_195.wav|stˈarɨ jˈɔɛj rɔzbrˈɔiw nˌapastɲˈika i zwˈamaw mu rˈɛŋkɛ w nadɡˈarstku, ˌalɛ skˈɔrɔ jˈɛdɛn sprubˈɔvaw, pˈɛvɲʲɛ znˌalazwˈɔbɨ ɕɛ kˌilkunˈastu ˈinnɨx xˈɛntnɨx.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_196.wav|pˌɔviɲʲˈɛnɛm rˌɛdaɡˈɔvatɕ kˌalɛndˈaʒɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_81.wav|i ɲʲɛ lˈubjɛ ɲitʃˈɛɡɔ pʃɛt tˈɔbɔ̃ ukrˈɨvatɕ, xˈɨba, ʒˈɛ tɔː ˌapsɔlˈutɲʲɛ kɔɲʲˈɛtʃnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_149.wav|tʃɛkˈajɔnts, ˈaʃ ɲʲˌɛprɔʃˈɔnɨ ɡˈɔɕtɕ ɕɛ ɔdvrˈutɕi, pʃɨbjˈɛra mˈinɛ sfɔjˈɛɡɔ ɡwˌupavˈɛɡɔ jˈa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_142.wav|tʃɨ sˈɔɲdʑiʃ, ʒˈɛ ɡdˈɨbɨ ʒˈɨw, pɔzvˈɔliwbˌɨ nˈam tɕˈɛrpʲɛtɕ pɔ jˈɛɡɔ strˈatɕɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_109.wav|lˈubjɛ tɕˈɛ, ˈanɔ. vɨdˈajɛʃ ɕɛ vˌɨstartʃajˈɔntsɔ ʃtʃˈɛra.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_26.wav|vˌɨstartʃˈɨwɔ jˈɛdnaɡ zapˈɛvnɛ, ʒˈɛbɨ jˈɔ̃ spɔvˈɔlɲitɕ, ʒˈɛbɨ ɕɛ ɲʲɛ brɔɲˈiwa.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_85.wav|bˈɔ mɛ̃ʃtʃˈɨʑɲi tˈɛʃ lˈubjɔ̃ mˈɔdnɛ dɔdˈatki, tˌɨlkɔ pɔ prˈɔstu ɕɛ dɔ tˌɛɡɔ ɲʲɛ pʃɨznˈajɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_6.wav|bˈɔ pʃˌɛtɕɛʒ vˈɛdwuɡ butskʲˈɛɡɔ mˈa ˌupɔdɔbˈaɲʲɛ dɔː ˈawt, pʃˌɨpɔmˈina sˈɔbjɛ bʲˈillɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_42.wav|jˈɛɕli skˌ��ɲtʃɨwˈɨɕtɕɛ, tɔ pɔzvˈultɕɛ jɛj ɔtpˈɔtʃɔɲtɕ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_359.wav|mˈimɔ tɔ pɔtʃˈɛba bˌɨwɔ jˈɛʃtʃɛ tʃtˈɛrɛɣ dɲˈi i dvˈux kɔmpʲˈɛli, bˈɨ tsˈɛdra nˌalɛʒˈawa dɔ ɲʲˈɛj.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_311.wav|vʲˈɛʒɛ ˌɔblɛ̃ʒɲˈitʃɛ, drabʲˈinɨ, tˈaran dɔ rɔzbʲˈitɕa brˈamɨ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_82.wav|ɲʲˈɛx mɲʲɛ vˌɨruxˈajɔ̃ vwˈutʃɲʲɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_408.wav|kˌɔxaŋkˈɔvʲɛ najpˈɛvɲʲɛj ɕɛ ɲʲɛ pʃɨznˈajɔ̃, vʲˈɛdʑɔnts, ʒˈɛ ˌɔɲi rˈuvɲʲɛʃ stratɕˈilibˌɨ ɡwˈɔvɨ. xˈɨba, ʒˈɛ...|1
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_88.wav|kimkˈɔlvʲɛɡ bˌɨli tɕi dvˈɔjɛ, s pɛvnˈɔɕtɕɔ̃ ɲʲɛ sɔ̃ tɔ nˈaɕi ɡɛɲʲˈuʃɛ zbrˈɔdɲi stɔjˈɔntsɨ za pɔrvˈaɲʲɛm, ˌuprɔvadʑˈɛɲʲɛm tʃɨ tsɔkˈɔlvʲɛk tɔ jˈɛst.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_303.wav|nazˈɨvam ɕɛ lˈuba.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_10.wav|ja jˈuʃ ɲˈits ɲʲɛ bˌɛndɛ mˈuviw, ɲʲˈɛx sˈɔbjɛ rˈɔbjɔ̃ tsˈɔ xtsˈɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_183.wav|tsawˈɔvatɕ ɕɛ i ɡrˈatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_239.wav|ɲˈiɡdɨ ɲʲɛ vidʑˈawam ɡˈɔ tˈaɡ vzbˌuʒɔnˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_4.wav|ɲʲɛ ˌɔtpɔvʲɛdʑˈawaɕ na ʒˈadɛn z mˈɔix maˈili.|4
+Dataset/wavs/urwisko_ferenc/17_segment_32.wav|mˈiwɔʑdʑ zˈafʃɛ zvɨtɕˈɛ̃ʒɨ ɲʲɛnˈaviɕtɕ, mˈavʲaw jɛj ˈɔjtɕɛts.|0
+Dataset/wavs/urwisko_ferenc/29_segment_3.wav|pˈɛvɲʲɛ latˈawɔː ix tˈu kˈilka.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_136.wav|tɕˈuxɨ sɔ̃ dˈɔbrɛ, ˌalɛ vaʒɲʲˈɛjʃɛ jɛst frɨzˈura, tɛn kˈutsɨk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_76.wav|pʃˈɛs xfˈilɛ mɨɕlˈawɛm, ʒˈɛ tˌɛɡɔ ɲʲɛ zrˈɔbʲi. pˈɔtɛm pˌɔdvinˈɛwa sukʲˈɛŋkɛ dɔ pˈasa, ftɕˈɔ̃ʃ ɲʲɛ pɔdnˈɔʃɔndʑ vzrˈɔku.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_9.wav|zˈabjɛʒ zˈɛ sˈɔbɔ̃ rˈɔba. ɲʲɛ lˈitʃɔnts tɕˈɛbjɛ, tˌɨlkɔː ɔn mʲˈaw stˈɨtʃnɔʑdʑ z jˈɔɛ, vʲˈɛnts tˈaɡ bˌɛɲdʑɛ xˈɨba najlˈɛpʲɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_47.wav|stˈaɲik lˈɛʒɨ pɔt stɔlˈikʲɛm, ramjˈɔntʃkɔ pˈɛŋkwɔ.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_76.wav|ɡdˈɨ ʒˈadnɛj ɲʲɛ znalˈɛʑli.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_118.wav|ɲʲɛ zanˈudʑaw tɛn prɛzˈɨdɛnt?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_423.wav|pˈan jɛzd bˈardʑɔ pɔdˈɔbnɨ dɔ pɛvnˈɛɡɔː aktˈɔra.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_14.wav|mˈama s pɛvnˈɔɕtɕɔ̃ pʃˌɨɡɔtɔvˈujɛ lˈantʃ f kˈuxɲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_87.wav|nˈɔ tɔ bˌɨwɔ krˈuxɔ, ˌɔdɛzvˈawam ɕɛ, kʲˈɛdɨ zdjˈɔw mi xˈɛwm. ˈɔmal ɲʲɛ zɡʲinˈɛwaɕ, tʃˈɛba bˌɨwɔ swˈuxatɕ mˈɔix instrˈuktsji.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_94.wav|ʃˈata jˈɛɡɔ bjˈawa jˈak ɕɲʲˈɛk.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_218.wav|jˈak pˈan xtsˈɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_241.wav|skˈɔrɔ jˈuʃ ˈɔtɨm mˈɔva, tsˈɔ ɕɛ dʑˈɛjɛ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_33.wav|mˈuvi ɲˈiskim i kˌɔntrɔlɔvˈanɨm ɡwˈɔsɛm i pɔ rˈas pʲˈɛrʃɨ, ˈɔtkɔnt pamjˈɛntam, vˈidʑɛ, ʒˈɛ jɛst nˈamɲʲɛ zwˈɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_171.wav|bˈɨw tɔː upʲˈɔrnɨ vˈidɔk.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_167.wav|ɲˈits ʃtʃˌɛɡulnˈɛɡɔ, ˈɔt, ʃˈara brˈɨwka ɔ vˌɨʃtʃɛrbjˈɔnɨx kravˈɛɲdʑax, jˈak tsˈawa rˈɛʃta tɨx kɕˌɛ̃ʒɨtsˈɔvɨx kamjˈɛɲi, na ktˌurɛ dˈɔsɨtɕ ɕɛ nˌapatʃˈɨwam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_84.wav|na tfˈaʒɨ mˌamɨ ˌɔdmalˈɔvaw ɕɛ vˈɨras ʃtʃˈɛrɛj ˈulɡʲi.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_330.wav|lˈɛkkɔ paxɲʲˈawɔ spˌalɛɲˈiznɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_43.wav|jˈak mˈa na ˈimjɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_105.wav|i ɔn mi tɔ fʃˈɨstkɔ pɔftˈuʒɨ. dˈɔbʒɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_244.wav|jɛʒˈɛli nastˈɔmpi dˌɛkɔmprˈɛsja, bˌɛndɛ mˈuɕaw pʃˈɛɲʲɛɕtɕ ɕɛ s pɔvrˈɔtɛm dɔ wazˈika.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_102.wav|na ʑˈɛmi jɛst mnˈustfɔ kˈabli ɕfʲˌatwɔvɔdˈɔvɨx. pʃˌɛtɕinˈajɔ̃ tsˈawɛ kˌɔntɨnˈɛntɨ, lˈɛʒɔ̃ na dɲʲˈɛ ˌɔtsɛˈanuf, ˌɔpasˈujɔ̃ tsˈawɨ ɡlˈɔp.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_13.wav|vwˈaɕɲʲɛ zˌapwatɕˈiwam pˈuw miljˈarda ɡʲˈituv za kɔmbʲˈinat mˌɛtalurɡʲˈitʃnɨ, ktˌurɨ jɛst f stˈaɲʲɛ ruˈinɨ.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_209.wav|f krulˈɛstfʲɛ trfˈa vˈɔjna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_203.wav|tʃɨ zˌaprɔvˈadʑiw xˈɔffa dɔ ɡarˈaʒu pɔt lˈufɔ̃ pˌistɔlˈɛtu?|2
+Dataset/wavs/urwisko_ferenc/38_segment_33.wav|— tsˈɔ tɨ pʲˈɛpʃɨʃ? jˈakix pˌaraɡrˈafuf? — ˌɔbuʒˈɨwa ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_85.wav|tɔ pʃˈɛs trˈipa? vʒˈutɕiw mi tsˈɔʑ dɔ pˈiva? ɡʲˈinu s tɔɲˈikʲɛm? tˌɛɡɔː i tˈɛɡɔ? tɔ xtsˈɛʃ pɔvʲˈɛdʑɛtɕ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_74.wav|ˈɔtʃɨ ʑɛlˈɔnɛ i brɔ̃zˈɔvɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_151.wav|nˈɔ mˈɔʒɛ tˌɨlkɔ ɲʲɛlˈitʃɲi.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_173.wav|zˌapɨtˈawa brjˈɛnnɛ. ɲʲɛ ta vˈɔjna dʑˈɛŋki ɕˈɛdmju.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_76.wav|trˈudnɔ bɨwˈɔbɨ zɲʲˈɛɕtɕ iɣ ɡɲʲˈɛf, a jˈɛʃtʃɛ trˈudɲʲɛj iɣ bˈul i zdumjˈɛɲʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_29.wav|pɔvˈiɲʲɛn znˈatɕ sfˈɔix lˈudʑi, pɔvʲˈɛdʑaw ˈandɛrsɔn tɔ rˈas.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_197.wav|nˈadal bˌɨwa pˈusta, ˌalɛ ɲʲɛ mˈɔɡwam lˈitʃɨtɕ, ʒˈɛ pˈɔtrfa tɔ dwˈuɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_173.wav|a pˈɔtɛm ta stˈara pˈaɲi muvˈiwa dɔ rˌɛpɔrtˈɛruf, tɔ bˈɨw tsˈut.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_37.wav|tɔ xˈɨba ɲʲˌɛmɔʒlˈivɛ. ɲʲˈɛxtsɛ dwˈuʒɛj pˌɔtswuçˈivatɕ, vʲˈɛnts pʃɨxˈɨlam ɕɛ pʃˈɛz bˌalustrˈadɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_47.wav|tɨ fspɔmɲʲˈawɛɕ ɔ sfˈɔim mawʒˈɛɲstfʲɛ, ja tɕi tˌɨlkɔ pˌɔvʲɛdʑˈawɛm, ʒˈɛ tɔ ɲʲɛ bˌɛɲdʑɛ tˈakʲɛ prˈɔstɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_181.wav|dɔmˈiɲik pʃɨtˈuliw mɲʲɛ mˈɔtsnɔ, ˈaʃ f kˈɔɲtsu ɕɛ ˌuspɔkɔˈiwam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_133.wav|i zˈɔstav dˈuʒɨ napˈivɛk pˌɔkɔjˈuftsɛ, bˈɔ tʃˈɛɲɕtɕ fɕˈɔŋkɲʲɛ f pˈɔɕtɕɛl.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_375.wav|i zwˌɔvrɔɡʲˈɛmu spʃɛntˈɔvi.|0
+Dataset/wavs/urwisko_ferenc/55_segment_54.wav|skˈɔnt pˈaɲi vʲˈɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_42.wav|zˌapɛvɲˈiwam ɡˈɔ ʃˈɨpkɔ. ɲʲɛ mˈɔɡɛ ɕɛ dɔtʃˈɛkatɕ, kʲˈɛdɨ ɡˈɔ zvʲˈɛdʑɛ.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_33.wav|tɕi lˈudʑɛ mʲɛʃkˈajɔ̃ ɲʲɛspˈɛwna dʑˈɛɲ drˈɔɡʲi ɔt stˈavu dʑˈɛvits.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_63.wav|bʲˈillɨ zˌauvˈaʒa jˈɛdɛn dˈɔm z vɨbʲˈitɨm ˈɔknɛm, zˌaswɔɲʲˈɛntɨm tɛktˈurɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_148.wav|lˈutsɨ pˌɔkivˈawa ɡwˈɔvɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_5.wav|— jˈɔɛ, trˈudnɔ jɛst mi nˈavɛt sˈɔbjɛ vˌɨɔbrˈazitɕ, tsˈɔ pˈaɲi tʃˈujɛ — pˌɔvʲɛdʑˈawa. — ˌalɛ musˈimɨ pˌɔstɛmpˈɔvatɕ ɔstrˈɔʒɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_40.wav|ɡwˈuvɲʲɛ zbliʒˈɛɲʲa tfˈaʒɨ, pˈarɛ pˌɔkazujˈɔntsɨx jˈɔ̃ tsˈawɔ̃, ˌalɛ f skrˈɔmnɨm strˈɔju.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_21.wav|pˈan jˈɔxanssɔn? jˌɛstɛm nˌadʲinspˈɛktɔr tˈɔm dɔˈuɡlas. ɕɛrʒˈanta kˈambɛ mʲˈaw jˈuʃ pˈan ɔkˈazjɛ pˈɔznatɕ.|3
+Dataset/wavs/urwisko_ferenc/46_segment_145.wav|zɔstˈajɛʃ tʃɨ vrˈatsaʃ? spˈɨtaw bɔrˈɛvitʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_53.wav|pˈan stɛpˈɛnɛk, pˈan spˈɛtsk w jˈɛɡɔː ˌɔpɔvʲˈɛɕtɕi ftˈɛdɨ mˈuviw mu tˈɛ sˈamɔ̃ rˌɨmɔvˈaŋkɛ.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_90.wav|kˈurva ɲʲɛ, pˈaɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_70.wav|ɕˈada na pɔdwˈɔdʑɛ ˌɔbɔk xrapʲˈɔntsɛj, dˌɨɡɔtʃˈɔntsɛj dʑɛftʃˈɨnɨ i vˌɨdwubˈujɛ nˈɔʒɛm dʒˈazɡʲi na tˈɨlɛ, bˈɨ dˈawɔ ɕɛ jˈɛ vɨtɕˈɔŋɡnɔɲtɕ paltsˈami.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_145.wav|kʲˈɛdɨ swˈɔɲtsɛ vzˈɛjdʑɛ, mˌatɕɛ jˈuʃ ɲʲˈɛbɨtɕ w ɔbˈɔʑɛ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_9.wav|lˈɛdʒ ʒˈadɛn s tɨx ˌɛlɛmˈɛntuf ɲʲˈɛbɨw nˈavɛt f pɔwˈɔvʲɛ tˈak tɕˈɛmnɨ, jˈak mrˈɔtʃnɨ vˈɨras tfˈaʒɨ, z jˈakim spɔɡlˈɔndaw na jˌamjɛˈɛɡɔ lˌanɲistˈɛra.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_214.wav|swˈuʃɲʲɛ ɕɛ z jˈɛɡɔ pɔvˈɔdu ɲʲˌɛpɔkˈɔiʃ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_133.wav|tɔ skrˈut ɔd ɡrˈama ˌimpɔrtˌɔvanˈɛɡɔ tɔvˈaru.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_14.wav|bˈɨw zwˈɨm tʃwɔvʲˈɛkʲɛm i nˌalɛʒˈawɔ ɡˈɔ vˌɨɛlˌiminˈɔvatɕ.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_211.wav|jɛj dˈamɨ sɔ̃ murˈami jɛj zˈamku.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_196.wav|lˈɛpʲɛj jˈuʃ ˈitɕ pɔrˈadʑiw mi dʲibˈɔis. i vrˈutɕ, jˈɛɕli bˌɛɲdʑɛʃ pˌɔtʃɛbɔvˈawa ɔxrˈɔnɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_106.wav|tsˈɔ ja mˈam s tˈɔbɔ̃ zrˈɔbʲitɕ, mˈɨɕli bʲˈillɨ? pˈɔvʲɛdʑ dɔ kˈurvɨ nˈɛndʑɨ, tsˈɔ mˈam s tˈɔbɔ̃ zrˈɔbʲitɕ?|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_177.wav|f tfˈɔim wˈɔʒu vˈaʃa lɔrdˈɔfska mˈɔɕtɕ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_76.wav|jˈɛɕli ɲʲɛ muɕˈitɕɛ ɔtfʲˈɛratɕ jɛj maˈili, tɔ f pɔʒˈɔntku.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_178.wav|zˈatʃɔw vrˈɔɲʲɛ ˈɔkɔ, ɡdˈɨ tˈumult ˈutɕix. i tˈɛraz zatʃˈɔwɛm spˈɛwɲʲatɕ ˌɔbjɛtɲˈitsɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_138.wav|ɲʲɛdwˈuɡɔ pˌɔrɔzmavʲˈamɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_33.wav|fʃˈɨstsɨ ˌɔɲi jˈɛdnak ɕɛdʑˈɛli w baɡdˈadʑɛ.|2
+Dataset/wavs/urwisko_ferenc/12_segment_9.wav|ʃanˈɔvaw jˈɔ̃ zˈatɔ, ʒˈɛ davˈawa rˈadɛ.|0
+Dataset/wavs/urwisko_ferenc/59_segment_143.wav|zɔstˈawɨ|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_378.wav|i ɔkrˈɔpnɨx spˈazmuf strˈaxu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_17.wav|ˈɔtʃɨ lˈutsɨ zrɔbʲˈiwɨ ɕɛ ɔkrˈɔŋɡwɛ s pʃˌɛraʒˈɛɲʲa, ˌalɛ ɲˈits ɲʲɛ pˌɔvʲɛdʑˈawa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_90.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_8.wav|pˌɔftaʒˈawa sˈɔbjɛ pɔ rˈas sˈɛtnɨ.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_12.wav|ɲʲˈɛbɨw jˈɛdnak tˌɛɡɔ pˈɛvʲɛn.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_70.wav|ˌɔkazawˈɔbɨ fspuwtʃˈutɕɛ i zrˌɔzumjˈɛɲʲɛ, tfʲˈɛrdʑɔnts, ʒˈɛ fˌantazjˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_283.wav|xtsˈɛ, ʒˈɛbɨɕ ˌuʃkɔdʑˈiwa tɛ kɔmbˈajnɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_135.wav|nˈajpʲɛrf spɔtˈɨkam ɕɛ z ɡvˌawtɕitɕˈɛlɛm, tˈɛras ɕˈɛdʑɛ w mʲɛʃkˈaɲʲu zɨ...|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_11.wav|natɕˈɔŋɡa na dwˈɔɲ rˌɛŋkavˈitsɛ kuxˈɛnnɔ̃, vɨjmˈujɛ zvɛŋɡlˈɔnɛ ʃtʃˈɔntki i mʲˈɛlɛ jˈɛ w rˌɔzdrabɲʲˈatʃu ɔtpˈaduf.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_106.wav|zˌɔrɡaɲizˈujmɨ zˈɛspuw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_43.wav|tɨ jˌɛstɛʑ zˈɛmnɔ̃. ɲʲɛ, xˈɛlɛn, ɲʲˈɛmɨɕl ˈɔtɨm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_21.wav|pˈɔpʃɛtɕ swˈɔva tʃɨnˈami.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_323.wav|ˌalɛ krˈul bˈɨw ɡwˈuxɨ na ɡwˈɔs rɔssˈɔntku dʑˈɛŋki sfˈɛj mˈawɛj krulˈɔvɛj.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_142.wav|ˈɔrtɔn mˌɛrivˈɛtxɛr bˈɨw vɨrˈaʑɲʲɛ zˌaɲʲɛpˌɔkɔjˈɔnɨ. prˌɔstatʃkˈɔvʲɛ lˈubjɔ̃ mˈawɔ̃ krulˈɔvɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_167.wav|bˈɔɲtɕ tˈaka swˈɔtka i nˈalɛj mi trˈɔxɛ vˈina.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_17.wav|mˈɔjɛ rˈuxɨ sɔ̃ bˈardʑɔ ʃtˈɨvnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_173.wav|nˈavɛt jˈɛɕli w dɲʲˈu zabˈujstfa bˌɛɲdʑɛ ɡɔrˈɔntsɔ, ɲikˈɔɡɔ ɲʲɛ zdʑˈivi, ʒˈɛ ɕɛ tɕˈɛpwɔː ˈubraw. uznˈajɔ̃ tɔ za jˈɛʃtʃɛ jˈɛdɛn pʃˈɛjaf jˈɛɡɔː ˌɛkstravaɡˈantsji.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_175.wav|a tsˈuʃ tɔ mˈa fspulnˈɛɡɔ jˈɛdnɔ z drˈuɡʲim? mɲʲɛ, ˌamɛrˌɨkaɲinˈɔvi, ɲʲɛ vˈɔlnɔ mʲˈɛtɕ sˌamɔlˈɔtu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_89.wav|pɔdˈajɛ mu ʃtʃɛɡˈuwɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_177.wav|xtɕˈawabˌɨm tɔ zɔbˈatʃɨtɕ. ɲʲˌɛsamɔvˈitɨ fˈatsɛt, pɔftˈuʒɨw sfɔbˈɔda, tɨm rˈazɛm trˈɔxɛ tɕˈiʃɛj, a z jˈɛɡɔ tfˈaʒɨ zɲˈikw ˈuɕmʲɛx.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_137.wav|tʃɨ pamjˈɛntaʃ, jˈaka ˌɔna jɛst mˈɔkra? ˈilɛ rˈazɨ w ɲʲˈɔ̃ fxˈɔdʑiʃ?|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_34.wav|jˈɛɡɔ vˈarʃtad bˈɨw vwaɕtɕˈivʲɛ ɡarˈaʒɛm, ɡʲˌiɡantˈɨtʃnɨm ɡarˈaʒɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_202.wav|w mˈɔjɛj ˌulubjˈɔnɛj spɛlˈuɲʲɛ fʃˈɨstkɔ tɔtʃˈɨwɔ ɕɛ pɔ starˈɛmu.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_33.wav|pɔtʃˈɛbna mi vˈalka.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_63.wav|pʃɨjˈɛwam bɔjˈɔvɔ̃ pɔstˈavɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_83.wav|w jˈɛdnɛj sprˈavʲɛ ɕɛ ɲʲɛ pɔmˈɨliw.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_155.wav|tɔ nˈam mˈuvi, ʒˈɛ prˈavda.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_63.wav|ˌalɛ ɲʲɛ zrɔzˈumtɕɛ mɲʲɛ ʑlˈɛ.|4
+Dataset/wavs/urwisko_ferenc/03_segment_124.wav|f prˈavɨm ɡˈurnɨm rˈɔɡu zdjˈɛɲtɕa ˌɔdnalˈazwa nˈazvɛ zɛspˈɔwu, vˌɨpisˈanɔ̃ xˌaraktˌɛrɨstˈɨtʃnɨm ɡrˈubɨm fˈɔntɛm.|0
+Dataset/wavs/urwisko_ferenc/58_segment_7.wav|kʲˈɛdɨ? a kʲˈɛdɨ xtsˈɛʃ? jˈutrɔː ɔt rˈana?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_300.wav|ja ɲʲɛ pʃˌɨjɛxˈawɛm tˈu kʃˈɨvdʑitɕ tɕˈɛbjɛ ˈalbɔ kˌɔɡɔkˈɔlvʲɛk innˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_146.wav|tʃasˈami mamrˈɔtaw tsˈɔɕ pʃˈɛs sˈɛn.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_188.wav|nˈadal pˌɔtʃɛbɔvˈawa matsˈɛa tɨrˈɛlla, nˈavɛt jˈɛɕli s xˈɛɲtɕɔ̃ pɔzbˈɨwabˌɨ ɕɛ jˈɛɡɔ tsˈurki.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_99.wav|rɔzˈumjɛm. dˈalɛ zatɕˈisnɔw dwˈɔɲʲɛ w ɡrˈubɨx rˌɛŋkavˈitsax na pɔkrˈɛntlɛ i ɔbrˈutɕiw jˈɛ dɔ kˈɔɲtsa.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_161.wav|dlatʃˈɛɡɔ? zapˈɨtaw dˈalɛ. sprubˈujɛ tɔ vɨjˈaɕɲitɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_28.wav|ɲʲˌɛzalˈɛʒɲʲɛ ɔt tˈɛɡɔ, tsˈɔ rˈɔbʲiʃ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_38.wav|tsˈɔ tɔ mˈa kˈurva fspulnˈɛɡɔ s tˈɨm, ktˈɔ zˈabʲiw jaɡˈɛra?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_139.wav|bˈɔ ɲʲɛ bˌɛɲdʑɛ jˈuʒ dˈalʃɨx kˈu tˌɛmu ɔkˈazji.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_191.wav|pʃˌɨjɛxˈawa pɔlˈitsja i znalˈɛʑli xˈɔffa za kʲˌɛrɔvɲˈitsɔ̃ jˈɛɡɔ vwasnˈɛɡɔ sˌamɔxˈɔdu, stˌɔjɔntsˈɛɡɔ z vwɔntʃˈɔnɨm ɕilɲˈikʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_290.wav|vˌɨdavˈawɔ ɕɛ, ʒˈɛ ɛdmˈurɛ dɔpʲˈɛrɔ f tɛj xfˈili dˈɔstʃɛɡw minstrˈɛlla. ɲʲɛ, tˌɨlkɔ ɲʲɛ ˈɔn. zˈavʲɛʒ ɡˈɔː ˈɔdɛ mɲʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_124.wav|vˈaʃɨm bˈɔɡʲɛm jɛst tɔ, tʃˈɛɡɔ praɡɲʲˈɛtɕɛ dla mɲʲɛ.|0
+Dataset/wavs/urwisko_ferenc/23_segment_90.wav|tˈak, pˌɔjɛxˈawɛm kʲˈɛdɨʑ dɔ ɲʲˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_103.wav|ˈɛliz vˌɨtɕɔŋɡnˈɛwa rˈɛŋkɛ dɔ klˈamki. tʃˈɛkaj.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_243.wav|xˈuta vɨtfˈaʒa tˈɨlɛ tlˈɛnu, ʒˈɛ tsˈawɛ mʲˈastɔ ɲʲɛ nadˈɔ̃ʒa z jˈɛɡɔ zuʒˈɨtɕɛm. dlatˈɛɡɔ spʃɛdˈajɛ ɡˈɔ tˈaɲʲɔ kaʒdˈɛmu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_358.wav|vwaɕtɕˈivʲɛ ˌɔdɛxtɕˈawɔ mi ɕɛ mˈuvitɕ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_390.wav|ɲʲˈɛx jˈɛɡɔ vʲˈɛlka ɕfʲˌɔntɔblˈivɔɕtɕ mˈɔdli ɕɛ f sˈɛptɕɛ, ɡdʑˈɛ jˈɛɡɔ mʲˈɛjstsɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_151.wav|zdˈaʒa ɕɛ, ˈɔfʃɛm. zvwˈaʃtʃa tˈɛras, kʲˈɛdɨ fˈatsɛt jɛst jˈuʃ f tˈakim vʲˈɛku, ʒˈɛ trˈɔxɛ trˈudɲʲɛj mu ɔ stˈujkɛ ɲˈiʒ dˈavɲʲɛj.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_174.wav|bˌɛndɛ tʃˈɛkaw na tɕˈɛbjɛ w varʃtˈatɕɛ i pujdʑˈɛmɨ dɔː imˈama far��ima.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_76.wav|tˈɛssa mˈiltʃɨ, ˌalɛ mɲʲɛ ˌɔpsɛrvˈujɛ. dɔmˈɨɕla ɕɛ, ʒˈɛ ɡrˈam?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_22.wav|ɲʲɛ zˌɔstavˈiwabˌɨm tsˈɛna bˈɛs ɔpʲˈɛki.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_216.wav|ɲˈiɡdɨ ɕɛ tɨm ɲʲɛ pʃˌɛjmɔvˈawa.|1
+Dataset/wavs/urwisko_ferenc/24_segment_78.wav|mˈuviw mi, ˌalɛ ɲʲɛ pamjˈɛntam.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_5.wav|klˈɛrki kˈazaw ɲitskˈɔvi vɨnˈajɔɲdʑ dɔ tɛj rɔbˈɔtɨ nˌajlɛpʃˈɛɡɔ faxˈɔftsa. kˈɔɡɔɕ, ktˈɔ vɨkˈɔna zlɛtsˈɛɲʲɛ, ɲʲɛ dˈa ɕɛ zwˈapatɕ i pˈɔtɛm bˌɛɲdʑɛ tʃˈɨmaw jˈɛ̃zɨɡ za zɛmbˈami.|2
+Dataset/wavs/urwisko_ferenc/36_segment_103.wav|ˈɔlɡʲɛrt mˈinɔw jˈɔ̃ i pˈɔʃɛd za mixˈawɛm. ɕˈɛŋɡnɔw pɔ ʃklˈaŋkɛ.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_244.wav|tɔ ɕfʲˈɛtɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_330.wav|i ʒˈatki lˈaz drɛvɲʲˈanɨɣ bˈɛlɛɡ bjɛɡnˈɔntsɨx kaprˈɨɕnɨm rˈɨtmɛm f tɕˈɛmnɔɕtɕ rˌɔzbjɛlˈanɔ̃ ɲʲɛɕmʲˈawɔ pʃˈɛs ɕfˈit.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_36.wav|rˈɔsstaf talˈɛʒɛ na kɔlˈatsjɛ ˈindjɔ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_7.wav|nɔɕˈili ʃˈatɨ s sˌamɔdʑˈawu i sandˈawɨ, vʲˈɛnts tsɛrsˈɛi s pɔtʃˈɔntku pˌɔmɨɕlˈawa, ʒˈɛ tɔ vrˈublɛ, ˌalɛ nˈaɡlɛ jˈɛdɛn z ɲˈix ˈuɲʲuz ɡwˈɔvɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_75.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ mˈarta xˈɨba ɲʲˌɛvwaɕtɕˈivʲɛ zˌintɛrprˌɛtɔvˈawa mˈɔjɛ utʃˈutɕa dɔ ɲʲˈɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_210.wav|a jˈɛdnak tɔː ˈɔna. tsˈɔɕ ɕɛ w ɲʲˈɛj pʃˌɛbudʑˈiwɔ. drˈuɡʲɛ ˈɔptsɛ jˈa, ktˌurɛ ɔt tɛj pˈɔrɨ bˌɛɲdʑɛ jɛj ɲʲˌɛɔdwˈɔntʃnɔ̃ tʃˈɛɲɕtɕɔ̃ i s ktˌurɨm bˌɛɲdʑɛ muɕˈawa naˈutʃɨtɕ ɕɛ ʒˈɨtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_14.wav|xtɕˈawɛm tˌɨlkɔ jˈɛʃtʃɛ rˈaz zˈɛrknɔɲtɕ na zˌakɔɲtʃˈɛɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_6.wav|jˈɛdnak f tɛj xfˈili brˈat rˈɔbɛrts lˈɛʒɛ ɲʲˌɛpʃɨtˈɔmnɨ na pɔdwˈɔdʑɛ tfˈaʒɔ̃ dɔ dˈɔwu, a ja upˈadam na kɔlˈana pʃɨ jˈɛɡɔ ɡwˈɔvʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_73.wav|dɔmˈiɲik ɔtxʃˈɔŋknɔw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_28.wav|mˈama bˌɨwa f tɕˈɔ̃ʒɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_88.wav|w jˈɛdnɨm s pɔkˈɔi panˈujɛ jˈakʲɛʑ zˌamjɛʃˈaɲʲɛ i dɔpʲˈɛrɔ ɡdˈɨ pɔtxˈɔdʑɛ blˈiʒɛj, ˌɔkazˈujɛ ɕɛ, ʒˈɛ xawˈasɨ dˌɔbjɛɡˈajɔ̃ spɔkˈɔju pˈaɲi rˈɔbɛrts.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_46.wav|tsˈawɨ dʑˈɛɲ ˌutɕɛkˈawaɕ pʃɛdˈɛmnɔ̃. spˌɔtɨkˈawɛm tɕˈɛbjɛ na mˈɔmɛnt i znˈɔvu mi ɡʲinˈɛwaɕ na zˈafʃɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_22.wav|mʲˈaw za sˈɔbɔ̃ trˈudnɨ tˈɨdʑɛɲ, ˌalɛ ɲʲɛ pɔmˈɔʒɛ sprˈavʲɛ, jˈɛɕli strˈatɕi pˌanɔvˈaɲʲɛ nat sˈɔbɔ̃ pʃɨ pˌɔdɛjʒˈanɨm.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_181.wav|ʃˈɨpkim krˈɔkʲɛm vˈɛʃwam pʃˈɛs wˌukɔvˈatɔ̃ brˈamɛ dɔ pˈɔrtu pʃˌɛwadˌuŋkɔvˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_38.wav|pʲˌɛlɛŋɡɲʲˈarka ˌɔbjɛtsˈawa, ʒˈɛ dˈa mi znˈatɕ, kʲˈɛdɨ mˈawa ɕɛ ɔbˈudʑi.|3
+Dataset/wavs/urwisko_ferenc/19_segment_62.wav|vrutɕˈiwa pɔ kˈilku minˈutax, ktˌurɛ xˈɛrman spɛɲdʑˈiwa na fpˌatrɨvˈaɲʲu ɕɛ f skwɛmbjˈɔnɛ ɡrˌanatˈɔvɛ ɔbwˈɔki, f ktˌurɨx rˈas pɔ rˈas ɕɛ bwɨskˈawɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_117.wav|a tfˈɔja ʒˈɔna? pˌɔvʲɛdʑˈawa jˈudɨ, tˈa, ktˌura tɕˈɛ ˌɔpuɕtɕˈiwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_237.wav|jɛʒˈɛli pˈɔvʲɛʃ mi prˈavdɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_53.wav|a ftˈɛdɨ jˈɛɡɔː ˈɔtʃɔm ukˈaʒɛ ɕɛ dʑɛftʃˈɨna ɔ pɔwˈɔvɛ mwˈɔtʃa ɔd bʲillʲˈɛɡɔ, pˌɔɕiɲʲatʃˈɔna i jˈɛʃtʃɛ rumjˈana ɔd bjˈɛɡu pɔ sxˈɔdax.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_74.wav|vˌɨtɕɔŋɡnˈɛwam rˈɛŋkɛ za ɕˈɛbjɛ i zɛrvˈawam mˈaskɛ z jɛj tfˈaʒɨ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_355.wav|zrˈup tɔ, tsˈɔ zrˈɔbʲiwbˌɨ tˈɨvin.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_346.wav|tɔ znˈatʃɨ, ʒˈɛ mˈɔjɛ sprˈavɨ ɲʲɛ vˌɨɡlɔndˈajɔ̃ ʑlˈɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_79.wav|tsɔkˈɔlvʲɛk ɕɛ dʑˈawɔ, pˌɔtʃɛbˈɔvaw vʲˈɛntsɛj ˌinfɔrmˈatsji ɔd dˈavn ˈɛdmɔnts i ˌɔtʃɨvˈiɕtɕɛ muɕˈɛli znˈalɛɕtɕ jɛj mˈɛ̃ʒa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_13.wav|kʲˈɛdɨ pɔzbjˈɛraw ɕɛ z brˈuku tamtˈɛɡɔ vʲɛtʃˈɔru, zmuɕˈiwam ɡˈɔ, ʒˈɛbɨ ɔ fʃˈɨstkim mi ˌɔpɔvʲˈɛdʑaw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_2.wav|jˌɛdɨnˈɨmi ˌɔdɡwɔsˈami, ktˌurɛ dˈawɔ ɕɛ swˈɨʃɛtɕ f pˈustɨm dˈɔmu, bˌɨwɔ pʃˌɛsuvˈaɲʲɛ pʃˈɛs pʃˈɛtɕɔŋk fraɡmˈɛntuf fˈɔlji pɔ pɔdwˈɔdʑɛ ˌɔras wkˈaɲʲɛ mˈili.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_292.wav|ɲˈiɡdɨ bˈɨɕ ɕɛ ɲʲɛ ɔdvˈaʒɨw sprˌɔvɔkˈɔvadʑ vrɔɡˈɔɕtɕi tˈakix rˈɔduf.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_53.wav|jˈɛɕli mˈuʃɛ vɨjˈɛxatɕ, zastˈɔmpi mɲʲɛ sˈɛr lˈɔras.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_159.wav|a pˈɔtɛm ˈandɛrsɔn znˈuv ɡvawtˈɔvɲʲɛ ʃˈarpnɔw nˈɔs kˈu ɡˈuʒɛ i rɨˈana ftɕisnˈɛwɔ wˈɛ fˈɔtɛl, ˌɔdbjɛrˈajɔnts mu ˈɔddɛx i swˈux.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_411.wav|idʑˈɛmɨ na bɛlvˈɛdɛr, pˌɔinfɔrmˈɔvaw mɲʲɛ prɛzˈɨdɛnt, ruʃˈajɔnts nɛrvˈɔvɔ brvʲˈami jˈak tsmɛntˈarnɛ tˈujɛ.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_36.wav|sˈɛrɨ vˈɨbjɛɡw mu na spɔtkˈaɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_42.wav|ɡdˈɨbɨ ɲʲɛ ˈɔn, nˈadal pˌublikˈɔvawbˌɨm mˈɔjɛ ˌɔpɔvʲadˈaɲʲa na blˈɔɡu vʲˌɛtʃɔrˈami i w wikˈɛndɨ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_206.wav|pˈaɲi kamjˈɛnnɛ sˈɛrtsɛ|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_53.wav|zabrˈawam rˈɛŋkɛ, zˈaɲim zdɔ̃ʒˈɨwa zˌarɛaɡˈɔvatɕ. pˌɔustavʲˈawam talˈɛʒɛ na stˈɔlɛ i vˈɨʃwam s kˈuxɲi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_138.wav|mˈuʃɛ skasˈɔvatɕ tˈɛ strˈɔnɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_124.wav|ɲʲɛ pˌɔvʲɛdʑˈawam vʲˈɛnts ˌaɲi swˈɔva i pˌɔzvɔlˈiwam bulˈɔvi trˈavitɕ ɕɛ ɔd vˈɛvnɔntʃ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_6.wav|bʲˈillɨ ɕtɕˈɔŋɡa tˌɛɲisˈufki z jɛj nˈuk. rˈazɛm z ɲˈimi ssuvˈajɔ̃ ɕɛ krˈutkʲɛ skarpˈɛtki s sˌɛrduʃkˈami ˈu ɡˈurɨ.|2
+Dataset/wavs/urwisko_ferenc/47_segment_20.wav|vʲˈɛm, ˌalɛ ɲʲɛ ɔdˈɛjmuj sˈɔbjɛ zˈaswuk, swˈɔɲtsɛ. ɲˈiɡd za tɕˈɛbjɛ ɲʲɛ pʃˈɛʃɛt tɛj drˈɔɡʲi.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_61.wav|w namjˈɔtɕɛ pˈɛwnɔ bˌɨwɔ zapˈaxuf. tsɨnˈamɔn i ɡˈawka mˌuʃkatɔwˈɔva.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_361.wav|zˌaɡrɔʒˈɔna pˌɛrspɛktˈɨvɔ̃ dˌɛpɔrtˈatsji, bˈɨwabˌɨm ɔ vʲˈɛlɛ bˈardʑɛj skwˈɔnna pɔɡrˈɔ̃ʒɨtɕ sfɔjˈɛɡɔ zlˌɛtsɛɲʲɔdˈaftsɛ, prˈavda?|4
+Dataset/wavs/urwisko_ferenc/59_segment_38.wav|nˈavɛt jˈɛɕli, tɔ zapˈɨtam rˈas jˈɛʃtʃɛ, ˈilɛ vˈarta jɛst tˈaka mˈiwɔɕtɕ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_119.wav|bˈɛtskɨ vrutɕˈiwa pɔ tɕˈixu i uɕˈadwa ˈɔbɔk.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_71.wav|— pʃɛprˈaʃam, ˌalɛ ɲʲɛ mˈɔɡwam zˈasnɔɲtɕ. za dˈuʒɔ sprˈaf na ɡwˈɔvʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_583.wav|ˌalɛ ja ɲʲɛ jˌɛstɛm pˈɛvʲɛn, tʃɨ jˌɛstɛɕ pʃˈɨmɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_58.wav|ˌalɛ zˈaɲim vɨdˈɔstaw ɕɛ z zarˈɔɕli brˈɔdɨ, stˈavaw ɕɛ prɨxɲʲˈɛɲtɕɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_31.wav|dɔ ʒɨvˈɔtɕɛ zˈamjast ˈiɡwɨ ˌɔtpɔvʲˈada dɛtˈɛktɨv bˈɛs xfˈili namˈɨswu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_297.wav|ˌɔɡʒɛvˈana pʃˌɛʑrɔtʃˈɨstɨm swˈɔɲtsɛm nˈaɡwɛj vʲˈɔsnɨ,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_87.wav|ɲʲɛ mʲˈawam pɔjˈɛɲtɕa, ɔ tsˈɔ jɛj xɔdʑˈiwɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_80.wav|pʃˈɨkrɔ mi, ˌalɛ fʃˈɨstkɔː ˌusunˈɔwɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_224.wav|zastˈɨɡwam f pˈuw krˈɔku, a pˈɔtɛm ˌɔbrutɕˈiwam ɡwˈɔvɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_54.wav|ɲˈits pˈaɲi ɲʲɛ jˈɛst? zapˈɨtaw.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_124.wav|dɔ vidʑˈɛɲʲa, ˈandɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_92.wav|tʃˈɛɡɔː ˈɔdɛ mɲʲɛ ˌɔtʃɛkˈujɛʃ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_21.wav|bˌɨwa dla mɲʲɛ mˈiwa.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_44.wav|a jˈɛdnaɡ znˈajɔ̃ bˈɔɡuf.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_48.wav|dˈajɛ jɛj rˈuvɲʲɛʃ pʲɛɲʲˈɔndʑɛ na tɕˈuxɨ.|4
+Dataset/wavs/urwisko_ferenc/62_segment_34.wav|— tˈak, ˌalɛ ɔn jˈakɔɕ krˈutkɔ pˈɔtɛm pʃˈɛstaw zajmˈɔvatɕ ɕɛ tɔ̃ sprˈavɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_23.wav|znˈuf naxˈɔdʑi ɡˈɔ mˈɨɕl, ʒˈɛ ˈɛlis tˈɛras jˈuʃ jɛst ˈinnɔ̃ dʑɛftʃˈɨnɔ̃ ɔt tˈɛj, ktˌurɔ̃ ɲʲˈuz dɔ dˈɔmu f strˈuɡax ˌulɛvnˈɛɡɔ dˈɛʃtʃu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_134.wav|tˈɔm vɨxˈɨliw kʲɛlˈiʃɛk jˈɛdnɨm wˈɨkʲɛm i mˈiltʃaw pʃˈɛs xfˈilɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_141.wav|i vˈɨjʑdʑ z ɲʲˈɛɡɔ na vwˈasnɨx nˈɔɡax tˌɨlkɔ dlatˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_58.wav|zapˈɛvɲʲam tɕˈɛ, ʒˈɛ jˌɛstɛm pwˈɔdnɨ.|1
+Dataset/wavs/urwisko_ferenc/10_segment_49.wav|ɔ ktˌurɨm ɲʲɛ mˈuviw ɲikˈɔmu.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_102.wav|i ˈɔtɨm, jˈaɡ zɡʲˈinɔw.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_61.wav|ja mˈuɡwbɨm tɔ dʒˈɛvɔ vʑˈɔɲdʑ zˈɛ sˈɔbɔ̃, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_18.wav|pˈɔvʲɛts mi, tsˈɔ zrɔbʲˈiwɛɕ. i nˈavɛt sˈɔbjɛ ɲʲˈɛmɨɕl, krɛtˈɨɲʲɛ, ʒˈɛ tɕi zapwˈatsɛ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_59.wav|ftˈɛdɨ, ɡdˈɨ ˌutʃɨɲˈiwɛʑ ɡˈɔ lˈɔrdɛm dɔvˈuttsɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_273.wav|za bˈardʑɔ vˌɨrɔzumjˈawɨ dla nˈaʃɨɣ vrˈɔɡuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_46.wav|ˌalɛ s kˌilkudʑɛɕˈɛɲtɕu mˈɛtruv vˈidadʑ bˈɨwɔ, ʒˈɛ tɔ nˈaɕi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_217.wav|sɕˈɛ mɲʲɛ vɛ vnɛntʃnˈɔɕtɕax jˈaɡ ɡwˈut. mˈuj ɲʲɛpˈɔkuj rˈazɛm zˈɛmnɔ̃ pˈuʑnɔ zasˈɨpja i rˈazɛm zˈɛmnɔ̃ fstˈajɛ ʒˈɛɕki rˈanɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_20.wav|dˈana jɛzd drˈɔbnɨ i pˈatʃɨ na ɕfʲˈat pʃˈɛs ˌɔkulˈarɨ bˈɛs ɔprˈavɛk.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_89.wav|tɔ znˈatʃɨ ɔbˈɔjɛ spˈadliɕmˌɨ zˈɛ sxˈɔduf.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_239.wav|bˌɛɲdʑɛ mɲʲɛ stˈatɕ na pʃˌɨzvɔˈitɛ mʲɛʃkˈaɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_18.wav|ɲʲɛ tʃˈujɛ ɕɛ sˈɔbɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_58.wav|mʲˈɛjmɨ nadʑˈɛjɛ, ʒˈɛ ɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_301.wav|pʃɛdˈɛmnɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_315.wav|utʃˈɛɲi ˌɔstʃɛɡˈajɔ̃, ʒˈɛ za ˈilɛɕ tˈam krˈutkix lˈad ʑˈɛmʲa ɲʲɛ uɲʲˈɛɕɛ tɕɛ̃ʒˈaru lutskʲˈɛɡɔ mʲˈɛ̃sa.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_230.wav|ɡdˈɨbɨm vʲɛdʑˈawa, ʒˈɛ bˌɛndɛ muɕˈawa ˈiɕtɕ pʲɛxˈɔtɔ̃...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_92.wav|pˈɨta nˌadʲinspˈɛktɔr z ɲʲˌɛpɔkˈɔjɛm w ɡwˈɔɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_209.wav|brˈam na ˈami pɔxˈɔdʑi z dˈarɨx tˌɨlkɔ pɔ mˈattsɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_50.wav|na ɛkrˈaɲʲɛ vidɲʲˈɛjɛ tfˈaʒ ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_148.wav|ɔ tsˈɔ mu xɔdʑˈiwɔ?|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_141.wav|pʃɛstˈaviw sfˈɔjɛ ɡʲˈizmɔ dɔ tʃɨtɲˈika i kʲˈɛdɨ rˌɔssunˈɛwɨ ɕɛ pʃɛt nˈami dʒvˈi vˈindɨ, rˈamjɛ w rˈamjɛ vˈɛʃliɕmˌɨ dɔ ɕrˈɔtka.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_124.wav|— bˈɔ tɔ prˈavda. pɔɲˈiʒɛj ˌɔɕɛmnˈastki ɲʲɛ sxˈɔdʑi. i klˈɛrki jˈɔvi dˈavɲʲɛj tɔ vˌɨstartʃˈawɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_20.wav|ˈɔfʃɛm, vʲˈɛʒɛ. mˈuʃɛ vʲˈɛʒɨtɕ, f pʃɛtɕˈivnɨm rˈaʑɛ tsˈawɛ nˈaʃɛ rɔdʑˈinnɛ ʒˈɨtɕɛ ˌɔkazawˈɔbɨ ɕɛ jˈɛdnɔ̃ vʲˈɛlkɔ̃ klˈapɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_40.wav|jˈakʲɛ pɨtˈaɲʲa?|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_97.wav|mˌatɕɛ pʲˌɛtnastɔlˈɛtɲʲɔ̃ bɔvmˈɔrɛ sˈiŋɡlɛ mˈɔlt?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_139.wav|ˌalɛ mˈuʃɛ mʲˈɛtɕ pˈɛvnɔɕtɕ, ʒˈɛ mˈɔja ʒˈɔna zrˈɔbʲi tɔ sˈamɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_21.wav|ˌalɛ tɔ zˌadʑivʲajˈɔntsɛ, jˈak ʃˈɨpkɔ tʃwˈɔvʲɛk pɔtrˈafi ɕɛ pɔrˈuʃatɕ, kʲˈɛdɨ stˈafkɔ̃ jɛzd ʒˈɨtɕɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_392.wav|w mˈɔjɛj kʲɛʃˈɛɲi zˌapiʃtʃˈawɔ ɡʲˈizmɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_24.wav|pʃɨtˈuliw mɲʲɛ mˈɔtsnɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_72.wav|ɲʲɛ pratsˈujɛ nat sfˈɔjɔ̃ ˌɔpɔvʲˈɛɕtɕɔ̃, ˌaɲi ɲʲɛ ɡrˈa na kˌɔmputˈɛʒɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_19.wav|f kˈɔɲtsu dɔ tsˈɛntrum vˌɨtɕɛtʃkɔvˈɛɡɔ pʃɨjˈɛxaw pʲˈɛrʃɨ pˈɔtɕɔŋk s tˌurɨstˈami.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_52.wav|ˈaʒ vʲˈɛ, ˈilɛ mɲʲɛ tɔ kˌɔʃtɔvˈawɔ.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_83.wav|ˌudɛʒˈali nˈaɡlɛ z mˈɔʒa, zˌabjɛrˈali trˈɔxɛ zwˈɔta i dʑˈɛftʃɔnt, a pˈɔtɛm ˌɔtpwɨvˈali.|1
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_59.wav|pˈɛvɲʲɛ nˈapɛnt wˌaɲtsuxˈɔvɨ vɨmˈaɡa nˌaɔlivʲˈɛɲʲa. tʃˈɨstɛ lɛɲˈistfɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_177.wav|s ktˌurɨm xˈɛlɛn?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_82.wav|jɛj ʒˈɨtɕɛ ɔkrˈɨtɛ bˌɨwɔ tsawˈunɛm tˌajɛmɲˈitsɨ, vʲˈɛnts pɔ tsˈɔ tɔ tsˈawɛ xɔvˈaɲʲɛ ɕɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_77.wav|pˈatʃɛtɕ tsˈɔ rˈɔbʲi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_48.wav|kʲˈɛdɨ f kˈɔɲtsu vˈɔda ɕɛ ɡɔtˈujɛ, nˈuʃa ˌɔbɛjmˈujɛ mɲʲɛ i lˈɛkkɔ ɕtɕˈiska. kwˈadɛ na mˈɔmɛnd ɡwˈɔvɛ na jɛj ramjˈɛɲʲu, ˌalɛ dwˈuɡɔ tˈak ɲʲɛ vˌɨtʃɨmˈujɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_133.wav|i tsˈɔ bˌɛɲdʑɛ dˈalɛj?|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_124.wav|tɔ jˈɔ̃ ɔpˈɔvʲɛts.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_184.wav|ɲʲˌɛʃtʃɛɲɕlivˈɛɡɔ lampˈarta.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_281.wav|nˈɔ, swˈuxam pˈana.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_11.wav|brˈɛa mruknˈɛwa tsˈɔɕ pʃˈɛs sˈɛn i ˌɔbrutɕˈiwa ɕɛ na drˈuɡʲi bˈɔk.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_31.wav|nˌastɛmpnˈɛɡɔ dɲʲˈa znajdˈɔvaw jˈakiʑ bwˈɔnt i znˈuf ˌɔɡarɲʲˈawɔ mɲʲɛ pɔtʃˈutɕɛ pˈustki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_23.wav|za pʲˈɛrʃɨm vzɲʲɛɕˈɛɲʲɛm zˌatʃɨnˈawa ɕɛ ˌasfaltˈufka dˈɔɕtɕ ʃɛrˈɔka, bˈɨ dvˈa sˌamɔxˈɔdɨ mˈɔɡwɨ ɕɛ bˈɛs trˈudu vɨmˈinɔɲtɕ.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_216.wav|ˌɔznajmˈiwa jˈakaɕ stˈarʃa kɔbjˈɛta.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_121.wav|ɲʲɛ bˌɛɲdʑɛ ix mˈuɕaw vˌɨpɔvʲˈɛdʑɛtɕ na ɡwˈɔs, kʲˈɛdɨ pʃˈɨjdʑɛ vwaɕtɕˈivɨ mˈɔmɛnt, jˈɛɕli pʃˈɨjdʑɛ, ˌalɛ vˌɨpɔvʲˈada jˈɛ tˈɛras, rˈaz za rˈazɛm, ʒˈɛbɨ vrˈɨwɨ mu ɕɛ f pˈamjɛɲtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_79.wav|vˈidatɕ, ʒˈɛ ɲʲɛdˈavnɔ bˈɨw ˈu frɨzjˈɛra.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_64.wav|vzrˈuʃam rˌamjɔnˈami, jˈaɡbɨm ɲʲɛ znˈawa ˌɔtpɔvʲˈɛdʑi, ˌalɛ ɲʲɛ vɨdˈajɛ mi ɕɛ, ʒˈɛbɨ ʃˈɔna ɲʲɛ swɨʃˈawa ɔ rˌɛputˈatsji tˈɛssɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_45.wav|mˈam kɔlˈɛjnɛ vʲˈɛɕtɕi. zadʑvˈɔɲiw dɔ mɲʲɛ nˌadʲinspˈɛktɔr dɔˈuɡlas i pɔprˈɔɕiw, ʒˈɛbɨm pˈaɲʲɔ̃ pˌɔinfɔrmˈɔvaw.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_330.wav|rˈɛnlɨ bˈɨw ʃtʃˈupwɨ i ɡʲˈipki, natˈɔmjast tɛn xwˈɔpak mʲˈaw pɔtˈɛ̃ʒnɛ bˈarɨ i mˌuskulˈarnɛ prˈavɛ rˈamjɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_120.wav|fʃˈɨstkɔ fskˌazɨvˈawɔ nˈatɔ, ʒˈɛ sˈam xtɕˈaw zrˈɔbʲitɕ tɔ, tsˈɔ jˈa, ˌalɛ ɲʲɛ zdˈɔ̃ʒɨw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_18.wav|ɲʲˈɛma ɔxrˈɔnɨ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_203.wav|krˈulik tʃɨ tsˈɔɕ muɕˈawa ssˈunɔɲtɕ ɕɛ mu z ɡwˈɔvɨ, kʲˈɛdɨ pxnˈɔw ˌatakˌujɔntsˈɛɡɔ dˌɔnɔvˈɛna na dʒvˈi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_105.wav|natˈɨxmʲast pɔtʃˈuwam ɕɛ vˈinna. tʃɨ pˌɔstɔmpˈiwam ɲʲˌɛvwaɕtɕˈivʲɛ f ktˈurɨmɕ mɔmˈɛɲtɕɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_97.wav|f prˈatsɨ rɔzmˈavʲam z vʲɛlˈɔma ˌɔsɔbˈami, ktˌurɛ stratɕˈiwɨ blˈiskix i mˈuʃɛ pʃˈɨznatɕ, ʒˈɛ fʃˈɨstsɨ mˈuvjɔ̃ tɔ sˈamɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_40.wav|mˈa jˈɛdnɔ̃ vˈadɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_166.wav|ˈɔknɔ pʃɨ nˈaʃɨm stɔlˈiku bˌɨwɔ rˌɔstʃaskˈanɛ, a z rˈamɨ stɛrtʃˈawɔ kˈilka dwˈuɡʲix i ˈɔstrɨx ɔdwˈamkuf ʃkwˈa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_46.wav|kʲˈɛdɨ pˌɔvrutɕˈiwa dɔ sfˈɔix ˌɔbɔvʲˈɔ̃skuf, f kˈuxɲi bˌɨwa blˈada i jˈɛʃtʃɛ bˈardʑɛj miltʃˈɔntsa ɲˈiʒ dˈɔtɔnt.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_125.wav|pˈɛvɲʲɛ dla tˌɛɡɔ bjɛdnˈɛɡɔː ˈutʃɲʲa kˌɔvalskʲˈɛɡɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_224.wav|dˈɔtknɔw jɛj tfˈaʒɨ, bˌɨwa mˈɔkra ɔt wˈɛs.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_210.wav|z zˌamartfˈɛɡɔː ˌɔbɛlˈisku pawˈatsu vˌɨsunˈɛwɔ ɕɛ tʃˌɛrvɔnˈavɛ swˈɔɲtsɛ i patʃˈɨwɔ na tɛn plˈadʑ bˈɛs pɔtʃˈɔntku i kˈɔɲtsa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_44.wav|pˌɔvʲɛdʑˈawaɕ mu, ʒˈɛ fxɔdʑˈimɨ dɔ ɕrˈɔtka?|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_22.wav|bˈɨ ˌuɕfʲadˈɔmitɕ sˈɔbjɛ tɛn fˈakt, muɕˈawa tˌɨlkɔ pʃˈɨjʒɛtɕ ɕɛ sfˈɨm dɔrˈattsɔm.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_16.wav|fʃˈɨstkɔ jɛst mɔʒlˈivɛ, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_270.wav|tɔ prˈavda pɔtfʲˈɛrdʑiw ˈɔjtɕɛts ˌalɛ lˈɛpʲɛj, ʒˈɛbɨ pˈan ʃapˈirɔ zˈɔstaw f pɔblˈiʒu.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_357.wav|zˌauvˈaʒɨw jˈamɛ, zˌatʃɨmˈujɔnts ɕɛ nat ʃtʃɔntkˈami bjɛdnˈɛɡɔ zvʲɛʒˈɛɲtɕa. rɔskˈazaw jˈɛ pˌɔtɕfʲartˈɔvatɕ i zasˈɔlitɕ mʲˈɛ̃sɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_115.wav|ʒˈɛɡnam ɕɛ s tˈɔbɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_137.wav|tɔ ɲʲɛ jɛst tˈakʲɛ trˈudnɛ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_9.wav|sˈam zˈatʃɔw ɕɛ fpatrˈɨvatɕ f taɲtʃˈɔntsɛ w blˈasku drɔbʲˈiŋki kˈuʒu.|1
+Dataset/wavs/urwisko_ferenc/08_segment_103.wav|dˌɔskɔnˈalɛ vʲˈɛdʑaw, ʒˈɛ tɔ zbˈɛndnɨ vɨdˈatɛk.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_266.wav|jˈak ktˈɔɕ naprˈavdɛ zˌaintˌɛrɛsˈujɛ ɕɛ tˈɨm, tsˈɔ jɛst f tɨx ɕmʲˈɛtɕax,|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_262.wav|ɡdˈɨ jˈɛdnak pʃɨɲʲˈɛɕli jɛj ɕfʲˈɛʒɨ dʑbˈan vˈɔdɨ,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_105.wav|stˈɔi lˈɛkkɔ pˌɔxɨlˈɔna i jɛzd bˈardʑɔ ʃtʃˈupwa.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_48.wav|ɲʲɛ mˌamɨ kɔrˈɔnɨ, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_22.wav|ɕˈadam na kʃˈɛɕlɛ za bjˈurkʲɛm i f tɨm sˈamɨm mɔmˈɛɲtɕɛ dɔ ɕrˈɔtka fxˈɔdʑi jˈɛnnɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_16.wav|ʃˈampan,|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_40.wav|rɔzmˈavʲaw z jˈakimɕ azjˈatɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_324.wav|za vˌɨsɔkˈimi wukˈami ˈɔkʲɛn dvˈɔru jɛj pˈana ˈɔjtsa vidʑˈawa zˌaxɔdʑˈɔntsɛ swˈɔɲtsɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_227.wav|fʃˈɨstkɔ, tsˈɔ mˈam, jɛst f tɨm dˈɔmu.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_84.wav|pʃˈɛs sɛkˈundɛ miɡnˈɛwa mi tfˈaʃ sfɔbˈɔdɨ, ktˌurɨ stˈaw za prˈɔɡʲɛm i vɨtɕˈɔŋɡaw ʃˈɨjɛ, prubˈujɔndʑ zˈajʒɛdʑ dɔ ɕrˈɔtka.|4
+Dataset/wavs/urwisko_ferenc/11_segment_67.wav|mˈa ɕfʲˈatka, ktˌurɨ vˈidʑaw ɡlˌatsɔfskʲˈɛɡɔ w dɲʲˈu zˌaɡʲiɲʲˈɛɲtɕa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_33.wav|ɲʲɛ mˈɔɡɛ tˈu tkfˈitɕ pʃˈɛs tsˈawɨ vʲˈɛtʃur.|3
+Dataset/wavs/urwisko_ferenc/50_segment_35.wav|zɔstˈaviw lˈist, f ktˌurɨm fʃˈɨstkɔː ɔpˈisaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_249.wav|dˈɔbʒɛ bɨwˈɔbɨ zˈamknɔɲtɕ ��ɔtʃɨ i znˈalɛɕtɕ ɕɛ pɔ drˈuɡʲɛj strˈɔɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_348.wav|ˌɔbɔzɔvˈiskɔ sˈɛr rˌɛimˈana frˈɛja na pˈuwnɔts ɔt kˌamjɛnnˈɛɡɔ nˈurtu bˌɨwɔ najvʲˈɛŋkʃɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_237.wav|ɔstrˈɔʒɲʲɛ ˌuxɨlˈiwɛm dʒvˈi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_71.wav|ɲʲɛ jɛst tɔ jˈɛdnak sprˈafka rɔɡˈɛra jaɡˈɛra.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_198.wav|ˌaɲi amˈɛrɨkˌɔ̃ ɲʲɛ ˈumjɛm ɕɛ zaɡwˈuʃɨtɕ.|0
+Dataset/wavs/urwisko_ferenc/36_segment_159.wav|mˈarja vˌɨxɨlˈiwa ɕɛ z balkˈɔnu i spɔjʒˈawa w dˈuw, bˈɔ dˈɔbjɛɡw jˈɔ̃ ɲʲˌɛpʃɨjˈɛmnɨ dʑvʲˈɛŋk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_73.wav|na dɔdˈatɛk tfʲˈɛrdʑiw, ʒˈɛ ɲʲɛ zvʲˈɔ̃zawbˌɨ ɕɛ z ɲˈikim z bjˈura, a prubˈɔvaw ʃtʃˈɛɲɕtɕa z mˈartɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_204.wav|a na jˈɛɡɔ mʲˈɛtʃu dvʲˈɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_92.wav|na kartˈɛtʃtsɛ, ktˌurɔ̃ tɕi dˈawɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_143.wav|vʑˈɔwɛm tʃˈɛɲɕtɕ, bˈɔ pˌɔmɨɕlˈawɛm, ʒˈɛ ˈuda mi ɕɛ jˈɛ pɔdvˈɔitɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_77.wav|sˈami ɲʲɛ jɛst tˈak naprˈavdɛ zwˈɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_138.wav|spravˈiwa, ʒˈɛ zˌakɔxˈawam ɕɛ vɛ fʃˈɨstkix jɛj ˌulubjˈɔnɨx mʲˈɛjstsax i xwɔnˈɛwam kˈaʒdɛ swˈɔvɔ.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_155.wav|pˈɔtɔ, bˈɨɕ mˈukw sprˈavʲatɕ pʃɨjˈɛmnɔɕtɕ i rˈɔbʲidʑ dʑˈɛtɕi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_82.wav|ɡˈardwɔ mˈa trˈɔxɛ zˌatʃɛrvʲɛɲʲˈɔnɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_88.wav|i ˈandɛrsɔn pˈatʃɨw, jˈak pɔlˈitsjant rˌɔstʃapʲˈɛʒa jˈɛɡɔ dwˈɔɲ|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_33.wav|tsˈɔ bˈɛɲdʑɛ, kʲˈɛdɨ pˌɔjavˈimɨ ɕɛ pɔt tˈɔbɔ̃, kˈɔwɔ tɕˈɛbjɛ, nat tˈɔbɔ̃?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_585.wav|mˈɔʒɛ i ja mˈam sfˈɔjɛ zmartfʲˈɛɲʲa. tɔ pˈɔvʲɛts mi ɔ ɲˈix.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_158.wav|strˈaʃnɨ tʃˈas pʃɛd vɨbˈuxɛm pravdʑˈivɛj vʲˈɔsnɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_120.wav|pɔ pɔwˈudɲʲu pˈujdʑɛ na badˈaɲʲa i znˈɔvu kɔmˈisja vˈɨda rɔzbjˈɛʒnɔ̃ ɔpˈiɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_150.wav|ɲʲɛ vʲɛʒˈɨwɛm vɛ vwˈasnɛ ʃtʃˈɛɲɕtɕɛ, kʲˈɛdɨ zˌɔbatʃˈɨwɛm tˈɛ lɛʒˈɔntsɔ̃ na ʑˈɛmi rˈurɛ. pˌɔjɛxˈawɛm za tˈɔbɔ̃ dɔ mʲˈasta. swɨʃˈawɛm kˈaʒdɛ vˈaʃɛ swˈɔvɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_225.wav|pʃɨ ˌɔtʃɨmˈanɛj vʲˌadɔmˈɔɕtɕi vidɲʲˈɛjɛ jˈɛdɛn z vʲˈɛlu ɲˈikuf, jakˈimi pˌɔswuɡˈujɛ ɕɛ bˈutskɨ. jɛst krˈutka.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_120.wav|ˈaʒ dɔ xfˈili, ɡdˈɨ tˈɛɔn spʃɛdˈaftʃɨɡ vdrˈapaw ɕɛ nˈɔtsɔ̃ na jˈɛɡɔ mˈurɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_100.wav|upˈadwam, ˌudɛʒˈajɔnts kˌɔlanˈami ɔ brˈuk i kʃɨknˈɛwam z bˈulu. bˈawam ɕɛ jˈɛdnak tˌɨlkɔː ɔ stsˈɔtta.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_165.wav|spˈɛntsɛr pˌɔstanˈɔviw pɔvʲˈɛʒɨtɕ mu sfˈɔjɛ udʑˈawɨ.|3
+Dataset/wavs/urwisko_ferenc/39_segment_37.wav|— ɲʲˈɛx pˈaɲi pʃˈɨjdʑɛ, pˈuki tɕˈɛpwɛ — ɔdˈɛzvaw ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_241.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ kˈɛvin i lˈantsɛl prˈaɡnɔ̃ tʃˈɛɡɔʑ zupˈɛwɲʲɛ innˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_332.wav|ɔn ɔdvrˈutɕiw ɕɛ i pɔvʲˈɛdʑaw z natɕˈiskʲɛm|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_37.wav|lɔtɲˈiskɔ w mˌanxɛstˈɛʒɛ pɔprˈɔʃɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_109.wav|sˌɨnɔɡarlˈitsɨ rˌɔzmavʲˈajɔ̃ zˈɛ sˈɔbɔ̃ kwutlˈivʲɛ na bˌalustrˈadʑɛ mˈɛɡɔ balkˈɔnu.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_8.wav|vˌɨskɔtʃˈɨwam s tsˈɨŋɡla i vˈɛʃwam dɔ lˌabɔratˈɔrjum.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_26.wav|tɔ ɲʲɛ bˌɨwɔ mˈɔndrɛ s pˈana strˈɔnɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_265.wav|spɔtkˈajmɨ ɕɛ w varʃtˈatɕɛ mɔjˈɛɡɔː ˈɔjtsa jˈutrɔː ɔː ˈusmɛj rˈanɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_34.wav|pˌɔtpisɨvˈaɲʲu kɔntrˈaktuf.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_9.wav|mˈaʃ tʃɨttʃˈɔwɔː i pˈatʃɨ nˈamɲʲɛ uvˈaʒɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_40.wav|ʒˈɛ ɲˈikt ɲʲɛ pɔvˈiɲʲɛn bˈɨtɕ f stˈaɲʲɛ nˈam tˌɛɡɔː ɔdˈɛbratɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_58.wav|ˈɛlis sˈɔɲdʑi, ʒˈɛ nˈatɔ ɔstˈatɲʲɛ pɨtˈaɲʲɛ znˈa ɔtpˈɔvʲɛtɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_90.wav|tɔ bˌɛɲdʑɛ naprˈavdɛ pʲˈɛŋknɨ dʑˈɛɲ, kʲˈɛdɨ zɔstˈaɲʲɛ pˈan prˌɛzɨdˈɛntɛm zjˌɛdnɔtʃˈɔnɛj ɛwrˈɔpɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_98.wav|ɡdˈɨbɨ tˈaɡ bˈɨwɔ, vʲˈɛdʑawbˌɨm ˈɔtɨm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_71.wav|zabjˈɛram ɡvawtˈɔvɲʲɛ dwˈɔɲ, fkwˈadam pˈalɛdʑ dɔː ˈust i zatʃˈɨnam ssˈatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_414.wav|tʃˈɛba kɔʒˈɨstadʑ z ɔkˈazji, zˈaɕmʲaw ɕɛ prɛzˈɨdɛnt.|0
+Dataset/wavs/urwisko_ferenc/43_segment_63.wav|bɔrˈɛvidʒ vˈɨjɔw s pɔrtfˈɛla vˌizɨtˈufkɛ, pɔ tʃɨm ɕɛ pˌɔʒɛɡnˈali i dʒvˈi za ix plɛtsˈami tɕˈixɔ pʃɨlɡnˈɛwɨ dɔ framˈuɡʲi.|0
+Dataset/wavs/urwisko_ferenc/44_segment_37.wav|ˈɔlɡʲɛrt mʲˈaw vraʒˈɛɲʲɛ, ʒˈɛ pxˈa ɕɛ f sˈam ɕrˈɔdɛɡ bˈuʒɨ. nˌatxɔdʑˈiwa s puwnˈɔtsɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_379.wav|na kˌɔrɨtˈaʒu znˈɔvu rɔzlˈɛɡwɨ ɕɛ kʃˈɨki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_165.wav|dɔstʃˈɛɡa zˈatɔ tsˈɔɕ innˈɛɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_62.wav|na ɛkrˈaɲʲɛ pɔjˈavja ɕɛ mwˈɔda kɔbjˈɛta stɔjˈɔntsa pʃɨ ɔtfˈartɛj brˈamjɛ skutˈɛɡɔ ʒɛlˈaza.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_67.wav|mˈama i tˈata ɕˈɛdʑɔ̃ s pʃˈɔdu pˌɔdɛkstsˌɨtɔvˈaɲi nˈaʃɨm nˈɔvɨm ʒˈɨtɕɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_84.wav|pʃɨnˈajmɲʲɛj ɲʲɛ f pˈɛwnɨm vɨmjˈaʒɛ ɡˈɔdʑin. pɔnˈattɔ zawˈɔʒɨw, ʒˈɛ mˈili zɔstˈawa pɔrvˈana z ulˈitsɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_154.wav|tɔ zdˌumjɛvajˈɔntsɛ, tsˈɔ mˈɔʒna dʑˈiʑ vɨɡʒˈɛbadʑ z ɔtxwˈaɲi ˌintɛrnˈɛtu.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_103.wav|maʃ tɔ pˌɔwɔntʃˈɛɲʲɛ na naswˈuxu?|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_232.wav|vidʑˈawam, jˈak ɕɛ ruʃˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_49.wav|pˈɔza tɨm i tˈaɡ bˌɛɲdʑɛ swˈɨxatɕ xˌaraktˌɛrɨstˈɨtʃnɨ tʃˈask pɔtɕˈisku pʃˌɛkratʃˌajɔntsˈɛɡɔ prˈɛntkɔʑdʑ dʑvʲˈɛŋku.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_42.wav|dʑɛŋkˈujɛ, sɔ̃ naprˈavdɛ pˈɨʃnɛ.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_226.wav|ɡˈɛndrɨ rˈuvɲʲɛʃ tɔ zˌauvˈaʒɨw.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_165.wav|dɔpˈuki tʃˈɨmaʃ tɛn pˈalɲik, ɲʲɛ spˈuʃtʃɛ tɕˈɛ z ˈɔtʃu, ɲʲɛ ɔddˈalɛ ɕɛ na vʲˈɛntsɛj ɲˈiʃ tʃˈɨ mˈɛtrɨ i ɲʲɛ vˈɛzmɛ ɲˈidʑ dɔ rˈɛŋki, ˌɔtpɔvʲˈɛdʑaw dˈalɛ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_172.wav|ɲʲɛdˈavnɔ pˌasɔvˈanɔ ɡˈɔ na rɨtsˈɛʒa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_87.wav|i mˈam zwˈɛ pʃɛtʃˈutɕa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_143.wav|i xˈɨba bˈardʑɔ drˈɔɡʲɛj fˈirmɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_68.wav|znˈuf jˌɛstɛm dʑˌɛɕɛɲtɕɔlˈatkɔ̃, ktˌura patʃˈɨwa mu ɡwɛmbˈɔkɔ w ˈɔtʃɨ, prˈaɡnɔnts utɕˈɛkatɕ i ɕɛ sxˈɔvatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_39.wav|zˌapɔmɲʲˈawɛm, ʒˈɛ mˈam w dˈɔmu tɛlˈɛfɔn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_308.wav|zɡubʲˈiwɛm ɕlˈat.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_217.wav|bˈɔrsɛm ɔ pˌɔrɔɕɲʲˈɛntɛj ʃtʃɛtɕˈinɔ̃ ʒˈuxfʲɛ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_71.wav|ʒˈɛbɨ pʃˈɛtkadʑ ɡˈardwɔ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_110.wav|ɲˈiɡdɨ ɕɛ ɲʲɛ dˈɔvʲɛʃ, jˈak ɲʲɛdˈɔbʒɛ mi ɕɛ rˈɔbʲi, ɡdˈɨ vˈidʑɛ tɕˈɛ f tɛj kɔmnˈatɕɛ, krˌulɔvˈujtsɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_23.wav|ɲʲˈa, tsˈɔ jɛzd dˈɔʑdʑ dʑˈivnɛ, ɲʲɛ vʲɛdʑˈawa dɔkwˈadɲʲɛ, ɡdʑˈɛ zˌatʃɨmˈawa ɕɛ mˈama dʑˈɛtɕi bɛndˈɔntsɨx pɔt jɛj ɔpʲˈɛkɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_255.wav|ˈɔprutʃ mɲʲɛ jˌɛstɛɕ jɛdˈɨnɔ̃ pˌɔzɔstˈawɔ̃ pʃɨ ʒˈɨtɕu ɔsˈɔbɔ̃ zˌamjɛʃˈanɔ̃ f tɛn ɲʲˌɛudˈanɨ spˈisɛk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_89.wav|kɕɛŋɡˈɔvɨ vjˈɛʒdʒa nɔɡˈami jˈak pˌɔraʒˈɔnɨ prˈɔndɛm. ɡdʑˈɛ ɔn jˈɛst?|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_239.wav|artsɨmaˈɛstɛr mˈarvin fpatrˈɨvaw ɕɛ pʃˈɛs xfˈilɛ w ɕfʲˈɛtsɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_40.wav|pˈatʃɨ na ɲʲˈɛɡɔː ˈufnɨm vzrˈɔkʲɛm, pˈuʃtʃa jˈɛɡɔ dwˈɔɲ i vbjˈɛɡa pɔ sxˈɔdax, nˌajvɨrˈaʑɲʲɛj ˌuspɔkɔjˈɔna i ɲʲˌɛɕfʲadˈɔmɔ napʲˈɛɲtɕa, ktˌurɛ tˈu panˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_70.wav|zdaʒˈawɔ mi ɕɛ stˈavadʑ dɔ ɡrˈɨ, ɡdˈɨ ʃˈansɛ bˌɨwɨ mɲʲˈɛjʃɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_30.wav|tɔ z dalˈɛka ɕmʲˈɛrdʑi prˌɛmɛdɨtˈatsjɔ̃ i w ɡrˈɛ fxˈɔdʑi tˌɨlkɔ zabˈujstfɔ pʲɛrʃˈɛɡɔ stˈɔpɲʲa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_147.wav|jˈɛɡɔ vɨznˈaftsɨ muɕˈɛlibˌɨ uvʲˈɛʒɨtɕ w istˈɔtɛ vˈɨʃʃɔ̃ ɔt ɲʲˈɛɡɔ, a tɔ ɲʲɛ fxˈɔdʑi w raxˈubɛ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_91.wav|pɔ jˈɛɡɔ ɕmʲˈɛrtɕi vˌɨɲʲɛɕˈɔnɔː ˌɔɕmʲɔlɛtɲʲˈɛɡɔ xwˈɔptsa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_110.wav|ʒˈɛbɨ vɨvˈabʲitɕ jˈɔ̃ z dˈɔmu w mʲˈɛjstsɛ, f ktˌurɨm zɔstˈawa zadʑɡˈana nˈɔʒɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_122.wav|dɔmˈiɲik pʃˈɛrvaw, a ja tʃˈuwam, ʒˈɛ tˈɛras trˈudɲʲɛj jɛst mu ˈɔtɨm mˈuvitɕ.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_151.wav|tsˌɨnamɔnˈɔvɨ vʲˈatr pɔnˈɔvɲʲɛ mˈuɕaw ɕɛ pˈɔddatɕ inspˈɛktsji.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_22.wav|ɕmʲˈali ɕɛ s trˈumpa, kʲˈɛdɨ zˌapɔvʲˈadaw, ʒˈɛ uzdrˈɔvi ɡˌɔspɔdˈarkɛ i prˈɔʃɛ, jɛst tsˈɔras lˈɛpʲɛj, tsˈɔras lˈɛpʲɛj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_62.wav|xˈɔtɕ mˈɔʒɛ ɲʲɛ ˈaʃ tˈak ɲʲɛvˈinɲʲɛ, tsˈɔ?|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_84.wav|pɔmˈɨɕlaw viktˈarjɔn. ɲʲˈɛx ˌɔpɔvʲˈɛdʑɔ̃, tsˈɔ ɕɛ tˈu stˈawɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_38.wav|ɲʲɛ vʲɛdʑˈawam, jˈaka mˈɔʒɛ tʃˈɛkatɕ mɲʲɛ kˈara, jˈɛɕli ɲʲɛ vɨvʲˈɔ̃ʒɛ ɕɛ zˈɛ sfˈɔiɣ zˌɔbɔvʲˈɔ̃zaɲ. pˌɔzɔstavˈawɔ mi jˈɛdnɔ rˌɔzvʲɔ̃zˈaɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_318.wav|zˌapɛvɲˈiwa tsɛrsˈɛi. vˈɨɕlij vʲadˈɔmɔʑdʑ dɔ dwuɡʲˈɛɡɔ stˈɔwu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_88.wav|ˌalɛ ɲʲɛ zˌatʃɨmˈawam ɕɛ jˈuʃ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_19.wav|tˈɔm zdˌɛtsɨdˈɔvaw, ʒˈɛ bˈɛtskɨ i kˈit mˈɔɡɔ̃ pʃɛswˈuxatɕ strakˈana.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_41.wav|ktˈɔ ɕɛ ɲʲˈɔ̃ zˈajmʲɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_8.wav|artsˈadɛ zɡvˈarɛ jɛst tsɛntrˈalnɨm pˈuŋktɛm pɔʑˈɔmu zˌɛrɔvˈɛɡɔː ˈɔlt rˈina i lˈɛʒɨ dɔkwˈadɲʲɛ f sˈamɨm ɕrˈɔtku bˈaɲki.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_70.wav|tsˈɔː ˌɔna tˈam zˌɔbatʃˈɨwa?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_4.wav|pɔ ɕrˈɔtku stˈaw stˈuw ˌɔraz dvˈa pʃˌɨzvɔˈitɛ kʃɛsˈɛwka.|0
+Dataset/wavs/urwisko_ferenc/44_segment_39.wav|mʲˈaw jˈɛʃtʃɛ trˈɔxɛ tʃˈasu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_91.wav|mˈuɕi pˈaɲi vʑˈɔɲtɕ na ɕˈɛbjɛ tʃˈɛɲɕtɕ ˌɔtpɔvʲˌɛdʑalnˈɔɕtɕi za tˈɛ traɡˈɛdjɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_52.wav|zˈɛspuw ˌinfɔrmatˈɨtʃnɨ vɨʃˈukaw jˈuʃ xˈaswɔ f plˈiku, ktˌurɨ pɔbrˈali s kˌɔmputˈɛra mˈartɨ pˈɔrtɛr i pʃˈɛswaw jˈɛ tɔmˈɔvi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_78.wav|ɲˈitsk mˈuvi tɔ tˈak, jˈaɡbɨ bˈɨw mˈɔtsnɔ zˌaskɔtʃˈɔnɨ, bˈa vrˈɛntʃ sʃˌɔkɔvˈanɨ i bʲˈillɨ vʲˈɛ, ʒˈɛ kwˈamjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_96.wav|pˈavladʒ vɨjˈaɕɲʲa xˈɔff i ɲi mɲʲˈɛj, ɲi vʲˈɛntsɛj markˈujɛ stʃˈaw s kˌarabʲˈinu.|2
+Dataset/wavs/urwisko_ferenc/20_segment_4.wav|ˌalɛ na pˈɛvnɔ ɲʲɛ jɛst tɔ pˈana ʒˈɔna.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_45.wav|mˈa zwamˈanɛ sˈɛrtsɛ, pɔvʲˈɛdʑaw. ˌalɛ ktˈɔ ɲʲˈɛma kwɔpˈɔtuf sɛrtsˈɔvɨx?|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_78.wav|dˈalɛ i sˈanxɛs patʃˈɨli nˈamɲʲɛ z dˌɛspɛrˈatsjɔ̃ w ˈɔtʃax.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_121.wav|drˈuɡɔ̃ pɔwˈɔvɔ̃ bˈɨw sˈɛr ˈadam mˈarbrantt.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_12.wav|ɡwˈɔs kɔbjˈɛtɨ, ɲʲˌɛnalɛʒˈɔntsɨ jˈɛdnaɡ dɔ mˈamɨ. ɲʲɛ rˌɔzumjˈawa swˈuf, ˌalɛ bʒmʲˈaw dˈɔɕtɕ ˌɔprɨsklˈivʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_67.wav|tɔ dˈɔɕtɕ trˈudnɛ, bˈɔ mˈarta vʲˈɛ fʃˈɨstkɔ na tˈɛmat fˈirmɨ. vʲˈɛ, ɡdʑˈɛ pˌɔxɔvˈanɔ fʃˈɨstkʲɛ trˈupɨ. jˈɛɕli mˈɔɡɛ tɔ tˈak ˈujɔɲtɕ.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_140.wav|uɕmʲˈɛxnɔw ɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_112.wav|tʃˈɛba bˌɨwɔ ɕtɕˈɔɲtɕ lˈɔrda stˈarka ɡdʑˈɛ ˈiɲdʑɛj, s ʃatsˈuŋku dla bwˌɔɡɔswˌavʲɔnˈɛɡɔ bˌaɛlˈɔra, ˌalɛ ɲʲɛ zˌapɔminˈajmɨ, ʒˈɛ tɛn tʃwˈɔvʲɛɡ bˈɨw zdrˈajtsɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_131.wav|bɨwˈɔbɨ mi pʃˈɨkrɔ, ɡdˈɨbɨɕ mʲˈawɔ mɲʲɛ tˈakʲɛ zdˈaɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_39.wav|pʃɛnˈɔʃɛ pʃˌɛraʒˈɔnɛ spɔjʒˈɛɲʲɛ na ˈaʃa. tɔ ɲʲɛ mˈɔʒɛ bˈɨtɕ prˈavda.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_73.wav|xˈɨba pˌɔmɨɕlˈawam ɔ fʃˈɨstkim.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_6.wav|uznˈafʃɨ, ʒˈɛ tɔ taksˈufkaʃ, pɔdbjˈɛɡam dɔ dʒvˈi pɔprˈɔɕitɕ, bˈɨ zatʃˈɛkaw. kʲˈɛdɨ jˈɛ ɔtfʲˈɛram, mˈɔim ˈɔtʃɔm ˌukazˈujɛ ɕɛ kɔbjˈɛta mɲʲˈɛj vʲˈɛntsɛj w mˈɔim vʲˈɛku, wˈadna, z vwɔsˈami ˌupʲɛntˈɨmi f kˈɔk.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_407.wav|lɛʒˈawa tˈak sˈamɔ pʲˈɛŋkna jˈak ftʃˈɔraj, pʃɛtftʃˈɔraj.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_88.wav|vʲˈɛm, kˈim ˌɔna jˈɛst.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_168.wav|tʃɨ vˈɨjdɛ za jˌamjɛˈɛɡɔ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_153.wav|tɔ jɛj ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ pʃɛkˈɔna, ʒˈɛ ɲʲɛ skɔʒˈɨstaw z ɔkˈazji pˈuʑɲʲɛj, jˈak jˈuʃ nˈabraw vzɡlˈɛndnɛj pɛvnˈɔɕtɕi, ʒˈɛ ɡˈɔ ɲʲɛ zaʒˈɨɡa, ˌaɲi ɲʲɛ ˈɔtskɲʲɛ ɕɛ f trˈaktɕɛ i ɲʲɛ stˈavi mu ɔpˈɔru.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_219.wav|ja bˌɛndɛ lˈatatɕ s tˌɨmi lˈudʑmi ɔt mʲˈasta dɔ mʲˈasta. jˌɛstɛm lɔtɲˈikʲɛm. bjɛʒˈɛmɨ zˈɛ sˈɔbɔ̃ samˈɔlɔt. tˈak jɛst ʃˈɨptɕɛj.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_3.wav|ʒˈɛtʃnɛ ʃtʃupˈaki pʲɛtʃˈɔnɛ w ʑˈɔwax i twutʃˈɔnɨx ɔʒˈɛxax.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_21.wav|tˈuwuv ɡˈɔɕtɕa ˌɔkrɨvˈawɔː indjˈaɲskʲɛ pˈɔntʃɔ zdˈɔbnɛ f xˈaftɨ ɡurˈali karpˈatskix.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_44.wav|ɲˈits ɕɛ ɲʲɛ stˈaɲʲɛ, jˈɛɕli pˈujdʑɛ z ɲʲˈɔ̃ dɔ wˈɔʒa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_22.wav|tʃˈujɛ fstrˈɛnd dɔ sˈamɛj ɕˈɛbjɛ. ɲʲɛ xtɕˈawam bˈudʑitɕ w ɲˈim ʒadnˈɛɡɔ pɔtʃˈutɕa vˈinɨ, a ɲˈikt ɲʲɛ dbˈa ɔ bˌɛspʲɛtʃˈɛɲstfɔ dʑˈɛtɕi tˈak jˈaɡ dɔmˈiɲik.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_100.wav|dʑˈɛŋki.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_63.wav|prɛzˈɛntɛr mˈuvi tsˈɔɕ w rɛˈaktsji nˈatɔ vɨznˈaɲʲɛ, a ja tʃˈujɛ na sˈɔbjɛ spɔjʒˈɛɲʲɛ mˈatki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_40.wav|bˈɨw tˈɛʒ vɨɕˈɛŋɡɲik s kˈɔʃɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_200.wav|dɔstˈanɛ z vˌɨpʃɛdʑˈɛɲʲɛm sˈɨɡnaw, ʒˈɛ ˌɛkstradˈɨtsja alˈɛna ɕɛ zblˈiʒa, pɔvʲˈɛdʑaw ɲˈitsk, sˈɔntʃɔndʑ brˈandɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_216.wav|tɛn ɡˈɔɕtɕ mˈuvi z aktsˈɛntɛm pˌɔvʲɛdʑˈawa dɔrˈɔtxɨ.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_277.wav|pˈɔtɛm jˈɛdnak, ɡdˈɨ jˈamɛ zˈɔstaw sˈam f kɔmnˈatɕɛ w vʲˈɛʒɨ, ktˌurɔ̃ pʃˌɨdʑɛlˈɔnɔ mu na nˈɔts, zˈatʃɔw ɕɛ zˌastanˈavʲatɕ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_113.wav|blˈatskfiʃ pʃɨmrˈuʒɨw pɔvʲˈɛki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_136.wav|tsˈɔ za ɡˈɔɕtɕ, mˈuvi dʒˈim zˈɛ ɕmʲˈɛxɛm. pravdʑˈivɨ pʲˈɛŋkɲiɕ, tsˈɔ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_167.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/urwisko_ferenc/20_segment_66.wav|dlatʃˈɛɡɔ pˈan mɲʲɛ ˈɔɲʲɔ̃ pˈɨta? zˌaintˌɛrɛsˈɔvaw ɕɛ ɡɔspˈɔdaʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_16.wav|tʃɨm mˈɔɡɛ pˈaɲi swˈuʒɨtɕ? zapˈɨtaw spʃɛdˈaftsa. mʲˈaw na sˈɔbjɛ tʃˌɨtʃɛɲɕtɕˈɔvɨ ɡarɲˈitur.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_205.wav|bˈɛs ʃˈans na pˈɔvrut. rˌɨzɨkujˈɛmɨ tsˈawɔ̃ sfˈɔjɔ̃ pʃˈɨʃwɔɕtɕ, vʲˈɛnts tʃɨ mˈɔɡwabˌɨɕ ɕɛ zdˈɔbɨtɕ na ˌɔdrɔbʲˈinɛ ɡʒɛtʃnˈɔɕtɕi?|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_90.wav|kʲˈɛdɨ vratsˈali dɔ dˈɔmu, tsˈad zˈafʃɛ tsuxnˈɛwa mˈɔrskɔ̃ vˈɔdɔ̃ i rɨbˈami.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(87) R.Abbott_Zamknij Drzwi_segment_19.wav|ftɕˈɔŋɡam jˈɛ pɔspʲˈɛʃɲʲɛ dɔ ɕrˈɔtka, a tˈamtɕi zˌatʃɨnˈajɔ̃ ɕɛ zblˈiʒatɕ, dˈajɔnts sˈɔbjɛ znˈaki rɛŋkˈami.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_23.wav|pɔvʲˈɛdʑaw ɔdlˈɛɡwɨ ɡwˈɔs.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_115.wav|i vʑˈɔw lɛʒˈɔntsɨ tˈam ʒɛlˈaznɨ drˈɔŋk i vˈɔlnɔː ɔdvˈinɔw ɡˈɔ s papʲˈɛru.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_26.wav|f tˌɛlɛfˈɔɲʲɛ pˈannɨ pˈɔrtɛr ɲʲˈɛma zˌapisanˈɛɡɔ xˈaswa dɔː ix ɕˈɛtɕi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_10.wav|ɲˈits ɲʲɛ pˌɔvʲɛdʑˈawam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_118.wav|ˌɔbjɛtsˈawam, ʒˈɛ dɔ dʑˈiɕ pʃɛkˈaʒɛ mu ˌɔstatˈɛtʃnɔ̃ dɛtsˈɨzjɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_163.wav|ˌalɛ tɔ jˈɛdɛn s tɨx tfˈɔix pɔmˈɨswuf, ktˌurɛ tʃasˈami ˌɔkazˈujɔ̃ ɕɛ zabˈavnɛ. vʲˈɛʃ, tɨ jˌɛstɛɕ jˈak pʲˈɛs, ɡɔˈɔfɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_149.wav|pˌɔwɔʒˈɨwɛm ɕɛ na sfˈɔim tɕˈɔŋɡlɛ ɲʲˌɛzaswˈanɨm wˈuʃku.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_65.wav|tɔ jˈuʃ nˈaz dvˈux tˈakix jɛst f tɨm mʲˈɛɕtɕɛ, sˈɨnu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_2.wav|prˌatsɔvɲˈitsa ɔpʲˈɛki spɔwˈɛtʃnɛj, ʃtʃˈupwa kɔbjˈɛta ɔ vˈɔ̃skʲɛj tfˈaʒɨ, pʃɛtstˈavja ɕɛ jˈakɔ dʒˈanɛt.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_112.wav|tɔː uwˈatfi mu ɔdˈɛjɕtɕɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_175.wav|i s tˌɛɡɔ tʃˈaru, tsˈɔ ɕɛ bjˈɛʒɛ ɲʲɛ vʲadˈɔmɔ skˈɔnt.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_5.wav|mˈam rˈɔtʃɛ tɛ swˈɔva pɔt nˈɔsɛm, kʲˈɛdɨ zblˈiʒam ɕɛ dɔː ˈawta i natɕˈiskam pilˈɔta, ʒˈɛbɨ ɡˈɔː ɔtfˈɔʒɨtɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_36.wav|pʃˌɨjatɕˈɛla lˈup partnˈɛra.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_42.wav|xtsˈɛ, ʒˈɛbɨ jɛj tˈata...|4
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_36.wav|musˈimɨ ɲʲˈɛtsɔ ɡwˈɛmbjɛj pɔkˈɔpatɕ w jˈɛɡɔ ʒˈɨtɕu. zˌɔbatʃˈɨmɨ, tsˈɔ vˌɨɡʒɛbjˈɛmɨ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_446.wav|pɔ tsˈɔ nˌastavˈiliɕtɕˌɛ mi kˈɔɕtɕi i ˌɔtʃɨɕtɕˈiliɕtɕˌɛ rˈanɨ, jˈɛɕli mˌatɕɛ zˈamjar mɲʲɛ pɔvʲˈɛɕitɕ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_119.wav|ˌalɛ w mˈɔim mʲɛʃkˈaɲʲu fʃˈɨstkɔ bˌɨwɔ pɔ starˈɛmu. f pɔvʲˈɛtʃu lɛɲˈivʲɛ pwɨvˈawɨ drɔbʲˈinɨ kˈuʒu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_465.wav|pɔvʲˈɛdʑaw dɔ jakʲˈɛɡɔɕ mˌɛksɨkaɲˈina, na kturˌɛɡɔ plˈɛtsaɣ vˈidɲʲaw nˈapis jˈɔurs ˈand dˈɛ ˈɔtxɛrs.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_125.wav|ˈɔx, pˌɔvʲɛdʑˈawa jˈudɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_3.wav|vˈidʑaw bˈul mˌalujˈɔntsɨ ɕɛ na tfˈaʒɨ mɛ̃ʃtʃˈɨznɨ, ktˌurɨ dɔpʲˈɛrɔ pɔ xfˈili dˈɔʃɛd dɔ ɕˈɛbjɛ, pɔ tʃɨm jˈɛŋknɔw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_16.wav|na jˈɛɡɔ ʃtʃˈupwɛj tfˈaʒɨ malˈɔvaw ɕɛ jˈɛdnaɡ vˈɨras udrˈɛŋki, a tʃˈarnɛ brvˈi nad ɡwɛmbˈɔkɔː ˌɔsadʑɔnˈɨmi ɔtʃˈami ˌutrudɲʲˈawɨ ɔtsˈɛnɛ jˈɛɡɔː ˈutʃutɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_141.wav|ɔtpˈɔvʲɛdʑ vɨdˈajɛ ɕɛ ˌɔtʃɨvˈista.|2
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_31.wav|i z rɛɡˈuwɨ ʑlˈɛ ɕɛ kˈɔɲtʃɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_252.wav|ɲʲɛ rɔzˈumjɛm tɕˈɛ, rˈudɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_88.wav|ja tˈɛʃ ɲʲɛ ˈumjɛm tˌɛɡɔ zrˈɔbʲitɕ, pɔvʲˈɛdʑaw. f kˈɔɲtsu mʲɛʃkˈamɨ jˈuʃ jˈakiɕ tʃˈaz zˈɛ sˈɔbɔ̃, tɔ jˈaɡbɨ nˈaʃɛ dʑˈɛtskɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_100.wav|rˈas, kʲˈɛdɨ dʒˈimmɨ dɨkˈɛman zbʲˈiw kamjˈɛɲʲɛm ˈɔknɔ buʒˈɔvɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_104.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_106.wav|tˈata pɔkrˈɛɲtɕiw pɔvˈɔli ɡwˈɔvɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_80.wav|tɔ tˈɔm i bˈɛtskɨ. zamjˈɛʒam im pɔvʲˈɛdʑɛtɕ, ɡdʑˈɛ bˌɨwɛɕ i s kˈim ɕɛ spɔtkˈawɛɕ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_232.wav|krulˈɔva ɔdvʲˈɔdwa kɨbˈɛrna na bˈɔk i ˌɔpɔvʲɛdʑˈawa mu ɔ ʃalˈɛɲstfʲɛ sˈɛr balmˈana.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_14.wav|pˌɔvʲɛdʑˈawa nˈavɛt, ʒˈɛ jˈɛɕli kˈatɛ jɛj pɔzvˈɔli, mˈɔʒɛ zˈajɔɲtɕ ɕɛ ɡˌɔtɔvˈaɲʲɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_54.wav|ɲʲɛ vɨdˈajɛ mi ɕɛ, ʒˈɛbɨ tɔ bˈɨw fˈatsɛd zdˈɔlnɨ zˈadatɕ sˈɔbjɛ tˈɨlɛ trˈudu, jˈɛɕli vˈidʑaw dʑˈɛtskɔ tˌɨlkɔ rˈas i tɔ z dalˈɛka.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_335.wav|stˈaɲis s pɛvnˈɔɕtɕɔ̃ bˈɨ jˈɛ spʃˈɛdaw, ʒˈɛbɨ pˈɔkrɨtɕ kˈɔʃtɨ sfˈɛɡɔ bˈuntu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_186.wav|jˈɛʃtʃɛ dvʲˈɛ, a tʃˈɛtɕɛj ɲʲɛ pʃɨjˈɔwɛm, bˈɔ tsˈɛl...|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_268.wav|mɛ̃ʃtʃˈɨzna f xˈɛwmʲɛ ɔɡˈara vɨʃˈarpnɔw tˈɔpur, ktˌurɨ vˈiɕaw ˈu ɕˈɔdwa. xtsˈɛ jɛj ˈɔptɕɔɲtɕ tɛ xɔlˈɛrnɛ kulˈasɨ!|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_82.wav|a ja pˈujdɛ dɔː ˈɛstɛr i pˈɔvʲɛm jɛj, ʒˈɛ rɔsxˈɔdʑɛ ɕɛ z ɲʲˈɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_442.wav|a bɛɲdʑˌɛmɨ mʲˌɛli ɡdʑˈɛ vɨsˈɨwatɕ. pˈuɕtɕiw kʲˌɛrɔvɲˈitsɛ, ʒˈɛbɨ vɨkˈɔnatɕ tɛn rˈux wɔktɕˈami.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_360.wav|xtsˈɛ im dˈatɕ smˈɔki, a ˌɔɲi dˌɔmaɡˈajɔ̃ ɕɛ vinˈɔɡrɔn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_59.wav|dˈanɨ fˈatsjɔ zapˈɛvnɛ tˈɛʃ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_57.wav|prˈavɔ jˈazdɨ ɕɛ pʃɨdˈawɔ, bˈɔ bˈɨw nˈaɲim ˈadrɛs.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_23.wav|pɔvˈɔli vɨpˈuʃtʃam pɔvʲˈɛtʃɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_120.wav|dʑɛftʃˈɨna pʃɛstˈawa xrˈapatɕ, ˌalɛ nˈadal dɨɡˈɔtʃɛ. mˈɔkrɨ strˈɔŋɡ vwˈɔsuf lˈɛʒɨ na jɛj pɔlˈitʃku. bʲˈillɨ pɔxˈɨla ɕɛ i ɡˈɔː ɔdɡˈarɲʲa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_158.wav|i pɔkrˈɨtɔ̃ bjawˈɨmi, pʲˌɔnɔvˈɨmi liɲʲˈami. zˌapalˈiwɔ ɕɛ nˈaɡlɛ ɕˈilnɛ ɕfʲˈatwɔː i...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_28.wav|kʲˈɛdɨ ɕɛ rˌɔsstavˈaliɕmˌɨ,|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_278.wav|ˈɛdvin mʲˈaw vˈɔ̃skɔ zˌatɕiɕɲʲˈɛntɛ ˈusta s kˈɔmptsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_209.wav|ɲˈitsk ˌɛnɛrɡʲˈitʃɲʲɛ kˈivaw ɡwˈɔvɔ̃. — vʲˈɛm, bʲˈillɨ, tɔ bˌɨli sˈami ʑlˈi lˈudʑɛ. tˌɨlkɔ ɕɛ s tˈɔbɔ̃ drˈaʒɲʲɛ. — pˈij.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_144.wav|tˌɨlkɔ tˈutaj ɲʲɛ stˈawɔ ɕɛ ɲˈits. tfˈaʃ kɔbjˈɛtɨ vɨkʃˈɨviw spˈazm, lˈɛtʃ ɲʲɛ zˌavdʑɛntʃˈawa tˌɛɡɔ mɛ̃ʃtʃˈɨʑɲʲɛ lˌɛʒɔntsˈɛmu ˌɔbɔk ɲʲˈɛj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_26.wav|zamˈuvitɕ tɕi jˈɛʃtʃɛ jˈɛdnɔ̃ kˈɔlɛ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_118.wav|skˈinɔw na barmˈana i bˈarman znˈuf pʃˈɨɲʲuz dvʲˈɛ ʃklˈaŋki, xwˈɔdnɛ i pɔkrˈɨtɛ rˈɔsɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_15.wav|skˈɔnd brˈaw pʲɛɲʲˈɔndʑɛ na ˌɔpstavʲˈaɲʲɛ i ɡdʑˈɛ zabjˈɛraw vɨɡrˈanɛ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_102.wav|vʲˈɛ pˈan pʃɨnˈajmɲʲɛj s kˈim?|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_50.wav|ɔ znˌajdɔvˈaɲʲu ɔtˈuxɨ w ɲʲɛzmʲˈɛnnɨx frɨzˈurax i pɔstˈavaɣ ʒɨtɕˈɔvɨx. ɔ rˌivɛrdˈalɛ, ɡdʑˈɛ tʃˈas stˈɔi w mʲˈɛjstsu.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_155.wav|tɨmtʃˈasɛm bˈɔb zˈamknɔw ʃtʃˈɛlɲʲɛ vɛvnˈɛntʃnɨ vwˈas i zˈajɔw ɕɛ kˈɔrbɔ̃ f pɔblˈiʒu vˈɨjɕtɕa na zˈɛvnɔntʃ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_71.wav|pˌɔʒɨtʃˈɨwɛm pʲɛɲʲˈɔndʑɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_246.wav|ɔstˈatɲʲɔ mˈɔjɛ kˈɔʃtɨ vzrˈɔswɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_49.wav|zjˈɛtɕ na pɔbˈɔtʃɛ, mˈuvjɛ. na pɔbˈɔtʃɛ!|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_74.wav|tsɛrsˈɛi pɔtʃˈuwa, ʒˈɛ zˈasxwɔ jɛj w ˈustax. pɔtʃˈɛbnɨ mi kʲˈɛliɣ zwɔtˈɛɡɔː ˌarbɔrskʲˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_133.wav|ɡdˈɨ dʒˈɛjn pˈɔtʃɛd blˈiʒɛj, fʃˈɨstkʲɛ fstˈawɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_116.wav|spʃˈɛdaj tɛ dˈɔmɨ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_268.wav|ɡˈɛnna pˌɔtɕɔŋɡnˈɛwa kɔlˈɛjnɨ wˈɨɡ vˈina.|1
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_33.wav|tˈaɡ vʲˈɛnts tsˈawɨ kˈɔʃt ˌɔɡraɲˈitʃɨw ɕɛ dɔ dvˈux pˈif.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_256.wav|fʃˈɛd dɔ bˈaru i stˈaw tˈam w ɕrˈɔtku, pˈatʃɔnts na bwɨʃtʃˈɔntsɔ̃ maʃˈɨnɛ dɔː ɛsprˈɛssɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_341.wav|dˈɔdaw. tˌɨlkɔː ˌanalizˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_28.wav|ktˈɔɕ ɔɡlˈɔnda vʲˌadɔmˈɔɕtɕi. tɔ s pɛvnˈɔɕtɕɔ̃ zˈɔɛ, bˈɔ dɔ mˈɔix ˈuʃu dˌɔbjɛɡˈajɔ̃ rˈuvɲʲɛʒ ɡwˈɔsɨ s kˈuxɲi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_36.wav|a utʃˈutɕɛ ɲʲˌɛpɔkˈɔju stɔpɲʲˈɔvɔ xɔvˈawɔ ɕɛ w mˈɔjɛj ɡwˈɔvʲɛ f pudˈɛwku z napˈisɛm|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_15.wav|ɲʲˈɛmal fʃˈɨstkʲɛ vʲɔ̃zˈawɨ ɕɛ zˈɛ ɕfʲˌadɔmˈɔɕtɕɔ̃, ʒˈɛ ɔddˈawam dʑˈɛtskɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_447.wav|mʲˌɛndʑɨ pʃˌɨpɔrˈami mˈuruf kutsˈali malˈaʒɛ z rˈɔsji, ˌukraˈinɨ ˈalbɔ z bjˌawɔrˈuɕi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_69.wav|jˈak mʲˈawabˌɨm ɡˈɔ pɔfstʃˈɨmatɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_36.wav|ɲʲɛ zɡrˈɨvaj ɕɛ, skˈartɕu mɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_59.wav|pʲɛrvˈɔtnɛ ʃˈansɛ na vɨɡrˈanɔ̃ bˌɨwɨ jˈɛdnak pʃɛtɕˈifkɔ mɲʲɛ, a ja ɲˈiɡdɨ ɲʲɛ pʃˌɛvidʑˈawabˌɨm takʲˈɛɡɔ vɨɲˈiku.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_105.wav|mruknˈɛwa mˈaɡɡʲɛ straʃlˈivɨm, ɲˈiskim ɡwˈɔsɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_72.wav|mˌajɔ̃ vrˈutɕitɕ f pʃˈɨʃwɨm tɨɡˈɔdɲʲu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_240.wav|i mˈɨɕl ˈɔtɨm stˈarɨm pˌɔvʲɛdʑˈɛɲʲu, ʒˈɛ jˈɛɕli ˌuratˈujɛʃ kˈɔmuʑ ʒˈɨtɕɛ, jˌɛstɛʑ za ɲʲˈɛɡɔː ˌɔtpɔvʲɛdʑˈalnɨ.|2
+Dataset/wavs/urwisko_ferenc/23_segment_43.wav|katʃmˈartʃɨk ˈuɕad nˌapʃɛtɕˈifkɔ ɲʲˈɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_135.wav|dɔrˈadʑi tɕˈi, jˈaɡ zˌɔrɡaɲizˈɔvatɕ pʃɛlˈɛvɨ na tfˈɔjɛ vwˈasnɛ kˈɔntɔː i skˌɔntaktˈujɛ tɕˈɛ z dɔrˈattsɔ̃ pˌɔdatkˈɔvɨm.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_166.wav|a ja bˌɛndɛ jɛxˈawa tˈuʒ za tˈɔbɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_26.wav|xˈɔtɕ nˈatɨm ɕfʲˈɛtɕɛ mˈawʒɛ bˌɨwɨ pˌɔspɔlˈitɛ jˈaɡ bwˈɔtɔ, a pˌɔmarˈaɲtʃɛ ʒˈatkʲɛ i kɔʃtˈɔvnɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_3.wav|ja dˈam rˈadɛ, ʒˈadɛn prˈɔblɛm.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_409.wav|i krˈɛvnɨm rˈuvɲʲɛʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_140.wav|pɔvʲˈɛdʑaw tsˈɔɕ pɔ frantsˈusku, fskazˈujɔnts na sfˈɔjɛ mʲˈɛjstsɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_8.wav|ɲʲɛktˌurɛ pɔpʃˈɛdɲʲ�� ftɕɛlˈɛɲʲa mʲˌawɨ pɔʒˈɔndnɛ papʲˈɛrɨ, ˈinnɛ mɲʲˈɛj.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_326.wav|pˈɛvʲɛn pʃɨjˈatɕɛl xtsˈɛ ɕɛ zˈɛmnɔ̃ spˈɔtkatɕ, ˌalɛ kʲˈɛdɨ ɔstˈatɲim rˈazɛm pˈɔʃwam na spɔtkˈaɲʲɛ, ˌɔkazˈawɔ ɕɛ, ʒˈɛ tɔ zasˈatska.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_152.wav|tˈak pˌɔstɛmpˈujɛ pʃˌɨzvɔˈitɨ tʃwˈɔvʲɛk.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_41.wav|i ɔtkrˈɨwɛɕ tsˈɔɕ ɲʲˌɛzvɨkwˈɛɡɔ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_91.wav|pamjˈɛntam, jˈak stsˈɔtt rˈɔbʲiw tˈɛ fˌɔtɔɡrˈafjɛ.|3
+Dataset/wavs/urwisko_ferenc/37_segment_23.wav|nˈabraw pɔvʲˈɛtʃa, bˈɔː ɛmˈɔtsjɛ kwɛmbʲˈiwɨ mu ɕɛ ɡdʑˈɛɕ pɔt mˈɔstkʲɛm i bˈaw ɕɛ, ʒˈɛ zˈaras ˌɛksplɔdˈujɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_11.wav|ɲʲɛ bˌɨwɔ tˈam ɲikˈɔɡɔː innˈɛɡɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_270.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/urwisko_ferenc/23_segment_143.wav|kˈaʒdɨ z nˈas xtsˈɛ znˈatɕ prˈavdɛ, vˌɨjaɕɲˈiwa.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_429.wav|i ɲˈiɡdɨ ɲʲɛ pʃɛpˈadaw za andˈɛrsɛm ˌirɔnvɔˈɔdɛm.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_81.wav|mˈa nadʑˈɛjɛ, ʒˈɛ rˈazɛm zˈɛ sfˈɨmi nˌajznamjˌɛɲitʃˈɨmi rˌɨtsɛʒˈami i kˌapitanˈami zjˈɛʒ z nˈami dʑˈiɕaj vʲɛtʃˈɛʒɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_77.wav|tɔ dˈɔbʒɛ zvaʒˈɨfʃɨ na wadˈunɛk, jˈaki pʃˈɨvʲuz.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_205.wav|jˈɛɕli tɔ ɲʲˈɛbɨw zvɨtʃˈajnɨ pʃɨpˈadɛk.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_89.wav|ɲˈim zdˈɔ̃ʒɨw ɕɛ zˌɔrjɛntˈɔvatɕ, z jˈɛɡɔː ˈuzd vˌɨpwɨnˈɛwa tsˈawa ɔpˈɔvʲɛɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_47.wav|ˌalɛ ʃˈɨpkɔ bˈɨ ɕɛ zˌɔrjɛntˈɔvaw, ktˈɔ tɔ. vˌɨstartʃɨwˈɔbɨ skɔʒˈɨstadʑ z ɡˌɔɔɡlˈɛa, bˈɨ ustˈalitɕ, ʒˈɛ zˈabʲiw sˈɨna mˌiljardˈɛra, ktˌurɨ pʃɨ ɔkˈazji jɛst pˌɛdɔfˈilɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_31.wav|tˈɔm vʲˈɛdʑaw, ʒˈɛ rɔzmˈɔva skɔɲtʃˈɔna.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_27.wav|bˈɔʒɛ, ˌalɛ bˌɨwam pˌɔmpatˈɨtʃna.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_411.wav|ˈɔtɨm jɛzd vwˈaɕɲʲɛ ta pʲɔsˈɛŋka, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_398.wav|mˈɔʒɛ sɔ̃ tˌɨlkɔ jˈakʲɛɕ tʃˈɨstɛ ʒˈɛki i tɕˈiʃa i...|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_95.wav|w lustˈɛrku fstˈɛtʃnɨm zˌɔbatʃˈɨwɛm, ʒˈɛ brˈama zasˈuva ɕɛ za nˈami. dɔ ɡwˈɔvɨ mu ɲʲɛ pʃˈɨʃwɔ, ʒˈɛ mˈɔɡwabˌɨʑ bˈɨtɕ ˌuzbrɔjˈɔna.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_152.wav|ɔn zrɔzˈumjɛ, tsˈɔ mu ˌɔpɔvʲˈadam?|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_171.wav|i ftˈɛdɨ zatʃˈɛwɔ ɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_22.wav|ɔd zˌakɔɲtʃˈɛɲʲa iɣ zvʲˈɔ̃sku ˌupwɨnˈɛwɔ jˈuʃ kˈilka lˈat, ˌalɛ jˈɛɕli faktˈɨtʃɲʲɛ bˈɨw tˈaɡ zabˈɔrtʃɨ, tɔ pɔvˈinɲi ɕɛ mu pʃˈɨjʒɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_144.wav|mˈuviw viktˈarjɔn, ɡdˈɨ klɛntʃˈawa ˌɔbɔk ɲʲˈɛɡɔ. mˈandɛr znˈɔvu jɛzd dla nˈas ɔtfˈartɨ, jˈaɡ za dˈavnɨx tʃˈasuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_107.wav|tˌɛɡɔ rˈaŋka ɲʲɛ bˌɛɲdʑɛ mˈɨɕlaw ɔ pɔˈɛzji i rɨsˈuŋkax mˈawɨɣ dʑɛftʃˈɨnɛk? mˈɔʒɛ pˈuʑɲʲɛj? i mˈɔʒɛ pˈuʑɲʲɛj tsˈɔɕ napˈiʃɛ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_155.wav|ɲʲˈɛvʲɛm, ɔ tsˈɔ mu xˈɔdʑi i xtsˈɛ bwˈaɡadʑ ɡˈɔ, bˈɨ pʃˈɛstaw, ˌalɛ ɲʲɛ mˈɔɡɛ ɕɛ ɔdˈɛzvatɕ.|3
+Dataset/wavs/urwisko_ferenc/35_segment_58.wav|— tsˈɔɕ pˌɔvaʒnˈɛɡɔ? — vˈɨtʃuw w jɛj ɡwˈɔɕɛ ɲʲɛpˈɔkuj. — ɲʲɛ, xˈɔdʑi ˈɔtɔ, ʒˈɛ mˈuʃɛ pʃˌɛnɔtsˈɔvatɕ ˈu tɕˈɛbjɛ, xwɔpˈaka. fʃˈɨstkɔ vɨjˈaɕɲʲɛ, ˌalɛ pˈuʑɲʲɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_430.wav|na ɡawˈɛ̃ʑaɣ dʒˈɛv vidʑˈawɛm lˈɛdvɔ znˈatʃnɛ ˌɔkruʃˈɨnɨ zˌavʲɔ̃zˈanɨx pˈɔŋkuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_95.wav|tˈɛras jˈɛdnaɡ dɔtɕˈɛra dɔ ɲʲˈɛɡɔ, ʒˈɛ istɲʲˈɛjɛ tˈɛʒ ɡwˈɛmpʃɨ, pravdʑˈifʃɨ pˈɔvut.|2
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_5.wav|ɡdʑˈɛ tˈɨrjɔn?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_14.wav|kʲˈɛdɨ pʃˈɨjdɔ̃ pʲɛɲʲˈɔndʑɛ z ˌubɛspʲɛtʃˈɛɲʲa, spwˈatsɛ dwˈuk.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_311.wav|a tˈɨ?|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_14.wav|pˈɔvʲɛts mi prˈavdɛ, pˈaɲi.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_153.wav|zˌɔstavˈili jˈɛdnak pɔɕˈiwɛk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_161.wav|ɲʲɛ vidʑˈawɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_47.wav|ɔpswˈuɡa xˌɔtɛlˈɔva|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_146.wav|ɲʲɛ znˈawɛm tfˈɔix rɔzmʲˈaruf, vʲˈɛndʑ zdˌɛtsɨdɔvˈawɛm ɕɛ na ˌɛlastˈɨtʃnɛ ubrˈaɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_153.wav|ktˈɔ ɕɛ bˈɔi virɡʲˈiɲʲa vˈɔɔlf kˈɔɲtʃɨ bʲˈillɨ kˈu jɛj rˌɔzbavʲˈɛɲʲu.|2
+Dataset/wavs/urwisko_ferenc/59_segment_116.wav|ˌalɛ jˈak? zdˌɛnɛrvɔvˈawa ɕɛ xˈɛrman i nˈaɡlɛ zrˌɔzumjˈawa. pʃˌɛtɕɛʃ mɨɕlˈawa ˈɔtɨm jˈuʃ ftʃˈɛɕɲʲɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_20.wav|mˈɨɕli, tʃɨ ɲʲɛ vwˈɔntʃɨtɕ tˌɛlɛvizˈɔra, ʒˈɛbɨ sprˈavdʑitɕ, tsˈɔ nɔvˈɛɡɔ w ɕlˈɛtstfʲɛ. mˈuɡwbɨ tˈɛʒ zˈɛrknɔɲtɕ f tɛlˈɛfɔn, tʃɨ ɲʲɛ pʃˈɨʃwɨ ɕfʲˈɛʒɛ nɔvˈinɨ z lɔkˈalnɛj ɡazˈɛtɨ.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_337.wav|zmɛntʃˈɔnɨ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_203.wav|sˌɛptɔnˈɔvʲɛ muvˈili, ʒˈɛ lˈidʒba ɕˈɛdɛm jɛst ɕfʲˈɛnta dla bˈɔɡuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_226.wav|ˈindjɔ, kɔxˈaɲʲɛ, ɲʲˈɛpwatʃ, prˈɔʃɛ.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_328.wav|ɡdˈɨ dʑɛftʃˈɨŋka jˈɛ pʃɨɲʲˈɔswa, ˈarja vɨpˈiwa tsˈawɨ kˈubɛk.|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_56.wav|pˈɔtɛm daˈilɨ sprˈɨskaw mˈuj tˈuwuf, rˈɛntsɛ i nˈɔɡʲi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_147.wav|ɔpˈarwa rˈɛntsɛ na bjˈurku i pˌɔxɨlˈiwa ɕɛ w jˈɛɡɔ strˈɔnɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_25.wav|ftɕˈiskam kˈaʒdɔ̃ z ɲˈix f skarpˈɛtɛ i zvʲɔ̃zˈujɛ jɛj ɔtfˈartɨ kˈɔɲʲɛts.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_11.wav|dlatˈɛɡɔ muɕˈawam tʃˈɛkatɕ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_71.wav|ˈɔx, kʲˈɛdɨ ɕɛ mʲˈaw!|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_109.wav|i zˌafstɨdʑˈiwɛm ɕɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_39.wav|ˈidɔnts, pˈatʃɨw na vznɔʃˈɔntsɛ ɕɛ i lˌɔndujˈɔntsɛ sˌamɔlˈɔtɨ i swˈɨʃaw rˈuvnɨ,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_243.wav|pɔdˈɛʃliɕmˌɨ dɔ dʒvˈi ɔbʲˈitɨɣ zˌardʑɛvʲˈawɔ̃ blˈaxɔ̃. ɔtfˈɔʒɨw jˈɛ klˈutʃɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_17.wav|bˈawam ɕɛ jˈɛʃtʃɛ bˈardʑɛj, ʒˈɛ znˌalɛʑˈɔnɔ tɕˈawɔ lˈiji i ʒˈɛ bˌɛndɛ pˌɔʃukivˈana za jɛj zˌamɔrdɔvˈaɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_426.wav|sˈɛr ˈɔsmunt pˈarsknɔw ɕmʲˈɛxɛm. a ˈilɔn mˈa lˈat.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_31.wav|zatʃˈɛkaj, ˈaʃ ja pˌɔprɔvˈadʑɛ nastˈɛmpnɨm rˈazɛm. jˈuʃ ɲʲɛ bˌɛɲdʑɛʃ mˈuɕaw xfˈɨtatɕ ɕɛ dʒvˈi, kʲˈɛdɨ vˈɛjdɛ w zˈakrɛnt. jˌɛstɛm ɔstˈatɲʲɔː ˌantɨtˈɛzɔ̃ bravˈurɨ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_70.wav|z nat tridˈɛntu vrˈutɕiw ɲʲˌɛvwaɕtɕˈivɨ mɛ̃ʃtʃˈɨzna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_43.wav|zˌamuvˈifʃɨ pɛrˈuki, kwˈadʑɛ jˈɛdɛn s tʃˈɨstɨɣ zɛʃˈɨtuf ˌɔbɔk sfɔjˈɛɡɔ laptˈɔpa i ɔɡlˈɔnda w ˌintɛrnˈɛtɕɛ dˈɔm i mʲɛʃkˈaɲʲa dɔ vˌɨnajˈɛɲtɕa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(89) R.Abbott_Zamknij Drzwi_segment_2.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, tsˈɔ ɕɛ vɨprˈavja pɔ drˈuɡʲɛj strˈɔɲʲɛ dʒvˈi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_26.wav|ˌɔɲi ɲˈits ɲʲɛ vʲˈɛdʑɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_262.wav|dlatʃˈɛɡɔː ˌɔdɛswˈawa kɛvˈana?|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_56.wav|vʲˈɛŋkʃɔʑdʑ z ɲˈix uvˈaʒa, ʒˈɛ tɔ ɲʲɛvdʑˈɛntʃnɛ zadˈaɲʲɛ, ktˌurɛ ɔttɕˈɔŋɡa ix ɔd vwaɕtɕˈivɛj prˈatsɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_208.wav|i smaɡnˈɛwa mɲʲɛ w ˈɔtʃɨ bjˈɛlɔ̃ tɨx ruxlˈivɨx pʲˈɛrɕi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_137.wav|pˈan mˈa ʒˌɛtʃɨvˈiɕtɕɛ ɡwˈɔvɛ jˈak ˌalɛksˈandɛr mˌatsɛdˈɔɲski. a!|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_299.wav|ubrˈaɲʲɛ nˌaɕɔŋknˈɛwɔ vˈɔdɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_8.wav|tʃˈuwam jɛj zˈapax, a nˈavɛt smˈak.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_103.wav|mˈɔndʒɛ i sprˌavʲɛdlˈivʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_307.wav|rɛɡˈɔlid zavʲˈɛra spˈɔrɔ ʒɛlˈaza. stˈaraj ɕɛ ɲʲɛ tʃˈɨmatɕ pwɔmjˈɛɲʲa zbˈɨd dwˈuɡɔ w jˈɛdnɨm mʲˈɛjstsu. f pʃɛtɕˈivnɨm rˈaʑɛ rˌɔstɔpʲˈɔnɛ ʒɛlˈazɔ zˈatʃɲʲɛ pʃɨvʲˈɛradʑ dɔ ʃtʃɛlˈinɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_87.wav|ɲʲɛ ʒˈɛbɨm mˈuviw, ʒˈɛ tfˈɔjɛ mʲɛʃkˈaɲʲɛ jɛzd zwˈɛ, dˈɔl.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_66.wav|jˈɛnnɨ ɕɛ ɲʲɛ pˌɔddavˈawa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_36.wav|dˌɔskɔnˈalɛ. uvʲˈɛlbjam, ɡdˈɨ mˈistɛr ɲʲˌɛɔprˌatsɔvˈanɨ plˈan vˈali ɕɛ s pɔvˈɔdu drɔbnˈɛɡɔ pʃˌɛɔtʃˈɛɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_80.wav|— mˈuʃɛ tˈam skˈɔtʃɨtɕ — mˈuvi ˈɛlis i pˌɔkazˈujɛ pˈaltsɛm. mˈa rumjˈanɛ pɔlˈitʃki. dɔː aptˈɛki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_92.wav|i tʃˈɛkatɕ, ˈaʒ vʲˈɛltsɨ panˈɔvʲɛ mˌɛtsɛnˈaɕi vˌɨkɔrkˈujɔ̃, dɔdˈajɛ dʒˈim.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_146.wav|bʲˈillɨ pɔznˈajɛ pɔ jɛj xˈɔdʑɛ, ʒˈɛ ftɕˈɔ̃ʃ jɛst ˌɔbɔlˈawa.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_26.wav|pˈudɛl nˈɔɕiw djˈadɛm? ɲʲɛ, mʲˌawɛm na mˈɨɕli vˈilda.|4
+Dataset/wavs/urwisko_ferenc/63_segment_91.wav|na rˈaʑɛ musˈimɨ zrˈɔbʲitɕ fʃˈɨstkɔ, bˈɨ ˌuɲiknˈɛwa pˈaɲi arˈɛʃtu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_33.wav|jakkˈɔlvʲɛk tʃˈuwam ɕɛ na kˈɔɲtsu, ɔn bˈɨw mˈɔjɔ̃ pʲˈɛrʃɔ̃ miwˈɔɕtɕɔ̃, a ɲʲɛpˈɔkuj, ktˌurɨ stˈalɛ nˈam tˌɔvaʒˈɨʃɨw, jɛdˈɨɲʲɛ pɔtsˈɨtsaw nˈaʃɔ̃ namjˈɛntnɔɕtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_24.wav|ˈɔtpar i vɨvrˈutɕiw ɔtʃˈami. ɡˈɛjɛm!|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_37.wav|zɔstˈawɨ pˈɔɲih tˌɨlkɔ pˌɔtʃɛrɲʲˈawɛ bˈɛlki.|1
+Dataset/wavs/urwisko_ferenc/20_segment_88.wav|jˈutrɔ ɡˈɔ dˈɔrvɛ. vˌɨtɕɛrˈatʃki tˈarwɨ ɔ ʃˈɨbɛ na najvˈɨʃʃɨm bjˈɛɡu, ˌalɛ i tˈak kʃtˈawtɨ i kɔntˈurɨ blˈɔkuf ɕɛ rˌɔzmɨvˈawɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_62.wav|ɲʲɛ spwˈatɕiw pʃˈɛstɔ sfˈɔix ɔtsˈɛtɛk, a zˈɛmsta tsˌamɛrˈɔna ˌɔkazˈawa ɕɛ ʃˈɨpka.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_46.wav|vʲˈɛʃ xˈɨba, ʒˈɛ lˈɛjɛ dˈɛʃtʃ dˈɔtknɔw pˈaltsɛm jɛj pɔlˈitʃka.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_118.wav|lˌɔuˈisa ˌuɕmʲɛxnˈɛwa ɕɛ dɔ ɲʲˈɛɡɔ bˈɛs swˈuf, pɔ tʃɨm skʲˌɛrɔvˈawa ɕɛ f strˈɔnɛ ɡrˈilla.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_69.wav|ɲʲɛ ˌɔtʃɛkˈujɛ ˌɔtpɔvʲˈɛdʑi i ʒˈadnɛj ɲʲɛ dɔstˈajɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_109.wav|jˌɛstɛɕ tˈam jˈɛʃtʃɛ? pˈɨta bˈutskɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_227.wav|i ɲʲˈɛtʃuw jˈuʃ ɲitʃˈɛɡɔ. vʲˈatr idˈɔntsɨ ɔt mˈɔʒa ɔsˈuʃɨw jˈɛɡɔ dwˈɔɲ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_84.wav|tsˈɔ bˈɨ ɕɛ s tˈɔbɔ̃ stˈawɔ, ɡdˈɨbɨm jˈɔ̃ upˈuɕtɕiw?|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_246.wav|pɔmˈɔɡɛ tɕi zˈaɲʲɛɕtɕ tɛ vˈɔrki z navˈɔzɛm dɔ sˌamɔxˈɔdu.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_98.wav|jɛʒˈɛli tsˈɔʑ vˌɨstʃɛlˈiwɔ w ɡˈurɛ, spˈada s tˈakɔ̃ sˈamɔ̃ prɛntkˈɔɕtɕɔ̃, z jˈakɔ̃ ˌɔdlɛtɕˈawɔ. tɔ bˈɨw ɡrˈat...|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_154.wav|ɲʲɛ xtɕˈawa ˈɔddatɕ mˈawɛj kɔrˈɔnɨ, ktˌurɔ̃ dɔstˈawa ɔd bˌuntɔvɲˈika.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_206.wav|ˌalɛ f tɛj xfˈili ɲʲɛ mʲˈawam ʒadnˈɛɡɔ pˈuŋktu zˌatʃɛpʲˈɛɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_86.wav|dˈalɛ skʃɨʒˈɔvaw rˈɛntsɛ na pʲˈɛrɕi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwró�� wzrok (36)_segment_44.wav|nˈumɛr kˌɔntaktˈɔvɨ, ktˌurɨm dˌɨspɔnɔvˈawa naˈɔmi, ɲʲɛ jɛst numˈɛrɛm jɛj tˌɛlɛfˈɔnu swˌuʒbɔvˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_24.wav|ɲʲɛktˈuʒɨ, ɕˈɛdɛm mʲɛɕˈɛntsɨ pˈuʑɲʲɛj na pˈɛvnɔ stʃɛlˈali dɔ nˈas, kʲˈɛdɨ ˌɔtʃɨʃtʃˈaliɕmˌɨ pʃɛtʃɲˈitsɛ pɔ pʃɛtʃɲˈitsɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_44.wav|vˌɨkɔʒɨstˈajmɨ tɛn tʃˈas, ʒˈɛbɨ ɕɛ pʃɛkˈɔnatɕ, tsˈɔ jˈɛʃtʃɛ mɔʒˈɛmɨ ˈɔtkrɨtɕ. fʃˈɨstsɨ ɕɛ zɡadʑˈajɔ̃?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_23.wav|f pɔʒˈɔntku, pˈaɲʲɛ strˈakan. pˌɔrɔzmavʲˈamɨ s pˈaɲʲɔ̃ ɔzbˈɔrnɛ. tsˈɔ jˈɛʃtʃɛ mˈɔʒɛ nˈam pˈan pɔvʲˈɛdʑɛtɕ?|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_53.wav|ɕtɕiɡˈawa zvʲɛʒˈɨnɛ na tʃˈɛlɛ vatˈaxɨ.|1
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+Dataset/wavs/urwisko_ferenc/02_segment_31.wav|ɡɔ̃ɕˈɔrɛk mˈuviw tɕi tsˈɔɕ na tɛn tˈɛmat?|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_24.wav|xtsˈɛ jɛj pɔvʲˈɛdʑɛtɕ, ʒˈɛbɨ vˌɨwɔntʃˈɨwa rˈadjɔ, ˌalɛ ɲʲɛ znajdˈujɛ f sˈɔbjɛ tˈɨlɛ ɕˈiwɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_4.wav|tʃˈɛɕtɕ xˈarljɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_43.wav|a vʲˈɛnts tˈak ɕɛ sprˈavɨ mˈajɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_186.wav|xˈan sˈɔlɔ nˈɔɕiw spˈɔdɲʲɛ s tʃˌɛrvɔnˈɨmi lˌampasˈami.|4
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+Dataset/wavs/urwisko_ferenc/52_segment_67.wav|tˈak, bˌɛndɛ vdʑˈɛntʃnɨ.|0
+Dataset/wavs/urwisko_ferenc/20_segment_78.wav|pˈɔtɛm bˌɛndɔ̃ muɕˈɛli rˈas jˈɛʃtʃɛ pʃˌɛanˌalizˈɔvatɕ ˈakta pɔt kˈɔntɛm tɛj dvˈujki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_85.wav|vɨdˈajɛ ɕɛ tɔ tʃˈɨmʑ vzɡlˈɛndɲʲɛ nˌaturˈalnɨm. pˌɔtʃɔntkˈɔvɔ bˈawa ɕɛ, ʒˈɛ bˌɛɲdʑɛ inˈatʃɛj.|2
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+Dataset/wavs/urwisko_ferenc/53_segment_33.wav|dˈɔbʒɛ, ʒˈɛ pˌɔfarbɔvˈawaʑ vwˈɔsɨ, ɔdˈɛzvaw ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_3.wav|sˌɛptamˈɔɛl bˌɨwa bjˌawɔvwˈɔsɔ̃ jˈɛndʑɔ̃, ɔ rˈɨsax tfˈaʒɨ ˈɔstrɨx jˈak tˈɔpur i ˈustaɣ vɨdˈɛntɨɣ w ɡrɨmˈaɕɛ pˌɛrmanˈɛntnɛj dˌɛzaprɔbˈatɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_78.wav|rˈanɨ, ˌalɛ fˈajɲʲɛ jɛzd bˈɨdʑ bɔɡˈatɨm, pˌɔmɨɕlˈawam, pˈatʃɔnts na ɔɡrˈɔmnɛ wˈuʃkɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_7.wav|swˈɔɲtsɛ zatʃˈɨna tsˈɔras mˈɔtsɲʲɛj ɕfʲˈɛtɕitɕ, a mˈuj bjˈɛdnɨ xwˈɔpʲɛts ɕˈɛdʑi f tˈɨlnɛj tʃˈɛɲɕtɕi ɡˌɔrɔntsˈɛɡɔ sˌamɔxˈɔdu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_23.wav|tɔ prˈavda, f ʃkˈɔlnɛj skʃˈɨntsɛ mˌailˈɔvɛj bˌɨwa vʲadˈɔmɔɕtɕ. nadˈaftsɔ̃ bˈɨw jˈakiʑ zˌaɲʲɛpˌɔkɔjˈɔnɨ rˈɔdʑits, xˈɔtɕ ɲʲɛ rˌɔspɔznˈawam nazvˈiska. mˈam tɔ sprˈavdʑitɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_99.wav|vˈidʑɛ fʃˈɨstkɔ na mˌɔɲitˈɔrax.|4
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+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_471.wav|vɨʃˈɛptaw rˈɔbɛrt. vˈɨʒɛj ɲˈiʒ ɡˈurɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_205.wav|tʃɨ tɔ znˈatʃɨ, ʒˈɛ ʒˌɛtʃɨvˈiɕtɕɛ zrˈɔbʲi tsˈɔ tʃˈɛba, nˈavɛt jˈɛɕli bʲillʲˈɛɡɔ zabrˈakɲʲɛ?|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_390.wav|nˈɔts ˌɔkazˈawa ɕɛ jˈɛdnɔ̃ z jˈɛɡɔ lˈɛpʃɨx.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_32.wav|f kˈɔɲtsu pˌɔstanˈavʲam, ʒˈɛ vrˈutsɛ dɔ dˈɔmu i tˈam zatʃˈɛkam.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_29.wav|bˈardʑɔ vˈɔlnɔ zatʃˈɛwam ɔbrˈatsadʑ zˈavur spustˈɔvɨ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_183.wav|zˈabratɕ w jˈakʲɛʑ bɛspʲˈɛtʃnɛ mʲˈɛjstsɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_172.wav|sxɔdʑˈili dɔ lˌɔndɔvˈaɲʲa i ˈandɛrsɔn pˈatʃɨw, jˈak stʃˈawka ʃˌɨpkɔɕtɕɔmjˈɛʒa skˈatʃɛ mʲˌɛndʑɨ lˈidʒbɔ̃ stˈɔ...|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_207.wav|tɔ kˈabɛl ɕfʲˌatwɔvɔdˈɔvɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_41.wav|— tɔ ɲˈits trudnˈɛɡɔ, mˈili — ftrˈɔntsa ɕɛ dʒˈanɛt.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_184.wav|kˈupjɛ sˈɔbjɛ pravdʑˈivɛ ɲʲɛmjˈɛtskʲɛ pˈivɔ, ʒˈɛbɨ ɕɛ pʃɛkˈɔnatɕ tsˈɔ trˈatsɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_19.wav|tˈɛras ɲʲˈɛma zˈɛ sˈɔbɔ̃ fspʲˌɛrajɔntsˈɛɡɔ ɡˈɔː ɔddʑˈawu.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_59.wav|zwˈɔtɛ pwˈaʃtʃɛ vˌɨpuʃtʃˈawɨ fʃˈɨstkix, ˌalɛ krulˈɔva rˌɔskazˈawa sˈɛr ˌɔsfrɨdˈɔvi zˌapamjˈɛntatɕ kaʒdˈɛɡɔ, ktˈɔː ˈutɕɛkw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_106.wav|jˌɛstɛm pˈɛvna, ʒˈɛ umjˈɛɕtɕiw ˌɔtpɔvʲˈɛdɲʲɛ ˌinfɔrmˈatsjɛ na sfˈɔim kanˈalɛ na jˈɔu tˈubɛ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_283.wav|zmˈarʃtʃɨw brvˈi.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_77.wav|dʲibˈɔis ɔbrˈutɕiw sfˈuj kɔmpˈutɛr f strˈɔnɛ ˌadmiɲˌistratˈɔrki.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_198.wav|uɕmʲˈɛxatɕ ɕɛ dɔ mˌitskʲɛvˈitʃa.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_301.wav|sˈɛr ˈarɨs i sˈɛr baˈɛlɔn pʃˌɛbɨvˈajɔ̃ w dalˈɛkim dˈɔrnɛ.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_205.wav|i pˈɔʃwa pˈɔmudʑ dʑɛftʃˈɨntsɛ pʃˌɨɡɔtɔvˈɨvatɕ ˌɛliksˈirɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_91.wav|dˈɔʃwɔ dɔ pɛvnˈɛɡɔ zdaʒˈɛɲʲa, ˈalɛ...|3
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_99.wav|ɲʲɛ bˌɨwam pʃˌɨɡɔtɔvˈana na ʒˈɨtɕɛ f tɕˈɔŋɡwɨm ʒˈalu, vʲˈɛndʑ vʑˈɛwam ɡwɛmbˈɔki ˈɔddɛx i pɔdɲʲˈɔswam ɡwˈɔvɛ. stsˈɔtt?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_62.wav|pʃɛɡrˈawɛm za dˈuʒɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_11.wav|ɲʲˈɛma pˌistɔlˈɛtu, xˈɔdʑ bˈɛs trˈudu mˈuɡwbɨ ɡˈɔ zdˈɔbɨtɕ. w ˌɔkɔlˈitsɨ prˈavʲɛ tsɔdʑˈɛnɲʲɛ ˌɔdbɨvˈajɔ̃ ɕɛ tˈakʲɛ tʃɨ ˈinnɛ tˈarɡʲi brˈɔɲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_31.wav|tfˈɔi ɡˈɔɕtɕɛ sɔ̃ s pɔlˈitsji.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_59.wav|vʲˈɛ pˈan, kɔlˈɛɡɔ, ja sfˈɛɡɔ tʃˈasu bˌɨwɛm dɔtsˈɛntɛm tˌɛɡɔː ix ˌuɲivˌɛrsɨtˈɛtu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_114.wav|ˈilu ix f sˈumjɛ bˈɨwɔ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_159.wav|ɲʲˈɛvʲɛm, dlatʃˈɛɡɔ ɲʲɛ pˈatʃɨʃ nˈamɲʲɛ, kʲˈɛdɨ dɔ mɲʲɛ mˈuviʃ. i ɲʲˈɛvʲɛm, dlatʃˈɛɡɔ vɨbrˈawɛɕ sˈɔbjɛ tɔ xɔlˈɛrnɛ ˈimjɛ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_255.wav|i zwˈɔʒɨw w ɔfjˈɛʒɛ tsˈawɨ sfˈuj majˈɔntɛk ˌɔras mɲʲɛ.|1
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+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_261.wav|jɛj tfˈaʃ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_187.wav|nˌastɛmpˌujɔntsˈɨmi w rˈuvnɨx ɔtstˈɛmpax tʃˈasu ɲˈibɨ tɨkˈaɲʲɛ zɛɡˈarka.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_41.wav|frˈaŋk ˌɛmtsˈɛ ˈintɔʃ mˈɔʒɛ ˈumʒɛdʑ w vɨɲˈiku ɔbʒˈɛŋku mˈuzɡu ˈalbɔ krfɔtˈɔku pˌɔttfardˌufkɔvˈɛɡɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_127.wav|ɲˈits s tˌɛɡɔː ˈɔtpar.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_87.wav|zdɛjmˈujɛ dʒˈinsɨ i kɔʃˈulkɛ, ɔtfʲˈɛram dʒvˈi ʃˈafɨ i vɨtɕˈɔŋɡam z ɲʲˈɛj krˈutkɔ̃ tʃˈarnɔ̃ sukʲˈɛŋkɛ kˌɔktajlˈɔvɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_25.wav|dlatʃˈɛɡɔː ˈaʒ zˈatʃɔw ɕɛ tˈak nˈaɡlɛ ɔbˈavʲatɕ tˈɛɡɔ, ʒˈɛ mˈɔʒɛ strˈatɕidʑ dʑɛftʃˈɨŋkɛ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_55.wav|tˈɔm ˈuznaw, ʒˈɛ ɲʲɛ mˈuɕi kˌɔmɛntˈɔvatɕ fˈaktu, ˈiʃ kˈatɛ znˈawa tˌɛɡɔ tʃwɔvʲˈɛka zalˈɛdvʲɛ ʃˈɛɕtɕ tɨɡˈɔdɲi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_263.wav|ɲˈits, pˌɔvʲɛdʑˈawa xˈɛlɛn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_480.wav|jˈɛɕli i tˈak s tˌɛɡɔ ɲˈits ɲʲɛ vɨxˈɔdʑi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_54.wav|jˈumbɔː ɔdvrˈutɕiw ɕɛ w ix strˈɔnɛ, a jˈɛɡɔ tʃˈarnɔ̃ tfˈaʃ rɔzjˈaɕɲiw ʃɛrˈɔki, bjˈawɨ ˈuɕmʲɛx.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_343.wav|ja ɲˈiɡdɨ...|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_299.wav|zadˈawa sˈɔbjɛ pɨtˈaɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/08_segment_63.wav|drˈɔɡɛ dɔ dʒvˈi vɛjɕtɕˈɔvɨɣ vˌɨwɔʒˈɔnɔ jasnˈɨmi pwɨtˈami. pɔ bˈɔkax rˌɔsstavʲˈɔnɔ ɲˈiskʲɛ, xrˌɔmɔvˈanɛ lˈampɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_23.wav|dʑɛftʃˈɨna bˈɛs swˈɔva ɔddˈala ɕɛ w ɡwˈɔmp kˌɔrɨtˈaʒa. sxˈɔdʑi pɔ sxˈɔdaɣ z vˌɨprɔstˌɔvanˈɨmi plɛtsˈami i pˌɔdɲʲɛɕˈɔnɔ̃ ɡwˈɔvɔ̃. ɲʲɛ ɔɡlˈɔnda ɕɛ za ɕˈɛbjɛ.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_72.wav|ˌalɛ ɔt tʃˈasu dɔ tʃˈasu pʃˌɨpwɨvˈawɨ tˈam stˈatki.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_76.wav|bˈɛtskɨ rˌɔzmavʲˈawa pʃˈɛs tɛlˈɛfɔn, ˌalɛ f kˈɔɲtsu ɡˈɔ pʃˌɨvɔwˈawa ɡˈɛstɛm rˈɛŋki.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_38.wav|xˈɔvam tfˈaʒ w dwˈɔɲʲax.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_229.wav|vrˈutsɛ dɔ tɕˈɛbjɛ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_44.wav|tˈɔrɔs uɕmʲˈɛxnɔw ɕɛ blˈadɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_250.wav|ɲʲɛ bˌɨwa tˈaɡ dˈuʒa jˈaɡ dˈɨɲʲa na xˈalɔwˌɨn, ˌalɛ vidʑˈawɛm jˈɔ̃ vˌɨstartʃajˈɔntsɔ vɨrˈaʑɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_19.wav|zakwˈadam rˈɛntsɛ na pʲˈɛrɕi i pˈatʃɛ na dˌɔmiɲˈika, ktˌurɨ unˈɔɕi brvˈi, jˈaɡbɨm mˈuviw...|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_155.wav|ɡdˈɨ tsˌɨnamɔnˈɔvɨ vʲˈatr mˈijaw stˈɔpɲʲɛ, maˈɛstɛr ˈɛmɔn tʃˈɛ̃stɔ jˈuʒ zˌapɔmˈinaw, jˈak sˈam mˈa na ˈimjɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_20.wav|mˈili pˌɔtʃɛbˈujɛ stˌabʲilizˈatsji, a jˈɛɕli ɕɛ rˌɔsstaɲʲˈɛmɨ, bˌɛɲdʑɛ zdrˌuzɡɔtˈana.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_179.wav|rˈudɨ pʃˈɛs xfˈilɛ pˈatʃɨw, jˈak ɔpˈada,|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_75.wav|ˌɔtʃɨvˈiɕtɕɛ mˈuɡwbɨ sˈɔbjɛ sprˈavitɕ nˈɔvɨ. na kˈartax krˌɛdɨtˈɔvɨɣ daltˈɔna smˈitxa ɕrˈɔtkuf ɲʲɛ brakˈujɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_89.wav|mˈɔʒɛ dla ɲʲˈɛj kˈaptɕɛ bˈɨwɨbˌɨ vˌɨjɔntkˈɔvɔ fatˈalnɨm prɛzˈɛntɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_410.wav|tˈakʲɛ jˈak nat ˌamstɛrdˈamɛm ˈalbɔ fˈuldɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_59.wav|pʃˌɛtɕɛʒ dvˈa dɲˈi tˌɛmu zɔstˈawɛm zvɔlɲʲˈɔnɨ s tˌɛksarkˈana.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_62.wav|mˈimɔ tɔ tʃˈuw ɕɛ dʑˈivɲʲɛ ˌusatˌɨsfaktsjˌɔnɔvˈanɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_8.wav|vrˈatsam pɔ tɕˈixu pʃˈɛs xˈɔl i zamˈɨkam zakrˈɨtɛ fˈɔljɔ̃ pʃˈɛjɕtɕɛ, pʃˌɨvratsˈajɔnts mu pʲɛrvˈɔtnɨ stˈan.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_34.wav|zlitˈujtɕɛ ɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_123.wav|jɛj pɛrsˈɔnɛl bˈɨw dˌɔskɔnˈalɛ vˌɨʃkɔlˈɔnɨ na vɨpˈadɛk tˈakix sˌɨtuˈatsji.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_26.wav|nˈuʃa ʒˈutsa jɛj pˈɛwnɛ ˌɔbuʒˈɛɲʲa spɔjʒˈɛɲʲɛ. ɲʲɛ pʃɨvˈɨkwa dɔ tˈakix rɛprˈɨmɛnt, nˈavɛt tˈak waɡˈɔdnɨx jˈaɡ w vɨdˈaɲʲu bˈɛki.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_38.wav|rˈɔp ɔtfˈɔʒɨw najblˈiʃʃɛ dʒvˈi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_81.wav|tʃˈɨmam jˈɔ̃, ɔɡʒˈɛvam, kˈɔjɛ, ˈaʃ nabjˈɛʒɛ tˌɛmpɛratˈurɨ mˈɔjɛj skˈurɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_102.wav|jˈɛʃtʃɛ ɲʲɛ spˈɔjʒaw w ɡˈurɛ,|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_235.wav|mɛ̃ʃtʃˈɨzna pʃˈɛʃɛt pʃˈɛs sklˈɛp. vˈɨjɔw s pˈuwki butˈɛlkɛ fçˈiskɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_37.wav|tˈɛras ˌuʒɨvˈawam kɔmpˈana dɔ tˈɛɡɔ, dɔ tʃˈɛɡɔ zˈɔstaw stfɔʒˈɔnɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_310.wav|ˌalɛ ɲʲˈɛxtsɛ, ʒˈɛbɨ ktˈɔʑ z ɲˈim tˈak pɔɡrˈɨvaw.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_300.wav|jˈɛɕli zdˈɔwaʒ vɨtʃˈɨmatɕ tɛ nˈudɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_113.wav|ˌuratɔvˈawɛm tɕˈɛ, kʲˈɛdɨ tɕi tʃˈɛj pˈɔdli krɛtˈɨɲi pˌɔʒutɕˈili tɕˈɛ pʃɨ pˈɛarsɔn strˈit, prˈavda?|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_56.wav|zatʃˈɛwam ɡʒˈɛbatɕ f tɔrˈɛptsɛ i ˌɔdwɔʒˈɨwam pˌudɛrɲˈitʃkɛ na blˈat.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_356.wav|ˌalɛ pɔ kˈilku sɛkˈundaɣ dɔdˈawam. ˌalɛ skɔʒˈɨstam s tfˈɔjɛj prˌɔpɔzˈɨtsji, jˈɛɕli bˌɛndɛ pˌɔtʃɛbɔvˈawa pɔmˈɔtsɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_73.wav|jˈakʲɛ tɔ pˌɔtɕɛʃajˈɔntsɛ spˈɔtkatɕ kˈɔɡɔɕ, ktˈɔ jɛst ʃtʃɛɲɕlˈivɨ f sfˈɔim zvʲˈɔ̃sku.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_116.wav|iɣ znajˈɔmɔɕtɕ jɛst ɕtɕˈiɕlɛ zˌavɔdˈɔva.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_125.wav|ˌɔna jɛzd vˈaʒnɔ̃ ɔsˈɔbɔ̃ f tfˈɔim ʒˈɨtɕu, kɔxˈaɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_88.wav|dwˈuɡʲɛ, bˈɔtʃnɛ dʒvˈi rˌɔssuvˈajɔ̃ ɕɛ, zapˈala ɕɛ lˈampka vɛvnˈɛntʃna, ˌalɛ f ʃarpˈanɨɣ vʲˈatrɛm strˈuɡaɣ dˈɛʃtʃu bʲˈillɨ dɔstʃˈɛɡa tˌɨlkɔ sɨlvˈɛtki.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_19.wav|mˈuɕaw tɔ jˈɛʃtʃɛ pɔtfʲˈɛrdʑidʑ zˈɛspuw ˌɔpsɛrvatsˈɨjnɨ, ˌalɛ ɲʲɛ zamjˈɛʒaw pʃˌɛkazˈɨvatɕ jɛj jˌakixkˈɔlvʲɛk ʃtʃɛɡˈuwuv dˌɔtɨtʃˈɔntsɨx tˈajnɨx ˌɔpɛrˈatsji f pɔblˈiʒu jɛj dˈɔmu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_151.wav|fspɔmɲʲˈɛɲʲa tɕˈisnɔ̃ ɕɛ dɔ ɡwˈɔvɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_149.wav|tʃˈɛba kɔmplˈɛtɲʲɛ pɔstrˈadadʑ zmˈɨswɨ, ʒˈɛbɨ vˈɨjɕtɕ tˈutaj w nˈɔtsɨ i sprˈavdʑatɕ pʃɨtʃˈɨnɛ xawˈasu, stfʲɛrdʑˈiwa bˈɛtskɨ.|3
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_18.wav|kɔɲʲˈɛtʃnɛ bˌɛndɔ̃ dvˈa tˈɔmɨ.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_132.wav|kʲˈɛdɨ vˈɛjdɛ za kɕˈɛɲtɕa?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_295.wav|pʃˌɛtɕɛʃ fʃˈɨstkɔ vʲˈɛʃ ˈɔmɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_230.wav|tɔː i ˈuvdʑɛ kˈamjɛɲ pɔpˈɛŋkaw pɔt fpwˈɨvɛm ɲʲˌɛzlitʃˈɔnɨx ɔkrˈɛsuf mrˈɔzu i ɔdvˈilʒɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_64.wav|i bˈɛtskɨ bˌɨwa zdˌɛtsɨdɔvˈana pˈɔznatɕ najɡˈɔrʃɔ̃ prˈavdɛ ɔ tsˌamɛrˈɔɲʲɛ ɛdmˈuntɕɛ i uvˈɔlɲitɕ jˈɛɡɔ rɔdʑˈinɛ s tˌɛɡɔ strˌaʃlivˈɛɡɔː uɕtɕˈisku.|3
+Dataset/wavs/urwisko_ferenc/20_segment_24.wav|ɲʲɛ kwutɕˈiliɕtɕˌɛ ɕɛ? drˈɔ̃ʒɨw pɔlˈitsjant.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_149.wav|vˈidʑaw vɨrˈaʑɲʲɛ strˈax ukrˈɨtɨ za dˌɛtɛrminˈatsjɔ̃ vidˈɔtʃnɔ̃ w jɛj brɔ̃zˈɔvɨx ˈɔtʃax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_6.wav|ɲʲɛ bjˈɔrɔ̃ tˈɛɡɔ, tsˈɔ dɔ ɲˈix ɲʲɛ nalˈɛʒɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_80.wav|na pɔtʃˈɔntku bˌɨwa zˌɛstrɛsɔvˈana, ˌalɛ ɲʲɛ mˈɔʒna ɕɛ jɛj dʑˈivitɕ. mˈuɡwbɨm jˈɛdnak pɔvʲˈɛdʑɛtɕ, ʒˈɛ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_89.wav|kʲˈɛdɨ znˈudʑi im ɕɛ tʃɛkˈaɲʲɛ, dˈɔjdɔ̃ dɔ vɲʲˈɔsku, ʒˈɛ ˈutknɔw w ɡˈɛrart tˈɔvɛr ˈalbɔ vɨstˈaviw iɣ dɔ vʲˈatru.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_269.wav|ˈandɛrsɔn ɕˈɛdʑaw ɲʲˌɛruxˈɔmɔ, pˈalɔnts pˌapʲɛrˈɔsa.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_307.wav|zˌauvˈaʒɨw ˈinnɨ tɕˈɛɲ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_19.wav|— vʲˈɛnts tsˈuʃ s tˈɛɡɔ? — zapˈɨtaw ktˈɔɕ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_268.wav|pɔtfʲˈɛrdʑiw tˈɔrɔz zmˈɛr. frɛjˈɔvʲɛ pˌɔdɛrʒnˈɛli jɛj ɡˈardwɔː ɔt ˈuxa dɔː ˈuxa.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_220.wav|dɔ xɔlˈɛrɨ, bˈɔp, uɲʲˈɔswam ɕɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_196.wav|sˈɨstɛm jɛzd zˌaprɔɡrˌamɔvˈanɨ na ˈilɔɕtɕ pɔvʲˈɛtʃa vˌɨstartʃajˈɔntsɔ̃ dɔ nˌapɛwɲʲˈɛɲʲa ɕlˈuzɨ, a mɨ musˈimɨ pʃɛkrˈɔtʃɨtɕ tɛn lˈimit, ʒˈɛbɨ napˈɛwɲitɕ tsˈawɨ tˈunɛl.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_16.wav|i fʃˈɨstsɨ tɕi lɔtɲˈitsɨ, ktˌuʒɨ vɔlˈɛli tsˈɛssnɛ, ɲʲɛ vʲɛdʑˈɛli ˈɔtɨm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_18.wav|ˌɔna ɕɛ tʃˈɛɡɔʑ dɔmˈɨɕla.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_107.wav|rɛdvˈinɛ mˈa wˈadɲʲɛ ˌupɔsaʒˈɔnɔ̃ tsˈurkɛ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_121.wav|pˈɔnɔtɕ pˌɔrɔmbˈali pˌɔliˈɛɡɔː i waskˈɔtka na krfˈavɛ kˌavawˈɛtʃki, a pˈɔtɛm ˌɔdjɛxˈali w dˈuw tridˈɛntu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_99.wav|skˌɔntsɛntrˈujmɨ ɕɛ na znˌalɛʑˈɛɲʲu tˈɛɡɔ, ktˈɔ zˈatɔ ˌɔtpɔvʲˈada. tɔ najlˈɛpʃɨ spˈɔsup, ʒˈɛbɨ jɛj tˈɛras pˈɔmuts.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_471.wav|pˈatʃɔnts na fˌɔtɔɡrˈafjɛ dˈɔmu w ɲʲˌɛpravdˌɔpɔdˈɔbnɨx tɕˈɛɲʲax fjˌɔlɛtˈɔvɔtʃɛrvˈɔnɨɣ dʒˈɛf,|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_246.wav|krulˈɔva jɛst mˈɔndra. tɛ ɕtɕˈanɨ mˌajɔ̃ ˈuʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_135.wav|ˌɔpuɕtɕˈiliɕmˌɨ bʒˈɛɡʲi tridˈɛntu na pɔwˈudɲʲɛ stˈɔnt.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_36.wav|ˈilu znˈa pˈaɲi fatsˈɛtuf, ktˌuʒɨ ˌɔdʒutɕˈilibˌɨ prˌɔpɔzˈɨtsjɛ, ɡdˈɨbɨ mʲˌɛli pˈɛvnɔɕtɕ, ʒˈɛ pˌɔzɔstˈaɲʲɛ tɔ f tˌajɛmɲˈitsɨ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_358.wav|ktˌura tˈɨlɛ lˈat stˈawa na sfˈɔim mʲˈɛjstsu, bˌɛʑimjˈɛnna, ɲitʃˈɨja, mˈɔʒɛ nˈavɛt ɲʲˌɛpɔtʃˈɛbna f tɨm mʲɛʃkˈaɲʲu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_12.wav|ɕmʲˈɛrtɕ tsˌamɛrˈɔna ɲʲɛ bˈɨwabˌɨ vʲˈɛlkɔ̃ ɲʲˌɛspɔdʑˈaŋkɔ̃, zvaʒˈɨfʃɛ na jˈɛɡɔ çistˈɔrjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_47.wav|za ˈɔknɛm zɲʲɛnˈatska vɨbˈuxwɔ pʃɛtftʃˈɛsnɛ lˈatɔ.|0
+Dataset/wavs/urwisko_ferenc/50_segment_23.wav|pʃˈɛs xfˈilɛ swˈɨxadʑ bˌɨwɔ jɛdˈɨɲʲɛ mʲarˈɔvɨ ʃˈum ɕilɲˈika i ɕfˈist pɔvʲˈɛtʃa, ktˌurɛ pʃɛtɕˈinaw pˈasat.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_93.wav|swˈɨʃɛ frustrˈatsjɛ w ɡwˈɔɕɛ bˈɛtskɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_40.wav|jˈasnɛ. ɲʲɛ vʒutɕˈiwɛm jˈɛʃtʃɛ fspuwʒˈɛndnɨx na mˈapɛ, sˈɛr.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_43.wav|ɲˈiɡdɨ ɲikˈɔmu ɲʲɛ ˈufaj, ɲˈiɡdɨ ɲʲɛ ujˈavɲʲaj ɲʲˌɛpɔtʃˈɛbnɨx ˌinfɔrmˈatsji, ɲˈiɡdɨ ɲʲɛ vɨpˈɨtuj ˈinnɨx.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_22.wav|ˈu kɔbjˈɛtɨ. ɲʲɛ znˈamɨ ɲʲɛstˈɛtɨ ʃtʃɛɡˈuwuf. mʲˈɛʃka w ˌɔkɔlˈitsaɣ dˈɛlf, na vzɡˈuʒax.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_72.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_32.wav|bˈɛtskɨ spɔjʒˈawa na zɡrˌɔmadʑˈɔnɨx pˌɔlitsjˈantuf.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_116.wav|pˌɔʃpɛrˈawɛm f pʃɛɡrˈutkax pɔrtfˈɛlu.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_48.wav|lˈɔrt kˈɨbɛrn pʃɛsˈunɔw dwˈɔɲʲɔ̃ pɔ pʲˈɛrɕi bwˌɛŋkitnˈɛɡɔ bˈarda.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_326.wav|jˈakiʑ zɲʲˌɛxɛntsajˈɔntsɨ nˈadmʲar.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_27.wav|ɔbɡrˈɨzam nɛrvˈɔvɔ paznˈɔktɕɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_100.wav|i zˈatʃɔw ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_18.wav|tʃˈɛɕtɕ ˈanɔ! ˈɔli ˌɔdɛbrˈana zˈɛ ʃkˈɔwɨ zɡˈɔdɲʲɛ z ˌɔbjɛtɲˈitsɔ̃. baˈilɛj tʃˈujɛ ɕɛ jˈuʒ dˈɔbʒɛ, prˈavda, skˈarbjɛ?|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_210.wav|pˈɔtɛm mˈinɔw ɡˈɔ strˈumjɛɲ rˌuʒɔvɔlˈitsɨx nˌɔvitsjˈuʃɨ zmʲˌɛʒajˈɔntsɨx f strˈɔnɛ sɛptˈɔru.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_41.wav|ˌɔkazjɔnˈalɲʲɛ, ˌalɛ ɲʲɛ nˈazvawbˌɨm tˌɛɡɔ rɔmˈansɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_124.wav|mɛ̃ʃtʃˈɨzna pˈɔdɲʲuz z ʑˈɛmi sfˈɔjɔ̃ vʲatrˈufkɛ i pʃˌɛʒutɕˈifʃɨ jˈɔ̃ pʃˈɛs rˈamjɛ pˈɔʃɛt f kʲɛrˈuŋku barˈaku.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_83.wav|filˈipa uɲʲˈɔswa brvˈi. znˈawa tˈɔma jˈuʃ ɔd vʲˈɛlu lˈat, ˌalɛ ɲʲɛ ˌɔdɛzvˈawa ɕɛ ˌaɲi swˈɔvɛm i zˌatʃɛkˈawa, ˈaʃ pˈɔvʲɛ tsˈɔʑ vʲˈɛntsɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_90.wav|tfˈaʃ ˌandɛrsˈɔna drɡnˈɛwa, kʲˈɛdɨ ˈuɲʲus rˈɛŋkɛ,|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_369.wav|zapˈɨtaw jɛdnˈɔɡʲi. tʃɨ mˈɔʒɛ pˌɔstanɔvˈiwɛʑ zaɡˈadatɕ jˈɔ̃ na ɕmʲˈɛrtɕ?|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_116.wav|im dwˈuʒɛj nˈattɨm rˌɔzmɨɕlˈawam,|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_56.wav|ɡˈapʲɔnts ɕɛ na kˌɔwɨʃˈɔntsɔ̃ ɕɛ nˈadɲim lˈampɛ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_450.wav|bˌɨwɛm ɔt ɲʲˈɛj ʃˈɛɕtɕ lˈat stˈarʃɨ, ˌalɛ dʑˈɛfka mˈɔɡwa mi pˈatʃɛtɕ prˈɔstɔ w ˈɔtʃɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_179.wav|dɔkwˈadɲʲɛ tˈak, jˈak rɔbʲˈiwa tɔ mˈɔja ɕˈɔstra.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_91.wav|tʃˈujɛ sˈuxɔɕtɕ w ˈustax i drʒˈɔ̃ mi dwˈɔɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/25_segment_78.wav|ɕˈɛŋɡnɔw pɔː apˈarat i ˌɔdblɔkˈɔvaw ˈɛkran.|0
+Dataset/wavs/urwisko_ferenc/36_segment_137.wav|pʃˌɨʒɔɲdʑˈiwa zˌapʲɛkˈanɛ kanˈapki z ʒˈuwtɨm sˈɛrɛm i ʃˈɨŋkɔ̃?|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_241.wav|jˈamɛ ˈujɔw kʲˈɛliɣ vˈina w zwˈɔtɔ̃ dwˈɔɲ i ˈuɲʲuz ɡˈɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_266.wav|zˌapɨtˈawam, fskazˈujɔnts na vʲˈɛlki ˈɛkran. nˈɔ dˈajtɕɛ spˈɔkuj, ˌalɛ vˈɨpas!|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_135.wav|muɕˈawam tɔ ɡdʑˈɛɕ uswˈɨʃɛtɕ. ɲʲɛ zˌapɔmˈinam tˈakiɣ ʒˈɛtʃɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_129.wav|ˈɛlis prˈɔɕi ɔ dɔkwˈatkɛ i mˈɔʒɛ dɔ tˌɛɡɔ krˈɔmkɛ xlˈɛba z mˈaswɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_154.wav|ɲʲɛ tˌɨlkɔ dla mɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_102.wav|pɔkˈazaw mi ˌuɲʲɛɕˈɔnɨ ktɕˈuk, a ja ˌɔtpɔvʲɛdʑˈawam mu tɨm sˈamɨm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_274.wav|ja pɔ prˈɔstu tʃˈɛkam.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_22.wav|zˌastanavʲˈawɛm ɕɛ nˈattɨm. tɔ dˈɔʑdʑ dʑˈivnɛ zrˈɔbʲitɕ tsˈɔɕ takʲˈɛɡɔ pɔ ɕmʲˈɛrtɕi, prˈavda?|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_140.wav|ɔ tˈak!|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_609.wav|z rˌɔzbʲitˈɛɡɔː ˈɔkna.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_134.wav|mˈuʃɛ pˈɔmuts ˈinnɨm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_62.wav|dɔrˈastaʃ jˈuʃ i ɲʲɛdwˈuɡɔ nadˈɛjdʑɛ tfˈɔja kˈɔlɛj, ʒˈɛbɨ tɕˈɛʃɨtɕ ɕɛ mˌɛ̃ʃtʃɨznˈami, a mˈɔʒɛ kˌɔbjɛtˈami.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_196.wav|pʃɨpˈuʃtʃam, ʒˈɛ xɔdʑˈiwɔ mu ɔ tfˈɔix sˈɨnuf.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_235.wav|xtsˈɛ, ʒˈɛbɨɕ ˌɔpɔvʲɛdʑˈawa mi fʃˈɨstkɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_166.wav|dɔpˈuki vˈɨjɛ sɨrˈɛna ˌalarmˈɔva,|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_26.wav|mˈɔɡlibˌɨɕmɨ mʲˈɛtɕ naprˈavdɛ pʲˈɛŋknɛ dʑˈɛtɕi, arˈamjɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_35.wav|dˌɛtsɨdˈujɛ ɕɛ pˈɔdjɔɲtɕ tɔ rɨzˈɨkɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_170.wav|znˈawɛm tɔ mʲˈɛjstsɛ. nɔɕˈiliɕmˌɨ stˈamtɔnd zˌaɔpatʃˈɛɲʲɛ dˌɔstartʃˈanɛ ɕmˌiɡwɔftsˈami.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_116.wav|jˈak pʃˈɛʃwa nˈɔts? spˈɨtaw kˈɔrsak.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_305.wav|ɡdʑˈɛɕ tˈu bˌɨwa mˈɔja znajˈɔma litfˈiŋka.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_11.wav|kʲˈɛdɨ pɔfstˈavaw prˈɔjɛkt artˈɛmis, ktˈɔɕ pɔvʲˈɛdʑaw|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_191.wav|bʲˈillɨ skˈinɔw mi ɡwˈɔvɔ̃ i pˈɔʃɛd na drˈuɡʲi kˈɔɲʲɛdʑ bˈaru, ʒˈɛbɨ ɔpswˈuʒɨtɕ innˈɛɡɔ kljˈɛnta.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_371.wav|ɔtpˈarwa ʃˈɛptɛm tsˈɛdra z rumjˈɛɲtsɛm na tfˈaʒɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_9.wav|ˈusta zakrˈɨva mi tˈaɕmɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_137.wav|ʒˈɛ pɔt fpwˈɨvɛm ɔdʒˈutu pˌistɔlˈɛtu bˈɛknɔw, jˈaɡbɨ ɲʲɛ zrˈɔbʲiw ɲˈidʑ vʲˈɛntsɛj, jˈak tˌɨlkɔ vˈɨpiw dˈuʃkʲɛm nˈapuj ɡˌazɔvˈanɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_64.wav|tˈɔm pˈɔtʃuw pˌɔtɕfʲadˈɔmjɛ, ʒˈɛ nˈavɛd ɡdˈɨbɨ zatʃˈɛli namjˈɛʒatɕ tɛn tɛlˈɛfɔn, ɲʲɛ pʃˌɨɲʲɔswˈɔbɨ tɔ ʒˈadnɨx rˌɛzultˈatuf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_175.wav|ˌalɛ ɔn ɔbvʲˈɛɕtɕiw publˈitʃɲʲɛ, ʒˈɛ jˌɛstɛʑ ɡwˈupja.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_109.wav|pˈɔtɕɔŋk f kˈɔɲtsu ɕɛ zjˈaviw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_64.wav|fprˈɔst pʃɛtɕˈivɲʲɛ, jɛzd dˌɔskɔnˈawa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_57.wav|lˈɛtʃ ɲʲˈɛbɨw tɔ ɡwˈɔs, z jˈɛɡɔ suxˈɛɡɔː i zˌatɕiɕɲʲɛntˈɛɡɔ ɡˈardwa dˈɔbɨw ɕɛ sˈɨk.|0
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_43.wav|dɔstˈawɛm nˈavɛt ˈavans. jˌɛstɛm tˈɛras wˌadɔvˈatʃɛm kursˈantɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_128.wav|— tsˈuʃ, sˌuɡɛrˈujɛ, ʒˈɛbɨɕtɕˌɛ dˈali sˈɔbjɛ s tɨm spˈɔkuj i pʃˌɨɡɔtɔvˈali ɕɛ dɔ stʃˈawu jˈuʃ prˈavʲɛ dʑɛɕˈɔnta.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_134.wav|dˈɔkɔnt ˈidʑɛʃ, pˈaɲʲɛ?|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_285.wav|ˈɔɡʲɛɲ plˈuz zamkɲʲˈɛnta pʃˈɛstʃɛɲ rˈuvna ɕɛ bˈɔmba. bˈɔmba plˈus kˈɔmbajn rˈazɨ tʃtˈɛrɨ rˈuvna ɕɛ mˈiljɔn ɡʲˈituv dla dʒˈɛs.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_33.wav|pˈuw ɡɔdʑˈinɨ tˈɛmu. tˈutaj jˈɔ̃ zɡubʲˈiliɕmˌɨ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_87.wav|splˈunɔw w dwˈɔɲʲɛ i vˈɨtar ɲˈimi pɔlˈitʃki, jˈaɡbɨ mˈɔɡwɔ tɔ w jˈakiɕ spˈɔsup nˈadatɕ mu ˌatraktsɨjɲʲˈɛjʃɨ vˈɨɡlɔnt. tɔː urˈɔtʃɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_128.wav|pʃˈɛʃɛt pʃˈɛz bˌɛtɔnˈɔvɛ pˈɔlɛ, ɡdʑˈɛ stˈawɨ sˌamɔlˈɔtɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_26.wav|tʃˈas ɲʲɛ mˈɔʒɛ bˈɨtɕ tˈutaj pʃˌɨpatkˈɔvɨ.|3
+Dataset/wavs/urwisko_ferenc/38_segment_21.wav|udˈawɔ jɛj ɕɛ rɔsɕmʲˈɛʃɨtɕ ɔlɡʲˈɛrda. — tsˈɔ muvˈiwaɕ? — bɔŋknˈɛwa ɛwɡˈɛɲʲa lˈipska, ˌalɛ nˈavɛt ɕɛ ɲʲɛ ˌɔdvrutɕˈiwa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_67.wav|stsˈɔtt spˈɔjʒaw nˈamɲʲɛ sfɔˈimi duʒˈɨmi, smutnˈɨmi ɔtʃˈami, a ja zˌɔtɔpˈiwam ɕɛ w ɲˈix i pʃɛpˈadwam.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_453.wav|ɲʲˈɛxtɕaw mˈuvitɕ ˈɔtɨm, tsˈɔ stˈawɔ ɕɛ pˈuʑɲʲɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_179.wav|ˌalɛ ja za bˈardʑɔ ɕɛ fstɨdʑˈiwam, ʒˈɛbɨ vˈɨznatɕ mu prˈavdɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_22.wav|tɔː ɔn prubˈɔvaw tɕˈɛ zˈabʲitɕ!|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_45.wav|jɛst tˈu jˈɛʃtʃɛ ktˈɔɕ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_210.wav|ktˈɔɕ pɔ drˈuɡʲɛj strˈɔɲʲɛ skʃˈɨpʲaw swuxˈafkɔ̃, ˌɔbratsˈajɔnts jˈɔ̃ w rˈɛŋku, lˈɛtʃ ɲʲɛ zdˌɛtsɨdˈɔvaw ɕɛ ɔdˈɛzvatɕ.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_29.wav|xˈɔvam tfˈaʒ w dwˈɔɲʲax.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_17.wav|ʒˈɛ fpˈadɲʲɛ pˈan.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_125.wav|s tˌɛɡɔ tsˈɔ swɨʃˈawɛm, mʲɛʃkˈaɲʲɛ f sˌutɛrˈɛɲʲɛ jɛst ˌumɛblɔvˈanɛ. tʃɨ w vˌɨpɔsaʒˈɛɲʲu jɛzd vˈifˈi?|2
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+Dataset/wavs/urwisko_ferenc/55_segment_68.wav|— xtɕˈawabˌɨm tɔ vʲˈɛdʑɛtɕ. xˈɛrman vzruʃˈɨwa rˌamjɔnˈami.|0
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+Dataset/wavs/urwisko_ferenc/63_segment_156.wav|bˈɔ mˈiwɔɕtɕ jɛst pʲˈɛkwɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_145.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ ɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_494.wav|dɔkˈɔwa mrˈɔʑna pˈustka ɲʲˌɛdɔɡʒanˈɛɡɔ mʲˈasta.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_98.wav|trˈɔxɛ ɕɛ zˌatatʃˈajɔndʑ vɨʃˈɛdwɛm na pɔvʲˈɛtʃɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_60.wav|tɛn dɔrˈaʑnɨ kˈɔŋkurs na mˈis mɔkrˈɛɡɔ pˌɔtkɔʃˈulka zapˈɛvɲʲaw mi rˈuvɲʲɛʃ ɔxrˈɔnɛ pʃɛt kˌɔlɛjnˈɨmi vˌɨwadˌɔvaɲʲˈami ˌɛlɛktrɨtʃnˈɨmi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_130.wav|tˈak naprˈavdɛ ɲʲɛ sˈɔɲdʑi, bˈɨ brˌakɔvˈawɔ mu vˈɛnɨ. ˈɔfʃɛm, napˈisaw jˈɛdɛn krˈutki frˈaɡmɛnt i ɲˈidʑ vʲˈɛntsɛj.|2
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_42.wav|ɲʲˈɛxtsɛ ɡˈɔ ɲˈitʃɨm zarˈazitɕ, jˈɛɕli tsˈɔʑ zwapˈawam.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_94.wav|ɲˈiɡdɨ jˈɛʃtʃɛ ɲʲɛ vidʑˈawam takʲˈɛɡɔ tʃarnˈɛɡɔ brˈata.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_242.wav|ɲˈibɨ ɲˈidʑ vʲɛlkʲˈɛɡɔ, ˈalɛ...|4
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+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_170.wav|ɲʲˈɛma ʃˈans.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_85.wav|klˈutʃ xrɔbˈɔtʃɛ w zˈamku. dɔnˈɔvɛn pˌɔɡvizdˈujɛ.|2
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+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_203.wav|bʲˈillɨ rˈɔbʲi pˈɔptsɔrn w mˌikrɔfˈali jɛnsˈɛnuf i ɔbˈɔjɛ ˌɔbʒɛrˈajɔ̃ ɕɛ jˈak ɕfˈiɲʲɛ.|2
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_68.wav|mˈɔʒɛ lˈɛpʲɛj zrˌɔzumjˈɛlibˌɨ znatʃˈɛɲʲɛ prˈavdɨ, ɡdˈɨbɨm pʃɨznˈawa, jˈak jˈɛdnɔ mrˈɔtʃnɛ kwˈamstfɔ vˌɨvrutɕˈiwɔ mˈɔjɛ ʒˈɨtɕɛ dɔ ɡˈurɨ nɔɡˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_83.wav|pɔ pʲˈɛɲtɕu minˈutax jˈɛɡɔ tɛlˈɛfɔn pˈika.|2
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+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_24.wav|mˈam kwɔpˈɔtɨ z rˌɔzruʃɲˈikʲɛm. vˈɨwɔntʃ pˈan ɕˈilɲik.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_150.wav|jˌɛstɛm pˌɔlitsjˈantkɔ̃ i pʃɨvˈɨkwam dɔ ɲʲˌɛbɛspʲˈɛtʃɛɲstf. ɲʲɛ jˌɛstɛm jˈɛdnak pˈɛvna, tʃɨ pʃˈɨʃwabˌɨm tˈutaj sˈama, ɲʲɛ ˌinfɔrmˈujɔnts ˈɔtɨm ɲikˈɔɡɔ.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_123.wav|dlatˈɛɡɔ mʲˌawɛm dˈɔɕtɕ tʃˈasu tˌɨlkɔ na skrutsˈɔnɔ̃ vˈɛrsjɛ.|2
+Dataset/wavs/urwisko_ferenc/27_segment_79.wav|tsˈɔ pˈaɲi ˈɔtɨm sˈɔɲdʑi?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_111.wav|ˈaʒ zmˈuɕiw ɕɛ dɔ spɔjʒˈɛɲʲa jɛj prˈɔstɔ w ˈɔtʃɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_92.wav|zˌastanˈavʲam ɕɛ, kʲˈɛdɨ uswˈɨʃɛ pukˈaɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_337.wav|pˈɛvɲʲɛ ˈu jakʲˈɛɡɔɕ fatsˈɛta.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_86.wav|nˈavɛt ˌupʃɛdʑˈɛɲʲa f stɔsˈuŋku dɔ rɔdʑˈitsuf ɲikˈɔli, ktˌuʒɨ s tˈɛɡɔ, tsˈɔ mi vʲadˈɔmɔ, ˌɔdʒutɕˈili sfˈɔjɔ̃ tsˈurkɛ s pɔvˈɔdu tfˈɔjɛj miwˈɔɕtɕi dɔ ɲʲˈɛj.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_279.wav|jɛdnˈɛɡɔ sˈɨna.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_55.wav|tˈɛras mʲˈawam jˈɛɡɔ rˈɛŋkɛ pʃɛt sˈɔbɔ̃ i stˈawam zvrutsˈɔna tˈɨwɛm dɔ ɲʲˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_45.wav|bjˈawɛ vˈinɔ tɕi ˌɔtpɔvʲˈada?|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_426.wav|zakwˈadam w nˈaʃɨm dˈɔmu pˌɔdvurkˈɔvɨ tˈɛatr apsˈurdu. tsˈɔ pˈan nˈatɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_6.wav|xtɕˈawam, ʒˈɛbɨ kˈaʒdɔ̃ ɕtɕˈanɛ pˌɔmalɔvˈanɔ na liljˈɔvɨ kˈɔlɔr i pʃˈɛs pˈɛvʲɛn tʃˈaz bˌɨwɔ nˈavɛt fˈajɲʲɛ, kʲˈɛdɨ pˌɔmaɡˈawam tˈatɕɛ nakwˈadatɕ fˈarbɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_41.wav|ˈandɛrsɔn fɕˈad.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_366.wav|tɔː ɛɡˈɛrja ˌupadwˈɛɡɔ rɛʒˈimu.|0
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+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_144.wav|��ʲɛ, tɔ safˈɔna.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_78.wav|tʃwɔŋkˈɔvʲɛ ɡʲˈildji ˌɛksplɔratˈɔruf ˌumjɛɕtɕˈili jˈɛ na mʲˈɛjstsu i pˌɔwɔntʃˈɨli ɲitˈami, ʒˈɛbɨ pɔfstˈawɔ prˌɔvizɔrˈɨtʃnɛ ˌuʃtʃɛlɲʲˈɛɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_49.wav|pʃˌɛanˌalizˈɔvaw w ɡwˈɔvʲɛ rɔzmˈɔvɛ na tˈɛmat mɔrdˈɛrstfa ɡˌɛnɛvʲˈɛvɛ strˈaxan i nˈaɡlɛ sˈɔbjɛ pʃɨpˈɔmɲʲaw. spˈɔjʒaw na bˈɛtskɨ.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_231.wav|a tsˈɔ s tɔ̃ tfˈɔjɔ̃ dʑˈikɔ̃ dʑˈɛfkɔ̃? na pˈɛvnɔ vˌɨruxˈawɛɕ jˈɔ̃ kˈilka rˈazɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_314.wav|pʲɛɲdʑˈɛɕɔnt miljˈɔnuf mˈɔiɣ blˈiʑɲix mˈa dˈɔbrɨ xɔrˈɔskɔp.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_142.wav|jɛzd dʒˌɛntɛlmˈɛnɛm f kˈaʒdɨm tsˈalu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_88.wav|vˈidʑɛ vɨrˈaʑɲʲɛ, ʒˈɛ pɔkwˈadɨ ˌɛkstsɨtˈatsji ˈu alfjˈɛɡɔ zɔstˈawɨ jˈuʒ vˌɨɛksplˌɔatɔvˈanɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_44.wav|mˈawɔ tɔ suptˈɛlnɛ i matɕˈintɔʃ mˈarʃtʃɨ brvˈi, ˌalɛ bʲˈillɨ ɲʲɛ tʃˈujɛ ɕɛ ˌuraʒˈɔnɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_37.wav|ɔpˈarwam wˈɔktɕɛ na stˈɔlɛ i ukrˈɨwam tfˈaʒ w dwˈɔɲʲax. znˈuf nˈamɲʲɛ spɔjʒˈawa. talˈɛʒɛ, ˈindjɔ!|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_334.wav|pʃɨnˈajmɲʲɛj nˈɔɡʲi nˈadal mˈam dvʲˈɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_36.wav|bˈɔ tɔ mʲɛʃkˈaɲʲɛ w istˈɔtɕɛ jɛst pˈɔdʑɛ...|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_79.wav|tʃˈɨʒbɨ ɔttʃˈuvaw fstˈɨt?|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_165.wav|lˈɛvɛ ˈɔkɔ pʃɛswˈaɲʲaw mu kˈɔsmɨk rudˈɔblɔnd vwˈɔsuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_5.wav|stˈaw na sfˈɔim mʲˈɛjstsu pˌarkiŋɡˈɔvɨm.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_306.wav|tsˈɔ mˈukw sˈam zdʑˈawatɕ pʃˈɛtɕif tˈaɡ vʲˈɛlu?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_221.wav|tˈɛras pˌulsɔvˈawɔ mrˈɔvʲɛm ʒˈɨtɕa, mˌɔtɨlˈɛɡɔ ʒˈɨtɕa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_45.wav|zdavˈawɔ ɕɛ, ˈiʃ ˈandɛrsɔn ɲʲˈɛma w ɔɡˈulɛ tɛntʃˈuvɛk.|0
+Dataset/wavs/urwisko_ferenc/43_segment_82.wav|— xtɕˈawam, ˌalɛ ɕɛ rˌɔzmɨɕlˈiwam — burknˈɛwa kɔbjˈɛta.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_28.wav|pʃɛstˈawɨ ɕɛ kwˈutɕitɕ, kʲˈɛdɨ mɲʲɛ zˌɔbatʃˈɨwɨ, ˌalɛ mˈama ɲʲɛ xtɕˈawa pɔvʲˈɛdʑɛtɕ, ɔ tsˈɔ xɔdʑˈiwɔ, a kˈɛlsɛj ɲʲɛ pˌɔʒɛɡnˈawa ɕɛ dʑˈiɕ rˈanɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_143.wav|zˈamkɲij tˈɛ jɛbˈanɔ̃ pɔkrˈɨvɛ!|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_35.wav|ˌalɛ tɕˈiʃɨ ɲʲɛ pʃɛrˈɨva najmɲʲˈɛjʃɨ nˈavɛd dʑvʲˈɛŋk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_86.wav|mˈɔʒna rˈuvɲʲɛʒ zawˈɔʒɨtɕ, ʒˈɛ fʃˈɨstsɨ tʃwɔŋkˈɔvʲɛ sˈɛktɨ sɔ̃ swˈabʲi ˈalbɔ brakˈujɛ im ˌintɛliɡˈɛntsji, bˈɔ ɲʲɛ pɔjmˈujɔ̃ tsˈɔ ɕɛ z ɲˈimi dʑˈɛjɛ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_96.wav|sˈɛr ajlˈɛan ɲʲˈɛmʲaw vwˈutʃɲi, ˌalɛ bɛzbrˈɔdɨ dʒˈɔn bˈɛtlɛj z radˈɔɕtɕɔ̃ ʒˈutɕiw mu sfˈɔjɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_155.wav|tsˈɔ xtɕˈawaɕ mi pɔvʲˈɛdʑɛtɕ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_65.wav|pʃɛstˈajɛ vʲˈɛnts rɔzmˈɨɕlatɕ ˈɔtɨm, tsˈɔ mˈɔɡɔ̃ ˈɔtkrɨtɕ, xˈɔtɕ pʃɨxˈɔdʑi mi tɔ s trˈudɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_88.wav|bˈɔlɔ̃ mɲʲɛ nˈɔɡʲi, plˈɛtsɨ, ɡwˈɔva.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_41.wav|xˈɨba zbˈɨt waɡˈɔdɲʲɛ pˌɔtxɔdʑˈiliɕmˌɨ dɔ naˈila straxˈana. zadʑvˈɔɲiw dɔ mɲʲɛ ktˈɔʑ z ˈɛksɔ tˈɛx. fˈatsɛt nazˈɨva ɕɛ dˈannɨ vˈɛst.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_67.wav|bˈɨw z ɲʲˈɔ̃ ˈaram.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_16.wav|dˈaw ɡˈɔ tˈɛʒ bɛvˈɛrlɨ jˈɛnsɛn, sɔ̃ɕˈattsɛ z ɡˈurɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_142.wav|tʃˈɛʑdʑ dʒˈɛs!|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_6.wav|smˌakɔvˈawa jˈak tɛktˈura.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_160.wav|tsamˈɛrɔn zˌaɔfɛrˈɔvaw mi trˈɔxɛ ɡɔtˈufki na ˌutʃɨmˈaɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_394.wav|nˈavɛt tˈatsɨ, ktˌuʒɨ rˈɔdʑɔ̃ ɕɛ rˈas na tˈɨɕɔnts lˈat.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_70.wav|tˌaki nˈavɨk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_44.wav|skˈɔrɔ tˈak tfʲˈɛrdʑiʃ, dˈavɛ...|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_81.wav|ɲʲɛ zɡʲˈinɔw. pʃˈɛs tsˈawɨ tʃˈaz ɡˈɔ mʲˈawɛɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_171.wav|tlˈɛnu, kʃˈɛmu i vˈapɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_129.wav|a zˈaʃliɕmˌɨ tˈaɡ dalˈɛkɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_20.wav|dˈɔbʒɛ, ʒˈɛ mˌajɔ̃ pʃɨnˈajmɲʲɛj jˈakʲɛɕ pɔmˈɨswɨ. tʃˈɛɡɔ ɕɛ dˌɔvʲɛdʑˈɛli?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_19.wav|dlatʃˈɛɡɔ tˈutaj vrutɕˈiwɛɕ, tˈatɔ? muvˈiwam, ʒˈɛbɨɕ tʃˈɨmaw alfjˈɛɡɔ z dˈala ɔt tˌɛɡɔ dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_30.wav|zavˈɔwaw ʒɛlˈaznɨ kapˈitan, pʃˌɛkʃɨkˈujɔndʑ zɡʲˈɛwɡ vˈalki. tɨ z rˈuʒɔ̃!|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_125.wav|tʃˈɨ pɨtˈaɲʲa mɔʒˈɛtɕɛ zˈadatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_255.wav|ftˈɛdɨ jˈɛʃtʃɛ ɲʲɛ pˌɔruʃˈɨwam tˌɛɡɔ tɛmˈatu.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_192.wav|nɡˈuɡʲi zdjˈɛwa ˌɔkulˈarɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_36.wav|tɔ tsˈɔ? zɔstˈajɛʃ na dwˈuʒɛj? pˈɨta pˈɔli, vjɛʒdʒˈajɔnts na plˈatsɨk pʃɛt xɔtˈɛlɛm.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_495.wav|a jˈɛɕli zvʲɔ̃ʒˈɛtɕɛ ɕɛ z ɡwˈuptsɛm ˈalbɔ wˈɔtrɛm, ɲʲɛ lˈitʃtɕɛ, ʒˈɛ vˈas ɔt ɲʲˈɛɡɔː uvˈɔlɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_41.wav|ɲʲɛ tʃˈɛkaw, ˈaʒ bˈɛtskɨ vɨkˈɔna tɛlˈɛfɔn. vˈɨɕat s sˌamɔxˈɔdu i pˈɔtʃɛt xɔdɲˈikʲɛm dɔ sˌamɔxˈɔdu ˈannɨ, ʒˈɛbɨ sprˈavdʑitɕ, tʃɨ w ɕrˈɔtku ɲikˈɔɡɔ ɲʲˈɛma.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_85.wav|kɔndˈɔra tˈɛʃ ɲʲˈɛma.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_63.wav|tˈɔm zˌastanˈɔviw ɕɛ nˈattɨm pʃˈɛs xfˈilɛ.|3
+Dataset/wavs/urwisko_ferenc/09_segment_69.wav|mʲˌɛndʑɨ pasmˈami pʃˌɛʒɛdʑˈɔnɨɣ vwˈɔsuf pʃˌɛɕfitɨvˈawa skˈura ɡwˈɔvɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_27.wav|pʃɨnˈajmɲʲɛj mʲˈaw zamkɲʲˈɛntɛ pɔvʲˈɛki, ɲʲɛ muɕˈawa vʲˈɛnts ɔɡlˈɔndatɕ pˌɔpɛŋkˈanɨx natʃˈɨnɛk krfʲɔnˈɔɕnɨx w ˈɔtʃax.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_407.wav|tɔ ɲʲɛ bˌɛɲdʑɛ wˈatfɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_99.wav|zamˈɨkam ˈɔtʃɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_247.wav|mˈuɡwbɨm skɔʒˈɨstadʑ z ɔkˈazji.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_199.wav|bˌɛɲdʑɛ tɔ straʃlˈivɨ tɕˈɔz dla staɲˈisa, a flˈɔta rɛdvˈɨna bˌɛɲdʑɛ mˈɔɡwa pɔpwˈɨnɔɲtɕ na spɔtkˈaɲʲɛ z ʒˌɛlaznˈɨmi lˈudʑmi.|1
+Dataset/wavs/urwisko_ferenc/49_segment_74.wav|sˈɛnnɔɕtɕ ɲʲɛ nˌatxɔdʑˈiwa. xˈɛrman muɕˈawa ˈuznatɕ, ʒˈɛ mˈɔɲikˌa xudʑˈiɲska pˌɔpɛwɲˈiwa bwˈɔnt.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_242.wav|zdrˈɔvʲɛ, dʒˈɛs! ˌɔtpɔvʲɛdʑˈɛli xˈurɛm kljˈɛɲtɕi, unˈɔʃɔnts ʃklˈaŋki.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_309.wav|tɛn brˈɔn|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_73.wav|pˈɔvʲɛʑdʑ zˈɔli, ktˌurɔ̃ ɔstˈatɲʲɔ tʃˈɨta, lˈɛʒɨ ɡwɛmbˈɔkɔ sxɔvˈana w jˈɛɡɔ valˈistsɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_149.wav|tɔ prˈavda. i dlatˈɛɡɔ nˌautʃˈɨwɛm ɕɛ ɔt ɲʲˈɛɡɔ tˈɛʃ spˈɔrɔː ɔ mˌakijˈaʒu. fˌɔtɔɡrˈafjɔ̃ zajmˈɔvaw ɕɛ na bˈɔku.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_35.wav|pɔvʲˈɛdʑaw ˈandɛrsɔn i vɨtɕˈɔŋɡnɔw kˈu ɲʲˈɛmu dwˈɔɲ z ɲʲˌɛdɔpˈawkʲɛm. tɨ mi pʃˌɛtɕɛʒ za dˈarmɔ dˈawɛɕ tˌɛɡɔ pˌapʲɛrˈɔsa, mˈikɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_57.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_226.wav|jɛj blˈazɡ bˈɨw ɲʲˌɛpʃɨjˈɛmɲʲɛ jaskrˈavɨ. f tɛj ɕfʲˈɛtsɨ bˌɨwɔ tsˈɔʑ dʑivnˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_2.wav|xˈɔtɕ tsɛrsˈɛi tʃˈɛ̃stɔ sɨpʲˈawa sˈama, ɲˈiɡdɨ tˌɛɡɔ ɲʲɛ lubʲˈiwa. jɛj najstˈarʃɛ fspɔmɲʲˈɛɲʲa dˌɔtɨtʃˈɨwɨ tˈɛɡɔ, jˈaɡ dʑɛlˈiwa wˈɔʒɛ z jamˈɛɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_512.wav|pɔtʃˈuwɛm na ɡwˈɔvʲɛ pɔvʲˈɛvɨ ˈalbɔ pʃɛtɕˈɔŋɡʲi bjɔrˈɔntsɛ ɕɛ ɲʲɛ vʲadˈɔmɔ skˈɔnt. ˌɔna vɛstxnˈɛwa rˈaptɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_100.wav|kʲˈɛdɨ ɔn tʃˈɛkaw na ɕmʲˈɛrtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_98.wav|xtsˈɛ vʲˈɛdʑɛtɕ, tsˈɔ tɔ takʲˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_196.wav|tˈatɔ, bˈɛs tɕˈɛbjɛ ˈalfjɛ ɲʲˈɛma ʃˈans na ʃtʃɛɲɕlˈivɛ zˌakɔɲtʃˈɛɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_475.wav|pˌɔftuʒˈɨwɛɕ mˈɔjɛ swˈɔva rˌikasˈɔvi?|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_181.wav|spɔjʒˈawam w ɡwˈɔmp tunˈɛlu na ftɕˈɔ̃ʒ zamkɲʲˈɛntɨ vwˈas sxrˈɔnu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_218.wav|ɲʲˈɛvʲɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_63.wav|ja i pʃˈɛmɨt?|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_69.wav|rˌɔssunˈɛwɨ ɕɛ trˈɔxɛ ʃˈɛʒɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_133.wav|bˈɛtskɨ vˌɨprɔstɔvˈawa ɕɛ na kʃˈɛɕlɛ i pˌɔpatʃˈɨwa na tˈɔma.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_297.wav|ʒˌɛtʃɨvˈiɕtɕɛ, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_324.wav|xˈɔdʑi ɔ sˈɛdnɔ sprˈavɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_137.wav|z ɔɡrˈɔmnɔ̃ ɡɔrˈɔntʃkɔ̃ lˈatam pɔ mʲˈɛɕtɕɛ, bwɔŋkˈajɔnts ɕɛ fɕrˈud zvˈiduf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_43.wav|mˈɨɕliʃ, ʒˈɛ tˈɛkst jɛzd dˈɔbrɨ?|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_166.wav|mˈuj ɲʲɛdˈɔʃwɨ kljˈɛnt tɕɛrplˈivʲɛ tʃˈɛkaw i prˌavdɔpɔdˈɔbɲʲɛ dɔpʲˈɛrɔ pɔ kfadrˈanɕɛ dˌɔtarwˈɔbɨ dɔ ɲʲˈɛɡɔ, ʒˈɛ zɲiknˈɛwam.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_257.wav|xˈɨba bˌɛndɛ muɕˈawa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_37.wav|tsɔkˈɔlvʲɛk ɕɛ vɨdˈaʒɨ, mˈuʃɛ zapˈɛvɲitɕ jɛj pɔtʃˈutɕɛ spɔkˈɔju.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_251.wav|pˈɔza tɨm ˌɔɕɔŋɡnˈɔwɛm mɲʲˈɛj vʲˈɛntsɛj tɔ sˈamɔ, tsˈɔ sˈɛr rˈɨman.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_34.wav|ˌɔna ɲˈiɡdɨ bˈɨ ɲʲɛ zrˌɔzumjˈawa, dlatʃˈɛɡɔ vɨxˈɔdʑi, kʲˈɛdɨ tˈaɡ bˈardʑɔ ɡˈɔ tˈɛras pˌɔtʃɛbˈujɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_213.wav|ˌadmiɲˌistratˈɔrka pɔ rˈaz drˈuɡʲi ɲʲɛ pɔmˈɔɡwabˌɨ brˌazɨlˈijskim ɡaŋkstˈɛrɔm mɲʲɛ namjˈɛʒɨtɕ.|4
+Dataset/wavs/urwisko_ferenc/61_segment_9.wav|nˈɔ xˈɨba pˈɔtɔ tˈu jˈɛstɛm, mˈawa, ɲʲɛ?|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_32.wav|zɔstˈaviw tˌɨlkɔ ɲʲɛbjˈɛskʲɛ bˈutɨ ɔ vɨsˈɔkix xɔlˈɛvax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_80.wav|dˈɔktɔr ɔsˈɔba pʃˌɨɡɔtˈujɛ rˈapɔrt ɲʲˈɛtsɔ pˈuʑɲʲɛj, sˈɛr, ˈɔtpar kˈit. ɲʲɛ znalˈɛʑli zbˈɨd vʲˈɛlɛ ɕlˈaduf na ɔdʑˈɛʒɨ ɔfjˈarɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_141.wav|jˌɛstɛɕ mˈɔim ɕfʲˈatɛm, ˈanɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_17.wav|ɲʲˈɛbɨw tɔ pistˈɔlɛt.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_302.wav|vɨɡlˈɔndaw ɲˈibɨ mˈaɡʲik, vˌɨkʃɛsajˈɔntsɨ ɕfʲˈatwɔ za sprˈavɔ̃ pˈustɨx rˈɔŋk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_66.wav|tɔ xˈɨba fʃˈɨstkɔ, mˈuvi ˈɛlis.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_388.wav|ɕˈivɨ starˈuʃɛɡ z dvʲˈɛma rɛŋkˈami.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_63.wav|mɔʒlˈivɛ. ˌɔsɔbʲˈiɕtɕɛ stratɕˈiwɛm vˈɔlɛ ʒˈɨtɕa ɡdʑˈɛɕ pɔ xˈalf mˈan, xˈalv bʲistsˈuit. tsˈɔ zrˈɔbʲiw ˈɔlman?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_34.wav|— ˌɔtʃɨvˈiɕtɕɛ. tʃɨ mˈɔɡɛ spˈɨtatɕ, tsˈɔ pʃɨxˈɔdʑi pˈanu dɔ ɡwˈɔvɨ? — zapˈɨtaw kˈit.|4
+Dataset/wavs/urwisko_ferenc/46_segment_182.wav|pˈɔtɛm pʃɛʃˈukaw kʲɛʃˈɛɲʲɛ spˈɔdɲi ɲʲˌɛpʃɨtɔmnˈɛɡɔ mɛ̃ʃtʃˈɨznɨ.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_166.wav|tɨ rˈuvɲʲɛʒ bˈɨɕ ɕɛ nˈadɲim ˌulitɔvˈawa, ɡdˈɨbɨʑ ɡˈɔ vidʑˈawa pʃɛt kˈɔɲtsɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_171.wav|dvuznˈatʃnɨɣ vɨdˈaʒɛɲ.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_36.wav|tʃˈɨʒbɨɕ rˈazɛm z rˈɛŋkɔ̃ utrˈatɕiw ɔdvˈaɡɛ?|1
+Dataset/wavs/urwisko_ferenc/25_segment_21.wav|lˈɛpʲɛj lˈub ɡˈɔʒɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_102.wav|i vˌɨdavˈawɔ mi ɕɛ, ʒˈɛ vˈidʑɛ w ɲˈix, tɔ znˈatʃɨ f tɨɣ bwɛŋkˈitnɨx rˈafax kˌɔralˈɔvɨx,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_75.wav|bˈɛtskɨ uɲʲˈɔswa brvˈi i pˌɔkivˈawa ɡwˈɔvɔ̃. dˈɔbrɨ pˈɔmɨsw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_30.wav|f tɛj sˈamɛj xfˈili vɨtʃˈuvam za sˈɔbɔ̃ rˈux i zˈɛrkam pʃˈɛs rˈamjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_153.wav|bʲˈillɨ kɔlˈanɛm pɔdnˈɔɕi jɛj ˌɔpadajˈɔntsɛ plˈɛtsɨ i xfʲˈɛjɲʲɛ fxˈɔdʑi dɔ ɕrˈɔtka.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_446.wav|jˈɛɕli vˈaʃa lɔrdˈɔfska mˈɔɕtɕ rˈatʃɨ pɔzvˈɔlitɕ, nˈajpʲɛrv zrˈɔbjɛ tɔ z mˈɔim, a pˈɔtɛm vrˈutsɛ pɔ tfɔjˈɛɡɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_66.wav|vʲˈɛʒɛ, ʒˈɛ jɛst xˈɔra.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_108.wav|i znˈuf patʃˈɨli na ɕˈɛbjɛ. ˈɔtʃɨ rajˈana bˌɨwɨ zˌapadɲʲˈɛntɛ, rˈɛntsɛ mu drʒˈawɨ.|0
+Dataset/wavs/urwisko_ferenc/04_segment_12.wav|— pʃˌɛtɕɛʃ tɔ spravdʑˈiwɛm, ˌuspravʲɛdlˈiviw ɕɛ. — vidˈɔtʃɲʲɛ ɲʲˈɛzbɨd dɔkwˈadɲʲɛ, prˈɨxnɔw rˌɔsfɕtɕɛtʃˈɔnɨ rɔzmˈuftsa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_255.wav|pˌɔmijˈajɔnts fʃˈɨstkɔː ˈinnɛ, tɛn rɨsˈunɛk pˈɔfstaw z miwˈɔɕtɕi dɔ ɲʲˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_223.wav|drˈɔɡɛ dɔ dɔlˈinɨ zˈamknɔw ɕɲʲˈɛk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_125.wav|mˈɔʒɛ s tʃˈasɛm pʃˌɨzvɨtʃˈajɛ ɕɛ dɔ ɲʲˈɛɡɔ. jɛzd zrˈɛʃtɔ̃ tˈak pɔdˈɔbnɨ.|0
+Dataset/wavs/urwisko_ferenc/64_segment_87.wav|zɔbˈatʃɨw lɛɡnˈɛra i zvˈɔlɲiw blɔkˈadɛ tsˌɛntralnˈɛɡɔ zˈamka.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_154.wav|jˈasnɨ ʃlˈak. mruknˈɛwam dɔ ɕˈɛbjɛ i pɔtʃˈuwam, jˈak mˈuj ʒɔwˈɔndɛɡ zamjˈɛɲʲa ɕɛ w vˈɛ̃zɛw.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_29.wav|sˈandɨ vˌɨprɔstɔvˈawa ɕɛ i dˈawa znˈatɕ rˈɛŋkɔ̃, ˌinstruˈujɔnts krˌɨminˌalistˈɨkuf, ʒˈɛbɨ jˈak najʃˈɨptɕɛj vˈɛʃli dɔ dˈɔmu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_605.wav|mitskʲˈɛvidʒ vˈɨpiw kˈavɛ, pɔʃˈukaw pˌapʲɛrˈɔsa.|0
+Dataset/wavs/urwisko_ferenc/63_segment_97.wav|inˈatʃɛj pˈaɲi ɲʲɛ pɔmˈɔɡɛ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_88.wav|jˈɛɕli nˈɔtsɔ̃ nˈɔɕiʃ mʲˈɛtʃ, tɔ znˈatʃɨ, ʒˈɛ mˈɔʒna tɕˈɛ vˈɨzvatɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_99.wav|pɔd zdjɛɲtɕˈami vˈiʃɔ̃ dˌɔkumˈɛntɨ.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_18.wav|mˈɔʒɛ dlatˈɛɡɔ ɲʲɛ vrˈutɕiw. mˈɔʒɛ lˈɛʒɨ mˈartfɨ w jˈakimʑ zaˈuwku f kawˈuʒɨ vwˈasnɛj krfˈi ˈalbɔ pwˈɨva tfˈaʒɔ̃ w dˈuw f ktˈurɨmɕ s kanˈawuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_61.wav|kupˈimɨ tɕi lˈɔdɨ, xˌaˌɛmˈɛm? mˈɔʒɛ nˈavɛd dˈuʒɛ. a pˈɔtɛm vrutɕˈimɨ prˈɔstɔ dɔ wˈuʃka, tsˈɔ tɨ nˈatɔ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_7.wav|lˈudʑɛ rˌɔzmavʲˈali zˈɛmnɔ̃, ˌuɕmʲɛxˈali ɕɛ, ʒˌartɔvˈali. bˌɨwɔ fspaɲʲˈalɛ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_246.wav|zˈafʃɛ jˈɛdnaɡ vratsˈawa dɔ pˈɔrtu wˌaxmaɲʲˈaʒa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_67.wav|vaʃˈɛɡɔ vidˈɔku pɔt mˈɔim dˈɔmɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_208.wav|dʑˈiɕaj ɲʲɛ bˌɛɲdʑɛ transpˈɔrtu mʲˈɛ̃sa, jˈak nˌazɨvˈamɨ stˈatki pˌasaʒˈɛrskʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_77.wav|brˈat nˈarbɛrd zɲʲˌɛruxˈɔmjaw.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_128.wav|ˌɔbɛrʒˈɨsta ɲʲɛ vɨvʲˈɛɕiw nɔvˈɛɡɔ ʃˈɨldu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_62.wav|ˌalɛ dlatʃˈɛɡɔ mʲˈɛlibˌɨ spɔtˈɨkatɕ ɕɛ w alˈɛjtsɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_39.wav|bɛɲdʑˌɛmɨ muɕˈɛli jˈɛ vɨvˈalitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_82.wav|dʲibˈɔis nˈabraw kˈɛ̃s pˈulpɨ i zjˈad ɡˈɔ z ɡrˈatsjɔ̃ ɕfʲattʃˈɔntsɔ̃ ɔ ɲʲˌɛnaɡˈannɨx maɲʲˈɛrax.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_23.wav|muɕˈawaɕ ɕɛ xˈɨba dɔmˈɨɕlitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_313.wav|narˈɛʃtɕɛ mˈɔɡwam vʑˈɔɲtɕ ˈɔdvɛt.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_65.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_324.wav|mʲˈawam jˈuʃ jɛdnˈɛɡɔ, ˌalɛ ɡˈɔ zabʲˈiwam.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_22.wav|zbadˈawam dˈɔbʒɛ tɔ xrˈapstfɔː i fʃˈɨstkɔ mi w ɲˈim ˌɔtpɔvʲˈada.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_413.wav|vˈɨɕlij dla mɲʲɛ lˈist.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_65.wav|a ʃkwˈɔ tɔ pɔ prˈɔstu tlˈɛn i kʃˈɛm, ktˌurɛ pɔfstˈajɔ̃ pˈɔttʃas prɔdˈuktsji ˌalumˈiɲʲum.|4
+Dataset/wavs/urwisko_ferenc/28_segment_4.wav|tkfˈiwa w ɲˈix ˌuvʲɛ̃ʑˈɔna, pɔdˈɔbɲʲɛ jˈak w ɕlˈɛtstfʲɛ, kturˌɛɡɔ ɲˈijak ɲʲɛ davˈawɔ ɕɛ pˈɔpxnɔɲtɕ nˈapʃut.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_160.wav|sˈɨstɛm ˌavarˈɨjnɨ pʃˈɛstaw dʑˈawatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_98.wav|jɛst tˈɛʃ fˌɔtɔɡrˈafja pʃˌɛtstavʲajˈɔntsa tsˌamɛrˈɔna, a nˈavɛt jaɡˈɛra, ɲʲˌɛɕfʲadɔmˈɛɡɔː ˌɔbjɛktˈɨvu i vˌɨxɔdʑɔntsˈɛɡɔ z bˈaru.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_162.wav|zɡˈɔda, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_44.wav|i tˈɛras jˈuʃ tsˈɔɕ, tsˈɔ bˌɨwɔ dʑivˈatʃnɨm i ɲʲˌɛrɛˈalnɨm kʃtˈawtɛm, pʃɨbrˈawɔ znˈuf tɕˈɛ̃ʒar i zˈapax.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_61.wav|brudnˈɛɡɔ, zˌatwuʃtʃɔnˈɛɡɔ mˌanuskrˈɨptu.|0
+Dataset/wavs/urwisko_ferenc/53_segment_51.wav|ˌɔtstavˈiwa kˈavɛ i vʑˈɛwa ʃˈɨpki, ˌɔʒɛʑvʲajˈɔntsɨ prˈɨʃɲits. ubrˈawa ɕɛ i vˈɨʃwa z waʑˈɛŋki.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_116.wav|ˌɔstʃɛʒˈɛɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_90.wav|f tɛj xfˈili tɔ jɛdˈɨna nadʑˈɛja na pʃɛtrfˈaɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_311.wav|tʃɨ vˈaʃa mˈiwɔɕtɕ ɲʲɛ xtɕˈawabˌɨ na jˈɛdnɔ̃ nˈɔts stˈatɕ ɕɛ mɛ̃ʃtʃˈɨznɔ̃?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_273.wav|jˈak ɕɛ tʃˈujɛʃ? ɲʲˈɛʑlɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_218.wav|mʲˈawam nadʑˈɛjɛ, ʒˈɛ z bjˈɛɡʲɛm tʃˈasu im pʃˈɛjdʑɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_20.wav|bʲˈillɨ zdˈɔ̃ʒa pɔmˈɨɕlɛtɕ ɔ tɛj stˈarɛj pʲɔsˈɛntsɛ, f ktˌurɛj xˈudʑɡ bˈɛrɨ ɕpʲˈɛva ɕlˈitʃna dʑɛftʃˈɨna, ɕˌɛdɛmnˈastɨ rˈɔɡ dʑˈiʑ zatʃˈɨna.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_71.wav|i za pɔmˈɔtsɔ̃ zdɔbˈɨtɨɣ barvɲˈikuf ˌufarbɔvˈali sˈɔbjɛ zˈarɔst na puwsˈɛtki rˈuʒnɨx kɔlˈɔruf. pɔ dɔstˈaɲʲu ɕɛ dɔ pˈɔrtu zˌamjɛʒˈali ɡˈɔ pɔtpˈalitɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_7.wav|fˈatsɛt pʃˈɛpad i na dɔdˈatɛɡ vˈɨmknɔw ɕɛ im pʃɛt nˈɔsɛm. pɔdɲʲˈɔswa ɕɛ, ʒˈɛbɨ rɔstɕˈɔŋɡnɔɲtɕ trˈɔxɛ mʲˈɛɲɕɲʲɛ, kʲˈɛdɨ rɔzlˈɛɡwɔ ɕɛ vɔwˈaɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_51.wav|ˌuɕfʲadɔmˈiwam sˈɔbjɛ, jˈaɡ vʲˈɛlɛ tʃˈasu muɕˈawɔː upwˈɨnɔɲtɕ, ɔt kʲˈɛdɨ zˈaznaw jˌakʲɛjkˈɔlvʲɛk radˈɔɕtɕi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_83.wav|ˌɔbjɛtsˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_213.wav|ˈusta ˌamɛrˈɛi zadrʒˈawɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_104.wav|mˌamɨ pʲɛɲʲˈɔndʑɛ zˈɛ spʃɛdˈaʒɨ dˈɔmu, tɔ vɨstˈartʃɨ. mɔʒˈɛmɨ bˈɨtɕ ʃtʃɛɲɕlˈivi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_152.wav|nˈɔː i tɔ ftɕˈɔ̃ʒ vʲˈɛntsɛj ɲˈiʃ pˌɔtʃɛbɔvˈaliɕmˌɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_36.wav|vʲɛdʑˈawɛm, ʒˈɛ ɲʲˈɛmuɡwbˌɨ tˌɛɡɔ zrˈɔbʲitɕ, ˌalɛ ftˈɛdɨ pʃɨpˈɔmɲʲaw mi ɕɛ fˈilm, na ktˌurɨ ɕɛ zakrˈadwɛm dɔ kˈina.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_81.wav|a tsˈɔ stˈawɔ ɕɛ s tˈɨm, ktˌurɨ bˈɨw lɔtɲˈikʲɛm? tɔ bˈɨw tsˈawkʲɛm dʑˈiki ɡˈɔɕtɕ ʒˈɛkw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_42.wav|kɔbjˈɛtɨ plˌɔtkujˈɔntsɛ pʃɨ stˈudɲi i ʃtʃˈɛŋk mʲˈɛtʃɨ na dʑɛdʑˈiɲtsu. a pˈɔtɛm bˌɛɲdʑɛ ˈutʃta.|1
+Dataset/wavs/urwisko_ferenc/39_segment_45.wav|ɲʲˌɛkɔɲʲˈɛtʃɲʲɛ, bˈɔ sˈɔlski bˈɨw dˈamskim bɔksˈɛrɛm. xudʑˈiɲskʲɛj tsˈɔ prˈavda ɲʲɛ udˈɛʒɨw.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_177.wav|a, nˈɔː i bˈardʑɔ mi mˈiwɔ, ʒˈɛ zɡˈadʑaʃ ɕɛ ɲʲˌɛɔtpwˈatɲʲɛ i ɲʲˌɛɔfitsjˈalɲʲɛ spravˈɔvatɕ nˈadʑur nat impˈɔrtɛm tɔvˈaruf.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_42.wav|ˌuɕfʲadˈɔmiw sˈɔbjɛ ʒɛlˈaznɨ kapˈitan. vˈalnɔw sˌɛrɨˈɛɡɔ tˈartʃɔ̃ f tfˈaʃ, ˈaʃ mwɔdʑˈɛɲʲɛdʑ zatˈɔtʃɨw ɕɛ na rˈɛliŋk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_427.wav|ˌalɛ ta ɔtsknˈɛwa ɕɛ rˈaptɛm i zazdrˈɔɕɲʲɛ ˌɔdvrutɕˈiwa ɲʲˈɛmɔ sfˈɔjɔ̃ tablˈitʃkɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_34.wav|jˈakiɕ mˈuʒɨn vʑˈɔw ɡˈɔː i pˈɔdvʲuz ˈaʒ dɔ mˈɔʒa.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_106.wav|pɔvˈinnaɕ sprɔvˈadʑitɕ sfɔjˈɛɡɔ sˈɨna na dvˈur pˌɔvʲɛdʑˈawa tsɛrsˈɛi dɔ lˈadɨ mˌɛrivˈɛtxɛr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_204.wav|f tʃˈaɕɛ, ɡdˈɨ ɔn pwˈatɕi za palˈivɔ, ˈɛllis pʃɛɡlˈɔnda pˈuwki f sklˈɛpʲɛ ɡvˈitsk pˈitsk i kɔʒˈɨsta z ˌubʲikˈatsji.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_268.wav|tˈak, pˌɔvʲɛdʑˈawa. patʃˈɨwa tˈɛras na tfˈaʃ jˈɛɡɔ z bˈɔku.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_52.wav|ˌalɛ ˌɔbjɛtsˈujɛ, ʒˈɛ kʲˈɛdɨ dɔtʃˈɛmɨ dɔ kɕˌɛ̃ʒɨtsˈɔvɨɣ brˈam, pʃɛtʃˈɨtam tɕi dvʲˈɛ çistˈɔrjɛ ɔ skʃɨdlˈatɨm rɨtsˈɛʒu.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_46.wav|bˌɛɲdʑɛ tˈɨɕɔnts pʲˈɛrʃɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_38.wav|tɔ znatʃˈɨwɔ, ʒˈɛ nˈaɕi twumˈatʃɛ pʃˌɨmilˈali ɕɛ dɔ mˈuwuf i lɔkˈalnɨx pʃɨvˈuttsuf, zˈamjast jˈak pʃˈɛttɛm rˈɨtʃɛtɕ, vɨwˈazitɕ ɕfˌiɲʲɔjˈɛptsɨ pʃˈɛz ɡwɔɕɲˈiki na vˈɔzɛx.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_15.wav|tʃɛkˈawɛm na pˈana.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_62.wav|jˌɛstɛm w lˌantsastˈɛʒɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_137.wav|ˌɔna jˈɛdnak ˌiɡnɔrˈujɛ ɡˈɔː i ˈidʑɛ dˈalɛj dɔ mˈawɛj pʃɨtʃˈɛpɨ. zaɡlˈɔnda dɔ bˈɛtʃɛk, prˈɨxa pˌɔɡardlˈivʲɛ, pɔ tʃɨm vrˈatsa, bˈɨ zˈajʒɛtɕ na skʃˈɨɲʲɛ dˈɔdʒa.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_45.wav|pɔtʃˈuwam na ɡwˈɔvʲɛ jɛj dwˈɔɲʲɛ. zatʃˈɛwa ɔdvˈijadʑ bˈandaʃ i pɔ xfˈili zmruʒˈɨwam pɔvʲˈɛki, kʲˈɛdɨ pˌɔrazˈiwɔ mɲʲɛ ɕfʲˈatwɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_98.wav|— ɔ mˈuj bˈɔʒɛ! — ˈɛlis ɔswˈaɲʲa ˈɔtʃɨ dwˈɔɲʲɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_97.wav|jˈamɛ ˈuɲʲus sfˈuj kʲˈɛlix lˈɛvɔ̃ rˈɛŋkɔ̃ i pɔtɕˈɔŋɡnɔw wˈɨk. tɕˈɛpwɔ vˌɨpɛwɲˈiwɔ mu pʲˈɛrɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_61.wav|f kˈɔɲtsu ɔpˈarwam ɕɛ ɔ skɔrˈupɛ bˈaɲki i ˌɔdɛtxnˈɛwam z ˈulɡɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_126.wav|ɡʲˈildja spavˈatʃɨ tɕˈɔŋɡlɛ ʃˈuka prɛtˈɛkstu, ʒˈɛbɨ zrˈɔbʲitɕ ˈɔjtsu kˈɔwɔ dˈupɨ. ɲʲˈɛxtsɛ im f tɨm pɔmˈaɡatɕ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_146.wav|mˈɔʒɛʒ zˈabradʑ zˈɛ sˈɔbɔ̃ krulˈɔvɔ̃ kˈurɛf, ˌalɛ zˈɔstaf tˈɛ jɛj kɔrˈɔnɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_15.wav|a pˈɔza tɨm mˈam drˈuɡɔ̃ nˈarkɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_128.wav|ˌɔtʃɨvˈiɕtɕɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_27.wav|kˈatɛ pˌɔtʃɔntkˈɔvɔː ˌɔpɔnɔvˈawa, ˌalɛ ˌɔstatˈɛtʃɲʲɛ pʃɨznˈawa, ʒˈɛ tˈaɡ bˌɛɲdʑɛ najlˈɛpʲɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_49.wav|mˈɔʒɛ nˈavɛt tfˈɔja rɔdʑˈina zmʲˈɛɲi zdˈaɲʲɛ na nˈaʃ tˈɛmat.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_253.wav|pˌɔvinɲˈiɕmɨ dɔwˈɔntʃɨdʑ dɔ ɲʲˈɛɡɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_56.wav|zˌapɨtˈawam fskazˈujɔnts na nˈɔvɔ̃ dˌɛkɔrˈatsjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_96.wav|kʲˈɛdɨ lˌɛvɔrˈɛntʃnɨ zɲʲˌɛruxˈɔmjɔ̃, prubˈujɔnts ɔdɡˈadnɔɲtɕ, pɔ jˈakɔ̃ xɔlˈɛrɛ tɔ zrɔbʲˈiwam, skɔtʃˈɨwam pɔt sˈufit.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_203.wav|ɲʲɛ pʃˌɨjɛxˈawɛm tˈutaj sˈam.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_24.wav|sˈɔndʑɔnts pɔ xmˈuʒɛ pˈɨwu, jˈakɔ̃ za sˈɔbɔ̃ vzbʲˈijaw, jˈɛxaw najʃˈɨptɕɛj jˈak ɕɛ dˈawɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_664.wav|musˈimɨ tˈɛras ɔtpˈɔtʃɔɲtɕ. zˌaprɔvˈadʑɛ pˈana dɔ takʲˈɛɡɔ pˌɔmjɛʃtʃˈɛɲʲa, ɡdʑˈɛ pˈan vˈɨɕpi ɕɛ, ɔtpˈɔtʃɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_202.wav|mˈɔʒɛ pʃˌɨjɛxˈawa dɔ dˈɔmu i zˌauvaʒˈɨwa tsˈɔɕ, ɡdˈɨ vjɛʒdʒˈawa sˌamɔxˈɔdɛm dɔ ɡarˈaʒu?|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_146.wav|fʃˈɨstsɨ mˈuʃɔ̃ swˈuʒɨtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_122.wav|pˈarska ɕmʲˈɛxɛm tˈak xraplˈivɨm, jˈak jɛj ɡwˈɔs.|2
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_59.wav|kˈim jɛst tfˈɔja mˈama?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(74) R.Abbott_Zamknij Drzwi_segment_30.wav|pˈɔdruʃ tɕɔŋɡnˈɛwa ɕɛ f tɕˈiʃɨ, ˌalɛ ˈaʒ vˈɔlawbˌɨ, ʒˈɛbɨ ktˈɔɕ ɕɛ ɔdˈɛzvaw, xˈɔdʑbɨ pˈɔtɔ, bˈɨ zaɡwˈuʃɨtɕ kʃˈɨki w jˈɛɡɔ ɡwˈɔvʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_307.wav|ɔkrˈutnɨm krulˈɛstfɛm.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_391.wav|pʃɨ stˈɔlɛ ˌiɡnɔrˈɔvaw bjˈɛdnɔ̃ lˈisɛ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_144.wav|skˈartɕiw ɡˈɔ brˈat nˈarbɛrt. ɔ mˈawɨ vwˈɔs ɲʲɛ sɨpnˈɔwɛɕ sˌɛptɔnˈɔvi mˌaribaldˈɔvi ʑˈɛmʲɔ̃ w ˈusta.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_258.wav|xˈarɨ dʑˈɛdʑidʑ zɔstˈaɲʲɛ lˈɔrdɛm xarˈɔldɛm, ɔbrˈɔɲtsɔ̃ dɔlˈinɨ i lˈɔrdɛm ɔrlˈɛɡɔ ɡɲʲˈazda.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_152.wav|mˈuɡwbɨ sˈɔbjɛ vmˈuvitɕ, ʒˈɛ ɲˈits ɲʲɛ dʑˈɛjɛ ɕɛ bˈɛs pɔvˈɔdu, ˌalɛ tɔː ˌidjɔtˈɨtʃna bˈujda ftɕˈiska na lˈudʑɔm, ktˌuʒɨ ɲʲɛ pɔtrˈafjɔ̃ stˈavitɕ tʃˈɔwa ɲʲˌɛupʲɛŋkʃˈɔnɛj prˈavdʑɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_32.wav|a vʲˈɛndʑ ɡˈɔ znˈaʃ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_2.wav|najblˈiʃʃɨ brˈut prˌɔvadʑˈɔntsɨ pʃˈɛs tʃɛrvˈɔnɛ vˈidwɨ znajdˈɔvaw ɕɛ w ɡˈurɛ ʒˈɛki ɔdʑˈamku.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_96.wav|rˈɔp ɔdbjˈɛɡaw ɔt stsˌɛnarjˈuʃa, ˌalɛ f sˈumjɛ bˈɨw tɔ dˌɔskɔnˈawɨ mˈɔmɛnt, ʒˈɛbɨ zˈadatɕ tɔ pɨtˈaɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_134.wav|xtsˈɛʃ jˈɛʃtʃɛ jɛdnˈɛɡɔ prˈɔʃka? bˈɔʒɛ, tˈak.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_154.wav|bjˈɛdnɨ idjˈɔta, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_7.wav|tʃɨ ˌɔɲi pˈɔmɲʲɛ pʃɨjˈadɔ̃? vʲˈɛdʑɔ̃, dˈɔkɔnt jˈadɛ? sprubˈujɔ̃ mɲʲɛ zatʃˈɨmatɕ?|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_4.wav|znˈawam tˈutaj kˈaʒdɨ mrˈɔtʃnɨ zaˈuwɛk, kˈaʒdɛ dʒvˈi i kˈaʒdɔ̃ rˈɨsɛ na ɕtɕˈaɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/17_segment_61.wav|ɲʲɛ zmˈuɕi mɲʲɛ pˈaɲi dɔ tˈɛɡɔ. f tˈakim rˈaʑɛ pˌɔrɔzmavʲˈajmɨ ɔ mˈɔɲitsˌɛ xudʑˈiɲskʲɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_153.wav|jˈɛɕli mˈartfiʃ ɕɛ ɔ pʲɛɲʲˈɔndʑɛ, ktˌurɛ mi ˌɔbjɛtsˈawɛɕ...|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_67.wav|tʃɨ xtɕˈawam ʒˈɨtɕ w ɕfʲˈɛtɕɛ, f ktˌurɨm vwˈasnɔʑdʑ znˈatʃɨ vʲˈɛntsɛj ɲˈiʃ fspuwprˈatsa, dʑɛlˈɛɲʲɛ ɕɛ fʃˈɨstkim i rˈuvnɔɕtɕ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_274.wav|pˈaɲʲɛ xundˈɛbawx, tɕi panˈɔvʲɛ sˈɔ̃...|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_357.wav|swˈɨʃɛ tɔ s pʃˌɨjɛmnˈɔɕtɕɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_44.wav|kˈɔɡɔ tɨ ˌɔʃukˈujɛʃ?|2
+Dataset/wavs/urwisko_ferenc/01_segment_46.wav|pʃˌɛkrɛɲtɕˈiwa klˈutʃɨk f statsˈɨjtsɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_163.wav|ˌalɛ ɲʲɛ mˈɔɡwaɕ tˌɛɡɔ zrˈɔbʲitɕ, prˈavda?|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_5.wav|tɔ stˈaɲʲɛ ɕɛ dʑˈiɕaj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_244.wav|pˈɛvɲʲɛ ˌɔkazˈawɛm ɕɛ ɡwˈuptsɛm, ˌalɛ jˈakʲɛɕ rˈɛʃtki zdrɔvˈɛɡɔ rɔssˈɔntku spravˈiwɨ, ʒˈɛ...|3
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_30.wav|— dˈɔbʒɛ, bˌɛndɛ vˌɨpatrɨvˈawa sˌamɔxˈɔdu i zˈaras pˈɔtɛm pʃˈɨjdɛ. kʲˈɛdɨ vrˈatsa ˈaʃ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_176.wav|pˈump ˈɔn|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_10.wav|vˌɨdavˈawɨ ɕɛ ɲʲˈɛmal bjˈawɛ.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_369.wav|vʲˈɛŋkʃɔʑdʑ vɛndrˈɔftsuf stˈara ɕɛ uɲˈikatɕ pɔdˈɔbnɨx lˈudʑi.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_292.wav|flˈɔta rˌɛdvinˈɛuf jɛzd dalˈɛkɔ. vɨstˈartʃɨ, bˈɨɕmɨ vˌɨtɕɔŋɡnˈɛli rˈɛŋkɛ, a zɛrvʲˈɛmɨ najswˈɔtʃɨ ˈɔvɔdʑ w vɛstˈɛrɔs.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_57.wav|bʲˈillɨ mʲˈaw dʒˈɔrdʒja za jɛdnˈɛɡɔ s tɨx kɔlˈɛɕi, ktˌuʒɨ zˌasuvˈajɔ̃ f kʲɛrˈatɕɛ dɔ ɡrɔbˈɔvɛj dˈɛski. ˈaxa.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_406.wav|tɔ bˌɛɲdʑɛ muɕˈawa bˈɨtɕ prˈuba vˈalki.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_91.wav|najblˈiʒɛj mɲʲɛ znajdˈɔvaw ɕɛ pʃɛtɕˈɔnɛk, pʃɨ ktˌurɨm dˌɔkɔvˈawɨ vaɡˈɔnɨ kˌɔlɛjˈɔvɛ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_153.wav|z ɡrˈupɨ vɨstˈɔmpiw ˈinnɨ baɲˈita.|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_81.wav|vɨɕˈɔɲdʑɛ ɛskˈɔrta. tsˈɔ nˈajmɲʲɛj dvˈux, mˈɔʒɛ tʃˈɛx, tʃtˈɛrɛx? vɔntplˈivɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_148.wav|na ˌuɲivˌɛrsɨtˈɛtɕɛ w mˌanxɛstˈɛʒɛ.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_179.wav|sˈam sʃˈɛt pɔ trˈapʲɛ rˈazɛm z wˌutʃɲikˈami, ˌalɛ ɡdˈɨ znalˈɛʑli ɕɛ na lˈɔɲdʑɛ, pˈɔʃli sfɔˈimi drɔɡˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_69.wav|pɔ pʲˈɛɲtɕu minˈutax pɔdjˈɛʒdʒa nastˈɛmpnɨ bˈar na kˈuwkax i zˌatʃɨmˈujɛ ɕɛ za pʲˈɛrʃɨm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_154.wav|i ʒˈɛ vˈidʑaw ɡˈɔ kʲˈɛdɨɕ pˌɔdajɔntsˈɛɡɔ rˈɛŋkɛ bjawˈɛmu rˌɛpɔrtɛrˈɔvi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_22.wav|ˈɛlis mruknˈɛwa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_66.wav|na pˈɛvnɔ? pʃˈɛs xfˈilɛ ˌɔtpwɨnˈɔwɛɕ. pˈɔvʲɛts, naprˈavdɛ tsˈɔɕ pˈiʃɛʃ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_73.wav|lˈintsaj skˌɔntaktɔvˈawa ɕɛ jˈuʒ z mʲɛjstsˈɔvɔ̃ pɔlˈitsjɔ̃ f sprˈavʲɛ mʲˈɛjstsa jˈɛɡɔ pʃˌɛbɨvˈaɲʲa, ˌaktualnˈɛɡɔ zajˈɛɲtɕa i fspˌuwpratsɔvɲˈikuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_167.wav|ɲˈiɡdɨ ɲʲɛ bˌɛndɛ mˈɔɡwa ɡˈɔ nˈɔɕitɕ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_211.wav|tsˈad znalˈazwa sˈɔbjɛ f pˈɔrtɕɛ pʃɨjˈatɕuw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_50.wav|a pˈɔtɛm zˈamar.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_157.wav|vˌɨdavˈawɔ mi ɕɛ, ʒˈɛ tˈaɡ bˌɛɲdʑɛ vɨɡlˈɔndatɕ mˈɔja ʒˈɔna.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_111.wav|mˈam ɔxˈɔtɛ nˈaɲʲɔ̃ kʃˈɨknɔɲtɕ, ʒˈɛbɨ tˈam pˌɔjɛxˈawa i rˌɔzvalˈiwa tɛ xɔlˈɛrnɛ dʒvˈi. tʃɨ tˈɛssa jɛst tˈam vrˈaz z ˈaʃɛm?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_19.wav|f tɕˈɔŋɡu dɲʲˈa bˌɨwamˈanɔ̃ frˈaŋklin, vzˈɔrɛm dˈɔbrɨx ˌɔbɨtʃˈajuf, a vʲɛtʃˈɔrɛm sˈaskjɔ̃ pˈɛtɛrsɔn.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_490.wav|pɔ xfˈili znalˈɛʑli ɕɛ pɔ drˈuɡʲɛj strˈɔɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_4.wav|zapˈɨtaw pɔ kfadrˈanɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_230.wav|mˈɔɡɛ ɡˈɔ dɔɕˈɛŋɡnɔɲtɕ, pɔvʲˈɛdʑaw dˈɨɲʲa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_13.wav|pʃˌɛvidɨvˈaɲʲa zaxˈɔvaɲ. dˈanɛ sɔ̃ pʃˌɛxɔvɨvˈanɛ i ʃˌɨfrɔvˈanɛ na ix tˌɛlɛfˈɔnax.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_32.wav|vidɲʲˈawa nˈaɲih tˌɨlkɔ mʲɛdʑˈana kɔwˈatka.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_83.wav|bˈɨw mˌuskulˈarnɨ. mʲˈaw brɔ̃zˈɔvɛ vwˈɔsɨ, brˈɔdɛ i zwamˈanɨ nˈɔs, ktˌurɨ zrˈus ɕɛ kʃˈɨvɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_42.wav|tɔ prˈɔstɨ spˈɔsup na zrɔbjˈɛɲʲɛ pʲɛɲʲˈɛndʑɨ.|3
+Dataset/wavs/urwisko_ferenc/04_segment_34.wav|fxˈɔdʑiw w ɲʲˈɔ̃ ɔt tˈɨwu i udˈɛʒaw bjɔdrˈami, fpatrˈujɔnts ɕɛ w jɛj fˌalujˈɔntsɛ pɔɕlˈatki.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_13.wav|ɡdʑˈɛ sɔ̃ mˈɔjɛ dʑˈɛtɕi?|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_278.wav|pɔvʲˈɛdʑaw nutˈɔvi. a tˈɛraz dɔ vʲˈɔsɛw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_38.wav|prˈɔʃɛ vɨbˈatʃɨtɕ, tʃɨ pˈaɲi tˈutaj mʲˈɛʃka?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_28.wav|mˈili vʲɛdʑˈawa, kˈim jɛst ˈaʃ.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_296.wav|pˈaɲi, nˈɔɕiʃ kɔltʃˈuɡɛ jˈak mɛ̃ʃtʃˈɨzna, vʲˈɛnts ɲʲɛ ɔʃtʃˈɛndʑɛ tɕi ɔpˈisu ˌɔkrɔpnˈɔɕtɕi. jɛj pʲˈɛrɕi bˌɨwɨ rˌɔzɛrvˈanɛ, pˌɔɡrɨʑˈɔnɛ i...|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_41.wav|ˌalɛ f ɕˌɛdmʲɔramjˈɛnnɛj ɡvʲˈɛʑdʑɛ nˌapisˈanɔ, ʒˈɛ tˈak jˈak lˈudʑɛ kwaɲʲˈajɔ̃ ɕɛ lˈɔrdɔm, a lɔrdˈɔvʲɛ krˈulɔm...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_92.wav|na nastˈɛmpnɨm mˈɔjɛ vwˈɔsɨ sɔ̃ jˈuʃ ɲʲˈɛtsɔ dwˈuʃʃɛ. vɡrˈaw tɛ zdjˈɛɲtɕa dɔ mɔjˈɛɡɔ kˌɔmputˈɛra, ˌalɛ ɲˈiɡdɨ ix ɲʲɛ ˌɔɡlɔndˈawam.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_19.wav|tsˈɔ tˈam znalˈazwɛɕ, pɕˈɛ?|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_332.wav|xˈɨba, ʒˈɛ xtsˈɛʒ znˈalɛɕtɕ f sfˈɛj ɔfɕˈantsɛ trutɕˈiznɛ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_345.wav|sˈɛptɔn mɛrˈibalt rˈuvɲʲɛʃ tɔ zˌauvˈaʒɨw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_24.wav|rˈɔbʲiw tɔ xˈɨba pˈɔtɔ, ʒˈɛbɨ mɲʲɛ ukˈaratɕ, xˈɔtɕ ɲˈiɡdɨ ˈɔtɨm ɲʲɛ rˌɔzmavʲˈaliɕmˌɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_29.wav|i ɔ ktˌurɛj vrˈutɕiw pˈan dɔ dˈɔmu?|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_207.wav|sɔ̃ trˈɔxɛ zbˈɨt kʃatʃˈastɛ. pʃɨstʃˈɨʒɛ jˈɛ. kʲˈɛdɨ pʃˈɨjdʑɛ tʃˈaz z ɲˈix skɔʒˈɨstatɕ.|2
+Dataset/wavs/urwisko_ferenc/60_segment_50.wav|mʲˈawa vraʒˈɛɲʲɛ, ʒˈɛ pʃˈɛz vˈɔ̃skʲɛ ʃpˈarki, lˈɛkkɔː ˌuxɨlˈɔnɨx pˈɔvʲɛk, ˈɔlɡʲɛrt pˈatʃɨ nˈaɲʲɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_186.wav|zapˈɨtaw ˌɔɡlɔndˈajɔnts mˈɔjɔ̃ zɡˈubɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_10.wav|ˈɔtpar ɲˈilɛ ɲʲˈɛtsɔ drʒˈɔntsɨm ɡwˈɔsɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_49.wav|jˈɛɡɔ mˈama ɲʲɛ bˌɨwa ˈaʃ tˈak sklˌɛrɔtˈɨtʃna, kʲˈɛdɨ dɔ ɲʲˈɛj pʃˌɨjɛxˈawɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_21.wav|pʃɨtɕˈɔŋɡnɔw mɲʲɛ dɔ ɕˈɛbjɛ i pɔɡwˈaskaw pɔ vwˈɔsax.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_191.wav|tfˈuj ˈɔjtɕɛts fʃˈɨstkim ˌɔpɔvʲˈadaw, ʒˈɛ ɲʲɛ ʒˈɨjɛʃ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_93.wav|tʃˈujɛ tɛn ˈupaw.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_82.wav|pˌɔpijˈawa vˈinɔː i ɡwɔvˈiwa ɕɛ f tˌɔvaʒˈɨstfʲɛ tʃˈɛx kuzˈɨnɛk nat jˈakɔ̃ɕ nˈɔvɔ̃ ɡrˈɔ̃ sprˌɔvadʑˈɔnɔ̃ z vɔlˈantʲis.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_129.wav|ɲʲɛ sˈɔndʑɛ. jˈɛan zˈaɕmʲaw ɕɛ nɛrvˈɔvɔː i zmʲˈɛɲiw tˈɛmat.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_163.wav|tfˈɔja ɔdvˈaɡa zapʲˈɛra mi dˈɛx f pʲˈɛrɕax, sˈɛr lɔrˈaɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_83.wav|pɔvʲˈɛdʑaw i dˌɛlikˈatɲʲɛ pɔɡwˈaskaw ˌɔbudˈɔvɛ maʃˈɨnɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_92.wav|ˈalbɔ pɔ prˈɔstu vʲˈɛdʑaw, tsˈɔ zamjˈɛʒam pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_36.wav|tʃˈɨmaj ɕɛ, ʒˈutsa pˈɔli.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_145.wav|w ɔstˈatɲʲɛj pˈatʃtsɛ, ktˌurɔ̃ mi dˌɔstartʃˈɨwaɕ, brakˈujɛ jɛdnˈɛɡɔː ˌɛlɛmˈɛntu.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_141.wav|vʲɛdʑˈawa, ʒˈɛ tɛn strˈuj skˌɔnstɛrnˈujɛ jɛj ˈɔjtsa, ɡdˈɨ kɕˈɔ̃ʒɛ dˈɔran pʃˈɨjdʑɛ tʃˈɨɲitɕ jɛj vɨmˈufki s pɔvˈɔdu mɨrsˈɛlli.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_68.wav|ɲʲˈɛmam nˌajmɲʲɛjʃˈɛɡɔ pɔjˈɛɲtɕa, tsˈɔ pɔvˈinnam tˈɛraz zrˈɔbʲitɕ. utɕˈɛkatɕ? pʃɛd vwˈasnɨm mˈɛ̃ʒɛm?|3
+Dataset/wavs/urwisko_ferenc/44_segment_57.wav|bɔrˈɛvitʃ ɔdnˈalaz ɲʲˈɛmal bliʑɲʲˈatʃɔ̃ ˌinfɔrmˈatsjɛ ɔ kɔlˈɛjnɨm zˌatʃɨmˈanɨm pˌɛdɔfˈilu.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_30.wav|tɕˈiʃa, pɔvʲˈɛdʑaw.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_32.wav|kturˌɛɡɔ prˌɔdutsˈɛntɔm brˌakɔvˈawɔ ɲʲɛ tˌɨlkɔ vˌɨɔbrˈaʑɲi, ˌalɛ rˈuvɲʲɛʃ i pʲɛɲʲˈɛndʑɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_79.wav|krˈɛntsɛ ɡwˈɔvɔ̃ i vzrˈuʃam tˌɨlkɔ rˌamjɔnˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_87.wav|bˈɔʒɛ, mˈuɕi tˈam bˈɨdʑ zˈɛ dvadʑˈɛɕtɕa pɔkˈɔjuf. i spˈujʃtɕɛ na tɛn bˈasɛn na tˈɨwax.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_22.wav|zˈɛrkam na zˈɔɛ, ktˌura krˈɛɲtɕi ɡwˈɔvɔ̃. zakwˈadam, ʒˈɛ nˈuʃ ɲʲɛ udˈawɔ ɕɛ jˈɛʃtʃɛ z ɲˈim skˌɔntaktˈɔvatɕ i tɔ mɲʲɛ ɲʲˌɛpɔkˈɔi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_171.wav|mˈam nadʑˈɛjɛ, ʒˈɛ zdɔ̃ʒˈɨli ɕɛ xfˈɨtɕidʑ za dwˈɔɲʲɛ, ɲˈim tʃasnˈɛli w ɔɡrˈudɛk tɛj pɔbˈɔʒnɛj starˈuʃki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_252.wav|pɔlˈitsja ˌaktuˈalɲʲɛ skwˈaɲʲa ɕɛ kˈu vˈɛrsji, ʒˈɛ bˌɨwɔ tɔ starˈanɲʲɛ zˌaplanɔvˈanɛ zabˈujstfɔ na tlˈɛ pˌɔraxˈuŋkuv ɡaŋkstˈɛrskix.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_47.wav|pʃˌɛtɕɛmbjˈɔrtsa, mˈɨɕli bʲˈillɨ. tsˈɔ za swˈɔvɔ.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_9.wav|jˈamɛ vʲˈɛdʑaw, ʒˈɛ brˌakɛnˈɔvʲɛ vˈaltʃɔ̃ z blˌatskfɔɔdˈami, tsˈɔ twˌumatʃˈɨwɔː ix ɲʲˌɛɔbˈɛtsnɔɕtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_140.wav|tʃɨ dʒˈɔnsɔn ɲʲɛ pɔvʲˈɛdʑaw tɕˈi, jˈak sprˈavdʑa ɕɛ pˈɔmpɛ pʃɛt lˈɔtɛm?|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_76.wav|jˈɛdɛn z mˈɛ̃ʃtʃɨzn pˈɨta ɡˈɔ, tʃɨ jɛst nˈɔvɨm pisˈaʒɛm rˌɛzɨdˈɛntɛm, jˈaɡbɨ ftʃˈɛɕɲʲɛj jˈuʃ tˈu jˈakiɕ rˌɛzɨdˈɔvaw. bʲˈillɨ ˌɔtpɔvʲˈada, ʒˈɛ tˈak i pʃɛtstˈavja ɕɛ.|2
+Dataset/wavs/urwisko_ferenc/30_segment_31.wav|rˈɛjɛstr pɔwˈɔntʃɛɲ ɲʲɛ kwˈamaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_9.wav|ɲʲˌɛzalˈɛʒɲʲɛ ɔt spɔsˈɔbu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_13.wav|ˌalɛ dlatʃˈɛɡɔː ix pɔrvˈanɔ? ɲˈits ɲʲɛ pʃɨxˈɔdʑi mi dɔ ɡwˈɔvɨ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_350.wav|ʒˈadnɛ vˈinɔ ɲʲɛ jɛst swˈɔtʃɛ ɔd zˌabranˈɛɡɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_84.wav|a vɲʲɔskˈujɔnts s tˈɛɡɔ, jˈaɡ vɨɡlˈɔndaw pˈɔkuj, pʃɨnˈajmɲʲɛj zˈaɲim vˌɨvrutɕˈiwam ɡˈɔ dɔ ɡˈurɨ nɔɡˈami, ɲʲɛ dˈɔʃwɔ tɔ dɔ ʒadnˈɛɡɔː ˈaktu pʃɛmˈɔtsɨ.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_143.wav|tɔ bˈɨw jˈɛdɛn z jˈɛɡɔː ɔstˈatɲiɣ dˈɔbrɨɣ dɲˈi.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_295.wav|ˌɔtʃɨvˈiɕtɕɛ mˈawɛj krulˈɔvɛj mˈuɕi tˌɔvaʒˈɨʃɨtɕ rˈɨtsɛʒ ɡvˈardji krulˈɛfskʲɛj i ʒˈɛtʃ jˈasna jɛst ɲˈim rˈɨtsɛʃ kfʲˈatuf.|1
+Dataset/wavs/urwisko_ferenc/49_segment_56.wav|plˈan zdˈaʒɛɲ, ktˌurɨ ˌukwadˈawa w ɡwˈɔvʲɛ, nˈaɡlɛ rˈunɔw. znˈɔvu pɔtʃˈuwa ɕɛ tˈak, jˈaɡbɨ vˌɨlɔndɔvˈawa na sˈamɨm dɲʲˈɛ i muɕˈawa fʃˈɨstkɔ zbudˈɔvatɕ ɔt nˈɔva.|0
+Dataset/wavs/urwisko_ferenc/38_segment_26.wav|zˌavaxˈawa ɕɛ, lˈɛtʃ ˌɔstatˈɛtʃɲʲɛ uɕˈadwa ˈɔbɔk. — dˈɔkɔnt jɛdʑˈɛmɨ? — spɨtˈawa, ɡdˈɨ ˈɔlɡʲɛrt ˌuruxˈɔmiw ɕˈilɲik.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_26.wav|ɲʲɛvʲˈɛlɛ jɛst tˈu ʒˈɛtʃɨ, ktˌurɛ mˈɔɡwɨbˌɨ ɡˈɔ zˌafastsɨnˈɔvatɕ i ɔbˈavʲam ɕɛ, ʒˈɛ mˈuɡwbɨ ɕɛ ɔddˈalitɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_20.wav|kˈit nˌajvɨrˈaʑɲʲɛj ɲʲɛ zamjˈɛʒaw pɔdʑˈɛlitɕ ɕɛ ʒadnˈɨmi rˌɛvɛlatsjˈami, ɲʲˌɛprɔʃˈɔnɨ vʲˈɛnts tˈɔm zaxˈɛɲtɕiw ɡˈɔ dɔ muvʲˈɛɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_31.wav|jˈɛdnak w amˈɛrɨtsˌɛ bˌɛɲdʑɛ vʲˈɔdwɔ ʒˈɨtɕɛ, kturˌɛɡɔ ɲʲɛ umjˈawam sˈɔbjɛ vˌɨɔbrˈazitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_81.wav|kʲˈɛdɨ vˌɨtsɔfˈawɛm ɕɛ s tɛj sˈɛktɨ, pʃˈɛs jˈakiɕ tʃˈaz vˌidɨvˈawɛm na ˌuɲivˌɛrsɨtˈɛtɕɛ ˌadvɔkˈata.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_162.wav|ɲˈiɡdɨ ɲʲɛ ukrˈɨvaw, ʒˈɛ tˈakʲɛ mˈa vwˈaɕɲʲɛ vˌɨmaɡˈaɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_321.wav|skrɛɲtɕˈiliɕmˌɨ w bˈɔtʃnɔ̃ ulˈitʃkɛ, jˈɛʃtʃɛ bˈardʑɛj zˌarɔɕɲʲˈɛntɔ̃ ɲˈiʃ alˈɛjki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_87.wav|spɔjʒˈawam na tˈatɛ, ktˌurɨ ɕɛ rˌɔsprɔmjˈɛɲiw, jˈaɡbɨ nˈaɡlɛ mˈuɡw zrˈɔbʲitɕ tsˈɔɕ ˌuʒɨtɛtʃnˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_6.wav|bjˈɛʒɛ tˈɛʃ tˈaɲi tˌɛlɛvˈizɔr, za ktˌurɨ pwˈatɕi kˈartɔ̃ krˌɛdɨtˈɔvɔ̃ daltˈɔna smˈitxa.|2
+Dataset/wavs/urwisko_ferenc/24_segment_24.wav|ɲʲɛ mˈɔɡɛ ˈɔɲʲɛj zwˈɛɡɔ swˈɔva pɔvʲˈɛdʑɛtɕ. pˈarɛ rˈazɨ kupˈiwa mi tʃˌɛkɔlˈadɛ, ˈalɛ...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_23.wav|najɡˈɔrʃɛ jɛst tɔ, ʒˈɛ ɲʲɛ mˈɔɡɛ blɛfˈɔvatɕ jˌulɔŋɡˈɔvi.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_351.wav|tsˈɔː ˌɔna tɕi pˌɔvʲɛdʑˈawa, kˈat?|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_92.wav|zˌatʃɨmˈaliɕmˌɨ ɕɛ za plɛtsˈami mɛ̃ʃtʃˈɨznɨ, ktˌurɨ tʃˈɨɕtɕiw zbjˈɔrɲik na pɔvʲˈɛtʃɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_128.wav|bˈɛtskɨ ɕɛ ˌuɕmʲɛxnˈɛwa. pˈɛvɲʲɛ tɔ sˈamɔ tsˈɔ jˈa.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_288.wav|pɔtʃˈuwam, ʒˈɛ mˈɔjɛ vˈarɡʲi zˌatʃɨnˈajɔ̃ lˈɛkkɔ drʒˈɛtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_64.wav|bʲˈillɨ ɲʲɛ kˈɔɲtʃɨ ˌɔstatɲʲˈɛɡɔ zdˈaɲʲa i vɨwˈɔntʃa laptˈɔpa. fˈajrant na dʑˈiɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_7.wav|vʲɛdʑˈawɨ, ʒˈɛ tsˈɔɕ jɛst ɲʲɛ tˈak, ˌalɛ ɲʲɛ mˈɔɡwam pɔvʲˈɛdʑɛtɕ im prˈavdɨ. za bˈardʑɔ ɕɛ fstɨdʑˈiwam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_66.wav|ɡdʑˈɛ znˈajdɛ tsˌamɛrˈɔna?|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_42.wav|tɕˈax, tɕˈax, tɕˈax, tɕˈax. pˌɔzɔstˈawɛ dvˈa kɔmbˈajnɨ zatʃˈɛwɨ ɕɛ vˌɨtsɔfˈɨvatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_232.wav|dˈaj spˈɔkuj!|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_95.wav|ˌalɛ i tˈak maʒ bˈardʑɔ pɔvˈaʒnɛ kwɔpˈɔtɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_57.wav|w dvˈux pˌɔwɔntʃˈɔnɨx pˌɔmjɛʃtʃˈɛɲʲaɣ bjurˈɔvɨx i jˈatsɨɕ pravɲˈitsɨ. pɔ tɛj strˈɔɲʲɛ pʃɨjmˈujɛ dɛntˈɨsta, xˈɨba.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_407.wav|xtɕˈawbɨm, ʒˈɛbɨ pˈan pˈɔznaw vʲˈɛlkɔ̃ ˌɔsɔbʲˈistɔɕtɕ, fskˈazaw dwˈɔɲʲɔ̃ kɔmpˈana, ktˌurɨ s tfˈaʒɨ dʑˈivɲʲɛ pʃˌɨpɔmˈinaw ˌatamˈana xmʲˌɛlɲitskʲˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_18.wav|dɔː upʲˈɔra muɕˈawɛɕ ɕɛ zvrˈatsatɕ kʃˈɨkʲɛm. tˈakʲɛ bˌɨwɨ zvɨtʃˈajɛ w marˈinɛs.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_79.wav|vˈɨbatʃ, filˈipɔ, mˈuʃɛ ˈiɕtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_59.wav|dˌɔskɔnˈalɛ pasˈujɛ ˌɔna dɔ mɔjˈɛɡɔ nastrˈɔju.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_12.wav|tˈak, nazˈɨva tɔ mʲˈɛjstsɛ ˈiɔs, ɔt jˈakʲɛjʑ ɡrˈɛtskʲɛj bɔɡʲˈiɲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_74.wav|ˌɔstatˈɛtʃɲʲɛ vˌɨruʃˈɨliɕmˌɨ ɔ ɕˈudmɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_67.wav|rˈɔb zmˈarʃtʃɨw tʃˈɔwɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_23.wav|jˈɔ fspˈarwa dwˈɔɲʲɛ na sˈɔfjɛ i pˌɔxɨlˈiwa ɕɛ dɔ pʃˈɔdu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_103.wav|tˈak jɛzd dˈɔbʒɛ i dˈalɛj bˈɛɲdʑɛ, jˈɛɕli ɲʲˈɛdaʃ ɕɛ zˈabʲitɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_7.wav|vʲˈɛpʃɛɡ zaɕˈada w jɛdˈɨnɨm fɔtˈɛlu, f ktˌurɨm mˈɔʒɛ ɕɛ zmʲˈɛɕtɕitɕ. bʲˈillɨ jɛst tɕˈɛkaf, tʃɨ zdˈɔwa stˈamtɔnt fstˈadʑ bˈɛs pɔmˈɔtsɨ.|2
+Dataset/wavs/urwisko_ferenc/11_segment_52.wav|vʲˈɛnts pɔ xɔlˈɛrɛ z ɡˈurɨ zakwˈadaʃ tˈakʲɛ rˌɔzvʲɔ̃zˈaɲʲɛ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_101.wav|ɲʲɛ kwˈutsɛ ɕɛ, xˈɔdʑ vʲˈɛm, ʒˈɛ jɛdʑˈɛɲʲɛ bˌɛɲdʑɛ smˌakɔvˈawɔ jˈak kˈartɔn.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_15.wav|tɔː ˌintɛliɡˈɛntna kɔbjˈɛta utɕˈɛkɲʲɛ stˈamtɔnt, kʲˈɛdɨ fʃˈɨstkɔ ɕɛ zˈatʃɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_61.wav|z ɔddˈali dɔbjˈɛɡa dˈɔbʒɛ swɨʃˈalnɨ kʃˈɨɡ bɛvˈɛrlɨ. tʃˈɛɕtɕ, mˈiɕu, pˈɨɕu. a pˈɔtɛm jɛj radˈɔsnɨ pˈisk.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_72.wav|stˈaw i ɡˈapiw ɕɛ nˈamɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_266.wav|xˈurst stˈaw za nˈami w rɔskrˈɔku, ftɕˈɔ̃ʃ pɔzˈujɔnts na ɡˌɛnɛrˈawa pˌɛɨtˈɔna, ˌalɛ bˈɨw ʑɛlˈɔnɨ na tfˈaʒɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_9.wav|tˈɛras, kʲˈɛdɨ jˈuʒ vʲɛdʑˈɛli, ʒˈɛ rˈut i ʃˈɔna tɔ jˈɛdna i ta sˈama ɔsˈɔba, vʲˈɛlɛ pˌɔzɔstˈawɨx ˌɛlɛmˈɛntuf ˌukwadˈaŋki fskɔtʃˈɨwɔ na sfˈɔjɛ mʲˈɛjstsɛ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_438.wav|tsˈɔ tɕi ˌutʃɨɲˈiwam, ʒˈɛ tˈak mɲʲɛ ɲʲˌɛnavˈidʑiʃ?|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_249.wav|iɣ zavˈartɔɕtɕ utɕˈɛkɲʲɛ f prˈuʒɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_47.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_2.wav|kʲˈɛdɨ fxˈɔdʑɛ dɔ kavʲˈarɲi, tˈɛssa jɛst jˈuʃ na mʲˈɛjstsu. zɡˈɔdɲʲɛ z mɔˈimi pʃˌɛvidˌɨvaɲʲˈami, vɨɡlˈɔnda ɲʲˌɛkɔnvˌɛntsjɔnˈalɲʲɛ, a zarˈazɛm dˌɔskɔnˈalɛ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_329.wav|trˈaviw ɡˈɔ fstˈɨt.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_41.wav|pˈɔra zamjˈɛɲitɕ ɕɛ w nˈuxɛ nˈɛjɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_18.wav|vˌɨprɔɕˈili mɲʲɛ za dʒvˈi. pˈan spˈɛtsk ˈuɕat pʃɛd bjˈurkʲɛm i zˈatʃɔw mˈuvitɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_172.wav|ɲʲɛ muɕˈɛlibˌɨɕmɨ zapwˈatɕidʑ za skˈɔk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_77.wav|ʒˈɛ mˈɔʒɛ vˌɨdaʒˈɛɲʲa z miɲʲˈɔnɨx lˈat fpwɨnˈɛwɨ na tfˈuj ˈumɨsw?|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_74.wav|ɡdˈɨ jˈɛdnak tsˈat fɕlizɡnˈɛwa ɕɛ dɔ burdˈɛlu, znalˈazwa mˈarɨ w ɡwˈuvnɛj sˈali.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_76.wav|mˈama vɨɕˈadwa i zajˈɛwa mʲˈɛjstsɛ s tˈɨwu pʃˈɨmɲʲɛ. nastˈɛmpɲʲɛ ɔbjˈɛwa mɲʲɛ i pʃˌɨtulˈiwa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_117.wav|s tˌɛɡɔ tsˈɔ mi vʲadˈɔmɔ, ɔn ˈumar zˈaɲim pɔznˈawam tɕˈɛbjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_76.wav|spˈɔjʒaw mu pɔt pɔvʲˈɛki, zmʲˈɛʒɨw tɕiɕɲʲˈɛɲʲɛ, zbˈadaw pˈuls i skˈinɔw na sˌaɲitarjˈuʃɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_99.wav|ˌɔdvrutɕˈiwa ɕɛ kˈu ɲʲˈɛmu. ɔ tʃɨm tɨ vwaɕtɕˈivʲɛ mˈuviʃ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_93.wav|pʃˈɨkrɔ mi, ʒˈɛ ɲʲɛ bˌɨwɔ mɲʲɛ na mʲˈɛjstsu, kʲˈɛdɨ pʃˌɨjɛxˈawaɕ. mˈama tɕˈɛ pʃɛvʲˈɔzwa?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_24.wav|zˌɔbatʃˈɨwɛm bˌarɔkˈɔvɨ pˈawats, a nˈaɲim rɔspʲˈɛntɛ ɔɡrˈɔmnɛ pwˈutnɔ z napˈisɛm|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_6.wav|tˈɛraz vˌɨɡlɔndˈawam jˈak nˌajpravdʑˈifʃa zdʑˈira. dʑɛftʃˈɨnɨ s salˈɔnu vˌɨvratsˈawɨ ɔtʃˈami, kʲˈɛdɨ pʃˌɨɡlɔndˈawam ɕɛ w lˈustʃɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_97.wav|ˈɔ, tɔ bʒmˈi ɲʲˈɛʑlɛ, pɔvʲˈɛdʑaw z ˌɔʒɨvʲˈɛɲʲɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_19.wav|mˈuʃɛ f kˈɔɲtsu vˈɛjʑdʑ dɔ dˈɔmu.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_118.wav|a f sˌɨtuˈatsji zˌaɡrɔʒˈɛɲʲa ɲʲɛ dˌɔpuɕtɕˈiwam dɔ nˌaraʒˈɛɲʲa partnˈɛra i bɛspʲˈɛtʃɲʲɛ vrutɕˈiwam dɔ mʲˈasta.|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_146.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_152.wav|pˈɔza tɨm ɲʲɛ muɕˈawɨ ɕɛ zmˈaɡatɕ s takˈimi ˌɔptɕɔ̃ʒɛɲʲˈami jˈak na ʑˈɛmi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_535.wav|nˈatɨm pɔddˈaʃu tʃɨdʑˈɛɕtɕi lˈat tˌɛmu pɔvʲˈɛɕiw ɕɛ jˈakiɕ mˈalaʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_86.wav|nˈɔ tɔ ɲˈikt tˌɛɡɔ ɲʲɛ pʃɛtʃˈɨta.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_119.wav|dˈam tɕi tˈɛras tɛ pʲɛɲʲˈɔndʑɛ, jˈɛɕli xtsˈɛʃ, a pˈɔtɛm zajmʲˈɛmɨ ɕɛ umˈɔvɔ̃. tsˈɔ tɔ nˈatɔ?|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_100.wav|pˌɔsuvˈaliɕmˌɨ ɕɛ nˈapʃut.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_135.wav|bˌɨwɛm kʲˈɛdɨʑ w vɔlˈantʲis.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_9.wav|mˈimɔ tɔ ʒˈadnɨx ɲʲɛ uswˈɨʃaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_142.wav|dˈɔɕtɕ jˈuʒ dla mɲʲɛ zrɔbʲˈiwɛɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_114.wav|ˌalɛ kɔmbˈajnɨ sɔ̃ zdˈanɛ na ɕˈɛbjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_133.wav|pɔftˈuʒɨw tɨm rˈazɛm ɡwˈɔɕɲʲɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_81.wav|ʃalˈɔnɨ nˌaukˈɔvʲɛts ɔbrˈutɕiw ɕɛ f strˈɔnɛ zˌavʲɛʃɔnˈɛɡɔ na ɕtɕˈaɲʲɛ ˌuʒɔndʑˈɛɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_119.wav|jˈɛɡɔ ramjˈɔna pɔkrˈɨwa ɡˈɛɲɕa skˈurka.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_73.wav|ɲʲˈɛxtsɛ tɕi ɲitʃˈɛɡɔ mˈuvitɕ, ˌalɛ jˌɛstɛɕ tˈaka pˌɔdɛjʒlˈiva, ʒˈɛ xˈɨba ɲʲˈɛmam vɨbˈɔru.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_387.wav|jˈuʃ f tɨm namjˈɔtɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_325.wav|pʲˈɛrʃɨ s pɛtˈɨtsjɔ̃ zjˈaviw ɕɛ jalˈabarks xˈɔ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_432.wav|jˈamɛ fʃˈɨstkɔ sˈɔbjɛ pʃɨpˈɔmɲʲaw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_61.wav|tsɛlˈujɛʒ dɔ ptˈakuf, dˈavɛ? pˈɨta dˈɛrɛk.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_522.wav|ˌalɛ pʃˌɛtɕɛʃ ɔbˈɔjɛ fspˈulnɨm vɨɕˈiwkʲɛm pˌɛnɛtrɔvˈaliɕmˌɨ tˈɛ vinɲˈitsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_36.wav|mˈɔʒɛ pˌɔɔɡlɔndˈamɨ tʃˈarnɔ̃ lˈistɛ?|2
+Dataset/wavs/urwisko_ferenc/19_segment_106.wav|kɔmˈisaʃ xˈɛrman zmarʃtʃˈɨwa brvˈi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_291.wav|i tsˈɔː ɔn z nˈami zrˈɔbʲi?|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_66.wav|istɲʲˈɛjɛ tˈakʲɛ rɨzˈɨkɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_222.wav|a pʃˌɛtɕɛʃ pˌɔvʲɛdʑˈawɛɕ, ʒˈɛ pɔmˈɔʒɛʃ mi w latˈaɲʲu, ʒˈɛkw rˈɨan. ɲʲɛ dˈalɛj jˈaɡ dʑˈiɕaj, pʃˌɛtɕɛʃ tɔ tˈɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_76.wav|ɲʲɛ spˈɔsub bɨwˈɔbɨ jɛj pɔrˈuʃɨtɕ i vɛrʒnˈɛwa ɕɛ mˈɔtsnɔ f skˈurɛ na ʃˈɨi. mɛ̃ʃtʃˈɨzna zˈɔstaw ˌuduʃˈɔnɨ, zɡˌarɔtɔvˈanɨ ɔt tˈɨwu.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_58.wav|f tɨm rˈɔku tʃˈarnɨ kˈamɨɡ vɨtɕˈɔŋɡnɔw artsɨmaˈɛstɛr valɡrˈavɛ, ˌalɛ jˈɛɡɔː ˈumɨsw ɲʲɛ jɛst jˈuʒ zbˈɨt sprˈavnɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_30.wav|zatʃˈɛwa, ˌalɛ ɔn ˈuɲʲuz dwˈɔɲ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_90.wav|kˈu mɔjˈɛmu zˌaskɔtʃˈɛɲʲu pɔtxˈɔdʑi dɔː ˌintɛrkˈɔmu i natɕˈiska pʃˈɨtɕisk ˌɔtfʲɛrajˈɔntsɨ brˈamɛ.|3
+Dataset/wavs/urwisko_ferenc/20_segment_85.wav|ʃˈɛf ɲʲɛ bˈaviw ɕɛ w ˌupʃɛjmˈɔɕtɕi. zlˌɔkalˌizɔvˈawɛm ɡʒɛɡˈɔʒa lipskʲˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_89.wav|rɛˈaktsja kʃˈɛmu s tlˈɛnɛm vɨtfˈaʒa mnˈustfɔ tɕˈɛpwa. dlatˈɛɡɔ pˌɔmjɛʃtʃˈɛɲʲɛ jɛst ˌɔɡɲʲɔɔtpˈɔrnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_175.wav|ˌalɛ tɛn narˈɔʒnɨ na tʃfˈartɨm pʲˈɛntʃɛ jɛst pʲˈɛrʃa klˈasa, mˈuvi ɲˈitsk.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_85.wav|ˌɔtxɨlˈiwam ɕɛ na ɔpˈartɕɛ kʃˈɛswa i zˌawɔʒˈɨwam nˈɔɡɛ na nˈɔɡɛ.|4
+Dataset/wavs/urwisko_ferenc/15_segment_26.wav|natˈɔmjast rˈɛʃtɛ kˈasɨ zˌamjɛʒˈawa pʃɛznˈatʃɨtɕ na spwˈatɛ zˌɔbɔvʲˈɔ̃zaɲ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_10.wav|dʒˈɛk ˈalbɔ xˈaŋk tˈurla ɕɛ pɔ vˌɨkwadʑˈiɲʲɛ. ɲʲɛ vɨtɕˈɔŋɡa rˈɔŋk pʃɛt ɕˈɛbjɛ. prubˈujɛ ˈuɕɔ̃ɕtɕ prˈɔstɔ, a jɛzd zbˈɨt rˈɔswɨ, ʒˈɛbɨ ɕɛ z ɲˈim tsˈatskatɕ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_242.wav|jˈɛɕli klˌiɡaˈina ɔstˈatɲʲɔ vidʑˈanɔ f sɔlˈaŋkax...|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_271.wav|ɲʲɛdwˈuɡɔ bˌɛɲdʑɛʃ kʃˈɨtʃaw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_115.wav|jˈak jˈuʃ muvˈiwam, tˌɨlkɔ pɔ vˈɨjɕtɕu z bjˈura.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_100.wav|mˈimɔ, ʒˈɛ f pˌɔruvnˈaɲʲu zˈɛ spˌisɨvˈaɲʲɛm çistˈɔrji bɛnjˈɛɡɔ kɔmpsˈɔna vɨdˈajɛ ɕɛ nˈudna i mˌɛxaɲˈitʃna.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_73.wav|zaklˈɛja dvʲˈɛ najvʲˈɛŋkʃɛ rˈanɨ plastrˈami, ktˌurɛ pˈɛvɲʲɛ ɲʲɛ bˌɛndɔ̃ ɕɛ dwˈuɡɔ tʃˈɨmatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_38.wav|tɔ vwˈaɕɲʲɛ pɔvʲˈɛdʑaw?|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_11.wav|— pˌɔvʲɛdʑˈawɛm, ʒˈɛ pˈɛvɲʲɛ ɲʲɛ jɛst tˈaɡ ʑlˈɛ, jˈak ɕɛ vɨdˈajɛ na pʲˈɛrʃɨ ʒˈut ˈɔka.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_85.wav|tˈɔm zˌaɡɔtˈɔvaw ɕɛ zˈɛ zwˈɔɕtɕi. ˌɔna ɲˈiɡdɨ mi ɲʲɛ pʃɛʃkˈadʑa. dˈɔbʒɛ ˈɔtɨm vʲˈɛʃ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_90.wav|ɔt tˌɛɡɔ tˈɛʃ nalˈitʃɛ ɔtsˈɛtki.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_235.wav|i rˈuʃɨw w dwˈuɡɔ̃ drˈɔɡɛ pɔvrˈɔtnɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_18.wav|dɔstʃˈɛɡwam jˈɛɡɔ vzrˈɔk w lustˈɛrku fstˈɛtʃnɨm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_13.wav|ɕtɕˈɛʃkɔ̃ w lˈɛvɔ pɔ prˈɔstu ˈitɕtɕɛ, s pɛvnˈɔɕtɕɔ̃ ɕɛ ɲʲɛ zɡubʲˈitɕɛ. pˈɔtɛm zˈɔstaɲ na mʲˈɛjstsu, dɔpˈuki ˌɔna z ɲˈim ɲʲɛ skˈɔɲtʃɨ. tˈakʲɛ mˌamɨ instrˈuktsjɛ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_396.wav|tɔː ˌɔna zˈatɨm fʃˈɨstkim stˈawa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_24.wav|— dʑˈɛɲ dˈɔbrɨ, prˈɔʃɛ pˈaɲi — pʃɨvˈitaw ɕɛ, prɔstˈujɔnts plˈɛtsɨ. — pʃɛprˈaʃam, ʒˈɛ pʃɛʃkˈadʑam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_103.wav|vɨwˈɔntʃa tɛlˈɛfɔn i ˈidʑɛ dɔ wˈuʃka.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_25.wav|ˈɔʒɛʃ w mˈɔrdɛ! zˌɔbatʃˈɨwam ˌadmiɲˌistratˈɔrkɛ nɡˈuɡʲi vɛ vwˈasnɛj ɔsˈɔbjɛ!|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_108.wav|bʲˈillɨ mˈɨɕli ɔ zdˌɛspɛrɔvˈanɨm kˌɛɲʲɛxˈɔffjɛ, ɔt rˈana ɕmʲɛrdʑˈɔntsɨm ɡˈɔ ʒˈawɔ̃. jɛst ɲʲˌɛrɔzvʲɔ̃zˈanɨm prɔblˈɛmɛm. ˈɔn, bʲˈillɨ sˈummɛrs, tˈɛʃ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_193.wav|tʃɨ tɔ mˈɔɡɔ̃ bˈɨtɕ muʒˈɨŋki?|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_162.wav|dlatˈɛɡɔ lˈɛpʲɛj ɕɛ rɔzbjˈɛʃtɕɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_166.wav|jˈɛʃtʃɛ jɛdnˈɛɡɔ rˈɔku swˈɔɲtsa, lˈɛkkiɣ mɡʲˈɛw i srˈɛbrnɨx xmˈur.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_18.wav|mˈa tɔ zvʲˈɔ̃zɛk s pʃɨtʃˈɨnɔ̃ ɕmʲˈɛrtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_128.wav|pʃˈɛs tˈɨdʑɛɲ, dvˈa nˌavʲɔ̃zˈɨvaw z ɲʲˈɔ̃ ɲʲˌɛzɔbˌɔvʲɔ̃zujˈɔntsɛ pˌɔɡavˈɛntki, rɔsɕmʲˈɛʃaw jˈɔ̃, bˈɨw tʃˌarujˈɔntsɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_68.wav|patʃˈɨwam ɔprˈɔstɔ w ˈɔtʃɨ, ˌalɛ ɲʲɛ zˌarɛaɡˈɔvaw, vʲˈɛnts prɨxnˈɛwa tˌɨlkɔ tɕˈixɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_322.wav|ˌɔdrɔbʲˈinɛ vˌɨstraʃˈɔnɨ zˌatʃasnˈɔwɛm dʒvˈi pʃɛt nˈɔsɛm sɔ̃ɕˈada, ktˌurɨ ɲʲɛ ɔtxˈɔdʑiw na fʃˈɛlki vɨpˈadɛk.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_40.wav|mˈuɕiʃ im pɔ prˈɔstu pɔvʲˈɛdʑɛtɕ, ʒˈɛ...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_127.wav|pʃˌɨpatkˈɔva ɔfjˈara, kɔxˈaɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_26.wav|zˈajmɛ ɕɛ tˈɨm ɔtpˈarwa bˈɛtskɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_42.wav|xˈɔdʑ zˈɛmnɔ̃ dɔ bʲˌibljɔtˈɛki, bʲˈillɨ. xtsˈɛ jˈɛʃtʃɛ s tˈɔbɔ̃ pɔɡˈadatɕ. pˈɔtɛm mˈɔʒɛʒ vrˈutɕidʑ dɔ dˈɔmu i pɔʒˈɔndɲʲɛ ɕɛ vˈɨspatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_90.wav|ɲʲɛ pɔvˈinnɔ tɔ pˈɔtrfadʑ dwˈuɡɔ. mˈuvi, ʒˈɛ pˈɔtɛm mˈa nadʑˈɛjɛ pɔɕˈɛdʑɛtɕ tˈu trˈɔxɛ dwˈuʒɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_5.wav|pʃˌɨpɔmˈinam sˈɔbjɛ ˈukwad dˈɔmu.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_216.wav|ɲʲɛ, ˌalɛ zvrˈatsam uvˈaɡɛ na fʃˈɨstkɔ, tsˈɔ ɕɛ dʑˈɛjɛ w mʲˈɛɕtɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_143.wav|tʃɨ ɲʲɛ bˌɨwɛɕ s sˈɛr rˌaɨmˈanɛm, kʲˈɛdɨ tɕˈɛ spɔtkˈawɛm? zapˈɨtaw. tˌɨlkɔː ɔd dvˈux tɨɡˈɔdɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_85.wav|na ramjˈɛɲʲu ɲʲˈɔswam vʲˈɛlkɔ̃ tɔrˈɛpkɛ, ktˌura turˈɨstka tˈakʲɛj ɲʲɛ mʲˈawa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_67.wav|dˈɔkɔnt? a zastʃˈɛɡam, ʒˈɛ xtɕˈawabˌɨm tɔ vʲˈɛdʑɛdʑ dɔkwˈadɲʲɛ. jˈɔ̃ zˌabjɛrˈatɕɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_258.wav|vɨjˈɛwam nˈuʃ s pˈɔxfɨ na wˈɨttsɛ i uɲʲˈɔswam ɡˈɔ f kˈaʒdɛj xfˈili ɡɔtˈɔva zˈadatɕ tɕˈɔs. jˈak alvˈarɛz vɨtrˈɔpiw mˈɔjɛ ɡʲˈizmɔ, zˌapɨtˈawam.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_283.wav|a vʲˈɛnts ɲʲɛ kˈɔxaʃ jˈuʃ ˈɛstɛr.|0
+Dataset/wavs/urwisko_ferenc/15_segment_86.wav|vʲˈɛnts tsˈɔ bˈɨ tɔ dˈawɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_216.wav|ɲʲɛ mˈuɕiʃ. xtsˈɛ.|2
+Dataset/wavs/urwisko_ferenc/22_segment_24.wav|— ɔddˈawɛɕ im pʲɛɲʲˈɔndʑɛ? — jˈɛʃtʃɛ ɲʲɛ, ˌalɛ ˌɔdɛbrˈawɛm kˈilka ɲʲˌɛpʃɨjˈɛmnɨx tˌɛlɛfˈɔnuf.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_372.wav|ˌalɛ jˈak mˈɔɡɛ mu pˈɔmuts?|1
+Dataset/wavs/urwisko_ferenc/04_segment_51.wav|vʒutɕˈiwɛm zdjˈɛɲtɕɛ mˈɔɲi na fˈɛjsa i na instˈaɡram, a pˈɔtɛm zɡwɔɕˈiwɛm jɛj zˌaɡʲiɲʲˈɛɲtɕɛ na pɔlˈitsji.|0
+Dataset/wavs/urwisko_ferenc/14_segment_35.wav|sˈɛrtsɛ zˌadudɲˈiwɔ bˌɔrɛvitʃˈɔvi f pʲˈɛrɕi. pˈɔtʃuw, ʒˈɛ pˈɔd zrˈɔɕiw mu tʃˈɔwɔ. a pˌɔviɲʲˈɛnɛm?|0
+Dataset/wavs/urwisko_ferenc/35_segment_31.wav|a zˈatɛm pˈan stˈarʃɨ dˈuʒɔ vʲˈɛ, pɔmˈɨɕlaw bɔrˈɛvitʃ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_76.wav|ˈɔkɛj, tsˈɔfam tɔ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_57.wav|tɔ xˈɛrp naʃˈɛɡɔ rˈɔdu.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_354.wav|baɲˈitɕi zˌatʃɨmˈali ɕɛ pɔt kʃˈɨvɔ̃ vʲˈɛʒbɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_96.wav|xˌaˌɛmˈɛm, tɔ bʒmˈi tɕɛkˈavʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_14.wav|bˈɨtɕɛ tˈɔbɔ̃?|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_366.wav|ja mˈɨɕlɛ, ʒˈɛ tʃwˈɔvʲɛk, ktˌurɨ vwˌasnɔrˈɛntʃɲʲɛ zadˈuɕiw fʃˈɨstkiɣ vɛsˈɛlnɨɣ ɡˈɔɕtɕi...|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_243.wav|tsˈɔ kˈarmi pwˈɔmjɛɲ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_110.wav|f prˈɔɡu stˈɔi mɛ̃ʃtʃˈɨzna.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_134.wav|ˌɔdvrutɕˈiwa ɕɛ, ʒˈɛbɨ xfˈɨtɕitɕ mɲʲɛ za rˈɛntsɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_17.wav|jˈɛʃtʃɛ ɲˈiɡdɨ ɲʲɛ spɛɲdʑˈiwam bˈɛs ɲʲˈɛɡɔ nˈɔtsɨ i pˈɛvɲʲɛ ɕɛ zˌastanˈavja, dlatʃˈɛɡɔ ɡˈɔː ˌɔpuɕtɕˈiwam.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_118.wav|swˈuxaj nˈɔ, pˈan, ta mwˈɔda ɔsˈɔba...|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_189.wav|vɛstxnˈɛwam tɕˈɛ̃ʃkɔ. tɔ tˌɨlkɔ pʃɨswˈuɡa dla pʃˌɨjatɕˈuwki, ktˌura xtsˈɛ mʲˈɛtɕ sxrˈɔn f sɨpʲˈalɲi. ɲˈits jɛj zˈatɔ ɲʲɛ pɔlˈitʃɛ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_17.wav|ɔznˈajmiw stanˈɔftʃɔ sˈɛr rˈɔɡɛr xˈɔkk. jˌɛstɛm vˈiɲʲɛn vʲˈɛrnɔɕtɕ rɔdˈɔvi xˌaɨfˈɔrduf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_179.wav|kʲˈɛdɨ patʃˈɨwa nˈamɲʲɛ zˈɛ zɡɔrʃˈɔnɨm zdʑivʲˈɛɲʲɛm, ɡdˈɨ ˌɔdʑɛrˈawɛm jˈɔ̃ z ubrˈaɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_187.wav|mˈuɕaw ˌɔtpɔvʲˈɛdʑɛtɕ sˈam. mˌamɨ trˈɔxɛ vˈɔdɨ, ˌalɛ tɔ ɲʲɛ jɛzd dˈɔbra vˈɔda.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_237.wav|jɛst pˈaɲi jɛdˈɨnɔ̃ ɔsˈɔbɔ̃ na ɕfʲˈɛtɕɛ, kturˌɛɡɔ ʒawˈujɛ bjˈɛdnɨ, skurvˈɨsɨn.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_120.wav|ɲʲɛ mˌatɕɛ bˈarɛɡ vˌɨtɕɛtʃkˈɔvɨx, prˈɔmuf, ʒˈɛtʃnɨɣ ɡˈalɛr ˌaɲi wˈɔdʑi?|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_32.wav|tɔː ˌɔznatʃˈawɔ zˌaprɔʃˈɛɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_30.wav|mˈam dɔ tɕˈɛbjɛ sprˈavɛ, mˈuvi dˈɔn. vˈidʑiʃ, mˈattsɛ bˈɛf ɕɛ ftʃˈɔraj pˌɔɡɔrʃˈɨwɔː i dʑˈiɕ pɔ pɔwˈudɲʲu umˈarwa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_30.wav|mˈama ɲʲɛ ɔdʑˈɨva ɕɛ dɔ tˈatɨ, ˌalɛ s tɛj ˌɔdlɛɡwˈɔɕtɕi swˈɨʃɛ jˈɛɡɔ bwˌaɡajˈɔntsɨ ɡwˈɔs.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_109.wav|i pamjˈɛntatɕ, jˈaka spˈɔtka ɡˈɔ zˈatɔ naɡrˈɔda.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_180.wav|kʲˈɛdɨ jɛj pˌɔvʲɛdʑˈawɛm, ʒˈɛ ɲʲˈɛznam ˌaŋɡʲɛlskʲˈɛɡɔ, pˌɔvʲɛdʑˈawa ˌandɛrsɔnˈɔvi, ʒˈɛ jɛj ɕɛ pɔdˈɔbam.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_71.wav|ɲʲɛ rˌɛaɡˈujɛ, ˌalɛ ˈɔtʃɨ dulˈɔŋɡa rˌɔzbwɨskˈujɔ̃. na stˈɔlɛ...|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_210.wav|mˌatɕɛ ɕɛ vˈidʑɛdʑ dʑˈiʑ vʲɛtʃˈɔrɛm?|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_48.wav|uvˈaʒaj, ɡdʑˈɛ stˈavʲaʃ nˈɔɡʲi, dɔdˈajɛ bʲˈillɨ, ʒˈɛbɨɕ sˈɔbjɛ ɲʲɛ zwamˈawa kˈɔstki.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_3.wav|mˈɔʒɛ spɔkˈɔju rˌɔstɕɔŋɡˈawɔ ɕɛ pɔ xɔrˈɨzɔnt, a w ɔddˈali lɕɲˈiwɨ kˈɔpuw artˈɛmis.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_56.wav|— fpˈadɲij na ɡˈurɛ, jˈak jˈuʃ ɕɛ trˈɔxɛ ɔɡˈarɲʲɛʃ, mˈuvi bɛvˈɛrlɨ jˈɛnsɛn. zapˈaʒɛ kˈavɛ. — i pˌɔtʃɛ̃stˈujɛ tɕˈɛ pˈɔntʃkʲɛm, jˈɛɕli tɕi ɲʲɛ pʃɛʃkˈadʑa, ʒˈɛ jɛst ftʃɔrˈajʃɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_268.wav|i wˌɔmɔtˈawɔ f tʃˈaʃtsɛ ɔt tɨx jˈakixɕ ɲʲɛznˈanɨx, pʃˌɛjmujˈɔntsɨx pɔrˈɨvuf i uɲʲˈɛɕɛɲ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_114.wav|pʃɛzˈɛmɲʲɛ ɲˈikt tˈamtɛj nˈɔtsɨ ɲʲɛ ɔpˈuɕtɕiw lˌakɛsˈidɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_206.wav|za wˈatfɔ vˈɨbratɕ tˈakʲɛ, ktˌurɛ bɨwˈɔbɨ zvʲɔ̃zˈanɛ s tfˈɔjɔ̃ pʃɛʃwˈɔɕtɕɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_131.wav|pʃˌɛtstavʲˈɔnɔ̃ ɡwˈɔsɛm dʑˈɛtska.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_10.wav|zvɨtʃˈajnɨ vˈidɔk f kˈaʒdɨm mʲˈɛɕtɕɛ na ʑˈɛmi, ˌalɛ tˈutaj ɲʲˌɛsamɔvˈitɨ lˈuksus.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_85.wav|ɲʲɛ jɛst tɔ dla mɲʲɛ pˈɔvud dɔ dˈumɨ. ˌudɛʒˈɨwam ɔptˈasɛm w jˈɛɡɔ prˈavɛ rˈamjɛ. rˈɔzlɛkw ɕɛ tʃˈask wamˈanɛj kˈɔɕtɕi.|4
+Dataset/wavs/urwisko_ferenc/31_segment_37.wav|swˈɔɲtsɛ ɡʒˈawɔ ɡˈɔ f plˈɛtsɨ, ɡdˈɨ tʃˈɛkaw pɔd dʒvʲˈami, ˈaʃ ktˈɔɕ pɔdɲʲˈɛɕɛ swuxˈafkɛ dˌɔmɔfˈɔnu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_22.wav|pˌɔvʲɛdʑˈawɛm, dʑˈɛɲ dˈɔbrɨ, nazˈɨvam ɕɛ bˈɛnji kˈɔmpsɔn i vwˈaɕɲʲɛ zabʲˈiwɛm xwɔpˈaka mˈɔjɛj mˈatki, bˈɔ zˈabʲiw mi ɕˈɔstrɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_2.wav|ˌɔbudʑˈiwam ɕɛ f sfˈɔjɛj krɨjˈuftsɛ, ˌɔbɔlˈawa, bˈɨw pʃɨtˈɔmna i skˌatsɔvˈana.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_72.wav|mˈuvi i fstˈajɛ ɔt stˈɔwu. sˈami ɔtfʲˈɛra ˈusta i ɡˈapi ɕɛ nˈamɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/30_segment_26.wav|ustˈavja nˌɔsidˈɛwkɔː i ɕˈada za kʲˌɛrɔvɲˈitsɔ̃. samˈɔxut rˈuʃa. kɔlˈɛjnɛ zdjˈɛɲtɕa pʃˌɛtstavʲˈajɔ̃ tˈɨw ˈawta z vidˈɔtʃnɨm numˈɛrɛm rˌɛjɛstratsˈɨjnɨm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_58.wav|prˈavʲɛ jˈaɡbɨ xtɕˈaw, ʒˈɛbɨ ɡˈɔ zwapˈali, mˈuvi ˈɛlis. ɲʲɛktˌuʒɨ vʲˌɛlɔkrˈɔtɲi zabˈujtsɨ tˈak mˈajɔ̃. ˌɔrjɛntˈujɛ ɕɛ, jˈak tɔ zabʒmʲˈawɔː i kwˈadʑɛ dwˈɔɲ na jˈɛɡɔ nadɡˈarstku.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_132.wav|mˈur ɔkˈalaw kˌamjɛɲˈistɔ̃ pˈuwkɛ skˈalnɔ̃ i ʑɛjˈɔntsɨ vˈɨlɔt jaskˈiɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_464.wav|za vˈiswɔ̃, na dalˈɛkim parkˈaɲʲɛ stˈarɨɣ dʒˈɛf,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_175.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_117.wav|pˌɔmɨɕlˈawa z radˈɔɕtɕɔ̃.|1
+Dataset/wavs/urwisko_ferenc/63_segment_63.wav|xˈanna ɕɛ skʃɨvˈiwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_100.wav|ɲʲˈɛma ʒˈadnɛj xjɛrˈarhji, ʃˈɛfa ˌaɲi ɲitʃˈɛɡɔ takʲˈɛɡɔ. pwˈatsɔ̃ mi ɔt nadˈaɲʲa ˈalbɔ dˌɔrɛntʃˈɛɲʲa pʃɛsˈɨwki.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_142.wav|zapˈɔmɲij ˈɔtɨm, ɔ tʃɨm muvˈiwɛm pʃɛt xfˈilɔ̃, ˈɔtɨm, ʒˈɛ ˌuʒɔndʑˈawɛɕ pʃˌɛtstavʲˈɛɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_24.wav|jˈɛɡɔ ɡwˈɔz bʒmʲˈaw mˈiwɔː i dˌɔbrɔdˈuʃɲʲɛ. xtsˈɛmɨ tˌɨlkɔː uswˈɨʃɛtɕ prˈavdɛ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_225.wav|utɕˈɛtʃka sprˈavi tˈɨlkɔ, ʒˈɛ vɨdˈadʑɔ̃ ɕɛ jˈɛʃtʃɛ bˈardʑɛj vˈinɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_144.wav|mˈaxa na pˌɔʒɛɡnˈaɲʲɛ i fɕˈada dɔ sˌamɔxˈɔdu.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_173.wav|dʒˈɛjms spˈɔjʒaw na tsˈurkɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_61.wav|bˈɛtskɨ ˌɔtfɔʒˈɨwa ˈusta, a tˈɔm spˈɔjʒaw nˈaɲʲɔ̃ zˌatɕɛkavʲˈɔnɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_72.wav|ˈaram spˈuɕtɕiw ɡwˈɔvɛ i pɔpˈatʃɨw na dˈɨvan. mˈama vɨrˈaʑɲʲɛ xtɕˈawa tsˈɔɕ pɔvʲˈɛdʑɛtɕ, sprubˈɔvadʑ ɡˈɔ pʃɛkˈɔnatɕ, ˌalɛ xˈ��ba ˌɔbavʲˈawa ɕɛ pʃˈɛrvadʑ zaklˈɛɲtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_337.wav|brˈuskɔ vɨrˈaʑɲʲɛ pɔvʲˈɛdʑaw dʑɛftʃˈɨntsɛ, ʒˈɛ ɲʲɛ vˈɔlnɔ jɛj rɔzmˈavʲadʑ z ʒˈadnɔ̃ kˌurtɨzˈanɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_26.wav|vʲˈɛʃ, tsˈɔ maʃ rˈɔbʲitɕ, tˈɛrɨ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_171.wav|dˌɛlikˈatnɨ dˈɔtɨk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_372.wav|ɔt pɛvnˈɛɡɔ tʃˈasu mˈawɔ pˈijɛ.|0
+Dataset/wavs/urwisko_ferenc/63_segment_184.wav|zmˈarwa f tʃfˈartɛk.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_79.wav|ˈɛmɔn frˈɛj bˈɨw nɛrvˈɔvɨm tʃwɔvʲˈɛtʃkʲɛm ɔ ruxlˈivɨɣ dwˈɔɲʲax.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_121.wav|tsˈuʃ, ktˈɔɕ pɔvˈiɲʲɛn f tˈakim rˈaʑɛ pɔvʲˈɛdʑɛtɕ ˈɔtɨm xˌɔlɛrnˈɛmu tfˌittɛrˈɔvi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_8.wav|pɔvʲˈɛtʃɛ mʲˌɛndʑɨ nˈami vɨdˈajɛ ɕɛ tɕˈɛ̃ʃkʲɛ ɔt ɲʲˌɛvɨpˌɔvʲɛdʑˈanɛj vrɔɡˈɔɕtɕi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_48.wav|tɔ jɛst pˈaɲi xˈɔpsɔn z ɔpʲˈɛki spɔwˈɛtʃnɛj. tˌɔvaʒˈɨʃɨ jɛj jˈɛʃtʃɛ jˈɛdɛn fˌuŋktsjɔnˈarjuʒ z naʃˈɛɡɔ zɛspˈɔwu. zˌɔstavˈimɨ pˈaɲʲɔ̃ tˈɛras w ix rˈɛŋkax.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_407.wav|ˈalbɔ mˈawa krulˈɔva.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_296.wav|tˈɔmmɛn pˈɔmuɡw jɛj ɔdʑˈɨskatɕ rˌuvnɔvˈaɡɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_512.wav|starˈawɛm ɕɛ pʃɨpˈɔmɲʲɛdʑ bˈarvɛ ˈuzd vˈɛrɨ i lˈubɨ.|0
+Dataset/wavs/urwisko_ferenc/40_segment_6.wav|tʃˈɛɡɔ xtɕˈaw lˈɛɡnɛr? zapˈɨtaw. ɔ jˈɛzu, ɲʲˈɛvʲɛm! jɛŋknˈɛwa dɔrˈɔta. ɲʲɛ pʲˈɛrdɔl! bɔrˈɛvitʃ tʃˈasnɔw rˈɛŋkɔ̃ f kʲˌɛrɔvɲˈitsɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_42.wav|ˈɔtɔ tfˈɔja xɛrbˈata, mˈuvjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_139.wav|zapˈɨtaw zɛrkˈajɔnts na ˈɛkran.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_63.wav|ˌalɛ tɔ ɲʲɛ vˌɨstartʃˈawɔ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_376.wav|kwutɕˈili ɕɛ pʃˈɛs puwnˈɔtsɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_135.wav|— ˈɛx, kɔbjˈɛtɨ! — vˌɨkʃɨkˈujɛ rˈixtɛr. — ɲʲɛ dˈa ɕɛ z ɲˈimi ʒˈɨtɕ, a zˈabʲitɕ ix ɲʲɛ vˈɔlnɔ. xˈɨba, ʒˈɛ jɛst ɕɛ w ˌalabˈamjɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_9.wav|zapˈɨtaw ˈɛdmunts, a jˈɛɡɔ ɡwˈɔs ɲʲˈɛtsɔ stwumˈiwɔː ɔpˈartɕɛ fɔtˈɛla tˈɔma.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_120.wav|jˌɛstɛm na pɔzˈɨtsji. zˌamɛldɔvˈawam, kʲˈɛdɨ ɔdˈɛbraw.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_82.wav|i tˈutaj na stsˈɛnɛ fkrˈatʃa mˈuj spɛktrˈɔmɛtr.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_31.wav|trˈɔxɛ tɔ ɲʲɛvdʑˈɛntʃnɛ mˈɔim zdˈaɲʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_34.wav|tɔ bˌɨwɔ jˈɛʃtʃɛ lˈɛpʃɛ ɲˈiʃ sˈutki.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_152.wav|tɛn pʲˈɛrʃɨ nalˈɛʒaw kʲˈɛdɨʑ dɔ dalˈɛa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_7.wav|xtsˈɛ ˈiɕtɕ pʲɛxˈɔtɔ̃, mˈamɔ mˈuvi. vʲˈɛm, kruʃˈɨŋkɔ, ˌalɛ musˈimɨ ɕɛ pɔspʲˈɛʃɨtɕ, vʲˈɛnts pɔɲʲˈɔsɛ tɕˈɛ pʃˈɛs jˈakiɕ tʃˈas. f pɔʒˈɔntku?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_24.wav|a jˈɛɕli ɔn ɔt pɔtʃˈɔntku bˈɨw tʃˈɛɲɕtɕɔ̃ tˌɛɡɔ fʃɨstkʲˈɛɡɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_28.wav|dɔ tˌɛɡɔ dɔxˈɔdʑi ɲˈitsk i jˈɛɡɔ ʒɔwɲʲˈɛʒɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_11.wav|jˈɛɕli ktˈɔɕ tˈam pʃɨjˈɛdʑɛ, z mˈili lˈub bˈɛs ɲʲˈɛj, dɔvʲˈɛmɨ ɕɛ ˈɔtɨm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_12.wav|pˌɔvʲɛdʑˈafʃɨ tɔ, skˈinɔw ɡwˈɔvɔ̃ kitˈɔvi, ktˌurɨ pɔɕfʲˈɛɲtɕiw ˌapsurdˈalɲʲɛ dˈuʒɔ tʃˈasu na ˌukwadˈaɲʲɛ stˈɛrd dˌɔkumˈɛntuf na sfˈɔim bjˈurku.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_11.wav|dˈalʃɛ dˌɔxɔdʑˈɛɲʲɛ pˌɔzvɔlˈiwɔ nˈam ˈɔtkrɨtɕ fˈakt, ʒˈɛ tʃˈɛɲʑdʑ ʒˈɨtɕa spɛɲdʑˈiwa w lˌinkɔlnʃˈajɛr.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_428.wav|ɲʲˈɛbɔɲtɕ tˈaka pˈɛvna, pˈaɲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_42.wav|vˈɔlawbˌɨm ɕɛ pɔwˈɔʒɨtɕ, jˈɛɕli ɲʲɛ maʃ ɲˈits pʃɛtɕˈifkɔ. pʃɛprˈaʃam, ʒˈɛ muɕˈawaɕ ɕɛ tˈak ɲʲˌɛpɔkˈɔitɕ, kɔxˈaɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_140.wav|bʲˈillɨ fstˈajɛ i pɔtxˈɔdʑi dɔː ˈɔkna ɡˌabʲinˈɛtu, ktˌurɨ tˈɛras jˈuʃ jˈɛst.|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_102.wav|rˈuvɲʲɛ dˈɔbʒɛ mˈuɡwbɨ mʲˈɛtɕ nad ɡwˈɔvɔ̃ nˈɛɔn z napˈisɛm pˈatʃtɕɛ nˈamɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_239.wav|bʲˈillɨ mˈɨɕli, tʃɨ ɲʲɛ zˈabratɕ mɔzbˈɛrɡa. pˌɔstanˈavja jˈɛdnaɡ ɡˈɔ zɔstˈavitɕ. jˈak pɔvʲˈɛdʑaw dɔmˈɛrɡɛ, tʃˈas nˈaɡli.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_115.wav|i pʃˌɛsunˈɛwa kʃˈɨvɛ, ʒɛlˈaznɛ ˈɔstʃɛ pɔː ɔpˈuʃtsɛ ktɕˈuka.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_103.wav|zˌauvˈaʒɨw jˈamɛ, ɡdˈɨ maˈɛstɛr prɔvˈadʑiw ɡˈɔ ɡalˈɛrjɔ̃. lˈɔrt lˈantsɛl mˈa nadʑˈɛjɛ pɛvnˈɛɡɔ dɲʲˈa zˈakrɨtɕ ɕɛ ˌarasˈami.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_50.wav|na mɔjˈɛɡɔː ˌinstruktˈɔra.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_224.wav|fstʃɨmˈanɔ pʃˌɨjmɔvˈaɲʲɛ ɡˈɔɕtɕi w bjˈurax spˈuwki mʲɛʃtʃˈɔntsɨx ɕɛ w bˈaɲtsɛ armstrˈɔŋɡa, a dˈɔstɛmb dɔ zakwˈadu prˌɔduktsɨjnˈɛɡɔ mʲˈaw tˌɨlkɔ pˌɔtstavˈɔvɨ pɛrsˈɔnɛl.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_116.wav|kʲˈɛdɨ pisˈawam, zˌapɔmɲʲˈawam ɔ smˈutku.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_151.wav|na pˌɔjɛdˈɨnɛk?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_43.wav|mʲˈawam nadʑˈɛjɛ, ʒˈɛ dɔmˈiɲik jˈuʒ zˈasnɔw, ˌalɛ ftɕˈɔ̃ʃ nˈamɲʲɛ tʃˈɛkaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_78.wav|mˈam nadʑˈɛjɛ, ʒˈɛ ɲʲɛ, bˈɔ tˈɛras mˈɨɕlɛ ˈɔtɨm, tsˈɔ bˌɛɲdʑɛ najlˈɛpʃɛ dla nˈaʃɛj tsˈurki.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_14.wav|rˌɛflɛktˈɔrɨ pʃˌɛjɛʒdʒajˈɔntsɨx sˌamɔxˈɔduf pˌɔtɕfʲɛtlˈajɔ̃ strˈuɡʲi lɛjˈɔntsɛ ɕɛ z ɲʲˈɛba, rɨsˈujɔndʑ zɨɡzˈaki jasnˈɛɡɔ ɕfʲˈatwa.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_7.wav|ɲʲɛ vʲˈɛdʑaw, tʃɨ pʃɛklˈinatɕ, tʃɨ pwˈakatɕ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_500.wav|nˈavɛt snˈɨ mˈɔɡɔ̃ kwˈamatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_82.wav|zamjˈɛʒa ɡˈɔ vˌɨkɔʒˈɨstatɕ. tɨmtʃˈasɛm jˈɛdnak mˈuɕi na ɲʲˈɛɡɔː uvˈaʒatɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_76.wav|tsˈawɛj trˈujtsɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_34.wav|tɔ mˈiwɛ z ix strˈɔnɨ, ˌalɛ ɲʲˈɛmam ɔxˈɔtɨ pɔnˈɔvɲʲɛ ˌɔpɔvʲˈadatɕ tsˈawɛj çistˈɔrji.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_38.wav|rˈɔp pˈɔtʃɛd i zˈamknɔw jˈɛ pɔ tɕˈixu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_101.wav|a pˈɔtɛm lˈudʑɛ tɕi uɲʲˈɛɕli dʒˈɛvɔ zˈɛ sˈɔbɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_72.wav|pɔdwˈɔɡa jɛzd z ɲʲˌɛlakʲˌɛrɔvˈanɨɣ dˈɛsɛk. tsˈawɛ ˌumɛblɔvˈaɲʲɛ tɔ stˈɔliɡ dɔ kˈart i tʃˈɨ skwadˈanɛ kʃˈɛswa, ˌalɛ tʃˈɛɡɔʒ vʲˈɛntsɛj mu pɔtʃˈɛba?|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_276.wav|ɲʲɛ zabʲˈijaj mɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_269.wav|a jˈaɡ zamjˈɛʒaʒ dˈɔstatɕ ɕɛ dɔ ɕrˈɔtka?|4
+Dataset/wavs/urwisko_ferenc/63_segment_131.wav|tɔ fʃˈɨstkɔ vˌɨɡlɔndˈawɔː inˈatʃɛj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_50.wav|spʃˌɛdajˈɔntsɨ bɛnzˈɨnɛ pˈɔdɲʲus s xˈaka ɡumˈɔvɨ vˈɔ̃ʃ, ktˌurɨ w jˈɛɡɔ dwˈɔɲi vɨɡlˈɔndaw jˈak ʃnˈurɛk ɔt skakˈaŋki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_113.wav|strɔjˈɛɲʲɛ ɕɛ dɔ prˈatsɨ pˌɔtʃɔntkˈɔvɔ mˈɔʒɛ i jɛst fˈajnɛ, ˌalɛ s tʃˈasɛm mˈuɕi stˈatɕ ɕɛ ˌutɕɔ̃ʒlˈivɛ, zvwˈaʃtʃa dla kˈɔbjɛt.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_238.wav|mɨ tˌɨlkɔ pʃˌɨtɕinˈamɨ i ɡwadʑˈimɨ drˈɛvnɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_25.wav|z vaʃˈɛɡɔ dˈɔmu vˈidatɕ tˈɛʃ murˈavɛ dɔ ɡrˈɨ w bˈɔfls.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_305.wav|tˈɔɲi pˈad na vznˈak i zajˈɛntʃaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_52.wav|xtɕˈawbɨ, ʒˈɛbɨ fˈatsɛd vrˈɛʃtɕɛ pʃˈɛʃɛd dɔ ʒˈɛtʃɨ. nˈavɛt pɔt pˌarasˈɔlɛm jɛzd ɡɔrˈɔntsɔː i pˈarnɔ.|2
+Dataset/wavs/urwisko_ferenc/03_segment_86.wav|tʃɨ pˈana zdˈaɲʲɛm tɔ mˈɔɡwɔ mʲˈɛtɕ jˈakiʑ zvʲˈɔ̃zɛk?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_248.wav|ktˈɔ ɲˈimi mˌaɲipulˈɔvaw w lˌunatˈɨtʃnɨm lɛtˈarɡu? ja tʃɨ ˈɔna?|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_287.wav|ɡdˈɨ vˌɨpɔvʲɛdʑˈawa tɛ swˈɔva na ɡwˈɔs, wˈatfʲɛj jɛj bˌɨwɔ w ɲʲɛ uvʲˈɛʒɨtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_54.wav|spˈɛɲdʑiʃ tˈu tsˈɔ nˈajmɲʲɛj ʃˈɛɕtɕ tɨɡˈɔdɲi, mˈɔʒɛ nˈavɛt pˈuw rˈɔku, mˈuvi ɡʲˈɔrɡjɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_15.wav|ɲˈits, nˈavɛt tˌɛlɛfˈɔnu, pˌaraɡˈɔnu tʃɨ ɡɔtˈufki.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_115.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_154.wav|i tˈu ɕɛ mˈɨliʃ. ŋɡˈuɡʲi ɔpˈadwa na ɔpˈartɕɛ fɔtˈɛla.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_207.wav|ɲʲɛ, pɔvʲˈɛdʑaw mˈikɛ, ɲʲɛ tɔ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_299.wav|alˈain ɕfʲˈɛtɲʲɛ fʃˈɨstkɔ rˌɔzumjˈawa, ˌalɛ ˌɔznatʃˈawɔ tɔ, ʒˈɛ zadˈaɲʲɛ bˌɛspʲɛtʃnˈɛɡɔ sprˌɔvadʑˈɛɲʲa swɔvˈitʃka z ɡˈurɨ spˈadwɔ na jɛj bˈarki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_159.wav|kwˈadʑɛ ɕɛ ˌɔbɔk ɲʲˈɛj.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_102.wav|ˈuɕad ˌɔbɔk rˈalfa xrɔmˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_263.wav|zˈafʃɛ bˌɛɲdʑɛ mˈuɡw zrˈɔbʲitɕ jˈakiɕ uʒˈɨtɛɡ z vˌɔjɔvɲˈikuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_32.wav|mˈam nadʑˈɛjɛ, ʒˈɛ pɔtrˈafiʒ dwˈuɡɔ fstʃɨmˈɨvatɕ ˈɔddɛx.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_200.wav|ɕˈada, pˈijɛ kˈavɛ i pʃɨɡlˈɔnda ɕɛ ɕpʲˈɔntsɛj dʑɛftʃˈɨɲʲɛ. s pʃˌɨjɛmnˈɔɕtɕɔ̃ swˈuxa jɛj ɡwɛmbˈɔkix, vˈɔlnɨx ɔddˈɛxuf. tʃˈas mˈija.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_23.wav|spɔjʒˈawam z ɲʲɛxˈɛɲtɕɔ̃ na tʃˌɨstrɔɲitsˈɔvɨ dɔkˈumɛnt, kturˌɛɡɔ tˈɛɡzd vˌɨdrukɔvˈanɔ mˈawɔ̃ tʃtɕˈɔŋkɔ̃ w dvˈux sˌɔ̃ɕadujˈɔntsɨɣ za sˈɔbɔ̃ kɔlˈumnax.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_94.wav|tsˈɔ tˈu mˈamɨ, bˈɛtskɨ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_54.wav|mɔʒˈɛmɨ sprˈavdʑitɕ numˈɛrɨ f sɨstˈɛmjɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_115.wav|tʃɨ ɲʲɛ mɔʒˈɛmɨ ɡˈɔː ɔdvrˈutɕitɕ, ʒˈɛbɨ wˈatfʲɛj mu ɕɛ ˌɔddɨxˈawɔ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_75.wav|vʒˈutsam fstˈɛtʃnɨ bjˈɛk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_25.wav|tˈɔm zˈɛrknɔw pʃˈɛs rˈamjɛ i zɔbˈatʃɨw, ʒˈɛ jˈɛɡɔ zˈɛspuw zajmˈujɛ jˈuʃ mʲˈɛjstsa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_134.wav|ˈalbɔ pʃˈɨjmʲɛʃ tɛ varˈuŋki, ˈalbɔ kˈasa i swˈava pʃˈɛjdɔ̃ tɕi kˈɔwɔ nˈɔsa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_131.wav|tˌɨmi sxɔdˈami na tˈɨwax.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_223.wav|na blˈaŋkax pˌɔjavˈiwɨ ɕɛ bjˈawɛ tʃˈɛptsɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_230.wav|pʃɛzˈɛmɲʲɛ tsˈawa spˈuwka tʃˈɛ̃swa pɔrtkˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_245.wav|pɔ pʲˈɛɲtɕu minˈutaɣ zaɡlˈɔnda dɔ ɲʲˈɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_92.wav|ɲʲɛ tʃˈɛba, jɛstˌɛɕtɕɛ dɔbrˈɨmi sˌɔ̃ɕadˈami. tɨ tˈɛʃ, dˈɔlan, tɨ tˈɛʃ. vʲˈɛʃ, tsˈɔ pijˈɛmɨ?|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_46.wav|zadˈaɲʲɛm dˌarɨˈɔna ɲʲɛ bˌɨwɔː ˌukwadˈaɲʲɛ pʲˈɛɕɲi ɔ kˌurtɨzˈanax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_139.wav|kˈɔwɔ tʃfˈartɛj znˈuf ˈidɔ̃ na zakˈupɨ, tɨm rˈazɛm dɔ sklˈɛpu ˌɔɡrɔdɲitʃˈɛɡɔː ɔ nˈazvʲɛ ɡrˈɔv bˈabɨ ɡrˈɔf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_13.wav|tʃˈɨ fˌiliʒˈaŋki tʃɨstˈɛɡɔ buljˈɔnu dʑˈɛnɲʲɛ. jˈasna xɔlˈɛra.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_235.wav|ɔt pɔɕˈiwku dɔ pɔɕˈiwku. jɛst rˈatʃɛj zvʲɛʒˈɛɲtɕɛm ɲˈiʃ tʃwɔvʲˈɛkʲɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_86.wav|vɨmknˈɛwam ɕɛ z dˈɔmu w ɔbˈavʲɛ, ʒˈɛ ktˈɔɕ mɲʲɛ zɔbˈatʃɨ, ˌalɛ w ɔstˈatɲʲɛj xfˈili fpˈadwam na dˈɔbrɨ pˈɔmɨsw, ʒˈɛbɨ zˈabratɕ kˈɔʃ s prˈaɲʲɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_182.wav|jˈuʃ jɛj ɲʲɛ mˈamɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_340.wav|mˌamɨ prˈavɔ xrˈɔɲidʑ dˈanɛ kljˈɛntuf, a ja mˈuʃɛ dbˈatɕ ɔ sfˈɔjɔ̃ rˌɛputˈatsjɛ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_214.wav|tɔ tɛn ɡrˈubas?|1
+Dataset/wavs/urwisko_ferenc/45_segment_23.wav|— ɲʲɛ vˈɨʃwɔ — pʃɨznˈawa. — ɲʲɛ vˈɨʃwɔ, bˈɔ...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_621.wav|i pˌɔlɛtɕˈɛliɕmˌɨ bˈɔkʲɛm w dˈuw pɔ strˈɔmɨx sxˈɔdax.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_311.wav|kˈɔmbajn ɲʲɛ kˈɔpaw ˌaɲi ɲʲɛ wadˈɔvaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_121.wav|vzrˈuʃa rˌamjɔnˈami, jˈaɡbɨ xtɕˈaw pɔvʲˈɛdʑɛtɕ, tsˈuʃ pˈɔtʃɔɲtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_22.wav|dlatʃˈɛɡɔ fʃˈɨstsɨ muɕˈɛli ɔtxˈɔdʑitɕ w nˈɔtsɨ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_131.wav|pɔvˈinnaɕ ˈɔtɨm vʲˈɛdʑɛtɕ najlˈɛpʲɛj zˈɛ fʃˈɨstkix lˈudʑi. ɔdwˈɔʒɨw swuxˈafkɛ i vrˈutɕiw dɔ pɔkˈɔju.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_172.wav|i ˌudʑɛlˈiwa mu ɡˈɔ z radˈɔɕtɕɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_107.wav|zatʃˈɛwam, xtsˈɔnts mu dɔbʲˈitɲʲɛ zˌasuɡɛrˈɔvatɕ, ˈabɨ zɔstˈaviw mɲʲɛ f spɔkˈɔju.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_101.wav|pɨtˈaɲʲa ɲˈika sɔ̃ mɛntʃˈɔntsɛ, ˌalɛ mˌajɔ̃ sfˈɔjɔ̃ dˈɔbrɔ̃ strˈɔnɛ. vɨɲˈika z ɲˈiɣ bˈɔvʲɛm, ʒˈɛ nˈadal uvˈaʒa ɡˈɔ za ˌɔsɔbɲˈika ɔ pˌɛrmanˈɛntɲʲɛ pʃɨtɕmʲˈɔnɨm umˈɨɕlɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_405.wav|ˈɔbaj vˈɨʃli s ʃɛrˈɛɡu i ruʃˈɨli ɕpʲˈɛʃɲʲɛ w nˈaʃɔ̃ strˈɔnɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_118.wav|tɔ tfˈɔja bˌɨwa ʒˈɔna.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_303.wav|tʃɨnnˈɨmi jˈɛʃtʃɛ ˈalbɔ mˈɔʒɛ jˈuʒ zˌapɔmɲʲanˈɨmi.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_261.wav|xtsˈɛʒ vˈɨswatɕ ɔtpˈɔvʲɛtɕ, pˈaɲʲɛ?|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_427.wav|brˈatɛm zmarwˈɛɡɔ nˌamjɛstɲˈika, prˈavda?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_35.wav|ɲʲɛ mʲˈawam pɛvnˈɔɕtɕi, tʃɨ kʲˌɛdɨkˈɔlvʲɛɡ ɡˈɔ zɔbˈatʃɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_140.wav|zˈamjast tˌɛɡɔ vrˈatsa dɔ sfɔjˈɛɡɔ budˈɨŋku i mˈuvi bɛvˈɛrlɨ, ʒˈɛ pˈɔp sɛtsrˈɛtu ɲʲɛ bˈɨwɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_38.wav|ɲˈidʑɡ vzrˈuʃa rˌamjɔnˈami, jˈaɡbɨ xtɕˈaw pɔvʲˈɛdʑɛtɕ tˈɛʃ prˈavda.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_36.wav|jˈɔxanssɔn mˈuɕaw mʲˈɛtɕ jˈakiɕ pˈɔvut, ʒˈɛbɨ utɕˈɛkatɕ|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_228.wav|ʒɛlˈaznɨ ɡʒmˈɔt ix ʃˈarʒɨ zdˈajɛ ɕɛ vɨpˈɛwɲʲatɕ tsˈawɨ ɕfʲˈat.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_355.wav|tsˈɛdra ɲʲɛ ˌɔtpɔvʲɛdʑˈawa ˌaɲi swˈɔvɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_20.wav|ˌɔna zˌaswuɡˈujɛ na dˈuʒɔ vʲˈɛntsɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_356.wav|pɔvʲˈɛdʑaw vˈɔrlt ˈɔf spˈɔrt.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_238.wav|ɲˈits ɲʲɛ pamjˈɛntaʃ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_41.wav|ɲʲˈɛvʲɛm. mˈɔʒɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_85.wav|tsˈɔ ɕɛ dʑˈɛjɛ jˈɔɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_12.wav|pʃɨnˈajmɲʲɛj f tɨm sˈɛnɕɛ, ʒˈɛ ɲʲɛ trˈafiw dɔ vʲɛ̃ʑˈɛɲʲa.|2
+Dataset/wavs/urwisko_ferenc/17_segment_27.wav|ˌalɛ tˈaɡʒɛ ɔ sfˈɔim ˌuzalɛʒɲʲˈɛɲʲu, ktˌurɛ ɲʲˈɛraz dˌɔprɔvadʑˈiwɔ jˈɔ̃ dɔ ɕtɕˈanɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_46.wav|swɨʃˈawa jˈuʃ ˈɔtɨm, jˈak pɔmˈaɡaw lˈudʑɔm w ˌɔdnajdɔvˈaɲʲu rˌuvnɔvˈaɡʲi i ɕˈiwɨ i uznˈawa, ʒˈɛ jɛst tɔ dɔkwˈadɲʲɛ tɔ, tʃˈɛɡɔ pˌɔtʃɛbˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_149.wav|ɲʲɛ bˌɨwa ˌɔsɔbʲistˈɔɕtɕɔ̃ na mʲˈarɛ prˌɛzɨdˈɛnta stˈanuv zjˌɛdnɔtʃˈɔnɨx.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_32.wav|z nadˈɛjɕtɕɛm vʒˈɛɕɲʲa mˈɔɡwabˌɨm rɔspˈɔtʃɔɲtɕ naˈukɛ w ɡʲimnˈazjum.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_71.wav|dˈɔbrɨ pˈɔmɨsw. i pˈɔprɔʑ zˈɛspuw, ʒˈɛbɨ zrɔbʲˈili kˈilka zdjˈɛɲtɕ pˌɔkazujˈɔntsɨx, ɡdʑˈɛ stˈaw rˈɔvɛr.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_226.wav|ɡˈɔʑdʑik pˌɔvʲɛʒˈawa ɡˈɔː im bˈɛs ˈɔbaf, xˈɔdʑ ʒadnˈɛmu mɛ̃ʃtʃˈɨʑɲʲɛ ɲʲɛ ufˈawa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_177.wav|tɨm jaɕɲʲˈɛjʃɛ zdavˈawɨ ɕɛ jɛj krˈutkʲɛ vwˈɔsɨ jˈak ˌawrɛˈɔla.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_55.wav|mˈuɕiʃ mi uvʲˈɛʒɨtɕ. jˈɛɕli ɕɛ ɲʲɛ pˌɔstarˈamɨ, ɲʲɛ zdɔwˈamɨ jˈuʃ spˈɔjʒɛtɕ sˈɔbjɛ w ˈɔtʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_24.wav|i s tʃtɕˈin vˈɨʃwɨ tʃˈɨ kɔbjˈɛtɨ, ktˌurɛ ˌɔfjarɔvˈawɨ mˌɛribaldˈɔvi vˌiklinˈɔvɨ kˈɔʃ pˈɛwɛn mˈawʒɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_201.wav|dɔbrˈanɔts mˈuj mɛ̃ʃtʃˈɨznɔ, tɕɛrpʲˈɔntsɨ na xwˈut sˈɛrtsa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_3.wav|ˈaʃ prˈaɡnɔw ɕlˈubu, ˌalɛ jɛj zdˈaɲʲɛm vˌɨɲikˈawɔ tɔ pʃˈɛdɛ fʃˈɨstkim s trˈɔski ɔː utrˈatɛ mˈili.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_19.wav|xtsˈɛ mi ɕɛ pwˈakadʑ z bˌɛzradnˈɔɕtɕi, ˌalɛ zmˈuʃam ɕɛ dɔ kˌɔntrɔlɔvˈaɲʲa ɔddˈɛxu i mɨɕlˈɛɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_208.wav|ˌɔdvrutɕˈiwam ɕɛ ɔd bˈɔba, udˈajɔnts, ʒˈɛ kˌɔntɛmplˈujɛ z zaxfˈɨtɛm martfˈɔtɛ kɕˌɛ̃ʒɨtsɔvˈɛɡɔ krˌajɔbrˈazu.|4
+Dataset/wavs/urwisko_ferenc/57_segment_55.wav|srˈɛbrna kˈija z ɲʲˌɛbjɛskˈimi ˌɔznatʃɛɲʲˈami vjɛxˈawa z impˈɛtɛm na pˈarkiŋk i zˌatʃɨmˈawa ɕɛ tˈuʃ ˌɔbɔk tɔjˈɔta.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_88.wav|jˈɛdnɔ mˈawɛ swˈɔvɔ, ˌalɛ tsɛrsˈɛi pɔtʃˈuwa ɕɛ, jˈaɡbɨ xluɕɲʲˈɛntɔ jɛj f tfˈaʃ lˌɔdɔvˈatɔ̃ vˈɔdɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_256.wav|ɲʲˈɛxtsɛ rˈɛʃtɛk pɔ tˈɔbjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_35.wav|kitsˈajɔnts krulˈitʃɔ̃ ɕtɕˈɛʃkɔ̃ ʒˈɨtɕa nˌapɔtˈɨka ɕɛ vʲˈɛlɛ ɲʲˌɛɔtʃˌɛkivˈanɨɣ zakrˈɛntuf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_125.wav|w bɛspʲˈɛtʃnɨm pɔkˈɔju pɔ tsˈɔ bˈɨ tˈam bˌɨwa brˈɔɲ?|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_100.wav|a vʲˈɛndʑ zˈafɔ ɲʲɛ pˌɔtʃɛbˈujɛ vzmatsɲʲˈatʃɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_268.wav|vˈɨlɔt lˈufɨ bˈɨw ʃɛrˈɔki, jˈaɡ vjˈazd dɔ tunˈɛlu ˌajsɛnxɔvˈɛra.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_312.wav|tɨ pˌɔviɲʲˈɛnɛɕ tˈu zˈɔstatɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_264.wav|jˈuʃ tɕi muvˈiwam.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_654.wav|mʲˌɛndʑɨ nˈami ɲˈits ɕɛ ɲʲɛ vˌɨdaʒˈɨwɔ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_24.wav|sˈam rɔspˈɔtʃɔw pˌɔʃukivˈaɲʲa ɔd ɡˈɔsput pɔd ʑɛlˈɔnɨm vɛŋɡˈɔʒɛm, pɔt tʃˈarnɨm flisˈakʲɛm i ˈu mɔrˈɔɡɡa.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_266.wav|ftɕɔŋɡnˈɛwa jˈɔ̃ pʃˈɛz ɡwˈɔvɛ, bˈɨ ˈukrɨtɕ sfˈɔjɔ̃ nˈaɡɔɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_43.wav|kˈat mɨɕlˈawa, ʒˈɛ tɔ tˌɨlkɔ ɡwˈupʲɛ kwˈamstfɔ, ˌalɛ ta lˈi pˌɔtfʲɛrdʑˈiwa tˈɛ ɔpˈɔvʲɛɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_307.wav|jˈɛɕli vʲˈatrɨ bˌɛndɔ̃ mi spʃɨjˈawɨ...|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_350.wav|nˈajpʲɛrv znˈajdɛ dˌarɨˈɔna.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_422.wav|tɔ s pɛvnˈɔɕtɕɔ̃ rˌɔzɡɲʲɛvˈawɔ jɛj ˈɔjtsa, a ɡdˈɨ ˌullɛrˈɔvʲɛ fpadˈali w ɡɲʲˈɛf...|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_6.wav|valˈiska i tˈɔrba z laptˈɔpɛm stˈɔjɔ̃ ˌɔbɔk jˈɛɡɔ fɔtˈɛla. w rˈɛŋku mˈa kɔlˈɛjnɨ kˈɔmiks. tɨm rˈazɛm ˈɛrtʃi kˈɔmiks spˌɛtstatsˈular frjˈɛnts fɔrˈɛvɛr.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_83.wav|dɔvˈɔdɨ arˈama|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_248.wav|tʃɛkˈajɔnts na vɛzvˈaɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_46.wav|pˌɔftaʒˈawa sˈɔbjɛ dʑɛftʃˈɨŋka. jˌɛstɛm tˈɛras kˈɔtɛm, ɲʲɛ vˈilkʲɛm. jˌɛstɛm tsˈad z nat kanˈawuf.|1
+Dataset/wavs/urwisko_ferenc/64_segment_130.wav|vɨtsˈɔfaw ɕɛ, bˈɔ ʑˈɛmʲa spˈɔt jˈɛɡɔ nˈuk ɕɛ ˌɔsunˈɛwa i kˈilka ɡrˈudɛk fpˈadwɔ dɔ mɔɡʲˈiwɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_178.wav|tfˈaʃ jˈɛɡɔ vˌɨkʃɨvˈiwa ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_159.wav|ˈinɲi mˈaʒɔ̃ ɔ miwˈɔɕtɕi, bɔɡˈatstfʲɛ ˈalbɔ xfˈalɛ, a tɛn sˈandɔr klɛɡˈanɛ mˈaʒɨw ˈɔtɨm, ʒˈɛ zabʲˈijɛ vwasnˈɛɡɔ brˈata.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_25.wav|muɕˈawam pʃˈɨznatɕ, ʒˈɛ ʒvˈavɔ vʑˈɔw ɕɛ dɔ rɔbˈɔtɨ. ɲʲɛ zadˈavaw zbˈɛndnɨx pˈɨtaɲ i ɲʲɛ zavrˈatsaw mi ɲˈitʃɨm dˈupɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_21.wav|pˈatʃɛ nˈaɲʲɔ̃, a mˈɔjɛ mˈɨɕli virˈujɔ̃ jˈak ʃalˈɔnɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_7.wav|ɲʲɛ mˈɔɡɛ pɔvʲˈɛdʑɛtɕ ɲˈidʑ vʲˈɛntsɛj, bˈɔ tˈɛssa pɔxˈɨla ɕɛ jˈuʃ pʃɨ ˈɔkɲʲɛ sˌamɔxˈɔdu.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_4.wav|ˌutɕɛkˈawam bˈɨlɛ dˈalɛj ɔt rˌɛzɨdˈɛntsji trˈɔnda. w bjˈɛɡu vˌɨtɕɔŋɡnˈɛwam ɡʲˈizmɔː i nˌapisˈawam vʲadˈɔmɔʑdʑ dɔ rudjˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_184.wav|tɔ xˈɨba mɲʲˈɛj vʲˈɛntsɛj budˈujɛ ˈɔbras mɔjˈɛɡɔ kˌamɛrˈɔna, tʃˈɨʃ ɲʲɛ?|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_64.wav|jˈɔss pɔnˈurɨ pɔtʃˈɔ̃snɔw ɡwˈɔvɔ̃. ɡvˈɛntsɛ f kˈɔɲtsu pʃɨwˈapaw ˌalakˈua w wˈuʃku zˈɛ slˈɔi.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_90.wav|jˈɛɕli wˈaska, mˈam vraʒˈɛɲʲɛ, ʒˈɛ tɔ nˈadal jɛzd dˈax lˈɔrda mˌɔutˈɔna.|1
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_24.wav|tˈata na pˈɛvnɔ bˈɨwbɨ s tɕˈɛbjɛ dˈumnɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_13.wav|w drˈɔdʑɛ mˈɔʒɛʒ zˌarɛzɛrvˈɔvatɕ pɔkˈɔjɛ w mɔtˈɛlu w vɛndˈɔvɛr. tɔ zˈaraz za ɡraɲˈitsɔ̃ ˈutax.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_20.wav|ˌɔtpɔvʲɛdʑˈawam mu ftˈɛdɨ, ʒˈɛ ɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_135.wav|i tsˈɔ ja tˈu rˈɔbjɛ f tɨm vnˈɛntʃu, ktˌurɛ znˈam jˈaɡ zˈɛ snˈu?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_88.wav|dɔmˈiɲiɡ zˈafʃɛ bˈardʑɔ ɕɛ stˈara, ʒˈɛbɨ pɔprˈavitɕ mi xˈumɔr.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_112.wav|bˈɔ jˈak mˈɔɡwa pʃˈɨjɕtɕ, skˈɔrɔ ɲʲɛ vʲɛdʑˈawa, ʒˈɛ tˈaka rɔsprˈava w ɔɡˈulɛ ɕɛ ɔdbˈɛɲdʑɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_49.wav|ɲʲɛ mˈɔɡwam pɔɡˈɔdʑitɕ ɕɛ z mˈɨɕlɔ̃ ɔ jɛj ɔdˈɛjɕtɕu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_84.wav|jˈak ɲʲɛ, tɔ ɲʲˈɛɣ zdˈɛxnɛ. stˈatɕ mɲʲɛ na nˈɔvɛ, na tsˈawɔ̃ ʃklˈarɲʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_229.wav|ja jˌɛstɛm stˈɛvɛ. stˈɛvɛ ɔxˈara.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_183.wav|nɔʒˈɔvɲiɡ ʒˈutɕiw ɕɛ nˈamɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_247.wav|ˈɛlis pʃɨtˈula butskʲˈɛɡɔː i zatʃˈɨna pwˈakatɕ. bʲˈillɨ mˈɨɕli, ʒˈɛ tɔ vbrˈɛf pɔzˈɔrɔm dˈɔbʒɛ. dʑɛftʃˈɨna tʃˈujɛ sfˈɔjɛ utʃˈutɕa, jˈak tɔ mˈuvjɔ̃ na spɔtkˈaɲʲaɣ ɡrˈup fsparsˈija.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_348.wav|nˈɔvɨ vʲˈɛlki sˈɛptɔn|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_286.wav|pɔprˈɔɕiw ɡˈɔ lˈantsɛl. lˈutskʲɛ tɕˈawɔ jɛst swˈabɛ, jˈamɛ. z naʃˈɛɡɔ ɡʒˈɛxu ɲʲɛ vɨɲˈikwɔ ɲˈidʑ zwˈɛɡɔ, ɲʲɛ...|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_238.wav|vˌɨpalˈiwa mu na dˈupʲɛ sfˈuj znˈak.|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_53.wav|ɔsˈunɔw ɕɛ na kɔlˈana, pˈɔtɛm na tfˈaʃ. nadbjˈɛɡli lˈudʑɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_18.wav|ɡdˈɨbɨ fʃˈɨstkʲɛ spˈisaw, jˈɛɡɔː ɔpˈɔvʲɛɕtɕ mʲˈawabˌɨ tˈɨɕɔnts strˈɔn.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_481.wav|dʑɛŋkˈujɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_63.wav|jɛʒˈɛli ˌinvɛstˈɔʒɨ nabjˈɔrɔ̃ ˈɔbaf, ʒˈɛ ix majˈɔntɛk mˈɔʒɛ pˈaɕtɕ ɔfjˈarɔ̃ sˌabɔtˈaʒu, a sprˈaftsɨ fʃˈɨstkɔː ˈujdʑɛ na sˈuxɔ, nˈavɛt ɲʲɛ bˌɛndɔ̃ xtɕˈɛli z nˈami rɔzmˈavʲatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_166.wav|ˌalɛ pʃˌɛtɕɛʃ ta rˈurka jɛst w ɕrˈɔtku.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_13.wav|jˌɛdɛnˈasta pʃɛt pɔwˈudɲʲɛm? naprˈavdɛ ɕɛ vɨspˈawam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_423.wav|a tsˈɔ mɲʲɛ tɔ fʃˈɨstkɔː ɔpxˈɔdʑi?|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_169.wav|spɔjʒˈawam na kˈɔmbajn.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_84.wav|jˈamɛ rɔzˈɛjʒaw ɕɛ pɔ dʑɛdʑˈiɲtsu, spˌɔɡlɔndˈajɔnts na brɔdˈatɛ tfˈaʒɛ vrˈubli. jɛst ix tˈu za dˈuʒɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_143.wav|xtɕˈaw udˈɛʒɨtɕ jˈɔ̃ w rˈɛŋkɛ, lˈɛtʃ tsɔfnˈɛwa jˈɔ̃ f pˈɔrɛ, tˈaɡ vʲˈɛndʑ z rɔzmˈaxɛm udˈɛʒɨw w bˈɔk jakʲˈɛɡɔɕ ˌirlanttʃˈɨka.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_49.wav|xˈɨba sˈɔbjɛ ʒartˈujɛʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_132.wav|vɛŋɡʲˈɛrka vɨjˈɛwa sfˈɔjɛ ɡʲˈizmɔ, a ja vɨswˈawam jɛj pʃˈɛlɛf, ktˌurɨ zˌatfʲɛrdʑˈiwa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_21.wav|ɔt tsˈɛlu dʑˈɛli jˈɔ̃ ɲʲɛvʲˈɛlka ɔdlˈɛɡwɔɕtɕ i ftsˈalɛ ɲʲɛ mˈuɕi zˈaɲʲɔ̃ ˈiɕtɕ, ˌalɛ rˈɔbʲi tɔ mˈimɔ fʃˈɨstkɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_140.wav|tˌɨlkɔ ɲʲˈɛɡzitɕ mi ɕɛ na travɲˈiku. ɲʲɛ zɡʒˈɨbjɛj na ɕmʲˈɛrdʑ w drˈɔdʑɛ dɔ dˈɔmu, dʑˈatku, zˌavɔwˈawam zˈaɲim, a ɔn pɔmˈaxaw mi na ɔtxˈɔdnɨm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_17.wav|zalˈɛʒɨ pˈaɲi nˈaɲʲɛj i na jɛj ʃtʃˈɛɲɕtɕu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_342.wav|a ja pˈarɛ nˈɔtsɨ ɲʲɛ pʃɛspˈawɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_200.wav|ɲʲɛ mʲˈawam pɔjˈɛɲtɕa, tsˈɔ ɡˈɔː ˌɔpɛntˈawɔ. tɔ bˌɨwa ɔstˈatɲʲa ʒˈɛtʃ, jˈakʲɛj bˈɨm ɕɛ pˈɔɲim spˌɔdʑɛvˈawa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_111.wav|ˌalɛ pɨtˈaɲʲɛ bʒmˈi, tsˈɔ takʲˈɛɡɔ pˈaɲi vʲˈɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_170.wav|xˈɔtɕaʒ zˈaɲim vˈɛʃliɕmˌɨ dɔ kˈɔmmɔn trˈɛats, pˌɔkapɛlˈuʃkɔv bˈɔjski dla tɕˈɛbjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_232.wav|kˈilka dɲˈi ftʃˈɛɕɲʲɛj fspˈulɲʲɛ brˈaliɕmˌɨ ˈudʑaw w ˈaktsji rˌatɔvɲˈitʃɛj pɔ pɔʒˈaʒɛ wˈɛ fabrˈɨtsɛ ʃkwˈa.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_214.wav|z jɛj brɔ̃zˈɔvɨx ˈɔtʃu pˌɔpwɨnˈɛwɨ wzˈɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_155.wav|mˈama zrˌɛzɨɡnɔvˈawa dla ɲʲˈɛɡɔ zˈɛ sfɔjˈɛɡɔ vˌɨɡɔdnˈɛɡɔ ʒˈɨtɕa na pɔʑˈɔmjɛ klˈasɨ ɕrˈɛdɲʲɛj.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_59.wav|vwˈɔntʃɨdʑ vˌɨʃukivˈaɲʲɛ lˌɔkalizˈatsji. tʃˈɛ̃stɔ ɡwˈupjɛ sfˈuj tɛlˈɛfɔn, vʲˈɛndʑ zˌainstˌalɔvˈawam ˌaplikˈatsjɛ na fʃˈɨstkix mˈɔix ˌuʒɔndʑˈɛɲʲax.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_364.wav|ˌalɛ tɔ ja mʲˈawam natstˈavitɕ kˈarku w rˈaʑɛ fpˈatki, a ɲʲɛ ˈɔn.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_170.wav|ˈandɛrsɔn zawˈɔʒɨw jˈɛ i ɔbrˈutɕiw ɕɛ kˈu rˌɨanˈɔvi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_130.wav|— mɲʲɛ tɔ ɲʲɛ pʃɛʃkˈadʑa — pɔvʲˈɛdʑaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_231.wav|ɲʲˌɛruxˈɔmɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_177.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_37.wav|rˈɔbʲiw rˈuʒnɛ ɲʲɛdˈɔbrɛ ʒˈɛtʃɨ, ˌalɛ ɲˈiɡdɨ ɲʲɛ sɔɲdʑˈiwam, ʒˈɛ mˈuɡwbɨ kˈɔɡɔʑ zˈabʲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_89.wav|zabˈujtsɔ̃, ɡvˌawtɕitɕˈɛlɛm i kwˈamtsɔ̃, ˌalɛ ɲʲɛ sˈɔndʑɛ, bˈɨ f tɛj sprˈavʲɛ mɲʲɛ ɔkwˈamaw.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_200.wav|f pɔvʲˈɛtʃu nˈadal ˌunɔɕˈiwa ɕɛ vˈɔɲ dˈɨmu, a kʃˈɨki krɔ̃ʒˈɔntsɨɣ w ɡˈuʒɛ mˈɛv vˌɨdavˈawɨ ɕɛ ɲʲˈɛmal lˈutskʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_10.wav|vʑˈɔw mɲʲɛ za rˈɛŋkɛ, ˌalɛ jˈɛɡɔ dˈɔtɨk jˈaɡbɨ ɲʲɛ tsˈawkʲɛm dɔ mɲʲɛ dɔtɕˈɛraw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_148.wav|vʲɛdʑˈawam, ʒˈɛ tɔ mˈɔja mˈama.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_36.wav|ts��rsˈɛi zɲʲˈɔswa jˈuʒ dʑˈiʑ vˌɨstartʃajˈɔntsɔ vʲˈɛlɛ. pˌɔstanɔvˈiwa zˌadɛmɔnstrˈɔvatɕ sfˈuj ɡɲʲˈɛf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_161.wav|pˌaranɔˈitʃna mˈɨɕl, ˌalɛ pʃɛd vˌɨkɔnˈaɲʲɛm zlɛtsˈɛɲʲa pˌaranˈɔja tɔ ʒˈɛtʃ nɔrmˈalna.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_19.wav|mˈa nadʑˈɛjɛ, ʒˈɛ zɔbˈatʃɨ ɡˈɔ pˈaɲi jˈɛnsɛn i tˈak ɕɛ dʑˈɛjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_103.wav|vɨstˈartʃɨw jˈɛdɛn ʒˈut ˈɔka na tˌɛɡɔ fatsˈɛta, bˈɨ vʲˈɛdʑɛtɕ, ʒˈɛ jɛst spʲˌɛpʃɔnˈɛɡɔ tsˌɛˌiˈa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_169.wav|ˌɔbjɛtɲˈitsɛ sɔ̃ pˈɔtɔ, ʒˈɛbɨ jˈɛ wˈamatɕ. pˈɔza tɨm jˌɛstɛm pɔ prˈatsɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_191.wav|vʲˈɛnts xfˈɨtɕiw rˈurɛ ɡumˈɔvɔ̃ lɛʒˈɔntsɔ̃ na ʑˈɛmi i s ktˌurɛj lɛtɕˈawa vˈɔda i skʲɛrˈɔvaw strˈumjɛɲ nˈaɲʲɔ̃, mˈɨɕlɔnts ˈɔtɨm,|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_178.wav|ja ɲʲɛ prɔɕˈiwɛm tɕˈɛ ɔ lˈitɔɕtɕ, jˈudɨ. tɔ ɲʲɛ jɛst lˈitɔɕtɕ. a tsˈɔ tɔ jˈɛst? vʲˈara.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_78.wav|mɛ̃ʃtʃˈɨzna w dˈalʃɨm tɕˈɔŋɡu majstrˈɔvaw pʃɨ sˌɛɡrɛɡatˈɔrax. bˈɛki ˈaʃ ɕfʲɛʒbʲˈiwɔ, ʒˈɛbɨ mu pˈɔmuts.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_119.wav|pɔ prˈɔstu, kʲˈɛdɨ patʃˈɨwam na tɕˈɛbjɛ, ɲʲɛ mɨɕlˈawam ˈɔtɨm, jˈak mˈuviʃ, pˌɔvʲɛdʑˈawa jˈudɨ. patʃˈɨwam na tɕˈɛbjɛ i tɔ mi vˌɨstartʃˈawɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_13.wav|ɲʲɛ pʃˌɨpɔminˈawa tˌɨpɔvˈɛɡɔ spˌɔʒɨftʃˈaka, a rˈatʃɛj xˌɔtɛlˈɔvɨ sklˈɛpiɡ z bʲˌibɛlɔtˈami pʃˌɛznatʃˈɔnɨ dla ˌɔtpɔvʲˈɛdɲʲɔ zamˈɔʒnɛj kljɛntˈɛli.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_215.wav|ˈandɛrsɔn pˈɔtʃɛd dɔː ˈɔkna i pˈatʃɨw na samˈɔxut pˌɔlitsˈɨjnɨ pʃˌɛjɛʒdʒajˈɔntsɨ ulˈitsɔ̃. pˌɔlitsjˈaɲtɕi pʃˌɛjɛxˈali ˌɔbɔk sˌamɔxˈɔdu mˈajka i pˌɔjɛxˈali dˈalɛj.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_78.wav|i sˈɛr ʃadrˈixa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_209.wav|tɨ vʲˈɛʃ, ʒˈɛ...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_12.wav|pʃˈɛdɛ fʃˈɨstkim musˈimɨ zrɔzˈumjɛtɕ, dlatʃˈɛɡɔ pˈaɲska ʒˈɔna vˈɨʃwa dɔ tɛj alˈɛjki w ɕrˈɔtku nˈɔtsɨ, kʲˈɛdɨ pˌanɔvˈawɨ tˈam ɛɡʲˈipskʲɛ tɕɛmnˈɔɕtɕi.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_102.wav|xˈɔtɕaʃ ɲʲɛ bˌɨwam tˈam ɔt ʃustˈɛɡɔ rˈɔku ʒˈɨtɕa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_43.wav|jˈɛdnaɡ ʒɔndˈaɲʲɛ spwˈatɨ z zˌastɔsɔvˈaɲʲɛm ɡrˈuɕp pʃɛmˈɔtsɨ fizˈɨtʃnɛj s pɛvnˈɔɕtɕɔ̃ bˌɨwɔ ɲʲɛzɡˈɔdnɛ s prˈavɛm. tsˈɔ bˈɨ ɕɛ stˈawɔ, ɡdˈɨbɨm pˈɔʃwa na pɔlˈitsjɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_190.wav|ɡlˈɛnn tʃˈasɛm ɕˈadaw za kʲˌɛrɔvɲˈitsɔ̃ i udˈavaw, ʒˈɛ prɔvˈadʑi, a rˈɔnɲʲɛ ɕadˈawa ˌɔbɔk ɲʲˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_124.wav|ja bˌɨwɛm dvˈa lˈata stˈarʃɨ i mʲˌawɛm ɕɛ ɲʲˈɔ̃ ˌɔpʲɛkˈɔvatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_49.wav|w ɡwɔɕɲˈiku zˌatʃɛʃtʃˈawɔ.|2
+Dataset/wavs/urwisko_ferenc/35_segment_45.wav|bɔrˈɛvidʒ dˈaw mu ɔdˈɛtxnɔɲtɕ pʃˈɛs kˈilka mˈinut, pɔ tʃɨm zˌablɛfˈɔvaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_162.wav|ɲʲɛ lˈubjɛ ɕɛ ʒˈutsatɕ w ˈɔtʃɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_9.wav|i dlatʃˈɛɡɔ ʃˈɛptʃɛʃ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_70.wav|ɲʲˈɛvʲɛm, tʃɨ tɔ lˈɛpʃɛ vˌɨjaɕɲʲˈɛɲʲɛ, ˌalɛ lˈudʑɛ mˌajɔ̃ tʃasˈami na pʃˈɨkwat nawˈɔɡʲi zvʲɔ̃zˈanɛ s xazˈardɛm, ktˌurɛ xtsˈɔ̃ zaxˈɔvadʑ dla ɕˈɛbjɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_120.wav|jˈakiʑ zˌabwɔŋkˈanɨ rˈɛflɛks, ɲʲɛ vʲadˈɔmɔ jakʲˈɛɡɔ ɕfʲˈatwa lˈɛʒaw na kravˈɛɲdʑi kanˈapɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_233.wav|dʑˈɛɲ ftʃˈɛɕɲʲɛj kupˈiwam tˈakix ʃˈɛɕtɕ f skwˈadʑɛ mˌatɛrjˈawuv ʒɛlˈaznɨɣ z zatˈɔka spɔkˈɔju. pɔ jˈɛdnɨm na kˈɔmbajn i dvˈa na zˈapas.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_94.wav|i dlatˈɛɡɔ, ʒˈɛ tɔ pʃˌɛtɕɛʃ jɛst ta mitˈɨtʃna ɔstˈatɲʲa rɔbˈɔta.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_432.wav|tɛ dvʲˈɛ bʲiblˈijnɛ sˌɨnɔɡarlˈitsɛ ɕɛdʑˈawɨ na ʒɛlˈaznɨm pwˈɔtku i pʃˌɨɡlɔndˈawɨ nˈam ɕɛ z ɲʲˌɛruxˈɔmɔ̃ uvˈaɡɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_249.wav|sˈam bˈɨw ɲʲˈɛmal pˈɛvʲɛn, ʒˈɛ kˈilku s tˈɨx, ktˌuʒɨ ɕɛ ɡˈɔ dˌɔtʃɛkˈali, pʃˈɨʃwɔ pˈɔɲim.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_218.wav|ɡdʑˈɛ? tˈam, kˈɔwɔ tˌɛɡɔ butʲˈiku.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_129.wav|pˌɔvʲɛdʑˈawam tɕˈi, ʒˈɛ jˌɛstɛm xˈɔra.|0
+Dataset/wavs/urwisko_ferenc/07_segment_50.wav|dˈɔdaw jˈarɔɲ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_243.wav|dʒˈɛjn pˌɔstanˈɔviw, ʒˈɛ bˌɛɲdʑɛ pʲˈɛrʃɨm, ktˌurɨ vˈɛdʒɛ ɕɛ na mˈurɨ. i s tɔ̃ mˈɔjɔ̃ zwˈɔtɔ̃ rˈɛŋkɔ̃ zapˈɛvnɛ pʲˈɛrʃɨm, ktˌurɨ pˈadɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_56.wav|tˈɔm pamjˈɛntaw, ʒˈɛ mʲˈɛʃkaw ftˈɛdɨ f xɛʃˈajɛr, vʲˈɛnts ɲʲˈɛbɨw f tɔ zˌaaŋɡˌaʒɔvˈanɨ.|4
+Dataset/wavs/urwisko_ferenc/02_segment_9.wav|dˈawbɨ sˈɔbjɛ ɡwˈɔvɛ ˈutɕɔɲtɕ, ʒˈɛ bˌɨwa vˌɨjɔntkˈɔvɔ smˈutna.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_74.wav|zˌastanavʲˈawam ɕɛ, tsˈɔ pɔvˈinnam rˈɔbʲitɕ, jˈak pɔvˈinnam ɕɛ zˌaxɔvˈɨvatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_44.wav|pɔswˈuxaj ˈanɔ, vˌɨxɔdʑˈimɨ dʑˈiɕ pˈuʑɲʲɛj f pˈarɛ ˈɔsup.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_210.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_117.wav|tˈartʃa sˈɛr illˈɨna bˌɨwa tˈak pˌɔɔptwˌukivˈana, ʒˈɛ trˈudnɔ bˌɨwɔː ɔkrˈɛɕlitɕ, na jˈaki kˈɔlɔr jˈɔ̃ ɔn dʑˈiɕ pˌɔmalɔvˈanɔ.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_236.wav|jɛst tˈɛʒ drˈuɡa bˈanda, ktˌurɔ̃ dɔvˈɔdʑi ta kɔbjˈɛta kamjˈɛnnɛ sˈɛrtsɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_157.wav|jɛdˈɨnɨm ustˈɛmpstfɛm na ʒˈɛdʒ vɨɡˈɔdɨ bˈɨw pɔʒˈɔndnɨ fˈɔtɛl bjurˈɔvɨ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_119.wav|jˈɛdɛn tɔ zrˈɔbʲiw, a pˈɔtɛm drˈuɡʲi i tʃˈɛtɕi. zˈabʲiw fʃˈɨstkix.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_145.wav|vɨjˈaɕɲiw tʃˈɛtɕi, bˈɛz brˈɔdɨ vrˈubɛl. dʒˈɛjn vʑˈɔw ɡˈɔ s pɔtʃˈɔntku za xwˈɔptsa, ˌalɛ ɡwˈɔs ɕfʲˈattʃɨw, ʒˈɛ tɔ kɔbjˈɛta.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_186.wav|mˈuvjɛ ɔ dˈuʒɛj plˌastʲikˈɔvɛj rˌɛklamˈuftsɛ.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_205.wav|brˈatɕa vˈidʑɔ̃ ɕmʲˈɛrdʑ brˈatɕi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_132.wav|mˈɔʒɛ dlatˈɛɡɔ, ʒˈɛ lˈubʲiʃ pˌɔdɛjmˈɔvatɕ rɨzˈɨkɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_28.wav|tˈak, zɡˈadʑam ɕɛ. ɔn fʃˈɨstkɔ rˈɔbʲi zɡˈɔdɲʲɛ s pˌɔdrɛntʃɲˈikʲɛm i spˌaɲikˈɔvawbˌɨ, ɡdˈɨbɨ mˈuɕaw zrˈɔbʲitɕ tsˈɔɕ xˈɔdʑbɨ ˌɔdrɔbʲˈinɛ ˌɔdbjɛɡˌajɔntsˈɛɡɔː ɔt nˈɔrmɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_2.wav|kʲˈɛdɨ tˈɔm skrˈɛɲtɕiw z zˌatwɔtʃˈɔnɛj ɡwˈuvnɛj ulˈitsɨ f spɔkˈɔjnɔ̃ ulˈitʃkɛ ˌɔtɔtʃˈɔnɔ̃ ʒˌɨvɔpwɔtˈami zɡwˈɔɡu, bˈɛki vɨjʒˈawa pʃˈɛs ˈɔknɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_116.wav|vɨtɕˈɔŋɡam dwˈɔɲ, bˈɨ xfˈɨtɕitɕ klˈamkɛ i zastˈɨɡam.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_201.wav|jˈamɛ znˈalaz dʑbˈanɛk i nˈalaw jɛj trˈuŋku jˈɛdnɔ̃ rˈɛŋkɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_133.wav|vʲˈɛʃ, ʒˈɛ ɲʲɛ ɔdvʲˈɛʑliɕmˌɨ jɛj dɔ dˈɔmu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_33.wav|pˈɔvʲɛm jˈuʃ tˈɛras, zˈaɲim zˌapɨtˈatɕɛ, ʒˈɛ ɲʲɛ vɨjˈɛʒdʒam dɔ ʃkˈɔtsji.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_249.wav|pɔvˈinna bˌɨwa pɔprˈɔɕitɕ ɔ wˈaskɛ bˈɔɡa ɔ vʲˈɛlu tfˈaʒax,|1
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_42.wav|tˈak, mˈama ˌɔdɛzvˈawa ɕɛ pʃˈɛs kˌɔmuɲikˈatɔr i mɲʲɛ ˌɔbudʑˈiwa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_65.wav|pʃɛnˈɔʃɛ ɕɛ nˈaɡlɛ f tʃˈaɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_40.wav|na sˈamɔ̃ mˈɨɕl rˈɔbʲi mi ɕɛ ɲʲɛdˈɔbʒɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_219.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_93.wav|a tˈɛras jˈuʃ ɲʲɛ mˈɔʒɛʃ?|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_156.wav|zˌɛskɔtʃˈɨwam i pˌɔtɨkˈajɔnts ɕɛ pʃɛbjˈɛɡwam kˈilka mˈɛtruf, vˌɨtratsˈajɔnts rˈɔspɛnt, pˈɔttʃaz ɡdˈɨ vˈaɡɔn ftˈɔtʃɨw ɕɛ dɔ vnˈɛŋki.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_111.wav|ɲˈikt mɲʲɛ ɲʲɛ swˈuxa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_59.wav|tˈakɔ̃ pʃɨnˈajmɲʲɛj mʲˌawɛm nadʑˈɛjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_136.wav|jˈɛɕli pˈɔvʲɛʃ, ʒˈɛ tɔ zwˈɨ pˈɔmɨsw, tʃɨ nˈavɛt, ʒˈɛ pˈɔmɨsw jɛzd dˈɔbrɨ, ˌalɛ ɲʲˈɛdaʃ rˈadɨ pʃˌɛkɔnujˈɔntsɔ ftɕˈɛlidʑ ɡˈɔ w ʒˈɨtɕɛ, ˌɔdvɔwˈamɨ tsˈawɔ̃ sprˈavɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_84.wav|jˈɛɡɔ pˌɔtɛntsjˈalnɨ bwˈɔnt ˈuʃɛd mu na sˈuxɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_201.wav|i lˈɛvɛ skʃˈɨdwɔ dʒvˈi rɔspˈadwɔ ɕɛ, sˈɨpʲɔndʑ dˈɛʃtʃɛm dʒˈask prˈɔstɔ na skrɨtˈɛɡɔ zˈaɲim stʃˈɛltsa. skʃˌɨʒɔvˈanɛ buwˈatɨ rˌɔzlɛtɕˈawɨ ɕɛ f prˈɔx i pˈɨw.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_57.wav|fstˈawa z wˈuʃka i stanˈɛwa zˈaɲim.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_50.wav|tˈɔmmɛn bˌɛɲdʑɛ zrˌɔspatʃˈɔnɨ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_43.wav|ɲˈiɡdɨ ɲʲɛ dˌɔprɔvˈadʑɛ tɕˈɛ dɔ wˈɛs, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(36) R.Abbott_Zamknij Drzwi_segment_20.wav|zmˈuʃam ɕɛ dɔ dˌɔkɔɲtʃˈɛɲʲa tɛj xɔlˈɛrnɛj kanˈapki, xˈɔtɕ ɕɛ ɲʲˈɔ̃ dwˈavjɛ, bˈɔ pˌɔtʃɛbˈujɛ ɛnˈɛrɡji.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_130.wav|ˌudɛʒˈɨwam w nˌɔnʃalˈanski tˈɔn. ɲʲɛ, ʒˈɛbɨm trˌaktɔvˈawa spatsˈɛrɨ kɔsmˈitʃnɛ jˈak pravdʑˈivɔ̃ prˈatsɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_56.wav|ˈidɔ̃ na ɡˈanɛk i ɕadˈajɔ̃ na sxˈɔtkax. bʲˈillɨ ɔtfʲˈɛra pˈivɔː i pɔtɕˈɔŋɡa wˈɨk. tˌɛɡɔ vwˈaɕɲʲɛ bˌɨwɔ mu tʃˈɛba i ɡwˈɔɕnɔ tɔ mˈuvi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_106.wav|i tɔ jɛst ta pʃɛʃkˈɔda? ɲʲɛ pɔvʲˈɛdʑaw. mˈɔja ʒˈɔna mɲʲɛ ˌɔpuɕtɕˈiwa.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_291.wav|dʒˈɛjn zˌastanˈavʲaw ɕɛ, tsˈɔ pɔvʲˈɛdʑawbˌɨ jˈɛɡɔ kˈuzɨn, ɡdˈɨbɨ vˈɨznaw mu vwˈasnɛ ɡʒˈɛxɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_28.wav|ta tsˈawa ʃˈɔpka s kavʲˈarɲʲɔ̃ i zdjˈɛɲtɕɛm mʲˈawa mʲˈɛjstsɛ tˈɨdʑɛɲ pʃɛt ɕmʲˈɛrtɕɔ̃ ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_36.wav|f tɛj sˌɨtuˈatsji mɔʒˈɛtɕɛ sfɔbˈɔdɲʲɛ zapˈalatɕ i ɡˈaɕitɕ ɕfʲˈatwa. vˌɨjaɕɲˈiwa jˈumbɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_97.wav|mˈuvjɛ ɲʲˈɛtsɔː ˈɔstʃɛj ɲˈiʃ tˌɛɡɔ xtsˈɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_143.wav|ˌiɡnɔrˈujɛ pˌɔlɛtsˈɛɲʲɛ, ˌalɛ mɲʲɛ pɔpˈɨxa w dˈuw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_32.wav|ˌumjɛʃtʃˈɔnɔ w ˈinnɨm pɔkˈɔju, z dˈala ɔt mɔjˈɛɡɔ, bˈɔ jˈuʒ bˈɨ mɲʲɛ ɲʲɛ pˌɔtʃɛbɔvˈawɔ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_347.wav|ˌɔtsunˈɛwa ɕɛ, pˌɔzvalˈajɔndʑ bˈɨ pˈad na ʑˈɛmʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_176.wav|vʲˈɛʒɨtɕ ɕɛ ɲʲˈɛxtsɛ, ʒˈɛ tˈakʲɛ ˈawta jˈɛʃtʃɛ sɔ̃ na drˈɔɡax.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_344.wav|jˈɛɕli fpˈadɲʲɛ tɕi w rˈɛntsɛ ktˈurɨʑ z dʑˈɛlnɨx kɔmpˈanuv vˈarɡɔ xɔˈuta, natˈɨxmʲast mɲʲɛ ˈɔtɨm pɔvʲˈadɔm.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_133.wav|zˌaskɔtʃˈɔnɨ, tsˈɔ?|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_361.wav|kˈɔ̃satʃ stˈɛŋknɔw i vˈɨrvaw jɛj ɡˈarʑdʑ vwˈɔsuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_139.wav|zˈatɔ dˈɔbʒɛ stʃˈɛlaw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_78.wav|inspˈɛktɔr dɔˈuɡlas prˈɔɕiw, ʒˈɛbɨɕtɕˌɛ ɲʲɛ vˌɨxɔdʑˈili.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_62.wav|spˈɛntsɛr ɲʲɛ ˌɔtpɔvʲˈɛdʑaw, ˌalɛ vˈidʑaw vɨrˈaʑɲʲɛ, ʒˈɛ ɡrˈa dɔbjˈɛɡwa kˈɔɲtsa.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_40.wav|kɕɛ̃ʒɲˈitʃkɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_115.wav|pɔɲʲˈɛvaʃ ɲʲɛ bˌɨwɔ tɔ pɨtˈaɲʲɛ, ɲˈits ɲʲɛ ˌɔtpɔvʲɛdʑˈawɛm, stˈawɛm i tʃɛkˈawɛm, tsˈɔ dˈalɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_55.wav|ɲʲɛvˈaʒnɛ.|2
+Dataset/wavs/urwisko_ferenc/16_segment_29.wav|— ɲʲˈɛma za tsˈɔ. naprˈavdɛ rˈɔbjɔ̃ dˈɔbrɔ̃ rɔbˈɔtɛ — stfʲˈɛrdʑiw kˈarɔl xudʑˈiɲski. — mʲˌawɛm vˈɨswatɕ tɛn nˈamjar ftʃˈɛɕɲʲɛj, ˌalɛ zˌapɔmɲʲˈawɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_148.wav|zɔstˈavi tɛn frˈaɡmɛnt ˈɔtɨm, jˈak tɔ ɕɛ ʒˈutɕiw na bˈɔba rˌainˈɛsa, bˈɔ ta ˌɔdrɔbʲˈina xˌɛrɔˈitʃnɛj fˈiktsji ukrˈɨjɛ prˈavdɛ, ktˌura jɛst prˈavʲɛ ɲʲɛ dɔ zɲʲɛɕˈɛɲʲa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_69.wav|bˈardʑɔ ɕɛ ˈɔdɛ mɲʲɛ rˈuʒɲi, mˈuvjɛ f kˈɔɲtsu. jɛst pɔvˈaʒnɨ, zˌɔrɡaɲˌizɔvˈanɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_169.wav|ja zrˌɔzumjˈawɛm jˈɛɡɔ dʑawˈaɲʲɛ i ja ɡˈɔː ɔpˈiʃɛ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_305.wav|ˈax, tˈak swˈɔtkɔ bɨwˈɔbɨ znˈɔvu ɕɛ z ɲˈim zɔbˈatʃɨtɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_16.wav|tɔ ɲʲɛ mˈɔɡwa bˈɨtɕ lˈutsɨ. jˈɛɡɔ tsˈurka mʲˈawa sfˈuj klˈutʃ. tˈɔm zɡˈaɕiw ˈɔɡʲɛɲ pɔd ɡˈarŋkʲɛm i uɕmʲˈɛxnɔw ɕɛ dɔ luˈisɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_75.wav|i tɔ jˈɛɡɔ ɲʲɛzwˈɔmnɔɕtɕ tˈak mɲʲɛ dɔ ɲʲˈɛɡɔ pʃˌɨtɕɔŋɡnˈɛwa.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_134.wav|pɔ bʲˈitfʲɛ zˈafʃɛ wˈaknɔw vˈina.|1
+Dataset/wavs/urwisko_ferenc/59_segment_31.wav|ɡvizdˈawɔ pʃɛtɕˈɔŋɡlɛ i xwˈud bʲˈiw ɔt pˌarapˈɛtu.|0
+Dataset/wavs/urwisko_ferenc/20_segment_82.wav|ɡdʑˈɛɕ ˌɔbɔɡ bwˈɨsnɔw pʲˈɔrun, a xfˈilɛ pˈuʑɲʲɛj pʃˈɛs ɲʲˈɛbɔ pʃɛtˈɔtʃɨw ɕɛ ɡwˈɔɕnɨ rˈɨk.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_54.wav|ɲʲɛ ˌɔtpɔvʲɛdʑˈawa mu.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_308.wav|nˈɔ ɲʲɛ! vwˈaɕɲʲɛ zˌatʃɨnˈawam vʲɛtʃˈɔrnɔ̃ kɔlˈɛjkɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_98.wav|skˈɔnt ta nˈaɡwa zmʲˈana?|3
+Dataset/wavs/urwisko_ferenc/40_segment_5.wav|ˈɔlɡʲɛrt jˈuʃ ɲʲˈɛtsɔː ɔxwˈɔnɔw. fpatrˈɨvaw ɕɛ w drˈɔɡɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_43.wav|tɔ bˌɨwa mˈɔja zasˈatska.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_60.wav|zwɔʒˈɔnɨ s ɕɛdmʲˈɔrɡa sˈɛɲdʑuf.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_250.wav|bˌɨwa twˈustɨm bɛrbˈɛtɕɛm, vɨdˈanɨm f pʲˈɛrʃɨm rˈɔku ʒˈɨtɕa za kuzˈɨna jˌamjɛˈɛɡɔ, tɨrˈɛka.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_93.wav|tˈɔm vˌɨprɔstˈɔvaw ɕɛ na ɕɛdʑˈɛɲʲu.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_53.wav|xˈɛntɲʲɛ nˈaɲʲɛ ɔtpˈɔvʲɛm.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_70.wav|ɡdˈɨ jˈuʃ pˈɔjmʲɛ blatskfˈiʃa,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_57.wav|tʃˈujɛ ɕɛ zˌafstɨdʑˈɔna sfɔˈimi pˌɔdɛjʒɛɲʲˈami.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_54.wav|pˌamjɛntˈawam, ʒˈɛ kaʒdˈɛmu z ɡrˈatʃɨ rˌɔzdavˈanɔ pɔ dvʲˈɛ kˈartɨ, tˈaɡ zvˈanɛ vwˈasnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_38.wav|ˈɛliz vrˈatsa z rˌɛŋkavˈami zˌakasanˈɨmi na vzˈur kʲɛrˈɔftsɨ tɕˌɛ̃ʒarˈufki i smarˈujɛ ɕɛ katˈɛrɛm, ɔt kturˌɛɡɔ jˈuʒ bwˈɨʃtʃɔ̃ jɛj pɔlˈitʃki.|2
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_98.wav|i na mawˈɛɡɔ mˌuʒɨɲskʲˈɛɡɔ xwˈɔptsa, ktˌurɨ bjˈɛʒɛ kˈamjɛɲ, ʒˈutsa ɲˈim f samˈɔlɔt i utɕˈɛka.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_23.wav|zmɛntʃˈɛɲʲɛ mˈɔʒɛ dwˈuɡɔ trfˈatɕ.|0
+Dataset/wavs/urwisko_ferenc/08_segment_5.wav|bɔrˈɛvitʃ mˈuɕawbˌɨ mu vɨjˈaɕɲitɕ, ʒˈɛ dʑɛftʃˈɨna ɲʲɛ mʲˈawa ʒadnˈɛɡɔ zvʲˈɔ̃sku z zˌaɡʲiɲʲˈɛɲtɕɛm mˈɔɲikˌi xudʑˈiɲskʲɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_63.wav|vʲadˈɔmɔɕtɕ jˈɛdnak jɛst krˈutka. ɔkˈɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_9.wav|nˈam rˈuvɲʲɛʃ, skˈɔrɔː ˈɔtɨm mˈɔva.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_29.wav|jˈakimɕ puwpʲˈɛntʃɛ dˌɔrɔbjˈɔnɨm f puʑɲʲˈɛjʃɨm tʃˈaɕɛ i zˌɔbatʃˈɨwɛm sxˈɔdɛɡ z jasnˈɛɡɔ dʒˈɛva,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_17.wav|kˈarta dˌɛbɛtˈɔva jɛst mˈɔim kˈɔwɛm rˌatuŋkˈɔvɨm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_194.wav|mˈɨɕl ɔ skˈɔku tˈɛʃ mɲʲɛ pʃˌɛraʒˈawa, ˌalɛ tʃɨ tɔ mˈɔʒɛ bˈɨtɕ ˈaʃ tˈak trˈudnɛ?|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_472.wav|a mɨ ɲʲɛ mˌamɨ ʒadnˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_21.wav|a pˈɔtɛm prubˈɔvaw spˈalitɕ mɲʲɛ w vʲˈɛʒɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_79.wav|f kˈɔnrat mˈinus sɔ̃ naprˈavdɛ klˌawstrɔfɔbʲˈitʃnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_47.wav|tʃˈɛba bˌɨwɔ tsɛlˈɔvadʑ w dˈɔlnɔ̃ tʃˈɛɲɕtɕ kˈaʒdɛj pˈuʃki, tˈaɡ ʒˈɛbɨ pˌɔdɛrvˈawɔ jˈɔ̃ kˈu ɡˈuʒɛ, inˈatʃɛj fʃˈɨstkʲɛ pʃˌɛvrutɕˈiwɨbˌɨ ɕɛ nˈaras.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_180.wav|vˈidʑiʃ tˈamtɔ̃ ʑɛlˈɔnɔ̃ ɡvʲˈazdɛ? zatˈatʃa krˈɔŋk pɔ ɲʲˈɛbjɛ i nˈas ˌɔpsɛrvˈujɛ.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_265.wav|ktˌurɨ ɔt stulˈɛtɕa spɔɡlˈɔndaw na plˈats s pɔɡˈɔdnɨm uɕmʲˈɛxɛm, ɔtˈatʃaw ɕˌɛŋɡajˈɔntsɨ pˈasa stˈɔs kˈɔɕtɕi i tʃˈaʃɛk.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_56.wav|lˈɛpʲɛj ˈutɲij sˈɔbjɛ rˈɛŋkɛ i zˈɔstaɲ ʒɛbrˈakʲɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_88.wav|tɔ jˈɛdna z najbˈardʑɛj rˌɔmantˈɨtʃnɨx çistˈɔrji, jˈakʲɛ swɨʃˈawɛm, stsˈɔtt. fʃˈɨstsɨ xˈɨba pˌɔtʃɛbujˈɛmɨ xustˈɛtʃɛk. pʲˈɛŋkɲʲɛ pˌɔvʲɛdʑˈanɛ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_97.wav|jɛst ɕˈɛdɛm pʲˈɛkʲɛw, kˈaʒdɨ z ɲˈix ɕɛ nˈada.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_534.wav|vʲˈɛʃ, pˌɔvʲɛdʑˈawa pˈatʃɔnts f sˈufit,|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_61.wav|tɔ mˈuɕi spˈɔrɔ kɔʃtˈɔvatɕ. jˈakɔ̃ ɔtprˈavɛ ˌɛmɛrɨtˈalnɔ̃ dˈɔstaw za vˌɨstavʲˈɛɲʲɛ mɲʲɛ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_267.wav|ˈandɛrsɔn pˈɔʃɛd zˈaɲim i vˈɛʃli dɔ bjˈura. ɕɛdʑˈawɔ tˈam dvˈux mˈɛ̃ʃtʃɨzn, ktˌuʒɨ ˌɔbʒutɕˈili ix spɔkˈɔjnɨm, badˈaftʃɨm spɔjʒˈɛɲʲɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_622.wav|i ˌudɛʒˈɨliɕmˌɨ ɡwɔvˈami ɔ pɔsˈatskɛ pʲˈɛntra pɔɲˈiʒɛj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_98.wav|ɲʲɛ umjˈawɛɕ tˌɛɡɔ zrˈɔbʲitɕ, tɔ fˈakt.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_21.wav|jˈɛɕli zaprˈaɡnɔ̃ mʲˈɛdʑ vˌɨpaɕˈɔnɔ̃ xˈatɛ na kɕɛ̃ʒˈɨtsu, tɔ kˈimʒɛ ja jˈɛstɛm, ʒˈɛbɨ ɡˈɔː ɔsˈɔndʑatɕ?|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_21.wav|a ˈinɲi f skuʒˈanɨx tʃˈuwnax wɔvˈili rˈɨbɨ i bˌudɔvˈali na vˈɨdmaɣ dˈɔnɨ fspˈartɛ na xfʲˈɛjnɨx pˈalax. vʲˈɛŋkʃɔʑdʑ ʒˈɨwa samˈɔtɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_218.wav|pˌɔzɔstawˈɔbɨ mʲˈɛtɕ nadʑˈɛjɛ, ʒˈɛ ɲˈikt ɲʲɛ bˌɛɲdʑɛ pˈɨtaw ɔ ɡwˈuvnɔ̃ naɡrˈɔdɛ.|3
+Dataset/wavs/urwisko_ferenc/57_segment_13.wav|dˈavɲʲɛj mˈarja mʲˈawabˌɨ w nˈɔɕɛ drɔɡˈufkɛ, ˌalɛ tʃˈasɨ ɕɛ zmʲɛɲˈiwɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_179.wav|ja tɔ zrˈɔbjɛ, mˈuvi ˈɛlis fstˈajɔnts.|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_11.wav|ˈɛlis pʃɨnˈɔɕi mu butˈɛlkɛ i ɕˈada.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_4.wav|vʲˈɛm, jˈaɡ vɨsˈɔka jɛst stˈafka.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_50.wav|tˈɛras jˈuʃ ɲʲˈɛvʲɛm.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_319.wav|baɲˈita ˌatakˈɔvaw tsˈɔraz vˈɔlɲʲɛj.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_6.wav|spravdʑˈiwɛm zdjˈɛɲtɕɛ na tˌɛlɛfˈɔɲʲɛ i jˌɛstɛm f stˈu prɔtsˈɛntax pˈɛvʲɛn, ʒˈɛ tɔː ˈalfjɛ pˈɔrtɛr.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_171.wav|rˈɔzlɛkw ɕɛ dˈɔbʒɛ znˈanɨ ˈɔdɡwɔs tˌɔvaʒɨʃˈɔntsɨ dˌɔkɔvˈaɲʲu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_54.wav|ˌalɛ rattʃˈɨɲi prˈavna pʃɨznˈawa, ʒˈɛ vidʑˈawa ɡˈɔ vˌɨxɔdʑɔntsˈɛɡɔ z budˈɨŋku.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_11.wav|ʒˈɛka pwɨnˈɛwa ʃɛrˈɔkɔ vɛzbrˈana vʲˌɔsɛnnˈɨmi pˌɔvɔdʑˈami, ˌalɛ vˈɔda mɲʲɛ ˌuspɔkˈaja.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_117.wav|ˈɔtpar jˈamɛ, x��ɔdʑ bˌɨwɔ tɔ dla ɲʲˈɛɡɔ xɔlˈɛrnɨm ˌutrudɲʲˈɛɲʲɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_13.wav|ɲʲˈɛzbɨt tˌɨlkɔ fraɡmˈɛntɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_53.wav|kʲˈɛdɨ mijˈajɔ̃ stˌanɔvˈiskɔː ɔxrˈɔnɨ, bʲˈillɨ vˈidʑi, ʒˈɛ pˈan pˈɔlk sˌɛtsurˈitɨ tʃˈɨma na kɔlˈanax nˈumɛr spˈɔrts ˌillustrˈatɛd zˈɛ strɔjˈami kˌɔmpʲɛlɔvˈɨmi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_590.wav|ˌɔtpɔvʲɛdʑˈawam na tfˈɔjɛ pɨtˈaɲʲɛ.|0
+Dataset/wavs/urwisko_ferenc/04_segment_38.wav|ɕfʲˈatwɔ palˈiwɔ ɕɛ jɛdˈɨɲʲɛ na pɔddˈaʃu f pɔkˈɔju, ktˌurɨ mʲˈaw bˈɨtɕ pɔkˈɔjɛm zˈuski.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_301.wav|pˈɔtɛm vɨswˈawa pɔ kɨbˈɛrna.|1
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_51.wav|ˈɔtpar i zmˈarʃtʃɨw tʃˈɔwɔ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_308.wav|twumˈatʃɨw mɛrˈibalt. najlˈɛpʃɛ sɔ̃ tɛ stˈarɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_157.wav|lˈutsɨ pˌɔpatʃˈɨwa na ɲʲˈɛɡɔ pʃˈɛs xfˈilɛ, pɔ tʃɨm vˌɨʃarpnˈɛwa dwˈɔɲ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_137.wav|ˈaram pʃˈɨjɔw nˈaʃɔ̃ ɔfˈɛrtɛ zˌakfatˌɛrɔvˈaɲʲa i ɔdvˈɔwaw kˈilka sfˈɔix sprˈaf.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_527.wav|ɲˈiɡdɨ ɲʲɛ jɛzd za pˈuʑnɔ.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_310.wav|mˈuʃɛ sprubˈɔvatɕ jˈɔ̃ ɔtsˈalitɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_133.wav|zrˈɔbʲiwbˌɨ fʃˈɨstkɔ, tsˈɔ w jˈɛɡɔ mˈɔtsɨ, ʒˈɛbɨ mɲʲɛ ɔxrˈɔɲitɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_27.wav|zˌamjɛʒˈawam ˌɔpɔvʲˈɛdʑɛtɕ ɔ fʃˈɨstkim dˌɔmiɲikˈɔvi, ˌalɛ na sˈamɔ̃ mˈɨɕl rɔbʲˈiwɔ mi ɕɛ swˈabɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_129.wav|bˈardʑɔ dˈɔbrɨ arɡˈumɛnt.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_84.wav|bʲˈillɨ pʃˌɨpɔmˈina sˈɔbjɛ ulˈɔtkɛ dˌɔwɔntʃˈɔnɔ̃ dɔ piɡˈuwki dʑˈɛɲ pˈɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_161.wav|ɡwˈupʲɛ pɨtˈaɲʲɛ, ˌalɛ tɔ ɲˈits. bʲˈillɨ mˈa bˈɨtɕ ˌuvaʒˈanɨ za ɡwˈupka. jˈasnɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_92.wav|ˈabɨ ˈalfjɛ ɲˈiɡdɨ ɲʲɛ mˈuɕaw dɔɕfʲˈattʃatɕ rɔspˈatʃɨ i ˌupɔkɔʒˈɛɲʲa, dɔ ktˌurɨx sˈama bˌɨwam zmuʃˈana. ˌalɛ za jˈakɔ̃ tsˈɛnɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_193.wav|nˈaɡlɛ rˈɔzlɛkw ɕɛ pʃˌɛɲiklˈivɨ ˈɔdɡwɔs alˈarmu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_24.wav|tɔ, ɔ tsˈɔ zamjˈɛʒam pɔprˈɔɕitɕ tˈatɛ, bˌɛɲdʑɛ trˈɔxɛ watfʲˈɛjʃɛ, jˈɛɕli ˈu mɔjˈɛɡɔ bˈɔku stˈaɲʲɛ jˈɛɡɔ vnˈuk.|3
+Dataset/wavs/urwisko_ferenc/53_segment_45.wav|i jˈak tɔ fpwˈɨɲʲɛ na jɛj xɔrˈɔbɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_142.wav|ftˈɛdɨ jˈuʃ muvˈili ˈɔtɨm w vʲˌadɔmˈɔɕtɕax, ɔ ɕmʲˈɛrtɕi klɛrkˈija.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_203.wav|a tˈak pʃˈɛtɕɔw jɛj tˌɨlkɔ pɔlˈitʃɛk ˈaʒ dɔ kˈɔɕtɕi i ˈɔttɕɔw prˈavɛ ˈuxɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_62.wav|ɲʲɛ vʲɛdʑˈawam tˈɛʃ, tʃɨ pˌɔradʑˈiwabˌɨm sˈɔbjɛ s tsˌamɛrˈɔnɛm, xˈɔtɕ pʃɨnˈajmɲʲɛj ˈu ɲʲˈɛɡɔ zɛpsˈutɕɛ krˈɨwɔ ɕɛ pɔd vˈarstfɔ̃ fawʃˈɨvɛj pʃˌɨzvɔitˈɔɕtɕi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_10.wav|vʲˈɛm, ʒˈɛ dʑˈɛtɕi sɔ̃ ˌɛlastˈɨtʃnɛ, ˌalɛ f tɕˈɔŋɡu kˈilku ɔstˈatɲiɣ dɲˈi tˈaɡ vʲˈɛlɛ ɕɛ w jˈɛɡɔ ʒˈɨtɕu zmʲɛɲˈiwɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_145.wav|a ɡdʑˈɛ jɛj ubrˈaɲʲɛ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_164.wav|ˈalbɔ z dʑiɕˈɛjʃɛj rˈɔsji.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_163.wav|iɣ dramˈatɨ pˌɔzɔstavˈawɨ pɔt ɕtɕˈiswɔ̃ kɔntrˈɔlɔ̃ lɛkˈaʒɨ, pravɲˈikuf i fˌarmatsˈɛwtuf.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_119.wav|ˌalɛ vɨɡlˈɔnda nˈatɔ, ʒˈɛ mˌajɔ̃ tˈu tsˈɔ nˈajmɲʲɛj jɛdnˈɛɡɔː ˌɛɡzɛkutˈɔra.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_22.wav|zˌastanˈavja ɕɛ, tʃɨ kɔbjˈɛta tʃˈujɛ na plˈɛtsax palˈɔntsɛ spɔjʒˈɛɲʲɛ, pˈɛwnɛ pɔɡˈardɨ zˈatɔ, kˈim ˌɔna jˈɛst.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_65.wav|zvwˈaʃtʃa jˈɛɕli f tˈɔrɛns pʃɛʒˈutsɔ̃ pˈanu za dˈarmɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_33.wav|dˈɔn ˈɛdmundz bˌɨwa ˌintɛliɡˈɛntnɔ̃, xˈɔtɕ ɲʲˈɛtsɔ rˌɔstʃarɔvˈanɔ̃ ʒˈɨtɕɛm ɔsˈɔbɔ̃. kʲˈɛdɨ jˈɛdnak tˈɔm pʃɨjˈɛxaw na mʲˈɛjstsɛ, vˈɨtʃuw w ɲʲˈɛj jˈakɔ̃ʑ zmʲˈanɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_155.wav|xtsˈɛʃ jˈɛʃtʃɛ pˈiva?|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_98.wav|vwˈaɕɲʲɛ vrutɕˈiwɛm s frˈistsɔ, pɔvʲˈɛdʑaw pijˈanɨ. mˈɔja ʒˈɔna jˈɛʃtʃɛ ɲˈits ˈɔtɨm ɲʲˈɛvʲɛ, zrˈɛʃtɔ̃ ɲʲɛ mˈɔʒɛ ˈɔtɨm vʲˈɛdʑɛtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_253.wav|jˌɛstɛm zˈatɔ ˌɔtpɔvʲɛdʑˈalna, ɔtpˈarwam.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_182.wav|i dlatˈɛɡɔ bjɛɡˈawɛm pʃˈɛstɛ tʃɨdʑˈɛɕtɕi dɲˈi.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_58.wav|zˈɔstaw tˈam tˌɨlkɔ zˈamɛk.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_53.wav|mˈam ɔxˈɔtɛ vʒˈasnɔɲtɕ na tˈɛ kɔbjˈɛtɛ, xˈɔtɕ ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ zrˈɔbjɛ tˌɛɡɔ na ˈɔtʃax mˈili.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_27.wav|ɔstʃˈɛɡwa lˈadɨ mˌɛrivˈɛtxɛr. pˌɔzɨskˈawa na dvˈɔʒɛ vʲˈɛlu pʃɨjˈatɕuw, a fʃˈɨstkʲɛ jɛj mwˈɔdɛ kuzˈɨŋki mˌajɔ̃ vʲˌɛlbʲitɕˈɛli.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_26.wav|ˈalfjɛ ˌɛkstsɨtˈujɛ ɕɛ fʃˈɨstkim, tsˈɔ vˈidʑi dˌɔɔkˈɔwa, a ja znajdˈujɛ sklˈɛpik, f ktˌurɨm kupˈujɛ mu vʲadˈɛrkɔː i wɔpˈatkɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_40.wav|ɲʲˈɛxtsɛ tɕˈɛ zɔstˈavʲatɕ, tˈɛss.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_34.wav|mˈuj dwˈuk rˈɔɕɲʲɛ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_21.wav|tʃɨ mˈɔi tˌɔvaʒˈɨʃɛ tˈu sˈɔ̃?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_65.wav|ɡˈapjɛ ɕɛ na ɲʲˈɛɡɔ z nadʑˈɛjɔ̃, ʒˈɛ na mˈɔjɛj tfˈaʒɨ ɲʲɛ malˈujɛ ɕɛ trfˈɔɡa.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_251.wav|jˈɛdʑmɨ dɔ pˈɔrtu i sprˈavdʑmɨ, tsˈɔ tˈam ɕɛ dʑˈɛjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_183.wav|ɲʲˈɛma w ɲˈim fˈurtki ˌumɔʒlˌivʲajˈɔntsɛj vˈɨjɕtɕɛ na tˈɛ alˈɛjkɛ, muɕˈawa vʲˈɛndʑ vˈɨjɕtɕ frˌɔntɔvˈɨmi dʒvʲˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_41.wav|tɔ ɲʲɛ bˌɨwɔ wˈatfɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_91.wav|vˌɨstrɔjˈɔna, tɔ mˈiwɛ s pˈaɲi strˈɔnɨ. tʃasˈami lˈubjɛ blˈɔnt, tˈaka mˈawa ɔdmʲˈana. ˈɔtɔ nˈumɛr.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_22.wav|a ɲˈibɨ dlatʃˈɛɡɔ?|4
+Dataset/wavs/urwisko_ferenc/32_segment_5.wav|rˈas krˈutkɔ pˈɔtɨm, jˈak ˌɔpuɕtɕˈili ɔɕˈɛdlɛ, na ktˌurɨm mʲɛʃkˈawa, ɡrˈɔɣ zapˈɨtaw jˈɔ̃, tʃɨ dˈax ɲʲɛ pʃɛtɕˈɛka.|0
+Dataset/wavs/urwisko_ferenc/46_segment_32.wav|mˌɔtɔtsɨklˈista skˈinɔw ɡwˈɔvɔ̃. jɛdnˈɔstkɛ w ɔdvˈɔdʑɛ, ktˌura na xˈaswɔ zɡarɲʲˈawa skurvʲˈɛla, dˈɔdaw ˈɔlɡʲɛrt.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_11.wav|jˈɛɕli ix jˈɛdnak pɔrvˈanɔ, tɔ w jˈakim tsˈɛlu?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_5.wav|ɲˈiɡdɨ ɲʲɛ muɕˈawam pɔtxˈɔdʑidʑ dɔ ɲikˈɔɡɔ, ʒˈɛbɨ ɕɛ pʃɛtstˈavitɕ. dˌɔkɔntkˈɔlvʲɛk pˈɔʃwam f kˈumbrji, fʃˈɛɲdʑɛ ˌɔtatʃˈawɨ mɲʲɛ znajˈɔmɛ tfˈaʒɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_89.wav|ɲʲˈɛvʲɛm, tsˈɔ ɕɛ tˈɛraz vɨdˈaʒɨ. tʃɨ ˈaram zamjˈɛʒa pʃɛkˈazatɕ tˈɔrbɛ pɔlˈitsji?|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_14.wav|pɔdˈajɔ̃ mu rˈɛntsɛ na pˌɔvitˈaɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_29.wav|sprɔvˈadʑiw ˈɔswa zˈɛ zbˈɔtʃa, ɡˈɛstɛm nˌakazˈujɔnts tˌɔvaʒˈɨʃɔm pɔdˈɔ̃ʒɨdʑ za sˈɔbɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_68.wav|ɡdʑˈɛɕ na tˈɨwaɣ dˈɔmu zamknˈɛwɨ ɕɛ dʒvˈi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_220.wav|stanˈɔwɛm na rˈɔɡu ulˈitsɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_9.wav|zˈɛrkam na bˈɛtskɨ. prɔvˈadʑi i ɲʲɛ mˈɔʒɛ mi pˈɔmuts, a ja ɲʲˈɛxtsɛ ɔdbjˈɛratɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_157.wav|jˈaɡbɨ tɔ ɕɛ rˌɔzumjˈawɔ sˈamɔ pʃ��ɛs ɕɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_136.wav|pʃɨxˈɔdʑi mˈɔja kˈɔlɛj.|3
+Dataset/wavs/urwisko_ferenc/07_segment_5.wav|s kʲɛʃˈɛɲi vɨstˈavaw mu brˈɛlɔk ɔt klutʃˈɨkuf.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_60.wav|ɔpˈɔvʲɛʃ nˈam tsˈɔɕ tɕˌɛkavˈɛɡɔ?|4
+Dataset/wavs/urwisko_ferenc/20_segment_5.wav|ɲˈibɨ skˈɔnt tɔ vʲadˈɔmɔ? bˈɔ tɔ stˈarʃa, sxˌɔrɔvˈana kɔbjˈɛta, ktˌurɛj ɔd dvˈuɣ dɲˈi ʃukˈanɔ w bɨdʒˈɔʃtʃɨ, vɨjˈaɕɲiw pˌɔtkɔmˈisaʃ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_209.wav|kˈilka ʑarˈɛnɛk spɔvˈɔlɲi bʲijˈɔntsɛ za ʃˈɨpkɔ sˈɛrtsɛ i pɔfstʃˈɨma drʒˈɛɲʲɛ rˈɔŋk.|1
+Dataset/wavs/urwisko_ferenc/15_segment_10.wav|— jˌɛstɛʑ ɡwˈɔdna? — ɲʲɛ. — pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃, xˈɔtɕaʒ ʒɔwˈɔndɛk mˈuviw tsˈɔː innˈɛɡɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_48.wav|ɲʲˈɛmʲaw pɔ prˈɔstu fˈartu, spˈawɛɡ dˌɔskɔnˈalɛ vʲˈɛdʑaw, tsˈɔ rˈɔbʲi.|3
+Dataset/wavs/urwisko_ferenc/62_segment_50.wav|dɨrˈɛktɔr ɔdvrˈutɕiw ɕɛ dɔ ɲʲˈɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_58.wav|xfˈɨta ɡˈɔ za vˈɔlnɔ̃ rˈɛŋkɛ i mˈɔtsnɔ ɕtɕˈiska.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_88.wav|dɔmˈiɲiɡ bˌɛɲdʑɛ vʲˈɛdʑaw, ʒˈɛ tɔ ɲʲɛ dɔtˈɨtʃɨ tˈɛɡɔ, kˈim bˈɨwam, ˌalɛ tˈɛɡɔ, kˈim ɕɛ stˈawam.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_181.wav|i ˌuʒɔndʑˈɛɲʲɛ tʃɨʃtʃˈɔntsɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_17.wav|bˈɔ jˈɛɕli zɔstˈaviw tɕi pˌɛndrivˈɛa, f tˈɛkɕtɕɛ ɲʲɛ pɔvˈinnɔ bˈɨtɕ stsˈɛnɨ, f ktˌurɛj vɨʒˈutsa pˌistɔlˈɛtɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_121.wav|ˈaram zatʃˈɨmaw nˈas pʃɨ dʒvʲˈax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_28.wav|pˈɔllɨ stˈavja valˈiskɛ bʲillʲˈɛɡɔ na ɡˈaŋku. vɨjmˈujɛ s kʲɛʃˈɛɲi mˌarɨnˈarki kɔpˈɛrtɛ, s ktˌurɛj vɨtɕˈɔŋɡa pˈɛŋk klˈutʃɨ, pɔ tʃɨm ɔtfʲˈɛra dʒvˈi.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_238.wav|w bˈɔʒɨm ɡˈaju, ɡdʑˈɛ mʲˌɛndʑɨ dʒɛvˈami zɡrˌɔmadʑˈiwɨ ɕɛ zˈaspɨ, bˈɨw jˈɛʃtʃɛ ɡwˈɛmpʃɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_76.wav|mrˈuknɔw rˈɔp i uɕmʲˈɛxnɔw ɕɛ dɔ bˈɛtskɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_8.wav|baˈilɛj bˌɛɲdʑɛ mʲˈaw vʲˈɛŋkʃɛ prɔblˈɛmɨ zˈɛ zrˌɔzumjˈɛɲʲɛm pɔvˈaɡʲi pʃˈɛstɛmpstf ˈɔjtsa, ˌalɛ mˈuʃɛ bˈɨtɕ pʃˌɨɡɔtɔvˈana na fʃˈɨstkɔ.|3
+Dataset/wavs/urwisko_ferenc/19_segment_131.wav|ɔd zˈafʃɛ mʲawˌɨɕmɨ bˈardʑɔ dˈɔbrɨ kˈɔntakt. bˈɛttɨ pɔ prˈɔstu mi pɔmˈɔɡwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_246.wav|mˈuvʲɔnts ɔ pʃɛmˈɨɕlɛ tˌɛlɛkˌɔmuɲˌikatsˈɨjnɨm, fspɔmɲʲˈawa pˈaɲi ɔː ˌintɛrnˈɛtɕɛ, tˌɛlɛfˈɔɲʲi i tˌɛlɛvˈizji, ˌalɛ ˌaɲi swˈɔva ɔ rˈadju i sˌatɛlˈitax.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_97.wav|klˈutʃ jɛzd w zˈamku ɔd drˈuɡʲɛj strˈɔnɨ, pɔvʲˈɛdʑaw dɔ bˈɛki, pɔ tʃɨm ʃˈarpnɔw kˌilkakrˈɔtɲʲɛ i pxnˈɔw.|3
+Dataset/wavs/urwisko_ferenc/35_segment_19.wav|vˌɨstraʃˈɔnɨ mwˈɔdʑak pɔkˈivaw ɡwˈɔvɔ̃. ˈɔlɡʲɛrd dɔjˈɛxaw dɔ ɲʲˌɛvʲɛlkʲˈɛɡɔ rˈɔnda pʃɨ mˌitskʲɛvˈitʃa i zavrˈutɕiw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_112.wav|nastˈɛmpnɛ tɨɡˈɔdɲʲɛ bˌɛndɔ̃ dla ɲʲˈɛj s pɛvnˈɔɕtɕɔ̃ trˈudnɛ, ˌalɛ zˌaɔpʲɛkˈujɛ ɕɛ ɲʲˈɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_67.wav|spɔjʒˈawam na mˈɔjɛ ˌɔpatrˈuŋki, ktˌurɛ pʃˌɨpɔminˈawɨ bjˈawɛ rˌɛŋkavˈitsɛ bɔksˈɛrskʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_138.wav|i ɲʲˈɛx ɕɛ stˈaɲʲɛ s pɔvrˈɔtɛm sˈɔbɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_77.wav|bʲˈillɨ mˈɨɕli, ʒˈɛ tɛn najvʲˈɛŋkʃɨ jɛzd dla swˈuʒbɨ. kʲˈɛdɨɕ nˌazɨvˈanɔ ɡˈɔː ˌɔfitsˈɨnɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_376.wav|s pɛvnˈɔɕtɕɔ̃ dˈɔʃɛd dɔ vɲʲˈɔsku, ˈiʃ pˌɔftaʒˈaɲʲɛ ɕfʲˌɛrɡɔlˈɛɲʲa vʲɛlkʲˈɛɡɔ vrˈubla jɛst lˈɛpʃɛ ɔt ʃˌɔrɔvˈaɲʲa pˈɔdwuk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_309.wav|zˈatʃɔw nɛrvˈɔvɔ ɡʒˈɛbatɕ pɔt pɔdˈuʃkɔ̃. vˈɨjɔw vʲˈɛlkɔ̃, trˈɔxɛ zmʲˈɛntɔ̃, ʒˈuwtɔ̃ kɔpˈɛrtɛ. maʃ tˈu fʃˈɨstkɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_82.wav|jˈɛɕli zɡˈɔd��iʃ ɕɛ mi pˈɔmuts, tʃˈas pʃɛstˈaɲʲɛ bˈɨdʑ dla tɕˈɛbjɛ jˌakimkˈɔlvʲɛk prɔblˈɛmɛm.|3
+Dataset/wavs/urwisko_ferenc/60_segment_47.wav|pˌɔwɔntʃˈɛɲʲɛ zɔstˈawɔ zɛrvˈanɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_325.wav|skˈɔnt ɕɛ bjˈɔrɔ̃ tˈakʲɛ ʒˈɛ̃sɨ, tˈakʲɛ tʃˈɨstɛ ˈusta?|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_374.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_404.wav|jˈɛdɛn z ɲˈix ɕmʲˈaw mi ɡrˈɔzitɕ, vʲˈɛndʑ ɡˈɔ zabʲˈiwɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_104.wav|mˈama sxɨlˈiwa ɕɛ pɔ ɡazˈɛtɛ i rˌɔsprɔstɔvˈawa strˈɔnɨ.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_136.wav|ˈalbɔ mˈɔʒɛʃ pˈujʑdʑ dɔ ɡˈɔʑdʑik.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_50.wav|pˈɔtɛm, zapˈɛvnɛ pɔ ɕmʲˈɛrtɕi, xˈɔtɕ lˈɛkaʃ mˈuɕi tɔ jˈɛʃtʃɛ pɔtfʲˈɛrdʑitɕ, zadˈanɔ mu jˈɛʃtʃɛ dˈalʃɛ ˌɔbraʒˈɛɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_228.wav|mʲˈawabˌɨm dˈɔstɛmb dɔ pʃɛsˈɨwɛk, zˈaɲim trafˈiwɨbˌɨ dɔ kɔntrˈɔli.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_197.wav|ɲʲɛdˈuʒɨm, ˌɔtpɔvʲˈɛdʑaw ɲˈitsk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_103.wav|pˌɔvʲɛdʑˈawa, wˈatfɔ ɕɛ pˈanu mˈɔndʒɨtɕ.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_32.wav|a tˈɛras jˈɛɡɔ vˈarta ɕɛ skɔɲtʃˈɨwa.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_300.wav|pɔsˈunɔw ɕɛ nˈavɛd dɔ tˈɛɡɔ, ʒˈɛ na tˌɨrɔsçˈijskɔ̃ mˈɔdwɛ ˌufarbˈɔvaw sˈɔbjɛ vwˈɔsɨ na tɛn kˈɔlɔr.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_389.wav|vˈɨʃliɕmˌɨ na pɔdvˈuʒɛ. mwˈɔdɨ pɔlˈitsjand zatʃˈɨmaw ɕɛ ɲʲˌɛzdɛtsˌɨdɔvˈaɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_284.wav|ˌalɛ ɡdʑˈɛ ˈiɲdʑɛj mʲˈawabˌɨm ɡˈɔ tʃˈɨmatɕ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_9.wav|ftˈɛdɨ tsˈɔɕ pʃɨxˈɔdʑi mi dɔ ɡwˈɔvɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_112.wav|znˈuf mˈilkɲʲɛ i ɔtɕˈɛra ˈɔtʃɨ rɛŋkˈavɛm kˈurtki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_23.wav|mˈuj tˈata ɔt lˈat ɲʲɛ pratsˈujɛ s pɔvˈɔdu stˈanu zdrˈɔvja, ˌalɛ mˈama ftɕˈɔ̃ʃ pˌɔftaʒˈawa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_48.wav|jˈaki vʲˈɛnts prˈɔblɛm, ʒˈɛbɨ jɛj tɔ pɔ prˈɔstu pɔvʲˈɛdʑɛtɕ?|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_507.wav|ja ɲˈiɡdɨ ɲʲɛ spˈadam.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_495.wav|pˌɔrɔzbjˈɛratɕ na tʃˈɔ̃stki tˈɛ mɔzˈaikˌɛ zdˈaʒɛɲ ɔstˈatɲiɣ dɲˈi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_181.wav|i pˈɛvɲʲɛ ɲʲɛ jɛst tɔ tʃtʃˈa pɔɡrˈuʃka, mˈɨɕli bʲˈillɨ, ˌalɛ frˈaŋɡ dˈɔstaw, tsˈɔ mu ɕɛ nˌalɛʒˈawɔː i ʃanˈɔvna pˈaɲi tˈɛʃ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_106.wav|vʑˈɔw dɔ rˈɛŋki tˈɔrbɛ, zrudʑˈawɔ̃ kˌanadˈɨjkɛ pʃɛʒˈutɕiw pʃˈɛs rˈamjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_74.wav|nˈaɡlɛ pˈɔkuj zɔstˈajɛ zalˈanɨ ɕfʲˈatwɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_43.wav|a pˈɔtɛm samˈɔlɔt udˈɛʒɨw kɔwˈami ɔ pˈas startˈɔvɨ i ftˈɛdɨ tɕˈɛɲ zvʲˈɔ̃zaw ɕɛ znˈuf s sˌamɔlˈɔtɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_371.wav|sprˈubuj tˈɛɡɔ, nˈɔva mʲɛʃˈaŋka.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_125.wav|pɔtʃˈɛkaj. tˈak.|0
+Dataset/wavs/urwisko_ferenc/25_segment_96.wav|i vɨtˈarwa ɕɛ dɔ sˈuxa.|0
+Dataset/wavs/urwisko_ferenc/65_segment_14.wav|zˈamknɔw ˈɔtʃɨ, ʒˈɛbɨ ˌɔpanˈɔvadʑ vˈulkan ɛmˈɔtsji. ɡɔtˈɔvaw ɕɛ vˈɛvnɔntʃ. tʃˈuw, jˈak tɕiɕɲʲˈɛɲʲɛ rɔssˈadʑa mu tʃˈaʃkɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_85.wav|ˌalɛ dɔ zˌaspɔkɔjˈɛɲʲa vʲˈɛlu ˈinnɨx pʲɛɲʲˈɔndʑɛ ɲʲɛ vɨstˈartʃɔ̃, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_143.wav|a mˈɔʒɛ pʃɛlˈɛtɕiʃ jˈakɔ̃ʑ dʑɛftʃˈɨnɛ i vɨpˈɨtaʃ jˈɔ̃ ˌɔsɔbʲˈiɕtɕɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_206.wav|ˈɛlis fkwˈada w waʑˈɛntsɛ nˈɔvɛ mˈajtki, ˌalɛ zɔstˈajɛ f ɕˌɛŋɡajˈɔntsɨm ɡˈɔ lˈɛɲi tˈɛʃˈɛrtɕɛ, bˈɔ spudɲˈitʃka jˈɛʃtʃɛ jɛst mˈɔkra.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_20.wav|tˈ��ras kˈilka swˈuf pˈɔvʲɛ jˈɔɛ pˈalmɛr, mˈama mˈilljɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_369.wav|pɔvˈɔli vˌɨnuʒˈawa ɕɛ s tɕɛpwˈɛɡɔ mrˈɔku.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_190.wav|ˈɔddaw mi vˌalizˈɛtʃkɛ, ktˌurɔ̃ tɨm rˈazɛm mˈɔtsnɔ pʃˌɨtɕisnˈɛwam dɔ ɕˈɛbjɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_21.wav|ˌalɛ vʲɛʒˈɨmɨ pʃɨnˈajmɲʲɛj, ʒˈɛ samˈɔxut mˈili bˈɨw srˈɛbrnɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_158.wav|dˈavɛ, mˈuɕi pˈan ɕɛ tˌɛɡɔ naˈutʃɨtɕ, ʒˈɛbɨ ɕɛ pˈanu ɲʲɛ pˌɔmjɛʃˈawɔ. jˈasnɛ, mʲˌɛndʑɨ nˈami fʃˈɨstkɔ f pɔʒˈɔntku. dlatʃˈɛɡɔ mʲawˈɔbɨ ɲʲˈɛbɨtɕ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_27.wav|sprˌɔvadʑˈiwam na rɔdʑˈinɛ ɲʲˌɛbɛspʲɛtʃˈɛɲstfa, a stsˈɔtt ˌɔpsɛrvˈujɛ dˈɔm i bˈɨw w nˈaʃɛj ʃˈɔpʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_70.wav|zapˈɨtaw tˈɔm, kʲɛrˈujɔnts rɔzmˈɔvɛ s pɔvrˈɔtɛm kˈu istˈɔtnɨm fˈaktɔm.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_105.wav|vʲˈɛlki sˈɛptɔn vˈɨjɔw klˈutʃ, ɔtfˈɔʒɨw jˈɛ, a pˈɔtɛm zˈabraw pɔxˈɔdɲʲɛ zˈɛ ɕtɕˈanɨ, bˈɨ ɔɕfʲˈɛtlitɕ pˌɔmjɛʃtʃˈɛɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_146.wav|prɔsˈimɨ ɲʲɛ vɨxˈɨlatɕ ɕɛ pʃˈɛs ˈɔkna!|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_451.wav|ˌalɛ ɲʲɛ dˈawɔ rˈadɨ. ɲʲɛ zmʲˈɛɲiʃ natˈurɨ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_283.wav|za jˈɛdnɔ̃ nˈɔts i kˈɔɲski ˈudʑɛts?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_163.wav|tsamˈɛrɔn pʃɛxˈɨliw ɕɛ w mˈɔjɔ̃ strˈɔnɛ i pɔklˈɛpaw mɲʲɛ pɔ ramjˈɛɲʲu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_53.wav|rɔstɕˈɛwa sˈɔbjɛ nˈɔɡɛ i ˌudɛʒˈɨwa ɡwˈɔvɔ̃ ɔ stˈuw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_47.wav|— xtɕˈawam, ʒˈɛbɨɕ tɔ zˌɔbatʃˈɨwa, ʒˈɛbɨʑ vʲɛdʑˈawa, ʒˈɛ mˈɔja tsˈurka jɛst pravdʑˈivɨm dʑˈɛtskʲɛm mʲˌɛʃkajˈɔntsɨm f pravdʑˈivɨm dˈɔmu.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_148.wav|kʲˈɛdɨ na tʃˈarnɨm nˈurtɕɛ pɔjˈavjɔ̃ ɕɛ ɔkrˈɛntɨ s xˌɔrɔŋɡvʲˈami, krˈula tɔ mˈɛna na mˈaʃtax,|1
+Dataset/wavs/urwisko_ferenc/52_segment_55.wav|karˈɔla xˌudʑiɲskʲˈɛɡɔ zɔbˈatʃɨw nat pˈustɨm basˈɛnɛm, s kturˌɛɡɔ zdjˈɛntɔ bwɛŋkˈitnɔ̃ fˈɔljɛ nˌadajˈɔntsɔ̃ vˈɔdʑɛ pʲˈɛŋknɨ kˈɔlɔr.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_60.wav|bˈɛtskɨ, xˈɨba bˌɛɲdʑɛʃ muɕˈawa pɔɡˈadadʑ z jɛj ɕˈɔstrɔ̃. pʃˌɛkɔnˈajmɨ ɕɛ, tʃɨ mˈɔʒɛ pɔvʲˈɛdʑɛtɕ nˈam tsˈɔʑ vʲˈɛntsɛj na tˈɛmat tˈɛɡɔ, tsˈɔ dʑˈawɔ ɕɛ w ɡwˈɔvʲɛ ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_84.wav|mˈa na ˈimjɛ nˈɔra.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_131.wav|fʃɨstkʲˈɛɡɔ ɲʲɛ zmˈɨjɛʃ, ˌalɛ vʲˈɛŋkʃɔɕtɕ pɔvˈinna zˈɛjɕtɕ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_493.wav|nˈatɨm ɕfʲˈɛtɕɛ jɛst ˈɔɲʲɔ̃ trˈudnɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_79.wav|pʃˈɛz vʲˈɛŋkʃɔ̃ tʃˈɛɲɕtɕ rˈɔku pˈɛvɲʲɛ bˈɨɕ tˈam zˈamarz ˈalbɔ ɕɛ ˌuɡɔtˈɔvaw, ˌalɛ tˈɛras tˌɛmpɛratˈura pɔvˈinna bˈɨtɕ f sˈam rˈas.|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_111.wav|jˈɛdɛn ɔtfʲˈɛra tˈɨlnɛ dʒvˈi i rˈazɛm tʃɛkˈajɔ̃, ˈaʃ na zˈɛvnɔndʒ vˌɨɡramˈɔli ɕɛ mɛ̃ʃtʃˈɨzna.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_435.wav|zˈafʃɛ sɔ̃ nˌajʃtʃɛɲɕlˈifʃɛ zˈɛ starʃˈɨmi mˌɛ̃ʃtʃɨznˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_109.wav|nɡˈuɡʲi vɛstxnˈɛwa i pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_244.wav|zapˈaliw ɕfʲˈatwɔː i pɔkˈazaw mi jˈakiɕ stˈuw kuxˈɛnnɨ i dvˈa tˌabɔrˈɛtɨ. uɕˈadwɛm na jˈɛdnɨm z ɲˈix.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_594.wav|znalˈɛʑliɕmˌɨ ɕɛ na ulˈitsɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_12.wav|ʒˈɛ na rˈaʑɛ ɕɛ zˌastanˈavʲaʃ.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_78.wav|w najlˈɛpʃɨm vɨpˈatku mˈɔʒna bˌɨwɔ pɔvʲˈɛdʑɛtɕ, ʒˈɛ ɲʲɛ bˌɨli ˈaʃ tˈak ɔkrˈutɲi i ɡvawtˈɔvɲi jˈaɡ dʑˈɛlɲi kɔmpˈaɲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_104.wav|dlatʃˈɛ��ɔ dˈɛlla tˈam bˈɨwa? tʃɨ dɔmˈiɲiɡ vˈɨʃɛd z dˈɔmu?|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_147.wav|a ˌustalˈilibˌɨ bˈɛs trˈudu, vˌɨstartʃɨwˈɔbɨ, ʒˈɛbɨ zdɔbˈɨli dˈɔvut, ʒˈɛ bˌɨwaʑ z bʲˈilim f tˈamtɨm xajˈɛtɕɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_181.wav|kʲˈɛdɨ tʃˈɔwk ʃˈɛd na bˌarɨkˈadɛ i zvʲˈaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_47.wav|a nastˈɛmpɲʲɛ zvrutsˈɔna.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_326.wav|muɕˈawam pˈitɕ, ʒˈɛbɨ jˈɔ̃ ˌuspɔkˈɔitɕ.|1
+Dataset/wavs/urwisko_ferenc/31_segment_19.wav|dɔː ɛwɡˈɛɲʲi lˈipskʲɛj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_300.wav|f ktˌurɛj mˈaja tʃˈɨwa pˌɔstaʒˈawa i zmʲɛɲʲˈɔna tfˈaʃ rajˈana.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_193.wav|w ɕrˈɔtku ɲʲɛ mʲˈawabˌɨm ʃˈans xfˈɨtɕitɕ ɲitʃˈɛɡɔ na zˈɛvnɔntʃ. f tˈakim rˈaʑɛ tɨ bˌɛɲdʑɛʃ mɔˈimi rɛŋkˈami, zdˌɛtsɨdɔvˈawam.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_400.wav|xˈɔtɕ sˈɛr lˈɔras lˈɛʒaw ˌumjɛrajˈɔntsɨ, zˈafʃɛ krɛɲtɕˈili ɕɛ vˈɔkuw ɲʲˈɛj mɛ̃ʃtʃˈɨʑɲi z mʲɛtʃˈami.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_62.wav|tɔ rˈuvɲʲɛʃ tfˈuj dˈɔm, ˈalɛ...|3
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_49.wav|f tɛn spˈɔsub vratsˈamɨ dɔ stɛvˈɛna allmˈana, kturˌɛɡɔ jˈuʒ zatʃˈɛliɕmˌɨ sprˈavdʑatɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_122.wav|i jˈɛɡɔ mˈawɨ sˈɨn.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_58.wav|vʑˈɔw ɡwɛmbˈɔki ˈɔddɛx i vɨpˈuɕtɕiw pɔvˈɔli pɔvʲˈɛtʃɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_126.wav|nˈɔ vʲˈɛnts tsˈɔɕ tˈu ɕɛ ɲʲɛ tʃˈɨma kˈupɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_42.wav|ɕˈɛdʑɛ w ɡˈuvɲʲɛ pɔː ˈuʃɨ. pˈuʑɲʲɛj fʃˈɨstkɔ tɕi vɨjˈaɕɲʲɛ, ˌalɛ tˈɛras mˈuʃɛ ɕɛ ˈukrɨtɕ. pˌɔtʃɛbˈujɛ tfˈɔjɛj pɔmˈɔtsɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_532.wav|vɛstxnˈɔwɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_85.wav|sˈami pˈatʃɛ z zˌatɕɛkavʲˈɛɲʲɛm, tʃɨ zamjˈɛʒam fstˈatɕ ɔt stˈɔwu i pˈujʑdʑ ɡˈɔː ɔttʃˈɨtatɕ, ˌalɛ ɲʲˈɛma ɕɛ ɔ tsˈɔ mˈartfitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_140.wav|mˈuj nˈɔvɨ tɔvˈaʒɨʃ ˈujɔw mɲʲɛ pɔt rˈɛŋkɛ jˈak nˌajpravdʑˈifʃɨ dʒɛntˈɛlmɛn i pˌɔprɔvˈadʑiw w ɡwˈɔmp lˈɔbbɨ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_380.wav|ˈujɔw jˈɔ̃ za rˈɛŋkɛ. jɛst jˈɛʃtʃɛ nadʑˈɛja.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_358.wav|dʑɛftʃˈɨna ɕtɕiskˈawa w rˈɛŋkaɣ ɡˈɔmpkɛ tˈak mˈɔtsnɔ, ʒˈɛ mˈɨdwɔ skˌapɨvˈawɔ na mɛrˈɨjski dˈɨvan.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_29.wav|vwˈaɕɲʲɛ ˈɔ, sˈɔbjɛ jˈɛ pʃˌɨpɔmɲʲˈawam. jɛj zˌaxɔvˈaɲʲɛ zvrutɕˈiwɔ mˈɔjɔ̃ uvˈaɡɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_79.wav|pˌɔtʃɛbˈujɛ minˈutɨ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_37.wav|ja ɲˈiɡdɨ ɕpʲɛvˈawɛm tɔ fʃˈɨstkɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_257.wav|vɨtɕˈɔŋɡa rˈɛŋkɛ dɔ tˈɨwu i ɡˈaɕi lˈampkɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_88.wav|prˈɔʃɛ pˈɨtatɕ ˈixɲʲɛ mɲʲɛ, mˈuvi ˈɔna. ja pratsˈujɛ w bjˈuʒɛ rˌaxuŋkˈɔvɨm krˈɛstsɛnt ˌatstsɔˈuntʲiŋk. ɔdbjˈɛram tˌɛlɛfˈɔnɨ i sprˈavdʑam zɛznˈaɲʲa pˌɔdatkˈɔvɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_86.wav|pˈɨta bˈɔp. bɛɲdʑˌɛmɨ f kɔntˈaktɕɛ. lˈɛpʲɛj, ʒˈɛbɨ ɲʲɛ ˌɔpuʃtʃˈawa pˈaɲi dˈɔmu na vɨpˈadɛk, ɡdɨbˈɨɕmɨ vɨswˈali kˈɔɡɔɕ s pˌɨtaɲʲˈami.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_92.wav|ˈaʒ zˈɛrka nˈamɲʲɛ pʃˈɛs rˈamjɛ i vˈidʑɛ w jˈɛɡɔː ˈɔtʃax ɲʲˌɛvɨpˌɔvʲɛdʑˈanɔ̃ prˈɔʑbɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_52.wav|bˈɛtskɨ zmarʃtʃˈɨwa tʃˈɔwɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_422.wav|ˌalɛ jˈa, pˈuki bˈɨwɛm, mʲˌawɛm ɡˈɔ na ˈɔku.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_2.wav|tsˈɔ ɕɛ stˈawɔ dɔ jˈasnɛj xɔlˈɛrɨ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_112.wav|tˈaɡ bˈardʑɔː ˌuwatfiwˈɔbɨ jɛj tɔ prˈatsɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_183.wav|planˈujɛʒ zˈɔstatɕ na dwˈuʒɛj? pˈɨtam tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ jˈɛɕli tˈak, mˈuʃɛ skˈɔtʃɨdʑ dɔ kˈiŋks sˈupɛrs.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_48.wav|tfʲɛrdʑˈiwa, ʒˈɛ mˈa prˈavɔ vʲˈɛdʑɛtɕ, ˈilɛ vˈarta jɛst fˈirma, a zarˈazɛm jɛj vwˈasnɨ mˈɔ̃ʃ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_516.wav|ftˈɛdɨ rɔzˈɛɕmʲaw ɕɛ jˈɛʃtʃɛ ɡwˈɔɕɲʲɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_131.wav|vɨɡlˈɔnda nˈaɲim jˈɛʃtʃɛ mwˈɔdʑɛj ɔd blˈɔnd vwˈɔsɨ i kˌɔrɛspɔndˈɛntki.|2
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_90.wav|pʃˈɛs mˈɨɕl mi tɔ ɲʲɛ pʃˈɛʃwɔ. xˈɨba pˌɔviɲʲˈɛnɛm pʃɨklˈɛitɕ ˌɔɡwɔʃˈɛɲʲɛ na firmˈɔvɨm bʲˌillbɔˈardʑɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_46.wav|pʃˈɛs jɛj fawʃˈɨvɛ trˈɔpɨ mɔʒˈɛmɨ zˈatʃɔɲdʑ ɡˈɔɲitɕ f pʲˈɛntkɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_77.wav|ftˈɛdɨ nalˈɛʒɨ vbʲˈitɕ ˈɔstʃɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_143.wav|tɛn dˈɨstans jɛst pɔtstˈavɔ̃ dɔː ˌɔblitʃˈɛɲʲa minˈutɨ kɔntˈɔvɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_18.wav|— ɲʲɛ za bˈardʑɔ — ʒˈutɕiw zdumjˈɔnɨ rˈɔp.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_8.wav|z ɡarˈaʒu mˈɔɡɛ pʃˈɛjɕtɕ ɲʲˌɛzawvaʒˈɔna zaxˈɔdɲʲɔ̃ tʃˈɛɲɕtɕɔ̃ dˈɔmu, xˈɨba ʒˈɛ jɛst pʃɨ ˈɔkɲʲɛ na pʲˈɛntʃɛ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_101.wav|zˈɛʃwa z dʑɛdʑˈiɲtsa jˈaɡ vɛ ɕɲʲˈɛ, ɲʲɛ vʲˈɛdʑɔnts, dˈɔkɔnt ˈidʑɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_71.wav|nˈɔ tɔ swuxˈajtɕɛ, zˈatʃɔw bˈɔp.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_91.wav|ja mʲˌawɛm ɡˈɔʒɛj, mˈuvi martʲˈinɛ z marˈudnɨm tˈɔnɛm, ktˌurɨ bʒmˈi prˈavʲɛ zabˈavɲʲɛ. pɔ tsˈɔ tɕi ta mˈaska?|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_171.wav|tɛn mʲˈɛdʒ bˌɛɲdʑɛ nalˈɛʒaw dɔ mɲʲɛ, jˈak jˈuʒ ɡˈɔ zrˈɔbjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_51.wav|jɛst krˈɛf i bˈɔli.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_18.wav|jˌɛstɛm pˈɛvna.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_62.wav|kˈatɛ ɲˈits sˈɔbjɛ s tˌɛɡɔ ɲʲɛ rɔbʲˈiwa. stˈawa i patʃˈɨwa, zɛrkˈajɔnts tɔ na jˈatska, tɔ na ˈɛmmɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_181.wav|ˌalɛ ɲʲɛ mˈɔʒna zatˈɔpitɕ turˈɨstɨ w vɔskˈɔvɨm blˈɔku.|4
+Dataset/wavs/urwisko_ferenc/01_segment_14.wav|kɔbjˈɛta zˌapamjɛntˈawa, ɔ ktˌurɛj vɨɕˈadwa z ˈawta, lˈɛtʃ strˈɛs sprˈaviw, ʒˈɛ xfˈilɛ pˈuʑɲʲɛj stratɕˈiwa raxˈubɛ tʃˈasu.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_102.wav|jˈak mˈuɡwbɨm tɕˈɛ zɔstˈavitɕ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_28.wav|na tʃɨm stɔˈimɨ, jˈɛɕli xˈɔdʑi ɔː ˌustalˈɛɲʲɛ adrˈɛsu rɔdʒˈɛra jaɡˈɛrakˈitt?|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_117.wav|zˈabjɛʃ jˈɛɡɔ lɔrdˈɔfskɔ̃ mˈɔʑdʑ dɔ vʲˈɛʒɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_136.wav|tˈɔm dˈɔstʃɛɡw, ʒˈɛ lˌɔuˈisa zmɲʲɛjʃˈɨwa ˈɔɡʲɛɲ pɔd ɡˈarŋkʲɛm i vɨmknˈɛwa ɕɛ pɔ tɕˈixu s pˌɔmjɛʃtʃˈɛɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_16.wav|bʲˈillɨ jˈɛdnak uznˈajɛ, ʒˈɛ vˈartɔ zˌarɨzɨkˈɔvatɕ, bˈɔ tˈɛras na pˈɛvnɔ dˈɔʃli dɔ vɲʲˈɔsku, ʒˈɛ ɡdʑˈɛɕ ɕɛ zˈaʃɨw ˈalbɔ vɨjˈɛxaw.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_256.wav|tʃˈɛɡɔɕ, tsˈɔ ɲʲɛ pɔzvˈɔli mi ɕɲˈitɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_114.wav|pamjˈɛntaʃ, kʲˈɛdɨ ɔstˈatɲʲɔ mɲʲɛ ˌɔpxɔdʑˈiwɔ, tsˈɔ mʲˈawɛʑ dɔ pˌɔvʲɛdʑˈɛɲʲa?|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_64.wav|ɡʲˈɔrɡjɔː unˈɔɕi twˈustɔ̃ dwˈɔɲ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_57.wav|dlatʃˈɛɡɔ pˈan pˈɨta?|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_143.wav|ɲʲɛ stˈartʃɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_102.wav|zamjˈɛʒam vwˈaɕɲʲɛ zˌarɨzɨkˈɔvatɕ, vˌɨtsɔfˈujɔnts samˈɔxut, kʲˈɛdɨ zˌauvˈaʒam, ʒˈɛ mˈama ɔtstˈavja vˈuzɛk, zabjˈɛra sfˈɔjɔ̃ jˌɛdnɔfuntˈufkɛ i vrˈatsa dɔː ˈawta.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_25.wav|jɛʒˈɛli zˌastanavʲˈatɕɛ ɕɛ nad vˌɨtʃɨmawˈɔɕtɕɔ̃ ʃkwˈa, ktˌurɛ ɔddʑˈɛla nˈas ɔt prˈuʒɲi, ɲʲˈɛma pɔvˈɔduv dɔ ɲʲˌɛpɔkˈɔju.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_127.wav|jɛj wzˈɨ ɲʲɛ zˌaɲʲɛpˌɔkɔˈiwɨ jˌamjɛˈɛɡɔ nˈavɛt f pɔwˈɔvʲɛ tˈaɡ bˈardʑɔ, jˈak tfˈardɛ spɔjʒˈɛɲʲa jɛj kuzˈɨnuf na dʑɛdʑˈiɲtsu.|1
+Dataset/wavs/urwisko_ferenc/43_segment_84.wav|nˈavɛt jˈɛɕli, tɔ jˈakʲɛ tɔ mˈa znatʃˈɛɲʲɛ? xˈɛrman pˌɔmɨɕlˈawa, ʒˈɛ tɔ mˈɔndrɛ pɨtˈaɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_217.wav|pwˈaʃtʃ wɔpˈɔtaw zˈaɲʲɔ̃ xˌawɔɕlˈivʲɛ na vʲˈɛtʃɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_11.wav|jˈakɔ psɨxˈɔlɔɡ vʲɛdʑˈawa, ʒˈɛ pɔ zdˌɛstabʲˌilizɔvˈaɲʲu zvʲˈɔ̃sku dˈuʒɔ wˈatfʲɛj bˌɛɲdʑɛ jɛj rˈɔzbʲitɕ ix rɔdʑˈinɨ.|4
+Dataset/wavs/urwisko_ferenc/38_segment_55.wav|skˈɔrɔ ɡˈɔ znˈaʃ, sˈam z ɲˈim pɔɡˈadaj.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_3.wav|sˈɛr, tˈɛrɛn zˈɔstaw zˌabɛspʲɛtʃˈɔnɨ. dvˈɔjɛ ˌarɛʃtɔvˈanɨx. mˌamɨ jˈɛdnak prˈɔblɛm. ktˈɔʑ zˌabɛrˌɨkadˈɔvaw ɕɛ f pɔkˈɔju z dʑɛftʃˈɨŋkɔ̃. zapˈɛvnɛ mˈatka.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_86.wav|ʑˈimnɔ jˈaɡbɨɕ kˈurvɛ f xwˈɔdɲi rˈuxaw, mavʲˈawa rˈɔɲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_96.wav|pɔftˈaʒam sˈɔbjɛ rˈaz za rˈazɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_24.wav|ɲʲɛ, ɲʲɛ, jˈɛstɛm. jˈak tˈu jɛzd ɡɔrˈɔntsɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_118.wav|trˈɔxɛ tɔ trfˈa, bˈɔ ʃˈɨba jɛzd ɡrˈuba, ˌalɛ ˌɔstatˈɛtʃɲʲɛ ʃklˈanɨ krˈɔ̃ʒɛɡ vɨsˈuva ɕɛ ɡwˈatkɔ jˈak kˈɔrɛɡ z butˈɛlki vˈina.|2
+Dataset/wavs/urwisko_ferenc/21_segment_64.wav|spɔjʒˈawa na zˌaɔkrɔŋɡlˈɔnɔ̃ kɔɲtsˈufkɛ krˈɛtki, a pˈɔtɛm na sfˈɔjɛ pˈaltsɛ, pɔʒˈuwkwɛ ɔt tɨtˈɔɲʲu paznˈɔktɕɛ i na ʃˈarɔ̃ skˈurɛ dwˈɔɲi.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_187.wav|tˌɛɡɔ vwˈaɕɲʲɛ ɲʲˌɛnavˈidʑiw najbˈardʑɛj.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_109.wav|tɛn zˈaʃtʃɨt ɲʲɛ pʃˈɨpad w udʑˈalɛ ɲikˈɔmu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_63.wav|a mˈɔʒɛ tɔ bˌɨwɔ vʲˈɛntsɛj jˈak jˈɛdnɔ pˈivɔ, tsˈɔ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_266.wav|ˌalɛ zˈatɔ mnˈustfɔ ʒˈɛtʃɨ dʑˈɛjɛ ɕɛ dɔkˈɔwa nˈas, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/urwisko_ferenc/49_segment_83.wav|ˈɔtpuɕtɕ, zˌaxɛɲtɕˈiwa sˈamɔ̃ ɕˈɛbjɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_136.wav|uɕmʲˈɛxnɔw ɕɛ dɔ mɲʲɛ tɕˈɛpwɔː i znˈuf pɔtʃˈuwam, ʒˈɛ fʃˈɨstkɔ ɕɛ jˈakɔɕ uwˈɔʒɨ.|3
+Dataset/wavs/urwisko_ferenc/09_segment_42.wav|pɔlˈitsjant ɕɛ naxˈɨliw i ˈɔpar wˈɔktɕɛ na ˈudax.|0
+Dataset/wavs/urwisko_ferenc/59_segment_72.wav|ɲʲɛ, ˈubjɛkw kɔlˈɛɡɛ ɡɔspˈɔdaʃ. prɔfˈɛsɔr ʒˈuk jɛzd vɨbʲˈitnɨm spˌɛtsjalˈistɔ̃ z zakrˈɛsu ˌɛntɔmɔlˈɔɡji.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_71.wav|zatʃˈɛwam ɔkrˈɔ̃ʒatɕ kˈɔmbajn i dɔkwˈadɲʲɛj pʃɨjʒˈawam ɕɛ pɔdvˈɔʑu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_26.wav|a jˈɛɕli jˈuʒ vˌɨjɛxˈali i vwˈaɕɲʲɛ vʲˈɔzɔ̃ jˈɔ̃ dɔ dˈɔmu?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_90.wav|pˌɔstanˈavʲam mu tɔ vˌɨnaɡrˈɔdʑitɕ, kʲˈɛdɨ tˌɨlkɔ bˌɛɲdʑɛ tɔ mɔʒlˈivɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_34.wav|ɔstˈatɲʲɔ zˌaxɔvˈujɛ ɕɛ sˌamɔlˈubɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_15.wav|pˌamjɛntˈawa ˈɔɲim ix ɲʲɛprˈavɔː ˌurɔdʑˈɔna pʃˌɛvɔdɲˈitʃka.|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_79.wav|mˈuʃɛ tˈu tʃˈuvatɕ, ʒˈɛbɨ zˈavlɛts tfˈɔjɛ kˌɔnajˈɔntsɛ dˈupskɔ dɔ wazˈika, ɡdˈɨbɨ tsˈɔɕ ɕɛ stˈawɔ, ˈɔtpar.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_281.wav|ɕfʲˈatwɔ trˈɔntsa f plˈɛtsɨ jˈakixɕ kˈɔbjɛt na ɲˈiskix ˈalbɔ vɨsˈɔkix ɔptsˈasax.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_84.wav|mˈama ʒˈutsa tˈɔrbɛ na stˈuw.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_37.wav|dʑˈɛvʲɛɲtɕ lˈat pɔvʲˈɛdʑaw ˈɔjtɕɛts i ʒˈutɕiw mi kˌɔmbʲinˈɛzɔn.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_46.wav|pɔdˈɔba tɕi ɕɛ tˈutaj?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_96.wav|pʃˌɨjɛxˈali pˈɔmɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_290.wav|vwˈaɕɲʲɛ, tˈɛras jɛst kˌapitˈalizm i tʃˈɛba mʲˈɛtɕ fˈɔrtsɛ na kaprˈɨsɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_57.wav|zmˈuʃa ɕɛ, bˈɨ jˈɛʃtʃɛ trˈɔxɛ pɔtʃˈɛkatɕ i pɔfɕtɕˈɔŋɡa pɔkˈusɛ, ʒˈɛbɨ zadʑvˈɔɲidʑ dɔː ˈɛlis.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_71.wav|vɨbˈatʃtɕɛ.|4
+Dataset/wavs/urwisko_ferenc/22_segment_39.wav|ˌɔtpɔvʲˈɛdʑaw bɔrˈɛvitʃ, ˌalɛ ɲʲˈɛbɨw pˈɛvʲɛn, tʃɨ sˈam jɛst ˈɔtɨm pʃˌɛkɔnˈanɨ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_24.wav|fˈakt, ʒˈɛ zˈatʃɔw rɔzmˈɔvɛ ɔt tˌɛɡɔ pʃɨ dˈɔmku,|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_199.wav|tʃˌɛkajˈɔntsɨx na kljˈɛntuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_582.wav|ja znˈam tɛn tˈɨp lˈudʑi.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_421.wav|ˌɔblizˈawa zdrʒˈɛɲʲɛm vˈarɡʲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_23.wav|znˈaʃ pˈaɲʲɔ̃ ˌadmiɲistrˈatɔr?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_73.wav|ˌɔmijˈajɔnts rˌɔzʒutsˈɔnɛ na pɔdwˈɔdʑɛ ubrˈaɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_38.wav|ˈɔbu rɛŋkˈami tʃɨmˈali kʲˌɛrɔvɲˈitsɛ rɔvˈɛruf.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_164.wav|lɛtɲʲˈatsɨ vˌɨɡlɔndˈali fspaɲʲˈalɛ f pwˈaʃtʃax s pʲˈur, ktˌurɛ nɔɕˈili tˌɨlkɔ na lˈɔɲdʑɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_219.wav|— ɔn tˈɛʃ ɲʲɛ ʒˈɨjɛ — patʃˈɨwa na pˌɛtɛrsˈɛna.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_83.wav|vidʑˈawaɕ jˈuʃ tsˈɔɕ takʲˈɛɡɔ sˈama f pʃɨpˈatku ˈinnɨx ˈɔsup.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_121.wav|ktˈɔ pʃˌɛprɔvˈadʑa ɕɛ ˈaʃ na kɕˈɛ̃ʒɨts tˌɨlkɔ pˈɔtɔ, ʒˈɛbɨ kˈɔɕitɕ travɲˈiki?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_10.wav|ɲʲɛ mˈɔɡɛ pɔvʲˈɛdʑɛtɕ mu prˈavdɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_44.wav|tʃɨ ɡrˈa na zvwˈɔkɛ? prubˈujɛ dɔɡˈadatɕ ɕɛ s kˈimɕ, ktˈɔ pˈuɕtɕiw tsˈawɛ tɔ mɛʃˈuɡas w rˈux, mˈɔʒɛ za pˌɔɕrɛdɲˈitstfɛm sfɔjˈɛɡɔː ˌadvɔkˈata?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_75.wav|tʃɨ ja zˌɔstavˈiwam klˈudʒ w dʒvʲˈax? ɲʲɛ mˈɔndra mamˈuɕa. ɲʲɛ mˈuɕiʒ zamˈɨkatɕ ɕɛ w ɕrˈɔtku, kɔxˈaɲʲɛ. mamˈuɕa ɲʲɛ bˌɛɲdʑɛ zwˈa.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_247.wav|fʃˈɨstkʲɛ tʃˈarɨ valˈɛrji mʲˌawɨ kɔʒˈɛɲʲɛ f krfˈi ˈalbɔ w ˈɔɡɲʲu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_60.wav|tɔ vwˈaɕɲʲɛ s pɔvˈɔdu fˈina ˌɛmtsˈɛ ɡˌuinnˈɛssa tˈɔm pʃɛt lˈatɨ strˈatɕiw brˈata.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_113.wav|a kʲˈɛdɨ vratsˈajɔ̃ fspɔmɲʲˈɛɲʲa?|3
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+Dataset/wavs/urwisko_ferenc/44_segment_9.wav|dlatʃˈɛɡɔ lˈɛɡnɛr stɛrˈujɛ lˈipskim i lˌɛvandˈɔfskɔ̃?|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_102.wav|stˈɔnd vwˈaɕɲʲɛ vwˈadaw dɔ ʒˈɛtʃɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_179.wav|mˈɔʒɛ rˈudɨ tsˈɔʑ zvʲˈɛtʃɨw i fʃˈɨstkiɣ zˌarɛʃtˈɔvaw? zˌastanavʲˈawam ɕɛ ɡwˈɔɕnɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_274.wav|dˈɔdaw ˈɔjtɕɛts. spɔkˈɔjɲʲɛ, tˌɨlkɔ spɔkˈɔjɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_149.wav|jɛst sˈam na sˈam s pwˈatnɨm zabˈujtsɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_2.wav|tˈɔm ɔznˈajmiw bˈɛtskɨ i ɡʲitˈɔvi, ʒˈɛ dɔwˈɔntʃɨ dɔ ɲˈiɣ za kˈilka mˈinut f tsˈɛntrum kˌɔɔrdˌɨnatsˈɨjnɨm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_126.wav|tˈak jˈak tʃˈɛkaw wˈɛ falˈudʒɨ, pˈatʃɔndʑ z ɡˈurɨ na stɔjˈɔntsɔ̃ za ʒˈɛkɔ̃ kafˈɛjkɛ ˌintɛrnɛtˈɔvɔ̃ arˈaba, ktˌurɨ vˈɨdaw prˌatsɔvɲˈikuv blatskfˈatɛr, tsˈɔ rˌɔspɛntˈawɔ bˈuʒɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_4.wav|ˌalɛ stˈɔi tˈam, ɡdʑˈɛ stˈaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_132.wav|mˈɔʒɛ dʲibˈɔis tɔ kˈavaw dˈupka, ˌalɛ jɛst naprˈavdɛ dˈɔbrɨm ɡliɲʲˈaʒɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_215.wav|i ftˈɛdɨ nˌazbjɛrˈajɔ̃ ɕɛ twˈumɨ lˈudʑi, a mɨ sprˌɔvadʑˈamɨ prˌɔstɨtˈutki, spʃɛdˈajɛ ɕɛ fˌɔtɔɡrˈafjɛ, jˈakʲɛɕ tsudˈɔvnɛ lˈɛki.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_466.wav|bjˈɛdnɛ vˈɔwɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_264.wav|ɲʲɛ pʃˈɨjdɛ vʲˈɛntsɛj dɔ pˈana.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_135.wav|za dʒvʲˈami stˈɔi dˈana ˈɛdʲisɔn, jˈɛdɛn z zˌakapʲˈɔruf, ktˌurɨx ɲˈitsk ɕtɕˈɔŋɡnɔw z vˈɛɡas.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_4.wav|kˈɔɲʲɛ vlˈɔkwɨ ɕɛ pɔvˈɔli, a krulˈɔva rɔspˈarwa ɕɛ vɨɡˈɔdɲʲɛ na mʲˈɛŋkkʲɛj, tʃɛrvˈɔnɛj pɔdˈuʃtsɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_172.wav|tɔ bˈɨw vʲˈɛlki plˈats i ˈandɛrsɔn mʲˈaw tˈaki...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_120.wav|tʃɨ ktɔkˈɔlvʲɛk ˈinnɨ mʲˈaw dˈɔstɛmb dɔ pˈaɲi tˌɛlɛfˈɔnu f tɕˈɔŋɡu ɔstˈatɲix tɨɡˈɔdɲi?|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_94.wav|tˌɨlkɔː udˈavaw, ʒˈɛ ɔ ɲˈitʃɨm ɲʲɛ pamjˈɛnta.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_257.wav|pˌɔʒɛɡnˈaliɕmˌɨ ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_125.wav|pɔvʲˈɛdʑaw, jˈaɡbɨ tʃˈɨtaw mi w mˈɨɕlax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_67.wav|pʃˈɨʃɛt tʃˈas na vˌɨdaʒˈɛɲʲa wˈɛ falˈudʒɛ i bʲˈillɨ tʃɛɲɕtɕˈɔvɔ jˈuʒ vʲˈɛ, tsˈɔ f tɨm fraɡmˈɛɲtɕɛ napˈiʃɛ, jˈakʲɛ vˌɨrazˈistɛ ɔbrˈazɨ ukˈaʒɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_91.wav|vʲˈɛlki lˈɛj|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_143.wav|z mˈɔjɛj pʲˈɛrɕi vɨrˈɨva ɕɛ wkˈaɲʲɛ i ɔpʲˈɛram ɡwˈɔvɛ na kɔlˈanax. stsˈɔdd bˈɨw tˈutaj.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_235.wav|tɔ prˈavda.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_86.wav|jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ, dˈuʒa ɲʲˌɛspɔdʑˈaŋka spˈɔtka tɕˈɛ. jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ...|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_84.wav|ɲʲɛ vɨxˈɨlaʃ ɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_77.wav|s pɛvnˈɔɕtɕɔ̃ ɲʲɛ banˈalnɛ rɔzmˈɔvɨ z marɡˈɛrɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_22.wav|jˌɛstɛm blˈiskɔ mʲˈɛjstsa, f ktˌurɨm mˈɔjɛ ʒˈɨtɕɛ ulˈɛɡwɔ tsˌawkɔvˈitɛj trˌansfɔrmˈatsji.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_90.wav|sʃˈɛdwɛm pɔ sxˈɔdaɣ dɔ pˌɔdʑɛmnˈɛɡɔ pʃˈɛjɕtɕa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_167.wav|jˈaka ˌɔna dʑˈiɕaj bˈɛɲdʑɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_89.wav|pˈɛvɲʲɛ, ʒˈɛ tˈak, jˈɛɕli tɕi kˈurva ʒˈɨtɕɛ mˈiwɛ, pɔvʲˈɛdʑaw wapˈidux i zaɕpʲˈɛvaw, bˈɔ fʃˈɨstkʲɛ mˈiɕɛ dʑˈiʑ zbjˈɔrɔ̃ ɕɛ w ɡɛ̃stfˈiɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/09_segment_121.wav|mʲˌɛli ɕɛ ˈudadʑ z ɔlɡʲˈɛrdɛm na spɔtkˈaɲʲɛ z ˌinfɔrmatˈɔrɛm, ktˌurɨ pɔ pʲˈɛɲtɕu lˈatax fpwˈɨnɔw na pɔnˈɔvnɛ ɔtfˈartɕɛ sprˈavɨ zˌaɡʲiɲʲˈɛɲtɕa mˈɔɲikˌi xudʑˈiɲskʲɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_165.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_258.wav|ˈarja pʃɨjʒˈawa ɕɛ jɛj ɲʲɛˈufɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_216.wav|kʲˈɛdɨ bʲˈillɨ pʃɛjˈɛʒdʒa ˌɔbɔk stɔdˈɔwɨ i padˈɔku, zˈɛ struʒˈufki vɨxˈɔdʑi fˈatsɛt. mˈa karˈabʲin lˈup stʃˈɛlbɛ, ˌalɛ brˈɔɲ na rˈaʑɛ ɲʲˈɛɕɛ pʃˌɛvʲɛʃˈɔnɔ̃ pʃˈɛs rˈamjɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_117.wav|tɛj ˌɔtpɔvʲˈɛdʑi, ktˌura zdˈaɲʲɛm stɛvˈɛna zɔstˈawa nˌapisˈana pʃɛzˈɛmɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_121.wav|ˈɔɕɔw pʃɛmˈuviw, skfitˈɔvaw jˈɛtʲi lˈɔpɛs.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_56.wav|kˈɔɲʲɛts pˌɔdɡlɔndˈaɲʲa, dˈupki!|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_114.wav|ɲʲɛ xtɕˈawɔ mi ɕɛ lˈitʃɨtɕ udˈɛʒɛɲ, xˈɔtɕ jˌɛstɛm zˌabɔbˈɔnnɨ i trˈɔxɛ vʲˈɛʒɛ w mˈaɡjɛ tsˈɨfr.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_64.wav|vʲˈɛʃ xˈɨba, jˈak trˌaktujˈɛmɨ lˈudʑi spˈɔza spˌɔwɛtʃnˈɔɕtɕi, prˈavda, ˈindjɔ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_67.wav|ˌɔtʃɨvˈiɕtɕɛ, mrˈuknɔw tˈɔm. mˈuv dˈalɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_197.wav|dˈɔbʒɛ jˈuʃ, dˈɔbʒɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_70.wav|nˈɔ tɔ ɲʲɛ zˌapalˈimɨ.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_29.wav|ˌɔkwamˈujɔ̃ sfˈɔix lˈɔrduf.|1
+Dataset/wavs/urwisko_ferenc/03_segment_31.wav|vˈɔbɛts tˌɛɡɔ zakˈazaw jɛj ˌɔpuʃtʃˈaɲʲa krˈaju i zˌastɔsˈɔvaw jˈɛʃtʃɛ jˈɛdɛn ɕrˈɔdɛɡ zˌapɔbjɛɡˈaftʃɨ. nawˈɔʒɨw na kɔbjˈɛtɛ dˈɔzur pˌɔlitsˈɨjnɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_108.wav|nˈadal ɲˈits? tˈak kˈazaw mu sprubˈɔvatɕ jˈɛʃtʃɛ rˈas.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_447.wav|tɨm rˈazɛm ramjˈɔna jˈɛɡɔ ɲʲɛ pˌɔruʃˈɨwɨ ɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_80.wav|na tfˈaʒɨ tˈatɨ pɔjˈavja ɕɛ vˈɨras ɲʲˌɛpɔkˈɔju. vʲˈɛm, ʒˈɛ zˈɛxtsɛ mi pˈɔmuts, ˌalɛ ɲʲˈɛma jˈɛʃtʃɛ pɔjˈɛɲtɕa ɔ skˈali tsawˈɛɡɔ mɔjˈɛɡɔ pɔmˈɨswu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_64.wav|mˈam na rˈɛŋkax krˈavli.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_147.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_120.wav|bˌɨli ˌɔstatɲˈimi krˌulɛfskˈimi ɡvˌardʑistˈami, ktˌuʒɨ zɔstˈali w mʲˈɛɕtɕɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_43.wav|prɨvˈatnɨm sˌamɔlˈɔtɛm z mawˈɛɡɔ lɔtɲˈiska. dɔ tˌɛɡɔ fawʃˈɨvɛ paʃpˈɔrtɨ mˈatka i tsˈurka i pˈarɛ wapˈuvɛk, jˈɛɕli ɔkˈaʒɔ̃ ɕɛ kɔɲʲˈɛtʃnɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_57.wav|z mʲˈɛjstsa pʃɨ brˈamjɛ ɲʲɛvʲˈɛlɛ vˈidʑɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_421.wav|i ɡˈapiw ɕɛ na vˈɛrɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_115.wav|dʑˈiɕaj lɔtɲˈiskɔ jɛzd zamkɲʲˈɛntɛ, ˌɔfitsˈɛʒɛ, pˌɔvʲɛdʑˈawa jˈudɨ. a pˈɔza tɨm ja xtsˈɛ z ɲˈim pɔjˈɛxatɕ nˈapitɕ ɕɛ tʃˈɛɡɔɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_54.wav|ja tˈɛʃ. vʲˈɛndʑ dlatʃˈɛɡɔ tˈɔbjɛ udˈawɔ ɕɛ zˌapamjˈɛntatɕ mˈuj dˈɔm, a mɲʲɛ samˈɛmu ɲʲɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_18.wav|dʒˈɛk ˈalbɔ xˈaŋk s trˈudɛm dʑvˈiɡa ɕɛ na nˈɔɡʲi. bʲˈillɨ xfˈɨta ɡˈɔ za ramjˈɔna i kʲɛrˈujɛ f strˈɔnɛ pʃˈɛjɕtɕa dɔ kˈuxɲi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_239.wav|mˈɔʒɛ tɨ mɲʲɛ ɲʲɛ pamjˈɛntaʃ, pɔvʲˈɛdʑaw stˈɛvɛ ɔxˈara.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_119.wav|prɛzˈɨdɛnt pˈɔtʃɛd dɔ mˈɛɡɔ taptʃˈana, ˌɔtulˈajɔnts ɕɛ kˈɔtsɛm.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_95.wav|dla krˈukuf i pˌadlinɔʒˈɛrnɨɣ vrˈɔn.|1
+Dataset/wavs/urwisko_ferenc/02_segment_26.wav|ˌalɛ ɔ tʃˈɨm? bɔrˈɛvitʃ ɔtxʃˈɔŋknɔw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_29.wav|pˈaɲʲɛ strˈakan, mˈuvi nˌadʲinspˈɛktɔr dɔˈuɡlas. mˈuʃɛ zˈadatɕ pˈanu pɨtˈaɲʲɛ i bˈɨwbɨm vdʑˈɛntʃnɨ za ˌudʑɛlˈɛɲʲɛ ʃtʃˈɛrɛj ˌɔtpɔvʲˈɛdʑi.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_69.wav|rˈɛʃta tɔ tˌɨlkɔ pɔpʲˈɔwɨ i kˈɔɕtɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_17.wav|dɔdˈajɛ, ʒˈɛbɨ ɕɛ ɲʲɛ rɔssˈɨpadʑ dɔ ʃtʃˈɛntu.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_145.wav|zrˈuptɕɛ tɔ, ˌalɛ spɔkˈɔjɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_146.wav|ˌalɛ pʃɛɡrˈawɛm, vʲˈɛndʑ vʑˈɔwɛm vʲˈɛntsɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_202.wav|innˈɨmi swˈɔvɨ stˈanɔ̃ ɕɛ tʃˈɛɲɕtɕɔ̃ stsɛnˈɛrji. jˈak tˈɨ, bʲˈillɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_390.wav|tɔ bˌɛɲdʑɛ tɕˈixɨ, jˈasnɨ dʑˈɛɲ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_422.wav|w jɛj dˌɔskɔnawˈɔɕtɕi ɲʲɛ mˈɔɡwɛm dˈɔstʃɛdʑ ʒadnˈɛɡɔ ɕlˈadu ɔstʃˈɛʒɛɲ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_290.wav|tɛ swˈɔva zabʒmʲˈawɨ ˈɔstʃɛj ɲˈiʒ bˌɨwɔ tɔ jˈɛɡɔ zamjˈarɛm, ˌalɛ ɲʲˈɛmʲaw nastrˈɔju dɔ vˌɨswuçivˈaɲʲa, jˈaɡ vˌɨpɔminˈajɔ̃ mu ˌaɛrˈɨsa tˌarɡarɨˈɛna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_130.wav|jˈɛdʑ dɔ bakʲˈɛɡɔ, ˌalɛ ɲʲɛ zˈɔstaɲ z ɲˈim dwˈuɡɔ. lˈubʲi tɕˈɛ, bˌɛɲdʑɛ dla tɕˈɛbjɛ dˈɔbrɨ, ˌalɛ ɔn tˈɛʃ jɛzd zwˈɨm tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_37.wav|jɛst tˈaɡ zˌaprɔɡrˌamɔvˈanɨ, ʒˈɛbɨ w rˈaʑɛ utrˈatɨ wɔntʃnˈɔɕtɕi stˈatɕ w mʲˈɛjstsu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_145.wav|vvʲˈɛɕ tɛn sˈɨv dɔ ɕrˈɔtka, tɔmˈalɔ, a pˈɔtɛm vˌɨpʲɛrdˈalaj dɔ najblˈiʃʃɛj kantʲˈina, mˈɔʒɛ zdˈɔ̃ʒɨʃ na drˈuɡɔ̃ pɔwˈɔvɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_20.wav|tʃɨ pɔvˈinnɔ mɲʲɛ tɔ mˈartfitɕ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_43.wav|ˈɛlis rˈuʃa dɔ sɨpʲˈalɲi, f ktˌurɛj spɛɲdʑˈiwa vʲˈɛŋkʃɔɕtɕ tʃˈasu ɔt pʃɨjˈazdu, na pʃˈɛmjan pˈiʃɔnts i ɕpʲˈɔnts, pɔ tʃɨm ɔdvrˈatsa ɕɛ ˌuɕmʲɛxɲʲˈɛnta.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_24.wav|prˈavda bˌɨwa tˈaka, ʒˈɛ ɡˈuvnɔ vʲɛdʑˈɛli.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_325.wav|sˈɛr brˈɨndɛn ɲʲɛ dˈa ɕɛ nˈabratɕ na tˈakʲɛ ʃtˈutʃki.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_153.wav|mˌɔtɨlˈɛɡɔ, zvʲɛvnˈɛɡɔ ʒˈɨtɕa i pɔtʃˈuwɛm f sˈɔbjɛ i vˈɔkuw ɕˈɛbjɛ tˈɛn|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_294.wav|tˈɛraz zˌɔbatʃˈɨwam vnˈɛntʃɛ vaɡˈɔnu. upʃˈɛjmɨ frˈantsus fstˈaw, ˌustɛmpˈujɔnts mi mʲˈɛjstsa, a ja ˌukwɔɲˈiwam mu ɕɛ i uɕˈadwam.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_198.wav|fʃˈɨstkʲɛ ɕmʲˈɛrdʑɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_31.wav|ɲʲˈɛxtsɛ ɡˈɔ. tɔ ʃtʃˈɛra prˈavda. ɲˈiɡdɨ vʲˈɛntsɛj ɲʲˈɛxtsɛ mʲˈɛdʑ brˈɔɲi w rˈɛŋku.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_40.wav|tʃɨ kɔɲʲˈɛtʃɲʲɛ xtsˈɛ mɲʲɛ zmˈuɕitɕ, ʒˈɛbɨm tɔ pɔvʲˈɛdʑaw?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_22.wav|xˈɨba vˌɨrazˈiwɛm ɕɛ jˈasnɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_257.wav|pɔd dʒvʲˈami ɔdvrˈatsa ɕɛ i unˈɔɕi sfˈuj tɛlˈɛfɔn.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_46.wav|trfˈawɔ tɔ xfˈilɛ, pˈɔtɛm ˈandɛrsɔn ɔdvrˈutɕiw ɕɛ znˈuv dɔ ɕtɕˈanɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_90.wav|jˈak ɔn ɕɛ nazˈɨvaw?|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_211.wav|ɡlˈinɨ|2
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_81.wav|ɔbjˈɛtsaj.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_145.wav|kˈilka sˈɛkunt pˈuʑɲʲɛj ˌuruxˈɔmiw ɕɛ ˈalarm.|4
+Dataset/wavs/urwisko_ferenc/02_segment_45.wav|prɔmjˈɛɲʲɛ swˈɔɲtsa ˌɔdbʲijˈawɨ ɕɛ ɔd ʒalˈuzji f pɔʑˈɔmɨm ˈɔkɲʲɛ, za ktˌurɨm zapˈɛvnɛ znˌajdɔvˈawa ɕɛ kˈuxɲʲa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_223.wav|f pɔʒˈɔntku, pɔvʲˈɛdʑaw tʃwˈɔvʲɛk s flˈaɡɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_32.wav|tsɔkˈɔlvʲɛk, tsˈɔ mɔɡwˈɔbɨ mʲˈɛtɕ fpwˈɨf na jˈɛɡɔ zvʲˈɔ̃zɛɡ z jˈɔɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_42.wav|tsˈɔ dɔ ɲˈika mˌadʒɛrjˈana, ɲʲˈɛx skurvˈɨsɨn sˈam ɕɛ ɔ ɕˈɛbjɛ mˈartfi.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_21.wav|zˈatɛm ɡdʑˈɛ mˈukw ɕɛ zatʃˈɨmadʑ bɔɡˈatɨ i ɔbˈɨtɨ w ɕfʲˈɛtɕɛ fˈatsɛt s xɔŋkkˈɔŋɡu, kturˌɛmu zˌalɛʒˈawɔ na rɔdʑˈimɛj kˈuxɲi?|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_128.wav|mˈɨɕlɛ, ʒˈɛ na rˈaʑɛ jˌɛstɛʑ bɛspʲˈɛtʃnɨ. ˌɔkɔlitʃnˈɔɕtɕi tɕi spʃɨjˈajɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_175.wav|vʲˈɛnts tɔ zrˈup!|4
+Dataset/wavs/urwisko_ferenc/34_segment_29.wav|zˌatɕɔŋɡnˈɛwa ɕɛ i zˌavʲɛɕˈiwa vzrˈɔk na lˈiɲʲi xˌɔrɨzˈɔntu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_72.wav|dlatʃˈɛɡɔ tɔ zrɔbʲˈiwɛɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_168.wav|jɛj tfˈaʃ tɔ jˈɛdɛn vʲˈɛlki ɕˈiɲʲɛts i vˈidʑɔnts jˈɔ̃, bʲˈillɨ znˈuf mˈɨɕli ɔː ˈɛlis. ɲˈits ɲʲɛ mˈɔʒɛ nˈatɔ pɔrˈadʑitɕ.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_105.wav|allˈɛraz z uvˈaɡɔ̃ vɨswˈuxaw fʃɨstkʲˈɛɡɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_292.wav|tʃɨ tɨm rˈazɛm tˈaɡʒɛ pˈujdʑɛʃ na fsxˈut?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_28.wav|brˈat rˈɔbɛrts|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_84.wav|na tfˈaʒɨ mˈa ˈuɕmʲɛɣ za mˈiljɔn dɔlˈaruf. bʲˈillɨ, bʲˈillɨ, xwˈɔpʲɛ, jˈak ja ɕɛ tɕˈɛʃɛ, ʒˈɛ tɕˈɛ vˈidʑɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_98.wav|pˌɔmɨɕlˈawam, ʒˈɛ ɲʲɛ ʒˈɨjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_3.wav|pˈitɕɛ na ˈumur prˌavdɔpɔdˈɔbɲʲɛ ɲʲɛ bˌɨwɔ najlˈɛpʃɨm pɔmˈɨswɛm w mˈɔim pˌɔwɔʒˈɛɲʲu, ˌalɛ jˈak jˈuʒ zdɔ̃ʒˈɨwam ɕɛ pʃɛkˈɔnatɕ, xɨbjˈɔnɛ dɛtsˈɨzjɛ ʒɨtɕˈɔvɛ tɔ mˈɔja spɛtsjˈalnɔɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_92.wav|skɔɲtʃˈɨwɛm jˈuʃ s tʃˈɛrɲʲɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_27.wav|pˌɔwɔʒˈɨwam ɕɛ na wˈuʃku, s kturˌɛɡɔ ɲʲɛ mʲˈawam najmɲʲˈɛjʃɛj ɔxˈɔtɨ ɲˈiɡdɨ fstˈavatɕ i ɔddˈawam ɕɛ rˌɔzmɨɕlˈaɲʲɔm.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_8.wav|tfˈaʃ mʲˈaw tʃɛrvˈɔnɔ̃ jˈaɡ bˈurak, a na dwˈɔɲʲax krfavʲˈɔntsɛ pɛnxˈɛʒɛ.|1
+Dataset/wavs/urwisko_ferenc/65_segment_41.wav|a ˈɔlɡʲɛrt pwˈakaw jˈaɡ dʑˈɛtskɔ.|0
+Dataset/wavs/urwisko_ferenc/01_segment_5.wav|prˌɔstɔvˈawa drʒˈɔntsɛ rˈɔntʃki, vˌɨɡʲinˈawa tɕˈawɔ w wˈuk, prubˈujɔnts ɕɛ uvˈɔlɲitɕ s tɕˈasnɔ zapʲˈɛntɨx pˈasuf fˌɔtɛlˈika sˌamɔxˌɔdɔvˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_117.wav|rɔzmˈuftsɨ tɕˈɛ ɲʲɛ vˈidʑɔ̃. kʲˈɛdɨ kˈaʒɛʃ im vɨbˈulitɕ kˈasɛ? bˈɔː inˈatʃɛj bˈaŋɡ vˈɛʑmʲɛ iɣ dˈɔm pɔd zˈastaf.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_12.wav|zajʒˈawam dɔ ɕrˈɔtka i zˌɔbatʃˈɨwam trˈɔnda, ktˌurɨ sˈɔntʃɨw alkˈɔxɔl z ɡrˈubɛj ʃklˈaŋki.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_91.wav|sˌaɲitarjˈuʃɛ dˈali za vɨɡrˈanɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_306.wav|ɲikˈɔmu ɲʲˌɛpɔtʃˈɛbnɨ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_423.wav|pˈɔmɨsw tfɔjˈɛɡɔː ˈɔjtsa.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_12.wav|pɔd varˈuŋkʲɛm, ʒˈɛ bˌɛɲdʑɛʒ ɡʒˈɛtʃnɨ i pɔmˈɔʒɛʃ mi mʲˈɛʃatɕ ɔfɕˈaŋkɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_152.wav|mɲʲɛ vɨstˈartʃɨ dvˈa mˈɛtrɨ kfˌadratˈɔvɛ wˈɔŋki.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_99.wav|dɔ starˈɛɡɔ mʲˈasta.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_7.wav|vɨxˈɔdʑɔ̃ s sˌamɔlˈɔtu i vˈidʑaw, jˈaɡ dʒˈɔnsɔn kwˈadʑɛ rˈɛŋkɛ na ramjˈɛɲʲu rɨˈana.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_6.wav|tˈata pˈɔdbjɛɡw blˈiʒɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_63.wav|ɕˈɛrʒant kˈamba dˈajɛ znˈak kɔlˈɛdʑɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_315.wav|bˈɔ w nastˈɛmpnɛj xfˈili bˌɛɲdʑɛʃ jˈuʃ ˈinna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_57.wav|pʃɨnˈajmɲʲɛj bˈɨwam.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_196.wav|fspˌɔminˈawaɕ, ʒˈɛ lˌɛɡʲitɨmˈujɔ̃ tɕˈɛ w bˈarax, prˈavda? pɨtˈajɔ̃ bʲˈillɨ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_456.wav|natʃˈɛʑvɔ bˈɨw tɕˈixɨm, ɕˈilnɨm mɛ̃ʃtʃˈɨznɔ̃.|1
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+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_53.wav|pɔnˈɔvɲʲɛ krˈɛɲtɕi ɡwˈɔvɔ̃.|4
+Dataset/wavs/urwisko_ferenc/09_segment_9.wav|bˌɨwɔ tɕˈɛmnɔ, ˌalɛ rɔspˈɔznaw mɛ̃ʃtʃˈɨznɛ pɔ pɔstˈuʒɛ i dwˈuʃʃɨx, ɕˌɛŋɡajˈɔntsɨɣ dɔ rˈamjɔn vwˈɔsax.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_355.wav|tˈɛrna zwapˈawa jˈɔ̃ i pˌɔtsawɔvˈawa jɛj pˈaltsɛ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_352.wav|ʒˈadnɛ zvʲˈɛʒɛ ɲʲɛ mɔɡwˈɔbɨ bˈɨtɕ tˈaɡ zuxfˈawɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_99.wav|plˈanɨ pˌɔstavʲˈɛɲʲa kˌɔlɛjnˈɛɡɔ budˈɨŋku f tsˈɛntrum sɔ̃ w zˌavʲɛʃˈɛɲʲu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_99.wav|i ˈuɕmʲɛx rˈɔbʲi ɕɛ ʃˈɛrʃɨ. ɔ tˈak, i tɔ tsˈawkʲɛm wˈadnɛ. ˌumɛblɔvˈanɛ, jˈak nˌapisˈali na tablˈitsɨ. xˈɔtɕaʒ vʲˈɛ pˈan, skˈɔmpɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_71.wav|pˌɔmɔɡwˈɔbɨ, ɡdˈɨbɨɕ mi pˌɔvʲɛdʑˈawa, dlatʃˈɛɡɔ tˈaɡ zˌadɛtsˌɨdɔvˈawaɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_110.wav|xtɕˈawɛm pˈuɕtɕitɕ jɛj dwˈɔɲ, ˌalɛ zdˈawɔ mi ɕɛ, ʒˈɛ ˌɔna dˌɛlikˈatɲʲɛ...|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_266.wav|pˈanu tʃˈɛ̃stɔ ɕɲˈi ɕɛ mˈɔʒɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_160.wav|pˌɔpɛwɲˈiwa jˈɛdɛn bwˈɔnt, a tɨ nˈavɛt...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_61.wav|pˈatʃɛ f pɔdwˈɔɡɛ, a ɔn mˈiltʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_109.wav|tˌɨlkɔ pɔwˈɔva? tɕˈɛʃ ɕɛ. vidʑˈawɛm ʒˈɔnɛ lantsˈɛla w dˈarɨ.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_43.wav|mʲˈawa ˌɔna brˈɔdɛ, ktˌurɛj brˌakɔvˈawɔ jɛj mɛ̃ʒˈɔvi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_113.wav|ruʒɲˈitsɔ̃ tɔ̃ bˌɨwɔ dʑˈɛɕɛɲtɕ lˈad dʑɛlˈɔntsɛ tɛ dvʲˈɛ tfˈaʒɛ.|0
+Dataset/wavs/urwisko_ferenc/40_segment_26.wav|s tˈɛɡɔ, tsˈɔ zrˌɔzumjˈawam, tɔː ɔn jɛst na tsˌɛlɔvɲˈiku lɛɡnˈɛra.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_230.wav|ɲʲˈɛvʲɛm tˌɛɡɔ na pˈɛvnɔ, ˌalɛ mˈɨɕlɛ, ʒˈɛ ɔn tˈaɡʒɛ jˈuʃ ɲʲɛ ʒˈɨjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_74.wav|w ˈɔtʃax tʃˈuw vɛzbrˈawɨ wzˈɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_57.wav|andrˈɛɔ, tˈak tɔ tɨ ɲˈiɡdɨ ɲʲɛ ˌavansˈujɛʒ dɔ vˈɨʃʃɛj lˈiɡʲi, mˈɨɕli bʲˈillɨ. mˈuɕiʒ bˈɨdʑ bˈardʑɛj naxˈalna, dʑɛftʃˈɨnɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_225.wav|a fatsˈɛtɕi kˌupɔvˈali im fçˈiskɨ i vˌɨprɔvadʑˈali zˈɛ sˈɔbɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_168.wav|muvˈiwaɕ, ʒˈɛ vidʑˈawaɕ minstrˈɛlla.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_445.wav|z miwˈɔɕtɕi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_36.wav|xtsˈɛʒ zˈɔstadʑ z ɲʲˈɔ̃ sˈam?|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_270.wav|mˈɔdlɛ ɕɛ, bˈɨ znˈalas pɔ ɕmʲˈɛrtɕi pˈɔkuj, kturˌɛɡɔ ɲʲɛ zˈaznaw za ʒˈɨtɕa.|1
+Dataset/wavs/urwisko_ferenc/47_segment_12.wav|pɔ drˈuɡʲim kʲɛlˈiʃku xˈɛrman pɔtʃˈuwa ɕɛ sˈɛnna i spɔkˈɔjna. ɛmˈɔtsjɛ w ɲʲˈɛj vɨɡˈaswɨ.|0
+Dataset/wavs/urwisko_ferenc/63_segment_49.wav|ftɕɔŋɡnˈɛwa pɔvʲˈɛtʃɛ. ʒˈar strˈaviw pʲˈɛrʃɛ skrˈafki tɨtˈɔɲʲu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_83.wav|bˈɔ tɔ nˈɔvɛ ˈimjɛ bˈɔɲtɕ tsˈɔ bˈɔɲtɕ jɛst fawʃˈɨvɛ.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_313.wav|ɔtˈɔtʃɨ vˈas sfˈɔ̃ ɔpʲˈɛkɔ̃ i ja rˈuvɲʲɛʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_75.wav|mˈiɲʲɛ jˈɛʃtʃɛ wˈadnɨx kˈilka tɨɡˈɔdɲi, mˈɔʒɛ nˈavɛt mʲɛɕˈɛntsɨ, zˈaɲim brˈɔɲ stˈaɲʲɛ ɕɛ pɔtʃˈɛbna.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_61.wav|nˈail zmrˈuʒɨw ˈɔtʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_226.wav|ɲʲɛ rɔzˈumjɛm, tsˈɔː ˌɔna pˌɔvʲɛdʑˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_170.wav|bˈɔvʲɛm ɲˈiɡd ɡˈɔ pʃɛtʃˈɨtaw.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_62.wav|zˌapanɔvˈawɔ tˈakʲɛ zˌamjɛʃˈaɲʲɛ, ʒˈɛ jˌamjɛˈɛɡɔ dɔpʲˈɛrɔ rˈanɔ zˌavʲadɔmjˈɔnɔ, ˈiʃ fɕrˈut jˈɛɲtsuf ɲʲˈɛma blatskfˈiʃa.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_157.wav|f sklˈɛpax ɲˈikt nˈavɛt ɲʲɛ zavrˈatsa sˈɔbjɛ ɡwˈɔvɨ vˌɨvʲɛʃˈaɲʲɛm tsˈɛn.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_72.wav|mɨɕlˈawɛm, ʒˈɛbɨ dɔʒˈutɕitɕ tɕi rˈɔzvut, ˌalɛ uznˈawɛm, ʒˈɛ za dˈuʒɔ bɨwˈɔbɨ tˌɛɡɔ fʃɨstkʲˈɛɡɔ dɔ spˌamjɛntˈaɲʲa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_233.wav|i ɲʲɛ vʲadˈɔmɔ, kʲˈɛdɨ zɲˈikɲʲɛ, zmʲɛtɕˈɔnɨ tˈaɡ zvˈanɨm vʲˈatrɛm çistˈɔrji.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_10.wav|vˈɨbatʃ, ɲʲɛ spˈawam zbˈɨd dˈɔbʒɛ. mɨɕlˈawam, ʒˈɛ pˈadnɛ w jˈɛdnɛj xfˈili. ˌɔkazˈawɔ ɕɛ, ʒˈɛ ɲʲɛ mˈɔɡwam pʃˈɛstatɕ mˈɨɕlɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_126.wav|lˈɔrt lˈantsɛl sˈɨpja f sˈɛptɕɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_34.wav|ɲʲɛ bˌɛɲdʑɛ mɲʲɛ ɡˈɔɲiw.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_191.wav|xˈuta vɨtfˈaʒa ɲʲˌɛsamɔvˈitɛ ilˈɔɕtɕi tɕˈɛpwa i vˌɨkɔʒɨstˈujɛ ʃkɔdlˈivɛ xˌɛmikˈalja, vʲˈɛnts ɲˈidʑ dʑivnˈɛɡɔ, ʒˈɛ znajdˈujɛ ɕɛ w bɛspʲˈɛtʃnɛj ˌɔdlɛɡwˈɔɕtɕi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_5.wav|s pɛvnˈɔɕtɕɔ̃ ɔ mˈartɕɛ pˈɔrtɛr vʲˈɛdʑɔ̃ jˈuʃ fʃˈɨstkɔ, tsˈɔ tˌɨlkɔ mɔʒlˈivɛ.|3
+Dataset/wavs/urwisko_ferenc/46_segment_18.wav|pˈɔʃwa fˈama, ʒˈɛ ʃtʃˈɛrpski zabˈavja ɕɛ z dʑˌɛtɕakˈami, ʒˈɛ vɨstˈavja jˈɛ na tˈakix imprˈɛzax.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_371.wav|tˈak jˈɛstɛm.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_421.wav|prˈuba vˈalki?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_17.wav|tʃˈɛkam xfˈilɛ, a pˈuʑɲʲɛj utɕˈɛkam pˈustɨm trˈaktɛm.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_85.wav|sˈɛr dˈavin zdjˈɔw rˌɛŋkavˈitsɛ i vʑˈɔw kʲˈɛliɣ w dwˈɔɲ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_101.wav|jˈɛdɛn vʲˈɛtʃur f tɨɡˈɔdɲʲu ˈu xartnˈɛla.|4
+Dataset/wavs/urwisko_ferenc/64_segment_79.wav|ɲʲɛ bˌɨwɔ jˈuʃ ɕlˈadu.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_255.wav|pɔ tfˈaʒɨ spwɨvˈawɨ mu wzˈɨ.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_85.wav|dʑˈɛŋki zˌarɔbjˈɔnɨm na ɕpʲɛvˈaɲʲu pʲɛɲʲˈɔndʑɔm, vrˈɔna pʃˌɛɔbrazˈiwa ɕɛ f pˈavja.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_12.wav|pˌilnɔvˈawɔː iɣ dvˈux fatsˈɛtuf. vidʑˈɛli mɲʲɛ, ˌalɛ pˌɔmaxˈawɛm im tˌɨlkɔː i zatʃˈɔwɛm ɡvˈizdatɕ na psˈa.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_396.wav|s tfˈaʒɨ klɨbˈɛrna zɲˈiknɔw ˈuɕmʲɛx.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_280.wav|samˈɔxud zatʃˈɨmaw ɕɛ pʃɛd dˈɔmɛm.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_143.wav|vʲˈɛlka ʃkˈɔda, ʒˈɛ mˈaɡɡʲɛ ʒˈaba jˈuʃ ɲʲɛ ʒˈɨwa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_59.wav|dʒvˈi pɔ lˈɛvɛj strˈɔɲʲɛ sɔ̃ zamkɲʲˈɛntɛ, ˌalɛ rˈɔbjɛ krˈɔk w ix strˈɔnɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_46.wav|prˈɔʃɛ mi ˌɔpɔvʲˈɛdʑɛtɕ ˈɔtɨm jaɡɡˈɛʒɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_65.wav|xˈɔtɕaʃ mɲʲɛ kuɕˈiwɔ, ʒˈɛbɨ ɔt rˈazu zˌamɛldˈɔvatɕ ɕɛ f xɔtˈɛlu, ɲʲɛ mʲˈawam zamjˈaru ukrˈɨvatɕ ɕɛ w vidˈɔtʃnɨm mʲˈɛjstsu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_183.wav|tˈutaj jˈɛdnak mˈɔɡɔ̃ ɡˈɔː ɔskˈarʒɨtɕ ɔ mɔrdˈɛrstfɔ, a pɔ tɛj strˈɔɲʲɛ mˌisɕisɕˈippi dɔ tˈakix sprˈaf pɔtxˈɔdʑi ɕɛ bˈardʑɔ pɔvˈaʒɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_61.wav|dʲˈidʲi ɲʲɛ pɔtrˈafjɛ nˈavɛt ɔpˈisatɕ, jˈaɡ bˈardʑɔ ɕɛ tɕˈɛʃɛ na tfˈuj vˈidɔk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_130.wav|strˈuʃki pˈɔtuʃ wɔbʲˈiwɨ tʃˈɨstɛ ɕtɕˈɛʃki w brˈudʑɛ pˌɔkrɨvajˈɔntsɨm nˈaʃɛ tfˈaʒɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_9.wav|splˈatam mˈɔtsnɔ dwˈɔɲʲɛ, ʒˈɛbɨ ɲʲɛ bˌɨwɔ vˈidatɕ, jˈak ɕɛ tʃˈɛ̃sɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_89.wav|jɛst nˈatɨm sˈamɨm pɛndrˈivɛ, kturˌɛɡɔː ˌuʒɨvˈawɛɕ, kʲˈɛdɨ zˌatʃɨnˈawɛɕ pˈisatɕ f tˈamtɨm bjurˈɔftsu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_103.wav|zˈɛrkam pʃˈɛs ʃtʃɛlˈinɛ i zˌauvˈaʒam mˈamɛ krɛntsˈɔntsɔ̃ ɕɛ pʃɨ vʲˈɛlkim tʃˈarnɨm pʲˈɛtsu, na ktˌurɨm mʲˈɛʃa w ɡˈarŋku z zˈupɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_42.wav|prubˈujɛ pʃˌɛkɔnˈɨvatɕ sˈamɔ̃ ɕˈɛbjɛ, ʒˈɛ zabʲˈiwa arˈama, bˈɨ mɲʲɛ xrˈɔɲitɕ, ˌalɛ vʲˈɛm, ʒˈɛ tɔ ɲʲɛprˈavda.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_209.wav|jɛst tɔ, tsˈɔ tˈu i tˈɛras, ɲˈits pˈɔza tˈɨm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_117.wav|zˈarɔst na jˈɛɡɔ tfˈaʒɨ jɛst jˈɛʃtʃɛ bˈardʑɛj ɲʲɛxlˈujnɨ ɲˈiʒ zvˈɨklɛ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_148.wav|krulˈɔva fstˈawa.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_119.wav|brˈatɕɛ ɡʲilˈamjɛ, tʃɨ zˈɛxtsɛʃ im pɔkˈazatɕ?|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_280.wav|ɡˈura vbʲˈiw mu nˈuʃ w ˈɔkɔ. sɔ̃ z nˈami lˈudʑɛ, ktˌuʒɨ tɔ vidʑˈɛli.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_109.wav|tɔ dlatˈɛɡɔ mˈama kwutɕˈiwa ɕɛ s kˈɛlsɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_18.wav|mˈuɕiʃ spˈɔjʒɛtɕ na sfˈɔjɛ ɲʲˌɛpɔvɔdʑˈɛɲʲa, dʑɛftʃˈɨnɔ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_59.wav|tʃɨ vwˈaɕɲʲɛ f tɨm mɔmˈɛɲtɕɛ zaɡrˈɔziʃ, ʒˈɛ pɔvʲˈɛɕiʃ ɛdmʲˈura?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_75.wav|dˈɛ nˈada?|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_158.wav|ɔː ˈilɛ za xˈappɨ ˈɛnt mˈɔʒna ˈuznatɕ samˈɔsɔnt, a f pʃɨpˈatku tˈakix ˌɔsɔbɲˈikuf jˈak jˈɔɛl ˈallɛn, bʲˈillɨ ɲʲˈɛma ɲˈits pʃɛtɕˈifkɔ tˈɛmu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_53.wav|tɔ jɛdˈɨnɛ, tsˈɔ pʃɨxˈɔdʑi mi dɔ ɡwˈɔvɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_204.wav|ɔtfʲˈɛra pˈatʃkɛ i vɨjmˈujɛ nabˈɨtki jˈɛdɛn pɔ drˈuɡʲim.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_41.wav|lˈɛdvʲɛ vˌɨxɔdʑˈimɨ za brˈamɛ, kʲˈɛdɨ zatʃˈɨnam ɕɛ zˌastanˈavʲatɕ, tʃɨ ɲʲɛ pɔvˈinnam jˈɛdnaɡ bˌɨwa zˈavʲɛɕtɕ jɛj dʑˈiɕaj sˌamɔxˈɔdɛm.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_436.wav|ɕˈivɨ mɛ̃ʃtʃˈɨzna dˈɔtknɔw jɛj ˌɔbandˌaʒɔvˈanɛj tfˈaʒɨ. muɕˈɛliɕmˌɨ vˈɨtɕɔɲtɕ tʃˈɛɲɕtɕ tɕˈawa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_44.wav|ʃˈɛptʃɛ dɔ ɲʲˈɛɡɔː i pʃɨtˈulam ɡˈɔ lˈɛkkɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_5.wav|ˈɛlis, bjurˈɔva plɔtkˈara, vɨɡlˈɔnda jˈaɡbɨ mʲˈawa vwˈaɕɲʲɛ vɨbˈuxnɔɲtɕ s pˌɔdɲʲɛtsˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_248.wav|vidʑˈawɛɕ, ˈilɛ ˈu nˈas jˈɛst, ɛdmˈurɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_16.wav|vʲˈɛʃ, ʒˈɛ tɔ jɛst tfˈuj dʑˈadɛk?|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_285.wav|ja jˌɛstɛm jɛdˈɨnɨm dʑˈɛtskʲɛm, jˈakʲɛ bɔɡˈɔvʲɛ pˌɔzvɔlˈili mu zatʃˈɨmatɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_291.wav|vrutɕˈiwɛm dɔ tɔɲʲˈɛɡɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_53.wav|zapˈɨtaw surˈɔvɨm ɡwˈɔsɛm. nˌastɔmpˈiwa xfˈila pʃˈɛrvɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_13.wav|mʲˈɛjmɨ nadʑˈɛjɛ dla dˈɔbra lˈutsɨ, ʒˈɛ pʃɨnˈajmɲʲɛj tɛn zvʲˈɔ̃zɛk ɕɛ utʃˈɨma.|3
+Dataset/wavs/urwisko_ferenc/04_segment_83.wav|dˌɔpɨtˈɨvaw bɔrˈɛvitʃ. tˈak, ˌɔrɡaɲizˈɔvaw fspˈulnɛ pˌɔʃukivˈaɲʲa pʃɨtˈaknɔw ɡɔspˈɔdaʃ. ɔkˈazaw ɕɛ bˈardʑɔ pɔmˈɔtsnɨ.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_286.wav|dʑivˈɔlɔŋk, ɲʲɛɡˈɔdnɨ zvˈatɕ ɕɛ tsˈurkɔ̃ ˌaɲi sˈɨnɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_100.wav|ɲʲˈɛvʲɛm, jˈudɨ pɔvʲˈɛdʑaw. ɔ tʃˈɨmɕ pʃˌɛtɕɛʃ tʃˈɛba mˈuvitɕ.|0
+Dataset/wavs/urwisko_ferenc/34_segment_24.wav|— pʃɛprˈaʃam — sˈɔlski spɔvˈaʒɲʲaw. — uɕˈɔɲdʑmɨ i pˌɔɡadˈajmɨ — fskˈazaw na ɔtfˈartɛ dʒvˈi.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_208.wav|sandˈɔra klɛɡˈanɛ ɔstˈatɲʲɔ vidʑˈanɔ f sɔlˈaŋkaɣ w dʑˈɛɲ atˈaku.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_2.wav|ɡdˈɨ lɔrdˈɔvʲɛ vˌɨxɔdʑˈili z namjˈɔtu, vʲˈaw puwnˈɔtsnɨ vʲˈatr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_57.wav|vrˈɛʃtɕɛ spɔstʃˈɛɡa sʃˌɔkɔvˈanɛ mˈinɨ tˌɔvaʒˈɨʃɨ. ɔdvrˈatsa ɡwˈɔvɛ i vˈidʑi bʲillʲˈɛɡɔ, stˌɔjɔntsˈɛɡɔː ɔ dvˈa krˈɔki ɔt skrˈaju vˌɨkwadʑˈinɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_45.wav|plˈastrɨ ˌɔkazˈawɨ ɕɛ ɲʲˌɛpʃɨdˈatnɛ. rˈana bˌɨwa za dwˈuɡa. jɛj kravˈɛɲdʑɛ rˌɔssunˈɛwɨ ɕɛ, tfˈɔʒɔnts trujkˈɔntnɛ ftɕˈɛɲtɕɛ w mˈɔim bˈɔku.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_53.wav|nˈɔ, mˈɔʒɛ z vɨjˈɔntkʲɛm jaɡˈɛra, ktˌurɨ jˈuʃ ɲʲˈɛʒɨw.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_428.wav|ʒˈadɛn z ɲˈix ɲʲɛ zˌaswuɡˈujɛ nˈatɔ, bˈɨ zˈaɕɔ̃ɕtɕ na trˈɔɲʲɛ z mɔrskʲˈɛɡɔ kamjˈɛɲʲa, ɲʲɛ fspˌɔminˈajɔnts jˈuʃ ɔ ʒɛlˈaznɨm trˈɔɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_255.wav|ɔt tʃˈasu dɔ tʃˈasu dʑɛftʃˈɨŋka ʒutsˈawa im ɔstrˈɨɡɛ i pʃˌɨɡlɔndˈawa ɕɛ, kturˌɛmu z ɲˈix ˈuda ɕɛ ˈumknɔɲdʑ zˈɛ zdɔbˈɨtʃɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_17.wav|vʲˈɛdʑɔ̃ ɔ zˌaɡʲiɲʲˈɛɲtɕu ljˈi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_57.wav|ɲʲɛktˌurɛ bˌɨwɨ swˈɔtkʲɛ i smˌakɔvˈawɨ kfʲatˈami, ˈinnɛ bˌɨwɨ ɡˈɔʃkʲɛ i mʲˈawam ɔxˈɔtɛ jˈɛ vˈɨplutɕ. ɲˈiɡdɨ jˈɛdnak tˌɛɡɔ ɲʲɛ zrɔbʲˈiwam.|3
+Dataset/wavs/urwisko_ferenc/64_segment_84.wav|pʲˈɛrʃɨ mˈɔduw s fabrˈɨki, f ktˌurɛj pratsˈujɛ ɕikˈɔrski.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_121.wav|pɔ bˈɔkax nˌarɨsɔvˈanɛ sɔ̃ dvʲˈɛ smˈutnɛ bˈuɕki.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_181.wav|kuxˈarka bˌɨwa jˈɛdnaɡ bˈardʑɛj vˌɨrɔzumjˈawa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_103.wav|ˈaʃ f kˈɔɲtsu ˈandɛrsɔn vɨkrˈɛɲtɕiw mu rˈɛŋkɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_321.wav|a vʲˈɛnts ˌɔna ˌuɕmʲɛxnˈɛwa ɕɛ i mɲʲɛ rˈaptɛm zaxtɕˈawɔ ɕɛ kʃˈɨknɔɲtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_116.wav|ɲʲɛ pamjˈɛntam numˈɛru mʲɛʃkˈaɲʲa, ˌalɛ jɛst na kˈɔɲtsu kˌɔrɨtˈaʒa. dʒvˈi budˈɨŋku ɔtfʲˈɛra ɕɛ kˈɔdɛm, a ɲʲɛ patʃˈɨwam jˈaɡ ɡˈɔ fpisˈɨvaw. ɲʲɛ pʃˌɛvidʑˈawam, ʒˈɛ ɕɛ pʃˈɨda.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_123.wav|ɡɛmbˈɔsraj zmˈarʃtʃɨw brvˈi, jˈaɡbɨ ta mˈɨɕl spravʲˈawa mu bˈul.|1
+Dataset/wavs/urwisko_ferenc/02_segment_51.wav|tˌɨlkɔ rˈas.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_39.wav|vɨtɕˈɔŋɡa rˈɛntsɛ i pʃɨtˈula mɲʲɛ tˈak mˈɔtsnɔ, ʒˈɛ ˈaʒ vɨtɕˈiska mi pɔvʲˈɛtʃɛ s pwˈuts.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_365.wav|jˈɛɕli mɲʲɛ zwˈapjɔ̃, zɔstˈanɛ zɛswˈana na ʑˈɛmʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_480.wav|na ɕrˈɔdɛk pɔdvˈuʒa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_9.wav|ɲʲˈɛznam tˈɛkstu dla sfˈɔjɛj rˈɔli, xˈɔtɕ jɛst ˌɔna xˈɨba nˌajvaʒɲʲˈɛjʃɔ̃, jˈakɔ̃ mˈuʃɛ ɔdˈɛɡratɕ f sfˈɔim ʒˈɨtɕu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_240.wav|jˈɛʃtʃɛ ɡˈɔ ɲʲɛ ɕtɕˈɛli, pɔvʲˈɛdʑaw mˈikɛ. ʃkˈɔda mi tˌɛɡɔ dʒˈɛva.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_147.wav|lˈɛtʃ jˈɛɡɔ pˈaltsɛ drapˈawɨ ʒvˈir, a ˌɔɲi patʃˈɨli na jˈɛɡɔ pˈɛwnɛ ɕfʲˈatwa ˈɔtʃɨ i na jˈɛɡɔː ˌuɕmʲɛxɲʲˈɛntɛ ˈusta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_191.wav|vʲˈɛʃ, ɲʲɛ pˈɔʃɛdwbˌɨ na tɛn ˈukwat, ɡdˈɨbɨ ɲʲɛ mˈuɕaw ɕɛ jˈakɔʑ zmˌɔbʲilizˈɔvadʑ dɔ zmʲˈanɨ trˈɨbu ʒˈɨtɕa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_41.wav|pˌɔtɕɔŋɡˈawa pɔ kɔlˈɛi fʃˈɨstkʲɛ pˈaltsɛ, nˈajpʲɛrf prˈavɛj rˈɛŋki, pˈɔtɛm lˈɛvɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_118.wav|pɔɲʲˈɛvaʃ ɲʲɛ mˈɔɡɛ iɣ zrɔzˈumjɛtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_63.wav|ɲʲɛ tʃɨtˈajɔndʑ dˈalʃɛj tʃˈɛɲɕtɕi vʲˌadɔmˈɔɕtɕi vɨbjˈɛram nˈumɛr dɔ dˈɔmu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_89.wav|zajmʲˈɛmɨ ɕɛ tɨm za mˈɔmɛnt, ˌalɛ mˌamɨ jˈɛʃtʃɛ kˈilka pˈɨtaɲ. pˌɔvʲɛdʑˈawa nˈam pˈaɲi ftʃˈɛɕɲʲɛj, ʒˈɛ ɲˈiɡdɨ ɲʲɛ bˌɨwa w dˈɔmu naˈila i ɡˌɛnɛvʲˈɛvɛ straxˈanuf.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_214.wav|ˌɔras pˈɛvʲɛn prˈɔstak ɔː imjˈɛɲʲu wˈat.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_49.wav|dla mɲʲɛ vɨɡlˈɔnda tɔ tˈak, ʒˈɛ ɡˈuzik ix ˌɔpxɔdʑˈiwɔ, tʃɨ ˈɔtɨm vʲˈɛtɕɛ tʃɨ ɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_268.wav|f tunˈɛlu brˈamɨ stˈaw stˈarʃɨ mɛ̃ʃtʃˈɨzna w bjˈawɛj kɔʃˈuli i brɔ̃zˈɔvɨx spˈɔdɲʲax. znˈawɛm ɡˈɔ z vidʑˈɛɲʲa ɔt lˈat.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_145.wav|kʲˈɛdɨ ɡlˈinɨ zˌapɨtˈajɔ̃, ɡdʑˈɛ ɲˈidʑɡ bˈɨw f tʃˈaɕɛ zabˈujstfa alˈɛna, pˈɔvʲɛ, ʒˈɛ w vˈɛɡas i bˌɛɲdʑɛ mʲˈaw vʲˈɛlu ɕfʲˈatkuf na pɔpˈartɕɛ sfɔjˈɛɡɔː alˈibʲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_143.wav|mˈɔkrɨ, xartʃˈɔntsɨ kˈaʃɛl, pˈɔtɛm ˌɔtxʃɔŋkɲʲˈɛɲtɕɛ. ɡdʑˈɛ dʑɛftʃˈɨna?|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_224.wav|s ktˌurɔ̃ mˈɔdʑ vrɔɲʲˈɛɡɔː ˈɔka ɲʲɛ mˈɔʒɛ ɕɛ mʲˈɛʒɨtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_125.wav|na puwpʲˈɛntʃɛ ɲʲˈɛma ʒˈɨvɛj dˈuʃɨ, ɡrˈa tɕˈixa muzˈɨka s pˈuʃki.|2
+Dataset/wavs/urwisko_ferenc/19_segment_60.wav|xˈɛrman muɕˈawa tʃˈɨmatɕ nˈɛrvɨ na vˈɔdʑɨ. lˈɛpʲɛj bˈɨ bˈɨwɔ, ɡdˈɨbɨ mˈɔɡwa tɔ pˈaɲi ˌudɔvˈɔdɲitɕ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_32.wav|bˈɨtɕ mˈɔʒɛ jɛst ɲʲɛvˈinna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_72.wav|uswˈɨʃaw tsˈɔɕ, tʃˈɛɡɔ ja ɲʲɛ swɨʃˈawam. umˈilkwam vʲˈɛnts i stɔmpˈawam na pˈaltsax.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_321.wav|spˈɔjʒaw na dʑɛftʃˈɨŋkɛ. zˈasxwɔ mi w ɡˈardlɛ, bˈɔɲtɕ tˈak upʃˈɛjma i pʃˈɨɲʲɛɕ kʲˈɛliɣ vˈina dla mɲʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_159.wav|— tɔ ftˈɛdɨ bɛɲdʑˌɛmɨ lˈɛtɕɛtɕ i bˌɛɲdʑɛ nˈami ʒˈutsatɕ, a tɨ ɕɛ pʃɛkˈɔnaʃ, ʒˈɛ mˈɔʒna rˈuvɲʲɛʃ lˈatadʑ w zwˈɨɣ varˈuŋkax i ɲˈits ɕɛ ɲʲɛ stˈaɲʲɛ — pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_27.wav|tfˈɔja pɛrˈuka vɨɡlˈɔnda jˈaɡbɨ pɔtˈarɡaw jˈɔ̃ xurˈaɡan. maʒ ɡʒˈɛbjɛɲ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_230.wav|rˈazɛm stavˈaliɕmˌɨ na kɔmˈisjɛ vɔjskˈɔvɔ̃, tˌɨlkɔ ʒˈɛ tɕˈɛbjɛ ftˈɛdɨ ˌɔdvalˈili.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_5.wav|pɔpˈatʃɨw na kˈita, ktˌurɨ f trˈaktɕɛ jˈɛɡɔ vˌɨpɔvʲˈɛdʑi pɔprˈavʲaw zdjˈɛɲtɕa pʃˌɨtʃɛpʲˈɔnɛ dɔ tablˈitsɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_61.wav|spɨtˈawa bˈɛtskɨ. zarˈuvnɔ sˌamɔxˈɔdu, jˈak i pˌɔrɨvˈatʃɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_77.wav|tsˈuʃ, ɲʲɛ dɔ kˈɔɲtsa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_65.wav|rˈɛɡɡʲɛ uvˈaʒɲʲɛ im ɕɛ pʃɨɡlˈɔnda, stˈɔi na pˈaltsax, vˌɨpatrˈujɛ bʲillʲˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_189.wav|tʃɨ kˈɔxaw mɨrtsˈɛllɛ bˈardʑɛj ɲˈiʃ ˈarjan?|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_254.wav|tˈɨlɛr bˈardʑɔ ɕɛ ɔ tɕˈɛbjɛ mˈartfiw.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_135.wav|ˈɔx, sxˈɔvaj tɛn ɡwˈupi pˈapʲɛr.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_32.wav|trˈudnɔ tˈak naprˈavdɛ pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_284.wav|krˈul dˈɔvʲɛ ɕɛ ˈɔtɨh ˌɔkrutɕˈɛɲstfax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_226.wav|ɡdˈɨ nˈaɡlɛ dɔ pʃˌɨtɔmnˈɔɕtɕi pʃɨvrˈatsa ɡˈɔ fˈajnɨ pˈɔmɨsw.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_273.wav|— pˈaɲʲɛ xundˈɛbawx — pˌɔvʲɛdʑˈawa ɲʲɛpˈɛvnɨm ɡwˈɔsɛm sˈusan, mruɡˈajɔnts rˌɔspatʃlˈivʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_155.wav|ˌalɛ jˈɛɡɔ tˈu ɲʲɛ bˈɨwɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_3.wav|bˌɨliɕmˌɨ jˈuʃ prˈavʲɛ pʃɨ sˌamɔxˈɔdʑɛ, kʲˈɛdɨ ˌuswɨʃˈawam vɔwˈaɲʲɛ tˈatɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_12.wav|ɕmʲˈaw ɕɛ, kʲˈɛdɨ mu pˌɔvʲɛdʑˈawam, ʒˈɛ f kˈiɲʲɛ bˌɨwam tˌɨlkɔ rˈas, ɡdˈɨ mʲˈawam ˈɔɕɛm lˈat.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_416.wav|— nˈɔ, bˈɛs mˌitrɛ̃ʒˈɛɲʲa — zavˈɔwaw kˈɔrsak.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_46.wav|tɔ ɲʲɛ jˈakaɕ ʃˈɨpka ˈaktsja f tɕˈɛmnɨm zawˈuku, ˈu kturˌɛɡɔ vɨlˈɔtu tʃˈɛka samˈɔxud ɡɔtˈɔvɨ vˈɨvʲɛɕtɕ tɕˈɛ z mʲˈasta starˈanɲʲɛ vˌɨtɨtʃˈɔnɔ̃ trˈasɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_86.wav|mˈɨɕli ɔ ɲʲɛvʲˈɛlɛ stˈarʃɛj ɔt ʃˈaɲitsˌɛ atskˈɛrman dʑɛftʃˈɨntsɛ, pʃˌɨvʲɛʑˈɔnɛj dɔ mawˈɛɡɔ dˈɔmu f tʲˌijuˈana.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_62.wav|mˈuʃɛ pˈujɕtɕ pʲˈɛʃɔ, bˈɔ ɲʲˈɛmam sˌamɔxˈɔdu.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_120.wav|rˌɔstɕɔŋɡnˈɛwa ˈusta w vˌɨmuʃˈɔnɨm uɕmʲˈɛxu.|1
+Dataset/wavs/urwisko_ferenc/17_segment_7.wav|jˈakiɕ tʃˈas pˈuʑɲʲɛj ˌɔdnalɛʑˈɔnɔ w lˈɛɕɛ tʃˈaʃkɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_27.wav|lˈɛtʃ ɲʲɛ ˌɔtpɔvʲˈadaw ɲˈikt. ɔttʃˈɛkaw pˈarɛ mˈinut, pɔ tʃɨm zadʑvˈɔɲiw dɔ jˈɛɡɔ bjˈura.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_86.wav|f pɔʒˈɔntku. dˈɔbʒɛ, xˈɔdʑ ʒˈɛ ktˈɔɕ pamjˈɛntaw, ʒˈɛbɨ ɡˈɔ pʃˈɨɲʲɛɕtɕ.|2
+Dataset/wavs/urwisko_ferenc/53_segment_22.wav|ˈɔlɡʲɛrt ɕɛ zˈaɕmʲaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_89.wav|pˈɔʑɔm ˌadrɛnalˈinɨ ˈɔpad.|4
+Dataset/wavs/urwisko_ferenc/08_segment_135.wav|bˌɔrɛlˈitʃa ˈɔblaw ʑˈimnɨ pˈɔt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_146.wav|zrˌɛalizˈujɛ ɡˈɔ dɔpʲˈɛrɔ, kʲˈɛdɨ tsˈawɨ tɛn bˈurdɛl ɕɛ skˈɔɲtʃɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_452.wav|vʲˈɛnts ja sˈam pukˈawɛm dɔ kɔlˈɛjnɨx pɔkˈɔjuf, ˌalɛ vʲˈɛŋkʃɔʑdʑ bˌɨwa zamkɲʲˈɛnta. w jˈɛdnɨm pˌɔvitˈanɔ mɲʲɛ ɔxˈɔtʃɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_49.wav|kʲˈɛdɨ vˈɨʃliɕmˌɨ na dvˈur, pɔlˈitsjant pɔvʲˈɛdʑaw, ʒˈɛ pˈɛvɲʲɛ bˌɛndɛ mˈuɡw zadʑvˈɔɲidʑ dɔ mˈamɨ, jˈak jˈuʃ pʃɨjˈadɛ dɔ dˈɔmu spˈɛkuf w ˈɛvanzvil.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_68.wav|jˈak tɔ ɕɛ stˈawɔ, ʒˈɛ ˈɔɲim swɨʃˈawɛɕ?|1
+Dataset/wavs/urwisko_ferenc/35_segment_48.wav|z lˈipskim|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_58.wav|ɔbrˈutɕiw ɕɛ kˈu ˌandɛrsɔnˈɔvi i pɔvʲˈɛdʑaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_77.wav|na parkˈiŋɡu panˈujɛ tɕˈiʃa i pʃˈɛs xfˈilɛ mˈɨɕlɛ ɔ tˈamtɨm pʲɛntrˈɔvɨm parkˈiŋɡu pˌɔwɔʒˈɔnɨm kilˈɔmɛtr stˈɔnt, na ktˌurɨm zˌamɔrdɔvˈanɔ mɛ̃ʃtʃˈɨznɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_5.wav|tɕˈawɔ lˈɛʒɨ na ʑˈɛmi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_49.wav|dla pˈana mˈɔʒɛ i ɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_203.wav|ɔ kˈurdɛ, pʃɛprˈaʃam, ɲʲɛ pˌɔmɨɕlˈawɛm. rˌɔzɛɕmʲˈawam ɕɛ ɡwˈɔɕnɔ. ɲʲɛ mˈɔɡwam ɕɛ pɔfstʃˈɨmatɕ, kʲˈɛdɨ tˈak nˈamɲʲɛ pˈatʃɨw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_137.wav|tˌɨlkɔ zˌakaʒˈɔnɛj rˈanɨ jˈɛʃtʃɛ mu dɔ ʃtʃˈɛɲɕtɕa brakˈujɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_198.wav|ˌalɛ ɲʲɛ bˌɛɲdʑɛ tˈɛʃ tˈak, ʒˈɛ nˈaɡlɛ dɔstˈaɲʲɛʒ vʲadˈɔmɔɕtɕ, ʒˈɛ ˈɔbjɛɡd z akfˈadranz bˌɛɲdʑɛ na mʲˈɛjstsu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_177.wav|tɔ pɔ tsˈɔ w ɔɡˈulɛ skˈakatɕ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_64.wav|ʃˈukam kɔntˈaktu z dˌuxɔvʲˈɛɲstfɛm kˌatɔlˈitskim, ʃˈɛptaw pwatʃlˈivʲɛ tˈɔɲi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_48.wav|a mˈɔʒɛ jɛst jˈɛʃtʃɛ za ftʃˈɛɕɲʲɛ, bˈɨ ˈɔtɔ pˈɨtatɕ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_107.wav|ˈalfjɛ zatʃˈɨna wˈukatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_82.wav|pɔlˈatsɨ dʑˈɛlɔ̃ ɕɛ nˈatɨh, tsˈɔ bˈɨli, tsˈɔ sɔ̃ i tsˈɔ bˌɛndɔ̃ mˌiɲistrˈami.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_284.wav|jˈɛʃtʃɛ rˈas sunˈɔwɛm z ɲʲˈɛj kˈɔwdrɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_205.wav|ɡdˈɨbɨ mʲˈaw tsˈɛnɛ pˌɔruvnɨvˈalnɔ̃ dɔ kˈabli ˌuʒɨvˈanɨx ɔbˈɛtsɲʲɛ, bˈɨwbɨ tɔ vʲˈɛlki pʃˈɛbuj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_135.wav|uɲʲˈɔswa tˈɛras pɔvʲˈɛki i patʃˈɨliɕmˌɨ sˈɔbjɛ w ˈɔtʃɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_145.wav|bʲˈillɨ mˈuvi mu.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_421.wav|vˌɨpuɕtɕˈiwa pɔvʲˈɛtʃɛ s pwˈuts.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_342.wav|mˈɔʒɛ ɕɛ ɔkˈazatɕ, ʒˈɛ bˈɨw pʲˈɛrʃɨm z vʲˈɛlu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_165.wav|vɨdˈajɛ s ɕˈɛbjɛ jˈɛŋk, ˌalɛ vʲˈɛm, ʒˈɛ ɲʲˈɛma sˈɛnsu ɕɛ vɨkwˈutsatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_88.wav|ɔstrˈɔʒɲʲɛ ɕˈada na jˈɛdnɨm zˈɛ skwadˈanɨx kʃˈɛsɛw, ˌalɛ vɨdˈajɛ ɕɛ w mʲˈarɛ sɔlˈidnɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_84.wav|pɔvˈɔli ɔbrˈatsam ɡwˈɔvɛ, ʒˈɛbɨ spˈɔjʒɛtɕ pʃˈɛs pʃˈɛdɲʲɔ̃ ʃˈɨbɛ, mˈajɔnts nadʑˈɛjɛ uxfˈɨtɕidʑ ɡˈɔ kˈɔntɛm ˈɔka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_62.wav|a tʃɨ tɨ uvˈaʒaʃ, ʒˈɛ jˌɛstɛʑ dˈɔbrɨm dʑˈɛtskʲɛm, ˈindjɔ?|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_88.wav|vɨʃtʃˈɛʒɨw zˈɛmbɨ w uɕmʲˈɛxu. vˌɨɡlɔndˈawɨ ɔkrˈɔpɲʲɛ, bˌɨwɨ kʃˈɨvɛ i brɔ̃zˈɔvɛ ɔt pruxɲˈitsɨ. pˈɛvɲʲɛ tˈak.|1
+Dataset/wavs/urwisko_ferenc/53_segment_46.wav|ɲʲɛ umjˈawa sˈɔbjɛ ˌɔtpɔvʲˈɛdʑɛtɕ nˈatɛ pɨtˈaɲʲa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_18.wav|jˈɛʃtʃɛ jˈɛdnɔ, sˈɛr.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_9.wav|pʃɨ ˌɔswɔɲʲˈɛntɨx pˌarasɔlˈami stɔlˈikax pʃɛt sˈans pɔt kafˈɛ lˈudʑɛ zˌajadˈajɔ̃ pˈɔntʃki i tɕˈastka.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_176.wav|tɔ bluʑɲʲˈɛrtʃɛ ˈimjɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_63.wav|dlatʃˈɛɡɔ ɲʲɛ zˌaprɔɕˈiwa ɡˈɔ dɔ dˈɔmu?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_299.wav|w vɔrkˈutɕɛ? sɔ̃ ɕfʲatkˈɔvʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_199.wav|pɔnˈurɔ pɔtɕˈɔŋɡa nˈɔsɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_18.wav|pɔnˈattɔ ɲʲɛ mˈɔɡɛ zapʃˈɛtʃɨtɕ, ʒˈɛ jˈɛɡɔ tsudˈɔvnɛ brɔ̃zˈɔvɛ ˈɔtʃɨ ɔ tɕˈɛmnɛj ɔprˈavʲɛ sɔ̃ dˈɔʑdʑ vˌɨjɔntkˈɔvɛ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_404.wav|jˈɛɕli mɲʲɛ znˈajdɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_162.wav|bʲˈillɨ tsawˈɔɕtɕi ɲʲɛ pamjˈɛnta, ˌalɛ ɔɡˈulnɨ pʃˈɛkas tˈak.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_23.wav|w mʲˈɛɕtɕɛ ɔ nˈazvʲɛ bˈajɛrs ˌɔrɡaɲizˈujɔ̃ tˈam pˌɔlɔvˈaɲʲɛ na indˈɨki, a pˈɔɲim pɔ taɲtsˈufkɛ, ˌalɛ dɔpʲˈɛrɔ w lˌistɔpˈadʑɛ, tʃˈɨli ta atrˈaktsja na zɔmˈiɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_111.wav|tɛn vˈidɔk napˈɛwɲi mˈɔiɣ vrˈɔɡuf strˈaxɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_64.wav|tɔː ˈɔna, mˈuvi stˈɛvɛ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_434.wav|zapˈɛvɲʲam, ʒˈɛ ɲʲɛ bˌɛɲdʑɛ tɕi ɕɛ pˌɔdɔbˈawa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_247.wav|zvwˈaʃtʃa ˈɔna, pˌɔmɨɕlˈawam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_77.wav|bˈɛtskɨ ɲʲɛ bˌɨwa pˈɛvna, tʃɨ tɔː ˌɔznatʃˈawɔ, ʒˈɛ ɲˈilɛ zaxˈɔvaw ɕɛ ɲʲˌɛstɔsˈɔvɲʲɛ i mˈarta dʑˈivɲʲɛ zˌarɛˌaɡɔvˈawa, tʃɨ bˌɨwɔ dɔkwˈadɲʲɛ na ˈɔdvrut.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_61.wav|tˈɛras tɨ ɔpˈɔvʲɛts ɔ sˈɔbjɛ, ˈɛlis.|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_119.wav|zˌabɛspʲˈɛtʃɨ tˈɛʃ ˈɔba kˌɔmputˈɛrɨ i tɛn nˈɔvɨ i sfˈuj ˌɔsɔbʲˈistɨ, ktˌurɨ jɛst jˈɛɡɔ stˈarɨm drˈuxɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_193.wav|mˈina fˌatsɛtˈɔvi ʒˈɛdɲʲɛ na vˈidɔk mɛ̃ʃtʃˈɨznɨ w mˈastsɛ mɛlˈaɲʲɛ trˈump, ɲʲˌɔsɔntsˈɛɡɔ na ramjˈɛɲʲu tˈɔrbɛ na laptˈɔpa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_78.wav|vʲˈɛʒɛ, ʒˈɛ ɲʲɛ pɔzvˈɔliwbˌɨm jɛj f tɔː uvʲˈɛʒɨtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_32.wav|tˈutaj jɛj ɲʲˈɛma, jˈɔɛl.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_13.wav|jɛst jˈuʃ pˈuʑnɨ pɔrˈanɛk.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_55.wav|mˈam na mˈɨɕli awdˈɨtsjɛ pˌɔpʃɛdʑajˈɔntsɔ̃ tˈɛ ɔbˈɛtsnɔ̃. ɔ bˈɔʒɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_70.wav|ˌɔtʃɨvˈiɕtɕɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_66.wav|vɨstˈartʃɨwbˌɨ jˈɛdɛn tʃwˈɔvʲɛk, ktˌurɨ bˈɨ zˈɛznaw, ʒˈɛ ʒɔndˈaɲʲɔm zvrˈɔtu pʲɛɲʲˈɛndʑɨ tˌɔvaʒɨʃˈɨwɨ pɔɡrˈuʃki, a tsamˈɛrɔn ˈɛdmɔndz bˈɨwbɨ skɔɲtʃˈɔnɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_44.wav|rˈɔp pɔpˈatʃɨw na vˈɨdruk, jˈaɡbɨ ɲʲˈɛxtɕaw pˈatʃɛtɕ w ˈɔtʃɨ tɔmˈɔvi.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_264.wav|a kʲˈɛdɨ dˌɔstartʃˈɔnɔ jɛj nˈɔvɔ̃ kɔʃˈulɛ?|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_11.wav|tsɛrsˈɛi ɕɛdʑˈawa pɔd ʒɛlˈaznɨm trˈɔnɛm, ɔdʑˈana w ʑɛlˈɔnɨ jˈɛdvap i zwˈɔtɛ kɔrˈɔŋki.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_104.wav|ˈɔjtɕɛts tfʲˈɛrdʑi, ʒˈɛ ɲʲɛ vˈidʑaw pˈaɲi blˈiskɔ ʃˈɛɕtɕ lˈat i ʒˈɛ dɔpʲˈɛrɔ dʑˈiɕaj pˈɔznaw sfɔjˈɛɡɔ vnˈuka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_74.wav|jˈakɔ ktˈɔɕ, kˈɔmu tʃˈɛɡɔɕ ˌɔdmuvʲˈɔnɔ. jˈɛɕli zˈatɛm ktɔkˈɔlvʲɛɡ vʲˈɛ, dlatʃˈɛɡɔ mˈarta zɔstˈawa vrɔbjˈɔna,|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_161.wav|tˈakɔ fskˈazaw pˈaltsɛm na trˈɔmbɛ i klˈu i dˈaw znˈak, ʒˈɛbɨ spravdʑˈili ˈɔknɔ pɔ lˈɛvɛj. mɨ z jˈɛtʲim pɔdˈɛʃliɕmˌɨ dɔ tˌɛɡɔ pɔ prˈavɛj.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_7.wav|ɲʲɛ bˌɛɲdʑɛ mɲʲɛ vˈidʑaw w lustˈɛrku fstˈɛtʃnɨm, ˌalɛ ja mˈam dˈɔbrɨ vˈidɔk na ɲʲˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_223.wav|ˌalɛ tˌaɡanˈarɔ pʃɨvˈaliw mu dˈɔrʃɛm i pɔwˈɔʒɨw tˌɛmu krˈɛs.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_6.wav|ɲʲɛ ˌɔtpɔvʲˈada. mˈuj ˈumɨsw varjˈujɛ, prubˈujɔndʑ znˈalɛɕtɕ ˌɔtpɔvʲˈɛdʑi.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_132.wav|i ɲʲɛ tˈak pijˈanɨ jˈaɡ ɡɛmbˈɔsrɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_24.wav|pɔvˈɔli jɛxˈawɛm nˈapʃut na dwˈuɡʲix ɕfʲˈatwax, mˈɨɕlɔnts, ʒˈɛ tɔ mˈɔja drˈuɡa, ɔstˈatɲʲɔ vizˈɨta f pˌɔɕadwˈɔɕtɕi zwˈɛɡɔ tʃwɔvʲˈɛka.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_117.wav|vˈɨpiw i ɔtstˈaviw ʃklˈaŋkɛ.|0
+Dataset/wavs/urwisko_ferenc/01_segment_48.wav|na fʃˈɛlki vɨpˈadɛk ˌɔbɛjʒˈawa ɕɛ f pʃˌɛkʃɨvʲˈɔnɨm lustˈɛrku.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_113.wav|ɲʲɛ najɡˈɔʒɛj, mˈuvi. zˈaras jˈɛdnak nˌapɔtˈɨka jɛj spɔjʒˈɛɲʲɛ i dɔdˈajɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_105.wav|zɡˈɔdɲʲɛ z umˈɔvɔ̃ xˌɔnɔrˈarjum mʲˈawɔ fpwˈɨnɔɲdʑ w dɲʲˈu pˌublikˈatsji. zɡˈadʑa ɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_190.wav|ˌɔstatˈɛtʃna dɛtsˈɨzja bˌɛɲdʑɛ nˌalɛʒˈawa dɔ ɲʲˈɛj. sɔ̃ jˈɛdnaɡ vˈaʒnɛ pɔvˈɔdɨ, bˈɨ ˌutʃɛstɲitʃˈɨwa f tɨm dɔ samˈɛɡɔ kˈɔɲtsa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_242.wav|ˌɔna dˌɔmɨɕlˈiwa ɕɛ mˈɛɡɔː ɔdrˈuxu, ˌuɕmʲɛxnˈɛwa ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_252.wav|f kɔmnˈatɕɛ bˌɨwɔ tˈɛʒ ʑˈimnɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_17.wav|prˈɔʃɛ ˈuɕɔ̃ɕtɕ, pˈaɲʲɛ ˈɛdmunts. ʒˈutsɛ nˈatɔ ˈɔkʲɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_531.wav|lˈɛtʃ pɔlˈitʃɛɡ bˈɨw sˈuxɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_316.wav|ˌalɛ tʃwˈɔvʲɛk ɲʲɛ mˈɔʒɛ ʒˈɨdʑ bˈɛz vnɛntʃnˈɔɕtɕi.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_267.wav|ʃɨdˈɛrtʃɛ ˈimjɛ s pɛvnˈɔɕtɕɔ̃ bˌɨwɔ pɔmˈɨswɛm nˌajɛmɲˈika.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_13.wav|zjˈɛdʑmɨ dˈɔbrɨ, ɡɔrˈɔntsɨ pɔɕˈiwɛk, ɲˈim bɛɲdʑˌɛmɨ muɕˈɛli stˈavitɕ tˌɛmu tʃˈɔwɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_42.wav|tʃˈɛɕtɕ sɔ̃ɕˈɛdʑɛ, mˈuvi dʒˈamal. tɛn mwˈɔdɨ mɛ̃ʃtʃˈɨzna tɔ mˈuj sˈɨn, dˈɛrɛk. ʃˈaɲitsˌɛ fspɔmɲʲˈawa, ʒˈɛ jˈuʃ jˈɔ̃ pɔznˈawɛɕ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_247.wav|tɨ znˈaʒ vʲˈɛntsɛj jɛ̃zˈɨkuf, a ɡdˈɨ tˌɨlkɔ pɔtʃˈujɛʃ ɕɛ lˈɛpʲɛj, bˌɛɲdʑɛʃ mˈuɡw...|1
+Dataset/wavs/urwisko_ferenc/21_segment_67.wav|ɲʲɛ fˌarbɔvˈawa vwˈɔsuf, xˈɔtɕ mʲˈawa jˈuʃ w ɲˈix srˈɛbrnɛ ɲˈitki. ɲʲɛ mˌalɔvˈawa paznˈɔktɕi, ɲʲɛ rɔbʲˈiwa mˌakijˈaʒu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_41.wav|vɨbjˈɔrɛ tˈɛ, na ktˌurɨɣ vɨɡlˈɔnda najmwˈɔdʑɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_6.wav|xtɕˈawabˌɨm ɔmˈuvitɕ s fʃɨstkˈimi dɔvˈɔdɨ, ktˌurɛ mˌamɨ pʃɛtɕˈifkɔ mˈartɕɛ pˈɔrtɛr.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_248.wav|zˌɔbatʃˈɨwa vidˈɔtʃɲʲɛ w dˈɔlɛ tʃˈarnɨ kʃˈɨʃ na dˈaxu klaʃtˈɔru, bˈɔ stanˈɛwa rˈaptɛm i zatʃˈɛwa ɕɛ ɡɔrlˈivʲɛ ʒˈɛɡnatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_175.wav|zˈaɲim zɡɔdʑˈiwɛm ɕɛ pʃˈɨjɔɲdʑ zlɛtsˈɛɲʲɛ, spravdʑˈiwɛm fatsˈɛta, kturˌɛɡɔ dˌɔtɨtʃˈɨwɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_64.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_6.wav|ˌinspɛktˈɔʒɛ sˈims, jˈɛdʑɛʒ zˈɛmnɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_183.wav|ɲʲˌɛprɔʃˈɔnɨ ɕˈadwɛm na tˌabɔrˈɛtɕɛ dˈɔsɨtɕ ɲʲˌɛvɨɡˈɔdnɨm i xfʲˈɛjnɨm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_79.wav|ktˈɔː ix f tˈakim rˈaʑɛ zˈabraw dɔ xɔlˈɛrɨ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_84.wav|mˈɔjɛ pʲɛɲʲˈɔndʑɛ bˌɨwɨ na tʃˈɛx rˈuʒnɨx kˌɔntɨnˈɛntax, f tɨm jˈɛdnɨm, s kturˌɛɡɔ kɔʒˈɨstatɕ mˈɔɡwɛm tˌɨlkɔ jˈakɔ dˈaltɔn smˈitx.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_168.wav|tˈɛras ɲʲɛ muɕˈawam ɕɛ jˈuʃ skrˈadatɕ. pɔdˈɛʃwam dɔ vˈannɨ ɔt pʃˈɔdu i ftʃɔwɡˈawam ɕɛ dɔː ˌumjɛʃtʃɔnˈɛɡɔ pɔt spˈɔdɛm basˈɛnu.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_81.wav|w lˈɛvɛj dwˈɔɲi dʑɛftʃˈɨŋki nˈaɡlɛ pɔjˈaviw ɕɛ dwˈuɡʲi nˈuʃ, rˈuvɲʲɛ smˈukwɨ jˈak ˈɔna.|1
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_46.wav|pˌɔvʲɛdʑˈawa f kˈɔɲtsu i vɛstxnˈɛwa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_28.wav|a jˈɛɕli xtsˈɛ pˈan vˈɛjɕtɕ?|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_20.wav|ja rˈuvɲʲɛʒ dʑɛŋkˈujɛ pˌɔvʲɛdʑˈawa bˈɛtskɨ.|3
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_109.wav|zamjˈɛʒam pɔsˈuvatɕ ɕɛ dɔ pʃˈɔdu tˈaɡ dwˈuɡɔ, jˈak stˈartʃɨ mi ɕˈiw, ˈalbɔ zrˌɛzɨɡnˈujɛ, ftɕˈɔ̃ʃ mˈajɔnts pʲɛɲʲˈɔndʑɛ na dˈalʃɔ̃ ɡrˈɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_56.wav|jˈasnɛ, ˈɔtpar fˌuŋktsjɔnˈarjuʃ ɲʲˈɛtsɔ zˌaskɔtʃˈɔnɨ, bˈɔ pʃˌɛtɕɛʃ nˈumɛr rˌɛjɛstratsˈɨjnɨ zˈɔstaw jˈuʒ dˌɔpasɔvˈanɨ dɔ vwˌaɕtɕitɕˈɛla mʲɛʃkˈaɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_503.wav|dlatʃˈɛɡɔ tɨ zˈamɲʲɛ dˌɛtsɨdˈujɛʃ?|0
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+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_127.wav|kʲˈɛdɨ tsˈɔɕ jɛst ɲʲɛ tˈak.|4
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_51.wav|ˌutɕɛkˈawɛm.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_305.wav|zˈɔstaɲ z nˈami, sˈɛr.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_161.wav|rˌɔzʒaʒˈɔna stˈal zˌasɨtʃˈawa ɡɲʲˈɛvɲʲɛ.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_69.wav|wapˈidux pˈad na kɔlˈana ˌɔbɔk prˈɨtʃɨ.|2
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+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_95.wav|w jˈakim sˈɛnɕɛ ɡʲˈit?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_100.wav|nˈadal miltʃˈɔntsɨ tˈata zˈamknɔw tˈɨlnɔ̃ klˈapɛ, ˈɔpʃɛd ˈawtɔː i fɕˈad.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_5.wav|jˈak tɔ ɕɛ dɔstˈawɔ dɔ mʲˈasta? brˈɔɲi pˈalnɛj ɲˈiɡdɨ ɲʲɛ pʃˌɛmɨtsˈawam.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_380.wav|maʃ rˈatsjɛ. prˈavdɛ mˈuvʲɔnts, tˌɛɡɔ vwˈaɕɲʲɛ bˈɔjɛ ɕɛ najbˈardʑɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_53.wav|pɔbjˈɛɡli na tˈɨw dˈɔmu. ɲʲɛ mˈajɔnts tʃˈasu na pʃɨjʒˈɛɲʲɛ ɕɛ kˈuxɲi, vɨpˈadli na zˈɛvnɔntʃ pʃˈɛs ɔtfˈartɛ dʒvˈi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_120.wav|ja tˈɛʃ mˈam trˈɔxɛ kˈasɨ, mˈuvi xˈaŋk. tˌɨlkɔ pʲˈɛɲtɕ tˈɨx, ˈalɛ...|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_36.wav|ˌalɛ mˌajɔ̃ tʃˈɨ fˈiljɛ, jˈak mˈɔɡwɛm ɔdmˈuvitɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_8.wav|pˌɔviɲʲˈɛnɛm pˌɔinfɔrmˈɔvatɕ ˈɔtɨm nˌadʲinspɛktˈɔra dˌɔuɡlˈasa?|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_99.wav|tˌɨlkɔ pˈarɛ ɕiɲʲˈakuf i zadrˈapaɲ. vʲˈɛnts ɲikˈɔmu ɲʲɛ stˈawa ɕɛ kʃˈɨvda.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_248.wav|w lˈɛs ɲʲɛ pʃˌɨvitˈajɔ̃ nˈas mˈiwɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_126.wav|vzrˈuʃa rˌamjɔnˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_85.wav|i tsˈɔ nˈɔra mʲˈawa tɕˌɛkavˈɛɡɔ dɔ pˌɔvʲɛdʑˈɛɲʲa?|4
+Dataset/wavs/urwisko_ferenc/08_segment_132.wav|tʃˈɨli, ʒˈɛ tsˈɔ? ɔbrˈuʃɨw ɕɛ mɛ̃ʃtʃˈɨzna, ɡdˈɨ bɔrˈɛvitʃ pʃˈɛtɕɔw skʃˌɨʒɔvˈaɲʲɛ. lˈipski bˈɨw z ʒˈɔnɔ̃ na ɔstˈatɲʲɛj zabˈavʲɛ i…|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_226.wav|pʃɛprˈaʃam, pˈaɲʲɔ̃. ˌɔdɛzvˈawɛm ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_9.wav|mˈawɔ prˌavdɔpɔdˈɔbnɛ zˈatɛm, ʒˈɛbɨɕmˌɨ mʲˌɛli dɔ tʃɨɲʲˈɛɲʲa s pʃˌɨpatkˈɔvɔ̃ napˈaɕtɕɔ̃.|3
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+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_59.wav|sˈara, dʒˈɛs, ˈarɔn i mˈɛrtsɨ, dɔ ɕrˈɔtka.|4
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+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_45.wav|zˈafʃɛ mʲˈaw skwˈɔnnɔʑdʑ dɔ pˌɔtkrɛntsˈaɲʲa dʑvʲˈɛŋku na tsˈawɨ rˌɛɡulˈatɔr, kʲˈɛdɨ pˈuʃtʃaw krˌɛɛdˈɛntsɛ lˈub zˈɛpuf.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_162.wav|xtɕˈawabˌɨm, ˌalɛ ɔbˈavʲam ɕɛ, ʒˈɛ ɲʲɛ mˈɔɡɛ. prˈɔʃɛ ɕɛ jˈɛdnak ɲʲɛ krɛmpˈɔvatɕ.|3
+Dataset/wavs/urwisko_ferenc/17_segment_59.wav|w ˌɔtpɔvʲˈɛdʑi xˈɛrman jɛdˈɨɲʲɛ uɲʲˈɔswa blˈaxɛ dɔ vizjˈɛra.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_67.wav|blˈatskfiʃ ɕˈɛdʑi w zˈamku, a mɨ w ɔbˈɔzax pɔt murˈami. prˈavdɛ mˈuvʲɔnts, tɔ xɔlˈɛrɲʲɛ nˈudnɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_34.wav|kɔmˈisaʃ kˈɔrsak krˈɔ̃ʒɨw ɲʲˌɛtɕɛrplˈivʲɛ pɔ kˌɔrɨtˈaʒu zaswˈanɨm ɡˌazɛtˈami.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_122.wav|pʃɨpˈɔmɲʲaw jˈamɛ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_325.wav|bˌɛɲdʑɛʃ mʲˈaw sˈɨnuf, ktˌuʒɨ zˈajmɔ̃ tfˈɔjɛ mʲˈɛjstsɛ. tʃˌɛmu xtsˈɛʒ vˈɨʒɛts ɕɛ tˌɛɡɔ fʃɨstkʲˈɛɡɔ dla... dla jˈakixɕ ɕlˈubuf?|1
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+Dataset/wavs/urwisko_ferenc/61_segment_6.wav|stˈarɛ ʒvˌirɔvˈiskɔ vˌɨpɛwɲʲˈɔnɛ vˈɔdɔ̃ vˌɨjaɕɲˈiwa. a dˈalɛj tˈam, ɡdʑˈɛ tɛ vɨsˈɔkʲɛ dʒˈɛva pwˈɨɲʲɛ drvˈɛntsa.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_486.wav|ˌɔswupʲˈawɛm.|0
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+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_114.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_137.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_466.wav|mɲʲɛ fʃˈɨstkɔ jˈɛdnɔ.|0
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+Dataset/wavs/urwisko_ferenc/42_segment_68.wav|mʲˈaw ˈɔtɨm pˌɔrɔzmˈavʲadʑ z ʒˈɔnɔ̃ i pˈɛvɲʲɛ bˈɨ tɔ zrˈɔbʲiw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_17.wav|tˈɔm pˈɔtʃɛd dɔ dʒvˈi, a kˈid ʒˈutɕiw ɔstˈatɲʲɛ spɔjʒˈɛɲʲɛ na tablˈitsɛ i pɔspʲˈɛʃɨw zˈaɲim.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_261.wav|dla nˈas jɛst nˈɔts.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_210.wav|tsˈɔ rˈɔbʲitɕ? tˈak mˈuɕi bˈɨtɕ, kʲˈɛdɨ pɔlˈitsja z djˈabwa pʃɛmjˈɛɲʲa ɕɛ w aɲʲˈɔwa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_65.wav|xˈɔtɕ tˈɔm xtɕˈaw tɔ skˌɔmɛntˈɔvatɕ, ɲʲɛ znˈalaz vwaɕtɕˈivɛj ˌɔtpɔvʲˈɛdʑi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_562.wav|nˌapijˈɛmɨ ɕɛ tʃˈɛɡɔɕ mˌɔtsɲʲɛjʃˈɛɡɔ? spˈɨtaw tˈɔnɨ. w ʒˈɨtɕu jˈuʃ ɲʲɛ vˈɛzmɛ vˈutki dɔː ˈust.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_90.wav|ˈɔtpar zˌamɨkˈajɔndʑ dʒvˈi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_62.wav|zrˈɔbʲiʃ tɔ pˈɛvnɔ jɛdnˈɛɡɔ dɲʲˈa.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_4.wav|ɲˈikt twumˈatʃɨ, ʒˈɛ lˌɔkalizˈatsja jɛst jˈuʃ ˌustalˈɔna. rɔzˈumjɛ pʃˈɛstɔ mʲˈɛjstsɛ, s kturˌɛɡɔ pˈadɲʲɛ stʃˈaw.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_104.wav|spɔjʒˈawam na tʃasˈɔmjɛʃ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_93.wav|jˌɛstɛʑ vˈaʒna dla mɲʲɛ i dla nˈaʃɛj spˌɔwɛtʃnˈɔɕtɕi.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_146.wav|f tʃˈasax, ɡdˈɨ vwˌaɕtɕitɕˈɛlɛm ɡɔspˈɔdɨ bˈɨw dʑˈadɛk stˈarɛj mˈaʃɨ xˈɛdl.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_87.wav|stfʲˈɛrdʑa, ʒˈɛ jˈuʃ ɲʲɛ mˈɔʒɛ ɕɛ dɔtʃˈɛkatɕ, bˈɨ jˈutrɔ pˈisatɕ tɕˈɔŋɡ dˈalʃɨ.|2
+Dataset/wavs/urwisko_ferenc/57_segment_25.wav|vɨbrˈawa nˈumɛr pilˈɛfskʲɛj i ˌɔttʃɛkˈawa kˈilka sɨɡnˈawuf.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_213.wav|z ˈuʃu i nˈɔzdʒɨ stɛrtʃˈawa mu bjˈawa ʃtʃɛtɕˈina. mʲˈaw kʃatʃˈastɛ brvˈi i nˈɔz zwamˈanɨ w vʲˈɛlu mʲˈɛjstsax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_98.wav|bʲˈillɨ ˈɔmal ɲʲɛ mˈuvi tˌɛɡɔ pʲˈɛrʃɨ, ˌalɛ ɡʲˈɔrɡjɔ ɡˈɔː upʃˈɛdʑa i bˈardʑɔ dˈɔbʒɛ, bˈɔ tɔː ˈɔn, ɲʲɛ bʲˈillɨ sˈummɛrs, mˈa bˈɨtɕ ɔt mɨɕlˈɛɲʲa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_388.wav|ktˌurɛj tsˈɛlu bˈɨtɕ mˈɔʒɛ ɲˈiɡdɨ ɲʲɛ pɔznˈamɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_285.wav|ɔtpˈɔvʲɛts ktɕˈukʲɛm w ɡˈurɛ lˈub w dˈuw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_83.wav|vʲˈɛm, ʒˈɛ jˈɛɕli ɔn ɕɛ zɡˈɔdʑi na jɛj varˈuŋki, dɔtʃˈɨma swˈɔva.|4
+Dataset/wavs/urwisko_ferenc/25_segment_48.wav|tɔ tsˈɔ? nˈamɲʲɛ tʃˈas mˈawa, ɲʲɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_37.wav|kɛlvˈiɲʲɛ, tɔ jˈa, dʒˈɛs, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_478.wav|jˈɛdnaɡ bwɔŋkˈawɛɕ ɕɛ za mnˈɔ̃ pɔ ɕfʲˈɛtɕɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_24.wav|tʃˈɛɡɔː ˈɔdɛ mɲʲɛ ˌɔtʃɛkˈujɛʃ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_39.wav|mˈuʃɛ zɡrɔmˈadʑitɕ rˈɛʃtki ɕˈilnɛj vˈɔli i pɔfstʃˈɨmatɕ ɕɛ ɔt rˈuxu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_421.wav|ɔd zvʲˌɛlɔkrˌɔtɲʲɔnˈɛɡɔ mˈɛɡɔ zvɨkwˈɛɡɔ ɲʲˌɛpɔkˈɔju.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_88.wav|kʲˈɛdɨɕ fʃˈɨstsɨ jɛxˈali na zˈaxut.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_12.wav|vrˈatsam dɔ kˈuxɲi i ɔpˈadam tɕˈɛ̃ʃkɔ na kʃˈɛswɔ. ɡɲʲˈɛf ɔtsˈunɔw ɡdʑˈɛɕ fʃˈɨstkʲɛ zwˈɛ ɛmˈɔtsjɛ, tsˈɔ pʃɨjmˈujɛ s pravdʑˈivɔ̃ ˈulɡɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_437.wav|ɡdˈɨbɨm ja tɔ mˈuɡw ɔdvˈɔwatɕ, skasˈɔvadʑ za sˈɔbɔ̃, ˌuɲʲɛvˈaʒɲitɕ na vʲˈɛtʃnɔɕtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_76.wav|vʲˈɛm, ʒˈɛ sprˈavɨ ɲʲɛ pˌɔtɔtʃˈɨwɨ ɕɛ pɔ tfˈɔjɛj mˈɨɕli w awstrˈalji i pʃˈɨkrɔ mi s tˌɛɡɔ pɔvˈɔdu. mˈam nadʑˈɛjɛ, ʒˈɛ jˈakɔɕ sˈɔbjɛ s tɨm pˌɔradʑˈiwaɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_199.wav|tɔ znˈatʃɨ, naprˈavdɛ tˈam jˈɛstɛɕ, ˌalɛ rˌɔzumjˈɛtɕɛ, tsˈɔ mˈam na mˈɨɕli.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_10.wav|zˈaɲim ˌudajˈɛmɨ ɕɛ vɨmˈɨɕlitɕ jˈakɔ̃ɕ sɛnsˈɔvnɔ̃ ɔtpˈɔvʲɛtɕ, dɔ sɨpʲˈalɲi fxˈɔdʑi mˈili, tsˌawkɔvˈitɕɛ jˈuʃ ubrˈana f sfˈuj ʃkˈɔlnɨ mundˈurɛk.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_86.wav|pɔt ɔbjˈɛma paxˈami ɲʲˈɔs kɔbjˈɛtɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_7.wav|pʃˌɛkɔnˈajmɨ ɕɛ, tsˈɔ mˈamɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_37.wav|zmɛntʃˈɨwa ɕɛ ɡwˈuvɲʲɛ vɔwˈaɲʲɛm tɕˈɛbjɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_74.wav|ja pˈanu zˈafʃɛ mˈɔɡɛ pˈɔmuts, pɔvʲˈɛdʑaw rɔsˈɛnblatt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_221.wav|dʑɛŋkˈujɛ. bˈardʑɔ, bˈardʑɔ, bˈardʑɔ, ˌalɛ tɔ bˈardʑɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_17.wav|ˌɔpɔvʲadˈawam tɕi ˈɔɲim vʲˈɛlɛ fspaɲʲˈawɨɣ ʒˈɛtʃɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_96.wav|ja ɲʲɛ mˈɔɡɛ ɔddˈɨxatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_100.wav|i nˈaɡlɛ ɕɛ zˌɔrjɛntɔvˈawam, jˈak tsudˈɔvɲʲɛ zˌadʑawˈawa n��amɲʲɛ jˈɛɡɔ pɔxfˈawa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_69.wav|ɲʲɛ mˈɔɡɛ.|0
+Dataset/wavs/urwisko_ferenc/16_segment_23.wav|sˈɔ̃ɕat lˈipskʲɛj pɔʒˈɛɡnaw ɕɛ i ˈɔtʃɛd. skrˈɛɲtɕiw na xɔdɲˈiku f prˈavɔː i zɲˈiknɔw bˌɔrɛvitʃˈɔvi z ˈɔtʃu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_25.wav|pɔvʲˈɛdʑaw spˈɛntsɛr.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_102.wav|sɔ̃ pˌɔspɔlˈitɕi. f tɨm pʃɨnˈajmɲʲɛj ɕɛ zɡadʑˈamɨ.|1
+Dataset/wavs/urwisko_ferenc/41_segment_44.wav|w burdˈɛlu?|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_66.wav|ˈɛliz vɨɡlˈɔnda na zˌaɲʲɛpˌɔkɔjˈɔnɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_105.wav|fʃˈɨstsɨ sɔ̃ vulɡˈarɲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_298.wav|ɔtpˈɔvʲɛm, ʒˈɛ lɛʒˈawam na mˈɔjɛj prˈɨtʃɨ i bˌuʃɔvˈawam pɔ ɕˈɛtɕi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_82.wav|ˈalfjɛ zˌaswuɡˈujɛ na vʲˈɛntsɛj ɲˈiʃ jˈa. tʃˈas pʃˈɛstatɕ ɕɛ ukrˈɨvatɕ pʃɛt sfɔˈimi bwɛndˈami.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_89.wav|fxˈɔdʑɛ ʃˈɨpkɔ dɔ ɕrˈɔtka, zrˈɨvam zdjˈɛɲtɕɛ i ftɕˈiskam jˈɛ f kʲˈɛʃɛɲ spˈɔdɲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_111.wav|kasjˈɛrka nabʲˈija pɔjˈɛmɲik na sˈamɨm kˈɔɲtsu, pɔ tʃɨm pɔdnˈɔɕi ɡˈɔ, bˈɨ lˈɛpʲɛj mu ɕɛ pʃˈɨjʒɛtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_51.wav|jˈɛɕli mʲˈɛʃka ɕɛ w ˌapartˌamɛntˈɔftsu, tɔ dlatʃˈɛɡɔ parkˈujɛ ɕɛ samˈɔxut na sfˈɔim mʲˈɛjstsu pʃˈɛs jˈɛdɛn tʃɨ dvˈa dɲˈi f tɨɡˈɔdɲʲu?|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_8.wav|muɕˈawaʑ vʲˈɛdʑɛtɕ, ʒˈɛ fʃˈɨstkʲɛ vˈɛjɕtɕa dɔː artˈɛmis sɔ̃ ˌɔpstavʲˈɔnɛ. zɔstˈawɔ tɕi tˌɨlkɔ tsˈɛntrum vˌɨtɕɛtʃkˈɔvɛ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_50.wav|tʃasˈami jˈɛɡɔ ɡrˈaɲʲɛ budʑˈiwɔ dʑˈɛtskɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_243.wav|mˈɔjɛ ɡʲˈizmɔ zˌapiʃtʃˈawɔ. vɨjˈɛwam jˈɛ s kʲɛʃˈɛɲi i spɔjʒˈawam na vɨɕfʲˈɛtlatʃ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_56.wav|ˌuvaʒˈawam, ʒˈɛ fʃˈɨstkɔ jɛst f pɔʒˈɔntku, a stsˈɔtt kˈɔxaw ɕɛ zˈɛmnɔ̃ s pˈasjɔ̃ i pɔɕpʲˈɛxɛm, ktˌurɛ pˌɔzbavʲˈawɨ mɲʲɛ txˈu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_81.wav|ɲʲɛ, pˈaɲʲɛ pˌɔtpuwkɔvɲˈiku, pʃɨnˈajmɲʲɛj ɲʲɛ pamjˈɛntam, ˈalɛ...|2
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_98.wav|tˈaka jɛst prˈavda.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_115.wav|ɔtfʲˈɛram ˈusta, bˈɨ zavˈɔwatɕ tˈatɛ, kʲˈɛdɨ nˈaɡlɛ ˈaram vzdˈɨxa, jˈɛɡɔ rˈɛntsɛ lˈuʑnɔː ˌɔpadˈajɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_495.wav|pˈan xundˈɛbawx ɲʲɛ jɛzd zˌadɔvɔlˈɔnɨ zˈɛ spɔsˈɔbu, w jˈaki pratsˈujɛʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_139.wav|bˈɔ ta fˈirma zˈafʃɛ pʃˌɛstʃɛɡˈawa zˈasad bˌɛspʲɛtʃˈɛɲstfa pˌɔʒarɔvˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_114.wav|bˈaki fskazˈujɛ na tˈaras i skrˈɨtɛ pˈɔdɲim ˈawta.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_282.wav|pˈɔtɛm jˈamɛ pʃˈɨpʲɔw zwˈɔtɔ̃ rˈɛŋkɛ i vdʑˈaw brɔ̃zˈɔvɨ pwˈaʃtʃ, bˈɨ pʃˈɛjɕtɕ ɕɛ mʲˌɛndʑɨ nˌamjɔtˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_211.wav|kʲˈɛdɨ rˈɔɲi muvˈiwa dɔ tɕˈɛbjɛ pɔ nazvˈisku, vʲɛdʑˈawɛɕ, ʒˈɛ jɛst fɕtɕˈɛkwa.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_176.wav|ftɕɔŋɡnˈɛwam za sˈɔbɔ̃ dɔ basˈɛnu spʃˈɛnt spˌavalɲˈitʃɨ i tˈɔrbɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_142.wav|pɔvʲˈɛdʑaw xundˈɛbawx.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_224.wav|dʒˈin zmˈarʃtʃɨw brvˈi.|4
+Dataset/wavs/urwisko_ferenc/22_segment_4.wav|a pˈɔtɛm zˈɔstaw w ɲʲˈɛj i ɔbˈɔjɛ dɨʃˈɛli, vratsˈajɔndʑ dɔ ʒˌɛtʃɨvistˈɔɕtɕi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_89.wav|zmˈuʃam ɕɛ, ʒˈɛbɨ zˈadatɕ pɨtˈaɲʲɛ, xˈɔtɕ mˈuj ɡwˈɔz bˈardʑɛj pʃˌɨpɔmˈina ʃˈɛpt.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_76.wav|ˌalɛ kˌɔrɨtˈaʒɛ sɔ̃ pʃˌɛznatʃˈɔnɛ dɔ rˈuxu pʲɛʃˈɛɡɔ.|4
+Dataset/wavs/urwisko_ferenc/16_segment_10.wav|ˈalɛʃ skˈɔnt? xtɕˈawɛm pˌɔrɔzmˈavʲatɕ s pˈaɲʲɔ̃ lˈipskɔ̃ ɔ tɛj lˌɔkatˈɔrtsɛ, ktˌura z��aɡʲinˈɛwa. tˈɛj, ɔ ktˌurɛj pisˈali w ɡazˈɛtax. na pˈɛvnɔ pˈan tʃˈɨtaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_47.wav|zvwˈaʃtʃa, kʲˈɛdɨ dɔwˈɔʒɨdʑ dɔ tˌɛɡɔ fspɔmɲʲˈɛɲʲɛ mˈinɨ dʒɔnˈɛɡɔ tsɔltˈɔna.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_362.wav|ɲʲɛ vˈɔlnɔː ɔdvʲˈɛdʑatɕ xɔrˈɛɡɔ za ftʃˈɛɕɲʲɛ. ɲʲˈɛx pˈan spˈɔjʒɨ na ˈɛkran.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_90.wav|dˈɔbrɛ i tɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_71.wav|samˈɔlɔt ɲʲɛ bˌɛɲdʑɛ tˌɛɡɔ tʃˈutɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_48.wav|ɕˈɛrʒant kˈamba i jˈɛɡɔ kˌɔlɛʒˈaŋka pʃˌɛswuçivˈali pˈaɲʲɔ̃ f sprˈavʲɛ mɔrdˈɛrstfa ɡˌɛnɛvʲˈɛvɛ strˈaxan.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_149.wav|dlatʃˈɛɡɔ ɕɛ uɕmʲˈɛxaʃ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_79.wav|tɔ ɲʲɛ pˈɔtrfa dwˈuɡɔ, skˈarbjɛ. ɲʲɛdwˈuɡɔ vrˈutɕiʃ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_495.wav|tʃˈasɛm pʃɛbjˈɛɡɲʲɛ bɛspˈaɲski pʲˈɛs, ɲʲɛ zˌɔstavʲˈajɔnts ɕlˈaduf.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_354.wav|zɛswˈanɛ tˈu jˈakɔ kˈara za nˈaʃɛ ɡʒˈɛxɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_37.wav|spˈɛntsɛr pɔpˈatʃɨw nˈaɲih s trˈɔskɔ̃, pɔ tʃɨm kˈivnɔw ɡwˈɔvɔ̃ i vˈɨʃɛd, pˌɔzɔstavʲˈajɔnts ˌuxɨlˈɔnɛ dʒvˈi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_169.wav|ɔtɕˈɛra ˈusta papʲˈɛrɛm tˌɔalɛtˈɔvɨm, jˈɛʃtʃɛ rˈas spˈuʃtʃa vˈɔdɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_179.wav|tsˈɔɕ ɕɛ zmʲɛɲˈiwɔ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_317.wav|ɡdʑˈɛ mˈuɡwbɨm tˈakɔ̃ sˈɔbjɛ kˈupitɕ?|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_79.wav|pˈatʃɔnts na pˌɔwudɲʲˈɔvɨ fsxˈut, mˈɔɡwam pɔdʑˈivʲatɕ mɲʲˈɛjʃɔ̃ bˈaɲkɛ armstrˈɔŋɡa, ktˌura pʃˌɨpɔminˈawa pajˈɔŋka ɕˌɛdʑɔntsˈɛɡɔ pɔ ɕrˈɔtku ɕˈɛtɕi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_192.wav|a pˈɔtɛm rˈanɔ pʃˈɨʃɛt pɔrˈutʃɲiɡ ʒandˈarmuf i pɔvʲˈɛdʑaw dɔ mɔjˈɛɡɔ brˈata.|0
+Dataset/wavs/urwisko_ferenc/52_segment_35.wav|zɔstˈaviw jɛj pʲɛɲdʑˈɛɕɔnd zwˈɔtɨx i ɲʲɛ tʃɛkˈajɔnts na rˈɛʃtɛ vˈɨʃɛd na rɔzɡʒˈanɛ kˈɔtɕɛ wbˈɨ.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_323.wav|i smˈutnɨ jˈak mˈiwɔɕtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_207.wav|ftˈɛdɨ pʃɛɡʒˈanɨ ˌɛlɛktrˈɔlid vɨtɕˈɛkɲʲɛ i zɲˈiʃtʃɨ tsˈawɛ vnˈɛntʃɛ bˈaɲki.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_354.wav|pˌɔwɔʒˈɨwam rˈɛŋkɛ na tfˈɔim sˈɛrtsu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_76.wav|pɔjˈadɛ i ɔdbjˈɔrɛ pˈuʑɲʲɛj samˈɔxut, kʲˈɛdɨ dʑˈɛtɕi bˌɛndɔ̃ f ʃkˈɔlɛ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_413.wav|spʃɛtɕˈiviw ɕɛ ˈɛdvin frˈɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_45.wav|ɲʲɛ mˈɔʒɛ tˈɛʃ natɕˈɔŋɡnɔɲdʑ dˈaʃka tʃˈapki na tʃˈɔwɔ, bˈɔ jɛj ɲʲˈɛvʑɔw.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_198.wav|zabʲˈitɨx pˌɔxɔvˈanɔ, ˌalɛ trˈup mʲastˈɛtʃka pɔzˈɔstaw na mʲˈɛjstsu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_233.wav|swuxˈawam, jˈak ˌinfɔrmˈujɛ mɲʲɛ ˈɔtɨm, tsˈɔ pɔvˈinnam zrˈɔbʲitɕ, ʒˈɛbɨ utrˈudɲitɕ pɔlˈitsji ˌɔdnalɛʑˈɛɲʲɛ mɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_139.wav|zˌakrɨvajˈɔntsɔ̃ fʃˈɨstkɔ, ˌalɛ ɲʲɛ zˌaswaɲʲajˈɔntsɔ̃ ɲitʃˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_327.wav|— mˈuviw mi ˈɔtɨm, ˌalɛ ɲʲɛ fspɔmˈinaw dlatʃˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_6.wav|dʒˈɔna snˈɔf tˈɛʃ prˈavʲɛ ɲʲɛ vidʑˈɛliɕmˌɨ. tɔ ɲʲɛ mˈɔʒɛ bˈɨtɕ fʃˈɨstkɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_144.wav|jˈɛɕli dˈɔbʒɛ rˌɔzumˈujɛ, tɔ dɔtˈɨtʃɨ zavˈɔruv bˌɛspʲɛtʃˈɛɲstfa. skaʒˈɔnɛ pɔvʲˈɛtʃɛ uxˈɔdʑi.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_265.wav|xˈɔtɕ ɲʲɛ vidʑˈawɛm ʒadnˈɛɡɔ krˈula.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_318.wav|lˈɛtʃ tɕˈɛɲ jˈɛɡɔ ɲʲɛ pɔwˈɔntʃɨw ɕɛ z ˈinnɨm tɕˈɛɲʲɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_66.wav|ɔ tsˈɔ xtɕˈawɛɕ mɲʲɛ pɔprˈɔɕitɕ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_36.wav|pˈatʃɛ f pɔvˈaʒnɛ ˈɔtʃɨ dˌɛtɛktˈɨva i kˈivam ɡwˈɔvɔ̃.|4
+Dataset/wavs/urwisko_ferenc/43_segment_32.wav|ɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_27.wav|xɔlˈɛrnɨ ɕfʲˈat, mˈuvi bʲˈillɨ. tɨ naprˈavdɛ maʃ sˈɨndrɔm ʃtɔkxˈɔlmski.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_49.wav|ˌalɛ tɔ mwˈɔda dʑɛftʃˈɨna tʃˌɨmajˈɔntsa tˈatsɛ, vʲˈɛndʑ vɨpˈuʃtʃam pɔvʲˈɛtʃɛ s pwˈuts i ɔtfʲˈɛram dʒvˈi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_117.wav|jˈɛʃtʃɛ jɛst nˈatɔ za ftʃˈɛɕɲʲɛ, ˌalɛ ˌɔbjɛtsˈujɛ, ʒˈɛ pɛvnˈɛɡɔ dɲʲˈa tɕi vɨjˈaɕɲʲɛ, dlatʃˈɛɡɔ tˈu jˈɛstɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_293.wav|bʲˈillɨ spˈɔjʒaw na butˈɛlkɛ i zmˈarʃtʃɨw tʃˈɔwɔ.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_64.wav|ˈɔtsknɔw ɕɛ rˈaŋkʲɛm f sfˈɨm xamˈaku f kajˈutɕɛ dla mˈɛ̃ʃtʃɨzn. ksˈɔndɔ kʃˈɨtʃaw dɔ ɲʲˈɛɡɔ tsˈɔɕ ɔ vʲˈɛtʃɛ. vʲˈatr ɕɛ vzmˈaɡa!|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_198.wav|mˈɔɡɛ pʃˌɛtɕɛʃ kˈupitɕ jɛj dˈɔm, jˈaxt.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_37.wav|ˌalɛ tɔː ɔznˈatʃa, ʒˈɛ jˈɛdnɔ z vˈaz bˌɛɲdʑɛ ɕɛ muɕˈawɔ nˈaɲim skˌɔntsɛntrˈɔvatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_48.wav|jˈɛɕli pɔmˈɨɕliʃ ɔ zvlɛkˈaɲʲu s tɨm lˈub zvrˈutɕiʃ ɕɛ dɔ kˈɔɡɔɕ ɔ pˈɔmɔts, tɔ pamjˈɛntaj, ʒˈɛ mˈa zdjˈɛɲtɕa tfɔjˈɛɡɔ mˈɛ̃ʒa.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_50.wav|marɡˈarɨ bjˈɛʒɛ w ˈusta tfˈɔjɛ sˈutki?|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_244.wav|brɔdˈatɨ ɔpˈaswɨ vʲˈɛpʃ ɔ tˈɛmpɨm spɔjʒˈɛɲʲu i pɔʒˈuwkwɨx, ɔbvˈiswɨx pɔlˈitʃkax.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_240.wav|muɕˈawam ɔtˈɔtʃɨdʑ zˈavur mˈɔtsnɔ̃ i ʃtʃˈɛlnɔ̃ spɔˈinɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_260.wav|mʲˈawam ɔxˈɔtɛ urˈatʃɨdʑ ɡˈɔ tɕˈɛntɔ̃ ripˈɔstɔ̃, ˌalɛ uɡrˈɨzwam ɕɛ w jˈɛ̃zɨk.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_355.wav|ɲˈiɡdɨ ɲʲɛ ˌuvaʒˈawam tɕˈɛ za rɨvˈalkɛ, nˈavɛt pʃˈɛs xfˈilɛ.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_129.wav|a mˈɔʒɛ bˌɛndɛ mˈuɕaw znˈɔvu vrˈutɕitɕ na tɛn pˈat f smˈutku? ktˈuʃ tɔ vʲˈɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_175.wav|mʲˈɛʃkam sˈama, f tˈakim mˈawɨm mʲɛʃkˈaɲʲu.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_286.wav|zˈabjɛʃ mɲʲɛ dɔ dˈɔmu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_76.wav|pˈɔtʃɛd dɔ tʃˈɛx rɛɡˈawuf s sˌɛɡrɛɡˌatɔrˈami i zˈatʃɔw vɨsˈuvatɕ jˈɛ f pʃˌɨpatkˈɔvɛj kˌɔlɛjnˈɔɕtɕi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_28.wav|zˈafʃɛ ʒˈal mi lˈudʑi, ktˌuʒɨ stratɕˈili blˈiskɔ̃ ɔsˈɔbɛ, a pɔ xfˈili dˌɔvʲadˈujɔ̃ ɕɛ, ʒˈɛ mʲˈawa ˌɔna brˈudnɛ tˌajɛmɲˈitsɛ, ktˌurɛ pɔvˈinnɨ pˈujʑdʑ z ɲʲˈɔ̃ dɔ ɡrˈɔbu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_20.wav|vʲˈɛŋkʃɔɕtɕ twumˈatʃɨ bʒmʲˈawa, jˈaɡbɨ pˌɔxɔdʑˈili z miçˈiɡan. ktˈɔ vʲˈɛ dlatʃˈɛɡɔ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_241.wav|zˌavɛzvʲˈɛmɨ pˈana, kʲˈɛdɨ bˌɛɲdʑɛ tʃˈɛba.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_91.wav|jˈak kˈaʒdɛj na pˈara, dˈɔbrɛ dɲˈi, ɡˈɔrʃɛ dɲˈi, ˌalɛ ɔbˈɔjɛ tʃɛrpˈaliɕmˌɨ z mawʒˈɛɲstfa tɔ, tʃˈɛɡɔ pˌɔtʃɛbɔvˈaliɕmˌɨ, a tɔ xˈɨba nˌajvaʒɲʲˈɛjʃɛ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_265.wav|zrˈup, tsˈɔ kazˈawa lˈadɨ alˈain, bˈɔː inˈatʃɛj uswˈɨʃɨ ˈɔtɨm lˈɔtxar brˈɨn.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_2.wav|vˌɨskakˈujɛ s sˌamɔxˈɔdu. kˈim jɛst tɛn ʒartˈɔvɲiɕ?|4
+Dataset/wavs/urwisko_ferenc/53_segment_16.wav|vˈɔlɛ ʒˈutɕitɕ ɕɛ w vˈir rɔbˈɔtɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_253.wav|a ɔn pʃˈɛrvaw nˈamɨsw i ɲʲɛdbˈalɛ pˌɔtprɔvˈadʑiw mɲʲɛ dɔ vˈindɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_266.wav|s pˈaɲskɔ̃ mˈamɔ̃ w rˈɔli ɡwˈuvnɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_29.wav|ɲʲˈɛvʲɛm, tʃɨ znˈa jˈudɔ, kravmˈaɡɛ i tˈakʲɛ ˈinnɛ, ˌalɛ jɛst mwˈɔdɨ, vˌɨspɔrtɔvˈanɨ i tʃ��ɛba pʃˈɨjɔɲdʑ zapˈɛvɲik, ʒˈɛ dˈɔbʒɛ stʃˈɛla.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_27.wav|kˈaʒdɨ krˈɔk kˈɔɲʲa bˈɨw dla brjˈɛnnɛ ɲˈitʃɨm ˌudɛʒˈɛɲʲɛ w ɡwˈɔvɛ. swɨʃˈawa ɡwˈɔsɨ, ˌalɛ vidʑˈawa tˌɨlkɔ ʑˈɛmʲɛ pɔt kˌɔpɨtˈami kˈɔɲʲa.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_71.wav|pˈɔmuʃ mi pʃˈɛɲʲɛɕtɕ tsˈawɛ tɔ ɡˈuvnɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_73.wav|tsˈɔʑ vˈɛmɲʲɛ f tˈamtɛj xfˈili pˈɛŋkwɔ.|3
+Dataset/wavs/urwisko_ferenc/38_segment_43.wav|ɲʲɛ ˌɔtpɔvʲɛdʑˈawaɕ na mˈɔjɛ pɨtˈaɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_285.wav|jˈak mˈɔɡwa lˈitʃɨtɕ nˈatɔ, ʒˈɛ zdɔbˈɛɲdʑɛ pɔpˈartɕɛ kˌapitˈanuf i krˈuluv dʑˈɛŋki sfˈɨm ʃˈɨʃkɔm i ʒˈɛpɔm?|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_80.wav|starˈawam ɕɛ mʲˈɛʒɨtɕ jˈak najdˈalɛj ɔd ɡwˈɔvɨ. ɲʲɛ xtɕˈawam jɛj zˈabʲitɕ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_99.wav|rˈɔbɛrd bˌaratxˈɛɔn ɲˈiɡdɨ ɲʲˈɛmʲaw ɔpˈɔruf pʃɛt nˌaduʒɨvˈaɲʲɛm ɡˌɔɕtɕinnˈɔɕtɕi pɔddˈanɨx.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_51.wav|ˈujɔw jˈɛdnɔ̃ z ɲˈix mʲˌɛndʑɨ ktɕˈukʲɛm a pˈaltsɛm fskˌazujˈɔntsɨm i vɨkrˈɛɲtɕiw.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_211.wav|zavˈɔwaw mɛrˈibalt.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_248.wav|pʃˌɛwɔntʃˈɨwam rˈadjɔ s pɔvrˈɔtɛm na nˈaʃɔ̃ vɛvnˈɛntʃnɔ̃ tʃˌɛ̃stɔtlˈivɔɕtɕ. bɛɲdʑˌɛmɨ muɕˈɛli jˈakɔɕ ɕɛ s tˌɛɡɔ vˌɨtwumˈatʃɨtɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_70.wav|ˈandɛrsɔn vʑˈɔw karˈabʲin dɔ rˈɛŋki, ɔtfˈɔʒɨw zˈamɛk, zwˈɔʒɨw, a pˈɔtɛm pɔwˈɔʒɨw karˈabʲin na kˌɔntuˈaʒɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_131.wav|ˈɛdʲisɔn vʒˈɛʃtʃɨ pʃˌɛɲiklˈivʲɛ, swˈɨxatɕ wˈɔskɔt, a pˈɔtɛm... tˌɨlkɔ w ɕfʲˈɛtɕɛ ʒˌɛtʃɨvˈistɨm mˈɔʒɛ ɕɛ vɨdˈaʒɨtɕ tsˈɔɕ tˈak ˌapsurdalnˈɛɡɔ, ʃˈum spuʃtʃˈanɛj vˈɔdɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_27.wav|ɲˈiɡdɨ ɲʲɛ pʃɛpˈadaw za brˌatɛrskˈimi ˌuɕtɕiskˈami, nˈavɛt na pustˈɨɲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_132.wav|pɔvʲˈɛdʑaw, ʒˈɛ vɨstˈɔmpi zˈɛspuw ɡrajˈɔntsɨ kavˈawki fɔɡˈɛat. tʃɨ ˈɛlis lˈubʲi fɔɡˈɛat?|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_241.wav|dʑˈɛfka xtsˈɛ ɔdʑˈɨskatɕ mʲˈɛtʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_6.wav|kaʒdˈɛɡɔ rˈaŋka, tʃɨ ɕfʲɛtɕˈiwɔ swˈɔɲtsɛ, tʃɨ pˈadaw dˈɛʃtʃ, ʃwˈam nat jɛʑˈɔrɔ, ɕadˈawam i ˌɔpsɛrvɔvˈawam ptˈaki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_90.wav|pɔdˈɔbɲʲɛ jˈak mˌɛlɔdˈɨjnɨ spˈɔsup muvʲˈɛɲʲa,|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_229.wav|zwapˈawam ɕɛ za ɡwˈɔvɛ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_334.wav|z ˈuzd vˈɨrvaw mu ɕɛ ɕmʲˈɛx. utɕˈɛkaʒ dɔ vʲɛlkʲˈɛɡɔ sɛptˈɔna tʃɨ dɔ mˈɔjɛj swˈɔtkʲɛj ɕˈɔstrɨ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_46.wav|na pʃˈɛkur sˈamɛj sˈɔbjɛ vˌɨpɔvʲˈadam jˈɛdnɔ, jɛdˈɨnɛ swˈɔvɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_34.wav|dʑɛftʃˈɨna ɕfʲˈata pˈɔza tˈɔbɔ̃ ɲʲɛ vˈidʑi?|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_94.wav|tfˈɔjɛ swˈɔvɔ xɔnˈɔru? tʃɨ tɨ w ɔɡˈulɛ vʲˈɛʃ, tsˈɔ tɔ jɛst xˈɔnɔr?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_56.wav|bˈɛtskɨ, zˈɛspuw pˌɔʃukivˈaftʃɨ, mˈuɕi kɔɲʲˈɛtʃɲʲɛ sprˈavdʑitɕ kantˈɔrɛɡ w bjˈuʒɛ mˈartɨ. tˈam, ɡdʑˈɛ tʃɨmˈawa nˈuʃ.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_78.wav|a vʲˈɛnts ɲʲɛ bˌɨwɔ ɡˈɔ f pɔkˈɔju.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_179.wav|mˈɛrɣ vɨxˈɔdʑi z dˈɔmu. w blˈasku swˈɔɲtsa vɨɡlˈɔnda jˈak tʃˈɨ tɕfʲˈɛrtɕi ɔt ɕmʲˈɛrtɕi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_54.wav|ktˌurɛ pʃɛpwˈɨvadʑ bˌɛndɔ̃ nˈadɲim i ʒˈɛ ˈɔpʃɨ ɕɛ strˈuɡɔm dˈɛʃtʃu bˈɛs trˈudu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_31.wav|ɲʲˈɛma sprˈavɨ.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_329.wav|brjˈɛnnɛ pʃˌɨpɔmɲʲˈawa sˈɔbjɛ sfˈuj sˈɛn, f ktˌurɨm tʃɛkˈawa f kɔmnˈatɕɛ ˈɔjtsa na xwɔpˈaka, za kturˌɛɡɔ mʲˈawa vˈɨjʑdʑ za mˈɔ̃ʃ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_64.wav|jˌɛstɛm inspˈɛktɔr bˈɛtskɨ rˈɔbʲinsɔn. rˌɔzmavʲawˈɨɕmɨ pʃˈɛs tɛlˈɛfɔn. tɔ mˈuj ʃˈɛf, nˌadʲinspˈɛktɔr tˈɔm dɔˈuɡlas.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_290.wav|tɔ ɕɛ bjˈɛʒɛ s pɔtʃˈutɕa vˈinɨ.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_135.wav|ˈalbɔ na tˈamtɛn ɕfʲˈat.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_260.wav|xwˈɔpak tɔ mˈuj ɡʲˈɛrmɛk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_315.wav|ʃlˈiɕmɨ ɕpʲˈɛʃɲʲɛ z dʑitʃˈawɔ̃ alˈɛjkɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_33.wav|jˈak rɔzˈumjɛm, mˈawa krulˈɔva mˈa lˈitʃnɨɣ vʲˌɛlbʲitɕˈɛli fɕrˈut nˈaʃɨɣ dɔmˈɔvɨx rɨtsˈɛʒɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_203.wav|ˌuwɔʒˈɨwa tɔrˈɛpkɛ na kɔlˈanax i ftˈɛdɨ zˌɔbatʃˈɨwɛm pʃˈɛɡup jɛj dwˈɔɲi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_9.wav|ɲʲɛ bˌɛndɔ̃ mʲˌɛli ʒˈadnɨɣ vˌɔntplivˈɔɕtɕi, ʒˈɛ mˈuvjɛ prˈavdɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_18.wav|mˈɔʒɛ tˈɛʃ ɲʲˈɛmʲɛtɕ ɔxˈɔtɨ na tʃˌɛkɔlˈatki, nˈavɛt jˈɛɕli pɔzvˈɔlɔ̃ jɛj jˈɛɕtɕ swɔdˈɨtʃɛ, vʲˈɛnts pˌɔmɨɕlˈawam ɔː ˈinnɨɣ ʒˈɛtʃax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_147.wav|mˈɔʒɛ pʃɨpˈatkʲɛm uswˈɨʃaw tsˈɔɕ, tʃˈɛɡɔ ɲʲɛ pɔvˈiɲʲɛn.|2
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_33.wav|ɲˈiɡd bˈɨ ɲʲˈɛxtɕaw, ʒˈɛbɨ jˈakiɕ ɲʲˌɛvɨʃkɔlˈɔnɨ pˈaland dˈɔstaw ɕɛ dɔ ɕrˈɔtka.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_37.wav|ˈɔlman bˈɨw mɲʲˈɛj vʲˈɛntsɛj vzrˈɔstu tˈɔma.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_44.wav|ɔbˈavʲam ɕɛ, ʒˈɛ ɲʲɛ mɔʒˈɛmɨ pʃˌɛkazˈɨvadʑ ʒˈadnɨx ˌinfɔrmˈatsji. tʃɨ mˈa pˈaɲi pʃɨ sˈɔbjɛ jˈakiʑ dɔkˈumɛnt?|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_83.wav|ɲʲɛ zrˈɔbʲi pˈaɲi tˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_51.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ istɲʲˈɛjɔ̃ lˈudʑɛ ɡɔtˈɔvi spˈɔrɔ zapwˈatɕidʑ zˈa...|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_12.wav|pˈɔttʃaz ɡdˈɨ ˈinɲi pilˈɔtɕi vɔlˈɛli tsˈɛssnɛ, mˈuvʲɔnts, ʒˈɛ tsˈɛssna jɛst lˈɛpʃɨm sˌamɔlˈɔtɛm trˌɛɲiŋɡˈɔvɨm,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_15.wav|vʲˈɛm, ʒˈɛ zalˈɛʒɨ mu nˈamɲʲɛ, a tɔ tˈaka...|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_126.wav|pˈɔvʲɛts, ʒˈɛbɨm tˌɛɡɔ ɲʲɛ rˈɔbʲiw, a zˌapɔmɲˈimɨ ɔ sprˈavʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_44.wav|spˈala trˈɔxɛ ɔlˈɛju tɔ fʃˈɨstkɔ.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_25.wav|ɲʲɛ jɛzd dˈuʒa, ˌalɛ vɨɡˈɔdna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_42.wav|pɨtˈaɲʲɛ pɔ tsˈɔ, skˈɔrɔː ˈalan mˈuɕi vʲˈɛdʑɛtɕ, ʒˈɛ prˈɛndʑɛj tʃɨ pˈuʑɲʲɛj i tˈak tˈutaj trˈafi?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(36) R.Abbott_Zamknij Drzwi_segment_6.wav|krˈɛɲtɕi mi ɕɛ w ɡwˈɔvʲɛ, ˌalɛ ɲʲɛ mˈɔɡɛ tˈɛras ˈupaɕtɕ. xfˈɨtam vʲˈɛnts kanˈapkɛ s tuɲtʃˈɨkʲɛm, ktˌurɔ̃ pʃɛt kilkˈɔma ɡˌɔdʑinˈami kupˈiwa dla mɲʲɛ zˈɔɛ.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_256.wav|mɛ̃ʃtʃˈɨzna mˈaxnɔw ɡˈɛɲsim pʲˈurɛm. ˈuɕɔɲtɕ sˈɔbjɛ pɔt ˈɔknɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_140.wav|tʃɨ tɔː ˈabɨ na pˈɛvnɔ dˈɔbrɨ pˈɔmɨsw?|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_124.wav|ˌalɛ mˈuʃɛ tɕi pɔvʲˈɛdʑɛtɕ, ʒˈɛ turˈɨɕtɕi naprˈavdɛ dˈɔbʒɛ pwˈatsɔ̃ za vˈɨjɕtɕɛ na zˈɛvnɔntʃ.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_124.wav|pɔt kˈɔɲʲɛdʑ vˈaxtɨ sˈam f kˈɔɲtsu dˈaw ɕɛ zwˈapatɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_93.wav|tɔ jɛzd vwˈaɕɲʲɛ ta strˈɔna djalˈɛktɨkˌi, ɔ ktˌurɛj ɲʲɛ mˈɨɕlɔ̃ tɛ vˈaʃɛ fʃˈɨstkʲɛ lˌibɛrˈalnɛ dʑɛftʃˈɛnta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_14.wav|ˈɛlis spɔɡlˈɔnda pʃˈɛs rˈamjɛ na ix ɔbˈɛtsnɛ lˈɔkum.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_30.wav|ˌɔna pˌɔvʲɛdʑˈawa, kwamjˈɛtɕɛ jˈak najˈɛɲtɕi. ɔdvˈɔwam ɕɛ dɔ sˈɔndu nˌajvɨʃʃˈɛɡɔ, jˈaɡ bˌɛɲdʑɛ tʃˈɛba.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_204.wav|kˈɔrsaɡ zmˈarʃtʃɨw brvˈi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_40.wav|a xtsˈɛʃ ɕɛ z ɲʲˈɔ̃ zɔbˈatʃɨtɕ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_125.wav|pɔvʲˈɛdʑaw jɛj, ʒˈɛ ˈalbɔ s tɨm skˈɔɲtʃɛ, ˈalbɔ mˈa ɕɛ vɨnˈɔɕitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_77.wav|ɔstˈatɲi rˈas sprɨskˈujɛ rɔɕlˈinɨ vˈɔdɔ̃. mˈɔʒɛ tɔ pʃɨɲʲˈɛɕɛ vam ʃtʃˈɛɲɕtɕɛ, mˈɨɕli.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_33.wav|zmɨvˈakuf ɲʲɛ bˌɨwɔ na lˈiɕtɕɛ zakˈupuf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_69.wav|darmˈɔvɛ minˈutɨ bˌɛndɔ̃ vˈaʒnɛ pʃˈɛs tʃˈɨ mʲɛɕˈɔntsɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_149.wav|starˈuxa ɡvawtˈɔvɲʲɛ vˌɨʃarpˈujɛ rˈɛŋkɛ. strɔntsˈɔnɛ dwˈɔɲʲɔ̃ sɔmbrˈɛrɔ spˈada z jɛj ɡwˈɔvɨ, ˌɔtswaɲʲˈajɔnts ɕˈivɛ, vɨsˈɔkɔː upʲˈɛntɛ vwˈɔsɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_74.wav|a kˈaʒdɨ z ɲˈix tʃˈɨmaw w rˈɛŋku pˈawɛ, jˈak rɛŋkˈɔjɛɕtɕ ɔt ɕɛkʲˈɛrɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_56.wav|ɡˈuntxɛr fskˈazaw w ix strˈɔnɛ.|4
+Dataset/wavs/urwisko_ferenc/08_segment_102.wav|bɔrˈɛvitʃ pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_179.wav|a fʃˈɨstkɔ pˈɔʃwɔː ˈɔtɔ, ʒˈɛ ta dʑɛftʃˈɨna, ktˌura muvˈiwa tsˈɔʑ dɔ mɲʲɛ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_162.wav|a zabrˈawɛɕ jˈɔ̃ zˈɛ sˈɔbɔ̃, kʲˈɛdɨ rɔbʲˈiwɛɕ pɔʒˈɔndɛk s tˌumanˈami, ktˌuʒɨ jˈɔ̃ zɡvawtɕˈili?|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_36.wav|ɲʲɛ nˌazɨvˈawɛm ɕɛ ɲˈiɡdɨ mˈɔrisɔn, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/urwisko_ferenc/49_segment_20.wav|tsˈɔ ɲʲɛ bˌɨwɔ ɲˈitʃɨm ɲʲɛzvˈɨkwɨm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_12.wav|ʃˈɛv bˈɨw dˈɔbrɨm tʃwɔvʲˈɛkʲɛm i zˈafʃɛ fpˈadaw w zwˈɨ xˈumɔr, kʲˈɛdɨ vˌɨpɔvʲˈadaw.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_226.wav|zˈaɲim znˈɔvu pˌɔxwɔnˈɛwa jˈɔ̃ tɕˈɛmnɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_162.wav|ɲˈiɡdɨ ɲʲɛ dɔvʲˈɛmɨ ɕɛ tˌɛɡɔ na pˈɛvnɔ, ˌalɛ tɔ bʒmˈi sɛnsˈɔvɲʲɛj ɲˈiʃ mˈɔja tɛˈɔrja, ʒˈɛ pɔvʲˈɛdʑaw mu ˈɔtɨm kˈumpɛl.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_410.wav|pˌɔmɨɕlˈawa. tˈaɲtʃɔ̃ vˈɔkuw mɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_74.wav|dɔkˈɔɲtʃɨ tʃˈɛɲɕtɕ ˌɔpɔvʲˈɛɕtɕi rˌɔzɡrɨvajˈɔntsɔ̃ ɕɛ w irˈaku, ktˌurɛj nˌaturˈalnɨm pˈuŋktɛm kˌulminatsˈɨjnɨm bˌɛɲdʑɛ dˈɔm zˈabaf.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_336.wav|a tˈaɡʒɛ ɲʲˌɛupʃˈɛjmɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_139.wav|vidʑˈawɛm pʃɛt sˈɔbɔ̃ jɛj tɛntʃˈufki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_13.wav|nakwˈada blˈɔnt pɛrˈukɛ, vˈɔ̃sɨ, ˌɔkulˈarɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_106.wav|ɕɲʲɛʒˈɨtsa ustˈawa.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_238.wav|ˌɔɕɛmdʑˈɛɕɔnt tʃtˈɛrɨ, jˈɛɕli wˈaska.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_3.wav|ɲʲˈɛvʲɛm, tsˈɔ pˈɔvʲɛm dˌɔmiɲikˈɔvi.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_42.wav|pɔsˈuvaʃ ɕɛ zbˈɨt ʃˈɨpkɔ. ɲʲɛ pˈɔtkɲij ɕɛ, bˈɔ rɔzbʲˈijɛʃ sˈɔbjɛ ɔswˈɔnɛ xˈɛwmu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_57.wav|mɔʒˈɛmɨ ʃˈɨpkɔ zdˌɛtsɨdˈɔvatɕ, ɡdʑˈɛ bˌɛndɛ mʲɛʃkˈawa? ɔstˈatɲi rˈɔɡ bˈɨw zvˌarjɔvˈanɨ, a tˈɛras mˈama mˈuvi tsˈɔɕ ɔ pʃˌɛprɔvˈatstsɛ dɔ ʃkˈɔtsji.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_8.wav|ʒˈadɛn z ɲˈix ɲʲɛ mˈuɕaw vbˈavitɕ kljˈɛntuf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_73.wav|ta nˌajvaʒɲʲˈɛjʃa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_14.wav|ɲʲˈɛɣ zˈɛspuw mɔbʲˈilnɨ bˌɛɲdʑɛ w ɡˌɔtɔvˈɔɕtɕi, ˈal. jˈɛɕli zɔstˈavi lˈist, musˈimɨ zˈaɲʲɔ̃ pˈujɕtɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_56.wav|tˌɛɡɔ ɲʲɛ vʲɛdʑˈawa, ˌalɛ pʃɨznˈawa, ʒˈɛ ɡˌɛnɛvʲˈɛvɛ vˌɨdavˈawa ɕɛ zˌadɔvɔlˈɔna s ɕˈɛbjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_21.wav|za tsˈɔɕ takʲˈɛɡɔ ɲʲɛ ɡrˈɔʑi ssˈɨwka na ʑˈɛmʲɛ, ˌalɛ mˈɔʒna pɔʒˈɔndɲʲɛ ɔbˈɛrvatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_94.wav|f tɨm tsˈɛlu bˌɛndɛ mˈuɕaw dˈɔtʃɛdʑ ɡwɛmbˈɔkɔ, ˈɔtkrɨdʑ vˈaʃɛ pravdʑˈivɛ vartˈɔɕtɕi, a ɲʲɛ tˈɛ, ktˌurɛ zɔstˈawɨ vam fpɔjˈɔnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_58.wav|— nˌapisˈawaʑ zˌakɔɲtʃˈɛɲʲɛ, jakʲˈɛɡɔ bˈɨɕ sˈɔbjɛ ʒɨtʃˈɨwa — mˈuvi bˈaki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_123.wav|tʃˈɛɕtɕ, bʲˈillɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_218.wav|tɔ jɛst pɔʒˈɔndnɨ irlˈantski bˈar, pˌɔvʲɛdʑˈawa jˈudɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_45.wav|mˈam pʃˌɛjɛbˈanɛ mˈɨɕli. jakkˈɔlvʲɛk tɔ ɕɛ pɔtˈɔtʃɨ, mˈam pʃˌɛjɛbˈanɛ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_139.wav|pʃˌɛtʃɨmˈali jˈuʃ tʃˈɨ ɕɲʲɛʒˈɨtsɛ ˌɔraz bˈuʒɛ lɔdˈɔvɔ̃, ktˌura na dvˈa tɨɡˈɔdɲʲɛ zˌamjɛɲˈiwa zˈamɛk f krˈɨʃtaw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_33.wav|vwˈaɕɲʲɛ ɕɛ dˌɔvʲɛdʑˈɛliɕmˌɨ, ʒˈɛ na tsˈadʲis xˈɛt mˈɔz znˌalɛʑˈɔnɔ mɛ̃ʃtʃˈɨznɛ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_12.wav|ktˈɔʑ vˈɛpxnɔw mu mʲˌɛndʑɨ zˈɛmbɨ bjˈawɨ kˈamjɛɲ ɔː ˈɔstrɨx kravˈɛɲdʑax.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_114.wav|ˈaʃ pɔpˈatʃɨw nˈaɲʲɔ̃ s pʃˌɛraʒˈɛɲʲɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_38.wav|ɲʲɛ spˈɔjʒaw mi w ˈɔtʃɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_54.wav|bʲˈillɨ tˈɛʃ xtɕˈawbɨ mʲˈɛtɕ kɔmˈurkɛ pʃɨ ˈuxu, ˌalɛ sxɔvˈana jɛzd w dʒˈinsax pɔd bˌufjastˈɨmi spɔdɲʲˈami.|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_134.wav|bʲˈillɨ xˈɔva ɕɛ w brˈamjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_68.wav|ˈɛliz zapˈɛvɲʲa, ʒˈɛ zadʑvˈɔɲi, ˌalɛ bʲˈillɨ pɔznˈajɛ pˈɔɲʲɛj, ʒˈɛ mɨɕlˈami jɛst jˈuʒ w drˈɔdʑɛ. vˌɨɔbrˈaʒa sˈɔbjɛ, jˈak tɔ bˌɛɲdʑɛ rɔzmˈavʲadʑ z bˈutskim tˈak, jˈak rˌɔzmavʲˈajɔ̃ nɔrmˈalɲi lˈudʑɛ.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_211.wav|ɲʲɛ pʃˈɨjɔɲdʑ ʑˈɛmi lˌɔrdɔfskʲˈɛɡɔ tɨtˈuwu?|1
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_8.wav|nazˈɨva ɕɛ jˈata masˈai. pratsˈujɛ tˈu ɔt ɲʲɛdˈavna jˈakɔ pɔmˈɔtsɲik wˌadɔvˈatʃa. jɛst pʃɨjˈaznɨ, ˌalɛ zamkɲʲˈɛntɨ f sˈɔbjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_74.wav|ɡdˈɨbɨ tɔ zrˈɔbʲiw, dɔ kˈɔɲtsa ʒˈɨtɕa spwˈatsawbˌɨ dwˈuk tsˌamɛrɔnˈɔvi. zˈamjast tˌɛɡɔ zɔstˈaviw tɔ mɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_139.wav|znˈajdɛ spˈɔsup nˈatɔ, ʒˈɛbɨ tɕi pˈɔmuts, dʲˈidʲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_82.wav|ˈalbɔ ɡdˈɨbɨ twˈumik ruɡˈɛra, bˈɨtɕ mˈɔʒɛ sklɛtsˈɔnɨ w ɡarˈaʒu jakʲˈɛɡɔɕ mˌiwɔɕɲˈika mˈɛtɨ, zˈatkaw lˈufɛ i brˈɔɲ rˌɔzɛrvˈawa mu ɕɛ w rˈɛŋku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_73.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_14.wav|ɡˈɔʑdʑik skʲˌɛrɔvˈawa na ɲʲˈɛɡɔ zˌatʃɛrvʲɛɲʲˈɔnɛ, pˌɔtpuxɲʲˈɛntɛ ˈɔtʃɨ. vwˈɔsɨ ˌɔpadˈawɨ jɛj na tfˈaʃ, ɲʲɛmˈɨtɛ i pˌɔzlɛpʲˈanɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_257.wav|mɲʲɛ dʑˈivi tˌɨlkɔ jˈɛdna ʒˈɛtʃ. pˈaɲska ɔbˈɛtsnɔɕtɕ tˈutaj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_34.wav|mˈɔʒɛ nˈavɛt jˈɔ̃ fˌɔtɔɡrafˈujɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_42.wav|a rivˈɛrun i krulˈɛfska pʃˈɨstaɲ tɔ dla ɲˈix tˌɨlkɔ nˈazvɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_208.wav|xtsˈɛ zmʲˈɛɲitɕ sfˈuj vˈɨɡlɔnt, a ɲʲɛ ʒˈutsatɕ ɕɛ w ˈɔtʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_164.wav|pˌɔftuʒˈɨwa zˈɛ ɕmʲˈɛxɛm stˈarʃa dʑɛftʃˈɨna. tɔ bˈɨ bˌɨwɔː ɔkrˈɔpɲʲɛ nˈudnɛ. prˈaɡnɛ bˈɨdʑ zwɔɕlˈiva.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_70.wav|klˈutʃɛm jɛst tˈu ˌanɔɲimˈɔvɔɕtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_33.wav|bˈɛtskɨ i rˈɔp miltʃˈɛli, ɕfʲadˈɔmi, ʒˈɛ pˌɔdɛnˌɛrvɔvˈanɨ spˈɛntsɛr f kˈɔɲtsu pɔdˈɛjmʲɛ tˈɛmat. ɲʲɛ zavʲˈɛdli ɕɛ.|3
+Dataset/wavs/urwisko_ferenc/65_segment_61.wav|ɔstˈatɲi rˈas rˌɔzmavʲˈali pɔː ˌarɛʃtɔvˈaɲʲu xˌudʑiɲskʲˈɛɡɔː i pilˈɛfskʲɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_151.wav|bˈaki zbˈɨva tɔ maxɲʲˈɛɲtɕɛm rˈɛŋki.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_178.wav|tsˈɔ jˈɛst? zˌapɨtˈawam.|4
+Dataset/wavs/urwisko_ferenc/24_segment_75.wav|a, tɔ ɡʒˈɛɕa sˈɔ̃. pʃˈɨvʲuz jˈɛ, kʲˈɛdɨ mɛblˈɔvaw tɛn pˈɔkuj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_154.wav|dʑɛftʃˈɨna nˈadal drʒˈɨ. tɔ s ʃˈɔku, prˈavda?|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_113.wav|pˈɔtɕi ɕɛ pɔt plˌastʲikˈɔvɔ̃ skɔrˈupɔ̃ mˈaski i mˈaʒɨ ˈɔtɨm, bˈɨ jˈɔ̃ zdjˈɔɲtɕ. jˈak najʃˈɨptɕɛj zawˈatfitɕ, tsˈɔ mˈa dɔ zˌawatfʲˈɛɲʲa i vˈɨjɕtɕ s tˌɛɡɔ rˌɔzrɨfkɔvˈɛɡɔ mʲɛʃkˈaɲʲa.|2
+Dataset/wavs/urwisko_ferenc/01_segment_77.wav|mwˈɔda mˈatka fˌarbɔvˈawa ɕɛ na blˈɔnt.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_75.wav|ʒˈutɕiw tɕˈixɔː ˈaram.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_56.wav|— maʃ pˈan tɛn sˈam prˈɔblɛm? — w jˈakimɕ sˈɛnɕɛ — pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_110.wav|bjˈɛʃtɕɛ spʃˈɛnt i jˈazda na ɡˈurɛ.|2
+Dataset/wavs/urwisko_ferenc/01_segment_114.wav|tɔ pɔ tsˈɔ tˈu pˈaɲi pʃˌɨjɛxˈawa?|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_3.wav|bʲˈillɨ zatʃˈɨna pʲɔntkˈɔvɨ pɔrˈanɛk ɔt spravdʑˈɛɲʲa, tʃɨ ɲˈits ɲʲɛ zɡʲinˈɛwɔ zˈɛ skʃˈɨɲi starˈɛɡɔ dˈɔdʒa, bˈɔ naʒˈɛɲdʑa bˌɨwɨ tˌɨlkɔ pʃˌɨvʲɔ̃zˈanɛ, ɲʲˌɛzabˌɛspʲɛtʃˈɔnɛ kwˈutkɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_34.wav|vɨtɕˈɔŋɡam rˈɛŋkɛ i xfˈɨtam ʑˈimnɨ mˈɛtal.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_427.wav|pʃɨɡwˈadʑiw ʃˈɨpkɔ vwˈɔsɨ na skrˈɔɲʲax.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_47.wav|ˌɔna ɲˈiɡdɨ bˈɨ nˈavɛt ɲʲɛ pˌɔmɨɕlˈawa, ʒˈɛ dɔmˈiɲik mˈuɡw ɲʲɛ znˈatɕ jˌakʲɛɡɔkˈɔlvʲɛk aspˈɛktu mɔjˈɛɡɔ ʒˈɨtɕa.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_232.wav|vˈidadʑ bˌɨwɔ plˈamɨ tʃˌɛpʲajɔntsˈɛɡɔ ɕɛ skˈawɨ ˌɔɕlɛpʲajˈɔntsɔ bjawˈɛɡɔ ɕɲʲˈɛɡu.|1
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_79.wav|pˈɔtɛm tsˈɛntrum pˌɔttʃɨmɨvˈaɲʲa ʒˈɨtɕa fpˌɔmpɔvɨvˈawɔ dɔ ɕrˈɔtka pɔvʲˈɛtʃɛ, ktˌurɛ rˌuvnɔvaʒˈɨwɔː ubˈɨtki tɕiɕɲʲˈɛɲʲa.|4
+Dataset/wavs/urwisko_ferenc/16_segment_24.wav|ftˈɛdɨ ˈɔlɡʲɛrt uswˈɨʃaw dʑvʲˈɛŋk ˌɛsˌɛmˈɛsa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_98.wav|zatʃˈɨna vˈɛmɲʲɛ kɔtwˈɔvatɕ ɕɛ ˈinnɛ utʃˈutɕɛ, ktˌurɛ ɲʲˈɛmal vɨpʲˈɛra smˈutɛɡ zvʲɔ̃zˈanɨ s tɕɛrpʲˈɛɲʲɛm sˈɨna.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_165.wav|ˌɔtfɔʒˈɨwam f sfˈɔim ɡʲˈizmɔː arˈapski sˈɛrvis plɔtkˈarski i pˌɔɡrɔ̃ʒˈɨwam ɕɛ w lɛktˈuʒɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_90.wav|bɛspʲˈɛtʃɲi?|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_18.wav|pʲˈɛs ˌɔbvɔnxˈujɛ vwˈaɕɲʲɛ tɔ mʲˈɛjstsɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_120.wav|ɔ xɔlˈɛra jˈasna!|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_164.wav|vwˈaɕɲʲɛ tɔ rˈɔbjɛ. ɲˈits ɲʲɛ rˈɔbʲiʃ! kʃˈɨknɔw xundˈɛbawx.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_39.wav|ˈɔ, dʑˈɛɲ dˈɔbrɨ, pˈaɲi jˈɛnsɛn.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_110.wav|kʲˈɛdɨ tˈu pʃˌɨjɛxˈawam, ɲʲɛ mʲˈawam ʒˈadnɨx prɔblˈɛmuf.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_37.wav|mˈuvjɔ̃, ʒˈɛ tɔ sprˈava ˌɔsɔbʲˈista.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_8.wav|tˌɛɡɔ ɲʲɛ vʲɛdʑˈawam.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_246.wav|ˈandɛrsɔn spˈɔjʒaw na ɲʲˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_161.wav|ˌalɛ ɲˈits ɕɛ ɲʲɛ dʑˈawɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_16.wav|dˈalɛj fpˌatrɨvˈawa ɕɛ f tˈɛkst na ɛkrˈaɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_342.wav|vˈɨzvɛ ɡˈɔ na pˌɔjɛdˈɨnɛk.|1
+Dataset/wavs/urwisko_ferenc/03_segment_74.wav|jˈak kˈarɔl xudʑˈiɲski zˌarɛaɡˈɔvaw nˈatɔ, ʒˈɛ ɲʲɛ vrutɕˈiwa dɔ ɲʲˈɛɡɔ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_85.wav|tʃɨ tɔ rˈɔdʑits jɛdnˈɛɡɔ s kɔlˈɛɡuv dʑˈɛt��i, kɔxˈaɲʲɛ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_159.wav|mɛ̃ʃtʃˈɨzna pˈatʃɨw pʃˈɛs xfˈilɛ za ˌɔdlatujˈɔntsɨm sˌamɔlˈɔtɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_187.wav|na jˈɛɡɔ tfˈaʒɨ pɔjˈaviw ɕɛ vˈɨras kˌɔnstɛrnˈatsji.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_205.wav|pɔnˈattɔ vˌɛstɛrliŋɡˈɔvʲɛ bˌɨli zˌubɔʒˈali.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_259.wav|ɲʲɛ tɕɔŋɡɲˈijtɕɛ tˈɛʒ za vwˈɔsɨ, kʲˈɛdɨ jˈɛ rˌɔstʃɛsujˈɛtɕɛ. ɔn tˌɛɡɔ ɲʲɛ znˈɔɕi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_39.wav|ftsˈalɛ ɲʲɛ. tɔ ɡɛɲʲˈalnɨ pˈɔmɨsw, mˈuvi ɲˈitsk. vɨswˈuxaj ɡˈɔ, bʲˈillɨ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_29.wav|bˈɨ bˈɨtɕ jɛj tˈartʃɔ̃ f tɨm ˈɔptsɨm krˈaju.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_84.wav|ɲʲɛ vʲɛdʑˈawam, tsˈɔ pɔvʲˈɛdʑɛtɕ. rˌɔzɛjʒˈawam ɕɛ bɛzrˈadɲʲɛ, jˈaɡbɨm ˌɔtʃɛkivˈawa, ʒˈɛ ktˈɔɕ pɔspʲˈɛʃɨ mi na ratˈunɛk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_16.wav|tɔ sxlˈudnɨ mˈawɨ dˈɔm, ˌutʃɨmˈanɨ w ˌidɛˈalnɨm pɔʒˈɔntku.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_64.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ zawˈatfiw ɲʲɛlˈɛtɲʲɔ̃ dʑɛftʃˈɨnɛ jɛdnˈɛmu s tʃwˈɔŋkuv zɛspˈɔwu, krˌaiɡˈɔvi sˌɔlstɛrˈɔvi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_44.wav|na ɛkrˈaɲʲɛ pɔjˈavja ɕɛ ɕɛdʑˈɔntsɨ f stˈudju bʲˈill. mˈa stɔsˈɔvɲʲɛ pɔvˈaʒnɔ̃ mˈinɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_214.wav|pwˈatʃɔ̃ jˈak ktˈɔɕ, kˈɔmu ʒˈɔnɛ vˌɨpʲɛrdˈɔliw ɡˈarbus listˈɔnɔʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_60.wav|tˈamtɛn mʲˈaw na ˈimjɛ mˈiltɔn i bˈɨw f pɔʒˈɔntku.|2
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_127.wav|na frɔntˈɔvɨx sxˈɔdaɣ vbʲˈija mu ɕɛ kɔlˈɛjna dʒˈazɡa, ˌalɛ tɔ ɲˈits, jˈɛʃtʃɛ krˈɔk i jˈuʃ jɛst w ɕrˈɔtku.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_270.wav|tˈak tʃɨ ˈɔvak ɲʲɛ stˈaɲʲɛ ɕɛ inˈatʃɛj. pɔtʃˈɛkaj nˈamɲʲɛ, pˈujdɛ nˈapitɕ ɕɛ vˈɔdɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_317.wav|tˈɔnɨ pɔdˈɛrvaw ɕɛ na wˈuʃku i pˌɔtskɔtʃˈɨwa jˈɛɡɔ lˈiɲʲa ʒˈɨtɕa. a ja pamjˈɛntam kˈaʒdɨ dʑˈɛɲ, kˈaʒdɔ̃ ɡɔdʑˈinɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_445.wav|— ja dˈɔrvatɕ tɕˈɛbjɛ ktˈurɨʑ dʑˈɛɲ — pɔvʲˈɛdʑaw i ˈɔtʃɛd.|0
+Dataset/wavs/urwisko_ferenc/29_segment_17.wav|ɲʲɛ rˌɔzwɔntʃˈɨwa ɕɛ. swˈɨʃaw f swuxˈaftsɛ jɛj ˈɔddɛx. — tˈak? — ʒˈutɕiw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_10.wav|vˌɨɔbrˈaʒam sˈɔbjɛ jɛj pʃˌɛstraʃˈɔnɛ ˈɔtʃka, patʃˈɔntsɛ nˈamɲʲɛ i bwˌaɡajˈɔntsɛ, ʒˈɛbɨm zˌakɔɲtʃˈɨwa tɛn kˈɔʃmar.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_33.wav|pˌɔzɔstaɲʲˈɛmɨ pʃˌɨjatɕˈuwmi? pˈɨta fˈil.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_260.wav|a ɡdˈɨ tɔ nastˈɔmpi, nˈavɛt ɲʲɛ bˌɛndɛ mˈuɕaw budˈɔvadʑ vwˈasnɛj xˈutɨ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_228.wav|krulˈɔva ɲʲˈɛmal jˈuʃ tʃˈuwa smˈak trjˈumfu.|1
+Dataset/wavs/urwisko_ferenc/33_segment_101.wav|swˈɨʃaw ˈɔddɛx xwɔpˈaka i tʃˈɛkaw na jˈɛɡɔ rɛˈaktsjɛ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_263.wav|zabʲˈitɔː ix tɨɕˈɔntsɛ, ˌalɛ prˈavʲɛ rˈuvɲʲɛ vʲˈɛlu nˈadal ɡrˌasɔvˈawɔ pɔ krulˈɛstfʲɛ, ɲʲɛ skwadˈajɔndʑ brˈɔɲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_144.wav|ɲʲˈɛmal na vˌɨtɕɔŋɡɲʲˈɛɲtɕɛ rˈɛŋki,|3
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_15.wav|— pɔvʲˈɛmɨ pˈanu tˈɨlɛ, ˈilɛ sˈami vʲˈɛmɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_14.wav|vˌɨxamɔvˈawam pʃɛd dʒvʲˈami bjˈura i fpˈadwam dɔ ɕrˈɔtka.|4
+Dataset/wavs/urwisko_ferenc/63_segment_96.wav|fsɨpˈawa mu pˈaɲi tsˈɔʑ dɔ kˈavɨ, prˈavda? spɨtˈawa xˈɛrman i ɔt rˈazu zastʃˈɛɡwa. pˈaɲi mˈuɕi bˈɨdʑ zˈɛmnɔ̃ ʃtʃˈɛra.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_40.wav|w najblˈiʃʃɛj pʃɨʃwˈɔɕtɕi, bˈɛz zˌadavˈaɲʲa ʒˈadnɨx pˈɨtaɲ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_315.wav|pʃɨɕˈɛŋɡam, ʒˈɛ ɲʲɛ jɛst jˈuʃ tˈakim tʃwɔvʲˈɛkʲɛm jˈak kʲˈɛdɨɕ|1
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_91.wav|xˈɨba tʃˈujɛ ɕɛ bɛzrˈadnɨ i mˈɨɕli, ʒˈɛ sprˈaviw nˈam zˈavut.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_73.wav|bˈɛtskɨ vɨtʃˈuwa nˈɔvɛ ɛmˈɔtsjɛ, kʲˈɛdɨ tˈɔm fʃˈɛd dɔ pˌɔmjɛʃtʃˈɛɲʲa. tsˈɔɕ muɕˈawɔ ɕɛ vɨdˈaʒɨtɕ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_258.wav|za jˈɛdnɨm zamˈaxɛm ˌuvɔlɲˈiwa krulˈɛfskɔ̃ pʃˈɨstaɲ ɔt plˈaɡʲi vrˈubli, zdɔbˈɨwa bwˌɔɡɔswavʲˈɛɲstfɔ dla tɔmmˈɛna,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_102.wav|mɛ̃ʃtʃˈɨzna spasˈɔvaw, ɲʲɛ dˈɔʃwɔ vʲˈɛndʑ dɔ pˌɔruvnˈaɲʲa kˈart, a ja ɲʲɛ mʲˈawam ˌɔbɔvʲˈɔ̃sku ujˈavɲʲatɕ sfˈɔix.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_27.wav|jˈaki jɛst plˈan na vʲˈɛtʃur?|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_107.wav|ˈɔsnɛj kɛttlˈɛblatsk kɔwˈɨsaw ɕɛ na dvˈux tɕˈɛ̃ʃkix, zˌavʲɛʃˈɔnɨx ˈu sufˈitu waɲtsˈuxax.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_74.wav|pisˈanɛ jɛst nˈam fspˈulnɛ ʒˈɨtɕɛ dɔ kˈɔɲtsa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_34.wav|tˈɛras jɛst prˈavʲɛ pˈɛvʲɛn, ʒˈɛ ɕɛ tsˈɔ dɔ tˌɛɡɔ mˈɨliw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_140.wav|tsˈɔ nˈajmɲʲɛj tʃtˈɛrɨ lˈata tˈɛmu, mˈuvi bʲˈillɨ. mˈɔʒɛ pʲˈɛɲtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_96.wav|tɕɛʃˈɨwam ɕɛ tˈɨlkɔ, ʒˈɛ tɔ ɲʲɛ jɛst pˈɔɡʒɛp.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_163.wav|ˌɔtsunˈɛwɨ ɕɛ na bˈɔk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_241.wav|na fsxˈut, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_114.wav|ˌalɛ vɨjˈaɕɲiw mi fʃˈɨstkɔ dɔpʲˈɛrɔ, kʲˈɛdɨ fʃˈɛdwɛm w dɔrˈɔswɔɕtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_59.wav|ˈɔtɔ natxˈɔdʑi ta xfˈila i fˌastsɨnujˈɔntsɔ jɛst ɔɡlˈɔndatɕ jˈɔ̃ pɔt ˈinnɨm kˈɔntɛm, z innˈɛɡɔ pˈuŋktu vidʑˈɛɲʲa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_54.wav|tɔ ɡwˈɔs kɔbjˈɛtɨ, spɔkˈɔjnɨ i pʃɨjˈaznɨ. mˈam nadʑˈɛjɛ, ʒˈɛ tɔ dˈɔbrɨ znˈak.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_317.wav|tˈak, pˌɔvʲɛdʑˈawa, ʒˈal mi kaʒdˈɛɡɔ z ɲˈix.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_212.wav|dˈavnɔ jˈuʃ ɲʲɛ ʒˈɨjɛ. ɲʲɛ mˈuɕiʒ zavrˈatsatɕ sˈɔbjɛ ɲˈim ɡwˈɔvɨ, pˈaɲi.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_14.wav|nˌajvɨrˈaʑɲʲɛj lˈantsɛl umjˈɛɕtɕiw na sfˈɛj tˈartʃɨ lˌaɲistɛrskʲˈɛɡɔ lvˈa rˈazɛm z ɔrˈatʃɛm dˈarɨx.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_32.wav|vˈɔlnɔ virˈujɔnts f swˈɔɲtsu i vʲˈɛtʃɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_173.wav|pɔvʲˈɔdwam pˈaltsɛm vzdwˈuʃ lˈiɲʲi na mˈapʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_105.wav|ʃˈɛf ɔxrˈɔnɨ pˈɔdaw mi ɡʲˈizmɔː i udˈɛʒɨw bʲˈina pʲˈɛɲɕtɕɔ̃ f tfˈaʃ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_361.wav|ˈɔdbʲiw ɕɛ w ɲˈim zˈaras fsxˈut swˈɔɲtsa, tˈak tsˈawɨ fsxˈut swˈɔɲtsa.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_131.wav|jɛst ɕmʲˈɛlʃɨ ɔt ˈinnɨx i jɛzd bˈardʑɛj zˌadɔvɔlˈɔnɨ.|1
+Dataset/wavs/urwisko_ferenc/59_segment_39.wav|kˈartɔ̃ tʃɨ ɡɔtˈufkɔ̃? spˈɨtaw taksˈufkaʃ i fspɔmɲʲˈɛɲʲɛ ɕɛ ˌulɔtɲˈiwɔ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_203.wav|za dɲʲˈa prˌubɔvˈawa tʃˈɨtatɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_215.wav|a tɔ vɨɡlˈɔnda na pʃɨpˈadɛɡ dla tɕˈɛbjɛ, pʃˌɨjatɕˈɛlu? tɛn tfˈuj brˈat, tɔ ʒˈɨtɕɛ w ɡˈurax i tɔ dʑˈɛtskɔ?|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_290.wav|dlatʃˈɛɡɔ bɔɡˈɔvʲɛ ˌɔdɛbrˈali mi ˈɔtʃɨ i vzrˈɔk, ˌalɛ skazˈali mɲʲɛ na dwˈuɡʲɛ lˈata vˌɛɡɛtˈatsji w ʑˈimɲʲɛ i zˌapɔmɲʲˈɛɲʲu?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_28.wav|ɲʲˈɛvʲɛm, tʃɨ jˈuʃ ɔdjˈɛxaw, ˌalɛ ɲʲˈɛxtsɛ, ʒˈɛbɨ krˈɛɲtɕiw ɕɛ tˈutaj rˈazɛm zˈɛmnɔ̃. pʃɛjˈɔwbɨ kɔntrˈɔlɛ, a ja xtsˈɛ tɔ zrˈɔbʲitɕ na sfˈuj spˈɔsup.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_75.wav|dɔbrˈanɔts, tˈatɔ, kˈɔxam tɕˈɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_54.wav|zlɛtsˈaɲʲɛ pɔd vˌɨkɔnˈaftsɔ̃ tɔ jˈɛdnɔ z ˈɔvɨx mˈɔndʒɛ bʒmʲˈɔntsɨx sfˌɔrmuwˈɔvaɲ, ktˌurɛ mˈɔɡɔ̃ znˈatʃɨtɕ fʃˈɨstkɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_59.wav|pɔmˈimɔ fˈaktu, ʒˈɛ xtɕˈawa pˈaɲi mʲˈɛtɕ jɛj mˈɛ̃ʒa na vwˈasnɔɕtɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_60.wav|xˈɨba fspɔmˈinaw ɔː ˌarɡɛntˈɨɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/33_segment_35.wav|skʃˌɨʒɔvˈawa rˈɛntsɛ na pʲˈɛrɕax.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_36.wav|xˈɔtɕ, jˈɛdʑɛʒ zˈɛmnɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_142.wav|dɔbrˈanɔts, pʃˌɨjatɕˈɛlu.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_91.wav|bˌɨwam nˈuxɔ̃ nˈɛjɛm, sawdˈɨjskɔ̃ turˈɨstkɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_12.wav|ɔdlˈɛɡwɔɕtɕ? zapˈɨtaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_128.wav|tɨm rˈazɛm nˈavɛt ɲʲɛ udˈajɛ, ʒˈɛ ˈidɛ. bjˈɛɡnɛ dɔ vˈɨjɕtɕa, ktˌurɛ fskˈazaw mi tɛn mˈiwɨ vikˈarjuʃ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_16.wav|ɲʲɛ mˈɔɡɛ mʲˈɛtɕ pʃɨjˈatɕuw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_23.wav|ˈɔx, pɔvʲˈɛdʑaw, bˌɨwa pˈaɲi trˈɔxɛ vlˈana i vʑˈɛwa mɲʲɛ pˈaɲi za jakʲˈɛɡɔɕ tʃwɔvʲˈɛka nazvˈiskʲɛm stˈɛvɛnsɔn?|0
+Dataset/wavs/urwisko_ferenc/27_segment_90.wav|— pˈɛvɲʲɛ mʲˈawbɨ pˈan rˈatsjɛ, ɡdˈɨbɨ ɲʲɛ jˈɛdna ʒˈɛtʃ — kˌɔntɨnˌuɔvˈawa xˈɛrman.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_62.wav|ɲˈikt kˈɔɡɔ znˈamɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_129.wav|i tˈak tˈɛʃ ˌutʃɨɲˈiwa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_127.wav|bʲilljˈɛmu tsˈɔras mɲʲˈɛj ɕɛ tɔ pɔdˈɔba.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_99.wav|pʃɛsˈuva dwˈɔɲʲɛ na jɛj smˈukwɔ̃ ʃˈɨjɛ i zatʃˈɨna lˈɛkkɔ natɕˈiskatɕ ktɕukˈami na ɡˈardwɔ.|3
+Dataset/wavs/urwisko_ferenc/12_segment_30.wav|i tsˈɔ? spˈɨtaw ˈɔlɡʲɛrt.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_418.wav|i ʃˈɛf pʃˈɨjɔw mɲʲɛ s pɔvrˈɔtɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_258.wav|mɨɕlˈawam ɔ tˈɔbjɛ ftʃˈɔraj, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_240.wav|a pˈɔtɛm...|1
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_50.wav|ˈɔx, vʲˈɛ ˈɔtɨm. pɔftˈaʒam jɛj tɔ pʃˈɛs tsˈawɨ tʃˈas.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_16.wav|a vʲˈɛnts maʃ jˈuʒ vinnˈɛɡɔ, mˈikɛ. a tsˈɔ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_25.wav|tˈɔm pɔpˈatʃɨw na zmɛntʃˈɔnɛ, ˌalɛ zdˌɛtɛrmˌinɔvˈanɛ tfˈaʒɛ sfˈɔix lˈudʑi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_6.wav|pʃˈɛs pʲɛtnˈaɕtɕɛ mˈinut tʃˈɛka, z rˌamjɔnˈami zˌawɔʒɔnˈɨmi na pʲˈɛrɕi, ˈaʃ trˈanzɨd vrˈutɕi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_165.wav|jˈɔɛj zˈabraw dʒˌɔnnɨˈɛɡɔ tsˈapsa na spɔtkˈaɲʲɛ s ʃˈɛfɛm ˈɔvɛj ˌɔrɡaɲizˈatsji i ˌɔkazˈawɔ ɕɛ, ʒˈɛ xwɔpˈaki z ɲʲˈu dʒˈɛrzi tˈɛʒ zˈatɨm krɛtˈɨnɛm ɲʲɛ pʃˌɛpadˈawɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_78.wav|ɲˈikt mɲʲɛ ɲʲɛ uswˈɨʃɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_50.wav|stratɕˈiwɛm prˈatsɛ, ˈandɨ pɔvʲˈɛdʑaw ˈandɛrsɔn. pɔtʃˈɛba mi prˈatsɨ.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_20.wav|ˌuspɔkɔˈiwa jˈɔ̃ tsɛrsˈɛi. fʃˈɨstkɔ f pɔʒˈɔntku.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_145.wav|rˈɛntsɛ i nˈɔɡʲi pʃˌɨvʲɔ̃zˈanɔ mu dɔ kʃˈɛswa.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_302.wav|vʑˈɛwam kˈilka vdˈɛxuf, ʒˈɛbɨ ɕɛ upˈɛvɲitɕ, ʒˈɛ awtˈɔmad dʑˈawa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_3.wav|ɲʲɛ mʲˈawam najmɲʲˈɛjʃɨɣ vˌɔntplivˈɔɕtɕi, ʒˈɛ kʲˈɛdɨ tˌɨlkɔ zˈatʃnɛ prɔvˈadʑitɕ, ˈalfjɛ zˈaɕɲʲɛ f sfˈɔim fˌɔtɛlˈiku z ɡwˈɔvɔ̃ ɔpˈartɔ̃ ˌɔbɔɡ zaɡwˈufka.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_191.wav|ˈaʒ vrˈɛʃtɕɛ zɔstˈawa tˌɨlkɔ pˈara pʃˌɨmruʒˈɔnɨx, ʒˈuwtɨx ˈɔtʃu, ktˌurɛ vˌɨɡlɔndˈawɨ jˈak ɕlˈɛpja ɕmʲˈɛrtɕi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_12.wav|ˈɔbrjɛn pɔvʲˈɛdʑaw w ɲˈim, ʒˈɛ lˌitɛratˈura ɲʲɛ jɛst prˈavdɔ̃, lˈɛdʒ drˈɔɡɔ̃ dɔ prˈavdɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_6.wav|ˈaʃ ɔbrˈutɕiw ɡwˈɔvɛ f prˈavɔ̃ strˈɔnɛ. vˈidadʑ bˈɨwɔ, ʒˈɛ ˌuɕiwˈujɛ vɨˈɔstʃɨdʑ vzrˈɔk.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_252.wav|i mʲˈɛjmɨ nadʑˈɛjɛ, ʒˈɛ ɲˈits ɕɛ ɲʲɛ uwˈamjɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_425.wav|fɕrˈud ɡˈɔwɨɣ dʒˈɛf pʃˌɛswɔɲʲˈɛntɨx srˌɛdɨnˈɔvɔ̃ mɡʲˈɛwkɔ̃ pˌɛŋkajˈɔntsɨx pˈɔŋkuf stˈawɨ nˈɔvɔ vzɲʲɛɕˈɔnɛ vˈillɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_137.wav|jˈɛɡɔ tɕˈɛɲ jɛst tˈu jˈɛʃtʃɛ z nˈami, ˌalɛ ɔn sˈam jɛst jˈak samˈɔlɔt, kturˌɛɡɔ jˈuʃ ɲʲɛ vˈidʑiʃ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_37.wav|najlˈɛpʲɛj pˌamjɛntˈawa zapˈaxɨ.|1
+Dataset/wavs/urwisko_ferenc/61_segment_40.wav|nˈɔ tɔ tʃˈɛɡɔ ɕɛ tˈam dˌɔvʲɛdʑˈawɛɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_109.wav|jɛj tɕˈɛmnɔɲʲɛbjˈɛskʲɛ ˈɔtʃɨ ˌɔsadʑˈɔnɛ w vˈɔ̃skʲɛj tfˈaʒɨ uvˈaʒɲʲɛ mu ɕɛ pʃˌɨɡlɔndˈajɔ̃.|2
+Dataset/wavs/urwisko_ferenc/65_segment_184.wav|xˈɛrman ˌɔstɛntatsˈɨjɲʲɛ zɛrknˈɛwa na tˈɨlnɔ̃ kanˈapɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_69.wav|pʃˌɨpɔmˈinam sˈɔbjɛ jˈɛɡɔ tfˈaʃ i jɛj vrˈɛdnɨ vˈɨras, kʲˈɛdɨ zˈakrat ɕɛ dɔ mɲʲɛ vʲɛtʃˈɔrɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_152.wav|tˈak, dʲˈidʲi.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_363.wav|pɔt ix stɔpˈami xʃˈɛɲɕtɕiw dˈɨvan zˈɛsxwɨx lˈiɕtɕi.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_235.wav|vʲˈɛʃ, ʒˈɛ strˌɛntʃɨtɕˈɛlstfɔ dˈavnɔ vˈɨʃwɔ z mˈɔdɨ.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_185.wav|jɛʒˈɛli ktˈɔː ˈinnɨ pɔvˈali ɡˈɔ na mˈuj rˈɔskas, tʃɨ jˈɛɡɔ krˈɛf splˈami mˈɔjɛ rˈɛntsɛ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_53.wav|pˈaɲi frˈaŋklin?|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_464.wav|vˈaltʃɔnts ɔ najlˈɛpʃɔ̃ zˈɛ sprˈaf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_262.wav|pʃˈɨtɨh swˈɔvax ljˈa pˌɔxɨlˈiwa ɕɛ w mˈɔjɔ̃ strˈɔnɛ, pˌɔtsawɔvˈawa mɲʲɛ f pɔlˈitʃɛk, fstˈawa i ɔdˈɛʃwa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_122.wav|ʒˈɛ jˈak tˌɨlkɔ ɕɛ rɔzwˈɔntʃɨʃ, pˌɔviɲʲˈɛnɛʑ zwˈapatɕ taksˈufkɛ na lɔtɲˈiskɔ w nˈɛvark.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_70.wav|ɕtɕˈɔŋɡaj ɡˈatki, tɔ tˈɛkst s tˌɛɡɔ fˈilmu.|2
+Dataset/wavs/urwisko_ferenc/36_segment_71.wav|nˈɔː i?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_315.wav|vɨdˈawɛɕ mɲʲɛ i tˈɨlɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_8.wav|pamjˈɛntam, ʒˈɛ ˈɔmal ɕɛ ɲʲɛ pˌɔʒɨɡˈawam, kʲˈɛdɨ w ɕrˈɔtku zrɔbʲˈiwɔ ɕɛ ɡˈɛ̃stɔː ɔd dˈɨmu. ˌalɛ tsˈɔ tˈam.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_140.wav|ɲʲɛ ʃkˈɔdʑi, pˌɔmɨɕlˈawam. tɔ jˈɛʃtʃɛ ɲʲɛ kˈɔɲʲɛts ɕfʲˈata. mˈɔɡɛ tˈu vrˈutɕitɕ pˈuʑɲʲɛj, ʒˈɛbɨ...|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_90.wav|jˈak ˈɔtɨm pɔmˈɨɕlɛtɕ, prɔvˈadʑi tˈɛʃ tʃfˈartɛ ʒˈɨtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_180.wav|dɔ vɨznˈaɲʲa?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_87.wav|zɔbˈatʃɛ sˈama jˈak tɔ jɛst i ftˈɛdɨ rˈazɛm pˌɔdɛjmʲˈɛtɕɛ dɛtsˈɨzjɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_392.wav|ˌɔbɔk ɲʲˈɛɡɔ spˈaw jˈakiɕ tʃwˈɔvʲɛk, pˈɔttʃaz ɡdˈɨ bˈarɨ mˈaj alˈivɛ mˈuviw dɔ ɲʲˈɛɡɔ, ɲʲɛ zvaʒˈajɔnts, ˈiʃ ɕpʲˈɔntsɨ xrˈapaw smˈatʃɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_25.wav|vˈidʑɛ, ʒˈɛ mˈuj kuzˈɨnɛk ɲʲɛ trˈatɕiw tʃˈasu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_136.wav|tˈɛn, f ktˌurɨm tʃˈuw sfˈɔnt pʃˌɨpalˈɔnɨx tɕˈastɛk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_51.wav|vɨɕˈada, ɔtfʲˈɛra tˈɨlnɛ dʒvˈi i f pʲˈɛrʃɛj xfˈili ɔttʃˈuva ˈulɡɛ, kʲˈɛdɨ vˈidʑi, ʒˈɛ bʲˈillɨ nˈaɲʲɔ̃ pˈatʃɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_35.wav|pʃˌɛkɔnˈamɨ ɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_126.wav|ktˈɔɕ, kˈɔmu zˌaufˈawa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_63.wav|kˈit, ɔ tsˈɔ xɔdʑˈiwɔ s tɔ̃ ˈannɔ̃ frˈaŋklin? spɨtˈawa. zɡˈɔdɲʲɛ z rɛjˈɛstrɛm ɡˈɔ��tɕi na pɔtʃˈɔntku tɨɡˈɔdɲʲa pˈaɲʲɔ̃ rˈɔbɛrts xtɕˈawa ɔdvʲˈɛdʑitɕ ˈanna frˈaŋklin.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_50.wav|ɲʲɛ zɔstˈawɔ tɔ jˈɛʃtʃɛ ˌɔɡwɔʃˈɔnɛ, ˌalɛ mˈɔɡɛ tɕi pɔvʲˈɛdʑɛtɕ, ʒˈɛ...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_2.wav|tˈɔm stˈaw na ɕrˈɔtku pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔː i rɔzmˈavʲaw s kˈitɛm sˈimsɛm, kʲˈɛdɨ vrutɕˈili bˈɛtskɨ i rˈɔp.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_3.wav|kʲˈɛdɨ pɔː ˌɔpuʃtʃˈɛɲʲu pˌɛnsjɔnˈatu prɔvˈadʑɛ samˈɔxut ɲʲˌɛznanˈɨmi drɔɡˈami, zatɕˈiskam dwˈɔɲʲɛ na kʲˌɛrɔvɲˈitsɨ, jˈaɡbɨ zˌalɛʒˈawɔː ɔt tˌɛɡɔ tsˈawɛ mˈɔjɛ ʒˈɨtɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_40.wav|xˈɔtɕ, pʃˌɨɡɔtˈujɛ tɕi pʃɨjˈɛmnɔ̃, xwˈɔdnɔ̃ kˈɔmpʲɛl i zˌɔbatʃˈɨmɨ, jˈak ɕɛ pˈɔɲʲɛj pɔtʃˈujɛʃ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_51.wav|ʃˈɛrɨf uɕmʲˈɛxa ɕɛ. mˈuvi z aktsˈɛntɛm tˈak pˌɔwudɲʲˈɔvɨm, jˈak kˈaʃa kˌukurɨdʑˈana i kapˈusta liɕtɕˈasta.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_138.wav|a tsˈɔ? ˈɔtpar trˈɔnt.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_87.wav|dvˈa vʲɔɕlˈaʒɛ pɔmˈɔɡli mu zdjˈɔɲtɕ krˌakɛnˈɔvɨ xˈɛwm i viktˈarjɔn vˈɨtar tʃˈɔwɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_61.wav|— tɔ sˈamɔ tˈutaj — zˌamɛldˈɔvaw ɡwˈɔz z druɡʲˈɛɡɔ sˌamɔxˈɔdu. — dɔ pɔmˈɔna dɔtʃˈɛmɨ za dʑˈɛɕɛɲtɕ mˈinut. jˈuʃ ix tˈam ɲʲɛ bˈɛɲdʑɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_8.wav|jˈɛɡɔ zdˈaɲʲɛm bˈɛtskɨ mʲˈawa nˌajlɛpʃˈɛɡɔ nˈɔsa dɔ kwˈamstf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_84.wav|f kˈɔɲtsu rˈɨan bˌɛɲdʑɛ xˈɨba ʃtʃɛɲɕlˈivɨ, jˈɛɕli ktˈɔɕ pɔlˈata sˈɔbjɛ sˌamɔlˈɔtɛm za dʑˌɛvʲɛɲdʑˈɛɕɔnt tɨɕˈɛntsɨ.|0
+Dataset/wavs/urwisko_ferenc/62_segment_23.wav|xˈɛrman nˌatstavˈiwa ˈuʃu. pˌɔkwutɕˈili ɕɛ ɔ tsˈɔ?|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_112.wav|lvˈitsa ɲʲɛ bˈɔi ɕɛ ʒˈabɨ, xˈɔdʑbɨ ɲʲɛ vʲadˈɔmɔ jˈak stˈarɛj i bʒˈɨtkʲɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_55.wav|ˈidɛ vɨwˈɔntʃɨtɕ ɔdbjˈɔrɲik, ˌalɛ nˈaɡlɛ stˈajɛ jˈaɡ vrˈɨta.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_102.wav|ɲʲɛ mˈɨɕli bʲˈili. ɲʲɛ mˈɔʒna nˈatɔ lˈitʃɨtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_199.wav|ɲˈiɡdɨ tˌɛɡɔ ɲʲɛ ˌɔɡlɔndˈawɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_48.wav|pʃˈɛʃwa na pˈaltsax na drˈuɡɔ̃ strˈɔnɛ pˌɔmjɛʃtʃˈɛɲʲa i vɨjʒˈawa zzˈa fɔljˈɔvɨx pwˈaxt.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_400.wav|ɡdˈɨ jˈuʒ zˈɛtɲʲɛʃ jɛj ɡwˈɔvɛ.|1
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+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_196.wav|rˈɨtm bliskʲˈɛɡɔ sˈɛrtsa usˈɨpja.|0
+Dataset/wavs/urwisko_ferenc/59_segment_59.wav|pɔt ɲˈimi znˌajdɔvˈawa ɕɛ bjˈawa kuvˈɛta spˈɔrɨx rɔzmʲˈaruf. xˈɛrman dɔstʃˈɛɡwa w ɲʲˈɛj vɨwˈɔntʃɲʲɛ drˈɔbnɛ ɕmʲˈɛtɕi.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_278.wav|zʒutɕˈiwa mɲʲɛ zˈɛ sfˈɛɡɔ tɕˈawa i na ˈɔɕlɛp jˈaɡ zvʲˈɛʒɛ zatʃˈɛwa drˈapatɕ pɔvʲˈɛtʃɛ, kˈɔwdrɛ i mˈɔjɔ̃ ʃˈɨjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_105.wav|zamjˈɛʒam jˈuʒ zwˈɔʒɨtɕ ɔpʃˈɛrnɛ vˌɨjaɕɲʲˈɛɲʲɛ, kʲˈɛdɨ dɔmˈiɲik f kˈɔɲtsu ɕɛ ɔdʑˈɨva.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_110.wav|pʃˈɛz vʲˈɛŋkʃɔ̃ tʃˈɛɲʑdʑ dʑɛtɕˈiɲstfa.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_217.wav|pˌɔkazɨvˈawa im tˌɨlkɔ fˈiɡɛ i nˌazɨvˈawa iɣ vʲˌɛlbwɔɲdʑˈimi pizdˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_40.wav|stɔsˈujɔ̃ tʃujɲˈiki dvutlˈɛŋku i tlˈɛŋku vˈɛŋɡla. mˈɔɡɔ̃ rˈuvɲʲɛʒ vɨkrˈɨvatɕ xlˈɔr i mˈɛtan na vɨpˈadɛk, ɡdˈɨbɨ f kˌɔmbʲinˈatɕɛ dˈɔʃwɔ dɔ vɨtɕˈɛku.|4
+Dataset/wavs/urwisko_ferenc/35_segment_38.wav|tɔ skˈɔnd vʲˈɛʃ, dˈɔkɔnt pɔjˈɛxaw?|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_28.wav|ˌɔstatˈɛtʃɲʲɛ vɨrvˈali mi tˌɛɡɔ zˈɛmba.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_205.wav|ta rˈɛŋka tˈɛʃ mi tsˈɔʑ ʒɛvnˈɛɡɔ pʃˌɨpɔminˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_61.wav|ˈɛlis rˈɔbʲi tɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_62.wav|dʒvˈi dɔ pʃɛʃwˈɔɕtɕi stˈɔjɔ̃ ɔtfˈɔrɛm. mˈuɡwbɨ jˈɛ zˈamknɔɲtɕ i zˌarɨɡlˈɔvatɕ, ˌalɛ ɲʲˈɛxtsɛ.|2
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+Dataset/wavs/urwisko_ferenc/07_segment_9.wav|vrˈatsam z ˌinɔvrɔtswˈavja ɔt rɔdʑˈitsuf pɔvʲˈɛdʑaw. pˌɔmɨɕlˈawɛm, ʒˈɛ fpˈadnɛ i pˌɔɡadˈamɨ.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_19.wav|tɔ blˈatskfiʃ jɛzd zˌaɡrɔʒˈɛɲʲɛm, ɲʲɛ ɛdmˈurɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_34.wav|ɲʲɛ pʃˈɛjmuj ɕɛ, ˈanɔ. pɔ prˈɔstu zvrˈutɕ mi pʲɛɲʲˈɔndʑɛ i ɔ fʃˈɨstkim zˌapɔmɲˈimɨ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_428.wav|mˈɛrɨn jɛst stˈarɨ i pɔvˈɔlnɨ. tfˈuj brˈat tɔ kalˈɛka.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_95.wav|zˌaʃurˈawɔ pɔ pɔvʲˈɛʃxɲi i zavˈiswɔ f pɔvʲˈɛtʃu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_100.wav|dlatʃˈɛɡɔ pɔlˈitsja tˈutaj pʃˌɨjɛxˈawa?|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_186.wav|a ˈinnɨm rˈazɛm bavˈiwɛm ɕɛ pʃɨ bwɔtɲˈistɛj brˈamjɛ, kʲˈɛdɨ vrˈatsaw s pˌɔlɔvˈaɲʲa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_47.wav|ˈaram nˈaɲʲɔ̃ pˈatʃɨ, a jˈɛɡɔ tfˈaʃ pˌɔzɔstˈajɛ vˈɔlna ɔt jˌakixkˈɔlvʲɛk ɛmˈɔtsji. ɲʲɛ pɔrˈuʃa ɕɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_203.wav|a pˈɔtɛm znˈuv zajˈɛwam ɕɛ sfˈɔim plˈanɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_104.wav|zrɔbʲˈiwa zakˈupɨ jˈaɡ dla mˈawɛj, pʃɛtɕˈɛntnɛj rɔdʑˈinɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_70.wav|a mˈɔʒɛ trˈɔxɛ ɲˈiʒɛj? vɨdˈajɛ ɕɛ zdumjˈɔnɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_176.wav|jɛbˈanɨ zdrˈajtsa, mˈuvi ˌɔna i plˈujɛ mu f tfˈaʃ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_54.wav|bˈɔ ɲʲɛ zˌɔstawˈɔbɨ ɲˈits s tɨx udʑˈawuv dɔ rˌɔzdɨspˌɔnɔvˈaɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_308.wav|ktˈɔɕ pɔdˈɛrʒnɔw mu ɡˈardwɔː i vʒˈutɕiw ɡˈɔ dɔ kanˈawu.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_57.wav|mˈawɨ lˈɔrt mʲˈaw na sˈɔbjɛ strˈuj z bwˌɛŋkitnˈɛɡɔ jˈak ɲʲˈɛbɔː ˌaksamˈitu, wˈaɲtsuɣ zˈɛ zwˈɔta i ʃafˈiruf ˌɔraz bjˈawɛ ɲʲɛdʑvʲˈɛdʑɛ fˈutrɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_123.wav|ɲʲɛ vɨɕˈilaw ɕɛ tˈaɡ bˈardʑɔ, ˌalɛ zˈɛmdlaw kˈilka sˈɛkunt pˈuʑɲʲɛj.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_151.wav|zˈamɛk ˌɔblɛɡˈawa jˈuʃ ˈarmja lˌaɲistˈɛruf i jˈɛʃtʃɛ litʃɲʲˈɛjʃɛ ɔddʑˈawɨ frˈɛjuf.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_294.wav|blˈatskfiʃ rˈuvɲʲɛʃ ɲʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_90.wav|tʃɨ tɨ naprˈavdɛ ɲʲɛ rɔzˈumjɛʃ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_26.wav|a jˈɛɕli na tɕˈɛbjɛ tˈɛʃ pɔlˈujɔ̃?|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_281.wav|rɔzmˈavʲaw s kuzˈɨnɛm jˈɛʃtʃɛ ɡɔdʑˈinɛ, ɲˈim namjˈɛstɲiɡ zaxˈɔdu ɡˈɔː ɔpˈuɕtɕiw.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_330.wav|vɨjˈaɕɲiw trˈɔnt i pˈɔtʃɛd dɔ bˈarku, ʒˈɛbɨ nˈalatɕ sˈɔbjɛ nastˈɛmpnɔ̃ ʃklanˈɛtʃkɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_234.wav|tɔ bʒmˈi bˈardʑɔː ˌɔbjɛtsujˈɔntsɔ, jasmˈinɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_49.wav|ftʃˈɔraj bˌɨwaʑ znˈuf xˈɔra.|0
+Dataset/wavs/urwisko_ferenc/03_segment_2.wav|ɡdˈɨ tˌɨlkɔ pɔtʃˈuwa ɕɛ lˈɛpʲɛj, ˌuswɨʃˈawa zˈaʒut ɲʲˌɛumɨɕlnˈɛɡɔ spˌɔvɔdɔvˈaɲʲa ɕmʲˈɛrtɕi.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_69.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ pʃˈɨstaw dɔ bɛrˈika dˌɔndarjˈɔna. ˈalbɔː i ɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_101.wav|tɔ, tsˈɔ zˌafstɨdʑˈawɔ ɡˈɔ za dɲʲˈa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_233.wav|ˌalɛ jɛj ta pʲˈɛŋkna bjˈawa pʲˈɛrɕ!|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_54.wav|sfɔbˈɔda ɔdwˈɔʒɨw mʲˈɛrɲik s pɔvrˈɔtɛm na stˈuw.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_16.wav|ɲʲɛ pˌɔviɲʲˈɛnɛm mˈɨɕlɛtɕ ˈɔɲim ʑlˈɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_98.wav|bˈɔ ɲʲˈɛstatɕ mɲʲɛ na nˈɔvɨ.|4
+Dataset/wavs/urwisko_ferenc/20_segment_12.wav|tsˈɔɕ ɕɛ stˈawɔ? zapˈɨtaw ɡɔspˈɔdaʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_11.wav|nˈavɛt ftˈɛdɨ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_18.wav|pʃˈɨzna ɕɛ, ɲˈim nˈɔdʑ dɔbjˈɛɡɲʲɛ kˈɔɲtsa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_5.wav|ftɕˈɔ̃ʃ ɲʲˈɛvʲɛm, jˈakim tsˈudɛm pʃˈɛʒɨw lˈup w jˈaki spˈɔsub zdˈɔwaw ˌupɔzɔrˈɔvatɕ sfˈɔjɔ̃ ɕmʲˈɛrtɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_365.wav|ˌɔdvrutsˈɔna patʃˈɨwa na mijˈanɛ ulˈitsɛ, ktˌurɛ stavˈawɨ ɕɛ jaɕɲʲˈɛjʃɛ i vɛsˈɛlʃɛ.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_28.wav|ɲʲɛ dlatˈɛɡɔ pɔbjˈɛɡwam tamtˈɛɡɔ dɲʲˈa.|3
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+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_144.wav|zamˈɨkam ˈɔtʃɨ i vˌɨɔbrˈaʒam sˈɔbjɛ, ʒˈɛ tɔ tɨ lˈɛʒɨʃ nˈamɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_284.wav|ˈaʃa pɔvˈinna bˌɨwa mɲʲɛ pˈɔpʃɛtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_65.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_107.wav|jˈɛɕli ˌɔttɕɔŋɡɲʲˈɛmɨ sfˈɔjɛ ɕˈiwɨ ɔt smˈɔtʃɛj skˈawɨ i kˈɔɲtsa bˈuʒɨ, ʒˈɛbɨ bʲˈitɕ ɕɛ ˈɔtɛ skˈawɨ... skˈawɨ?|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_106.wav|tsˈɔɕ ɕɛ muɕˈawɔ stˈatɕ, kʲˈɛdɨ ˌɔttʃɛpʲˈaliɕmˌɨ tˈunɛl. zˈamkɲij zˈavur, musˈimɨ...|4
+Dataset/wavs/urwisko_ferenc/27_segment_29.wav|muɕˈawa pˈaɲʲɔ̃ bˈardʑɔ kˈɔxatɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_36.wav|tsˈɔː ˌɔna sˈɔbjɛ pɔmˈɨɕli, kʲˈɛdɨ ɲikˈɔɡɔ ɲʲɛ zastˈaɲʲɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_171.wav|jˈaɡ dwˈuɡɔ zamjˈɛʒa pˈan jˈɔ̃ tˈutaj tʃˈɨmatɕ pʃɨkˈutɔ̃ dɔ kʃˈɛswa?|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_8.wav|ˌalɛ tɔ ɲʲɛ mʲˈawɔ dla mɲʲɛ znatʃˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_249.wav|pˌɔftaʒˈawa sˈɔbjɛ. ɲˈidʑ vʲˈɛntsɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_295.wav|sɔ̃ jˈɛʃtʃɛ na ɕfʲˈɛtɕɛ ʃarmˈanttsɨ mɛ̃ʃtʃˈɨʑɲi, pˌɔvʲɛdʑˈawam. vˈartɔ vʲˈɛdʑɛtɕ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_280.wav|jˈɛɡɔ swˈɔva vˌɨvɔwˈawɨ f kɔmnˈatɕɛ pɔmrˈuki zɡˈɔdɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_507.wav|tˈɛras jˈuʃ najʃˈɨptɕɛj jˈak mˈɔɡwɛm umˈɨwɛm ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_120.wav|s pɔtʃˈɔntku ɲʲɛ tʃˈuwam ɲʲˌɛpɔkˈɔju. mˈukw pʃˌɛtɕɛʒ zmʲˈɛɲidʑ zdˈaɲʲɛ i zrˌɛzɨɡnˈɔvadʑ z ɡrˈɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_24.wav|mˈɔʒɛ ˌɔna pɔjˈavitɕ ɕɛ w rɔdʑˈiɲʲɛ, w mʲˈɛjstsu prˈatsɨ, fɕrˈut pʃɨjˈatɕuw.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_140.wav|f tˈakim rˈaʑɛ, pˈaɲʲɛ...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_79.wav|tsˈɔ takʲˈɛɡɔ zrɔbʲˈiwaɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_104.wav|ɲʲɛ, ɲʲɛ jˈɛstɛm, tɨ tˈɛʃ ɲʲɛ. dʑˈɛŋki, ɲˈitsk.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_98.wav|mˈuʃɛ tɕˈɛ pɔprˈɔɕitɕ ɔ pɔdjˈɛɲtɕɛ tɛj vˈaʒnɛj dɛtsˈɨzji.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_98.wav|kapˈitan tʃˈɛkaw pɔd dʒvʲˈami, ˈaʃ kɕɛ̃ʒɲˈitʃka vɨkˈɔmpʲɛ ɕɛ, utʃˈɛʃɛ i zjˈɛ ˌɔdrɔbʲˈinɛ sˈɛra z ˌɔvɔtsˈami, ktˌurɛ jɛj pʃɨɲʲˈɛɕli.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_341.wav|ˌɔpuʃtʃˈawa pʲɛɲʲˈɔ̃ʒɛɡ dɔ skarbˈɔŋki.|0
+Dataset/wavs/urwisko_ferenc/30_segment_25.wav|na pɔdjˈɛʑdʑɛ f tɕˈɛɲʲu ʒutsˈanɨm pʃˈɛz dʒˈɛva pɔtxˈɔdʑi dɔ srɛbrnˈɛɡɔ tɕˌitrɔˈɛna i ɔtfʲˈɛra dʒvˈi ɔt strˈɔnɨ pˌasaʒˈɛra.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_3.wav|pˈɔtʃɛd dɔ jɛj bjˈurka i fspˈar rˈɛntsɛ na bjˈɔdrax, jˈaɡbɨ zamjˈɛʒaw jˈɔ̃ ɔbvˈiɲidʑ za ˌɔɕfʲattʃˈɛɲʲɛ dla prˈasɨ, ktˌurɛ tˈamta vˌɨɡwɔɕˈiwa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_213.wav|ˌuɕiwˈujɛ rɔsplˈɔntatɕ jˈɛɡɔ rˈɛntsɛ, ktˌurɛ zˌatɕisnˈɛwɨ ɕɛ nˈaɲʲɛj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_13.wav|tɛn zabʲˈitɨ ɡˈɔʑdʑ bˈɨw jɛj mˈɛ̃ʒɛm. ˌɔna ɲʲɛ pɔvˈinna tˈu pʃɨxˈɔdʑitɕ. pˌɔmjɛʃˈawɔ jɛj ɕɛ w ɡwˈɔvʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_121.wav|pʃɨnˈajmɲʲɛj tˈakɔ̃ maʃ nadʑˈɛjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_195.wav|mˈɔjɛ mˈɨɕli zˌɛɕlizɡˈujɔ̃ ɕɛ jˈaɡ z lˌɔdɔvˈɛɡɔ paɡˈurka.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_239.wav|fʃˈɨstkɔ kupˈiwɛm lɛɡˈalɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_38.wav|vʲˈɛm, ɔ ktˌurɛ mʲˈɛjstsɛ tɕi xˈɔdʑi.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_45.wav|tsˌɨnamɔnˈɔvɨ vʲˈatr stˈaw ˌuɲʲɛrˌuxɔmjˈɔnɨ na ɡwɛmbˈɔkim, bwɛŋkˈitnɨm mˈɔʒu, dalˈɛkɔː ɔt lˈɔndu.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_259.wav|mˈɨɕliʃ, ʒˈɛ ɲʲɛ zdˈɔwam ˈɔtkrɨtɕ prˈavdɨ na vwˈasnɔ̃ rˈɛŋkɛ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_484.wav|mˈɔɡwɛm dɔkˈɔnatɕ fˌantastˈɨtʃnɨx tʃˈɨnuf ˈalbɔ...|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_11.wav|ˌɔddɨxˈajɔ̃? zˌapɨtˈawa. jˌɛstɛɕ pˈɛvna?|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_53.wav|ɡdˈɨ tɛlˈɛfɔn davˈida lɔtskrˈidʒa s pikɲʲˈɛɲtɕɛm ɔbvʲˈɛʃtʃa ˌɔdɛbrˈaɲʲɛ ˌɛsˌɛmˈɛsa ɔt kˈɛnna xˈɔffa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_32.wav|sˈam bˈɨm tˌɛɡɔ lˈɛpʲɛj ɲʲɛ ˈumjaw pɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_4.wav|tˈɔm fstˈaw. dvˈa rˈazɨ ɲʲɛ tʃˈɛba bˌɨwɔ mu pɔftˈaʒatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_260.wav|dˈalɛ skˈinɔw ɡwˈɔvɔ̃. pˈɛndʑɔnts pɔ dˈɔbʒɛ rˌɔzjɛʒdʒˈɔnɨm pɔdwˈɔʒu, minˈɛliɕmˌɨ ɕlˈuzɛ tˌɔvarˈɔvɔ̃ i zˌatʃɨmˈaliɕmˌɨ ɕɛ ˌɔbɔɡ zˌadɔkˌɔvanˈɛɡɔ vaɡˈɔnu.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_298.wav|tsˈuʃ, ʃkˈɔtska tɔ kfˈɛstja ɡˈustu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_149.wav|pˌɔstanˈavʲam zˈɔstatɕ tˈam, ɡdʑˈɛ stˈɔjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_31.wav|kʲˈɛdɨ f kˈɔɲtsu dɔtɕˈɛram dɔ sˌamɔxˈɔdu, vʲˈɛm jˈuʃ, ʒˈɛ mˈuʃɛ vɨmˈɨɕlitɕ jˈakʲɛɕ ˌuspravʲˌɛdlivʲˈɛɲʲɛ w zvʲˈɔ̃sku s pˈuʑnɔ̃ pˈɔrɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_209.wav|f kˈɔɲtsu mˌinstrɛlˈɔvʲɛ bˌɨli zˌavɔdɔvˈɨmi kwamtsˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_72.wav|ˈalfjɛ xˈɨba vɨtʃˈuva, ʒˈɛ jˌɛstɛm zˌatrɔskˈana, bˈɔ mˈiltʃɨ, kʲˈɛdɨ idʑˈɛmɨ dɔ sˌamɔxˈɔdu tʃɨmˈajɔnts ɕɛ za rˈɛntsɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_254.wav|jˈak tɨ mˈɔʒɛʃ pˈitɕ tsˈɔɕ takʲˈɛɡɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_21.wav|pˈɔtɛm fstˈawɛm, pʃˈɛs tsˈɔ rˈana znˈɔvu zatʃˈɛwa krfˈavitɕ, ʒˈɛbɨ mˈɔɡwa rˈɔspʲɔɲtɕ mˈɔjɛ spˈɔdɲʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_51.wav|spʃˈɛtʃnɛ z rˈuxɛm ˈust.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_176.wav|tʃfˈartɨm bˈɨw dˈɔm zˈabaf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_71.wav|zɔstˈawam ɕrˈɔtki ˌuspɔkˌajajˈɔntsɛ, ˌalɛ tʃˈuwam ɕɛ pˈɔɲih fatˈalɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_212.wav|ˈilu lˈudʑi mˈɔɡwa pɔstˈavitɕ mˈafja na strˈaʒɨ sfˈɔjɛj kɕˌɛ̃ʒɨtsˈɔvɛj prˈalɲi brˈudnɨx pʲɛɲʲˈɛndʑɨ?|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_120.wav|kʲˈɛdɨɕ jˈɛdɛn prubˈɔvaw mɲʲɛ ˈuɡrɨɕtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_336.wav|xmˈurɨ rˌ��sstɛmpɔvˈawɨ ɕɛ pɔvˈɔli.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_117.wav|jˈakɔɕ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_67.wav|vʲˈɛlki sˈɛptɔn vrˈɛntʃɨw ʃtʃˈɔtkɛ jɛdnˈɛmu z nˌajpɔbɔʒɲʲˈɛjʃɨx.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_176.wav|pˈɔtɛm swˈɨʃɨ ˈɔddɛx lɛʒˈɔntsɛj ˌɔbɔɡ dʑɛftʃˈɨnɨ. ˈɔddɛx, ɲʲɛ xrapˈaɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_72.wav|tʃɨ ˌɔna uvˈaʒa, ʒˈɛ jˈɛɕli stratɕˈimɨ mˈili, ɲʲɛ bɛɲdʑˌɛmɨ dwˈuʒɛj rˈazɛm?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_72.wav|vʲˈɛmɨ, ʒˈɛ zˌɔstavˈiwa swuʒbˈɔvɔ̃ kɔmˈurkɛ. tʃɨ tɔː ɔznˈatʃa, ʒˈɛ mˈa ˈinnɔ̃?|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_37.wav|ja takʲˈɛɡɔ mɨɕlˈɛɲʲa ɲʲɛ uznˈajɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_670.wav|pˈɔtɛm zˌɔbatʃˈɨmɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_99.wav|zˌaprɔvˈadʑiw mɲʲɛ na pˈɔlɛ. ɲʲɛ tsˌawɔvˈaliɕmˌɨ ɕɛ, kʲˈɛdɨ spɔtkˈawam ɕɛ z ɲˈim ftʃˈɛɕɲʲɛj.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_392.wav|mˈɔʒɛ skʃɨvdʑˈiwɛm jɛj ˈɔjtsa i ɲʲɛ pamjˈɛntam tˌɛɡɔ skʃɨvdʑˈɛɲʲa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_46.wav|zˈɛmnɔ̃ mˈɔʒɛʃ ʃtʃˈɛʒɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_32.wav|tɔ s pɛvnˈɔɕtɕɔ̃ ɲʲɛ jɛst kɔɲʲˈɛtʃnɛ, mˈuvjɛ drʒˈɔntsɨm ɡwˈɔsɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_23.wav|dʑˈɛŋki za uvˈaɡɛ!|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_102.wav|tɔ zˈafʃɛ dʑawˈawɔ. ɲˈikt ɲˈiɡdɨ ɲitʃˈɛɡɔ ɲʲɛ zˌakfɛstjɔnˈɔvaw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_228.wav|ɲʲɛ mˈɨɕliʃ xˈɨba, ˈabɨ ˈumʒɛtɕ? ɲʲɛ, ˌalɛ tɔ ɕɛ zˈafʃɛ mˈɔʒɛ zdˈaʒɨtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_17.wav|jˈaɡ zapˈɛvnɛ vʲˈɛŋkʃɔɕtɕ studˈɛntuf ɲʲˈɛtsɔ zˌaɡubjˈɔnɨ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_500.wav|lˈubʲiw mirˈanda rɔˈɨtsɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_123.wav|fʃˈɨstsɨ vʲˈɛltsɨ lˈudʑɛ bˌɨli kˌɔmuɲistˈami. ɔt ˌalɛksˈandra mˌatsɛdɔɲskʲˈɛɡɔ dɔ dʑiɕˈɛjʃɨx tʃˈasuf. nˈɔ mˈɔʒɛ z vɨjˈɔntkʲɛm stalˈina.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_258.wav|ɲʲɛdwˈuɡɔ spˈɔtkam ɕɛ z brˈatɕmi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_192.wav|ˈɔfʃɛm, ˈɛlis muvˈiwa, ʒˈɛ f pɛrˈutsɛ i zˈɛ ʃtˈutʃnɨm bʒˈuxɛm jɛzd dɔ ɕˈɛbjɛ zupˈɛwɲʲɛ ɲʲˌɛpɔdˈɔbnɨ. fˈili jˈɛdnak ɲʲɛ dˈawabˌɨ ɕɛ na tˈakʲɛ pʃɛbrˈaɲʲɛ nˈabratɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_124.wav|tʃɨ tˈɛʃ mˈɔʒɛ lˈidʒbɔ̃, ktˌurɔ̃ znˈawbɨ tˌɨlkɔ bˈuk, kturˌɛɡɔ tfˈaʒ zɲiknˈɛwa jˈuʃ s pɔvrˈɔtɛm w ɔɡɲˈistɨx krˈɛŋɡax?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_62.wav|nˈaʃɛ dˈanɛ pˌɔkazˈujɔ̃, ʒˈɛ pˈaɲski pʃɨpˈadɛk pasˈujɛ dɔ tˌɛɡɔ prɔfˈilu.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_182.wav|dla tsˈat tɛn pˈɔrd bˈɨw ˌulubjˈɔnɨm mʲˈɛjstsɛm f tsˈawɨm braˈavɔs.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_384.wav|pˈɔttʃaz banˈalnɨx ˌurɔtʃɨstˈɔɕtɕi ˌimjɛɲinˈɔvɨx.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_177.wav|bˌɛɲdʑɛ tɔ jˈɛdɛn z ɲʲɛvʲˈɛlu dɲˈi w mˈɔim ʒˈɨtɕu, ktˌurɨ pʃɛʒˈɨwɛm bˈɛs trˈɔsk mˌatɛrjˈalnɨx.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_191.wav|lˈɛtʃ ɲʲɛvʲˈɛlu daʒˈɨwɔ ɡˈɔ miwˈɔɕtɕɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_61.wav|ˈɔtpar tˈɔm, ɲʲɛ znajdˈujɔnts innˈɛɡɔ kˌɔmɛntˈaʒa.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_14.wav|pˌɔtpisˈanɨ pʃˈɛs krˈula, pʃˈɛs mawˈɛɡɔ tɔmmˈɛna. jˌɛstɛm prˌavɔvˈitɨm lˈɔrdɛm rivˈɛran i... ɲʲɛ jˌɛstɛɕ ɲˈim, dɔpˈuki ʒˈɨjɛ ɛdmˈurɛ tˈullɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_268.wav|a baʃˈara ɲˈiɡdɨ ɲʲɛ ˌɔʃukˈujɛ w ˌintɛrˈɛsax.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_71.wav|jˈamɛ ɲʲɛ pɔzvˈɔliw ɕɛ sprˌɔvɔkˈɔvatɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_42.wav|kˈɔmpjɛ ɡˈɔ w lˈɛtɲʲɛj vˈɔdʑɛ, ˌalɛ kʲˈɛdɨ klˈɛŋkam na pɔdwˈɔdʑɛ waʑˈɛŋki, ʒˈɛbɨ ɡˈɔ vˈɨtʃɛtɕ, zatʃˈɨna pwˈakatɕ i kwˈadʑɛ mi ɡwˈɔvɛ na ramjˈɛɲʲu.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_112.wav|mˈuʃɛ ʒˈutɕitɕ mu ɕɛ dɔ stˈup.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_518.wav|jˈakiɕ pˈapʲɛr spˈat s pˌarapˈɛtu ˌɔkʲɛnnˈɛɡɔː i z namˈɨswɛm ɕlˈizɡaw ɕɛ pɔ pɔdwˈɔdʑɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_116.wav|krˌɨminˌalistˈɨtsɨ w bjˈawɨx kˌɔmbʲinɛzˈɔnax ˌɔznatʃˈali fʃˈɛlkʲɛ pˌɔtɛntsjˈalnɛ dɔvˈɔdɨ ɕfʲadˈɔmi dɨskˈusji tɔtʃˈɔntsɛj ɕɛ mʲˌɛndʑɨ dˌɛtɛktɨvˈami.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_44.wav|tʃɨ xtsˈɛ mi pɔvʲˈɛdʑɛtɕ, ʒˈɛbɨm uklˈɛŋkwa?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_48.wav|mˈimɔ tɔː uvˈaʒam, ʒˈɛ ˌɔɲi sɔ̃ lˈɛpʲɛj dɔ tʃˈɛɡɔɕ takʲˈɛɡɔ pʃˌɨɡɔtɔvˈaɲi ɲˈiʃ tɨ i jˈa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_6.wav|nˈaʃa mˈiwɔɕtɕ jɛst fawʃˈɨva, a tˈaɡʒɛ ˌintɛrɛsˈɔvna.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_173.wav|zrˈɛʃtɔ̃ i tˈak pˈɛvɲʲɛ bˌɛɲdʑɛ nɔɕˈiwɔ mɲʲɛ dɔ pˈuʑna. ɲʲɛ xtɕˈawabˌɨm tɕi pʃɛʃkˈadʑatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_206.wav|kʲˈɛdɨ pʃɨjˈɛʒdʒa dɔ dˈɔmu, ktˌurɨ jˈutrɔː ɔpˈuɕtɕi na zˈafʃɛ, na ɡˈurnɨm stˈɔpɲʲu frɔntˈɔvɨx sxˈɔduv znajdˈujɛ kˈartkɛ pʃˌɨɡɲʲɛtɕˈɔnɔ̃ kamjˈɛɲʲɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_63.wav|tʃˈɔwɔ dˌɔmiɲˈika vɨɡwˈadʑa ɕɛ, ˌalɛ ɡwˈɔs mu ɕɛ lˈɛkkɔ wˈamjɛ, kʲˈɛdɨ mˈuvi|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_152.wav|ɡdˈɨbɨ lˈɔrt tˈɨvin mˈuɡw mɲʲɛ tˈɛraz zɔbˈatʃɨtɕ, zrɔzˈumjawbˌɨ, ʒˈɛ mˈa dʑɛdʑˈitsa ɡɔdnˈɛɡɔ skˈawɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_31.wav|bʲˈillɨ, ktˌurɨ ˌaɲi ftʃˈɔraj, ˌaɲi dʑˈiɕ ɲʲɛ spˈɔjʒaw na tablˈitʃkɛ z nˈazvɔ̃ ulˈitsɨ mˈɨɕli,|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_101.wav|pɔvˈinnam bˌɨwa tɕi pɔvʲˈɛdʑɛtɕ, ʒˈɛ f pˈɛvnɨm mɔmˈɛɲtɕɛ dɔ tˌɛɡɔ dˈɔjdʑɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_83.wav|tɔ tˈɛn, ktˌurɨ nalˈɛʒɨ dɔ daltˈɔna.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_2.wav|ɲʲɛ mˈɔɡɛ uvʲˈɛʒɨtɕ f tɔ, ʒˈɛ zasnˈɛwam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_53.wav|ftɕˈɔ̃ʃ jɛst ɲʲˈɛtsɔ zdʑivʲˈɔna, ˌalɛ lˈɛkkɔ ɕɛ ɔtprˈɛ̃ʒa.|3
+Dataset/wavs/urwisko_ferenc/23_segment_9.wav|vidʑˈawɛm, ˌalɛ ɲʲɛ nadˈajɛ ɕɛ. jɛst jˈaɡ vilɡˈɔtnɨ stˈarɨ kˈartɔn, zˌabrɨkˈɔvaw. a tɛ kanˈapki dla mɲʲɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_76.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_20.wav|trˈudnɔ ɡˈɔ jˈɛdnak xˈɔtɕ trˈɔxɛ ɲʲɛ lˈubʲitɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_118.wav|vrutɕˈiwaɕ tˈutaj, ʒˈɛbɨ jˈɛ zɲˈiʃtʃɨtɕ, prˈavda?|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_147.wav|ˌalɛ f tʃɨm vˈidʑiʃ prˈɔblɛm?|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_88.wav|bˈɔ jˈak sˈam vˈidʑiʃ, xwɔpˈaki bˌɛndɔ̃ ɡɔtˈɔvɛ, kʲˈɛdɨ pʃˈɨjdʑɛ vwaɕtɕˈivɨ mˈɔmɛnt.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_144.wav|na vˈɨspaɣ vʲˈɛmɨ lˈɛpʲɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_4.wav|na zˈajutʃ, w bjˈuʒɛ na tʃfˈartɨm pʲˈɛntʃɛ ɡˈɛrart tˈɔvɛr, bʲˈillɨ pɔdwˈɔntʃa sfɔjˈɛɡɔ nɔvˈɛɡɔ mˈadʑ bɔˈɔka dɔ prˈɔndu i ɕtɕˈɔŋɡa s ɕˈɛtɕi ˌaplikˈatsjɛ s pˌasjansˈami.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_27.wav|jˌɛstɛm tˈutaj, kɔxˈaɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_256.wav|zapˈisaw ɕɛ pˈan dɔ swˈɔvʲan? ɲʲɛ, trafˈiwɛm tˈu pʃˌɨpatkˈɔvɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_29.wav|ˌɔdɛzvˈawam ɕɛ vrˈɛʃtɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_4.wav|vˈiɕaw na ɡawˈɛ̃ʑi ˌusxɲʲɛntˈɛɡɔ dʒˈɛva, na kturˌɛɡɔ pɔ tʃɛrɲʲˈawɨm pɲʲˈu vˈidatɕ jˈɛʃtʃɛ bˌɨwɔ ɕlˈadɨ pʲɔrˈuna, ktˌurɨ jˈɛ zˈabʲiw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_61.wav|fˈirmɨ tˌaksufkˈɔvɛ ˌɔdnɔtɔvˈujɔ̃ tˈakʲɛ dˈanɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_36.wav|na xrɨstˈusa pˈana tɨ ɲʲɛ pˈɔvʲɛʃ ɲˈits.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_134.wav|mˈɨɕlɛ, ʒˈɛ tˈak ˈɔttʃuw, ʒˈɛ tɔː ɔstˈatɲi rˈas.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_14.wav|tɔ ɕrˈɔdɛk ˌɔstrɔʒnˈɔɕtɕi na vɨpˈadɛk, ɡdˈɨbɨ madʒˈarjan tsˈɔɕ kˌɔmbʲinˈɔvaw, ˌalɛ ɲʲɛ tˈɨlkɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_10.wav|lˈitʃɨ, ʒˈɛ mu ɕɛ ˈuda, ˌalɛ jɛst pʃˌɨɡɔtɔvˈanɨ na ɲʲˌɛpɔvɔdʑˈɛɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_118.wav|mˈɔɡɛ nˈavɛt uʒˈɨvatɕ mɨɕlɲˈikuv w djalˈɔɡax, jˈɛɕli pʃˈɨjdʑɛ mi nˈatɔ ɔxˈɔta.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_19.wav|ˈaram zapˈɛvɲʲa mi ɕfʲadˈɔmɔɕtɕ, ktˌura ɲʲɛ zmʲˈɛɲi tˈɛɡɔ, tsˈɔ zrɔbʲˈili, ˌalɛ ktˈura...|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_95.wav|sˈam dˈɔtknɔw tʃˈɔwa starˈuʃka.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_62.wav|ɲʲɛ pʃˌɨtɕɔŋɡˈajɔ̃ ʃtʃɛɡˈulnɛj uvˈaɡʲi?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_20.wav|krˈɛntsɛ ɡwˈɔvɔ̃, ʒˈɛbɨ pˈɔzbɨtɕ ɕɛ tˌɛɡɔ ɡwˈɔsu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_19.wav|a dʑˈiɕaj, kʲˈɛdɨ zɔbˈatʃɨw fatsˈɛta w vˈɔlvɔ, stˈanɔw jˈaɡ vrˈɨtɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_197.wav|pʃɛd vˈɨjɕtɕɛm z dˈɔmu sprˈavdʑiw w ˌintɛrnˈɛtɕɛ rˈɔskwat jˈazdɨ ˌawtɔbˈusuf i tʃˈɛka na trˈujkɛ pɔd dˈaʃkʲɛm pʃɨstˈaŋku na rˈampart strˈit.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_34.wav|tʃˈujɛ ɕɛ tˈak, bˈɔ vʲˈɛm, ʒˈɛ ɲʲɛ bˌɛndɛ ɲˈiɡdɨ lˈatatɕ jˈak tˈɨ, tɔ fʃˈɨstkɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_64.wav|mɛ̃ʃtʃˈɨzna tʃˈɛka z rˈɛŋkɔ̃ f kʲɛʃˈɛɲi pɔd dʒvʲˈami z napˈisɛm strˈɛfa zˌawaduŋkˈɔva ɲʲɛ zastˈavʲatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_64.wav|tʃɨ pɔlˈitsja jˈuʃ jˈɔ̃ znalˈazwa?|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_116.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ tˈak, ˌalɛ stˈafkɔ̃ bˌɨwa pʃˈɨʃwɔɕtɕ mʲˈasta.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_3.wav|pˌɔtxɔdʑˈili dɔ lˌɔndɔvˈaɲʲa f kˈɔmptɔn i ˈandɛrsɔn, tʃɨmˈajɔndʑ dwˈɔɲʲɛ na kɔlˈanax, vˈidʑaw pˈas startˈɔvɨ.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_273.wav|ˌalɛ mɛlˈara zɡʲinˈɛwa.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_223.wav|tʲˈimɔt jˈɛ pʃɨnˈɔɕiw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_75.wav|mɔʒˈɛmɨ ɡˈɔ vɨpˈuɕtɕidʑ bˈɛs stavʲˈaɲʲa zaʒˈutuf.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_73.wav|zɔstˈawam pˌɔprɔʃˈɔna pʃˈɛs pɔlˈitsjɛ ɔ zˌidɛntˌɨfikɔvˈaɲʲɛ tɕˈawa i xtsˈɛ vam fʃˈɨstkim ɔɕfʲˈattʃɨtɕ, ʒˈɛ ɲʲɛ nˌalɛʒˈawɔː ˌɔnɔ dɔ kˌamɛrˈɔna.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_112.wav|pˌɔsɨpˈawɨ ɕɛ nˈaɲih kavˈawki lˈɔdu i ɕɲʲˈɛɡu.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_155.wav|— jˈamɛ fʃˈɛɲdʑɛ pˈɔznawbˌɨ jˈɛɡɔ brˈɔdɛ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_187.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_81.wav|pɔ tɨx swˈɔvax ɕɛ rɔzwˈɔntʃɨw.|3
+Dataset/wavs/urwisko_ferenc/64_segment_67.wav|xˈɛrman vˈɨʃwa na bˈalkɔn zapˈalitɕ pˌapʲɛrˈɔsa, a pɔlˈitsjant nˈadal pʃɛʒˈutsaw slˈajdɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_151.wav|ˈɔna, ɔn ˈɔtɨm ɲʲˈɛvʲɛ i mɨ ˈɔtɨm ɲʲɛ vʲˈɛmɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_26.wav|fxˈɔdʑɛ bˌɛspɔɕrˈɛdɲʲɔ na strˈɔnɛ ˈɛlis na fˌatsɛbɔˈɔku.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_27.wav|kʲˈɛdɨ sˈandɨ dɔtˈarwa dɔ bˈɔtʃnɛj brˈamɨ, jˈuʒ dla ɲˈix ɔtfˈartɛj, w jɛj swuxˈafkax ɔdˈɛzvaw ɕɛ tɕˈixɨ ɡwˈɔs.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_255.wav|ɔznˈajmiw, krˈɔjɔndʑ ɡrˈuʃkɛ rˈuvɲʲɛ vˌɨsuʃˈɔnɔ̃ jˈak ˈɔn.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_136.wav|ɲʲɛ ɔtxˈɔdʑiw stˈɔnt ˌaɲi na krˈɔk.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_52.wav|dʑˈɛŋki bˈɔɡu ɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_36.wav|ɲʲɛ xˈɔdʑiʃ tˈam f pˌɔɲʲɛdʑˈawki?|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_176.wav|tɔ ɕfʲˈɛntɛ mʲˈɛjstsɛ rdʑˈɛnnɨx mʲɛʃkˈaɲtsuf, ktˌuʒɨ zˌɔbatʃˈɨli jˈɛ pʲˈɛrfɕi.|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_17.wav|ɡʲˈizmɔ muɕˈawɔ ɡdʑˈɛɕ tˈam bˈɨtɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_438.wav|pˈa, kɔxˈana.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_31.wav|ɲʲɛ mɨɕlˈawɛm tˈɛɡɔ, kʲˈɛdɨ tɔ muvˈiwɛm, ʒˈɛkw mˈikɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_108.wav|f tɨm rɔzdˈaɲʲu pˌɔstavˈiwam jˈuʃ ʃˈɛɕtɕ tɨɕˈɛntsɨ. jˈɛɕli sprˈavdʑɛ, mˈɔɡɛ mʲˈɛtɕ jˌɛdɛnˈaɕtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_452.wav|ˌalɛ nasrˈali nˈamɲʲɛ, ˌɔznajmˈili, ʒˈɛ ɲʲɛ jˌɛstɛm z ix krfˈi.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_189.wav|pɔtʃˈuwam pʃɨjˈɛmnɨ xˈut.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_333.wav|pˈɔtɛm swɨʃˈɛliɕmˌɨ ʃklˈistɨ ʃˈɛlɛst pʲˈasku zʒˌutsanˈɛɡɔ wˌɔpatˈami dɔ ɡrˈɔbu.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_30.wav|ɲʲɛ dˈa ɕɛ jɛj uzˈɨskatɕ na ʑˈɛmi, ˌalɛ mˈɔʒna tɔ zrˈɔbʲitɕ tˈutaj za pɔmˈɔtsɔ̃ virˈuvɛk. jˌɛstɛɕ tˈakɔ̃ ˌintɛliɡˈɛntnɔ̃ dʑɛftʃˈɨnɔ̃, jasmˈinɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_15.wav|xˈɨba ɲʲɛvʲˈɛlɛ mɔʒˈɛmɨ nˈatɔ pɔrˈadʑitɕ. bˈɛtskɨ, mˈɔʒɛʃ strˈɛɕtɕitɕ rɔzmˈɔvɨ zˈɛ strakˈanɛm, ˈɛdʲim tsarlsˈɔnɛm i jˈɛɡɔ ʒˈɔnɔ̃ kˈirstɛn?|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_12.wav|mʲˌawɛm jˈɛʃtʃɛ nadʑˈɛjɛ, ˌalɛ vˈidadʑ bˈɨwɔ, ʒˈɛ umˈarwa, bˈɔ mʲˈawa zupˈɛwɲʲɛ zmʲaʒdˈɔnɔ̃ klˈatkɛ pʲɛrɕˈɔvɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_176.wav|bˈalman kʃˈɨtʃaw, ʒˈɛbɨ sprɔvˈadʑitɕ mˌaɛstˈɛra frɛŋkˈɛna, ˌalɛ najˈɛmɲik...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_3.wav|ftɕˈɔ̃ʒ bˌɨwɔ ftʃˈɛɕɲʲɛ, xˈɔtɕ ɲʲˈɛbɔ rɔbʲˈiwɔ ɕɛ tsˈɔras tɕɛmɲʲˈɛjʃɛ, ˌalɛ pʃɨnˈajmɲʲɛj ktˈɔʑ bˈɨw w ɕrˈɔtku.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_325.wav|tsˈɔ mˈam im pɔvʲˈɛdʑɛtɕ?|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_280.wav|pɔmˈɨɕlaw vˈuftʃas ɔ varˈɨɕɛ, ˌuɕmʲɛxɲʲˈɛntɨm i paxnˈɔntsɨm lavˈɛndɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_332.wav|a jˈɛɡɔ lˈɛva rˈɛŋka bˌɨwa ɲʲɛvʲˈɛlɛ lˈɛpʃa.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_95.wav|sˈɛr dˈavɔn pˈarsknɔw ɕmʲˈɛxɛm. vʲˈɛʃ, tsˈɔ jɛst najlˈɛpʃɛ w bˌɔxatˈɛrax, jˈamɛ? fʃˈɨstsɨ ɡʲˈinɔ̃ mwˈɔdɔː i dʑˈɛŋki tˌɛmu dla nˈaz zɔstˈajɛ vʲˈɛntsɛj kˈɔbjɛt.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_40.wav|ktˈɔ prɔvˈadʑiw, dlatʃˈɛɡɔː i kʲˈɛdɨ vrˈutɕiw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_158.wav|ˌudɛʒˈɨwɛm ɡˈɔ kʃˈɛswɛm w ɡwˈɔvɛ f tɨm sˈamɨm mɔmˈɛɲtɕɛ, kʲˈɛdɨ brˈad vˈɨrvaw mu kˈɔltʃɨk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_62.wav|f kˈɔɲtsu unˈɔʃɛ pɔd brˈudɛk, tsɛntˈɨmɛtr pɔ tsˌɛntɨmˈɛtʃɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_109.wav|pʃɛwknˈɛwam ɕlˈinɛ i pɔtʃˈuwam nˌapwɨvajˈɔntsɛ dɔː ˈɔtʃu wzˈɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_81.wav|pˌɔkazɨvˈawɔ rˌɔzʒutsˈɔnɛ na pɔdwˈɔdʑɛ tɕˈastka, ktˌurɛ upʲˈɛkwa mˈɔja ɕˈɔstra.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_29.wav|tˈak, tʃɨ tɔ vˈaʒnɛ?|3
+Dataset/wavs/urwisko_ferenc/46_segment_68.wav|dˈɛʃtʃ pʃˈɛstaw bˈɛmbɲitɕ ɔ dˈax i zrɔbʲˈiwɔ ɕɛ tɕˈiʃɛj.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_80.wav|kʲˈɛdɨ klˈapa zamknˈɛwa ɕɛ za ɲˈimi, drˈɛvnɔː ˌɔtɔtʃˈɨwɔː iɣ zˈɛ fʃˈɨstkix strˈɔn.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_13.wav|tˈɛraz vˈidʑɛ, ʒˈɛ tɔ...|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_41.wav|i zˈapax trˈavɨ mʲˈɛʃaw ɕɛ z zapˈaxɛm ɔlˈivɨ i rɔzɡʒˈanɨx tsɨlˈindruf.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_7.wav|ɲʲɛ pʃˌɨjaʑɲˈiwam ɕɛ z ɲˈim ˌaɲi ɲˈits f tɨm rɔdʑˈaju. ɲʲɛ pɔvˈiɲʲɛn mɲʲɛ rɔspˈɔznatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_195.wav|pʃˈɨbɨw ˈɔptsɨ, stˈaw ɕɛ nˈaʃɨm sɔ̃ɕˈadɛm, ˌalɛ ˈɔtɔ puˈɛnta tsawˈɛɡɔ dɔftɕˈipu. ˌɔkazˈawɔ ɕɛ, ʒˈɛ w ʒˌɛtʃɨvistˈɔɕtɕi ˈɔptsɨm pɔzˈɔstaw.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_174.wav|jˈak tɔ ɕɛ fʃˈɨstkɔ skˈɔɲtʃɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_206.wav|mˈɔʒɛ znˈuf stˈatɕ ɕɛ ɛlˈisɛ mˈaɡzvɛll.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_60.wav|mrˈuknɔw z ɲʲɛxˈɛɲtɕɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_48.wav|vˈarɡʲi srɔmˈɔvɛ sɔ̃ zˌatʃɛrvʲɛɲʲˈɔnɛ i f kˈilku mʲˈɛjstsax pɛŋkɲʲˈɛntɛ. z jˈɛdnɛj z rˈanɛk ftɕˈɔ̃ʒ vˌɨsɔntʃˈajɔ̃ ɕɛ krˈɔplɛ krfˈi.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_231.wav|tʃˈasɨ sɔ̃ trˈudnɛ i krˈul tˈɔmmɛn bˈɨwbɨ bˈardʑɔ vdʑˈɛntʃnɨ, ɡdˈɨbɨʑ zɡˈɔdʑiw ɕɛ umˈɔʒɨdʑ dwˈuɡʲi kɔrˈɔnɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_33.wav|vˌɨmamrˈɔtaw tˈɔm, starˈajɔnts ɕɛ pɔfstʃˈɨmatɕ ˈuɕmʲɛx w rɛˈaktsji nˈatɔ, tsˈɔ pʃɛt sˈɔbɔ̃ zɔbˈatʃɨw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_476.wav|tɛn uɕpʲˈɔnɨ vˈɔntɛk mˈɛɡɔ sˈɛrtsa tʃɨ mˈɔjɛj pʃɨsˈatki muzɡˈɔvɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_117.wav|vˈidʑɛ jˈɛ pɔ rˈas pʲˈɛrʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_241.wav|vrˈutɕmɨ vʲˈɛndʑ dɔ pʲˈɛɲtɕu pˌɔzɔstˈawɨx tsˈurɛk ɛlˈisa i ˈɛlis.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_269.wav|maʒ dwˈuɡʲi xˌazardˈɔvɛ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_41.wav|tɔː ˈimjɛ zˈafʃɛ pʃɨprˈavja mɲʲɛ ɔtɕˈarki, ʃtʃɛɡˈulɲʲɛ dʑˈiɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_18.wav|tɔ bˌɛɲdʑɛ straʃlˈiva ɕmʲˈɛrtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_201.wav|dˈɔsɨtɕ tɨɣ vɨɡwˈupuf, kʃˈɨknɔw dˈalɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_7.wav|ɲʲˈɛvʲɛ jˈɛdnak, ʒˈɛ ja rˈuvɲʲɛʃ mˈɔɡɛ ɡˈɔ ɕlˈɛdʑitɕ, prˈavda?|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_43.wav|pɔvʲˈɛdʑaw waɡˈɔdɲʲɛ pɔlˈitsjant.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_68.wav|fʃˈɨstsɨ tɔ zˌauvaʒˈɨli.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_316.wav|xtsˈɔ̃ mɲʲɛ pɔvʲˈɛɕitɕ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_75.wav|sˈɛr brˈɨndɛn rɔstɕˈɔŋɡnɔw ˈusta f tfˈardɨm uɕmʲˈɛxu. ɲʲˈɛbrak tɕi tˈu pˈɛtu, krˌulɔbˈujtsɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_64.wav|sɔ̃ tˈu tˈakʲɛ kɔmpˈaɲʲɛ, ktˌurɛ zajmˈujɔ̃ ɕɛ trˌansplantˈatsjɔ̃ dʒˈɛf. pɔ prˈɔstu pʃɛvˈɔʒɔ̃ jˈɛ s kˌɔʒɛɲʲˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_12.wav|jɛdˈɨɲʲɛ ɲʲˈɛtsɔ zˌaɡubjˈɔna.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_103.wav|tsˈɔ jɛzd ɡrˈanɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_275.wav|dˈaʃ sˈɔbjɛ rˈadɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_27.wav|xtɕˈaw zˈajɔɲtɕ ɕɛ kfˈɛstjɔ̃ zvrˈɔtu pʲɛɲʲˈɛndʑɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_71.wav|vˈɨɲik mˈɔjɛj kɔlˈɛjnɛj prˈubɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_58.wav|bˌɛndɛ jˈɛʃtʃɛ mˈuɕaw pˈana pʃɛswˈuxatɕ. prˈɔʃɛ ɲʲɛ vɨjˈɛʒdʒadʑ z mʲˈasta.|0
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_47.wav|tˈata ɲʲɛ jɛst im zˌasadɲˈitʃɔ pʃɛtɕˈivnɨ, ˌalɛ mˈuvi, ʒˈɛ ɡʲˈildja spavˈatʃɨ jɛst na uswˈuɡaɣ baɲdʑˈɔruf.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_224.wav|i rˈuʃɨdʑ w drˈɔɡɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_42.wav|vrutɕˈiwam dɔ sɨpʲˈalɲi, pˌɔzɔstavʲˈajɔnts ɔtfˈartɛ dʒvˈi, ʒˈɛbɨm mˈɔɡwa uswˈɨʃɛtɕ, ɡdˈɨbɨ znˈuf ɕɛ pʃɛbˈudʑiw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_14.wav|pʃɛkrˈɛntsa ɡˈɔ f kwˈuttsɛ jˈalɛ i f xfˈili, kʲˈɛdɨ fsˈuva ɕɛ dɔ ɕrˈɔtka, swˈɨʃɨ pˌɔdɲʲɛɕˈɔnɛ, rˌɔzɛmˌɔtsjɔnɔvˈanɛ ɡwˈɔsɨ na drˈuɡʲim kˈɔɲtsu kˌɔrɨtˈaʒa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_11.wav|ˈaʃ tˈaɡ dˈɔbʒɛ jɛj ɲʲɛ znˈawɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_20.wav|ˌalɛ ɲʲˈɛma sˈɛnsu tˌɛɡɔ dʒˈɛva ɕtɕˈinatɕ. tɔ wˈadnɛ dʒˈɛvɔː i mˈɔʒɛ ʒˈɨtɕ pʃˈɛz vʲˈɛlɛ lˈat.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_385.wav|dˈawabˌɨm ɡwˈɔvɛ, ʒˈɛ pɔtʃˈuwam smˈak xʃˈanu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_196.wav|jˈak tɕˈawɔ tʃˈɛɡɔɕ xtsˈɛ, tɔ ɲʲˈɛma pʃˈɛbatʃ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_203.wav|vɨkˈaswaw ˈɛmɔn pɔ zalˈɛdvʲɛ kˈilku wˈɨkax. bˈɔ mɲʲɛ utˈɔpiʃ!|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_110.wav|villjˈamu pʃɨxˈɔdʑɔ̃ dɔ ɡwˈɔvɨ dvʲˈɛ mˈɨɕli.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_675.wav|vˌɨvɔwˈujɛ tˈakɔ̃ lavˈinɛ paskˈudnɨx, vrˈɛntʃ ɔxˈɨdnɨx ˌintsɨdˈɛntuf.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_284.wav|nat kturˈɨmi rɔspʲˈɛnta bˌɨwa matˈɛrja, tɕˈɛmna, ˌudrapɔvˈana wˈɛ fˈawdɨ i dɔstˈɔjna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_4.wav|ta dʑɛftʃˈɨna tsˈɔraz bˈardʑɛj mu ɕɛ pɔdˈɔba. lˈubʲi jˈɔ̃ zˈatɔ, jˈaka jˈɛst.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_17.wav|vˈɔlnɔ pɔdɲʲˈɔswɛm ɕɛ z wˈuʃka i mˌaçinˈalɲʲɛ pɔʃˈɛdwɛm f tˈɛ strˈɔnɛ,|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_223.wav|tɛn ˈukwat, prˈɔnd zˈatlɛn, tɔ jɛdˈɨna pʃɛʃkˈɔda, ktˌura ɲʲɛ pɔzvˈala mi ɕɛ pʃˈɛbʲidʑ w brˈanʒɨ xutɲˈitʃɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_93.wav|z ɡˈurɨ ɔdrˈadʑam mʲɛʃkˈaɲʲɛ na drˈuɡʲim pʲˈɛntʃɛ. tɔ pravdʑˈiva sˈawna, nˈavɛt jˈaɡ vʲˈatr mˈɔtsɲʲɛj pɔvʲˈɛjɛ, a vʲˈɛjɛ prˈavʲɛ bˈɛs pʃˈɛrvɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_226.wav|mˈɔʒɛ dˈɔm ɕɛ rˌɔssɨpˈɨvaw ˈalbɔ pˈaliw vʲˈɛlkim ˈɔɡɲʲɛm?|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_41.wav|mˈɔɡɛ f tʃˈɨmɕ pˈɔmuts?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_37.wav|tʃɨ mˈɔɡɛ pʃˈɛjɕtɕ? pˈɨta ɲʲˈɛtsɔ z ɲʲˌɛtɕɛrplivʲˈɔnɨm tˈɔnɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_137.wav|pˌɔviɲʲˈɛnɛʑ znˈalɛɕtɕ sˈɔbjɛ ˈinnɛ mʲɛʃkˈaɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_56.wav|ɡdʑˈɛ ɔn jˈɛ znˈalaz?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_14.wav|tɛxɲˈitsɨ pˌɔtfʲɛrdʑˈili, ʒˈɛ s tsˈawɔ̃ pɛvnˈɔɕtɕɔ̃ ɲʲɛ vɨswˈanɔ jɛj pʃɨ uʒˈɨtɕu dˈanɨx kˌɔmurkˈɔvɨx.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_128.wav|ɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_108.wav|ˌalɛ uɡrˈɨzwam ɕɛ w jˈɛ̃zɨk.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_24.wav|ˌinfɔrmˈatsjɛ muɕˈawɨ pʃɛtɕˈɛkatɕ stˈɔnt, ɔt jɛdnˈɛɡɔ z nˈaʃɨx. zdɔbˈɛndɛ zɡˈɔdɛ na ɕlɛdʑˈɛɲʲɛ tˌɛlɛfˈɔnu ˈaʃa i ˌaɲi swˈɔva pˈɔza tˌɨmi tʃtɛrˈɛma ɕtɕanˈami.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_136.wav|mʲˈaw rˈatsjɛ f kfˈɛstji sˈɛksu, xˈɔtɕ tʃˈɛ̃stɔ mi ɡˈɔ prˌɔpɔnɔvˈanɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_274.wav|ˌalɛ nˈajpʲɛrf tʃˈɛba ɡˈɔ vˈɨɲʲɛɕtɕ na zˈɛvnɔntʃ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_46.wav|vzruʃˈɨwa rˌamjɔnˈami.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_212.wav|ɕlˈuza bˌɨwa ɡɔtˈɔva dɔː uʒˈɨtku, a sˈɨstɛm kɔntrˈɔli ɔ ɲˈitʃɨm ɲʲɛ vʲˈɛdʑaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_66.wav|fʃˈɨstkɔ vɨɡlˈɔnda tˈak, jˈak ftˈɛdɨ, kʲˈɛdɨ ɡˈɔ pɔznˈawam, ʃtʃɛɡˈulɲʲɛ tɛn ˈuɕmʲɛx.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_188.wav|kˈazaw ɡˌɛɔrɡʲˈɔvi pʃˈɛlatɕ pˈuw miljˈɔna dɔ bˈaŋku na kˌaraˈibax.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_149.wav|ɕˈɛdʑaw pʃˈɛs xfˈilɛ bˈɛs swˈɔva, ˌɔpsɛrvˈujɔnts mˌalujˈɔntsɛ ɕɛ na mˈɔjɛj tfˈaʒɨ ɛmˈɔtsjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_117.wav|pˈɛvɲʲɛ dlatˈɛɡɔ, ʒˈɛ dɔ xˈɔffa nalˈɛʒɨ budˈɨnɛk. tˈɛn, s kturˌɛɡɔ stʃɛlˈawɛm, nˈɔ, nalˈɛʒaw.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_55.wav|i ˌɔddɨxajˈɔntsɨ tɕˈɛ̃ʃkɔ jˈaɡ zavˈɔdɲik pɔ bjˈɛɡu.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_8.wav|kɔbjˈɛtɕɛ tˌɔvaʒɨʃˈɨwɔ ʃˈɛɕtɕu rɨtsˈɛʒɨ vʲɛlkʲˈɛɡɔ vrˈubla s tˌɛntʃɔvˈɨmi mʲɛtʃˈami ix ˌɔdrɔdʑɔnˈɛɡɔ zakˈɔnu, vˌɨɔbrˌaʒɔnˈɨmi na mˌiɡdawˈɔvɨx tˈartʃax.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_10.wav|pˌɔvʲɛdʑˈawa dˌɛlikˈatɲʲɛ, unˈɔʃɔnts jˈɛɡɔ dwˈɔɲ, ʒˈɛbɨ mˈuɡw dˈɔtknɔɲtɕ jɛj ʑimnˈɛɡɔ pɔlˈitʃka.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_249.wav|a kʲˈɛd�� pɔtʃˈujɛ ɕɛ lˈɛpʲɛj sˈam?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_81.wav|ɲʲɛ ʃkˈɔdʑi tɔ. ɲʲɛ dlatˈɛɡɔ dʑvˈɔɲʲɛ. xˈɔdʑi ɔ lˈutsɨ.|3
+Dataset/wavs/urwisko_ferenc/03_segment_93.wav|pˌɔlitsjˈantka pˌɔminˈɛwa miltʃˈɛɲʲɛm jˈɛɡɔ kɔ̃ɕlˈivɔ̃ uvˈaɡɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_35.wav|mˈil ɲˈits ɲʲɛ jˈɛst. xˈɨba zatʃˈɨna mɲʲɛ lˈubʲitɕ i bˌɛndɛ ɕɛ ɲʲˈɔ̃ ˌɔpʲɛkɔvˈawa, dɔpˈuki ɲʲɛ bɛɲdʑˌɛmɨ ɡɔtˈɔvi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_99.wav|zdˌɛtsɨdɔvˈaliɕmˌɨ ɕɛ nˈatɔ, ˌalɛ pˈɔtɛm pˌɔstanɔvˈiliɕmˌɨ pɔdʑˈɛlitɕ ɕɛ fɔrtˈunɔ̃ s kilkˈɔma vˌɨjɔntkɔvˈɨmi ˌɔsɔbˈami.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_309.wav|i patʃˈɨwɛm na tˈɛ tfˈaʃ pʃˌɛswɔɲʲˈɛntɔ̃ jˈakɔ̃ʑ ʒˈɛvnɔ̃ swɔdˈɨtʃɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_108.wav|jˈaka kɔbjˈɛta xtɕˈawabˌɨ tsawˈɔvatɕ ˈusta ˌɔtɔtʃˈɔnɛ rˈudɔ̃ ʃtʃɛtɕˈinɔ̃?|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_69.wav|tˌɨlkɔ krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_256.wav|ˌutʃtɕivˈɨmi vˌɛndrɔftsˈami ʃˌukajɔntsˈɨmi sxrɔɲʲˈɛɲʲa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_449.wav|pˌɔɲiʒˈɛɲʲa|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_358.wav|tˌɨlkɔ tˈɨlɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_39.wav|bˌɛɲdʑɛ dˈɔbʒɛ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_39.wav|lˌɛvɔrˈɛntʃnɨ vwˈaɕɲʲɛ brˈaw rˈɔzbjɛk.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_281.wav|kʲˈɛdɨ mˈinstrɛl ɡˈɔ pˈuɕtɕiw, ɡrˈubaz vˈalnɔw ɡˈɔ w nˈɔs.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_63.wav|mˈɔʒɛ wˈatfɔ bˌɨwɔ mɲʲɛ vrˈɔbʲidʑ zˈɛ vzɡlˈɛndu nˈatɔ, ʒˈɛ ɲʲˈɛmam vˌɔntplivˈɔɕtɕi, ʒˈɛ tɔ jɛst ɲʲɛprˈavda.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_117.wav|ˈɔtpar sˈɛptɔn mɛrˈibalt.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_41.wav|jˈɛɡɔ brˈat, rˈɛnlɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_32.wav|dˈɔbrɛ vʲˈɛɕtɕi sɔ̃ tˈakʲɛ, ʒˈɛ f pɔblˈiʒu parkˈiŋɡu, na ktˌurɨm zabʲˈitɔ jaɡˈɛra, znalˈɛʑliɕmˌɨ samˈɔxud vˌɨɡlɔndajˈɔntsɨ na pˌɔʒutsˈɔnɨ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_451.wav|bˌɨwa matɕˈɔrɔ̃, ɔdʑˈanɔ̃ w jˈɛdvap, xˈɔtɕaʃ matɕˈɔrɨ na ˈɔɡuw mˌajɔ̃ vʲˈɛŋkʃɛ tsˈɨtski.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_205.wav|pɔd ɡustˈɔvɲʲɛ dˌɔbranˈɨmi pˌanɛlˈami ɕtɕɛnnˈɨmi krˈɨwa ɕɛ prˈɔsta i fˌuŋktsjɔnˈalna pɔkrˈɨva vwˈazu.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_94.wav|mˌamɨ zˈatɔ pɔd dɔstˈatkʲɛm kʃˈɛmu i tlˈɛnu, ktˌurɨ jɛst prɔdˈuktɛm ubˈɔtʃnɨm xˈutɨ ˌalumˈiɲʲum.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_112.wav|vʲˈatr pʃˈɨɲʲuz zˈapax nˈaftɨ i dˈɨmu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_57.wav|tɛn dˈɔm tɔ pravdʑˈivɛ ʃtʃˈɛɲɕtɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_190.wav|jˈɛɕli mu kˈaʒɛ, jˈɛɕli pˈɔvʲɛm, ʒˈɛ xˈɔdʑi tˌɨlkɔː ɔː ˌintɛrˈɛsɨ...|2
+Dataset/wavs/urwisko_ferenc/03_segment_123.wav|jˈaɡbɨ tˈamta sprˈava ɲʲɛ davˈawa ɔ sˈɔbjɛ zapˈɔmɲʲɛtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_15.wav|skˈɔrɔ tˈaɡ vˈɔliʃ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_59.wav|tˈɔm ˈuɕad na kʃˈɛɕlɛ.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_87.wav|tʃˈasɨ sɔ̃ ˌintɛrˌɛsujˈɔntsɛ, mˈɔja swˈɔtka.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_60.wav|rˈɔzbʲi stˈaw jɛj na drˈɔdʑɛ, vʲˈɛnts pˌɔstarˈawa ɕɛ, bˈɨ znˈalas ɕɛ w ɡrˈɔbjɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_25.wav|natˈɨxmʲazd vwˈɔntʃɨw ɕɛ ˈalarm i pˌɔmjɛʃtʃˈɛɲʲɛ ˌawtɔmatˈɨtʃɲʲɛ ɕɛ zamknˈɛwɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_226.wav|jˈakiɕ tʃwˈɔvʲɛk pˈɔtʃɛd dɔː ˌandɛrsˈɔna.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_95.wav|zˌapɨtˈawa ˌadmiɲˌistratˈɔrka.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_272.wav|ɲʲɛ xtɕˈawɛm tˌɛɡɔ zrˈɔbʲitɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_33.wav|tʃɨ mˈuɡwbɨɕ ɔdwˈɔʒɨtɕ tɛn tɛlˈɛfɔn, kʲˈɛdɨ ɕɛdʑˈimɨ fspˈulɲʲɛ pʃɨ stˈɔlɛ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_46.wav|baˈilɛj sʃˈɛd na dˈuw i zɔbˈatʃɨw dˈɛllɛ ɕpʲˈɔntsɔ̃ na sˈɔfjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_132.wav|a jɛʒˈɛli zˌastanavʲˈatɕɛ ɕɛ nat mˈɔjɔ̃ mˈaskɔ̃ tlɛnˈɔvɔ̃...|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_50.wav|pʃˈud bˈɨw urvˈanɨ, dʒvˈi ɔt strˈɔnɨ kʲɛrˈɔftsɨ ɔtfˈartɛ, rˈɛʃtki pʃˈɛdɲʲɛj ʃˈɨbɨ pˌɔkrɨvˈawɨ plˈamɨ krfˈi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_110.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_216.wav|dˈɔkɔnt pˌɔjɛdʑˈɛmɨ?|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_94.wav|znˈajdʑɛ jˈɛʃtʃɛ tʃˈas, bˈɨ pˌɔrɔzmˈavʲatɕ s kuzˈɨnɛm. zaprˈɔvatɕ mɲʲɛ dɔ mˈɔjɛj kɔmnˈatɨ i kˈaʃ pʃˌɨɡɔtˈɔvatɕ kˈɔmpʲɛl.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_45.wav|lˈɛax mˈɛdvaj pʃˌɨjɛxˈawa dɔ lˌivɛrpɔˈɔlu zˈɛ sfɔjˈɛɡɔ dˈɔmu f stˈɔkɛɔntrˈɛnt, ʒˈɛbɨ vɨswˈuxatɕ swˈuf arˈama.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_291.wav|ˌɔɕfʲattʃˈɨwam. sˈanxɛz zatrˈudɲʲa tsˈɔɕ kˈɔwɔ sˈɛtki lˈudʑi, ɲʲɛ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_19.wav|pɔlˈitsja mˈa xˈɨba kˈilka trˈɔpuf, ˌalɛ ɲʲɛ znalˈɛʑli jˈɛʃtʃɛ mˈili. wˈamjɛ mi ɕɛ ɡwˈɔs.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_69.wav|tʃˈɛtɕi rˈas f tɨm tɨɡˈɔdɲʲu mɲʲɛ pʃɨmknˈɛli. bˈɨlɛ jˈaki pˈɛdaw ʒɔndˈɔvɨ lˈɛtɕi z zaxˈɔdu dɔ varʃˈavɨ, jˈuʃ mɲʲɛ tsˈapjɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_80.wav|mʲˈɛjstsa jɛst w ɲˈix akˈurat tˈɨlɛ, ʒˈɛbɨ dvʲˈɛ ɔsˈɔbɨ mˈɔɡwɨ ɕɛ mˈinɔɲtɕ pʃɛxˈɔdʑɔndʑ bˈɔkʲɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_49.wav|mˈarta zˌɔstavˈiwa sfˈɔjɛ dʑˈɛtskɔː i nˈadal ˌutɕɛkˈawa, ˌalɛ jˈuʃ prˈavʲɛ jˈɔ̃ dɔpˈadli.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_116.wav|vʲˈɛm, ʒˈɛ dˈalɛ ʃapˈirɔ jɛst f tɔ zˌamjɛʃˈanɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_40.wav|— ja jˈadɛ dɔ frˈistsɔ — pɔvʲˈɛdʑaw xwˈɔpak. — kˈup mi pˈan ɡˈalɔn bɛnzˈɨnɨ i dɔstˈavjɛ pˈana dɔ zˈuma. tɔ pɔ drˈɔdʑɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_56.wav|jˈɛɡɔ zdˈaɲʲɛm ɕiɲʲˈaki pˌɔjavʲˈajɔ̃ ɕɛ ˈu ɲʲˈɛj pɔ najlʒˈɛjʃɨm dɔtˈɨku.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_105.wav|mwˈɔdɛj kɔbjˈɛtɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_64.wav|pɔdˈɛʃwam blˈiʒɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_45.wav|jɛzd dɔpʲˈɛrɔ drˈuɡa, kʲˈɛdɨ kˈɔɲtʃɨ vˌirtuˈalnɛ pˌɔʃukivˈaɲʲa dˈɔmu. pˈɔra za ftʃˈɛsna, bˈɨ ɔɡwˈɔɕitɕ fˈajrant. tʃˈaz vʲˈɛndʑ vʑˈɔɲtɕ ɕɛ dɔ pisˈaɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_174.wav|rˈuvɲʲɛ bliskˈimi jˈak kuzˈɨŋka tjˈan.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_350.wav|i ʒˈɛ tɔ wˈuʃkɔ jɛst kʲˈɛpskʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_92.wav|brjˈɛnnɛ dɔtknˈɛwa rˌɛŋkɔjˈɛɕtɕi vʲɛrnˈɛɡɔ pʃɨɕˈɛndʑɛ. xtsˈɛ z ɲˈim skˈɔɲtʃɨtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_36.wav|ˌɔdvrutɕˈiwam ɔt ɲʲˈɛɡɔ vzrˈɔk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_112.wav|mˈuɡwbɨ pʃˈɨɕɔnts, ʒˈɛ ɲʲɛ sxˈɔvaw jɛj ˈaʃ tˈaɡ ɡwɛmbˈɔkɔ, a tˈu prˈɔʃɛ.|2
+Dataset/wavs/urwisko_ferenc/55_segment_31.wav|pɔtʃˈɛkaj, a kˈim jɛst kˈɔpɛr?|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_198.wav|pʃɛt ɔtfˈartɕɛm ɕlˈuzɨ ubjˈɔrɛ jˈɔ̃ f tfˈuj skafˈandɛr. mˈuj skafˈandɛr? dʒˈɛs!|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_31.wav|uɕˈadwam na wˈuʃku i ukrˈɨwam tfˈaʒ w dwˈɔɲʲax.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_40.wav|a tˈaɡʒɛ ˈɔstrɨ, ɡrɨzˈɔntsɨ ˈɔdur strˈaxu, zˈafʃɛ tˌaki sˈam.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_191.wav|ˌalɛ f kˈɔɲtsu ˌuwɔʒˈɨwam plˈan.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_7.wav|dˌɔjɛxˈawam dɔ tsˈɛntrum pˌɔttʃɨmɨvˈaɲʲa ʒˈɨtɕa i zˌaparkɔvˈawam nˌapʃɛtɕˈifkɔ tɕˈɛ̃ʃkiɣ vrˈut.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_58.wav|mʲˌɛli na sˈɔbjɛ brɔ̃zˈɔvɔbˈurɛ ʃˈatɨ brˈatɕi, s ʃˌɛrɔkˈimi rˌ��ŋkavˈami i ˈɔstrɔ zˌakɔɲtʃɔnˈɨmi kˌapturˈami.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_8.wav|pɔftˈaʒaw tɔ jˈuʒ vˌɨstartʃajˈɔntsɔ vʲˈɛlɛ rˈazɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_58.wav|pɛŋkˈawɨ jˈakʲɛʑ bɔmbˈɛlki, f pˈɔpʃɛk pˈɛwzwa tʃˈarna dʒdʒɔvɲˈitsa.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_319.wav|ˌuɕfʲadɔmˈiwa sˈɔbjɛ brjˈɛnnɛ. rˈɛnlɨ ɲʲɛ ʒˈɨjɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_31.wav|tˈɔm ɲʲˈɛmʲaw vˌɔntplivˈɔɕtɕi, ʒˈɛ tˈɛssa tsˈɔɕ ukrˈɨva.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_182.wav|najvˈɨʒɛj dɔstˈanɛ ɕɛ dɔ ɲʲˈɛɡɔ w ˈinnɨ spˈɔsup.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_52.wav|pʃˈɨkrɔ mi, ʒˈɛ tɔ fʃˈɨstkɔ tɕˈɛ ɲʲˌɛpɔkˈɔi, ˌalɛ dˌɔvʲɛdʑˈɛliɕmˌɨ ɕɛ, ʒˈɛ kʲˈɛdɨ tfˈuj mˈɔ̃ʒ vɨxˈɔdʑiw dɔ kasˈɛna, tˌɔvaʒɨʃˈɨwa mu tʃasˈami pˈɛvna kɔbjˈɛta.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_228.wav|vzrˈuʃɨw rˌamjɔnˈami i ˈumilkw.|0
+Dataset/wavs/urwisko_ferenc/25_segment_54.wav|— tsˈɔ tɨ tˈu rˈɔbʲiʃ? — ˌɔdɛzvˈawa ɕɛ zˈɛ zmarʃtʃˈɔnɨm tʃˈɔwɛm. ˈɔlɡʲɛrt ɔtfˈɔʒɨw ʃɛrˈɔkɔː ˈɔtʃɨ. — nˈɔ jˈak?|0
+Dataset/wavs/urwisko_ferenc/49_segment_82.wav|w ʒˈadɛn spˈɔsup ɲʲɛ pʃˌɨbliʒˈɨwɔ jɛj tɔ dɔ jˌakʲɛɡɔkˈɔlvʲɛk pˈuŋktu zvrɔtnˈɛɡɔ w ɕlˈɛtstfʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_174.wav|mˈuj ˈɔjtɕɛts!|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_67.wav|a mɲʲɛ? pˌɔʒawɔvˈawɛɕ nɛndʑnˈɛɡɔ puwtˈɔra miljˈɔna?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_90.wav|ktˈɔɕ fɕˈadaw lˈub vɨɕˈadaw s tˈɨwu i bˈardʑɔ ɕɛ spʲˈɛʃɨw, ɲʲɛ sɔɲdʑˈitɕɛ?|3
+Dataset/wavs/urwisko_ferenc/20_segment_58.wav|tˈɨdʑɛɲ tˌɛmu zˌaɡʲinˈɛwa f tɔrˈuɲʲu. jɛj zdjˈɛɲtɕɛ mˈɔʒna znˈalɛɕtɕ w mˈɛdjax.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_104.wav|sfˈɔjɔ̃ drˈɔɡɔ̃, tfˈuj ˈɔjtɕɛts mˈuɡwbɨ rˈatʃɨdʑ zapˈɨtatɕ mɲʲɛ ɔ zdˈaɲʲɛ f tɛj sprˈavʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_396.wav|strˈaʃnɨ kwˈɔpɔt rɔzvʲˈɔ̃zaw ɕɛ sˈam, ˌɔna ʒˈɨjɛ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_470.wav|vɛvnˈɛntʃna pɔvʲˈɛʃxɲʲa jˈɛɡɔ dwˈɔɲi bˌɨwa tʃɛrvˈɔna ɔt krfˈi.|1
+Dataset/wavs/urwisko_ferenc/47_segment_44.wav|xˈɛrman pɔtʃˈuwa, ʒˈɛ ʃˈumi jɛj w ɡwˈɔvʲɛ. vʲˈɛnts tˈak.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_360.wav|jɛj pravdʑˈivɛ ˈimjɛ bʒmˈi bˌɛlɛɡˈɛrɛ ɔtˈɛrɨs.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_81.wav|dʒˈɛɡɛr tɔː ˌɔtʃɨvˈiɕtɕɛ zupˈɛwɲʲɛ ˈinna lˈiɡa.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_185.wav|stˈara, dˈɔbra, zˌamarzɲʲˈɛnta vˈɔda. pˈarɛ lˈitruf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_144.wav|vʲɛdʑˈɛliɕmˌɨ jˈuʃ, w jˈaki spˈɔsup spwatɕˈimɨ nˈaʃɛ dwˈuɡʲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_111.wav|ɔtpˈarwa mɲʲɛ zˌatʃɨmˈujɔnts ɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_391.wav|bˈɨ mɔjˈɛɡɔ strˈɨja pɔmʃtʃˈɔnɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_60.wav|pʃˈɛs xfˈilɛ mˈɨɕli, ʒˈɛ tɔ dˈalʃɨ tɕˈɔŋk snˈu, f ktˌurɨm ɡwˈuvnɔ̃ rˈɔlɛ ˌɔdɡrɨvˈawa ʃˈaɲitsˌɛ atskˈɛrman, pɔ tʃɨm vrˈatsa na jˈavɛ dɔ pɔkˈɔju mˌɔtɛlɔvˈɛɡɔ na pˌɛrɨfˈɛrjaɣ vˈɛɡas.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_21.wav|a dʒˈɔnnɨ tsˈabbz vʒˈɛʃtʃɨ z zˌaspalˈɔnɛj fˌurɡɔnˈɛtki. zɔstˈaftɕɛ ɡˈɔ, zɔstˈaftɕɛ ɡˈɔ, zɔstˈaftɕɛ ɡˈɔː i xˈɔtɕtɕɛ tˈutaj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_72.wav|tsˈɔ za ɲʲˌɛspɔdʑˈaŋka. pʃˌɛpuʃtʃˈawaɕ, ʒˈɛ ɔn ɲʲɛ ʒˈɨjɛ, prˈavda?|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_2.wav|kˈɛd vʲɛdʑˈawa jˈɛdnak, ʒˈɛ mˌarɨnˈaʒɨ z bɛsfstˈɨdnɛj mˈawpɨ ɲʲɛ zˌaintˌɛrɛsˈujɛ ˈimjɛ mˈatki kˌurtɨzˈanɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_44.wav|a tˈutaj kˈilka ʒˈɛtʃɨ pɔ prˈɔstu mi ɲʲɛ pasˈujɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_57.wav|ɔtpˈɨxam jˈɛɡɔ dwˈɔɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_172.wav|a vʲˈatr rɔzvʲˈɛvaw jˈɛɡɔ jˈasnɛ vwˈɔsɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_40.wav|fʃˈɨstsɨ swɨʃˈɛliɕmˌɨ ɔ tˈakim uʒˈɨtɕu nˈɔʒa ʃˈɛfjɛ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_117.wav|kˈurvɨ mˈuvjɔ̃ tɔ sˈamɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_260.wav|bˌɛɲdʑɛʃ tɔ pamjˈɛntatɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_229.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_41.wav|ɲʲɛ zamjˈɛʒaw xfˈɨtɕitɕ tɛj pʃɨnˈɛntɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_23.wav|vɨtɕˈɔŋɡnɔw kˈu ˌandɛrsɔnˈɔvi rˈɛŋkɛ z vɨɡˈaswɨm pˌapʲɛrˈɔsɛm i zɡɲʲˈud ɡˈɔ mʲˌɛndʑɨ paltsˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_29.wav|ˈutɕisk f pʲˈɛrɕi jɛst tsˈɔras ɕilɲʲˈɛjʃɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_61.wav|ɲʲˈɛdam vam fˈɔruf tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ jɛstˌɛɕtɕɛ dʑˈɛtɕmi, a ja dɔrˈɔswɨm, ˌupʃɛdʑabʲˈili.|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_74.wav|ɲʲˈɛvʲɛm, ˈilɛ rˈazɨ ˌɔpɔvʲadˈawɛm tˈɛ çistˈɔrjɛ, na pˈɛvnɔ tsˈawkʲɛm spˈɔrɔ, ˌalɛ ɲʲˈɛvʲɛm, jˈak tɔ ɕɛ stˈawɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_76.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ ɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_184.wav|mˈɔɡɛ tˌɨlkɔ zˌarɨzɨkˈɔvatɕ pʃˌɨpuʃtʃˈɛɲʲɛ, ˌalɛ tsˈawa ɡlɔbˈalna ɕˈɛtɕ?|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_310.wav|bˈɨtɕ mˈɔʒɛ zɡˈɔdʑiwbˌɨɕ ɕɛ ʒˈutɕidʑ zaklˈɛɲtɕɛ nˈanas.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_18.wav|pɔtxˈɔdʑi blˈiʒɛj, vɨtɕˈɔŋɡa rˈɛntsɛ i pʃɨtˈula mɲʲɛ. pɔ xfˈili mˈuvi dɔ tʃˈupka mˈɔjɛj ɡwˈɔvɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_34.wav|pˌɔwɔʒˈɔnɨ jɛzd vˈɨʒɛj ɲˈiʃ mʲˈɛjstsɛ, f ktˌurɨm zˌaparkɔvˈawam, vʲˈɛnts ɔddˈɨxam ʃˈɨpkɔː i pwˈɨtkɔ.|3
+Dataset/wavs/urwisko_ferenc/05_segment_35.wav|tʃɨ zˌadʑawˈawabˌɨ jˈaɡ bˈalsam na dʑɛtɕˈɛntsɛ dʑˈiʑ vʒˌɔdʑɛjˈɔntsɛ rˈanɨ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_36.wav|ʃˈansɛ na vɨɡrˈaɲʲɛ tˌɛɡɔ rɔzdˈaɲʲa sɔ̃ tˈak mizˈɛrnɛ, ʒˈɛ pasˈujɛ i ˌɔpsɛrvˈujɛ ɡrˈɛ pˌɔzɔstˈawɨx.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_292.wav|pɔ mˈɔix sxˈɔdax, ktˌurɛ znˈam ɔt tˈɨlu lˈat.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_498.wav|dʑɛŋkˈujɛ za vɨzvˈaɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_118.wav|ɲʲɛ vʲɛdʑˈawam ftʃˈɛɕɲʲɛj, jˈakʲɛ tɔː utʃˈutɕɛ urˈɔdʑidʑ dʑˈɛtskɔ, a nastˈɛmpɲʲɛ dˈatɕ jˈɛ sˈɔbjɛ vˈɨrvadʑ z rˈɔŋk.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_35.wav|bˈɛɡʲi ɕɛ ˌuɕmʲɛxnˈɛwa.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_328.wav|dʑɛftʃˈɨna bˌɨwa mwˈɔda, naˈivna i wˌatfɔvʲˈɛrna.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_176.wav|mˈam zˈamjar tɔ kˈupitɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_13.wav|vˌɨɡlɔndˈajɔ̃ jˈak fatsˈɛtɕi z bˈɛrɡɛnbˈɛlsɛn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_51.wav|pɔd zvˈɨkwɛ pʲɛpʃˈɛɲʲɛ ˈɔtɨm, jˈak tɔː ˌamɛrɨkˈaɲʲɛ pɔzvˈɔlɔ̃ ʒˈɨdɔm skˌɔlɔɲizˈɔvatɕ ˈirak, ˈislam zɔstˈaɲʲɛ zˌakazˈanɨ, ʒˈɨdʑi pʃˈɛjmɔ̃ vwˈadʑɛ, a amˈɛrɨkˌa vˈɛʑmʲɛ sˈɔbjɛ rˈɔpɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_145.wav|ɲʲˈɛvʲɛm, skˈɔnt mʲˈaw tɛ ˌinfɔrmˈatsjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_10.wav|ˈɔldrin tɔ dʑɛlɲˈitsa ˌɛkskluzˈɨvnɨx xɔtˈɛli i rɔzrˈɨvɛk.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_93.wav|vʲˈɛʃ, pɔdʒˈutɕiw mɲʲɛ tˈu jˈɛdɛn ɡˈɔɕtɕ, ktˌurɨ vɨrˈɨvaw pʃɛt pɔbˈɔrɛm. tˈu ɕɛ ˈutʃɨw, tˈu ɡˈɔ nˌautʃˈɨli, jˈaɡ ʒˈɨtɕ pʃɨjˈɛmɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_231.wav|a zˈɛmbɨ mʲˈawa tˈakʲɛ vʲˈɛlkʲɛ i bjˈawɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_80.wav|a jˈɛɕli spˈɔjʒɛ, ˌɔna mɲʲɛ zɔbˈatʃɨ.|3
+Dataset/wavs/urwisko_ferenc/18_segment_59.wav|vˌɛrɨfˌikujˈɛtɕɛ jˈɛ jˈakɔɕ?|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_87.wav|a tsˈɔ z ɔbwˈavɔ̃?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_4.wav|tʃˈuwa ɕɛ rˌɔstʃarɔvˈana fˈaktɛm, ʒˈɛ ɲʲɛ zdɔwˈali zˌidɛntˌɨfikˈɔvatɕ mɛ̃ʃtʃˈɨznɨ, ktˌurɨ ˌɔpsɛrvˈɔvaw dˈɔm z ˈɔkna sɨpʲˈalɲi tˈɛssɨ ɔxˈanlɔn.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_183.wav|i ja jˌɛstɛm pʃɨ tˈɔbjɛ, ʃɛpnˈɛwa zduʃˈɔnɨm ɡwˈɔsɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_38.wav|tʃˈujɛ mɔtˈɨlɛ w bʒˈuxu, kʲˈɛdɨ ɕɛ dɔ mɲʲɛ uɕmʲˈɛxaʃ i drˈɛʃtʃɛ, kʲˈɛdɨ tsawˈujɛʃ mɲʲɛ f ʃˈɨjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_268.wav|ˌalɛ lˈɛʒaw na pˌɔplamjˈɔnɨm pʃˌɛɕtɕɛrˈadlɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_67.wav|ta ɔstˈatɲʲa pˈɛvnɔ dˈavnɔ pʃˌɛtɛrmˌinɔvˈana, ˌalɛ na bɛzrˈɨbju i rˈak rˈɨba.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_117.wav|ɲʲɛktˌurɛ jˈɛdnak spwɔnˈɛwɨ, ɡdˈɨ mʲˈastɔ splˌɔndrɔvˈanɔ, rˈas, a pˈɔtɛm drˈuɡʲi, a f pˌɔzɔstˈawɨɣ bˌɨwɔ pˈɛwnɔ lˈudʑi z zastˈɛmpu lˈɔrda tarlʲˈɛɡɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_241.wav|ɲʲˈɛbɔ ɲʲɛ jɛzd ɡraɲˈitsɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_219.wav|dvʲˈɔma ɕɔstrˈami, mˈɔrɔ̃ i mɛlˈɛi, mˈawɔ̃, wˈadnɔ̃ tsˈɛdrɔ̃ i stˈarɔ̃ bɛlˈandrɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_179.wav|ɲʲɛ xtɕˈawam, ʒˈɛbɨ jˈakiɕ spˌɔstʃɛɡˈaftʃɨ dˈupɛɡ zˌauvˈaʒɨw, ʒˈɛ nˈaɡlɛ zmʲɛɲˈiwam sfˈɔjɛ zvɨtʃˈajɛ tˈuʃ pʃˈɛttɨm, jˈak ktˈɔʑ dɔpˈuɕtɕiw ɕɛ skˌandalitʃnˈɛɡɔ sˌabɔtˈaʒu.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_323.wav|xtɕˈawɛm tˌɨlkɔ pɔvʲˈɛdʑɛtɕ, ʒˈɛ kʲˈɛdɨ vɨxˈɔdʑiʃ na zˈɛvnɔntʃ, trˈɔxɛ pɔkˈɔrɨ ɲʲɛ zaʃkˈɔdʑi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_78.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_19.wav|— jˈaɡ zamjˈɛʒaʃ jɛj vˌɨtwumˈatʃɨtɕ ɲʲˌɛɔbˈɛtsnɔɕtɕ, jˈɔɛ? — zapˈɨtaw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_104.wav|tɔ jˈɛdɛn s tɛxɲˈikuf, tˈak? ʒˈutɕiw, vɨɡlˈɔnda nˈatɔ, ʒˈɛ sˈɛkɕizm mˈa ɕɛ dˈɔbʒɛ w ˈɛksˈɔwtɛk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_123.wav|— ɲʲɛ, jˈɔɛl, tɔ ɲʲɛ pɔmˈaɡa. ˈindjɔ, ˈidʑ dɔ sfɔjˈɛɡɔ pɔkˈɔju.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_82.wav|znˈajdɛ xfˈilɛ na zˌastanɔvʲˈɛɲʲɛ ɕɛ, kʲˈɛdɨ samˈɔxud zatʃˈɨmam na tˈɨwaɣ dˈɔmu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_48.wav|ɲʲɛ zamjˈɛʒam pˈɨtatɕ, tsˈɔ ta kɔbjˈɛta mˈɨɕli ɔ xɔspˈitsjum i vɨdˈajɛ w ɡwˈɛmbʲi dˈuʃɨ pʃɨtɕˈɔŋɡwɨ jˈɛŋk.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_316.wav|pɔd varˈuŋkʲɛm, ʒˈɛ tɨ pˌɔzɔstˈawabˌɨɕ kɔbjˈɛtɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_102.wav|ˈɔx, zˈɔbatʃ, tɔ pravdʑˈivɨ pˈawats, mˈuvi ˈɛlis, kʲˈɛdɨ za kfˈadranz dʑɛvʲˈɔnta tˌɛɡɔ ɲʲˌɛdʑɛlnˈɛɡɔ vʲɛtʃˈɔru zˌajɛʒdʒˈajɔ̃ pʃɛt ramˈada ˈinn w vɛndˈɔvɛr.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_165.wav|ˌalɛ ja lˈubjɛ ʃtʃɛɡˈuwɨ.|4
+Dataset/wavs/urwisko_ferenc/02_segment_71.wav|ˌɔna strˈaʃɲʲɛ pʃɛʒˈɨwa ɕmʲˈɛrdʑ zˈuski, ˈalɛ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_152.wav|f sfˈɔim bjˈuʒɛ bʲˈillɨ ɕtɕˈɔŋɡa jˈɛdɛn z ʑɛlˈɔnɨx pɔkrˈɔftsuf, tɛn z napˈisɛm trˈax.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_214.wav|tɔ najkrˈutʃɛ pɔjˈɛɲtɕɛ, jˈakʲɛ znˈam, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_255.wav|ˈɔdbjɛʃ tsˈɔ tfˈɔjɛ, mˈuvi z natɕˈiskʲɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_21.wav|ˌalɛ pʃˌɛtɕɛʃ tˈɛras tɔ ɲʲɛ mˈɔʒɛ bˈɨtɕ ˈɔn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_99.wav|mˈuɡwbɨ mʲˈɛdʑ vɨpˈadɛk w arˈɛʃtɕɛ i ˌɛkstradˈɨtsja bˈɨwabˌɨ ɲʲˌɛpɔtʃˈɛbna.|2
+Dataset/wavs/urwisko_ferenc/46_segment_74.wav|kʲˈɛdɨ tɔ ɕɛ zatʃˈɛwɔ?|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_195.wav|rˈɔbʲi ɕɛ. pɔdjˈadɛ najblˈiʒɛj jˈak ɕɛ dˈa, a rˈɛʃtɛ drˈɔɡʲi pʃˈɛjdɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_99.wav|vʲɛdʑˈawam, ʒˈɛ bˌɛɲdʑɛ muɕˈawa ɡˈɔː uɡˈaɕitɕ, jˈɛɕli xtsˈɛ tˈutaj zˈɔstatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_73.wav|tʃɨ rˈatʃɛj jˈɛɕli bˌɛɲdʑɛ mˈuɡw?|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_197.wav|bˈardʑɔ vɨɡˈɔdna pʃɨɕˈɛŋɡa, sˈɛr.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_22.wav|jˈɛɕli ˈɔjtɕɛts ˈaʃa mˈa zapwˈatɕitɕ ˈɔkup, ɲʲˌɛvɨklutʃˈɔnɛ, ʒˈɛ sprˈaftsɨ rˈuvɲʲɛʃ nalˈɛʒɔ̃ dɔ tɛj ɡrˈupɨ ɛtɲˈitʃnɛj, a tˈɛssa mˈɔʒɛ im pɔmˈaɡatɕ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_362.wav|marɡˈarɨ bˌɨwa bˈɔsa i drʒˈawa ʑˈimna. mʲˈawa na sˈɔbjɛ utkˈanɔ̃ s sˌamɔdʑˈawu kɔʃˈulɛ ɕˈɔstrɨ nˌɔvitsjˈuʃki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_88.wav|vˈidʑɔnts, ʒˈɛ bʲˈillɨ ɡˈɔ swˈuxa, xˈɔff fskazˈujɛ fʃˈɨstkʲɛ ˌudɔɡɔdɲʲˈɛɲʲa ɡɛstˈami mɔdˈɛlki s tˌɛlɛturɲʲˈɛju dˈɔbra tsˈɛna.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_60.wav|pˈɔtɛm ɕˈɛdʑi kˈilka sˈɛkunt, bˈɛmbɲʲɔnts paltsˈami f pʲˈɛrɕ i pˈatʃɔnts f pˈustɨ ˈɛkran.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_68.wav|vˈɨbatʃ mi, kɔxˈaɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_216.wav|jˌɛstɛɕ tˈaka blˈada.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_198.wav|na tʃɨm pɔlˈɛɡa pʃˈɛkrɛnt?|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_127.wav|tfˈuj sˈɨn rˈuvɲʲɛʃ ɔdnˈajdʑɛ ɔdvˈaɡɛ.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_422.wav|xtsˈɛʃ, bˈɨm im pɔvʲˈɛdʑaw, ʒˈɛ pʲˌɛrdɔlˈiwɛm ɕɛ s krulˈɔvɔ̃?|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_193.wav|a dˈɔvut tɕˈixɨx prɔvˈadʑi mɲʲɛ.|0
+Dataset/wavs/urwisko_ferenc/45_segment_64.wav|mˈɔʒɛ mˈitras mʲˈawa rˈatsjɛ.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_178.wav|krulˈɔva pˌɔpɛwɲˈiwa bwˈɔnt.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_231.wav|lˈudʑɛ z ʒˌɛlaznˈɛɡɔ rˈɔdu bˌɛndɔ̃ falˈami, vɨjˈaɕɲiw mˈɔkra tʃuprˈɨna. ɲʲɛ vʲˈɛltsɨ lɔrdˈɔvʲɛ, lˈɛtʃ prˈɔɕtɕi ɔrˈatʃɛ i rɨbˈatsɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_71.wav|jˈak w ɔɡˈulɛ mˈam ɕɛ zɡˈɔdʑitɕ nˈatɔ, ʒˈɛbɨɕ f tˌaki spˈɔsup pɔtkˈɔpaw mˈuj ˌawtɔrˈɨtɛt?|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_173.wav|mʲˈawam spʃˈɛnd dɔ spavˈaɲʲa i spɛtsjˈalnɨ ˈukwat ˌɛlɛktrɔɲˈitʃnɨ, a kˈɔmpan tʃˈɛkaw na zˈɛvnɔndʒ ɡˈɔtuv dɔː ˈaktsji.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_322.wav|nˈɔ, tɔ zupˈɛwɲʲɛ tsˈɔɕ nɔvˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_153.wav|stˌudjɔvˈawa na ˌuɲivˌɛrsɨtˈɛtɕɛ w mˌanxɛstˈɛʒɛ, pɔdˈɔbɲʲɛ jˈak jˈa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_77.wav|ɲʲɛ mˈuɕi mi ˈɔtɨm pʃˌɨpɔmˈinatɕ. i tˈak jˌɛstɛm pʃˌɛraʒˈɔna.|4
+Dataset/wavs/urwisko_ferenc/59_segment_48.wav|tɔ xˈɨba jˈɛdnak ɲʲɛ jɛzd dˈɔbrɨ pˈɔmɨsw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_190.wav|tsˈɔ rˈɔku pʃɨjˈɛʒdʒam tˈu rˈas, dvˈa rˈazɨ, na tˈɨdʑɛɲ tʃɨ xˈɔtɕaʃ na wˈikɛnt, ʒˈɛbɨ pɔkˈazatɕ ɕɛ w mʲˈɛɕtɕɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_42.wav|stˈarɨ fˈɔrt tʃˈɔ̃s ɕɛ i prˈɨxaw. ˈandɛrsɔn spˈɔjʒaw na tablˈitsɛ ˌinstrumˈɛntuf.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_102.wav|mˈa rˈatsjɛ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_223.wav|sɛrdˈɛnɨz vɨvˈɔdʑiw ɕɛ z jˈɛdnɛj s tɨx ubˈɔɡʲix i dˈumnɨɣ ɡawˈɛ̃ʑi, lˈɛtʃ...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_16.wav|ˌɔtɔtʃˈɨwam vʲˈɛnts sˈɛrtsɛ mˈurɛm, za ktˌurɨ mˈɔɡɔ̃ pʃɛdˈɔstatɕ ɕɛ tˌɨlkɔ mˈɔjɛ dʑˈɛtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_63.wav|vˈɔbɛts tˌɛɡɔ dɔbrˈanɔts. mˈam jˈɛʃtʃɛ pˈarɛ ʒˈɛtʃɨ dɔ zrɔbjˈɛɲʲa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_52.wav|tʃɨ bˈɨw pˈan kʲˈɛdɨ zˌatʃɨmˈanɨ pʃˈɛs pɔlˈitsjɛ?|0
+Dataset/wavs/urwisko_ferenc/05_segment_53.wav|i jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ ɡˈɔ tɨm ˌurazˈiwam.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_215.wav|ɔt kʲˈɛdɨ spɔtkˈawɛm tɕˈɛbjɛ.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_47.wav|pɔvˈiɲʲɛn ɕpʲˈɛvatɕ ɔ mˈuʒɛ i ɔː ɔdvˈadʑɛ nˈɔtsnɛj strˈaʒɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_190.wav|i ʒˈɛ ɲʲˈɛxtsɛ mʲˈɛdʑ z nˈami ɲˈidʑ dɔ tʃɨɲʲˈɛɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_25.wav|ktˈɔʑ bˌɛɲdʑɛ mˈuɕaw xˈɨba nˈatɔ zˈɛrknɔɲtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_51.wav|f pʃɛtɕˈivnɨm rˈaʑɛ ɲʲɛ stˌartʃɨwˈɔbɨ nˈam pʲɛɲʲˈɛndʑɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_57.wav|strˈatɕiʃ fʃˈɨstkɔ, tsˈɔ zˈɛ sˈɔbɔ̃ pʃɨɲʲˈɔswaɕ.|3
+Dataset/wavs/urwisko_ferenc/50_segment_61.wav|tsˈawɛ ʃtʃˈɛɲɕtɕɛ, ʒˈɛ fˈatsɛt mʲˈaw ftʃˈɛɕɲʲɛj zvʲˈɔ̃zɛk s tɨm ɔɕrˈɔtkʲɛm. dɔstˈartʃaw ʒˈɨvnɔɕtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_91.wav|tʃˈujɔnts tɕˈɛ̃ʒar vwˈasnɨx kˈɔɕtɕi za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ kʲɛrˈɔftsa xamˈɔvaw,|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_134.wav|pɔmˈɨɕlaw, ʒˈɛ mˈuɡwbɨ ubwˈaɡatɕ kɔjˈɛmɔː i jɛj ˈɔjtsa, bˈɨ zabrˈali dʑˈikɔ̃ dʑɛftʃˈɨnɛ na vˈɨspɨ lˈɛtɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_109.wav|ɡdˈɨ pˌɔkɔnˈali stˈɔ stˈup,|1
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_25.wav|jˈaɡ vˌɨɡlɔndˈajɔ̃ jˈɛɡɔ kɔntˈaktɨ z mˈiɲi?|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_33.wav|bɛvˈɛrlɨ tɔ ɲʲɛ tsˈɔrɛj atskˈɛrman, ˌalɛ jɛst f pɔʒˈɔntku.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_73.wav|tɔ jɛst mɔdlˈitfa, tɨ skˌurvɨsˈɨnu, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_277.wav|sɔ̃ prˈavʲɛ tsˌawkɔvˈitɕɛ sˌamɔdʑˈɛlnɛ, tɕˈɔŋɡnɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_324.wav|znˈɔvu ˈuɲʲus tˈɔpur, zˈaklɔw i pɔpˈɛɲdʑiw zˈaɲʲɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_175.wav|ˌalɛ pɛvnˈɛɡɔ dɲʲˈa dɔrˈɔbjɛ ɕɛ na tˈɨlɛ, ʒˈɛbɨ rˈɔbʲitɕ tˈu zakˈupɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_63.wav|ɲʲɛ vɨdˈajɛ mi ɕɛ, ʒˈɛ pɔvˈinnaʑ zakwˈadatɕ najɡˈɔrʃɛ, pɔvʲˈɛdʑaw waɡˈɔdɲʲɛ tˈɔm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_94.wav|mˈuj tˈata s pɔtʃˈɔntku ɲʲɛ pasˈɔvaw dɔ tɛj fˈɔrmɨ, ˌalɛ f kˈɔɲtsu jˈɛɡɔː ˈɛɡɔ zɔstˈawɔ zwamˈanɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_41.wav|ʒˈɛ pˌɔwɔntʃˈɛɲʲɛ zɔstˈawɔ nˌavʲɔ̃zˈanɛ s tˌɛlɛfˈɔnu, na ktˌurɨm zˌapisˈanɔ xˈaswɔ dɔ ɕˈɛtɕi vˈifˈi strakˈanuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_26.wav|ɔː ˈilɛ w ɔɡˈulɛ jˈɛʃtʃɛ tˈam jˈɛst.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_317.wav|bˈɨw pɔtˈɛ̃ʒɲʲɛ zbˌudɔvˈanɨm mɛ̃ʃtʃˈɨznɔ̃ i mˈukw f sˈɔbjɛ pɔmjˈɛɕtɕitɕ mnˈustfɔ vˈina, ˌalɛ dʑˈiʑ vˈɨpiw za dˈuʒɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_63.wav|ɲˈitʃɨm ɲʲɛ rˈuʒɲi ɕɛ ɔt çindˈuski.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_78.wav|prɔvˈadʑi jˈɔ̃ za rˈɛŋkɛ dɔ kʃˈɛswa pʃɨ zˌaswɔɲʲˈɛntɨm ˈɔkɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_110.wav|pɔvˈiɲʲɛn bˈɨw zapˈɨtatɕ ˈɔtɔ ftʃˈɛɕɲʲɛj, ˌalɛ ftˈɛdɨ tsˈɔː innˈɛɡɔ zˌapʃɔntˈawɔː ix uvˈaɡɛ.|2
+Dataset/wavs/urwisko_ferenc/02_segment_86.wav|i tʃˈɛɡɔ ɕɛ pˈan dɔvʲˈɛdʑaw? ɔdˈɛzvaw ɕɛ tɕˈixɔ bɔrˈɛvitʃ, kʲˈɛdɨ miltʃˈɛɲʲɛ ɕɛ pʃˌɛdwuʒˈawɔ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_206.wav|lˈadɨ ɡˈɛnna pˌɔtɕɔŋɡnˈɛwa wˈɨk i ɔtˈarwa ˈusta rɛŋkˈavɛm. tfˈuj ˈɔjtɕɛts pɔvˈiɲʲɛn bˈɨw pʃˈɨznatɕ nˈam dˈarɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_73.wav|ɔstˈatɲim rˈazɛm tˈɛssa pˌɔvʲɛdʑˈawa, ʒˈɛ zˌatɕɔŋɡˈawa zaswˈɔnɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_156.wav|xtsˈɛ pˈan jˈɔ̃ dˌɛpɔrtˈɔvadʑ dɔ brazˈɨlji?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_47.wav|jˈuʃ ɲˈiɡdɨ ɲʲɛ ɔdˈɛjdɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_9.wav|pʃˈɛs najblˈiʃʃɨx pˈarɛ tɨɡˈɔdɲi, mˈɔʒɛ ˈaʒ dɔ ɕˈɛrpɲʲa, ɲʲɛ vˈartɔ brˈatɕ ɕɛ dɔ kɔʃˈɛɲʲa, ˌalɛ ɔn pɔtʃˈɛka.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_184.wav|vrˈutɕiw dɔ dˈɔmu, kʲˈɛdɨ bˌɨwɔ jˈuʃ tɕˈɛmnɔ.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_167.wav|znalˈazwɛm ɡˈɔ nat tridˈɛntɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_26.wav|minˈɛwa dʑɛɕˈɔnta, pˈɔtɛm dʑɛɕˈɔnta pʲɛtnˈaɕtɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_91.wav|tɔ tˈɛʃ pˈan sˈɔbjɛ ɡdʑˈɛʑ zapˈisaw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_8.wav|zvwˈaʃtʃa s pˌɔtɛ̃ʒnˈɛɡɔ pˌɔlitsjˈanta, ktˌurɨ tˌɨlkɔ ʒˈutsa ˈɔkʲɛm na alˈɛna i ɔt rˈazu ɔbrˈatsa ɕɛ f tˈɨw z brˈɔɲʲɔ̃ w rˈɛŋku, vˌɨpatrˈujɔnts mʲˈɛjstsa, skˈɔnt pˈat stʃˈaw.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_72.wav|a tʃɨ tfˈuj pʲˈɛs mˈa jˈakʲɛɕ ˈimjɛ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_42.wav|vʲˈɛnts mˈɨɕliʃ ˈɔtɨm, ʒˈɛ dˈɔbrɔdʑ znˈatʃɨ swˈabɔɕtɕ. i fʃˈɨstsɨ lˈudʑɛ utʃˈɨli tɕˈɛ tˈɛɡɔ, ʒˈɛ jˈɛɕli tʃˈɛɡɔɕ ɲʲɛ mˈɔʒna pɔkˈɔnatɕ, zɲˈiʃtʃɨtɕ tʃɨ zdˈɔbɨtɕ,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_7.wav|jˈa, ktˌurɨ tʃˈɨmam ɕɛ jˈɛdnɔ̃ stˈɔpɔ̃ tɛj ʑˈɛmi, tsˈɔ mɲʲɛ dʑˈivi, zasmˈutsa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_3.wav|mˈam jˈɔ̃ na kɔʃˈultsɛ, na rˈɛŋkax.|3
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_18.wav|ˌalɛ ɲʲˈɛxtsɛ bˈɨtɕ jˈɛdnɔ̃ z ɲˈix.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_125.wav|kɕˈɛ̃ʒɨts tɔ stˈara vrˈɛdna sˈuka, ktˌurɛj ɲʲɛ ɔpxˈɔdʑi dlatʃˈɛɡɔ tfˈuj skafˈandɛr ɕɛ psˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_24.wav|ˌɔna tsˈawa bˌɨwa jˈɛdnɔ̃ vʲˈɛlkɔ̃ ɔfjˈarɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_103.wav|bʲˈillɨ prubˈujɛ znˈɔvu.|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_106.wav|w ɕrˈɔtku fʃˈɛɲdʑɛ lɛʒˈɛli ɲʲˌɛpʃɨtˈɔmɲi vʲˌɛtnamtʃˈɨtsɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_33.wav|vʲadˈɔmɔɕtɕ, f ktˌurɛj ɡˌɛnɛvʲˈɛvɛ zɔstˈawa zˌaprɔʃˈɔna dɔ vˈɨjɕtɕa na zˈɛvnɔntʃ f ʃpˈɔnɨ ɕmʲˈɛrtɕi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_23.wav|ɲʲɛ zˈafʃɛ mˈa jˈɛdnak rˈudɛ vwˈɔsɨ. tʃasˈami blˈɔnt, tʃasˈami plˌatɨnˈɔvɛ. lˈubʲi zmʲˈanɨ. pɔvʲˈɛdʑaw, ʒˈɛ ɲʲɛ mˈuɕi pˈatʃɛtɕ na jɛj tfˈaʃ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_166.wav|f tˈakim rˈaʑɛ ja ɕɛ vˌɨpisˈujɛ, pɔvʲˈɛdʑaw fstˈajɔnts.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_75.wav|zavˈɔwaw nɛrvˈɔvɨm ɡwˈɔsɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_19.wav|dɔpˈija pˈivɔː i kɔlˈɔrɨ jɛj vratsˈajɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_48.wav|pɕˈakrɛf, pˌɔmɨɕlˈawam. ɲʲɛ bˌɛndɛ mʲˈawa tʃˈasu vˌɨxamˈɔvatɕ.|4
+Dataset/wavs/urwisko_ferenc/21_segment_18.wav|ɲʲˈɛma nˈatɔ ʒˈadnɨɣ dɔvˈɔduf, tsˈɔ bˈɨ zˈɨskaw na jɛj ɕmʲˈɛrtɕi.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_7.wav|baɲˈitɕi ɲʲɛ dmˈɔ̃ f trˈɔmbɨ, bˈɨ ɔznˈajmitɕ sfˈɔjɛ pʃɨbˈɨtɕɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_27.wav|tsˈɔ bˈɛɲdʑɛ, jˈɛɕli tˈu pʃɨjˈadɔ̃, a w dˈɔmu ɲikˈɔɡɔ ɲʲɛ bˈɛɲdʑɛ?|4
+Dataset/wavs/urwisko_ferenc/47_segment_38.wav|uɕˈadwa pʃˈɨmɲʲɛ i ɕɛ rˌɔspwakˈawa. jɔˈanna vɛstxnˈɛwa i pɔnˈɔvɲʲɛ rˌɔskɔwɨsˈawa vˈinɔ, pɔ tʃɨm upˈiwa ɲʲɛvʲˈɛlki wˈɨk.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_100.wav|sˈɛptɔn mɛrˈibalt spˈɔjʒaw na ɲʲˈɛɡɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_2.wav|tˈɔm pˌɔinfɔrmˈɔvaw mɲʲɛ, ʒˈɛ fkrˈuttsɛ pɔdˈɛjmʲɛ dɛtsˈɨzjɛ ɔ kˌɔɲʲɛtʃnˈɔɕtɕi zvɔwˈaɲʲa kˌɔnfɛrˈɛntsji prasˈɔvɛj i dˈɔdaw, ʒˈɛ ɲʲɛ jɛst tɔ dla ɲʲˈɛɡɔ wˈatfɛ.|4
+Dataset/wavs/urwisko_ferenc/47_segment_88.wav|ɲʲɛ ˌɔtʃɨmˈawa ˌɔtpɔvʲˈɛdʑi, a prˌɔkurˈatɔr pɔnˈɔvɲʲɛ zˈatʃɔw ɕɛ dɔ ɲʲˈɛj dɔbʲˈijatɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_55.wav|kʲɛrˈɔftsa sˌɨɡnalizˈujɛ skrˈɛnt w lˈɛvɔ w ˈɔrtsall lˈanɛ. zˈaras, zjˈɛʒdʒa na xˈɔdɲik. mˈuʃɛ ix mˈinɔɲtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_75.wav|nˈavɛd dʒˈɛjn kˈɛllɔkk, ɲʲˌɛvɨlˌɛvajˈɔntsa za kˈɔwɲʲɛʒ vdˈɔva s sɔ̃ɕˈɛtstfa.|2
+Dataset/wavs/urwisko_ferenc/09_segment_95.wav|pˈɨtaʃ ɔ nazvˈiskɔ?|0
+Dataset/wavs/urwisko_ferenc/36_segment_158.wav|muvˈiwam jˈuʃ. xtɕˈawa, ʒˈɛbɨ pˈaɲi mʲˈawa ɡdʑˈɛ mʲˈɛʃkatɕ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_204.wav|tʃˈɛba bˌɨwɔ zˈɔstatɕ f tsastˈɛrlɨ ɹˈɔk, dɔpˈuki vˈalki ɕɛ ɲʲɛ skˈɔɲtʃɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_3.wav|kʲˈɛdɨ zɔstˈajɛ mi tˌɨlkɔ kˌilkanˈaɕtɕɛ kˌilɔmˈɛtruv dɔ tsˈɛlu, zˌauvˈaʒam pʃɨdrˈɔʒnɔ̃ kavʲˈarɲʲɛ i zjˈɛʒdʒam z drˈɔɡʲi.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_389.wav|jɛj ˈɔjtɕɛdʑ vɨkʃˈɨviw tfˈaʒ w ɡrɨmˈaɕɛ bˈulu, jˈaɡbɨ jˈuʃ sˈamɛ tɛ swˈɔva spravʲˈawɨ mu tɕɛrpʲˈɛɲʲɛ. tʃɨ tˌɛɡɔ vwˈaɕɲʲɛ prˈaɡɲʲɛʃ?|1
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_16.wav|ɲʲɛstˈɛtɨ ɲʲɛ zdɔ̃ʒˈɨwam tɕi pʃˈɛlatɕ tfˈɔjɛj dˈɔli za ɔstˈatɲi mʲˈɛɕɔnts, vʲˈɛnts mˈam ˈu tɕˈɛbjɛ dwˈuk.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_86.wav|pɔ tsˈɔ ta pɛrˈuka?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_86.wav|kˈu mɔjˈɛmu zˌaskɔtʃˈɛɲʲu sxˈu lˈɔŋk ɔpstˈavja pʲˈɛɲtɕ tɨɕˈɛntsɨ, tʃɨ...|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_30.wav|vˈɛʃwam dɔ kasˈɨna lˈas ˈitɛr, skˈɔnt mˈɔɡwam ˌɔpsɛrvˈɔvatɕ plˈats pʃˈɛz vʲˈɛlkʲɛ ˈɔkna, zˌaxɔvˈujɔndʑ bɛspʲˈɛtʃnɔ̃ ɔdlˈɛɡwɔɕtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_271.wav|zwˈɛ snˈɨ bˌɨwɨ w irˈaku nɔrmˈalkɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_47.wav|ˈalfjɛ rɔzɡlˈɔnda ɕɛ dˌɔɔkˈɔwa, xwˈɔnɔnts ˌɔtɔtʃˈɛɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_149.wav|prˌatsɔvɲˈitsɨ zɛbrˈaɲi f stɛrˈɔvɲi pʃˌɨstɔmpˈili dɔː ˌɛvakuˈatsji.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_147.wav|mˈuʃɛ rɔsprˈavitɕ ɕɛ za rˈamɨ, a ɲʲɛ mˈɔɡɛ zˈabradʑ zˈɛ sˈɔbɔ̃ alfjˈɛɡɔ. s pɛvnˈɔɕtɕɔ̃ tɔ rɔzˈumjɛʃ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_166.wav|pʃˈɛttɛm pʃˈɨvʲuz z bjˈura sfɔjˈɛɡɔ nˌɔvʲutkʲˈɛɡɔ mˈatsa prˈɔː i pɔwˈɔʒɨw ɡˈɔ na stˈɔlɛ kuxˈɛnnɨm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_197.wav|ˈɛlis ɕˈada na kʃˈɛɕlɛ pʃɨ ˈɔkɲʲɛ i sˈɔntʃɨ kˈavɛ, pɔ tʃɨm ɔtstˈavja jˈɔ̃ na stˈɔlik i zasˈɨpja.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_21.wav|pˈaɲska partnˈɛrka jˈɔ zˌapɛvɲˈiwa nˈas, ʒˈɛ jɛst pˈan fspaɲʲˈawɨm ˈɔjtsɛm, vʲˈɛnts prˈɔʃɛ ɕɛ tɨm tˈɛras ɲʲɛ pʃɛjmˈɔvatɕ.|4
+Dataset/wavs/urwisko_ferenc/23_segment_105.wav|sˈɔlski bˈɨvaw ˈu mˈɔɲikˌi pɔt ɲʲˌɛɔbˈɛtsnɔɕtɕ jɛj mˈɛ̃ʒa kˌilkukrˈɔtɲʲɛ, prˈavda?|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_209.wav|pʲˈɛrʃɛ, tsˈɔ pʃɨxˈɔdʑi mu dɔ ɡwˈɔvɨ, tɔ pɨtˈaɲʲɛ, tʃɨ vɨ ɲʲɛ mˌatɕɛ ɕˈustr? a mˈatki mˌajɔ̃ na pˈɛvnɔ. takˈɔvɔ̃ mʲˈaw nˈavɛt ɔn sˈam, xˈɔtɕ ɲʲˌɛspɛtsjˈalɲʲɛ ɕɛ f tɛj rˈɔli spravdʑˈiwa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_12.wav|bˈɛtskɨ pˌɔstanɔvˈiwa dɔkˈɔɲtʃɨtɕ paʒˈɛɲʲɛ xɛrbˈatɨ i zadʑvˈɔɲidʑ dɔ sˈarɨ ˈɔzbɔrn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_193.wav|ɲʲˌɛdɔʒˈɛtʃnɛ, ˌalɛ pravdʑˈivɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_234.wav|ɲʲɛ mˈɔʒɛʃ ɲikˈɔmu pˈisnɔɲtɕ ˌaɲi swˈɔva.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_71.wav|bˌɛndɛ jɛj mamˈuɕɔ̃, a ˌɔna mɲʲɛ pɔkˈɔxa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_85.wav|ɲʲɛ ˈumjɛm jɛj zɲˈiʃtʃɨtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_62.wav|dˈavn ˌuɕmʲɛxnˈɛwa ɕɛ ɲʲˌɛspɔdʑɛvˈaɲʲa, bˈɛtskɨ pɔtʃˈuwa dɔ ɲʲˈɛj sɨmpˈatjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_123.wav|— jˈasnɛ. bˈɨlɛ ɲʲɛ na mˈuj kˈɔʒd z arˈɛʃtu w jˈakimʑ ɡrajdˈɔlɛ. tʃˈɨmaj ɕɛ, mˈistʃu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_18.wav|i pɔvʲˈɛdʑaw im, muɕˈitɕɛ pɔtʃˈɛkadʑ dɔ jˈutra. çˈiŋk, nˈaʒ buxˈaltɛr, zmˈar.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_7.wav|pˌɔdɛjʒˈɛvatɕ mɲʲɛ ɔ mɔrdˈɛrstfɔ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_50.wav|tsˈɔ za krˈɛtɨn.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_364.wav|w jɛj uɕpʲˈɔnɛj jˈɛʃtʃɛ tɛntʃˈuftsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_134.wav|muvˈimɨ ɔ zwˈɨm xˈadʒim?|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_164.wav|fʃˈɨstsɨ vʲˈɛnts sˈɔntʃɔ̃ ɡʲˈin s tɔɲˈikʲɛm i tɔ ftˈɛdɨ, mˈuvi ˈɛlis, zatʃˈɛwɔ jɛj ɕɛ mˈɔɲtɕidʑ w ɡwˈɔvʲɛ. mɨɕlˈawa, ʒˈɛ tɔ dlatˈɛɡɔ, ʒˈɛ ɲʲɛ jɛst pʃˌɨzvɨtʃajˈɔna dɔː ˌalkɔxˈɔlu.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_19.wav|vɨbrˈawam najvʲˈɛŋkʃɔ̃ tˈɔrbɛ, jˈakɔ̃ udˈawɔ mi ɕɛ znˈalɛɕtɕ. pwutɕˈɛnnɨ vˈɔrɛɡ z nˌadrukɔvˈanɨm vˌizɛrˈuŋkʲɛm kɕɛ̃ʒˈɨtsa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_77.wav|mˈɨɕliʃ, ʒˈɛ tɔ fʃˈɨstkɔ mˈa zvʲˈɔ̃zɛk s pʲɛɲʲˈɛndʑmi?|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_121.wav|pˌuwpʃɨtˈɔmnɨ bʲˈin lˈɛʒaw tˈɛras f pɔzˈɨtsji ˌɛmbrjɔnˈalnɛj i jˈɛntʃaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_23.wav|mˈɨɕli, ʒˈɛ pɔʃˈɛdwɛm dɔ ɲˈika tˌɨlkɔ pˈɔtɔ, ʒˈɛbɨ ɔdˈɛbratɕ nalˈɛʒnɛ pʲɛɲʲˈɔndʑɛ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_32.wav|ɡˈarin namˈavʲaw jˈɔ̃, bˈɨ sprˌubɔvˈawa, tʃɨ dˈa rˈadɛ zavʲˈɔ̃zatɕ mu sˈupɛw na brˈɔdʑɛ, ɲʲɛ bˈudʑɔndʑ ɡˈɔ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_311.wav|ɡdˈɨ nˈatʃɛt tʃˈas, bˈɨ rˈuʃadʑ w drˈɔɡɛ, vwɔʒˈɨli jɛj na ɡwˈɔvɛ skuʒˈanɨ kˈaptur.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_189.wav|pˈatʃɔnts tˌɨlkɔ na tʃˈupki sfˈɔiɣ bˈutuf i zˌaɡrɨzˈajɔnts ˈusta.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_21.wav|nˈaɡlɛ vɨdˈajɛ s ɕˈɛbjɛ tɕˈixɨ jˈɛŋk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_108.wav|ˈɛlis spɔɡlˈɔnda na pˌɔmaraɲtʃˈɔvɔ̃ piɡˈuwkɛ. jˈak tɔ nˈamɲʲɛ fpwˈɨɲʲɛ?|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_108.wav|ktˈɔ ɡˈɔ zˈabʲiw?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_20.wav|bˈardʑɔ ɕɛ tɕˈɛʃɛ, ʒˈɛ mˈɔɡɛ iɣ zvrˈatsatɕ pɔ vˌɨkɔʒɨstˈaɲʲu tsˈawɨx i zdrˈɔvɨx. jˌɛstɛm bɛspʲˈɛtʃnɔ̃ ˌinvɛstˈɨtsjɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_45.wav|pʃˌɛtɕɛʒ bˌɛndɛ tˈam znˈana vɨwˈɔntʃɲʲɛ na ɕˈɛbjɛ.|3
+Dataset/wavs/urwisko_ferenc/36_segment_100.wav|ktˈɔ tɔ jˈɛst?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_110.wav|jˈɛntʃɛ z rɔspˈatʃɨ pʃˈɛz zˌaklɛjˈɔnɛ ˈusta.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_132.wav|pɔ tʃɨm prˈavʲɛ z vɨʒˈutɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_4.wav|vɨɡlˈɔndaw ɔkrˈɔpɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_24.wav|vʲˈɛʃ mˈɔʒɛ, jˈaɡ dʑˈawa ɲʲˌɛzarˌɛjɛstrɔvˈanɨ tɛlˈɛfɔn.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_140.wav|vrˈatsa dɔː ˌɔtfartˈɛɡɔ mˈadʑ bɔˈɔka i ɕˈada.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_313.wav|pˈatʃɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_10.wav|ɡˈɔtuf jˌɛstɛm zˌarɨzɨkˈɔvatɕ i zˈɔstadʑ dɔ jˈutra. pɔdˈawaɕ mu nazvˈiskɔ?|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_191.wav|swɨʃˈawɛɕ kʲˈɛdɨɕ ɔ tʃˈɨmɕ tˈakim jˈaɡ zˈafɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_174.wav|mˈuviw, ʒˈɛ jɛst w ɲˈim dˈuʒɔ vˈɔlnɨx lɔkˈali.|2
+Dataset/wavs/urwisko_ferenc/04_segment_9.wav|ʒˈɛ zbˈɨt wˈatfɔ strˈatɕiw tʃˈujnɔɕtɕ, a dɔpʲˈɛrɔ pˈɔtɛm zdˈaw sˈɔbjɛ sprˈavɛ z ˌɛvɛntuˈalnɨx kˌɔnsɛkfˈɛntsji tˌɛɡɔ ɲʲˌɛdɔpatʃˈɛɲʲa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_133.wav|a mˈɔʒɛ udˈajɛ f pʃˌɛkɔnˈaɲʲu, ʒˈɛ ɔt tˌɛɡɔ zalˈɛʒɨ jˈɛɡɔ ʒˈɨtɕɛ?|2
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_157.wav|pʃˌɛtɕɛʃ tɔ tˌɨlkɔ ʃˈara pustˈɨɲʲa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_19.wav|nˈavɛt jˈɛɕli uznˈawam, ʒˈɛ ɲʲɛ zdˈɔwam vɨbˈatʃɨtɕ mu zdrˈadɨ, ɲʲɛ mˈɔɡɛ ɡˈɔ pɔprˈɔɕitɕ, ʒˈɛbɨ ˈɔtʃɛd.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_88.wav|ɔ tsˈɔ xtsˈɛʃ mɲʲɛ zapˈɨtatɕ, dˈi?|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_114.wav|kʲˈɛdɨ tɔ rɔbʲˈiwam, kʲˈɛdɨ...|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_39.wav|lˈuiz zˈɔstaw f kˈuxɲi, ˌalɛ ɲʲɛ zˌauvˈaʒɨw ɲˈiɡdʑɛ xarˈɛɡɔ. mˈɔʒɛ tˈaɡ bˌɨwɔ lˈɛpʲɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_98.wav|kɕˌɛ̃ʒɨtsˈɔva ɡrˌavitˈatsja jɛst najɡˈɔrʃɨm kɔʃmˈarɛm, jˈaki mˈɔʒɛ ɕɛ pʃɨtrˈafitɕ rɔdʑˈitsɔm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_135.wav|jˈɛɡɔ pʲɛpʃˈɔnɛ bɔksˈɛrki, pʃˌɛɕɔŋkɲʲˈɛntɛ dˈɛʃtʃɛm, a w dɔdˈatku trˈɔxɛ za dˈuʒɛ, zˌatʃɨnˈajɔ̃ ɕɛ ssˈuvatɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_551.wav|pˌamjɛntˈawɛm, ʒˈɛ ɡdʑˈɛɕ pɔ prˈavɛj ˈalbɔ pɔ lˈɛvɛj strˈɔɲʲɛ...|0
+Dataset/wavs/urwisko_ferenc/23_segment_44.wav|— na pˈɛvnɔ pˈaɲi vʲˈɛ, tsˈɔ tˈutaj rɔbʲˈimɨ — ʒˈɛkw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_115.wav|sˈama ɲʲˈɛvʲɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_27.wav|tɔ zˌapɔmɲʲawˈɔbɨ ɕɛ, ɔ tsˈɔ xˈɔdʑi na pɔtʃˈɔntku.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_164.wav|tˈɛras jˈɛdnak jɛst jˈuʃ pʲˈɛɲtɕ pɔ dʑɛvʲˈɔntɛj, a ʒˈadɛn pˈɔjast swuʒbˈɔvɨ ɲʲɛ nadjˈɛʒdʒa ɔt strˈɔnɨ arˈɛʃtu ˌɔkrɛŋɡɔvˈɛɡɔ na xˈɔllant strˈit.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_263.wav|znˈajdɔ̃ jˈɔ̃ i pɔvʲˈɛʃɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_161.wav|pˈɔtɛm stɔpɲʲˈɔvɔ zˈatʃɔw pˌɔkazˈɨvatɕ im mˈiwɔɕtɕ, dʑˈɛŋki tʃˈɛmu, pɔdˈɔbɲʲɛ jˈak jˈa, praɡnˈɛli jˈuʃ tˌɨlkɔ sprˈavʲatɕ mu pʃɨjˈɛmnɔɕtɕ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_279.wav|jˈamɛ ɲʲɛ zamjˈɛʒaw ɡˈɔː ˌɔpwakˈivatɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_246.wav|zˌɔbatʃˈɨwɛm, ʒˈɛ ktˈɔʑ ɡramˈɔli ɕɛ pɔ strˈɔmnɨm zbˈɔtʃu pɔd ɡˈurɛ, xfɨtˈajɔnts ɕɛ kʃˈakuf trˈavɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_124.wav|ˌɔkrɔ̃ʒˈɨwam ɡwˈas, ʒˈɛbɨ ɔbˈɛjʒɛtɕ ʃtʃˈɔntki kˌɔlɛjnˈɛɡɔ kɔmbˈajnu.|4
+Dataset/wavs/urwisko_ferenc/46_segment_29.wav|— tɨx skurvʲˈɛli jˈuʃ ɲʲˈɛma i pʃɨnˈajmɲʲɛj ɲʲɛ skʃˈɨvdʑɔ̃ ʒadnˈɛɡɔ dʑˈɛtska. mˌɔtɔtsɨklˈista pˈɔdɲʲuz ɡwˈɔs.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_40.wav|vɨmjˈɛɲiw vʲˈɛlu mˈɛ̃ʃtʃɨzn, zarˈuvnɔ znˈatʃnɨx, jˈak i ɲiskʲˈɛɡɔ stˈanu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_75.wav|tˈɔm xtɕˈaw pɔvʲˈɛdʑɛtɕ, ʒˈɛ vʲˈɛŋkʃɔɕtɕ lˈudʑi ɲʲɛ mʲawˈɔbɨ ʒˈadnɛj vˌɔntplivˈɔɕtɕi, ˌalɛ ɔtpˈuɕtɕiw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_59.wav|luˈisa ɕɛdʑˈawa wˈɛ fɔtˈɛlu w nˌarɔʒɲˈiku i dʒɛmˈawa.|3
+Dataset/wavs/urwisko_ferenc/53_segment_53.wav|ˌɔbɛjʒˈawa rˈas jˈɛʃtʃɛ zdjˈɛɲtɕa z ɡˈazɛd z jˈanɛm sˈɔlskim na pʲˈɛrʃɨm plˈaɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_493.wav|jˈɛɡɔ mʲˈɛjstsɛ zˈajɔw ˈinnɨ.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_51.wav|zdʑivˈiwa ɕɛ. vʲɛtʃˈɔrɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_50.wav|nˌajpravdˌɔpɔdˈɔbɲʲɛj ɔn ɲʲˈɛznaw mɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_302.wav|jˈamɛ jɛst w rivˈɛrun, a sˈɛr ˈɔsmunt jɛzd brˈatɛm tʃwɔvʲˈɛka, ktˌurɨ jˈɔ̃ ɔskˈarʒa. tɔ znˈatʃɨ, ʒˈɛ zɔstˈajɔ̃ jɛj tˈɨlkɔ... ˈɔjɛj.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_453.wav|ubrˈanɨ w watɕˈatɨ ɔxrˈɔnnɨ mˈundur bˈɛz ʒˈadnɨx ˈɔdʑnak.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_14.wav|plˌanɔvˈawa zrˈɔbʲitɕ xˈɨba z dvadʑˈɛɕtɕa ʒˈɛtʃɨ, pɔdˈɔbɲʲɛ jˈak kˈit, ˌalɛ ɲʲɛ mˈɔɡli dɔ ɲitʃˈɛɡɔ ɕɛ zˈabratɕ, dɔpˈuki ɲʲɛ vɨjˈaɕɲi ɕɛ, kˈɔmu mˈɔɡɔ̃ zaˈufatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_37.wav|vˌɨɡlɔndˈawɨ zupˈɛwɲʲɛ jˈaɡ vˈɔzɨ ˌamɛrɨkˈaɲskix swˈuʃp kˌɔmunˈalnɨx, tˌɨlkɔ bˌɨwɨ mɲʲˈɛjʃɛ i jˌasnɔʑɛlˈɔnɛ, ɲʲɛ ʒˈuwtɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_118.wav|na strˈɔnax aɡˈɛntsji ɲʲˌɛruxɔmˈɔɕtɕi tˈakix ʃtʃɛɡˈuwuf ɕɛ ɲʲɛ pˌɔkazˈujɛ. pɔdˈɔbɲʲɛ jˈak na pʃˈɨkwat ʃˈɔpɨ, f ktˌurɛj skwadˈujɛʃ ɕmʲˈɛtɕi pʃˌɨɡɔtɔvˈanɛ dɔː ɔdbjˈɔru.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_5.wav|a na stˈɔlɛ zˌɔbatʃˈɨwɛm ʃklˈaŋkɛ z ɲʲˌɛdɔpˈitɔ̃ xɛrbˈatɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_22.wav|ɔkˈɔwɔ, ˌalɛ pʃˌɨpɔmɲʲˈawɔ mi ɕɛ tˈɛras, ʒˈɛ kʲˈɛdɨ dʑvɔɲˈiwa dɔ mɲʲɛ ftʃˈɔraj, rˌɔzmavʲˈawa zˈɛ swˌuʒbɔvˈɛɡɔ tˌɛlɛfˈɔnu, vʲˈɛnts mˈɔʒɛ pɔvˈinɲiɕtɕˌɛ sprubˈɔvatɕ s tɨm numˈɛrɛm.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_138.wav|vˈɨʒɛj spɔtkˈali tʃˈɛx xwɔpˈakuf pasˈɔntsɨx ˈɔftsɛ, a jˈɛʃtʃɛ vˈɨʒɛj minˈɛli tsmˈɛntaʃ, ɡdʑˈɛ brˈat rɔɕlˈɛjʃɨ ɲˈiʒ brjˈɛnnɛ|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_130.wav|nˈɔː ˌalɛ xˈɔff ɕˈɛdʑi f tɨm pɔː ˈuʃɨ. ɡʲˈɔrɡjɔ jˈasnɔ dˈaw mu dɔ zrˌɔzumjˈɛɲʲa. mˈuʃɛ.|2
+Dataset/wavs/urwisko_ferenc/25_segment_76.wav|jˈasnɛ, ˌalɛ mˈɔʒɛ jˈɛdnak kˈimɲij ɕɛ na dˈɔlɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_93.wav|ɕmʲˈɛjɛ ɕɛ w rɛˈaktsji na ˈɔpis sfɔjˈɛɡɔ ɲiskʲˈɛɡɔː i dˈɔʑdʑ zˌaɔkrˌɔŋɡlɔnˈɛɡɔ kɔxˈaŋka.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_65.wav|zˈaras pɔ pɔvrˈɔtɕɛ dɔ dˈɔmu zʒˈutɕiw sfˈɔjɛ zˌabrudʑˈɔnɛ krfjˈɔ̃ trˈampki i tˈɛras mˈuɕi pɔʃˈukatɕ ˈinnɨɣ bˈutuf. ɲʲɛ tʃˈɛkam na ɲʲˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_63.wav|pˌɔvɔdʑˈɛɲʲa w vɨbˈɔrax, kʲˈɛdɨ fʃˈɨstsɨ zɔbˈatʃɔ̃ tɔ zdjˈɛɲtɕɛ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_15.wav|tsˈɔɕ mi ɕɛ pˌɔmɨlˈiwɔ, tɔ fʃˈɨstkɔ mˈɨɕli.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_262.wav|rɔskˈaʒɛ zbˈuʒɨtɕ mˈurɨ i zmʲˈɛɲitɕ kˈur s kˌamjɛnnˈɛɡɔ nˈurtu, bˈɨ zˈalaw ruˈinɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_50.wav|tʃɨ fˈatsɛt ˌupɔzɔrˈɔvaw sfˈɔjɔ̃ ɕmʲˈɛrtɕ, ʒˈɛbɨ uɲˈiknɔɲtɕ spwˈatɨ dwˈuɡu?|3
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_47.wav|ktˌurɛ na zmʲˈanɛ bˌɛndɔ̃ zˌajmɔvˈawɨ ɕɛ dʑˈɛtskʲɛm, ʒˈɛbɨ xalˈima mˈɔɡwa xˈɔdʑidʑ dɔ ʃkˈɔwɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_31.wav|kˈit, tsˈɔ ɲˈilɛ strˈaxan pɔvʲˈɛdʑaw f sprˈavʲɛ ˈɔsup, ktˌurɛ mˈɔɡwɨbˌɨ uzˈɨskadʑ dˈɔstɛmb dɔ jˈɛɡɔ ɕˈɛtɕi vˈifˈi?|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_3.wav|tɔ tˌɨlkɔ zwˈɨ sˈɛn.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_43.wav|mˈili krˈɛɲtɕi ɡwˈɔvɔ̃. ɔn tˈu ɲʲɛ fxˈɔdʑi. mˈa tˌɨlkɔ sprˈavdʑatɕ, tʃɨ fʃˈɨstkɔ zˈɛmnɔ̃ f pɔʒˈɔntku, kʲˈɛdɨ ˌɔna vɨjˈɛʒdʒa.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_304.wav|tˈak sˈamɔ jˈak ˈɔn.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_71.wav|mˈuvi vˌɨpluvˈajɔnts tɔ swˈɔvɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_26.wav|uɕˈadwam ˈu pɔdnˈuʒa vˈawu, ʒˈɛbɨ trˈɔxɛ ɔtpˈɔtʃɔɲtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_15.wav|jˈɛɕli mˈam tɔ zrˈɔbʲitɕ, mˈuʃɛ mʲˈɛtɕ jˈakɔ̃ɕ pʃɨkrˈɨfkɛ, vˌɨtwumatʃˈɛɲʲɛ, dlatʃˈɛɡɔ tˈu jˈɛstɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_15.wav|pʃɛmˈɨkam tɕˈixɔ dɔ prˈalɲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_107.wav|spɛtskˈɔvi ɲʲɛ bˌɨli ˌaɲi dɔbrˈɨmi, ˌaɲi zwˈɨmi lˈudʑmi, tˌɨlkɔ pɔ prˈɔstu lˈudʑmi, ktˌuʒɨ ʒˈɨli s pʲɛɲʲˈɛndʑɨ ɔd vwˈats stˈanu tˌɛnnɛssˈɛɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_28.wav|pˈan naprˈavdɛ pɔtrˈafi fʃˈɨstkɔː utrˈudɲitɕ, nˌadʲinspɛktˈɔʒɛ dɔˈuɡlas.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_374.wav|lˈɛtʃ uɡʲˈina ɕɛ tˌɨlkɔ pʃˈɛs mˈɔmɛnt, ˈabɨ pʃˈɨjɔɲtɕ tɕˈɛ̃ʒar jˈɛɡɔ tɕˈawa ɕˈiwɔ̃ sfˈɛɡɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_23.wav|kˈaʒdɨ mˈuɕaw pʃˈɛstɔ pʃˈɛjɕtɕ na vwˈasnɨɣ varˈuŋkax.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_165.wav|i kˈupitɕ tˈu mˈɔʒna bˌɨwɔ fʃˈɨstkɔ, tsˈɔ stfɔʒˈɨwɨ zamjˈɛʃxwɛ tsˌɨvilizˈatsjɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_478.wav|jˈaɡbɨ zˈɛ ʃlˈɔxɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_15.wav|pʲˌɛrdɔlˈɔna mˈɛrx pʃˌɨtakˈujɛ ˈɛlis.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_38.wav|mɛlˈara swɨʃˈawa, jˈaɡ dʑˈɛfki swuʒˈɛbnɛ ʃɛptˈawɨ mʲˌɛndʑɨ sˈɔbɔ̃, ʒˈɛ pɔtrˈafi ˌɔna ʒˈutɕitɕ klˈɔntfɛ, sprˈavitɕ, ʒˈɛ ktˈɔɕ ɕɛ zakˈɔxa.|1
+Dataset/wavs/urwisko_ferenc/01_segment_8.wav|tɨmtʃˈasɛm mˈawa ftɕˈɔ̃ʒ ʒˈɨwa.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_142.wav|ɲʲɛ mˈɔɡɛ vˈɨjʑdʑ za mˈɔ̃ʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_146.wav|zamknˈɛwam ˈɔbvut, pˌɔpɛɲdʑˈiwam dɔ drˈuɡʲɛj maʃˈɨnɨ i pˌɔftuʒˈɨwam tˈɛ sˈamɔ̃ ˌɔpɛrˈatsjɛ. prˈavʲɛ zdɔ̃ʒˈɨwam dˈɔbjɛdʑ dɔ sxrˈɔnu, kʲˈɛdɨ nastˈɔmpiw pʲˈɛrʃɨ vˈɨbux. prˈavʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_49.wav|ˌalɛ nˈajpʲɛrf muɕˈawam ɕɛ znˈalɛɕtɕ f pɔblˈiʒu mʲˈasta.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_187.wav|ɲʲˈɛvʲɛm, jˈaɡ dˈuʒɔ trˈɔnt pɔvʲˈɛdʑaw tɕi ɔ sfˈɔix ˌintɛrˈɛsax. bˈɨw ɔʃˈustɛm, vʲˈɛm ˈɔtɨm.|4
+Dataset/wavs/urwisko_ferenc/63_segment_84.wav|kɔmˈisaʒ zˌatɕɔŋɡnˈɛwa ɕɛ pˌapʲɛrˈɔsɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_304.wav|lˈubɨ|0
+Dataset/wavs/urwisko_ferenc/34_segment_35.wav|tʃˈɛɡɔ pˈaɲi ˈɔdɛ mɲʲɛ xtsˈɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_75.wav|ʒˈutɕiw kˈartkɛ zˈɛ sxɛmˈatɛm na blˈat.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_15.wav|tˈɛraz vˈidʑiʃ? zapˈɨtaw ˈandɛrsɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_97.wav|tɛ nˌatpɔbudlˈivɛ baxˈɔrɨ dɔswˈɔvɲʲɛ vwazˈiwɨ na ɕtɕˈanɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_86.wav|tˈɔm zˈɛrka na kˈartkɛ tʃɨmˈanɔ̃ w dwˈɔɲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_244.wav|naprˈavdɛ ˈaʃ tˈak tɕi zalˈɛʒɨ nˈatɨh pʲɛɲʲˈɔndʑax?|2
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_49.wav|tˈɨlɛr lˈitʃɨ ɕɛ z mɔˈimi ˌutʃutɕˈami, jɛzd vʲˈɛrnɨ i zalˈɛʒɨ mu nˈamɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_169.wav|sfˈɔjɛj ɕmʲˈɛrtɕi?|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_151.wav|nˈavɛt ɲʲɛ mˈawɔ prˌavdɔpɔdˈɔbnɛ, ˌalɛ vrˈɛndʒ vˌɨklutʃˈɔnɛ. tɕi mˈudʒɛ bˌɨli na mʲˈɛjstsu, tʃɛkˈali. dvˈa pikˈapɨ blˌɔkɔvˈawɨ ɡwˈuvnɔ̃ ulˈitsɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_226.wav|mˈɔʒɛ prɔvˈadʑiw, ˌalɛ tˈɛras jˈuʃ ˈu nˈas ɲʲɛ pratsˈujɛ. zˈɔstaw zvɔlɲʲˈɔnɨ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_98.wav|zdɛtsˈɨduj ɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_322.wav|vɨjˈɔntsɨ twˈum, kamjˈɛɲʲɛ, pʃɛklˈɛɲstfa?|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_74.wav|bʲˈillɨ zɔstˈavja ɛrtʃʲˈɛɡɔ na dˈɛstsɛ rɔzdʑˈɛltʃɛj i vɨɕˈada.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_117.wav|pˈɔtɛm vˌɨvɔwˈawam zvˈartɕɛ ˌakumˌulatˈɔra i pɔbjˈɛɡwam dɔ sxrˈɔnu.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_226.wav|jˈɛɕli mˈur tɕi ˌɔtpɔvʲˈada.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_41.wav|mˈɔɡwabˌɨ mʲˈɛtɕ nadʑˈɛjɛ na sˈuktsɛs, ɡdˈɨbɨ udˈawɔ ɕɛ jɛj pˌɔrɔzmˈavʲatɕ s ktˈurɔ̃ɕ na ˌɔsɔbnˈɔɕtɕi, lˈɛtʃ ˈɔbjɛ ɕˈɔstrɨ rˈazɛm bˌɨwɨ ɡwˈuxɛ jˈak ɕtɕˈana.|1
+Dataset/wavs/urwisko_ferenc/63_segment_71.wav|— ɲʲˈɛx ɕɛ pˈaɲi pʃɨpˈatʃɨ tˌɛmu zdjˈɛɲtɕu — pˌɔprɔɕˈiwa pˌɔlitsjˈantka, fskazˈujɔnts na fˌɔtɔɡrˈafjɛ ɔlɡʲˈɛrda dwˈɔɲʲɔ̃, f ktˌurɛj tʃɨmˈawa pˌapʲɛrˈɔsa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_181.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_530.wav|ˌalɛ ˌɔna mʲˈawa brɔ̃zˈɔvɛ vwˈɔsɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_18.wav|tsˈɔ, rˌɔzmavʲˈawɛɕ s ʃˈɛfɛm? zˌapɨtˈawa bˈɛtskɨ, a rˈɔp ɕɛ uɕmʲˈɛxnɔw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_131.wav|mˈɔʒɛ tɔ dˈɔbʒɛ, ʒˈɛ kˈula zɔstˈawa w ɕrˈɔtku, bˈɔ tamˈujɛ krfavʲˈɛɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_137.wav|ɡdˈɨ tsˌɨnamɔnˈɔvɨ vʲˈatr ɔpˈuɕtɕi stˈarɛ mʲˈastɔ, bˌɛɲdʑɛ mˈuɕaw znˈɔvu pʃɛpwˈɨnɔɲtɕ tɕɛɕɲˈinɨ rɛdvˈajnuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_89.wav|ɡdˈɨbɨ kɔɲʲˈɛtʃnɛ bˌɨwɔ zadˈaɲʲɛ jɛj jakʲˈɛɡɔʑ dˌɔdatkɔvˈɛɡɔ pɨtˈaɲʲa. kˈit, dʑvˈɔɲ dɔ dˌɨrɛktˈɔra ɛksˈɔtɛx.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_8.wav|mʲˈaw ɕˈilnɨ ˈuɕtɕisk, ɲʲˌɛbɔlˈɛɕɲʲɛ mˈɔtsnɨ, ˌalɛ rˈuvɲʲɛʃ ɲʲˈɛswabˌɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_5.wav|mɔʒˈɛmɨ vrˈutɕitɕ tˈu pˈuʑɲʲɛj?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_35.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_195.wav|maˈɛstɛr tɔ ɲʲɛ ˈimjɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_43.wav|mˈɨɕlɛ, ʒˈɛ tɔ tˌɨlkɔ kfˈɛstja sɛmˈantɨkˌi, pˈaɲʲɛ strˈakan.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_175.wav|jˈak mʲˈawabˌɨm zapʃˈɛtʃɨtɕ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_38.wav|pˈɨtam pɔ rˈas tʃˈɛtɕi i ɔstˈatɲi. dlatʃˈɛɡɔ vˈɛʃwaɕ na mˈɔjɔ̃ ɲʲˌɛruxˈɔmɔɕtɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_35.wav|mˈɔɡlibˌɨɕmɨ pɔ prˈɔstu lˈatatɕ na kɕˈɛ̃ʒɨts tˈam i s pɔvrˈɔtɛm, ɡdˈɨbɨ stˈaw w mʲˈɛjstsu.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_208.wav|bˌɛndɛ ˌudavˈawa, ʒˈɛ ɲʲɛ fspɔmɲʲˈawɛɕ ɔ lvˈax.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_153.wav|tʃɨ pˈaɲi jɛst swɔvʲˈaŋkɔ̃? ɲʲɛ, jˌɛstɛm litfˈiŋkɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_88.wav|ɡˈarstka mʲɛʃkˈaɲtsuf ˌɔtsalˈawa i ˌɔpɔvʲɛdʑˈawa ɔ fʃˈɨstkim. dʑɛftʃˈɨna, ktˌurɔ̃ zɡvˈawtɕiw...|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_183.wav|ʃukˈawɛm tɕˈɛ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_394.wav|xˈɔdʑ zɔstˈawɨ z ɲʲˈɛɡɔ tˌɨlkɔ kˈɔɕtɕi i stʃˈɛmpɨ fˈutra na fpˈuw zˌaɡʒɛbˈanɛ f pʲˈasku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_70.wav|pˌɔstukˈawɛm w laptˈɔpa, kturˌɛɡɔ nˈadal tʃɨmˈawa na kɔlˈanax.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_46.wav|ɲʲˈɛmɲʲɛj jˈɛdnak mˈɔdlɛ ɕɛ, bˈɨ pˈɔttʃas prɔtsˈɛsu mˈɔja dˈɔbra tsˈurka dɔvʲˈɔdwa sfˈɛj ɲʲˌɛvinnˈɔɕtɕi.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_286.wav|tɨ i tfˈɔi pʃˌɨjatɕˈɛlɛ dˌɔpuɕtɕˈiliɕtɕˌɛ ɕɛ zdrˈadɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_5.wav|tˈɔm skˈinɔw ɡwˈɔvɔ̃, a bˈɛtskɨ pˌɔpravˈiwa ɕɛ na ɕɛdʑˈɛɲʲu pˌasaʒˈɛra, ʒˈɛbɨ na ɲʲˈɛɡɔ pˈatʃɛtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_202.wav|mˈɔtsnɔ ɕtɕˈiska dwˈɔɲ bʲillʲˈɛɡɔ, pɔ tʃɨm rˈuʃa w ɡwˈɔmp kˌɔrɨtˈaʒa ʃtˈutʃɲʲɛ rˈaʑnɨm krˈɔkʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_20.wav|zˈɔstaf ɛdmˈura mɲʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_20.wav|jˈakiɕ mˈawɨ tʃwˈɔvʲɛk, kturˌɛmu ˈɔtʃɨ vˌɨskakivˈawɨ s fɕtɕɛkwˈɔɕtɕi. pʃˌɛtɕɛʃ muɕˈitɕɛ mʲˈɛtɕ xˈɨba zˌapisˈanɛ f kɕˈɔ̃ʃkax tɔː i ˈɔvɔ.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_499.wav|ˌalɛ pʃˌɛtɕɛʃ ɲʲˈɛmam dˈɔmu, jˈuʃ ɲˈiɡdɨ ɲʲɛ vrˈutsɛ dɔ ɲʲˈɛɡɔ na zˈafʃɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_43.wav|zˈaɲim jˈɛdnaɡ zˌaiɲitsjˈujɛ tsˈɔɕ, tsˈɔ mˈɔʒɛ ɔkˈazatɕ ɕɛ trˈudnɛ dɔ zˌatʃɨmˈaɲʲa, muɕˈawam ɕɛ dɔvʲˈɛdʑɛtɕ, tʃɨ mˌajɔ̃ jˈakiɕ prˈɔblɛm, s ktˌurɨm mˈɔɡɛ im pˈɔmuts.|3
+Dataset/wavs/urwisko_ferenc/43_segment_12.wav|pʃˌɛtɕɛʃ f pˈɔlstsɛ mˈatka ɲʲˈɛma prˈava zapˈɔmɲʲɛtɕ ɔ sfˈɔim dʑˈɛtsku. mˈa bˈɨdʑ z ɲˈim zwɔntʃˈɔna dɔ ɕmʲˈɛrtɕi ɲʲˌɛvidʑˈalnɔ̃ pˌɛmpɔvˈinɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_34.wav|ɲʲˈɛvʲɛm, jˈak nˈaɲʲɛ ˌɔtpɔvʲˈɛdʑɛtɕ i ɲʲɛ rɔzˈumjɛm, jˈakʲɛ tɔ mˈa znatʃˈɛɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_54.wav|ɡʲˈildja ˌɛksplɔratˈɔruf jɛzd bˈardʑɛj xˌɛrmɛtˈɨtʃna ɔt sˈɛktɨ, ˌalɛ tˈɛras, kʲˈɛdɨ vʲˈɛdʑɔ̃, ʒˈɛ ɕɛ ʃkˈɔlɛ, ʒˈɛbɨ zˈɔstatɕ jˈɛdnɔ̃ z ɲˈix, zˌatʃɨnˈajɔ̃ pˈatʃɛtɕ nˈamɲʲɛ pʃɨxˈɨlnɨm ˈɔkʲɛm.|4
+Dataset/wavs/urwisko_ferenc/52_segment_69.wav|— fpˈat pˈan pɔ drˈɔdʑɛ dɔ ɕɛdʑˈibɨ sfˈɔjɛj fˈirmɨ tˈu f tɔrˈuɲʲu? — ɲʲɛ, ɲʲɛ bˌɨwɔ tˈakʲɛj kˌɔɲʲɛtʃnˈɔɕtɕi. pˈɔza tɨm ɲʲɛ xtɕˈawɛm ɕɛ spˈuʑɲitɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_373.wav|ɲˈim fprɔvˈadʑi ɕɛ tˈam kɔbjˈɛtɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_128.wav|xˈɔdʑi ɔ tˈakɔ̃ pʃˈɨjaɕɲ s pʃˌɨvilɛjˈami?|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_113.wav|brˈat nˈarbɛrd vˈɛstxnɔw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_40.wav|ˌɔtpɔvʲˈɛdʑaw jɛj, ʒˈɛ w ɔɡˈulɛ ɲitʃˈɛɡɔ ɲʲɛ zrˌɔzumjˈawa. tɔ jˈɔ̃ zraɲˈiwɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_158.wav|f kʃˈakax fɔrsˈɨtsji.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_232.wav|tʃɨ udˈawɔ ɕɛ pˈɔjmatɕ tɕˈɛmnɔ̃ ɡvʲˈazdɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_116.wav|zˈaɲim ɕɛ rɔzbjˈɛra, zˈɛrka na tɛlˈɛfɔn i vˈidʑi ˌɛsˌɛmˈɛsa ɔt sfɔjˈɛɡɔ nɔvˈɛɡɔː aɡˈɛnta.|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_22.wav|ɲʲɛ mʲˈawam najmɲʲˈɛjʃɛj ɔxˈɔtɨ vdˈɨxatɕ tˌɛɡɔ pˈɨwu. ɲʲɛ, dʑˈɛŋki, mˈɔjɛ pwˈutsa dʑawˈajɔ̃ znˈatʃɲʲɛ lˈɛpʲɛj, ɡdˈɨ tɛ zabˈujtʃɛ kɔltʃˈastɛ drɔbʲˈiŋki ɲʲɛ rˌɔzdʑɛrˈajɔ̃ ix na stʃˈɛmpɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_10.wav|sˈandɨ uɕˈadwa i vbʲˈiwa spɔjʒˈɛɲʲɛ w mɔɲˈitɔr.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_108.wav|i pʃɛvrˈutɕiw ɡˈɔ.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_279.wav|xtɕˈaw, ʒˈɛbɨɕmˌɨ vɨswˈali dɔ ɲʲˈɛj mˌaɛstˈɛra, ktˌurɨ bˌɛɲdʑɛ jɛj dɔrˈadʑaw, xrˈɔɲiw jˈɔ̃ i pʃɨvʲˈɛdʑɛ jˈɔ̃ bɛspʲˈɛtʃɲʲɛ dɔ dˈɔmu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_312.wav|tɕˈɛ̃ʃki pˈɔʃum ʃˈɛd z ɡˈɛ̃stɨx kˈɔrɔn tɨx nˈaɡʲix jˈɛʃtʃɛ dʒˈɛf.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_332.wav|umˈarwa tʃɨ ɔdˈɛʃwa z ˈinnɨm?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_64.wav|pʃˈɛɲʲuz vzrˈɔk s tˈɔma na bˈɛki i s pɔvrˈɔtɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_43.wav|mˈɔʒɛ w ɕrˈɔtku ɲʲɛ bˌɛɲdʑɛ ˈaʃ tˈak ˌɔtpɨxajˈɔntsɔ?|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_383.wav|sˈɔndʑɛ, ʒˈɛ vˈaʃa mˈiwɔʑdʑ vʲˈɛ.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_173.wav|tʃtɛrnˈaɕtɕɛ, pˈaɲi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_169.wav|a pˈɔtɛm ˈɔbjɛ bɛɲdʑˌɛmɨ mˈɔɡwɨ stˈɔnt ˈɔdɛjɕtɕ.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_138.wav|dvˈux ɔbdˈartɨɣ vrˈubli ɡwɔɕˈiwɔ kazˈaɲʲɛ kilkˈusɛt prɔstˈatʃkɔm, ˌɔbjɛtsˈujɔndʑ zɡˈubɛ bˌɛzbɔʒɲˈikɔm i tʃtɕitɕˈɛlɔm dɛmˈɔnuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_112.wav|mˈuj tɛlˈɛfɔn jɛzd bɛspʲˈɛtʃnɨ, mˈuvi f kˈɔɲtsu, a tfˈuj?|2
+Dataset/wavs/urwisko_ferenc/37_segment_28.wav|— a z ɲʲˈɔ̃ tˈɛʃ tˈak tsˈawɛ dɲʲˈɛ miltʃˈɨtɕɛ? tʃɨ jˈɛdnak ɕɛ dˌɔɡadujˈɛtɕɛ, rˌɔzmavʲˈatɕɛ zˈɛ sˈɔbɔ̃, tsˈɔ, ˈɔluɕ?|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_119.wav|ˈusta mu zadrʒˈawɨ. ɲʲˌɛnavˈidʑɛ tɨx ɕmʲɛrdʑˈɔntsɨx mˈuf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_85.wav|jˈɛɕli ɔn sˈam ɲʲɛ pɔtrˈafi nˈavɛt pɔʒˈɔndɲʲɛ pˌɔtkɔwˈɔvatɕ pɔd ʒˈuwtɔ̃ lˈiɲʲɛ ʃkˈɔlnɨm stˈarɨm sˌamɔlˈɔtɛm, ktˌurɨ ɲʲɛ jɛzd vˈard vʲˈɛntsɛj ɲˈiʃ ʃˈɛɕtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_9.wav|ɲʲɛ mˈɔɡɛ uvʲˈɛʒɨtɕ, ʒˈɛ dɔmˈiɲiɡ bˈɨw ˌarçitˈɛktɛm tˌɛɡɔ fʃɨstkʲˈɛɡɔ, tsˈɔ vˌɨdaʒˈɨwɔ ɕɛ f tɕˈɔŋɡu mˌiɲʲɔnˈɛɡɔ tɨɡˈɔdɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_76.wav|pamjˈɛnta zˈapax spˌalɔnˈɛɡɔ tsˈukru, pamjˈɛnta dˈɨm, sɔntʃˈɔntsɨ ɕɛ s pʲˌɛkarɲˈika, pamjˈɛnta rˈɨsɛ z bˈɔku kuxˈɛŋki i kfʲˈatɨ f kˈupku dɔ xɛrbˈatɨ na stˈɔlɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_98.wav|zvˈɨklɛ tsˈɛntrum pˌɔttʃɨmɨvˈaɲʲa ʒˈɨtɕa vˌɨpɔmpɔvˈujɛ pɔvʲˈɛtʃɛ z ɔbjˈɛɡu, ʒˈɛbɨ vɨrˈuvnatɕ tɕiɕɲʲˈɛɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_41.wav|z ilˈɔma z ɲˈix ˌɔptsɔvˈawɛɕ tɕɛlˈɛɕɲʲɛ?|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_72.wav|pˌɔvʲɛɕˈiliɕmˌɨ jˈuʒ dʑɛɕˈɔntki baɲˈituf, ˌalɛ pʃɨvˈuttsɨ nˈadal nˈam ɕɛ vˌɨmɨkˈajɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_109.wav|ˌalɛ f trˈaktɕɛ prɔtsˈɛsu ɲikˈɔla mˈuɕi bˈɨtɕ tsˌawkɔvˈitɕɛ skˌɔntsɛntrɔvˈana na sfˈɔjɛj ɔdnˈɔvʲɛ, ɲʲɛ na kaprˈɨsaɣ dʑˈɛtska.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_289.wav|tʃɛrvˈɔnɛ vˈinɔ pɔmˈaɡa mu na travʲˈɛɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_119.wav|pɔtʃˈuwam, jˈaɡ vˈɨbux fstʃˈɔ̃snɔw pɔdwˈɔʒɛm i spʲˈɛwam ɕɛ w ˌɔtʃɛkivˈaɲʲu na dˈɛʒdʒ ɡrˈɔzɨ. ɲʲɛ vʲɛdʑˈawam, tʃɨ mˈɔja ɔswˈɔna jɛzd vˌɨstartʃajˈɔntsɔ ɡrˈuba.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_181.wav|vzrˈuʃɨw rˌamjɔnˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_49.wav|tʃɛkˈawam vʲˈɛnts na kɔlˈɛjnɛ, ˌɔtʃɨvˈistɛ znˈaki muvʲˈɔntsɛ ˈɔtɨm, ʒˈɛ rˈɔɕɲʲɛ w ɲʲˈɛj dʑˈɛtskɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_148.wav|ʒˈɛ nˌalɛʒˈawabˌɨ ɕɛ jˈakaɕ rˌɛkɔmpɛnsˈata.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_248.wav|ˌalɛ jˈɛɕli ɕtɕˈiɡa tɕˈɛ mʲˈɛjstsɛ, dɛvˈɛin...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_32.wav|— tˈak, ˌalɛ dlatʃˈɛɡɔ tˈaɡ bˈardʑɔ zalˈɛʒɨ tɕi na dˌɔvʲɛdʑˈɛɲʲu ɕɛ, ktˈɔ tɔ zrˈɔbʲiw?|4
+Dataset/wavs/urwisko_ferenc/06_segment_24.wav|kˈarɔl xudʑˈiɲski|0
+Dataset/wavs/urwisko_ferenc/45_segment_19.wav|ˌalɛ z ˈaɕkɔ̃ bˌɨwɔː inˈatʃɛj.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_345.wav|pʃˈɛs mʲˈastɔː ˌɛskɔrtɔvˈawɔ ɡˈɔ ʃˈɛɕtɕu sˈɨnuv vˌɔjɔvɲˈika.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_131.wav|tsˈɔ mˈɔɡɛ dla tɕˈɛbjɛ zrˈɔbʲitɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_111.wav|ɔɕˈadwɔ ɡˈɔ vʲˈɛntsɛj ɲˈiʃ na pˌɔzɔstˈawɨx.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_82.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_131.wav|ˌalɛ ʒˈɛbɨ ˌalumˈiɲʲum? tɔ znˈatʃɨ, tʃɨ tɔ ɲʲɛ bˌɛɲdʑɛ ftˈɔpa?|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_29.wav|surfˈiŋɡu ɲʲɛ bˈɨwɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_104.wav|ˌɔdruxˈɔvɔː ujˈɔwɛm jˈɔ̃ za rˈɛŋkɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_104.wav|ɔt jˈɛɡɔː ˌɔkulˈaruf ɔdbʲˈija ɕɛ ɕfʲˈatwɔ.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_81.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_82.wav|dˈalɛ pˈɔdaw mi tˈɔrbɛ, a kʲˈɛdɨ xtɕˈawam jˈɔ̃ vʑˈɔɲtɕ, pʃɨtʃˈɨmaw pˈasɛk.|4
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+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_122.wav|ɲʲɛ, xˈɨba ɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_142.wav|pɔtɕˈɔŋɡa za spˈust.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_207.wav|tˈɨ, ˈandɛrsɔn, xˈɔtɕ. bɛɲdʑˌɛmɨ pʃˌɨjatɕˈuwmi.|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_16.wav|bˈɔ mˌamɨ prˈɔblɛm.|4
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_55.wav|ˌatraktsɨjnˈɛɡɔ, ktˈɔ pˈujdʑɛ z ɲˈimi na kɔlˈatsjɛ, dɔ tɛˈatru tʃɨ na imprˈɛzɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_65.wav|a na pˈɛvnɔ ɲʲɛ zaʃkˈɔdʑi.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_419.wav|jˈak mavʲˈali lˈudʑɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_91.wav|vbʲˈijam w ɲʲˈɔ̃ spɔjʒˈɛɲʲɛ. ɔ tʃɨm ˌɔna mˈuvi?|3
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+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_296.wav|pʃɨznˈajɛ, ʒˈɛ mˈam dɔ ɲˈix swˈabɔɕtɕ.|1
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_6.wav|muɕˈawam uvˈaʒatɕ nˈatɔ, jˈak pˈatʃɛ na ɲʲˈɛɡɔ f trˈaktɕɛ pɔɕˈiwkuf, ʒˈɛbɨ ɲˈikt ɲʲɛ zˌauvˈaʒɨw mɔjˈɛɡɔ bwˌaɡalnˈɛɡɔ spɔjʒˈɛɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_79.wav|ˌupravʲˈamɨ tˈu ˈalɡʲi f spɛtsjˈalnɨɣ zbjɔrɲˈikax, bˈɔ jɛdʑˈɛɲʲɛ sprˌɔvadʑˈanɛ z ʑˈɛmi jɛzd zbˈɨd drˈɔɡʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_119.wav|jˈuʃ pˌɔvʲɛdʑˈawam, ɲʲɛ jˌɛstɛm ɡɔtˈɔva zˈɔstatɕ prˌɔstɨtˈutkɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_25.wav|xtsˈɛʃ ɕɛ zˈɛmnɔ̃ tarɡˈɔvatɕ?|1
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+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_84.wav|pɔtxˈɔdʑi dɔː ˈɔkna pˌɛrɨskˈɔpu i ɔdɡˈarɲʲa zaswˈɔnɛ.|2
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+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_160.wav|ˌɔdɛzvˈawam ɕɛ vrˈɛʃtɕɛ.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_108.wav|skinˈɛwam jˈɛdnaɡ ɡwˈɔvɔ̃, bˈɔjɔnts ɕɛ dɔvʲˈɛdʑɛtɕ tʃˈɛɡɔɕ, tʃɨm ɲʲɛ bˌɛndɛ ɕɛ mˈɔɡwa pɔdʑˈɛlitɕ.|3
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+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_58.wav|naprˈavdɛ kˈavaw dˈɔbrɛj rɔbˈɔtɨ.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_12.wav|ˌɔkazˈawɨbˌɨ pˈɛvɲʲɛ sfˈɔjɔ̃ swˈabɔɕtɕ.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_300.wav|i jˈak ɲʲˌɛbɛspʲˈɛtʃɲʲɛ blˈiski jɛst xɔrˈɨzɔnt, za ktˌurɨm ʑˈɛmʲa spˈada strˈɔmɔ kˈu ˈɔptsɨm krˈajɔm.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_21.wav|ˌalɛ sɔ̃ ʒˈɛtʃɨ, ktˌurɛ mˈɔɡɛ zrˈɔbʲitɕ, ʒˈɛbɨ zapˈɛvɲitɕ sɛnˈɔvi w mʲˈarɛ nɔrmˈalnɛ ʒˈɨtɕɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_31.wav|xˈɔdʑmɨ na ɡˈurɛ.|4
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+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_308.wav|mˈɔʒɛ i brˌakɔvˈawɔː im urˈɔdɨ, ˌalɛ bˌɨwɨ dˈɔbrɛ dla tsˈat.|1
+Dataset/wavs/urwisko_ferenc/28_segment_38.wav|vˈaltɛr pˌɔtɕɔŋɡnˈɛwa wˈɨk kˈavɨ. ɡwˈatkɔ pʃˈɛʃwɨ na tˈɨ. pˈɔza tɨm maʃ ɕˈilnɔ̃ vˈɔlɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_172.wav|fˈɔss spˈɔjʒaw na jˌamjɛsˈɔna, a jˈamisɔn pɔtfʲˈɛrdʑiw. zˌawatfˈimɨ tɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_364.wav|ja mˈam rɛtsˈɛptɛ? zdʑˈiviw ɕɛ prɛzˈɨdɛnt.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_236.wav|ɲʲˈɛmɨɕl ˈɔtɨm, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_104.wav|sˈandɔr kliɡˈɛim bˈɨw ˌudrɛntʃˈɔnɔ̃ dˈuʃɔ̃, a rˈɔrɣ bˈɛstjɔ̃ w lˈutskʲɛj skˈuʒɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_179.wav|ˈalbɔ zɔstˈaɲʲɛ stratsˈɔnɨ w rˈɔsji.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_83.wav|ʒˈɛbɨ ˌulɔkˈɔvatɕ mɲʲɛ tˈam, skˈɔnt ˌɔstatˈɛtʃɲʲɛ mʲˈawbɨm ˈɔddatɕ stʃˈaw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_37.wav|lˈutsɨ ɲʲɛ pˌɔvʲɛdʑˈawɛm, ʒˈɛ na pˈɛvnɔ tˌɛmu zarˈadʑɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_119.wav|ɔtpˈarwa dˈɔn, mˈarʃtʃɔnts tʃˈɔwɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_149.wav|ɲʲɛ vˈidʑi ɲikˈɔɡɔ znˌajɔmˈɛɡɔ, ɲˈikt ɲʲɛ zvrˈatsa na ɲʲˈɛɡɔː uvˈaɡʲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_32.wav|ˌɔdɛpxnˈɛwa mˈɔjɛ rˈɛntsɛ.|4
+Dataset/wavs/urwisko_ferenc/02_segment_97.wav|pɔswˈuxaj mɲʲɛ uvˈaʒɲʲɛ, bˈɔ mˌamɨ pʃˌɛjɛbˈanɛ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_339.wav|tʃasˈami zˈaɕ pɔzvˈalaw, ʒˈɛbɨ ˌɔpadˈawɨ mu dɔ rˈamjɔn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_146.wav|ftˈɛdɨ bˈɨwbɨ rˈuvɲʲɛ zwˈɨm tʃwɔvʲˈɛkʲɛm jˈak jˈɔɛl ˈallɛn z bˈɔks lˈaz vˈɛɡas tʃɨ tsˈarl trˈilbɨ, ktˌurɨ filmˈɔvaw fatsˈɛtuf rˌuxajˈɔntsɨɣ dʑˈɛtɕi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_84.wav|tɔ jɛst ta ruʒɲˈitsa mʲˌɛndʑɨ nˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_74.wav|ja jɛʑdʑˈiwam dɔ bjˈura fˈirmɨ kurjˈɛrskʲɛj pɔ pʃɛsˈɨwki dla rˈama.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_192.wav|tˈak pɔvʲˈɛdʑaw xwˈɔpʲɛts.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_138.wav|fʃˈɨstkɔ pɔt kɔntrˈɔlɔ̃, fʃˈɨstkɔ pɔt kɔntrˈɔlɔ̃, pʃˌɨjatɕˈɛlu. xtsˈɛʒ ɡˈɔ tˈɛras tʃɨ ɲʲɛ?|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_146.wav|brjˈɛnnɛ pʃˌɨpɔmɲʲˈawa sˈɔbjɛ jˈɛɡɔ tɕˈɛ̃ʒar.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_141.wav|ɲʲɛ vʲɛdʑˈawam tˈak naprˈavdɛ, tʃˈɛɡɔː ˌɔtʃɛkˈivatɕ, ˌalɛ xˈɨba mʲˈawam ɲʲɛvʲˈɛlkɔ̃ nadʑˈɛjɛ, ʒˈɛ tˈata utɕˈɛkɲʲɛ zˈɛmnɔ̃, ʒˈɛ ɡdʑˈɛɕ ɕɛ zˌatʃɨmˈamɨ, a pˈɔtɛm vrˈutɕi pɔ mˈamɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_120.wav|tˈɔm zˈɛrknɔw w jɛj strˈɔnɛ. ɲʲˈɛxtɕaw pʃɛɡˈapitɕ ɲitʃˈɛɡɔ, tsˈɔ zɔstˈaɲʲɛ pˌɔvʲɛdʑˈanɛ f trˈaktɕɛ pʃˌɛswuxˈaɲʲa, ˌalɛ bˈɛtskɨ mʲˈawa dʑˈivnɔ̃ mˈinɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_51.wav|ˈɛlis xfˈɨta jˈɛɡɔ rˈɛŋkɛ bˈɛz ʒadnˈɛɡɔ skrˌɛmpɔvˈaɲʲa i kɔwˈɨʃɛ ɲʲˈɔ̃, kʲˈɛdɨ ˈidɔ̃ s pɔvrˈɔtɛm dɔ pˈitskˈupa.|2
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_41.wav|jˈak tɔ spravdʑˈajɔ̃? zˌapɨtˈawam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_97.wav|vɨɕlˈijtɕɛ dɔ nˈas ˌɛsˌɛmˈɛs s xˈaswɛm stsˈɔtt.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_40.wav|sprˈavdʑiw ˌutʃɛsˈaɲʲɛ na bˈɔkaɣ ɡwˈɔvɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_31.wav|pamjˈɛntaʃ sfˈuj pʲˈɛrʃɨ dʑˈɛɲ f ʃkˈɔlɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_331.wav|a tfˈuj pɔtˈɛntsjaw jɛst ɔkrˈutɲʲɛ ɲʲˌɛdɔtsɛɲʲˈɔnɨ.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_123.wav|pˈɔdritsk ftɕˈɔŋɡnɔw ɡvawtˈɔvɲʲɛ pɔvʲˈɛtʃɛ. kˈɔɲ ɔdɡrˈɨzu tɕi ˈuxɔ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_64.wav|ɲʲɛ pʃˈɛjmuj ɕɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_283.wav|ɲˈibɨ tɕˈɛmnɛ dʒˈɛvɔ.|0
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+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_204.wav|jˌɛstɛʑ ɡwˈɔdnɨ, pˈaɲʲɛ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_35.wav|ɔtfʲˈɛram pɔspʲˈɛʃɲʲɛ vʲadˈɔmɔɕtɕ.|3
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+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_69.wav|ɲʲɛ tʃˈɛkaw tˈu nˈamɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_4.wav|vˌɨrɛɡˌulɔvˈawam prɔpˈɔrtsjɛ mʲɛʃˈaŋki, ʒˈɛbɨ uzˈɨskadʑ dwˈuɡʲi pwˈɔmjɛɲ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_30.wav|zupˈɛwɲʲɛ ɲʲˌɛɕfʲadˈɔmjɛ dɔtɕˈɛram pʃɛd dʒvˈi frɔntˈɔvɛ ˌapartˌamɛntˈɔftsa i bɔlˈɛɕɲʲɛ zdˈɛʒam ɕɛ z ʒˌɛtʃɨvistˈɔɕtɕɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_143.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_17.wav|tʃˈujɛ ˈutɕisk f pʲˈɛrɕi i unˈɔʃɛ dwˈɔɲ, bˈɨ ɔdɡˈarnɔɲdʑ vwˈɔsɨ z rˌɔspalɔnˈɛɡɔ tʃˈɔwa.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_431.wav|ɡdˈɨ krˈakɛn pɔɕlˈubʲi smɔtʃˈɨtsɛ, brˈatɕɛ, na tsˈawɨ ɕfʲˈat pˈadɲʲɛ trfˈɔɡa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_330.wav|ˌalɛ ɡdʑˈɛ ɲʲɛ ɕfʲˈɛtɕi jˈuʃ ˌaɲi jˈɛdna ɡvʲˈazda?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_10.wav|tˌɨlkɔ ɲʲɛ ftsˈalɛ im bwˈaɡam.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_283.wav|tɔː ˈɛstɛr.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_91.wav|pʃɛsˈuva dwˈɔɲ dɔː ˈust i pɔsˈɨwa mi buʑˈaka.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_68.wav|a na ɲʲɛvʲˈɛlkim balkˈɔɲʲɛ ɲʲɛ spˈɔsub bˌɨwɔ znˈalɛɕtɕ ˈulɡʲi ɔt tˌɛmpɛratˈurɨ.|3
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+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_3.wav|ɔstˈatɲi ˈɛtap rˈɛjsu bˈɨw najbˈardʑɛj ɲʲˌɛbɛspʲˈɛtʃnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_39.wav|tʃɨ mˈɔʒna tɔ nˈazvatɕ irˈɔɲʲɔ̃ lˈɔsu? bʲˈillɨ ɲʲˈɛvʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_139.wav|pˈɛvnɨɣ ʒˈɛtʃɨ ɲʲɛ dˈa ɕɛ vɨtʃˈɨɕtɕitɕ.|4
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+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_140.wav|ɲʲɛ mˈɔɡɛ pʃˈɛstatɕ mˈɨɕlɛtɕ ˈɔtɨm tfˈɔim ɔxˈɨdnɨm wˈuʃku, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/urwisko_ferenc/27_segment_21.wav|tˈak swɨʃˈawam.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_174.wav|tˈu jɛst tsˈɔɕ, tʃˈɛɡɔ ɲʲɛ rɔzˈumjɛm.|0
+Dataset/wavs/urwisko_ferenc/65_segment_172.wav|tˈak jˈak mˈɔɲitsˌɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_24.wav|vˈɛʃwam krˈutkɔ pɔ tˈɔbjɛ.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_121.wav|mˈɨɕlɛ, ʒˈɛ mˈuɕiʒ vɨjˈɛxadʑ z mʲˈasta.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_9.wav|ˌalɛ jˌɛstɛɕ strˈatnɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_152.wav|pratsˈujɔ̃ nˈattɨm dʒˈɛvɛm, mˈikɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_69.wav|vˈidʑi bjawˈɛɡɔ mɛ̃ʃtʃˈɨznɛ w wˈadnɛj kɔʃˈuli, z vˌɨkwadˈanɨm kɔwɲʲˈɛʒɛm i ˌɛlɛɡˈantskix spˈɔdɲʲax.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_31.wav|mˈɔʒɛʒ vʑˈɔɲtɕ mˈuj pˈɔrtfɛl? dˈuʒɔ w ɲˈim ɲʲˈɛma, ˌalɛ trˈip tʃˈɨma dvʲˈɛ stˈuvɨ f sfˈɔjɛj sɨpʲˈalɲi w ɡˈurnɛj ʃuflˈadʑɛ bjˈurka. vˈɛɕ jˈɛ sˈɔbjɛ i zˈɔstaf mɲʲɛ f spɔkˈɔju.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_131.wav|pˈɔtɛm ˈidʑɛ na ɡˈurɛ i pɔdlˈɛva ʑɛlˈistkɛ i ɲʲɛtɕˈɛrpka bˈɛtx jˈɛnsɛn.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_211.wav|ɲʲɛ rɔzˈumjɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_412.wav|kʲˈɛdɨ ja ɲʲˈɛmam tʃˈasu, twˌumatʃˈɨwɛm ɕɛ ɲʲɛpˈɛvɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_70.wav|dˈɔbrɨ tʃwˈɔvʲɛk tˈak ɲʲɛ pˌɔstɛmpˈujɛ.|2
+Dataset/wavs/urwisko_ferenc/19_segment_90.wav|tfˈaʃ sˈɔlskʲɛj pɔnˈɔvɲʲɛ rɔzjˈaɕɲiw ˈuɕmʲɛx.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_353.wav|ˈadmʲur tˈalli|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_425.wav|ɲʲˈɛvʲɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_215.wav|dˈalɛ ʒˈutɕiw mi mˈuj kˌɔmbʲinˈɛzɔn.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_92.wav|nazvˈawɛm ɡˈɔ bˌɔxatˈɛrɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_202.wav|ˌuɕmʲɛxnˈɛwa ɕɛ z jˈɛʃtʃɛ ˌintɛnsɨvɲʲˈɛjʃɔ̃ swɔdˈɨtʃɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_48.wav|a pˈan tsˈɔ, ʃɛfˈuɲʲu? pˈɨta rɛvˈɛlɛrz bʲillʲˈɛɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_23.wav|jˈakʲɛʑ dvʲˈɛ kɔbjˈɛtɨ xtsˈɔ̃ ɕɛ s tˈɔbɔ̃ vˈidʑɛtɕ, ˈanɔ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_437.wav|za dwˈuɡɔ jˈuʃ tʃɛkˈaliɕmˌɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_302.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_167.wav|i ˌɔblatˈujɔnts jˈɛ vidʑˈɛli ruʒˈɔvɨ rˈɛŋkaf tarɡˈanɨ pˌɔrɨvˈistɨm vʲˈatrɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_140.wav|pˈawza. swˈuxam?|2
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_71.wav|pʃɛprˈaʃam, pɔvʲˈɛdʑaw vzdɨxˈajɔnts tɕˈɛ̃ʃkɔ. tˈak strˈaʃɲʲɛ mi pʃˈɨkrɔ. ɲʲɛ xtɕˈawɛm, ʒˈɛbɨ dɔ tˌɛɡɔ dˈɔʃwɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_251.wav|nˈɔ dˈɔbra, pˈaɲʲɛ lˌɛvɔrˈɛntʃnɨ, mruknˈɛwam dɔ ɕˈɛbjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_97.wav|klˈutʃ jɛst pˈɔtɔ, ʒˈɛbɨɕ mˈuɡw ɡˈɔ zamˈɨkatɕ f pʲˈɔntki, kʲˈɛdɨ pʃɨxˈɔdʑi ɛkˈipa spʃˌɔntajˈɔntsa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_97.wav|pʃˌɛjɛdʑˈɛmɨ ɕɛ?|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_147.wav|pʃˌɨɡɲʲatajˈɔntsɛ jɛj pʲˈɛrɕ f kɔlˈanɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_22.wav|tɔ tsˈɔlin fçˈitɛ. ɲʲˈɛzwɨ mˈɔdɲiɕ, tsˈɔ? ɡˈɛj pˈɛwnɔ̃ ɡˈɛmbɔ̃. radˈɔsnɨ jˈak ɲʲɛdʑˈɛlnɛ pˌɔpɔwˈudɲʲɛ f parˈɨʒu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_4.wav|dʑɛŋkˈujɛ mu. rɔzwˈɔntʃam ɕɛ i ʃˈɨpkim krˈɔkʲɛm dɔxˈɔdʑɛ dɔ dˈɔmu ˌɔpʲɛkˈuŋki dɔ dʑˈɛtska, pʃˌɨɡɔtɔvˈafʃɨ sˈɔbjɛ vɨmˈufkɛ dˌɔtɨtʃˈɔntsɔ̃ xɔrˈɛɡɔ tʃwˈɔŋka rɔdʑˈinɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_35.wav|skˈɔrɔ z ɲˈitʃɨm ɕɛ ɲʲɛ vʲˈɔ̃ʒɛ, tɔ dlatʃˈɛɡɔ ɲʲɛ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_17.wav|ˈidʑɛ dɔ kˈuxɲi i pɔ xfˈili rɔzlˈɛɡa ɕɛ ɲʲˌɛmɔʒlˈivɛ dɔ pˌɔmɨlˈɛɲʲa s tʃɨmkˈɔlvʲɛk ˈinnɨm pˌɔbʒɛŋkivˈaɲʲɛ ʃkwˈa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_102.wav|bʲˈillɨ ˈidʑɛ spˌɔkɔjɲʲˈɛjʃɨm tˈɛmpɛm s fˈɨllis. jɛst suptˈɛlɲʲɛ ˌatraktsˈɨjnɔ̃ kɔbjˈɛtɔ̃, bˈardʑɛj stɔkrˈɔtkɔ̃ ɲˈiʃ pivˈɔɲʲɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_403.wav|i bˌɛɲdʑɛ pɔ kwɔpˈɔtɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_466.wav|strˈaʃɲʲɛ jɛzd ʒɛɡlˈɔvadʑ vˈɔkuw valˈɛrji.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_104.wav|fstɨdʑˈiwam ɕɛ vˈɨznatɕ, tsˈɔ naprˈavdɛ xtɕˈawabˌɨm rˈɔbʲitɕ, ˌalɛ ˈidɛ ɔ zˈakwat, ʒˈɛ ɕɛ dɔmˈɨɕlaʃ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_223.wav|vɨtʃˈɨmaʃ tˈɨlɛ, ɛlˈisɛ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_11.wav|bˌɨwam dʑɛftʃˈɨnɔ̃, ktˌura ɲʲɛ znɔɕˈiwa jˌakixkˈɔlvʲɛk tɕfˈitʃɛɲ i zˈafʃɛ mʲˈawa ɲʲɛvʲˈɛlkʲɛ ʃˈansɛ nˈatɔ, bˈɨ bˈɨtɕ ʃtʃˈupwɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_143.wav|ˈɔkɛj, tʃˈɨli zakwˈadam, ʒˈɛ ˈawta ɲʲɛ fxˈɔdʑɔ̃ tˈu w ɡrˈɛ, ˌalɛ tɔ pˌɔtɛntsjˈalnɨ pˈɛ...|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_71.wav|vˈidʑaw na vwˈasnɛ ˈɔtʃɨ vʲˈɛntsɛj çistˈɔrji ɲˈiʃ artsɨmaˈɛstɛr pɛrˈɛstan w ʒˈɨtɕu ɕɛ naˈutʃɨw.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_49.wav|ɔbˈavʲam ɕɛ, ʒˈɛ jˌɛmu i jˈɛɡɔ lˈɔrdɔm mˈɔʒɛ bˈɨtɕ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_116.wav|tɕi lˈudʑɛ tˈutaj...|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_421.wav|bˈul ɔɡˈarɲʲaw ɡˈɔ jˈak pwˈɔmjɛɲ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_168.wav|bʲˈili kˈiva ɡwˈɔvɔ̃, jˈaɡbɨ ɲʲˈɛmukw ɕɛ dɔtʃˈɛkatɕ, kʲˈɛdɨ zɔbˈatʃɨ ɡrˈupɛ aktˈɔruf f kɔstjˈumax sˌupɛrbˌɔxatˈɛruf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_36.wav|bˈutskɨ ˌɔtpɔvʲˈada, ʒˈɛ zˈaraz za tɨlnˈɨmi dʒvʲˈami zatʃˈɨna ɕɛ ɕtɕˈɛʃka prˌɔvadʑˈɔntsa w ɡwˈɔmp lˈasu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_39.wav|znˈuv vzrˈuʃa rˌamjɔnˈami.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_92.wav|sxˈɔdʑɛ na pˈartɛr i ɲʲˌɛzawvaʒˈɔna vɨmˈɨkam ɕɛ pʃˈɛz dʒvˈi frɔntˈɔvɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_6.wav|pɔvˈinnam ɔttʃˈuvatɕ ˈulɡɛ, jˈɛdnak straʃlˈivɛ vˌɨdaʒˈɛɲʲa ɔstˈatɲʲɛj dˈɔbɨ i strˈɛz zvʲɔ̃zˈanɨ s pˌɔpʃɛdɲˈimi dɲʲˈami dˈawɨ mi ɕɛ vɛ znˈaki i mˈiɲʲɛ trˈɔxɛ tʃˈasu, zˈaɲim dˈɔjdɛ dɔ ɕˈɛbjɛ.|3
+Dataset/wavs/urwisko_ferenc/10_segment_63.wav|xˈɔtɕaʃ na xfˈilɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_24.wav|ˌalɛ pʃɨɡlˈɔnda ɕɛ bˌudɨŋkˈɔvi s faxˈɔvɨm zˌaintˌɛrɛsɔvˈaɲʲɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_148.wav|uɲʲˈɔswam ɡwˈɔvɛ i ʒutɕˈiwam mu pˌɨtajˈɔntsɛ spɔjʒˈɛɲʲɛ. ɔ tsˈɔ mu xɔdʑˈiwɔ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_107.wav|tɔ dlatˈɛɡɔ, ʒˈɛ pˈan krˈɛɲtɕi prˈɔp lˈɛvɔ̃ rˈɛŋkɔ̃, pɔvʲˈɛdʑaw pˈilɔt. ɲʲɛ!|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_34.wav|pˈɨta bʲillʲˈɛɡɔ, dˈɔkɔnt ɕɛ tˈɛraz vɨbjˈɛra.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_67.wav|tsˈɔ tˈam dla ɲˈiɣ zɔstˈawɔ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_163.wav|dɔ vˌartɔɕtɕɔvˈaɲʲa ʃˈɛptʃɛ i vrˈatsa dɔ laptˈɔpa.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_155.wav|mˈɔʒɛʃ nˈaz zɔstˈavitɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_83.wav|zapˈɛvnɛ mwˈɔda kɔbjˈɛta.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_299.wav|mɛrˈibald bˈɨw sɛptˈɔnɛm bˈɛs sˈɛptu, stɔjˈɔntsɨm f xjɛrˈarhji vʲˈarɨ tˌɨlkɔ jˈɛdɛn stˈɔpʲɛɲ vˈɨʒɛj ɔd brˈatɕi ʒɛbʒˈɔntsɨx.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_45.wav|— pʃˌɛtɕɛʃ tɔ bˈɨw çˈiŋk, a ɲʲɛ jˈap — pɔvʲˈɛdʑaw ktˈɔɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_74.wav|ɲitʃˈɛɡɔ ɲʲɛ rɔzˈumjɛm.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_265.wav|spɛwɲʲˈɛɲʲa tˌɛɡɔː ˌɔbɔvʲˈɔ̃sku ʒˈɔnda ɔt nˈaz ʒˈɛka w zˈamjan za fʃˈɨstkʲɛ sfˈɔjɛ dˈarɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_142.wav|pɔ tʃˈɨm, jˈaɡbɨ ˌupʃɛdʑˈajɔnts spʃˈɛtɕiv bʲilˈɛɡɔ, dɔdˈajɛ.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_61.wav|pˌɔvʲɛdʑˈawɛɕ maˈɛstɛr ˈɛmɔn?|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_258.wav|mˈɔʒɛ zjˈɛdlibˌɨɕmɨ f trˈujkɛ lˈantʃ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_157.wav|mˈuɡwbɨ sprubˈɔvadʑ vˈɛjʑdʑ z jˈɛdnɨm z lˌɔkatˈɔruf. mˈuɡwbɨ pˈan z wˈaski sfˈɔjɛj pʃɨtʃˈɨmadʑ dʒvˈi, dʑɛŋkˈujɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_30.wav|zˈɛspuw utfˈɔʒɨw krˈɔŋk, pʃˌɨtɕɔŋɡˈajɔnts sˈɔbjɛ kʃˈɛswa lˈup ɕadˈajɔnts na bjˈurkax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_147.wav|bʲˈillɨ tɕɛrplˈivʲɛ znˈɔɕi tɛn ˈuɕtɕisk i ˈɔdur z ˈust xˈɔffa, nˈavɛt sˈam lˈɛkkɔː ˌɔbɛjmˈujɛ ɡˈɔ rˌamjɔnˈami.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_70.wav|nˈatɔ pɨtˈaɲʲɛ ɲʲɛ znˈawam ˌɔtpɔvʲˈɛdʑi.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_253.wav|ˈɔbɨ jˈɛɡɔ pˌanɔvˈaɲʲɛ trfˈawɔ dwˈuɡɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_21.wav|dˈɔbrɛ vɨɲˈiki w nˈawtsɛ tɔ dˌɔskɔnˈawɨ spˈɔsup, ʒˈɛbɨ pʃˈɨɲʲɛɕtɕ xlˈubɛ rɔdʑˈitsɔm.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_135.wav|ˌalɛ ja ɲʲɛ ʃˈukam ˌinvɛstˈɔruf.|4
+Dataset/wavs/urwisko_ferenc/24_segment_71.wav|tsˈukru tˈɛʃ ɲʲɛ bˈɨwɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_131.wav|ɔn jɛst tʃwɔvʲˈɛkʲɛm stˈarɛj dˈatɨ. ˌɔna pɔ prˈɔstu tɔ stˈara, zvˈɨkwa swuʒˈɔntsa, ktˌurɛj kazˈali mʲˈɛtɕ ˈɔkɔ na vjˈazd dla swˈuʒbɨ f tʃˈaɕɛ, kʲˈɛdɨ bˌɛndɔ̃ ɔɡlˈɔndatɕ mˈɛtʃ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_35.wav|bʲˈillɨ vzrˈuʃa rˌamjɔnˈami, ˌalɛ ɲʲɛ mˈɔʒɛ pɔfstʃˈɨmatɕ uɕmʲˈɛxu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_67.wav|na pɔdwˈɔɡɛ, mˈark. tɨ tˈɛʃ, rˈɛɡɡʲɛ. bʒˈuxɛm w dˈuw. rɔzwˈuʃtɕɛ rˈɛntsɛ i nˈɔɡʲi, jaɡbˈɨɕtɕɛ rɔbʲˈili ˈɔrwɨ w ɕɲʲˈɛɡu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_16.wav|spˈuɕtɕiw ɡwˈɔvɛ jˈɛʃtʃɛ ɲˈiʒɛj.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_18.wav|vrˈutɕ tˈɛraz dɔ kˈuxɲi lˈutsɨ. pˌɔrɔzmˈavʲaj z ɲˈim i ˈɛmmɔ̃. pˈɔznaj ɡˈɔː ˌɔdrɔbʲˈinɛ. pˌɔrɔzmavʲˈamɨ pˈuʑɲʲɛj, kʲˈɛdɨ jˈuʒ vˈɨjdɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_156.wav|ɲˈits s tˌɛɡɔ ɲʲɛ bˈɛɲdʑɛ, mˈɨɕli.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_49.wav|tˈɔm pˈɔtʃuw, ʒˈɛ sɔ̃ tsˈɔraz blˈiʒɛj suktsˈɛsu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_5.wav|lˈɛʒɔnts na wˈuʃku, ɲʲˌɛustˈanɲʲɛ rˌɔzmɨɕlˈawam nat swɔvˈami arˈama.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_66.wav|tˈak w ɔɡˈulɛ tɔ jˈak tɕi na ˈimjɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_31.wav|ɲʲɛ pɔtrˈafjɛ sˈɔbjɛ nˈavɛd vˌɨɔbrˈazitɕ, tsˈɔ tʃˈujɛ tˈɛras mˈɔja tsurˈɛtʃka.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_197.wav|z zˈɛvnɔndʒ vɨɡlˈɔnda tɔː ɔ vʲˈɛlɛ lˈɛpʲɛj.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_52.wav|jˈamɛ zˌastanˈavʲaw ɕɛ, tʃɨ brjˈɛnnɛ pʃˌɛjɛʒdʒˈawa tˈɛndɨ pʃˈɛdɲim.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_288.wav|skʃˌɨʒɔvˈawam ramjˈɔna na pʲˈɛrɕi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_317.wav|ˌalɛ tˈɛras, kʲˈɛdɨ stˈali f tɕˈɛɲʲu bjˈawɔʑˌɛlɔnˈɛɡɔ dʒˈɛva,|0
+Dataset/wavs/urwisko_ferenc/33_segment_65.wav|mˈa dɔpʲˈɛrɔ ʃɛsnˈaɕtɕɛ lˈat. ɲʲɛ pˈɨtam ɔ vʲˈɛku, ˈumjɛ tʃɨ ɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_293.wav|— swˈuxaj, tɔ jˈakʲɛɕ ʃalˈɛɲstfɔ. tˈɔnɨ prubˈɔvaw ˈuɲʲɛɕtɕ ɕɛ na wˈɔktɕax.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_16.wav|bˈɛs swˈɔva fskazˈujɛ kɔbjˈɛtɕɛ i dˌɛtɛktɨvˈɔvi drˈɔɡɛ dɔ salˈɔnu.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_124.wav|ˌɛkstsɨtˈatsja turˈɨstuf ˌɔɕɔŋɡnˈɛwa jˈɛʃtʃɛ vˈɨʃʃɨ pˈɔʑɔm. fʃˈɨstsɨ mʲˌɛli uɕmʲˈɛxɨ na tfˈaʒax i rˌɔzmavʲˈali z ˌɔʒɨvʲˈɛɲʲɛm.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_253.wav|pˌɔzvɔlˈiwɛm sˈɔbjɛ zastˈɔmpitɕ ɕɛ ʃklanˈɨmi, ˌalɛ ɲʲˌɛvwaɕtɕivˈɛɡɔ kɔlˈɔru, jˈaɡ zˌauvaʒˈɨwaɕ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_369.wav|kʲˈɛdɨ pˈatʃɨw, jˈaɡ vnɛntʃnˈɔɕtɕi vˌɨɕlizɡˈujɔ̃ mu ɕɛ mʲˌɛndʑɨ paltsˈami, pɔvʲˈɛdʑaw...|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_137.wav|ɡlˈiɲʲaʃ skʲɛrˈɔvaw vzrˈɔk f strˈɔnɛ tsˈɛli.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_46.wav|ɔbˈavʲam ɕɛ, ʒˈɛ mˌamɨ zɛznˈaɲʲa dvˈuɣ zupˈɛwɲʲɛ ɲʲˌɛzalˈɛʒnɨx ɕfʲˈatkuf. musˈimɨ tɔ zˈatɛm pˌɔtraktˈɔvatɕ s tsˈawɔ̃ pɔvˈaɡɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_263.wav|uɕˈadwam na pɔdwˈɔdʑɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_120.wav|pɔtʃˈɛkaj, tsˈɔʑ znalˈazwɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_151.wav|tsˈɔɕ ɕɛ kˌɔmplikˈujɛ. ˈɔx!|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_160.wav|sˈanxɛs spʲˌɔrunɔvˈawa mɲʲɛ vzrˈɔkʲɛm.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_334.wav|ksxˈɔndɔ tɔ vˈidʑaw. za dˈuʒɔ pluskˈaɲʲa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_76.wav|jˈutrɔ, w zasˈadʑɛ jˈuʒ dʑˈiɕ, pɔstˈaram ɕɛ vrˈutɕitɕ ftʃˈɛɕɲʲɛj i ˌuɡɔtˈujɛ tsˈɔʑ dla nˈas, kʲˈɛdɨ pˌɔwɔʒˈɨmɨ bˌailɛjˈɛɡɔ i xˈɔllɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_59.wav|sˈɛrtsɛ i dˈuʃa prˈaɡnɔ̃ jˈɛɡɔ pʃˌɛbatʃˈɛɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_294.wav|ruʃˈajɔ̃ w dˈalʃɔ̃ drˈɔɡɛ. jɛst pʲˈɛŋknɨ dʑˈɛɲ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_39.wav|kʲˈɛdɨ ɕɛ rˌɔzwɔntʃˈɨwa, tˈɔm spˈɔjʒaw nˈaɲʲɔ̃ uvˈaʒɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_130.wav|ˌalɛ tˈamtɛn ja zˈastɨɡw w jˈakimʑ zmartfʲˈɛɲʲu ˈalbɔ pʃɛtʃˈutɕu.|0
+Dataset/wavs/urwisko_ferenc/11_segment_60.wav|ɲʲɛ jɛst tˈak.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_276.wav|ɲʲɛ ˌɔdvaʒˈɨwɛm ɕɛ na tˈɛ ˌɔstatˈɛtʃnɔɕtɕ, ktˌura jˈuʒ vˈɛmɲʲɛ rˈɔswa, xutʃˈawa f skrˈɔɲʲax.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_8.wav|ɲʲɛstˈɛtɨ, bjɛdˈatʃɛk ɲʲˈɛmʲaw panˈɛli swɔnˈɛtʃnɨx.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_73.wav|pˈɛvɲʲɛ tɔː ɔstˈatɲʲɛ swˈɔva, jˈakʲɛ ˌuswɨʃˈawaɕ, zˈaɲim stratɕˈiwaɕ pʃɨtˈɔmnɔɕtɕ, ɲʲɛ tˌɨlkɔ pɔt fpwˈɨvɛm tˈɛɡɔ, tsˈɔ tɕi vʒˈutɕiw dɔ drˈiŋka, ˌalɛ i dlatˈɛɡɔ, ʒˈɛ tɕˈɛ dˈuɕiw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_40.wav|vˈidʑɔnts jɛj zˌaɲʲɛpˌɔkɔjˈɔnɔ̃ mˈinɛ, dɔdˈajɛ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_173.wav|ɡˈarin, drˈɛj i tsˌɛntkɔvˈana sˈɨlva bˌɨli jɛj pʃˌɨjatɕˈuwmi z dʑɛtɕˈiɲstfa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_26.wav|pˈɔtɛm ɡˈɔː ˌɔxʃaɲˈiwa i zˌapɨtˈawa, jˈaki w ɔɡˈulɛ jɛzd z ɲʲˈɛɡɔ pɔʒˈɨtɛk.|2
+Dataset/wavs/urwisko_ferenc/47_segment_22.wav|stˈalɛ tˈɛʃ rɔbʲˈiwa kɔrˈɛktɨ f pʃˌɛkɔnˈaɲʲax mˈarji, za tsˈɔ pˌɔlitsjˈantka bˌɨwa jɛj vdʑˈɛntʃna.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_16.wav|pɔ kˈilku dɲʲˈax ˌamɛrɨkˈaɲʲɛ dˌɔmaɡˈajɔ̃ ɕɛ pˈitsɨ, frantsˈuʑi vˈina, a jˌapɔɲtʃˈɨtsɨ rˈɨʒu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_35.wav|kˌɔwɨsˈawam sˈɨna jˈɛʃtʃɛ pʃˈɛs kˈilka mˈinut, pɔ tʃɨm pɔvˈɔli ɡˈɔː ˌuwɔʒˈɨwam.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_94.wav|bˌɨwa spˌaralˌiʒɔvˈana pɔ vɨpˈatku sˌamɔxɔdˈɔvɨm, f ktˌurɨm zɡʲinˈɛwa jɛj mˈatka.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_33.wav|pˈujdʑɛ tɔ na pˈaɲskʲɛ sumjˈɛɲʲɛ, ʒˈɛkwɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_240.wav|bˈɨw zˌadɔvɔlˈɔnɨ, bˈɔ ɲˈikt ɲʲɛ wˈamaw zakˈazuf, ˌaɲi ɲʲɛ narˈaʒaw ɕɛ na ɲʲˌɛbɛspʲɛtʃˈɛɲstfɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_233.wav|i f pˈɛvnɨx mɔmˈɛntaɣ zdavˈawɔ mi ɕɛ, ʒˈɛ tɔː ˈɔna.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_72.wav|tˈɔm ˌɔpɔvʲˈɛdʑaw jɛj ɔ fʃˈɨstkim, tsˈɔ plˌanɔvˈali, vwˈɔntʃɲʲɛ z alˈɛrtɛm pˌɔwɔntʃˈɔnɨm z ˌɔpublˌikɔvˈaɲʲɛm zdjˈɛɲtɕa dʑˈɛtska.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_147.wav|vzruʃˈɨwa rˌamjɔnˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_214.wav|tɔ bˌɨwɔ mrˈɔtʃnɛ i ɲʲˌɛpɔkɔjˈɔntsɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_91.wav|prɔvˈadʑi mɲʲɛ dɔː ˈawta i kˈilka mˈinut pˈuʑɲʲɛj jˌɛstɛm jˈuʒ vˈɔlna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_32.wav|pˌɔvʲɛdʑˈawɛm, ʒˈɛ ɲˈits takʲˈɛɡɔ ɲʲˈɛma.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_30.wav|kwˈamjɛʃ f sprˈavʲɛ tɛj vʲˌadɔmˈɔɕtɕi i lˈɛpʲɛj pˈɔvʲɛts mi prˈavdɛ, zˈaɲim skˌɔntaktˈujɛ ɕɛ s pɔlˈitsjɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_55.wav|tɔ tfˈuj ˈɔjtɕɛts jɛst tɛn vʲˈɛlki rˈɨan? ɔd bˈaŋkrutstf?|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_248.wav|i tˌɨlkɔː ˈɛstɛr tɔ vʲɛdʑˈawa. i ftˈɛdɨ ɔn znˈuv zɲˈiknɔw. i ˌɔna znˈuf pˈɔʃwa dɔ jakʲˈɛɡɔʑ dɔktˈɔra.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_19.wav|bˌɛɲdʑɛʃ mi prˈaviw kazˈaɲʲa?|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_320.wav|tˈɔpur w jˈɛɡɔ rˈɛŋkax s kˈaʒdɔ̃ xfˈilɔ̃ stˈavaw ɕɛ tɕˈɛ̃ʃʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_42.wav|jˈɛɕli dˈɔbʒɛ pamjˈɛntam lˈɛktsjɛ çistˈɔrji.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_99.wav|ɔn nˈas ˌɔpsɛrvˈɔvaw i vʲˈɛm, ʒˈɛ stanˈɔvi zˌaɡrɔʒˈɛɲʲɛ dla mˈɔiɣ dʑˈɛtɕi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_180.wav|ˌalɛ ɲʲˈɛmam tʃˈasu dwˈuʒɛj jɛj pʃˌɛkɔnˈɨvatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_16.wav|jɛst prˈavʲɛ pˈɛvʲɛn, ʒˈɛ ɲʲˈɛma ɲikˈɔɡɔ. ɡdˈɨbɨ ktˈɔʑ bˈɨw, rˈɨki tˌɛɡɔ ɡwˈɔmba rˈaz dvˈa bˈɨ ɡˈɔ tˈutaj ɕtɕɔŋɡnˈɛwɨ. ɲʲɛ! ɔ jˈɛzu, mˈɔjɛ ˈɔtʃɨ pˈalɔ̃!|2
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_47.wav|takʲˈɛɡɔ ʒˈɨtɕa prˈaɡnɛ ˈaʃ. na tˈakʲɛ ʒˈɨtɕɛ zˌaswuɡˈujɛ. mˈɔʒɛ bˌɛɲdʑɛ tˈɛʃ tʃˈas na vwˈasnɛ dʑˈɛtskɔ, tfˈɔjɛ i mˈɔjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_232.wav|ˈalbɔ zatʃɲʲˈɛmɨ dʑˈawatɕ, ˈalbɔ pˌɔzvɔlˈimɨ, ʒˈɛbɨ pʃˈɛs nastˈɛmpnɛ pˌɔkɔlˈɛɲʲa pˌanɔʃˈɨwa ɕɛ tˈu mˈafja. tɕi lˈudʑɛ spalˈili fabrˈɨkɛ ʃkwˈa i zˌamɔrdɔvˈali dvʲˈɛ ɔsˈɔbɨ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_287.wav|pˈilnɛ vʲˈɛɕtɕi.|1
+Dataset/wavs/urwisko_ferenc/14_segment_77.wav|mˈɔʒɛʃ jˈaɕɲʲɛj?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_314.wav|ɲʲˌɛzapɔmɲʲˈanɔ̃ pʲˈɛrɕ, tsˈɔ xɨlˈiwa ɕɛ ˈufɲʲɛ kˈu mɲʲɛ, ˌɔʃalawˈɛmu z ɛmˈɔtsji ˌalkɔxˈɔlu i zwˈɨx pʃˈɛtʃutɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_275.wav|za pɔmˈɔtsɔ̃ tˌɛɡɔː ustrˈɔjstfa pˌɔwɔntʃˈɨwam bjˈɛɡun dɔdˈatɲi i ujˈɛmnɨ ɡwˈuvnɛj lˈiɲʲi zˌaɕilˈaɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_237.wav|pɔvʲˈɛki mi ˌɔpadˈawɨ. pɔdwˈɔɡa vɨstˈartʃɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_73.wav|ˈɛliz z uɕmʲˈɛxɛm splˈata sfˈuj mˈawɨ pˈalɛdʑ z jˈɛɡɔ vwˈasnɨm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_14.wav|luˈisa ɕɛdʑˈawa na bujˈanɨm fɔtˈɛlu, ɡdʑˈɛ kˌɔwɨsˈawa ɕpʲɔntsˈɛɡɔ xarˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_407.wav|pˌɔviɲʲˈɛnɛm kˈazadʑ vˈɨtɕɔɲtɕ jɛ̃zˈɨki fʃˈɨstkim sfˈɔim pʃˌɨjatɕˈɔwɔm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_105.wav|pˈɔvʲɛm tɨm ɔt ˈaktsji dˌɔbrɔtʃˈɨnnɛj, ʒˈɛ jˈɛ zɡubʲˈiwam, ɲʲɛ uvʲˈɛʒɔ̃ mi. pɔmˈɨɕlɔ̃, ʒˈɛ...|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_160.wav|ɲʲɛ fpˈadnɔ̃ tˈu i ɲʲɛ zˈatʃnɔ̃ ɕɛ z nˈami napˈaʒatɕ. pɔ prˈɔstu ɔpstˈavjɔ̃ xˈutɛ, ʒˈɛbɨ ɲʲɛ strˈatɕitɕ kɔntrˈaktu na dɔstˈavɛ tlˈɛnu, ktˌurɨ zapˈɛvɲʲa im darmˈɔvɨ prˈɔnt.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_121.wav|ɲʲɛ rˌɔspalˈili ɔɡɲˈiska. brjˈɛnnɛ vɨswˈawa xwɔpˈaka na bʒˈɛk pɔ trˈɔxɛ vˌɨʒutsɔnˈɛɡɔ pʃˈɛs fˈalɛ drˈɛvna, ˌalɛ xwˈɔpaɡ vrˈutɕiw s pustˈɨmi rɛŋkˈami.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_167.wav|ʑˈimnɛ, ɡvawtˈɔvnɛ i pʃˌɛɲikajˈɔntsɛ ˈaʒ dɔ kˈɔɕtɕi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_84.wav|ˌɔdruxˈɔvɔ ɕˈadwɛm na bʒˈɛɡu taptʃˈana, ɲˈitʃɨm mˌuzuwmˈaɲski pˈɔntɲiɡ w vʲˈɛjskim mɛtʃˈɛtɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_173.wav|ɡdˈɨ sprubˈɔvaw pˈɔdatɕ jˈɔ̃ brjˈɛnnɛ,|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_206.wav|mˈuʃɔ̃ zapwˈatɕidʑ za vˌɨʒɔndʑˈɔnɔ̃ tɕi kʃˈɨvdɛ, ˌalɛ tɔ ɲʲɛ jɛdˈɨnɨ pˈɔvut.|2
+Dataset/wavs/urwisko_ferenc/19_segment_83.wav|tˈaɡ zrˈɔbjɛ. xˈɛrman vˈɨʃwa na kɔrˈɨtaʃ i pʃˌɨvɔwˈawa vˈindɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_44.wav|najvʲˈɛŋkʃɨ ɲʲɛpˈɔkuj vzbˈudʑaw w ɲʲˈɛj dˈɔm pɔ drˈuɡʲɛj strˈɔɲʲɛ ulˈitsɨ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_306.wav|tɔ bˌɨwɨ dˈɔbrɛ zˈɛmbɨ.|1
+Dataset/wavs/urwisko_ferenc/10_segment_57.wav|zvʲˈɛɕiw stˈɔpɨ i mˈaxaw ɲˈimi nat pɔdwˈɔɡɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_70.wav|ɔstrˈɔʒɲʲɛ ɔtfʲˈɛram dʒvˈi stˈɔpɔ̃.|3
+Dataset/wavs/urwisko_ferenc/13_segment_7.wav|bɔrˈɛvitʃ ɔtxʃˈɔŋknɔw, pɔ tʃɨm ɔdwˈɔʒɨw ɡazˈɛtɛ na bˈɔk tˈam, ɡdʑˈɛ lɛʒˈawa ftʃˈɛɕɲʲɛj pʃɨ ˈinnɨɣ dˌɔkumˈɛntax.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_25.wav|brakˈujɛ mi tˈɛssɨ. xˈɔtɕ mˈɔɡwabˌɨm ɕɛ z ɲʲˈɔ̃ zɔbˈatʃɨtɕ, ɡdˈɨbɨm tˌɨlkɔ zɛxtɕˈawa, ftɕˈɔ̃ʃ pamjˈɛntam ɔ jɛj kwˈamstfax.|4
+Dataset/wavs/urwisko_ferenc/50_segment_3.wav|ɡdˈɨ zˈamknɔw dˈɔm, pˈɔtʃɛd dɔ lɛɡnˈɛra, ktˌurɨ pʃˈɛs tɛn tʃˈas ˌɔpʃɨtˈɔmɲʲaw i drˈɛptaw rˌɔstʃɛɲɕˈɔnɨ vzdwˈuʃ pɔdjˈazdu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_83.wav|kʲˈɛdɨ zatʃˈɛwɔ tɕˈɛ bˈɔlɛtɕ? dʑˈiɕ rˈanɔ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_103.wav|pʃˌɛtɕɛʃ ja tɕi jˈɔ̃ zabrˈawɛm, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_68.wav|tˈɔm ɕɛ rɔzwˈɔntʃɨw i ˈɔpad na ɕɛdʑˈɛɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_9.wav|zˌapwatɕˈiwa za dvʲˈɛ dˈɔbɨ, ˌalɛ ˌulɔtɲˈiwa ɕɛ nˌastɛmpnˈɛɡɔ dɲʲˈa nat rˈanɛm. ɲʲɛ vʲˈɛdʑɔ̃ nˈavɛt, tʃɨ faktˈɨtʃɲʲɛ zˌatʃɨmˈawa ɕɛ na nˈɔts.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_25.wav|mˈawɛ, ˌuʒɔndʑˈɔnɛ pɔ spartˈaɲsku bjˈurɔ vˌɨɡlɔndˈawɔ tˈak jˈaɡ zˈafʃɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_52.wav|f xˌaraktˈɛʒɛ tsɨklˈistɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_111.wav|mˈartfi mɲʲɛ tɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_142.wav|ɔn ɲʲɛ vʲˈɛʒɨ w ˌɔddavˈaɲʲɛ tʃtɕˈi jˌakʲɛmukˈɔlvʲɛɡ bˈɔɡu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_270.wav|pɔ tsˈɔ tɔ mˈuviʃ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_133.wav|dlatʃˈɛɡɔ vrutɕˈiwaɕ, dʲˈidʲi?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_151.wav|s pɛvnˈɔɕtɕɔ̃ zamjˈɛʒaw ukˈaratɕ lˈiɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_84.wav|tʃɨ tsamˈɛrɔn ʒˈɨjɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_182.wav|pɔ pʲˈɛrʃɛ bzdˈura ɔtpˈarwam, pɔ drˈuɡʲɛ tɔ ja ɡˈɔ zwapˈawam, a ɲʲɛ tˈɨ, a pˈɔza tˈɨm...|4
+Dataset/wavs/urwisko_ferenc/25_segment_85.wav|pʃɨmknˈɛwa ˈɔtʃɨ i skʲˌɛrɔvˈawa strˈumjɛɲ vˈɔdɨ na stfardɲʲˈawɛ sˈutki, a pˈɔtɛm ɔpˈarwa ɕɛ plɛtsˈami ɔ ɕtɕˈanɛ.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_58.wav|ˌalɛ jˈɛdɛn z dvˈuɣ vˈɔʑnɨɣ zˌatrudɲʲˈɔnɨɣ w budˈɨŋku frˌɔtɛrˈujɛ pɔdwˈɔɡɛ xˈɔlu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_108.wav|vʲɛdʑˈawam ˈɔtɨm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_95.wav|ɲʲˈɛvʲɛm, jˈakɔ̃ zrɔbʲˈiwɛm mˈinɛ, ˌalɛ ˌuɕmʲɛxnˈɛwa ɕɛ na jɛj vˈidɔk.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_54.wav|alˈain ɲʲɛ vʲɛdʑˈawa, tsˈɔ nˈatɔ pɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_93.wav|vʲɛdʑˈawam ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ jˈɛɕli dɔmˈiɲik mˈa stˈatɕ ɕɛ tʃˈɛɲɕtɕɔ̃ mɔjˈɛɡɔ ʒˈɨtɕa na stˈawɛ, prˈɛndʑɛj tʃɨ pˈuʑɲʲɛj bˌɛndɛ muɕˈawa mu ɔ tʃˈɨmɕ pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_49.wav|a vʲˈɛnts rɔzmˈɔva ɲitʃˈɛɡɔ ɲʲɛ vɲʲˈɔswa.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_189.wav|ɲʲˈɛmal zˈafʃɛ sɔ̃ ɲˈiskɔː ˌurɔdʑˈɛɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_213.wav|bʲˈillɨ mˈuvi jɛj ɔ jɛnsˈɛnax i ix lˌuksusˈɔvɨm rˈɛjɕɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_22.wav|zˌapɨtˈawa. nˈatɔ vɨɡlˈɔnda. mˈarta vʲˈɛ ɔ fʃˈɨstkim, tsˈɔ ɕɛ dʑˈɛjɛ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_164.wav|a w jˈaki spˈɔsup mˈɔɡwabˌɨm utʃˈɨɲidʑ ɡˈɔ dɔjʒˈalʃɨm?|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_441.wav|tɛn stfˈur vˈɨʒar tɕi pˈuw pɔlˈitʃka.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_48.wav|znˈuv bˈɨw tɔ ɲʲɛznˈanɨ nˈumɛr i zawˈɔʒɨw, ʒˈɛ tɔ dʒˈɛɡ dɔ ɲʲˈɛɡɔ dʑvˈɔɲi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_59.wav|ɲʲˈɛdam mu tɛj sˌatɨsfˈaktsji i ɲʲɛ pɔkˈaʒɛ, jˈak ɕɛ zˌawamˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_141.wav|ɲʲˈɛvʲɛm, dlatʃˈɛɡɔ vbʲˈiwaɕ sˈɔbjɛ dɔ ɡwˈɔvɨ, ʒˈɛ stsˈɔdd ʒˈɨjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_47.wav|pɔtrˈafi bˈɨtɕ tsˈawkʲɛm xˈɔjnɨ dla lˈudʑi, ktˌurɨx lˈubʲi. jˈɛɡɔː ˈɔjtɕɛts mˈa kˈasɨ w brˈut, a tsamˈɛrɔn tʃasˈami pɔʒˈɨtʃa pʲɛɲʲˈɔndʑɛ znajˈɔmɨm.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_214.wav|zˌabɛmbɲˈiwam paltsˈami dwˈɔɲi spˌɔtʃɨvajˈɔntsɛj na ˈudʑɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_94.wav|f kˈɔɲtsu dˈɔstʃɛɡw mɲʲɛ skulˈɔnɔ̃ f kˈɔɲtɕɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_60.wav|xˈɔtɕ swɨʃˈawa, ʒˈɛ tˈamta kɔbjˈɛta mʲˈɛʃka sˈama, ɲʲɛ mʲˈawa vˌɔntplivˈɔɕtɕi, ʒ��ɛ f sɨpʲˈalɲi pʃɛbˈɨva mɛ̃ʃtʃˈɨzna.|4
+Dataset/wavs/urwisko_ferenc/49_segment_72.wav|pɔ tʃɨm ˌɔdwɔʒˈɨwa kɔmˈurkɛ.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_27.wav|brjˈɛnnɛ ɲʲɛ mʲˈawa innˈɛɡɔ vɨbˈɔru, jˈak udˈavatɕ, ʒˈɛ ix ɲʲɛ vˈidʑi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_76.wav|mˈɔʒɛ jˈakiʑ bjˈɛdnɨ fˈatsɛt spˈɔjʒaw na ɲʲˈɛɡɔ kʃˈɨvɔː i pʃɨpwˈatɕiw tɔ ʒˈɨtɕɛm? mˈɔʒɛ ktˈɔʑ bˈɨw ɕfʲˈatkʲɛm nˈaʃɛj rɔzmˈɔvɨ?|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_61.wav|dlatˈɛɡɔ dʒˈɛjms lanɲˈistɛr mˈuɕaw pɔ drˈɔdʑɛ dɔ rivˈɛrun zˌaprɔvˈadʑitɕ pɔʒˈɔndɛk f xarˈɛnxal.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_189.wav|kʲˈɛdɨ ˌɔbudʑˈiwam ɕɛ rˈanɔ, bɔlˈawɨ mɲʲɛ plˈɛtsɨ, a w zɡʲˈɛntɨx nˈɔɡax tʃˈuwam skˈurtʃɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_143.wav|a ja ɲʲɛ rɔzˈumjɛm, dlatʃˈɛɡɔ tˈak rˌɛaɡˈujɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_210.wav|xˈɔdʑɛ tsˈawɛ ʒˈɨtɕɛ tˌɨmi samˈɨmi ˌulitsˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_159.wav|zˈafʃɛ xɔdʑˈiwɔː ɔ pʲɛɲʲˈɔndʑɛ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_100.wav|prɔvˈadʑiw kˈɔɲʲa dʑɛftʃˈɨnɨ mʲˌɛndʑɨ dʒɛvˈami.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_27.wav|tʃɨ tˈak sˈɔbjɛ vˌɨɔbrˈaʒaʒ vʲˈɛrnɔ̃ swˈuʒbɛ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_35.wav|ˈɔkɛj, kˈaʒɛ kˈɔmuʑ vɨkˈɔnatɕ tɛlˈɛfɔn i umˈuvitɕ mɲʲɛ s tsarlsˈɔnɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_118.wav|jˈɛɕli ɲʲɛ zamjˈɛʒaʒ vɨznˈavatɕ islˈamu, ɲʲɛ vɨmˈavʲaj imjˈɛɲʲa prɔrˈɔka.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_186.wav|xtɕˈawɛm pʃˈɛwknɔɲtɕ xˈawst pwˈɨnu, ˌalɛ zˌakʃtuɕˈiwɛm ɕɛ i dwˈuɡɔ kaʃlˈawɛm pɔd dˌɔbrɔtlˈivɨm spɔjʒˈɛɲʲɛm mˌitskʲɛvˈitʃa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_44.wav|kˈɔrsaɡ zamrˈuɡaw nɛrvˈɔvɔː ɔtʃˈami. ktˈɔ? nˈɔː ˈɔna!|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_263.wav|vɨpˈiwa tˈɨlɛ, ˈilɛ zdɔwˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_103.wav|jˈak na ɲʲˈɛɡɔ bɨwˈɔbɨ tɔ trˈɔxɛ zbˈɨt pʃˌɛɲiklˈivɛ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_45.wav|bˈɨtɕ mˈɔʒɛ tɛn ɲʲɛʃtʃˈɛɲɕɲik tˌɨlkɔ ɡrˈaw dla marɡˈɛrɨ, pˈɔttʃaz ɡdˈɨ ˌɔna pʃˌɨjmɔvˈawa ˈinnɨx kɔxˈaŋkuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_268.wav|samˈɔxut stˈanɔw, a ja vɨjʒˈawam z nˌattɨlnˈɛɡɔː ˌɔparsˈija i zˌɔbatʃˈɨwam zalˈanɔ̃ wzˈami tfˈaʃ tˈatɨ.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_220.wav|tɔ mˈuj brˈat.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_180.wav|tɔ ɲʲɛ fskʃˈɛɕi tˈatɨ ˌaɲi irˈinɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_11.wav|tˈakɔ̃ mˈa zasˈadɛ i dˈɔtɔnt tsˈawkʲɛm dˈɔbʒɛ nˈatɨm vɨxˈɔdʑiw.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_24.wav|tsˈawɛ mʲˈastɔ jɛzd dˌɔskɔnˈalɛ zˌabɛspʲɛtʃˈɔnɛ pʃɛt prˌɔmjɛɲʲɔvˈaɲʲɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_60.wav|rˌɔspɔznˈajɛ tɛn waɡˈɔdnɨ ɕmʲˈɛx.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_111.wav|pˌɔzɔstˈali prˌatsɔvɲˈitsɨ bˌɨli pɔ prˈɔstu...|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_95.wav|jˈɛɕli tɔ prˈavda, fspuwtʃˈujɛ mu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_54.wav|mˈɔja mˈatka mˈɨɕli, ʒˈɛ jˌɛstɛm stsˈɔttɛm. fkˈuʒa ɕɛ i pˈɔtɛm dwˈuɡɔ tʃˈɛba jˈɔ̃ ˌuspɔkˈajatɕ. ɔn bˈɨw jɛj bwɛŋkˈitnɔːˈɔkim xwˈɔptsɛm, a ja jˌɛstɛm tˌɨlkɔ mˈawɨm brˈadɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_33.wav|zˌalɔɡɔvˈawam ɕɛ dɔ mɔjˈɛɡɔ kˈɔnta bˌaŋkɔvˈɛɡɔː i zˌamjɛɲˈiwam kilkˈasɛd ɡʲˈituf na ˈɛwrɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_24.wav|ɲʲɛ jɛst tɔ ɕmʲˌɛrtɕɔnˈɔɕna brˈɔɲ. vʲˈɛntsɛj ʃkˈud vˌɨʒɔɲdʑˈiwabˌɨ nˈɔʒɛm dɔː ˌɔbjɛrˈaɲʲa, ɡdˈɨbɨ pˌɔtraktɔvˈawa ɡˈɔ ɲˈim, kʲˈɛdɨ spˈaw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_11.wav|kˈɔɲʲɛts s tˈɨm. a jˈuʃ f ʃtʃˌɛɡulnˈɔɕtɕi, jˈɛɕli xtsˈɛʃ mɲʲɛ pʃɛtstˈavitɕ tˌɛmu tʃwˌɔvʲɛkˈɔvi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_40.wav|spˈɛntsɛr ɲʲɛ jɛst partnˈɛrɛm bʲˌiznɛsˈɔvɨm, jˈak ɕɛ na pɔtʃˈɔntku pʃɛtstˈaviw. vˈidatɕ tɔ bˌɨwɔ vɨrˈaʑɲʲɛ na jˈɛɡɔ tfˈaʒɨ, kʲˈɛdɨ spɨtˈawɛʑ ɡˈɔː ˈɔtɔ fprˈɔst.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_6.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ tˈak, tˈɔm. zˌakwadˈajɔnts ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ maʃ rˈatsjɛ i zˌaprɔʃˈɛɲʲɛ jɛst ʃtʃˈɛrɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_11.wav|tʃɨ kʲˈɛdɨ znˈajdʑɛ ɕɛ w ɕrˈɔtku, vɨkˈɔna ˈuɲik i skɔʒˈɨsta z vˈint?|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_397.wav|vʲˈɛʃ, f tɨx mˈawɨɣ bˈarax lˈitʃɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_218.wav|kʲˈɛdɨ vˈɨʃwɨ z bˈali, nat krulˈɛfskɔ̃ pʃɨstˈaɲʲɔ̃ fstˈavaw jˈuʃ ɕfˈit.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_28.wav|zɔstˈavja klutʃˈɨki ɔt tɔjˈɔta w uxfˈɨtɕɛ na kˈubɛk. mˈɔʒɛ ktˈɔɕ jˈɔ̃ ukrˈadɲʲɛ, xˈɔtɕ ɲʲɛ jɛst tɔː ˌapsɔlˈutɲʲɛ kɔɲʲˈɛtʃnɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_311.wav|ɲʲɛ naʒˈɛka pˈan?|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_76.wav|tɔ dlatˈɛɡɔ, ʒˈɛ bˈɛtx nadˈawa im imjˈɔna, stfʲˈɛrdʑa w dˈuxu.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_175.wav|ɲʲˈɛma sprˈavɨ, ˈɔtpar i ɔdɲʲˈɔswam vraʒˈɛɲʲɛ, ʒˈɛ w jˈɛɡɔ ɡwˈɔɕɛ zabʒmʲˈawa nˈutka rˌɔstʃarɔvˈaɲʲa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_89.wav|pˌɔvʲɛdʑˈawɛm, spˈujʃ nˈamɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_72.wav|ɲˈilɛ znˈuf ɔpˈuɕtɕiw vzrˈɔk, jˈaɡbɨ ɲʲɛ pɔtrˈafiw spˈɔjʒɛdʑ dɔmˈɔvi ˌaɲi bˈɛki w ˈɔtʃɨ.|3
+Dataset/wavs/urwisko_ferenc/17_segment_45.wav|ˌalɛ w zasˈadʑɛ tˌɨlkɔ dʑˈɛŋki ɲʲˈɛmu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_11.wav|ˌɔdruxˈɔvɔ xtsˈɛ ɡˈɔ pɔprˈɔɕitɕ, ʒˈɛbɨ ɕpʲˈɛvaw tɕˈiʃɛj, ˈabɨɕmˌɨ ɲʲɛ pʃˌɨtɕɔŋɡˈali uvˈaɡʲi, ˌalɛ dˈɔɕtɕ ɔstˈatɲʲɔ pʃˈɛʃɛd.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_21.wav|tˈak, mˈuvi ˈɛlis, tɔ prˈavda.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_64.wav|ɲʲˈɛxtsɛʒ zˈɛmnɔ̃ zadʑˈɛratɕ, bˈaptɕu. jˌɛstɛm ɔ pɔwˈɔvɛ mwˈɔtʃa i vˌɨxɔvˈawam ɕɛ f tutˈɛjʃɛj ɡrˌavitˈatsji. vɨɲʲˈɔsɛ tɕˈɛ stˈɔnt, jɛʒˈɛli bˌɛndɛ zmuʃˈɔna.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_194.wav|nˌɔstalɡʲˈitʃnɨm pˌɔʒɛɡnˈaɲʲɛm na dvˈɔrtsu kˌɔlɛjˈɔvɨm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_6.wav|mˈɔjɛ tɕˈawɔ tsˈawɛ zˌaʃtɨvɲʲˈawɔ.|3
+Dataset/wavs/urwisko_ferenc/09_segment_70.wav|— ʑlˈɛ mɲʲɛ zrˌɔzumjˈawaɕ — stfʲˈɛrdʑiw, ɡdˈɨ pɔnˈɔvɲʲɛ nˈaɲʲɔ̃ spˈɔjʒaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_90.wav|bʲˈillɨ uznˈajɛ, ʒˈɛ rɔssˈɔndɛk nˌakazˈujɛ dɔvʲˈɛdʑɛtɕ ɕɛ, tsˈɔ xɔffˈɔvi lˈɛʒɨ na vɔntrˈɔbjɛ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_144.wav|ɲʲɛ tˈak jˈak jˈɛɡɔ brˈat rˈɔbɛrt, ktˌurɨ tsɛxˈɔvaw ɕɛ lˌɛɡɛndˈarnɔ̃ ɕˈiwɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_44.wav|ɔɡˈarnɛ tˌɨlkɔ na bjˈurku i zˈaras sxˈɔdʑɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_33.wav|tɔ zɲiʃtʃˈɔna ʒˈɨtɕɛm tfˈaʃ kˈɔɡɔɕ, ktˈɔ w ɲˈitʃɨm ɲʲɛ znˈa umjˈaru.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_56.wav|ˌalɛ i tˈaɡ ɡˈɔ ɲʲɛ vidʑˈimɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_119.wav|na ɡˈuʒɛ tsˈɔrin dˈajɛ mu tɔrˈɛpkɛ tɕˈastɛk.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_86.wav|jˌɛstɛm tˈuʒ zˈaɲim, a mˈama ɲʲɛ pˌɔruʃˈɨwa ɕɛ nˈavɛt ɔ tsɛntˈɨmɛtr.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_78.wav|ˈiʃ tɕˈawɔ jɛj jɛzd zapˈaxɛm miwˈɔɕtɕi, lˈɛtʃ tˈɛraz vʲˈɛm, ˈiʃ tɕˈawɔ jɛj pˈali ɕɛ tˈak sˈamɔ jˈak i ˈinnɛ tɕˈawa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_63.wav|ˌalɛ ɲʲɛ mˈɔɡɛ. vˈɨbatʃ, kɔxˈaɲʲɛ, ˌalɛ mˈuʃɛ jˈɛxatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_265.wav|pʃɛt mˈɔim dˈɔmɛm, na ˌɔpustɔʃˈawɛj ɔ tɛj pˈɔʒɛ ulˈitsɨ, kˌɔtwɔvˈawɔ ɕɛ ɔd dʑˈɛtɕi.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_292.wav|mˈuɡwbɨ zapˈɨtatɕ tˈɨrjɔn.|1
+Dataset/wavs/urwisko_ferenc/47_segment_18.wav|sˈama ɕɛ s tˌɛɡɔ vˌɨtɕɔŋɡnˈɛwaɕ, ɲʲɛ zˌapɔmˈinaj ˈɔtɨm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_130.wav|ɔn ɲʲɛ uznˈajɛ ʒˈadnɨɣ ɡrˈaɲits.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_201.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_26.wav|nazˈɨva ɕɛ ɡˈɛrart tˈɔvɛr.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_7.wav|lɛʒˈawa ftˈɛdɨ tɕˈixɔ, pˈatʃɔnts mi w ˈɔtʃɨ i ʃukˈajɔnts w ɲˈix pˌɔtfʲɛrdʑˈɛɲʲa, ʒˈɛ fʃˈɨstkɔ zmʲˈɛʒa kˈu lɛpʃˈɛmu.|4
+Dataset/wavs/urwisko_ferenc/63_segment_196.wav|dlatˈɛɡɔ pˌɔstanɔvˈiliɕtɕˌɛ tɔ pʃɨspʲˈɛʃɨtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_26.wav|f pˌɔmjɛʃtʃˈɛɲʲu rɔzlˈɛɡwɨ ɕɛ pɔmrˈuki, zapˈɛvnɛ w rɛˈaktsji nˈatɔ, jˈak ɲʲɛktˌurɨm lˈudʑɔm ɕɛ pɔvˈɔdʑi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_401.wav|i pˈiw z ɲʲˈɛj, ɔpˈarwʃɨ ɕɛ ɔ ɕtɕˈanɛ i pˈalɔnts pˌapʲɛrˈɔsa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_21.wav|nˈajpʲɛrf xtɕˈawɛm ɕɛ upˈɛvɲitɕ, tʃɨ fʃˈɨstkɔ z vˈami f pɔʒˈɔntku. zadʑvˈɔɲʲɛ tˈɛras i sprubˈujɛ zˌɔrɡaɲizˈɔvatɕ jɛj dˈɔjazd dɔ ʃpitˈala.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_206.wav|pɔskˈarʒɨw ɕɛ viktˈarjɔn, vʲˈɛnts ɲʲˈɛx ɔn tˈɛraz ɡˈɔː ɔbˈali.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_380.wav|ɕˈivɨ starˈuʃɛk ɔdʑˈanɨ w waxmˈanɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_275.wav|jˌɛstɛɕ mˈawɨm, pˌɛdantˈɨtʃnɨm ˌupʲɛrdlˈiftsɛm, vʲˈɛʃ ˈɔtɨm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_66.wav|tˈɛras, kʲˈɛdɨ pʲɛtʃˈɛɲʲɛ ɔd vˈɔdɨ ˌutlɛɲʲˈɔnɛj ustˈawɔ, bˈul bˈɨw dɔ zɲʲɛɕˈɛɲʲa, ˌalɛ ɲʲˈɛswab.|2
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_72.wav|mˈama i tˈatɔ bˌɛndɔ̃ vrˈɛʃtɕɛ mˈɔɡli ɔtpˈɔtʃɔɲtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_2.wav|lˈutsɨ, fʃˈɨstkɔ f pɔʒˈɔntku? zapˈɨtaw tˈɔm, kʲˈɛdɨ tˌɨlkɔ jˈɛɡɔ tsˈurka ˌɔdɛbrˈawa tɛlˈɛfɔn.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_3.wav|xˈɔllɨ ˌuswɨʃˈawa zˌamɨkajˈɔntsɛ ɕɛ dʒvˈi vɛjɕtɕˈɔvɛ i zbjˈɛɡwa pɔ sxˈɔdax jˈaɡ bˈuʒa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_65.wav|ˌɔdɛbrˈawa ˈɔdɛ mɲʲɛ kubˈɛtʃɛk, nˌapɛwɲˈiwa ɡˈɔ tɕˈɛpwɨm ʃampˈanɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_93.wav|spravdʑˈiwɛm plˈan i zˌɔbatʃˈɨwɛm, ʒˈɛ tˈɔtʃɨ ɕɛ vˈɨkwat na tˈɛmat sˌamuˈɛla bɛtskˈɛtta. pˌɔmɨɕlˈawɛm sˈɔbjɛ, ʒˈɛ pˈɛvɲʲɛ nˈaɲim jˈɛstɛɕ, a xtɕˈawɛm tɕˈɛ zwˈapatɕ i zapˈɨtatɕ, tʃɨ ɲʲɛ maʒ dʑˈiɕ mˈɔʒɛ ɔxˈɔtɨ na kˈarɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_66.wav|ɲʲɛ pˌɔvʲɛdʑˈawaɕ f kˈɔɲtsu, dlatʃˈɛɡɔ vrutɕˈiwaɕ tˈak pˈuʑnɔ.|3
+Dataset/wavs/urwisko_ferenc/55_segment_52.wav|— mˈɔ̃ʒ bˈardʑɔ lˈubʲiw kfʲˈatɨ — kˈɔpɛr ɕɛ ˌuɕmʲɛxnˈɛwa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_4.wav|ftɕˈɔ̃ʃ ɲʲɛ rˌɔspɔtʃˈɛwam jˈɛʃtʃɛ naˈuki w ɡʲimnˈazjum i ɲʲɛ mʲˈawam ʒˈadnɨx pʃɨjˈatɕuw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_45.wav|zvrˈatsa ɕɛ dɔ bʲillʲˈɛɡɔ.|2
+Dataset/wavs/urwisko_ferenc/05_segment_79.wav|ˌuspɔkɔˈiwa ˈɔddɛx i ˌuxɨlˈiwa pɔvʲˈɛki.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_85.wav|fʃˈɨstsɨ ɔbˈɛtsɲʲɛ zˌapisɨvˈali jˈɛ f tˌɛlɛfˈɔnax. ɲʲɛ bˌɨwɔ zˈatɛm pɔtʃˈɛbɨ zˌapamjˌɛntɨvˈaɲʲa tʃˌɛɡɔkˈɔlvʲɛk.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_31.wav|lɛkˈaʒɛ ˌuvaʒˈajɔ̃ jˈɛdnak, ʒˈɛ bˌɨwa tɔ rɛˈaktsja na vˈidɔk krfˈi. tʃˈɛkam vʲˈɛnts, ˈaʃ jˈɔ̃ vɨpˈiʃɔ̃ i zvˈɔlɲʲɔ̃ dɔ dˈɔmu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_13.wav|tˈɛras pɔvrˈatsa bˈul.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_27.wav|ɲʲɛ bˌɨwɔ jɛdnˈɛɡɔ smsˈa, ˌalɛ tʃˈɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_9.wav|ɲʲɛ mˈɔɡɛ ˌuspravʲɛdlˈivʲadʑ dˌɔmiɲˈika i mˈuʃɛ pʃˈɨznatɕ, ʒˈɛ rˈɔbʲiw zwˈɛ ʒˈɛtʃɨ, a kʲˈɛdɨ ktˈɔɕ rˈɔbʲi tsˈɔʑ zwˈɛɡɔ, mˈuɕi stˈavitɕ tʃˈɔwɔ kˌɔnsɛkfˈɛntsjɔm.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_296.wav|sˈɛptɔn mɛrˈibalt nakˈarmiw dʑˈɛtɕi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_103.wav|tˈɨlɛ, ʒˈɛ tɔ bˌɨwɔː iɣ vʲˌadɔmˈɔɕtɕɔ̃ nˈumɛr jˈɛdɛn pʃˈɛs prˈavʲɛ tˈɨdʑɛɲ, muvˈili ˈɔtɨm jˈɛʃtʃɛ tʃˈɛɲɕtɕɛj ɲˈiʃ ɔ trˈumpʲɛ, spɔɡlˈɔnda na ɲʲˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_29.wav|s pɛvnˈɔɕtɕɔ̃ bˌɛspʲɛtʃɲʲˈɛjʃɛ jɛst pˌɔzɔstˈaɲʲɛ tˈutaj ɲˈiʃ utɕˈɛtʃka.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_679.wav|malˈaʒɛ jˈuʃ pˈɔʃli spˈatɕ. pˈaru pˌɔlitsjˈantuf ʃarpˈawɔ ɕɛ s pˌijakˈami.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_127.wav|pˈatʃɨw w ʑˈɛmʲɛ ˈaʒ dɔ mɔmˈɛntu, f ktˌurɨm dˈɔbjɛɡw ɡˈɔ ɕlˈat.|0
+Dataset/wavs/urwisko_ferenc/39_segment_48.wav|ˌɛlɛmˈɛntɨ ˌukwadˈaŋki ftɕˈɔ̃ʒ dɔ ɕˈɛbjɛ ɲʲɛ pˌasɔvˈawɨ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_199.wav|ʒˈɛkw ˌupʃɨɡnɛmbjˈɔnɨ xwˈɔpak na vˈidɔɡ brjˈɛnnɛ. tɔ znˈatʃɨ, pˈaɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_53.wav|ɡdʑɛɲʲˈɛɡdʑɛ viɕˈawɨ makˈatki sʃˈɨtɛ s pˌɔwɨsklˈivɨx i matˈɔvɨx tkˈaɲin.|0
+Dataset/wavs/urwisko_ferenc/44_segment_49.wav|pɔlˈitsjant pɔprˈaviw ɕɛ wˈɛ fɔtˈɛlu i pɔxˈɨliw nat kɔmˈurkɔ̃, ktˌurɛj ɲʲˌɛbjɛskˈava pɔɕfʲˈata rˌɔzjaɕɲˈiwa vnˈɛntʃɛ sˌamɔxˈɔdu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_395.wav|pʃɨɡlˈɔndam ɕɛ bˈatʃɲʲɛ pʲˈɛrɕi pˌɔvʲɛŋkʃˈɔnɛj pʃˈɛs pˌɔxɨlˈɛɲʲɛ, pʲˈɛrɕi tˈak pɔswˈuʃnɛj jɛj rˈuxɔm i jˈaɡbɨ zalˈɔtɲʲɛ zˌɛrkajˈɔntsɛj kˈu mɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_88.wav|tˈuʃ ˌɔbɔk skʃˈɨɲi znalˈazwam kasˈɛtɛ z ɡwuvnˈɨmi bˌɛspʲɛtʃɲikˈami, ktˌurɛ xrɔɲˈiwɨ ukwˈadɨ ˌɛlɛktrɔɲˈitʃnɛ pʃɛt naɡwˈɨmi skɔkˈami ɛnˈɛrɡji i zvartɕˈami.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_120.wav|vʲˈɛŋkʃɔʑdʑ bˌɨwa sˌɨntɛtˈɨtʃna, ˌalɛ kˈilka vʲɛndnˈɔntsɨɣ bukʲˈɛtuf ɕfʲattʃˈɨwɔː ɔ zˌamɔʒnˈɔɕtɕi ɲʲɛktˌurɨx pʃɨjˈatɕuw trˈɔnda.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_123.wav|i tʃasˈami tɛn mˈawɨ xwˈɔpʲɛts ɲʲˈɛmʲaw jˈuʃ ɕˈiwɨ vdrapˈɨvatɕ ɕɛ dˈalɛj i pˈadaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_202.wav|i bˌɨwa zbˈɨt tɕˈasna, bˈɨ dˈawɔ ɕɛ tˈam rˈɔbʲitɕ tsɔkˈɔlvʲɛk innˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_42.wav|s tˌɛɡɔ tsˈɔ mi jˈɛdnaɡ vʲadˈɔmɔ, ɲʲɛ jɛst tɔ nˌaturˈalnɨ ˈɔdrux, a rˈatʃɛj tsɛlˈɔvɛ dʑawˈaɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/19_segment_23.wav|ˌalɛ skˈɔrɔ vrakˈatɕɛ dɔ ɕlˈɛtstfa, muɕˈitɕɛ mʲˈɛtɕ kɔŋkrˈɛtnɨ pˈɔvut.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_165.wav|tˈatsɨ, tsˈɔ w ɕfʲadˈɛtstfʲɛ ˌurɔdʑˈɛɲʲa mˈɔɡlibˌɨ mʲˈɛdʑ vbʲˈitɔ̃ pʲɛtʃˈɔntkɛ, zˌapatʃˈɔnɨ f ɕˈɛbjɛ ˌɔptɨmˈista.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_112.wav|muɕˈawam mu pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_154.wav|nˈavɛt sˈam ˈɛɡɔn zdɔbˈɨftsa ˈuznaw za pɔtʃˈɔntɛk sfˈɛɡɔ pˌanɔvˈaɲʲa dʑˈɛɲ, ɡdˈɨ vʲˈɛlki sˈɛptɔn namˈaɕtɕiw ɡˈɔ f stˈarɨm mʲˈɛɕtɕɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_55.wav|bˈɛtskɨ i kˈit patʃˈɨli na ɲʲˈɛɡɔ bˈɛs swˈɔva, tʃɛkˈajɔnts, ˈaʃ tsˈɔɕ pˈɔvʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_9.wav|dvˈɔjɛ mwˈɔdɨx pʃˌɛnɔɕˈiwɔ ɕɛ s pɔvrˈɔtɛm na ʑˈɛmʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_167.wav|pˌɔvʲɛdʑˈawam, tʃˈujɔnts nˌarastajˈɔntsɔ̃ paɲˈikɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_11.wav|dvˈa miljˈɔnɨ za ɕɛdʑˈɛɲʲɛ na tˈɨwku, a pˈɔtɛm jˈɛdɛn stʃˈaw. trˈudnɔː ɔdʒˈutɕitɕ tˈakɔ̃ prˌɔpɔzˈɨtsjɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_73.wav|bˈɨw ˌɔtʃɨvˈiɕtɕɛ bjˈawɨ, ˌalɛ tɔ jˈuʒ vʲˈɛtɕɛ. pˌɔdɛjʒˈɛvam, ʒˈɛ mʲˈaw mɲʲˈɛj vʲˈɛntsɛj tʃtɛrdʑˈɛɕtɕi lˈat.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_288.wav|i nˈadal bˌɛɲdʑɛʃ mi swˈuʒɨw f tˈɨx...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_76.wav|tfˈuj sˈɨn stˈɛvɛn|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_232.wav|mˌarʃawkˈɔfska dˈupa.|0
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+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_255.wav|artsɨmaˈɛstɛr ɔdˈɛrvaw ɔd bˈɛlli kfˈaɕnɨ lˈiɕtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_50.wav|zˈatʃɔw ɲʲɛskwˈadɲʲɛ ˌɔpɔvʲˈadatɕ pˈɔlskim pʃˌɨjatɕˈɔwɔm, ʒˈɛ vˌɨtsɔfˈujɔnts ɕɛ z ɲʲˈɛmjɛts,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_97.wav|mˈɔʒna vˈɨbratɕ ˌanɔɲimˈɔvɔɕtɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_387.wav|ˌalɛ ɲʲɛ pɔtʃˈɛba bˌɛɲdʑɛ nˈavɛt tˈɛɡɔ, tˈu ɲʲˌɛpɔtʃˈɛbnɨ bˌɛɲdʑɛ ˌaɲi jˈɛdɛn vˈɛ̃zɛw vʲˈatru.|0
+Dataset/wavs/urwisko_ferenc/06_segment_4.wav|pɔd zdjˈɛɲtɕɛm znˌajdɔvˈawa ɕɛ ɲʲˈɛzbɨd dwˈuɡa nˈɔtka, rˌɔspɔtʃˌɨnajˈɔntsa ɕɛ ɔt pɨtˈaɲʲa, ɡdʑˈɛ jˌɛstɛʑ dɔrˈɔtɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_10.wav|vʲˈɛŋkʃɔɕtɕ, jˈak na dʑˈɛlnɨɣ ʒɔwɲʲˈɛʒɨ pʃɨstˈawɔ, ɲʲɛ xtɕˈawa ɕɛ pʃˈɨznadʑ dɔ strˈaxu, vʲˈɛnts twˌumatʃˈɨli, ʒˈɛ tɔ pʃˈɛz dˈɨm i kˈuʃ, ktˌurɛ stˈalɛ nˈam tˌɔvaʒɨʃˈɨwɨ.|2
+Dataset/wavs/urwisko_ferenc/19_segment_77.wav|kɔbjˈɛta zˌamruɡˈawa kˌilkukrˈɔtɲʲɛ, pɔ tʃɨm ˌɔznajmˈiwa. mˈuʃɛ ˈiɕtɕ pɔ psˈa.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_243.wav|tˈam nˌalɛʒawˈɔbɨ pɔʃˈukatɕ jˈɛɡɔ ɕlˈadu.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_52.wav|bˈɔp mʲˈaw rˈatsjɛ. za bˈardʑɔ ɕɛ rˌɔspɛɲdʑˈiwam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_92.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_133.wav|bʲˈillɨ i ˈɛliz vˌɨɕadˈajɔ̃ i pɔdnˈɔʃɔ̃ vzrˈɔk na vɛrˈandɛ, ˌɔswaɲʲˈajɔnts ˈɔtʃɨ ɔt swˈɔɲtsa.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_551.wav|ɲʲɛ vʲˈɛdʑɔnts, jˈakʲɛ pʃɨjˈɛɲtɕɛ tʃˈɛka ix ˈu jɛj tsˈɛlu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_54.wav|tɔ dˈɔbʒɛ. mˈɨɕlɛ, ʒˈɛ tɔ jɛst nˌajvaʒɲʲˈɛjʃɛ.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_272.wav|pˈɔtʃɛd dɔ ɲʲˈɛj jˈakiɕ jˌɛdnɔnˈɔɡʲi mɛ̃ʃtʃˈɨzna, fspʲˌɛrajˈɔntsɨ ɕɛ na drɛvɲʲˈanɛj kˈuli.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_41.wav|tˌɛɡɔ ɲʲɛ pɔvʲˈɛdʑaw. stfʲˈɛrdʑiw, ʒˈɛ za trˈudnɔ bɨwˈɔbɨ tɔ zrɔzˈumjɛtɕ. nˌatɕiskˈawɛm, ʒˈɛbɨ mˈimɔ tɔ sprubˈɔvaw, ˌalɛ ɔn tˌɨlkɔ pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|3
+Dataset/wavs/urwisko_ferenc/59_segment_9.wav|lˈɛkaʃ tsˈɔɕ mˈuviw? prˌubɔvˈawa ɕɛ dɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_37.wav|tˈɔm pɔpˈatʃɨw pɔnˈɔvɲʲɛ na znˌalɛzˈiskɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_67.wav|zaɡlˈɔnda dɔ lɔdˈufki jɛnsˈɛnuf i ɲʲɛ vˈidʑi ɲˈits, na tsˈɔ mʲˈawbɨ ɔxˈɔtɛ, ˌalɛ na blˈatɕɛ lˈɛʒɨ ɔtfˈartɛ ˌɔpakɔvˈaɲʲɛ, f ktˌurɨm zɔstˈawa jˈɛdna buwˈɛtʃka.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_39.wav|vˈartɔ bˌɛɲdʑɛ rɔspˈalitɕ ˈɔɡʲɛɲ, jˈɛɕli f tɛn spˈɔsub vɨvˈabʲi ɕɛ rɔbˈɛrta z wˈɔʒa, pˌɔmɨɕlˈawa.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_59.wav|ˌalɛ umˈɔva tɔː umˈɔva.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_55.wav|pˌɔjɛxˈawam dɔ mʲˈasta na pˌɔlɛtsˈɛɲʲɛ arˈama.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_352.wav|zˌaɡrɨzˈajɔndʑ baɡʲˈɛtkɔ̃. nˈɔː i tsˈɔ? spˈɨtaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_179.wav|ɲʲɛ pʃˌɛstavˈawa pˈatʃɛtɕ mi w ˈɔtʃɨ, nˈavɛt kʲˈɛdɨ vbʲijˈawam w ɲʲˈɔ̃ tˈɛmpɛ spɔjʒˈɛɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_155.wav|rɔdʑˈitsɛ ˌutɕɛʃˈɨlibˌɨ ɕɛ, mˈɔɡɔnts tɕˈɛ pˈɔznatɕ. pˈɔtɛm mɔʒˈɛmɨ rˈazɛm pˌɔtrɛnˈɔvatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_150.wav|pɔ jˈɛdnɨm dla kaʒdˈɛɡɔ z nˈas. i mɔʒˈɛmɨ zrˈɔbʲitɕ tɔ w nastˈɛmpnɨ wˈikɛnt.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_42.wav|sprˈavɨ ɲʲɛ tɔtʃˈɨwɨ ɕɛ zɡˈɔdɲʲɛ s pʃˌɛvidˌɨvaɲʲˈami, a sˈandɨ ʒutɕˈiwa ˈɔstrɔ dɔ mˌikrɔfˈɔnu.|4
+Dataset/wavs/urwisko_ferenc/02_segment_33.wav|mˈuviʃ, ʒˈɛ xwˈɔpak mʲˈaw ˌintuˈitsjɛ, tˈak?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_24.wav|kˈiva pɔvˈɔli ɡwˈɔvɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_111.wav|bˈɔ mɲʲˈɛj vʲˈɛntsɛj tˌaki zˈɨsk pʃɨɲʲˈɛɕɛ zˈafɔ sfɔjˈɛmu vwˌaɕtɕitɕɛlˈɔvi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_87.wav|zˌastanavʲˈawam ɕɛ, tʃɨ mˈɔɡɛ ɔdˈɛbratɕ samˈɔxut. pˈɨtam, ftɕiskˈajɔndʑ dwˈɔɲʲɛ f kʲɛʃˈɛ��i, ʒˈɛbɨ ɲʲˈɛmuɡw zɔbˈatʃɨtɕ iɣ drʒˈɛɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_85.wav|ˌɔbavʲˈawam ɕɛ, ʒˈɛ pˈɔvrud dɔ mˌanxɛstˈɛru w jˈakiɕ spˈɔsup ɔtswˈɔɲi sprˈavɨ zvʲɔ̃zˈanɛ z mˈɔjɔ̃ pʃɛʃwˈɔɕtɕɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_141.wav|mˈɔʒna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_99.wav|pɔt ɕtɕˈanɔ̃ stˈɔjɔ̃ tʃˈɨ flippˈɛrɨ, ktˌurɛ bwɨskˈajɔ̃ ɕfʲatwˈami, ˌalɛ ɲʲɛ vɨdˈajɔ̃ zvˈɨkwɨɣ bʒˈɛŋkuf i pˈikɲʲɛɲtɕ. dʑvʲˈɛŋki vˌɨtɕiʃˈɔnɔ, ʒˈɛbɨ ɲʲɛ pʃˌɛʃkadʑˈawɨ ɔɡlˈɔndatɕ mˈɛtʃu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_187.wav|ɲʲˈɛx pˈan mu pˈɔvʲɛ, ʒˈɛbɨ zˈatʃɔw s pˈanɛm pratsˈɔvatɕ pʃɨ ɔtfˈartɨx klˈapax.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_16.wav|vʲˈɛm, ʒˈɛ jɛst tˈu pˈɔtɔ, bˈɨ pʃˌɛkazˈɨvatɕ mi ˌinfɔrmˈatsjɛ, ˌalɛ rˈuvɲʲɛʃ jˈɛ ɡrɔmˈadʑitɕ, prubˈujɔnts pʃˈɨtɨm ˈɔtkrɨtɕ, tʃɨ tʃˈɛɡɔɕ ɲʲɛ zˌataˈiwam.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_135.wav|dɔː ɔrlˈɛɡɔ ɡɲʲˈazda.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_33.wav|bˈardʑɔ ɕmʲˈɛʃnɛ, jˌɛstɛm pˈɛvʲɛn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_108.wav|bʲˈillɨ vɨkwˈada na tˈaɕmɛ zavˈartɔɕtɕ kɔʃˈɨka. jˌasnɔʑɛlˈɔnɛ pɔkrˈɔftsɛ na ɡwˈufki kˈijuv ɡɔlfˈɔvɨɣ z nˌadrukˈami tˈɨpu bˈɔɔm i bˈax.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_66.wav|tˈɛras mˈa jˈuʃ mˈɛ̃ʒa nˈumɛr tʃtˈɛrɨ, a ja ɲʲɛ pɔtrˈafjɛ zrɔzˈumjɛtɕ, jˈak w ɔɡˈulɛ mˈɔʒɛ rɔzvˈaʒatɕ pɔzbˈɨtɕɛ ɕɛ ɡˈɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_149.wav|pʃˌɨpɔmˈinaw mu ɔ tʃˈɨmɕ, tsˈɔ ɕɛ ɲʲɛ stˈawɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_34.wav|pˈatʃɨw nˈaɲih xfˈilɛ, a pˈɔtɛm pɔvʲˈɛdʑaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_366.wav|i tɔ nˈam muɕˈawɔ vɨstˈartʃɨtɕ, bˈɔ dɔ tɛj xfˈili ɲʲɛ umjˈɛmɨ zrɔzˈumjɛtɕ tˌɛɡɔ zjavˈiska.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_52.wav|tɔː ɔstˈatɲʲɛ zdˈaɲʲɛ bˌɨwɔ prˈavdɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_468.wav|mʲˈawam vɨrˈaʑnɔ̃ ɕfʲadˈɔmɔɕtɕ, ʒˈɛ nˈamɲʲɛ tʃˈɛkaʒ w varʃˈavʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_140.wav|ˈɔfʃɛm, mˈɔɡɔ̃ zadʑvˈɔɲidʑ dɔ pʃˌɨjatɕˈuwɛk, bˈɨ zaɕˈɛŋɡnɔɲtɕ ix rˈadɨ, ˌalɛ tˌɨlkɔ pɔd varˈuŋkʲɛm, ʒˈɛ jˈɛ mˈajɔ̃, a ˈɛlis ix ɲʲˈɛma, bˈɔ jɛst f tɨm mʲˈɛɕtɕɛ ɔt ɲʲɛdˈavna.|2
+Dataset/wavs/urwisko_ferenc/25_segment_108.wav|tʃˈɛtɕi bˈɨw ɲʲˌɛaktˈɨvnɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_351.wav|vˌɨdavˈawa mi ɕɛ skˈɔndʑ znajˈɔma.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_20.wav|vʲˈɛm, ʒˈɛ ɲʲɛ mˈɔɡɛ pɔvʲˈɛdʑɛtɕ ɲitʃˈɛɡɔ, tsˈɔ w jˌakikˈɔlvʲɛk spˈɔsub zˌawaɡˌɔdʑiwˈɔbɨ sˌɨtuˈatsjɛ i vˌɨprɔstɔvˈawɔ tɔ, tsˈɔ zrɔbʲˈiwɛm. zatʃˈɨna.|4
+Dataset/wavs/urwisko_ferenc/31_segment_41.wav|zamˈuviw tʃˈɨ dɲˈi tˈɛmu. kɔbjˈɛta ɲʲɛ ɕilˈiwa ɕɛ na dˈalʃɔ̃ rɔzmˈɔvɛ. ˌɔdvʲɛɕˈiwa swuxˈafkɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_90.wav|sˈɛrtsɛ vˈali mɲʲɛ jˈak mwˈɔt.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_189.wav|tɔ mˈɨɕl ˈɔmɲʲɛ na fsxˈɔdʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_245.wav|tɔ ftsˈalɛ ɲʲɛ bɨwˈɔbɨ f pɔʒˈɔntku, ˌalɛ rɔzˈumjɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_46.wav|ɔtfʲˈɛram dʒvˈi prˌɔvadʑˈɔntsɛ dɔ pɔkˈɔju mˈili.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_209.wav|dʑˈɛŋki za zrˌɔzumjˈɛɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_303.wav|ˈɔtpar pɔtˈɛ̃ʒnɨ mɛ̃ʃtʃˈɨzna w ʒˈuwtɨm pwˈaʃtʃu. xtsˈɛ nakˈarmidʑ vrˈɔnɨ!|1
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_34.wav|ɲʲɛ zavrˈatsawbˌɨm tɕi ɡwˈɔvɨ, ɡdˈɨbɨ tˈak ɲʲɛ bˈɨwɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_51.wav|pˌɔviɲʲˈɛnɛʑ zɔstˈavitɕ im pʲɛɲʲˈɔndʑɛ, mˈuvi ˈɛlis, kʲˈɛdɨ vˌɨwɔntʃˈajɔ̃ tˌɛlɛvˈizɔr i vratsˈajɔ̃ na dˈuw.|2
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_37.wav|zrˈɛʃtɔ̃...|4
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_2.wav|zrɔbʲˈiwam ɲʲɛvʲˈɛlkʲɛ zakˈupɨ w bˈaɲtsɛ bʲˈina.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_154.wav|mˈuɡwbɨ napˈisatɕ lˈub zadʑvˈɔɲidʑ dɔ ɲˈika, ˌalɛ nˈavɛd ɡdˈɨbɨ udˈawɔ ɕɛ z ɲˈim skˌɔntaktˈɔvatɕ, tʃɨ uvʲˈɛʒɨwbˌɨ f xˈɔtɕ jˈɛdnɔ jˈɛɡɔ swˈɔvɔ? ɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/01_segment_82.wav|ˌintrɨɡujˈɔntsɨ ˈɔbras na skˈuʒɛ xudʑˈiɲskʲɛj pˈɔfstaw krˈutkɔ pʃˈɛttɨm, jˈaɡ zˈaʃwa f tɕˈɔ̃ʒɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_22.wav|ftrˈɔntsa bˈɛki. kˈivam ˌɛnɛrɡʲˈitʃɲʲɛ ɡwˈɔvɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_445.wav|ˌalɛ ˌɛntsɨklˌɔpɛdˈɨtʃnɨ vˈɨkas mɔʒlˈivɨɣ varjˈantuf lˈɔsu lutskʲˈɛɡɔ. pɔ xfˈili miltʃˈɛɲʲa zˌapɨtˈawa sˈɛnɲʲɛ, nˈɔː i tsˈɔ?|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_267.wav|nˈɔtslɛk, ˌalɛ i ɡɔrˈɔntsɛ jˈadwɔ, ʒˈɛbɨ vɨpˈɛwɲidʑ bʒˈuxɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_203.wav|ˈaram ɲʲˈɛma pɔjˈɛɲtɕa, kˈim jˈɛstɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_70.wav|tʃɨ rˈatʃɛj ɲʲɛ tˌɨlkɔ tɔ s kɕˈɔ̃ʃkɔ̃ fʃˈɨstkɔ dˈɔbʒɛ?|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_269.wav|ɕˌilɲʲɛjʃˈɛɡɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_56.wav|pˌɔdɛjʒˈɛvam, ʒˈɛ tɛ sprˈavɨ ɲʲɛ sɔ̃ jˈɛdnaɡ zˈɛ sˈɔbɔ̃ w ʒˈadɛn spˈɔsup pˌɔvʲɔ̃zˈanɛ. s pɛvnˈɔɕtɕɔ̃ ɕɛ dɔvʲˈɛmɨ, ʒˈɛ vˌɨskɔtʃˈɨwa na pˈɔtʃtɛ pɔ znˈatʃki.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_235.wav|tsɛrsˈɛi bˈawa ɕɛ fʃˈɛlkix ɲʲˌɛspɔdʑˈanɛk. pʃˌɨpɔmɲʲˈawa sˈɔbjɛ, tsˈɔ pɔvʲˈɛdʑaw lˈɔrd vˈatɛrs ɔ zamjˈɛʃkax.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_474.wav|vidʑˈawam tɕˈɛ pˌarɔkrˈɔtɲʲɛ pʃˈɛttɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_100.wav|jˈɛɕli tɔ pɔmˈɔʒɛ mˈamjɛ, tɔ mˈɔɡɛ tˈu zˈɔstatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_136.wav|mˈɔʒɛ ja mˈam na pʃˈɨkwat tˈɨfus plamˈistɨ, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_100.wav|ɡrˈim, sˈɛrɨ i tsˈawa rˈɛʃta pʃˌɨɕɛŋɡˈali vˌɨsɔɡrɔdˈɔvi i vɨsˈɔɡrut mˈuɕi ˌɔtpɔvʲˈɛdʑɛtɕ na iɣ bwaɡˈaɲʲa.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_72.wav|nˈuxa, nˈɛjɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_38.wav|mrˈuknɔw tˈɔm i zvʲˈɛɕiw ramjˈɔna.|3
+Dataset/wavs/urwisko_ferenc/33_segment_9.wav|nˈavɛt jˈɛɕli zɔstˈaɲʲɛ zruɡˈanɨ, kˈɔɲʲɛts kˈɔɲtsuf ʃtʃˈɛrpski dɔtsˈɛɲi jˈɛɡɔ starˈaɲʲa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_107.wav|fskazˈujɛ pˈarɛ pˌɔtxɔdʑˈɔntsɔ̃ dɔ dʒvˈi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_304.wav|i tsˈɔ bˌɛɲdʑɛ tˈɛraz z mˈɔim tʃˈɛkʲɛm?|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_84.wav|a ja xtsˈɛ vʲˈɛdʑɛtɕ, tsˈɔ vʲˈɛʃ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_112.wav|tʃˈutɕ ix pɔɡˈardɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_126.wav|ɲʲɛ jɛst tɔː ˌɔkɔlˈitʃnɔɕtɕ wˌaɡɔdʑˈɔntsa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_65.wav|tsˈɔ jɛzd dla ɲʲˈɛɡɔ vaʒɲʲˈɛjʃɛ ɔd bˈɨtɕa rˈazɛm i fspʲɛrˈaɲʲa ɕɛ f tɨx trˈudnɨx mɔmˈɛntax?|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_321.wav|pʃɨtʃˈasnɔw ʃtʃˈɛŋkɛ rˈuxɛm maɡʲˈika. pʲˌɛrdɔlˈɛɲi dɛntˈɨɕtɕi, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_94.wav|nˈɔ dˈɔbra, mʲˌawaɕ rˈatsjɛ, ɲʲɛ pˌɔzvalˈajɔnts mi ɕɛ pɔdwˈɔntʃɨtɕ. pˈuŋɡd dla tɕˈɛbjɛ. ˌalɛ mˈimɔ fʃˈɨstkɔ, ɲʲɛ pɔvˈinnɔ bˌɨwɔ dɔ tˌɛɡɔ dˈɔjɕtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_4.wav|jɛstˌɛɕtɕɛ pˈɛvɲi, ʒˈɛ tɔː ˈɔn?|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_1.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_81.wav|zɛrknˈɛwa na ˈaʃa, ktˌurɨ pʃˈɛwknɔw ɕlˈinɛ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_414.wav|maʃ mˈɔjɛ swˈɔvɔ nˈatɔ, ʒˈɛ tfˈuj brˈat ɲʲɛ pɔpwˈɨnɔw dɔ lˈɛs.|1
+Dataset/wavs/urwisko_ferenc/20_segment_69.wav|jˈɛdɛn s sɔ̃ɕˈaduv zvrˈutɕiw pˈana uvˈaɡɛ nˈatɔ, ʒˈɛ kʲˈɛdɨ ɲʲɛ bˌɨwɔ vˈaz w dˈɔmu,|0
+Dataset/wavs/urwisko_ferenc/47_segment_31.wav|tˈak jˈak ftˈɛdɨ, ɡdˈɨ bˈɛndɔndʑ dʑɛftʃˈɨŋkɔ̃ pˌɔtʃɛbɔvˈawa dɔtˈɨku mˈatki, ˌalɛ tʃˈɛɲɕtɕɛj zˈamjast ɲʲˈɛɡɔ dˌɔstavˈawa bˈurɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_336.wav|pˈɔdɲʲuz dɔː ˈuzd butˈɛlkɛ, lˈɛtʃ ɔpˈuɕtɕiw rˈɛŋkɛ.|0
+Dataset/wavs/urwisko_ferenc/48_segment_17.wav|stˈalɛ ɕɛ mˌasturbˈɔvaw, jˈaɡbɨ za kˈarɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_49.wav|swˈɨʃɛ kaʃlɲʲˈɛɲtɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_57.wav|na trˈaktɕɛ ɲʲɛ bˌɨwɔ jˈɛdnak ɲikˈɔɡɔː ˈɔprudʒ vˈilkuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_9.wav|xˈɔtɕ tˈɔm xtɕˈaw rˌɔspatʃlˈivʲɛ fʃˈɨstkɔː uswˈɨʃɛtɕ, ɔtsˈunɔw ɕɛ zˈaɲim ˈulɛkw pɔkˈuɕɛ ˌɔdɛbrˈaɲʲa dˌɛtɛktɨvˈɔvi swuxˈafki i dˌɔkɔɲtʃˈɛɲʲa rɔzmˈɔvɨ sˌamɔdʑˈɛlɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_247.wav|ɕɲˈiwɔ ɕɛ jɛj, ʒˈɛ lˈɛʒɨ na wˈɔdʑi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_16.wav|ɕˈɛŋɡa dɔ kʲɛʃˈɛɲi mˌarɨnˈarki.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_184.wav|pɔswˈawam jɛj pˈɛwnɛ pɔɡˈardɨ spɔjʒˈɛɲʲɛ, ˌalɛ ɲʲɛ zrɔbʲˈiwɔ tɔ nˈaɲʲɛj vraʒˈɛɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_154.wav|ɲˈidʑ bˈɨ ɕɛ ɲʲɛ stˈawɔ, pʃˌɛtɕɛʃ jˌɛstɛɕ pisˈaʒɛm. ˌɔbratsˈamɨ ɕɛ f pɔdˈɔbnɨx krˈɛŋɡax tˌɔvaʒˈɨskix.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_54.wav|zatʃˈɔwɛm sstɛmpˈɔvatɕ pɔ sxˈɔdaɣ dɔ vˈɨjɕtɕa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_263.wav|samˈɔxud zˈatʃɔw zvˈalɲʲatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_128.wav|tˌaki jɛst tfˈuj plˈan?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_57.wav|kˈivam tˌɨlkɔ ɡwˈɔvɔ̃, zamˈɨkam ˈɔtʃɨ i pʃˌɨvɔwˈujɛ wzˈɨ.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_104.wav|ɡˈɛndrɨ fstˈaw nˈaɡlɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_583.wav|spˌɔtɨkˈawɛm ix pʃˈɛs tsˈawɛ ʒˈɨtɕɛ. zˌɔbatʃˈɨmɨ, kʲˈɛdɨ mi ɕɛ pʃɛtstˈavi nˈaʃ kɔmˈisaʃ.|0
+Dataset/wavs/urwisko_ferenc/65_segment_117.wav|— zˈabʲiwbˌɨ ɡˈɔ? — bɔrˈɛvitʃ ˈuɲʲus kˈartkɛ. — ɲʲˈɛmam pɔjˈɛɲtɕa, pɔ prˈɔstu uznˈawam, ʒˈɛ bˌɛɲdʑɛʃ xtɕˈaw vʲˈɛdʑɛtɕ, ʒˈɛ fˈatsɛt ɲʲɛ ʒˈɨjɛ.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_206.wav|ɲˈikt ɲˈiɡdɨ ɲʲɛ vˈidʑaw tˌɛɡɔ kɔxˈaŋka.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_30.wav|tˈɔm ɔtfˈɔʒɨw dʒvˈi dɔ sfɔjˈɛɡɔ bjˈura i fpˈuɕtɕiw pˈawla dɔ ɕrˈɔtka.|4
+Dataset/wavs/urwisko_ferenc/03_segment_58.wav|lˈɛki mʲˌawɨ ˌustabʲˌilizˈɔvatɕ jɛj stˈan.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_61.wav|f kˈɔɲtsu ˈɔbjɛ padwˈɨɕmɨ na pɔdwˈɔɡɛ, ɕmʲˈɛjɔnts ɕɛ dɔ rɔspˈuku.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_327.wav|i brjˈɛnnɛ skɔtʃˈɨwa mu na spɔtkˈaɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_314.wav|ɲʲɛ pˌɔʒawˈujɛʃ, jɛʒˈɛli pɔɕfʲˈɛɲtɕiʃ mi trˈɔxɛ tʃˈasu. ˌɔbjɛtsˈujɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_27.wav|pɔlˈitsja pˌɔtfʲɛrdʑˈiwa ˌuduʃˈɛɲʲɛ. jˈaɡ dˈɔtɔnt ɲʲɛ pɔdˈanɔ jˈɛdnaɡ ʒˈadnɨx ʃtʃˌɛɡuwˈɔvɨx ˌinfɔrmˈatsji.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_44.wav|zakwˈadam, ʒˈɛ na tɛn mˈɔmɛnt ɲʲɛ zamjˈɛʒaʒ zˈɛbradʑ dˌɛˌɛnˈa i ɔttɕˈiskuf pˈaltsuf ɔt lˈudʑi ˌɔdvʲɛdʑajˈɔntsɨx ɔstˈatɲʲɔ tɛn dˈɔm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_8.wav|rˌɔspakˈujmɨ tɕˈɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_58.wav|mˈuvi prˈavdɛ na tˈɛmad dˈali.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_298.wav|tˌɛɡɔ drˈaɲʲa? zapˈɨtaw ˈandɛrsɔn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_270.wav|ˌalɛ pamjˈɛntaj, ʒˈɛ jˌɛstɛm pravɲˈikʲɛm.|0
+Dataset/wavs/urwisko_ferenc/01_segment_4.wav|pɔtspwˈɨvaw jɛj pɔ tʃɛrvˈɔnɛj z vɨɕˈiwku tfˈaʒɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_450.wav|nˈavɛt jɛʒˈɛli tɔ jɛst mˈɔja vˈina, fʃˈɨstsɨ sɔ̃ tʃˈɛmuʑ vˈinɲi mˈarɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_173.wav|ˌalɛ pʃˌɛtɕɛʃ mˈɔɡwɛʑ bʲˈitɕ mɲʲɛ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_141.wav|ˈɔtʃɨ i vwˈɔsɨ rɛnljˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_303.wav|tˈɛras ja rˈuvɲʲɛʃ jˌɛstɛm bɛŋkˈartɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_171.wav|zˈapax jˈakixɕ ˌɛɡzɔtˈɨtʃnɨɣ ʑˈuw.|0
+Dataset/wavs/urwisko_ferenc/33_segment_7.wav|ʃtʃˈɛrpski ftɕˈɔ̃ʃ ɲʲɛ dʑvˈɔɲiw i tɔ ɲʲˈɛbɨw dˈɔbrɨ znˈak.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_169.wav|ɲʲˈɛmʲaw ʒˈadnɨx straʒɲˈikuf. fʃˈɛdwɛm dɔ jˈɛɡɔ kɔmnˈatɨ, kʲˈɛdɨ spˈaw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_11.wav|vakˈatsjɛ ɲʲɛ fxɔdʑˈiwɨ w raxˈubɛ, vʲˈɛnts ˌuswɨʃˈafʃɨ tɔ pɔtʃˈuwam ɕɛ ɲʲˈɛtsɔ lˈɛpʲɛj.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_230.wav|zˌapɔmɲˈijmɨ i zatʃɲˈijmɨ ɔt nˈɔva.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_231.wav|ˌɔɡwɔɕˈili, ʒˈɛ pɔvʲˈɛʃɔ̃ ɡˈɔ zˈatɔ, tsˈɔː utʃˈɨɲiw f sɔlˈaŋkax.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_36.wav|ja zjˈadwɛm zˈupɛ na lˈantʃ mˈuvi baˈilɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_135.wav|f kˈaʒdɨm rˈaʑɛ xtɕˈawɛm tˌɨlkɔ pɔvʲˈɛdʑɛtɕ, ʒˈɛ naprˈavdɛ fspaɲʲˈalɛ pˈan jˈɔ̃ vɨxˈɔvaw.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_402.wav|lˈubjɛ ˈuɕɔ̃ɕtɕ pʃɨ pˈivʲɛ i pɔɡˈadatɕ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_67.wav|zaɲʲˈɔswa dˈaɲʲɛ dɔː ˈɔkna i vˌɨʒutɕˈiwa jˈɛ na dʑɛdʑˈiɲʲɛts, ʒˈɛbɨ jɛj ɲʲɛ kuɕˈiwɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_35.wav|pˌɔvʲɛdʑˈawa bˈɛtskɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_49.wav|a pˈɔtɛm vˈɛʃwa dɔ nˌastɛmpnˈɛɡɔ bˈaru. ftˈɛdɨ zavrˈutɕiw i pˈɔʃɛd dɔ dˈɔmu.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_326.wav|prˌubɔvˈawam zaxˈɔvatɕ kamjˈɛnnɔ̃ tfˈaʃ, ˌalɛ mi ɕɛ ɲʲɛ udˈawɔ. mˈɔjɛ zˌaskɔtʃˈɛɲʲɛ ɲʲɛ ˈuʃwɔ jˈɛɡɔː uvˈadʑɛ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_83.wav|ɲʲɛskwˈadɲʲɛ ˌɔpɔvʲˈɛdʑaw ɔ krˈulu staɲˈiɕɛ i mɛlˈisandr z aʃˈai.|1
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_65.wav|kˌakˌazˈɛd vwˈaɕɲʲɛ ˌɔɡwɔɕˈiwa, ʒˈɛ zvʲˈɛŋkʃa xˌarmɔnˈɔɡram stˈartuf i w rˈamax tɛj mˌɔdɨfikˈatsji rˌɔzbudɔvˈujɛ dʑˈaw zˌawadˈuŋku tɔvˈaruf.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_443.wav|ˌalɛ ɔn vˈidatɕ uswˈɨʃaw. tsˈɔ pˈan mˈa ɔdmʲˈɛɲʲatɕ? na pˈaɲskʲɛ vˈɨʃwɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_39.wav|pˈatʃɨw na sfˈɔjɛ rˈɛntsɛ, jˈaɡbɨ ɲʲˈɛmuɡw uvʲˈɛʒɨtɕ f tɔ, tsˈɔ vˈidʑi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_9.wav|za mˈɔtsnɔ, mamˈuɕu, prˌɔtɛstˈujɛ ˈalfjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_82.wav|xtsˈɛmɨ, ʒˈɛbɨɕ tˈu z nˈami bˈɨwa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_39.wav|natɕˈisnɔw ˈɛkran, bˈɨ dɔ ɲʲˈɛj zadʑvˈɔɲitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_65.wav|tʃɨ trˈɔska ˈɔɲʲɔ̃ jɛst ɲʲˌɛbɛspʲˈɛtʃna? ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ tˈak.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_92.wav|zˌaufˈawaɕ kˈɔmuɕ, ktˈɔ tɕˈɛ ɔʃˈukaw. kˈɔɲʲɛts krˈɔpka.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_492.wav|a tsˈɔ pˈɔvʲɛ mˈarɨj?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_49.wav|w ɔɡˈulɛ pʃɛɡˈapiw.|0
+Dataset/wavs/urwisko_ferenc/37_segment_51.wav|rɔzwˈɔntʃɨw ɕɛ i vˈɨswaw ˌɛsˌɛmˈɛsa dɔ kˈiŋɡʲi. napˈisaw jɛj ɔ plˌanɔvˈanɛj ɡɔdʑˈiɲʲɛ vizˈɨtɨ lɛkˈarki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_83.wav|sˈara ˈɔzbɔrn mʲˈɛʃka w mˈiwɨm, zvɨtʃˈajnɨm dˈɔmu. ɲʲɛ bˌɨwɔ tˈam bˌawaɡˈanu, ˈalɛ...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_456.wav|tsˈɔ prˈavda sfˈɔjɛ w ʒˈɨtɕu ɔtpˈiwɛm, ɲʲɛ naʒˈɛkam.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_388.wav|uɕmʲˈɛxaʃ ɕɛ jˈaɡ ɡˈɛrjɔn i vˈaltʃɨʃ jˈak tˈajk. jɛst tˈɛʃ f tˈɔbjɛ trˈɔxɛ skɛvˈana, bˈɔ f pʃɛtɕˈivnɨm rˈaʑɛ ɲʲɛ nˈɔɕiwbˌɨɕ tˌɛɡɔ bjawˈɛɡɔ pwˈaʃtʃa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_101.wav|ɲʲɛ vʲɛʒˈɨwam, bˈɨ zamjˈɛʒaw mɲʲɛ zˌaatakˈɔvatɕ. uznˈawam, ʒˈɛ mˈuʃɛ tɔ jˈak najʃˈɨptɕɛj zawˈatfitɕ, ʒˈɛb�� dˈɔtʃɛdʑ dɔ ʃpitˈala.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_318.wav|i bˈardʑɔ sprˈavɲʲɛ pɔzdʑˈɛraw pʲɛtʃˈɛɲtɕɛ, ɔtfˈɔʒɨw dʒvˈi, ˈɔddaw mi klˈutʃɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_190.wav|pˈɔtɛm jˈɔɛj pʃɛtstˈaviw mɲʲɛ butskʲˈɛmu, bˌutskɨɲikˈɔvi, nˈɔː i dlatˈɛɡɔ tˈɛras jɛstˌɛɕmɨ tˈutaj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_28.wav|kʲˈɛdɨ pɔdˈɛʃli dɔ vˈɛjɕtɕa, bˈɛtskɨ spɔjʒˈawa na budˈɨnɛk, ktˌurɨ sprˈavʲaw vraʒˈɛɲʲɛ, jˈaɡbɨ vzɲʲɛɕˈɔnɔ ɡˈɔ w lˈatax tʃɨdʑˈɛstɨx ˌubjɛɡwˈɛɡɔ stulˈɛtɕa.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_311.wav|ɲʲˈɛmɲʲɛj jˈɛdnak jˈamɛ ɲʲˈɛmʲaw pʃˌɛkɔnˈaɲʲa dɔ ʒɔwɲʲˈɛʒɨ, ktˌuʒɨ swɨnˈɛli rˈatʃɛj s pʲˈɛŋknɨx kˈɔɲi ɲˈiʒ z zabʲˈitɨɣ vrˈɔɡuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_65.wav|na kɕɛ̃ʒˈɨtsu ɲʲɛ mˈɔɡwa mɲʲɛ ɔmˈinɔɲtɕ xɔrˈɔba vˌɨsɔkɔɕtɕˈɔva.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_72.wav|tɔ bˈɨ bˌɨwɔ tsˈɔɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_158.wav|dˈavnɔ ɲʲˈɛbɨw s kɔbjˈɛtɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_6.wav|ˈalbʲi lˈɛʒɨ z ɡwˈɔvɔ̃ na kɔlˈanax tˈakɔ. wapˈidux prubˈujɛ ɡˈɔː ɔpˈatʃɨtɕ, tsˈɔ jɛst ɕmʲˈɛxu vˈartɛ. fʃˈɨstsɨ lɛkˈaʒɛ z mˈajɔ klˈiɲiɡ dɔ spˈuwki, bˈɨ ɡˈɔ ɲʲɛ ˌɔpatʃˈɨli.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_6.wav|vɨswˈuxaw bˈɛtskɨ, ktˌura pʃˌɛkazˈawa mu rˈapɔrd zˈɔɛ dˌɔtɨtʃˈɔntsɨ kwˈutɲi i tˈɛɡɔ, w jˈaki spˈɔsub vɨmknˈɛli ɕɛ z dˈɔmu.|4
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_52.wav|vʲˈɛm, ʒˈɛ tˌaki bˌɛɲdʑɛ tfˈuj pʲˈɛrʃɨ ˈɔdrux, ˌalɛ tɔ vˌɨklutʃˈɔnɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_64.wav|zatɕˈiska ˈusta i tʃˈujɛ, ʒˈɛ vzbrˈaɲʲa ɕɛ pʃɛt pˌɔvʲɛdʑˈɛɲʲɛm tʃˈɛɡɔɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_324.wav|tɔɲˈija ɕpjˈɛ bˈɛs snˈuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_68.wav|mɨɕlˈawɛm sˈɔbjɛ, tsˈɔ? ɲʲɛ vʲɛdʑˈawaɕ, ʒˈɛ tˈak ɕɛ stˈaɲʲɛ? bʲˈiw nˈas tˈak sˈamɔ jˈak tɕˈɛbjɛ, vʲˈɛndʑ dlatʃˈɛɡɔ ɕɛ ɲʲɛ dˌɔmɨɕlˈiwaɕ, ʒˈɛ tˈak tɔ ɕɛ skˈɔɲtʃɨ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_73.wav|dˈaj mi pˈan sfˈɔjɛ ˌɔkulˈarɨ pʃˌɛtɕifswɔnˈɛtʃnɛ, pɔftˈuʒɨw mɛ̃ʃtʃˈɨzna.|0
+Dataset/wavs/urwisko_ferenc/40_segment_24.wav|— mˈuv dɔ xɔlˈɛrɨ! — sˈɨknɔw f kʲɛrˈuŋku lˌɛvandˈɔfskʲɛj.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_51.wav|pˈɔra jˈuʃ, ʒˈɛbɨʑ zdjˈɛwa tɛ zbrˈɔjɛ i ubrˈawa ɕɛ jˈak pʃɨstˈɔi kɔbjˈɛtɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_315.wav|ɡdˈɨbɨm bˌɨwa mɛ̃ʃtʃˈɨznɔ̃, mˈɔɡwabˌɨm vwˈadatɕ krulˈɛstfɛm vɛ vwˈasnɨm imjˈɛɲʲu, a ɲʲɛ w imjˈɛɲʲu dɔmmˈɛla.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_47.wav|jˈɛɕli bˈuk istɲʲˈɛjɛ, stfˈɔʒɨw tˈɛʃ tɔ.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_122.wav|bɔrˈɨkaw ɕɛ z vˌɔntplivɔɕtɕˈami pʃˈɛs rˈɛʃtɛ rˈɛjsu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_136.wav|ˌalɛ tɔ bˌɨwɔ dˈavnɔ tˈɛmu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_137.wav|jɛdˈɨnɛ, tsˈɔ mˈɔʒɛ mu pɔswˈuʒɨdʑ za brˈɔɲ, tɔ klˈutʃɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_246.wav|na pˌɔɡraɲˈitʃu ˌɛrɔtˈɨzmu i tɕˈɛ̃ʃkix snˈuf.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_96.wav|vˈidʑɛ, ʒˈɛ fʃˈɨstkʲɛ ɕfʲˈatwa na partˈɛʒɛ ɕɛ pˈalɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_10.wav|ɡdʑˈɛ tɨ bˌɨwaɕ tˈɨlɛ tʃˈasu?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_51.wav|vɨbjˈɛram jˈɛdnɔ̃ z ɲˈix i znajdˈujɛ w ɕrˈɔtku zdjˈɛɲtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_323.wav|kˌurtɨzˈanɨ z braˈavɔs swɨnˈɛwɨ na tsˈawɨm ɕfʲˈɛtɕɛ.|1
+Dataset/wavs/urwisko_ferenc/29_segment_25.wav|ˌuruxˈɔmiw ɕˈilɲik i vʒˈutɕiw fstˈɛtʃnɨ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_177.wav|ˈɔba tfˈɔjɛ psˈɨ ɕɛ fɕtɕˈɛkwɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_85.wav|pˈuʑɲʲɛj, zˈaɲim pˈujdʑɛ spˈɔtkatɕ ɕɛ z ɲˈitskʲɛm, spˈuɕtɕi tɛn kˌartɛlˈuʃɛk f xˌɔtɛlˈɔvɨm sɛdˈɛɕɛ. natʃˈɛlna zasˈada, ɲitʃˈɛ��ɔ na pˈiɕmʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_53.wav|ɔn ftˈɛdɨ mrˈuɡa pˌɔvʲɛkˈami.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_56.wav|ɲˈikt mi ɲʲɛ pˌɔdʑɛŋkˈujɛ, jˈɛɕli pɔkˈɔjɛ zɔstˈanɔ̃ pʃˌɛʃukˈanɛ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_263.wav|mʲˈawa jˈuʃ ˌɔtpɔvʲˈɛdɲʲɛ swˈɔva na kˈɔɲtsu jɛ̃zˈɨka.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_50.wav|ɲʲɛ vʲˈɛdʑaw, ʒˈɛ mˈili zɔstˈawa pɔrvˈana.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_55.wav|mˌajstrɔvˈali tsˈɔɕ pʃɨ pɔkrˈɨvʲɛ studʑˈɛŋki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_3.wav|pʃˈɛs tsˈawɨ wˈikɛnt pˈada.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_83.wav|ftˈɛdɨ zˈɛrkam w lˈɛvɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_364.wav|tʃˈasɨ sɔ̃ parʃˈɨvɛ i ɲˈikt ɲʲɛ zarˈabja tˈaɡ dˈɔbʒɛ jˈak ɕlˈɛptsɨ trɔmpkˈaʒɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_53.wav|tsˈɔ tɔ za pɨtˈaɲʲɛ? xˈɨba ɲʲɛ ˌɔtʃɛkˈujɛ pˈan, ʒˈɛ nˈaɲʲɛ ɔtpˈɔvʲɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_41.wav|ɲʲɛ rˌɔzumjˈawam, ɔ tsˈɔ jɛj xɔdʑˈiwɔ s tˈatɔ̃. jˈakim tsˈudɛm ɲʲɛ mʲˈawɔ tɔ z ɲˈim ɲˈits fspulnˈɛɡɔ?|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_222.wav|dˈɔbʒɛ ɕɛ tʃˈujɛʃ? zapˈɨtaw dˈalɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_229.wav|rˈɛʃtkɔ̃ ɕˈiw vʑˈɛwam ɕɛ w ɡˈarɕtɕ.|4
+Dataset/wavs/urwisko_ferenc/04_segment_45.wav|vʲˈɛdʑaw, ʒˈɛ kɔbjˈɛta ɲʲɛ vɛzvˈawa taksˈufki, bˈɔ pɔlˈitsja zvrutɕˈiwa ɕɛ s tɨm pɨtˈaɲʲɛm dɔ fʃˈɨstkix kˌɔrpɔrˈatsji pʃˌɛvɔzˈɔvɨx.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_94.wav|ɡvˈardjan pʃˈɨjʒaw ɕɛ jɛj uvˈaʒɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_128.wav|bˈɛɲdʑɛ, ˌalɛ tˌɨlkɔ trˈɔxɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_78.wav|vʲˈɛʒɨw, ʒˈɛ dˌɨspɔnˈujɛ vˌɨstartʃajˈɔntsɔ̃ vwˈadʑɔ̃, ʒˈɛbɨm zɔstˈawa w dˈɔmu. ʒˈɛ pˌɔzɔstˈanɛ z ɲˈim zvʲɔ̃zˈana na vʲˈɛki.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_50.wav|dlatʃˈɛɡɔ pˈan tɔ zrˈɔbʲiw?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_52.wav|pʃɛt tˈɔbɔ̃? znˈuf ɕɛ ɕmʲˈɛjɛ.|3
+Dataset/wavs/urwisko_ferenc/03_segment_114.wav|z ɡwɔɕɲˈikuf pˌɔlɛtɕˈawɨ tɕˈɛ̃ʃkʲɛ dʑvʲˈɛŋki. tˌɔvaʒˈɨʃɨw im ɲˈiski, ɡwɛmbˈɔki ɡwˈɔs ɲʲˌɛmjɛtskʲˈɛɡɔ vˌɔkalˈistɨ.|0
+Dataset/wavs/urwisko_ferenc/39_segment_21.wav|mˈam nadʑˈɛjɛ, ʒˈɛ dɔ tʃˈɛɡɔɕ tɕi ɕɛ pʃˈɨda.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_173.wav|ˌuswɨʃˈɛliɕmˌɨ kɔlˈɛjnɛ vɨstʃˈawɨ, ɲʲɛktˌurɛ ɔdlˈɛɡwɛ, ˈinnɛ blˈiʃʃɛ, ˌalɛ f sɛktˈɔʒɛ lˈima i tˈu, w dˈuʒɨm dˈɔmu s kɔpˈuwɔ̃ pˌanɔvˈawa tɕˈiʃa.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_398.wav|jˌɛstɛm f krˈɔptsɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_188.wav|tˈaka vwˈaɕɲʲɛ vɨdˈajɛ mu ɕɛ ta rɔbˈɔta, skʃɨvʲˈɔna.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_161.wav|a ɔ tʃɨm ɕɛ mˈuvi f tˈakiɣ vɨpˈatkax jˈudɨ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_84.wav|zabjˈɔrɛ zˈɛ sˈɔbɔ̃ sˈɛr ɔsnˈɛja kˌɛttlɛblˈaka. mˈawa rˈada bˌɛɲdʑɛ xtɕˈawa ɡˈɔ pʃɛswˈuxatɕ i uswˈɨʃɛtɕ jˈɛɡɔː ˌɔskarʒˈɛɲʲa na vwˈasnɛ ˈuʃɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_98.wav|fʃˈɨstsɨ ˌuswɨʃˈɛli, jˈak pɔ drˈuɡʲɛj strˈɔɲʲɛ dʒvˈi klˈutʃ spˈada na pɔdwˈɔɡɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_32.wav|bˈɛtskɨ ɲʲˈɛmal swɨʃˈawa ˌɔbratsajˈɔntsɛ ɕɛ w mˈuzɡu tˈɔmat rɨbʲˈiki i pˌɔstanɔvˈiwa zatʃˈɛkatɕ.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_19.wav|zˌamɔrdˈɔvaw jˈɔ̃ jɛj vwˈasnɨ mˈinstrɛl.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_158.wav|ˈɛlis ɔtɕˈɛra ɕtɕɛrˈɛtʃkɔ̃ pɔlˈitʃki i tʃˈɔwɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_116.wav|i pɔpˈɛwɲʲatɕ tʃˈɨnɨ pʃˈɛtɕiv dˈɔbrɨm ˌɔbɨtʃˈajɔm. mˈam na mˈɨɕli tˈaɡ zvˈanɔ̃ vˈɔlnɔ̃ mˈiwɔɕtɕ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_472.wav|ˌuɕtɕisnˈɛwa jˈɛɡɔ dwˈɔɲ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_30.wav|zˌɔstaɲʲˈɛmɨ tˈu dɔ jˈutra?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_147.wav|mˈama rˌɔzɛɕmʲˈawa ɕɛ f xˌaraktˌɛrɨstˈɨtʃnɨ spˈɔsup, ktˌurɨ zatʃˈɛwam rˌɔspɔznˈavatɕ jˈakɔ ʃtˈutʃnɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_33.wav|bʲˈillɨ pˌɔdɛjʒˈɛva, ʒˈɛ vˈɔlawbˌɨ tˈɛraz bˈɨdʑ w vˈɛɡas i swˈuxadʑ vɔlˈarɛ w vˌɨkɔnˈaɲʲu jakʲˈɛɡɔʑ vˌɛtɛrˈana, fraŋkʲˈɛɡɔː ˌɛvɛllˈɔna, a mˈɔʒɛ bɔbjˈɛɡɔ rɨdˈɛla.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_55.wav|jˈɛɕli mˌamɨ jˈuʃ ˈiɕtɕ, tɔ prˈɔʃɛ pɔvʲˈɛdʑɛtɕ, ɔ tsˈɔ pˈanu xɔdʑˈiwɔ, kʲˈɛdɨ zaprˈaʃaw mɲʲɛ pˈan tˈutaj?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_370.wav|na vʲˈɛtsax, f kɔɕtɕˈɛlɛ, w arˈɛʃtɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_37.wav|sprɨskˈujɛ rɔɕlˈinɨ bˈɛv vˈɔdɔ̃, pɔ tʃɨm zbjˈɛɡa s pɔvrˈɔtɛm na dˈuw.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_112.wav|pʃɨbˈɨwɔ tˈu z ɲˈimi puwsˈɛtki rˈuʒnɨɣ bˈɔɡuf, ˌalɛ jɛdnˈɛɡɔ z ɲˈiɣ vˌɨznavˈali ˌɔɲi fʃˈɨstsɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_177.wav|dˈɔbra, ˌustavʲˈamɨ ɕɛ f ʃˈɛrɛk, zˌakɔmɛndˈɔvaw tˈakɔ. ktˈɔ xtsˈɛ pˈujɕtɕ na pʲˈɛrʃɨ ˈɔɡʲɛɲ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_13.wav|pʃɨpˈɔmɲʲaw kitˈɔvi tˈɔm.|3
+Dataset/wavs/urwisko_ferenc/03_segment_137.wav|zˌaɔpsˌɛrvɔvˈawa, ʒˈɛ mɛ̃ʃtʃˈɨzna zatɕˈisnɔw dwˈɔɲʲɛ na kʲˌɛrɔvɲˈitsɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_343.wav|prˈɔʃɛ jˈɛʃtʃɛ ɲʲɛ fstˈavatɕ, pˌɔvʲɛdʑˈawɛm tɕˈixɔ, ˌupʃɛdʑˈajɔnts jɛj zˈamjar.|0
+Dataset/wavs/urwisko_ferenc/28_segment_72.wav|xˈɛrman pˌɔkivˈawa ɡwˈɔvɔ̃. zdavˈawa sˈɔbjɛ sprˈavɛ, ʒˈɛ bɛˈata vˈaltɛr mˈa rˈatsjɛ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_19.wav|f kˈɔɲtsu zdˌɛtsɨdˈɔvaw ɕɛ na skuʒˈanɔ̃ kˈurtkɛ i zakˈɔɲtʃɨw ɕɛ z nˈami.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_279.wav|tʃɨ mˌamɨ pwˈɨnɔɲtɕ ˈaʃ na krˈɛz ʑˈɛmi f pɔɡˈɔɲi za jˈakɔ̃ɕ ˌɔpɔvʲˈastkɔ̃ pˌijanˈɛɡɔ mˌarɨnˈaʒa?|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_137.wav|i pɔspʃˈɔntaj tɛn bawˈaɡan. mˈa ɲʲˈɛbɨtɕ pˈɔɲim ɕlˈadu, rɔzˈumjɛʃ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_137.wav|ˌalɛ ja ɲʲˈɛxtsɛ, ʒˈɛbɨ rˈɨan bˈɨw pɔdˈɔbnɨ. ɲʲˈɛx rˈɨan pʃɛstˈaɲʲɛ lˈatatɕ, pˈitɕ pɔ nˈɔtsax.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_104.wav|pˌɔkazˈawam mu ɕrɔtkˈɔvɨ pˈalɛts.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_164.wav|mˈɔɡɛ tɕi zawˈatfitɕ kˈarnɛt, jˈɛɕli...|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_167.wav|nˈavɛt tˈutaj, kˈilka tɨɕˈɛntsɨ mˈil ɔt mˈuru, ɡˈɔʑdʑik ɲʲɛ xtɕˈawa vˌɨpɔvʲˈadatɕ na ɡwˈɔs imjˈɛɲʲa lˈadɨ mˌɛlisˈandrɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_40.wav|jˈɔxanssɔn znˈalaz ɡˈɔ w jɛj bjˈurku.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_207.wav|sˈɛr mˈuviw, ʒˈɛ ˌɔtʃɨmˈamɨ sˈutɔ̃ naɡrˈɔdɛ, tɔ znˈatʃɨ zwˈɔtɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_158.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_69.wav|mˈuvi dɔː alfjˈɛɡɔ, dˈɨʃɔnts ɲʲˈɛtsɔ z vɨɕˈiwku.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_447.wav|ɡdˈɨbɨ brˈɔɲiw tɕˈɛ f prˈubjɛ vˈalki i pʃˈɛɡraw...|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_98.wav|umˈɔva jɛst ɲʲɛ dɔ ruʃˈɛɲʲa. dʑˈɛŋki tˌɛmu mˈɨ, mˈawɛ ʒˈutʃki, mˌamɨ trˈɔxɛ tʃˈasu nˈatɔ, ʒˈɛbɨ rɔskrˈɛɲtɕitɕ intˈɛrɛs.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_261.wav|ɲʲɛ dˌɔpuɕtɕˈimɨ dɔ tˈɛɡɔ, pˈaɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_26.wav|dɔ tɛj pˈɔrɨ nˈavɛt pʃˈɛs xfˈilɛ bˈɨm ɲʲɛ pˌɔmɨɕlˈawa, ʒˈɛ mˈuɡwbɨ bˈɨtɕ mi ɲʲɛvʲˈɛrnɨ.|4
+Dataset/wavs/urwisko_ferenc/08_segment_55.wav|nˌadarˈɛmɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_74.wav|jˈɛdnak ktˈurɨʑ z dvˈux tɨɕˈɛntsɨ mʲɛʃkˈaɲtsuf kɕˌɛ̃ʒɨtsɔvˈɛɡɔ mʲˈasta mˈuɡw dˈɔstatɕ ɕɛ dɔ ɕlˈuzɨ ɔd vˈɛvnɔntʃ, ʒˈɛbɨ mɲʲɛ stˈamtɔnd vɨtɕˈɔŋɡnɔɲtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_78.wav|vrˈɛʃtɕɛ udˈɛʒɨw ɡwˈɔvɔ̃ ɔ pɔdwˈɔɡɛ i zɲʲˌɛruxˈɔmiw.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_125.wav|pˌɔxɨlˈiwa ɕɛ dɔ pʃˈɔdu, ʒˈɛbɨ ɡˈɔ pˌɔtsawˈɔvatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_44.wav|ɔfjˈara tɔ kɔlˈɛjnɨ mɛ̃ʃtʃˈɨzna pɔ tʃɨdʑˈɛsttsɛ. brˈak ˌidɛntˌɨfikˈatsji.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_92.wav|pˈɔnɔtɕ pˈɔmuɡw vʲˈɛlu lˈudʑɔm znˈalɛɕtɕ sˈɛnz ʒˈɨtɕa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_37.wav|ˈandɛrsɔn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw, pˈɔʃɛt pʃˈɔdɛm, a rˈɨan ʃˈɛd zˈaɲim i w miltʃˈɛɲʲu fɕˈɛdli dɔ sˌamɔxˈɔdu.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_431.wav|dˈɔkɔnt pˌɔjɛdʑˈɛmɨ, sˈɛr?|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_208.wav|mˈɔi brˈatɕa tˈaɡʒɛ, fʃˈɨstsɨ tsˈɔ dɔ jɛdnˈɛɡɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_142.wav|ɲʲɛ, swˈuʒɔ̃ tˌɨlkɔ dɔ nˌaviɡˈatsji i fʃˈɨstkʲɛ sɔ̃ skʲˌɛrɔvˈanɛ na zˈɛvnɔntʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_21.wav|zɛrvˈawam z ɡwˈɔvɨ xˈɛwm spˌavalɲˈitʃɨ i mˈɔtsɲʲɛj pʃˌɨtɕisnˈɛwam mˈaskɛ dɔ tfˈaʒɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_99.wav|tɕˈɛbjɛ rˈuvɲʲɛʃ ˈɔtpar ˈɔjtɕɛts. jˈak ɕɛ tʃˈɨma tɛn vwˈas w wazˈiku?|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_11.wav|ɲʲɛ dˈaʒɨ mɲʲɛ miwˈɔɕtɕɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_143.wav|xˈɨba ɲʲˈɛxtsɛʃ pʃɛʃkˈadʑatɕ kˌuzɨnˈɔvi w mɔdlˈitfʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_52.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_4.wav|tʃˈujɛ, ʒˈɛ kˈaʒdɛ vˌɨpɔvʲadˈanɛ pʃɛzˈɛmɲʲɛ swˈɔvɔ jɛst kwˈamstfɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_24.wav|vʲˈɛndʑ vratsˈamɨ nat mˈɔʒɛ, a ja mɛldˈujɛ ɕɛ w mˈawɨm pˌɛnsjɔnˈatɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_204.wav|fxˈɔdʑɔndʑ dɔ ɕrˈɔtka, jˈamɛ ɔmˈalɲʲɛ nadˈɛpnɔw na ʃtʃˈura.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_142.wav|pɔtˈɛ̃ʒnɨ, wˈɨsɨ mɛ̃ʃtʃˈɨzna s ɕˌɛdmʲɔramjˈɛnnɔ̃ ɡvʲˈazdɔ̃ nˌamalɔvˈanɔ̃ nat ˈɔkʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_78.wav|pˈɔtɛm dɔtˈɨka tˈɨlnɛj kʲɛʃˈɛɲi spˈɔdɲi, f ktˌurɛj tkfˈi zwɔʒˈɔnɨ rɨsˈunɛk ʃˈan.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_15.wav|pˈɔtɛm spˈɨtaw, tʃɨ bˈɨwbɨm f stˈaɲʲɛ zˈabʲitɕ tʃwɔvʲˈɛka na plˈatsu bˈɔju i znˈɔvu ˌɔtpɔvʲɛdʑˈawɛm, ʒˈɛ tˈak.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_34.wav|dɔ tʃˈɛɡɔ dˈɔʃwɔ na tɛj imprˈɛʑɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_222.wav|tɔ tɨ vˌɨmɨɕlˈiwaɕ tsˈawɔ̃ tˈɛ ˈaktsjɛ. tsˈɔ mˌamɨ rˈɔbʲitɕ?|4
+Dataset/wavs/urwisko_ferenc/53_segment_111.wav|ɔn nˈaɲim jˈɛst?|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_180.wav|xtsˈɛ tˈɛʃ napˈisatɕ, ʒˈɛ w ɡwˈɛmbʲi dˈuxa dɔ dʑˈiɕ ɲʲɛ mˈɔʒɛ samˈɛɡɔ ɕˈɛbjɛ ˈɔtɨm pʃɛkˈɔnatɕ.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_335.wav|vˈɨbatʃ, sˈɛr, ˌalɛ tɔ ɲʲɛ bˌɨli pɔbˈɔʒɲi lˈudʑɛ. tˈatsɨ jˈak mˈɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_17.wav|pʃˌɛtɕɛʃ tɔ vʒˈɛɕɛɲ, a mˈiwɔʑdʑ bˈɔskɔ̃ natxˈɔdʑi ʑˈima.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_91.wav|vʲˈɛlɛ rˈazɨ mˈuvi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_41.wav|ɲʲɛ, ˌalɛ skˈɔnt mʲˈawabˌɨ ɡˈɔ mʲˈɛtɕ kˈirstɛn?|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_318.wav|tɔ tɕi sprˈavja pʃɨjˈɛmnɔɕtɕ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_16.wav|bˈɛtskɨ pˌɔpatʃˈɨwa na tˈɔma i uɲʲˈɔswa brvˈi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_33.wav|jˈɔɛ nˈaɡlɛ sˈɔbjɛ pʃɨpˈɔmɲʲaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_42.wav|praktˈɨtʃɲʲɛ ɲʲɛ swˈɨʃɛ jˈɛɡɔ swˈuf. tʃˈɨmam ɕɛ ɔbˈurɔndʒ blˈatu, zˌastanavʲˈajɔnts ɕɛ, tʃɨ vˌɨdaʒˈɛɲʲa z ɔstˈatɲix kˈilku dɲˈi ɲʲɛ spravˈiwɨ, ʒˈɛ mi ɔdbʲˈiwɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_50.wav|pʃˈɨʃɛt tʃˈas, ʒˈɛbɨm ɕɛ vˌɨtɕiʃˈɨwa i zˌastanɔvˈiwa pɔvˈaʒɲʲɛ nat sˌɨtuˈatsjɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_31.wav|f kˈɔɲtsu zˈatʃɲʲɛ brakˈɔvatɕ mi pɔvʲˈɛtʃa i bˌɛndɛ muɕˈawa ɕɛ pˈɔddatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_84.wav|tsˈɛntrum pˌɔttʃɨmɨvˈaɲʲa ʒˈɨtɕa jɛst na pɔʑˈɔmjɛ zˈɛrɔː armstrˈɔŋɡa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_100.wav|tɔ vwˈaɕɲʲɛ mˈuɕaw pɔvʲˈɛdʑɛtɕ, kʲˈɛdɨ pʃˌɛjɛʒdʒˈawam ˌɔbɔk xˌawasˌujɔntsˈɛɡɔ mwˈɔta pnˌɛwmatɨtʃnˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_170.wav|zapˈada f sˈɛn i ɕɲˈi ɔ pustˈɨɲi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_95.wav|a ja vɨrˈaʑɲʲɛ tʃˈuwam jˈɛɡɔ vaxˈaɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_55.wav|jˈin xˈu mˈiltʃɨw pʃˈɛs kˈilka sˈɛkunt, pˌɔdrɨɡˈujɔnts nɛrvˈɔvɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_56.wav|zˌaxɔrɔvˈawɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_40.wav|ʒˈɛ f tɨm mʲˈɛɕtɕɛ vɨdˈajɛʒ dʑɛɕˈɔntkɛ, zˈaɲim jˈɛʃtʃɛ vʲˈɛʃ, za tsˈɔ pwˈatɕiʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_100.wav|tsˈawɔ̃ ɕtɕˈanɛ w ɡwˈɛmbʲi pˌɔmjɛʃtʃˈɛɲʲa pˌɔkrɨvˈawɨ mˌɔɲitˈɔrɨ, na ktˌurɨɣ vˈidadʑ bˌɨwɔ fʃˈɨstkʲɛ ɛtˈapɨ lˈiɲʲi prˌɔduktsˈɨjnɛj i zˌaxɔdʑˈɔntsɛ tˈam prɔtsˈɛsɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_75.wav|tsˈɔ vɨpˈada za kˈilka tɨɡˈɔdɲi?|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_318.wav|pɔd zaswˈɔnɔ̃ ˌupʃɛjmˈɔɕtɕi pˌɔjavˈiwa ɕɛ nˈuta ɲʲˌɛpɔkˈɔju, lˈɛtʃ mˈinstrɛl pˈɔdaw lˈutɲʲɛ tsɛrsˈɛi.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_117.wav|brjˈɛnnɛ zˌadɔvɔlˈiwa ɕɛ rˈɨbɔ̃, xlˈɛbɛm i mˈarxfjɔ̃, a sˈɛptɔn mɛrˈibalt na kˈaʒdɨ zjɛdʑˈɔnɨ kˈɛ̃s|1
+Dataset/wavs/urwisko_ferenc/11_segment_35.wav|zwˈamaw rɨtˈuaw, ftrɔɲtɕˈiwa xˈɛrman. dɔkwˈadɲʲɛ. zrˈɛʃtɔ̃ pɔdˈɔbɲʲɛ jˈak ˈu xudʑˈiɲskix, pɔtfʲˈɛrdʑiw.|0
+Dataset/wavs/urwisko_ferenc/07_segment_39.wav|ˈalbɔ lˌɔɡɔvˈaɲʲa kɔmˈurki?|0
+Dataset/wavs/urwisko_ferenc/28_segment_91.wav|zmarʃtʃˈɨwa tʃˈɔwɔ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_48.wav|s pɛvnˈɔɕtɕɔ̃ ɲʲɛ bˈɨwabˌɨ tˈak ɔkrˈutna, ʒˈɛbɨ ɡˈɔː ˌɔʃukˈivatɕ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_89.wav|ivˈarɡɔ xˈɔlt|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_32.wav|mʲˈawam ɔxˈɔtɛ tɔ vɨwˈɔntʃɨtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_246.wav|jˈɛɕli jɛj dɔtʃˈɨmaʃ, bɛɲdʑˌɛmɨ muɕˈɛli pɔɡˈadatɕ ˈɔtɨm, jˈak ɔtpˈɔvʲɛʃ na pɨtˈaɲʲa, ktˌurɛ pˈadnɔ̃ pɔ mˈɔim vɨjˈɛʑdʑɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_41.wav|dɔmˈiɲik fstˈajɛ i pɔtxˈɔdʑi dɔ kˈɔʃa na ɕmʲˈɛtɕi, ʒˈɛbɨ vɨʒˈutɕitɕ kˈubɛk.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_73.wav|pˌɔvʲɛdʑˈawa z jˈakimɕ nˌautʃɨtɕˈɛlskim natɕˈiskʲɛm dɔ prˌɛzɨdˈɛnta, ktˌurɨ udˈavaw ɲʲˌɛʒɨvˈɛɡɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_37.wav|spˈɔjʒaw f strˈɔnɛ bˈɛtskɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_35.wav|vʲˈɛnts pʃɛstˈawam ɡˈɔː ˌɔpsɛrvˈɔvatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_44.wav|mˈɨɕliʃ, ʒˈɛ rɔspˈɔznawbˌɨ fatsˈɛta s tɛj fˌɔtɔɡrˈafji?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_61.wav|dˈɔkɔnt jɛdʑˈɛmɨ? ˌɔɲi pˌɔjɛxˈali f pʃɛtɕˈivnɔ̃ strˈɔnɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_24.wav|jˈɛʃtʃɛ rˈaz dʑɛŋkˈujɛ za pʃˌɛtʃɨtˈaɲʲɛ ˌidɛalnˈɛɡɔ kwˈamstfa.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_8.wav|arjˈantɔ rˈuvɲʲɛʒ zˌaaktsˌɛptɔvˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_68.wav|bʲˈillɨ pʃɨnˈɔɕi spˈɔd vɛrˈandɨ kˈilka klɔnˈɔvɨx pˈɔlan i bˈutskɨ rɔspˈala mˈawɨ pʲˈɛtsɨk i ˈɔtul f kˈuxɲi.|2
+Dataset/wavs/urwisko_ferenc/59_segment_144.wav|w ˈinnɨm ˈawtɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_172.wav|tʃtˈɛrɛx stratɕˈiwɔ pʃɨtˈɔmnɔɕtɕ pʃɨ sfˈɔiɣ bjˈurkax, a jˈɛdɛn ˈupad na pɔdwˈɔɡɛ.|4
+Dataset/wavs/urwisko_ferenc/24_segment_77.wav|a tʃɨm ɕɛ zajmˈujɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_83.wav|bˌɛɲdʑɛʃ utrˈudɲʲatɕ, bˌɛɲdʑɛ bɔlˈawɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_79.wav|vˈɛstxnɔw, jˈaɡbɨ ɲʲˈɛmʲaw ɔxˈɔtɨ dʑˈɛlitɕ ɕɛ tɔ̃ ˌɔpɔvʲˈɛɕtɕɔ̃, ˌalɛ w jˈɛɡɔː ˈɔku pɔjˈaviw ɕɛ bwˈɨsk, jˈaɡbɨ w ɡwˈɛmbʲi dˈuʃɨ ɕɛ tɕˈɛʃɨw, ʒˈɛ mˈɔʒɛ im ˈɔtɨm pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_50.wav|tɔ vˌɨstartʃˈɨwɔ, ʒˈɛbɨ pɔt pɔvʲˈɛʃxɲʲɔ̃ ˌutfɔʒˈɨwɔ ɕɛ pʃˈɛjɕtɕɛ, ˌalɛ brˈama nˈadal vˌɨɡlɔndˈawa na zamkɲʲˈɛntɔ̃.|1
+Dataset/wavs/urwisko_ferenc/12_segment_129.wav|strˈaʃɲʲɛ im fspuwtʃˈuliɕmˌɨ. a w zasˈadʑɛ xˈɨba ɡwˈuvɲʲɛ jɛj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_241.wav|kturˈɛɡɔʑ dɲʲˈa tɨ tɔ mɲʲɛ vˌɨtwumˈatʃɨʃ. dla mɲʲɛ vˈaʒnɛ sɔ̃ tˌɨlkɔ rˌɛzultˈatɨ, tˈaɡ vʲˈɛnts...|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_85.wav|tɛn tʃwˈɔvʲɛk mˈa rˈatsjɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn, ˌalɛ tɔ ɲʲˈɛma ɲˈits fspulnˈɛɡɔ s tˈɨm, tsˈɔ ja mˈɨɕlɛ. ja mˈɨɕlɛ, ʒˈɛ f tɨm krˈaju ɲˈikt naprˈavdɛ ɲʲˈɛvʲɛ, tsˈɔ tɔ znˈatʃɨ bˈɨtɕ mˈartfɨm.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_180.wav|zˌamɛldɔvˈawa ta ˈɛna, ɡdˈɨ krulˈɔva vdʑɛvˈawa strˈɔjnɛ sˈukɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_124.wav|rɔzˈumjɛm pɔvʲˈɛdʑaw rˈudɨ. a mˈɔʒɛʃ mi vɨjˈaɕɲitɕ, dlatʃˈɛɡɔ lˈɛna lˈandviɡ dʑˈiɕ rˈanɔ pʃɛlˈawa mˈiljɔn ɡʲˈituf na tfˈɔjɛ kˈɔntɔ?|4
+Dataset/wavs/urwisko_ferenc/23_segment_137.wav|bˈɨtɕ mˈɔʒɛ ɲˈiɡdɨ bˈɨ jɛj tˌɛɡɔ ɲʲɛ vɨbˈatʃɨw, a ftˈɛdɨ ˌɔna stratɕˈiwabˌɨ rˈɛʃtki nadʑˈɛi, ʒˈɛ vˈartɔ dˈalɛj ʒˈɨtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_171.wav|tɔ dlatˈɛɡɔ, ʒˈɛ tˈamta kɔbjˈɛta bˌɨwa jˈak i jˈa.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_363.wav|vˈɨznaw pˈɔdritsk paˈɨnɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_173.wav|jɛj urˈɔda tˈɛraz za dɲʲˈa ujˈɛnta f stˌarɔɕfʲˈɛtski ʃnˈɨt mˈɔdɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_104.wav|a zˈatɛm tɔː ɔn jɛst tɨm brˌakujˈɔntsɨm mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_41.wav|ɲˈiɡdɨ ɲʲˈɛbɨw tɔ dˈɔbrɨ znˈak. zˌapukˈawa vʲˈɛndʑ dˌɛlikˈatɲʲɛ, pɔ tʃɨm jˈɛ ˌɔtfɔʒˈɨwa.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_185.wav|f pˈɛvnɛj xfˈili spwɔʃˈɔnɨ kˈɔt sˈɨknɔw nˈaɲ zˈɛ zwˈɔɕtɕɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_52.wav|f tˈɨlnɛj ɕtɕˈaɲʲɛ znajdˈɔvaw ɕɛ dˈuʒɨ ˈɔtfur ˌɔtɔtʃˈɔnɨ ʃɛrˈɔkim na mˈɛtr fartˈuxɛm, ktˌurɨ pʃˌɨpɔmˈinaw dˈɨʃɛ vˌɨlɔtˈɔvɔ̃ ɕilɲˈika rˌakʲɛtɔvˈɛɡɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_211.wav|pˈɔɕtɕɛl paxɲʲˈawa ˌɛɡzɔtɨtʃnˈɨmi ʑɔwˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_26.wav|zˌɔbatʃˈɨmɨ, jˈaɡ bˌɛɲdʑɛ sxˈɔdʑitɕ.|4
+Dataset/wavs/urwisko_ferenc/55_segment_98.wav|mˈarja drɡnˈɛwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_67.wav|tɛn krˈaj mˈa tˈutaj dˈuʒɔ vʲˈɛlkix kˌɔrpɔrˈatsji, mnˈustfɔ prˈatsɨ dla ˌintɛliɡˈɛntnɨx lˈudʑi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_19.wav|ˌalɛ pʃɛxˈɔdʑɔndʑ dɔ ɲʲˈɛtsɔ pʃˌɨjɛmɲʲˈɛjʃɨx tɛmˈatuf, jˈak mˈinɔw tɕi dʑˈɛɲ.|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_53.wav|maʃ na ɡwˈɔvʲɛ tʃtˈɛrɨ ɕˈɔstrɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_79.wav|ɡʲˈɔrɡjɔ vɨmjˈɛɲʲa spɔjʒˈɛɲʲa z ɲˈitskʲɛm, ktˌurɨ vzrˈuʃa rˌamjɔnˈami.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_343.wav|vˌɨdavˈawa ɕɛ jɛj tˌɨlkɔ zwˈɨm snˈɛm, ktˌurɨ ɲʲɛkʲˈɛdɨ drˈɛntʃɨw jˈɔ̃ nɔtsˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_41.wav|zrˈɛʃtɔ̃, tʃɨ w ɔɡˈulɛ xtɕˈawbɨ spˈɛɲdʑitɕ rˈɛʃtɛ ʒˈɨtɕa za kratˈami, ɡdʑˈɛ tˈam...|2
+Dataset/wavs/urwisko_ferenc/33_segment_49.wav|ˌalɛ na nˈapwɨf ɕfʲɛʒˈɛɡɔ pɔvʲˈɛtʃa ɲʲˈɛmuɡw lˈitʃɨtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_13.wav|kɔbjˈɛtɨ w bˈarvnɨx sukʲˈɛŋkax i mɛ̃ʃtʃˈɨʑɲi f kɔʃˈulkax spˌatsɛrˈujɔ̃ unˈɔʃɔnts tfˈaʒɛ dɔ swˈɔɲtsa, radˈɔɕɲi, ʒˈɛ ɲʲɛ mˈuʃɔ̃ ɕɛ jˈuʃ kˈulitɕ pʃɛt ˌɔpadˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_78.wav|a vʲˈɛnts ktˈɔɕ ˈinnɨ mˈuɡw dˌɨspɔnˈɔvatɕ tɔ̃ kˈartɔ̃ ˌɛsˌiˈɛm lˈup jɛj sklˌɔnɔvˈanɔ̃ vˈɛrsjɔ̃ i ˈuʒɨtɕ jɛj f sfˈɔim tˌɛlɛfˈɔɲʲɛ. bˈɔʒɛ, sprˈɨtnɛ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_31.wav|ɲˈiɡdɨ ɲʲɛ bˌɨwɔː im tɕˈɛpwɔ. nˈavɛd ɡdˈɨ rˌɔzbʲijˈali ˈɔbus, mʲˌɛli trudnˈɔɕtɕi zˈɛ znˌalɛʑˈɛɲʲɛm suxˈɛɡɔ drˈɛvna dɔː ɔɡɲˈiska.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_16.wav|vɨjmˈujɛ ɡˈɔ s tɔrˈɛpki i vɨwˈɔntʃam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_188.wav|ʃtʃˈɛʒɛ mˈuvʲɔnts, bˌɨwɔ tɔ nˈavɛd zabˈavnɛ.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_485.wav|spˈɔjʒaw na sfˈɛ vˌɨstʃɛmpʲˈɔnɛ ʃˈatɨ i uɕmʲˈɛxnɔw ɕɛ zˈɛ smˈutkʲɛm.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_365.wav|ɡdˈɨ tˌɨlkɔ vʲˈɛɕtɕi ɔː ɔbˈɛtsnɨx kwɔpˈɔtaɣ vˈaʃɛj miwˈɔɕtɕi dɔtˈarwɨ nad ʒˈɛkɛ,|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_97.wav|pˌɔtʃɔ̃snˈɛwa ʃˌɛrɔkˈimi bjɔdrˈami. jˌɛstɛm krulˈɔvɔ̃ kˈurɛf!|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_34.wav|tˈak, bˈɛv zupˈɛwɲʲɛ ɕɛ rˌɔssɨpˈawa. jɛst f sɨpʲˈalɲi i pakˈujɛ ɕɛ. i rˈɨtʃɨ, ˈaʃ sˈɛrtsɛ ɕɛ krˈajɛ.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_49.wav|sˈam ɲˈiɡdɨ jˈɛʃtʃɛ ɲʲɛ vˈidʑaw takʲˈɛɡɔ ɡˈɔdwa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_14.wav|tˈɔm zrˈɔbʲiw krˈɔɡ w bˈɔk.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_23.wav|pɔsˈada w lˌabɔratˈɔrjum ˌɛˌɛsˈa stanˈɔvi ˈɔbjɛɡd vʲˈɛlkʲɛj zazdrˈɔɕtɕi i pˌɔʒɔndˈaɲʲa, vʲˈɛnts mˈuɕi bˈɨdʑ dˈɔbrɨ f sfˈɔim fˈaxu.|4
+Dataset/wavs/urwisko_ferenc/65_segment_47.wav|dʒvˈi dˈɔmu ˌɔtfɔʒˈɨwɨ ɕɛ f xfˈili, ɡdˈɨ xʃˈɛ̃zd ʒvˈiru pɔt tˌɛrɛnɔvˈɨmi ˌɔpɔnˈami ˈutɕiɣ zupˈɛwɲʲɛ, bˈɔ samˈɔxud vjˈɛxaw w lˈas.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_113.wav|ɲˈits takʲˈɛɡɔ ɲʲɛ pʃɨxˈɔdʑi mi dɔ ɡwˈɔvɨ.|3
+Dataset/wavs/urwisko_ferenc/43_segment_104.wav|dɔpʲˈɛrɔ ɡdˈɨ ɕɛ ˌuspɔkɔˈili, ˌuruxˈɔmiw ɕˈilɲik i vʒˈutɕiw bjˈɛk.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_200.wav|pˈuʑɲʲɛj bˌɛɲdʑɛ mʲˈawa tʃˈas ˌɔpɔvʲˈɛdʑɛtɕ mu ɔ marɡˈɛrɨ i ɔ jɛj kuzˈɨŋkax. mˈam tˈu dla tɕˈɛbjɛ kˈilka nakˈazuv dɔ pˌɔtpisˈaɲʲa.|1
+Dataset/wavs/urwisko_ferenc/14_segment_75.wav|lˈɛswaf kˈɔrtʃ ˈɔpar wˈɔktɕɛ na pˌɔdwɔkʲɛtɲˈikax fɔtˈɛla ˌɔbrɔtɔvˈɛɡɔː i splˈut pˈaltsɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_85.wav|ʃˈɨbɨ mˈa ˌɔpuʃtʃˈɔna, a kʲɛrˈɔftsa ɕɛ nˈamɲʲɛ ɡˈapi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_196.wav|kˈɔwɔ tʃˈɛtɕɛj bˈudʑi ɕɛ i swˈɨʃɨ, ʒˈɛ fˈil vˌɨmjɔtˈujɛ w waʑˈɛntsɛ. pˈɔtɛm rɔzlˈɛɡa ɕɛ ʃˈum spwˈutʃki i plˈuzɡ vˈɔdɨ w ˌumɨvˈaltsɛ.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_217.wav|pʃɨjʒˈawa ɕɛ mʲɛtʃˈɔvi i dˌɔkumɛntˈɔvi, a pˈɔtɛm pˌɔpatʃˈɨwa na kɔrˈɔnɛ z brˈɔ̃zu i ʒɛlˈaza.|1
+Dataset/wavs/urwisko_ferenc/09_segment_27.wav|tˌɛɡɔ vwˈaɕɲʲɛ prubˈujɛ ɕɛ dɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_173.wav|brɔ̃zˈɔvɛ vwˈɔsɨ, brɔ̃zˈɔvɛ ˈɔtʃɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_56.wav|ʃarpnˈɛwam pɔkrˈɨvɛ i fpˈadwam dɔ ɕlˈuzɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_77.wav|pɔdnˈɔʃɛ rˈɛŋkɛ i ˌɔbɛjmˈujɛ ɡˈɔ za ʃˈɨjɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_73.wav|ˈaʃ pˈɔtʃuw ˈutɕizɡ w ɡˈardlɛ i kfˈaɕnɨ pˈɔsmak w ˈustax.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_243.wav|fʃˈɨstkʲɛ kɔbjˈɛtɨ vwɔʒˈɨwɨ najlˈɛpʃɛ ubrˈaɲʲa, a pɔwˈɔva mˈɛ̃ʃtʃɨzn ɲʲˈɔswa na ramjˈɔnaɣ dʑˈɛtɕi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_413.wav|prˈɔʃɛ fɕˈadatɕ i ɲˈits ɲʲɛ ɡˈadatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_226.wav|uɕmʲˈɛxaw ɕɛ ɔt ˈuxa dɔː ˈuxa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_36.wav|f kʲɛʃˈɛɲi tˈɔma zadʑvˈɔɲiw tɛlˈɛfɔn.|3
+Dataset/wavs/urwisko_ferenc/36_segment_83.wav|pɔstˈaram ɕɛ zˈɛrknɔɲdʑ dɔ dˌɔkumɛntˈatsji, jˈɛɕli tɔ mɔɡwˈɔbɨ tɕi f tʃˈɨmɕ pˈɔmuts, mˈɔja mˈarjɔ, ˈalɛ...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_473.wav|ˈilɛʃ ja rˈazɨ pʃˌɨɡlɔndˈawɛm ɕɛ kɔlˈɛɡɔm, ktˌuʒɨ tɔnˈɛli f tˈakim vwˈaɕɲʲɛ ˌimjɛɲinˈɔvɨm bajˈɔʒɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_166.wav|trˈɔnd vˈɨjɔw s kʲɛʃˈɛɲi kavˈawɛk skˈawɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_203.wav|zjɛʒdʒˈajɔ̃ na stˈatsjɛ bˌɛnzɨnˈɔvɔ̃, bˈɔ mˈuɕi zˌataŋkˈɔvatɕ, a pˈɔza tɨm zˈasxwɔ mu w ɡˈardlɛ i xtsˈɛ ɕɛ nˈapitɕ tʃˈɛɡɔʑ ʑimnˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_141.wav|vʲˈɛŋkʃɔɕtɕ swˈuʒbɨ i ʒɔwɲʲˈɛʒɨ ˌɔpuɕtɕˈiwa jˈuʒ zˈamɛk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_259.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_112.wav|ˌɔstatˈɛtʃɲʲɛ twumˈatʃɨ, ʒˈɛ ftʃˈɛɕɲʲɛj pɔwˈɔʒɨ ɕɛ spˈatɕ, bˈɔ s samˈɛɡɔ rˈana vɨrˈuʃa dɔː ˌalabˈamɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_318.wav|ˌalɛ pʃˌɛtɕɛʃ jɛzd ʑˈimnɔ. vˈidʑɛ bɨwˈɛɡɔ pˌɔtkɔmisˈaʒa kɔrsˈaka i prˌɛzɨdˈɛnta.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_159.wav|mˈuɕaw zmrˈuʒɨtɕ ˈɔtʃɨ tˈak, ʒˈɛ vˈidʑaw tˌɨlkɔ zarˈɨsɨ lˈutskiɣ ɡwˈuv zvrutsˈɔnɨx kˈu ɲʲˈɛmu?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_45.wav|zˌaskɔtʃˈɨwam jˈɔ̃, kʲˈɛdɨ ˌɔtpɔvʲɛdʑˈawam pɔdˈɔbnɨm uɕmʲˈɛxɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_12.wav|ɡɔrˈɔntʃka s tʃˈasɛm ɔpˈadɲʲɛ i bˌɛɲdʑɛ tˈu znˈuf pʃˈɛz dvadʑˈɛɕtɕa lˈat tɕˈixɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_162.wav|pɔvʲˈɛdʑaw i pɔwˈɔʒɨw dwˈɔɲ na mˈɔim ramjˈɛɲʲu.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_38.wav|tɔ jaskˈiɲʲa, ɲʲɛ ɕfʲɔntˈɨɲʲa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_58.wav|ɲʲɛ mˈɔɡɛ ɡˈɔ zɔstˈavitɕ samˈɛɡɔ f pɔkˈɔju xˌɔtɛlˈɔvɨm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_51.wav|pˌɔmɨɕlˈawɛm, ʒˈɛ jˈɛɕli zɛrkɲʲˈɛmɨ fspˈulɲʲɛ na lˈistɛ kɔntˈaktuf, mˈɔɡwabˌɨɕ pɔvʲˈɛdʑɛtɕ, tsˈɔ vʲˈɛʃ na tˈɛmat kaʒdˈɛɡɔ z ɲˈix.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_20.wav|na ɔtxˈɔdnɨm pɔvʲˈɛdʑaw dɔ ɲˈika, rˈaz w ʒˈɨtɕu zaxˈɔvaj ɕɛ xˌɔnɔrˈɔvɔː i sˈɔɲdʑi, ʒˈɛ ɲˈik, ktˌurɨ ʃtʃˈɛʒɛ vʲˈɛʒɨw, ʒˈɛ zɡʲˈiɲʲɛ f sfˈɔjɛj jaskˈiɲi, swˈɔva dɔtʃˈɨma.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_16.wav|dʒvˈi ˌawtɔbˈusu ɕɛ rˌɔssuvˈajɔ̃. vɨɕˈada pɔlˈitsjant, zˈaɲim ʃnˈurɛk ˌarɛʃtˈantuf f pˌɔmaraɲtʃˈɔvɨx kˌɔmbʲinɛzˈɔnax. pˈɔtɛm nastˈɛmpnɨ pɔlˈitsjant.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_95.wav|mˈam tɕi tsˈɔʑ dɔ pˌɔvʲɛdʑˈɛɲʲa, ˌalɛ pˌɔɡadˈamɨ jˈaɡ vrˈutɕiʒ dɔ dˈɔmu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_17.wav|jˈaɡ dˈɔtɔnt ɲʲɛ udˈawɔ ɕɛ nˈam dɔkˈɔnatɕ fɔrmˈalnɛj ˌidɛntˌɨfikˈatsji.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_16.wav|ˌalɛ tɨm ɕɛ pʃɨnˈajmɲʲɛj nasˈɨtɕiʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_94.wav|jˈɛdnak ɲʲɛktˌuʒɨ spˈɔɕrut pʃˈɛʃwɔ dvˈux tɨɕˈɛntsɨ mʲɛʃkˈaɲtsuf mˈɔɡli ˈumʒɛtɕ pʃɛt tʃˈasɛm.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_315.wav|xwˈɔpak ɔdɡˈarnɔw ˌɔpadajˈɔntsɨ na ˈɔtʃɨ kˈɔsmɨk.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_225.wav|vˈɛʃwam dɔ ɕlˈuzɨ, zamknˈɛwam vɛvnˈɛntʃnɨ vwˈas i rˌɔspɔtʃˈɛwam vˌɨpɔmpˌɔvɨvˈaɲʲɛ pɔvʲˈɛtʃa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_449.wav|i mˈaxnɔw tɔ̃ ˌuɲʲɛɕˈɔnɔ̃ dwˈɔɲʲɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_202.wav|bʲˈillɨ vzrˈuʃa rˌamjɔnˈami. tɨ mi pˈɔvʲɛts.|2
+Dataset/wavs/urwisko_ferenc/27_segment_81.wav|tʃˈɨli sˌuɡɛrˈujɛ pˈaɲi...|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_6.wav|bʲˈillɨ taŋkˈujɛ palˈivɔ. kupˈujɛ pˈɔntʃka frˌantsuskʲˈɛɡɔː i butˈɛlkɛ sˈɔku pˌɔmarˌaɲtʃɔvˈɛɡɔ, pɔ tʃɨm parkˈujɛ na tˈɨwax.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_231.wav|mawʒˈɛɲstfɔ mˈuɕi zˈɔstatɕ skˌɔnsumɔvˈanɛ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_144.wav|kwˈamjɛʃ. jˌɛstɛɕ kˈɛdʑ z nˌatkanˈawuf. znˈam tɕˈɛ dˈɔbʒɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_51.wav|tɔ xˈɨba tɔ, tsˈɔ najbˈardʑɛj lubʲˈiwɛm, zˈaɲim jˈɛʃtʃɛ zatʃˈɔwɛm lˈatatɕ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_171.wav|ɲʲɛ jɛst ˈaʃ tˈak tʃˈarnɔ̃ rˈɨbɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_89.wav|ɛkˈipa spʃˌɔntajˈɔntsa ɲʲɛxˈɨbɲʲɛ jɛzd w drˈɔdʑɛ dɔ prˌɔmɔntˈɔrɨ pˈɔint.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_39.wav|rˈɔp kʲɛrˈujɛ mɲʲɛ w jˈɛɡɔ strˈɔnɛ i ɔtfʲˈɛra dʒvˈi ɔt strˈɔnɨ pˌasaʒˈɛra.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_289.wav|vʲˈɛnts tˈaɡ vaxˈajɔnts ɕɛ,|0
+Dataset/wavs/urwisko_ferenc/55_segment_63.wav|pʲˈɛɲtɕ lˈat tˌɛmu zˌaɡʲinˈɛwa mˈɔɲikˌa xudʑˈiɲska, pˌɔvʲɛdʑˈawa xˈɛrman.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_36.wav|jˈakɔɕ tɕˈɔŋɡlɛ jˌɛstɛm ɲʲˌɛvɨspˈana. mɨɕlˈawam, ʒˈɛ bˌɛɲdʑɛ lˈɛpʲɛj, jˈaɡ dɔkˈɔɲtʃɛ jˈɛɡɔ çistˈɔrjɛ, ˈalɛ...|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_20.wav|pˈawl i dɛɲˈisɛ rˌaɡlandˈɔvʲɛ pˌɔstanavʲˈajɔ̃ ɕɛ pʃɨwˈɔntʃɨtɕ. tsˈawɔ̃ ɕudˈɛmkɔ̃ spˌatsɛrˈujɔ̃ pɔ vɛsˈɔwɨm mʲastˈɛtʃku. zˌajadˈajɔ̃ swˈɔtkʲɛ kʲɛwbˈaski i sˈɛntʃɔ̃ napˈɔjɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_160.wav|ˌutratɕˈiwam nat sˈɔbɔ̃ kɔntrˈɔlɛ i zatʃˈɛwam kʃˈɨtʃɛtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_35.wav|mˈuʃɛ ɕɛ tʃˈɨmʑ zˈajɔɲtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_192.wav|trˈɔnd bwˈɨsnɔw zɛmbˈami f pˈɛwnɨm sˌamɔzˌadɔvɔlˈɛɲʲa uɕmʲˈɛxu i ɔtfˈɔʒɨw skʃɨnˈɛtʃkɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_429.wav|bjˈust mʲˈawa ɲˈibɨ ɔkrˈɨtɨ,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_74.wav|ta kɔbjˈɛta bˌɨwa ˌɔbwɔŋkˈana.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_84.wav|jˈɛɡɔ mˈina mˈuvi, dʑˈɛŋki ɲˈitsk, ˌalɛ mˈɔʒɛ zˈɔstaf tɔː ɛkspˈɛrtɔm.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_64.wav|mlˈɛtʃkɔ mˌiɡdawˈɔvɛ i tsɛbˈula, ɡɔʑdʑˈiki, paltʃˈatka tsˌɨtrɨnˈɔva i tsˈɛnnɨ ʃˈafran, a tˈaɡʒɛ jˈɛʃtʃɛ ʒˈatʃɛ ˌɛɡzɔtˈɨtʃnɛ pʃɨprˈavɨ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_303.wav|ɲʲɛ mˈɔɡwa vˈaltʃɨtɕ f pˌɔjɛdˈɨŋkɛ s ɕɛdmʲˈɔma pʃˌɛtɕivɲikˈami, nˈavɛt jˈɛɕli jˈɛdɛn tʃɨ drˈuɡʲi bˈɨw rˈannɨ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_400.wav|ˌuɕfʲadˈɔmiw sˈɔbjɛ jˈamɛ lanɲˈistɛr. tsˈawkʲɛm mɔʒlˈivɛ, ʒˈɛ tɨ tˈɛʃ ɕɛ pʲˌɛrdɔlˈiwɛʑ z mˈɔjɔ̃ ɕˈɔstrɔ̃, frˌantsɔvˈatɨ skˌurvɨsˈɨnu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_13.wav|zamˈɨkam za sˈɔbɔ̃ dʒvˈi dɔ bjˈura i rɔzɡlˈɔndam ɕɛ dˌɔɔkˈɔwa.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_12.wav|jˈɛɕli bˌɛɲdʑɛ tʃˈɛba, ʒˈutɕi ɕɛ pɔt kˈɔwa jˈɛɡɔ fɔtˈɛla, vˈɨzna vˈinɨ i bˌɛɲdʑɛ bwaɡˈawa ɡˈɔː ɔ wˈaskɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_67.wav|spɛtsjˈalɲʲɛ vɨbrˈawam tˈɛ tʃˈɛɲɕtɕ kɔpˈuwɨ, pɔɲʲˈɛvaʒ znˌajdɔvˈawa ɕɛ w mˈartfɨm pˈɔlu.|4
+Dataset/wavs/urwisko_ferenc/34_segment_27.wav|skˈinɔw ɡwˈɔvɔ̃, pɔ tʃɨm zrˈɔbʲiw krˈɔk f strˈɔnɛ dˈɔmu. tɔ tsˈɔ, idʑˈɛmɨ?|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_335.wav|ʒɛlˈaznɛ pɔtkˈɔvɨ xrɔɲʲˈɔntsɛ kɔpˈɨta nˈaʃɨɣ vʲˈɛrnɨx kˈɔɲi i bwɨʃtʃˈɔntsɛ mʲˈɛtʃɛ nˈaʃɨx lˈɔrduf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_79.wav|dlatʃˈɛɡɔ pˌɔmɨɕlˈawaɕ, ʒˈɛ lˈɛpʲɛj bˌɨwɔ jɛj vˈɨznatɕ, ʒˈɛ ɲʲɛ xtɕˈawɛm, bˈɨɕmɨ ɕɛ pɔnˈɔvɲʲɛ zˈɛʃli?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_63.wav|jˈɛɡɔ pˈɔtɕɔŋk pʃɨjˈɛdʑɛ dɔpʲˈɛrɔ za ɡɔdʑˈinɛ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_186.wav|a tˈɛras, panˈɔvʲɛ, mˈuʃɛ vˈas pʃɛprˈɔɕitɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_283.wav|a tʃɨ tɔ dˈɔbʒɛ, tʃɨ ʑlˈɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_50.wav|xɔlˈɛrna strˈata tʃˈasu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_285.wav|lˈatam, ˌalɛ jˈuʃ ɲʲɛ tˌɨlkɔ dla ɲʲˈɛj.|0
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_31.wav|pˈɔza tɨm vratsˈamɨ dɔ stˈawɨɣ zˈajɛɲtɕ.|4
+Dataset/wavs/urwisko_ferenc/63_segment_171.wav|xˈɛrman vzruʃˈɨwa rˌamjɔnˈami i zatʃˈɛwa tʃˈɨtatɕ. ɕmʲˈɛrdʑ dʑˈɛtska w rɔzɡʒˈanɨm sˌamɔxˈɔdʑɛ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_19.wav|pɔmɲʲˈɛjʃɨm lˈɔrdɛm, ktˌurɨ mʲˈaw jˈak ɲˈits ˌɔɕɛmdʑˈɛɕɔnt lˈat, a dɔ tˌɛɡɔ bˈɨw ɕlˈɛpɨ i bɛzzˈɛmbnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_164.wav|ɲʲɛ zdˈɔ̃ʒɨ pˈan, pɔvʲˈɛdʑaw jˈamisɔn, ja zrˈɔbjɛ tɔ pʲˈɛrʃɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_125.wav|taksˈujɔ̃ pʃˌɛxɔdʑɔntsˈɛɡɔ bʲillʲˈɛɡɔ tʃˈujnɨm spɔjʒˈɛɲʲɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_74.wav|ɲʲɛ tʃˈujɛ ɕɛ dˈɔbʒɛ, vʲˈɛndʑ dˈawa mi sfˈɔjɔ̃ kˈartɛ, ʒˈɛbɨm mˈɔɡwa vˈɛjɕtɕ i vˈɛjɕtɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_484.wav|i ja ɔ tˈɔbjɛ ɲˈits ɲʲˈɛvʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_19.wav|pɔ pˈɔmpkax tʃˈujɛ ɕɛ spˌɔkɔjɲʲˈɛjʃɨ.|2
+Dataset/wavs/urwisko_ferenc/43_segment_80.wav|ɔ tsˈɔ pˈɔʃwɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_91.wav|zˈazdrɔɕtɕ ɲʲɛ jɛst tsˈɛxɔ̃, s ktˌurɛj nalˈɛʒɨ bˈɨdʑ dˈumnɨm.|3
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_83.wav|mˈuʃɛ jˈɔ̃ jˈɛɕtɕ tsɔdʑˈɛnɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_322.wav|kʃˈɨknɔɲtɕ tˈak, ʒˈɛbɨ ˌuswɨʃˈɛli zavˈiswɔ̃...|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_26.wav|nˈɔ, ˌalɛ f sˈumjɛ tˈɛkst tʃˈɨma ɕɛ kˈupɨ.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_11.wav|brjˈɛnnɛ vˌɨkrɛntsˈawa rˈɛntsɛ na fʃˈɨstkʲɛ strˈɔnɨ, lˈɛtʃ ɲʲɛ zdɔwˈawa ix uvˈɔlɲitɕ.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_276.wav|f snˈax, jˈamɛ zˈafʃɛ mʲˈaw dvʲˈɛ rˈɛntsɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_95.wav|nat mʲˈastɛm lɛtɕˈawɨ na fsxˈut jˈak rakʲˈɛtɨ trˌanskɔntˌɨnɛntˈalnɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_31.wav|f tsˌɛlɔvɲˈiku mˈɔɡwɛm ɔttʃˈɨtatɕ nˈazvɛ malbˈɔrɔ. vidʑˈawɛm tˈɛʃ xˌaraktˌɛrɨstˈɨtʃnɨ xˈɛrb z dvˈɔma zwɔtˈɨmi lvˈami.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_107.wav|w artˈɛmiz zajmˈujɛ tɔ spˈɔrɔ tʃˈasu. rˌɔzʒɛdʑˈɔna ˌatmɔsfˈɛra i swˈapʃa ɡrˌavitˈatsja spravʲˈajɔ̃, ʒˈɛ tʃɔ̃stˈɛtʃki pˈɨwu ˌɔpadˈajɔ̃ tsˈawɛ vʲˈɛki.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_138.wav|ɔ tsˈɔ xˈɔdʑi, kɔlˈɛɡɔ z dˈavnɨx lˈat?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_62.wav|mˈɔja dwˈɔɲ zˌatʃɨmˈujɛ ɕɛ pʃɨ pʃɨtɕˈiskax, ˌalɛ ɲʲɛ dɔtˈɨkam ˌɔdbjɔrɲˈika.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_420.wav|tˈak tɔ vɨɡlˈɔnda.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_111.wav|jˌɛstɛm pˈɛvna, ʒˈɛ zrˌɔzumjˈɛjɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_256.wav|ˌɔtʃɨvˈiɕtɕɛ zbjˈɔrɲiɡ bˈɨw pˈɛwɛn vˈɔsku, ˌalɛ w ɕrˈɔtku muɕˈawɔ pɔzˈɔstatɕ trˈɔxɛ vˈɔlnɛj pʃɛstʃˈɛɲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_221.wav|ɲʲɛ pɔdˈɔba mu ɕɛ, ʒˈɛ tɨm rˈazɛm mʲˈawbɨ ɕɛ zdˈatɕ na ˈinnɨx, ˌalɛ ɲʲɛ pˈɔra ˈɔtɨm mˈuvitɕ.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_278.wav|ˈɔtʃɨ brjˈɛnnɛ zˈaʃwɨ wzˈami. zˌaswuɡˈujɛ nˈaɲʲɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_144.wav|ˌalɛ zapˈɛvnɛ xˈɔdʑi ɡwˈuvɲʲɛ ɔ prˈɔstɨ fˈakt, ʒˈɛ ɲʲˈɛmuɡwbˌɨ jɛj zˈabʲitɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_182.wav|ɡdʑˈɛ ˈaram mˈuɡwbɨ tsˈɔɕ ˈukrɨtɕ?|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_431.wav|pˈɔvʲɛts mˈattsɛ i ˈɔjtsu, ˈiʃ jˌɛstɛʑ vdʑˈɛntʃnɨ, ʒˈɛ nˈadal jˌɛstɛʑ dʑˈɛtskʲɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_21.wav|zˌapɨtˈawa pɔ xfˈili.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_1.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_23.wav|pˈɔttʃas ˌɔtfʲɛrˈaɲʲa ɕlˈuzɨ fʃˈɨstkʲɛ mˌɛxaɲˈizmɨ ˌuruxˈamja ɕɛ za pɔmˈɔtsɔ̃ tˌɛɡɔ panˈɛlu i zvˈɨklɛ rˈɔbjɔ̃ tɔː ˌɛksplɔratˈɔʒɨ ubrˈaɲi f skafˈandrɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_127.wav|bʲˈillɨ ɔdvrˈatsa ɕɛ i pˈatʃɨ xɔffˈɔvi prˈɔstɔ f tfˈaʃ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_103.wav|ɲʲɛ bˌɨwam pˈɛvna, tʃɨ pɔvˈinnam mu ˈɔtɨm pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_284.wav|tʃɨ pɔvˈinnɔ ɕɛ jˈɔ̃ pʃˌɛpɔvʲˈadatɕ? nˈatɔ ˌɔtpɔvʲˈɛdʑawbˌɨm ɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_7.wav|mˈama zˌapɛvɲˈiwa mɲʲɛ, ʒˈɛ tˈata ɔɡlˈɔndaw kˈilka dˈɔmuf. nˌajvɨrˈaʑɲʲɛj znˌajdɔvˈaliɕmˌɨ ɕɛ w lˌinkɔlnʃˈajɛr i ˈuznaw, ʒˈɛ lˌakɛsˈidɛ bˌɛɲdʑɛ dla nˈas najlˈɛpʃɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_101.wav|zwɔʒˈɨliɕmˌɨ pˈɛvnɔ̃ prˌɔpɔzˈɨtsjɛ mwɔdˈɛmu stsɔttˈɔvi. ɲʲɛ pʃɛkˈazaw tɕi ɲitʃˈɛɡɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_10.wav|rɔzˈumjɛm, ʒˈɛ jˈɛʃtʃɛ ɲʲɛ zatʃˈɛwaɕ, ˌalɛ tʃɨ mˈɔʒɛʃ mi jˈuʃ tsɔkˈɔlvʲɛk pɔvʲˈɛdʑɛtɕ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_155.wav|pʃˈɛs ɔtfˈartɛ ˈɔknɔ zɔbˈatʃɨw stˌartujɔntsˈɛɡɔ ɡˌɔɔɲˈibʲirt. samˈɔlɔt tɕˈɛ̃ʃkɔ vznˈɔɕiw ɕɛ s pˈɔla stˌartɔvˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_152.wav|pˌɔwɔntʃˈɔnɨ z ɲˈim kˈabɛl ˌɛlɛktrˈɨtʃnɨ zvʲɔ̃zˈanɨ z dvʲˈɛma ˌɔpaskˈami w zɡrˈabnɔ̃ kɔkˈartkɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_68.wav|vʲɛdʑˈawɛm, ɲˈik, ʒˈɛ jˌɛstɛɕ skˈɔmpɨ, ˌalɛ ɲˈiɡdɨ ɲʲɛ mʲˌawɛm tɕˈɛ za kaɲtɕˈaʒa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_69.wav|nˈaɡlɛ ˌɔɕlɛpˈiwɨ mɲʲɛ rˌɛflɛktˈɔrɨ i ʃˈɨpkɔː uɲʲˈɔswam rˈɛŋkɛ, ʒˈɛbɨ ɔswˈɔɲitɕ ˈɔtʃɨ pʃɛt iɣ blˈaskʲɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_48.wav|pʃɨpˈuʃtʃam, ʒˈɛ xˈɔdʑi ɔ pˌɔvʲɔ̃zˈaɲʲa s sawdˈɨjskim ɕfʲˈatkʲɛm pʃɛstˈɛmptʃɨm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_41.wav|zɛbrˈawɛm dɔ kˈupɨ fʃˈɨstkʲɛ vˌɨpɔvʲˈɛdʑi ˈɔsup, ktˌurɛ brˈawɨ ˈudʑaw f spɔtkˈaɲʲu s pˈanɛm strakˈanɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_6.wav|nˈavɛt najbˈardʑɛj kˌɔnsɛrvatˈɨvna mˌuzuwmˈaɲska dʑɛftʃˈɨna mˈɔɡwabˌɨ jˈɔ̃ zawˈɔʒɨtɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_41.wav|vʲˈɛʃ, ʒˈɛkw ˈandɛrsɔn, tɨ pɔ prˈɔstu jˌɛstɛʑ dˈɔbrɨm tʃwɔvʲˈɛkʲɛm, ˌalɛ ˈɔtɨm ɲʲˈɛvʲɛʃ.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_7.wav|ɡdˈɨ jˈamɛ dˈɔtar na tʃˈɛlɛ kɔlˈumnɨ dɔ zˈamku, fʃˈɨstsɨ utɕˈɛkli jˈuʒ za mˈurɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_19.wav|bˌɛɲdʑɛ tʃˈɛtɕi, kʲˈɛdɨ zbudˈujɔ̃ çˈiɡɡʲins tsˈɛntɛr.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_140.wav|ˌalɛ f pʃɛtɕˈivnɨm rˈaʑɛ bˈɨwabˌɨm z ɲˈim.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_273.wav|bʲˈillɨ rɔzˈɛjʒaw ɕɛ f prˈavɔː i w lˈɛvɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_321.wav|i zvˈɔlna pʃˌɛɕɔŋkajˈɔntsɨ krfjˈɔ̃, a ˈandɛrsɔn ɲʲɛ ˌɔdvratsˈajɔnts ɕɛ vˈidʑaw jˈɛɡɔ tfˈaʃ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_29.wav|w jˈakimɕ sˈɛnɕɛ? tʃɨ tɛn pˈaɲi mˈɔrisɔn mˈuviw z aktsˈɛntɛm? ɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_111.wav|ˌɔswaɲʲˈajɔnts ɕɛ i pˌɔtskakˈujɔndʑ vrutɕˈiwɛm dɔ wˈuʃka.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_51.wav|pʃɨtɕˈiska dɔ ɕˈɛbjɛ dʒˈinsɨ, jˈaɡbɨ ɕɛ pʃɛt tʃˈɨmʑ brˈɔɲiw.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_59.wav|ʒˈɛkw kˈɔrsak, bˈɔ jˌɛstɛm spuʑɲʲˈɔnɨ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_363.wav|jɛdˈɨnɨm ʑrˈudwɛm ɕfʲˈatwa bˌɨwa wɔjˈɔva ɕfʲˈɛtʃka palˈɔntsa ɕɛ f kawˈuʒɨ stˌɔpʲɔnˈɛɡɔ twˈuʃtʃu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_48.wav|mˈɔʒɛ pɔ prˈɔstu ɲʲɛ vʲˈɛdʑaw?|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_12.wav|w zˈɛʃwɨm mʲɛɕˈɔntsu ʃɔnˈɔvi zwɔʒˈɨwa vizˈɨtɛ rˌɔzjuʃˈɔna bˈanda.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_87.wav|tʃˈujɛ ɕɛ rɔzdˈarta.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_27.wav|tɔ ja tˈu jˌɛstɛm spˌɛtsjalˈistɔ̃, pʃˌɛkɔnˈɨvaw mɲʲɛ bˈɔp.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_9.wav|pˌɔmjɛʃtʃˈɛɲʲɛ bˌɨwɔ skrˈɔmɲʲɛ ˌuʒɔndʑˈɔnɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_101.wav|bʲˈiwɛm ɕɛ dʑˈiʑ vʲɛtʃˈɔrɛm. nˈɔː ˈɔtɨm mɨ fʃˈɨstsɨ vʲˈɛmɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_57.wav|swˈɨʃɨʃ, tsˈɔ pˈaɲi mˈuvi?|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_520.wav|ˌɔdɡarnˈɛwa vwˈɔsɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_121.wav|mˈarta zmruʒˈɨwa ˈɔtʃɨ, a bˈɛtskɨ pʃˌɛsunˈɛwa ɕɛ blˈiʒɛj mˌɔɲitˈɔra.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_52.wav|— ɲʲˈɛmam s tɨm ɲˈits fspulnˈɛɡɔ. zrɔbʲˈiwɛm zˌapʲɛkˈaŋkɛ rˈɨbnɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_48.wav|w mʲˈarɛ jˈaɡ zbliʒˈali ɕɛ dɔ xarˈɛnxal...|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_188.wav|vʲˈɛlka kɔmnˈata zˈamku dˈarɨ bˌɨwa vʲˈɛlka jɛdˈɨɲʲɛ z nˈazvɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_172.wav|kˈaʒɛ bʲilljˈɛmu i ˈɛlliz vˈɨbratɕ pɔ ʃˈɛɕtɕ najlˈɛpʃɨɣ zdjˈɛɲtɕ i mˈuvi, ʒˈɛ sˈam zrˈɔbʲi tɔ sˈamɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_20.wav|pˈɔtɛm bɔrˈujɛ pˈan w ɲˈim dvˌutsalˈɔvɛ dʑˈurɨ w ˌɔdlɛɡwˈɔɕtɕi tsˈɔ tʃtˈɛrɨ tsˈalɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_53.wav|tsˈɔ tɔ jɛst pˈulpa?|4
+Dataset/wavs/urwisko_ferenc/22_segment_65.wav|a nastˈɛmpɲʲɛ vʑˈɔw jˈɛɡɔ drˈɔbnɔ̃, xwɔpʲˈɛntsɔ̃ dwˈɔɲ|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_114.wav|tɔ jˈɛdɛn z ɔstˈatɲix parkˈiŋɡuv vʲˌɛlɔpˌɔʑɔmˈɔvɨx, na ktˌurɨx ix jˈɛʃtʃɛ ɲʲɛ zˌamɔntɔvˈanɔ, ˈɔtpar jˈumbɔ.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_119.wav|ɲʲɛ pˌɔmɨɕlˈawɛɕ ˈɔtɨm?|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_367.wav|tʃɨ pˈan tˌɛɡɔ ɲʲɛ rɔzˈumjɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_63.wav|pˌɔtʃwapˈawam vrˈaz z ˌamatɔrˈami spatsˈɛruf kɔsmˈitʃnɨx, starˈajɔnts ɕɛ tʃˈɨmatɕ w ɕrˈɔtku ɡrˈupɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_215.wav|dɔrˈɔtɨ, ja za xfˈilɛ vrˈatsam.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_108.wav|vɨxˈɔdʑɔndʑ vˈidʑi, ʒˈɛ dˈɔn i bɛvˈɛrlɨ nˈadal sɔ̃ na ɡˈaŋku, tˈɛras pˈijɔ̃ dɔ spˈuwki pˈivɔ, pˈɨta vʲˈɛnts, tʃɨ tsˈɔɕ im kˈupitɕ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_37.wav|xˈund zatˈɔtʃɨw ɔtʃˈɨma.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_214.wav|— tɔ ɲˈits — pˌɔvʲɛdʑˈawɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_6.wav|pɔ pɔwˈudɲʲu ɕˈɛdʑi na ɡˈaŋku ʒuwtˈɛɡɔ dˈɔmu i ˌɔpsɛrvˈujɛ trˈavɛ pˌɔrastajˈɔntsɔ̃ pɔdvˈurkɔ.|2
+Dataset/wavs/urwisko_ferenc/52_segment_11.wav|fɕˈad dɔ tɔjˈɔta i ɔpˈuɕtɕiw tɔ mʲˈɛjstsɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_55.wav|prˈɔʃɛ vɨbˈatʃɨtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_6.wav|pˈiwam mˌɛxaɲˈitʃɲʲɛ kˈavɛ, ˌalɛ ɲʲɛ pˌɔtrafˈiwam zbˈɨd dwˈuɡɔː udˈavadʑ zˌaintˌɛrɛsɔvˈaɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_224.wav|tʃɨ pʲˈɛrʃɨ rˈaz zvrˈutɕiw ɕɛ dɔ ɲʲˈɛj pɔː imjˈɛɲʲu? ɲʲɛ pamjˈɛnta.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_97.wav|ɲʲˈɛma ˈinnɛj mˌɔʒlivˈɔɕtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_180.wav|ɲʲɛ, utɕˈina bˈutskɨ. ɲʲˈɛma tˌɛɡɔ dˈuʒɔ, a ɡˈarnɛk i tˈak mˈuɕi ɕɛ nˈajpʲɛrf namˈɔtʃɨtɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_177.wav|ɲʲɛ mˈɔɡɛ tˌɨlkɔ ɕɛ ukrˈɨvatɕ. mˈuʃɛ ɕɛ dɔvʲˈɛdʑɛtɕ, tsˈɔ jɛzd ɡrˈanɛ. ˈidʑ dɔː im mˈama, a ja ɔdˈɛzvɛ ɕɛ dɔ tɕˈɛbjɛ, kʲˈɛdɨ bˌɛɲdʑɛ bɛspʲˈɛtʃɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_63.wav|jˈaɡbɨ tɔ bˌɨwa nˈaʃa vˈina, jaɡbˈɨɕmɨ prɔɕˈili ɕɛ ˈɔtɔ, ʒˈɛbɨ ɕɛ urˈɔdʑitɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_274.wav|ˌalɛ tɨm rˈazɛm ɕɛ ɔtsknˈɔwɛm, zˈaɲim pˌɔtɕɔŋɡnˈɛwa za spˈust, mˈɨɕli bʲˈillɨ, tʃwˈapʲɔnts s pɔvrˈɔtɛm dɔ wˈuʃka.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_133.wav|maʃ tsˈɔɕ pʃˈɛtɕif jɛj ˌɔbɛtsnˈɔɕtɕi? ɲʲɛ pˌɔdɛjʒɛvˈawɛm tɕˈɛ ɔ tˈak mˈawɔ sˈɛrtsa, zvwˈaʃtʃa tˈɛras, kʲˈɛdɨ xtsˈɛʒ zmʲˈɛɲidʑ vʲˈarɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_47.wav|pˌɔzvɔlˈiwa, ʒˈɛbɨ rˈɔspʲɔw jɛj kɔʃˈulɛ, tˌɨlkɔ na tˈɨlɛ ɕɛ zɡɔdʑˈiwa i mˈuvʲɔnts tɛ swˈɔva zˌapinˈawa jˈɔ̃ s pɔvrˈɔtɛm, xɔvˈawa pʃɛt jˈɛɡɔː ɔtʃˈami tsˈawɛ tɔ pʲˈɛŋknɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_88.wav|ɲʲɛ zamjˈɛʒaw tˈɛʒ vʲˈɛʒɨtɕ tsˌamɛrɔnˈɔvi na swˈɔvɔ, ʒˈɛ stsˈɔtt rˈɔbɛrts ɲʲˈɛʒɨw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_6.wav|pʃɛprˈaʃam zˈatɔ ftʃɛɕɲʲˈɛjʃɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_80.wav|ɡrˈatʃ pɔ mˈɔjɛj lˈɛvɛj rˈɛntsɛ pˈɔdɲʲus ustˈafkɛ dɔ stˈu. bˈaviw ɕɛ pʃˈɨtɨm ʒˌɛtɔnˈami, pɔdnˈɔʃɔnts jˈɛ i ˌupuʃtʃˈajɔnts.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_34.wav|ɲʲɛ bˌɨwɔ vˌɔntplivˈɔɕtɕi, ʒˈɛ tɛj kɔbjˈɛtɨ ɲˈidʑ ɡɔrʃˈɛɡɔ spˈɔtkatɕ ɲʲɛ mˈɔɡwɔ.|3
+Dataset/wavs/urwisko_ferenc/63_segment_153.wav|pilˈɛfska ɕɛdʑˈawa ɲʲˌɛruxˈɔmɔ.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_249.wav|na krˈutkɔ̃ xfˈilɛ pɔtʃˈuwa ɕɛ ʃtʃɛɲɕlˈivɔ̃ ʒˈɔnɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_8.wav|mɨɕlˈawam, ʒˈɛ vʲˈɛtɕɛ jˈuʃ, ktˈɔ tɔ zrˈɔbʲiw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_96.wav|ˈɔj tˈak, pʃɛvrˈatsa ɔtʃˈami i kɔbjˈɛta narˈɛʃtɕɛ ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_113.wav|pɔpˈɨxam dʒvˈi i fxˈɔdʑɛ dɔ ɕrˈɔtka.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_77.wav|xtsˈɛʃ mi dɔstˈartʃɨdʑ dˌɔdatkˈɔvɨx ˌarɡumˈɛntuf pʃˌɛmavʲajˈɔntsɨɣ za dˌɛpɔrtˈatsjɔ̃? zˌapɨtˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_177.wav|naɡrˈaɲʲɛ z mˌɔɲitɔrˈiŋɡu. rɔzˈumjɛʃ, dɔ tʃˈɛɡɔ zmʲˈɛʒam.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_50.wav|bʲˈillɨ pɔdˈajɛ sɔ̃ɕˈattsɛ tʃˈɨ ɲʲˌɛmarkˈɔvɛ kˌɔmputˈɛrɨ. s pˌudɛwkˈami w ramjˈɔnaɣ vɨɡlˈɔnda jˈaɡ dˌɔstartʃɨtɕˈɛlka pˈitsɨ z dɔmˈinɔs.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_135.wav|sˈam bˈɨ ˈɔtɨm ɲʲɛ pɔmˈɨɕlaw, nˈɔ mˈɔʒɛ jˈutrɔ, kʲˈɛdɨ spˈɔjʒawbˌɨ na wˈuʃkɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_301.wav|ɲʲˈɛxtsɛ ˈɔtɨm ˌɔpɔvʲˈadatɕ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_315.wav|ˈɔjtɕɛts xtsˈɛ s tˈɔbɔ̃ mˈuvitɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_408.wav|— tɔ bˈardʑɔ dˈɔbʒɛ — ʒˈɛɡw zˌatɔpʲˈɔnɨ f sfˈɔix mˈɨɕlax pɔlˈitsjant.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_214.wav|nˌautʃˈɨwɛɕ ɕɛ mɲʲɛ uʒˈɨvatɕ tˈak, jˈak nˌautʃˈɨwɛɕ ɕɛ uʒˈɨvatɕ sˌamɔlˈɔtuf.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_100.wav|f tˈakim rˈaʑɛ bˌɛndɛ muɕˈawa rɔspˈatʃɨtɕ jˈɛɡɔ kˌandɨdatˈurɛ.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_320.wav|tɕi baɲˈitɕi sɔ̃ tsˈɔras ɕmʲˈɛlɕi, jˈɛɕli ˌɔdvaʒˈɨli ɕɛ pɔvʲˈɛɕidʑ dʑɛdʑˈitsa lˈɔrda valdˈɛra, ɲʲɛspˈɛwna dʑˈɛɲ drˈɔɡʲi ɔd bliʑɲʲˈakuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_100.wav|fʃˈɨstkɔ, tsˈɔ pˈɔvʲɛʃ,|2
+Dataset/wavs/urwisko_ferenc/02_segment_59.wav|lˈɔndɨn spɔvˈaʒɲʲaw i pɔkˈivaw ɡwˈɔvɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_33.wav|vˈɨswaw mi lˈistɛ ˈɔsup, ktˌurɛ bˌɨwɨ ˈu ɲʲˈɛɡɔ w dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_30.wav|pˌɔtʃɛbˈujɛ tɕˈɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_7.wav|dʑˈiɕ rˈanɔ kupˈiwam sˈanxɛs ˌalumˈiɲʲum ɔt ˌɔpalˈatɕɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_152.wav|vʲɛdʑˈawam jˈɛdnak, ʒˈɛ pʃɛɡrˈawam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_68.wav|dlatʃˈɛɡɔː ˌutɕɛkˈamɨ? tsˈɔ z mɔˈimi pʃˌɨjatɕˈuwmi?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_17.wav|dlatʃˈɛɡɔ zˌalɛʒˈawɔ kˈɔmuɕ na pɔrvˈaɲʲu mˈili ˈaʃ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_215.wav|ɲˈits ix jˈuʃ ɲʲɛ wˈɔntʃɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_63.wav|ɔt tˈɛraz znˈaʃ pˈita, klˈɛrɛ, ˈava i bʲillʲˈɛɡɔ. nˈɔː i ˌɔtʃɨvˈiɕtɕɛ sˈɔfjɛ. nazvˈiskɔ tɔ dʒˈɔnsɔn.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_9.wav|pamjˈɛntam, kʲˈɛdɨ ˈaram dˌɔprɔvˈadʑiw jˈɔ̃...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_148.wav|pɛrfˈidji i ɲˌiktʃɛmnˈɔɕtɕi.|0
+Dataset/wavs/urwisko_ferenc/27_segment_10.wav|zazvˈɨtʃaj nɔɕˈiwa pʃɨ sˈɔbjɛ jɛdˈɨɲʲɛ trˈɔxɛ drˈɔbnɨx, bˈɨ ɲʲɛ kˈuɕitɕ lˈɔsu. — ˈilɛ jˌɛstɛm pˈaɲi vˈinna? — stˈɔ zwˈɔtɨx? — ɕtɕɔŋɡnˈɛwa brvˈi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_123.wav|pˈɛvnɛ ɕfʲˈad zaɡˈubʲiw ɕɛ sˈam f sˈɔbjɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_153.wav|bˈɨw nˈaɲʲɔ̃ fɕtɕˈɛkwɨ za fʃˈɨstkɔ, tsˈɔ pˌɔvʲɛdʑˈawa, ˌalɛ tˈɛras xˈɨba ɡrˈa w jˈakimɕ çiʃpˈaɲskim klˈubjɛ z ɲˈiʃʃɛj lˈiɡʲi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_54.wav|dˈɔbʒɛ ʒɨjˈɛtɕɛ zˈɛ sˈɔbɔ̃? spɔtkˈawaɕ ɕɛ z jˈakɔ̃ɕ ɲʲɛxˈɛɲtɕɔ̃ tʃɨ zazdrˈɔɕtɕɔ̃ vˌɨɲikajˈɔntsɔ̃ s fˈaktu, ʒˈɛ dɔstˈajɛʃ tʃasˈami rˈɔlɛ f tˌɛlɛvˈizji?|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_52.wav|tɔ vˈɨrup sˈanxɛs ˌalumˈiɲʲum.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_493.wav|jˈuʒ dˈɔbʒɛ, pˌɔmɨɕlˈawɛm, vɨstˈartʃɨ. dˈɔbʒɛ bɨwˈɔbɨ ɕɛ znˈalɛɕtɕ tˈɛraz w dˈɔmu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_343.wav|ɡdʑˈɛɕ ɲʲˌɛdalˈɛkɔ swɨʃˈawɛm jˈɛŋk kˈuw trˌamvajˈɔvɨx na zakrˈɛɲtɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_237.wav|ˌɔdvrutɕˈiwa ɕɛ dɔ mɲʲɛ. tˈɛraz vˌɨɡlɔndˈawa na stˈarʃɔ̃ ɲˈiʒ w ʒˌɛtʃɨvistˈɔɕtɕi ɲʲɛ mwˈɔtʃɔ̃.|2
+Dataset/wavs/urwisko_ferenc/44_segment_84.wav|ktˈɔʑ zatrˈɔmbʲiw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_264.wav|vˌɨtɕɔŋɡnˈɔwɛm zwˈɨ lˈɔs s tʃˈapki pʃˌɛznatʃˈɛɲʲa.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_208.wav|tɨm rˈazɛm ˈu vɨlˈɔtu dˈɨʃɨ pɔjˈaviw ɕɛ mˌiɡɔtlˈivɨ, ˌanɛmˈitʃnɨ pwˈɔmjɛɲ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_70.wav|ɡdʑˈɛ bˈɨwaɕ, ˈindjɔ?|3
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+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_133.wav|fˈatsɛt f tˈɨpʲɛ tatˈuɕka pɔkˈivaw ɡwˈɔvɔ̃ i ɔtfˈɔʒɨw ˌaplikˈatsjɛ pʃɛlˈɛvuf f sfˈɔim ɡʲˈizmɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_46.wav|zˌakfatˌɛrɔvˈanɔ jˈɔ̃ w jˈɛdnɨm s tɨx ˌɛlɛɡˈantskiɣ dˈɔmuf f tsˈɔlvɨn bˈaj.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_19.wav|zapˈɨtaw pˈɔdritsk. tɕˈi, ktˌuʒɨ tˈam mʲɛʃkˈajɔ̃, sɔ̃ pˌɔkutɲikˈami prˌaɡnɔntsˈɨmi ɔtkˈupidʑ ɡʒˈɛxɨ pˈɔpʃɛs kˌɔntɛmplˈatsjɛ, mɔdlˈitfɛ i miltʃˈɛɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/21_segment_32.wav|xˈɛrman ˌuxɨlˈiwa dʒvˈi dɔ sɨpʲˈalɲi rɔdʑˈitsuf i vwɔntʃˈɨwa ɕfʲˈatwɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_220.wav|tɔ miljˈardɨ ˈɛwrɔ, dɔlˈaruf, jˈɛnuf i fʃˈɨstkix ˈinnɨɣ vˈalut pɔt swˈɔɲtsɛm, a dɔ tˌɛɡɔ tsˈawɛ spˈuwki, pɔrtfˈɛlɛ ˈaktsji. bˈuk jˈɛdɛn vʲˈɛ tsˈɔ jˈɛʃtʃɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_146.wav|xtɕˈawɛm, ʒˈɛbɨ ɕfʲˈat ɕɛ dɔvʲˈɛdʑaw, tsˈɔ spɔtˈɨka tˈakix xtɕˈivɨx skˌurvɨsˈɨnuf, ˌalɛ pɔlˈitsja ɲʲɛstˈɛtɨ ukrˈɨwa tɛn ʃtʃˈɛɡuw.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_138.wav|pɔvˈaʒɲʲɛ? ɔbrˈuʃɨw ɕɛ dˈalɛ. bˌɛɲdʑɛʃ tˈɛras ɕɛ tɨm xˈɛwpitɕ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_129.wav|ɔt frˈɔntu stˈɔi ɲʲɛbjˈɛski ˌɛsˌufˈaw, dˈɔɕtɕ stˈarɨ, z nˌaklɛjˈɔnɨm napˈisɛm pɔ jˈɛdnɛj strˈɔɲʲɛ, rˈixtɛr ɲʲˌɛruxɔmˈɔɕtɕi i dwˈuɡɔ̃ rˈɨsɔ̃ pɔ drˈuɡʲɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_24.wav|zˌapɨtˈawa jˈɛnnɨ, zmʲɛɲʲˈajɔndʑ zupˈɛwɲʲɛ tˈɛmat, ʒˈɛbɨ sprˈavdʑitɕ rɛˈaktsjɛ mˈartɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_205.wav|jˈak artˈɛmis f tɛj xfˈili.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_179.wav|trˈudnɔː ɔ dˈɔbrɛ bˈutɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_12.wav|ftɕˈɔ̃ʒ bˌɨwam na tˈɨlɛ mwˈɔda, ʒˈɛ ˌaktsɛptɔvˈawam jɛj pˌɔstanɔvʲˈɛɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_85.wav|dʑɛdʑˈitstfa i ʃkˈut, ktˌurɛ nˌarɔbʲˈiwɨ tfˈɔjɛ ˌupʃɛdʑˈɛɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_108.wav|natˈɔmjazd dɔ dˌɛmɔnstrujˈɔntsɛj pˈaɲi pˌɔtxɔdʑˈiwɔ vʲˈɛlu pʃɛxˈɔdɲʲuf, vdˈajɔnts ɕɛ z ɲʲˈɔ̃ w dɨskˈusjɛ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_383.wav|ˌalɛ bˌɨwa tˈɛʃ ɲʲɛɕmʲˈawa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_11.wav|i tˈam stˈanɔw, kʲˈɛdɨ ˌɔɲi jˈuʒ vˈɛʃli.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_23.wav|ɲʲɛ mˈɔʒna jɛj bˌɨwɔ za ɲʲˈɛɡɔ vˈɨdatɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_11.wav|mʲˈɛjstsɛ tɔ skˌɔjaʒˈɨwɔ ɕɛ bˈɛki z dˈɔmɛm, ktˌurɨ ˌɔdvʲɛdʑˈiwa f tʃˈasax, kʲˈɛdɨ pˌɔpulˈarnɛ bˌɨwɨ jˈɛʃtʃɛ ɡwˈatkʲɛ vˌɨkwadʑˈinɨ pˌɔdwɔɡˈɔvɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_44.wav|pˌɛˌɛfˈɛf, xˈɨba zadʑvˈɔɲʲɛ dɔ ʃˈɛfa. ɲʲɛ bˌɛɲdʑɛ ʃtʃɛɲɕlˈivɨ, kʲˈɛdɨ ɕɛ dˈɔvʲɛ ɔː ˌɔpuʑɲʲˈɛɲʲax.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_110.wav|pˌɔwɔntʃˈɔnɨx ʃnurˈami i drˈutɛm.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_306.wav|tʃˈarnɨ mˈinstrɛl, ktˌurɨ nɔtsˈɔvaw f ʃtʃɛɲɕlˈivɨm pˈɔrtɕɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_430.wav|tɔ sˈamɔ, tsˈɔ ɕɛ mˈɔʒɛ stˈadʑ z mˈɔjɔ̃ lˈɛvɔ̃.|0
+Dataset/wavs/urwisko_ferenc/63_segment_1.wav|mˈarja bˌɨwa ubrˈana na tʃˈarnɔ, mʲˈawa spʲˈɛntɛ vwˈɔsɨ bˈɛs ɕlˈadu srˈɛbrnɨx ɲˈitɛk, ˈɔtʃɨ pˌɔtɕɔŋɡɲʲˈɛntɛ tʃˈarnɔ̃ krˈɛskɔ̃ i vˌɨtuʃɔvˈanɛ ʒˈɛ̃sɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_159.wav|pʲɛrvˈɔtɲʲɛ zˌamjɛʒˈawam pɔtʃˈɛkadʑ dɔ nˈɔtsɨ. mˈam na mˈɨɕli ɡɔdʑˈinɨ nˈɔtsnɛ, a ɲʲɛ nˈɔts kɕˌɛ̃ʒɨtsˈɔvɔ̃ i pʃˈɛkraɕtɕ ɕɛ s pɔvrˈɔtɛm pʃˈɛs ɕlˈuzɛ, kʲˈɛdɨ fʃˈɨstsɨ bˌɛndɔ̃ spˈali.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_84.wav|bˈɔp ˌɔtpɔvʲˈɛdʑaw mu z vˌɨstudjɔvˈanɨm spɔkˈɔjɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_93.wav|ja xˈɨba ɕɲʲˈɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_83.wav|tˈak ɕɛ zwɔʒˈɨwɔ, ʒˈɛ jˈɔ̃ znˈawɛm, bˈɔ mˈama ɕpʲɛvˈawa jˈɔ̃ mˈɔjɛj ɕˈɔstʃɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_26.wav|ɲʲˈɛmukw pɔzvˈɔlitɕ, ʒˈɛbɨ sprˈavɨ z jˈɛɡɔ ʒˈɨtɕa ˌɔsɔbʲistˈɛɡɔ tɕɔŋɡnˈɛwɨ ɡˈɔ w dˈuw. mˈuɕaw dˈavadʑ dˈɔbrɨ pʃˈɨkwad zˌɛspɔwˈɔvi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_11.wav|a rɛzˈultad bˈɨw traɡʲˈitʃnɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_15.wav|sprˈava vɨɡlˈɔnda na pɔvˈaʒnɔ̃, a tɨ nˌalɛɡˈawɛɕ na pˈɛwnɔ̃ pɔˈufnɔɕtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_261.wav|pratsˈɔvaw nat sfˈɔjɔ̃ ˌɔpɔvʲˈɛɕtɕɔ̃|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_103.wav|ɲʲɛ, tɔː ˌɔdblɔkˈujɛ drˈɔɡʲi ˌɔddɛxˈɔvɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_52.wav|pɔ drˈuɡʲɛj strˈɔɲʲɛ xˈutɨ mʲɛɕtɕˈiwa ɕɛ ɕlˈuza kˌɔlɛjˈɔva.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_152.wav|ktˌurɛ lˈɛʒɔ̃ ˈaʒ dɔ vʲˈɔsnɨ w ʑˈimnɨm pɔkˈɔju.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_62.wav|tˈɛraz bˈɔjɛ ɕɛ tˌɛlɛfˈɔnu, a dʑˈiɕaj ʃtʃɛɡˈulɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_297.wav|dʒvˈi zbrɔjˈɔvɲi vˌɨxɔdʑˈiwɨ na mˈawɨ dʑɛdʑˈiɲʲɛts.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_454.wav|vɨbˈatʃɛ tɕi tɛ swˈɔva.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_30.wav|tʃɨ prˌubɔvˈaliɕtɕˌɛ kʲˌɛdɨkˈɔlvʲɛk mˌɛdɨtˈatsji?|3
+Dataset/wavs/urwisko_ferenc/14_segment_59.wav|w nˈɔts pˌɔpʃɛdʑajˈɔntsɔ̃ zˌaɡʲiɲʲˈɛɲtɕɛ jɛj tɛlˈɛfɔn ɲʲɛ lɔɡˈɔvaw ɕɛ dɔ ʒˈadnɛj stˈatsji bazˈɔvɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_46.wav|ɡˌɛnɛvʲˈɛvɛ ɲʲɛ prˌatsɔvˈawa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_10.wav|pˈɔza tɨm ɲʲɛ vˌɨruʒɲʲˈali ɕɛ ɲˈitʃɨm ʃtʃɛɡˈulnɨm. kɔbjˈɛtɨ i tamtˈɛɡɔ tʃɛtɕˈɛɡɔ dˌɛtɛktˈɨva praktˈɨtʃɲʲɛ ɲʲɛ zˌapamjˈɛntaw.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_69.wav|a pˈɔtɛm mˈuj ˈumɨsw zˈatʃɔw pratsˈɔvatɕ na vɨsˈɔkix ɔbrˈɔtax.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_53.wav|i zˈafʃɛ ˌɔdʑɨskˈivaw pˈan pʲɛɲʲˈɔndʑɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_236.wav|vɨbrˈawɛm skrˈɔmnɛ vˈɛjɕtɕɛ, mˈawɔː ˌutʃɛ̃ʃtʃˈanɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_169.wav|zˌapɨtˈawɛm, skˈɔnt mˈam stʃˈɛlatɕ? ɔn mi tɔ vˌɨtwumˈatʃɨw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_105.wav|ʒˈɛ zˈɛ skˈurɨ mutˈɔvɨ krˈɔiʃ, jˈɛɕli inˈatʃɛj ɕɛ ɲʲɛ dˈa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_69.wav|jˌɛstɛm varjˈatkɔ̃, ˌalɛ tɔ ɲˈits ɲʲɛ ʃkˈɔdʑi.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_179.wav|a ja mɨɕlˈawɛm, ʒˈɛ lˌɛvʲatˈanɨ sɔ̃ ʃˈarɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_83.wav|artˈɨkuw tɕˈɔŋɡnɔw ɕɛ dˈalɛj.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_100.wav|xˈɨba, ʒˈɛ tɕˈi, ktˌuʒɨ jˈɛ nˈɔʃɔ̃, naˈutʃɔ̃ ɕɛ xˈɔdʑitɕ pɔ vˈɔdʑɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_28.wav|kˈiva ɡwˈɔvɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_87.wav|ɲʲɛ rˌɔzmavʲˈamɨ ɔː ˌaɛrˈɨɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_120.wav|ʒˈɔndaʃ?|1
+Dataset/wavs/urwisko_ferenc/18_segment_80.wav|mɛ̃ʃtʃˈɨzna spˈɔjʒaw nˈaɲʲɔ̃ pʃˈɛs rˈamjɛ.|0
+Dataset/wavs/urwisko_ferenc/15_segment_42.wav|i fʃˈɨstkɔ pʃɛɡrˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_62.wav|pˌɔmɨɕlˈawɛm, ʒˈɛ tɔ mˈɔʒɛ bˈɨtɕ ɔstˈatɲʲa ɔkˈazja, ʒˈɛbɨ zvrˈutɕitɕ ɕɛ dɔ spˈikɛ, ktˌura kʲˈɛdɨʑ bˌɨwa miwˈɔɕtɕɔ̃ mɔjˈɛɡɔ ʒˈɨtɕa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_133.wav|ˈuɕad vrˈɛʃtɕɛ na brˈuku, fpatrˈujɔnts ɕɛ w ɲʲˈɛɡɔ mʲˌɛndʑɨ nɔɡˈami.|3
+Dataset/wavs/urwisko_ferenc/46_segment_190.wav|kʲˈɛdɨ pʃɛkrˈɔtʃɨw prˈuk, uswˈɨʃaw jˈɛŋk, vʲˈɛnts skʲɛrˈɔvaw ɕɛ dɔ kˈuxɲi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_10.wav|dɔmˈiɲik kˈutsa i ɕˈɛŋɡa dɔ kʲɛʃˈɛɲi sfˈɔjɛj blˈuzɨ s kaptˈurɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_204.wav|dɔxˈɔdʑi dɔ rˌɔzmnɔʒˈɛɲʲa i pɔfstˈajɔ̃ mwˈɔdɛ rˌatʃkujˈɔntsɛ ɡˌɔspɔdˈarki.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_29.wav|rˈas tˈɛʃ ɕɲˈiwɔ ɕɛ jɛj, ʒˈɛ swˈɨʃɨ, jˈak ʃˈɛptʃɔ̃ dɔ ɕˈɛbjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_15.wav|w jˈɛdnɛj dwˈɔɲi ɲʲˈɔswa stˈɔz dˌɔkumˈɛntuf, a w drˈuɡʲɛj kˈubɛk s kˈavɔ̃. bˌɨwa jˈɛdnɔ̃ s tɨx ˈɔsup, ktˌurɛ rˌɔsɕfʲɛtlˈajɔ̃ kˈaʒdɛ pˌɔmjɛʃtʃˈɛɲʲɛ pɔ vˈɛjɕtɕu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_49.wav|bˌɛndɛ ɔstrˈɔʒna.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_39.wav|dˈavaj ɡˈɔ tˈu, sˈusan.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_242.wav|tɔː ˌɔna jɛst mˈɔjɔ̃ ʒˈɔnɔ̃, ɲʲɛ tˈɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_30.wav|zˌablɔkɔvˈanɛ z drˈuɡʲɛj strˈɔnɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_47.wav|ˌɔznatʃawˈɔbɨ tɔ, ʒˈɛ jˈɛɡɔ kɔntˈaktɨ ɕɛŋɡˈajɔ̃ sˈamɛj ɡˈurɨ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_319.wav|jˌɛstɛɕ pˈɛvna, ʒˈɛ ɲʲɛ krfˈaviw z nˈɔsa?|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_164.wav|ˌatmɔsfˈɛra jɛst tˈam kɔmplˈɛtɲʲɛ ˌasɛksuˈalna.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_165.wav|nakˈarmjɛ ix.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_227.wav|tɔ mˈiwɔ z jɛj strˈɔnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_123.wav|a dɔpˈuki ɲʲɛ dˈɔtʃɛʒ dɔ vˈɛɡas, bˌɛɲdʑɛʃ ɕɛ ʒˈutsaw w ˈɔtʃɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_20.wav|— prˈɔʃɛ bˈardʑɔ, tˈɛraz bˌɛɲdʑɛ pˈanu vɨɡˈɔdɲʲɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_261.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_261.wav|lˈɛʒaw puwnˈaɡʲi na wˈuʃku, ˌɔptʃɛpʲˈɔnɨ jakˈimiɕ pʃˌɨssafkˈami.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_88.wav|ˈilɛ pʃɛt nˈami jˈɛʃtʃɛ ʒˈɨtɕa?|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_106.wav|ˌalɛ mɲʲɛ ˌɔtpɔvʲˈada. ˌustalˈiliɕmˌɨ pˈɛvnɛ zasˈadɨ. pʃˈɛdɛ fʃˈɨstkim ʒˈadnɛ z nˈas ɲʲɛ pʃˌɨprɔvˈadʑa ɲikˈɔɡɔ dɔ mʲɛʃkˈaɲʲa. bzɨkˈamɨ ɕɛ ɡdʑˈɛ ˈiɲdʑɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_61.wav|tɔ ʃalˈɔnɛ rɨzˈɨkɔ, mˈɨɕli.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_113.wav|zˈatɔ f sfˈɔjɛj ˌɔpɔvʲˈɛɕtɕi mˈɔʒɛ pˈisatɕ, tsˈɔ kˈurdɛ xtsˈɛ i jˈak xtsˈɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_231.wav|mˈɨɕli, ʒˈɛ tˈak.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_340.wav|a vʲˈɛʃ...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_21.wav|uɲʲˈɔswa tɛlˈɛfɔn, jˈaɡbɨ prˌɔvadʑˈiwa rɔzmˈɔvɛ, ˌalɛ ˌɔdɛzvˈawa ɕɛ dɔː ukrˈɨtɛj swuxˈafki.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_78.wav|ˈanna ˌɔtfɔʒˈɨwa ʃɛrˈɔkɔː ˈɔtʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_224.wav|jˈɛɕli sˈɛr rɛˈinalt nˈadal jɛst jˈɛɲtsɛm...|1
+Dataset/wavs/urwisko_ferenc/55_segment_80.wav|na pɔtʃˈɔntku zbjˈɛraw tɛ ˌinfɔrmˈatsjɛ ɡwˈuvɲʲɛ z ɡˈazɛt, pˈɔtɛm z ˌintɛrnˈɛtu.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_247.wav|jɛdˈɨnɛ vˌɨjaɕɲʲˈɛɲʲɛ, jˈakʲɛ mi pʃɨxˈɔdʑi dɔ ɡwˈɔvɨ, tɔ, ʒˈɛ ktˈɔʑ znˈalaz mɲʲɛ na pwɨtɕˈiznax, zˈabraw mi zbrˈɔjɛ, bˈutɨ i spˈɔdɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_118.wav|ɲˈitsk tˈɛras jɛst ˌɔdvrutsˈɔnɨ dɔ ɲʲˈɛɡɔ plɛtsˈami. ɲˈits wˌatfʲɛjʃˈɛɡɔ, jˈak stʃˈɛlitɕ mu w wˈɛp, ɡdˈɨbɨ tɔ bˌɨwɔ kɔɲʲˈɛtʃnɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_7.wav|tsˈɔ ɕɛ dʑˈɛjɛ, dʲˈidʲi?|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_175.wav|fˈatsɛt, ktˌurɨ prubˈɔvaw ˌintɛrvɛɲʲˈɔvatɕ pʃˈɛʒɨw. tˈɛʃ pɔvʲˈɛdʑaw, ktˈɔ ɡˈɔ pɔstʃˈɛliw i vʲˈɛʃ, tsˈɔ jˈɛʃtʃɛ dɔ tˌɛɡɔ dˈɔʃwɔ?|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_108.wav|vwˈaɕɲʲɛ pʃˌɛprɔvadʑˈamɨ kɔntrˈɔlɛ ʃtʃɛlnˈɔɕtɕi ɕlˈuzɨ tˌɔvarˈɔvɛj. pʃɛpˈisɨ bˌɛspʲɛtʃˈɛɲstfa ɲʲɛ zˌɛzvalˈajɔ̃ na ˌuʒɨvˈaɲʲɛ ˈinnɨx ɕlˈus f pˈɔrtɕɛ pˈɔttʃas tˈakix prˈats.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_248.wav|a ˌɔna vɛstxnˈɛwa pʃˈɛs sˈɛn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_299.wav|prˈavʲɛ pˈuw kulˈistɨ i ˌuɕfʲadɔmˈiwɛm sˈɔbjɛ, jˈak ɲʲɛvʲˈɛlka jɛzd ʑˈɛmʲa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_62.wav|vʲˈɛmɨ fʃˈɨstsɨ, ʒˈɛ nˈaʃɨm nˌajvaʒɲʲˈɛjʃɨm dɔvˈɔdɛm jɛzd vʲadˈɔmɔɕtɕ, f ktˌurɛj ktˈɔɕ pɔprˈɔɕiw ɡˌɛnɛvʲˈɛvɛ ɔ vˈɨjɕtɕɛ na zˈɛvnɔntʃ, mˈuvʲɔnts, ʒˈɛ ftˈɛdɨ uzˈɨska ˌɔtpɔvʲˈɛdʑi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_28.wav|pˌɔvʲɛdʑˈawam jɛj, tsˈɔ rˈɔbʲi ˈaʃ, ˌalɛ jˈɛɕli ɔn ɕɛ ɲʲɛ mˈɨli f sprˈavʲɛ ˌinfɔrmatˈɔra f pɔlˈitsji, bˈɔjɛ ɕɛ, ʒˈɛ ta kɔbjˈɛta mˈɔʒɛ ɕɛ dɔvʲˈɛdʑɛtɕ. tsˈɔ ftˈɛdɨ stˈaɲʲɛ ɕɛ z mˈilljɛ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_631.wav|s trˈudɛm pˌɔzbjɛrˈaliɕmˌɨ ɕɛ s pɔsˈatski.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_192.wav|pɕˈa krˈɛv znˈɔvu mʲˈaw rˈatsjɛ. xɔmˈitʃɛ kˈulɛ ɲʲɛ bˌɨwɨ vˌɨpɔsaʒˈɔnɛ w rˌɛŋkavˈitsɛ ˌaɲi jˌakʲɛkˈɔlvʲɛk ˌɛlɛmˈɛntɨ pʃˌɛɡubˈɔvɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_181.wav|lˈɛdvʲɛ swˈɨʃɛ jɛj swˈɔva, kʲˈɛdɨ mˈuvi...|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_399.wav|paˈɨnɛ vˈɨdaw s ɕˈɛbjɛ sfˈuj klˌɛkɔtʃˈɔntsɨ dʑvʲˈɛŋk. ɕmʲˈɛjɛ ɕɛ zˈɛmɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/01_segment_80.wav|xˈɛrman zˌapamjɛntˈawa jɛj tatˈuaʃ, bˈɔ ʒˈutsaw ɕɛ w ˈɔtʃɨ. ɕˈɛŋɡaw ɲʲˈɛmal dɔ wˈɔktɕa prˈavɛj rˈɛŋki i pʃɛtstˈavʲaw.|0
+Dataset/wavs/urwisko_ferenc/65_segment_11.wav|— ɡdʑˈɛ kˈurva jɛst mˈuj pʲˈɛs? — udˈɛʒɨw zˌatɕiɕɲʲˈɛntɔ̃ pʲˈɛɲɕtɕɔ̃ w dʒvˈi vˈindɨ, ˈaʒ zˌaxutʃˈawɔ. kɔbjˈɛta drɡnˈɛwa.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_287.wav|ɔɕˈɔwɛɡ dʑvˈiɡaw tˈak ɔɡrˈɔmnɨ tɕˈɛ̃ʒar, ʒˈɛ brjˈɛnnɛ bˈawa ɕɛ, ˈiʒ ɡʒbjˈɛt ɕɛ mu zawˈamjɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_296.wav|nˌatpwɨvˌajɔntsˈɨmi vrˈaz z dʑikˈimi pˌɔrɨvˈami vʲˈatru.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_82.wav|jˈɔɛ rˈɔbʲi pʃˌɛmɛblɔvˈaɲʲɛ w ɡˌardɛrˈɔbjɛ na partˈɛʒɛ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_167.wav|lˈadɨ ɡˈɛnna prɨxnˈɛwa pˌɔɡardlˈivʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_71.wav|jˈakiɕ mwˈɔdɨ xwˈɔpak wˈapʲɛ ɡˈɔ za rˈamjɛ, dˌɔpɨtˈujɛ, tsˈɔ tˈam dɔ lˈixa ɕɛ dʑˈɛjɛ. ɲʲˈɛvʲɛm, mˈuvi bʲˈillɨ, vɨrˈɨva ɕɛ i ˈidʑɛ dˈalɛj.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_215.wav|ˌɔpɔvʲadˈali jɛj pravdʑˈivɛ çistˈɔrjɛ ɔ brˈavɔs i kwˈamstfa ɔ sfˈɔim ʒˈɨtɕu, ˈalbɔː ɔɕmʲˈali ɕɛ s tˈɛɡɔ, jˈak muvˈiwa pɔ bravˈɔsku.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_85.wav|ɲʲɛ, xˈɨba ɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_24.wav|vˌɨkʃɨvˈiwam tfˈaʒ w bɔlˈɛsnɨm ɡrɨmˈaɕɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_81.wav|pʃˌɛtʃɛsˈawam dwˈɔɲʲɔ̃ vwˈɔsɨ. ɲʲɛ brˈawam prɨʃɲˈitsa tˌɛɡɔ rˈaŋka i tʃˈuwam ɕɛ, jˈaɡbɨm fpˈadwa dɔ kˈadʑi pˈɛwnɛj smˈaru.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_109.wav|mˈɔʒɛ tɔː i ɲʲɛ trˈɔn z mɔrskʲˈɛɡɔ kamjˈɛɲʲa, ˌalɛ zˈafʃɛ tsˈɔɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_10.wav|kˈilka ˈɔsup sxˈɔdʑi pɔ ʃɛrˈɔkix sxˈɔdax sˈɔndu, znˈatʃɲʲɛ vʲˈɛntsɛj vdrapˈujɛ ɕɛ pɔd ɡˈurɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_29.wav|uɕmʲˈɛxnɔw ɕɛ dɔ mɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_14.wav|najvʲˈɛŋkʃɨ, jˈaki udˈawɔ mi ɕɛ znˈalɛɕtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_75.wav|ˈalbɔ mi pˈɔvʲɛʃ, ˈalbɔ ja pˈɔvʲɛm ɔ fʃˈɨstkim pɔlˈitsji. kˈurva!|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_257.wav|xtsˈɛ tɕˈɛ jˈɛʃtʃɛ zɔbˈatʃɨtɕ?|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_315.wav|sfaɲʲˈatʃɛk|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_152.wav|ɔstˈatɲi ptˈak, ktˌurɨ dɔ ɲˈiɣ dˈɔtar, pʃˈɨɲʲuz vʲadˈɔmɔɕtɕ, ʒˈɛ ˌɔblɛɡajˈɔntsɨ mˌajɔ̃ kwɔpˈɔtɨ zˈɛ znˌalɛʑˈɛɲʲɛm prɔvʲˈantu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_146.wav|ɲʲɛ tʃˈɛba, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_49.wav|mɔɡwˈɔbɨ ɕɛ vɨdˈavatɕ, ʒˈɛ pɔɕˈiwki ɡˌɔtɔvˈanɛ na ˈɔɡɲʲu sɔ̃ smatʃɲʲˈɛjʃɛ, ˌalɛ tɔ bzdˈura.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_182.wav|lˈadɨ mˌɛrivˈɛtxɛr ˌɔbudʑˈiwa dˈɔrtsas i jɔtsˈɛlɨn, a pˈɔtɛm vɨswˈawa jˈɛ pɔ ɡɔrˈɔntsɔ̃ vˈɔdɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_181.wav|tɔ ɲʲɛ jɛzd vʲˈara, ktˌurɛj xtɕˈawbɨm dla ɕˈɛbjɛ, pɔvʲˈɛdʑaw. vʲˈara pɔlˈɛɡa nˈatɨm, ʒˈɛ vʲˈɛʒɨ ɕɛ f tsˈɔɕ, tsˈɔ ɲʲɛ mˈɔʒɛ zmʲˈɛɲitɕ ɕɛ ɲˈiɡdɨ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_290.wav|brjˈɛnnɛ ɲʲɛ mʲˈawa tˈartʃɨ, bˈɨ pˌɔfstʃɨmˈɨvatɕ jˈɛɡɔ tɕˈɔsɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_57.wav|pɔprˈɔɕiw kˈatɛ, ʒˈɛbɨ mu ˌɔbjɛtsˈawa, ʒˈɛ jˈɛɕli lˈutsɨ ɔbˈudʑi ɕɛ pʃɛt puwnˈɔtsɔ̃, skˌɔntaktˈujɛ ɕɛ z ɲˈim na fˈatsɛ tʲˈajm.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_463.wav|vʲˈɛm, ʒˈɛ tɨ ɕɛ ɲʲɛ bˈɔiʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_41.wav|tˈak sˈamɔː ubrˈana jˈak pˈɔttʃas tˌɛɡɔ naʃˈɛɡɔ spatsˈɛru, tˌɨlkɔ bˈɛs kˌapɛluɕˈika i tɔrˈɛpki.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_511.wav|zatʃˈɛwa mɲʲɛ tsawˈɔvatɕ rˈas pɔ rˈas, ˌalɛ f tɛj tʃuwˈɔɕtɕi bˌɨwɔ tˈaɡʒɛ tsˈɔɕ, tsˈɔ jˈuʃ utʃˈɨwɛm ɕɛ lˈubʲitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_179.wav|bʲilˈɛmu ɲʲɛ pɔtʃˈɛba kˌɔlɛjnˈɛɡɔː ˌinstruktˈaʒu, zvwˈaʃtʃa tˈɛras, w ɔstˈatɲʲɛj xfˈili.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_122.wav|tˈutaj mɔʒˈɛtɕɛ zɔstˈavitɕ sfˈɔjɛ ʒˈɛtʃɨ ˌɔsɔbʲˈistɛ i fʃˈɨstkɔ, tʃˈɛɡɔ ɲʲɛ xtsˈɛtɕɛ nˈɔɕitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_72.wav|zvrˈutsɛ tɕi zˈatɔ, mˈam pʲɛɲʲˈɔndʑɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_121.wav|tˈɛras mˈuʃɛ ɕɛ skˌɔnfrɔntˈɔvatɕ s pʃɛʃwˈɔɕtɕɔ̃ i stˈavitɕ tʃˈɔwɔ tˈɛmu, pʃɛt tʃɨm ˌutɕɛkˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_30.wav|xˈɔtɕ na tɛrˈɛɲʲɛ pˌɔɕadwˈɔɕtɕi mˈɔʒɛ ɲʲɛ nˈɔɕitɕ pʃɨ sˈɔbjɛ brˈɔɲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_23.wav|xˌaˌɛmˈɛm, tʃˈɛɕtɕ!|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_16.wav|bˈɨw w dwˈuɡʲɛj, ɲʲɛbjˈɛskʲɛj kɔʃˈuli, pʃˌɨpɔmˌinajˈɔntsɛj ˌafrɨkˈaɲskɔ̃ daʃˈiki i ɔpʃˈɛrnɨɣ bjˈawɨx spˈɔdɲʲax.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_555.wav|a tsˈɔ jɛst spɛwɲʲˈɛɲʲɛm nˈaʃɨx prˈaɡɲʲɛɲ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_83.wav|tˈɛras tˈak.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_49.wav|ˌalɛ tɨ vʲˈɛʃ, ʒˈɛ tˈam jˈɛstɛm, prˈavda?|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_125.wav|pwˈɔmjɛɲ jɛst f pɔʒˈɔntku pɔvʲˈɛdʑaw. zˈatʃɲij ɔt samˈɛɡɔ ʃtʃˈɨtu, ʒˈɛbɨ spɔˈivɔ spwɨnˈɛwɔ w dˈuw. napʲˈɛɲtɕɛ pˌɔvʲɛʃxɲʲˈɔvɛ utʃˈɨma jˈɛ f ʃtʃɛlˈiɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_468.wav|tsˈɔ prubˈujɛʃ mi pɔvʲˈɛdʑɛtɕ?|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_70.wav|fskˈazaw lˈampɔ̃ w dˈuw i ruʃˈɨli w dˈalʃɔ̃ drˈɔɡɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_272.wav|tɔ zupˈɛwɲʲɛ ˈinna sprˈava.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_74.wav|lˈɛpʃɨ mʲˈɛtʃ ɲˈiʃ ʃnˈur.|1
+Dataset/wavs/urwisko_ferenc/34_segment_67.wav|— ftɕˈɔ̃ʃ tˈam stˈɔi i ɡˈapi ɕɛ w nˈaʃɔ̃ strˈɔnɛ — pˌɔinfɔrmˈɔvaw pɔlˈitsjant, a xˈɛrman pˌɔwɔʒˈɨwa dwˈɔɲ na jˈɛɡɔ pɔtˈɛ̃ʒnɨm ˈudʑɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_77.wav|tʃɨ mˈa pɔ prˈɔstu na mˈɨɕli tsˈawɔ̃ ɡrˈupɛ ʒˌutsajˈɔntsɔ̃ mi pˈustɛ spɔjʒˈɛɲʲa?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_78.wav|pʃˈɛs xfˈilɛ pˌanɔvˈawa tɕˈiʃa, ˌalɛ ftˈɛdɨ ˌuswɨʃˈɛli krˈɔki. ktˈɔɕ pʃɛxˈɔdʑiw pʃˈɛs pˈɔkuj sˌɔ̃ɕadujˈɔntsɨ s tˈɨm, ɡdʑˈɛ ɕɛ znˌajdɔvˈali.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_90.wav|f ktˌurɨm vɨdʑˈalɛ pɔlˈitsji pˈaɲi pratsˈujɛ?|4
+Dataset/wavs/urwisko_ferenc/41_segment_43.wav|ɲʲɛ bˌɛndɛ ɕɛ vdˈavaw f ʃtʃɛɡˈuwɨ, ˌalɛ pɔdˈɔbnɔ sprˈaw lˈaskɛ w burdˈɛlu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_22.wav|pˈan vʲˈɛ, dʒˈɔnsɔn jɛst mˈɔim ˌinstruktˈɔrɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_32.wav|tˈak mˈa ɡˈɔː i dˈɔbʒɛ zamjˈɛʒa tɛn rɨsˈunɛɡ zaxˈɔvatɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_6.wav|tɔ ɲʲˈɛbɨw tʃˈas na tˈakʲɛ pʲɛrdˈɔwɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_152.wav|i artˈɨsta ˈuznaw, ˈiʒ zdjˈɛɲtɕɛ jɛst udˈanɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_24.wav|ˌalɛ ɲˈitsk, ɔn rɔzrˈɨva tɕˈɛ na stʃˈɛmpɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_118.wav|ˈɔbɨm mʲˈaw rˈatsjɛ, mˈɨɕli bʲˈillɨ. jˈɛɡɔ spˌɛtsjalnˈɔɕtɕɔ̃ jɛzd brˈɔɲ, ɲʲɛ fˌɔrsɔvˈaɲʲɛ dʒvˈi z zˈamkʲɛm ʃɨfrˈɔvɨm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_39.wav|pɔpˈatʃɨw na tʃwˈɔŋkuf sfɔjˈɛɡɔ zɛspˈɔwu i pɔnˈɔvɲʲɛ na ˈɛkran, na ktˌurɨm kˈid znˈalas ɕɛ jˈɛʃtʃɛ blˈiʒɛj kamˈɛrɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_44.wav|ɲʲɛ mˈɔɡɛ nˈavɛd zɲʲˈɛɕtɕ tˈakʲɛj mˈɨɕli.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_63.wav|mˈɔʒɛ pˈan mˈa jˈakʲɛʑ znˌajɔmˈɔɕtɕi?|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_126.wav|i na jɛj bˈɔsɛ stˈɔpɨ zˌɔstavʲajˈɔntsɛ na ʑˈɛmi mˈɔkrɨ ɕlˈat, kʲˈɛdɨ ʃwˈa kˈu ɲʲˈɛmu, ˌalɛ ɲʲɛ pɔdnˈɔɕiw ɡwˈɔvɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_96.wav|rˈɨan rɔzˈɛɕmʲaw ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_115.wav|kʲˈɛdɨ ˈɛliz zapˈina pˈaz bˌɛspʲɛtʃˈɛɲstfa, bʲˈidʲi vwˈɔntʃa zˌainstˌalɔvˈanɔ̃ ftʃˈɔraj ˌaplikˈatsjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_93.wav|nalˈɛjɛ sˈɔbjɛ krɔpˈɛlkɛ brˈandɨ. tˈɔbjɛ tˈɛʃ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_32.wav|bˈɨw ɕrɛdɲʲˈɛɡɔ vzrˈɔstu, dˈɔɕtɕ smˈukwɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_66.wav|— jˌɛstɛɕ pˈɛvʲɛn? — pˈɨta ɡˈɔ tsɔrˈinnɛ. — swˈɔvɔ dˈajɛ, ta ɡrˈa mˈɔʒɛ trfˈatɕ tsˈawɨ dʑˈɛɲ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_71.wav|nˈɔɕi ˌɔkulˈarɨ. jɛst trˈɔxɛ pʃɨ kˈɔɕtɕi, mˈɔʒɛ ɲʲɛ ɔ tˈɨwɨ, ˌalɛ prˈavʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_76.wav|pˈɔtɛm jˈɛ pˈanu ˈɔddam.|0
+Dataset/wavs/urwisko_ferenc/37_segment_47.wav|s tˈaɡ bwaxˈɛɡɔ pɔvˈɔdu zˈatʃɔw, ˌalɛ lɛkˈarka vˈɛʃwa mu f swˈɔvɔ. tɔ ɲʲɛ jɛzd bwˈaxɨ pˈɔvut.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_47.wav|ɲʲɛ dˌɔtɨkˈajɔndʑ barjˈɛrɛk spɔjʒˈɛli w dˈuw. ˈinnɨ tˈɛxɲiɡ zdˈɔ̃ʒɨw zˈɛjɕtɕ jˈuʃ na dˈuw i fˌɔtɔɡrafˈɔvaw vwˈaɕɲʲɛ nˈuʃ ˈin ɕˈitu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_88.wav|ˈɛlis rˈɔbʲi mu mʲˈɛjstsɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_72.wav|a jˈɛɕli pˈɔvʲɛm ɲʲɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_188.wav|bʲˈili vzrˈuʃa rˌamjɔnˈami.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_185.wav|tɛ vˈɨspɨ nˌalɛʒˈawɨ kʲˈɛdɨʑ dɔ nˈas i tˈɛraz znˈɔvu sɔ̃ nˈaʃɛ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_384.wav|ix pʲɛɲʲˈɔndʑɛ pˌɔmaɡˈajɔ̃ ɔpwˈatɕitɕ mˈɔjɛ zwˈɔtɛ pwˈaʃtʃɛ i budˈɔvadʑ ɡalˈɛrɨ, ktˌurɛ brˈɔɲʲɔ̃ nˈaʃɨɣ bʒˈɛɡuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_114.wav|tɔ ɲʲɛdˈɔbʒɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_216.wav|dʒˈɛk i xˈaŋɡ vwaɕtɕˈivʲɛ sɔ̃ mi ˌɔbɔjˈɛntɲi. tɔ ɲʲɛ ˌɔɲi ˌudavˈali, ʒˈɛ mɲʲɛ lˈubjɔ̃ i ɕtɕɔŋɡnˈɛli mɲʲɛ dɔ tˌɛɡɔ mʲɛʃkˈaɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_336.wav|vˈixɛr stˈukaw naɡʲˈimi, brˌɔ̃zɔvˈɨmi kˌɔnarˈami dʒˈɛf i pɔrˈuʃaw tʃtɕˈinɔ̃ nad bʒˈɛɡʲɛm tʃɛrvˈɔnɨɣ vˈidɛw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_37.wav|tsˈɔ maʃ na mˈɨɕli?|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_242.wav|tˈɛras jˈɛdnak xtsˈɛ ɕɛ tˌɨlkɔ pʃˈɛspatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_23.wav|jˈɛɕli tˈatɛ tɛ swˈɔva zraɲˈiwɨ, tɔ ɲʲˈɛdaw tˌɛɡɔ pɔ sˈɔbjɛ pˈɔznatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_350.wav|tɛn mˈuʒɨn, ktˌurɨ pʃˈɨʃɛd dɔ nˈas ftʃˈɔraj, pɔvʲˈɛdʑaw, ʒˈɛ xtsˈɛ lˈatatɕ, bˈɔ mˈuɕi ɕɛ pʃɛkˈɔnatɕ, tʃɨ istɲʲˈɛjɛ bˈuk.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_122.wav|nˈɔ ɲʲɛ, tɔ zupˈɛwɲʲɛ ɲʲɛ w mˈɔim stˈɨlu.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_4.wav|sˈɛtki xɔlˈɛrnɨɣ bɨdlˈakuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_373.wav|jˈɛʃtʃɛ jɛst tʃˈas.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_33.wav|— jˈakim tsˈudɛm mʲˈawbɨ vˈɨjɕtɕ rˈanɔ z dˈɔmu, ʒˈɛbɨ ɔdˈɛbratɕ tɛlˈɛfɔn, ɲʲɛ vzbudʑˈajɔndʑ ʒˈadnɨx pɔdˈɛjʒɛɲ jˈɔɛ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_52.wav|ja pʲɛrdˈɔlɛ, ʒˈutsa. zˈaɲim udˈajɛ mi ɕɛ zˌarɛaɡˈɔvatɕ, swˈɨʃɛ kɔlˈɛjnɨ ɡwˈɔs.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_134.wav|zamjˈɛʒaʃ uwˈɔʒɨtɕ ˈɔtɨm pʲˈɛɕɲ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_200.wav|ʃɛpnˈɔwɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_19.wav|fʃˈɨstkɔ f pɔʒˈɔntku?|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_224.wav|ˌɔblɛ̃ʒˈɛɲʲɛ jɛst ɕmʲɛrtˈɛlɲʲɛ nˈudnɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_45.wav|bˌɨwɔ jˈuʒ za pˈuʑnɔ. jɛj ɕˈɔstra pˌɔpɛwɲˈiwa sˌamɔbˈujstfɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_122.wav|tɛ nazvˈiska z ɲˈitʃɨm mi ɕɛ ɲʲɛ kɔjˈaʒɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_153.wav|ɔ krˈutkim i prˈɔstɨm nˈɔɕɛ i pˈɛwnɨx ˈustax.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_108.wav|ɔdvrˈutɕiw ɕɛ dɔː ˌandɛrsˈɔna.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_263.wav|ɔbˈudʑiw ɕɛ pɔ tʃˈɛɣ ɡɔdʑˈinax, kʲˈɛdɨ ˈɛstɛr pˌɔxɨlˈiwa ɕɛ nˈadɲim i pˌɔtsawɔvˈawa ɡˈɔ, lˈɛtʃ ɲʲɛ ɔtfˈɔʒɨw ˈɔtʃu, lˈɛʒɔnts ɲʲˌɛruxˈɔmɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_26.wav|pˌɔvʲɛdʑˈawam, ʃɨkˈujɔnts ɕɛ dɔ zwɔʒˈɛɲʲa dˌɔkumˈɛntu i zabrˈaɲʲa ɡˈɔ zˈɛ sˈɔbɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_204.wav|tʃɨ xtsˈɛʒ vˈɨʒɛts ɕɛ ʒˈɨtɕa w ˈimjɛ dˈumɨ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_56.wav|tɔ bˌɛɲdʑɛ tfˈuj nˈɔvɨ pˈajɔŋk, mˈarɨ, pɔvʲˈɛdʑaw xundˈɛbawx i ɔdvrˈutɕiw ɕɛ ɔt ɲˈix.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_280.wav|mˌatɕɛ pʲɛɲʲˈɔndʑɛ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_50.wav|nˈaʃɛ ɕfʲˈatwa sɔ̃ zˌapalˈɔnɛ, ˌalɛ zaswˈɔnɨ pˌɔzɔstˈajɔ̃ rˌɔssuɲʲˈɛntɛ, a jˈɛɕli ɔn ɡdʑˈɛɕ tˈam stˈɔi i nˈas ˌɔpsɛrvˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_132.wav|ktˈɔʑ zdrˈadʑiw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_25.wav|ˌalɛ vʲɔ̃zˈawɔ ɕɛ z zabrˈaɲʲɛm lˈutsɨ na drˈuɡʲi kˈɔɲʲɛts ɕfʲˈata na ʃˈɛɕtɕ mʲɛɕˈɛntsɨ, tsˈɔ mʲˈawɔ fpwˈɨf na jɛj ʒˈɨtɕɛ i ˌɛdukˈatsjɛ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_294.wav|pˈara bˌuxajˈɔntsa z jˈɛɡɔ tɕˈawa. smˈak krfˈi vˈarɡɔ xˈɔwta, ɡdˈɨ ɔdɡrˈɨzwa mu ˈuxɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_245.wav|xrˈɨstɛ, xtɕˈawbɨm ɡˈɔ jˈɛʃtʃɛ dˈɔrvatɕ kʲˈɛdɨɕ. i tsˈɔ bˈɨʑ zrˈɔbʲiw? pamjˈɛntaj, ʒˈɛ jˌɛstɛɕ na parˈɔlu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_151.wav|dɔpˈadwɛm jɛj ʃˈɨi i tˌɛɡɔ zˌaklɛɲɕɲʲˈɛɲtɕa nat ˌɔbɔjtʃˈɨkʲɛm i bˈɨwɔ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_11.wav|tɔ jˈɔ̃ rɔsɕmʲˈɛʃa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_19.wav|jɛdˈɨɲʲɛ tɔ, ʒˈɛ mˈɔim zdˈaɲʲɛm...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_9.wav|zɔstˈawɨ mɔˈimi pʃˌɨjatɕuwkˈami i rˌɔzmavʲˈawam z ɲˈimi.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_91.wav|nˈɔrbɛrt sprˈavʲaw vraʒˈɛɲʲɛ ɲʲˌɛpʃɨjˈɛmɲʲɛ zˌaskɔtʃɔnˈɛɡɔ. a w jˈakim tsˈɛlu?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_159.wav|ˌarabˈɔvʲɛ i kɔzˈatsɨ, çindˈuɕi i ujɡˈurtsɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_25.wav|pɔvʲˈɛdʑaw, ʒˈɛ f pˌɔɲʲɛdʑˈawɛk pʃˈɛjdɛ tˈɛst ˈasfap, a badˈaɲʲa lɛkˈarskʲɛ rˈazɛm zrˈɛʃtɔ̃ na rˈɨpku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_129.wav|pɔ tsˈɔ vrˈabjatɕ mˈartɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_89.wav|ˈɛlis xˈɔva tfˈaʒ w dwˈɔɲʲax. tˈak mi fstˈɨt.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_217.wav|trafˈiwa dɔ dˈɔmu vʲˈɛtʃnɛj fˈarbɨ, bˈɔ jɛj jɛdˈɨna blˈiska krˈɛvna, tɕˈɔtka, stfʲɛrdʑˈiwa, ja jɛj dɔ ɕˈɛbjɛ ɲʲɛ vˈɛzmɛ.|2
+Dataset/wavs/urwisko_ferenc/22_segment_37.wav|spˈɨtaw pʃˌɨmɨkˈajɔnts ˈɔkɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_212.wav|dvˈa miljˈɔnɨ za jˈɛdnɔ̃ rɔbˈɔtɛ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_415.wav|ɔbʒˈutɕiw ɡˈɔ ʑˈimnɨm spɔjʒˈɛɲʲɛm. bliʑɲʲˈaki rˈuvɲʲɛʃ pɔpˈarwɨ sprˈavɛ mwɔdˈɛɡɔ vˈilka.|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_74.wav|pˈɛvɲʲɛ kupʲˈɔna na vˌɨpʃɛdˈaʒɨ ʒˈɛtʃɨ ˌuʒɨvˈanɨx.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_306.wav|pʃˌɛkɔnˈajmɨ ɕɛ, kˈim jɛstˌɛɕmɨ tˈɛras.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_14.wav|mˈɔʒɛ tʃˈɛka tɔ nˈas fʃˈɨstkix.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_80.wav|jˈasnɛ, mˈuvi dɔ pustˈɛɡɔ mʲɛʃkˈaɲʲa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_64.wav|zɔbˈatʃmɨ, tsˈɔ jˈɛʃtʃɛ mˈamɨ, zˈaɲim pˌɔdɛjmʲˈɛmɨ jˌakɔŋkˈɔlvʲɛɡ dɛtsˈɨzjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_36.wav|bˈɛtskɨ vʲɛdʑˈawa, ɡdʑˈɛ znajdˈujɛ ɕɛ jɛj sɨpʲˈalɲʲa i zˌapukˈawa dˌɛlikˈatɲʲɛ dɔ dʒvˈi.|3
+Dataset/wavs/urwisko_ferenc/03_segment_65.wav|xɔdʑˈiwɔ vwˈaɕɲʲɛ ɔ vɨpˈartɕɛ, tˈak? ˈɔtɔ, ʒˈɛ vˈɛdwuk ɲʲˈɛj tɔ mˈɔ̃ʃ mʲˈaw zˈabratɕ tsˈurkɛ dɔ ʒwˈɔpka.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_275.wav|pʃɨpnˈɔwɛm.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_406.wav|s pɔtʃˈɔntku ɲʲɛ xtɕˈɛli jˈɛɕtɕ pʃˌɨjatɕˈɛla.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_131.wav|— prˌɔtɛstˈujɔ̃ — skˌɔnstatˈɔvaw pˌɔbwaʒɲˈivʲɛ tɕˈipu. — nˈɔ tɔ xˈɔdʑmɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_23.wav|mˈɨɕliʃ, ʒˈɛ w ɡrˈɛ mˈɔʒɛ fxˈɔdʑitɕ ˈinnɨ fˈatsɛt?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_140.wav|bˈɛtskɨ ɲʲɛ vʲɛdʑˈawa, kturˈɛndɨ pɔvˈinna pɔdˈɔ̃ʒatɕ, vʲˈɛnts spɔjʒˈawa na tˈɔma, ktˌurɨ ɲʲˈɛmal ɲʲˌɛzawvaʒˈalɲʲɛ skˈinɔw ɡwˈɔvɔ̃.|3
+Dataset/wavs/urwisko_ferenc/10_segment_23.wav|ɡʒˈɛɡɔʃ i alˈitsja vˌɨdavˈali ɕɛ bˌɔrɛvitʃˈɔvi spʲˈɛɲtɕi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_285.wav|vˌɨdavˈawa mi ɕɛ pʲɛŋkɲʲˈɛjʃa ɲˈiʃ pʃˈɛttɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_3.wav|xtɕˈawbɨ strˈaɣ vˌɨvɔwˈanɨ jɛj ʃˈɨpkɔ̃ i ɲʲˌɛɔblitʃˈalnɔ̃ jˈazdɔ̃ usˈunɔw mu s pʲˈɛrɕi tfˈardɔ̃ kˈulɛ napʲˈɛɲtɕa.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_312.wav|jˈak jˈuʃ fspˌɔminˈawɛm lɔrdˈɔvi prˌɔtɛktɔrˈɔvi, ʃtʃˈɨpta sɛnɲˈitʃki pɔfstʃˈɨma drɡˈafki, ˌalɛ tɛn ɕrˈɔdɛk ɲʲɛ ɔpˈuʃtʃa tɕˈawa i s tʃˈasɛm...|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_267.wav|ɔdvˈaʒnɨx ɲʲɛ bˈɨwɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_121.wav|dˈuʒɨ pˈɔʒar xurtˈɔvɲi f kˈɔdʲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_129.wav|jɛj tɛlˈɛfɔn ɲʲɛ bˌɛɲdʑɛ dʑˈawaw, nˈavɛt jˈɛɕli ɡˈɔ znˈajdʑɛ, ˌalɛ ɲʲˌɛdalˈɛkɔ jɛst sklˈɛb zˈɔɲis.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_222.wav|dˈawabˌɨɕ rˈadɛ zrˈɔbʲitɕ ɕɛ na pʲˌɛtnastɔlˈatkɛ? pˈɨta bʲˈillɨ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_214.wav|pɔvˈinnaɕ pɔvʲˈɛdʑɛtɕ...|1
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_46.wav|swˈɨʃɛ sfˈuj vwˈasnɨ, brˈanɨ s trˈudɛm ˈɔddɛx i swˈɔva tˈɔma, ktˌurɨ mˈuvi mi tɕˈixɔ, ʒˈɛbɨm ɕɛ ˌuspɔkɔˈiwa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_4.wav|lˈɛdʒ dˈɛʒdʒ vrˈutɕiw znˈɔvu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_13.wav|ɡˈɔtuf na kˈilka nˈɔvɨx ˌinfɔrmˈatsji?|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_83.wav|pʃˈɛs xfˈilɛ ɕˈɛdʑɔ̃ rˈazɛm.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_134.wav|— jˌɛstɛm prˌavɔvˈitɨm lˈɔrdɛm rivˈɛran i ɲʲɛ pɔzvˈɔlɛ, ʒˈɛbɨ ˌɔbrutsˈɔnɔ jˈɛ w dɨmjˈɔntsɛ ruˈinɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_62.wav|tʃˈɛɡɔː ˌɔna xtsˈɛ? dˈam jɛj fʃˈɨstkɔː ˈaʃ. pˈɔvʲɛts jɛj, jˈɛɕli tˌɨlkɔ vʲˈɛʃ, jˈak ɕɛ z ɲʲˈɔ̃ skˌɔntaktˈɔvatɕ. mˈɔʒɛ dˈɔstatɕ tsɔkˈɔlvʲɛk, ɲʲˈɛx tˌɨlkɔː ˈɔddam im mˈiɲi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_111.wav|pˈɔtʃɛd dɔ mɲʲɛ s ʃɛrˈɔkim uɕmʲˈɛxɛm na tfˈaʒɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_61.wav|na pɔlˈitʃkax stsˈɔtta pˌɔjavˈiwɨ ɕɛ tɕˌɛmnɔtʃɛrvˈɔnɛ plˈamɨ, a ˈɔtʃɨ zmʲɛɲˈiwɨ vˈɨɡlɔnt. waɡˈɔdnɛ xmˈurki ˌustɔmpˈiwɨ mʲˈɛjstsa tfˈardɨm kamjˈɛɲʲɔm.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_407.wav|nˈadal ɲʲɛ ˌɔpuʃtʃˈawa jɛj ˌɔsɔblˈiva lˈɛkkɔɕtɕ, jˈaɡbɨ ˌunɔɕˈiwa ɕɛ f pɔvʲˈɛtʃu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_77.wav|ɲʲɛ mˈuɕiʃ mi ɲˈits mˈuvitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_135.wav|ɕɛŋɡnˈɛwam dɔ ɡˈurɨ i xfɨtɕˈiwam za krˈavɛɲtɕ ˈɔkna, mˈɔdlɔnts ɕɛ w dˈuxu, ʒˈɛbɨ ɲˈikt pʃˈɨɲim ɲʲɛ ɕˈɛdʑaw.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_72.wav|lˌatɨnˈɔski mɔrdˈɛrtsa|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_305.wav|i ftsˈalɛ mɲʲɛ tɔ ɲʲɛ ɔpxˈɔdʑi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_250.wav|bˈɔ flˈamiŋk jˈɛst, a vwaɕtɕˈivʲɛ bˈɨw, tˈɛras jˈuʃ tʃˈɛba mˈɨɕlɛtɕ ˈɔɲim f tʃˈaɕɛ pʃˈɛʃwɨm, ruʒˈɔvɨ, jˈak tˈamtɛn dʑɛtɕˈɛntsɨ bˈutɕik wˈɛ falˈudʒɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_183.wav|a vʲˈɛndʑ dˈɔbʒɛ pɔvʲˈɛdʑaw. xtɕˈawbɨm tɕˈɛ zˈabʲitɕ, ˈɛstxɛr, ˌalɛ vʲˈɛm, ʒˈɛ ɲˈiɡdɨ tˌɛɡɔ ɲʲɛ zrˈɔbjɛ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_140.wav|kˈɔbjɛd bˌɨwɔː ˈɔɕɛm.|1
+Dataset/wavs/urwisko_ferenc/49_segment_59.wav|dʑˈɛŋki za uvˈaɡɛ!|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_40.wav|xtɕˈawam jˈuʃ tˈɨlkɔ, ʒˈɛbɨ tɔ fʃˈɨstkɔ ɕɛ skɔɲtʃˈɨwɔ, bˈɔ mˈɨɕlɛ vɨwˈɔntʃɲʲɛ ɔː ˈalfim.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_313.wav|ja pˌɔprɔvˈadʑɛ ʃtˈurm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_57.wav|ˌutʃɨmɨvˈali mɲʲɛ pʃɨ ʒˈɨtɕu, ˌalɛ pˈɔza tɨm tsˌawkɔvˈitɕɛ ˌiɡnɔrɔvˈali.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_56.wav|f tɛj xfˈili jˈɛdnak tʃˈɛpʲam ɕɛ kaʒdˈɛɡɔ kˈɔwa rˌatuŋkɔvˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_122.wav|a na jˈɛɡɔ pɔkwˈadʑɛ znˌajdɔvˈawɔ ɕɛ mnˈustfɔ mʲˈɛjsts, ɡdʑˈɛ mˈuɡw ˈukrɨtɕ ɕɛ txˈuʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_141.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_91.wav|sɔlˈaŋki tɔ bˌɨwa rɔbˈɔta jˈakʲɛjʑ bˈɛstji w lˈutskʲɛj skˈuʒɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_44.wav|ˈɔfʃɛm, ˌalɛ ɔn vˌɨkɔʒˈɨstaw pˈaɲskʲɛ pʲɛɲʲˈɔndʑɛ dɔ pɔkrˈɨtɕa fundˈuʃɨ, ktˌurɛ vˌɨprɔvˈadʑiw s fˈirmɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_96.wav|vˌɨzɨvajˈɔntsɨ ˈuɕmʲɛx tɛj dʑɛftʃˈɨnɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_19.wav|bˈɛtskɨ ɕɛ ɲʲɛ zˌavaxˈawa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_2.wav|tɔ pˌɔmjɛʃtʃˈɛɲʲɛ vˌɨɡlɔndˈawɔ na pˈɔkuj ɡɔɕtɕˈinnɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_42.wav|ˌalɛ mˈɔɡli ˌɔpsɛrvˈɔvadʑ dˈɔm, vʲˈɛnts ˌɔstrɔʒnˈɔɕtɕi ɲˈiɡdɨ za vʲˈɛlɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_58.wav|tˈak, mˈuvi bʲˈillɨ, mʲˌawɛm tɛn sˈam prˈɔblɛm. ʒˈɨtʃɛ vam udˈanɛj pɔdrˈuʒɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_21.wav|ɕmʲˈawɔ pˌɔvʲɛdʑˈawa sˈara, fskazˈujɔnts kɔmpˈutɛr.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_7.wav|ɡdˈɨ jˈuʃ mˌajɔ̃ tɔ za sˈɔbɔ̃, jɛst jˌɛdnɔtʃˈɛɕɲʲɛ rˌɔzbavʲˈɔnɨ i zˌasmutsˈɔnɨ jɛj pʲˈɛrʃɨm pɨtˈaɲʲɛm, bˈɔ dɔvˈɔdʑi ˈɔnɔ, ʒˈɛ zatʃˈɛwa mˈɨɕlɛtɕ jˈak pˌɔʃukivˈanɨ pʃɛstˈɛmptsa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_57.wav|zatˈɔtʃɨw kˈɔwɔ wɔktɕˈami i vɨsˈunɔw ˌɛnɛrɡʲˈitʃɲʲɛ brˈɔdɛ, jˈaɡbɨ xtɕˈaw pʃˈɛwknɔɲtɕ jˈajkɔ na tfˈardɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_32.wav|— martfˈiwɛɕ ɕɛ tˈɨm, ˌalɛ jˈuʃ pˈuw ɡɔdʑˈinɨ pˈuʑɲʲɛj ɕfʲˈɛtɲʲɛ ɕɛ bavˈiwɛɕ, prˈavda?|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_10.wav|ɲʲɛ, ɲʲɛ vˈidʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_146.wav|ɔt pɔtʃˈɔntku vʲɛdʑˈawam, ʒˈɛ tsˈɔɕ jɛzd z ɲˈim ɲʲɛ tˌɛɡɔ mˈuvi. ʑlˈɛ mu z ˈɔtʃu patʃˈɨwɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_46.wav|ˈɛlis ˌɔstatˈɛtʃɲʲɛ ˌɔpatʃˈɨwa jˈɔ̃ ɡˈazɔ̃ i tˈaɕmɔ̃, pˈɔtɛm uɕˈadwa na pʲˈɛntax. pˈaltsɛ mʲˈawa pˌɔplamjˈɔnɛ mˈɔjɔ̃ krfjˈɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_250.wav|ɕmʲˈɛrtɕ i prˈavɔ ɡˌɔɕtɕinnˈɔɕtɕi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_84.wav|jˈɛɕli ɲˈitsk, ɡʲˈɔrɡjɔ tʃɨ nˈavɛt ˈɛlviz ɡˈɔ pˌɔtpatrˈujɔ̃, mˈuʃɔ̃ vˈidʑɛtɕ, ʒˈɛ jˈɛɡɔ ɡwupˈavɛ ja ɕɛ ɕlimˈatʃɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_150.wav|rˈɔbʲiw ɡwˈuvɲʲɛ zdjˈɛɲtɕa dɔ kɕˈɔŋk pˌamjɔntkˈɔvɨx i ɕlˈubnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_132.wav|pɔtxˈɔdʑi dɔ dʒvˈi, ɔtfʲˈɛra jˈɛ kˈartɔ̃ mˌaɡnɛtˈɨtʃnɔ̃, pɔ tʃɨm ɕɛ ɔdvrˈatsa.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_248.wav|a ja ɲʲˈɛxtsɛ tɕˈɛ f tɔ mʲˈɛʃatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_40.wav|pɔvʲˈɛdʑaw i zaprˈɔɕiw bˈɛtskɨ dɔ ʃˌɛrɔkʲˈɛɡɔ xˈɔlu s pɔdwˈɔɡɔ̃ spˌɔlɛrɔvˈanɨɣ dˈɛsɛɡ dɛmbˈɔvɨx.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_222.wav|na kamjˈɛnnɨx mˈuraɣ viɕˈawɨ vɨblˈakwɛ ɡˌɔbɛlˈinɨ i pˌɔstʃɛmpʲˈɔnɛ mˈapɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_52.wav|zɡrˌɔmadʑˈɛɲi vˈɔkuw tʃwɔŋkˈɔvʲɛ zɛspˈɔwu zatʃˈɛli snˈutɕ rˌɔzmaˈitɛ tɛˈɔrjɛ.|3
+Dataset/wavs/urwisko_ferenc/09_segment_60.wav|kʲˈɛdɨ spɔtkˈaliɕmˌɨ ɕɛ s tˈɔbɔ̃ i ɔlɡʲˈɛrdɛm na kɔmˈɛɲdʑɛ...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_12.wav|sprubˈɔvaw ɕɛ uɕmʲˈɛxnɔɲtɕ, ˌalɛ vˈɨʃwɔ mu tɔ mizˈɛrɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_185.wav|ja ɲʲɛ prɔɕˈiwɛm tɕˈɛ ɲˈiɡdɨ ɔ mˈiwɔɕtɕ, jˈudɨ. tˈak pˌɔvʲɛdʑˈawa. tɔ prˈavda.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_49.wav|bˌɨliɕmˌɨ krˌulɛfskˈimi lˈudʑmi, rˌɨtsɛʒˈami, bˌɔxatɛrˈami.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_95.wav|dɔ tˌɛɡɔ tʃˈɛba bˈɨ bˈɨwɔ, ˈabɨ ˈistɲʲaw bˈuk, bˈɔ ftˈɛdɨ mˈɔɡwabˌɨɕ ˈumʒɛdʑ dʑˈiɕ w nˈɔtsɨ f tʃˈaɕɛ snˈu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_314.wav|a vʲˈɛnts jˈɛɕli ɲʲɛ ˈumjɛʃ, tɔ jˈɛdnak ja tɔ zrˈɔbjɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_42.wav|zdʑivʲˈɔna rˌɔzɛjʒˈawa ɕɛ dˌɔɔkˈɔwa, ˌalɛ na prˈuʒnɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_26.wav|swˈuxaj, mɔʒˈɛmɨ pɔɡˈadatɕ ˈɔtɨm pˈuʑɲʲɛj? skˈɔrɔ ɲˈits ɕɛ ɲikˈɔmu ɲʲɛ stˈawɔː i z lˈutsɨ fʃˈɨstkɔ jɛst f pɔʒˈɔntku, tɔ xˈɨba mˈɔʒna s tɨm zatʃˈɛkatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_22.wav|jˈɛdnaɡ dɔpʲˈɛrɔ pɔ pˈɛvnɨm tʃˈaɕɛ dˌɔvʲɛdʑˈawam ɕɛ ɔː umˈɔvax, ktˌurɛ pˌɔtpisɨvˈali z mˈɨɕlɔ̃ ɔ zˌabɛspʲɛtʃˈɛɲʲu sfˈɔjɛj pʃɨʃwˈɔɕtɕi w ɕfʲˈɛtɕɛ arˈama.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_77.wav|xˈɛj, tɔː ˌintɛrˌɛsujˈɔntsɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_161.wav|i zajʒˈawam dɔ ɕrˈɔtka.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_149.wav|blˈiʒɛj ɕfˈitu ɲˈiʒ zmʲˈɛʃxu.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_6.wav|skrɛɲtɕˈiwam w alˈɛjɛ ʒˌɛmjɛɕlɲˈikuf.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_54.wav|i pˈɛvɲʲɛ ɲʲɛ pɔswˈuxa mˈɛɡɔ vɛzvˈaɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_10.wav|mˈuʃɛ znˈalɛʑdʑ dˌarɨˈɔna.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_118.wav|wˈazik pʃɛjˈɛxaw mˈɛtr na bˈɔku i ɲʲɛzɡrˈabɲʲɛ ˈɔpat s pɔvrˈɔtɛm na kˈɔwa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_5.wav|spɔɡlˈɔnda na zɛɡˈarɛk i zˈɛ zdumjˈɛɲʲɛm zˌauvˈaʒa, ʒˈɛ minˈɛwɔ prˈavʲɛ pʲˈɛɲdʑ ɡˈɔdʑin.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_41.wav|jˈɔ pˌɔstukˈawa kʲɛlˈiʃkʲɛm ɔ blˈat. bˈɔʒɛ, jˈakʲɛ tɔ fʃˈɨstkɔ jɛst pˌɔkrɛntsˈɔnɛ. dɔdˈawa i upˈiwa spˈɔrɨ wˈɨɡ vˈina.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_14.wav|jˈaɡ dwˈuɡɔː ˈuda mi ɕɛ ukrˈɨvatɕ tɕˈɔ̃ʒɨ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_410.wav|jˈɛɕli ɲʲɛ mˈɔʒɛʒ zˈɛ sˈɔbɔ̃ vʑˈɔɲtɕ xˈɔdʑbɨ jˈɛdnɛj mˈarnɛj ʒˈɛtʃɨ, ɔ ktˌurɔ̃ dbˈaʃ, tsˈuʃ s tˈɛɡɔ?|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_15.wav|rdʑˈavɔkˌaʃtanˈɔvɛ vwˈɔsɨ ˈumɨw i ˈɔstʃɨɡw, a rˈudɔ̃ brˈɔdɛ krˈutkɔ pʃˈɨtɕɔw.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_92.wav|kʲˈɛdɨ sɔ̃ pˈɛwnɛ zavˈɔʒɔ̃ urˈɔbɛɡ dɔ xˈutɨ.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_20.wav|jˈɛɕli ktˈɔɕ pɔtrˈafi ɕpʲˈɛvatɕ ɔ bʲˈitfax,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_9.wav|pʃˌɨjɛxˈawɨ tˈu dlatˈɛɡɔ, ʒˈɛ mˈuj samˈɔxut stˈaw na parkˈiŋɡu, na ktˌurɨm zˌamɔrdɔvˈanɔ jaɡˈɛra.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_267.wav|nakˈɔʃi prˈɨxnɔw pˌɔɡardlˈivʲɛ i zˈajɔw ɕɛ pʃˌɛɡlɔndˈaɲʲɛm kɔlˈɛjnɛj pʃɛsˈɨwki.|4
+Dataset/wavs/urwisko_ferenc/33_segment_79.wav|zdjˈɛwa ubrˈaɲʲa zˈɛ stɔlˈika, pɔdɲʲˈɔswa tɛ lɛʒˈɔntsɛ na dɨvˈaɲʲɛ, zajʒˈawa pɔt kˈɔwdrɛ i pɔt pɔdˈuʃkɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_46.wav|dlatʃˈɛɡɔː ˌɔna vʒˈutsa ɛmˈɔtkɛ z uɕmʲˈɛʃkʲɛm, pˈiʃɔnts ɔ mɔrdˈɛrstfʲɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_80.wav|tɕˈɛpwɔ, dˈɔlan, tɕˈɛpwɔ. vˌɨruʃˈamɨ w lˌuksusˈɔvɨ rˈɛjs.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_112.wav|bʲˈili pʃɛtɕˈifkɔ trˈujtsɛ dʑˈɛtɕi, a kilkˈɔrɔː ˈinnɨx kˌibʲitsˈujɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_79.wav|tʃɨ vʲˈɛʃ, kʲˈɛdɨ urˈɔdʑiw ɕɛ tfˈuj ˈɔjtɕɛts? ɲʲɛ. a mˈatka? ɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_61.wav|musˈimɨ zadʑvˈɔɲitɕ na pɔlˈitsjɛ. pɔvʲˈɛmɨ im, kˈim ˌɔna jˈɛst. pɔvʲˈɛmɨ ɔ fʃˈɨstkim. ˌɔɲi jˈɔ̃ znˈajdɔ̃ ˈaʃ i znˈajdɔ̃ mˈili.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_158.wav|lɛʒˈawa na mˈɔim wˈuʃku, ktˌurɛ tˈɛras pɔ nˈɔtsɨ ɲʲɛ bˌɨwɔ wˈuʃkʲɛm, tˌɨlkɔ wˈaxɔ̃ srˈɛbrnɨx mɛkxˈuf.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_44.wav|dʑˈɛtskɔ, ktˌurɛ jɛst pˈɔtɛm zˌabʲijˈanɛ, ʒˈɛbɨ ɲitʃˈɛɡɔ ɲʲɛ pˌɔvʲɛdʑˈawɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_203.wav|znˈajtɕ tˈaɲi mˈɔtɛl pɔt mʲˈastɛm i zˈɔstaf jˈɔ̃ tˈam dɔ tʃˈasu, ˈaʒ zawˈatfiʃ, tsˈɔ maʒ dɔ zˌawatfʲˈɛɲʲa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_79.wav|— ˌapsɔlˈutɲʲɛ ɲʲɛ. i ɔbˈɔjɛ xtsˈɛmɨ jˈak najlˈɛpʲɛj dla lˈutsɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_194.wav|ɲʲɛ bˌɛndɛ ɲˈiɡdɨ s tˈɔbɔ̃ i ɲˈits ɲʲɛ mˈɔɡɛ nˈatɔ pɔrˈadʑitɕ. bˌɛɲdʑɛʃ ɕɛ tˌɨlkɔː upˈijatɕ i zwˈɔɕtɕitɕ, ˈilɛ rˈazɨ mɲʲɛ zɔbˈatʃɨʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_39.wav|mˈuɡwbɨʑ vɨjˈɛxatɕ sˈam, ɡdˈɨbɨʑ zɔstˈaviw trˈipa i jˈɛɡɔ kˈumpli f spɔkˈɔju, bˈɔ jˈɛɕli tsˈɔɕ im ɕɛ stˈaɲʲɛ, dɔmˈɨɕlɔ̃ ɕɛ, ʒˈɛ matʃˈawam f tɨm pˈaltsɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_31.wav|pˈan, ktˌurɨ ˌɔpɔvʲˈɛdʑaw çistˈɔrjɛ ɔ ʒˈabjɛ i skɔrpʲˈɔɲʲɛ zapˈɨtaw, tʃɨ pˈaɲi dʑˈiɕaj pˈiwa?|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_5.wav|tsˈɔɕ ɕɛ stˈawɔ w dˈɔmu landvˈika. vidʑˈawam krˈɛf. ˈitɕ tˈam natˈɨxmʲast.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_103.wav|pˈuʑɲʲɛj kˈartʃma pʃˈɛʃwa w rˈɛntsɛ kˌalɛkʲˈɛɡɔ rɨtsˈɛʒa, zvanˈɛɡɔ dwˈuɡʲim dʒˈɔnɛm xˈɛdlɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_20.wav|mˈɔʒɛ tɔ tˈɨp fatsˈɛta, ktˌurɨ spʃɛtɕˈivja ɕɛ ˌawtɔrˌɨtɛtˈɔvi kˈɔbjɛt.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_131.wav|xˈɨba tˌɨlkɔ jˈakaɕ kˌatastrˈɔfa nˌuklɛˈarna bˈɨwabˌɨ f stˈaɲʲɛ jˈɔ̃ rɔzˈɛrvatɕ.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_300.wav|tɕˈɛʃɔnts ɕɛ, ʒˈɛ nˈaɲʲɔ̃ pˈatʃɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_99.wav|sˈara pˌɔkivˈawa ɡwˈɔvɔ̃ i skrˌɛɲtɕiwˈɨɕmɨ w bˈɔk, zˌatatʃˈajɔnts ʃɛrˈɔki wˈuk.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_405.wav|prˈaɡnɔw kʲˈɛdɨɕ jˈɔ̃ pɔɕlˈubʲitɕ, ˌalɛ bˈɨw zbˈɨt pɔswˈuʃnɨ, bˈɨ vɨstˈɔmpitɕ pʃɛtɕˈifkɔ kɕˈɛɲtɕu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_219.wav|i ftˈɛdɨ ɔ rɔɕlˈinax tˈɛʃ ɲʲɛ muvˈiwam sˈɛrjɔ. tʃˈuwabˌɨm ɕɛ pˈɔdlɛ, ɡdˈɨbɨm pɔ pɔvrˈɔtɕɛ zastˈawa dˈafnɛ i valtˈɛra usxɲʲˈɛntɨx.|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_124.wav|mˈɔʒɛ tɔ zwˈɨ pˈɔmɨsw?|2
+Dataset/wavs/urwisko_ferenc/63_segment_67.wav|vˈɨpiw tsˈɔɕ ˈu pˈaɲi?|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_82.wav|zavˈɨwa z bˈulu i runˈɛwa jˈaɡ dwˈuɡa, ˌalɛ zˌaimpˌɔnɔvˈawa mi, ɡdˈɨ ɔt rˈazu pˌɔdɛrvˈawa ɕɛ na nˈɔɡʲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_74.wav|ɕˈada na jɛdˈɨnɨm kʃˈɛɕlɛ i mˈɨɕli.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_339.wav|ˈadam mˈarbrantt s pɛvnˈɔɕtɕɔ̃ vʲˈɛdʑaw, tsˈɔ ɕɛ dʑˈɛjɛ, a ɲʲɛktˌuʒɨ pˌɔzɔstˈali kˌapitanˈɔvʲɛ muɕˈɛli pˌɔdɛjʒˈɛvatɕ prˈavdɛ.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_153.wav|na dwˈuɡʲɛj, xˈudɛj ʃˈɨi mʲˈawa naʃˈɨjɲiɡ zˈɛ zwˈɔtɨx muʃˈɛlɛk.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_480.wav|xɔdʑˈiwɔ mi jɛdˈɨɲʲɛ ˈɔtɔ, ʒˈɛbɨ tɕˈɛ xrˈɔɲitɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_2.wav|jˈuʒ zdˌɛtsɨdɔvˈaɲʲɛ za dwˈuɡɔ ɕˈɛdʑɛ f tɛj sˈamɛj pɔzˈɨtsji.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_104.wav|vɨtɕˈɔŋɡam vʲˈɛndʑ dwˈɔɲ, ʒˈɛbɨ vwˈɔntʃɨtɕ rˈadjɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_231.wav|ˌalɛ pʃˌɛtɕɛʃ pˈan mˈa kˈɔɡɔɕ. tʃɨ tɛj kɔbjˈɛtɕɛ tɔ ɲʲɛ pʃɛʃkˈadʑa?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_424.wav|pʃɛmknˈɛliɕmˌɨ ɕɛ pʃˈɛs ɕrudmʲˈɛɕtɕɛ i pɛɲdʑˈiliɕmˌɨ tˈɛras pʃˈɛs subˈurbja.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_352.wav|ɲʲɛ bˌɛndɔ̃ muɕˈɛli prɔvˈadʑitɕ nˈaz dalˈɛkɔ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_174.wav|sfˈɔjɔ̃ pˌɔtulnˈɔɕtɕɔ̃ pʃɨnˈɔɕiʃ fstˈɨt tsawˈɛmu dˈɔrn, ˈɔjtʃɛ. tfˈuj brˈat pɔjˈɛxaw dɔ krulˈɛfskʲɛj pʃɨstˈaɲi zˈamjast tɕˈɛbjɛ, a ˌɔɲi ɡˈɔ zabʲˈili.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_57.wav|uvʲˈɛlbjaw, kʲˈɛdɨ z ɲˈimi mʲɛʃkˈawa i brˌakɔvˈawɔ mu jɛj bˈardʑɔ, ɡdˈɨ vˌɨjɛxˈawa dɔː awstrˈalji.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_69.wav|tsˈɔ mˈa pʲˈɛrɲiɡ dɔ vʲatrˈaka?|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_282.wav|ˈɔjtɕɛts utɕˈiʃɨw mɲʲɛ ɡˈɛstɛm dwˈɔɲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_34.wav|bʲˈillɨ pˈatʃɨ na dʒˈɔrdʒja, pˈɔtɛm na ɲˈika, tɕˈɛkaf, tʃɨ tɔ jˈakiɕ pˈɔtstɛmp. tʃɨ pɔznˈali ɕɛ na jˈɛɡɔ ɡwˈupa vˈɨmjar?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_385.wav|tˌɨlkɔ tˈak mˈɔʒna ɔpˈisatɕ tˈɛ mwˈɔdɔ̃ kɔbjˈɛtɛ, mwˈɔdɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_63.wav|pˌɔkazˈujɛ pˈaltsɛm drˈuɡʲɛ zdjˈɛɲtɕɛ, na ktˌurɨm mˈam blˈɔnd vwˈɔsɨ. a ˈɔtɔː i pʲˈɛŋkna sˈaskja.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_83.wav|ɲˈits s tˈɛɡɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_233.wav|bˈɔ ja znalˈazwɛm ɕˈɔstrɛ tɛj zmˈarwɛj dʑɛftʃˈɨnɨ, ktˌurɛj tʃˈɨ zabʲˈitɔ w ɔstˈatɲim tɨɡˈɔdɲʲu.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_393.wav|malˈuxɨ sɔ̃ ɡwˈɔdnɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_41.wav|dʑɛŋkˈujɛ, bˈɔŋkam. pɔvˈinnam bˌɨwa sˈama ˈɔtɨm pɔmˈɨɕlɛtɕ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_155.wav|ɲʲɛ mɔʒˈɛmɨ pɔpwˈɨnɔɲtɕ na pˈuwnɔts, dɔpˈuki ɕɛ ɲʲɛ ˌupɛvɲˈimɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_217.wav|— ɲʲɛ pɨtˈajtɕɛ mɲʲɛ, brˈatɕa — pɔftˈuʒɨw dʲˈitsk. pˈɔtʃɛd dɔː ustˈɛmpu i ˈɔdlaw ɕɛ. — xˈɛj, tˈɨ!|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_236.wav|ɔ mɔrdˈɛrstfax i tsˌudʑɔwˈustfax, jˈakix ɕɛ dˌɔpuɕtɕˈiwaɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_141.wav|pɔdwˈɔɡa ɕmʲˈɛrdʑi ʑˈɛmʲɔ̃. na ɕrˈɔtku zˌauvˈaʒam stɔjˈɔntsɛ kʃˈɛswɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_17.wav|ɲʲɛ pˌɔvʲɛdʑˈawɛm pˈanu ˈɔtɨm ftʃˈɔraj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_135.wav|mˈɔʒɛ tɔ pʃˈɛs sˈɛn, ktˌurɨ mu ɕɛ pʃˈɨɕɲiw ɔstˈatɲʲɛj nˈɔtsɨ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_594.wav|jˈuʃ tɕi muvˈiwam.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_12.wav|kɔbjˈɛta zajˈɛwa mʲˈɛjstsɛ z nɛwtrˈalnɨm vɨrˈazɛm tfˈaʒɨ. tˈɛssa pʃɛwknˈɛwa ɕlˈinɛ i s trˈudɛm zˌapanɔvˈawa nad zdˌɛnɛrvɔvˈaɲʲɛm.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_176.wav|tɔ bˌɨli straʃlˈivi, ɲʲˌɛsamɔvˈitɕi lˈudʑɛ, ˌalɛ vrˈɔɲʲɛ ˈɔkɔː utʃˈɨɲiw ix sfɔˈimi ɲʲˌɛvɔlɲikˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_193.wav|ɲˈiɡdɨ dˈɔtɔnt ɲikˈɔmu ˈɔtɨm ɲʲɛ mˈuviw i z ɔdrˈazɔ̃ swˈuxa samˈɛɡɔ ɕˈɛbjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_46.wav|xtsˈɛ, ʒˈɛbɨ blˈɔnt pɛrˈuka zrɔbʲˈiwa, tsˈɔ dɔ ɲʲˈɛj nalˈɛʒɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_9.wav|rˈɛʃta pˌɔmjɛʃtʃˈɛɲʲa bˌɨwa ɲʲɛvʲˈɛlɛ vʲˈɛŋkʃa ɔt mʲɛʃkˈaɲʲa, f ktˌurɨm ɕɛ vˌɨxɔvˈawam.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_140.wav|nˈɔ, vrˈɛʃtɕɛ tsˈɔʑ zatʃˈɛwɔ ɕɛ dʑˈatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_60.wav|ɲʲɛ fspˈɔmɲʲaw mi ˈɔtɨm i ɲʲɛ vidʑˈawam ˈu nˈas tˌɛɡɔ kartˈɔnu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_42.wav|dʑvɔɲˈiwa kˈirstɛn, ʒˈɔna ɛdjˈɛɡɔ tsarlsˈɔna.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_29.wav|tɔ vɨstˈartʃɨ, stfʲˈɛrdʑiw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_51.wav|za kˈɔɡɔ tɨ mɲʲɛ maʒ za dʑˈifkɛ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_120.wav|f tˌɛlɛfˈɔɲʲɛ rɔzlˈɛɡa ɕɛ parskɲʲˈɛɲtɕɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_21.wav|ɲʲɛ mˈɔɡɛ jɛj tˌɛɡɔ zrˈɔbʲitɕ. pʃɨnˈajmɲʲɛj ɲʲɛ tˈɛras.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_27.wav|ɲʲɛ mɔʒˈɛmɨ, zdˈɔwaw pɔvʲˈɛdʑɛtɕ. mɔʒˈɛmɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_14.wav|zatʃˈɛwam ɕɛ pʃˈɛs xfˈilɛ zˌastanˈavʲatɕ, tʃɨ dla stsˈɔtta nˈaʃɛ dʑˈɛtskɔ ɲʲɛ jɛzd vɨwˈɔntʃɲʲɛ spɔsˈɔbɛm na ˌuzɨskˈaɲʲɛ pwɨnnˈɔɕtɕi fˌinansˈɔvɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_332.wav|ɲʲɛ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_27.wav|nuɡˈuɡʲi mˈuvi, ʒˈɛ kˌakˌazˈɛt nalˈɛɡa na ʃˈɨpkʲɛ vznɔvʲˈɛɲʲɛ prɔdˈuktsji tlˈɛnu. mʲˈastɔ ɲʲɛ bˌɛɲdʑɛ tˈak rˌɨɡɔrɨstˈɨtʃɲʲɛ pɔtxˈɔdʑidʑ dɔ zˈasad bˌɛspʲɛtʃˈɛɲstfa.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_156.wav|spɔjʒˈawam na zɛɡˈarɛk.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_421.wav|mˈam jˈuʒ dˈɔɕtɕ nˈarat na dʑˈiɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_184.wav|mˈɔʒɛ pʃɛjdʑˈɛmɨ ɕɛ? spɨtˈawa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_74.wav|ʃˈɛptɨ utɕˈixwɨ, kʲˈɛdɨ ljˈa stanˈɛwa pʃɛt nˈami.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_74.wav|vˈɔn.|0
+Dataset/wavs/urwisko_ferenc/08_segment_92.wav|pɔ tsˈɔ f tˈakim rˈaʑɛ tɔ zrɔbʲˈili? jˈaki mʲˌɛli tsˈɛl? tsˈɔ zˌamjɛʒˈali ɔɕˈɔŋɡnɔɲtɕ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_160.wav|dlatʃˈɛɡɔː ɔn mɲʲɛ tˈaɡ drˈɛntʃɨ?|3
+Dataset/wavs/urwisko_ferenc/21_segment_61.wav|ˌɔdnalˈazwa krˈɛtkɛ dɔː ˈɔtʃu i zdjˈɛwa skˈufkɛ. pʃˌɛtɕɔŋɡnˈɛwa dˌɛlikˈatɲʲɛ ʃtˈɨftɛm pɔ vʲˈɛʃxu dwˈɔɲi, mʲˌɛndʑɨ pˈaltsɛm fskˌazujˈɔntsɨm a nasˈadɔ̃ ktɕˈuka.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_271.wav|bˈɨw jˈuʃ ubrˈanɨ f spˈɔdɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_164.wav|bˌɛndɛ bɛsɕˈilna.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_63.wav|i ˌupɔʒˌɔntkɔvˈawam kɔlˈɛktsjɛ vˈɛdwuk kˌatɛɡˈɔrji ɔt najbˈardʑɛj kˌulistˈɛɡɔ dɔ najbˈardʑɛj kˌaɲtɕastˈɛɡɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_53.wav|ɲʲˈɛvʲɛm, tsˈɔ ɕɛ tˈutaj dʑˈɛjɛ, ˌalɛ zˈaɲim udˈajɛ mi ɕɛ zˈadatɕ jˌakʲɛkˈɔlvʲɛk pɨtˈaɲʲɛ, ˈaʒ vɨxˈɔdʑi dɔ waʑˈɛŋki.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_323.wav|ɔbjˈɛwa lˈadɨ mˌɛrivˈɛtxɛr ramjˈɛɲʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_22.wav|mˈuɕiʃ mɲʲɛ strˈaʃɨtɕ? pˈɨta ˈɔna, pɔ tʃɨm bjˈɛʒɛ ɡwɛmbˈɔki, ʒɛ̃ʒˈɔntsɨ vdˈɛx.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_78.wav|f xfˈilɛ pˈɔtɛm tˈɔnɨ lˈɛʒaw jˈuʃ na nˈɔʃax pʃɨkrˈɨtɨ ʃˈarɨm, brudnˈavɨm kˈɔtsɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_144.wav|jˈakiɕ tsˈɨɡan pʃɨɡlˈɔndaw ɕɛ tˈɛmu, a ja vidʑˈawɛm...|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_250.wav|starˈajɔnts ɕɛ ɲʲɛ lˈɛʒɛdʑ bˌɛspɔɕrˈɛdɲʲɔ pɔd zavˈɔrɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_64.wav|pˈɛvnɔɕtɕ tɔ zbˈɨt mˈɔtsnɛ swˈɔvɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_413.wav|prˈɔblɛm z ɔpswˈuɡɔ̃ kljˈɛnta. bˌɛndɛ muɕˈawa tɔ vɨjˈaɕɲitɕ ˌɔsɔbʲˈiɕtɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_234.wav|zˈatɔ zwˈɔtɔ mˈɔʒna bˈɨ nakˈarmidʑ ɡwˈɔdnɨx.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_199.wav|tʃɨ zdʑivˈiwabˌɨɕ ɕɛ, ɡdˈɨbɨɕ ˌuswɨʃˈawa, ʒˈɛ bˌɨwɛm kʲˈɛdɨɕ rɨtsˈɛʒɛm?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_89.wav|ˌuswɨʃˈafʃɨ tɛ swˈɔva, tʃwɔŋkˈɔvʲɛ spˌɔwɛtʃnˈɔɕtɕi fstˈali i kɔlˈɛjnɔː ˌɔpuɕtɕˈili pˈɔkuj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_17.wav|nˈavɛd ɡdˈɨbɨ pʃɨpˈatkʲɛm ɕɛ na ɲʲˈɛɡɔ natknˈɛli, f tɨm pʃɛbrˈaɲʲu rˈatʃɛj ɡˈɔ ɲʲɛ rˌɔspɔznˈajɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_310.wav|ja jˈuʃ ɲʲɛ lˈubjɛ tɨɣ zdafkˈɔvɨx spˈɛnduf, dˈɔsɨtɕ nˈudnɨɣ dla mɲʲɛ ˌɔsɔbɲˈikuf.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_225.wav|ktˌurɨm tɕˈɛ̃ʃkɔ bˌɨwɔ ɡˈɔ zrɔzˈumjɛtɕ. zmʲɛɲʲˈali ɕɛ tɕˈi, ktˌuʒɨ ɕmʲˈali ɕɛ z jˈɛɡɔː aktsˈɛntu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_38.wav|ˌalɛ jɛst jˈuʒ zapˈuʑnɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_241.wav|tɔ jɛst jˈakiɕ spɛtsjˈalnɨ tˈalɛnt, tˌɨlkɔ ʒˈɛ...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_57.wav|pɔdˈɛʃwa dɔ drukˈarki, pɔdɲʲˈɔswa kˈartkɛ i pɔdˈawa tɔmˈɔvi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_42.wav|za kˈaʒdɨm rˈazɛm vratsˈawa dɔ dˈɔmu taksˈufkɔ̃, tsˈɔ twumˈatʃɨ fʃˈɨstkɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_175.wav|bˈudʑi ɕɛ ɔ tʃfˈartɛj i kʲˈɛdɨ vɨxˈɔdʑi na zˈɛvnɔndʒ z nɔvˈɨmi rˌɛŋkavitsˈami w dwˈɔɲi, zastˈajɛ ˈɛlis ɕɛdʑˈɔntsɔ̃ na jˈɛdnɨm z ɲʲˌɛɕmʲɛrtˈɛlnɨx mˌɔtɛlˈɔvɨx kʃˈɛsɛw ˌɔɡrɔdˈɔvɨx.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_88.wav|kʲˈɛdɨ mˈɨɕlɛ ɔ fʃˈɨstkix lˈudʑax, ktˌuʒɨ pʃˈɛs lˈata pˌɔjavˈili ɕɛ w mˈɔim ʒˈɨtɕu, zˈafʃɛ jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ tsˈɔ nˈajmɲʲɛj jˈɛdna z ˈɔsup pɔjˈavi ɕɛ w mˌanxɛstˈɛʒɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_203.wav|ˈɛlis pʃˈɛs xfˈilɛ mˈiltʃɨ w zˌamɨɕlˈɛɲʲu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_109.wav|kˈɔɲʲɛts s kwamstfˈami, stsˈɔtt. tɔ varˈunɛk, ʒˈɛbɨm f tɛj xfˈili ɔt tɕˈɛbjɛ ɲʲɛ ɔdˈɛʃwa i jˈuʃ ɲˈiɡdɨ ɲʲɛ vrutɕˈiwa. ˈilɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_237.wav|tsˈɔː ˌɔna pamjˈɛnta z dwˈuɡʲiɣ ɡˈɔdʑin tˌɛɡɔː amˈɔku, ktˌurɨ pʃɛʒˈɨliɕmˌɨ?|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_143.wav|xˈɔdʑi ɔ tˈɛ lɛzbʲˈijkɛ zˈɛ stˌarɔʒˈɨtnɛj ɡrˈɛtsji?|4
+Dataset/wavs/urwisko_ferenc/65_segment_113.wav|vˌɨklutʃˈɔnɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_25.wav|zvˈɔlɲij, jˈɔɛ. ɲʲˈɛmam pɔjˈɛɲtɕa, ɔ tʃɨm mˈuviʃ. tsˈɔ takʲˈɛɡɔ zrɔbʲˈiwaɕ? ktˈɔ tɕˈɛ ˌɔpsɛrvˈujɛ?|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_104.wav|z drˈɔɡʲi, kʃˈɨtʃaw sˈɛr ˈɔsmunt kɛttlˈɛblatsk. pʃˈɛjɕtɕɛ dla jɛj krulˈɛfskʲɛj miwˈɔɕtɕi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_15.wav|vˈɨbatʃ, ʒˈɛ ɕɛ drɔtʃˈɨwam, ˌalɛ zvˈɨklɛ jˌɛstɛɕ tˈaka pɔɡˈɔdna. tsˈɔ pˈɔvʲɛʃ na fˌiliʒˈaŋkɛ kˈavɨ?|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_429.wav|mu mjˈi dɔvʲˈɛʑɛ mɲʲɛ dɔ tsˈɛlu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_37.wav|pɔ xfˈili pˌɔstanɔvˈiwɛm jˈɔ̃ ɔbˈudʑitɕ. bˌɨwɛm pˈɛvʲɛn, ʒˈɛ zˈɛxtsɛ ˈɔtɨm uswˈɨʃɛtɕ, vʲˈɛnts fʃˈɛdwɛm na pʲˈɛntrɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_114.wav|jˈɛdnak kˈaʒda suɡˈɛstja, ktˌura vʲɔ̃zˈawa ɕɛ z zˌaaŋɡˌaʒɔvˈaɲʲɛm f tɔː ˌuɲivˌɛrsɨtˈɛtu, jˈɛɡɔ rɔdʑˈitsuf tʃɨ pɔlˈitsji, vˌɨvɔwɨvˈawa ˈu ɲʲˈɛɡɔ pʃˌɛraʒˈɛɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_132.wav|jɛst tɔ rˈuvɲʲɛ bɛstʃˈɛlnɨ jˈak jˈɛɡɔ ɕˈɔstra.|1
+Dataset/wavs/urwisko_ferenc/50_segment_66.wav|tˈak pɔ prˈɔstu?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_393.wav|pˈuʑɲʲɛj jˈɛʃtʃɛ ɔtxˈɔdʑi f tɕˈɛmnɔɕtɕ i tˈam fkrˈuttsɛ zapˈala ɕɛ pʲɔnˈɔvɨ ˈɛkran fraɡmˈɛntu waʑˈɛŋki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_24.wav|mˈɨɕli, ʒˈɛbɨ tsˈɔʑ zjˈɛɕtɕ, ˌalɛ ɲʲɛ jɛzd ɡwˈɔdnɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_265.wav|pɔlˈitsja ɕɛ spalˈiwa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_29.wav|ˌalɛ tɛn strˈuj zˈɔstaw vidˈɔtʃɲʲɛ pɔddˈanɨ ˌɔtɕfʲɛʒajˈɔntsɨm zabjˈɛɡɔm,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_166.wav|nˈaʃɛ pʲɛɲʲˈɔndʑɛ znalˈazwɨ ɕɛ na kˈɔɲtɕɛ, s kturˌɛɡɔ mˈukw kɔʒˈɨstadʑ dɔvˈɔli, ɲʲɛ zadˈajɔndʑ ʒˈadnɨx pˈɨtaɲ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_148.wav|na stˈɔlɛ lˈɛʒaw kʃˈɨvɔ pˈɔrtfɛl prˌɛzɨdˈɛnta.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_152.wav|ɲʲɛ tˌɨlkɔ ɲʲɛ vˌɨkɔnˈawam zadˈaɲʲa, ˌalɛ jˈɛʃtʃɛ pˌɔɡɔrʃˈɨwam jˈɛɡɔ sˌɨtuˈatsjɛ.|4
+Dataset/wavs/urwisko_ferenc/17_segment_3.wav|zapˈadwa jɛj f pˈamjɛɲtɕ çistˈɔrja, ktˌurɔ̃ ˌuswɨʃˈawa na jˈɛdnɨm zˈɛ ʃkˈɔlɛɲ pˌɔlitsˈɨjnɨx.|0
+Dataset/wavs/urwisko_ferenc/08_segment_123.wav|na ɕfʲˈatwax, na skʃˌɨʒɔvˈaɲʲu pˈɔlnɛj s ʃˈɔsɔ̃ xɛwmˈiɲskɔ̃, f pɔblˈiʒu tɛrˈɛnu dˈavnɛj jɛdnˈɔstki ˈarmji radʑˈɛtskʲɛj ɔdlˈitʃaw sɨɡnˈawɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_60.wav|tɔ tsˈawkʲɛm stˌandardˈɔva fˈuŋktsja, ɔ tʃɨm s pɛvnˈɔɕtɕɔ̃ vʲˈɛtɕɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_136.wav|zvrˈatsaj vʲˈɛntsɛj uvˈaɡʲi na kɔntrˈɔlɛ vˌɨpɔsaʒˈɛɲʲa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_109.wav|tˈɔm pɔpˈatʃɨw na matˈɛrjaw s kamˈɛrɨ i ˌɔpsɛrvˈɔvaw pʃˈɛs xfˈilɛ mɛ̃ʃtʃˈɨznɛ ˌidɔntsˈɛɡɔː ulˈitsɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_26.wav|rˈud vikˈɛrɨ ɔtpˈarwa bˈɛtskɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_55.wav|ɲʲɛ vʲɛdʑˈawam, tsˈɔː ˈɔtɨm mˈɨɕlɛtɕ. mˈamɛ i tˈatɛ trˌaktɔvˈawam jˈakɔ sfˈɔix. tʃɨ tɔ tsˈɔʑ zwˈɛɡɔ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_16.wav|tˈɔm mˈiltʃaw, xtɕˈaw pˈɔdɛjɕtɕ i jˈɔ̃ ˈɔbjɔɲtɕ, zˌaɔfɛrˈɔvatɕ ˌɔdrɔbʲˈinɛ kɔmfˈɔrtu, ˌalɛ ɲʲɛ spravʲˈawa vraʒˈɛɲʲa, jˈaɡbɨ tʃˈɛɡɔɕ takʲˈɛɡɔː ˌɔtʃɛkivˈawa.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_277.wav|starˈuʃɛɡ zavˈaxaw ɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_103.wav|bˈɔ tˈak jˈɛst.|2
+Dataset/wavs/urwisko_ferenc/56_segment_9.wav|zzˈa plˈɛtsuf ɔlɡʲˈɛrda dɔxˈɔdʑiw sˈɨk ɛksprˈɛsu i ʃˈum klˌimatɨzˈatsji.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_383.wav|ɡdʑˈɛ zˌapɔmɲʲˈanɔ pɔstˈavitɕ kˈɔʃ na ɕmʲˈɛtɕi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_17.wav|jˈɛnnɨ zˈafʃɛ ɔtfʲˈɛra pˈɔtʃtɛ i ɔdʒˈutsa ruʒnˈɛɡɔ rɔdʑˈaju ɕmʲˈɛtɕi. ɕˈadam vʲˈɛnts i zatʃˈɨnam sprˈavdʑatɕ fʃˈɨstkɔ tɔ, tsˈɔ pˌɔzɔstavˈiwa i uznˈawa za vˈaʒnɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_374.wav|tʃɨ pˈan tˌɛɡɔ ɲʲɛ rɔzˈumjɛ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_646.wav|pˈan vɨɡlˈɔnda na bˈardʑɔ vˌɨtʃɛrpanˈɛɡɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_681.wav|pʃˌɛbjɛɡajˈɔntsɨ mwˈɔdɨ tʃwˈɔvʲɛk kʃˈɨknɔw dɔ kɔrsˈaka.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_35.wav|ɲˈiɡd vˌɨbawˈuʃa ˈɔtʃɨ, jˈak ɕɛ zdˈajɛ, z ˌawtɛntˈɨtʃnɨm zˌaskɔtʃˈɛɲʲɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_33.wav|ˈukwat wɔntʃnˈɔɕtɕi bˈɨw zˌamɔntɔvˈanɨ w najvˈɨʃʃɨm pˈuŋktɕɛ kadwˈuba, ʒˈɛbɨ wˈapatɕ jˈak najlˈɛpʃɨ zˈaɕɛŋk.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_253.wav|ˌɔtprɔvˈadʑiw ˌɔdjɛʒdʒajˈɔntsɨx kˈilka mˈil, bˈɨ pˌɔrɔzmˈavʲatɕ s sˈɛr fɔrlˈɛjɛm prɛstˈɛrɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_81.wav|kɔɲtɕˈiki ˈust kˈatɛ ɔpˈadwɨ, jˈaɡbɨ mʲˈawa ɕɛ rɔspwˈakatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_27.wav|filˈipa ɕɛ skʃɨvˈiwa. ɔbˈɛtsɲʲɛ bˌɨwa ʃɛfˈɔvɔ̃ tˈɔma, ˌalɛ kʲˈɛdɨɕ tɔː ˌɔna bˌɨwa pˌɔtʃɔntkujˈɔntsɔ̃ dɛtˈɛktɨf.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_223.wav|a ta dʑɛftʃˈɨna ɡdʑˈɛɕ f kˈɔɲtɕɛ rˌɔzɛbrˈawa ɕɛ ʃˈɨpkɔː i fsunˈɛwa ɕɛ pɔt kˈɔwdrɛ na mˈɔim wˈuʃku.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_157.wav|i zwˈɔtɛ ix tsawˈunɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_122.wav|zˌauvˈaʒam, ʒˈɛ nˈɔɕi kˌɔlɔrˈatkɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_94.wav|zɡadɲˈijtɕɛ, skˈɔnt lˈudʑɛ bjˈɔrɔ̃ nˈaɲʲɛ matˈɛrjaw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_178.wav|tɔ bˌɨwɔ nˌaruʃˈɛɲʲɛ prˌɨvatnˈɔɕtɕi. ɲˈiɡdɨ ɲʲˈɛprɔɕ ɔː ˌinfɔrmˈatsjɛ, ktˌurɛ ɲʲɛ mˌajɔ̃ duʒˈɛɡɔ znatʃˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_529.wav|minˈɛwɨ lˈata, ˈɔtkɔnt ˈarjan ɔstˈatɲʲɔ tɔ fspˌɔminˈawa. ˈɔx, bˌɨwa jˈɛʃtʃɛ frˈinn, tsˈurka kɔvˈala.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_155.wav|mˈɔʒɛ ɲʲɛ ɔt rˈazu, ˌalɛ tˈɛras jˈuʃ tˈak.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_95.wav|mˈɔʒɛ pɔvˈinna pˈaɲi ˈiɕtɕ jˈɛʃtʃɛ dɔ pˌɔtʃɛkˈalɲi? vrˈutsɛ pɔ pˈaɲʲɔ̃, kʲˈɛdɨ trˈɔxɛ ɕɛ ˌuspɔkˈɔi.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_185.wav|pʃɨbˈɨwɔ drˈuɡʲɛ vʲˈadrɔ, ktˌurɛ lˈɛkkɔː ɔpˈadwɔ na vzɡˈurɛɡ zmˌarzɲʲɛntˈɛɡɔ ɕɲʲˈɛɡu.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_188.wav|zwamˈaɲi bˈardʑɛj zˌaswuɡˈujɔ̃ na lˈitɔɕtɕ, xˈɔtɕ mˈɔɡɔ̃ bˈɨtɕ rˈuvɲʲɛ ɲʲˌɛbɛspʲˈɛtʃɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_74.wav|mˈuɕiʃ, mˈuj kˌɔmputɛrˈɔvɨ kɔmpˈadrɛ, mˈuɕiʃ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_89.wav|mˈɔjɛ ˈɔtʃɨ vˌɨpɛwɲʲˈajɔ̃ ɕɛ wzˈami i zatʃˈɨnam ʃˈɨptɕɛj ɔddˈɨxatɕ. ɲʲˈɛx tɔ jˈuʃ ɕɛ skˈɔɲtʃɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_39.wav|pˈawl bˈɨw ɔ kˈilka lˈat stˈarʃɨ ɔt tˈɔma i s pɛvnˈɔɕtɕɔ̃ fpˈɔiw sˈɔbjɛ jˈuʃ ˌɔrɨɡʲinˈalnɔ̃ nˈazvɛ vʲɛ̃ʑˈɛɲʲa|4
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_26.wav|tˈɛras jˈuʃ mwˈɔda ɲʲˌɛznajˈɔma jɛzd zupˈɛwɲʲɛ nˈaɡa, ɲʲɛ lˈitʃɔnts jɛdnˈɛɡɔ kɔltʃˈɨka.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_41.wav|nˈatʃɛt tʃˈas, ʒˈɛbɨm ɔdˈɛʃwa ˈindjɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_8.wav|— tɔ ɲˈits. tˌɨlkɔ draɕɲʲˈɛɲtɕɛ — pɔvʲˈɛdʑaw ˈalbjɛ, kʲˈɛdɨ fpˈadli w zasˈatskɛ xˈadʑix i vɛ tʃfˈurkɛ dˈali nˈura za pʃˌɛvrutsˈɔnɔ̃ kɔrˈɔllɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_113.wav|trˈɔnt pɔvʲˈɛdʑaw mi ɔ zˈafɔː i sfˈɔix plˈanaɣ zvʲɔ̃zˈanɨɣ z brˈanʒɔ̃ kʃɛmˈɔvɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_66.wav|a ja ɲˈiɡdɨ ɲʲɛ zapˈɔmnɛ, jˈak ɕɛ tʃˈuwam, kʲˈɛdɨ mɲʲɛ pˌɔtsawˈɔvaw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_54.wav|stˈɛvɛ ˈuznaw, ʒˈɛ ɲʲɛ tˌɨlkɔ xtsˈɛ dɔvʲˈɛdʑɛtɕ ɕɛ fʃɨstkʲˈɛɡɔ na tˈɛmat mˈinɲʲɛ, ˌalɛ rˈuvɲʲɛʃ na tˈɛmat ˈaʃa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_77.wav|dɔ xfˈili, kʲˈɛdɨ tˈatsɔ pɔvʲˈɛdʑaw, dˈɔbʒɛ ɡˈɔ pˈilnuj, brˈaxu.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_395.wav|vidʑˈanɨ z blˈiska, pwˈɨn vɨdˈavaw ɕɛ rˈatʃɛj ɡrˌanatˈɔvɨ ɲˈiʃ tʃˈarnɨ. bˈɨw ɡˈɛ̃stɨ, ˌɔlɛˈistɨ i tsˈuxnɔw zɛpsˈutɨm mʲˈɛ̃sɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_85.wav|mwˈɔda kɔbjˈɛta stˈajɛ f prˈɔɡu ʃˈɨptɕɛj ɲˈiʃ ˌɔtʃɛkivˈawam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_86.wav|zakrˈɨvam dwˈɔɲʲɔ̃ ˈusta.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_171.wav|bʲˈillɨ mʲˈɛʒɨ z ɡlˈɔka dɔ j��j ɲʲˌɛpʃɨtɔmnˈɛɡɔ sˈɨna, pɔ tʃɨm kwˈadʑɛ sˈɔbjɛ lˈufɛ na ˈustax.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_153.wav|pamjˈɛnta zˈatɔ, jˈak fˈatsɛt ˌɔtpɔvʲˈɛdʑaw na pɨtˈaɲʲɛ ɔ jˈɛɡɔ prˈɔtsɛs tfˈurtʃɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_10.wav|tˈɔm zvrˈutɕiw uvˈaɡɛ na ˌumjɛjstsɔvʲˈɛɲʲɛ bjˈurka ˈɛlis na pʃˌɛtɕivlˈɛɡwɨm kˈɔɲtsu, z dˈala ɔd bjˈura mˈartɨ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_66.wav|s pɛvnˈɔɕtɕɔ̃ zapˈɨtam ˈɔtɔ jˈɛɡɔ vʲˈɛlkɔ̃ ɕfʲˌɔntɔblˈivɔɕtɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_11.wav|fˈinn ˌɛmtsˈɛ ɡuˈinnɛss ɲʲɛ ʒˈɨjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_116.wav|dvʲˈɛ kamˈɛrɨ na tfˈɔim skafˈandʒɛ i dvʲˈɛ na skafˈandʒɛ dalˈɛa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_127.wav|pɔtʃˈɔ̃sa ɡwˈɔvɔ̃, jˈaɡbɨ prˌubɔvˈawa ˌɔpʃɨtˈɔmɲʲɛtɕ.|2
+Dataset/wavs/urwisko_ferenc/03_segment_143.wav|xˈɛrman vɨɕˈadwa i zˌatʃasnˈɛwa dʒvˈi. rɔzɡʒˈanɨ swˈɔɲtsɛm ˈasfalt mʲˈaw.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_359.wav|ja rˈuvɲʲɛʃ mˈam dla tɕˈɛbjɛ tsˈɔɕ tfardˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_108.wav|jˈɛɕli ˈuda mu ɕɛ vɨdˈuɕitɕ pɔʒˈɔndnɔ̃ flˈɔtɛ ɔt tɛj kˈurvɨ jˈɛɡɔ ɕˈɔstrɨ, bɛɲdʑˌɛmɨ mˈɔɡli zˈatʃɔɲtɕ ɔtpwˈatsadʑ ʒɛlˈaznɨm lˈudʑɔm tɔ̃ sˈamɔ̃ mɔnˈɛtɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_173.wav|vɨbrˈawa mɲʲɛ na tˌɔvaʒˈɨʃa pɔdrˈuʒɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_175.wav|tɔ fʃˈɨstkɔ nˈɔnsɛns, tsˈɔ pˈan mˈuvi ɔ latˈaɲʲu. ˈɔtɨm, ʒˈɛ kʲˈɛdɨ pˈan jɛzd w ɡˈuʒɛ, tʃˈujɛ ɕɛ pˈan lˈɛpʃɨm tʃwɔvʲˈɛkʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_290.wav|rˈudɨ rˈalf stˌɔnɛxɔˈusɛ zˈɛrvaw ɕɛ s kʃˈɛswa. stˈarɛ mʲˈastɔ jɛzd bɔɡˈatʃɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_167.wav|ɲʲɛ pˌɔviɲʲˈɛnɛm bˈɨw pɔʒˈɨtʃadʑ vʲˈɛntsɛj, ˌalɛ pˌɔmɨɕlˈawɛm, ʒˈɛ ˈuda mi ɕɛ vˈɨɡratɕ ˌɔtpɔvʲˈɛdɲʲɔ dˈuʒɔ, ʒˈɛbɨ tɔ spwˈatɕitɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_24.wav|vˈɔ̃skʲɛ sxˈɔdɨ z drɛvɲʲˈanɔ̃ bˌalustrˈadɔ̃ prˌɔvadʑˈiwɨ ɡdʑˈɛɕ na pɔddˈaʃɛ.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_130.wav|ɔtfˈuʃtɕɛ brˈamɛ!|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_109.wav|ja ɲikˈɔɡɔ ɲʲɛ ɔbvˈiɲʲam.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(28) R.Abbott_Zamknij Drzwi_segment_12.wav|vʲˈɛdʑaw, ʒˈɛ mˈuɕi ɕɛ pˈɔdɲʲɛɕtɕ, inˈatʃɛj zamˈarzɲʲɛ na ɕmʲˈɛrtɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_164.wav|ɔdʒˈutsa tˈɨtʃkɛ i zˌatʃaskˈujɛ dʒvˈi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_3.wav|tˈɔm mˈuɡw bˈɨtɕ jˈɛdnak na vwaɕtɕˈivɨm trˈɔpʲɛ, pɔɲʲˈɛvaʃ f salˈɔɲʲɛ ˈu fraŋklˈinuv zdˌɛtsɨdɔvˈaɲʲɛ tsˈɔʑ viɕˈawɔ f pɔvʲˈɛtʃu.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_320.wav|tɔ dˈɔbʒɛ. vʲˈɛm, ʒˈɛ uvˈaʒaʃ ɕɛ za bɛzbwˈɛndnɔ̃, ˌalɛ pamjˈɛntaj, ʒˈɛ ɔblˈawaɕ ɛɡzˈamin.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_90.wav|uvˈaʒa pˈaɲi, ʒˈɛ...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_17.wav|pɔlˈitsja mˈuɕi bˈɨtɕ jˈuʒ blˈiskɔː i pˈɛvɲʲɛ ɲʲɛbˈavɛm tˈutaj pʃɨjˈadɔ̃. ɲʲˈɛxtsɛ, ʒˈɛbɨ tɔ ɕɛ tˈak skɔɲtʃˈɨwɔ. ɲʲˈɛxtsɛ, ʒˈɛbɨ mɲʲɛ tˈutaj znalˈɛʑli.|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_47.wav|ˌalɛ istɲʲˈɛjɔ̃ prˈɔstʃɛ spɔsˈɔbɨ zdɔbˈɨtɕa tˈɛɡɔ, tʃˈɛɡɔ xtsˈɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_363.wav|pɔxˈɔdʑɛ z mˈawɛj prˌɔvintsjɔnˈalnɛj planˈɛtɨ, tsˈɔ zatˈatʃa f tɕˈɔŋɡu rˈɔku ɲʲɛvʲˈɛlkʲɛ kˈɔwɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_39.wav|pˌɔtʃɛbɔvˈawam ˌɔbɛtsnˈɔɕtɕi mˈamɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_203.wav|zapˈɨtaw fskazˈujɔnts na dʒvˈi.|4
+Dataset/wavs/urwisko_ferenc/27_segment_61.wav|zrˈɛʃtɔ̃, ˈɔtkɔnd zatʃˈɛwa pɔdˈɔ̃ʒadʑ drˈɔɡɔ̃ tʃɛʑvʲˈɛɲʲa, ɲʲɛ mʲˈawa kɔntˈaktu s ʃˈɛfɛm xɛwmʒˈɨɲskix krˌɨminˈalnɨx.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_240.wav|a w ɕrˈɔtku bˈɨw rˈɛmɔnt. stˈawɨ tˈu ɔbrˈɔswɛ vˈapnɛm drabʲˈinɨ,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_70.wav|tʃɨ jɛst tsˈɔɕ, ɔ tʃɨm ɔn ɲʲˈɛvʲɛ?|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_126.wav|ɲʲɛ mˈɔʒɛ bˈɨtɕ pɔkˈutɨ bˈɛz bˈulu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_154.wav|dʑɛftʃˈɨna znˈuf mu ɕɛ vˌɨɕlizɡˈujɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_42.wav|vˌɨprɔvˈadʑɛ pˈaɲʲɔ̃, a pˈɔtɛm zˈamknɛ dʒvˈi ɔt ɕrˈɔtka i vˈɨjdɛ z drˈuɡʲɛj strˈɔnɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_4.wav|bˈɔli mɲʲɛ ʒɔwˈɔndɛk i ɲʲɛ mˈɔɡɛ zˈatɔ vˈiɲitɕ pˈitsɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_146.wav|tʃɨmˈawa w dwˈɔɲi zɛɡˈarɛk narˈɛntʃnɨ i fpˌatrɨvˈawa ɕɛ w ɲʲˈɛɡɔ z bˌɛznamjˈɛntnɔ̃ mˈinɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_455.wav|pɔvʲˈɛdʑaw tˈɨlkɔ, ʒˈɛ fʃɨstkʲˈɛɡɔ, tsˈɔ vʲˈɛ ɔ vwadˈaɲʲu mʲˈɛtʃɛm, naˈutʃɨw ɕɛ f pravdʑˈivɛj vˈaltsɛ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_398.wav|tɔ xˈɨdnɛ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_250.wav|zˌakaptuʒˈɛɲi mɛ̃ʃtʃˈɨʑɲi f kɔltʃˈuɡax i skuʒˈanɨx kˈurtax, ktˌuʒɨ pˌɔruʃˈali vˌɨtwumjɔnˈɨmi vʲɔswˈami, pʃɛvˈɔʒɔnts ix pʃˈɛs spɔvˈitɔ̃ vˈɛŋɡlɛ ʒˈɛkɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_45.wav|tɔ tfˈɔja dʑˈawka, ɲʲɛ?|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_79.wav|pɔɲˈiʒɛj pˈasa ɔkrˈɨvaw ɡˈɔ vɛwɲʲˈanɨ kˈɔts.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_194.wav|pʃˌɨjatɕˈɛlɛ s pʃˌɨjatɕˈuwmi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_131.wav|pɔmˈɔʒɛ tɕi rɔspˈɔtʃɔɲtɕ nˈɔvɛ ʒˈɨtɕɛ pɔt nazvˈiskʲɛm ˌɛlizˈabɛtx ˈandɛrsɔn, jˈɛɕli tˌɛɡɔ bˌɛɲdʑɛʃ xtɕˈawa.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_226.wav|jˌɛstɛʑ zmɛntʃˈɔna i zrˌɔspatʃˈɔna, wˈatfɔ tɔ zˌauvˈaʒɨtɕ. mˈɔja bjˈɛdna drˈɔɡa fˈalis.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_83.wav|i zvˈɨkwɨ ɕtɕˈɛnnɨ kalˈɛndaʃ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_358.wav|tsˈɔʑ znˈalaz w mʲˈɔ̃ʃʃu kaʃˈaŋki, pˈɔdɲʲuz dɔː ˈɔtʃu jˈakiɕ ʃtʃˈɔntɛɡ bjˈawɛj supstˈantsji i...|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_166.wav|napˈɔtkam pɔ drˈɔdʑɛ kˈilku zdumjˈɔnɨx nˌaukˈɔftsuf i pˈɛvɲʲɛ ktˈɔɕ sprubˈujɛ dɔ mɲʲɛ zˌaɡadˈɨvatɕ, ˌalɛ ɲʲɛ bˌɛndɛ ɕɛ zˌatʃɨmɨvˈawa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_72.wav|zˌapɨtˈawɛm sˈam ɕˈɛbjɛ,|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_122.wav|pˈɔtɛm ɔpswˈuɡa xɔtˈɛlu bˌɛɲdʑɛ muɕˈawa ɔtfˈɔʒɨtɕ sˈɛjv za pɔmˈɔtsɔ̃ ˌuɲivˌɛrsalnˈɛɡɔ xˈaswa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_50.wav|bˈɔ sˈam ɡʲˈɔrɡjɔ jɛzd vˌɨwɔntʃˈɔnɨ z uʒˈɨtku.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_154.wav|— tsˈɔ jɛzd zwˈɛɡɔ, jˈɛɕli ˈɔmɲʲɛ xˈɔdʑi? — ɲˈits — pɔvʲˈɛdʑaw ˈandɛrsɔn. — muvˈiliɕmˌɨ jˈuʃ ˈɔtɨm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_3.wav|tˈɔm zˈɛrknɔw z ukˈɔsa na luˈisɛ, ktˌura pˈɔttʃas jˈazdɨ ɕɛdʑˈawa na fɔtˈɛlu pˌasaʒˈɛra s kˌɔlɔrˈɔvɨm pudˈɛwkʲɛm na kɔlˈanax.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_261.wav|tɔ bˈɨw xfˈɨt pɔɲˈiʒɛj pˈasa, ˈɔtpar, vˌɨdɨmˈajɔnts ˈusta.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_145.wav|zapwˈatsɛ ɡɔtˈufkɔ̃. tɨ vɨpˈiʃɛʃ mi tʃˈɛk w imjˈɛɲʲu daltˈɔna smˈitxa i bɛɲdʑˌɛmɨ kfˈita.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_26.wav|pɔxˈɨlam ɕɛ ˈaʒ dɔ kˈɔlan w ˌɔtʃɛkivˈaɲʲu, ˈaʃ tɛ sɛnsˈatsjɛ mˈinɔ̃ i f kˈɔɲtsu ɲʲˈɛtsɔ ɕɛ ˌuspɔkˈajam.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_70.wav|ɔrɡˈaɲizm lˈutski mˈɔʒɛ pʃˈɛtrfatɕ pˈarɛ mˈinut f prˈuʒɲi, a tɕiɕɲʲˈɛɲʲɛ pɔvʲˈɛtʃa w artˈɛmis jɛst na tˈɨlɛ ɲˈiskʲɛ, ʒˈɛ ɲʲɛ nˌabavˈiwaɕ ɕɛ xɔrˈɔbɨ dˌɛkɔmprɛsˈɨjnɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_94.wav|ɔd zˈɛvnɔndʒ zdɔbʲˈiwɨ ɡˈɔ jˌasnɔʒˈuwtɛ arˈapskʲɛ xjˌɛrɔɡlˈifɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_74.wav|ɲʲɛ vɨbjˈɛram ɕɛ dalˈɛkɔː i dˈam vam znˈatɕ, kʲˈɛdɨ jˈuʃ tˈam ɕɛ zˌamɛldˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_121.wav|tsɛrsˈɛi umˈilkwa na xfˈilɛ, pˈɔtɛm pˌɔstanɔvˈiwa, ʒˈɛ tɔ zˌiɡnɔrˈujɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_11.wav|pʃˈɨkrɔ mi s pɔvˈɔdu urtʃˈanɛ fˌawˌifˈaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_108.wav|mˈuj ɡwˈɔs ɔkˈazaw ɕɛ zˌaskakujˈɔntsɔ spɔkˈɔjnɨ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_45.wav|ɔː ˈilɛ dʑɛftʃˈɨna jɛst xˈɛntna.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_19.wav|tʃɨ tsˈɔɕ mˈɔɡwɔ ɕɛ stˈatɕ nˈuʃɨ lˈup samjˈɛmu?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_20.wav|bˈɛtskɨ zˌamruɡˈawa kˌilkakrˈɔtɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_17.wav|i vrˈɛʃtɕɛ ɕɛ budʑˈiwɛm i mɨɕlˈawɛm, tʃɨ mˈuj dʑˈadɛk istɲʲˈɛjɛ i pˌɔzɔstˈaɲʲɛ vɛ fʃɛxɕfʲˈɛtɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_322.wav|sˈɛr ˈɔsfrɨt mˈuviw prˈavdɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_189.wav|jɛst tˈam tˌaki trˈujkɔnt ˈu zbjˈɛɡu ʒˈɛk, na ktˌurɨm stˈɔi ɲʲɛvʲˈɛlkʲɛ, pʃɛstʃˈɛnnɛ...|0
+Dataset/wavs/urwisko_ferenc/43_segment_90.wav|tɔ, ʒˈɛ tɕˈɛ pˈɔbʲiw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_125.wav|pˈɛvɲʲɛ dˈavnɨ ʃlˈaɡ zrɨfkˈɔvɨ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_280.wav|pˈɔza tɨm pʃˈɛstʃɛɲ mʲˌɛndʑɨ skˌɔrupˈami ɲʲɛ jɛst jˈɛdnɔ̃ vʲˈɛlkɔ̃ pˈustɔ̃ kɔmˈɔrɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_192.wav|pˈɛvɲʲɛ pˌɔvʲɛdʑˈawɛm, xˈɔdʑmɨ dɔ mɲʲɛ. tˈak ɕɛ zdˈaʒa samˈɔtnɨm mɛ̃ʃtʃˈɨznɔm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_4.wav|zdˌɛtsɨdɔvˈaɲʲɛ zbˈɨt ʃˈɨpkɔ, ʒˈɛbɨm pɔtʃˈuwa ɕɛ kˌɔmfɔrtˈɔvɔ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_471.wav|tɔ, tsˈɔ z ɲʲˈɛɡɔ zɔstˈaɲʲɛ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_134.wav|— ɲˈiɡd ɡˈɔ pʃˈɨswaw, mˈɨɕli bʲˈili. pˈɔvut?|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_7.wav|ɲʲɛ zˌatʃɨmˈujɔnts ɲˈiɡdɨ ɲikˈɔɡɔː i ɲʲɛ prˈɔʃɔnts ɲˈiɡdɨ ɔ pˌɔdvʲɛʑˈɛɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_226.wav|a ˌɔɲi patʃˈɨli na taxˈɔmɛtr, prubˈujɔnts ˈɔba maɡnˈɛta. rˈɨan pɔvʲˈɛdʑaw tɕˈixɔ.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_43.wav|tsˈɔ prˈavda, ʒˈɛbɨ udˈɛʒɨtɕ mʲˈɛtʃɛm tʃˈɛba mʲˈɛtɕ rˈɛŋkɛ, ˌalɛ nˈavɛt kalˈɛki lˈɛf mˈɔʒɛ vzbˈudʑitɕ strˈax.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_58.wav|tsˈɔ takʲˈɛɡɔ rˈɔbʲi pˈaɲi mˈɔ̃ʃ, ʒˈɛ vɨmˈaɡa pˌɔɕadˈaɲʲa ˌɔxrɔɲʲˈaʒa takʲˈɛɡɔ jˈak jˈaɡɡɛr?|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_298.wav|ʒˈɛ tɔ bˌɛndɔ̃ ɔstˈatɲʲɛ, jˈakʲɛ zjˈɛm pʃɛd vʲˈɔsnɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_190.wav|vʲˈɛʒɛ w jˌɛrɔzɔlˈimɛ, dˈɛ vˈɛɨn pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/urwisko_ferenc/01_segment_49.wav|i nˈaɡlɛ zˌɔbatʃˈɨwa, ʒˈɛ tˌaki sˈam paskˈudnɨ ˈɔvad znˈɔvu pˈɔɲʲɛj spˌatsɛrˈujɛ. — spʲɛrdˈalaj!|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_620.wav|i nˈaɡlɛ pɔtknˈɛliɕmˌɨ ɕɛ ɔ ɕˈɛbjɛ ˈalbɔ pˌɔɕlizɡnˈɛli na lastrˈɨku.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_417.wav|ftɕɔŋɡnˈɛli mɲʲɛ pʃɛmˈɔtsɔ̃ dɔ ɕˈɛbjɛ.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_209.wav|pˌɔftuʒˈɨwa zdʑivʲˈɔna. a ktˈɔ tɔ bˈɨw?|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_75.wav|pˌɔvʲɛdʑˈawam pɔvˈɔli, vˈaʒɔnts kˈaʒdɔ̃ ɡwˈɔskɛ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_122.wav|vˌɨdavˈawɔ ɕɛ, ʒˈɛ zˈaras ɕɛ rɔspwˈatʃɛ. dɔpˈuki tˈu bˈɛndɛ, ɲˈikt mɲʲɛ ɲʲɛ skʃˈɨvdʑi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_102.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_112.wav|vʲˈɛm, ʒˈɛ mʲˈawam w ʒˈɨtɕu spˈɔrɔ ʃtʃˈɛɲɕtɕa. mˈam tɕˈɛbjɛ i dʲˈidʲi, tsˈɔ pɔvˈinnɔ kaʒdˈɛmu vɨstˈartʃɨtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_66.wav|tsˈɔ ɕɛ stˈawɔ dˌɔmiɲikˈɔvi?|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_233.wav|pɔdvˈurkɔ ɡɔspˈɔdɨ bˌɨwɔ mˈɔʒɛm brˌɔ̃zɔvˈɛɡɔ bwˈɔta, ktˌurɛ fsɨsˈawɔ kˈɔɲskʲɛ kɔpˈɨta.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_44.wav|ɲʲˈɛma ɲˈits pʃɛtɕˈifkɔ tˈɛmu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_7.wav|ɲʲɛ pɔtrˈafjɛ jˈɛdnaɡ zapˈɔmɲʲɛtɕ, ʒˈɛ nˈavɛt jˈɛɕli tˈɛras udˈajɛ, ftʃˈɛɕɲʲɛj tˈak ɲʲɛ bˈɨwɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_24.wav|brˌakɔvˈawɔ mi trˈɔxɛ pɛvnˈɔɕtɕi ɕˈɛbjɛ, ktˌurɔ̃ mʲˌawɨ mˈɔjɛ rˌuvʲɛɕɲˈitsɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_52.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_4.wav|spˈɨtaw. tˈak. zˈaɲim vɛjdʑˈɛmɨ, xtɕˈawabˌɨm tɕi zrˌɛlatsjɔnˈɔvatɕ jˈɛɡɔ rɔzmˈɔvɛ s kˌɔlɛʒaŋkˈami ɡˌɛnɛvʲˈɛvɛ i mˈɔjɔ̃ s sˈarɔ̃ ˈɔzbɔrn.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_20.wav|jˈak lˈutsɨ ˌɔkrɛɕlˈiwa zˌaxɔvˈaɲʲɛ sfˈɔjɛj mˈamɨ?|3
+Dataset/wavs/urwisko_ferenc/51_segment_55.wav|skinˈɛwa ɡwˈɔvɔ̃ i ɔbˈɛʃli ʒvˌirɔvˈiskɔː ɔt lˈɛvɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_326.wav|ˌalɛ f tɨm mɔmˈɛɲtɕɛ ˌɔdɛzvˈawa ɕɛ f ktˈurɨmɕ s tɨx stˌarɔmjˈɛjskix pɔddˈaʃɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_10.wav|ˈɔfʃɛm ˌurɔklˈivɛ, z lampˈami pˌɔvɔzɔvˈɨmi i ʒvˌirɔvˈɨmi ɕtɕɛʃkˈami, ˌalɛ mˈimɔ fʃˈɨstkɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_14.wav|spɨtˈawa lˈutsɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_193.wav|tɔ tʃˌɛmu ɲʲɛ vˌɨɛlˌiminˈɔvatɕ tˈɛʃ tʃwɔvʲˈɛka, ktˌurɨ tɛj brˈɔɲi ˈuʒɨw?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_24.wav|pʃˌɛkrɛɲtɕˈiwɛm zˈamɛk i dʒvˈi sˈamɛ zatʃˈɛwɨ ɕɛ ɔtfʲˈɛratɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_10.wav|tˈu ɲʲɛ jɛst mʲˈɛjstsɛ dla vwutʃˈɛŋɡuf pɔvʲˈɛdʑaw mɛxˈaɲik.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_89.wav|jˈɛɕli pʃɛɡˈapiʃ rˈatɛ...|3
+Dataset/wavs/urwisko_ferenc/39_segment_69.wav|pʲˈɛrʃa pʃɛrvˈawa jˈɔ̃ mˈarja.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_62.wav|na ʃtʃˈɛɲɕtɕɛ mˈuj nˈastruj utʃˈɨɲiw mɲʲɛ ɲʲˌɛatraktsˈɨjnɔ̃ dla ɲʲˈɛɡɔː i ɲʲɛ zˌalɛʒˈawɔ mu tˈɛras na mˈɔim tˌɔvaʒˈɨstfʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_226.wav|tfˈɔjɛ ˌuspravʲˌɛdlivʲˈɛɲʲa zabʒmʲˈawɨ mɲʲˈɛj pʃˌɛkɔnujˈɔntsɔ ɲˈiʃ ɕɛ spˌɔdʑɛvˈawɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_482.wav|ɕfʲˈatwɔː ˈɔkna ɔbjˈɛwɔ zˈarɨs jɛj ʃˈɨi i kˈarku, ˌuɲʲɛɕˈɔnɨɣ dɔ ɡˈurɨ rˈamjɔn i dˌɛlikˈatnɔ̃ ˈɔbwɔɕtɕ pʲˈɛrɕi.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_332.wav|smˈɔtʃa skˈawa nˌalɛʒˈawa dɔ ɲʲˈɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_7.wav|nˌumɛrˈatsja na mˈɔntawk çˈikfaj zˌatʃɨnˈawa ɕɛ ɔt ʃɛɕtɕsˈɛtki, s pɔvˈɔduv znˈanɨɣ zapˈɛvnɛ tˌɨlkɔ plaɲˈistɔm mʲˈɛjskim, ktˌuʒɨ dˈavnɔ pʃɛɲʲˈɛɕli ɕɛ na wˈɔnɔː ˌabraxˈama.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_71.wav|jˈuʃ ɲˈits tɕˌɛkafʃˈɛɡɔ ɲʲɛ bˌɛɲdʑɛ mʲˈawa dɔ pˌɔvʲɛdʑˈɛɲʲa, vʲˈɛndʑ bʲˈillɨ vɨwˈɔntʃa tˌɛlɛvˈizɔr.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_120.wav|dɔmˈɨɕlam ɕɛ, ʒˈɛ ɲʲɛ prɔvˈadʑi pˈaɲi ix raxˈuŋkuf.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_77.wav|ˈɔtɨm pˌɔrɔzmˈavʲaʒ z rˈudʲim, ktˌurɨ jˈuʃ tˈu tʃˈɛka.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_83.wav|mˈama zˌajmɔvˈawa ɕɛ kˈuxɲʲɔ̃. mɛ̃ʃtʃˈɨzna, ktˌurɨ dɔwˈɔntʃɨw dɔ nˈas kˈilka lˈat tˈɛmu, bˈɨw ftʃˈɛɕɲʲɛj bˌudɔvlˈaɲtsɛm, vʲˈɛndʑ zajmˈɔvaw ɕɛ kˌɔnsɛrvˈatsjɔ̃ dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_20.wav|jˈamɛ pɔdˈɔ̃ʒaw tˈuʒ za ɲˈimi, prɔvˈadʑɔnts rˈɛʃtɛ kɔlˈumnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_113.wav|jɛzd ʑˈimnɔ, ˌalɛ ta tɕˈiʃa jɛst tsudˈɔvna. ɔ tˈak ftʃˈɛsnɛj pˈɔʒɛ nˈavɛd vrˈɔnɨ ɕpjˈɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_124.wav|ɲʲɛ vɔntpˈiwa jˈɛdnak, ʒˈɛ ˈanna frˈaŋklin kwamˈawa ɲʲɛ tˌɨlkɔ f kfˈɛstji sfɔjˈɛɡɔ nazvˈiska.|3
+Dataset/wavs/urwisko_ferenc/01_segment_125.wav|a pˈɔtɛm vrutɕˈimɨ dɔ tˈɛɡɔ, tsˈɔ stˈawɔ ɕɛ ftʃˈɛɕɲʲɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_316.wav|nˈaɡlɛ vɨdˈawɔ mi ɕɛ, ʒˈɛ ɲʲɛ jɛst tˈaɡ ʑlˈɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_42.wav|tɔ ɲʲɛ tˈɛst jˈak f ʃkˈɔlɛ. xtsˈɛmɨ pɔ prˈɔstu zapˈɨtatɕ ˈɔtɔ, tsˈɔ lˈubʲiʃ rˈɔbʲitɕ. pˌɔrɔzmˈavʲatɕ ɔ tfˈɔjɛj rɔdʑˈiɲʲɛ, ɔː ˌulubjˈɔnɨɣ zabˈavax. tɔ bˈardʑɔ prˈɔstɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_85.wav|na pˈɛvnɔ ɲʲˈɛxtsɛʃ, ʒˈɛbɨm... ɲʲɛ sˈama ɕɛ tɨm zˈajmɛ? bˈɔʒɛ, mˈam nadʑˈɛjɛ, ʒˈɛ ɲʲɛ zˌapaskˈudʑɛ tɨx spˈɔdɲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_220.wav|ˈɛlis mʲˈawa vraʒˈɛɲʲɛ, ʒˈɛ ɡˈɔ zˌɔbatʃˈɨwa, ˌalɛ bʲˈillɨ vˈidʑi tˌɨlkɔ pˌɔzɔstˈawɛ pˈɔɲim zɡlˈiʃtʃa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_138.wav|ɔdɲʲˈɔswam vraʒˈɛɲʲɛ, ʒˈɛ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_21.wav|pɔvʲˈɛdʑaw, znˈɔvu pˈaɲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_77.wav|tsˈɔʑ dɔbrˈɛɡɔ spɔtkˈawɔ pʃˌɨzvɔˈitɨx lˈudʑi i bˈɛz vzɡlˈɛndu nˈatɔ, w jˈakʲɛj sˈam jɛst sˌɨtuˈatsji, ɲʲɛ mˈɔʒɛ mu ɕɛ tɔ ɲʲɛ pɔdˈɔbatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_29.wav|ɲʲɛ mˈuɕi tˈɛʒ vʒˈutɕitɕ tʃˈɛɣ zdɛxɲʲˈɛntɨx kɔmˈurɛɡ dɔ tʃˈɛx rˈuʒnɨx studʑˈɛnɛk kˌanalˌizatsˈɨjnɨx, za kˈaʒdɨm rˈazɛm rˌɔzɡlɔndˈajɔnts ɕɛ, tʃɨ ɲˈikt ɲʲɛ pˈatʃɨ, a jˈɛdnak tɔ rˈɔbʲi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_104.wav|xˈɨwkʲɛm unˈɔʃɛ dˈɔlnɔ̃ tʃˈɛɲɕtɕ kɔʃˈulki, ɡdʑˈɛ vˌɨmatsˈujɛ pʃˌɨlɛɡajˈɔntsɔ̃ dɔ tɕˈawa tɔrˈɛpkɛ pʃɨpʲˈɛntɔ̃ dɔ pˈaska.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_43.wav|pˈɔpxnɔw mɲʲɛ znˈɔvu w ɡwˈɔmp pɔkˈɔju.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_313.wav|ɡdˈɨbɨm bˌɨwa mɛ̃ʃtʃˈɨznɔ̃, bˈɨwabˌɨm jamˈɛɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_93.wav|jˈɛɡɔ fˈirma ˌɔtʃɨmˈawa vwˈaɕɲʲɛ znatʃˈɔntsɨ zˈastʃɨk kˌapitˈawu ˌudʑawɔvˈɛɡɔ, dʑˈɛŋki tʃˌɛmu mˈɔɡɔ̃ dˈalɛj bˈadatɕ tˈɛ ʃtˈutʃnɔ̃ ˌintɛliɡˈɛntsjɛ, ɔ ktˌurɛj ˌɔpɔvʲˈadaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_7.wav|jˈɛn, tˈak mi pʃˈɨkrɔ s pɔvˈɔdu tˈɛɡɔ, tsˈɔ pʃˌɛtʃɨtˈawaɕ f ɕˈɛtɕi.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_232.wav|ɲʲɛ bˌɛɲdʑɛ jˈuʒ vʲˈɛntsɛj ɕˈɛvuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_39.wav|ˌɔdvrutɕˈiwam ɡwˈɔvɛ, ʒˈɛbɨ mˈuts pʃɨsˈunɔɲdʑ vˈarɡʲi dɔ jˈɛɡɔː ˈuxa i pˈɔtʃutɕ jˈɛɡɔ swˈɔtki zˈapax.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_306.wav|tfˈuj ˈɔjtɕɛts naprˈavdɛ mɲʲɛ ɲʲˌɛnavˈidʑi ɔdˈɛzvaw ɕɛ dˈalɛ, krˈɛntsɔndʑ ɡwˈɔvɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_589.wav|tɔ ɲʲˌɛmɔʒlˈivɛ, vzdrɨɡnˈɔwɛm ɕɛ pˈatʃɔnts f ʃˈɨbɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_120.wav|pɔwˈɔntʃɨtɕ w jˈɛdnɔ̃ tsˈawɔɕtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_176.wav|vʲɛdʑˈawam, ʒˈɛ pˌɔdɛjmˈujɛ swˈuʃnɔ̃ dɛtsˈɨzjɛ, xˈɔtɕaʃ ftsˈalɛ mi ɕɛ ɲʲɛ pˌɔdɔbˈawa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_44.wav|prˌubɔvˈawam ɕɛ dɔ ɲʲˈɛj dɔdʑvˈɔɲitɕ, ˌalɛ ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ ˌɔtpɔvʲadˈawa.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_463.wav|stˈɔwɨ ˌustavʲˈɔnɔ f tʃˈɨ dwˈuɡʲɛ ʃɛrˈɛɡʲi, a stˈarɕi xwˈɔptsɨ znɔɕˈili wˈavɨ zzˈa plˈɛtʃa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_12.wav|pʲˌɛlɛŋɡɲʲˈarka stanˈɛwa w dʒvʲˈax waʑˈɛŋki i ʒutɕˈiwa spɔjʒˈɛɲʲɛ f kʲɛrˈuŋku ɔtfˈartɨɣ dʒvˈi na kɔrˈɨtaʃ, ɡdʑˈɛ ɕˈɛdʑaw pɔlˈitsjant.|4
+Dataset/wavs/urwisko_ferenc/15_segment_101.wav|ɡrˈɔx uɕmʲˈɛxnɔw ɕɛ smˈutnɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_5.wav|tsˈɔ tɔ takʲˈɛɡɔ jɛbʲˈizda?|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_210.wav|bʲˈillɨ bjˈɛʒɛ sfɔbˈɔdnɨ vdˈɛx.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_285.wav|ˌɔtʃɨvˈiɕtɕɛ tʃasˈami ɕɛ kwutɕˈiliɕmˌɨ, ˌalɛ pˈɔkaʃ mi rɔdʑˈinɛ, f ktˌurɛj ɲʲˈɛma kɔnflˈiktu pɔkˈɔlɛɲ.|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_81.wav|tsˈɔ nˈajmɲʲɛj pʲˈɛɲtɕu spavˈatʃɨ w mʲˈɛɕtɕɛ zˌaprɔpˌɔnɔvˈawɔ mi prˈatsɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_48.wav|ɲˈiɡdɨ ftʃˈɛɕɲʲɛj ɲʲˈɛbɨw f tˈakim mʲˈɛjstsu. pɔɡˈaɲʲam ɡˈɔ jˈɛdnak, ʒˈɛbɨ pˈɔʃɛd jˈuʒ dɔ tˌɔalˈɛtɨ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_48.wav|jˌɛstɛm samˈuɛl tˈarlɨ. sˈam.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_240.wav|pʃˌɛtɕɛʃ tɨ jˌɛstɛɕ tɛn ɡˈɔɕtɕ, ktˌurɨ mˈuvi z aktsˈɛntɛm, tʃwɔvʲˈɛku, ja pamjˈɛntam kaʒdˈɛɡɔ ɡˈɔɕtɕa, kturˌɛɡɔ spɔtkˈawɛm w ʒˈɨtɕu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_93.wav|dvˈaj fatsˈɛtɕi vˌɨtɕɔŋɡˈajɔ̃ bɛzvwˈadnɔ̃ sɨlvˈɛtkɛ s fˌurɡɔnˈɛtki. tʃˈɛtɕi stˈɔi s tˈɨwu, jˈaɡbɨ ix nˌadʑɔrˈɔvaw.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_2.wav|vɨʃˈɛtwʃɨ z ˌawtɔbˈusu pʃɨ bˈandji, pˈɔʃɛt f kʲɛrˈuŋku lɔtɲˈiska.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_111.wav|ɲʲɛ bˌɛndɛ ˌɔtʃɨvˈiɕtɕɛ mˈɔɡwa ɕɛ zrˌɛlaksˈɔvatɕ, dɔpˈuki ɲʲɛ sxˈɔvam ɡdʑˈɛɕ tˌɛɡɔ zdjˈɛɲtɕa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_41.wav|dɔstˈaftsa ftɕˈiska mi kartˈɔnɨ dɔ rˈɔŋk i ɔdvrˈatsa ɕɛ f strˈɔnɛ skutˈɛra.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_173.wav|a pʃɛɡʒˈanɨ ˌɛlɛktrˈɔlid vˌɨpwɨnˈɔwbɨ dɔ bˌɛtɔnɔvˈɛɡɔ basˈɛnu.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_133.wav|ɡwɔɕˈitɕɛ mˌiwɔɕˈɛrdʑɛ mˈatki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_22.wav|tɕfitʃˈɛɲʲa pˌɔmaɡˈajɔ̃ tˈɛʃ w mɨɕlˈɛɲʲu i pˈɔttʃas jɛdnˈɛɡɔ zˈɛ sprˈintuv w ɡˈurɛ sxˈɔduf pʃɨxˈɔdʑi mu dɔ ɡwˈɔvɨ pˈɛvʲɛn pˈɔmɨsw.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_184.wav|fʃˈɨstkɔ bˌɛɲdʑɛ dˈɔbʒɛ. ɲˈiɡdʑɛ ɕɛ ɲʲɛ vɨbjˈɛram.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_20.wav|ɲʲˈɛmam jˈuʒ ʒˈadnɨx pʲɛɲʲˈɛndʑɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_32.wav|vˈaʒɲi i rˈattsɨ pˌɔlitˈɨtsɨ zˌapɛvɲʲˈali, ʒˈɛ dˈadʑɔ̃ rˈadɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(74) R.Abbott_Zamknij Drzwi_segment_7.wav|zˌabjɛrˈatɕɛ mɲʲɛ dɔ mˈili?|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_220.wav|ɡˈɛndrɨ i dʑɛftʃˈɨna vˌɨmjɛɲˈili spɔjʒˈɛɲʲa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_9.wav|pʃɨɲʲˈɔswabˌɨm tɕi ɕɲʲadˈaɲʲɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_165.wav|pɔ xfˈili stˈawɔ ɕɛ jˈasnɛ, na tsˈɔ fʃˈɨstsɨ tˈak ɕɛ ɡapˈili.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_37.wav|kˈɔntɛm ˈɔka zɔbˈatʃɨw zˌɛrkajˈɔntsɔ̃ na ɲʲˈɛɡɔ bˈɛki. vʲˈɛdʑaw, ʒˈɛ pˈɨta prˈɔstɔ z mˈɔstu, ˌalɛ ˌɔvijˈaɲʲɛ w bavˈɛwnɛ ɲʲɛ mʲˈawɔ jˈuʃ nˌajmɲʲɛjʃˈɛɡɔ sˈɛnsu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_308.wav|zavˈaxaw ɕɛ i spˈɔjʒaw na ˈɔknɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_80.wav|ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ sˈɛrtsɛ rɔzrˈɨva mi ɕɛ na pˈuw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_27.wav|ɲʲɛ ˌɔtpɔvʲˈadam. unˈɔʃɛ tˌɨlkɔ vzrˈɔk i pˈatʃɛ jɛj prˈɔstɔ w ˈɔtʃɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_435.wav|ˈinɲi, pˈɛvɲʲɛ dˌɔbɔrˈɔva kˈadra,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_90.wav|ɲʲˈɛvʲɛʃ, jˈaɡ vʲˈɛlɛ istɲʲˈɛjɛ mˈawʒɛɲstf, ktˌurɛ ˌɔpʲɛrˈajɔ̃ ɕɛ vɨwˈɔntʃɲʲɛ na ˌɔdrɔbʲˈiɲʲɛ tˌɔlɛrˈantsji mˌaskujˈɔntsɛj mnˈustfɔ vzajˈɛmnɛj ɲʲɛxˈɛɲtɕi?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_35.wav|ftˈɛdɨ zastˈɨɡwa.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_290.wav|dˈɔbʒɛ jɛst tɔ vʲˈɛdʑɛtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_58.wav|pˌɔkɔnˈujɔnts ɔstˈatɲʲɛ stˈɔ mˈɛtruf, bˌɨwam spʲˈɛnta jˈak ɲˈiɡdɨ w ʒˈɨtɕu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_166.wav|ˈaʒ vrˈɛʃtɕɛ ˌɔtstavˈiwa butˈɛlkɛ, ktˌura pʃˌɛvrutɕˈiwa ɕɛ i tɔtʃˈɨwa pɔ pɔdwˈɔdʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_65.wav|dˌɔskɔnˈalɛ, ʒˈɛbɨ pˈɔtɛm ɲʲɛ bˌɨwɔ ʒˈadnɨx ɲʲˌɛpɔrɔzˈumjɛɲ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_106.wav|pˈɛvɲʲɛ. bʲˈillɨ ɕˈɛŋɡnɔw pɔ pˌuwlitrˈɔvɔ̃ ʃklˈaŋkɛ i rɔspˈuɕtɕiw w ɲʲˈɛj pˈɔrtsjɛ prˈɔʃku.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_39.wav|dlatʃˈɛɡɔ baˈilɛj bˈɨw ˈu dˈɛli na lˈantʃu?|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_437.wav|tɛn ɔstˈatɲi zˌaprɔvˈadʑi ix na fsxˈut, pʃˈɛz ɡˈurɨ dɔ dɔlˈinɨ arˈɨnuf, ɡdʑˈɛ ɔn dʑˈiʑ vwadˈawa tɕˈɔtka lˈadɨ sˈansɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_112.wav|mˈɔɡɔ̃ ɕɛ tˈam tʃˈaitɕ mˈudʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_10.wav|tsɛrsˈɛi pˌamjɛntˈawa ɡˈɔ zˈɛ ɕlˈubu tɔmˈɛna.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_380.wav|ɡdˈɨ tʃwˈɔvʲɛk pɔpˈɛwɲiw tˈak straʃlˈivɛ ɡʒˈɛxɨ, tˌɨlkɔ jˈɛɡɔ vʲˈɛlka ɕfʲˌɔntɔblˈivɔɕtɕ mˈɔʒɛ ɡˈɔ vɨbˈavitɕ ɔt pʲɛkʲˈɛlnɨx mˈɔŋk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_63.wav|tˈak, mˈɨɕli bʲˈiɲi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_13.wav|ʒˈɛka ɲʲˈɔswa f sˈɔbjɛ i na sˈɔbjɛ fʃˈɨstkʲɛ brˈudɨ krˈaju.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_267.wav|a ɲʲɛktˌurɨɣ z ɲˈiɣ zˌaxɔvˈawɨ ɕɛ jˈɛʃtʃɛ skrˈafki mʲˈɛ̃sa. na jˈɛdnɛj s tˈakix tʃˈaʃɛk pʃɨɕˈadwa vrˈɔna, radˈujɔnts ɕɛ sˈuxɔ̃, tfˈardɔ̃ ˈutʃtɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_4.wav|sɔbˈɔtɛ rˈanɔ bʲˈillɨ jˈɛdʑɛ dɔ valmˈartu, ɡdʑˈɛ kupˈujɛ dvʲˈɛ tˈaɲʲɛ valˈiski i mˈasɛ tˈaɲix tɕˈuxuf, ktˌurɛ bˌɛndɔ̃ pˌasɔvˈawɨ na daltˈɔna smˈitxa.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_61.wav|tɔ tˌɨlkɔ ɡwˈupi sˈɛn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_55.wav|ɕtɕˈɔŋɡnɛ jˈɔ̃ na jˈɛdɛn z laptˈɔpuf, mˈuvi bʲˈillɨ, pˌɔkazˈujɔnts pˈaltsɛm f kʲɛrˈuŋku salˈɔnu.|2
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_99.wav|lˈɛdvɔ vˌɨstartʃˈɨwɔ mi na tˈɛn, a pʃˌɛtɕɛʃ ɲʲɛ pʃɨjmʲˈɛtɕɛ mɲʲɛ dɔ ɡʲˈildji, jɛʒˈɛli ɲʲɛ bˌɛndɛ mʲˈawa vwasnˈɛɡɔ spʃˈɛntu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_49.wav|tsˈɔlvɨn bˈaj tɔ kɔlˈɛjnɛ tʃtɛrdʑˈɛɕtɕi mˈinut jˈazdɨ. ɲʲˈɛma ʃˈans, ʒˈɛbɨm vrutɕˈiwa dɔ ʃkˈɔwɨ pɔ pɔwˈudɲʲu, jˈɛɕli mˈam zwˈɔʒɨdʑ vizˈɨtɛ pˈaɲi rˈɔbɛrts.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_77.wav|uɕˈadwa tɕˈɛ̃ʃkɔ na kʃˈɛɕlɛ i ɕɛ rˌɔspwakˈawa.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_5.wav|tʃɛkˈawam w varʃtˈatɕɛ ˈɔjtsa ɔt tʃˈɛɣ ɡˈɔdʑin.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_114.wav|srˈɛbrnɨx i zwˈɔtɨx, mʲɛdʑˈanɨx i brɔ̃zˈɔvɨx.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_64.wav|dlatʃˈɛɡɔ pˈan tɔ zrˈɔbʲiw?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_13.wav|pˌɔjɛdʑˈɛmɨ dɔ jɛj ʃkˈɔwɨ i tˈam z ɲʲˈɔ̃ pˌɔrɔzmavʲˈamɨ. ˈalbɔ...|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_72.wav|sɔ̃ rˌɨtsɛʒˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_25.wav|dʒvˈi mʲˌɛndʑɨ ɡˌabʲinˈɛtɛm a prˌɨvatnˈɨmi pˌɔkɔjˈami arˈama bˌɨwɨ ˌuxɨlˈɔnɛ i ˌuswɨʃˈawam ɡwˈɔs ˈɛlis.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_14.wav|i dˌɔskɔnˈalɛ vʲˈɛʃ, tsˈɔ tɔ jˈɛst. ɔn nalˈɛʒɨ dɔ mɲʲɛ, ɲʲɛ dɔ tɕˈɛbjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_82.wav|i prubˈujɛ ɕɛ pʃˌɛkɔnˈɨvatɕ, ʒˈɛ ɲʲɛ mˌajɔ̃ ʒˈadnɨɣ dɔvˈɔduf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_249.wav|tɔ ɡˈɔ rɔsɕmʲˈɛʃa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_173.wav|wˈadna brˈɨka, mˈuvi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_90.wav|mˈɨɕli ɔ xfˈili, kʲˈɛdɨ ˌuswɨʃˈawa tɕˈɛ̃ʃkʲɛ krˈɔki f kˌɔrɨtˈaʒu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_78.wav|ˌalɛ tɔ mˈɔjɛ zwˈɛ vɨbˈɔrɨ dˌɔprɔvadʑˈiwɨ dɔ sˌɨtuˈatsji, f ktˌurɛj tɔ ɕɛ stˈawɔ kɔɲʲˈɛtʃnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_228.wav|dˈɔbʒɛ vɨɡlˈɔndaʃ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_260.wav|ˌɔtpɔvʲɛdʑˈawa krulˈɔva.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_81.wav|jɛst tˈɛŋɡʲi, ˌalɛ kʲˈɛdɨ pɔrˈɨva bʲillʲˈɛɡɔ w ramjˈɔna, jˈɛɡɔ stɛrtʃˈɔntsɛ bʒuʃˈɨskɔː ˌɔkazˈujɛ ɕɛ tfˈardɛ jˈak kˈamjɛɲ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_3.wav|mˈɨɕlɛ jɛdˈɨɲʲɛ ˈɔtɨm, ʒˈɛ jˈɛɡɔ pˌɔstɛmpɔvˈaɲʲɛ, jˈɛɡɔ ɡwupˈɔta dˌɔprɔvadʑˈiwɔ nˈaz dɔ tɛj sˌɨtuˈatsji.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_64.wav|ˌalɛ dˈalɛ ʃapˈirɔː i lɔrˈɛtta sˈanxɛs ˌɔtsalˈili tɕi ʒˈɨtɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_192.wav|tʃˈɨʃ tɔ ɲʲɛ bɨwˈɔbɨ smˈutnɛ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_291.wav|xrˈɨstɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_10.wav|jˈɛdɛn z ɡwˌɔdujˈɔntsɨx s pɔvˈɔdu ˌɔtɨwˈɔɕtɕi ɲʲɛ mʲˈɛɕtɕiw ɕɛ f sfˈɔim ɕpivˈɔʒɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_135.wav|nˈɔ tsˈuʃ, rˈɛʃta tɔ jɛst pʃˌɛtstavʲˈɛɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_117.wav|ɲʲɛ xtɕˈawam jɛj kʃˈɨvdɨ.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_156.wav|bˌɛndɔ̃ jˈɛʃtʃɛ ˈinnɛ stˈatki.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_5.wav|tˌɛɡɔ samˈɛɡɔ dɲʲˈa, kʲˈɛdɨ mʲˌɛliɕmˌɨ w dˈɔmu ɡˈɔɕtɕa, mˈama vˈɛʃwa na ɡˈurɛ, ʒˈɛbɨ mɲʲɛ pɔʃˈukatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_46.wav|ɲˈikt tˈutaj ɲʲˈɛmʲaw vˌɔntplivˈɔɕtɕi, ʒˈɛ nˈaʃa tʃfˈurka...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_17.wav|brakˈujɛ mi nˌɔrmalnˈɔɕtɕi i mˈuʃɛ ɔdʑˈɨskatɕ pˈɛvʲɛn rˈɨtm tsɔdʑˈɛnnɨɣ zˈajɛɲtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_238.wav|ftɕˈɔ̃ʃ tˈɛʃ jˈɛdnak jɛst f ʃˈɔku.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_94.wav|pʃɛvrˈatsaw rˌɛklamˈɔvɛ stɛlˈaʒɛ sklɛpˈɔvɛ i ˌuruxˈamjaw alˈarmɨ w zˌaparkɔvˈanɨx sˌamɔxˈɔdax.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_213.wav|ʒˈɛkw. ɔbˈavʲam ɕɛ, ʒˈɛ tˈɛras tɨ ˈumʒɛʃ jˈakɔ dʑɛvˈitsa, a ja jˈakɔ nˈɛndʑaʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_89.wav|rˈɛntsɛ kˈirstɛn pˌɔkrɨvˈawɨ lˈitʃnɛ ɕˈiɲtsɛ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_68.wav|jˈamɛ zvˈɔwaw sfˈɨx lˈudʑi i rɔskˈazaw sˈɛr kˌɛnɔsˈɔvi skˈatsɛ zˈadɔɲdʑ vrˈuk xɛrˈɔka.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_10.wav|mˈili vʲˈɛ ɔ jˈɛɡɔː istɲʲˈɛɲʲu, ˌalɛ ɲˈiɡdɨ ɡˈɔ ɲʲɛ pɔznˈawa i ɲˈiɡdɨ ɲʲɛ pˈɔzna, jˈɛɕli xtsˈɛtɕɛ znˈatɕ mˈɔjɔ̃ dɛtsˈɨzjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_37.wav|rˌɔzmavʲˈawaʑ z ɲˈim. jˈakʲɛ vraʒˈɛɲʲa?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_4.wav|ɲʲˈɛvʲɛ, tsˈɔ tˈak naprˈavdɛ ɕɛ dʑˈɛjɛ. nˌalɛɡˈawam, ʒˈɛbɨ bˈɛtskɨ ɔ ɲˈitʃɨm jɛj ɲʲɛ muvˈiwa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_7.wav|dla pɛvnˈɔɕtɕi kazˈaliɕmˌɨ mu zdjˈɔɲtɕ kɔʃˈulɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_33.wav|zɡˈɔdɲʲɛ z jˈɛɡɔː ˌɔtʃɛkˌivaɲʲˈami lˈudʑɛ zatʃˈɛli ɔdvrˈatsatɕ ɕɛ dɔ ɕˈɛbjɛ i kˌɔmɛntˈɔvatɕ tˈɛ rˌɛvɛlˈatsjɛ.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_206.wav|vʲˈɛlki mʲˈɛtʃ pˈɛjna spɔtʃˈɨvaw na ˌustavʲˈɔnɨm na kˈɔzwax stˈɔlɛ, ˌɔbɔk ɔsˈɛwki i brˈudnɛj ɔt ɔlˈivɨ ʃmˈatɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_41.wav|pˌɔdʑɛŋkˈɔvaw mi za pʃɨbˈɨtɕɛ z dafkˈɔvɨm skiɲʲˈɛɲʲɛm ɡwˈɔvɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_28.wav|zakwˈadam, ʒˈɛ ˌɔdʒutɕˈiwɛʑ drˈuɡɔ̃ ˈɔptsjɛ, ʒˈɛ ˈɛdmundz zˈabʲiw nˈaʃɔ̃ ɔfjˈarɛ?|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_361.wav|pˌɔdɔbjˈɛɲstfɔ dɔ xwˈɔptsa ʒutsˈawɔ ɕɛ w ˈɔtʃɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_87.wav|i jˈak ˈɔtɨm mˈɨɕliʃ ɔt lˈad dvudʑˈɛstu? i ɲʲɛ bˌɛɲdʑɛ pʃɨ tˈɔbjɛ ɲikˈɔɡɔ, ktˈɔ bˈɨ tɕi pˈɔmuɡw i pɔvʲˈɛdʑaw, ʒˈɛ tɔ ɲʲɛ tfˈɔjɛ dʑˈɛtskɔ, a tˌɨlkɔ stʃˈɛmpɛk ʃmˈat.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_219.wav|ˌalɛ trˈip tɔ tsˈɔː innˈɛɡɔ, mˈuvi ˈɛlis i kwˈadʑɛ dwˈɔɲ na jˈɛɡɔ pʃˌɛdramjˈɛɲʲu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_17.wav|aɡˈɛntsja znajdˈujɛ rɔdʑˈinɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_381.wav|vˈidʑaw, ˈiʃ rˈajan pˈatʃɨ na dʒˈɛvɔ kfitnˈɔntsɛ, zuxfˈawɛ i pʲˈɛŋknɛ.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_308.wav|tfˈardɨ kˈamjɛɲ mˈɔʒɛ sˈɔbjɛ vʑˈɔɲdʑ zˈamɛk i amˈɛrɛj, jˈɛɕli ix prˈaɡɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_199.wav|brˈɔn pɔvʲˈɛdʑaw, ʒˈɛ ɔkˈaʒɛ mu wˈaskɛ, ˈalɛ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_208.wav|pˈɛvɲʲɛ, ʒˈɛ dˈawbɨ i tˈak tˈɛʃ pɔvʲˈɛdʑaw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_77.wav|sɔ̃ jˈɛʃtʃɛ ˈinɲi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_38.wav|trˈɔxɛ, ˌalɛ ftɕˈɔ̃ʃ tʃˈujɛ ɕɛ ɕmʲˈɛʃɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_8.wav|ˈɔfʃɛm, tˈɨlɛ ʒˈɛ nˈaʒ dˈɛnat tɔ ɲʲɛ ˈɛdmunts.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_622.wav|jˈakiɕ ɕlˈat nˈatɨm bˈɔʒɨm dɛrvˈaɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_43.wav|tˈɔm pˈɔtʃuw lˈɛkkɔ̃ ˌirɨtˈatsjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_246.wav|zapˈɔmɲij, mˈuvi sˈɔbjɛ.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_87.wav|vˌɨdavˈawɔ jɛj ɕɛ, ʒˈɛ pamjˈɛnta kˈilku s xarˈɛnxal.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_20.wav|na lɕɲʲˈɔntsɛj drɛvɲʲˈanɛj pɔdwˈɔdʑɛ rˌɔzʒutsˈɔnɔ vʲˈɛlkʲɛ pɔdˈuʃki, a na ʃklˈanɨx stɔlˈikax pˌɔstavʲˈɔnɔ ɡrˈubɛ, krɛmˈɔvɛ ɕfʲˈɛtsɛ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_15.wav|xˈɔtɕtɕɛ!|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_114.wav|vˈidʑi ɕlˈadɨ xˌamɔvˈaɲʲa fˌurɡɔnˈɛtki.|2
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_37.wav|znalˈazwam dˈanɛ dˌɔtɨtʃˈɔntsɛ ukwˈadu ˈɔrbʲit i spravdʑˈiwam.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_422.wav|sˈɛr ˈɛlɨn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_194.wav|ˈarjan ɲʲɛmˈalʒɛ bˈawa ɕɛ zˈadatɕ nastˈɛmpnɛ pɨtˈaɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_233.wav|dˌɔmɨɕlˈawa ɕɛ, ktˈɔ nˈɔɕiw xˈɛwm ɔɡˈara.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_38.wav|vʲˈɛm, ʒˈɛ dla tɕˈɛbjɛ mˈɔʒɛ tɔ bˈɨtɕ tsˈawa vʲˈɛtʃnɔɕtɕ, ˌalɛ dla nˈas jɛst jˈɛʃtʃɛ ftʃˈɛɕɲʲɛj i ɲʲɛ mɔʒˈɛmɨ sˈɔbjɛ pɔzvˈɔlitɕ na ɲʲˌɛvwaɕtɕˈivɨ krˈɔk.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_94.wav|zakʃˈɨknɔw sˈɛr lˈɔtɔr i ktˈɔɕ pˈɔpxnɔw mˈɔtsnɔ vʲˈadrɔ, ktˌurɛ zˌakɔwɨsˈawɔ ɕɛ, pʃˌɛxɨlˈiwɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_11.wav|pʃɛxˈadʑa ɕɛ tˈam w ɕrˈɔtku jˈak pɔ vwˈasnɨm pɔdvˈurku.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_43.wav|ˌɔna jɛzd dˈɔbra, tˈɔm. ɲʲɛ mˈɔʒɛʃ f tɔ vˈɔntpitɕ. ɲʲɛ vˈɔntpjɛ. tsˈɔ jˈɛʃtʃɛ mɲʲɛ ˌɔminˈɛwɔ?|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_4.wav|mˈɔntʃɔnts tɕˈiʃɛ ɲʲˌɛbjɛskavˈɛɡɔ zmʲˈɛʃxu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_44.wav|zˈaɲim vrutɕˈimɨ dɔ pˈɨtaɲ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_576.wav|na pɔtʃˈɔntku bˈardʑɔ ɕˈilnɛ, pˈɔtɛm tsˈɔras swˈapʃɛ. ɕfʲˈad znˈɔvu ʃˈuka vzˈɔrtsuf.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_154.wav|tsˈɔ rˈɔbʲitɕ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_89.wav|mˈɨɕliʃ, ʒˈɛ xˈɔdʑi ɔː ˈanɛ?|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_177.wav|ɡdˈɨbɨm mˈuɡw vʑˈɔɲtɕ sˈɔbjɛ ʒˈɔnɛ, vˈɔlawbˌɨm tɕˈɛbjɛ ɔt...|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_39.wav|ɲʲɛ. kwˈamjɛʃ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_211.wav|pʃɨmjˈɛʒa jˈɛ. ˌɔkazˈujɔ̃ ɕɛ ɲʲˈɛtsɔ za lˈuʑnɛ. mˈuɡwbɨ zatɕˈɛɕɲidʑ zˌauʃɲˈiki, ˌalɛ tˌɛɡɔ ɲʲɛ zrˈɔbʲi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_18.wav|pɔstˈaviwbˌɨm spˈɔrɔ na tˈɛzɛ, ʒˈɛ tɛn fˈatsɛt ɲʲˈɛbɨw mˈuzɡʲɛm ˌɔpɛrˈatsji.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_49.wav|bjˈɛɡwa ɔt strˈɔnɨ ʒˌɨvɔpwˈɔtu, tˌɛɡɔ tɨlnˈɛɡɔ, ktˌurɨ ɡraɲˈitʃɨ s pˈɔlɛm ɡɔlfˈɔvɨm.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_192.wav|tʃˈɨɲiw tsˈuda tˈak fspaɲʲˈawɛ, ʒˈɛ rˈɨxwɔ pʃˌɨwɔntʃˈɨli ɕɛ dɔ ɲʲˈɛɡɔ nastˈɛmpɲi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_99.wav|ɲʲɛ swˈɨʃɛ rɔzmˈɔvɨ, ˌalɛ arˈama ɲʲɛ bˈavʲaw pˌɔɡadˈuʃki.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_350.wav|fskˈazaw ɡwˈɔvɔ̃ na ʃklˈanɔ̃ ɕfʲˈɛtsɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_359.wav|jɛʒˈɛli xtɕˈaw dˈɔbratɕ ɕɛ dɔ skˈurɨ lˌandvikˈɔvi,|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_77.wav|rɔzɡɲʲˈɛtɕɛ ˌanarçistˈɨtʃnɛ rɔbˈatstfɔ. ʃɲˈi jˈaɡ ʒɲˈivnɛ kɔmbˈajnɨ, krˈuʃɔnts fʃˈɨstkɔ w mwˈɨnax fˌurkɔtʃˈɔntsɨx pˈawɛk.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_296.wav|pˈuʑɲʲɛj lˈɛtɕaw samˈɔlɔt, pˈɛvɲʲɛ z mˈɔskfɨ dɔ parˈɨʒa. pwˈɨnɔw tˈaɡ vɨsˈɔkɔ.|0
+Dataset/wavs/urwisko_ferenc/24_segment_12.wav|na jˈɛdnɨm s fɔtˈɛli spˈaw zviɲʲˈɛntɨ f kwˈɛmbɛk tʃˈarnɨ kˈɔt.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_181.wav|bˌɛndɔ̃ tɕi zˌazdrɔɕtɕˈiwɨ fʃˈɨstkʲɛ ʃlaxˈɛtɲʲɛ ˌurɔdʑˈɔnɛ dʑɛftʃˈɛnta w dɔlˈiɲʲɛ, a tˈaɡʒɛ ɲʲɛktˌurɛ w dɔʒˈɛtʃu i w rˈidʒ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_49.wav|pʃˈɨʃwa dɔ mɲʲɛ i pˈɔʃliɕmˌɨ na spˈatsɛr. ktˈɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_233.wav|zdˈɛjmɛ ix, pˌɔvʲɛdʑˈawɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_48.wav|pɔdnˈɔʃɛ vzrˈɔk, ʒˈɛbɨ sprˈavdʑitɕ, tʃɨ w ɔprˈaftsɛ jɛzd ʒarˈufka.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_5.wav|brakˈujɛ mi ɛnˈɛrɡji, ʒˈɛbɨ ɕɛ pˈɔdɲʲɛɕtɕ. ɲʲɛ mˈɔɡɛ pwˈakatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_60.wav|ɲʲɛ pʃˌɨpuʃtʃˈawam, ʒˈɛ jˌɛstɛɕ tˈaka zdˈɔlna.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_161.wav|tsˈɔ rˈɔbʲiʃ s tɔ̃ rˈurkɔ̃?|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_101.wav|tɨ ɲʲɛ ˈumjɛʃ inˈatʃɛj mˈuvidʑ dɔ lˈudʑi, prˈavda? kturˈɛɡɔʑ dɲʲˈa narˈɔbʲiʃ sˈɔbjɛ mnˈustfɔ kwɔpˈɔtuf i tɕˈɛ̃ʃkɔ tɕi bˌɛɲdʑɛ nˈavɛd zrɔzˈumjɛtɕ, jˈak tɔ ɕɛ stˈawɔ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_139.wav|rˈɛʃtka mˈawɛj rˈadɨ vˈɨʃwa s kɔmnˈatɨ w ɕlˈad za krulˈɔvɔ̃. xˈaris sfˈivd vɨɡlˈɔndaw na ˌɔʃɔwˌɔmjɔnˈɛɡɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_180.wav|ɔpˈɔvʲɛts im ɔ sfˈɔim plˈaɲʲɛ, pɔvʲˈɛdʑaw sfɔbˈɔda ɲʲˌɛtɕɛrplˈivɨm tˈɔnɛm. fʃˈɨstkʲɛ pɔmˈɔtsɛ vˌizuˈalnɛ sɔ̃ jˈuʒ ɡɔtˈɔvɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_140.wav|bˌɨwɔ tɕˈɛpwɛ i tɕˈɛpwɨ bˈɨw jɛj pɔlˈitʃɛk, ktˌurɨ pʃˌɨtɕisnˈɛwa dɔ jˈɛɡɔ rˈɛŋki.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_9.wav|fʃˈɛdwɛm dɔ pˌɔkɔˈiku dˌɨʒurnˈɛɡɔ pˌɔlitsjˈanta. bˈɨw tɔ xˈudɨ, zˌabjɛdʑˈɔnɨ i ɲʲˈɛzbɨt rˌɔzɡarɲʲˈɛntɨ mwˈɔdɨ tʃwˈɔvʲɛk.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_286.wav|pˈan jˈɔ̃ pɔdnˈɔɕiw z ʑˈɛmi, a ˈalbɔː ˌɔna pˈana, ˈɔx.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_139.wav|nˈavɛt jˈɛɕli pˌɔstanɔvˈiwam dɔ ɲʲˈɛj ɲʲɛ dɔwˈɔntʃatɕ.|3
+Dataset/wavs/urwisko_ferenc/42_segment_49.wav|— jɛstˌɛɕmɨ pˌartnɛrˈami — pɔvʲˈɛdʑaw. — musˈimɨ zˈɛ sˈɔbɔ̃ rɔzmˈavʲatɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_80.wav|vɨbjˈɛram nˈumɛr tˌɛˌɛˈɛsˈiɡrɛɡ z ˌulubjˈɔnɨx i natɕˈiskam pʃˈɨtɕisk pˌɔwɔntʃˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_68.wav|pˈɔttʃas nˈɔtsɨ pɔɕlˈubnɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_59.wav|ɲʲɛ, ɲʲɛ, ˈalɛ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_94.wav|mˈɔʒɛʃ tɔ zrˈɔbʲitɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_458.wav|ɲʲɛ ˌɔtpɔvʲˈɛdʑaw, vʲˈɛnts pˌɔvʲɛdʑˈawa pɔ xfˈili.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_186.wav|jakkˈɔlvʲɛk jˈɔ̃ zvˈanɔ, ɡɔspˈɔda bˌɨwa vʲˈɛlka.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_113.wav|ˈaram jˈadaw z nˈami, ˌalɛ ɲʲɛ ˌaŋɡaʒˈɔvaw ɕɛ w ɲˈits i spˌɔradˈɨtʃɲʲɛ kˌɔmɛntˈɔvaw nˈavɛt pʃˌɨʒɔndʑˈanɛ pɔɕˈiwki.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_100.wav|tʃˈɛba bˌɨwɔː ɔdwˈɔʒɨdʑ vʲˈɛntsɛj na nˈɔvɨ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_37.wav|prubˈɔvaw napˈisatɕ pʲˈɛɕɲ ɔ pˈɛvnɛj kˌurtɨzˈaɲʲɛ, kɔbjˈɛtɕɛ zvˈanɛj tɕˈɛɲʲɛm kɕɛ̃ʒˈɨtsa.|1
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_23.wav|pratsˈujɛ dla jˈakʲɛjɕ çˈiɲskʲɛj fˈirmɨ, ktˌura spˌɛtsjalizˈujɛ ɕɛ w ɕfʲˌatwɔvˈɔdax. ɲʲˈɛvʲɛm dla ktˈurɛj.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_31.wav|— xtɕˈawɛɕ pɔvʲˈɛdʑɛtɕ tˈaɡ dwˈuɡɔ, jˈak mˈikɛ xtsˈɛ ɕɛ ˈutʃɨtɕ. — vwˈaɕɲʲɛ — ʒˈɛɡw dʒˈɔnsɔn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_72.wav|fʃˈɨstkɔ z ɲˈim f pɔʒˈɔntku?|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_55.wav|zabrˈawam ɕɛ dɔ prˈats��.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_439.wav|mˈɔʒɛ tɔː i lˈɛpʲɛj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_236.wav|tˈak, tˌɨlkɔ ʒˈɛ tɕˈɛ ˌɔdvalˈili.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_44.wav|tɛn srˈɛbrnɨ samˈɔxut tɔ bˈɨw sˈɛdan tʃɨ xˈadɣbatsk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_38.wav|dˈaʃ rˈadɛ tsˈɛlɲʲɛ stʃˈɛlidʑ w dˈɛʃtʃu? pˈɨta ɲˈitsk.|2
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_117.wav|fʃˈɨstkɔ bˌɛɲdʑɛ dˈɔbʒɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_45.wav|pʃɛkwˈadaw mʲˌɛndʑɨ paltsˈami.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_394.wav|kˈɔ̃satʃ ɔtsˈunɔw ɔt ɲʲˈɛj ˈusta vˌɨpɛwɲʲˈɔnɛ mʲˈɛ̃sɛm i krfjˈɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_53.wav|spˈikɛ ɲʲˈɛbɨw ˌɔtʃɨvˈiɕtɕɛ jɛj pravdʑˈivɨm imjˈɛɲʲɛm. tɕˈɔŋɡɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_19.wav|bˌɨwɔ pˈuʑnɛ pˌɔpɔwˈudɲʲɛ. pʃɛspˈawam tʃtɛrnˈaɕtɕɛ ɡˈɔdʑin.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_277.wav|f pɔkˈɔju jɛzd ʑˈimnɔ, ˌalɛ bʲˈillɨ ɲʲɛ zadˈajɛ sˈɔbjɛ fatˈɨɡʲi, bˈɨ vwˈɔntʃɨdʑ ɡʒˈɛjɲik, bˈɔ pˈɛvɲʲɛ bˈɨ stˈukaw. xˌɔtɛlˈɔvɛ ɡʒɛjɲˈiki zˈafʃɛ stukˈajɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_160.wav|i prˈɔʃɛ, rˈaptɛm nˌastɛmpnˈɛɡɔ dɲʲˈa tˌɛmu samˈɛmu pʲusˈɔvi ɕɛ pˌɔʃtʃɛɲɕtɕˈiwɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_69.wav|mʲˈɛjstsɛ zbrˈɔdɲi znˌajdɔvˈawɔ ɕɛ w ˌɔdlɛɡwˈɔɕtɕi kilkˈusɛt mˈɛtruf.|3
+Dataset/wavs/urwisko_ferenc/04_segment_60.wav|apˈarat ɔdnˈalas pʃɨ stalˈɔvɨm fspɔrɲˈiku pʃˈɛ̃swa, ˌalɛ blˈiʒɛj jɛst ɲi ɲˈiʃ xɔdɲˈika.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_172.wav|jˌɛstɛm dˌɔrɛntʃɨtɕˈɛlkɔ̃.|4
+Dataset/wavs/urwisko_ferenc/03_segment_56.wav|psˌɨhiˈatra mi vɨjˈaɕɲiw, vrˈutɕiw dɔ tɛmˈatu, ʒˈɛ pˌɔzɔstawˈɔɕtɕɔ̃ ˈɔstrɛj rɛˈaktsji na strˈɛs...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_529.wav|nˈɔʃɛ f sˈɔbjɛ ɕmʲˈɛrtɕ.|0
+Dataset/wavs/urwisko_ferenc/52_segment_97.wav|mʲˈɛɲɕɲʲɛ mimˈitʃnɛ ɲʲɛ zdradʑˈawɨ nˌɛrvɔvˈɛɡɔ napʲˈɛɲtɕa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_79.wav|ˌaramfɔrˈakis ɲʲˌɛustˈanɲʲɛ mɲʲɛ pˌɔʃukˈivaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_120.wav|ˈufaw mˈɔjɛj mˈattsɛ i ɲˈiɡdɨ ɲʲɛ kfˌɛstjɔnˈɔvaw jɛj pɔsˈuɲʲɛɲtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_66.wav|lˈup pˌɔvʲɛdʑˈawaʑ zˈɛ ɕfʲˌadɔmˈɔɕtɕɔ̃, ʒˈɛ tfˈɔjɛ swˈɔva lˈup tʃˈɨnɨ zdˌɛnɛrvˈujɔ̃ ɲikˈɔlɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_19.wav|rˈɔp, vʲˈɛm, ʒˈɛ prˌubɔvˈawɛʑ zˈɛbratɕ tɔ fʃˈɨstkɔ dɔ kˈupɨ.|4
+Dataset/wavs/urwisko_ferenc/39_segment_67.wav|tsˈɔ knˈujɛʃ? jˈa? nˈɔ tsˈɔɕ tˈɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_328.wav|ɔn tɕi vɨmˈɨɕli tsˈɔː innˈɛɡɔ, pɔvʲˈɛdʑaw ɡɛrsfˈɛstlɔf.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_200.wav|rˌɔzɛjʒˈawa ɕɛ pɔ namjˈɔtɕɛ. maʃ tˈu vˈinɔ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_289.wav|rɛvˈɔlvɛr na mˈɔjɛ ɲʲɛʃtʃˈɛɲɕtɕɛ vɨstʃˈɛliw. kˈula trafˈiwa f tfˈɔjɔ̃ dwˈɔɲ, ktˌurɔ̃ ˌunɔɕˈiwɛɕ, ʒˈɛbɨ ɕɛ pʃɛʒˈɛɡnatɕ ˈalbɔ pʃɛtʃˈɛsadʑ vwˈɔsɨ.|0
+Dataset/wavs/urwisko_ferenc/36_segment_81.wav|tʃɨ na tɕˈuʃkaɣ dʑˈɛtska vidɲʲˈawɨ jˈakʲɛɕ plˈamɨ?|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_68.wav|ʃˈukam dʑɛftʃˈɨnɨ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_134.wav|vijˈɔntsɛ ɕɛ pɔ zbˈɔtʃu i mʲˌɛndʑɨ bˌudɨŋkˈami.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_107.wav|tɕˈipun pˈɔtʃɛt kˌɔnfidˌɛntsjɔnˈalɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_107.wav|ˌuɕmʲɛxnˈɛwa ɕɛ dɔ mɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/55_segment_36.wav|zmˈar kˈilka lˈat tˈɛmu.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_139.wav|ˌalɛ na pˌɔzɔstˈawɨx ʃumjˈawa jˈɛʃtʃɛ ɡˈarstka tʃɛrvˈɔnɨx lˈiɕtɕi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_52.wav|ɡdʑˈɛ ˌɔna jˈɛst?|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_116.wav|tɔ jˈɛdna mˈɨɕl.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_41.wav|ftɕˈɔ̃ʃ tˈu jɛstˈɛɕmɨ, vʲˈɛnts jˈakɔɕ tɔ fˌuŋktsjɔnˈujɛ, ɲʲɛ?|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_236.wav|jɛdˈɨnɨm mɛ̃ʃtʃˈɨznɔ̃, jakʲˈɛɡɔ ɡˈɔʑdʑiɡ znˈawa pʃˈɛz vʲˈɛŋkʃɔ̃ tʃˈɛɲʑdʑ ʒˈɨtɕa, bˈɨw pʃˌɛraʒajˈɔntsɨ krˈastɛr. rˈɛʃta jɛj ɕfʲˈata skwadˈawa ɕɛ s kˈɔbjɛt.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_132.wav|bˈardʑɔ ɕɛ ˈɔtɔ kwˌutɕiwˈɨɕmɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_15.wav|rˌɔzmavʲˈaliɕtɕˌɛ jˈuʃ ˈɔtɨm?|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_84.wav|ˈɛliz znˈuf nɔrmˈalɲʲɛ ɔddˈɨxa i tˈɛras, kʲˈɛdɨ krˈɨzɨs mˈinɔw, bʲˈillɨ zˌauvˈaʒa, ʒˈɛ ˌɔna mˈa na sˈɔbjɛ tˌɨlkɔ kɔʃˈulkɛ blˈatsk kˈɛɨs, ktˌurɛj jˈakimɕ tsˈudɛm ɲʲɛ zˌaʒɨɡˈawa.|2
+Dataset/wavs/urwisko_ferenc/46_segment_181.wav|bɔrˈɛvitʃ kˈutsnɔw i pʃɨwˈɔʒɨw pˈaltsɛ dɔ ʃˈɨi ʃtʃɛrpskʲˈɛɡɔ, prubˈujɔndʑ vˈɨtʃutɕ tˈɛntnɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_43.wav|pˈili vɨwˈɔntʃa tˌɛlɛvˈizɔr.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_14.wav|mˈuviʃ ˈɔtɨm? tɔ tˌɨlkɔ mˈarna ʃtʃɛtɕˈina f pˌɔruvnˈaɲʲu s tfˈɔjɔ̃ ɡʒˈɨvɔ̃, kuzˈɨŋku.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_247.wav|a ɔn pɔvʲˈɛdʑaw, ʒˈɛ tɔ tˈamtɛn fskˈɔtʃɨw na ɲʲˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_143.wav|vɨʒˈutsam s ɕˈɛbjɛ tɛ swˈɔva. mˈam ɔxˈɔtɛ kʃˈɨtʃɛtɕ, ˌalɛ mˈuj ɡwˈɔz bˌɛɲdʑɛ swɨʃˈalnɨ w ɔɡrˈɔdʑɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_121.wav|w drˈɔdʑɛ pɔvrˈɔtnɛj mˈija dvˈux mwˈɔdɨx mˈɛ̃ʃtʃɨzn stɔjˈɔntsɨx pʃɛt ˌɔpuʃtʃˈɔnɔ̃ prˈalɲʲɔ̃. jˈɛdɛn jɛzd bjˈawɨ, drˈuɡʲi tʃˈarnɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_5.wav|ja tˈɛʃ tˈam bˈɛndɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_4.wav|ftɕˈɔ̃ʃ ɲʲˈɛvʲɛm, jˈak mu vɨjˈaɕɲʲɛ, tsˈɔ ɕɛ dʑˈɛjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_3.wav|ˈawra pɛvnˈɔɕtɕi ɕˈɛbjɛ ˈu arˈama vɨdˈajɛ ɕɛ ɲʲˈɛtsɔ blˈaknɔɲtɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_155.wav|vʲˈɛnts mˈɔʒna xˈɨba bˌɛɲdʑɛ tsˈɔɕ nˈatɔ pɔrˈadʑitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_53.wav|ˌalɛ tɔ jˈɛʃtʃɛ kˈilka ɡˈɔdʑin tʃɛkˈaɲʲa, naʒˈɛka dˈɛrɛk, a ja nˈudʑɛ ɕɛ jˈuʃ tˈɛras.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_190.wav|a tˈaɡʒɛ tsˈurki i vnˈukuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_15.wav|tˈɛras mˈɔjɛ mˈɨɕli, fspɔmɲʲˈɛɲʲa z lˌakɛsˈidɛ pʃɛrˈɨva ˈalfjɛ, ktˌurɨ zatʃˈɨna ɕɛ pɔrˈuʃatɕ ˌɔbɔk mɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_340.wav|ktˈɔɕ ɔkrˈɔpɲʲɛ kʃˈɨtʃaw za ɕtɕˈanɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_10.wav|bˈɔ z rɛɡˈuwɨ tˈakʲɛ rɔbˈɔtɨ mˌajɔ̃ bˈɨtɕ ˌuʒɨvˈanɛ tˌɨlkɔ pʃˈɛs pˈarɛ ɡˈɔdʑin.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_145.wav|mˈuɡwbɨɕ mu znˈalɛɕtɕ lɛkˈaʒa, ɡdˈɨbɨm ftˈɛdɨ zˌadʑvɔɲˈiwa?|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_167.wav|zapˈɨtaw ɡˈɔː allˈɛras.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_212.wav|ˌuɲʲɛruxˈɔmjɛ xˈutɛ i xtsˈɛ, ʒˈɛbɨʑ bˌɨwa pʃˌɨɡɔtɔvˈana na pʃɨjˈɛɲtɕɛ kɔntrˈaktu na dɔstˈavɛ tlˈɛnu.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_360.wav|fstˈɨdʑɛ ɕɛ na sˈamɔ̃ mˈɨɕl ɔ fʃˈɨstkiɣ dʑɛftʃˈɛntax, ktˌurɛ rˌɔspravitʃˈɨwɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_205.wav|bʲˈillɨ zvrˈatsa ɕɛ dɔ ɲʲˈɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_125.wav|pɔ kɔlˈatsji ˈɛliz zajmˈujɛ waʑˈɛŋkɛ, bˈɨ ˌufarbˈɔvatɕ sˈɔbjɛ vwˈɔsɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_171.wav|a jˈɛɕli tɔ ɲʲɛ jɛst tˈɨfus plamˈistɨ, tˌɨlkɔ tɔ?|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_154.wav|mˈɔʒɛ tsˈɔɕ mu ɕɛ stˈawɔ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_26.wav|tɔ dˈɔbrɨ pˈɔmɨsw, kɔxˈaɲʲɛ, ˌalɛ ˌɔɲi mɲʲɛ pʃˌɛʃukˈajɔ̃, mˈuvi ˈaʃ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_223.wav|ɲˈim fsunˈɛwa ɕɛ pɔt kˈɔtsɛ,|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_188.wav|na vˈidɔk tfˈɔjɛj pɔtˈɛ̃ʒnɛj mɛ̃skˈɔɕtɕi, zaˈistɛ jˌɛstɛm pˈɛvʲɛn, ʒˈɛ kˈaʒda kɔbjˈɛta rˌɔspwakˈawabˌɨ ɕɛ, ujʒˈafʃɨ tsˈɔɕ pˌɔdɔbnˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_7.wav|prɛzˈɨdɛnt skurtʃˈɔnɨ ɲˈitʃɨm dʑˈɛtskɔ spˈaw na lˈɛvɨm bˈɔku.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_76.wav|ɕˈada na wˈuʃku, ˌalɛ zɡʲinˈajɔnts ɕɛ vɨdˈajɛ zduʃˈɔnɨ ˈɔkʃɨk. ˈɛlis pˈɨta ɡˈɔ, jˈaɡ bˈardʑɔ bˈɔli.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_288.wav|vˌɨtɕɔŋɡnˈɛwa rˈɛŋkɛ. ɲʲɛktˌurɛ s pɔrtˈɔvɨx kˈuruv bˌɨwɨ ɲʲˌɛbɛspʲˈɛtʃnɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_37.wav|tʃɨ krˈɨzɨs ɕˈɛdmju lˈat naprˈavdɛ mˈa rˈatsjɛ bˈɨtu?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_294.wav|jˈɛɕli xtsˈɛʒ vʲˈɛʒɨtɕ, tɔ mˈɔʒɛʃ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_145.wav|ˈɔjtɕɛts ɔsˈɔɲdʑi ɡˈɔ sprˌavʲɛdlˈivʲɛ.|1
+Dataset/wavs/urwisko_ferenc/42_segment_44.wav|vzruʃˈɨwa rˌamjɔnˈami.|0
+Dataset/wavs/urwisko_ferenc/09_segment_81.wav|a ɲʲɛ ˌɔfitsjˈalɲʲɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_96.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_11.wav|vʲˈɛnts trˈudnɔ ɡˈɔ vˈiɲitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_7.wav|f publˈitʃnɨm kˌatalˈɔɡu ˌadrɛsˈɔvɨm artˈɛmis fˌiɡurˈujɛ ɕˈɛdmju mˈɛ̃ʃtʃɨzn ɔː imjˈɛɲʲu ʃˈɔn. nˌapisˈawɛm dɔ fʃˈɨstkix, ˌalɛ ʒˈadɛn ɲʲɛ ɔkˈazaw ɕɛ ʃˈɔnɛm, ktˌurɨ tɕˈɛ znˈa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_80.wav|pʃɛprˈaʃam vˈas, ˌalɛ mˈuʃɛ tɔː ɔdˈɛbratɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_133.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_69.wav|swɨʃˈawaɕ stsˈɔtta w rˈadju?|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_116.wav|pɔɲʲˈɛvaʃ ˌɔɕfʲɛtlˈɔnɨ bˈɨw ɔt tˈɨwu, ɲʲɛ mˈɔɡwɛm ˌɔʃatsˈɔvatɕ, w jˈakim jɛzd vʲˈɛku, ˌaɲi nˈavɛd dˈɔstʃɛts jˈɛɡɔ tfˈaʒɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_39.wav|dˈɔkɔnt pˈan ˈidʑɛʃ? zˈuma.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_10.wav|vʲˈɛm, ʒˈɛ stˈaraʃ ɕɛ pˈɔmuts, ˌalɛ naprˈavdɛ ɲʲɛ mˈuɕiʃ tˌɛɡɔ rˈɔbʲitɕ. ɲʲɛ zdˌɛtsɨdɔvˈawam jˈɛʃtʃɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_132.wav|tˈɔm pɔkˈivaw ɡwˈɔvɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_66.wav|mˈɨɕlɛ, ʒˈɛ tɔ ɲʲˌɛmɔʒlˈivɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_67.wav|ˈɔfʃɛm, rˈatʃɛj ˌɔna pˌɔspʃɛtʃˈawa ɕɛ zˈɛmnɔ̃. pˌɔvʲɛdʑˈawam jɛj prˈavdɛ, a pʃɨnˈajmɲʲɛj tˈɛ tʃˈɛɲɕtɕ, ktˌurɔ̃ zdɔ̃ʒˈɨwa uswˈɨʃɛdʑ zˈaɲim vˈɨʃwa.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_5.wav|znalˈazwa jˈɛdnak tˌɨlkɔ kamjˈɛɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_270.wav|jˈamɛ vˈɔlawbˌɨ, ʒˈɛbɨ tˈullɨ dˈɔtar dɔ tsastˈɛrlɨ ɹˈɔɡ bɛspʲˈɛtʃɲʲɛ, ˌalɛ ɡdˈɨbɨ mʲˈaw ˈutɕɛts, lˈɛpʲɛj bˈɨ zɡʲˈinɔw.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_21.wav|tˈak, pɔmˈɨɕlaw sˈam.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_136.wav|pˌɔtskuʒˈanɨm fartˈuxɛm mʲˈaw nˈaɡɔ̃ pʲˈɛrɕ. vɨkˈuvaw mʲˈɛtʃ, vˈalɔnts f klˈiŋɡɛ s tˈakɔ̃ zˌapamjˌɛntawˈɔɕtɕɔ̃, jˈaɡbɨ bˌɨwa vrˈɔɡʲɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_77.wav|ˈaʒ dɔ dʑˈiʑ zˈafʃɛ ˌuvaʒˈawam, ʒˈɛ tɛn ˌapartˌamɛntˈɔvʲɛts tɔ bɛspʲˈɛtʃnɛ mʲˈɛjstsɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_126.wav|tʃɨ pˈan vʲˈɛ, dlatʃˈɛɡɔ mˈuj brˈad zˈɔstaw lɔtɲˈikʲɛm?|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_171.wav|ɲʲɛ ɡɲʲɛvˈawam ɕɛ na ɲʲˈɛɡɔ. lˈɛdvʲɛ zvrutɕˈiwam nˈatɔ uvˈaɡɛ. za bˈardʑɔ bˌɨwam zajˈɛnta ˌɔbmɨɕlˈaɲʲɛm sfˈɔix plˈanuf, a fʃˈɨstkɔ ʃwˈɔ jˈak s pwˈatka.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_29.wav|ktˌura jɛst tfˈɔim ɡɲʲˈazdɛm, ˈɔrlim, na ʃtʃˈɨtax ɲʲˌɛvʲadɔmˈɛɡɔ.|0
+Dataset/wavs/urwisko_ferenc/12_segment_53.wav|bɔrˈɛvitʃ ɔdwˈɔʒɨw kˈartkɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_3.wav|w jɛj dˈuʒɨx mˌiɡdawˈɔvɨx ˈɔtʃaɣ vˈidadʑ bˌɨwɔ pʃˌɛraʒˈɛɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_159.wav|ˌɔna zˌaswuɡˈujɛ na ɕmʲˈɛrtɕ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_10.wav|karmˈiwam jˈɛ kˌavawkˈami xlˈɛba i martfˈiwam ɕɛ, kʲˈɛdɨ ɲʲɛ pʃˌɨpwɨvˈawɨ mi na pˌɔvitˈaɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_223.wav|na puwnˈɔtsɨ znajdˈɔvaw ɕɛ fjˌɔlɛtˈɔvɨ pˈɔrt, ɡdʑˈɛ bravˈɔfskʲɛ stˈatki xandlˈɔvɛ tsˌumɔvˈawɨ f tɕˈɛɲʲu kˈɔpuw i vʲˈɛʃ pawˈatsu mɔrskʲˈɛɡɔ lˈɔrda.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_289.wav|f tɛj xfˈili vwˈaɕɲʲɛ pɔvˈinnɔ bˈudʑitɕ ɕɛ dɔ ʒˈɨtɕa w mˈɔjɛj trˈumɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_434.wav|sˈɛr ɡˈarlan ɲʲɛ jɛst rɨtsˈɛʒɛm ɡvˈardji krulˈɛfskʲɛj.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_162.wav|lˈudʑɛ sɔ̃ vˌɛrbɔvˈaɲi, bˈɔ ʃukˈajɔ̃ tʃˈɛɡɔʑ w ʒˈɨtɕu, tʃˈɛɡɔɕ im brakˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_50.wav|mˈam nadʑˈɛjɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_465.wav|staʒˈɛjɛʃ ɕɛ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_51.wav|pʃɨznˈajɛ, ʒˈɛ ɲʲɛ jˌɛstɛm rˈɛnlim bˌaratjˈɔnɛm, ˌalɛ mˈam nˈadɲim tˈɛ pʃɛvˈaɡɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_44.wav|mˈuviw ʃˈɨpkɔː i xfˈɨtɕiw mɲʲɛ za rˈɛntsɛ. vɨrvˈawam jˈɛ i zˌawɔʒˈɨwam na pʲˈɛrɕi.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_179.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_77.wav|tsˈɔ za kˈutas.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_47.wav|tsɔkˈɔlvʲɛk tˈɛraz zrˈɔbʲi, bˌɛɲdʑɛ tɔ ɲʲˌɛvwaɕtɕˈivɨ rˈux.|4
+Dataset/wavs/urwisko_ferenc/57_segment_14.wav|tˈɛras kɔlˈɛdʑɨ s tˌɛɡɔ vɨdʑˈawu tʃɛrpˈali ɲʲɛzvˈɨkwɔ̃ rˈadɔɕtɕ s karˈaɲʲa mˌandatˈami pˌɔlitsjˈantuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_76.wav|nˈɔː i pʃɨnˈajmɲʲɛj ɲʲɛ mˈuʃɛ tɕi zmʲˈɛɲitɕ nazvˈiska.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_110.wav|xˈɔtɕ kˈatɛ zˈafʃɛ tʃˈuwa, ʒˈɛ lˈutsɨ kɔxˈawa ɡˈɔ bˈardʑɛj ɲˈiʃ jˈɔ̃, ta ɕˈilna pɔtʃˈɛba miwˈɔɕtɕi zˈɛ strˈɔnɨ tsˈurki bˌɨwa tʃˈɨmɕ nˈɔvɨm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_88.wav|xˈɨba tˈak.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_284.wav|ɕˈɔstrɔ! zˌavɔwˈawɛm dɔ pʃˌɛxɔdʑˈɔntsɛj pʲˌɛlɛŋɡɲʲˈarki. ktˈɔ tɔ jˈɛst?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_323.wav|zaɕmʲˈawa ɕɛ, ˌɔɕfʲɛtlˈajɔnts mɲʲɛ rˈaptɛm ɲʲˌɛbjɛskˈɔɕtɕɔ̃ sfˈɔix ˈɔtʃu.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_228.wav|ɲʲɛktˌuʒɨ z ɲˈix mˈɔɡɔ̃ bˈɨtɕ ɲʲɛvˈinɲi.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_106.wav|znˈɔvu ˈɔɡar.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_28.wav|muɕˈawam mˈinɔɲdʑ ʒˈɔnt ˌupakɔvˈanɨx tɕˈasnɔː ˌɔbɔk ɕˈɛbjɛ kfˌadratˈɔvɨɣ dʒvˈi, zˈaɲim dɔtˈarwam dɔ sfˈɔix.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_11.wav|ukrˈɨtɛ vɛ mɡlˈɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_8.wav|ɔbˈavʲam ɕɛ, ʒˈɛ ɲʲɛ mˈɔɡɛ pɔzvˈɔlitɕ, bˈɨ znalˈazwa ɕɛ pˈaɲi sˈam na sˈam z mˈili.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_90.wav|dˌɔmɲʲɛmanˈɛɡɔ sˌabɔtˈaʒu, pˌɔpravˈiwam ɡˈɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_139.wav|ˌalɛ i sˌuptɛlnˈɛɡɔ fatsˈɛta, ktˌurɨ tsˈawɨ tʃˈas nazˈɨvawbˌɨ mɲʲɛ ʃɛfˈɔvɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_32.wav|tsˈɔ zapˈɛvnɛ ɕˈɛbjɛ ɡˈɔɕtɕ, pɔmˈɨɕlaw tˈɔm.|3
+Dataset/wavs/urwisko_ferenc/13_segment_24.wav|kʲˈɛdɨ pˈuʑɲʲɛj?|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_124.wav|tsˈawɨ tʃˈaz ʒˈɨjɛ f tɕɛmnˈɔɕtɕi.|1
+Dataset/wavs/urwisko_ferenc/59_segment_67.wav|mˈɔʒɛ tʃˈɛba zrˈɔbʲidʑ dˌɔkwadɲʲˈɛjʃɛ badˈaɲʲa, zˌasuɡˌɛrɔvˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_17.wav|vrˈɛʃtɕɛ jɛdnˈɛɡɔ vʲɛtʃˈɔru sˈɔbjɛ pɔpˈiwa, a pˈɔtɛm pˌɔjɛxˈawa dɔ sklˈɛpu pɔ krakˈɛrsɨ sɛrˈɔvɛ i w drˈɔdʑɛ pɔvrˈɔtnɛj drapnˈɛwa jˈɔ̃ pɔlˈitsja.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_34.wav|tʃɨ kʲˌɛdɨkˈɔlvʲɛɡ brˈaliɕtɕˌɛ tɔ pɔt uvˈaɡɛ, zvaʒˈɨfʃɨ nˈatɔ, dɔ tʃˈɛɡɔ ɕɛ pˌɔsunˈɛli?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_83.wav|ˌalɛ ja tˈam tkfˈiwɛm pʃˌɛtɕɛʃ ɲʲˌɛruxˈɔmɔ.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_359.wav|jˈɛɕli ɲʲɛ bɛɲdʑˌɛmɨ ˈɔtɨm muvˈiwɨ, fkrˈuttsɛ ɔ fʃˈɨstkim zˌapɔmɲˈimɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_123.wav|stsˈɔtt ɔdvrˈutɕiw ɕɛ f strˈɔnɛ ˈɔkna, ɲʲɛ mˈɔɡɔndʑ dwˈuʒɛj pˈatʃɛtɕ mi w ˈɔtʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_99.wav|ʒɔwɲʲˈɛʒɛ tˈallix ˌɔpuɕtɕˈili zˈamɛk nˌastɛmpnˈɛɡɔ rˈaŋka, zˌɔstavʲˈajɔndʑ brˈɔɲ i zbrˈɔjɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_24.wav|ɲʲɛ vʲɛdʑˈawam, ʃtʃˈɛʒɛ mˈuvʲɔnts.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_483.wav|fpwˈatɕiw za pˈana ɔɡrˈɔmnɔ̃ kˈawtsjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_30.wav|ɲʲɛ mˈɔɡɛ ix rˌɔstʃarˈɔvatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_9.wav|tʃˈɛ̃stɔ ɕɛ zˌastanˈavʲam, jˈak udˈawɔ mi ɕɛ stfˈɔʒɨtɕ tsˈɔɕ tˈaɡ dˌɔskɔnawˈɛɡɔ, ʃtʃɛɡˈulɲʲɛ, ʒˈɛ jɛst tˈaka drˈɔbna i dˌɛlikˈatna. tsˌawkɔvˈitɛ pʃˌɛtɕivʲˈɛɲstfɔ mɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_40.wav|mˈuvi inspˈɛktɔr sˈims, sˈɛr.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_236.wav|zˌapukˈawɛm dɔ dʒvˈi.|0
+Dataset/wavs/urwisko_ferenc/25_segment_23.wav|vɨjˈɛwa pˈitsɛ i pʃˌɛwɔʒˈɨwa na tˈalɛʃ.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_116.wav|mˈawɨ, pʃɨbrˈanɨ brˈat mˈɔʒɛ bˈɨtɕ akˈurat tˈɨm, tʃˈɛɡɔ pˌɔtʃɛbˈujɛ tˈɔmmɛn, ʒˈɛbɨ ɡˈɔː ɔttɕˈɔŋɡnɔɲtɕ ɔt marɡˈɛrɨ i jɛj kˈur.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_442.wav|pˈɛvnɔ pʃˌɨlɛtɕˈawɨ tˈutaj za mnˈɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_52.wav|tʃujˈɛmɨ tfˈuj bˈul, ˌalɛ tɕˈɛʃɛ ɕɛ, ʒˈɛ pˌɔkazˈawaɕ mi tɛn pˈɔkuj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_10.wav|jˈa, kturˌɛɡɔ drˈɔbnɛ vˈixrɨ, vˌɨdɔbˌɨvajˈɔntsɛ ɕɛ s pɔɡʲˈɛntɛj, pˌɔmarʃtʃˈɔnɛj pɔvʲˈɛʃxɲi ʑˈɛmi,|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_333.wav|ɡdˈɨ tˌɨlkɔ sˈɛr brˈɨndɛn skˈɔna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_6.wav|tɔ bˌɨwɨ jˈɛɡɔː ɔstˈatɲʲɛ swˈɔva.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_199.wav|jɛʑdʑˈiwɛm za mˈur i valtʃˈɨwɛm w bʲˈitfax.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_35.wav|dʑˈɛŋki za uvˈaɡɛ!|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_49.wav|kturˌɛɡɔ nˈavɛt starˈanɲʲɛ vˌɨɡɔlˈɔnɛ pɔlˈitʃki bˌɨwɨ ɡrˌanatɔvˈɛɡɔ kɔlˈɔru.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_12.wav|stratɕˈiwabˌɨm ɡˈɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_30.wav|vaʒɲʲˈɛjʃɛ pɨtˈaɲʲɛ bʒmˈi, tsˈɔ bˈɛɲdʑɛ, jˈɛɕli ɔdmˈuvi?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_208.wav|ˌalɛ ftˈɛdɨ ɔdˈɛzvaw ɕɛ tɛlˈɛfɔn.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_197.wav|ɡdˈɨ brjˈɛnnɛ i jɛj tˌɔvaʒˈɨʃɛ dɔtˈarli tˈam prˈɔmɛm s tɕˈixɛj vˈɨspɨ, tɕˈi, ktˌuʒɨ pʃɛʒˈɨli, jˈuʃ utɕˈɛkli.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_137.wav|fˈalis nˌajvɨrˈaʑɲʲɛj ɲʲɛ swɨʃˈawa pɨtˈaɲʲa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_211.wav|tɔ tɕɛkˈavɛ, tsˈɔ pˈan mˈuvi, ˌalɛ mˈɔʒɛ pʃɛjdʑˈɛmɨ dɔ tˌɛɡɔ mɔmˈɛntu, kʲˈɛdɨ ɕɛ znalˈɛʑliɕtɕˌɛ f pˈaɲskim mʲɛʃkˈaɲʲu.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_42.wav|tˈaɕma zrɔbʲˈiwa ɕɛ lˈɛkkɔ fklˈɛ̃swa w mʲˈɛjstsu, f ktˌurɨm znˌajdɔvˈawɔ ɕɛ natɕˈɛɲtɕɛ, ˌalɛ pˈɔza tɨm tʃɨmˈawa ʃtʃˈɛlɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_39.wav|tɛn skurvˈɨsɨn ˈɔptɕɔw mɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_9.wav|jˈɛdnak ˌubɛspʲɛtʃˈɨtɕɛl ˌutʃɨmˈujɛ tˈɛras, ʒˈɛ tɔ ɲʲˈɛbɨw vɨpˈadɛk. vʲˈɛʃ sˈama, jˈak ˌɔɲi sˈɔ̃. pʃɨ kˈaʒdɛj ɔkˈazji prubˈujɔ̃ vɨvˈinɔɲtɕ ɕɛ ɔt ˌɔtpɔvʲˌɛdʑalnˈɔɕtɕi.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_144.wav|sˈandɔr kliɡˈain tɔ zdrˈajtsa i dʑˈika bˈɛstja.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_129.wav|mˈɔʒɛ mˈɔdli ɕɛ ˈɔtɔ, ʒˈɛbɨ mu kˈutas stfˈardɲʲaw.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_291.wav|xˈɔdʑi tˈak, ɲʲɛ pʃˈɨɲʲus mʲastˈɛtʃku ʒadnˈɛɡɔ pɔʒˈɨtku.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_70.wav|ˌalɛ mˈuɕi mʲˈɛtɕ jˈakɔ̃ɕ twumjˈɛnnɔɕtɕ, ɲʲɛ?|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_148.wav|ɡdˈɨ tsˈat ˌɔpuʃtʃˈawa ʃtʃɛɲɕlˈivɨ pˈɔrd z vɨpxˈanɔ̃ mˌɔnɛtˈami sakʲˈɛfkɔ̃,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_33.wav|fʃˈɨstkʲɛ bwˈɛndɨ bjˈɔrɛ na ɕˈɛbjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_62.wav|xazˈatɛn vʲˈɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_65.wav|ɔd dwuʃʃˈɛɡɔ tʃˈasu dˈɔbʒɛ ɕɛ w amˈɛrɨtsˌɛ ʒˈɨwɔ, ˌalɛ mˈɔʒɛ sˌɨtuˈatsja ɕɛ zmʲˈɛɲʲa?|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_108.wav|zaxˈɛntsaw ɡˈɔ sˈɛr kˈɛnɔs skˈais. jˈɛɕli pɔmˈaxaʃ ɲʲˈɔ̃ dɔ prɔstˈatʃkuf, bˌɛndɔ̃ mʲˌɛli ɔ tʃɨm ˌɔpɔvʲˈadadʑ dʑˈɛtɕɔm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_89.wav|tsawˈujɛ, stsˈɔtt.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_24.wav|pɔlˈisja jɛst jˈuʒ w dˈɔmu, a ja ɔdvrˈatsam ɕɛ dɔ ɲˈiɣ z uɕmʲˈɛxɛm. ɲʲɛ na dˈarmɔ jˌɛstɛm pˌɔkɛʒˈɨstkɔ̃.|3
+Dataset/wavs/urwisko_ferenc/36_segment_91.wav|nˌatartʃˈɨvɨ dʑvˈɔnɛɡ zˈabʒmʲaw pɔnˈɔvɲʲɛ, vʲˈɛnts pɔdɲʲˈɔswa ɕɛ z lɛʒˈaka.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_306.wav|tsˈawa nˈaʃa prˈatsa pˈɔʃwa na mˈarnɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_444.wav|ˌalɛ pʃˈɛs kˈɔɡɔ vˌɨznatʃˈɔna?|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_82.wav|dʑˈɛŋki, mˈuvi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_29.wav|— dɔmˈɨɕlam ɕɛ, ʒˈɛ ɲʲɛ maʃ pˈɛvɲʲɛ ˌapɛtˈɨtu, ˌalɛ i tˈak uznˈawam, ʒˈɛ tɔ dˈɔbrɨ pˈɔmɨsw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_118.wav|dˈawɛm tˈɛ kɔmˈurkɛ ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_144.wav|ɲʲˈɛrup ɲitʃˈɛɡɔ pˌɔxɔpnˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_47.wav|xtsˈɛ kˈupitɕ pˈarɛ spˈudɲits i blˈuzɛk. pˈɔza tɨm fˈarbɛ dɔ mˈɔiɣ vwˈɔsuf i pɛrˈukɛ dla tɕˈɛbjɛ. ˈaxa, i jˈakʲɛɕ tˈaɲʲɛ tˌɛɲisˈufki i bjɛlˈiznɛ, ktˌura ɲʲɛ jɛst tˈaka...|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_429.wav|tˈɔbjɛ tˈaɡʒɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_18.wav|ɲʲɛ vidʑˈawɛm ɡˈɔ ɲˈiɡdɨ z ɡˈurɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_109.wav|ɲʲɛ zadʑˈɛraj zˈɛmnɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_241.wav|pɔtʃˈuwam, jˈak sfɔbˈɔda bjˈɛʒɛ mɲʲɛ za rˈɛŋkɛ i kwˈadʑɛ na wˈuʃku, ktˌurɛ ftɕˈɔ̃ʒ bˌɨwɔ naɡʒˈanɛ ɔt jˈɛɡɔ tɕˈawa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_170.wav|bʲˈillɨ ˌɔpɔvʲˈada, tsˈɔ zɔbˈatʃɨw i tsˈɔ zrˈɔbʲiw, pˌɔtʃɨnˈajɔnts ɔt pˈisku xamˈultsuf i ˈɔpɔn, a kˈɔɲtʃɔnts nˈatɨm, jˈaɡ zˈaɲʲus jˈɔ̃ dɔ wˈuʃka.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_122.wav|tsamˈɛrɔn spˈɔjʒaw na ɲʲˈɛɡɔː ˈɔstrɔ mˈarʃtʃɔndʑ brvˈi.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_198.wav|kʲˈɛdɨ vˈɔkuw ɲʲˈɛj ɡrˈawɨ mʲˈɛtʃɛ. tˈaɡ vwˈaɕɲʲɛ pɔvˈinnɔ bʒmʲˈɛtɕ jˈɛɡɔː ˈimjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_244.wav|mʲˈaw dˈɔɕtɕ tʃˈasu, bˈɨ ɡˈɔ zˈabratɕ, ˌalɛ nˈavɛt ɲʲɛ pʃˈɨʃwɔ mu tɔ dɔ ɡwˈɔvɨ.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_130.wav|tɔ tˌɨlkɔ bwˈɔtɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_123.wav|jˈaɡ zˈafʃɛ, kʲˈɛdɨ ɕɛ dɔ ɲʲˈɛɡɔ zvratsˈawa, mˈama ˌuɕmʲɛxnˈɛwa ɕɛ ʃɛrˈɔkɔ, ˌalɛ bˈardʑɔ ɲʲɛpˈɛvɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_33.wav|pɨtˈaɲʲɛ tˈɨlkɔ, tsˈɔː ˈallɛn vʲˈɛdʑaw i dlatʃˈɛɡɔ mˈuɕaw zɡʲˈinɔɲtɕ na ˈɔtʃax lˈudʑi.|2
+Dataset/wavs/urwisko_ferenc/15_segment_37.wav|tɔ bˌɨwɔ pˌɔtʃɔntkˈɔvɛ stˈadjum xazˈardu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_20.wav|tɔ tɨ zˌamɔrdɔvˈawɛɕ tˈɛ mwˈɔdɔ̃ kɔbjˈɛtɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_4.wav|na dʒvʲˈaɣ viɕˈawa tablˈitʃka z napˈisɛm imprˈɛza zamkɲʲˈɛnta.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_98.wav|ftɕisnˈɛwam ɕɛ w ɕrˈɔdɛɡ ɡrˈupɨ i zˌapwatɕˈiwam rˈazɛm z innˈɨmi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_83.wav|zˈaɲim udˈajɛ mi ɕɛ vɨkˈɔnatɕ...|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_36.wav|pɔɡʒˈɛbjɔ̃ ɡˈɔ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_296.wav|kʲˈɛdɨ jˈɛɡɔː ˈɔjtɕɛts pʃˌɛvɔdɲˈitʃɨw na rˈadʑɛ, pɔzvˈalaw nˈajpʲɛrf pʃɛmˈavʲadʑ dɔvˈuttsɔm.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_18.wav|ɡdʑˈɛɕ w ɕrˈɔtku tɛj mˈasɨ vwˈɔsuf mˈɔʒna bˌɨwɔ vɨpˈatʃɨtɕ pɛrkˈatɨ nˈɔs ˌɔras pˈarɛ bˈɨstrɔ spˌɔɡlɔndajˈɔntsɨx ˌɔʒɛxˈɔvɨx ˈɔtʃu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_36.wav|bˈɔː ˌɔna ɡˈɔ kɔxˈawa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_201.wav|bʲillʲˈɛmu ta mˈɨɕl ɕɛ ɲʲɛ pɔdˈɔba, nˈavɛt jˈɛɕli zabʲˈitɨ pʃˈɛs jˌɔɛˈɛɡɔ pˌɔkɔʒˈɨsta bˈɨw zwˈɨm tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_188.wav|mʲˈawɛʑ vʲˈɛlɛ ɔkˈazji, ʒˈɛbɨ mɲʲɛ zˈabʲitɕ i ɲʲɛ zrɔbʲˈiwɛɕ tˈɛɡɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_53.wav|mˈili ix ˈɔtʃɨ, a ˈaʃ prubˈujɛ pɔfstʃˈɨmatɕ ˈuɕmʲɛx, kʲˈɛdɨ dɔ ɲʲˈɛɡɔ mrˈuɡam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_33.wav|pˈiʃɛ ɔ tˈamtɛj pʲˈɛrʃɛj rɔbˈɔtɕɛ, zabˈujstfʲɛ fatsˈɛta z dʒˈɛrzi, ktˌurɨ lˈubʲiw bʲˈitɕ kɔbjˈɛtɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_51.wav|vʲˈɛnts jɛj ˌɔpɛrˈatɔr ɲʲɛ bˌɛɲdʑɛ f stˈaɲʲɛ stfʲˈɛrdʑitɕ, s kˈim ɕɛ kˌɔntaktɔvˈawa.|3
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_38.wav|ktˈɔ ɲʲˈɛxtɕawbˌɨ ɔdvʲˈɛdʑitɕ artˈɛmis?|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_203.wav|brjˈɛnnɛ zˌakrɛɲtɕˈiwɔ ɕɛ w ɡwˈɔvʲɛ ɔd vˌɨpitˈɛɡɔ vˈina. trˈudnɔ jɛj bˌɨwɔ mˈɨɕlɛtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_58.wav|jˌɛstɛɕ ɲʲˌɛspɔkˈɔjna, a tɔ ʑlˈɛ fpwˈɨva na pˌɔzɔstˈawɨx.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_93.wav|ɲˈikt ɲʲɛ pʃɨjˈɛʒdʒa tˈutaj bˈɛz zˌaprɔʃˈɛɲʲa. jɛst tˌɨlkɔ jˈɛdnɔ vˌɨjaɕɲʲˈɛɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_213.wav|tfˈɔja ɕmʲˈɛrtɕ ɲʲɛ dˈawabˌɨ mi ɲˈits pˈɔza pʃˌɨjɛmnˈɔɕtɕɔ̃ zabʲˈitɕa tɕˈɛ, a f tɨm tsˈɛlu ɲʲɛ zˌarɨzɨkˈujɛ ʒˈɨtɕa.|1
+Dataset/wavs/urwisko_ferenc/44_segment_59.wav|ˈɔlɡʲɛrt pʃɛtʃˈɨtaw jˈɔ̃ dvukrˈɔtɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_48.wav|ɲʲˈɛmukw pɔzvˈɔlitɕ na vˌɨvʲɛʑˈɛɲʲɛ mˈili s krˈaju.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_171.wav|dɔ kˈɔɡɔ tɨ pɔlˈazwɛɕ ɔvˈɛɡɔ ɲʲˌɛʃtʃɛ̃snˈɛɡɔ vʲɛtʃˈɔru?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_55.wav|ɕɛdʑˈɛli pʃˈɛs xfˈilɛ w ɲʲɛzrˈɛntʃnɛj tɕˈiʃɨ. jˈɛɕli tˈɔm ɲʲˈɛxtɕaw rɔzmˈavʲatɕ, ɲʲɛ zˌamjɛʒˈawa prubˈɔvadʑ ɡˈɔ dɔ tˌɛɡɔ nakwˈaɲʲatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_40.wav|tsamˈɛrɔn ɕɛ zˈɛmnɔ̃ kˌɔntaktˈɔvaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_68.wav|pˌɔpatʃˈɨwam na ɲʲˈɛɡɔ, ɲʲɛ vʲˈɛdʑɔnts, tʃɨ swˈuxam ɲʲɛzvˈɨklɛ mˈɔndrɨx swˈuf, tʃɨ mˈɔʒɛ kˌɔmplɛtnˈɛɡɔ bɛwkˈɔtu.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_18.wav|ɡdˈɨ vˈɨʃli, lˈɔrt tsˈarɔl vˈantsɛ zˈɔstaw jˈɛʃtʃɛ na xfˈilɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_10.wav|vˈitam w bˈaʑɛ spɔkˈɔju.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_85.wav|zamjˈɛʒaw nˈatɨm pɔpʃˈɛstatɕ, ˌalɛ jˈɛdnɔ prˌɔvadʑˈiwɔ dɔ druɡʲˈɛɡɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_31.wav|ɲˈiɡd dɔ mɲʲɛ ɲʲɛ dʑvˈɔɲiw, mˈɔɡɛ vʲˈɛndʑ zawˈɔʒɨtɕ, ʒˈɛ ɲˈits ɲʲɛ vˌɨpwɨnˈɛwɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_213.wav|zabˈujstfɔ jɔˈɛlla allˈɛna ɲʲɛ jɛst jˈuʃ tɛmˈatɛm nˈumɛr jˈɛdɛn.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_33.wav|pamjˈɛntaʃ tʃˈarnɔ̃ lˈistɛ na nɛtflˈiksʲɛ i tɔ jˈak pˌɔdlɛvˈaliɕmˌɨ rɔɕlˈinɨ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_30.wav|ˌɔpuɕtɕˈili ɡwˈɔvɨ i pʃˌɨspʲɛʃˈɨli. ɲʲɛ bˌɨli jˈuʃ tˈaɡ bɛzɡwˈɔɕɲi jˈak ftʃˈɛɕɲʲɛj. ʃˌɛlɛɕtɕˈiwɨ ix ubrˈaɲʲa i rˌɔsxlapɨvˈali vˈɔdɛ s kˈawuʃ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_104.wav|kɔxˈaɲʲɛ, lˈudʑɛ ɲʲɛ zˈafʃɛ dˌɔtsɛɲʲˈajɔ̃ pˈɔmɔts, kʲˈɛdɨ ɕɛ im jˈɔ̃ ˌɔfɛrˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_167.wav|ʒˈadna kɔbjˈɛta jˈɛdnak ɲʲɛ lˈubʲi, kʲˈɛdɨ jɛj ɕɛ dˌɛmɔlˈujɛ tfˈaʃ.|2
+Dataset/wavs/urwisko_ferenc/02_segment_82.wav|pˈɔttʃas pʲˈɛrʃɛj pʃˈɛrvɨ f ʃkɔlˈɛɲʲu tˈuʃ pʃɛt jˌɛdɛnˈastɔ̃ dvukrˈɔtɲʲɛ zadʑvˈɔɲiw pˈan dɔ ʒˈɔnɨ, ˌalɛ ɲʲɛ ˌɔdɛbrˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_275.wav|ˈɔjɛj, pˈɔnat tʃtˈɛrɨ i pˈuw stˈuvɨ, f pʃˌɨbliʒˈɛɲʲu jˈɛdna dʑɛɕˈɔnta tˈɛɡɔ, tsˈɔ vwˈaɕɲʲɛ zˌarɔbʲˈiwam na pudˈɛwku tsˈɨɡar.|4
+Dataset/wavs/urwisko_ferenc/25_segment_37.wav|mˈɔʒɛ jˈɛʃtʃɛ jˈɛdnɔ̃ ʑˈimɛ vɨtʃˈɨma, ˌalɛ tʃˈɛba jˈɔ̃ zˈɛrvatɕ i pɔwˈɔʒɨtɕ nˈɔvɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_240.wav|na jˈasnɔ̃, skˈɔɕnɔ̃ blˈiznɛ bjɛɡnˈɔntsɔ̃ ukˈɔɕɲʲɛ ɔt jˈɛɡɔ wˈɔktɕa w dˈuw.|0
+Dataset/wavs/urwisko_ferenc/09_segment_115.wav|zbˈɨt wˈatfɔː ɔtpˈuɕtɕiw, pˌɔmɨɕlˈawa. ʃtʃɛɡˈulɲʲɛ f sˌɨtuˈatsji, ɡdˈɨ kˈilka pˈɔʃlak ˌukwadˈawɔ ɕɛ f prˌavdɔpɔdˈɔbnɨ wˈaɲtsuɣ zdˈaʒɛɲ.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_109.wav|ɲʲˈɛbɔɲtɕ ɕmʲˈɛʃna, ɔbrˈuʃɨw ɕɛ, kwˈadɔndʑ dwˈɔɲʲɛ na ɕtɕˈaɲʲɛ i ˈɔpar ɕɛ ˈɔɲʲɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_19.wav|ˌalɛ ɲˈiɡdɨ ɲʲɛ ˌɔdvaʒˈɨwam ɕɛ na ɲʲˈɛɡɔ zˈajʒɛtɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_237.wav|i tɔ bˌɨwa jˈɛɡɔ jɛdˈɨna sprˈava z bˈɔɡʲɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_39.wav|vˈidʑɛ stˈɔʒɛk ɕfʲˈatwa z latˈarki pˌɔdrɨɡujˈɔntsɨ pʃɛt jˈɛɡɔ stɔpˈami. zˈaras mɲʲɛ zˌauvˈaʒɨ. pˌɔzɔstˈajɔ̃ mi ɔstˈatɲʲɛ sɛkˈundɨ na pɔdjˈɛɲtɕɛ dɛtsˈɨzji.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_208.wav|xtɕˈaw pɔklˈɛpadʑ vwˈɔsɨ, ˌalɛ zrˌɛzɨɡnˈɔvaw.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_312.wav|jˈɛɕli kʲˌɛdɨkˈɔlvʲɛk ktˈɔʑ zˌaswuɡʲˈivaw na sfˈuj xˈɛrp, tɔ vwˈaɕɲʲɛ sˈɛr xˈaris.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_209.wav|ftɕˈɔ̃ʒ bˈɨw na vɔlnˈɔɕtɕi.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_243.wav|vɛndrˈufka na ɡˈurɛ zajˈɛwa mu dvʲˈɛ minˈutɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_95.wav|vɨstˈartʃɨ, ʒˈɛbɨɕ tʃˈɨmaw ɡˈɛmbɛ na kwˈutkɛ.|4
+Dataset/wavs/urwisko_ferenc/41_segment_14.wav|ˈɔ, rˌɔzmavʲˈaliɕmˌɨ jˈuʃ ˈɔtɨm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_81.wav|mˈɔʒɛ tɔ bˈɨwabˌɨ çistˈɔrja mɔjˈɛɡɔ ʒˈɨtɕa? tɔ znˈatʃɨ ʒˈɨtɕa davˈɛa? tˈa, jˈak tɔ ɕɛ nazˈɨva?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_10.wav|pɔ dʑiɕˈɛjʃɨm dɲʲˈu ɲʲɛ jˌɛstɛm tˈak naprˈavdɛ pˈɛvna, kʲˈɛdɨ znˈuv ɡˈɔ zɔbˈatʃɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_39.wav|turˈɨstɨkˌa ɲʲɛ zˌaspɔkˈaja fʃˈɨstkix pˈɔtʃɛp. stanˈɔvi znatʃˈɔntsɔ̃ tʃˈɛɲɕtɕ nˈaʃɛj ɡˌɔspɔdˈarki, ˌalɛ tɔ ɲʲɛ vɨstˈartʃa.|4
+Dataset/wavs/urwisko_ferenc/19_segment_124.wav|zˌastanavʲˈawam ɕɛ, tʃɨ tɔ zrˈɔbʲitɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_322.wav|ˌalɛ tɨ jɛdˈɨnɨ na ɕfʲˈɛtɕɛ jˌɛstɛɕ ɕfʲˈatkʲɛm mˈɔjɛj mwɔdˈɔɕtɕi.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_174.wav|lˈɔrt ˈɛmmɔn zˌatʃɛrvʲˈɛɲiw ɕɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_100.wav|tʃˈujɛ kˈaʒdɛ ˌudɛʒˈɛɲʲɛ sˈɛrtsa i ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ ɔn tˈɛʃ jˈɛ tʃˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_9.wav|ftɕˈɔ̃ʃ ɲʲˈɛvʲɛm, jˈakʲɛ zamjˈarɨ mˈa stsˈɔtt. w jˈaki spˈɔsup planˈujɛ mɲʲɛ skʃˈɨvdʑitɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_457.wav|ja ɕpjˈɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_70.wav|vɨjˈaɕɲʲam im sfˈɔjɛ vˌɔntplivˈɔɕtɕi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_5.wav|ˈɛliz vˌɨxɨlˈiwa ɕɛ kˈu mɲʲɛ, pˌɔpravˈiwa mi pɛrˈukɛ, pɔ tʃɨm ɔpˈarwa ɡwˈɔvɛ ɔ zaɡwˈuvɛk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_95.wav|tˈɛʃ tˈak ˌuvaʒˈawɛm.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_47.wav|ɔt jˈaɡ dˈavna vɛndrˈujɛʃ pɔ dɔʒˈɛtʃu?|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_58.wav|xˈɔtɕaʃ mˈɔʒɛ ɕɛ vˌɨprɔvˈadʑiw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_79.wav|pʃɛprˈaʃam, lˌɔuˈisa, ˌalɛ lˈɛpʲɛj pˌɔrɔzmˈavʲam s kˈatɛ zˈaɲim zjˈɛmɨ.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_213.wav|ɔbˈudʑiw ɕɛ w mrˈɔku.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_145.wav|i tɔ znˈuf fʃˈɨstkɔ zrujnˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_133.wav|kurtʃˈɔvɔ zˌatɕiskˈawam rˈɛntsɛ, ˌalɛ ɲʲɛ mˈɔɡwam tˈaɡ vˈiɕɛtɕ pʃˈɛs tsˈawɔ̃ drˈɔɡɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_33.wav|ˌalɛ zˌauvaʒˈɨwɛm, ʒˈɛ tɔ vwˈuknɔ mˈa f sˈɔbjɛ tsˈɔɕ ʃtʃˌɛɡulnˈɛɡɔ, vʲˈɛnts ɔttɕˈɔwɛm kˈilka prˈubɛk i... pɔtɕˈɔwɛʑ ɡˈɔ?!|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_83.wav|ˌɔpɔvʲˈɛdʑaw, jˈak marɡˈɛrɨ pʲɛɕtɕˈiwa sfˈɛ intˈɨmnɛ tʃˈɛɲɕtɕi, pʃˌɨɡlɔndˈajɔnts ɕɛ, jˈak jɛj kuzˈɨŋki zˌaspɔkajˈajɔ̃ ɡˈɔː ustˈami.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_169.wav|— tˈak, tˈutaj — pˌɔvʲɛdʑˈawɛm z vaxˈaɲʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_102.wav|pˈan spˈɛdʑɡ dˈaw jɛj zˈatɔ f tfˈaʃ.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_31.wav|irˈina prɨxnˈɛwa, ˌɔbrutɕˈiwa ɕɛ na pʲˈɛɲtɕɛ i vˈɛʃwa dɔ ɕrˈɔtka.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_238.wav|a pˈan f tɔ ɲʲɛ vʲˈɛʒɨ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_14.wav|rˈɔvɛr ɔkˈazaw ɕɛ mˈawɔ̃ ɲʲˌɛspɔdʑˈaŋkɔ̃, tsˈɔ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_53.wav|pˈuwkɛ s kɕɔ̃ʃkˈami, tˌɛlɛvˈizɔr z mˈɛntnɨm ɕfʲˈatwɛm f ʃklˈanɨm ɛkrˈaɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_304.wav|lˈadɨ taˈina parsknˈɛwa ɕmʲˈɛxɛm. tˈak jˈɛst. w dɔdˈatku sˈɛr mˈɛrɨn ɔstˈatɲʲɔ bˈɨw ɲʲˈɛzdruf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_169.wav|ˌalɛ zˌapɔmˈinam ɔ bjɛʒˈɔntsɛj xfˈili.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_126.wav|ɕˈada za bjˈurkʲɛm i kɔpjˈujɛ çistˈɔrjɛ bɛnjˈɛɡɔ na pˌɛndrivˈɛa. pˈɔtɛm vwˈɔntʃa prˈɔɡram, ktˌurɨ ɲˈiʃtʃɨ tsˈawɔ̃ zavˈartɔɕtɕ mˈatsa prˈɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_8.wav|mʲˌɛndʑɨ jˈɛɡɔ nɔɡˈami stˈɔi tˈɔrba z laptˈɔpɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_45.wav|ˌalɛ nˈatɔ vwˈaɕɲʲɛ zˌaswuɡˈujɛʃ.|3
+Dataset/wavs/urwisko_ferenc/18_segment_82.wav|i pʃˈɛɲʲuz vzrˈɔk na pˌɔlitsjˈanta.|0
+Dataset/wavs/urwisko_ferenc/03_segment_122.wav|vzdrɨɡnˈɛwa ɕɛ, bˈɔ fˌɔtɔɡrˈafja pʃˌɨpɔmɲʲˈawa jɛj ˈɔtɨm, tsˈɔ vidʑˈawa rˈɔk tˌɛmu w ɡrudʑˈɔndʑu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_167.wav|i pʃˈɛs xfˈilɛ pɔmˈɨɕlaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_231.wav|ˌɔtfɔʒˈɨwam ˈusta, ʒˈɛbɨ tsˈɔɕ pɔvʲˈɛdʑɛtɕ, ˌalɛ ɲˈits ɲʲɛ pʃˌɨxɔdʑˈiwɔ mi na mˈɨɕl.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_344.wav|bˈardʑɔ dwˈuɡʲɛ ʒˈɛ̃sɨ trfˈawɨ ɲʲˌɛruxˈɔmɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_114.wav|ʒartˈujɛʃ sˈɔbjɛ? ɔblˈawaɕ ɛɡzˈamin, dʒˈɛs.|4
+Dataset/wavs/urwisko_ferenc/03_segment_141.wav|dʑɛŋkˈujɛ za pˌɔdvʲɛʑˈɛɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_241.wav|kʲˈɛdɨ rˈɔbɔd zˌarɛɡlˈɔvaw vwˈas ɔd zˈɛvnɔntʃ, kazˈawam mu vˈɛjɕtɕ na ʃtʃˈɨt kɔpˈuwɨ tsˈɛntrum vˌɨtɕɛtʃkɔvˈɛɡɔ. tˈam ɲˈikt ɲʲˈɛmuɡw ɡˈɔ zˌauvˈaʒɨtɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_27.wav|vˌɨɡlɔndˈawa na kˈɔɡɔʑ z dalˈɛka, a kʲˈɛdɨ pʃˌɛtstavˈiwa ɕɛ jˈakɔ sˈaskja, skˌɔjaʒˈɨwam tɔ z rˈɔsjɔ̃. nˈatɔ ɲʲɛ fskˌazɨvˈawɔ jˈɛdnak nazvˈiskɔ pˈɛtɛrsɔn.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_40.wav|xˈɔtɕ trˈudnɔ bˌɨwɔ mi pˈɔzbɨtɕ ɕɛ ˈɛlis spɔkˈɔju, tɔ kʲˈɛdɨ tˌɨlkɔ zˌɔbatʃˈɨwam zˌamɨkajˈɔntsɛ ɕɛ zˈaɲʲɔ̃ dʒvˈi, mɨɕlˈawam jˈuʃ jɛdˈɨɲʲɛ ɔː utɕˈɛtʃtsɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_52.wav|pʃˌɨɡɔtˌɔvɨvˈawam dˌɔkumˈɛntɨ, ˌalɛ ɲʲɛ ˌujavɲʲˈawam ɲikˈɔmu tɨx ˌinfɔrmˈatsji.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_97.wav|tʃɛrvˈɔna mˌarɨnˈarka stˈajɛ ɕɛ jˈasnɔɲʲɛbjˈɛskɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_60.wav|artˈɛmis tɔ jɛdˈɨnɛ ˌistɲʲɛjˈɔntsɛ mʲˈastɔ, s kturˌɛɡɔ ɲʲɛ vˈidatɕ fsxˈɔdu kɕɛ̃ʒˈɨtsa, ˌalɛ mɲʲˈɛjʃa ˈɔtɔ. kˈaʒdɨ xˈɔtɛl bˈɨw dˈɔbrɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_134.wav|ɔbˈɔjɛ jɛstˌɛɕmɨ kwˈutɕi pʃˈɛs ˈɔsɨ, ˌalɛ tɔ nˈas ɲʲɛ zabʲˈija.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_38.wav|ɲʲɛ rˌɔzumjˈawam, kˈim sɔ̃ tɕi lˈudʑɛ ˌustanˌavʲajˈɔntsɨ zasˈadɨ, ˌalɛ mˈuviw w bˈardʑɔː ˌintɛrˌɛsujˈɔntsɨ spˈɔsup.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_239.wav|tɔ prˈavda.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_230.wav|tɔ dɔvʲˈɛdʑɛ, ʒˈɛ vɨrˈɔki na pˌɔzɔstˈawɨx sɔ̃ sprˌavʲɛdlˈivɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_50.wav|ɲʲɛ bˌɨwɛm zajˈɛntɨ. zˌɔrɡaɲˌizɔvˈaɲʲɛ takʲˈɛɡɔ kɔntsˈɛrtu vɨmˈaɡa spɔrˈɛɡɔ vɨɕˈiwku.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_181.wav|bˈɨtɕ mˈɔʒɛ strˈax ˈukrad jɛj fʃˈɨstkʲɛ swˈɔva.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_276.wav|fʃˈɨstkɔ zɛbrˈaliɕmˌɨ, tsˈɔ ɕɛ dˈawɔ. trˈɔxɛ vwˈɔsuf rˈuʒnɨx.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_28.wav|i dʑɛftʃˈɨna pʃˌɨjmujˈɔntsa tɛlˈɛfɔn zˌapɨtˈawa.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_256.wav|baɲˈitɕi ˌɔdvrutɕˈili ɕɛ jˈak jˈɛdɛn mˈɔ̃ʃ.|1
+Dataset/wavs/urwisko_ferenc/02_segment_36.wav|bɔrˈɛvitʃ pɔʒˈɛɡnaw ɕɛ zˈɛ znajˈɔmɨm i pɔnˈɔvɲʲɛ spˈɔjʒaw na zdjˈɛɲtɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_159.wav|tʃɨ tɔ dlatˈɛɡɔ, ʒˈɛ ta kɔbjˈɛta, ˈɔprutʃ tˈɛɡɔ, ʒˈɛ rˈaz ɡˈɔ spɔtkˈawa w rˈɛd blˈuff, uvˈaʒɲʲɛ pʃˌɛstudjɔvˈawa jˈɛɡɔ zdjˈɛɲtɕɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_89.wav|ɲʲˈɛzwa xˈata, pʃˌɨtakˈujɛ bˈutskɨ.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_67.wav|ɡwˈɔs ɲʲˈus ɕɛ nat laɡˈunɔ̃, ˌɔswabjˈɔnɨ pʃˈɛz vʲˈɛlkɔ̃ ɔdlˈɛɡwɔɕtɕ, lˈɛtʃ nˈadal vˌɨstartʃajˈɔntsɔ dɔnˈɔɕnɨ, bˈɨ ɔbˈudʑitɕ ɕpʲˈɔntsɛ mʲˈastɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_127.wav|pˈiw turˈɛtskɔ̃ kˈavɛ, pˈɔttʃaz ɡdˈɨ ja ratʃˈɨwam ɕɛ tʃˈarnɔ̃ xɛrbˈatɔ̃, rˌɔzmavʲˈaliɕmˌɨ ˈɔ...|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_118.wav|stˈaʒɛts fskˈazaw paltsˈami na sfˈɔjɛ ˈɔtʃɨ, a pˈɔtɛm nˈamɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_43.wav|mˈɔjɛ nˈɔɡʲi ɲʲɛ sprɔstˈajɔ̃ jˈuʃ tˈaɡ vʲˈɛlkʲɛj lˈidʒbjɛ sxˈɔduf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_55.wav|na sfˈuj spˈɔsup ˌuɕfʲadɔmˈiwɛm sˈɔbjɛ, ʒˈɛ ˈaʃ tˈaɡ bˈardʑɔ mi ɲʲɛ zalˈɛʒɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_32.wav|bʲˈillɨ dˈajɛ mu mˈɛtr ɕˌɛdɛmdʑˈɛɕɔnt pˈarɛ, ɡˈura mˈɛtr ɕˌɛdɛmdʑˈɛɕɔnt pʲˈɛɲdʑ vzrˈɔstu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_153.wav|a ɡdˈɨbɨ tɔ zrˈɔbʲiw?|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_157.wav|fstˈaw i pʃɛdˈarwʃɨ ɕɛ pʃˈɛs twˈum, pˈɔtʃɛd dɔ bˈaru.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_2.wav|na dvˈɔʒɛ rɔbʲˈiwɔ ɕɛ jˈuʃ tɕˈɛmnɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_99.wav|a mˈɔʒɛ tɔ ɲʲɛ tɔ, ʒˈɛ ɲʲɛ umjˈawɛm, pɔvʲˈɛdʑaw rˈɨan. mˈɔʒɛ ɲʲɛ xtɕˈawɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_110.wav|jɛst pˈaɲi f tɔ fʃˈɨstkɔ zˌamjɛʃˈana ɔt samˈɛɡɔ pɔtʃˈɔntku?|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_62.wav|i bˈɔjɛ ɕɛ, ʒˈɛ sˈɛɲdʑa pɔvʲˈɛdʑawbˌɨ tɕi tɔ sˈamɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_96.wav|fatsˈɛtɕi zanˈɔʃɔ̃ jˈɔ̃ za fˌurɡɔnˈɛtkɛ i ʒutsˈajɔ̃ na ʑˈɛmʲɛ. lɔndˈujɛ ɔt pˈasa w ɡˈurɛ na xɔdɲˈiku, ɔt pˈasa w dˈuw w rɨnʃtˈɔku.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_307.wav|vˈɨʃɛd zamknˈɔ̃fʃɨ dʒvˈi na klˈutʃ i sxɔvˈafʃɨ ɡˈɔ dɔ kʲɛʃˈɛɲi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_25.wav|zɡˈadʑam ɕɛ, xˈɔtɕ ɲʲˈɛmam ɔxˈɔtɨ rɔzmˈavʲatɕ s kimkˈɔlvʲɛk. rɔzwˈɔntʃam ɕɛ i ɔddˈɨxam z ˈulɡɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_90.wav|spɔjʒˈawa nˈamɲʲɛ tɕˌɛmnɔɲʲˌɛbjɛskˈimi ɔtʃˈami, ktˌurɛ zdɔ̃ʒˈɨwɛm pɔkˈɔxatɕ, tˈak jˈak pˌɔkɔxˈawɛm tɕˌɛmnɔbrɔ̃zˈɔvɛ ˈɔtʃɨ ʃˈɔn atskˈɛrman.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_104.wav|ˌalɛ ja jɛj ɲʲɛ kˈɔxam.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_43.wav|pasˈujɛ dɔː adrˈɛsu na prˈavʲɛ jˈazdɨ stsˈɔtta rɔbˈɛrtsa. pˌɔprɔɕˈiwam vʲˈɛnts kˈita, ʒˈɛbɨ pˌɔvʲadˈɔmiw mʲɛjstsˈɔvɔ̃ pɔlˈitsjɛ, ʒˈɛ pʃˌɨjɛxˈaliɕmˌɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_340.wav|kˈɔwɔ mɲʲɛ, nadˈɛmnɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_215.wav|zˈajʒɨj tˈam jˈutrɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_6.wav|pɔ tɛj strˈɔɲʲɛ na kˈaʒdɛj z dvˈux kˌɔndɨɡnˈatsji zˌamɔntɔvˈanɔ jˈuʃ tʃˈɨ ˈɔkna. ɲʲɛ vˈidʑɛ jˈɛdnak ɕfʲˈatɛw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_27.wav|a mˈɔʒɛ znˈuv zatʃˈɛli ɕɛ spɔtˈɨkatɕ, kʲˈɛdɨ vrˈutɕiw dɔ mˌanxɛstˈɛru?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_7.wav|pʃɨjʒˈɛliɕmˌɨ ɕɛ kɔmˈurtsɛ ˈaʃa i fʃˈɨstkɔ fskazˈujɛ nˈatɔ, ʒˈɛ zmʲˈɛɲiw sfˈuj kˈɔd blɔkˈadɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_172.wav|ɲʲɛ dbˈa ˈɔtɔ, tʃɨ madʒˈɛrjan pˈɔzna prˈavdɛ ɔ jˈɛɡɔ dʑɛtɕˈiɲstfʲɛ. ktˈɔ vʲˈɛ, mˈɔʒɛ znˈɔvu jˈuʃ ftʃˈɛɕɲʲɛj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_158.wav|vʲɛdʑˈawam, ʒˈɛ jˈɛɕli mˌamɨ mʲˈɛdʑ z dˌɔmiɲˈikʲɛm dʑˈɛtɕi...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_565.wav|nˈɔː i tsˈɔ? spɨtˈawɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_49.wav|nastˈɔmpiw vˈɨtɕɛɡ ɡˈazu, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_52.wav|tfˈɔjɛ swˈɔvɔ w zˌupɛwnˈɔɕtɕi mi vɨstˈartʃɨ, pˌɔvʲɛdʑˈawa lˈɛna.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_269.wav|vʲˈatr rɔzvʲˈɛvaw jˈɛɡɔ tfˈardɛ vwˈɔsɨ i pɔmjˈɛndʑɨ jˈɛdnɨm a drˈuɡʲim pɔdmˈuxɛm vʲˈatru|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_121.wav|jˈuʃ ˌɔtʃɨmˈawa pˈaɲi ʃˌatsuŋkˈɔvɛ prɔɡnˈɔzɨ, prˈavda?|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_258.wav|a jˈak tɔ vɨɡlˈɔnda mˈɨjɛ rˈɛntsɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_35.wav|ˌaɲi ɡˈurɨ, ˌaɲi mˈɔʒɛ ɲʲɛ stanˈɔvjɔ̃ dla mɲʲɛ pʃɛʃkˈɔdɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_37.wav|za pˈarɛ mˈinud bɛɲdʑˌɛmɨ ɡɔtˈɔvi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_97.wav|tɔ tsˈawkʲɛm dˈɔbra rˈada. a tˈɛras mˈuɕiʃ mi vɨbˈatʃɨtɕ. vrˈatsam dɔ pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔ, ʒˈɛbɨ zɔbˈatʃɨtɕ, tʃɨ mˌamɨ tsˈɔɕ nɔvˈɛɡɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_139.wav|vʲˈɛnts tsˈɔ tɔ jˈɛst?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_460.wav|mˈɔʒɛ vˈɔliʃ, ʒˈɛbɨm tɕi sˈama pˌɔtʃɨtˈawa? ɔtpʲˈɛrdɔl ɕɛ ɔt pˈana bˈɔɡa i ˈɔdɛ mɲʲɛ!|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_257.wav|xˈaɲba! mɔrdˈɛrtsɨ! kʃˈɨtʃaw twˈum. f tɨm mɔmˈɛɲtɕɛ pˌɔlitsjˈaɲtɕi puɕtɕˈili prˌɛzɨdˈɛnta.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_21.wav|ˌalɛ tɔ, tsˈɔ zrˈɔbʲiw...|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_151.wav|ʒˈɛɡnaj, ˈɛlis.|2
+Dataset/wavs/urwisko_ferenc/09_segment_59.wav|mˈarja bˈawa ɕɛ pʃˈɛwknɔɲtɕ ɕlˈinɛ, tʃɛkˈawa na jˈɛɡɔ rˈux.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_74.wav|nˈɔ tɔː ˈɔladʑ ɡˈɔ!|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_148.wav|tˈak, tɔ bˈɨw pravdʑˈivɨ pˈɔtfur.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_32.wav|mʲˈɛjmɨ nadʑˈɛjɛ, ʒˈɛ ˌuzɨskˈamɨ ˌɔtpɔvʲˈɛdʑi na fʃˈɨstkʲɛ pɨtˈaɲʲa, kʲˈɛdɨ jˈuʒ dˌɔpadɲʲˈɛmɨ mˈartɛl pˈɔrtɛr.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_17.wav|tˈɔm, ˈamɨ, ʒˈutɕiw jˈumbɔ s pɔvˈaɡɔ̃. bjˈɛʒmɨ ɕɛ dɔ rɔbˈɔtɨ, dˈɔbʒɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_31.wav|ɡdˈɨbɨm mʲˈawa ˈutɕɛts, zrɔbʲˈiwabˌɨm tɔ ftˈɛdɨ, kʲˈɛdɨ pʲˈɛrʃɨ rˈaz vɨʃˈɛdwɛɕ. pɔ piɡˈuwkɛ, dʑˈɛɲ pˈɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_58.wav|w nɛrˈɔbʲi bˌɨwa tʃˈɛtɕa pɔ pɔwˈudɲʲu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_88.wav|stˈɔjɛ ɲʲˌɛruxˈɔmɔ,|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_40.wav|ˌalɛ ktˈɔ vʲˈɛ, mˈɔʒɛ zdɔbˈɛndɛ xˈɔtɕaʃ jˈɛdnɔ̃ zˈɛ mɲʲˈɛjʃɨx nˈaɡrut.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_90.wav|mˈɔʒna tɔː i tˈak pɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_142.wav|jˈasnɛ, pˈaɲʲɛ kɔlˈɛɡɔ, jˈak swˈɔɲtsɛ.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_16.wav|drˈakar zakrˈɛɲtɕiw na pɔwˈudɲʲɛ f pˌɔʃukivˈaɲʲu bˌɛspʲɛtʃɲʲɛjʃˈɛɡɔ wˈupu.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_104.wav|ɔbjˈɛtsaw sˈam. dɔwˈɔntʃɛ sfˈuj ɡwˈɔz dɔ tfɔjˈɛɡɔ, mˌaɛstˈɛʒɛ. ˈɔbaj im ˈɔtɨm ˌɔpɔvʲˈɛmɨ. ɲʲɛ!|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_33.wav|krˈɛɲtɕi pirˈuɛt w jˈɛdnɔ̃ strˈɔnɛ, jˈɛɡɔ partnˈɛrka w drˈuɡɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_185.wav|ɡlˈinɨ sɔndˈɔvɛ zˌastavʲˈajɔ̃ jɛj drˈɔɡɛ, bʒˈuxatʃ jˈɛdnak pʃˌɨvɔwˈujɛ jˈɔ̃ dɔ ɕˈɛbjɛ.|2
+Dataset/wavs/urwisko_ferenc/10_segment_46.wav|dɔbrˈanɔts, vɨʃˈɛptaw i ɔdvrˈutɕiw ɕɛ na drˈuɡʲi bˈɔk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_67.wav|pʃˌɛraʒˈɔna i tsˌawkɔvˈitɕɛ pɔt jˈɛɡɔ kɔntrˈɔlɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_40.wav|ˌalɛ na ɡˈuʒɛ swˈɨxatɕ xˈɨba jˈakʲɛʑ ɡwˈɔsɨ. spravdʑˈamɨ?|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_410.wav|mˈatsɛ i krulˈɔva tɕˈɛrɲi, tʃˌɛmu bˈɨ ɲʲɛ? ɡʲˈillɛs jɛst pʃɛʃkˈɔdɔ̃ dla ix plˈanuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_377.wav|ˌɔkrɛsˈɔvɛ ˌinvalˈitstfɔ pˌɔɲiʒajˈɔntsɛ ˌuzalɛʒɲʲˈɛɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_13.wav|skˈinaw ɡwˈɔvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_107.wav|nˈɔ tsˈuʃ, xˈɔtɕ tˈu, bambʲˈinɔ, ɲʲˈɛx tɕˈɛ vɨɕtɕˈiskam.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_262.wav|a ˌɔdrɔbʲˈina ɲʲˌɛufnˈɔɕtɕi jɛzd dˈɔbra dla kɕɛ̃ʒɲˈitʃɛk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_204.wav|wadˈɔvadʑ dʒˈɛvɔ, skʃˈɨŋki z ˌalkɔxˈɔlɛm i vˈɔrki.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_454.wav|tˈɨlɛ mˈɔɡɛ pɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_156.wav|ɲʲɛ, ɲʲˈɛvʲɛʃ ˈɔtɨm, pˌɔvʲɛdʑˈawa. ɲʲɛ jˌɛstɛɕ lɛkˈaʒɛm.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_15.wav|mˈɔɡwa bˈɨtɕ tɔ̃ sˈamɔ̃, ktˌura zˌaatˌakɔvˈawa jɔffrˈɛja ɲʲˌɛɔpˈɔdal rɔsstˈajuv drˈuk.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_67.wav|zaswˈɔnɨ bˌɨwɨ z ɡrubˈɛɡɔ, ɲʲˌɛbjɛskʲˈɛɡɔː ˌaksamˈitu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_150.wav|jˈɔɛl bˈɨwbɨ zˌaxfɨtsˈɔnɨ tˈakim rˌɔzvʲɔ̃zˈaɲʲɛm, prˈavda jɔˈɛlu?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_160.wav|ˌalɛ mˈɔʒɛ tɔ zaʃkˈɔdʑitɕ pˈaɲi ɔbrˈɔɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_92.wav|ˌɔtpɔvʲˈada waɡˈɔdɲʲɛ, zˈɛ zrˌɔzumjˈɛɲʲɛm. ɔbˈavʲam ɕɛ, ʒˈɛ pʃɨnˈajmɲʲɛj pʃˈɛs jˈakiɕ tʃˈas musˈimɨ traktˈɔvatɕ tˈɛ sprˈavɛ jˈakɔ pɔrvˈaɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_104.wav|znˌakɔmˈitɕɛ. vˈɔlɛ vˈaltʃɨdʑ z dʑˌɛvʲɛɲtɕˈɔma ɲˈiʒ z dʑˌɛɕɛɲtɕˈɔma.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_349.wav|vˌailˈɔvʲɛ pʃˈɛs ˈɔɕɛm dɲˈi pˌɔlɔvˈali z ɲˈim s psˈami i sˌɔkɔwˈami na ʃlˈaku kˈɔɕtɕi, a ɡdˈɨ vɨjˈɛxaw z ɡˈur...|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_135.wav|bˈɨtɕ mˈɔʒɛ lɔrdˈɔvi vˌatɛrsˈɔvi.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_329.wav|pˌamjɛntˈawa, ʒˈɛ ɡˈarin xfˈaliw ɕɛ kʲˈɛdɨɕ, ˈiʒ z ɲʲˈɔ̃ spˈaw.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_200.wav|pˌɔstukˈawam pˈaltsɛm w dˈuʒɨ prɔstˈɔkɔnt na ɕrˈɔtku rɨsˈuŋku.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_496.wav|na xˌɔrɨzˈɔɲtɕɛ majˈatʃɨ skulˈɔna sɨlvˈɛtka tʃwɔvʲˈɛka, ktˌurɨ ˈidʑɛ ɲʲɛ vʲadˈɔmɔ skˈɔnt i dˈɔkɔnt.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_8.wav|xtsˈɛ spˈɛɲdʑidʑ z ɲʲˈɔ̃ trˈɔxɛ tʃˈasu, zˈaɲim jɛj pˈɔvʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_139.wav|tɔ bˌɨwa rɔbˈɔta frˈɛjuf, ɲʲɛ mˈɔja.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_32.wav|vʲˈɛndʑ bˌɛɲdʑɛ tɔ mˈɔjɛ swˈɔvɔ pʃɛtɕˈifkɔ jˈɛɡɔ swˈɔvu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_24.wav|pʃˌɨpɔminˈawa trˈɔxɛ mˈamɛ jɛj kˌɔlɛʒˈaŋki aɲˈitɨ, tˈɨlɛ ʒˈɛ bˌɨwa stˈarʃa.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_34.wav|xtsˈɛ dˈɔrvatɕ ɔɡˈara, jˈamɛ. jˈɛɡɔː ˈalbɔ tˌɛɡɔ lˈɔrda s pˌɔɡraɲˈitʃa.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_115.wav|uʒˈɨvaw ɡˈɔ z vʲˈɛlkim ˌupɔdɔbˈaɲʲɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_235.wav|dlatˈɛɡɔ ɲʲɛ lˈubjɛ na pʃˈɨkwat kˈɔbjɛt krɛntsˈɔntsɨx ɕɛ kˈɔwɔ sˌamɔlˈɔtuf.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_44.wav|wˈuʃkɔː i pˈuwkɛ.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_135.wav|sˈam ɡˈɔ pˌɔxɔvˈawɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_33.wav|ˌalɛ tˌɛɡɔ ɲʲɛ zrɔbʲˈiwam.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_213.wav|ɔ tsˈɔ tɕi xˈɔdʑi, jasmˈinɛ?|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_295.wav|xˈɔtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_132.wav|vʲɛdʑˈawɛɕ, ʒˈɛ tˈak ɕɛ mˈɔʒɛ stˈatɕ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_269.wav|mʲˈɛʃkaw f ktˈurɛjʑ z lˈitʃnɨx klˈatɛk sxɔdˈɔvɨx.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_147.wav|dɔ ktˌurɛj pʃɨvˈɨkwɛm, a ktˌurɔ̃ ʑlˈi lˈudʑɛ xtsˈɔ̃ vɨsˈadʑitɕ f pɔvʲˈɛtʃɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_10.wav|ɲʲɛ znˈɔɕiw awtˈɔpsji i brˈaw jˈuʃ ˈudʑaw w zdˌɛtsɨdɔvˈaɲʲɛ zbˈɨd vʲˈɛlu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_80.wav|bˌɨwɔ mi jˈɛdnaɡ ʒˈal stsˈɔtta, ktˌurɨ z jakʲˈɛɡɔɕ pɔvˈɔdu ˈuznaw tɔ spɔtkˈaɲʲɛ za krˌɛmpujˈɔntsɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_57.wav|zˈamjast tˌɛɡɔ pʃɨsˈuva ɕɛ vʲˈɛndʑ dɔ zaspˈanɛj, pˈulxnɛj kɔbjˈɛtɨ, ktˌura pʃɨtɕˈiska tɔrˈɛpkɛ dɔ pʲˈɛrɕi jˈak tˈartʃɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_58.wav|w mʲˈɛjstsu kɔkpˈitu znˌajdɔvˈawa ɕɛ ʃtʃˈɛlna mˌɛtalˈɔva skʃˈɨɲʲa.|4
+Dataset/wavs/urwisko_ferenc/10_segment_77.wav|pʲˈɛrʃɛj nˈɔtsɨ, kʲˈɛdɨ spˈaw w ˌizɔlˈattsɛ, ˌɔbudʑˈiwɔ ɡˈɔ skʃɨpʲˈɛɲʲɛ dʒvˈi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_40.wav|ˌuɡʲinˈajɔ̃ ɕɛ pˈɔdam na kɔlˈana.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_141.wav|ɡdˈɨʒ brˈat mˈuj ɲʲɛ pʃɨjmˈɔvaw lˈistuf, ˌaɲi tˌɛlɛɡrˈamuf, ˌaɲi tˌɛlɛfˈɔnuf.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_18.wav|jɛɡˈɔmɔʑdʑ w vˌɨʃɨvˈanɛj kˌɔlɔrɔvˈɨmi ɲˈitɕmi rubˈaʃtsɛ vɨɡwˈaʃaw tˈɛras skˈɛtx ˈalbɔ ʒˌartɔblˈivɛ pʃˌɛmuvʲˈɛɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_5.wav|mˈuʃɛ pˈɔzbɨtɕ ɕɛ jˌakixkˈɔlvʲɛk ˈutʃutɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_69.wav|vˈɛʑmɨ na pʃˈɨkwat tɛ maˈilɛ. skˈɔnt pˈɛvnɔɕtɕ, ʒˈɛ tɔː ˌɔna jˈɛ nˌapisˈawa?|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_315.wav|i ɔpsˈɛrvuj uvˈaʒɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_29.wav|prˌubɔvˈawa ɕɛ dɔ ɲʲˈɛɡɔ dɔstˈavʲatɕ na firmˈɔvɛj imprˈɛʑɛ, a ɔn vɨdˈavaw ɕɛ tɨm pʃˌɛraʒˈɔnɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_139.wav|klˈɛrki vˈɛzvaw sˈɨnuv dɔ ɕˈɛbjɛ i pˌɔinfɔrmˈɔvaw ix ɔ sfˈɔjɛj dɛtsˈɨzji. pˈatritsk fpˈad wˈɛ fˈurjɛ.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_64.wav|bˈɨw pɔɡˈɔdnɨ, jɛɕˈɛnnɨ dʑˈɛɲ, a vˈɔda lɕɲˈiwa w blˈasku swˈɔɲtsa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_128.wav|mˈɨɕliʃ, ʒˈɛ dˈaʃ rˈadɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_127.wav|ˈɛlis w ˌɔtpɔvʲˈɛdʑi tˌɨlkɔ ɕtɕˈiska jˈɛɡɔ dwˈɔɲ. jɛj rˈɛŋka jɛzd ʑˈimna.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_152.wav|ˌɔsatʃˈawɨ mɲʲɛ fraɡmˈɛntɨ tʃˈɨiɣʑ vˌɨkʃɨvʲˈɔnɨx, drˌamatˈɨtʃnɨx tfˈaʒɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_145.wav|patʃˈɨli pʃˈɛs xfˈilɛ na ɕˈɛbjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_67.wav|nˈɔrtɔn spinˈɛlli, pɔvʲˈɛdʑaw, a pˈɔtɛm fskˈazaw nˈamɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_26.wav|zˌanɔɕˈiwɔ ɕɛ na ʒˈatkɔ tˈu vˌidɨvˈanɨ, pɔɡˈɔdnɨ, bɛsxmˈurnɨ dʑˈɛɲ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_7.wav|kʲˈɛdɨ tˈɔm i kˈid vɨɕˈɛdli z ˈawta, pˌɔrazˈiwa ix fʃˌɛxɔbˈɛtsna tɕˈiʃa.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_237.wav|spravʲˈawɨ vraʒˈɛɲʲɛ ɡɔtˈɔvɨɣ zjˈɛɕtɕ jɛj kˈɔɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_185.wav|tɔ ɕɛ stˈawɔ ftˈɛdɨ, kʲˈɛdɨ tɕˈɛ vɲʲˈɔswɛm dɔ ɕrˈɔtka.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_155.wav|ɲʲɛkʲˈɛdɨ pˌɔmaɡˈawa tˈɛʃ kuxˈartsɛ ˈummʲɛ, ɕɛkˈajɔnts na kavˈawki vʲˈɛlkʲɛ bjˈawɛ ɡʒˈɨbɨ i ˌusuvˈajɔnts ˈɔɕtɕi z rˈɨp.|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_31.wav|ftɕɛrˈaɲʲɛ ˈɔstrɨɣ drɔbʲˈinɛk w ˈɔtʃɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_149.wav|na jˈɛdnɨx pˈɔlaɣ bˌɨwɨ dʑˈɛtɕi, na ˈinnɨx pˌilnujˈɔntsɛ ix kɔbjˈɛtɨ i mˈutav vˈin.|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_57.wav|mˈɔʒɛ f tɨm tʃˈaɕɛ pɔmˈɔɡɛ tɕi ɕɛ spakˈɔvatɕ? mˈuvi ˈɛlis.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_254.wav|i zatʃˈɨna pˈisatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_81.wav|fˈilis ɔɕfʲˈattʃa, ʒˈɛ dʑˈiɕaj zamˈaʒɨw jɛj ɕɛ xˈɔd dˈɔk s tʃˈili ɔt pˌitɨˈɛɡɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_138.wav|bˈɔ pʃˌɛtɕɛʃ f prˈuʒɲi ɲʲɛ rɔsxˈɔdʑi ɕɛ dʑvʲˈɛŋk.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_43.wav|dˈɔm mˈuɕaw zɔbˈatʃɨtɕ, jˈaka bˌɨwam zdˌɛnɛrvɔvˈana, kʲˈɛdɨ fspˈɔmɲʲaw ɔ kˈimɕ ˌɔpsɛrvujˈɔntsɨm dˈɔm.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_262.wav|zabjˈɔrɛ stˈɔnd bˈandɛ ɡrɛɡˈɔra.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_83.wav|tɔ ɲʲɛ bˌɨwɛm jˈa, pˈaɲi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_109.wav|jɛdˈɨɲʲɛ tˈɛssa zˌauvˈaʒa, ʒˈɛ ɲʲɛ mˈɔɡɛ ɕɛ jˈuʒ dɔtʃˈɛkatɕ, kʲˈɛdɨ vˈɨjdɔ̃ za dʒvˈi.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_67.wav|spɔjʒˈawa na sˈama. jˈɛɕli tɕˈɛ zˌapɨtˈajɔ̃, ktˈɔ jɛst nˌajpʲɛŋkɲʲˈɛjʃɔ̃ kɔbjˈɛtɔ̃ na ɕfʲˈɛtɕɛ, pˈɔvʲɛts im, ʒˈɛ swˈɔvik.|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_71.wav|ɲʲɛ ɡˈapi ɕɛ tˈɛmpɔ z rˌɔzdʑavʲˈɔnɔ̃ ɡˈɛmbɔ̃. ɲʲɛ ˌɔkazˈujɛ jˈavnɛj ɡwupˈɔtɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_41.wav|pɔtrˈafiʃ ɕɛ ˈutʃɨtɕ na bwˈɛndax? zapˈɨtaw dˈalɛ.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_164.wav|prˈaɡɲʲɛ, ʒˈɛbɨ ɛdmˈura natˈɨxmʲast pˌɔvʲɛʃˈɔnɔ. ɔbˈɛtsnɔɕtɕ lˈɔrda tˈullɨ w rivˈɛrun ɲʲˌɛpɔkˈɔi ɡˈɔ rˈuvɲʲɛ mˈɔtsnɔ, jˈak mɔʒlˈivɔɕtɕ narˈɔdʑin nˌastɛmpnˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_72.wav|pˌɔdɛrvˈawɛɕ na balˈandʑɛ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_390.wav|a vʲˈɛndʑ vɨpˈuʃtʃɔ̃ mɲʲɛ, pˌɔmɨɕlˈawɛm ˌɔduʒˈɔnɨ ɕfʲˈɛʒɨm pɔvʲˈɛtʃɛm.|0
+Dataset/wavs/urwisko_ferenc/64_segment_15.wav|rˈanɨ bˈɔskʲɛ. tɔ strˈaʃnɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_70.wav|ˌalɛ tʃɨ ɔdvˈaʒawbˌɨ ɕɛ pʃˈɨznatɕ, ʒˈɛ tɛ swˈɔva mijˈajɔ̃ ɕɛ s prˈavdɔ̃?|3
+Dataset/wavs/urwisko_ferenc/54_segment_13.wav|jˈak tˌɨlkɔ vˈɨsxɲʲɛ, pʃɨjˈadɔ̃ zawˈɔʒɨtɕ fˈɔljɛ i bˌɛɲdʑɛ mˈɔʒna nalˈɛvadʑ vˈɔdɛ.|0
+Dataset/wavs/urwisko_ferenc/09_segment_78.wav|f tˈakim rˈaʑɛ ˌinfɔrmˈujɛ, ʒˈɛ s pɔvˈɔdu tˌajɛmɲˈitsɨ ɕlˈɛtstfa ɲʲɛ mˈɔɡɛ udʑˈɛlitɕ ˌɔtpɔvʲˈɛdʑi nˈatɔ pɨtˈaɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_79.wav|nˈɔ, tɔ tsˈawkʲɛm ɲʲˈɛzwɨ pˈɔvut.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_53.wav|skˈɔnd vʲɛdʑˈawɛɕ, ɡdʑˈɛ jɛj ʃˈukatɕ?|3
+Dataset/wavs/urwisko_ferenc/20_segment_22.wav|bˌɨliɕtɕˌɛ zɡˈɔdnɨm mawʒˈɛɲstfɛm?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_126.wav|pɔvʲˈɛdʑaw, ʒˈɛ mˌamɨ mnˈustfɔ tʃˈasu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_98.wav|jˈuʃ mi ɲʲˈɛʑlɛ mˈuvi. sˈam bˈɨm ɲˈits lɛpʃˈɛɡɔ ɲʲɛ vɨmˈɨɕliw.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_7.wav|sxˈɔdɨ kɔɲtʃˈɨwɨ ɕɛ ɡwɛmbˈɔkɔ pɔd ʑˈɛmʲɔ̃, dɔxˈɔdʑɔndʑ dɔ dwuɡʲˈɛɡɔ kˌɔrɨtˈaʒa ˌɔɕfʲɛtlɔnˈɛɡɔ ʃɛrˈɛɡʲɛm mˌiɡɔtʃˈɔntsɨx pɔxˈɔdɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_80.wav|tsˈawɛ mʲˈastɔː artˈɛmiz z vɨjˈɔntkʲɛm pʃˌɛbɨvajˈɔntsɨx w ɕrˈɔtku lˈudʑi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_28.wav|ɲʲˈɛma tˈɛʃ laptˈɔpa. zakwˈadam, ʒˈɛ tɛn jɛj drˈuɡʲi tɛlˈɛfɔn, ɔ ktˌurɨm fspɔmɲʲˈawa ˌɔpʲɛkˈuŋka...|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_6.wav|ɕɛdʑˈɔntsa na sfˈɨm vɨsˈɔkim, zwˈɔtɔkˌarmazɨnˈɔvɨm fɔtˈɛlu pɔd ʒɛlˈaznɨm trˈɔnɛm tsɛrsˈɛi,|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_91.wav|a tɔ za tsˈɔ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_294.wav|i vidʑˈɛli pʃˈɛs ˈɔknɔ, jˈak xundˈɛbawx ɕˈada dɔ sˌamɔxˈɔdu.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_42.wav|tɔ vˈina tˌɛɡɔ vˌɨpɛwɲʲˈɛɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_177.wav|ɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_63.wav|bˈɨw pʃˌɛtɕɛʃ jˈɛdɛn tʃwˈɔvʲɛk, ktˌurɨ pʃˈɛʃɛt tɔ̃ drˈɔɡɔ̃. tˈak, ˌalɛ pamjˈɛntaʃ, tsˈɔ spɔtkˈawɔ ɡˈɔ na kˈɔɲtsu?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_16.wav|ɲʲˈɛmuf mu, ʒˈɛ tˈutaj jˈɛstɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_132.wav|xtɕˈawam ˈɔdɛjɕtɕ, ɔdmˈuvitɕ, znˈalɛɕtɕ ˈinnɨ spˈɔsup, ˌalɛ brˌakɔvˈawɔ mi jˈuʃ pɔmˈɨswuf.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_196.wav|ɲʲˈɛxtɕawbˌɨʑ ɡˈɔ rˌɔstʃarˈɔvatɕ, prˈavda?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_25.wav|pˈɨta z uɕmʲˈɛxɛm na tfˈaʒɨ. ɕtɕˈiskam mˈɔtsnɔ dwˈɔɲ alfjˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_294.wav|tˈak, jɛst ʃtʃɛɲɕlˈivɨ, ˈɔtpar dˈalɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_107.wav|zavˈɔrɨ ɕtɕˈɛnnɛ bˌɨwɨ pˌɔwɔntʃˈɔnɛ z butlˈami tɕˌiɕɲʲɛɲʲɔvˈɨmi, ktˌurɛ ˈɔjtɕɛts ˌuzupˈɛwɲʲaw tsˈɔ mʲˈɛɕɔnts.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_24.wav|tˈɔm ˈɔpar ɕɛ pɔkˈuɕɛ pˌɔvʲɛdʑˈɛɲʲa jɛj, ʒˈɛ dˌɔɕfʲattʃˈɛɲʲɛ kˈatɛ ɲʲɛ tˌɨlkɔ kˌɔʃtɔvˈawɔ jˈɔ̃ fɔrtˈunɛ,|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_13.wav|f kˈɔɲtsu tɨm ɲʲɛ bˌɛɲdʑɛ pˈan zarˈabjaw na xlˈɛp, sɔ̃ lˈudʑɛ, ktˌuʒɨ tˌɛɡɔ ɲʲɛ pɔtrˈafjɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_204.wav|tʃɨ pʃɨdʑˈɛli kaʒdˈɛmu brˈatu ʒˌɛbʒɔntsˈɛmu rɨtsˈɛʒa?|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_447.wav|dlatˈɛɡɔ, ʒˈɛ tfˈuj krˈul tɕi kˈazaw.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_226.wav|vɨjˈɛwam ɡʲˈizmɔ s fˌutɛrˈawuf f skafˈandʒɛ i vwɔʒˈɨwam swuxˈafkɛ dɔː ˈuxa.|4
+Dataset/wavs/urwisko_ferenc/33_segment_115.wav|tʃˈaz vrˈutɕidʑ dɔ ʒˈɨvɨx, pɔmˈɨɕlaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_229.wav|ˌalɛ ˈidɛ ɔ zˈakwat, ʒˈɛ ɲˈikt mˈa, jˈarjan tɔ vʲˈɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_111.wav|ˈɛlis pɔwˈɨka tablˈɛtkɛ. bʲˈillɨ pɔvˈɔli vɨsˈuva ɕɛ zzˈa kʲˌɛrɔvɲˈitsɨ i ɔpxˈɔdʑi mˌitsubʲˈiʃi ɔt pʃˈɔdu, ˌalɛ f pɔwˈɔvʲɛ drˈɔɡʲi swˈabɲʲɛ i mˈuɕi ɕɛ ˈɔpʃɛtɕ ɔ mˈaskɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_24.wav|ˈaram znˈuf jˈɛdnak tʃˈɨta mi w mˈɨɕlax i zatɕˈiska dwˈɔɲʲɛ ɲʲˈɛtsɔ mˈɔtsɲʲɛj.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_94.wav|mˈama vɨdˈajɛ ɕɛ ʃtʃˈɛʒɛ zdʑivʲˈɔna.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_111.wav|rˈɨan uɕmʲˈɛxnɔw ɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_103.wav|tʃɨ tɔ jɛst kˈɔndɔm?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_621.wav|pʃˈɨʃwɔ mi dɔ ɡwˈɔvɨ, mamrˈɔtaw, vʲˈɛʃ, pˌɔmɨɕlˈawɛm sˈɔbjɛ, ʒˈɛ vˈartɔ tsˈɔʑ zɔstˈavitɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_108.wav|ˌɔbɛjʒˈawɛm fɔrsˈɨtsjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_135.wav|vɛstxnˈɛwam z ˈulɡɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_350.wav|ktˌurɛ pˌɔʒɛrˈawa bɛzvzɡlˈɛndna pʃɨrˈɔda. pʃˌɨɡlɔndˈawɛm ɕɛ tɨm ɲʲˌɛzrɔzumjˈawɨm litˈɛrɔm|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_31.wav|vɨdˈajɛ ɕɛ ɲʲˈɛtsɔ smˈutna, xˈɔtɕ stˈara ɕɛ, bˈɨ jɛj ɡwˈɔz bʒmʲˈaw vɛsˈɔwɔ. ɔd��ˈarɲʲam jɛj vwˈɔsɨ s tʃˈɔwa.|3
+Dataset/wavs/urwisko_ferenc/34_segment_51.wav|trafˈiwa, bˈɔ zˈɛrknɔw nˈaɲʲɔ̃ spwɔʃˈɔnɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_74.wav|trˈudnɔː uvʲˈɛʒɨtɕ, ʒˈɛ mˈatka mˈɔʒɛ ɔbrˈutɕitɕ ɕɛ pʃɛtɕˈifkɔ sfɔjˈɛmu dʑˈɛtsku, jˈak tɔː ˌutʃɨɲˈiwa ɲikˈɔla.|3
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_14.wav|jˌɛstɛm spwukˈana.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_130.wav|ɕˈɛŋɡnɔw dɔ rɛŋkˈava, vɨdˈɔbɨw stˈamtɔnd dɔkˈumɛnt i pɔtsˈunɔw ɡˈɔ jˌamjɛˈɛmu.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_144.wav|fʃˈɨstkɔ bˌɛɲdʑɛ dˈɔbʒɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_24.wav|tʃɨm ɕɛ tˈak pˌɔdɲʲɛtɕˈiwɛɕ?|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_82.wav|tɛn brˈak pˌɔtkrɛɕlˈawa jˈɛʃtʃɛ ɲʲˌɛdɔʒˈɛtʃɲʲɛ vɨdˈatna ɡrdˈɨka.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_131.wav|ɔdˈɛzvaw ɕɛ tɛlˈɛfɔn i ftsˈalɛ mɲʲɛ ɲʲɛ pʃɛstrˈaʃɨw.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_491.wav|pɔɡwˈɔski muvˈiwɨ, ʒˈɛ ɡdˈɨ pʃɛbˈɨva w zˈamku, jɛst tˈam znˈatʃɲʲɛ vɛsˈɛlɛj ɲˈiʃ pɔt jɛj ɲʲˌɛɔbˈɛtsnɔɕtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_69.wav|f kˈɔɲtsu vʑˈɛwam tˈɔrbɛ z bˌaɡaʒɲˈika i zˌatʃɨmˈawam taksˈufkɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_61.wav|ɲʲɛ pˌɔtrafˈiwam pɔrˈadʑitɕ sˈɔbjɛ z jaɡˈɛrɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_189.wav|pˌɔvʲɛdʑˈawa, ʒˈɛ mˌamɨ nˈaɲʲɔ̃ zwˈɨ fpwˈɨf.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_198.wav|nˈɔtsɛ vˌɨpɛwɲʲˈɔnɛ bˌɛssɛnnˈɔɕtɕɔ̃, zvidˈami,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_97.wav|vʲɛdʑˈawam, ʒˈɛ jɛzd vˈɛmɲʲɛ zˌakɔxˈanɨ i zˌaswuɡˈujɛ na ʃtʃˈɛrɔɕtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_62.wav|znˈuf tɛ jˈɛɡɔ xɔlˈɛrnɛ zaɡˈatki.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_351.wav|zbrˈɔdɲʲɛ mˈuʃɔ̃ zˈɔstatɕ ˌukarˈanɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_335.wav|vˌɨjɛxˈawɛm na kˈɔɲʲɛts ɕfʲˈata, ʒˈɛbɨ zapˈɔmɲʲɛtɕ, ʃˈɛptaw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_44.wav|ʒˈɨtʃɛ tɕi fʃɨstkʲˈɛɡɔ nˌajlɛpʃˈɛɡɔ, brˈatɕɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_94.wav|prˈaɡnɛ dɔ ɲˈiɣ dɔwˈɔntʃɨtɕ, uɕtɕˈiskatɕ mˈɔtsnɔ, zˈamknɔɲtɕ mˈili mʲˌɛndʑɨ nˈami tˈak, jˈak tɔː uvʲˈɛlbja.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_15.wav|z mˌaksɨmˈalnɨm zˌaaŋɡˌaʒɔvˈaɲʲɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_84.wav|xˈɔtɕ nˈavɛt w ɔbˈɛtsnɨm stˈaɲʲɛ fˈatsɛd vɨɡlˈɔndaw na mwɔtʃˈɛɡɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_16.wav|ftˈɛdɨ s kˌɔtwɔvaɲˈinɨ ʃˈarɨx jˈaɡ vˈɔrki kˈɔtsuv vɨnˈuʒɨw ɕɛ ɲʲˌɛvɨsˈɔki, pɛŋkˈatɨ jɛɡˈɔmɔɕtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_20.wav|pˈɔʃliɕmˌɨ dɔ waʑˈɛŋki i uɕˈadwɛm na klˈapʲɛ sɛdˈɛsu, a ˈɛlis ɕtɕɔŋɡnˈɛwa mi bˈutɨ i skarpˈɛtɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_23.wav|lˈɛtɲʲɛ kˈɔwɔ mawˈɛɡɔ tʃˌɨtɛlɲˈika jɛst f pˈɔʒɔ, stfʲˈɛrdʑa dˈannɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_52.wav|ɲʲɛ mʲˈawam jˈɛdnaɡ ʒadnˈɛɡɔ dˌɔɕfʲattʃˈɛɲʲa, ktˌurɛ pˌɔtpɔvʲˌadawˈɔbɨ mi, tsˈɔ jɛzd vwaɕtɕˈivɛ w mawʒˈɛɲstfʲɛ, vʲˈɛnts ɲʲɛ pˌɔɕfʲɛntsˈawam tˌɛmu ʃtʃɛɡˈulnɛj uvˈaɡʲi.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_318.wav|vˈarknɔw ˈɛdvin frˈɛj. mˈɔʒɛ bˈɨʑ dla ɔdmʲˈanɨ pɔmˈaxaw ɲˈim pʃɛt nˈɔsɛm blˌatskfiʃˈɔvi?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_41.wav|vʲˈɛm, ʒˈɛ jˌɛstɛm ɔkrˈutna, ˌalɛ mˈɨɕlɛ tʃasˈami, ʒˈɛ ˌɔna uvʲˈɛlbja ɕɛ pwˈavitɕ f tʃˈɨimɕ ɲʲɛʃtʃˈɛɲɕtɕu, vʲˈɛndʑ ziɡnˈɔruj jˈɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_40.wav|jˈɛɕli tsˈɔɕ sxʃˈaɲiʃ, lˈɛtɕiʃ na wˈɛp i dˈalɛj jˈɛdʑɛʃ na bʒˈuxu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_101.wav|xˈɨba, ʒˈɛbɨ ˈuznatɕ tɔ za pɨtˈaɲʲɛ rˌɛtɔrˈɨtʃnɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_36.wav|ɲʲɛ xˈɔdʑi im ɔ dʑˈɛtskɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_150.wav|sɔ̃ tˈakʲɛ xfˈilɛ, ktˌurɨx kˈɔɲtsa ɲʲɛ mˈɔɡɛ ɕɛ dɔtʃˈɛkatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_84.wav|zˌapɨtˈawɛm ɲˈika, tʃɨ tɔ xˈɔff pɔdwˈɔʒɨ wadˈuŋki, mˈɨɕli bʲˈillɨ. i tsˈɔː ɔn nˈatɔ ˌɔtpɔvʲˈɛdʑaw? jˈaɡ ɡˈɔ nˈazvaw?|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_175.wav|zˌaparkɔvˈanɨ pʃɛd dˈɔmɛm ˌɛsˌufˈaw, na krˌatɔvɲˈitsɨ vlˈɔtu pɔvʲˈɛtʃa mˈa lˈɔɡɔ zwɔʒˈɔnɛ s tʃˈɛx rˈɔmbuf, ˌidɛntˈɨtʃnɛ s tɨm na klutʃˈɨkax rˌɛɡɡʲɛˈɛɡɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_57.wav|ˈidɛ pɔ mˈili. tɨ rˈup tsˈɔ xtsˈɛʃ.|4
+Dataset/wavs/urwisko_ferenc/02_segment_35.wav|tɔ bˈɨw sˈɛrjɔ wˈɛpski fˈatsɛt.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_55.wav|ɲʲˈɛmuv dɔ mɲʲɛ dʲˈidʲi. ɲʲɛ jˌɛstɛm mˈawɨm dʑˈɛtskʲɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_104.wav|ɲʲɛ fʃˈɨstsɨ ˈɔtɨm mˈuʃɔ̃ vʲˈɛdʑɛtɕ, ˌalɛ sɔ̃ tˈatsɨ, ktˌuʒɨ ˈɔtɨm vʲˈɛdʑɔ̃. jˈɛɕli nˈavɛt ˈɔtɨm vʲˈɛdʑɔ̃, ɲʲɛ bˌɛndɔ̃ ˈɔtɨm mˈuvitɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_126.wav|ˌalɛ pɔmˈɔɡɛ tɕˈi, ˌɔbjɛtsˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_265.wav|rˈandall tˈarlɨ pɔlˈujɛ nˈaɲih vˈɔkuw stˈavu dʑˈɛvits. vˈaldɛr frˈɛj vˈɔkuw bliʑɲʲˈakuf.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_18.wav|brjˈɛnnɛ mˈɔɡwabˌɨ ɡˈɔ ɲʲɛ zˌauvˈaʒɨtɕ, ɡdˈɨbɨ pʲˈɛz ɡˈɔ ɲʲɛ vɨvˈɛ̃ʃɨw i ɲʲɛ pɔpˈɛɲdʑiw w ʑˈɛlskɔ, ʒˈɛbɨ zbˈadatɕ sprˈavɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_70.wav|ɲʲɛ maʃ pˈɔtstav dɔ ɲʲˌɛpɔkˈɔju. ɲʲɛ bɛɲdʑˌɛmɨ ʃukˈali tʃˌɛɡɔkˈɔlvʲɛk innˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_236.wav|ɲʲɛktˌurɛ vrˈublɛ bˌɨwɨ bˈardʑɔ xˈudɛ i mʲˌawɨ zˌapadɲʲˈɛntɛ ˈɔtʃɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_12.wav|jˈɔɛ, tʃɨ tɔ tˈɨ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_212.wav|patʃˈɨliɕmˌɨ na ɕˈɛbjɛ trˈɔxɛ skˌɔnstɛrnɔvˈaɲi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_76.wav|dˈɛrɛɡ bjˈɛʒɛ mˌɔnɔpˈɔlɨ i rɔskwˈada plˈanʃɛ na dʑɛtɕˈɛntsɨm stɔlˈiku.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_182.wav|mʲˈawa ʑɛlˈɔnɛ ˈɔtʃɨ, a jɛj vwˈɔsɨ vˌɨɡlɔndˈawɨ jˈaɡ zwˈɔtɛ ɲˈitɕi.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_55.wav|stfʲˈɛrdʑiw vʲˈɛlki maˈɛstɛr pɨtsˈɛllɛ. ɲʲɛ ˌatakˈujɔ̃ zdrˈɔvɨɣ zvʲˈɛʒɔnt f pˈɛwɲi ɕˈiw.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_115.wav|tʃɨ tɛn smˈɔtʃɨ ʃˈɨlt jˈɛʃtʃɛ tˈam jˈɛst?|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_305.wav|viktˈarjɔn rɔskˈazaw ʒˈutɕitɕ kɔtfˈitsɛ.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_214.wav|fkrˈuttsɛ mɲʲɛ vˈɛzvʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_55.wav|drˈuɡʲi bˈɨw jˈɛdnɨm s fawʃˈɨvɨx prˌatsɔvɲˈikuv vɨdʑˈawu rˈɔbut publˈitʃnɨx w rˈɛd blˈuff, rˈɛtʃ jˈakiɕ tˈam.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_217.wav|mˈuɕi tʃˈasɛm uvˈalɲʲatɕ ɕɛ ɔt sfˈɔix kˈur.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_25.wav|tʃɨ vʲɛdʑˈawam, tsˈɔ ɕɛ naprˈavdɛ dʑˈawɔ s tˈɨmi, ktˌuʒɨ pˈɔnɔtɕ ˌɔpuʃtʃˈali lˌakɛsˈidɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_73.wav|ɔt samˈɛɡɔ rˈana ɔ ɲˈitʃɨm ˈinnɨm ɲʲɛ mˈɨɕlɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_297.wav|ˌuɕtɕisnˈɛwam mˈɔtsnɔ jˈɛɡɔ dwˈɔɲʲɛ i...|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_81.wav|lˈɔrd dɔvˈuttsa snˈɔf ɔdˈɛswaw ɡˈɔ, ʒˈɛbɨ ˌuratˈɔvatɕ mu ʒˈɨtɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_182.wav|jˈɛɡɔ pˈaltsɛ zˌabɛmbɲˈiwɨ ɔvʲˈɛtʃkɔ pudˈɛwka.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_37.wav|dʒvˈi dɔ pɔkˈɔju lˈutsɨ bˌɨwɨ zamkɲʲˈɛntɛ, a spˈɔd dˈɔlnɛj kravˈɛɲdʑi ɲʲɛ sɔntʃˈɨwɔ ɕɛ ɕfʲˈatwɔ, vʲˈɛnts ɔtfˈɔʒɨw jˈɛ dˌɛlikˈatɲʲɛ i zˈajʒaw dɔ ɕrˈɔtka.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_132.wav|rˈɔbʲiw tɔ kˈilka rˈazɨ f tɨɡˈɔdɲʲu. ɲʲˈɛvʲɛm, dˈɔkɔnt ʃˈɛd i ɲˈiɡdɨ ɡˈɔː ˈɔtɔ ɲʲɛ pɨtˈawam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_2.wav|ˌɔdnɔɕˈiwam vraʒˈɛɲʲɛ, ʒˈɛ tɛ dvʲˈɛ kɔbjˈɛtɨ ɲˈiɡdɨ ɲʲɛ vˈɨjdɔ̃, ˌalɛ f kˈɔɲtsu sˈɔbjɛ pˈɔʃwɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_45.wav|mˈɔʒɛ w ɔɡˈulɛ ɲʲɛ xɔdʑˈiwɔː ɔ pʲɛɲʲˈɔndʑɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_79.wav|tɔː ˌamɛrɨkˈaɲski miljˈɔnɛr, pˌɔvʲɛdʑˈawɛm pʃɨmˈilɲʲɛ dɔ mwɔdˈɛɡɔ lɛkˈaʒa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_10.wav|kʲˈɛdɨ ˌɔtfiltrˈɔvaw fʃˈɨstkix ˈinnɨx naˈiluf s strakˈanuf, ɲʲɛ udˈawɔ mu ɕɛ znˈalɛʑdʑ zbˈɨd vʲˈɛlɛ na tˈɛmat jˈɛɡɔ ʒˈɨtɕa ˌɔsɔbʲistˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_65.wav|trˈanspɔrt mɛdˈɨtʃnɨ jɛzd w drˈɔdʑɛ, zapˈɛvɲiw jˈɛdɛn s sˌaɲitarjˈuʃɨ. spɔkˈɔjɲʲɛ, ɲʲˈɛx pˈan tɔ pˈɔwkɲʲɛ. ɔt rˈazu pˈanu...|2
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_172.wav|kˈɔɲʲɛts trˈasɨ! zavˈɔwaw rˈatʃ i ɔtfˈɔʒɨw dʒvˈi dɔ pʃɛtɕˈɔŋka.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_206.wav|mˈam zdjˈɛɲtɕa vˈas fʃˈɨstkix, ˌalɛ pɔɲʲˈɛvaʒ vɨwˈɔntʃɲʲɛ pˈan dɔnˈɔvɛn mˈa stɛrtʃˈɔntsɨ z dˈupɨ mˈiksɛr, tɔː ɔn jɛzd ɡvʲˈazdɔ̃ prɔɡrˈamu.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_89.wav|tsˈɔ s tɨm rɨtsˈɛʒɛm? mrˈuknɔw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_129.wav|ˌalɛ vʲɛdʑˈawam, ʒˈɛ tɔ ɲʲˌɛmɔʒlˈivɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_50.wav|ɲʲˈɛmam ɲikˈɔɡɔ, kˈɔmu mˈɔɡwabˌɨm ˈɔtɨm pɔvʲˈɛdʑɛtɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_436.wav|ˌalɛ jˈɛdnaɡ zˌatʃɨmˈawɛm ɕɛ pɔɕrˈɔtku tɛj pratsˈɔvɲi tʃɨ pˌɔvɨkrɛntsˈanɛj na fʃˈɨstkʲɛ strˈɔnɨ ɕfʲˈata kɔmnˈatɨ.|0
+Dataset/wavs/urwisko_ferenc/53_segment_29.wav|pˌɔpɔwˈudɲʲɛ vˈɔlnɔ pʃˌɛxɔdʑˈiwɔ w vʲˈɛtʃur i xˈɔtɕaʃ swˈɔɲtsɛ skrˈɨwɔ ɕɛ za ɕivˈɨmi xmurˈami, pɔvʲˈɛtʃɛ zɡɛ̃stɲʲˈawɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_264.wav|ˈɔtɔ vwˈaɕɲʲɛ xˈɔdʑi, ʒˈɛ z lˈudʑmi takˈimi jˈak tˈɨ, jˈɛstɛr, ɲʲɛ dʑˈɛjɛ ɕɛ ɲˈits.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_73.wav|kʃˈɨvʲɔnts ɕɛ z bˈulu, spɔjʒˈawam na ˌɔpaʒˈɛɲʲɛ. vnˈɛntʃɛ dwˈɔɲi bˌɨwɔ lˈɛkkɔ zˌatʃɛrvʲɛɲʲˈɔnɛ, ˌalɛ pˈɔza tɨm ɲʲɛ dɔznˈawam pˌɔvaʒɲʲˈɛjʃɨx ɔbrˈaʒɛɲ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_14.wav|tɔ swˈɔva vˌɨpɔvʲɛdʑˈanɛ w rˈadju, f ktˌurɨx pˌɔjavˈili ɕɛ stsˈɔtt i spˈikɛ, stˌanɔvˈiwɨ pravdʑˈivɛ zˌaɡrɔʒˈɛɲʲɛ?|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_140.wav|a jˈɛɕli vʲˈatr utɕˈixɲʲɛ i tɕˈiʃa mˈɔrska ˌuɲʲɛruxˈɔmi lɛtɲʲˈakuf?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_120.wav|pˌɔdɔbˈawɨ mi ɕɛ tɛ tˈɛkstɨ ɔ prˈavdʑɛ i ʃtʃɛrˈɔɕtɕu.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_134.wav|mjˈa ˌɔpɔvʲadˈawa ɔ vʲˈɛlkix lˈɔrdax i ɕmʲˈawɨx rɨtsˈɛʒax, ktˌuʒɨ na tɛj trˈaɕɛ blˈɛdli i mɔtʃˈɨli ɕɛ w bjɛlˈiznɛ.|1
+Dataset/wavs/urwisko_ferenc/37_segment_60.wav|dˈɔstʃɛɡw w ɲˈim jɛdˈɨɲʲɛ lipskʲˈɛɡɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_633.wav|i nˈavɛt f tɛj xfˈili ɲʲɛ pˌamjɛntˈawɛm xˈɨba jɛj vɨɡlˈɔndu, jɛj pɔvˈabuf.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_333.wav|kʲˈɛdɨ rˈada pɔtsˈuva mu dˈɛkrɛt...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_120.wav|mˈuʃɛ tɔː ɔstrˈɔʒɲʲɛ zˌaplanˈɔvatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_144.wav|nˈɔrvɛk prˈɨxnɔw kpʲˈɔntsɔ.|4
+Dataset/wavs/urwisko_ferenc/62_segment_48.wav|trˈudnɔ, jˈɛʃtʃɛ trˈɔxɛ lˈat pʃɛt sˈɔbɔ̃ pˈɛvɲʲɛ mˈam, pɔtʃˈɛkam. ˈɔtpar smˈutnɔ ɕikˈɔrski i rˈuʃɨw f kʲɛrˈuŋku ʃklˈanɨɣ dʒvˈi.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_13.wav|vdʑˈaw pˌikɔvˈanɨ vˈams s tʃɛrvˈɔnɛj vˈɛwnɨ zˈɛ skatʃˈɔntsɨm strˈɔŋɡʲɛm vˌɨxavdɔvˈanɨm na pʲˈɛrɕi.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_48.wav|pamjˈɛntam ɡˈɔ z dˈavnɨx turɲʲˈɛjuf.|1
+Dataset/wavs/urwisko_ferenc/56_segment_59.wav|kʃɨknˈɛwa pʃˈɨtɨm, ɡdˈɨ zaxˈatʃɨw rˈɛŋkɔ̃ ɔ jɛj ɡwˈɔvɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_98.wav|ˈɛllis ˌɔdnajdˈujɛ vˈins. mˈuvjɔ̃ ɔ vɨtɕˈɛku rˈɔpɨ z rˌurɔtɕˈɔŋɡu w dakˈɔtɕɛ puwnˈɔtsnɛj, kˌatastrˈɔfjɛ sˌamɔlˈɔtu f tɛksˈaɕɛ i stʃˌɛlaɲˈiɲʲ�� f ʃkˈɔlɛ f sˈanta klˈara.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_73.wav|pˌɔstanɔvˈiwam tɔ zˌiɡnɔrˈɔvatɕ. xtɕˈawam zaxˈɔvatɕ prˈatsɛ pɔmˈimɔ jˈɛɡɔ zˌaxɔvˈaɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_24.wav|jˈasnɛ. xɔdʑˈiwam na lˈɛtɲi kˈurs w rxˈɔdɛ ˈislant i ʃˈɨpkɔ tɔ pˌɔdwapˈawam.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_31.wav|jˈak nalˈɛʒɨ ɕɛ pʃɛtstˈavitɕ f tˈakix ˌɔkɔlitʃnˈɔɕtɕax?|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_84.wav|tɔ mˈuɕi bˈɨdʑ dˈɔn ˈɔvɛn. na xˈɛŋka jɛst jˈɛʃtʃɛ za ftʃˈɛɕɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_24.wav|mˈuj tˈata jɛst spavˈatʃɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_100.wav|pˈan bˈɨw ˌinstruktˈɔrɛm pˌilɔtˈaʒu, pɔvʲˈɛdʑaw dʒˈɔnsɔn. znˈam tɔ pʃˌɨzvɨtʃajˈɛɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_48.wav|ɔ vʲˈɛrʃu sˌɨlabˌɔtɔɲˈitʃnɨm w dˈavnɛj pˈɔlskʲɛj pɔˈɛzji.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_167.wav|tˈɛras ɔtfʲˈɛra ɡˈɔː i tʃˈɨta tɔ, tsˈɔ napˈisaw jˈakɔ bˈɛnji kˈɔmpsɔn.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_109.wav|jˈak mˈɨɕliʃ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_136.wav|ˈɛlis pʃˌɛstɛmpˈujɛ prˈuk, pɔ tʃɨm ɔɡlˈɔnda ɕɛ pʃˈɛs rˈamjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_78.wav|bʲˈillɨ ʃˈɨpkɔ jˈɛdnak ɔtkrˈɨva, ʒˈɛ pɔt tˌɨmi mˌaɲʲɛrɨzmˈami skrˈɨva ɕɛ bwˌɨskɔtlˈivɨ ˈumɨsw i tɕˈɛntɨ dˈɔftɕip.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_290.wav|zjˈɛdli smaʒˈɔnɛ jˈajka, pˌɔtsmaʒˈanɨ xlˈɛp, bˈɔtʃɛk ˌɔras pˈarɛ mˌalinˈɔvɨx pˌɔmarˈaɲtʃɨ, ɕfʲˈɛʒɔ pʃɨbˈɨwɨx na stˈatku z dˈɔrn.|1
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_12.wav|ˌɔtʃɨvˈiɕtɕɛ fʃˈɨstsɨ vʲˈɛdʑɔ̃, ʒˈɛ zˌafundɔvˈawam im dʒˈɛmkɛ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_157.wav|brjˈɛnnɛ zadrʒˈawa. kˈɔ̃satʃ, tʃɨ ɔn ɲʲɛ ʒˈɨjɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_162.wav|ɲʲɛ zˌaswuʒˈɨwa nˈatɔ, bˈɨ w ɔɡˈulɛ ɕɛ bˈatɕ, ˌalɛ skˈɔrɔ jˈuʃ mˈuɕi, tˌaki lˈɛŋk jɛst lˈɛpʃɨ ɔt ˈinnɨx, zdˌɛtsɨdɔvˈaɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_27.wav|ɲʲɛ ˌɔtpɔvʲˈadam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_142.wav|za bˈardʑɔ ɕɛ bˈawam vɨxˈɔdʑitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_96.wav|i vɨjʒˈawam zzˈa rˈɔɡu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_29.wav|tsamˈɛrɔn ɲʲɛ jɛst jˈɛdnak ɲʲˌɛrɔssˈɔndnɨ. vʲˈɛ, ʒˈɛ ɲʲɛ mˈɔʒɛʃ tˌɛɡɔ spwˈatɕitɕ i ɡwˈupjɔ bɨwˈɔbɨ nˈavɛt ˈɔtɔ pˈɨtatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_150.wav|znajdˈujɛ klutʃˈɨki dɔ jˈɛɡɔ sˌamɔxˈɔdu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_107.wav|vʲɛdʑˈawam, tʃˈɛɡɔ xtsˈɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_127.wav|ta ˌaplikˈatsja jˈɛʃtʃɛ ɲʲɛ dʑˈawa w vˈɛrsji finˈalnɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_155.wav|kʲˈɛdɨ nastˈɔmpi vˈɨtɕɛk, ɲikˈɔɡɔ jˈuʃ tˈam ɲʲɛ bˈɛɲdʑɛ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_118.wav|mˈam nadʑˈɛjɛ, ʒˈɛ bˌɛɲdʑɛ tɕi tˈu vɨɡˈɔdɲʲɛ, pˈaɲʲɛ. jɛst tˈu vɨxˈɔdɛk, ɡdˈɨbɨɕ pˈɔtʃuw zˈɛf natˈurɨ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_9.wav|pˈɔtɛm ɲʲɛ zɔstˈawɔː im ɲˈits innˈɛɡɔ, jˈaɡ vˈɨpitɕ pɔ dvˈa kˈupki zˌaɛmˈɔna z rˈɔdu tˌarɡarɨˈɛnuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_50.wav|ɲʲɛ pʃˌɛʃkadʑˈawɛm jɛj vʲˈɛnts.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_35.wav|ɲʲɛ vˈidʑaw jɛj ˈaʒ dɔ dʑˈiɕaj ɔd dɲʲˈa, kʲˈɛdɨ ˌɔpuɕtɕˈiwa dˈɔm pʃɛt nˌarɔdʑinˈami alfjˈɛɡɔ, vʲˈɛnts jɛj pˌɔjavʲˈɛɲʲɛ ɕɛ bˌɨwɔ dla ɲʲˈɛɡɔ kɔmplˈɛtnɨm zˌaskɔtʃˈɛɲʲɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_81.wav|i ɔn rɔzvˈala samˈɔlɔt ˈalbɔ nˈaɡlɛ ɡʲˈiɲʲɛ. ftˈɛdɨ zɔstˈajɛʃ sˈam, bˈɛs prˈatsɨ i bˈɛs sˌamɔlˈɔtu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_19.wav|tˈɛssa ɔpˈarwa rˈɛntsɛ na stˈɔlɛ i pˌɔxɨlˈiwa ɕɛ dɔ pʃˈɔdu.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_139.wav|tˌɨlkɔ dla ˌupɔvaʒɲʲˈɔnɨx.|4
+Dataset/wavs/urwisko_ferenc/24_segment_22.wav|zwɔntʃˈɨwa dwˈɔɲʲɛ na pɔdˈɔwku.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_269.wav|zˌastɛmpɔvˈawa ɕˈɔstrɛ, ktˌurɛj ˈarjan ɲʲɛ mʲˈawa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_51.wav|fʃˈɨstkɔ, dˈɔm, samˈɔxut i kɔbjˈɛta kʃˌɔntajˈɔntsa ɕɛ vˈɔkuw dˈɔmu bˈɛs pɔɕpʲˈɛxu.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_279.wav|mˈɔʒɛ ˌɔtfɔʒˈɨmɨ dʑbˈanɛk çˌipɔkrˈasu i vˌɨpijˈɛmɨ pɔ drˈɔdʑɛ dɔ dˈɔmu za zˈapaw sˈɨnuv vˌɔjɔvɲˈika?|1
+Dataset/wavs/urwisko_ferenc/65_segment_120.wav|ˌalɛ skˈɔrɔ zmˈar ɲʲɛdˈavnɔ, zˌauvˈaʒɨw ˈɔlɡʲɛrt, tɔ rˈatʃɛj ɲʲɛ s pɔvˈɔdu pɔstʃˈawu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_478.wav|jˈɔurs ˈand dˈɛ ˈɔtxɛrs, pɔvʲˈɛdʑaw mˌɛksɨkˈaɲin.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_49.wav|ɲʲɛ jˌɛstɛm pˈɛvna, tʃɨ pʃˌɛtstavˈiwam jˈuʃ pˈaɲi kˌɔlɛʒˈaŋkɛ. pˌɔstɛruŋkˈɔva mˈaldbɨ, xˈɔtɕ mˈɔʒɛ jˈɔ̃ pˈaɲi pamjˈɛntatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_33.wav|tʃˈuw, ʒˈɛ lˈutsɨ tˌɛɡɔ fʃɨstkʲˈɛɡɔ pˌɔtʃɛbɔvˈawa, xˈɔtɕ pɔ fʃˈɨstkim tsˌawkɔvˈitɕɛ ɔpˈadli s ɕˈiw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_37.wav|vɨrˈaʑɲʲɛ tʃˈɛɡɔɕ ʃˈuka.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_195.wav|ktˌura pˌɔjavˈiwa ɕɛ ɲʲɛ vʲadˈɔmɔ skˈɔnt i ɲʲɛ vʲadˈɔmɔ kʲˈɛdɨ stʃˈɛʑɲʲɛ. zbˈɨt wˈatfɔ pʃɨxˈɔdʑɔ̃ mi ˌafɔrˈɨzmɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_77.wav|tʃˈɨʒbɨ tɔ bˌɨwɔ tɔ, pɔvʲˈɛdʑaw? tʃˈɨʒbɨ tɔ bˌɨwɔ dlatˈɛɡɔ, ʒˈɛ mˌamɨ jˈɛdnak tsˈɔɕ fspulnˈɛɡɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_17.wav|na ɡwˈɔvʲɛ zˈamjast ɲʲɛbjˈɛskʲɛj kˈɛfi mʲˈaw dʑɛrɡˈanɔ̃ tʃɛrvˈɔnɔ̃ tʃˈapkɛ, ktˌura ˈaʃ ɕɛ prɔɕˈiwa ˈɔtɔ, bˈɨ w ɲʲˈɔ̃ vˌɨtsɛlˈɔvatɕ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_30.wav|dʑˌɛɕɛɲtɕˈɔrɔ tɔ jˈuʒ bˈɨwbɨ nˈadmʲar.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_25.wav|pˈitsa jɛst na lˈiɕtɕɛ i kʲˈɛdɨ tʃɛkˈamɨ na zˌamuvʲˈɛɲʲɛ, s pɔtʃˈutɕɛm vˈinɨ sˈadʑam ɡˈɔ pʃɛt tˌɛlɛvizˈɔrɛm i vɛjmˈujɛ tɛlˈɛfɔn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_153.wav|tˈakɔ pʃɨtˈaknɔw, ja znˈuv vzruʃˈɨwɛm rˌamjɔnˈami.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_164.wav|zɡʲinˈɛwɔ vʲˈɛlu, zˈaɲim tɔ ɕɛ skɔɲtʃˈɨwɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_214.wav|zvrutɕˈiwam ɕɛ dɔ dalˈɛa.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_392.wav|prˈaɡnɛ ɔtʃˈɨmatɕ tɔ, tsˈɔ mi ɕɛ prˈavɲʲɛ nalˈɛʒɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_91.wav|jˈɛɕli ɲʲɛ pˌɔvɨbʲijˈajɔ̃ mi ʃˈɨp i ɲʲɛ pɔtpˈalɔ̃ xawˈupɨ, ɲʲɛ bˌɛndɔ̃ pʃɛʃkˈadʑatɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_69.wav|tˈɔm pʃˈɨjʒaw ɕɛ uvˈaʒɲʲɛ tfˈaʒɨ mɛ̃ʃtʃˈɨznɨ, ˌalɛ ɲʲɛ dˈɔstʃɛɡw ɲitʃˈɛɡɔ pˈɔza zˌaskɔtʃˈɛɲʲɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_294.wav|ktˌurɛj jˈuʃ ɲʲɛ ˈujʒɛ zapˈɛvnɛ ɲˈiɡdɨ w ʒˈɨtɕu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_56.wav|spuʑɲˈiwam ɕɛ jˈɛdnaɡ dɔ dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_218.wav|ɲʲɛ ˌustɛmpɔvˈawa krulˈɔva.|1
+Dataset/wavs/urwisko_ferenc/44_segment_58.wav|jˈɛdna ʒˈɛtʃ ʃtʃɛɡˈulɲʲɛ zˌaintˌɛrɛsɔvˈawa pˌɔlitsjˈanta. xɔdʑˈiwɔː ɔ vɨpˈɔvʲɛtɕ lɛɡnˈɛra dla tɔrˈuɲskix nɔvˈɔɕtɕi.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_279.wav|f sˈali zapˈadwɔ miltʃˈɛɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_277.wav|ɲˈits ɲʲɛ jɛst ɕmʲˈɛʃnɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_126.wav|ɲʲɛ vˈidʑɛ kˌɔɲʲɛtʃnˈɔɕtɕi zˌabjɛrˈaɲʲa pɔwˈɔvɨ pɔlˈitsji z ɡrɛˈatɛr manxˈɛstɛr dɔ lˌinkɔlnʃˈajɛr.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_103.wav|ɔtfʲˈɛram dʒvˈi prˌɔvadʑˈɔntsɛ dɔ rɛtsˈɛptsji xɔtˈɛlu i pɔxˈɨlam ɕɛ, ˌɔdvrutsˈɔna plɛtsˈami dɔ rˌɛtsɛptsjɔɲˈistki, jˈaɡbɨm vʲɔ̃zˈawa ʃnˌurɔvˈadwɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_18.wav|zrˈɛʃtɔ̃ tɔː ˌɔna tʃtˈɛrɨ dɲˈi tˌɛmu ˌɔtsalˈiwa tɕi ʒˈɨtɕɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_400.wav|ˌalɛ pʃɨ ɲʲɛvʲˈɛlkim skfˈɛrku mʲˌɛndʑɨ tɨwˈami dˈɔmuf tʃˈɛkaw nˈanas pˌɔtkɔmˈisaʃ kˈɔrsak.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_139.wav|zasˈɨpjɛ prˈavʲɛ ɔt rˈazu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_135.wav|tsˈasɕɛ ˌukutsnˈɛwa, ʒˈɛbɨ jˈɛ pɔzbjˈɛratɕ i ftˈɛdɨ zˈatʃɔw jˈɔ̃ zabʲˈijatɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_101.wav|ˈɛdmund znˈuf pɔpˈatʃɨw xwˈɔdnɔ na tˈɔma i ɲˈits ɲʲɛ pɔvʲˈɛdʑaw.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_417.wav|ɔdmˈavʲaʒ vˌɨkɔnˈaɲʲa rɔskˈazu?|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_3.wav|vwˈaɕɲʲɛ ftˈɛdɨ nadʑˈɛɲi turˈɨɕtɕi vˌɨruʃˈajɔ̃ na pˌɔʃukivˈaɲʲɛ rɔzrˈɨvɛk. ɕfʲˈɛʒɔ nˌajɛdʑˈɛɲi i pˌɔtxmʲɛlˈɛɲi kʲɛrˈujɔ̃ krˈɔki dɔ sklˈɛpuf, kˈasɨn, burdˈɛli i kˌabarˈɛtuf.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_39.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_283.wav|tˈɛras pˈujdʑɛ pˈan z nˈami i bˌɛɲdʑɛ pˈan mˈuɡw zadʑvˈɔɲitɕ ɔt nˈaz dɔ sfɔjˈɛɡɔː ˌadvɔkˈata.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_184.wav|w ɔkʲˈɛŋku na dˈɔlɛ vˈidɲʲaw ˈɔpiz zˌatɨtˌuwɔvˈanɨ xˈuta sˈanxɛs ˌalumˈiɲʲum. ˌanalˈiza mˌɛtalurɡʲˈitʃna kɔnstrˈuktsji.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_307.wav|w dɔʒˈɛtʃu jɛst mnˈustfɔ pʲˈɛŋknɨɣ ʒˌɨvɔpwˈɔtuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_256.wav|ˈaram fxˈɔdʑi dɔ tfˈɔjɛj ɡwˈɔvɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_281.wav|xtsˈɛ pˈan zɔbˈatʃɨtɕ sɨpʲˈalɲʲɛ? zapˈɨtaw rˈɨan.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_223.wav|mɔʒlˈivɛ, ʒˈɛ pʲˈɛrʃɨ swˈɔvik|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_248.wav|i ʑˈimnɨ ˈuɕmʲɛɣ bandˈɨtɨ.|0
+Dataset/wavs/urwisko_ferenc/44_segment_78.wav|ˈaʒ dɔ mɔmˈɛntu, ɡdˈɨ za fatsˈɛtɛm, kturˌɛɡɔ ɲˈiɡdɨ ɲʲɛ rɔspˈɔznaw, zamknˈɛwɨ ɕɛ dʒvˈi.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_255.wav|nˈaʒ bjˈɛdnɨ, dʑˈɛlnɨ swɔvˈitʃɛk jɛzd bˈardʑɔ xˌɔrɔvˈitɨm xwˈɔptsɛm.|1
+Dataset/wavs/urwisko_ferenc/48_segment_4.wav|ˌalɛ tɔ bˈɨw ɲʲɛvʲˈɛlki mˈinus.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_25.wav|sˈaskja pˈɛtɛrsɔn jɛzd ɡɔtˈɔva.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_25.wav|w dˈuʒɛj tʃˈɛɲɕtɕi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_207.wav|ɔtsknˈɔwɛm ɕɛ pɔt fpwˈɨvɛm jakʲˈɛɡɔʑ dʑvʲˈɛŋku, impˈulsu ˈalbɔ pʃɛtʃˈutɕa.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_92.wav|tsˈawa rˈɛʃta bˌɨwa jˈɛdnaɡ wɡˈarstfɛm.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_5.wav|tɕˈɔtka jˌamjɛˈɛɡɔ vˈɨʃwa ɔstˈatɲʲa.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_196.wav|pasˈujɛ tɕi ɔ tʃˈɛtɕɛj?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_63.wav|ɲˈiɡdɨ dˈɔtɔnt ɲʲɛ tʃˈuwam ɕɛ tˈaka ˌɔsamɔtɲʲˈɔna.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_134.wav|vʲˈɛndʑ vɛndrˈɔftsɨ mˈɔɡli pʃɛpwˈɨvadʑ dɔ mʲastˈɛtʃka lˈɔrda xˌarɔvˈɛja i dɔ bjˈawɨx mˈuruf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_256.wav|ʃɛrˈɨfa vˌikɛrˈɛɡɔ, tˌɛɡɔː ˌɔdʲidjˌɔtɨtʃnˈɛɡɔ stɛtsˈɔna ɲʲˈɛma fɕrˈut ɔbˈɛtsnɨx.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_91.wav|zˌawɔʒˈɛɲʲɛ kˈɔnta na ɡmaˈilu ɲʲɛ vˌɨkratʃawˈɔbɨ rˈatʃɛj pˈɔza ˌumjɛjɛntnˈɔɕtɕi ˈɛlis.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_67.wav|ˈalfjɛ fʃˈɨstkɔ bˈɨ ˌɔdʑɛdʑˈitʃɨw.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_278.wav|kˈaʒɛw zˈabʲiw ɡˈɔ na mˈɔix ˈɔtʃax.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_97.wav|tʃˈɨli, ʒˈɛ tɔ pravdʑˈivɨ xwˈɔpʲɛts. a tʃɨ pɔtrˈafi vɨmjˈɛɲitɕ fʃˈɨstkix ɕˈɛdmju bˈɔɡuf?|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_168.wav|i jˈuʒ dɔ vʲɛtʃˈɔra xˈɔdʑiw jˈak strˈutɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_50.wav|kˈaʒdɛ jɛj dʑawˈaɲʲɛ muvˈiwɔː ɔ vˈiɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_320.wav|pɔ xfˈili ulˈɛɡwa znuʒˈɛɲʲu i pɔvˈɔlnɨm, mʲarˈɔvɨm rˈuxɔm kˈɔɲʲa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_273.wav|nˈavɛt tˈɛras xwɔpˈaki vˌɨnajˈɛli mu samˈɔlɔt, ktˌurɨ lˈataw nad vʲɛ̃ʑˈɛɲʲɛm i pˈisaw xˈappɨ bʲˈirdɣdaj dʒˈimmɨ! pɔvʲˈɛdʑaw bˈurɨ mˈɛ alˈivɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_237.wav|mitskʲˈɛvitʃ ɔbrˈatsaw w dwˈɔɲi ʃklˈaŋkɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_339.wav|ja ɲʲɛ vʲˈɛʒɛ w virˈusa. pˈan tˈak smˈatʃɲʲɛ ˌuɕiwˈujɛ nˈazvatɕ frustrˈatsjɛ, lɛɲˈistfɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_4.wav|ɲʲɛ vʲˈɛdʑɔnts, tsˈɔ pʃɨɲʲˈɔsɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_121.wav|pˈɔvʲɛts mi, ʒˈɛ zɔstˈajɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_43.wav|xˈɨba ɲʲɛ jɛst pravdʑˈivɔ̃ nˌastɔlˈatkɔ̃, tsˈɔ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_40.wav|pwˈatɕi ɡɔtˈufkɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_552.wav|mitskʲˈɛvitʃ tʃˈɛkaw nˈamɲʲɛ, ubrˈanɨ f kɔʃtˈɔvnɨ ʃlˈafrɔɡ z bˈarvnɨm fulˈarɛm pɔt ʃˈɨjɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_25.wav|baˈilɛj jˈuʃ ɲʲɛ pwˈakaw, a pɔvʲˈɛki zˌatʃɨnˈawɨ mu ɔpˈadatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_23.wav|ˈaʒ zˈaɡrɨz vˈarɡɛ, ʒˈɛbɨ ɲʲɛ vɨpˈalitɕ, ʒˈɛ ɲʲˈɛxtsɛ jɛj vˈidʑɛtɕ na ˈɔtʃɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_117.wav|tɔ dlatʃˈɛɡɔ zˈafʃɛ mˈuviʃ tˈakʲɛ ʒˈɛtʃɨ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_195.wav|ˌalɛ ftˈɛdɨ ˌɔbjavˈiwa ɕɛ nˈaɡlɛ ˈannɨ. tʃɨmˈawa na pɔdˈɔwku pˈɔntʃa sfˈɔjɛ zˌaviɲʲˈɔntkɔː i zɡʲinˈɛwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_191.wav|dɔpxˈawam ɕɛ dɔː ˈɔkna i ɔmjˈɔtwam vzrˈɔkʲɛm artsˈadɛ zɡvˈarɛ.|4
+Dataset/wavs/urwisko_ferenc/11_segment_78.wav|bɔrˈɛvitʃ fstˈaw i pˈɔtar dwˈɔɲʲɛ nat stˈɔwɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_99.wav|ɲʲˈɛma sprˈavɨ, ɔtpˈarwam. prˈɔʃɛ zˌaɔkrˈɔŋɡlidʑ dɔ tɨɕˈɔntsa i zatʃˈɨmatɕ rˈɛʃtɛ. na kˈɔʃt mɔjˈɛɡɔ kljˈɛnta. jˈin xˈu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_255.wav|na mʲˈɛjstsɛ larˈɛɡɔ tɔmpsˈɔna pɔjˈavja ɕɛ naɡrˈaɲʲɛ s kˌɔnfɛrˈɛntsji prasˈɔvɛj kɔmˈɛndant pɔlˈitsji.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_6.wav|ɔ tʃɨm pʃɛt xfˈilɔ̃ mˈɨɕlaw?|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_386.wav|tɔ bˌɨwɔ zabˈavnɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_313.wav|stuknˈɛliɕmˌɨ ɕɛ ʃklaŋkˈami i vˌɨxɨlˈiliɕmˌɨ pɔwˈɨku.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_142.wav|kɔbjˈɛta vzdˈɨxa i mˈaxa rˈɛŋkɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_460.wav|tsˈɛdra fsunˈɛwa lˈizd za ɡɔrsˈɛtɕik. znˈajdɛ kˈɔɡɔɕ, ɲˈim swˈɔɲtsɛ zˈajdʑɛ, kɕɛ̃ʒɲˈitʃkɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_219.wav|pʃˈɛs minˈutɛ, dvʲˈɛ pˈatʃɨ pˈɔnad vɔ̃vˈɔzɛm na pɔlˈanɛ, ɡdʑˈɛ kʲˈɛdɨɕ stˈaw ʒɛkˈɔmɔ nˌavʲɛdʑˈɔnɨ xˈɔtɛl.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_237.wav|ʒˈɛ tˈɛʃ muɕˈawam ˈɔblatɕ tɛn pʲɛpʃˈɔnɨ ɛɡzˈamin.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_71.wav|pˈɔkaʃ mi, ɡdʑˈɛ ɕɛ ˌukrɨvˈajɔ̃, a z radˈɔɕtɕɔ̃ ɔtfˈɔʒɛ im bʒˈuxɨ, vɨprˈujɛ tʃˈɛvja i spˈalɛ ix.|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_25.wav|ktˈɔ vʲˈɛ, mˈɔʒɛ ɲʲɛktˌuʒɨ bˌɨli vɨ, jˈak tɔ mʲˈɛjstsɛ nazvˈaliɕmˌɨ, dˈɔmu zˈabaf, ɡdʑˈɛ fʃˈɨstkɔ, tsˈɔ mˈɔɡwɔ pˈujʑdʑ ʑlˈɛ, pˈɔʃwɔ ʑlˈɛ.|2
+Dataset/wavs/urwisko_ferenc/64_segment_2.wav|dʑˈɛɲ ftʃˈɛɕɲʲɛj mˈarja pˌɔprɔɕˈiwa mˈɛ̃ʒa zˌaɡʲiɲʲˈɔnɛj, ʒˈɛbɨ ɲʲɛ vɨjˈɛʒdʒaw dɔ prˈatsɨ i zatʃˈɛkaw na jɛj pʃˈɨjast.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_283.wav|ˌindɨvˌiduˈalnɨm tʃwɔvʲˈɛkʲɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_426.wav|kˈɔrsak uɕmʲˈɛxnɔw ɕɛ vˌɨrɔzumjˈalɛ. lˈudʑɛ tʃˈɛ̃stɔ mi mˈuvjɔ̃. ktˈɔɕ nˈavɛt prˈɔɕiw mɲʲɛ ɔː awtˈɔɡraf f kɔɕtɕˈɛlɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_138.wav|jˈak ɕtɕˈɔŋɡa ɕɛ jɛj bʒˈux? mˈikɛ, dlatʃˈɛɡɔ mi ɲʲɛ vʲˈɛʒɨʃ?|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_204.wav|ʒˈɛ mˈam dɔ tʃɨɲʲˈɛɲʲa z jˈakɔ̃ɕ tˌajɛmɲˈitsɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_226.wav|tɔ bˈɨw s pɛvnˈɔɕtɕɔ̃ bʒˈɛŋk stˈali.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_165.wav|jˈaɡ vɨɡlˈɔnda vˈaʃɛ zˌaɔpatʃˈɛɲʲɛ, pˈaɲʲɛ?|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_12.wav|vˌɨpɛwɲʲˈajɔnts sˈalɛ tɕixˈɨmi, swɔtkˈimi dʑvʲɛŋkˈami.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_346.wav|vʲˈɛdʑaw, ʒˈɛ pʃɨbˈɛɲdʑɛʃ.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_473.wav|zrˈɔbʲiw tɔ jˈɛdnak.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_142.wav|pɔmˈɔʒɛ tˌɨlkɔ z ˌɔtsɛtkˈami f tɨm mʲɛɕˈɔntsu. pˈuʑɲʲɛj tʃˈɛba bˌɛɲdʑɛ vɨmˈɨɕlitɕ tsˈɔɕ nɔvˈɛɡɔ.|3
+Dataset/wavs/urwisko_ferenc/28_segment_62.wav|a jˈaɡ bˌɨwɔ s xudʑˈiɲskɔ̃, xˈɛrman dɔpˈiwa kˈavɛ i ˌɔtsunˈɛwa fˌiliʒˈaŋkɛ na bˈɔk.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_100.wav|zˌavɔwˈawam, ɔdvrˈutɕiw ɕɛ dɔ mɲʲɛ zˌaskɔtʃˈɔnɨ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_331.wav|ɡdˈɨbɨ ɲʲɛ jˈɛɡɔ prˈatsa, tʃˈɛɡɔ mˈuɡwbɨ brˈɔɲidʑ vɔjˈɔvɲik?|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_170.wav|jˈak tˌɨlkɔ nabjˈɔrɛ pɛvnˈɔɕtɕi, ʒˈɛ dʑɛftʃˈɨna ɕɛ ɲʲɛ ɔbˈudʑi i ɲʲɛ zˈatʃɲʲɛ vʒˈɛʃtʃɛtɕ. jˈɛʃtʃɛ minˈuta, dvʲˈɛ i vɨxˈɔdʑɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_3.wav|bˌɨwɨ tɔ dɲˈi dˈɛʃtʃu, a pˈɔtɛm pʃˈɨʃwɨ dɲˈi vʲˈatru, ktˌurɨ pʃˈɛɡnaw dˈɛʃtʃ.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_93.wav|vʲɛdʑˈawa, ʒˈɛ ɲʲˈɛma sˈɛnsu pˈɨtatɕ, tsˈɔ tɔ za çistˈɔrja. ɡdˈɨbɨ pˈɛtr xtɕˈaw, ʒˈɛbɨ tɔ vʲɛdʑˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_94.wav|a prˈɔʃɛ sˈɔbjɛ pwˈakatɕ, tɔ tˈɛʃ nˈamɲʲɛ ɲʲɛ dʑˈawa.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_90.wav|trˈɔnd bˈɨw dˈɔbrɨm tʃwɔvʲˈɛkʲɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_155.wav|kʲˈɛdɨ nawˈɔʒɨtɕ nˈaɲʲɔ̃ pɔkrˈɔvʲɛts, dɔ zwudʑˈɛɲʲa pʃˌɨpɔmˈina ɡwˈufkɛ kˈija ɡˌɔlfɔvˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_284.wav|kɨbˈɛrɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_37.wav|— ˌɛmxˌaˈɛm — mˈuvi bʲˈillɨ. — tˈak, bˈardʑɔ jˈɛ lˈubjɛ. tɛ ɕmʲˈɛʃnɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_73.wav|pˈɔtʃɛd dɔ dʒvˈi i zapˈukaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_263.wav|ˌalɛ ɲʲɛ vˈidʑaw uɕmʲˈɛxu na mˈɔjɛj tfˈaʒɨ.|4
+Dataset/wavs/urwisko_ferenc/27_segment_2.wav|ɔt rˈana prˌubɔvˈawa dɔdʑvˈɔɲitɕ ɕɛ dɔː ɔlɡʲˈɛrda bˌɔrɛvˈitʃa. vɨswˈawa mu tˈɛʃ kˈilka smsˈuf, ˌalɛ ɔtpˈɔvʲɛtɕ ɲʲɛ nˌatxɔdʑˈiwa.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_100.wav|pɔmˈinɔw tˌɨlkɔ tˌajɛmɲˈitsɛ, ktˌurɨx pɔpʃˈɨɕɔŋɡw dɔxˈɔvatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_71.wav|ɲʲɛ dɔ mɲʲɛ nalˈɛʒɨ prˈavʲɛ ɲʲɛ tɕi kˈazaɲ na jˌakikˈɔlvʲɛk tˈɛmat.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_152.wav|tsɛrsˈɛi ɲʲɛ vidʑˈawa f tɨm sˈɛnsu. tʃˈuwa f skˌalɛtʃˈɔnɨm ktɕˈuku pˌulsujˈɔntsɨ bˈul, a jɛj krˈɛf skˌapɨvˈawa na dˈɨvan.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_29.wav|tsˌɨnamɔnˈɔvɨ vʲˈatr tˈaɲtʃɨw jˈak ʃalˈɔnɨ vˈɔkuw ɲˈix i sˈam tʃˈuw smˈak rˈumu na jɛ̃zˈɨku dʑɛftʃˈɨnɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_19.wav|ɡˈɔi ɕɛ ˌɔna dˈɔɕtɕ ʃˈɨpkɔ, ˌalɛ kaʒdˈɛɡɔ vʲɛtʃˈɔru sprˈavdʑam uvˈaʒɲʲɛ, tʃɨ ɲʲɛ dˈɔʃwɔ dɔː infˈɛktsji.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_40.wav|bʲˈili kˈiva ɡwˈɔvɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_226.wav|krˈasnal ɲʲɛ jɛst jˈuʃ mˈɔim brˈatɛm, jˈɛɕli w ɔɡˈulɛ kʲˌɛdɨkˈɔlvʲɛk ɲˈim bˈɨw.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_32.wav|tɔ, tʃˈɛɡɔ xtɕˈawaɕ, ɲʲˈɛma znatʃˈɛɲʲa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_12.wav|f prˈɔɡu ˌukazˈawa ɕɛ ɲʲɛznˈana dˈama.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_23.wav|zˈɛrkam na ɲʲˈɛɡɔː ukrˈatkʲɛm, zˌastanavʲˈajɔnts ɕɛ, tʃɨ ɲʲɛ ˌɔkazˈawam ɕɛ ɡwˈupja, ˌɔbdaʒˈajɔndʑ ɡˈɔ zˌaufˈaɲʲɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_207.wav|ktˌurɨm ɲʲɛ pɔvʲˈɔdwɔ ɕɛ f tɨm zwˈɔtɨm krˈaju dˈanɨm im pʃˈɛz bˈɔɡa.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_42.wav|ɡˈɔʑdʑik pɔdˈɛʃwa dɔ ɲʲˈɛɡɔː i pˌɔzvɔlˈiwa, bˈɨ ɕɛ vɨpwˈakaw na jɛj ramjˈɛɲʲu.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_377.wav|jˈɛɕli jˌɛstɛɕ kɔbjˈɛtɔ̃, dlatʃˈɛɡɔː ubjˈɛraʃ ɕɛ jˈak mɛ̃ʃtʃˈɨzna?|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_396.wav|jˈɛɡɔ vwˈɔsɨ bˌɨwɨ dwˈuɡʲɛ, ɕˈivɛ i splɔntˈanɛ, a ɔbvˈiswɔ̃ skˈurɛ na pɔlˈitʃkax i pɔdbrˈutku pˌɔrastˈawa ʃˈɔrstka ʃtʃɛtɕˈina.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_101.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_388.wav|ɔd vʲˈɛlu dɲˈi ɲʲɛ jˌɛstɛm ɡwˈɔdnɨ.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_310.wav|swɨʃˈawam tɕˈɛ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_332.wav|kˈilku pɔmɲʲˈɛjʃɨx lˈɔrduv vrˈaz zˈɛ ɕfˈitɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_52.wav|tɔ jˈuʃ tʃfˈarta rˈantka. dˈuʒɔ ɕɛ mˌiɡdalˈimɨ. tˌɨlkɔ pˌɔtsawˈuŋki, ɲˈits pˈɔza tˈɨm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_127.wav|pˌɔvʲɛdʑˈawa, pɔ tʃɨm ɔbjˈɛwa mɲʲɛ i zˌatʃɛkˈawa, ˈaʃ ɕɛ ˌuspɔkˈɔjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_116.wav|zawkˈawa mˈama. mɨɕlˈawam, ʒˈɛ jˌɛstɛm mˈiwa.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_88.wav|ɔxrˈɔɲʲaʒ zˈɛrknɔw w jˈɛɡɔ strˈɔnɛ, ˌalɛ ɲʲɛ vɨɡlˈɔndaw na zbˈɨtɲʲɔ zˌaintˌɛrɛsˌɔvanˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_19.wav|ˌalɛ ɔn mˈuɕi pɔzˈɔstatɕ mˈɔim prjˌɔrɨtˈɛtɛm.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_339.wav|xˈarɨ mˈuɡwbɨ trˈafidʑ znˈatʃɲʲɛ ɡˈɔʒɛj.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_158.wav|ˌalɛ ɔ pʲɛɲʲˈɔndʑɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_195.wav|vˈɨʃli z bˈaru i bˌɨwɔ jˈuʃ tɕˈɛmnɔ. a tˈuʒ za rˈɔɡʲɛm mˈikɛ, ktˌurɨ prɔvˈadʑiw samˈɔxut, udˈɛʒɨw jakʲˈɛɡɔɕ tʃwɔvʲˈɛka prˈavɨm bwɔtɲˈikʲɛm i tʃwˈɔvʲɛk ˈupad.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_94.wav|zmʲˈɛnnɛ kɔlˈɛjɛ vˈɔjnɨ i tˈaɡ dˈalɛj. ftˈɛdɨ ɲʲɛ mˈɔɡwɛɕ ɲˈits nˈatɔ pɔrˈadʑitɕ. tˈɛras tˈɛʃ.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_372.wav|jˈɛdna pɔwˈɔva tfˈaʒɨ vˌɨdavˈawa ɕɛ vilɡˈɔtna i zˌɛʃtɨvɲʲˈawa.|1
+Dataset/wavs/urwisko_ferenc/61_segment_15.wav|ʑdʑbwˈa pʃˌɛsuʃˈɔnɨx trˈaf stɛrtʃˈawɨ ɲʲˌɛruxˈɔmɔ. tˌɨlkɔ ɲʲɛlˈitʃnɛ ɔvˈadɨ krɛɲtɕˈiwɨ ɕɛ tˈu i ˈuvdʑɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_21.wav|nˈajpʲɛrf kˈɔta, pˈɔtɛm zajʒˈɨmɨ dɔ tˌɛlɛfˈɔnu ɡˌɛnɛvʲˈɛvɛ i spravdʑˈimɨ, s kˈim ɕɛ kˌɔntaktɔvˈawa.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_215.wav|tɔ ɡaŋkstˈɛʒɨ, ˌalɛ rˈuvɲʲɛʒ bʲˌiznɛsmˈɛɲi.|4
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_56.wav|ˌɔprɔvadʑˈaɲʲɛ vɨtɕˈɛtʃɛk tɔ vʲˈɛlkʲɛ pʲɛɲʲˈɔndʑɛ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_441.wav|sɛrˈɔsmunt pɔvʲˈɛdʑaw jɛj, ʒˈɛ tˈɔmmɛn pwˈakaw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_117.wav|mɔʒˈɛmɨ xfˈilɛ pˌɔrɔzmˈavʲatɕ, lˈutsɨ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_185.wav|pˈɔtɛm na pɔdvˈujnɛ dʒvˈi. s pravˈɛɡɔ skʃˈɨdwa stˈɛrtʃaw pɔtˈɛ̃ʒnɨ, ʒɛlˈaznɨ rˈɨɡʲɛl, jˈaɡ vˌɨzɨvajˈɔntsɔ vˌɨstavʲˈɔnɨ tʃˈarnɨ jˈɛ̃zɨk.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_163.wav|ɡvˈizdaw çˌistɔrˈɨtʃɲʲɛ jˈak sˈɨɡnaw karˈɛtki pˌɔɡɔtˈɔvja.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_56.wav|na ɛkrˈaɲʲɛ vˈidʑɛ tfˈaʃ tsˌamɛrˈɔna ɛdmˈuntsa. tɔ stˈarɛ zdjˈɛɲtɕɛ, mˈawɔ kɔʒˈɨstnɛ, zrɔbjˈɔnɛ w mɔmˈɛɲtɕɛ, kʲˈɛdɨ vɨxˈɔdʑiw s kasˈɨna, ˌalɛ tɔ bˈɛz vɔntpʲˈɛɲʲa ˈɔn.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_11.wav|mˈili praɡnˈɛwa ɕɛ ˈukrɨtɕ i ɲʲɛ xtɕˈawa, bˈɨ jˈɔ̃ znˌalɛʑˈɔnɔ. pʃɛwknˈɛwa ɕlˈinɛ, dwˈavʲɔndʑ wzˈɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_301.wav|spˈujʃtɕɛ tˈɨlkɔ, mˈɨɕli bʲˈili, spˈujʃtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_7.wav|zawˈɔʒɨw nˈaɲʲɔ̃ nˌaɡɔlɛɲˈitsɛ, naʃˈɨjɲik, rˌɛŋkavˈitsɛ, pwˈat pʃˈɛdɲi i znˈɔvu znˈɔvu znˈɔvu.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_151.wav|ˈɔx, bɔɡˈɔvʲɛ, bˈɔɲtɕtɕɛ waskˈavi.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_223.wav|ˈɛkran pˌɔkazujˈɔntsɨ ˈɔbras s kamˈɛrɨ pɔtɕfʲˈɛtliw mʲˈɛjstsa, ktˌurɛ kˈɔmpan mˈuɡw zwˈapatɕ ʃtʃɨptsˈami pˈɔttʃas fspinˈatʃki.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_56.wav|ɔː ˈilɛ tɔ ɲʲˈɛbɨw ɲʲˌɛzarˌɛjɛstrɔvˈanɨ tɛlˈɛfɔn na kˈartɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_130.wav|ɲʲɛ znˈawam ˌɔtpɔvʲˈɛdʑi nˈatɔ pɨtˈaɲʲɛ, ˌalɛ dɔmˈiɲik jˈɛʃtʃɛ ɲʲɛ skˈɔɲtʃɨw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_59.wav|kˈim ja w ɔɡˈulɛ jˈɛstɛm?|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_173.wav|jˈɛɡɔ kˈutas skˈurtʃɨw ɕɛ dɔ rɔzmʲˈaruf klˈuski, jˈɔndra sɔ̃ praktˈɨtʃɲʲɛ ɲʲˌɛvidˈɔtʃnɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_332.wav|bˌɨwa pˈusta. lˈɛʒaw nˈaɲʲɛj tɛn nˈaʃ kratɕˈastɨ kˈɔts.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_104.wav|ɲʲɛ zamjˈɛʒam ɡˈɔː ɔɕfʲˈɛtsatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_181.wav|mˈɔʒɛ pˈisawbˌɨ f pɔkˈɔju pˈɛwnɨm swˈɔɲtsa z vidˈɔkʲɛm na mˈawɨ ɔɡrˈudɛk.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_338.wav|xˈɨba tˈak.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_65.wav|ftˈɛdɨ ɲʲˈɛmʲawbˌɨ jˈuʒ vˌɔntplivˈɔɕtɕi, ʒˈɛ na zˈafʃɛ pɔzˈɔstawbˌɨ ˈɔjtsɛm mˈili.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_203.wav|a jˈuʒ vʲɛdʑˈawɛm, tsˈɔ tɔ znˈatʃɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_30.wav|fʃˈɛɲdʑɛ pʃɨjmˈujɔ̃ mˈɔjɛ tʃˈɛki.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_46.wav|jˈɛɕli tˈak, tɔ vʲˈɛlki sˈɛptɔn ɲʲˈɛznaw jɛj zbˈɨd dˈɔbʒɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_173.wav|dlatˈɛɡɔ, ʒˈɛ kɔxˈawɛm ɕɛ w rˈɔnɲʲɛ ɡʲˈivɛns.|2
+Dataset/wavs/urwisko_ferenc/17_segment_41.wav|ɲʲɛ vʲɛdʑˈawa, tʃɨm zˌaswuʒˈɨwa sˈɔbjɛ na tˈɛ pʃˈɨjaʑɲ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_53.wav|ˌalɛ ɔt tamtˈɛɡɔ dɲʲˈa pˌɔstanɔvˈiwam jˈɔ̃ ˌɔpsɛrvˈɔvatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_9.wav|vʲˈɛ, jakʲˈɛɡɔ spʃˈɛntu uʒˈɨvam?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_40.wav|jˈaɡ zamjˈɛʒaʒ vˈɨvʲɛɕtɕ jˈɔ̃ s krˈaju?|4
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_19.wav|jˌɛstɛm dˈavɛ lˈɔtskridʒ, a vɨ tɔ ktˈɔ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_96.wav|i mˈɔtsnɔ dɔtklˈivɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_68.wav|f kˈɔɲtsu tɔ lɔtˈɛrja zvʲɔ̃zˈana s takˈimi aktsjˈami ˌɔraz zwˈɛ vɨbˈɔrɨ, ktˌurɨɣ dˌɔkɔnˈawam, dˌɔprɔvadʑˈiwɨ mɲʲɛ f tɔ mʲˈɛjstsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_54.wav|tɔ ɲʲɛ jɛst ɔtpˈɔvʲɛtɕ. ɡdʑˈɛ jˈɛstɛɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_218.wav|zˈamjast pɔjˈɛxatɕ f strˈɔnɛ dˈɔmu, jˈaɡ zamjˈɛʒaw, bʲˈillɨ vɨstˈavja rˈɛŋkɛ pʃˈɛs ˈɔknɔ, pˌɔkazˈujɛ fˌatsɛtˈɔvi pˌɔdɲʲɛɕˈɔnɨ ktɕˈuk i skrˈɛntsa f strˈɔnɛ struʒˈufki. zˌatʃɨmˈujɛ ɕɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_4.wav|ɲʲɛ rɔzˈumjɛm, dˈɔkɔnt ɕɛ vɨbjˈɛraʃ, ˌaɲi tsˈɔ planˈujɛʒ zrˈɔbʲitɕ, ˌalɛ na lˈitɔʑdʑ bˈɔskɔ̃ mʲˈɛj pʃɨ sˈɔbjɛ xˈɔtɕaʃ tɛlˈɛfɔn.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_304.wav|zˈadʑvɔɲ dɔ mɲʲɛ, kʲˈɛdɨ zawˈɔʒɨʃ skafˈandɛr, pɔvʲˈɛdʑaw sfɔbˈɔda.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_267.wav|mʲˈaw na sˈɔbjɛ spˈɔdɲʲɛ ɔt kɔʃtˈɔvnɛj ˌamɛrɨkˈaɲskʲɛj pijˈamɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_64.wav|bˌɛɲdʑɛʃ pratsˈɔvaw nat sfˈɔjɔ̃ kɕˈɔ̃ʃkɔ̃?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_85.wav|ˌalɛ f prˈavɔː i na pɔwˈudɲʲɛ f strˈɔnɛ lˌinkɔlnʃˈajɛr.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_105.wav|ɲˈiɡdɨ nˈavɛt ɔ ɲˈix ɲʲɛ swɨʃˈawam.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_23.wav|zɡˈɔdʑiw ɕɛ xˈunt.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_63.wav|ɲʲɛ ɔtfˈɔʒɛ iɣ bˈardʑɔ ʃɛrˈɔkɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_283.wav|mˈuj ˈɔjtɕɛts pɔkˈivaw ɡwˈɔvɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_103.wav|zˌapɨtˈawam i fskazˈawam pˈaltsɛm na ɕˈɛbjɛ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_290.wav|pɔjˈɛxaw na ɕlˈup lˈɔrda ljɔnˈɛla kɔrbrˈɛja.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_8.wav|zˌapisɨvˈawam swˈɔva w nˌɔtatɲˈiku, pɔ tʃɨm nˌadavˈawam kˈurkɔm vˈɔdnɨm i kˈatʃkɔm imjˈɔna.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_4.wav|tamtˈɛɡɔ fˌatalnˈɛɡɔ dɲʲˈa, kˈilka mʲɛɕˈɛntsɨ pʃɛt mɔˈimi ˌurɔdʑinˈami...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_84.wav|vˈɨpij tɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_126.wav|ɲʲɛ mˈɔɡɛ ɔdˈɛrvadʑ vzrˈɔku ɔt ɛkrˈanu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_24.wav|pˈatʃɛ tɔ na ɲʲˈɛɡɔ, tɔ nˈaɲʲɔ̃, zˌastanavʲˈajɔnts ɕɛ, tsˈɔ sˈɔbjɛ mˈɨɕlɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_186.wav|mˈɨɕl ɡˈɔdna pisˈaʒa, stfʲˈɛrdʑa w dˈuxu, i sˈɔɲdʑi, ʒˈɛ tɔ znˈatʃɨ, ʒˈɛ tˈɛras jˈuʃ ɲˈim jˈɛst.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_126.wav|w ˈɛʒɛ xɛrˈɔsuv bˌɨwa pˈɔnɔtɕ tfʲˈɛrdʑɔ̃ pˌiratskʲˈɛɡɔ lˈɔrda, ktˌurɨ napˈadaw na pʃˌɛpwɨvajˈɔntsɛ ʒˈɛkɔ̃ stˈatki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_86.wav|vrˈatsa dɔ dˈɔmu bakʲˈɛɡɔ, pɔmˈaka prˈɔː i ˌupraɡɲʲˈɔnɔ̃ pˈuʃkɛ tsˈɔli. stˈavja jˈɛdnɔː i drˈuɡʲɛ na stɔlˈiku kartɕˈanɨm w lˈɛtɲim dˈɔmku.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_219.wav|ɔt tˌɛɡɔ tʃˈasu w jˈɛɡɔ ʒˈɨtɕu zmʲɛɲˈiwɔ ɕɛ vʲˈɛlɛ, zmʲˈɛɲʲaw krˈajɛ, nazvˈiska.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_200.wav|natˈɨxmʲast pʃɨpˈɔmɲʲaw ɕɛ jɛj pˌɔɡardlˈivɨ tˈɔn naˈila, kʲˈɛdɨ ˌɔpɔvʲˈadaw ˈɔtɨm, jˈak jˈɛɡɔ ʒˈɔna spɛndʑˈawa tʃˈas|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_169.wav|ɲˈits innˈɛɡɔ mu ɲʲɛ pˌɔzɔstˈawɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_44.wav|zʒˈutsam na pɔdwˈɔɡɛ stˈɛrtɛ kɔstjˈumuf, nat kturˈɨmi zɡɔdʑˈiwam ɕɛ pˌɔpratsˈɔvatɕ, pɔ tʃɨm ɕˈadam na sˈɔfjɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_156.wav|a w ɕrˈɔtku ɡɔtˈɔva dɔ vˌɨwadɔvˈaɲʲa mˈasa skˌɔtwɔvˈanɛj xˈɛmji.|0
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_48.wav|pˈɔtɛm fɕˈadwam dɔ tsˈɨŋɡla i pˌɔjɛxˈawam na pˈɔʑɔm mˈinus tʃfˈartɨ armstrˈɔŋɡa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_55.wav|tɔ, tsˈɔ pˌɔtʃɔntkˈɔvɔ bˌɨwɔ kˌɔɲʲɛtʃnˈɔɕtɕɔ̃, stˈawɔ ɕɛ tʃˈɛɲɕtɕɔ̃ mɔjˈɛɡɔ ʒˈɨtɕa, ktˈura, jˈak sˈɔbjɛ stˈalɛ pɔftˈaʒam, fkrˈuttsɛ dɔbjˈɛɡɲʲɛ kˈɔɲtsa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_37.wav|prˌɛzɛntˈɛʒɨ ɔddˈajɔ̃ ɡwˈɔs rˌɛpɔrtɛrˈɔvi, ktˌurɨ rˈɔbʲi vˈɨvʲad z dʒˈɔnɛm tsɔltˈɔnɛm, jˈɛdnɨm z mwˈɔdɨx pravɲˈikuf.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_219.wav|zaspˈana dˈɔrtsas pɔdɲʲˈɔswa ɕɛ z wˈɔʒa i zatʃˈɛwa ʃˈukatɕ ubrˈaɲʲa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_109.wav|kʲˈɛdɨ bˌɛndɛ tɕˈɛkaf tfɔjˈɛɡɔ zdˈaɲʲa, pˈɔvʲɛm tɕˈi, jˈakʲɛ mˈa bˈɨtɕ, ʒˈutɕiw pˌɔtpuwkˈɔvɲik stˈarɨ, ˌalɛ jˈarɨ tˈɛkst.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_249.wav|pɔnˈɔvɲʲɛ pˌɔmɨɕlˈawa zdˌɛspɛrɔvˈana brjˈɛnnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_36.wav|ɡdˈɨbɨ tˌɨlkɔ ɲʲɛ tɛn xˈɔf,|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_47.wav|mʲˌawɛm jˈɔ̃ jˈuʃ pʃˈɛttɛm, sˈɛtkɛ rˈazɨ pɔftˈaʒaw, ɡdˈɨ ˌɔbalˈili ɡˈɔ na kɔlˈana. sˈɛtkɛ rˈazɨ, pˈaɲʲɛ. fʃˈɨstsɨ jˈɔ̃ mʲˈɛliɕmˌɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_37.wav|tˈata dwˈuɡɔ bˌɛɲdʑɛ dɔxˈɔdʑiw dɔ ɕˈɛbjɛ, ˌalɛ ˈalfjɛ i ja pˌɔstarˈamɨ ɕɛ mu pˈɔmuts.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_36.wav|bˈɛtskɨ vˈɨʃwa na kɔrˈɨtaʃ i vɨbrˈawa nˈumɛr tˈɔma.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_207.wav|dʒˈins sxɲʲˈɛ tsˈawɔ̃ vʲˈɛtʃnɔɕtɕ twumˈatʃɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_55.wav|ˌalɛ zˌauvˈaʒam ɕfʲˈatwa sˌamɔxˈɔdu zblˌiʒajɔntsˈɛɡɔ ɕɛ w mˈɔjɔ̃ strˈɔnɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_187.wav|ɡvawtˈɔvnɨm rˈuxɛm tsɔfnˈɛwam rˈɛntsɛ i vˈɨʃwam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_176.wav|bʲˈillɨ krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_105.wav|tˈak jˈɛst ˌɔtpɔvʲˈada ˈɛliz z vˈɛrvɔ̃, ˈaʃ mˈiwɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_381.wav|ɔdˈɛzvaw ɕɛ zˈɛɡar vʲɛʒˈɔvɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_164.wav|dˈɔnɲʲɛ viɡmˈɔrɛ stfʲˈɛrdʑiw, mˈam nadʑˈɛjɛ, ʒˈɛ tˈam lˈɛpʲɛj kˈarmjɔ̃. na tsˈɔ pˈan spˈɛtsk pɔvʲˈɛdʑaw, zaxˈɔvaj tɛ sfˈɔjɛ mɔndrˈɔɕtɕi dla ɕˈɛbjɛ, bˈɔ tɕˈɛ tʃˈɛpnɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_20.wav|jɛstˌɛɕmɨ na mʲˈɛjstsu.|3
+Dataset/wavs/urwisko_ferenc/34_segment_34.wav|kɔlˈɛjnɨ rˈaz dˈawa sˈɨɡnaw, ʒˈɛ pˈɛntla ɕɛ zatɕˈɛɕɲʲa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_44.wav|pˌɔpwukˈujɛ misˈɛtʃkɛ pɔ pwˈatkax, pɔ tʃɨm zˈɛrka na tɛlˈɛfɔn daltˈɔna smˈitxa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_54.wav|rˈɔp, ˈidʑɛʒ zˈɛmnɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_174.wav|ɔn pɔvʲˈɛdʑaw, ɔddˈavaj tɔ ɡnˈɔjku bˌɛznadʑˈɛjnɨ. ɲʲˈɛvʲɛʃ, ʒˈɛ dʑˈɛtɕɔm ɲʲɛ vˈɔlnɔ bˈavitɕ ɕɛ brˈɔɲʲɔ̃?|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_107.wav|ˈandɛrsɔn zvrˈutɕiw ɕɛ dɔ pˌɔlitsjˈanta.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_136.wav|w mˈɔjɛj ˌɔbɛtsnˈɔɕtɕi pʃˈɛz dwˈuʃʃɨ tʃˈas tɔ ɲʲɛvʲˈɛlɛ mˈɔɡɛ zdʑˈawatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_104.wav|ɲʲɛ mˈɔʒɛʒ ɡˈɔː ɔdʑˈɨskatɕ. ˌɔɲi jˈuʃ nˈam zˌapwatɕˈili.|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_41.wav|a pˈɔtɛm zˈatʃɔw prˈavitɕ tɛ sˈamɛ vˌɨɕfʲɛxtˈanɛ mɔrˈawɨ, ktˌurɛ zˈafʃɛ mi ftɕˈiska. ˈɔtɨm, ʒˈɛ marnˈujɛ sfˈuj pɔtˈɛntsjaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_121.wav|pʃˈɛs rˈɔk pɔː ˌukɔɲtʃˈɛɲʲu litsˈɛum prˌatsɔvˈawa jˈakɔ kɛlnˈɛrka w rɔdʑˈinnɛj mʲɛɕtɕˈiɲʲɛ i ˌɔtkwadˈawa pʲɛɲʲˈɔndʑɛ na stˈudja bʲˌiznɛsˈɔvɛ.|2
+Dataset/wavs/urwisko_ferenc/21_segment_5.wav|a mˈarja ɲʲˌɛspɛtsjˈalɲʲɛ lubʲˈiwa ɲʲˌɛspɔdʑˈaŋki.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_251.wav|ɡdˈɨ zdaʒˈɨwɔ ɕɛ tɔ pɔ rˈas tʃfˈartɨ i pʲˈɔntɨ, fstˈaw i pˈɔtʃɛd dɔ ɕˌɛdʑɔntsˈɛɡɔ za bjˈurkʲɛm mɛ̃ʃtʃˈɨznɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_49.wav|unˈɔɕi vzrˈɔk, jˈaɡbɨ ˌɔtʃɛkˈivaw mɔjˈɛɡɔ pˌɔzvɔlˈɛɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_8.wav|jˈɛɡɔ pˌɔwɔntʃˈɛɲʲɛ zɔstˈawɔː ˌɔdɛbrˈanɛ pɔ dvˈuɣ dʑvˈɔŋkax.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_244.wav|tˈak, ɲʲˈɛx pˈan tʃˈɛka.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_240.wav|dˌɔmaɡˈajɔ̃ ɕɛ, ʒˈɛbɨ vʲˈɛlki sˈɛptɔn zvˈɔlɲiw mˈawɔ̃ krulˈɔvɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_354.wav|fstˈaɲ, sˈɛr, i ˈuɕɔɲtɕ ˌɔbɔk mɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_62.wav|rˈuvɲʲɛ dˈɔbrɛ vˌɨtwumatʃˈɛɲʲɛ jˈak kˈaʒdɛ ˈinnɛ, bˈɔ tsˈawɨ prˈɔtsɛs tˈak tʃɨ ˈɔvak jɛzd dla ɲʲˈɛɡɔ zaɡˈatkɔ̃.|2
+Dataset/wavs/urwisko_ferenc/09_segment_15.wav|tsˈɔ tɔ jˈɛst? spɨtˈawa, xˈɔtɕaʃ ftɕˈɔ̃ʃ mʲˈawa pʃɛt ɔtʃˈami drɛvɲʲˈanɛ dˈɔmki lˌɛtɲiskˈɔvɛ ˌɔpustˌɔʃawˈɛɡɔː ɔɕrˈɔtka.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_254.wav|f kˈaʒdɨm rˈaʑɛ zakwˈadam, ʒˈɛ tɔ tɨ jˌɛstɛɕ tɔ̃ kɔbjˈɛtɔ̃, ktˌura pˌɔjavˈiwa ɕɛ w mˈɔim pɔkˈɔju.|4
+Dataset/wavs/urwisko_ferenc/27_segment_28.wav|ˌalɛ ftʃˈɛɕɲʲɛj vˌɨʒutɕˈiwa mɲʲɛ z ɲʲˈɛɡɔ. tɔ prˈavda, strˈaʃɲʲɛ tɔ pʃˌɛʒɨvˈawa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_69.wav|ˈɔfʃɛm, i dʑawˈawɔ za kˈaʒdɨm rˈazɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_123.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_395.wav|ˌalɛ f kˈɔɲtsu zabrˈakwɔ mʲˈɛjstsa dɔː utɕˈɛtʃki i sxfɨtˈawɛm jˈɔ̃ pɔt tʃˈarnɔ̃, ukˈɔɕnɔ̃ bˈɛlkɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_155.wav|ˌɛvɛntuˈalɲʲɛ mˈɔʒɛʒ zatʃˈɨmatɕ fʃˈɨstkʲɛ pʲɛɲʲˈɔndʑɛ i vrˈutɕitɕ na ʑˈɛmʲɛ.|4
+Dataset/wavs/urwisko_ferenc/28_segment_54.wav|jˈak tɔ ɕɛ skɔɲtʃˈɨwɔ? zˌapɨtˈawa xˈɛrman, a vˌaltɛrˈɔva ɕɛ rˌɔzɛɕmʲˈawa. zˌapukˈawam dɔ jɛj dʒvˈi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_333.wav|bˈardʑɔ dwˈuɡa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_81.wav|ˈu stˈup rˈampɨ stˈɔi pɔlˈitsjant w mundˈuʒɛ s pɔtkwˈatkɔ̃ w dwˈɔɲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_103.wav|vɛʃwˈɨɕmɨ s sˈarɔ̃ dɔ tunˈɛlu i fspˈulɲʲɛ pʃˌɨtfʲɛrdʑiwˈɨɕmɨ pʲˈɛrɕtɕɛɲ, ktˌurɨ ɔtˈatʃaw jˈɛɡɔ vˈɨlɔd dɔː ˌɔbramɔvˈaɲʲa vwˈazu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_155.wav|pˈujdɛ na pɔlˈitsjɛ. dˈaj bˈɔʒɛ, ʒˈɛbɨ ɔstˈatɲi rˈas.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_25.wav|xˈɔtɕ pɔvˈiɲʲɛn bˈɨtɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_388.wav|trˈɔxɛ nˈɔn ʃalˈanski, a nˈavɛt mʲɛjstsˈami dɔftɕˈipnɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_21.wav|jˈɛɕli nˈavɛt ɲʲɛ vʲadˈɔmɔ, ˈilu lˈudʑi zˈɛ sˈɔbɔ̃ pʃˈɨvʲuz.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_17.wav|jˈakʲɛɕ pʃˌɛmɨɕlˈɛɲʲa?|3
+Dataset/wavs/urwisko_ferenc/21_segment_54.wav|ˈɔstrɔ zˌaɔstʃˈɔnɨ ɔwˈuvɛɡ drˈapaw ʃˈɔrstki pˈapʲɛr.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_41.wav|pʃˈɛs xfˈilɛ f skupʲˈɛɲʲu pʃˌɨɡlɔndˈawam ɕɛ pˈuʃtsɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_76.wav|zatʃˈɛwam ɔt tˈɛj, dɔ ktˌurɛj jˈuʃ ɕɛ dɔbrˈawam. znˈuf fspʲˈɛwam ɕɛ dɔ kasˈɛtɨ z bˌɛspʲɛtʃɲikˈami i xfɨtɕˈiwam sfˈuj pʃɛwˈɔntʃɲik.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_43.wav|f kˈaʒdɨm rˈaʑɛ zˈɔmbjɛ istɲʲˈɛjɔ̃ tˌɨlkɔ f xɔrˈɔrax.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_116.wav|zdaʒˈawɨ ɕɛ tˈu mɔrdˈɛrstfa, ˌalɛ zˈafʃɛ bˌɨwɨ tɔː ɛfˈɛktɨ kwˈutɲi mawʒˈɛɲskix ˈalbɔ pijˈatskiɣ bˈurt. tˈɛras mˌamɨ dɔ tʃɨɲʲˈɛɲʲa z rɔbˈɔtɔ̃ zˌavɔdˈɔftsa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_35.wav|jˈuʃ tɕi ɲˈiɡdɨ vʲˈɛntsɛj ɲʲˈɛdam dˈupɨ. prɛzˈɨdɛnt ɔɲʲˈɛmjaw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_229.wav|a tsˈɔ tˈɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_153.wav|bʲˈillɨ ɲʲɛ jɛst psˌɨhiˈatrɔ̃, ˌalɛ tʃˈujɛ, ʒˈɛ tɔ mˈɔʒɛ bˈɨtɕ nˈavɛd zdrˈɔvɛ.|2
+Dataset/wavs/urwisko_ferenc/52_segment_17.wav|f kˈaʒdɛj xfˈili mˈuɡw ɔdvʲˈɛdʑitɕ starˈɛɡɔ bʲˌiznɛsmˈɛna i vɨtɕˈɔŋɡnɔɲdʑ z ɲʲˈɛɡɔ vʲˈɛntsɛj ˌinfɔrmˈatsji. na rˈaʑɛ jˈɛdnak ˈuznaw, ʒˈɛ tɔ mˈɔʒɛ zatʃˈɛkatɕ.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_164.wav|kɔbjˈɛtɨ pˈiwɨ mʲɛɕˈɛntʃnɔ̃ xɛrbˈatɛ tˌɨlkɔ z jɛdnˈɛɡɔ pɔvˈɔdu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_63.wav|w nˈɔtsɨ spˈada ɕɲʲˈɛk, tˌɨlkɔ kˈilka tsˌɛntɨmˈɛtruf.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_92.wav|tɔ pˈɛvɲʲɛ nɔrmˈalnɛ, ʒˈɛ tʃwˈɔvʲɛk tʃˈujɛ ɕɛ vˈinnɨ pɔ tʃˈɨjɛjɕ ɕmʲˈɛrtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_105.wav|ˈɔt jˈɛʃtʃɛ jˈɛdɛn budˈɨnɛk, s kturˌɛɡɔ tʃˈɛba bˌɨwɔ vˈɨmjɛʑdʑ bˌɔjɔvɲˈikuf, ˌalɛ jˈaɡʒɛ vɨsˈɔkɔ̃ tsˈɛnɛ zˈatɔ zˌapwatɕˈili.|2
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_22.wav|ɲʲɛ ʒˈawuj nˈatɔ pʲɛɲʲˈɛndʑɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_98.wav|ˌabramˈɔvitʃ fskazˈujɛ pˈaltsɛm za kanˈapɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_261.wav|zˈamjast tˌɛɡɔː ˌuswɨʃˈawam vwˈasnɨ ɡwˈɔs.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_262.wav|ɲʲɛ mˈɔʒɛ ɕɛ spˈisadʑ ɡˈɔʒɛj ɲˈiʒ ɡʲˈillɛs, a pʃɨnˈajmɲʲɛj ɲʲɛ kˈaʃlɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_16.wav|a trfˈa zapˈɛvnɛ kˈilka sˈɛkunt. ɔtsˈuvam kʃˈɛswɔː ɔt stˈɔwu i fstˈajɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_58.wav|zaɕˈɛŋɡu vzrˈɔku ˌatskɛrmˈanuf, s ktˌurɨɣ dʑˈɛtɕmi bʲˈili tsˈɔ wˈikɛnd ɡrˈa w mˌɔnɔpˈɔlɨ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_66.wav|bˈɛz vɔntpʲˈɛɲʲa ɲʲɛ vˈɨʃwa pˈɔtɔ, ʒˈɛbɨ zatʃˈɛrpnɔɲtɕ ɕfʲɛʒˈɛɡɔ nɔtsnˈɛɡɔ pɔvʲˈɛtʃa.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_133.wav|pˌɔdʑɛŋkˈɔvaw ˈɔttɔ mɔrˈɔvi, pʃɨpˈɔmɲʲaw ɔ kɔmpʲˈɛli i kˈazaw pɛtskˈɔvi ˌɔtprɔvˈadʑidʑ ɡˈɔ dɔ vˈɨjɕtɕa.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_225.wav|prˈɔʃɔnts mˈatkɛ ɔ swˈɔtkʲɛ snˈɨ.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_210.wav|pɔɕrˈɔtku tˌɛɡɔ fʃɨstkʲˈɛɡɔ ɕˈɛdʑaw darˈɨɔn.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_189.wav|nˈɔɕi w wˈɔɲʲɛ mˈɔjɛ dʑˈɛtskɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_132.wav|ɲʲɛ mʲˈawam pɔjˈɛɲtɕa ɔ tsˈɔ mu xˈɔdʑi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_167.wav|zˈɛrkam pɔnˈɔvɲʲɛ na ɕtɕˈanɛ, ɲʲˈɛxtsɔnts pˈatʃɛtɕ mu w ˈɔtʃɨ.|3
+Dataset/wavs/urwisko_ferenc/12_segment_151.wav|ɔ tˈɛ ɲʲˌɛznajˈɔmɔ̃, tsˈɔ ɕɛ tˈam krɛɲtɕˈiwa?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_124.wav|jˈakaɕ ʃtʃɛɲɕlˈiva pˈara bˌɛɲdʑɛ mʲˈawa fspˌaɲʲawˈɛɡɔ dʑɛtɕˈatʃka, kturˌɛɡɔ vˌɨxɔvˈajɔ̃ f pˈɛwnɨm miwˈɔɕtɕi dˈɔmu.|3
+Dataset/wavs/urwisko_ferenc/63_segment_189.wav|pʃˌɛwɔʒˈɨwa pˈaɲi dʑˈɛtskɔ vrˈaz z nˌɔsidˈɛwkʲɛm s tˈɨlnɛj kanˈapɨ sfɔjˈɛɡɔː ˈawta dɔ fˈɔrda i ˌɔdjɛxˈawa.|0
+Dataset/wavs/urwisko_ferenc/23_segment_54.wav|— ɲʲˈɛx mɲʲɛ pˈaɲi vɨbˈatʃɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_47.wav|stˈavaw ɕɛ fizˈɨtʃɲʲɛ tsˈɔras swˈapʃɨ, a fˈakt, ʒˈɛ ʒˈɔna pʃˌɛkazˈawa dɔvˈɔdɨ pʃɛtɕˈifkɔ ɲʲˈɛmu, mˈɔtsnɔ pɔtkˈɔpaw jˈɛɡɔ mɔrˈalɛ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_54.wav|kʲˈɛdɨ lˈɔras ˈumʒɛ...|1
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_40.wav|xˈɛj lˈutsɨ, dlatʃˈɛɡɔ jˈɛʃtʃɛ ɲʲˈɛɕpiʃ? jɛst pɔ puwnˈɔtsɨ. fʃˈɨstkɔ f pɔʒˈɔntku?|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_125.wav|ɡdˈɨbɨ jˈɛdnak ɕɛ nˈatɔ zdˌɛtsɨdˈɔvaw, mˈuɕawbˌɨ ix jˈakɔɕ ˈukrɨtɕ.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_127.wav|pˈitɔ pˈɔttʃas ɲˈiɣ bˈardʑɔ dˈuʒɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_16.wav|tˈak, mˈama mi pˌɔkazˈawa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_199.wav|ˈɛliz vbjˈɛɡwa dɔ ɕrˈɔtka i pʃˈɛʃwɔ mi pʃˈɛs mˈɨɕl, ʒˈɛbɨ dˈalɛj pɔjˈɛxadʑ bˈɛs ɲʲˈɛj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_138.wav|ftɕˈɔ̃ʃ pˈatʃɛ w dˈal.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_380.wav|pˈɛntlɛ zˌatɕiɕɲʲˈɛntɔ̃ vˈɔkuw jˈɛɡɔ xˈudɛj ʃˈɨi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_14.wav|ta vɨɡlˈɔnda na malˈutkɔ̃. lˈɛdvʲɛ jˈɔ̃ vˈidatɕ w jˈɛɡɔ dwˈɔɲi.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_38.wav|zˈɛ ʃtʃˈɔtkɔ̃ w rˈɛntsɛ, ˌɔtɕɛkajˈɔntsɨ vˈɔdɔ̃? vʲˈɛʃ, kˈim jˈɛstɛm?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_56.wav|pˌɔvʲɛdʑˈawa mˈama radˈɔsnɨm ɡwˈɔsɛm.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_297.wav|vzruʃˈɨwa mˌasɨvnˈɨmi rˌamjɔnˈami. ˈɛm xtsˈɛ, ʒˈɛbɨ ɕtɕˈɛntɔː ɛdmˈura.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_122.wav|swɨʃˈawam, ʒˈɛ ʒˈɔndlɔ̃ vɨwˈɔntʃɲʲɛ samˈitsɛ ˈɔs, ˌalɛ ɲʲˈɛmam pɔjˈɛɲtɕa jˈak ɔdrˈuʒɲitɕ sˈamtsa ɔt samˈitsɨ i ɡˈuzik mɲʲɛ tɔː ɔpxˈɔdʑi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_88.wav|spɛɲdʑˈiwam f tɨm dˈɔmu zalˈɛdvʲɛ kˈilka xfˈil, a ɔn jˈuʃ jɛst w mˈɔjɛj ɡwˈɔvʲɛ i pʃˌɛkɔnˈujɛ mɲʲɛ, jˈaka jˌɛstɛm ɡwˈupja.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_73.wav|lˈutsɨ pˌɔpatʃˈɨwa na ɲʲˈɛɡɔ pɛwnˈɨmi wˈɛs ɔtʃˈami.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_334.wav|tˈak tɔ vɨɡlˈɔnda ˈu mɲʲɛ, ʒˈɛkw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_84.wav|mˈam tˈam trˈɔxɛ pʲɛɲʲˈɛndʑɨ. ɲʲɛ puwtˈɔrɛj bˈaɲki, ˌalɛ tsˈɔ nˈajmɲʲɛj ˌɔɕɛmdʑˈɛɕɔnt tɨɕˈɛntsɨ. mˈɔʒɛ nˈavɛt stˈɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_26.wav|dʒvˈi rˌɔssunˈɛwɨ ɕɛ pʃɛdˈɛmnɔ̃, ˌɔtswaɲʲˈajɔnts pʃˌɨsadʑˈistɔ̃ sɨlvˈɛtkɛ rɔsjˈaŋki irˈinɨ, ktˌura prˌatsɔvˈawa ˈu landvˈikuf ɔt ɲʲˌɛpamjˈɛntnɨx tʃˈasuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_25.wav|pˌɔvʲɛdʑˈawɛm, ʒˈɛ ɲʲɛ skɔʒˈɨstam, a ɔn ˈɔtpar, ʒˈɛ mˈɔʒɛ tɔː i lˈɛpʲɛj, bˈɔ ɡʒɛxˈɔtka lˈɛʒɨ na sˈamɨm dɲʲˈɛ plɛtsˈaka i mˈuɕawbˌɨ vɨsˈɨpatɕ fʃˈɨstkʲɛ ɡrˈatɨ, ʒˈɛbɨ jˈɔ̃ vˈɨjɔɲtɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_161.wav|muɕˈɛli fstˈavidʑ vˈaxɲiɡ z vɔlfrˈamu, ʒˈɛbɨ mʲˈaw vʲˈɛŋkʃɔ̃ mˈasɛ i mˈuɡw natɕˈɔŋɡnɔɲtɕ sprɛ̃ʒˈɨnɛ pʃɨ kɕˌɛ̃ʒɨtsˈɔvɛj ɡrˌavitˈatsji.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_319.wav|ʃˌukajˈɔntsɨx ratˈuŋku blˈiʑɲix.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_15.wav|ˈax, tɔ tˈa, ktˌurɔ̃ vidʑˈawɛm f salˈɔɲʲɛ, tˈak?|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_102.wav|zˌastanavʲˈawa ɕɛ pˈaɲi kʲˈɛdɨɕ, dlatʃˈɛɡɔ tsˈawɨ tɛn sˈɨf ɲʲɛ trˈafja dɔ mʲˈasta?|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_169.wav|pˈɔvʲɛdʑ dlatʃˈɛɡɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_90.wav|bʲˈillɨ mˈɨɕli, ʒˈɛ ta krˈutka ɔtpˈɔvʲɛdʑ zavʲˈɛra f sˈɔbjɛ tsˈawɔ̃ çistˈɔrjɛ jɛj rɛlˈatsji z mˈatkɔ̃, pˈɛwnɛj wˈɛs, vzajˈɛmnɨɣ vɨʒˈutuf i tʃˈaɕɲʲɛɲdʑ dʒvʲˈami.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_157.wav|ɕˈadam na fɔtˈɛlu kʲɛrˈɔftsɨ i ɔpʲˈɛram ɡwˈɔvɛ ɔ zaɡwˈuvɛk.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_367.wav|mˈaddɨ mi pˌɔvʲɛdʑˈawa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_64.wav|sfrˌustrɔvˈana brˈakʲɛm pɔstˈɛmpuv zɛrvˈawam pʃɛd dvˈɔma tˌɨɡɔdɲʲˈami stˈarɔ̃, brˈudnɔ̃ vˌɨkwadʑˈinɛ, tʃɨm zˌaswuʒˈɨwam sˈɔbjɛ na pˌɔwajˈaŋkɛ zˈɛ strˈɔnɨ mˈɛ̃ʒa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_284.wav|tˌɛɡɔ ɲʲɛ pˌɔvʲɛdʑˈawɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_163.wav|vˌɨɡʒɛbˈawam ɕɛ spˈɔt ɔtpˈatkuf.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_343.wav|na rˈaʑɛ mˈɔɡwa jɛdˈɨɲʲɛ pɔvʲˈɛdʑɛtɕ kˈuptsɔm, bˈɨ zˌapwatɕˈili bravˈɔfskim lixfʲˈaʒɔm nalˈɛʒnɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_73.wav|bʲˈillɨ jˈaɡʒɛ vɨrˈaʑɲʲɛ vˈidʑi bjˈawɨ pˈɨw na jˈɛɡɔ wˈapax.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_35.wav|— vʲˈɛm, ʒˈɛ zˈɔɛ jˈuʃ tɕi pˌɔvʲɛdʑˈawa ɔ vˌɨprɔvˈatstsɛ ˈaʃa, ˈɔtɨm, ʒˈɛ zˌamɛldˈɔvaw ɕɛ f xɔtˈɛlu.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_145.wav|tɔː ˌidɛˈalnɨ tɔvˈaʒɨʃ na dwˈuɡɔ̃ pˈɔdruʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_150.wav|vˌɨprɔstɔvˈawam ɕɛ na kʃˈɛɕlɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_26.wav|pɔdnˈɔʃɛ rˈɔɡʲi dvˈux mˈɔix kˈart tˈak, bˈɨ ɲˈikt ix ɲʲɛ zɔbˈatʃɨw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_96.wav|f pɔwˈɔvʲɛ ˈɛliz zavʲˈɛʃa ɡwˈɔs i vˌɨbawˈuʃa ˈɔtʃɨ. zatʃˈɨna rˌɔspatʃlˈivʲɛ wˈapatɕ pɔvʲˈɛtʃɛ, xfˈɨta ɕɛ za ɡˈardwɔ, s kturˌɛɡɔ dɔbˈɨva ɕɛ ʒɛ̃ʒˈɛɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_142.wav|xtɕˈawbɨm tˈɨlkɔ, ʒˈɛbɨʑ ɡˈɔː uʒˈɨwa, kʲˈɛdɨ nastˈɛmpnɨm rˈazɛm bˌɛɲdʑɛʃ tɔ rˈɔbʲitɕ, a pˈɔtɛm mi ɔpˈɔvʲɛʃ, jˈak tɔ fpwɨnˈɛwɔ na tfˈɔjɛ dɔznˈaɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_192.wav|ˈinna sˈɛpta ʒutɕˈiwa jɛj kɔʃˈulɛ s sˌamɔdʑˈawu.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_377.wav|jˈɛɕli tɔ kɔlˈɛjnɨ sˈɛn, pˈɔra ɕɛ ɔbˈudʑitɕ. a jˈɛɕli tɔ ʒˌɛtʃɨvˈistɔɕtɕ...|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_293.wav|w ɕfʲˈɛtɕɛ, ktˌurɨ xtsˈɛ zbudˈɔvatɕ tsˌɨtadˈɛla,|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_164.wav|pˈɔʃwabˌɨɕ kʲˈɛdɨʑ zˈɛmnɔ̃ na drˈiŋka?|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_52.wav|ɲʲɛktˌuʒɨ mɛ̃ʃtʃˈɨʑɲi tɔ lˈubjɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_57.wav|zˌawatfʲˈɔnɛ, pˌɔvʲɛdʑˈawa, pɔ tʃɨm zˌatʃasnˈɛwa dʒvˈi i ruʃˈɨwa tˈɛmpɛm, kturˌɛmu tˈɔm nˈavɛt ɲʲɛ prubˈɔvawbˌɨ dɔrˈuvnatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_245.wav|tˈak mˈɨɕli bʲˈili.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_242.wav|dʒˈɛjmz zˌastanˈavʲaw ɕɛ, tʃɨ ktˈurɨɕ mˈa pɔjˈɛɲtɕɛ, tsˈɔ jˈɛdli. dˈɔʃɛd jˈɛdnaɡ dɔ vɲʲˈɔsku, ʒˈɛ lˈɛpʲɛj ˈɔtɔ ɲʲɛ pˈɨtatɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_59.wav|bˌɨwam praktˈɨtʃɲʲɛ pˈɛvna, ʒˈɛ fɕrˈut prɔdˈuktuf na pˈuwkax ɲʲɛ bˌɨwɔ ɕrˈɔtkuf ˌantɨkˌɔntsɛptsˈɨjnɨx.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_25.wav|sˈɛtka pˈɨta z uɕmʲˈɛxɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_430.wav|ˌalɛ naprˈavdɛ lˈɛpʲɛj bˈɨ bˈɨwɔ, ɡdˈɨbɨ bˈɨw ɔtkrˈɨtɨ. pʃˈɨkrɔ mi tɔ fʃˈɨstkɔ mˈuvitɕ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_47.wav|vˈiltʃɛ snˈɨ nˌalɛʒˈawɨ dɔː ˈarji z rˈɔdu stˈarkuf.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_22.wav|dʒˈɛɡ znˈuf ɕɛ rɔzˈɛɕmʲaw.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_74.wav|ɲʲˈɛbɨw ˌamɛrˌɨkaɲˈinɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_61.wav|dlatˈɛɡɔ pˌɔmɨɕlˈawɛm, ʒˈɛ pʃˌɨtʃaˈiwaɕ ɕɛ ɡdʑˈɛɕ f pɔblˈiʒu, a tɛn sˌɨmpatˈɨtʃnɨ i ɲʲɛdrˈɔɡʲi bˈar jɛzd dˌɔskɔnˈawɨm pˈuŋktɛm ˌɔpsɛrvatsˈɨjnɨm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_129.wav|tɔ jˈɛdnaɡ dˈɔbrɨ spˈɔsup, ʒˈɛbɨ mʲˈɛtɕ ˈɔkɔ na dʑɛtɕˈaki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_31.wav|pʃˈɛstʃɛɡw, ʒˈɛ jˈɛɕli jˈɛʃtʃɛ tsˈɔɕ jɛzd zˈɛmnɔ̃ ɲʲɛ tˈak, a ɲʲɛ fpisˈawɛm tˌɛɡɔ dɔ papʲˈɛruf, tɔ lˈɛpʲɛj, ʒˈɛbɨm pɔvʲˈɛdʑaw tɔː ɔt rˈazu i ɔʃtʃˈɛɲdʑiw sˈɔbjɛ ɲʲˌɛpɔtʃˈɛbnɛj pɔdrˈuʒɨ.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_164.wav|dʑɛftʃˈɨna skulˈiwa ɕɛ na kʃˈɛɕlɛ jˈak pʃˌɛstraʃˈɔnɛ zvʲɛʒˈɔntkɔ, ˌalɛ jɛj mˈatka ɕɛdʑˈawa ʃtˈɨvnɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_25.wav|mˈɔʒɛ ɔdjˈɛxaw i jˈuʃ ɲˈiɡdɨ ɲʲɛ zɔbˈatʃɨ ˌaɲi jˈɛɡɔ, ˌaɲi tsˈurki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_32.wav|nˈɔ tɔ vʲˈɛm, ɡdʑˈɛ mʲˈɛʃkam.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_156.wav|ˌalɛ ftˈɛdɨ tˈɛxɲiɡ dˌɔxɔdʑɛɲʲˈɔvɨ pˈɔdɲʲus w nˈaʃɔ̃ strˈɔnɛ mˌiɡɔtsˈɔntsɨ ˌɛlɛktrˈɨtʃnɨm ɕfʲˈatwɛm skˈalpɛl.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_122.wav|zˌatʃɨmˈajtɕɛ ɡˈɔː i sprɔvˈatɕtɕɛ na pˌɔstɛrˈunɛk.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_250.wav|wˈadɲʲɛ tɔ vˌɨkɔmbʲˌinɔvˈanɔ, znˈalɛɕtɕ ɕɛ pɔ drˈuɡʲɛj strˈɔɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_80.wav|ˈɛm|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_205.wav|a tsɛrsˈɛi jɛst krulˈɔvɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_113.wav|bˈɛtskɨ zˌawɔʒˈɨwa, ʒˈɛ kɔbjˈɛta dˈawa im f tɛn spˈɔsub znˈatɕ, ʒˈɛ ɲʲɛ sɨpʲˈawa z mˈɛ̃ʒɛm w jˈɛdnɨm wˈuʃku.|3
+Dataset/wavs/urwisko_ferenc/48_segment_32.wav|pɔxˈɨliw ɡwˈɔvɛ i ˈutkfiw vzrˈɔk f pɔdwˈɔdʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_71.wav|dɔpˈuki tˌɛɡɔ ɲʲɛ nˌapisˈawɛm, ɲʲɛ vʲɛdʑˈawɛm, tʃɨ pɔtrˈafjɛ. tˈɛras jˈuʒ vʲˈɛm.|2
+Dataset/wavs/urwisko_ferenc/36_segment_153.wav|ɲʲˌɛnavidʑˈiwa mɲʲɛ ɲʲɛ tˌɨlkɔ zˈatɔ vɨznˈawa mˈarja.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_132.wav|ˌalɛ lˌɛvɔrˈɛntʃnɨ, xˈɨba pɔvˈinnam nˈazvadʑ ɡˈɔː ˌalvarˈɛzɛm, zˈabʲiw ˌɔbɨvatˈɛli dvˈux rˈuʒnɨx pˈaɲstf.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_348.wav|pʲˈɛrʃa tʃˈarna pˈɛrwa bˌɨwa krulˈɔvɔ̃ pirˈatuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_32.wav|ˌalɛ nˌajdʑivɲʲˈɛjʃa ˌɔkazˈawa ɕɛ jˈɛɡɔ ɡwˈɔva.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_252.wav|mˈɨɕliʃ, ʒˈɛ tɔ mɔɡwˈɔbɨ bˈɨtɕ ˌuʒɨtˈɛtʃnɛ zabˈujtsɔm?|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_88.wav|na vˈidɔk skrˌɛmpɔvanˈɛɡɔ mˌartʲinˈɛza pʃɛstˈajɛ ɡvˈizdatɕ. bʲˈillɨ vɨxˈɔdʑi z ukrˈɨtɕa i udˈɛʒa ɡˈɔ w ɡwˈɔvɛ rˌɛŋkɔjˈɛɕtɕɔ̃ rˌɛvɔlvˈɛru. ɲʲɛ za mˈɔtsnɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_73.wav|jˈɛnnɨ ʒˈutsa mi spɔjʒˈɛɲʲɛ, ktˌurɛ mˈɔɡɛ ɔkrˈɛɕlitɕ jɛdˈɨɲʲɛ jˈakɔ zˌakwɔpɔtˈanɛ, jˈɛdnak fstˈajɛ i ˈidʑɛ dɔ mɲʲɛ, xfɨtˈajɔnts pɔ drˈɔdʑɛ pudˈɛwkɔ s xˌustɛtʃkˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_62.wav|bʲˈillɨ zˌaxɔvˈujɛ tɛ pʃˌɛmɨɕlˈɛɲʲa dla ɕˈɛbjɛ i mˈuvi jɛj, ʒˈɛ ɲʲˈɛma sprˈavɨ.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_96.wav|mˈuɕiʃ im fʃˈɨstkɔː ˌɔpɔvʲˈɛdʑɛtɕ sˈam.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_44.wav|zˈafʃɛ mʲˈawa prˈɔblɛm z ˌintuˈitsjɔ̃ tˈɔma i ˌuvʲɛlbjˈawa pɔtkrˈɛɕlatɕ, ʒˈɛ w ʒˈadnɨm vɨpˈatku ɲʲɛ zˌastɛmpˈujɛ ˌɔna dˈɔbrɛj pˌɔlitsˈɨjnɛj prˈatsɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_64.wav|bɛɲdʑˌɛtɕɛ pwˈakatɕ jˈaɡ vˈɨɡram? ɲʲɛ, ɲʲɛ!|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_4.wav|baˈilɛj ɕpˈi i ɲʲɛ mˈɔɡɛ mu ɲitʃˈɛɡɔ pʃɛtʃˈɨtatɕ kʲˈɛdɨ jɛdʑˈɛmɨ dɔ ʃkˈɔwɨ? tʃɨ na zˈɛvnɔntʃ stˈɔi tɛkstˈufka? pʃˌɨjɛxˈawa pˈɔnas?|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_20.wav|dvʲˈɛ minˈutɨ pɔ dvunˈastɛj dʒvˈi xɔtˈɛlu ɕɛ ˌɔtfʲɛrˈajɔ̃ i fxˈɔdʑɔ̃ dvˈaj mɛ̃ʃtʃˈɨʑɲi.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_109.wav|spɔtkˈajmɨ ɕɛ tˈam jˈutrɔ f pɔwˈudɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_25.wav|w nastˈɛmpnɛj sɛkˈuɲdʑɛ swˈɨʃɛ ɡvawtˈɔvnɛ bʲˈitɕɛ mɔjˈɛɡɔ sˈɛrtsa i dudɲʲˈɛɲʲɛ w ˈuʃax.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_10.wav|ɲʲɛ ˈɔstrɨ jˈaɡ za dɲʲˈa, lˈɛtʃ ɲˈibɨ...|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_86.wav|brˈuskɔ kupˈɔvaw fʃˈɨstkɔ, zalˈɛʒɲʲɛ ɔt tˈɛɡɔ, tsˈɔ danˈɛɡɔ dɲʲˈa prˌɛzɛntɔvˈawɔ ɕɛ najlˈɛpʲɛj.|1
+Dataset/wavs/urwisko_ferenc/04_segment_85.wav|tʃˌɛmu ˈɔɲim rˌɔzmavʲˈamɨ?|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_32.wav|ˌalɛ pʃɨ tˈakim tˈɛmpʲɛ muɕˈawɔ tɔ zˈajɔɲdʑ vʲˈɛntsɛj tʃˈasu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_60.wav|skˈɔnt ɔn vʲˈɛ ɔ baˈilim?|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_18.wav|ˈidʑɛ pˈan f strˈɔnɛ lɔtɲˈiska?|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_100.wav|ˈɔɲʲɛ, ɲʲɛ zapˈɨtaw, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_304.wav|mˈɔjɛ ɡʲˈizmɔ zˌapiʃtʃˈawɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_88.wav|vˌɨɡʒɛbˈawam ɕɛ zˈɛ skafˈandra i ˌɔbrutɕˈiwam ɡˈɔ tˈɨwɛm dɔ ɕˈɛbjɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_180.wav|i w rˈɛʃttsɛ zˌaxɔdʑɔntsˈɛɡɔ swˈɔɲtsa tɕˈɛɲ rɛŋkˈava pʃɛtɕˈinaw bjˈawɨ pˈas startˈɔvɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_161.wav|pˈuʑɲʲɛj tsˈawa ʃkˈɔwa ɕɛ z ɲʲˈɛɡɔ nˌabʲijˈawa i dˈɔbʒɛ mu tˈak.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_149.wav|pɔdˈɔbnɨ, ˌɔtpɔvʲˈada bʲˈillɨ ɔstrˈɔʒɲʲɛ, a ɡʲˈɔrɡjɔ pˈarska ɕmʲˈɛxɛm pɔtˈɛ̃ʒnɨm, jˈakɔ̃ sˈam.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_72.wav|kʲˈɛdɨ skˈɔɲtʃɨ ɕɛ tɛn kˈɔʃmar bˈɛtskɨ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_14.wav|zˈafʃɛ ɔ tɛj sˈamɛj pˈɔʒɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_247.wav|vwˈɔntʃa laptˈɔpa i zjˈɛʒdʒa kursˈɔrɛm na kˈɔɲʲɛts tˈɛkstu.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_105.wav|a jˈɛɡɔ pˌɔwɔʒˈɛɲʲɛ pˌɔzɔstavˈawɔ ɲʲɛznˈanɛ pʃˈɛs tʃɨkrˈɔtɲʲɛ dwˈuʃʃɨ tʃˈas.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_138.wav|xfˈilɛ zˌastanavʲˈawa ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_200.wav|mˈuɡwbɨɕ tˈɛʃ jɛj pɔvʲˈɛdʑɛtɕ, ʒˈɛ zˈatɔ, tsˈɔ ɡˈɔ spɔtkˈawɔ, w ˌɔstatˈɛtʃnɨm rˌɔzraxˈuŋku ˌɔtpɔvʲˈadaʃ tˈɨ, ɲʲɛ jˈa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_26.wav|ɡwˈuvnɛ vartˈɔɕtɕi f ʃkˈɔlɛ sɔ̃ fˌundamˈɛntɛm tsˈawɛj nˈaʃɛj spˌɔwɛtʃnˈɔɕtɕi, vˌɨznatʃˈajɔ̃ jɛj tsˈɛlɛ i ˈɛtɔs.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_561.wav|na pˈuw umˈarwɛ, ɲʲˌɛruxˈɔmɛ dʒˈɛva, ɕtɕiɕɲʲˈɛntɛ pʃˈɛs pˌarkujˈɔntsɛ sˌamɔxˈɔdɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_144.wav|f pˈɛvnɛj xfˈili w mˈɔjɛj ɡwˈɔvʲɛ pɔjˈavja ɕɛ jˈɛdnɔ swˈɔvɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_211.wav|kˈɔɲtʃɨ ɕɛ nˈam tʃˈas.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_10.wav|tɛn fatˈalizm stˈaw ɕɛ f pˈɛvnɨm sˈɛnɕɛ ix spʃˌɨmjɛʒˈɛɲtsɛm.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_404.wav|vˈɨɕlij sˈɛr ˈilu nˈa|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_338.wav|rˈuʒa ɲʲɛ zapˈɛvɲi jɛj bˌɛspʲɛtʃˈɛɲstfa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_84.wav|i zˈabraw zˈɛ sˈɔbɔ̃ mɔjˈɛɡɔ sˈɨna.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_27.wav|pˌɔvʲɛdʑˈawa tɕˈixɔ dʑɛftʃˈɨna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_87.wav|pʃˈɛs xˈɨba pˈuw minˈutɨ ɲʲɛ bˌɨwɔː ˌɔtpɔvʲˈɛdʑi. znˈuf mʲˌawɛm tɔː ˌirɨtujˈɔntsɛ vraʒˈɛɲʲɛ, ʒˈɛ tsˈɔɕ jɛst ɲʲɛ tˈak.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_91.wav|pʃɛʃwˈɨɕmɨ pʃˈɛs sxrˈɔn.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_109.wav|tʃˈɛɡɔ? twumˈika.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_51.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_168.wav|rˈudɨ ɔt rˈazu ˈɔtkrɨw, ʒˈɛ tɔ tɨ jˌɛstɛɕ sˌabɔtaʒˈɨstkɔ̃. pɔkˈazaw mi naɡrˈaɲʲɛ s tsˈɛntrum vˌɨtɕɛtʃkɔvˈɛɡɔ, na ktˌurɨm vˈidatɕ tɕˈɛ f tɨm ɕmʲˈɛʃnɨm pʃɛbrˈaɲʲu.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_24.wav|mˈam nadʑˈɛjɛ, ʒˈɛ ɲʲɛ pʃɛʃkˈadʑa vam spˈaɲʲɛ vɛ fspˈulnɛj tsˈɛli.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_21.wav|zatʃˈɨmaw ɕɛ w ˌɔdlɛɡwˈɔɕtɕi jˈarda ɔd brɨndˈɛna i pʃɨvˈitaw starʃˈɛɡɔ mɛ̃ʃtʃˈɨznɛ pˌɔxɨlˈɛɲʲɛm ɡwˈɔvɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_166.wav|ˈuda dʑɛftʃˈɨnɨ ɔd zɛvnˈɛntʃnɛj strˈɔnɨ sɔ̃ blˈadɛ i bjˈawɛ jˈak kɕˈɛ̃ʒɨts, ˌalɛ ɔd vˈɛvnɔntʃ pɔkrˈɨva jˈɛ zˌasɨxajˈɔntsa krˈɛf.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_84.wav|ˌɔbɛjʒˈɛɲʲɛ tsˈɛli zajˈɛwɔ jɛj mɲʲˈɛj tʃˈasu ɲˈiʒ zˌaʃnurɔvˈaɲʲɛ pˈarɨ sandˈawuf, ˌalɛ pʃɨnˈajmɲʲɛj pˌɔfstʃɨmˈawɔ na mˈɔmɛnd wzˈɨ.|1
+Dataset/wavs/urwisko_ferenc/04_segment_90.wav|ˈɔlɡʲɛrt pˌɔdʑɛŋkˈɔvaw i vwˈaɕɲʲɛ ɕɛ pɔʒˈɛɡnaw, ɡdˈɨ pɔd brˈamɛ pɔsˈɛsji zajˈɛxaw pˌɔmaraɲtʃˈɔvɨ rˈɛnawlt tsˈaptur na numˈɛrax pɔvʲˈatu tˌɔruɲskʲˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_164.wav|barjˈɛra jˌɛ̃zɨkˈɔva dʑˈawa ˌidɛˈalɲʲɛ, jˈɛɕli xtsˈɛʃ, ʒˈɛbɨ lˈudʑɛ zˌɔstavˈili tɕˈɛ f spɔkˈɔju.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(74) R.Abbott_Zamknij Drzwi_segment_27.wav|zˌastanˈavʲaw ɕɛ, tsˈɔ tˈɛras rɔbʲˈiwa i ʒawˈɔvaw, ʒˈɛ ɲʲˈɛma ɡˈɔ pʃˈɨɲʲɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_62.wav|ɲˈidʑ dʑivnˈɛɡɔ mˈa pˈan ɡˈuza na tʃˈɔlɛ.|0
+Dataset/wavs/urwisko_ferenc/11_segment_44.wav|ˌalɛ vʲˈɛʃ, tsˈɔ jɛst f tɛj sprˈavʲɛ nˌajtɕɛkˈafʃɛ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_67.wav|z mʲˈɛjstsa, f ktˌurɨm ɡˈɔ ɲʲɛ vidʑˈanɔ lˈub z mʲˈɛjstsa, kturˌɛɡɔ bˈali ɕɛ ˈinɲi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_60.wav|f tɨm vɨpˈatku ɲʲɛ musˈimɨ bˈɨtɕ pɔ ɕlˈubjɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_129.wav|vwˈɔsɨ mʲˈawa dɔ tˌɛɡɔ stˈɔpɲʲa jˈasnɛ, ʒˈɛ vˌɨɡlɔndˈawɨ jˈak pʃˌɛɕfʲɛtlˈɔnɛ kɕɛ̃ʒˈɨtsɛm.|0
+Dataset/wavs/urwisko_ferenc/08_segment_53.wav|a tˈɛras ɕˈɛdʑɔnts f sˌamɔxˈɔdʑɛ, bɔrˈɛvitʃ kɔlˈɛjnɨ rˈas prubˈɔvaw skˌɔntaktˈɔvatɕ ɕɛ z lˈipskim.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_150.wav|bˈɛs pɔvˈɔdu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_158.wav|ktˈɔ bˌɛɲdʑɛ pˌɔstɛmpˈɔvaw zɡˈɔdɲʲɛ z jˈɛɡɔ ʒˌɨtʃɛɲʲˈami?|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_79.wav|kʲˈɛdɨ vɛndrˈɔftsɨ ɕɛ dɔ ɲˈiɣ zbliʒˈali, stˈada vrˈɔn zrɨvˈawɨ ɕɛ z vʒˈaskʲɛm s tɕˈaw viɕˈɛltsuf.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_12.wav|ɲʲɛ vʲɛdʑˈawa ktˈɔː i dlatʃˈɛɡɔ jˈɔ̃ zvʲˈɔ̃zaw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_330.wav|vɨjˈɔwɛm jˈɛdnɔ̃ tʃɨ dvʲˈɛ kɕˈɔ̃ʃki, prubˈujɔnts tʃˈɨtatɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_649.wav|pˌɔftuʒˈɨwɛm, matsˈajɔnts ɕɛ za ˈuxɛm.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_317.wav|ˌaɲi nˈavɛt spɔʒˈɨvatɕ pɔɕˈiwkuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_214.wav|ɲʲɛ zrɔbʲˈiwɔ tɔ nˈaɲim vraʒˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_8.wav|mɡwˈa na dvˈɔʒɛ ʒˈɛdwa i pɔ pˈɛvnɨm tʃˈaɕɛ pʃˈɛs ˈɔkna fpˈadwɔ dɔ ɕrˈɔtka blˈadɛ ɕfʲˈatwɔ swˈɔɲtsa.|1
+Dataset/wavs/urwisko_ferenc/21_segment_62.wav|tʃˈarnɨ ɕlˈad bˈɨw vɨrˈaʑnɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_117.wav|samˈɛrsa s kɔlˈɛi pɔvʲˈɔ̃ʒɔ̃ s kɛnnˈɛtxɛm xˈɔffɛm, ktˌurɨ ɔdˈɛɡra rˈɔlɛ kˈɔzwa ˌɔfjarnˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_77.wav|bˈavi tɕˈɛ mˈɔja ɡwupˈɔta, tˈɔm?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_135.wav|ɲʲɛ zamjˈɛʒam ix tˈɛraz vɨmjˈɛɲʲatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_30.wav|bˌɨwa ˈu jˈɔɛ w dˈɔmu, kʲˈɛdɨ jˈɔ̃ pʃɨvʲˈɔzwam. tˌɔvaʒɨʃˈɨwa jɛj kɔbjˈɛta imjˈɛɲʲɛm fˈajɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_87.wav|tˈɛssa mʲˈɛʃka nˌapʃɛtɕˈifkɔ, vʲˈɛndʑ ɡdˈɨbɨ tˈɛʒ dˌɔwɔntʃˈɨwa dɔ pˌɔzɔstˈawɨx, vʲɛdʑˈawabˌɨm, ʒˈɛ rˈɔbʲi tɔ tsɛlˈɔvɔ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_87.wav|ʒˈadnɛ ʃˌɔrɔvˈaɲʲɛ ɲʲɛ mˈɔɡwɔ jˈɛdnak uvˈɔlɲitɕ jɛj ɔd ʒˈalu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_53.wav|tˈɔm ˈɔpar ɕɛ pɔkˈuɕɛ vɨdˈaɲʲa s ɕˈɛbjɛ ɡwɔɕnˈɛɡɔ jˈɛŋku.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_57.wav|ˌɔtpɔvʲˈada w ɲʲˈɛzbɨt pɔmˈɔtsnɨ spˈɔsup. ɡdʑˈɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_68.wav|spravdʑˈiliɕmˌɨ ɔpˈɔnɨ pɔt kˈɔntɛm zɡɔdnˈɔɕtɕi zˈɛ ɕladˈami na pˈɔlu f pɔblˈiʒu lˈɔɔp lˈinɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_36.wav|pˈɔtɛm ˌuʃtʃɛlɲˈiwam vˈɛjɕtɕɛ, zˌasuvˈajɔndʑ zˈamki bwˌɨskavˈitʃnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_196.wav|mˈɨɕli tˈɛʃ, ʒˈɛ jˈɛɕli sˈam pɔstˈɔmpi zɡˈɔdɲʲɛ s plˈanɛm ɲˈika, naprˈavdɛ mˈɔʒɛ skˈɔɲtʃɨtɕ f pʃɨdrˈɔʒnɨm rˈɔvʲɛ z dʑˈurɔ̃ f tʃˈɔlɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_5.wav|vʲˈɛm tˈɛʃ, ʒˈɛ xˈɔtɕ ˌudavˈaɲʲɛ, ˈiʃ fʃˈɨstkɔ jɛst w najlˈɛpʃɨm pɔʒˈɔntku, mˈuɕi tˈatɛ spˈɔrɔ kɔʃtˈɔvatɕ, swˈɨʃɛ jˈaɡ vˈɔwa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_190.wav|tɨ bjɛɡˈawɛɕ pʃˈɛstɛ tʃɨdʑˈɛɕtɕi dɲˈi i fʃˈɨstsɨ mɨɕlˈɛli, ʒˈɛ bjˈɛɡɲʲɛʃ pˈɔtɔ, ˈabɨ zˈɔstatɕ tʃwˈɔŋkʲɛm zvʲˈɔ̃sku.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_30.wav|jˈɛɕli tˈu zɔstˈaɲʲɛ, bˌɛɲdʑɛ ɕɛ nazˈɨvaw dˈavit lˈɔtskridʒ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_72.wav|mˈam nadʑˈɛjɛ, bˈɔ ɲʲˈɛxtsɛ jˈɛxadʑ dɔː awstrˈalji.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_140.wav|rˈɛʃta pˌatrɔlɔvˈawa lɛʒˈɔntsɔ̃ na pɔwˈudɲʲu zatˈɔka rɔzbʲˈitkuf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_50.wav|xˈɨba nˈavɛd bˈardʑɛj ɲˈiʒ zvˈɨklɛ jɛj znˈɔvu mɨɕlˈawaɕ, ʒˈɛ ta lˈalka... ˈɔx ɲʲɛ, mˈuf ˈɔtɨm.|0
+Dataset/wavs/urwisko_ferenc/44_segment_72.wav|w nˈaɡwɛj tɕɛmnˈɔɕtɕi zɔbˈatʃɨw pˌɔvidˈɔki dˈavnɨɣ zdˈaʒɛɲ.|0
+Dataset/wavs/urwisko_ferenc/61_segment_3.wav|tˈam, mˈarja fskazˈawa na zarˈɔɕla.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_41.wav|pʃɨvˈitaj ɕɛ s pˈanɛm fˌɔrakˈisɛm, ˈindjɔ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_67.wav|kʲˈɛdɨ skˈɔɲtʃɨw, f kɔmnˈatɕɛ zrɔbʲˈiwɔ ɕɛ jˈuʃ tɕˈɛmnɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_102.wav|jˈakɔ najvˈɨʃʃɨ rˈaŋɡɔ̃ z ɔbˈɛtsnɨx na mʲˈɛjstsu tʃwˈɔŋkuv ɡʲˈildji vɨxˈɔdʑiw zˈɛ sfˈɔjɔ̃ vɨtɕˈɛtʃkɔ̃ jˈakɔ pʲˈɛrʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_158.wav|tɕˈɛɲʲɛ bˌɨwɨ tsˈɔraz dwˈuʃʃɛ. fkrˈuttsɛ bˌɛndɛ ɡrˈaw wˈɛ fjˌɔlɛtˈɔvɨm pˈɔrtɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_275.wav|na kˈɔɲʲɛdʑ zdˌɛtsɨdɔvˈawa ɕɛ na mʲˈɛŋkkɔ̃, vɛwɲʲˈanɔ̃ sˈukɲʲɛ, ktˌura ˌɔkrɨvˈawa jˈɔ̃ ɔt ʃˈɨi ˈaʃ pɔ kˈɔstki.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_53.wav|ʒˈɛ mˈɔʒɛ mɨlˈiwam ɕɛ pʃˈɛstɛ fʃˈɨstkʲɛ lˈata.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_162.wav|tɨ tˈu ɡdʑˈɛɕ mʲˈɛʃkaʃ, jˈudɨ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_196.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_142.wav|dɨskˈusja na tɛn tˈɛmat mˈɔɡwabˌɨ ɕɛ pʃɛrˈɔdʑitɕ f kwˈutɲʲɛ, a za ɲˈits w ɕfʲˈɛtɕɛ ɲʲˈɛxtsɛ ɕɛ z ɲʲˈɔ̃ kwˈutɕitɕ, zvwˈaʃtʃa, ʒˈɛ mˈɔʒɛ tɔ bˈɨtɕ ix ɔstˈatɲi dʑˈɛɲ rˈazɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_184.wav|sfɔjˈɛɡɔ brˈata, vˈɛdwuk ɲˈitska nazˈɨvaw ɡˈɔ tɨm palˈantɛm dˈɛ vˈinɛm, xtɕˈaw pʃˈɛɲʲɛʑdʑ dɔ ʃikˈaɡɔ, ktˈurɛ, dɔmˈɨɕlam ɕɛ, w brˈanʒɨ mɛdjˈalnɛj jɛst jˈak sɨbˈɛrja.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_72.wav|vʲˈɛŋkʃɔɕtɕ lˈudʑi, ktˌurɨɣ znˈawa bˈɛtskɨ, pˌɔʑɛlɛɲʲˈawabˌɨ z zazdrˈɔɕtɕi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_115.wav|na sˈuxɨm asfˈaltɕɛ bˈɨwɨbˌɨ dwˈuʃʃɛ i tɕɛmɲʲˈɛjʃɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_113.wav|mˌɛtalˈitʃnɨ rˈɛxɔd vˌɨlatˈɨvaw z brˈamɨ, ˌɔɡwuʃˈajɔnts pʃɛxˈɔdɲʲuf.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_20.wav|za tfɔˈimi plɛtsˈami, ˌalɛ s tfˈɔim imjˈɛɲʲɛm na ˈustax mˌasakrujˈɛmɨ planˈɛtɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_193.wav|mˈattsɛ frˈaŋka? sˈɛrjɔ?|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_73.wav|mɔɡwˈɔbɨ im ɕɛ ˈudatɕ, ˌalɛ fpˈadli na pˈaɲʲɔ̃ vʲˈɛʒɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_375.wav|ɲʲɛznˈanɔ̃ tʃˈɛluɕtɕ, ʒˈɛbɨ zapˈaʒɨtɕ xɛrbˈatɨ na rɔzɡʒˈɛfkɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_165.wav|ʒˈɛ nˈatʃɛt tʃˈaz zapwˈatɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_249.wav|lˈarɨ tˈɔmpsɔn jɛst na mʲˈɛjstsu zdaʒˈɛɲʲa, a vwaɕtɕˈivʲɛ f pɔblˈiʒu, ɡdˈɨʃ tsˈɔurt strˈit pˌɔzɔstˈajɛ zamkɲʲˈɛnta. lˈarɨ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_344.wav|jˈuʃ swˈɔɲtsɛ zɲˈikwɔ. bˈɨw tˌɨlkɔː ɔɡrˈɔmnɨ ˈɔpʃar tʃˌɛrvɔnˈɛɡɔ ɲʲˈɛba.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_91.wav|pˌɔkrɛɲtɕˈiwam ɡwˈɔvɔ̃. ɲʲɛ, dʑˈɛŋki.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_19.wav|tsˈɔ sˈɔɲdʑiʃ ˈɔtɨh nˈɔɡax, tˈɔm?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_41.wav|i pɔvˈɔli zbliʒˈawa ɕɛ dɔ zɡrˌɔmadʑˈɔnɨɣ ɡˈɔɕtɕi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_22.wav|vˈidʑiʃ, nˈaʃ ʃˈɛf xtɕˈaw zˌaaŋɡaʒˈɔvatɕ taɲʲˈɛɡɔ bˌuxaltˈɛra i vʑˈɔw çiɲtʃˈɨka.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_3.wav|ʃˈɛɕtɕ tɨɡˈɔdɲi, ktˌurɛ spɛɲdʑˈiliɕmˌɨ rˈazɛm zˈɛ stsˈɔttɛm ˌupwɨnˈɛwɔ bwˌɨskavˈitʃɲʲɛ i na xˌɔrɨzˈɔɲtɕɛ pˌɔjavˈiwɔ ɕɛ bˈɔʒɛ nˌarɔdʑˈɛɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_47.wav|ˌɔpuɕtɕˈiwam xˈɔtɛl, bˈɔ zˌadʑvɔɲˈili dɔ mɲʲɛ z rɛtsˈɛptsji, ʒˈɛ mˈuʃɛ ɕɛ vˌɨmɛldˈɔvatɕ ˈalbɔ zˈatʃnɔ̃ mi nalˈitʃatɕ nastˈɛmpnɔ̃ dˈɔbɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_57.wav|i tɛn fˈatsɛt jɛzd zaʒˈɔnttsɔ̃ majˈɔntku rɔdʑˈinɨ kˈalu?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_3.wav|ɲʲɛ pʃɛspˈawam nˈavɛt minˈutɨ w nˈɔtsɨ pɔː utrˈatɕɛ pʲɛɲʲˈɛndʑɨ na ˈaktsjɛ dˌɔbrɔtʃˈɨnnɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_170.wav|tˈak, vʲˈɛm. ɲʲɛ ɡɲʲˈɛvaj ɕɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_611.wav|na jˈɛdnɨm vˈɨrku spˈawɛm s pʃɨbˈɔtʃnɨm lɛkˈaʒɛm çitlˈɛra.|0
+Dataset/wavs/urwisko_ferenc/53_segment_105.wav|mˈam vraʒˈɛɲʲɛ, ʒˈɛ fˈɔtki bˌɨwɨ rɔbjˈɔnɛ w dvˈɔʒɛ artˈusa. pˈɨtam, bˈɔː ˈu xudʑˈiɲskix na ɕtɕˈaɲʲɛ vˈiɕi s kɔlˈɛi jɛj zdjˈɛɲtɕɛ zˈɛ studɲʲˈufki.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_69.wav|tɔ mˈa ɔn f tɨm sfˈuj ˈudʑaw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_6.wav|pɔ xfˈili ruʃˈɨli w drˈɔɡɛ. dʑˈɛɲ bˈɨw upˈalnɨ. alˈɛjka dʑawˈawa jˈɛdnak jˈak tˈunɛl pɔvʲˈɛtʃnɨ i zˈaras pɔtʃˈuli pʃɨjˈɛmnɨ pˈɔvʲɛv vʲˈatru.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_72.wav|xtsˈɛ ɡˈɔ zapˈɨtatɕ, kʲˈɛdɨ jˈɛɡɔ zdˈaɲʲɛm ˈaʒ vrˈutɕi dɔ dˈɔmu, ˌalɛ ˌɔtfʲɛrˈajɔ̃ ɕɛ dʒvˈi i dɔ salˈɔnu fxˈɔdʑi mˈili, pʃˌɨtɕiskˈajɔndʑ dɔ pʲˈɛrɕi dʒˈudʒu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_129.wav|ɡˈɔʒɛj bɨwˈɔbɨ s tˌumanˈami pʲˈaxu.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_183.wav|tɔ jˈɛdnak ɲʲɛ mʲˈawɔ sˈɛnsu.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_85.wav|dla vɨɡˈɔdɨ turˈɨstuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_145.wav|rˈɔi ɕɛ ɔt xˌɨdrawlˈikuf, dmuxˈatʃɨ ʃkwˈa i ɕlusˈaʒɨ. spavˈalɲi, varʃtˈatuf naprˈaftʃɨx. mˈɔʒna bˈɨ vɨmjˈɛɲʲadʑ bˈɛs kˈɔɲtsa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_61.wav|a ʃtʃɛɡˈulɲʲɛ kˈɔlan lˈup f ktˌurɨx uʒˈɨtɔ mwˈɔtka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_18.wav|jˈak tfˈɔja ɡwˈɔva?|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_128.wav|stˈaw xfˈilɛ bˈɛs rˈuxu, pˈɔtɛm znˈuv zapˈɨtaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_62.wav|tˈak, mˈɔja drˈɔɡa.|4
+Dataset/wavs/urwisko_ferenc/14_segment_76.wav|— pˈaɲi lˌɛvandˈɔfska bˌɨwa ɡvʲˈazdɔ̃ ˌintɛrnˈɛtu — mrˈuɡnɔw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_36.wav|jɛzd zdˌɛzɔrjˌɛntɔvˈanɨ, ˌalɛ ɲʲɛ prˌɔtɛstˈujɛ. pɔtxˈɔdʑi i ˌɔbɛjmˈujɛ mɲʲɛ ɔt tˈɨwu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_94.wav|dɔpʲˈɛrɔ pɔ kˈilku tɨɡˈɔdɲʲaɣ zˌɔrjɛntɔvˈawam ɕɛ, ʒˈɛ ɲʲɛ tˌɨlkɔ ja ɕɛ pʃɛɲʲˈɔswam.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_186.wav|vˈɛʃwa na stˈɔpɲʲɛ i stanˈɛwa ˌɔbɔk mˈar. ɲˈiɡdɨ ɲʲɛ pɔtrˈafiw zɲʲˈɛɕtɕ, ɡdˈɨ lˈudʑɛ ɕɛ z ɲʲˈɛɡɔ ɕmʲˈali.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_542.wav|dlatʃˈɛɡɔ pɔdvˈujnɔ̃?|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_337.wav|tfˈuj brˈat pʃɛbˈɨva f siɡˈardʑɛ.|1
+Dataset/wavs/urwisko_ferenc/32_segment_8.wav|kˈɔntɛm ˈɔka vidʑˈawa, ʒˈɛ ɔtfˈɔʒɨw ˈusta, ˈalɛ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_173.wav|fʃˈɨstkɔː ˈɔprutʃ ˈɛlis, mˈuvi ipˈarska ɕmʲˈɛxɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_30.wav|ˌɔtʃɨvˈiɕtɕɛ, spravdʑˈamɨ za pɔmˈɔtsɔ̃ ˈanpr, dˈɔkɔnt fˈatsɛt pɔjˈɛxaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_94.wav|dɔmˈɨɕla ɕɛ, ʒˈɛ tɔ pɔtpˈaska na tˈampɔn jˈɛʃtʃɛ bˈɨ ɕɛ ɲʲɛ pˌɔvaʒˈɨwa i vrˈɛʃtɕɛ zapˈina rɔspˈɔrɛk.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_137.wav|a tfˈuj mwˈɔdɨ vˈilk ɲʲɛ ʒˈɨjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_89.wav|fpˈadli w zasˈatskɛ tˈuʃ pʃɛt mˈɔstɛm na ɛwfrˈatɕɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_71.wav|pʃˈɛʃɛd dɔ druɡʲˈɛɡɔ pɔkˈɔju i pˈɔdɲʲus swuxˈafkɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_515.wav|fʃˈɛdwɛm pʃˈɛs pˈɔkuj zˌastanavʲˈajɔnts ɕɛ nˈattɨm dʑˈivnɨm imjˈɛɲʲɛm lˈuba.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_373.wav|pʃɨɕˈɛŋɡaw, ʒˈɛ ɲʲɛ mˈɔʒɛ pɔvʲˈɛʒɨtɕ jɛj krukˈɔvi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_44.wav|pɔ tsˈɔ tˈutaj pʃˈɨʃwam?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_5.wav|kˌatastrɔfˈalnɛj rɔzɡrˈɨfki f pɔkˈɛra, xˈɔlu pɛwnˈɛɡɔ pˌɔlitsjˈantuf i brˈaku dɔstˈɛmpu dɔ mɔjˈɛɡɔ sˌamɔxˈɔdu.|3
+Dataset/wavs/urwisko_ferenc/19_segment_50.wav|— a vɨ mu ˌuvʲɛʒˈɨliɕtɕˌɛ? — ɲʲɛ mˌamɨ pˈɔtstaf, ʒˈɛbɨ mu ɲʲɛ vʲˈɛʒɨtɕ — ˌɔɕfʲattʃˈɨwa xˈɛrman i ˌumɔtʃˈɨwa ˈusta f tʃˈarnɛj xɛrbˈatɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_181.wav|tɔ bˈardʑɔ rɔzlˈɛɡwɨ tˈɛmat. mˈɔɡwabˌɨɕ sprˌɛtsɨzˈɔvatɕ, ɔ tsˈɔ tɕi xˈɔdʑi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_89.wav|dʑɛŋkˈujɛ tɕˈi, dʒˈɔnsɔn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_61.wav|ɲʲˌɛvɨkˌɔnaftʃˈɛɡɔ f kasˈɨɲʲɛ w mˌanxɛstˈɛʒɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_46.wav|sɔ̃ jˈɛdnak wˈɛ mɲʲɛjʃˈɔɕtɕi, zˌauvˈaʒa bʲˈillɨ, vɨxˈɔdʑɔnts na zˈɛvnɔntʃ.|2
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_24.wav|jˌɛstɛm idjˈɔtkɔ̃, tsalvˈiɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_14.wav|pɔpˈatʃɨw nˈamɲʲɛ z ɲʲˌɛpɔkˈɔjɛm.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_88.wav|tʃɨ tɨ tˈu dɔvˈɔdʑiʃ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_100.wav|tɔ dˈɔbʒɛ, stfʲˈɛrdʑa bʲˈillɨ. musˈimɨ mʲˈɛtɕ jˈak najvʲˈɛŋkʃɔ̃ pʃɛvˈaɡɛ na stˈartɕɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_62.wav|a mˈɔʒɛ na rɔzmˈɔvɛ ɔ prˈatsɨ w ˈinnɛj fˈirmʲɛ i ɲʲɛ xtɕˈawa, ʒˈɛbɨ ktɔkˈɔlvʲɛk tˈutaj ɕɛ ˈɔtɨm dɔvʲˈɛdʑaw?|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_162.wav|tˈak? nˈɔrvɛk ɔdʒˈutɕiw klˈutʃ nˌasadˈɔvɨ i pʃɨtrˈuxtaw dɔ mɲʲɛ. ˌɔpɔvʲˈadaj.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_24.wav|vʲˈɛnts tsˈuʃ s tˈɛɡɔ, mˈikɛ? pɔ tsˈɔ kˌɔmplikˈɔvatɕ sprˈavɨ?|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_297.wav|zapˈɨtaj sˈam ɕˈɛbjɛ, dlatʃˈɛɡɔ pˌɔzvɔlˈilibˌɨ ˈɛmɔn tˌarɡarˈɨɛn marnˈɔvaw ʒˈɨtɕɛ na mˈuʒɛ, xˈɔtɕ pɔvˈinɲi pʃˈɨznatɕ mu rˈaŋɡɛ artsɨmˌaɛstˈɛra.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_168.wav|dˈavn pˌɔkrɛɲtɕˈiwa pɔvˈɔli ɡwˈɔvɔ̃, a jɛj ˈusta vɨɡʲˈɛwɨ ɕɛ lˈɛkkɔ w vɨrˈaʑɛ rˌɔzbavʲˈɛɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_96.wav|xtsˈɛ zapˈɨtatɕ jˈɔ̃, kˈim bˈɨw ˈuf ˈɔn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_23.wav|tɔ dˈɔdʒ rˈam, mˈɔdɛl ɡvˈat tsˈap, s pɔtʃˈɔntkuf ˌiksˌiksˈi vʲˈɛku. kʲˈɛdɨɕ ɲʲɛbjˈɛski, tˈɛras prˈavʲɛ tsˈawɨ ʃˈarɨ.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_244.wav|ˌalɛ ˌɔɲi jɛj ɲʲɛ swuxˈali.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_53.wav|jɛdnˈɛɡɔ vˈidʑaw w ˌapartamˈɛɲtɕɛ ɲˈika i bjˈuʒɛ dɔˈublɛ dɔmˈinɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_35.wav|fˈɔsa ɲʲɛ bˈɨwɔ. vrˈutɕiw tˈam, dˈɔkɔnt tˈatsɨ jˈak ɔn ɕɛ zmɨvˈajɔ̃, jˈak jˈuʃ pˈuʃtʃɔ̃ sfˈɔjɛ plˈanɨ w rˈux.|2
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_49.wav|jˈak ɕɛ w ɔɡˈulɛ dˌɔvʲɛdʑˈawɛɕ, ʒˈɛ tɔ jˈa?|4
+Dataset/wavs/urwisko_ferenc/12_segment_54.wav|tɕɛkˈavɛ, stfʲˈɛrdʑiw, ɡdˈɨ xˈɛrman uɕˈadwa pʃɨ sfˈɔim bjˈurku.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_342.wav|dɔpˈuki ɲʲɛ ɔdvˈaʒɨ ɕɛ skˈɔtʃɨtɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(28) R.Abbott_Zamknij Drzwi_segment_20.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_50.wav|ˌalɛ ɲʲˈɛvʲɛm, tsˈɔː ˈɔtɨm mɨɕlˈawa ta kɔbjˈɛta.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_10.wav|musˈimɨ xrˈɔɲitɕ prɨvˈatnɔɕtɕ lˈudʑi.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_173.wav|jˈak rˌɔzmʲɛɕtɕˈiwɛɕ ɔddʑˈawɨ, kuzˈɨɲʲɛ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_235.wav|ɡdˈɨʃ ftˈɛdɨ bˈuk, nˈavɛt jˈɛɕli ɡˈɔ ɲʲɛ zabʲˈijɛ, tɔ ɲˈits jˈuʒ dla ɲʲˈɛɡɔ ɲʲɛ zrˈɔbʲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_174.wav|dˈɔbra, umˈɔva stˈɔi, dɔdˈawam pɔ xfˈili zˌastanɔvʲˈɛɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_114.wav|pɔdˈɔbɲʲɛ jˈak sɔlˈarjum ɲʲˈu jˈɔu, sˈalɔn pʲɛŋknˈɔɕtɕi xˈɔt nˈails i stˈudjɔ tˌatuˈaʒu jˈɔllɨ rˈɔɡɛr.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_119.wav|pʃˌɛsuvˌajɔntsˈɛɡɔ dʑvˈiɡɲʲɛ zbjɔrɲˈikuv ɡˌazɔlˈinɨ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_85.wav|tsˈɔrin sxˈɔdʑi pɔ sxˈɔdax i pɔtpˈarta pɔd bˈɔki ɔɡlˈɔnda plˈanʃɛ i fˌinansˈɔvɛ zasˈɔbɨ ɡrˈatʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_176.wav|tsɛrsˈɛi pˌɔtsawɔvˈawa ɡˈɔ w ˈɔba pɔlˈitʃki.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_111.wav|i tfˈɔjɛ dʑˈɛtskɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_110.wav|jˈaɡɡɛr ɲʲɛ swˈuxaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_14.wav|ɕˈada na wˈuʃku i sprˈavdʑa pˈarɛ ʒˈɛtʃɨ na tˌɛlɛfˈɔɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_12.wav|pɔvʲˈɛdʑaw fskazˈujɔnts ɲˈiskʲɛ, ɔbʲˈitɛ skˌurɔpɔdˈɔbnɨm mˌatɛrjˈawɛm kʃˈɛswa.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_26.wav|sfɔbˈɔda ˈuɕad na tˌabɔrˈɛtɕɛ i stʃˈɛliw knɨktɕˈami.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_405.wav|a vʲˌɛtʃɔrˈami xɔdʑˈiwɛm dɔ bˈaru i ˌɔpɔvʲadˈawɛm lˈudʑɔm ˈɔtɨm, ʒˈɛ...|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_355.wav|i skˈɔnt ˈɔtɨm vʲˈɛʃ?|0
+Dataset/wavs/urwisko_ferenc/60_segment_3.wav|minˈɛwa xˈɛrman, ktˌura stˈawa tsˈawɨ tʃˈaz w dʒvʲˈax jˌɛdnɔˌɔsɔbˈɔvɛj sˈali. — tˌɨlkɔ krˈutkɔ, dˈɔbʒɛ? — pˌɔprɔɕˈiwa dʑɛftʃˈɨna.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_150.wav|ˌuswɨʃˈawam za sˈɔbɔ̃ kʃˈɨki i zˌastanavʲˈawam ɕɛ, tsˈɔ mˈuvi ˈaram.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_218.wav|trˈaʑdʑ bˌɨwa tˈaka, ʒˈɛ ʃukˈamɨ zˌavɔdˈɔftsa, ktˌurɨ jɛst najlˈɛpʃɨm z najlˈɛpʃɨx.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_250.wav|nazˈɨva ɕɛ mɛrˈibalt.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_84.wav|klˈɛrki xtɕˈaw zɔbˈatʃɨtɕ, jˈak tɔ jˈɛst.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_165.wav|ˈɛlis skˈatʃɛ pɔ kanˈawax tˌɛlɛvizˈɨjnɨx. zˌatʃɨmˈujɛ ɕɛ na dwˈuʒɛj na tˌɛtsˌɛˈɛm, ɡdʑˈɛ frˈɛt astˈɛrɛ tˈaɲtʃɨ z ɡʲˈiŋɡɛr rˈɔɡɛrs, pɔ tʃɨm pʃɛwˈɔntʃa dˈalɛj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_10.wav|mˈɔʒɛ tˌɛɡɔ samˈɛɡɔ sˌɛlɛɲizˈanta pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_62.wav|jˈɔxanssɔn tfʲˈɛrdʑi, ʒˈɛ vˌɨstavʲˈawa im faktˈurɨ jˈakɔ pˌɔdvɨkɔnˈaftsa, vʲˈɛnts ɲʲɛ vidɲʲˈawa na lˈi��tɕɛ pwˈats.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_188.wav|ɲˈits s tɨx ɔkrˈɔpnɨɣ ʒˈɛtʃɨ bˈɨ ɕɛ ɲʲɛ zdaʒˈɨwɔ, ɡdˈɨbɨ ɲʲɛ swˈabɔɕtɕ stsˈɔtta.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_184.wav|pʃˈɛs xfˈilɛ ɔɡˈarɲʲa mɲʲɛ fɕtɕˈɛkwɔɕtɕ i zatɕˈiska mˈɔtsnɔ rˈɛntsɛ na pɔrˈɛntʃɨ balkˈɔnu. jˈak stsˈɔtt mˈɔʒɛ mi tɔ rˈɔbʲitɕ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_21.wav|tɔ mˈuɕi bˈɨtɕ tɛn pˈɔkuj ˌɔpɛratsˈɨjnɨ, ɔ ktˌurɨm fspɔmˈinaw tˈɔm.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_146.wav|kʲˈɛdɨ ja bˌudɔvˈawɛm tarˈanɨ i vʲˈɛʒɛ ˌɔblɛ̃ʒɲˈitʃɛ, raˈɨmɔnt frˈɛj vzɲʲˈus ʃˈafɔt.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_48.wav|jˈakim tsˈudɛm mʲˈawabˌɨ ɕɛ zˈatɛm dˈɔstadʑ dɔ tˈɨrtsli lˈup lˈain?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_66.wav|ɲˈiɡdɨ tɛj ɡˌɔtɔvˈɔɕtɕi ɲʲɛ trˈatsɛ, tˈɔm.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_256.wav|fʃˈɨstsɨ ˌɔskarʒˈɛɲi ɔ zdrˈadɛ zɔstˈali jˈuʃ ˌarɛʃtɔvˈaɲi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_11.wav|ʒˈutsam bˈɛtskɨ pʃˌɛraʒˈɔnɛ spɔjʒˈɛɲʲɛ, a ˌɔna kˈiva ɡwˈɔvɔ̃, ʒˈɛbɨ mɲʲɛ zapˈɛvɲitɕ, ʒˈɛ fʃˈɨstkɔ jɛst f pɔʒˈɔntku.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_17.wav|znˌajdujˈɛmɨ ɕɛ pʃɨ stˈɔlɛ bˈɛs limˈituf i zakwˈadam, ʒˈɛ stˈafki bˌɛndɔ̃ tˈutaj naprˈavdɛ vɨsˈɔkʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_29.wav|ˈandɛrsɔn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw. vɨtɕˈɔŋɡnɔw rˈɛŋkɛ f strˈɔnɛ dʒvˈi xaŋɡˈaru i zɲˈiknɔw.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_83.wav|sˈandɔr mˈuɡw bˈɨtɕ tfˈardɨ i brutˈalnɨ, ˌalɛ tɔ jˈɛɡɔ stˈarʃɨ brˈad bˈɨw pravdʑˈivɨm pɔtfˈɔrɛm w rˈɔdʑɛ klˌiɡaˈinuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_95.wav|nˈaɡlɛ zˌɔbatʃˈɨwam bˈɔba lˌɔuˈisa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_12.wav|nˈavɛt ɲʲɛ mˈuɕawbˌɨ fxˈɔdʑidʑ dɔ ʒadnˈɛɡɔ z budˈɨŋkuf, f ktˌurɨx ˌɔdbɨvˈajɔ̃ ɕɛ tɛ kʲɛrmˈaʃɛ, bˈɔː i pɔ tsˈɔ, skˈɔrɔ na parkˈiŋɡu mˈuɡwbɨ dɨskrˈɛtɲʲɛ kˈupitɕ pˌɔʒɔndnˈɛɡɔ ɡnˈatɛ za ɡɔtˈufkɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_55.wav|mrˈɔtʃnɛ, ɔpskˈurnɛ mʲˈɛjstsɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_330.wav|sˌamɔxˈɔdɨ mˈiltʃkʲɛm ɕmiɡˈajɔ̃ f tˈɛ i vɛ f tˈɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_58.wav|tsˈɔ ɕɛ stˈawɔ? kˈim pˈaɲi jˈɛst?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_7.wav|mʲˌɛliɕmˌɨ ˌinfɔrmˈatsjɛ ɔd zɛspˈɔwu prˌatsujɔntsˈɛɡɔ f tfˈɔim dˈɔmu, ʒˈɛ vidʑˈanɔ mɛ̃ʃtʃˈɨznɛ f sɨpʲˈalɲi dˈɔmu napʃˈɛtɕif, dˈɔmu pˈannɨ ɔxˈanlɔn.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_24.wav|rˈɔbʲi ɕɛ s tˌɛɡɔ tsˈɔɕ w rɔdʑˈaju stɕˈɛntsɛ fˈitstjɔn.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_442.wav|ʃɛpnˈɔwɛm sˈam dɔ ɕˈɛbjɛ.|0
+Dataset/wavs/urwisko_ferenc/30_segment_8.wav|ɡdˈɨbɨ dʑˈiɕ ˈuɕad ˌɔbɔk tsˈurki na tarˈaɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_6.wav|a tɨmtʃˈasɛm xtɕˈaw pɔtʃˈɨtatɕ na tˈɛmat naˈila stratsˈana i jˈɛɡɔ fˈirmɨ, vʲˈɛnts pʃɨsˈunɔw sˈɔbjɛ kʃˈɛswɔ dɔ bjˈurka kˈita.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_315.wav|tɔ mˈɔjɛ mˈurɨ.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_23.wav|pʃˌɨɡɔtɔvˈaliɕmˌɨ dla vˈas fʃˈɨstkix kɔmnˈatɨ, pˌɔvʲɛdʑˈawa dɔː alˈain.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_12.wav|ˈilɛ kˈɔbjɛd vʲɛʒˈɨwɔ f sfˈɔix mˈɛ̃ʃtʃɨzn i nˈaɡlɛ ɕɛ dˌɔvʲadɨvˈawɨ, jˈaɡ bˈardʑɔ ɕɛ mɨlˈiwɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_31.wav|inˈatʃɛj mˈuviʃ.|2
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_23.wav|pravdʑˈivɨ dʒɛntˈɛlmɛn.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_111.wav|xtɕˈawbɨm dla ɲʲˈɛɡɔ pratsˈɔvatɕ.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_268.wav|mˈɔʒna bˈɨ pɔmˈɨɕlɛtɕ, ʒˈɛ bjˈawa wˈaɲʲa naˈutʃɨ mɛrˈɛta tʃˈɨmatɕ ɕɛ z dˈala ɔd vɨjˈɛntɨx spˈɔt prˈava dʑˈɛvɛk.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_19.wav|xˈɨba pˌɔvinɲˈiɕmɨ dɔkwˈadɲʲɛ p��ɛɕfʲˈɛtlitɕ finˈansɛ fˈirmɨ, zˌasuɡɛrˈɔvaw kˈitt.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_209.wav|miltʃˈɔntsɛ ɕˈɔstrɨ zˈafʃɛ s xˈɛɲtɕɔ̃ pʃɨjmˈujɔ̃ vdˈɔvɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_50.wav|pɔtʃˈuwam ɕɛ ɡwˈupjɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_86.wav|bˈɔ ftˈɛdɨ jˈuʒ zˌamɨkˈali fʃˈɨstkix, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_60.wav|pʃɛt kˈaʒdɨm pɔkˈɔjɛm stˈɔjɔ̃ dvˈa tˈaɲʲɛ kʃˈɛswa ˌɔɡrɔdˈɔvɛ. na jˈɛdnɨm ɕˈɛdʑi ˈɛlis i pˈatʃɨ w ɡvʲˈazdɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_67.wav|xˈɔdʑi ɔ vˌɛrbɔvɲˈika.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_356.wav|mˈɔdlitɕ ɕɛ i zvʲˈɛvatɕ ˈilɛ ɕˈiw w nˈɔɡax.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(70) R.Abbott_Zamknij Drzwi_segment_12.wav|tʃɨ ˌɔna kˈɔɡɔʑ vɨswˈawa, ʒˈɛbɨ ɡˈɔː ˌɔpsɛrvˈɔvaw i sprˈavdʑaw, tʃɨ ˈaʒ vɨpˈɛwɲʲa fʃˈɨstkʲɛ pˌɔlɛtsˈɛɲʲa? a mˈɔʒɛ tɔ ktˈɔɕ s pɔlˈitsji?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_67.wav|i pʃɨɡlˈɔnda mu ɕɛ pʃˈɛs kˈilka sˈɛkunt.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_5.wav|bˈɛtskɨ fpˌatrɨvˈawa ɕɛ f tablˈitsɛ, na ktˌurɛj zˌavʲɛʃˈɔnɔ zdjˈɛɲtɕa fʃˈɨstkiɣ zˌaaŋɡˌaʒɔvˈanɨx f sprˈavɛ ˈɔsup.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_94.wav|brˈɛa i talˈɛa ɕɛdʑˈawɨ s pʃˈɔdu, ʃˈɛptʃɔnts tsˈɔʑ dɔ ɕˈɛbjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_246.wav|ˈalbɔ zasnˈɛwa kamjˈɛnnɨm snˈɛm, ˈalbɔ jɛst ɕfʲatˈɔvɛj klˈasɨ aktˈɔrkɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_247.wav|ktˌurɨ ɔkˈazaw ɕɛ fatˈalnɨ f skˈutkax.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(74) R.Abbott_Zamknij Drzwi_segment_11.wav|tˈɛras jˈuʃ ɲˈiɡdɨ mu ɲʲɛ zˌaufˈajɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_31.wav|mˈɨɕlɛ, ʒˈɛ tɔ vʲˈɛlɛ nˈam ˈɔɲʲɛj mˈuvi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_65.wav|ˌɔɲi ɲʲɛ mˈɔɡɔ̃ zˈɔstatɕ tˈu na zˈafʃɛ, bˈɔ tɔ ɲʲɛ jɛst iɣ dˈɔm.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_120.wav|ɲˈiɡdɨ ˈɔtɨm ɲʲɛ mɨɕlˈawɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_87.wav|pˈatʃɛ na zdjˈɛɲtɕa i natˈɨxmʲast rˌɔspɔznˈajɛ stsˈɔtta.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_119.wav|ɕfʲˈɛtna sprˈava dla mawʒˈɔŋkuv z dwˌuɡɔlˈɛtɲim stˈaʒɛm. mˈɔɡɔ̃ fspˈulɲʲɛ ɔtkrˈɨvatɕ rɔskˈɔʃɛ sˈɛksu na nˈɔvɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_283.wav|pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/urwisko_ferenc/42_segment_48.wav|vˈɨtʃuw, ʒˈɛ xˈɛrman ɕɛ vˈaxa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_199.wav|kʲˈɛdɨ ɕɛ bˈudʑi, dʑɛftʃˈɨna stˈɔi nˈadɲim f tˈɛʃˈɛrtɕɛ, ktˌurɨ jɛj vwˈɔʒɨw, kwˈadɔnts jˈɔ̃ dɔ wˈuʃka.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_263.wav|zˈapis çistˈɔrji tɔ pʃɨpˈadɛk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_26.wav|tɔ zdˌumjɛvajˈɔntsɛ, jˈak ʃˈɨpkɔ dʑˈɛtɕi pɔtrˈafjɔ̃ ɕɛ pʃˌɨstɔsɔvˈɨvadʑ dɔ nˈɔvɨɣ varˈuŋkuf.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_24.wav|ɲʲɛ dˌɔstʃɛɡˈatɕɛ tˈɛɡɔ? tɔ mˈuɕi bˈɨtɕ ˈɔn. pʃˈɨʃɛd dɔ mɲʲɛ dɔ dˈɔmu w ubjˈɛɡwɨm tɨɡˈɔdɲʲu. xˈɔdʑiw za mnˈɔ̃, kʲˈɛdɨ ˌɔdbjɛrˈawam jˈɔ̃ zˈɛ ʃkˈɔwɨ, jˈak jˈakiɕ stˈalkɛr.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_32.wav|ɲʲɛ ˌuswɨʃˈɛli ˌɔtpɔvʲˈɛdʑi, jɛdˈɨɲʲɛ klikɲʲˈɛɲtɕɛ ˌɔtkwadˈanɛj swuxˈafki.|3
+Dataset/wavs/urwisko_ferenc/35_segment_27.wav|— ɲˈits. vrutɕˈiwɛm dɔ dˈɔmu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_211.wav|prˈava, ktˌurɨx ix ɔjtsˈɔvʲɛ utʃˈɨli ɕɛ pʃɨ ɔɡɲˈiskax i f kɔɕtɕˈɔwax, a ˌɔɲi sˈami nˌautʃˈɨli ɕɛ ɕˈɛdʑɔnts pʃɨ tˌɛlɛvizˈɔrax i pˈijɔnts alkˈɔxɔl.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_109.wav|vʲˈɛdʑɔ̃, ʒˈɛ zmʲɛɲˈiwɛʑ vˈɨɡlɔnt. inˈatʃɛj za xɔlˈɛrɛ ɲʲɛ vɨdˈɔstawbˌɨɕ ɕɛ z rˈɛd blˈuff.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_31.wav|na dʒˈɛvʲɛ ftɕˈɔ̃ʃ jˈɛʃtʃɛ bˌɨwɔ ɲʲˈɛtsɔ bjˈawɨx kfʲˈatuf i tʃˈuw tˈɛras iɣ zˈapax, kʲˈɛdɨ spadˈawɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_18.wav|ɲʲɛ znajdˈujɛ ɲitʃˈɛɡɔ pˌɔzɨtɨvnˈɛɡɔ, tsˈɔ mˈɔɡwabˌɨm pɔvʲˈɛdʑɛtɕ, ˌalɛ mˈuʃɛ pʃˌɛkabˈatɕitɕ tˈɛ kɔbjˈɛtɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_590.wav|za ˈɔknɛm dɲʲˈawɔ. pˈɛvɲʲɛ xurˈaɡan vzɲʲˈɛtɕiw ɡdʑˈɛɕ pˈɔʒar.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_164.wav|rɔzˈumjɛj mɲʲɛ jˈak xtsˈɛʃ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_8.wav|fʃˈɨstkɔ, tsˈɔ dla mɲʲɛ zrˈɔbʲiw?|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_189.wav|bˌɨwa lʒˈɛjʃa ɔt stˈarɛj, zrɔbjˈɔna z jˈasnɨɣ zwˈɔtɨx ɲˈitɕi i ˌɔzdɔbjˈɔna ʃmˌaraɡdˈami, ktˌurɛ bwɨʃtʃˈawɨ, ɡdˈɨ tsɛrsˈɛi ˌɔdvratsˈawa ɡwˈɔvɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_31.wav|ɡdˈɨbɨm ˌɔtfɔʒˈɨwa ɡˈɔ na tsˈawɔ̃ ʃɛrˈɔkɔɕtɕ, f tɕˈɔŋɡu ɲʲɛspˈɛwna minˈutɨ w ɕlˈuʑɛ zˌapanɔvˈawabˌɨ prˈuʒɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_42.wav|swuʒˈɨwɛm f tʃˈɛtɕim bˌataljˈɔɲʲɛ, znˈanɨm tˈɛʃ jˈakɔ tɕˈɛmnɨ kˈɔɲ.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_339.wav|vɛ tʃˈɛɣ vˌɨtrɔpˈimɨ i vˌɨtɛmpˈimɨ fʃˈɨstkiɣ baɲˈituf, jˈatsɨ jˈɛʃtʃɛ pˌɔzɔstˈali f tɨx strˈɔnax.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_325.wav|tʃɨ spˈɛɲdʑiʃ pˌɔpɔwˈudɲʲɛ z ʒˈɔnɔ̃ i jɛj kˌuzɨŋkˈami?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_91.wav|vʲˈɛm, tsˈɔ xtɕˈaw mi pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_342.wav|pʃɨnˈajmɲʲɛj tˈɨx, ktˌurɨx ɲʲɛ zˈabʲiw kˈɔʑɔw.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_395.wav|ˌɔna rˈuvɲʲɛʃ ɕɛ ɲʲɛ nadˈajɛ.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_267.wav|spˈaɲʲɛ bˈɛs snˈuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_274.wav|tɔ ja jˌɛstɛm vɨrˈɔdnɔ̃ tsˈurkɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_12.wav|nad dʒɛvˈami krɔ̃ʒˈɨwɨ stˈada ɡavrˈɔnuf ˈalbɔ kˈavɛk, krˈatʃɔndʑ zwɔvrˈuʒbɲʲɛ jˈak f stˈarɨɣ bˈajkax.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_149.wav|lˈitʃɨw sˈɔbjɛ mɲʲˈɛj ɲˈiʃ tˈɨɕɔnts lˈudʑi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_76.wav|xtsˈɛ mu ˈɔtɨm pɔvʲˈɛdʑɛtɕ, kʲˈɛdɨ ɔdʑˈɨva ɕɛ mˈama.|3
+Dataset/wavs/urwisko_ferenc/36_segment_33.wav|pˌɔvʲɛdʑˈawa dɔ ɕˈɛbjɛ w dˈuxu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_101.wav|tɔ fʃˈɨstkɔ skwˈada ɕɛ na ˈɔbras tʃwɔvʲˈɛka, kturˌɛɡɔ skrˈɔmnɛ impˈɛrjum bʲˌiznɛsˈɔvɛ bˌalansˈujɛ na skrˈaju pʃɛpˈaɕtɕi.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_150.wav|jɛj mˈuwɨ ʃwˈɨ tˈɛndɨ jˈuʃ tɨɕˈɔntsɛ rˈazɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_236.wav|— ˈidʑ dɔ wˈuʃka, ja zrˈɔbjɛ sˈɔbjɛ pɔswˈaɲʲɛ na pɔdwˈɔdʑɛ. — ɲʲɛ, ɲʲɛ — zˌaprɔtˌɛstɔvˈawam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_21.wav|vʲˈɛmɨ jˈuʃ, ɡdʑˈɛ ɕɛ zatʃˈɨmaw?|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_178.wav|samˈɔlɔt udˈɛʒɨw prˈavɨm kˈɔwɛm ɔ pˈas startˈɔvɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_108.wav|ɲʲɛ zamjˈɛʒam ɕtɕˈɔŋɡnɔɲtɕ tˈutaj jˈakʲɛjɕ ˌɛɡzɔtˈɨtʃnɛj zarˈazɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_36.wav|tʃɨ rˌɔzvaʒˈɨliɕtɕˌɛ, ʒˈɛ ta kɔbjˈɛta, ʃˈɔna brˈɔvn, mˈɔʒɛ pɔ prˈɔstu ɲʲɛ ɔdbjˈɛratɕ pɔwˈɔntʃɛɲ z ɲʲɛznˈanɨx numˈɛruf?|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_344.wav|lˈɛpʲɛj drvˈidʑ z ɡrˈɨ ɲˈiʒ ɡrˈatɕ w ɲʲˈɔ̃ i pʃˈɛɡratɕ.|1
+Dataset/wavs/urwisko_ferenc/31_segment_10.wav|bɔrˈɛvidʒ vˈɨpiw kˈilka wˈɨkuv dˈɔbʒɛ sxwˌɔdʑɔnˈɛɡɔ napˈɔju i vˈɨbraw nˈumɛr lipskʲˈɛɡɔ.|0
+Dataset/wavs/urwisko_ferenc/12_segment_166.wav|xˈɛrman nˌaxɨlˈiwa ɕɛ nad ɡazˈɛtɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_16.wav|kˈaʒdɨ, ktˈɔ pʃɨnˈɔɕi tɕi zˈɨsk, jɛst pʃˌɨjatɕˈɛlɛm, ɔtpˈarwa lˈɛna.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_256.wav|vʲˈatr stˈavaw ɕɛ tsˈɔraz bˈardʑɛj pˌɔrɨvˈistɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_171.wav|zrˈɔbʲi tɔ pˈaɲi dla mɲʲɛ?|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_454.wav|dˈawɛm jɛj rˈuʒɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_56.wav|vdrapˈawam ɕɛ s pɔvrˈɔtɛm na dˈax wazˈika i pʃˌɨɡɔtɔvˈawam spʃˈɛnd dɔ spavˈaɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_126.wav|zabjˈɛra zˈɛ sˈɔbɔ̃ pˈivɔ, ktˌurɨm pˌɔtʃɛ̃stˈɔvaw jˈɔ̃ bˈutskɨ.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_375.wav|lˈɔrt xˈɔstɛr zatʃˈɨmaw mɲʲɛ na dvˈa tɨɡˈɔdɲʲɛ, zˌastanavʲˈajɔnts ɕɛ nat ˌɔtpɔvʲˈɛdʑɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_465.wav|tʃɨ tsˈɛdra zˌaxɔrɔvˈawa?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_51.wav|bˈɔjɛ ɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_201.wav|spʃˈɔntnɔɲtɕ kˈɛna xˈɔffa, spʃˈɔntnɔɲdʑ bʲillʲˈɛɡɔ summˈɛrsa i mˌamɨ ɕfʲˈɛntɨ spˈɔkuj.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_102.wav|ˌudavˈawɔ jɛj ɕɛ pˈɔznatɕ tˌajɛmɲˈitsɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_80.wav|tɔ ɲʲɛ tfˈɔja vˈina.|3
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_82.wav|ˈɛlis trˈɔxɛ pˌɔspʃɔntˈawa, ˌalɛ pˈɔza tɨm mʲɛʃkˈaɲʲɛ vɨɡlˈɔnda dɔkwˈadɲʲɛ tˈak, jˈak ftˈɛdɨ, kʲˈɛdɨ ɕɛ fprɔvˈadʑiw.|2
+Dataset/wavs/urwisko_ferenc/49_segment_78.wav|i bˈɨtɕ mˈɔʒɛ f tɛj sprˈavʲɛ ɲʲɛ bˌɨwɔ ɲˈidʑ vʲˈɛntsɛj.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_42.wav|pɔ mɲʲˈɛj vʲˈɛntsɛj stˈu jˈardax mɛrˈibalt skrˈɛɲtɕiw nˈaɡlɛ na pɔwˈudɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_45.wav|pʃˌɛkɔnˈamɨ ɕɛ, ktˈɔ dɔ mɲʲɛ pʃɨbjˈɛɡɲʲɛ i jˈak ʃˈɨpkɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_116.wav|jɛj ubrˈaɲʲa|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_11.wav|utʃˈutɕɛ mdwˈɔɕtɕi mɲʲɛ ɲʲɛ ɔpˈuʃtʃa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_285.wav|ɲʲˈɛxtsɛ tɕˈɛ zɔstˈavʲatɕ, tˈatɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_51.wav|bʲˈillɨ mˈa tˈɛʃ ɔbjˈɛktsjɛ natˈurɨ ˌɔsɔbʲˈistɛj. pɔ prˈɔstu ɲˈiɡdɨ ɲʲɛ ˈufaw twumˈikɔm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_97.wav|bˈɛtskɨ xˈɨba tʃˈɛka nˈas mˈawa pˈɔdruʃ. s tɔ̃ kɔbjˈɛtɔ̃ mˈuɕi vʲˈɔ̃zatɕ ɕɛ tsˈɔʑ vʲˈɛntsɛj ɲˈiʃ tˌɨlkɔ mɔrdˈɛrstfɔ ɡˌɛnɛvʲˈɛvɛ strˈaxan.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_41.wav|mˈɔʒɛ mˈuɡwbɨʑ zdˈɔbɨtɕ jˈakɔ̃ɕ lˈistɛ ɔt tɛj kɔbjˈɛtɨ? jˈɔɛ, zɡˈadʑa ɕɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_96.wav|z vˌɨɡravˌɛrɔvˈanɨm napˈisɛm ˈɛstɛr i mixˈaɛl rˈɨan.|0
+Dataset/wavs/urwisko_ferenc/03_segment_85.wav|tˈɨdʑɛɲ pʃɛd zˌaɡʲiɲʲˈɛɲtɕɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_163.wav|jˈak tɔ zˈafʃɛ jˈɛst, kʲˈɛdɨ ɕɛ na tsˈɔɕ tʃˈɛka.|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_184.wav|vɨbjˈɛɡwam s tsˈɛntrum pˌɔttʃɨmɨvˈaɲʲa ʒˈɨtɕa i pˌɔpɛɲdʑˈiwam kˌɔrɨtaʒˈami bˈaɲki armstrˈɔŋɡa.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_87.wav|jɛj ˈɔddɛx mʲˈaw ɲʲɛzvˈɨkwɔ̃, ɕˈilnɔ̃, paskˈudnɔ̃ vˈɔɲ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_428.wav|a vʲɛtʃˈɔrɛm, ɡdˈɨ fʃˈɨstsɨ vrˈɛʃtɕɛ pˈɔʃli, zjˈadwa s sˈɨnɛm prˈɔstɔ̃ kɔlˈatsjɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_117.wav|vrˈutsɛ mˈɔʒɛ za kˈilka ɡˈɔdʑin, ˈalɛ...|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_192.wav|tɔ bˌɨwɔ tsˈɔʑ vʲˈɛntsɛj ɲˈiʃ ɲʲˌɛvɨspˈaɲʲɛ. ˌɔɕɔŋɡnˈɛwam stˈan, ktˌurɨ ˈɔjtɕɛts nazˈɨvaw skrˈajnɨm vˌɨtʃɛrpˈaɲʲɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_8.wav|ɕˈɛdʑɔ̃ pʃɨ ˌɔswɔɲʲˈɛntɨm pˌarasˈɔlɛm stɔlˈiku pʃɛt lɔkˈalɛm ɔ nˈazvʲɛ sˈanspɔt kafˈɛ na rˈɔɡu mˈain i tsˈɔurt.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_476.wav|vʲˈɛm tˈɨlkɔ, ʒˈɛ drˈɔɡa pʃɛt nˈami jɛst mrˈɔtʃna.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_14.wav|ˈalbɔ mˈɔʒɛ na prˈavɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_17.wav|stˈanɔw tˈuʒ za mɔˈimi plɛtsˈami, pɔwˈɔʒɨw mi dwˈɔɲʲɛ na bjˈɔdrax i mˈusnɔw mˈuj kˈark, jaɡbˈɨɕmɨ bˌɨli jˈuʃ kˌɔxaŋkˈami.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_277.wav|tˈak sˈamɔ jɛst s pˈanɛm, pˈaɲʲɛ xundˈɛbawx, pɔvʲˈɛdʑaw jˈɛdɛn z mˈɛ̃ʃtʃɨzn. drˈuɡʲi fstˈaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_159.wav|mˌamɨ dˈuʒɔ tʃˈasu. na rˈaʑɛ.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_151.wav|tʃˈɨʒ dʑɛxˈɛrɨs pˌɔjɛdnˈaftsa ɲʲɛ pʃˈɨɕɔŋɡw ɔn dʑˈiɕ na ʒɛlˈaznɨ trˈɔn, ʒˈɛ zˈafʃɛ bˌɛɲdʑɛ brˈɔɲiw vʲˈarɨ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_69.wav|vɨɡlˈɔnda ɲʲˈɛʑlɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_8.wav|na ʃtʃˈɛɲɕtɕɛ pɔɡˈɔda dˌɔpisˈawa. zrɔbʲˈiwɔ ɕɛ tɕˈɛpwɔː i swɔnˈɛtʃɲʲɛ, xˈɔtɕ ɲʲɛ mʲˈawɔ tˈaɡ bˈɨtɕ pʃˈɛs tsˈawɨ dʑˈɛɲ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_152.wav|xˈɔvam ɡwˈɔvɛ f tɕˈasnɔ splɛtɕˈɔnɨx ramjˈɔnax. dlatʃˈɛɡɔ ɕɛ ɲʲɛ zatʃˈɨmaw?|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_140.wav|xˈɔtɕ mˈɔʒɛ bˈɨtɕ rˈuvɲʲɛ ɲʲˌɛbɛspʲˈɛtʃnɨ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_303.wav|bˌɨwɛɕ kʲˈɛdɨɕ rɨtsˈɛʒɛm, sˈɛr, pɔvʲˈɛdʑaw.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_344.wav|stˈaʒɛts pˈadɲʲɛ pɔt mɔˈimi tɕɔsˈami.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_57.wav|vjˈɛʒdʒam na pɔdʑˈɛmnɨ pˈarkiŋk i kʲɛrˈujɛ ɕɛ na mʲˈɛjstsɛ zˌarɛzˌɛrvɔvˈanɛ dla mɔjˈɛɡɔ mʲɛʃkˈaɲʲa, tˈuʃ ˌɔbɔɡ vˈindɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_112.wav|vˈɔntpi, tʃɨ zˈaɕɲʲɛ, jˈɛɕli nˈavɛt jˈɛɡɔ sˈɛn bˌɛɲdʑɛ na tˈɨlɛ pwˈɨtki, ʒˈɛ ɔbˈudʑi ɕɛ, ɡdˈɨbɨ dʑɛftʃˈɨna prˌubɔvˈawa vˈɨjɕtɕ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_178.wav|a jˈɛɕli ɔn bˈɨw zdrˈajtsɔ̃?|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_64.wav|f tˌaki dʑˈɛɲ, ˌɔfitsˈɛʒɛ, tʃwˈɔvʲɛk ɲʲɛ lˈitʃɨ tɨx ʃklˈanɛk. pɔ prˈɔstu tʃwˈɔvʲɛk ɕɛ tɕˈɛʃɨ i stˈara ɕɛ ʃanˈɔvatɕ prˈavɔ. tˈak?|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_305.wav|rˌɔspuʃtʃˈajɔ̃ rˈuʒnɛ plˈɔtki i tsɛlˈɔvɔ zˌaɲiʒˈajɔ̃ tsˈɛnɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_32.wav|ʒˈɛ jˌɛstɛɕ tˈɨm, tʃˈɛɡɔ pˌɔtʃɛbˈujɛ ta ʃkˈɔwa i tˈakʲɛ tˈam pʲɛrdˈɔwɨ. bˈɨw tˈɛʃ lˈiŋk, ktˌurɨ kliknˈɛwam. trafˈiwam ftˈɛdɨ na tˈɛ strˈɔnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_251.wav|tˈɛn, kturˌɛɡɔ ɲʲˈɛmʲaw pʃɨ sˈɔbjɛ, kʲˈɛdɨ fpˈadli w zasˈatskɛ w dˈɔmu zˈabaf.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_123.wav|xtsˈɛʃ mʲˈɛtɕ xˈɨba dˈɔbrɛ zdjˈɛɲtɕɛ, ɲʲɛ?|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_225.wav|jˈutrɔ pʃˌɨɡɔtujˈɛmɨ ɕɛ dɔ dˈalʃɛj ʒɛɡlˈuɡʲi.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_120.wav|klˈiftɔn zˈaɕ tˌɨlkɔ jˈɛdnɨm zˈɛ straʒɲˈikuf mˈawɛj krulˈɔvɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_28.wav|pˈaɲi frˈaŋklin, bˈɔ tˈak ɕɛ pˈaɲi nazˈɨva?|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_103.wav|uznˈawɛm, ʒˈɛ tɔ vɨstˈartʃɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_4.wav|prˈɔʃɛ ssˈunɔɲtɕ ɕɛ na ɕɛdʑˈɛɲʲu, pˈaɲʲɛ ˈɛdmunts.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_162.wav|pˌɔtʃɛbujˈɛmɨ dʑvˈiɡɲi, a ja jˈɔ̃ mˈam, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_68.wav|tˈɔrba z brudnˈɨmi tɕuxˈami w ɔɡˈulɛ ɕɛ tˈam ɲʲɛ vˌɨruʒɲʲˈawa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_317.wav|ftɕˈɔ̃ʃ pˈatʃɨw na sfˈuj tɕˈɛɲ bjɛɡnˈɔntsɨ samˈɔtɲʲɛ pʃˈɛdɲim.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_160.wav|lɕɲʲˈɔntsa ɔt ɕlˈinɨ dˈɔlna vˈarɡa vˌɨsunˈɛwa ɕɛ jˈaɡbɨ w ɡrɨmˈaɕɛ ɲʲˌɛzadˌɔvɔlˈɛɲʲa. tʃˈuwɛm zˈapax jˈɛɡɔ vˈɔdɨ kɔlˈɔɲskʲɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_30.wav|rˈɔp ɔtfˈɔʒɨw jˈɛ i pʃɛpˈuɕtɕiw pʃˈɔdɛm bˈɛtskɨ, ktˌura pɔtʃˈuwa ɕɛ ɲʲˈɛtsɔ rˌɔstʃarɔvˈana, ʒˈɛ vnˈɛntʃɛ w ʒˈadɛn spˈɔsup ɲʲɛ fspˈuwɡra s tˈɨm, tsˈɔ zˌɔbatʃˈɨwa na zˈɛvnɔntʃ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_87.wav|nˈaɡlɛ ɔdʑˈɨva ɕɛ ɡwˈɔɕnɨ dʑvˈɔnɛk.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_120.wav|dlatʃˈɛɡɔ pˈan ɲʲɛ lˈata? zapˈɨtaw rˈɨan.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_239.wav|ʃˈukatɕ ʃtʃˈɛɲɕtɕa f ɕˌɛdmʲɔmilˈɔvɨɣ bˈutax, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_55.wav|vɨɡlˈɔnda pˈaɲi jˈɛʃtʃɛ ɡˈɔʒɛj.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_375.wav|ˈinnɛ sˈamɛ tˈu trafjˈajɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_198.wav|stanˈɔwɛm pʃɨ bˈaʒɛ ɔ nˈazvʲɛ brɛˈɛzɨ vˈaj, mɲʲˈɛj vʲˈɛntsɛj f pɔwˈɔvʲɛ drˈɔɡʲi z rˌivɛrxˈɛad dɔ mˈɔntawk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_118.wav|ɲʲɛ vʲɛdʑˈawam, ʒˈɛ tˈak ɕɛ mˈɔʒɛ stˈatɕ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_200.wav|bˈɨtɕ mˈɔʒɛ naˈutʃɨw ɕɛ jˈɛ lˈubʲitɕ ɔt alˈain.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_48.wav|ɲʲɛ, dʑˌɛŋkujˈɛmɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_159.wav|vˈɨdaw ɕɛ tsˈawkʲɛm nɔrmˈalnɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_95.wav|jˌɛstɛm bɔɡˈatɨ, mˈam ɡˌɔspɔdˈɨɲʲɛ. pɔstˈaraj ɕɛ bˈardʑɛj, ˈanɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_158.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_60.wav|w jɛj vʲˈɛku ʃkˈɔwa i pʃˌɨjatɕˈɛlɛ mʲˌɛli ɔɡrˈɔmnɛ znatʃˈɛɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_461.wav|nˈɔ tˈak.|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_115.wav|f kˈaʒdɨm rˈaʑɛ ˈawtɔr, ɲʲɛ pamjˈɛntam nazvˈiska, pˈiʃɛ, ʒˈɛ kˈaʒdɨ mɛ̃ʃtʃˈɨzna mˈuɕi pʃˈɛtrfatɕ tʃˈas prˈubɨ, zˈaɲim zɔstˈaɲʲɛ bˌɔxatˈɛrɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_117.wav|jˈakʲɛʑ vʲˈɛɕtɕi ɔ ɡarˈaʒu?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_141.wav|vʲˈɛlkim ɔɡrˈɔdɛm bwɛŋkˈitu i tɛ ˈɔtʃɨ rˈɔswɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_141.wav|nˈɔ tɛn prˈɛzɛs sˈɨnuf ɛwrˈɔpɨ zˈaɕmʲaw ɕɛ i ɡvawtˈɔvnɨm rˈuxɛm sprˈavdʑiw, tʃɨ mˈa jˈɛʃtʃɛ vwˈɔsɨ na ɡwˈɔvʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_52.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_278.wav|tɨ i tsɛrsˈɛi, ruʒˈɔvi i ɲʲˌɛskazitˈɛlɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_290.wav|ɲʲɛ stˈavʲaw ɔpˈɔru, ˌalɛ i ɲʲɛ pɔmˈaɡaw w ɛksmˈisji. tʃɛrvˈɔɲi z vɨɕˈiwku pɔvlˈɛkli ɡˈɔ dɔ vˈindɨ tˌɨlkɔ dla xˈɔrɨx.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_357.wav|pˌɔwɔʒˈɨwɛm ɕɛ tfˈaʒɔ̃ dɔ ɕtɕˈanɨ, ˌalɛ plɛtsˈami tʃˈuwɛm ɔbˈɛtsnɔɕtɕ tɛj kanˈapki.|0
+Dataset/wavs/urwisko_ferenc/59_segment_131.wav|a jˌɛstɛm pʃˌɛkɔnˈanɨ, ʒˈɛ tɨx jˈɛntɛk pɔvˈinnɔ bˈɨdʑ vʲˈɛntsɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_214.wav|xˈɨba jˌɛstɛʑ za mˈɔndra na ʃkˈɔwɛ bʲiznˈɛsu, mˈuvi.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_45.wav|zwˈɔta rˈɛŋka tɕɔ̃ʒˈɨwam ˈu bˈɔku.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_313.wav|ɲʲɛ ˈumjɛm. ɲʲɛ ˈumjɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_13.wav|mˈimɔ tɔ znˈɔvu pˌɔlizˈawɛm rˈɛŋkɛ, ˈaʒ bˌɨwa mˈɔkra i pʃˌɨwɔʒˈɨwɛm dɔ jɛj ˈust, ˌalɛ tˈɛʃ ɲʲɛ ˌɔddɨxˈawa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_38.wav|zatʃˈɔwɛɕ tsˈɔɕ mˈuvitɕ, ʒˈɛkw rˈɨan.|0
+Dataset/wavs/urwisko_ferenc/11_segment_10.wav|tʃˈuwa ɕɛ, jˈaɡbɨ pʃɛt xfˈilɔ̃ pʃˌɨwɔʒˈɨwa ɡwˈɔvɛ dɔ pɔdˈuʃki, a jˈuʃ muɕˈawa fstˈatɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_44.wav|ˈaʃ jɛst çirˈurɡʲɛm dʑɛtɕˈɛntsɨm na mˈiwɔʑdʑ bˈɔskɔ̃, vˈartʃɛ starˈajɔnts ɕɛ ɲʲɛ pɔdnˈɔɕidʑ ɡwˈɔsu f trˈɔstsɛ ɔ mˈili. ɔn ɲʲɛ kʃˈɨvdʑi dʑˈɛtɕi, ɔn jˈɛ ratˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_7.wav|bwˌɨskavˈitʃɲʲɛ dɔxˈɔdʑɛ dɔ ɕˈɛbjɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_168.wav|i ʒˈɛ maʃ uvˈaʒatɕ na vwˈasnɨ tɕˈɛɲ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_43.wav|ˌalɛ ɲʲˈɛma znatʃˈɛɲʲa, tsˈɔː ɔn mˈɨɕli.|3
+Dataset/wavs/urwisko_ferenc/59_segment_109.wav|tʃɛkˈajɔnts tˈu na pˈaɲʲɔ̃ zˌavalˈiwɛm ˌɔbɔvʲˈɔ̃ski swuʒbˈɔvɛ, bˈɔ ɲʲɛ pˌɔjɛxˈawɛm dɔ pɔznˈaɲʲa. zapˈɛvɲʲam, ʒˈɛ ftsˈalɛ ɲʲɛ jɛst mi dɔ ɕmʲˈɛxu.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_242.wav|fspʲˈɔw ɕɛ bˈɛs trˈɔskɔ pɔː ˌalumiɲʲˈɔvɛj pɔvwˈɔtsɛ, vˌɨbjɛrˈajɔnts krˈɛntɔ̃, ˌalɛ ɲʲˌɛzavˈɔdnɔ̃ drˈɔɡɛ, na ktˌurɛj znˈalaz dɔɡˈɔdnɛ uxfˈɨtɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_30.wav|nˈavɛd ɡdˈɨbɨm zdɔbˈɨwa ɕɛ na ɔdvˈaɡɛ, bˈɨ zrˈɔbʲitɕ tɔ sˈamɔ, ɲʲɛ mʲˈawam ɡdʑˈɛ zɔstˈavitɕ ʃklˈaŋki ˌaɲi tɔrˈɛpki. ɲʲˈɛvʲɛm, pɔ tsˈɔ w ɔɡˈulɛ zˌabjɛrˈawam tɔrˈɛpkɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_16.wav|lˈɛdʒ bˌɨwa tɔ znˈuf ˈinna sprˈava.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_26.wav|fʃˈɨstkɔ fskˌazɨvˈawɔ nˈatɔ, ʒˈɛ mˈarta zˌaɔfˌɛrɔvˈawa sˈamɔ̃ ɕˈɛbjɛ nˌailˈɔvi, a ɔn jˈɔ̃ ɔdʒˈutɕiw, jˈɛɕli ˌɔtʃɨvˈiɕtɕɛ mˈuviw prˈavdɛ.|3
+Dataset/wavs/urwisko_ferenc/03_segment_139.wav|bˈɨw sɔ̃ɕˈadɛm pˈana tsˈurki. znˈaw ɡˈɔ pˈan? ɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_73.wav|ja tɔ fʃˈɨstkɔ vʲˈɛm, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_112.wav|dlatʃˈɛɡɔ? klɲʲˈɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_67.wav|pɔkˈazaw tsˌɨvilˈɔvi vzrˈɔkʲɛm nˈaʃɔ̃ kanˈapkɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_63.wav|psˌɨhiˈatra mˈɔʒɛ prubˈɔvawbˌɨ mu vmˈuvitɕ, ʒˈɛ vˈidʑi w ɲʲˈɛj tˈaɡʒɛ rˈɔbʲin mˌaɡuˈirɛ ˈaljas rˈɔnɲʲɛ ɡʲˈivɛnz z dˈɔmu vʲˈɛtʃnɛj fˈarbɨ, ˌalɛ ɲʲɛ bɨwˈɔbɨ tɔ prˈavdɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_49.wav|jˈaɡbɨ tɔ bˌɨwɔ dˈɔbʒɛ ɕˈɛdʑɛtɕ w arˈɛʃtɕɛ za ɲʲɛvˈinnɛ, bɛzɡʒˈɛʃnɛ pijˈaɲstfɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_56.wav|jaɡʒˈɛbɨ inˈatʃɛj, pˌɔmɨɕlˈawa bˈɛtskɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_648.wav|z zˌadrapˈaɲʲa?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_661.wav|tˌɨlkɔ zvwˈɔki.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_143.wav|mˈɔɡwam ɕɛ spɔdʑˈɛvatɕ pˈɨtaɲ zˈɛ strˈɔnɨ rudjˈɛɡɔː i ɡʲˈildʲi, ˌalɛ pʃˌɨɡɔtɔvˈawam sˈɔbjɛ alˈibʲi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_3.wav|pɔdˈajɛ mu ɡˈɔ, kʲˈɛdɨ vɨxˈɔdʑi z waʑˈɛŋki.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_5.wav|zatʃˈɨmaw ɕɛ pʃɨ pˌɛnsjɔnˈatɕɛ kʲɛrˈɔftsa. tʃˌarnɔskˈurɨ mɛ̃ʃtʃˈɨzna w ɕrˈɛdɲim vʲˈɛku, vɨsˈɔki i ɕˈivɔ vwˈɔsɨ, zˈabraw mawˈɛɡɔ xwˈɔptsa s tɨlnˈɛɡɔ ɕɛdʑˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_117.wav|sˈɛr xɛˈilxant rɔzˈɛɕmʲaw ɕɛ ɡwˈɔɕnɔ. pˈɔpatʃ, tsˈɔ zrɔbʲˈiwɛɕ, sɛptˈɔɲʲɛ. bjˈɛdnɨ pˈɔdritsk mˈa ˈɔtʃɨ vʲˈɛlkʲɛ jˈak jˈaja na tfˈardɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_132.wav|ˈandɛrsɔn vɨwˈɔntʃɨw tˌɛlɛvˈizɔr.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_305.wav|mˈuɕaw zˌauvˈaʒɨtɕ, ʒˈɛ trɨbʲˈiki w mˈɔjɛj ɡwˈɔvʲɛ pratsˈujɔ̃ na vɨsˈɔkix ɔbrˈɔtax.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_52.wav|mˈɔjɔ̃ ˌulubjˈɔnɔ̃ pɔtrˈavɔ̃ sɔ̃ xˈɔd dˈɔɡʲi.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_134.wav|vˈɔda ɲʲɛ pɔmˈɔʒɛ na bˈul.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_8.wav|a ˌɔbɔk pʃˌɨtʃɛpʲˈɔnɔ plˈanʃɛ. ʒˈɛbɨ zˈabʲidʑ zwˈɛ mˈɨɕli, pʃˌɨstanˈɔwɛm i prˌubɔvˈawɛm tʃˈɨtatɕ xˈaswa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_83.wav|tˈɛras jˈuʃ sɔ̃ tˈu tˌɨlkɔ vɛ tʃfˈurkɛ, jˈɛdnak pˈustɛ tʃfˈartɛ kʃˈɛswɔ, ˌɔbɔk kturˌɛɡɔ stˈɔi mˈiska pɔptsˈɔrnu, fskazˈujɛ, ʒˈɛ jɛst jˈɛʃtʃɛ ktˈɔɕ pʲˈɔntɨ.|2
+Dataset/wavs/urwisko_ferenc/59_segment_65.wav|mˈarja ɕɛ vˌɨprɔstɔvˈawa, ftɕˈɔ̃ʃ fpatrˈujɔnts ɕɛ w dʑɛtɕˈɛntsɛ ubrˈaŋka.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_419.wav|ˈɔsnɛj dˈɔtknɔw jɛj zwɔtɕˈistɨɣ vwˈɔsuf. ʒˈɛtʃ f tˈɨm...|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_99.wav|xˈɔtɕ ɔbˈɛtsnɨ budˈɨnɛɡ vzɲʲɛɕˈɔnɔ za pˌanɔvˈaɲʲa i dʒˌaxɛrˈɨsa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_44.wav|mˈam vraʒˈɛɲʲɛ, ʒˈɛ w ɔɡˈulɛ ɲʲɛ spˈawam. bˈɛs pʃˈɛrvɨ mɨɕlˈawam ɔ fʃˈɨstkim, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔː i ɔ vɨpˈatku dˈɔma.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_56.wav|bˈardʑɔ dwˈuɡɔ pˌɔxɨlˈawa ɕɛ nadˈɛmnɔ̃, ˈaʒ vrˈɛʃtɕɛ pɔtʃˈuwɛm na sˈɔbjɛ jɛj lˈɛkki i ɡɔrˈɔntsɨ tɕˈɛ̃ʒar.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_421.wav|ɲʲˈɛxtsɛʃ mi pɔkˈazatɕ tɛj kɔbjˈɛtɨ? zˌapɨtˈawa.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_216.wav|xtɕˈawɛm tˈɨlkɔ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_32.wav|ɔpʲˈɛram ɡwˈɔvɛ ɔ zaɡwˈuvɛk i ɡˈapjɛ ɕɛ f pˌɔtsufˈitkɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_120.wav|pɔstʃˈɛɡa tɛ dvʲˈɛ dʑɛftʃˈɨŋki jˈakɔ ɲʲˌɛrɔzwˈɔntʃnɔ̃ pˈarɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_47.wav|sfɔbˈɔda rɔzwˈɔʒɨw kˈartkɛ i mˈarʃtʃɔndʑ brvˈi zˈatʃɔw fpatrˈɨvatɕ ɕɛ w mˈɔjɛ ɡrɨzmˈɔwɨ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_17.wav|a ja vɔlˈawɛm, kʲˈɛdɨ bˌɨwaɕ spɔvˈita f prɔmjˈɛɲʲɛ swˈɔɲtsa, a na tfˈɔjɛj nˈaɡʲɛj skˈuʒɛ pɛrlˈiwɨ ɕɛ krɔpˈɛlki vˈɔdɨ.|1
+Dataset/wavs/urwisko_ferenc/28_segment_9.wav|dˌɔʒutsanˈɨmi pɔ lˈataɣ dˌɔkumɛntˈami ɲˈikt ɕɛ spɛtsjˈalɲʲɛ ɲʲɛ pʃɛjmˈɔvaw i ɲʲɛ ʃˈukaw dla ɲˈix ˌɔtpɔvʲɛdɲʲˈɛɡɔ mʲˈɛjstsa.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_196.wav|ɲʲɛ, ɲʲɛ ˌupravʲˈawam sˈɛksu f tɕˈɔŋɡu tɨɣ dvˈuɣ dɲˈi, ˈɔtkɔnt mi ɡˈɔ dˈawɛɕ.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_296.wav|tˌɔmmɛnˈɔvi ɲʲɛ stˈaɲʲɛ ɕɛ ɲˈidʑ zwˈɛɡɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_143.wav|vɨdˈɔbɨw ɕɛ spˈɔt ɲʲˈɛɡɔ ʒawˈɔsnɨ pˈɔdmux, vzbʲijˈajɔnts na krˈutkɔ̃ xfˈilɛ ɔbwˈɔtʃɛk kˈuʒu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_56.wav|ɲʲɛ pˌɔtʃɛbˈujɛʃ mamˈuɕi mˈili. maʃ tˈɛras mɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_402.wav|tʃɨ mˈam vˈɨswadʑ zˈaɲim lˈudʑi, ʒˈɛbɨ pʃˌɨprɔvadʑˈili ɡˈɔ tˈu ɕˈiwɔ̃, pˈaɲʲɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_85.wav|pɔblˈiska latˈarɲʲa ʒˈutsa dˈɔɕtɕ ɕfʲˈatwa, bˈɨ zɔbˈatʃɨtɕ stˈarɔ̃, pˌɔrdʑɨvʲˈawɔ̃ fˌurɡɔnˈɛtkɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_307.wav|i tˈu ɲʲɛ xˈɔdʑi ɔ tɨlˈɛra.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_472.wav|brɔ̃zˈɔvɛ ˈɔtʃɨ.|1
+Dataset/wavs/urwisko_ferenc/48_segment_27.wav|ɡdˈɨbɨ ɲʲɛ jˈɛdɛn dˈɛtal.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_243.wav|ɲʲɛ ˌuswɨʃˈawɛm, kʲˈɛdɨ pˈɛtɛ tsˈaʃman dˈɔstaw. dˈɨɲʲa pˈɔtɛm pɔvʲˈɛdʑaw, ʒˈɛ ˌɔstatɲˈimi swɔvˈami trˈɔmbɨ bˌɨwɨ vɨtɕˈɔŋɡnɛ ɡˈɔ bˈɛs trˈudu, jɛst jˈuʃ tˈaɡ blˈiskɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_41.wav|ɲʲˈɛvʲɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_13.wav|tʃɨ nˈatɨm pɔlˈɛɡa bˈɨtɕɛ ʃtʃɛɲɕlˈivɔ̃?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_65.wav|mˈarta ɲʲˈɛma sˌamɔxˈɔdu, ˌalɛ ɲˈikt ɲˈiɡdɨ ɲʲɛ vˈidʑaw jɛj na pʃɨstˈaŋku, a s fˈirmɨ jɛzd dˈɔʑdʑ dalˈɛkɔ dɔ pˈɔruf trˌamvajˈɔvɨx.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_118.wav|ˌɛkspɛdjˈɛntka tɔ kɔbjˈɛta w ɕrˈɛdɲim vʲˈɛku, ɔː ˌufarbɔvˈanɨx xˈɛnnɔ̃ vwˈɔsax, ktˌura vɨɡlˈɔnda jˈaɡbɨ lˈɔs ɔt jˈakiɣʑ dvudʑˈɛstu lˈat ɲʲˈɛbɨw dla ɲʲˈɛj waskˈavɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_55.wav|dʑˈɛŋki tʃarnˈɛmu vˌɛwɲʲɔnˈɛmu pwaʃtʃˈɔvi i ɕˌɛŋɡajˈɔntsɨm za kˈɔstki bˈutɔm bˌɨwɔ jɛj tɕˈɛpwɔː i sˈuxɔ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_111.wav|ˌutɕɛkˈali pʃɛt smɔtʃˈɨmi vwattsˈami, ktˌuʒɨ ˌɔbrutɕˈili ix w ɲʲˌɛvɔlɲˈikuf.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_59.wav|ja zapwˈatsɛ, ɔznˈajmʲam, a tˈɛssa ˌɔtpɔvʲˈada tʃˈɨmɕ pɔmjˈɛndʑɨ uɕmʲˈɛxɛm, vdʑɛntʃnˈɔɕtɕi, a ɲʲˈɛmɨm vɔwˈaɲʲɛm ɔ pˈɔmɔts.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_80.wav|ɲˈidʑ vˈas jˈuʃ tˈutaj ɲʲɛ tʃˈɨma.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_46.wav|vʲˈɛm, jˈaɡ bˈardʑɔ kˈɔxam mˈamɛ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_207.wav|jˈɛɕli bˌɛɲdʑɛʃ mʲˈaw ɔxˈɔtɛ.|1
+Dataset/wavs/urwisko_ferenc/37_segment_20.wav|a ˈilɛ tɨ s tɛj swˈuʒbɨ vɨtɕˈɔŋɡaʃ, tsˈɔ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_97.wav|pˌɔdɛjˈɛwam zwˈɔ̃ dɛtsˈɨzjɛ i zˌapwatɕˈiwam zˈatɔ vɨsˈɔkɔ̃ tsˈɛnɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_31.wav|uɲʲˈɔswam dɔ ɲʲˈɛj ʃklˈaŋkɛ, jˈaɡbɨm vznɔɕˈiwa tˈɔast.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_119.wav|ɲˈikt tˈɛʃ ɲʲɛ mˈɔʒɛ ɕɛ tˌɛɡɔ dɔvʲˈɛdʑɛtɕ.|2
+Dataset/wavs/urwisko_ferenc/12_segment_169.wav|bˈaw ɕɛ, ʒˈɛ zdrˈadʑi ɡˈɔ jˈakiʑ ɡrˈɨmas lˈub ɡˈɛst. zˈɛ zdjˈɛɲtɕa patʃˈɨwa na ɲʲˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_413.wav|sxˈɔdɨ, vɨtˈartɛ pʃˈɛs pɔtkˈutɛ kɔpˈɨta ɲʲˌɛzlitʃˈɔnɨx mˈuwuf, ktˌurɛ tˈɛndɨ pʃˌɛxɔdʑˈiwɨ, pʃˌɨpɔminˈawɨ f tɨm mʲˈɛjstsu ʃˈɛrɛk pwˈɨtkix kamjˈɛnnɨx mˈisɛk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_32.wav|vˌɨnajˈɛntɨ pʃˈɛs ɲˈika kˈuxaʃ ˌɔsɔbʲˈiɕtɕɛ vvˈɔʑi ɡˈɔ na vˈusku, dʑɛŋkˈujɛ s kiɲʲˈɛɲʲɛm ɡwˈɔvɨ za brˈava i pɔxfˈawɨ, pɔ tʃɨm vɨxˈɔdʑi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_33.wav|tˈɛssa vˌɨprɔstɔvˈawa ɕɛ na kʃˈɛɕlɛ i rˌɔzɛɕmʲˈawa f tˌaki spˈɔsup, ʒˈɛ sˈama uznˈawa tɛn ɕmʲˈɛɣ za ɲʲˌɛnaturˈalnɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_112.wav|zawˈɔʒɛ ɕɛ, ʒˈɛ w irˈaku dˌɔskɔnˈalɛ tɕi tɔ vˌɨxɔdʑˈiwɔ.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_347.wav|ɡdˈɨ vrˈutɕiʒ dɔ bliʑɲʲˈakuf, zavʲˈadɔm prˈɔʃɛ lˈɔrda valdˈɛra, ʒˈɛ krˈul tˈɔmmɛn ʒˈɔnda pʃˌɛkazˈaɲʲa fʃˈɨstkix jˈɛɲtsuf pɔjmˈanɨx pˈɔttʃas krfˈavɨɣ ɡˈɔduf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_187.wav|mˈɔʒɛ mˈawɛj vˌalizˈɛtʃtsɛ. pˈɔmɨɕl, mˈamɔ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_521.wav|ˌalɛ pɛvnˈɛɡɔ dɲʲˈa jˈuʒ ɡˈɔ ɲʲɛ bˈɨwɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_166.wav|rɔspˈarwam ɕɛ wˈɛ fɔtˈɛlu za jˈɛɡɔ bjˈurkʲɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_53.wav|vˈitaj mˈɔja drˈɔɡa.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_153.wav|smˈɔk mˈuɕi mʲˈɛtɕ tʃˈɨ ɡwˈɔvɨ zavˈɔdʑiw. a ja jˌɛstɛm zbˈɨt stˈarɨ i swˈabɨ, ʒˈɛbɨ bˈɨtɕ jˈɛdnɔ̃ z ɲˈix.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_95.wav|ˈɔprutʃ tˌɛɡɔ tɕˈiʃɛ mˈɔɲtɕi tˌɨlkɔ ʃɛmrˈaɲʲɛ vʲˈatru f kɔrˈɔnax sˈɔsɛn i ˈɔɕik.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_11.wav|rˌɔzɛjʒˈawam ɕɛ dˌɔɔkˈɔwa, ˌalɛ ɲˈiɡdʑɛ ɲʲɛ zˌauvaʒˈɨwam lˌɛvɔrɛntʃnˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_55.wav|ˌɔbrutɕˈiwam ɕɛ f kˈɔwɔ s ʃɛrˈɔkɔː ɔtfˈartɔ̃ bˈuʑɔ̃.|3
+Dataset/wavs/urwisko_ferenc/45_segment_10.wav|— jˌɛstɛʑ vˌɔjɔvɲˈitʃkɔ̃! — pʃˌɨjatɕˈuwka ˌɔtswɔɲˈiwa w uɕmʲˈɛxu bjˈawɛ zˈɛmbɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_366.wav|tɔ ɲʲɛ mˈɔja vˈina, ʒˈɛ ja mˈam dˈɔm, a pˈan ʒˈɨjɛ jˈaɡ vwutʃˈɛŋɡa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_154.wav|plˈan ɕɛ pˈɔvʲud. tˈɨlɛ tˈɨlkɔ, ʒˈɛ ɡˈas ɔkˈazaw ɕɛ zbˈɨt mˈɔtsnɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_38.wav|ɲʲɛ bˌɨwɔ jɛj tˈam. pɔtʃˈuwɛm ɕɛ ɲʲˈɛtsɔ rˌɔstʃarɔvˈanɨ, ʒˈɛ znˈuv ɡdʑˈɛʑ vˈɨʃwa.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_95.wav|ɲʲɛ mˌamɨ tʃˈasu, ɔtpˈarwam. a dɔ tˌɛɡɔ tʃˈɛba ɕɛ pʃɛbjˈɛratɕ. ˈɔdjɛtɕ na pˈɛwnɨx ɔbrˈɔtax, ʒˈɛbɨ rɔzˈɛrvatɕ pɔvwˈɔkɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_39.wav|ˌalɛ rɔbʲˈiwa sfˈɔjɛ. kˈilka tɨɡˈɔdɲi tˌɛmu ɔdbˈɨwa ɕɛ firmˈɔva imprˈɛza z ɔkˈazji zˌakɔɲtʃˈɛɲʲa nastˈɛmpnɛj fˈazɨ rɔzvˈɔju ˌaplikˈatsji.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_28.wav|z mʲˈastɛm. bˈardʑɔ jɛzd ʑlˈɛ?|4
+Dataset/wavs/urwisko_ferenc/20_segment_81.wav|ɲʲɛznˈɔɕnɨ ɡʒˈɛx ɔt krˈɔpɛl bʲijˈɔntsɨɣ w dˈax tɔjˈɔta ɲʲˈɛmal zaɡwˈuʃɨw dʑvʲˈɛŋk jˈɛɡɔ tˌɛlɛfˈɔnu.|0
+Dataset/wavs/urwisko_ferenc/39_segment_18.wav|— nˈɔ tɔ ɲʲɛ rɔzˈumjɛm. — xˈɔdʑi ˈɔtɔ, ʒˈɛ trˈɛʑdʑ ʒˌɔwɔntkˈɔva mˈa ˌɔkrɛɕlˈɔnɔ̃ kˌɔnsɨstˈɛntsjɛ, a plˈama bˌɨwa rˈatʃɛj vɔdɲˈista.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_152.wav|i tsˈɔ mˈɔʒɛ ɕɛ stˈatɕ, kʲˈɛdɨ zalˈɛjɛ vnˈɛntʃɛ bˈaɲki rˌɔstɔpʲˈɔnɔ̃ stˈalɔ̃? zˌapɨtˈawam.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_188.wav|dˈɔran pɔtʃˈɔ̃snɔw ɡwˈɔvɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_150.wav|dɔˈublɛ dɔmˈinɔ|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_110.wav|mˈuʃɛ vɨdˈavatɕ ɕɛ skrˈɔmna, tsnɔtlˈiva i skruʃˈɔna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_58.wav|zˈamknɔw za sˈɔbɔ̃ dʒvˈi i pˈɔʃɛt prˈɔstɔ dɔ kˈuxɲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_117.wav|pɔvʲˈɔ̃ʒɔ̃ dʒˈɔrdʒja z ɲˈitskʲɛm, nˈavɛt jˈɛɕli ɲʲɛ ʒˈɨjɛ, mˈɨɕli bʲˈillɨ. fspˌuwpratsɔvˈali zˈɛ sˈɔbɔ̃ ɔd zˈafʃɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_159.wav|mˈa pˈaɲi prˈavɔ mˈiltʃɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_240.wav|za dˈɔbʒɛ ɡˈɔ znˈam.|1
+Dataset/wavs/urwisko_ferenc/18_segment_20.wav|dʑˈɛŋki.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_99.wav|mˈam tˌaki zˈamjar.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_150.wav|tˈak tʃɨ inˈatʃɛj, dɔkˈɔɲtʃɨw pɔ xfˈili namˈɨswu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_134.wav|tɛ fʃˈɨstkʲɛ dʑˈɛtɕi, ktˌurɛ latˈajɔ̃ dʑˈiɕ na çirˈɔki,|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_207.wav|xrapʲˈɔntsɨ w vʲˈɛlkɔ̃, ʃkarwˈatnɔ̃ brˈɔdɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_70.wav|ɲʲɛ pɔvˈinnam w ɔɡˈulɛ prˈɔɕitɕ tɕˈɛ ɔ pˈɔmɔts.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_118.wav|zˈɛ vzɡlˈɛndu na iɣ bjˈawɛ, vɨdˈɛntɛ na vʲˈɛtʃɛ ʒˈaɡlɛ ˌɔras fiɡˈurɨ dʑɔbˈɔvɛ, ktˌurɛ najtʃˈɛɲɕtɕɛj vˌɨɔbraʒˈawɨ ptˈaki.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_32.wav|tɔ vwˈaɕɲʲɛ pˈaɲi sˌuɡɛrˈujɛ?|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_106.wav|pwˈaʒdʒ brjˈɛnnɛ nˈadal zaxˈɔvaw jɛj ˈɔdur. dlatʃˈɛɡɔ, pˈɨtaʃ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_157.wav|bʲˈillɨ jɛst tɕˈɛkaf, tʃɨ tɔ pravdʑˈiva çistˈɔrja.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_25.wav|ˌustanɔvˈiwam zasˈadɛ, ʒˈɛ w jˈɛdnɨm mʲˈɛjstsu ɲʲɛ bˌɛndɛ pʃˌɛbɨvˈawa dwˈuʒɛj ɲˈiʃ rˈɔk.|3
+Dataset/wavs/urwisko_ferenc/18_segment_26.wav|— ʃtʃˈɛʒɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_24.wav|trˈɔmba pʃɛvrˈutɕiw ɔtʃˈami i prˈɨxnɔw zwɔɕlˈivʲɛ, ˌalɛ ɲˈikt ɕɛ ɡwˈɔɕnɔ ɲʲɛ zˈaɕmʲaw. fʃˈɨstsɨ ftɕˈɔ̃ʃ mɨɕlˈɛliɕmˌɨ ɔː ˈalbʲim i ˈɔtɨm, ʒˈɛ na jˈɛɡɔ mʲˈɛjstsu mˈuɡw bˈɨtɕ kˈaʒdɨ z nˈas.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_98.wav|ɲʲɛ, pɔvʲˈɛdʑaw. pʃˌɛtɕɛʃ tɔ pˈuwnɔts.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_33.wav|kʲˈɛdɨ jˈuʒ bˌɨwam blˈiska pˌɔʒutsˈɛɲʲa nadʑˈɛi, rɔzlˈɛɡwɔ ɕɛ dˌɛlikˈatnɛ pukˈaɲʲɛ dɔ dʒvˈi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_69.wav|kˈatɛ ɔstrˈɔʒɲʲɛ nabʲˈiwa krɛvˈɛtki na ʃpikˈultsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_35.wav|— tˈak — ɔtpˈarwa bˈɛtskɨ. lˈintsaj jˈuʃ tˈam pˈɔʃwa s kilkˈɔma fˌuŋktsjɔnˌarjuʃˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_61.wav|ɲʲɛ bɛɲdʑˌɛmɨ jˈuʃ muvˈili dʲˈidʲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_76.wav|— ˌuratɔvˈawɛm tɕˈɛ, kʲˈɛdɨ tˈamtɕi tʃˈɛj tɕˈɛ pˌɔʒutɕˈili na ulˈitsɨ, prˈavda?|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_281.wav|mˈɔɡwbɨm ɡˈɔ zˈabʲitɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_6.wav|spˌɔtkawˈɨɕmɨ ɕɛ jˈuʃ pˈɔnat stˈɔ rˈazɨ. pʃɨxˈɔdʑɛ zɔbˈatʃɨtɕ ɕɛ s trˈɔndɛm, ktˌurɨ mɲʲɛ zaprˈɔɕiw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_69.wav|ˈalɛʃ ˌɔtʃɨvˈiɕtɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_120.wav|zˌajmɔvˈawɛm ɕɛ tɨm z jˈudɨ zˈaɲim ɔtʃˈɛdwɛm z brˈanʒɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_193.wav|zmˈɨj ɕɛ s pˈasa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_16.wav|ɲˈidʑ dʑivnˈɛɡɔ, ʒˈɛ strˈaɡan bˈɨw tˌaki zdˌɛnɛrvɔvˈanɨ, kʲˈɛdɨ ˌɔdnalɛʑˈɔnɔ tɕˈawɔ jˈɛɡɔ ʒˈɔnɨ. ftsˈalɛ ɲʲɛ xɔdʑˈiwɔː ɔ rˈɔspatʃ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_100.wav|pɔdˈɔbɲʲɛ jˈaɡ vrˈubɛl jɛst nˌajskrɔmɲʲˈɛjʃɨm i nˌajpɔspɔlˈitʃɨm s ptˈakuf,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_32.wav|jɛzd ɡɔrˈɔntsɛ, vʲˈɛnts ɔtsˈuvam ɕɛ i kˈutsam napʃˈɛtɕif ɲʲˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_137.wav|uɕmʲˈɛxa ɕɛ dɔ ɲʲˈɛj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_70.wav|pˈan i pˈaɲi rˈɔbɛrts ɲʲɛ mʲˌɛli pɔjˈɛɲtɕa, kˈim bˈɨwam, ˌaɲi jˈaka rɛlˈatsja wɔntʃˈɨwa mɲʲɛ z ix sˈɨnɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_87.wav|jˈɛdʑɛ vˌɨnajˈɛntɨm sˌamɔxˈɔdɛm, vwɔʒˈɨfʃɨ na ɕˈɛbjɛ pɛrˈukɛ, vˈɔ̃sɨ i ʃtˈutʃnɨ bʒˈux tɕɔ̃ʒˈɔvɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_27.wav|mˌajɔ̃ tˈakɔ̃ mɔʒlˈivɔɕtɕ, bˈɔ ktˈɔʑ z ix rɛdˈaktsji ˌinfɔrmatsˈɨjnɛj vˈɨswaw ɛkˈipɛ dɔ sˈɔndu na fstˈɛmpnɔ̃ rɔsprˈavɛ alˈɛna, ɲʲɛ dɔ pɔʒˈaruf tsˈɔdɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_47.wav|tʃɛkˈawa ix rɔzmˈɔva zˈɛ strakˈanɛm, ktˌurɨ bˈɨw ix najlˈɛpʃɨm ʑrˈudwɛm ˌinfɔrmˈatsji ˈɔtɨm, dlatʃˈɛɡɔ ktɔkˈɔlvʲɛɡ zˈɛxtɕaw zˈabʲitɕ jˈɛɡɔ ʒˈɔnɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_91.wav|mˈam vraʒˈɛɲʲɛ, ʒˈɛ ktˈɔɕ pʃɛtɕˈɔŋɡnɔw mi pʲˈurkʲɛm pɔ kˈarku.|3
+Dataset/wavs/urwisko_ferenc/36_segment_60.wav|mˈarja swɨʃˈawa f swuxˈaftsɛ, jˈak stˈarʃa kɔbjˈɛta ɕɛ zatɕˈɔŋɡa, jˈaɡ ʒˈar spˈala skrˈafki tɨtˈɔɲʲu.|0
+Dataset/wavs/urwisko_ferenc/63_segment_154.wav|ukrˈɨwa tˈam samˈɔxut, zamknˈɛwa dʒvˈi, tɕɔŋɡnˈɛwa xˈɛrman, vɨɕˈadwa i tʃɛkˈawa, ˈaʒ dʑˈɛtskɔː ˈumʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_267.wav|muvˈiwaɕ, ʒˈɛ mʲɛʃkˈawa w lˌaɲispˈɔrtɕɛ, vʲˈɛnts s pɛvnˈɔɕtɕɔ̃ swɨʃˈawa ɔ kˈarlɛ i ˈɔtɨm, ʒˈɛ zˈabʲiw tfˈɔjɔ̃ pˈaɲʲɔ̃ mˈatkɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_50.wav|prˈɔʃɛ ɲʲɛ ɔdbjˈɛratɕ. ɔddʑvˈɔɲi pˈaɲi dɔ ɲʲˈɛj pˈuʑɲʲɛj. nˈajpʲɛrf musˈimɨ ɕɛ pʃɛkˈɔnatɕ, tsˈɔ pˈɔvʲɛ ʃˈɛf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_89.wav|tɔ tsˈɔɕ ɔstrˈɛɡɔ? trˌujkɔɲtɕˈiki i tˈakʲɛ tˈam?|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_464.wav|maʃ mˈuvidʑ brjˈɛnnɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_23.wav|kʲˈɛdɨ ɔtfʲˈɛram ʃuflˈadɛ, ʒˈɛbɨ vˈɨjɔɲtɕ skarpˈɛtki, pʃɨxˈɔdʑi mi dɔ ɡwˈɔvɨ pˈɛvʲɛn pˈɔmɨsw.|4
+Dataset/wavs/urwisko_ferenc/46_segment_36.wav|vʲˈɛdʑaw nˈavɛt, ktˈɔ zˈatɨm wuɡˈarstfɛm stˈɔi.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_92.wav|pˈɔvʲɛts tˈɛʃ tʲˌimɔtˈɔvi, ʒˈɛbɨ pʃˈɨɲʲus mi tsˈɔʑ dɔ jɛdʑˈɛɲʲa, ˌalɛ ɲˈits tɕɛ̃ʃkʲˈɛɡɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_57.wav|tsˈɔ rˈɔku w mˌanxɛstˈɛʒɛ nˌapadˈajɔ̃ pˈɛvɲʲɛ na sˈɛtki, jˈak ɲʲɛ tɨɕˈɔntsɛ lˈudʑi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_87.wav|ɔt tˈɛraz bˌɛɲdʑɛ zˈɛmnɔ̃ mʲˈɛʃkatɕ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_172.wav|ʒˈɛ znalˈazwɛm vʲˈarɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_168.wav|ʒˈɛ bˈardʑɔ jɛj fspuwtʃˈujɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_15.wav|pˌɔzɔstavʲˈɔnɛ lˈɛkkɔ mˈɨɕlɲʲɛ jˈakʲɛɕ kʲˈɔski i plaʒˈɔvɛ ˌuʒɔndʑˈɛɲʲa.|0
+Dataset/wavs/urwisko_ferenc/37_segment_59.wav|ɔtxˈɨliw ɔswˈɔnɛ pʃˌɛtɕifswɔnˈɛtʃnɔ̃, ʒˈɛbɨ xˈɔtɕaʃ trˈɔxɛ ɕɛ ˈukrɨtɕ, pɔ tʃɨm pʃˈɨjʒaw ɕɛ mˌɛrtsɛdɛsˈɔvi.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_133.wav|nˈavɛt jɛɕˈɛɲʲɔ̃ braˈavɔz bˌɨwɔ ruxlˈivɨm pˈɔrtɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_111.wav|a pˈɔtɛm vwaɕtɕˈitɕɛl stˈatsji i mɛ̃ʃtʃˈɨzna, ktˌurɨ krˈɛɲtɕiw ɕmˈiɡwɔ, patʃˈɨli jˈak samˈɔlɔt unˈɔɕi ɕɛ tɕˈɛ̃ʃkɔ s pˈɔla stˌartɔvˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_39.wav|kturˈɨmi ɕmiɡˈaliɕmˌɨ pɔː ulˈitsax, tʃɛkˈajɔnts, kʲˈɛdɨ nˈas ˌɔstʃɛlˈajɔ̃ s kˌarabʲˈinuf lˈub ɡrˌanatɲˈikuf, tʃɨ vɨsˈadʑɔ̃ f pɔvʲˈɛtʃɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_78.wav|kɔmˈɔrɛ vɨpˈɛwɲiw ʃˈarɨ ˈɔbwɔk kɕˌɛ̃ʒɨtsɔvˈɛɡɔ pˈɨwu, ktˌurɨ pɔ xfˈili zɲˈikw, vɛssˈanɨ dɔː ɔtfˈɔruf w ɕtɕˈaɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_167.wav|skˈɔnt pˈɔmɨsw, ʒˈɛ dɔstˈaɲʲɛʃ xˈɔdʑbɨ pˈɛnsɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_290.wav|pˌɔviɲʲˈɛnɛm bˈɨw pʃɛvˈidʑɛtɕ, tsˈɔ ɕɛ vɨdˈaʒɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_6.wav|swɨʃˈawɛm mˌɔnɔtˈɔnnɛ i ˌupɔrtʃˈɨvɛ stukˈaɲʲɛ dɔ dʒvˈi.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_51.wav|mijˈawɨ jˈɛdɛn pɔ drˈuɡʲim.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_125.wav|ɲʲɛ vʲɛdʑˈawam, ˌalɛ tˈɛras mʲˈawɔ tɔ sˈɛns. tsamˈɛrɔn vʲˈɛdʑaw, ktˈɔ tˈam pʃɛɡrˈɨva i prˌɔpɔnˈɔvaw tɨm lˈudʑɔm pɔʒˈɨtʃki. sukˈinsɨn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_135.wav|ˈaxa, rɔzˈumjɛm jˈak tɔ jˈɛst. sˈama tˈɛʃ tˈɛras tʃˈujɛ ɕɛ skrˌɛmpɔvˈana, vʲˈɛnts pʃˈɛstaɲ nˈamɲʲɛ pˈatʃɛtɕ. dˈaj mi tʃˈɨtatɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_268.wav|ɡdʑˈɛ ʃwˈam, tsˈɔ rɔbʲˈiwam pɔ drˈɔdʑɛ?|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_139.wav|nastˈɛmpnɨ dʑˈɛɲ vɨɡlˈɔndaw mɲʲˈɛj vʲˈɛntsɛj tˈak sˈamɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_58.wav|pˈɔnɔtɕ pɔ mˈɔim ɔstˈatɲim vˈɨjɕtɕu kˈirstɛn pʃɨznˈawa ɕɛ ɛdjˈɛmu, ʒˈɛ spɔtkˈawa ɕɛ z ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_517.wav|jɛj ˈɔjtɕɛdʑ vɨkʃˈɨviw tfˈaʒ w bɔlˈɛsnɨm ɡrɨmˈaɕɛ. ɔbˈaʒɛ, nˈɨm i tjˈɛn ɲʲɛ brakˈujɛ ɲitʃˈɛɡɔː ˈɔprudʒ vɔlnˈɔɕtɕi.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_144.wav|kʲˈɛdɨ zˈatʃɔw jˈɔ̃ waskˈɔtatɕ, pʃɛrvˈawa mu tsˈat. ɔstrˈɨɡʲi, jˈɛɕli ktˈɔɕ mˈa ɔxˈɔtɛ! zˌavɔwˈawa ɡwˈɔɕnɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_9.wav|mˈama zaɡrˈɨza vˈarɡɛ i pɔxˈɨla ɕɛ w jˈɛɡɔ strˈɔnɛ z vˌɨtɕɔŋɡɲʲɛntˈɨmi rɛŋkˈami. ɔn ɲʲɛ rˌɛaɡˈujɛ, vʲˈɛnts rˈɛntsɛ ˌɔpadˈajɔ̃ jɛj vzdwˈuʃ tɕˈawa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_44.wav|pʲˈɛɲtɕ mˈinut pˈuʑɲʲɛj dɔstʃˈɛɡam znˈak stˈatsji bˌɛnzɨnˈɔvɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_117.wav|ˈilɛ tɔ jˈɛʃtʃɛ pˈɔtrfa?|4
+Dataset/wavs/urwisko_ferenc/18_segment_74.wav|kʲˈɛdɨ xudʑˈiɲski fʃˈɛd dɔ kˌɔrɨtˈaʒa, ɔtstˈaviw tˈɛtʃkɛ i pˌɔtsawˈɔvaw kɔbjˈɛtɛ w ˈusta, a nastˈɛmpɲʲɛ pˈɔdɲʲus xwˈɔptsa.|0
+Dataset/wavs/urwisko_ferenc/36_segment_156.wav|ɲʲɛ vɨtʃˈuwam w ɲʲˈɛj ɲʲˌɛnavˈiɕtɕi, zdʑivˈiwa ɕɛ prˌɔkuratˈɔrka, tʃɨm zˌaskɔtʃˈɨwa mˈarjɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_249.wav|ɔtxˈɔdʑɛ jˈutrɔ w nˈɔtsɨ, vʲˈɛnts mˈuɕiʃ pˈɔdjɔɲdʑ dɛtsˈɨzjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_50.wav|i na mˈiwɔʑdʑ bˈɔskɔ̃ pʃˈɛstaɲ ɕpʲˈɛvatɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_121.wav|ɲʲɛ zˌapɔminˈajmɨ tˈɛʃ ɔ pˌɔʃanɔvˈaɲʲu ˈinnɨx. tɔ xˈɨba ɔznˈatʃa, ʒˈɛ ɲʲɛ mˈɔʒna ix traktˈɔvatɕ jˈak idjˈɔtuf, xˈa?|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_133.wav|i ɲʲɛ mˈɨɕlɛ, ʒˈɛbɨ tɔ pˌɔdɔbˈawɔ ɕɛ jɛj. xtsˈɛʃ pˈiva?|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_23.wav|w ɕfʲˈɛtɕɛ rˌatsjɔnˈalnɨm mˈuɕi ɲʲˈɔ̃ bˈɨtɕ, ˌalɛ ˈɔbras i tˈak mu ɕɛ ɲʲɛ pɔdˈɔba.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_23.wav|tsˈɔʑ znˈuf ɕɛ dʑˈɛjɛ s kˈatɛ?|3
+Dataset/wavs/urwisko_ferenc/44_segment_80.wav|tˌɨlkɔ rˈas, kʲˈɛdɨ jˈuʒ bˌɨwɔ pɔ fʃˈɨstkim, spˈɔjʒaw w jˈɛɡɔ strˈɔnɛ i ɲʲɛ vʲˈɛdʑaw, tʃɨ bˈɨw tɔ vˈɨtfur jˈɛɡɔ vˌɨɔbrˈaʑɲi, tʃɨ pravdʑˈivɨ ˈɔbras.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_22.wav|mwˈɔdʑi mɛ̃ʃtʃˈɨʑɲi vˈɨʃli, ɕmʲˈali ɕɛ, pʃˌɛpɨxˈali i wapˈali jˈɛdɛn druɡʲˈɛɡɔ za tˈɨwki, jˈak tɔ rˈɔbjɔ̃ mˌawɔlˈatɨ na tsˈawɨm ɕfʲˈɛtɕɛ, ɔt kabˈulu dɔ kˈansas tsˈitɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_17.wav|dɔ sˈalfɔrt rˈɔjal.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_22.wav|drʒˈɛ na sˈamɔ̃ mˈɨɕl ˈɔtɨm, s tʃɨm ɕɛ tɔ vʲˈɔ̃ʒɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_362.wav|ja tɛ ˌastrɔnˈɔmjɛ dˈavnɔ zˌapɔmɲʲˈawɛm. mˈɔja ʒˈɔna jɛst psˌɨxɔlˈɔɡʲɛm, ˌalɛ tˈaɡʒɛ mˌamɨ prɔblˈɛmɨ.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_5.wav|pɔmˈɨɕlaw s pʃˌɨɡnɛmbjˈɛɲʲɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_18.wav|tˌɛɡɔ mi vwˈaɕɲʲɛ tʃˈɛba.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_49.wav|ˈɛlis pˈatʃɨ na ɲʲˈɛɡɔ f skupʲˈɛɲʲu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_34.wav|bjˈɔrɔndʑ dˈuʒɛ xˈawstɨ pɔvʲˈɛtʃa, stɔpɲʲˈɔvɔː ˈuɲʲuz ɡwˈɔvɛ i znˈuf pɔpˈatʃɨw na tˈɛkst.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_53.wav|tˈak, ɔtpˈarwɛm. stʃˌɛʒɔnˈɛɡɔ pˈan bˈuk stʃˈɛʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_321.wav|mʲˈaw vraʒˈɛɲʲɛ, ʒˈɛ ɕlˈɛdʑi ɡˈɔ spɔjʒˈɛɲʲɛm ˈɔtʃu z matɕˈitsɨ pɛrwˈɔvɛj.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_68.wav|mˈuʃ�� ɕɛ z ɲʲˈɔ̃ zɔbˈatʃɨtɕ, pɔvʲˈɛdʑɛtɕ jɛj, ʒˈɛ ɲˈiɡdɨ ɲʲɛ zrˈɔbʲiwbˌɨm jɛj kʃˈɨvdɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_65.wav|pʃˈɛʃli kˌɔrɨtˈaʒɛm ˌɔbɔk ɕɛdʑˈɔntsɛj za bjˈurkʲɛm sˈusan i vˈɛʃli na dˈuʒɔ̃ sˈalɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_137.wav|pamjˈɛntam ix tfˈaʒɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_128.wav|ɲʲɛ, tɔ ɕɛ tʃˈɛ̃stɔ zdˈaʒa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_415.wav|rˌɔssunˈɛwɔ ɕɛ pɔswˈuʃɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_8.wav|zamknˈɛwam za sˈɔbɔ̃ dʒvˈi i uɕˈadwam na mˈɔim stˈawɨm mʲˈɛjstsu.|4
+Dataset/wavs/urwisko_ferenc/27_segment_7.wav|pˌɔʒɨtʃˈɨwa ɔt ɲʲˈɛj stˈɔ zwˈɔtɨx na zakwˈadɨ bˌukmaxˈɛrskʲɛ, ktˌurɨx pˈɛvɲʲɛ ɲˈiɡdɨ ɲʲɛ ɔddˈawa.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_46.wav|pˈawl, lˈɔɡan i tʃˈɛj pʃɨjˈɛzdɲi z vˈɛɡaz vɨxˈɔdʑɔ̃. ɲˈidʑɡ zabjˈɛra bʲillʲˈɛɡɔ dɔ pɔkˈɔju ɔ ɕtɕˈanaɣ zˌastavʲˈɔnɨx ɔt pɔdwˈɔɡʲi pɔ sˈufit kɕɔ̃ʃkˈami.|2
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_12.wav|nastˈɛmpnɨm rˈazɛm zˌɔbatʃˈɨmɨ ɡˈɔ s kawˈaxɛm, stfʲˈɛrdʑiw dʒˈɔrdʒ. pˌɔvinɲˈiɕmɨ vˈɨbʲitɕ fʃˈɨstkiɣ dɔ nˈɔɡʲi, kˌaralˈuxɨ jɛbˈanɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_123.wav|f ɕˈudmɛj rˈuɲdʑɛ zasˈɨpja z ɡwˈɔvɔ̃ na ramjˈɛɲʲu bʲilljˈɛɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_192.wav|pɔ kˈilku xfˈilax pˈitɕa w znajˈɔmɨm ˌɔtɔtʃˈɛɲʲu tʃˈujɛ ɕɛ ɡɔtˈɔva, ʒˈɛbɨ zˈɛjɕtɕ na dˈuw dɔ bˈaru.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_79.wav|tɔ bˌɨwɔ w ˈinnɨm ʒˈɨtɕu?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_50.wav|dvˈa stʃɛrɲʲˈawɛ ɡˈurnɛ zˈɛmbɨ vˌɨkɔnɨvˈawɨ zˌadʑivʲajˈɔntsɛ balˈansɛ|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_49.wav|ˌɔɕɛmdʑɛɕˈɔntkɛ.|0
+Dataset/wavs/urwisko_ferenc/34_segment_64.wav|ʃarpnˈɛwa klˈamkɛ i uɕˈadwa wˈɛ fɔtˈɛlu pˌasaʒˈɛra.|0
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+Dataset/wavs/urwisko_ferenc/58_segment_3.wav|lˈipski tsmˈɔknɔw i pʃɛjˈɛxaw jɛ̃zˈɨkʲɛm pɔ zˈɛmbax.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_59.wav|jˈaɡɡɛr pɔtrˈafiw bˈɨtɕ pʃˌɛkɔnujˈɔntsɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_30.wav|tɔ na rˈaʑɛ pˈɔzdruf kˈaʑɛ, mˈuvi dˈannɨ, fɕadˈajɔnts na rˈɔvɛr.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_70.wav|pɔ tsˈɔ pʲˈɛdʑ ɡˈɔ w dˈɔmu, kʲˈɛdɨ rˈuvɲʲɛ dɔbrˈɛɡɔ mˈɔʒna kˈupitɕ f sˌupɛrmarkˈɛtɕɛ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_481.wav|lˈɛʒaw tˈak pʃˈɛs xfˈilɛ rˌɔskʃɨʒɔvˈanɨ na zmʲˌɛntɔʃˈɔnɨm kˈɔtsu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_117.wav|snˈujɔnts sfˈɔjɔ̃ ɔpˈɔvʲɛɕtɕ, pʃˈɛstaw pwˈakatɕ. tˈɛras jˈɛdnak, kʲˈɛdɨ pɔjˈaviw ɕɛ tɕˈɛɲ nadʑˈɛi na fstʃɨmˈaɲʲɛ ˌɛɡzɛkˈutsji, z jˈɛɡɔː ˈɔtʃu znˈuf pwˈɨnɔ̃ wzˈɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_20.wav|ɲʲˈɛma sˈɛnsu, ʒˈɛbɨ ɡˌɛnɛvʲˈɛvɛ prˌubɔvˈawa nakwˈɔɲitɕ ˌɛddjɛˈɛɡɔ dɔ vˈɛjɕtɕa f pɔnˈɔvnɨ zvʲˈɔ̃zɛk.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_125.wav|zɡʲˈinɔ̃ sˈɛtki lˈudʑi.|1
+Dataset/wavs/urwisko_ferenc/05_segment_76.wav|mˈarja|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_197.wav|jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ jˈɛn bˈɨ za ɲʲˈɛɡɔ ɲʲɛ vˈɨʃwa, ɡdˈɨbɨ pɔprˈɔɕiw jˈɔ̃ ɔ zʒɛtʃˈɛɲʲɛ ɕɛ sfˈɔix prˈaf.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_289.wav|zapˈadwɔ krˌɛmpujˈɔntsɛ miltʃˈɛɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_142.wav|jˈɛɕli xtsˈɔ̃ mu pwˈatɕidʑ za zˌabʲijˈaɲʲɛ ˈinnɨɣ zwˈɨx lˈudʑi, prˈɔʃɛ bˈardʑɔ.|2
+Dataset/wavs/urwisko_ferenc/44_segment_86.wav|zˈɛrknɔw w lustˈɛrkɔ fstˈɛtʃnɛ i zɔbˈatʃɨw...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_53.wav|mʲˌɛndʑɨ brvʲˈami dˌɔmiɲˈika pˌɔjavʲˈajɔ̃ ɕɛ dvʲˈɛ ɡwɛmbˈɔkʲɛ zmˈarʃtʃki.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_25.wav|ɲʲɛ, dʑˈɛŋki, mˈamɔ, ˌɔtpɔvʲˈada mˈili.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_102.wav|zvˈɨklɛ vˌɨxɔdʑˈiwam s pɔkˈɔju. ɲʲɛ mˈɔɡɛ swˈuxatɕ tɨɣ brˈɛdɲi, a ɲʲˈɛmam ɕˈiwɨ ɕɛ z ɲʲˈɔ̃ na tɛn tˈɛmat kwˈutɕitɕ.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_222.wav|a nˌastɛmpnˈɛɡɔ, ʒˈɛ ɲʲɛ mˈɔʒna ɡˈɔ zˈabʲitɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_126.wav|klusˈɛtʃki, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_27.wav|ɲʲɛ mʲˈawa ɔkˈazji ˌɔtpɔvʲˈɛdʑɛtɕ, bˈɔ pʃˈɛrvaw im dʑvɔɲʲˈɔntsɨ tɛlˈɛfɔn tˈɔma.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_208.wav|mˈuvi jɛj, ʒˈɛ jˌɛmu tˈɛʃ na rˈaʑɛ vɨstˈartʃɨ, xˈɔtɕ skrˈɨtɕɛ mˈɨɕli, ʒˈɛ xˈɛntɲʲɛ kʲˈɛdɨɕ pˈɔzna dˈalʃɛ mˌaçinˈatsjɛ rˈɛda.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_16.wav|pʃˈɛʃwam pʃˈɛs ɕrɔtkˈɔvɛ dʒvˈi i dɔtˈarwam prˈavʲɛ dɔ kˈɔɲtsa kˌɔrɨtˈaʒa, ɡdʑˈɛ mʲɛɕtɕˈiwa ɕɛ pratsˈɔvɲʲa mˌikrɔˌɛlɛktrˈɔɲikˌi.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_370.wav|pˈuɕtɕiw na xfˈilɛ ɡˈardwɔ brjˈɛnnɛ, bˈɨ udˈɛʒɨtɕ jˈɔ̃ f tfˈaʃ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_107.wav|ɲʲɛ tsˈawkʲɛm pˈustɔ, lˈɛtʃ ɲˈikt ɲʲɛ vɨɡlˈɔndaw ʃtʃɛɡˈulɲʲɛ pˌɔdɛjʒˈaɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_4.wav|ɔtkrˈɨwam nˈɔvɛ ʑrˈudwɔ dɔxˈɔduf.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_76.wav|mˈɔʒɛ tɔ ftsˈalɛ ɲʲɛ jɛst pɔrvˈaɲʲɛ. mˈɔʒɛ tɔ zˈɛmsta.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_121.wav|ˌɔtʃɛkivˈawam ɔt ɲʲˈɛj zˌapɛvɲʲˈɛɲʲa, ʒˈɛ ɲʲɛ stanˈɔvjɛ ʒadnˈɛɡɔ prɔblˈɛmu, ˌalɛ ˌɔna zˈamjast tˌɛɡɔ pˌɔpatʃˈɨwa na arˈama, jˈaɡbɨ prɔɕˈiwa ɔ jˈɛɡɔ zɡˈɔdɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_65.wav|pɔtxˈɔdʑi i pˈuka, ʃˈɨba ɕɛ ɔpˈuʃtʃa.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_20.wav|dˈalɛ zatɕˈɔŋɡnɔw xamˈulɛts mˌɛxaɲˈitʃnɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_111.wav|zˌapɨtˈawa pisklˈivɨm ɡwˈɔsɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_174.wav|pxnˈɛwam mˈɔtsɲʲɛj i ftɕisnˈɛwam jɛj kˈɔɲʲɛts w jˈɛdɛn z ɔtfˈɔruf pɔkrˈɛntwa.|4
+Dataset/wavs/urwisko_ferenc/30_segment_36.wav|mˈimɔ tɔ ftɕˈɔ̃ʒ drʒˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_325.wav|jˌɛstɛm s tˈɔbɔ̃ ʃtʃˈɛrɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_141.wav|plˌanɔvˈawam ɔdvʲˈɛdʑitɕ fʃˈɨstkʲɛ tɛ mʲˈɛjstsa, xˈɔtɕ ɲˈiɡdɨ dɔ tˌɛɡɔ ɲʲɛ dˈɔʃwɔ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_321.wav|pˌɔvʲɛdʑˈawa, ʒˈɛ mˈuɕiʒ vˈɨbratɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_171.wav|mˈuj stˈarɨ jɛzd bˈɛs prˈatsɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_101.wav|pɔdˈɔ̃ʒa za mnˈɔ̃, vʲˈɛndʑ zˌatʃɨmˈujɛ ɕɛ pʃɨ dʒvʲˈax i ɔdvrˈatsam.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_118.wav|i ɔdvrˈutɕiw ɕɛ dɔpʲˈɛrɔ ftˈɛdɨ, kʲˈɛdɨ tʃˈask wˌamanˈɛɡɔ mɛtˈalu rɔzˈɛrvaw tɕˈiʃɛ pɔrˈaŋka.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_446.wav|ja pɔ tʃɛʑvˈɛmu na vˈidɔɡ butˈɛlki ˌɔdbɛspʲˈɛtʃam pistˈɔlɛt, vʲˈɛnts jˈa...|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_237.wav|varknˈɛwa ˈarjan. vrˈatsaj i ɔtpˈɔvʲɛts mi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_39.wav|dlatʃˈɛɡɔ ɲˈits ɕɛ ɲʲɛ vˌɨdaʒˈɨwɔ? dlatʃˈɛɡɔ ɲˈikt ɲʲɛ zadʑvˈɔɲiw?|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_126.wav|i sˈam sˈɔbjɛ pɔmˈaɡa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_54.wav|mˈam tsˈɔʑ dla tɕˈɛbjɛ, xˈɨba tʃˈas, ʒˈɛbɨɕ tɔ zˈabraw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_9.wav|kˈit, mˈam dla tɕˈɛbjɛ kˈilka pˈilnɨx sprˈav dɔ zˌawatfʲˈɛɲʲa xtsˈɛ, ʒˈɛbɨɕ pɔjˈɛxaw ˌɔsɔbʲˈiɕtɕɛ dɔː ˈɛllis xˈapman|3
+Dataset/wavs/drzwi_anna_szymanczyk/(89) R.Abbott_Zamknij Drzwi_segment_4.wav|ftˈɛdɨ swˈɨʃɛ tʃˈɨjʑ ɡwˈɔs. — tˈutaj pɔlˈitsja. tʃɨ mˈɔʒɛ pˈaɲi ɔtfˈɔʒɨdʑ dʒvˈi? jɛst jˈuʃ pˈaɲi bɛspʲˈɛtʃna.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_60.wav|ˈɛva kɔxˈaŋka|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_172.wav|vˈalis nˌajvɨrˈaʑɲʲɛj jɛj ɲʲɛ swɨʃˈawa. kʲˈɛdɨ prˌubɔvˈawam pˈɔdvʲɛdʑ dɔ balmˈana, bˈɨ...|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_272.wav|znˌajdujˈɛmɨ ɕɛ na tɛrˈɛɲʲɛ ɲizˈinnɨm, vɨjˈaɕɲiw trˈɔnt. ˌɔtatʃˈajɔ̃ nˈaz bɔɡˈatɛ zwˈɔʒa ˌɔlivˈinu i ˌilmɛɲˈitu, ˌidɛˈalnɛ dɔ prɔdˈuktsji ʒɛlˈaza.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_64.wav|bjˈɔrɛ ʃˈɨpki prˈɨʃɲits, ʒˈɛbɨ pˈɔzbɨtɕ ɕɛ zapˈaxu pˈɛrfum i mˌakijˈaʒu, pɔ tʃɨm fkwˈadam strˈuj dɔ tɕfˈitʃɛɲ i klˈapki.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_47.wav|zavˈɔwaw pˌɔdɔ̃ʒajˈɔntsɨ s tˈɨwu sˈɛr xˈɨlɛ, fskazˈujɔnts na stsˈɛptɔr. mˈam vraʒˈɛɲʲɛ, ʒˈɛ zmʲɛʒˈamɨ w zupˈɛwɲʲɛ ˈinnɨm kʲɛrˈuŋku.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_24.wav|tˈɛʃ ˌɔtfɔʒˈɨwɛm ˈusta w ˌɔʃɔwɔmjˈɛɲʲu i tˈak spˌɔɡlɔndˈaliɕmˌɨ na ɕˈɛbjɛ pʃˈɛz dwˈuʃʃɔ̃ xfˈilɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_35.wav|f tɨm ɔkrˈɛɕɛ pʃɛvˈaʒɲʲɛ tʃɨmˈaliɕmˌɨ ɕɛ z dˈala ɔt mʲˈasta.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_111.wav|ɲˈiɡdɨ ɕɛ ɲʲɛ dˈɔvʲɛʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_72.wav|ʒadnˈɛɡɔ pˌɔdvɨʃʃɔnˈɛɡɔ tɕiɕɲʲˈɛɲʲa, ʒˈadnɨx kʃˈɨkuf. ˈuznaʃ tɔ pˈɛvɲʲɛ za ˌimpɔnujˈɔntsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_17.wav|a tɛn jɛst ˌɔskubˈanɨ jˈak ˈindɨk pʃɛt ˌupʲɛtʃˈɛɲʲɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_264.wav|i ˌɔdbrɔ̃zavʲˈaɲʲɛ çistˈɔrji tɔ tˈɛʃ pʃɨpˈadɛk. tˈak pˈɔʃwɔ w ʒˈɨtɕu tˌɛmu rˌɔtmistʃˈɔvi i...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_49.wav|ɡˌɛnɛvʲˈɛvɛ zrɔbʲˈiwa vʲˈɛlkʲɛ xˈalɔ z mˈɔjɛj zazdrˈɔɕtɕi, ˌalɛ tɔ bˌɨwɔ pɔvˈaʒɲʲɛ pʃˌɛsadʑˈɔnɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_324.wav|ˌɔviɲʲˈɛntɨ bjˈawɨm tsawˈunɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_22.wav|pˈara pʲˌɛrdɔlˈɔnɨx idjˈɔtuf. tʃɨ ɲʲɛ pʃˈɨʃwɔ tɕi dɔ wbˈa, ʒˈɛ bˌɛndɔ̃ mˈɔɡli zdjˈɔɲdʑ dˌɛˌɛnˈa martʲˈina s kajdˈanɛk?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_137.wav|zˌapɨtˈawam zˌaskakujˈɔntsɔ spɔkˈɔjnɨm ɡwˈɔsɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_129.wav|tˈak jˈak ɲʲɛ ˌɔdvaʒˈɨlibˌɨ ɕɛ vbjˈɛdʑ dɔ dˈɔmu zˈabaf, bˈɨ ˌuratˈɔvadʑ dʒˌɔnnɨˈɛɡɔ kˈapsa.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_314.wav|brˈatɕi ubˈɔɡʲix rˈuvɲʲɛʃ pʃˌɨvrutsˈɔnɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_46.wav|nˌapravʲˈɛɲʲɛ tˌɛɡɔ pˌɔzɔstavˈawɔ zˈatɛm mˈɔim ˌɔbɔvʲˈɔ̃skʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_183.wav|dˈawɛm im tˈɛʃ ɕˈɛtɕi, ʒˈɛbɨ wɔvˈili rˈɨbɨ. tɔ pɔmˈaɡa vɨkˈarmidʑ vˈɔjska.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_563.wav|kʃˈɔntaw ɕɛ, pˌɔmaɡˈajɔnts kˌɛlnɛrˈɔvi w rˌɔsstavʲˈaɲʲu nˈatʃɨɲ i puwmˈiskuf s pˌɔtravˈami.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_296.wav|dʑˈawɔ ɕɛ tɔ nˈɔtsɔ̃, dɔ dʑˈiɕ jˈɛʃtʃɛ pamjˈɛntam jˈɛɡɔ kɔsmˈatɔ̃ dwˈɔɲ ftɕˌiskajˈɔntsɔ̃ ɕɛ ɲˈibɨ klˈɛʃtʃɛ mʲˌɛndʑɨ mˈɔjɛ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_27.wav|tfˈuj, mˈuvi frˈaŋk. ɲˈits spˌɛtsjalnˈɛɡɔ, ˌalɛ ˈaɡɛnt jˈaɡ vˈidatɕ ɔʃtʃˈɛndɲʲɛ vɨdʑˈɛla tɕi fˈɔrsɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_189.wav|i tˈak pwˈatsɔ̃ pɔdˈatki, tˌɨlkɔ wˈɛ fˈɔrmʲɛ tʃˈɨnʃu dla kˌakˌazˈɛt.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_2.wav|swˈuʒba pɔdˈawa rˈɨbɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_155.wav|zˈafʃɛ ˌuvaʒˈawaɕ, ʒˈɛ jˌɛstɛʑ dla ɲʲˈɛɡɔ kˈimʑ vˌɨjɔntkˈɔvɨm.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_160.wav|zˌapɨtˈawa brjˈɛnnɛ. ˈinnɨ baɲˈita.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_235.wav|sˈɛrɔs frˈɨdʑɛ, pʃɨpˈilnuj, ʒˈɛbɨ mˈɔjɛj lˈɛktɨtsˌɛ ɲˈits ɕɛ ɲʲɛ pʃˌɨtrafˈiwɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_160.wav|bʲˈillɨ zakwˈada na rˈamjɛ tˈɔrbɛ na laptˈɔpa i ˈidʑɛ za budˈɨnɛk. vˈidʑi tˈam drˈuɡʲi, mɲʲˈɛjʃɨ pˈarkiŋk, a nˈaɲim znajˈɔmɔ̃ fˌurɡɔnˈɛtkɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_220.wav|vɨjˈɛʒdʒaʃ stˈɔnt.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_258.wav|bˈɔjɛ ɕɛ, tˈatɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_8.wav|pʃɛvˈidʑɛtɕ tsˈɔ?|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_59.wav|kʲˈɛdɨ bˈɛŋkard zɔbˈatʃɨw jˌamjɛˈɛɡɔ, zmˈarʃtʃɨw brvˈi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_63.wav|ˈɛddjɛ ɕɛ skʃˈɨviw w rɛˈaktsji na fspɔmɲʲˈɛɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_24.wav|tʃɨ napˈijɔ̃ ɕɛ panˈɔvʲɛ ʃampˈana? spɨtˈawa z jˈakɔ̃ɕ ˌɔstɛntatsˈɨjnɔ̃ swɔdˈɨtʃɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_30.wav|tˈaɡ dwˈuɡɔ, jˈak ɔn pwˈatɕi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_57.wav|tʃɨ pˈan bˈɨw kʲˈɛdɨɕ kˌɔmuɲˈistɔ̃, pˈaɲʲɛ ˈandɛrsɔn?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_80.wav|pʃˈɛs rˈɔk utʃˈɨwam f ʃkˈɔlɛ plastˈɨtʃnɛj.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_368.wav|ɔbˈuʒɨw ɕɛ ˈɛdvin. ɲʲˈɛxtsɛ ɲitʃˈɛɡɔ sˌuɡɛrˈɔvatɕ, frˈɛj.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_51.wav|w mˈɔjɛj ɡwˈɔvʲɛ ɲʲˈɛma tˈɛras mʲˈɛjstsa dla tɕˈɛbjɛ, dla mɲʲɛ, dla kˌɔɡɔkˈɔlvʲɛk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_21.wav|pˌɔmɨɕlˈawam, ʒˈɛ nˈail bˈɨw fkuʒˈɔnɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_11.wav|bˈɛtskɨ pˌɔkivˈawa ɡwˈɔvɔ̃, a tˈɔm pˈɔtʃuw ɕɛ ˌɔdrɔbʲˈinɛ vˈinnɨ, ʒˈɛ pʃˈɛkuw balˈɔɲik jɛj nadʑˈɛi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_51.wav|dɔstʃˈɛɡa tˈɛʃ kˈilka zasxɲʲˈɛntɨx plˈam spˈɛrmɨ, vʲˈɛŋkʃɔɕtɕ na pɔdbʒˈuʃu i vɛ vwˈɔsax wɔnˈɔvɨx.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_102.wav|tɨm rˈazɛm tɔ mˈɔja mˈatka vzdˈɨxa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_16.wav|tɔ bˈɛki. zˈɔɛ ɔtkrˈɨwa jˈuʃ pˈɛvɲʲɛ, ʒˈɛ ɲʲˈɛma mɲʲɛ w dˈɔmu. ɲʲˈɛxtsɛ ɔdbjˈɛratɕ, ˌalɛ bˈuk jˈɛdɛn vʲˈɛ, tsˈɔ ɕɛ vɨdˈaʒɨ, jˈɛɕli tˌɛɡɔ ɲʲɛ zrˈɔbjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_127.wav|ɲʲɛ xtɕˈawam nˈavɛt fxˈɔdʑidʑ dɔ kasˈɨna, ˌalɛ jˈɛɕli tɔ bˈɨw jɛdˈɨnɨ spˈɔsup, dˈam rˈadɛ.|3
+Dataset/wavs/urwisko_ferenc/11_segment_38.wav|nˈɔː i tˈɛras, zɡˈadɲij tsˈɔ ɕɛ stˈawɔ.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_34.wav|stˈarɨ ɡwˈupʲɛts utʃˈɛpiw ɕɛ tɨx swˈuf. pʃˌɨɡɔtˈujɛ lˈistɛ lˈudʑi zdˈɔlnɨɣ zˈajɔɲtɕ mʲˈɛjstsɛ lˈɔrda ɡʲillˈɛsa w rˈadʑɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_66.wav|fʃˈɨstkɔ zɛbrˈanɛ dɔ kˈupɨ mˈɔʒɛ ɔznˈatʃatɕ tˌɨlkɔ jˈɛdnɔ.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_197.wav|mˈɔtsnɔ zˌatɕiɕɲʲˈɛntɔ̃ na rˌɛŋkɔjˈɛɕtɕi mʲˈɛtʃa.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_369.wav|tɨm rˈazɛm ɡwˈɔɕɲʲɛj.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_97.wav|zˈafʃɛ dˈɔvʲɛts ɕɛ tʃˈɛx nˈɔvɨɣ ʒˈɛtʃɨ, zˈaɲim dɔ nˈaz vrˈutɕiʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_106.wav|jˈɛtɕ najdwˈuʒɛj, jˈaɡ bˌɛɲdʑɛʃ mˈɔɡwa. pɔvʲˈɛdʑmɨ dɔ dʑɛɕˈɔntɛj, jˈɛɕli stˈartʃɨ tɕi ɕˈiw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_35.wav|i stwumˈiwɨ fʃˈɛlkʲɛ ɔdɡwˈɔsɨ ˌɔtɔtʃˈɛɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_389.wav|tɔ bˈardʑɔ skˌɔmplikɔvˈanɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_119.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_53.wav|dˈaʃ sˈɔbjɛ rˈadɛ.|3
+Dataset/wavs/urwisko_ferenc/28_segment_44.wav|kɔbjˈɛta natˈɨxmʲazd vɨtʃˈuva tˈakʲɛ ʒˈɛtʃɨ. tʃɨ ˌɔna zvrutɕˈiwa ɕɛ dɔ tɕˈɛbjɛ s prˈɔʑbɔ̃ ɔ pˈɔmɔts?|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_101.wav|mˈuɕiʃ rˈɔbʲitɕ, tsˈɔ kˈaʒɔ̃, xˈɔdʑbɨʑ bˈɨw najvʲˈɛŋkʃɔ̃ ɡvʲˈazdɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_102.wav|bˈuɡ zˈapwatɕ i tʃˈɛɕtɕ, zˌasalutˈɔvaw prɛzˈɨdɛnt.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_33.wav|jˈakiɕ tʃˈas pˈuʑɲʲɛj zjɛxˈawa s pɔvrˈɔtɛm na dˈuw i bˌɨwa jˈuʃ ubrˈana na lˈuʑɛ. pˌɔvʲɛdʑˈawa, ʒˈɛ ˈidʑɛ tsˈɔʑ zjˈɛɕtɕ, xˈɔdʑ b��ɨwɔ bˈardʑɔ pˈuʑnɔ. vˌɨɡlɔndˈawa jˈak...|3
+Dataset/wavs/urwisko_ferenc/64_segment_69.wav|bˈɔ prˌɔkurˈatɔr bˈɨw mu vˈiɲʲɛn pʃɨswˈuɡɛ, ˌalɛ nˈaɡlɛ pʃˈɛrvaw pˌɔwɔntʃˈɛɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_123.wav|fʃˈɛɲdʑɛ jɛst pˈɛwnɔ tɕɛrpʲˈɛɲʲa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_87.wav|ɲʲɛ dˈa ɕɛ zaxˈɔvadʑ zˌupɛwnˈɛɡɔ miltʃˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_128.wav|a pɔ mˈuraɣ zˈamjast wutʃɲˈikuf xɔdʑˈiwɨ krˈuki.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_49.wav|vˈɔlɛ zˈɔstatɕ f sfˈɨm vɨɡˈɔdnɨm namjˈɔtɕɛ.|1
+Dataset/wavs/urwisko_ferenc/47_segment_30.wav|xˈɛrman mˌimɔvˈɔlɲʲɛ ɕɛ spʲˈɛwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_45.wav|jˈɛɕli f ʃɔfˈɛrtsɛ bˌɛɲdʑɛ kʲɛrˈɔftsa, zapˈukaʃ f ʃˈɨbɛ. jˈaɡ dˈɔtɔnt fʃˈɨstkɔ jˈasnɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_156.wav|minˈɛwɔ pˈɔnat ʃˈɛɕtɕ lˈat, ɔt kʲˈɛdɨ mʲˈawam jˌakʲɛkˈɔlvʲɛɡ bˈutɨ, ɲʲɛ lˈitʃɔnts pˈarɨ, ktˌurɔ̃ pˌɔdɛbrˈawam s pudˈɛwka mˌamɨ na strˈɨxu i ukrˈɨwam f sfˈɔim pɔkˈɔju.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_143.wav|bˈɔ pʃˌɛtɕɛʒ vʲɛdʑˈawam, ʒˈɛ ɲʲɛ pɔzvˈɔlɔ̃ mu vjˈɛxatɕ na tˈɛrɛn lˌakɛsˈidɛ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_363.wav|tʃɨ nˈadal ʒˈal tɕi tɛj pʃˌɨjatɕˈuwki z dʑɛtɕˈiɲstfa?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_23.wav|rˈɛntsɛ mi drʒˈɔ̃, kʲˈɛdɨ malˈujɛ ɕɛ i ubjˈɛram.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_55.wav|mˈuɡwbɨm mu pɔvʲˈɛdʑɛtɕ, ʒˈɛ latˈaɲʲɛ jɛst jˈak kɔbjˈɛta i jˈɛɕli ɕɛ jˈɔ̃ kˈɔxa.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_317.wav|ˌalɛ ɲʲɛ ɔt sˈɛr lɔrˈasa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_39.wav|mʲˈɛjmɨ nadʑˈɛjɛ, ʒˈɛ jˈɛdɛn s tɨɣ bɨdlˈakuf mˈa wˈupʲɛʃ. bɛɲdʑˌɛmɨ tɕˈɛ ˌinfɔrmɔvˈali ɔ pɔstˈɛmpʲɛ prˈatsɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_267.wav|vrˈutɕiw kˈɔrsak. pɔ drˈɔdʑɛ utʃˈɛsaw jˈɛʃtʃɛ rˈas sfˈɔjɔ̃ vʲɔsˈɛnnɔ̃ tʃuprˈɨŋkɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_51.wav|— nˈɔ, tɔ xˈɔdʑmɨ — mˈuvi makˈintɔʃ. — ɲˈikt tʃˈɛka.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_112.wav|pʃˌɛbʲijˈamɨ ɕɛ dɔː ɛwrˈɔpɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_41.wav|pˌɔrɨvˈatʃka, bˈɔ jˈak rɔzˈumjɛm, mˌatɕɛ jˈuʃ pˈɛvnɔɕtɕ, ʒˈɛ tɔ kɔbjˈɛta, mˈuɕi uvʲˈɛʒɨtɕ, ʒˈɛ mˈa fʃˈɨstkɔ pɔt kɔntrˈɔlɔ̃ i ʒˈɛ ˌɔtʃɨmˈujɛ fʃˈɛlkʲɛ ˌinfɔrmˈatsjɛ.|4
+Dataset/wavs/urwisko_ferenc/02_segment_90.wav|pɔlˈitsjant xtɕˈaw zapˈɨtatɕ ɔ tsˈɔɕ jˈɛʃtʃɛ, ɡdˈɨ tɛlˈɛfɔn zˌavibrˈɔvaw w jˈɛɡɔ kʲɛʃˈɛɲi.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_268.wav|ɡdˈɨ zˈaʑ vʲɛtʃˈɔrɛm znˈɔvu pʃˈɨʃwa mˈɔɛl,|1
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_41.wav|vʲˈɛm, ʒˈɛ lˈudʑɛ, ktˌuʒɨ pɔrvˈali ˈaʃa i mˈili, nɔɕˈili rˌɛŋkavˈitʃki, ˌalɛ ˈaʒ zapʃˈɛtʃɨw istɲʲˈɛɲʲu tˌɛɡɔ tˌɛlɛfˈɔnu na kˈartɛ f sfˈɔim ɡˌabʲinˈɛtɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_301.wav|zaɡrˈawɨ dla ɲʲˈɛɡɔ dʑvˈɔnɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_41.wav|ˈɔkɛj, pˈujdɛ tˈam, kʲˈɛdɨ tˌɨlkɔ skɔɲtʃˈɨmɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_10.wav|bʲˈillɨ rɔzˈɛɕmʲaw ɕɛ. ˈuvʲɛʃ mi, ʒˈɛ zˌarɔbʲˈiwɛm na tˈɔbjɛ vʲˈɛntsɛj ɲˈiʃ strˈatsɛ zˌamɨkˈajɔnts rˈanɔ lˈɔkal na ɡɔdʑˈinɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_44.wav|i tˈak mi za xfˈilɛ pˈɔvʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_17.wav|pʃˌɛtɕɛʃ ja ɔddˈajɛ tɨm ʒˈɔnɔm pʃɨswˈuɡɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_87.wav|pˈada dˈɛʃtʃ, tˈak ɕˈilnɨ, ʒˈɛ snˈɔpɨ ɕfʲˈatwa s pʃˈɛdɲix rˌɛflɛktˈɔruv vˌɨɡlɔndˈajɔ̃, jˈaɡbɨ pʃˌɛtɕinˈawɨ mˌuʃlinˈɔvɔ̃ zaswˈɔnɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_184.wav|pˈɔtʃɛd dɔ xˈɛlɛn, ktˌura fstˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_95.wav|ɲʲˈɛbɨw tɔ najɡˈɔrʃɨ dʑˈɛɲ mɔjˈɛɡɔ ʒˈɨtɕa, ˌalɛ ɲʲɛvʲˈɛlɛ mu brˌakɔvˈawɔ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_117.wav|pˌɔzɔstˈali kˌapitanˈɔvʲɛ rˈas jˈɛʃtʃɛ vɨkʃˈɨknɔ̃ ˈimjɛ jˈɛɡɔ brˈata.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_39.wav|tɔ bˈardʑɔ vˈaʒnɨ parˈamɛtr f pʃɨpˈatku ɕfʲˌatwɔvˈɔduf.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_239.wav|tˈutaj ɲʲɛ mɔʒˈɛmɨ dɔ tˌɛɡɔ dɔpˈuɕtɕitɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_259.wav|tɛn tʃwˈɔvʲɛɡ bˈɨw bɔksˈɛrɛm s tˈulpɨsk.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_17.wav|pˈan jɛst mˈɔim tʃˈɛtɕim ˌinstruktˈɔrɛm, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/urwisko_ferenc/62_segment_26.wav|mˈɔɲʲa zˈafʃɛ bˌɨwa zamkɲʲˈɛnta f sˈɔbjɛ. dlatˈɛɡɔ ɕɛ zdʑivˈiwɛm, ʒˈɛ mi ˈɔtɨm pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_189.wav|ɲʲɛ, mɲʲɛ tˈam ɲʲɛ bˈɨwɔ. vidʑˈawɛm fˈɔtɛl.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_105.wav|stˈalɛ skrˈada ɕɛ pɔt mˈɔjɛ pɔvʲˈɛki tɛn natrˈɛntnɨ ˈɔbras.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_23.wav|tsˈɔ tɔ znˈatʃɨ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_58.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_44.wav|pˈɔtɛm znˈuf stˈanɔw za bˈarɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_16.wav|jˈakɔ̃ʑ ɡɔdʑˈinɛ tˈɛmu. zˌamɔrdɔvˈanɨ ˌɔtʃɨvˈiɕtɕɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_423.wav|napʲˈɛ̃stki pɔkrˈɨtɛ bˌɨwɨ bwˈɔnɔ̃.|0
+Dataset/wavs/urwisko_ferenc/46_segment_164.wav|mˈɨɕlaw, ʒˈɛ dɨmˈamɨ tˈu dʑɛtɕˈaki.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_91.wav|ʃˈɛfjɛ vwˈaɕɲʲɛ dʑvɔɲˈiwa lˈintsaj. xˈɨba tsˈɔɕ mˈamɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_37.wav|tʃɨ mˈɔɡɛ mˈuvitɕ tɕi na kʲɛlˈiʃɛɡ vˈina?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_61.wav|kˈazaw mi tɔ pɔftˈaʒadʑ vʲˈɛlɛ rˈazɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_41.wav|dʒˈɛɡɛr nˌajvɨrˈaʑɲʲɛj tʃˈɛkaw, ˈaʃ tsˈɔɕ pˈɔvʲɛm, ˌalɛ ɲʲɛ mʲˈawam mu ɲˈidʑ dɔ pˌɔvʲɛdʑˈɛɲʲa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_40.wav|lˈampa ɡˈaɕɲʲɛ. jˈɛɕli vɨtsˈɔfam ɕɛ za sˌamɔxˈɔdɨ, znˈuf mˈɔʒɛ ɕɛ zaɕfʲˈɛtɕitɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_92.wav|znˈɔvu zrɔbʲˈiwɔ mi ɕɛ swˈabɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_63.wav|nˈɔ tsˈuʃ, jˌɛstɛʑ ɡɛɲʲˈalnɨm dˌɛtɛktˈɨvɛm. fstˈawam ɔt stɔlˈika. ˌalɛ nˈamɲʲɛ jˈuʃ pˈɔra.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_10.wav|na jɛj paɲˈitsɛ ɲˈidʑ bˈɨ ɲʲɛ zɨskˈali, a kʲˈɛdɨ zˈɛspuw sˈandɨ prubˈɔvaw ɡˈɔ zlˌɔkalizˈɔvatɕ, bˈɛtskɨ i kˈit mʲˌɛli ˈinnɛ prjˌɔrɨtˈɛtɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_27.wav|jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ, dˈuʒa ɲʲˌɛspɔdʑˈaŋka spˈɔtka tɕˈɛ. kupˈiwɛɕ tsˈɔɕ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_22.wav|zˈɔɛ ʒutɕˈiwa jɛj bɛzrˈadnɛ spɔjʒˈɛɲʲɛ. jˈɔɛ vɨrˈaʑɲʲɛ ɲʲɛ mʲˈawa ɔxˈɔtɨ na rɔzmˈɔvɛ, a bˈɛtskɨ tɔ rˌɔzumjˈawa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_61.wav|mɨ ˌuvʲɛlbjˈamɨ, kʲˈɛdɨ tˈu jˈɛstɛɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_199.wav|pʃˌɛmɨtsˈawam dla ɲʲˈɛɡɔ tˈakʲɛ ʒˈɛtʃɨ tsˈɔ mʲˈɛɕɔnts.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_272.wav|ɔtpˈɔvʲɛm. sprubˈujɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_233.wav|zˈavʲuz mɲʲɛ z vˈinɛ strˈid dɔ dˈawntawn i pɔvʲˈɛdʑaw, ʒˈɛbɨm zapˈukaw tʃˈɨ rˈazɨ i pɔvʲˈɛdʑaw...|0
+Dataset/wavs/urwisko_ferenc/53_segment_113.wav|ɡdʑˈɛɕ f tɨm fʃˈɨstkim jɛst pˈɛvɲʲɛ fspˈulnɨ mʲanˈɔvɲik. tʃˈɛba tɔ fʃˈɨstkɔ sprˈavdʑitɕ, uznˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_242.wav|jˈakɔ dʑˈɛtskɔː ˌinstalɔvˈawam z ˈɔjtsɛm tɨɕˈɔntsɛ tˈakiɣ zavˈɔruf.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_29.wav|ʃkˈɔda, ʒˈɛ ɲʲɛ rˌɔzumjˈawɛm tˈɛɡɔ, tsˈɔ mˈuvi. nˈavɛt ɲʲˈɛvʲɛm, jˈak ɕɛ nazˈɨvaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_95.wav|mˈuʃɛ pʃˈɨznatɕ, ʒˈɛ ˌinʒɨɲʲɛrˈɔvʲɛ tɔjˈɔtɨ znˈajɔ̃ ɕɛ na ˌakumˌulatˈɔrax ʃɨpkʲˈɛɡɔ wˌadɔvˈaɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_8.wav|zˌaɡrɔʒˈɛɲʲɛ jɛst ɲˈikwɛ. ɔ tɛj pˈɔʒɛ fʃˈɨstkʲɛ pʃtʃˈuwki rˌɔbɔtɲˈitsɛ pɔvˈinnɨ bˈɨtɕ w ˈulu, ˌalɛ pˌɔdɛjmɔvˈaɲʲɛ nˈavɛt mawˈɛɡɔ rɨzˈɨka tɔ ɡwupˈɔta.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_68.wav|jˈɛɡɔ ʒˈɔna ɔkˈaʒɛ ɕɛ pwˈɔdna i dʑˈɛtskɔ bˌɛɲdʑɛ sˈɨnɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_35.wav|vˌɨɡlɔndˈawɔ, ʒˈɛ pʃˌɨstanˈɛli w drˈɔdʑɛ, bˈɔː ɔː iɣ bjˈɔdra ˌɔpʲɛrˈawɨ ɕɛ sfˌatɨɡɔvˈanɛ rɔvˈɛrɨ ˌɔbjutʃˈɔnɛ sakfˈami.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_287.wav|mˈuɡwbɨm kˈazatɕ ix ɕtɕˈɔɲtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_186.wav|dˈana ˈɛdʲisɔn uvˈaʒɲʲɛ pʃɨɡlˈɔnda ɕɛ bʲilljˈɛmu, mˈɔʒɛ vˈidʑi ɡˈɔ w zupˈɛwɲʲɛ nˈɔvɨm ɕfʲˈɛtlɛ, vrˈɛʃtɕɛ ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_50.wav|tɔ bɨwˈɔbɨ zbˈɨt prˈɔstɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_116.wav|tˌaki rˈɔbɔt nadˈavaw ɕɛ ˌidɛˈalɲʲɛ dɔː ˌɔpstukivˈaɲʲa kɔnstrˈuktsji i nˌaɡrɨvˈaɲʲa ɛfˈɛktuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_180.wav|dlatˈɛɡɔ, ʒˈɛ xˈɔvv zrˈɔbʲiw nˈaɲim vraʒˈɛɲʲɛ ɡadˈuwɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_7.wav|ɡdˈɨbɨ zˌaʒɔndˈali ɔkˈupu, vʲɛdʑˈawabˌɨm pʃɨnˈajmɲʲɛj, ʒˈɛ xˈɔdʑi im ɔ pʲɛɲʲˈɔndʑɛ, a ɲʲɛ ɔ mˈɔjɛ dʑˈɛtskɔ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_9.wav|nˈavɛt xwˈɔptsɨ stajˈɛnɲi ˈɔɲim vʲˈɛdʑɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_26.wav|ɲʲˈɛvʲɛ pˈaɲi, ʒˈɛ tɔ trˈaɡd bjɛɡnˈɔntsɨ bˌɛspɔɕrˈɛdɲʲɔ za dˈɔmɛm ɡˌɛnɛvʲˈɛvɛ s trˈakan?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_97.wav|bˈɛs swˈɔva ɔtfˈɔʒɨw tˈɨw rˌɛntʃɔrɔvˈɛra i nakˈazaw mi ɡˈɛstɛm, ʒˈɛbɨm fɕˈadwa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_78.wav|jˈak jˈɔɛ sˈɔbjɛ s tɨm rˈadʑi?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_91.wav|znˈuv vɨdˈajɛ s ɕˈɛbjɛ jˈɛŋɡ bˌɛsɕilnˈɔɕtɕi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_35.wav|ɲʲɛ pɔvˈinnam kwˈamatɕ, ˌalɛ tˈatuʑ bˈɨwbɨ zwˈɨ, pɔɲʲˈɛvaʃ ɲʲɛ vˈɔlnɔ mi tˈam fxˈɔdʑitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_16.wav|tɔ zwˈɨ pˈɔmɨsw, ˌalɛ jɛst tˈak rˌɔzɛntˌuzjazmɔvˈana i pˈɛwna nadʑˈɛi, ʒˈɛ bʲˈillɨ ɲʲˈɛma sˈɛrtsa jɛj ɔdmˈuvitɕ.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_293.wav|ɡdˈɨ tsɛrsˈɛi patʃˈɨwa, jˈaɡ bˈavjɔ̃ ɕɛ ˈu jˈɛɡɔ nˈuk, pɔtʃˈuwa ɕɛ trˈɔxɛ lˈɛpʲɛj.|1
+Dataset/wavs/urwisko_ferenc/35_segment_55.wav|zˈɛrknɔw na ˈɛkran kɔmˈurki i vˈɨbraw nˈumɛr mˈarji. tɨm rˈazɛm ˌɔdɛbrˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_18.wav|muɕˈawa znˈuv buʃˈɔvatɕ f ʃˈafjɛ jɛnsˈɛnuf, bˈɔ mˈa na sˈɔbjɛ ʑɛlˈɔnɨ pwˈaʃtʃ pʃˌɛtɕivdɛʃtʃˈɔvɨ, ktˌurɨ ɲʲɛxˈɨbɲʲɛ jɛzd vwasnˈɔɕtɕɔ̃ dˈɔna.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_132.wav|pʃɨnˈajmɲʲɛj jˈɛdna z nˈas pɔvˈinna ɕɛ trˈɔxɛ vˈɨspatɕ. tɔ ɲʲɛ pˈɔtrfa dwˈuɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_275.wav|lˈudʑɛ mˈuvjɔ̃, ʒˈɛ tˈɨvin ɲˈiɡdɨ ɕɛ ɲʲɛ uɕmʲˈɛxaw, ˌalɛ rˈɔbʲiw tɔ, ɡdˈɨ ʒˈɛɲiw ɕɛ s tfˈɔjɔ̃ mˈatkɔ̃ i ɡdˈɨ aˈɛrɨs mʲanˈɔvaw ɡˈɔ nˌamjɛstɲˈikʲɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_267.wav|a jˈɛɕli ɔn nˈavɛt tɔ zrˈɔbʲi, tɔː i tˈaɡ zɔstˈavjɛ tɕi ɕˈɛbjɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/urwisko_ferenc/25_segment_28.wav|ˌɔbɔk talˈɛʒa pˌɔstavˈiwa dvˈa pˈiva z lɔdˈufki.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_252.wav|ʒawˈɔsnɛ, mˈɔkrɛ, bˈurɛ zvʲˈɛʒɛ ɔ pʃɨtɕˈɛntɨm ɔɡˈɔɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_86.wav|xtsˈɔnts pʃɛpwˈukatɕ sˈɔbjɛ ˈusta pˈɔtɨm vɨznˈaɲʲu, ɕˈɛŋɡnɔw pɔ rˈuk ˈajl.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_136.wav|bʲˈillɨ mˈa ɔxˈɔtɛ jɛj pˌɔdʑɛŋkˈɔvadʑ zˈatɔ, ʒˈɛ ɕɛ pˌɔpwakˈawa, ˌalɛ dʑˈivɲʲɛ bˈɨ tɔ zabʒmʲˈawɔ. zˈamjast tˌɛɡɔ pˈɨta ɔ jɛj rɔzmʲˈarɨ.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_383.wav|sˈam zawˈatfjɛ ɕɛ z lˈɔrdɛm tɨtˈɔsɛm.|1
+Dataset/wavs/urwisko_ferenc/43_segment_31.wav|tsɔkˈɔlvʲɛk, tsˈɔ pɔ lˈatax mɔɡwˈɔbɨ ɕɛ vɨdˈavatɕ ɲʲˌɛtɨpˈɔvɛ, zˌaskakujˈɔntsɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_65.wav|mˈam tˈakɔ̃ ʃalˈɔnɔ̃ tɛˈɔrjɛ. a jˈɛɕli ˈɛliz zˌakɔxˈawa ɕɛ w naˈilu, ˌalɛ jˌɛdnɔtʃˈɛɕɲʲɛ uvˈaʒa, ʒˈɛ ɔn jɛzd zˌaintˌɛrɛsɔvˈanɨ mˈartɔ̃?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_41.wav|ˌidɛˈalɲʲɛ ɲʲˌɛʃkɔdlˈivɛ dla tˈɨx, tsˈɔ ɲʲɛ vʲˈɛdʑɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_185.wav|ɡʒˈɛbjɛ f ʃuflˈadʑɛ, ˈaʒ vˌɨmatsˈujɛ ɡˈumkɛ sfˈɔix jɛdˈɨnɨx spɔdˈɛnɛɡ ɡʲˌimnastˈɨtʃnɨx.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_153.wav|nastˈɛmpnɔ̃ ʒˈɛtʃɔ̃, jˈakɔ̃ zˌapamjɛntˈawam, bˌɨwɔ pʃˌɛbudʑˈɛɲʲɛ z ɲʲˌɛzaplˌanɔvˈanɛj dʒˈɛmki.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_83.wav|pɔwˈɔvɛ vwˈɔsuf strˈatɕiw, ɲˈim jˈɛʃtʃɛ skˈɔɲtʃɨw tʃɨdʑˈɛstkɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_121.wav|nˌastɛmpnˈɛɡɔ dɲʲˈa ɔbˈudʑiw mɲʲɛ jˈɛdnak jɛj ɕpʲˈɛf i zˈapax smˌaʒɔnˈɛɡɔ bɛkˈɔnu.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_32.wav|s tˌɛɡɔ ɲʲɛ bˌɛɲdʑɛ pʲˈɛɕɲi.|1
+Dataset/wavs/urwisko_ferenc/19_segment_35.wav|kˌataʒˈɨna sˈɔlska pˌɔttɕɔŋɡnˈɛwa kɔlˈana i ɔpˈarwa stˈɔpɨ na kravˈɛɲdʑi vɛrsˈalki. xfɨtɕˈiwa pˈaltsɛ ˈu nˈuk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_152.wav|tʃɨ mawˈɔlad bˈɨw zwˈɨm tʃwɔvʲˈɛkʲɛm? ɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_10.wav|sɔlˈaŋki lˈɛʒɔ̃ tˈuʒ za vˈɔdɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_35.wav|tˈɔm vɨjˈaɕɲiw pɔspʲˈɛʃɲʲɛ, tʃˈɛɡɔ ɕɛ dˌɔvʲɛdʑˈɛli.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_111.wav|mˈɨɕliʃ, ʒˈɛ dɔvˈɔdɨ na ftʃɛɕɲʲˈɛjʃɛ mɔrdˈɛrstfɔ mˈɔɡɔ̃ sprˈavitɕ, ʒˈɛ bˌɛɲdʑɛʃ ˈɔtɔ pˌɔdɛjʒˈana?|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_64.wav|vwˈaɕɲʲɛ spravdʑˈiwɛm tɔ f tˌɛlɛfˈɔɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_58.wav|mˈɔʒɛ ɡdʑˈɛʑ w ɡwˈɛmbʲi dˈuʃɨ vʲɛʒˈɨwam, ʒˈɛ jˈakimɕ tsˈudɛm ɔtkrˈɨjɛ, ˈiʃ stsˈɔdd ʒˈɨjɛ. ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ ɲʲɛ ʒˈɨjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_204.wav|bˈɛs ɲʲˈɛj ɲʲɛ dˈɔstawbˌɨm ɕɛ na tˈɛrɛn pˌɔɕadwˈɔɕtɕi, ˈɔfʃɛm, ˌalɛ tˈɛʒ dlatˈɛɡɔ, ʒˈɛ mʲˈawa prˈavɔ sˈama zdˌɛtsɨdˈɔvatɕ.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_357.wav|vʲɛʃˈaɲʲɛ tɔ xˈɨba f tɨx ˌɔkɔlˈitsax ˌulubjˈɔna rɔzrˈɨfka.|1
+Dataset/wavs/urwisko_ferenc/47_segment_13.wav|tʃˈɛ̃stɔ rˌɔzmavʲawˈɨɕmɨ ɔ mˈɔim ˈɔjtsu.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_354.wav|pˌɔtʃɛbˈujɛʃ jˈakʲɛjɕ krɨjˈufki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_4.wav|lˈatɔ tˈɔtʃɨ ɕɛ lɛɲˈivʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_56.wav|z vnˈɛntʃa dˈɔbjɛɡw mɲʲɛ ɡwˈɔz z vɨrˈaʑnɨm, ˈɔptsɨm aktsˈɛntɛm.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_350.wav|ɔbˈavʲam ɕɛ, ʒˈɛ mˈuʃɛ tɕˈɛ pʃɛprˈɔɕitɕ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_52.wav|vˈiltʃɛ snˈɨ bˌɨwɨ najlˈɛpʃɛ. bˌɨwa w ɲˈix ʃˈɨpka i ɕˈilna.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_144.wav|tˈak, mˈam tɔ tˈutaj, pɔvʲˈɛdʑaw i vrˈɛntʃɨw mi tˈɔrbɛ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_338.wav|spˈɔjʒaw na bˈɔɡuf.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_24.wav|a ɡdˈɨbɨm tɕi pɔvʲˈɛdʑaw, ʒˈɛ jˌɛstɛm jɛdˈɨnɔ̃ ɔsˈɔbɔ̃, ktˌura mˈɔʒɛ dɔ tˌɛɡɔ dˌɔprɔvˈadʑitɕ, tɔ ftˈɛdɨ bˈɨɕ mi ˌuvʲɛʒˈɨwa?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_141.wav|fstʃɨmˈawam ˈɔddɛx.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_197.wav|f tɛ dwˈuɡʲɛ nˈɔtsɛ mʲˌɛndʑɨ jɛɕˈɛɲʲɔ̃ i ʑˈimɔ̃,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_65.wav|jˈɛɕli istɲʲˈɛjɛ tˈakʲɛ pʲˈɛkwɔ dla bɛzɡʒˈɛʃnɨx lˈudʑi.|0
+Dataset/wavs/urwisko_ferenc/08_segment_14.wav|ɕˈɛŋɡnɔw pɔ lˈaptɔp.|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_39.wav|jˈa? s tˈɛssɔ̃?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_58.wav|ɲʲˈɛmam vam ɲˈits f tɛj sprˈavʲɛ dɔ pˌɔvʲɛdʑˈɛɲʲa. zupˈɛwɲʲɛ ɲˈits.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_3.wav|jˈɛɕli bˈɨw vˌɨstartʃajˈɔntsɔ zwˈɨm tʃwɔvʲˈɛkʲɛm, ʒˈɛbɨ skʃˈɨvdʑidʑ vwˈasnɛ dʑˈɛtskɔ, bˈuk jˈɛdɛn vʲˈɛ, tsˈɔ mˈuɡwbɨ zrˈɔbʲitɕ aʃˈɔvi ˈalbɔ mˈili.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_297.wav|zavˈɔwaw rˈudɨ rˈalf, a ˈinɲi mɛ̃ʃtʃˈɨʑɲi pˌɔtxfɨtɕˈili jˈɛɡɔː ˈɔkʃɨk.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_373.wav|brjˈɛnnɛ pɔtʃˈuwa, ʒˈɛ ʃnˈur ɕɛ zatɕˈisnɔw i fpˈiw ɕɛ w jɛj skˈurɛ, unˈɔʃɔnts pɔdbrˈudɛk kˈu ɡˈuʒɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_124.wav|ɲʲɛ mˈɔɡwam ˈuɕɔ̃ɕtɕ i vˈɨjʒɛtɕ na zˈɛvnɔntʃ, bˈɔː ˌuswɨʃˈawabˌɨm pˈɛvɲʲɛ, jˈak ˈaram kˈaʒɛ mu ɔtfˈɔʒɨdʑ baɡˈaʒɲik.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_153.wav|i tˈak ɕɛ tɔ zatʃˈɛwɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_6.wav|mˈam nadʑˈɛjɛ, ʒˈɛ ɲʲɛ bˌɛɲdʑɛ pˈan naʒˈɛkaw, pɔvʲˈɛdʑaw kˈɔrsɛk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_96.wav|ɲˈiɡdɨ ɲʲɛ xtɕˈawɛm zˈabratɕ tɕˈɛ zˈɛ sˈɔbɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_107.wav|mˈa rˈatʃɛj vraʒˈɛɲʲɛ, ʒˈɛ vˈidʑaw jˈɛ f prˈaɕɛ tʃɨ na jˈakiɣʑ blˈɔɡax, a mˈɔʒɛ swˈɨʃaw f pɔttsˈaɕtɕɛ ˈalbɔ f tˌɛlɛvˈizji.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_43.wav|krˈɛntsɛ ɡwˈɔvɔ̃ i fskazˈujɛ na tˈatsɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_100.wav|ɔ ʃɛkspˈiʒɛ nˌajpravdˌɔpɔdˈɔbɲʲɛj vʲˈɛ tˈɨlɛ, ʒˈɛ rɨmˈujɛ ɕɛ z brˈitnɛj spˈɛars.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_318.wav|tsˈawɨ bˈɨw mˈɔkrɨ i drʒˈaw ʑˈimna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_93.wav|bʲˈillɨ ɲʲɛ zavrˈatsa sˈɔbjɛ ɡwˈɔvɨ rˈɛʃtɔ̃, ˌalɛ ustˈavja f tˌɛlɛfˈɔɲʲɛ pˌɔvʲadɔmjˈɛɲʲɛ ɔ fʃˈɨstkix nˈɔvɨx ˌinfɔrmˈatsjaɣ zˌamjɛʃtʃˈanɨɣ w ɡazˈɛtɕɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_14.wav|bˌɨwɨ w mˈɔim ʒˈɨtɕu xfˈilɛ, kʲˈɛdɨ xtɕˈawam ˈumʒɛtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_122.wav|pʃˌɛtʃɨtˈawam instrˈuktsjɛ f ɕˈɛtɕi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_390.wav|mˈɔʒɛ ɔd dˈavna zamjˈɛʒam pˈana uɕˈidlitɕ.|0
+Dataset/wavs/urwisko_ferenc/30_segment_48.wav|vˌɨʃɛptˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_34.wav|stsˈɔtt ɲˈiɡdɨ ɲʲɛ mˈuviw, ʒˈɛ mˈa brˈata.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_69.wav|jˈɛdna jˈɛst.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_343.wav|na vˌɔjɔvɲˈika, ktˌurɨ jˈɛdnɔ̃ dwˈɔɲ tʃˈɨmaw na mʲˈɛtʃu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_395.wav|tˌɛɡɔ ɲʲɛ pˈɔvʲɛm pˈanu ɲˈiɡdɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_43.wav|tˈɔm rɔzˈumjaw, dlatʃˈɛɡɔ mɛ̃ʃtʃˈɨzna ɲʲˈɛmʲaw ɔxˈɔtɨ jˈɛxadʑ dɔ sfˈɔix pʃɨjˈatɕuw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_111.wav|ɲʲɛ, a pɔvˈinnam ɡˈɔ znˈatɕ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_96.wav|i vʲɛdʑˈɛli rˈuvɲʲɛʃ, pˈatʃɔnts na pˌɔdnɔʃˈɔntsɨ ɕɛ ɕfˈit, ʒˈɛ innˈɛɡɔ jˈuʃ ɲʲɛ zaznˈajɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_107.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_43.wav|dˈalɛj zˈɛjdʑmɨ na dˈuw, zˈaɲim zrɔbʲˈimɨ tsˈɔʑ ɡwupʲˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_64.wav|bˈɛtskɨ ɡʒmɔtnˈɛwa dwˈɔɲʲɔ̃ w bjˈurkɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_2.wav|mˈuvi tɕi tˈɔm, rˈɛntsɛ ʒˈɔnɨ djˈɛɡɔ vˌɨɡlɔndˈawɨ strˈaʃɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_145.wav|swɔvˈitʃku.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_299.wav|ɲʲɛ mɨɕlˈawa ɔ dʒˈɔnnɨ ɔd vʲˈɛkuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_105.wav|ftˈɛdɨ ɔdʑˈɨva ɕɛ ɡwˈɔz z valˈijskim aktsˈɛntɛm.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_176.wav|ɲʲɛ jɛzd ɡˈɔrʃa ɔd vʲɛŋkʃˈɔɕtɕi mˈɛ̃ʃtʃɨzn.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_103.wav|ɲʲˈɛvʲɛm, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_98.wav|ɲʲɛ, ˌɔtpɔvʲˈada z vɨrˈaʑnɨm pˌɔdɲʲɛtsˈɛɲʲɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_39.wav|kˈit pɔdˈɛrvaw ɡwˈɔvɛ, jˈaɡbɨ bˌɨwa tɔ jˈakaɕ ɲʲˌɛdɔʒˈɛtʃna prˈɔʑba.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_19.wav|pwˈɨnɔ̃ z vwˈɔki tʃwɔvʲˈɛka.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_13.wav|jɛst pˈan jˈɛɡɔ partnˈɛrɛm bʲˌiznɛsˈɔvɨm, jˈak pˈan fspˈɔmɲʲaw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_104.wav|dɔ nˈɔvɔː ˌɔtfartˈɛɡɔ bˈaru pɔt namjˈɔtɛm, ktˌurɨ bwˈɨskaw nad bʒˈɛɡʲɛm ʒˈɛki kˌɔlɔrɔvˈɨmi nˌapisˈami ˌaŋɡʲɛlskˈimi i ɲʲˌɛmjɛtskˈimi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_45.wav|f tɛj sˌɨtuˈatsji ʒˈadɛn kʲɛrˈunɛk ɲʲɛ jɛzd dˈɔbrɨ.|2
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+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_344.wav|tɔ bˌɨwɔ jˈakʲɛɕ fsxˈɔdɲʲɛ ˈimjɛ, dwˈuɡʲɛ i dʑivˈatʃnɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_41.wav|a ɔn ɕɛ zblˈiʒa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_61.wav|jɛdˈɨnɔ̃ ʒˈɛtʃɔ̃, nat ktˌurɔ̃ bˌɛɲdʑɛ ɕɛ zˌastanˈavʲaw, tɔ tʃɨ tˈamtɛn fˈatsɛt pˌɔzɔstˈaviw jˈɛɡɔ jˈakʲɛɕ...|3
+Dataset/wavs/urwisko_ferenc/43_segment_38.wav|tʃˈɨli ɲʲɛ bˌɨwɔ pˈana tˈu f xfˈili, ɡdˈɨ mˈɔɲikˌa zˌaɡʲinˈɛwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_76.wav|kʲˈɛdɨ pˌɔpɛwɲʲˈɔnɔː ˈɔba mɔrdˈɛrstfa.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_164.wav|ˌɔbjɛtsˈawam, ʒˈɛ ɡˈɔ zvrˈutsɛ pʃɛt upwˈɨvɛm dvˈuɣ dɲˈi i zɔstˈawɔ mi jˈuʃ ɲʲɛvʲˈɛlɛ tʃˈasu.|4
+Dataset/wavs/urwisko_ferenc/53_segment_1.wav|ˌɔpɔvʲˈɛdʑaw jɛj ɔ vizˈɨtɕɛ ˈu xˌudʑiɲskʲˈɛɡɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_88.wav|vɨdˈajɛ ɕɛ tˈaka mˈawa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_99.wav|ɕˈɛdʑɔnts tˈɛraz w dˈuʃnɨm sˌamɔxˈɔdʑɛ mˈam ˈaʒ za dˈuʒɔ tʃˈasu na rˌɔzmɨɕlˈaɲʲa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_32.wav|f kˈɔɲtsu zˈatʃɔw sˈɔbjɛ zdˈavatɕ sprˈavɛ, ʒˈɛ mˈuvi pɔvˈaʒɲʲɛ i pˈɔdɲʲus ɕɛ z wˈuʃka, xˈɔtɕ ɲʲˈɛbɨw jˈɛʃtʃɛ ɡˈɔtuf, ʒˈɛbɨ ɕɛ pˈɔddatɕ.|4
+Dataset/wavs/urwisko_ferenc/43_segment_35.wav|pˈɨtam, bˈɔ fɕrˈud vʲˈɛlu zˈɛznaɲ ɕfʲˈatkuf ɲʲɛ mˌamɨ pˈaɲskʲɛj vˈɛrsji zdˈaʒɛɲ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_547.wav|pˈawats tˈɛʃ ɕɛ dˌɛmɔkrˌatɨzˈujɛ, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_77.wav|mˌamɨ sfˈuj prˈɔvʲant.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_13.wav|pʃˌɨkutsnˈɛwam napʃˈɛtɕif alfjˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_349.wav|nˈatʃɛd jˈuʃ rˈanɛk, tsˈɔ jˈɔ̃ zˌaskɔtʃˈɨwɔ.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_151.wav|jɛj pʃˌɨjatɕˈɛlɛ s pɛvnˈɔɕtɕɔ̃ jˈɛdli mˌarɨnˈarskʲɛ suxˈarɨ i sɔlˈɔnɔ̃ vˌɔwɔvˈinɛ pɔ drˈɔdʑɛ dɔ ɡˈastɔn ɡrˈɛj.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_52.wav|mʲˈɛʃam pɔ rˈas ɔstˈatɲi w ɡˈarŋku, ɔtstˈavʲam ɡˈɔ s pʲˈɛtsa i ɔdvrˈatsam ɕɛ dɔ ɲʲˈɛɡɔ, xfɨtˈajɔnts ˈɔbu rˈɔntʃ ˌalumiɲʲˈɔvɨ ˈuxfɨt kuxˈɛŋki.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_74.wav|pʃɛsˈɨwa ˈɔbras s kˈamɛr dɔ bˈazɨ, pˌɔvʲɛdʑˈawam. kʲˈɛdɨ pˈadɲʲɛ, ˌɔpɛratˈɔʒɨ tsˈɔfnɔ̃ naɡrˈaɲʲɛ, ʒˈɛbɨ zɔbˈatʃɨtɕ, tsˈɔ ɕɛ stˈawɔː i ftˈɛdɨ zɔbˈatʃɔ̃ mɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_138.wav|tsˈɔ tˈam vˌɨmɨɕlˈiwaɕ?|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_254.wav|tˈɛras ɲˈikt ɕɛ ɲʲɛ uɕmʲˈɛxaw.|1
+Dataset/wavs/urwisko_ferenc/17_segment_33.wav|xˈɛrman ɕɛ ɔtsknˈɛwa, kʲˈɛdɨ zadʑvˈɔɲiw tɛlˈɛfɔn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_211.wav|i ɲʲɛ mˈɔɡwa pʃˈɛs xfˈilɛ mˈuvitɕ, a ˈandɛrsɔn ˌɔdvrutɕˈifʃɨ ɕɛ pˈatʃɨw na jɛj tɕˈɛmnɛ vwˈɔsɨ.|0
+Dataset/wavs/urwisko_ferenc/14_segment_71.wav|vwaɕtɕˈitɕɛl psˈa mˈuviw, ʒˈɛ zɲˈiknɔw, jˈaɡbɨ rɔspwˈɨnɔw ɕɛ vɛ mɡlˈɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_87.wav|tɔ bˈɨw pravdʑˈivɨ majstˈɛrʃtɨk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_13.wav|fʃˈɨstkɔ zalˈɛʒɨ ɔt tˈɛɡɔ, w jˈaki spˈɔsup pˌɔstanˈɔvi ɕɛ ulˈɔtɲitɕ, a jˈɛʃtʃɛ nˈavɛt ɲʲɛ zˈatʃɔw ˈɔtɨm mˈɨɕlɛtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_15.wav|pɔlˈɛtɕiw tˈɔm, kʲˈɛdɨ mwˈɔda dɛtˈɛktɨf ruʃˈɨwa f strˈɔnɛ dʒvˈi.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_13.wav|na jˈɛɡɔ vˈarɡax liɕɲˈiwa ruʒˈɔva vapʲˈana. zˈamɛk nalˈɛʒɨ dɔ mɲʲɛ. mˈam nˈatɔ dɔkˈumɛnt.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_71.wav|ɲʲˈɛmam pʲɛɲʲˈɛndʑɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_156.wav|na ɕtɕˈanaɣ viɕˈawɨ ɔbrˈazɨ, zapˈɛvnɛ rˈuvɲʲɛ drˈɔɡʲɛ. mˈɛblɛ bˌɨwɨ tɕˈɛ̃ʃkʲɛ, ɔbʲˈitɛ ˌaksamˈitɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_53.wav|vidʑˈawɛm ɡˈɔ jˈuʃ na drˈɔdʑɛ, a dʑˈiɕ rˈanɔ stˈaw pʃɨ pwˈɔtɕɛ na pˈɔlu ɡɔlfˈɔvɨm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_431.wav|bˈɔ tɔ ja sˈam ˌuwɔʒˈɨwɛm.|0
+Dataset/wavs/urwisko_ferenc/03_segment_89.wav|ktˈɔ tɔ vʲˈɛ?|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_77.wav|pɔmˈɨɕlaw viktˈarjɔn, ˌuvalɲʲˈajɔnts ɕɛ z ˈɔbjɛɲtɕ trˈupa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_30.wav|ˈɔx, ˌɔtʃɨvˈiɕtɕɛ.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_9.wav|tʃɨ tɔ ɲʲɛ jɛst ɲʲˌɛbɛspʲˈɛtʃnɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_28.wav|dʑvɔɲˈiliɕmˌɨ na pˌɔɡɔtˈɔvʲɛ, zˈaras pʃɨjˈadɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_219.wav|ktˈɔɕ mu tɔ kʲˈɛdɨɕ pɔvʲˈɛdʑaw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_22.wav|jɛj nˈɔvɛ blˈɔnd vwˈɔsɨ wˈadɲʲɛ vˌɨɡlɔndˈajɔ̃ f pɔrˈannɨm swˈɔɲtsu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_44.wav|ɲʲˈɛvʲɛm, dɔpʲˈɛrɔ mɲʲɛ pʃɨvʲˈɛʑli.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_82.wav|tɔː ɔt tʃˈɛɡɔ zatʃɲʲˈɛmɨ ˌɔpalˈaɲʲɛ bˈuɕki, tɨ dˈupku, varknˈɛwam.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_270.wav|tɔ lˈiɲʲa vˌɨsɔkˌɔtɕiɕɲʲɛɲʲˈɔva.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_207.wav|villjˈamu ɲʲɛ jɛzd dɔ ɕmʲˈɛxu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_58.wav|fstʃɨmˈawam ˈɔddɛx, mˈajɔnts nadʑˈɛjɛ, ʒˈɛ pʃˈɨzna mi rˈatsjɛ, na prˈuʒnɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_178.wav|jˈudɨ dwˈuɡɔ rˈɔbʲi f tɛj brˈanʒɨ i prɔvˈadʑi lɛɡˈalnɔ̃ aɡˈɛntsjɛ tˌɔvaʒˈɨskɔ̃. tɔ znˈatʃɨ, ʒˈɛ ɲʲɛ mˈɔʒɛ ɔtfˈartɕɛ mˈuvitɕ, ʒˈɛ ˌudɔstˈɛmpɲʲa dʑɛftʃˈɨnɨ na sˈɛks, ˌalɛ ɲʲɛ mˈuɕi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_49.wav|na ɲˈidʑ vʲˈɛntsɛj ɲʲˈɛma tʃˈasu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_101.wav|tfˈɔja ˌɔbɔjˈɛntnɔɕtɕ tʃɨ tfˈuj irlˈantski ˈupur?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_132.wav|dla mɲʲɛ trfˈawɔ tɔ ɡˌɔdʑinˈami, ˌalɛ pˈɛvɲʲɛ bˌɨwɔ tɔ ɲʲɛ dwˈuʒɛj ɲˈiʃ kˈilka mˈinut.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_147.wav|pˈɔza tɨm lˈubʲi ˈɛlis. ˌimpɔnˈujɛ mu tˈɨm, ʒˈɛ tˈaɡ dʑˈɛlɲʲɛ ɕɛ tʃˈɨma.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_83.wav|rˈussɛl ɲʲˈɛma lˌabɔratˈɔrjum krˌɨminˌalistɨtʃnˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_69.wav|ɲʲɛzvˈɨkwɨx pʃˈɨpraf i ˌɛɡzɔtˈɨtʃnɨɣ ɡatˈuŋkuv drˈɛvna.|1
+Dataset/wavs/urwisko_ferenc/02_segment_80.wav|ˌɔtʃɨvˈiɕtɕɛ f tɕˈɛɲʲu.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_341.wav|trˈudnɔ bˈɨ mu bˌɨwɔ pʃɨpˈɔmɲʲɛtɕ sˈɔbjɛ, jˈak mʲˌawaɕ na ˈimjɛ.|1
+Dataset/wavs/urwisko_ferenc/17_segment_15.wav|ɔ skˈɔku dɔ ʒˈɛki|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_7.wav|z ˈulɡɔ̃ zˌauvˈaʒam, ʒˈɛ pʃɨ stˈɔlɛ ɡrˈa sxˈu lˈɔŋk.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_9.wav|tɔ bˈɨ spravˈiwɔ, ʒˈɛ iɣ zadˈaɲʲɛ bɨwˈɔbɨ ɲʲˈɛmal ɲʲˌɛmɔʒlˈivɛ dɔ zrˌɛalˌizɔvˈaɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_153.wav|stˈavja pʃɛt ɲˈimi pˌarujˈɔntsɛ talˈɛʒɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_223.wav|w ˌɔtpɔvʲˈɛdʑi na tɛn ˈatak sˌabɔtˈaʒu sˈanxɛs fprˌɔvadʑˈiwa zˌaɔstʃˈɔnɛ ɕrˈɔtki ˌɔstrɔʒnˈɔɕtɕi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_85.wav|ɡdʑˈɛɕ na fsxˈɔdɲix krˈɛsax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_110.wav|tɔ naprˈavdɛ mˈɔɡwabˌɨ bˈɨdʑ dˌɔskɔnˈawa pʃɨkrˈɨfka, a jˈuʃ pˈɔmɨsw s tʃɨmˈaɲʲɛm trˈɛɕtɕi kɕˈɔ̃ʃki f tˌajɛmɲˈitsɨ ʒˌɛtʃɨvˈiɕtɕɛ jɛzd ɡɛɲʲˈalnɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_16.wav|pˈan spˈɛtsk pɔvʲˈɛdʑaw.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_165.wav|dɔkˈumɛnt ˌɔpatʃˈɔnɨ pʲɛtʃˈɛɲtɕɔ̃ mwˌɔdɔtɕanˈɛɡɔ krˈula.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_37.wav|iɣ zavˈartɔʑdʑ bˈɛz vɔntpʲˈɛɲʲa tʃˈɛka na ˈɔdbjur.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_93.wav|bˌɨwɛm skˈutɨ z ɲˈiɡrɛm pʃˈɛs pˈarɛ ɡˈɔdʑin.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_214.wav|pɔvʲˈɛdʑaw tˈamtɛn. zvrˈutɕiw ɕɛ dɔ sfˈɛj tˌɔvaʒˈɨʃki.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_64.wav|dwˈuɡɔ lɛtɕˈɛliɕmˌɨ f purpˈuʒɛ na sˈamɔ dnˈɔ pʲˈɛkwa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_19.wav|mɛ̃ʃtʃˈɨzna vɨswˈuxaw ɡˈɔ f skupʲˈɛɲʲu. — bɛstʃˈɛlnɛ bɨdlˈaki — mrˈuknɔw, kʲˈɛdɨ tˈɔm vɨjˈaɕɲiw, jˈak pʃɛbrˈali ɕɛ za pˌɔlitsjˈantuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_183.wav|mˈɔʒɛ tɔː i prˈavda, mˈɨɕli bʲˈillɨ, ˌalɛ ja dɔ tˌɛɡɔ zˌaʃtʃɨtnˈɛɡɔ ɡrˈɔna ɲʲɛ nalˈɛʒɛ i ɲˈiɡdɨ ɲʲɛ nˌalɛʒˈawɛm. jˌɛstɛm zvˈɨkwɨm pˌɔdvɨkɔnˈaftsɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_38.wav|ɲˈiɡd bˈɨ ɲʲˈɛxtɕaw, ʒˈɛbɨ bwˈɔŋkaw ɕɛ samˈɔpas, nˈɔ ɲʲɛ?|4
+Dataset/wavs/urwisko_ferenc/46_segment_193.wav|na plˈɛtsax f pɔblˈiʒu kʃˈɨʒa mɛ̃ʃtʃˈɨznɨ|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_153.wav|mˈɔʒɛ tˌɛɡɔ ɲʲˈɛxtɕaw, mˈuvi bˈutskɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_406.wav|nɔʃˈɔntsa sfˈɔjɔ̃ pˌɔvʲɛʃxˈɔvnɔʑdʑ zɲʲɛdbˈawɔ̃ nˌɔnʃalˈantsjɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_48.wav|ˈɔstsar vˈildɛ, xfˈilɛ pʃˈɛttɨm jˈak ɔpˈuɕtɕiw tɛn pˈaduw...|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_27.wav|mˈɔʒɛ pɔ prˈɔstu jˈɛdɛn z vʲˈɛlu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_102.wav|pʃɨnˈajmɲʲɛj na rˈaʑɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_346.wav|wˌadɔvˈawɛm dʒˈɛvɔ f tartˈaku.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_4.wav|mˈɛblɛ sɔ̃ ɲˈiskʲɛ i ˌɔpwɨvˈɔvɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_34.wav|a mʲˈawɨbˌɨ ˌɔtʃɨvˈiɕtɕɛ fpwˈɨf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_296.wav|i ˌɔpʲɛrˌajɔntsˈɛɡɔ ɕɛ ɔ ɕtɕˈanɛ i znˈuf ˈujʒaw pˌɔdnɔʃˈɔntsɔ̃ ɕɛ kˈu ɲʲˈɛmu lˈufɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_52.wav|mˈa nadʑˈɛjɛ, ʒˈɛ w ɕrˈɔdɛ i f tʃfˈartɛk tˈɛʃ ɲʲɛ pʃˈɨjdʑɛ dɔ prˈatsɨ, ˌalɛ lˈɔs pˈɛvɲʲɛ ɲʲɛ bˌɛɲdʑɛ ˈaʃ tˈak waskˈavɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_138.wav|vwˈɔntʃɨw pˈɔmpɛ i znˈuf pˈɔtʃɔw kɔwˈɔvatɕ na stˈart.|0
+Dataset/wavs/urwisko_ferenc/43_segment_10.wav|w vʲɛŋkʃˈɔɕtɕi pˌɔtfʲɛrdʑˈili tɔ, tsˈɔ pˌɔlitsjˈaɲtɕi bˌɨdʒɔskʲˈɛɡɔː arçˈivum ˈiɡz znˈali z ˈakt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_42.wav|vˈɛjʑdʑ bˌɨwɔ znˈatʃɲʲɛ wˈatfʲɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_160.wav|zarˈuvnɔ publˈitʃɲʲɛ, jˈak i prɨvˈatɲʲɛ, ˈaʃ stˈali ɕɛ jɛdˈɨɲʲɛ skˌɔrupˈami pˌɔzɔstawˈɨmi pɔː ɔsˈɔbax, kturˈɨmi bˌɨli w mɔmˈɛɲtɕɛ pʃɨjˈazdu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_77.wav|— ˈɔkɛj, sˈɨnu — pɔvʲˈɛdʑaw ˈɔlbʒɨm — ˈitɕ tˈɛraz dɔ stˈɔwu, tˈam vˈɛzmɔ̃ tɕi ɔttɕˈiski pˈaltsuf.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_275.wav|mˈɔɡwam vʑˈɔɲdʑ dˈuʒɔ vʲˈɛntsɛj pˈatʃɛɡ dɔ rˌɔzvʲɛʑˈɛɲʲa, ˌalɛ ta jˈɛdna mʲˈawa vˌɨjɔntkˈɔvɛ znatʃˈɛɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_35.wav|tɔ rɔzˈumjɛm, dlatʃˈɛɡɔ zˌaxɔvˈujɛ ɕɛ tˈak ɔbˈɛtsɲʲɛ, ˌalɛ ɔ tsˈɔ xˈɔdʑi s tˌɨmi fʃɨstkˈimi mˌiɲʲɔnˈ��mi latˈami?|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_181.wav|jɛst ʃˈɨpʃɨ spˈɔsup na rˌɔsstʃɨɡɲʲˈɛɲtɕɛ tɛj sprˈavɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_91.wav|fʃˈɨstkʲɛ mˈiɕɛ dʑˈiɕ mˌajɔ̃ tˈam pˈikɲik.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_56.wav|xˈɔtɕ jɛzd ʑˈimnɔ, tsˈawa ɕɛ spɔtɕˈiwam, mˈam ɕtɕiɕɲʲˈɛntɔ̃ klˈatkɛ pʲɛrɕˈɔvɔ̃ i pwˈɨtki ˈɔddɛx, a dɔ tˌɛɡɔ bˈɔjɛ ɕɛ mˈɨɕlɛtɕ, tsˈɔ pʃɨɲʲˈɛɕɛ dʑˈɛɲ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_64.wav|a jˈɛɕli ɕɛ mˈɛlɛ?|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_34.wav|tʃɨ mˈam zvˈɔwadʑ ɡrˌɔnɔstˈajɛ na narˈadɛ vɔjˈɛnnɔ̃? zapˈɨtaw dˈavɔn.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_34.wav|ˈɔtʃɨ ʃˌaɡuˈɛla vɨjˈadwa vrˈɔna, a pɔ pˈɨɡu i tʲimjˈɔɲʲɛ wazˈiwɨ tʃˈɛrvʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_134.wav|ɡlˈɛnn pɔvʲˈɛdʑaw mi irˈɔɲʲi, sˈuka ɔddˈawabˌɨ mɲʲɛ ˌarabˈusɔm dɔ ɲʲɛvˈɔli, ɡdˈɨbɨ vʲɛdʑˈawa, ʒˈɛ nˈatɨm zarˈɔbʲi.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_249.wav|mˈawʒɛ, krɛvˈɛtki, ɔmˈuwki.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_67.wav|zmˈar pˈɔttʃas rˈɛjsu na pɔwˈudɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_13.wav|vʲɛdʑˈawam, ʒˈɛ ɔt tˈamtɛj pˈɔrɨ...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_135.wav|ˌɔkrɔ̃ʒˈɨwa stˈuw, uɲʲˈɔswa dwˈɔɲ i mˈɔtsnɔː ˌudɛʒˈɨwa mɲʲɛ ɲʲˈɔ̃ f tfˈaʃ.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_194.wav|a pʃɨ ɔkˈazji, pɔvʲˈɛdʑaw s pɛwnˈɨmi ustˈami,|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_362.wav|dˈalɛ skˈinɔw na bʲillʲˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_86.wav|mˈuɕaw pɔvʲˈɛdʑɛtɕ. samˈuɛl tˈarlɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_88.wav|pˈakuj ɕɛ tˈam, tsˈaʃman, i rɔzwˈuʃtɕɛ ɡˈɔ tsˈɔ ʒˈɨvɔ. tʃˈas nˈaɡli.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_113.wav|kɔbjˈɛta ʒˈutsa alfjˈɛmu pʃɨjˈaznɨ ˈuɕmʲɛx.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_64.wav|w jɛj ɡwˈɔɕɛ swɨʃˈalnɛ bˌɨwɔ tˌɨlkɔ lˈɛkkʲɛ drʒˈɛɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_43.wav|bʲˈill jɛst ɔt ˈɛllis tsˈɔ nˈajmɲʲɛj kˌilkanˈaɕtɕɛ tsˌɛntɨmˈɛtruv vˈɨʃʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_38.wav|pˌɔftaʒˈawa mu za kˈaʒdɨm rˈazɛm, ɡdˈɨ zˌatʃɨmɨvˈali ɕɛ na nˈɔts, ˌalɛ xˈund bˈɨw vˌɨjɔntkˈɔvɔː upˈartɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_86.wav|nˈaɡlɛ zɔstˈawam krulˈɔvɔ̃ bˈalu. ˈɔfʃɛm, swˈɨnɛ s tˈɛɡɔ, ʒˈɛ jˌɛstɛm dˈɔbra vɛ fʃˈɨstkim, dɔ tʃˈɛɡɔ pʃɨwˈɔʒɛ rˈɛŋkɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_75.wav|ʃukˈaliɕmˌɨ tɕˈɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_175.wav|jˈɛɕli zdˈaʒɨ ɕɛ tsˈut.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_62.wav|pˈatʃɛ jˈɛʃtʃɛ rˈas na stˈuw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_255.wav|ja ʒˈatkɔ ɕɲʲˈɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_67.wav|mˈuʃɛ zˈadatɕ tɕi jˈɛʃtʃɛ kˈilka pˈɨtaɲ dˌɔtɨtʃˈɔntsɨx mˈart, jˈɛɕli ɲʲɛ maʃ ɲˈits pʃɛtɕˈifkɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_158.wav|ktˈɔ bˈɨ ɕɛ tɨm pɔdɲʲˈɛtsaw?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_22.wav|stˈavʲam kɔlˈɛjnɨ krˈɔk, tʃˈujɔnts pˌulsɔvˈaɲʲɛ krfˈi w ˈuʃax.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_91.wav|nˈɔ dˈɔbra, ˌalɛ dlatʃˈɛɡɔ tɔ jɛst tˈakʲɛ ˌɛkstsɨtujˈɔntsɛ? zˌapɨtˈawam.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_215.wav|ˈistnɛ ˌutrapʲˈɛɲʲɛ, ˌalɛ pʃɨnˈajmɲʲɛj ɲʲɛ mʲˈawam dɔ tʃɨɲʲˈɛɲʲa z rˌɔstɔpʲˈɔnɨm mɛtˈalɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_94.wav|dɔstˈawɛɕ kˈulɔ̃? ɔt kˈɔɡɔ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_448.wav|znalˈɛʑliɕmˌɨ ɕɛ w vɨsˈɔkʲɛj nˈavʲɛ alˈɛi dɔrˈɔdnɨx tɔpˈɔli.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_229.wav|a pˈɔtɛm sprubˈɔvaw zˈabratɕ ɕɛ dɔ mɲʲɛ. bˈɨw...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_70.wav|mruknˈɛwam pɔt nˈɔsɛm. vwˈaʑ dɔ ɕrˈɔtka.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_26.wav|vʲˈɛm, ʒˈɛ pˌɔvʲɛdʑˈawaɕ mi jˈuʃ, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ, kʲˈɛdɨ rˌɔzmavʲawˈɨɕmɨ, ˌalɛ na vɨpˈadɛk, ɡdɨbˈɨɕmɨ tsˈɔɕ pʃˌɛɡapˈili, mˈɔɡwabˌɨɕ ˌɔpɔvʲˈɛdʑɛtɕ ˈɔtɨm pɔnˈɔvɲʲɛ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_43.wav|rɔzˈumjɛm, ˌalɛ naprˈavdɛ ɲʲɛ pamjˈɛntam nˈavɛt, jˈaka tɔ bˌɨwa ulˈitsa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_243.wav|tɔ mˈam tʃˈɛkatɕ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_67.wav|ɲʲɛ ˌɔdɛzvˈawa ɕɛ dɔ ɲikˈɔɡɔː ɔd dwuɡʲˈɛɡɔ tʃˈasu, tsˈɔ bˌɨwɔ dˈɔɕtɕ ɲʲɛzvˈɨkwɛ.|3
+Dataset/wavs/urwisko_ferenc/60_segment_4.wav|mˈarja skinˈɛwa ɡwˈɔvɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_31.wav|ˌalɛ naprˈavdɛ pʃɨpˈadliɕmˌɨ sˈɔbjɛ dɔ ɡˈustu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_122.wav|i ɔtʃˈɨmaw pˌɔzvɔlˈɛɲʲɛ stˈartu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_76.wav|pʃɛtstˈaviw jˈɛ wˈɛ fˈɔrmʲɛ pʃɨtʃˈɨnɨ, s ktˌurɛj pɔvˈɔdu ɲʲɛ mˈɔɡwa ftʃˈɛɕɲʲɛj znˈalɛɕtɕ ʃtʃˈɛɲɕtɕa i spɛwɲʲˈɛɲʲa w ʒˈɨtɕu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_130.wav|zˈɛtʃɨj s ɕˈɛbjɛ jˈak najvʲˈɛntsɛj tˌɛɡɔ mazˈidwa, a pˈɔtɛm ˈitɕ pɔt prˈɨʃɲits.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_247.wav|zˌapɨtˈawa vrˈɛʃtɕɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_135.wav|tʃɨ tɔ mˈɔɡwa bˈɨtɕ pʃˌɨpatkˈɔva nˈapaɕtɕ? rˈɔzbuj?|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_52.wav|ˈandɛrsɔn pˈɔʃɛd dˈalɛj i fʃˈɛd dɔ bjˈura.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_34.wav|pˌɔtsunˈɛwa bˈɛtskɨ. fˈakt, ʒˈɛ pɔrvˈali ˈaʃa pɛdjˈatrɛm mˈɔʒɛ bˈɨtɕ istˈɔtnɨ. a jˈɛɕli pʃˌɛprɔvˈadʑiw ˌɔpɛrˈatsjɛ, pɔ ktˌurɛj zmˈarwɔ jˈakʲɛʑ dʑˈɛtskɔ?|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_197.wav|vʲˈɛŋkʃɔɕtɕ tˈakix sxrˈɔnuf ʃˈɨpkɔ zamjˈɛɲʲa ɕɛ w ɡˌardɛrˈɔbɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_236.wav|dˈalɛ ˈuɲʲus ʃklˈaŋkɛ dɔː ˈust, vˈɨpiw wˈɨtʃɛk i uɕmʲˈɛxnɔw ɕɛ dɔ mɲʲɛ ˌirɔɲˈitʃɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_22.wav|ɔn rˈuvɲʲɛʃ tˌɛɡɔ prˈaɡnɔw. ɲʲˈɛxtɕaw jˈɛdnak, ʒˈɛbɨ pɔtʃˈuwa ɕɛ dɔ tʃˌɛɡɔkˈɔlvʲɛk pʃˌɨmuʃˈɔna ˌɔbɛtsnˈɔɕtɕɔ̃ nɔvˈɛɡɔ dʑˈɛtska w dˈɔmu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_102.wav|ɲʲˈɛma tˈam ˌɛdʒɛvˈɔɔt salˈɔɔn, jɛzd zˈatɔ drˈɔɡa ɔ nˈazvʲɛ ˌɛdʒɛvˈɔɔt mˌɔuntˈain dɹˈajv.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_39.wav|ˌaɲi rˈazu ɲʲɛ vˈidʑaw bakʲˈɛɡɔ s kɔbjˈɛtɔ̃ i xˈɔtɕ, tʃˈɛba pʃˈɨznatɕ, ʒˈatkɔ spˌɔtɨkˈali ɕɛ tfˈaʒɔ̃ f tfˈaʃ, tɔ ftˈɛdɨ ɔ sprˈavax sɛrtsˈɔvɨx ɲʲɛ rˌɔzmavʲˈali.|2
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_161.wav|i vˈidʑaw, jˈaɡ zapˈala ɕɛ tʃɛrvˈɔna ˌɔstʃɛɡˈaftʃa lˈampa upˈatku.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_8.wav|tsˈɔ zˈaʃwɔ w ɲˈim pʃˈɛstɛ tʃtɛrnˈaɕtɕɛ lˈat, ʒˈɛ stˈaw ɕɛ tˌaki mɕtɕˈivɨ i dlatʃˈɛɡɔ dʑˈawa akˈurat tˈɛras?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_80.wav|ɔ xɔlˈɛra, ˌɔpsɛrvˈujɔ̃ mɲʲɛ pʃˈɛs ˈɔknɔ. mˈuʃɛ ˈiɕtɕ. dɔ zˌɔbatʃˈɛɲʲa pˈuʑɲʲɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_13.wav|bˈɛtskɨ mruknˈɛwa. s pɔtʃˈɔntku znˈawam ɡˈɔ za fajnˈɛɡɔ fatsˈɛta, pʃˈɛs tsˈɔ pɔtʃˈuwam ɕɛ ɡwˈupjɔ pˈuʑɲʲɛj, kʲˈɛdɨ zˌɔbatʃˈɨwam kˈirstɛn.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_183.wav|jˌɛstɛɕ tɔ̃ vʲˈɛlkɔ̃ kɔbjˈɛtɔ̃, ktˌura vˌɨruʃˈɨwa w drˈɔɡɛ zˈɛ zrˈɛntʃnɨm dʲˈitskʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_146.wav|jˈɛɕli tˈak, bˌɛɲdʑɛ tɔː ˌɔznatʃˈawɔ, ʒˈɛ spɔdʑˈɛva ɕɛ, a pʃɨnˈajmɲʲɛj mˈa nadʑˈɛjɛ, ʒˈɛ pɛvnˈɛɡɔ dɲʲˈa ktˈɔɕ tɛn tˈɛkst pʃɛtʃˈɨta.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_71.wav|tˈɔm vˈɛstxnɔw.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_491.wav|jˌɛstɛɕ tˌɔvaʒˈɨʃɛm dˌɔndarjˈɔna, lˈɔrda bwˌɨskavˈitsɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_209.wav|z jɛj vˌɨmɔvnˈɛɡɔ spɔjʒˈɛɲʲa zˌɔrjɛntɔvˈawɛm ɕɛ, ʒˈɛ ɲʲɛ ˌuvʲɛʒˈɨwa.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_233.wav|bˌɛɲdʑɛ swuʒˈɨwɔ lɔrdˈɔvi lˌanɲistˈɛruf jˈakɔ pˈaɕ i ɡʲˈɛrmɛk, a pɔ pˌasɔvˈaɲʲu na rɨtsˈɛʒa pʃɨznˈamɨ mu jˈakʲɛʑ ʑˈɛmʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_131.wav|ˌalɛ dˈalʃɨ tɕˈɔŋk ɕˈɛdʑi mu w ɡwˈɔvʲɛ, tʃˈɛka.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_89.wav|tʃˈuwam ɕɛ pʃˈɨɲim kˌɔmfɔrtˈɔvɔː ɔt samˈɛɡɔ pɔtʃˈɔntku. swˈɔvɛm, ktˌurɛ ˌɔkrɛɕlˈawɔ ɡˈɔ najlˈɛpʲɛj bˌɨwɔ ɲʲɛɡrˈɔʑnɨ.|3
+Dataset/wavs/urwisko_ferenc/59_segment_97.wav|fˈaktɨ zjadˈajɔ̃ lˈarvɨ ˈinnɨx ɔvˈaduf, jˈɛdnak jˈakɔ dɔrˈɔswɛ ˌɔsɔbɲˈiki, a tɛn tˌaki jˈɛst, ɲʲɛ mˌajɔ̃ rˌɔzviɲʲɛntˈɛɡɔː ˌaparˈatu ɡˌɛmbɔvˈɛɡɔ.|0
+Dataset/wavs/urwisko_ferenc/42_segment_20.wav|musˈimɨ pɔɡˈadatɕ, ʒˈutɕiw ˈɔlɡʲɛrt.|0
+Dataset/wavs/urwisko_ferenc/11_segment_80.wav|ktˈɔ tɔ jɛst ˈadam ʃtʃˈɛrpski?|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_145.wav|skˈɔnt ɕɛ tˈu vʑˈɛliɕmˌɨ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_202.wav|tɔ pˈɛvʲɛn kɔnvˈɛnans ˌɔbɨtʃajˈɔvɨ, a tˈɛʃ i jˈakaɕ pˈɔstatɕ rɔzrˈɨfki ˌɛmɔtsjɔnˈalnɛj.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_8.wav|brˈamɨ dˈarɨ zamknˈɛwɨ ɕɛ pʃˈɛdɲim, tˈak jˈak pɔpʃˈɛdɲʲɔ brˈamɨ xarˈɛnxal.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_16.wav|pˈɔʃɛd dɔ barˈaku vrˈaz z innˈɨmi rˌɔbɔtɲikˈami, ɡdˈɨʃ pwatsˈɔnɔː im ʃtˈɨvnɔ̃ stˈafkɛ kaʒdˈɛɡɔ dɲʲˈa pɔː ˌukɔɲtʃˈɛɲʲu prˈatsɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_36.wav|mˈɔʒɛ ɲʲɛ pˌɔviɲʲˈɛnɛm utɕˈɛkatɕ, ˌalɛ spˌaɲikɔvˈawɛm. tsˈɔ mˈam tˈɛraz zrˈɔbʲitɕ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_114.wav|kˈatɛ vʑˈɛwa ɡwɛmbˈɔki ˈɔddɛx.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_223.wav|sˈɛr dˈavɔn ɔtstˈaviw kʲˈɛlix. mˈɔi zvʲadˈɔftsɨ mɛldˈujɔ̃, ʒˈɛ nˈɔtsɔ̃ na vzɡˈuʒax pˈalɔ̃ ɕɛ ɔɡɲˈiska. i w vʲˈɔskax rˈuvɲʲɛʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_28.wav|— vʲˈɛŋkʃɔɕtɕ lˈudʑi i tˈak ɲʲɛ nˈɔɕi sfˈɔiɣ zdjˈɛɲtɕ f pɔrtfˈɛlax, ftrˈɔntsa ɲˈitsk. — pˌɔvʲɛdʑˈawɛm tɔ ɡˌɛɔrɡʲˈɔvi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_12.wav|ɲʲɛ ɲʲˌɛulˈɛŋklɛ. ɲʲɛ zmʲɛɲˈiwa ɕɛ nˈaɡlɛ w jˈakɔ̃ʑ vˌɔjɔvɲˈitʃɔ̃ krulˈɔvɔ̃ s kɔmˈiksu. pʃɨnˈajmɲʲɛj jˈɛʃtʃɛ ɲʲɛ, ˌalɛ bˈardʑɔ zadʑˈɔrɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_71.wav|kˈuɕi mɲʲɛ zˌamuvʲˈɛɲʲɛ druɡʲˈɛɡɔ kʲɛlˈiʃka, ˌalɛ pˈuʑɲʲɛj pˈɛvɲʲɛ bˌɛndɛ muɕˈawa prɔvˈadʑitɕ i mˈuʃɛ bˈɨtɕ f tɕˈɔŋɡwɛj ɡˌɔtɔvˈɔɕtɕi.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_324.wav|vʲˈɛlki sˈɛptɔn zamjˈɛʒa zˈabʲitɕ jˈɛɡɔ brˈata ɔsnˈɛja. jˈɛɡɔ zwˈɔtɛ pwˈaʃtʃɛ mˈuʃɔ̃...|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_8.wav|ˈidʑɛ s salˈɔnu dɔ kˈuxɲi, stˈamtɔnd dɔ sɨpʲˈalɲi i vrˈɛʃtɕɛ vrˈatsa dɔ salˈɔnu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_232.wav|ɲʲˌɛvɨklutʃˈɔnɛ, ʒˈɛ ɲˈiɡdɨ bˈɨ nˈas tˈam ɲʲɛ ˌɔdnalɛʑˈɔnɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_72.wav|tʃɨ tɔ jɛzd ɡrˈɔʑba?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_87.wav|ɲʲɛ, ˈu mɲʲɛ tɕˈiʃa i spˈɔkuj, ʒˈadnɨx rɔmbɲʲˈɛntɨx kʲˌɛrɔvɲˈikuv bˈaŋku pɔt kˈɔwdrɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_37.wav|tˈɔm pɔpˈatʃɨw na zɛɡˈarɛk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_87.wav|spˈujʃ nˈamɲʲɛ, ɲitsˈɔlɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_56.wav|mˈɔʒɛ jˈuʃ tɔ zrɔbʲˈiwa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_414.wav|ɔn fˌilɔzɔfˈɔvaw ˌuɲivɛrsˈalɲʲɛ, xtsˈɛ zbˈavitɕ ɛwrˈɔpɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_126.wav|tˈata ɔtfˈɔʒɨw brˈamɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_22.wav|tɔ vʲˈɛlka tˌajɛmɲˈitsa, ktˌurɛj tɔ dʑˈɛtskɔ mˈuɕi tˈɛras pilnˈɔvatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_136.wav|tʃɨ ktˈuraɕ s kˈamɛr tˈu zaɡlˈɔnda?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_18.wav|ˈɔfʃɛm, jɛzd dˈɔɕtɕ ɲʲˌɛdɔstˈɛmpnɨ, tsˈɔ mɔɡwˈɔbɨ tʃˈɨɲidʑ ��ˈɔ w jɛj ˈɔtʃax ˌatraktsˈɨjnɨm, ˌalɛ jˈɛdnak ɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_229.wav|fkrˈuttsɛ vrˈutsɔ̃ tˈɔrvalt i rˈudɨ vʲˈɔɕlaʒ z dˌɔdatkɔvˈɨmi zˌapasˈami.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_459.wav|ˈalɛʃ ɲʲɛ, jˌɛstɛm ʒɔnˈatɨ. ʒˈɔna vˌɨjɛxˈawa.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_248.wav|ʒˈɛbɨ jɛj dʑˈɛtskɔ mˈɔɡwɔː ˌɔdʑɛdʑˈitʃɨtɕ majˈɔntɛk ˈɔjtsa.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_185.wav|brˈuskɔː ɔtsˈunɔw bˈutɨ na bˈɔk|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_182.wav|jˈaka jɛst jˈɛɡɔ vˈartɔɕtɕ? mˈam na mˈɨɕli tɔ, jˈakʲɛ pʃɨnˈɔɕi zˈɨski.|4
+Dataset/wavs/urwisko_ferenc/15_segment_60.wav|dlatʃˈɛɡɔ mu nˈatɨm zˌalɛʒˈawɔ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_14.wav|xˈɔtɕ ˌɛmtsˈɛ ɡuˈinnɛss ɕˈɛdʑaw w vʲɛ̃ʑˈɛɲʲu w mˌanxɛstˈɛʒɛ, jˈɛɡɔ fpwˈɨvɨ rˌɔstɕɔŋɡˈawɨ ɕɛ dalˈɛkɔ pˈɔza mˈurɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_31.wav|çˈiɲtʃɨɡ vzdrˈɨɡnɔw ɕɛ z ɲʲɛsmˈakʲɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_543.wav|mˈa pˈan trudnˈɔɕtɕi s pˌɔruʃˈaɲʲɛm ɕɛ pɔ mʲˈɛɕtɕɛ? ʃˈɔfɛr zˈaɕmʲaw ɕɛ pˌɔfɕtɕɔŋɡlˈivʲɛ. tsˈɔ tɔ za mʲˈastɔ?|0
+Dataset/wavs/urwisko_ferenc/36_segment_170.wav|pˌɔvʲɛdʑˈawa pˈaɲi, ʒˈɛ xtɕˈawabˌɨ mʲˈɛdʑ vnˈuki?|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_107.wav|ɲˈiɡdɨ ɔt ɲʲˈɛɡɔ ɲʲɛ ˌɔbɛrvˈawam ɲˈits s tɨɣ ʒˈɛtʃɨ, ˌalɛ rˈas tʃˈɨmaw mɲʲɛ jˈɛdnɔ̃ rˈɛŋkɔ̃, a drˈuɡɔ̃ vɨsˈɨwaw jˈakɔ̃ʑ vʲadˈɔmɔɕtɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_39.wav|vˌɨmamrɔtˈawɛm, a tʃˈɔwɔ jˈɛwɔ ɡvawtˈɔvɲʲɛ pulsˈɔvatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_212.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_61.wav|ɔ bˈɔʒɛ, tˈak.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_273.wav|ˌalɛ jɛst jˈɛʃtʃɛ ˈinna ʒˈɛtʃ, ktˌurɛj ɲʲɛ rɔzˈumjɛm, ʒˈɛkw mˈikɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_33.wav|vʲˈɛm dˌɔskɔnˈalɛ, ɡdʑˈɛ xˈɔva pʲɛɲʲˈɔndʑɛ, ktˌurɛ vˌɨprɔvˈadʑa s fˈirmɨ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_163.wav|talˈɛa mˈuvi, ʒˈɛ brˈɛa pɔzvˈala, bˈɨ jˈɔ̃ dɔtˈɨkaw, mˈimɔ ʒˈɛ jɛst tˌɨlkɔ daxˈɔvɨm ʃtʃˈurɛm.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_43.wav|ˌɔna rˈuvɲʲɛʃ mʲˈawa w ˈɔtʃaɣ wzˈɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_97.wav|zatʃˈɨmaj sfˈɔjɛ dʑˈɛɕɛɲtɕ tɨɕˈɛntsɨ pɔvʲˈɛdʑaw z uɕmʲˈɛxɛm na tfˈaʒɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_61.wav|— ɲʲˌɛvɨklutʃˈɔnɛ, ˌalɛ xˈɨba ɲˈits ɲʲɛ bɨwˈɔbɨ vˈartɛ takʲˈɛɡɔ pʃɛstˈɛmpstfa.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_84.wav|blˈatskfiʒ ʒˌɛtʃɨvˈiɕtɕɛ zɔstˈaviw w rˈivɛr rˈun mnˈustfɔ zapˈasuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_231.wav|vˈɛjtɕ, vˈɛjtɕ, pɔvʲˈɛdʑaw i ɔtfˈɔʒɨw dʒvˈi na ˈɔɕtɕɛʃ.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_110.wav|mʲˈaw jˈɛdnak tˌɨlkɔ ksˈɔnda.|1
+Dataset/wavs/urwisko_ferenc/32_segment_12.wav|jˈaɡbɨ tɔ ɡrˈɔx stˈaw za jɛj nawˈɔɡʲɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_70.wav|tˈɔm tˌɨlkɔ nˈaɲʲɔ̃ pɔpˈatʃɨw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_35.wav|vˈɨkɔb ɡˈɔ w djˈabwɨ jˈɔɛ. ˌɔstatˈɛtʃɲʲɛ kˈaʒdɨ ˌɔkazˈujɛ ɕɛ zvɨtʃˈajnɨm skurvʲˈɛlɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_398.wav|im bˈardʑɛj vɨjˈaɕɲʲa ɕɛ ta plˌɔntaɲˈina, tɨm mɲʲˈɛj rɔzˈumjɛm.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_23.wav|sɛptˈɔna puʃtʃˈɔnɔ vˈɔlnɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_139.wav|nˈɔ dˈɔbra, pˌɔʒutɕˈiliɕmˌɨ jˈɔ̃, mˈuvi xwˈɔpak, ˌalɛ kˈurdɛ, nɔrmˈalɲʲɛ z nˈami ɡadˈawa, ˈɔkɛj? i vʲɛdʑˈɛliɕmˌɨ, ʒˈɛ mˈa tɛlˈɛfɔn i dˈɔɕtɕ kˈasɨ na ubˈɛra. nɔrmˈalɲʲɛ muvˈiwa.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_178.wav|ɔt tʃˈasu dɔ tʃˈasu swɨʃˈawa w ɔddˈali xˈuɡ ɡrˈɔmu i mɨɕlˈawa ɔ stˈatku z braˈavɔs, ktˌurɨ ɔtpwˈɨnɔw z vʲɛtʃˈɔrnɨm ɔtpwˈɨvɛm.|1
+Dataset/wavs/urwisko_ferenc/42_segment_7.wav|ˌuvɔlɲˈiwabˌɨ f tɛn spˈɔsup mixˈawa skʃɨtskʲˈɛɡɔː ɔt pʃˈɨkrɨɣ vˈizɨt f kˌɔmisarjˈatɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_193.wav|sˈɛr nˈam ɔbjˈɛtsaw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_39.wav|pˈaɲi rˈɔbɛrdz zˈafʃɛ zvrˈatsa ɕɛ dɔ ɲʲˈɛɡɔ stsˈɔtt. tɔː ˈimjɛ jɛj zmarwˈɛɡɔ sˈɨna, xˈɨba jɛdˈɨnɛ, jˈakʲɛ rˌɔspɔznˈajɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_196.wav|ktˌurɨ ɔznˈatʃa utɕˈɛkatɕ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_172.wav|sˈɛr xˈaris ˈɔtar tʃˈɔwɔː ˌaksamˈitnɨm rɛŋkˈavɛm. jˈɛɕli pˈɔkuj jɛst mɔʒlˈivɨ...|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_267.wav|ɲʲɛ mˌamɨ tˈutaj zvʲˈɛʒɔnt ˌaɲi ˌatmɔsfˈɛrɨ, a fʃˈɨstsɨ ɡwˈupi lˈudʑɛ sɔ̃ zamkɲʲˈɛɲtɕi w mʲˈɛɕtɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_106.wav|vʲˈɛʃ, jˈaɡ ɡˈɔː ˌuruxˈɔmitɕ? pˈɛvɲʲɛ jɛst instrˈuktsja ɔpswˈuɡʲi tʃɨ tsˈɔɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_8.wav|mˈikɛ ɔdvrˈutɕiw ɡwˈɔvɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_52.wav|rˈɛʃta pɔvʲˈɛtʃa utɕˈɛkwa s sˈɨkʲɛm f prˈuʒɲʲɛ i pɔvwˈɔka kˈuli ˌɔɕɔŋɡnˈɛwa pˈɛwnɔ̃ ʃtˈɨvnɔɕtɕ, ˌɔtpɨxˈajɔnts mˈɔjɛ rˈɛntsɛ s tˈakɔ̃ ɕˈiwɔ̃, ʒˈɛ vˌɨlɔndɔvˈawam na tˈɨwku.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_39.wav|vʲˈɛnts jˈɛɕli jˈɛɡɔ pˈaɲi ʃˈuka, tɔ ɲʲɛstˈɛtɨ ɲʲˈɛmam dˈɔbrɨɣ vʲˈɛɕtɕi.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_117.wav|tɨm mɲʲˈɛj mi ɕɛ tɔ pˌɔdɔbˈawɔ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_29.wav|sˈɛr ɛˈɛlan splˈunɔw dɔ ʒˈɛki.|1
+Dataset/wavs/urwisko_ferenc/27_segment_43.wav|pˌɔlitsjˈantka skinˈɛwa ɡwˈɔvɔ̃. xˈalɔ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_68.wav|z bʲijˈɔntsɨm mˈɔtsnɔ sˈɛrtsɛm ɔdvrˈatsam ɕɛ f pˌɔʃukivˈaɲʲu krɨjˈufki.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_44.wav|ɲʲɛ mˈɔɡɔ̃ tɕˈɛ ɔ ɲˈits ɔskˈarʒɨtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_76.wav|zzˈa jɛdnˈɛɡɔ zˈɛ swˈupuv vɨxˈɔdʑi mɛ̃ʃtʃˈɨzna i stˈajɛ pʃɛdˈɛmnɔ̃ z lˈuʑnɔ zvˌisajɔntsˈɨmi rɛŋkˈami.|3
+Dataset/wavs/urwisko_ferenc/65_segment_98.wav|nˌajvɨrˈaʑɲʲɛj bˌɨwɔː inˈatʃɛj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_80.wav|tɔ sˈamɔ mˈɔʒɛ stˈatɕ ɕɛ z mɔˈimi ˌɔkularˈami, jˈɛɕli prˈɔb ɡˈɔ ftɕˈɔŋɡɲʲɛ, pɔvʲˈɛdʑaw pˈilɔt.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_82.wav|pɔmˈɔtsɨ!|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_370.wav|pʃɛdrˈamjɛ vwɔʒˈɔnɔ jɛj w wˈupki i ˌɔvʲɔ̃zˈanɔ pwˈutnɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_14.wav|ɕˈɛrʒant ʃtabˈɔvɨ flˈɛdʑɡ zapˈɨtaw, tʃɨ jˌɛstɛm dˈɔɕtɕ tfˈardɨ, ʒˈɛbɨ bˈɨtɕ w marˈinɛs, a ja pˌɔvʲɛdʑˈawɛm, ʒˈɛ tˈak, xˈɔtɕaʃ tˌɛɡɔ tˈɛʃ ɲʲɛ bˌɨwɛm pˈɛvʲɛn.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_55.wav|tˈak, jˈak ɕɛ mˈaʃ? a jˈak tˈam dˈuffɨ i vˈallɛr?|2
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_93.wav|a pˈɔza tɨm bˌɛndɛ ʃtʃˈɛra.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_70.wav|mʲˌawɛm fstʃˈɔ̃s mˈuzɡu. ɲʲɛ ʃkˈɔdʑi.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_78.wav|zbjˈɛɡwam w dˈuw zbˈɔtʃa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_51.wav|ˌɔbjɛtsˈujɛ ɕɛ im w mˈɛdjax spˌɔwɛtʃnɔɕtɕˈɔvɨɣ vˌɨpaɕˈɔnɛ brˈɨki i stˈɨl ʒˈɨtɕa f pʃɛpˈɨxu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_17.wav|vˌɨdavˈawɔ ɕɛ mɔʒlˈivɛ, ʒˈɛ nˈuʃ uʒˈɨtɨ jˈakɔ naʒˈɛɲdʑɛ zbrˈɔdɲi pɔxˈɔdʑiw zˈɛ stˌanɔvˈiska kˌuxɛnnˈɛɡɔ pʃɨ pɔkˈɔju mˈartɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_246.wav|i ɲˈits ɲʲɛ mˈɔɡli zrˈɔbʲitɕ tˌɛmu xwˌɔpakˈɔvi ˈɛstɛr, bˈɔ ɲʲɛ bˌɨwɔ ɕfʲˈatkuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_188.wav|dˈɔɲi s tˌɛɡɔ tˈɛʃ ɕɛ zˈaɕmʲaw, ˌalɛ mɨ z ɡlˈɛnnɛm ɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_61.wav|vidʑˈɛli, jˈak iɣ dˈɔmɨ pwɔnˈɛwɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_283.wav|ɡdˈɨbɨ dˈɔʃwɔ dɔ pʃɛbʲˈitɕa skɔrˈupɨ zɛvnˈɛntʃnɛj, prˈuʒɲʲa vɨssˈawabˌɨ pɔvʲˈɛtʃɛ s pʃɛɡrˈɔdɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_62.wav|f pˈɛvnɨm mɔmˈɛɲtɕɛ pɔwˈɔʒɨw rˈɛŋkɛ na stˈɛʒɛ i pxnˈɔw ɡˈɔ f pʃˈut.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_529.wav|na ɕɲʲadˈaɲʲɛ ʃukˈawɛm vɨkrˈɛntu bˈardʑɔ mˈiɲʲɛ na rˈɛŋkɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_144.wav|ja vʲˈɛm pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_136.wav|tˈak ɕɛ nazˈɨva tɛn zˈavut.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_184.wav|bˈa, w ɔɡˈulɛ bˈɨ ɡˈɔ ɲʲɛ sklɔnˈɔvaw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_101.wav|ˌɔdvrutɕˈiwa ɕɛ dɔ ɲʲˈɛɡɔː i pˌɔvitˈawa ɡˈɔː uɕmʲˈɛxɛm. tˈɔm pˈɔtʃuw nˌatɨxmʲastˈɔvɔ̃ ˈulɡɛ, ʒˈɛ zˈastaw ˌatmɔsfˈɛrɛ spɔkˈɔju, bˈɛz ʒˈadnɨx napˈaduv zwˈɔɕtɕi ˈu nˌastɔlˈatki.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_77.wav|tˈatɔː ɔdvrˈutɕiw ɕɛ, ʒˈɛbɨ mʲˈɛtɕ nˈanas jˈak najlˈɛpʃɨ vˈidɔk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_94.wav|bˌɨwa vˌɨtsɔfˈana, zamkɲʲˈɛnta i ɲʲɛ ˈumjaw sˈɔbjɛ vˌɨɔbrˈazitɕ, jˈak ɔtswˈaɲʲa sfˈɔjɛ swabˈɔɕtɕi pʃɛt kimkˈɔlvʲɛk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_210.wav|uɕˈadwa prˈɔstɔː i nˌatɕɔŋɡnˈɛwa sukʲˈɛŋkɛ na kɔlˈana. vˌɨɡlɔndˈawa jˈaɡ ɡʒˈɛtʃna, prˌudɛrˈɨjna lˌitsɛalˈistka, tˈaka jˈakix f tɨx tʃˈasax jˈuʃ xˈɨba ɲʲɛ uɕfʲˈattʃɨʃ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_37.wav|ɲʲɛ vˈɨʃwabˌɨ ɔ tˈakʲɛj pˈɔʒɛ na spˈatsɛr.|3
+Dataset/wavs/urwisko_ferenc/14_segment_30.wav|tʃɨ s tɔ̃ lˈipskɔ̃, ˈɔprutʃ lˌɛvandˈɔfskʲɛj, mʲˈɛʃkaw ktˈɔɕ jˈɛʃtʃɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_193.wav|jˈuʃ mˈa zˈatʃɔɲtɕ, kʲˈɛdɨ lˈaptɔp pikɲʲˈɛɲtɕɛm ɔznˈajmja nadˈɛjɕtɕɛ vʲˌadɔmˈɔɕtɕi.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_343.wav|rˈandɔ|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_75.wav|ɲʲɛ sɔɲdʑˈiwam, ʒˈɛ tɔ zrˈɔbʲiʃ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_162.wav|vɨpˈijɛ jˈɔ̃ nˈajpʲɛrf.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_403.wav|i f kˈɔɲtsu tɛn dʑˈɛɲ nˈatʃɛd.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_93.wav|na sˈamɔ̃ mˈɨɕl mˈɔjɛ tɕˈawɔ ʃtɨvɲʲˈɛjɛ i dɔː ˈɔtʃu nˌapwɨvˈajɔ̃ mi wzˈɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_32.wav|tʃˈasɛm mi ɕɛ tsˈɔɕ pʃɨpˈɔmɲi vˌɨrazˈiɕtɕɛ, jˈak tɛn natrˈɛntnɨ ɔbrˈazɛk tɕˌɔtɛtʃnˈɛɡɔ dʑˈatka ˌidɔntsˈɛɡɔ pʃˈɛs sˈat ɔ zaxˈɔdʑɛ swˈɔɲtsa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_5.wav|dvˈa kɔlˈɛjnɛ xˌɛrubʲˈiŋki pˌɔttʃɨmˈujɔ̃ vɨsˈɔkʲɛ lˈustrɔ. zˈɛɡar stɔjˈɔntsɨ vɨɡlˈɔnda, jˈaɡbɨ mu bˌɨwɔ fstˈɨt, ʒˈɛ tˈu jˈɛst.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_52.wav|— ɔ tsˈɔ xˈɔdʑi? — spɨtˈawa bˈɛtskɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_406.wav|ɲʲɛ jˌɛstɛm f stˈaɲʲɛ nˈavɛt pʃɛskˈɔtʃɨtɕ pʃˈɛs rˈɨnʃtɔk.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_16.wav|praɡnˈɛwa, bˈɨ fʃˈɨstsɨ ujʒˈɛli tsˈurkɛ lˈɔrda tɨvˈina.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_21.wav|pˌɔxɨlˈiwa ɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_152.wav|vʲˈɛlki maˈɛstɛr paˈisɛl ɔpˈuɕtɕiw kɔmnˈatɛ tˈak pɔɕpʲˈɛʃɲʲɛ, ʒˈɛ ˈɔmal ɕɛ ɲʲɛ pʃɛvrˈutɕiw ɔ vwˈasnɛ ʃˈatɨ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_106.wav|mˈuvjɛ tɔ z ʒˈalɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_123.wav|nˈɔva pɛrˈuka tˈɛʃ. zdˌɛtsɨdɔvˈaɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_300.wav|lˈɛdvʲɛ ˌawtɔstˈajɛ, dʑɛftʃˈɨna jˈuʃ jɛst na zˈɛvnɔntʃ. bˈaki ʃɛrˈɔkɔː ɔtfʲˈɛra ramjˈɔna i kʃˈɨtʃɨ tʃˈɛɕtɕ, sɛrdˈɛɲkɔ. ˈɛlis pˈada mu w ɔbjˈɛɲtɕa i zˈɛ ɕmʲˈɛxɛm ftˈula ɕɛ w ɲʲˈɛɡɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_50.wav|jˈɛɡɔ kɔmˈurka dʑvˈɔɲi bˈɛs kˈɔɲtsa, a skʃˈɨŋka ɡwɔsˈɔva w ɔɡˈulɛ ɕɛ ɲʲɛ vwˈɔntʃa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_41.wav|pˈɔmɨɕl ɔː ˈinnɨx, ˈindjɔ, ɲʲɛ tˌɨlkɔː ɔ sˈɔbjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_266.wav|ɔː ˈilɛ mi vʲadˈɔmɔ, ɲʲɛ pˌɔtʃɛbˈujɛʃ rˌɔspatʃlˈivʲɛ pʲɛɲʲˈɛndʑɨ. tɔ znˈatʃɨ tˈak, ɲʲɛ pʃɛlˈɛva tɕˈi ɕɛ, ˌalɛ jˈakɔʑ vʲˈɔ̃ʒɛʃ kˈɔɲʲɛts s kˈɔɲtsɛm.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_442.wav|jɛst mˈɔdɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_101.wav|bɛzmˈɨɕlɲʲɛ zɛrknˈɔwɛm f strˈɔnɛ pɔkˈɔju.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_107.wav|mˈɔjɛ ˈɔtʃɨ vˌɨpɛwɲʲˈajɔ̃ ɕɛ wzˈami, ˌalɛ mrˈuɡam ʃˈɨpkɔ, kʲˈɛdɨ pʲˌɛlɛŋɡɲʲˈarka ɔdvrˈatsa ɕɛ w mˈɔjɔ̃ strˈɔnɛ.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_219.wav|xtɕˈawbɨm, ʒˈɛbɨɕ mi tˌɔvaʒˈɨʃɨw.|1
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+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_255.wav|tˈɛras pʃˈɨʃɛt tʃˈas na pɔtstˈɛmpnɔ̃ tʃˈɛɲɕtɕ mɔjˈɛɡɔ plˈanu. pˌɔdwɔntʃˈɨwam dɔ zavˈɔru pʃˈɛvud bˈutli s tlˈɛnɛm i ˌɔtkrɛɲtɕˈiwam jˈɔ̃ dɔ kˈɔɲtsa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_94.wav|ɲʲɛ xtɕˈawam ɡˈɔ strˈatɕitɕ, a im dwˈuʒɛj ˌukrɨvˈawam sfˈɔjɔ̃ tˌajɛmɲˈitsɛ, tɨm trˈudɲʲɛj mi ɕɛ s tɨm ʒˈɨwɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_157.wav|ɲˈiɡdɨ jˈɛdnak ɲʲɛ ˌɔpuɕtɕˈiwam dˈɔmu i jˈɛɡɔː ɔɡrˈɔdu, zˌatʃɨnˈajɔnts ɔt tɨɡˈɔdɲʲa pʃɛt mɔˈimi jˌɛdɛnastˈɨmi ˌurɔdʑinˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_77.wav|ɕɛŋɡnˈɛwam pɔ rˈurkɛ i vɨrvˈawam mu jˈɔ̃ z dwˈɔɲi.|4
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+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_32.wav|a tɛ dvʲˈɛ stˈarʃɛ mɲʲɛ bʲˈijɔ̃.|4
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+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_86.wav|— tsˈɔ s tˈɔbɔ̃? — pˈɨta ˈɛlis. — dʑˈivɲʲɛ vɨɡlˈɔndaʃ.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_157.wav|i tˈak mˈɔjɛ bˌɨwɔ ɡˈurɔ̃.|4
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_7.wav|ʒˈɛ ɲʲɛ zvrutɕˈiwam nˈatɔ uvˈaɡʲi.|3
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+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_6.wav|vɨtfˈaʒa virˈɔvɛ pˈɔlɛ ɡrˌavitatsˈɨjnɛ, a prˈɔmjɛɲ ɔbrˈɔtu jɛst na tˈɨlɛ dˈuʒɨ, ʒˈɛ ɲˈikt ɲʲɛ ɔttʃˈuva mdwˈɔɕtɕi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_136.wav|vʲˈɛm, ʒˈɛ tɛn tʃwˈɔvʲɛk ˈɔtʃɛd jˈuʒ z jɛj ʒˈɨtɕa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_45.wav|pʃɛsˈuvam ɕɛ w lˈɛvɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_71.wav|mˈɔja xɛrbˈata bˌɛɲdʑɛ muɕˈawa zatʃˈɛkatɕ, jˈɛnnɨ.|3
+Dataset/wavs/urwisko_ferenc/33_segment_112.wav|ulˈitsɔ̃ brˌɔɲʲɛfskʲˈɛɡɔ tɕˈɔŋɡnɔw ʃnˈur sˌamɔxˈɔduf. smrˈut spˈalin tˈɛ̃ʒaw f pɔvʲˈɛtʃu.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_77.wav|bʲˈillɨ sfˈuj spˈɔkuj utrˈatɕiw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_16.wav|ɔtkwˈada rɔbˈutkɛ i vɨtɕˈɔŋɡa rˈɛŋkɛ pɔ pʲɛɲʲˈɔndʑɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_110.wav|ɲʲɛ, jˈatsɔp tɔ vɨstˈartʃɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_75.wav|ˌɔtsɨwˈamɨ jˈɛ vɨdˈaftsɔm, a rˈɛʃta ˈidʑɛ na pʃˈɛmjaw.|0
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+Dataset/wavs/urwisko_ferenc/30_segment_3.wav|xˈɛrman tʃˈuwa ɕɛ ˌɔtpɔvʲɛdʑˈalna za tɛn dˈɔm, ktˈurɨ, jˈɛɕli tɔ bˌɨwa prˈavda, mˈatka ˌɔdʑɨskˈawa dla ɲʲˈɛj.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_99.wav|ta ʃtˈutʃka ɲʲɛ skutkˈujɛ, kʲˈɛdɨ tsˈawa ˌatmɔsfˈɛra skwˈada ɕɛ s samˈɛɡɔ tlˈɛnu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_137.wav|i nˈaɡlɛ zatʃˈɔwɛm ɕɛ bˈatɕ ɲʲˌɛvʲadˈɔmɔ tʃˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_198.wav|blˈuza jɛst nˈaɲʲɔ̃ za dˈuʒa i dˈɛkɔlt ssˈuva ɕɛ na bˈɔk, ˌɔbnaʒˈajɔnts jɛj rˈamjɛ.|2
+Dataset/wavs/urwisko_ferenc/21_segment_12.wav|vˌɨdavˈawɔ mi ɕɛ, ʒˈɛ xudʑˈiɲski na sˈɛrjɔ ɲʲˈɛmʲaw pɔjˈɛɲtɕa, ʒˈɛ ʒˈɔna pʃˌɨpravʲˈawa mu rˈɔɡʲi, dˈɔdaw ˈɔlɡʲɛrt.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_286.wav|tˈak, ˌɔtʃɨvˈiɕtɕɛ. tɔ dla mɲʲɛ vʲˈɛlki zˈaʃtʃɨt, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_127.wav|kturˈɛɡɔʑ dɲʲˈa f tʃˈaɕɛ vˈɔjnɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_10.wav|mˈɔja ʃkˈɔwa xtsˈɛ mɲʲɛ skʲɛrˈɔvatɕ na zajˈɛɲtɕa dla ˌuzdɔlɲʲˈɔnɨx. znˈɔvu.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_56.wav|zɡˈadʑa ɕɛ, a tˈɛras pʃˈɨʃwa kˈɔlɛj na tsˈawɔ̃ rˈɛʃtɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_9.wav|zvˈɨklɛ ɲʲɛ zˌaxɔvˈujɛ ɕɛ f tˌaki spˈɔsup, ˌalɛ mˈiwɔ pˈɔtʃutɕ tʃˈɨjɛɕ pʃˌɨtulˈɛɲʲɛ i na xfˈilɛ mʲˈɛŋknɔ̃ mi kɔlˈana.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_12.wav|zˈɛrkam na mˌɛrtsɛdˈɛsa, lɕɲʲɔntsˈɛɡɔ nˈavɛt pɔ tɨx ulˈɛvax i vˈidʑɛ, ʒˈɛ tɔ jˈɛɡɔː ˌukɔxˈanɛ ˈawtɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_70.wav|zatʃˈaiw ɕɛ na ɡʲˈina xˈu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_53.wav|ˌustavʲˈɔnɛ f kˌilkunˌastɔmɛtrˈɔvɨx ɔtstˈɛmpax tablˈitsɛ pʃˌɛstʃɛɡˈajɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_134.wav|ˌɔbjɛtsˈawa swˌɔvitʃkˈɔvi tɕˈastka tsˌɨtrɨnˈɔvɛ, a dɔ tɕˈastɛk tsˌɨtrɨnˈɔvɨx pɔtʃˈɛba tsˈɨtrɨn.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_46.wav|mˈɔʒɛʃ mi pɔtʃˈɨtatɕ ɔ skʃɨdlˈatɨm rɨtsˈɛʒu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_157.wav|tɔ vʲˈɔsna na ɡʒbjˈɛtaɣ vʲˈatruf ɲʲˈɛɕɛ mˈarnɛ nastrˈɔjɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_97.wav|i tɔ bˌɨwa puˈɛnta tˌɛɡɔ fʃɨstkʲˈɛɡɔ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_78.wav|pˈɛvɲʲɛ mʲˈawam vwɔntʃˈɔnɔ̃ ˈinnɔ̃ stˈatsjɛ. utsˈawuj ɡˈɔː ˈɔdɛ mɲʲɛ, dˈɔbʒɛ?|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_103.wav|tˈɛras fʃˈɨstsɨ tˈak mˈuvjɔ̃, pˈaɲʲɛ prˌɛzɨdˈɛɲtɕɛ.|0
+Dataset/wavs/urwisko_ferenc/03_segment_81.wav|ʒˈɨwa f pʃɛʃwˈɔɕtɕi.|0
+Dataset/wavs/urwisko_ferenc/03_segment_73.wav|vrˈutɕmɨ jˈɛʃtʃɛ dɔ mɔmˈɛntu, kʲˈɛdɨ pˈana tsˈurka vˈɨʃwa zˈɛ ʃpitˈala.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_14.wav|ˌalɛ ɲʲɛ jˌɛstɛm tˈaka zwˈa, jˈak mˈɨɕliʃ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_12.wav|tɔ zdˌɛtsɨdɔvˈaɲʲɛ ˈɔna. jɛst tˈutaj zdjˈɛɲtɕɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_630.wav|xtɕˈawɛm uwˈɔvitɕ i zatʃˈɨmatɕ ˈɔbras tɛj mwˈɔdɛj kɔbjˈɛtɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_93.wav|dalˈɛkɔ stˈɔnt.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_6.wav|mˌatɕɛ tˈu tˌɛɡɔ druɡʲˈɛɡɔ tˈɛʃ?|0
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+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_323.wav|twˈum ɲʲˈɛbɨw ˌaɲi tˈak lˈitʃnɨ, ˌaɲi tˈaɡ vˌɔjɔvɲˈitʃɨ jˈaɡ vrˈublɛ, ktˌurɛ zɡrˌɔmadʑˈiwɨ ɕɛ tˈu pʃˈɛttɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_91.wav|ɲˈidʑɡ zlˈɛtɕiw jˌɔɛlˈɔvi ˌallɛnˈɔvi zabˈujstfɔ, ˌalɛ sˈam bˈɨw tˌɨlkɔ pˌɔɕrɛdɲˈikʲɛm. nˈavɛt tˈak mi pɔvʲˈɛdʑaw.|2
+Dataset/wavs/urwisko_ferenc/05_segment_61.wav|tɕɛkˈavɛ. sɔɲdʑˈiwam, ʒˈɛ tɔ rɔbˈɔta karˈɔla. mˈarja zɛrknˈɛwa na vˌɨpʲɛlˌɛŋɡnɔvˈanɨ trˈavɲik w ɔɡrˈɔdʑɛ sɔ̃ɕˈaduf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_54.wav|ˈɛlis ɔdvrˈatsa ɕɛ dɔ ɲʲˈɛɡɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_57.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_103.wav|ɔtɕˈɛram wzˈɨ s tfˈaʒɨ i dʑvˈɔɲʲɛ dɔ ɲʲˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_334.wav|pʲɛrdˈɔliw ɕɛ zˈɛmnɔ̃?|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_146.wav|fˈilis unˈɔɕi tɔrˈɛpkɛ i pɔsˈɨwa mu ˈuɕmʲɛx ɲʲˌɛpɔdˈɔbnɨ dɔ tˈɛɡɔ, ktˌurɨm ɡˈɔ pˌɔvitˈawa. ˈuɕmʲɛx, jakʲˈɛɡɔ ɲʲɛ pɔfstˈɨdʑiwbˌɨ ɕɛ brˈudnɨ xˈarɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_12.wav|ɲʲɛ vʲɛʒˈɨwam w ɲʲˈɛɡɔ jˈuʃ ɔt rˈɔku tʃɨ dvˈux lˈat, ˌalɛ dɔ tɛj pˈɔrɨ pʃɨjˈɛmɲʲɛ bˌɨwɔ pˌɔudˈavatɕ, ʒˈɛ ɔn istɲʲˈɛjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_138.wav|nˌaxɨlˈiwa ɕɛ nat sfˈɔim stˌarɔɕfʲˈɛtskim laptˈɔpɛm i zatʃˈɛwa stˈukatɕ f klˌavʲatˈurɨ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_31.wav|jɛst na ɲʲˈɛɡɔ za dˈuʒɨ.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_103.wav|mrˈɔtʃnɔ̃ kɔmnˈatɛ zˌamɨkˈawɨ tɕˈɛ̃ʃkʲɛ, ʒɛlˈaznɛ dʒvˈi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_6.wav|tɔ bˈɨw mˈuj tʃˈaz z dʑˈɛtɕmi, a vˈɔkuw zˌaparˈɔvaw xˈaɔs.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(36) R.Abbott_Zamknij Drzwi_segment_15.wav|mˈɔɡɛ ɕɛ z ɲˈim zɔbˈatʃɨtɕ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_102.wav|rˈɨan xfˈɨtɕiw kˈamjɛɲ i zamjˈɛʒɨw ɕɛ, lˈɛtʃ ˈandɛrsɔn pɔxfˈɨtɕiw ɡˈɔ za rˈamjɛ i stˈali tˈɛras napʃˈɛtɕif ɕˈɛbjɛ, dˈɨʃɔnts tɕˈɛ̃ʃkɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_14.wav|mˌamɨ tˈɛʃ stɛvˈɛa allmˈana, ˌalɛ trˈudnɔ stfʲˈɛrdʑitɕ, ktˈɔ w ɔɡˈulɛ bˈɨ vʲˈɛdʑaw, ʒˈɛ mˈa dʑˈɛtskɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_149.wav|jˌɛstɛm skɔɲtʃˈɔna.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_21.wav|ɲˈikt jˈɛdnak ɲʲɛ znˈa prˈavdɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_241.wav|zˌatʃɨnˈajɔ̃ mi dʑvˈɔɲidʑ zˈɛmbɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_115.wav|ˈɛlis xtsˈɛ zrˈɔbʲidʑ zdjˈɛɲtɕa zˈaras pɔ pɔvrˈɔtɕɛ, ˌalɛ bˈutskɨ kˈaʒɛ jɛj zatʃˈɛkadʑ dɔ rˈana, kʲˈɛdɨ bˌɛɲdʑɛ vˌɨɡlɔndˈawa najmwˈɔdʑɛj i najbˈardʑɛj ɕfʲˈɛʒɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_55.wav|f pʲˈɛrʃɛj xfˈili jˈaɡ zvˈɨklɛ na mˈɨɕl pʃɨxˈɔdʑi mi ˈaram.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_274.wav|ɲʲɛ bˌɨwɔ kwˈamstfa.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_230.wav|znˈawam ix ˌɔbɨdvˈɔjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_180.wav|xtɕˈawam zwˈapatɕ ˈɔddɛx, napʲˈɛwam mʲˈɛɲɕɲʲɛ klˈatki pʲɛrɕˈɔvɛj, ˌalɛ tɔ ɲˈits ɲʲɛ dˈawɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_8.wav|ˌɔras starˈajɔnts ɕɛ rˈɔbʲitɕ fʃˈɨstkɔ, ʒˈɛbɨ mˈɔja mˈawa dʑɛftʃˈɨŋka tʃˈuwa ɕɛ spɔkˈɔjna i zrˌɛlaksɔvˈana.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_110.wav|tɔ rɨzˈɨkɔ, ktˌurɛ jˌɛstɛm ɡɔtˈɔva pˈɔdjɔɲtɕ, vʲˈɛnts pʃɛsˈuvam ʒɛtˈɔnɛ dɔ pʃˈɔdu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_206.wav|tʃˈɛba xˈɔtɕ jˈɛdnɔ̃ zaɡˈatkɛ vɨjˈaɕɲitɕ, xˈɔtɕ jˈɛdɛn ɡʒˈɛɣ zmˈazatɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_202.wav|nˌazɨvˈawa ɕɛ jˈɔrdan tsallˈaxan, a ja nazˈɨvam ɕɛ mˈidvaj.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_392.wav|ɕɛdʑˈɔntsɨ ˈɔbɔk, vˈaldɛr rˈivɛrs, pˈɔdɲʲus ɕɛ ɡvawtˈɔvɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_13.wav|bˈɔʒɛ, stˈɛvɛ, tɔ mˈɔɡwɔ bˈɨtɕ ɲʲˌɛbɛspʲˈɛtʃnɛ. tɔ ɲʲɛ sɔ̃ lˈudʑɛ, s kturˈɨmi ɕɛ zadʑˈɛra.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_137.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_61.wav|mi ftsˈalɛ ɲʲɛ ɔpxˈɔdʑi, tsˈɔ ɕɛ stˈawɔ z ʒˈɛnɛ vˈiv, pˈaɲi inspˈɛktɔr.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_67.wav|mɨɕlˈawɛm, ʒˈɛ jˈuʃ ɕpˈiʃ. tsˈɔ tˈam ˈu lˈutsɨ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_201.wav|ɲʲɛ pˈɛntaj ɕɛ pɔː ulˈitsax, pʃˌɨjatɕˈɛlu.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_177.wav|a pˈɔtɛm ˌɔdvrutɕˈiwam ɕɛ i skʲˌɛrɔvˈawam krˈɔki f strˈɔnɛ tˌɛrminˈala vˌɛjɕtɕɔvˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_21.wav|bˈutskɨ i ˈɛlliz vrutɕˈili z nˈɔvɨm sˌamɔxˈɔdɛm, pʃɨnˈajmɲʲɛj nˈɔvɨm dla ɲˈix, i bʲˈillɨ zˌatʃɨmˈujɛ ɕɛ, bˈɨ tɛn vˈus ɔbˈɛjʒɛtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_126.wav|tʃɨ tɔ mˈɔja vˈina? vˌɨpalˈiwam.|3
+Dataset/wavs/urwisko_ferenc/11_segment_43.wav|ɔ xɔlˈɛra, ɲʲˈɛʑlɛ, ɔmˈalɲʲɛ zˌaɡvizdˈawa.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_87.wav|tfˈuj zaʒˈɔnttsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_6.wav|kˈɔwɔ tʃfˈartɛj ˈɛliz bˈudʑi ɕɛ, pʃɛtɕˈɔŋɡa i vɨdˈajɛ stwumjˈɔnɨ ˈɔkʃɨk. pˈatʃɨ pʃˈɛs pʃˈɛdɲʲɔ̃ ʃˈɨbɛ ˌɔkrɔŋɡwˈɨmi ɔtʃˈami. na mˈuj kapˈɛluʃ!|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_540.wav|pˈɔtɛm zˈatʃɔw rˈɔbʲitɕ mˈinɨ, a vwaɕtɕˈivʲɛ vɨtʃˈɨɲʲadʑ ɡvawtˈɔvnɛ ɡrɨmˈasɨ sfɔˈimi ustˈami.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_458.wav|a ja jˈuʃ ˈidɛ za tˈɔbɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_110.wav|dɔnˈɔvan tˌɛɡɔ ɲʲɛ vˈidʑi, bˈɔ skupʲˈɔnɨ jɛst na bʲˈillim.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_70.wav|pˌɔruʃˈajɔnts ɕɛ bˌɛsʃɛlˈɛstɲʲɛ, pˌɔdɔ̃ʒˈɨli za dʑvʲˈɛŋkʲɛm i ftˈɛdɨ ˌuswɨʃˈɛli tsˈɔɕ, tsˈɔ kˌɔjaʒˈɨwɔ ɕɛ s tˈɨm, tsˈɔ ɕɛ dʑˈɛjɛ.|3
+Dataset/wavs/urwisko_ferenc/09_segment_7.wav|jˈarɔɲ znˈalas ɕfʲˈatka, ktˌurɨ w dɲʲˈu zˌaɡʲiɲʲˈɛɲtɕa kʃɨʃtˈɔfa ɡlˌatsɔfskʲˈɛɡɔ|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_260.wav|kupˈiwaɕ tɔ za pʲɛɲʲˈɔndʑɛ, ktˈurɛ...|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_77.wav|plˌanɔvˈali vˈɛzvatɕ pˌɔɡɔtˈɔvʲɛ, ˌalɛ nˈajpʲɛrf muɕˈɛli ɕɛ pʃɛkˈɔnatɕ, tʃˈɨjɛ jˈɛʃtʃɛ ʒˈɨtɕɛ mˈɔʒɛ bˈɨtɕ w ɲʲˌɛbɛspʲɛtʃˈɛɲstfʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(28) R.Abbott_Zamknij Drzwi_segment_15.wav|rˈɛntsɛ mʲˈaw bˌɛzuʒɨtˈɛtʃnɛ, ˌɔdrɛntfʲˈawɨ ɔt lɛʒˈɛɲʲa nˈaɲih.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_140.wav|vˈinɔ spwɨvˈawɔ pɔ pɔdbrˈutku, skapˈujɔnts na pʲˈɛrɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_86.wav|— tˈak, skˈɔnd vʲˈɛʃ?|4
+Dataset/wavs/urwisko_ferenc/10_segment_69.wav|tˌɨlkɔ mɲʲɛ zˈabjɛʃ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_63.wav|tʃɨm ɕɛ zajmˈujɛ, ˈɔkɛj? tʃasˈami udˈajɛ mi ɕɛ tsˈɔɕ pɔtswˈuxatɕ. pʃˈɛz vʲˈɛŋkʃɔɕtɕ tʃˈasu w ɔɡˈulɛ zˌapɔmˈina, ʒˈɛ jˌɛstɛm f pɔblˈiʒu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_146.wav|zrɔbʲˈiwɛɕ tˈam pɔʒˈɔndɛk?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_88.wav|ˌinspɛktˈɔʒɛ sˈims, dʑˌɛŋkujˈɛmɨ za ʃtʃˈɛrɔɕtɕ. tɔ mˈuɕaw bˈɨtɕ trˈudnɨ ˈɔkrɛs f tfˈɔim ʒˈɨtɕu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_82.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_256.wav|pʃˌɛbatʃˈɛɲʲɛ, mˈikɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_161.wav|ubrˈanɨ bˈɨw bjˈɛdɲʲɛ i ɕɛdʑˈɔntsɨ za stˈɔwɛm pˈatʃɨw na ɲʲˈɛɡɔ z dˌɛzaprɔbˈatɔ̃.|0
+Dataset/wavs/urwisko_ferenc/60_segment_21.wav|ɲʲɛ pɔrˈuʃɨw ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_66.wav|brˈaki f swɔvɲˈitstfʲɛ ksˈɔndɔ nadrˈabjaw ɡwɔɕnˈɔɕtɕɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_12.wav|xɔlˈɛra.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(74) R.Abbott_Zamknij Drzwi_segment_8.wav|tˈɛrɨ rɔzˈɛɕmʲaw ɕɛ xraflˈivʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_46.wav|xtsˈɛmɨ ʃtʃˌɛɲɕlivˈɛɡɔ dʑˈɛtska, kʲˈɛdɨ bɛɲdʑˌɛmɨ jˈuʃ fʃˈɨstsɨ rˈazɛm, prˈavda? ɲʲɛ zamjˈɛʒam narˈaʒatɕ jɛj na ʒˈadnɛ ɲʲˌɛbɛspʲɛtʃˈɛɲstfɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_49.wav|tɔ tsˈɔʑ zupˈɛwɲʲɛ mi ɔptsˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_311.wav|baɲˈitɕi dɔpˈadli ix ʃˈɛɕtɕ mˈil na pɔwˈudɲʲɛ ɔt fɛrmˈarkɛt.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_237.wav|vʲˈɛnts jˈak pˈɔznaʃ tɔ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_51.wav|bʲˈillɨ zˌastanˈavja ɕɛ, tʃɨ wadˈunɛk pˌirɔtɛxɲˈitʃnɨ jɛst jˈuʃ pˌɔdwɔʒˈɔnɨ na tˈɨwax, ˌalɛ ɔtpˈɛndʑa tˈɛ mˈɨɕl.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_39.wav|ɲʲˈɛma xˈɨba dʑˈɛtɕi, prˈavda?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_242.wav|za mɔˈimi plɛtsˈami ˌɔdbɨvˈawa ɕɛ jˈakaɕ ʃˌamɔtaɲˈina. vlɛtʃˈɔnɔ kˈɔɡɔɕ, ktˈɔ vɨdˈavaw pʃˌɛraʒajˈɔntsɛ xartʃˈɛɲʲa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_85.wav|na ʃtʃˈɛɲɕtɕɛ ta tɔʃsˈamɔɕtɕ pˌɔzɔstˈawa tʃˈɨsta.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_68.wav|i tɔ mɲʲɛ ɲʲɛ zabʲˈiwɔ?|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_138.wav|pˈitɕɛ spravʲˈawɔ brjˈɛnnɛ bˈul.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_168.wav|kɔbjˈɛta vˌɨtɕɔŋɡnˈɛwa s ʃuflˈadɨ fɔrmˈulaʃ i pˌɔwɔʒˈɨwa ɡˈɔ na stˈɔlɛ. ˈandɛrsɔn ɲʲɛ pɔrˈuʃɨw ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_136.wav|rˈudɨ bˈɛll. fʃˈɨstsɨ ˌɔtʃɨvˈiɕtɕɛ nˌazɨvˈali ɡˈɔ tˈatsɔ, pʃɛvˈaʒɲʲɛ bˈɨw drˈuɡʲi.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_358.wav|tɔː ˌɔna pʲˈɛrʃa pʃɨɲʲˈɔswa nˈam vʲˈɛɕtɕi ˈɔ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_17.wav|tʃɨ mˈɔʒɛ ˈistɲʲɛtɕ jˈakiɕ ˈinnɨ mˈɔtɨf?|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_145.wav|sˈam zˈaɕ tˈak tʃɨ ˈɔvak mˈuɕi tsˈɔʑ zrˈɔbʲidʑ z vˌɨnajˈɛntɨm fˈɔrdɛm fˈuɕɔn, ktˌurɨ tʃˈɛka na drˈuɡʲim kˈɔɲtsu mʲˈasta.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_74.wav|tɔ ɡdʑˈɛ ta pˈatʃka?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_11.wav|znˈuf ɔpʲˈɛram ɡwˈɔvɛ na jˈɛɡɔ ramjˈɛɲʲu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_98.wav|pˈɔtɛm ˈɔtar pɔt stʃˈɔwa i sʃˈɛd na ʑˈɛmʲɛ. ʃˈɛt f strˈɔnɛ mʲˈasta i znˈuf jˈudɨ zˌatʃɨmˈawa samˈɔxut, a ɔn fʃˈɛd dɔ ɕrˈɔtka.|0
+Dataset/wavs/urwisko_ferenc/50_segment_25.wav|lˈɛɡnɛr pʃˈɛwknɔw ɕlˈinɛ. ɲʲɛ xˈɔdʑi ˈɔmɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_80.wav|pˌɔzɔstˈawɔ̃ tʃˈɛɲʑdʑ drˈɔɡʲi pˌɔkɔnˈujɛ f tsˌawkɔvˈitɨm zatɕmʲˈɛɲʲu. ˈɔtʃɨ mi ɕɛ zaʃklˈiwɨ i lˈɛdvʲɛ fˌuŋktsjɔnˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_54.wav|spʃɛdˈaliɕmˌɨ tˈɛ kɔrˈɔnɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_692.wav|bˈɔ vɨdˈawɔ mi ɕɛ ɲʲɛ vʲˈɛdʑɛtɕ tʃˈɛmu, ʒˈɛ kwˈamjɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_21.wav|pʃɛprˈaʃam. mɨɕlˈawɛm, ʒˈɛ ɲikˈɔla zdˌɛtsɨdˈujɛ ɕɛ zˈɛmnɔ̃ ˈɔdɛjɕtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_52.wav|stˈawa i ˌɔpsɛrvɔvˈawa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_65.wav|ɲʲˈɛma tˈu ˈɔkna, ɲʲɛ lˈitʃɔnts ɕfʲɛtlˈika f skˈɔɕnɨm sufˈitɕɛ i ɲʲɛ jˌɛstɛm pˈɛvna, tʃɨ ˈuda nˈam ɕɛ tamtˈɛndɨ vˈɨjɕtɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_105.wav|tɔ ɲʲˈɛma ˈinnɛj drˈɔɡʲi.|3
+Dataset/wavs/urwisko_ferenc/60_segment_40.wav|ʒˈɨjɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_386.wav|ˌalɛ jˈuʃ xˈɨba dɔjʒˈawɔ̃, tsˈɔ zblˈiʒa ɕɛ pɔvˈɔli.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_83.wav|z ɔɡrˈɔmnɨm vɨɕˈiwkʲɛm pʃɛwknˈɔwɛm ɕlˈinɛ jˈak klˈɛj stɔlˈarski.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_63.wav|bˈɛvi mˈuvi tʃˈɛɕtɕ, ɔznˈajmja dˈɔn. tˈak swɨʃˈawɛm.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_382.wav|mˈɔjɛ stˈarɛ kˈɔɕtɕi mˈuvjɔ̃, ʒˈɛ fkrˈuttsɛ znˈɔvu ɕɛ rɔspˈada.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_42.wav|a vʲˈɛnts tɔ ɲʲɛ ˈaʒ bˈɨw f sɨpʲˈalɲi tˈɛssɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_96.wav|mʲˈawam dˈɔsɨtɕ tˈakix ɲʲˌɛspɔdʑˈanɛk.|4
+Dataset/wavs/urwisko_ferenc/52_segment_61.wav|kˈavɨ tʃɨ vˈɔdɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_85.wav|pˈan pɔ nˈɔtsax ɲʲɛ ʃtʃˈɛka, tsˈɔ, pˈaɲʲɛ smˈɛɛt? ʒˈadnɨɣ bˈalaŋk i ɡwˈɔɕnɛj muzˈɨki.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_60.wav|tˈɔm ɡʒˈɛtʃɲʲɛ pɔprˈɔɕiw, xˈɔdʑ zˈabrawbˌɨ tɛ dˈanɛ ɲʲˌɛzalˈɛʒɲʲɛ ɔt tˈɛɡɔ, tʃɨ ɲˈilɛ vˌɨrazˈiwbɨ zɡˈɔdɛ, tʃɨ tˈɛʃ ɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_183.wav|na kɔmˈurtsɛ na kˈartɛ ɲʲˈɛma ʒˈadnɨɣ vʲˈɛɕtɕi ɔd dʒˈɔrdʒja, tsˈɔ ɡˈɔ ɲʲɛ zˌaskakˈujɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_56.wav|mˈam w ɲʲˈɛj jˈuʒ vˌɨstartʃajˈɔntsɨ bawˈaɡan.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_36.wav|a ja pˌɔmɨɕlˈawɛm, ʒˈɛ skˈɔndʑ dˈɔbʒɛ znˈam tˈakʲɛ tˈɛkstɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_5.wav|jˌɛstɛm pʃˌɛraʒˈɔna tˈɨm, jˈakɔ̃ tsˈɛnɛ zˈatɔ zapwˈatɕiw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_99.wav|ˌalɛ zˈaɲim tɔ zrˈɔbʲiʃ, pʃˈɨjʒɨj ɕɛ mʲˈɛjstsu zbrˈɔdɲi i pˈɔvʲɛts, tsˈɔ vˈidʑiʃ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_75.wav|dlatʃˈɛɡɔ f tɨm vʲˈɛku vɨrˈuʃɨw na mˈɔʒɛ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_148.wav|s ktˌurɨɣ dɔbˈɨvaw ɕɛ ɡwˈɔs, ɔ ktˌurɨm ɲʲɛ mʲˌɛli zdˈaɲʲa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_139.wav|ɔpsˈɛrvuj mɲʲɛ, tsamˈɛrɔn, a sˈam ɕɛ pʃɛkˈɔnaʃ, ʒˈɛ jˌɛstɛm vˌɨstartʃajˈɔntsɔ dˈɔbra.|3
+Dataset/wavs/urwisko_ferenc/23_segment_138.wav|pˈɔza tɨm bˌɨwɛm pʃˌɛkɔnˈanɨ, ʒˈɛ mˈɔɲʲa ʃˈɨpkɔ ɕɛ znˈajdʑɛ, ʒˈɛ dɔ nˈaz vrˈutɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_215.wav|tˈata tˈɛʃ na ɲʲˈɛɡɔ pˈatʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_141.wav|smˈaɡwa kɔbjˈɛta pʃɛmˈɨwa jˈɔ̃ ɡˌɔtɔvˈanɨm ˈɔtstɛm.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_127.wav|sˈɨpja z mˈatkɔ̃ i dʑɛvˈitsɔ̃, mˈimɔ ʒˈɛ mˈa za tˌɨmi dʒvʲˈami tɕˈɛpwɔ̃ ʒˈɔnɛ?|1
+Dataset/wavs/urwisko_ferenc/01_segment_52.wav|ˈutɕɛɡw dɔ tˈɨwu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_163.wav|nˈɔ tɔ vˈalnɔw jˈɔ̃ w zˈɛmbɨ i zvˈixnɔw jɛj ʃtʃˈɛŋkɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_145.wav|zɡʒɨtˈajɔnts i jˈɛntʃɔndʑ ʒˌɛlaznˈɨmi kɔwˈami f spatʃˈɔnɨx ʃˈɨnax.|0
+Dataset/wavs/urwisko_ferenc/27_segment_58.wav|tɛ pʲɛɲʲˈɔndʑɛ bˌɛndɔ̃ tʃˈɛkatɕ na mˈɔmɛnt, f ktˌurɨm rɔspˈɔtʃɲʲɛʃ tɛrˈapjɛ. dɔpʲˈɛrɔ ftˈɛdɨ tɕi ɕɛ pʃɨdˈadʑɔ̃.|0
+Dataset/wavs/urwisko_ferenc/23_segment_30.wav|mɛ̃ʃtʃˈɨzna pˈɔtʃɛd dɔ xˈɛrman i vɨtɕˈɔŋɡnɔw dwˈɔɲ. — tɛˈɔdɔr katʃmˈartʃɨk! jˌɛstɛm prɛzˈɛsɛm fˈirmɨ!|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_236.wav|ɲʲɛ pˌɔmɨɕlˈawam, jˈaɡ zˌarɛaɡˈujɔ̃ prˌɔstatʃkˈɔvʲɛ. marɡˈarɨ bˌɨwa ix ˌumiwɔvˈanɔ̃ pʲɛʃtʃˈɔʃkɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_48.wav|xˌaˈɛm, muvˈiwam vam, ʒˈɛ bˌɛndɔ̃ xtɕˈɛli rɔzmˈavʲadʑ z mˈartɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_21.wav|a tˈamtɛn kˈɔntsɛrt ftˈɛdɨ vʲɛtʃˈɔrɛm zrɔbʲˈiwɔ ɕɛ tɕɛkˈavʲɛj i kʲˈɛdɨ vɨʃˈɛdwɛm...|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_79.wav|ˈɛliz dɔtˈɨka jˈɛɡɔ bʒˈuxa na prˈavɔː ɔt rˈanɨ i bʲˈillɨ znˈuv vɨdˈajɛ zduʃˈɔnɨ ˈɔkʃɨk. ɲʲˈɛrup tˈak!|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_32.wav|dˈɔɕtɕ ɲʲɛxlˈujɲʲɛ pˌɔrɔspinˈana.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_254.wav|vʲˈɛlki sˈɛptɔn zwˈɔʒɨw dwˈɔɲʲɛ f pˌiramˈitkɛ i zwˈɔʒɨw ɕɛ na dwˈɔɲ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_579.wav|ˌɔtsunˈɛwa ɕɛ ˈɔdɛ mɲʲɛ, pˌɔwɔʒˈɨwa na vznˈak.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_70.wav|wˈɨʃka znˈuf pˌɔvɛndrɔvˈawa w ɡˈurɛ, a ftˈɛdɨ skɔtʃˈɨwam. zˈamax stˌalɔvˈɛɡɔ ramjˈɛɲʲa i mˈɔjɛ ɔdbʲˈitɕɛ vˌɨʒutɕˈiwɨ mɲʲɛ znˈatʃɲʲɛ vˈɨʒɛj ɲˈiʃ plˌanɔvˈawam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_9.wav|dlatʃˈɛɡɔ mˈam jˈɛɕtɕ? jˈakaɕ tˌajɛmɲˈitsa? mɨɕlˈawam, ʒˈɛ w nˈaʃɛj rɔdʑˈiɲʲɛ ɲʲˈɛma ʒˈadnɨx tajˈɛmɲits.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_363.wav|dɔzˈɔrtsa zˌapɔmɲʲˈanɛj nˌɛkrɔpˈɔlji varʃˈafskʲɛj.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_128.wav|ɡdˈɨ dɔtˈarli dɔ brˈavɔs, bˈɨw jˈuʃ tˈak swˈabɨ, ʒˈɛ muɕˈɛli ɡˈɔ vˈɨɲʲɛɕtɕ na bʒˈɛk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_242.wav|ɲʲɛ ˈumjɛm ʒˈɨdʑ bˈɛs latˈaɲʲa, ɲʲˈɛxtsɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_40.wav|kʲˈɛdɨ rˌɔzmavʲˈaliɕmˌɨ, bˌɨwa jˈuʒ w dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_270.wav|w ɡˈawki mʲˈɛtʃɨ fpravʲˈali krɨstˈawɨ f kʃtˈawtɕɛ ɡvʲˈazdɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_25.wav|mˈuʃɛ jˈɛdnaɡ zˈadatɕ sˈɔbjɛ pɨtˈaɲʲɛ, tʃɨ tɔ sprˈafka stsˈɔtta?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_365.wav|jˈakaʑ ɡrˈutka kaʃˈaŋki tɔtʃˈɨwa ɕɛ pʃˈɛs kˌɔsɔdʒɛvˈinɛ jˈɛɡɔ brˈɔdɨ. tɔ ɲʲɛ jɛst rɛtsˈɛpta. tɔ jˈɛst...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_21.wav|vˈɔntpjɛ, ˌalɛ uɕmʲˈɛxam ɕɛ swˈabɔː i krˈɛntsɛ ɡwˈɔvɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_40.wav|tɔ ɲˈits mˈɨɕli, mɲʲɛ pɔswˈuxa.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_58.wav|jˈɛɕli wˈaska vˈaʃa lɔrdˈɔfska mˈɔɕtɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_51.wav|vʲˈɛmɨ jˈuʃ, ʒˈɛ ɲʲɛ ˌaktsɛptˈujɛ ˈaʃa w rˈɔli ˈɔjtsa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_61.wav|ɲʲɛ, pˈaɲʲɛ bˈɨrnɛ. ɲʲˈɛx pˈan zɔstˈaɲʲɛ tˈam, ɡdʑˈɛ pˈan jˈɛst.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_35.wav|fspʲˈɛʒɛ ɕɛ na tˌɛlɛkˌɔnfɛrˈɛntsjɛ. pˌɔvɔdʑˈɛɲʲa!|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_15.wav|pˌɛdʲikiʒˈɨsta prubˈɔvaw ɕɛ na dʑˈɛɲ dˈɔbrɨ zˌapʃɨjˈaʑɲitɕ, ˌalɛ ɔtpˈuɕtɕiw sˈɔbjɛ, kʲˈɛdɨ ɲʲɛ zˌarɛˌaɡɔvˈawam.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_79.wav|bˌɨwa tɔ dˈɔktɔr rˈussɛl i pɔbrˈawa prˈupkɛ jˈɛɡɔ krfˈi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_54.wav|i zamjˈɛʒa zbˈavitɕ pˈɔlskɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_89.wav|nˌapɔtˈɨkam jɛj spɔjʒˈɛɲʲɛ. dˈajɛ mi znˈak, ʒˈɛbɨm drɔ̃ʒˈɨwa dˈalɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_515.wav|i znˈɔvu pˈadliɕmˌɨ na tˈaptʃan.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_51.wav|xrˈɨstɛ, tʃɨ mˈɔɡɛ jɛj pɔvʲˈɛdʑɛtɕ, ʒˈɛ mˈa zˈamknɔɲdʑ ɡˈɛmbɛ i zˈajɔɲtɕ ɕɛ sfɔˈimi spravˈami?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_46.wav|pˈuw ɡɔdʑˈinɨ pˈuʑɲʲɛj tˈɔm vrˈutɕiw dɔ pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔ. pʃɛsˈunɔw sˈɔbjɛ kʃˈɛswɔ dɔ bjˈurka bˈɛtskɨ i ˈɔpad nˈaɲʲɛ tɕˈɛ̃ʃkɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_55.wav|s pɔtʃˈɔntku ɲʲɛ bˌɨwɔ tɔ wˈatfɛ, ˌalɛ ʃˈɨpkɔ pʃˌɛkɔnˈawam ɕɛ dɔ tˌɛɡɔ zabjˈɛɡu, ktˌurɨ pɔ xfˈili uvˈɔlɲiw mɲʲɛ ɔd dˌɔkutʃlivˈɛɡɔ pˈɨwu i pʃˈɨɲʲus ɔɡrˈɔmnɔ̃ ˈulɡɛ.|4
+Dataset/wavs/urwisko_ferenc/36_segment_95.wav|dˈɔbrɨ pˈɔŋknɔw na pˌɔvitˈaɲʲɛ mwˈɔdɨ tʃwˈɔvʲɛk i zatʃˈɨmaw ɕɛ ˈu ʃtʃˈɨtu sxˈɔduf, ɲʲɛ vʲˈɛdʑɔnts, tsˈɔ zˈɛ sˈɔbɔ̃ zrˈɔbʲitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_180.wav|fxɔdʑˈiwɛɕ pʲˈɛrʃɨ ɔstˈatɲʲɔ, bʲˈillɨ. ɲʲˈɛbɔɲtɕ pazˈɛrnɨ, dˈaj ʃˈansɛ ˈinnɨm.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_306.wav|jˌɛstɛm pˈɛvʲɛn, ʒˈɛ ʃˈarɛ ˈɔftsɛ vˈɨɕlɔ̃ sfˈɛɡɔ tʃwɔvʲˈɛka na ɡalˈɛʒɛ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_188.wav|bˈɨw z ɲʲˈɛɡɔ vʲˈɛlki, spaɕˈɔnɨ ˈɔpuj, ˌalɛ bˈɨw lˈɛpʃɨm krˈulɛm ɲˈiʃ tɕi jˈɛɡɔ sɨnˈɔvʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_73.wav|ɲʲɛ muɕˈitɕɛ vʲˈɛnts tʃˈɨtatɕ jɛj maˈili, tˈak?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_73.wav|kʲˈɛdɨ tɕˈɛ pɔznˈaliɕmˌɨ, pˌɔvʲɛdʑˈawaɕ, ʒˈɛ zɔstˈawaɕ praktˈɨtʃɲʲɛ zmuʃˈɔna dɔ vˈɨjɕtɕa za kˌamɛrˈɔna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_180.wav|bˈaki zawˈatfi tɕi lˈɛvɛ papʲˈɛrɨ, mˈam nadʑˈɛjɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_63.wav|ɲʲɛ pˌɔmɨɕlˈɛliɕmˌɨ nat ˌuspravʲˌɛdlivʲˈɛɲʲɛm tfˈɔjɛj dwˈuɡʲɛj ɲʲˌɛɔbɛtsnˈɔɕtɕi, a dɔpˈuki tˌɛɡɔ ɲʲɛ zrɔbʲˈimɨ, ɲʲˈɛxtsɛ jɛj jˈɛʃtʃɛ bˈardʑɛj ɲʲˌɛpɔkˈɔitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_58.wav|tɔ pudˈɛwkɔ z mɔjˈɛɡɔ pɔkˈɔju f xɔtˈɛlu.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_128.wav|zˌaçixɔtˈawam.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_218.wav|pˈɔkuj bˈɨw vʲˈɛlki i ɔkrˈɔŋɡwɨ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_107.wav|pˈɔkaʃ jˈɔ̃ im, jˈamɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_126.wav|vʲˈɛm, ʒˈɛ tɔ bˈardʑɔ trˈudnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_167.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_121.wav|tsˈɔ jˈɛst, zˌaintˌɛrɛsˈɔvaw ɕɛ sfɔbˈɔda.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_16.wav|ʃˈɨpkɔ nattɕ��ɔŋɡaw ˈɔtpwɨf.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_16.wav|ɲʲɛ twɔtʃˈɨli ɕɛ pʃɨ vˈɛjɕtɕu ˌaɲi ɲˈits takʲˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_54.wav|pˌɔmɨɕlˈawa zapˈɛvnɛ, ʒˈɛ znajdˈujɔ̃ ɕɛ w ɲˈim sˈamɛ kɕˈɔ̃ʃki, nɔtˈatki z vɨkwˈaduf i zdjˈɛɲtɕa znajˈɔmɨx.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_105.wav|i tɨ naprˈavdɛ mˈɨɕliʃ, ʒˈɛ jˌɛstɛɕ lˈɛpʃɨ ˈɔdɛ mɲʲɛ? zapˈɨtaw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_143.wav|pʃˌɛtɕɛʃ tɔ mˈuɕi bˈɨdʑ dla ɲʲˈɛj ɔkrˈɔpnɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_89.wav|ˌɔtʃɨvˈiɕtɕɛ. ɲʲˈɛvʲɛm, tsˈɔ zrˈɔbʲiʃ.|3
+Dataset/wavs/urwisko_ferenc/06_segment_3.wav|ɲʲɛ vʲˈɛdʑaw, tʃɨ bˈɨw dʑˈɛŋki tˌɛmu blˈiʒɛj tsˈɛlu, ˌalɛ tʃˈasu pˌɔɕfʲɛntsɔnˈɛɡɔ na sˈɛrjal ɲʲɛ ʒawˈɔvaw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_127.wav|stˈartɛr zɡʒˈɨtaw, lˈɛtʃ ɕˈilɲik ɲʲɛ zaskˈɔtʃɨw.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_280.wav|lˈɔrd ɡavˈain skˈinɔw dɔ ɲʲˈɛɡɔ ɡwˈɔvɔ̃ s pɔvˈaʒnɔ̃ mˈinɔ̃, ˌalɛ lˈadɨ sˈibɛl spˌɔɡlɔndˈawa pʃˈɛs ɲʲˈɛɡɔ na fskrˈɔɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_146.wav|tsˈɔ tɔ znˈatʃɨ? spɨtˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_144.wav|pɔjˈavja ɕɛ mˈɔmɛnd zvɔntpʲˈɛɲʲa i jˈuʒ vʲˈɛm, ʒˈɛ vɨɡrˈawam. vˈaxa ɕɛ, pɔ tʃɨm pʃɛsˈuva sfˈɔjɛ ʒɛtˈɔnɨ dɔ pʃˈɔdu.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_145.wav|tfˈaʒ dʑɛftʃˈɨnɨ bˌɨwa ɔbʒmʲˈawa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_13.wav|ftˈɛdɨ bˌɨwɔ tɔ dla mɲʲɛ ɲʲɛzvˈɨkwɛ vˌɨdaʒˈɛɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/05_segment_64.wav|tˌɨlkɔ pɨtˈaɲʲɛ, tsˈɔ tˈɛras rɔbʲˈimɨ? jɛdʑˈɛmɨ zɡˈɔdɲʲɛ s plˈanɛm, tʃɨ...|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_245.wav|fʃˈɨstkɔ jɛst f pɔʒˈɔntku.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_79.wav|jˈɛɡɔ pʃˌɛʒɛdʑˈɔnɛ vwˈɔsɨ sɔ̃ pwˈaskɔ pʃˌɨtʃɛsˈanɛ. fˌantazˈɨjnɛ frɨzˈurɨ sɔ̃ ɲʲɛ dla ɲʲˈɛɡɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_51.wav|— tfˈuj ˈaktsɛnt ɲʲɛ jɛst tˌaki zwˈɨ — pɔvʲˈɛdʑaw rˈɨan. — ˈɔx, mˈikɛ!|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_186.wav|a kʲˈɛdɨ pˈɔvʲɛ ɕɛ tˈak ɲitskˈɔvi mˌarɡɛrjanˈɔvi, ɲʲˈɛma ɔdvrˈɔtu.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_377.wav|pˈɔkaʃ mi tɔ, smˈɔtʃɛ jˈajɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_36.wav|pʃɨnˈajmɲʲɛj mˈuɡwbɨ zapˈɨtatɕ, tʃɨ ɲˈits mi ɕɛ ɲʲɛ stˈawɔ, ɲʲɛ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_61.wav|fʃˈɨstkɔ trfˈa ˌɔdrɔbʲˈinɛ dwˈuʒɛj ɲˈiʃ plˌanɔvˈawam, bˈɔ ɲʲɛ mʲˈawam mˌɔʒlivˈɔɕtɕi fstɛmpnˈɛɡɔ zˌarɛzˌɛrvɔvˈaɲʲa vɨnˈajmu.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_61.wav|s tfˈɔjɔ̃ pɔmˈɔtsɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_21.wav|jˈɛɕli tˌɨlkɔ jˈɔ̃ zɔbˈatʃɛ, pɔbjˈɛɡnɛ i znˈajdɛ mˈili.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_51.wav|mˈuɕiʒ bˈɨdʑ vˌɨrɔzumjˈawa dla kɔnstˈabla, vˌɨjaɕɲˈiwa miŋɡˈuɡʲi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_46.wav|vʒˈutɕiw nˈuʃ tˈam, ɡdʑˈɛ ɡˈɔ znalˈɛʑliɕmˌɨ, a pˈɔtɛm zavrˈutɕiw z nadʑˈɛjɔ̃, ʒˈɛ spravdʑˈimɨ mʲˈɛjstsa pˌarkiŋɡˈɔvɛ dˈalɛj vzdwˈuʃ lˈɔɔp lˈinɛ, za pʃɛpˈustɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_249.wav|fˈazɛ drˈuɡɔ̃ mʲˈawam za sˈɔbɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_244.wav|vˌɨxɨlˈiwam pˈivɔ dɔ dnˈa i zˌastukˈawam pˈustɔ̃ ʃklˈaŋkɔ̃ w bˈar.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_49.wav|lˈɔrt prɔtˈɛktɔr na tɕˈɛbjɛ tʃˈɛka.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_117.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ ɲʲɛ. jˈɛɕli tˌɛɡɔ vwˈaɕɲʲɛ xtsˈɛʃ, tɔ jˈɛtɕ ɕmʲˈawɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_12.wav|ɲʲɛ zvrˈatsaj nˈaɲʲɔ̃ uvˈaɡʲi, brˈatɕɛ, pɔvʲˈɛdʑaw dɔː ˌandɛrsˈɔna jˈɛdɛn z muʒˈɨnuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_85.wav|mˈa jˈɛdnak ɲʲˌɛɔtpˈartɛ vraʒˈɛɲʲɛ, ʒˈɛ tɔ zwˈɨ znˈak, zwˈa vrˈuʒba.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_29.wav|mruknˈɛwa sˈandɨ. kˈazaw mu zɔstˈavitɕ tɛlˈɛfɔn. ɲʲɛ mɔʒˈɛmɨ tˈɛras strˈatɕidʑ ɡˈɔ z ˈɔtʃu.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_141.wav|vˈɛʃwam mu f swˈɔvɔ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_320.wav|nˌastɛmpnˈɛɡɔ rˈaŋka arjˈannɛ tʃɛkˈawa pɔd dʒvʲˈami.|1
+Dataset/wavs/urwisko_ferenc/12_segment_12.wav|pɔvʲˈɛtʃɛ drɡˈawɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_96.wav|nˈaɡlɛ pɔjˈaviw ɕɛ tˈata. tˈaɡ bˈardʑɔ ɕɛ zˌamɨɕlˈiwam, ʒˈɛ nˈavɛt ɲʲɛ ˌuswɨʃˈawam jˈɛɡɔ nadˈɛjɕtɕa.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_8.wav|vʲˈɛlki sˈɛptɔn tʃˈɛkaw nˈaɲʲɔ̃ w mˈawɛj, ɕˌɛdmʲɔbˈɔtʃnɛj kɔmnˈatɕɛ ˌawdjɛntsˈɨjnɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_100.wav|tˈak mˈuvi bʲˈillɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_153.wav|bʲˈillɨ vʲˈɛʒɨ, ʒˈɛ ɲˈiɡd ɡˈɔ ɲʲɛ ɔkrˈadɲʲɛ, ˌalɛ vˈɔli dmˈuxatɕ na ʑˈimnɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_84.wav|zatʃˈɨnam wˈukatɕ i s trˈudɛm vˌɨpɔvʲˈadam ɔstˈatɲʲɛ swˈɔva.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_128.wav|pɔ tʃˈɛɲɕtɕi dlatˈɛɡɔ, ʒˈɛ sˈama mˈɔɡwabˌɨ zˈajʒɛdʑ dɔ skʃˈɨɲi pˈitskˈupa i zɔbˈatʃɨdʑ vˈɔrki z navˈɔzɛm i ʑˈɛmʲɔ̃, ˌalɛ ɡwˈuvɲʲɛ pʃˈɛstɔ ɲʲˌɛpɔkɔjˈɔntsɛ vraʒˈɛɲʲɛ, ʒˈɛ ɡdʑˈɛɕ jˈuʃ jˈɔ̃ vˈidʑaw.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_253.wav|pˈijɛ vˈinɔ, tɨ bɛzmˈuzɡʲi krɛtˈɨɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_129.wav|ɲʲɛ zmʲˈɛɲʲa tɔ fˈaktu, ʒˈɛ i tˈaɡ z ɲʲˈɛj ɲʲɛ kˌɔʒɨstˈawam.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_66.wav|mˈɔɡli tˌɨlkɔ pɔxˈɔvatɕ pʃɨjˈatɕuw i rɔdʑˈinɨ.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_98.wav|bˈɛs ˈarbɔr i jˈɛɡɔ flˈɔtɨ krulˈɛstfɔ ɲˈiɡdɨ ɲʲɛ uvˈɔlɲi ɕɛ ɔt ɛwrˈɔna vrɔɲʲˈɛɡɔː ˈɔka i jˈɛɡɔ pʃɛklˈɛntɨɣ ʒɛlˈaznɨx lˈudʑi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_360.wav|vˈɨjɔw nɔtˈatɲik, napˈisaw ˈadrɛs i vɨdˈarwʃɨ kˈartkɛ pˈɔdaw jˈɔ̃ ˌandɛrsɔnˈɔvi.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_215.wav|znˌajdɔvˈali ɕɛ pɔvˈɨʒɛj lˈiɲʲi dʒˈɛf i ɲˈits ɲʲɛ ˌɔswaɲʲˈawɔː ix pʃɛd dʑawˈaɲʲɛm ʒɨvʲˈɔwuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_32.wav|rˈɔbʲi pˈawzɛ i dɔdˈajɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_61.wav|dʑˌɛŋkujˈɛmɨ, pˈaɲʲɛ jˈɔxanssɔn.|3
+Dataset/wavs/urwisko_ferenc/27_segment_71.wav|zatɕˈisnɔw ˈusta i tʃˈɛkaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_171.wav|tsˈawa mˈiwɔʑdʑ zɔstˈawa vɨpxɲʲˈɛnta pʃˈɛs fˈalɛ ɲʲˌɛnavˈiɕtɕi.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_104.wav|ˈɛmɔn pɔvʲˈɛdʑaw, ʒˈɛ tsˌɨtadˈɛla mˈuɕi natˈɨxmʲazd vˈɨswadʑ dɔ ɲʲˈɛj mˌaɛstˈɛra, bˈɨ sprɔvˈadʑitɕ jˈɔ̃ dɔ vɛstˈɛrɔs, zˈaɲim bˌɛɲdʑɛ za pˈuʑnɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_108.wav|mˈuʃɛ ɲʲˈɛɕtɕ swˈɔvɔ dˈalɛj ɲˈiʃ tˌɨlkɔ fɕrˈut tɨx tʃtˈɛrɛx ɕtɕˈan, ɲitsˈɔlɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_8.wav|tʃˈɛkaw, ˈaʃ pˈɔvʲɛ mu tsˈɔʑ vʲˈɛntsɛj.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_123.wav|bˌɨwɨ tˈu rˈuvɲʲɛʃ kɔbjˈɛtɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_218.wav|pɔɲʲˈɛvaʃ pˈɨw kɕˌɛ̃ʒɨtsˈɔvɨ jɛzd zabˈujtʃɨ dla ukwˈadu ˌɔddɛxɔvˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_110.wav|zrˌɛlaksˈujmɨ ɕɛ xˈɔtɕ trˈɔxɛ pʃɨ kʲɛlˈiʃku.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_10.wav|jˈɛɕli prˈɔɡram w rˈadju mʲˈaw stanˈɔvidʑ dla mɲʲɛ ˌɔstʃɛʒˈɛɲʲɛ, skˈɔnt stsˈɔtt mˈɔʒɛ mʲˈɛtɕ pˈɛvnɔɕtɕ, ʒˈɛ bˌɛndɛ tˌɛɡɔ swuxˈawa?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_79.wav|mˈuɕi pˈan mi ɔpˈisatɕ tɛ utʃˈutɕa, kʲˈɛdɨ ɕɛ zabʲˈija tʃwɔvʲˈɛka?|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_212.wav|tɔ bˈɨw sˈɛn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_13.wav|dˈaltɔn smˈitx tɔ praktˈɨtʃɲʲɛ tʃwˈɔvʲɛk s krfˈi i kˈɔɕtɕi.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_264.wav|fspɔmˈina tˈɛʃ, ʒˈɛ ljˈɔnɛl kˈ��rbraj sprˈavja vraʒˈɛɲʲɛ zˌadɔvˌɔlɔnˈɛɡɔ z nˈɔvɛj ʒˈɔnɨ i jɛj pɔsˈaɡu.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_206.wav|ˌalɛ ɲitʃˈɛɡɔ ɲʲɛ zˌauvaʒˈɨwam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_51.wav|mˈama ʒutɕˈiwa mi tfˈardɛ spɔjʒˈɛɲʲɛ, jˈaɡbɨ mˈɔja xˈaɲba dˌɔtɨtʃˈɨwa jɛj bˌɛspɔɕrˈɛdɲʲɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_187.wav|lˈɛdʒ vˌɨɡlɔndˌajɔntsˈɛɡɔ ɲʲɛ jˈaɡ ʒˈɨvɨ tʃwˈɔvʲɛk, lˈɛtʃ jˈak fˌɔtɔɡrˈafja atlˈɛtɨ, ktˌurɨ jɛst w rˈuxu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_28.wav|ɕˈadam na bʒˈɛɡu jɛj wˈuʃka.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_43.wav|tʃwˈɔvʲɛk, ktˌurɨ jˈɔ̃ vɨxˈɔvaw, mˈuɡw jˈɔ̃ zˌaadɔptˈɔvatɕ. mˈuʃɛ mʲˈɛtɕ pˈɛvnɔɕtɕ, ʒˈɛ ɲʲɛ spʃɛtɕˈiviʃ ɕɛ tɛj adˈɔptsji.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_148.wav|pˈɛvɲʲɛ pɔtrˈafi tɨm uɕmʲˈɛxɛm tʃarˈɔvatɕ, kʲˈɛdɨ jɛzd w dˈɔbrɛj fˈɔrmʲɛ, ˌalɛ tˈɛras spˈɔrɔ mu brakˈujɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_65.wav|xˈɔtɕ mʲˈawam ɕtɕiɕɲʲˈɛntɛ ɔt wˈɛs i strˈɛsu ɡˈardwɔ, zˌapɨtˈawam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_172.wav|ɲʲɛ ˌɔpxɔdʑˈiwɔ mɲʲɛ natˈɔmjast, ktˈɔ vˈidʑi vˌɨxɔdʑˈɔntsɔ̃ frˌɔntɔvˈɨmi dʒvʲˈami sˈaskjɛ pˈɛtɛrsɔn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_73.wav|ɲʲɛ, i rˈatʃɛj ɲʲˈɛmam ɔxˈɔtɨ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_459.wav|swɔvˈitʃku.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_126.wav|mˈɔʒɛ vʲˈɛntsɛj?|1
+Dataset/wavs/urwisko_ferenc/51_segment_7.wav|kɔmˈisaʃ pˌɔkivˈawa ɡwˈɔvɔ̃ i zˌapɨtˈawa, kʲˈɛdɨ mˈɔʒɛ lˈitʃɨtɕ na fstˈɛmpnɛ ˌinfɔrmˈatsjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_192.wav|dˈɔbʒɛ ɕɛ dɔmˈɨɕla, ˌalɛ bʲˈillɨ ɲʲˈɛxtsɛ pɔvʲˈɛdʑɛtɕ ɲˈidʑ vʲˈɛntsɛj, a tsˈɔ dɔpʲˈɛrɔ fxˈɔdʑitɕ f ʃtʃɛɡˈuwɨ zlˈɛtsɛɲ, ktˌurɛ vɨkˈɔnaw dla ɲˈika i ˈinnɨx.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_371.wav|ˌuɕfʲadɔmˈiwa sˈɔbjɛ ˈarjan. dlatˈɛɡɔ vwˈaɕɲʲɛ pˈɔmɲʲɛ pˈɔswaw.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_194.wav|nˈajpʲɛrf panˈujɛ bɛsprˈavnɨ kˌapitˈalizm, dɔpˈuki ɲʲɛ zatʃˈɨna pʃɛʃkˈadʑatɕ w rɔzvˈɔju.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_260.wav|urvˈawa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_194.wav|muvˈimɨ ɔ ɡɔdʑˈinax, mˈɔʒɛ minˈutax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_178.wav|ja pˌɔvʲɛdʑˈawɛm.|2
+Dataset/wavs/urwisko_ferenc/26_segment_14.wav|ɔpʲˈɛraw ɕɛ bjɔdrˈami ɔ tɔjˈɔta, ktˌurɔ̃ zˌaparkˈɔvaw na ˌɔpustɔʃˈawɨm plˈatsu pˌarkiŋɡˈɔvɨm pʃɨ tsˌastɔrˈamjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_45.wav|ɲʲɛ fspˌɔminˈajɔnts ɔ tsˈawɛj rˈɛʃtɕɛ, a nˈatɔ ɲʲɛ bˌɨwam ɡɔtˈɔva.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_177.wav|ˌalɛ ˈɛmɔn...|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_193.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_61.wav|f pʲˈɛrʃɛj xfˈili mˈɨɕli, ʒˈɛ jˈɛɕli ɡlˈinɨ zˌatʃɨmˈajɔ̃ ɡˈɔ f tɛj pɛrˈutsɛ, bˌɛɲdʑɛ vɨɡlˈɔndaw zupˈɛwɲʲɛ inˈatʃɛj ɲˈiʃ na zdjˈɛɲtɕu f prˈavʲɛ jˈazdɨ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_64.wav|mˈɔɡwa sˈɔbjɛ pɔzvˈɔlitɕ na ʃtʃˈɔdrɔɕtɕ. lˈɔras tˈɨrɛll bˈɨw ˌumjɛrajˈɔntsɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_186.wav|a tsˈɔ z ˌɔttɕiskˈami stˈup?|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_209.wav|ʒˈɛ ɲʲɛ pɔpˈɛwɲij tˌɛɡɔ samˈɛɡɔ bwˈɛndu, tsˈɔ z alˈɛnɛm. rɔzˈumjɛʃ tɔ, prˈavda?|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_5.wav|ɲʲɛ muɕˈawɛɕ tˌɛɡɔ rˈɔbʲitɕ, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_349.wav|i dɔ rˈɔli djˈabwa zˌaaŋɡˌaʒɔvˈali nˌajtaɲʃˈɛɡɔː aktˈɔra w mʲˈɛɕtɕɛ. xˈudɛ plˈɛtsɨ, kˌulavˈɛɡɔ djˈabwa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_44.wav|ɲʲɛ ˌɔtpɔvʲˈada pˈaɲi na mˈɔjɛ pɨtˈaɲʲa, prˈavda, pˈannɔː ɔxˈanlɔn? tʃɨ vʲˈɛ pˈaɲi, tʃɨ ktˈurɛʑ z ɲˈix mʲˈawɔ rˈɔmans?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_166.wav|ˈaʃ pɛvnˈɛɡɔ dɲʲˈa pˌɔmɨɕlˈawam, ʒˈɛ fʃˈɨstkɔ zɲiʃtʃˈɨwam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_29.wav|dʑˈɛtɕi sɔ̃ jˈuʃ pˈɛvɲʲɛ w dˈɔmu, a ja ftɕˈɔ̃ʒ znajdˈujɛ ɕɛ tˈaɡ dalˈɛkɔ, jˈak mˈɔɡwam zupˈɛwɲʲɛ strˈatɕitɕ pɔtʃˈutɕɛ tʃˈasu.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_8.wav|ʒˈɛ dˈavnɔ tˈaɡ dˈɔbʒɛ ɲʲɛ spˈawam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_58.wav|ˌuɕfʲadˈɔmiw sˈɔbjɛ, ʒˈɛ w ɔɡˈulɛ jɛj ɲʲɛ znˈa.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_279.wav|ɲʲɛ naʒˈɛkam, ɔtpˈarwam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_104.wav|pʃɛprˈaʃam, mˈuvi kɔbjˈɛta i tsˈɔfa ɕɛ ɔ krˈɔk. ɲʲɛ xtɕˈawam pʃɛstrˈaʃɨtɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_214.wav|mˈuj tˈatɔ mʲˈaw...|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_440.wav|tɔ pɔvˈinnɔ zapˈɛvɲitɕ, ʒˈɛ lˈist trˈafi dɔ rˈɔŋk ˌadrɛsˈata.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_150.wav|mˈɔɡli jˈɔ̃ pɔʒˈutɕitɕ na ˈinnɛj ulˈitsɨ, mˈɨɕli bʲˈillɨ, ˌalɛ tˌɛɡɔ ɲʲɛ zrɔbʲˈili. mˈɔɡli zɔstˈavitɕ jˈɔ̃ ɲʲˈɛtsɔ dˈalɛj, ˌalɛ tˌɛɡɔ tˈɛʃ ɲʲɛ zrɔbʲˈili.|2
+Dataset/wavs/urwisko_ferenc/04_segment_3.wav|pˌɔlitsjˈanta zˌamurɔvˈawɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_65.wav|pʃˈɛs tsˈawɨ tʃˈaz vʲɛdʑˈawa, ɡdʑˈɛ tɔ sxˈɔvaw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_153.wav|jˈɛɕli naprˈavdɛ jˈuʃ mˈɨɕliʃ, ʒˈɛ jˌɛstɛm wˈadna, tɔ pˈɔvʲɛts mi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_148.wav|tɔ ʃlaxˈɛtnɛ s pˈaɲskʲɛj strˈɔnɨ, pɔvʲˈɛdʑaw stɔjˈɔntsɨ f swˈɔɲtsu. vʑˈɔw bˈuwkɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_97.wav|tɔ dˈɔbʒɛ. tfˈuj ˈaɡɛnt pʃˈɨɕlɛ tɕi jˈɛʃtʃɛ jɛdnˈɛɡɔ smsˈa. pˈɔtɛm maʒ bˈɨtɕ f pˌɔɡɔtˈɔvju. i pɔ fʃˈɨstkim jˈɛdʑɛʃ na vakˈatsjɛ, zrˌɔzumjˈawɛɕ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_131.wav|zˈɛ ɕlˈadɛm vʲˈɛtʃnɛj ˌɔpalɛɲˈiznɨ pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_475.wav|ˈitɕ jˈuʃ, ˈɛstɛr.|0
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_165.wav|vʲˈɛ, ʒˈɛ ɲʲɛ bˌɛɲdʑɛ mˈɔɡwa tɕˈɛ zatʃˈɨmatɕ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_381.wav|znˈɔvu pˈɔtʃuw ɕfʲˈɔnt f pˈaltsax. nˈɔɡʲi pɔɲʲˈɔswɨ ɡˈɔ dalˈɛkɔː ɔt xawˈasu i ɕfʲˈatwa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_178.wav|na lˈɛvɔː ɔd vˈindɨ znajdˈujɔ̃ ɕɛ dʒvˈi z napˈisɛm sxˈɔdɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_81.wav|nˈɔː i tsˈɔ xfˈilɛ dɔtˈɨkaʒ bʒˈuxa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_18.wav|jˈuʃ pˌɔdnɔɕˈiwɛm brˈɔɲ, ˌalɛ jˈasim tˌɨlkɔ pʃɛɡˈɔɲiw dʑɛtɕˈaka s pˈiwkɔ̃, klˈapsɛm f tˈɨwɛk i vrˈutɕiw dɔ ɕrˈɔtka.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_106.wav|trˈɔnd zˈajɔw ɕɛ pʃˌɨɡɔtɔvˈaɲʲɛm dla nˈas pˌɔtʃɛ̃stˈuŋku.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_46.wav|dˈɔbra, jˈuʒ vʲˈɛm. a ta utʃˈɛlɲʲa trˈipa, jˈak ɕɛ nazˈɨva?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_75.wav|zdˈala ɔt mˈɔiɣ dʑˈɛtɕi i pʃɛstˈaɲtɕɛ nˈas nˈɛŋkatɕ.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_234.wav|jˈɛɕli bˌɛɲdʑɛ dʑɛftʃˈɨŋkɔ̃, dˌɔpilnˈujɛ, bˈɨ ˌɔtʃɨmˈawa dˈɔbrɨ pˈɔsak, ɡdˈɨ ɔɕˈɔŋɡɲʲɛ ˌɔtpɔvʲˈɛdɲi vʲˈɛk.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_286.wav|ɲˈiɡdɨ ɲʲɛ marnˈujɛ ɔkˈazji, kʲˈɛdɨ ktˈɔɕ mi stˈavja.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_490.wav|ɔbˈara zanˈattɔ lˈubʲi vˈinɔ, a nˈɨm jɛzd zbˈɨd blˈiskɔ z blˌiʑɲʲatʃkˈami fɔvlˈɛruf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_421.wav|prɛzˈɨdɛnt ix sfˈajtʃɨw. ˈɔ, nˈɔ, ɔd dˈavna pʃɨmjˈɛʒaw ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_306.wav|pɔwˈɔvɛ jˈɛɡɔ tfˈaʒɨ i ʃˈɨi pˌɔkrɨvˈawɔ znˈamjɛ bˈarvɨ vˈina.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_73.wav|nuɡˈuɡʲi zvrutɕˈiwa ɕɛ dɔ ɡˌɔspɔdˈaʒa.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_187.wav|xwˈɔpaɡ dˈali vɨtɕˈɔŋɡnɔw rˈɔntʃkɛ i dˈɔtknɔw jˈɛɡɔ tfˈaʒɨ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_437.wav|pɔzbˈaviw ɡˈɔ tɨtˈuwuf, ʑˈɛm ˌɔras majˈɔntku i vˈɨɡnaw za vˈ��̃skʲɛ mˈɔʒɛ, ɡdʑˈɛ lˈɔrd dʒˈɔn fkrˈuttsɛ zˈapiw ɕɛ na ɕmʲˈɛrtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_9.wav|vʲˈɛdʑɔnts, ʒˈɛ tˈɔm pʃɛkˈaʒɛ jɛj fʃˈɨstkʲɛ ɲʲɛzbˈɛndnɛ ˌinfɔrmˈatsjɛ pɔ drˈɔdʑɛ na mʲˈɛjstsɛ pʃˌɛznatʃˈɛɲʲa, xfɨtɕˈiwa sfˈɔjɔ̃ tˈɔrbɛ i vˈɨʃwa zˈaɲim na swˈɔɲtsɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_197.wav|vʲˈɛm, ʒˈɛ ɲʲɛ mˈɔɡɛ skɔʒˈɨstatɕ s tɨx pʲɛɲʲˈɛndʑɨ ɲʲˈɛmal pʃˈɛs ʃˈɛɕtɕ lˈat, ˈalɛ...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_405.wav|ˌalɛ tʃɨ ja mˈam ɕˈiwɨ, ʒˈɛbɨ ˈiʑdʑ dɔ pʲˈɛkwa?|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_60.wav|ˌalɛ ɲʲɛ tˈakʲɛ maɡʲˈitʃnɛ jˈak artˈɛmis.|4
+Dataset/wavs/urwisko_ferenc/20_segment_45.wav|ʃtʃˈɛɲɕtɕɛ w mawʒˈɛɲstfʲɛ, pɔmˈɨɕlaw ˈɔlɡʲɛrt, zˌastanavʲˈajɔnts ɕɛ, tsˈɔ tɔ vwaɕtɕˈivʲɛ jˈɛst.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_89.wav|ɕrˈɔda bˌɨwa dla ɲʲˈɛɡɔ dɲʲˈɛm rɔbjˈɛɲʲa zakˈupuf i mˈɔjɔ̃ jɛdˈɨnɔ̃ ʃˈansɔ̃ na zwapˈaɲʲɛ ɡˈɔ samˈɛɡɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_92.wav|i bˈɨtɕ mˈɔʒɛ f kˈɔɲtsu ja rˈuvɲʲɛʃ xtɕˈawam.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_16.wav|dˈɔstaw zˈatɔ ˈavans i fʃˈɨstsɨ dwˈuɡɔ bʲˈili mu brˈavɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_167.wav|xˈɨba ɲʲɛ vʲˈɛtɕɛ zbˈɨd vʲˈɛlɛ na tˈɛmat mɔjˈɛɡɔ mˈɛ̃ʒa, tsˈɔ?|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_240.wav|ruʃˈɨwam tunˈɛlɛm f strˈɔnɛ sxrˈɔnu, a dˈalɛ pɔdˈɔ̃ʒaw tˈuʒ za mnˈɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_104.wav|jˈɛɕli ɕɛ s tɨm pˈanɛm rixtˈɛrɛm dɔɡˈadam, ɲʲˌɛvɨklutʃˈɔnɛ, ʒˈɛ jˈɛʃtʃɛ mɲʲɛ tˈu pˈaɲi ɲʲˈɛraz zɔbˈatʃɨ. miwˈɛɡɔ dɲʲˈa.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_367.wav|tɔ bˌɨwa vwaɕtɕˈiva ɔtpˈɔvʲɛtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_43.wav|tʃɨ mˈɔɡɛ vʲˈɛdʑɛtɕ, dlatʃˈɛɡɔ pˈan pˈɨta?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_344.wav|ˌalɛ ɲʲˈɛmam mɔtˈɨvu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_44.wav|pˌɔpatʃˈɨwam na jɛj blˈadɔ̃ tfˈaʃ, pˌɔtkrɔ̃ʒˈɔnɛ ˈɔtʃɨ i drʒˈɔntsɛ dwˈɔɲʲɛ. zˌastanavʲˈawam ɕɛ, dˈɔkɔnt ɔdˈɛʃwa mˈɔja mˈatka.|3
+Dataset/wavs/urwisko_ferenc/07_segment_34.wav|ɲʲɛ zdɔwˈaliɕmˌɨ pˈɔpxnɔɲtɕ tɛj sprˈavɨ nˈavɛt ɔ krˈɔk. ˈɔfʃɛm, ktˈɔɕ s sɔ̃ɕˈaduv vˈidʑaw ɡlˌatsɔfskʲˈɛɡɔ, jˈak krˈɛɲtɕiw ɕɛ pʃɛd dˈɔmɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_174.wav|pɔ tsˈɔ tɔ bˈɨwɔ? jˈaɡbɨm ɲʲɛ vʲˈɛdʑaw. ɡˈadaj!|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_200.wav|mˈuɡwbɨm zapˈɨtatɕ pˈaɲʲɔ̃.|0
+Dataset/wavs/urwisko_ferenc/20_segment_50.wav|mˈam nadʑˈɛjɛ, ʒˈɛ pˌɔinfɔrmˈujɛ mɲʲɛ pˈan ɔ vɨɲˈikaɣ dˌɔxɔdʑˈɛɲʲa, dˈɔdaw ɡɔspˈɔdaʃ.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_241.wav|jˈɛɡɔ ɡʲɛrmkˈɔvʲɛ rˈuvɲʲɛʃ swuxˈali, pɔdˈɔbɲʲɛ jˈak mˈinstrɛl.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_15.wav|tˈɔm ˌɔpsɛrvˈɔvaw uvˈaʒɲʲɛ ˈaʃa w ˌɔtʃɛkivˈaɲʲu na rɛˈaktsjɛ, ˌalɛ mɛ̃ʃtʃˈɨzna ɲʲɛ vɨdˈavaw ɕɛ ʃtʃɛɡˈulɲʲɛ fstʃɔ̃ɕɲʲˈɛntɨ tʃɨ zmartfʲˈɔnɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_137.wav|zˌaludɲʲˈɔnɨ ɲʲˌɛʃtʃɛɲɕlivˈɨmi kˌɔxaŋkˈami.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_371.wav|ˈɛstɛr zamknˈɛwa ʃˈaf i znˈuf pʃˈɛʃwa pʃˈɛs pˈɔkuj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_163.wav|tɨpˈɔvɨ mˌawɔmjˌastɛtʃkˈɔvɨ kˌɔmbʲinˈatɔr s tˈɨx, tsˈɔ tɔ vʲˈɛʒɔ̃, ʒˈɛ xˈɔdʑbɨ ɕɛdʑˈɛli pɔː ˈuʃɨ w ɡˈuvɲʲɛ, ktˈɔʑ ʒˈutɕi im lˈinɛ. fʃˈɛɲdʑɛ ix pˈɛwnɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_14.wav|rˌɔspwɨvajˈɔntsɛ ɕɛ litˈɛrɨ skwadˈawɨ ɕɛ na nˈapis sˈɔbur swɔvʲˈaɲski.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_79.wav|zɔstˈaɲʲɛʃ sˈam zˈɛ sfˈɔjɔ̃ miwˈɔɕtɕɔ̃, ˌalɛ bˈɛs sfˈɔjɛj kɔbjˈɛtɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_72.wav|bˈɛtskɨ spɔjʒˈawa na ɲʲˈɛɡɔ pˌɨtajˈɔntsɔ. ɲʲɛ davˈajmɨ ʒadnˈɛmu ɔbrˈɔɲtsɨ dˌɔskɔnawˈɛɡɔ dɔvˈɔdu nˈatɔ, ʒˈɛ ɔttɕˈiski mˈartɨ mˈ��ɡwɨ ɕɛ pʃɨpˈatkʲɛm znˈalɛɕtɕ na rɔvˈɛʒɛ.|3
+Dataset/wavs/urwisko_ferenc/50_segment_29.wav|ʒˈɛ vˈɔlawbˌɨ w ɡˈurɨ, ˌalɛ rɔdʑˈitsɛ ɕɛ upˈarli.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_33.wav|jɛxˈali w miltʃˈɛɲʲu pʃˈɛs kˈilka mˈinut, pɔ tʃɨm tˈɔm znˈuf ɕɛ ɔdˈɛzvaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_204.wav|vɨlˈuzuj sfˈɔbɔ. tɔ tˌɨlkɔ tsmɔkɲʲˈɛɲtɕɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_60.wav|vwˈaɕɲʲɛ tɔ starˈamɨ ɕɛ ustˈalitɕ, sˈɨnu pɔvʲˈɛdʑaw pɔlˈitsjant.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_79.wav|vˈɔda lˈɛtɕi, pˌɔvʲɛdʑˈawa. vʲˈɛm, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_51.wav|pˈɛvɲʲɛ, ʒˈɛ tˈak, ˌɔtpɔvʲˈada bʲˈillɨ, mˈɨɕlɔnts, ʒˈɛ ɡdˈɨbɨ spˈɛɲdʑiw za dˈuʒɔ tʃˈasu f tɨm pɔkˈɔju, xˈɨba bˈɨ zvarjˈɔvaw.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_242.wav|ʒˈɛbɨ spʃɛdˈavatɕ krˈabɨ i krɛvˈɛtki vʲɔɕlˈaʒɔm z vˌɨtɕɛtʃkˈɔvɛj bˈarki mɔrskʲˈɛɡɔ lˈɔrda.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_449.wav|ʒutɕˈiwa zˈɛ vzɡˈardɔ̃. bˌɨwɨ dɔprˈavdɨ fspaɲʲˈawɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_13.wav|tsˈɔː ɔn tɕi pɔvʲˈɛdʑaw?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_218.wav|dʑˈɛɲ dˈɔbrɨ, pʃɛprˈaʃam.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_166.wav|jɛj xrapˈaɲʲɛ tˈɛʃ utɕˈixwɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_256.wav|dˈalɛ vˈɛstxnɔw tɕˈɛ̃ʃkɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_110.wav|tɔ tɕɛkˈavɛ, ʒˈɛ ktˈɔɕ tˌaki pratsˈɔvaw na pʲˈɛrʃɛj lˈiɲʲi, zˈamjast ɕˈɛdʑɛdʑ w vɨɡˈɔdnɨm bjˈuʒɛ w bˈaɲtsɛ ɔldrˈina.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_19.wav|ɲˈilɛ pɔstʃˈɛɡa nˈas jˈak partnˈɛruf f tɛj fˈirmʲɛ ˈɔtpar i vˈɨdaw ˈusta|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_137.wav|zdjˈɛwa brˈudnɛ, pɔdrˈuʒnɛ wˈaxɨ, f ktˌurɨx spˈawa i vwɔʒˈɨwa najbˈardʑɛj vˌɨzɨvajˈɔntsɨ strˈuj, jˈaki tˈam znalˈazwa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_50.wav|tɔ tˈak ɲʲɛ dʑˈawa. jˈɛɕli tɕˈɛ pɔlˈubʲi, tɔ tɕi zaˈufa. vʲˈɛm ˈɔtɨm. pɔʒˈɨtʃɨʃ ɔt ɲʲˈɛɡɔ tɛ pʲɛɲʲˈɔndʑɛ na kˈilka dɲˈi, dɔpˈuki ix ɲʲɛ zvrˈutsɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_87.wav|pˌɔvʲɛdʑˈawa ɲʲˈɛmal ʃˈɛptɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_572.wav|bˈɔ lˈɛpʲɛj bˈɨtɕ naˈivnɨm,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_4.wav|ˌɔtsɨkˈawɨ mɲʲɛ vɨbˈuxɨ ɕmʲˈɛxu na kˌɔrɨtˈaʒu.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_246.wav|jˈɛɕli tˈaɡ bˈardʑɔ pɔdʑˈivʲaʃ tɔ xɔlˈɛrstfɔ, kˈaʃ sˈɔbjɛ ɔdrˈɔmbatɕ prˈavɔ̃ rˈɛŋkɛ, a dˈam tɕi jˈɔ̃ f prɛzˈɛɲtɕɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_396.wav|pɔtʃˈuwɛm ɕɛ bɛzrˈadnɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_65.wav|za dʒvʲˈami znˈuf rɔzlˈɛɡwɔ ɕɛ pukˈaɲʲɛ i tʃwˈɔvʲɛk pˈɔtʃɔw mˈuvitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_38.wav|kɔbjˈɛtɨ i dʑˈɛtɕi ʒutsˈawɨ kfʲˈatɨ. mɛ̃ʃtʃˈɨʑɲi kʃɨtʃˈɛli nˈax nuçˈibu ˌamɛrˈika! kɔxˈamɨ amˈɛrɨkˌɛ!|2
+Dataset/wavs/urwisko_ferenc/20_segment_90.wav|vʲˈɛnts jˈutrɔ dɔ tɕˈɛbjɛ zadʑvˈɔɲʲɛ, dˈɔdaw ˈɔlɡʲɛrt.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_405.wav|ɲˈiɡdɨ ɕɛ na ɲˈits ɲʲɛ skˈarʒɨw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_106.wav|ɕmʲˈɛjɛ ɕɛ jˈɛʃtʃɛ ɡwˈɔɕɲʲɛj. ɲˈikt. xtɕˈawɛm ɕɛ pʃɛkˈɔnatɕ, jˈaɡ zˌarɛaɡˈujɛʃ na mˈɨɕl, ʒˈɛ ɔn jɛzd blˈiskɔ, ʒˈɛ nˈam zaɡrˈaʒa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_54.wav|mˈama rˌɔsxɨlˈiwa lˈɛkkɔː ˈusta.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_13.wav|fʃˈɨstkʲɛ ˌinfɔrmˈatsjɛ fskˌazɨvˈawɨ nˈatɔ, ʒˈɛ bˌɨwa mwˈɔdɔ̃ kɔbjˈɛtɔ̃, ktˌura pʃˌɛʒɨvˈawa najlˈɛpʃɛ xfˈilɛ sfɔjˈɛɡɔ ʒˈɨtɕa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_69.wav|paskˈudnɛ ˌɔkrɛɕlˈɛɲʲɛ straʃlˈivɛj zbrˈɔdɲi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_181.wav|a tɔ bˌɨwa jˈɛɡɔ kˈurva.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_340.wav|blˈatskfiʒ zˌaswuɡˈujɛ na ʃlˌaxɛtɲʲˈɛjʃɔ̃ ɕmʲˈɛrtɕ, a ja jˌɛstɛm tˈɨm, ktˌurɨ mˈɔʒɛ mu jˈɔ̃ zapˈɛvɲitɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_167.wav|a mˈɔʒɛ jˈakaɕ spˌɔnsɔrɔvˈana vɨprˈava, bjˈɛk ˈalbɔ tsˈɔɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_33.wav|f pˈaɲstfaɣ zaxˈɔdɲix kˌɔmɛrtsˈɨjnɛ spˈuwki kɔsmˈitʃnɛ lˈɛdvʲɛ dɨʃˈawɨ pʃˌɨtwɔtʃˈɔnɛ pʃˈɛz bjˌurɔkrˈatsjɛ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_244.wav|pˈɔttʃas kɔlˈatsji vʲˈɛlu ɡˈɔɕtɕi ɡwˈɔɕnɔ vˌɨraʒˈawɔ pˈɔdʑiv dla zwˈɔtɛj rˈɛŋki, pʃɨnˈajmɲʲɛj dɔ mɔmˈɛntu, kʲˈɛdɨ jˈamɛ pʃɛvrˈutɕiw pˈuxar z vˈinɛm.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_62.wav|zˌaçixˈɔtaw. i ɲˈits f tɨm dʑivnˈɛɡɔ. mˈɔjɛ stˈɔpɨ tsˈɔ nˈajmɲʲɛj dʑˈɛɕɛɲtɕ rˈazɨ dɛptˈawɨ kˈaʒdɔ̃ mˈilɛ tɨɣ drˈuk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_115.wav|a dvʲˈɛ ʃpˈaldɨ pɔɲˈiʒɛj jˈakaɕ kɔbjˈɛta zˌakrɨvˈawa tfˈaʒ dwˈɔɲmi.|0
+Dataset/wavs/urwisko_ferenc/14_segment_2.wav|dʑˈivnɨ, ɲʲɛ dʑˈivnɨ, ˌalɛ mˈɔʒɛ ta zˌaɡʲiɲʲˈɔna ʒˌɛtʃɨvˈiɕtɕɛ jɛst kuzˈɨŋkɔ̃ xˌudʑiɲskʲˈɛɡɔ. xˈɛrman fpˌatrɨvˈawa ɕɛ w bˈɔtʃnɔ̃ ʃˈɨbɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_24.wav|ˈidɛ bʒˈɛɡʲɛm zˈɛ spuʃtʃˈɔnɔ̃ ɡwˈɔvɔ̃, ɲʲɛ pˈatʃɔnts na bˈɔki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_31.wav|ktˈɔɕ mˈuvi...|2
+Dataset/wavs/drzwi_anna_szymanczyk/(36) R.Abbott_Zamknij Drzwi_segment_19.wav|mˈɨɕlɛ, ʒˈɛ jˈuʃ jˌɛstɛm ɡɔtˈɔva, ˌalɛ mˈɔʒɛ tʃɛkˈaɲʲɛ tˈam bˌɛɲdʑɛ ɡˈɔrʃɛ ɔt tʃɛkˈaɲʲa tˈutaj.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_42.wav|pʃˈɛrvaw i vɨʃtʃˈɛʒɨw zˈɛmbɨ f ʃɛrˈɔkim uɕmʲˈɛxu. — dʒˈɛs! mˈiwɔ znˈuf tɕˈɛ vˈidʑɛtɕ!|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_88.wav|pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_66.wav|bʲˈillɨ pˈatʃɨ na ɲʲˈɛɡɔ stsɛptˈɨtʃɲʲɛ, ˌalɛ tˈɛras, kʲˈɛdɨ pʃˈɛstaw ɕɛ bˈatɕ, ʒˈɛ jˈɛɡɔ ɡwupˈavɛ ja jɛst spalˈɔnɛ, xˈɨba jˈuʒ vʲˈɛ, dɔ tʃˈɛɡɔ ɡʲˈɔrɡjɔ zmʲˈɛʒa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_57.wav|znˈuf krˈɛɲtɕi mi ɕɛ w ɡwˈɔvʲɛ i pʃˌɨtʃɨmˈujɛ ɕɛ stˈɔwu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_12.wav|ɲˈidʑ dɔbrˈɛɡɔ, ˌalɛ mˈɔɡwɔ bˈɨdʑ ɡˈɔʒɛj.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_64.wav|xɔlˈɛra, ʒˈutsa za mɔˈimi plɛtsˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_218.wav|f sˈumjɛ dˈɔbrɨ plˈan.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_283.wav|prˈavdɛ mˈuvʲɔnts, pˌɔdɔbˈawɔ mu ɕɛ tˈakʲɛ ʒˈɨtɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_127.wav|ɔn fʃˈɨstkɔ vʲˈɛ, trˈip, mˈuvi martʲˈinɛs. bʲˈillɨ ɔdvrˈatsa ɕɛ dɔ xˈɛŋka.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_99.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_125.wav|vɨɡlˈɔnda urˈɔtʃɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_154.wav|s tˈɛɡɔ, tsˈɔ mi vʲadˈɔmɔ, mɔrdˈɔvaw lˈudʑi z ʑˈimnɔ̃ krfjˈɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_55.wav|tˈɔm pʃɨpˈɔmɲʲaw sˈɔbjɛ fʃˈɨstkɔ, tsˈɔ jˈɔ pˌɔvʲɛdʑˈawa im ɔ tˈɛsɕɛ i jɛj nˌastavʲˈɛɲʲu dɔ mˈɛ̃ʃtʃɨzn.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_158.wav|pɔvʲˈɛdʑmɨ, ʒˈɛ zˌajɛwˈɔbɨ mi tɔ dvʲˈɛ ɡɔdʑˈinɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_54.wav|mɛ̃ʃtʃˈɨzna pɔ lˈɛvɛj strˈɔɲʲɛ krˈɛɲtɕi ɕɛ pʃˈɛs xfˈilɛ na sfˈɔim kʃˈɛɕlɛ, pɔpˈija tsˈɔʑ zˈɛ ʃklˈaŋki, pɔ tʃɨm sprˈavdʑa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_77.wav|ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ tˈɔm vˈidʑi ˌɔbratsajˈɔntsɛ ɕɛ w mˈɔjɛj ɡwˈɔvʲɛ trɨbʲˈiki.|4
+Dataset/wavs/urwisko_ferenc/23_segment_37.wav|ɲʲɛ zrˌɔzumjˈawa, ˌalɛ zaprˈɔɕiw jˈɔ̃ ɡˈɛstɛm, vʲˈɛnts pˈɔʃwa zˈaɲim kˌɔrɨtˈaʒɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_88.wav|pˌɔtʃɛbujˈɛmɨ tˌɨlkɔ dɔvˈɔduf, ʒˈɛbɨ fʃtʃˈɔɲtɕ pˌɔstɛmpɔvˈaɲʲɛ, a ɲʲɛ vˈɨdadʑ vˈɨrɔk.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_457.wav|kˈɔnɲiŋktɔn zˈajʒaw dɔ dˈɔwu. vˈidʑɛ, ʒˈɛ ɲʲˈɛdʑvʲɛdʑ bˈɨw mɲʲˈɛj vwɔxˈatɨ ɔt tˌɛɡɔ vɨbrˈɨku.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_93.wav|prˈɔʃɛ zdˌɛfiɲʲˈɔvatɕ kʃˈɨvdɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_160.wav|ˌalɛ jˈɛɕli ʒˌɛtʃɨvˈiɕtɕɛ ɕɛ sxlˈawa, pɔvˈiɲʲɛn bˈɨdʑ bˈardʑɛj vˌɨtʃuvˈalnɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_57.wav|ʃukˈawam stsˈɔtta.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_78.wav|trˈɔnt ɔkrˈɔ̃ʒɨw kˈɔmbajn i pˈɔtʃɛd dɔ mɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_263.wav|ɲʲɛ zrɔbjˈɔnɔ jˈɛʃtʃɛ tˈɛɡɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_66.wav|pʃˌɨsɨpˈili dɔ dnˈa i tsˌawɔvˈali ɕɛ ɕartʃˈɨɕtɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_163.wav|pʃˈɛs tʃtɛrnˈaɕtɕɛ lˈad vʲɛʒˈɨwam, ʒˈɛ ɡˈɔ zabʲˈiwam.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_131.wav|drɛvɲʲˈanɨ, pˌɔdmurɔvˈanɨ budˈɨnɛk ɔ ɕˈɛdmju ɕtɕˈanaɣ z ʒˌɛʑbjɔnˈɨmi drˌɛvɲʲanˈɨmi dʒvʲˈami i krˈɨtɨm daxˈufkɔ̃ dˈaxu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_10.wav|ˌutratɕˈifʃɨ ɲʲˈɛtsɔ pˌɔtʃɔntkɔvˈɛɡɔ zapˈawu, pɔdˈɛʃwa dɔ ɲʲˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_249.wav|tˈamtɛn dʑˈɛɲ nalˈɛʒaw jˈuʒ dɔ pʃɛʃwˈɔɕtɕi.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_66.wav|ɲʲˌɛspɔdʑɛvˈanɔ̃ vizˈɨtɔ̃. vˈɨbatʃ, ʒˈɛ ɲʲɛ jɛstˌɛɕmɨ pʃˌɨɡɔtɔvˈaɲi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_126.wav|ɔpˈɔvʲɛm tɕi ɔ sfˈɔim ʒˈɨtɕu, zˈaɲim tˈutaj pʃˌɨjɛxˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_54.wav|ɲʲɛ, kʲˈɛdɨ mˈa mˈɔtsnɔ̃ kˈartɛ pʃˌɛtarɡˈɔvɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_32.wav|wˈadɲʲɛ tˈutaj, prˈavda?|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_273.wav|udˈawɔ ɕɛ nˈam ˈumknɔɲtɕ, ˌalɛ z najvˈɨʃʃɨm trˈudɛm.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_372.wav|mˈɔja ɕˈɔstra xtɕˈawa, ʒˈɛbɨ ˈutɕɔɲdʑ dʑɛftʃˈɨntsɛ rˈɛŋkɛ.|1
+Dataset/wavs/urwisko_ferenc/55_segment_77.wav|xɔdʑˈiwɔ mu ɔ klˈasɛ, dɔ ktˌurɛj xɔdʑˈili kˈarɔl xudʑˈiɲski i mˈɔɲikˌa ɕikˈɔrska, bˈɔ tˈak ɕɛ ftˈɛdɨ nˌazɨvˈawa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_135.wav|ˌuswɨʃˈawam jˈɛɡɔ ɡwˈɔz dɔpʲˈɛrɔ pɔ dˈɔbrɨx tʃˈɛx minˈutax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_81.wav|urˈɨva f pˈuw swˈɔva. ɲʲɛ mɔʒˈɛmɨ, prˈavda? tɔ rˈana pˌɔstʃawˈɔva, a tˈakʲɛ mˈuʃɔ̃ zɡwˈɔɕitɕ na pɔlˈitsjɛ.|2
+Dataset/wavs/urwisko_ferenc/65_segment_73.wav|vrˈɨwɔ ɕɛ w jˈɛɡɔ kˈɔd ɡˌɛnɛtˈɨtʃnɨ i stˌɛrɔvˈawɔ zˌaxɔvaɲʲˈami, ɲʲɛ dˈajɔnts mu ʃˈansɨ na vɨrvˈaɲʲɛ ɕɛ zˈɛ ʃpˈɔn nawˈɔɡu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_32.wav|dˈɛʒdʒ bˈɛmbɲi w dˈax, samˈɔxut s sˈɨkʲɛm pʃɛjˈɛʒdʒa ulˈitsɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_130.wav|dʒˈɛs, lˈɛdvʲɛ ˈuʃwaʑ z ʒˈɨtɕɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_16.wav|vʲˈɛ pˈaɲi mˈɔʒɛ, kʲˈɛdɨ tɔ ɕɛ vˌɨdaʒˈɨwɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_72.wav|za jˈɛɡɔ plɛtsˈami rɔzlˈɛɡa ɕɛ vˈɨtɕɛ sˈɨrɛn.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_222.wav|jˈɛʃtʃɛ tʃtˈɛrɨ dɲˈi, mˈɔʒɛ pʲˈɛɲtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_66.wav|zɡˈarnɔɲtɕ pʲˈɛɲtɕ stˈuvɛk ˈalbɔː i vʲˈɛntsɛj, ɡdˈɨbɨʑ bˌɨwa ˌɛlastˈɨtʃna.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_199.wav|tɔ nˈadal ɲʲɛ vɨstˈartʃɨ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_89.wav|ɲʲɛ fspɔmˈinam ˈɔtɨm, ʒˈɛ nɛbrˈaska ɲʲɛ jɛst ˈaʃ tˈak pˌɔpulˈarnɨm mʲˈɛjstsɛm dla brɨtˈɨjskix turˈɨstuf i mˈam nadʑˈɛjɛ, ʒˈɛ mˈɔja mˈatka ɲʲˈɛma ˈɔtɨm ʑˌɛlɔnˈɛɡɔ pɔjˈɛɲtɕa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_88.wav|ktˈɔ tɕˈɛ tˈam vʲˈɛ?|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_328.wav|jˈak ja uvʲˈɛlbjam tɛ knˈajpɨ.|4
+Dataset/wavs/urwisko_ferenc/03_segment_106.wav|ɕikˈɔrski uɕmʲˈɛxnɔw ɕɛ dɔ fspˈɔmɲʲɛɲ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_218.wav|ɲʲɛ, tɔ jˈɛdna z najɡwˈupʃɨɣ ʒˈɛtʃɨ, jˈakʲɛ zrɔbʲˈiwam w ʒˈɨtɕu. a jɛst f tʃɨm vɨbjˈɛratɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_25.wav|zamˈɨkam ˈɔtʃɨ i v��ɨɔbrˈaʒam sˈɔbjɛ sˈɨna çˌixɔtʃɔntsˈɛɡɔ zˈɛ ɕmʲˈɛʃnɛj bˈuɕki, ktˌurɔ̃ nˌarɨsɔvˈawam na ˌuɡɔtɔvˈanɨm jˈajku.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_30.wav|bˈɛtskɨ prɨxnˈɛwa. jˈɛɕli jˈuʃ, tɔ rˈatʃɛj stfardɲʲˈawam, xˈɔtɕ mˈuʃɛ pʃˈɨznatɕ, ʒˈɛ stˈawam ɕɛ ɲʲˈɛtsɔː ˌɔstrɔʒɲʲˈɛjʃa f kfˈɛstji bˌɛspʲɛtʃˈɛɲstfa.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_359.wav|jˈɛɕli xtsˈɛtɕɛ vˈɨznatɕ sfˈɨm bˈɔɡɔm pˌɔpɛwɲʲˈɔnɛ zbrˈɔdɲʲɛ, tɔ bˌɛɲdʑɛ ˌɔtpɔvʲˈɛdɲʲa xfˈila.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_87.wav|tɔ dlatˈɛɡɔ pˈatʃɨ na swˈɔɲtsɛ?|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_112.wav|jˈaɡ bˈardʑɔ tˈɔbɔ̃ ɡˈardʑɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_95.wav|tʃɨ prˌubɔvˈawɛɕ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_25.wav|stsˈɔtt ɕɛ rɔzˈɛɕmʲaw. tˈak sɔɲdʑˈiwɛm. pɔvˈinnaʑ bˌɨwa pˈujʑdʑ zˈɛmnɔ̃. ɲʲˈɛʑlɛ ɕɛ bavˈiwɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_43.wav|jˈakiɕ prˈɔblɛm, ˌinspɛktˈɔʒɛ sˈims?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_30.wav|pamjˈɛnta pˈan, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ pˈɔtɛm? jˈak udˈawɔ ɕɛ pˈanu vɨdˈɔstatɕ? zapˈɨtaw tˈɔm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_79.wav|tˈɔm dˈaw mu znˈak, ʒˈɛbɨ pˈɔtʃɛd blˈiʒɛj.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_35.wav|mˈɛɡa tˈɨrɛll!|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_100.wav|mˈɔʒɛʃ ɔ ɲˈix pɔtʃˈɨtatɕ w ˌintɛrnˈɛtɕɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_266.wav|tɔ bˌɨwɔ f kɛntˈutskɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_16.wav|dɔ pˌɔɲʲɛdʑawkˈɔvɛj çistˈɔrji pɛvnˈɛɡɔ rɔsstˈaɲʲa zɔstˈawɔ tˌɨlkɔ pʲˈɛɲdʑ dɲˈi, a ja mˈɔɡɛ mʲˈɛtɕ mˈawɔ tʃˈasu zˈaɲim ɔtkrˈɨjɛ, ʒˈɛ ɲʲɛ jˌɛstɛm tˈɨm, kˈim mˈɨɕli.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_8.wav|spɔjʒˈawa na dʑˈurɛ w ɲʲˈɛj, a pˈɔtɛm na lˈɛvɨ bˈɔk mˈɔjɛj kɔʃˈuli.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_75.wav|klˈɛŋkam pʃˈɛdɲʲɔ̃, ʒˈɛbɨ zrˈuvnatɕ ɕɛ z ɲʲˈɔ̃ spˌɔjʒɛɲʲˈami i dˌɛlikˈatɲʲɛ ujmˈujɛ jɛj dwˈɔɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_36.wav|jˈɛɡɔ rˈɛntsɛ na mˈɔiɣ bjˈɔdrax, vˈɨras jˈɛɡɔː ˈɔtʃu.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_140.wav|ˌidɛˈalna partnˈɛrka w ˌintɛrˈɛsax.|4
+Dataset/wavs/urwisko_ferenc/01_segment_31.wav|pˌɔmɨɕlˈawa, ʒˈɛ pɔvˈinna jˈuʃ jˈɛxatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_10.wav|bˈaki zapˈɛvnɛ zdˈɔbɨwbˌɨ tˈɛ ˌinfɔrmˈatsjɛ bˈɛs trˈudu. mɔɡwˈɔbɨ tɔ jˈɛdnaɡ zvrˈutɕitɕ tʃˈɨjɔ̃ɕ uvˈaɡɛ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_136.wav|w nˈɔɡax wˈɔʒa znalˈazwa tsɛdrˈɔvɨ kˈufɛr, pˈɛwɛn nˌalɛʒˈɔntsɨɣ dɔ ɲʲˈɛj ˈubraɲ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_36.wav|zaxˈɔvaw tɛ sˈamɛ ˌiɲitsjˈawɨ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_498.wav|tɔ bˌɨwɨ tˌɨlkɔ majˈaki, pˈaɲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_62.wav|pʃˈɨkrɔ mi, ˌalɛ nˈadal ɲʲˈɛvʲɛm, jˈak tɕˈɛ nˈazvatɕ, vʲˈɛnts mˈɔʒɛ na rˈaʑɛ vɨstˈartʃɨ xˈalɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_17.wav|ɲʲˈɛma sˈɛnsu tˌɛɡɔ dʒˈɛva ɕtɕˈinatɕ, pɔvʲˈɛdʑaw jˈɛdɛn z ɲˈix. tɔ dʒˈɛvɔ mˈɔʒna ˌuratˈɔvatɕ. jˈak?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_22.wav|ˌɔtpɔvʲˈadam starˈanɲʲɛ vˌɨpɔvʲadˈajɔnts kˈaʒdɔ̃ ɡwˈɔskɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_65.wav|tɔmˈɔvi tɔ ɕɛ ɲʲɛ pˌɔdɔbˈawɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_142.wav|dɔstˈaɲʲɛ nˈajmɲʲɛj dʑɛɕˈɔntkɛ plˈus rˈɛʃtɛ parˈɔlu.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_279.wav|vʲˈɛlka ʃkˈɔda, ʒˈɛ taˈɛna ɲʲɛ mˈɔɡwa zˈɔstatɕ nˌamjɛstɲˈikʲɛm. bˌɨwa tʃˈɨ rˈazɨ vʲˈɛntsɛj vˈarta ɔt sfˈɛɡɔ mˈɛ̃ʒa, a dɔ tˌɛɡɔ znˈatʃɲʲɛ zˌabavɲʲˈɛjʃa.|1
+Dataset/wavs/urwisko_ferenc/65_segment_109.wav|ˌɔttʃɛkˈawa, ˈaʃ pˈartnɛr pʃɛtʃˈɨta ˌinfɔrmˈatsjɛ s kˈartki, ktˌurɔ̃ mu pɔdˈawa. — skˈɔnt tɔ mˈaʃ? ��� bɔrˈɛvitʃ pˈɔtar pwˈatɛk ˈuxa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_90.wav|ɲʲɛ, tsˈɔɕ tˈɨ, pˈawza. nˈɔ vwaɕtɕˈivʲɛ ɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_195.wav|tsˈad znˈawa bravˈɔfskʲɛ swˈɔva na ˌɔkrɛɕlˈɛɲʲɛ rˈuʒnɨɣ ɡatˈuŋkuf mˈawʒɨ, ˌalɛ f pˈɔrtɕɛ wˌaxmaɲʲˈaʒa zˌaxfalˈawa sfˈuj tˈɔvar w jɛ̃zˈɨku xandlˈɔvɨm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_146.wav|tsˈɔ dɔ dalˈɛkix pʃɨbˈɨʃuf, lˈɛtʃ rˈanɔ w ɡazˈɛtax ɲʲˈɛma ɔ ɲˈix nˌajdrɔbɲʲˈɛjʃɨɣ vzmʲˈanɛk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_260.wav|ɲʲɛ pˈatʃɛtɕ na ɲʲˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_385.wav|ɔbˈavʲam ɕɛ, ʒˈɛ tfˈɔjɛ kuzˈɨŋki pʃˌɛswuxˈujɔ̃ f tˌaki sˈam spˈɔsup. ɲʲˈɛɣ bˌɛndɔ̃ pʃɛklˈɛɲtɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_34.wav|jɛdˈɨnɛj pʃˌɨjatɕˈuwki, jˈakɔ̃ mʲˈawam w ʒˈɨtɕu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_46.wav|jˌɛstɛm jˈuʃ prˈavʲɛ pʃɨ brˈadʑɛ, a kˈij dɔ krɨkʲˈɛta lˈɛʒɨ tˈuʃ ˌɔbɔk ɲʲˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_232.wav|ˌalɛ zapˈɛvɲʲam tɕˈɛ, ʒˈɛ valtʃˈɨli tˈam rˈuvɲʲɛʃ ˈinɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_119.wav|nˈɔ tɔ zˈasnɛ. lˈubjɛ ɡˈɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_113.wav|ˌalɛ sɔ̃ jˈɛʃtʃɛ pˈɛvnɛ ʒˈɛtʃɨ, kturˈɨmi z nˈuduv zajmˈujɛ ɕɛ sˈam bˈuk.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_89.wav|ˈaʃ pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃. ja ɡˈɔ ɲʲɛ zabʲˈiwɛm, ɲʲɛ ˌudɛʒˈɨwɛm ɡˈɔː ˈaʃ tˈak mˈɔtsnɔ. pˈɔvʲɛts mi prˈɔʃɛ, ʒˈɛ ɲʲɛ ja ɡˈɔ zabʲˈiwɛm.|4
+Dataset/wavs/urwisko_ferenc/19_segment_105.wav|— pʃˌɛtɕɛʃ tɔ prˈɔstɛ — stfʲɛrdʑˈiwa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_8.wav|tˈɔm zdwˈaviw sfˈɔjɔ̃ ˌirɨtˈatsjɛ i zmʲˈɛɲiw tˈɛmat.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_74.wav|prɔvˈadʑɛ jˈɔ̃ f strˈɔnɛ sˈɔfɨ f tˈaɡ zvˈanɨm pʃɛzˈɛmɲʲɛ pʃɨtˈulnɨm mʲˈɛjstsu, ɡdʑˈɛ rɔzmˈavʲam z rˌɔdʑitsˈami i dʑˈɛtɕmi w ɲʲˌɛfɔrmˈalnɨ spˈɔsup.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_108.wav|lˈɛtʃ ftˈɛdɨ pɔjˈaviw ɕɛ w dʒvʲˈax pˌɔtkɔmˈisaʃ kˈɔrsak.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_227.wav|tɔ ɕlˈup tˌɨlkɔ na jˈɛdnɔ̃ nˈɔts, zabˈujtsɔ. nˈavɛd w vɛstˈɛrɔs ɲikˈɔɡɔ zˈatɔ ɲʲɛ zˈɛtnɔ̃.|1
+Dataset/wavs/urwisko_ferenc/44_segment_66.wav|krˈɔɡ dˈalɛj ɕfʲˈat tˈɔnɔw w ɲʲˌɛpʃɛɲikɲʲˈɔnɨm mrˈɔku. pɔ xfˈili fpˈisaw w vˌɨʃukivˈarkɛ tʃˈɨ swˈɔva.|0
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_10.wav|fspˈɔmɲʲaw, ʒˈɛ mˈa ʒˈɔnɛ i dvʲˈɛ tsˈurki, ˌalɛ tɔ fʃˈɨstkɔ, tsˈɔː ˈɔɲim vʲˈɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_50.wav|vˈɛra karnˈɔfska?|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_347.wav|ɲʲɛ zrɔbʲˈimɨ ɲikˈɔmu kʃˈɨvdɨ, xwˈɔptʃɛ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_216.wav|tˌɨlkɔ ɲʲɛ ˌɔpɔvʲˈadaj mi smˈutnɨx çistˈɔrji ˈɔtɨm, w jˈaki spˈɔsup ˈumar, bˈɔ fʃˈɨstsɨ mɔʒˈɛtɕɛ pˈujɕtɕ w jˈɛɡɔ ɕlˈadɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_6.wav|ˌuswɨʃˈawa ɡwˈɔz dˌɔbjɛɡajˈɔntsɨ zˈɛ ʃtʃˈɨtu sxˈɔduf.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_108.wav|tˈaɡ vidʑˈawɛm pˈaɲʲɔ̃, mˈuvjɛ, vˈaltʃɔndʑ z zasxɲʲˈɛntɨm ɡˈardwɛm.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_26.wav|na pˈɛvnɔ vjɛxˈawa na ɡˈurɛ w vʲˈadʒɛ, ʒˈɛbɨ zɔbˈatʃɨdʑ dlatʃˈɛɡɔ tɔ trfˈa tˈaɡ dwˈuɡɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_107.wav|tɔ tɨ tɔ pˌɔvʲɛdʑˈawɛɕ, ʒˈɛkw ˈandɛrsɔn.|0
+Dataset/wavs/urwisko_ferenc/27_segment_83.wav|xˈɨba ɲʲɛ mˈɔʒna tˌɛɡɔ vɨklˈutʃɨtɕ.|0
+Dataset/wavs/urwisko_ferenc/49_segment_66.wav|ɔdˈɛzvij ɕɛ jˈutrɔ dɔ ɡabrjˈɛla zˌavɔrskʲˈɛɡɔ. nˈumɛr zˈaras tɕi pʃˈɛɕlɛ. pˈɔvʲɛts mu, ʒˈɛ jˌɛstɛɕ ˈɔdɛ mɲʲɛ. pɔvˈiɲʲɛn ʃˈɨpkɔ zˈajɔɲtɕ ɕɛ sprˈavɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_271.wav|ɡdˈɨbɨm mˈukw tɕi jˈakɔɕ pˈɔmuts.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_382.wav|bˈudʑɔ̃ mɲʲɛ, bˈɨ dɔmˈaɡatɕ ɕɛ zˈɛznaɲ. ɔstˈatɲʲɛj nˈɔtsɨ vɨznˈawam sˈɛptɕɛ nˈɛlli, ʒˈɛ mˈam ɔxˈɔtɛ vɨdrˈapatɕ jɛj ˈɔtʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_249.wav|ɲʲˈɛx ˌɔɲi brˈɔɲʲɔ̃ sˈɛptu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_14.wav|pˌɔvʲɛdʑˈawa nˈam, ʒˈɛ znˈuf mˈa nadʑˈɛjɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_105.wav|pˈatʃɨw na tfˈaʃ rɨˈana i na jˈɛɡɔ jˈasnɛ vwˈɔsɨ, ktˌurɛ ɔpˈadwɨ mu na tʃˈɔwɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_49.wav|ɲʲˈɛvʲɛm, ɔ tʃɨm ɔn mˈuvi.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_213.wav|jɛj tɕɛrplˈivɔʑdʑ dɔ pajsˈɛla jˈuʃ ɕɛ vˌɨtʃɛrpɨvˈawa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_29.wav|ɔtfʲˈɛram ɔstrˈɔʒɲʲɛ dʒvˈi, pˌamjɛntˈajɔnts, ʒˈɛ skʃˈɨpjɔ̃, kʲˈɛdɨ dˌɔtɕɛrˈajɔ̃ dɔ pɔwˈɔvɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_19.wav|ɲʲɛ mʲˈawam zamjˈaru ɡˈɔː ˈuʒɨtɕ, ˌalɛ pɔpˈatʃɨw na ɲʲˈɛɡɔ pʃˌɛraʒˈɔnɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_200.wav|zapˈɨtaw ˈandɛrsɔn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_273.wav|zˈatʃɔw tʃˈaskatɕ klˌaviʃˈami ˌaparˈatu, pˈɔtɛm mˈɨknɔw pɔ sfɔjˈɛmu i zapˈɨtaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_107.wav|pˌɔrɔzmavʲˈajtɕɛ sˈɔbjɛ, tɔ xfˈilɛ pˈɔtrfa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_114.wav|ɔn mɲʲɛ ˌɔpsɛrvˈujɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_207.wav|ɡˈɔɕtɕ, kturˌɛɡɔ xwɔpˈaki nˌazɨvˈajɔ̃ ˌɛlɛktrˈɨkʲɛm, pɔvʲˈɛdʑaw ˌɔpɔvʲˌadajˈɔntsɨ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_479.wav|vidʑˈawam trˈupɨ viʃˈɔntsɛ na dʒˈɛvax.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_127.wav|mˈurɨ pɔrˈastaw tˈu mˈɛx i pnˈɔntʃa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_404.wav|a ja vˌɨnajˈɔwɛm sˈɔbjɛ pˈɔkuj na brˌɔadvˈaju.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_346.wav|ˈɔtar ˈusta prˈavɔ̃ dwˈɔɲʲɔ̃ i pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_381.wav|dˈavɛn prˌɔpɔnˈɔvaw, bˈɨ zavlˈɛkli jˈɛ dɔ ravˈɛntrɨ i tˈam zrɔbʲˈili z ɲˈix uʒˈɨtɛk, ˌalɛ jˈamɛ kˈazaw mu fʃˈɨstkɔ spˈalitɕ, pˌɔtʃɨnˈajɔnts ɔt ʃafˈɔtu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_131.wav|ja tˈɛʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_218.wav|tɔ fʃˈɨstkɔ, tsˈɔː ˈɔɲim vʲɛdʑˈawam.|4
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+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_10.wav|tɔ, ʒˈɛ plˌanɔvˈawam ˈaktsjɛ dˌɨvɛrsˈɨjnɔ̃, ftsˈalɛ ɲʲɛ ˌɔznatʃˈawɔ, ʒˈɛ ɲʲɛ mˈɔɡwam ɕɛ dɔ ɲʲˈɛj vɨstrˈɔitɕ.|4
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+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_222.wav|ɔdˈɛrvaw vzrˈɔk ɔd vˌɨɕfʲɛtlˈatʃa i zˌauvˈaʒɨw mɲʲɛ.|4
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+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_99.wav|i tsˈɔ ftˈɛdɨ bˈɛɲdʑɛ?|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_7.wav|jˈaki prˈɔblɛm mˈɔʒɛ mʲˈɛtɕ lˈutsɨ?|3
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_90.wav|ˈɔznaj mˈiw, ʒˈɛ ɲʲɛ tɕˈɔŋɡɲʲɛ ɡˈɔ s pɔvrˈɔtɛm dɔ nˌautʃˈaɲʲa. pˌ��dɛjʒˈɛvam jˈɛdnak, ʒˈɛ ʑlˈɛ ˌɔʃatsˈɔvaw tʃˈas, ktˌurɨ pɔxwˈaɲʲa ɔpʲˈɛka nad dvˈujkɔ̃ ʃkrˈabuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_77.wav|zˈaɲim upˈadɲʲɛʃ, pʃˌɨtakˈujɛ bʲˈillɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_336.wav|zatʃˈɔwɛm ɔt ɔpʃˈɛrnɛj prˌɛambˈuwɨ, bˈɔ xtɕˈawbɨm, ʒˈɛbɨ pˈan zrɔzˈumjaw mˈɔjɔ̃ sˌɨtuˈatsjɛ psˌɨxɔlɔɡʲˈitʃnɔ̃.|0
+Dataset/wavs/urwisko_ferenc/44_segment_10.wav|spˈɨtaw mˈarjɛ, ɡdˈɨ jɛxˈali f kʲɛrˈuŋku jɛj dˈɔmu.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_243.wav|dɔrˈɔswaɕ i stˈawaɕ ɕɛ ˌɔbʒɨdlˈivɔ̃ kˌɔmbʲinatˈɔrkɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_15.wav|tʃˈujɛ ɕɛ tˈɛras ɲʲɛ najlˈɛpʲɛj zˈɛ ɕfʲˌadɔmˈɔɕtɕɔ̃, ʒˈɛ ktˈɔʑ vɨkrˈɛɲtɕiw mi tˌaki nˈumɛr, ˌalɛ ɲˈits mi ɲʲɛ jˈɛst.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_123.wav|ɲʲˈɛx ɕɛ nˈattɨm zˌastanˈɔvʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_104.wav|tʃɨ w ɔɡˈulɛ ɡˈɔ pˈɔznam?|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_135.wav|ɲˈikt ɕɛ ɲʲɛ zˌaintˌɛrɛsˈɔvaw, jˈak tɔ jˈɛst, ɡdˈɨ z nadʑˈɛjɔ̃ pʃɨsˈuvaʃ mˈɔkrɔ̃ dwˈɔɲ dɔː ˈust i nˈɔsa ɕˈɔstrɨ, xˈɔdʑ w ɡwˈɛmbʲi dˈuxa zdˈajɛʃ sˈɔbjɛ sprˈavɛ, ʒˈɛ nadʑˈɛi ɲʲˈɛma.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_101.wav|ruʃˈɨwa z ɲʲɛxˈɛɲtɕɔ̃ za vʲˈɛlkim sɛptˈɔnɛm.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_231.wav|tsˈawɨ tʃˈas mʲˈawɛɕ mˈɨʃ w rɛŋkˈavʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_284.wav|ˈɔjtɕɛts ɔstʃˈɛɡaw jˈɔ̃, ʒˈɛ ɲʲɛ mˈɔɡɔ̃ dɔpˈuɕtɕitɕ, bˈɨ lˈudʑɛ ɕɛ dˌɔvʲɛdʑˈɛli, jˈaɡ bˈardʑɔ swˌabɔvˈitɨ i txuʒlˈivɨ jɛst rˈɔbɛrt.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_13.wav|tˈutaj nˌadʲinspˈɛktɔr tˈɔm dɔˈuɡlas. vʲˈɛmɨ, ʒˈɛ mˈili ɲʲɛ jɛst tˈam sˈama i xtsˈɛmɨ zapˈɛvɲidʑ vam fʃˈɨstkim bˌɛspʲɛtʃˈɛɲstfɔ. tʃɨ mˈɔɡɛ vʲˈɛdʑɛtɕ, ktˈɔ jɛst pɔ drˈuɡʲɛj strˈɔɲʲɛ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_15.wav|tˈɔm pˈɔtʃɛd dɔ tablˈitsɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_100.wav|brˌakɔvˈawɔ mu brˈata i vʲɛtʃˈɔruf, ktˌurɛ spɛndʑˈali rˈazɛm pˌɔpijˈajɔnts fçˈiskɨ i kwˈutsɔnts ɕɛ na tˈɛmat muzˈɨki, pɔlˈitɨkˌi tʃɨ pʃˌɛstɛmptʃˈɔɕtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_34.wav|skurvˈɨsɨn, vɨɡlˈɔnda krˈɔpka f krˈɔpkɛ jˈaɡ vʲˈɛɕur arˈafat?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_110.wav|pɔtxˈɔdʑɛ pɔspʲˈɛʃɲʲɛ dɔ stˈɔwu.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_73.wav|zˌastanavʲˈawam ɕɛ, jˈaɡ vɨɡlˈɔnda, kʲˈɛdɨ tɔ rˈɔbʲi. tʃɨ ɕɛ pˈɔtɕi? na pˈɛvnɔ jɛst ftˈɛdɨ tsˈawɨ spɔtsˈɔnɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_74.wav|vˌɨɡlɔndajˈɔntsɛ ɲˈibɨ rˈɨjɛɡ zˌabavnˈɛɡɔ zvʲɛʒˈɛɲtɕa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_140.wav|mˈɔjɛ, ɲʲɛ mˈɔjɛ mʲˈastɔ jɛzd w ɡɔrˈɔntʃtsɛ i ja jˌɛstɛm w ɡɔrˈɔntʃtsɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_38.wav|spˈɨtaw kˈit, a tˈɔm i bˈɛtskɨ zˌatɕisnˈɛli zˈɛmbɨ.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_260.wav|pˌɔkɔxˈajɔ̃ s pɛvnˈɔɕtɕɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_23.wav|dʒˈɔnsɔn jɛzd dˈɔbrɨm lɔtɲˈikʲɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_7.wav|ˈaʃ nˌarɔdʑˈiwa ɕɛ ˈanna frˈaŋklin.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_224.wav|s kɔtɕˈɔwka dˌɔbɨvˈawa ɕɛ vˈɔɲ spˌalɛɲˈiznɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_274.wav|dˈɔbʒɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_123.wav|tʃɨ vʲˈɛʒɨ, ʒˈɛ ˌuratˈɔvaw jɛj ʒˈɨtɕɛ, tʃɨ ɲʲɛ?|2
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+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_38.wav|i ɔbnˈaʒa zˈɛmbɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_35.wav|kˌɛɲijtʃˈɨtsɨ mˈuvjɔ̃ pɔː aŋɡʲˈɛlsku i f sˌuvaçˈili.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_39.wav|kɔbjˈɛta zˌaxɔvˈujɛ stɔˈitski spˈɔkuj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_142.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_42.wav|tsˈɔ jɛst ɲʲɛ tˈak s tˌɨmi lˈudʑmi?|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_94.wav|kˈim jɛst tɛn tʃwˈɔvʲɛk?|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_45.wav|vwɔʒˈɨwa jˈɛ dɔ tɔrˈɛpki i kazˈawa, ʒˈɛbɨm bˈɨw ɡʒˈɛtʃnɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_150.wav|nɔɡˈuɡʲi spɔjʒˈawa nˈamɲʲɛ vɨmˈɔvɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_73.wav|tʃfˈɔrɔ lˈudʑi tʃˈɛka na vˈindɛ. tʃˈɛj mɛ̃ʃtʃˈɨʑɲi i kɔbjˈɛta.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_138.wav|pɔvʲˈɛdʑɔ̃, ʒˈɛ tɔ pˌɔraxˈuŋki ɡˈaŋɡuf lˈub zˈɛmsta.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_183.wav|i ftɕˈɔ̃ʒ zˌadɛptɨvˈanɛj pʃˈɛs lˈudʑi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_67.wav|xˈɔff jɛst jˈaki jɛst i ɲˈits nˈatɔ ɲʲɛ pɔrˈadʑi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_195.wav|pɔtʃˈuwam dˈuʒɔ̃ ˈulɡɛ.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_239.wav|vɨɕˈadwɛm i ɔpʃˈɛdwɛm samˈɔxut ɔt pʃˈɔdu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_516.wav|ˌɔna ˌutɕɛkˈawa pʃɛdˈɛmnɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_83.wav|tsˈɔ ja sˈɔbjɛ mɨɕlˈawam?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_116.wav|sprˌɔʃkɔvˈanɨ ˈinstɨŋɡd ʒˈɨtɕa.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_13.wav|pɔ tsˈɔ marnˈɔvatɕ tʃˈas?|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_240.wav|tˈu jɛzd dˈawntawn, pˈaɲʲɛ pɔvʲˈɛdʑaw spʃɛdˈaftsa. i lˈudʑɛ ɲʲˈɛxtsɔ̃, ʒˈɛbɨ vidʑˈɛli, ʒˈɛ pˈijɔ̃.|0
+Dataset/wavs/urwisko_ferenc/09_segment_62.wav|— ɲʲˈɛvʲɛm, tʃɨ vʲˈɛʃ, ˌalɛ tɔː ulˈitsa prˌɔvadʑˈɔntsa dɔ bjawˈɛɡɔ ʒˈaɡla — vɨjˈaɕɲiw pɔlˈitsjant.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_140.wav|bˌɛndɔ̃ mˈɔɡli tˈu zamjˈɛʃkatɕ i nˈam pɔmˈaɡatɕ. fʃˈɨstsɨ nˈatɨm skˌɔʒɨstˈamɨ. mɔʒˈɛmɨ ɕɛ vʲˈɛlɛ ɔt ɕˈɛbjɛ naˈutʃɨtɕ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_174.wav|maʃ tʃˈarnɛ vwˈɔsɨ i ɲʲɛbjˈɛskʲɛ ˈɔtʃɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_211.wav|lˈɛʒaw ɲʲˌɛruxˈɔmɔ, ɲʲɛ umjˈɛjɔnts ɕɛ pɔrˈuʃɨtɕ i vʲˈɛdʑaw,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_75.wav|bˈɛtskɨ ˌuɲikˈawa spɔjʒˈɛɲʲa tˈɔma.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_142.wav|rˈaffɔrt, jˈɛɕli wˈaska.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_199.wav|i pɔɲʲˈɛvaʃ ɲˈits lɛpʃˈɛɡɔ ɲʲɛ pʃɨxˈɔdʑi mu dɔ ɡwˈɔvɨ, dɔdˈajɛ ɡˈɔl mˌurɔvˈanɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_12.wav|ɲʲɛ jˌɛstɛm pˈɛvnɨ, dlatʃˈɛɡɔ jɛdʑˈɛmɨ za tfˈɔim fatsˈɛtɛm. tʃɨ ɲʲɛ pˌɔvʲɛdʑˈawaɕ, ʒˈɛ ta krɛtˈɨŋka ˌɔdmuvˈiwa mu spɔtkˈaɲʲa z mˈilljɛ? pʃɨnˈajmɲʲɛj na pˈɛvʲɛn tʃˈas?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_416.wav|bˈɔiʃ ɕɛ, ʒˈɛ tɕˈɛ zamrˈɔtʃɛ?|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_179.wav|mɔdlˈiwa ɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_405.wav|pɔmˈɨɕlaw ˈabrjan.|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_141.wav|spɔɡlˈɔnda na ˈɛkran, mˈɨɕli.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_27.wav|ʃtʃˈupwa i ʒɛlˈasta mjˈa vˌɨdavˈawa ɕɛ tfˈarda jˈak stˈarɨ, skuʒˈanɨ strˈuj dɔ jˈazdɨ kˈɔnnɛj, ktˌurɨ nɔɕˈiwa pɔt srɛbʒˈɨstɔ̃, kˈɔltʃɔ̃ kɔʃˈulɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_80.wav|mʲˈawam jˈuʃ fawʃˈɨvɔ̃ tɔʃsˈamɔɕtɕ. nˈatʃɛt tʃˈas na fˈazɛ drˈuɡɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_227.wav|pʃˌɨpɔmˈina sˈɔbjɛ, jˈak ʃˈan zasnˈɛwa ˈu jˈɛɡɔ bˈɔku f ɕˈudmɛj rˈuɲdʑɛ mˈɛtʃu bˌɛjzbɔlɔvˈɛɡɔ, jˈak pˌɔwɔʒˈɨwa ɡwˈɔvɛ na jˈɛɡɔ ramjˈɛɲʲu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_361.wav|pʃˌɨɡlɔndˈajɔnts mi ɕɛ zˈɛ znatʃˈɔntsɨm upˈɔrɛm.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_291.wav|tɕˈɛɲ w namjˈɔtɕɛ krˈula.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_202.wav|i ʃˈɛt kˈu ɕfʲˈatwu, ktˌurɛ zbliʒˈawɔ ɕɛ kˈu ɲʲˈɛmu pɔvˈɔli, lˈɛtʃ ɲʲˌɛustɛmplˈivʲɛ.|0
+Dataset/wavs/urwisko_ferenc/61_segment_23.wav|mˈartɕin ɕikˈɔrski, ˈɔjtɕɛts mˈɔɲikˌi. a, tɔ pˈan. xˈɛrman vrutɕˈiwa na wˈɔŋkɛ. ftɕˈɔ̃ʃ ɲʲɛ vidʑˈawa sˌamɔxˈɔdu.|0
+Dataset/wavs/urwisko_ferenc/45_segment_82.wav|pʲˌɛtʃɔwɔvˈitɕɛ zrɔbjˈɔnɨ makˈijaʃ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_75.wav|pˌɔwɔʒˈɨwam dwˈɔɲʲɛ na bʒˈuxu, pˌɔɡwadʑˈiwam skˈurɛ i ˌɔbjɛtsˈawam dʑˈɛtsku, ʒˈɛ zapˈɛvɲʲɛ mu bˌɛspʲɛtʃˈɛɲstfɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_141.wav|tʃɨ vwˈaɕɲʲɛ ˈɔtɔ mu xɔdʑˈiwɔ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_82.wav|ftɕˈɔ̃ʃ pʃˌɛɕladɔvˈawɔ mɲʲɛ fspɔmɲʲˈɛɲʲɛ ɡwˈɔsu tʃwɔvʲˈɛka, ktˌurɨ tfʲˈɛrdʑiw, ʒˈɛ jɛst s kˈɔtɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_75.wav|stfʲˈɛrdʑiw, ʒˈɛ tɔ jɛdˈɨnɨ spˈɔsup, ʒˈɛbɨ pˈɔzbɨtɕ ɕɛ nˈaʃɨx prɔblˈɛmuf, a ja pʃɨɕˈɛŋɡwam, ʒˈɛ zrˈɔbjɛ fʃˈɨstkɔ, ʒˈɛbɨ ɲʲɛ stˈawɔ mu ɕɛ ɲˈidʑ zwˈɛɡɔ.|3
+Dataset/wavs/urwisko_ferenc/05_segment_29.wav|ɲˈiɡdɨ ɕɛ tˌɛɡɔ ɲʲɛ dˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_238.wav|mˈikɛ pˈɔtʃɛd dɔː ˌandɛrsˈɔna i patʃˈɨli tˈɛras ɔbˈɨdvaj.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_64.wav|ɲʲɛ mˈuvi ɲˈidʑ vʲˈɛntsɛj, ˌalɛ za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ fpˈada dɔ tˌɛɡɔ pɔkˈɔju, sˈɛrtsɛ pɔtxˈɔdʑi mi dɔ ɡˈardwa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_107.wav|nˈaɡlɛ rˈɔbʲi mi ɕɛ ɲʲɛdˈɔbʒɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_150.wav|vʲˈɛʃ, jˈudɨ pɔvʲˈɛdʑaw ˈandɛrsɔn ɲˈits ɲʲɛ jɛst tˈak mˈiwɛ, jˈak ˈuɕɔ̃ɕtɕ s tˈɔbɔ̃ i nˈapitɕ ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_33.wav|prˈɔʃɛ mi vɨjˈaɕɲitɕ, tsˈɔ tɔ za rˈɛjɛstr.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_24.wav|ɕɲˈiw mi ɕɛ jˈakiɕ pˈan.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_66.wav|mˈarɨ, ja jˈuʒ dwˈuʒɛj ɲʲɛ mˈɔɡɛ tˈaɡ ʒˈɨtɕ, mˈarɨ!|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_196.wav|vˌɨtʃɔwɡˈawam ɕɛ z bˌɛtɔnɔvˈɛɡɔ basˈɛnu i znˈuf spɔjʒˈawam f strˈɔnɛ stɛrˈɔvɲi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_2.wav|tˈɔm pˈatʃɨw na ˈaʃa, ktˌurɨ pɔvˈɔli ɔtfʲˈɛraw ˈɔtʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_134.wav|ɲʲɛ pɔvʲˈɛdʑawbˌɨm, ʒˈɛ ɕɛ bˈaliɕmˌɨ, pˈaɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_257.wav|rˈuvɲʲɛʃ ɲʲɛ pʃˈɨɲʲus jɛj ˈulɡʲi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_62.wav|mˈuʃɛ pɔmˈɨɕlɛtɕ, jˈak nˈas stˈɔnd vɨdˈɔstatɕ. rɔzˈumjɛm, ʒˈɛ ˌɔna sˈɨpja f pɔkˈɔju ˈɔbɔk.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_56.wav|ɡdˈɨbɨm pɔvʲˈɛdʑaw pɔlˈitsji, ʒˈɛ tˈu bˈɨwa, pʃˌɛswuxˈalibˌɨ jˈɔ̃, a ˌɔna bˈɨ spˌaɲikɔvˈawa. ˈitɕ i zapˈɨtaj jˈɔ̃, jˈɛɕli mi ɲʲɛ vʲˈɛʒɨʃ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_43.wav|tˈɔm pʃˈɨtknɔw.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_216.wav|tˈɨlɛ muɕˈawam mʲˈɛtɕ.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_159.wav|na vˈɨspax pˌɔzɔstˈawa tˌɨlkɔ ɡˈarstka ˌuzbrɔjˈɔnɨx lˈudʑi.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_73.wav|rˈɔzlɛkw ɕɛ ɡwˈɔs, ktˌurɨ znˈawa ɔd dʑɛtɕˈiɲstfa. fstˈavaj i ubjˈɛraj ɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_118.wav|kamˈuflaʃ f pɔstˈatɕi sˈukɲi i çijˈabu mˈuɡw ɲʲɛ vɨstˈartʃɨtɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_434.wav|fstɨdʑˈiwɛm ɕɛ sˈam ɕˈɛbjɛ, jˈɛdnak puɕtɕˈiwɛm ɕɛ w jˈakʲɛɕ tˈanɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_90.wav|kˈilka pˈaɲ f tɨm bjˈuʒɛ, a mˈɔʒɛ i pˈaru pˈanuf.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_372.wav|a vʲˈɛnts mˈɔʒɛ i tsˈawɨ fʃˈɛxɕfʲad zˈɛ sfˈɔjɔ̃ ˌidjɔtˈɨtʃnɔ̃ ɲʲˌɛskɔɲtʃɔnˈɔɕtɕɔ̃|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_46.wav|zɛrknˈɛwaɕ na sfˈɔjɔ̃...|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_48.wav|mˈɔʒɛ ɲʲɛ vɨɡlˈɔndam na takʲˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_36.wav|zbadˈawɨ jˈɔ̃ ɕfʲˈɛntɛ sˈɛptɨ, ktˌurɛ zˌaɕfʲattʃˈɨwɨ, ʒˈɛ ɲʲɛ jɛst jˈuʒ dʑɛvˈitsɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_36.wav|ˌɔdvrutɕˈiwa ɕɛ ɔt ɲʲˈɛɡɔ, vɨpˈiwa vˈinɔ, nalˈawa sˈɔbjɛ kɔlˈɛjnɨ kʲɛlˈiʃɛk i ɡʒmɔtnˈɛwa butˈɛlkɔ̃ ɔ blˈat. tʃˈɛkaw.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_401.wav|ˈɔddaj mi mˈɔjɛ ubrˈaɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_30.wav|dˈɔbʒɛ pˌɔvʲɛdʑˈawɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_27.wav|tɔ ɲʲɛ mˈɔɡwɨ bˈɨtɕ jɛj dʒvˈi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_45.wav|ʒˈɛ lˈudʑɛ skˈatʃɔ̃ pˈɔpʃɛs pˈaɲskʲɛ nˈɔɡʲi. ɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_281.wav|mɔʒˈɛtɕɛ tˈɛʃ pˈujɕtɕ nat kɕˌɛ̃ʒɨtsˈɔvɔ̃ sadʑˈafkɛ, ɡdʑˈɛ nˈɔtsɔ̃ pˌɔjɛdɨŋkˈujɔ̃ ɕɛ zbʲˈirɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_49.wav|tɔ xˈɨba dˈɔbrɨ pˈɔmɨsw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_89.wav|pˈatʃɛ vzdwˈuʒ dwˈuɡʲɛj drˈɔɡʲi i ɲʲˈɛmal tʃˈujɛ tɔ spɔjʒˈɛɲʲɛ lˌɔdɔvˈatɔʃˈarɨx ˈɔtʃu, ktˌurɛ pʃɛɲˈika pɔvʲˈɛtʃɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_22.wav|kavˈawki ˌukwadˈaŋki fskakˈujɔ̃ na sfˈɔjɛ mʲˈɛjstsɛ.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_46.wav|mʲˈawa dˈɔbrɨ smˈak.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_34.wav|mʲˈɛjmɨ nadʑˈɛjɛ, ʒˈɛ tɛn ktˈɔɕ pɔpˈɛwɲiw kɔlˈɛjnɨ bwˈɔnt, bˈɔ sɔɲdʑˈimɨ, ʒˈɛ pʲˈɛrʃɨ dɔtˈɨtʃɨw tˌɛlɛfˈɔnu.|3
+Dataset/wavs/urwisko_ferenc/01_segment_60.wav|jˈakɔ̃ lubʲˈiwa najbˈardʑɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_152.wav|tɔ pɔmˈɔʒɛ tfˈɔjɛj mˈamjɛ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_267.wav|ˈalbɔ pˈɔvrud dɔ swˈuʒbɨ pʃɨ brˈamjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_95.wav|tsamˈɛrɔn, ɔtpˈɔvʲɛts prˈɔʃɛ na pɨtˈaɲʲa ɕɛrʒˈanta sˈimsa f sprˈavʲɛ ftʃɔrˈajʃɨɣ dʑˈawaɲ jaɡˈɛra.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_191.wav|vrˈɛʃtɕɛ ɔdnˈalas spˈɔkuj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_233.wav|ˌɔdvʲɛdʑˈiwɛm znˌajɔmˈɛɡɔː i kupˈiwɛm tɕi mˈawɨ prˈɛzɛnt na pˌɔʒɛɡnˈaɲʲɛ, mˈuvi vrˈɛntʃa ˈɛlis pistˈɔlɛt.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_14.wav|kʲˈɛdɨ ˈujʒɨ wzˈɨ spwˌɨvajˈɔntsɛ pɔ tfˈaʒɨ ˈarjan, s pɛvnˈɔɕtɕɔ̃ jɛj vɨbˈatʃɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_306.wav|sˌɛlɛdɨnˈɔva liɲˈijka skakˈawa ɔt pɔdwˈɔɡʲi dɔ sufˈitu.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_106.wav|a tʃɨ vˈartɔ dla ɲʲˈɛɡɔ zˈabʲitɕ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_22.wav|ɲˈiɡdɨ f tɔ ɲʲɛ vʲɛʒˈɨwam, ˌalɛ tˈɛras tʃˈɨmam ɕɛ rˌɔspatʃlˈivʲɛ tɛj tɛˈɔrji. dʑˈɛŋki ɲʲˈɛj zˌaxɔvˈujɛ zdrˈɔvɛ zmˈɨswɨ. ˌɔna ɡdʑˈɛɕ tˈam jˈɛst. znajdʑˈɛmɨ jˈɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_237.wav|tɔ sˌɛkɕistˈɔfskʲɛ.|2
+Dataset/wavs/urwisko_ferenc/23_segment_77.wav|bˈɔ vɨ pʃɨnˈajmɲʲɛj mˌatɕɛ klˈɔtski dɔ tɛj zabˈavɨ.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_222.wav|a kʲˈɛdɨ tɔ ɕɛ zmʲɛɲˈiwɔ? zˌapɨtˈawa brjˈɛnnɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_66.wav|dʒvˈi vˈindɨ ˌɔtfʲɛrˈajɔ̃ ɕɛ na pˈarkiŋk i f tɨm sˈamɨm mɔmˈɛɲtɕɛ dɔtɕˈɛra dɔ mɲʲɛ, jˈaki pˌɔpɛwɲˈiwam bwˈɔnt.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_185.wav|mˈɔntawk çˈikfaj zatˈatʃa pˈɛntlɛ, pˌɔvʲɛdʑˈawa.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_245.wav|xˈuta bˌɛɲdʑɛ stʃɛʒˈɔna lˈɛpʲɛj ɲˈiʃ fˈɔrt knˈɔks.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_71.wav|dˈalɛj pisˈawɛɕ, ˌalɛ i ˈɔstrɔ bˌalɔvˈawɛɕ. alkˈɔxɔl tɛ sprˈavɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_51.wav|mʲˈɛjmɨ nadʑˈɛjɛ, ʒˈɛ tɔ drˈuɡʲɛ i ʒˈɛ ɲʲɛ sɔ̃ ˈaʃ tˈak sprˈɨtɲi, jˈakim ɕɛ vɨdˈajɛ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_86.wav|znalˈaswʃɨ mˈiskɛ ˌɔraz dʑbˈanɛk s xwˈɔdnɔ̃ vˈɔdɔ̃, umˈɨwa sˈɔbjɛ rˈɛntsɛ i tfˈaʃ.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_175.wav|tsˌɨtadˈɛla ɲʲɛ jɛst jˈuʃ tˈaka jˈak kʲˈɛdɨɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_91.wav|ɕɛŋɡnˈɛwam dɔ jɛdnˈɛɡɔ s tʃɨtɲˈikuf na pʃˌɛdramjˈɛɲʲu, ktˌurɨ w zasˈadʑɛ pˈɛwɲiw fˈuŋktsjɛ zˌɛvnɛntʃnˈɛɡɔː ɛkrˈanu mɔjˈɛɡɔ ɡʲˈizmɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_287.wav|swuxˈawɛm f sˈɔbjɛ ʃˌalɛjˈɔntsɛj krfˈi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_200.wav|ɲʲˈɛvʲɛ tˈɨlkɔ, ktˌurɨ z zˌakapʲˈɛruf ɲˈika ˈɔddaw ɕmʲɛrtˈɛlnɨ stʃˈaw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_225.wav|ktˈɔː i dlatʃˈɛɡɔ?|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_287.wav|jˌɛstɛm s tɕˈɛbjɛ dˈumnɨ i ɕˈiwɔ̃ ʒˈɛtʃɨ s samˈɛɡɔ ɕˈɛbjɛ tˈɛʃ, ʒˈɛ tɕˈɛ tˈaɡ vˌɨxɔvˈawɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_170.wav|ʃwˈɔ mi tsˈɔras lˈɛpʲɛj. vˌɨpwatsˈawam tsˌamɛrɔnˈɔvi fʃˈɛlkʲɛ nˌalɛʒnˈɔɕtɕi i zdˈawam sˈɔbjɛ sprˈavɛ, ʒˈɛ mˈuʃɛ zˈatʃɔɲtɕ stɔsˈɔvɲʲɛ vɨɡlˈɔndatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_112.wav|ˌɔbudʑiwˈɔbɨ ɡˈɔ pukˈaɲʲɛ pɔlˈitsji ˌɔpxɔdʑˈɔntsɛj dˈɔmɨ pɔ tɛj strˈɔɲʲɛ pˈɛarsɔn strˈit f pˌɔʃukivˈaɲʲu kˈɔɡɔɕ, ktˈɔ mˈuɡw vˈidʑɛtɕ, jˈak tˈɛ dʑɛftʃˈɨnɛ tˈu pˌɔʒutsˈɔnɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_82.wav|zapˈɨtaw jˈaɡɡɛr xraplˈivɨm ɡwˈɔsɛm, ktˌurɨ zdˈavaw ɕɛ za ɡwɛmbˈɔki, jˈak na jˈɛɡɔ kɔɕtɕˈistɛ tɕˈawɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_128.wav|pɔvʲˈɛdʑaw trɔndˈɔvi ɔzˈafɔ jˈuʃ kˈilka mʲɛɕˈɛntsɨ tˈɛmu, ˌalɛ trˈɔnd zaʒˈɔndaw prˈupki, ktˌurɔ̃ mˈɔɡlibˌɨ zbˈadatɕ jˈɛɡɔ spˌɛtsjalˈiɕtɕi.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_232.wav|nˈɔ dˈɔbra, mˈɔʒɛ bˈardʑɛj jˈaɡ dalˈɛki kˈuzɨn.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_12.wav|prˈɔʃɛ, ɲʲˈɛx tɔ ɲʲɛ bˌɛɲdʑɛ ˈɔn, ˌalɛ ktˈɔː ˈinnɨ mʲˈawbɨ ɕɛ zjˈavitɕ pʃˈɨtɛj paskˈudnɛj pɔɡˈɔdʑɛ?|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_134.wav|mˈɨɕli, ʒˈɛ jˈɛɕli znˈajdʑɛ ˌɔtpɔvʲɛdɲʲˈɛɡɔ bˈɔɡa, mˈɔʒɛ zˈɛɕlɛ ɔn kɔʒˈɨstnɛ vʲˈatrɨ, ktˌurɛ sprɔvˈadʑɔ̃ jɛj ˌukɔxanˈɛɡɔ s pɔvrˈɔtɛm.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_56.wav|ɔ ɡˈɛmbjɛ, ɔd vidˈɔku ktˌurɛj kfaɕɲʲˈawɔ mlˈɛkɔ.|1
+Dataset/wavs/urwisko_ferenc/27_segment_16.wav|pɔmˈɔtsɨ?|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_168.wav|bˈalman kʃˈɨtʃaw tˈaɡ ʒawˈɔɕɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_95.wav|mˈɔja ɕˈɔstra zdʑˈivi ɕɛ, ɡdˈɨ ˈɔtɨm uswˈɨʃɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_60.wav|tʃɨ pˌɔstɛmpɔvˈawam swˈuʃɲʲɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_60.wav|tˌɛɡɔ s pɛvnˈɔɕtɕɔ̃ vɔlˈawam uɲˈiknɔɲtɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_111.wav|zˌapɨtˈawa bˈɛtskɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_487.wav|ˈalbɔ mˈɔʒɛ za ˈɔknɛm pʃɛtˈarwɔ ɕɛ vʲɔsˈɛnnɛ ɲʲˈɛbɔ.|0
+Dataset/wavs/urwisko_ferenc/52_segment_18.wav|na lˈiɕtɕɛ prjˌɔrɨtˈɛtuf mʲˈaw dvˈa pˈuŋktɨ. tɛlˈɛfɔn dɔ ʒˈɔnɨ i dɔ mˈarji xˈɛrman.|0
+Dataset/wavs/urwisko_ferenc/56_segment_27.wav|tɔ tsˈɔ s tɨm zdjˈɛɲtɕɛm? pʃɛrvˈawa jˈɛɡɔ rˌɔzmɨɕlˈaɲʲa. pʃɛjdʑˈɛmɨ ɕɛ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_59.wav|tʃɨ mˈɔɡɛ jˈuʃ ˈiɕtɕ?|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_41.wav|pʃˌɛʒuvˈawam pˈulpɛ i pˌɔpijˈawam vˈɔdɛ, ɲʲɛ spuʃtʃˈajɔndʑ z ˈɔka wˈafki, pɔt ktˌurɔ̃ ukrˈɨwam ɡʲˈizmɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_15.wav|dlatˈɛɡɔ skʲˌɛrɔvˈali na mʲˈɛjstsɛ drˈuɡʲi kˈɔmbajn, ʒˈɛbɨ sprˈavdʑitɕ, tsˈɔ ɕɛ vɨrˈabja.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_61.wav|lˈubʲi tˈɛ sˈamɔ̃ stˈatsjɛ i tɛ sˈamɛ prɔɡrˈamɨ tˌɛlɛvizˈɨjnɛ tsˈɔ jˈa?|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_159.wav|mˈimɔ tɔ, jˈamɛ vˈɨswaw pʃˈɔdɛm adˈama marbrˈanda z jˈɛɡɔ zvʲˌadɔftsˈami.|1
+Dataset/wavs/urwisko_ferenc/10_segment_53.wav|znˈuf mʲˈaw ˈɔɕɛm ˈalbɔ dʑˈɛvʲɛɲtɕ lˈat.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_10.wav|pɔ rˈas pʲˈɛrʃɨ dɔ wˈɛs.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_76.wav|tsˈɔ ɕɛ stˈawɔ z mʲˈastɛm?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_66.wav|pˈɔza tɨm ɲʲɛ zamjˈɛʒam ɲikˈɔɡɔː ɔsˈɔndʑatɕ. w nˈaʃɨm vʲˈɛku ɔdnˈɔɕi ɕɛ tʃasˈami vraʒˈɛɲʲɛ, ʒˈɛ fʃˈɨstsɨ najlˈɛpɕi fatsˈɛtɕi sɔ̃ jˈuʒ zajˈɛɲtɕi, mˈuvi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_189.wav|vrˈatsa dɔ mˈawɛj kˈuxɲi i ˌɔxlapˈujɛ tfˈaʒ vˈɔdɔ̃, pɔ tʃɨm stˈɔi pˌɔxɨlˈɔnɨ nad zlˈɛvɛm z zˌamkɲʲɛntˈɨmi ɔtʃˈami.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_87.wav|dɔdˈajɔ̃ tɕi mˈɔrfjum, a tɨ pˈatʃɨʃ na tˌɛfˈaw i lˈudʑɛ ɲʲɛ znˈajɔ̃ jˈuʒ bˈulu i pˈɛvɲʲɛ dlatˈɛɡɔ fʃˈɨstsɨ stʃɛlˈajɔ̃ jˈak maɲʲˈatsɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_147.wav|zˈamɛk pɔvˈiɲʲɛn bˈɨdʑ zˌablɔkɔvˈanɨ, ˌalɛ ɲˈikt tˌɛɡɔ ɲʲɛ pʃɛstʃˈɛɡaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_3.wav|sˈalɔn jɛzd dwˈuɡʲi jˈaɡ vˈaɡɔn pullmˈana. pɔt sufˈitɛm vˈiʃɔ̃ tʃˈɨ ʒˌɨrandˈɔlɛ, dvˈa mˈawɛ i jˈɛdɛn dˈuʒɨ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_246.wav|mˈawɨ lˈɛf pʃɨtʃˈɨmaw klˈadʒ za ˈustɛ, a pˈɛk pˈɔmuɡw mu sɕˈɔ̃ɕtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_115.wav|— ɲˈits, vˈidʑi pˈan. — a ja ɲʲɛ naʒˈɛkam.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_211.wav|pɔvˈinnɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_82.wav|drˈɔbnɨ azjˈata ˈuɲʲus rˈɛŋkɛ. xˌaˌɛmˈɛm, tˈak, pʃɛvˈɔdɲik fspˈɔmɲʲaw, ʒˈɛ tˈam jɛst prˌɔmjɛɲʲɔvˈaɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_536.wav|— swˈɨʃɨʃ mɲʲɛ? — ʃɛpnˈɛwa vrˈɛʃtɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_71.wav|jɛst ix f sˈumjɛ pʲˈɛɲtɕ, f tɨm dvʲˈɛ tsˈawkʲɛm spˈɔrɛ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_178.wav|tsˈɔ maʃ pʃɛtɕˈifkɔ mˈɔjɛj tfˈaʒɨ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_26.wav|tˈɔm ɲʲɛ ˌɔtpɔvʲˈɛdʑaw. zrɔzˈumjaw suɡˈɛstjɛ jˈatska.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_32.wav|a pˈɔtɛm samˈɔlɔt pˈɔtʃɔw kɔwˈɔvatɕ na stˈart.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_149.wav|tʃɨ dɔvʲˈɛdʑɔ̃ ɕɛ ˈɔmɲʲɛ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_33.wav|pɔ xfˈili rɔzlˈɛɡa ɕɛ tʃˈask tˈɨlnɨɣ dʒvˈi i dudɲʲˈɛɲʲɛ stˈup na sxˈɔdax.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_127.wav|vʲˈɛnts mˈɔʒɛʒ dˌɔprɔvˈadʑidʑ dɔ pʃɛɡʒˈaɲʲa tsˈawɛj mˌaʃɨnˈɛrji.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_156.wav|ɲʲˌɛdɔʒˈɛtʃnɨ ʃnˈur vwˈɔsuf, dwˈuɡʲi na dvʲˈɛ stˈɔpɨ, zvˌisajˈɔntsɨ z ˈɔstrɔ zˌakɔɲtʃɔnˈɛɡɔ pɔdbrˈutka.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_29.wav|jˈak tɔ ɡwˈɔɕnɔ mˈuvi ˈɛlis.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_86.wav|ɲˈikt ɲʲɛ mˈuɕi vʲˈɛdʑɛtɕ ɔ partˈɨjkax mˌɔnɔpˈɔlɨ, imprˈɛʑɛ w jˈɛɡɔ vwˈasnɨm ɔɡrˈutku, ˌaɲi drˈiŋku s fˈil stanxˈɔpɛ. ˌaɲi tˈɛras, ˌaɲi ɲˈiɡdɨ.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_33.wav|ɡrˈuba dʒˈɛjn fˈarman tʃɨmˈawa ɕɛ s tˈɨwu, tˈak sˈamɔ jˈaɡ zˈafʃɛ.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_50.wav|tsˈɔː ix ˌɔɕmʲɛlˈiwɔ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_156.wav|a ftˈɛdɨ zˈɛxtsɔ̃ ɕɛ dɔvʲˈɛdʑɛtɕ, ktˈɔ jɛst jˈɛɡɔː ˈɔjtsɛm.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_408.wav|ˈɔdwuʃ tɛn kˈamjɛɲ. ˌɔɲi ɲʲɛ zrˈɔbjɔ̃ nˈam kʃˈɨvdɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_119.wav|pˌɔvʲɛdʑˈawam wamjˈɔntsɨm ɕɛ ɡwˈɔsɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_77.wav|w dʒvʲˈax pˌɔjavˈiwa ɕɛ irˈina i ˌɔtprɔvadʑˈiwa nɡˈuɡʲi dɔ vˈɨjɕtɕa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_85.wav|jˈuʃ ɲˈiɡdɨ. nˈɔ lˌakɛsˈidɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_137.wav|sˈamɛ skˈawɨ i kɕˌɛ̃ʒɨtsˈɔvɨ pˈɨw. ɲʲɛ vˌɨpatʃˈɨwam nˈavɛt kavˈawka kamjˈɛɲʲa, ktˌurɨm mˈɔʒna bˈɨ pɔstˈukadʑ w zˈavur. kɔmplˈɛtɲʲɛ ɲˈits.|4
+Dataset/wavs/urwisko_ferenc/02_segment_44.wav|zˈɛrknɔw na dˈɔm xudʑˈiɲskix, a pˈɔtɛm pɔpˈatʃɨw na xawˈupɛ z ʒuwtˈɛɡɔ kliŋkʲˈɛru, znˌajdujˈɔntsɔ̃ ɕɛ dɔkwˈadɲʲɛ nˌapʃɛtɕˈifkɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_158.wav|tʃˈɛba bˌɨwɔ ɡˈɔ zˈabratɕ, kʲˈɛdɨ mʲˌawɛm ɔkˈazjɛ, mˈɨɕli.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_231.wav|jˈak ɕɛ mʲˈɛva mˈuj ˌulubjˈɔnɨ pɔɡrˈɔmtsa ɔdbˈɨtuf?|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_197.wav|ˌɔznajmˈiwa sˈɛpta s kɔlˈɛra, ɲˈim zˌɔstavˈiwɨ jˈɔ̃ nˈaɡɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_245.wav|ɕɛŋɡnˈɛwam dɔ kʲɛʃˈɛɲi i vɨjˈɛwam ʃfajtsˈarski stɨzˈɔrɨk.|4
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_165.wav|ftˈɛdɨ tɔ zˌɔbatʃˈɨwam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_241.wav|tsˈɔ tɔ? spɨtˈawɛm zdumjˈɔnɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_16.wav|dʒˈɛs, vˈɨbatʃ, ˌalɛ ɔstˈatɲʲɔ mʲˌawɛm trˈɔxɛ dˌɔdatkˈɔvɨx sprˈaf na ɡwˈɔvʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_294.wav|wˈatfɔ fpadˈali w ɡɲʲˈɛf i wˈatfɔ vˌɨbatʃˈali.|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_71.wav|pʃɛrvˈawam pˌɔwɔntʃˈɛɲʲɛ i ˌɔbɛjʒˈawam ɕɛ za ɕˈɛbjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_11.wav|tˈakʲɛ tsˈɔɕ ɲʲɛ bˌɨwɔ skˈutkʲɛm vʲˈɛlu swˈabɨx rˈɔzdaɲ pʃɨ stˈɔlɛ dɔ blatskjˈatska.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_3.wav|jˈaɡ zvˈɨklɛ fpuɕtɕˈiwa mɲʲɛ dɔpʲˈɛrɔ vˈuftʃas, kʲˈɛdɨ ˌuswɨʃˈawa, tsˈɔ mɲʲɛ sprɔvˈadʑa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_59.wav|ˌalɛ dalˈɛkɔː ɔt ˌɛlɛɡˈantsji.|2
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+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_148.wav|tɔ pʃˌɛtɕɛʒ dlatˈɛɡɔ spalˈili im tɛn rˈɨʃ, xˈɛlɛn.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_127.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_211.wav|pˈiw w miltʃˈɛɲʲu, pˈatʃɔnts na mˈɔʒɛ, jˈaɡbɨ vˈidʑaw jˈɛ pɔ rˈas pʲˈɛrʃɨ w ʒˈɨtɕu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_455.wav|— pˌɔvinʃˈɔvatɕ pˈanu zdrˈɔvja. ja jˈuʃ pɔ dvˈux kʲɛlˈiʃkax spˈadam s kʃˈɛswa.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_59.wav|tɔ bˌɨwɔ jˈɛʃtʃɛ f tʃˈasax, kʲˈɛdɨ kfatˈɛra ˌadmiɲˌistratˈɔra mʲɛɕtɕˈiwa ɕɛ w bˈaɲtsɛ armstrˈɔŋɡa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_48.wav|ɔd vʲˈɛlu lˈat ɲʲɛ mʲˈawam ʒˈadnɛj ˈinnɛj pʃˌɨjatɕˈuwki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_23.wav|jˈak jˈɛʃtʃɛ dɔʒˈutɕitɕ fʃˈɨstkʲɛ ˈinnɛ ʃtʃɛɡˈuwɨ, ktˌurɨx ɲʲɛ pɔvˈinnɔ bˈɨtɕ na pˌɛndrivˈɛjɛ?|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_259.wav|ɲʲˈɛx ktˈɔɕ kˈaʒɛ im pʃˈɛstatɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_39.wav|pɔ zjɛdʑˈɛɲʲu ɕɲʲadˈaɲʲa ɔtkwˈadam brˈudnɛ natʃˈɨɲʲa dɔ zlˈɛvu, uznˈafʃɨ, ʒˈɛ umˈɨjɛ jˈɛ pˈuʑɲʲɛj, pɔ tʃɨm zabjˈɛram ʃkˈɔlnɨ plˈɛtsak mˈili.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_550.wav|pɔdˈɛmnɔ̃ bˈɨw kavˈawɛk ulˈitsɨ z ɲʲɛdbˈalɛ zˌaparkˌɔvanˈɨmi vɔzˈami pˌɔlitsɨjnˈɨmi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_7.wav|ˈinɛs ɔrtˈɛɡa, tˈak?|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_255.wav|i stˈɔjɔnts mʲˌɛndʑɨ ɲˈimi pˈatʃɨw nˈaɲʲɛ ˈɔbjɛ, na tfˈaʃ ˌɔpuxɲʲˈɛntɔ̃ i na tfˈaʃ rˌɔzbavʲˈɔnɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_237.wav|tɔ znˈatʃɨ dɔ tˌɛɡɔ pɔkˈɔju, ɡdʑˈɛ tɔ ɕɛ stˈawɔ. pʃˌɛtɕɛʃ ja tˈam ɲʲɛ mˈɔɡɛ nɔtsˈɔvatɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_123.wav|ˌalɛ ɲˈiɡdɨ z ɲˈimi ɲʲɛ lˈɛɡwɛm w wˈuʃku.|0
+Dataset/wavs/urwisko_ferenc/37_segment_19.wav|pʃɛrvˈawa mu. w jɛj ɡwˈɔɕɛ pɔbʒmʲˈɛvaw sˈarkazm. jˈaɕɲʲɛ pˈan pratsˈujɛ, jˈaɕɲʲɛ pˈan zarˈabja. dʑˈɛɲ i nˈɔts na swˈuʒbjɛ, prˈavda?|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_296.wav|ʒɛlˈaznɨ trˈɔn mˈuɕi brˈɔɲidʑ vʲˈarɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_42.wav|kɕˈɔ̃ʃki tˈɛʃ tʃˈɨtaʃ? pˈɨta lˈɔɡan. tʃˈasɛm f pɔdrˈuʒɨ i tʃˌasɔpˈisma, ˌalɛ ɡwˈuvɲʲɛ kɔmˈiksɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_51.wav|mˈijaw kilˈɔmɛdr za kˌilɔmˈɛtrɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_135.wav|pamjˈɛntam, pˌɔkazɨvˈali ɡˈɔ f tˌɛlɛvˈizji. vˈɨdaw ˌɔɕfʲattʃˈɛɲʲɛ tʃɨ tsˈɔɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_347.wav|ˌalɛ tɔ ɲʲɛ jɛst fstrˈɛntnɛ z ɲʲˈɔ̃. jˈuʃ pɔ pˈaru minˈutax tɛn pˈɔkuj pˈaxɲʲɛ, tˈak jˈak ˈɔna.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_368.wav|zɔstˈaviw na stˈɔpɲʲax ɕlˈadɨ krfˈi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_36.wav|dlatʃˈɛɡɔ tsˈɔɕ mʲawˈɔbɨ zˈɔstatɕ pʃˌɨɡɔtɔvˈanɛ spɛtsjˈalɲʲɛ dla ɲʲˈɛj?|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_243.wav|tsˈuʃ...|4
+Dataset/wavs/urwisko_ferenc/10_segment_72.wav|a pˈɔtɛm pˈɔtʃuw, ʒˈɛ mˈa mˈɔkrɛ pɔlˈitʃki.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_336.wav|vwˈɔsɨ krˈula rɛnljˈɛɡɔ rˈuvɲʲɛʒ bˌɨwɨ tʃˈarnɛ jˈaɡ vˈɛŋɡʲɛl.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_206.wav|i ktˌurɨ bˈɨw jˈak i ɡwˈɔs jˈɛɡɔ sˈɛnnɨ, spɔkˈɔjnɨ, zmɛntʃˈɔnɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_6.wav|ˈɛlis ˌɔtfɔʒˈɨwa klˈutʃɛm bˈɔtʃnɛ dʒvˈi budˈɨŋku.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_51.wav|pʲˈɛrfɕi tfˈɔjɛ jˈak pˈara blˈiʑɲʲɔnt sˈarɲix.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_252.wav|najstˈarʃa pɔdˈɛʃwa blˈiʒɛj, xɔvˈajɔnts najmwˈɔtʃɔ̃ pɔt spudɲˈitsɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_123.wav|ˌalɛ ɔn ɲʲˈɛmʲaw pɔjˈɛɲtɕa ɔ prˈatsɨ f tˈakiɣ varˈuŋkax.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_105.wav|ʃtʃɛɡˈulɲʲɛ jˈɛɕli vʲˈɛ tsˈɔɕ na tˈɛmad zabˈujtsɨ, mˈɔʒɛ nˈavɛd znˈa jˈɛɡɔ tɔʃsˈamɔɕtɕ. f tɛn spˈɔsup mˈɔɡwa ɕɛ znˈalɛɕtɕ w ɲʲˌɛbɛspʲɛtʃˈɛɲstfʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_217.wav|mˈɔʒɛ tɔ zwˈɨ pˈɔmɨsw?|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_249.wav|ɔdvrˈutɕiw dwˈɔɲ alˈain i dˌɛlikˈatɲʲɛ pˌɔtsawˈɔvaw jˈɔ̃ w nadɡˈarstɛk. a tˈɛras pˈɔvʲɛts mi, swɔdʑˈutka...|1
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+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_455.wav|ɲʲˈɛvʲɛm tˈɛɡɔ, ˈɛstɛr.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_135.wav|zwˈa rˈada, xˈaŋk.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_57.wav|jɛst tˈu kˈimɕ, ktˈɔː uxˈɔdʑi za strˈuʒa prˈava.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_40.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_314.wav|ruʃˈɨliɕmˌɨ tɕˈɛ̃ʃkɔ pɔd ɡˈurɛ, ˌalɛ jˈuʒ bˌɨwɔ blˈiskɔ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_168.wav|stfʲɛrdʑˈiwa, ɡdˈɨ jˈuʃ pʃˈɛstaw bjadˈɔlitɕ. ɲʲɛ zamjˈɛʒam nˈatɔ pɔzvˈɔlitɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_16.wav|ˌuzɨskˈafʃɨ ɲʲɛzbˈɛndnɛ ˌinfɔrmˈatsjɛ ˈidʑɛ dɔ waʑˈɛŋki i pˌɔsɨpˈujɛ bʒˈuɣ zasˈɨpkɔ̃ dla dʑˈɛtɕi. tɔ zˌapɔbjˈɛɡa ˌɔtpaʒˈɛɲʲɔm.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_249.wav|bɔɡˈɔvʲɛ, jˈak ja ɲʲˌɛnavˈidʑɛ tˌɛɡɔ xˌɔlɛrnˈɛɡɔ zˈamku.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_12.wav|mrˈuknɛ vˈa ˈamɨ|3
+Dataset/wavs/urwisko_ferenc/39_segment_74.wav|tɨmtʃˈasɛm mˈitras w ɔɡˈulɛ ɲʲɛ zˌapɨtˈawa ɔ xˈazart.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_264.wav|ˌalɛ mʲˈawa ˈɔtʃɨ sfɔjˈɛɡɔː ˈɔjtsa.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_297.wav|kupˈiwɛm jˈɛ ɔt mˌarɨnˈaʒa i ɔbˈavʲam ɕɛ, ʒˈɛ ɲʲɛ bˌɛndɔ̃ mi ɕɛ z ɲˈimi zˌaintˌɛrɛsˈɔvatɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_27.wav|ɲʲɛ vʲɛdʑˈawam jˈuʃ, tʃɨ pˌɔstɛmpˈujɛ vwaɕtɕˈivʲɛ.|3
+Dataset/wavs/urwisko_ferenc/02_segment_66.wav|vˈɨtʃuw f swˈɔvax mwɔdˈɛɡɔ mɛ̃ʃtʃˈɨznɨ ɡˈɔrɨtʃ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_6.wav|xˈɔtɕ, jˈuʃ tʃˈas, ʒˈɛbɨʑ vwɔntʃˈɨwa ɕɛ dɔː ˈaktsji.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_80.wav|mˈuɡw vˈaʒɨdʑ dʑˈɛɕɛɲtɕ kamjˈɛɲi, ˌalɛ tˌɨlkɔ f kɔltʃˈudʑɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_36.wav|ʒˈatkɔ ɕɛ zdˈaʒa, ʒˈɛ ktˈɔɕ pɔtrˈafi vˈɛjɕtɕ i vˈɨjɕtɕ, ɲʲɛ pˌɔzɔstavʲˈajɔnts pɔ sˈɔbjɛ ʒˈadnɨx ɕlˈaduf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_132.wav|pɔkˈɔnaw ɕˈɛdɛm z dʑɛvʲˈɛɲtɕu pʃˈɛtʃɲits, zˌɔstavʲˈajɔndʑ za sˈɔbɔ̃ bˈardʑɛj nˌɔvɔtʃˈɛsnɔ̃ tʃˈɛɲɕtɕ mʲˈasta, kʲˈɛdɨ vˈidʑi transˈita swˈuʃp mʲˈɛjskix tˌɔtʃɔntsˈɛɡɔ ɕɛ pʃˈɛs nastˈɛmpnɛ skʃˌɨʒɔvˈaɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_14.wav|i trˈafjɛ dɔ pʲˈɛkwa, pˌɔdʑɛŋkˈujɛ irˈiɲʲɛ zˈatɔ, ʒˈɛ ɡˈɔ tˈak ˌuʒɔɲdʑˈiwa.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_221.wav|pɔ minˈutɕɛ sfɔbˈɔda uxˈɨliw dʒvˈi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_42.wav|ɲʲɛ zˌapamjɛntˈawam ʒˈadnɨx ʃtʃɛɡˈuwuf, ˌalɛ tˈɛras mˈuʃɛ ɕɛ pɔstˈaratɕ, bˈɨ tsɔkˈɔlvʲɛk sˈɔbjɛ pʃɨpˈɔmɲʲɛtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_24.wav|pʃɨkrˈɨwam ɡˈɔː i vrutɕˈiwam na ˌawtɔstrˈadɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_485.wav|ˌɛpɔkˈɔvɨx ˈɔtkrɨtɕ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_128.wav|w rˈɛŋkax tʃɨmˈawa kɔrˈɔnɛ, djˈadɛm z brˈɔ̃zu ˌɔtɔtʃˈɔnɨ pʲɛrɕtɕˈɛɲʲɛm ʒɛlˈaznɨx mʲˈɛtʃɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_175.wav|maʒ dɔ mɲʲɛ ʒˈal? ʃɛpnˈɛwa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_137.wav|jˈɛʃtʃɛ ɲʲɛ tˈɛras.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_339.wav|ˌalɛ dlatʃˈɛɡɔ vˈɔmɛns vˈɔrlt mˈa bˈɨtɕ kˌapɛlˈanɛm? vˈɔmɛns vˈɔrlt jɛst kɕˈɛndʑɛm. kɕˈɛndʑɛm rˌɔbɔtɲˈikʲɛm. dˈuʒɔ jɛst tˈakix.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_64.wav|jˈɛɕli bˌɛɲdʑɛʒ ɡʒˈɛtʃnɨ, tɔ tsˈɔ, bˌɛɲdʑɛʒ ɡʒˈɛtʃnɨ? tˈak!|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_93.wav|ˈalɛ, pɔftˈaʒa bʲˈillɨ jˈak ˈɛxɔ,|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_188.wav|i fʃˈɨstkɔ pˌɔzɔstˈajɛ ɲʲˌɛvɨjaɕɲʲˈɔnɛ.|0
+Dataset/wavs/urwisko_ferenc/25_segment_19.wav|ˌalɛ ɲʲˈɛxtsɛ mʲˈɛtɕ tfɔjˈɛɡɔ mawʒˈɛɲstfa na sumjˈɛɲʲu. jˈuʃ rˈas mʲˌawaɕ i traɡˈɛdji ɲʲɛ bˈɨwɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_2.wav|ɔt kʲˈɛdɨ jˈumbɔː i jˈɛɡɔ tʃwˈɔvʲɛɡ zɲiknˈɛli vɛ vnˈɛntʃu dˈɔmu jˈɔɛ, tɔ mɲʲɛ ɔtklˈɛjaw vzrˈɔku ɔt ɛkrˈanuf pˌɔkazujˈɔntsɨx jˈɛɡɔ vnˈɛntʃɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_28.wav|pˈɔtɛm zˌaklɛˈiwam mʲˈɛjstsɛ, s kturˌɛɡɔ vˌɨstavˈawɨ kˈablɛ ʃɛɕtɕˈɔma varstfˈami zbrɔjˈɔnɛj tˈaɕmɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_51.wav|xɔlˈɛra|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_49.wav|ˌalɛ tɔ pʃˌɛtɕɛʃ ɲʲˌɛmɔʒlˈivɛ.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_122.wav|ɕmʲˈɛrtɕ ɲʲɛ pɔvˈinna pʃɛrˈaʒatɕ tˈak starˈɛɡɔ tʃwɔvʲˈɛka, ˌalɛ ja ɕɛ bˈɔjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_297.wav|w dʒˈinsax i pˌɔlarˈɔvɛj kˈurttsɛ zupˈɛwɲʲɛ ɲʲɛ pʃˌɨpɔmˈina tʃwɔvʲˈɛka, ktˌurɨ jˈɛʃtʃɛ tˈak ɲʲɛdˈavnɔ mʲˈɛʃkaw i pratsˈɔvaw w nˈɔvɨm jˈɔrku.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_61.wav|zbˈɨd vʲˈɛlɛ ɕɛ dʑˈawɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_190.wav|tɕiɕɲʲˈɛɲʲɛ f pɔʒˈɔntku, mʲɛʃˈaŋka pɔvʲˈɛtʃna f pɔʒˈɔntku, pˌɔxwaɲʲˈaɲʲɛ dvutlˈɛŋku vˈɛŋɡla stˌɛrɔvˈanɛ ˌawtɔmatˈɨtʃɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_294.wav|tˌɨlkɔː ɔː ɔpʲˈɛkɛ nad ʒɨvˈɨmi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_138.wav|pˌɔzɔstˈajɛ mi tˌɨlkɔ jˈɛdna ʒˈɛtʃ i mˈuʃɛ zrˈɔbʲitɕ tɔ ʃˈɨpkɔ, dɔpˈuki ɲʲɛ bˌɛndɛ f stˈaɲʲɛ ˌɔpanˈɔvatɕ nˈɛrvuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_50.wav|sˈupɛr, tsˈɔ? mˈuvi ɲˈitsk rˌɔzɡlɔndˈajɔnts ɕɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_66.wav|muɕˈawam sxrˈɔɲitɕ ɕɛ tˈam, ɡdʑˈɛ dɔswˈɔvɲʲɛ ɲˈikt mɲʲɛ ɲʲɛ zɔbˈatʃɨ.|4
+Dataset/wavs/urwisko_ferenc/53_segment_107.wav|ˌalɛ jɛst tsˈɔɕ jˈɛʃtʃɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_168.wav|pɔː ˌɔtʃɨʃtʃˈɛɲʲu jɛst stɛrˈɨlnɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_33.wav|rɔzˈumjɛm.|3
+Dataset/wavs/urwisko_ferenc/13_segment_34.wav|a vˈidʑaw jˈɔ̃ pˈan pˈuʑɲʲɛj?|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_338.wav|dʒˈɛjms stˈaraw ɕɛ jˈakɔɕ ˌuspravʲɛdlˈivitɕ sfˈɔjɛ nˈɔtsnɛ vɨpˈadɨ, ˌalɛ ɲʲˈɛbɨw na tˈɨlɛ ɡwˈupi, bˈɨ sˈɔɲdʑitɕ, ʒˈɛ lˈudʑɛ mu vʲˈɛʒɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_376.wav|i pɔdrˈɛptaw w ɡwˈɔmp kˌɔrɨtˈaʒa.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_12.wav|rˈudɨ ˌudɔvˈɔdɲiw, ʒˈɛ mɲʲɛ ɲʲɛ vˈɨdaw, a pˈaɲi jɛst ˈɔprutʃ ɲʲˈɛɡɔ jɛdˈɨnɔ̃ ɔsˈɔbɔ̃, ktˌura mˈa dˈɔstɛmb dɔ dˈanɨx lˌɔkalˌizatsˈɨjnɨx.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_196.wav|pˈɔvʲɛts jɛj, ʒˈɛ zrɔbʲˈiwɛm, tsˈɔ muɕˈawɛm zrˈɔbʲitɕ, ˌalɛ tˌɛɡɔ ʒawˈujɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_65.wav|vʲˈɛʃ, ʒˈɛ ɲʲɛ mɔʒˈɛmɨ im ˈufatɕ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_328.wav|tɔ ɲʲɛ bˌɛɲdʑɛ vʲˈɛlka ˈutʃta.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_23.wav|jˈɛɕli pˈan tɔ zrˈɔbʲi, tɔ ja tˈɛʃ tɔ zrˈɔbjɛ na pˈɛvnɔ.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_148.wav|tɔ tˈɛʃ jɛst tʃˈɨjɛʑ ʒˈɨtɕɛ, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_50.wav|na jˈɛɡɔ startʃˈɔntsɨm bʒˈuxu ɔpʲˈɛntɨm kɔʃˈulkɔ̃ ɲʲˈu jˈɔrɡ ɡʲˈants lˈɛʒɨ mˈiska pɔptsˈɔrnu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_44.wav|a pɔɲʲˈɛvaʃ ɲʲˈɛxtɕaw, ʒˈɛbɨm ɕɛ dˈalɛj ɲʲˌɛpɔkɔˈiwa, nakˈazaw dʑˈɛtɕɔm, ʒˈɛbɨ ɲˈits ˈɔtɨm ɲʲɛ fspˌɔminˈawɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_386.wav|vdˈawɛm ɕɛ z ɲʲˈɔ̃ w rɔzmˈɔvɛ, vwaɕtɕˈivʲɛ w mˈawɨ pˌɔjɛdˈɨnɛk ˈalbɔː utˈartʃkɛ swˈɔvnɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_81.wav|pˌɔvʲɛdʑˈɛli mi ˈɔtɨm, ɡdˈɨʃ stratɕˈili jˈɔ̃ na sɔ̃ɕˈɛdɲim kʃˈɛɕlɛ, tɔ pʃˌɛtɕɛʃ ˌɔna zabʲˈiwa ɕˈɔstrɨ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_8.wav|ˌalɛ pˌamjɛntˈawa, tsˈɔ vˌɨdaʒˈɨwɔ ɕɛ f ʃˈɛptax, ɡdˈɨ ʃˈaɡvɛll prubˈɔvaw ˈuʒɨtɕ kamjˈɛɲʲa dɔ vˈalki pʃˈɛtɕif nɔʒˈɔvi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_279.wav|ɔn vˌɨkɔʒˈɨsta sfˈɔjɛ fʃˈɨstkʲɛ fpwˈɨvɨ, ʒˈɛbɨ tɕˈɛ znˈalɛɕtɕ. nˈavɛt tfˈɔjɔ̃ mˈatkɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_33.wav|tˈɔm mu pˌɔdʑɛŋkˈɔvaw i zakˈɔɲtʃɨw pˌɔwɔntʃˈɛɲʲɛ. na rˈaʑɛ ɲʲɛ bˌɨwɔ tsˈɔː ɔɡlˈɔndatɕ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_54.wav|rɔzdˈɛɲtɕi ɔt rɔskwˈadu, z ɡɲˌijɔntsˈɨmi, nˌapɔtʃɛntˈɨmi pʃˈɛs pˌadlinɔʒˈɛrtsuf tfaʒˈami, fʃˈɨstsɨ jˈɛdnaɡ vˌɨɡlɔndˈali tˈak sˈamɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_11.wav|tˈɔm ɲʲɛ vʲˈɛdʑaw, tʃˈɛɡɔ mˈɔʒɛ ɕɛ spɔdʑˈɛvatɕ, ˌalɛ ɲʲˈɛbɨw ʃtʃɛɡˈulɲʲɛ zˌaskɔtʃˈɔnɨ, ujʒˈafʃɨ plˈiki baŋknˈɔtuv z vɨɡlˈɔndu ɡwˈuvɲʲɛ pʲˌɛɲdʑɛɕˈɔntɛk starˈanɲʲɛ ˌuwɔʒˈɔnɛ f tˈɨlnɛj tʃˈɛɲɕtɕi sˈɛjfu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_294.wav|ɲʲɛdˈɔbʒɛ zˈɛmnɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_143.wav|kturˈɛɡɔʑ dɲʲˈa pˈan tɔ pˈɔzna i ftˈɛdɨ zrɔzˈumjɛ pˈan, ʒˈɛ mʲˌawɛm rˈatsjɛ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_20.wav|tʃˈuwa pɔt sˈɔbɔ̃ kˈɔɲʲa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_481.wav|pˈan tsˈɔɕ kfˈaɕnɨ, sɔ̃ɕˈɛdʑɛ, ɔdˈɛzvaw ɕɛ mˈuj nˈɔvɨ pʃɨjˈatɕɛl brɔɲˈiswaf tɕˈipun.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_364.wav|kamjˈɛnnɛ mˈurɨ nˈɔtsɔ̃ rˈɔbjɔ̃ ɕɛ ʑˈimnɛ, nˈavɛt tˈutaj.|1
+Dataset/wavs/urwisko_ferenc/04_segment_29.wav|ˌɔbɔk ɔbrˈazu viɕˈawɨ rˈuʒnɛ zdjˈɛɲtɕa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_81.wav|ɲʲɛ, jˈɛʃtʃɛ ɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_239.wav|jˈakiɕ pʃˌɛtɕɛmbjˈɔrtʃɨ irˈatski tˈajir uʒˈɔɲdʑiw tˈam sˈɔbjɛ sklˈɛpik.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_21.wav|pˌɔpɔwudɲʲˈami mˈɔʒɛ rˈux malˈɛjɛ, ˌalɛ vʲˈɛŋkʃɔɕtɕ rˈɔspraf fstˈɛmpnɨx ɔdbˈɨva ɕɛ rˈanɔ.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_109.wav|vʲˈɛnts pˌɔzvɔlˈiwɛm sˈɔbjɛ na ˌɔdrɔbʲˈinɛ nadʑˈɛi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_299.wav|ˌuwɔʒˈɨwɛm w mʲˈarɛ vɨɡˈɔdɲʲɛ, a ˌɔna pʃˌɛxɨlˈiwa ɕɛ na lˈɛvɔ̃ strˈɔnɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_76.wav|tˈɔm pʃɛstˈɔmpiw ɡˈɔː ɔstrˈɔʒɲʲɛ, a bˈɛtskɨ ˌukutsnˈɛwa, ʒˈɛbɨ sprˈavdʑitɕ pˈuls. spɔjʒˈawa w ɡˈurɛ i pˌɔkazˈawa ˌuɲʲɛɕˈɔnɨ ktɕˈuk. mɛ̃ʃtʃˈɨzna ʒˈɨw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_47.wav|spɔjʒˈawam na ɲʲˈɛɡɔ, w jˈɛɡɔː ˈɔtʃɨ, jˈɛʃtʃɛ zˈaɲim mˈili ˌɔznajmˈiwa, ʒˈɛ tsˈɔɕ ɕɛ pʃɨpˈala i vˈɨras jˈɛɡɔ tfˈaʒɨ pʃɨprˈaviw mɲʲɛ ɔt rˈɛʃt.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_208.wav|pɔ prˈɔstu pˌɔstanˈɔviw, ʒˈɛ pɔ zˌakɔɲtʃˈɛɲʲu rɔbˈɔtɨ maʒ zɡʲˈinɔɲtɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_238.wav|pˌɔkazˈawam ɡˈɔ lˈɛnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_69.wav|nˈajpʲɛrf jˈɛdnak ˈidʑɛ pɔ ruɡˈɛra, dˈɔna jansˈɛna. fkwˈada ɡˈɔ za pˈas pɔt ʃtˈutʃnɨm bʒˈuxɛm. blˈuza w rɔzmʲˈaʒɛ ˌiksˈɛl zaswˈaɲʲa brˈɔɲ f tsawˈɔɕtɕi.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_164.wav|vˌɨprɔstɔvˈawam ɕɛ i rˌɔstɕɔŋɡnˈɛwam mʲˈɛɲɕɲʲɛ plˈɛtsuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_154.wav|ˌalɛ ɲʲɛ zˌamjɛʒˈawam tʃˈɛkatɕ, ʒˈɛbɨ ɕɛ ˈɔtɨm pʃɛkˈɔnatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_6.wav|fʃˈɨstsɨ znˈatɕɛ jˈuʃ ʃtʃɛɡˈuwɨ dˌɔtɨtʃˈɔntsɛ dʑˌiɕɛjʃˈɛɡɔ mɔrdˈɛrstfa.|3
+Dataset/wavs/urwisko_ferenc/34_segment_16.wav|xˈɛrman ˌɔdvrutɕˈiwa ɡwˈɔvɛ f kʲɛrˈuŋku dˈɔmu. sˈɔlski stˈaw w dʒvʲˈax.|0
+Dataset/wavs/urwisko_ferenc/21_segment_13.wav|jˈɛɡɔ ɡwˈɔz rvˈaw ɕɛ ɲʲˈɛtsɔ. bˈuʒa ˌutrudɲʲˈawa pˌɔwɔntʃˈɛɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_55.wav|mˈɔja ɔbˈava zmʲɛɲˈiwa ɕɛ f tsˈɔɕ sˌɔlidɲʲɛjʃˈɛɡɔ, bˈardʑɛj nˌamatsalnˈɛɡɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_243.wav|z jˈakimɕ pɨtˈaɲʲɛm w ˈɔtʃax.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_371.wav|ktˌurɛ stanˈɔvjɔ̃ dla nˈaz dɔlˈinɨ ʒˈɛk lˈub vɨɲʲˈɔswɛ skˈawɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_114.wav|vʲˈɛʒɛ na swˈɔvɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_101.wav|pˌɔmɨɕlˈɛliɕmˌɨ, ʒˈɛ f tɛn spˈɔsup mɔʒˈɛmɨ im pˈɔmuts.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_81.wav|ɡˌɛnɛvʲˈɛvɛ zˌaxɔvɨvˈawa ɕɛ tʃasˈami jˈaɡbɨ ɡˌurɔvˈawa nat rˈɛʃtɔ̃, ˌalɛ bˌɨwa mˈɔjɔ̃ ɕˈɔstrɔ̃, jˈɔ̃ kɔxˈawam.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_202.wav|fkrˈuttsɛ ix spˈɔtkaʃ.|1
+Dataset/wavs/urwisko_ferenc/07_segment_48.wav|pʃˌɛsɨlˌabʲizˈɔvaw. xˈɛrman ɲʲɛ vʲɛdʑˈawa, tsˈɔ pɔvʲˈɛdʑɛtɕ, vʲˈɛnts pˌɔkivˈawa ɡwˈɔvɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_381.wav|ɲʲɛ ˌustɛmpˈɔvaw pˈipɛr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_105.wav|pɔvʲˈɛdʑaw, ɲʲɛ rˌɔzmavʲˈamɨ ˈɔmɲʲɛ, pˈaɲi kˈɔmpsɔn.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_80.wav|tˈɛras tʃɛkˈawɔ mɲʲɛ pˌɔvaʒɲʲˈɛjʃɛ vɨzvˈaɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_96.wav|vʲˈɛʃ mi, tsˈɔɕ ˈɔtɨm vʲˈɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_74.wav|pʃɛstˈajɛ ɲʲˈɛmal ɔddˈɨxatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_39.wav|tʃˈɛ̃stɔ tˌɔvaʒˈɨʃɔ̃ tˌɛmu zbˈɨt pikˈantnɛ ʃtʃɛɡˈuwɨ, jˈak na mˈuj ɡˈust.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_170.wav|ɲˈikt ɲʲɛ zapwˈatɕi zˈatɔ, ʒˈɛ pʃˈɛjdʑɛʃ kˈilka kˌilɔmˈɛtruf. tɔ mˈuɕi bˈɨtɕ tsˈɔɕ ˌɔdvaʒnˈɛɡɔ.|3
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+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_73.wav|ɔt mɔmˈɛntu, f ktˌurɨm spɔtkˈawɨ ɕɛ ix ˈɔtʃɨ.|0
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+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_437.wav|pˈatʃ i pʃˈɛmɨɕl tɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_380.wav|ɲʲɛ dla tɕˈɛbjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_173.wav|f pˈɛvnɛj xfˈili ˈɛlis kʃˈɨtʃɨ z mʲɛʃˈaŋkɔ̃ radˈɔɕtɕi i pʃˌɛraʒˈɛɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_158.wav|mˌɛistˈajrɛl rˈuvɲʲɛʃ mˈɔʒɛ rˈɔɲidʑ wzˈɨ, ˌalɛ ɲʲɛ dˈawa mu pɔvˈɔdu, bˈɨ z ɲʲˈɔ̃ zˈɛrvaw.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_86.wav|pɔt ɲˈimi bˌɨwɔ tˌɨlkɔ ɲʲˈɛbɔ,|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_187.wav|kˌakˌazˈɛd vɨmˈaɡa, ˈabɨ fʃˈɨstkʲɛ ɔbjˈɛktɨ, f ktˌurɨx pʃˌɛbɨvˈajɔ̃ lˈudʑɛ, mʲˌawɨ pɔdvˈujnɔ̃ pɔvwˈɔkɛ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_305.wav|pˌɔmɨɕlˈawa tsɛrsˈɛi.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_305.wav|vʲadˈɔmɔɕtɕ ɔt trˈɔnda.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_509.wav|pˌɔkrɛɲtɕˈiwɛm kɔrpˈusɛm, vˌɨnuʒˈɨwa ɕɛ ʃmˈiŋka vʒˌɔsɔvˈɛɡɔ kɔlˈɔru.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_30.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ pʃˌɛprɔvadʑˈili ɕɛ nˈaɡlɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_131.wav|dvˈa tɨɕˈɔntsɛ lˈudʑi bˌɨwɔ skazˈanɨx na ɕmʲˈɛrtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_44.wav|trˈɔxɛ rˌɨzɨkˈɔvna, ˌalɛ tˈakʲɛ kˈɔwɔ rˌatuŋkˈɔvɛ ɕɛ pʃˈɨda.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_17.wav|xtɕˈawam kʃˈɨknɔɲtɕ, ʒˈɛbɨ natˈɨxmʲazd vˈɨʃɛd i zɔstˈaviw mɲʲɛ f spɔkˈɔju, ˌalɛ ɲʲɛ mˈɔɡwam tˌɛɡɔ zrˈɔbʲitɕ, vʲˈɛndʑ drʒˈɔntsɨm ɡwˈɔsɛm ɡʒˈɛtʃɲʲɛ zˌaprɔɕˈiwam ɡˈɔ dɔ sfɔjˈɛɡɔ ɡˌabʲinˈɛtu.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_48.wav|ˌɛmxˌaˈɛm, ˌɔtpɔvʲɛdʑˈawam.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_44.wav|ɔdvrˈatsam ɡwˈɔvɛ tɔ w jˈɛdnɔ̃, tɔ w drˈuɡɔ̃ strˈɔnɛ, ʒutsˈajɔnts spɔjʒˈɛɲʲa pʃˈɛs ˈɔknɔ, zˌaɲʲɛpˌɔkɔjˈɔna, ʒˈɛ ktˈɔɕ mˈɔʒɛ tˈu vˈɛjɕtɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_199.wav|prˈavʲɛ kʃɨknˈɛwa.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_123.wav|jˈɛɕli pɔt rˈɛŋkɔ̃ ɲʲɛ bˌɨwɔ kapwˈana ˌaɲi sɛptˈɔna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_46.wav|pˌɔpwakˈawa ɕɛ. ja tˈɛʃ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_171.wav|kʲˈɛdɨ jˈɔ̃ bʲˈijɛʃ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_31.wav|dlatʃˈɛɡɔ xtɕˈɛli, ʒˈɛbɨ bˈɨw bɛspʲˈɛtʃnɨ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_65.wav|i ɡdˈɨbɨ bʲˈillɨ zaɕˈadaw w wˈavʲɛ pʃɨɕˈɛŋɡwɨx, jˈuʒ za sˈamɔ tɔ skˈazawbˌɨ tˈɨpa na ˈiɡwɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_92.wav|mˈɔʒɛ jˈɛdnɔː i drˈuɡʲɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_10.wav|tˈɛndɨ vratsˈawɛm dɔ dˈɔmu, jˈɛɕli dˈɔmɛm mˈɔʒna nˈazvadʑ zɲʲˌɛnavidʑˈɔnɛ dvˈa pɔkˈɔjɛ s kˈuxɲʲɔ̃ f stˈarɛj, ɲʲˌɛlubjˈanɛj kˌamjɛɲˈitsɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_64.wav|— pʃɛprˈaʃam. — pʃɛprˈaʃam — pɔvʲˈɛdʑaw ˌuʒɛndˈɔvɔ kˈɔrsak i zˈatʃɔw rɔspˈɨxadʑ brɔdˈatʃɨ. — a dˈɔkɔnt tɔ? — ktˈɔɕ kʃˈɨknɔw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_20.wav|vˌɨdavˈawɔ mi ɕɛ, ʒˈɛ bˌɛndɛ tʃˈuwa ɕɛ tˈu bɛspʲˈɛtʃɲʲɛ. tˈak jˈɛdnak ɲʲɛ jˈɛst.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_42.wav|ɕˈada ˌɔptɕɔŋɡˈajɔnts rˈɔmbɛk kɔʃˈuli, mˈimɔ ʒˈɛ jɛzd dwˈuɡa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_19.wav|bʲˈillɨ prubˈujɛ ɕtɕˈɔŋɡnɔɲdʑ ɡˈɔ pʃˈɛs jɛj ɡwˈɔvɛ, ˌalɛ matˈɛrjaw zatʃˈɛpja ɕɛ ɔ pɔdbrˈudɛk. dʑɛftʃˈɨna pˌɔjɛŋkˈujɛ i vˌɨpɔvʲˈada tʃˈɨ vɨrˈaʑnɛ swˈɔva. ɲʲɛ, ɲʲˈɛduɕ.|2
+Dataset/wavs/urwisko_ferenc/44_segment_47.wav|tɔ zdˈaɲʲɛ vratsˈawɔ dɔː ɔlɡʲˈɛrda jˈaɡ bumˈɛraŋk.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_23.wav|ˌalɛ ja ɲʲˈɛmam ʒˈɛtʃɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_60.wav|ˌɔtpɔvʲˈadam mu f kˈɔɲtsu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_156.wav|pɔdnˈɔʃɛ ɕɛ i vrˈatsam dɔ sˌamɔxˈɔdu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_170.wav|znˈuv ʒˈutsa mi ˌirɔɲˈitʃnɨ ˈuɕmʲɛx, a pˈɔtɛm ɔdvrˈatsa tˌɨlkɔ lˈɛkkɔ ɡwˈɔvɛ i mˈuvi dɔ mˌamɨ pʃˈɛs rˈamjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_48.wav|ɔdvrˈatsa vˌizɨtˈufkɛ i vˈidʑi krˈutkɔ̃ nˈɔtkɛ skrɛɕlˈɔnɔ̃ tɔ̃ sˈamɔ̃ rˈɛŋkɔ̃, tsˈɔː ˈadrɛs na kɔpˈɛrtɕɛ s klutʃˈami dɔ dˈɔmu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_84.wav|ˈaram dɔtʃˈɨmaw swˈɔva.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_40.wav|ˌalɛ tˌɛɡɔ ɲʲɛ rˈɔbʲi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_17.wav|tɔ dla mˈili i ˈaʃa. zrˈɔbjɛ tsˈɔ kɔɲʲˈɛtʃnɛ, ʒˈɛbɨ jˈak najʃˈɨptɕɛj ix ɔdʑˈɨskatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_96.wav|pʃɨvˈuttsa zˈafʃɛ stˈɔi na pʲˈɛrʃɨm mʲˈɛjstsu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_63.wav|f sɔbˈɔtɲi vʲˈɛtʃur bˈɨw ˈu pˈaɲi mɛ̃ʃtʃˈɨzna.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_60.wav|bˈɔ sɔ̃ rˌɔzzwɔʃtʃˈɛɲi?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_86.wav|pˌɔwɔʒˈɨwɛm jɛj pɔ pʃˌɨjatɕˈɛlsku dwˈɔɲ na ramjˈɛɲʲu, a ˌɔna ˌɔdvrutɕˈiwa ɕɛ dɔ mɲʲɛ, pɔdˈɛʃwa blˈiʒɛj i ɔpˈarwa dwˈɔɲʲɛ na mˈɔjɛj pʲˈɛrɕi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_77.wav|i tsˈɔ ɕɛ stˈaɲʲɛ, jˈɛɕli jˌɛstɛɕ utʃtɕˈivɨ? zapˈɨtaw rˈɨan.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_42.wav|jˈak xtsˈɛʃ, mɔʒˈɛmɨ. ˌalɛ ɲʲˌɛpʃɨzvɔˈitɕɛ ɔbʒˈarwɛm ɕɛ pɔptsˈɔrnɛm i ʒɛlkˈami.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_47.wav|prˌubɔvˈawa namˈuvitɕ mˈartɛ pˈɔrtɛr dɔ pʃˌɛkazˈaɲʲa jɛj ˌinfɔrmˈatsji. mˈarta ˌɔdmuvˈiwa, ˌalɛ ɡˌɛnɛvʲˈɛvɛ w jˈakiɕ spˈɔsup ɕɛ dˌɔvʲɛdʑˈawa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_23.wav|a jˈɛɕli ɕɛ mˈɨlɛ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_212.wav|mˈuj ˈɔjtɕɛdʑ bʲˈijɛ ɕɛ z mɨɕlˈami, a ˈalfjɛ zatʃˈɨna znˈuf xlˈipatɕ, vɨtʃˈuva mˈuj strˈɛs.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_454.wav|tsˈɔ rˈɔbʲi lˈalka f tˈamtɨm pɔkˈɔju?|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_137.wav|marɡˈɛrɨ vɨrvˈawa ɕɛ z jɛj ˈɔbjɛɲtɕ tˈaɡ ɡvawtˈɔvɲʲɛ, ʒˈɛ tsɛrsˈɛi ɔ mˈawɔ ɕɛ ɲʲɛ pʃˌɛvrutɕˈiwa. jˈɛʃtʃɛ ɲʲɛ ˈumar, ˌɔznajmˈiwa.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_223.wav|w ɡɔspˈɔdʑɛ na rɔsstˈajaɣ drˈuɡ bˌɨwɔ jˈɛdnaɡ ʒˈɨtɕɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_47.wav|rˌɛɡulˈarɲʲɛ ʒˈɔndaw spˈɔtkaɲ zˈɛmnɔ̃ i s tˈatɔ̃, ʒˈatkɔ jˈɛdnak rˈazɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_513.wav|tsˈɔ? tsˈɔ ɕɛ stˈawɔ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_23.wav|ɔt ˌɔɕɛmnˈastu mʲɛɕˈɛntsɨ ɲʲɛ zwamˈawam jɛj ˌaɲi rˈazu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_18.wav|i ˌuswɨʃˈawɛm sfˈɔjɛ sˈɛrtsɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_119.wav|jɛdnˈɛmu s tɨx lˈudʑi ɔtpˈadwɨ ramjˈɔna, kʲˈɛdɨ vˌɨtɕɔŋɡˈali ɡˈɔ s tɨx ɕmʲˈɛtɕi, pɔvʲˈɛdʑaw ˈandɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_159.wav|a w zvʲˈɔ̃sku s tˈɨm, ʒˈɛ vˌɨmaɡˈawɔ tɔ vˈɨjɕtɕa pˈɔza zamkɲʲˈɛntɔ̃ brˈamɛ, pʃˈɨɲʲus mi pˈarɛ fsuvˈanɨɣ bˈutuf.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_84.wav|ɲʲˈɛvʲɛm, jˈak i kʲˈɛdɨ vrutɕˈiwɛm dɔ dˈɔmu. rˌɔssunˈɔwɛm zaswˈɔnɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_24.wav|tɔ bˌɨwɔ tˈakʲɛ ˌirɨtujˈɔntsɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_15.wav|ɔtpˈarwam z uɕmʲˈɛxɛm. ˈax, pɔˈɛmat, tɨ jɛst ɛljˈɔta.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_32.wav|vidʑˈawam, ʒˈɛ mˈama bˈardʑɔ stˈara ɕɛ ɲʲɛ rɔspwˈakatɕ. zˌiɡnɔrɔvˈawam vʲˈɛnts klˈuxɛ w ɡˈardlɛ i pʃˌɨtulˈiwam jˈɔ̃ mˈɔtsnɔ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_355.wav|panˈɔvʲɛ!|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_19.wav|tɕɛkˈavɛ i vˈartɛ zˌapamjɛntˈaɲʲa. z drˈuɡʲɛj jˈɛdnak strˈɔnɨ, f pʃˌɛkɔnˈaɲʲu bʲillʲˈɛɡɔ, ɲˈitsk mˈa rˈatsjɛ. alˈɛna fprɔvˈadʑɔ̃ ɡwuvnˈɨmi sxɔdˈami.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_35.wav|lˈistɔ.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_248.wav|s tsˌɨtadˈɛli pʃɨlˈɛtɕaw bjˈawɨ krˈuk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_256.wav|pˈatʃɨw w ˈɔtʃɨ ˌɔʃalˈawɛ zˈɛ strˈaxu i na ˈɔtʃɨ spɔkˈɔjnɛ, sˈɛnnɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_105.wav|vɨwˈɔntʃa spʃˈɛnt, trˈɔxɛ tʃˈɨta, ɔstˈatɲʲɔ mˈa fˈazɛ na iˈɛna ˌɛmtsˈɛ ɛvˈɛna, pɔ tʃɨm zaɡlˈɔnda dɔ lɔdˈufki.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_556.wav|rˈɔzvar ramjˈɔna tˈɔɲi.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_346.wav|a sˈɛrtsɛ i dʑɛvˈitsɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_200.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_133.wav|tsˈɔ vaʒɲʲˈɛjʃɛ, vɨnˈajmɛ tˈɛʒ bjˈurɔ, dɔ kturˌɛɡɔ maʃ tsɔdʑˈɛnɲʲɛ xˈɔdʑitɕ, ɕˈɛdʑɛtɕ tˈam i stˈukatɕ f klavˈiʃɛ, ˈaʃ tfˈɔja ɕtɕˈiɕlɛ tˈajna kɕˈɔ̃ʃka bˌɛɲdʑɛ ɡɔtˈɔva.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_177.wav|bwˈɛnduf ˌɔrtɔɡrafˈitʃnɨx prˈavʲɛ ɲʲˈɛma, ˌalɛ ɲˈiɡd vˌɨtwumˈatʃɨwbˌɨ tɔ sˈɔbjɛ ˌawtɔkɔrˈɛktɔ̃.|2
+Dataset/wavs/urwisko_ferenc/54_segment_5.wav|vˈɨʃɛt s pˈarku i pʃɛkrˈɔtʃɨw jˈɛzdɲʲɛ pʃɨ skʃˌɨʒɔvˈaɲʲu z ulˈitsɔ̃ ɕˌɛŋkʲɛvˈitʃa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_521.wav|samˈɔxut pˈɔʃɛd dɔ kasˈatsji, a ja dɔ mawˈɛɡɔ, zˌaɲʲɛdbanˈɛɡɔ ʃpitˈala.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_117.wav|tsˈɔ pˈan nˈatɔ, ˌɔfitsˈɛʒɛ?|0
+Dataset/wavs/urwisko_ferenc/46_segment_63.wav|lˈɛɡnɛr dˈɨʃaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_90.wav|tˈɛxɲikˌi tɔː ˌɔbɛjmˈujɔ̃ ˌupɔkaʒˈaɲʲɛ, pˌɔzbavʲˈaɲʲɛ pɔɕˈiwkuf i snˈu, ɲʲˌɛuznavˈaɲʲɛ vartˈɔɕtɕi, ˌɔdʒutsˈaɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_252.wav|jˈaɡ dwˈuɡɔ tɔ jˈɛʃtʃɛ pˈɔtrfa?|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_86.wav|akˈurat tɔ jɛst mˈawɔ vˈaʒnɛ. tˈak naprˈavdɛ istˈɔtnɛ jɛst tɔ, tsˈɔ ɲˈitsk pɔvʲˈɛdʑaw pˈɔtɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_230.wav|bˈɨw dla mɲʲɛ tʃwˈɔŋkʲɛm rɔdʑˈinɨ, ɲˈitʃɨm ˌukɔxˈanɨ strˈɨjɛk.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_45.wav|bavˈiwa ɕɛ w ɔɡrˈɔdʑɛ z baˈilim.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_33.wav|tɔ ɲʲˌɛmɔʒlˈivɛ, ʒˈɛbɨ ɕɛ dˌɔvʲɛdʑˈawa, tˈɛssa. zdˌɛtsɨdɔvˈaɲʲɛ pʃɛsˈadʑaʃ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_381.wav|tˈutaj ɡdʑˈɛʑ dɔɡˈasa jɛj ʃˈɛpt, zatɕˈixa jɛj ˈɔddɛx, stˈɨɡɲʲɛ jɛj tɕˈɛpwɔː i pwɔvʲˈɛjɛ smˈukwa bjˈawɔɕtɕ jɛj tɕˈawa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_136.wav|jˈɛɕli ɲʲɛ mˈɔʒɛʒ zˈabratɕ sfɔjˈɛɡɔ vnˈuka, tɔ pˌɔviɲʲˈɛnɛɕ ɔdjˈɛxatɕ f tɕˈɔŋɡu kˈilku mˈinut.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_278.wav|smˈɔkuf, ktˌurɨx ɲˈiɡd z nˈas ɲʲɛ vˈidʑaw na ˈɔtʃɨ?|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_94.wav|dla ɲʲˈɛɡɔ tɔ ɲʲɛ bˌɨwa zvˈɨkwa prˈatsa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_16.wav|jˈɔɛ pˈalmɛr. xtɕˈawabˌɨm pˌɔrɔzmˈavʲatɕ s pˈaɲʲɔ̃ z ɔpʲˈɛki spɔwˈɛtʃnɛj, z dʒˈanɛt, ˈalbɔ z bˈɔbɛm, dˌɛtɛktˈɨvɛm. ˌɔtpɔvʲˈadam.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_92.wav|— ja tɔ rɔzˈumjɛm — pɔvʲˈɛdʑaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_115.wav|ɲʲɛ zrˈɔbʲi tˌɛɡɔː ˈindjɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_80.wav|s tʃˈɛɡɔ tɔ jɛzd zrɔbjˈɔnɛ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_2.wav|jˈaɡ vʲˈɛlɛ rˈazɨ w ʒˈɨtɕu, tˈak i f tɛj xfˈili.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_72.wav|zˌapɨtˈawa dʑvʲˈɛntʃnɨm ɡwˈɔsɛm kˈatɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_105.wav|dʑˈiɕ pˌɔznajˈɛmɨ nˈazvɨ tʃˈɛɲɕtɕi, ftʃˈɔraj bˌɨwɔ tsɔdʑˈɛnnɛ tʃɨʃtʃˈɛɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_9.wav|vʲˈɛm, ʒˈɛ tɔ ɡwupˈɔta vɨdˈavatɕ pʲɛɲʲˈɔndʑɛ na alkˈɔxɔl, kʲˈɛdɨ tʃwˈɔvʲɛk jɛzd bɛzdˈɔmnɨ, ˌalɛ dʑˈɛŋki ˌalkɔxɔlˈɔvi wˈatfʲɛj jɛzd znˈɔɕidʑ bɛzdˈɔmnɔɕtɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_59.wav|jɛzd vʲˈɛlu kˌɔmuɲˈistuf, ktˌuʒɨ zɔstˈali fpuʃtʃˈɛɲi tˈutaj, ɡdˈɨʃ mʲˌɛli tsˈɔʑ dɔ spʃɛdˈaɲʲa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_30.wav|zwapˈaliɕmˌɨ awtˈɔbus na kˈɔɲtsu ulˈitsɨ i vɨɕˈɛdliɕmˌɨ f pɔblˈiʒu salˈɔnu sˌamɔxˌɔdɔvˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_70.wav|tˈɨlɛ, ʒˈɛ tsɨrkˈɔvi klˈawɲi z rɛɡˈuwɨ ɲʲɛ sɔ̃ ˌuzbrɔjˈɛɲi f kˌarabʲˈinɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_144.wav|pɔ tsˈɔː im mˈɛtan? jɛst skwadɲˈikʲɛm palˈiva rˌakʲɛtɔvˈɛɡɔ, ktˌurɛ prˌɔdukˈujɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_168.wav|ɲʲˈɛma sˈɛnsu zavrˈatsadʑ ɡwˈɔvɨ jɛj miwˈɔɕtɕi takˈimi nˌɔnsɛnsˈami.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_67.wav|ˌɔɲi sɔ̃ xˈɨba ɲʲˌɛpɔvˈaʒɲi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_51.wav|tˈɔm vˈɨjɔw s kʲɛʃˈɛɲi pˈarɛ rˌɛŋkavˈitʃɛk i jˈɛ zawˈɔʒɨw, a spˈɛntsɛr pʃɛsˈunɔw tɛlˈɛfɔn w jˈɛɡɔ strˈɔnɛ za pɔmˈɔtsɔ̃ ɔwˈufka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_119.wav|i tˈaɡ zrɔbʲˈiwa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_185.wav|pˈɔdɛjɕtɕ tʃɨ ˈutɕɛts?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_34.wav|jˈaɡ vʲˈɛnts pʃɛkˈɔnaw dɔ tˌɛɡɔ pˈana?|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_179.wav|sfˈɔjɛj pʃɛʃwˈɔɕtɕi ɲʲɛ zmʲˈɛɲi, ˌalɛ zamjˈɛʒa zmʲˈɛɲitɕ sfˈɔjɔ̃ pʃˈɨʃwɔɕtɕ i ɔdˈɛbratɕ nˌalɛʒnˈɛmu pʲɛɲʲˈɔndʑɛ. zˌapratsˈɔvaw nˈaɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_151.wav|vʲˈɛm, mˈuvi ɲˈitsk.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_216.wav|pˈuɕtɕiw nˈas, ˌalɛ pʃˈɛs tsˈawɨ tʃˈas pʃɨɡlˈɔndaw mi ɕɛ uvˈaʒɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_87.wav|vʲɛdʑˈawam, jˈakɔ̃ pʃˈɨjɔw stratˈɛɡjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_77.wav|ɲʲɛ jɛzd ʑlˈɛ. kwˈamjɛʃ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_80.wav|ˌalɛ tʃɨ tˌɛɡɔ xtɕˈawam?|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_65.wav|jˈɛdna z vʲˈɛlu ʒˈɛtʃɨ, ktˌurɨɣ bʲˈillɨ ɲˈiɡdɨ ɲʲɛ pˈɔvʲɛ kɛnˈɔvi xɔffˈɔvi, bɔɡʲˈiɲi sprˌavʲɛdlivˈɔɕtɕi justʲˈitja.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_15.wav|lɛʒˈɔntsɨ ɲʲɛ pɔrˈuʃɨw ɕɛ nˈavɛt. mɛxˈaɲik pˈatʃɨw pʃˈɛs xfˈilɛ na ɲʲˈɛɡɔ, pʃˈɛwknɔw ɕlˈinɛ i ˈɔtʃɛd, ˌɔtɕɛrˈajɔnts pˈɔt s tʃˈɔwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_15.wav|ɲʲɛvʲˈɛlɛ dʑˈɛftʃɨn na ʑˈɛmi mˈɔʒɛ ɕɛ tɨm pɔxfˈalitɕ. jˈasnɛ, mˈuʃɔ̃ ɕɛ upˈɔratɕ s ʃˈɛɕtɕ rˈazɨ ɕilɲʲˈɛjʃɔ̃ ɡrˌavitˈatsjɔ̃, ˌalɛ tɔː ix prˈɔblɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_6.wav|kˈatɛ, sˈama vʲˈɛʃ, jˈaɡ bˈardʑɔ mɲʲɛ tɔ pʃɨbʲˈiwɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_77.wav|dʑˈɛɲ dˈɔbrɨ, mˈɔɡɛ pˈaɲi jˈakɔɕ pˈɔmuts?|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_214.wav|pɔftˈurɲʲɛ sprɨskˈujɛ ɡˈɔ sˌamɔˌɔpalˈatʃɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_108.wav|ɔn mi ɲitʃˈɛɡɔ ɲʲɛ mˈuvi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_30.wav|tɨm rˈazɛm ɲʲɛ zdɔwˈawa ɕɛ pɔfstʃˈɨmatɕ i zalˈawa ɕɛ wzˈami.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_417.wav|ˈarjan ɲʲɛ dˈawa ɕɛ nˈabratɕ tˈak wˈatfɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_24.wav|pravɲˈitsɨ i kɕɛŋɡˈɔvi, f tɨm fˈil, ftɕˈɔ̃ʒ ɡˈapjɔ̃ ɕɛ na zˌamjɛʃˈaɲʲɛ w dˈɔlɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_34.wav|ʒˌartɔvˈawɛm, bˈɔ xwˈɔptsɨ ɲʲɛ pɔvˈinɲi bʲˈidʑ dʑɛftʃˈɨnɛk.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_241.wav|vʲˈɛ pˈaɲi tsˈɔ jɛzd dʑˈivnɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_132.wav|zrɔbʲˈiwam jˈɛ, kʲˈɛdɨ pˈɔʃliɕmˌɨ dɔ kˈina.|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_88.wav|ɲʲɛ vidʑˈawam jˈɛɡɔ vɨtʃˈɨnu na vwˈasnɛ ˈɔtʃɨ, bˈɔ bˌɨwam zajˈɛnta ˌɔtkɔpɨvˈaɲʲɛm ɕtɕˈanɨ spˈɔd vˈarstfɨ rˌɛɡulˈitu, ˌalɛ tsˈawa çistˈɔrja dɔtˈarwa dɔ mɲʲɛ pˈuʑɲʲɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_81.wav|bʲˈillɨ skrˈɛntsa na pˈarkiŋk i znajdˈujɛ vˈɔlnɛ mʲˈɛjstsɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_16.wav|mˈɔʒɛ pˈan zˈafʃɛ zmʲˈɛɲitɕ ˌinstruktˈɔra?|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_41.wav|kʲˈɛdɨ jˌɛstɛʑ z bjˈɛɡʲɛm lˈup ɕɛ ukrˈɨvaʃ, ɡɔtˈufka ʒˈɔɲdʑi.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_74.wav|na pɔʑˈɔmjɛ ɡrˈuntu ɕtɕˈana bˌɨwa pʲɔnˈɔva mˈimɔ wˌukɔvˈatɛj kʃɨvˈiznɨ tsˈawɛj kɔnstrˈuktsji.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_68.wav|ɲʲˌɛpɔkɔˈitɕɛ dʑˈɛtɕi i prˈɔʃɛ, ʒˈɛbɨɕtɕˌɛ ˌɔdjɛxˈali.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_14.wav|za dalˈɛkɔ zaʃˈɛdwɛɕ, ʒˈɛbɨ ɕɛ vɨtsˈɔfatɕ, mˈuvi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_137.wav|zɔstˈanɛ s tˈɔbɔ̃, nˈavɛt ɲʲɛ prˈubuj prˌɔtɛstˈɔvatɕ.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_477.wav|nˌajpʲɛŋkɲʲˈɛjʃa kɔbjˈɛta na ɕfʲˈɛtɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_156.wav|zɡˈɔdɲʲɛ s tradˈɨtsjɔ̃ kˈaʒdɨ nˈɔvɨ vʲˈɛlki sˈɛptɔn udʑˈɛla krulˈɔvi sfˈɛɡɔ bwˌɔɡɔswavʲˈɛɲstfa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_451.wav|tɔ tˈu, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_125.wav|ɕlˈɛdʑiw jɛj kɔmˈurkɛ?|3
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+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_42.wav|z zapˈaxɛm ɡˈumɨ i dˈɨskuf xˌamultsˈɔvɨx.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_26.wav|bjˈɔrɛ klˈudʒ dɔ nɔvˈɛɡɔ zˈamka, zˌɔstavʲˈajɔnts ɔtfˈartɛ dʒvˈi dɔ dˈɔmu, ʒˈɛbɨ swˈɨʃɛtɕ ˌɛvɛntuˈalnɛ vɔwˈaɲʲɛ dʑˈɛtɕi. ˈidɛ dɔ ʃˈɔpɨ i ɔtfʲˈɛram jˈɔ̃.|3
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+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_41.wav|drˈɔɡa dʒˈɛs, mˈɔʒɛ tɨ pɔtrˈafiʃ ɔblˈitʃatɕ tˈakʲɛ ʒˈɛtʃɨ f pamjˈɛɲtɕi. ˈɔddawbˌɨm fʃˈɨstkɔ, ʒˈɛbɨ bˈɨtɕ tˈakim bɨstʃˈakʲɛm jˈak tˈɨ, ˌalɛ ɲʲɛ jˈɛstɛm.|4
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+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_141.wav|ʒˈadan kwˈɔpɔt jɛst w mˈɔim... ɲʲˈɛxtsɛ vʲˈɛdʑɛtɕ, jˈɛʃtʃɛ ɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_161.wav|sˈɛptɔn tˈɔrbɛrt|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_165.wav|f ktˌurɨm bˌɨwɨ kanˈapki s tʃˈarnɨm kavʲˈɔrɛm.|0
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+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_379.wav|ˈɛwrɔn vzrˈuʃɨw rˌamjɔnˈami. tˈak sˈɔbjɛ mˈɨɕlɛ, ʒˈɛ tʃˈɨtatʃ mʲˈaw rˈatsjɛ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_80.wav|rˈas pˈɔttʃas pʲɛrʃˈɛɡɔ rˈɔku mawʒˈɛɲstfa pˌɔskarʒˈɨwa mu ɕɛ rˈanɔ.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_144.wav|mɨɕlˈawɛm, ʒˈɛ ɔdjˈɛdʑɛʃ s frɛjˈami.|1
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+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_235.wav|kʲˈɛdɨʑ bɨvˈawɛm tˈu dˌɔprɔvadʑˈanɨ pʃˈɛs patrˈɔlɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_116.wav|tˈak, bʲˈillɨ.|2
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+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_44.wav|vˌɨpatrɨvˈaliɕmˌɨ mˈudʒuf, ktˌuʒɨ zˌakradˈali ɕɛ na ˈinnɛ dˈaxɨ ɡɔtˈɔvi zabʲˈijatɕ i ɲˈiʃtʃɨtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_14.wav|zakwˈadam, ʒˈɛ xˈɔtɛl pʃɛkˈazaw ʃtʃɛɡˈuwɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_214.wav|vidʑˈawam dˌɔkumˈɛntɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_14.wav|vˈiʃɛ na karɲˈiʃu, zaswˈɔnɨ prˌɨʃɲitsˈɔvɛj w waʑˈɛntsɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_85.wav|tʃɨ ta kɔbjˈɛta kwamˈawa, jˈaɡ zˌasuɡɛrˈɔvaw rɛpˈɔrtɛr?|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_186.wav|tɔ znˈatʃɨ pˈɔznatɕ trˈɔnda, pɔprˈaviw ɕɛ jˈɛan.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_167.wav|pˌɔtɕɔŋɡnˈɛwa jˈɔ̃ za rˈamjɛ, vˌɨʃarpnˈɛwa ɕɛ i spɔjʒˈawa na starˈuxɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_184.wav|xˈɨba mɲʲɛ pˌɔtʃɛbˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_82.wav|stˌandardˈɔvɨ trˈɨp, f ktˌurɨm pˈɔmpɨ vˌɨtfaʒˈajɔ̃ ʃtˈutʃnɔ̃ ˌatmɔsfˈɛrɛ. pɔ tʃɨʃtʃˈɛɲʲu dɔwˈɔntʃɨw dɔ mɲʲɛ f pʃɛtɕˈɔŋku.|4
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+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_335.wav|ˌɔtɕɛrˈajɔnts ɕɛ zˈɛ zɡʒˈɨtɛm ˌɔkrɛŋɡˈɔswup.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_52.wav|jˈakiɕ fˈatsɛt krˈɛɲtɕi ɕɛ w ˌɔkɔlˈitsɛ ɔt pˈaru dɲˈi.|3
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+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_162.wav|nˈɔtsɔ̃ ɕɲˈiwɔ mu ɕɛ, ʒˈɛ znˈɔvu znˈalas ɕɛ w vʲˈɛlkim sˈɛptɕɛ bˌaɛlˈɔra i pˈɛwɲi strˈaʃ pʃɨ zvwˈɔkax ˈɔjtsa.|1
+Dataset/wavs/urwisko_ferenc/15_segment_67.wav|— mˈɔʒɛʃ mi pˈɔmuts? — ˌɔdvaʒˈɨwa ɕɛ spˈɨtatɕ, a ɡrˈɔɣ zˈɛrknɔw nˈaɲʲɔ̃ pʃˈɛs rˈamjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_55.wav|tɔ ɲʲɛ tˌɨlkɔ krˈɛf.|2
+Dataset/wavs/urwisko_ferenc/22_segment_31.wav|ˈilɛ dˈaʃ mi tʃˈasu?|0
+Dataset/wavs/urwisko_ferenc/41_segment_20.wav|xˈɛrman rˌɔstɕɔŋɡnˈɛwa ˈusta w uɕmʲˈɛxu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_149.wav|zˌaswuɡˈujɛʃ nˈatɔ, ˈanɔ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_96.wav|w vɛstˈɛrɔs nastˈawɨ mrˈɔtʃnɛ tʃˈasɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_111.wav|bˈɨwɛm, vidʑˈawɛm, vɨstˈartʃɨ.|2
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+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_433.wav|zˌaʒutɕˈiwa mu ramjˈɔna na ʃˈɨjɛ.|1
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+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_569.wav|zˌaɕadajˈɔntsɨm dɔ sutˈɛɡɔ ɕɲʲadˈaŋka.|0
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+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_276.wav|bˈɨlibˌɨɕmɨ sˈami.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_27.wav|na ʃtʃˈɛɲɕtɕɛ dla nˈas s tsˈawɨm tɨm bˌawaɡˈanɛm bˌɛɲdʑɛ mˈuɕaw pɔrˈadʑitɕ sˈɔbjɛ jˈakiɕ ɲʲɛʃtʃˈɛ̃snɨ mˌundurˈɔvɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_70.wav|kˈim jˈɛst, tʃˈɛɡɔ xtsˈɛ i jˈak ɕɛ dˌɔvʲɛdʑˈawa ɔ nˈaʃɨx prɔblˈɛmax.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_2.wav|pɛɲdʑˈiwam pʃˈɛs pˈɔʑɔm zɛrˈɔvɨ kɔnrˈada tsˈɔ ɕˈiw w nˈɔɡax.|4
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+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_18.wav|pɛɲdʑˈiwam pʃˈɛs ʃˈarɔ̃ pustˈɨɲʲɛ f strˈɔnɛ ɔɡrˈɔmnɛj bˈaɲki kɔnrˈada.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_403.wav|vʲˈɛlki mˈastɛr paˈisɛl zamrˈuɡaw z ɲʲˌɛdɔvʲɛʒˈaɲʲɛm. vˈaʃa mˈiwɔɕtɕ...|1
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+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_45.wav|vʲˈɛm, ʒˈɛ jˈuʃ puɕtɕˈiliɕtɕˌɛ sprˈavɨ w rˈux, unˈɔɕi pˈɔrtfɛl.|2
+Dataset/wavs/urwisko_ferenc/46_segment_111.wav|ˈɔlɡʲɛrt pɔvˈiɲʲɛn ɕɛ zbjˈɛratɕ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_111.wav|ɡdˈɨ nˈaɡlɛ pɔdˈɛʃwa dɔ ɲʲˈɛj mˌarɨnˈarska ʒˈɔna.|1
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+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_555.wav|pʃɛprˈaʃam, pʃɛprˈaʃam, ʒˈɛ tɕˈɛ fˌatɨɡˈujɛ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_270.wav|najvrˈaʑɲʲɛj lˈidʒba lˈɔrduv dˌɛklarˈantuf spˈadwa s ʃɛɕtɕˈɔrɡa dɔ tʃˈɛx.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_253.wav|pˌɔpatʃˈɨwam nˈaɲʲɔ̃ i skinˈɛwam pɔvˈɔli ɡwˈɔvɔ̃, xˈɔtɕ sˈama ɲʲɛ vʲɛdʑˈawam, tʃɨ f tɔ vʲˈɛʒɛ.|3
+Dataset/wavs/urwisko_ferenc/18_segment_15.wav|smˌakɔvˈawa vɨbˈɔrɲʲɛ, ʃtʃɛɡˈulɲʲɛ kˌarmɛlˈɔva nˈuta, ktˌura zˌɔstavˈawa na jɛ̃zˈɨku.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_59.wav|ɲʲˈɛmʲaw vˌɔntplivˈɔɕtɕi, ʒˈɛ dɔpˈadnɔ̃ tˌɛɡɔ mɔrdˈɛrtsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_52.wav|mʲˈawam jˈɛdnaɡ dˈɔɕtɕ, ʒˈɛbɨ fpwˈatɕitɕ fpisˈɔvɛ i muɕˈawam tˌɨlkɔ f ɕˈɛbjɛ uvʲˈɛʒɨtɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_311.wav|tɔ salvˈatɔr. skˈarʒɨw ɕɛ, ʒˈɛ pʃˈɛs tɕˈɛbjɛ mˈa pʃɛstˈɔjɛ i ʒˈɛ ɲʲɛ pratsˈujɛʃ ʃˈɨpkɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_12.wav|pˈatʃɛ na ˈɛkran, ˌalɛ fʃˈɨstkɔ jɛzd zˌamazˈanɛ pʃˈɛs nˈɔvɔ̃ pˈɔrtsjɛ wˈɛs w mˈɔix ˈɔtʃax, vʲˈɛnts ɲʲˌɛtɕɛrplˈivɨm rˈuxɛm ɔtɕˈɛram jˈɛ paltsˈami.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_57.wav|jˌɛstɛm zwˈa na ɕˈɛbjɛ, ʒˈɛ pɔdjˈɛwam tˈak ˌimpulsˈɨvnɔ̃ dɛtsˈɨzjɛ ɔ pʃɨjˈɛʑdʑɛ f tɔ mʲˈɛjstsɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_148.wav|vˈɛvnɔndʒ bˈɨw mˈawɨ, ɲʲˌɛɔznˌakɔvˈanɨ pɔjˈɛmɲiɡ z ˌaɛrɔzˈɔlɛm, mɲʲˈɛj vʲˈɛntsɛj vʲɛlkˈɔɕtɕi dˌɛzɔdɔrˈantu f ʃtˈɨftɕɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_20.wav|mruɡnˈɛwa dɔ lˈintsaj, ktˌura vˌɨɡlɔndˈawa na ɲʲˈɛtsɔ pʃˌɛraʒˈɔnɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_182.wav|ɲʲˈɛmʲaw ɔkˈazji pɔkˈazatɕ ɲitskˈɔvi xˈaswa na sfˈɔim tˈɛʃˈɛrtɕɛ, ˌalɛ tˈɛraz vˌɨkʃɨkˈujɛ jˈɛ dɔ ɲʲˈɛj.|2
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+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_41.wav|ˈɛlis ɔtfʲˈɛra i zamˈɨka ˈusta.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_123.wav|sfˈɔjɛ dˌɔɕfʲattʃˈɛɲʲɛ ˈu nˈas srˈawɔ ɕɛ w lˈɛɕɛ, f kʃˈakax, na ʒˈɛrdʑi, na ɲʲˌɛxɛblɔvˈanɛj dˈɛstsɛ, nˈavɛt na stɔjˈaka, jˈak ktˈɔ bˈɨw zdˈɔlnɨ.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_9.wav|jˌɛstɛɕ pˈɛvnɨ, ʒˈɛ ˌɔna mɲʲɛ tˈam xtsˈɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_73.wav|dlatʃˈɛɡɔ mɲʲɛ tˈutaj sprˌɔvadʑˈiwɛɕ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_125.wav|wˈatfɔ bˌɨwɔ zapˈɔmɲʲɛtɕ, ʒˈɛ jˈɛɡɛr bˈɨw tˌɨlkɔ zvɨtʃˈajnɨm baɲdʑˈɔrɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_145.wav|jˈasnɛ, jˈasnɛ. swˈuxaj, mˈɔʒɛ pujdʑˈɛmɨ kʲˈɛdɨɕ na drˈiŋka?|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_87.wav|xˈɔtɕ nˈadal ɕɛ ɲʲɛ uɕmʲˈɛxaw,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_55.wav|ˈɔkɛj, fɕˈɔndɛ dɔ sˌamɔxˈɔdu, jˈak tˌɨlkɔ ɕɛ tˈutaj zjˈavi. dɔ tɛj pˈɔrɨ pˌɔvinɲˈiɕmɨ jˈuʃ xˈɨba vʲˈɛdʑɛtɕ, ktˈɔ bˈɨw nadˈaftsɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_64.wav|jˈakʲɛ tɔ mˈa tˈɛraz znatʃˈɛɲʲɛ? tˈak, bˌɨwɛm zraɲʲˈɔnɨ, zwˈɨ i w ɔɡˈulɛ. ˌalɛ ʒˈadnɛ z nˈas ɲʲɛ jɛzd bˈɛz vˈinɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_39.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ ɲʲɛ, kˈatɛ. vˈɛjtɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_523.wav|ktˌurɔ̃ dˈavɲʲɛj znˈaliɕmˌɨ pɔbjˈɛʒɲʲɛ i ɔbˈɔjɛ tˈɛras pˌɔmaɡˈaliɕmˌɨ sˈɔbjɛ f tɛj vɛndrˈuftsɛ.|0
+Dataset/wavs/urwisko_ferenc/58_segment_12.wav|brˌakɔvˈawɔ mu ɲʲɛtsˈawɛ pʲɛɲdʑˈɛɕɔnd zwˈɔtɨx, ˌalɛ rˈɛʃtɛ, ɲʲˈɛmal drˈuɡʲɛ tˈɨlɛ, mʲˈaw jˈɛʃtʃɛ na kˈɔɲtɕɛ platfˈɔrmɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_132.wav|ˈɔtuʃ tɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_25.wav|ɲʲɛ, tsˈɔ ja ɡˈadam, mʲˌawɛm tɔtˈalnɛ zatɕmʲˈɛɲʲɛ. nˈɛndʑnɛ tʃtˈɛrɨ tsˈɨfrɨ, a pˌamjɛntˈawɛm tˈɨlkɔ, ʒˈɛ drˈuɡa tɔ dvˈujka.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_152.wav|pɛvnˈɛɡɔ dɲʲˈa ɔbˈudʑiw ɕɛ s pwˈatʃɛm.|1
+Dataset/wavs/urwisko_ferenc/48_segment_15.wav|ktˌurɛ pˌɔftuʒˈɨwɔ ɕɛ kˌilkukrˈɔtɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_62.wav|pʃɨznˈawa bˈɛtskɨ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_27.wav|mˈuɡwbɨ pɔvʲˈɛdʑɛdʑ viktˈarjɔn, ˌalɛ ɲʲɛ bˌɨwɔ jˈuʃ nˈatɔ tʃˈasu.|1
+Dataset/wavs/urwisko_ferenc/02_segment_42.wav|zɡˈaɕiw ɕˈilɲik i vˈɨɕad z ˈawta, ɡdˈɨ mˈazda zˌajɛxˈawa pɔd brˈamɛ pɔsˈɛsji.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_22.wav|pʃˌɛtɕɛʒ dɔstʃˈɛɡwabˌɨm jˈakʲɛɕ ɕlˈadɨ, prˈavda?|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_134.wav|dˌɔrɛntʃɨtɕˈɛlɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_61.wav|kˈatɛ bˌɨwa xˈɔra, dˌɔxɔdʑˈiwa dɔ ɕˈɛbjɛ pɔ lɛtʃˈɛɲʲu rˈaka, vʲˈɛnts mˈɔʒɛ bˌɨwɔ tɔː ˌuspravʲˌɛdlivʲˈɛɲʲɛm jɛj bˌɛzmɨɕlnˈɔɕtɕi. mˈimɔ tɔ...|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_8.wav|swˈɔtka muzˈɨka dla ˈuʃu kˌapitˈana.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_17.wav|pʃˈɛs xfˈilɛ pʃɨɡlˈɔndaw mi ɕɛ w miltʃˈɛɲʲu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_61.wav|kʲˈɛdɨ vɨxˈɔdʑi, ʃˈɔna jɛzd vɨrˈaʑɲʲɛ zmʲɛʃˈana, vʲˈɛnts prubˈujɛ jˈakɔʑ zbˌaɡatˌɛlizˈɔvatɕ sˌɨtuˈatsjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_42.wav|f kartˈɔɲʲɛ bˌɨwɔ fʃˈɨstkɔ, vwˈɔntʃɲʲɛ z mˈɔim stˈarɨm laptˈɔpɛm, na kturˌɛɡɔ dˈɨsku mˈɔʒna bˌɨwɔ znˈalɛɕtɕ kˈaʒdɔ̃ vʲadˈɔmɔʑdʑ vɨswˈanɔ̃ dɔ stsˈɔtta, lˈistɨ miwˈɔsnɛ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_189.wav|jˈɛdnɔ̃ dwˈɔɲ tʃˈɨmaw na kɕˌɛ̃ʒɨtsˈɔvɨm kamjˈɛɲʲu fpravʲˈɔnɨm w ɡˈawkɛ zmʲˈɛʃxu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_48.wav|vrˈɛʃtɕɛ zˌapalɲˈitʃka vɨpˈadwa mu s pˈaltsuf, a papʲˈɛrɔz z ˈust.|2
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+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_168.wav|a tɔ sukˈinsɨn, ˌɔdɛzvˈawa ɕɛ sˈanxɛs. vʲɛdʑˈawam, ʒˈɛ ˈɔstʃɨ sˈɔbjɛ zˈɛmbɨ na mˈuj kˈɔntraɡd z mʲˈastɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_211.wav|nˈɔː i ɲˈits.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_40.wav|nakrˈɨtɛ stˈɔsɛm fˈutɛr.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_19.wav|xˈɔtɕ ʃˈatɨ mʲˈaw tʃˈɨstɛ, bˌɨwɨ tˈɛʒ vˌɨstʃɛmpʲˈɔnɛ i pˌɔwatˈanɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_67.wav|mˈama tfʲɛrdʑˈiwa, ʒˈɛ vˈɔli ɔɡlˈɔndatɕ tˌɛlɛvˈizjɛ fspˈulɲʲɛ i ɲʲɛ xtɕˈawa, ʒˈɛbɨ mˈili rɔbʲˈiwa tɔ sˈama.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_42.wav|znˈɔvu zrɔbʲˈiwɔ mi ɕɛ ɲʲɛdˈɔbʒɛ. f tʃˈɔlɛ tsˈɨkaw mʲarˈɔvɔː iɡlˈastɨ bˈul.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_14.wav|ˈɔjtɕɛts mˈartɨ pˈɔrtɛr jɛst tʃˌarnɔskˈurɨm mɛ̃ʃtʃˈɨznɔ̃ w ɕrˈɛdɲim vʲˈɛku, vʲˈɛnts tɔ mˈɔʒɛ bˈɨtɕ ˈɔn.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_83.wav|mˈarta pˌɔkrɛɲtɕˈiwa pɔvˈɔli ɡwˈɔvɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_22.wav|rˌɔzbʲijˈɛmɨ ˈɔbus pɔt murˈami ɔd zaxˈɔdɲʲɛj strˈɔnɨ. xtsˈɛ, ʒˈɛbɨ ɡˈɔː ˌɔkɔpˈanɔː i ˌɔtɔtʃˈɔnɔ pˌalikˈami.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_273.wav|zwˈɔta. fawʃˈɨva jˈaɡ zwˈɔtɔ ɡwˈuptsuf.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_142.wav|ɡdˈɨbɨm dˈɔstaw srɛbrnˈɛɡɔ jɛlˈɛɲʲa za kˈaʒdɨm rˈazɛm, ɡdˈɨ vˌɨmjɛɲʲˈawaɕ jˈɛɡɔː ˈimjɛ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_87.wav|xˈɔff ʃˈura mˌɔkasɨnˈami ɔ ʑˈɛmʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_53.wav|bʲˈillɨ ˌɔtpɔvʲˈada, ʒˈɛ tɔ zrˈɔbʲi, xˈɔdʑ dɔmˈɨɕla ɕɛ, ʒˈɛ dʑˈɛŋki ɲʲˌɛspɔdʑˌɛvanˈɛmu zˌastʃɨkˈɔvi ɡɔtˈufki dˈɔn i bˈɛtx rˈatʃɛj ɲʲɛ pˌɔtʃɛbˈujɔ̃ fsparsˈija fˌinansɔvˈɛɡɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_64.wav|tɔ bˌɛstsɛlˈɔvɛ, a ja pɔ rˈas pʲˈɛrʃɨ ɕɛ zˌastanˈavʲam, tʃɨ strˈatɨ, ktˌurɨx nˌarɔbʲˈiwam, dˈa ɕɛ jˈɛʃtʃɛ w ɔɡˈulɛ naprˈavitɕ.|4
+Dataset/wavs/urwisko_ferenc/08_segment_8.wav|pˈɔza tˈɨm tɔ, ʒˈɛ kɔbjˈɛta i xudʑˈiɲski bˌɨli znˌajɔmˈɨmi f sˈɔtɕal mˈɛdjax,|0
+Dataset/wavs/urwisko_ferenc/46_segment_90.wav|kʲˈɛdɨ tɔ bˈɨwɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_52.wav|ˈuɕɔɲtɕ, bʲˈillɨ. dˈaj ɔtpˈɔtʃɔɲtɕ nˈɔɡɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_141.wav|ɲˈim jˈɛʃtʃɛ swˈɔɲtsɛ vzˈɛʃwɔ na dˈɔbrɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_109.wav|vwˈɔsɨ zvʲɔ̃zˈawa tʃɛrvˈɔnɔ̃ ɡˈumkɔ̃ w ɲʲɛdbˈawɨ kˈutsɨk.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_31.wav|za srɛbrnˈɛɡɔ jɛlˈɛɲʲa lˈɔrtsaz zaɲʲˈɛɕɛ tɕˈɛ dɔ sˌɛnɛsxˈala na plˈɛtsax.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_347.wav|bˈardʑɔ xtsˈɛ.|0
+Dataset/wavs/urwisko_ferenc/19_segment_36.wav|tɕˈɛmnɛ xmˈurɨ za ˈɔknɛm zdavˈawɨ ɕɛ zblˈiʒadʑ dɔ mʲˈasta.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_13.wav|tɔ lˌɔdɔvˈata, spɔkˈɔjna nˈɔts, za jakˈimi zvˈɨklɛ pʃɛpˈadam, ˌalɛ ɲʲɛ tɨm rˈazɛm.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_148.wav|pˌɔvʲɛdʑˈawɛm im, ʒˈɛbɨ pˌɔstavˈili f tfˈɔjɛj kɔmnˈatɕɛ stˈuw dɔ ɕˈivas.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_297.wav|muɕˈawa pʃˈɨznatɕ, xˈɔdʑ bˌɨwa tˌɛɡɔ pˈɛvna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_151.wav|tʃˈuwam ɕɛ, jˈaɡbɨ ˌuratˈɔvaw mi ʒˈɨtɕɛ i bˌɨwam mu zˈatɔ.|3
+Dataset/wavs/urwisko_ferenc/12_segment_109.wav|ɲʲɛ pʃɛspˈawa dˈɔbʒɛ nˈɔtsɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_61.wav|— pˈɔl, vʲˈɛʃ mˈɔʒɛ, jakʲˈɛɡɔ rɔdʑˈaju lˈudʑɛ sɔ̃ ɔbˈɛtsɲʲɛ vˌɛrbɔvˈaɲi?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_133.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/urwisko_ferenc/17_segment_14.wav|zˈɛ znˌajdujˈɔntsɔ̃ ɕɛ tˈam mˈartfɔ̃ vˈiswɔ̃ mˈarja mɨɕlˈawa ɔ lˈɔɕɛ xudʑˈiɲskʲɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_64.wav|ˌalɛ pɔ plˈɛtsax tɕˈɛkɲʲɛ mi jˈuʃ pˈɔt.|3
+Dataset/wavs/urwisko_ferenc/01_segment_101.wav|— tɔ jɛst tɔ swˈɨnnɛ arçˈivum ˈiks? — zapˈɨtaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_23.wav|ɲʲɛ zɔstˈavʲaʃ tˌɔvaʒˈɨʃa brˈɔɲi na plˈatsu bˈɔju.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_14.wav|ˌɔpɔvʲɛɕtɕˈami ɔ dʑˌɛvʲɛɲtɕˌɔɡrɔʃˈɔvɨx krˈulax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_138.wav|kˈaʒɛ sfˈɔim vɨznˈaftsɔm spɔvʲˈadatɕ ɕɛ z ɡʒˈɛxuf, a pˈɔtɛm ix ˌupɔkˈaʒa i zmˈuʃa dɔ pʃɨjˈɛɲtɕa kˈarɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_255.wav|dɔstʃˈɛɡwam tɔ na jˈɛɡɔ tfˈaʒɨ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_250.wav|ˌalɛ pˈɔtɛm spɔjʒˈawa na jˌamjɛˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_248.wav|jˈak tɕi ɕɛ pɔvʲˈɔdwɔ, pˈaɲʲɛ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_251.wav|tɨ jˌɛstɛɕ mˈɔjɔ̃ vʲˈarɔ̃, xˈɛlɛn.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_44.wav|bˌɨwam jˈuʃ tˈam rˈas, na rˈanttsɛ s pˈɛvnɨm turˈɨstɔ̃. pˈɔkuj bˈɨw ɲitʃˈɛɡɔ sˈɔbjɛ, ˌalɛ trˈudnɔ pɔlˈɛɡatɕ na mˈɔjɛj ɔpˈiɲʲi.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_254.wav|mˈɔjɛ swˈɔva zˌadʑawˈawɨ na ɲʲˈɛɡɔ dɔkwˈadɲʲɛ tˈak, jˈak ɕɛ spˌɔdʑɛvˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_27.wav|mˈɔʒɛ ɕˈi, mˈɔʒɛ nˈɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_147.wav|nˈavɛt jɛʒˈɛli ɲʲɛ zɔstˈanɛ sxfɨtˈana i ˈuda mi ɕɛ dˈɔstadʑ dɔ ɕrˈɔtka i tˈaɡ zˌavalˈiwam sfˈɔjɔ̃ mˈisjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_171.wav|mˈɔʒɛ jɛst w ˈizbjɛ xˈɔrɨx, mˈɔʒɛ nˈavɛt ˈumar.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_125.wav|pamjˈɛntam spˌɔradˈɨtʃnɛ stʃˈawɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_25.wav|mɛ̃ʃtʃˈɨzna prɔvˈadʑiw, a kɔbjˈɛta ɔ pɔtɕˈɔŋɡwɛj tfˈaʒɨ i vˈɔ̃skix ˈustax ɕɛdʑˈawa z ɲʲˈɔ̃ s tˈɨwu. ˌɔtfɔʒˈɨwa tɔrˈɛpkɛ i vɨjˈɛwa z ɲʲˈɛj butˈɛlkɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_391.wav|jˈɛʃtʃɛ kfadrˈanɕik muvˈiwɛm sˈam dɔ ɕˈɛbjɛ i w nˈɔɡʲi. tsˈɔ mi ʃkˈɔdʑi pʲɛtnˈaɕtɕɛ mˈinut? i tˈak pʃɛt jˌɛdɛnˈastɔ̃ bˌɛndɛ w dˈɔmu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_167.wav|i ʒˈɛ jɛst ɲʲˌɛulɛtʃˈalɲʲɛ xˈɔra.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_417.wav|pˈɔtɛm ɔdvrˈutɕiw ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_124.wav|tˈak ɔ f pˈɔrɛ xfˈɨtɕiw jˈɛdnɔ̃ rˈɛŋkɔ̃ mˈɔjɔ̃ pˌɔmaraɲtʃˈɔvɔ̃ kˌamizˈɛlkɛ, a drˈuɡɔ̃ pˈasɛk mɔjˈɛɡɔ kˌarabʲˈinu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_367.wav|ˈu pʲˈur miɲʲˈɔnɛj ɛpˈɔki.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_310.wav|mˈɔim tɕˈawɛm fstʃˈɔ̃snɔw lˈɛkki drˈɛʃtʃ, ˌalɛ ɲʲɛ tʃˈɛ̃swam ɕɛ zˈɛ strˈaxu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_35.wav|muɕˈawa vʲˈɛnts ɕɛ dɔmˈɨɕlitɕ, ʒˈɛ ɲʲˈɛbɨw zˌaintˌɛrɛsɔvˈanɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_169.wav|fstˈanɛ za minˈutɛ, dvʲˈɛ mˈɨɕli bʲˈili.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_20.wav|tɔ skɔpʲˈɛmɨ mu dˈupskɔ. ɲʲɛ f trˈɔstsɛ ˈɔvas, ˌalɛ dlatˈɛɡɔ, ʒˈɛ ɲikˈɔmu ˈɔprutʃ nˈas ɲʲɛ vˈɔlnɔ ɕɛ ʃfˈɛndatɕ pɔ kɕɛ̃ʒˈɨtsu, a dɔ tˌɛɡɔ jɛstˌɛɕmɨ bˈandɔ̃ ɡnˈɔjkuf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_51.wav|mʲˈawam kˈɔɡɔɕ, ɔ kˈim mˈɔɡwam mˈɨɕlɛtɕ, kˈɔɡɔʑ vaʒnˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_95.wav|ˈilɛ sˈɛtɛk tɨɕˈɛntsɨ lˈitruv vˈɔdɨ tʃˈɛba zˈuʒɨtɕ,|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_80.wav|pɔdjˈɛdʑɛ radjˈɔvus, mˈɔʒɛ fˌurɡɔnˈɛtka z napˈisɛm vˈɨdʑaw ʃɛrˈɨfa ˈalbɔ pɔlˈitsja z bˈɔku.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_55.wav|ɲʲɛ vˌɨvʲɔ̃zˈawam ɕɛ z umˈɔvɨ. mˈɔjɛ zadˈaɲʲɛ pˌɔlɛɡˈawɔ na fstʃɨmˈaɲʲu prɔdˈuktsji tlˈɛnu.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_220.wav|zabʲˈili ɡˈɔ baɲˈitɕi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_570.wav|xˈɨba ɲʲˈɛxtsɛ mi ˌimpɔnˈɔvatɕ. mɲʲɛ ɲʲɛ vˈartɔː ˌimpɔnˈɔvatɕ. pɔ prˈɔstu ɕɛ ɲʲɛ ɔpwˈatsa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_93.wav|fʃˈɨstsɨ bˌɨliɕmˌɨ tˌɛɡɔ samˈɛɡɔ zdˈaɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_46.wav|jɛzd dˈuʒɔ vˈɨʃʃɨ ˈɔdɛ mɲʲɛ, vʲˈɛnts jˈɛɡɔ pˌɔtkɔʃˈulɛɡ vˈiɕaw nˈamɲʲɛ jˈak krˈutka sukʲˈɛŋka.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_30.wav|ˌalɛ ɲʲɛ za blˈiskɔ dˈɔmku lɛtɲʲˈɛɡɔ. ɲʲɛ pɔdˈɔbaw mu ɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_99.wav|pamjˈɛntaj, ʒˈɛbɨ ɔpwˈatɕitɕ raxˈunɛɡ za tɛn tɛlˈɛfɔn i fʃˈɨstkʲɛ ˈinnɛ, s ktˌurɨx kˌɔʒɨstˈawɛɕ, xfˈɨtaʃ.|2
+Dataset/wavs/urwisko_ferenc/50_segment_14.wav|ˈɔlɡʲɛrd bˈɨw pˈɛvʲɛn, ʒˈɛ mɛ̃ʃtʃˈɨzna zˈasnɔw vˌɨtʃɛrpˈanɨ skˈɔkʲɛm ˌadrɛnalˈinɨ, utrˈatɔ̃ krfˈi i dˈuʒɔ̃ dˈafkɔ̃ ɕrˈɔtkuf pʃˌɛtɕivbulˈɔvɨx.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_55.wav|ɲʲɛ dˈajɛ jˈuʃ sˈɔbjɛ z mˈamɔ̃ rˈadɨ i pɔdjˈɛwam dɛtsˈɨzjɛ, ʒˈɛ zamjˈɛʃkam s tˈɔbɔ̃ i luˈisɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_28.wav|ˌɔtpɔvʲˈɛdɲi tʃˈaz bˈɨw dla ɲʲˈɛj nˌajvaʒɲʲˈɛjʃɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_13.wav|kʲˈɛdɨ jˈɛdnak jˈuʃ lˈɛʒɨ nˌajvɨɡˈɔdɲʲɛj, jˈak tɔ mɔʒlˈivɛ, z ramjˈɛɲʲɛm pˌɔdwɔʒˈɔnɨm pɔd ɡwˈɔvɛ zdɔbˈɨva ɕɛ na zˌadʑivʲajˈɔntsɔ prɔmjˈɛnnɨ ˈuɕmʲɛx.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_295.wav|ɲʲɛ bˌɛɲdʑɛ mʲˈɛjstsa dla tʃˈaruf, prˈɔrɔtstf ˌaɲi ʃklˈanɨx ɕfʲˈɛts.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_106.wav|pˌɔvʲɛdʑˈawa zˌatʃɨmˈujɔnts ɕɛ pʃɨ dʒvʲˈax.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_103.wav|vzrˈuʃam rˌamjɔnˈami. jˌɛstɛm aktˈɔrkɔ̃. ɲʲɛ pɔvˈinnam mʲˈɛtɕ s tɨm prɔblˈɛmu, ʃtʃɛɡˈulɲʲɛ pˈɔtɨm fʃˈɨstkim, tʃˈɛɡɔ ɕɛ dˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_77.wav|ɲʲˌɛzraʒˈɔnɨ zˈatʃɔw ɡʒˈɛbatɕ w ˌustavʲˈɛɲʲax. bˈɨw ʃtʃɛɲɕlˈivɨ jˈak ɕfˈiɲʲa w bwˈɔtɕɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_135.wav|na pˈɛvnɔ tˈakʲɛ ɲʲɛ sˈɔ̃, vʲˈɛnts ˈɔɲʲɔ̃ ɕɛ jˈuʃ ɲʲɛ mˈartfjɛ. mˈɔim zmartfʲˈɛɲʲɛm jɛst tˈɛras sxˈu lˈɔŋk.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_62.wav|tɔ s pɛvnˈɔɕtɕɔ̃ strˌɛsujˈɔntsɛ. pˈɔza tɨm pɔ tsˈɔ tɔ fʃˈɨstkɔ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_80.wav|krˈɛɲtɕi mi ɕɛ w ɡwˈɔvʲɛ i jˌɛstɛm ˌɔswabjˈɔna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_33.wav|jɛj ˈɔjtɕɛts twumˈatʃɨ, ʒˈɛ plˈuʃak ɲʲɛ jɛst na spʃˈɛdaʃ, tʃˈɛba ɡˈɔ vˈɨɡratɕ. tɔ ɡˈɔ vˈɨɡraj, tˈatɔ, mˈuvi ʃˈaɲitsˌɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_24.wav|fʃˈɨstkɔ ɡrˈa z ˈaʃɛm?|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_230.wav|tfˈuj pˈan mˈɔ̃ʃ jɛst mˈɔim najvˈɨʃʃɨm sˈɛɲdʑɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_113.wav|jɛʒˈɛli mˈimɔ kɕˌɛ̃ʒɨtsˈɔvɛj ɡrˌavitˈatsji ktˈɔɕ ɲʲɛ mˈɔʒɛ pˈɔdɲʲɛɕtɕ ɕɛ s pɔdwˈɔɡʲi, tɔ mˈuɕi bˈɨdʑ z ɲˈim bˈardʑɔ ʑlˈɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_472.wav|takʲˈɛɡɔ, jˈaki jˈɛstɛɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_100.wav|mʲˌawɛm bˈardʑɔ rˌɛprɛzˌɛntatsˈɨjnɔ̃ ʒˈɔnɛ ɔ vartˈɔɕtɕax pɔdˈɔbnɨɣ dɔ mˈɔix.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_53.wav|ɔt rˈazu ɕɛ dˌɔmɨɕlˈiwam, ʒˈɛ tˈɨ...|2
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_69.wav|ɲʲɛ znajdˈujɛ ʒˈadnɛj, ɲʲɛ lˈitʃɔnts ɔtfˈɔru ˌɔkʲɛnnˈɛɡɔ, ɡdʑˈɛ mˈɔʒɛ tʃˈaitɕ ɕɛ strˈaʒɲik.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_71.wav|trˈudnɔ ɡˈɔ zˈatɔ vˈiɲitɕ. ʒˈɨvɨ tʃɨ ɲʲɛ? pˈɔdaw jˈɛdnak ˈadrɛs f puwnˈɔtsnɛj vˈalji i vwˈaɕɲʲɛ ɡˈɔ spravdʑˈamɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_154.wav|bʲˈillɨ rˈuʃa kˌɔrɨtˈaʒɛm f strˈɔnɛ kˈuxɲi, znˈuf stɔmpˈajɔnts na kravˈɛɲdʑax stˈup.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_125.wav|vwˈaɕɲʲɛ jˈadɛ dɔ tsˈɛntrum vˌɨtɕɛtʃkɔvˈɛɡɔ, ʒˈɛbɨ ˌɔprɔvˈadʑitɕ kˈilku tˈakix. ɲʲˈɛʑlɛ ɕɛ ɔbwˈɔvjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_22.wav|ˌɔtʃɨvˈiɕtɕɛ bʲˈillɨ ɲʲɛ zˈajdʑɛ w jɛj ˈɔtʃax tsˌawkɔvˈitɕɛ na drˈuɡʲi plˈan, bˈɔ ɲʲˌɛzapʃɛtʃˈalɲʲɛ dˈaʒɔ̃ ɕɛ vzajˈɛmnɔ̃ sɨmpˈatjɔ̃.|2
+Dataset/wavs/urwisko_ferenc/58_segment_26.wav|zˈatɔ tɕˈɔŋɡlɛ stˈawa tˈamta lˈaska. mˈixaw ˈuznaw, ʒˈɛ kɔbjˈɛta dʑˈivɲʲɛ ɕɛ zˌaxɔvˈujɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_17.wav|ɲʲˈɛma tˈu ɲikˈɔɡɔː ɔ tˈakim nazvˈisku. vɨbrˈawa pˈaɲi zwˈɨ nˈumɛr.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_190.wav|kˈɔtɨ ˌuvʲɛlbjˈawɨ jˈɔ̃ ɡˈɔɲitɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_93.wav|za plɛtsˈami swˈɨʃɨ, jˈaɡ dʑɛftʃˈɨna ɕɛ vʲˈɛrtɕi, jˈak rɔssˈuva rɔspˈɔrɛk, jˈaɡ ɡʒˈɛbjɛ f tɔrˈɛptsɛ, jˈak ɔdvˈija s papʲˈɛru tɔ, tʃˈɛɡɔ pˌɔtʃɛbˈujɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_218.wav|zˌastanˈavʲaw ɕɛ nˈattɨm.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_129.wav|dˈɔkɔnd bˈɨm ɕɛ ˈudaw na mʲˈɛjstsu blatskfˈiʃa?|1
+Dataset/wavs/urwisko_ferenc/63_segment_177.wav|— vˈidʑɛ, ʒˈɛ ɲʲˈɛxtsɛ pˈaɲi dwˈuʒɛj tˌɛɡɔ swˈuxatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_73.wav|pɔvʲˈɛdʑaw dˈɔbʒɛ bˈɛnji. ɔpˈɔvʲɛts, tsˈɔ ɕɛ stˈawɔ. tˈaɡ zrɔbʲˈiwɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_51.wav|tʃɨ kʲˌɛdɨkˈɔlvʲɛɡ dˈam rˈadɛ pʃˈɛjɕtɕ ɕɛ ulˈitsɔ̃, uɕmʲˈɛxadʑ dɔ lˈudʑi?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_31.wav|a mˈɔʒɛ tɔ fʃˈɨstkɔː ɔt samˈɛɡɔ pɔtʃˈɔntku skrˌupulˈatɲʲɛ zˌaplanˈɔvaw ˈaʃ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_393.wav|pˌɔpravˈiwa kˈɔts na sˈɔbjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_12.wav|zrˈɔbjɛ sˈɔbjɛ kˈavɛ. tˈɛʃ xtsˈɛʃ?|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_379.wav|tˈɨvin zɔstˈaviw sˈɨna.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_130.wav|ˌuɕmʲɛxajˈɔntsɨx ɕɛ zˈafʃɛ i fʃˈɛɲdʑɛ, nˈavɛt jˈɛɕli ˈɔtʃɨ ix pˌɔzɔstavˈawɨ ʑˈimnɛ i pˈɛwnɛ rɔspˈatʃɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_157.wav|swˈapʃa ɡrˌavitˈatsja i ɲˈiskʲɛ tɕiɕɲʲˈɛɲʲɛ pɔvʲˈɛtʃa spravʲˈajɔ̃, ʒˈɛ dla turˈɨstuf jɛst tɔ ʃtˈuka ɲʲɛ dɔː ˌɔpanɔvˈaɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_130.wav|ˈɛlis xfˈɨta laptˈɔpa jˈaɡbɨ w ɔbˈavʲɛ, ʒˈɛ bʲˈillɨ ɡˈɔ zabjˈɛʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_302.wav|a brɔ̃zˈɔvɛ lˈɔki ˌɔpadˈawɨ jɛj sfɔbˈɔdɲʲɛ na ramjˈɔna, pˌɔruʃˈanɛ kˈaʒdɨm pɔdmˈuxɛm vʲˈatru.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_172.wav|rˈudɨ zˌastanˈavʲaw ɕɛ pʃˈɛs xfˈilɛ. f kˈɔɲtsu vˈɨjɔw klˈutʃɨk s kʲɛʃˈɛɲi i ɔtfˈɔʒɨw kajdˈaŋki.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_36.wav|ˌalɛ ɔn vɨdˈavaw ɕɛ vʲˈɛdʑɛtɕ ɔ fʃˈɨstkim.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_170.wav|ɔpˈarwam dwˈɔɲ na jˈɛɡɔ rˈɛntsɛ. ɲʲɛ xtɕˈawam, ʒˈɛbɨ pˈatʃɨw mi w ˈɔtʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_40.wav|mʲˈɛtʃ mwɔdˈɛɡɔ rɨtsˈɛʒa trˈafiw ɡˈɔ w ˈudɔ rˈas, drˈuɡʲi i tʃˈɛtɕi, zɡʒɨtˈajɔnts ɔ stˈal zbrˈɔi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_190.wav|i f tɨm rˈɔzlɛkw ɕɛ dʑvˈɔnɛk i ˈandɛrsɔn ɕtɕˈɔŋɡnɔw rˌɛŋkavˈitsɛ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_92.wav|tsˈɔ zˈɛ zdjˈɛɲtɕɛm ˈalbɔ zdjɛɲtɕˈami jˈɛɡɔː ˈasɛm w rɛŋkˈavʲɛ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_167.wav|ɡrˈawam dɔ tɛj pˈɔrɨ zbˈɨd bɛspʲˈɛtʃɲʲɛ, w ɔbˈavʲɛ, ʒˈɛ strˈatsɛ sfˈɔjɛ skrˈɔmnɛ zasˈɔbɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_164.wav|jˌɛstɛɕ jɛdˈɨnɔ̃ nadʑˈɛjɔ̃ dla alfjˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_67.wav|tʃɨ tɔ ɲʲɛ stˌanɔviwˈɔbɨ prɔblˈɛmu? mˈɔʒɛ tʃˈɨma tˈam tsˈɔʑ zˈɛ sfˈɔim adrˈɛsɛm lˈup numˈɛrɛm tˌɛlɛfˈɔnu?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_121.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_245.wav|vrˈubla tɔ ɲʲɛ vzrˈuʃɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_160.wav|vʲˈɛʃ, jˈak ja zatʃˈɔwɛm lˈatatɕ, tɔ zˌapɨtˈawɛm ɕɛ kʲˈɛdɨʑ ɡˈɔɕtɕa, ktˌurɨ ˈutʃɨw nˌaviɡˈatsji pˈaɲʲɛ ˈiks.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_389.wav|i pʃɨ kˈaʒdɨm pɔrˈɨvʲɛ pɔtʃˈɔ̃saw kɕˌɛ̃ʒɨtsɔvˈɨmi dʒvʲˈami.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_45.wav|nastˈawa krˈutka, ˌalɛ zatɕˈɛnta vˈalka, pɔ ktˌurɛj pʲˈɛs pʃɨtrˈuxtaw dɔ ɲˈix mˈɔkrɨ i ˌuvalˈanɨ bwˈɔtɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_95.wav|i tˈak ɲitʃˈɛɡɔ ɲʲɛ mɔʒˈɛtɕɛ ˌudɔvˈɔdɲitɕ, a jˈɛɕli sprˌubujˈɛtɕɛ mɲʲɛ ˌarɛʃtˈɔvatɕ, tɔ bˌɛndɔ̃ vˈaʃɛ swˈɔva pʃˈɛtɕif mˈɔim...|3
+Dataset/wavs/urwisko_ferenc/39_segment_73.wav|pˌɔlitsjˈantka sɔɲdʑˈiwa, ʒˈɛ jˈɛɕli napˈɔmkɲʲɛ, ʒˈɛ xtsˈɛ pˌɔrɔzmˈavʲatɕ, jɔˈanna ɕɛ vɨstrˈaʃɨ, ʒˈɛ xˈɛrman mˈa krˈɨzɨs.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_212.wav|f kˈɔɲtsu nˌatɛ̃ʒˈɛɲʲɛ ˌɔɕɔŋɡnˈɛwɔ mˌaksɨmˈalnɔ̃ vˈartɔɕtɕ i pʃˈɛvud zɲʲˌɛruxˈɔmjaw.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_34.wav|turˈɨɕtɕi stˈali s tfaʒˈami pʃɨ ʃˈɨbjɛ i patʃˈɨli jˈak ˌuʒɛtʃˈɛɲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_51.wav|i bjustˈɔnɔʃ, f ktˌurɨm ɲʲɛ tʃˈɛba vʲˈɔ̃zatɕ nasˈupɛw jɛdnˈɛɡɔ ramjˈɔntʃka.|2
+Dataset/wavs/urwisko_ferenc/01_segment_55.wav|i vˌɨjɛxˈawa z zˌatɕɛɲʲɔnˈɛɡɔ lɛɕnˈɛɡɔ trˈaktu na zalˈanɔ̃ swˈɔɲtsɛm ˌasfaltˈɔvɔ̃ drˈɔɡɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_172.wav|dˈɔbʒɛ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_242.wav|swɨʃˈawa tɕˈixɛ dɨʃˈɛɲʲɛ psˈa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_81.wav|ɲʲɛ pˌɔvʲɛdʑˈawɛm dˈɔsɨtɕ tˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_319.wav|tɔ çˌixɔtˈaɲʲɛ z dˌɔftɕipˈasuf krˈula.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_121.wav|mˈuvi tɔ bˈɛz zˌakwɔpɔtˈaɲʲa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_366.wav|tˈɛras ˌɔdɛzvˈawa ɕɛ sˌɨɡnatˈurka klaʃtˈɔrna.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_50.wav|a pˈaɲi tɔ vʲɛdʑˈawa?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_95.wav|partnˈɛʒɨ, ktˌuʒɨ ɲʲɛ pʃˈɛʃli kɔnvˈɛrsji, tʃˈɛ̃stɔ sɔ̃ pˌɔʒutsˈaɲi, jˈɛɕli ɲʲɛ sɔ̃ ɡɔtˈɔvi pʃˈɨjɔɲtɕ nˈɔvɛj ˌidɛɔlˈɔɡji.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_51.wav|tsˈɔ znatʃˈɨwɔ, ʒˈɛ znˈɔvu ɲʲɛ ˌɔpwatɕˈiwa raxˈuŋku.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_49.wav|zˌastanavʲˈawa ɕɛ, tʃɨ maˈɛstɛr kˌalɛˈɔttɛ pʃˌɨɡɔtɔvˈujɛ jˈuʃ prˌɔklamˈatsjɛ ˌɔɡwaʃajˈɔntsɔ̃ jɛj brˈata ɡvɛntʲˈina dʑɛdʑˈitsɛm dˈɔrnɛ.|1
+Dataset/wavs/urwisko_ferenc/19_segment_99.wav|brˈandɔ!|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_188.wav|patʃˈɨwɛm vʲˈɛndʑ bɛskˈarɲʲɛ na jɛj tɕˈawɔ z rˌɔzʒutsɔnˈɨmi nɔɡˈami.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_20.wav|xˈɛj, bˈɔmblɔ!|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_327.wav|tɕˈɛpwɛ mlˈɛkɔ ɲʲɛ pʃˈɨʃwɔ jɛj jˈɛdnaɡ dɔ ɡwˈɔvɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_54.wav|ukwˈada na blˈatɕɛ jˈakʲɛɕ mˌaɡazˈɨnɨ, vʲˈɛnts xˈɨba nˈatʃɛt tʃˈas, ʒˈɛbɨm pʃɛstˈawa zadˈavatɕ pɨtˈaɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_76.wav|pˌɔvʲɛdʑˈafʃɨ tɔ, ˌɔdvrutɕˈiwa ɕɛ i vɨbjˈɛɡwa s kˈuxɲi. ˌuswɨʃˈɛli, jˈak jɛj stˈɔpɨ dˈudɲʲɔ̃ na stˈɔpɲʲax.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_7.wav|pˈɔʃɛd nˈapitɕ ɕɛ kˈavɨ, pɔvʲˈɛdʑaw mɛxˈaɲik. mˈa pˈan z ɲˈim lˈɔt?|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_109.wav|mˈɔja dˈuma mʲˈawa sfˈɔjɛ ɡraɲˈitsɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_82.wav|pɔɲʲˈɛvaʃ fʃˈɨstkɔ, tʃˈɛɡɔ dɔvʲˈɛmɨ ɕɛ na tˈɛmat kˌamɛrˈɔna, mˈɔʒɛ ɔkˈazatɕ ɕɛ pʃɨdˈatnɛ. nˈadal ɡˈɔ ɲʲɛ znalˈɛʑliɕmˌɨ, a ɲʲɛdˈavnɔ zɡʲˈinɔw tʃwˈɔvʲɛk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_123.wav|ɲʲˈɛx tˈam nˈanas tʃˈɛka. ɲʲˈɛx ɕɛ trˈɔxɛ pˌɔdɛnɛrvˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_62.wav|vɨɡlˈɔnda bˈardʑɔ wˈadɲʲɛ w mˈɔim pɔkˈɔju.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_8.wav|vɨɡlˈɔnda dɔkwˈadɲʲɛ tˈak, jˈaɡ vˈɛdwuk stˈarɨx kɕˈɔ̃ʒɛk fˌantastˈɨtʃnɔnˌaukˈɔvɨx pɔvˈinnɔ vɨɡlˈɔndatɕ kɕˌɛ̃ʒɨtsˈɔvɛ mʲˈastɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_62.wav|jˈɛɕli bˌɛɲdʑɛʃ ɕɛ jɛj...|3
+Dataset/wavs/urwisko_ferenc/19_segment_44.wav|a dlatʃˈɛɡɔ mʲˈɛlibˌɨ tɔ rˈɔbʲitɕ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_48.wav|tʃˈujɛʃ ɕɛ zˌaɡubjˈɔnɨ i uvˈaʒaʃ, ʒˈɛ tsˈawɨ ɕfʲˈat spʃˈɨɕɔŋkw ɕɛ pʃɛtɕˈifkɔ tˈɔbjɛ? ʒˈɛ tfˈɔjɛ ʒˈɨtɕɛ stratɕˈiwɔ sˈɛns?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_56.wav|tɔ tˈutaj xˈɔdʑi ɔ mˈiɲi?|4
+Dataset/wavs/urwisko_ferenc/36_segment_109.wav|tsˈɔ tɕi ɕɛ stˈawɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_267.wav|bʲˈillɨ zˌatʃɨmˈujɛ vˈus pʃɨ vˈalmart sˌupɛrtsˈɛntɛr w lˈɔŋɡmɔnt, mɔʒlˈivʲɛ najblˈiʒɛj budˈɨŋku, bˈɨ sˈɨɡnaw vˈifˈi bˈɨw jˈak nˌajmɔtsɲʲˈɛjʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_429.wav|ɲʲɛ, ʒˈɛbɨ spwˈɔdʑidʑ dʑɛdʑˈitsa, ktˌurɨ bˌɛɲdʑɛ tˌɛɡɔ ɡˈɔdnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_159.wav|rˌɔzɛjʒˈawɛm ɕɛ za farˈidɛm i zˌɔbatʃˈɨwɛm, ʒˈɛ zˈɔstaw pʃɨ brˈamjɛ. napˈɔtkaw mˈuj vzrˈɔk i vzrˈuʃɨw rˌamjɔnˈami. zrˌɔzumjˈawɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_103.wav|stsˈɔtt rˈɔbɛrts|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_141.wav|bʲˈitɔ w dʑvˈɔnɨ, ɲʲɛdʑvʲˈɛdʑɛ taɲtʃˈɨwɨ, a kɕˈɔ̃ʒɛ mʲˈaw na sˈɔbjɛ tʃɛrvˈɔnɔzwˈɔtɔpˌɔmaraɲtʃˈɔvɨ strˈuj.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_126.wav|mˈɔʒɛ mˈɨɕlaw, ʒˈɛ tɛn xwˈɔpaɡ bˌɛɲdʑɛ tˌaki sˈam, jˈaki ɔn i pʃˈɛɡraw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_33.wav|spasˈɔvaw tˌɨlkɔ jˈɛdɛn ɡrˈatʃ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_278.wav|bʲˈillɨ vwˈaɕɲʲɛ vvˈɔʑi baɡˈaʒɛ na xˌɔtɛlˈɔvɨm vˈusku, kʲˈɛdɨ swˈɨʃɨ pikɲʲˈɛɲtɕɛ pʃˌɨxɔdʑɔntsˈɛɡɔ smsˈa.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_162.wav|pˈɔtɛm mˈɔim ˈɔtʃɔm ukˈazaw ɕɛ tsudˈɔvnɨ vˈidɔk.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_4.wav|bˈɔɲtɕ pˌɔzdrɔvʲˈɔnɛ, tɔ fʃˈɨstkɔ f tˈɔbjɛ, tʃˈɛɡɔ ɲʲɛ znˈamɨ i ɲʲɛ pˌɔtrafˈimɨ sˈɔbjɛ vˌɨɔbrˈazitɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_48.wav|prubˈujɛ ɕɛ uɕmʲˈɛxnɔɲtɕ, ˌalɛ rˈɔbʲi tɔ samˈɨmi ustˈami.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_392.wav|ˌuɕfʲadɔmˈiwa sˈɔbjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_151.wav|jɛst f stˈaɲʲɛ zˌavʲɛʃˈɛɲʲa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_32.wav|zapˈɨtam vʲˈɛnts pɔnˈɔvɲʲɛ, dlatʃˈɛɡɔ jˌɛstɛɕ w mˈɔim dˈɔmu?|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_33.wav|mˈɔʒɛ zˈɛxtɕawbˌɨɕ udʑˈɛlitɕ ˈinnɛj ˌɔtpɔvʲˈɛdʑi?|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_225.wav|bˌɛɲdʑɛ brˈɔɲiw tfɔjˈɛɡɔ sˈɨna, zabʲˈijaw tfˈɨɣ vrˈɔɡuf i dˌɔxɔvˈɨvaw tfˈɔix tajˈɛmɲits. ɲˈiɡd z ʒˈɨvɨx mu ɲʲɛ sprˈɔsta.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_14.wav|i tʃɨ tɔ mɔʒlˈivɛ, ʒˈɛbɨ mi ɕɛ zdˈaʒɨw tˌaki ˌidjɔtˈɨtʃnɨ nˈɔnsɛns?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_363.wav|zˌɔbatʃˈɨwɛm tsˈawɨ tɛn tsɔdʑˈɛnnɨ ɔbʒˈɔndɛɡ budʑˈɛɲʲa ɕɛ dɲʲˈa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_224.wav|ɲʲɛ, ˌastrɔnˈɔmjɛ. ˌalɛ ɲʲɛ skɔɲtʃˈɨwɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_60.wav|ɲʲɛ vʲˈɛmɨ, ɡdʑˈɛ ˌɔna jˈɛst, ˌalɛ tɔ ɲʲˌɛkɔɲʲˈɛtʃɲʲɛ tɔ sˈamɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_32.wav|rˌɔzlɛɡˈajɔ̃ ɕɛ vɔwˈaɲʲa, kʲˈɛdɨ dʑˌɛnɲikˈaʒɛ vˈaltʃɔ̃ ɔ prˈavɔ dɔ zadˈaɲʲa pɨtˈaɲʲa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_7.wav|f pɔʒˈɔntku.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_54.wav|kʲˈɛdɨ skˈɔɲtʃɨ, kʲˈɛdɨ zʒˈutɕi s ɕˈɛbjɛ tɕˈɛ̃ʒar fspˈɔmɲʲɛɲ z dˈɔmu zˈabaf, spakˈujɛ ɡrˈatɨ i vɨjˈɛdʑɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_27.wav|kˈɛɲʲa mʲˈawa tˌɨlkɔ jˈɛdnɔ bɔɡˈatstfɔ nˌaturˈalnɛ, ktˌurɛ mˈɔɡwa zˌaɔfɛrˈɔvatɕ aɡˈɛntsjɔm kɔsmˈitʃnɨm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_54.wav|stanˈɛli na xfˈilɛ ɲʲˌɛruxˈɔmɔ, rˌɔzɡlɔndˈajɔnts ɕɛ i ˌuɕiwˈujɔndʑ vɨpˈatʃɨtɕ rˈux lˈub zˌidɛntˌɨfikˈɔvatɕ mʲˈɛjstsɛ, f ktˌurɨm ktˈɔɕ mˈukw ɕɛ ˈukrɨtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_58.wav|ˌalɛ ɲʲɛ jˌɛstɛm pˈɛvna, tʃɨ mʲawˈɔbɨ tɔ dla ɲʲˈɛj jˌakʲɛkˈɔlvʲɛɡ znatʃˈɛɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_66.wav|kˈit, vˈɛʑ zˈɛ sˈɔbɔ̃ lˈintsaj i zajmˈijtɕɛ ɕɛ tˈɨm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_144.wav|vɨtˈɛ̃ʒam ftˈɛdɨ vzrˈɔk i vɨdˈajɛ mi ɕɛ, ʒˈɛ vˌɨkɔnˈujɛ ˌɔna jˈakʲɛɕ kaɲtɕˈastɛ...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_58.wav|mˈɔʒɛ jˈɛdnaɡ bˈuk istɲʲˈɛjɛ? tsˈɔ ɕɛ stˈawɔ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_202.wav|pˌɔtsawɔvˈawɛm jˈɔ̃ w ɔbˈɔjɛ ˈɔtʃu, f kɔɲʲˈuʃɛk nˈɔsa i w rˌɔsxɨlˈɔnɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_14.wav|pʃɛtstˈavʲaj vˈɛrsjɛ sfˈɔjɛj pʃɛʃwˈɔɕtɕi vˌɨmɨɕlˈɔnɔ̃ pʃˈɛs ɲˈitska i dʒˈɔrdʒja.|2
+Dataset/wavs/urwisko_ferenc/46_segment_125.wav|znˈaw vʲˈɛnts jˈɛɡɔ bʲiznˈɛsɨ, vʲˈɛdʑaw jˈakim ʃatsˈuŋkʲɛm jɛzd daʒˈɔnɨ f trujmʲˈɛɕtɕɛ i ɲʲɛ tˈɨlkɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_8.wav|mˈimɔ, ʒˈɛ rˌɛŋkavˈitsa wapˈatʃa, ktˌurɔ̃ jˈamal znˈalaz dla bʲillʲˈɛɡɔ, bˌɨwa pɔʒˈɔndɲʲɛ vˌɨɕtɕɛwˈana, dwˈɔɲ ftɕˈɔ̃ʒ ɡˈɔ pʲˈɛtʃɛ, kʲˈɛdɨ zmˈɨva ɲʲɛlˈitʃnɛ natʃˈɨɲʲa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_20.wav|zvaʒˈɨfʃɨ na tɕˈɛɲ ʒutsˈanɨ pʃˈɛz dʒˈɛva, ˌɔtʃɛkˈivawbˌɨ nˈavɛd zˌapalˈɔnɨx ɕfʲˈatɛw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_257.wav|ˌɔstatˈɛtʃɲʲɛ zasˈɨpja.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_65.wav|tfˈɔja mˈatka mˈuɕi ɕɛ jˈɛʃtʃɛ ˈutʃɨtɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_152.wav|dɔtknˈɔwɛm tʃˈɔwa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_137.wav|pamjˈɛntam, jˈaɡ zˌatɕisnˈɛwam ftˈɛdɨ zˈɛmbɨ, zdˈajɔnts sˈɔbjɛ sprˈavɛ s pɔvˈaɡʲi tˌɛɡɔː ukwˈadu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_19.wav|w jˈakim bˌɨwɔ stˈaɲʲɛ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_7.wav|tˈɔm ɲʲɛ ˈuznaw za stɔsˈɔvnɛ pʃɛkˈazatɕ tɨx ʃtʃɛɡˈuwuf jˈɔɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_73.wav|mˈuɡwbɨɕ ɕtɕˈɔŋɡnɔɲtɕ mi jˈakɔ̃ɕ kɕˈɔ̃ʃkɛ s ɕˈɛtɕi? mˈɔʒɛ krɨmˈinaw?|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_213.wav|tˌɛɡɔ tʃwɔvʲˈɛka ɲʲɛ ɔpxˈɔdʑi ɲˈits pˈɔza zˌabʲijˈaɲʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_144.wav|bʲˈillɨ pɔprˈavja jˈɛdɛn z ʑɛlˈɔnɨx pɔkrˈɔftsuf. miwˈɛɡɔ dɲʲˈa ʒˈɨtʃɛ ˈirv.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_385.wav|fʃˈɛd dɔ pɔkˈɔju mwˈɔdɨ pɔlˈitsjant ɔ vɨɡlˈɔɲdʑɛ ˌiksˌiˈiɡzvʲɛtʃnˈɛɡɔ ɡruʑlˈika.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_9.wav|tɔ zdˈaɲʲɛ mˈɔʒna pɔwˈɔntʃɨdʑ z innˈɨmi, ˈalbɔː i ɲʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_321.wav|s fjˌɔlɛtˈɔvɔ̃ pʲɛtʃˈɛɲtɕɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_29.wav|fˈil ˌɛnɛrɡʲˈitʃɲʲɛ kˈiva ɡwˈɔvɔ̃ na znˈak, ʒˈɛ fʃˈɨstkɔ jˈasnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_60.wav|i ɲʲɛ pɔdˈɔba mu ɕɛ rˈɔla, jˈakɔ̃ xˈɔff ɔdɡrˈɨva f tɨm fʃˈɨstkim.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_35.wav|bˌɨwɨ trˈɔxɛ zbˈɨd ɡrˈubɛ jˈak na mˈɔjɛ ʃtʃˈɨptsɛ, ˌalɛ dˈawam sˈɔbjɛ rˈadɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_159.wav|tˈɨlkɔ, ʒˈɛ ja ftˈɛdɨ jˈuʒ vʲɛdʑˈawɛm, ʒˈɛ tʃɨ ɔtfˈɔʒɛ, tʃɨ ɲʲɛ i tˈaɡ zrˈɔbʲi zˈɛmnɔ̃ tɔ, tsˈɔ s tsˈasɛj, bˈɔː ˌɔna ɲʲɛ ʒˈɨwa. nˈavɛt jˌɛdɛnˌastɔlˈɛtɲʲɛ dʑˈɛtskɔ mˈɔɡwɔ tɔ pˈɔznatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_125.wav|dʑˈɛvʲɛɲtɕ pʃˈɛtʃɲits, mˈuvi sˈɔbjɛ. dʑˈɛvʲɛɲtɕ pʃˈɛtʃɲits i jˌɛstɛʑ w dˈɔmu, tsˈawɨ i zdrˈɔvɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_5.wav|vˈɨbatʃ, jˈɛn, ˌalɛ trˈɔxɛ ɕɛ spˈuʑɲʲɛ. mˈuj samˈɔxud zˈɔstaw ftʃˈɔraj vʲɛtʃˈɔrɛm zˌablɔkɔvˈanɨ na parkˈiŋɡu, vʲˈɛnts jˈadɛ taksˈufkɔ̃, ˌalɛ fʃˈɨstkɔ ɕɛ pʃɛtɕˈɔŋɡa.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_183.wav|ɔ tʃfˈartɛj pɔ pɔwˈudɲʲu skɔɲtʃˈɨwam prˈatsɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_53.wav|mˈɔʒɛ w ɡˌabʲinˈɛtɕɛ? xˈɔtɕ jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ w mʲɛɕˈɔntsax pˌɔpʃɛdʑajˈɔntsɨx mˈɔjɛ ɔdˈɛjɕtɕɛ ɲitʃˈɛɡɔ tˈam ɲʲɛ bˈɨwɔ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_195.wav|mˈuj brˈad vˈaz zabʲˈijɛ. jˈamɛ pˌɔrɔstɕˈina vˈas ɔd ɡˈardɛw pɔ pˈizdɨ. pˈuɕtɕtɕɛ mɲʲɛ! jˌɛstɛm krulˈɔvɔ̃!|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_160.wav|pˈatʃɨw vʲˈɛnts jˈuʃ ɲʲɛ na dʒˈɛva, lˈɛtʃ na stʃˈawkɛ s pˌidɔmˈɛtru ˌɔpadajˈɔntsɔ̃ ɡvawtˈɔvɲʲɛ w dˈuw.|0
+Dataset/wavs/urwisko_ferenc/18_segment_19.wav|sˈɔɲdʑi pˈan, ʒˈɛ mˈɔɲikˌa zɔstˈawa zˌamɔrdɔvˈana? zˌaintˌɛrɛsɔvˈawa ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_178.wav|bʲˈillɨ pˈɨta, tʃɨ tsˈɔɕ ɕɛ stˈawɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_83.wav|ˈɛliz zapʃˈɛtʃa rˈuxɛm ɡwˈɔvɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_29.wav|a ˈɛlis ˌɔpɔvʲadˈawa, ʒˈɛ jɛst fspaɲʲˈawɨ. xˈɨba uʒˈɨwa swˈɔva...|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_252.wav|nɔɡˈuɡʲi vzruʃˈɨwa rˌamjɔnˈami.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_59.wav|tʃɨ vˈidʑiʃ tˌɛɡɔ psˈa xˈɛlɛn?|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_73.wav|vʲˈɛʃ, ʒˈɛ rˈɔbʲi ɕɛ skfaʃˈɔna, kʲˈɛdɨ ɲʲɛ dɔstˈaɲʲɛ ˈɔstrɨk.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_172.wav|dˈɔbʒɛ ɕɛ spisˈawam. sxrˈɔn pɔvʲˈɛtʃnɨ bˈɨw pʃˌɨspavˈanɨ ˌidɛˈalɲʲɛ dɔ skɔrˈupɨ bˈaɲki.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_65.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_168.wav|tɔ fʃˈɨstkɔ bˌɨwɔ tˈakʲɛ trˈudnɛ?|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_112.wav|sˈɛr lˈɔraz dˈɔstaw bˈɛwtɛm w ˈudɔː i drˈuɡʲim w bˈark, ˌalɛ nˈadal vˈaltʃɨw dʑˈɛlɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_184.wav|ftˈɛdɨ bˈɨw z nˈami dˈɔɲi i pɔvʲˈɛdʑaw, ˈɔ, stˈarɨ spˈɛk spʲɛrdˈala i zrɨvˈaliɕmˌɨ bˈɔki zˈɛ ɕmʲˈɛxu.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_108.wav|xˈɨba rˈɔbʲiʃ mɲʲɛ w bˈutsa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_77.wav|ɡwupˈavɛ ja ɲʲɛ bˌɛɲdʑɛ tˈutaj pɔtʃˈɛbnɛ. w midvˈɔɔd vwaɕtɕˈivʲɛ mˈɔʒɛ bˈɨtɕ sˈɔbɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_69.wav|fˈanuf ʃɛkspˈira ɲˈikt ɕɛ ɲʲɛ tʃˈɛpja.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_253.wav|sɛnˈɛsxal tɔ vˈaʒnɨ tʃwˈɔvʲɛk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_193.wav|pˈan mi pɔbrˈudʑiw kɔʃˈulɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_151.wav|s tˈamtɛj strˈɔnɨ ʒɛlˈaznɛj kurtˈɨnɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_185.wav|maʃ jˈɛʃtʃɛ tʃˈas, ʒˈɛbɨ ɕɛ s tˌɛɡɔ vɨplˈɔntatɕ. tɔ jˈak, kˈɛn? jɛst tsˈɔɕ, tsˈɔ xtɕˈawbɨɕ nˈam pɔvʲˈɛdʑɛtɕ? nˈɔ, kˈɛn, ɕmʲˈawɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_270.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_335.wav|dwˈɔɲʲɛ i stˈɔpɨ zbˈɨd vʲˈɛlkʲɛ. vwˈɔsɨ upˈartɕɛ stɛrtʃˈawɨ dɔ ɡˈurɨ, a ˌɔbɔk nˈɔsa zrˈɔbʲiw ɕɛ jɛj prˈɨʃtʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_533.wav|tsˈawɨ f sˈɔbjɛ zamˈarwɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_133.wav|ʒˈɛ mˈɔʒna ˈuɕɔ̃ɕtɕ pʃɛt ɛkrˈanɛm kˌɔmputˈɛra tʃɨ kˈartkɔ̃ papʲˈɛru i zmʲˈɛɲitɕ ɕfʲˈat?|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_77.wav|vˈidadʑ bˌɨwɔ pˈɔɲʲɛj, ʒˈɛ tʃˈujɛ ɕɛ ˌupɔkɔʒˈɔna i ɲʲɛ vɔntpˈiwɛm, ʒˈɛ tɔ klˈɛrk ja krˈɛɲtɕi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_93.wav|zɔstˈawɔ mi tˌɨlkɔ pʲɛɲdʑˈɛɕɔnt fˈuntuf. jˈɛɕli sprˈavdʑi, bˌɛɲdʑɛ pˈɔmɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_141.wav|— i tsˈɔ? — pˈɨta bˈaki. — pʃɛspˈawaɕ ɕɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_60.wav|lˈɛvɨ pɔlˈitʃɛk pˌɔtpuwkɔvɲˈika bˈɨw rˌɔzɛrvˈanɨ, ˈɔkɔ pɔ tɛj strˈɔɲʲɛ krfavˈiwɔː i pʃˌɛkʃɨvˈiwɔ ɕɛ w ˌɔtʃɔdˈɔlɛ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_297.wav|zavˈɔwaw ktˈurɨɕ s pˌɔzɔstˈawɨx. zˌɔbatʃˈɨmɨ, jˈak tˈɛraz zatˈaɲtʃɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_33.wav|tˈutaj fʃˈɨstkɔ ɕɛ dˈɔbʒɛ zatʃˈɛwɔ, a w mʲˈɛɕtɕɛ...|2
+Dataset/wavs/urwisko_ferenc/04_segment_88.wav|ɲʲɛ. ɔt tʃˈasu jˈak ɕɛ vˌɨprɔvadʑˈili, tɔ ɕɛ ɲʲɛ vidʑˈɛliɕmˌɨ.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_335.wav|mˈudl ɕɛ, bˈɨɕ pɔtrˈafiw ˌɔtpɔvʲˈɛdʑɛtɕ nˈatɔ pɨtˈaɲʲɛ, kuzˈɨŋku. mˈudl ɕɛ zˈɛ fʃˈɨstkix ɕˈiw.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_5.wav|znalˈazwam dwˈuɡɔ̃ sˈukɲʲɛ w jˈasnɨx ɔttɕˈɛɲʲaɣ brˈɔ̃zu s xˌaftɔvˈanɨm stɨlˈɔvɨm vzˈɔrɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_29.wav|zatʃˈɨmaj ɕɛ na tˈɨwax i sxˈɔvaj tɔ dɔ sfˈɔjɛj tɔrˈɛpki.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_328.wav|ɕtɕiskˈajɔnts rɛŋkˈɔjɛɕtɕ w ˈɔbu dwˈɔɲʲax.|1
+Dataset/wavs/urwisko_ferenc/55_segment_69.wav|tʃɨ tɔ f sprˈavʲɛ xudʑˈiɲskʲɛj pʃˈɨʃɛd dɔ pˈaɲstfa jˈɛdɛn z mˈɔix kɔlˈɛɡuf?|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_314.wav|tɔ ɲʲɛ mˈɔʒɛ bˈɨtɕ tsˈawkʲɛm ɡwˈupʲɛ, ɲʲɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_226.wav|ɔbrˈuʃɨw ɕɛ i spˈɔjʒaw nˈamɲʲɛ s tˈakɔ̃ mˈinɔ̃, jˈaɡbɨm nˌaɕikˈawa na ɡrˈupʲɛ ɡˈɔ mˈatki.|4
+Dataset/wavs/urwisko_ferenc/23_segment_32.wav|mʲˈaw na sˈɔbjɛ ˌɛlɛɡˈantski prˌɔ̃ʃkɔvˈanɨ ɡarɲˈitur ʃˈɨtɨ na mʲˈarɛ i bjˈawɔ̃ kɔʃˈulɛ zˈɛ ʃtɨvnˈɨmi mˌaŋkʲɛtˈami rɔspʲˈɛntɔ̃ pɔt ʃˈɨjɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_55.wav|ɔbˈavʲam ɕɛ, ʒˈɛ vwˈaɕɲʲɛ pʃɨjˈɛliɕmˌɨ pˈaɲi mˈɛ̃ʒa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_48.wav|tˈɔm zakˈɔɲtʃɨw pˌɔwɔntʃˈɛɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_162.wav|jˈaɡ bˈɨ tɔ nˈazvatɕ?|2
+Dataset/wavs/urwisko_ferenc/63_segment_79.wav|pɔlˈitsja zˈaras pˈaɲʲɔ̃ vˈɛzvʲɛ na ˌɔfitsjˈalnɛ pʃˌɛswuxˈaɲʲɛ, a prˌɔkurˈatɔr...|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_103.wav|ˌalɛ ɡdˈɨ ɕɛ ɔbˈɛjʒaw i skʃˈɨviw nˈaɲʲɔ̃,|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_245.wav|sˈam spˈɔtʃɔw na wˈavʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_163.wav|pˌɔmɨɕlˈawa tsɛrsˈɛi. pˌɔviɲʲˈɛnɛʑ vˈɨbratɕ sˈɔbjɛ za xˈɛrp rɔbˈaka, sˈɛr.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_160.wav|jɛst pˈaɲi ˌadmiɲˌistratˈɔrkɔ̃. prˈɔʃɛ tsˈɔɕ s tɨm zrˈɔbʲitɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_92.wav|lˈista jɛzd dwˈuɡa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_89.wav|mˈɨɕlɛ ˈɔtɨm, kʲˈɛdɨ zˌɔbatʃˈɨwɛm pˈana pɔ rˈas pʲˈɛrʃɨ, pɔvʲˈɛdʑaw rˈɨan. i ɔ mˈɔjɛj kɔʃˈuli, ktˌurɔ̃ mi pˈan zɲˈiʃtʃɨw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_18.wav|zakwˈadam, ʒˈɛ ktˈɔʑ ɡˈɔ tˈam pilnˈujɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_326.wav|jɛʒˈɛli f tɔ vˈɛjdʑɛʃ, mˈuɕiʒ dˈatɕ mi swˈɔvɔ, ʒˈɛ mɲʲɛ ɲʲɛ pɔɡrˈɔ̃ʒɛʃ w rˈaʑɛ fpˈatki.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_55.wav|znˈuf mʲˈaw rˈatsjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_158.wav|mˈatkɔ bˈɔska.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_104.wav|vɨɕˈɔndɛ i ɔtfˈɔʒɛ tɕˈi, jˈak pravdʑˈivɨ dʒɛntˈɛlmɛn.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_52.wav|ɲʲɛ vidʑˈawam jˈɛdnaɡ ʒadnˈɛɡɔ zvʲˈɔ̃sku, bˈɔ jˈuʃ ɔt kˈilku lˈat ɲʲɛ zˌaxɔvɨvˈawa ɕɛ jˈak mˈuj rˈɔdʑits.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_399.wav|zavˈɔwaw. tʃˈɨʒbɨʑ zabwˈɔɲdʑiw?|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_445.wav|dla kˈɔɡɔɕ takʲˈɛɡɔ dʑɛvˈitsa stˈartu bˈɨwabˌɨ bˈardʑɔ smˌakɔvˈitɨm kˈɔ̃skʲɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_127.wav|stsˈɔdd bˈɨw tˈutaj.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_176.wav|naprˈavdɛ zˌamjɛʒˈawam tɔ zrˈɔbʲitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_37.wav|ˈɔstrɔ ɕɛ pˌɔkwutɕˈiliɕmˌɨ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_380.wav|z mˈarkʲɛm dɔ bliʑɲʲˈakuf pˌɔjɛxˈawɔ pʲˈɛɲtɕu rɨtsˈɛʒɨ i dvudʑˈɛstu zbrˈɔjnɨx.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_63.wav|tˈak, pratsˈujɛ w bjˈuʒɛ kurjˈɛrskim.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_28.wav|mʲˈaw na sˈɔbjɛ tɔː ˌarxaˈitʃnɛ ubrˈaɲʲɛ, ktˌurɛ jˈuʃ pˌamjɛntˈawɛm. dvˌuʒɛndˈɔvɨ ɡarɲˈitur z ɡrˌanatˈɔvɛj ɲʲˈɛɡdɨʑ vˈɛwnɨ w bjˈawɛ prˈɔ̃ʃki.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_18.wav|ɡdˈɨ ɕɛ narˈɔdʑiw, nadˈanɔ mu ˈimjɛ na tʃˈɛʑdʑ bˌɔxatˈɛra, ktˌurɨ zɡʲˈinɔw zbˈɨt mwˈɔdɔ.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_42.wav|vˈɨbatʃ starˈɛmu ɕlɛptsˈɔvi, ʒˈɛ ɲʲɛ vˈɛjdʑɛ s tˈɔbɔ̃ na ɡˈurɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_17.wav|ˌɔblɛɡajˈɔntsɨ wˈafki turˈɨɕtɕi ɡˌavɛɲdʑˈili i pstrɨkˈali sˈɔbjɛ navzˈajɛm zdjˈɛɲtɕa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_138.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_143.wav|ɲʲɛ xtɕˈawam pwˈakatɕ, bˈɔ dˌɔskɔnˈalɛ znˈawam kˌɔnsɛkfˈɛntsjɛ, ˌalɛ mˈama vˈɛʃwa tˈam ftʃˈɛɕɲʲɛj z uɕmʲˈɛxɛm, tɕˈɛʃɔnts ɕɛ na dʑˈɛɲ spɛndʑˈɔnɨ zˈɛmnɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_270.wav|w ɲʲˈɛbjɛ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_96.wav|xfˈawa jɛzd dˈɔbra, zɡˈɔdʑiw ɕɛ nˈut, ˌalɛ zwˈɔtɔ jɛst lˈɛpʃɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_84.wav|jˈɛɕli pˈan mˈa pʃˌɨɡɔtɔvˈaɲʲɛ tˌɛɔrɛtˈɨtʃnɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_194.wav|a jˈɛɕli ɲʲɛ znˈajdɛ stsˈɔtta i ɡˈɔ ɲʲɛ pɔfstʃˈɨmam, fʃˈɨstkɔ, tsˈɔ zrɔbʲˈiwam, pˈujdʑɛ na mˈarnɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_209.wav|vʲˈɛnts tsˈɔ bˌɛɲdʑɛ s pˈanɛm?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_6.wav|dˌɨspɔnɔvˈali pʃˈɛdɛ fʃˈɨstkim lˈistɔ̃ jɛj znajˈɔmɨx, xˈɔtɕ ɲˈilɛ stfʲˈɛrdʑiw, ʒˈɛ ʒˈadnɛj z ɲˈix jˈɛɡɔ ʒˈɔna ɲʲɛ trˌaktɔvˈawa jˈak pˌɔvʲɛrɲˈitʃki.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_206.wav|rˈɨan uɕmʲˈɛxnɔw ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_17.wav|pˌɔvʲɛdʑˈawam im fʃˈɨstkɔ, tsˈɔ vʲˈɛm na tˈɛmat tsˌamɛrˈɔna i jaɡˈɛra ˌɔras tsˈɔ mˈɔim zdˈaɲʲɛm dˌɔprɔvadʑˈiwɔ dˌɔmiɲˈika dɔ zˌamɔrdɔvˈaɲʲa dvˈux mˈɛ̃ʃtʃɨzn.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_156.wav|ɲʲɛ vˈidʑɛ pɔvˈɔdu, ˈabɨm mʲˈawa s tˈɔbɔ̃ fspˌuwpratsˈɔvatɕ ɔt pˈarwa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_96.wav|tʃɨ ɲʲɛ rɔzˈumjɛʃ tˈɛɡɔ, mˈikɛ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_135.wav|tɛn kˌɔlɔsˈalnɨ samˈɔxut pˌɔkɔnˈɨvaw waɡˈɔdɲʲɛ jˈakʲɛʑ zakrˈɛntɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_117.wav|ˌudɛrbjˈawa nˈaʃɛ ʒˈɨtɕɛ i ɲʲɛ zˌarɨzˌɨkɔvˈawabˌɨ jˈɛɡɔː utrˈatɨ. tɔ vwˈaɕɲʲɛ mˈam na mˈɨɕli.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_154.wav|f kˈɔɲtsu, kʲˈɛdɨ vˈɨtʃuw, ʒˈɛ bʲˈijɛ ɕɛ z mɨɕlˈami, pʃˈɛrvaw tˈɛ trfajˈɔntsɔ̃ zbˈɨd dwˈuɡɔ tɕˈiʃɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_31.wav|ɲʲɛ mˈuʃɔ̃ tˌɛɡɔ rˈɔbʲitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_119.wav|dˈɔkɔnt ɕɛ vˌɨbjɛrˈamɨ i dlatʃˈɛɡɔ sˈɔɲdʑiʃ, ʒˈɛ ɕɛ zɡˈɔdʑɛ?|3
+Dataset/wavs/urwisko_ferenc/28_segment_27.wav|im tʃˈɛɲɕtɕɛj tɔ rɔbʲˈiwa, tɨm trˈudɲʲɛj bˌɨwɔ jɛj zˌadɔvˈɔlitɕ ʃˈɛfuf.|0
+Dataset/wavs/urwisko_ferenc/36_segment_29.wav|swˈɔɲtsɛ znˌajdɔvˈawɔ ɕɛ z drˈuɡʲɛj strˈɔnɨ dˈɔmu i tɕˈɛɲ dˈavaw ˌɔdrɔbʲˈinɛ vɨtxɲʲˈɛɲʲa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_8.wav|bˈɛtskɨ, mˈɔʒɛʃ pˌɔrɔzmˈavʲatɕ s tˈɛssɔ̃ ɔ xˈanlɔn?|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_220.wav|vzdrˈɨɡnɔw ɕɛ zˌaskɔtʃˈɔnɨ. f pʲˈɛrʃɛj xfˈili pɔmˈɨɕlaw, ʒˈɛ tɔ krˈɛf, ˌalɛ krˈɛf ɲʲɛ mˈɔɡwabˌɨ bˈɨtɕ tˈaka ʑˈimna.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_43.wav|vɨsˈunɔw ˌɛnɛrɡʲˈitʃɲʲɛ dˈɔlnɔ̃ ʃtʃˈɛŋkɛ, jˈaɡbɨ zamjˈɛʒaw pˈɔwknɔɲtɕ natrˈɛntnɔ̃ mˈuxɛ. — prˈɔʃɛ, swˈuxam. — ˌɔna ʒˈɨjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_96.wav|na zˈɛvnɔndʒ bˌɨwɔ za ɡɔrˈɔntsɔ, bˈɨ ɡdʑɛkˈɔlvʲɛk spˌatsɛrˈɔvatɕ, ˌalɛ jˈuʃ mɲʲɛ tɔ ɲʲɛ ˌɔpxɔdʑˈiwɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_37.wav|jˈuʃ na pɔtʃˈɔntku tɛj drˈɔɡʲi zdavˈawam sˈɔbjɛ sprˈavɛ, ʒˈɛ ɲʲɛ pʃɨɲʲˈɛɕɛ tɔ ɲitʃˈɛɡɔ dɔbrˈɛɡɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_3.wav|rˈɔp, mˈɔʒɛʒ dɔ nˈaz dɔwˈɔntʃɨtɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_172.wav|uvˈaʒaj na ɲʲˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_172.wav|mˈam dɔ pˈaɲi pɨtˈaɲʲɛ dˌɔtɨtʃˈɔntsɛ ˌɛkɔnˈɔmji.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_43.wav|zˌɔbatʃˈɨmɨ ɕɛ pˈuʑɲʲɛj.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_442.wav|a jˈɛɡɔ swˈɔtka mˈawa ʒˈɔna znalˈazwabˌɨ spˈɔsup nˈatɔ, bˈɨ ɔbrˈutɕitɕ ˈɔvɔ̃ ɲʲɛnˈaviɕtɕ na kˈɔʒɨʑdʑ vˌɨsɔɡrˈɔdu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_74.wav|kʲˈɛdɨ zˌɔbatʃˈɨwɛm tɕˈɛ pɔ rˈas pʲˈɛrʃɨ, vˌɨdavˈawɔ mi ɕɛ, ʒˈɛ maʒ brɔ̃zˈɔvɛ vwˈɔsɨ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_7.wav|sˈɛr lˈɨlɛ pˌɔtraktˈɔvaw tɛ suɡˈɛstjɛ pɔvˈaʒɲʲɛ i pʃˈɛs tsˈawɔ̃ ɡɔdʑˈinɛ vˌɨpɨtˈɨvaw sˈɛr rɔɡˈɛra ɔ jˈɛɡɔ pʃˈɔtkuf.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_342.wav|jˈɛɡɔ mˈurɨ s pʲaskˈɔftsa, skɔmpˈanɛ f tʃɛrvˈɔnɔzwˈɔtɨm blˈasku swˈɔɲtsa, vˌɨdavˈawɨ ɕɛ vˈɨʃʃɛ i pˌɔtɛ̃ʒɲʲˈɛjʃɛ ɲˈiʃ pamjˈɛntaw jˈamɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_108.wav|ɔpʲˈɛram wˈuktɕɛ na kɔlˈanax i fspʲˈɛram pɔdbrˈudɛk na splɛtɕˈɔnɨɣ dwˈɔɲʲax. mˈam lˌɔdɔvˈatɛ pˈaltsɛ i sˈuxɔ w ɡˈardlɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_68.wav|vrutɕˈiwam na ɕiwˈɔvɲʲɛ. ɔpswˈuɡa pʃˌɛkazˈawa ˌinfɔrmˈatsjɛ pʃˈɛs mɛɡˈafɔn, ˌalɛ ɲˈikt ɕɛ ɲʲɛ zɡwˈɔɕiw. tʃɛkˈawam i tʃɛkˈawam, ˌalɛ kʲɛrˈɔftsa ɕɛ ɲʲɛ zjˈaviw.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_163.wav|ɲˈikt ɲʲɛ pilnˈɔvaw ɕlˈuzɨ pɔvʲˈɛtʃnɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_75.wav|spravdʑˈiliɕmˌɨ kamˈɛrɛ na jˈɛɡɔ trˈaɕɛ mɲʲˈɛj vʲˈɛntsɛj ftˈɛdɨ, ɡdˈɨ vɨjˈɛxaw. vɨɡlˈɔnda nˈatɔ, ʒˈɛ mˈuviw prˈavdɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_158.wav|mˌatɕɛ tˈu tsˈɔʑ dɔ vˌɨnajˈɛɲtɕa? zapˈɨtaw tˈɛn, ktˌurɨ fʃˈɛd.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_87.wav|vʲˈɛm, ʒˈɛ bˈɨwabˌɨ pʃˌɛʃtʃɛɲɕlˈiva, ɡdˈɨbɨ ɲˈilɛ ɔkˈazaw ɕɛ ɲʲˈɔ̃ zˌaintˌɛrɛsɔvˈanɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_123.wav|bˈɨw tɔ pʲˈɛrʃɨ kˈurs tˌɛɡɔ dɲʲˈa i vʲˈɛŋkʃɔɕtɕ pˌasaʒˈɛruf stˌanɔvˈili prˌatsɔvɲˈitsɨ tsˈɛntrum vˌɨtɕɛtʃkɔvˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_79.wav|bˈɔ jˈak ɔn ɕɛ pɔɕlˈizɡɲʲɛ i prˈɔb ɡˈɔ ftɕˈɔŋɡɲʲɛ, tɔ djˈabli vˈɛzmɔ̃ mˈɔjɛ pʲˈɛɲdʑ dɔlˈaruf, pɔvʲˈɛdʑaw vwaɕtɕˈitɕɛl.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_21.wav|jˈɛdna s kˈɔɕtɕi pʃɛbʲˈiwa spˈɔdɲʲɛ, ˌalɛ ɲʲˈɛma tˈam krfˈi, tsˈɔ sˌuɡɛrˈujɛ, ʒˈɛ sˈɛrtsɛ pʃɛstˈawɔ jˈuʒ bʲˈitɕ.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_35.wav|vˌɨʃɛptˈawa ɡˈɔʑdʑik, kɔwˈɨʃɔnts w ramjˈɔnaɣ dʑˈɛtskɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_4.wav|ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ minˈɛwɨ tsˈawɛ dɲˈi. tʃɨ ktˈɔɕ w ɔɡˈulɛ ɕɛ ɲʲˈɔ̃ ˌɔpʲɛkˈujɛ? mˈɔʒɛ jɛzd ɡwˈɔdna, spraɡɲʲˈɔna, zmarzɲʲˈɛnta?|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_7.wav|tɔ ɡˈɔɕtɕ stˈɔnt, ɔ ktˌurɨm fspɔmˈinaw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_12.wav|pʃˌɨpɔmˈinam sˈɔbjɛ pˈɛvʲɛn pɔrˈanɛk, krˈutkɔ pˈɔtɨm jˈaɡ dɔmˈiɲiɡ zˈɔstaw rˈannɨ pʃɛt ˌɔɕɛmnastˈɔma mʲˌɛɕɔntsˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_98.wav|xˌɛɛrlˌɛadʲˈiŋɡu i sfˈɔix fˌatsɛbˌɔɔkˈɔvɨɣ znajˈɔmkax?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_9.wav|ɲˈits ɕɛ jˈɛdnak ɲʲɛ vˌɨdaʒˈɨwɔ.|4
+Dataset/wavs/urwisko_ferenc/26_segment_18.wav|ɲʲˈɛtsɔ dˈalɛj vˈidʑaw dˈax mˌɔtɔarˈɛnɨ, stadjˈɔnu ʒˌuʒlɔvˈɛɡɔ. ɲʲˈɛbɔ rˌɔsɕfʲɛtlˈawɨ ɡvʲˈazdɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_82.wav|vʲˈɛʃ, ʒˈɛ ˌuɲikˈamɨ tˈutaj ˌɔkazɨvˈaɲʲa swabˈɔɕtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_94.wav|ˌalɛ ftˈɛdɨ bˌɛɲdʑɛ mˈuɡw na ʑɛlˈɔnɨx pˈɔlax pɔstˈavidʑ dˈɔmɨ, a jˈuʃ tˈɛras mˈa xɔtˈɛlɛ na pˈark plˈatsɛ i bɔˈardvalk.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_148.wav|xfˈɨta dwˈɔɲʲɔ̃ mˌɛtalˈɔvɔ̃ pɔpʃˈ��tʃkɛ za sˈɔbɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_8.wav|ɲˈiɡdʑɛ ɲʲɛ jˈɛdʑɛʃ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_50.wav|zˌatʃaskˈujɛ klˈapɛ mˈatsa prˈɔ, bjˈɛɡɲʲɛ dɔ sɨpʲˈalɲi i zamˈɨka za sˈɔbɔ̃ dʒvˈi.|2
+Dataset/wavs/urwisko_ferenc/60_segment_23.wav|jˈɛdnɨm swˈɔvɛm tɔ ɲʲɛ mɨ vˌɨjaɕɲˈiliɕmˌɨ sprˈavɛ ɕmʲˈɛrtɕi zuzˈannɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_161.wav|pɔzvˈɔliw mi zatʃˈɨmatɕ jˈɛ pʃˈɛs tʃˈɨ mʲɛɕˈɔntsɛ, pɔ tʃɨm f tˌajɛmɲˈitʃɨ spˈɔsup.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_29.wav|lˈutsɨ drɔtʃˈɨwa ɕɛ s tˈɔmɛm ɔː ˌuʒɔndlˈɛɲʲa na tfˈaʒɨ, xˈɔdʑ vˈidadʑ bˌɨwɔ vɨrˈaʑɲʲɛ, ʒˈɛ pˈɛŋka z dˈumɨ, mˈajɔnts tˈak ˌɔdvaʒnˈɛɡɔ tˈatɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_99.wav|i ɔ kɔʃmˈaʒɛ, jˈakim bˌɨwa ˌɔpɛrˈatsja upʲˈɔrna fˈurja.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_157.wav|zɡɔdʑˈiwa ɕɛ krulˈɔva.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_300.wav|ɔt tʃˈasu, ɡdˈɨ pˈaɲi vrutɕˈiwa z vɛsˈɛla.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_200.wav|ˌɔna xtsˈɛ, bˈɨɕ ˌɔtpɔvʲɛdʑˈawa za sfˈɔjɛ zbrˈɔdɲʲɛ, dˈɔdaw.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_236.wav|dɔ dʑˈiɕ pamjˈɛntam, jˈak rˌɔspatʃlˈivʲɛ ʃukˈawɛm nɔvˈɛɡɔ vʲɛʃxˈɔftsa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_63.wav|hjɛrˈujɛ ɕɛ f strˈɔnɛ ʃˈɔpɨ.|3
+Dataset/wavs/urwisko_ferenc/33_segment_54.wav|— ɲʲɛ mˈuviw pˈaɲi ftʃˈɛɕɲʲɛj, dˈɔkɔnt ɕɛ vɨbjˈɛra?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_68.wav|ɲˈilɛ vzrˈuʃɨw tˌɨlkɔ rˌamjɔnˈami, jˈaɡbɨ ɲʲɛ bˌɨwɔ tɔ ɲˈits ˌistɔtnˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_29.wav|pˈɔtɛm zˈajʒaw dɔː ˌɔpskurnˈɛɡɔ, vinnˈɛɡɔ ʃˈɨŋku pɔd drˈuɡʲim pʃˈɛ̃swɛm mˈɔstu nˈaba, tˈak mawˈɛɡɔ, ʒˈɛ lˈɛdvʲɛ mʲɛɕtɕˈiwɔ ɕɛ tˈam dʑɛɕˈɛɲtɕu lˈudʑi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_187.wav|tˈak ɕɛ skwˈada, ʒˈɛ zˌainstalˈɔvaw ɡˈɔ na jˈɛdnɨm s tˈaɲix laptˈɔpuf, ˌalɛ f tɛj xfˈili fpˈada na lˈɛpʃɨ pˈɔmɨsw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_70.wav|tʃasˈami dʑˈɛtɕi bˈavjɔ̃ ɕɛ f pɔkˈɔju mˈili, ˌalɛ mˈɔja tsˈurka mˈa rˈuvɲʲɛʃ sfˈɔjɛ mʲˈɛjstsɛ na partˈɛʒɛ i tʃˈɛ̃stɔ zɔstˈajɔ̃ vwˈaɕɲʲɛ tˈam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_83.wav|ktˌurɛ pʃˌɛtɕɛʃ spɛwɲʲˈɔnɛ zˌaxfʲˈawɨbˌɨ lˈɔɡʲikˌɛ natˈurɨ, pʃˌɛznatʃˈɛɲʲa i tˌɛɡɔː ˌawtɔmatˈɨzmu,|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_231.wav|ɲʲɛ musˈimɨ ɕɛ ɔbˈavʲatɕ, ʒˈɛ jˈakiɕ iɡnˈɔrant ˌuɲitsˈɛstfi tsˈawɛ mʲˈastɔ jˈɛdnɨm nˌatɕiɕɲʲˈɛɲtɕɛm ɡuzˈika.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_90.wav|rɔzlˈɛɡwɨ ɕɛ ɔklˈaski, pɔ ktˌurɨx kˈit jˈɛʃtʃɛ bˈardʑɛj ɕɛ zˌarumjˈɛɲiw, ˌalɛ pʃˈɛrvaw im ˈɔkʃɨk kˈas, ktˌura pˌɔpatʃˈɨwa na ˈɛkran kˌɔmputˈɛra.|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_49.wav|za dˈuʒɨ vɨdˈatɛk, za mˈawa kˈɔʒɨɕtɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_53.wav|mˈili ɲʲɛ dˈawa rˈadɨ dwˈuʒɛj pɔfstʃˈɨmatɕ wˈɛs.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_426.wav|kɕɛ̃ʒɲˈitʃka ɲʲɛ xtɕˈawa jˈuʃ narˈaʒatɕ ɲˌitʃɨjˈɛɡɔ ʒˈɨtɕa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_5.wav|na zˈɛvnɔntʃ jɛzd ʑˈimnɔ, ʑˈimɲʲɛj ɲˈiʃ f pɕˈarɲi, mˈuvi bˈaki i zanˈɔɕi ɕɛ na ɕɲʲˈɛk.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_34.wav|pˈɔnɔdʑ vwˈaɕɲʲɛ pɔ tˈakim tʃˈaɕɛ pˈarɨ zˌatʃɨnˈajɔ̃ dɔstʃˈɛɡadʑ vˈadɨ f sfˈɔim zvʲˈɔ̃sku. uznˈajɔ̃, ʒˈɛ pˈartnɛr pʃɛstˈajɛ iɣ zˌadɔvˈalatɕ lˈup ɔtxˈɔdʑɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_127.wav|pʲˈɛrʃɨ ɡʒmˈɔt pʲˈɛrʃɛj vʲɔsˈɛnnɛj bˈuʒɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_49.wav|ta plˌastʲikˈɔva pɔvwˈɔka naprˈavdɛ xtɕˈawa pʃˈɨbratɕ kʃtˈawt sfˈɛrɨ i ɲʲɛ zˌamjɛʒˈawa pɔzvˈɔlitɕ, ˈabɨm jɛj f tɨm pʃˌɛʃkɔdʑˈiwa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_12.wav|ˌalɛ ɔn ɲˈits ɲʲˈɛɲʲus, tˌɨlkɔ ʃˈɛd w bjˈawɛj kɔʃˈuli i tʃˈarnɛj kˌamizˈɛltsɛ,|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_261.wav|ɲʲɛ mˈɔɡɛ tˌɛɡɔ zrˈɔbʲitɕ, pˈaɲʲɛ xundˈɛbawx.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_433.wav|tsˈɔ mɲʲɛ zabʲˈija, ix fskʃˈɛʃa?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_81.wav|bˈɔiʃ ɕɛ zˈajʒɛdʑ w ɡwˈɔmp ɕˈɛbjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_270.wav|ˌɔlɕɲʲɛvajˈɔntsɔ bjˈawɨ skrˈavɛk nasˈadɨ pʲˈɛrɕi, ʒˈɛbɨ wˈɨknɔɲtɕ trˈɔxɛ xwˈɔdnɛj, paxnˈɔntsɛj lˈasɛm vˈɔdɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_73.wav|xˈɔdʑ ɡwˈɔs ɲˈika bʒmˈi dˈɔɕtɕ pˈɛvɲʲɛ, tɔ pɔ jˈɛɡɔ pˈulxnɨm i pʲˈɛŋkɲʲɛ ˌɔɡɔlˈɔnɨm pɔlˈitʃku stˈatʃa ɕɛ pˌɔjɛdˈɨntʃa wzˈa.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_60.wav|pʃˈɛrvaw i spˈɔjʒaw nˈamɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_287.wav|fstˈavaw rˈanɛk, tʃɨɕtɕˈiliɕmˌɨ brˈɔɲ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_11.wav|ˌɔtfɔʒˈɨwa dʒvˈi sˌamɔxˈɔdu, vɨɕˈadwa i natˈɨxmʲast tˌɛɡɔ pˌɔʒawɔvˈawa.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_257.wav|ɲʲɛ vʲˈɛmɨ, ɡdʑˈɛ jɛzd blˈatskfiʃ.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_80.wav|lˈadɨ ˌamɛrˈɛi xtɕˈawa pʃɨvˈitatɕ tɕˈɛ ˌɔsɔbʲˈiɕtɕɛ, ˌalɛ zajˈɛwa ɕɛ pʃˌɨɡɔtɔvˈaɲʲɛm ˈutʃtɨ na tfˈɔjɔ̃ tʃˈɛɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_207.wav|kɔbjˈɛta uɲʲˈɔswa kˈaptur i ˌɔdvrutɕˈiwa ɕɛ dɔ ɲʲˈɛɡɔ plɛtsˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_8.wav|w drˈɔɡɛ, mˈuvi bʲˈillɨ, tɕˈɔŋɡnɔndʑ zˈapaz bˌɛspʲɛtʃˈɛɲstfa. kˈurva, ɲʲɛ mˈɔɡɛ zˈapʲɔɲtɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_159.wav|dlatʃˈɛɡɔ tsˈɛntrum pˌɔttʃɨmɨvˈaɲʲa ʒˈɨtɕa ɲʲˈɛma vwasnˈɛɡɔː ɔbjˈɛɡu pɔvʲˈɛtʃa, ktˌurɨ mˈuɡwbɨ ɔxrˈɔɲitɕ jˈɛɡɔ pɛrsˈɔnɛl pʃɛt utrˈatɔ̃ pʃˌɨtɔmnˈɔɕtɕi f pʃɨpˈatku tˈakix avˈarji?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_112.wav|prˈɔʃɛ tɕˈɛbjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_175.wav|dʑˈiɕaj jɛst jˈɛdnak inˈatʃɛj.|3
+Dataset/wavs/urwisko_ferenc/31_segment_21.wav|ˈuɲʲuz brvˈi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_51.wav|ˈɔx, ˈalɛ... ˈaʃ tsawˈujɛ jˈɔ̃ f tʃˈɔwɔ, pɔdnˈɔɕi drˈuɡɔ̃ kˈulɛ i rˈuʃa f strˈɔnɛ sxˈɔduf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_5.wav|zapˈɨtaw pɔ rˈas kɔlˈɛjnɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_127.wav|ˈamar jɛzd dˈɔbrɨ tʃwˈɔvʲɛk, dˈɔbrɨ spˈavatʃ.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_11.wav|vɨxˈartʃaw xˈaris sfˈift. tɔ s pɛvnˈɔɕtɕɔ̃ ɲʲɛprˈavda. ʒˈadɛn lˈɔrt ɲʲˈɛma tˈaɡ vʲˈɛlu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_50.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_45.wav|nˈajpʲɛrf mˈuʃɛ mu zbʲˈitɕ tˌɛmpɛratˈurɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_618.wav|i zatʃˈɔwɛm ʃˈukadʑ drˈɔɡʲi dɔ jɛj rˌɔspalɔnˈɛɡɔ vnˈɛntʃa.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_37.wav|ˌalɛ fʃˈɨstsɨ nˌazɨvˈajɔ̃ jˈɛ trumnˈami.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_29.wav|mʲˈawa pˌɔwamˈanɛ kˈɔɕtɕi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_138.wav|vˌɨɡlɔndˈawɔ tɔ rˈatʃɛj na ˌɛɡzɛkˈutsjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_85.wav|pamjˈɛntaʃ mˈuj stˈarɨ dˈɔm?|3
+Dataset/wavs/urwisko_ferenc/28_segment_28.wav|— tɔ ɲʲɛ jɛst rɔbˈɔta dla nˈas — uznˈawa vˈaltɛr.|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_84.wav|pˈɔzna sfˈuj sfˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_266.wav|ɡdˈɨ vrutɕˈiwa z bukwˈakʲɛm kfaɕnˈɛɡɔ, tʃˌɛrvɔnˈɛɡɔ trˈuŋku, kapˈitan zˈabraw ɡˈɔ zˈɛ sˈɔbɔ̃ na pˈɔkwat, ɡdʑˈɛ mˈuɡw ɔddˈɨxatɕ tʃˈɨstɨm, mˈɔrskim pɔvʲˈɛtʃɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_38.wav|ʒˈɛbɨ luˈisa mˈɔɡwa ɕɛ dˈɔbʒɛ vˈɨspatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_118.wav|— tʃɨ mˈɔɡɛ ˈuɕɔ̃ɕtɕ na xfˈilɛ? — zapˈɨtaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_217.wav|pɔxˈɔdʑiw s xɔŋkkˈɔŋɡu i mʲˈaw pudˈɛwkɔ z napˈisɛm zˈafɔ, ktˌurɛ prubˈɔvaw pʃɛdˈɛmnɔ̃ ˈukrɨtɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_302.wav|tˈɨlɛ lˈat minˈɛwɔ. mˈɔʒɛ ɲʲɛ pamjˈɛntaʃ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_40.wav|bˈɛtskɨ zrɔbʲˈiwa, ɔ tsˈɔ pɔprˈɔɕiw i zˌɔbatʃˈɨwa zdjˈɛɲtɕɛ bjawˈɛɡɔ mɛ̃ʃtʃˈɨznɨ ɔ dwˈuɡʲim, tɕˈɛŋkim nˈɔɕɛ i ˈɔtʃax, ktˌurɛ ˌɔpadˈawɨ lˈɛkkɔ pʃɨ zɛvnˈɛntʃnɨx kɔɲtɕˈikax.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_6.wav|pˈɔtɛm fʃˈɛdwɛm dɔ kˌɔmisarjˈatu, f ktˌurɨm tɕˈɔŋɡlɛ jˈɛʃtʃɛ trfˈaw rˈɛmɔnt.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_87.wav|marnˈujɛ zdˌɛtsɨdɔvˈaɲʲɛ za dˈuʒɔ tʃˈasu ɕˈɛdʑɔnts tˈutaj i f kˈɔɲtsu z jˈɛŋkʲɛm dɔxˈɔdʑɛ dɔ ɕˈɛbjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_69.wav|mˈam w dˈupʲɛ tfˈɔjɔ̃ pɔsˈadɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_2.wav|ʃtʃɛɲɕlˈivɨm trˈafɛm pɔ rˈas pʲˈɛrʃɨ f tɨm tɨɡˈɔdɲʲu rˈuɣ vɨdˈajɛ ɕɛ dʑˈawatɕ na mˈɔjɔ̃ kˈɔʒɨɕtɕ i ʃˈɨpkɔ zdˈajɛ sˈɔbjɛ sprˈavɛ, ʒˈɛ dɔjˈadɛ dɔ dˈɔmu rɔdʑˈitsuf stsˈɔtta zbˈɨt ftʃˈɛɕɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_56.wav|pʃˌɛvidˈujɔnts, ʒˈɛ mˈɔʒɛ dɔ tˌɛɡɔ dˈɔjɕtɕ, zɔstˈaviw ˌuxɨlˈɔnɛ dʒvˈi.|2
+Dataset/wavs/urwisko_ferenc/63_segment_166.wav|pˌɔlitsjˈantka pɔdˈawa kˈartkɛ mwˈɔdɛj kɔbjˈɛtɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_92.wav|ɲʲɛ bˌɛndɛ tɕˈɛ ˌuvaʒˈawa za fɕtɕˈipskɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_149.wav|zrˈup s tˈɨm, tsˈɔ xtsˈɛʃ, tˌɨlkɔ ɲʲɛ uʒˈɨvaj tˌɔʃsamˈɔɕtɕi daltˈɔna smˈitxa.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_70.wav|zapˈɛvɲiw jˈamɛ, xˈɔtɕ ftsˈalɛ ɲʲˈɛbɨw tˌɛɡɔ pˈɛvʲɛn.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_288.wav|zˌaxɔvˈawaɕ ɕɛ jˈak ˌamɛrɨkˈaŋka.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_167.wav|mɨɕlˈawam, ʒˈɛ ˌɔtstavˈiwɛɕ alkˈɔxɔl.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_41.wav|tˈɛras fʃˈɨstkɔ, tʃˈɛɡɔ ɕɛ dˌɔvʲadˈujɛ, krˈuʃɨ tɔ pʃˌɛkɔnˈaɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_75.wav|— vʲˈɛm, ʒˈɛ tɔ ɲʲɛ tɨ iɣ zabʲˈiwaɕ — ɔdˈɛzvaw ɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_215.wav|sˈam ɲʲɛ vˈɔntpiw, ʒˈɛ kɔlˈɛjna mˈɔrska pˈɔdruʒ zabʲˈijɛ starˈuʃka.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_603.wav|tamtˈɛɡɔ naʃˈɛɡɔ ɕfʲˈata jˈuʃ ɲʲˈɛma.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_16.wav|ˈaʃ mɲʲɛ kˈɔxa, ˌalɛ kʲˈɛdɨ pɔvʲˈɛdʑaw, ʒˈɛ ɲʲɛ mˈɔʒɛ tɕˈɛ zɔstˈavitɕ, muɕˈawam tɕˈɛ pˈɔznatɕ, ʒˈɛbɨ zrɔzˈumjɛtɕ, tsˈɔ ɡˈɔ tˈak pʃɨ tˈɔbjɛ tʃˈɨma.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_135.wav|ɲʲˈɛzɲʲuz bˈɨm tˈɛɡɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_44.wav|pˈɨtam, starˈajɔnts ɕɛ nˈadatɕ mɔjˈɛmu ɡwɔsˈɔvi ˌɔbɔjˈɛntnɛ bʒmʲˈɛɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_88.wav|bʲˈillɨ ɔtfʲˈɛra na tˌɛlɛfˈɔɲʲɛ daltˈɔna smˈitxa strˈɔnɛ lɔkˈalnɛj ɡazˈɛtɨ i pwˈatɕi kˈartɔ̃ krˌɛdɨtˈɔvɔ̃ daltˈɔna smˈitxa za pˈɛwnɨ dˈɔstɛmp.|2
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_89.wav|tɔ sprˈava mˈɔja i mˈɛ̃ʒa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_102.wav|jɛj kˌɔlɛʒˈaŋka zapˈɛvnɛ mɲʲɛ rˌɔspɔznˈawa.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_260.wav|mˈarvin ɲʲˈɛbɨw tʃwɔvʲˈɛkʲɛm, kturˌɛmu mˈɔʒna ɔdmˈuvitɕ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_319.wav|pɔmˈaɡaw ukrˈɨtɕɛ wzˈɨ, ktˌurɛ vˌɨpɛwɲˈiwɨ jɛj ˈɔtʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_150.wav|ˈɔtpar pɔtˈɛ̃ʒnɨ mɛ̃ʃtʃˈɨzna z ɡvʲˈazdɔ̃ nat ˈɔkʲɛm. jˈakimɕ kalˈɛkɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_249.wav|na tfˈaʒɨ jˈɛɡɔː ˈɔdbʲiw ɕɛ bˈul, kʲˈɛdɨ vɨtɕˈɔŋɡnɔw s kʲɛʃˈɛɲi prˈavɔ̃ rˈɛŋkɛ i vˈɨjɔw jɛj pʲˈurɔ z rˈɛŋki.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_25.wav|vʲˈɛm jˈɛdnak, ɡdʑˈɛ mˈɔʒna znˈalɛɕtɕ ʃtʃˌɛɡuwˈɔvɛ ˌinfɔrmˈatsjɛ. sɔ̃ ˌɔnɛ ukrˈɨtɛ na pɔddˈaʃu ˈu mˈɔjɛj mˈamɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_24.wav|skʃˈɨviw ɕɛ, a vˈɔkuw pʃˈɛʃwa fˈala pʃɨjˈaznɨx ɕmʲˈɛxuf.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_36.wav|xtɕˈawabˌɨm tɕˈɛ ɔ tsˈɔɕ pɔprˈɔɕitɕ. pamjˈɛntaʃ, jˈaɡ vˌɨjɛxˈawam z ˌuɲivˌɛrsɨtˈɛtu w mˌanxɛstˈɛʒɛ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_10.wav|pɔ prˈɔstu skrˈɛntsaw trˈim stˈɛru dɔ pʃˈɛdɲʲɛj bjˈawɛj kravˈɛɲdʑi, kʲˈɛdɨ startˈɔvaw i ɔtkrˈɛntsaw ɲʲˈɛtsɔ, kʲˈɛdɨ bˈɨw jˈuʃ w lˈɔtɕɛ pɔʑˈɔmɨm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_113.wav|zɔstˈawɨ mi tʃtˈɛrɨ dɲˈi.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_177.wav|jˈɛɕli ɔdmˈuvjɛ wˈadnɔ̃ mɔdlˈitfɛ, tʃɨ ˈɔjtɕɛdʑ dˈa mi nˈɔvɔ̃ rˈɛŋkɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_202.wav|ɕɲˈitsɛ na jɛj tfˈaʒɨ nabrˈawɨ kɔlˈɔruf. ˌɔbvʲɛʃtʃˈajɔ̃ ɕfʲˈatu, ʒˈɛ pˈadwa ɔfjˈarɔ̃ brutˈalnɛj napˈaɕtɕi.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_78.wav|ɲʲˈɛx ɲˈikt ɲʲɛ prubˈujɛ pʃɛkrˈatʃatɕ ˌɔɡrɔdʑˈɛɲʲa. jɛʒˈɛli ktˈɔɕ tɔ zrˈɔbʲi, pʃɛrˈɨvam vɨtɕˈɛtʃkɛ, a dɛlˈikfɛnd zɔstˈaɲʲɛ ˌɔdɛswˈanɨ na ʑˈɛmʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_248.wav|tʃˌarɔdʑˈɛjɛ z vwˈɔɕtɕi|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_46.wav|tˈɔm ɔdvrˈutɕiw ɕɛ dɔ bˈɛtskɨ, ktˌura swɨʃˈawa kˈaʒdɛ swˈɔvɔ, a tˈɛras uɲʲˈɔswa brvˈi i ɕɛ ˌuɕmʲɛxnˈɛwa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_167.wav|ɲʲɛ bˌɨwɔ dˈɔbʒɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_11.wav|pɔbjˈɛɡwam dɔ waʑˈɛŋki i umˈɨwam tfˈaʃ, xlˈapʲɔnts nˈaɲʲɔ̃ kˌilkakrˈɔtɲʲɛ ʑˈimnɔ̃ vˈɔdɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_3.wav|kˈaʒda z ɲˈiɣ vˌɨdavˈawa ɕɛ bˈardʑɛj vˈɔntwa ɔt pɔpʃˈɛdɲʲɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_50.wav|i tˈak ɲʲˈɛvʲɛm, tʃɨ ˌɔna tsˈɔɕ pʃɨɲʲˈɛɕɛ, ʃtʃɛɡˈulɲʲɛ jˈɛɕli mˈatka stsˈɔtta tɕˈɛrpi na jˈakɔ̃ɕ fˈɔrmɛ dɛmˈɛntsji, tsˈɔ mɔɡwˈɔbɨ sˌuɡɛrˈɔvadʑ bujˈaɲʲɛ w ɔbwˈɔkax.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_7.wav|mˈuvjɛ stukˈaɲʲɛ, ˌalɛ rˈatʃɛj bˈɨw tɔ natrˈɛntnɨ dˈɨɡɔd ʑlˈɛ zamkɲʲˈɛntɨɣ dʒvˈi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_32.wav|ɲʲɛ vʲˈɛʒɛ, ʒˈɛbɨ dɔ tˈamtɛj pˈɔrɨ ɲˈilɛ kʲˌɛdɨkˈɔlvʲɛk ɲʲˌɛpɔkˈɔiw ɕɛ tˈɨm, jˈaɡ vʲˈɛlɛ vʲɛdʑˈawam.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_327.wav|ˌuʃtʃɨpnˈɛwa rˈuvɲʲɛʒ drˈuɡɔ̃ sˈutkɛ taˈɛnɨ, tɕˈɔŋɡnɔndʑ zˈaɲʲɔ̃ tˈak mˈɔtsnɔ, ʒˈɛ kɔbjˈɛta ftɕɔŋɡnˈɛwa pɔvʲˈɛtʃɛ z bˈulu. jˌɛstɛm krulˈɔvɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_192.wav|jˈaɡ vzajˈɛmɲʲɛ ɡvˌarantɔvˈanɛ zɲiʃtʃˈɛɲʲɛ, f pˈɛvnɨm sˈɛnɕɛ, stfʲˈɛrdʑa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_48.wav|dʑɛlɲˈitsa ɲʲɛ jɛzd zwˈa, ˌalɛ mˌamɨ jˈuʃ na ˈɔku tsˈɔɕ lɛpʃˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_65.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_168.wav|ɔbwˈava ɕɛ zbliʒˈawa.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_103.wav|ˌɔdʑɛdʑitʃˈɨwam pɔː ˈɔjtsu tʃˈɛɲɕtɕ pɔɡlˈɔnduf i zaxˈɔvaɲ, ˌalɛ dʑˈiɕ ɲʲɛ pˌasɔvˈawabˌɨm dɔ ʒadnˈɛɡɔ mʲˈɛjstsa na ʑˈɛmi.|4
+Dataset/wavs/urwisko_ferenc/43_segment_55.wav|ɲʲɛ vʑˈɛwa tˌɛɡɔ rˌɔzvʲɔ̃zˈaɲʲa pɔt uvˈaɡɛ. a tsˈɔ jˈɛɕli za kʲˌɛrɔvɲˈitsɔ̃ ɕˈɛdʑaw sˈɔlski?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_62.wav|ˈaram, tʃɨ mˈɔʒɛʃ nˈam vɨjˈaɕɲitɕ, w jˈaki spˈɔsup pɔzvˈɔliʃ mi ɔdnˈalɛɕtɕ ʃtʃɛɲɕlˈivɛ ʒˈɨtɕɛ, ktˌurɛ ftʃˈɛɕɲʲɛj vʲˈɔdwam?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_452.wav|vˈɨʃɛd vwˈaɕɲʲɛ zˈɛ sklɛpˈiku, ɲʲˈɔsɔnts trɔsklˈivʲɛ tˈɔrbɛ plˌastʲikˈɔvɔ̃ z vˌiktuawˈami.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_9.wav|jˈakɔ dʑˈɛtskɔ tʃˈɛ̃stɔ jˈadaw jˈɔ̃ f pʲɔntkˈɔvɛ vʲɛtʃˈɔrɨ w dˈɔmu stɛpˈɛŋkuf, ktˌurɨ ˈɔn, rˈɔbʲin i ɡˈɛt, a tˈaɡʒɛ ˈinɲi lˌɔkatˈɔʒɨ nˌazɨvˈali dˈɔmɛm vʲˈɛtʃnɛj fˈarbɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_11.wav|vzdˈɨxam. zˌaswuɡˈujɛ na vˌɨjaɕɲʲˈɛɲʲɛ, a bˈɛtskɨ pɔtfʲˈɛrdʑa, ʒˈɛ mˈɔɡɛ jɛj pɔvʲˈɛdʑɛtɕ prˈavdɛ.|4
+Dataset/wavs/urwisko_ferenc/28_segment_60.wav|tˈakɔ̃ mʲawˌɨɕmɨ umˈɔvɛ. ɡdˈɨbɨ mu ˈɔmɲʲɛ pˌɔvʲɛdʑˈawa, rˌɔspɛntˈawabˌɨm vˈɔjnɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_138.wav|tʃˈɛɲɕtɕ tɨx ɕrˈɔtkuf nalˈɛʒɨ ɕɛ bakʲˈɛmu. rˈɛʃta jɛst tfˈɔja, na naˈukɛ i nˈɔvɛ ʒˈɨtɕɛ, ktˌurɛ tʃˈɛka tɕˈɛ jˈakɔ fspaɲʲˈawɔ̃, ɲʲˌɛzalˈɛʒnɔ̃ kɔbjˈɛtɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_54.wav|tˈak naprˈavdɛ…|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_211.wav|ˌɔɡwɔɕˈiwabˌɨɕ mɨrsˈɛllɛ krulˈɔvɔ̃, bˈɨ fʃtʃˈɔɲdʑ bˈunt pʃˈɛtɕif jɛj brˈatu. zˈamjast ˈuxa stratɕˈiwabˌɨ ʒˈɨtɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_19.wav|ˌɔbramɔvˈanɛ tʃˌɛrvɔnˈɨmi lampkˈami vˈɛjɕtɕɛ dɔ ɕlˈuzɨ vˌɨdavˈawɔ ɕɛ pʃˌɨɡnɛmbjajˈɔntsɔː ɔdlˈɛɡwɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_41.wav|rˈɔp mʲˈaw rˈatsjɛ, ˌalɛ sˌɨtuˈatsja ɕɛ zmʲɛɲˈiwa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_92.wav|pʃɨ jˈɛdnɨm s prɔfˈili vˈaxa ɕɛ pʃˈɛs xfˈilɛ i mrˈutʃɨ pɔt nˈɔsɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_4.wav|vˈɨjɔw drʒɔntsˈɨmi paltsˈami tɛlˈɛfɔn, ktˌurɨ ɔtʃˈɨmaw f ʃpitˈalu, pɔ tʃɨm vˈɨbraw jɛdˈɨnɨ nˈumɛr dɔstˈɛmpnɨ na lˈiɕtɕɛ kɔntˈaktuf.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_27.wav|tsˈɔ mˌamɨ rˈɔbʲitɕ, pˈaɲʲɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_92.wav|mɲʲɛ ˈɔʃfa bʲˈiw na nˈɛndʑnɛ puwtˈɔra miljˈɔna, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_2.wav|jˈadɛ ˌawtɔstrˈadɔ̃ i lˈɛdvʲɛ vˈidʑɛ drˈɔɡɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_211.wav|ɲʲˈɛma ɲˈidʑ bˈardʑɛj fkˌuʒajɔntsˈɛɡɔː ɔt xwɔptˈaɕuv z bɔɡˈatɨx rˈɔdʑin, ktˌuʒɨ fpadˈajɔ̃ tˈu na kɕˌɛ̃ʒɨtsˈɔvɛ ruxˈaŋkɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_111.wav|w ɲʲɛdʑˈɛlnɛ pˌɔpɔwˈudɲʲɛ rˌɔzɡrɨvˈajɔ̃ partˈɨjkɛ mˌɔnɔpˈɔlɨ.|2
+Dataset/wavs/urwisko_ferenc/65_segment_194.wav|a jˈɛdnak tˈak ɕɛ stˈawɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_147.wav|zɛbrˈaliɕmˌɨ ɕɛ pʃɨ brˈamjɛ zˌɛvnɛntʃnˈɛɡɔ dʑɛdʑˈiɲtsa.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_225.wav|dˈɔkɔnt mˈa ɕɛ ˈudatɕ?|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_82.wav|kˈɔɡɔ vwaɕtɕˈivʲɛ nalˈɛʒɨ?|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_371.wav|tʃɨ znalˈɛʑliɕtɕˌɛ jˈɛɡɔ trˈupa?|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_164.wav|tɕˈɛʃɛ ɕɛ, ʒˈɛ s tˌɛɡɔ vˈɨʃwaɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_27.wav|ɲʲɛ znalˈɛʑliɕmˌɨ tˈɛɡɔ, tʃɨm jˈɔ̃ ˌudɛʒˈɔnɔ, ˌalɛ spravdʑˈimɨ jˈɛʃtʃɛ pˈɔla pɔː ˈɔbu strˈɔnax lˈɔɔp lˈinɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_164.wav|vɨbˈawʃɨw ˈɔtʃɨ i zamˈaxnɔw ɕɛ nˈamɲʲɛ lˈaskɔ̃. vɨrvˈawɛm mu jˈɔ̃ z rˈɛŋki i ˌɔdʒutɕˈiwɛm na drˈuɡʲi kˈɔɲʲɛts pɔkˈɔju.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_65.wav|zˌamruɡˈawam pˈarɛ rˈazɨ. xˌaˌɛmˈɛm, dʑɛŋkˈujɛ. ˈu tˈatɨ fʃˈɨstkɔ f pɔʒˈɔntku.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_122.wav|mʲˈawa ɕɛ ˌɔna skwˈadadʑ zˈɛ stˈu lˈudʑi, f tɨm dvudʑˈɛstu rɨtsˈɛʒɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_13.wav|dˈɛʃtʃ pˈada ɲʲˌɛustˈanɲʲɛ ɔt kˈilku dɲˈi, a ulˈitsɛ sɔ̃ mˈɔkrɛ i pˈɛwnɛ kˈawuʃ w mʲˈɛjstsax, ɡdʑˈɛ ɔtpwˈɨvɨ ɲʲɛ zdɔwˈawɨ ˌɔtprɔvˈadʑidʑ vˈɔdɨ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_369.wav|mˈuvjɛ tɔ, tsˈɔ mˈɨɕlɛ, bˈɛs ɔɡrˈudɛk, jˈak utʃtɕˈivɨ tʃwˈɔvʲɛk.|1
+Dataset/wavs/urwisko_ferenc/36_segment_41.wav|ˌimpɔnˈujɛʃ mi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_121.wav|vɨɕˈadam tˈutaj pɔvʲˈɛdʑaw i jˈudɨ zˌatʃɨmˈawa samˈɔxut.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_469.wav|nˈɔtsɔ̃ prˈavʲɛ w ɔɡˈulɛ ɲʲɛ spˈawa zˈɛ strˈaxu pʃˈɛttɨm, tsˈɔ ɕɛ vɨdˈaʒɨ.|1
+Dataset/wavs/urwisko_ferenc/23_segment_11.wav|ˈuɕad na tˌaburˈɛtɕɛ i zˈatʃɔw jˈɛɕtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_61.wav|spɔjʒˈɛɲʲɛ, ktˌurɨm ɔbdˈaʒa mɲʲɛ pʃˌɨjatɕˈuwka jɛzd dˈɔɕtɕ trˈudnɛ dɔ zˌintɛrprˌɛtɔvˈaɲʲa. uɕmʲˈɛxa ɕɛ, ˌalɛ zˈatɨm fʃˈɨstkim krˈɨjɛ ɕɛ jˈakaɕ çistˈɔrja.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_113.wav|maʃ kwɔpˈɔtɨ, ˌalɛ ɲʲˈɛmartf ɕɛ, sprɔvˈadʑɛ ˌadvɔkˈatuv z amˈɛrɨkˌi.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_81.wav|maʃˈɨna pˌɔdjɛxˈawa tˈɨwɛm dɔ lˈɛja vˌɨwadɔftʃˈɛɡɔ, pˌɔwɔntʃˈɨwa ɕɛ zˌatʃɛpˈami z jˈɛɡɔ kravˈɛɲdʑɔ̃ i zatʃˈɛwa vˈɔlnɔ pʃɛxˈɨlatɕ skʃˈɨɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/22_segment_7.wav|pɔ tʃɨm zɔstˈaviw psˈa f kˌɔrɨtˈaʒu i vrˈutɕiw dɔ wˈuʃka, z nadʑˈɛjɔ̃, ʒˈɛ dʑˈɛŋki rˌɔzwadɔvˈaɲʲu napʲˈɛɲtɕa ʃˈɨpkɔ zˈaɕɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_79.wav|pʲˈɛz zaʃtʃˈɛkaw i zamˈɛrdaw ɔɡˈɔnɛm. vʲˈɛlkʲɛ, kudwˈatɛ zvʲˈɛʒɛ vaʒˈɨwɔ tsˈɔ nˈajmɲʲɛj dʑˈɛɕɛɲtɕ kamjˈɛɲi. zˌaxɔvɨvˈawɔ ɕɛ jˈɛdnak pʃɨjˈaʑɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_85.wav|mˈartfjɛ ɕɛ tˌɨmi zˌapɔvʲˌadanˈɨmi ˌɔpɔvʲɛɕtɕˈami stsˈɔtta, tsˈɔ na jˈakiɕ tʃˈaz zmaskˈujɛ ˈinnɛ mˈɔjɛ ɔbˈavɨ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_240.wav|dlatˈɛɡɔ tˈɛras ɲʲɛ mˈɔʒɛ ˈumʒɛtɕ tˈak sˈamɔ jˈak ˈɔn.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_159.wav|ftʃˈɔraj kɕˈɛ̃ʒɨdʑ bˈɨw zalˈɛdvʲɛ vɔ̃ʑˈutkim skrˈafkʲɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_90.wav|i vʲˈɛʃ tˈɛʃ, ʒˈɛ lˈudʑɛ mˈɔɡɔ̃ vˈɨɡratɕ tˈam dˈuʒɔ pʲɛɲʲˈɛndʑɨ, jˈɛɕli pɔdˈadʑɔ̃ ˌɔtpɔvʲˈɛdɲʲɛ lˈidʒbɨ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_47.wav|tsˈɔ mʲˈawbɨm pɔvʲˈɛdʑɛtɕ, ɡdˈɨbɨ ktˈɔʑ zapˈɨtaw, ɔ tʃɨm jɛst mˈɔja kɕˈɔ̃ʃka?|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_48.wav|jˈak ɲʲɛ bˌɛɲdʑɛ tɕˈɛ dwˈuʒɛj ɲˈiʃ tˈɨdʑɛɲ, nˈɔ tɔ klˈɔps, ɲʲɛ mˌamɨ tˈu za vʲˈɛlu znajˈɔmɨx.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_50.wav|ɔ tsˈɔ xˈɔdʑi? spɨtˈawɛm ˌuʒɛndˈɔvɨm tˈɔnɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_30.wav|jˈaka jɛst pravdʑˈiva ˈanna frˈaŋklin?|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_250.wav|tˈɨrjɔn mʲˈaw jˈɛdnɔ tʃˈarnɛ i jˈɛdnɔ ʑɛlˈɔnɛ.|1
+Dataset/wavs/urwisko_ferenc/64_segment_111.wav|— pˈaɲʲɛ pˌɔtkɔmisˈaʒu, prˌɔkurˈatɔr prˈɔɕi — stfʲˈɛrdʑiw mwˈɔdɨ xwˈɔpak, pɔ tʃɨm zapˈɛvɲiw — ja z ɲˈim zɔstˈanɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_6.wav|f kˈɔɲtsu ˌuswɨʃˈawam jˈɛɡɔ samˈɔxut pʃɛt pʲˈɛrʃɔ̃ w nˈɔtsɨ i pɔbjˈɛɡwam dɔ dʒvˈi. dʑˈɛŋki bˈɔɡu dˈɔm! tsˈɔ ɕɛ stˈawɔ? ɲˈits tɕi ɲʲɛ jˈɛst?|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_82.wav|dˈaw kɔbjˈɛtɕɛ trˈɔxɛ pʲɛɲʲˈɛndʑɨ i sˈɔbjɛ pˌɔjɛxˈali.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_14.wav|pʃɛprˈaʃam, mˈamɔ, tɛ lasˈaɡnɛ sɔ̃ pʃɛpˈɨʃnɛ, ˈalɛ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_149.wav|skurvʲˈɛlɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_109.wav|mˈɔɡɛ tɔ zrˈɔbʲitɕ, jˈɛɕli pˈan xtsˈɛ.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_193.wav|tsˈɔ ɕɛ stˈawɔ, mˈamu?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_85.wav|ˌarɔɡˈantskɔ̃ krɛtˈɨŋkɔ̃, ktˌura uvˈaʒa ɕɛ za lˈɛpʃɔ̃ ɔt arˈama fˌɔrakˈisa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_31.wav|a jˈɛdnak ɔdˈɛʃwam.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_249.wav|ˈilɛ lˈɔrd ɡˈawɛn vʲˈɛdʑaw ɔ knɔvˈaɲʲaɣ ʒˈɔnɨ?|1
+Dataset/wavs/urwisko_ferenc/36_segment_76.wav|ɲʲˈɛmam nˈatɔ tfˈardɨɣ dɔvˈɔduf.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_45.wav|f kˈɔɲtsu nˈaʃɛ spɔjʒˈɛɲʲa ɕɛ spˌɔtɨkˈajɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_60.wav|bˌɛndɛ im zmˈɨvatɕ talˈɛʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_162.wav|brˈɔn vbʲˈiw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_34.wav|zˈaɲim kazˈawɛʑ ɡˈɔ zˈabʲitɕ, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_248.wav|tɔ mɲʲɛ rˌɔzbavˈiwɔ, bˈɔ zabʒmʲˈawɔ jˈak tˈɨtuw jɛdnˈɛɡɔ s tɨx ambʲˈitnɨx fˈilmuf, ktˌurɛ vɨtrˈavɲi kˌinɔmˈaɲi ˌɔɡlɔndˈajɔ̃ f kˈinax studˈɨjnɨx.|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_83.wav|stˈɔnd dɔ zbˈɔtʃa zˌaxɔdɲʲˈɛɡɔ sɔ̃ tˈakix tɨɕˈɔntsɛ. zˌapuʃtʃˈajɔ̃ vwˈɔsɨ pɔtˈɨwɛk i swuxˈajɔ̃ stˈarɨx pwˈɨt stɛppˈɛnvɔlf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_92.wav|bʲilˈika pˈujɛ. xɔtˈɛlɛm alˈɛna bˌɛɲdʑɛ ˈarɛʃt ˌɔkrɛŋɡˈɔvɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_82.wav|tˈɔm fstˈaw, zˈabraw kɔmˈurkɛ z bjˈurka i fsˈunɔw jˈɔ̃ dɔ kʲɛʃˈɛɲi.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_16.wav|tɔ pɔvˈinnɔ vɨvˈabʲidʑ blatskfˈiʃa na mˈurɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_130.wav|mˈɔɡɛ jɛdˈɨɲʲɛ zɡadˈɨvatɕ, ˌalɛ pʃˌɛkɔnˈajmɨ ɕɛ, tsˈɔ bˌɛɲdʑɛ mʲˈaw dɔ pˌɔvʲɛdʑˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_70.wav|mˈawɛ, rˌɔmbɔidˈalnɛ ʃˈɨbɨ ˈɔkna pɔkrˈɨvaw ʃrˈɔn.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_30.wav|sˈandɨ rˌɔzmavʲˈawa krˈutkɔ s ʃɛfˈami zɛspˈɔwuf, ˌɔstʃɛɡˈajɔnts ix, ʒˈɛ rajˈavi ɕɛ pʃɛmjˈɛʃtʃa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_31.wav|ftɕˈɔ̃ʃ mʲˌawɛm jˈɛʃtʃɛ w ɡwˈɔvʲɛ tɔ spɔtkˈaɲʲɛ, ktˌurɛ zˌakɔɲtʃˈɨwɔ ɕɛ pˈɛwnɨm suktsˈɛsɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_132.wav|ʃɛfˈɔva pˌɔprɔɕˈiwa ɡˈɔ, ʒˈɛbɨ pʃˈɨʃɛd natˈɨxmʲazd dɔ jɛj bjˈura. tˌɔvaʒˈɨʃɨw jɛj zastˈɛmptsa kˌɔmɛndˈanta, ktˌurɨ xtɕˈaw vʲˈɛdʑɛtɕ, tʃɨ ʃukˈajɔ̃ sˌɛrɨjnˈɛɡɔ mɔrdˈɛrtsɨ.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_149.wav|dla kˈɔɡɔ jɛst tɛn ɡrˈup?|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_28.wav|mʲˌawaɕ rˈatsjɛ tsˈɔ dɔ ɡrˌavitˈatsji.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_11.wav|w ɕtɕˈanaɣ vˌɨʒɛʑbjˈɔnɔ tfˈaʒɛ ɕˈɛdmju.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_53.wav|uɲʲˈɔswa ɲʲˈɛtsɔ xarˈɛɡɔː i pɔdˈawa lˈutsɨ, ktˌura spravʲˈawa vraʒˈɛɲʲɛ pʃˌɛraʒˈɔnɛj i rˌɔsprɔmjɛɲʲˈɔnɛj jˌɛdnɔtʃˈɛɕɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_54.wav|rˌɛtsɛptsjɔɲˈista bˈɨw pʃˌɨzvɨtʃajˈɔnɨ dɔ vɨmjˈanɨ zdˈaɲ wamˈanɔ̃ ˌaŋɡʲɛlʃtʃˈɨznɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_161.wav|swɨʃˈawɛm, ʒˈɛ kʲˈɛdɨ ɔdˈɛʃwɨ, jˈɛdɛn z jɛj bratˈaŋkuf prubˈɔvaw ɔtfˈɔʒɨdʑ ɡɔspˈɔdɛ na nˈɔvɔ, ˈalɛ...|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_56.wav|kˈɔrsaɡ vɨskˈɔtʃɨw ʒvˈavɔː i pˈɔmuɡw mi vˈɨɕɔ̃ɕtɕ.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_351.wav|ˌalɛ tfˈɔi lˈudʑɛ mˈuʃɔ̃ zɔstˈavitɕ mʲˈɛtʃɛ.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_148.wav|pˈɛtɨr pɔwˈɔʒɨw pˈalɛts na jɛj ˈustax, bˈɨ jˈɔ̃ utɕˈiʃɨtɕ. kˈaʒɛw pɔɕlˈubʲiw tsˈurkɛ nˈɛda stˈarka, ɲʲɛ mˈɔjɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_59.wav|ɔ tʃɨm tɨ mˈuviʃ? spɨtˈawam zdʑivʲˈɔna. tɔ tˌɨlkɔ xlɔrˈɔfɔrm, ɡˈas ˌusɨpʲajˈɔntsɨ, ɲʲɛ?|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_267.wav|vrˈatsaj dɔ dˈɔmu, dʑˈɛtskɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_35.wav|jˌɛstɛɕ fspaɲʲˈawɔ̃ ɔsˈɔbɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_114.wav|jˈɛmɨ, ʒˈɛbɨ zapˈɛvɲitɕ ɛnˈɛrɡjɛ tɕˈawu, pɔvʲˈɛdʑaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_26.wav|pˈatʃɛ na tfˈaʃ w lˈustʃɛ i pʃɛstˈajɛ drʒˈɛtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_28.wav|i z dˈumɔ̃ prˈaɡnɛ zaznˈatʃɨtɕ, ʒˈɛ ta ʃˈɨba zɔstˈawa vˌɨprɔdˌukɔvˈana tˈutaj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_364.wav|jˈɛdliɕmˌɨ tɔ sˈamɔ na ɕɲʲadˈaɲʲa i kɔlˈatsjɛ, pwatɕˈiliɕmˌɨ fspˈulnɛ raxˈuŋki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_150.wav|ɕtɕisnˈɛwa mˈɔjɛ rˈamjɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_64.wav|i mˈɔdli ɕɛ pʲˈɛɲtɕ rˈazɨ dʑˈɛnɲʲɛ, zvrutsˈɔnɨ tfˈaʒɔ̃ f strˈɔnɛ mˈɛkki.|4
+Dataset/wavs/urwisko_ferenc/39_segment_7.wav|xwˈɔpak fstˈaw i pˈɔtʃɛd dɔ kuxˈɛŋki, a mˈarja zabrˈawa tɛlˈɛfɔn na tˈaras i tˈam ˌɔdɛbrˈawa pˌɔwɔntʃˈɛɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_280.wav|pˈɔdɲʲuz z ʑˈɛmi lˈalkɛ i pɔpˈatʃɨw nˈaɲʲɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_20.wav|ɲˈitsk unˈɔɕi kʲɛlˈiʃɛk. pˌɔzɔstˈali ˈidɔ̃ w jˈɛɡɔ ɕlˈadɨ. za sˈuktsɛs!|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_39.wav|pɔdˈɛɕlij mi maˈilɛm kˈilka zdjˈɛɲtɕ, a nˈavɛd dvadʑˈɛɕtɕa kˈilka na fʃˈɛlki vɨpˈadɛk.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_19.wav|i zamjˈɛʒa pˈaɲi vɨdˈuɕitɕ s tˌɛɡɔ kˈupɛ fˈɔrsɨ?|4
+Dataset/wavs/urwisko_ferenc/47_segment_1.wav|tɕˈinɛ pˌuwkɕɛ̃ʒˈɨtsɛ pɔd zmˌɛntʃɔnˈɨmi ɔtʃˈami i pˌɔpɛŋkˈanɛ natʃˈɨŋka pɔ lˈɛvɛj strˈɔɲʲɛ nˈɔzdʒɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_15.wav|ɔtfʲˈɛra ˈɔtʃɨ, ktˌurɛ zˌatʃɨnˈajɔ̃ mu ɕɛ ʃklˈitɕ.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_242.wav|zvʲˈɛʒɛ stanˈɛwɔ dˈɛmba, a frˈɛj rˈunɔw w bwˈɔtɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_154.wav|tɔ ɲʲˈɛmal na pˈɛvnɔ sprˈafka ˌalvarˈɛza.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_74.wav|sfˈɔim tɕˈɛlskʲɛm ˈɔmal ɲʲɛ vˈɨpxnɔw albjˈɛɡɔ na zˈɛvnɔntʃ. ɕmʲˈali ɕɛ fʃˈɨstsɨ, ˈɔprutʃ jˌamjɛsˈɔna.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_7.wav|atˈaki paɲˈiki bˌɨwɨ tsˈɔras tʃˈɛ̃stʃɛ, w mʲˈarɛ jˈak upʲˈɔrna fˈurja ɕɛ pʃˌɛdwuʒˈawa, a pʃˌɛdwuʒˈawa ɕɛ w ɲʲˌɛskɔɲtʃˈɔnɔɕtɕ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_509.wav|jˈɛɕli ˌɔnɔ tsˈɔɕ jˈɛʃtʃɛ dla tɕˈɛbjɛ znˈatʃɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_197.wav|rɔzwˈɔntʃa ɕɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_27.wav|pˈuʑɲʲɛj ɔtkrˈɨwam, ʒˈɛ pwɨnˈɛwa tamtˈɛndɨ ʒˈɛka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_180.wav|ɲʲɛvʲˈɛlɛ ɕɛ tɔ ruʒɲˈiwɔː ɔt tˈɛɡɔ, tsˈɔ rɔbʲˈiwɛm w irˈaku.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_142.wav|vʲˈɛnts pˌɔjɛxˈawɛm w ɡˈurɨ i ˌɔdnalˈazwɛm ɡˈɔ. kʲˈɛdɨ ɕˈɛdʑaw pʃɨ stˈɔlɛ za xlapˈanɨm pˈivɛm,|0
+Dataset/wavs/urwisko_ferenc/56_segment_73.wav|dʑɛftʃˈɨŋki. pɔː ɔmˈatsku pɔdˈɔ̃ʒaw w jɛj strˈɔnɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_139.wav|tˈɛras ɲʲˈɛmam jˈuʒ ʒadnˈɛɡɔ vɨbˈɔru.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_259.wav|tsˈuʃ, mˈam jˈɛdɛn vʲˈɛtʃur f tɨɡˈɔdɲʲu, ʒˈɛbɨ zmʲˈɛɲitɕ tfˈɔjɛ nˌastavʲˈɛɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_75.wav|ˌiɡnɔrˈujɛ mɲʲɛ i fskazˈujɛ zdjˈɛɲtɕa pʃˌɛtstavʲajˈɔntsɛ tsˌamɛrˈɔna i jaɡˈɛra.|3
+Dataset/wavs/urwisko_ferenc/05_segment_80.wav|rˌɔzɛjʒˈawa ɕɛ pɔː ˌɔɕɛdlˈɔvɛj drˈɔdʑɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_8.wav|tʃɨ pɔtʃˈɨɲiw jˌakʲɛkˈɔlvʲɛk krˈɔki, ʒˈɛbɨ tɔ zrˌɛalizˈɔvatɕ? zapˈɨtaw tˈɔm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_33.wav|ˌɔna ftɕˈɔ̃ʃ rˌɔspatʃlˈivʲɛ wˈapʲɛ pɔvʲˈɛtʃɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_95.wav|pɔdˈuʃki bˌɨwɨ tˈaɡ ɡwɛmbˈɔkʲɛ, ʒˈɛ ɡdˈɨbɨ rɔsɕˈadwa ɕɛ vɨɡˈɔdɲʲɛ, mʲˈawabˌɨ pˈɛvɲʲɛ kwɔpˈɔtɨ zˈɛ fstˈaɲʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_41.wav|zˈaɲʲɔ̃ pɔdˈɔ̃ʒaw pˈɔdritsk, a na kˈɔɲtsu ʃˈɛt sˈɛr xˈɨlɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_118.wav|ɲʲɛ jˌɛstɛm pˈɛvʲɛn, tʃɨ jˈɔsɛf tsˈambbɛll ˈuznawbˌɨ tɔ za tʃˈɨn ɡˈɔdnɨ bˌɔxatˈɛra.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_155.wav|jˈɛɕli zavʲˈɛdʑiʃ mɲʲɛ jˈɛʃtʃɛ rˈas.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_31.wav|zˈaɲim ɕˈada, stˈavja jˈɛdnɔ̃ nˈɔɡɛ za drˈuɡɔ̃ i vˌɨkɔnˈujɛ ʃˈɨpki pirˈuɛt, kturˌɛɡɔ ɲʲɛ pɔfstˈɨdʑiwbˌɨ ɕɛ sˈam krˈul pˈɔpu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_28.wav|spˈɨtaw blˈɔndɨn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_88.wav|bˈutskɨ mˈuvi, ʒˈɛ ɲʲˈɛmʲawbˌɨɕ ɲˈits pʃɛtɕˈifkɔ tˈɛmu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_19.wav|krˈɛntsɛ ɡwˈɔvɔ̃.|3
+Dataset/wavs/urwisko_ferenc/46_segment_55.wav|i tˈɛras ɲʲɛ vʲˈɛdʑaw, tʃɨ lˈipski ftɕˈɔ̃ʃ tkfˈi na pˈɔlnɛj drˈɔdʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_102.wav|tɔ dˈɔbʒɛ. bʲˈillɨ mˈɨɕli, ʒˈɛ mˈuɡwbɨ ʒˈɨdʑ dwˈuɡɔː i ˈumʒɛtɕ ʃtʃɛɲɕlˈivʲɛ, ɡdˈɨbɨ ɲˈiɡdɨ vʲˈɛntsɛj ɲʲɛ zɔbˈatʃɨw kˈɛna xˈɔffa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_65.wav|vɨswˈawa mi rˈanɔ vʲadˈɔmɔɕtɕ, ʒˈɛ xtsˈɛ zˈɛmnɔ̃ pˌɔrɔzmˈavʲatɕ, vʲˈɛndʑ zˌadʑvɔɲˈiwam dɔ ɲʲˈɛj, zˈaɲim pˌɔjɛxˈawa dɔ ʃkˈɔwɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_20.wav|ɔdvrˈutɕiw ɕɛ dɔ bˈɛki.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_60.wav|vʲˈɛm. mˈɔʒɛ mˈuɕiʒ dɔ tˌɛɡɔ pʃɨvˈɨknɔɲtɕ, bˈɔ s tˌɛɡɔ tsˈɔ mi vʲadˈɔmɔ, pɔ ɕmʲˈɛrtɕi fˈina ɲˈikt jˈuʃ mɲʲɛ ɲʲɛ ʃˈuka.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_98.wav|a tɨ pˈɛvɲʲɛ ɲʲˈɛvʲɛʃ pʃˈɛs kˈɔɡɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_74.wav|nˈɔ tsˈuʃ, mˈɔʒɛʃ, bˈɔ f tɛj xfˈili xˈɨba ɲˈits mi ɕɛ w ɡwˈɔvʲɛ ɲʲɛ ukwˈada.|4
+Dataset/wavs/urwisko_ferenc/01_segment_112.wav|ˌalɛ jˌɛdnɔtʃˈɛɕɲʲɛ ɲʲɛ mˈɔʒɛ mi pˈaɲi ɲˈits pɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_69.wav|zapˈɨtaw pʃˈɛs rˈadjɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_38.wav|ˈalbɔ ktˈɔʑ dʑɡnˈɔwbɨ ɡˈɔ pɔt prɨʃɲˈitsɛm vˌɨɔstʃˈɔnɔ̃ ʃtʃɔtˈɛtʃkɔ̃ dɔ zˈɛmbuf, tʃɨ fsˈadʑiw mu dɔ ɡˈardwa kˈɔstkɛ mˈɨdwa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_111.wav|dʑɛŋkˈujɛ. ɲʲɛ spɔtkˈawɛm ɲˈiɡdɨ tʃwɔvʲˈɛka takʲˈɛɡɔ jˈak tˈɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_672.wav|bˈɨlɛ ɲʲɛ pˌɔkazɨvˈali mi jɛj zvwˈɔk i ɲʲɛ rɔbʲˈili tˈɛɡɔ, tsˈɔ zdˈajɛ ɕɛ nˌazɨvˈajɔ̃ vˈizjɔ̃ lɔkˈalnɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_119.wav|na rˈaʑɛ mɲʲˈɛjʃa s tˈɨm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_12.wav|mˌɛxaɲˈikʲɛm bˈɨw tˈɛŋɡʲi tʃwˈɔvʲɛk ɔ tʃɛrvˈɔnɛj tfˈaʒɨ. pˈɔtʃɛd dɔː ˌandɛrsˈɔna i pˈatʃɨw xfˈilɛ na jˈɛɡɔ tʃˈarnɔ̃ vʲatrˈufkɛ z rudʑˈawɔ̃ ɔt swˈɔɲtsa.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_5.wav|vrˈɔnɨ dɔbrˈawɨ ɕɛ dɔ jˈɛɡɔ tfˈaʒɨ, a vˈilki pˌɔʒɨvʲˈawɨ ɕɛ dɔlnˈɨmi partjˈami zvˌisajˈɔntsɨx ɲˈiskɔ nad ʑˈɛmʲɔ̃ nˈuk.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_45.wav|ɲʲɛ pɔvˈinnam ɕɲˈidʑ vˈiltʃɨx snˈuf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_123.wav|tʃɨ naprˈavdɛ xtsˈɛʒ z ɲˈim bˈɨtɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_202.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_111.wav|dʑˈɛtɕi bˌɨwɨ w wˈuʃkax.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_143.wav|sɔ̃ tˈaɡ zˌaprɔjˌɛktɔvˈanɛ, ʒˈɛ ˌuruxˈɔmjɔ̃ ˈalarm na dwˈuɡɔ pʃˈɛttɨm, jˈak trujˈɔntsɨ ɡˈaz zdˈɔ̃ʒɨ vɨʒˈɔɲdʑitɕ kʃˈɨvdɛ lˈudʑɔm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_11.wav|dʑˈiɕ fspɔmɲʲˈɛɲʲa sɔ̃ vˌɨjɔntkˈɔvɔː ˈɔstrɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_33.wav|bˈɛtskɨ vrutɕˈiwa dɔ bjˈurka, na ktˌurɨm jɛj kɔmpˈutɛr ɲʲˌɛustˈanɲʲɛ sˌɨɡnalizˈɔvaw nadˈɛjɕtɕɛ nˈɔvɨɣ vʲˌadɔmˈɔɕtɕi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_55.wav|ɔ tsˈɔ jɛj dɔ xɔlˈɛrɨ xɔdʑˈiwɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_19.wav|ɲʲɛ, ʒˈɛbɨ w ʒˈɨtɕu xˈɔtɕ jˈɛdɛn napˈisaw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_145.wav|ɲʲɛ mʲˈawam pɔjˈɛɲtɕa, tsˈɔ tɔ mʲawˈɔbɨ bˈɨtɕ. nˈavɛt w maʒˈɛɲʲax ɲʲɛ bˌɨwam f stˈaɲʲɛ vɨmˈɨɕlatɕ nˈɔvɨx rɔzvʲˈɔ̃zaɲ mʲˈɛɕɔnts pɔ mʲɛɕˈɔntsu.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_171.wav|pˌɔmɨɕlˈawa krulˈɔva, fɕtɕˈɛkwa nˈaɲʲɔ̃ nˈavɛt pɔ tˈɨlu lˈatax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_189.wav|ˌalɛ tʃɨ tˌɛɡɔ samˈɛɡɔ ɲʲɛ mˈɔʒna pɔvʲˈɛdʑɛtɕ ɔ bʲˈilim?|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_192.wav|a jˈak na dˈɔbrɨ plˈan pʃɨstˈawɔ, bˈɨw mi pɔtʃˈɛbnɨ ʃalˈɔnɨ nˌaukˈɔvʲɛdʑ z ˌukraˈinɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_51.wav|ɕɛŋɡnˈɛwam pɔ tɛlˈɛfɔn.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_58.wav|vʲˈɛm, ʒˈɛ ɔn pˈatʃɨ pʃˈɛs ˈɔknɔː i ɡrɔmˈadʑɛ f sˈɔbjɛ rˈɛʃtki ɔdvˈaɡʲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_26.wav|zˌauvaʒˈɨwɛm tɔ, jˈak jɛxˈaliɕmˌɨ w drˈuɡɔ̃ strˈɔnɛ, jˈɛʃtʃɛ zˈaɲim mˈɛrɡɛ mɲʲɛ pʃˌɛdʑuravˈiwa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_76.wav|ɲˈiɡdɨ tˈak naprˈavdɛ ɲʲɛ vʲɛdʑˈawam, tʃɨ stɔsˈujɛ krulˈɛfskʲɛ mˈɨ, nˈas i nˈaʃ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_49.wav|i tsˈɔ jˈɛʃtʃɛ? nˈuda.|0
+Dataset/wavs/urwisko_ferenc/39_segment_60.wav|tˌɨlkɔ ɲʲɛ mʲˈawa pɔjˈɛɲtɕa ktˈɔ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_456.wav|ɕtɕiɡˈaliɕmˌɨ tˈɛ bˈandɛ jˈuʃ ɔd bˈardʑɔ dˈavna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_59.wav|ɲʲɛ mˈɔɡwam ɔdmˈuvitɕ, xˈɔtɕ ftˈɛdɨ naprˈavdɛ tʃˈuwam ɕɛ xˈɔra.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_223.wav|jˈasnɛ, ɕmʲˈawɔ. tɔ pɔvˈinnɔ vɨjˈaɕɲitɕ tsˈawɔ̃ sprˈavɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_211.wav|kʲˈɛdɨʑ bˌɨwɨ ɕtɕɛʃkˈami fɕrˈud drˌamatˈɨtʃnɨx paɡˈuruv ɡrˈuzu,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_162.wav|ɲʲɛ jˌɛstɛm pˈɛvʲɛn, tʃɨ tʃˈujɛ ɕɛ ɡˈɔtuf pˈɔznatɕ tfˈɔix rɔdʑˈitsuf. ɲʲɛ tˈɛras, kʲˈɛdɨ tkfjˈɛ f tɨm sˈɨfjɛ pɔː ˈuʃɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_140.wav|— jˌɛstɛʑ dˈɔbrɨ xwˈɔpak, sˈɨnu — pɔvʲˈɛdʑaw ɔfˈitsɛr. — vʲˈɛm, tsˈɔ tʃˈujɛʃ tˈɛras. sˈɔnt.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_17.wav|ɔbˈavʲam ɕɛ, ʒˈɛ pˈaɲi mˈɔ̃ʃ mˈɔʒɛ vɨɡlˈɔndatɕ trˈɔxɛ inˈatʃɛj ɲˈiʒ ɡˈɔ pˈaɲi zˌapamjɛntˈawa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_66.wav|mˈuʃɛ vɨjˈaɕɲitɕ, tsˈɔ ɕɛ zdaʒˈɨwɔː ɔt pˈaɲi tˌɛlɛfˈɔnu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_166.wav|tˈak mi pʃˈɨkrɔ spˈikɛ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_155.wav|jɛdnˈaɡʒɛ starˈuxa jˈɛʃtʃɛ z ɲʲˈɔ̃ ɲʲɛ skɔɲtʃˈɨwa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_72.wav|vidʑˈawɛɕ ɕɛ z ɲˈim?|2
+Dataset/wavs/urwisko_ferenc/07_segment_26.wav|pɔwˈɔʒɨw dwˈɔɲʲɛ na pˌɔdwɔkʲɛtɲˈikax.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_51.wav|pɔwˈɔntʃɨw tfˈaʒ z nazvˈiskʲɛm i ɡɔtˈɔvɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_167.wav|bʲˈillɨ uɕmʲˈɛxa ɕɛ zdafkˈɔvɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_4.wav|jˈɛɡɔ rɛˈaktsja na vʲˈɛɕtɕ ɔ pɔrvˈaɲʲu mˈilljɛ vˌɨdavˈawa ɕɛ jˈɛdnaɡ zupˈɛwɲʲɛ ʃtʃˈɛra.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_150.wav|ˌɔdɛrvˈawam vzrˈɔk ɔt jˈɛɡɔ jˈasnɔɲʲɛbjˈɛskix ˈɔtʃu, zˌastanavʲˈajɔnts ɕɛ, tʃɨ zɔbˈatʃɛ ɡˈɔ jˈɛʃtʃɛ, tʃɨ mˈɔʒɛ zˈafʃɛ bˌɛɲdʑɛ tɔ jˈuʃ tˌɨlkɔ jˈaɡɡɛr.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_44.wav|ˈɛlis pʲˈɛtʃɛ sxabˈɔvɛ na ɡrˈillu i xˈɔdʑ vɨxˈɔdʑɔ̃ lˈɛkkɔ pʃˌɨpalˈɔnɛ z zˈɛvnɔntʃ i trˈɔxɛ ruʒˈɔvɛ w ɕrˈɔtku, mˈarna zˈɛmɲʲɛ kuxˈarka, vˈɨbatʃ, mˈuvi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_65.wav|na pʲˈɛrɕi mʲˈaw naʃˈɨfkɛ ˌɛvvˌuˈɛs mˈɔlkin. zˌapɨtˈawɛm, tsˈɔ tɔ znˈatʃɨ ˌɛvvˌuˈɛs, bˈɔ mɨɕlˈawɛm, ʒˈɛ tɔ jˈakaɕ spɛtsjˈalna fˈuŋktsja.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_199.wav|ɲˈiɡdɨ ɲʲɛ mʲˈawɛɕ lɛvˈɛɡɔ dɔvˈɔdu tˌɔʃsamˈɔɕtɕi?|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_113.wav|vˈɨɕlij jˈɛ na ˈadrɛs|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_26.wav|sˈavap tɔ tˈɛst kfˌalifikˈatsji, ktˌurɨ pɔmˈaɡa im, znˈatʃɨ marˈinɛs, ustˈalitɕ, tsˈɔ pɔtrˈafiʃ i tʃɨ jˌɛstɛʑ bˈɨstrɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_184.wav|pʃˈɛs xfˈilɛ mˈa ɔxˈɔtɛ fʃˈɨstkɔ skasˈɔvatɕ, bˈɔ tɔ jɛst ɔkrˈɔpnɛ, ˌalɛ ˌɔstatˈɛtʃɲʲɛ tɔ zɔstˈavja.|2
+Dataset/wavs/urwisko_ferenc/18_segment_71.wav|ˌalɛ bɔrˈɛvitʃ ɲʲɛ swˈɨʃaw swˈuf.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_277.wav|pluskˈali ɕɛ f sadʑˈafkax i wˈɛ fɔntˈannaɣ vˈɔdnɨx ɔɡrˈɔduf. ruʃˈali dɔ vˈalki.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_38.wav|pɔdˈɛʃwam dɔ ɲʲˈɛj bˈɛs tɕˈɛɲʲa fstˈɨdu.|4
+Dataset/wavs/urwisko_ferenc/03_segment_4.wav|ɲʲɛ znˈawa ɡˈɔ ftʃˈɛɕɲʲɛj.|0
+Dataset/wavs/urwisko_ferenc/46_segment_57.wav|ˌalɛ tɔ ɲˈits ɲʲˌɛlɛɡalnˈɛɡɔ. sˈami dɔrˈɔɕli, sˈami, pɔtkrˈɛɕlam.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_12.wav|ɲʲɛ mʲˌawɛm ɕɛ nˈavɛt jˈaɡ z ɲˈim skˌɔntaktˈɔvatɕ. zˈafʃɛ tɔ ja muɕˈawɛm tʃˈɛkatɕ, ˈaʒ vɨkˈɔna jˈakiɕ krˈɔk.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_157.wav|— prɔɕˈiwɛm tɕˈɛ, ʒˈɛbɨɕ mi vʲɛʒˈɨwa, — pɔvʲˈɛdʑaw. — tɔ ɲʲɛ mˈɔja vˈina.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_31.wav|dˈajtɕɛ mi znˈatɕ, ɡdɨbˈɨɕtɕɛ tʃˈɛɡɔɕ pˌɔtʃɛbɔvˈali.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_96.wav|rˈɔbɛrd bˌaratxˈɛɔn bˈɨw w ɡwˈɛmbʲi dˈuʃɨ txˈuʒɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_14.wav|muɕˈawam mʲˈɛtɕ pˈɛvɲʲɛ zˈɛ tʃɨnˈaɕtɕɛ lˈat i vrutɕˈiwam vwˈaɕɲʲɛ dɔ dˈɔmu z ɔɡrˈɔdu, kʲˈɛdɨ ˌuswɨʃˈawam, jˈak ktˈɔʑ vˌɨmjɔtˈujɛ f prˈalɲi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_2.wav|bjˈɛɡwɛm pʃˈɛs ˌɔpustɔʃˈawɛ jˈuʃ ulˈitsɛ f strˈɔnɛ starˈɛɡɔ mʲˈasta.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_10.wav|pˈɔvut, ʒˈɛkw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_147.wav|vɨɡlˈɔnda jˈak jˈɛdɛn s tɨx lˈudʑi, ktˌurɨx ɲʲɛ zˌauvˈaʒaʃ, mijˈajɔnts ix na ulˈitsɨ, ˌalɛ nˈavɛt nˈatɨm zdjˈɛɲtɕu dˈajɛ ɕɛ dˈɔstʃɛts rɔdʑˈinnɛ pˌɔdɔbjˈɛɲstfɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_4.wav|lˈutsɨ, zamjˈɛʒam za xfˈilɛ pˌɔrɔzmˈavʲatɕ s tfˈɔjɔ̃ mˈamɔ̃, ˌalɛ nˈajpʲɛrf xtɕˈawabˌɨm vam ˈɔbu tsˈɔʑ vɨjˈaɕɲitɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_25.wav|ˌɔtpɔvʲˈada uɕmʲˈɛxɛm i pɔxˈɨla ɕɛ nat rɨsˈuŋkʲɛm mˈili.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_22.wav|pʃˈɛɲis mˈuvi jɛj, ʒˈɛ wˈadɲʲɛ vɨɡlˈɔnda, jˈak kɕɛ̃ʒɲˈitʃka.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_23.wav|pɔtxˈɔdʑɛ ʃˈɨpkɔ dɔ dʒvˈi za jˈɛɡɔ plɛtsˈami i jˈɛ zamˈɨkam, ɲʲˈɛxtsɔnts, bˈɨm mˈili tsɔkˈɔlvʲɛk swɨʃˈawa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_153.wav|bʲˈillɨ fxˈɔdʑi dɔ pʃɛtɕˈɔŋka i zamˈɨka jˈɛ za sˈɔbɔ̃. pˈatʃɨ na zˈɛvnɔntʃ pʃˈɛs pˌɔstʃɛmpʲˈɔnɔ̃ kˌɔrɔŋkˈɔvɔ̃ firˈaŋkɛ. mˈɔʒɛ rɔbˈɔtɨ bɛvˈɛrlɨ jˈɛnsɛn?|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_199.wav|kʲˈɛdɨ xtsˈɛtɕɛ pˈitɕ lˈub ɡˈadatɕ, tɔː idʑˈɛtɕɛ z mˌɛ̃ʃtʃɨznˈami. i tɔ xˈɨba dlatˈɛɡɔ mʲˌɛndʑɨ innˈɨmi zɡʲˈinɔw tfˈuj stˈarʃɨ brˈat.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_244.wav|zˌaprɔvˈadʑɔ̃ mɲʲɛ dɔ ɲʲˈɛɡɔ sɨnˈɔvʲɛ vˌɔjɔvɲˈika.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_93.wav|mˈɔjɛ ʒɨtʃˈɛɲʲɛ zɔstˈajɛ spɛwɲʲˈɔnɛ i jˈuʃ pɔ kˈilku minˈutax ˈalfjɛ ɔtpwˈɨva.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_180.wav|spɔɡlˈɔnda na ɲʲˈɛɡɔ znˈat sfˈɔix pwˈatkuf.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_59.wav|a dɔ tʃˈɛɡɔ kɔŋkrˈɛtɲʲɛ bˈɛntlɛj vˌɨkɔʒˈɨstaw tˌɛɡɔ vˌɛrbɔvɲˈika?|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_180.wav|vˈɨpiw jˈɛ pɔ tɕˈɛmku, rˌɔzmɨɕlˈajɔnts ɔ brˈatɕɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_275.wav|ftˈɛdɨ ʃtʃɛŋknˈɛwɨ dʒvˈi i ktˈɔɕ fsˈadʑiw ɡwˈɔvɛ pɔdˈɔbnɔ̃ dɔ ɡwˈɔvɨ prˌɛzɨdˈɛnta amˈɛrɨkˌi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_122.wav|mˈɔʒɛ pʃˈɛdɛ fʃˈɨstkim pilnˈujɔ̃ kˌɛnaxˈɔffa, tʃwɔvʲˈɛka, na kturˌɛɡɔ spˈadɲʲɛ tsˈawa ˌɔtpɔvʲɛdʑˈalnɔɕtɕ pʃɨʃwˈɛɡɔ kˈɔzwa ˌɔfjarnˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_132.wav|vɨdˈajɛ ɕɛ tɔː ˈɛlis mˈawɔ prˌavdɔpɔdˈɔbnɛ. jˈaɡ zˌapɛvɲʲˈɛɲʲa jɛj bˈaptɕi, ʒˈɛ vdmuxɲʲˈɛɲtɕɛ dˈɨmu pˌapʲɛrˌɔsɔvˈɛɡɔ dɔ bˌɔlɔntsˈɛɡɔː ˈuxa zwaɡˈɔdʑi bˈul, ˌalɛ ɲʲɛ mˈuvi tˌɛɡɔ ɡwˈɔɕnɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_6.wav|i pˈas startˈɔvɨ znˈalas ɕɛ z lˈɛvɛj strˈɔnɨ ɕmˈiɡwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_105.wav|bʲˈillɨ f pʲˈɛrʃɛj xfˈili mˈɨɕli, ʒˈɛ pɔvʲˈɛdʑaw klˈark, ˌalɛ pˈɔtɛm ɲˈitsk lˌitɛrˈujɛ nazvˈiskɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_113.wav|jˈɛan ˈɔpar wˈɔkʲɛtɕ na sfˈɔim tˌajɛmɲˈitʃɨm pudˈɛwku, zˌaswaɲʲˈajɔndʑ vʲˈɛtʃkɔ pʃɛt ramjˈɛɲʲɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_147.wav|ʒˈɔnɨ, ktˌura lˈɛdvʲɛ ɕɛ dɔ ɲʲˈɛɡɔː ˌɔdʑɨvˈawa i ktˌura vʲɛlbʲˈiwa w jˈɛɡɔː ˌɔbɛtsnˈɔɕtɕi innˈɛɡɔ mɛ̃ʃtʃˈɨznɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_163.wav|ɲʲɛ ˈumjɛʒ zavʲˈɔ̃zatɕ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_275.wav|upˈadwɛm i ɲʲɛ mʲˌawɛm ɕmʲawˈɔɕtɕi ˈulɛts rutˈɨɲʲɛ bjˌɔlɔɡʲˈitʃnɛj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_121.wav|mˈɔɡɛ ɕˈɛŋɡnɔɲtɕ jˈuʃ pˈuki...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_32.wav|tˈak mi pʃˈɨkrɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_48.wav|ɲʲɛ, ɲʲɛ. pʃɨɲʲˈɔswɛm ɡˈɔ bˌɛspɔɕrˈɛdɲʲɔ tˈutaj.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_543.wav|zalˈɛtsatɕ ɕɛ dɔ ʑˌɛlɔnɔvwˈɔsɛj tsˈurki arxˈɔnta?|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_242.wav|kɔxˈawɛm jˈɔ̃ fɕrˈud vrˈakuf, mˈɨɕli bʲˈillɨ i vrˈatsa dɔ kˌɔmputˈɛra, ʒˈɛbɨ napˈisatɕ jˈɛʃtʃɛ jˈɛdɛn, dvˈa ˌakapˈitɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_98.wav|bˌɨwɔ mi za ɡɔrˈɔntsɔ. mˈɨɕlɛ, ʒˈɛ nastˈɛmpnɨm ɛtˈapɛm rɛmˈɔntu bˌɛɲdʑɛ naprˈava ˈɔkʲɛn f sɨpʲˈalɲi, ʒˈɛbɨɕmˌɨ mˈɔɡli jˈɛ pʃɨnˈajmɲʲɛj ɔtfʲˈɛratɕ i fpˈuʃtʃatɕ pɔvʲˈɛtʃɛ dɔ ɕrˈɔtka.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_136.wav|fstˈawam i ˌɔdvrutɕˈiwam ɕɛ, bˈɨ ɡˈɔ pʃɨtˈulitɕ. pʃɨlɡnˈɛliɕmˌɨ dɔ ɕˈɛbjɛ, jaɡbˈɨɕmɨ tɔnˈɛli, tsˈɔ ɲʲɛ bˌɨwɔ tˈakʲɛ dalˈɛkʲɛ ɔt prˈavdɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_14.wav|ɲʲɛ pratsˈujɛ tˈu w ɔɡˈulɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn. xtɕˈawbɨm zˈatʃɔɲtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_160.wav|xwˈɔpak mˌamɨ kʲˈɛdɨɕ swˈuʒɨw w vˈɔjsku i na pamjˈɔntkɛ zaxˈɔvaw kˈufɛr, ktˌurɨ tʃˈɨmaw w nˈɔɡax wˈuʃka pʃɨkrˈɨtɨ kˈɔtsɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_96.wav|zdjˈɔw kˈurtkɛ z ˌɔparsˈija kʃˈɛswa i ˈɔtʃɛd, ˌutʃɨmˈajɔnts ɕɛ w ˌɔdlɛɡwˈɔɕtɕi kˈilku krˈɔkuf ɔt tˈamtɛj dvˈujki.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_78.wav|rɔzˈumjɛm, ʒˈɛ ɲʲɛ tʃˈujɛʃ ɕɛ dˈɔbʒɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_78.wav|ɲʲˈɛvʲɛm, tʃˌɛmu lˈudʑɛ, ktˌuʒɨ prˌɔvadʑˈili rɔsprˈavɛ, ɲʲɛ xtɕˈɛli, ʒˈɛbɨm pˈatʃɨw na zdjˈɛɲtɕa tɕˈaw, ktˌurɛ pʃˌɛtɕɛʒ vidʑˈawɛm na vwˈasnɛ ˈɔtʃɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_157.wav|dʑˈivnɛ, mˈɔjɛ ɡʲˈizmɔ ɲʲɛ rˌɔspɔznˈawɔ tfɔjˈɛɡɔ numˈɛru. jˈaɡ zlɛtsˈɛɲʲɛ? pˌɔtʃɛbˈujɛʃ jˈɛʃtʃɛ spʃˈɛntu?|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_55.wav|sˈɛrmɔn frˈɛj ɔkˈazaw ɕɛ ɲʲˈɛtsɔ bˈardʑɛj rɔzmˈɔvnɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_18.wav|xˈɔdʑmɨ dɔ kˈuxɲi, pɔkˈaʒɛ pˈaɲi. i prˈɔʃɛ ɲʲɛ zvrˈatsatɕ uvˈaɡʲi na bawˈaɡan.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_41.wav|ʒˈadɛn samˈɔxut ɲʲɛ mˈɔʒɛ jˈɛʃtʃɛ vjˈɛxatɕ na pˈarkiŋk, ˌaɲi z ɲʲˈɛɡɔ vɨjˈɛxatɕ, vʲˈɛnts jɛj ˈawtɔ mˈuɕi ɡdʑˈɛɕ tˈam stˈatɕ. sprˈavdʑmɨ tɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_54.wav|naprˈavdɛ ɕfʲˈɛtɲʲɛ. ɲʲɛ lˈubjɛ tˌɛɡɔ fatsˈɛta, ˈalɛ... nˈɔ vʲˈɛtɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_6.wav|bʲˈillɨ fstˈajɛ ɔ pʲˈɔntɛj, zjˈada ɡʒˈaŋkɛ, pɔpˈija jˈɔ̃ vˈɔdɔ̃, s kˈavɨ rˌɛzɨɡnˈujɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_280.wav|rˌɛflɛktˈɔrɨ bwˈɔndʑɔ̃ pɔ zˌaparkɔvˈanɨx sˌamɔxˈɔdax, fʃˈɨstkɔ jˈɛdnɔ tʃɨ kɔʃtˈɔvnɨx, tʃɨ ɡruxˈɔtax.|0
+Dataset/wavs/urwisko_ferenc/64_segment_9.wav|tˈak jɛst pˈɛvʲɛn vˈaʒnɨ trˈɔp, prˌɔvadʑˈɔntsɨ dɔ jɛdnˈɛɡɔ s pˈana sɔ̃ɕˈaduf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_98.wav|pʃɛmˈɨkam xˈɨwkʲɛm pʃˈɛs prˈalɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_153.wav|ˈuɲʲɛʑ vzrˈɔk, a zɔbˈatʃɨʃ, ʒˈɛ nat naʃˈɨmi murˈami nˈadal pɔvʲˈɛva vˈilkɔr.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_69.wav|prˈavɔ̃ rˈɛŋkɛ tʃˈɨmaw f kʲɛʃˈɛɲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_169.wav|jˈuʃ ftˈɛdɨ xtɕˈaw tɕˈɛ ˌarɛʃtˈɔvatɕ, ˌalɛ pˌɔvʲɛdʑˈawam, ʒˈɛ ɲʲɛ jˌɛstɛm tsˈɔ dɔ tˌɛɡɔ pʃˌɛkɔnˈana i ʒˈɛ pˌɔtʃɛbˈujɛ vʲˈɛntsɛj dɔvˈɔduf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_208.wav|vɨmˈavja tɔː ˈimjɛ dˈallɔn, jˈak ftʃˈɔraj jɛj mˈɔ̃ʃ.|2
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+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_16.wav|pɔdbjˈɛɡwam dɔ vnˈɛŋki f pʃɛtɕˈɔŋku i zdjˈɛwam z vʲɛʃˈaka zvʲɔttʃˈawɔ̃ xɔmˈitʃɔ̃ kˈulɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_84.wav|na tʃɛrvˈɔnɨm ɕfʲˈɛtlɛ stˈɔi samˈɔxut.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_77.wav|tsurkˈami zˌaɡrɔdɲˈikuf.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_69.wav|jˈuʃ pˈɔmɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_8.wav|ɲʲɛ vdavˈawɛm ɕɛ w bˈujki ˌaɲi ɲˈits, ˌalɛ tʃˈɛ̃stɔ vˌaɡarɔvˈawɛm i mˈama pˌɔvʲɛdʑˈawa, ʒˈɛbɨm zmˈɔndʒaw, bˈɔː inˈatʃɛj mɲʲɛ zabjˈɔrɔ̃ i ɔddˈadʑɔ̃ dɔ rɔdʑˈinɨ zastˈɛmptʃɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_24.wav|ɲʲˈɛxtsɛ, ʒˈɛbɨ mɲʲɛ pɔ drˈɔdʑɛ zˌatʃɨmˈali.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_47.wav|lɛʒˈawam w mˈawɨm pˌɔmjɛʃtʃˈɛɲʲu, ktˌurɛ pɛwɲˈiwɔ fˈuŋktsjɛ ʃpitˈalnɛj ˌizɔlˈatki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_108.wav|pɔlˈitɨɡ bʲiznˈɛsmɛn? jˈɛdɲi ˌaɲi drˈudʑɨ ɲʲˌɛspɛtsjˈalɲʲɛ ɡˈɔː ˌintɛrɛsˈujɔ̃.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_440.wav|pʃˈɛʃli dɔ druɡʲˈɛɡɔ pɔkˈɔju i tˈam jˈuʃ pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_63.wav|kʲˈɛdɨ vrˈatsa na dˈuw, w jˈɛɡɔ nˈɔvɛj kfatˈɛʒɛ, jˈɛɡɔ pɔdʑˈɛmnɛj krɨjˈuftsɛ, jɛst jˈuʃ prˈɔnt.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_163.wav|mˈuj nˈɔvɨ plˈan.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_165.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_227.wav|vɨbˈatʃɨtɕ mi.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_49.wav|najpˈɛvɲʲɛj zjˈɛdli tfˈɔjɛ krˈuki rˈazɛm z listˈami.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_72.wav|ˌuɕmʲɛxnˈɛwa ɕɛ waɡˈɔdɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/24_segment_53.wav|pˈarɛ kˈupkuf s pʃˌɨbɔrˈami dɔ pisˈaɲʲa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_33.wav|ɲʲɛ, pʃˈɨznaw tˈɔm z uɕmʲˈɛxɛm i zˈatʃɔw mu vɨjˈaɕɲʲatɕ, tʃˈɛɡɔ tˈak naprˈavdɛ ʃukˈajɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_27.wav|bʲˈillɨ zrˈɨva ɕɛ zˈɛ snˈu. tˈaɡ ɡvawtˈɔvɲʲɛ, ʒˈɛ ɔmˈalɲʲɛ spˈada s kanˈapɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_9.wav|bˈɛtskɨ spɔjʒˈawa na zɛɡˈarɛk.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_214.wav|tʃɨ tɔ ɲʲɛ jɛst nˌajpʃɨstɔjɲʲˈɛjʃɨ xwˈɔpak, jakʲˈɛɡɔ mˌamɨ tˈu w dˈawntawn?|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_119.wav|lˈɔrt rivˈɛran vˈɨʃɛd bˈɛs swˈɔva.|1
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+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_144.wav|tɔ ɲʲɛ pˈɔtɔ, ʒˈɛbɨɕ mi dˌɛmɔrˌalizˈɔvaw lˈudʑi, jˈasnɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_106.wav|ɲˈits. nˈavɛt krˈɔpɛk pˌɔkazujˈɔntsɨx, ʒˈɛ ɡʲˈɔrɡjɔ tʃˈɨta ˌɛsˌɛmˈɛsa tʃɨ pˈiʃɛ ɔtpˈɔvʲɛtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_98.wav|tʃɨ ˌɔɲi jˈadɔ̃ z nˈami, arˈamjɛ?|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_21.wav|zɡˈadʑa ɕɛ, kɔxˈaɲʲɛ, tɔ mˈuj tˈatuɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_170.wav|zaɡˈarɛk ssˈunɔw ɕɛ i spˈad na kanˈapɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_401.wav|tsˈɔɕ, tsˈɔ mˈɔɡɛ kˌɔntɨnuˈɔvatɕ, jˈɛɕli zbjˈɔrɛ ɕɛ na ɔdvˈaɡɛ.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_432.wav|i ɲʲɛ bˌɨwɔ nˈatɔ rˈadɨ.|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_29.wav|ˌuɕfʲadˈamjam sˈɔbjɛ, ʒˈɛ nˈavɛt ɲʲɛ ˌɔtpɔvʲɛdʑˈawam, ˌalɛ ɔn pˈatʃɨ mi w ˈɔtʃɨ i dɔtˈɨka mɔjˈɛɡɔ ramjˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_60.wav|rˈuʒa tajrˈɛluf nˈaɡlɛ pʃɛstˈawa pˈaxɲʲɛtɕ tˈak wˈadɲʲɛ.|1
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+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_174.wav|ˌuwɔʒˈɨwam ɕɛ vɨɡˈɔdɲʲɛ f xamˈaku i znˈɔvu znˈɔvu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_166.wav|— ˈɔkɛj — mˈuvi bˈutskɨ. — ˈulʒɨj sˈɔbjɛ. jˈak jˈuʃ tɕi pʃˈɛjdʑɛ, pˈɔmɨɕl ˈɔtɨm, ʒˈɛ tɛ zdjˈɛɲtɕa bˌɛɲdʑɛ ɔɡlˈɔndaw pʲˌɛrdɔlˈɔnɨ pɛdˈɔfil.|2
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+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_173.wav|utɕˈɛtʃka ɲʲɛ fxˈɔdʑi w ɡrˈɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_12.wav|tʃˈɛba ɕɛ pɔzbjˈɛratɕ.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_22.wav|xˈɔtɕtɕɛ zˈɛmnɔ̃, jˈɛɕli wˈaska. pˈɔra bˈɨm ɔdvʲˈɛdʑiw tɛn ʃˈafɔt.|1
+Dataset/wavs/urwisko_ferenc/03_segment_54.wav|ɕikˈɔrski ɔtxʃˈɔŋknɔw.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_99.wav|xtsˈɛ bˈɨdʑ znˈɔvu tfˈɔim pʃˌɨjatɕˈɛlɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_145.wav|stˈawɛm z ˌɔtfartˈɨmi ustˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_152.wav|ɲʲˈɛvʲɛm, dlatʃˈɛɡɔ tɔ zrɔbʲˈiwam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_169.wav|jɛst trˈɔxɛ pˌɔɕrɛdɲˈikʲɛm, trˈɔxɛ wˈɔftsɔ̃ talˈɛntuf.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_263.wav|zˌastanavʲˈawa ɕɛ pʃˈɛs xfˈilɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_71.wav|ja mˈuʃɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_73.wav|ɲʲˈɛxtsɛ tˌɛɡɔː ɔɡlˈɔndatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_36.wav|inspˈɛktɔr rˈɔbʲinsɔn pˌɔvʲɛdʑˈawa, nˌastɔmpˈiwa krˈutka pʃˈɛrva.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_148.wav|w zasˈadʑɛ ɲˈits.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_135.wav|ˌalɛ dɔ tˌɛɡɔ tʃˈasu jɛst fspaɲʲˈalɛ, pɔt kˈaʒdɨm vzɡlˈɛndɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_10.wav|mˈɔi rɔdʑˈitsɛ pʃˈɛʃli pʲˈɛkwɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_32.wav|vwɔʒˈɨwa mˈuj ˌulubjˈɔnɨ fˈartuɣ z napˈisɛm pɔtsˈawuj kuxˈarkɛ ˈalbɔ ɕɛ ɲʲɛ nˈajɛʃ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_189.wav|w mˈɔix strˈɔnax rɔdʑˈinnɨɣ vʲˈɛlu lˈudʑi pˌɔswuɡʲivˈawɔ ɕɛ tɨm ssˌakralˌizɔvˈanɨm nazvˈiskʲɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_14.wav|a ɲʲˈɛxtɕaw, ˈabɨ xˈɛlɛn ʒˈɨwa bˈɛz vʲˈarɨ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_143.wav|lˈudʑɛ mˈuvjɔ̃ mi rˈaf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_417.wav|a sɨnˈɔvʲɛ ɛwrˈɔpɨ?|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_89.wav|ˌalɛ ktˈɔɕ rɔzvʲˈɔ̃zaw jˈɛ ˈaʃ pɔ pˈɛmpɛk i pʲˈɛrɕi vˌɨlɛvˈawɨ ɕɛ na zˈɛvnɔntʃ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_40.wav|jˈɔ pˌɔpatʃˈɨwa na ɲʲˈɛɡɔː i rˌɔsxɨlˈiwa lˈɛkkɔː ˈusta.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_84.wav|rˈɔbʲi pˈawzɛ i bʲˈillɨ zˌauvˈaʒa, ʒˈɛ jɛj vzrˈɔɡ vɛndrˈujɛ w dˈuw, vˌɨpatrˈujɔnts na jˈɛɡɔ pˈaltsu sɛrdˈɛtʃnɨm ɔbrˈɔntʃki, ktˌurɛj tˈam ɲʲˈɛma.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_20.wav|tʃɨ tɨ maʃ pɔjˈɛɲtɕɛ, jˈak ɕɛ pɔtʃˈuwam, vʲˈɛdʑɔnts, ʒˈɛ xtsˈɛʃ, ʒˈɛbɨ ˌurɔdʑˈiwa tfˈɔjɛ dʑˈɛtskɔ?|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_130.wav|a vwaɕtɕˈivʲɛ...|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_236.wav|vɛpxnˈɛwam wˈɔntʃɲik w ˈɔtfur|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_196.wav|pˌɔtʃɛbˈujɛ kaʒdˈɛɡɔ ɡrˈama skupʲˈɛɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_20.wav|a pˈɔtɛm dˈana bˈɨ ɡˈɔ krˈɔpnɔw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_149.wav|ɲʲɛ vɨjˈɛdʑɛʃ stˈɔnt, dɔpˈuki ta kɔbjˈɛta ɲʲɛ zɔstˈaɲʲɛ zlˌɔkalˌizɔvˈana.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_209.wav|pˈɔtɛm znˈɔvu lɛʒˈɛliɕmˌɨ kˈɔwɔ ɕˈɛbjɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_45.wav|w ɛfˈɛktɕɛ fʃˈɨstsɨ trˈɔjɛ mˈɔtsnɔː ˌutɕɛrpʲˈɛli.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_63.wav|ˌalɛ vwˈaɕɲʲɛ pʃˌɨpɔmɲʲˈawɔ mi ɕɛ tsˈɔɕ jˈɛʃtʃɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_191.wav|i mɨlˈiwɨ mu ɕɛ swˈɔva mɔdlˈitfɨ. vʲˈɛtɕɛ, jˈak tɔː ˈidʑɛ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_7.wav|vʲˈɛʒbɨ rɨɡˈɛruf ˌaɲi splɛtɕˈɔnɨɣ zˈɛ sˈɔbɔ̃ vˈɛ̃ʒɨ pˈɛjdʒuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_120.wav|— ʃkˈɔda tʃˈasu! — kʃˈɨknɔw kapˈitan xˈurst i ɔdjˈɛxaw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_7.wav|ɲʲɛ mˈɔɡɛ ɕɛ tˈɛras mˈartfitɕ tˈɨm, tsˈɔ zˈaʃwɔ mʲˌɛndʑɨ ˈaʃɛm a tɔ̃ kɔbjˈɛtɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_197.wav|bʲˈillɨ ˌɔtpɔvʲˈada tɨm sˈamɨm ɡˈɛstɛm.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_352.wav|ɡdʑˈɛ lˈadɨ jˌɔrdaˈinɛ ˌuʒɔɲdʑˈiwa tˈurɲʲ��j na jˈɛɡɔ tʃˈɛɕtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_15.wav|pɔvʲˈɛtʃɛ vˌɨdɔstajˈɔntsɛ ɕɛ zˈɛ ɕrˈɔtka bˈaɲki pɔdɲʲˈɛɕɛ tɕiɕɲʲˈɛɲʲɛ pɔ nˈaʃɛj strˈɔɲʲɛ dɔ pɔʑˈɔmu nˈɔrmɨ ˌartɛmizjˈaɲskʲɛj, a tʃˈujɲiɡ zˈatʃɲʲɛ kʃˈɨtʃɛtɕ.|4
+Dataset/wavs/urwisko_ferenc/42_segment_43.wav|zaɡˈadnɔw zɛrkˈajɔnts nˈaɲʲɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_28.wav|znˈuv zatʃˈɨna pˈadadʑ dˈɛʃtʃ. tˌɛɡɔ rɔdʑˈaju ɡrˈubɛ krˈɔplɛ ɲʲˈɔsɔ̃ zˈɛ sˈɔbɔ̃ ɕɲʲˈɛʒnɛ pwˈatki, ktˌurɛ ˌɔɕadˈajɔ̃ na pʃˈɛdɲʲɛj ʃˈɨbjɛ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_273.wav|pʃɛmˈavʲam w imjˈɛɲʲu rˈɔdu frˈɛjuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_171.wav|na kanˈapʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_291.wav|ˌɔdɛzvˈawam ɕɛ pɔ xfˈili.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_138.wav|ktˌurɛj nˈazvɨ prˌɔdutsˈɛɲtɕi fˈilmu ɲʲɛ zˌapamjɛntˈali ɲˈiɡdɨ na dˈɔbrɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_26.wav|a tɔ jɛst pˈan mitskʲˈɛvitʃ? spɨtˈawa pʃˌɛstraʃˈɔna spʃˌɛdaftʃˈɨɲi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_116.wav|jɛj ɡwˈɔs jɛst tɕˈixɨ, ˌalɛ ɲʲˌɛbɔjaʑlˈivɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_13.wav|rˈɛʃta tɔ ɲʲˌɛzrɔzumjˈawɨ bˈɛwkɔt.|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_184.wav|tɔ tˈam mʲɛʃkˈajɔ̃ tʃˈɛj kˈumplɛ, ɡvˌawtɕitɕˈɛlɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_76.wav|ɲʲɛ pˈɔtɨm, jˈak ɕɛ vˌɨprɔvadʑˈiwaɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_210.wav|pˌɔttɕɔŋɡnˈɛwam nˈɔɡʲi na kanˈapɛ i uɕˈadwam pʃˈɔdɛm dɔ ɲʲˈɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_177.wav|lˈiz znˈuf kwˈadʑɛ ɕtɕɛrˈɛtʃkɛ na tfˈaʒɨ, ʒɛ̃ʒˈɛɲʲɛ jˈɛdnak ɲʲɛ ustˈajɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_13.wav|ˌɔdwɔʒˈɨwam tɛlˈɛfɔn s pɔvrˈɔtɛm na ɕɛdʑˈɛɲʲɛ i jɛŋknˈɛwam z bˌɛsɕilnˈɔɕtɕi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_129.wav|i ftɕˈɔ̃ʃ ɕɛ vɨdwˈuʒa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_35.wav|i vˈɔ̃skʲɛ pasˈɛmkɔ naɡʲˈɛɡɔ tʃˈɔwa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_100.wav|ɲʲɛ mˈɔɡɛ tˈu ɕˈɛdʑɛtɕ tʃɛkˈajɔnts, ˈaʃ pɔftˈuʒɛ tˈɛ prˌɔtsɛdˈurɛ kˌilkakrˈɔtɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_251.wav|pˌɔlitsjˈanta f pˈɛwnɨm ˌumundˌurɔvˈaɲʲu, z jˈɛdnɨm rˌɛvɔlvˈɛrɛm ˈu bˈɔku, a drˈuɡʲim zatkɲʲˈɛntɨm s tˈɨwu za pˈas.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_24.wav|i tsˈɔ znˈatʃɨ jˈa?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_8.wav|— bˈɔɲtɕ spɔkˈɔjna, jˈɔɛ. ɲʲɛ pˌɔzvɔlˈimɨ, ʒˈɛbɨɕ tsɔkˈɔlvʲɛɡ vaʒnˈɛɡɔ pʃˌɛɡapˈiwa. ˌɔbjɛtsˈujɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_33.wav|i vʲˈadr vzɲʲɛtsˈɔnɨ ɕmˈiɡwɛm ɔvˈinɔw sukʲˈɛŋkɛ vˈɔkuw jɛj nˈuk, brɔ̃zˈɔvɨx i dwˈuɡʲix.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_144.wav|w naɡrˈɔdɛ za tsˈɔ?|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_146.wav|tɔ bˌɨwa ɔspˈawa ʒˈɛka, ʃɛrˈɔka, lɛɲˈiva, pˈɛwna zdradʑˈɛtskix pɲʲˈakuf i pʲaʃtʃˈɨstɨx wˈax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_132.wav|i pˈɛvɲʲɛ bˈɨw ftˈɛdɨ ɔt ɲʲˈɛj mwˈɔtʃɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_90.wav|w dʒvʲˈax stanˈɛwa bˈɛtskɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_40.wav|wˈɛ fˈilmax tʃˈɛ̃stɔ pˌɔkazˈujɔ̃ lˈudʑi, ktˌuʒɨ dɔstˈajɔ̃ pɔ wbjˈɛ i pɔ kˈilku minˈutax fstˈajɔ̃ tsˈali i zdrˈɔvi, ˌalɛ w ʒˌɛtʃɨvistˈɔɕtɕi ɲʲɛ tˈak tɔ vɨɡlˈɔnda.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_86.wav|ɲˈibɨ brunˈatnɨ dˈɨvan zˌavʲɛʃˈɔnɨ nat mʲˈastɛm pʃˈɛz djˈabwa i lˈudʑɛ w ˌawtɔbˈuɕɛ kaʃlˈɛli.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_129.wav|ɲʲˈɛvʲɛm, dlatʃˈɛɡɔː uvˈaʒa, ʒˈɛ ɡˈɔ pɔswˈuxam.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_15.wav|skˈɔnt ɕɛ znalˈazwɛm pɔt pˌɔrɨsɔvˈanɔ̃ mrˈɔkʲɛm ɕtɕˈanɔ̃?|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_472.wav|pɔpwˈɨnɛ dɔ zatˈɔki ɲʲˌɛvɔlɲˈitʃɛj.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_302.wav|zdˈajɛ ɕɛ, ʒˈɛ...|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_139.wav|tɔ ɲʲɛ jɛst tfˈɔja dʑɛftʃˈɨna, prˈavda?|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_158.wav|jˈɛɕli xˈɔdʑi ɔ vˈɨɡlɔnt,|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_237.wav|pasˈɔvaw jˈak ˈulaw.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_36.wav|bˈɛtskɨ skinˈɛwa ɡwˈɔvɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_366.wav|dɔpˈuki ɲʲɛ pˌɔrɔzmˈavja z mɨrtsˈɛllɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_52.wav|ɔtpˈinam pˈas, jˈaɡbɨm xtɕˈawa ɕˈɛŋɡnɔɲdʑ dɔ tɔrˈɛpki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_28.wav|bʲˈillɨ ɲʲˈɛma ɲˈits pʃɛtɕˈifkɔ tˈɛmu.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_177.wav|brˈuskɔ pɔklˈɛpaw sakʲˈɛfkɛ. znˌakɔmˈitɕɛ. a tsˈɔ tɔ jˈɛst?|1
+Dataset/wavs/urwisko_ferenc/27_segment_48.wav|— ɲʲˈɛx tˈaɡ bˈɛɲdʑɛ. tˌɨlkɔ mˈuɕi mi pˈan tɔ fʃˈɨstkɔ wˈadɲʲɛ dɔ papʲˈɛʒɨtɕ i ftˈɛdɨ bˌɛɲdʑɛ tsˈatsɨ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_137.wav|pʃɛjˈɛʒdʒaw tˈɛndɨ pɔ drˈɔdʑɛ na zˈaxut. prɔɕˈiwɛm ɡˈɔː ɔ pˈɔmɔdʑ w zdɔbˈɨtɕu zˈamku, ˌalɛ kˈɛvan ɲʲˈɛxtɕaw nˈavɛt ˈɔtɨm swˈɨʃɛtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_26.wav|stˈanɔw dɔ ɲˈix plɛtsˈami i zˈatʃɔw natɕˈiskatɕ pʃɨtɕˈiski.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_77.wav|ʒˈɛ jˌɛstɛɕ f tɕˈɔ̃ʒɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_104.wav|jˌɛstɛm tˌɛmu zdˌɛtsɨdɔvˈaɲʲɛ pʃɛtɕˈivna, ˌalɛ ˌɔna tɔː uvʲˈɛlbja i rˈɔbʲi tɔ z ɲʲˈɛmal rˌɛliɡʲˈijnɔ̃ tʃtɕˈɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_72.wav|a tˈakʲɛ vwˈaɕɲʲɛ bˈɨwɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_250.wav|jˈɛdna ftˈɔpa na rˈas, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_35.wav|ɔt mɔmˈɛntu zaʒˈɨtɕa prˈɔʃka nˌasɛnnˈɛɡɔ dɔ mɔmˈɛntu zaɕɲʲˈɛɲtɕa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_157.wav|sɔ̃ ɕlˈadɨ spˈɛrmɨ na pʃˌɛɕtɕɛrˈadlɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_229.wav|ˌalɛ vʲˈɛ pˈan, nˈaɕi lˌɔkatˈɔʒɨ...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_55.wav|ɲʲˈɛbɔɲtɕ tˈaka, ˈanɔ. jˈuʃ tɕi muvˈiwɛm. mɨɕlˈawɛm, ʒˈɛ bˌɛndɛ f stˈaɲʲɛ ˈɔddatɕ ɕɛ ɔt rˈazu.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_399.wav|i dɔ tɛj pˈɔrɨ jˈakɔɕ ɲʲɛ ˈumar.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_66.wav|ˌalɛ w waʑˈɛntsɛ sɔ̃ plˈastrɨ i rˈɛʃta vˈɔdɨ ˌutlɛɲʲˈɔnɛj pɔ pɔpʃˈɛdɲim lˌɔkatˈɔʒɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_63.wav|pˌɔvʲɛdʑˈawɛm tɕˈi, ˈabɨɕ tˌɛɡɔ ɲʲɛ rɔbʲˈiwa, pɔftˈuʒɨw.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_84.wav|bˈardʑɔ xtɕˈawabˌɨm pˌɔfspɔmˈinatɕ, pˌɔrɔzmˈavʲatɕ ɔ nˈaʃɨx tʃˈasax na ˌuɲivˌɛrsɨtˈɛtɕɛ, a ʃtʃɛɡˈulɲʲɛ ɔ vɨjˈɛʑdʑɛ dɔ nɛbrˈaska.|3
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+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_133.wav|s pʃɨkrˈɔɕtɕɔ̃ stfʲˈɛrdʑam, ʒˈɛ fʃˈɨstsɨ musˈimɨ ɔt tʃˈasu dɔ tʃˈasu mʲˈɛdʑ dɔ tʃɨɲʲˈɛɲʲa s xɔwˈɔtɔ̃.|1
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+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_69.wav|spɔjʒˈawam na skrˈavɛk kˈabla, ktˌurɨ ftɕˈɔ̃ʃ ɕtɕiskˈawam w dwˈɔɲi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_19.wav|dˈaj spˈɔkuj, dʲˈidʲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_57.wav|bʲˈillɨ pˌɔtakˈujɛ i ɔpˈuʃtʃa pɔvʲˈɛki.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_59.wav|xˈɨba xˈɔdʑi ɔ dˈurxam.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_127.wav|ˌalɛ pʃɨnˈajmɲʲɛj tˌɛɡɔ ɲʲɛ ukrˈɨva.|1
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+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_316.wav|z mˈɔjɛj kʲɛʃˈɛɲi dˈɔbjɛkw krˈutki sˈɨɡnaw. vɨjˈɛwam ɡʲˈizmɔː i spɔjʒˈawam na vɨɕfʲˈɛtlatʃ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_5.wav|ˈarap, ɔkˈɔwɔ tʃtɛrdʑˈɛstki, bˈɛs ˌɔkulˈaruf, ˌalɛ ktˈɔɕ mˈuɡw jˈɛ zˈabratɕ, ˈalbɔ jˈɛ zɡˈubʲiw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_131.wav|w jˈɛɡɔ dˈuʒɨx, brɔ̃zˈɔvɨx ˈɔtʃax.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_35.wav|ˌalɛ tɕˈɛʃɛ ɕɛ, ʒˈɛ pɔmˈaɡa tɔ ɲikˈɔli.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_205.wav|rˈɔbʲi tˈakʲɛ vraʒˈɛɲʲɛ, ˌalɛ w ʒˌɛtʃɨvistˈɔɕtɕi jɛst rˈatʃɛj sprˈɨtna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_87.wav|tsˈɔɕ innˈɛɡɔ pʃɨxˈɔdʑi mu dɔ ɡwˈɔvɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_45.wav|mˈarta jɛzd bˈɛz vɔntpʲˈɛɲʲa klutʃˈɔva dla naʃˈɛɡɔ ɕlˈɛtstfa, ˌalɛ sprubˈujmɨ zaxˈɔvatɕ ɔtfˈartɨ ˈumɨsw, kʲˈɛdɨ bɛɲdʑˌɛmɨ rɔzmˈavʲadʑ z ɲˈilɛm strakˈanɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_64.wav|na tfˈaʒɨ xˈu pɔjˈaviw ɕɛ ɡrˈɨmas.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_106.wav|ɲʲɛ ˈumjɛm nˈavɛt.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_12.wav|ˌɔkrɔ̃ʒˈɨliɕmˌɨ jˈɛ, ʒˈɛbɨ vˈɛjʑdʑ dɔ prˌɔvizˌɔrɨtʃnˈɛɡɔ varʃtˈatu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_96.wav|tˈɛras jˈuʃ jˌɛstɛm kɔmplˈɛtɲʲɛ zdɛmbjˈawa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_91.wav|bˌɨwam zdˌɛspɛrɔvˈana, bˈɨ dɔ ɲʲˈɛj pˈujɕtɕ i jˈɔ̃ pɔtɕˈɛʃɨtɕ, ˌalɛ tɔ ɲʲɛ dʑawˈawɔ f tˌaki spˈɔsup.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_119.wav|ta kˌɔntɨnuˈujɛ ɔpˈɔvʲɛɕtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_147.wav|jˈaɡɡɛr tɕˈɛ znˈajdʑɛ. a ɡdˈɨbɨɕ mʲˈawa znˈuf jˈakʲɛɕ kwɔpˈɔtɨ, tɔ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_158.wav|tˈam jɛst mɲʲˈɛjʃɛ zˌaɡrɔʒˈɛɲʲɛ, ʒˈɛ ktˈɔɕ mɲʲɛ stˈukɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_498.wav|ˌalɛ ɲʲɛ spˌɔdʑɛvˈawam ɕɛ, ʒˈɛ bˌɛndɛ muɕˈawa zˈatʃɔɲtɕ tˈak ʃˈɨpkɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_67.wav|vˈidʑɛ zvɨtʃˈajnɔ̃ tfˈaʃ. trˈɔxɛ za dwˈuɡa ɡˈurna vˈarɡa, prˈɔstɨ nˈɔs i tɕˌɛmnɔbrɔ̃zˈɔvɛ vwˈɔsɨ, ktˌurɛ kˈɔɲtʃɔ̃ ɕɛ na vˌɨsɔkˈɔɕtɕi pɔdbrˈutka.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_22.wav|i dɔ tʃˈɛɡɔ tɔ swˈuʒɨ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_339.wav|tʃɨ pˈan mˈa kɔbjˈɛtɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_232.wav|kʲˈɛdɨ jˈɛdnaɡ dɔ ɲʲˈɛj pˌɔdjɛxˈaliɕmˌɨ, samˈɔxut pʃˈɛtɕɔw ɲʲˌɛvidˈɔtʃnɨ prˈɔmjɛɲ fˌɔtɔkɔmˈurki i brˈama rˌɔssunˈɛwa ɕɛ ˌɔtɕɔ̃ʒˈalɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_28.wav|tɔ bˈɨw xˈɨba skˈɨxafk, pɔvʲˈɛdʑaw mˈikɛ rˈɨan.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_293.wav|nˈadal w drˈɔdʑɛ ɔtpˈarwam.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_289.wav|i zabʲˈijɛ tˈɛʒ blatskfˈiʃa, jɛʒˈɛli ɕɛ ɲʲɛ pˈɔdda.|1
+Dataset/wavs/urwisko_ferenc/02_segment_20.wav|zɔstˈaviw ʒˈɔnɛ i pʲˌɛɲtɕɔlˈɛtɲʲɔ̃ tsˈurkɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_5.wav|jˈɛɡɔ skˈura zɨskˈawa jˈakiɕ ɲʲɛzdrˈɔvɨ ˈɔttɕɛɲ, a pɔt ɔtʃˈami pˌɔjavˈiwɨ ɕɛ tɕˈɛmnɛ krˈɛŋɡʲi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_51.wav|zˈaɲim vrutɕˈimɨ dɔ jˈɔɛ, xtɕˈawam tɕˈɛ zapˈɨtatɕ, tʃɨ vˌɨklutʃˈɨwɛɕ jˈɛɡɔː ˈudʑaw?|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_268.wav|lˈɔrt ˈɔrtɔn ɔdˈɛrvaw spɔjʒˈɛɲʲɛ ɔd vˈina.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_45.wav|ɲʲɛ ɔtɕˈɔŋɡaj ɕɛ, dˈɔbʒɛ?|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_103.wav|ɲʲɛ mˌamɨ drˈɛvna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_29.wav|ˈaram ɕɛ dˈɔvʲɛ, ʒˈɛ jˌɛstɛm w vʲɛ̃ʑˈɛɲʲu i zapˈɛvɲi sˈɔbjɛ prˈavɔ dɔː ɔpʲˈɛki nat ˈalfim.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_76.wav|mɔjˈɛmu pʃˌɨjatɕɛlˈɔvi tɛrˈɔvi jɛzd ʑˈimnɔ. bˈɔɲtɕ tˈaɡ dˈɔbrɨ, mˈuj ɡrˈubɨ pʃˌɨjatɕˈɛlu, i ˈɔddaj mu sfˈuj pwˈaʃtʃ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_69.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_300.wav|wɨkˈawam smatʃɲʲˈɛjʃɛ ʒˈɛtʃɨ, ktˌurɛ pˌɔxɔdʑˈiwɨ z lutskʲˈɛɡɔː ˌɔrɡaɲˈizmu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_36.wav|ʒˈɛ xtɕˈawabˌɨm vrˈutɕidʑ dɔ dˈɔmu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(28) R.Abbott_Zamknij Drzwi_segment_3.wav|ɲʲɛ vʲˈɛdʑaw, ɡdʑˈɛ jɛst i jˈak ɕɛ tˈu znˈalaz, a jɛdˈɨɲʲɛ tˈɨlɛ, ʒˈɛ lˈɛʒaw na zˌamrɔʒˈɔnɛj ʑˈɛmi w bwɔtɲˈistɨm zˌaɡwɛmbjˈɛɲʲu vˌɨpɛwɲʲˈɔnɨm lˌɔdɔvˈatɔ̃ vˈɔdɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_356.wav|ˌalɛ jɛj tfˈaʃ pɔblˈadwa, ɡdˈɨ ˈarjan vˌɨnuʒˈɨwa ɕɛ z vˈɔdɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_117.wav|ˌalɛ tɔ ɲʲɛ mʲˈawɔ ʒadnˈɛɡɔ znatʃˈɛɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_114.wav|ɲʲˈɛɕɛ tɔrˈɛpkɛ pʃˌɛvʲɛʃˈɔnɔ̃ pʃˈɛs rˈamjɛ. mˈa tˈɛʒ dʑɛtɕˈɛntsɨ plˈɛtsaɡ zˈɛ spunɣbˈɔbɛm, a bˈutɨ s tukˈɔtki zˌamjɛɲˈiwa na tˌɛɲisˈufki i bjˈawɛ skarpˈɛtɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_212.wav|bʲˈillɨ, xtsˈɛ tɕi tˌɨlkɔ pɔvʲˈɛdʑɛtɕ...|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_122.wav|ˌuʒɨvˈajɔ̃ tˈakix kˈapɛl rɔkˈɔvɛ. jɛst xˈuk i pɔtˈɛ̃ʒnɨ bwˈɨsk. fɔntˈanna ˈiskʲɛr.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_56.wav|tsɛrsˈɛi vʲɛdʑˈawa, ʒˈɛ vˈatɛrs ɕɛ ɲʲɛ mˈɨli.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_172.wav|tɔ bˌɨwa ɲʲˈɛzwa ˈaktsja. pɔ fʃˈɨstkim pɔstˈaviw mi pˈivɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_48.wav|pɔdˈɔbnɛ kˌɔmɛntˈaʒɛ swɨʃˈawam jˈuʃ ɲʲˌɛjɛdnɔkrˈɔtɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_211.wav|kʲˈɛdɨ zdʑɛrˈawɛm z ɲʲˈɛj dʒˈinsɨ, xˈɔtɕaʃ mˈɔʒɛ lɛkkˈimi prˈavʲɛ,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_10.wav|stˈɛvɛ, kturˌɛmu pˌɔdʑɛŋkɔvˈawam za pˈɔmɔts w ˌɔdnalɛʑˈɛɲʲu nˈaʃɛj tsˈurki, zɡˈɔdʑiw ɕɛ na rˈaʑɛ ɔtpˈuɕtɕitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_160.wav|zrˈɔbʲiw, tsˈɔ dɔ ɲʲˈɛɡɔ nˌalɛʒˈawɔ. rˈɛʃta tɔ jˈuʃ ɲʲɛ jˈɛɡɔ brˈɔʃka.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_36.wav|pˈɨʃnɛ, xˈɔtɕaʃ tɔ sˈɨf.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_418.wav|uɕtɕˈiɕliw kˈɔnɲiŋktɔn.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_7.wav|ɔddʑvʲˈɛrnɨ pʃˈɛs tsˈawɨ tɛn tʃˈas nˈavɛt ɲʲɛ spˈɔjʒaw na sˈama.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_18.wav|kʲˈɛdɨ pɔmˈɨɕlɛtɕ ɔ rɔmˈɛɔː i jˈulji,|2
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_83.wav|zˈamjast tˌɛɡɔ swˈɨʃɛ tɕˈixɔ̃ muzˈɨkɛ i ɡwˈɔɕnɨ ɕmʲˈɛx, ɕmʲˈɛx pijˈatski.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_344.wav|tʃɨ tsˈɔɕ ɕɛ stˈawɔ?|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_204.wav|kˈɨbɛrn mˈa nˈaɲʲɔ̃ ˈɔkɔ dʑˈɛɲ i nˈɔts.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_26.wav|ʒˈɛ ɲʲɛ bˌɨwɔ pisˈanɛ w naʒˈɛtʃu kantˈɔɲskim.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_70.wav|mˈawɨ nˈarbɔ xtsˈɛ zˈɔstadʑ vɨɕlˈaʒɛm.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_278.wav|ˈu kturˌɛɡɔ viɕˈawɨ mʲˈɛtʃ i stˈɨlɛt.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_3.wav|rɔzˈumjɛm, dlatʃˈɛɡɔ pɔlˈitsja xtsˈɛ mɲʲɛ pʃɛswˈuxatɕ f sprˈavʲɛ ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_26.wav|mʲˈawa mˈɔtsnɨ makˈijaʃ, ˌalɛ jˌɛdnɔtʃˈɛɕɲʲɛ starˈawa ɕɛ ɲʲɛ vɨɡlˈɔndatɕ prˌɔvɔkatsˈɨjɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_297.wav|vɨznˈawɛɕ sfˈɔjɛ ɡʒˈɛxɨ jˈɛɡɔ vʲˈɛlkʲɛj ɕfʲˌɔntɔblivˈɔɕtɕi? mˈɔdliw ɕɛ zˈamɲʲɛ, kʲˈɛdɨ zɔstˈawɛm rˈannɨ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_433.wav|mjˈa bˌɨwa znˈatʃɲʲɛ mwˈɔtʃa ɲˈiʃ sˈɛr lˈɔtxɔr, ˌalɛ ɡdˈɨ jɛj ˈɔjtɕɛts ˌaranʒˈɔvaw mawʒˈɛɲstfɔ mʲˌɛndʑɨ lˈɔrdɛm kɔrbrˈajɛm a tɔ̃ tsˈurkɔ̃ kˈuptsa...|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_96.wav|lˈɔrt rˈɨman ˌukɔrɔnˈɔvaw mɲʲɛ ˌɔsɔbʲˈiɕtɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_386.wav|na narˈadax mɔjˈɛɡɔː ˈɔjtsa tˈakʲɛ ʒˈɛtʃɨ ɕɛ ɲʲɛ zdaʒˈawɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_31.wav|nˈavɛt skarpˈɛtɨ vˌɨɡlɔndˈawɨ kˌɔʃarˈɔvɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_73.wav|mˈɔɡɛ, mˈɔɡɛ. na kʲˈɛdɨ tɔ pˌɔtʃɛbˈujɛʃ?|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_164.wav|tʃɨ tfˈɔja mˈatka jˈɛʃtʃɛ ʒˈɨjɛ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_102.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_127.wav|zˌakwadˈawa, ʒˈɛ fˈalis pʃɨbˈɨwa tˈu pˈɔtɔ, bˈɨ jˈɔ̃ zˌavʲadˈɔmitɕ ɔ ɕmʲˈɛrtɕi brˈɔnna.|1
+Dataset/wavs/urwisko_ferenc/08_segment_6.wav|ˌalɛ dˈɔbʒɛ vʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_90.wav|lˌɛvɔrˈɛntʃnɨ vʲˈɛdʑaw, ʒˈɛ jˈɛɕli mɲʲɛ zˌaatakˈujɛ, ɔdbʲˈijɛ tɕˈɔs rˈurɔ̃ i palɲˈikʲɛm zamjˈɛɲʲɛ jˈɛɡɔ tfˈaʃ f krɛmbrˈilɛ.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_126.wav|ɲˈim pʃɨbˈɨwɛm dɔ krulˈɛfskʲɛj pʃɨstˈaɲi, ˌɔpʲɛkɔvˈawɛm ɕɛ xˈɨba zɨ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_32.wav|ˈɔtɔ tʃˈɛɡɔː ɔt tɕˈɛbjɛ pˌɔtʃɛbˈujɛ. bˌɛɲdʑɛʃ mˈuɕaw vˈɨswatɕ jˈɛdnɔ̃ ʒˈɛtʃ. zrˈɔbʲiʃ tɔː i jɛstˌɛɕmɨ kfˈita.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_107.wav|tɔ ɲʲɛ pˌɔtrafˈiwam nˈavɛd zɡˈadnɔɲtɕ kʲˈɛdɨ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_277.wav|trˈɔxɛ puxˈɔvɨx, ˌalɛ vʲˈɛntsɛj ɕɛnɲˈikuf.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_284.wav|jɛst rˌɔssadɲˈikʲɛm zɛpsˈutɕa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_110.wav|tɛn irlˈanttʃɨk jɛzd dˈɔbrɨm ʃˈɛfɛm pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_142.wav|dʑɛftʃˈɨɲʲɛ ɔpˈada ɡwˈɔva, ˌalɛ vˌɨdavˈanɛ pʃˈɛzɲʲɔ̃ xraplˈivɛ dʑvʲˈɛŋki bˈardʑɛj pʃˌɨpɔminˈajɔ̃ xrapˈaɲʲɛ ɲˈiʃ kʃtuʃˈɛɲʲɛ. znˈɔvu zasnˈɛwa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_46.wav|i tɨm vwˈaɕɲʲɛ jˈɛst.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_60.wav|fʃˈɨstkʲɛ zɔstˈawɨ ˌɔpruʒɲʲˈɔnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_133.wav|prˌɔpɔnˈujɛ jˈajka, ˌɔna jˈɛdnaɡ zˌauvˈaʒa, ʒˈɛ zɔstˈawɔ tˌɨlkɔ jˈɛdnɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_17.wav|tˈɔm pʃɨtˈuliw jˈɔ̃ i jˌɛdnɔtʃˈɛɕɲʲɛ pˈɔswaw lˌɔuˈiɕɛ pˌɨtajˈɔntsɛ spɔjʒˈɛɲʲɛ z nad ɡwˈɔvɨ tsˈurki.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_108.wav|drʒˈawam ʑˈimna, ɕˈɛdʑɔndʑ w ɡwˈɛmbʲi vnˈɛŋki tˌɛxnɔlɔɡʲˈitʃnɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_80.wav|tɔ rˌɛprɛzɛntˈujɛ dˈuʃɛ kˈaʒdɛj ɔsˈɔbɨ, ktˌurɛj pɔmˈaɡam.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_148.wav|bˌɨwa tɕˈɛmna nˈɔts.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_267.wav|pˌɔtpɛrlˈɔntsɨ ɕɛ na jˈɛɡɔ tʃˈɔlɛ zadˈavaw kwˈam zˌapʃɛtʃˈɛɲʲɔm. tˈak.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_486.wav|fʃˈɨstsɨ mˈɔi blˈistsɨ ɲʲˌɛpɔstʃɛʒˈɛɲʲɛ rˌɔstɔpˈili ɕɛ f tɕɛmnˈɔɕtɕi.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_93.wav|fʃˈɨstsɨ pˌɔxɨlˈili ɡwˈɔvɨ i pˌɔdʑɛŋkɔvˈali ˈɔjtsu i mˈattsɛ za ix xˈɔjnɛ dˈarɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_113.wav|ɔt xfˈil ɲʲˈɛbɨw s kɔbjˈɛtɔ̃, a z ˈɛliz bˈɨtɕ ɲʲˈɛxtsɛ, ˌalɛ ɔ bˈɔʒɛ!|2
+Dataset/wavs/urwisko_ferenc/15_segment_95.wav|skˈɔnd ɡˈɔ mˈaʃ?|0
+Dataset/wavs/urwisko_ferenc/59_segment_4.wav|xˈɛrman pɔtʃˈuwa tɕˈarki na plˈɛtsax.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_66.wav|tɛn tʃwˈɔvʲɛɡ bˈɨw lˈup jɛst jˈɛdnɨm s kljˈɛntuf tsˌamɛrˈɔna ɛdmˈuntsa, tsˈɔ dˈajɛ nˈam mˈɔtɨf.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_43.wav|tˈak pˌɔvʲɛdʑˈawam. jˌɛstɛm tˈu ˌumuvʲˈɔna s kljˈɛntɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_139.wav|ɔbrˈazɨ pˌɔzɔstˈawɨ tˈaɡ vɨrˈaʑnɛ w mˈɔjɛj ɡwˈɔvʲɛ, ʒˈɛ kʲˈɛdɨ f kˈɔɲtsu ˌɔpuɕtɕˈiwam lˌakɛsˈidɛ, dˌɔskɔnˈalɛ vʲɛdʑˈawam, dˈɔkɔnt xtsˈɛ ɕɛ vˈɨbratɕ.|3
+Dataset/wavs/urwisko_ferenc/51_segment_20.wav|uznˈawa, ʒˈɛ pɔvˈinna ɕɛ tˈam rɔzˈɛjʒɛtɕ, xˈɔtɕaʃ ˌɔbavʲˈawa ɕɛ, ʒˈɛ tˌɨlkɔ zmarnˈujɛ tʃˈas.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_364.wav|tˈak.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_97.wav|a vʲˈɛnts xˈɔtɕaʃ tɔ mɨ krɔ̃ʒˈɨmɨ pɔː ɔrbʲˈitɕɛ, z naʃˈɛɡɔ pˈuŋktu vidʑˈɛɲʲa ʑˈɛmʲa jɛst ɲʲˌɛruxˈɔma.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_59.wav|ɲʲɛ vʲɛdʑˈawam, tʃɨ mˈa na mˈɨɕli ɕˈɛbjɛ, tʃɨ mɲʲɛ. bˈawam ɕɛ ˈɔtɔ zapˈɨtatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_110.wav|stˈawa ˌɔbɔk sfˈɛɡɔ sˌamɔxˈɔdu i ˌuɕmʲɛxˈawa ɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_218.wav|spɛɲdʑˈiwam tsˈawɔ̃ nˈɔdʑ vɛ vwˈasnɨm wˈuʃku, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_359.wav|ɲʲɛ bˌɨwɔ tˈam ʒˈadnɨx mˈɛbli pˈɔza ɕɛnɲˈikʲɛm i wˈavɔ̃ mˌɔdlitˈɛvnɔ̃, a dɔ tˌɛɡɔ dʑbˈan vˈɔdɨ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_145.wav|ɲˈilɛ pʃˈɛs jˈakiɕ tʃˈaz vˌɨprɔvˈadʑaw pʲɛɲʲˈɔndʑɛ s fˈirmɨ.|3
+Dataset/wavs/urwisko_ferenc/30_segment_35.wav|zˌapalˈiwa pˌapʲɛrˈɔsa. ftɕɔŋɡnˈɛwa dˈɨm dɔ pwˈuts i pʃˌɨtʃɨmˈawa ɡˈɔ, ʒˈɛbɨ ɕɛ ˌuspɔkˈɔitɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_154.wav|w barˈaku bˌɨwɔ pˈustɔ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_231.wav|ˌalɛ w ˈustax mʲˈawa sˈuxɔ jˈak na pustˈɨɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_88.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_260.wav|zupˈɛwɲʲɛ jˈak mˈuj mˈawɨ brˈat, bˈɔ f pʃɛtɕˈivnɨm rˈaʑɛ, tʃˈujɔnts smrˈut mˈɔiɣ ɡʒˈɛxuf, zadwˈaviwbˌɨɕ ɕɛ tɔ̃ ɡrˈuʃkɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_74.wav|vʲadˈɔmɔ vam tsɔkˈɔlvʲɛk na tˈɛmat arˈama fˌɔrakˈisa?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_142.wav|ˌalɛ pɔ drˈuɡʲɛj strˈɔɲʲɛ jɛst tsˈɔɕ nˌapisˈanɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_151.wav|bˈɨw zvinɲʲˈɛjʃɨ ɲˈiʃ mˈɔʒna bˈɨ pʃɨpˈuʃtʃatɕ, bjˈɔrɔnts pɔt uvˈaɡɛ jˈɛɡɔ vʲˈɛk i stˈan zdrˈɔvja.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_57.wav|kˈasɔ vʲˈɛ, ʒˈɛ mˈam rˈatsjɛ. prˈavda, kˈasɔ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_3.wav|lɛʒˈɛli f tɕˈɛɲʲu skʃˈɨdɛw sˌamɔlˈɔtu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_41.wav|ftɕˈiska plˈiɡ baŋknˈɔtuv dɔ jɛj rˈɛŋki. kɔbjˈɛta mamrˈɔtʃɛ pˌɔtakujˈɔntsɔː i rˈuʃa dɔ vˈɨjɕtɕa. ˈaxa, mˈɛrx, jˈɛʃtʃɛ jˈɛdnɔ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_165.wav|ɕɲˈili ɕɛ jɛj lˈudʑɛ, ktˌurɨɣ zabʲˈiwa.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_285.wav|ˈarjan ˌuɕmʲɛxnˈɛwa ɕɛ nˈatɔ fspɔmɲʲˈɛɲʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_156.wav|pʃˌɛprɔvadʑˈanɔ tˈam jˈakʲɛɕ rɛmˈɔntɨ i ɲʲˈɛvʲɛm jˈak tɛn plˈadʑ dʑˈiʑ vɨɡlˈɔnda.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_85.wav|kɔbjˈɛta natˈɨxmʲast ɕɛ vˌɨtsɔfˈawa i zamknˈɛwa za sˈɔbɔ̃ dʒvˈi, a bˈɛtskɨ ʒutɕˈiwa ɛdjˈɛmu pˌɨtajˈɔntsɛ spɔjʒˈɛɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_83.wav|kamˈɛrun ˈɛdmunts?|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_32.wav|xɔlˈɛra jˈasna, kˈurva mˈatɕ, ja pʲɛrdˈɔlɛ, sˈukiɲ sˈɨnɨ! nalˈɛʒɨ dbˈatɕ ɔː ˌurɔzmˌaitsˈɛɲʲɛ, kʲˈɛdɨ ʒˈutsaʃ mʲˈɛnxɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_110.wav|pɔ prˈɔstu bˈardʑɛj ˈufam sˈɔbjɛ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_552.wav|ɡvˈɛntʲin mˈa nˈam pʃˈɨɲʲɛɕtɕ spɛwɲʲˈɛɲʲɛ nˈaʃɨx prˈaɡɲʲɛɲ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_135.wav|spˌɔdʑɛvˈawam ɕɛ, ʒˈɛ bˌɛɲdʑɛ nˈamɲʲɛ tʃˈɛkaw, jˈak tɔ zvˈɨklɛ rˈɔbʲi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_241.wav|na ɡrˌanatˈɔvɛj ˈalbɔ mˈɔʒɛ tʃˈarnɛj tɔrˈɛptsɛ zˈɛ zwɔtsˈɔnɨm waɲtsˈuʃkʲɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_409.wav|pʃˌɨvitˈawɛm ɕɛ z jɛj ɕlˈitʃnɨm ˌɔbɔjtʃˈɨkʲɛm, ktˌurɨ xrˈɔɲiw...|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_333.wav|vˌɨjaɕɲˈiwa. ˌalɛ mɲʲɛ ɲˈikt ɲʲɛ zabrˈaɲʲaw mˈuvidʑ dɔ tɕˈɛbjɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_151.wav|tɔ ɲʲɛ zˌɔstawˈɔbɨ ˌudɔkˌumɛntɔvˈanɛ, bˈɔ f pʃɛtɕˈivnɨm rˈaʑɛ mɔɡwˈɔbɨ zˈɔstatɕ ˌujavɲʲˈɔnɛ i pɔswˈuʒɨdʑ za dˈɔvut pʃɛtɕˈifkɔ nˌailˈɔvi i ˈɛksˈɔtɛts.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_55.wav|kʲˈɛdɨ fstavˈawam,|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_200.wav|ɲʲɛ mʲˌawɛm ɲˈiɡdɨ sˌamɔxˈɔdu, ˈidɛ na pʲɛxˈɔtɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_164.wav|w vˌɨnajˈɛntɨm dˈɔmu ɲˈika vˌɨdavˈawa ɕɛ tˈaka mˈiwa, prˈavʲɛ dˌɨstɨɡɔvˈana.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_144.wav|lˈɔrt lˈantsɛl prˈɔɕi ˈɔjtsa na ɡˈuʒɛ ɔ pʃˌɛvɔdɲˈitstfɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_23.wav|mʲˈɛʃka tˈam sˈama?|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_242.wav|jɛj ˈɔjtɕɛdʑ bˈɨw ˌulubjˈɔnɨm strˈɨjɛm jˌamjɛˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_485.wav|tɔ xˈɔtɕ, pʃˈɨtul ɕɛ dɔ mɲʲɛ, ɔɡʒˈɛjɛ tɕˈɛbjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_147.wav|f kˈɔɲtsu dɔtˈarwam dɔ mʲˈɛjstsa, f ktˌurɨm zˌatʃɨnˈawa ɕɛ spɔˈina. ˈuff, vɛstxnˈɛwam. pˈɔra na prˈubɛ tɕiɕɲʲˈɛɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_63.wav|ˌalɛ ftʃˈɛɕɲʲɛj mˈuɕi zrˈɔbʲitɕ tsˈɔɕ innˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_96.wav|pʲɛɲʲˈɔndʑɛ vɨdˈajɔ̃ ɕɛ pɔxˈɔdʑidʑ bˌɛspɔɕrˈɛdɲʲɔː ɔt ɲʲˈɛɡɔ, tˈak pʃɨnˈajmɲʲɛj vˈidatɕ na kˈɔntax firmˈɔvɨx, ˌalɛ mˈɔim zdˈaɲʲɛm ɲʲɛ jɛst tɔ tˈakʲɛ prˈɔstɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_86.wav|mˈɔʒɛ jˈuʃ ɔstˈatɲʲɔ̃ tˌɛɡɔ rˈɔku.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_98.wav|vʑˈɔw dwˈuɡʲi, ɡwɛmbˈɔki ˈɔddɛx i ɔdvrˈutɕiw ɕɛ dɔ bˈɛki.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_213.wav|vʲˈɛnts ɔ tsˈɔ tˈu xˈɔdʑi? tɔ tˌɨlkɔ bˌɛzuʒɨtˈɛtʃnɨ kˈabɛl?|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_35.wav|mˈartʲin ɔbrˈutɕiw ɕɛ na kʃˈɛɕlɛ w mˈɔjɔ̃ strˈɔnɛ. tsˈɔ mˈɔɡɛ dla tɕˈɛbjɛ zrˈɔbʲitɕ?|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_35.wav|tˈak, spˈadɛk tɕiɕɲʲˈɛɲʲa dˈɔbʒɛ mi zrˈɔbʲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_194.wav|uɕmʲˈɛxa ɕɛ mˈimɔ vˈɔli.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_82.wav|ktˌurɛj vwˈɔsɨ pˌɔtarɡˈanɛ bˌɨwɨ tˈɛras ɲˈibɨ vwˈɔsɨ ulˈitʃnɛj dʑˈɛfki, ktˌura vdˈawa ɕɛ w bˈujkɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_298.wav|zatɕˈɔŋɡnɔw ɕɛ pˌapʲɛrˈɔsɛm i sxˈɔvaw rˈɛŋkɛ pɔt stˈuw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_2.wav|ˌuwɔʒˈɛɲʲɛ dʑˈɛtɕi dɔ snˈu trfˈawɔ dʑˈiʑ dwˈuʒɛj ɲˈiʒ zvˈɨklɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_86.wav|tsˈɔɕ jˈɛʃtʃɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_62.wav|bʲˈillɨ pʃɨsˈuva kʃˈɛswɔ dɔ vˌiʃɔntsˈɛɡɔ fɔtˈɛla. ɕˈada pʃɛt mˌartʲinˈɛzɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_171.wav|tsˈɔɕ nˌapɔmknˈɛwaɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_39.wav|vɨsˈɔki, pʃɨstˈɔjnɨ nˌadʲinspˈɛktɔr i jˈɛɡɔ pˈɛwna ɛnˈɛrɡji mwˈɔtʃa kˌɔlɛʒˈaŋka vrutɕˈili dɔ pɔkˈɔju s kˌɔlɛjnˈɨmi pˌɨtaɲʲˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_15.wav|tʃˈɛkam, vʲˈɛdʑɔnts, ʒˈɛ za xfˈilɛ kˈaʒɛ mi ɕɛ zatʃˈɨmatɕ. vbʲˈijam vzrˈɔɡ w drˈɔɡɛ pʃɛt sˈɔbɔ̃, prubˈujɔnts ɕɛ pʃɛkˈɔnatɕ, ʒˈɛ jˈɛɕli iɣ zˌiɡnɔrˈujɛ, tɔ pɔjˈadɔ̃ dˈalɛj.|3
+Dataset/wavs/urwisko_ferenc/28_segment_18.wav|ˌɔtfɔʒˈɨwa jɛj vˌɨspɔrtɔvˈana kɔbjˈɛta.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_115.wav|kʲˈɛdɨ tˈɔm ukwˈadaw sˈɔbjɛ w ɡwˈɔvʲɛ pʃˌɛkazˈanɛ ˌinfɔrmˈatsjɛ, rˌɔspɔtʃˈɛwɨ ɕɛ prˈatsɛ pʃɨ lɛʒˈɔntsɨm w ˌɔdlɛɡwˈɔɕtɕi kˈilku mˈɛtruf tɕˈɛlɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_78.wav|bˈɛtskɨ zɛrknˈɛwa na rˈɔba, ktˌurɨ zastˈukaw znˈatʃɲʲɛ mˈɔtsɲʲɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_15.wav|trˈafi dɔː ɔpʲˈɛki spɔwˈɛtʃnɛj.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_435.wav|pˌamjɛntˈawa tɔ mʲˈɛjstsɛ s tʃˈasu, ɡdˈɨ vjɛʒdʒˈawa na ɡˈurɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_47.wav|zˌɔstavˈiwaɕ tɔ fʃˈɨstkɔ dla mɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_5.wav|a pˈɔtɛm pɔwˈɔʒɨw rˈɛŋkɛ na pɲʲˈu bjˈawɔ rˌɔskfitwˈɛɡɔ dʒˈɛva i stˈaw ɲʲˌɛruxˈɔmɔ. jˈasnɔ vwˈɔsɨ w jˈasnɛj kɔʃˈuli.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_47.wav|mˈɔʒɛ vʲˈɛntsɛj, jˈak pʃˈɛstaw pʃɛxˈɔdʑitɕ, prˈavda, bʲˈill?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_140.wav|ʒˈɛ mˈɔɡɛ jɛj ˈufatɕ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_72.wav|fʃˈɨstsɨ tˌarɡɔvˈali ɕɛ ɡwˈɔɕnɔ, ˌɔɡlɔndˈajɔnts uvˈaʒɲʲɛ pɔrˈannɨ pˈɔwuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_140.wav|w jɛj vˌɨɔbrˈaʑɲi bˌɛɲdʑɛ tˈutaj lɛʒˈawa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_15.wav|ʒutɕˈiwa kˈatɛ w rˈamax pʃˌɨvitˈaɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_14.wav|ˌalɛ bˈɛtskɨ zɔstˈawa s tˈɔmɛm i rˈazɛm tʃɛkˈali na ˈamɨ.|3
+Dataset/wavs/urwisko_ferenc/42_segment_52.wav|dˌɔskɔnˈalɛ vʲˈɛdʑaw, ʒˈɛ tɔː ɔn ˌɔtpɔvʲˈada za ix prɔblˈɛmɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_327.wav|ˈandɛrsɔn pʃɛpˈuɕtɕiw ɡˈɔɕtɕa pʃˈɔdɛm. pˈɔkuj jˈɛɡɔ bˈɨw pˈustɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_28.wav|tˌɛɡɔ druɡʲˈɛɡɔ bʲˈillɨ ɲʲɛ znˈa, pˈɛvɲʲɛ mʲɛjstsˈɔvɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_627.wav|mˈɔʒɛ ɲʲˈɛx ɕɛ tˈak nˈavɛt nazˈɨva. tˈɨlɛ ɲʲˌɛnavˈiɕtɕi fʃˈɛɲdʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_147.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_112.wav|ftʃˈɛɕɲʲɛj rˈanɔ f sɔbˈɔtɛ vˌɨjɛxˈawam dɔ spˈa i ɲʲɛ vidʑˈawam ɡˈɔː ɔt tɛj pˈɔrɨ. ɲʲˈɛvʲɛm vʲˈɛnts, tʃɨ w ɔɡˈulɛ vrˈutɕiw dɔ dˈɔmu.|3
+Dataset/wavs/urwisko_ferenc/19_segment_135.wav|pˈaɲi bˌɨwɨ mˈɔ̃ʃ tfʲˈɛrdʑi jˈɛdnak, ʒˈɛ vˈidʑaw kɔbjˈɛtɛ w ɔɡrˈɔdʑɛ xudʑˈiɲskiɣ dvukrˈɔtɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_244.wav|vʑˈɔw ˈɔdɛ mɲʲɛ pʲɔsˈɛŋkɛ i pˌɔtsawˈunɛk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_351.wav|pʃɛprˈaʃam, ʒˈɛ tɕˈɛ ˈɔtɔ pˈɨtam.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_97.wav|ɕˈɛdʑi prɛzˈɨdɛnt.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_27.wav|dʑˌɛnɲikˈaʒɛ vɨɲʲˈɛɕli ɕɛ na dˈɔbrɛ, uznˈafʃɨ zapˈɛvnɛ, ʒˈɛ ɲʲˈɛma sˈɛnsu jˈuʃ tˈam tkfˈitɕ, skˈɔrɔː ɔfjˈarɔ̃ ɲʲˈɛbɨw tsamˈɛrɔn ˈɛdmɔnts.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_27.wav|pʃˈɛs ʃtʃɛlˈinɛ mʲˌɛndʑɨ zˌavʲasˈami vˈidatɕ sxˈɔdɨ prˌɔvadʑˈɔntsɛ w dˈuw.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_310.wav|jˈɛɡɔ tɕˈɔtka zˌatɔtʃˈɨwa ɔtʃˈɨma. lˈɛpʲɛj bˈɨ zrɔbʲˈiwa, ɡdˈɨbɨ zˌɔstavˈiwa vʲˈɛʒɛ i spalˈiwa nˌamjɛstɲˈika.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_39.wav|tʃɨ mˈɔɡli zˈɔstatɕ pɔrvˈaɲi, ʒˈɛbɨ ktˈɔɕ mˈuɡw zmˈuɕitɕ jˈɔɛ lˈup ˈaʃa dɔ zrɔbjˈɛɲʲa tʃˈɛɡɔɕ, tʃˈɛɡɔ nɔrmˈalɲʲɛ bˈɨ ɲʲɛ zrɔbʲˈili?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_48.wav|tɛlˈɛfɔn zˌɔstavˈiwam f sˌamɔxˈɔdʑɛ. ɲʲɛ xtɕˈawam, bˈɨ ktɔkˈɔlvʲɛk nˈam pʃɛrˈɨvaw, a spɛɲdʑˈiwam z ɲˈimi vʲˈɛntsɛj tʃˈasu, ɲˈiʒ zˌamjɛʒˈawam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_66.wav|dlatʃˈɛɡɔː ˌɔna tɔ zrɔbʲˈiwa?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_40.wav|zˌatʃɨnˈamɨ ɔt ɔpʃˈaru pˌɔwɔʒɔnˈɛɡɔ najblˈiʒɛj ʃlˈaku. ʃukˈamɨ ɕlˈaduf ˈɔpɔn rˌɔvɛrˈɔvɨɣ bˈutuf. mˈɔʒɛ ɕɛ nˈam pɔʃtʃˈɛɲɕtɕi i znajdʑˈɛmɨ brˈɔɲ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_68.wav|tɔ çistˈɔrja pravdʑˈiva tʃɨ zmɨɕlˈɔna?|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_82.wav|pɔtɕˈɔŋɡa wˈɨk kˈavɨ i tɨm rˈazɛm ɲʲɛ mˈuɕi pˌɔfstʃɨmˈɨvatɕ ɔdrˈuxu vˌɨmjɔtnˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_352.wav|zdɔ̃ʒˈɨwa tˌɨlkɔ pɔvʲˈɛdʑɛtɕ, zˈaɲim zvˈaliw ɕɛ nˈaɲʲɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_213.wav|vˌɨtɕɔŋɡnˈɛwa rˈɛŋkɛ i pˌɔkazˈawa bwɨʃtʃˈɔntsɔ̃ blˈiznɛ pɔː ˌɔpaʒˈɛɲʲu.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_180.wav|pˈɛvɲʲɛ mˈuɕi tˈaka bˈɨtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_25.wav|skˌɔntaktˈujtɕɛ ɕɛ z brɨtˈɨjskɔ̃ pɔlˈitsjɔ̃ transpˈɔrtu. vɨɕlˈijtɕɛ im zdjˈɛɲtɕɛ jˌɔxanssˈɔna. ɲʲˈɛx sprˈavdʑɔ̃ kamˈɛrɨ na ˈɔbu stˈatsjax i bˌɛndɔ̃ ɡɔtˈɔvi dɔː ˌarɛʃtɔvˈaɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_356.wav|vˌɨjaɕɲˈiwa dʑɛftʃˈɨŋka.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_129.wav|mˈuvi ɔ vʒˈɔntsɛj smˈɔlɛ, ɔ pˌɔtpalˈɛɲʲu zˈamku. mɔjˈɛɡɔ zˈamku.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_372.wav|ɡdʑˈɛʑ za nˈami f ʃkˈɔlɛ muzˈɨtʃnɛj ɔdˈɛzvaw ɕɛ fɔrtˈɛpʲan.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_70.wav|bˌɨwam pravdʑˈivɔ̃ vˌɨznaftʃˈɨɲʲɔ̃ pɔɡlˈɔnduf arˈama.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_55.wav|mˈiwɔ swˈɨʃɛtɕ, ʒˈɛ f kˈɔɲtsu jɛzd z ɲˈim dˈɔbʒɛ. ˌɔtpɔvʲˈadam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_40.wav|f kˈɔɲtsu ljˈa pʃɛrvˈawa tɕˈiʃɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_97.wav|ɡdˈɨbɨ tɔ ɕɛ stˈawɔ ɡdʑɛkˈɔlvʲɛk ˈiɲdʑɛj, bɨwˈɔbɨ mnˈustfɔː ˈɔfjar.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_23.wav|xtɕˈawam pʃɛkˈazadʑ vam ˌinfɔrmˈatsjɛ, pɔvʲˈɛdʑɛtɕ na tʃɨm stɔˈimɨ, jˈak rˈuvɲʲɛʒ zapˈɨtatɕ, tʃɨ pɔ pɔvrˈɔtɕɛ dɔ dˈɔmu pʃɨpˈɔmɲʲaw pˈan sˈɔbjɛ tsˈɔʑ vʲˈɛntsɛj, pˈaɲʲɛ rajˈavi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_46.wav|ʃukˈamɨ ˌinfɔrmˈatsji ɔ znajˈɔmɨx, ʒˈɨtɕu, ʒˈɛbɨɕmˌɨ mˈɔɡli zbudˈɔvatɕ pˈɛwnɔː ˈɔbras.|3
+Dataset/wavs/urwisko_ferenc/46_segment_122.wav|ˈuɕat f kˈuxɲi pʃɨ stˈɔlɛ i tsˈɔ jˈakiɕ tʃˈas sprˈavdʑaw pʃˈɛs ˈɔknɔ, tʃɨ ɲʲɛ vˈidatɕ ɕfʲˈatɛw zblˌiʒajɔntsˈɛɡɔ ɕɛ sˌamɔxˈɔdu.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_159.wav|mˈawa krulˈɔva mˈa praɡɲʲˈɛɲʲa, ktˌurɨx tˈɔmmɛn ɲʲɛ mˈɔʒɛ jˈɛʃtʃɛ zˌaspɔkˈɔitɕ, ɡdˈɨʃ jɛzd za mwˈɔdɨ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_130.wav|xˈarlaw bˈɨw blˈiskim pʃˌɨjatɕˈɛlɛm nˌajstarʃˈɛɡɔ sˈɨna bˌailˈɔna, rɔdrˈika, ktˌurɨ zɡʲˈinɔw pɔt murˈami siɡˈardu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_42.wav|dˌɨspɔnˈɔvaw fˌunduʃˈami, ˌalɛ ɲʲɛ udˈawɔ nˈam ɕɛ jˈɛʃtʃɛ ustˈalidʑ ʑrˈudwa jˈɛɡɔ dɔxˈɔduf.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_167.wav|mˈuɕiʃ mi vɨɕfʲˈattʃɨtɕ pʃɨswˈuɡɛ. na rˈanɨ xrɨstˈusa, dʒˈɛs! ftɕˈɔ̃ʃ tɕˈɛ̃ʃkɔ dˈɨʃaw. tsˈɔ rˈɔbʲiʃ w mˈɔim dˈɔmu?|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_14.wav|pɔ tʃɨm nˈavɛt ɲʲɛ tsˈawkʲɛm pˈɔtɔ, bˈɨ zmʲˈɛɲitɕ tˈɛmat mˈuvi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_21.wav|a tˈɛras xtsˈɛ ɕɛ z ɲʲˈɔ̃ zɔbˈatʃɨtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_217.wav|dwˈuɡɔ tˈu planˈujɛʒ zˈɔstatɕ? pˈɨta ˈɛlis.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_55.wav|pˈɔza tɨm i tˈak xtɕˈaw pʃˈɛjɕtɕ na ˌɛmɛrɨtˈurɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_346.wav|pravdʑˈivʲɛ ɲʲˌɛvinnˈɛɡɔː ˌapɔstˈɔwa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_48.wav|ɔdvrˈatsa ɕɛ w mˈɔjɔ̃ strˈɔnɛ, uɕmʲˈɛxa na pˌɔvitˈaɲʲɛ i vɨtɕˈɔŋɡa rˈɛŋkɛ, bˈɨ pʃɨtɕˈɔŋɡnɔɲtɕ mɲʲɛ dɔ ɕˈɛbjɛ blˈiʒɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_90.wav|vʲˈɛʃ, ɲʲˈɛma prɔblˈɛmu, ʒˈɛbɨʑ zˌadavˈawa mi pɨtˈaɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_454.wav|tˈak, jˈaɡ vidʑˈawɔ pʃɛdˈɛmnɔ̃ tˈakʲɛ ˈɔtʃɨ i tˌaki ˈuɕmʲɛx,|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_35.wav|mˈɔʒɛ tˈɔbjɛ ɲʲɛ pʃɛʃkˈadʑa, kʲˈɛdɨ ktˈɔɕ trˈɨska tɕi f tfˈaʃ, ˌalɛ ja ɲʲɛ jˌɛstɛm dɔ tˌɛɡɔ pʃˌɨzvɨtʃajˈɔnɨ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_92.wav|tsˈɔ zɔstˈawɔ dla nˈas?|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_169.wav|ɡdˈɨʃ pʃˈɛttɛm bˌɨwɨ dɲˈi dˈɛʃtʃu i mɡʲˈɛw. mˈɨɕlaw vʲˈɛnts ˈɔtɨm, ʒˈɛ na pustˈɨɲi|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_155.wav|ɔn tˈɛʃ stˈɔi pʃɛt klˌavʲatˈurɔ̃, pʃˈɛs tsˈɔ z lɔrnˈɛtki ɲʲˈɛma ʒadnˈɛɡɔ pɔʒˈɨtku.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_60.wav|zrɔbʲˈiwam babˈɛtʃki z ʒˌuravˈinɔ̃. ʃˈan i dˈɛrɛk jˈɛdʑɔ̃ ˈɔbjat f ʃkˈɔlɛ, ˌalɛ lˈubjɔ̃ mʲˈɛtɕ tsˈɔɕ na dˈɛsɛr. dvʲˈɛ mi zɔstˈawɨ. sɔ̃ dla tɕˈɛbjɛ.|2
+Dataset/wavs/urwisko_ferenc/52_segment_10.wav|xwˈɔdna vˈɔda mʲˈawa zbavʲˈɛnnɔ̃ mˈɔts.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_178.wav|pɔftˈaʒam pˈanu, tʃwˈɔvʲɛk pʃɛstˈajɛ bˈatɕ ɕɛ ɲʲˈɛba i pʲˈɛkwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_94.wav|sfɔbˈɔda ˈuɕad na wˈuʃku za mɔˈimi plɛtsˈami i spˈɔjʒaw na mɔɲˈitɔr.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_20.wav|pʃˌɛtɕɛʃ tɔ jˈɛɡɔ pʲɛɲʲˈɔndʑɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_512.wav|ɔbʒˈutɕitɕ jˈɔ̃ brˌɨlantˈami kˌupʲɔnˈɨmi na krˈɛdɨt.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_237.wav|mʲˈaw pɔvˈɔdɨ, bˈɨ vʲˈɛʒɨtɕ, ʒˈɛ jɛst pwˈɔdna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_17.wav|ˈɛlljɛ sprɔstˈujɛ ɕɛ z ˌuraʒˈɔnɔ̃ mˈinɔ̃. w ˈinnɨx ˌɔkɔlitʃnˈɔɕtɕaɣ bɨwˈɔbɨ tɔ nˈavɛd zabˈavnɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_88.wav|mˌatɕɛ ɔxˈɔtɛ na jakʲˈɛɡɔʑ burɡˈɛra pʃɛt fˈilmɛm? jˌɛstɛm ɡwˈɔdnɨ jˈaɡ vˈilk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_174.wav|prˈɔʃɛ pˈana, tʃɨ naprˈavdɛ mˈuɕi pˈan? zatʃˈɨna martʲˈinɛs.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_43.wav|jˈɛɡɔ mˈatski ɔplˈɔtwɨ jˈɔ̃ dɔ tˌɛɡɔ stˈɔpɲʲa, ʒˈɛ pʃɛstˈawa ɔdrˈuʒɲʲadʑ dˈɔbrɔː ɔd zwˈa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_69.wav|zˌɔrɡaɲˌizɔvˈali tsˈɔɕ nˌautʃɨtɕˈɛlɛ f ʃkˈɔlɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_118.wav|ˌalɛ ɲʲɛ mˈɔɡwam ɕɛ tˈɛʃ ˌɔsfɔbˈɔdʑitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_7.wav|ˈilɛ lˈat mˈa ˈalfjɛ?|3
+Dataset/wavs/urwisko_ferenc/33_segment_15.wav|pɔrˈɛvitʃ fspʲˈɔw ɕɛ na pʲˈɛntrɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_121.wav|tʃɨ vˌɨklutʃˈɨliɕmˌɨ fʃˈɨstkix mʲɛʃkˈaɲtsuf?|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_183.wav|dˌɔstaɲʲˈɛmɨ ftrˈɔntsa ˈɛlis. tɨm rˈazɛm ɲʲɛ zɔstˈaviʃ mɲʲɛ w mɔtˈɛlu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_25.wav|sˈɔbur swɔvʲˈaɲski. mˈarʃ na ɛwrˈɔpɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_91.wav|prubˈujɛ mɲʲɛ ˌuspɔkˈɔitɕ i pʃˈɛs xfˈilɛ prˈavʲɛ mu ɕɛ tɔː udˈajɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_102.wav|dlatʃˈɛɡɔ ɲʲɛ pˌɔvʲɛdʑˈawɛɕ mi, ʒˈɛ vʲˈɛʃ ɔ pɔkˈɔʒɛ?|3
+Dataset/wavs/urwisko_ferenc/23_segment_120.wav|naprˈavdɛ sˈɔɲdʑi pˈaɲi, ʒˈɛ f tˈakʲɛj xfˈili kɔbjˈɛta...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_18.wav|tˈɔm zˌanɔtˈɔvaw ʃtʃɛɡˈuwɨ i pˌɔdʑɛŋkˈɔvaw pˌɔdvwadnˈɛmu.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_109.wav|nˈavɛt kʲˈɛdɨ mu rˌɔskazˈawɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_10.wav|lˈas rɔzbʒmʲˈɛva ɕpʲˈɛvɛm ptˈakuf i ʃɛmrˈaɲʲɛm vˈɔdɨ z rɔstˈɔpuf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_107.wav|prˈavʲɛ ɔdmˈavja, ˌalɛ spɔɡlˈɔnda na jɛj blˈadɔ̃, bwaɡˈalnɔ̃ tfˈaʃ i znˈuf mˈɨɕli tɔ ja tɕˈɛ dˌɔprɔvadʑˈiwɛm dɔ takʲˈɛɡɔ stˈanu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_69.wav|pʃˈɛstaɲ ɕɛ tˈak mˈazatɕ, ˈanɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_174.wav|ˌalɛ jˈɛɕli udˈajɛ, tɔ jɛzd dˈɔbrɔ̃ aktˈɔrkɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_63.wav|pˈɔtʃɛd dɔː ˈɔkna i vˈɨjʒaw na ʒˈɛkɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_73.wav|bʲˈillɨ dʒˈɛmjɛ z ɡwˈɔvɔ̃ ˌɔtxɨlˈɔnɔ̃ dɔ tˈɨwu i pɔd brˈutkʲɛm vˌɨmjɛʒˈɔnɨm f pʃˈɛdɲʲɔ̃ ʃˈɨbɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_254.wav|xˈɔtɕaʃ ɲʲɛ vʲˈɛdʑaw jˈɛʃtʃɛ ˈɔtɨm, tˈak jˈak ɲˈiɡdɨ ɲʲɛ vʲˈɛdʑaw ˈɔtɨm, ʒˈɛ bˈɨw kʲˈɛdɨʑ dʑˈɛtskʲɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_65.wav|jˈɛɕli ɲʲɛ zdˈɔwam tˌɛɡɔ dɔkˈɔnatɕ, f pˌɔɲʲɛdʑˈawɛɡ bˌɛndɛ pisˈawa lˈist ɔ rˌɛzɨɡnˈatsji zˈɛ stˌanɔvˈiska i pˈɛvɲʲɛ vˌɨprɔvˈadʑɛ ɕɛ z dˈɔmu, f ktˌurɨm mʲˈɛʃkam z mˈɛ̃ʒɛm i dʑˈɛtɕmi.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_62.wav|bˌɛndɔ̃ fɕrˈut ɲˈix tʃˈɨ pʃˌɛtstavitɕˈɛlki vˈaʃɛj ɲʲɛvʲˈɛɕtɕɛj pˌuwkɔvnˈitɕi. dʑɛvˈitsa, mˈatka...|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_176.wav|nˈavɛt ˌɔdvʲɛdʑˈiwɛm kɔbjˈɛtɛ, ktˌura pʃˈɛs ɲʲˈɛɡɔ zapˈadwa w ɕpʲˈɔntʃkɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_234.wav|naprˈavdɛ ɲʲɛ rɔzˈumjɛm.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_221.wav|w dɔlˈiɲʲɛ ʒˈɨjɛ kˈilka ɡawˈɛ̃ʑi rˈɔdu arˈɨnuf, a fʃˈɨstkʲɛ sɔ̃ tˈak sˈamɔ dˈumnɛ jˈak ubˈɔɡʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_84.wav|i ftɕˈiska pʃˈɨtɕizɡ zˌaɕilˈaɲʲa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_13.wav|ʃˈaɲitsˌɛ jˈɛdnɔ̃ rˈɛŋkɔ̃ xfˈɨta dwˈɔɲ mˈamɨ, drˈuɡɔ̃ bʲillʲˈɛɡɔ, pɔ tʃɨm pʃˌɛtɕiskˈajɔ̃ ɕɛ pʃˈɛs twˈum i znajdˈujɔ̃ kavˈawɛɡ vɔlnˈɛɡɔ mʲˈɛjstsa na rˈɔɡu xˈɔllant i mˈain.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_22.wav|stˈaɲ, mˈili, ɲʲɛ zrˈɔbjɛ tɕi kʃˈɨvdɨ. zˌaɔpʲɛkˈujɛ ɕɛ tˈɔbɔ̃. zɔbˈatʃɨʃ, ʒˈɛ mˈam dla tɕˈɛbjɛ mˈiwɔ̃ ɲʲˌɛspɔdʑˈaŋkɛ.|4
+Dataset/wavs/urwisko_ferenc/24_segment_92.wav|pamjˈɛntaw, ʒˈɛ sˈɛrtsɛ bʲˈijɛ tsˈɔras ʃˈɨptɕɛj, rɔspˈɛndʑa ɕɛ i pʃɨspʲˈɛʃa skˈurtʃɛ, ˈaʃ f kˈɔɲtsu nˈaɡlɛ ɕɛ zˌatʃɨmˈujɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_168.wav|f sfˈɔim pɔkˈɔju za ɕtɕˈanɔ̃ pˈiʃɛ dɔ bakʲˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_6.wav|rˌudɔvwɔsˈɛmu xɔffˈɔvi ɲʲˌɛspɛtsjˈalɲʲɛ s tɨm dɔ tfˈaʒɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_70.wav|pʃɛvˈija ˈɛkran i pɔdˈajɛ mi tɛlˈɛfɔn.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_91.wav|idʑˈɛmɨ ulˈitsɔ̃ ˌɔddalˈajɔnts ɕɛ ɔt ʃpitˈala f strˈɔnɛ pʃɨstˈaŋku trˌamvajɔvˈɛɡɔ. ɔpʲˈɛram ɕɛ pɔkˈuɕɛ zɛrkˈaɲʲa za ɕˈɛbjɛ.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_245.wav|f pˌɔmarʃtʃˈɔnɛj dwˈɔɲi ɕtɕˈiskaw lˈist.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_52.wav|za nɛtflˈiksa.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_84.wav|zapˈɨtaw dʑɛftʃˈɨnɛ dʒˈɛjn. tˈak, pˈaɲʲɛ. mˈuvʲɔnts pˈija, zˌaswaɲʲˈawa ˈusta rˈɛŋkɔ̃. pˈɛtsk pˈɔdaw vˈinɔ na zwˈɔtɛj tˈatsɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_42.wav|mˈɔʒna bˌɨwɔ pɔmˈɨɕlɛtɕ, ʒˈɛ tɔ dˈuɣ dˈavnɛj vwˌaɕtɕitɕˈɛlki mˌatɛrjˌalizˈujɛ ɕɛ pɔɕrˈɔtku pˈuʃtʃɨ.|0
+Dataset/wavs/urwisko_ferenc/55_segment_81.wav|zˌapraʃˈanɔ ɡˈɔ tˈɛʃ na spɔtkˈaɲʲa z ɔkˈazji rˈɔtʃɲits mˈatur. ʒadnˈɛɡɔ ɲʲɛ ɔpˈuɕtɕiw. ɔn bˈardʑɔ kˈɔxaw tɨx mwˈɔdɨx lˈudʑi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_26.wav|mˈɨɕli ˈɔtɨm, tsˈɔ rɔbʲˈiliɕmˌɨ, ɲˈiɡdɨ mɲʲɛ ɲʲɛ ˌɔpuʃtʃˈajɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_83.wav|wˈatfɔ pɔmˈɨɕlɛtɕ, mɲʲɛ tsˈɔɕ takʲˈɛɡɔ bˈɨ ɲʲɛ ɡrɔzˈiwɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_48.wav|xtsˈɛ pˈan vʲˈɛdʑɛtɕ, jˈaɡ bˌɛɲdʑɛ ɕɛ pˈan nazˈɨvatɕ?|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_15.wav|tˈaɡ vʲˈɛnts nˈɔvɨ vˈarʃtad bˈɨw prˈavʲɛ pˈustɨ, a ja znˈawam kˈɔd dɔ zˈamka.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_43.wav|a najbˈardʑɛj dɔ pˌɔkɔˈiku sˈɨna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_71.wav|dˈɔn ɲʲɛ tʃˈɛka, ˈaʒ bʲˈillɨ dɔkˈɔɲtʃɨ. dˈɔbʒɛ, tɔ dˈɔbʒɛ. dˈalɛj pɔdlˈɛvaj dˈuffɨ i vallˈɛra, bˈɔ vʲˈɛʃ tsˈɔ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_63.wav|rˌɔzumjˈawam, dlatʃˈɛɡɔ mˈɔʒɛ ix ˌɛmɔtsjɔnˈɔvadʑ vʲˈɛlka kˈuxɲʲa, ˌalɛ pɔ tsˈɔ nˈam bˌɨwɨ tɛ fʃˈɨstkʲɛ pˌɔzɔstˈawɛ pɔkˈɔjɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_130.wav|swˈɨʃɛ vwˈasnɛ wukˈaɲʲɛ i jɛst mi fstˈɨd za tˈɛ swˈabɔɕtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_69.wav|dˈɔbʒɛ zˈɛ sˈɔbɔ̃ ʒˈɨjɔ̃ i jˈaɡ bˌɛɲdʑɛʃ ɕɛ zˌaxɔvˈɨvaw jˈak nalˈɛʒɨ, tˈɛʒ bˌɛɲdʑɛʒ z ɲˈimi dˈɔbʒɛ ʒˈɨw.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_118.wav|vɨjˈɛwam ɡʲˈizmɔː i zˌadʑvɔɲˈiwam dɔ bˈɔba.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_33.wav|pɔlˈitsja pˌɔvʲɛdʑˈawa nˈam vɨrˈaʑɲʲɛ, ʒˈɛ ɲʲɛ pˌɔvinɲˈiɕmɨ vɨxˈɔdʑitɕ, ɔː ˈilɛ ɲʲɛ jɛst tɔː ˌapsɔlˈutɲʲɛ kɔɲʲˈɛtʃnɛ. pˈɔza tɨm zˈɔɛ mˈuɕi nˈam tˌɔvaʒˈɨʃɨtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_32.wav|tˈak tʃɨ inˈatʃɛj, jɛdˈɨnɔ̃ ɔsˈɔbɔ̃ dˌɨspɔnujˈɔntsɔ̃ adrˈɛsɛm ʃˈɔnɨ brˈɔvn jɛzd dˈɔnalt, pɛwɲʲˈɔntsɨ fˈuŋktsjɛ sˌɛkrɛtˈaʒa ɡrˈupɨ tˌɛatrˈalnɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_391.wav|i zaswˈaɲʲa ɕɛ ɲʲˈɛzbɨt ʃtʃˈɛlɲʲɛ rˌamjɔnˈami zˈɛ ɕlˈadɛm ˌɔpalɛɲˈiznɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_115.wav|stˈaw tˈak xfˈilɛ bˈɛs rˈuxu, a pˈɔtɛm pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_179.wav|fʃˈɨstsɨ tɔ vʲˈɛdʑɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_42.wav|dʒvˈi frɔntˈɔvɛ ˌɔtfʲɛrˈajɔ̃ ɕɛ i swˈɨxatɕ, jˈak rˈixtɛr fxˈɔdʑi dɔ ɕrˈɔtka. vˌɨtarlˈivɨ mʲɔtɕˈinɨ, ˌalɛ tsˈɔ jˈɛɕli pɔtʃˈujɛ smrˈut?|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_348.wav|na krulˈɛfskim trˈaktɕɛ ɲʲɛ spˌɔtɨkˈali vɛndrˈɔftsuf, a ɔd zmʲˈɛʃxu dɔ ɕfˈitu znuʒˈɔnɨm ɕfʲˈatɛm vwadˈawɨ vˈilki.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_167.wav|ʃkˈɔda, ʒˈɛ ɲʲɛ udˈawɔ ɕɛ jɛj pʃɨjˈɛxatɕ ftʃˈɛɕɲʲɛj.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_195.wav|zˌasuɡˌɛrɔvˈawa lˈadɨ mˌɛrivɛˈatxɛr. ɲʲˌɛvɨklutʃˈɔnɛ, ʒˈɛ jˈɛdna z ɲˈix ɲʲɛ brˈawa f tɨm udʑˈawu.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_191.wav|dˈalɛ pʃɛkrˈɛɲtɕiw zˈavur i mɡlˈistɨ strˈumjɛɲ pɔvʲˈɛtʃa s tɕˌiɕɲʲɛɲʲˈɔvɛj kabʲˈinɨ wazˈika zˈatʃɔw bˈuxadʑ dɔ vnˈɛntʃa ɕlˈuzɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_200.wav|spɔɡlˈɔnda f tsɛlˈɔvɲik i mˈa tsˈawɔ̃ stsˈɛnɛ na vˌɨtɕɔŋɡɲʲˈɛɲtɕɛ rˈɛŋki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_13.wav|mˈam ɔxˈɔtɛ pɔtʃˈɔ̃snɔɲdʑ ɡwˈɔvɔ̃, ˌalɛ iɣ bʒɛntʃˈɛɲʲɛ rɔzlˈɛɡa ɕɛ f pɔblˈiʒu mˈɔix ˈuʃu i ɲʲˈɛxtsɛ ix rɔzzwˈɔɕtɕitɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_5.wav|mˈam ɔxˈɔtɛ zˈɛrvatɕ ɕɛ s sˈɔfɨ, zaxˈɛɲtɕitɕ tˈɔma i bˈɛtskɨ, bˈɨ ʒutɕˈili ɕɛ w vˈir pˌɔʃukˈivaɲ tˌɛɡɔ tʃwɔvʲˈɛka, ˌalɛ ˌɔɲi ɕɛ nˈavɛt ɲʲɛ ruʃˈɨli.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_167.wav|ˌalɛ tɔ ɲʲɛ bˌɨwa tsɛrsˈɛi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_18.wav|bʲˈili xˈɔva ɛrtʃʲˈɛɡɔ dɔ bˈɔtʃnɛj kʲɛʃˈɛɲi tˈɔrbɨ i pɔdnˈɔɕi jˈɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_56.wav|mˈartʲin ˈuɲʲuz brvˈi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_10.wav|zˌawɔʒˈɨliɕmˌɨ, ʒˈɛ mˈarta pʃˌɨvʲɔ̃zˈawa ɕɛ w rˌɔmantˈɨtʃnɨ, ˌɛrɔtˈɨtʃnɨ lˈup ˌɔpsɛsˈɨjnɨ spˈɔsub dɔ naˈila stratskˈana.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_155.wav|ɲʲɛ bˈatʃɔnts na dʒˈazɡʲi, ktˌurɛ vbʲijˈajɔ̃ ɕɛ tsˈɔraz ɡwˈɛmbjɛj w jˈɛɡɔ pˌɔtʃɛrvʲɛɲʲˈawɛ ʑˈimnɛ stˈɔpɨ, bʲˈillɨ bjˈɛɡɲʲɛ sprˈintɛm dɔ kanˈapɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_55.wav|dʒˈɔrdʒ vˈilsɔn kʲɛrˈujɛ kamˈɛrɛ na ˌɔtfʲɛrajˈɔntsɛ ɕɛ dʒvˈi sˈuva. vɨɕˈada jˈɔɛl ˈallɛn, ɲˈitʃɨm ɡvʲˈazda filmˈɔva vˌɨxɔdʑˈɔntsa zˈɛ sfˈɔjɛj pʃɨtʃˈɛpɨ na plˈaɲʲɛ filmˈɔvɨm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_15.wav|tˌɛɡɔ dɲʲˈa ˈandɛrsɔn skˈɔɲtʃɨw prˈatsɛ ɔkˈɔwɔ drˈuɡʲɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_68.wav|kʲˈɛdɨ bʲˈilljɛ fxˈɔdʑi z dɨʃˈanɨm pɔ pˌuwtuzˈiɲʲɛ sprˈintu f pɔsxˈɔdax, zastˈajɛ jˈɔ̃ ˌɔɡlɔndajˈɔntsɔ̃ prˈɔɡram kˌulinˈarnɨ f tˌɛlɛvˈizji.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_50.wav|mˌamɨ tˈu tˌɨlkɔː ˌambulatˈɔrjum, dˈɔktɔr rˈussɛl, ktˌura ˌumjɛɕtɕˈiwa mɲʲɛ w jˈakimɕ pɔkˈɔju na zaplˈɛtʃu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_23.wav|i za bˈul jˈaki spˌɔvɔdɔvˈawa.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_15.wav|krulˈɔva naprˈavdɛ stanˈɛwa pɔ strˈɔɲʲɛ zdradʑˈɔnɨɣ ʒˈɔn pʃɛtɕˈifkɔ vwasnˈɛmu sɨnˈɔvi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_42.wav|pwˈatʃ jɛst ɔznˈakɔ̃ ˌɛɡɔtsɛntrˈɨtʃnɛj natˈurɨ.|3
+Dataset/wavs/urwisko_ferenc/10_segment_66.wav|vˌɨsunˈɔ̃fʃɨ jˈɛ̃zɨk, krˈɛɕliw kɔɕlˈavɛ litˈɛrɨ mˈamɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_255.wav|ˌalɛ dvˈux pˌɔlitsjˈantuv vˌɨkrɛɲtɕˈiwɔ mu rˈɛntsɛ i spɨxˈawɔ najˈɛzdɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_95.wav|jˈɛɕli nˈavɛt ɲʲˈɛma, tɔ tɨ jˈɛ znˈajdʑɛʃ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_135.wav|jˈamɛ ɔpˈiʃɛ jˈɛɡɔ tʃˈɨnɨ w bjˈawɛj kɕˈɛndʑɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_94.wav|rˈɔp ɕɛ zamˈɨɕliw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_221.wav|jˈɛʃtʃɛ xfˈilɛ, ɕˈɛdʑi i pˈatʃɨ na trˈavɲik.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_74.wav|vʑˈɛwa ɡwɛmbˈɔki vdˈɛx, pɔ tʃɨm ɕɛŋɡnˈɛwa dɔ klˈamki i nˌatɕisnˈɛwa jˈɔ̃ bˈardʑɔ pɔvˈɔli, ʒˈɛbɨ ɲʲɛ xˌawasˈɔvatɕ.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_78.wav|ˌalɛ tɔː ˌɔna ˌɔkazˈawa ɕɛ z nˈas nˌajmɔndʒˈɛjʃa.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_122.wav|vwˈas nˈumɛr dvˈa. tˈɛn, ktˌurɨ prubˈɔvaw nˈaz zˈabʲitɕ, mʲˈaw ˌɔblɔdʑˈɔnɔ̃ krˈavɛɲtɕ w mʲˈɛjstsu, ɡdʑˈɛ ˌuxɔdʑˈiwɔ pɔvʲˈɛtʃɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_16.wav|s tˈɨwu znˌajdɔvˈawɨ ɕɛ ˌakumˌulatˈɔrɨ zˌaɕilajˈɔntsɛ vɛvnˈɛntʃnɨ ˈukwad vˌɛntɨlˈatsji i sˈɨstɛm pˌɔxwaɲʲˈaɲʲa dvutlˈɛŋku vˈɛŋɡla.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_196.wav|zɡˈɔdʑiw ɕɛ ɡɛmbˈɔsxraj. fʃˈɨstsɨ, ktˌuʒɨ zˈɛmnɔ̃ pɔjˈadɔ̃, ˌɔtʃɨmˈajɔ̃ sˈutɔ̃ naɡrˈɔdɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_46.wav|jˌɛstɛm tˈak pˌɔɡrɔ̃ʒˈɔna w mˈɨɕlax, ʒˈɛ lˈɛdvʲɛ dɔtɕˈɛra dɔ mɲʲɛ ˈɔdɡwɔs pukˈaɲʲa dɔ dʒvˈi.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_86.wav|sˈɛr zvˈaw mɲʲɛ ɡˌɛnbɔsrˈajɛm, jˈɛɕli wˈaska, pˈaɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_22.wav|tɔ tfˈuj bɛspʲˈɛtʃnɨ pˈɔkuj? pˈɨta bʲˈillɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_67.wav|zˌablɔkˈɔvaw mɲʲɛ jˈakiɕ idjˈɔta. ɲʲɛ mˈɔɡwam vɨjˈɛxatɕ ˌaɲi pʃˈɔdɛm, ˌaɲi tˈɨwɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_36.wav|radˈɔsnɔ̃ xfˈilɛ pʃɛrvˈawɔ pukˈaɲʲɛ dɔ dʒvˈi i dɔ pɔkˈɔju zajʒˈawa ɔstˈatɲʲa ɔsˈɔba, jˈakʲɛj tˈɔm bˈɨ ɕɛ tˈutaj spɔdʑˈɛvaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_127.wav|kʲˈɛdɨ lɛʒˈawam na wˈuʃku tʃɛkˈajɔnts na stsˈɔtta, zdˈawam sˈɔbjɛ sprˈavɛ, ʒˈɛ na kˌɔrɨtˈaʒu za dʒvʲˈami zapˈadwa tɕˈiʃa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_341.wav|kˈɔrsak uɕmʲˈɛxnɔw ɕɛ zˌaxɛntsajˈɔntsɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_81.wav|ɲʲˈɛʑlɛ bˈɨ ɕɛ vɨɡwˈupiw, ɡdˈɨbɨ mˈuɕaw ˈuʒɨdʑ ɡlˈɔka, a tɛn ɕɛ zˈatɕɔw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_196.wav|sˈam jˈɛ sˈɔbjɛ vˈɛzmɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_176.wav|i mɲʲɛ pʃˈɛs mˈɔmɛnd zˌabɔlˈawa pʃˈɨkrɔɕtɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_530.wav|bˈɔʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_84.wav|zmuʃˈawa ɕɛ dɔ pʃˌɨɡlɔndˈaɲʲa ɕɛ fʃˈɨstkim pɔ kɔlˈɛi.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_90.wav|ɲʲˈɛma za tsˈɔ, pˈaɲʲɛ xˈu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_92.wav|tˈɛras f tɨm puwmrˈɔku vˌɨɡlɔndˈawa ɲˈitʃɨm ˈɔbras tsɛrkʲˈɛvnɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_64.wav|tˈɛras tsˈawɛ mˈɔjɛ tɕˈawɔ vɨdˈajɛ ɕɛ klˈɛitɕ ɔt pˈarnɛj pɔɡˈɔdɨ ˈalbɔ zˈɛ strˈaxu, sˈama ɲʲˈɛvʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_164.wav|pʃˈɛs tsˈawɔ̃ drˈɔɡɛ pʃˌɛɕladɔvˈawɨ ix jɛɕˈɛnnɛ vixˈurɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_82.wav|ɲʲˈɛvʲɛm za bˈardʑɔ, ɔ tsˈɔ f tɨm fʃˈɨstkim xˈɔdʑi, ˌalɛ vɨrˈaʑɲʲɛ zalˈɛʒɨ jɛj na mˈɔjɛj ɔpˈiɲʲi.|4
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+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_100.wav|mɛ̃ʃtʃˈɨzna pɔvʲˈɛdʑaw, zˌaxɔvˈawa pˈaɲi prˈavɔ dɔː ɔpʲˈɛki nat mˈawɨm bˌɛnjamˈinɛm, bˈɔ ɲʲɛ mˌamɨ dɔvˈɔduf, ʒˈɛ bˌɨwɔː inˈatʃɛj.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_376.wav|ʃkˈɔda, ʒˈɛ ɡˈɔ ɲʲɛ pˌɔswuxˈawam.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_97.wav|brjˈannɛ muɕˈawa ɕɛ sxˈɨlitɕ, bˈɨ ɲʲɛ udˈɛʒɨdʑ ɡwˈɔvɔ̃ ɔ natprˈɔʒɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_95.wav|tɔ kʲˈɛpska rɔbˈɔta. ɔttɕˈɛɲʲɛ ʑɛlˈɛɲi, kturˈɨmi nˌamalɔvˈanɔ zvʲɛʒˈɛnta sɔ̃ zbˈɨt ˌaɡrɛsˈɨvnɛ.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_300.wav|jˈɛdɛn z vrˈubli.|1
+Dataset/wavs/urwisko_ferenc/19_segment_95.wav|vˈinda zvɔlɲˈiwa, pɔ tʃɨm z ɡwˈuxɨm stˈukʲɛm zˌatʃɨmˈawa ɕɛ na partˈɛʒɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_56.wav|na ɔstˈatɲʲɔ̃ minˈutɛ tˈɔm pʃɛstˈaviw kˈurɛk na ʑˈimnɔ̃ vˈɔdɛ, mˈajɔnts nadʑˈɛjɛ, ʒˈɛ bˈardʑɛj ɡˈɔ tɔ rɔzbˈudʑi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_6.wav|kˈaʒdɨ s tɨx ukwˈaduv zˈɔstawbˌɨ pɔbʲˈitɨ pʃˈɛs mɔjˈɛɡɔ fˈula ˌɔpartˈɛɡɔ na ˈasax.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_142.wav|zˌaswaɲʲˈawɨ pɔvˈɔli fʃˈɨstkɔ f tɨm mrˈɔtʃnɨm pɔddˈaʃu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_63.wav|zadʑvˈɔɲʲɛ dɔ ɲʲˈɛj. ɔɕfʲˈattʃam, xˈɔtɕ na sˈamɔ̃ mˈɨɕl ˈɔtɨm, tsˈɔ mˈɔʒɛ s tˌɛɡɔ vɨɲˈiknɔɲtɕ, zˌatʃɨnˈajɔ̃ mi drʒˈɛdʑ dwˈɔɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_38.wav|xˈɔtɕ pˌɔftaʒˈawam jɛj vʲˌɛlɔkrˈɔtɲʲɛ, ʒˈɛ vˈartɔɕtɕ jɛj dˈɔmu znajdˈujɛ ɕɛ pɔɲˈiʒɛj prˈɔɡu pˌɔdatkɔvˈɛɡɔ, ɲʲɛ zmʲɛɲˈiwa zdˈaɲʲa.|3
+Dataset/wavs/urwisko_ferenc/53_segment_131.wav|f kˈɔɲtsu znˈa ɕɛ nˈatɨm lˈɛpʲɛj ɔt ɲʲˈɛj, ɲʲɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_44.wav|pˈɔtɛm mˈama zrɔbʲˈiwa mi dvʲˈɛ kanˈapki z mˈaswɛm ˌɔʒɛxˈɔvɨm i dʒˈɛmɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_261.wav|znˈam tɕˈɛ ɔt tʃˈasuf tfɔjˈɛɡɔ pʲɛrʃˈɛɡɔ vɨbrˈɨku. ɲʲˈɛxtsɛʃ tˌɛɡɔ pʃˈɨznatɕ, ˌalɛ jˌɛstɛɕ tˈaka sˈama jˈak tfˈuj ˈɔjtɕɛts. vɨznˈajɛʃ jˈɛɡɔ zasˈadɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_37.wav|zˌɔrjɛntɔvˈawam ɕɛ vˈuftʃas, ʒˈɛ pʃˈɨʃwa mɲʲɛ pˌɔinfɔrmˈɔvatɕ ɔ sfˈɔim ɔdˈɛjɕtɕu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_5.wav|mˈam tsˈɔɕ nɔvˈɛɡɔ, sˈɛr. dˈɔbrɛ vʲˈɛɕtɕi, tˈak mi ɕɛ vɨdˈajɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_69.wav|mˈarta vɛstxnˈɛwa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_114.wav|ɲʲɛ xtɕˈɛliɕmˌɨ, ʒˈɛbɨɕ tɕɛrpʲˈawa, bˈɔ kʲˈɛdɨ dʑˈɛtɕi f ʃkˈɔlɛ dˌɔvʲɛdʑˈawɨbˌɨ ɕɛ ˈɔtɨm, zatʃˈɛwɨbˌɨ tɕˈɛ nˈɛŋkatɕ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_111.wav|za tsˈawɛ sfˈɛ srˈɛbrɔ sˈam ɔtʃˈɨmaw tˌɨlkɔ pˈuw butˈɛlki sɛnnˈɛɡɔ vˈina.|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_105.wav|ɲʲɛstˈɛtɨ, pˈan lˈɔtskridʒ mˈa rˈatsjɛ, kɔxˈaɲʲɛ pɔtfʲˈɛrdʑa tsɔrˈinnɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_524.wav|ruʃˈawa z jˈɛŋkʲɛm vˈinda,|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_11.wav|brˈɛnda tsˈɔllins. tɔ mˈɔja najlˈɛpʃa kumpˈɛla z litsˈɛum, a tɨ tsˈɔ?|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_121.wav|mɛ̃ʃtʃˈɨʑɲi twɔtʃˈɨli ɕɛ vˈɔkuw ɔɡɲˈiska, bˈɨ ɕɛ ˈɔɡʒatɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_36.wav|pɔjˈɛxaw ˌawtɔbˈusɛm ˈaʒ dɔ mˈɔʒa.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_220.wav|vɨnˈɔɕmɨ ɕɛ stˈɔnt.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_119.wav|a vʲˈɛnts fxˈɔdʑi mˌuzuwmˈaɲin dɔ bˈaru...|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_121.wav|ftˈɛdɨ spɔjʒˈawam na stˈɔwɨ pɔɲˈiʒɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_14.wav|tˈaɡ vʲˈɛnts ɔdwˈɔʒ��w swuxˈafkɛ i pˈɔtʃɛd dɔː ˈɔkna, ɡdˈɨʃ pʃɛʃkˈadʑaw mu vˈarkɔt mɔtˈɔru.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_136.wav|ɕˈɛbjɛ znˈam tˈɛʃ jˈaɡbɨ zˈɛ snˈu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_13.wav|ɲˈits mɲʲɛ ɲʲɛ ɔpxˈɔdʑi, tsˈɔ stˈawɔ ɕɛ pɔmjˈɛndʑɨ tˈɔbɔ̃ a ˈɛstɛr. bˈɨtɕ mˈɔʒɛ, ʒˈɛ tɔ mˈɔja vˈina.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_127.wav|ˌalɛ ɲʲɛ jɛzd ɡwˈupja.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_66.wav|ˈutɕɛɡw z dˈɔmu i pʃɨwˈɔntʃɨw ɕɛ dɔ trˈupɨ muzˈɨkuf, ktˌurɨx swˈɨʃaw na jarmˈarku.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_118.wav|tʃˈujɛ ˈutɕizɡ w ɡˈardlɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_222.wav|tsˈuʃ tɔ jˈɛst? zapˈɨtaw mˈikɛ.|0
+Dataset/wavs/urwisko_ferenc/50_segment_41.wav|lˈɛɡnɛr pʃˈɨɡrɨz vˈarɡɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_75.wav|frˈaŋk jɛst w ɕpʲˈɔntʃtsɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_118.wav|ˌɔna vʲˈɛ, ʒˈɛ ktˈɔɕ tˈam jˈɛst.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_66.wav|bˌɨwɔ tˈutaj mnˈustfɔ zabˈavɛk i tˌɛlɛvˈizɔr, kturˌɛɡɔ ɲʲɛ mʲˈawa f sfˈɔim pɔkˈɔju w dˈɔmu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_439.wav|vratsˈamɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_245.wav|dʑɛftʃˈɨna ˌɔbjɛtsˈujɛ, ʒˈɛ tˈaɡ zrˈɔbʲi.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_56.wav|ɔ mˈawɔ ɲʲɛ ˌɔtpɔvʲˈɛdʑaw sˈam.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_73.wav|kʲˈɛdɨ pʃˌɛprɔvadʑˈiliɕmˌɨ ɕɛ dɔ lɔndˈɨnu, pʃˈɛs kˈilka mʲɛɕˈɛntsɨ bˌɨwam ˌɔɡwupʲˈɔna.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_121.wav|xˈɨba, ʒˈɛ tɔ bˌɨwɔː ˌapsɔlˈutɲʲɛ kɔɲʲˈɛtʃnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_199.wav|tɔ ɲʲɛ jˈak pɔvʲˈastka ɔ kɔɲˈiku pˈɔlnɨm imrˈuftsɛ, tɔ ɲʲɛ jɛst tɔ, tsˈɔ ɕɛ dʑˈɛjɛ.|2
+Dataset/wavs/urwisko_ferenc/04_segment_73.wav|jˈak tɕˈɛ dˈɔrvɛ, tɔ jˈuʃ ɲˈikt tɕˈɛ ɲʲɛ znˈajdʑɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_348.wav|tʃɨ pˈan zˌauvˈaʒɨw, ʒˈɛ stˈarɛ, ʒɛlˈaznɛ wˈuʃkɔ mˈa zˈapax?|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_62.wav|ɔt jˈɛɡɔː ˈɔkna krˈɛɕli vˌɨimˌaɡʲinɔvˈanɔ̃ ukˈɔɕnɔ̃ lˈiɲʲɛ w ɡwˈɔmp tsˈart strˈit, ktˌura mˈa tˌɨlkɔ dvʲˈɛ pʃɛtɲˈitsɛ dwuɡˈɔɕtɕi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_170.wav|dlatʃˈɛɡɔ xˌaˌɔˈɛf f tɨm ˌutʃɛstɲˈitʃɨ?|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_445.wav|ɲʲˈɛmuɡwbˌɨ pʃɛvˈidʑɛtɕ spˌiwɔvˈanɨɣ zˈɛmbuf kɔ̃sˈatʃa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_27.wav|kʲˈɛdɨ bʲˈillɨ fxˈɔdʑi pɔ sxˈɔdax na stsˈɛnɛ, mˌɛtallˈitsa zastˈɔmpiw tˈɔm vˈaits, xrɨpʲˈɔntsɨ sˈikstin ʃˈɛlls frˈɔm a tˈirtɨˈawt sˈiks.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_37.wav|pʃɛtɕˈɔŋɡnɔw tɔː ɔstˈatɲʲɛ swˈɔvɔ, ˌukwadˈajɔnts ˌidɛˈalnɨ ˈɔkrɔŋk sfɔˈimi varɡˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_39.wav|mˈɨɕlɛ, ʒˈɛ kˈaʒdɨ mˈa f sˈɔbjɛ jˈakɔ̃ɕ tˈakɔ̃ pˈɔdwɔɕtɕ, ktˌura tʃˈasɛm vɨxˈɔdʑi na vʲˈɛʃx jˈak krˈɛf ˈalbɔ rˈɔpa.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_54.wav|jˌɛstɛm lˈɛvis pˈipɛr, jˈɛɕli wˈaska, pˈaɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_100.wav|mˈam vraʒˈɛɲʲɛ, ʒˈɛ tɔ kˈara za mˈɔjɛ ftʃɛɕɲʲˈɛjʃɛ mˈɨɕli ɔ prˌɔzaitʃnˈɔɕtɕi naʃˈɛɡɔ mawʒˈɛɲstfa.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_184.wav|pʃɛprˈaʃam tɕˈɛ, tˈatɔ, bˈardʑɔ tɕˈɛ pʃɛprˈaʃam. utɕˈɛkaj z dˈɔmu, zadʑvˈɔɲʲɛ dɔ tɕˈɛbjɛ, kʲˈɛdɨ bˌɛɲdʑɛ pɔ fʃˈɨstkim. jasmˈinɛ! zˈatʃɔw ˈɔjtɕɛts, ˌalɛ pʃɛrvˈawam pˌɔwɔntʃˈɛɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_212.wav|dla pʃɨʃwˈɔɕtɕi, jˈak sˈɔndʑɛ.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_79.wav|kɔlˈɛjnɨ pʃɨtʃˈuwɛk.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_22.wav|pʃɛwˈɨkam ɕlˈinɛ i ɔtfʲˈɛram ˈusta, bˈɨ zavˈɔwatɕ ˈaʃa, kʲˈɛdɨ dʒvˈi prˌɔvadʑˈɔntsɛ dɔ kˈuxɲi ɕɛ ˌɔtfʲɛrˈajɔ̃ i ɔn sˈam mˌatɛrjˌalizˈujɛ ɕɛ f xˈɔlu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_44.wav|jˈɛɕli tˈutaj ˈumrɛ, a dɔmˈiɲik utɕˈɛkɲʲɛ, mˈɔjɛ dʑˈɛtɕi zɔstˈanɔ̃ vˌɨxɔvˈanɛ pʃˈɛs tˌɛɡɔ stˌɔjɔntsˈɛɡɔː ˌɔbɔk mɲʲɛ ʃalˈɛɲtsa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_66.wav|tsˈɔ tɛn idjˈɔta i pɔvʲˈɛdʑaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_33.wav|ɲʲɛ, xˈɔdʑi ɔː ɔɡˈulnɛ ˌinfɔrmˈatsjɛ. xˈɔdʑmɨ zˈatɛm.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_270.wav|tsˈɔ tɔ mˈa znˈatʃɨtɕ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_56.wav|lˈutsɨ vzruʃˈɨwa rˌamjɔnˈami.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_515.wav|ɔbˈɔjɛ ɕɛ ɕmʲˈaliɕmˌɨ. ɕmʲˈaliɕmˌɨ ɕɛ tˈaɡ bˈardʑɔ, ʒˈɛ ɲʲɛ mˈɔɡwam zwˈapatɕ ɔddˈɛxu, a f kˈɔɲtsu ɕɛ zlˈawam.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_55.wav|pɔt nˈaʃɔ̃ pwˌɨvajˈɔntsɔ̃ zapˈɔrɔ̃ s pɛvnˈɔɕtɕɔ̃ pʃɛɕlˈizɡnɔw ɕɛ f tɛn sˈam spˈɔsup.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_30.wav|vˈidʑɛ tˈɛras jˈɛɡɔ tfˈaʃ, vˌɨkʃɨvʲˈɔnɔ̃ bˈulɛm z ustˈami wˌapʲɔntsˈɨmi pɔvʲˈɛtʃɛ. vʲɛdʑˈawam, ʒˈɛ umjˈɛra.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_184.wav|tsˈawɛ vnˈɛntʃɛ tɛntɲˈiwɔ ʒˈɨtɕɛm.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_443.wav|ˈuɕmʲɛx, ktˌurɨ pɔjˈaviw ɕɛ na ˈustax sˈɛr illˈɨna, ɲʲɛ spɔdˈɔbaw ɕɛ jˌamjɛˈɛmu. tɔ bʒˈɨtki ˈuɕmʲɛx.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_30.wav|pɔvʲˈɛdʑaw vɨrˈaʑɲʲɛ zdˌɛɡustɔvˈanɨ tˈɨm, dɔ tʃˈɛɡɔ dɔxˈɔdʑi na ɕfʲˈɛtɕɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_172.wav|tɔː ˌɔznatʃˈawɔ, ʒˈɛ mˈam ʃˈɛʑdʑ ɡˈɔdʑin, zˈaɲim bˌɛndɛ muɕˈawa ɕɛ vɨnˈɔɕitɕ s pwˌaskɔvˈɨʒu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_89.wav|ˈuɕad zˈaɲim i zapˈadaw f pˈuwsɛn. ɔt tʃˈasu dɔ tʃˈasu swˈɨʃaw ɡwˈɔs kˌɔnduktˈɔra.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_161.wav|vrˈutɕiw dɔ stˈɔwu i pɔstˈaviw kˈuflɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_54.wav|bˌɛɲdʑɛ mʲˈaw ɲʲɛbjˈɛskɔ̃ kɛfˈijɛ, bʲˈillɨ ɡˈɔ zdˈɛjmʲɛ, kˈɔɲʲɛts krˈɔpka.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_84.wav|tˈam bˌɛɲdʑɛ kʲˈɛdɨɕ mˈuj dˈɔm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_20.wav|zrɔbʲˈimɨ, tsˈɔ w nˈaʃɛj mˈɔtsɨ, sˈɛr. ɲʲˈɛx lˈintsaj ɕɛ tɨm zˈajmʲɛ. mˈa dˈɔbrɨ vzrˈɔk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_67.wav|mʲˈawam nadʑˈɛjɛ, ʒˈɛ ɲˈikt ɲitʃˈɛɡɔ ɲʲɛ zˌauvˈaʒa ˈaʒ dɔ lˈantʃu.|3
+Dataset/wavs/urwisko_ferenc/36_segment_129.wav|usˈunɔɲtɕ tɕi tɛn ɕˈiɲʲɛts?|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_13.wav|pɔprˈɔɕi ɔt tɕˈɛbjɛ prˈavɔ jˈazdɨ i tʃˈaɕɲʲɛ tɕi fˈɔtkɛ, dˈɔbʒɛ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_112.wav|tʃˈujɛ, jˈaɡbɨ vˌɨpalˈawɔ mi dʑˈurɛ w dʒˈinsax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_127.wav|ˈamfa tˈaɡ dʑˈawa, pɔtfʲˈɛrdʑa bˈaki.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_55.wav|ɔn stˈukatʃ, pɔvʲˈɛdʑaw lˌakɔɲˈitʃɲʲɛ kawkˈaski swɔvʲˈaɲin. jˈɛɡɔː ˈaktsɛnt rɔsˈɨjski tˈaɡʒɛ pˌɔzɔstˈavʲaw vʲˈɛlɛ dɔ ʒɨtʃˈɛɲʲa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_76.wav|mˈɔɡɛ tɕi jˈakɔɕ pˈɔmuts? zzˈa dʒvˈi dˈɔbjɛɡw ɡwˈɔs fˈɛj.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_12.wav|ʒˈɛkw sˈam, pˌɔtɕɔŋɡˈajɔnts nˈɔsɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_98.wav|ˈɛlis f tɛj sˈamɛj xfˈili ɔdvrˈatsa ɕɛ dɔ ɲʲˈɛɡɔː i w jɛj tfˈaʒɨ pʃˈɛs xfˈilɛ vˈidatɕ kɔbjˈɛtɛ, ktˌurɔ̃ mˈɔʒɛ ɕɛ stˈatɕ, jˈɛɕli tʃˈas i lˈɔz bˌɛndɔ̃ dla ɲʲˈɛj waskˈavɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_432.wav|i pɔstˈɔmpiw pˈuw krˈɔku dɔ pʃˈɔdu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_185.wav|ˈɛliz vbʲˈija vzrˈɔɡ w vˌɨwɔntʃˈɔnɨ tˌɛlɛvˈizɔr.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_50.wav|mˈɔjɛ dʑˈɛtskɔ jɛzd ɡdʑˈɛɕ tˈam s ʃalˈɛɲtsɛm, a ja jˌɛstɛm bɛzrˈadna i pˌɔzvɔlˈiwam jˈɔ̃ zˈabratɕ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_111.wav|bjˈɛdnɨ xwˈɔpaɡ bˈɨw zˈafʃɛ samˈɔtnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_164.wav|jˈɛɕli ɲʲɛ spˈuɕtɕiʒ ɡˈatɕi i ɲʲɛ pɔwˈɔʒɨʃ ɕɛ na bʒˈuxu, pʃɛstʃˈɛlɛ tɕi kˈɔstkɛ z blˈiska.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_25.wav|ˌalɛ prˈavʲɛ ɕɛ ɲʲɛ ɔdʑˈɨvaw.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_196.wav|ɲʲɛ vʑˈɔwɛm ˌɔkulˈaruf. nˈɔː i dwˈuɡɔ tɔ trfˈawɔ, zˈaɲim pʃˌɨvʲɔ̃zˈali ɡˈɔ dɔ fɔtˈɛla.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_473.wav|znˈajdɛ tˈɛ smˈɔtʃɔ̃ kɔbjˈɛtɛ i pʃɨvʲˈɔzɛ jˈɔ̃ tˈutaj.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_143.wav|vʑˈɛwam ɡwɛmbˈɔki ˈɔddɛx.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_15.wav|mʲˈawa tˈɛʃ ʃˈalik i pˈarɛ skuʒˈanɨx rˌɛŋkavˈitʃɛk pɔtʃˈɨtɨx fˈutrɛm, stˌanɔvʲˈɔntsɨx kˈɔmplɛt s pˈarɔ̃ bˈutuv dɔ kˈɔnnɛj jˈazdɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_43.wav|a ja nˈavɛt ɲʲˈɛvʲɛm, tsˈɔ mu zrˈɔbʲiw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_230.wav|tˈɛras, kʲˈɛdɨ pˌɔvʲɛdʑˈawɛɕ mi ɔ sfˈɔiɣ brˈatɕax, vʲˈɛm jˈuʃ, jˈak uʒˈɨvatɕ kˈɔbjɛt, ʒˈɛkw rˈɨan.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_20.wav|pɔznˈamɨ mnˈustfɔ nˈɔvɨx pʃɨjˈatɕuw, zɔbˈatʃɨʃ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_38.wav|w ɡwɔɕɲˈiku rˈɔzlɛkw ɕɛ xraplˈivɨ ɡwˈɔs.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_214.wav|a tɔ xˈɨba krˈɛɲtɕi klɛrkˈijat.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_55.wav|tɔ nazvˈiskɔ kɔjˈaʒɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_230.wav|vwˌaɕtɕitɕɛlˈami dˈɔmu bˌɨli stˌɛpaŋkˈɔvʲɛ, ɲʲɛ spɛkˈɔvʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_112.wav|jˈaɡbɨ vˌɨpɔmpɔvˈanɔ z mʲˈasta pɔvʲˈɛtʃɛ.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_69.wav|bɛɲdʑˌɛtɕɛ rˈanɔ pˌɔtʃɛbɔvˈali prˈɔmu?|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_139.wav|pɔvˈinnaɕ spakˈɔvatɕ trˈɔxɛ lˈɛkkix ˈubraɲ, bˈɔ w arˈabji sawdˈɨjskʲɛj jɛst tˈɛras lˈatɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_104.wav|ɡɔtˈɔva? fʃˈɨstkɔ na sfˈɔim mʲˈɛjstsu?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_57.wav|spˈɔtkatɕ ɕɛ s tsˌamɛrˈɔnɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_71.wav|ˈɛliz vɨwˈɔntʃa tˌɛlɛvˈizɔr.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_92.wav|i tɕˈawɔ jˈɛɡɔ pˌɔruʃˈawɔ ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_160.wav|trafjˈɔnɨ, zˌatɔpʲˈɔnɨ. jˈɔɛj ˌaktuˈalɲʲɛ ɕˈɛdʑi w arˈɛʃtɕɛ w lˈɔs ˈandʒɛlˌɛs, tsɛntrˈalnɨm, pɔd zaʒˈutɛm napˈaɕtɕi i prˈubɨ ɡvˈawtu.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_202.wav|mˈɔɡwa tˌɨlkɔ spˌatsɛrˈɔvatɕ pɔ kɔmnˈatɕɛ, pwˈakatɕ i lˈɛtʃɨtɕ rˈanɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_43.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_116.wav|pɔvʲˈɛdʑaw jˈɛdnak, ʒˈɛ bˈɨw vʲɛtʃˈɔrɛm w dˈɔmu i ɔkwˈamaw pɔlˈitsjɛ w mˈɔjɛj sprˈavʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_208.wav|pʃɨvˈɔwaw jˈɛɡɔː i ɡwˈɔs tɛn strˈɔɲtɕiw ɡˈɔ z ɡˈurɨ ɕfʲˈatwa i tɕˈɛpwa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_506.wav|mˈam xˈɨba ɡɔrˈɔntʃkɛ.|0
+Dataset/wavs/urwisko_ferenc/49_segment_29.wav|ɲˈits tɔ jˈɛdnak ɲʲɛ dˈawɔ. vɨɲˈiki zˌawɔntʃˈɔnɛ dɔ prˌɔtɔkˈɔwu ɲʲɛ pˌɔdvaʒˈɨwɨ pʲɛrvˈɔtnɛj tˈɛzɨ ɔ pɔvˈɔdax ɕmʲˈɛrtɕi dʑˈɛtska.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_134.wav|zˌastɔmpˈiwam mu drˈɔɡɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_70.wav|znˈuf ˌɔtsunˈɛwa ɡˈɔː ɔt ɕˈɛbjɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_60.wav|nˌajpravdˌɔpɔdˈɔbɲʲɛj bˌɨwa tɔ ɕlˈɛpa ulˈitʃka.|4
+Dataset/wavs/urwisko_ferenc/12_segment_32.wav|za ˈilɛ bˈɛɲdʑɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_33.wav|na tfˈaʒɨ nɔɡˈuɡʲi pɔjˈaviw ɕɛ ˈuɕmʲɛx. mʲˈawa f sˈɔbjɛ tsˈɔʑ z dˌɔbrɔtlˈivɛj bˈaptɕi, nˈavɛt kʲˈɛdɨ mʲɛʒˈɨwa dɔ mɲʲɛ s pˌistɔlˈɛtu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_304.wav|vɨdˈajɛ mi ɕɛ, ʒˈɛ fʃˈɨstkɔ skˈɔntɕ jˈuʒ znˈam.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_188.wav|zˈaraz za zˌab��tkˈɔvɔ̃ latˈarɲʲɔ̃ mˈɔrskɔ̃ tʃˈɛba skrˈɛɲtɕitɕ w lˈɛvɔ. ˈiɔs ɲʲɛ lˈɛʒɨ nat mˈɔʒɛm. pˈɛvɲʲɛ klˈɛrki ˈuznaw, ʒˈɛ vˈartɔ s tˌɛɡɔ zrˌɛzɨɡnˈɔvadʑ dla wˈadnɨɣ vidˈɔkuf.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_92.wav|na dɔlˈara, pɔvʲˈɛdʑaw mɛ̃ʃtʃˈɨzna.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_236.wav|kˈaʒdɨ z ɲˈiɣ vˈart spɔrˈɛɡɔː ɔkˈupu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_111.wav|ɲʲɛ mˈɨɕlɛ nˈavɛt, ʒˈɛ jˌɛstɛm tˈaɡ dˈɔbrɨ jˈak tˈɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_107.wav|tɔ bˌɨwa lɔrˈɛta sˈanxɛs.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_230.wav|pˌɔvinɲˈiɕmɨ pɔzvˈɔlitɕ, ʒˈɛbɨ kˈaʒdɨ bˈaviw ɕɛ ɕluzˈami pˌɔvʲɛtʃnˈɨmi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_351.wav|w nˈaʃɛj ˌarɛʃtˈantskʲɛj ˈizbjɛ prɛzˈɨdɛnt ɕˈɛdʑaw za stˈɔwɛm i jˈat kaʃˈaŋkɛ z zˌatwuʃtʃɔnˈɛɡɔ papʲˈɛru,|0
+Dataset/wavs/urwisko_ferenc/03_segment_126.wav|pˈɔdɲʲɔ̃ drˌɔbɲʲɛjʃˈɨmi lˌitɛrˈami zˌapisˈanɔ tˈɨtuw albˈumu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_36.wav|ɲitʃˈɛɡɔ ɲʲɛ vɨɡrˈawam.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_135.wav|tɔ bˌɨwa nˌajɔkrutɲʲˈɛjʃa zˈɛ fʃˈɨstkix rˈan.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_75.wav|s pɛvnˈɔɕtɕɔ̃ na kˌɔmputˈɛʒɛ, ˌalɛ mˈɔʒɛ mˈa tˈɛʒ ɡdʑˈɛʑ vɨdrˈuki.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_77.wav|jˈuʒ vʲˈɛm, ɔ tsˈɔ mu xˈɔdʑi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_152.wav|nastˈɛmpnɨ klˈutʃ ɔtfʲˈɛra dʒvˈi vɛjɕtɕˈɔvɛ.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_512.wav|tˈɔrɔz zapˈaliw ɔɡˈarɛk ɔt pwɔmjˈɛɲʲa tɔpʲˈɔntsɛj ɕɛ ɕfʲˈɛtsɨ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_355.wav|vʲˈɛrnɨ pʃɨɕˈɛndʑɛ vˈɨpad dʑɛftʃˈɨɲʲɛ z dwˈɔɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_99.wav|pʃˈɛʃwam pʃˈɛz vʲˈɛlkʲɛ, ɔkrˈɔŋɡwɛ dʒvˈi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_192.wav|i ɲʲɛ spˈɔjʒaw nˈavɛt na kˌatɔlˈikɔ buˈɛnɔ, kturˌɛɡɔ znɔʃˈɔnɔ z rˈiŋɡu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_237.wav|nabˈɔjɛ bˌɨwɨ na sfˈɔim mʲˈɛjstsu. pˈatʃɨw xfˈilɛ na karˈabʲin, vˈaʒɔndʑ ɡˈɔ w rˈɛŋku.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_11.wav|f tɨx strˈɔnax, twumˈatʃɨ, dˈɔstatɕ mˈɔʒna fʃˈɨstkɔ, tʃˈɛɡɔ dˈuʃa zaprˈaɡɲʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_97.wav|xfˈilɛ pˌɔʒɔntkˈɔvaw kˈɔtsɨ, a pˈɔtɛm ˈuɕat tɕˈɛ̃ʃkɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_10.wav|ˌupɔmˈinam ɕɛ jˈɛdnak, ʒˈɛ stsˈɔtt ɲʲɛ ʒˈɨjɛ.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_26.wav|pʃˈɛrvaw na xfˈilɛ pˌɔtsawˈunɛk.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_47.wav|ˈɔx, jˌɛstɛm tsˌawkɔvˈitɕɛ pˈɛvna, tɔ ɲʲɛ jɛst ˈɔn, xɔlˈɛra!|3
+Dataset/wavs/urwisko_ferenc/63_segment_112.wav|ɔn ɲʲɛ ɔtpˈuɕtɕi. mˈuviw mi tɔ rˈanɔ na ɔtprˈavʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_371.wav|ˈɛwrɔn rˈɨknɔw ɕmʲˈɛxɛm. vʲˈɛʃ, ʒˈɛ krˈaɡɔrn ˈumar?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_55.wav|vʲˈɛm, ʒˈɛ pɔvˈinnam tsˈɔɕ pɔvʲˈɛdʑɛtɕ, ˌalɛ f tɛj xfˈili mˈɨɕlɛ tˌɨlkɔː ɔ mˈili.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_56.wav|tɔ luˈisa. pʃˌɛvrutɕˈiwa ɕɛ f sˌupɛrmarkˈɛtɕɛ i zɔstˈawa zˌavʲɛʑˈɔna dɔ st. mˈarɨs. mˈuʃɛ jˈɛxatɕ. zˈadʑvɔɲ dɔ filˈipɨ bˈɛtskɨ. pˈɔvʲɛts jɛj, tsˈɔ vʲˈɛmɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_22.wav|zˌarɛjˌɛstrɔvˈawɛm jɛj dˈanɛ lˌɔkalizˈatsji ɔnlˈinɛ dla tsˈɛluf tˌɛstɔvˈaɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_242.wav|ɲʲɛ prˈɔʃɛ vˈas, ʒˈɛbɨɕtɕˌɛ zrɔbʲˈili tɔ dla mɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_136.wav|tʃˈɛɕtɕ, bʲˈillɨ. mɨɕlˈawɛm, ʒˈɛ zˌabwɔɲdʑˈiwɛɕ.|2
+Dataset/wavs/urwisko_ferenc/36_segment_68.wav|dlatʃˈɛɡɔ pˈɨtaʃ ɔ tˈɛ sprˈavɛ?|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_260.wav|tˈak s pɔtʃˈɔntku sɔɲdʑˈiliɕmˌɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_139.wav|dˈɔʃɛd dɔ ɲʲˌɛɔtʃˌɛkivanˈɛɡɔ rˌɔzvidlˈɛɲʲa dɔtˈɨxtʃas ˌidɛˈalɲʲɛ prˈɔstɛj drˈɔɡʲi.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_318.wav|ɔn jˈuʃ ɲʲɛ vrˈutɕi dɔ mɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_39.wav|ˌalɛ mˈuʃɛ ɕɛ pɔwˈɔʒɨtɕ, bˈɔ lˈɛdvɔ ʒˈɨjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_107.wav|rˈɛʃtɛ jˈɛɡɔ swˈuv zaɡwˈuʃɨw sˈɨk pɔvʲˈɛtʃa, ktˌurɨ s kˈaʒdɔ̃ xfˈilɔ̃ stˈavaw ɕɛ tsˈɔraz ɡwɔɕɲʲˈɛjʃɨ. ɕlˈuza bˌɨwa ɲʲɛʃtʃˈɛlna.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_225.wav|nˈatɔ vwˈaɕɲʲɛ lˈitʃɔ̃, zˌauvˈaʒɨw dˈɨɲʲa. ɲʲɛ sɔ̃ ɡwˈupi, tɨ tˈɛʃ ɲʲˈɛbɔɲtɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_86.wav|tˈak jˈak mɨɕlˈawaɕ ftʃˈɔraj.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_151.wav|rɔzˈumjɛʃ, na tʃɨm mi zalˈɛʒɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_136.wav|tˈɔm ɲʲˈɛmukw tˌɛmu zapʃˈɛtʃɨtɕ i pɔstˈaraw ɕɛ ɲʲɛ uɕmʲˈɛxnɔɲtɕ w rɛˈaktsji na jɛj vˈɨbux.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_391.wav|rumjˈɛɲiʃ ɕɛ na tˌaki wˈadnɨ ruʒˈɔvɨ kˈɔlɔr. kʲˈɛdɨ ja ɕɛ rumjˈɛɲʲɛ, vɨɡlˈɔndam jˈak jˈapkɔ. nˈɔ, ˌalɛ ɲʲɛ rɔbʲˈiwam tˌɛɡɔː ɔt lˈat.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_41.wav|nɡˈuɡʲi ɕɛdʑˈawa pʃɨ bjˈurku. pɔswˈawa mi ɡrˈɔʑnɛ spɔjʒˈɛɲʲɛ znˈat ˌɔkulˈaruf.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_11.wav|bˌɨwa tɔ jˈɛɡɔː ˌulubjˈɔna ʃtˈutʃka ɔd vʲˈɛlu lˈat. ʃtʃɛɡˈulɲʲɛ kʲˈɛdɨ dʒˈɛɡ bˈɨw w ɡwɛmbˈɔkim ukrˈɨtɕu. xakˈɔvaw pɔ prˈɔstu prˌɨvatnˈɛɡɔ laptˈɔpa tˈɔma.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_396.wav|pɕˈakrɛv vˌɨmamrɔtˈawam.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_204.wav|ˌalɛ pʃɛvˈaʒɲʲɛ mʲˈawam tsˈawɨ kɔrˈɨtaʒ dla ɕˈɛbjɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_372.wav|— pˈɔwuʃ ɕɛ — ʃɛpnˈɛwa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_75.wav|zˈɔstaɲ zˈɛmnɔ̃, mˈɔʒɛʃ spˈatɕ w wˈuʃku, ja pɔwˈɔʒɛ ɕɛ na sˈɔfjɛ vˈɔwa nˈuʃa.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_97.wav|mwˈɔdɨ sˈɛr bˈɨw ˈinnɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_16.wav|ja ɲitʃˈɛɡɔ mu ɲʲɛ pˈɔvʲɛm.|3
+Dataset/wavs/urwisko_ferenc/24_segment_61.wav|ˈuznaw, ʒˈɛ zˌaɡʲiɲʲˈɛɲtɕɛ dɔrˈɔtɨ lˌɛvandˈɔfskʲɛj ɲʲɛ vɨɡlˈɔnda na ɡvawtˈɔvnɛ i ɲʲˌɛpɔkɔjˈɔntsɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_49.wav|na kˈɔɡɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_69.wav|i tsˈɔ ftˈɛdɨ zrɔbʲˈiwa?|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_113.wav|tʃˈɨtaw, ˈɔfʃɛm, ˌalɛ pʃˈɛtʃɔnts ɔkrˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_462.wav|lˈɛʒɨ tˈam jˈɛʃtʃɛ na stˈɔlɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_475.wav|ɛwrˈɔpa pˈuxɲʲɛ. ɛwrˈɔpa jˈɛʃtʃɛ rˈaz bˌɛɲdʑɛ rˈɔdʑitɕ...|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_158.wav|pɔɲʲˈɛvaʒ zavˈɔrɨ ɕɛ ɲʲɛ zˌavʲɛʃˈajɔ̃ i ɲʲɛ vˌɨmaɡˈajɔ̃ rˌɛstartɔvˈaɲʲa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_82.wav|tʃɨ mˈa pˈan zˌapasˈɔvɨ klˈudʒ dɔ tˌɛɡɔ pˌɔmjɛʃtʃˈɛɲʲa, pˈaɲʲɛ jˈɔxanssɔn?|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_23.wav|mˈɔʒɛ lˈɛpʲɛj vɨjˈɛdʑmɨ ɔt rˈazu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_47.wav|ɲʲɛ vʲɛdʑˈawam, tʃɨ pɔvˈinnam jˈuʃ tʃˈutɕ rˈuxɨ dʑˈɛtska, ˌalɛ xˈɨba bˌɨwɔ jˈɛʃtʃɛ nˈatɔ za ftʃˈɛɕɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_174.wav|tʃɨ ˌɔna w ɔɡˈulɛ vʲˈɛ, ʒˈɛ jˈɛʃtʃɛ tˈam jˈɛstɛɕ, tˈatɔ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_62.wav|ɲˈits ɲʲɛ vɨdˈajɛ ɕɛ jˈasnɛ i ɲʲˈɛvʲɛm jˈuʃ, f tsˈɔ tˈak naprˈavdɛ mˈam vʲˈɛʒɨtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_232.wav|na mˈɔjɛ ʒˈɨtɕɛ dˈɨbaw ɲʲɛ tˌɨlkɔ mɔrdˈɛrtsa z ˌɔpalˈaɕɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_47.wav|ftɕˈɔ̃ʃ tfʲɛrdʑˈili, ʒˈɛ mɲʲɛ kɔxˈajɔ̃, ʒˈɛ mɲʲɛ ratˈujɔ̃, ˈalɛ...|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_110.wav|mʲɛɕˈɛntʃnɔ̃ xɛrbˈatɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_319.wav|kʲˈɛdɨ sˌɛksɔlˈɔɡɨ vɨtɕˈɔŋɡnɔw dwˈɔɲ dɔː ˌandɛrsˈɔna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_132.wav|ɲˈits ɕɛ ɲʲɛ dʑˈawɔ, vʲˈɛndʑ dla zabʲˈitɕa tʃˈasu pˌɔstanɔvˈiwa nazrˈɨvatɕ kfʲˈatuv dla pʃˌɨɔzdɔbjˈɛɲʲa dˈɔmu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_67.wav|ɲʲˈɛɣ dˈɔvʲɛm ɕɛ ɔt rˈazu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_37.wav|ja mˈɨɕlɛ, ʒˈɛ pɔ prˈɔstu lˈubjɛ lˈudʑi, pɔvʲˈɛdʑaw ˈandɛrsɔn, dlatˈɛɡɔ...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_9.wav|zavˈɔwaw, ˌalɛ ɲʲɛ ˌuswɨʃˈɛli ʒˈadnɛj ˌɔtpɔvʲˈɛdʑi.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_238.wav|f tʃˈasax tˈakix jˈak tɛ vɛndrˈɔvʲɛts mˈuɕi ɕɛ vɨstʃˈɛɡadʑ zwamˈanɨx.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_486.wav|ɔvʲˈɔ̃zaw jˈɔ̃ drˈutɛm i ɔdʒˈutɕiw na tɕˌɛ̃ʒarˈufkɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_431.wav|jˈakaɕ spuʑɲʲˈɔna bjˈawa xmˈura ɡnˈawa na skrˈutɨ pˈɔnad daxˈami dˈɔmuf.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_412.wav|pʃˌɨpatrɨvˈawa ɕɛ pʃˈɛs xfˈilɛ vˈaltsa, a pˈɔtɛm pʃˌɨvɔwˈawa dɔ ɕˈɛbjɛ sˌɛrɔsmˈunda.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_23.wav|ɲʲɛ xtɕˈawa jˈɛxatɕ, ˌalɛ mˈama pˌɔvʲɛdʑˈawa, ʒˈɛ tɔ kɔɲʲˈɛtʃnɛ i ʒˈɛ fkrˈuttsɛ vrˈutɕi dɔ dˈɔmu.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_86.wav|tɔ dlatʃˈɛɡɔ tsˈɛntrum vˌɨtɕɛtʃkˈɔvɛ mˈa pɔvwˈɔkɛ ɔxrˈɔnnɔ̃?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_27.wav|f tɨm budˈɨŋku, mɲʲˈaj vʲˈɛntsɛj pˈuw ɡɔdʑˈinɨ tˈɛmu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_25.wav|naʃˈɛmu ʃɛfˈɔvi pʃɨpˈadɲʲɛ xˈɨba zaʃtʃˈɨtna rˈɔla pʃˌɛpɨtˈaɲʲa naˈila stratsˈana.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_174.wav|dˈɔbra, dʑˈɛŋki. a tˈɛras naprˈavdɛ jˈuʒ zmˈɨkaj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_308.wav|pɔ lˈɛvɛj strˈɔɲʲɛ stˈaw bˌudɨnˈɛtʃɛk, jˈakiɣ vʲˈɛlɛ bˌɨwɔ f tɛj fabrˈɨtʃnɛj dʑɛlɲˈitsɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_63.wav|i zˌapamjˈɛntaj!|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_197.wav|fˈil vrˈatsa dɔ wˈuʃka, pʃˈɛs xfˈilɛ tɕˈixɔ pˌɔpwakˈujɛ.|2
+Dataset/wavs/urwisko_ferenc/31_segment_8.wav|tɨmtʃˈasɛm rˈanɛɡ zˌapɔvʲˈadaw pˌɔɡɔdˈɔvɨ katˈaklizm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_238.wav|tɔ dla pˈana ˈɔdɛ mɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_350.wav|zˈafʃɛ mʲˈawa dla mɲʲɛ tɕˈastka na mʲˈɔdʑɛ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_69.wav|pˌɔprɔvˈadʑiw jˈɔ̃ pʃˈɛz vɛvnˈɛntʃnɛ dʒvˈi dɔ vwˌaɕtɕivˈɛɡɔ sˈɛptu.|1
+Dataset/wavs/urwisko_ferenc/23_segment_101.wav|tɔ bˌɨwɔ jˈuʃ pɔ ɕmʲˈɛrtɕi zˈuski, ftˈɛdɨ ɡdˈɨ mˈɔɲʲa ˈu mɲʲɛ mʲɛʃkˈawa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_651.wav|vɨɡlˈɔnda tɔ na ɕlˈadɨ pɔ paznˈɔktɕax.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_227.wav|dʑˈɛɲ dˈɔbrɨ, kɕɛ̃ʒˈɨtsu!|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_118.wav|dɔstˈawɛʑ bˈatɨ, kʃˈɨtʃɨ dˈannɨ fˈatɕɔ radˈɔɕɲʲɛ. dɔstˈawɛʑ bˈatɨ ɔd dʑˈɛtska.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_33.wav|a tˈɛras uvʲˈɛlbjaʃ ʃkˈɔwɛ. bˌɛɲdʑɛ pɔdˈɔbɲʲɛ, zɔbˈatʃɨʃ. a ja ɲʲɛdwˈuɡɔ vrˈutsɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_123.wav|ɲʲɛ zrˈɔbjɔ̃ tɕi kʃˈɨvdɨ, pʃɨnˈajmɲʲɛj ɲʲˌɛtsɛlˈɔvɔ, ˌalɛ i ɲʲˌɛspɛtsjˈalɲʲɛ tɕi pɔmˈɔɡɔ̃. pɔvʲˈɛdʑɔ̃, rˈup tsˈɔ xtsˈɛʃ i ɲʲˈɛx tɕˈɛ bˈuk stʃˈɛʒɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_271.wav|tɔ stˈafka jˈaɡ dla pʃɨjˈatɕuw i krˈɛvnɨx.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_84.wav|paˈɨnɛ vwˈɔʒɨw w ˌudɛʒˈɛɲʲɛ tsˈawɨ tɕˈɛ̃ʒar sfˈɛɡɔ tɕˈawa. ɲʲɛ! stˈuj! ɲʲɛ!|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_377.wav|sˈɛr xˈɨlɛ vwˈɔntʃɨw ɕɛ dɔ vˈalki.|1
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_31.wav|ɕlˈuzɨ pɔvʲˈɛtʃnɛ ɲʲɛ rˌɛaɡˈujɔ̃ na pˌɔlɛtsˈɛɲʲa ˈɔsup, ktˌurɛ ɲʲɛ nalˈɛʒɔ̃ dɔ ɡʲˈildji ˌɛksplɔratˈɔruf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_44.wav|t��ɛ̃skɲʲɛ za tˈɔbɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_437.wav|rˈɔzbwɨsk pamjˈɛɲtɕi skˈur tʃwˈɛŋku wˈɔntʃɔ̃ nˈas ɔd dˈavna pʃˈɛs ˌusɨxajˈɔntsɛ ʒˈɛki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_143.wav|bʲˈillɨ dˌɔskɔnˈalɛ zdˈajɛ sˈɔbjɛ s tˌɛɡɔ sprˈavɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_36.wav|vˌɨkʃtuɕˈiwam, ftɕɔŋɡˈajɔndʑ ɡˈɔ dɔ pɔkˈɔju.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_50.wav|kʲˈɛdɨ zˌɔbatʃˈɨwam tfˈɔjɔ̃ vʲadˈɔmɔɕtɕ, natˈɨxmʲast ruʃˈɨwam w drˈɔɡɛ, ˌalɛ bˈɨw jˈakiʑ vɨpˈadɛk i fʃˈɨstkɔ zatʃˈɛwɔ ɕɛ pʃɛtɕˈɔŋɡatɕ. tˈak mi pʃˈɨkrɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_312.wav|pˈatʃɨʃ nˈamɲʲɛ jˈak lˈɛkaʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_147.wav|ˌɔtpisˈawam. pʃɛprˈaʃam za ˌɔpuʑɲʲˈɛɲʲɛ, f tɛj xfˈili pratsˈujɛ nat ˌuzupɛwɲʲˈɛɲʲɛm brˈakuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_195.wav|jˈutrɔ mˈam vˈɔlnɛ. mˈɔʒɛ spɔtkˈamɨ ɕɛ f pˈarku, tsˈɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_66.wav|jɛzd dˈuʃnɔ, ɕmʲˈɛrdʑi stɛnxlˈiznɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_69.wav|bˈɛtskɨ vrˈatsa dɔ nˈaz z mwˈɔdɔ̃, rˌudɔvwˈɔsɔ̃ kɔbjˈɛtɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_175.wav|tʃtˈɛrɨ stˈarɛ sˈɛptɨ zˌastɔmpˈiwɨ jɛj drˈɔɡɛ, vˌɨtɕɔŋɡˈajɔnts kˈu ɲʲˈɛj pˌɔmarʃtʃˈɔnɛ rˈɛntsɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_9.wav|tɕˈɛpwɛ pɔvʲˈɛtʃɛ, ktˌurɛ vɨdˈɨxaʃ, ʃˈɨpkɔ pʃɛɡˈɔɲi xwˈut, pˌɔvʲɛdʑˈawa.|4
+Dataset/wavs/urwisko_ferenc/17_segment_37.wav|kɔbjˈɛtɛ ɲʲɛzvˈɨkwɛj urˈɔdɨ, ktˌurɛj ˈuɕmʲɛx rˌɔsprɔmjˈɛɲʲaw tfˈaʃ i nadˈavaw blˈasku ˈɔtʃɔm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_377.wav|vɨʃˈɛdwɛm na ulˈitsɛ. pɔt markˈizɔ̃ sklɛpˈɔvɔ̃ stˈaw swɔvʲˈaɲin s kawkˈazu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_19.wav|ˈaʒ vˈɨtʃuw, ʒˈɛ ɕɛ bˈawa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_124.wav|kʲˈɛdɨ ˈɔjtɕɛts ɕɛ dɔvʲˈɛdʑaw, prˈavʲɛ ɡˈɔ tɔ zabʲˈiwɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_150.wav|zbˈɨd ʒˈatkɔ tˈutaj pʃɨxˈɔdʑɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_309.wav|na pɔdvˈuʒu dɔɡˈɔɲiw ɡˈɔ sˌɛksɔlˈɔɡɨ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_4.wav|mɔɡwˈɔbɨ tɔ bˈɨtɕ tsɔkˈɔlvʲɛk. drˈɔŋk, matʃˈuɡa, ʃtˈɨlɛt.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_102.wav|zˌaɡarɲʲˈajɔnts f pʃɨtɕmʲˈɔnɛ ʃˈɨbɨ ɔtfˈartɛ ɡˈɛmbɨ dˌɛmɔnstrˈantuf,|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_100.wav|rˈuʃa f prˈavɔː i zastˈɨɡa f pˈuw krˈɔku, zdumjˈɔnɨ i zdˌɛɡustɔvˈanɨ vwˈasnɔ̃ ɡwupˈɔtɔ̃. zupˈɛwɲʲɛ jˈaɡbɨ ɡwupˈavɛ ja vʑˈɛwɔ w ɲˈim ɡˈurɛ.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_255.wav|w dʑiɕˈɛjʃɨx tʃˈasax jɛst ix stanˈɔftʃɔ zbˈɨd vʲˈɛlɛ.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_250.wav|pʃɨ jɛj wˈɔʒu palˈiwa ɕɛ ɕfʲˈɛtsa.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_193.wav|ʒˈɛ xtɕˈawbɨ, bˈɨɕ ɲʲˈɛʒɨw.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_229.wav|ɡdˈɨbɨ zdˌɛtsɨdˈɔvaw inˈatʃɛj, mˈuɡwbɨm ɕɛ znˈalɛɕtɕ pɔ drˈuɡʲɛj strˈɔɲʲɛ ʒˈɛki.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_137.wav|ˌalɛ dˈawam za vɨɡrˈanɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_36.wav|ˌɔna ɲʲɛ jɛst ɕfʲadˈɔma, ʒˈɛ ɡˈɔ vidʑˈɛliɕmˌɨ i ʒˈɛ vʲˈɛmɨ ɔ jˈɛɡɔː utɕˈɛtʃtsɛ z dˈɔmu ˈinnɔ̃ drˈɔɡɔ̃ ɲˈiʃ pʃˈɛs jˈɛdnɔ̃ s fˈurtɛk.|4
+Dataset/wavs/urwisko_ferenc/33_segment_110.wav|vˈɨbjɛɡw na zˈɛvnɔntʃ i mʲˈaw vraʒˈɛɲʲɛ, ʒˈɛ trˈafiw dɔ sˈawnɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_34.wav|krˈɔki dˈudɲʲɔ̃ na sxˈɔdax. ktˈɔʑ vɨxˈɔdʑi na kɔrˈɨtaʃ i skrˈɛntsa w lˈɛvɔ, zapˈɛvnɛ f strˈɔnɛ kˈuxɲi. tˈak, tɔ frˈaŋk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_99.wav|bʲˈillɨ vɨbˈuxa ɕmʲˈɛxɛm, tsɔrˈinnɛ fturˈujɛ mu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_46.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_68.wav|stˈawam na zˈɛvnɔntʃ pʃˈɛz dʑˈɛɕɛɲtɕ mˈinut, starˈajɔnts ɕɛ zˈɛbratɕ f sˈɔbjɛ vˌɨstartʃajˈɔntsɔ̃ ɔdvˈaɡɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_48.wav|mˈɨɕliʃ, ʒˈɛ tɔ mɲʲɛ tɕˈɛʃɨ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_72.wav|i tsˈɔ ɲˈibɨ mˈam pɔvʲˈɛdʑɛtɕ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_20.wav|tˈɔm pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_103.wav|tɔ znˈatʃɨ, ʒˈɛ mˈuɕiʒ zdˌɛtsɨdˈɔvatɕ, tʃɨ zˌarɨzɨkˈujɛʃ, tʃɨ zɔstˈaɲʲɛʃ s tˈɨm, tsˈɔ mˈaʃ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_77.wav|tˈak pʃɨnˈajmɲʲɛj tʃˈuwam ɕɛ ˈaʒ dɔː ˌɔstatɲʲˈɛɡɔ dɲʲˈa, kʲˈɛdɨ stsˈɔtt...|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_485.wav|dla tɕˈɛbjɛ tˌajɛmɲˈitsa tɔ tˌɨlkɔ fˌastsɨnujˈɔntsa ɔpˈɔvʲɛɕtɕ, ktˌurɔ̃ mˈɔʒna vɨʃˈɛptadʑ ɡˌarinˈɔvi i tjˈɛn nˈɔtsɔ̃ w wˈɔʒu.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_157.wav|pɔ pˈɛvnɨm tʃˈaɕɛ ɡwˈut ɔswˈabʲiw dˌɛtɛrminˈatsjɛ ˈarjan i kɕɛ̃ʒɲˈitʃka zjˈadwa fʃˈɨstkɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_8.wav|fʃˈɨstkɔ f pɔʒˈɔntku, pˈaɲi pˈɔrtɛr?|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_313.wav|kɔlˈatsjɛ zdˈɔ̃ʒɨʒ vˈɨpitɕ pˈuʑɲʲɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_161.wav|pɔvˈɔli krˈɛɲtɕi ɡwˈɔvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_67.wav|zˌatʃɨmˈamɨ ɕɛ na kɔlˈatsjɛ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_159.wav|swɨʃˈawam, ʒˈɛ jˌɛstɛɕ pʲˈɛŋkna.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_355.wav|tɔ mˈuɕaw bˈɨdʑ vˌɨjɔntkˈɔvɔ ɡʒˈɛʃnɨ kˈɔɲ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_178.wav|dʑˈawɨ ɕɛ tˈam zwˈɛ ʒˈɛtʃɨ.|2
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+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_113.wav|jˈaki ɡˈaz vɨpˈɛwɲiw vwˈaɕɲʲɛ vnˈɛntʃɛ varʃtˈatu?|4
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+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_69.wav|ɔznˈajmiw lˈɔrt rˈɔbɛrt.|1
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+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_57.wav|a jˈɛdnak mˈuviʃ mi ˈɔtɨm f tɛj xfˈili.|4
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+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_144.wav|tɔ bˈardʑɔ zwˈɨ tʃwˈɔvʲɛk.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_301.wav|vˌɨɕadˈamɨ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_95.wav|pˈujdʑɛʃ s sˈɛptɔ̃ mˈɔɛl dɔ sˈɛptu bˌaɛlˈɔra ˌumiwˌɔvanˈɛɡɔː i pʃɨɲʲˈɛɕɛʃ nˈam prˈavdɛ ɔ dʑɛvˈitstfʲɛ nˈaʃɛj marɡˈɛrɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_174.wav|tɔ nˈavɛt ɲʲɛ bˌɛɲdʑɛ vˌɨɡlɔndˈawɔ pˌɔdɛjʒˈaɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_110.wav|nˈɔ tˈak.|0
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+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_332.wav|jˈuʃ tˌɨlkɔ ja stˈɔjɛ mʲˌɛndʑɨ tʃˈarnɨm valdˈɛrɛm a blˌiʑɲʲakˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_70.wav|ɲʲɛ spˈɔsup tˌɛɡɔ pʃɛˈɔtʃɨtɕ. a tʃɨ jˈɛɡɔ vwˈasna dwˈɔɲ jɛst spɔtsˈɔna? pˈɛvɲʲɛ tˈak.|2
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+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_202.wav|bʲˈillɨ zamˈɨka kɔmpˈutɛr.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_67.wav|tɔ ɲʲˌɛmɔʒlˈivɛ. marɡˈarɨ jɛzd dʑɛvˈitsɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_49.wav|ɔdbʲˈiwam ɕɛ pɔ rˈas ɔstˈatɲi i vˌɨkɔnˈawam pʃˈɛvrut.|4
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+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_116.wav|ˈɔtpar bˈɔp. jɛst tsˌawkɔvˈitɕɛ ˌawtɔmatˈɨtʃnɨ. prˈɔʃɛ pʃˈɨɲim ɲʲɛ ɡmˈɛratɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_290.wav|dˈɔkɔnt mɲʲɛ vʲˈɛʑɛʃ?|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_213.wav|iɣ bˈutɨ rˌɔspadˈajɔ̃ ɕɛ ɔt mˈarʃu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_578.wav|sˈama vʲˈɛʃ, ɔ tsˈɔ pˈɨtam. pʃˌɛtɕɛʃ jˈuʃ ɕɛ pˌɔɡɔdʑˈiwɛɕ. ɲˈiɡdɨ ɕɛ ɲʲɛ pɔɡˈɔdʑɛ.|0
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+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_363.wav|na kˌɔrɨtˈaʒu rɔzlˈɛɡwɔ ɕɛ pukˈaɲʲɛ dɔ sɔ̃ɕˈɛdɲiɣ dʒvˈi i ɡwˈɔs mɛ̃ʃtʃˈɨznɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_99.wav|f pʲˈɔntɛɡ vʲɛtʃˈɔrɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_26.wav|kˈilka z ɲˈix ɕˈɛdʑi mi tˈɛras na tfˈaʒɨ, ˌalɛ ɲʲɛ jˌɛstɛm f stˈaɲʲɛ stfʲˈɛrdʑitɕ, ˈilɛ.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_50.wav|bʲˈillɨ zatʃˈɨna f tɔ vʲˈɛʒɨtɕ. ɲˈitsk mˈuvi ɔ ɡɛˈɔrɡju ɡwˈuvɲʲɛ f tʃˈaɕɛ tˌɛraʑɲʲˈɛjʃɨm i ˌaɲi rˈazu ɕɛ ɲʲɛ pʃˌɛjɛ̃zˈɨtʃɨw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_28.wav|ftɕˈɔ̃ʒ dɨɡˈɔtʃɛ ɔt stˈub dɔ ɡwˈuf pˌɔkrɨvˈajɔ̃ ɡˈɛɲɕa skˈurka.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_37.wav|kɔbjˈɛta, ktˌura ɔdbjˈɛra tɛlˈɛfɔn, jɛzd bˈardʑɔ ɡʒˈɛtʃna, a ja vɨʒˈutsam s ɕˈɛbjɛ ʃtʃɛɡˈuwɨ, mamrˈɔtʃɔndʑ w bˈardʑɔ ɲʲˌɛspɔkˈɔjnɨ spˈɔsup.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_111.wav|zˌastanavʲˈawɛm ɕɛ, tsˈɔ jɛzd zˈɛmnɔ̃ ɲʲɛ tˈak.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_293.wav|vɨdˈɔstatɕ ɕɛ dɔ dˈɔmu, pˈɨtam ɔxrˈɨpwɨm ɡwˈɔsɛm i swˈɨʃɛ tˌɨlkɔː ˌɔdɛrvˈanɛ|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_19.wav|nadjˈɛxaw vˈus pˌɔlitsˈɨjnɨ i stˈanɔw pɔɕrˈɔtku rˈɨŋku.|0
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+Dataset/wavs/urwisko_ferenc/42_segment_24.wav|nˈɔ tɔ dˈavaj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_94.wav|f tɛj xfˈili prˈaɡnɛ jɛdˈɨɲʲɛ kˈupitɕ tsˈɔɕ alfjˈɛmu i jˈak najʃˈɨptɕɛj vrˈutɕidʑ dɔ xɔtˈɛlu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_5.wav|mˈuɕi ɕɛ tʃˈ��ɡɔʑ dɔvʲˈɛdʑɛtɕ i ɲʲɛ mˈɔʒɛ ɕɛ s tɨm zvrˈutɕidʑ dɔ bakʲˈɛɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_88.wav|tʃɨ tɔ ɲʲɛ tɛn fˈatsɛt, kturˌɛɡɔ zdˈaɲʲɛm fʃˈɨstkiɣ zabʲˈitɔ w mˌanxɛstˈɛʒɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_76.wav|martfˈiwɛm ɕɛ, ʒˈɛ jˌɛstɛɕ xˈɔra.|3
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+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_33.wav|tsɛrsˈɛi z rˌɔzbavʲˈɛɲʲɛm zˌauvaʒˈɨwa, ʒˈɛ vwˈɔsɨ mʲˌɛndʑɨ nɔɡˈami mwɔdʑˈɛɲtsa sɔ̃ brɔ̃zˈɔvɛ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_158.wav|ɔtsˈunɔw ɕɛ ɔt ɲʲˈɛj. zwɔʒˈɨwɛm ɕlˈubɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_90.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_265.wav|jɛj ˈɔtʃɨ vˌɨpɛwɲˈiwɨ wzˈɨ. muvˈili...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_109.wav|dˈɔkɔnt pˈɔʃɛd?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_37.wav|dʑˈɛŋki bˈɔɡu ɲitʃˈɛɡɔ takʲˈɛɡɔ ɲʲɛ pɔvʲˈɛdʑaw.|4
+Dataset/wavs/urwisko_ferenc/17_segment_65.wav|ˌɔdnalˈɛʑliɕtɕˌɛ jˈɔ̃?|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_236.wav|jˌɛstɛʑ zbˈɨt waskˈava, pˈaɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_134.wav|jˈak ɔɡʒˈana swˈɔɲtsɛm mˈuʃla.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_146.wav|a jˈɛɕli ja tɕi ɲʲɛ pɔzvˈɔlɛ?|0
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+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_318.wav|bˌɛɲdʑɛ w ɲʲˈɛj mʲˈɛʃkaw i pɔmˈaɡaw tɕi zajmˈɔvatɕ ɕɛ krukˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_74.wav|ʃtʃˈɛɲɕtɕɛ, ʒˈɛ tɕˈɛ ɲʲɛ zˈabʲiw.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_22.wav|kˈɛd z nˌatkanˈawuf ɲˈiɡdɨ ɲʲɛ mʲˈawa tɕˈɔtki. ɲʲɛ mʲˈawa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_5.wav|f kˈɔɲtsu udˈawɔ mi ɕɛ pɔwˈɔʒɨtɕ jˈɛ dɔ wˈuʃka, ˌalɛ muɕˈawam ɔbjˈɛtsatɕ, ʒˈɛ pˈɔɕlɛ ɡˈɔ dɔ ɲˈix, ɡdˈɨ tˌɨlkɔ vrˈutɕi, ɕfʲadˈɔma, ʒˈɛ pʃɨnˈajmɲʲɛj baˈilɛj zˈaɕɲʲɛ jˈuʒ dɔ tˌɛɡɔ tʃˈasu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_88.wav|pˈɛvɲʲɛ tɔ bˈɨw mˈiɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_601.wav|fˈaks ˌɔbɔɡ vˌɨstukˈujɛ tɕi dʑiɕˈɛjʃɔ̃ fˌɔtɔɡrˈafjɛ tfˈɔjɛj ʒˈɔnɨ, ktˌura vrutɕˈiwa s trˌujvɨmjˌarɔvˈɛɡɔ kˈina i kwˈadʑɛ ɕɛ spˈatɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_55.wav|ja ɕɛ tɨm zˈajmɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(74) R.Abbott_Zamknij Drzwi_segment_18.wav|bˈɨw tɔ jˈɛɡɔ vˈɨbur, tʃɨ zˈɔstaw pʃˈɛs kˈɔɡɔʑ dɔ tˌɛɡɔ pʃˌɨmuʃˈɔnɨ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_102.wav|tɔ fʃˈɨstkɔ mʲˈawɔ mɲʲɛ ˈɔdvʲɛɕtɕ ɔt pɔmˈɨswu pˌɔʃukivˈaɲʲa stsˈɔtta.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_102.wav|tɔ tˌɨlkɔ pʃɨpˈadɛk, pɔvʲˈɛdʑaw. tʃwˈɔvʲɛk, ktˌurɨ zrˈɔbʲiw tɕi kʃˈɨvdɛ, vɨɡlˈɔndaw trˈɔxɛ jˈak jˈa, ˈalɛ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_152.wav|jˌɛstɛʑ dˈana, prˈavda? pɔznˈaliɕmˌɨ ɕɛ ɲˈika.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_71.wav|mˈikɛ, pɔvʲˈɛdʑaw pɔ xfˈili ˈandɛrsɔn, kʲˈɛdɨʑ bˌɨwɛm f pˌirɛˈuɕɛ pʃˈɛs pˈarɛ dɲˈi i nudʑˈiwɔ mi ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_99.wav|fstʃɨmˈujɛ ˈɔddɛx.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_167.wav|vˈidʑi pˈustɨ, tɕˈɛmnɨ kɔrˈɨtaʃ. swˈɨxatɕ muzˈɨkɛ. ˈaksɛl rˈɔsɛ vˈɨjɛ vɛltsˈɔmɛ tɔ dˈɛ jˈuŋɡlɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_77.wav|ˌalɛ ˌɔɲi bˌɨli zbˈɨd dalˈɛkɔ, ʒˈɛbɨ nˈam pˈɔmuts. ɲʲɛ zdɔ̃ʒˈɨlibˌɨ tˈu dˈɔtʃɛtɕ, a na rˌɔzvʲɔ̃zˈaɲʲɛ tˌɛɡɔ prɔblˈɛmu mʲˌɛliɕmˌɨ tˌɨlkɔ ɡɔdʑˈinɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_37.wav|mˈɨɕli, vˌɔntplivˈɔɕtɕi, kɔnflˈiktɨ, fʃˈɨstkɔ tɔ kɔtwˈujɛ ɕɛ w mˈɔjɛj ɡwˈɔvʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_320.wav|ˈalbɔ ɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/42_segment_25.wav|bɔrˈɛvitʃ ɕɛ zavˈaxaw. tɔ ɲʲɛ na tɛlˈɛfɔn. mˈuf!|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_118.wav|tɨm rˈazɛm tʃɛkˈajɔnts na ˈɛfɛkt, ɲʲɛ vˌɨxɨlˈawam ɕɛ jˈaɡ ɡwˈupja.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_257.wav|brjˈɛnnɛ zadrʒˈawa. pʃɛstˈaɲtɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_462.wav|sˌɛrbɔrˈɔɕɛ, jˈɛɡɔ mˈiwɔɕtɕ ɕɛ zapˈɔmɲʲaw.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_333.wav|a mˈimɔ tɔ prubˈujɛ nˈam vmˈuvitɕ, ʒˈɛ nˈadal jɛzd dʑɛvˈitsɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_136.wav|tˈɔm uɕmʲˈɛxnɔw ɕɛ f pˌɔdʑɛŋkɔvˈaɲʲu i rˈuʃɨw f strˈɔnɛ vˈindɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_52.wav|zˈaras jˈɛdnak naxˈɔdʑi jˈɔ̃ pʃˌɛraʒajˈɔntsa mˈɨɕl, ʒˈɛ ˈumar z ˌɔtfartˈɨmi ɔtʃˈami.|2
+Dataset/wavs/urwisko_ferenc/03_segment_99.wav|tɔ ɲʲɛ tˈak.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_31.wav|sˈam pʃˈɨznaw, ʒˈɛ vˈaltʃɨw w bʲˈitfax.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_108.wav|tʃɨ kˈɔxa jakʲˈɛɡɔɕ innˈɛɡɔ bˈɔɡa?|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_96.wav|zamˈarwam zˈɛ zɡrˈɔzɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_45.wav|ˌɔpʲɛkˈujɛ ɕɛ tˈɔbɔ̃, pɔɲʲˈɛvaʃ mi pwˈatsɔ̃. ɲʲɛ maʃ mɲʲɛ, a ja ɲʲˈɛmam tɕˈɛbjɛ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_193.wav|vʲɔɕlˈaʒɨ i ʒɛɡlˈaʒɨ s kˈaraɡ zˈɛ starˈɛɡɔ mʲˈasta, s xandlˈɔvɨɣ ɡˈalɛr z dˌuskɛndˈalɛ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_222.wav|ɡdˈɨ jˈɛɕtɕtsɨ ssunˈɛli ɕɛ s ɕˈɔdɛw, na pɔwˈudɲʲɛ ɔd ɡɔspˈɔdɨ udˈɛʒɨw pʲˈɔrun.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_49.wav|zˈaraz bˌɛndɛ tɕˈɛwa drˈuɡɔ̃ ɕtɕˈanɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_269.wav|pʃˈɛdɲʲɛ dʒvˈi zˌamɨkˈawɨ ɕɛ stʃˈaskʲɛm. w ɔstˈatɲʲɛj xfˈili dɔstˈaliɕmˌɨ ɕɛ dɔː ˌawtɔbˈusu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_347.wav|bˈɔ mitskʲˈɛvidʒ vɨnˈuʒɨw ɕɛ z brˈamɨ pɔt sfˈɔim vwˈasnɨm...|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_147.wav|a fˌɔtɔɡrˌafɔvˈaɲʲa ˈutʃɨw mɲʲɛ ˈɔjtɕɛts.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_254.wav|vwˈɔsɨ mʲˈawa sˈuxɛ i krˈuxɛ.|1
+Dataset/wavs/urwisko_ferenc/21_segment_65.wav|dlatʃˈɛɡɔː ɔt xfˈili, kʲˈɛdɨ zatʃˈɛwa vɨxˈɔdʑidʑ z nawˈɔɡu?|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_308.wav|ˈinnɨm rˈazɛm pʃˌɛpravʲˈawa ɕɛ s tsˈawɔ̃ ɕfˈitɔ̃ na drˈuɡʲi bʒˈɛk tʃarnˈɛɡɔ nˈurtu, bˈɨ spˈɛɲdʑitɕ pˌɔpɔwˈudɲʲɛ na pˌɔlɔvˈaɲʲu s sˌɔkɔwˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_209.wav|ˈɛlis mˈuvi mu, bˈɨ ɲʲɛ zapˈɔmɲʲaw ɔ pɔvʲˈɛkax i kˈarku. pˈɔtɛm sprɨskˈujɛ ɡˈɔ sˌamɔˌɔpalˈatʃɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_238.wav|ɲˈiɡdɨ w ʒˈɨtɕu ɲʲɛ stʃɛlˈawam s pˌistɔlˈɛtu.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_15.wav|tɛn zˈamɛk ɲʲɛ lˈɛʒɨ w dɔʒˈɛtʃu.|1
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_69.wav|tsˈɔ bˈɨɕ pˌɔvʲɛdʑˈawa na fprˌɔvadʑˈɛɲʲɛ jˈɛʃtʃɛ jˈɛdnɛj ɔsˈɔbɨ dɔ naʃˈɛɡɔː ukwˈadu?|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_260.wav|ɡdˈɨ znˈɔvu ɕɛ ɔtsknˈɛwa, dʒˈɛjn pˌɔtsunˈɛwa jɛj dɔː ˈust kˈubɛɡ ɡɔrˈɔntsɛj zˈupɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_230.wav|jˈaɡ zmˈɨjɛ blˈɔnt fˈarbɛ z vwˈɔsuf, bˌɛɲdʑɛ praktˈɨtʃɲʲɛ ɲʲɛ dɔ rˌɔspɔznˈaɲʲa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_128.wav|ˌalɛ w jɛj uɕmʲˈɛxu bˌɨwɔ jˈakʲɛɕ pʃɨjˈaznɛ tɕˈɛpwɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_162.wav|aˈilɛ jɛst ɕfʲˈɛtnɨ f skwadˈaɲʲu ɔbjˈɛtɲits.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_61.wav|pˈɔtɔ pˈan bjˈɛɡɲʲɛ pʃˈɛs tsˈawɛ mʲˈastɔ? pʃˈɛmukw pˈan kɔmplˈɛtɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_70.wav|vɨtɕˈɛtʃka dˌɔɔkˈɔwa ɕfʲˈata, vɨjˈaɕɲiw bˈɛtskɨ tˈɔm pʃɛt kilkˈɔma tˌɨɡɔdɲʲˈami.|4
+Dataset/wavs/urwisko_ferenc/53_segment_43.wav|zavˈali prˈatsɛ, a ˌɔna bˌɛɲdʑɛ muɕˈawa pratsˈɔvadʑ za dvˈɔjɛ. tʃɨ jɛst nˈatɔ ɡɔtˈɔva?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_107.wav|ʒˈɛbɨ ɲʲ�� drʒˈawɨ pˈɔttʃas pisˈaɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_186.wav|z vˌɨrazˈami uznˈaɲʲa za swˈuʒbɛ kɔxˈana.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_191.wav|ʒˈɛbɨ dɔbrˈɔbɨt mʲˈasta mʲˈaw bˌɛspɔɕrˈɛdɲi zvʲˈɔ̃zɛɡ z jˈɛɡɔ rɔzvˈɔjɛm ɡˌɔspɔdˈartʃɨm. ˌalɛ ɲʲɛ fʃˈɨstkɔː ɔt rˈazu.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_42.wav|znalˈazwam ˌɔtpɔvʲˈɛdɲi pˌɔtkɔʃˈulɛk i zˌawɔʒˈɨwam ɡˈɔ na sˈamɔ̃ bjɛlˈiznɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_126.wav|na jˈɛɡɔ blˈadɨx pɔlˈitʃkaɣ vɨkfˈitwɨ dvʲˈɛ plˈamɨ, a bˈɛtskɨ ɲʲɛ mʲˈawa vˌɔntplivˈɔɕtɕi, tsˈɔ sˈɔbjɛ pɔmˈɨɕlaw ɔ tɛj rˌɛvɛlˈatsji.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_80.wav|pɔ tɨx swˈɔvaɣ vˈɨʃɛt s kˈuxɲi. bˈɛki spɔjʒˈawa na tˈɔma i uɲʲˈɔswa brvˈi. swˈɔva bˌɨwɨ zbˈɛndnɛ.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_329.wav|krˈaj strˈɔi ɕɛ, pʃɛbjˈɛra na nˈɔvɔ̃ drˈɔɡɛ ʒˈɨtɕa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_213.wav|tˈɨlɛ, ʒˈɛ ftsˈalɛ ɲʲɛ ˌudɛʒˈɨwɛɕ jɛj s tsˈawɛj ɕˈiwɨ mˈɨɕli. pˌɔxamɔvˈawɛɕ ɕɛ pʃˈɛz vzɡlˈɔnt na ˈɛlis.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_47.wav|zavˈɔwaw mwˈɔdɨ dɛtˈɛktɨf, jˈɛdɛn s tʃwˈɔŋkuv zɛspˈɔwu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_102.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_25.wav|xˈɔtɕaʃ ˈɔbɨ ɲʲɛ za ʃˈɨpkɔ, mˈɨɕli bʲˈillɨ, ɡˈɔtuf jɛst ɕɛ zawˈɔʒɨtɕ, ʒˈɛ tʃˈɛɲɕtɕi intˈɨmnɛ ˈɛlljɛ s pʲˈɛkwɨ znˈatʃɲʲɛ ɡˈɔʒɛj. mˈɔʒɛ nˈadal pʲˈɛkɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_267.wav|bˈɨtɕ mˈɔʒɛ tfˈɔja ʒˈɔna urˈɔdʑi baxˈɔra ftʃˈɛɕɲʲɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_141.wav|swɨʃˈawɛɕ kʲˈɛdɨɕ ɔ tʃˈɨmɕ tˈakim jˈaɡ zˈafɔ?|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_281.wav|ˌɔna ɕɛ tˈu ˌurɔdʑˈiwa.|1
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+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_161.wav|ubrˈanɔ̃ w ɲʲɛznˈanɛ mi strˈɔjɛ, s kturˈɨmi ɲʲɛ vʲɛdʑˈawɛm jˈak ɕɛ ɔpxˈɔdʑitɕ.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_84.wav|bˌɨwa ɲˈiska, pʃˌɨsadʑˈista i pɔkrˈɨta brˌɔdafkˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_18.wav|brˌakɔvˈawɔ mi pʲɛɲʲˈɛndʑɨ, ɲʲɛ mʲˈawam nˈavɛd bˈutuf.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_634.wav|jɛj ˌirɔɲˈitʃɲʲɛ zmruʒˈɔnɨx ˈɔtʃu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_59.wav|tˈɛras tʃˈujɛ ɕɛ jˈuʃ lˈɛpʲɛj i uvˈaʒam, ʒˈɛ vˈartɔ bˌɨwɔ pˈɔmuts tɕi ˈutɕɛts.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_7.wav|bˈɛtskɨ mʲˈawa rˈatsjɛ. ɔfjˈara zmˈarwabˌɨ prˌavdɔpɔdˈɔbɲʲɛ pɔ jˈɛdnɨm tʃɨ dvˈux ˌudɛʒˈɛɲʲaɣ w ɡwˈɔvɛ, jˈɛdnak nˈapaɕtɕ nˈatɨm ɕɛ ɲʲɛ zˌakɔɲtʃˈɨwa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_42.wav|kˈɔxam tɕˈɛ, skˈarbjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_189.wav|ta ɡˈurna vˈarɡa znˈuf ɕɛ uɲʲˈɔswa, ˌɔbnaʒˈajɔndʑ zˈɛmbɨ zbˈɨt ˌidɛˈalnɛ f pˌɔruvnˈaɲʲu s tfˈaʒɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_329.wav|rˈup, tsˈɔ zˈɛxtsɛʃ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_196.wav|ˌalɛ dlatʃˈɛɡɔ? pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_373.wav|pˈɔtɛm jˈuʃ w jɛj pratsˈɔvɲi patʃˈɨwɛm w ɲʲɛzdrˈɔvɨm pˌɔdɲʲɛtsˈɛɲʲu na jɛj zdafkˈɔvɛ, rˌutɨnˈɔvɛ rˈuxɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_94.wav|a ta mwˈɔda kɔbjˈɛta ubrˈana jɛst jˈaɡ dʑɛftʃˈɨnɨ z mˈɔix tʃˈasuf.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_217.wav|f tˈakim rˈaʑɛ, tʃɨ tɔ rɔssˈɔndnɛ, ʒˈɛ zaɡlˈɔndaʒ dɔ sfˈɔjɛj ˌulubjˈɔnɛj knˈajpɨ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_568.wav|kˈɔrsak ˌɛnɛrɡʲˈitʃɲʲɛ ʃtʃˈɛŋknɔw klˌaviʃˈami mˌaɡnɛtɔfˈɔnu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_30.wav|tˈɔm i bˈɛtskɨ znˈuf umˈilkli, kˈaʒdɛ zˌatɔpʲˈɔnɛ vɛ vwˈasnɨx mˈɨɕlax.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_59.wav|ix tʃɛrvˈɔnɨ vˈɔ̃ʒ vˈaltʃɨw w ɔbrˈɔɲʲɛ tɨrjˈɔna. tʃˈɨʒbɨɕ ˈɔtɨm zapˈɔmɲʲaw?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_12.wav|mʲˈawa f kɔmˈurtsɛ zdjˈɛɲtɕa mˈili vrˈas s kilkˈɔma pʃˌɛtstavʲˌajɔntsˈɨmi ˈaʃa z dʑɛftʃˈɨŋkɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_382.wav|ˌɔzdɔbʲˈiliɕmˌɨ ˈɔvɨm vʲˈɛɲtsɛm uvˈitɨm s tˈɛɡɔ, tsˈɔ nˌajpʲɛŋkɲʲˈɛjʃɛ w nˈaʃɨx mˈɨɕlax, utʃˈutɕax i intˈɛntsjax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_138.wav|ɲʲɛ rˈɔbʲi tˌɛɡɔ jˈɛdnak.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_146.wav|mˈuvjɛ tɕˈi tɔ, ʒˈɛbɨɕ na vˈidɔk tˌɛɡɔː ˌɔɡrɔdʑˈɛɲʲa ɲʲɛ pɔmˈɨɕlaw, ʒˈɛ trˈafjaʒ dɔ vʲɛ̃ʑˈɛɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_174.wav|ɲˈiskɔː ˌurɔdʑˈɔnɔ̃ dʑɛftʃˈɨnɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_186.wav|— ɲʲˈɛmam pɔjˈɛɲtɕa — ɔtpˈarwa nɡˈuɡʲi i fskazˈawa na dʒvˈi. — ˌalɛ najlˈɛpʲɛj jˈuʒ zˈatʃɲij.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_266.wav|kˈɛvin pɔvˈiɲʲɛn zˈɔstatɕ nˌamjɛstɲˈikʲɛm zaxˈɔdu. ˈalbɔ tˈɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_161.wav|zˈɛ sfˈɔim zaplˈɛtʃɛm fˌinansˈɔvɨm i bˈandɔ̃ zbʲˈiruf ˌɔpalˈaɕɔ zavwˈadɲʲɛ mʲˈastɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_115.wav|za xˈɔt nˈails jɛst ˌɔpuʃtʃˈɔna prˈalɲʲa i sklˈɛp fʃˈɨstkɔ za dɔlˈara. z vˌɨvʲɛʃˈɔnɔ̃ na vitrˈɨɲʲɛ ˌinfɔrmˈatsjɔ̃ zˌapraʃˈamɨ dɔ nɔvˈɛɡɔ sklˈɛpu na pˈinɛ plˈaza.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_417.wav|mˈam spˈatɕ s tˈɔbɔ̃ tʃɨ s sˌɛrxaˈilɛm?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_589.wav|tsˈɔ tɔ znˈatʃɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_189.wav|ˈɛlis krˈɛɲtɕi ɡwˈɔvɔ̃. ɲʲɛ jˌɛstɛm ɡwˈɔdna.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_190.wav|brudnˈavɔ̃ ɕtɕˈanɛ, bjˈurkɔ ʒˈɔnɨ i spˈɔrɔ zɡrˌɔmadʑɔnˈɛɡɔ mrˈɔku.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_426.wav|jˈɛdnɛ rˌɔzwɔʒˈɨstɛ i nˌɔvɔtʃˈɛsnɛ jˈak f kˌalifˈɔrɲʲi,|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_135.wav|ɲʲɛ, mˈuvi bˈutskɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_26.wav|rˈɔp ɕɛ skʃˈɨviw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_68.wav|bjˈɛʒɛ ɡwˈuvɲʲɛ ʒˈɛtʃɨ, ktˌurɛ ɕɛ ɲʲɛ zɛpsˈujɔ̃ pɔt jˈɛɡɔ ɲʲˌɛɔbˈɛtsnɔɕtɕ. kɔnsˈɛrvɨ i mrɔʒˈɔŋki.|2
+Dataset/wavs/urwisko_ferenc/19_segment_133.wav|tˈak, tɔ prˈavda.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_91.wav|vˌɨʃɛptˈawam.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_293.wav|i ˌɔna ɕɛŋɡnˈɛwa ɡdʑˈɛʑ za ɕˈɛbjɛ rˈɛŋkɔ̃, vˌɨtɕɔŋɡnˈɛwa tɛn dʑˈivnɨ kˈɔts, ɔkrˈɨwa nˈas ɔbˈɔjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_85.wav|pˌɔvʲɛdʑˈawaɕ mi bˈardʑɔ kɔŋkrˈɛtɲʲɛ, ʒˈɛ ɲʲˈɛxtsɛʃ ˈɔtɨm rɔzmˈavʲatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_46.wav|prˌatsɔvˈawam tɕˈɛ̃ʃkɔ nˈattɨm, ʒˈɛbɨ stˈatɕ ɕɛ ɔsˈɔbɔ̃, ktˌurɔ̃ xtɕˈaw, ˈabɨm ɕɛ stˈawa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_274.wav|— ɲʲɛ pʃɛprˈaʃaj i ɲʲˈɛrup tˈɛɡɔ — pɔvʲˈɛdʑaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_24.wav|ɡdˈɨbɨ xɔdʑˈiwɔ vɨwˈɔntʃɲʲɛ ɔ pɔrvˈaɲʲɛ dʑˈɛtska, spɔdʑˈɛvawbˌɨ ɕɛ ʒɔndˈaɲʲa ɔkˈupu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_193.wav|nˈaɡwɨm pʃɨpwˈɨvɛm pˌɔʒɔndˈaɲʲa na parkʲˈɛtɕɛ tanˈɛtʃnɨm ˈalbɔ...|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_179.wav|ˌɔdvrutɕˈiwam tfˈaʃ.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_270.wav|ɲʲɛdwˈuɡɔ bˌɛndɛ ɕɛ ubjˈɛraw w aksˈamit. za rˈɔɡ bˌɛndɛ nˈɔɕiw fˈutra i jˈad...|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_59.wav|dʲˈibwa pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_28.wav|ˈɔtpar pɔ prˈɔstu.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_362.wav|a tsˈɔ z lˈɔrdɛm utˈɛrsɛm?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_18.wav|skwamˈawɛm na tˈɛmat mˈɔix rɔdʑˈitsuf.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_48.wav|a jˈuʃ muɕˈawam pʃɛkˈazadʑ ɡˈɔ nˈɔvɨm rɔdʑˈitsɔm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_44.wav|s pɛvnˈɔɕtɕɔ̃ bˌɛndɔ̃ mʲˌɛli naɡrˈaɲʲɛ z mˌɔɲitɔrˈiŋɡu, na ktˌurɨm vjˈɛʒdʒam na pˈarkiŋk.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_42.wav|bɨwˈɔbɨ mi trˈudnɔ pʃˈɛmknɔɲtɕ ɲʲˌɛpɔstʃɛʒˈɛɲʲɛ pʃˈɛs ɔtfˈartɨ tˈɛrɛn, a tˈɛras ɲʲɛ stˌanɔvˈiwɔ tɔ prɔblˈɛmu.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_347.wav|pˌɔtʃɛbɔvˈawam xfˈili, ʒˈɛbɨ sˈɔbjɛ fʃˈɨstkɔ pʃɛmˈɨɕlɛtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_57.wav|f tɨɣ varˈuŋkax tɔ lˈɛkka pʃɛsˈada, ˌalɛ tˈakim spʃˈɛntɛm dˌɨspɔnɔvˈaliɕmˌɨ.|4
+Dataset/wavs/urwisko_ferenc/59_segment_75.wav|jˈuʒ vɨjˈaɕɲʲam. zavˈɔrski vʑˈɔw ʃkwˈɔ pˌɔvʲɛŋkʃajˈɔntsɛ i pʃɨblˈiʒɨw jˈɛ dɔ kuvˈɛtɨ. pˈaɲi spˈɔjʒɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_174.wav|pˌɔʒutsˈɔnɨ vˈuzɛk na zakˈupɨ zɲˈiknɔw, ˌalɛ mˈɛ̃skʲɛ mˈajtki zɔstˈawɨ. tˈɛraz vˈiʃɔ̃ na kˈɛmpʲɛ xfˈastuf.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_91.wav|pˌɔmɨɕlˈawa rˌɔzbavʲˈɔna.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_55.wav|nˈaʒ dˈɔm, nˈaʃɛ zasˈadɨ. zˈafʃɛ mˈɔʒɛʃ fstˈatɕ ɔt stˈɔwu, zˈabratɕ tɛlˈɛfɔn i pˈujʑdʑ dɔ salˈɔnu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_19.wav|ɡwˈuvɲʲɛ ɕpˈi i pˈiʃɛ. nˈatɨm sˈamɨm laptˈɔpʲɛ, ktˌurɨ bˈutskɨ tˈɛraz zamˈɨka i pɔdnˈɔɕi.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_302.wav|ˌalɛ bˌɨwa jˈuʒ w vʲˈɛku ˌɔtpɔvʲˈɛdɲim dɔ mawʒˈɛɲstfa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_115.wav|zˈafʃɛ vˌɨdavˈawa ɕɛ zˈɛ fʃɨstkˈimi kˌɔŋkurˈɔvatɕ f kˈaʒdɛj dʑɛdʑˈiɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_171.wav|a ɡdˈɨ lˈudʑɛ s tʃtˈɛrɛx tˈartʃ...|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_210.wav|dɔpʲˈɛrɔ kʲˈɛdɨ ˌɔtpɔvʲˈɛdɲʲɔ vˌɨrɛɡˌulɔvˈawam prɔpˈɔrtsjɛ ɡˈazuf, pʃˈɨbraw nɔrmˈalnɨ kʃtˈawt.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_14.wav|jˈɛɕli pˌɔvʲɛɕˈiwa na dʒvʲˈaɣ vɨvʲˈɛʃkɛ ɲʲɛ pʃɛʃkˈadʑatɕ i pˈɔʃwa spˈatɕ, ɲʲˈɛma tsˈɔ jɛj bˈudʑitɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_233.wav|ɲʲɛ tsˈɔfnɔ̃ ɕɛ pʃɛt ɲˈitʃɨm, bˈɔ stˈafkɔ̃ sɔ̃ ɔɡrˈɔmnɛ pʲɛɲʲˈɔndʑɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_29.wav|na zˈɛvnɔntʃ jɛzd za ʑˈimnɔ na tsˈɔɕ takʲˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_162.wav|tˌɛɡɔ ɕɛ pʃˌɛtɕɛʃ pˌɔviɲʲˈɛnɛm dɔmˈɨɕlitɕ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_446.wav|xˈɔtɕ sˈɛr lˈɔtxɔr zˈɔstaw rɨtsˈɛʒɛm, bˈɨw bˈardʑɔ ɲiskʲˈɛɡɔ pˌɔxɔdʑˈɛɲʲa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_55.wav|tˈɔm skˈinɔw ɡwˈɔvɔ̃ i pˌɔdʑɛŋkˈɔvaw. tʃɨ tɔ bˌɨwɔ tsˈɔɕ ˌistɔtnˈɛɡɔ, ʒˈɛ ˈaʒ zmʲˈɛɲiw kˈɔd bˈɛz vʲˈɛdʑɨ jˈɔɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_109.wav|ftɕˈɔ̃ʒ zdumjˈɛva ɡˈɔ fˈakt, ʒˈɛ ta tʃˈɛɲɕtɕ mʲˈasta, tˈaɡ blˈiska tsˈɛntrum, jɛst tˈaɡ vɨmˈarwa.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_245.wav|tɔ jˈuʃ ɲʲˈɛma znatʃˈɛɲʲa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_482.wav|w zarˈɔɕlax jˈɛɡɔ fʃˌɛxɔbˈɛtsnɛj brˈɔdɨ mruɡˈawɨ rˌɔspatʃlˈivʲɛ tʃˈarnɛ, pʃɛkrfʲˈɔnɛ ˈɔtʃka.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_212.wav|ɲʲɛktˌuʒɨ s pɛvnˈɔɕtɕɔ̃ bˈɨ ʃɛptˈali, ʒˈɛ ˈɔjtsɛm bˈɨw mwˈɔdɨ vˈilk.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_46.wav|na jˈɛɡɔː ukrˈɨtɛj f tɕˈɛɲʲu tfˈaʒɨ vidʑˈawam tˌɨlkɔː ˈɔtʃɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_12.wav|nˈaʃɛ ʒˈɨtɕɛ zˈafʃɛ bˌɨwɔ bˈardʑɔ pˌɔukwadˈanɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_64.wav|swˈɨʃɛ tˈɛmpɨ ˈɔdɡwɔs, jˈaɡbɨ tsˈɔɕ mʲɛŋkkʲˈɛɡɔ zdɛʒˈɨwɔ ɕɛ s tʃˈɨmɕ tfˈardɨm.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_56.wav|brjˈɛnnɛ vˌɨtʃɨtˈawa tɔ w jˈakʲɛjɕ kɕˈɔ̃ʃtsɛ, xˈɔtɕ ɲʲɛ pˌamjɛntˈawa jˈuʃ jɛj tɨtˈuwu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_267.wav|vʲˈɛm, ɔ tʃɨm pˈan mˈɨɕli. ɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_328.wav|tsɛrsˈɛi bˌɨwa tˈaɡ zmɛntʃˈɔna,|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_6.wav|na ɔkrˈɔŋɡwɨm stɔlˈiku lˈɛʒɨ lˈaptɔp, pʃɛt ʃɛrˈɔkim ˈɔknɛm z vidˈɔkʲɛm na lɔtɲˈiskɔ stˈɔi bˈarɛk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_114.wav|ˌɔkazˈujɛ ɕɛ, ʒˈɛ jɛst tˈɛʃ mnˈustfɔ ʒˈɛtʃɨ dɔː ˌɔɡlɔndˈaɲʲa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_64.wav|tɔ zbliʒˈɛɲʲɛ nˌastɔlɛtɲʲˈɛɡɔ xwˈɔptsa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_91.wav|ɲʲˈɛmam jˈɛdnak ɔdvˈaɡʲi vˈɨɕɔ̃ɕtɕ, bˈɔː ˈaram bˈɨ mɲʲɛ zˌauvˈaʒɨw, a pˈɔza tɨm jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ mˈama bˈɨ mi ɲʲɛ pɔmˈɔɡwa. pˌɔzɔstˈajɛ mi tˌɨlkɔ tʃˈɛkatɕ, ˈaʃ stˈɔnt ɔdjˈadɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_341.wav|tɕˈɛɲ tɨvˈina bˈɨw dwˈuɡʲi i tʃˈarnɨ. kˈaʒdɨ z ɲˈix mˈuɕaw vˈaltʃɨtɕ ɔ dˈɔstɛmb dɔ swˈɔɲtsa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_222.wav|ɲʲɛ vˈartɔ ɕɛ jˈuʃ ˌaŋɡaʒˈɔvatɕ, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_27.wav|tɔ ɲʲɛ vʲˈɛntsɛj ɲˈiʒ dʑˈɛɲ prˈatsɨ. kɔʃtˈɔvadʑ bˌɛɲdʑɛ prˈavʲɛ tɔ sˈamɔː i...|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_418.wav|vˈɨpiw rˈɛʃtɛ vˈina i ɔtstˈaviw kʲˈɛlix na bˈɔk.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_25.wav|sfˈɔjɔ̃ drˈɔɡɔ̃ jɛdnˈɛɡɔ s kˈilku i nˌatɕisnˈɛwam dʑvˈɔnɛk.|4
+Dataset/wavs/urwisko_ferenc/34_segment_73.wav|w jɛj ɡwˈɔvʲɛ ˌɔdbʲijˈawɨ ɕɛ swˈɔva, ktˌurɛ dˈɔbʒɛ znˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_23.wav|zrˈɛʃtɔ̃ ɲʲˈɛvʲɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_123.wav|jˈak ɕɛ ˌɔkazˈawɔ, mˈatka lubʲˈiwa uprˈavʲatɕ sˈɛɡz z ɲʲˌɛznajɔmˈɨmi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_35.wav|nˈavɛt kʲˈɛdɨ jɛst ˌɔdvrutsˈɔnɨ plɛtsˈami, wˈatfɔ ɡˈɔ pˈɔznatɕ pɔ tɛj fˌantazˈɨjnɛj zatʃˈɛstsɛ majˈɔntsɛj zaswˈaɲʲatɕ sɛksˈɔvnɨ pˈanɛl sɔlˈarnɨ na tʃˈupku ɡwˈɔvɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_87.wav|mˈarɛj pɔwˈɔʒɨw pʃɛt ˌandɛrsˈɔnɛm stˈɔz zɛʃˈɨtuf i ˈɔtʃɛd, i ˈandɛrsɔn pˈɔtʃɔw zrˈɨvatɕ ɔkwˈatki.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_77.wav|tˈɛʃ tɕˈɛ kˈɔxam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_427.wav|tʃɨ vidʑˈɛli ˌidɛntˈɨtʃnɛ kʃtˈawtɨ, tʃɨ trˈɔxɛ ˈinnɛ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_59.wav|ˈɔtfuʒ dʒvˈi, jˈɔɛ. fpˈuɕtɕ mɲʲɛ dɔ jˈasnɛj xɔlˈɛrɨ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_334.wav|ʑˈimnɛ, swˈɔnɛ pɔvʲˈɛtʃɛ rˌɔzjaɕɲˈiwɔ mu w ɡwˈɔvʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_69.wav|zalˈɛdvʲɛ dvˈa tɨɡˈɔdɲʲɛ tˌɛmu bˈanda tɨx xɔlˈɛrnɨx skˌurvɨsˈɨnuv zdɔbˈɨwa f tɕɛɕɲˈinax tˌɨrɔsçˈijski stˈatɛk xandlˈɔvɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_126.wav|jɛst ɲʲɛɕmʲˈawa, pʃˌɛraʒˈɔna, zdˌɛzɔrjˌɛntɔvˈana.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_75.wav|dɔzˈɔrtsa tsˈɔɕ sˈɔbjɛ zawˈɔʒɨw.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_365.wav|vˈalɛn zaʒˈɔndaw jˈɛɡɔ mʲˈɛtʃa, a ɔn ˈɔddaw mu ɡˈɔ pɔswˈuʃɲʲɛ, ˌalɛ ɡdˈɨ kuʃɲˈitsɨ zatʃˈɛli stʃˈɛladʑ dɔ zvʲˈɛʒa...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_102.wav|vɨtɕˈɔŋɡnɔw rˈɛntsɛ f strˈɔnɛ tsˈurki, pˌɔtsawˈɔvaw jˈɔ̃ f pɔlˈitʃɛk, pɔ tʃɨm ɔdvrˈutɕiw ɕɛ i pʃɨtˈuliw luˈizɛ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_41.wav|sˈam pɔdˈɛrvaw ɕɛ nˈaɡlɛ nˈatɔ ɔstˈatɲʲɛ swˈɔvɔ.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_32.wav|dˈɔbʒɨ lˈudʑɛ z braˈavɔs fkrˈuttsɛ jˈuʒ bˌɛndɔ̃ zamˈɨkatɕ ˌɔkʲɛnɲˈitsɛ i zasˈuvatɕ rˈɨɡlɛ w dʒvʲˈax.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_62.wav|tˈɛras w najlˈɛpʃɨm vɨpˈatku mˈam tˌɨlkɔ tʃˈɨ zˈɛra na kˈɔɲtɕɛ. pˈij na vwˈasnɨ kˈɔʃt.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_29.wav|mʲˈawam kˈu tˌɛmu dˌɔskɔnˈawɔ̃ ɔkˈazjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_34.wav|rɔzdˈanɛ zɔstˈajɔ̃ tʃˈɨ kˈartɨ fspˈulnɛ, ktˌurɛ w ʒˈadɛn spˈɔsup ɲʲɛ pˌɔpravʲˈajɔ̃ mˈɔjɛj sˌɨtuˈatsji.|3
+Dataset/wavs/urwisko_ferenc/34_segment_43.wav|f kˈɔɲtsu ˈɔpar pʲˈɛɲɕtɕi na bjˈɔdrax.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_105.wav|kˈaʒdɨ mˈa jakʲˈɛɡɔɕ fjˈɔwa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_33.wav|tˈɔm tʃˈuw na sˈɔbjɛ spɔjʒˈɛɲʲɛ bˈɛtskɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_119.wav|ɲʲɛ mˈɔɡɛ zˌarɨzɨkˈɔvatɕ i iɣ vɨstˈavitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_98.wav|pʃˌɛjɛxˈawam dwˈɔɲʲɔ̃ pɔ ɡwˈatkʲɛj i lɕɲʲˈɔntsɛj bˈurtɕɛ skʃˈɨɲi wˌaduŋkˈɔvɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_14.wav|ubrˈana bˌɨwa w jˈakiʑ bˈurnus ˈalbɔː ˌɔtɕɛplˈanɔ̃ xlamˈidɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_72.wav|ja jˈuʃ tɔ pʃɛʒˈɨwɛm. mˈam tɔ jˈuʒ za sˈɔbɔ̃. dʑˈɛŋki bˈɔɡu, ʒˈɛ dʑˈiʑ vˈɨbraw kˈɔɡɔɕ innˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_29.wav|viktˈarjɔn pɔzvˈɔliw ˌɔpsɨpˈɨvatɕ ɕɛ kˌɔmplɛmɛntˈami, dɔpˈuki ktˈurɨʑ z ɲˈix ɲʲɛ zˈatʃɔw vɨxfˈalatɕ ɕmʲawˈɔɕtɕi ɛwrˈɔna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_5.wav|f tˈakim rˈaʑɛ zɲˈikam.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_80.wav|vˈɨʃwa za jɛdnˈɛɡɔ s xɔrˈɔ̃ʒɨx sfˈɛɡɔ brˈata i vɨdˈawa na ɕfʲˈat tˈuzin baxˈɔruf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_77.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_206.wav|dlatˈɛɡɔ, ʒˈɛ f pʃɛtɕˈivnɨm rˈaʑɛ mˈɔɡwabˌɨm ɕɛ rɔspwˈakatɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_347.wav|i tˈak mˈarɲʲɛ tˈam pwatɕˈili?|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_107.wav|zˌaxɔvˈɨvaw ɕɛ, jaɡbˈɨɕmɨ bˌɨli pʃˌɨjatɕˈuwmi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_177.wav|kɔbjˈɛta ˌuɕmʲɛxnˈɛwa ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_391.wav|tɛn drˈɔbnɨ ʃtʃˈɛɡuw utʃˈɨɲi tsˈawɔ̃ çistˈɔrjɛ bˈardʑɛj vˌɛrɨɡˈɔdnɔ̃. ˈalla pwakˈawa i bwaɡˈawa pˌɔzɔstˈawɛ, ʒˈɛbɨ pʃɛstˈawɨ ɡʒˈɛʃɨtɕ.|1
+Dataset/wavs/urwisko_ferenc/65_segment_16.wav|ɲʲɛ pɔzvˈɔlɛ, ʒˈɛbɨɕtɕˌɛ rɔzbʲˈili mˈɔjɛ mawʒˈɛɲstfɔ. ɲʲɛ ˈɔddam vam kˈiŋɡʲi, ˌaɲi tɨm bˈardʑɛj mˈɔjɛj tsˈurki zaɡrˈɔziw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_69.wav|jˈɛnnɨ vɛˈavɛ tˈutaj ɲʲɛ prˌatsɔvˈawa. pʃˌɛxɔdʑˈiwa tˈu tˌɨlkɔ ftˈɛdɨ, kʲˈɛdɨ xtɕˈawa tʃˈɛɡɔɕ ɔt ɲˈila.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_257.wav|xtɕˈawbɨ kʲˈɛdɨɕ ɕɛ s tˈɔbɔ̃ zɔbˈatʃɨtɕ.|4
+Dataset/wavs/urwisko_ferenc/25_segment_53.wav|mˈarja ɲʲɛ ˌɔtpɔvʲɛdʑˈawa. xˈalɔ, ʒˈɨjɛʃ? pɔmˈaxaw jɛj rˈɛŋkɔ̃ pʃɛt ɔtʃˈami.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_42.wav|mɨɕlˈawɛm, ʒˈɛ ɲʲɛ vˌɨdaʒˈɨwɔ ɕɛ ɲˈits tɕˌɛkafʃˈɛɡɔː ɔt spɔtkˈaɲʲa z zaʒˈɔndɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_39.wav|zˌaxɔvˈaɲʲɛ lˈutsɨ znˈuv zmʲɛɲˈiwa kʲɛrˈunɛk f tɨpˈɔvɔ mwɔdʑˈɛɲtʃɨm stˈɨlu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_39.wav|kʲˈɛdɨ vɨxˈɔdʑi, ɲʲɛ pˈatʃɨ mi w ˈɔtʃɨ.|3
+Dataset/wavs/urwisko_ferenc/44_segment_32.wav|pˌɔɡadˈamɨ na mʲˈɛjstsu.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_31.wav|muɕˈitɕɛ sɕˈɔ̃ɕtɕ s kˈɔɲi i pʃˈɛjʑdʑ zˈɛmnɔ̃ pʃˈɛz bwˈɔtɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_397.wav|jˈɛdɲi pwˈatsɔ̃, ˈinɲi mˌajɔ̃ darmˈɔvɨ ˌabɔnˈamɛnt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_162.wav|pˈɛvɲʲɛ ˌɔdrɛˌaɡɔvˈujɛ jˈakɔ̃ɕ trˈawmɛ z dʑɛtɕˈiɲstfa, stfʲˈɛrdʑiw dʒˈɔnnɨ, ˌalɛ xˈuj s trˈawmɔ̃, tɔ zwˈɨ tʃwˈɔvʲɛk i tˈɨlɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_111.wav|zˈafʃɛ tˈaɡ bˌɨwɔː i zˈafʃɛ bˈɛɲdʑɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_90.wav|zˈamkɲij mˈɔrdɛ, ˈanɔ.|3
+Dataset/wavs/urwisko_ferenc/08_segment_22.wav|i tʃˈɛkaw na lipskʲˈɛɡɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_158.wav|srɛbʒˈɨstɨ mˈɛɣ vˈɔkuw jˈɛɡɔː ˈust pɔrˈuʃaw ɕɛ lˈɛdvɔ dˌɔstʃɛɡˈalɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_36.wav|ˌɔtʃɨvˈiɕtɕɛ. a kʲˈɛdɨ bˌɛndɛ jˈɔ̃ rɔbʲˈiwa, mˈɔʒɛʃ mi ˌɔpɔvʲˈɛdʑɛtɕ, na tsˈɔ dʑˈiɕ najbˈardʑɛj ɕɛ tɕˈɛʃɨʃ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_137.wav|dɔ ɕrˈɔtka.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_165.wav|pˈɔtɛm fʃˈɨstkʲɛ ˌuswuɡʲivˈawɨ pʃɨ stˈɔlɛ tˈak sˈamɔ jˈak pɔpʃˈɛdɲʲɔ, xˈɔdʑɔnts mʲˌɛndʑɨ stɔwˈami z dʑbanˈami vˈina.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_185.wav|jɛdˈɨna rˈana, jˈakɔ̃ ˈɔdɲʲus, tɔ draɕɲʲˈɛɲtɕɛ rˈɨdlɛm mˈɛrx.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_4.wav|tˈɔm spɔdʑˈɛvaw ɕɛ prɔblˈɛmuv z ˌidɛntˌɨfikˈatsjɔ̃ na pɔtstˈavʲɛ sˈamɛj tfˈaʒɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_90.wav|i ɲˈikt ɲʲˈɛvʲɛ.|0
+Dataset/wavs/urwisko_ferenc/23_segment_17.wav|kʲˈɛdɨ xˈɛrman ˌintɛnsˈɨvɲʲɛ zˌatratsˈawa ɕɛ w ɕfʲˈɛtɕɛ zakwˈaduf spɔrtˈɔvɨx, ɲʲˌɛnavidʑˈiwa sɔ̃ɕˈaduv za spɔjʒˈɛɲʲa pˈɛwnɛ pɔɡˈardɨ.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_36.wav|lˈudʑɛ lˈɛɕɲi ʃukˈali pʃˈɛttɛm ɔpʲˈɛki tɔˈɨna, ˌalɛ sˈɛr ˈartur zrˈɔbʲiw dla ɲˈiɣ vʲˈɛntsɛj ɲˈiʃ kʲˌɛdɨkˈɔlvʲɛk mɔɡwˈɔbɨ zrˈɔbʲidʑ brˈatstfɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_145.wav|jˈɛn pˌɔvʲɛdʑˈawa ɕfʲˈatu i prˈaɕɛ, ʒˈɛ ɡˈɔ ʒutɕˈiwa, bˈɔ sprˈavɨ zatʃˈɛwɨ ɕɛ vɨmˈɨkatɕ spˈɔt kɔntrˈɔli.|3
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+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_163.wav|ˈax, xtɕˈawɛm pɔvʲˈɛdʑɛtɕ lˈɔrt ˈɛmmɔn.|1
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+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_87.wav|xtɕˈawɔ mu ɕɛ spˈatɕ i mˈuviw tɕˈixɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_177.wav|vmuvˈiwɛɕ sˈɔbjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_60.wav|ɕfʲˈɛnta prˈavda, mˈuvi ɲˈitsk i kʃˈɨvi ɕɛ jˈaɡ dʑˈɛtskɔ, pʃɛt ktˌurɨm pˌɔstavʲˈɔnɔ brɔkˈuwɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_205.wav|jˈakʲɛ tɔ ʃtʃˈɛɲɕtɕɛ, ʒˈɛ jˈɛʃtʃɛ narˈɔduf ɲʲɛ pˌɔsɨwˈajɔ̃ na badˈaɲʲa psˌɨhiatrˈɨtʃnɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_70.wav|tˈutaj ɡʲˈinɔ̃ lˈudʑɛ. pˈɔvʲɛts mi dlatʃˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_13.wav|tʃˈɨli tɔ bˈutskɨ mˈuɕi ʃˈukadʑ z ɲˈim kɔntˈaktu, bˈɔ tˌɨlkɔː ɔn znˈa nˈumɛr daltˈɔna tsartʲˈisa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_104.wav|mˈɔʒɛ zˌapɔmɲʲˈawɛɕ, ˌalɛ ʒɨjˈɛmɨ w ˈɛʒɛ kˌɔmputˈɛruf. sprˈaftɕ tɔ prˈɔʃɛ.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_299.wav|ɲʲɛ mˈɔɡli mu zaˈufatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_2.wav|w artˈɛmis ɲʲˈɛma tˌɨpɔvˈɛɡɔ pˌɔstɛrˈuŋku pɔlˈitsji, a jˈɛɡɔ fˈuŋktsjɛ pˈɛwɲi bjˈurɔ rudjˈɛɡɔ, ktˌurɛ mʲˈɛɕtɕi ɕɛ w bˈaɲtsɛ armstrˈɔŋɡa.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_404.wav|tɕi sˈami mɛ̃ʃtʃˈɨʑɲi, ktˌuʒɨ jɛj stʃˈɛɡɔ̃, mˈɔɡɔ̃ jˈɔ̃ pʃˈɨvʲɛʑdʑ dɔ zɡˈubɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_67.wav|w dɲʲˈu pʃɨjˈazdu bʲillʲˈɛɡɔː i ˈɛliz bˌɨwɔ tɕˈɛpwɔ jˈak w lˈɛtɕɛ, ˌalɛ druɡʲˈɛɡɔ vʲɛtʃˈɔru ˈu butskʲˈɛɡɔ jɛst xwˈɔdɲʲɛj, za ɔknˈami vˈɨjɛ ʑˈimnɨ vʲˈatr.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_93.wav|vˈaʃa ɕfʲˌɔntɔblˈivɔʑdʑ zatʃˈɛwa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_8.wav|kʲˈɛdɨ pʃɨwˈɔʒɨ ɕˌɛdɛmsˈɛtkɛ dɔ ramjˈɛɲʲa i spˈɔjʒɨ f tsɛlˈɔvɲik lˈɛwpɔlt, jˈɛɡɔ rˈɛntsɛ mˈuʃɔ̃ bˈɨtɕ pˈɛvnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_107.wav|pɔdˈajɛ ɡˈɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_55.wav|ˌalɛ tɔ fʃˈɨstkɔ, tsˈɔ mˈɔɡɛ dla tɕˈɛbjɛ zrˈɔbʲitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_186.wav|tɛ ʃˈafki sɔ̃ zrɔbjˈɔnɛ z ɡrˈubɨx na tsɛntˈɨmɛtr ˌalumiɲʲˈɔvɨx pwˈɨt, pʃɨpˈɔmɲʲaw mi dˈalɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_30.wav|jˈadɔ̃ na zakˈupɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_92.wav|pɔvʲˈɛdʑaw ɲʲˈɛmal ʃˈɛptɛm.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_34.wav|ɕtɕˈɛʃki mʲˌɛndʑɨ ˌɔɡɲiskˈami pˌɔkrɨvˈawɔ pˈɛwnɛ ɕlˈaduv bˈutuf ˌɔras kˈɔpɨt, brɔ̃zˈɔvɛ bwˈɔtɔ pˌɔmjɛʃˈanɛ s kˈɔɲskim wˈajnɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_76.wav|jˈɛɡɔ pˈaltsɛ sprˈavɲʲɛ fprˌɔvadʑˈiwɨ mˈɔjɛ dˈanɛ i pɔ xfˈili fʃˈɨstkɔ bˌɨwɔ ɡɔtˈɔvɛ. vitˈamɨ w artˈɛmis!|4
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_38.wav|zˈafʃɛ mi ˌɔpɔvʲˈada ɔ sfˈɔix najnˈɔfʃɨɣ zdɔbˈɨtʃax, ˈɔtɨm jˈak ɕɛ pɔznˈali i ɔ dˈɔbrɨx i zwˈɨx strˈɔnax.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_99.wav|ɲʲɛ xtɕˈawam, ʒˈɛbɨ vʲɛdʑˈɛli, ɡdʑˈɛ mʲˈɛʃkam, ɲʲɛ mˈuvʲɔnts ˈɔ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_7.wav|ɕˈɛrʒand z ɡwˌɛmbɔkʲˈɛɡɔ pɔwˈudɲʲa, ktˌurɨ pʃˈɨjɔw bʲillʲˈɛɡɔ dɔ marˈinɛs, bˈɨwbɨ z ɲˈiɣ zˌadɔvɔlˈɔnɨ.|2
+Dataset/wavs/urwisko_ferenc/49_segment_46.wav|mˈarja ɕɛ zˌasɛmpˈiwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_177.wav|bˈɔp tˈɛʃ ɕɛ ɲʲɛ zɡwˈaʃa.|4
+Dataset/wavs/urwisko_ferenc/12_segment_99.wav|bɔrˈɛvitʃ sˈapnɔw i pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃ z rˌɛzɨɡnˈatsjɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_261.wav|na jɛj vɛzɡwˈɔvju lˈɛʒaw jˈakiʑ zˌabwɔŋkˈanɨ pˈɔblask swˈɔɲtsa, pʃˌɛdʑɛrˌajɔntsˈɛɡɔ ɕɛ pʃˈɛz buʒˈɔvɛ xmˈurɨ.|0
+Dataset/wavs/urwisko_ferenc/45_segment_61.wav|ɡdˈɨbɨ bˌɨwɔː inˈatʃɛj, mˈɔɡwabˌɨ zapˈisadʑ dˈɔm na kˈɔɕtɕuw ˈalbɔː ˈɔddadʑ dˈalʃɨm krˈɛvnɨm?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_103.wav|ɲʲɛ pˌɔvʲɛdʑˈawa mu pˈaɲi, ʒˈɛ kʲˈɛdɨ pˌɔjɛxˈawa dɔ pʃˌɨjatɕˈuwki, ɲʲɛ mˈɔɡwa dˈɔstatɕ ɕɛ dɔ sˌamɔxˈɔdu zˈɛ vzɡlˈɛndu na prˈatsɛ pɔlˈitsji w mʲˈɛjstsu zbrˈɔdɲi?|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_160.wav|sˈam ɛdmˈurɛ pʃɛstˈaɲʲɛ bˈɨtɕ pɔtʃˈɛbnɨ lɔrdˈɔvi vˌaldɛrˈɔvi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_34.wav|mɛ̃ʃtʃˈɨzna tʃˈɨmaw dwˈɔɲ na ramjˈɛɲʲu tˈatɨ, jˈaɡbɨ bˈɨw jˈɛdnɨm z jˈɛɡɔ znajˈɔmɨx.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_325.wav|ˈalbɔ zavˈiɕɲʲɛʒ za zdrˈadɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_141.wav|xˈɛndɛrsɔn|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_73.wav|ftˈɛdɨ sˈɔbjɛ ˌuzmɨswɔvˈiliɕmˌɨ, ʒˈɛ...|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_28.wav|a jˈɛdnak tɔ mɔʒlˈivɛ, mˈikɛ pɔvʲˈɛdʑaw ˈandɛrsɔn. ˌalɛ ɲʲɛ ˈɔtɔ xˈɔdʑi.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_338.wav|swɨʃˈɛli jˈɛɡɔː ˌɔddalajˈɔntsɛ ɕɛ krˈɔki.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_74.wav|pˌɔttsɛlɔvˈawɛm latˈarkɔ̃ w ɕtɕˈɛʃkɛ, ʒˈɛbɨ ɔmˈinɔɲtɕ kawˈuʒɛ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_393.wav|mɛ̃ʃtʃˈɨʑɲi sɔ̃ takˈimi ˌɔkrɔpnˈɨmi durɲʲˈami.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_79.wav|xfˈilɛ pˈuʑɲʲɛj f prˈɔɡu stˈanɔw vɨsˈɔki mɛ̃ʃtʃˈɨzna.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_95.wav|pʃɛsˈuva ˈɛkran w lˈɛvɔ, tsˈɔː ɔznˈatʃa, jˈak jˈuʒ zdɔ̃ʒˈɨwam ɕɛ zˌɔrjɛntˈɔvatɕ, ʒˈɛ dˈana prˌɔpɔzˈɨtsja zɔstˈajɛ ˌɔdʒutsˈɔna.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_51.wav|mˈɔʒɛʃ ɔbvˈiɲitɕ ˈɔtɔ mɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_5.wav|vʑˈɛwam ˈurlɔp f prˈatsɨ.|3
+Dataset/wavs/urwisko_ferenc/05_segment_69.wav|tˈak, bˈɔ jˈaɡbɨ tsˈɔ, tɔ dˈuw jɛzd vˈɔlnɨ i mˈɔʒɛʃ spˈatɕ ˈu mɲʲɛ. dʑˈɛŋki, ˌalɛ vʲˈɛʃ jˈak jˈɛst. najlˈɛpʲɛj ɕɛ vˈɨspatɕ na sfˈɔim.|0
+Dataset/wavs/urwisko_ferenc/19_segment_91.wav|mijˈawɨ kɔlˈɛjnɛ pʲˈɛntra.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_161.wav|mˈɔja zawˈɔɡa ɲˈiɡdɨ bˈɨ tˈak ɲʲɛ ˌumɔtʃˈɨwa dˈupɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_4.wav|stˈanɔw pʃɨ tablˈitsɨ s pˌɔdviɲʲɛntˈɨmi s pɔvˈɔdu upˈawu rˌɛŋkavˈami kɔʃˈuli i rɔzˈɛjʒaw ɕɛ pɔ pˌɔmjɛʃtʃˈɛɲʲu, f ktˌurɨm ɔstˈatɲi mˌarudˈɛʒɨ zˌajmɔvˈali mʲˈɛjstsa.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_212.wav|f çistˈɔrji artˈɛmis ɲˈiɡdɨ ɲʲɛ zdˈaʒɨw ɕɛ spˈadɛk tɕiɕɲʲˈɛɲʲa.|4
+Dataset/wavs/urwisko_ferenc/27_segment_65.wav|vɨdˈajɛ mi ɕɛ, ʒˈɛ nˈatɨm ɛtˈapʲɛ tɔ ɲʲɛ bˌɛɲdʑɛ kɔɲʲˈɛtʃnɛ zˌapɛvɲˈiwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_93.wav|zˌastanɔvˈiwa ɕɛ nˈattɨm krˈutkɔ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_332.wav|vʲˈɛm, ʒˈɛ zˌakazˈanɔ tɕi zˈɛmnɔ̃ rɔzmˈavʲatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_66.wav|dlatˈɛɡɔ, ʒˈɛ bʲˈillɨ sˈummɛrz vʲˈɛ ɔ prˌɛmɛdɨtˈatsji tˈɨlɛ, tsˈɔ ɲˈikt ˈinnɨ i bˈɛs tɕˈɛɲʲa vˌɔntplivˈɔɕtɕi vwˈaɕɲʲɛ s tɨm tˈutaj mˈa dɔ tʃɨɲʲˈɛɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_83.wav|tsˈawkʲɛm fˈajna, ɲʲɛ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_56.wav|ˌɔna jɛzd dɔ kˈɔɡɔɕ pɔdˈɔbna, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_47.wav|vrˈɛntʃ rˈɔswɨ mi w ˈɔtʃax.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_99.wav|tˈak mɲʲˈɛj vʲˈɛntsɛj. ˌalɛ ɲitʃˈɛɡɔ jˈuʃ tɕi ɲʲɛ pˈɔvʲɛm. dɔ zˌɔbatʃˈɛɲʲa pˈuʑɲʲɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_119.wav|a tˈɛras ˈɔkɔ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_65.wav|bˈɨtɕ mˈɔʒɛ nˈadmʲar mˈɔdlitf pɔzbˈavja tʃwɔvʲˈɛka zmˈɨswu vˈɛnxu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_232.wav|ˌalɛ tsˈɔː ˌɔtkwadˈawɛm, tˌɛɡɔ ɲʲɛ ˈumjawbˌɨm ɔkrˈɛɕlitɕ. jˈakʲɛɕ kˌɔnsɛkfˈɛntsjɛ, ɲʲˌɛvɨɡˈɔdɨ, raxˈunɛk sumjˈɛɲʲa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_80.wav|zabjˈɛraj wˈapɨ ˈɔdɛ mɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_241.wav|ɲʲˌɛvʲɛlkʲˈɛɡɔ zbjˈɛɡu ˈulits w ɲʲɛvʲˈɛlkim mʲˈɛɕtɕɛ f tfˈɔjɛj mˈimitsˌɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_11.wav|mˈɔʒɛ ˈaʃ pɔjˈɛxaw zapwˈatɕitɕ ˈɔkup.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_29.wav|ˌɛmtsˈɛ ˈintɔʒ vɨtɕˈɔŋɡa rˈɛŋkɛ, bʲˈillɨ fstˈajɛ i ɕtɕˈiska jˈɛɡɔ dwˈɔɲ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_566.wav|jˈɛɕli jˈuʃ pʃˈɨʃwa nˈamɲʲɛ pˈɔra...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_4.wav|ɲʲɛ mʲˌɛli jˈɛʃtʃɛ vɨɲˈikuf ˌanalˈizɨ, ktˌura bˈɨ pˌɔtfʲɛrdʑˈawa, ʒˈɛ nˌalɛʒˈawa ˌɔna dɔ ɡˌɛnɛvʲˈɛvɛ strˈaxan, ˌalɛ ɲˈikt ɲʲˈɛmʲaw tsˈɔ dɔ tˌɛɡɔ vˌɔntplivˈɔɕtɕi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_47.wav|pˈɨta, kʲˈɛdɨ vɨtɕˈɔŋɡam tɛlˈɛfɔn.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_159.wav|a kʲˈɛdɨ jˈuʃ utˈɔɲʲɛʒ vɛ wzˈax, valˈɔnkar zatɕˈiɕɲʲɛ dwˈɔɲʲɛ na tfˈɔjɛj bjˈawɛj ʃˈɨi i vɨtɕˈiɕɲʲɛ s tɕˈɛbjɛ ʒˈɨtɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_36.wav|xˈɨba vˌɨmɨɕlˈiwam kˈilka nˈɔvɨx plˈuɡastf.|4
+Dataset/wavs/urwisko_ferenc/49_segment_102.wav|ˌumɛntʃˈɔna dɲʲˈɛm pˈɛwnɨm vrˈaʒɛɲ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_65.wav|ɔtfʲˈɛra ˈusta, ʒˈɛbɨ pʃɨtˈaknɔɲtɕ, zmʲˈɛɲʲa jˈɛdnaɡ zdˈaɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_82.wav|pˈɔza tɨm zapˈɛvnɛ ɡwˈuvɲʲɛ zˌaintˌɛrɛsˈujɛ jˈɔ̃ tɔ, dlatʃˈɛɡɔ ɲʲɛ zadʑvˈɔɲiw na pɔlˈitsjɛ ˈalbɔ ɲʲɛ zˈabraw jɛj dɔ nˌajbliʃʃˈɛɡɔ ʃpitˈala.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_315.wav|tɕˈɛʃɛ ɕɛ, ʒˈɛ tˈu jˈɛstɛɕ, bˈɨ mu ɡˈɔː udʑˈɛlitɕ, bˈɔ ja ɲʲɛ pˌɔtrafˈiwɛm tˌɛɡɔː utʃˈɨɲitɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_8.wav|zɲʲˌɛruxɔmjˈawam jˈɛdnak.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_148.wav|ja jˌɛstɛm xwɔdnˈavɨ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_445.wav|ɲʲɛ pʃˈɛtʃɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_64.wav|bʲˈillɨ ɔtfʲˈɛra dʒvˈi, xfˈɨta jˈɔ̃ za rˈɛŋkɛ i ftɕˈɔŋɡa dɔ pɔkˈɔju.|2
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_15.wav|znˈɔvu. krˈutkɔ mˈuvʲɔnts, mʲˈastɔ zˌarɛkfˌirɔvˈawɔ prˈavʲɛ fʃˈɨstkʲɛ mˈɔjɛ pʲɛɲʲˈɔndʑɛ, ʒˈɛbɨ ˈutʃɛtɕ mi nˈɔsa za tɛn vˈɨbrɨk.|4
+Dataset/wavs/artemis_anna_szymanczyk/45_Artemis_segment_3.wav|mˈɛdja dɔnˈɔʃɔ̃, ʒˈɛ w artˈɛmiz dʑˈɛjɛ ɕɛ tsˈɔʑ bˈardʑɔ zwˈɛɡɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_24.wav|pɔʃˈukam tɕi kɔʃˈulki i sfˈɛtra.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_30.wav|naprˈavdɛ ɲʲˈɛv��ɛm, tʃɨ pˌɔstɛmpˈujɛ swˈuʃɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_177.wav|tˈɨlkɔ, ʒˈɛ pɔ drˈuɡʲɛj strˈɔɲʲɛ ɲʲɛ tʃɛkˈawɔ mɲʲɛ vˌɨbavʲˈɛɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_10.wav|ɲikˈɔɡɔ zˈatɔ ɲʲɛ ˈɔbʑɲʲam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_113.wav|ˌalɛ ɕfʲadˈɔmɔɕtɕ, ʒˈɛ ɡdʑˈɛɕ tˈam jˈɛst, zˈafʃɛ dˌɔdavˈawa mi ɔtˈuxɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_153.wav|ˌalɛ pʃˌɛtɕɛʃ tʃwɔvʲˈɛka, kturˌɛɡɔ zastʃˈɛliw, ɲʲɛ pˌɔstavˈili pʃɛt sˈɔndɛm za bˈɨlɛ krˈadʑɛʃ f sklˈɛpʲɛ, ɲʲɛ?|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_242.wav|mɛ̃ʃtʃˈɨzna zapˈisaw ˈimjɛ f kɕˈɛndʑɛ i fskˈazaw pʲˈurɛm na wˈavɛ pɔt ɕtɕˈanɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_193.wav|ˈandɛrsɔn vɨwˈɔntʃɨw tˌɛlɛvˈizɔr.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_241.wav|pˈuʑɲʲɛj ˈɛlis ɲʲˌɛvɔntplˈivʲɛ dˈɔjdʑɛ dɔ vɲʲˈɔsku, ʒˈɛ ʑlˈɛ, bˈardʑɔ ʑlˈɛ zrɔbʲˈiwa pɨtˈajɔnts, tʃɨ mˈɔʒɛ z ɲˈim zˈɔstatɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_110.wav|ˌalɛ pɔ jˈakimɕ tʃˈaɕɛ znudʑˈiwɔ mi ɕɛ. jˌɛstɛm vɛvnˈɛntʃɲʲɛ rɔzbʲˈitɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_24.wav|jˌɛstɛɕ pˌuŋktuˈalnɨ, pˌɔvʲɛdʑˈawam. dʑɛŋkˈujɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_33.wav|ˌɔttʃɛkˈawam, ˈaʃ ɔɕˈɔɲdʑɛ pˈɨw, a pˈɔtɛm zrɔbʲˈiwam krˈɔk f strˈɔnɛ ɔtfˈɔruf w ɕtɕˈaɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_110.wav|vɨ ˈɔbjɛ jɛstˌɛɕtɕɛ tˈu ɲʲˌɛlɛɡˈalɲʲɛ, tˈɨ!|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_137.wav|pʃˈɛs sɛkˈundɛ zˌastanavʲˈawam ɕɛ, tsˈɔ zɔbˈatʃɛ, jˈɛɕli ta dˌɔskɔnˈawa mˈaska zɔstˈaɲʲɛ zɛrvˈana i ujˈavɲi ɕɛ tkfʲˈɔntsɨ pɔt spˈɔdɛm djˈabɛw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_20.wav|— dʑvɔɲˈiwɛʑ dɔ lˈutsɨ? — spɨtˈawa lˌɔuˈisa.|4
+Dataset/wavs/urwisko_ferenc/63_segment_183.wav|tˈak ɕɛ skwˈada, ʒˈɛ zuzˈanna xudʑˈiɲska...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_79.wav|tʃɨ tɔ prˈavda?|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_203.wav|tˈɨlkɔ, ʒˈɛ ɲʲɛ mˈuvjɔ̃ ɲˈiɡdɨ prˈavdɨ. rɔzˈumjɛ pˈaɲi tˈɛ ruʒɲˈitsɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_172.wav|sˈɛks jɛst udˈanɨ, pʃɨnˈajmɲʲɛj vˈɛdwuɡ bʲillʲˈɛɡɔ. sˈɔɲdʑi, ʒˈɛ dla ɲʲˈɛj tˈɛʃ, ˌalɛ s kˌɔbjɛtˈami ɲˈiɡdɨ ɲˈits ɲʲɛ vʲadˈɔmɔ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_306.wav|ɡdˈɨbɨ ʒmijˈɔvɛ bˌɛŋkartɕˈitsɛ bˌɨwɨ ˌuvʲɛ̃ʑˈɔnɛ vɛ vwˈutʃɲi, s pɛvnˈɔɕtɕɔ̃ ˌuswɨʃˈawɨbˌɨ jɛj kʃˈɨki.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_47.wav|kʲˈɛdɨɕ pˌɔtsawɔvˈawa kuxtɕˈika f kˈuxɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_160.wav|kˈilka nˈɔtsɨ tˌɛmu bˌɨwa nˌɔvɔtʃˈɛsnɔ̃, vˌɨzɨvajˈɔntsɔ̃, nˌɔnʃalˈatskɔ̃ dʑɛftʃˈɨnɔ̃.|0
+Dataset/wavs/urwisko_ferenc/64_segment_12.wav|ˌalɛ tɛn sˈɔ̃ɕat jɛst f tɔ zˌamjɛʃˈanɨ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_217.wav|tˈɛras mi vʲˈɛʒɨʃ, jˈak tɕi tɔ pˌɔvʲɛdʑˈawa w ˈɔtʃɨ pʲˈɛŋkna dʑɛftʃˈɨna, prˈavda?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_253.wav|zˈɛ zrˌɛdukɔvˈanɨm jˈaɡbɨ ʒˈɨtɕɛm, trˈɔxɛ xtsˈɔntsɔ, a trˈɔxɛ ɲʲɛxtsˈɔntsɔ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_484.wav|ˈalbɔ zamjˈɛʒa mɲʲɛ vˈɨdadʑ za jakʲˈɛɡɔɕ starˈɛɡɔ, ˌɔdraʒˌajɔntsˈɛɡɔ ɡwˈuptsa i bˌɛɲdʑɛ mɲʲɛ tˈu tʃˈɨmaw ˈaʒ dɔ dɲʲˈa pɔkwˈadʑin.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_37.wav|tsɛrsˈɛi ɲʲɛ xtɕˈawa mˈɨɕlɛtɕ ɔ sˈɛnɛl. ˌɔtpwatɕˈiwa mi za ˌɔkazˈanɔ̃ dˈɔbrɔdʑ zdrˈadɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_82.wav|jˈɛɕli pʃɨjˈadɔ̃ rˌadjɔvˈɔzɛm, ɔtfˈɔʒɔ̃ dʒvˈi ɔt strˈɔnɨ krˌavɛ̃ʒɲˈika. jˈɛɕli fˌurɡɔnˈɛtkɔ̃, tˈɨlnɛ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_233.wav|ɲʲɛ mʲˌɛli s tɨm ɲˈits fspulnˈɛɡɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_310.wav|vˌɨtɕɔŋɡnˈɔ̃fʃɨ pʃɛt ɕˈɛbjɛ rˈɛŋkɛ, ɲʲɛ ˈumjɛm.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_273.wav|pˌaskudnˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_68.wav|pjˈi. ˌuswɨʃˈawɛm trˈɔxɛ ɔxrˈɨpwɨ i jˈaɡbɨ znajˈɔmɨ ɡwˈɔs.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_113.wav|ɲʲɛ zdɔ̃ʒˈɨwam dɔkwˈadɲʲɛ ɡˈɔː ɔbˈɛjʒɛtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_16.wav|kˈula vˈɛʃwa tˈuʃ nat kˈɔɕtɕɔ̃ bjɔdrˈɔvɔ̃, rˌɔzɔrˈawa skˈurɛ i mʲˈɛ̃sɔ. rˈana mʲˈawa mˈɔʒɛ tsɛntˈɨmɛdr ɡwˌɛmbɔkˈɔɕtɕi, sɔntʃˈɨwa ɕɛ z ɲʲˈɛj krˈɛf.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_221.wav|ˌalɛ kɕɛ̃ʒɲˈitʃka pɔvˈinna znˈatɕ prˈavdɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_138.wav|zrˈɔbjɛ fʃˈɨstkɔ, ʒˈɛbɨ zapˈɛvɲidʑ bˌɛspʲɛtʃˈɛɲstfɔ rɔdʑˈiɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_43.wav|dlatʃˈɛɡɔ? kʃˈɨknɔw f kˈɔɲtsu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_28.wav|vˈɨjɔw kɔmˈurkɛ, pʃɛwˈɔntʃɨw jˈɔ̃ na ɡwˈɔɕɲik i vˈɨbraw zˌapisˈanɨ nˈumɛr.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_512.wav|ˌɔna mɲʲɛ tˈɛʃ praɡnˈɛwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_228.wav|tɔ dˈɔbrɛ ˈawtɔ, ɲʲɛ dɔ nˌamjɛʒˈɛɲʲa, a rˈɛɡɡʲɛ ɲʲɛ bˌɛɲdʑɛ zˈaɲim tˈɛ̃skɲiw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_104.wav|tɔ ɲʲˌɛistˈɔtnɛ i jˈuʃ sˈɔbjɛ s tɨm pˌɔradʑˈiwɛm. prˌubɔvˈawɛm uɲˈikatɕ pʃˌɛbɨvˈaɲʲa z ɲʲˈɔ̃ w jˈɛdnɨm pˌɔmjɛʃtʃˈɛɲʲu pʃɨ zamkɲʲˈɛntɨɣ dʒvʲˈax ˌi taɡ dˈalɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_249.wav|pˈan ˈɛn pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_13.wav|ɕfʲˈɛtɲʲɛ. jˈɛɕli ɲʲɛ ɔdjˈɛdʑɛʃ, bˌɛndɛ zmuʃˈɔna tɕˈɛ stˌaranˈɔvatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_126.wav|krˈɔpki zɲikˈajɔ̃, kˈɔɲʲɛdʑ dɨskˈusji.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_187.wav|ˌalɛ bʲˈillɨ mˈa fprˈavɛ f tʃɨtˈaɲʲu tfˈaʒɨ i vʲˈɛ, tsˈɔ kɔbjˈɛta sˈɔbjɛ mˈɨɕli.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_127.wav|ˌɔɲi jˈuʃ ɲˈiɡdɨ ɲʲɛ vrˈutsɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_36.wav|jˈɛdɛn z ɲˈiɣ bˈɨw ɡˌɛnɛrˈawɛm vɨsˈɔkʲɛj rˈaŋɡʲi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_38.wav|ˈaram mˈuɕaw ɕɛ dɔmˈɨɕlatɕ, ʒˈɛ pʃɨswˈaɲʲɛ jɛj bˌɛɲdʑɛ najvʲˈɛŋkʃɨm ˌupɔkɔʒˈɛɲʲɛm, tsˈɔ muɕˈawɔː ɔznˈatʃatɕ, ʒˈɛ zdˈavaw sˈɔbjɛ sprˈavɛ z jɛj ˈutʃudʑ vˈɔbɛts mɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_179.wav|fʃˈɨstkɔ jˈɛdnɔ pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_96.wav|pɔvʲˈɛdʑaw zdˌɛtsɨdɔvˈaɲʲɛ za ɡwˈɔɕnɔ, vʲˈɛnts ʃˈɨpkɔ pʃˌɨwɔʒˈɨwam pˈalɛdʑ dɔː ˈust.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_220.wav|nˌazɨvˈamɨ jˈɛ inˈatʃɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_134.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ ˌupadˈajɔnts ftɕˈisnɔw spwˈutʃkɛ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_91.wav|zɡɔdʑˈiwa ɕɛ vʲˈɛʒba, pˌɔrɨvˈajɔndʑ bɛrbˈɛtɕa, zˈaɲim zdˈɔ̃ʒɨw dˈɔtʃɛdʑ dɔː ɔfɕˈaŋki.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_65.wav|ɲʲɛ vʲˈɛmɨ tˈaɡ dɔ kˈɔɲtsa, tʃɨ tɔ jɛst tɔ, tsˈɔ mɨɕlˈimɨ, jˈɔɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_72.wav|pˈatʃɛ na jˈɛɡɔ ʃɛrˈɔkʲɛ, nˈaɡʲɛ plˈɛtsɨ i zadˈajɛ sˈɔbjɛ pɨtˈaɲʲɛ, w jˈaki spˈɔsup mˈam utʃˈɨmatɕ nˈaʃɛ fspˈulnɛ ʒˈɨtɕɛ w rˈɨzax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_139.wav|jˈɛɕli ktˈɔʑ zaprˈɔɕi jˈɛ na rˈantkɛ, ˌuvaʒˈajɔ̃ tɔ za ˈistnɨ tsˈut, ˌalɛ pˈɔtɛm pʃˌɛʒɨvˈajɔ̃ katˈuʃɛ, kʲˈɛdɨ mˈuʃɔ̃ zdˌɛtsɨdˈɔvatɕ, f tsˈɔ ɕɛ ˈubratɕ.|2
+Dataset/wavs/urwisko_ferenc/24_segment_84.wav|tɔ ɲʲˈɛx mi pˈaɲi pˈɔvʲɛ, ɡdʑˈɛ ɔn mʲˈɛʃka.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_224.wav|ɲʲɛmjˈɛʃtʃɛ dɔtˈarli dɔ brˈamɨ, brjˈɛnnɛ ˌuswɨʃˈawa ˈɔdɡwɔs kˈutɕa. swˈabɨ, ˌalɛ mʲarˈɔvɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_51.wav|ɲʲɛ vɨtʃˈuvam w jˈɛɡɔ ɡwˈɔɕɛ tɕˈɛpwa, jɛdˈɨɲʲɛ zˌatɕɛkavʲˈɛɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/02_segment_98.wav|uswˈɨʃaw bɔrˈɛvitʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_64.wav|tɕˈɛ̃ʃki i tfˈardɨ mˌɛtalˈɔvɨ pʃˈɛdmʲɔt. lˈɛpʃɛ tɔ ɲˈiʃ ɲˈits. ɕɛŋɡnˈɛwam pɔ ɲʲˈɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_31.wav|jɛst ɲʲɛzdrˈɔvɔ blˈadɨ, wˌɨɕɛjˈɔntsɨ, pˌɔmarʃtʃˈɔnɨ, z ˌɔbviswˈɨmi pˌɔlitʃkˈami.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_56.wav|pɔ tsˈɔ tɕi ix ˈaʃ tˈɨlɛ, dɔ tʃˈɛɡɔ swˈuʒɔ̃?|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_93.wav|tˈɨlkɔ, ʒˈɛ bʲˈillɨ ˈidʑɛ ɔ zˈakwat, ʒˈɛ kˈɛnxɔff ɲˈiɡdɨ dɔ tˌɛɡɔ mawˈɛɡɔ pɔkˈɔju ɲʲɛ trˈafi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_58.wav|ˌɔtʃɨvˈiɕtɕɛ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_6.wav|ˌalɛ vrutɕˈimɨ na tʃˈaz dɔ ʃkˈɔwɨ, prˈavda? lˈubjɛ ʃkˈɔwɛ, pɔvʲˈɛdʑaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_181.wav|a kʲˈɛdɨ planˈujɛʒ zabˈujstfɔ, ɲʲɛdˈɔbʒɛ mʲˈɛtɕ f sfˈɔim ˌɔtɔtʃˈɛɲʲu ɡadˈuwɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_63.wav|ˈandɛrsɔn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw, pˈatʃɨw na smˈukwɔ̃ i ɕˈilnɔ̃ rˈɛŋkɛ rɨˈana dˌɔtɨkajˈɔntsɔ̃ jˈɛɡɔ dwˈɔɲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_165.wav|prˈava fˈizɨkˌi spravʲˈajɔ̃, ʒˈɛ mˈa ɡuvɲʲˈanɨ smˈak.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_46.wav|mˈuj ɡwˈɔs ɔdbʲˈija ɕɛ ˈɛxɛm. dˈɔm vɨdˈajɛ ɕɛ pˈustɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_106.wav|tˈaɡ vʲˈɛnts stˈaw ɔpˈartɨ ɔ parˈapɛt i tʃˈɨmaw karˈabʲin w ˌɔpuʃtʃˈɔnɛj rˈɛntsɛ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_73.wav|w ʒˈɨtɕu ɲʲɛ vidʑˈawam tˈɨlu ɡvʲˈast, nˈavɛt ˈu butskʲˈɛɡɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_189.wav|ɲʲɛ xtɕˈawɛm tˌɛɡɔ rˈɔbʲitɕ, ˌalɛ tɔ ɲʲɛstˈɛtɨ bˌɨwɔ kɔɲʲˈɛtʃnɛ.|0
+Dataset/wavs/urwisko_ferenc/63_segment_122.wav|— ʒˈɛ pˈaɲi dˈuʒɔ vʲˈɛ na tɛn tˈɛmat. — bˈɔʒɛ, pʃˌɛtɕɛʃ tɔ ɲʲɛprˈavda! xˈanna pɔnˈɔvɲʲɛ zaɲʲˈɔswa ɕɛ pwˈatʃɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_39.wav|im vʲˈɛntsɛj jˈɛdnak ˈɔtɨm mˈɨɕlɛ, tɨm trˈudɲʲɛj mi uvʲˈɛʒɨtɕ, ʒˈɛ bˈɨwbɨ dɔ tˌɛɡɔ zdˈɔlnɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_10.wav|pˈɛwnɔ bˌɨwɔ vʲˌatrɔwˈɔmuf ˌɔplɛtɕˈɔnɨɣ ʑˌɛlɔnˈɨmi jˈuʃ pˌɔvɔjˈami.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_26.wav|vˌɨlɔndɔvˈali. ˈandɛrsɔn ˈɔddaw klˈutʃ sˌamɔlˈɔtu, a rˈɨan tʃˈɛkaw na ɲʲˈɛɡɔ f sˌamɔxˈɔdʑɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_40.wav|dʑˈɛŋki tˈɔbjɛ mˈuj ɕfʲˈat, nˈaʃ ɕfʲˈat jɛzd dˈuʒɔ lˈɛpʃɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_41.wav|mˈɨɕli ɔ sfˈɔjɛj ɕˈɔstʃɛ s pˌɔwamanˈɨmi ʒɛbrˈami, fʃɨstkˈimi, kˈurva tsˈɔ dɔ jɛdnˈɛɡɔ, i zmʲaʒdʒˈɔnɔ̃ ɡlanˈami klˈatkɔ̃ pʲɛrɕˈɔvɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_252.wav|xɔlˈɛra, dʒˈɛs, mˈɔɡɛ jˈakɔɕ tɕi pˈɔmuts?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_71.wav|vrˈatsam dɔ kˈuxɲi, ɕtɕiskˈajɔnts mˈɔtsnɔː alfjˈɛɡɔ, a tˈata fstˈajɛ ɲʲɛpˈɛvɲʲɛ zzˈa stˈɔwu.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_57.wav|ɲʲɛ bɛɲdʑˌɛmɨ ɡˈɔ stɔsˈɔvatɕ, ˈɔtpar ˈɔjtɕɛts, pɔ tʃɨm vˈɨjɔw mˈarkɛr i ɕtɕˈɔŋɡnɔw z ɲʲˈɛɡɔ nakwˈatkɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_64.wav|ˈinɲi xwˈɔptsɨ xtsˈɔ̃ bˈɨtɕ pˌilɔtˈami rˈakʲɛt.|4
+Dataset/wavs/urwisko_ferenc/03_segment_111.wav|blˈiʒɛj tsˈɛntrum ulˈitʃnɨ rˈuɣ zɡˈɛ̃stɲʲaw i tʃˈɛɲɕtɕɛj pʃˌɨstavˈali f krˈutkix kɔlˈɛjkax pʃɛt sˌɨɡnalizˈatsjɔ̃ ɕfʲˈɛtlnɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_26.wav|ˌalɛ tɔ vwˈaɕɲʲɛ zamjˈɛʒam zrˈɔbʲitɕ. pɔlˈitsja kazˈawa nˈam ɕˈɛdʑɛdʑ w dˈɔmu. ɲʲˈɛxtsɔ̃, ʒˈɛbɨɕmˌɨ vˌɨxɔdʑˈili.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_101.wav|ɲʲɛ ˈujmʲɛ tˌɛɡɔ f tɛn spˈɔsup, ɔː ˈilɛ w ɔɡˈulɛ dɔ tˌɛɡɔ pˈuŋktu dˈɔbrɲʲɛ, bˈɔ tɔː ˌɔklɛpˈanɨ bˈanaw, ˌalɛ ʒˌɛtʃɨvˈiɕtɕɛ pʃɛʒˈɨli tˈam pʲˈɛkwɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_173.wav|ɲʲɛ pˌɔtʃɛbɔvˈawam nɛˈɔnu, ˌalɛ tˌɛɡɔ ɲʲɛ mˈɔɡwam mu pɔvʲˈɛdʑɛtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_260.wav|zadʑvˈɔɲʲɛ, jˈɛɕli tˌɨlkɔ bˌɛndɛ mˈuɡw, mˈɨɕliʃ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_236.wav|zrˈup pˈan tsˈɔɕ na lˈitɔʑdʑ bˈɔɡa, pɔvʲˈɛdʑaw mˈikɛ. pʃˌɛtɕɛʃ trˈudnɔ tˌɛɡɔ swˈuxatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_35.wav|kɔbjˈɛta ˌɔdvrutɕˈiwa ɕɛ ɡvawtˈɔvɲʲɛ. pʃˈɛs xfˈilɛ dɨʃˈawa tɕˈɛ̃ʃkɔ, vˌɨɡlɔndˈawa trˈɔxɛ stˈaʒɛj i mʲˈawa bˈardʑɛj ˌɔɡɔʒˈawɔ̃ tfˈaʃ ɲˈiʃ na zdjˈɛɲtɕax, ktˌurɛ vidʑˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_153.wav|tsˈɔ takʲˈɛɡɔ kˈɛn?|2
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_54.wav|mɨɕlˈawɛɕ, ʒˈɛ ˈuda tɕi ɕɛ vɨstˈavidʑ dɔ vʲˈatru mˌiljardˈɛra i mˈafjɛ, a ɲˈikt ɲʲɛ kˈivɲʲɛ nˈavɛt pˈaltsɛm. pʲˈɛrdɔl ɕɛ!|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_7.wav|ɲʲɛ mˈɔɡɛ jˈɛdnaɡ dˈɔdatɕ, ʒˈɛ dɔ mɔjˈɛɡɔ dˈɔmu zˌavitˈawa pɔlˈitsja.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_15.wav|jˌɛstɛɕ pʲɛpʃˈɔnɨm ˌimbɛtsˈɨlɛm, tˈɛrɨ, a mˈartʲin ftsˈalɛ tɕi ɲʲɛ ˌustɛmpˈujɛ. jˈak mˈɔɡwɛʑ dɔ tˌɛɡɔ dɔpˈuɕtɕitɕ? dɔ jˈasnɛj xɔlˈɛrɨ!|4
+Dataset/wavs/urwisko_ferenc/36_segment_104.wav|nˈalaw sˈɔbjɛ vˈɔdɨ s krˈanu, vˈɨpiw dˈuʃkʲɛm, nˈabraw pɔvʲˈɛtʃa i vɨxˈɨliw kɔlˈɛjnɔ̃ pˈɔrtsjɛ vˈɔdɨ. ˈɔtar vilɡˈɔtnɛ ˈusta vʲˈɛʃxɛm dwˈɔɲi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_181.wav|i stˈaw jˈɛʃtʃɛ pʃˈɛs mˈɔmɛnt, mˈɨɕlɔnts ˈɔtɨm, ʒˈɛ jɛdˈɨnɨm zapˈaxɛm, ktˌurɨ pamjˈɛntadʑ bˌɛɲdʑɛ ɔtxˈɔdʑɔnts stˈɔnt,|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_261.wav|ɲʲɛ lˈubjɛ dvˈa rˈazɨ pɔpˈɛwɲʲatɕ tɨx sˈamɨɣ bwˈɛnduf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_28.wav|jˈɛɕli ɔn ɲʲɛ ʒˈɨjɛ, tɔ ɲʲɛ vˈidʑɛ vʲˈɛlkʲɛj ruʒɲˈitsɨ, tʃɨ pʃɨjˈadɛ dʑˈiɕaj, tʃɨ jˈutrɔ rˈanɔ.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_68.wav|jˈuʒ dˈɔjʒaw.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_112.wav|kʲˈɛdɨ ja bˌɨwam w jˈɛɡɔ vʲˈɛku, mʲˈawam jˌamjɛˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_292.wav|pɔt nˈami na ktˈurɨmʑ z dʒˈɛf ɕɛdʑˈawɨ sˈɛtki vrˈubɲi. ix pʃˌɛjmujˈɔntsɨ ɕfʲˈɛrɡɔt pʃˌɨpɔmˈinaw jˈɛŋɡ vʲɛlkʲˈɛɡɔ trˌansfɔrmatˈɔra ˌɛlɛktrɨtʃnˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_149.wav|stˈɔjɔnts pʃɨ kuxˈɛnnɨm zlˈɛvʲɛ, vrˈatsa pamjˈɛɲtɕɔ̃ dɔ vɨvʲˈadu, ktˌurɨ swˈɨʃaw w rˈadju ɲʲɛdwˈuɡɔ pɔ pɔvrˈɔtɕɛ s pustˈɨɲi.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_60.wav|tɔ tɕi dɔpʲˈɛrɔ ʑˈimnɛ, pˌɔdɛjʒlˈivɛ spɔjʒˈɛɲʲɛ. tɛn tʃwˈɔvʲɛk jɛzd bˈardʑɛj ɲʲˌɛbɛspʲˈɛtʃnɨ ɲˈiʃ fʃˈɨstsɨ jˈɛɡɔ prˌavɔvˈitɕɛ ˌurɔdʑˈɛɲi brˈatɕa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_121.wav|ʃˌɨfrɔvˈanɨ kˌɔmuɲikˈatɔr pɔvˈiɲʲɛn bˈɨdʑ vˌɨstartʃajˈɔntsɨm zˌabɛspʲɛtʃˈɛɲʲɛm, a mˈa tsˈɔʑ vaʒnˈɛɡɔ dɔ pʃˌɛkazˈaɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_129.wav|tʃwˈɔvʲɛk, kturˌɛɡɔ ʃˈukaʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_399.wav|a ˌɔna natxˈɔdʑi, ˈidʑɛ kˈu mɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_23.wav|tˈak, stˌudjɔvˈawaʑ bʲˈiznɛs, vʲˈɛnts pɔstˈaram ɕɛ tɔ jˈakɔʑ vˌɨkɔʒˈɨstatɕ f tfˈɔim nˈɔvɨm ʒˌɨtɕɔrˈɨɕɛ. ˈumjɛʃ stsˌɛnɔɡrafˈɔvatɕ?|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_120.wav|nˈaʃa pˌɔpulˈatsja bˌɛɲdʑɛ ɕɛ rɔzrˈastatɕ w ˌɔʃawˌamjajˈɔntsɨm tˈɛmpʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_58.wav|tɔ fʃˈɨstkɔ ɲʲˈɛma nˌajmɲʲɛjʃˈɛɡɔ sˈɛnsu. skˈɔnt ɔn znˈa tˈɛ kɔbjˈɛtɛ i tʃˈɛɡɔː ˌɔna mˈɔʒɛ xtɕˈɛtɕ ɔt mˈilljɛ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_357.wav|vˌɨɡrɨvajˈɔntsɨm pˌɔlɔnˈɛza.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_103.wav|ɡdˈɨbɨ kʲˈɛdɨɕ ktˈɔɕ pˈɨtaw, ɲˈits ɔ ɲˈitʃɨm ɲʲˈɛvʲɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_41.wav|pˈuʑɲʲɛj ˌuswɨʃˈawam, jˈak rɔzmˈavja s tˈatɔ̃ ɔ sfˈɔix utʃˈutɕax i xˈɔdʑ vʲɛdʑˈawam, ʒˈɛ ɲʲɛ pɔvˈinnam pˌɔtswuçˈivatɕ, tɔ xtɕˈawam zrɔzˈumjɛtɕ, tsˈɔ ɕɛ tˈak naprˈavdɛ dʑˈɛjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_120.wav|ɲʲɛ, ˌalɛ ɕɛ ɔdˈɛzvɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_109.wav|ɲʲˈɛvʲɛm, t��ɨ ɲʲɛ pɔpˈɛwɲʲam bwˈɛndu ˌuʒɨvˈajɔnts tˌɛɡɔ nazvˈiska, ˌalɛ tˈakʲɛ znajdˈujɛ ɕɛ na kˈartɕɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_109.wav|pˈɔtɛm ˌuswɨʃˈawam tˌɨlkɔ tʃaɕɲʲˈɛɲtɕɛ dʒvʲˈami i ˌɔdjɛʒdʒajˈɔntsɨ samˈɔxut.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_20.wav|vɨjˈaɕɲʲa ɕɛ pɔvˈɔli.|0
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+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_77.wav|tfˈɔjɛ ˈusta sɔ̃ stfɔʒˈɔnɛ dɔ pˌɔtsawˈuŋkuf.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_26.wav|fskazˈujɛ pˈɔstatɕ ubrˈanɔ̃ na tʃˈarnɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_273.wav|ˌalɛ jˈɛɕli xtsˈɛʃ prˌɔdukˈɔvatɕ ˌalumˈiɲʲum, mˈuɕiʃ mʲˈɛtɕ anˈɔrdɨt.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_32.wav|tʃɨ ktˈɔɕ tɔ pʃɛtʃˈɨta? ˈɛlis pˈɨta.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_384.wav|a nˈavɛt trˈɔxɛ pˌɔɲiʒajˈɔntsɨ pʃˈɨmus prˌɔkrɛatsˈɨjnɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_127.wav|vʲˈɛm, ʒˈɛ tɔ ɲʲɛ jɛst najlˈɛpʃɨ mˈɔmɛnt, ˌalɛ musˈimɨ pˌɔrɔzmˈavʲatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_92.wav|tˈɨlɛ, ʒˈɛ ɲˈitsk rˈuʃɨwbˌɨ zˈaɲim f pˈɔɡɔɲ ɲʲɛ tˌɨlkɔ pˈɔtɔ, bˈɨ ɔdʑˈɨskatɕ pɔkˈaʑnɔ̃ zalˈitʃkɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_132.wav|tˈamtɕi mʲˌɛli dɔ tʃˈɛɡɔ vrˈutɕitɕ, ja ɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_104.wav|nˈavɛt f snˈax ɲʲɛ ˌɔdnajdɨvˈawa spɔkˈɔju.|1
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_39.wav|tˈɛras jˈɛdnak mˈuʃɛ bˈɨtɕ tˈutaj, ʒˈɛbɨ pɔʒˈɛɡnatɕ lˈijɛ i zapˈɛvnɛ mˈamɛ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_355.wav|nazˈɨvam ɕɛ tsˈat.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_98.wav|patʃˈɨli pˈɔtɛm na lˈudʑi,|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_9.wav|pˌɔkɔnˈujɛ tˈɛ sˈamɔ̃ trˈasɛ drˈuɡʲi, pˈɔtɛm tʃˈɛtɕi rˈas.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_117.wav|ˈɔjtɕɛts ˈuɕad ˌɔbɔk mɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_98.wav|mɔʒˈɛmɨ ɕɛ pʃɛjˈɛxatɕ, xˈɔtɕaʃ mˈam mdwˈɔɕtɕi. ɲʲɛ ʃkˈɔdʑi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_110.wav|vʲˈɛm, ʒˈɛ znˈuf prˈɔʃɛ tɕˈɛ ɔ vʲˈɛlɛ, ˌalɛ tʃɨ mˈɔʒɛʒ vˌɨprɔvˈadʑitɕ stˈɔnt alfjˈɛɡɔ? pˈɔbaf ɕɛ z ɲˈim.|3
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+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_21.wav|musˈimɨ jˈɛdnaɡ zawˈɔʒɨtɕ, ʒˈɛ rajˈavi mˈukw ɕɛ pɔmˈɨlitɕ tsˈɔ dɔ patrˈɨtsrɔft.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_54.wav|nˈavɛt ta pʃˈɛstʃɛɲ, ktˌurɔ̃ zˌɔbatʃˈɨwam pɔ sˈamɨm vˈɛjɕtɕu, spravʲˈawa vraʒˈɛɲʲɛ za dˈuʒɛj dla tʃˈɛx ˈɔsup.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_49.wav|ɲʲɛ xtɕˈawam ɡˈɔː ˈɔddatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_346.wav|xˈɔdʑ znˈuf ɲʲɛ tˈaka mwˈɔda, jˈaɡbɨ ta mˈɔja kɔbjˈɛta tʃɨmˈawa tsˈɔɕ swɔtkʲˈɛɡɔ na jɛ̃zˈɨku ˈalbɔ pˌɔdɲʲɛbjˈɛɲʲu.|0
+Dataset/wavs/urwisko_ferenc/38_segment_51.wav|tsˈɔ rˈɔbʲiw ˈu vˈas tɛn fˈatsɛt, ktˌurɨ ɕˈɛdʑaw w mˌɛrtsɛdˈɛɕɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_17.wav|vɨrˈuʒɲʲa ɕɛ nˈavɛt fɕrˈut prˌatsɔvɲˈikuv buɕˈinɛss sɔlˈutjɔns. mˈa zwˈɔtɛ, bufjˈastɛ spˈɔdɲʲɛ, ktˌurɛ pʃˌɨpɔminˈajɔ̃ bʲilljˈɛmu dʑɛtɕˈiɲstfɔ f tˌɛnnɛssˈɛɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_73.wav|dlatʃˈɛɡɔ ɲʲˈɛmuɡwbˌɨ ˈistɲʲɛtɕ matˈɛrjaw ɔ zɛrˈɔvɛj ˌɔpɔrnˈɔɕtɕi, ktˌurɨ pʃɛvˈɔdʑi ɕfʲˈatwɔ?|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_132.wav|tʃɨ zdɔ̃ʒˈɨlibˌɨɕmɨ vrˈutɕidʑ dɔ mʲˈasta i ˌuratˈɔvatɕ pʃɨnˈajmɲʲɛj ɲʲɛktˈurɨx, zˌatɕɔŋɡˈajɔnts iɣ dɔ sxrˈɔnuf pɔvʲˈɛtʃnɨx?|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_66.wav|nɡˈuɡʲi pʃˌɛjɛxˈawa dwˈɔɲʲɔ̃ pɔ blˈatɕɛ bjˈurka.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_7.wav|jˈaɡ vɨjˈaɕɲʲɛ, kˈim bˈɨw dla mɲʲɛ tsamˈɛrɔn?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_382.wav|ɕfʲɛtɕˈiwɔ zɲʲɛnˈatska ɡɔrˈɔntsɛ swˈɔɲtsɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_147.wav|ˌɔdɛzvˈawam ɕɛ waɡˈɔdnɨm tˈɔnɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_49.wav|pɔ rˈas pʲˈɛrʃɨ pʃɛstˈawam zvrˈatsatɕ uvˈaɡɛ na pistˈɔlɛt w jɛj dwˈɔɲi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_235.wav|ɔn mʲˈaw nˈamɲʲɛ tʃˈɛkatɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_175.wav|dɔ tɕˌɛ̃ʒarɔvˈɛɡɔ sˌamɔxˈɔdu? zapˈɨtaw spʃɛdˈaftsa. najvʲˈɛŋkʃɛj, jˈakɔ̃ pˈan mˈaʃ pɔftˈuʒɨw.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_101.wav|a tɨ ɲʲɛ kˈɔxaʒ bˈɔɡuf, xwˈɔptʃɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_135.wav|pˌɔwɔʒˈɨwam ɡˈɔ na wˈuʃku i ˌɔbɛjʒˈawam rˈanɛ. prˌɔtɛstˈɔvaw, ˌalɛ ftˈɛdɨ jˈuʒ bˈɨw za swˈabɨ, ʒˈɛbɨ mɲʲɛ pɔfstʃˈɨmatɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_101.wav|ɲʲɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn. ɲʲɛ umjˈawɛɕ i ɲʲɛ tʃˈɛba kwˈamatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_33.wav|ɲʲɛ tˌɛɡɔ rˈaŋka.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_45.wav|dˌɔprɔvadʑˈawa jˈɔ̃ dɔː ɔbwˈɛndu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_71.wav|muɕˈawɔ sprˈavitɕ, ʒˈɛ ɔɕˈivʲaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_78.wav|ʒˈutɕiw tˈɔm, rˌɛzɨɡnˈujɔnts s fˈɔrmɨ ɡʒˌɛtʃnɔɕtɕˈɔvɛj, pɔɲʲˈɛvaʃ tɔː ˌɔznatʃˈawɔ pˈɛvʲɛn pˈɔʑɔm ʃatsˈuŋku, na ktˌurɨ jˈɛɡɔ zdˈaɲʲɛm tɛn tʃwˈɔvʲɛk ɲʲɛ zˌaswuɡʲˈivaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_141.wav|tɕˈɛʃ ɕɛ ʒˈɨtɕɛm. mˈɔʒɛ pɛvnˈɛɡɔ dɲʲˈa, kʲˈɛdɨ bˌɛɲdʑɛʃ pɔ tʃtɛrdʑˈɛsttsɛ, a ja pɔ ʃˌɛʑdʑɛɕˈɔnttsɛ, zadʑvˈɔɲʲɛ dɔ tɕˈɛbjɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_50.wav|pˈaɲʲɛ bˈaldvin, xˈɨba jˈuʃ rˌɔzmavʲˈaliɕmˌɨ na tˈɛmat ɲʲˌɛujavɲʲˈaɲʲa ʒˈadnɨx ˌinfɔrmˈatsji ˈɔtɨm ˌintsɨdˈɛɲtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_159.wav|tˈɔm s ɕˈɛdmju strumjˈɛɲi za pˌɔzvɔlˈɛɲʲɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_143.wav|bˌɨwa blˈada i spɔtsˈɔna.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_93.wav|ɲʲɛznˈanɔ̃ pʃˈɛttɛm paɲˈikɛ.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_194.wav|ˌalɛ kuxˈarka jˈɔ̃ pʃˌɨɡɔtɔvˈawa.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_119.wav|mˈɛrɨn trˈant i ˈɔsmɔnt kɛttlˈɛblatsk|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_167.wav|mɛ̃ʃtʃˈɨzna uxˈɨliw kˌapɛlˈuʃa. vˈɛdlɛ rɔskˈazu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_29.wav|kʲˈɛdɨ nˌastɛmpnˈɛɡɔ dɲʲˈa pʃˈɨʃliɕmˌɨ na drˈuɡɔ̃ rɔsprˈavɛ, pˌɔvʲɛdʑˈɛli mi, ʒˈɛ trˈafjɛ dɔ dˈɔmu zˌastɛmptʃˈɛɡɔː ɔ nˈazvʲɛ dˈɔm spˈɛkuf, bˈɔ mˈatka ʑlˈɛ ɕɛ mnˈɔ̃ ˌɔpʲɛkˈujɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_327.wav|ˌɔna ɕɛ sˈama zˈamkɲʲɛ s tʃˈasɛm, a pˈɔtɛm ɕɛ znˈɔvu ɔtfˈɔʒɨ w ˈinnɨm kɔlˈɔʒɛ i z nɔvˈɨmi znakˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_27.wav|ɡdʑˈɛ jɛst ˈalfjɛ, mˈamɔ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_229.wav|lˈax ɔkˈaʒɛ ɕɛ ɲʲˌɛpɔtʃˈɛbnɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_6.wav|vidʑˈawɛm tˈam dˈɛmbɨ pˌamjɛntajˈɔntsɛ xˈɨba vˈɔjnɛ tʃˌɨdʑɛstɔlˈɛtɲʲɔ̃, klˈɔnɨ z ɛpˈɔki najˈazduf ʃfˈɛtskix.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_81.wav|ɲˈikt ˈinnɨ mʲˈaw tˌɛɡɔ ɲʲɛ pʃɛtʃˈɨtatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_85.wav|fprɔvˈadʑa xˈaswɔ, pɔdwˈɔntʃa pˌɛndrivˈɛa i pʃɛnˈɔɕi mˈɨʃɔ̃ jɛdˈɨnɨ zavˈartɨ nˈaɲim dɔkˈumɛnt na pˈulpit kˌɔmputˈɛra.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_252.wav|ˌalɛ tɔ ɲʲɛ bˌɨwɔ jɛdˈɨnɛ tsudˈɔvnɛ lɛkˈarstfɔ klˈɛa brˈikksa, prˈavda?|2
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_127.wav|vʲɛdʑˈawam, ʒˈɛ kʲˈɛdɨ na mʲˈɛjstsɛ pʃɨbˈɛndɔ̃ straʒˈatsɨ i tˈaɡ ɡˈɔ vˈɛzvɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_11.wav|jˈɛɡɔ lˈudʑɛ tɕˈɛ ʃukˈajɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_159.wav|xtsˈɛʃ, ʒˈɛbɨm ɔtstʃˈɛliw tsˈɨŋɡla? jˈaɡbɨ prubˈɔvaw tɔ sˈɔbjɛ pˌɔukwˈadadʑ w ɡwˈɔvʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_99.wav|na ˈilɛ pˈɛvʲɛn? pˈɨta f kˈɔɲtsu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_34.wav|vbrˈɛf jˈɛɡɔ rˈadɔm kˈatɛ spʃɛdˈawa dˈɔm, trˈudnɔ vʲˈɛndʑ bˌɨwɔː ɔkrˈɛɕlitɕ, ɡdʑˈɛ zˌamjɛʒˈawa zamjˈɛʃkatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_118.wav|w ʒˈɛtʃɨ sˈamɛj, kˈilka kˈamɛr jɛst na pɔblˈiskix ulˈitsax, ˌalɛ tɔ nˈam ɲˈits ɲʲɛ dˈa, dɔpˈuki ɲʲɛ bɛɲdʑˌɛmɨ vʲɛdʑˈɛli, kˈɔɡɔ w ɔɡˈulɛ ʃukˈamɨ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_208.wav|dˈɔbʒɛ bˌɨwɔ tɔː ˈumjɛtɕ. nˈavɛt mˈiwɨ starˈuʃɛk tɔ pʃɨznˈavaw.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_156.wav|marɡˈarɨ fkrˈuttsɛ bˌɛɲdʑɛ pwˈakadʑ ɡɔʃkˈimi wzˈami, tˈak jˈak ˌɔna pwakˈawa pɔ jɔffrˈɛju.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_90.wav|swˈɨʃɔnts jˈɛɡɔ zblˌiʒajˈɔntsɛ ɕɛ krˈɔki, bˈɛtskɨ ˌɔdvrutɕˈiwa ɕɛ ɔt mɛ̃ʃtʃˈɨznɨ z ˌɔɡɔlˈɔnɔ̃ ɡwˈɔvɔ̃, ktˌurɨ kɔwˈɨsaw ɕɛ na pʲˈɛntax, ɕɛrʒˈanta rˈɔba kˈambɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_63.wav|ˈɔbras tʃˈɛɲɕɛ ɕɛ i pʃɛxˈɨla w dˈuw, kʲˈɛdɨ kˌamɛʒˈɨsta dʒˈɔrdʒ ˌɔdruxˈɔvɔ pʃɨkˈutsa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_232.wav|jˈaɡ bɛɲdʑˌɛmɨ stˈaʒɨ ˈɔbaj. unˈɔʃɔndʑ butˈɛlkɛ, pˈatʃɨw na tfˈaʃ xwˈɔptsa. w jˈɛɡɔː ˈɔtʃɨ, ktˌurɛ vˌɨpɛwɲˈiwɨ ɕɛ wzˈami, pɔmˈɨɕlaw ɔ jˈudɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_32.wav|uznˈawam pɔ prˈɔstu, ʒˈɛ pɨtˈajɔndʑ ɡˈɔ, ɲitʃˈɛɡɔ bˈɨm ɲʲɛ ˌɔɕɔŋɡnˈɛwa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_75.wav|i tʃˈujɛ ɕɛ trˈɔxɛ, jˈaɡbɨm bˌɨwa ftɕɔŋɡˈana w jˈakiʑ vˈir, jˈaɡbɨm tratɕˈiwa nat sˈɔbɔ̃ pˌanɔvˈaɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_92.wav|ˈɔtsuɲ ɡˈɔː ɔt tˈɨlnɨɣ dʒvˈi i ˈɔtfuʃ jˈɛ, ʒˈɛbɨ mʲˌawɨ kturˈɛndɨ ˈutɕɛts.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_23.wav|tʃɨmˈawam ɕɛ z dˈala ɔt arˈama i mɔdlˈiwam ɕɛ, ʒˈɛbɨ ɲʲˈɛxtɕaw zˈabratɕ mɲʲɛ dɔ ɕˈɛbjɛ tɛj nˈɔtsɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_13.wav|ʒˈɔna i dvˈujka dʑˈɛtɕi, mˈawɔ pʲɛɲʲˈɛndʑɨ, pɔmˈɔtsɲik wˌadɔvˈatʃa. tɔ dˈɔbra kˌɔmbʲinˈatsja.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_146.wav|ɔkˈɔwɔ pɔwˈudɲʲa zˌatʃɨmˈali ɕɛ w malˈɛɲkʲɛj vʲˈɔstsɛ, pʲˈɛrʃɛj, ktˌurɔ̃ nˌapɔtkˈali.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_233.wav|ɲʲɛ mˈɔɡɛ pɔzvˈɔlitɕ, ʒˈɛbɨ fˈalis rˌɔspɔvʲadˈawa ˈɔtɨm pɔ mʲˈɛɕtɕɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_33.wav|skˈɔrɔː ˈɔtɨm mˈɔva, vʲˈɛm z dˌɔɕfʲattʃˈɛɲʲa, ʒˈɛ dɔtˈɨtʃɨ tɔ rˈuvɲʲɛʃ kˈɔbjɛt.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_240.wav|ˌalɛ ja vʲˈɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_225.wav|ɡdˈɨbɨ bˌɨwɨ tˈakʲɛ ɔɡrˈɔmnɛ jˈaɡ dˈɔmɨ, zˌamraʒˈarki, zamrˈɔzitɕ ɕɛ i pʃɛtʃˈɛkatɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_50.wav|ɲʲɛ rˌɔspɔznˈajɛ nadˈaftsɨ, ˌalɛ nˈavɛd bˈɛs spravdʑˈaɲʲa vʲˈɛm, ʒˈɛ jˈɛɡɔ prˈɔfil ɲˈits mi ɲʲɛ pˈɔvʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_53.wav|ɲʲɛ ˌɔɡɔwɔtsˈɔnɔ ɡˈɔ tsˌawkɔvˈitɕɛ z mˈɛbli, ˌalɛ vˈidadʑ vɨrˈaʑɲʲɛ, ʒˈɛ ɲˈikt tˈu ɲʲɛ mʲˈɛʃka.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_216.wav|w miltʃˈɛɲʲu zˌapalˈiwa lˈampɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_108.wav|mˈuɕi jˈɔ̃ stˈamtɔnd zˈabratɕ, ɲʲɛ tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ inˈatʃɛj mˈɔɡwabˌɨ ˈumʒɛtɕ,|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_105.wav|mɔmˈɛɲtɕik.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_56.wav|— tˈɔm, mɔʒˈɛtɕɛ pˌɔrɔzmˈavʲatɕ s kˈatɛ na zˈɛvnɔntʃ? xtɕˈawabˌɨm, ʒˈɛbɨ pʲˈɛrʃɛ ɡɔdʑˈinɨ ʒˈɨtɕa xarˈɛɡɔ bˌɨwɨ jˈak nˌajspɔkɔjɲʲˈɛjʃɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_113.wav|mɔʒˈɛmɨ tɔ zawˈatfitɕ f tɕˈɔŋɡu pˈaru dɲˈi, prˈavda, dʒˈɛɡar?|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_201.wav|ɲʲˌɛskazitˈɛlnɨ bjˈawɨ mˈarmur ʃpɛtɕˈiwɨ namjˈɔtɨ s sˌamɔdʑˈawu i nˈɛndʑnɛ ʃawˈasɨ zbˌudɔvˈanɛ z bwˈɔta ˌɔras kavˈawkuv drˈɛvna.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_87.wav|rˈɨan bˈɨw bˈardʑɔ blˈadɨ i bˈardʑɔ spɔkˈɔjnɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_7.wav|kˈaʒda kˈartka papʲˈɛru bˌɨwa starˈanɲʲɛ ˌuwɔʒˈɔna.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_160.wav|spˈɛntsɛr mˈuɕaw jɛdˈɨɲʲɛ uvʲˈɛʒɨtɕ f ɕˈiwɛ sfˈɔix mˌatɛrjˈawuf mˌarkɛtʲiŋɡˈɔvɨx.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_66.wav|jˌɛstɛm f sˌamɔxˈɔdʑɛ paxnˈɔntsɨm nˈɔvɔ̃ skˈurɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_3.wav|ktˌurɨ nazˈɨvaw ɕɛ sˈɛr rˈɔɡɛr xˈɔkk.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_130.wav|sfɔbˈɔda, jˈaɡ zvˈɨklɛ, zjˈaviw ɕɛ pˌuŋktuˈalɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_476.wav|dɔ vidʑˈɛɲʲa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_22.wav|— ˈɔkɛj, a vʲˈɛʃ mˈɔʒɛ, ktˈɔ w ɲˈim mʲˈɛʃka? — tˈak, mˈɔja pʃˌɨjatɕˈuwka tˈɛssa ɔxˈanlɔn.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_457.wav|pˈɛvɲʲɛ dˌɔstɔjˈɛfski.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_142.wav|ˌustavˈiliɕmˌɨ ɕɛ f kɔlˈɛjtsɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_46.wav|bʲˈillɨ mˈɨɕli, ʒˈɛ tɔ zmʲˈana na lˈɛpʃɛ.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_33.wav|lˈɛpʲɛj prˈatsuj zˈɛmnɔ̃, tsˈat.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_2.wav|pɔ vˌɨjɔntkˈɔvɔ dwˈuɡʲim ˌɔtʃɛkivˈaɲʲu na ˈamɨ sˈandɛrs, tˈɔm mˈukw f kˈɔɲtsu ɕɛ ɔddˈalitɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_50.wav|mˈɔʒɛ ɕɛ mɨlˈiwam, pˌɔdɛjʒɛvˈajɔnts stɛvˈɛa, ˌalɛ ɲʲɛ zamjˈɛʒam vʲˈɛntsɛj rˌɨzɨkˈɔvadʑ ʒˈɨtɕa mˈɔjɛj tsˈurki.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_95.wav|tɔ ɲʲɛ ɔn bˈɨw f tɨm sˌamɔxˈɔdʑɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_8.wav|tɔ najlˈɛpʃɛ ɕɲʲadˈaɲʲɛ, jˈakʲɛ jˈadwɛm, mˈamɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_154.wav|ˈilɛ kˌɔʃtɔvˈawɔ pʃˌɛtranspˌɔrtɔvˈaɲʲɛ jɛj tˈutaj?|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_294.wav|pˈaltsɛ ɛmˈɔna drʒˈawɨ ɲˈitʃɨm ɡawˈɔ̃ski pɔkrˈɨtɛ plamˈistɔ̃ skˈurɔ̃. ja pamjˈɛntam sˈam.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_15.wav|pˈɔstatɕ stavˈawa ɕɛ tsˈɔraz vʲˈɛŋkʃa. vˌɨɡlɔndˈawa na ɔɡrˈɔmnɔ̃, vʲˈɛŋkʃɔ̃ ɲˈiʃ nɔrmˈalnɨ tʃwˈɔvʲɛk.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_182.wav|zdɔwˈawa dˈɔbjɛdʑ dɔ sˈɛptu, ˌalɛ ɲʲɛ dˈalɛj. tʃɛkˈawɨ tˈam nˈaɲʲɔ̃ kɔbjˈɛtɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_281.wav|a jˈak tɨ xtsˈɛʃ, ˈabɨm ˈɔtɨm mɨɕlˈawa?|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_58.wav|ɲʲɛ pamjˈɛntam.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_11.wav|tɔ muɕˈawa bˈɨtɕ pʲɛkʲˈɛlna sˈɛsja na ɕiwˈɔvɲi.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_134.wav|tʃˌɨmajˈɔntsɨm ɕɛ dˌɛspɛrˈatskɔ za ʃˈɨjɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_171.wav|kˈim tɨ vwaɕtɕˈivʲɛ jˈɛstɛɕ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_295.wav|pˌɔsɨpˈawɨ ɕɛ raptˈɔvnɛ stʃˈawɨ, ktˈɔɕ kʃˈɨtʃaw f tɛj strˈɔɲʲɛ, ɡdʑˈɛ bˌɨwa ʒˈɛka.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_27.wav|ɕˈɛrʒand zapˈɨtaw, tʃɨ mˈam jˈakʲɛɕ tˌatuˈaʒɛ. pˌɔvʲɛdʑˈawɛm, ʒˈɛ ɲʲɛ. spˈɨtaw, tʃɨ nˈɔʃɛ tʃˈasɛm ˌɔkulˈarɨ i znˈɔvu zˌapʃɛtʃˈɨwɛm.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_408.wav|tˈɔmmɛn jɛzd vˌɨrɔzumjˈawɨm krˈulɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_152.wav|tsˈɔ mʲˈaw ˌɔtpɔvʲˈɛdʑɛtɕ tsˈurtsɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_77.wav|tˈɛras ratˈujɛ tɕˈɛ znˈɔvu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_95.wav|jˈɛʃtʃɛ nˈavɛt ɲʲɛ zdˌɛtsɨdɔvˈawɛm, tʃɨ vˈɛzmɛ tˈɛ rɔbˈɔtɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_83.wav|ɔn bˌɛɲdʑɛ pˈatʃɨw, jˈak jˈɔɛl ˈallɛn vɨxˈɔdʑi s sˌamɔxˈɔdu. rɔspˈɔzna ɡˈɔ bˈɛs trˈudu, bˈɔ bˌɛɲdʑɛ tɛn prˌɔvadʑˈɔnɨ pʃˈɛz ɡliɲʲˈaʒɨ i skˈutɨ kˌajdaŋkˈami.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_273.wav|ja dˈawabˌɨm rˈadɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_154.wav|jˈɛɡɔ mˈatka vɛzvˈawa mɔjˈɛɡɔ zˌapʃɨjˌaʑɲʲɔnˈɛɡɔ lɛkˈaʒa. dˈɔktɔr rˈivɛrs pʃˈɨswaw prɨvˈatnɔ̃ karˈɛtkɛ. mˈɛrɣ z ɲˈim pˌɔjɛxˈawa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_278.wav|ɲʲɛ pɔznˈawɛm tɕˈɛ, ˈandɛrsɔn pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_23.wav|ɔɡrˈabʲiw mɲʲɛ z zˈɛmstɨ.|1
+Dataset/wavs/urwisko_ferenc/65_segment_20.wav|w zasˈadʑɛ pɔftˈuʒɨw fʃˈɨstkɔ tɔ, tsˈɔ ftʃˈɛɕɲʲɛj zdˈɔ̃ʒɨw jɛj pɔvʲˈɛdʑɛtɕ pʃˈɛs tɛlˈɛfɔn, ɡdˈɨ upʃˈɛdʑaw ɔ sfˈɔjɛj vizˈɨtɕɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_237.wav|ɲʲɛ pɔrˈuʃɨw ɕɛ i tɨm rˈazɛm, ftɕˈɔ̃ʃ pˈatʃɔnts w ɔdbʲˈitɕɛ sfˈɛj tfˈaʒɨ f tɕˈɛmnɨm lˈustʃɛ pˈɔza kˌɔntuˈarɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_324.wav|prˈavʲɛ na pˈaltsax fʃˈɛdwɛm dɔ sfˈɛɡɔ pɔkˈɔju.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_18.wav|jˈɛɕli xtsˈɛʃ, mˈɔɡɛ tɕˈɛ zˌaprɔvˈadʑidʑ dɔ pɔkˈɔju, f ktˌurɨm mˈɔɡwabˌɨɕ sprubˈɔvatɕ trˈɔxɛ ɕɛ zdʒˈɛmnɔɲtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_195.wav|ˌɔkazˈawɔ ɕɛ, ʒˈɛ tɔ fˈɔrma çˌiʃpaɲskʲˈɛɡɔ tʃˌasɔvɲˈika sˈafar.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_37.wav|vˌɨpɔsaʒˈɔnɨ pʃˈɛs natˈurɛ f tfˈaʃ astsˈɛtɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_73.wav|zˈafʃɛ vʲɛʒˈɨwam, ʒˈɛ...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_70.wav|i ˈɔlbʒɨm tɛn mʲˈaw tfˈaʃ xrɨstˈusa.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_19.wav|ˌalɛ xˈɔdʑ ʒˈɨw bˈardʑɔ dwˈuɡɔ,|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_229.wav|ɲʲɛ ˈɔn, jˈɛɡɔ xˈɛwm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_20.wav|ɲʲɛ mˈɔʒɛ bˈɨtɕ pˈɛvʲɛn, ʒˈɛ ɲˈidʑɡ vrˈutɕiw na wˈikɛnd dɔ prˌɔmɔntˈɔrɨ pˈɔint.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_5.wav|w dˈavnɨx tʃˈasax najbˈardʑɛj ˌatraktsˈɨjnɔ̃ lˌɔkalizˈatsjɔ̃ bˈɨw pˈɔʑɔm zɛrˈɔvɨ armstrˈɔŋɡa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_100.wav|— jˌɛstɛʑ dˈɔbrɨ xwˈɔpak — pɔvʲˈɛdʑaw pɔlˈitsjant. — ˌalɛ dlatʃˈɛɡɔ maʃ tˈɛ rˈɛŋkɛ tˈak pˌɔkalɛtʃˈɔnɔ̃?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_23.wav|ɲʲˈɛxtsɛ ɲitʃˈɛɡɔ zmʲˈɛɲʲatɕ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_11.wav|zabrˈaɲʲam tɕˈi!|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_31.wav|pˈɔdritsk mʲˈaw tˈaɡ zdumjˈɔnɔ̃ mˈinɛ, ʒˈɛ brjˈɛnnɛ muɕˈawa ɡˈɔ zapˈɛvɲitɕ, ˈiʃ tɔ tˌɨlkɔ tʃˈɨ kɔbjˈɛtɨ z bˈaɡʲɛn.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_96.wav|pˈɔza tɨm ɲˈikt, ktˈɔ znˈaw sˈɛr lɔrˈasa, ɲˈiɡdɨ bˈɨ f tɔ ɲʲɛ uvʲˈɛʒɨw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_343.wav|za tsˈawɔ̃ ˈarkɔ̃ nɔˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_98.wav|ˌalɛ ɔstˈatɲʲɛ vˌɨdaʒˈɛɲʲa zdˌɛtsɨdɔvˈaɲʲɛ pɔdˈawɨ tɔ w vɔntplˈivɔɕtɕ.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_137.wav|rˈuvɲʲɛʒ ʑɛlˈɔnɔ̃, ˌalɛ trˈɔxɛ jaɕɲʲˈɛjʃɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_131.wav|ɡdˈɨbɨ ktˈɔʑ z ɲˈix pʃˈɛstʃɛkw klɛrkˈija, tsˈɔ jɛzd ɡrˈanɛ, mˈuɡwbɨ spˈɔrɔ nˈatɨm zarˈɔbʲitɕ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_159.wav|pʃˌɨvʲɛʑˈɔnɔ ɡˈɔ dɔ dɔlˈinɨ, kʲˈɛdɨ mʲˈaw ʃˈɛɕtɕ lˈat.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_195.wav|tɔ dˈɔbra idˈɛa, jˈak sˈɔɲdʑiʃ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_629.wav|a mɲʲɛ w ˈɔtʃax miɡˈawa ta vˈɛra ˈalbɔ lˈuba.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_167.wav|ɲikˈɔla pɨtˈawa, tʃɨ zamjˈɛʒa pˈɔdatɕ tɕi tsˈɔɕ nˈatɛ pɔrˈannɛ mdwˈɔɕtɕi.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_251.wav|vˈɨʃwa w dˈɛʃtʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_68.wav|a tsˈɔ z ʑˈɛmʲɔ̃ na ɔpˈɔnax? mɔʒˈɛmɨ dˌɔpasˈɔvatɕ tsɔkˈɔlvʲɛɡ dɔ ɕlˈaduf na lˈɔɔp lˈinɛ?|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_236.wav|tˈɛna bˌɨwa bˈardʑɔ bˈɨstra. muzˈɨka.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_239.wav|ɲʲɛ spˌɔdʑɛvˈawa ɕɛ, ʒˈɛ dʑɛftʃˈɨŋka jɛj ɔtpˈɔvʲɛ, ˈalɛ...|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_223.wav|za kˈaʒdɨm rˈazɛm, ɡdˈɨ ktˈɔɕ fspˈɔmɲʲɛ ɔ tfˈardɨm kamjˈɛɲʲu, rˈɔbʲi ɕɛ vilɡˈɔtna mʲˌɛndʑɨ nɔɡˈami.|1
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_92.wav|kʲˈɛdɨ brˈama zamˈɨka ɕɛ ˌawtɔmatˈɨtʃɲʲɛ, pˈatʃɛ na ɕtɕˌiskanˈɛɡɔ w ɕlˈiskix ɔt pˈɔtu dwˈɔɲʲax pilˈɔta i xˈɔvam ɡˈɔ dɔ kʲɛʃˈɛɲi dʒˈinsuf.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_134.wav|pˈuʑɲʲɛj fsunˈɛwam pˈanɛl stˌɛrɔvɲˈitʃɨ dɔ fˌutɛrˈawu, ktˌurɨ mʲˈawam pʃɨpʲˈɛntɨ paskˈami pɔ vɛvnˈɛntʃnɛj strˈɔɲʲɛ ˈuda.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_88.wav|tʃɨ pˌɔvʲɛdʑˈawa, ʒˈɛ jɛj ɕˈɔstra tʃˈɨmɕ lˈup kˈimɕ ɕɛ ɲʲˌɛpɔkɔˈiwa?|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_214.wav|pˈɛvɲʲɛ tʃɨmˈawam pˈalɲik, xˈɔtɕaʃ kˌɔmbʲinˈɛzɔn ˌɔɡraɲˈitʃaw mˈɔjɛ rˈuxɨ.|4
+Dataset/wavs/urwisko_ferenc/23_segment_151.wav|tɔ vˌɨdavˈawɔ jɛj ɕɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_195.wav|ɲʲˌɛdɔkɔɲtʃˈɔnɨx tsˌɨvilizˈatsji.|0
+Dataset/wavs/urwisko_ferenc/08_segment_77.wav|ɡwˈɔɕnɨ ʃˈum ˌuʒɔndʑˈɛɲʲa ˌɔdʑvʲɛrtɕˈɛdlaw mˈɛntlik w jˈɛɡɔ ɡwˈɔvʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_59.wav|vʲˈɛnts tɛˈɔbald zˌaprɔpɔnˈɔvaw, ʒˈɛ ɡˈɔ zastˈɔmpi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_389.wav|pʃˌɛtɕɛʃ pˈana znˈam.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_35.wav|ˈaʃ jɛst mɛ̃ʃtʃˈɨznɔ̃, prˈavda?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_50.wav|zˈafʃɛ s pʃˌɨjatɕˈuwmi ˌuʒɨvˈawa i mɛssˈaɡɛ lˈup fˌatsɛtʲˈimɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_185.wav|ˌalɛ ɲʲɛ zɔstˈawɛɕ tʃwˈɔŋkʲɛm zvʲˈɔ̃sku, prˈavda?|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_232.wav|ɡˈadzdɛn? tɔ pˈɛvɲʲɛ ɔd zakˈupu ɡadzdˈɛna, dɔmˈɨɕlaw ɕɛ bʲˈillɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_99.wav|vʑˈɛwa ɡwɛmbˈɔki ˈɔddɛx.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_52.wav|a tɔ sukˈinsɨn! pʃˌɛtɕɛʃ mˈuɡw uʃkˈɔdʑitɕ mˈuj kˌɔmbʲinˈɛzɔn. fˈakt, ɲiʃtʃˈɨwam iɣ vwˈasnɔɕtɕ, ˌalɛ tɔ ɲʲɛ pˈɔvut, ʒˈɛbɨ prˌubɔvˈali mɲʲɛ zˈabʲitɕ, ɲʲɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_25.wav|ˌalɛ zapˈɨtaw patrˈɨka, prˈavda? zˈaɲim ɡˈɔ zˈabʲiw.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_125.wav|ˌalɛ tˈɛras mˈɔɡɛ vˈas jˈuʒ zɔstˈavitɕ sˈamɨx.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_149.wav|pʃɨpˈuʃtʃam, ʒˈɛ ˈinɲi mʲɛʃkˈaɲtsɨ ɲʲɛ sɔ̃ rˈuvɲʲɛ vˌɨrɔzumjˈali.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_93.wav|vɨjmˈujɛ klˈutʃ s kʲɛʃˈɛɲi i ɕˈɛŋɡa w ɡˈurɛ dɔ prˌɔstɔkɔntnˈɛɡɔ drˌɛvɲʲanˈɛɡɔ panˈɛlu nad dʒvʲˈami mʲˌɛndʑɨ ɡˌabʲinˈɛtɛm, sˈalɔ̃ kˌɔnfɛrɛntsˈɨjnɔ̃ a kˈuxɲʲɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_84.wav|rˈaz za rˈazɛm ˈaʃ kˈatjɛ zˌasɨpʲˈawa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_82.wav|vwˈaʑ dɔ kˈɔʃa s tɨm jˈak mu tˈam, a kʲˈɛdɨ bɛɲdʑˌɛtɕɛ na ɡˈuʒɛ, rɔzˈɛjʒaw ɕɛ. nˈɔ ɲʲɛ, ɡdʑˈɛ tɛn pʲˌɛrdɔlˈɔnɨ tsˈawun?|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_160.wav|bʲˈillɨ pˈada na kɔlˈana, vɨxˈɨla ɕɛ dɔ pʃˈɔdu, vɨtɕˈɔŋɡa dwˈɔɲi.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_216.wav|jɛst tˈu, jɛst tˈam.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_65.wav|pɔvʲˈɛdʑaw tˈɔm, a jˈɛɡɔː ˈɔtʃɨ zˌamiɡɔtˈawɨ f spˈɔsup, ktˌurɨ pˌɔtpɔvʲˈɛdʑaw bˈɛtskɨ, ʒˈɛ bˌɛɲdʑɛ tɔ zabˈavna ɔpˈɔvʲɛɕtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_139.wav|tsˈɔː ɔn tˈak naprˈavdɛ vʲˈɛ ɔ bˌutskiŋɡɛnsˈɔɲʲɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_33.wav|spˈɛntsɛr pɔpˈatʃɨw na stˈuw, ɡdʑˈɛ lˈɛʒaw tɛlˈɛfɔn kˌɔmurkˈɔvɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_465.wav|ɕɛdʑˈawɔ jˈuʃ pʃˌɛʑrɔtʃˈɨstɛ i swˈabɔ ɡʒɛjˈɔntsɛ swˈɔɲtsɛ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_340.wav|vʲˈɛrnɨ pʃɨɕˈɛndʑɛ. mˈuʃɛ ɔdnˈalɛʑdʑ dʑɛftʃˈɨnɛ, ɔdʑˈɨskatɕ jˈɛɡɔ xˈɔnɔr.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_393.wav|— pˌɔvʲɛdʑˈawɛm jˈuʃ, pˈanu, pˈaɲi i ja jɛstˌɛɕmɨ tɨm sˈamɨm tʃwɔvʲˈɛkʲɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_118.wav|za ɲˈits na ɕfʲˈɛtɕɛ ɲʲɛ zˌamjɛʒˈawam ɕɛ pʃɨznˈavatɕ, ʒˈɛ ˌɔpanɔvˈawam tˈɛ trˈudnɔ̃ ʃtˈutʃkɛ zalˈɛdvʲɛ kˈilka dɲˈi tˈɛmu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_230.wav|w mˈɔim krˈaju nˌazɨvˈajɔ̃ tˈak krˈuka, vʲˈɛnts tsˈuʃ s tˈɛɡɔ. vwˈaɕɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_131.wav|ɲˈitʃɨm fʃˈɨstkɔ ɡrˈa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_233.wav|dlatʃˈɛɡɔ tɨ ɕɛ drˈɛntʃɨʃ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_556.wav|jˌɛstɛm pʃˈɛzɲʲɔ̃ zˌaʃtʃɛpʲˈɔnɨ pʃɛtɕˈifkɔ fʃˈɨstkim.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_13.wav|ʒɔwˈɔndɛk mˈam ɕtɕiɕɲʲˈɛntɨ, ˌalɛ mˈuʃɛ tɔ zrˈɔbʲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_279.wav|ˈarjan i tjˈɛn rˈazɛm utʃˈɨwɨ ɕɛ tʃˈɨtatɕ, jˈɛʑdʑitɕ kˈɔnnɔː i tˈaɲtʃɨtɕ.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_145.wav|artsɨmaˈɛstɛr valɡrˈavɛ mˈa kɔmnˈatɨ w zaxˈɔdɲʲɛj vʲˈɛʒɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_33.wav|zɡrˌɔmadʑˈɛɲi pʃɨ stˈɔlɛ ˈalbɔ spuʃtʃˈali vzrˈɔk, ˈalbɔ ʒutsˈali nˈajpʲɛrf krˈutkʲɛ spɔjʒˈɛɲʲa f strˈɔnɛ arˈama, a pˈɔtɛm ɡapˈili ɕɛ f talˈɛʒɛ. ɲˈikt ɲʲɛ zˌarɛaɡˈɔvaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_172.wav|mˈɔʒɛ udˈajɛ varjˈata, ʒˈɛbɨ ɔpˈuʑɲitɕ pˌɔstavʲˈɛɲʲɛ f stˈan ˌɔskarʒˈɛɲʲa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_114.wav|xrˈɨstɛ, jˈaka ta kɔbjˈɛta jɛst fkˌuʒajˈɔntsa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_93.wav|zˌauvaʒˈɨwam jˈɛɡɔ rˌɔstʃarɔvˈaɲʲɛ. bˈɨtɕ mˈɔʒɛ ˈuznaw, ʒˈɛ ˌɔdmuvˈiwam mu s pɔvˈɔdu tˈɛɡɔ, tsˈɔ pɔvʲˈɛdʑaw tsamˈɛrɔn, xˈɔtɕ ɲʲɛ bˌɨwa tɔ prˈavda.|3
+Dataset/wavs/urwisko_ferenc/01_segment_126.wav|dɨrˈɛktɔr pʃˈɨɡrɨz vˈarɡɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_214.wav|ɲʲɛ ɔpxˈɔdʑi ɡˈɔ, tsˈɔ ɲˈikt xtsˈɛ mu pɔvʲˈɛdʑɛtɕ. raxˈuŋki zɔstˈawɨ vˌɨruvnˈanɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_212.wav|xˈɨba maʃ rˈatsjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_58.wav|vˌɨtɕɔŋɡnˈɛwam skrˈavɛk papʲˈɛru i zatʃˈɛwam tʃˈɨtatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_14.wav|unˈɔɕi vɨsˈɔkɔ ɡwˈɔvɛ, a jɛj jˈasnɛ vwˈɔsɨ lɕɲʲˈɔ̃ w blˈasku lˈamb zˌamɔntɔvˈanɨx pʃɨ vˈɛjɕtɕu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_223.wav|pˈɔtɔ, ˈabɨɕ mɲʲɛ ɲʲɛ pˌamjɛntˈawa?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_13.wav|vˈɨbraw pˌɔwɔntʃˈɛɲʲɛ s kˈitɛm sˈimsɛm, ɕɛrʒˈantɛm, ktˌurɨ ɔstˈatɲʲɔ pˈɛwɲiw ˌɔbɔvʲˈɔ̃ski ˌinspɛktˈɔra w zvʲˈɔ̃sku z dwˈuɡɔ̃ ɲʲˌɛɔbɛtsnˈɔɕtɕɔ̃ innˈɛɡɔ tʃwˈɔŋka zɛspˈɔwu, tˈɔma.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_20.wav|xˈɔtɕ xtsˈɛ jˈak najʃˈɨptɕɛj dˈɔtʃɛtɕ na mʲˈɛjstsɛ i zjˈɛxatɕ s tɛj ʃˈɔsɨ.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_4.wav|zɔbˈatʃɨw, ʒˈɛ swˈɔɲtsɛ vˈiɕi jˈuʃ ɲˈiskɔ nat xˌɔrɨzˈɔntɛm, tʃɨkrˈɔtɲʲɛ vʲˈɛŋkʃɛ ɲˈiʒ zvˈɨklɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_58.wav|jɛst pˈaɲi pˈɛvna, ʒˈɛ mˈɔ̃ʃ ɲʲɛ kˌɔntaktˈɔvaw ɕɛ ɔt pʲˈɔntku?|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_110.wav|ʒˈadnɛj ˌɔtpɔvʲˈɛdʑi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_36.wav|ɲˈilɛ zˈamknɔw ˈɔtʃɨ i pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_163.wav|nazˈɨvam ɕɛ ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_197.wav|nˈavɛt jˈɛɕli tɔ zrˈɔbʲi ˈalbɔː ɔstʃˈɛʒɛ ix tˈɔnɛm ɡwˈɔsu, ˈalbɔ pˈujdʑɛ na tsˈawɔɕtɕ i vˈɨdʒɛ ɕɛ na tsˈawɛ ɡˈardwɔ, tɔː ˈɔn, tɛn jɛbˈanɨ zdrˈajtsa bʲˈillɨ sˈummɛrs.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_344.wav|w ˈinnɛj strˈɔɲʲɛ vʒɛʃtʃˈɛli xwˈɔptsɨ, ɡrajˈɔntsɨ pˈɛvɲʲɛ f pˈiwkɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_32.wav|bˈɛtskɨ zˌauvaʒˈɨwa jˈakiɕ rˈuɣ za plɛtsˈami tˈɔma i ˌɔdvrutɕˈiwa ɡwˈɔvɛ, bˈɨ spˈɔjʒɛtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_119.wav|mˈuj ɡwˈɔs stˈaw ɕɛ lˈɛdvʲɛ swɨʃˈalnɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_91.wav|mˈɔʒɛ ɲʲɛ zˈafʃɛ ɡrˈaw fˈɛr i zˈafʃɛ nˈɔɕiw tɛn ɡwˈupi ʃlˈafrɔk, ˌalɛ bˈɨw dˈɔbrɨm tʃwɔvʲˈɛkʲɛm.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_155.wav|kʲˌɛrɔvˈawa ɲˈim ɲʲɛnˈaviɕtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_397.wav|tˈak mˈɨɕlɛ, pɔvʲˈɛdʑaw. mˈuɕi bˈɨtɕ tˈakʲɛ mʲˈɛjstsɛ, ˈɛstɛr, i ɲʲˈɛma tˈam jˈuʃ sˌamɔlˈɔtuf, ˌaɲi xawˈasu, ˌaɲi pustˈɨɲi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_93.wav|vʲɛdʑˈawam, ʒˈɛ pwˈatʃ ɔznˈatʃaw sˌamɔlˈubnɔɕtɕ i ˈaram bˌɛɲdʑɛ fɕtɕˈɛkwɨ, kʲˈɛdɨ ɕɛ ˈɔtɨm dˈɔvʲɛ, vʲˈɛnts ɲikˈɔmu ɲʲɛ muvˈiwam.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_19.wav|pˌɔvʲɛdʑˈawa, ʒˈɛ tɔ jɛj prɨvˈatna sprˈava. jɛj zdˈaɲʲɛm ɲʲɛ mʲˈawɔ tɔ ʒadnˈɛɡɔ zvʲˈɔ̃sku zˈɛ zɲikɲʲˈɛɲtɕɛm mˈilljɛ. a ʒˈɛ ɲʲɛ zɔstˈawa ˌarɛʃtɔvˈana, skˌɔʒɨstˈawa s prˈava dɔ vˈɨjɕtɕa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_222.wav|tɔ ɲʲɛ jˈɔ̃ pʃɛprˈɔɕiw. ja tˈɛʃ.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_30.wav|vɨrvˈijtɕɛ im jɛ̃zˈɨki!|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_53.wav|zˌaprɔpɔnˈɔvaw nˈavɛt, ʒˈɛ ɔdvʲˈɛʑɛ jˈɛ dɔ xɔtˈɛlu lˈub zapwˈatɕi za taksˈufkɛ dla lˈutsɨ, ˌalɛ kˈatɛ bˌɨwa ɲʲˌɛustɛmplˈiva.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_217.wav|vʲˈɛnts ja tɔ nˌazɨvˈawam miwˈɔɕtɕɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_283.wav|mʲˈaw kˌɛɲdʑɛʒˈavɛ, rˈudɛ vwˈɔsɨ rˌɔzjaɕɲʲˈɔnɛ trˈɔxɛ ɕivˈiznɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_29.wav|tsˈantɔn tɔ jˈɛdɛn z ɲʲɛlˈitʃnɨx xɔtˈɛli w mʲˈɛɕtɕɛ, ktˌurɨ mˈɔʒɛ ɕɛ pɔʃtʃˈɨtɕitɕ lˈɔbbɨ s prˌavdʑivˈɛɡɔ zdaʒˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_355.wav|lˈɛpʲɛj bɨwˈɔbɨ ɕtɕˈɔɲtɕ mu ɡwˈɔvɛ i skˈɔɲtʃɨtɕ s tɨm vrˈɛʃtɕɛ|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_147.wav|jˈutrɔ nˈadal bˌɛndɔ̃ ɲʲɛʒˈɨvi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_125.wav|jˈɛɕli ɔdɲʲˈɔsɛ sˈuktsɛs, pʃˈɛjdɛ tɨx kˈilka krˈɔkuf kˌɔrɨtˈaʒɛm i dɔ pˈaɲi zapˈukam.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_129.wav|ˈɛlis uɕmʲˈɛxa ɕɛ. nˈɔ, tɔ lˈɛpʲɛj ruʃˈajmɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_90.wav|ɲʲɛ xtɕˈawabˌɨ s pɛvnˈɔɕtɕɔ̃, ʒˈɛbɨ mˈilljɛ pʃˌɛkazˈawa jˌakʲɛkˈɔlvʲɛɡ dɔvˈɔdɨ ɕfʲattʃˈɔntsɛ pʃɛtɕˈifkɔ ɲʲˈɛj.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_218.wav|tɔ ɲʲɛ sɔ̃ tfˈɔi pʃˌɨjatɕˈɛlɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_62.wav|spɔdʑˈɛva ɕɛ vrˈɛntʃ, ʒˈɛ ɡʲˈɔrɡjɔ zˈaras pˈɔvʲɛ, ʒˈɛ zˌarɛzɛrvˈujɛ im pɔkˈɔjɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_180.wav|f sxˈɔfku znˈajdʑɛʃ sfˈuj ˈakt ˌurɔdʑˈɛɲʲa i prˈavɔ jˈazdɨ.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_218.wav|ɔdˈɛzvaw ɕɛ kˈɨbɛrn, ɡdˈɨ pʃˈɛʃli pʃˈɛs mˈɔst nat sˈuxɔ̃, pˈɛwnɔ̃ kˈɔltsuf fˈɔsɔ̃ ˌɔtatʃajˈɔntsɔ̃ varˈɔvɲʲɛ mˌaɛɡˈɔra.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_24.wav|tsˈɔ mˈɔɡɛ dla tɕˈɛbjɛ zrˈɔbʲitɕ, kˌɔxaɲʲˈutka?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_49.wav|tsˈɔ pɔmˈɨɕlawbˌɨ ˈɔmɲʲɛ stsˈɔtt, ɡdˈɨbɨ ftɕˈɔ̃ʒ ʒˈɨw?|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_156.wav|znˈam tɛn lˈɔkal, pɔvʲˈɛdʑaw tˈatsɔ. prˈɔntɔ, prˈɔntɔ, fˈɔtɔ, fˈɔtɔ. vidʑˈawɛm ɡˈɔ na pɛtrˈɔlu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_160.wav|mˈɔʒɛ pˈaɲi ˌɔtʃɨvˈiɕtɕɛ dɔ mɲʲɛ dɔwˈɔntʃɨtɕ. za mˈɔmɛnt mˈuʃɛ jˈɛʃtʃɛ zˈajʒɛdʑ dɔ dʑˈɛtɕi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_24.wav|pɔtʃˈuwam jˈɛdnak tɕˈɛɲ zvɔntpʲˈɛɲʲa i tɔ zˌakwutɕˈiwɔ mˈɔjɛ ʃtʃˈɛɲɕtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_8.wav|ʑˈɛmʲɛ, pʃˈɛs ktˌurɛ vˌɛndrɔvˈali, bˌɨwɨ pwˈaskʲɛ i pɔdmˈɔkwɛ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_181.wav|kˈɔval uʒˈɨtʃɨ tɕi ɕˈiwɨ, a starˈuxa zˈɛɕlɛ tɕi mˈɔndrɔɕtɕ.|1
+Dataset/wavs/urwisko_ferenc/28_segment_40.wav|pˌɔrɔzmavʲˈajmɨ ɔ kˌataʒˈɨɲʲɛ sˈɔlskʲɛj i ˈɔtɨm, tsˈɔ dla ɲʲˈɛj zrɔbʲˈiwaɕ, zˌaprɔpˌɔnɔvˈawa xˈɛrman.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_108.wav|pʲˈɛɲtɕ kˈɔbjɛt fxˈɔdʑi dɔ mɔjˈɛɡɔ dˈɔmu, ɕmʲˈɛjɔnts ɕɛ i ʃtʃɛbjˈɔtʃɔnts.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_168.wav|ɲʲˈɛvʲɛm, ɔ tʃɨm mˈuviʃ.|2
+Dataset/wavs/urwisko_ferenc/30_segment_23.wav|pˈɔtɛm dʑvˈiɡa nˌɔsidˈɛwkɔ z dʑˈɛtskʲɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_62.wav|a pˈɔtɛm pɔftˈuʒɛ tˈɛ sˈamɔ̃ rɔzmˈɔvɛ z mˈɔjɔ̃ mˈamɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_33.wav|ˌɔtfɔʒˈɨwa dʒvˈi vɛjɕtɕˈɔvɛ dɔ budˈɨŋku i jɛŋknˈɛwa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_88.wav|ɡwˈɔva ˌɔtskakˈujɛ mu dɔ tˈɨwu, jˈaɡbɨm ɡˈɔː ˌudɛʒˈɨwa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_63.wav|vrˈatsam mɨɕlˈami dɔ tʃˈasuf, kʲˈɛdɨ bˌɨwam w jɛj vʲˈɛku i zˌastanˈavʲam ɕɛ, tʃɨ ja rˈuvɲʲɛʃ pˌɔtxɔdʑˈiwam dɔ ʒˈɨtɕa na tˈakim lˈuʑɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_128.wav|tˈɔm mˈiltʃaw z nadʑˈɛjɔ̃, ʒˈɛ ɲˈilɛ vɨskˈɔtʃɨ z jˈakimɕ ˌɔɕfʲattʃˈɛɲʲɛm, ktˌurɛ fʃˈɨstkɔ zmʲˈɛɲi, ˌalɛ tɛn vʑˈɔw tˌɨlkɔ kˈilka ɡwɛmbˈɔkix ɔddˈɛxuf i fstˈaw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_420.wav|lˈɛvɔ̃ rˈɛŋkɔ̃ mˈuɕaw ˈɔpʃɛtɕ ɕɛ ɔ ɕtɕˈanɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_33.wav|spravʲˈawa vraʒˈɛɲʲɛ ɲʲˌɛzadˌɔvɔlˈɔnɛj, ˌalɛ nˈaɡlɛ ˌuɕmʲɛxnˈɛwa ɕɛ zdafkˈɔvɔ, a tˈɔm zˈaras ɕɛ zˌɔrjɛntˈɔvaw, ʒˈɛ zˌamjɛʒˈawa vˌɨkɔʒˈɨstatɕ tɔ na sfˈuj spˈɔsup.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_59.wav|ˈɛlis ɔtkwˈada vidˈɛlɛdʑ z ɲʲˌɛzjɛdʑˈɔnɨm kˈɛ̃sɛm jˌajɛtʃɲˈitsɨ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_128.wav|maʃ nˈatɔ mˈɔjɛ swˈɔvɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_163.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ ɲʲɛ. zɔstˈaviw jˈɔ̃ f pɔblˈiskim mɔtˈɛlu, ˌalɛ zˈaɲim mˈɔʒɛ tɔ pɔvʲˈɛdʑɛtɕ, ˌɔtfʲɛrˈajɔ̃ ɕɛ tˈɨlnɛ dʒvˈi dˈɔmu. ˈɛliz vrutɕˈiwa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_597.wav|ubrˈawɛm ɕɛ skrˈɨtɨ za ɔpˈartɕɛm fɔtˈɛla, pˈɔtɛm ruʃˈɨwɛm dɔ dʒvˈi.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_11.wav|nˈɔ tɔ dʑˈɛŋki.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_90.wav|kˈatɛ muvˈiwa tsˈɔraz vˈɨʃʃɨm tˈɔnɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_70.wav|w ɕfʲˈɛʒɨm ɕɲʲˈɛɡu vˈidatɕ lˈitʃnɛ trˈɔpɨ jɛlˈɛɲi i ɕlˈadɨ jɛdnˈɛɡɔ, dvˈux ʃˈɔpuf, ˌɔsɔblˈivʲɛ pɔdˈɔbnɛ dɔː ɔttɕˈiskuf lˈutskiɣ dwˈɔɲi.|2
+Dataset/wavs/urwisko_ferenc/41_segment_47.wav|mˈarja pʃɛwknˈɛwa ɕlˈinɛ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_303.wav|maʃ na rˈɛŋkax krˈɛf mɔjˈɛɡɔː ˈɔjtsa, sˈɛr.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_20.wav|tˈɔm zˌiɡnɔrˈɔvaw uvˈaɡɛ dˌɔtɨtʃˈɔntsɔ̃ jˈɛɡɔː urlˈɔpu ˌɔjtsɔfskʲˈɛɡɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_504.wav|zupˈɛwɲʲɛ ɲʲˌɛɔtʃˌɛkivˈaɲʲɛ zaɕmʲˈawa ɕɛ pɔɡˈɔdɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_109.wav|fˈɔtɛl pˈana dɔˈana pʃɨ ɡwˈuvnɛj kɔnsˈɔli bˈɨw pˈustɨ.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_8.wav|sˈɔndʑɔnts s tˈɛɡɔ, tsˈɔ mˈuviw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_140.wav|vˌɨpɛwɲʲˈɔnɛ fjˌɔwkɔvˈɨmi krˌatɛrˈami ˈalbɔ|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_157.wav|ɲʲˈɛma muzˈɨki, ɲʲˈɛma parkʲˈɛtu dɔ tˈaɲtsa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_136.wav|ɡˌɛnɛvʲˈɛvɛ bˌɨwa zˌaintˌɛrɛsɔvˈana pʲɛɲʲˈɛndʑmi.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_198.wav|turˈɨɕtɕi ˌuvʲɛlbjˈajɔ̃ tɔ mʲˈɛjstsɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_48.wav|bˈɛtskɨ fskazˈawa zdjˈɛɲtɕɛ zˌavʲɛʃˈɔnɛ na tablˈitsɨ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_354.wav|rɨtsˈɛʒɛ ɡvˈardji krulˈɛfskʲɛj ɲˈiɡdɨ ɲʲɛ rɔsstˈajɔ̃ ɕɛ z mʲɛtʃˈami, nˈavɛt w ˌɔbɛtsnˈɔɕtɕi krˈula.|1
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+Dataset/wavs/urwisko_ferenc/28_segment_55.wav|ɲʲɛ vˌɨtɕɔŋɡnˈɛwam fˌɔtɔɡrˈafji, ɔtpˈarwa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_112.wav|i rˈas jˈɛʃtʃɛ dɔjʒˈɛli traɡʲˈitʃnɔ̃ tfˈaʃ pilˈɔta i jˈɛɡɔ ʒˈɔnɨ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_267.wav|pʲɛrdˈɔlɛ tɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_107.wav|a pˈɔtɛm pˌɔstavˈimɨ ɡˈɔ pɔt lˈiɲʲɛ i zˌɔbatʃˈɨmɨ, tʃɨ ktˈɔʑ ɡˈɔ rɔspˈɔzna.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_277.wav|mˈɔja prɛtˈɛnsja fstɨdlˈiva, dvuznˈatʃna.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_257.wav|jˈamɛ ɲʲɛ pˌɔtʃɛbˈɔvaw ˈinnɛj ˌɔtpɔvʲˈɛdʑi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_319.wav|samˈɔtɲʲɛ i w miltʃˈɛɲʲu ʃˈɛt kˈu mʲˈastu bʒˈɛɡʲɛm tɕˌɛmɲʲɛjɔntsˈɛɡɔ jˈuʃ ɲʲˈɛtsɔ mˈɔʒa,|0
+Dataset/wavs/urwisko_ferenc/34_segment_71.wav|pˈɔtɛm mˈarja ɔpˈadwa na ɔpˈartɕɛ fɔtˈɛla i pˈɔttʃaz dˈalʃɛj drˈɔɡʲi ɔbˈɔjɛ miltʃˈɛli.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_85.wav|jˈakɔɕ ftˈɛdɨ ʒˈɨwam, xˈɔtɕ mˈɔjɛ tɕˈawɔ tɛ̃skɲˈiwɔ za fʃˈɨstkim, tsˈɔː ˌutratɕˈiwam, a jɛdˈɨnɨm ˌukɔjˈɛɲʲɛm bˌɨwɔ tɕˈɛpwɔː i bˌɛspʲɛtʃˈɛɲstfɔ rˌɔdʑinnˈɛɡɔ dˈɔmu.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_209.wav|vɨtsˈɛdʑiw pʃˈɛz zˈɛmbɨ. jˌɛstɛm ɡˈɛjɛm i ɲʲɛ krˈɛntsɔ̃ mɲʲɛ bˈapskʲɛ zapˈasɨ.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_232.wav|prˈɔʃɛ, napˈijtɕɛ ɕɛ trˈɔxɛ naʃˈɛɡɔ swɔtkʲˈɛɡɔ tsˈɨdru, bˈɨ spwˈukadʑ z ɡˈardɛw pˈɨw pɔdrˈuʒɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_177.wav|ɲʲˈɛvʲɛm, jˈaki bˌɛɲdʑɛ kɔlˈɛjnɨ rˈux ɔ palˈatɕɔ, ˌalɛ tsɔkˈɔlvʲɛk planˈujɔ̃, xtsˈɔ̃ dˈɔbratɕ tɕi ɕɛ dɔ skˈurɨ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_336.wav|valtʃˈɨli f stˈajɲi, ɡdʑˈɛ pʃɨɡlˈɔndaw ɕɛ im jˈɛdnɔː ˈɔki mˈuw, f pivɲˈitsɨ ɡɔspˈɔdɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_108.wav|pɔ xfˈili dɔstʃˈɛɡwam ɡˈɔ w ɔddˈali.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_26.wav|ɔtfʲˈɛram ˈusta, ʒˈɛbɨ jɛj ˌɔtpɔvʲˈɛdʑɛtɕ, kʲˈɛdɨ tˈɛssa zˈɛrka nat mˈɔim ramjˈɛɲʲɛm f strˈɔnɛ dʒvˈi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_97.wav|prubˈujɔndʑ zˌiɡnɔrˈɔvadʑ ɡwˈɔs w mˈɔjɛj ɡwˈɔvʲɛ, ktˌurɨ ftɕˈɔ̃ʃ pɔftˈaʒaw mi, ʒˈɛ jˌɛstɛm idjˈɔtkɔ̃, ˌɔpuɕtɕˈiwam vzrˈɔk na kɕˈɔ̃ʃkɛ. tʃɨtˈawam swˈɔva ɛljˈɔta.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_301.wav|vwˈadʑa ɛwrˈɔna nˈaɡlɛ pʃɛstˈawa vɨdˈavatɕ ɕɛ tˈak pˈɛvna, jˈak jˈɛʃtʃɛ pʃɛt xfˈilɔ̃.|1
+Dataset/wavs/urwisko_ferenc/01_segment_62.wav|mˈartɕin ɕikˈɔrski zavʲˈɛɕiw vzrˈɔk na dˈatɕɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_446.wav|ˈinɲi f pʃɨɕˈadʑɛ truxtˈali f kˈuwkɔ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_110.wav|ɡdˈɨ sˈɛr ˈɛmmɔn mˈuviw, na jˈɛɡɔ vˈarɡax pˌɔjavʲˈawa ɕɛ ruʒˈɔva pʲˈana.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_72.wav|a tˈɔbjɛ dʑɛŋkˈujɛ za pˈɨʃnɔ̃ kɔlˈatsjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_6.wav|pʲˈɛrʃɨm i jˈaɡ dˈɔtɔnt jɛdˈɨnɨm mʲˈɛɕtɕɛ na kɕɛ̃ʒˈɨtsu.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_349.wav|tʃɨ tˈak tɔ ɕɛ vɨmˈavja?|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_146.wav|vˌɨmaʒˈɔnɨ kˈɔmpan dɔ rˈɔzmuf.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_215.wav|f tsˈɛli rɔbʲˈiwɔ ɕɛ jˈuʃ tɕˈɛmnɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_175.wav|pˈɛvɲʲɛ tˈɛʒ dˌɔwɔntʃˈɨwa dɔː ˌiɡnɔrujˈɔntsɨx tɕˈɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_52.wav|ɔ mˈuj bˈɔʒɛ!|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_366.wav|mˈɔjɛ kuzˈɨŋki pˌɔtraktɔvˈawɨ tˈak sˈamɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_176.wav|rˈɛɡɡʲɛ ftʃˈɛɕɲʲɛj ɔtfˈɔʒɨ tˈɨlnɛ dʒvˈi. ja bˌɛndɛ za kˈuwkʲɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_164.wav|ɔdˈɛzvaw ɕɛ ˈɔjtɕɛts.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_61.wav|pˈɔmuʃ mi ˈuɕɔ̃ɕtɕ, ˈɛlis.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_215.wav|rˌɔspakˈɔvaw jˈɛdnɔ s tsˈɨɡar i ˈɔdɡrɨs kɔɲtsˈufkɛ, ktˌurɔ̃ vˈɨpluw dɔ pˌɔpʲɛlɲˈitʃki.|4
+Dataset/wavs/urwisko_ferenc/28_segment_12.wav|w ɡwˈɔvʲɛ ftɕˈɔ̃ʃ twˈukwɨ jɛj ɕɛ swˈɔva mwˈɔdɛj prˌɔkuratˈɔrki.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_96.wav|ɲʲɛ pɔtɕˈɛʃɔ̃ tɕˈɛ zbˈɨtɲʲɔ f tɕɛmɲˈitsɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_28.wav|bʲˈillɨ vbʲˈija lˈufɛ ruɡˈɛra w jˈɛɡɔ plˈɛtsɨ.|2
+Dataset/wavs/urwisko_ferenc/46_segment_5.wav|mʲˈawɛʑ bˈɨtɕ sˈam dɔ xɔlˈɛrɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_82.wav|pɔt spˈɔdɛm nˌapisˈanɛ bˌɨwɔ zabʲˈita s pɔvˈɔdu tɕˈastɛk.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_6.wav|zˈaɲim udˈajɛ mu ɕɛ pˈɔdjɔɲtɕ jˈakɔ̃ʑ dɛtsˈɨzjɛ, f pˌɔmjɛʃtʃˈɛɲʲu rɔzlˈɛɡa ɕɛ bˈardʑɔ ʒˈatkɔ swɨʃˈanɨ f tɨm dˈɔmu dʑvʲˈɛŋk.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_16.wav|— sprˌɔvadʑˈiwɛɕ jˈɔ̃ tˈutaj kʲˈɛdɨɕ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_52.wav|jˈaɡ bʒmˈi jˈɛɡɔ pˈɛwnɛ nazvˈiskɔ? znˈa pˈaɲi ˈadrɛs?|3
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+Dataset/wavs/urwisko_ferenc/36_segment_90.wav|ɲʲɛspʲˈɛʃɲʲɛ dˌɔkɔɲtʃˈɨwa pˌapʲɛrˈɔsa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_33.wav|mʲˌɛʃajˈɔntsɨ ɕɛ z ˌintɛnsˈɨvnɨm pɔdmˈuxɛm spɔkˈɔju dɔ mˌɛdɨtˈatsji za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ ktˈɔɕ ɔtfʲˈɛraw dɔ ɲʲˈɛɡɔ dʒvˈi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_24.wav|ˈaʃ prˈɔʃɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_22.wav|bˈardʑɔ jɛzd ʑlˈɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_154.wav|kʲˈɛdɨ skɔɲtʃˈɨwam mˈuvitɕ, f sˈali zapˈadwa tɕˈiʃa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_211.wav|zɡubʲˈiwɛm ɡdʑˈɛɕ tsˈawɔ̃ dˈɔbɛ.|0
+Dataset/wavs/urwisko_ferenc/63_segment_127.wav|ɔ tʃɨm pˈaɲi? zdrˈadʑɛ pˈaɲi tsˈɔɕ, xˈɔtɕaʃ ɲʲɛ pɔvˈinnam.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_420.wav|ɲˈim ˌɔɡarnˈɛwa jˈɔ̃ tɕˈɛmnɔɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_423.wav|mˈa ʃˈɛɕtɕu brˈatɕi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_52.wav|vzrˈuʃam rˌamjɔnˈami. jˌɛstɛm pˈɛvna, ʒˈɛ tɔʃsˈamɔʑdʑ vʲɛŋkʃˈɔɕtɕi s tɨx ˈɔsup ɲˈits mi ɲʲɛ pˈɔvʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_116.wav|nˌɔvɔjˈɔrtʃɨɡ zˈafʃɛ i fʃˈɛɲdʑɛ nˌɔvɔjɔrtʃˈɨkʲɛm pˌɔzɔstˈaɲʲɛ, mˈɨɕli bʲˈili. ˌɔtpisˈujɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_27.wav|drˈɔɡa dʒˈɛz baʃˈarɔ|4
+Dataset/wavs/urwisko_ferenc/20_segment_68.wav|ˈɔbaj zmruʒˈɨli ˈɔtʃɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_63.wav|tˈakɔː ɔt rˈazu ˈɔddaw mi karˈabʲin. ɲʲɛ mʲˌawɛm trujnˈɔɡa, vʲˈɛnts pˌɔwɔʒˈɨwɛm lˈufɛ na mˈastsɛ jɛˈɛpa i stʃɛlˈiwɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_115.wav|tˈata ʒˈutsa mˈamjɛ ɔstˈatɲʲɛ bwaɡˈalnɛ spɔjʒˈɛɲʲɛ, pɔ tʃɨm zabjˈɛra alfjˈɛɡɔ z mˈɔix rˈamjɔn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_45.wav|pʃɛʃˈukam kˈaʒdɔ̃ pʲˈɛɲtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_32.wav|jˈuʒ zˌawɔʒˈɨli jɛj ʃfˈɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_11.wav|spˌakɔvˈawam fʃˈɨstkɔ, ɲʲɛ bˌɨwɔ tˌɛɡɔ dˈuʒɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_38.wav|i ˌutratsˈɔnɛ tˌɛrɨtˈɔrja mˌiɲʲɔnˈɛɡɔ tʃˈasu.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_82.wav|ˌusuvˈajɔnts pʃɛwˈɔntʃɲik stfɔʒˈɨwam nˈɔvɛ ˌuʒɔndʑˈɛɲʲɛ zvˈanɛ drˈutɛm.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_328.wav|ˌɔtpɔvʲɛdʑˈawa mu vrˈɛʃtɕɛ. ɲʲɛ mˈɔʒɛ f tɛj xfˈili dˈatɕ tɕi lˈudʑi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_226.wav|pˈatʃɨ na ˌuɕmʲɛxɲʲˈɛntɔ̃ dʑɛftʃˈɨŋkɛ s tʃˌɛrvɔnˈɨmi fstɔ̃ʃkˈami vɛ vwˈɔsax. pˈatʃɨ na sɛrdˈuʃka, vzbʲˌijajˈɔntsɛ ɕɛ z ɡwˈɔvɨ flamˈiŋɡa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_98.wav|pʲɔsˈɛŋka ɲʲɛ zˈafʃɛ pˌɔskutkˈujɛ, mˈɔkra ʃmˈatka na tfˈaʒɨ tˈɛʃ ɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_456.wav|ja jˌɛstɛm krˈulɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_28.wav|f tˈakim rˈaʑɛ im ɲʲɛ pˈɔvʲɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_378.wav|zˌapatʃˈɔna f tɛ dvʲˈɛ pɔwˈufki rˌumjanˈɛɡɔ jˈapka,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_51.wav|fʃˈɨstsɨ dˌɔwɔʒˈɨliɕtɕˌɛ tsˈɔʑ dɔ tɛj çistˈɔrji.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_167.wav|fskazˈɨvaw akˈurat jˈakʲɛʑ dʑˈikʲɛ kfʲˈatɨ i pˈɨtaw, tsˈɔ sˈɔndʑɛ ɔː ix urˈɔdʑɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_33.wav|pɔlˈitsja s pɛvnˈɔɕtɕɔ̃ jɛst jˈuʒ blˈiskɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_37.wav|ˌalɛ nˌastɛmpnˈɛɡɔ dɲʲˈa nˈadal tˈam bˌɨliɕmˌɨ i tɔ bˈɨw mˈuj ɔstˈatɲi dʑˈɛɲ na ɔɕˈɛdlu çˈillvʲɛf, ɔstˈatɲi dʑˈɛɲ spɛndʑˈɔnɨ z mˈamɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_56.wav|jˈɛɕli xtsˈɛʃ, mˈɔʒɛʃ mi zapwˈatɕitɕ, kʲˈɛdɨ tɔ zrˈɔbjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_22.wav|vˈɛjtɕ, vˈɛjtɕ! trˈɔnd vɨkˈɔnaw zˌapraʃajˈɔntsɨ ɡˈɛst.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_54.wav|ɲʲɛ, mˈuʃɛ ɕɛ pɔrˈuʃatɕ. fskˈɔtʃɛ na sxˈɔdɨ, a pˈɔtɛm zjˈadɛ na tˈɨwku. mˈuʃɛ s tˈɔbɔ̃ pɔɡˈadatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_176.wav|ˌɔtfɔʒˈɨwam vɛvnˈɛntʃnɨ vwˈas ɕlˈuzɨ i zrɔbʲˈiwam krˈɔk f strˈɔnɛ vˌɨbavʲˈɛɲʲa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_76.wav|pʃɨ krˈutkʲɛj lˈufjɛ tʃˈasɛm ɕɛ tɔ stɔsˈujɛ, pɔvʲˈɛdʑaw spʃɛdˈaftsa. krˈutka lˈufa, ɕˈilnɨ pˈɔtɕisk. mˈɔʒna dˈɔstadʑ vwˈasnɨm prˈɔxɛm vɛ vwˈasnɨ pˈɨsk.|0
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_14.wav|pɔ jakʲˈɛmu muvˈitɕɛ f kˈɛɲʲi?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_49.wav|f kˈɔɲtsu ɔdʑˈɨva ɕɛ tɛlˈɛfɔn.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_373.wav|pɔxˈɨliw ɕɛ nat stˈɔwɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_571.wav|vʲˈɛ pˈan, tsˈɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_64.wav|— a mˈatɕɛ — rˈɨknɔw dˈuʒɨ klˈuw. — mˌatɕɛ za sfˈɔjɛ skˌurvɨsˈɨnɨ? vaʃˈɛɡɔ tʃwɔvʲˈɛka stratˈɔvaw vʲˈɛlki tʃˈarnɨ kˈɔɲ!|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_279.wav|ɡdˈɨbɨ jˈɛɡɔ tɕˈɔtka tˈu bˈɨwa...|1
+Dataset/wavs/urwisko_ferenc/03_segment_82.wav|xˈɔtɕaʃ ɲˈikt ɲʲɛ ɔbˈartʃaw jɛj vˈinɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_228.wav|tsˈɔ drˈuɡʲi dʑˈɛɲ vnɔʃˈɔnɔ na ɡˈurɛ bˈaljɛ i mˈawa, ɲʲɛɕmʲˈawa tsˈɛdra ʃˌɔrɔvˈawa jɛj plˈɛtsɨ ˌɔras pˌɔmaɡˈawa utʃˈɛsadʑ vwˈɔsɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_137.wav|skʲˌɛrɔvˈawam ɕɛ f strˈɔnɛ salˈɔnu.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_124.wav|ɡʲˈilam skˈinɔw ɡwˈɔvɔ̃ i znˈɔvu pɔstˈaviw kˈaptur.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_254.wav|ɲʲɛ vʲɛdʑˈawɛm.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_159.wav|tsˈuʃ takʲˈɛɡɔ f kˈɔɲtsu ˌutʃɨɲˈiwa?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_71.wav|usˈuvam sfˈɔjɛ ɕlˈadɨ s kaʒdˈɛɡɔ mʲˈɛjstsa, f ktˌurɨm ɕɛ kʲˌɛdɨkˈɔlvʲɛɡ znalˈazwam.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_172.wav|mɡlˈistɨ ˈɔbraz zˌastɨɡwˈɛɡɔ w bɛzrˈuxu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_61.wav|skˈɔrɔ jɛst pˈaɲi tˈu z nˈami, tɛn fˌuŋktsjɔnˈarjuʃ xtɕˈawbɨ zapˈɨtatɕ pˈaɲʲɔ̃ ɔ kˈɔɡɔɕ, ktˈɔ pʃɛt kilkˈɔma lˈatɨ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_99.wav|ɲʲɛvˈaʒnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_38.wav|nadˈavawbˌɨ ɕɛ dɔ marˈinɛs, mˈɨɕli bʲˈillɨ. mˈɔʒɛ swˈuʒɨw w marˈinɛs?|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_167.wav|nˈɔ jˈasnɛ, dˈaw mi ɡˈɔ tfˈuj ˈaɡɛnt. vʲˈɛʃ, lˈatɛm na ɛkrˈanɨ fxˈɔdʑɔ̃ fʃˈɨstkʲɛ najvʲˈɛŋkʃɛ çˈitɨ.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_179.wav|mˈuj ˈɔbus lˈɛʒɨ mʲˌɛndʑɨ ʒɛkˈami, nˌapʃɛtɕˈifkɔ fˈɔsɨ i ɡwˈuvnɛj brˈamɨ rivˈɛran.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_119.wav|zɔbˈatʃɔ̃ mˈɔjɛ zdumjˈɛɲʲɛ i pʃˌɛraʒˈɛɲʲɛ w rɛˈaktsji nˈatɔ, tsˈɔ zrɔbʲˈiwaɕ.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_101.wav|a pˈɔza tɨm vɛ fsxˈɔdɲʲɛj straʒɲˈitsɨ ɲʲˈɛma ʒˈadnɛj dʑɛftʃˈɨnɨ xˈɔtɕ f pɔwˈɔvʲɛ tˈak wˈadnɛj jˈak tˈɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_4.wav|skˈinɔw ɡwˈɔvɔ̃ dɔ kˈita.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_88.wav|tɔ dˈam tɕi kˈartɛ bˌɛnzɨnˈɔvɔ̃ i jˈakɔɕ ɕɛ z ɲˈim rɔzlˈitʃɛ.|0
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_85.wav|sˈam mʲˈaw tˈak ɲʲɛzɡrˈabnɛ rˈɛntsɛ, ʒˈɛ vˈɔntpiw, tʃɨ vˌɨkɔnˈɨvaw prˈatsɛ xˈɔtɕ jɛdnˈɛɡɔ fpravnˈɛɡɔ mˌarɨnˈaʒa. stˈaraw ɕɛ jˈɛdnak.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_151.wav|pɔvwˈɔki xɔmˈitʃɨx kˈul sɔ̃ pʃˌɨtɕɛmɲʲˈanɛ, ʒˈɛbɨ xrˈɔɲitɕ ˌuʒɨtkɔvɲˈikuf pʃɛt jaskrˈavɨm ɕfʲˈatwɛm swɔnˈɛtʃnɨm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_37.wav|ˈɛksˈɔwtɛk mʲˈawa zapˈɛvɲitɕ mi fɔrtˈunɛ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_20.wav|pˌɔpʃɨɕˈɔŋɡwɛm, ʒˈɛ ɲʲɛ zˈɛtnɛ vwˈɔsuf, dɔpˈuki ɲʲɛ pˈɔmʃtʃɛ ˈɔjtsa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_122.wav|vˈɔlnɛj miwˈɔɕtɕi?|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_302.wav|brˌɨndɛnˈɔvi blˌatskfiʃˈɔvi ɲˈiɡdɨ ɲʲɛ brˌakɔvˈawɔ dˌɛtɛrminˈatsji. xˈɔstɛr tˈullɨ mˈuɡwbɨ tɕi tsˈɔɕ ˈɔtɨm ˌɔpɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_22.wav|mˈuvjɛ pˌɔzbavʲˈɔnɨm ɛmˈɔtsji ɡwˈɔsɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_26.wav|dɨskrˈɛtɲʲɛ pˌɔwɔʒˈɨwam ˌuʒɔndʑˈɛɲʲɛ na pɔsˈatstsɛ i...|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_8.wav|tsˈɔː ˌɔɲi rɔbʲˈili dɔ xɔlˈɛrki, ɡdˈɨ ˌɔna vˈɨʃwa pʃɛd dˈɔm pɔɡˈadadʑ z dʑˌɛnɲikaʒˈami? pˌɔpijˈali xɛrbˈatkɛ? ˈɔpʲɛpʃ ix pɔʒˈɔndɲʲɛ, bˈɛtskɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_104.wav|kʲˈɛdɨ tˈu vrˈutɕi, musˈimɨ zapˈɨtatɕ, tʃɨ ktˌurɨkˈɔlvʲɛk spʃˈɛnt nalˈɛʒaw dɔ ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_100.wav|tʃˈɛɡɔː ˌɔtʃɛkˈujɛ lˈutsɨ, a pˈɔtɛm znˈalɛɕtɕ jˈakiɕ kɔmprˈɔmis.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_97.wav|f kˈɔɲtsu ˌɔdnalˈazwa mɲʲɛ pʃɨ jɛʑˈɔʒɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_170.wav|a tsˈɔ z nɛˈɔnɛm?|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_21.wav|pˌɔtskakˈujɛ s kʃˈɨkʲɛm, ɔmˈalɲʲɛ pʃˌɛvratsˈajɔndʑ ɡrˈilla. bʲˈillɨ vɨtɕˈɔŋɡa rˈɛŋkɛ, bˈɨ jˈɔ̃ pʃɨtʃˈɨmatɕ.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_200.wav|tˌɨlkɔ bˈɛz lvˈuf, jˈɛɕli wˈaska.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_461.wav|ja tɔ vwaɕtɕˈivʲɛ pˌɔviɲʲˈɛnɛm ɕɛ pʃɛtstˈavitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_97.wav|sˈupɛr kavˈawɛk, ɡwˈɔɕi kɔmˈɛntaʃ. vidʑˈawɛm, jˈaɡ zaɡrˈali zˌajɛbʲˈistɔ̃ dʑˌɛɕɛɲtɕˌɔminutˈɔvɔ̃ vˈɛrsjɛ w ˌɛdʒɛvˈɔɔt salˈɔɔn f sˌidɛvˈindɛr.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_295.wav|ˈɔkɔ krˈula vˌɨdavˈawɔ ɕɛ rˈatʃɛj tʃˈarnɛ ɲˈiʃ ɲʲɛbjˈɛskʲɛ. tˌɨlkɔ txˈuʒ zrˈɨva ˈɔvɔts, ɡdˈɨ mˈɔʒɛ sˈɔbjɛ vʑˈɔɲtɕ tsˈawɨ sˈat.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_114.wav|nˈadal bˌɨwa f tsˈɛli.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_197.wav|lˈɛpʲɛj ˈɔɲʲɛj ɲʲɛ mˈɨɕlɛtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_268.wav|mˈimɔ ʒˈɛ jɛst tɔ supstˈantsja wˌatfɔpˈalna.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_18.wav|zvʲˈɛdʑaw kɔɕtɕˈɔwɨ i pˈat tˈam, kˈɔw�� pɔmɲˈika mˌikɔwˈaja kˌɔpɛrɲˈika. ɲʲˈɛx pˈan ɕɛ pɔɕpʲˈɛʃɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_86.wav|miltʃˈawam pʃˈɛs xfˈilɛ zˌastanavʲˈajɔnts ɕɛ, tʃɨ ljˈa ɲʲˈɛma rˈatsji.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_297.wav|ɡdʑˈɛ bˌɨwɛm kˌɔnfidˈɛntɛm?|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_160.wav|ɲʲɛ pʃɨʃˈɛdwɛʑ dɔ ɲʲˈɛɡɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_19.wav|fˈatsɛt rˌɛɡulˈarɲʲɛ vɨxˈɔdʑiw pˌɔpɔwudɲʲˈami z bjˈura, ˌalɛ kɔʒˈɨstaw s tˈɨlnɨx sxˈɔduf, ʒˈɛbɨ ɲˈiɡd ɡˈɔ ɲʲɛ zɔbˈatʃɨw, jˈɛɕli mʲˈaw rˈɔmans.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_23.wav|ɲˈikt ɕɛ s xˈɔffɛm ɲʲɛ skˌɔntaktˈɔvaw, bˈɔ xˈɔff jɛst ɲˈikim.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_342.wav|jˈaka tɔ ʃkˈɔda, ʒˈɛ ɲʲɛ zɔstˈanɛ z ɲʲˈɔ̃ na vʲˈɛtʃnɔɕtɕ pʃɛtɕˈifkɔ fʃɨstkʲˈɛmu i fʃˈɨstkim.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_316.wav|tʃɨkrˈɔtɲʲɛ tˈɛʃ xˈɛwm jˌamjɛˈɛɡɔ zabʒˈɛntʃaw pɔt jˈɛɡɔ tɕɔsˈami.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_125.wav|i ˈandɛrsɔn ˈuɕad i zapˈaliw pˌapʲɛrˈɔsa. kʲɛrˈɔftsa dʑvˈiɡu ˈutknɔw na drˈuɡʲim kˈɔɲtsu sˈali.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_8.wav|pɔmˈimɔ fʃˈɨstkɔ, tsˈɔ vˌɨdaʒˈɨwɔ ɕɛ w mˈɔim ʒˈɨtɕu w lˌakɛsˈidɛ,|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_504.wav|tɔ bˌɨwɔ zwamˈanɛ bjˈɔdrɔ, pʃˌɛʑɛmbjˈɛɲʲɛ tʃɨ mˈɔʒɛ pɔdˈaɡra?|1
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+Dataset/wavs/urwisko_ferenc/33_segment_16.wav|tɔ pˈan dʑvˈɔɲiw?|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_67.wav|ɔn rˈatʃɛj ɲʲɛ jɛst w jˈɛɡɔ tˈɨpʲɛ.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_35.wav|ɲʲˈɛxtsɛ sprˈavʲatɕ prɔblˈɛmuf tɛj kɔbjˈɛtɕɛ, ˌalɛ vʲˈɛm, kˈim ˌɔna jˈɛst. vʲˈɛʃ mˈɔʒɛ, s kˈim pɔvˈinnam ˈɔtɨm pˌɔrɔzmˈavʲatɕ?|3
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+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_18.wav|ɔ vʲˈɛlɛ za dalˈɛkɔ.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_65.wav|xˈɨba pɔ rˈas pʲˈɛrʃɨ jˌɛstɛm vdʑˈɛntʃna ˈɛlis, ʒˈɛ ɲʲɛ pɔtrˈafi tʃˈɨmatɕ jɛ̃zˈɨka za zɛmbˈami.|3
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_120.wav|musˈimɨ tɔ...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_68.wav|tɛn pɔ krˈutkim vɨbˈuxu ˌɛntuzjˈazmu znˈuf ˈɔklap.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_533.wav|i lˈat mʲˌawɛm pˈustɨx.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_49.wav|w jˈɛɡɔ ɡwˈɔɕɛ jɛst tsˈɔʑ znˌajɔmˈɛɡɔ, ˌalɛ s pɛvnˈɔɕtɕɔ̃...|3
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+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_85.wav|uvˈaʒaj na ɕˈɛbjɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_34.wav|mˈɔʒɛ tɔ tɕˈɛ pʃɛkˈɔna.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_81.wav|ˌɔttʃuvˈanɛ mdwˈɔɕtɕi ɲʲɛ mʲˌawɨ ɲˈits fspulnˈɛɡɔ s tɕˈɔ̃ʒɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_232.wav|mˈiltʃɔnts ˈaʒ dɔ xfˈili, f ktˌurɛj tʃwˈɔvʲɛk tʃˌɨmajˈɔntsɨ rˈɛŋkɛ f ʃuflˈadʑɛ kˈasɨ pɔwˈɔʒɨw jˈɔ̃ na lˈadʑɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_145.wav|ɡˌɛɔmɛtrˈɨtʃnɛ rˈuxɨ i nabjˈɛram pɛvnˈɔɕtɕi,|0
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+Dataset/wavs/urwisko_ferenc/59_segment_137.wav|tˈɛraz vɨdˈajɛ mi ɕɛ tɔ prˈɔstɛ. pˌɔsmutɲʲˈawam.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_65.wav|tʃɨ pɔvˈinɲi zavˈɔwatɕ, ˌɔstʃɛɡˈajɔnts ɔ pˌɔjavʲˈɛɲʲu ɕɛ pɔlˈitsji, tʃɨ vˈɛjɕtɕ pɔ tɕˈixu, ˈabɨ zaskˈɔtʃɨtɕ kˈɔɡɔɕ, ktˈɔ mˈuɡw znajdˈɔvatɕ ɕɛ w ɕrˈɔtku?|3
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+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_135.wav|ˈidʑɛ dɔ waʑˈɛŋki pɔ ʃklˈaŋkɛ vˈɔdɨ i kʲˈɛdɨ vrˈatsa, bʲˈillɨ ɕˈɛdʑi prˈɔstɔ z dwˈɔɲʲɔ̃ pʃˌɨtɕiɕɲʲˈɛntɔ̃ dɔ bˈɔku.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_137.wav|jɛj ˌukɔxˈanɨ ɲʲɛ ʒˈɨjɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_22.wav|tʃˈɨstɔ? tʃˈɨstɔ nadˈɛʃwa ɔtpˈɔvʲɛtɕ, a pɔ xfˈili pɔftˈuʒɨw tɔ fˌuŋktsjɔnˈarjuʃ na drˈuɡʲim kˈɔɲtsu alˈɛjki.|4
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+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_322.wav|dʒˈɛva ˌumjɛrˈajɔ̃ f tɛn spˈɔsup, mˈikɛ. rˈas jˈɛʃtʃɛ kfˈitnɔ̃ i ftˈɛdɨ vˌɨɡlɔndˈajɔ̃ tˈak pʲˈɛŋkɲʲɛ jˈak ɲˈiɡdɨ.|0
+Dataset/wavs/urwisko_ferenc/38_segment_10.wav|ɲˈikt ɲʲɛ vˈɨjʒaw na zˈɛvnɔntʃ.|0
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+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_94.wav|ʑˈimnɨ rˈɔsuw ˈalbɔ trˈɔxɛ xlˈɛba z ˌɔvɔtsˈami.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_74.wav|dʒvˈi zɔstˈajɔ̃ zamkɲʲˈɛntɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_179.wav|s sˈɔndu vɨxˈɔdʑɔ̃ dvˈaj pˌɔlitsjˈaɲtɕi s krˌutkɔfˌalufkˈami w rˈɛŋkax i zbjɛɡˈajɔ̃ pɔ kamjˈɛnnɨx sxˈɔdaɣ dɔ sˈuva, ktˌurɨ zˌatʃɨmˈujɛ ɕɛ pʃɨ krˌavɛ̃ʒɲˈiku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_76.wav|ɲʲɛ nˌalɛʒˈawa dɔ pˌɔdɛjʒˈanɨx, xˈɔtɕ jɛj zɲikɲʲˈɛɲtɕɛ bˌɨwɔ ɲʲˌɛpɔkɔjˈɔntsɛ. ɔtsˈunɔw na rˈaʑɛ tˈɛ mˈɨɕl, ʒˈɛbɨ ɲʲɛ zˌapʃɔntˈawa mu ɡwˈɔvɨ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_167.wav|ɲʲɛ mɔʒˈɛmɨ dɔpˈuɕtɕidʑ dɔ rɔzlˈɛvu krfˈi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_147.wav|pɔlˈitsjand zˌaintˌɛrɛsˈɔvaw ɕɛ, tˈak?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_13.wav|ˌalɛ ʒˈɛbɨ bˌɨli ɡɔtˈɔvi ɡˈɔ zwˈapatɕ, ɡdˈɨbɨ zˈɛxtɕaw utɕˈɛkatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_249.wav|tˈak ɔtpˈarwam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_57.wav|vˌɨbjɛrˈanɔː ix spˈɔɕrut tsˈawɛj pʃɛstˈɛmptʃɛj mˌɛnaʒˈɛrji i ˌidɛntˌɨfikɔvˈanɔ jˈakɔ lˈudʑi ɔː ˌɔkrɛɕlˈɔnɨx talˈɛntaɣ dɔ vˌɨkɔʒɨstˈaɲʲa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_39.wav|sˈɛvɛn ˈant sˈɛvɛn, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_7.wav|dlatʃˈɛɡɔ tˈaɡ dwˈuɡɔ ɡʒˈɛbjɔ̃ f tɨx sfˈɔix kˌɔmputˈɛrax? mrˈuknɔw z ɲʲˌɛzadˌɔvɔlˈɛɲʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_217.wav|tsˈɔ jˈɔ̃ ˌɔpxɔdʑˈiwɔ, jˈakʲɛ dɛkrˈɛtɨ fprɔvˈadʑiw maˈɛɡɔr ɔkrˈutnɨ pʃɛt tʃˈɨstu lˈatɨ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_122.wav|ʃˈɔn tʃˈɨma plˌuʃɔvˈɛɡɔ flamˈiŋɡa na kɔlˈanax.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_162.wav|mˈɔʒɛ bˈɨtɕ jˈajkɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_192.wav|tˈakix kˈɔbjɛt ɲʲˈɛma na ɕfʲˈɛtɕɛ. kʲˈɛdɨ jˈɔ̃ ˌɔbwuskivˈawɛm z ubrˈaɲʲa,|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_48.wav|mˈɔʒɛ pˈɔmuts? dʑɛŋkˈujɛ, ɲʲɛ tʃˈɛba. pɔ tʃɨm jˈaɡbɨ zmʲɛɲʲˈajɔndʑ zdˈaɲʲɛ, xˈɔtɕaʃ...|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_166.wav|stfʲˈɛrdʑa, ʒˈɛ jˈɛɡɔː ˌɔkazˈitɕɛl vˌɨkɔnˈujɛ mˈisjɛ zlɛtsˈɔnɔ̃ pʃˈɛs ɲʲˈɛɡɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_132.wav|tˈɔm ɔtsˈunɔw kʃˈɛswɔː i fstˈaw.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_107.wav|maˈɛstɛr tsɔlˈɛman dˈɔdaw mi ftʃˈɔraj dɔ mlˈɛka tʃˈɛɡɔɕ pˌaskudnˈɛɡɔ. tʃˈuwɛm tɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_63.wav|nˈaʃɛ ʒˈɨtɕɛ tˈɔtʃɨ ɕɛ pʃˌɛtɕɛʃ f pˈɛwnɛj xarmˈɔɲʲi. pravdʑˈivɨm pɔvˈɔdɛm bˌɨwɔ jˈɛdnak tɔ, ʒˈɛ ɲʲɛ xtɕˈawam kˌɔntaktˈɔvatɕ ɕɛ zˈɛ stˈɛvɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_93.wav|ɲʲɛ mʲˈawa najmɲʲˈɛjʃɨɣ vˌɔntplivˈɔɕtɕi, ʒˈɛ tsˈɔɕ ˌukrɨvˈajɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_24.wav|ɡrˈupa xˌapˌɛˈɛr na fˌatsɛbɔˈɔku, ˌɔtʃɨvˈiɕtɕɛ!|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_26.wav|madʒˈarjan na pˈɛvnɔ sˈɔbjɛ vˌɨkalkulˈɔvaw, ʒˈɛ vˌɨnajˈɛɲtɕɛ bʲillʲˈɛɡɔ mˈa pˈɛvnɛ ɲʲˌɛzapʃɛtʃˈalnɛ zalˈɛtɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_406.wav|pˌɔrɔzmavʲˈajmɨ ˈɔtɨm ˌɔsɔbʲˈiɕtɕɛ. jˌɛstɛm dɔstˈɛmpnɨ tsˈawɨ tʃˈas.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_138.wav|ɔbˈɔjɛ pˈatʃɔ̃ na rˈama, ktˌurɨ stˈɔi ɔ jˈɛdɛn stˈɔpʲɛɲ pɔvˈɨʒɛj ɲˈix i blɔkˈujɛ vˈɛjɕtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_321.wav|tɨm rˈazɛm ɕɲˈiwɔ ɕɛ jɛj, ʒˈɛ vrutɕˈiwa dɔ dˈɔmu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_67.wav|zanˈɔɕi dvʲˈɛ pˌapʲɛrˈɔvɛ tˈɔrbɨ dɔ mˈɛ̃skʲɛj ˌubʲikˈatsji na tʃfˈartɨm pʲˈɛntʃɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_43.wav|ˌapsɔlˈutɲʲɛ ɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_193.wav|pʲˈɛŋknɨ pˈɔkarm dla minstrˈɛli.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_69.wav|mruknˈɛwa bˈɛtskɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_166.wav|ˈandɨ mʲˈaw jˈuʃ ɔtfˈartɔ̃ pˈuʃkɛ w rˈɛŋku i tsˈawɨ xˈumɔr mu ɕɛ pˈɔpsuw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_205.wav|ˌɛnɛrɡʲˈitʃɲʲɛ rˈuʃɨw spˈɔt ˈɔkna, vˈɨjʒaw na kɔrˈɨtaʃ i kʃˈɨknɔw srˈɔɡɔ tɕˈiʃa tˈam! spˈɔkuj!|0
+Dataset/wavs/urwisko_ferenc/49_segment_9.wav|jˈutrɔ prˌɔkurˈatɔr dˈamji ɡlˈɛit na zbadˈaɲʲɛ tɕˈuxuv dʑˈɛtska mˈɔɲikˌi xudʑˈiɲskʲɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_98.wav|ˌalɛ sɔ̃ sˌɨtuˈatsjɛ bˈɛz vˈɨjɕtɕa. ɲʲɛprˈavda.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_581.wav|vidʑˈawɛm mrˈɔk mˈɛɡɔ pɔkˈɔju ˈalbɔ tˌɛɡɔː innˈɛɡɔː i smˈukwɨ kʃtˈawd dʑˌɛftʃɛntsˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_245.wav|kʲˈɛdɨ mʲˈawam ʃˈɛɕtɕ lˈat,|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_121.wav|pʃɨznˈawa krulˈɔva, ˌalɛ ʃˈɨpkɔ bˈɨ ɕɛ pʃˌɨzvɨtʃˈaiw, tˈak jˈak kʲˈɛdɨɕ jˈa.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_159.wav|ʒˈɛbɨ vʑˈɔɲtɕ smˈɔtʃɔ̃ skˈawɛ ɡwˈɔdɛm, tˈak jˈak planˈujɛ lˈɔrd bˈakstɛr, pɔtʃˈɛba bˌɛɲdʑɛ tsˈɔ nˈajmɲʲɛj pˈuw rˈɔku.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_95.wav|tsˈɔ maʃ na mˈɨɕli?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_58.wav|ɔpˈɔvʲɛʃ mi ɔ lˈutsɨ i kˈatɛ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_73.wav|tˈɔm pˈatʃɨ nˈamɲʲɛ uvˈaʒɲʲɛ i nˈaɡlɛ ˌuɕfʲadˈamjam sˈɔbjɛ, tsˈɔ pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_268.wav|znˈuv zdradʑˈiwam kˈɔɡɔɕ, ktˈɔ mɲʲɛ kˈɔxa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_34.wav|zˌastukˈawɛm tɔ̃ kɔwˈatkɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_236.wav|zapˈadwɔ tɕi f pˈamjɛɲtɕ, a?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_292.wav|i ɲʲɛ vʲadˈɔmɔ dlatʃˈɛɡɔ ɕtɕˈɛrpwa mi skˈura.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_188.wav|pˈɔʃɛd dɔ kˈuxɲi i pʃˈɨɲʲuz z lɔdˈufki butˈɛlkɛ fçˈiskɨ. nˈalaw w miltʃˈɛɲʲu sˈɔbjɛ i pˈɔdaw butˈɛlkɛ ˌandɛrsɔnˈɔvi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_128.wav|mˈɔʒɛ tɛn ɔstˈatɲi lˈizd bˈɨw sfˈɛɡɔ rɔdʑˈaju kˌatalˌizatˈɔrɛm i dɔmˈiɲiɡ dˈɔʃɛd dɔ vɲʲˈɔsku, ʒˈɛ nˈatʃɛt tʃˈas?|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_9.wav|zapˈɨtaw pˈɔdritsk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_142.wav|tɔ mʲˌawɛm jˈuʃ ʃtˈutʃnɛ zˈɛmbɨ i ˌɔdʒutɕˈili mɲʲɛ. a tˈɛras jˈɛʒdʒɛ pɔ lɔtɲˈisku i spʃɛdˈajɛ tɛ bˈuwki.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_26.wav|uvˈaʒa, ʒˈɛ nˈuʃa bˈardʑɔ ɕɛ mˈartfi. tɛlˈɛfɔn sˈam jˈɛɡɔ vɨdˈajɛ ɕɛ vˌɨwɔntʃˈɔnɨ, a pˈɔnɔtɕ w nɔrmˈalnɨx ˌɔkɔlitʃnˈɔɕtɕax nˈavɛt pʃˈɛs xfˈilɛ ɲʲɛ vɨpˈuʃtʃa ɡˈɔ z rˈɛŋki.|4
+Dataset/wavs/urwisko_ferenc/13_segment_19.wav|xˈɔdʑi mi ˈɔtɔ, tʃɨ vˈidʑaw jˈɔ̃ pˈan, jˈaɡ vˌɨxɔdʑˈiwa z dˈɔmu xudʑˈiɲskix?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_22.wav|pɔvˈinnaʑ bˌɨwa pɔvʲˈɛdʑɛtɕ mi ˈɔtɨm ftʃˈɛɕɲʲɛj.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_54.wav|ɔ tʃɨm ɔn mˈuvi?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_70.wav|pʃˌɨpadˈawa kˈɔlɛj lˈi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_182.wav|ˌɔbɛjʒˈawɛm ɕɛ i znˈɔvu zˌɔbatʃˈɨwɛm fspʲˈɛntɔ̃ na pˈaltsaɣ za plɛtsˈami twˈu mu lˌitsɨtˈantuv vˈɛrɛ ˈalbɔ lˈubɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_29.wav|xmˈurɨ twˈɔtʃɔ̃ ɕɛ i ˌɔtɕɛrˈajɔ̃ ɔ ɕˈɛbjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_341.wav|pˈaɲʲɛ kˌɔmisˈaʒu, ja jˌɛstɛm prˌatsɔvˈitɨ.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_104.wav|xˈɨba pˌɔvinɲˈiɕmɨ pˌɔrɔzmˈavʲatɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_22.wav|tˈɔm ɔdvrˈutɕiw ɕɛ, ɲʲˈɛmʲaw jˈɛʃtʃɛ dɔvˈɔduf na jˈɛɡɔ dʑawˈalnɔɕtɕ pʃɛstˈɛmptʃɔ̃, ˌalɛ bˈɨw pʃˌɛkɔnˈanɨ, ʒˈɛ fkrˈuttsɛ jˈɛ zdɔbˈɛɲdʑɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_50.wav|pˌɔvʲɛdʑˈawaɕ xˈɨba, ʒˈɛ tfˈuj samˈɔxud zˈɔstaw zˌablɔkɔvˈanɨ na parkˈiŋɡu ɕiwˈɔvɲi.|3
+Dataset/wavs/urwisko_ferenc/14_segment_61.wav|ktˌurɨ tfʲˈɛrdʑiw, ʒˈɛ nat rˈanɛm, kʲˈɛdɨ bˌɨwɔ jˈɛʃtʃɛ tɕˈɛmnɔ, vˈidʑaw jˈɔ̃ f pˈarku mʲˈɛjskim pʃɨ bɨdʒˈɔskʲɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_272.wav|dˈɔbʒɛ, ʒˈɛ pʃɨʃˈɛdwɛɕ. tʃɛkˈawɛm na tɕˈɛbjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_172.wav|bʲˈillɨ pʃˈɛs tsˈawɛ upˈalnɛ lˈatɔː ˌaɲi rˈazu ɲʲɛ vˈidʑaw kɔlˈina f kˈurttsɛ, ˌalɛ tˌaki tɕˈux ɲʲˌɛvɔntplˈivʲɛ jɛst w jˈɛɡɔ stˈɨlu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_118.wav|snajpˈɛʒɨ sɔ̃ ɡvʲazdˈami, tˈɨmi, ɔ ktˌurɨx krˈɛntsɔ̃ fˈilmɨ i ɔ ktˌurɨx stˈɛfɛn xˈuntɛr pˈiʃɛ pɔvʲˈɛɕtɕi, ˌalɛ nˌajvaʒɲʲˈɛjʃɔ̃ rɔbˈɔtɛ ˌɔdvalˈajɔ̃ ˌɔpsɛrvatˈɔʒɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_136.wav|tˈɨlɛ, ʒˈɛ jˈɛɕli vɨrˈɔbjɛ tɕi kˈartɛ krˌɛdɨtˈɔvɔ̃, ɲʲɛ prˈubuj z ɲʲˈɛj kɔʒˈɨstatɕ. bˌɛɲdʑɛ tˌɨlkɔ na pˈɔkas. i mɲʲˈɛjʃa z vɨmjˈanɔ̃ blˈax, pʃˈɛdɛ fʃˈɨstkim vˈɨmjɛɲ vˈus.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_105.wav|pˈatʃɨw na tɕˈasnɔ stwɔtʃˈɔnɛ dˈɔmɨ, sklˈɛpɨ, mˌaɡazˈɨnɨ i mɛtʃˈɛtɨ na drˈuɡʲim bʒˈɛɡu ʒˈɛki.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_249.wav|ɲʲˌɛzdɛtsˌɨdɔvˈaɲʲɛ vɨʃˈɛdwɛm na ulˈitsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_134.wav|zawˈatfiw tɔ kˈartɛl na prˈɔʑbɛ klɛrkˈija.|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_26.wav|mˈam nadʑˈɛjɛ, ʒˈɛ znˈajdʑɛ pˈan ˈu nˈaz dˈɔbrɛ swˈɔva.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_60.wav|ɡdˈɨ lɛʒˈawa bɛsɕˈilɲʲɛ pˈɔdɲim, a ɔn rˈɔbʲiw z ɲʲˈɛj uʒˈɨtɛk.|1
+Dataset/wavs/urwisko_ferenc/65_segment_102.wav|pʃˈɛs rɔbˈɔtɛ i...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_24.wav|na bjˈurkɔ pˈat tɕˈɛɲ i tˈɔm ˈuɲʲuz ɡwˈɔvɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_85.wav|tˈɔm pʃɛprˈɔɕiw dˈɔn, ktˌura pˈɔʃwa ˌuzupˈɛwɲitɕ ʃklanˈɛtʃkɛ, pɔ tʃɨm rˈuʃɨw na pˌɔʃukivˈaɲʲɛ bˈɛtskɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_41.wav|swɨʃˈawɛm f tlˈɛ tˌɛlɛvˈizɔr.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_42.wav|tɕˈɛmnɨ tʃwˈɔvʲɛk ɔ tfˈaʒɨ zbˈuja xɔrˈɛɡɔ na vɔntrˈɔbɛ pˈatʃɨw xfˈilɛ na ɲʲˈɛɡɔ, pɔ tʃɨm pɔvʲˈɛdʑaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_528.wav|dʑˈɛɲ dˈɔbrɨ, pɔvʲˈɛdʑaw z ˌamɛrɨkˈaɲskim aktsˈɛntɛm. pˈan mitskʲˈɛvidʒ zaprˈaʃa na ɕɲʲadˈaɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_84.wav|zrɔbʲˈiwam ʒˈɛtʃɨ, ktˌurɨɣ bˈardʑɔ ɕɛ fstˈɨdʑɛ, ktˌurɛ uznˈawam jˈuʒ za zˌakɔpˈanɛ ɡwɛmbˈɔkɔ w mˈɔjɛj pʃɛʃwˈɔɕtɕi.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_207.wav|ftˈɛdɨ kˈɔmpan zakrˈɛɲtɕiw kˈɔrbɔ̃ i ɔtfˈɔʒɨw vwˈas.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_12.wav|nˈavɛt tˈutaj ɲʲɛ ˌɔdvaʒˈɨwam ɕɛ nakwˈadatɕ najlˈɛpʃɨx strˈɔjuf.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_76.wav|ˈaʃ xtɕˈaw pɔnˈɔvɲʲɛ jˈɔ̃ zapˈɨtatɕ, tsˈɔ mʲˈawa na mˈɨɕli. vʲˈɛdʑaw jˈɛdnak.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_57.wav|pˈatʃɛ pʃˈɛs ˈɔknɔ na mˈɔkrɛ ulˈitsɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_52.wav|— pɔlˈitsja pˌɔvʲɛdʑˈawa mi, ʒˈɛ znˌalɛʑˈɔnɔ ɡˈɔ na tsˈadʲis xˈɛt mˈɔss, na pˌɔwudɲʲˈɔvɨ zˈaxut ɔt nˈas, vʲˈɛnts tɔ trˈɔxɛ bˈɛs sˈɛnsu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_113.wav|na sˈamɔ̃ mˈɨɕl ɔ jɛdʑˈɛɲʲu rˈɔbʲi mi ɕɛ ɲʲɛdˈɔbʒɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_60.wav|tɔ pʃˌɛtɕɛʃ tɨ jˌɛstɛɕ tɨm tʃwɔvʲˈɛkʲɛm, ktˌurɨ zˈabraw mi ˈɛstɛr, pɔvʲˈɛdʑaw ˈandɛrsɔn. mˈɔʒɛ tɔ ja jˌɛstɛm tˈɨm, ktˌurɨ pɔvˈiɲʲɛn ɲʲˌɛnavˈidʑitɕ.|0
+Dataset/wavs/urwisko_ferenc/01_segment_123.wav|kɔmˈisaʒ vrutɕˈiwa dɔ ʒˌɛtʃɨvistˈɔɕtɕi i ˌɔtxʃɔŋknˈɛwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_58.wav|ˌɛnɛrɡʲˈitʃɲʲɛ pˌɔkrɛɲtɕˈiwam ɡwˈɔvɔ̃, ʒˈɛbɨ stʃˈɔ̃snɔɲtɕ s tfˈaʒɨ krˈɔplɛ vˈɔdɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_60.wav|ɲʲɛ tˈutaj, ˌalɛ jɛzd w bɛspʲˈɛtʃnɨm mʲˈɛjstsu.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_403.wav|jˈaɡbɨ spɔtkˈawa jˈakɔ̃ɕ...|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_378.wav|uswˈɨʃɨʒ ɡˈɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_60.wav|ɲʲɛ jɛzd blˈɔnt, tˌɨlkɔ tʃˈarna, pʃˌɨpruʃˈɔna ɕivˈiznɔ̃ i dwˈuʃʃa ɔt pɛrˈuki daltˈɔna smˈitxa, a tˈaɡʒɛ ɡˈɛ̃stʃa.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_149.wav|vˈaʃa lɔrdˈɔfska mˈɔɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_215.wav|ɲʲɛ ɡˈadaj mi ɔ lˈɔrdʑɛ bɛrˈiku.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_275.wav|tɔ bˈɨ bˌɨwɔ tsudˈɔvnɛ.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_259.wav|tʃɨ tɔ fʃˈɨstkɔ prˈavda?|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_273.wav|pʃɛprˈaʃam tɕˈɛ.|0
+Dataset/wavs/urwisko_ferenc/15_segment_53.wav|a tsˈɔː im ɲʲɛ pasˈujɛ? sˈami dˈali dˈupɨ i mʲˌɛli bˈurdɛl w dˌɔkumɛntˈatsji.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_23.wav|ˈɛlis ɔdbʲˈija na pˈaz dɔ zjˈazdu. pˌɔtskakˈujɛ, kʲˈɛdɨ ktˈɔɕ nˈaɲʲɔ̃ trˈɔmbʲi. sˈɛrtsɛ jɛj zamjˈɛra. rˈux na ˌawtɔstrˈadʑɛ jɛst ɔbwˈɛndnɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_218.wav|ɲʲɛvʲˈɛlɛ brˌakɔvˈawɔ, ʒˈɛbɨm ɕɛ pˌɔʒɨɡˈawa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_137.wav|pˈɔtɛm bʲˈillɨ vɨkˈɔnaw jˈɛʃtʃɛ tʃˈɨ zlɛtsˈɛɲʲa dla ɲˈitska, f sˈumjɛ pʲˈɛɲtɕ, ɲʲɛ lˈitʃɔnts alˈɛna, tsˈɔ stanˈɔvi blˈiskɔ tʃˈɛtɕɔ̃ tʃˈɛɲɕtɕ jˈɛɡɔ dɔrˈɔpku.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_206.wav|ʒˈɛ ˌɔna tsˈɔɕ ʃˈɛptʃɛ dɔ mɲʲɛ ˈalbɔ dɔ sˈamɛj ɕˈɛbjɛ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_118.wav|ɲʲɛ jˈɛdɛn s tɨɣ vʲɛlbwˈɔɲdʑix pˈist, ktˌurɛ vidʑˈawɛɕ, ˌalɛ pravdʑˈivɨ zbʲˈir.|1
+Dataset/wavs/urwisko_ferenc/20_segment_10.wav|ˌalɛ ftɕˈɔ̃ʃ ɲʲɛvʲˈɛlɛ vʲˈɛdʑaw. ɕˈɛŋɡnɔw pɔː apˈarat i ˌɔdblɔkˈɔvaw ˈɛkran.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_162.wav|a kʲˈɛdɨ pˌɔpatʃˈɨwam mu w ˈɔtʃɨ, znˈuv zˌakrɛɲtɕˈiwɔ mi ɕɛ w ɡwˈɔvʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_374.wav|ɲʲɛ ˈumjɛm pɔfstʃˈɨmadʑ vzrˈɔku, ktˌurɨ zˈɛ zwɔɕlˈivɨm upˈɔrɛm bjˈɛɡɲʲɛ f kˈaʒdɨm mɔmˈɛɲtɕɛ, skrˈada ɕɛ zwɔɕlˈivʲɛ tsˈɔ xfˈila kˈu tˌɛmu bˌanalnˈɛmu,|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_96.wav|lˈitʃɨ, ʒˈɛ ɲʲɛ zaɕˈika mu wˈuʃka. tɔ jˈɛɡɔ jɛdˈɨnɨ kˈɔmplɛt pɔɕtɕˈɛli, a najblˈiʃʃa prˈalɲʲa jɛst tʃˈɨ pʃɛtʃɲˈitsɛ stˈɔnt, ˌalɛ vʲˈɛ, ʒˈɛ tˈakʲɛ zˌaɡrɔʒˈɛɲʲɛ istɲʲˈɛjɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_8.wav|tˈɔm mˈuɕaw vˈɨtʃutɕ jɛj spɔjʒˈɛɲʲɛ, ɡdˈɨʃ pʃˈɛɲʲus nˈaɲʲɔ̃ vzrˈɔk i lˈɛkkɔ pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃. ɲʲɛ pˈɨtaj.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_154.wav|mˈuɕiʃ ɕɛ dˈɔbʒɛ nˈajɛɕtɕ i ˈɔɡʒatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_86.wav|mˈuɡwbɨɕ mi pɔʒˈɨtʃɨtɕ kɔntˈɔmjɛʃ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_38.wav|tʃɨ tɔ tˈɛn, ktˈɔ za fʃˈɨstkim stˈɔi, upʃˈɛdʑiw xˈɔffa ɔ ʃˌɨkɔvˈanɨm pɔʒˈaʒɛ mˌaɡazˈɨnuf tsˈɔdɨ? bˈɨtɕ mˈɔʒɛ, prˌavdɔpɔdˈɔbɲʲɛ tˈak.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_89.wav|ɡwˈɔz bˈɛtskɨ jɛst jˈuʒ znˈatʃɲʲɛ tɕˈixʃɨ, kʲˈɛdɨ pˈɨta.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_397.wav|ˌutɕɛkˈawa f sˈɛn, krˈɨwa ɕɛ w ɕɲʲˈɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_126.wav|dˈɔbʒɛ pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_73.wav|tsˈawɨ tɛn rˈɔɡ bˈɨw nˌavʲɛdʑˈɔnɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_292.wav|jˈuʒ ɡˈɔ ɲʲˈɛma. kazˈawɛm ɡˈɔ vɨʒˈutɕitɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_52.wav|ɲʲɛ znajdˈujɛ ɲitʃˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_321.wav|ʃarpnˈɛwa za strˈunɨ i ˌuɕmʲɛxnˈɛwa ɕɛ, swˈɨʃɔnts iɣ dʑvʲˈɛŋk.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_121.wav|tsˈɔɕ tʃˈujɛ, ʒˈɛ ɲʲɛ bˌɛɲdʑɛ zbˈɨd zˌadɔvɔlˈɔna z mˈɔjɛj dɛtsˈɨzji.|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_10.wav|vɨnˈajɔ̃ nˈɔvɨ lˈɔkal, sprɔvˈadʑa nˈɔvɨ spʃˈɛnt, zatʃˈɨna dɔbjˈɛratɕ sˈɔbjɛ prˌatsɔvɲˈikuf.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_317.wav|vˌɨʃtʃɛrbjˈɔnɛ pwˈɨtɨ kamjˈɛnnɛ vbʲˈitɛ na ʃtˈɔrts w mˈartfɛ ʑˈɛlska,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_17.wav|zˈaɲim pˈada ɔtpˈɔvʲɛtɕ, swˈɨʃɛ za sˈɔbɔ̃ krˈɔki.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_247.wav|ʃˈɛpnɔw jɛj dɔː ˈuxa rˈɔbɛrt. spˈujʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_3.wav|bʲˈillɨ vɨtɕˈɔŋɡa valˈiskɛ s ʃˈafɨ w ɡwˈuvnɛj sɨpʲˈalɲi, kwˈadʑɛ jˈɔ̃ na wˈuʃku i ɔtfʲˈɛra.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_167.wav|ftɕˈɔ̃ʃ jˌɛstɛm tfˈɔjɔ̃ tsˈurkɔ̃ i vʲˈɛm, ʒˈɛ...|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_6.wav|ɲʲˈɛma pɔjˈɛɲtɕa, ɡdʑˈɛ jˌɛstɛɕ i tˈɛʒ bˈardʑɔ ɕɛ mˈartfi.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_146.wav|jˌɛstɛm pˈɛvna, ʒˈɛ f tɛj xfˈili ˌɔpalˈatɕɔ vˌɨkupˈujɛ fʃˈɨstkʲɛ dɔstˈɛmpnɛ bʲilˈɛtɨ na kɕˈɛ̃ʒɨts.|4
+Dataset/wavs/urwisko_ferenc/25_segment_18.wav|jˈɛzu, ɲʲˈɛvʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_254.wav|ˌalɛ i tˈak tʃˈujɛ ɕɛ pˈɔdlɛ.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_152.wav|jɛst stˈarɨ i xˈɔrɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_102.wav|tʃˈujɛ, ʒˈɛ zatʃˈɨnam ɕɛ tsˈawa tʃˈɔ̃ɕtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_12.wav|mˈimɔ fʃˈɨstkɔ jˈɛdnaɡ zabˈava na pʲˈasku pʃɨ mˈɔʒu ɲʲɛ bˌɛɲdʑɛ ˈaʃ tˈak fˈajna bˈɛs mˈɔix pʃɨjˈatɕuw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_202.wav|na dˈɔlɛ vˈidɲʲaw mˈawɨ stˈaf ˈalbɔː ɔvˈalnɨ bˈasɛn vɨsxɲʲˈɛntɛj fɔntˈannɨ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_21.wav|tɔ jˈɛʃtʃɛ ɲʲɛ znˈatʃɨ, ʒˈɛ ˈumjɛ vˈaltʃɨtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_432.wav|ɔzdˈɔbna vˈaza lɛʒˈawa rˌɔstʃaskˈana na pɔdwˈɔdʑɛ ˌɔbɔk tsɔkˈɔwu, na ktˌurɨm zˈafʃɛ stˈawa.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_162.wav|z zˌadɔvɔlˈɛɲʲɛm zˌauvaʒˈɨwa, ʒˈɛ marɡˈarɨ pɔblˈadwa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_29.wav|tˈɛras xˈɨba mˈɔja kˈɔlɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_160.wav|tsˈɔʑ dɔ latˈaɲʲa. ɲʲɛ pʃɨʃˈɛdwɛm pʃˌɛtɕɛʒ vɨnˈajɔɲtɕ muʒˈɨɲskʲɛj mˈamki pɔvʲˈɛdʑaw tˈɛn, ktˌurɨ fʃ��ɛd.|0
+Dataset/wavs/urwisko_ferenc/59_segment_18.wav|ɲʲˌɛfrasɔblˈivɔɕtɕ ɔlɡʲˈɛrda zɡˈubʲi nˈas ɔbˈɔjɛ, pˌɔmɨɕlˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_107.wav|mˈɔɡɛ na swˈufkɔː ɔ tsamˈɛrɔn?|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_199.wav|lvˈɨ ɲˈiɡdɨ ɲʲɛ pwˈatʃɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_248.wav|patʃˈɨwam, jˈak fprɔvˈadʑa kfˈɔtɛ i pɔ xfˈili na mˈɔim vˌɨɕfʲɛtlˈatʃu vɨskˈɔtʃɨw kˌɔmuɲˈikat.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_246.wav|ʃwˈa ɲʲɛdbˈawɨm krˈɔkʲɛm annˈɛɛ, ɲʲɔsˈɔntsa pʃɛt sˈɔbɔ̃ kˌɔlɔrˈɔvɨ tɔbˈɔwɛk.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_15.wav|tɛn dʒɛndˈɛlmɛn xtɕˈawbɨ pˌɔrɔzmˈavʲatɕ ɔ sfˈɔjɛj tsˈurtsɛ, ktˌura pʃˌɛprɔvˈadʑa ɕɛ f tˈɛ ˌɔkɔlˈitsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_34.wav|pʃˌɛkɔnˈaɲʲɛ mɲʲɛ zabrˈawɔ stsɔttˈɔvi spˈɔrɔ tʃˈasu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_45.wav|pamjˈɛntaʃ, jˈak pʃˌɛtstavˈiwɛm tɕˈɛ pˈarɛ tɨɡˈɔdɲi tˌɛmu tsˌamɛrɔnˈɔvi ˌɛdmuntsˈɔvi?|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_84.wav|ˈɛlis stˈajɛ w nˈɔɡaɣ ɡrˈɔbu i mˈuvi, tʃˈɛʑdʑ bʲˈillɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_73.wav|mɔʒlˈivɛ jˈɛdnak, ʒˈɛ mˈa dvʲˈɛ pˈarɨ. ˌɔpsɛrvˈujɛ ɡˈɔː uvˈaʒɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_25.wav|ɲʲɛ zdɔbˈɛɲdʑɛ ɕɛ nˈatɔ, bˈɨ spʃɛtɕˈivitɕ ɕɛ ʒˌɛlaznˈɛmu trɔnˈɔvi.|1
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_43.wav|ɲʲˈɛvʲɛm, tʃɨ ˌɔtpɔvʲˈada mi tˌaki ˈukwat, ˌalɛ mɲʲˈɛjʃa ˈɔtɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_120.wav|w zɔˈuɲis ˌuʒɨvˈajɔ̃ tˈɔrɛp fɔljˈɔvɨx, ktˌurɛ ʃkˈɔdʑɔ̃ ɕrˌɔdɔvˈisku.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_71.wav|pʃɨjˈɛmɲʲɛ tˈɛʃ jɛst ɲʲɛ zapˈalitɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_38.wav|zdrˈadʑɛ im kˈaʒdɨ ʃtʃˈɛɡuw z mɔjˈɛɡɔ ʒˈɨtɕa, jˈɛɕli tˌɨlkɔ pɔmˈɔʒɛ mi tɔː ɔdʑˈɨskatɕ rɔdʑˈinɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_244.wav|xtsˈɛʒ zˈajɔɲtɕ kanˈapɛ, bˈɔ mˈɨɕliʃ, ʒˈɛ jˈɛɕli bˌɛndɛ tˈu f salˈɔɲʲɛ, tɔː utɕˈɛknɛ, a ɲʲɛ zamjˈɛʒam. zavˈarliɕmˌɨ umˈɔvɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_41.wav|ktˈɔ jɛst kˈim i tʃɨm zajmˈujɔ̃ ɕɛ ɔbˈɛtsɲʲɛ pˌɔzɔstˈawɛ ɡrˈupɨ pʃɛstˈɛmptʃɛ?|4
+Dataset/wavs/urwisko_ferenc/23_segment_47.wav|katʃmˈartʃɨk pʃɨɡlˈɔndaw jɛj ɕɛ pʃˈɛs xfˈilɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_273.wav|ɕtɕiskˈawɔ ʒˌɛlaznˈɨmi paltsˈami mˈɔjɛ ɡˈardwɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_172.wav|mʲˈawa mˈawɛ kwɔpˈɔtɨ z ˌɔddɨxˈaɲʲɛm i zatʃˈɛwa tsˈɔɕ nˈutɕitɕ pɔt nˈɔsɛm. ɲʲɛ dˌɔswɨʃˈawɛm tsˈɔ, ˌalɛ ɔt rˈazu pɔmˈɔɡwɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_93.wav|ˌɔkazˈujɛ ɕɛ, ʒˈɛ ʃˈɨptɕɛj ɲˈiʃ sɔɲdʑˈiwam.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_23.wav|sˈam zdˈaw sˈɔbjɛ nˈaɡlɛ sprˈavɛ, ʒˈɛ ˌɔdvzajˈɛmɲʲa pˌɔtsawˈunɛk.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_127.wav|tˈɛrmin mˈam na pɔtʃˈɔntku vʒˈɛɕɲʲa, vʲˈɛʃ?|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_19.wav|tɔ rˈɔskas krˈula.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_382.wav|tʃɨ ˌɔɲi rˈuvɲʲɛʃ sɔ̃ vaʃˈɨmi ɡˈɔɕtɕmi, frˈɛj?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_3.wav|ˈidɛ pɔspʲˈɛʃɲʲɛ ulˈitsɔ̃, ˌɔddalˈajɔnts ɕɛ ɔd bjˈura i zˈɛrkam na zɛɡˈarɛk.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_150.wav|tɔ ɲʲɛ çˌiɡjɛɲˈitʃnɛ, pˌɔvʲɛdʑˈawabˌɨ kʲˈɛdɨɕ mˈɔja ʒˈɔna.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_51.wav|jɛdˈɨnɛ, tsˈɔ pʃɨxˈɔdʑi mi na mˈɨɕl, tɔ tɔ, ʒˈɛ ɲʲˈɛxtsɛ pɔvʲˈɛdʑɛtɕ prˈavdɨ na antˈɛɲʲɛ tˈak sˈamɔ jˈak jˈa.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_161.wav|jˈɛxaw na ɡˈurɛ z ɡwˈɔvɔ̃ ftulˈɔnɔ̃ w mlˈɛtʃnɛ pʲˈɛrɕi mˈatki. ɔt tˌɛɡɔ tʃˈasu ɲʲɛ ɔpˈuʃtʃaw jˈuʃ ɔrlˈɛɡɔ ɡɲʲˈazda.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_612.wav|pɔdˈɛmnɔ̃ mʲˈɛʃkaw jˈɛdɛn z najvʲˈɛŋkʃɨx ˌatɔmˈistuf rɔsˈɨjskix.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_14.wav|stˈaram ɕɛ rɔzlˈuʑɲitɕ ramjˈɔna, a pɔrˈannɨ strˈɛz zatʃˈɨna pɔvˈɔli pˈuʃtʃatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_109.wav|a ja ɲʲɛ zadˈajɛ pˈɨtaɲ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_314.wav|pˈɔɕrut pˌɔtʃɛrɲʲˈawɨx kamjˈɛɲi i vɨstˈɨɡwɨx pɔpʲˈɔwuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_23.wav|ˌalɛ ɲʲˈɛbɨw tɔ dʑvˈɔnɛk pˌɔwɔntʃˈɛɲʲa ɡwˌɔsɔvˈɛɡɔ, ˌaɲi pˌɔjɛdˈɨntʃɨ sˈɨɡnaw vʲˌadɔmˈɔɕtɕi tɛkstˈɔvɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_216.wav|tɨm rˈazɛm pɔvʲˈɛdʑawbˌɨ fraŋkʲˈɛmu ˌɛlvisˈɔvi i pawlˈɔvi lˌɔɡanˈɔvi, ʒˈɛbɨ pʃˌɛprɔɕˈili ɲˈika w jˈɛɡɔː imjˈɛɲʲu, ˌalɛ zmʲˈɛɲiw zdˈaɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_127.wav|trˈɔxɛ ɕɛ bˈɔi, ʒˈɛ baŋkˈɔmat pˈɔwkɲʲɛ kˈartɛ. mˈɔʒɛ nˈavɛt pɔdɲʲˈɛɕɛ ˈalarm. maʃˈɨna jˈɛdnaɡ bˈɛs spʃɛtɕˈivu vɨpˈuʃtʃa jˈɔ̃ s pɔvrˈɔtɛm i vɨpwˈatsa pʲɛɲʲˈɔndʑɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_271.wav|vwaɕtɕˈivʲɛ vˌɨxɔvˈawɛm ɕɛ bˈɛs ɲʲˈɛɡɔː i ɲʲˈɛvʲɛm jˈak tɔ jɛst mʲˈɛtɕ ˈɔjtsa. dlatˈɛɡɔ dˌɔkwadˈawɛm stˈaraɲ.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_255.wav|i vzɲʲˈuz vzrˈɔk kˈu ɲʲˈɛbu. a ɲʲˌɛɡɔdʑˈiftsɨ ɲʲˈɛxaj drʒˈɔ̃!|1
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_17.wav|ˌɔtpravˈiwam sfˈuj pɔrˈannɨ rɨtˈuaw z dwˈuɡʲim prɨʃɲˈitsɛm vwˈɔntʃɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_40.wav|tˈɔm vɨjˈaɕɲiw jɛj, dlatʃˈɛɡɔ pˌɔtʃɛbˈujɔ̃ znˈalɛɕtɕ ˈannɛ frˈaŋklin.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_59.wav|ɕfʲˈɛtɲʲɛ ɕɛ pʃˌɨstɔsɔvˈawaɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_22.wav|jˈɛɕli dˈavn ˈɛdmɔnts mʲˈawa rˈatsjɛ, tsamˈɛrɔn vɨɡlˈɔndaw na tˌɨpɔvˈɛɡɔ fspˌuwtʃɛsnˈɛɡɔ ɡaŋkstˈɛra.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_49.wav|zdˌɛzɔrjˌɛntɔvˈanɛ kˈafki ˈalbɔ mˈɔʒɛ ɡavrˈɔnɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_100.wav|sˈanxɛs, jɛʒˈɛli ɔn tˈɛʒ zavˈali, jˌɛstɛɕ nastˈɛmpna f kɔlˈɛjtsɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_18.wav|ɡdˈɨbɨm ɲʲɛ ˌuswɨʃˈawa zˌapɔvʲˈɛdʑi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_3.wav|samˈɔtnɔɕtɕ pˌɔzvalˈawa mu skˈupitɕ ɕɛ na sfˈɔix pʃˌɛmɨɕlˈɛɲʲax, xˈɔtɕ kˈaʒda s tɨx mˈɨɕli ˌɔkazɨvˈawa ɕɛ bˈardʑɔ bɔlˈɛsna.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_152.wav|dʑɛftʃˈɨna zatʃˈɨna vɨsˈuvatɕ mu ɕɛ z rˈɔŋk. jɛj tɕˈawɔː ukwˈada ɕɛ w bɛzvwˈadnɛ ˈu.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_213.wav|kʲˈɛdɨ dɔ tˌɛɡɔ dˈɔjdʑɛ, brˌazɨlijtʃˈɨtsɨ spʃɛdˈadʑɔ̃ tɕi sˈanxɛs ˌalumˈiɲʲum.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_45.wav|tˈak mʲˈaw sfˈɨ sˈɛn.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_14.wav|rˌɔskazˈawaʑ vʲɛlkʲˈɛmu mˌaɛstɛrˈɔvi pˌaisɛlˈɔvi ˌuratˈɔvadʑ ɡˈɔ, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_384.wav|tˈɛras prˈɔʃɛ dɔ mɲʲɛ ɲʲɛ ɔdʑˈɨvatɕ ɕɛ pɔd ʒˈadnɨm pɔzˈɔrɛm, bˈɔ mˈuʃɛ napˈisatɕ ɔdˈɛzvɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_35.wav|xtsˈɛ bˈɨtɕ tˈɛras sˈama, pˈujɕtɕ na ɡˈurɛ i pɔwˈɔʒɨtɕ na wˈuʃku mˈili. mˈɨɕlɛtɕ ˈɔɲʲɛj, vˈɔnxatɕ jɛj swˈɔtki zˈapax na pɔɕtɕˈɛli, pɔdˈuʃtsɛ i ubrˈaɲʲax.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_132.wav|fstˈawbɨm, ʒˈɛbɨ ɔtfˈɔʒɨdʑ dʒvˈi vɨjɕtɕˈɔvɛ, ˌalɛ jˈuʒ bˌɨwɨ ɔtfˈartɛ.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_128.wav|jˈaɡ znˈajdɛ ɕˈiwɨ, bˈɨ jˈɔ̃ ɔpˈuɕtɕitɕ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_79.wav|swˈɨʃɛ smˈutɛɡ vɛ vwˈasnɨm ɡwˈɔɕɛ, kʲˈɛdɨ ɔtxˈɔdʑi nadʑˈɛja.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_43.wav|vɨtˈartɨ s fˈarbɨ, prujˈɔntsɨ ɕɛ w vʲˈɛlu mʲˈɛjstsax skuʒˈanɨ pˈɔrtfɛl.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_34.wav|zˈɛrkam na ɲʲˈɛɡɔ w lustˈɛrku. jɛzd blˈɛtʃɨ ɲˈiʃ jˈa, ˌalɛ mˈa rˈuvɲʲɛ rˌɔstʃɔxrˈanɛ i pˌɔskrɛntsˈanɛ vwˈɔsɨ.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_64.wav|brjˈɛnnɛ pɔtʃˈuwa ukwˈutɕɛ pˌɔdɛjʒlivˈɔɕtɕi.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_210.wav|lˈɛvis pˈipɛr i ɡˈarɛtt pˈaɡɛ bˌɨli sɨnˈami lˈɔrduv dɔ ʒˈɛtʃa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_136.wav|lˈɛdvʲɛ ˈidɛ, a kʲˈɛdɨ mˈɔjɛ kɔlˈana ɕɛ ˌuɡʲinˈajɔ̃, pɔnˈɔvɲʲɛ unˈɔɕi mɲʲɛ za vwˈɔsɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_108.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, jˈaɡ dɔ ɲˈiɣ dˈɔtar.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_16.wav|sˈara ˈɔzbɔrn mʲˈawa rˈatsjɛ, ˌalɛ ɔ tsˈɔ dɔ xɔlˈɛrɨ xɔdʑˈiwɔ?|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_52.wav|mˈɔʒna stˈɔnd zɔbˈatʃɨtɕ ˈɔɡɲʲɛ sɔlˈanɛk.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_265.wav|ɕtɕiɡˈajɔ̃ nˈaz baɲˈitɕi.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_134.wav|ˌalɛ jˈɛdna ʒˈɛtʃ ɲʲɛ dˈajɛ mi spɔkˈɔju.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_368.wav|kˈɔ̃sadʒ znˈɔvu zasˈɨtʃaw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_70.wav|ˌɔtprɔvˈadʑam vˌɨxɔdʑˈɔntsɔ̃ bˈɛki vzrˈɔkʲɛm i dɔpˈijam vˈinɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_80.wav|tʃɨ mˈarta dʑawˈawa sˈama?|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_210.wav|f kˈaʒdɛj aptˈɛtsɛ mˈɔʒna kˈupitɕ ˌɔkulˈarɨ dɔ tʃɨtˈaɲʲa, ˌalɛ bʲˈillɨ mˈa sɔkˈɔli vzrˈɔk. i nˈavɛt kʲˈɛdɨ pˈatʃɨ pʃˈɛs swˈabɛ ʃkwˈa, bˈɔli ɡˈɔ ɡwˈɔva.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_222.wav|zajˈɛwɔ mi ɲʲɛtsˈawɔ̃ minˈutɛ.|4
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+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_65.wav|nˈavɛt ɲʲɛ pamjˈɛntam, jˈak mʲˈaw na ˈimjɛ, ˌalɛ bˈɨw bˈardʑɔ zwˈɨ. mˈuɕaw pʃɨjˈɛxatɕ prˈɔstɔ zˈɛ ʃpitˈala, bˈɔ mʲˈaw tˈɛ rˈɛŋkɛ w ɡʲˈipɕɛ.|2
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+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_86.wav|ˌɔznatʃˈawɔ tɔ...|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_73.wav|ˈɛlis ɔtkˈaʒa rˈanɛ vˈɔdɔ̃ ˌutlɛɲʲˈɔnɔ̃ i ˌɔdrɔbʲˈinɔ̃ bɛtˈadʲin, pɔ tʃɨm zalˈɛpja jˈɔ̃ plˈastrɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_24.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ ɲʲɛ.|4
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+Dataset/wavs/urwisko_ferenc/56_segment_38.wav|a ɡdʑˈɛ pˈaɲi ftʃˈɛɕɲʲɛj mʲɛʃkˈawa?|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_89.wav|nˈaʃɛ ʒˈɨtɕɛ jɛzd zazvˈɨtʃaj ˌupɔʒˌɔntkɔvˈanɛ, a tˈɛras stˈalɛ ɡdʑˈɛɕ ɕɛ pʃˌɛmjɛʃtʃˈamɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_269.wav|jˈak trafjˈawam i dlatʃˈɛɡɔ f tɔ nˈɔvɛ mʲˈɛjstsɛ?|0
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+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_96.wav|mˈuɡwbɨ pˈan tsˈɔɕ pʃˈɨtɨm ˈukraʑdʑ dla ɕˈɛbjɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_11.wav|bˈɔjɛ ɕɛ zrˈɔbʲidʑ vdˈɛx.|3
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+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_122.wav|dla ˈɔjtsa bˈɨwabˌɨ tɔ pˈɛstka.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_123.wav|ɡˈɔ! pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_88.wav|prˌubɔvˈawam ɕɛ uvˈɔlɲitɕ, ˌalɛ nˈɔɡʲi ˌɔdmuvˈiwɨ mi pˌɔswuʃˈɛɲstfa, a bˈɛs pʃˌɨtʃɨmˌujɔntsˈɛɡɔ mɲʲɛ tʃwɔvʲˈɛka upˈadwabˌɨm na ʑˈɛmʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_440.wav|mˈɔɡli tˈɛʃ pɔjˈɛxatɕ krulˈɛfskim trˈaktɛm na pˈuwnɔts, mˈinɔɲdʑ bliʑɲʲˈaki ˌɔras pʃˈɛsmɨɡ z jˈɛɡɔ baɡnˈami i mˌɔkradwˈami.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_92.wav|i tʃɨ tʃwˌɔvʲɛkˈɔvi takʲˈɛmu jˈak tɨ mˈɔʒna vʲˈɛʒɨtɕ?|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_49.wav|tɔ bˈɨw pʃɨstˈɔjnɨ xwˈɔpak w wˈadnɨm pwaʃtʃˈɨku.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_34.wav|tʃˈuwam ɕɛ jˈak ɔstˈatɲʲa ɔʃˈustka.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_29.wav|prˌavdɔpɔdˈɔbɲʲɛ ˌuɕiwɔvˈawa dˈɔtɕɛts, dlatʃˈɛɡɔ sˈɨstɛm ˌavarˈɨjnɛj vɨmjˈanɨ pɔvʲˈɛtʃa ɲʲɛ jɛst f stˈaɲʲɛ usˈunɔɲtɕ skaʒˈɛɲʲa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_39.wav|ˌɔstatɲʲˈɛmu nˌabɨtkˈɔvi w zɛspˈɔlɛ.|3
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+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_237.wav|w ɲʲɛktˌurɛ dɲˈi pʃˌɛjɛʒdʒˈawa sfˈɔjɔ̃ tˈatʃkɔ̃ ˌɔbɔɡ vʲˈɛʒ vʲɛlmˈɔʒuf i spʃˌɛdavˈawa pʲɛtʃˈɔnɛ mˈawʒɛ vˌartɔvɲˈikɔm w iɣ brˈamax.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_439.wav|i pɔtɕˈɔŋɡnɔw mˈɔtsnɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_81.wav|jɛst pˈan fˌuŋktsjɔnarjˈuʃɛm pɔlˈitsji. dlatʃˈɛɡɔ mʲˈawabˌɨm ɕɛ s tˌɛɡɔ spɔvʲˈadatɕ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_73.wav|a skˈɔnt tɛn tsˈawɨ ɲʲɛpˈɔkuj ɔ bˌailɛjˈɛɡɔ?|3
+Dataset/wavs/urwisko_ferenc/38_segment_15.wav|ˌɛmɛrˈɨtka ɲʲɛ zˌarɛˌaɡɔvˈawa na swˈɔva lˌɛvandˈɔfskʲɛj. pɔlˈitsjant kˌɔntɨnuˈɔvaw nˌaɡrɨvˈaɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_337.wav|ˌalɛ zˈafʃɛ mˈɨw jˈɛ, tʃˈɛsaw i ʃtʃɔtkˈɔvaw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_51.wav|lˈitʃɨ ɕɛ tˈɛras tˌɨlkɔː ˈalfjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_25.wav|dvˈa mɔrdˈɛrstfa, ˈɔba na parkˈiŋɡax.|3
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+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_19.wav|ʃˈɔna rˈɔbʲi kɔlˈɛjnɨ krˈɔk.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_302.wav|ɲʲɛ bˌɛndɛ ukrˈɨvaw, ʒˈɛ...|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_6.wav|ɲʲɛ mˌamɨ w navˈɨku bˌawaɡaɲʲˈɛɲʲa, pˈaɲʲɛ jˈɔxanssɔn. ˈɔtpar ˈurɔp, pˌɔttɕɔŋɡˈajɔnts rɛŋkˈavɨ, jˈaɡbɨ brˈaɡ zajˈɛɲtɕa ɡˈɔ dˌɛnɛrvˈɔvaw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_128.wav|pʃɨmknˈɛwa pɔvʲˈɛki.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_159.wav|f tˈakim mʲˈɛjstsu bɨwˈɔbɨ tɔ zbˈɛndnɛ rɨzˈɨkɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_12.wav|bʲˈillɨ sˈummɛrs ɕˈɛdʑi f xˌɔtɛlˈɔvɨm xˈɔlu i tʃˈɛka na pɔdvˈuskɛ.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_382.wav|krˈul ˈurʒnɔw ɕɛ i xrˈapaw na mɛrˈɨjskim dɨvˈaɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_119.wav|pɔsˈatska pʃɛd ɡwˈuvnɨm vˈɛjɕtɕɛm dɔ rˌɛzɨdˈɛntsji landvˈika bˌɨwa uswˈana kfʲatˈami, ktˌurɛ pʃɨɲʲˈɛɕli ʒɨtʃlˈivi i fspˌuwtʃujˈɔntsɨ mʲɛʃkˈaɲtsɨ mʲˈasta.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_60.wav|ʃkwˈɔ, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_217.wav|zɲiknˈɛwa i ˌaɲi mɔdlˈitfɨ mˌɛribˈalda, ˌaɲi ʃtʃɛkˈaɲʲɛ psˈa.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_43.wav|lˈɛnɛ, pˌɔrɔzmavʲˈamɨ ˈɔtɨm, kʲˈɛdɨ...|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_64.wav|mˈaxam rˈɛŋkɔ̃, jˈaɡbɨm bˌɨwa ɲʲɛzdˈɔlna dɔ muvʲˈɛɲʲa. naprˈavdɛ ɲʲɛ mˈuʃɛ ɡrˈatɕ ˈaʃ tˈaɡ bˈardʑɔ, jˈak mɔɡwˈɔbɨ ɕɛ vɨdˈavatɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_71.wav|tʃˈujɛʃ, jˈak ta trˈava pˈaxɲʲɛ, mˈikɛ?|0
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+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_329.wav|pʃˈɛs xfˈilɛ vˌɨdavˈawɔ ɕɛ, ʒˈɛ ɲʲɛ zrɔzˈumjaw pɨtˈaɲʲa. ɡdˈɨ vrˈɛʃtɕɛ jˈɛ pˈɔjɔw,|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_250.wav|ɲʲɛ, pˈaɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_174.wav|ftɕˈɔ̃ʒ dʑvˈɔɲʲɔ̃ dɔ mɲʲɛ znajˈɔmi i ˌɔfɛrˈujɔ̃ zajˈɛɲtɕɛ z dʑˈɛtɕmi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_18.wav|mɨɕlˈawɛm, ʒˈɛ bɛɲdʑˌɛmɨ tˈak jˈɛxadʑ bˈɛs kˈɔɲtsa pʃˈɛs tˈɛ pˈuʃtʃɛ w ɕrˈɔtku mʲˈasta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_237.wav|dɔ ɲʲɛdˈavna bˌɨli jˈɛɡɔ sˌɔ̃ɕadˈami.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_22.wav|jˈɛdnɔ mʲˈɛjstsɛ pˌasɔvˈawɔ dɔ ɲʲˈɛɡɔː ˌidɛˈalɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_25.wav|i bʲˈillɨ zˌauvˈaʒa, ʒˈɛ f sfˈɔim bˈutɕɛ mˈa dʑˈurɛ i s tɛj dʑˈurɨ lˈɛjɛ ɕɛ krˈɛf. kˈurva mˈatɕ, dˈɔstaw f stˈɔ!|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_41.wav|ˈalf jɛst ˌapatˈɨtʃnɨ, tsˈɔ s pɛvnˈɔɕtɕɔ̃ ɲʲɛ jɛst w jˈɛɡɔ stˈɨlu.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_79.wav|zatʃˈɛwam tsˈawa ɕɛ tʃˈɔ̃ɕtɕ. ɲʲɛ bˌɨwam pˈɛvna, tʃɨ bˈɨw tɔ drˈɛʒdʒ zɡrˈɔzɨ, tʃɨ rˌɔssatsˈawa mɲʲɛ fˈurja.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_111.wav|dɔstʃˈɛɡam zˈarɨz ɡˈɛ̃stɨx, tɕˈɛmnɨx lˈɔkuf, f ktˌurɛ tˈak ˌuvʲɛlbjˈawam fplˈatatɕ pˈaltsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_141.wav|mˈuvjɛ i pɔpˈɨxam rˈɛʃtɛ mˈɔiɣ ʒɛtˈɔnuv dɔ pʃˈɔdu.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_71.wav|ssˈunɔw ɕɛ s ɕˈɔdwa i pɔvʲˈɛʒɨw xfˈawɛ xwˈɔptsu stˌajɛnnˈɛmu. tʃɨ znˈajdɛ tˈu strˈɨja?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_52.wav|mˈɔɡwa ujˈavɲitɕ jˈakʲɛɕ stˈarɛ tˌajɛmɲˈitsɛ, a tˈɛras ɔn mɕtɕˈi ɕɛ w imjˈɛɲʲu sfɔjˈɛɡɔ brˈata.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_106.wav|çiɲtʃˈɨtsɨ vˌɨpʃɛdʑˈili tɕˈɛ ɔ ɕˈɛdɛm vʲˈɛkuf.|4
+Dataset/wavs/urwisko_ferenc/03_segment_29.wav|vʑˈɔw pɔt uvˈaɡɛ tɔ, ʒˈɛ ɲˈiɡdɨ ɲʲɛ bˌɨwa karˈana, ˌalɛ pʃˈɛdɛ fʃˈɨstkim, ʒˈɛ pʃɛʒˈɨwa trˈawmɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_75.wav|prˌɔvadʑˈiwɛm jˈuʃ rˌɔzmaˈitɛ ˌintɛrˈɛsɨ. vˈɛɕtɕɛ stˈɔnt tˌɛɡɔ skˌurvɨsˈɨna!|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_9.wav|mˈɨɕliʃ, ʒˈɛ ɲʲˈɛmam pɔvˈɔdu? zapˈɨtaw rˈɨan. naprˈavdɛ tˈak mˈɨɕliʃ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_224.wav|straʒˈatsɨ bˈɛs pʃˌɛkɔnˈaɲʲa pˌɔlɛvˈali pwɔnˈɔntsɨ ɡmˈax.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_11.wav|tɔ fʃˈɨstkɔ na dʑˈiɕaj, lˈudʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_65.wav|rˈas pɔ rˈas pɨtˈawɛm samˈɛɡɔ ɕˈɛbjɛ, tʃɨ tsˈasɛj naprˈavdɛ ɲʲɛ ʒˈɨjɛ i ˌɔtpɔvʲadˈawɛm sˈɔbjɛ, ʒˈɛ tˈak.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_367.wav|jˈɛɕli jˈɛɡɔ lɔrdˈɔfska mˈɔɕtɕ pˈipɛr xtsˈɛ zˌasuɡɛrˈɔvatɕ...|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_279.wav|mˈuvjɛ sˈam dɔ ɕˈɛbjɛ. tʃˈasɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_166.wav|ˌuʒɨvˈawɛʑ ɡˈɔ?|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_173.wav|mˈuʃɛ pɔmˈuvidʑ z bratˈaŋkʲɛm ɔ rɔdʑˈinnɨx sprˈavax.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_331.wav|i mʲˈawɔ ɡˈɔʃki pˈɔsmak.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_171.wav|i vʲˈɛdʑaw, ˈiʃ fʃˈɨstkɔ tɔ vˈidʑi tɨm rˈazɛm jˈuʃ pɔ rˈas ɔstˈatɲi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_85.wav|zɔstˈawɔ nˈaz dvˈɔjɛ, a ɔstˈatɲʲa stˈafka mɔjˈɛɡɔ pʃˌɛtɕivɲˈika vˌɨnɔɕˈiwa stˈɔ fˈuntuf.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_52.wav|— jˈɛɕli tɔ fʃˈɨstkɔ, tsˈɔ nˈam pɔvʲˈɛdʑaw, ɲʲɛ jɛst s tˈakim kwˈamstf, tɔ vˈɔntpjɛ, ʒˈɛbɨ tɔː ɔn bˈɨw nˈaʃɨm tˌajɛmɲˈitʃɨm tʃwɔvʲˈɛkʲɛm s sɨpʲˈalɲi ɔxˈanlɔn.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_109.wav|mˈɔʒɛ ˈuznaw, ʒˈɛ ˈɔsɨ ɲʲɛ sɔ̃ vˌɨstartʃajˈɔntsɔː aktˈɨvnɛ i zamjˈɛʒa jˈɛ znˈuf sprˌɔvɔkˈɔvadʑ dɔː atˈaku.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_92.wav|ɡdˈɨ pˈɔdridʑɡ zapˈɨtaw ɔ nˈazvɛ ɡɔspˈɔdɨ, f ktˌurɛj mʲˌɛli spˈɛɲdʑitɕ nˈɔts,|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_195.wav|bˈutskɨ ɔdvrˈatsa ɕɛ ɔd zlˈɛvu i vɨtɕˈɛra pˌɔtʃɛrvʲɛɲʲˈawɛ dwˈɔɲʲɛ w ɕtɕˈɛrkɛ dɔ nˈatʃɨɲ, pˈatʃɔnts prˈɔstɔ na ˈɛllis.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_112.wav|tɛn vˈidɔk napˈɛwɲʲa mɲʲɛ strˈaxɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_301.wav|ftˈɛdɨ w rˈɛŋku dʒɔnˈɛɡɔ bwˈɨsnɔw krˈutki mˌɛksɨkˈaɲski nˈuʃ. dʒˈɔn vbʲˈiw ɡˈɔ w bʒˈux muʒˈɨna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_104.wav|ɲʲɛ mˈɔʒɛ jɛj tˌɛɡɔː ɔbjˈɛtsatɕ, vʲˈɛnts mˈiltʃɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_89.wav|kʲˈɛdɨʑ zajˈɛntɔ̃ pʃˈɛs stˈatsjɛ kˌɔlɛjˈɔvɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_188.wav|pˈalɔ̃ ɡˈɔ pɔlˈitʃki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_27.wav|ktˈɔ ɡˈɔ pʃɛtʃˈɨta, ɲʲɛ bˌɛɲdʑɛ mʲˈaw pɔvˈɔdu vˈɔntpitɕ, ʒˈɛ bʲˈillɨ naprˈavdɛ vɨjˈɛxaw i tˈɛras ɕˈɛdʑi ɡdʑˈɛɕ na zaxˈɔdʑɛ. mˈɔʒɛ nˈavɛt pˈiʃɛ kɕˈɔ̃ʃkɛ. drˈuɡɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_70.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_169.wav|sˈama pˈujdɛ dɔ sˈɛptu bˌaɛlˈɔra pˌɔrɔzmˈavʲatɕ s krulˈɔvɔ̃ marɡˈɛrɨ i vʲˈɛlkim sɛptˈɔnɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_2.wav|nˈajpʲɛrf muɕˈawam ɔkrˈɔ̃ʒɨtɕ tsˈawɛ mʲˈastɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_53.wav|rˈusɛl, ɕˌivɔvwˈɔsa kɔbjˈɛta pɔ ʃˌɛʑdʑɛɕˈɔnttsɛ, zˌaɕfʲɛtɕˈiwa mi latˈarkɔ̃ w ˈɔtʃɨ, a pˈɔtɛm uɲʲˈɔswa rˈɛŋkɛ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_52.wav|znˈajdʑɛʒ ɡˈɔ w zaxˈɔdɲʲɛj vʲˈɛʒɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_20.wav|ɲʲˈɛvʲɛm nˈavɛt, tʃɨ ˈaram spˈɛwɲiw ɡrˈɔʑbɛ, ktˌurɔ̃ ʒˈutsaw ɔt lˈat i ujˈavɲiw mˈɔjɛ ɡʒˈɛxɨ.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_292.wav|pˈɔtʃɛd dɔ sˌɛrilˈina i zˈastaw ɡˈɔ pʃɨ ɔstʃˈɛɲʲu kˌatɔfskʲˈɛɡɔ mʲˈɛtʃa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_64.wav|ˌalɛ z ˈɔkna sɨpʲˈalɲi strakˈanuf rɔstɕˈɔŋɡaw ɕɛ tˈɛʒ dˌɔskɔnˈawɨ vˈidɔk na pˈɔlɛ, ktˌurɛ pʃˌɛʃukivˈali pˌɔlitsˈɨjɲi tɛxɲˈitsɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_29.wav|lˈɛvɔ̃ nˈɔɡɛ mʲˌawɛm z rˈanɔ̃ krfjˈɔ̃ dɔ kɔlˈana.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_48.wav|ɲˈidʑɡ vʒˈutsa sɛrvˈɛtkɛ dɔ rˌɔzbɛwtˈanɨx rˈɛʃtɛɡ dɛsˈɛru i prɔvˈadʑi bʲillʲˈɛɡɔ dɔ salˈɔnu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_70.wav|ˌalɛ pɔd varˈuŋkʲɛm, ʒˈɛ tɨ pˌɔprɔvˈadʑiʃ krutsjˈat��.|0
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_41.wav|pwˈatɕi mi i tɔ jɛst fˈajnɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_52.wav|a urˈɔtʃɨ vˈujɛk?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_151.wav|pɔ prˈɔstu krajˈɔbraz za tɕˈɛmnɨm ˈɔknɛm zatʃˈɨmaw ɕɛ f pˈɛvnɛj xfˈili i uswˈuʒnɨ ʃˈɔfɛr s tʃˈapkɔ̃ w rˈɛŋku|0
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_42.wav|minˈutɨ, ktˌurɛ ˌupwɨvˈajɔ̃ ɔd zˌakɔɲtʃˈɛɲʲa rɔzmˈɔvɨ s ʃˈɔnɔ̃ i pɔvrˈɔtɛm ˈaʃa dɔ dˈɔmu sɔ̃ pravdʑˈivɔ̃ tɔrtˈurɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_134.wav|i znˈaw jˈuʃ tɔ fʃˈɨstkɔ, fʃˈɨstkʲɛ ʒˈɛtʃɨ dˌɔtɨtʃˈɔntsɛ tɛj sprˈavɨ, dˈɔbrɔtɕ kˈɔbjɛt i ix fɕtɕˈɛkwɔɕtɕ, iɣ vˌɨrɔzumjˈawɔɕtɕ i ix pɔɡˈardɛ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_387.wav|jˈɛɡɔ vʲˈɛlka ɕfʲˌɔntɔblˈivɔɕtɕ ɔbjˈɛtsaw mi spˈɔkuj na ulˈitsax.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_273.wav|tˈak pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_52.wav|xɔlˈɛra, zavˈɔwaw tˈɔm. tˈɨlnɛ dʒvˈi!|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_74.wav|vrˈɛʃtɕɛ dɔstʃˈɛɡwam na xˌɔrɨzˈɔɲtɕɛ pˌɔwɨskujˈɔntsɨ f prɔmjˈɛɲʲax swˈɔɲtsa kʃtˈawt.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_180.wav|na wˈuʃku ɕˈɛdʑaw zvalˈistɨ latˈɨnɔs. prˈavɔ̃ rˈɛŋkɛ mʲˈaw zˌavʲɛʃˈɔnɔ̃ na tɛmblˈaku, a w lˈɛvɛj tʃˈɨmaw pɔtˈɛ̃ʒnɨ nˈuʃ mɨɕlˈifski.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_256.wav|dˈaʃ sˈɔbjɛ rˈadɛ z rˈɛʃtɔ̃ spavˈaɲʲa?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_64.wav|xtsˈɛ kʃˈɨknɔɲtɕ, ʒˈɛ ɲˈidʑ zwˈɛɡɔ ɕɛ ɲʲɛ dʑˈawɔ, ˌalɛ w mˈɔjɛj ɡwˈɔvʲɛ zatʃˈɨna kʲɛwkˈɔvatɕ ɲʲˌɛpɔkɔjˈɔntsa mˈɨɕl.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_36.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_231.wav|ɡdˈɨ nadˈɛjdʑɛ ˌɔtpɔvʲˈɛdɲʲa xfˈila, pʃɛtstˈaviʃ mi tˌɛɡɔ ɲʲˌɛzruvnanˈɛɡɔ vˌɔjɔvɲˈika i pʃˌɛkɔnˈamɨ ɕɛ, tʃɨ ʒˌɛtʃɨvˈiɕtɕɛ jɛst tˌaki fspaɲʲˈawɨ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_153.wav|brˈɨndɛn tˈalli ˌɔɡɔwˈɔtɕiw ˌɔkɔlˈitsɛ zˈamku, ɲˈim skrˈɨw ɕɛ za jˈɛɡɔ murˈami.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_242.wav|ˌalɛ nˈavɛt najbˈardʑɛj fˌantastˈɨtʃna pʲˈɛɕɲ mˈɔʒɛ zavʲˈɛradʑ ʑarˈɛŋkɔ prˈavdɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_69.wav|ftˈɛdɨ ɲʲɛ vʲɛdʑˈawam jˈɛʃtʃɛ, tʃɨ pɔvˈinnam mu fspˈuwtʃutɕ, tʃɨ ɔttʃˈuvatɕ pɔɡˈardɛ za tˈɛ zabˈɔrtʃɔɕtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_61.wav|a kʲˈɛdɨ nˈaɲʲɔ̃ pɔpˈatʃɛtɕ, vɨdˈajɛ ɕɛ, ʒˈɛ...|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_58.wav|ɔn mˈuvi, ʒˈɛ pwˈatʃ jɛzd zwˈɨ.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_194.wav|dʒvˈi fpravʲˈɔnɔ pˈuʑɲʲɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_225.wav|ˌalɛ ja jˌɛstɛm rˈatʃɛj pˌɔdɛjʒlˈivɨm tˈɨpɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_8.wav|zakwˈadam, ʒˈɛ ɲʲˈɛma jˈuʒ vˌɔntplivˈɔɕtɕi, ʒˈɛ tɛn pʲˈɛrʃɨ fˈatsɛd zˈɔstaw zˌamɔrdɔvˈanɨ, bˈɔ zabˈujtsa vʑˈɔw ɡˈɔ zˈamɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_196.wav|udˈɛʒɨwbˌɨm kaʒdˈɛɡɔ, kˈɔɡɔ bˈɨm xtɕˈaw udˈɛʒɨtɕ, pɔvʲˈɛdʑaw ˈandɛrsɔn. prˈɔʃɛ pamjˈɛntatɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_295.wav|ˈandɛrsɔn znˈuf ɕɛ ɔdvrˈutɕiw, znˈuf pˈatʃɨw na rɨˈana tsˌɔfajɔntsˈɛɡɔ ɕɛ kˈu ɕtɕˈaɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_99.wav|ɲʲɛ ˌɔtpɔvʲˈɛdʑaw jɛj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_53.wav|ˌɔdvrutɕˈiwam ɕɛ w jˈɛɡɔ strˈɔnɛ. bˈɨw ɡwˈatkɔː ˌɔɡɔlˈɔnɨ, mʲˈaw ɡˈɛ̃stɔ̃, tɕˈɛmnɔ̃ tʃuprˈɨnɛ i tʃˌarujˈɔntsɨ ˈuɕmʲɛx.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_11.wav|znˌajdɔvˈawɨ ɕɛ tˈam vˈɛjɕtɕa dɔ tʃtˈɛrɛx kˌɔrɨtˈaʒɨ, ktˌurɛ rˌɔsxɔdʑˈiwɨ ɕɛ pɔd dʑivnˈɨmi kɔntˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_123.wav|tɔ tsˈɔ tˈu rˈɔbʲiʃ w ɲʲɛdʑˈɛlɛ, mʲamˈiɡɔ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_82.wav|jˈɛʃtʃɛ ɲʲɛ jˌɛstɛʑ zɡubjˈɔna, tɔ nˌajvaʒɲʲˈɛjʃɛ. dʑˈɛlɲʲɛ ɕɛ tʃˈɨmaʃ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_215.wav|jˈasnɛ mˈuvi, ʒadnˈɛɡɔ zˌabʲijˈaɲʲa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_44.wav|jˈɛɕli bˈuk istɲʲˈɛjɛ,|2
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_2.wav|lˈɛkaʃ f kˈɔɲtsu zdˈɔwaw pʃɛkˈɔnatɕ jˈɔɛ i dˌɛtɛktˈɨvuf, ʒˈɛ jˈɛɡɔ pˈatsjɛnt pˌɔtʃɛbˈujɛ ˌɔtpɔtʃˈɨŋku, tsˈɔː ˌutɕɛʃˈɨwɔː ˈaʃa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_25.wav|tˈɔm skʃˈɨviw ɕɛ lˈɛkkɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_16.wav|ukrˈɨwam zˌaskɔtʃˈɛɲʲɛ, ʒˈɛ stˈudɛnt ˌɛkɔnˈɔmji i pɔlˈitɨkˌi znˈa pɔˈɛzjɛ s pɔtʃˈɔntku ˌiksˈiɡz vʲˈɛku.|3
+Dataset/wavs/urwisko_ferenc/28_segment_87.wav|w jˈakim sˈɛnɕɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_24.wav|pɔxˈɨliw ɕɛ i pˌɔtsawˈɔvaw jˈɔ̃ tʃˈulɛ.|3
+Dataset/wavs/urwisko_ferenc/11_segment_75.wav|spˈɨtaw spɔkˈɔjɲʲɛ|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_144.wav|zˈɔstaf nˈas sˈamɨx, ˈindjɔ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_121.wav|tɔ prˈavda.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_14.wav|ɕɛŋɡnˈɛwam pɔ ɡʲˈizmɔː i zatʃˈɛwam pʃɛɡlˈɔndatɕ tɕˌɛkavˈɔstki z ˌarapskʲˈɛɡɔ sɛrvˈisu plˌɔtkarskʲˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_201.wav|pˌɔdrɨvˈanɨ z ʑˈɛmi pˌɔdmuxˈami vʲˈatru.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_159.wav|bˌɨli ˈɔdɛ mɲʲɛ vʲˈɛŋkɕi, ˌalɛ im ɕɛ ɲʲɛ dˈawɛm, nˈavɛt jˈak jˈɛdɛn pˈɔdbʲiw mi ˈɔkɔ, a drˈuɡʲi prˈavʲɛ rɔskfˈaɕiw nˈɔs.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_170.wav|znˈuv bˌɛɲdʑɛʃ ʃtʃɛɲɕlˈiva.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_161.wav|a vʲˈɛnts mˈuviʃ, ʒˈɛ jɛzd bɛspʲˈɛtʃnɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_28.wav|pɔ drˈɔdʑɛ skinˈɛwa ɡwˈɔvɔ̃ zˈɔɛ, ktˌura sɔntʃˈɨwa kˈavɛ pɔ pʃɛtɕˈivnɛj strˈɔɲʲɛ pˌɔmjɛʃtʃˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_416.wav|ɡdˈɨbɨ ɲʲɛ ˈɔnɛ, tʃˈɛba bˈɨ sxˈɔdʑitɕ nˌaturˈalnɨm skˈalnɨm kɔmˈinɛm zˌatʃɨnajˈɔntsɨm ɕɛ f pivɲˈitsɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_5.wav|lˈɛʒaw vʲˈɛnts f tɕɛmnˈɔɕtɕax i mˈɨɕlaw ɔ xˈɛlɛn i ˈɔtɨm, tsˈɔ stˈaɲʲɛ ɕɛ z ɲʲˈɔ̃.|0
+Dataset/wavs/urwisko_ferenc/24_segment_51.wav|pˈɔvʲɛʑdʑ z ɔkwˈatkɔ̃ pʃˌɛtstavʲajˈɔntsɔ̃ nˈaɡʲi mˈɛ̃ski tˈɔrs, jˈakiɕ rˈɔmans i dvˈa rˌɛpɔrtˈaʒɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_7.wav|zdjˈɛɲtɕa stɛvˈɛna allmˈana i darjˈuʃa rˌadʑavʲˈɛɡɔ, ˈɔjtsa aʃrˈafa, vˌɨdrukɔvˈali z ˌintɛrnˈɛtu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_9.wav|mˈawɔ prˌavdɔpɔdˈɔbnɛ, skˈɔrɔ na ɔbʒˈɛʒax tsˈɛntrum mʲˈasta jɛst jˈɛʃtʃɛ kˈilka ˈinnɨx, rˈuvɲʲɛ zˌaɲʲɛdbˈanɨx ɔɕˈɛdli, ˌalɛ ɲʲˌɛvɨklutʃˈɔnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_102.wav|tsˈɔras lˈɛpʲɛj pˌɔvʲɛdʑˈawa. pʃɨnˈajmɲʲɛj prubˈujɛ.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_268.wav|nazˈajutʃ lˈadɨ mˌɛrivˈɛtxɛr pɔmˈɔɡwa tsɛrsˈɛi ˈubratɕ ɕɛ pʃɛd vizˈɨtɔ̃ ˈu mˈawɛj krulˈɔvɛj.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_158.wav|tɔ ɲʲɛ spˌɔdɔbˈawɔ ɕɛ lɔrdˈɔvʲɛ mɔnnˈɔvi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_90.wav|sprˈavja vraʒˈɛɲʲɛ vˌɛsɔwˈɛɡɔː i swɔtkʲˈɛɡɔ, a zˌapisˈanɛ swˈɔva zˌatʃɨnˈajɔ̃ mi ɕɛ rˌɔzmazˈɨvatɕ, kʲˈɛdɨ dɔː ˈɔtʃu nˌapwɨvˈajɔ̃ mi wzˈɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_126.wav|dɔ tʃwɔvʲˈɛka, kturˌɛɡɔ kɔxˈawam.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_24.wav|jˈaki mˌamɨ plˈan f tˈakim rˈaʑɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_161.wav|i dɔdˈajɛ nˌajzupˈɛwɲʲɛj ʃtʃˈɛʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_453.wav|sˌɨtuˈatsja s pɛvnˈɔɕtɕɔ̃ jɛzd dla tɕˈɛbjɛ bˈardʑɔ pʃˌɛraʒajˈɔntsa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_56.wav|zˌamjɛʒˈamɨ pʃɛʃˈukadʑ dˈɔm, ˈɛdmunts?|3
+Dataset/wavs/urwisko_ferenc/64_segment_110.wav|bɔrˈɛvitʃ fstˈaw, a xudʑˈiɲski vɨrˈaʑɲʲɛ stˈɛ̃ʒaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_139.wav|pʃˌɨpuʃtʃˈawam, ʒˈɛ f tɛj xfˈili tsˈawa ʃkˈɔtsja zamˈarwa zˈɛ zɡrˈɔzɨ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_301.wav|pʃɛvˈitaw ɡˈɔ rˈivɛrz z ʑˈimnɔ̃ ˌupʃɛjmˈɔɕtɕɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_89.wav|spɔjʒˈawam nˈaɲʲɔ̃ pɔnˈurɔ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_76.wav|zˌapɨtˈawa ˈɔstrɨm tˈɔnɛm lˈadɨ ɡˈɛnna. xɔdʑˈiwɔ mi ɔ tɨvˈina.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_166.wav|zatʃˈɨna ɕɛ ɔt ɲiskʲˈɛɡɔ bʒɛntʃˈɛɲʲa, ˌalɛ pɔ xfˈili pʃɛxˈɔdʑi dɔ krɛʃtʃˈɛndɔ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_190.wav|ɲˈikt f tsastˈɛrlɨ ɹˈɔk ɲʲˈɛmʲaw ɔdvˈaɡʲi zˌasuɡɛrˈɔvatɕ, ʒˈɛ jɛst inˈatʃɛj, a jˈuʒ zvwˈaʃtʃa sˈɛr ˈɛmmɔn.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_282.wav|ɛdmˈurɛ vrˈɛʃtɕɛ ɔdʑˈɨskaw ɡwˈɔs. mˈuɡwbɨm vˈɨjɕtɕ s tɛj bˈali i zˈabʲitɕ tɕˈɛ na mʲˈɛjstsu, krˌulɔbˈujtsɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_200.wav|bˈardʑɛj pʃˌɨpɔmˈina ʃtˈukɛ ʃɛkspˈira, jˈɛdnɔ̃ s tɨx krfˈavɨx.|2
+Dataset/wavs/urwisko_ferenc/36_segment_143.wav|— rɔzˈumjɛm, ˈalɛ...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_437.wav|znˈa pˈan jɛ̃zˈɨki? kʃˈɨknɔw kˈɔrsak.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_66.wav|pɛvnˈɛɡɔ dɲʲˈa, ɡdˈɨ pɔtʃˈuwa ɕɛ vˌɨjɔntkˈɔvɔ ɕˈilna,|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_21.wav|miltʃˈɔntsɛ ɕˈɔstrɨ ɲˈiɡdɨ ɲˈits ɲʲɛ mˈuvjɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_22.wav|naprˈavdɛ jɛstˌɛɕmɨ jˈuʒ znˈatʃɲʲɛ blˈiʒɛj ɲˈiʃ ftʃˈɔraj, ʃˈɛfjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_182.wav|ɕpˈij, kɔxˈanɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_13.wav|vʲˈɛŋkʃɔʑdʑ z vˈas pratsˈujɛ jˈuʒ vʲˈɛlɛ ɡˈɔdʑin ɔt xfˈili, kʲˈɛdɨ tɔ fʃˈɨstkɔ ɕɛ zatʃˈɛwɔ. s pɛvnˈɔɕtɕɔ̃ pˌɔtʃɛbujˈɛtɕɛ ˌɔtpɔtʃˈɨŋku.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_99.wav|bʲˈillɨ pˈiʃɛ smsˈa dɔ dʒˈɔrdʒja pˌilɛlljˈɛɡɔː ˈaljaz ɡˌɛɔrɡʲˈɛɡɔ vʲˈɛpʃka ˈaljaz dʒˈɔrdʒja rˈussɛll, vaʒnˈɛɡɔː aɡˈɛnta lˌitɛratskʲˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_212.wav|kɔlˈumnɛ zamˈɨkaw maˈɛstɛr tsɔlˈɛman, prˌɔvadʑˈɔntsɨ druɡʲˈɛɡɔ mˈuwa, ˌɔbwadˌɔvanˈɛɡɔ skʃɨŋkˈami pɛwnˈɨmi ʑˈuw i mˌɛdɨkamˈɛntuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_115.wav|tɔ sˈamɔ dɔtˈɨtʃɨ tɕˈɛbjɛ, ɲˈitsk.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_93.wav|ɲʲɛ nˌadɔ̃ʒˈawɛm jˈuʒ za ʒˈɨtɕɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_41.wav|kʲˈɛdɨ ɔkrˈɔ̃ʒa samˈɔxut ɔt tˈɨwu i zaɕˈada wˈɛ fɔtˈɛlu kʲɛrˈɔftsɨ, djˈanɛ pʃɨjˈaʑɲʲɛ pɔzdrˈavja ɡˈɔ pˌɔdɲʲɛɕˈɔnɨm ktɕˈukʲɛm. bʲˈillɨ mˌimɔvˈɔlɲʲɛ ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_67.wav|jˌɛstɛm tˈu z ɲʲɛjˈakim jˈatskʲɛm mˌartʲinˈɛzɛm. mˈa tɕi tsˈɔʑ dɔ pˌɔvʲɛdʑˈɛɲʲa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_70.wav|zdˈɔbʲi ɡˈɔ malˈunɛk pʃˌɛtstavʲajˈɔntsɨ ʃɛrˈɔkɔː ˌuɕmʲɛxɲʲɛntˈɛɡɔ xwˈɔptsa, ktˌurɨ pɔʒˈɛra pˌɔdvujnˈɛɡɔ xˌɛɛsˌɛburɡˈɛra.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_60.wav|dʑɛŋkˈujɛ za pudˈɛwkɔ z drˌɔbjazɡˈami.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_169.wav|vˈal ˈɔtɨm vʲɛdʑˈawa.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_227.wav|lˈɛf ɲʲɛ pɔvˈiɲʲɛn nˈɔɕitɕ rˈɔɡuf.|1
+Dataset/wavs/urwisko_ferenc/08_segment_67.wav|zˌatʃɨmˈawa ɕɛ w mʲˈɛjstsu, jˈaɡbɨ bˈawa ɕɛ pˈɔdɛjʑdʑ blˈiʒɛj. ja dɔ ɡʒɛɡˈɔʒa lipskʲˈɛɡɔː ˌɔtpɔvʲˈɛdʑaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_33.wav|ɲʲɛ jˌɛstɛm pˈɛvna, ˈilɛ mʲɛjstsˈɔvi lˈudʑɛ vʲˈɛdʑɔ̃ na tˈɛmat lˌakɛsˈidɛ i tˈɛɡɔ, tsˈɔ ɕɛ tˈam dʑˈɛjɛ, ˌalɛ zamjˈɛʒam zˌarɨzɨkˈɔvatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_309.wav|ɕfʲˈatwɔː ˌɛlɛktrˈɨtʃnɛ pʃɨɡˈaswɔ na mɡɲʲˈɛɲʲɛ ˈɔka.|0
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+Dataset/wavs/urwisko_ferenc/28_segment_84.wav|tsˈɔ takʲˈɛɡɔ?|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_20.wav|pʃɨtˈuliw ɕɛ dɔ mɲʲɛ na mˈawɛj sˈɔfjɛ pʃɛt tˌɛlɛvizˈɔrɛm. ˌɔbɛjmˈujɛ ɡˈɔ lˈɛvɔ̃ rˈɛŋkɔ̃ i zˈɛrkam, jˈak tʃˈɨta jˈɛdnɔ̃ zˈɛ sfˈɔix ˌulubjˈɔnɨx kɕɔ̃ʒˈɛtʃɛk.|3
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+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_424.wav|sprubˈɔvaw ɕtɕˈisnɔɲdʑ dwˈɔɲ rˈas i drˈuɡʲi.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_32.wav|udʑˈawɨ ɲʲɛ zɔstˈawɨ jˈɛʃtʃɛ pʃˌɛɲʲɛɕˈɔnɛ, ˌalɛ ɲˈilɛ jˈuʃ nˈattɨm pratsˈujɛ. ɲʲɛdwˈuɡɔ bˌɛndɔ̃ ɡɔtˈɔvɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_240.wav|tɔ bˈɨwbɨm bɔɡˈatɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_166.wav|irˈɔɲi muɕˈawa zaswˈɔɲitɕ ˈusta dwˈɔɲʲɔ̃, ʒˈɛbɨ ɕɛ ɲʲˈɛɕmʲatɕ s tˈɛɡɔ, tsˈɔ pɔvʲˈɛdʑaw dˈɔɲi.|2
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+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_468.wav|ja tˈɛʃ ɲʲɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_101.wav|ɲʲˈɛma pɔtʃˈɛbɨ, bˈɨm bˈadaw jɛj...|1
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+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_543.wav|miltʃˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_148.wav|mˈɛtan jɛst pˈalnɨ jˈak...|4
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+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_244.wav|pˈan mɲʲɛ ɲʲɛ zrɔzˈumjaw.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_30.wav|a krulˈɔva ɲʲˈɛxtsɛ iɣ vˈɨznatɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_185.wav|vˈɨrɔk pisˈanɨ ɲʲˌɛvidʑˈalnɨm ˌatramˈɛntɛm|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_25.wav|brˈama rˌɔssunˈɛwa ɕɛ bɛzɡwˈɔɕɲʲɛ i pɔ xfˈili ˈɔba ˈawta zˌaparkɔvˈawɨ pʃɛd dˈɔmɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_73.wav|ɲˈiɡdɨ ɲʲɛ ˌukrɨvˈawa, ʒˈɛ jɛj rɔdʑˈitsɛ, ktˌurɨx ɲˈiɡdɨ ɲʲɛ pɔznˈawam, vˌɨʒutɕˈili jˈɔ̃ z dˈɔmu, kʲˈɛdɨ pˌɔstanɔvˈiwa urˈɔdʑidʑ dʑˈɛtskɔ tˈatɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_89.wav|vɛtˈujɛ tˈɛʒ dʒˈinsɨ z ɲˈiskim stˈanɛm, ktˌurɛ fpˈadwɨ jɛj w ˈɔkɔ. twumˈatʃɨ, ʒˈɛ pʃɨnˈajmɲʲɛj dɔ zdjˈɛɲtɕ ɕɛ ɲʲɛ nadˈajɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_57.wav|ˈirva dʲˈina ɲʲˈɛma na stˌanɔvˈisku ɔxrˈɔnɨ. pʃˈɨjdʑɛ dɔpʲˈɛrɔː ɔ ɕˈudmɛj, mˈɔʒɛ f pˈuw dɔː ˈusmɛj.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_31.wav|kɔmpˈutɛr tsˌɛntralnˈɛɡɔ sɨstˈɛmu bˌɛspʲɛtʃˈɛɲstfa pʃˈɨjɔw mˈɔjɛ zɡwɔʃˈɛɲʲɛ i vɨɕfʲˈɛtliw plˈan bˈaɲki kɔnrˈada.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_197.wav|jˌɛstɛɕ jˈɛɡɔː ɔstˈatɲʲɔ̃ nadʑˈɛjɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_511.wav|ɲʲɛ bˈawaɕ ɕɛ?|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_118.wav|mˈuɕaw znˈalɛɕtɕ ɕɛ tˈam pʃˈɛs pʃɨpˈadɛk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_170.wav|ˌalɛ tɔ kɔlˈɛjnɨ, fiktsˈɨjnɨ ɛlˈɛmɛnt, ktˌurɨ zɔstˈavi ɲʲˌɛzmʲɛɲʲˈɔnɨ.|2
+Dataset/wavs/urwisko_ferenc/24_segment_42.wav|ɲʲɛ, zˌapwatɕˈiwa mi z ɡˈurɨ za dvˈa mʲɛɕˈɔntsɛ, vʲˈɛnts f kˈaʒdɛj xfˈili mˈɔʒɛ vrˈutɕitɕ, prˈavda?|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_208.wav|zabjˈɔrɔ̃ ɡˈɔ z drˈɔɡʲi, ˈabɨ ˈɔtʃɛd jˈak najdˈalɛj i ɲʲˈɛmuɡw nˈavɛt mˈɨɕlɛtɕ ɔ pɔvrˈɔtɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_65.wav|ɲʲˈɛma dˈuʒɔ dɔː ˌɔpɔvʲadˈaɲʲa. zˈafʃɛ bˌɨwam s tˈɨx, tsˈɔ, vʲˈɛʃ, ɲʲɛ vˌɨruʒɲʲˈajɔ̃ ɕɛ z ˌɔtɔtʃˈɛɲʲa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_164.wav|pˈɛvɲʲɛ dʑˈɛŋki tˌɛmu spʃɛdˈawa stˈɔ tɨɕˈɛntsɨ kɕˈɔ̃ʒɛɡ vʲˈɛntsɛj. pɔvˈinna mu pˌɔdʑɛŋkˈɔvatɕ, zˈamjazd ɡˈɔː ɔskˈarʒatɕ, ɲʲɛ sˈɔɲdʑiʃ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_162.wav|pˈɔvʲɛts mi tˈɨlkɔ, ɔ tʃɨm ɕɛ mˈuvi f tˈakiɣ vwˈaɕɲʲɛ vɨpˈatkax, a ja tɕi bˌɛndɛ dɔ kˈɔɲtsa ʒˈɨtɕa vdʑˈɛntʃnɨ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_173.wav|bˈɨ spʃɛdˈavatɕ mˈawʒɛ bravˈɔfskim mˌarɨnˈaʒɔm, ktˌurɨx stˈatki tˈam kˌɔtfitʃˈɨwɨ.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_160.wav|frɛjˈɔvʲɛ rˌɔsstɔmpˈili ɕɛ na bˈɔki, ʒˈɛbɨ ix pʃɛpˈuɕtɕitɕ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_314.wav|mˈuɡwbɨ tɕfˈitʃɨtɕ s tɔ̃ mˈɛnɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_109.wav|pˈan, s ktˌurɨm mʲɛʃkˈawa mˈɔja mˈama, pʃˈɨʃɛd dɔ dˈɔmu zˈɛ zwamˈanɔ̃ rˈɛŋkɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_158.wav|sˌɛrɔsnˈɛju!|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_342.wav|ta drˈuɡa vˈɛrsja.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_193.wav|kɔlˈɛjnɔ̃ z mˈɔix swˈabɨx strˈɔn jɛst lˈɛŋɡ vˌɨsɔkˈɔɕtɕi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_51.wav|uznˈafʃɨ, ʒˈɛ tɔ dɔmˈiɲik ˌɔtpɔvʲˈada na mˈɔjɛ pˌɔwɔntʃˈɛɲʲɛ, ˌɔdɛbrˈawam bˈɛs patʃˈɛɲʲa na ˈɛkran.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_53.wav|jˈaɡ vɨɡlˈɔnda plˈan?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_106.wav|prˈɔʃɛ pɔvʲˈɛdʑɛtɕ, tsˈɔ ɕɛ naprˈavdɛ stˈawɔ? pʃˌɛtɕɛʒ bˌɨwa pˈaɲi ˈu mɲʲɛ pʃɛtftʃˈɔraj ˈalbɔ dvˈa dɲˈi tˈɛmu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_146.wav|a kˈim tɨ bˌɛɲdʑɛʒ bˈɛzɛ mɲʲɛ? zapˈɨtaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_122.wav|ˈɔbaj sɔ̃ w blˈuzax s kaptˈurɛm, tˈakix s kaŋɡˈuʒɔ̃ kʲɛʃˈɛɲʲɔ̃ s pʃˈɔdu.|2
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_52.wav|rˌɔspɔvʲadˈajɔ̃ çistˈɔrjɛ, ʒˈɛ ktˈɔɕ jɛst ɲʲˌɛutʃtɕˈivɨ i partˈɔli rɔbˈɔtɛ.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_216.wav|bˌɨwa vˈɨʃʃa ɲˈiʃ sˈam i smˈukwa jˈaɡ vwˈutʃɲʲa, a skˈurɛ mʲˈawa tʃˈarnɔ̃ i ɡwˈatkɔ̃ ɲˈitʃɨm pˌɔlɛrɔvˈanɨ ɡˈaɡat.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_64.wav|ˌalɛ kʲˈɛdɨ ˈɛlis fstˈajɛ ɔ ɕˈudmɛj, ɲʲˈɛbɔ jɛst jˈuʒ bɛsxmˈurnɛ, vrˈɛntʃ pʃɛjʒˈɨstɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_182.wav|i dwˈuɡ vˈɔbɛts spˌɔwɛtʃˈɛɲstfa spwatsˈɔnɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_51.wav|f tɔrˈɛptsɛ mˈam tɨlˈɛnɔl. dˈam tɕi dvʲˈɛ piɡˈuwki i zɔstˈavjɛ dvʲˈɛ na pˈuʑɲʲɛj, dˈɔbʒɛ?|2
+Dataset/wavs/urwisko_ferenc/36_segment_168.wav|mˈatka sfɔjˈɛɡɔ mˈɛ̃ʒa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_60.wav|jˈɛzu xrˈɨstɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_34.wav|zapˈɨtaw dˈalɛ pʃˈɛs rˈadjɔ.|4
+Dataset/wavs/urwisko_ferenc/12_segment_163.wav|ɔdvrˈutɕiw ɡazˈɛtɛ tˈak, bˈɨ pˌɔlitsjˈaɲtɕi mˈɔɡli pʃˈɨjʒɛtɕ ɕɛ fˌɔtɔɡrˈafji.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_51.wav|tˈɔm mrˈuknɔw tsˈɔɕ na tˈɛmat mˌarnɔvˈaɲʲa tʃˈasu nˈatɔ fʃˈɨstkɔ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_181.wav|vidʑˈawa ɔɡʲˈɛra.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_3.wav|pʃɨvʲˈɛram dɔ ɲʲˈɛɡɔː i tʃˈujɛ tɕˈɛpwɛ jˈɛɡɔ tɕˈawa na vilɡˈɔtnɛj skˈuʒɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_340.wav|ɲʲɛvʲˈɛlɛ dˌɔrɔbʲˈiwɛɕ ɕɛ f tʃˈaɕɛ tɨx ɔstˈatɲix lˈat.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_408.wav|pʃˌɛjɛxˈawɨ pɔd vˌɨʒɛʑbjˈɔnɨm pʃˈɛz vʲˈatr wˈukʲɛm, ɡdʑˈɛ z jasnˈɛɡɔ kamjˈɛɲʲa zvisˈawɨ dwˈuɡʲɛ sˈɔplɛ kˈapʲɔndʑ vˈɔdɔ̃.|1
+Dataset/wavs/urwisko_ferenc/24_segment_62.wav|mʲˈawa tʃˈas, ʒˈɛbɨ ɕɛ dɔkwˈadɲʲɛ spakˈɔvatɕ i ɲʲˌɛpɔstʃɛʒˈɛɲʲɛ vˈɨjʑdʑ z dˈɔmu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_183.wav|na kɔlˈanax tʃɨmˈawa sfˈɔjɔ̃ tɔrˈɛpkɛ. vˈɛvnɔndʒ bˈɨw ɕˈɛk.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_78.wav|ˌalɛ pɔdˈawa pˈaɲi brˌazɨlijtʃˈɨkɔm mˈɔjɛ namjˈarɨ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_11.wav|i jˈɛʃtʃɛ jˈɛdna sprˈava, pˈaɲʲɛ rajˈavi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_44.wav|pˌɔtʃɛbˈujɛ prˈatsɨ, ˈandɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_15.wav|nˈail zvʲˈɛɕiw ɡwˈɔvɛ i pɔpˈatʃɨw na sfˈɔjɛ zwɔʒˈɔnɛ mʲˌɛndʑɨ kˌɔlanˈami dwˈɔɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_212.wav|pʃˈɛdɛ fʃˈɨstkim xtsˈɛ pˈisatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_31.wav|— pˈuʑnɛ tɔ spɔtkˈaɲʲɛ, prˈavda? — ʒˈutɕiw tˈɔm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_117.wav|tɨ muvˈiwɛɕ ɔ sfˈɔjɛj vˈiɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_27.wav|tˈɔm vʲˈɛdʑaw, ʒˈɛ tɔ mˈawɔ prˌavdɔpɔdˈɔbnɛ. istɲʲˈawɨ bˈardʑɛj vʲˌarɨɡˈɔdnɛ vˌɨjaɕɲʲˈɛɲʲa, ktˌurɨx ɲʲˈɛxtɕaw nˈavɛt rɔzvˈaʒatɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_85.wav|— zɔstˈaɲʲɛʃ tˌɨlkɔ z ɲʲˈɔ̃, xˈɛlɛn, pɔvʲˈɛdʑaw. — i ftˈɛdɨ lˈɛpʲɛj bˌɛɲdʑɛ dla tɕˈɛbjɛ, ʒˈɛbɨɕ mɨɕlˈawa, ʒˈɛ tɔ tfˈɔjɛ dʑˈɛtskɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_238.wav|tɔ ruʒɲˈitsa.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_38.wav|skrɛɲtɕˈiwam f strˈɔnɛ kˌɔrɨtˈaʒa prˌɔvadʑɔntsˈɛɡɔ dɔ bˈaɲki bʲˈina. ɔtpˈɔvʲɛtɕ kɛlvˈina dɔtˈarwa dɔ mɲʲɛ s tʃtˌɛrɔsˌɛkundˈɔvɨm ˌɔpuʑɲʲˈɛɲʲɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_62.wav|znˈuf swˈɨʃɨ za dʒvʲˈami ɕmʲˈɛx ˈɛlis. pʃˌɨpɔmˈina sˈɔbjɛ, bˈɨ ɲʲɛ zvrˈatsatɕ ɕɛ dɔ ɲʲˈɛj pɔː imjˈɛɲʲu, bˈɔ mˈɔɡwa pˈɔdatɕ rˌixtɛrˈɔvi fawʃˈɨvɛ.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_259.wav|zˌabʲijˈɛmɨ fʃˈɨstkix, ktˌurɨx w ɲˈim znajdʑˈɛmɨ.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_51.wav|mˈɛɡa uvˈaʒa, ʒˈɛ jɛst swˈɔtki.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_112.wav|jˈak tɔ bˌɨwɔː ˈu ʃɛkspˈira? tsˈɔː ˈu ʃɛkspˈira?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_199.wav|ˌalɛ jˈak tɔ zrˈɔbʲitɕ, ʒˈɛbɨ ɲʲɛ mˈɨɕlɛtɕ?|0
+Dataset/wavs/urwisko_ferenc/03_segment_61.wav|dlatʃˈɛɡɔ ɲʲɛ vrutɕˈiwa dɔ mˈɛ̃ʒa? pʃɛrvˈawa mu xˈɛrman, ɡdˈɨ f kˈɔɲtsu w ʒˈuwvim tˈɛmpʲɛ dˌɔtʃɔwɡˈali ɕɛ dɔ ɕfʲˈatɛw na skʃˌɨʒɔvˈaɲʲu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_12.wav|ɲˈiɡdɨ ɲʲɛ udˈawɔ mi ɕɛ zˈɔstatɕ pʲˈɛŋknɔ̃, bɛzbrˈɔnnɔ̃ i krˈuxɔ̃ istˈɔtɔ̃, tsˈɔ mˈɔja mˈatka ˌuvaʒˈawa za istˈɔtnɛ dɔː ˌuɕɛdlˈɛɲʲa mɛ̃ʃtʃˈɨznɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_508.wav|i ɡdʑˈɛɕ tˈam w mˈɔjɛj ɲʲɛʃtʃˈɛ̃snɛj ɡwˈɔvʲɛ jˈɛwɨ ɕɛ bwˈɔŋkatɕ jˈakʲɛɕ ɲʲɛznˈanɛ...|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_158.wav|uɕˈadwam ˌɔbɔk ɲʲˈɛj na kanˈapʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_49.wav|pˌɔdnɔɕˈitɕɛ stˈɔpɛ ʒɨtɕˈɔvɔ̃, mˈuvi bʲˈillɨ. tsɔrˈinnɛ pˌɔtakˈujɛ zˈɛ ɕmʲˈɛxɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_50.wav|pʃˈɨkrɔ mi, ʒˈɛ mˈuʃɛ vrˈatsadʑ dɔ bɔlˈɛsnɨɣ dla pˈana tʃˈasuf, pˈaɲʲɛ frˈaŋklin, ˈalɛ...|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_125.wav|pʃˌɛkrɛɲtɕˈiwam kˈɔrbɛ i ʃarpnˈɛwam vzɨvˈajɔnts na pˈɔmɔts allˈaxa, jˈaxfɛ i xrɨstˈusa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_3.wav|minˈɛwɔ kˈilka dɲˈi ɔt nˈaʃɛj rɔzmˈɔvɨ z ˈaʃɛm. ɔt tˈamtɛj pˈɔrɨ starˈawam ɕɛ uɲˈikadʑ dˈalʃɨɣ dɨskˈusji i skupʲˈawam uvˈaɡɛ na mˈili.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_229.wav|i ɲʲˈɛvʲɛʃ, jˈak tɔ jˈɛst, kʲˈɛdɨ trˈatɕi ɕɛ nˈaɡlɛ kˈɔɡɔɕ, ɔ kˈim mˈɨɕliʃ, ˈiʒ ɡˈɔ jˈuʒ znˈaʃ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_99.wav|tʃˈujɛ, jˈaɡ vʲˈɛlɛ kɔʃtˈujɛ mɲʲɛ fspˌɔminˈaɲʲɛ tˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_258.wav|zˈadʑvɔɲ, jˈaɡ bˌɛɲdʑɛ pɔ fʃˈɨstkim. ɲʲɛ zapˈɔmɲij.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_86.wav|a nastˈɛmpna ɔsˈɔba tɔ stˈɛlla rˈɔbɛrts.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_60.wav|kwˈamjɛ zˈɛ ɕfʲˌadɔmˈɔɕtɕɔ̃, ʒˈɛ ɲʲɛ bˌɛndɛ muɕˈawa pʃɛxˈɔdʑitɕ pʃˈɛs xˈɔl vɛjɕtɕˈɔvɨ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_7.wav|rˈɔzlɛkw ɕɛ tʃˈask pˌɛŋkajˈɔntsɨɣ vʲˈɔsɛw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_48.wav|vɨtɕˈɔŋɡa rˈɛŋkɛ, ɲʲɛ ʒˈɛbɨ mɲʲɛ dˈɔtknɔɲtɕ, tˌɨlkɔ ʒˈɛbɨ mɲʲɛ zapˈɛvɲitɕ, ʒˈɛ w rˈaʑɛ pɔtʃˈɛbɨ mˈɔɡɛ lˈitʃɨtɕ na jˈɛɡɔ pˈɔmɔts.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_35.wav|jˈaja sˈɔbjɛ rˈɔbʲiʃ, pˌɔvʲɛdʑˈawam. jɛdˈɨnɨ pʃɨtˈɔmnɨ f tsˈawɨm mʲˈɛɕtɕɛ i tɔ mˈuɕiʒ bˈɨtɕ akˈurat tˈɨ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_178.wav|jˌɛstɛɕ sˈamɛrs.|2
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_24.wav|zˈɔstaw vˌɨdalˈɔnɨ z artˈɛmis, bˈɔ trˈɔxɛ tˈu namjˈɛʃaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_49.wav|s tˌɛɡɔ tsˈɔ mi vʲadˈɔmɔ, samˈɔxut stˈɔi na sˈamɨm kˈɔɲtsu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_84.wav|f kˈɔɲtsu pɔjˈavja ɕɛ pʃɛdˈɛmnɔ̃ brˈama.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_228.wav|a vʲˈɛndʑ dˈɔbʒɛ pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_362.wav|ˈɔjtɕɛdʑ bˈɨw tʃˈɛtɕim sˈɨnɛm.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_321.wav|— tˈɛna vɨdˈawa vˈarɡʲi. vˈaʃa mˈiwɔɕtɕ jɛzd zbˈɨt ˌɔbɔvʲɔ̃skˈɔva. — tɔ prˈavda — pʃɨznˈawa tsɛrsˈɛi.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_372.wav|paˈisɛl uvˈaʒa zˈaɕ, ˈiʃ pɔpwˈɨnɔw na stˈɔpɲʲɛ, bˈɨ zˈatʃɔɲtɕ karjˈɛrɛ pirˈata.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_116.wav|tɔ nɔtˈatki z jˈɛɡɔ pˌɔmɨswˈami, ktˌurɛ pɔvˈiɲʲɛn umjˈɛɕtɕitɕ w ˌɔtpɔvʲˈɛdʑi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_103.wav|bʲˈillɨ kˈiva ɡwˈɔvɔ̃ i zˌapisˈujɛ tɔ nazvˈiskɔ f pamjˈɛɲtɕi.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_319.wav|a nˈaʒ baˈɛlɔr, barˈaɲʲa dˈupa, jɛst tʃwɔvʲˈɛkʲɛm, kturˌɛmu tsɛrsˈɛi pˌɔvʲɛʒˈɨwa tɔ zadˈaɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_80.wav|jˈɛdnɔ zˈɛ zdjˈɛɲdʑ zrɔbjˈɔnɨx pʃˈɛs tˌɛɡɔ pˌɔlitsjˈanta trafˈiwɔ dɔ ɡazˈɛtɨ.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_220.wav|dˌalɛkʲˈɛɡɔ kuzˈɨna lˈɔrduf ɔrlˈɛɡɔ ɡɲʲˈazda.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_69.wav|tʃɨ ɔn bˈɨwbɨ dɔ tˌɛɡɔ zdˈɔlnɨ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_81.wav|bʲˈillɨ pʃɛxˈɨla sfˈɔjɔ̃ f strˈɔnɛ jamˈala.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_143.wav|pʃɛkˈɔnaʃ ɕɛ ˈɔtɨm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_48.wav|nˈavɛd ɡdˈɨbɨ mˈimɔ fʃˈɨstkɔ zˌarɨzɨkˈɔvaw, tsˈɔ bˈɨ mu tɔ dˈawɔ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_223.wav|zrɔbʲˈiwabˌɨm fʃˈɨstkɔ, bˈɨ tɕˈɛ stˈɔnd vɨtɕˈɔŋɡnɔɲtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_63.wav|ˈaram ɔt samˈɛɡɔ pɔtʃˈɔntku uvˈaʒaw, ʒˈɛ dʑˈɛtɕi pʃˌɛʃkadʑˈajɔ̃ w jˈɛɡɔ naˈukax.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_91.wav|skinˈɛwam ɡwˈɔvɔ̃. mˈama ɕtɕiskˈawa mɲʲɛ trˈɔxɛ za mˈɔtsnɔ, vʲˈɛnts ɕɛ ˌɔtsunˈɛwam, ʒˈɛbɨ nˈaɲʲɔ̃ spˈɔjʒɛtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_236.wav|ɲʲɛ mˈɔʒɛʃ ɲikˈɔmu ˈufatɕ, nˈavɛt sfˈɔim rɔdʑˈitsɔm, a jˈuʃ ʃtʃɛɡˈulɲʲɛ mˈattsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_38.wav|vˈidʑɛ w jˈɛɡɔː ˈɔtʃaɣ bwˈɨsk i vʲˈɛm jˈuʃ, ʒˈɛ mˈa dˈɔbrɛ kˈartɨ. ɲʲɛ sɔ̃ jˈɛdnaɡ znˌakɔmˈitɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_97.wav|dˈɔbʒɛ xˈɔtɕ, ʒˈɛ krfavʲˈɛɲʲɛ prˈavʲɛ ustˈawɔ,|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_88.wav|tɔ, tsˈɔ mʲˈawam mu dɔ pˌɔvʲɛdʑˈɛɲʲa, mˈɔɡwɔ ɡˈɔ dˌɔprɔvˈadʑidʑ dɔ fˈurji, ˌalɛ muɕˈawam tɔ zrˈɔbʲitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_120.wav|bˈɛtskɨ, kˌɔlɛʒˈaŋka ʃˈan, pˌɔkazˈujɛ mu jˈɛ̃zɨk i fʃˈɨstsɨ jˈɛʃtʃɛ trˈɔxɛ ɕɛ ɕmʲˈɛjɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_14.wav|ɲʲɛ mɔʒˈɛmɨ jɛj tˈam zɔstˈavitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_112.wav|tˈɛraz dˈaʃ rˈadɛ dɔkˈɔɲtʃɨtɕ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_12.wav|ɲʲˌɛpɔkɔˈiwɔ mɲʲɛ vwˈaɕɲʲɛ tɔ, ɲʲɛ fˈakt, ʒˈɛ bˈɨw tʃwɔvʲˈɛkʲɛm z bʲijˈɔntsɨm sˈɛrtsɛm i ʒˈɨvɨm mˈuzɡʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_62.wav|zˈafʃɛ ɡrɔzˈiwɔ jɛj vɨlˈaɲʲɛ ɕɛ z ɡˌɔrsɛtɕˈika.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_147.wav|ɡdʑˈɛɕ pɔvˈinnɔ bˈɨtɕ. mˈɔʒɛ w waʑˈɛntsɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_62.wav|ɲʲɛ lubʲˈiwa jɛj, tˈɨlɛ mˈɔɡɛ pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_72.wav|ɲʲˌɛɔpˈɔdal kˈɔɲtsa ɕtɕˈɛʃki rˈɔɕɲʲɛ stˈara tɔpˈɔla z rˌɔzvidlˈɔnɨm pɲʲˈɛm. tɔ znˈak ˌɔrjɛntatsˈɨjnɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_78.wav|ɲʲɛ zˌaswuʒˈɨwa na ɕmʲˈɛrtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_71.wav|ˌalɛ tˈutaj ɲʲˈɛma sɛksˈɔvnɨx kɔsmˈitɛk, ktˌurɛ mˈuɡwbɨɕ ˈuvʲɛɕtɕ, vʲˈɛnts ɲʲɛ mˈɔʒɛʒ bˈɨtɕ kˌapitˈanɛm kˈirkʲɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_70.wav|tɨ jɛj kˈupiʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_204.wav|tˈam bʲˈillɨ pˈɔɕlɛ kˈulɛ, ktˌura vbʲˈijɛ ɕɛ w jˈɛɡɔ mˈusk, fskrɨvˈanɔ̃ pʃˈɛs ɲʲˈɛɡɔ tˌajɛmɲˈitsɛ, ktˌura mˈa mu kˈupidʑ vˈɔlnɔɕtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_108.wav|zamˈɨkam na mˈɔmɛnt ˈɔtʃɨ, pʃˌɨpɔmɲʲˈafʃɨ sˈɔbjɛ bˈul, ˌalɛ zmˈuʃam ɕɛ, bˈɨ rɔzmˈavʲatɕ nɔrmˈalnɨm tˈɔnɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_175.wav|pʃɨnˈajmɲʲɛj tˈakɔ̃ mˈa nadʑˈɛjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_482.wav|ɲʲɛ zˈafʃɛ tʃwˈɔvʲɛk mˈa xˈumɔr. ktˈɔɕ mˈuvjɔ̃...|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_42.wav|pˌɔtʃɛbujˈɛmɨ pʲɛɲʲˈɛndʑɨ, ɲʲɛ pˌɔtsawˈuŋkuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_48.wav|pʃˌɛkʃɨkˈujɛ ɡwˈɔs s tˌɛlɛvizˈɔra.|3
+Dataset/wavs/urwisko_ferenc/42_segment_85.wav|w nˈɔtsnɨm klˈubjɛ. zɡwɔɕˈiwa ɕɛ na pɔlˈitsjɛ, ˌalɛ nˌastɛmpnˈɛɡɔ dɲʲˈa vˌɨtsɔfˈawa zɛznˈaɲʲa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_154.wav|jˈak mˈɔɡwabˌɨm ɔdmˈuvitɕ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_210.wav|ja zˌakaʃlˈawɛm ɕɛ. ˌɔna ˌɔtfɔʒˈɨwa ˈɔtʃɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_4.wav|tʃˈujɛ tɔ f kˈɔɕtɕax.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_80.wav|vɡrˌamɔlˈiwɛm ɕɛ dɔ tɕˌɛɲistˈɛɡɔ vnˈɛntʃa.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_335.wav|tʃɨ rˈatʃɛj dlatˈɛɡɔ, ʒˈɛ xtɕˈaw pʃɛdˈɛmnɔ̃ ˈutɕɛts?|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_227.wav|drˈɔɡɛ stanˈɔviw kʃˈɨvɨ tɕˈɔŋk kamjˈɛnnɨx stˈɔpɲi vɨkˈutɨɣ w ɡˈurskim stˈɔku.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_414.wav|dɔtknˈɔwɛm dwˈɔɲʲɔ̃ sfˈɛɡɔ tʃˈɔwa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_29.wav|ɲikˈɔla ɲʲˈɛma jˈuʃ ɕˈiw, ʒˈɛbɨ zajmˈɔvatɕ ɕɛ tɨm sˈama.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_49.wav|vˈidʑɛ, ɡdʑˈɛ jˈɛst, ˌalɛ za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ spɔɡlˈɔndam na ˈɛkran, mˈuʃɛ ɔdˈɛrvadʑ vzrˈɔk ɔd drˈɔɡʲi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_100.wav|tˈɔm pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_114.wav|ˌɔbjɛtsˈawa alˈain.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_102.wav|nˈaɡlɛ zatʃˈɨmaw ɕɛ bˈɛs ˌɔstʃɛʒˈɛɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_20.wav|ruʒɲˈiwam ɕɛ ɔt ˈannɨ frˈaŋklin, dɨrˈɛktɔr ʃkˈɔwɨ, s tɕɛmnˈɨmi, lˈɛkkɔ krˌɛntsɔnˈɨmi vwɔsˈami i suptˈɛlɲʲɛ pˌɔmalɔvˈanɔ̃ tfˈaʒɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_33.wav|ˌɔtpɔvʲˈɛdʑi na ɲʲɛktˌurɛ pɨtˈaɲʲa bˌɛndɔ̃ muɕˈawɨ zatʃˈɛkatɕ, pɔɲʲˈɛvaʃ jɛst tɔ znˈatʃɲʲɛ dwˈuʃʃa çistˈɔrja.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_113.wav|vmˈavja sˈɔbjɛ, ʒˈɛ tɔ ɲʲɛ jɛst tˈak jˈak ftˈɛdɨ, kʲˈɛdɨ mˈɨɕlaw, ʒˈɛ vɨʒˈutɕiw ɲʲɛ tɛn tɛlˈɛfɔn, tsˈɔ tʃˈɛba, ʒˈɛ tɔ zupˈɛwɲʲɛ ˈinna sˌɨtuˈatsja, ˌalɛ sˈam ɕˈɛbjɛ ɲʲɛ pʃˌɛkɔnˈujɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_41.wav|ˌuɕmʲɛxnˈɛwa ɕɛ, a vˈɔkuw stˈɔwu rɔzlˈɛɡwɨ ɕɛ pˌɔjɛdˈɨntʃɛ ɕmʲˈɛxɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_35.wav|kˈit sprˈavʲaw vraʒˈɛɲʲɛ ɲʲˈɛtsɔ zbʲitˈɛɡɔ strˈɔpu, pɔɲʲˈɛvaʃ strˈakan mʲˈaw ʒɛlˈaznɛ alˈibʲi i mʲˌɛli jˈuʒ dˌɔskɔnawˈɛɡɔ pˌɔdɛjʒanˈɛɡɔ f pɔstˈatɕi spɛntsˈɛra jˌɔxanssˈɔna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_29.wav|jɛst swɔdʑˈuxnɨ, dɔdˈajɛ dʒˈim, zɛzdˈajɛ ɕɛ ˌawtɛntˈɨtʃnɔ̃ tʃuwˈɔɕtɕɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_98.wav|na ˌɔɡlɔndˈawɛɕ ɕɛ za dˈuʒɔ fˈilmuf, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_145.wav|stˈali vʲˈɛnts i patʃˈɨli na ɲʲˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_224.wav|vʲˈɛlkɔ̃ litˈɛrɔ̃ a.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_135.wav|tˈɔm spˈɔjʒaw mu prˈɔstɔ w ˈɔtʃɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_12.wav|pʃɛd dʒvʲˈami dɔpˈadwɔ mɲʲɛ vaxˈaɲʲɛ i zˌavrutɕˈiwam zdjˈɛnta strˈaxɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_299.wav|mˈɔʒɛ pˈaɲi jɛst psˌɨxɔlˈɔɡʲɛm?|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_91.wav|vrˈatsa dɔ pʃˌɛvrutsˈɔnɛj sˈɔsnɨ i ɕˈada na pɲʲˈu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_222.wav|skɔɲtʃˈɨwɛm tʃˈɨtatɕ, zwɔʒˈɨwɛm kˈartkɛ i ɔddˈawɛm tɔ ɲʲˈɛmu.|0
+Dataset/wavs/urwisko_ferenc/26_segment_35.wav|nˈabraw pɔvʲˈɛtʃa f pwˈutsa i ɔtfˈɔʒɨw ˈɔtʃɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_192.wav|mˈuj bˈɔʒɛ, ɔ mˈuj bˈɔʒɛ, mˈama ɲʲɛ mˈɔʒɛ ɕɛ ˈɔtɨm dɔvʲˈɛdʑɛtɕ. ɲʲɛ xtɕˈawa, ʒˈɛbɨm tˈu pʃˌɨjɛxˈawa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_270.wav|pʃɨɡwˈadʑiw dwˈɔɲmi vwˈɔsɨ na skrˈɔɲʲax.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_297.wav|ʒˈɛ zɔbˈatʃɨtɕ mˈɔʒna bˌɨwɔ tˌɨlkɔ bjˈawɨ, mˈɔtsnɔ rˌɔzʒɛdʑˈɔnɨ kilvˈatɛr na tʃˈɨstɨm ɲʲˈɛbjɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_289.wav|skˈɔnd vʲˈɛʃ, jˈaɡ zˌaxɔvˈujɔ̃ ɕɛ ˌamɛrɨkˈaŋki?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_5.wav|vɨɡlˈɔndaw na zˌaɡubjɔnˈɛɡɔ, jˈaɡbɨ tkfˈiw w ɔlbʒˈɨmjɛj dʑˈuʒɛ i ɲʲɛ vʲˈɛdʑaw, kturˈɛndɨ mˈɔʒɛ ɕɛ z ɲʲˈɛj vɨdˈɔstatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_79.wav|wapˈidux xfˈɨtɕiw ɡˈɔ za prˈavɛ rˈamjɛ. kɔʃˈula jˌamjɛsˈɔna pɔ lˈɛvɛj strˈɔɲʲɛ bˌɨwa pˌɔʃarpˈana i pʃˌɛɕɔŋkɲʲˈɛnta krfjˈɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_31.wav|a znˈajdʑɛʃ kˈɔɡɔɕ lɛpʃˈɛɡɔ?|4
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+Dataset/wavs/urwisko_ferenc/10_segment_39.wav|ˈɔtsknɔw ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_64.wav|tˈɔm ɔdvrˈutɕiw ɕɛ dɔ bˈɛtskɨ i spˈɔjʒaw nˈaɲʲɔ̃ pˌɨtajˈɔntsɔ. vʲɛdʑˈawa, ɔ tsˈɔ pˈɨta.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_22.wav|pʃˌɨpɔmɲʲˈawa mu brjˈɛnnɛ. tɕˈawɔ zɡɲˈijɛ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_80.wav|jˈamɛ pˈɔpiw wˈɨɡ vˈina. skˈɔnt pˈɛvnɔɕtɕ, ʒˈɛ tɔ bˈɨw ˈɔɡar?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_168.wav|tɔ tˈutaj ɕɛ stˈawɔ? spˈɨtaw tˈɔnɨ, nˌalɛvˈajɔndʑ dɔ ʃklˈanɛk.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_34.wav|nˈaɡlɛ pʃˌɨstanˈɛwa, fskazˈawa pˈaltsɛm w ɡwˈɔmp kˌɔrɨtˈaʒa i bˈɛs swˈɔva ˌɔddalˈiwa ɕɛ f pʃɛtɕˈivnɨm kʲɛrˈuŋku.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_82.wav|ɲʲˈɛxtɕawbˌɨm, ʒˈɛbɨ ktˈɔɕ pɔdɡlˈɔndaw, bˈɔ ʒˈadɛn zˈɛmɲʲɛ pˈisaʃ. pɔ prˈɔstu stˈaram ɕɛ ftʃˈutɕ w rˈɔlɛ i zˈabʲitɕ tʃˈas.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_388.wav|tɕˈɛ̃ʃkɔ dˈɨʃɔnts, vrutɕˈiwɛm dɔ sfˈɛɡɔ lˌɛɡɔvˈiska.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_55.wav|ɡdˈɨ alˈain ɡˈɔ znalˈazwa, ɕˈɛdʑaw pʃɨ kɔmˈiŋku, pˌɔpijˈajɔndʑ ɡʒˈanɛ vˈinɔ f tˌɔvaʒˈɨstfʲɛ tʃˈɛx mˈɛ̃ʃtʃɨzn, ktˌurɨx ɲʲɛ znˈawa.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_55.wav|vʲˈɛʃ, tsˈɔ sˈɔndʑɛ ɔ sˈɛr w lɔrˈaɕɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_64.wav|i pɔtʃˈɛdwɛm dɔ naʃˈɛɡɔ starˈɛɡɔ lˈustra pɛwnˈɛɡɔ ʃlaxˈɛtnɨx liʃˈajuf.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_28.wav|a ɲʲɛ, ʒˈɛ bˌɛndɛ ɕɛ bɔrˈɨkaw z dwuɡˈami.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_124.wav|a pˈɔtɛm jˈudɨ vrutɕˈiwa ubrˈana f kˌɔlɔrˈɔvɨ çˈiɲski ʃlˈafrɔk.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_74.wav|dʑˈɛŋki, jˈɔɛ. zɡˈadʑaʃ ɕɛ s tˈɨm? bˈɛtskɨ zvrutɕˈiwa ɕɛ dɔː ˈaʃa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_155.wav|nabˈɨtki z ˌamazˈɔna sɔ̃ f ʃˈafjɛ. mʲˌawɨ tˈam zˈɔstadʑ dɔ xfˈili, kʲˈɛdɨ ɔdbjˈɛʒɛ tɛlˈɛfɔn, ʒˈɛ vʲˈɔzɔ̃ alˈɛna na fsxˈut, ˌalɛ sˌɨtuˈatsja ɕɛ zmʲɛɲˈiwa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_46.wav|zˈamknɔw ˈɔtʃɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_80.wav|tsˈɔ tɛn ɔkrˈɔpnɨ tˈɨb zrˈɔbʲiw tamtˈɛmu dʑˈɛtsku, pˌɔvʲɛdʑˈawa ˈɛlis. zˌaswuɡˈujɛ na ɕmʲˈɛrtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_142.wav|dˈɔsɨtɕ mˈa dʑˈɛɲ sfˈɔjɛj bjˈɛdɨ, mˈɨɕli.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_5.wav|dɔpʲˈɛrɔ kʲˈɛdɨ ˌɔtfɔʒˈɨwam ʃˈafkɛ w waʑˈɛntsɛ i zˌɔbatʃˈɨwam pudˈɛwkɔ s tˌampɔnˈami, ˌuɕfʲadɔmˈiwam sˈ��bjɛ, ʒˈɛ ɔt ɔstˈatɲʲɛj mʲɛɕˈɔntʃki ˌupwɨnˈɛwɔ jˈuʃ spˈɔrɔ tʃˈasu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_36.wav|ɕmʲˈɛtɕi f tɨm mʲˈɛɕtɕɛ ɔdbjˈɛra ɕɛ f pʲˈɔntki, vʲˈɛnts ˈɔba pˌɔjɛmɲˈiki sɔ̃ pˈɛwnɛ i tsuxnˈɔntsɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_143.wav|s pˌapʲɛrˈɔsa bakʲˈɛɡɔ zˈɔstaw jˈuʃ tˌɨlkɔ kʲˈɛp. ɡˈaɕi ɡˈɔ.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_42.wav|pˈɔtʃuw ɕɛ dʑˈɛŋki tˌɛmu dˈɔbʒɛ.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_130.wav|jˈaɡ dˈɔtɔnt.|1
+Dataset/wavs/urwisko_ferenc/42_segment_91.wav|w bjˈawɨx ˈɔknaɣ zˈɛ ʃprɔsˈami dˌɔɡasˈawɔ swˈɔɲtsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_4.wav|tʃˈɨ nastˈɛmpnɛ dɲˈi tɔ ɲʲˌɛustajˈɔntsɨ sˈɛn ˈɔf alˈudʒɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_114.wav|ˈɛliz vɨsˈuva jˈɛdnɔ zˈɛ zdjˈɛɲdʑ z ɡɔˈɔɡlɛ ˈɛartx na ɕrˈɔdɛk stˈɔwu.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_50.wav|tɔ bˈɨw pʲˈɛrʃɨ ˈɛtap.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_308.wav|ʒˈɛbɨ utfˈɔʒɨtɕ pʲˈɛrʃɔ̃ na ɕfʲˈɛtɕɛ pˈartjɛ pʃˌɛbatʃˈɛɲʲa. ʒˈɛbɨ jˈuʃ ɲˈiɡdɨ lˈudʑi pɔ nˈɔtsax ɲʲɛ ʒˈarwɨ dɛmˈɔnɨ ɲʲˌɛnavˈiɕtɕi i strˈaxu. pɔtʃˈɛkaj!|0
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+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_36.wav|ɲʲɛ jˌɛstɛm sˈanɛl.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_28.wav|jˈaɡ dwˈuɡɔ mˈɔɡɛ tɔ rˈɔbʲitɕ ɛlfjˈɛmu?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_127.wav|f tˈakim rˈaʑɛ ɕɛ mˈɨliʃ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_103.wav|uvʲˈɛʒɨtɕ na pˈɛvnɔ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_129.wav|vˈidʑi, ʒˈɛ na tsˈɔurt strˈit rˈux ɕɛ zaɡˈɛ̃ʃtʃa. fkrˈuttsɛ fʃˈɨstkʲɛ mʲˈɛjstsa pˌarkiŋɡˈɔvɛ bˌɛndɔ̃ zajˈɛntɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_139.wav|jˈɛdɛn z nˈaʃɨx fspˈulnɨɣ znajˈɔmɨx pˈɔvʲɛ pˈanu kʲˈɛdɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_186.wav|pˈɔʃɛd vʲˈɛndʑ dɔ mʲɛʃkˈaɲʲa, ktˌurɛ zajmˈɔvaw mɛnˈɛdʒɛr i tɛn ɔtfˈɔʒɨw mu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_44.wav|w ɡɔdʑˈinax prˈatsɨ sˈɔndu ɲʲˈɛma ʃˈanz zˌaparkˈɔvatɕ na ulˈitsɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_132.wav|ɲʲɛ mˈɔɡwam ɕɛ dɔtʃˈɛkadʑ dalʃˈɛɡɔ tɕˈɔŋɡu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_11.wav|kʲˈɛdɨɕ ɔɡlˈɔndaw na jˈɔu tˈubjɛ vˈɨvʲat s tʲˈajmm ɔbrjˈɛnɛm dˌɔtɨtʃˈɔntsɨ pɔvʲˈɛɕtɕi ʒˈɛtʃɨ, ktˌurɛ ɲʲˈɛɕli.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_57.wav|dˈɔkɔnt ɔn jˈɛdʑɛ dɔ jˈasnɛj xɔlˈɛrɨ?|4
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_67.wav|ˌalɛ vˈɔlawbˌɨm, ʒˈɛbɨ w ɔɡˈulɛ ɲʲɛ muɕˈawa ˈiʑdʑ dɔ prˈatsɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_288.wav|vidʑˈawɛɕ mɲʲɛ kʲˈɛdɨɕ f tˈakim strˈɔju?|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_99.wav|ʒˈɛtʃ f tˈɨm, ʒˈɛ zˈafʃɛ zajmˈujɛ tˈɛ sˈamɔ̃ pɔzˈɨtsjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_49.wav|bˌɨwam vˌɨpɔtʃˈɛnta, tʃˈɨsta i mʲˈawam ɕfʲˈɛʒɨ ˈumɨsw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_75.wav|kɔlˈɛjna zbwɔŋkˈana kˈula ɔdbʲˈiwa ɕɛ rˌɨkɔʃˈɛtɛm ɔt ˌɔpantsˌɛʒɔnˈɛɡɔ bˈɔku ˈiɡla.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_51.wav|f pɔʒˈɔntku, zˈajmɛ ɕɛ tˈɨm, ɔbjˈɛtsaw kˈɛlvin.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_43.wav|mˈɔɡɛ tsˈɔɕ pˈanu pˌɔtpɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_4.wav|zavˈɔwaw. tɛn tʃwˈɔvʲɛk nˈas ɔkwˈamaw!|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_83.wav|pɔ pˈuʑnɨm lˈantʃu kwˈadʑɛ ɕɛ z ɡwˈɔvɔ̃ ɔpˈartɔ̃ na splɛtɕˈɔnɨɣ dwˈɔɲʲax, fsuɲʲˈɛntɨx pɔt pɔdˈuʃkɛ, bˈɨ pˈɔtʃutɕ skrˈɨtɨ tˈam xwˈut.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_190.wav|kˈaʒda jɛst mɔʒlˈiva i kˈaʒdɔ̃ mˈɔʒna mi pʃɨpˈisatɕ ˈalbɔ vmˈuvitɕ.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_99.wav|i fʃˈɨstkɔ, tsˈɔ maˈɛstɛr ˈɛmɔn vɨʃˈɛptaw mu pʃɛt ɕmʲˈɛrtɕɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_101.wav|martfˈiwam ɕɛ tˌɨlkɔ mɔˈimi rˌɔdʑitsˈami, ˌalɛ pʃˌɛtɕɛʃ pˌɔtʃɛbɔvˈawam ix fsparsˈija.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_137.wav|mˈɔʒɛ tɔ pɔt fpwˈɨvɛm ʃˈɔn atskˈɛrman z ˌawtɔpɔrtrˈɛtu s pluʃˈɔvɨm flamˈiŋɡʲɛm, ktˌurɨ dla ɲʲˈɛɡɔ nˌarɨsɔvˈawa.|2
+Dataset/wavs/urwisko_ferenc/39_segment_12.wav|f ktˌurɨm mʲˈɛjstsu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_57.wav|pʃˈɛrvaw ˈɔstrɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_409.wav|kturˌɛɡɔ ɲʲˌɛnavidʑˈiwɛm tˈɨlɛ lˈat.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_96.wav|ɲʲɛ jɛst rˈɔlɔ̃ bʲillʲˈɛɡɔ pɔvʲˈɛdʑɛtɕ mu, ʒˈɛ dˈɔn i bɛvˈɛrlɨ pɔ pɔvrˈɔtɕɛ z rˈɛjsu tˈak tʃɨ ˈɔvak pˌɔʃukˈajɔ̃ nɔvˈɛɡɔ mʲɛʃkˈaɲʲa, mˈɔʒɛ nˈavɛd dɔ kupʲˈɛɲʲa, ɲʲɛ vˌɨnajˈɛɲtɕa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_8.wav|zˈafʃɛ istɲʲˈawɨ jˈɛʃtʃɛ ˈinnɛ mˌɔʒlivˈɔɕtɕi.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_73.wav|ɲʲˈɛma pʲɛɲʲˈɛndʑɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_537.wav|swˈɨʃɛ, pˌɔvʲɛdʑˈawɛm mˈartfɔ.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_427.wav|ˌɔdvrutɕˈiwa ɡwˈɔvɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_20.wav|bˌɨwɛʑ zmartfʲˈɔnɨ f ʃˈɔku.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_47.wav|mruknˈɛwa bˈɛtskɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_9.wav|jˈakʲɛ sɔ̃ prɔɡnˈɔzɨ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_41.wav|mˈam nadʑˈɛjɛ, ʒˈɛ ˈaram ɲʲɛ ˌɔtʃɛkˈujɛ mɲʲɛ dʑˈiʑ vʲɛtʃˈɔrɛm.|3
+Dataset/wavs/urwisko_ferenc/65_segment_26.wav|pɔ prˈɔstu ʒˈatkɔ bˈɨvam w dˈɔmu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_263.wav|i ftˈɛdɨ ɔn nˈaɡlɛ jˈaɡbɨ ɔtʃˈɛʑvʲaw, ɔtʃˈɛpaw ɕɛ, pɔvʲˈɛdʑaw|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_21.wav|muɕˈawɔ tˈaɡ bˈɨtɕ, bˈɔː ɔbrˈazɨ ɲʲɛ zmʲɛɲʲˈajɔ̃ ɕɛ sˈamɛ s ɕˈɛbjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_323.wav|ja sˈam pˌɔtʃɛbˈujɛ mˈiwɨx kwamstˈɛvɛk i ˌɔdrɔbʲˈinɛ...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_196.wav|mˈam nadʑˈɛjɛ na pʃɨnˈajmɲʲɛj pʲˈɛɲtɕsɛt fˈuntuf. mˈɨɕliʃ, ʒˈɛ dˈaʃ rˈadɛ zˈɛbradʑ drˈuɡʲɛ tˈɨlɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_31.wav|tˈɔm vɨpˈuɕtɕiw pɔvˈɔli pɔvʲˈɛtʃɛ s pwˈuts.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_78.wav|vwˈaɕɲʲɛ mɲʲɛ zˌatʃɨmˈali jˈakɔ pˌɔdɛjʒˈanɔ̃ ɔ zabˈujstfɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_62.wav|pˈɔvʲɛm tɕˈi, kˈim ɔn jˈɛst. jɛst tsudˈɔvnɨm tˈatɔ̃ i znˌakɔmˈitɨm çirˈurɡʲɛm dʑɛtɕˈɛntsɨm. vɨstˈartʃɨ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_29.wav|— mˈili pˈalmɛr, ˈɔfʃɛm. uvˈaʒa pˈan, ʒˈɛ nˈaʃa ɔfjˈara mˈɔɡwa bˈɨtɕ jˈɛdnɨm s pˌɔrɨvˈatʃɨ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_68.wav|ˌalɛ ja xtsˈɛ, ˈabɨʑ zdjˈɛwa jˈɔ̃ zˈaras.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_304.wav|tsˈɔ za pˈuʑnɔ.|0
+Dataset/wavs/urwisko_ferenc/46_segment_50.wav|— tɔ kˈavaw skurvʲˈɛla, ktˌurɨ pɔvˈiɲʲɛn ɡɲˈitɕ f pʲˈɛrdlu. ɕlˈɛttʃɨ zatɕˈisnɔw zˈɛmbɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_24.wav|vrˈɛʃtɕɛ ˈɛliz zamknˈɛwa laptˈɔpa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_4.wav|ɕtɕˈanɨ i ˌɛlɛvˈatsjɛ pɔkrˈɨvaw ʑɛlˈɔnɨ mˈɛx, a ˈɔkna vʲˌɛlɔlˈɛtɲi brˈut.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_100.wav|ʒutɕˈifʃɨ mu ɔstˈatɲʲɛ pˈɛwnɛ ɲʲˌɛpɔkˈɔju spɔjʒˈɛɲʲɛ, ˌɔdvrutɕˈiwa ɕɛ, pɔpxnˈɛwa dˌɔmiɲˈika fraŋklˈina i ɔbˈɔjɛ vˈɨʃli s pɔkˈɔju.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_63.wav|mˈɔjɛ trˈampki ɲʲɛ vɨdˈajɔ̃ ʒadnˈɛɡɔː ɔdɡwˈɔsu, kʲˈɛdɨ ˈidɛ. ta tɕˈiʃa jɛzd vrˈɛntʃ ɲʲˌɛsamɔvˈita.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_29.wav|pʃˈɛs pʲˈɛɲtɕ ɔstˈatɲix lˈat mʲɛʃkˈaliɕmˌɨ w mˌanxɛstˈɛʒɛ i jˈɛɡɔː ˌɔkɔlˈitsax.|3
+Dataset/wavs/urwisko_ferenc/15_segment_75.wav|maʃ na mˈɨɕli tɔ, ʒˈɛ bˈɨw za blˈiskɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_76.wav|a zdrˈada zˌapɛvɲˈiwabˌɨ jɛj sɔlˈidnɛ ˌarɡumˈɛntɨ muvʲˈɔntsɛ ɔ ɲʲˌɛɔdvratsˈalnɨm rɔspˈadʑɛ mawʒˈɛɲstfa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_67.wav|kˈava dɔ tˌɛɡɔ tʃˈasu zdɔ̃ʒˈɨwa ɕɛ zapˈaʒɨtɕ, vʲˈɛnts ˈɛliz vɨpˈija fˌiliʒˈaŋkɛ, pɔ tʃɨm fkwˈada kˈurtkɛ, ʑimˈɔvɛ bˈutɨ i vɛwɲʲˈanɔ̃ tʃˈapkɛ, ktˌura ɔswˈaɲʲa jɛj ˈuʃɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_28.wav|ɲʲɛ bˌɨwɔː innˈɛɡɔ mʲˈɛjstsa, f ktˌurɨm mˈɔɡwam ˈukrɨtɕ pʲɛɲʲˈɔndʑɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_42.wav|skˈɔrɔ bɛɲdʑˌɛmɨ sˌɔ̃ɕadˈami, mˈɔʒɛ prˈɔʃɛ mi mˈuvidʑ bɛvˈɛrlɨ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_134.wav|ktˈɔɕ, kˈɔɡɔ kɔxˈawa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_70.wav|ɔn jˈuʒ vʲˈɛdʑaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_115.wav|bʲˈillɨ vzrˈuʃa rˌamjɔnˈami.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_98.wav|ˈarbɔr, stˈarɛ mʲˈastɔ, vɨsˈɔɡrut. tˈam znˈajdʑɛʃ sfˈɔjɛ zwˈɔtɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_188.wav|pɔnˈavja tˌɨlkɔ prˈɔʑbɛ ɔ nˈumɛr dʒˈɔrdʒja. ɲˈitsk pɔdˈajɛ ɡˈɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_109.wav|tˌɛɔrɛtˈɨtʃɲʲɛ zbˌudɔvˈawam bˈazɛ kɕˌɛ̃ʒɨtsˈɔvɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_43.wav|ˌalɛ fʃˈɛɲdʑɛ krɔ̃ʒˈɨwɨ rˌɔzmaˈitɛ plˈɔtki.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_368.wav|ɲʲɛ prˈaɡnɛ ɡˈɔ tsawˈɔvatɕ, pˈaɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_98.wav|ˌalɛ tʃɨ vˈartɔ pʃˌɨpɔmˈinatɕ? s pustˈavɔ̃ pamjˈɛɲtɕɔ̃ pʃɛʃˈɛdwɛm kˈavaw drˈɔɡʲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_34.wav|xwˈɔpʲɛ, ɲʲˈɛvʲɛm skˈɔnt tʃˈɛrpʲɛʃ ˌinfɔrmˈatsjɛ na tˈɛmad dʑˈɛftʃɨn, ˌalɛ jˌɛstɛʑ w bwˈɛɲdʑɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_255.wav|ɡˈɛrs fˈirst lˈɔvɛ pɔvʲˈɛdʑaw dɔ bˈurɨ mˈɛ alˈivɛ, fskazˈujɔnts pʃˈɨtɨm na ˌandɛrsˈɔna.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_306.wav|jˈaɡ zdˈɔwa vwˈadatɕ tˈɨm?|1
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_130.wav|pˌɔtstavˈɔvɛ ʃkɔlˈɛɲʲɛ zatʃˈɛwɔ ɕɛ na vˈɨspʲɛ pˈaris. mʲˈawɔ trfˈatɕ tʃˈɨ mʲɛɕˈɔntsɛ, a ˌɔstatˈɛtʃɲʲɛ spɛɲdʑˈiwɛm tˈam tˌɨlkɔː ˈɔɕɛm tɨɡˈɔdɲi.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_317.wav|stˈaram ɕɛ, pˈaɲi, ˌalɛ atˈaki stˈajɔ̃ ɕɛ tsˈɔraz ɡvˌawtɔvɲʲˈɛjʃɛ, a krˈɛf mˈa jˈuʃ tˈaɡ ʒˈatkɔ̃, ʒˈɛ ɲʲɛ ɔdvˈaʒɛ ɕɛ pʃɨstˈavʲatɕ mu vʲˈɛntsɛj pijˈavɛk.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_30.wav|tˈɔm xtɕˈaw jɛdˈɨɲʲɛ vʲˈɛdʑɛtɕ, tʃɨm dˌɨspɔnɔvˈali tˈɛras, a ɲʲɛ tʃˈɛɡɔ ɲʲɛ vʲɛdʑˈɛli ftʃˈɔraj.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_60.wav|ˌalɛ vwˌaɕtɕitɕˈɛlkɔ̃ ˈawta jˈɛst...|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_263.wav|rˈɔzɡrɨɕ tɔ, a zɔbˈatʃɨʒ bˈɔɡa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_3.wav|pʃˌɨɡlɔndˈali ɕɛ sˌamɔxˈɔdɔm vjˌɛʒdʒajˈɔntsɨm na pˈarkiŋɡ ɡalˈɛrji lˈɔvrɨ ɔˈutlɛt.|4
+Dataset/wavs/urwisko_ferenc/64_segment_48.wav|spravdʑˈimɨ ɡrˈund ɡˌɛɔradˈarɛm.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_267.wav|pɔmˈɔɡɛ mu f pʃˌɨpɔmɲʲˈɛɲʲu ix sˈɔbjɛ, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_63.wav|xˈarljɛ, ktˌura ɕɛdʑˈawa bɛzɡwˈɔɕɲʲɛ w ɡwˈɛmbʲi dˈɔmu, pˈɔʃwa z ɲˈim, ʒˈɛbɨ ɕɛ upˈɛvɲitɕ, ʒˈɛ ɲʲɛ zɲˈiʃtʃɨ ʒˈadnɨɣ dˈanɨx. nˌailˈɔvi tɔ bˈɨ nˈajmɲʲɛj ɲʲɛ pʃˌɛʃkadʑˈawɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_152.wav|ˌalɛ vʲˈɛŋkʃɔɕtɕ ɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_49.wav|tfʲˈɛrdʑiʃ, ʒˈɛ mʲˈawɛʑ zˌapisˈanɔ̃ ɔnlˈinɛ lˌɔkalizˈatsjɛ ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_209.wav|tɔ ɲʲɛ s sufˈitu kapˈawɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_25.wav|ɡwˈɔs jˈɔɛ ɕɛ zawˈamaw i bˈɛtskɨ vɨtʃˈuwa, ʒˈɛ xˈɔtɕ kɔbjˈɛta starˈawa ɕɛ zˈɛ fʃˈɨstkix ɕˈiw zaxˈɔvatɕ ˌɔpanɔvˈaɲʲɛ, tɔ bˌɨwa blˈiska zˌawamˈaɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_81.wav|znˈajɔ̃ ɕɛ z bˈaki prˈavʲ�� ɔt samˈɛɡɔ pɔtʃˈɔntku. bʲˈillɨ ˈufa mu bˌɛzɡraɲˈitʃɲʲɛ i vʲˈɛʒɨ, ʒˈɛ bˈaki ˈufa jˌɛmu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_111.wav|ˌalɛ pˈan pˈisaw sprˈɨtɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_114.wav|rˈaŋɡɛ rˈɔvɛr rˈuʃa i ɔpˈuʃtʃa pˈarkiŋk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_24.wav|nˈajpʲɛrf pʃˌɛjɛxˈawa na drˈuɡɔ̃ strˈɔnɛ ˌɔbvɔdɲˈitsɨ, a pˈɔtɛm pˌɔʒutɕˈiwa samˈɔxut.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_46.wav|vʲˈɛnts jˈaka jɛst ɔtpˈɔvʲɛtɕ? ɲʲˈɛma jɛj w ɔɡˈulɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_114.wav|xˈɛj, pɔvʲˈɛdʑawbˌɨ jˈɛdɛn z ɡlˈin, ja tɕˈɛ znˈam, kɔlˈɛɡɔ, pˈujdʑɛʒ z nˈami.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_179.wav|jˈak tʃˈɛɡɔɕ xtsˈɛ, tɔ ɲʲˈɛma pʃˈɛbatʃ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_23.wav|filˈipa vˈɛʃwa dɔ ɡˌabʲinˈɛtu tˈɔma f tɨm sˈamɨm mɔmˈɛɲtɕɛ, kʲˈɛdɨ kˈid vrˈutɕiw z laptˈɔpɛm i dˌɔkumɛntˈami.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_60.wav|rˌɔspɔznˈajɛ z ˈulɡɔ̃ ɡwˈɔs stɛvˈɛa i pʃɛstˈavʲam pʃɛwˈɔntʃɲik tsˌɛntralnˈɛɡɔ zˈamka. fɕˈada, ˌuruxˈamja ɕˈilɲik i rˈuʃa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_79.wav|a nˈɔva ɡvinˈɛa? tɔ jˈuʃ lˈɛpʲɛj. tsˈɔ tˈam rɔbʲˈiwaɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_136.wav|bˈɨw tˈɛʃ ɕfʲˈɛtnɨm malˈaʒɛm. zˈafʃɛ pratsˈɔvaw na najvˈɨʃʃɨm rˌuʃtɔvˈaɲʲu.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_193.wav|vˌɨɡlɔndˈawɔ nˈatɔ, ʒˈɛ dʲibˈɔis i lˌatɨnˈɔski mɔrdˈɛrtsa jˈuʒ dˈavnɔ stˈamtɔnd zɲiknˈɛli.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_166.wav|mˈuɕiʃ mi ˌɔpɔvʲˈɛdʑɛtɕ fʃˈɨstkʲɛ sfˈɛ sɛkrˈɛtɨ pɔ drˈɔdʑɛ na dˈuw. tʃɨ mˈɔɡɛ tɕi mˈuvitɕ alˈain?|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_300.wav|na pɔtʃˈɔntɛk pɔvʲˈɛɕmɨ ɛdmˈura taljˈɛɡɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_18.wav|xˈɨba ɲʲɛ mˈɨɕlɔ̃, ʒˈɛ tˈɛssa jɛst w jˈakiɕ spˈɔsub zˌaaŋɡˌaʒɔvˈana. vʲˈɛmɨ, ʒˈɛ mɛ̃ʃtʃˈɨznɔ̃ w jɛj sɨpʲˈalɲi ɲʲˈɛbɨw ˈaʃ, prˈavda?|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_232.wav|tˈak, pˌɔkivˈawam ɡwˈɔvɔ̃.|4
+Dataset/wavs/urwisko_ferenc/29_segment_19.wav|zrɔzˈumjaw, ʒˈɛ xˈɔdʑi ɔ xˈɛrman.|0
+Dataset/wavs/urwisko_ferenc/05_segment_32.wav|a kˈilka mʲɛɕˈɛntsɨ pˈuʑɲʲɛj zmˈarwa f ʃpitˈalu na skˈutɛk udˈaru.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_47.wav|na pˈɛvnɔ swˈɨʃɛ mˈuj wamjˈɔntsɨ ɕɛ ɡwˈɔs, kʲˈɛdɨ jɛj dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_108.wav|xˈɔtɕtɕɛ, jˈɛɕli ɲʲɛ xtsˈɛtɕɛ ˈɔdɛjɕtɕ, ɡwˈupʲɛ. tˈak jˈɛst, xˈɔtɕtɕɛ.|1
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_7.wav|zwamˈawam vwˈasnɔ̃ ˌɔbjɛtɲˈitsɛ, pɔɲʲˈɛvaʃ uznˈawam, ʒˈɛ ɲʲˈɛmam vɨbˈɔru.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_9.wav|dʑɛŋkˈujɛ, ˈɔtpar tʃˈujɔndʑ vʲˈɛlkɔ̃ ˈulɡɛ, ʒˈɛ ɔbˈɔjɡu ɲˈits ɲʲɛ dɔlˈɛɡa.|4
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+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_226.wav|ˈɛlis sxɔvˈawa jˈuʃ ix skrˈɔmnɛ baɡˈaʒɛ dɔ mˌitsubʲˈiʃi.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_131.wav|tɨm rˈazɛm muɕˈawɨ pʃɨlˈɛɡadʑ bˈardʑɔ dɔkwˈadɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_67.wav|tˈa, pʃɨ ktˌurɛj pˈanu bˈɔɡu zdˈaʒɨw ɕɛ mˈɔmɛnd vaxˈaɲʲa, mˈɔɡwa nˈavɛt pɔtkrˈɛɲtɕidʑ vˈɔ̃sa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_188.wav|z jˈɛɡɔː ˈɔtʃu bʲˈijɛ tˈɛras jˈuʃ ɲʲˌɛskrɨvˈana dˌɛspɛrˈatsja, zɲˈiʒa ɡwˈɔs.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_232.wav|ˌukraˈiɲʲɛts ʃˈɨpkim rˈuxɛm zɡˈarnɔw sfˈɔjɛ ɡʲˈizmɔ s pˈuwki.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_58.wav|sˈuxɨ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/urwisko_ferenc/23_segment_141.wav|mɛ̃ʃtʃˈɨzna vzrˈuʃɨw rˌamjɔnˈami.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_32.wav|mˈuvi pˌɔxɨlˈajɔnts ɕɛ, ʒˈɛbɨ zˈabratɕ plˈik papʲˈɛruv z mɔjˈɛɡɔ bjˈurka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_28.wav|dʒvˈi pamjˈɛɲtɕi ˌɔtfʲɛrˈajɔ̃ ɕɛ i bʲˈillɨ pʃˌɛstɛmpˈujɛ jɛj prˈuk.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_33.wav|bˈɛtskɨ skinˈɛwa ɡwˈɔvɔ̃ i kˌɔntɨnˌuɔvˈawa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_12.wav|pɔlˈitsja uvˈaʒa, ʒˈɛ jˈɛdɛn z jɛj lˈudʑi zˈabʲiw tʃwɔvʲˈɛka, a ɕtɕˈiɕlɛ ʒˈɛdʒ bjˈɔrɔndʑ vɨkˈɔnaw nˈaɲim ˌɛɡzɛkˈutsjɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_191.wav|a tɕi sprˌɔvadʑˈili ambˈulans.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_92.wav|pɔtskˈɔtʃɨw i ɔdvrˈutɕiw ɕɛ ɡvawtˈɔvɲʲɛ, nˈajpʲɛrf w jˈɛdnɔ̃, a pˈɔtɛm w drˈuɡɔ̃ strˈɔnɛ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_486.wav|xˈɨba rˈatʃɛj ruʒˈɔvɨm ʃˌarlatˈanɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_19.wav|ja z ɲˈim tˈɛʃ prˌatsɔvˈawɛm, pɔvʲˈɛdʑaw drˈuɡʲi, nat kturˌɛɡɔ lˈɛvɔ̃ kʲɛʃˈɛɲʲɔ̃ pʃɨʃˈɨtɛ bˌɨwɔ kʃˈɨvɔ nazvˈiskɔ dʒˈɔnsɔn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_334.wav|lˈup f pʲɛʃtʃˈɔtɕɛ miwˈɔsnɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_497.wav|pˌɔsɔndʑˈajɔ̃ mɲʲɛ ɔ mɔrdˈɛrstfɔ. ɲʲˈɛma mˈɔrdɛrstf.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_55.wav|maʃ numˈɛrɨ tˌɛɡɔ druɡʲˈɛɡɔ sˌamɔxˈɔdu?|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_183.wav|tˈɛras jˈuʒ vʲˈɛʃ, dlatʃˈɛɡɔ nazˈɨvam ɕɛ tˈak.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_4.wav|bjɛɡnˈɔntsɨ kˈu ɲˈim s prˈavɛj strˈɔnɨ sˌamɔlˈɔtu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_78.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/urwisko_ferenc/53_segment_138.wav|ˈɔkɛj, zbjˈɛʒmɨ tɔ dɔ kˈupɨ, zˌaprɔpɔnˈɔvaw. dɔ tʃˈɛɡɔ nˈas fʃˈɨstkɔ prɔvˈadʑi?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_9.wav|zapˈɛvnɛ pˌɔzbavˈili ɡˈɔ ɡwuvnˈɛɡɔ tˌɛlɛfˈɔnu i pɔlˈitsja ɲʲɛ bˌɛɲdʑɛ f stˈaɲʲɛ ɡˈɔ ɕlˈɛdʑitɕ.|4
+Dataset/wavs/urwisko_ferenc/61_segment_29.wav|kʲˈɛdɨ? dˈam znˈatɕ. dɔ zˌɔbatʃˈɛɲʲa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_25.wav|musˈimɨ sprˈavdʑidʑ dˈɔstɛmb dɔ tˌɛɡɔ pˈɔla bˈɛki. tˈam ɲʲˈɛma ʒˈadnɨɣ dˈɔmuf.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_325.wav|ta ˈutʃta...|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_177.wav|ˈandɛrsɔn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|0
+Dataset/wavs/urwisko_ferenc/63_segment_44.wav|bˌɨwa ɲʲˌɛɔbˈɛtsna.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_85.wav|bˈɛtskɨ ɲʲɛ muɕˈawa ɕɛ ɔdvrˈatsatɕ, ʒˈɛbɨ vʲˈɛdʑɛtɕ, ktˈɔ zˈadaw tɔ pɨtˈaɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_256.wav|dʑˈivi pˈana mˈɔʒɛ, dʑˈivjɔ̃ pˈana kɔbjˈɛtɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_30.wav|bˈɛtskɨ zɛrknˈɛwa na jˈɔɛ, ɲʲɛ vʲˈɛdʑɔnts, tʃɨ ta xtsˈɛ ɕɛ pɔdʑˈɛlitɕ sfɔˈimi pˌɔdɛjʒɛɲʲˈami. jˈɔɛ vzruʃˈɨwa rˌamjɔnˈami i sˈama pʃɛjˈɛwa pawˈɛtʃkɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_567.wav|tsˈɔ bˌɛɲdʑɛ z nˈami?|0
+Dataset/wavs/urwisko_ferenc/43_segment_8.wav|xˈɛrman ɕɛ ˌutɕɛʃˈɨwa, ʒˈɛ trafˈili na ɡadˈuwɛ, ˌalɛ z dˌɔɕfʲattʃˈɛɲʲa vʲɛdʑˈawa, ʒˈɛ pɔvˈinna pʃˈɛjɔɲtɕ kɔntrˈɔlɛ nat jˈɛɡɔ swˌɔvɔtˈɔkʲɛm.|0
+Dataset/wavs/urwisko_ferenc/33_segment_50.wav|kɔbjˈɛta zmruʒˈɨwa ˈɔtʃɨ i ˌɔdvrutɕˈiwa ɡwˈɔvɛ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_42.wav|jɛst ˌɔskarʒˈɔna ˈɔtɔ fʃˈɨstkɔ?|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_213.wav|ʃukˈamɨ sxrɔɲʲˈɛɲʲa pʃɛd dˈɛʃtʃɛm i mʲˈɛjstsa pʃɨ ˈɔɡɲʲu na nˈɔts.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_196.wav|mʲˈaw tˌɨlkɔ jˈɛdnɔ rˈɛŋka.|1
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+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_297.wav|ɡˈadaw ɔd ʒˈɛtʃɨ.|1
+Dataset/wavs/urwisko_ferenc/43_segment_36.wav|vɨxˈɨliw ʃklˈaŋkɛ dɔ dnˈa i pɔkˈivaw ɡwˈɔvɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_39.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_25.wav|jˌɛstɛm pˈɛvʲɛn. w drˈɔɡɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_84.wav|ɔɡlˈɔndam za dˈuʒɔ tˌɛlɛvˈizji, tɔ fʃˈɨstkɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_13.wav|tɔ tˈɨ, sˈam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_24.wav|xˈɔva ɕɛ f prˈalɲi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_175.wav|i na prˈuʒnɔ jɛj pˌɔftaʒˈali, ʒˈɛ tʃˈɨ ɔsˈɔbɨ zɡʲinˈɛwɨ, a dvˈa sˌamɔlˈɔtɨ pˈɔʃwɨ na ɕmʲˈɛtɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_21.wav|tˈata vɨdˈavaw ɕɛ zupˈɛwɲʲɛ zbʲˈitɨ s trˈɔpu jɛj swɔvˈami, a mɲʲɛ ɕɛ vˌɨdavˈawɔ, ʒˈɛ ftsˈalɛ ɲʲɛ zalˈɛʒɨ mu nˈatɨm prɔtsˈɛɕɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_19.wav|ɲʲɛ w zvʲˈɔ̃sku zˈɛmnɔ̃. drˈuɡʲi uvˈaʒa, ʒˈɛ ɲʲˌɛnavˈidʑi mˈɔjɛj mˈatki, ˌalɛ ɲʲɛ mʲˈawam z ɲˈim stɨtʃnˈɔɕtɕi ɔt pʲɛtnˈastu lˈat.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_11.wav|tˈɔm pɔnˈɔvɲʲɛ spˈɔjʒaw na bˈɛtskɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_118.wav|mˈam ɔxˈɔtɛ ɕɛ ɔdvrˈutɕitɕ i ˈutɕɛts.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_36.wav|kˈɔjja mˈɔ pˌɔftuʒˈɨwa tɛ swˈɔva w jɛ̃zˈɨku pɔfʃˈɛxnɨm vɛstˈɛrɔs, a pˈɔtɛm w jɛ̃zˈɨku lˈɛtɲim.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_232.wav|pʃˈɨʃwaɕ mɲʲɛ uvˈɔlɲitɕ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_51.wav|ˈutɕizɡ w ʒɔwˈɔntku.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_62.wav|ˌɔʃalˈɛli ˈalbɔ pʃˌɛstraʃˈɨli ɕɛ, ʒˈɛ brˈakuf ˈu sfˈɨɣ dʒvˈi.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_184.wav|ˌalɛ tˈu ɲʲˈɛma dʒˈɛf.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_157.wav|dla ɲʲˈɛɡɔ fʃˈɨstkɔ tɔ bˌɨwɨ ɡrˈɔʑnɛ bˈɛstjɛ, straʃlˈivɛ jˈak smˈɔki ˈalbɔ ɡrˈɨfɨ.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_126.wav|i swˈapʃɛ zvʲɛʒˈɛnta pɔvˈinnɨ ɕɛ bˈatɕ tɕˈɛbjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_106.wav|vʲˈarɨ, ʒˈɛ kˈɔxaʃ mɲʲɛ, a ɲʲɛ tˌɛɡɔ sˌukinsˈɨna, s ktˌurɨm tɔ fʃˈɨstkɔ rɔbʲˈiwaɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_178.wav|i znˈatʃɔndʑ ɡrɨmˈasɛm bˈulu jˈɛɡɔ tfˈaʃ. dˈɔtknɔw vʲˈɛnts plakʲˈɛtki lˈɛvɔ̃ dwˈɔɲʲɔ̃|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_410.wav|dˌɛlikˈatɲʲɛ pˌulsujˈɔntsɛ zˌaklɛɲɕɲʲˈɛɲtɕɛ, pʃˌɨvitˈawɛm ɕɛ radˈɔɕɲʲɛ z jɛj pʲˈɛrɕɔ̃ zdʑivʲˈɔnɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_29.wav|tˈɔm ɲʲɛ mˈuɕaw ˌɔpisˈɨvatɕ tˌɛɡɔ jatskˈɔvi ˌɔbrazˈɔvɔ, vwˈɔntʃɲʲɛ s pˌɔɡruʃkˈami dˌɔtɨtʃɔntsˈɨmi rɔdʑˈinɨ, ktˌurɛ mˈɔɡwɨ zˈɔstatɕ pʃˌɛkazˈanɛ.|4
+Dataset/wavs/urwisko_ferenc/47_segment_52.wav|mˈarja ˌɔttʃɔ̃snˈɛwa ɕɛ z ɲʲɛdˈavnɨx fspˈɔmɲʲɛɲ, ɡdˈɨ zadʑvˈɔɲiw tɛlˈɛfɔn. ɲʲɛ mʲˈawa ɔxˈɔtɨ na rɔzmˈɔvɛ, bˌɨwa zmɛntʃˈɔna, zupˈɛwɲʲɛ pˌɔzbavʲˈɔna ɛnˈɛrɡji.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_28.wav|ɲʲɛ jˌɛstɛm pˈɛvna. zˌastanavʲˈawam ɕɛ, tʃɨ jˈɔɛl kˈalu nˈadal pʃɨjˈɛʒdʒa ɔdbjˈɛratɕ pˈɔtʃtɛ dla lˌakɛsˈidɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_188.wav|pˌɔɡrɔ̃ʒˈɔna f tsˌawkɔvˈitɛj tɕɛmnˈɔɕtɕi, zvinˈɛwam ɕɛ f kwˈɛmbɛk na pɔdwˈɔdʑɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_22.wav|jɛʒˈɛli maʃ tɔː ɔpˈɔvʲɛts mi ˈɔɲim.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_264.wav|vʲˈɛnts kʲˈɛdɨ jˈɛ zˈɛtnɔ̃?|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_385.wav|i zʒutɕˈiwa ʃˈatɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_55.wav|vˌɨmjɛʒˈɨwa vˈɛmɲʲɛ pˈalɛts w ˌɔskarʒɨtɕˈɛlskim ɡˈɛɕtɕɛ. ta sˌabɔtaʒˈɨstka, ktˌura zɲiʃtʃˈɨwa mˈɔjɛ kɔmbˈajnɨ!|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_164.wav|tsɛrsˈɛi zadrʒˈawa.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_390.wav|ɲʲɛ mˈɔɡwa jˈuʃ pɔlˈɛɡatɕ na jamjˈɛim.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_163.wav|pɔvʲˈɛdʑaw, ʒˈɛ skˈɔrɔ zwˈɔʒɨw ɕlˈubɨ miltʃˈɛɲʲa, ɲʲɛ bˌɛɲdʑɛ ɡˈɔ pˌɔtʃɛbˈɔvaw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_248.wav|vˈɨswaw z rɔskˈazɛm vˌɨkɔnˈaɲʲa vɨrˈɔku na kˌɔnfidˈɛɲtɕɛ ˌɛnkˌavˌudˈɛ.|0
+Dataset/wavs/urwisko_ferenc/51_segment_44.wav|f kˈɔɲtsu vˌɨjɛxˈali na zalˈanɔ̃ swˈɔɲtsɛm pɔlˈanɛ i blˈɔɣ zatɕˈɔŋɡnɔw rˈɛntʃnɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_404.wav|skʃɨvˈiwam ɕɛ pˈatʃɔnts na vɨɕfʲˈɛtlatʃ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_172.wav|nˈam ɲʲɛ brakˈujɛ zapˈasuf, xˈɔtɕ ɔbˈavʲam ɕɛ, ʒˈɛ ɲʲɛ zˌɔstavˈiliɕmˌɨ na pˈɔlaɣ zbˈɨd vʲˈɛlɛ dla ɡˈɔɕtɕi.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_169.wav|dvˈa dɲˈi, dʑˈɛɕɛɲdʑ dɲˈi, ktˈɔ tɔ vʲˈɛ. tˈɨlɛ, ˈilɛ bˌɛɲdʑɛ tʃˈɛba, bˈɨ ɔprˈuʒɲitɕ wadˈɔvɲʲɛ i napˈɛwɲitɕ jˈɛ na nˈɔvɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_217.wav|tɕˈɛ̃ʃʃɛ ɲˈiʃ kʲˈɛdɨɕ, tɔ znˈatʃɨ ftʃˈɔraj.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_93.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_164.wav|i kˈaʒdɛ z nˈas sˈamɔ dˌɛtsɨdˈujɛ ˈɔtɨm, s kˈim pɔdʑˈɛli ɕɛ dˈuʃɔ̃, mɨɕlˈami i tɕˈawɛm.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_125.wav|mˈuj kˈuzɨn jɛzd zbˈɨt waskˈavɨ. ɲʲɛ zamjˈɛʒam vɨɡˈaɲʲatɕ lantsˈɛla z jˈɛɡɔ vwˈasnɛj sɨpʲˈalɲi.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_24.wav|dˈɛjvɛn vrˈɛntʃɨw xˈɛwm ɡʲɛrmkˈɔvi i pʃɛtʃˈɛsaw paltsˈami vwˈɔsɨ tˈam, ɡdʑˈɛ pʃɨtɕˈisnɔw jˈɛ tɕˈɛ̃ʒar stˈali.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_226.wav|ˈaʒ zapˈɔmnɔ̃, ˈaʃ mˈiɲʲɛ tˌɛraʑɲʲˈɛjʃɔɕtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_130.wav|ɕɛŋɡnˈɛwam pɔ zbrɔjˈɔnɔ̃ tˈaɕmɛ i ˌuʃtʃɛlɲˈiwam ɲʲˈɔ̃ bʒˈɛɡʲi mˈaski i ɡˈɔɡli, pʃˌɨklɛjˈajɔnts jˈɛ dɔ skˈurɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_184.wav|ɲʲɛ rˈɔbʲi tˈɛɡɔ, bˈɔ dʑɛftʃˈɨna mˈa rˈatsjɛ.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_161.wav|rˈɨtsɛʃ ɔd ʒuwtˈɛɡɔ kultʃˈaka.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_14.wav|nˌazɨvˈawa ɕɛ sˈaskja jˈakaɕ tˈam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_92.wav|i tsˈɔ bˌɨwɔ vˈɛmɲʲɛ takʲˈɛɡɔ straʃnˈɛɡɔ, ʒˈɛ ɲˈikt mɲʲɛ jˈuʃ ɲʲɛ kˈɔxaw?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_13.wav|na jɛj tfˈaʒɨ pˌɔjavˈiwɔ ɕɛ tsˈɔɕ, tsˈɔ tˈɔm vʑˈɔw za pɔtʃˈutɕɛ vˈinɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_98.wav|pʃɛd drˈuɡʲim zjˈazdɛm ˈɛllis pˌɔkazˈujɛ mˈɔtɛl pˈɛnnɨ pˈinɛs i pˈɨta, tʃɨ tɛn mˈɔʒɛ bˈɨtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_6.wav|i za mˌɔrdɛrstfˈami.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_30.wav|i dʒvˈi z jasnˈɛɡɔ dʒˈɛva,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_68.wav|bˈardʑɔ vˈɔlnɔ pɔdnˈɔʃɛ swuxˈafkɛ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_389.wav|ˌalɛ bˌɨwa jˈuʃ ˌɔbjɛtsˈana jakʲˈɛmuɕ xwˌɔpakˈɔvi s puwnˈɔtsɨ, dʑˌɛdʑitsˈɔvi vintˈɛrfɛll.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_66.wav|ɲʲɛ vʲɛdʑˈawam, tsˈɔ mˈa na mˈɨɕli, ˌalɛ ɔdvrˈutɕiw ɕɛ i mrˈuɡnɔw dɔ mˈamɨ, ktˌura ɕɛ sxɨlˈiwa, ˈaʃ jɛj tfˈaʃ, blˈada ɔt ɛmˈɔtsji s tsawˈɛɡɔ dɲʲˈa, znalˈazwa ɕɛ na vˌɨsɔkˈɔɕtɕi mˈɔjɛj.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_310.wav|minˈɛwɔ zbˈɨt mˈawɔ tʃˈasu, pˈaɲi...|1
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_20.wav|vʲˈɛʃ, ɡdʑˈɛ w ɔɡˈulɛ jɛstˈɛɕmɨ?|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_370.wav|ˌalɛ tsˈɔ tɨ mˈɔʒɛʒ vʲˈɛdʑɛtɕ ɔː utʃtɕˈivɨx lˈudʑax?|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_48.wav|tˈɛraz zɲʲˌɛruxˈɔmjɔ̃, ˌɔtsɛɲʲˈajɔnts sˌɨtuˈatsjɛ i masˈɨvnɔ̃ sɨlvˈɛtkɛ ˌɔxrɔɲʲˈaʒa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_324.wav|bˌɨwa tˈaka pʲɔsˈɛŋka.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_39.wav|maʃ sˈɛrtsɛ mʲˈɛŋkkʲɛ ɲˈitʃɨm pʲˈɛrnat.|1
+Dataset/wavs/urwisko_ferenc/43_segment_44.wav|ktˈɔ vɨjˈɛxaw pʲˈɛrʃɨ?|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_419.wav|ja tˈɛʃ kʲˈɛdɨɕ mʲˌawɛm ˌukɔxˈanɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_25.wav|a ʑˈɛmʲɛ spˌɔvijˈawa mɡwˈa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_266.wav|pɔvˈinna bˌɨwa zrˈɔbʲitɕ tɔ, tsˈɔ muvˈiwa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_35.wav|ɲˈikt ɕɛ ɲʲɛ pɔrˈuʃɨw, fʃˈɨstsɨ bˌɨli zˌatɕɛkavʲˈɛɲi tɔ̃ çistˈɔrjɔ̃.|3
+Dataset/wavs/urwisko_ferenc/45_segment_18.wav|ʒˈɛ ʃwˈa pɔt prˈɔnt.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_317.wav|jˈɛdnɨm z ɔkrˈɛntuf, ktˌurɛ minˈɛli pɔ drˈɔdʑɛ, bˌɨwa tɕˈiʃa.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_173.wav|ɔt lˈat ɲʲɛ vidʑˈawa tˈak wadnˈɛɡɔ fsxˈɔdu swˈɔɲtsa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_199.wav|i ftˈɛdɨ pɔ rˈas pʲˈɛrʃɨ pʃˈɨʃwɔ tɕi dɔ ɡwˈɔvɨ, ʒˈɛ f tɨm krˈaju jɛst trˈɔxɛ inˈatʃɛj s kˌɔbjɛtˈami.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_425.wav|pˌɔsunˈɛwa ɕɛ jˈuʒ zbˈɨd dalˈɛkɔː i stˈafka bˌɨwa za vɨsˈɔka.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_66.wav|tˈaɡ bˈɨ bˌɨwɔ najlˈɛpʲɛj.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_141.wav|rɔzˈumjɛʃ tɔ, prˈavda?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_67.wav|ʒˈɔna vˌɨjɛxˈawa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_393.wav|tsˈɔ pˈɔtɛm, ˈɛstxɛr?|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_22.wav|na zˈaxut ɔt ˌaɡlɔmɛrˈatsji rˈɔbʲi ɕɛ ɲʲˈɛtsɔ lˈuʑɲʲɛj, f tˈɨlɛ zɔstˈajɔ̃ kɔlˈɛjnɛ mʲˈasta. lˈa sˈallɛ, printsˈɛtɔn, ʃˈɛffjɛlt, ˌanaxˈuɛn.|2
+Dataset/wavs/urwisko_ferenc/46_segment_101.wav|ɕfʲˈatwɔ f sˌamɔxˈɔdʑɛ rɔzbwˈɨswɔ. pɔtʃˈɛkaj, sˈɨɡnaw prˌɔkurˈatɔr.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_20.wav|mˈɔʒɛ rˈɔbʲi tˈɛraz dɔkwˈadɲʲɛ tɔ, tsˈɔ pˌɔvʲɛdʑˈawaɕ. krˈɔ̃ʒɨ pɔː ulˈitsax, zˌaɡubjˈɔna.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_26.wav|ɔɕfʲˈattʃɨw mɛ̃ʃtʃˈɨzna z ɲʲɛvʲˈɛlkim zˌaintˌɛrɛsɔvˈaɲʲɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_35.wav|zˈafʃɛ mˈɔʒɛʃ pʃɨjˈɛxatɕ i zɔbˈatʃɨtɕ ɕɛ zˈɛmnɔ̃, kʲˈɛdɨ tˈata bˌɛɲdʑɛ f prˈatsɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_63.wav|zɡwˈɔɕiw ɕɛ na ˌɔxɔtɲˈika dɔ tɛj ˈaktsji. muɕˈɛli, bˈɔ tˈak ɔː im kˈazaw.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_139.wav|tɔ jˈuʃ ɲʲɛ tfˈɔja sprˈava.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_59.wav|dvˈux ˌɔtɔtʃˈɨwɔ dˈɔlnɛ pɔwˈɔvɨ tfˈaʒɨ kˌavawkˈami vˈɛwnɨ i vˈidadʑ bˌɨwɔ tˌɨlkɔː ix ˈɔtʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_344.wav|na stˌɔjɔntsˈɛɡɔ f tɕˈɛɲʲax ɲʲˌɛznajɔmˈɛɡɔː ɔ pˈuw lˈutskʲɛj tfˈaʒɨ skrˈɨtɛj pɔt kaptˈurɛm.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_238.wav|minstrˈɛllɛ tʃˈɛ̃stɔ tˈak rˈɔbjɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_133.wav|mˈam tˈɛʃ pʲɛɲʲˈɔndʑɛ w bˈaŋku bʲimˈiɲi, ɡdʑˈɛ s kɔlˈɛi fˌiɡurˈujɛ jˈakɔ dʒˈɛjms lˈinkɔln.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_242.wav|ɡdʑˈɛʒbɨ ˈiɲdʑɛj, brˈatɕɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_23.wav|jɛstˌɛɕmɨ prˈavʲɛ pˈɛvɲi, ʒˈɛ tɔː ɔn vɨɕˈada tˈutaj s sˌamɔxˈɔdu.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_178.wav|ɔbˈavʲam ɕɛ, ʒˈɛ mˈa natˈurɛ sfˈɛɡɔ davnˈɛɡɔ pˈana.|1
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_37.wav|mˈɔʒɛʃ mi vʲˈɛʒɨtɕ. sˈama jˌɛstɛm pʃˌɛtɕɛʒ dʑɛftʃˈɨnɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_82.wav|tɛxɲˈitsɨ ˌɔpswuɡʲivˈali ˌuʒɔndʑˈɛɲʲa, a ˌinʒɨɲʲɛrˈɔvʲɛ ɕɛdʑˈɛli pʃɛt ɔɡrˈɔmnɔ̃ kɔnsˈɔlɔ̃, ktˌura tɕɔŋɡnˈɛwa ɕɛ vzdwˈuʃ ɕtɕˈanɨ i ˌɔpsɛrvɔvˈali tʃujɲˈiki.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_51.wav|ktˌura vˈɛrsja mɲʲɛ xtɕˈawabˌɨ ɕɛ z ɲˈim spˈɔtkatɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_152.wav|dɔpˈuki mˈuviw, ja mˈɔɡwam sˈɔbjɛ pɔpˈijadʑ dˈɔbrɔ̃ ʃkˈɔtskɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_9.wav|jˈɛɕli tɔ bˈɨw dɛtˈɛktɨf, ktˌurɨ zamjˈɛʒaw jˈɔ̃ pʃɛswˈuxatɕ, mˈɔʒɛ ˈuda ɕɛ jɛj ɲʲˈɛtsɔ rɔzlˈuʑɲitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_119.wav|narˈɛʃtɕɛ trˈɔxɛ pwˈɨnnɛj jˈazdɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_45.wav|ˌɔna patʃˈɨwa nˈamɲʲɛ bˈɛz zdʑivʲˈɛɲʲa, lˈɛtʃ i bˈɛz ʒˌɨtʃlivˈɔɕtɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_110.wav|vʲɛtʃˈɔrɛm ˌɔbɛjʒˈɨmɨ tsˈɔɕ na nɛtflˈiksʲɛ. mˈɔʒɛʒ dɔ nˈaz dɔwˈɔntʃɨtɕ, jˈɛɕli xtsˈɛʃ.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_327.wav|lˈɛpʲɛj bˈɨ bˈɨwɔ, ɡdˈɨbɨm ʒˈutɕiw vɨzvˈaɲʲɛ raffˈɔvi swˌɔdɨtʃkˈɔvi, dʑviɡˈajɔnts kˈurvɛ na plˈɛtsax.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_14.wav|ˈaʃ pɔpˈatʃɨw nˈaɲʲɔ̃ uvˈaʒɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_301.wav|ɲʲɛ bˈardʑɔ pˈana lubʲˈiwɛm w dˈavnɨx tʃˈasax. spɔɡlˈɔndaw pˈan nˈamɲʲɛ tˈak, jˈaɡbɨ xtɕˈaw zˈabʲidʑ vzrˈɔkʲɛm.|0
+Dataset/wavs/urwisko_ferenc/12_segment_56.wav|vɨsˈunɔw w jɛj strˈɔnɛ ktɕˈuk i pˈalɛts fskˌazujˈɔntsɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_35.wav|tˈɔm rɔzˈɛjʒaw ɕɛ pɔ sfˈɔix pɔdvwˈadnɨx.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_243.wav|vʲˈɛnts tˈak sˈamɔ jɛst s tɨm kˌarabʲˈinɛm. ja mu tˌɨlkɔ dˈawɛm ʃˈansɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_20.wav|ɲˈidʑɡ dɔstˈartʃɨw mu zdjˈɛɲtɕa budˈɨŋku patrˈika i jˈɛɡɔ mʲɛʃkˈaɲʲa. kˈɔt ˌɔtfʲɛrajˈɔntsɨ vˈɛjɕtɕɛ dla ɔpswˈuɡʲi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_312.wav|zˌɔbatʃˈɨwɛm jˈɔ̃ pˈɔttʃaz vˈɔjnɨ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_468.wav|ɡdˈɨbɨ bˌɨwa ʃlaxˈɛtɲʲɛ ˌurɔdʑˈɔna,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_19.wav|f kˈɔɲtsu dɔtɕˈɛram na ulˈitsɛ prˌɔvadʑˈɔntsɔ̃ dɔ rˌɔdʑinnˈɛɡɔ dˈɔmu stsˈɔtta i pʃˌɨpɔmˈinam sˈɔbjɛ ɔ tablˈitsɨ na spʃˈɛdaʃ, ɔ ktˌurɛj ftʃˈɛɕɲʲɛj fspɔmɲʲˈawa kɔbjˈɛta f sklˈɛpʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_212.wav|maʃ jˈɛʃtʃɛ na bˌarbadˈɔɕɛ kˈɔntɔ na nazvˈiskɔː ˈɛdvard vɔˈɔdlɛj?|2
+Dataset/wavs/urwisko_ferenc/46_segment_135.wav|ˌalɛ dˌɛtɛrminˈatsja lɛɡnˈɛra i lipskʲˈɛɡɔ fskˌazɨvˈawa, ʒˈɛ tsˈɔɕ jɛst na ʒˈɛtʃɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_7.wav|ftʃˈɛɕɲʲɛj zamjˈɛɲiw kˈilka swˈuv z ˈɛlis xˈapman, ktˌura pʃɨjˈɛwa bˈardʑɔ dˌɛfɛnsˈɨvnɔ̃ pɔstˈavɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_80.wav|jɛst pˈuʑnɛ pˌɔpɔwˈudɲʲɛ i lˈudʑɛ vwˈaɕɲʲɛ vˌɨsɨpˈujɔ̃ ɕɛ z bjˈur, zmʲɛʒˈajɔnts fprˈɔst kˈu bˈarɔm, ktˌurɨx w ˌɔkɔlˈitsɨ ɲʲɛ brakˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_154.wav|tsˈuʃ, dɔ zˌɔbatʃˈɛɲʲa na kampˈuɕɛ, mˈuvi bʲˈillɨ. zˌaparkɔvˈawɛm pˈarɛ pɔʑˈɔmuv vˈɨʒɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_42.wav|na dˈɛsɛr dˈɛɲis pɔdˈajɛ krˈuxɛ tɕˈastɔ trˌuskafkˈɔvɛ vwˈasnɛj rɔbˈɔtɨ. jɛst pʃɛpˈɨʃnɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_9.wav|kʲˈɛdɨ znalˈazwam ɕɛ w mʲˈɛjstsu ˌɔddalˈɔnɨm ɔ ɡɔdʑˈinɛ jˈazdɨ, natˈɨxmʲazd zˌadʑvɔɲˈiwam dɔ dˌɔmiɲˈika.|3
+Dataset/wavs/urwisko_ferenc/08_segment_130.wav|dʑvˈɔɲʲɛ f sprˈavʲɛ ɡʒɛɡˈɔʒa lipskʲˈɛɡɔ. ˈaxa, tɔ tɕɛkˈavɛ. ɔ tsˈɔ xˈɔdʑi?|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_211.wav|i ɲʲɛ ɔkrˈɨwɛm ɕɛ xˈaɲbɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_136.wav|ˌalɛ pʃɛxˈɔdʑi mu pʃˈɛs mˈɨɕl, bˈɨ zadʑvˈɔɲitɕ na pɔlˈitsjɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_94.wav|tˈɛras jˈuʃ ɲʲɛ mˈɔɡɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_33.wav|tˈɔm vʲˈɛdʑaw, jˈak trˈudnɔː aʃˈɔvi mˈuvitɕ i ɕˈɛŋɡnɔw pɔ ʃklˈaŋkɛ z vˈɔdɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_245.wav|pˌɔviɲʲˈɛnɛm bˈɨw w ɲʲˈɛj utˈɔnɔɲtɕ, lˈɛtʃ ɔtsknˈɔwɛm ɕɛ tˈutaj, na tɕˈixɛj vˈɨspʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_32.wav|jˈɔ vzruʃˈɨwa rˌamjɔnˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_101.wav|ɲˈitsk, kˈaʃ mu vˈɨjɕtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_95.wav|bʲˈillɨ ɲʲɛ mˈuɕi nɔtˈɔvatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_166.wav|pˌɔtʃɛbˈujɛ tfˈɔjɛj pɔmˈɔtsɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_21.wav|trˈudnɔ bˌɨwɔ mu jˈɛdnaɡ dɔkˈɔnatɕ jˌɛdnɔznˈatʃnɛj ɔtsˈɛnɨ, ɡdˈɨʒ za sfˌatɨɡˌɔvanˈɨmi zˌaswɔnˈami zˌauvˈaʒɨw tsˈɔɕ, tsˈɔ vˌɨɡlɔndˈawɔ na drɛvɲʲˈanɛ ʒalˈuzjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_155.wav|ja jˌɛstɛm jˈaɡ batˈɛrja ˌɛlɛktrˈɨtʃna, z vʲˈɛʃxu ʑˈimna blˈaxa.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_180.wav|pˌɔskarʒˈɨwa ɕɛ krulˈɔva, stˈɔjɔnts pʃɨ ˈɔkɲʲɛ s kʲɛlˈixɛm w dwˈɔɲi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_162.wav|pˈɔrɨ rˈɔku nˌastɛmpɔvˈawɨ pɔ sˈɔbjɛ, lˈɛtʃ tɛn krˈaj i lˈudʑɛ ʒɨjˈɔntsɨ f tɨɣ bɔɡˈatɨɣ dˈɔmax ɲʲɛ zmʲɛɲʲˈali ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_68.wav|luˈisa ɕɛ rˌɔzɛɕmʲˈawa. bˌɨwa ˌanɛstˌɛzjɔlˈɔɡʲɛm, lˈɛɔ, kʲˈɛdɨ ta mʲˈawa pɔvˈaʒnɨ ˈuras ramjˈɛɲʲa i lubʲˈiwa spˈɛndʑadʑ z ɲʲˈɔ̃ tʃˈas.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_143.wav|ˌalɛ nˈavɛt jɛʒˈɛli, tɔ ɲʲɛ zdɔwˈalibˌɨ dˈɔtʃɛtɕ tˈam pʃɛdˈɛmnɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_101.wav|nˈarbɛrt pˌɔprɔvˈadʑiw iɣ vˌɨsɨpˈanɔ̃ ʒvˈirɛm ɕtɕˈɛʃkɔ̃ f strˈɔnɛ sˈadu jˌabwɔɲʲɔvˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_177.wav|ɔ tʃɨm fʃˈɨstsɨ fʃˈaɡ vʲˈɛmɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_68.wav|lˈɛpʲɛj ɕɛ pʃˌɛkɔnˈajmɨ, tsˈɔ mˈa dɔ pˌɔvʲɛdʑˈɛɲʲa strˈakan.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_162.wav|i f tɨm vwˈaɕɲʲɛ mɔmˈɛɲtɕɛ ˈandɛrsɔn znˈuv vɡɲʲˈut nˈɔz w dˈuw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_50.wav|pˈaɲi ɕˈɛrʒant, ɲˈikt ɲʲɛ vɨɕˈada s taksˈufki. xˈɨba na tsˈɔɕ tʃɛkˈajɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_115.wav|ɲʲˈɛxtɕaw ɕɛ pˈɔddatɕ, vʲˈɛnts...|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_387.wav|lˈɔrt tˈɨvin vˈɨjɛ z bˈulu f pʲˈɛklɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_383.wav|ˈandɛrsɔn pɔwˈɔʒɨw rˈɛŋkɛ na ramjˈɛɲʲu rɨˈana.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_96.wav|tˌɛɡɔ vʲɛtʃˈɔru pˌɔtsawˈɔvaw mɲʲɛ w ˈusta.|3
+Dataset/wavs/urwisko_ferenc/59_segment_24.wav|xˈɛrman bˌɨwa na ɕˈɛbjɛ zwˈa, ʒˈɛ ˈɔtɔ spɨtˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_75.wav|pɔswˈuxaj mɲʲɛ. swˈuxaʃ? tˈak.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_41.wav|ˌɔɲi tˈak tˌɛɡɔ ɲʲɛ nˌazɨvˈali, ˌalɛ ˈɔfʃɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_54.wav|jɛzd dˈuʒɔ ʒˈɛtʃɨ, ktˌurɛ mˈuɡwbɨm pɔvʲˈɛdʑɛtɕ tˌɛmu tfˈɛmu sɛɲdʑˈɛmu, ʒˈɛkw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_86.wav|ˌɔtsɛɲʲˈajɔnts spˈɔsup jˈɛɡɔː ˌɔpstavʲˈaɲʲa i jˈɛ̃zɨk tɕˈawa, dˈɔʃwam dɔ pʃˌɛkɔnˈaɲʲa, ʒˈɛ jˈɛɕli dˈɔjdʑɛ dɔ pˌɔruvnˈaɲʲa kˈart, pʃˈɛɡram.|3
+Dataset/wavs/urwisko_ferenc/63_segment_10.wav|f tɕɛmnˈɔɕtɕi kˌɔrɨtˈaʒa ɡɔɕtɕˈiɲi ɲʲɛ vidʑˈawa dˈɔbʒɛ tfˈaʒɨ pˌɔlitsjˈantki.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_36.wav|mˈa ɔpsˈɛsjɛ na pˈuŋktɕɛ zdrɔvˈɛɡɔ ʒɨvʲˈɛɲʲa, ʃtʃɛɡˈulɲʲɛ w ˌɔdɲʲɛɕˈɛɲʲu dɔ dʑˈɛtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_38.wav|pʃɨjˈɛxaw pɔlˈitsjant, ʒˈɛbɨ mɲʲɛ zˈabradʑ dɔ dˈɔmu spˈɛkuf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_44.wav|ɲʲɛ. mˈuvi bʲˈillɨ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_322.wav|tˈaɡ dwˈuɡɔ, dɔpˈuki ɲʲɛ znˈajdʑɛʃ lɛpʃˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_245.wav|pˌɔvʲɛdʑˈawa lˈɛax, vˌɨrɨvˈajɔnts mɲʲɛ z zˌamɨɕlˈɛɲʲa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_34.wav|ɡdʑˈɛ ɔn jˈɛst?|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_273.wav|pˈɔvʲɛts, ʒˈɛ fʃˈɨstkʲɛ pʃˌɨɡɔtɔvˈaɲʲa pɔtʃˈɨɲiʒ ɡrˈatʲis, ʒˈɛbɨ zrˌɛkɔmpɛnsˈɔvatɕ mu ɲʲˌɛuɲikɲʲˈɔnɛ kˌɔmplikˈatsjɛ zvʲɔ̃zˈanɛ zˈɛ sprˈavɔ̃ alˈɛna.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_54.wav|pˈɛvɲʲɛ ɕɛ pˌɔmɨlˈiwam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_45.wav|fʃˈɨstsɨ jˈuʃ na tɕˈɛbjɛ tʃɛkˈamɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_20.wav|— musˈimɨ pʃˈɨjʒɛtɕ ɕɛ fʃɨstkʲˈɛmu i kaʒdˈɛmu, ktˈɔ mˈuɡwbɨ tsˈɔʑ zˈɨskatɕ na pɔrvˈaɲʲu mˈili.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_122.wav|pʃˈɨznaw sˈɛr lˈɔras.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_430.wav|tɔː ˌɔna nˌastavˈiwa tɕi rˈɛŋkɛ i zˌawɔʒˈɨwa wˈupki, bjˈɛɡlɛ jˈak maˈɛstɛr.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_36.wav|swˈɔva ˈaʃa dˌɔtɕɛrˈajɔ̃ dɔ mɲʲɛ pʃˈɛs kˈilka dwˈuɡʲix sˈɛkunt f kˈɔɲtsu zrˈɨvam ɕɛ z mʲˈɛjstsa, pɔxˈɨlam nat stˈɔwɛm i xfˈɨtam jˈɛɡɔ rˈɛntsɛ|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_115.wav|a tɔ jɛst tsˈɔɕ nɔvˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_31.wav|ɲˈits ɕɛ ɲʲɛ stˈaɲʲɛ, ˈuvʲɛʃ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_293.wav|a dʒˈɛjn vʒɔdʑˈaŋka bˌɨwa w ʒˌɛtʃɨvistˈɔɕtɕi mɛ̃ʃtʃˈɨznɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_150.wav|ɔkrˈutnɨ pʃɨjˈatɕɛl lˈudʑi, ˌɛwrɔpɛjtʃˈɨkuf.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_153.wav|jˈamɛ mˈaxnɔw zwˈɔtɔ̃ dwˈɔɲʲɔ̃. — sˈɛr lˈɨlɛ!|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_72.wav|tsˈuʃ nˈam s tˈɛɡɔ, ʒˈɛ vʲˈɛmɨ, ʒˈɛ ˌɔna jɛst pʲˈɛŋkna pˈɔtɨm, tsˈɔ stˈawɔ ɕɛ z nˈami?|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_475.wav|i vˌɨɡlɔndˈali ɲˈibɨ rɔdʑˈina vampˈiruf, ktˌura vwˈaɕɲʲɛ spɔʒˈɨwa na kɔlˈatsjɛ ɲʲɛvˈinnɔ̃ dʑɛftʃˈɨnɛ s pˌɔbliskʲˈɛɡɔ kɔlˈɛdʒu.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_211.wav|a ftˈɛdɨ dɔː ˈaktsji fkrˈɔtʃɨ lˈɛmɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_68.wav|ɲʲɛ pˌɔviɲʲˈɛnɛɕ sˈɨpʲatɕ s tsudʑˈɨmi xwˌɔpakˈami.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_54.wav|zrɔbʲˈiwam krˈɔk pʃɛt ɕˈɛbjɛ i zalˈawɔ mɲʲɛ ɕfʲˈatwɔ swɔnˈɛtʃnɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_92.wav|mʲˈawam jˈuʒ vɨxˈɔdʑitɕ, kʲˈɛdɨ zˌauvaʒˈɨwam ukrˈɨtɨ f ʃˈafjɛ sˈɛjf.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_71.wav|kˈim jɛst ta dʑɛftʃˈɨna? zapˈɨtaw rˈɨan.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_118.wav|bʲˈillɨ fstˈajɛ s kanˈapɨ i zanˈɔɕi jˈɛ dɔ waʑˈɛŋki.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_78.wav|tˈak, uvˈaʒam tɔ za najbˈardʑɛj prˌavdɔpɔdˈɔbnɔ̃ pʃɨtʃˈɨnɛ. ˌalɛ tɔ nˈadal fskazˈujɛ na ɲilˈɛa. vʲˈɛmɨ, ʒˈɛ tɔ ɲʲˈɛmuɡw bˈɨtɕ ˈɔn.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_510.wav|vɨdˈawɔ mi ɕɛ, ʒˈɛ jˈɔ̃ kˈɔxam.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_185.wav|ˌalɛ vʲˈɛŋkʃɔʑdʑ baɲˈituf pʃˌɨpɔmˈina rˈatʃɛj fɕtɕɛkwˈɛɡɔː ɔɡˈara ɲˈiʃ lˈɔrda bwˌɨskavˈitsɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_14.wav|minˈusɛm jɛzd zˌaɡrɔʒˈɛɲʲɛ, ʒˈɛ lˈudʑɛ ɲˈika ftɕˈɔ̃ʃ pʃˌɛtʃɛsˈujɔ̃ mʲˈastɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_64.wav|ˌɔdɛzvˈawam ɕɛ, kʲˈɛdɨ jˈuʃ ˌɔɡarnˈɛwam fʃˈɨstkɔ vzrˈɔkʲɛm. tɔ bˌɛɲdʑɛ ɲʲɛ lˈada vɨzvˈaɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_327.wav|tˈɛn, ktˈɔ jˈɛ ˈujʒɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_29.wav|kˈulɛ ɕɛ na ɕɛdʑˈɛɲʲu i zˈɛrkam pʃˈɛs ʃtʃɛlˈinɛ mʲˌɛndʑɨ ɡˈurnɔ̃ tʃˈɛɲɕtɕɔ̃ kˈɔwa kʲˌɛrɔvɲˈitsɨ a dˈɛskɔ̃ rɔzdʑˈɛltʃɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_27.wav|jˈɛɕli tˈaɡ bˈɛɲdʑɛ, vˈɛzvɛ ˈinnɨ zˈɛspuw, ktˌurɨ ˌarɛʃtˈujɛ pˈaɲʲɔ̃ pɔd zaʒˈutɛm ˌutrudɲʲˈaɲʲa ɕlˈɛtstfa. a tˌɛɡɔ pʃˌɛtɕɛʃ ɲʲɛ xtsˈɛmɨ, prˈavda?|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_23.wav|jˈɛɡɔ vʲˈɛlka ɕfʲˌɔntɔblˈivɔɕtɕ ɲʲˈɛma ʒadnˈɛɡɔ pɔvˈɔdu pɔdnˈɔɕitɕ rˈɛŋkɛ na jɛj ɔsˈɔbɛ ˌaɲi vʲˈɛ̃zitɕ jɛj i jɛj mwˈɔdɨx kuzˈɨnɛk.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_170.wav|ɲʲɛ zɡˈadʑam ɕɛ na jɛj dˌɛpɔrtˈatsjɛ, kɔnstˈablu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_24.wav|ˈɔkna bˌɨwɨ tɕˈɛmnɛ f pɔkˈɔju xˈɛlɛn.|0
+Dataset/wavs/urwisko_ferenc/26_segment_39.wav|zˈatʃɔw ɕɛ ɕmʲˈatɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_6.wav|fʃˈɨstkɔ vˌɨɡlɔndˈawɔ dʑˈivɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_45.wav|muɕˈawam pʃˈɛbjɛts kavˈawɛɡ za ɔstˈatɲim kɔmbˈajnɛm, ˌalɛ dˌɔɡɔɲˈiwam ɡˈɔ dˈɔsɨtɕ ʃˈɨpkɔ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_283.wav|mˈuɡwbɨ z watfˈɔɕtɕɔ̃ pˈɔrvatɕ tɨrˈɛka pˈɔttʃaz zˌamjɛʃˈaɲʲa, pɔd varˈuŋkʲɛm, ʒˈɛ vʲˈɛdʑawbˌɨ z ɡˈurɨ, ˈiʒ dˈɔjdʑɛ dɔ rɔzrˈuxuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_15.wav|za dˈuʒɔ pɔpˈijaf w rɔdʑˈinnɨm ɲʲˈu xampʃˈajɛr zˈɛ zbˈɨd vʲɛlˈɔma ɲʲˌɛstrɔɲʲɔntsˈɨmi ɔt kʲɛlˈixa kumplˈami.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_191.wav|viktˈarjɔn vʲˈɛdʑaw jˈɛdnak, ʒˈɛ mˈuts i xtɕˈɛtɕ tɔ dvʲˈɛ rˈuʒnɛ sprˈavɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_10.wav|zajʒˈawɛm na rˈɨnɛk. tˈu jˈɛʃtʃɛ ɲʲɛvʲˈɛlki twˈumɛɡ ɡˈapʲuf ˌɔpsɛrvˈɔvaw vɨstˈɛmpɨ jˈakʲɛjɕ fundˈatsji zˌawɔʒˈɔnɛj pʃˈɛs pˌɔfstajˈɔntsɔ̃ nˈɔvɔ̃ pˈartjɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_63.wav|tɔ pʃˌɛtɕɛʃ tɨ prˌɔpɔnɔvˈawɛɕ mi pʲɛɲʲˈɔndʑɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_197.wav|vˌɨtʃɛʃtʃˈawa ɕɛ nad dɔlˈinɔ̃ ulˈitsɨ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_188.wav|tʃˈɨ çistˈɔrjɛ tˈak jˈak ˌɔbjɛtsˈawam.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_69.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_81.wav|tʃɨ tɔː ˌɔznatʃˈawɔ zdˌɛnɛrvɔvˈaɲʲɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_202.wav|pɔ prˈɔstu ɲʲɛ xtɕˈawam, ʒˈɛbɨɕ mˈɨɕlaw, ʒˈɛ tˈaɲtʃɨ na ɡrˈɔbjɛ mˌamɨ tʃɨ tsˈɔɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_9.wav|tˈɛraz zˌastanˈavʲam ɕɛ tˌɨlkɔ nˈattɨm, jˈak mɔʒˈɛmɨ vˌɨkɔʒˈɨstatɕ tɔ na nˈaʃɔ̃ kˈɔʒɨɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_114.wav|tʃɨ tɔ rˈuvɲʲɛʃ rɔbˈɔta tfɔjˈɛɡɔː ˈɔjtsa?|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_139.wav|ɡdˈɨ tˌɨlkɔ tʃtɕiɡˈɔdnɨ kˈupʲɛtskapˈitan vɨpwˈɨva w rˈɛjs i vˌɨprɔvˈadʑa ɕɛ, ɡdˈɨ liɕˈitsa vrˈatsa dɔ pˈɔrtu.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_125.wav|zˈatʃɔw vɨtˈatʃatɕ ɕɛ z vnˈɛŋki.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_31.wav|ˌalɛ dla mɲʲɛ tɔ jɛzd dʑˈɛtskɔ, nˈaʃɛ dʑˈɛtskɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_205.wav|ˌinfɔrmˈujɔndʑ ɡˈɔ tsˈawɨ tʃˈas, ʒˈɛ tˌɛmpɛratˈura ˌɛlɛktrɔlˈitu jɛzd zbˈɨt ɲˈiska.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_300.wav|i swˈɨʃɔnts mˌɔnɔtˈɔnnɨ ɡwˈɔs na kˌɔrɨtˈaʒu prɔʃˈɔntsɨ mˈarɨ ɔː ˌɔtfɔʒˈɛɲʲɛ dʒvˈi.|0
+Dataset/wavs/urwisko_ferenc/65_segment_24.wav|pʃˈɛrvaw jɛj bɔrˈɛvitʃ, drˈapʲɔndʑ vnˈɛntʃɛ dwˈɔɲi. tˈɨlkɔ, ʒˈɛ xˈɨba ɲʲɛ mˈɔɡɛ mu tˌɛɡɔ zrˈɔbʲitɕ. ɲʲɛ pˌɔviɲʲˈɛnɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_50.wav|latˈawɨ nɛrvˈɔvɔ nad dɔmˈami. zzˈa plˈɛtsuf pawˈatsu vˌɨxɨlˈawɨ ɕɛ kˈɛ̃ski bjˈawɨx.|0
+Dataset/wavs/urwisko_ferenc/46_segment_139.wav|ʃˈɛf udˈɛʒɨw vɛ vwˈɔntʃɲik ɕfʲˈatwa, ktˌurɛ zalˈawɔ pˌɔmjɛʃtʃˈɛɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_36.wav|tsˈuʃ s tˈɛɡɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_78.wav|maʃ tˈɔvar? pˈɨta bʲˈillɨ, kʲˈɛdɨ ˈɛlis fsˈuva ɕɛ za kʲˌɛrɔvɲˈitsɛ.|2
+Dataset/wavs/urwisko_ferenc/41_segment_3.wav|mˈimɔ, ʒˈɛ vrˈutɕiw dɔ ʒˈɔnɨ.|0
+Dataset/wavs/urwisko_ferenc/55_segment_83.wav|matˈɨlda kˈɔpɛr vɛstxnˈɛwa. f kˈaʒdɨm rˈaʑɛ bˈɨw s tˌɨmi sfɔˈimi utʃɲʲˈami bˈardʑɔ zʒˈɨtɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_256.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_17.wav|nˌajvidˈɔtʃɲʲɛj ix mˈisja pɔlˈɛɡa nˈatɨm, ʒˈɛbɨm ɲʲɛ ˌɔttʃuvˈawa ɡwˈɔdu tʃɨ praɡɲʲˈɛɲʲa. ˌalɛ tsˈɔ jˈɛʃtʃɛ mˈɔɡɔ̃ mi zˌaɔfɛrˈɔvatɕ?|4
+Dataset/wavs/urwisko_ferenc/65_segment_161.wav|tˈak, ˌɔdɛzvˈawa ɕɛ mˈarja, ʒˈɛbɨ pɔvʲˈɛdʑɛtɕ tsɔkˈɔlvʲɛk.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_310.wav|pɔː ˌɔkɔlˈitsɨ krˈɛntsɔ̃ ɕɛ vˈilki.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_41.wav|pˈɔtʃɛd blˈiʒɛj i ˈuɕad na skrˈaju wˈuʃka.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_16.wav|ɲʲˈɛvʲɛ, ɡdʑˈɛ pratsˈujɔ̃, ˌalɛ zapˈɛvnɛ ɲʲɛ mˌajɔ̃ bˌɛspɔɕrɛdɲʲˈɛɡɔ kɔntˈaktu s kljɛntˈami.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_9.wav|ɲʲɛ tʃˈuwa ɕɛ ɡɔtˈɔva, ʒˈɛbɨ pʃˈɨznatɕ ɕɛ pʃɛt jˈɔɛ, ʒˈɛ zɡubʲˈili ˈaʃa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_147.wav|tɔ mi vɨstˈartʃa.|0
+Dataset/wavs/urwisko_ferenc/46_segment_128.wav|vˈuftʃas pˌɔstanˈɔviw vʒˈutɕitɕ nazvˈiskɔ mˌɔtsɔdˈaftsɨ na bˈɛmbɛn, vˌɨkɔʒɨstˈujɔndʑ znˌajɔmˈɔɕtɕi f pˌɔlitsˈɨjnɨm arçˈivum ˈiɡz w ɡdˈaɲsku.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_40.wav|ɲʲɛ vidʑˈawam ɡˈɔː ɔd dɲʲˈa, kʲˈɛdɨ pˌɔtpisˈaliɕmˌɨ umˈɔvɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_151.wav|f tˈakix sˌɨtuˈatsjax tɔ natʃˈɛlna zasˈada.|2
+Dataset/wavs/urwisko_ferenc/49_segment_87.wav|bˈɨw tɔ tˈɛkst rˌɔtʃɲitsˈɔvɨ pˌɔɕfʲɛntsˈɔnɨ pamjˈɛɲtɕi zuzˈannɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_16.wav|tʃɨ tɔ mʲˈawɔ jˈakiʑ zvʲˈɔ̃zɛɡ z ˌinfɔrmatsjˈami, ktˌurɛ ˌuzɨskˈali ɔd dˈɔn?|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_90.wav|xˈɔff jɛzd vɨrˈaʑɲʲɛ zmʲɛʃˈanɨ. tˈɛn, ɔ ktˌurɨ prɔɕˈiwɛɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_69.wav|sprˈubuj jˈɛʃtʃɛ rˈaz drˈuɡʲi vˈɛrs.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_226.wav|mˈam na ˈimjɛ mˈikɛ, pɔvʲˈɛdʑaw rˈɨan, a pˈan? ˈandɛrsɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_44.wav|pɔdˈɔbɲʲɛ jˈak jˈɛɡɔ pˌɔpʃɛdɲˈitsɨ, ˈɔlbʒɨm zˈastɨɡw w bɛzrˈuxu, kʲˈɛdɨ pˌɔzbavˈiwam ɡˈɔ fʃˈɨstkix ˈantɛn.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_65.wav|bˈɔ ktˈɔɕ im tsˈɔɕ ɔdˈɛbraw, ʒˈɔnɛ, dʑˈɛtskɔ, pʲɛɲʲˈɔndʑɛ. a mˈɔʒɛ ɲʲˌɛnavˈidʑɔ̃ ɕɛ vzajˈɛmɲʲɛ, bˈɔː ix rɛlˈiɡʲɛ sɔ̃ zˈɛ sˈɔbɔ̃ f kɔnflˈiktɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_74.wav|na jˈɛdɛn s tˈaɲix laptˈɔpuf, ɲʲɛ tɛn tfˈuj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_11.wav|vzruʃˈɨwa rˌamjɔnˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_33.wav|fpˈɛwzwam dɔ ɕrˈɔtka i zamknˈɛwam jˈɛ za sˈɔbɔ̃, a pˈɔtɛm pˌɔwɔʒˈɨwam ɕɛ na wˈuʃku i vlɛpˈiwam vzrˈɔk f sˈufit.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_58.wav|tɔ lˈudʑɛ, ktˌuʒɨ napˈadli na sɔlˈaŋki.|1
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+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_369.wav|tˌɨlkɔ tˈɨvin ɔɕmʲˈɛliw ɕɛ spʃɛtɕˈivitɕ tˌɛmu mawʒˈɛɲstfu.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_259.wav|xtɕˈawbɨm rˈuvɲʲɛʒ zˈadbatɕ ɔ tfˈɔjɛ bˌɛspʲɛtʃˈɛɲstfɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_121.wav|f tɛn spˈɔsup tsamˈɛrɔn stˈaw ɕɛ bɔɡˈatɨ i pˌɔstanˈɔviw pʃɛznˈatʃɨtɕ pʲɛɲʲˈɔndʑɛ ˈɔjtsa na rˌɔzmnɔʒˈɛɲʲɛ vwˈasnɨx.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_98.wav|ɲʲɛ znˈalaz ˌinxalatˈɔra, ˌalɛ mˈɔʒɛ nɔɕˈiwa ɡˈɔ f tɔrˈɛptsɛ, ktˌurɛj pʃˈɨɲʲɛj ɲʲɛ znˈalaz?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_80.wav|spɨtˈawa bˈɛtskɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_81.wav|ta mˈɨɕl pʃɛpˈɛwɲʲa mɲʲɛ strˈaxɛm.|4
+Dataset/wavs/urwisko_ferenc/64_segment_74.wav|zɔstˈawɨ pˌɔsadʑˈɔnɛ na kˈilku mˈɛtrax kfˌadratˈɔvɨx pʃɛt ʃpalˈɛrɛm dɔrˈɔdnɨx tˈuj ˌɔdɡradʑajˈɔntsɨx xˌudʑiɲskʲˈɛɡɔː ɔt sɔ̃ɕˈaduf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_77.wav|i tʃɨ tɔ bɨwˈɔbɨ tˈakʲɛ zwˈɛ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_61.wav|sprˈavɨ zatʃˈɛwɨ vɨmˈɨkatɕ ɕɛ spˈɔt kɔntrˈɔli.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_25.wav|a tɔ jɛzd dˈuʒa ruʒɲˈitsa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_65.wav|i vwaɕtɕˈitɕɛl pʃˈɨznaw, ʒˈɛ nalˈɛʒɨ dɔ mˈartɨ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_198.wav|tˈaɡ bˌɛɲdʑɛ lˈɛpʲɛj dla pˈana.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_131.wav|ɡrˈubɨ skafˈandɛr krɛmpˈɔvaw mˈɔjɛ rˈuxɨ, ˌalɛ ɲʲɛ bˌɨwɔː ˈaʃ tˈaɡ ʑlˈɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_65.wav|kʲˈɛdɨ zabrˈali mɲʲɛ z dˈɔmu, pʃˌɨjɛxˈawɨ dvʲˈɛ kɔlˈɛjnɛ ɔsˈɔbɨ. m��ɨɕlɛ, ʒˈɛ zˌamjɛʒˈali pˌɔrɔzmˈavʲadʑ z mˈilljɛ.|4
+Dataset/wavs/urwisko_ferenc/28_segment_42.wav|ilˈɛkrɔtɕ spˌɔtɨkˈawam ɕɛ s kˈaɕkɔ̃, vidʑˈawam, ʒˈɛ ɲʲɛ ukwˈada jɛj ɕɛ w mawʒˈɛɲstfʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_19.wav|ɲitsˈɔlɔ|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_40.wav|ˈalbɔ tsˈɔɕ f tɨm rɔdʑˈaju.|4
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_30.wav|ɲʲɛ, ɲʲɛ rˌɔzmavʲˈawɛm s xarˈissɛ.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_269.wav|ˌuɕfʲadɔmˈiwa sˈɔbjɛ, ʒˈɛ ɕɛ uɕmʲˈɛxa i ˌuʃtʃɨpnˈɛwa ɕɛ f pɔlˈitʃɛk.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_50.wav|zabjˈɛram tɛlˈɛfɔn dɔ kˈuxɲi i dʑvˈɔɲʲɛ dɔ dˌɔmiɲˈika.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_114.wav|jˈɛɕli pɔstˈartɕɛ kˌɔntɨnuˈɔvadʑ bˌɛɲdʑɛ rˈunvaj xˈɛdʲiŋk i zˌamɛldˈujɛ fˌawˌɛfˈɛr, jˈak tˌɨlkɔ pʃɛskˈɔtʃɨ pʃˈɛs xmˈurɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_226.wav|miltʃˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_31.wav|xˈɔllɨ bˌɨwa vˌɨjɔntkˈɔvɔ zdˌɛnɛrvɔvˈana i ftɕˈɔ̃ʃ pˌɔftaʒˈawa, ʒˈɛ pʃɛprˈaʃa mɲʲɛ za vˈɛjɕtɕɛ dɔ tɛj ʃˈɔpɨ, xˈɔtɕ pˌɔvʲɛdʑˈawɛm jɛj vɨrˈaʑɲʲɛ, ʒˈɛ tɔ ja ˌɔtpɔvʲˈadam zˈatɔ, ʒˈɛ dʒvˈi bˌɨwɨ ɔtfˈartɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_69.wav|zvlˈɛkam z ˌɔdɛzvˈaɲʲɛm ɕɛ i swˈɨʃɛ tɕfʲɛrkˈaɲʲɛ ptˈakuf.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_41.wav|pɔ dʑɛɕˈɛɲtɕu minˈutax swˈɨʃɛ dʑvʲˈɛŋɡ dʑvˈɔŋka pʃɨ dʒvʲˈax i zastˈɨɡam, ɲʲɛ vʲˈɛdʑɔnts, tʃɨ pɔvˈinnam zˈɛjɕtɕ i ɔtfˈɔʒɨtɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_46.wav|mˈɔjɛ sˈɛrtsɛ pʃˌɨspʲɛʃˈɨwɔ. ɲʲɛ mʲˈawam ʒˈadnɨx aktˈɨvuf. ɲitʃˈɛɡɔ pˈɔza kɕɔ̃ʃkˈami, tɕuxˈami i laptˈɔpɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_196.wav|zˌauvaʒˈɨwɛm, ʒˈɛ kupˈiliɕtɕˌɛ jˈajka i mˈɨɕlɛ, ʒˈɛ pˈɔra jɛst ˌɔtpɔvʲˈɛdɲʲa na wˈɨvɔ z ranxˈɛrɔs.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_273.wav|jˈɛɕli ˌuɕfʲadɔmˈili sˈɔbjɛ, kˈɔɡɔ zabʲˈili,|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_147.wav|jɛst tˌɨlkɔ tsɔdʑˈɛnnɔɕtɕ xazˈardu pˌɔlitɨtʃnˈɛɡɔ, xˈaɔz ɡwupˈɔtɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_28.wav|mˈɔʒɛ mɨlˈiwam ɕɛ, jˈɛɕli xˈɔdʑi ɔ tˈamtɛ ɲʲˌɛnarɔdʑˈɔnɛ dʑˈɛtɕi. mˈɔʒɛ tsˈawa spɔwˈɛtʃnɔʑdʑ z radˈɔɕtɕɔ̃ pˌɔvitˈawabˌɨ dʑˈɛtskɔː i jˈɛ pˌɔkɔxˈawa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_342.wav|ɲʲˈɛvʲɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_45.wav|mˈa ˌɔtʃɨvˈiɕtɕɛ rˈatsjɛ. zdɔwˈawa mɲʲɛ ɔmˈamitɕ. s tˈɛsɔ̃ jɛj ɕɛ ɲʲɛ udˈawɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_46.wav|dɔmˈiɲik pɔnˈɔvɲʲɛ vwˈɔntʃɨw vʲˌadɔmˈɔɕtɕi i stˈɔi dɔ mɲʲɛ tˈɨwɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_14.wav|ɲʲɛ spʃˈɛtʃam ɕɛ, kʲˈɛdɨ zalˈɛva vʒˈɔntkʲɛm ɡranˈulki i pɔdˈajɛ mi kˈubɛk.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_62.wav|ɲʲɛ ˌɔtpɔvʲɛdʑˈawa mu, vʲˈɛnts pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_86.wav|bʲˈillɨ xfˈɨta ruɡˈɛra za lˈufɛ i pɔdnˈɔɕi ɡˈɔ na vɨsˈɔkɔɕtɕ sfˈɔjɛj tfˈaʒɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_41.wav|mˈilljɛ ˌuvaʒˈawa, ʒˈɛ tɔ dʑˈivna nˈazva vˈɛjɕtɕa na stsˈɛnɛ i zˈafʃɛ ɕɛ s tˌɛɡɔ ɕmʲˈawa. tˈɛras ɲʲɛ bˌɨwɔ jɛj dɔ ɕmʲˈɛxu.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_214.wav|kɔbjˈɛtɨ jˈɛdnak ɲʲɛ vzruʃˈɨwɨ jˈɛɡɔ prˈɔʑbɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_86.wav|swˈɨʃɛ, ʒˈɛ mˈuvjɛ tsˈɔraz vˈɨʃʃɨm ɡwˈɔsɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_111.wav|f tɛj brˈanʒɨ pɛrsˈɔnɛl tʃˈɛ̃stɔ ɕɛ zmʲˈɛɲʲa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_409.wav|ɔpˈarɔw nˈɔɡɛ ɔ tsˌɛmbrɔvˈinɛ zˌasxɲʲɛntˈɛɡɔ klˈɔmbu, s kturˌɛɡɔ vˌɨrastˈawɔ ɡˈɔwɛ dʒˈɛfkɔː akˈatsji.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_98.wav|vwˈɔsɨ, ktˌurɛ skˈɔntɕ pamjˈɛntam.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_143.wav|pɔvʲˈɛdʑaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_25.wav|ˌalɛ ja jˌɛstɛm pʃˌɨjatɕˈɛlɛm pˈana mˌitskʲɛvˈitʃa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_63.wav|bʲˈillɨ tʃˈujɛ, ʒˈɛ ɲˈikt tʃˈɛɡɔɕ mu ɲʲɛ mˈuvi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_254.wav|pʃˌɛznatʃˈɔnɛj tˌɨlkɔ dla xˈɔrɨx na vˈusku.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_140.wav|alfˈɔnsɛm dɔ zˈadaɲ spɛtsjˈalnɨx.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_5.wav|pʃˈɛz vʲˈɛlɛ lˈad vʲɛʒˈɨwɛm, ʒˈɛ dʒˈɛk ɲʲɛ ʒˈɨjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_46.wav|ɲˈikt ɲʲˈɛxtɕaw mi pˈɔdatɕ nazvˈiska, zˌaswaɲʲˈali ɕɛ jˈɛɡɔ ɲʲˌɛznajɔmˈɔɕtɕɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_35.wav|tʃɨ jˌɛstɛɕ ˈaʃ tˈak lˈɛkkɔ mˈɨɕlnɨ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_62.wav|drʒˈɛ na sˈamɔ̃ mˈɨɕl.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_77.wav|tsˈɔ tɨ rˈɔbʲiʃ, jˈudɨ?|0
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_54.wav|jˈɛʃtʃɛ ɲʲɛ jˌɛstɛm ɡɔtˈɔva tsˈawkʲɛm ɕɛ rɔzˈɛbratɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_11.wav|ɡdʑˈɛ tsˈɔ pɔwˈɔʒɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_52.wav|zˌauvaʒˈɨwam jˈɛdnɔ̃ dˈuʒɔ̃ zmʲˈanɛ.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_31.wav|ɡdʑˈɛ ˌɔbʒutsˈɔnɔ ɡˈɔ dʑivnˈɨmi spˌɔjʒɛɲʲˈami, ˌalɛ ɲʲɛ ɔtʃˈɨmaw pɔmˈɔtsɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_4.wav|na zˈajudʒ bʲˈillɨ znˈuv dʑvˈɔɲi dɔ dʒˈɔrdʒja z ʑimnˈɛɡɔ dˈɔmku lɛtɲʲˈɛɡɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_44.wav|tˈak ɕɛ zawˈatfja sprˈavɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_30.wav|ˌuswɨʃˈawam krˈɔki ˌɔtxɔdʑɔntsˈɛɡɔː arˈama. ˌɔtfɔʒˈɨwam dʒvˈi. vˌɨstavˈiwam ɡwˈɔvɛ, ʒˈɛbɨ ɕɛ upˈɛvɲitɕ, ʒˈɛ sˈɔbjɛ pˈɔʃɛd, pɔ tʃɨm pɔdbjˈɛɡwam dɔ mˌamɨ i mˈɔtsnɔ jˈɔ̃ pʃˌɨtulˈiwam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_181.wav|tˈɛras pˌɔtʃɛbˈujɛ vɨwˈɔntʃɲʲɛ jɛj pɔmˈɔtsɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_143.wav|vbʲˈiwa ɡˈɔː ˌaramˈɔvi f ʃˈɨjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_352.wav|xɔlˈɛra jˈasna!|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_109.wav|tɔ fʃˈɨstkɔː ɔznˈatʃa, ʒˈɛ bˌɛɲdʑɛ kˈɔɲʲɛts ɕfʲˈata. pʃˈɛs tsˈawɛ ʒˈɨtɕɛ, ilˈɛkrɔdʑ dˌɔrabjˈawɛm ɕɛ pʲɛɲʲˈɛndʑɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_169.wav|pɔvʲˈɛdʑaw, kʲˈɛdɨ skɔɲtʃˈɨwam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_10.wav|dɔwˈɔntʃa dɔ mɲʲɛ, a jˈɛɡɔ ɡwˈɔɕiɡ vˌɨvɔwˈujɛ uɕmʲˈɛxɨ fɕrˈut pʃɛxˈɔdɲʲuf.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_91.wav|tˈɔm skˈinɔw ɡwˈɔvɔ̃.|3
+Dataset/wavs/urwisko_ferenc/20_segment_31.wav|ɲˈikt ˈɔɲʲɛj ɲʲɛ fspˈɔmɲʲaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_19.wav|tɔ vˌɨstartʃajˈɔntsɔ vʲˈɛlɛ tʃˈasu, ʒˈɛbɨm mˈɔɡwa ɕɛ zˌastanˈɔvitɕ, tʃɨ mˈɔjɛ pˌɔstɛmpɔvˈaɲʲɛ jɛst ˌapsɔlˈutɲʲɛ ʃalˈɔnɛ, ˌalɛ pɔtʃˈutɕɛ vˈinɨ jɛzd bˈardʑɔ ɕˈilnɛ.|3
+Dataset/wavs/urwisko_ferenc/38_segment_53.wav|ˈɔlɡʲɛrd bˈɨw pˈɛvʲɛn, ʒˈɛ dʑɛftʃˈɨna kwˈamjɛ.|0
+Dataset/wavs/urwisko_ferenc/25_segment_112.wav|ɔ dʑˈivɔː ɔdbjˈɔrtsɔ̃ bˈɨw jˈan sˈɔlski.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_3.wav|ɲʲˈɛmal ɲʲˌɛmɔʒlˈivɛ vɨdˈajɛ mi ɕɛ pˌɔfstʃɨmˈaɲʲɛ pʃɛd zɛrkɲʲˈɛɲtɕɛm pʃˈɛs rˈamjɛ f tsˈɛlu spravdʑˈɛɲʲa, tʃɨ na tɕˈixɛj ulˈitsɨ ɲʲɛ stˈɔi zˌaparkɔvˈanɨ jˈakiɕ samˈɔxut.|4
+Dataset/wavs/urwisko_ferenc/21_segment_41.wav|ɲʲˈɛvʲɛm, ˌalɛ jˈɛdnɔ jɛst pˈɛvnɛ. kurtˈɨna jˈɛʃtʃɛ ɲʲɛ ɔpˈadwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_189.wav|ɲʲˈɛma ɕɛ tʃɨm xfˈalitɕ, prˈɔʃɛ ɔtfˈɔʒɨtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_111.wav|mˈuʃɛ zɲˈiʃtʃɨdʑ dɔvˈɔdɨ, ktˌurɛ zdˈaɲʲɛm arˈama vˈɨɕlɔ̃ mɲʲɛ dɔ vʲɛ̃ʑˈɛɲʲa na rˈɛʃtɛ ʒˈɨtɕa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_265.wav|pˈatʃɨw na rɨˈana vˌɨɕadˌajɔntsˈɛɡɔ s sˌamɔxˈɔdu i zblˌiʒajɔntsˈɛɡɔ ɕɛ pɔvˈɔli kˈu dɔmˈɔvi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_12.wav|zˌamartfʲˈawam ɕɛ na ɕmʲˈɛrtɕ. mˈama ɲʲɛ krˈɨwa radˈɔɕtɕi z mˈɔix ɔdvʲˈɛdʑin w dˈɔmu i dˌɔɡadʑˈawa mi, jˈak tˌɨlkɔ pˌɔtrafˈiwa.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_172.wav|zapˈɨtaw pˈɔdritsk. tʃɨ zwamˈanɨ tɔ tɔ sˈamɔ tsˈɔ baɲˈita?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_34.wav|sˈɨn ɲʲɛ pʃɨjˈɛxaw dʑˈiɕaj dɔ xɔspˈitsjum. ɲʲɛ mˌajɔ̃ tˈam rˈuvɲʲɛʃ jˈɛɡɔː adrˈɛsu, tˌɨlkɔ nˈumɛr tˌɛlɛfˈɔnu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_148.wav|jˈasnɛ, mʲˈawa pˈarɛ atˈakuf paɲˈiki, ˌalɛ mʲˈawbɨ jˈɛ kˈaʒdɨ, kˈɔɡɔ nˌaʃpikɔvˈanɔ prɔxˈami i vʲˌɛlɔkrˈɔtɲʲɛ zɡvawtsˈɔnɔ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_435.wav|kʲˈɛdɨ pˌɔstanɔvˈiwɛɕ mɲʲɛ vˌɨdʑɛdʑˈitʃɨtɕ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_87.wav|zˌapɨtˈawa lˈintsaj, nˌavʲɔ̃zˈujɔndʑ dɔ jˈasnɨɣ vwˈɔsuf kɔbjˈɛtɨ, ktˌurɔ̃ spɔtkˈawa ˌubjɛɡwˈɛɡɔ vʲɛtʃˈɔru.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_272.wav|pˈɔvʲɛts mu, ʒˈɛ rɔsˈaljɛ tɔ tˈɔvar najvˈɨʃʃɛj jakˈɔɕtɕi. jˈɛɕli ɲʲɛ vʲˈɛʒɨ, ɲʲˈɛx spˈɨta jˈudɨ blˈatnɛr.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_376.wav|ja vʲˈɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_136.wav|ɲʲɛ jˈɛɡɔ naˈuki tʃɨ ˌidɛɔlˈɔɡja, tɔ spˌɔtɨkˈamɨ w vʲˈɛlu sɨstˈɛmaɣ vʲˈɛʒɛɲ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_539.wav|kɔmˈisaʃ tˈaɡʒɛ fstˈaw ɔt stˈɔwu. vˌɨkɔnˈɨvaw vwˈaɕɲʲɛ jˈakʲɛʑ dʑˈivnɛ rˈuxɨ pʃˌɨpɔmˌinajˈɔntsɛ ɡʲimnˈastɨkˌɛ rˌɔzluʑɲʲajˈɔntsɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_126.wav|minˈɛliɕmˌɨ dɨʒˈurkɛ, ɡdʑˈɛ ɕˈɛdʑaw fˌuŋktsjɔnˈarjuʃ ˌudɛʒajˈɔntsɔ pɔdˈɔbnɨ dɔ çimmlˈɛra,|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_25.wav|vɨ f tɨm krˈaju ɲitʃˈɛɡɔ ɲʲɛ pˌɔtrafˈitɕɛ nˈazvatɕ pɔː imjˈɛɲʲu, a tˌɨlkɔ ʃukˈatɕɛ pʃˈɨtʃɨn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_224.wav|mitskʲˈɛvitʃ, ktˌurɨ swˈuxaw z napʲˈɛɲtɕɛm tˌɛɡɔ tɨɕˈɔntskrɔtɕ tʃˌɨtanˈɛɡɔ tˈɛkstu, vˈɛstxnɔw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_134.wav|ˌalɛ kʲˈɛdɨ ɕˈadwɛm na wˈuʃku, zˌɔbatʃˈɨwɛm pɔdwˈuʒnɛ i ˈɔbwɛ ɔdbʲˈitɕɛ ɕfʲˈatwa na tɕˈɛmnɛj ɕtɕˈaɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_321.wav|tɛn zˈamɛk ɔtˈatʃa zwˈa swˈava.|1
+Dataset/wavs/urwisko_ferenc/09_segment_53.wav|zˌapamjˈɛntaw natˈɔmjast tsˈɔɕ innˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_209.wav|ˌɔzdɔbjˈɔna vzɔrˈami s kˈɔɕtɕi swɔɲʲˈɔvɛj, vˌɨɔbrˌaʒajɔntsˈɨmi pnˈɔntʃa i kfʲˈatɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_101.wav|jˈɛʃtʃɛ ta dʑɛftʃˈɨŋka z mɛksˈɨku.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_24.wav|zblˈiʒaw ɕɛ tʃˈaz zvrˈɔtu ɲʲˌɛspʃɛdˈanɨɣ bʲilˈɛtuf na ˈaktsjɛ dˌɔbrɔtʃˈɨnnɔ̃ i pʃˌɛkazˈaɲʲa zɡrˌɔmadʑˈɔnɛj ɡɔtˈufki.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_184.wav|ˈabɨ ɔblˈɛtɕɛtɕ lɔtɲˈiskɔ rˈas jˈɛʃtʃɛ. i ˈandɛrsɔn dˈɔjʒaw rˌɔsfɕtɕɛtʃˈɔnɔ̃ tfˈaʃ pilˈɔta, a pˈɔtɛm spˈɔjʒaw na tfˈaʃ mˈajka.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_288.wav|ɔtfˈɔʒɨw ˌɔkʲɛnɲˈitsɛ. nˈɔdʑ bˌɨwa ʑˈimna. na ɲʲˈɛbjɛ lɕɲˈiw ɕˈɛrp kɕɛ̃ʒˈɨtsa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_9.wav|nˈail uɕmʲˈɛxnɔw ɕɛ pʃɛlˈɔtɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_94.wav|prˌubɔvˈawam dɔdʑvˈɔɲitɕ ɕɛ dɔ ɲʲˈɛɡɔ na kɔmˈurkɛ, ˌalɛ ɲʲɛ ɔdbjˈɛra. mˈɔʒɛʒ dɔ ɲʲˈɛɡɔ zadʑvˈɔɲitɕ i pɔprˈɔɕitɕ, ʒˈɛbɨ vrˈutɕiw dɔ dˈɔmu?|4
+Dataset/wavs/urwisko_ferenc/05_segment_63.wav|tʃˈɛba bˌɛɲdʑɛ tɔ sprˈavdʑitɕ, uznˈawa xˈɛrman. jˈaɡbɨ tsˈɔ, bjˈɔrɛ tɔ na ɕˈɛbjɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_10.wav|ɔdʒˈutɕiw pˈɔɕtɕɛl na bˈɔk, ʒˈɛbɨ jˈɛɡɔ tɕˈawɔ bˌɨwɔ pʲˈɛrʃɨm, tsˈɔː ˈujʒɨ pɔ vˈɛjɕtɕu dɔ ɕrˈɔtka.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_66.wav|znajˈɔmɔɕtɕ s tˈɔbɔ̃ tɔ jɛdˈɨna tɕɛkˈava ʒˈɛtʃ, jˈaka mɲʲɛ w ʒˈɨtɕu spɔtkˈawa, nˈɔ ɲʲɛ lˈitʃɔndʑ ɡvˈawtu zbjˌɔrɔvˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_268.wav|frɛjˈɔvʲɛ pʃɨswˈali sˈɛr martˈɨna rivˈɛrsa, zvanˈɛɡɔ vɔldˈɛrɛm bɛŋkˈartɛm, ˌɔras pʲˌɛrvɔrɔdnˈɛɡɔ sˈɨna rˌaɨmˈana, ɛdvˈina.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_290.wav|ktˈɔː ɔstˈatɲim rˈazɛm uɕmʲˈɛrtɕiw fʃˈɨstkʲɛ smˈɔki?|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_72.wav|krˌulɔvˈujtsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_155.wav|uvʲˈɛʒɨtɕ mˈuɡwbɨ tˌɨlkɔ f puwtˈɔrɛj bˈaɲki pʃɛlˈanɛ na sfˈɔjɛ kˈɔntɔ w rˈaju pˌɔdatkˈɔvɨm, a stˈamtɔnt ˌɛlɛktrɔɲˈitʃnɨm xˈɔkus pˈɔkus na ˈinnɛ nˌalɛʒˈɔntsɛ dɔ daltˈɔna smˈitxa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_36.wav|tˈɔm vʲˈɛdʑaw, ʒˈɛ zɔstˈaɲʲɛ pˌɔvʲadɔmjˈɔnɨ, jˈɛɕli pɔjˈavi ɕɛ tsˈɔɕ nɔvˈɛɡɔ, vʲˈɛndʑ vˈɨʃɛd na kɔrˈɨtaʃ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_118.wav|pʃˌɛtɕɛʃ ɲʲˈɛma tˈu ɲˈiɡra mʲˌɛndʑɨ nˈami, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_49.wav|ɲʲɛ sˈɔndʑɛ, bˈɨm kʲˌɛdɨkˈɔlvʲɛk ftʃˈɛɕɲʲɛj jˈɛ vidʑˈawa i kˈu ˌɔɡrɔmnˈɛmu zˌaskɔtʃˈɛɲʲu stfʲˈɛrdʑam,|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_124.wav|vidʑˈawɛm nˈas jˈaɡbɨ z zˈɛvnɔntʃ. tʃˈasɛm tˈak mi ɕɛ zdaʒˈawɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_53.wav|vʲˈɛ pˈan, bˌɛndɛ mˈuɕaw i pˈana skʲɛrˈɔvatɕ na badˈaɲʲa psˌɨhiatrˈɨtʃnɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_108.wav|vʲˈɛnts kˈim sɔ̃ tɕi fʃˈɨstsɨ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_82.wav|spɔɡlˈɔndam pʃˈɛs rˈamjɛ, ˌalɛ ɲikˈɔɡɔ ɲʲɛ dɔstʃˈɛɡam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_3.wav|mˈarta pˈɔrtɛr tˈak. vˌɨnajmˈujɛ na ɡˈuʒɛ mʲɛʃkˈaɲʲɛ s sˈɨnɛm ˈalfim.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_10.wav|i kʲˈɛdɨ zbliʒˈali ɕɛ kˈu ɲʲˈɛmu, ɔn tsˈɔfnɔw ɕɛ w mrˈɔk, w zˈapax ɔlˈɛju i smˈaru.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_75.wav|tʃˈɨli zˌabjɛrˈajɔnts mˈili...|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_144.wav|ɲʲɛvʲˈɛlɛ vʲˈɛm ˈɔtɨm sandˈɔʒɛ klˌiɡaˈiɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_258.wav|ɲʲɛktˌurɛ zˈɛ ʃrˈam vˌɨpɛwɲʲˈawa zakʃˈɛpwa krˈɛf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_349.wav|z ˌɔdrɔbʲˈinɔ̃ mˌajɛstˈatu.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_155.wav|nˈavɛt ɲʲɛ maʃ pɔjˈɛɲtɕa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_65.wav|dˈɔbʒɛ mɲʲɛ pˈan zrˌɔzumjˈawɛɕ, pɔvʲˈɛdʑaw. pˈɔvʲɛm pˈanu, tsˈɔ rˈɔbʲitɕ. kˈup pˈan sˈɔbjɛ ɔlˈɛju lˌɔtɲitʃˈɛɡɔ, ɡˈɛ̃stɔɕtɕ pʲɛɲdʑˈɛɕɔnt.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_229.wav|pˈɔtɛm zˌaswɔɲˈiwam panˈɛlɛm mˈɔjɔ̃ krɨjˈufkɛ, pʃˌɨɡwɔdʑˈiwam pɔmjˈɛntɨ kˌɔmbʲinˈɛzɔn i ruʃˈɨwam pʃɛt ɕˈɛbjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_199.wav|pʃɨtɕˈiska tʃˈɛvik kˈɔlbɨ dɔ sfɔjˈɛɡɔ ramjˈɛɲʲa i kwˈadʑɛ wˈɔktɕɛ na lˈɛkkɔ rˌɔsstavʲˈɔnɨx kɔlˈanax, bˈɔ tˌaki stʃˈaw vɨmˈaɡa mɔʒlˈivʲɛ nˌajpɛvɲʲɛjʃˈɛɡɔː ˌɔparsˈija.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_159.wav|ˌɔdɛzvˈawa ɕɛ vˈɛmɲʲɛ pˌɔzbavʲˈɔna instˈɨŋktu sˌamɔzˌaxɔvaftʃˈɛɡɔː idjˈɔtka rˈɔdɛm s xɔrˈɔru, ktˌura kazˈawa mi zavrˈutɕidʑ dɔ dʒvˈi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_116.wav|jˈadwɛɕ pʃɨ bjˈurku?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_29.wav|kʲˈɛdɨ dˈɔtar na pʃˈut pˌɔmjɛʃtʃˈɛɲʲa, zapˈadwa tɕˈiʃa.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_238.wav|pʃˌɛdʑɛrˈajɔnts ɕɛ pʃˈɛs mˈasɛ ˌɔbdartˈusuf, mijˈajɔnts ix ɔɡɲˈiska, vˈɔzɨ i prˈɔstɛ sxrɔɲʲˈɛɲʲa, krulˈɔva pʃˌɨpɔmɲʲˈawa sˈɔbjɛ ˈinnɨ twˈum.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_89.wav|pˈilɔt pˈɔdaw ˌɔkulˈarɨ mɛ̃ʃtʃˈɨʑɲʲɛ stˌɔjɔntsˈɛmu tˈɨwɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_17.wav|stˈarɨ uɕmʲˈɛxnɔw ɕɛ. vɨtɕˈɔŋɡnɔw s kʲɛʃˈɛɲi kˈartkɛ i pˈɔdaw jˈɔ̃ ˌandɛrsɔnˈɔvi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_102.wav|a pˈɔtɛm, ts��ɔ jɛst rˈuvɲʲɛ dˈɔbrɨm znˈakʲɛm jˈak ta zɛpsˈuta kamˈɛra mˌɔɲitˌɔriŋɡˈɔva, kˈɛdɛ sˈɛas?|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_105.wav|jˈɛɡɔ, a stsˈɔttka i tˌɛɡɔ xwɔpˈaka z arsfjˈɛlduf.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_98.wav|zɡˈɔdʑiw ɕɛ kapˈitan.|1
+Dataset/wavs/urwisko_ferenc/19_segment_114.wav|jˈaɡ zˌarɛaɡˈɔvaw?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_109.wav|sɔ̃ rˈuvɲʲɛʃ ˈinɲi, ktˌuʒɨ mɲʲɛ pˌɔtʃɛbˈujɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_5.wav|pˌɔxɔvˈaliɕmˌɨ tsˈasɛj.|2
+Dataset/wavs/urwisko_ferenc/16_segment_21.wav|fʃˈɛɲdʑɛ ˌɔstʃɛɡˈajɔ̃, ʒˈɛ tɔ ɲʲɛzdrˈɔvɛ, dɔrˈadʑiw mu stˈarʃɨ mɛ̃ʃtʃˈɨzna.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_414.wav|mˈuviʃ tˈak, jˈaɡbɨɕ jˈɔ̃ znˈaw.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_23.wav|ɕɛdʑˈiba rˈɔdu kɔʃtˈajnuf.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_26.wav|s tsˈawɔ̃ pɛvnˈɔɕtɕɔ̃ swɨʃˈawam jˈɛdnak ˈɔdɡwɔz zˌamɨkˈanɨɣ dʒvˈi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_362.wav|pˈɛvɲʲɛ strˈuʃ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_53.wav|zavʲˈɔzɛ bˌailɛjˈɛɡɔ dɔ ʃkˈɔwɨ i zˈaraz vrˈutsɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_47.wav|ɲʲɛ, pɔvʲˈɛdʑaw pˈilɔt i vɨʃˈarpnɔw pˈaltsɛ.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_68.wav|ɡdˈɨbɨ udˈawɔ mi ɕɛ ɡˈɔ znˈalɛɕtɕ, klɛɡˈanɛ zˈɔstaw vɨjˈɛntɨ spˈɔt prˈava.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_112.wav|bˈardʑɔ mɲʲɛ tɔ mˈartfi, zvrutɕˈiwa ɕɛ dɔ rudjˈɛɡɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_241.wav|pˈandɔ kˈɔɡɔ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_276.wav|pɔzˈɔstaw ɕlˈat krfˈi.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_196.wav|ɲʲˈɛmartf ɕɛ, ɔtpˈarwam z uɕmʲˈɛxɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_261.wav|skˈɔrɔ ɕtɕˈɔŋɡnɔw tˈu sfɔjˈɛɡɔ kˌɔntraxˈɛnta, muɕˈawɔ xˈɔdʑitɕ ɔ tsˈɔʑ dˈuʒɔ tɕˌɛkafʃˈɛɡɔ ɲˈiʒ zvˈɨkwɨ intˈɛrɛs.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_62.wav|mˈuʃɛ tˈɛʃ s tʃˈɛɡɔʑ ʒˈɨtɕ, ɲʲɛ?|0
+Dataset/wavs/urwisko_ferenc/17_segment_25.wav|mˈarja litʃˈɨwa tˈɛʃ na vɛntkˈaʒɨ, ktˌuʒɨ najtʃˈɛɲɕtɕɛj ˌinfɔrmɔvˈali swˈuʒbɨ ɔ drˌɨfujˈɔntsɨx tɕˈawax.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_9.wav|ɲʲɛ ˌɔtpɔvʲˈadam ʃˈɨpkɔ. ɕˈɛtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_19.wav|ɕɛdʑˈawa vˌɨprɛ̃ʒˈɔna ɛkstrˈuna, zˈɛ zwˌɔntʃɔnˈɨmi kˌɔlanˈami i dwˈɔɲmi ɕtɕˌiskajɔntsˈɨmi pˈasɛk tɔrˈɛpki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_5.wav|a jˈutrɔ tˈɛʒ bˌɛndɛ muɕˈawa zˈawɡatɕ, pɔɲʲˈɛvaʒ ʒˈadna ɕˈiwa ɲʲɛ pɔfstʃˈɨma mɲʲɛ ɔt spɔtkˈaɲʲa zˈɛ stsˈɔttɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_166.wav|ˌɔtfɔʒˈɨwɛm ˈɔkɔ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_162.wav|vˈɨpij, pˈaɲi, bˈɔː inˈatʃɛj vlˈɛjɛ tɕi jˈɛ dɔ ɡˈardwa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_188.wav|ɲʲɛ pˌɔvʲɛdʑˈawaɕ jɛj, ʒˈɛ ˈidʑɛʒ dɔ tsˈantsun, tsˈɔ?|2
+Dataset/wavs/urwisko_ferenc/19_segment_21.wav|pɔdˈɔbnɔ ɡɔrˈɔntsa xɛrbˈata jɛst najlˈɛpʃɨm spɔsˈɔbɛm na ˌuɡaʃˈɛɲʲɛ praɡɲʲˈɛɲʲa w upˈawɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_163.wav|a f tɛj tɔrˈɛptsɛ maʃ xˈɨba dʒˈin.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_153.wav|ˌalɛ tˈamtɛ tʃˈasɨ jˈuʃ minˈɛwɨ.|4
+Dataset/wavs/urwisko_ferenc/27_segment_46.wav|ja ɔd dˈavna zaxˈɔdʑɛ w ɡwˈɔvɛ, jˈak tɔ ɕɛ dʑˈɛjɛ, ʒˈɛ pˈan stˈalɛ trˈafja na tˈakʲɛ trˈudnɛ sprˈavɨ f tɛj xˈɛwmʒɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_121.wav|ˈɛllis pʃɛɡlˈɔnda zavˈartɔɕtɕ pɔrtfˈɛla i znajdˈujɛ kˈartɛ bˌaŋkɔmatˈɔvɔ̃. vidɲʲˈɛjɛ nˈaɲʲɛj vˌɨtwɔtʃˈɔnɛ nazvˈiskɔ dˈaltɔn tsˈurtʲis smˈitx.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_408.wav|ˌuswɨʃˈawɛm ɕtɕiʃˈɔnɨ i xˈɨba dalˈɛki ɕpʲˈɛf xˈuru kˌɔbjɛtsˈɛɡɔ. tˈak, tˈu tˈɛʒ ɡdʑˈɛɕ jɛst klˈaʃtɔr.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_346.wav|tɔ smˈutnɨ dʑˈɛɲ.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_123.wav|ta vˈɔjna...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_80.wav|pʲˈɛŋkna ˌɔkɔlˈitsa stˈawa ɕɛ ɲʲɛstˈɛtɨ mʲˈɛjstsɛm zbrˈɔdɲi i tɔ ɲʲɛ pɔ rˈas pʲˈɛrʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_414.wav|f kˈaʒdɨm z ɲˈix mɔɡwˈɔbɨ ɕɛ pɔmjˈɛɕtɕitɕ tʃˈɛx lˈudʑi.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_3.wav|pʃɨjˈɛwam jˈɛʃtʃɛ kˈilka bˈardʑɛj prˌɔzaˈitʃnɨɣ zlˈɛtsɛɲ.|4
+Dataset/wavs/urwisko_ferenc/64_segment_56.wav|pˈan zˈɛrkɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_102.wav|mˈɔʒɛ tsˈɔɕ ɕɛ vˌɨdaʒˈɨwɔ, kʲˈɛdɨ mʲɛʃkˈawa jˈɛʃtʃɛ w lˌinkɔlnʃˈajɛr.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_130.wav|vwɔʒˈɨwam tɔrˈɛpkɛ dɔ ɕrˈɔtka i dɨskrˈɛtɲʲɛ rˌɔzɛjʒˈawam ɕɛ na bˈɔki, ʒˈɛbɨ ɕɛ upˈɛvɲitɕ, tʃɨ ɲˈikt nˈamɲʲɛ ɲʲɛ pˈatʃɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_38.wav|ɡdʑˈɛ pˌɔzɔstˈali dvˈaj? bˈɔ tsˈɔ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_135.wav|a jˈɛɕli rˈɔbʲi fˈilmɨ, f ktˌurɨx fatsˈɛtɕi ruxˈajɔ̃ ʃˌɛɕtɕɔlˈɛtɲʲɛ dʑɛftʃˈɨŋki, ftrˈɔɲtɕiw ɲˈitsk?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_116.wav|ɲʲɛ bˌɛndɛ fxɔdʑˈiwa tɕi w drˈɔɡɛ.|3
+Dataset/wavs/urwisko_ferenc/22_segment_60.wav|znˈuf pʃɨwˈɔʒɨw ɡwˈɔvɛ dɔ pɔdˈuʃki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_224.wav|prˈɨʃɲits tɕˈixɲʲɛ. bˈaki znˈuv vɨxˈɨla ɕɛ kˈu bʲiljˈɛmu nat pɔrˈɛntʃɔ̃ kʃˈɛswa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_133.wav|na sˈamɔ̃ mˈɨɕl fpˈada w zwˈɔɕtɕ i bˈardʑɔ dˈɔbʒɛ, lˈɛpʃɛ tɔ ɲˈiʃ ɕɛ fstˈɨdʑitɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_52.wav|i ɲʲɛ vˈaxaj ɕɛ mi pʃˈɛrvatɕ, kʲˈɛdɨ bˌɛndɛ na lˈiɲʲi s pˈɛvnɔ̃ vˈɨʃʃɛj rˈaŋɡʲi fˌuŋktsjɔnarjˈuʃkɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_479.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_531.wav|pˈan mitskʲˈɛvitʃ nalˈɛɡa. tɔ bˈardʑɔ vˈaʒnɛ. mˈuviw z natɕˈiskʲɛm i ɲʲɛzvˈɨklɛ kˌɔmpɛtˈɛntɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_384.wav|jɛdˈɨnɨm zˈɛ spiskˈɔftsuf, kturˌɛmu udˈawɔ ɕɛ vˈɨmknɔɲtɕ s ɕˈɛtɕi jɛj ˈɔjtsa, bˈɨw tɕˈɛmna ɡvʲˈazda.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_249.wav|pˈaɲi zˈamku nˌalɛʒˈawa pʃˈɛs mawʒˈɛɲstfɔ dɔ rˈɔdu lˌanɲistˈɛruf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_36.wav|mˈuj kˈubɛk s kˈavɔ̃ rˌɔstʃaskˈujɛ ɕɛ ɔ pɔdwˈɔɡɛ, a ɡɔrˈɔntsɨ pwˈɨn pˈaʒɛ mi nˈɔɡʲi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_191.wav|ˌalɛ dlatʃˈɛɡɔ jˈɔ̃, tˈɛ dʑɛftʃˈɨnɛ tʃɨ mwˈɔdɔ̃ kɔbjˈɛtɛ ɔ spɔjʒˈɛɲʲu jˈak jɛɕˈɛnnɛ vʒˌɔsɔvˈiskɔ pamjˈɛntam ɔd zˈafʃɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_20.wav|vɨɕˈadam i ɔtfʲˈɛram tˈɨlnɛ dʒvˈi ˈawta. zˈaɲim vˌɨɡramˈɔli ɕɛ z ˈawta, nakwˈadam mu na ɡwˈɔvɛ tʃapˈɛtʃkɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_82.wav|kʲˈɛdɨ bˈɛtskɨ ruʃˈɨwa f strˈɔnɛ xˈɔlu, ˌɔtfɔʒˈɨwɨ ɕɛ tˈam ˈinnɛ dʒvˈi i f prˈɔɡu stanˈɛwa kɔɕtɕˈista kɔbjˈɛta ubrˈana f kɔʃˈulkɛ i ʃˈɔrtɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_101.wav|bʲˈili zamˈavja tɔ sˈamɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_44.wav|dʑˈɛɲ pˈuʑɲʲɛj, kʲˈɛdɨ znˈuv bˌɨwam pʲˈɛŋknɨm dʑˈɛtskʲɛm, ktˌurɛ pɔdnˈɔɕi ɡˈɔ na dˈuxu, zalˈawa mɲʲɛ fˈala ˈulɡʲi.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_16.wav|ɔstˈatɲʲɔ tʃˈɛɲɕtɕɛj dʑɛlˈiwa wˈɔʒɛ s krulˈɔvɔ̃ ɲˈiʒ z lˈɔrdɛm mˌɛrvɛdˈarɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_131.wav|rˈanɔː ˈɛlis ˌinfɔrmˈujɛ ɡˈɔ, ʒˈɛ mlˈɛkɔ ɕɛ kˈɔɲtʃɨ, a pwˈatki xɛˈɛrjɔs na sˈuxɔ sɔ̃ dɔ ɲitʃˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_52.wav|ɲʲɛ jˌɛstɛm jˈɛɡɔ kɔxˈaŋkɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_260.wav|tʃɛrvˈɔna ʒˌaruvˈɛtʃka w latˈarɲi, vʲˈɛtʃnɨ ˌɛlɛktrˈɨtʃnɨ pwˈɔmɨk nˈaʃɛj zavˈɔdnɛj pamjˈɛɲtɕi.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_206.wav|bˌɨwa jˈɛdnak skwˈɔnna zapˈɔmɲʲɛtɕ ɔ jˈɛɡɔ ɲʲˌɛdɔstˈatkax, jˈɛɕli f skʃˈɨntsɛ, ktˌurɔ̃ pʃˈɨɲʲuz zˈɛ sˈɔbɔ̃, ʒˌɛtʃɨvˈiɕtɕɛ znˌajdɔvˈawa ɕɛ ��wˈɔva tɨrjˈɔna.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_27.wav|bˌɨwɔ tˈam tɕˈɛmnɔ. zˌasuɲʲˈɛnta rɔlˈɛta ɲʲɛ pʃˌɛpuʃtʃˈawa ɕfʲˈatwa pˌadajɔntsˈɛɡɔː ɔt ulˈitsɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_72.wav|pˈɔvʲɛts im, ʒˈɛbɨ spravdʑˈili, tʃɨ mɔʒˈɛmɨ uzˈɨskadʑ dˌɛˌɛnˈa mˈartɨ pˈɔrtɛr z ʒˈɛtʃɨ w jɛj bjˈuʒɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_60.wav|nasˈadɔ̃ dwˈɔɲi ɔdɡˈarɲʲa vilɡˈɔtnɛ kɔsmˈɨki s tʃˈɔwa.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_64.wav|tɔ mˈuvi, ʒˈɛ vˈɛjdɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_184.wav|ˌalɛ ja tˈam f pɔkˈɔju ʒˈɔnɨ trfˈawɛm nad bjˈurkʲɛm jˈaɡbɨ pʃˌɨtwɔtʃˈɔnɨ ɡʒɛxˈami i fpˌatrɨvˈawɛm ɕɛ w ɲʲˌɛvidˈɔtʃnɨ pˈapʲɛr, tʃɛkˈajɔnts, ˈaʃ ɕɛ vɨwˈɔɲi nˈaɲim...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_153.wav|fʃˈɨstkɔ, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔː ɔt pʃˌɛprɔvˈatski dɔ lˌinkɔlnʃˈajɛr|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_172.wav|stɔjˈɔntsɨ pʃɛdˈɛmnɔ̃ ˌamɛrɨkˈaɲski turˈɨsta pɔdjˈadaw pˈulpɛ i zapˈuʃtʃaw ʒurˈavja pˈɔnad ɡwɔvˈami ɡˈapʲuf.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_285.wav|tɔ mˈuɡw bˈɨtɕ jɛdˈɨnɨ pʃɨpˈadɛk, kʲˈɛdɨ pˌɔvʲɛdʑˈawa mi prˈavdɛ. ɲʲˈɛmɨɕl ʑlˈɛ ɔ krulˈɔvɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_26.wav|dˈɔn jɛst ˌɔkrɛɕlˈɔnɨm tˈɨpɛm fatsˈɛta.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_103.wav|pˈɔtɛm znˈuf jˈɔ̃ vwˈɔntʃam, vɨxˈɔdʑɔnts, ˈalɛ...|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_154.wav|ftɕˈɔ̃ʃ mʲˈawam bˈutɨ na nˈɔɡax, a w rˈɛŋku ɕtɕiskˈawam ɡʲˈizmɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_106.wav|ɡwˈɔs kasjˈɛrki pʃˌɨvɔwˈujɛ bʲillʲˈɛɡɔ dɔ ʒˌɛtʃɨvistˈɔɕtɕi. pʃɛprˈaʃam, bujˈawɛm w ɔbwˈɔkax.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_250.wav|muɕˈawam jˈak najʃˈɨptɕɛj ftɕˈɛlidʑ w ʒˈɨtɕɛ mˈuj kɔlˈɛjnɨ plˈan.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_176.wav|ˌaɲi za jˌamjɛˈɛɡɔ, ˌaɲi za ɲikˈɔɡɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_39.wav|pɔswˈuxaj, pɔ prˈɔstu spˌɔntaɲˈitʃɲʲɛ uznˈawɛm, ʒˈɛ lˈɛpʲɛj bˌɛɲdʑɛ pɔvʲˈɛdʑɛtɕ, ʒˈɛ bˌɨliɕmˌɨ tˈu rˈazɛm.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_264.wav|vʲˈɛdʑawbˌɨ, ʒˈɛ s pɛvnˈɔɕtɕɔ̃ ɕtɕˈɔŋɡɲʲɛ tɔ nˈaɲʲɔ̃ ɡɲʲˈɛf krulˈɔvɛj.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_15.wav|ˌuvaʒˈamɨ, ʒˈɛ pˌɔtʃɔntkˈɔvɔ ftsˈalɛ ɲʲɛ plˌanɔvˈawa pˈɔrvatɕ mˈili, a jɛdˈɨɲʲɛ znˈalɛɕtɕ ɕɛ blˈiʒɛj naʃˈɛɡɔ dˈɔmu i pʃˌɛanˌalizˈɔvatɕ mˈɔjɛ ʒˈɨtɕɛ z ˈaʃɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_18.wav|ɲʲˈɛx pˈan mɲʲɛ ɲʲɛ zˌatʃɨmˈujɛ i ɲʲˈɛx pˈan pamjˈɛnta, ˈu nˈas ɕɛ ɲʲɛ ɕˈɛdʑi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_172.wav|tɛj w awstrˈalji.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_46.wav|tɛn ktˈɔɕ xtsˈɛ mi ˌuɕfʲadˈɔmitɕ, ʒˈɛ pɔdˈɔ̃ʒa mˈɔim ɕlˈadɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_505.wav|a w jˈɛɡɔ pɔsˈɛmpnɛj muzˈɨtsɛ rˌɔzruʒɲʲˈawɛm tʃˈasɛm zˌabwɔŋkˈanɨ ɡwˈɔz dʑvˈɔnu kˌɔɕtɕɛlnˈɛɡɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_242.wav|ˌuɕiwˈujɛ ɔdɡˈarnɔɲtɕ kˈɔwdrɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_54.wav|mˈɔjɛ mˈɨɕli zɔstˈajɔ̃ pʃɛrvˈanɛ pʃˈɛz ɡwˈɔsɨ dˌɔbjɛɡajˈɔntsɛ s salˈɔnu i zdˈajɛ sˈɔbjɛ sprˈavɛ, ʒˈɛ tɔ dˈɔm zɔstˈaviw tˌɛlɛvˈizɔr vwɔntʃˈɔnɨ na kanˈalɛ skˈɨ nˈɛfs.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_230.wav|stˈawa pˈɔɕrut rˈuin, nˌapʃɛtɕˈifkɔ klˌarɛntsˈɛa krˈabba.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_26.wav|fstˈawɛm, zdjˈɔwɛm mˈajtki i fʃˈɛdwɛm dɔ vˈannɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_42.wav|bˈɛtskɨ vʲɛdʑˈawa jˈɛdnak, ʒˈɛ zɛpsˈujɛ mu vʲˈɛtʃur.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_124.wav|ɲʲɛ rˌɔzmavʲˈajmɨ ˈɔtɨm pʃɨnˈajmɲʲɛj na rˈaʑɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_154.wav|lˈɛtʃ tɔ mʲˈɛjstsɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_232.wav|fʃˈɨstsɨ vʲɛdʑ��ɛliɕmˌɨ, ʒˈɛ jˈɛdɛn pˈɔtɕisk xɛllfˈirɛ vˌɨɛlˌiminˈɔvawbˌɨ xˈadʑix na balkˈɔɲʲɛ, ˌalɛ pʃɨ ɔkˈazji vɨkˈɔɲtʃɨwbˌɨ dʒˌɔnnɨˈɛɡɔ tsˈapsa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_74.wav|jˈasnɛ. ɲˈidʑɡ vzdˈɨxa i pʃɛɡˈarɲʲa dwˈɔɲʲɔ̃ vwˈɔsɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_55.wav|vʲˈɛm, ʒˈɛ jˌɛstɛm ɡˈɔdnɨm pˌɔʒawɔvˈaɲʲa fatsˈɛtɛm bˈɛs krˌɛŋɡɔswˈɔva mˌɔralnˈɛɡɔ, ˌalɛ ɲʲɛ zamjˈɛʒam ɕɛ tˈɛras twumˈatʃɨtɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_168.wav|tˈɨlɛ rˈazɨ mʲˌawɛm ɔkˈazjɛ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_224.wav|kɔsˈɔmɔ kˈuɡlaʃ pˌɔkazˈɨvaw jɛj rˈuʒnɛ ʃtˈutʃki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_79.wav|pɔ tsˈɔ mʲˈɛlibˌɨɕmɨ tɔ rˈɔbʲitɕ, nˈavɛd ɡdɨbˈɨɕmɨ mˈɔɡli?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_9.wav|xtsˈɛmɨ zˈadatɕ pˈanu kˈilka pˈɨtaɲ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_107.wav|bˈutskɨ pʃɨbʲˈija jɛj pʲˈɔntkɛ. bʲˈillɨ rˈɔbʲi tɔ sˈamɔ, ˌalɛ jˈɛɡɔː ɛntˈuzjazm jɛst ˌudavˈanɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_68.wav|tɔ ɲˈits straʃnˈɛɡɔ, ɲʲɛ sˈɔɲdʑiʃ?|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_328.wav|pɔmˈɨɕlaw jˈamɛ, stʃɔ̃sˈajɔndʑ bwˈɔtɔ s pˌɔzwatsˈanɛj dwˈɔɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_121.wav|jˈɛɡɔ tɕˈawɛm fstʃˈɔ̃snɔw krˈutki drˈɛʃtʃ, a pˈɔtɛm rˈunɔw bɛzvwˈadɲʲɛ na pɔdwˈɔɡɛ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_292.wav|tsɛbˈulɛ, marxˈɛfki.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_97.wav|stˈaraw ɕɛ, bˈɨ jˈɛɡɔ spɔjʒˈɛɲʲɛ ɲʲɛ vˌɛndrɔvˈawɔ dɔ bˈɛtʃki z rˈumɛm, f ktˌurɛj pʃˌɛxɔvɨvˈanɔ tɕˈawɔ mˌaɛstˈɛra ɛmˈɔna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_80.wav|musˈimɨ pɔjˈɛxadʑ dɔ ʃpjˈi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_104.wav|jˈɔɛl ˈallɛn zaswˈuʒɨw nˈatɔ, tsˈɔ ɡˈɔ mˈa spˈɔtkatɕ. jɛzd zwˈɨm tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_166.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_19.wav|a za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ pʃɛsˈuva dwˈɔɲʲɔ̃ pɔ mˈɔim bʒˈuxu,|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_27.wav|jˌɛstɛm dɔ ɲʲˈɛɡɔ pɔdˈɔbnɨ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_72.wav|ɔdvrˈatsa ɡwˈɔvɛ f strˈɔnɛ swˈɔɲtsa, a ɕfʲˈatwɔː ɔdbʲˈija ɕɛ w jˈɛɡɔː ˈɔtʃax.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_261.wav|a bˈɔ ja jˌɛstɛm krˌutkɔvˈidʑɛm.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_91.wav|dɔ ɡˈaltawn vrˈutɕiw krˈul mɛrlˈiŋɡuf i stˈarɨ ˈɔsfɛll mˈa dɔː ˌɔpɔvʲɛdʑˈɛɲʲa kˈilka tɕɛkˈavɨx çistˈɔrji.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_40.wav|wˈɔntʃɛ z ˈaʃ, ˌɔtpɔvʲˈada bˌɛstɕɛlˈɛsnɨ ɡwˈɔs.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_88.wav|mˈɨɕliʃ, ʒˈɛ spɔdˈɔba ɕɛ jɛj vˈizja zˌatʃɨnˈaɲʲa ɔd zˈɛra pɔ rˈaz drˈuɡʲi f tɕˈɔŋɡu ʃˈɛɕtɕu mʲɛɕˈɛntsɨ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_105.wav|xˈɔdʑ zarˈazɛm zˌaɡubjɔnˈɨmi duʃˈami, ktˌurɛ zdˌɔminˈɔvaw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_3.wav|trˈudnɔ bˌɨwɔ mu tˈɛʃ uvʲˈɛʒɨtɕ, ʒˈɛ ˈaʃ tsɛlˈɔvɔ zwˈamaw kˈɔstkɛ, xˈɔtɕ tsˈawɛ tɔ pʃɛstˈɛmpstfɔ bˌɨwɔ xɔlˈɛrɲʲɛ skˌɔmplikɔvˈanɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_13.wav|ɲʲˈɛvʲɛm, tsˈɔ ɕɛ z ɲʲˈɔ̃ stˈawɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_87.wav|pʃˈɛs tɕˈɛbjɛ stratɕˈiwa w ʒˈɨtɕu fʃˈɨstkɔ, tsˈɔ bˌɨwɔ rɛˈalnɛ, trfˈawɛ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_151.wav|a tsɛrsˈɛi bˌɨwa zbˈɨt ɲʲˌɛspɔkˈɔjna, bˈɨ zˈasnɔɲtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_181.wav|ɔtstˈavja butˈɛlkɛ i ɔdvrˈatsa ɕɛ tfˈaʒɔ̃ dɔ ɲʲˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_38.wav|pʲˈɛs tʃˈɨmaw ɕɛ blˈiskɔ jˈɛɡɔ nˈuk, ˌɔbvɔnxˈujɔnts kˈaʒdɨ kˈamjɛɲ, mˈuʃlɛ i skupˈiskɔ vˌɔdɔrˈɔstuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_56.wav|ʒˈadna s kˈɔbjɛt ɲˈiɡdɨ ɲʲɛ ˌurɔdʑˈiwa jˈɛdnaɡ dʑˈɛtska.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_252.wav|tɛn bˈɛŋkart mʲˈaw vˈɔ̃sɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_131.wav|ɲʲɛ pɔtʃˈɛba tɕi mˈuvitɕ, tsˈɔː ˈɔɲim mɨɕlˈawɛm, a tˈɛras jˈuʃ ɲʲɛ jˌɛstɛm ɔ ɲʲˈɛɡɔ zazdrˈɔsnɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_27.wav|dɔpʲˈɛrɔ tˈɛras spɔstʃˈɛɡwɛm, ʒˈɛ vɨɡlˈɔnda ˌɔdrɔbʲˈinɛ ɔtɕfʲˈɛntɲʲɛj ɲˈiʒ zvˈɨklɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_57.wav|dʑɛftʃˈɨna vrˈatsa s pudˈɛwkʲɛm, na kturˌɛɡɔ vʲˈɛku vidɲʲˈɛjɛ vˌɨtwɔtʃˈɔnɨ fˌantazˈɨjnɔ̃ tʃtɕˈɔŋkɔ̃ nˈapis kɔstjˈumɨ na spɛtsjˈalnɔ̃ ɔkˈazjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_189.wav|ɔt pɛvnˈɛɡɔ tʃˈasu, xˈɨba ɔt xfˈili, kʲˈɛdɨ zˈatʃɔw spisˈɨvatɕ çistˈɔrjɛ bɛnjˈɛɡɔ, zdˈajɛ sˈɔbjɛ sprˈavɛ, ʒˈɛ ɲʲɛ mˈɔʒɛ dwˈuʒɛj ʒˈɨtɕ, jˈaɡ dɔ tɛj pˈɔrɨ, bˈɔ ɕɛ udˈuɕi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_71.wav|tsˈɔ pˈan dla mɲʲɛ mˈa, pˈaɲʲɛ xˈɔff?|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_223.wav|xˈɔtɕaʒ vˌɨdavˈawɔ mi ɕɛ, ʒˈɛ spɔtkˈawam ɡˈɔ tsˈawɛ vʲˈɛki tˈɛmu, ɔt tamtˈɛɡɔ vʲɛtʃˈɔru minˈɛwɨ zalˈɛdvʲɛ tʃtˈɛrɨ dɲˈi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_60.wav|pˈɔtɛm ɔtfʲˈɛra strˈɔnɛ lɔkˈalnɛj ɡazˈɛtɨ, rˈas jˈɛʃtʃɛ ɔpwˈatsa dˈɔstɛmp jˈakɔ tˈɔmas xˈardɨ i vˌɨʃukˈujɛ ɔfjˈara zabˈujstfa pˈartja pɔkˈɛra.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_233.wav|muvˈiwa lˈadɨ amˈɔrɨ pˌɔtɕɔŋɡˈajɔnts nˈɔsɛm. ˈɔjtɕɛts mi ˈɔtɨm ˌɔpɔvʲˈadaw.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_173.wav|w ʒˈɨtɕu jɛj brˈata litʃˈɨwɨ ɕɛ vˈuftʃas tˌɨlkɔ mʲˈɛtʃɛ, psˈɨ, kˈɔɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_74.wav|bʲˈillɨ ɲʲɛ ˌɔtpɔvʲˈada.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_39.wav|ɲʲɛ pɔtrˈafiw stfʲˈɛrdʑitɕ, tʃɨ jˈɛɡɔ tsˈurka ʒˈɨjɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_64.wav|f kˈɔɲtsu vɨɕˈadam s sˌamɔxˈɔdu i stˈavʲam krˈɔɡ za krˈɔkʲɛm, zbliʒˈajɔnts ɕɛ dɔ dʒvˈi vɛjɕtɕˈɔvɨx.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_22.wav|fstukˈujɛ tsˈɔɕ na klˌavʲatˈuʒɛ i pʃɛsˈuva pˈaltsɛm pɔː ɛkrˈaɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_139.wav|tɨm rˈazɛm mˈɔʒɛ mʲˈɛtɕ mɲʲˈɛj ʃtʃˈɛɲɕtɕa.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_51.wav|sxrˈɔn lˈɛdvʲɛ dˈawɔ ɕɛ rɔspˈɔznatɕ. ˈɔjtɕɛts ɲʲˈɛʑlɛ ɡˈɔː uʒˈɔɲdʑiw.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_187.wav|zˈafʃɛ pʃˌɛrɨvˈawɨ ɡwˈɔɕnɛ vɨbˈuxɨ ɕmʲˈɛxu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_101.wav|ˌɔɲi ɲʲɛ ʃukˈajɔ̃ maˈili, ˌalɛ mˈɔʒɛ pˌɔvinɲˈiɕmɨ nˈaɲʲɛ zˈɛrknɔɲtɕ, jˈɛɕli tɕi tɔ ɲʲɛ pʃɛʃkˈadʑa. pˌɔtʃɛbujˈɛmɨ dɔ tˌɛɡɔ tfɔjˈɛɡɔ pˌɔzvɔlˈɛɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_24.wav|bˈɛtskɨ zˌatʃɨmˈawa ɕɛ za sˌamɔxˈɔdɛm tˈɔma pʃɨ brˈamjɛ pˌɔɕadwˈɔɕtɕi ɛdmˈuntsuf f tɨm sˈamɨm mɔmˈɛɲtɕɛ, kʲˈɛdɨ kˈid vɨxˈɨliw ɕɛ pʃˈɛs ˈɔknɔ, ʒˈɛbɨ natɕˈisnɔɲdʑ dʑvˈɔnɛk.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_351.wav|rˈɛmɔnt|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_15.wav|tˈɔm skˈinɔw ɡwˈɔvɔ̃. pɔlˈitsjant s pɛvnˈɔɕtɕɔ̃ ɕɛ ɲʲɛ mˈɨliw, xˈɔtɕ rˌɛɡulˈarɲʲɛ mˈuɕi tˈɛndɨ utʃˈɛ̃ʃtʃatɕ spˈɔrɔ lˈudʑi.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_291.wav|pɔpˈɛwɲʲam ɡʒˈɛxɨ. jˈɛɕli ta mˈawa skˈaza na mˈɔjɛj dˈuʃɨ mˈa bˈɨtɕ tsˈɛnɔ̃ za spˈɔkuj tfɔjˈɛɡɔ sumjˈɛɲʲa, tɔ ɲʲˈɛx ɕɛ tˈak stˈaɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_29.wav|kɔmpˈutɛr rɔspˈɔznaw fʃˈɨstkɔː i pɔdlˈitʃɨw zapwˈatɛ.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_185.wav|tˌɨlkɔ vˈɔda sˈam.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_99.wav|skfitˈɔvaw jˈamɛ. ktˈɔ tˈu dɔvˈɔdʑi?|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_104.wav|vˈidʑiʃ, pɔvʲˈɛdʑaw, tɔ ɕɛ stˈawɔ pɔ rˈas pʲˈɛrʃɨ, ɲˈim pɔʃˈɛdwɛm na fsxˈut. i tˈutaj tˈɛʃ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_401.wav|pʃɛkˈaswaw pɔwˈɔvɛ pˌanɔvˈaɲʲa rɔbˈɛrta i tsˈawɛ jɔffrˈɛja.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_207.wav|a tʃɨ zjˈɛʃ mˈiskɛ ɔfɕˈaŋki, jˈɛɕli tɔ zrˈɔbjɛ?|1
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_50.wav|zˈatɔ pˌɔtʃɛbˈujɛ rˈadɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_31.wav|praɡɲʲˈɛɲʲɛ vɨjʒˈɛɲʲa pˈɔza ʒˈɛkɛ, jɛʑˈɔrɔː i pɔblˈiskɔ̃ vʲˈɔskɛ, zˌapuʃtʃˈɛɲʲa ɕɛ w ɲʲɛznˈanɛ tˌɛrɨtˈɔrja, pɔznˈaɲʲa nˈɔvɨɣ dɔɕfʲˈattʃɛɲ i ɛmˈɔtsji.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_103.wav|majˈɛrjan dʑvˈiɡa ɕɛ na nˈɔɡʲi. tɔ dˈɔbʒɛ. tɕˈɛʃɛ ɕɛ, ʒˈɛ mˈɔɡɛ tɕi pˈɔmuts, bʲˈillɨ. jˌɛstɛɕ pɔʒˈɔndnɨ xwˈɔp.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_307.wav|nˈaɡlɛ ʒˈutɕiw karˈabʲin i ˈupad na kɔlˈana. pˈɔtʃɔw tʃˈɔwɡatɕ ɕɛ kˈu ˌandɛrsɔnˈɔvi, vˌɨtɕɔŋɡnˈɔ̃fʃɨ kˈu ɲʲˈɛmu rˈɛŋkɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_74.wav|ˈaʃ tˈu f kˈɔɲtsu udˈajɛ tɕi ɕɛ mˈaxnɔɲtɕ tsˈɔʑ dɔbrˈɛɡɔ, ɲʲɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_26.wav|bˈɨwbɨm vdʑˈɛntʃnɨ, ɡdˈɨbɨ pɔzvˈɔliw nˈam pˈan vˈɛjɕtɕ i pˌɔrɔzmˈavʲatɕ s pˈanɛm i jɛj mˈatkɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_72.wav|ɲʲˈɛxtsɛ tˌɛɡɔ swˈuxatɕ. mˈɔʒɛʃ tɔ zrˈɔbʲitɕ tʃɨ ɲʲɛ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_263.wav|stˈawa na pʃɨstˈaŋku i vwˈaɕɲʲɛ nadjˈɛʒdʒaw awtˈɔbus. ʒutɕˈiwɛm ɕɛ rˌɔspatʃlˈivʲɛ pʃɛt ɕˈɛbjɛ i vˌɨmijˈajɔnts trɔmbjˈɔntsɛ sˌamɔxˈɔdɨ dɔpˈadwɛm jˈɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_118.wav|w vˈɛɡas jˈuʃ ɲʲɛ bˈɨva, vʲˈɛnts ˈalbɔ w lˈɔs ˈandʒɛlˌɛs, ˈalbɔ w nˈɔvɨm jˈɔrku. mˈɔɡɛ ustˈalitɕ, ɲʲɛtrˈudnɔ ɡˈɔ namjˈɛʒɨtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_129.wav|ta fˌurɡɔnˈɛtka na tˈɨwax, vɛçˈikuw miwˈɔɕtɕi, nalˈɛʒɨ dɔ tɕˈɛbjɛ, zɡˈadʑa ɕɛ? tˈak, ˌalɛ jɛzd zɛpsˈuta, uʃtʃˈɛlka pɔd ɡwɔvˈitsɔ̃...|2
+Dataset/wavs/urwisko_ferenc/41_segment_9.wav|ɔdˈɛzvaw ɕɛ bˈɛs tɕˈɛɲʲa ʒˈalu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_3.wav|spˌakɔvˈawam mu valˈiskɛ i pˈɨtam, tʃɨ jɛst jˈɛʃtʃɛ tsˈɔɕ, tsˈɔ pɔvˈinnam dˈɔdadʑ dɔ jɛj zˌavartˈɔɕtɕi. krˈɛɲtɕi ˌɔpuʃtʃˈɔnɔ̃ ɲˈiskɔ ɡwˈɔvɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_15.wav|dʒˈɔrdʒ i trˈɔmba tˈɛʃ pˌɔtʃɔntkˈɔvɔ tˈak rɔbʲˈili, ˌalɛ ˈupʲur kˈazaw im pʃˈɛstatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_42.wav|pɔvˈinnam bˌɨwa ˈutɕɛts.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_328.wav|vˈɛmɲʲɛ, prˈavdɛ mˈuvʲɔnts. mˈam nadʑˈɛjɛ, ʒˈɛ vʲˈɛʃ, tsˈɔ ɕɛ dʑˈɛjɛ w mawʒˈɛɲskim wˈɔʒu.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_127.wav|ˌɔdɛzvˈawam ɕɛ pɔ xfˈili.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_2.wav|swˈɨʃɛ zˌatʃaskujˈɔntsɛ ɕɛ dʒvˈi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_38.wav|ʃtʃˈɛʒɛ mˈuvʲɔnts, nazvˈawa tɕˈɛ sfˈɔim aɲʲˈɔwɛm strˈuʒɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_43.wav|i ˈɛlis mˈɨɕli, ʒˈɛ zˈasnɔw, ˌalɛ kʲˈɛdɨ tʃˈɛtɕi tʃɨ tʃfˈartɨ rˈaz zˈɛrka w lustˈɛrkɔ fstˈɛtʃnɛ i vˈidʑi ɡˈɔ lˌɛʒɔntsˈɛɡɔ ɲʲˌɛruxˈɔmɔ, s pˌɔttɕɔŋɡɲʲɛntˈɨmi kˌɔlanˈami,|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_2.wav|tʃˈujɛ na tfˈaʒɨ ˈɔsɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_69.wav|tʃɨ tsˈɔɕ ɕɛ vˌɨdaʒˈɨwɔ? mˌajɔ̃ jˈakʲɛʑ vʲˈɛɕtɕi?|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_68.wav|ˌaktɨvˈujɛ pˈakʲɛd darmˈɔvɨx mˈinut, tsˈɔ vɨmˈaɡa zˌadʑvɔɲʲˈɛɲʲa dɔ tsɛntrˈali fˈast fˈɔnɛ, bˈɨ sfˌinalizˈɔvatɕ transˈaktsjɛ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_406.wav|ɡwˈupjɔ̃ dʑɛftʃˈɨnɛ, ktˌurɛj vˌɨdavˈawɔ ɕɛ, ʒˈɛ jɛst rɨtsˈɛʒɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_131.wav|vɨɡlˈɔnda na ʃtʃˈɛrɨ.|2
+Dataset/wavs/urwisko_ferenc/27_segment_118.wav|ɔt pˈaɲi i bˌɔrɛvˈitʃa dɔmˈaɡam ɕɛ tʃˈɛɡɔʑ vʲˈɛntsɛj.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_362.wav|ja xtsˈɛ ɔdʑˈɨskadʑ ʒˈɔnɛ i tsˈurkɛ.|1
+Dataset/wavs/urwisko_ferenc/56_segment_29.wav|bɔrˈɛvidʒ dˈɔpiw kˈavɛ i pɔtʃˈɛkaw nˈaɲʲɔ̃ kˈilka mˈinut na zˈɛvnɔntʃ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_71.wav|s xˈɛɲtɕɔ̃ pʃɨstˈɔmpjɛ dɔ prˈatsɨ, ˌalɛ pʃˌɛtɕɛʃ ɲʲɛdwˈuɡɔ bˌɛɲdʑɛʃ mˈuɕaw stˈɔnd vɨjˈɛxatɕ. tʃɨ zdɔ̃ʒˈɨmɨ tɔ fʃˈɨstkɔ zrˈɔbʲitɕ na tʃˈas?|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_50.wav|mɨɕlˈawɛm, ʒˈɛ na ˈimjɛ mu frˈɛddɨ, zˌauvˌaʒabʲˈili.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_130.wav|zˌastanavʲˈawa ɕɛ ˈarjan.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_5.wav|stˌanɔvˈiliɕmˌɨ spɔwˈɛtʃnɔɕtɕ i mʲˌɛliɕmˌɨ ˌɔbɔvʲˈɔ̃zɛɡ ʒˈɨdʑ w ɡrˈupʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_64.wav|kʲˈɛdɨ vʲˈɛɕtɕi dɔtˈarwɨ dɔ bliʑɲʲˈakuf, pˌɔjɛxˈawɛm tˈam s xarˈɨsɛm çˈiɡɛm i jˈɛɡɔ brˈatɛm dɔnnˈɛllɛm.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_111.wav|kazˈawɛm zbudˈɔvatɕ tɛn ʃˈafɔt, ʒˈɛbɨ zˌadɛmɔnstrˈɔvatɕ, ˈiʃ sˈɛr raˈɨmɔnt frˈɛj ɲʲˈɛzvɨɡw vɨɡwˈaʃatɕ tʃtʃˈɨɣ ɡrˈuɕp.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_74.wav|tɨmtʃˈasɛm mˈɔʒɛ tɕˈɛ ɔdvʲˈɛdʑatɕ f kˈaʒdɔ̃ ɕrˈɔdɛ vʲɛtʃˈɔrɛm i f sɔbˈɔtɛ i ɲʲɛdʑˈɛlɛ ɔ kˈaʒdɛj pˈɔʒɛ pʃɛt ɕˈudmɔ̃. pamjˈɛntaj, ʒˈɛbɨ jɛj tɔ pɔvʲˈɛdʑɛtɕ, jˈaɡ bˌɛɲdʑɛʒ z ɲʲˈɔ̃ rɔzmˈavʲaw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_105.wav|pʃɛt ʃˈustɔ̃ ˈɔbu, a tˈam zupˈɛwɲʲɛ pˈustɔ. rˌɛvɛlˈatsja.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_6.wav|ˌalɛ nˈatɨm ɲʲɛ pˌɔpʃɛstˈanɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_349.wav|ɕˈɛdli, ˌɔdjɛxˈali, zˌɔstavʲˈajɔndʑ vˈarkɔtʃ pˈarɨ ˈalbɔ dˈɨmu.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_142.wav|nˈaɕi pʃˌɨjatɕˈɛlɛ frajˈɔvʲɛ ɲʲɛ ˌɔdvaʒˈɨlibˌɨ ɕɛ prˌɔvɔkˈɔvatɕ sˌɛrkɛvˈana tˈak jˈak prˌɔvɔkˈujɔ̃ mɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_416.wav|bˈɔ tˈam, skˈɔnt ja pɔxˈɔdʑɛ, spˌɔtɨkˈawɔ ɕɛ tʃˈɛ̃stɔ tˈakʲɛ mwˈɔdɛ kɔbjˈɛtɨ ɔ tɕˈɛmnɨɣ vwˈɔsax.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_220.wav|bˈɔ w jɛj brˈumjɛ usˈɨpʲam ɔ puwnˈɔtsɨ ˈalbɔ nat rˈanɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_144.wav|irˈatska pɔlˈitsja pʃˌɨdʑɛlˈiwa im nˈavɛt ɛskˈɔrtɛ.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_119.wav|tɛ swˈɔva bˌɨwɨ jˈak nˈuʒ vbʲˈitɨ w jɛj bʒˈux. ɲʲɛ, pˌɔmɨɕlˈawa. ɲʲɛ, tɔ bɨwˈɔbɨ zbˈɨt ɔkrˈutnɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_69.wav|pˈɔvʲɛʃ mi ɔbrˈɔnɛ sfˈɔjɛj ɔsˈɔbɨ, a jɛst tɔː ˌɔbɔvʲˈɔ̃zɛk, ktˌurɨ uvˈaʒam za zaʃtʃˈɨtnɨ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_120.wav|f pɔvʲˈɛtʃu unˈɔɕiw ɕɛ ɕˈinɨ dˈɨm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_5.wav|wˈɨka tʃtˈɛrɨ tablˈɛtki ˈɔksɨ i kɔʒˈɨsta z waʑˈɛŋki.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_394.wav|jˈak najbˈardʑɛj z marɡˈarɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_143.wav|mˈam vraʒˈɛɲʲɛ, ʒˈɛ ˈɔbras pʃɛt mɔˈimi ɔtʃˈami rˌɔstʃaskˈujɛ ɕɛ na kˌavawˈɛtʃki, jˈaɡbɨm patʃˈɨwa pʃˈɛs kˌalɛjdˈɔskɔp. ɔɡˈarɲʲa mɲʲɛ bɛzrˈadnɔɕtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_24.wav|ɔddˈajɛ tˌɛlɛfˈɔnɨ, a tˈɔm pʃˌɛkazˈujɛ jˈɛ rɔbˈɔvi, ktˌurɨ vrˈutɕiw z vˈɔdɔ̃ dla mɲʲɛ. bˈɛtskɨ pɔxˈɨla ɕɛ w mˈɔjɔ̃ strˈɔnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_25.wav|f pˈɛvnɛj xfˈili stfʲˈɛrdʑa,|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_233.wav|pˈan ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ zapˈɨtaw jɛj ˈɔtɔ, prˈavda?|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_245.wav|pʃˈɛʒwbɨm stʃˈawɔ̃ ɡˈardwɔ tˌɛɡɔ kwˈamtsɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_106.wav|ʒˈɛbɨɕ tɨ vʲɛdʑˈawa, jakʲˈɛɡɔ mʲˈaw fˈuksa, skˈarʒɨ ɕɛ dˈɛrɛk mˈamjɛ. stˈanɔw na darmˈɔvɨm parkˈiŋɡu i zɡˈarnɔw fʃˈɨstkʲɛ pʲɛɲʲˈɔndʑɛ, ktˌurɛ tˈam bˈɨwɨ, a bˌɨwɔː ix mnˈustfɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_40.wav|dɔ mɲʲɛ ɲˈiɡdɨ ɲʲɛ pisˈawaɕ ˌaɲi ɲʲɛ muvˈiwaɕ f tˌaki spˈɔsup ˈanɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_236.wav|bʲˈillɨ ɲʲˈɛxtsɛ stʃˈɛladʑ drˈuɡʲi rˈas, bˈɔ ftˈɛdɨ narˈɔbʲiwbˌɨ znˈatʃɲʲɛ vʲˈɛntsɛj xawˈasu, ˌalɛ mˈuɕi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_63.wav|tˈɛras sˈandɨ jˈuʒ v��ɛdʑˈawa, dlatʃˈɛɡɔ ɲʲˌɛnavidʑˈiwa pˈiwki nˈɔʒnɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_195.wav|vʲˈɛm, jˈak tɔ jɛzd zˈɔstadʑ zɲiʃtʃˈɔnɨm pʃˈɛs arˈama.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_29.wav|pɔswˈuxaj, naprˈavdɛ bˈardʑɔ mi pʃˈɨkrɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_599.wav|w ɕfʲˈat.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_170.wav|dˈalɛ ʒˈutɕiw ɕɛ w mˈɔjɔ̃ strˈɔnɛ.|4
+Dataset/wavs/urwisko_ferenc/12_segment_87.wav|ˈɔlɡʲɛrt ɕtɕˈɔŋɡnɔw brˈɨvi. ɲʲɛ kɔjˈaʒɨw fˌuŋktsjɔnarjˈuʃa z nazvˈiska.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_56.wav|dɔpˈuki ɕɛ ɲʲɛ dɔvʲˈɛmɨ, ˌɛdmuntsˈɔvi nˈadal mˈɔʒɛ tsˈɔʑ ɡrˈɔzitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_71.wav|ɲʲɛ, pʃˈɨɲʲɛɕ tɨ lˈɛnɔl i ˈitɕ spˈadʑ dɔ ɕˈɛbjɛ. mˈuɕiʃ ɕɛ vˈɨspatɕ, jˈɛɕli maʃ prɔvˈadʑitɕ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_381.wav|ɲʲɛ tʃɛkˈawa na ɔtpˈɔvʲɛtɕ. bjˌɛdatʃˈɨskɔ ɲʲˈɛma ˈu ɲʲˈɛj ʃˈans.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_109.wav|tʃˈasɛm, jˈɛɕli mˈɔkra ɕtɕɛrˈɛtʃka ɲʲɛ skˌutkɔvˈawa, stɔsˈɔvaw ˈinnɔ̃ ʃtˈutʃkɛ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_354.wav|ɔdˈɛzvaw ɕɛ nˈɔrbɛrd vˈantsɛ, ɕlˈɛpɨ lˈɔrt atrˈantɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_469.wav|— pˈɔkaʃ mi tɔ na xfˈilɛ — pɔvʲˈɛdʑaw ɡˈɛrs fˈirst lˈɔvɛ. — ɲʲɛ vidʑˈawɛm jˈɛʃtʃɛ tˌɛɡɔ ɕmʲˈɛtɕa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_75.wav|a ɡdˈɨbɨ tsˈɔʑ zwˈɛɡɔ spɔtkˈawɔ jˈɛɡɔː alˈɛna w arˈɛʃtɕɛ w lˈɔs ˈandʒɛlˌɛs, ˈɛr.kˈa. ɡˈɔʃkɔ bˈɨ tˌɛɡɔ pˌɔʒawˈɔvaw.|2
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_38.wav|drˈɔɡʲi kɛlvˈiɲʲɛ!|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_50.wav|na nastˈɛmpnɨm vˈidadʑ bˌɨwɔ jˈɛɡɔ tfˈaʃ, dˈɔɕtɕ pɔvˈaʒnɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_301.wav|zɛrvˈawɛm ɕɛ ɔt stˈɔwu. ʃˈɨbɨ dʑvɔɲˈiwɨ ɔt kˌɔlɛjnˈɛɡɔ ɡʒmˈɔtu, ktˌurɨ tɕˈɛ̃ʃkɔː ɔtxˈɔdʑiw f strˈɔnɛ prˈaɡʲi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_514.wav|ʃɛpnˈɔwɛm jɛj dɔː ˈuxa, ktˌurɛ dˈavnɔ zɡˈaswɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_231.wav|bˈardʑɛj ɲʲˌɛpɔkɔˈiwa mɲʲɛ brˈama. jˈɛɕli ˌɔtfʲɛrˈawɔ ɕɛ jˈɔ̃ kˈɔdɛm, mʲˌɛliɕmˌɨ kwˈɔpɔt.|2
+Dataset/wavs/urwisko_ferenc/47_segment_93.wav|vidʑˈimɨ ɕɛ rˈanɔ f prˌɔkuratˈuʒɛ. ʒutɕˈiwa, ˌalɛ lˈɛɡnɛr jˈuʃ ɕɛ rɔzwˈɔntʃɨw.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_146.wav|ˈɔjtɕɛts ˌupɔmˈinaw mɲʲɛ, kʲˈɛdɨ pˌɔsuvˈawam ɕɛ zbˈɨt ʃˈɨpkɔː ˈalbɔ zbˈɨd vˈɔlnɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_119.wav|bʲˈillɨ vʑˈɔw zˈɛ sˈɔbɔ̃ zdjˈɛɲtɕa i z ɡɔˈɔɡlɛ ˈɛartx i z zˈillɔf.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_68.wav|ɲʲɛ jˌɛstɛm pˈɛvna, na tʃɨm w ɔɡˈulɛ ɔpˈarwam sfˈɔjɛ pʃˌɛɕfʲattʃˈɛɲʲɛ ɔ pʃˈɨʃwɨm suktsˈɛɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_140.wav|mˌamɨ f tɨm mɔmˈɛɲtɕɛ zˌawɔʒˈɛɲʲɛ ɔ vˈiɲʲɛ, ktˌurɛ jɛst tsˌawkɔvˈitɕɛ ˌuzasadɲʲˈɔnɛ, ˌalɛ uvˈaʒam, ʒˈɛ tɔ tsˈɔʑ znˈatʃɲʲɛ bˈardʑɛj zwˌɔʒɔnˈɛɡɔ. tʃˈujɛ tɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_81.wav|ˌɔna xˈɨba ɲʲɛ uvˈaʒa, ʒˈɛ ja mˈam s tɨm tsˈɔɕ fspulnˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_40.wav|mˈɔʒɛʃ fʃˈɨstkɔː ɔblˈitʃɨtɕ sˈɔbjɛ f pamjˈɛɲtɕi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_27.wav|mˈama stanˈɛwabˌɨ ˌɔtʃɨvˈiɕtɕɛ pɔ jˈɛɡɔ strˈɔɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_201.wav|tsɔkˈɔlvʲɛk tɔ bˈɨwɔ,|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_394.wav|lˈɛtʃ lˈadɨ malˈarjɔ pʃˌɛbɨvˈawa w dalˈɛkim nˈɔrvɔs, a pˈɔza tɨm kˌaˈɛs. dˈɔran jˈuʃ ɔt lˈat ɲʲɛ swˈuxaw sfˈɛj pˈaɲi ʒˈɔnɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_68.wav|tˈatɔ? spɨtˈawa lˈutsɨ. muvˈiwɛɕ, ʒˈɛ vˈujɛɡ dʒˈɛk ɲʲɛ ʒˈɨjɛ. kwamˈawɛɕ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_80.wav|jˈɛʃtʃɛ ɲʲˈɛvʲɛm, ˌalɛ tsˈɔʑ vɨmˈɨɕlɛ.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_158.wav|bˈɨw zbˈɨt swˈabɨ na tˈaɡ dwˈuɡɔ̃ pˈɔdruʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_185.wav|jˈɛʃtʃɛ bˈɨ iɣ zˌauvˈaʒɨw i vʑˈɔw zˌakwadɲˈikuf.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_599.wav|ˌɔna ujˈɛwa mɲʲɛ pɔt rˈɛŋkɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_117.wav|i dlatʃˈɛɡɔ xtsˈɛʃ im pʃɛbˈatʃɨtɕ?|0
+Dataset/wavs/urwisko_ferenc/11_segment_22.wav|zˈɛrɔ ɕˈɛdɛm vˈɛstxnɔw. spˈatɕ ɲʲɛ mˈɔɡwɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_22.wav|ˈal, vˈɛjdʑ dɔ bˈaru. ja zɔstˈanɛ na zˈɛvnɔntʃ i bˌɛndɛ ix ˌɔpsɛrvɔvˈawa stˈamtɔnt.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_125.wav|za kˈilka tɨɡˈɔdɲi ˈindja zatʃˈɨna ʃkˈɔwɛ i vɨrˈɔswa jˈuʒ zˈɛ sfˈɔiɣ bˈutuf. ɔtpˈarwa z ɲʲˈɛtsɔ nɛrvˈɔvɨm ɕmʲˈɛxɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_65.wav|ˌalɛ tɔ jɛst krˈaj ɡɔtˈɔvɛj ɡˌalantˈɛrɲi, pɔ prˈɔstu skratsˈajɔ̃ ˈalbɔ pʃˌɛdwuʒˈajɔ̃ rɛŋkˈavɨ zrˈɛʃtɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_414.wav|jɛdnˈɛɡɔ s tɨɣ ɡˈɔrʃɨx.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_69.wav|zavʲˈɛʃa tablˈitʃkɛ na dʒvʲˈax i zamˈɨka jˈɛ na kwˈutkɛ.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_132.wav|zwˈɔtɔ rɔzbjˈɛɡɔ pɔmˈɔʒɛ napˈɛwɲitɕ ix kˈufrɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(87) R.Abbott_Zamknij Drzwi_segment_12.wav|vˈidɔk jɛzd vˌɨjɔntkˈɔvɨ i bˈardʑɔ kwˈutɕi ɕɛ s tˈɨm, tsˈɔ dʑˈɛjɛ ɕɛ vˈɛvnɔntʃ tˌɛɡɔ dˈɔmu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_53.wav|mˈama ˌɔdvrutɕˈiwa ɡwˈɔvɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_13.wav|— mˈarzɲʲɛʃ. ˈubjɛʃ ɕɛ, vˈɨpij kˈavɛ i ɕɛ rˈɔzɡʒɛj. mˈuʃɛ pɔ prˈɔstu tsˈɔʑ zawˈatfitɕ. — vʲˈɛm, ɲʲɛ rɔzˈumjɛm tˌɨlkɔ dlatʃˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_3.wav|ˌutɕɛʃˈɨwa mɲʲɛ vʲadˈɔmɔɕtɕ, ʒˈɛ pʲˈaŋka ˌizɔlatsˈɨjna mˈa vʑˈɛɲtɕɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_25.wav|pʃɛvˈɔdɨ mʲˌawɨ spˈɔrɔ lˈuzu, tsˈɔ bˌɨwɔ mi bˈardʑɔ na rˈɛŋkɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_447.wav|patʃˈɨwɛm nˈaɲih bˈɛs fspˈuwtʃutɕ, ˌalɛ tˈɛʃ i bˈɛs pʃɨɡˈanɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_142.wav|bʲˈillɨ fstˈajɛ, ʒˈɛbɨ vɨwˈɔntʃɨtɕ tˌɛlɛvˈizɔr, ˌalɛ zˈaras ɕˈada s pɔvrˈɔtɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_46.wav|mˈuɡwbɨ vˌɨɡɔɔɡlˈɔvatɕ sˈɔndɨ w lˈɔs ˈandʒɛlˌɛs. pˌɔstɛmpɔvˈaɲʲa f sprˈavʲɛ ˌɛkstradˈɨtsji na pˈɛvnɔ sɔ̃ jˈavnɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_205.wav|kˈupiʃ sˈɔbjɛ tsˈɔʑ dɔ ʒarsˈija?|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_44.wav|tˈak naprˈavdɛ prˈaɡɲʲɛʃ rˌuʒɔvˈɛɡɔ dʑɛtɕˈɔntka, ktˌurɛ ssawˈɔbɨ tfˈuj tsˈɨtsɛk.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_39.wav|f tɨm mɔmˈɛɲtɕɛ zadʑvˈɔɲiw tɛlˈɛfɔn tˈɔma, ktˌurɨ vwˈɔntʃɨw zˈɛstav ɡwˌɔɕnɔmuvʲˈɔntsɨ.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_9.wav|kˈɔja mˈɔ vɨswˈawa sfˈɨx wutʃɲˈikuf na kaʃtˈɛlɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_84.wav|tˌɨlkɔ mrˈɔk tɛj vʲɔsˈɛnnɛj nˈɔtsɨ|0
+Dataset/wavs/urwisko_ferenc/15_segment_22.wav|budˈɨnɛk pˈilɲʲɛ vɨmˈaɡaw rɛmˈɔntu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_186.wav|ɲʲˌɛvidʑˈalnɔ̃ rˈɛŋkɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_53.wav|ɔdɲʲˈɔswam jˈɛdnaɡ vraʒˈɛɲʲɛ, ʒˈɛ vbʲˈiwa mi dwˈɔɲ f pʲˈɛrɕ i vɨrvˈawa sˈɛrtsɛ.|3
+Dataset/wavs/urwisko_ferenc/19_segment_94.wav|ʒˈɛ jˈakaɕ kɔbjˈɛta krɛɲtɕˈiwa ɕɛ pɔː ɔɡrˈɔdʑɛ xudʑˈiɲskix.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_440.wav|pʃɨwˈɔntʃɨw ɕɛ dɔ bˈuntu i pɔ bʲˈitfʲɛ nat tridˈɛntɛm nˌaɡrɔdʑˈɔnɔ ɡˈɔ ɡɲʲˈazdɛm ɡrˈɨfuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_100.wav|jˈɛnnɨ pɔdnˈɔɕi vzrˈɔɡ vɨrˈaʑɲʲɛ sfrˌustrɔvˈana.|3
+Dataset/wavs/urwisko_ferenc/24_segment_14.wav|kɔbjˈɛta uɕˈadwa tɕˈɛ̃ʃkɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_79.wav|dɔ zˌɔbatʃˈɛɲʲa fkrˈuttsɛ. mˈam nadʑˈɛjɛ, ʒˈɛ dˈɔtrɛ na mʲˈɛjstsɛ pʃɛt nˈaʃɔ̃ ɔfjˈarɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_98.wav|ɲˈitsk nazˈɨva tɔ pˌɔmjɛʃtʃˈɛɲʲɛ pɔkˈɔjɛm rˌɛkrɛatsˈɨjnɨm i tɔ tˈutaj ɕadˈajɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_95.wav|jˈɛstɛɕ...|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_193.wav|ɲʲɛ mˌatɕɛ prˈava.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_462.wav|mʲˌawɛm pʃɛt sˈɔbɔ̃ jɛj ˌuspɔkɔjˈɔnɔ̃ pʲˈɛrɕ s kˌɔralˈɔvɔ̃ vɨsˈɛpkɔ̃ sˈutka.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_189.wav|f tɨm mʲˈɛjstsu|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_15.wav|ˌɔfɛrˈɔvaw rˈuvɲʲɛʃ tˈakʲɛ uswˈuɡʲi, xˈɔtɕaʃ ɲʲɛ bˌɨwɔ tɔ spavˈaɲʲɛ s prˌavdʑivˈɛɡɔ zdɛʒˈɛɲʲa, ˌalɛ tˌɛɡɔ rɔdʑˈaju prˈatsɛ tˈɛʃ nˌalɛʒˈawɔ vˌɨkɔnˈɨvatɕ w ˌɔɡɲʲɔɔtpˈɔrnɨx pˌɔmjɛʃtʃˈɛɲʲax.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_51.wav|ɲʲˈɛmuɡw jˈɛdnak pɔkˈazatɕ tsˈurtsɛ, ʒˈɛ ɡɲʲˈɛva ɕɛ na jɛj mˈamɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_56.wav|ɔtfʲˈɛram ˈinnɔ̃ kɔpˈɛrtɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_140.wav|jˈak ja tɔ fʃˈɨstkɔ vɨjˈaɕɲʲɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_95.wav|ɲʲɛ mʲˈawam nˌajmɲʲɛjʃˈɛɡɔ pɔjˈɛɲtɕa, ɔ tʃɨm ɔn mˈuvi, ˌalɛ pɔtʃˈuwam f salˈɔɲʲɛ ˌatmɔsfˈɛrɛ ˈulɡʲi.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_254.wav|pʃˈɨʃɛt tˈutaj,|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_364.wav|pɔd dʒvʲˈami tʃˈɛka ɲʲˌɛznajˈɔmɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_104.wav|ˌɔbɔk kˈaʒdɛj z ɲˈix stˈaw ʃtˈɨvnɨ tɔrɲˈistɛr.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_139.wav|f tˈakim vɨpˈatku najpˈɛvɲʲɛj skˌɔɲtʃɨwˈɔbɨ ɕɛ na ˈɔstrɨm ɔxʃˈaɲʲɛ, ˌalɛ bʲˈillɨ ɲʲˈɛma zamjˈaru ɕɛ ˈɔtɨm pʃɛkˈɔnatɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_76.wav|ˌɔstatˈɛtʃɲʲɛ jˈɛdnak ˌɔkazˈawɔ ɕɛ, ʒˈɛ bˌɨwɔː ɔ jˈɛdnɔ̃ ɔfjˈarɛ za dˈuʒɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_247.wav|mˈɔʒɛʒ bjˈɛts tˈaɡ dwˈuɡɔ, ˈaʃ tˈɛn, ktˌurɨ tɕˈɛ ɕtɕˈiɡa, zmˈɛntʃɨ ɕɛ, ˈalbɔ sˈam mˈɔʒɛʒ ɡˈɔ zˈabʲitɕ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_64.wav|pˈɛntla bˌɨwa pˈɔnɔtɕ ˌulubjˈɔnɔ̃ mɛtˈɔdɔ̃ ˌɛɡzɛkˈutsji bɛrˈitsa dˌɔndarjˈɔna i jˈɛɡɔ bˈandɨ vɨjˈɛntɨx spˈɔt prˈava lˈudʑi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_128.wav|bˈaki, fawʃˈɨvɨ ˈaɡɛnt lˌitɛrˈatski, a tˈɛras jˈɛʃtʃɛ vˈaʒna burdˈɛlma mazvˈɛɡas.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_33.wav|vratsˈajɔ̃ na ˌɛdʒɛvˈɔɔt mˌɔuntˈain dɹˈajv i na ɔstˈatɲix tʃˈɛx kˌilɔmˈɛtraɣ znˈuf tɛlˈɛpjɔ̃ ɕɛ pɔd ɡˈurɛ. fˈuɕɔn ɔpˈɔrɲʲɛ tˈɔtʃɨ ɕɛ nˈapʃut, pˌɔtskakˈujɔnts na vɨbˈɔjax.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_73.wav|ɲʲˈɛvʲɛm, tʃɨ ɡˌɛnɛvʲˈɛvɛ bˌɨwa zˌaintˌɛrɛsɔvˈana zˈɛjɕtɕɛm ɕɛ, tʃɨ rɔbjˈɛɲʲɛm mi kˈɔwɔ pʲˈura, ˌalɛ ɲˈits takʲˈɛɡɔ ɕɛ ɲʲɛ vˌɨdaʒˈɨwɔ, mˈɔɡɛ pˈaɲʲɔ̃ zapˈɛvɲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_290.wav|tˌɨlkɔː ɔn bˈɨw zbˌudɔvˈanɨ s kamjˈɛɲʲa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_15.wav|kɔbjˈɛta ɕɛ dˌɔmɨɕlˈiwa, ʒˈɛ tsˈɔɕ ɕɛ dʑˈɛjɛ z ɡˌɛnɛvʲˈɛvɛ, bˈɔ ta nˈaɡlɛ pʃɛstˈawa ɕɛ pʃɛxfˈalatɕ sfˈɔim mawʒˈɛɲstfɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_11.wav|a ja vʲˈɛm, ʒˈɛ tɨ jɛj vʲˈɛʒɨʃ, bˈɛtskɨ. tɔː ɔn nˈas ɔkwˈamaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_55.wav|tɨm rˈazɛm mˈuʃɛ pɔstˈaratɕ ɕɛ lˈɛpʲɛj zˌamaskˈɔvatɕ mˈɔjɛ plˈanɨ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_117.wav|swˈɔŋkɔ ɕfʲˈɛtɕi jˈasnɔ, tɔː ˌidɛˈalnɨ dʑˈɛɲ na zˈɛjɕtɕɛ z ɡˈurɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_15.wav|pˌɔɕfʲɛɲtɕˈili tɛn tʃˈas na pʃɛbrˈaɲʲɛ ɕɛ w ˈɔdʑɛʃ ɔxrˈɔnnɔ̃ i pʃɨjʒˈɛɲʲɛ ɕɛ dɔmˈɔvi strakˈanuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_184.wav|dˈaʃ mi nˈumɛr dɔ ɡrubˈasa?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_157.wav|pɔtʃˈɛdwɛm dɔ jˈɛɡɔ taptʃˈana i dɔznˈawɛm ˈulɡʲi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_57.wav|dʒˈɔnsɔn fʃˈɛd zˈaɲim i zˈapʲɔw pˈas.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_144.wav|spɔjʒˈawa na dʒvˈi, ʒˈɛbɨ ɕɛ upˈɛvɲitɕ, tʃɨ sɔ̃ zamkɲʲˈɛntɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_56.wav|tˈɔm pɔpˈatʃɨw na tfˈaʃ ˈaʃa. mɛ̃ʃtʃˈɨzna vɨdˈavaw ɕɛ ɔttʃˈuvatɕ ˈulɡɛ, ʒˈɛ udˈawɔ mu ɕɛ ˈutɕɛts, ˌalɛ ˌaɲi rˈazu ɲʲɛ fspˈɔmɲʲaw ɔ mˈili.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_208.wav|ɔstˈatɲim z ɲˈiɣ bˈɨw pɔtˈɛ̃ʒɲʲɛ zbˌudɔvˈanɨ mɛ̃ʃtʃˈɨzna, dvukrˈɔtɲʲɛ mˌasɨvɲʲˈɛjʃɨ ɔt pˌɔzɔstˈawɨx.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_246.wav|txˈuʒ bukwˈakʲɛm. ˈɔbaj jɛstˌɛɕmɨ krˌulɔbujtsˈami, sˈɛr.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_87.wav|jˌɛstɛm pʃˌɛkɔnˈanɨ, ʒˈɛ jˈuʒ zdɔ̃ʒˈɨwaɕ jɛj dɔɕfʲˈattʃɨtɕ, ˌalɛ mˈuɕiʃ sˈɔbjɛ nˈaɲʲɔ̃ zaswˈuʒɨtɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_455.wav|tɕˈɛʃɛ ɕɛ, ʒˈɛkwɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_23.wav|ɔ tɛj pˈɔʒɛ ɲʲɛ mˌajɔ̃ ʃtʃɛɡˈulɲʲɛ dˈuʒɔ rɔbˈɔtɨ, ˌalɛ fˈirma zˈafʃɛ zɔstˈavja jɛdnˈɛɡɔ tʃwɔvʲˈɛka na dɨʒˈuʒɛ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_94.wav|tɛ vrˈublɛ bˈudʑɔ̃ strˈax w mʲɛʃkˈaɲtsax mʲˈasta.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_10.wav|ɲʲɛ lˈubjɛ tˌɛɡɔ mʲˈɛjstsa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_273.wav|stratɕˈiwɛm prˈatsɛ pʃˈɛs tˌɛɡɔ tʃwɔvʲˈɛka.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_201.wav|vɨɡlˈɔndaʃ rˈatʃɛj jˈak rˈɨtsɛʃ ɲˈiʃ jˈak ɕfʲˈɛntɨ mˈɔ̃ʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_118.wav|swuxˈawam z ˌudavˈanɔ̃ fˌastsɨnˈatsjɔ̃. ˌɔtʃɨvˈiɕtɕɛ vʲɛdʑˈawam fʃˈɨstkɔː ˈɔtɨm ˌuʒɔndʑˈɛɲʲu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_85.wav|nˌazɨvˈawa ɕɛ jˈɔrdan tsallˈaxan.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_135.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_192.wav|rˈudɨ mi pɔvʲˈɛdʑaw. ɲˈiɡdɨ ftʃˈɛɕɲʲɛj ɔ ɲˈix ɲʲɛ swɨʃˈawam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_66.wav|zmˈarʃtʃki i zˌawamˈaɲʲa na fˈɔlji jˈɔ̃ zɲʲˌɛkʃtawtɕˈiwɨ i trˈudnɔ mi ɔkrˈɛɕlitɕ ʃtʃɛɡˈuwɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_61.wav|dˈɔbra dɛtsˈɨzja, ˈanɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_171.wav|ɲʲɛ jɛst tɔː istˈɔtnɛ, bˈɔ tsˈɔlin, kturˌɛɡɔ lˈudʑɛ zɔbˈatʃɔ̃, bˌɛɲdʑɛ f kˈurttsɛ z jɛ̃zˈɨkʲɛm rˈɔlliŋk stɔnˈɛsuf na plˈɛtsax.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_142.wav|vɨjˈaɕɲiw mi, kʲˈɛdɨ pɔ rˈas pʲˈɛrʃɨ bˈɨw ɕfʲˈatkʲɛm mˈɔjɛj paɲˈiki.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_7.wav|ɲʲɛ mʲˈawam na ɲʲˈɛɡɔː ɔxˈɔtɨ, ˌalɛ pˌɔtʃɛbɔvˈawam ɛnˈɛrɡji.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_87.wav|swɨʃˈawam, ˌalɛ ɲʲɛ bˌɨwam f stˈaɲʲɛ zˌarɛaɡˈɔvatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_246.wav|zrɔbʲˈiwam krˈutkɔ̃ pˈawzɛ na vɨpˈadɛk, ɡdˈɨbɨ ktˈɔɕ xtɕˈaw pɔdvˈaʒɨtɕ tɛn arɡˈumɛnt, ˌalɛ ɲˈikt ɕɛ ɲʲɛ ɔdˈɛzvaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_172.wav|ɲʲˈɛvʲɛm, tʃɨ trˌadɨtsˈɨjɲʲɛ rˌɔzumjˈanɨ puwɕfʲˈatɛk jˈɛʃtʃɛ istɲʲˈɛjɛ. mˈam vraʒˈɛɲʲɛ, ʒˈɛ ˈɛra kˌɔmputˈɛruv w zasˈadʑɛ ɡˈɔ vˌɨkɔɲtʃˈɨwa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_180.wav|a jˈɛɕli klˈɛrki pˈɔvʲɛ ɡˌɛɔrɡʲˈɔvi, ʒˈɛ ɲʲɛ jɛzd zˌaintˌɛrɛsɔvˈanɨ?|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_284.wav|jɛxˈawa zˈɛ spuʃtʃˈɔnɨm spɔjʒˈɛɲʲɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_8.wav|kazˈali mu stˈatɕ tfˈaʒɔ̃ dɔ ɕtɕˈanɨ i vʑˈɛli pʲɛɲʲˈɔndʑɛ, a ftˈɛdɨ ɔn ɲʲɛ vɨtʃˈɨmaw i ɔdvrˈutɕiw ɕɛ. i jˈɛdɛn z ɲˈix stʃˈɛliw mu tʃˈɨ rˈazɨ w ɡwˈɔvɛ i...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_102.wav|jˈɛɕli tˈɨ, tfˈuj znajˈɔmɨ lˈup tʃwˈɔnɛk rɔdʑˈinɨ mˌatɕɛ jˌakʲɛkˈɔlvʲɛk pˌɔvʲɔ̃zˈaɲʲa s sˈɛktɔ̃, dɔstˈɛmpna jɛst pˈɔmɔts.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_178.wav|a tfˈuj drˈuɡʲi brˈat?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_15.wav|— vʲˈɛm, kɔxˈaɲʲɛ. tɔ trˈudnɛ. mˈɔ��ɛ pˈuʑɲʲɛj spɔtkˈamɨ ɕɛ na ɡɔdʑˈinɛ. ftˈɛdɨ fʃˈɨstkɔ zˌaplanujˈɛmɨ. vˈɨɕlɛ tɛrˈɛɡɔ, ʒˈɛbɨ tɕˈɛ ɔdˈɛbraw.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_54.wav|pʃˌɛvrutsˈɔnɛ kʃˈɛswɔ, mˈɔjɛ dʒˈɛfkɔ ʃtʃˈɛɲɕtɕa, ktˌurɛ rˌɔzrastˈawɔ ɕɛ w vʲˈɛlkɔ̃ ˈilɔʑdʑ ɡrˈubɨx pɲˈi.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_98.wav|artsɨmˌaɛstˈɛrɔm. mˈuɕiʃ im tɔ vˌɨtwumˈatʃɨtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_283.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_212.wav|dʑɛftʃˈɨna pˌɔruʃˈɨwa ɕɛ ɲʲˌɛspɔkˈɔjɲʲɛ, kʲˈɛdɨ spɔjʒˈɛɲʲa fʃˈɨstkiɣ zɛbrˈanɨx spɔtʃˈɛwɨ nˈaɲʲɛj.|4
+Dataset/wavs/urwisko_ferenc/65_segment_147.wav|pˈartnɛr pɔkˈivaw ɡwˈɔvɔ̃. xtɕˈawɛm ftʃˈɛɕɲʲɛj, ˈalɛ...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_256.wav|lˈɛtsɔ̃ ftˈɛdɨ pʃɛdˈɛmnɔ̃ jˈak f kˌalɛjdɔskˈɔpʲɛ rɔzbʲˈitɛ ʃklˈanɛ klˈiʃɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_83.wav|mˈiwɔ bɨwˈɔbɨ f tɔ vʲˈɛʒɨtɕ. z drˈuɡʲɛj jˈɛdnak strˈɔnɨ ix kˈumpɛl ɔt mˌɔnɔpˈɔlɨ zˈabʲiw tˌɛɡɔ zwˈɛɡɔ tʃwɔvʲˈɛka z ukrˈɨtɕa stʃˈawɛm f tˈɨw ɡwˈɔvɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_133.wav|ˈindja, tˈak ɕɛ tɕˈɛʃɛ, ʒˈɛ pʃˈɨʃwaɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_12.wav|luˈisa stanˈɛwa f prˈɔɡu kˈuxɲi i ˌuɕmʲɛxnˈɛwa ɕɛ dɔ ɲʲˈɛɡɔ, fskazˈujɔnts ɔtʃˈami, ʒˈɛ lˈutsɨ jɛst na pʲˈɛntʃɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_405.wav|jˈɛʃtʃɛ ɲʲɛ dʑˈiɕ.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_198.wav|f snˈaɣ zˈafʃɛ mˈam dvʲˈɛ rˈɛntsɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_74.wav|pˌɔswuxˈajtɕɛ, tɔ trˈɔxɛ kwˌɔpɔtlˈivɛ, ˈalɛ...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_146.wav|tɔ ɲʲɛ nˈaʃɛ mʲˈastɔ. nˈaʃɛ zɔstˈawɔ na tˈamtɨm bʒˈɛɡu.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_279.wav|jˈɛɕli bɔɡˈɔvʲɛ bˌɛndɔ̃ waskˈavi, pɔɕlˈizɡɲʲɛ ɕɛ i pʃɛvrˈutɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_58.wav|bˈɔː ˌinfɔrmˈatsjɛ na tˈɛmat tˈɛɡɔ, ɡdʑˈɛ bˌɨwa f tʃˈaɕɛ kˈilku tɨɡˈɔdɲi pˌɔpʃɛdʑajˈɔntsɨx sfˈɔjɔ̃ ɕmʲˈɛrtɕ, mˈɔɡɔ̃ ɔkˈazatɕ ɕɛ bˈardʑɔ pʃɨdˈatnɛ.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_35.wav|jɛst tˈaka vilɡˈɔtna, pɔmˈɨɕlaw zdɨʃˈanɨ xwˈɔpak. ɲʲɛ vʲɛdʑˈawɛm, ʒˈɛ kɔbjˈɛta mˈɔʒɛ ɕɛ tˈam zrˈɔbʲitɕ tˈaka vilɡˈɔtna. jˌɛstɛm tˈɛras tfˈɔjɔ̃ ʒˈɔnɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_132.wav|vɨstˈartʃɨ dvˈux pˌɔvʲɛrɲˈikuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_3.wav|pɔ drˈɔdʑɛ zˌatʃɨmˈaliɕmˌɨ ɕɛ pɔ plˈastrɨ, rˈɔlkɛ ɡˈazɨ, tˈaɕmɛ ˌɔpatruŋkˈɔvɔ̃, vˈɔdɛ tlɛɲʲˈɔnɔ̃ i mˈaʑdʑ bɛtˈadʲin.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_80.wav|pˌɔvʲɛdʑˈawabˌɨ, ʒˈɛ ˌufarbɔvˈawam jˈɛ ɲʲɛ tˈak jˈak tʃˈɛba.|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_111.wav|pˈatʃɨ nˈaɲʲɔ̃ z ɲʲˌɛdɔvʲɛʒˈaɲʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_258.wav|tsɛrsˈɛi dˌɔpilnɔvˈawabˌɨ bliʑɲʲˈakɔm rɛdvˈijnɔm. pʃɨznˈanɔ vɨɡˈɔdnɛ pɔkˈɔjɛ w vʲˈɛʒɨ. tsˈawa rˈɛʃta...|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_122.wav|vʲˈɛnts tɨ mˈɨɕliʃ, ʒˈɛ tɔ bˌɨwɔ tɔ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_60.wav|f kɔpˈɛrtɕɛ jɛst tsˈɔɕ jˈɛʃtʃɛ, vʲˈɛnts ɕˈɛŋɡam dɔ ɕrˈɔtka, na blˈad vɨpˈada kˈilka kˈartɛɡ zˌapisˈanɨx ɔdrˈɛntʃnɨm pˈismɛm, pɔdnˈɔʃɛ jˈɛ i zatʃˈɨnam tʃˈɨtatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_58.wav|ˌalɛ tɔ tʃˈujɛʃ tˌɨlkɔ ftˈɛdɨ, jˈak naprˈavdɛ kˈɔxaʃ.|0
+Dataset/wavs/urwisko_ferenc/46_segment_87.wav|bɔrˈɛvitʃ nˈaɡlɛ tsˈɔʑ zrɔzˈumjaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_30.wav|vwˈaɕɲʲɛ tsˈɔɕ takʲˈɛɡɔ xtɕˈawam uswˈɨʃɛtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_191.wav|dˈɔʒudʑ dvʲˈɛɕtɕɛ patˈɔli. jˈakɔː ˌɔtʃkɔdɔvˈaɲʲɛ zˈatɔ, ˈilɛ mi krfˈi napsˈuwɛɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_103.wav|ɲʲɛ vˈɔlnɔ lˌɛktsɛvˈaʒɨtɕ kˈɔɡɔɕ, ktˈɔ pɔtrˈafi pˈɔzbɨtɕ ɕɛ tˈak tsˌɛɲʲɔnˈɛɡɔ, dwˌuɡɔlɛtɲʲˈɛɡɔ fspulɲˈika, jˈakim bˈɨw ɡʲˈɔrɡjɔ piljˈɛli.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_88.wav|umjˈɛram z ɲʲˌɛtɕɛrplivˈɔɕtɕi.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_204.wav|zˌaxɔvˈɨvaw ɕɛ jˈak nɔrmˈalnɨ tʃˈujɲik tˌɛrmɔparˈɔvɨ, ˌalɛ mʲˈaw za zadˈaɲʲɛ ˌɔʃukˈivatɕ kɔmpˈutɛr.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_254.wav|tkfˈiw w zbjɔrɲˈiku z vˈɔskʲɛm.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_33.wav|dʑˈika dʑɛftʃˈɨna rɔspʲˈɛwa blˈuzɛ i pɔdˈawa mu pʲˈɛrɕ. ˌuɕmʲɛxˈawa ɕɛ, ɡwˈaʃtʃɔnts xwɔptʃˈɨka pɔ mʲˈɛŋkkix, brɔ̃zˈɔvɨɣ vwˈɔskax.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_99.wav|rɔzˈumjɛm, pˌɔvʲɛdʑˈawam. ʃˈajka zwɔvrˈɔɡʲiɣ baɲdʑˈɔruf, tˈak?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_231.wav|i ˌɔna zˌaɲʲɛpˌɔkɔˈiwa ɕɛ, dɔtknˈɛwa mˈɔjɛj pɔvʲˈɛki pʃɛjʒˈɨɕtɕɛ ruʒˈɔvɨm pˈaltsɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_148.wav|mɔʒˈɛmɨ im tˈɛras pɔvʲˈɛdʑɛtɕ ɔ ljˈi.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_224.wav|vɨjˈaɕɲiw jˈɛdɛn z ɲˈix ˌakɔlˈitɔm, ktˌuʒɨ pʃˌɨɡlɔndˈali ɕɛ tˈɛmu, tʃɛkˈajɔnts, ˈaʒ bˌɛndɔ̃ mˈɔɡli zˈatʃɔɲtɕ tɕˈiskadʑ w vʲˈɛ̃ʑɲʲa z ɡɲiwˈɨmi jˌaʒɨnˈami.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_34.wav|ftˈɛdɨ ˌuzmɨswˈavʲam sˈɔbjɛ, ɡdʑˈɛ mˈuɡw ɡˈɔː ˈukrɨtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_3.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, jˈak pʃɛtrfˈawam nˈɔts. ˌɔdmuvˈiwam spɔtkˈaɲʲa z lɛkˈaʒɛm, xˈɔdʑ vˈizja tablˈɛtɛk nasˈɛnnɨɣ vˌɨdavˈawa ɕɛ kuʃˈɔntsa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_24.wav|— dˈɔdam tˌɨlkɔ ʑɛmɲʲˈakuf, a pˈɔtɛm zrˈɔbjɛ tɕi xɛrbˈatɨ — mˈuvjɛ, ˌuɕmʲɛxˈajɔnts ɕɛ dɔ ɲʲˈɛɡɔ pʃˈɛs rˈamjɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_277.wav|ɔtskˈɔtʃɨw prˈavʲɛ w bˈɔk.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_200.wav|— ˌɔtʃɨvˈiɕtɕɛ — pɔvʲˈɛdʑaw dɛvˈanɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_51.wav|nˈɔː i ktˈɔ pˈɔvʲɛ, ʒˈɛ ɲʲɛ istɲʲˈɛjɛ tsˈɔɕ takʲˈɛɡɔ jˈak ˌɔbɨvatˈɛlstfɔː ˌartɛmizjˈaɲskʲɛ?|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_370.wav|ˈɔɡar vʑˈɔw ʃnˈur z rˈɔŋk tʃwɔvʲˈɛka, ktˌurɨ ɡˈɔ tʃˈɨmaw.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_44.wav|jˈamɛ mˈuɕaw jˈɛʃtʃɛ rɔsstʃˈɨɡnɔɲtɕ sprˈavɛ ɡˌarɲizˈɔnu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_93.wav|tʃɨ swˈuʃɲʲɛ pˌɔstɔmpˈiwam, rˈɔbjɔnts tɔ mɔjˈɛmu tˈatɕɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_134.wav|tˈak jˈak pʃɛvˈidʑaw ˈɔjtɕɛts, rɔzlˈawa ɕɛ vzdwˈuʃ ʃtʃɛlˈinɨ vˌɨpɛwɲʲˈajɔnts jɛj vnˈɛntʃɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_30.wav|tɔ bˌɨwɔ w luʑɲʲˈɛjʃɨm ɔkrˈɛɕɛ mʲˌɛndʑɨ kfʲɛtɲʲˈɔvɔ̃ ˌɔpɛrˈatsjɔ̃ tʃˈujna stanˈɔftʃɔɕtɕ a lˌistɔpadˈɔvɔ̃ ˌɔfɛnsˈɨvɔ̃ upʲˈɔrna fˈurja.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_189.wav|zamknˈɛwabˌɨm tɕˈɛ w jˈakʲɛjʑ vʲˈɛʒɨ i rˌɔskazˈawa, ʒˈɛbɨ ɲˈikt ɲʲɛ pʃɨnˈɔɕiw tɕi jɛdʑˈɛɲʲa, dɔpˈuki bɔɡˈɔvʲɛ ɲʲɛ pʃɛmˈuvjɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_78.wav|pɔ skˈɔtɕɛ zˈafʃɛ ˌuvaʒˈawam, ʒˈɛ ɲˈiɡdɨ ɲʲɛ znˈajdɛ ˌaɲi ɲʲɛ bˌɛndɛ nˈavɛt ʃukˈawa ɲikˈɔɡɔː innˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_374.wav|s pɛvnˈɔɕtɕɔ̃ mʲˈaw ɔxˈɔtɛ ɕɛ pɔmˈɔdlitɕ.|1
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_53.wav|jˈuʃ rˈaz vˈidʑaw mɲʲɛ f tˈakim stˈaɲʲɛ.|3
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_39.wav|pʃɛwˈɨkam ɕlˈinɛ i uɕmʲˈɛxam ɕɛ dɔ xˈɔli.|3
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+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_74.wav|i s pɛvnˈɔɕtɕɔ̃ ɲˈiɡd bˈɨ ix ɲʲɛ marnˈɔvaw na budˈɔvɛ drˈuk.|4
+Dataset/wavs/urwisko_ferenc/53_segment_14.wav|bɔrˈɛvitʃ mˈiltʃaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_29.wav|ɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_148.wav|ɲʲˈɛbɨw jˈɛdnaɡ zupˈɛwnɨm krɛtˈɨnɛm, bˈɔ pɔ ɲˈittsɛ dɔ kwˈɛmpka trˈafiw dɔ pɛvnˈɛɡɔ mawˈɛɡɔ dˈɔmu pɔt tʲˌixuˈanɔ̃.|2
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+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_52.wav|ɲʲɛ vɛ fʃˈɨstkim ɕɛ zɡadʑˈamɨ.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_64.wav|tˈɔm pɔprˈɔɕiw bˈɛtskɨ, ʒˈɛbɨ vrutɕˈiwa dɔ pʃˌɛswuxˈaɲʲa.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_21.wav|bʲˈili kˈiva ɡwˈɔvɔ̃. tˈɛmad zamkɲʲˈɛntɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_442.wav|jˈɛɡɔ ʒˈuwtɛ, pwˈaskʲɛ ˈɔtʃɨ stˈawɨ ɕɛ tˈɛras tɕˈɛmnɛ i ɡwɛmbˈɔkʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_24.wav|— prˈɔʃɛ, ɲʲɛ rˈuptɕɛ jɛj kʃˈɨvdɨ — vˌɨʃɛptˈawa jˈɔ. pɔ dvˈux sɛkˈundaɣ vˌɨpɔvʲɛdʑˈawa tɛ sˈamɛ swˈɔva.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_92.wav|mɨɕlˈawam, ʒˈɛ vˌɨpɛwɲˈiwaɕ jˈuʃ tˈɛ vˈɨrvɛ, ktˌurɔ̃ zɔstˈaviw pɔ sˈɔbjɛ urˈɔtʃɨ dʒˈɛf.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_483.wav|mirˈanda rɔˈɨtsɛ bˌɨwa tsˈurkɔ̃ lˈɔrda nɛstˈɔra.|1
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+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_143.wav|mˈuɕawbˌɨ ftˈɛdɨ ʃˈɨpkɔ zatɕˈɔŋɡnɔɲtɕ mɲʲɛ dɔ ɕlˈuzɨ w wazˈiku.|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_30.wav|vʲˈɛtɕɛ, tsˈɔ jɛzd ɡɔrʃˈɛɡɔː ɔt ˈɔstrɨɣ drɔbʲˈinɛk w ˈɔtʃax?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_35.wav|nˈaɡlɛ tˈanta skrˈɛntsa ˈɔstrɔ w lˈɛvɔː i zatʃˈɨna zjˈɛʒdʒadʑ w dˈuw zbˈɔtʃa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_161.wav|tɨm rˈazɛm ɡˈɔ rɔskwˈada.|2
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_28.wav|vrˈɛʃtɕɛ ɔ f pˈuw dɔ jˌɛdɛnˈastɛj dʒvˈi prˈɔntɔ, prˈɔntɔ, fˈɔtɔ, fˈɔtɔː ˌɔtfɔʒˈɨwɨ ɕɛ i vˈɨʃɛd ˈammar jˈassim z dvˈɔma mwɔdˈɨmi pˌɔmaɡʲɛrˈami.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_4.wav|ɡdʑˈɛɕ pʃɛdˈɛmnɔ̃ ɡˈasnɔ̃ rˌɛflɛktˈɔrɨ i zapˈala ɕɛ lˈampa, kʲˈɛdɨ kɔbjˈɛta vɨɕˈada pʃɛt ɔstˈatɲim zˌabudɔvˈaɲʲɛm na fˈarmʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_371.wav|bˈɨw kʲˈɛdɨʑ ɡʲˈɛrmkʲɛm lˈɨna kɔrbrˈɛja. pravdʑˈivɨm ɡʲˈɛrmkʲɛm. ɲʲɛ tˈakim jˈak tɛn ɡbˌurɔvˈatɨ xwˈɔpak, ktˌurɨ swˈuʒɨ tˈɛras sˌɛrlɨnˈɔvi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_115.wav|tˈɔm ɔtxˈɨliw ɕɛ na ɔpˈartɕɛ kʃˈɛswa.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_188.wav|çiɡjˈɛna intˈɨmna.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_29.wav|zˌapɔmɲʲˈawam jˈuʃ, jˈak trˈudnɛ bˌɨwɔ kˈaʒdɛ ˌɔdʒutsˈɛɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_226.wav|bˌɨliɕmˌɨ rˈazɛm ɡʲɛrmkˈami f kraˈiɡall.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_163.wav|ɲʲɛ vʲɛdʑˈawam, tʃɨ tˌɛɡɔ xtsˈɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_104.wav|ʒˈutsa ɕɛ w ˈɔtʃɨ, stfʲˈɛrdʑiw tˈakɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_476.wav|zastˈukaj dɔ dʒvˈi.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_148.wav|bˌɨwa jˈɛdnak upˈartɨm dʑˈɛtskʲɛm i nˈavɛt w ˈɔvɛj xfˈili ɲʲɛ xtɕˈawa ɕɛ zatʃˈɨmatɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_29.wav|f pɔʒˈɔntku, za mˈawɔ snˈu.|3
+Dataset/wavs/urwisko_ferenc/65_segment_79.wav|ɲʲɛ fʃˈɨstkim ɕɛ udˈajɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_69.wav|naprˈavdɛ xtɕˈawbɨm dɔvʲˈɛdʑɛtɕ ɕɛ tʃˈɛɡɔɕ ɔ tˈɔbjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_50.wav|f tɛn spˈɔsup mˈɔɡwɛɕ sprˈavdʑitɕ, ɡdʑˈɛ bˈɨwa. tʃɨ tɔː ɔznˈatʃa, ʒˈɛ mˈɔʒɛʃ rˈuvɲʲɛʒ zɔbˈatʃɨtɕ, ɡdʑˈɛ pʃˌɛbɨvˈawa ftʃˈɛɕɲʲɛj?|3
+Dataset/wavs/urwisko_ferenc/46_segment_131.wav|a mˈɔʒɛ zrˌɛzɨɡnˈɔvaw s tˌɛɡɔ pʃɨnˈajmɲʲɛj tˈu, f kujˈafskɔpɔmˈɔrskim, skˈɔrɔ jˈɛɡɔ prˈavɔ̃ rˈɛŋkɔ̃ bˈɨw ɡlˈiɲʲaʃ?|0
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+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_311.wav|ˌɔznajmˈiwa tsɛrsˈɛi.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_52.wav|xˈɔtax ɲʲˈɛxtɕaw jɛj pɔvʲˈɛdʑɛtɕ, tsˈɔ ɕɛ z ɲˈimi stˈawɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_27.wav|mˈɔʒna vˈɨjɕtɕ?|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_185.wav|ɲʲɛ dˈajɛ mi tɔ spɔkˈɔju.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_123.wav|sˈɔndʑɛ, ʒˈɛ tɔ pɔvˈinnɔ vɨstˈartʃɨtɕ, bˈɨ pʃˌɛtranspɔrtˈɔvatɕ ˈarmjɛ pʃˈɛs ˌɔdrɔbʲˈinɛ vˈɔdɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_152.wav|tˈak tʃɨ inˈatʃɛj, fʃˈɨstkɔ fskazˈujɛ nˈatɔ, ʒˈɛ mˈɔjɛ ʒˈɨtɕɛ ɲʲɛbˈavɛm rɔspˈadɲʲɛ ɕɛ na tˈɨɕɔnts ˈɔstrɨx jˈaɡ bʒˈɨtfa ɔdwˈamkuf.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_6.wav|rˈɔp fstˈaw i uɕmʲˈɛxnɔw ɕɛ dɔ zɡrˌɔmadʑˈɔnɨx.|4
+Dataset/wavs/urwisko_ferenc/12_segment_170.wav|ˌuɕmʲɛxɲʲˈɛnta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_94.wav|jˈasnɛ, ˌɔtpɔvʲˈada bʲˈillɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_37.wav|tɔ, tsˈɔ mˈuvjɛ, mˈa jˌakikˈɔlvʲɛk sˈɛns. bˌɨwa tˈaka...|3
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+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_6.wav|mˌamɨ ix spʃˈɛdatɕ jˈakɔ ɲʲˌɛvɔlɲˈikuf.|1
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+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_3.wav|mɨɕlˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_122.wav|pʃˌɛsɔntʃajˈɔntsɛ ɕɛ mʲˌɛndʑɨ ɡˌawɛ̃ʑˈami kˌaʃtanˈɔftsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_37.wav|bˌɨwɔ ɲʲɛ bˈɨwɔ? kasˈɨnɔ tɔ drukˈarɲʲa pʲɛɲʲˈɛndʑɨ, a xˈɔffix pˌɔtʃɛbˈujɛ.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_7.wav|zˈafʃɛ budʑˈiwa ɕɛ pʲˈɛrʃa.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_36.wav|dɔ nˌastɛmpnˈɛɡɔ rˈazu, irˈinɔ!|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_137.wav|ktˌurɛ ɲʲɛ ˌɔʃukˈawɔ ɲˈiɡdɨ jˈɛɡɔ vwasnˈɛɡɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_66.wav|mˈɔʒɛ tʃˈɛɡɔɕ ɲʲɛ dɔstʃˈɛɡwam. ɔdʒˈutsam jˈɔ̃ i skˈupʲam ɕɛ na mˈili i nˈatɨm, tsˈɔ ɕɛ ɔbˈɛtsɲʲɛ dʑˈɛjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_29.wav|fkuʒˈɨwa ɕɛ, kʲˈɛdɨ ˌɔdmuvˈiwam pʃˌɛkazˈaɲʲa jɛj ʒɔndˈanɨx ˌinfɔrmˈatsji i pˌɔvʲɛdʑˈawam, ʒˈɛ pɔvˈinna zvrˈutɕitɕ ɕɛ f tɛj sprˈavʲɛ dɔ mˈɛ̃ʒa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_74.wav|tˈak jˈak ˌɔtʃɛkivˈawam, kɔbjˈɛta sprˈavdʑa, xtsˈɔnts ɕɛ pʃɛkˈɔnatɕ, tʃɨ bˌɛndɛ stˈavʲadʑ dˈalɛj.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_405.wav|i nˌakarmˈiwɛm jˈɛɡɔ tɕˈawɛm pˌɔzɔstˈawɨx.|1
+Dataset/wavs/urwisko_ferenc/43_segment_34.wav|jɛst pˈan pˈɛvʲɛn?|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_53.wav|pʃɛʒˈutɕi mi pˈan prˈɔp? zapˈɨtaw pˈilɔt. ɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_4.wav|pɔt pˌaznɔktɕˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_77.wav|ɲʲɛ mʲˈawa ʃˈans s tʃˈɛma mˌɛ̃ʃtʃɨznˈami.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_141.wav|ɡdˈɨ f pɔvʲˈɛtʃu vɨbʒmʲˈawɨ ɔstˈatɲʲɛ dʑvʲˈɛŋki, lˈanna vɛstxnˈɛwa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_384.wav|tɨ ˈɔɲʲɛj?|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_92.wav|stˈanɔw pʃɨ bˈarku i xfˈɨtɕiw vˌiklinˈɔvɨ kɔʃˈɨtʃɛk.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_28.wav|stˈaw xfˈilɛ bˈɛs rˈuxu, nˌaswuxˈujɔnts ɔddˈɛxu ɕpʲˈɔntsɛj kɔbjˈɛtɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_2.wav|kʲˈɛdɨ mʲˌɛli zabrˈanɔ, stˈawam w ɔtfˈartɨɣ dʒvʲˈax, ˌɔtprɔvadʑˈajɔnts samˈɔxud vzrˈɔkʲɛm, jˈaɡbɨm mʲˈawa nadʑˈɛjɛ, ʒˈɛ nˈaɡlɛ ɕɛ zatʃˈɨma i zavrˈutɕi.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_140.wav|pʲɔsˈɛŋka dˌarɛˈɔna vrˈɛʃtɕɛ ɕɛ kɔɲtʃˈɨwa.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_254.wav|jˌɛstɛm pˈɛvʲɛn, ʒˈɛ mʲˈawa jˈakʲɛɕ pɔvˈɔdɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_109.wav|kʲˈɛdɨɕ pʃˌɛjmɔvˈawɛm ɕɛ lˈɔsɛm tˌɛɡɔ krˈaju.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_68.wav|lˈudʑɛ zˌatʃɨnˈajɔ̃ vɨxˈɔdʑidʑ z budˈɨŋku, sˈunɔ̃ f strˈɔnɛ fˌurɡɔnˈɛtki jˈak mrˈufki dɔ tsˈukru.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_43.wav|rˌɔzɛjʒˈawam ɕɛ pɔː ɔɡrˈɔmnɨm vnˈɛntʃu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_2.wav|utɕˈɛkam s parkˈiŋɡu dɔ vˈindɨ, skˈamlɔndʑ z ˈulɡɔ̃, kʲˈɛdɨ dʒvˈi ɕɛ zˌamɨkˈajɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_348.wav|ɔ ɲʲˈɛɡɔː ɔbˈavʲam ɕɛ najbˈardʑɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_61.wav|pˌɔvinɲˈiɕmɨ ɕɛ zˌaprɛzɛntˈɔvatɕ jˈakɔ spɔwˈɛtʃnɔɕtɕ, ktˌura ʒˈɨjɛ w zɡˈɔdʑɛ z litˈɛrɔ̃ prˈava.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_18.wav|dʲˈidɨ! vˈɔwa tˈata, pɔ tʃɨm ɔpˈuʃtʃa pɔdbrˈudɛk, jˈaɡbɨ ɲʲˈɛmuɡw znˈalɛɕtɕ f sˈɔbjɛ ɔdvˈaɡʲi, ʒˈɛbɨ nˈamɲʲɛ spˈɔjʒɛtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_143.wav|ˈabɨ pɔkˈazatɕ mu, ʒˈɛ mˈuvjɛ pɔvˈaʒɲʲɛ, zˌamjɛʒˈawam ɡrˈatɕ tˈak, bˈɨ vˈɨɡratɕ i zˌarɨzɨkˈɔvatɕ kaʒdˈɛɡɔ pˈɛ̃sa, kturˌɛɡɔ zdɔbˈɨwam tˈɨdʑɛɲ ftʃˈɛɕɲʲɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_90.wav|ɲʲˈɛx pˈan vˈɛʑmʲɛ tˈɛ rˈɛŋkɛ, tɔ pʃˌɨpɔmˈina krˈɛf.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_46.wav|ɲʲɛ zˌatʃɛkˈawa, ˈaʃ tˈɔm ɔdˈɛzvʲɛ ɕɛ pʲˈɛrʃɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_19.wav|jˈat w jɛj ɡwˈɔɕɛ bˈɨw ˈaʃ nˈattɔ vˌɨtʃuvˈalnɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_44.wav|z ljjˈaŋɡ bˌɨwɔ zupˈɛwɲʲɛ inˈatʃɛj.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_5.wav|tˈɛras minˈɛliɕmˌɨ jˈuʃ jˈɛdnak tɛn pˈuŋkt.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_36.wav|ʒˈatkɔ pʃɛklˈinaw w mˈɔjɛj ˌɔbɛtsnˈɔɕtɕi, vʲˈɛnts xˈɨba pɔ prˈɔstu zˌapɔmɲʲˈɛli, ʒˈɛ tˈam stˈawam i tɔtʃˈɨli vˈalkɛ, ktˌurɛj za ɡrˈɔʃ ɲʲɛ rˌɔzumjˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_46.wav|uɕmʲˈɛxa ɕɛ.|2
+Dataset/wavs/urwisko_ferenc/41_segment_27.wav|tɔ nɔrmˈalɲi lˈudʑɛ, ɲʲɛ tɔ tsˈɔ mˈɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_15.wav|dʑɛŋkˈujɛ za vizˈɨtɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_217.wav|mˈɔʒɛ ʒˌɛtʃɨvˈiɕtɕɛ tˈaɡ zrˈɔbʲi?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_228.wav|pɔlˈitsja mˈuɕi bˈɨtɕ ˌɔbjɛktˈɨvna i stʃˈɔ̃snɔw z vɔ̃ɕˈika kavˈawɛk sˈɛra, ktˌurɨ spˈad na krˈavat.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_419.wav|i zapˈɔmɲij ˈɔtɨm, tsˈɔ stˈawɔ ɕɛ kʲˈɛdɨɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_132.wav|ˌɔna pʃˌɛxɔvˈujɛ fʃˈɨstkʲɛ dˈanɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_65.wav|nˈɔ tˈɛras tɔ zˌaxɔvˈujɛʃ ɕɛ pɔ prˈɔstu ɕmʲˈɛʃɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_234.wav|ʒawˈɔba ˌɔdɛbrˈawa jɛj rˈɔzum.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_380.wav|rˈɨan ɲʲɛ ˌɔtpɔvʲˈɛdʑaw. pˈɔtʃɛd dɔː ˈɔkna, a ˈandɛrsɔn, pɔʃˈɛtwʃɨ zˈaɲim,|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_379.wav|vwˌaɕtɕitɕˈɛlɛ burdˈɛli ɕɛ skˈarʒɔ̃ i mˌajɔ̃ pɔvˈɔdɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_6.wav|mˌamɨ tˈutaj pɔd dɔstˈatkʲɛm kʃˈɛmu, vʲˈɛnts ʃkwˈɔ vɨtfˈaʒa ɕɛ na mʲˈɛjstsu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_110.wav|— zawˈɔʒɛ ɕɛ, ʒˈɛ f sˌutɛrˈɛɲʲɛ jɛst xwˈɔdnɔ, nˈavɛt w najvʲˈɛŋkʃɛ upˈawɨ — vˈɔwa zˈaɲim pˈaɲi jˈɛnsɛn. — ʒawˈujɛ, ʒˈɛɕmɨ tˈam ɲʲɛ zˌamjɛʃkˈali.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_89.wav|tɕi sɔ̃ nˈatɔ zbˈɨt sprˈɨtɲi i ɲʲɛ nˌaraʒˈalibˌɨ ɕɛ na rɨzˈɨkɔː ˌidɛntˌɨfikˈatsji.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_95.wav|stsˈɔtt pɔkˈivaw ɡwˈɔvɔ̃ pɔ xfˈili miltʃˈɛɲʲa. ˈɔkɛj, nˌadrɔbʲˈimɨ tɔː ˈinnɨm rˈazɛm.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_300.wav|tˈak sˈamɔ jˈak ɲʲɛ ufˈajɔ̃ mɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_126.wav|tʃˈarnɨ sˈam pˈujdʑɛ s ksˈɔndɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_157.wav|kʲˈɛdɨ brˌazɨlijtʃˈɨtsɨ zawˈɔʒɔ̃ vwˈasnɔ̃ fabrˈɨkɛ ʃkwˈa, bˌɛndɔ̃ tʃɨmˈali w ɡˈarɕtɕi zarˈuvnɔ prɔdˈuktsjɛ, jˈak i zˌaɔpatʃˈɛɲʲɛ f surˈɔvʲɛts.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_55.wav|ja dˈɔstawbˌɨm ʑˈɛmʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_64.wav|ˌɔstatˈɛtʃɲʲɛ uznˈawam tɔ za mɲʲˈɛjʃɛ zwˈɔː i zɡɔdʑˈiwam ɕɛ, ʒˈɛ adˈɔptsja bˈɨwabˌɨ ɕfʲˈɛtnɨm rˌɔzvʲɔ̃zˈaɲʲɛm dla ˈaʃa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_50.wav|tɔ bɨwˈɔbɨ tˈak, jˈaɡbɨ dˈɛ.bˈɛ. tsɔˈɔpɛr napˈisaw ˌawtɔbjɔɡrˈafjɛ i zˌatɨtuwˈɔvaw jˈɔ̃ jˈak tɔ zrɔbʲˈiwɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_69.wav|a ˌɔna ɲʲɛ zrˈɔbʲi tˈɛɡɔ, dɔpˈuki rˈudɨ ɲʲɛ pʃɛtstˈavi jɛj pʃˌɛkɔnujˈɔntsɨɣ dɔvˈɔduf.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_67.wav|musˈimɨ utʃˈɨmatɕ nat fʃˈɨstkim kɔntrˈɔlɛ, a tɔː ɔznˈatʃa, ʒˈɛ im mɲʲˈɛj ˈɔsub vʲˈɛ ɔ pɔrvˈaɲʲu ˈaʃa i mˈili, tɨm lˈɛpʲɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_37.wav|pɔ pɔwˈudɲʲu kˈaʒɛ matsˈɔvi prˈɔ ɡrˈatɕ samˈɛmu zˈɛ sˈɔbɔ̃ f kribbˈaɡɛ, s pʲˌɛɲtɕɔsˌɛkundˈɔvɨm ˌɔpuʑɲʲˈɛɲʲɛm pʃɛt kˈaʒdɨm rˈuxɛm ɡrˈatʃa jˈɛdɛn.|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_15.wav|i ˈɔtɔ jˈak ɕɛ ɲʲˈɔ̃ zˌaɔpʲˌɛkɔvˈawɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_188.wav|jˈɛɡɔ mˈiwɔʑdʑ dɔ mˈɔjɛj mˌamɨ ɲˈiɡdɨ ɲʲɛ zɲˈikwa, ɲʲˌɛzalˈɛʒɲʲɛ ɔt tˈɛɡɔ, tsˈɔː ˌɔna rɔbʲˈiwa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_55.wav|bjˈɛɡɲʲɛ dɔ druɡʲˈɛɡɔ pɔkˈɔju i bʲˈillɨ spɔɡlˈɔnda na butskʲˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_15.wav|ˌalɛ tˈɛʃ tɛn fˈatsɛt mˈukw pɔ prˈɔstu pˈɔrvadʑ dʑˈɛtskɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_45.wav|tɛn ktˈɔɕ mˈuɕi vʲˈɛdʑɛtɕ, ʒˈɛ alˈɛna f kˈɔɲtsu tˈu pʃɨvʲˈɔzɔ̃ i ʒˈɛ zˈaɲim bˌɛɲdʑɛ mˈukw pʃˌɛxandlˈɔvatɕ tɔ, tsˈɔ vʲˈɛ, bʲˈillɨ sˈummɛrz ɡˈɔ spʃˈɔntɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/51_segment_40.wav|i ɲʲɛ bˈardʑɔ mˈɔɡwa lˈitʃɨtɕ nˈatɔ, ʒˈɛ sˈama udʑvˈiɡɲʲɛ tɕˈɛ̃ʒar kˌɔmplɛksɔvˈɛɡɔ rɛmˈɔntu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_3.wav|f tɕˈɔŋɡu pˈuw ɡɔdʑˈinɨ vrˈutɕiw vʲˈɛndʑ dɔ tsˈɛntrum kˌɔɔrdˌɨnatsɨjnˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_74.wav|ɲʲɛ spɔdˈɔbaw mi ɕɛ tɛn tˈɔn.|3
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_70.wav|dˌɔpilnˈujɛ, ʒˈɛbɨ bˈɨw tɔ ktˈɔɕ, kˈɔmu mɔʒˈɛmɨ zaˈufatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_149.wav|dlatˈɛɡɔ, kʲˈɛdɨ f kˈɔɲtsu stˈaɲʲɛ ɕɛ, tsˈɔ mˈa ɕɛ stˈatɕ, tʃɨ bˌɛɲdʑɛʃ ˈɔptsɨm, kturˌɛɡɔ ɲˈikt ɲʲɛ znˈa? ˌawtsajdˈɛrɛm, kturˌɛɡɔ fʃˈɨstsɨ pˌɔdɛjʒɛvˈajɔ̃?|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_194.wav|zˈajmʲɛʃ ɕɛ skʃɨɲʲˈami i kufrˈami.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_41.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ ktˈɔɕ ɕɛ pɔvˈaʒɲʲɛ fkˈuʒɨw na jɛdnˈɛɡɔ z vˈas. mˈɔʒɛ na ˈɔbu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_40.wav|fɕˈada i ɔdvrˈatsa ɕɛ dɔ mɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/33_segment_97.wav|— a jˈaɡ za xfˈilɛ ɔddʑvˈɔɲi? — spɨtˈawa, ɡdˈɨ pɔlˈitsjant rˈuʃɨw f kʲɛrˈuŋku dʒvˈi.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_187.wav|vˈalar dˌɔxaˈɛrɨs|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_106.wav|tfˈaʒɔ̃ f tfˈaʃ mˈɔʒɛ tˌɛmu zapʃˈɛtʃɨ, ˌalɛ bʲˈillɨ vʲˈɛ, jˈaka jɛst prˈavda. ˈɔbaj tɔ vʲˈɛdʑɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_68.wav|fxˈɔdʑi dɔː ˌudɔstˌɛmpɲʲɔnˈɛɡɔ jɛj pɔkˈɔju, dɔtˈɨka laptˈɔpa bʲilljˈɛɡɔ, pɔdnˈɔɕi lɛʒˈɔntsɔ̃ ˌɔbɔk kɕˈɔ̃ʃkɛ w mʲˈɛŋkkʲɛj ɔprˈavʲɛ i fsˈuva jˈɔ̃ dɔ kʲɛʃˈɛɲi dʒˈinsuf.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_97.wav|ɲʲɛ kazˈawam tɕi tˌɛɡɔ rˈɔbʲitɕ, ɲʲɛ xtɕˈawam. xtɕˈawam tˈɨlkɔ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_112.wav|pˌɔvʲɛdʑˈawa nˈam pˈaɲi rˈuvɲʲɛʃ, ʒˈɛ mʲˈawa kɔmˈurkɛ pʃɨ sˈɔbjɛ pʃˈɛs tsˈawɔ̃ pˌɔɲʲɛdʑawkˈɔvɔ̃ nˈɔts.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_96.wav|spɔɡlˈɔnda na ruɡˈɛra f ʃuflˈadʑɛ stɔlˈika nɔtsnˈɛɡɔ dˈɔna. bjˈɛʒɛ ɡˈɔ dɔ rˈɛŋki, ɔtkwˈada s pɔvrˈɔtɛm, zasˈuva ʃuflˈadɛ.|2
+Dataset/wavs/urwisko_ferenc/59_segment_134.wav|mˈarja xˈɛrman ɕɛ zˌamɨɕlˈiwa.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_154.wav|tˌɨlkɔ tʃˈɛx?|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_66.wav|ja tʃˈujɛ, ʒˈɛ tɛn ɕˈilɲik jɛzd zbˈɨd ɡɔrˈɔntsɨ. kˈup pˈan sˈɔbjɛ pʲˌɛɲdʑɛɕˈɔntkɛ, prˈavʲɛ ta sˈama tsˈɛna, a ɕˈilɲiɡ bˌɛɲdʑɛ ɕɛ mɲʲˈɛj ɡʒˈaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_191.wav|tʃɨ ktˈɔɕ fspɔmˈina ɔ daltˈɔɲʲɛ smˈiʂʲɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_38.wav|bˈawam ɕɛ, ˌalɛ jˈɛʃtʃɛ vʲˈɛŋkʃɨ strˈaɣ vzbˈudʑaw vˈɛmɲʲɛ ɲʲɛznˈanɨ lˈɔs mɔjˈɛɡɔ dʑˈɛtska.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_235.wav|ˌunɔʃˈɔntsɨ ɕɛ na vʲˈɛtʃɛ.|1
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_124.wav|tsɔkˈɔlvʲɛk, na tʃɨm mˈɔɡwa pʃˌɛxɔvˈɨvatɕ sfˈɔjɛ vʲˌadɔmˈɔɕtɕi?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_51.wav|rˌɔzɛɕmʲˈawa ɕɛ dˌɛlikˈatɲʲɛ. ɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_119.wav|tʃɨ mˈɔɡɛ tsˈɔɕ pɔvʲˈɛdʑɛtɕ?|3
+Dataset/wavs/urwisko_ferenc/56_segment_11.wav|tˈak? tsˈɔɕ nɔvˈɛɡɔ f sprˈavʲɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_122.wav|kʃˈɨtʃɛ, xˈɔtɕ ɲʲɛ jɛst tɔ dɔ kˈɔɲtsa prˈavda.|3
+Dataset/wavs/urwisko_ferenc/49_segment_8.wav|pˌɔtʃɛbˈujɛ fsparsˈija, vˌɨjaɕɲˈiwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_138.wav|na ʃtʃˈɛɲɕtɕɛ dɔtˈarliɕmˌɨ jˈuʒ dɔ bˈaɲki ɔldrˈina.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_355.wav|lvˈɨ jˈɔ̃ pˌɔvʲɛɕˈiwɨ.|1
+Dataset/wavs/urwisko_ferenc/56_segment_49.wav|nɔrmˈalɲʲɛ ftʃˈɛɕɲʲɛj, zˈaɲim zɔstˈaliɕtɕˌɛ pˈarɔ̃. na pʃˈɨkwat ftˈɛdɨ, kʲˈɛdɨ zˌaɡʲinˈɛwa mˈɔɲikˌa xudʑˈiɲska.|0
+Dataset/wavs/urwisko_ferenc/36_segment_106.wav|ˈɔpad nˈaɲʲɛ, rˈɛntsɛ tʃˈɨmaw pɔt stˈɔwɛm, vzrˈɔɡ vbʲˈiw w blˈat.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_106.wav|znˈuf ɕɛ tsˌawɔvˈaliɕmˌɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_582.wav|pɔstˈaraj ɕɛ ɲʲɛ mˈɨɕlɛtɕ, pˈatʃ, jˌɛstɛm pʃɨ tˈɔbjɛ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_90.wav|tfˈaʃ nˈuta balvʲˈɛʒa pˌɔtɕɛmɲʲˈawa z ɡɲʲˈɛvu na tɛn vˈidɔk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_104.wav|ʃˈɨpkɔ zasˈɨpja i f ktˈurɨmɕ mɔmˈɛɲtɕɛ tˈuʃ pʃɛt prɔlˈɔɡʲɛm ɕfˈitu rˈuvɲʲɛ wˈatfɔ pɔɡrˈɔ̃ʒa ɕɛ w ɔbjˈɛɲtɕax kɔʃmˈaru.|2
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_24.wav|tɔ ɲʲɛ mˈɔʒɛ bˈɨtɕ pʃɨpˈadɛk.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_111.wav|zˈafʃɛ pʃˌɛvidɨvˈawɛm, ʒˈɛ dˌɔprɔvˈadʑi krulˈɛstfɔ dɔ baŋkrˈutstfa i sˈama ɕɛ zɲˈiʃtʃɨ, ˌalɛ ɲʲɛ spˌɔdʑɛvˈawɛm ɕɛ, ʒˈɛ tɔ ɕɛ stˈaɲʲɛ tˈak ʃˈɨpkɔ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_329.wav|prˌɔpɔnˈujɛ, ʒˈɛbɨɕmˌɨ pˌɔttɔtʃˈɨli vʲˈɛʒɛ ˌɔblɛ̃ʒɲˈitʃɛ blˈiʒɛj, vˌɨpɛwɲˈili jˈɛ wˌutʃɲikˈami i pʃˌɨpuɕtɕˈili ˌudavˈanɨ ʃtˈurm na brˈamɨ.|1
+Dataset/wavs/urwisko_ferenc/03_segment_39.wav|tˈak.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_207.wav|pˈan jˈuʒ bˌɛɲdʑɛ ɲʲˌɛzadˌɔvɔlˈɔna i vɨvʲˈɔ̃ʒɛ ɕɛ jˈakaɕ subjˈɛktsja mʲˌɛndʑɨ bliskˈimi sˈɔbjɛ lˈudʑmi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_20.wav|zˌapɨtˈawa. vɨɡlˈɔndaʃ trˈɔxɛ blˈadɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_138.wav|ja sˈam tˌɛɡɔ ɲʲɛ rɔzˈumjɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_100.wav|f pɔʒˈɔntku, f tˈakim rˈaʑɛ tˈam ɲʲɛ pɔjˈadɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_66.wav|bʲˈili znˈa tˈakʲɛ dʑɛlɲˈitsɛ jˈak tˈa. sɔ̃ bˌarɔmˈɛtrɛm i tˈutaj swˈupɛk na tɛj skˈali zatʃˈɨna ɔpˈadatɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_196.wav|vʲˈɛnts ta mˈiwɔɕtɕ w mˈɔim pɔjˈɛɲtɕu tɔ jˈakʲɛɕ ˌupɔkˌaʒajˈɔntsɛ ˌɔɡraɲitʃˈɛɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_85.wav|tʃɨ mˈa pˈaɲi kˈɔɡɔɕ, ktˈɔ mˈɔʒɛ zˈajɔɲtɕ ɕɛ dʑˈɛtɕmi pˈɔttʃas jɛj ɲʲˌɛɔbɛtsnˈɔɕtɕi?|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_17.wav|ʒˈɨtɕɛ bɨwˈɔbɨ lˈɛpʃɛ, ɡdˈɨbɨ napˈisaw jˈɛ ʃˈɛkspir, tˈak mˈɨɕlɛ, xˈɔtɕaʃ...|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_169.wav|bˈɔ tˈak jˈɛst, mˈuvi ˈɛlis.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_78.wav|i nˈaʃɛ tˈɔrbɨ stˈawɨ pʃɨ dʒvʲˈax.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_9.wav|ˌalɛ nˈaʃ strˈax nˈɔɕiw rˈuʒnɛ ɔblˈitʃɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_98.wav|zˌamjɛʒˈawam urˈɔdʑidʑ dʑˈɛtskɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_63.wav|ˈaʃ sprˈavʲaw vraʒˈɛɲʲɛ, jˈaɡbɨ ɕɛ zˌastanˈavʲaw. f kˈɔɲtsu pɔkrˈɛɲtɕiw jˈɛdnaɡ ɡwˈɔvɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_160.wav|jɛŋknˈɛwam jˈak rˌɔskaprɨʃˈɔna nˌastɔlˈatka.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_22.wav|ʃˈɨpkɔ spravdʑˈawam ʃtʃˈɛlnɔɕtɕ tˈaɕmɨ na mˈɔjɛj mˈastsɛ i ɡˈɔɡlax. vrˈatsaj dɔ wazˈika i bˈɔɲtɕ pʃˌɨɡɔtɔvˈanɨ na ʃˈɨpki ˈɔdvrut.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_24.wav|mˈuɕaw tɔ bˈɨtɕ ktˈurɨʑ z mˈɛ̃ʃtʃɨzn ɡrajˈɔntsɨɣ w ɡˈɔlfa.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_416.wav|pˌɔmɨɕlˈawa ˈaɨn.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_196.wav|zɡʲinˈawa?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_207.wav|vɨjˈaɕɲʲaw tˈɛʃ ˌupɔrtʃˈɨvʲɛ ˌutɕɛkiɲʲˈɛrtsɛ, ʒˈɛ pɔkˈɔxaw jˈɔ̃ ɔt pʲɛrʃˈɛɡɔ vɛjʒˈɛɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_468.wav|jˈak sˈɔbjɛ ʒˈɨtʃɨʃ, pˈaɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_20.wav|vʒutɕˈiwam pɛrˈukɛ dɔ kˈɔʃa na ɕmʲˈɛtɕi. ɲʲɛ mˈɔɡwam zˌarɨzɨkˈɔvatɕ sxɔvˈaɲʲa jɛj dɔ tˈɔrbɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_587.wav|pʃˌɛtɕɛʃ tɨ vˌɨsunˈɔwɛɕ ftʃˈɔraj vˈɔbɛts mɲʲɛ strˈaʃnɛ ˌɔskarʒˈɛɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_112.wav|zrˈɔbʲiw ɕɛ pɔbˈɔʒnɨ ˈɔtpar jˈamɛ. ˌalɛ tɔ ɲʲˈɛbɨw jˈɛɡɔ vˈɨbur.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_80.wav|a pˈɔtɛm kɔbjˈɛta ɲʲɛ mʲˈawa jˈuʃ ɕˈiwɨ bʲˈidʑ dwˈuʒɛj lˈalki zˌatɕiɕɲʲˈɛntɛj w jˈɛɡɔ dwˈɔɲi i ˌɔpuɕtɕˈiwa rˈɛntsɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_22.wav|skˈɔnd vʲˈɛndʑ znˈawabˌɨ xˈaswɔ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_220.wav|i patʃˈɨwa nˈaɲʲɔ̃ pʃˈɛs xfˈilɛ, pˈɔtɛm pˌɔftuʒˈɨwa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_56.wav|zɛɡˈarɛk? tˈak, zvɨtʃˈajnɨ zɛɡˈarɛk.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_264.wav|i ˈandɛrsɔn udˈɛʒɨw plɛtsˈami ɔ ɕtɕˈanɛ, ɔt ktˌurɛj ˈɔdbʲiw ɕɛ i ftˈɛdɨ...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_92.wav|mˈatkɔ bˈɔska, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_76.wav|swˈɨʃɛ, jˈaɡ vrˈatsa na ɡˈurɛ, ˌalɛ fxˈɔdʑi dɔ pɔkˈɔju bˌailɛjˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_242.wav|bˈɛs xfˈili zˌavaxˈaɲʲa. uɲʲˈɔswɛm zˈiɡa, ˌalɛ bˌɨwa ʃˈɨpʃa.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_411.wav|ɲʲɛ bˌɨwam jˈɛdnaɡ bɛstʃˈɨnna.|1
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+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_113.wav|mˈɔʒɛ dˈɔstatɕ pˌɔzvɔlˈɛɲʲɛ na spˈɛtɕal fˌawˌɛfˈɛr, pɔvʲˈɛdʑaw pɔlˈitsjant.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_77.wav|nˈavɛt tˈɛras, kʲˈɛdɨ dɔː ˈiɡʲɛw i lˈiɕtɕi dˌɔwɔntʃˈɨwa tɕˈɛŋka vˈarstfa ɕɲʲˈɛɡu, ɔt rˈazu vˈidatɕ, ʒˈɛ tɔ ɡrˈup.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_139.wav|twˈum rɔsstˈɔmpiw ɕɛ, bˈɨ pʃɛpˈuɕtɕitɕ kɔlˈumnɛ. vrˈublɛ i ʃˈɛftsɨ spˌɔɡlɔndˈali na jˈɛɕtɕtsuf pˌɔzbavʲɔnˈɨmi vˌɨrazwɔtʃˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_38.wav|pɔvwˈɔka nˌaprɛ̃ʒˈɨwa ɕɛ na tˈɨlɛ, ʒˈɛ ɲʲɛ ˌɔɡraɲitʃˈawa mˈɔix rˈuxuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_130.wav|mˈɔʒɛ tɕˈɛ tɔ zaskˈɔtʃɨ, ˌalɛ f tsˈawɛj tɛj sˈali ɲʲˈɛma ɲikˈɔɡɔ, s kˈim ˌupravʲˈawam sˈɛks.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_169.wav|ɔstˈatɲʲɔ̃ dˈɛskɔ̃ ratˈuŋku pʃɛd vzrˈɔstɛm tˌɛmpɛratˈurɨ ɡrɔʒˈɔntsɨm rˌɔstɔpʲˈɛɲʲɛm vˈannɨ bˈɨw mʲɛdʑˈanɨ kˈɔrɛɡ zˌamɔntɔvˈanɨ na dɲʲˈɛ zbjɔrɲˈika.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_254.wav|na kturˌɛɡɔ ɡˈarbjɛ mˈarʃtʃɨw ɕɛ i falˈɔvaw fˈartux,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_459.wav|znˈɔvu zatʃˈɔ̃swɛm ɕɛ z ʑˈimna, xˈɔtɕaʃ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_104.wav|tˌɛɡɔ lˈata dɔstˈajɛ na nˈumɛr davˈida lɔtskrˈidʒa smsˈɨ ɔt sfɔjˈɛɡɔː aɡˈɛnta. tʃˈasɛm jˈɛdɛn, tʃˈasɛm dvˈa tˌɨɡɔdɲʲˈɔvɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_66.wav|mˈaxa ɡlˈɔkʲɛm f strˈɔnɛ kɕˌɛŋɡɔvˈɛɡɔ, ktˌurɨ jˈuʃ tʃˈɨma rˈɛntsɛ w ɡˈuʒɛ. jˈak ɕɛ nazˈɨvaʃ? mˈark. mˈark ˌabramˈɔvits.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_83.wav|tʃɨ tɔ tʃwˈɔvʲɛk, kturˌɛɡɔː ˌudɛʒˈɨwɛm f trˈaktɕɛ utɕˈɛtʃki?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_7.wav|fʃˈɨstkɔ f pɔʒˈɔntku?|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_207.wav|dʑˈɛŋki, dˈaltɔn.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_101.wav|ɔpˈɔvʲɛts nˈam ɔ nˈaʃɨm sˈɨnu klɛˈɔɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_73.wav|pʃˈɨkrɔ mi, mˈuvi bʲˈillɨ, nˌajzupˈɛwɲʲɛj ʃtʃˈɛʒɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_76.wav|tˈaɡ zˈafʃɛ jɛst wˈatfʲɛj.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_87.wav|vratsˈajɔndʑ zˈɛ ʃkˈɔwɨ z mˈili tʃˈujɛ ɕɛ ɲʲˌɛkɔmfɔrtˈɔvɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_200.wav|tʃɨ zabˈujstfɔ w ˈimjɛ xɔnˈɔru jɛst lˈɛpʃɛ ɔd zabˈujstfa za pʲɛɲʲˈɔndʑɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_154.wav|tˈɛɡɔ, ktˌurɨ nazˈɨvaw sfˈɔim ɡˌabʲinˈɛtɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_281.wav|jɛst pˌɔdʑɛlˈɔna na sˈɛtki trujkˈɔntuf rˌuvnɔbˈɔtʃnɨx ɔ dvˌumɛtrˈɔvɨɣ bˈɔkax, a f kˈaʒdɛj s tˈakix pʃˈɛɡrud znajdˈujɛ ɕɛ tʃˈujɲik tɕiɕɲʲˈɛɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_219.wav|ˌalɛ pʃˌɛtɕɛʃ mˈam mˈɔtɨf, mˈɔʒɛ ɔstˈatɲi. tsˈɔ ɕɛ z ɲʲˈɔ̃ stˈawɔ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_116.wav|dˈɔbʒɛ pˌɔvʲɛdʑˈawa, pʃɛbˈatʃɛ im, zmʲˈɛɲʲɛ vʲˈarɛ i pʃɛbˈatʃɛ im.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_219.wav|jɛj ɡwˈɔz bˈɨw swˈabɨ, ˌurɨvˈanɨ, ˌudrɛntʃˈɔnɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_101.wav|vʲˈɛʃ tsˈɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_158.wav|pˈili mˈɨɕli, ʒˈɛ bˈaki swˈuxa za dˈuʒɔ kˌɔmɛntatˈɔruf pˌɔlitˈɨtʃnɨx, ˌalɛ ɲʲɛ mˈuvi tˌɛɡɔ ɡwˈɔɕnɔ.|2
+Dataset/wavs/urwisko_ferenc/58_segment_20.wav|tsˈɔ dla tɕˈɛbjɛ? zˌapɨtˈawa kasjˈɛrka w ʒˈuwtɛj kɔʃˈultsɛ pˈɔlɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_40.wav|ɔ xɔlˈɛra! ʒutɕˈiwa i pɔdˈawa kˈartki tɔmˈɔvi.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_63.wav|stˈarɛ pɔɕˈiwki zˌastɛmpɔvˈanɔ ɕfʲɛʒˈɨmi.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_93.wav|dʑˈɛɲ bˈɨw dwˈuɡʲi, upˈalnɨ i pˈarnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_121.wav|zawˈɔʒɛ ɕɛ, ʒˈɛ ɡdˈɨbɨm pˌɔprɔɕˈiwa, ʒˈɛbɨɕ pɔkˈazaw ʑɛlˈɔnɔ̃ kˈartɛ, mʲˈawbɨɕ pʃɛsrˈanɛ.|2
+Dataset/wavs/urwisko_ferenc/50_segment_31.wav|nˈɔː i w dɲʲˈu vɨjˈazdu dɔmˈiɲik pɔvʲˈɛɕiw ɕɛ na klˈamtsɛ dʒvˈi dɔ sfɔjˈɛɡɔ pɔkˈɔju.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_49.wav|f kˈɔɲtsu jˈɛdnak pˈɔdɲʲus ɕɛ z wˈuʃka, vɨrˈaʑɲʲɛ zmɛntʃˈɔnɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_158.wav|jˈɛɡɔ zdˈaɲʲɛm tˈɛras nˈastaw tʃˈas spwˈatɨ tˌɛɡɔ fʃɨstkʲˈɛɡɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_25.wav|vʲɛdʑˈawɛm, ʒˈɛ f tsˈawɛj tɛj çistˈɔrji tkfˈi kwˈamstfɔ, kʲˈɛdɨ tfˈɔja mˈama stfʲɛrdʑˈiwa, ʒˈɛ bˌɨwaɕ tˈaka spɔkˈɔjna jˈak na kɔbjˈɛtɛ rɔdʑˈɔntsɔ̃ sfˈɔjɛ pʲˈɛrʃɛ dʑˈɛtskɔ. mʲˈawa rˈatsjɛ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_291.wav|fʃˈɨstsɨ muvˈili, ʒˈɛ zˌamɔrdɔvˈawa i ˌɔbrabɔvˈawa kˌilkunˈastu mˈɛ̃ʃtʃɨzn, a pˈɔtɛm stɔtʃˈɨwa ix tɕˈawa dɔ kanˈawuf, ʒˈɛbɨ stˈawɨ ɕɛ strˈavɔ̃ dla vɛŋɡˈɔʒɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_185.wav|tʃɨ tɔ rˈɔbɔt ˌinspɛktsˈɨjnɨ?|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_15.wav|xtɕˈawam xfˈɨtɕitɕ jˈɛɡɔ dwˈɔɲ, ˌalɛ pɔfstʃˈɨmaw mɲʲɛ bˈul.|4
+Dataset/wavs/urwisko_ferenc/31_segment_18.wav|vʲˈɛʃ, dɔ kˈɔɡɔ nalˈɛʒɨ samˈɔxut? tˈak.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_123.wav|bʲˈillɨ stfʲˈɛrdʑa, ʒˈɛ rˈɔspatʃ ˌustɔmpˈiwa mʲˈɛjstsa sfɔˈiɕtɕɛ ˌupartˈɛmu zˌapawˈɔvi.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_362.wav|trˈɔnd bˈɨw spʲˈɛntɨ i ɲʲˈɛzbɨt kɔŋkrˈɛtnɨ, kʲˈɛdɨ twumˈatʃɨw, tʃˌɛmu zamjˈɛʒa kˈupitɕ xˈutɛ ˌalumˈiɲʲum.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_73.wav|xtɕˈawabˌɨm pˈɔbjɛts, ˌalɛ ftˈɛdɨ ɲitʃˈɛɡɔ bˈɨm ɲʲɛ swɨʃˈawa. zmˈuʃam ɕɛ dɔ zˌaxɔvˈaɲʲa spɔkˈɔju i rɔzɡlˈɔndam dˌɔɔkˈɔwa. w lˈɛvɔː i f prˈavɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_119.wav|zrɔbʲˈiwɛm kˈilka krˈɔkuf i zˌatʃɨmˈawɛm ɕɛ bɛzrˈadɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_129.wav|stˈɔjɔ̃ f pˌɔmjɛʃtʃˈɛɲʲu, ktˌurɛ bɨwˈɔbɨ sˌɛkrɛtarjˈatɛm, ɡdˈɨbɨ mʲɛɕtɕˈiwɔ ɕɛ tˈu pravdʑˈivɛ bjˈurɔ. bʲˈillɨ zamˈɨka dʒvˈi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_13.wav|fʃˈɨstkɔ, tsˈɔ mʲˈawɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_157.wav|pˈɨta mwˈɔtʃɨ dɛtˈɛktɨf.|3
+Dataset/wavs/urwisko_ferenc/12_segment_147.wav|ɲʲɛ fpˈadwɛm nˈatɔ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_334.wav|ˌɔpɔvʲɛdʑˈawa jɛj ɔː upˈalɛ, ˈɔtɨm, tsˈɔ jˈadwa ftʃˈɔraj na kɔlˈatsjɛ i ˈɔtɨm, jˈaɡ bˈardʑɔ pɔvˈɔlna i ʃtˈɨvna rˈɔbʲi ɕɛ bjˈɛdna bɛlˈandra.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_237.wav|ljˈa mʲˈawa rˈatsjɛ. mˈama ɲikˈɔla...|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_138.wav|ʒadnˈɛɡɔ tɕfʲɛrkˈaɲʲa, ftɕiskˈaɲʲa kˈitu i ˌudavˈaɲʲa pʃɨjˈaʑɲi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_320.wav|i tɕˈɛbjɛ mi tˈaɡʒɛ ʒˈal.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_195.wav|pʃˌɛtɕɛʃ ɲʲɛ udˈɛʒɨwbˌɨ pˈan kˈɔɡɔɕ, ktˈɔ mˈa rˌɔzvalˈɔnɔ̃ prˈavɔ̃ rˈɛŋkɛ, prˈavda?|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_97.wav|nˌastɛmpˈujɛ xfˈila tɕˈiʃɨ. znˈaɡ ɡʒɛbˈaki zamˈɨɕliw ɕɛ nat jˈɛɡɔ swɔvˈami.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_30.wav|ˈaʃ ɲʲɛ ɔdrˈɨvaw vzrˈɔku ɔt swˈuf na ɛkrˈaɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/22_segment_32.wav|a tsˈɔ zamjˈɛʒaʒ zrˈɔbʲitɕ?|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_344.wav|tsˈuʃ...|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_69.wav|nˈudʑiʃ mɲʲɛ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_15.wav|na rˈaʑɛ mˈɔʒɛ pˈan ɡˈɔ zˈamknɔɲtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_34.wav|mɛ̃ʃtʃˈɨzna prˌɔvadʑˈɔntsɨ stʃɛlɲˈitsɛ mˈa kɔʃˈulɛ f pˈasɨ, zˌavadjˈatskɔ pʃˌɛxɨlˈɔnɨ kapˈɛluʃ swɔmkˈɔvɨ i zˌakrɛntsˈɔnɛ ʃtˈutʃnɛ vˈɔ̃sɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_5.wav|kʲˈɛdɨ f kˈɔɲtsu vˈɛʃwam pɔ sxˈɔdax, starˈajɔnts ɕɛ zˌaxɔvˈɨvatɕ jˈak najtɕˈiʃɛj, ɕˈɛdʑaw na wˈuʃku i udˈavaw, ʒˈɛ tʃˈɨta.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_464.wav|ɲˈiɡdɨ ɕɛ tˌɛɡɔ ɲʲɛ dˈɔvʲɛʃ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_158.wav|vʲɛdʑˈawa, ʒˈɛ dʑiɕˈɛjʃɛj nˈɔtsɨ bˌɛɲdʑɛ nˈuf.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_27.wav|zˌatʃɨnˈajɔ̃ mi drʒˈɛdʑ dwˈɔɲʲɛ i ftɕˈiskam jˈɛ mʲˌɛndʑɨ kɔlˈana.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_11.wav|ʒˈutsa mi zˌatɕɛkavʲˈɔnɛ spɔjʒˈɛɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_235.wav|tsˈuʃ tɔ za bzdˈurɨ, pˌɔmɨɕlˈawa tsɛrsˈɛi.|1
+Dataset/wavs/urwisko_ferenc/11_segment_93.wav|— dɔ ɲitʃˈɛɡɔ ɲʲɛ dˈɔjdʑɛ, bˈɔɲtɕ spɔkˈɔjna — stfʲˈɛrdʑiw, ɡdˈɨ uɲʲˈɔswa ɡwˈɔvɛ i ix spɔjʒˈɛɲʲa ɕɛ pʃɛtɕˈɛwɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_200.wav|i ɲʲɛ bˌɨwɔ f tɨm ɲˈidʑ zˌabavnˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_8.wav|tɔ jɛdˈɨɲʲɛ ɡrˈupa kˈɔbjɛt, ktˌurɛ tʃɨmˈajɔ̃ ɕɛ blˈiskɔ tˌɨlkɔ pˈɔtɔ, ʒˈɛbɨ zˈɛ sˈɔbɔ̃ fspˌuwzavɔdɲˈitʃɨtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_113.wav|rɔzwˈɔntʃam ɕɛ i rˈɔbjɛ dwˈuɡʲi vˈɨdɛx, mˈajɔnts nadʑˈɛjɛ, ʒˈɛ tɛlˈɛfɔn dɔ mˈatki zadʑˈawaw prˌavidwˈɔvɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_14.wav|ɲʲɛ pʃˈɛjmuj ɕɛ, jˈɛɡɔ vʲˈɛdʑa ɲʲɛ pɔkrˈɨva ɕɛ s tfˈɔjɔ̃ spˌɛtsjalnˈɔɕtɕɔ̃. fkrˈuttsɛ ɕɛ tˈu zjˈavi, ʒˈɛbɨ ɕɛ pʃɛkˈɔnatɕ, tʃɨ mʲˈaw rˈatsjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_74.wav|kˈirk w ˌɔrɨɡʲinˈalnɨm sɛrjˈalu uprˈavʲaw sˈɛks tˌɨlkɔ s tʃˈɛma kˌɔbjɛtˈami s kɔsmˈɔsu. i tɔ pʃɨ zˌawɔʒˈɛɲʲu, ʒˈɛ pʃˈɛspaw ɕɛ z ˈɛllɛn strˈɔjus.|4
+Dataset/wavs/urwisko_ferenc/39_segment_27.wav|vwˈaɕɲʲɛ tɔ mʲˌawaɕ na mˈɨɕli, prˈavda?|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_20.wav|tˌɨlkɔ starʃˈɛmu brˈatu i jˈɛɡɔ ɡvardjˈanɔm vˈɔlnɔ ɕɛ ɔdʑˈɨvatɕ, a tɨm ɔstˈatɲim vɨwˈɔntʃɲʲɛ jɛdnˈɛɡɔ dɲʲˈa na kˈaʒdɛ ɕˈɛdɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_75.wav|pʲˈɛrʃɨm nazvˈiskʲɛm bˌɨwɔ ˈɛs. rˈɔbɛrts, a drˈuɡʲim...|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_170.wav|mˈɔʒɛ ktˈɔɕ nˈapad na ɲʲˈɛɡɔ w arˈɛʃtɕɛ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_65.wav|ɲʲˈɛxtsɛ, ʒˈɛbɨ dɔvʲˈɛdʑaw ɕɛ ɔ tsˈawɛj traɡˈɛdji z vʲˌadɔmˈɔɕtɕi f tˌɛlɛvˈizji.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_3.wav|mamˈuɕu...|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_79.wav|tɕˈɔŋɡlɛ mˈɨɕlɛ ˈɔtɨm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_196.wav|ˌalɛ tˈɛras lɛʒˈawa kˈɔwɔ mɲʲɛ dʑɛftʃˈɛntsa, xˈɔtɕ jˈuʒ z vdʑˈɛŋkʲɛm dɔjʒˈawɛj kɔbjˈɛtɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_92.wav|vɨssˈawɔ tsˈawɛ pɔvʲˈɛtʃɛ s pˌɔmjɛʃtʃˈɛɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_124.wav|mˈɔʒɛ mɨɕlˈawaɕ, ʒˈɛ dʑˈiɕaj ˈuda tɕi ɕɛ ˈutɕɛts pʃɛdˈɛmnɔ̃, ˌalɛ bˌɛndɛ naprˈavdɛ blˈiskɔ jˈutrɔː i kaʒdˈɛɡɔ dɲʲˈa, dɔpˈuki ɲʲɛ zapwˈatɕiʃ. w dˈɔmu, f ʃkˈɔlɛ. ɲʲɛ ukrˈɨjɛʃ ɕɛ, ˈanɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_198.wav|pɔvˈinnam pˈana ˈɔtɔ zapˈɨtadʑ dʑˈiɕ rˈanɔ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_7.wav|tˈɨlɛ, ʒˈɛ waʑˈɛŋka tˈaɡʒɛ jɛst ɔtfˈarta, a ˈɛliz zamknˈɛwabˌɨ ɕɛ w ɕrˈɔtku nˈavɛt pɔt jˈɛɡɔ ɲʲˌɛɔbˈɛtsnɔɕtɕ. dˈɔbʒɛ ˈɔtɨm vʲˈɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_261.wav|sˈanxɛs ɲʲɛ bˌɛɲdʑɛ ɕɛ ˌɔpwatsˈawɔ prˌɔdukˈɔvatɕ ˌalumˈiɲʲum bˈɛz dˌarmɔvˈɛɡɔ prˈɔndu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_39.wav|ɲʲɛ, ˌalɛ dʑɛŋkˈujɛ.|3
+Dataset/wavs/urwisko_ferenc/20_segment_11.wav|— xudʑˈiɲska zdradʑˈawa mˈɛ̃ʒa s sˈɔlskim. mˈam dɔvˈɔdɨ. ɔttʃˈɨtaw vʲadˈɔmɔɕtɕ ɔt mˈarji xˈɛrman i mˌimɔvˈɔlɲʲɛ pˈɔtar tʃˈɔwɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_49.wav|bˈɛtskɨ pʃɨɕˈadwa na skrˈaju wˈuʃka.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_39.wav|na ktˌurɨm trfˈawɨ ɲʲˌɛruxˈɔmɔ nˈaʃɛ ʑimˈɔvɛ pwˈaʃtʃɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_187.wav|a vwaɕtɕˈivʲɛ ɲʲɛ bˌɨwɨ tɔ nˈavɛt lampˈasɨ, tˌɨlkɔ ʒˈɛndɨ pɔʑˈɔmɨx pˈaskuf. ɲʲɛktˌuʒɨ lˈudʑɛ sɔ̃ ɲʲˌɛdɔutʃˈɛɲi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_58.wav|bˌɛndɛ mˈuɕaw pˌɔrɔzmˈavʲatɕ s tˌɛxɲikˈami, ˌalɛ ˈɔfʃɛm, s pɛvnˈɔɕtɕɔ̃ dˌɔstaɲʲˈɛmɨ ɕɛ dɔ jɛj kˌɔmputˈɛra. tɔ mˈɔʒɛ jˈɛdnak trˈɔxɛ pˈɔtrfatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_500.wav|tʃˈasɛm tˌɨlkɔ jˈakʲɛʑ dʑˈɛtskɔ pɔdnˈɔɕi ɡwˈɔvɛ i mˈuvi...|0
+Dataset/wavs/urwisko_ferenc/59_segment_70.wav|ˌalɛ pɔɲʲˈɛvaʃ ɕɛ ɲʲɛ ɔdˈɛzvaw, ˌɔdvrutɕˈiwa ɕɛ dɔ druɡʲˈɛɡɔ spˌɛtsjalˈistɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_79.wav|a pˈanu dˈam pɔsˈadɛ miɲˈistra, kʲˈɛdɨ ɔbˈɛjmɛ vwˈadʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_22.wav|drˈuɡʲi ɲˈiski w ˌɔkulˈarax.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_66.wav|rˈɔɡɛr klˈɛrkɨ jɛst ɲˈim naprˈavdɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_3.wav|mˈɔja rɔdʑˈinna bˈaɲka mˈɔɡwa ɕɛ pɔʃtʃˈɨtɕitɕ kilkˈɔma z najbˈardʑɛj zavˈiwɨx kˌɔrɨtˈaʒɨ w mʲˈɛɕtɕɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_11.wav|ˈɔtpar, ˌalɛ kʲˈɛdɨ dˈɔstʃɛkw pʃˌɛraʒˈɛɲʲɛ mˌalujˈɔntsɛ ɕɛ na mˈɔjɛj tfˈaʒɨ, zmʲˈɛŋkw i vɨtɕˈɔŋɡnɔw dɔ mɲʲɛ rˈɛŋkɛ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_57.wav|zamjˈɛʒaʃ kˌɔntɨnuˈɔvatɕ tɔ ʃalˈɛɲstfɔ? zamjˈɛʒam ɔdnˈalɛɕtɕ lˈadɨ sˈansɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_91.wav|mˈuʃɛ jˈɔ̃ jɛdˈɨɲʲɛ pʃɛkˈɔnatɕ, ʒˈɛbɨ mi pˌɔvʲɛdʑˈawa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_28.wav|tɛn tʃwˈɔvʲɛk jɛzd brˈatɛm ʃˈɛfa.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_196.wav|lˈudʑɛ mˈɨɕlɔ̃, ʒˈɛ kubˈaɲskʲɛ sɔ̃ najlˈɛpʃɛ, ˌalɛ ɕɛ mˈɨlɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_131.wav|w zˈamku bˌɨwɔ xwˈɔdnɔː i tɕˈɛmnɔ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_295.wav|tsɛrsˈɛi uɕˈadwa na wˈɔʒu ˌɔbɔk lˈadɨ mˌɛrivˈɛtxɛr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_136.wav|ja pˈɛvɲʲɛ bˌɛndɛ w vˈɛɡas, kʲˈɛdɨ tɔ ɕɛ stˈaɲʲɛ, ˌalɛ frˈaŋkʲɛ, ˈɛlvis i pˈawl lˈɔɡan zɔstˈanɔ̃ tˈu z dvˈɔma ɕtɕˌɔŋɡɲʲɛntˈɨmi pʃɛzˈɛmɲʲɛ xwˌɔpakˈami.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_453.wav|z ɡwˈɛmbʲi ulˈitsɨ nˈadbjɛɡw vʲˈatr i zaʃˈuraw kavˈawkʲɛm trˌansparˈɛntu pˌɔɲʲɛvʲˌɛrajɔntsˈɛɡɔ ɕɛ w rɨnʃtˈɔku.|0
+Dataset/wavs/urwisko_ferenc/53_segment_120.wav|pˈɔza tɨm ˌɔna stˈɔi pʃɨ dvˈuɣ dˈuʒɨx tɛrmˈɔsax, na ktˌurɨx jɛst lˈɔɡɔ jɛj lɔkˈalu.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_18.wav|bˌɛndɛ ɕɛ tɕˈɛʃɨtɕ, ʒˈɛ tɔ mˈam.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_105.wav|bˈɛtskɨ vˌɨʃtʃɛʒˈɨwa zˈɛmbɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_84.wav|vidʑˈawam, jˈak na jˈɛɡɔ skˈuʒɛ pˌɔjavʲˈajɔ̃ ɕɛ tʃɛrvˈɔnɛ bˈɔmblɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_76.wav|wˈuʃkɔ jɛzd ɡˈɔwɛ i ɲʲˈɛvʲɛm, tʃɨ mˈam jˈakɔ̃ɕ pˈɔɕtɕɛl, ˌalɛ f ʃˈafjɛ vidʑˈawɛm dvˈa kˈɔtsɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_165.wav|jˈak ja ɕɛ zvˈɨklɛ ɡˈarbjɛ, ʒˈɛ pʃɛxˈɨlam ɡwˈɔvɛ jˈaɡbɨ...|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_155.wav|zɔstˈaɲtɕɛ z ɲˈim ˈalbɔ zɔstˈaftɕɛ ɡˈɔ. fʃˈɨstkɔ mi jˈɛdnɔ.|1
+Dataset/wavs/urwisko_ferenc/09_segment_109.wav|i vˈɨʃɛd na zˈɛvnɔntʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_192.wav|ɲʲɛ vʲɛdʑˈawam, jˈaki bˌɛɲdʑɛ mˈuj kɔlˈɛjnɨ rˈux, ˌalɛ ɲʲɛ xtɕˈawam, ʒˈɛbɨ mi pˈatʃɨw na rˈɛntsɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_17.wav|xtsˈɛ ɕɛ s tˈɔbɔ̃ zɔbˈatʃɨtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_54.wav|bˈɛtskɨ pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_14.wav|zatʃˈɛliɕmˌɨ rɔzmˈavʲatɕ i ɲʲˈɛvʲɛm jˈak tɔ ɕɛ stˈawɔ, ˌalɛ ˌɔpɔvʲɛdʑˈawam mu w jˈakʲɛj jˌɛstɛm sˌɨtuˈatsji.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_192.wav|na prˈɔɡu ɔdvrˈatsa ɕɛ i pˈatʃɨ na bʲillʲˈɛɡɔ bwˌɨʃtʃɔntsˈɨmi, ɲʲˌɛbjɛskˈimi, pustˈɨmi ɔtʃˈami.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_57.wav|blˈask kɕɛ̃ʒˈɨtsa zalˈɛva ˈɔpʃar, f ktˌurɨm stˈɔjɛ, mʲˌɛndʑɨ ɔtfˈartɔ̃ pʃɛstʃˈɛɲʲɔ̃ a ɡrˈubɨm arkˈuʃɛm s pˌɔliˌɛtɨlˈɛnu.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_125.wav|zvˈaliw swˈup, pɔrˈɔmbaw ʃˈɨldɨ na kavˈawki i tɕˈisnɔw jˈɛ dɔ ʒˈɛki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_90.wav|pɔ pʃɨjˈɛʑdʑɛ dɔ fˈɔrt tsˈɔllinz vɨnˈajmɛ skrˈɨtkɛ baŋkˈɔvɔ̃ i sxˈɔvam ɡˈɔ tˈam, rˈazɛm z dˌɔkumɛntˈami ˈɛllis mˈaɡzvɛll.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_174.wav|dˈana i rˈɛʃta dˈavnɔ vrutɕˈili dɔ vˈɛɡas.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_13.wav|pˌɔvʲɛdʑˈafʃɨ tɔ, ftɕisnˈɛwa pˈɛdaw ɡˈazu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_5.wav|tʃɨ rˈuɡɛr mu vɨstˈartʃɨ? tʃɨ mˈuɕi sprˈavitɕ sˈɔbjɛ dwˈuɡɔ̃ brˈɔɲ vˌɨpɔsaʒˈɔnɔ̃ f tsɛlˈɔvɲik ɔptˈɨtʃnɨ?|2
+Dataset/wavs/urwisko_ferenc/08_segment_42.wav|uɕˈadwa ˌɔbɔk i pʃˌɛtstavˈiwa ɕɛ jˈakɔː alˈitsja lˈipska.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_234.wav|ɲʲɛ tʃɛkˈawɛm na rɛˈaktsjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_189.wav|ɲˈiɡdɨ ɲʲɛ pʃˈɨʃwɔ mi dɔ ɡwˈɔvɨ, ʒˈɛ mˈɔɡwabˌɨm mu ɲʲɛ ˈufatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_39.wav|kˈit pˈɔdaw jɛj ˈɔba arkˈuʃɛ, ktˌurɛ pʃɛjʒˈawa pɔbjˈɛʒɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_368.wav|i vɨpwˈɨnɔw s tsˈawɔ̃ flˈɔtɔ̃ na mˈɔʒɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_84.wav|musˈimɨ vʲˈɛndʑ zatʃˈɛkatɕ, tsˈɔ bˌɛɲdʑɛ mʲˈaw nˈam dɔ pˌɔvʲɛdʑˈɛɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_319.wav|mˈɔʒɛ trˈafiw tˈam jˈakɔ dʑˈɛtskɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_55.wav|wapˈiduɣ zˈɛrvaw ɕɛ dɔ bjˈɛɡu, ssuvˈajɔnts plˈɛtsaɡ z rˈamjɔn. mɨ pˌɔpɛɲdʑˈiliɕmˌɨ zˈaɲim.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_52.wav|a tɔ tɕi ɲʲˌɛspɔdʑˈaŋka. muvˈiwa tɕˈi, ʒˈɛ kˈɔɡɔɕ pɔznˈawa?|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_317.wav|ɔtpˈarwa.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_118.wav|nˈɔː i vˈartɔ bˌɨwɔ pˈatʃɛtɕ pʃˈɛs pˈaltsɛ na drˈɔbnɛ vˌɨkrɔtʃˈɛɲʲa?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_9.wav|pʃɨznˈawa lˈintsaj.|3
+Dataset/wavs/urwisko_ferenc/63_segment_38.wav|natˈɔmjast na lˈiɕtɕɛ ˌɔdnalˈazwa dʑɛftʃˈɨnɛ pɔt ftʃɛɕɲʲˈɛjʃɨm nazvˈiskʲɛm i ftˈɛdɨ...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_45.wav|jˈɛn vɨdˈajɛ ɕɛ sʃˌɔkɔvˈana.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_98.wav|ˌuzmɨswˈavja sˈɔbjɛ, dˈɔtɔnt nˈavɛt mu tɔ pʃˈɛs mˈɨɕl ɲʲɛ pʃˈɛʃwɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_226.wav|tˌɨlkɔ ʒˈɛbɨ pʃˈɛs tɕˈɛbjɛ ɲʲɛ zɡʲinˈɛwa, mˈuvi bˈardʑɔ tɕˈixɔ.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_195.wav|ɔbjˈɛtsaw mi ɡˈɔdnɛ mawʒˈɛɲstfa dla dʒˈɛjn i jɛj mwˈɔtʃɛj ɕˈɔstrɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_108.wav|tkfˈiw jˈak mˈartfa dˌɛkɔrˈatsja tˌɛatrˈalna.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_12.wav|pˈuʑɲʲɛj dɔstʃˈɛɡwɛm na rˈɔʃku pɔdˈuʃki tʃˈarnɔ̃ plˈamkɛ, jˈaɡ zasxɲʲˈɛnta krˈɔpla krfˈi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_63.wav|bˈɛtskɨ kˈutsa ˌɔbɔk mɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_24.wav|pˌɔvʲɛdʑˈawɛm jˈuʃ pˈanu, ʒˈɛ ɲʲɛ jˌɛstɛm lˈɛpʃɨ ɔt pˈana.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_184.wav|ɲʲɛ, pˌɔviɲʲˈɛnɛɕ ɔtpˈɔtʃɔɲtɕ pʃɛd vˈalkɔ̃. ˌalɛ ɲʲɛ xtɕˈawɛɕ strˈatɕidʑ dɲʲˈa prˈatsɨ.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_170.wav|mˈɔɡwabˌɨ jɛj pɔvʲˈɛdʑɛtɕ tsɛrsˈɛi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_4.wav|bˈudʑi mɲʲɛ ɡwˈɔs pʃˌɛstraʃɔnˈɛɡɔː alfjˈɛɡɔ. ɔdvrˈatsam ɕɛ dɔ ɲʲˈɛɡɔ na wˈuʃku i pʃˈɛs xfˈilɛ prubˈujɛ ɕɛ pɔwˈapatɕ, ɡdʑˈɛ ja w ɔɡˈulɛ jˈɛstɛm.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_296.wav|zˌawatfˈiwɛʑ dʑˈifkɛ!|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_163.wav|ɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_54.wav|na ɔkwˈattsɛ jɛst ˌapɛtˈɨtʃna lˈaska. bʲˈillɨ nɔtˈujɛ f pamjˈɛɲtɕi, ʒˈɛbɨ tˈɛʃ tɔ pisˈɛmkɔ kˈupitɕ. ɡwupˈavɛ ja lˈubʲi spˈɔrt i lˈaski.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_29.wav|mˈamɔ, vɨɡlˈɔndaʃ inˈatʃɛj, zˌauvˈaʒa ˈalfjɛ, fpatrˈujɔnts ɕɛ vˈɛmɲʲɛ ʃɛrˈɔkɔː ˌɔtfartˈɨmi ɔtʃˈami.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_60.wav|na sˌɛminˈarjax lˈɔɡʲikˌi mˌatɛmatˈɨtʃnɛj lubʲˈiliɕmˌɨ zabˈavʲatɕ ɕɛ dˌɔdavˈaɲʲɛm dɔ nˈas w ˈulidʑ varʃˈafskix swˈɔva dˈupa.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_223.wav|pˈɔzvul, ʒˈɛ nalˈɛjɛ tɕi jˈɛʃtʃɛ vˈina.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_67.wav|s ktˌurɨx pˈɔfstaw mˈawɨ mˈɔdɛl artˈɛmis.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_67.wav|znˈawam tˈakʲɛ mʲˈɛjstsɛ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_88.wav|s pɛvnˈɔɕtɕɔ̃ vˌɨɡlɔndˈawa ɔkrˈɔpɲʲɛ. ˈarjan fstˈawa z wˈɔʒa, swˈaba jˈak...|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_131.wav|tsˈuʃ, mˈɔʒɛ ɲʲˈɛbɨw tɔ najlˈɛpʃɨ pˈɔmɨsw w mˈɔim ʒˈɨtɕu, ˌalɛ litʃˈɨwɔ ɕɛ tɔ, ʒˈɛ stɔjˈɔntsɨ pɔ drˈuɡʲɛj strˈɔɲʲɛ bˈɔp mɲʲɛ ɲʲɛ vˈidʑi.|4
+Dataset/wavs/urwisko_ferenc/17_segment_40.wav|zˈafʃɛ mˈɔɡwa nˈaɲʲɔ̃ lˈitʃɨtɕ.|0
+Dataset/wavs/urwisko_ferenc/09_segment_127.wav|zˈɛ zdvɔjˈɔnɔ̃ mˈɔtsɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_422.wav|maʃ jˈuʃ sˈɨnuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_90.wav|dɔnˈɔvɛns pɔɡlˈɔnda na sfˈɔjɔ̃ dwˈɔɲ, jɛst ˌumazˈana krfjˈɔ̃. ˌudɛʒˈɨwɛɕ mɲʲɛ!|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_201.wav|tsˈɔ spravˈiwɔ, ʒˈɛ pʃˈɛʃwa tˈutaj w ɕrˈɔtku nˈɔtsɨ?|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_129.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_202.wav|krˈul mˈuɕi bˈɨtɕ xˈɔjnɨ. prubˈɔvaw pʃɛkˈɔnatɕ sˈam ɕˈɛbjɛ, ˌalɛ ˈinnɨ ɡwˈɔs w jˈɛɡɔ tʃˈaʃtsɛ vɨʃˈɛptaw dˈarɨ ɛwrˈɔna sɔ̃ zatrˈutɛ.|1
+Dataset/wavs/urwisko_ferenc/21_segment_9.wav|ɔdˈɛzvɛ ɕɛ dɔ vˌaltɛrˈɔvɛj i zapˈɨtam, dlatʃˈɛɡɔː ˌukrɨvˈawa ˌinfɔrmˈatsjɛ ɔ rɔmˈanɕɛ sɔlskʲˈɛɡɔ s xudʑˈiɲskɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_106.wav|zaswˈaɲʲa ˈɔknɔː i vrˈatsa dɔ laptˈɔpa, zˌamjɛʒˈajɔndʑ ɡˈɔ vɨwˈɔntʃɨtɕ i rˈɛʃtɛ dɲʲˈa spˈɛɲdʑitɕ pʃɛt tˌɛlɛvizˈɔrɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_113.wav|a ɲʲˈɛbɔ pɔtʃˈɛwɔ ɕtɕˈɛmɲʲatɕ ɕɛ pˈɔnat mˈɔʒɛm i ˈandɛrsɔn pɔvʲˈɛdʑaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_51.wav|ɲʲɛ, dɔstˈaftsa pɔvʲˈɛdʑaw, ʒˈ�� zˌamuvʲˈɛɲʲɛ zɔstˈawɔ jˈuʃ ˌɔpwatsˈɔnɛ, vʲˈɛnts uznˈawam, ʒˈɛ tɔ tfˈɔja sprˈafka.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_245.wav|klarˈɛntsɛ krˈabbɛ ʒˈutɕiw ɕɛ nˈaɲʲɔ̃ i ɕtɕˈɔw jɛj ɡwˈɔvɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_191.wav|dˈɔbʒɛ, pɔvʲˈɛdʑaw, jˈɛɕli tˌɨlkɔ bˌɛndɛ mˈuɡw, jˈɛɕli tˌɨlkɔ bˌɛndɛ mˈuɡw, bˌɛndɛ ɕpʲˈɛvatɕ ɔ tˈɔbjɛ na fsxˈɔdʑɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_62.wav|dˌɔkɔntkˈɔlvʲɛk ɕɛ vɨbjˈɛra, dˈɔvʲɛm ɕɛ, ɡdʑˈɛ pʃɛbˈɨva.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_2.wav|pɔ dwˈuɡʲix namˈɔvax tˈɔm zdˈɔwaw pʃɛkˈɔnatɕ kˈatɛ i lˈutsɨ, ʒˈɛbɨ dˌɔwɔntʃˈɨwɨ dɔ ɲʲˈɛɡɔ f salˈɔɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_18.wav|ɲʲɛ mˈɔɡwa uvʲˈɛʒɨtɕ, ʒˈɛ ɲʲɛ praɡnˈɛwam tˌɛɡɔ samˈɛɡɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_110.wav|natˈɨxmʲast pʃˌɨxɔdʑˈiwa dˌɛvaluˈatsja.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_122.wav|vidʑˈawa vɨrˈaʑɲʲɛ, ʒˈɛ mˈarta ɕɛ nat tʃˈɨmʑ zˌastanˈavja.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_19.wav|tɔː ˌɔbɔk jˈɛɡɔ tɕˈawa praɡnˈɛwam lˈɛʒɛtɕ w nˈɔtsɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_43.wav|stˈaram ɕɛ pʃɛkˈɔnatɕ sˈamɔ̃ ɕˈɛbjɛ, ʒˈɛ tɔ jˈuʃ prˈavʲɛ kˈɔɲʲɛts, ʒˈɛ fkrˈuttsɛ ɲʲɛ bˌɛndɛ muɕˈawa kwˈamatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_158.wav|urˈɨvam i vˈidʑɛ, ʒˈɛ tˈata ftɕˈɔ̃ʒ zˈɛ sˈɔbɔ̃ vˈaltʃɨ.|3
+Dataset/wavs/urwisko_ferenc/43_segment_94.wav|mˈam sfˈɔjɛ pɔvˈɔdɨ, ɔtpˈarwa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_62.wav|ɲʲɛ jˌɛstɛm pˈɛvna, tʃɨ xtsˈɛ pʃˈɛjɕtɕ pʃˈɛstɛ dʒvˈi.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_270.wav|zˈɛ vzɡlˈɛndu na tfˈɔ̃ pɔzˈɨtsjɛ ɲʲɛ ˌɔdvaʒˈɨwa ɕɛ udˈɛʒɨtɕ f tɕˈɛbjɛ bˌɛspɔɕrˈɛdɲʲɔ, vʲˈɛnts pˌɔstanɔvˈiwa zrˈaɲitɕ tɕˈɛ sfˈɨm ʒmijˈɔvɨm jɛ̃zˈɨkʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_224.wav|mˈuʃɛ tɔ zˌapamjˈɛntatɕ. rˈuvɲʲɛ dˈɔbrɛ jˈak f tʃˈaɕɛ sˈuʃɨ ʃˈɔsa sˈuxa.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_327.wav|ʒɛˈɛmɔn rɔskˈazaw tɕi pɔvʲˈɛʒɨtɕ ɕɛ ix ɔpʲˈɛtsɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_598.wav|zˌatatʃˈaliɕmˌɨ ɕɛ.|0
+Dataset/wavs/urwisko_ferenc/65_segment_4.wav|ˌalɛ na ʃtʃˈɛɲɕtɕɛ kˈiŋɡa f pˈɔrɛ zrˌɔzumjˈawa sfˈuj bwˈɔnt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_189.wav|jɛst tˈam frˈaŋk?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_23.wav|zatɕˈiska mi ɕɛ ɡˈardwɔː i ɲʲɛ mˈɔɡɛ ɔddˈɨxatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_42.wav|zɔstˈajɛ rɔzdˈana ɔstˈatɲʲa kˈarta fspˈulna. tɔ krˈul i natˈɨxmʲazd dɔstʃˈɛɡam, jˈak jˈɛɡɔ ramjˈɔna ɲʲɛznˈatʃɲʲɛ ˌɔpadˈajɔ̃. ɲʲɛ nˈatɔ lˈitʃɨw.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_23.wav|bˌɨwam tˈu bɛspʲˈɛtʃna, pˌɔmɨɕlˈawa.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_388.wav|z ˌɛmtsˈɛ ɡˈɔn i z ɛlˈinɔr.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_356.wav|kˈaʒdɨ z nˈas mˈa jˈakʲɛɕ ˌɔtʃɛkivˈaɲʲa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_38.wav|mˈɔɡwɛm sˈam ɕɛ tɨm zˈajɔɲtɕ, ˌalɛ ɲˈikt ɕɛ ɲʲɛ zɡˈɔdʑiw.|2
+Dataset/wavs/urwisko_ferenc/28_segment_53.wav|ˌalɛ ɲʲɛ mɨlˈiwa ɕɛ. jˈan mʲˈaw ftˈɛdɨ kɔxˈaŋkɛ. mwˈɔdɔ̃ lˈaskɛ. prˌatsɔvˈawa w uʒˈɛɲdʑɛ mʲˈasta.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_108.wav|swˈɔvʲan fˌarbɔvˈanɨx.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_111.wav|pɔkˈazaw jˈɛ pˈuʑɲʲɛj jˌamjɛˈɛmu w ɕfʲˈɛtlɛ ɕfʲˈɛtsɨ, ˌuɕmʲɛxˈajɔnts ɕɛ ʃɛrˈɔkɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_73.wav|jˌɛstɛm xˈɔra.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_121.wav|i dˈatɕ ɕɛ pˈɔʒrɛdʑ dʑˈikim zvʲɛʒˈɛntɔm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_188.wav|mˈɔʒɛ dlatˈɛɡɔ, ʒˈɛ w lˈɛpʃɨx tʃˈasaɣ dʑˈɛtɕi pʃˌɨxɔdʑˈiwɨ ɕɛ tˈutaj bˈavitɕ, zˈatɔ dˈɔm bˈɨw zamkɲʲˈɛntɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_6.wav|tˈɔm pˈɔtʃuw ˌudɛʒˈɛɲʲɛ ˌadrɛnalˈinɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_100.wav|tˈakɔ vɨtɕˈɔŋɡnɔw ʃˈɨjɛ i spˈɔjʒaw w ɡˈurɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_67.wav|f kˈɔɲtsu jˈɛdnɔ̃ z vartˈɔɕtɕi f tɛj ʃkˈɔlɛ, ɔ ktˌurɨx tˈɨlɛ navˈijam kˈadʒɛ i ˈutʃɲʲɔm, jɛst utʃtɕˈivɔɕtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_49.wav|stsˈɔtt pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_293.wav|ɲʲɛktˌurɛ z ɲˈiɣ bˌɨwɨ ɲʲɛ vʲˈɛntsɛj ɲˈiʃ stʃˌɛlɲitsˈami.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_181.wav|fpˈad vʲˈatr i zˌaʃamˈɔtaw fˌiraŋkˈami.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_3.wav|tʃˈɨtam pɔnˈɔvɲʲɛ fpˈis ˈɛlis, mˈajɔnts ɔɡrˈɔmnɔ̃ nadʑˈɛjɛ, ʒˈɛ ʑlˈɛ ɡˈɔ zrˌɔzumjˈawam za pʲˈɛrʃɨm rˈazɛm, ˌalɛ tˈak ɲʲɛstˈɛtɨ ɲʲɛ jˈɛst.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_104.wav|tsɔkˈɔlvʲɛk jˈɛdnak stsˈɔdd zˌaplanˈɔvaw, vʲˈɛ ˈɔmɲʲɛ tsˈɔɕ, tʃˈɛɡɔ ɲˈikt ˈinnɨ ɲˈiɡdɨ ɲʲɛ mˈɔʒɛ ɕɛ dɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_157.wav|f tɨm pɔkˈɔju jɛst mˈaɡja, bʲilˈiɲʲɔ̃ ɔddˈɨxa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_26.wav|bˌɨwaɕ spɔkˈɔjna, zbˈɨt spɔkˈɔjna jˈak na kˈɔɡɔɕ, ktˈɔː urˈɔdʑiw mˈartfɛ dʑˈɛtskɔ.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_123.wav|ɔttʃˈuvam lˈɛŋk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_123.wav|ɲʲɛ sɔ̃ tɔ dˈuʒɛ pʲɛɲʲˈɔndʑɛ, ˌalɛ zˈafʃɛ tsˈɔɕ.|2
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+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_276.wav|brˈatɕi brɔ̃zˈɔvɨx, brunˈatnɨx i ʑɛlˈɔnɨx, ɕˈuzdr bjˈawɨx, ɲʲɛbjˈɛskix i ʃˈarɨx.|1
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+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_296.wav|a pˈɔtɛm ˌɔdjɛxˈali.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_115.wav|na drˈuɡʲim pʲˈɛntʃɛ. tˈak.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_165.wav|ɲˈilɛ jɛst f pɔʒˈɔntku, ˌalɛ tˈak naprˈavdɛ ɲʲˈɛznam ɡˈɔ zbˈɨd dˈɔbʒɛ.|3
+Dataset/wavs/urwisko_ferenc/04_segment_40.wav|zˌaskɔtʃˈɨwɔ pˈana tɔ, ʒˈɛ ɕfʲˈɛtɕi ɕɛ tˈam ɕfʲˈatwɔ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_67.wav|pijˈaɲstfɔ, zˌakwutsˈɛɲʲɛ spɔkˈɔju pˌublitʃnˈɛɡɔː i...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_61.wav|trˈɔxɛ pˌɔtʃarˈɔvatɕ.|3
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_17.wav|f tɛj xfˈili tɛlˈɛfɔn ɲˈiɡdʑɛ ɕɛ ɲʲɛ pʃɛmjˈɛʃtʃa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_154.wav|pˈitskup s fˈarbɔ̃ ˌɔdwaʒˈɔntsɔ̃ z dʒvˈi, zˌardʑɛvʲawˈɨmi prɔɡˈami i rˌɛflɛktɔrˈami ˌɔblɛpʲɔnˈɨmi kˈitɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_61.wav|i jˈuʃ, minˈɛli fˌurɡɔnˈɛtkɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_215.wav|vʲˈɛlki tsˈɛl pʃɨɕfʲˈɛtsa swɔvʲˈanɔm.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_473.wav|bˌɨliɕmˌɨ tˈɛʒ brˈatɕmi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_88.wav|dɔ karˈɛtki pakˈɔvaw ɕɛ bˌɛstsɛrˌɛmɔɲʲˈalɲʲɛ swɔvʲˈaɲin s kawkˈazu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_204.wav|lˈɛvi prˌatsɔvɲˈitsɨ swˈuʃp mʲˈɛjskix tʃˈɨmɕ ɕɛ zˈajmɔ̃, na pʃˈɨkwat pɔdɲʲˈɔsɔ̃ pɔkrˈɨfkɛ studʑˈɛŋki i bˌɛndɔ̃ udˈavatɕ, ʒˈɛ ɡʒˈɛbjɔ̃ w ɕrˈɔtku.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_334.wav|spʃɛdˈawam kʲˈɛdɨɕ kˌurtɨzˈaɲʲɛ tʃˈɨ sɛrtsˈufki.|1
+Dataset/wavs/urwisko_ferenc/02_segment_15.wav|— a tɔ tɨ ɲʲˈɛvʲɛʃ? — zdʑˈiviw ɕɛ kɔlˈɛɡa.|0
+Dataset/wavs/urwisko_ferenc/07_segment_30.wav|muvˈiwɛɕ nˈam ˈɔtɨm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_138.wav|rˌɛfɔrmatˈɔrɛm pˌɛdaɡˈɔɡʲikˌi.|0
+Dataset/wavs/urwisko_ferenc/11_segment_84.wav|tˈak sˈɔɲdʑiʃ?|0
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+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_452.wav|tɔ bˌɨwa ɡˈɔʃka mˈɨɕl.|1
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+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_334.wav|dlatʃˈɛɡɔː ˈɔɲʲɔ̃ tɕˈɔŋɡlɛ pˈɨtaʃ? jɛj ɲʲˈɛma i ɲʲɛ bˈɨwɔ.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_34.wav|jˈaki tʃwˈɔvʲɛk skˈarbjɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_18.wav|xˈɔtɕ ˈɔtɨm ɲʲˈɛvʲɛ, ja ɲʲɛ stɔsˈujɛ ɕɛ dɔ ɲˈix pʃˈɛs tsˈawɨ tʃˈas, a dʑiɕˈɛjʃɨ vʲˈɛtʃur ɲʲɛ nalˈɛʒɨ dɔ vɨjˈɔntkuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_80.wav|prˈɔʃɛ zaɕpʲˈɛvatɕ, a pɔtʃˈujɛ ɕɛ pˈan lˈɛpʲɛj, ɡvˌarantˈujɛ. zatʃɲˈijmɨ jˈɛʃtʃɛ rˈas. jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ...|2
+Dataset/wavs/urwisko_ferenc/24_segment_55.wav|vʑˈɔw ɡˈɔ dɔ rˈɛŋki f xfˈili, ɡdˈɨ ktˈɔɕ pʃˈɛʃɛt pɔt ˈɔknɛm. zˈɛrknɔw f tˈamtɔ̃ strˈɔnɛ.|0
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+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_138.wav|pˈan ɲʲɛ mˈɨɕlaw ɲˈiɡdɨ ˈɔtɨm, ʒˈɛbɨ zˈɔstadʑ ɡˌubɛrnatˈɔrɛm stˈanu kˌalifˈɔrɲʲa? zapˈɨtaw. ɲʲɛ, sˈɨnu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_407.wav|tˈak, tɔ sˌalɔnˈɔvɛ vˌɨraʒˈɛɲʲɛ najlˈɛpʲɛj ɔkrˈɛɕla jɛj vdʑˈɛŋk.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_10.wav|ɡdˈɨbɨ rˈudʲi urˈɔdʑiw ɕɛ kˈilka tɨɕˈɛntsɨ lˈat ftʃˈɛɕɲʲɛj, bˈɨwbɨ z ɲʲˈɛɡɔ dˈɔbrɨ spartˈaɲin.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_44.wav|a mˈɔ̃ʃ jɛj bˌɛɲdʑɛ mˈuɕaw vɨrˈazidʑ zɡˈɔdɛ, tʃˈɨli ɔbˈɔjɛ bˌɛndɔ̃ muɕˈɛli tˌɛɡɔ xtɕˈɛtɕ, ˌalɛ ɲʲɛ stˈaɲʲɛ ɕɛ tˈak.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_10.wav|mˈɔʒɛ xɔdʑˈiwɔː ɔ mˈɔjɔ̃ utɕˈɛtʃkɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_179.wav|vɲʲˈɔswam tsˈawɨ spʃˈɛnt spˌavalɲˈitʃɨ dɔ vnˈɛntʃa tunˈɛlu i pˌɔwɔntʃˈɨwam jˈɛɡɔ kˈɔɲʲɛdʑ z vwˈazɛm sxrˈɔnu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_117.wav|ʃˈuka tʃˈɛɡɔɕ, tʃˈɛɡɔ w zasˈadʑɛ ɲʲɛ spɔdʑˈɛva ɕɛ znˈalɛɕtɕ, a jˈɛdnak ʃtʃˈɛɲɕtɕɛ mu spʃˈɨja.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_10.wav|mɨɕlˈawɛm, ʒˈɛ zɔstˈajɛ pˈaɲi w dˈɔmu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_72.wav|pɔvʲˈɛdʑaw, ʒˈɛ mˈa f sxˈɔfku tsukʲˈɛrki, tʃɨ xtsˈɛ jɛdnˈɛɡɔ, a ja ˌɔtpɔvʲɛdʑˈawɛm, ɲʲɛ dʑɛŋkˈujɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_126.wav|pʃɨjˈɛwa stratˈɛɡjɛ ɔpˈartɔ̃ na ubˈustfʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_86.wav|pʲˌɛrdɔlˈiwa ɕɛ z lantsˈɛlɛm, ɔsmˈundɛm, tsˌattlɛblˈatskʲɛm, a tsˈawkʲɛm mɔʒlˈivɛ, ʒˈɛ rˈuvɲʲɛʃ s kɕˌɛ̃ʒɨtsˈɔvɨm xwˈɔptsɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_128.wav|ˌalɛ jˈɛʃtʃɛ ˈɔtɨm ɲʲɛ vʲɛdʑˈɛli.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_69.wav|ˌalɛ ˌɔstʃɛʒˈɛɲʲɛ pʃɛt tʃˈɨm? pʃˈɛttɨm, ʒˈɛ ktˈɔɕ ɔtswˈɔɲi mˈɔjɔ̃ pʃˈɛʃwɔɕtɕ, ˈabɨ zɲˈiʃtʃɨtɕ mi tˌɛraʑɲʲˈɛjʃɔɕtɕ i pʃˈɨʃwɔɕtɕ? ˌalɛ ktˈɔː i dlatʃˈɛɡɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_43.wav|zapˈɨtaw twˈumjɔndʑ zʑɛvɲʲˈɛɲtɕɛ, pɔt tʃɨm pʃɛtʃˈɛsaw dwˈɔɲʲɔ̃ krˈutkʲɛ, tɕɛmnˈɔblɔnd vwˈɔsɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_73.wav|pɔxˈɨlam ɕɛ f pˌɔʃukivˈaɲʲu zadʑˈɔra, jˈaɡ zˈafʃɛ ɕfʲadˈɔma tˈɛɡɔ, ʒˈɛ mˈɔʒɛ ɔn zrˈaɲitɕ rˈuvɲʲɛʃ mˈɔjɛ dʑˈɛtɕi, pɔ tʃɨm vɨdˈajɛ s ɕˈɛbjɛ ˌɔdruxˈɔvɨ jˈɛŋk.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_559.wav|i pɔsˈadʑiw mɲʲɛ f skuʒˈanɨm fɔtˈɛlu, ktˌurɨ zaskʃˈɨpʲaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_167.wav|ɔkrˈɔpɲʲɛ nˌamjɛʃˈawam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_37.wav|vʲɛdʑˈɛli, ʒˈɛ tˈutaj jˈɛst.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_27.wav|ta ɕfʲadˈɔmɔɕtɕ, bɛndˈɔntsa pɔtʃˈɔntkʲɛm nˈaʃɛj ˌɛmantsɨpˈatsji,|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_236.wav|nˈɔvɨ jˈɔrk, ʃikˈaɡɔ, tˈɔkjɔ, mˈɔskfa, ʒˈɨm tʃɨ mˈɛksɨk pʃˈɛʃwɨ pʲˈɛkwɔ, zˈaɲim pˌɔradʑˈiwɨ sˈɔbjɛ s plˈaɡɔ̃ pʃˌɛstɛmptʃˈɔɕtɕi zˌɔrɡaɲˌizɔvˈanɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_152.wav|tsˈɔ s frˈaŋkʲɛm?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_164.wav|z dˈavnɨx tʃˈasuf, tsˈɔ ɕɲʲˈɔ̃ ɕɛ tʃˈasɛm pɔ nˈɔtsɨ.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_228.wav|mˈɛrɛt frˈɛj bˈɨw mˈawɨm tɨrˈanɛm drɛntʃˈɔntsɨm fʃˈɨstkix mwˈɔtʃɨx xwˈɔptsuf.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_302.wav|xˈastʲi vɨvˈɔdʑiw ɕɛ s kraˈinɨ bˈuʒɨ. ɲʲˈɛmʲaw vʲˈɛnts nat tridˈɛntɛm pʃɨjˈatɕuw ˌaɲi vrˈɔɡuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_25.wav|ɲʲɛ dlatˈɛɡɔ, ʒˈɛ prˈaɡɲʲɛ dʑˈɛtska, ˌalɛ ʒˈɛbɨ mɲʲɛ drˈɛntʃɨtɕ i ukˈaradʑ za utɕˈɛtʃkɛ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_151.wav|tsˈuxɲʲɛʒ lvˈɛm, pˈaɲi!|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_21.wav|ˌalɛ pʃˌɛtɕɛʃ na dʒvʲˈax jɛst nˌapisˈanɛ mˈiss mˈarɨ rˈɔbɛrts, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/urwisko_ferenc/34_segment_50.wav|ɡdˈɨbɨ tɔ bˌɨwa krˈutka pʃɨɡˈɔda, ɲʲˈɛdawbˌɨ jɛj pˈan sfɔjˈɛɡɔ tˌɛlɛfˈɔnu fˌirmɔvˈɛɡɔ, prˈavda?|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_301.wav|pɔlˈitʃki mʲˈawa zˌarumjɛɲʲˈɔnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_40.wav|ɡwˈɔz daltˈɔna smˈitxa jɛst ˌɔdrɔbʲˈinɛ vˈɨʃʃɨ ɔt tˈɛɡɔ, ktˌurɨm mˈuvjɔ̃ bʲˈillɨ sˈummɛrs i dˈavit lˈɔtskridʒ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_236.wav|kʲˈɛdɨɕ ˌintɛrˌɛsɔvˈawɛm ɕɛ pɔlˈitɨkˌɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_213.wav|zabˈujtsɔ!|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_144.wav|fsˈuva jˈɛdnɔ̃ rˈɛŋkɛ pɔt jɛj kɔlˈana, drˈuɡɔ̃ pɔt ramjˈɔna. ɡwˈɔva dʑɛftʃˈɨnɨ ɔpˈada f tˈɨw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_156.wav|ɲʲˈɛmam pɔjˈɛɲtɕa pɔ xɔlˈɛrɛ w ɔɡˈulɛ tˈaɡ dwˈuɡɔ tˈam ɕɛdʑˈawɛm.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_51.wav|rˈɛʃtki pˌɔzɔstavʲˈɔnɛ pʃˈɛs lˈɔrduf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_232.wav|vɨtˈɛ̃ʒam vzrˈɔk, ʒˈɛbɨ dˈɔstʃɛts, tʃɨ ɔddˈɨxa.|0
+Dataset/wavs/urwisko_ferenc/34_segment_57.wav|ta ɕmʲˈɛrdʑ dʑˈɛtska.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_241.wav|vɨɡlˈɔnda�� rˌɛvɛlatsˈɨjɲʲɛ, mˈuvi i ˈɛlis ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_42.wav|stˈaʒɨ lˈudʑɛ s tɨx strˈɔn mˈuvjɔ̃, ʒˈɛ vˈilkuf ɲʲɛ vidʑˈanɔ tˈu ɔt lˈat pʲˌɛɲdʑɛɕˈɔntɨx. vɨbʲˈitɛ dɔ nˈɔɡʲi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_123.wav|tsˈawɛ nˈaʃɛ ʒˈɨtɕɛ pʃˌɛpɔtʃfˈaʒa ɕɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_8.wav|tˈɔm vʲˈɛdʑaw.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_113.wav|nˈavɛt krulˈɛfski xˈɛrɔlt, stˌukajˈɔntsɨ lˈaskɔ̃ f pɔdwˈɔɡɛ, ɲʲˈɛbɨw f stˈaɲʲɛ utɕˈiʃɨtɕ tumˈultu.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_33.wav|ɡɔtˈɔva dɔ dˌɛkɔmprˈɛsji?|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_153.wav|kʲˈɛdɨ ɲʲɛ mʲˈawa dla mɲʲɛ pɔkˈɔju, pˌɔzvalˈawa mi spˈatɕ pʃɨ pˌalɛɲˈisku.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_314.wav|ˌutɔpˈiwɛm ɕɛ.|1
+Dataset/wavs/urwisko_ferenc/19_segment_49.wav|w dɔdˈatku rɔspˈɔznaw tˈɛ kɔbjˈɛtɛ.|0
+Dataset/wavs/urwisko_ferenc/21_segment_63.wav|xˈɛrman nˌaxɨlˈiwa ɕɛ dɔ lˈustra i pʃɨjʒˈawa ɕɛ sfˈɔim zmɛntʃˈɔnɨm ˈɔtʃɔm i ˌɔpadajˈɔntsɨm pɔvʲˈɛkɔm.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_366.wav|mɨɕlˈawɛm, ʒˈɛ ʃukˈatɕɛ baɲˈituf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_133.wav|tʃˌɛmu ɲʲɛ zajˈɔwɛɕ ɕɛ tˈɨm, zˈamjast ɔɡlˈɔndadʑ dˈurnɨ sˈɛrjal na ɡˈuʒɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_23.wav|kazˈawa mi ˈuɕɔ̃ɕtɕ s pɔvrˈɔtɛm, pɔ tʃɨm uklˈɛŋkwa i ɕtɕɔŋɡnˈɛwa spˈɔdɲʲɛ za nɔɡˈafki.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_44.wav|ʃˈɛpnɔw bɔlˈɛɕɲʲɛ tˈɔɲi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_11.wav|fʃˈɨstsɨ znˈaliɕmˌɨ sfˈɔjɛ rˈɔlɛ i dɔpˈuki rˌɔzumjˈɛliɕmˌɨ zasˈadɨ i ˌɔtpɔvʲˈɛdɲʲɔ ɕɛ zˌaxɔvɨvˈaliɕmˌɨ, ʒˈɨtɕɛ bˌɨwɔ tsˈawkʲɛm pʃɨjˈɛmnɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_98.wav|i ftˈɛdɨ fspˈɔmɲʲaw ˈɔmɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_19.wav|rˈɔzlɛkw ɕɛ kɔbjˈɛtsɨ ɡwˈɔs.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_18.wav|pˌɔrɨsujˈɛmɨ prˈɔp i spˈinnɛr.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_272.wav|pˈan xtsˈɛ mi pɔkˈazatɕ sfˈuj dˈɔm?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_4.wav|tɛ fʃˈɨstkʲɛ zˌadavˈanɛ pʃˈɛzɲih pɨtˈaɲʲa mˈɔtsnɔ nˌatʃarpnˈɛwɨ mˈɔjɛ nˈɛrvɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_9.wav|zajmˈujɔ̃ ɕɛ tˈɛras ɔdnˈɔvɔ̃ pɔdwˈɔɡʲi, vˌɨjaɕɲˈiwa mˈama.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_38.wav|spɔjʒˈawɛm f tˈɛ strˈɔnɛ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_221.wav|brjˈɛnnɛ sprˌubɔvˈawa ɕɛ pˈɔdɲʲɛɕtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_146.wav|vʲɛdʑˈawam, ʒˈɛ ˌɔdʑɨvˈajɔnts ɕɛ jɛdˈɨɲʲɛ pɔtfʲˈɛrdʑɛ zdˈaɲʲɛ mˌamɨ i arˈama, ˌalɛ tsˈɔ bˈɛɲdʑɛ, jˈɛɕli ɔn ɔdˈɛjdʑɛ?|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_223.wav|ɲʲɛktˌuʒɨ s tɨɣ bɨstʃˈɛjʃɨx mˈɔɡli jˈuʃ ˈutɕɛts, jˈɛɕli pɔɡwˈɔski f pˈɔrɛ dɔtˈarwɨ dɔː ix ˈuʃu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_30.wav|prˈɛndʑɛj ɡˈɔ zˌamɔrdˈujɛ, ɲˈiʃ nˈatɔ pɔzvˈɔlɛ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_165.wav|ja tˈɛʃ mˈam tʃˈɨ pɨtˈaɲʲa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_215.wav|znˈɔvu afˈɔrɨzm, tʃɨ rˈatʃɛj frˈazɛs?|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_131.wav|bˌɨwɨ tˈɛʒ bliʑɲʲˈaki, tʲˈimmɨ i tˈɔmmɨ, ktˌuʒɨ mʲˌɛli ʃˈɛɕtɕ ˈalbɔ ɕˈɛdɛm lˈat.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_372.wav|zˌapɔvʲɛdʑˈawa, ʒˈɛ bˌɛndɛ krulˈɔvɔ̃, ˈalɛ...|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_211.wav|jˈɛdʑɛ ɕɛ dɔ mawˈɛɡɔ mʲˈasta jˈɛdɛn ʒˈɨt, ktˌurɨ z nˈami jˈɛdʑɛ, pɔtrˈafi zrˈɔbʲitɕ tˈak, ʒˈɛbɨ mˈatka bˈɔska pwakˈawa.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_277.wav|mʲˈaw na sˈɔbjɛ zˌardʑɛvʲˈawɔ̃ kɔltʃˈuɡɛ i pˈas nˌabʲijˈanɨ tɕfʲɛkˈami.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_161.wav|tʃɨ mˈɔɡɛ zapˈɨtatɕ, dlatʃˈɛɡɔ ɕɛ ɲʲɛ pˈɔvʲud?|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_90.wav|mʲˈɛtʃɨ ɲˈiɡdɨ ɲʲɛ jɛzd zbˈɨd vʲˈɛlɛ.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_4.wav|lˈadɨ mirˈanda zˌasuɡˌɛrɔvˈawa, ʒˈɛbɨ zˌavrutɕˈili.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_199.wav|ɲʲɛ dʑˈiɕaj i rˈatʃɛj ɲʲɛ w najblˈiʃʃɨm tʃˈaɕɛ. kʲˈɛdɨ mu zrˈɔbjɔ̃ pʃˈɛʃtʃɛp?|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_39.wav|pʃˌɛskɔtʃˈɨwam na ɡʒbjˈɛt sɔ̃ɕˈɛdɲʲɛj maʃˈɨnɨ. tˈɛj, ktˌurɔ̃ pʃɛt xfˈilɔ̃ zˌamjɛɲˈiwam w bˈɔmbɛ zˌɛɡarˈɔvɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_81.wav|nˈɔ dˈɔbra, mˈɨɕli bʲˈiɲi, tˈutaj ta ɔpˈɔvʲɛɕtɕ tˈak naprˈavdɛ ɕɛ zatʃˈɨna. i dɔʃˈɛdwɛm dɔ tˌɛɡɔ pˈuŋktu bˈɛz ɡlɛndʑˈɛɲʲa, jˈak pɔvʲˈɛdʑawbˌɨ ˈupʲur.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_250.wav|ˌɔna tˌɨlkɔ lˈɛkkɔ ɕɛ uɕmʲˈɛxa. bʲˈillɨ mˈɨɕli, ʒˈɛ tɛn ˈuɕmʲɛɣ vɨɡlˈɔndawbˌɨ wˈadɲʲɛ, ɡdˈɨbɨ ɡˈɔ ɲʲɛ fstʃˌɨmɨvˈawa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_135.wav|i znˈuf mɲʲɛ pɔpˈɨxa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_279.wav|ʒˈɛ tɔ jɛst pɔ prˈɔstu rɛzˈultat ˌudɛʒˈɛɲʲa i ʒˈɛ tˈaɡ dʑˈɛjɛ ɕɛ zˈɛ fʃɨstkˈimi lˈudʑmi.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_90.wav|fkrˈuttsɛ mˈɔim ˈɔtʃɔm ukˈazaw ɕɛ pˈɔrd vjazdˈɔvɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_67.wav|pʃɨjˈɛxaw na pˈarkiŋk tʃɨ ʃɨkˈɔvaw ɕɛ dɔ vɨjˈazdu?|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_144.wav|bˌɨwam zdˈana vɨwˈɔntʃɲʲɛ na ɕˈɛbjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_165.wav|xrˈɨstɛ, ˈalɛʃ tɔ fʃˈɨstkɔ pɔvrˈatsa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_205.wav|kˈupitɕ jakʲˈɛɡɔʑ ʒˈɛnxa jˈakɔ dˈaltɔn smˈitx i dˈadʑ dˈɨla.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_105.wav|sˈɛr klˈɛɔs ix rɔsprˈɔʃɨw, ˌalɛ pʃɨpwˈatɕiw tɔ ʒˈɨtɕɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_122.wav|pʃˈɛs ˈɔknɔ bʲˈillɨ vˈidʑi ɔdlˈɛɡwɨ swˈup tʃarnˈɛɡɔ dˈɨmu. ɲʲˈɛvʲɛ skˈɔnt kˈɛnxɔff mʲˈaw ˌinfɔrmˈatsjɛ, ˌalɛ pˌɔtfʲɛrdʑˈiwɨ ɕɛ, tsˈɔ dɔ jˈɔtɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_107.wav|ˈinɲi pɔtʃˈuli, ʒˈɛ trˌaktujˈɛmɨ ix prˌɔtɛktsjɔnˈalɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_15.wav|jˈɛɡɔ dˈɔm zajmˈɔvaw spˈɔrɔ̃ tʃˈɛɲɕtɕ pɔʑˈɔmu zˌɛrɔvˈɛɡɔ ʃɛpˈarda i bˈɨw ɲˈitʃɨm pˈawats na tʃˈɨ ɔsˈɔbɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_109.wav|bʲˈillɨ mˈiltʃɨ. martʲˈinɛs tˈɛʃ? ˌalɛ pɔsˈɨwa kumplˈɔvi spɔjʒˈɛɲʲɛ muvʲˈɔntsɛ dˈawɛɕ tɕˈawa.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_61.wav|vzruʃˈɨwam rˌamjɔnˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_82.wav|dˈɔbʒɛ ɡˈɔ pˈilnuj, brˈaxu, pɔrˈadʑiw tˈakɔ, i nˈɔɕ pʃɨ sˈɔbjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_207.wav|vʲˈɛnts ˌɔdwɔʒˈɨwam pˌɔʃukivˈaɲʲa na pˈɔtɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_6.wav|ˈɔkɛj, bjˈɛʒmɨ ɕɛ dɔ prˈatsɨ. fstˈali i pʃˈɛʃli dɔ bjˈura tˈɔma, ɡdʑˈɛ kˈid zastˈukaw ˈɔstrɔ w zamkɲʲˈɛntɛ dʒvˈi.|4
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+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_126.wav|ʒˈɛ ɲʲɛ pɔswˈawɛm wˈuʃka, ˌalɛ ɕpˈimɨ tˈu ɔt tʃˈasu dɔ tʃˈasu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_6.wav|a mˈimɔ tɔ tˈu jˈɛstɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_250.wav|sɔ̃ pˌɔwɔntʃˈɔnɛ s sɨstˈɛmɛm tsˈɛntrum pˌɔttʃɨmɨvˈaɲʲa ʒˈɨtɕa, ˌalɛ zˈavur na zˈɛvnɔntʃ ɔttɕˈina dˈɔpwɨf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_101.wav|dɔ dʑˈiɕ ɲʲˈɛvʲɛm, ktˈɔ mʲˈaw lˈɛpʃɛ rɔzdˈaɲʲɛ tamtˈɛɡɔ vʲɛtʃˈɔru.|3
+Dataset/wavs/urwisko_ferenc/23_segment_125.wav|spɨtˈawa mˈarja.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_51.wav|mˈɔɡwabˌɨɕ ɕɛ tɨm zˈajɔɲtɕ.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_39.wav|rˈɔbʲiw tɔ, tsˈɔ rˈɔbʲiw.|2
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+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_7.wav|ˌalɛ vrˈutɕmɨ dɔ zbˈɨtkuf.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_174.wav|jɛzd zbˈɨt swˈɔtka, pˌɔmɨɕlˈawɛm. tɔː i dˈɔbʒɛ. ɲʲˈɛvʲɛm tʃˈɛmu, ˌalɛ na pˈɛvnɔ lˈɛpʲɛj.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_46.wav|rˌɔspɔznˈajɛ pˈaɲi nˈumɛr?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_15.wav|zˌastanˈavʲam ɕɛ, tʃɨ ɔ tɛj pˈɔʒɛ za tˈɨdʑɛɲ ftɕˈɔ̃ʃ tˈutaj bˈɛndɛ, tʃɨ nˈadal bˌɛndɛ mʲˈawa prˈatsɛ f ʃkˈɔlɛ, ktˌurɔ̃ tˈak pˌɔkɔxˈawam.|3
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+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_197.wav|lˈitʃɔ̃ ɕɛ tˌɨlkɔ dˌɔmiɲikˈaɲskʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_41.wav|ɔbˈɔjɛ sɔ̃ dɔrˈɔɕli i ɲʲɛ jɛst tɔ mˈɔja sprˈava.|4
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+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_224.wav|ˌalɛ dlatʃˈɛɡɔ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_25.wav|tʃɨ ɲˈits jɛj ɲʲɛ ɡrˈɔʑi? ktˈɔ z ɲʲˈɔ̃ jˈɛst, skˈɔrɔ ta kɔbjˈɛta spɔtkˈawa ɕɛ tˈutaj z ˈaʃɛm?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_24.wav|tˈɔm ftsˈalɛ ɲʲɛ tɕˈɛʃɨw ɕɛ na mˈɨɕl ɔ rɔzmˈɔvʲɛ zˈɛ sfˈɔjɔ̃ ʃɛfˈɔvɔ̃ nˌadʲinspˈɛktɔr filˈipɔ̃ stˈanlɛj, dɔpˈuki ɲʲˈɛmʲaw vʲˈɛntsɛj kɔŋkrˈɛtnɨx ˌinfɔrmˈatsji dɔ pʃˌɛkazˈaɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_149.wav|kˈɔxam tɕˈɛ, rˈɔbʲin.|2
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+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_48.wav|kˈilka trujzˈɛmbuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_82.wav|tɔ jɛst tfˈɔja dˈuʃa, ɲitsˈɔlɔ.|3
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+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_39.wav|xtsˈɛ ɕɛ dɔvʲˈɛdʑɛtɕ, dlatʃˈɛɡɔ ktˈɔɕ ˈuznaw ɡˈɔ za vartˈɛɡɔ pɔrvˈaɲʲa. rɔbˈɔtɛ krˌɨminˌalistˈɨtʃnɔ̃ zɔstˈavʲam tˈɔbjɛ.|4
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+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_492.wav|ktˈɔ tɕˈɛ naˈutʃɨw mˈuvitɕ, tˈaɡ bˌɨwɔ sɔndʑˈɔnɛ?|0
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+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_22.wav|i tɔ xˈɨba prˈavda.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_206.wav|i ʒˈɛ mˈɨɕlɛdʑ bˌɛndɔ̃ ˈɔɲim, ˈiʃ jɛst jˈɛdnɨm s tˈɨx,|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_7.wav|tɨ mˈuɡwbɨʑ zˈabʲitɕ lˈɔrda bɛrˈika, sˈɛr jˈamɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_60.wav|pʃˈɛrvaw i vʑˈɔw ɡwɛmbˈɔki vdˈɛx.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_46.wav|i natˈɨxmʲast ɔɡˈarɲʲa mɲʲɛ rˌɔstʃarɔvˈaɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_109.wav|ˈilɛ vwaɕtɕˈivʲɛ maʃ lˈat?|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_9.wav|jˈɛdna tsˈɔraz bˈardʑɛj ˌɔdbjɛɡˈawa ɔd drˈuɡʲɛj i bˈardʑ�� dˈɔbʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_38.wav|pˈɔtɛm znˌajdɔvˈali trˈupɨ ɲʲˈɛmal tsˈɔ stˈɔ jˈarduf.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_15.wav|nˌalɛʒˈawɔ mu jˈɛdnak pʃˈɨznatɕ, ʒˈɛ zˈafʃɛ bˈɨw pʃˌɨɡɔtɔvˈanɨ na kˈaʒdɔ̃ ˌɛvɛntuˈalnɔɕtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_191.wav|zˈadʑvɔɲ dɔ ɲʲˈɛɡɔː i pˈɔvʲɛts, ʒˈɛ fˈatsɛd z ɡrˈins ˈand ɡˈardɛns pʃɨvʲˈɛziw nˈavus i ʑˈɛmʲɛ ˌɔɡrɔdɲˈitʃɔ̃, ʒˈɛ ɲʲˈɛma pɔvˈɔdu dɔ ɲʲˌɛpɔkˈɔju. pˈɔvʲɛts, ʒˈɛ...|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_496.wav|bˌɛndɛ ˌuvaʒˈawa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_5.wav|tˈɛras f kˈɔɲtsu pˌaʑdʑɛrɲˈika swˈɔɲtsɛ fstavˈawɔ kˈilka mˈinut pɔ ʃˈustɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_41.wav|na ɛvˈɛrɡrin strˈit rˌɛɡlandˈɔvʲɛ, pˈawl i dˈɛnɲis, zˌapraʃˈajɔ̃ ɡˈɔ na pʲˌɛtʃɔnˈɛɡɔ kurtʃˈaka kˌupʲɔnˈɛɡɔ w bʲˈik klˈatsks.|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_174.wav|pˈɛvɲʲɛ dɔzˈɔrtsa zrˈɔbʲiw sˈɔbjɛ pʃˈɛrvɛ ɔt tˈɛɡɔ, tsˈɔ mʲˈaw tˈam rˈɔbʲitɕ. mˈɔʒɛ vɨmjˈɛɲidʑ bˌɛspʲɛtʃɲˈiki, mˈɔʒɛ pɔʃˈukatɕ pˈuʃki fˈarbɨ dɔ rɛtˈuʃu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_116.wav|ˌanalizˈujɛ pɔspʲˈɛʃɲʲɛ fʃˈɨstkɔ, tsˈɔ vʲˈɛm na tˈɛmat fˈirmɨ naˈila i ɡˌɛnɛvʲˈɛvɛ i...|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_347.wav|ɡdˈɨbɨ ʃtʃˈɛʒɛ ʒˌawɔvˈali za ɡʒˈɛxɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_30.wav|kʲˈɛdɨ ˌupɛvɲˈiliɕmˌɨ ɕɛ, ʒˈɛ fʃˈɨstkɔ dʑˈawa bˈɛz zaʒˈutu, bˌɨliɕmˌɨ ɡɔtˈɔvi dɔ vˈɨjɕtɕa na zˈɛvnɔntʃ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_26.wav|mˈama vʲˈɛ, ʒˈɛ jˌɛstɛm bɛspʲˈɛtʃna, ˌalɛ ɲʲɛ pˌɔvʲɛdʑˈawam jɛj jˈɛʃtʃɛ, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_110.wav|tsˈɔ zrˈɔbʲidʑ zˈɛ sfˈɔim ʒˈɨtɕɛm pˈɔɕrut rˈuvɲʲɛ bɛzrˈadnɨx lˈudʑi?|0
+Dataset/wavs/urwisko_ferenc/13_segment_30.wav|ʒˈɛ tɔ jˈɛɡɔ kuzˈɨŋka.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_249.wav|zapˈɨtaw jˈɛɡɔ kˈuzɨn, sˈɛr dˈavɛn.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_684.wav|pˈatʃɨw z namˈɨswɛm f pɔdwˈɔɡɛ zˌasɨpˈanɔ̃ vˈapnɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_346.wav|pˈɛvɲi fpwɨvˈɔvi lˈudʑɛ sɔ̃ bˈardʑɔ fkuʒˈɛɲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_182.wav|ɲˈikt ɲˈiɡdɨ bˈɨ tˌɛɡɔ ɲʲɛ zrˈɔbʲiw. stˈɔi mˈurɛm za sfɔˈimi lˈudʑmi.|2
+Dataset/wavs/urwisko_ferenc/59_segment_122.wav|vʲˈɛ pˈaɲi tsˈɔ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_8.wav|xtsˈɛ tˈu bˈɨtɕ, ʒˈɛbɨ ɔt rˈazu ɕɛ dɔvʲˈɛdʑɛtɕ, jˈɛɕli tsɔkˈɔlvʲɛk ɕɛ vɨdˈaʒɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_86.wav|i xtsˈɛ dˈɔstatɕ pʲɛɲʲˈɔndʑɛ dɔ rˈɛŋki, zˈaɲim dʑɛftʃˈɨna vˈɛjdʑɛ dɔ ɕrˈɔtka. jˈak tˌɨlkɔ dʒvˈi ɕɛ zˈaɲʲɔ̃ zˈamknɔ̃, zˈɛɡar rˈuʃa, rˌɔzumjˈɛmɨ ɕɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_37.wav|i dɔstʃˈɛɡwam w jˈɛɡɔː ˈɔtʃax trˈɔskɛ, kʲˈɛdɨ pˈatʃɨw na mˈamɛ. pˌɔstanɔvˈiwam vʲˈɛnts ˈudatɕ ɛntˈuzjazm. mˈamɛ trˈudɲʲɛj bˌɨwɔ pʃɛkˈɔnatɕ, xˈɔtɕ ɕɛ stˈaraw.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_156.wav|pˈɔtɛm pʃɛtˈapja ɕɛ rˈudɛ mɛtˈɔdɔ̃ xɛmˈitʃnɔ̃ i ˌɛlɛktrˌɔlitˈɨtʃnɔ̃, ktˌura pɔxwˈaɲʲa f xɔlˈɛrɛ prˈɔndu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_189.wav|pʃˌɛtɕɛʃ mˈuɕiʃ f tsˈɔʑ vʲˈɛʒɨtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_118.wav|ɲʲɛ vˈɔlnɔ tˌɨlkɔ dɔpˈuɕtɕitɕ, bˈɨ ˌustalˈili, ʒˈɛ bʲˈillɨ sˈummɛrs ˈaljaz dˈavit lˈɔtskritʃ pʃˌɛistˈɔtʃɨw ɕɛ w daltˈɔna smˈitxa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_31.wav|ɲʲɛ mˈɔɡɛ tˈɛras ɕɛ nˈattɨm zˌastanˈavʲatɕ. mˈuʃɛ znˈalɛɕtɕ mˈili.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_110.wav|bʲˈilif tɔ vˈɔntpi. na zaxˈɔdɲim vɨbʒˈɛʒu jɛzd dɔpʲˈɛrɔ f pˈuw dɔ ɕˈudmɛj rˈanɔ, ˌalɛ rɔzˈumjɛ, ʒˈɛ tɔ znˈatʃɨ tʃˈɛk lˈada xfˈila rˈuʃɨ w drˈɔɡɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_65.wav|pʲˈɛrʃɨm zadˈaɲʲɛm bˌɨwɔ spravdʑˈɛɲʲɛ, tʃɨ ktˈurɔ̃ɕ s tɨx ˈɔsup mˈɔʒna pɔvʲˈɔ̃zadʑ z dvˈɔma mˌɔrdɛrstfˈami.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_32.wav|vɨxˈɔdʑɛ bɛzɡwˈɔɕɲʲɛ s pɔkˈɔju i kʲɛrˈujɛ ɕɛ dɔ sɨpʲˈalɲi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_32.wav|xtɕˈawabˌɨm, ʒˈɛbɨɕ ˈɔtɨm dɔvʲˈɛdʑaw zˈaɲim vwˈɔntʃɨ tˌɛlɛvˈizɔr, vʲˈɛnts mˈɔʒɛ dɔ ɲʲˈɛɡɔ zˈadʑvɔɲ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_75.wav|pˌɔruʃˈɨwa ɕɛ na sˈɔfjɛ, jˈaɡbɨ ʃukˈawa vˌɨɡɔdɲʲˈɛjʃɛj pɔzˈɨtsji, ˌalɛ rˈatʃɛj ɲʲɛ xtɕˈawa pˈatʃɛtɕ tɔmˈɔvi w ˈɔtʃɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_4.wav|ɔt pʃɨjˈazdu ɡˈɔɕtɕi bˈaki pʃˈɛz ɡʒˈɛtʃnɔɕtɕ pˈali tˌɨlkɔ na vɛrˈaɲdʑɛ, ˌalɛ f tsˈawɨm dˈɔmu pˌɔvɔɲʲˈɛɲʲɛ i tˈaɡ drˈaʒɲʲɔ̃ vˈidma sˈɛtɛɡ vˌɨpalˈɔnɨx palmˈali.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_27.wav|spɔjʒˈawam na tsˌamɛrˈɔna, ˈuɕmʲɛx spwˈɨnɔw z jˈɛɡɔ tfˈaʒɨ.|3
+Dataset/wavs/urwisko_ferenc/42_segment_104.wav|ˈɔbɨɕ ɕɛ ɲʲɛ mˈɨliw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_79.wav|pˌɔvʲɛdʑˈawa mˈama, a ja pʃˈɛs xfˈilɛ ʒˌawɔvˈawam, ʒˈɛ ɲʲɛ kazˈawam jɛj mˈuvidʑ dɔ ɕˈɛbjɛ dʲˈidʲi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_270.wav|swˈɨʃaw jɛj ˌɔddalajˈɔntsɛ ɕɛ krˈɔki, a pˈɔtɛm, ˌɔbrutɕˈifʃɨ sfˈɔjɛ tɕˈɛ̃ʃkʲɛ, zmɛntʃˈɔnɛ tɕˈawɔ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_113.wav|ftˈɛdɨ pɔvʲˈɛdʑaw, ʒˈɛ nazˈɨva ɕɛ fˈɔs. ɲʲɛ pˈɔdaw nˈam rˈɛŋki, tˌɨlkɔː ˈuɕat s pɔvrˈɔtɛm na ɔpˈɔnax, ktˌurɛ muɕˈawɨ brˈudʑitɕ mu spˈɔdɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_318.wav|bˈɨtɕ mˈɔʒɛ maˈɛɡɔr ˈalbɔ pʲˈɛrʃɨ jˌaɛxaˈɛrɨs.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_26.wav|i pɔʃˈuka tʃˌɛɡɔkˈɔlvʲɛɡ vaʒnˈɛɡɔ z jɛj pʃɛʃwˈɔɕtɕi. jˈɛʃtʃɛ ɲʲɛ zamjˈɛʒam sˈɔbjɛ jɛj ɔtpˈuɕtɕitɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_24.wav|ja nˈavɛt ˈɔtɨm rˌɔzmavʲˈawɛm z mˌɛnɛdʒˈɛrɛm i ɔn ɕɛ zɡˈɔdʑiw.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_13.wav|pamjˈɛntam, ʒˈɛ f pˌɔtstavˈuftsɛ ˌɔtʃɨmˈawam zadˈaɲʲɛ vˌɨkɔnˈaɲʲa mɔdˈɛlu artˈɛmis.|4
+Dataset/wavs/urwisko_ferenc/32_segment_15.wav|tʃɨ ʒˌɛtʃɨvˈiɕtɕɛ tˌɛɡɔ xtɕˈawa?|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_124.wav|ˈɛx, zavʲˈɛɕiʃ nˈaɲih dɨvˈaɲik mˌɔdlitˈɛvnɨ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_19.wav|zˌapisˈawɛm jɛj dˈanɛ, bˈɔ ktˈɔʑ bˌɛɲdʑɛ mˈuɕaw dɔ ɲʲˈɛj...|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_197.wav|dlatˈɛɡɔ, ʒˈɛ ɲˈiɡdɨ ɲʲɛ stˈaɲʲɛ tɕi ɕɛ ɲˈidʑ zwˈɛɡɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_12.wav|dʑˈɛtɕi ɲʲɛ pˈɔʃwɨ dɔ ʃkˈɔwɨ. zˌaɔpʲˌɛkɔvˈawa ɕɛ ɲˈimi sɔ̃ɕˈatka, ktˌura dˌɔvʲɛdʑˈawa ɕɛ, ʒˈɛ jˈadɔ̃ pɔ pɔwˈudɲʲu na vɨtɕˈɛtʃkɛ ɲʲˌɛspɔdʑˈaŋkɛ i ʒˈɛ ˈɔjtɕɛts ɔdbjˈɛʒɛ jˈɛ pˈuʑɲʲɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_6.wav|ˈɛlis pˌɔprɔʃˈɔnɔː ɔː ˌɔpuʃtʃˈɛɲʲɛ dˈɔmu i f kˈɔɲtsu zrˌɔzumjˈawam, dlatʃˈɛɡɔ mnˈɔ̃ ɡardʑˈiwa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_227.wav|ɲʲɛ pɔdˈɔba mi ɕɛ tɔ tˈak sˈamɔ jˈak tˈɔbjɛ, ˌalɛ pɔswˈuxaj mɲʲɛ uvˈaʒɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_339.wav|ktˈɔ mˈuɡwbɨ tɔː utʃˈɨɲitɕ?|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_15.wav|taˈɛna ˌɔɡʒɛvˈawa wˈɔʒɛ rˈuvɲʲɛ skutˈɛtʃɲʲɛ jˈak rˈɔbɛrt i ɲˈiɡdɨ ɲʲɛ prˌubɔvˈawa ɕˈiwɔ̃ rɔssˈuvatɕ jɛj nˈuk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_259.wav|ˌalɛ ɲʲɛ mˈɔʒɛʃ mɲʲɛ ˈɔtɔ zapˈɨtatɕ, kʲˈɛdɨ jˌɛstɛm sˈam.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_295.wav|tʃtˈɛrɨ vˈɔrki jɛntʃmʲˈɛɲʲa i dʑˈɛvʲɛɲdʑ vˈɔrkuf pˌɔmarˈaɲtʃɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_337.wav|pˈatʃɨw na ˌandɛrsˈɔna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_210.wav|ˌalɛ tɔ bɨwˈɔbɨ pɨtˈaɲʲɛ rˌɛtɔrˈɨtʃnɛ, tˈakʲɛ, ktˌurɛ pɔˈutʃa zˈamjast ˈutʃɨtɕ.|2
+Dataset/wavs/urwisko_ferenc/08_segment_16.wav|fpˈisaw nˈumɛr na vˌirtuˈalnɛj klˌavʲatˈuʒɛ smartfˈɔna i tʃˈɛkaw na pˌɔwɔntʃˈɛɲʲɛ. dˈɔbʲiw dɔː usm��ɛɡɔ sɨɡnˈawu.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_265.wav|bˈuk ɔ vʲˈɛlu tfˈaʒaɣ zˈabraw dvʲˈɛ tʃˈɛtɕɛ majˈɔntku tfɔjˈɛɡɔː ˈɔjtsa, ɲʲɛ tsˈawɔɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_35.wav|ɡwˈɔva ɔɡˈara nalˈɛʒɨ dɔ tɕˈɛbjɛ, jˈɛɕli zdˈɔwaʃ mu jˈɔ̃ ɕtɕˈɔɲtɕ.|1
+Dataset/wavs/urwisko_ferenc/08_segment_89.wav|lˈipstsɨ. a rˈatʃɛj mwˈɔdʑi lˈudʑɛ, ktˌuʒɨ tˈak mu ɕɛ pʃˌɛtstavˈili?|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_108.wav|ɲʲɛ, vɛçˈikuw miwˈɔɕtɕi stˈɔi zɛpsˈutɨ na tˈɨlnɨm parkˈiŋɡu.|2
+Dataset/wavs/urwisko_ferenc/55_segment_102.wav|tˌɨlkɔ tʃɛrvˈɔnɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_213.wav|zɡˈaswɔ ɕfʲˈatwɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_31.wav|ʃˈɔna mˈa rˈatsjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_17.wav|ˈɔx, dˈɔm, tˈak mi pʃˈɨkrɔ. dlatʃˈɛɡɔ ɲʲɛ zˌadʑvɔɲˈiwɛɕ? vʲɛdʑˈawɛɕ, ʒˈɛ bˌɛndɛ ɕɛ xɔlˈɛrɲʲɛ mˈartfitɕ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_1.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/urwisko_ferenc/53_segment_73.wav|tʃɨ w mˌatɛrjˈawaɣ zˈɛ ɕlˈɛtstfa znalˈazwɨ ɕɛ fʃˈɨstkʲɛ zdjˈɛɲtɕa tˌɛɡɔ fˌɔtɔrˌɛpɔrtˈɛra?|0
+Dataset/wavs/urwisko_ferenc/44_segment_28.wav|i tˈak jˈak ˌuzɡadɲʲˈaliɕmˌɨ, ʒˈadnɨɣ ɡwˈupix numˈɛruf. maʒ bˈɨtɕ sˈam.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_195.wav|tˈaɡ vwˈaɕɲʲɛ pɔvʲˈɛdʑaw.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_147.wav|zvɔdˈujɛ rˈɛʃtɛ nˈaʃɨx nˈɔvɨɣ drˈɔmɔn.|1
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+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_140.wav|zjˈɛdli na ɕɲʲadˈaɲʲɛ sˌɔlɔnˈɛɡɔ dˈɔrʃa i dɔ tˌɛɡɔ pɔ kavˈawku pˌɔmarˈaɲtʃɨ, a pˈɔtɛm ruʃˈɨli w drˈɔɡɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_133.wav|a jˈɛdnak tɔ mu ɕɛ ɲʲɛ pɔdˈɔba.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_24.wav|ɲʲɛ zˌastanavʲˈajɔnts ɕɛ dwˈuʒɛj, pɔpˈɨxam dʒvˈi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_164.wav|tˈak krˈutka, ʒˈɛ ɡdˈɨbɨ pɔt spˈɔdɛm bˌɨwɨ mˈajtki, mˈuɡwbɨ jˈɛ zɔbˈatʃɨtɕ, ˌalɛ ix ɲʲˈɛma.|2
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+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_110.wav|zˌaʃlɔxˈawam tɕˈixɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_2.wav|ˈɔtkɔnd vrutɕˈiwam dɔ dˈɔmu, ɲʲɛ mˈɔɡɛ vɨɕˈɛdʑɛtɕ w jˈɛdnɨm mʲˈɛjstsu.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_61.wav|i zajʒˈawam dɔ ɕrˈɔtka.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_236.wav|prˌubɔvˈaliɕtɕˌɛ z ɲˈim pˌɛrtraktˈɔvatɕ?|1
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_55.wav|dɔmˈiɲik krˈɛɲtɕi ɡwˈɔvɔ̃ i pɔtxˈɔdʑi dɔ ɕtɕˈanɨ, ʒˈɛbɨ pʃˈɨjʒɛtɕ ɕɛ dˌɔkumˈɛntɔm i zdjˈɛɲtɕɔm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_30.wav|istɲʲˈɛjɛ ɲˈikwɛ prˌavdɔpˌɔdɔbjˈɛɲstfɔ, ʒˈɛ jɛst tɔ jˈɛdɛn z dvˈux mˈɛ̃ʃtʃɨzn, ktˌuʒɨ pɔrvˈali jɛj ˈɔjtsa|4
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_15.wav|mˈija sxˈɔdɨ sˈɔndu i stˈajɛ pɔt mɲʲɛjʃˈɨmi dʒvʲˈami na prˈavɨm kˈɔɲtsu duʒˈɛɡɔ kˌamjɛnnˈɛɡɔ ɡmˈaxu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_382.wav|bʲˈijɛ na pˈɔkaz dla tradˈɨtsji, ˌalɛ bʲˈijɛ i dla nˈas.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_89.wav|bʲˈillɨ ʃtˈɨvnɔ kwˈadʑɛ ɕɛ ˌɔbɔk ɲʲˈɛj, z rˈɛŋkɔ̃ pˌɔdwɔʒˈɔnɔ̃ pɔd ɡwˈɔvɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_9.wav|ɲʲˌɛɔstrˈɔʒnɔɕtɕ prɔvˈadʑi dɔ fpˈatki.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_257.wav|ja nazˈɨvam ɕɛ brjˈɛnnɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_54.wav|kˈit jˈuʒ dʑˈawa. ɔznˈajmiw rˈɔp, kʲˈɛdɨ zakˈɔɲtʃɨw pˌɔwɔntʃˈɛɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_372.wav|napˈɛndɛm, palˈivɛm, ɛnˈɛrɡjɔ̃, ktˌura nˈami pˌɔvɔdˈujɛ, pʃɨspʲˈɛʃa rˈux, pˈɛɲdʑi nˈas na ˈɔɕlɛp.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_159.wav|vʲɛdʑˈawɛm, ʒˈɛ brˈat mˈuj pɔstˈɔmpiw pˈɔdlɛ i pˌɔstanɔvˈiwɛm tsˈɔʑ dla tˌɛɡɔ tsɨɡˈana zrˈɔbʲitɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_72.wav|pˈɔtʃɛt kˈu ɲʲˈɛj i nˈakrɨw jˈɔ̃ kˈɔtsɛm.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_49.wav|ɲʲɛ pʃˌɨpɔmˈina dˈɔmu vˌɨnajɛntˈɛɡɔ pʃˈɛs ɲˈika w mʲˈɛɕtɕɛ, f ktˌurɨm bʲˈillɨ vɨkˈɔnaw zlɛtsˈɛɲʲɛ, ˌalɛ jɛst rˈuvɲʲɛ bʒˈɨtki.|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_18.wav|lˈɛʒaw vʲˈɛnts na wˈuʃku, pˈatʃɔnts na rɨˈana, ktˌurɨ ɕˈɛdʑaw na kʃˈɛɕlɛ s tfˈaʒɔ̃ zvrutsˈɔnɔ̃ kˈu ˈɔknu i pˈatʃɨw na wzˈɨ ɕtɕˌɛkajˈɔntsɛ pɔ jˈɛɡɔ tfˈaʒɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_40.wav|tɔ ɲʲɛ jɛst tsamˈɛrɔn.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_31.wav|tsˈɔ tɨ vɨprˈavʲaʃ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_156.wav|i ˈɔtɨm, ʒˈɛ bjˈawɨ mˈuviw dɔ ɲʲˈɛɡɔ, ɲʲɛ vˈidʑɔnts tfˈaʒɨ vʲɛlkʲˈɛɡɔ ɲʲɛdʑvʲˈɛdʑa, ktˌurɨ pˈatʃɨw pˈɔnat jˈɛɡɔ ɡwˈɔvɔ̃ zmˌɛntʃɔnˈɨmi ɔtʃˈɨma tʃwɔvʲˈɛka,|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_56.wav|xˈɛlɛn pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_190.wav|pˈɛvɲʲɛ nalˈɛʒɨ dɔ jɛdnˈɛɡɔ zˈɛ fspˌuwlɔkatˈɔruf.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_167.wav|na fsxˈɔdɲiɣ dˌɨvaɲˈikax lɛʒˈawɨ pˌiramˈidɨ paxɲˈidɛw djˈɔra.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_415.wav|zˌapwatɕˈiwa kˈilka dˌɔdatkˈɔvɨɣ ɡrɔɕˈikuv za drˈɛvnɔ.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_109.wav|tʃˈɨɲiw sˈɔbjɛ ɲʲˌɛustˈanɲʲɛ vɨʒˈutɨ sˈam. tʃˈɛba bˌɨwɔ zˈadbatɕ, ʒˈɛbɨ mu bˌɨwɔ tɕˈɛpwɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_99.wav|ɲʲɛ bˌɨwɔ tʃˈasu ɕɛ ˈɔtɔ spʲˈɛratɕ. dˈɔm, dvˈur jˈuʒ vznˈɔɕiw ɕɛ pʃɛt nˈami.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_267.wav|ɲʲɛ jˌɛstɛɕ skɔɲtʃˈɔnɔ̃ mˈɛndɔ̃, dʒˈɛs, pɔvʲˈɛdʑaw. zakwˈadam, ʒˈɛ vʲˈɛʃ jˈak tɔ zrˈɔbʲitɕ, ʒˈɛbɨ prˌatsɔvɲˈikɔm kˌɔmbʲinˈatu ɲˈits ɕɛ ɲʲɛ stˈawɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_129.wav|pamjˈɛntam, ʒˈɛ bˌɨwɔ ɡɔrˈɔntsɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_66.wav|latˈaɲʲɛ jɛst jˈak ˈakt miwˈɔsnɨ i pˈan tɔ bˌɛɲdʑɛ kˈɔxaw, ja tɔ pˈanu mˈuvjɛ prɨvˈatɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_128.wav|ˌalɛ pʃˌɛtɕɛʃ ja jˈɔ̃ vidʑˈawɛm. ʃˈɛdwɛm ˌɔbɔk ɲʲˈɛj, dˌɔtɨkˈajɔndʑ dwˈɔɲʲɔ̃ jɛj tɔrˈɛpki.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_167.wav|nˌapijˈɛtɕɛ ɕɛ vˈina? zapˈɨtaw.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_167.wav|taɲtʃˈɨli vˈɔkuw ɲʲˈɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_8.wav|dʒˈɔn i pˈablɔː jˈɛtʲi lˈɔpɛs nˌautʃˈɨli ix rˈɛɡuw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_42.wav|jˈɛɕli z jˈakʲɛjɕ ɲʲˌɛvɨjaɕɲʲˈɔnɛj pʃɨtʃˈɨnɨ ɕmʲˈɛrtɕ skˈɔta ɲʲɛ zɔstˈawa ɲˈiɡdɨ zˌarɛjˌɛstrɔvˈana, jˈɛɡɔ prˈavɔ jˈazdɨ nˈadal pˌɔzɔstˈajɛ vˈaʒnɛ, ˌalɛ jˈɛʃtʃɛ ɡˈɔ ɲʲɛ vɨkrˈɛɕlam.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_410.wav|ktˈɔ tɔ stʃˈɛlaw? spɨtˈawɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_57.wav|kˈivam ɡwˈɔvɔ̃. ɲʲɛ rˌɔzmavʲˈaliɕmˌɨ ˈɔtɨm, bˈɔ pʃˈɛs tsˈawɨ tʃˈas ɕɛ mɔdlˈiwam, bˈɨ ˌɔkazˈawɔ ɕɛ tɔ kwˈamstfɛm. ftɕˈɔ̃ʃ jˈɛdnak mʲˈawam tɔ s tˈɨwu ɡwˈɔvɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_231.wav|ˈumrɛ, jˈak tɨ bˌɛɲdʑɛʃ jˈuʒ bˈardʑɔ, bˈardʑɔ stˈarɨ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_112.wav|i krˈɛf jɛj swɔtkʲˈɛɡɔ lˈɔrda trɨsnˈɛwa pʃˈɛz ʑɛlˈɔnɔ̃ stˈal na ʃɨjɲˈika zbrˈɔi prˈɔstɔ na jɛj rˈɛntsɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_119.wav|kʲˈɛdɨ zˌapɨtˈawɛm, jˈak sˈɔbjɛ rˈadʑiʃ s tˈɨm, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔː ˈu klɛrkˈija, pˌɔvʲɛdʑˈawɛɕ, ʒˈɛ tsˈɔras lˈɛpʲɛj.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_182.wav|tʃasˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_40.wav|ftˈɛdɨ pʃˌɛwɔntʃˈɨwam ɡˈɔ na trˈɨp ˌɔʃtʃɛndʑˈaɲʲa ɛnˈɛrɡji i vrutɕˈiwam dɔ bzdˈurnɨx plˈɔtɛɡ dˌɔtɨtʃˈɔntsɨx rɔdʑˈinɨ krulˈɛfskʲɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_78.wav|mˈam fɕˈadatɕ? spɨtˈawɛm pʃˈɛz zasxɲʲˈɛntɛ ɡˈardwɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_437.wav|— ɲʲɛ ˈumjɛm mˈuvidʑ bˈɛs aktsˈɛntu. — ˈumjɛʃ — pɔvʲˈɛdʑaw mˌɛksɨkˈaɲin. — fʃˈɨstsɨ pɔtrˈafjɔ̃, fʃˈɨstsɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_452.wav|ɲʲˈɛbɔ pɔ prˈavɛj strˈɔɲʲɛ rˌɔzjaɕɲʲˈawɔ ɕɛ pɔvˈɔli nad daxˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_30.wav|xˈɔdʑi ɔ ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_339.wav|ˈɔjtɕɛts tˌɛɡɔ lˈɔrda znˈalaz jˈɔ̃ ɡdʑˈɛɕ na fsxˈɔdʑɛ pˈɔttʃaz vɨprˈavɨ xandlˈɔvɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_51.wav|ɲʲɛ pɔtrˈafjɛ ɡˈɔ kˌɔntrɔlˈɔvatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_6.wav|jˈɔ prɨxnˈɛwa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_152.wav|mˈɔʒɛ dɔ tˌɛɡɔ dˈɔʃwɨ ˈinnɛ uswˈuɡʲi, na pʃˈɨkwat prˈaɲʲɛ brˈudnɨx pʲɛɲʲˈɛndʑɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_173.wav|ˌalɛ drˈɔɡa, ɔ ktˌurɛj mˈɨɕlaw, drˈɔɡa prˌɔvadʑˈɔntsa pʃˈɛs ˈindjɔ, fɔˈɛɲiks i ɲʲˈu mɛksˈitsɔ,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_117.wav|tʃˈasɛm fpˈadam f tˌaki nˈastruj, ʒˈɛ jˌɛstɛm pʃɛtɕˈifkɔ fʃɨstkʲˈɛmu i fʃˈɨstkim.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_28.wav|mˈama rˈuvɲʲɛʃ miltʃˈawa, a tˈata ʒˈutɕiw w jɛj strˈɔnɛ zˌaɲʲɛpˌɔkɔjˈɔnɛ spɔjʒˈɛɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/22_segment_8.wav|mˈimɔ tɔ ɲʲˈɛmuɡw zmrˈuʒɨtɕ ˈɔka.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_11.wav|ʃukˈamɨ jɛj tsˈurki ˈindʲi kˈalu, znˈanɛj rˈuvɲʲɛʃ jˈakɔ mˈarta pˈɔrtɛr.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_83.wav|lˈutsɨ tɕˈɛ pɔzdrˈavja.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_27.wav|dɔmˈiɲik krˈɛɲtɕi ɡwˈɔvɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_459.wav|tʃˈasɛm tˈak mˈɨɕlɛ, ʒˈɛ xˈɛntɲʲɛ bˈɨwabˌɨm ɲʲˈɔ̃, ˈabɨ tˌɨlkɔː uvʲˈɛʒɨtɕ, xˈɔdʑbɨ na xfˈilkɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_132.wav|tsˈɔ mɲʲɛ tʃˈɛka? tsˈɔ mɲʲɛ jˈɛʃtʃɛ spˈɔtka ˈalbɔ zaskˈɔtʃɨ f tˈɨm...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_138.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_346.wav|pˌɔtsawɔvˈawa sˈɨna f tʃˈɔwɔ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_242.wav|ˈɔtfuʃ ʃkatˈuwɛ i pˈɔkaʃ, tsˈɔ maʃ w ɕrˈɔtku.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_539.wav|jˈɛɡɔː ɔpˈɔvʲɛɕtɕ jɛst tsˈɔraz dʑivɲʲˈɛjʃa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_108.wav|ˌuvaʒˈawam, ʒˈɛ jˌɛstɛm sprɨtɲʲˈɛjʃa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_4.wav|pʃˈɛs kɔlˈɛjnɛ tɨɡˈɔdɲʲɛ bˌɨwam jˈɛɡɔ stˈawɔ̃ partnˈɛrkɔ̃ w wˈuʃku i ˌuɕfʲadɔmˈiwam sˈɔbjɛ, ʒˈɛ ˌɔdɛbrˈawam jɛj tsˈɔɕ, tʃˈɛɡɔ praɡnˈɛwa najbˈardʑɛj na ɕfʲˈɛtɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_54.wav|ɔt jˌɛdnɔstrˈɔnnɛj rɔzmˈɔvɨ s tˈatɔ̃ w dˈɔmu zapˈadwa ɡwˈuxa tɕˈiʃa.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_278.wav|pɔmˈatsaw pˌɔmarʃtʃˈɔnɔ̃ dwˈɔɲʲɔ̃ pʲˈɛrɕ, jˈaɡbɨ xtɕˈaw pɔɡwˈaskadʑ brˈɔdɛ, ktˌurɛj tˈam ɲʲɛ bˈɨwɔ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_28.wav|xˈɛj tˈɨ!|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_137.wav|f kˈaʒdɨm rˈaʑɛ, mˈuvi, kʲˈɛdɨ fxˈɔdʑɔ̃ na pˈarkiŋk, zamjˈɛʒam pʃˈɨɕɔ̃ɕtɕ fˈawduf ɔt jˈutra.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_41.wav|ɲʲˈɛtsɔ zdɨʃˈanɨ, mˈɔʒɛ s pɔvˈɔdu lˈɛkkʲɛj ˈastmɨ. vwˈaɕɲʲɛ ɕɛ fprɔvˈadʑam, ɡˈɛstɛm fskazˈujɛ valˈiski.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_37.wav|jˈak fʃˈɨstkʲɛ ˈinnɛ varʃtˈatɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_20.wav|dlatʃˈɛɡɔ ɲʲˈɛxtsɛʃ xˈɔdʑitɕ na zajˈɛɲtɕa dla ˌuzdɔlɲʲˈɔnɨx?|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_362.wav|tɔ bˌɨwa jˈɛdna s tʃˈɛɣ ʒˈɛtʃɨ, ktˌurɨx ɕɛ dˌɔvʲɛdʑˈawa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_122.wav|fspˈɔmɲʲaw nˈavɛt, ʒˈɛ zdˈɔbɨw brˈamkɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_39.wav|ɲʲˈɛzbɨt tɔ pʃɨtˈulnɛ, tsˈɔ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_81.wav|ɲʲɛ mˈɔɡɛ pɔzvˈɔlitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_22.wav|zɔbˈatʃɨw mɲʲɛ f kˈɔɲtɕɛ i pɔmˈaxaw mi ɲʲɛɕmʲˈawɔ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_127.wav|ˈuɲʲuz ɡwˈɔvɛ, bˈɨ nˈaɲʲɔ̃ spˈɔjʒɛtɕ.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_105.wav|ɲʲɛ jˌɛstɛm ʒˈadnɨm z ɲˈix.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_86.wav|pʃɨvˈuttsɔ̃ tɛj sˈɛktɨ bˈɨw vwˈaɕɲʲɛ ˈaram fɔrˈakis.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_355.wav|dʑˈɛɲ dˈɔbrɨ pˈaɲstfu, pˌɔvʲɛdʑˈawa zˈɛ swɔdˈɨtʃɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_226.wav|ɲˈits pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_208.wav|ʃˈɨpkɔ bˈɨ pˈan dˈɔʃɛd dɔ vwasnˈɛɡɔ sˌamɔxˈɔdu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_26.wav|laptˈɔpa fsˈadʑiw pɔt pˈaxɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_64.wav|ɲʲɛ pˌɔviɲʲˈɛnɛm bˌɨwɔː ˈɔtɨm fspɔmˈinatɕ. tɔ ɲˈits takʲˈɛɡɔ. ɕpˈijmɨ jˈuʃ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_96.wav|ʒˈutɕiw kʲˈɛliɣ ɡʲɛrmkˈɔvi. nˈalɛj mi znˈɔvu, a tɕˈɛbjɛ rˈuvɲʲɛʃ nˈazvɛ bˌɔxatˈɛrɛm. jˌɛstɛm spraɡɲʲˈɔnɨ.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_143.wav|tɔ bˌɛɲdʑɛ muɕˈawɔ bˈɨtɕ xˈɔrnçill.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_82.wav|mɲʲˈɛj vʲˈɛntsɛj tˈak.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_414.wav|prɔtsˈɛɕɛ,|1
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_41.wav|jˈɛdɛn z ɲˈix tˌɨlkɔ pʃɨxˈɔdʑi ɕɛ nˈajɛɕtɕ, ˌalɛ drˈuɡʲi jɛzd bˈardʑɔ mˈiwɨ i tsˈawɨ tʃˈas ɕpˈi na kanˈapʲɛ.|4
+Dataset/wavs/urwisko_ferenc/23_segment_116.wav|pʃˌɨpɔmɲʲˈawa sˈɔbjɛ, jˈaɡ vʲˌɛlɔkrˈɔtɲʲɛ ˌɔttfaʒˈawa w ɡwˈɔvʲɛ xfˈilɛ ɕmʲˈɛrtɕi ˈɔjtsa.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_32.wav|stfʲˈɛrdʑiw rˈɨtsɛʃ. ɲʲɛ bˌɛndɛ mˈuɕaw vɨvlˈɛkadʑ ɡˈɔ stˈamtɔnt ɕˈiwɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_424.wav|tɔ ɲʲɛprˈavɔː ˌurɔdʑˈɔnɛ kˈundlɛ, pˈɔmjɔt kˈurɛf i pwˈatʃɛk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_179.wav|vʲˈɛnts pˌɔtsawɔvˈawɛm matˈɔvɨ pɔlˈitʃɛk, a ˈɔna, ɲʲɛ ˌɔtfʲɛrˈajɔnts ˈɔtʃu,|0
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_48.wav|spɔɡlˈɔnda na mˈawɨ, wˈɨsɨ plˈatsɛk i vzrˈuʃa rˌamjɔnˈami.|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_39.wav|vʲˈɛʃ, tsˈɔ pˌɔvʲɛdʑˈawa stsˈarlɛtt ɔxˈara, prˈavda?|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_133.wav|pˈɔkaʃ rˈɛntsɛ na ʑˈɛmʲɛ, tfˈaʒɔ̃ dɔ ɡlˈɛbɨ, tfˈaʒɔ̃ dɔ ɡlˈɛbɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_264.wav|tɔ ɲʲɛ f tfˈɔim stˈɨlu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_348.wav|prˌɔdutsˈɛɲtɕi jˈuʃ na dwˈuɡɔ pʃɛt prɛmjˈɛrɔ̃ zrˌɔzumjˈɛli, ˈiʃ pˈujdɔ̃ na ʒˈɛbrɨ.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_154.wav|pˌɔviɲʲˈɛnɛm bˈɨdʑ z ɲʲˈɔ̃ i fskazˈɨvatɕ jɛj drˈɔɡɛ, ˌalɛ tɕˈawɔ mɲʲɛ zdradʑˈiwɔ.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_363.wav|jˈɛɕli pɔtrˈafiʃ f tɔː uvʲˈɛʒɨtɕ. vʲˈɛnts rɛˈiman ˌɔtʃɨvˈiɕtɕɛ tˈɛʃ mˈuɕaw mʲˈɛtɕ ɕpʲɛvˈaka.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_245.wav|— bwˈaɡam, pˈɔvʲɛts mi, ʒˈɛ ɲʲɛ umˈarwa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_8.wav|vˌɨdavawˈɔbɨ ɕɛ, ʒˈɛ marˈinɛs pɔvˈinɲi bˈɨtɕ na tˈakʲɛ ʒˈɛtʃɨ ɔtpˈɔrɲi, ˌalɛ ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ bˈɨli.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_131.wav|— ɲˈits ɲʲˈɛmuf — vˈartʃɨ dɔnˈɔvɛn. xˈaŋk ˌiɡnɔrˈujɛ ɡˈɔ. �� kˈim jˈɛstɛɕ? jɛj xwɔpˈakʲɛm? brˈatɛm? ɔ rˈanɨ!|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_104.wav|spˈɨtaw ˈadam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_170.wav|ɲʲɛ mˈɔʒɛ pʃˈɨɲʲɛj pratsˈɔvatɕ nat sfˈɔjɔ̃ ˌɔpɔvʲˈɛɕtɕɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_468.wav|ɔstrˈɔʒnɨ.|0
+Dataset/wavs/urwisko_ferenc/36_segment_25.wav|s tɛrˈapji zˌapamjɛntˈawa vˈaʒnɛ xˈaswɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_96.wav|stˈɔjɛ bˈɛs rˈuxu, ɲʲɛ ˌɔddɨxˈajɔnts, jɛdˈɨɲʲɛ nˌaswuxˈujɔnts.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_294.wav|ɔ jˈakʲɛj vˈiɲʲɛ mˈuvi?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_124.wav|xˈɔdʑ zˈɛmnɔ̃, ʒˈɔnɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_136.wav|f tɕˈɛmnɔ? dʑˈivi ɕɛ rˈixtɛr. pˈaɲi jˈɛnsɛn mi jˈɛ zˌarɛklˌamɔvˈawa. ˈax, rɔzˈumjɛm. vˈɔbɛts tˈɛɡɔ, skˈɔrɔ dˈɔʃliɕmˌɨ dɔ pˌɔrɔzumjˈɛɲʲa…|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_372.wav|vˈɛzvaw sfˈɔix lɛkˈaʒɨ z amˈɛrɨkˌi. jˈuʃ pɔdˈɔbnɔ lˈɛtsɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_368.wav|ɔstʃˈɛɡwa mˈawɔ̃ krulˈɔvɔ̃. rˈɔbɛrt strˈatɕiw ʒˈɨtɕɛ w lˈɛɕɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_62.wav|stˈawɛm pʃˈɛdɲim ˌɔswupʲˈawɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_170.wav|ˌalɛ ɲʲɛ dlatˈɛɡɔ, ʒˈɛ ɕɛ tɕˈɛbjɛ bˈɔjɛ. pɔ prˈɔstu ɲʲˈɛxtsɛ, ʒˈɛbɨ lˈudʑɛ zˌɔbatʃˈɨli mɲʲɛ f tˈakim stˈaɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_171.wav|rɔzˈumjɛm. ˌalɛ tʃɨ...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_57.wav|tˈɔm pʃɛvrˈutɕiw ɔtʃˈami.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_23.wav|ʃˈɛptʃɛ pɔnˈɔvɲʲɛ. ɡdˈɨbɨm ɲʲɛ ˈutɕɛkw, mˈɔʒɛ bˈɨwbɨm tˈɛraz z ɲʲˈɔ̃.|4
+Dataset/wavs/urwisko_ferenc/64_segment_45.wav|i tsˈɔ pˈan sˌuɡɛrˈujɛ? mrˈuknɔw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_115.wav|fskazˈujɛ rˈuxɛm ɡwˈɔvɨ sɨpʲˈalɲʲɛ. ɲʲɛ mˈuj intˈɛrɛs, pˈaɲʲɛ kɔlˈɛɡɔ, jɛst ˌiksˌiksˈi vʲˈɛk.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_92.wav|tʃɨ ɔn pɔ prˈɔstu flirtˈɔvaw?|3
+Dataset/wavs/urwisko_ferenc/64_segment_95.wav|prˈava nˈɔɡa pˌɔdrɨɡʲivˈawa mu nɛrvˈɔvɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_222.wav|kˈɔɡɔ mˌamɨ zˌavʲadˈɔmitɕ w rˈaʑɛ vɨpˈatku?|0
+Dataset/wavs/urwisko_ferenc/34_segment_7.wav|f sprˈavʲɛ xˌɔrɔbɔvˈɛɡɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_133.wav|zˌamruɡˈawɛm ɔtʃˈami i ˌɔna zɲˈikwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_195.wav|xtɕˈawɛʑ vʲˈɛdʑɛtɕ, jˈak tɔ jˈɛst, prˈavda?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_64.wav|vʲˈɛm, ʒˈɛ mˈama mˈuvi prˈavdɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_17.wav|kˈit skˈinɔw ɡwˈɔvɔ̃, nˌajvɨrˈaʑɲʲɛj ɲʲˈɛxtsɔndʑ zakwˈutsatɕ tɕˈiʃɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_35.wav|bˌɨwɛm zˌakɔxˈanɨ, a ɔn tʃˈuw ɕɛ zˌaɡubjˈɔnɨ, ˌalɛ tɔ ɲitʃˈɛɡɔ ɲʲɛ ˌuspravʲɛdlˈivja. mˈɔja vˈina.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_8.wav|a ʒˈatkɔ zdumjˈɛva ulˈɔtnɨm pʲˈɛŋknɛm, ɲitʃˈɛɡɔ ɲʲɛ zˌapɔvʲˌadajˈɔntsɨm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_85.wav|jˈɛɕli jˈɛɡɔː ɔpˈɔvʲɛɕtɕ jɛj ɕɛ ɲʲɛ spɔdˈɔba, jˈɛɕli stfʲˈɛrdʑi, ʒˈɛ jɛst nˈudna i pɔprˈɔɕi ɔ tsˈɔɕ tɕˌɛkafʃˈɛɡɔ,|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_467.wav|im ʃˈɨptɕɛj, tɨm lˈɛpʲɛj.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_203.wav|jɛŋknˈɛwam zrˌɛzɨɡnɔvˈana. tʃɨ jˈuʃ fʃˈɨstsɨ ˈɔtɨm vʲˈɛdʑɔ̃? spˌɔtɨkˈatɕɛ ɕɛ i rˌɔzmavʲˈatɕɛ ˈɔmɲʲɛ, ɡdˈɨ tˌɨlkɔ ɕɛ ɔddˈalɛ, tʃɨ tsˈɔ?|4
+Dataset/wavs/urwisko_ferenc/63_segment_66.wav|tʃˈɨli jˈak? jˈaɡbɨ krɛɲtɕˈiwɔ mu ɕɛ w ɡwˈɔvʲɛ, tʃˈɨmaw ɕɛ za bʒˈux.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_420.wav|mˈuviw, ʒˈɛ mˈɔɡɔ̃ ɕɛ z ɲˈimi pʲɛrdˈɔlidʑ dɔvˈɔli, ˌalɛ ɲˈiɡdɨ ɲʲɛ pˌɔzvalˈajɔ̃ im pˈɔtʃutɕ smˈaku sfˈɨx ˈust.|1
+Dataset/wavs/urwisko_ferenc/52_segment_73.wav|xˈarkɔt pˈiwɨ tnˈɔntsɛj bˈɛtɔn ˈustaw na xfˈilɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_19.wav|tsˈ��ʑ vzbudʑˈiwɔ mˈuj ɲʲɛpˈɔkuj. ɲʲɛ pˌɔtrafˈiwam ɔkrˈɛɕlitɕ, tsˈɔ tɔ takʲˈɛɡɔ. jˈɛdnɔ s tɨx ɔstʃˈɛʒɛɲ, ktˌurɛ bˈardʑɛj ˌɔpʲɛrˈajɔ̃ ɕɛ na pʃɛtʃˈutɕu, ʒˈɛ tsˈɔɕ jɛst ɲʲɛ tˈak.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_55.wav|rˈɔbʲi mi ɕɛ ɲʲɛdˈɔbʒɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_31.wav|ˌalɛ mˈɔɡɔ̃ ɲʲˈɛbɨdʑ vwˌaɕtɕitɕɛlˈami tˌɛɡɔ dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_67.wav|tʃɨ w ʒˌɛtʃɨvistˈɔɕtɕi tˈɛʃ tˈak tɔ vˌɨɡlɔndˈawɔ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_72.wav|nˌarɔdʑˈinɨ sɔ̃ dʑˈɛwɛm natˈurɨ.|3
+Dataset/wavs/urwisko_ferenc/56_segment_71.wav|jˈɛdnak ta tɕˈɛmnɔʑdʑ bˈɨw ˈɔtɨm pʃˌɛkɔnˈanɨ, ɲʲˈɔswa vˌɨbavʲˈɛɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_204.wav|tsˈawɛ ʒˈɨtɕɛ bˌɨwɛm fstɨdlˈivɨ, a tˈɛraz vɨzbˈɨwɛm ɕɛ fstˈɨdu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_78.wav|mˈuvjɛ ˈɔtɨm, kturˌɛɡɔ vʑˈɛli djˈabli, pɔvʲˈɛdʑaw mˈikɛ. tɔ tfˈɔjɛ vwˈasnɛ swˈɔva.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_10.wav|stˈawa ɔpˈarta ɔ futrˈɨnɛ dʒvˈi z zˌawɔʒɔnˈɨmi rɛŋkˈami i nɔɡˈami skʃˌɨʒɔvanˈɨmi na vˌɨsɔkˈɔɕtɕi kˈɔstɛk i tʃɛkˈawa, ˈaʃ tsˈɔɕ pˈɔvʲɛm.|3
+Dataset/wavs/urwisko_ferenc/50_segment_71.wav|rˈatʃɛj mˈawɔ prˌavdɔpɔdˈɔbnɛ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_18.wav|alˈɛjdʲi ɛrmˈɛsant uɡʲˈina sfˈɛ kɔlˈaŋkɔ f krulˈɛfskʲɛj pʃɨstˈaɲi, a pʃɨnˈajmɲʲɛj zrˈɔbʲi tɔ, ɡdˈɨ jˈuʒ bˌɛɲdʑɛ xˈɔdʑitɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_66.wav|ɔn ɲʲˈɛbɨwbˌɨ jˈuʃ jɛdˈɨnɨm ɔbjˈɛktɛm ix ˌadɔrˈatsji.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_184.wav|i ja jˌɛstɛm pʃɨ tˈɔbjɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_73.wav|na jɛj nazvˈiskɔ ɲˈits ɲʲɛ jɛzd zˌarɛjˌɛstrɔvˈanɛ, ˈɔtpar kˈit.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_131.wav|dlatʃˈɛɡɔ tutˈɛjʃa valˈuta nazˈɨva ɕɛ ɡjˌɛˌitˈɛ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_105.wav|mʲˈɛjstsɛm spɔtkˈaɲʲa mʲˈawɔ bˈɨtɕ kasˈɨnɔ, f ktˌurɨm prˌatsɔvˈawam z ɲˈim pʃɛt lˈatɨ. kasˈɨnɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_314.wav|i ɲʲɛ ʒˈal tɕi ɡˈɔ, ˈɛstɛr? zapˈɨtaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_240.wav|jˈa... dˈaj spˈɔkuj, ɲʲˈɛma ɔ tʃɨm mˈuvitɕ.|4
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_93.wav|ɲʲɛ mˈuɕaw tˈu tkfˈitɕ f trˈaktɕɛ pʃˌɛʃukˈaɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_145.wav|bʲˈillɨ zatʃˈɨna stˈukatɕ f klavˈiʃɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_76.wav|ˌalɛ jˈak mʲˈawam tɔː ɔɕˈɔŋɡnɔɲtɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_72.wav|a tsˈɔ s tɔ̃ çistˈɔrjɔ̃?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_71.wav|ɲʲɛ rˌɛaɡˈujɛ nˈatɔ nazvˈiskɔ, ˌalɛ ɲʲɛ pˈatʃɛ dɛtˈɛktɨf w ˈɔtʃɨ, skupʲˈajɔnts tsˈawɔ̃ uvˈaɡɛ na mˈɛ̃ʒu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_57.wav|tsamˈɛrɔn umjˈɛɕtɕiw sfˈɔjɛ nazvˈiskɔː i dˈatɛ pɔt umˈɔvɔ̃, pɔ tʃɨm pʃɛkˈazaw mi dwuɡˈɔpis.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_59.wav|ɲʲɛ, ɲʲɛ lˈubʲi ɡˈɔ.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_15.wav|ɡdˈɨʃ nˈaɡlɛ uswˈɨʃaw, ʒˈɛ mɛ̃ʃtʃˈɨzna za bjˈurkʲɛm vɨvˈɔwaw tʃˈɨjɛɕ ˈimjɛ.|1
+Dataset/wavs/urwisko_ferenc/01_segment_44.wav|vzdrɨɡnˈɛwa ɕɛ z ˌɔbʒɨdʑˈɛɲʲa.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_6.wav|jˈuʒ zatʃˈɛwam mˈɨɕlɛtɕ ɔ pˈusttsɛ, ktˌurɔ̃ bˌɛndɛ ɔttʃˈuvadʑ z dˈala ɔt ɲʲˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_21.wav|mˈɔja tsˈurka ɲʲɛ vʲɛdʑˈawa nˈavɛt, ʒˈɛ tɔ skrˈut ɔt ˌaplikˈatsja.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_285.wav|tɔ tsˈawkʲɛm pˌɔmɨswˈɔvɨ sˈɨstɛm.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_152.wav|tˈak jˈak kʲˈɛdɨɕ tˈɨrjɔn pʃɛʃkˈɔdʑiw w ɲʲˈɛj stˌaɲiswˈɔvi.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_322.wav|w mʲˈarɛ jˈak fxˈɔdʑiw na ɡˈurɛ,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_38.wav|nˌajvɨrˈaʑɲʲɛj ɡdʑˈɛɕ ɕɛ spʲˈɛʃɨw.|3
+Dataset/wavs/urwisko_ferenc/26_segment_29.wav|tˈɛrkɔt ɕilɲˈika bˈɨw ɲʲɛznˈɔɕɲʲɛ ɡwˈɔɕnɨ. zˈɛrɔ ɕˈɛdɛm lˈɛʒaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_118.wav|ɲʲˈɛma innˈɛɡɔ plˈanu.|3
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+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_460.wav|ɲʲɛ pɔvʲˈɛdʑaw ɲitʃˈɛɡɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_193.wav|tˈu mˈuʃɛ dˈɔdatɕ, ʒˈɛ ɲʲɛ jˌɛstɛm kɔxlˈivɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_78.wav|stˈawɛm na balkˈɔɲʲɛ naʃˈɛɡɔ mʲɛʃkˈaɲʲa i bˌɨwɛm pʃˌɛkɔnˈanɨ, ʒˈɛ mˈɔjɛ ʒˈɨtɕɛ dɔbjˈɛɡa kˈɔɲtsa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_182.wav|jɛj ˈɔddɛx ɕɛ ˌuspɔkˈaja.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_225.wav|mˈuvi dʒˈɛz baʃˈara.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_171.wav|pˈɔtɛm rˈɔɲi pʃˌɨtulˈiwa mɲʲɛ, a ja jˈɔ̃.|2
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+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_163.wav|vʲˈɛm, ʒˈɛ tɔ prˈavda.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_81.wav|tˌɨlkɔː ɔd ɡˈurɨ vʲˈadrɔ bˌɨwɔː ɔtfˈartɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_105.wav|ɲʲɛ jɛstˌɛɕmɨ f kɔsmˈɔɕɛ, tˌɨlkɔ na kɕɛ̃ʒˈɨtsu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_13.wav|pˈɔza tˈɨm, ktˈɔː ˈinnɨ mˈuɡwbɨ zɔstˈavidʑ zdjˈɛɲtɕɛ w nˈaʃɛj ʃˈɔpʲɛ? ktˈɔː ˈinnɨ mˈuɡwbɨ vʲˈɛdʑɛtɕ ɔ nˈaʃɨx pʃɛkrˈɛntax i nɛbrˈastsɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_187.wav|pˈɔvʲɛts mi tsˈɔɕ jˈɛʃtʃɛ.|2
+Dataset/wavs/urwisko_ferenc/60_segment_49.wav|ɔtsknˈɛwa ɕɛ, ɡdˈɨ ˌuswɨʃˈawa xʃɔŋkɲʲˈɛɲtɕɛ. spɔjʒˈawa na ʃpitˈalnɛ wˈuʃkɔ.|0
+Dataset/wavs/urwisko_ferenc/43_segment_81.wav|pˈɔpiw sˈɔbjɛ, xtɕˈaw ɕɛ zabˈavitɕ. f sˈumjɛ stˈandart, ɲˈits nˌadʑvɨtʃajnˈɛɡɔ. ˌalɛ xtɕˈawaɕ na ɲʲˈɛɡɔ dˈɔɲʲɛɕtɕ.|0
+Dataset/wavs/urwisko_ferenc/12_segment_127.wav|na sˈamɔ̃ mˈɨɕl ˈɔtɨm rˈɔbʲi mi ɕɛ swˈabɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_184.wav|bʲˈillɨ tɔ vʲˈɛ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_400.wav|ˌalɛ ɲʲɛ mʲˈawa jˈuʃ ɕˈiw ɕɛ brˈɔɲitɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_157.wav|pɔkrˈɨva ˌɔtskɔtʃˈɨwa i strˈumjɛɲ pɔvʲˈɛtʃa fpˈad zˈɛ ɕfˈistɛm dɔ ɕlˈuzɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_182.wav|tʃɨ kʲˌɛdɨkˈɔlvʲɛk pˌɔtpisˈawaɕ fɔrmˈulaʃ spˌɔnsɔrˈiŋɡu, a pˈɔtɛm zˌaʒɔndˈawaʑ dɔvˈɔdu, ʒˈɛ dˈana ɔsˈɔba vˌɨpɛwɲˈiwa zadˈaɲʲɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_269.wav|fʃˈɨstkɔ dˈɔbʒɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_513.wav|ɲʲɛ pˌamjɛntˈawɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_18.wav|ɲʲˈɛx mˈɔja mˈɛŋka tˌɛɡɔ mɡɲʲˈɛɲʲa ˌɛɡzɨstˈɛntsji dˈa mi prˈavɔ dɔ pɔznˈaɲʲa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_145.wav|dʑvˈɔɲʲɛ na pɔlˈitsjɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_96.wav|ˈandɛrsɔn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw. pɔftˈuʒɨw mˈanɛvr, a pˈɔtɛm vrutɕˈili na lɔtɲˈiskɔː i dʒˈɔnsɔn vˌɨlɔndˈɔvaw.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_248.wav|tɔ ɲʲɛ mʲˈawɔ znatʃˈɛɲʲa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_58.wav|a mˈɔʒɛ dʑˈɛtskɔ ɲʲɛ dˈawɔ tɕi spˈatɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_8.wav|tɛn vˈus jɛzd bɛspʲˈɛtʃnɨ? pɔlˈitsja nˈas ɲʲɛ zatʃˈɨma?|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_303.wav|fstɨdlˈiva bɛtxˈanɨ, mˌarɨnˈarska ʒˈɔna.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_13.wav|kˈɔlɔr s tɕˈɛbjɛ ɔtpwˈɨva, brˈatɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_169.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_78.wav|ɲʲɛ pˌɔviɲʲˈɛnɛɕ tˈak mˈuvitɕ, mˈikɛ. naprˈavdɛ ɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_89.wav|nˌakazˈawa dʑɛftʃˈɨŋkɔm ɔxrˈɨpwɨm ʃˈɛptɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_188.wav|pɔlˈitsja, pˈaɲʲɛ dɔnˈɔvan. ɲʲˈɛma ɡˈɔ, jˌɛstɛm jˈɛɡɔ fspˌuwlɔkatˈɔrɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_239.wav|pɔvˈinnam bˌɨwa pʃˌɨɡɔtˈɔvatɕ ɕɛ na jˈɛɡɔː ɔdmˈɔvɛ, zˌaplanˈɔvadʑ dˈalʃɛ pˌɔstɛmpɔvˈaɲʲɛ, a jˈɛdnak tˌɛɡɔ ɲʲɛ zrɔbʲˈiwam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_200.wav|i w rˈɛŋku tʃˈɨma nˈuʃ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_141.wav|mˈuʃɛ bˈɨtɕ ɕˈilna.|1
+Dataset/wavs/urwisko_ferenc/50_segment_20.wav|pɔ kˈilku kˌilɔmˈɛtrax, ɡdˈɨ vjɛxˈali na ˌawtɔstrˈadɛ, a ɲʲˈɛbɔ nat tɕˈɛmnɨm lˈasɛm zˌatʃɨnˈawɔ ɕɛ rɔzjˈaɕɲʲatɕ, ɔdˈɛzvaw ɕɛ dɔ prˌɔkuratˈɔra.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_20.wav|mˈɔʒɛ napˈadli na bˈaŋk? mˈɔʒɛ tɔ tˈatsɨ bˈɔnɲʲɛ i klˈɨdɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_284.wav|zˈaraz za ɡraɲˈitsɔ̃ kˌɔlɔrˈadɔ swˈɨʃɨ, jˈak jˈɛɡɔ lˈaptɔp pikɲʲˈɛɲtɕɛm ɔznˈajmja pʃˈɨjɕtɕɛ pʲˈɛrʃɛj vʲˌadɔmˈɔɕtɕi ɔt ɲʲɛ pamjˈɛnta kʲˈɛdɨ, mˈɔʒɛ kˈilku lˈat.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_11.wav|mˈuvjɛ swˈɨʃɔnts ɲʲɛznˈanɔ̃ nˈutɛ vɛ vwˈasnɨm ɡwˈɔɕɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_142.wav|i dlatʃˈɛɡɔ mɲʲɛ tɔ spɔtkˈawɔ? zˌapɨtˈawa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_21.wav|na rˈaʑɛ ɲʲɛ vʲˈɛmɨ, s kˈim mˌamɨ dɔ tʃɨɲʲˈɛɲʲa, vʲˈɛndʑ dɔpˈuki ɲʲɛ nˌatrafˈimɨ na jˈakʲɛɕ nˌamatsˈalnɛ trˈɔpɨ, ɡrˌɔbɛɲdʑˈimɨ ˌinfɔrmˈatsjɛ i spravdʑˈamɨ, dˈɔkɔnt nˈaz zˌaprɔvˈadʑɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_366.wav|prˌavdɔpɔdˈɔbɲʲɛ ɲʲɛ pˌɔtrafˈiwabˌɨm tˈam utʃˈɨmatɕ pʲˈɔnu, a tsˈɔ dɔpʲˈɛrɔ ʒˈɨtɕ?|4
+Dataset/wavs/urwisko_ferenc/44_segment_11.wav|mˈɔʒɛ ɲʲɛ jɛst tˈak, jˈak tɕi ɕɛ vɨdˈajɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_155.wav|zˌapɨtˈawam, xˈɔtɕ jˈuʒ vʲɛdʑˈawam.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_96.wav|dlatʃˈɛɡɔ vɨʒˈɛkwɛɕ ɕɛ ʒˈɨtɕa?|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_36.wav|ɔt tɛj xfˈili jˈɛɡɔ zdjˈɛɲtɕɛ trˈafi na sɛrvˈɛrɨ f tɨm budˈɨŋku, ɡdʑˈɛ bˌɛɲdʑɛ mˈuɡw jˈɛ znˈalɛɕtɕ kˈaʒdɨ z ˌɔtpɔvʲɛdɲˈimi ˌupravɲʲɛɲʲˈami tʃɨ xakˈɛrskɔ̃ smɨkˈawkɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_15.wav|ɲʲɛ bˌɨwɔ tʃˈasu na vɨmjˈanɛ ˌupʃɛjmˈɔɕtɕi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_178.wav|bʲˈillɨ fskazˈujɛ ɡˈastɛm ˈɔknɔ pɛrˈɨskɔp, tˈɛraz zˌaswɔɲʲˈɛntɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_35.wav|i ɲʲɛ pʃɨxˈɔdʑi tɕi dɔ ɡwˈɔvɨ, ktˈɔ tɔ tˈaki?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_14.wav|ɲʲˈɛvʲɛm, tʃɨ pɔvˈinnam tʃˈutɕ ˈulɡɛ tʃɨ rˌɔstʃarɔvˈaɲʲɛ, ˌalɛ pʃɨnˈajmɲʲɛj znˈuf mˈɔɡɛ ɔddˈɨxatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_114.wav|na rˈaʑɛ ˌɔtpuɕtɕˈimɨ sˈɔbjɛ vʲˈɛntsɛj pˈɨtaɲ. ɲʲˈɛx pˈaɲi vrˈutɕi dɔ dʑˈɛtɕi.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_18.wav|jɛj dˈalʃɨ kˈɔɲʲɛts ɲˈiknɔw w mrˈɔku i tsɛrsˈɛi ɲʲɛ mˈɔɡwa ɕɛ ˈɔpʃɛdʑ vraʒˈɛɲʲu, ʒˈɛ tɕˈɛɲʲɛ zˌamɨkˈajɔ̃ ɕɛ rˈuvɲʲɛʒ vˈɔkuw ɲʲˈɛj.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_61.wav|ɲʲɛktˌuʒɨ z ɲˈix ɕɛdʑˈɛli na jˈɛɡɔ pʃˌɛxɨlˈɔnɨm pɔkwˈadʑɛ, pɔdˈajɔnts sˈɔbjɛ z rˈɔŋɡ dɔ rˈɔŋɡ bˈukwa ɡvˈina.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_123.wav|a pʃɨ ɔkˈazji ˈutɕɛts ɔt mamˈuɕki, dɔmˈɨɕla ɕɛ bʲˈillɨ.|2
+Dataset/wavs/urwisko_ferenc/60_segment_33.wav|mˈarja vɨpxnˈɛwa z ɡwˈɔvɨ tʃˈarnɛ mˈɨɕli. ˈɔlɡʲɛrd vˈɨjdʑɛ s tˈɛɡɔ, ˌɔbjɛtsˈawa sˈɔbjɛ i pˌɔftaʒˈawa tɔ pʃˈɛs xfˈilɛ jˈak mˈantrɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_70.wav|mˈaɡnat fˌinansˈɔvɨ trˈɔnt lˈandvik ˌɔras jˈɛɡɔː ˌɔsɔbʲˈista ˌɔxrɔɲʲˈarka irˈina vˈɛtrɔv zɔstˈali dʑˈiɕ rˈanɔ znˌalɛʑˈɛɲi mˈartfi w rˌɛzɨdˈɛntsji landvˈika w bˈaɲtsɛ ʃɛpˈarda.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_49.wav|mˈiwɔ tɕˈɛ pˈɔznatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_326.wav|pˌɔzɔstˈali kljˈɛɲtɕi ɲʲɛ pˌɔvʲɛdʑˈɛli mi swˈɔva na pˌɔʒɛɡnˈaɲʲɛ, ˌaɲi nˈavɛt ɲʲɛ spɔjʒˈɛli w mˈɔjɔ̃ strˈɔnɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_35.wav|rɔzbjˈɛram ɕɛ pɔspʲˈɛʃɲʲɛ, fkwˈadam strˈuj dɔ tɕfˈitʃɛɲ i sxˈɔdʑɛ na dˈuw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_147.wav|ˈaʃ ɔpʲˈɛra ɕɛ ɔ pʲˈɛts.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_34.wav|w ɕrˈɔtku zdˌɛtsɨdɔvˈaɲʲɛ rˈɔzlɛkw ɕɛ jˈakiɕ ˈɔdɡwɔs, ˌalɛ ktˈɔɕ rˈatʃɛj…|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_234.wav|tɔ rˈuvɲʲɛʒ bˌɨwa vˈina dˌarɛˈɔna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_247.wav|jˌɛstɛʑ ɡˈɔtuv vvʲˈɛɕtɕ jˈɛ dɔ samˈɛɡɔ kˈɔɲtsa f tɨɣ varˈuŋkax?|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_43.wav|ɲʲɛdʑvʲˈɛdʑɛ tˈɛʃ.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_77.wav|najvˈɨʃʃɨ z ɲˈix mʲˈaw na sˈɔbjɛ ʒˈuwtɨ pwˈaʃtʃ, brˈudnɨ i vˌɨstʃɛmpʲˈɔnɨ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_336.wav|bˌɛɲdʑɛ mʲˈaw dla tɕˈɛbjɛ rˈuʒɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_241.wav|a ja jˈuʃ ɲikˈɔɡɔ ɲˈiɡdɨ ɲʲɛ bˌɛndɛ sˈɔɲdʑitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_156.wav|tʃɨ tɔ ftˈɛdɨ zatʃˈɛwaɕ mʲˈɛtɕ lˈuki f pamjˈɛɲtɕi?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_62.wav|jˈɛɕli zˈaɡram pɔnˈɔvɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_360.wav|paxɲʲˈawɔ ʑˈɛmʲɔ̃, rˌɔbakˈami i plˈɛɕɲʲɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_216.wav|mʲˈawa dɔktˈɔrad w dʑɛdʑˈiɲʲɛ xˈɛmji i spˌɛtsjalˌizɔvˈawa ɕɛ w rɛˈaktsjax ɲʲˌɛɔrɡaɲˈitʃnɨx.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_544.wav|dvʲˈɛ ulˈitsɛ mˌarʃawkˈɔfska i alˈɛjɛ jˌɛrɔzɔlˈimskʲɛ, a rˈɛʃta tɔ zawˈuki.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_359.wav|kɔbjˈɛtɨ na zˈafʃɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_171.wav|tˈak. pɔ pʃˌɛbudʑˈɛɲʲu stfɔʒˈɨliɕmˌɨ dvˌuɔsɔbˈɔvɔ̃ ɛkˈipɛ rˌatuŋkˈɔvɔ̃ i zrɔbʲˈiliɕmˌɨ ˈɔpxut pɔ mˈɔix sɔ̃ɕˈadax.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_549.wav|tsˈuʃ mˈɔɡɛ pɔvʲˈɛdʑɛtɕ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_101.wav|vˈidʑaw zdjˈɛɲtɕa, a jˈɛdnɔ z ɲˈix nˈavɛd zɔstˈaviw w mʲˈɛjstsu, f ktˌurɨm mʲˈawam jˈɛ znˈalɛɕtɕ.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_116.wav|zabʲˈija kaʒdˈɛɡɔ vˈilka, ktˌurɨ prubˈujɛ jˈɔ̃ pˈɔkrɨtɕ i ɲʲˈɛjɛ ʒadnˈɛɡɔ mʲˈɛ̃sa ˈɔprutʃ lutskʲˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_140.wav|tˈɛraz vrˈutɕiw i pɔwˈɔʒɨw ɕɛ na sfˈɔim barwˈɔɡu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_7.wav|pˈɔza zaɕˈɛŋɡʲɛm vˌidɔtʃnˈɔɕtɕi ˌandɛrsˈɔna.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_469.wav|ʒˈɛ stˈɔiʃ na skʃˌɨʒɔvˈaɲʲu i ɡˈapiʃ ɕɛ na lˈudʑi, ktˌuʒɨ ɲʲɛ vʲadˈɔmɔ skˈɔnt i dˈɔkɔnt ˈidɔ̃?|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_4.wav|zɔstˈajɔ̃ w ɡˈurskim ustrˈɔɲʲu bakʲˈɛɡɔ dˈɔʑdʑ dwˈuɡɔ, bˈɨ zˌasɨpˈawa ix tˌɨlkɔ na jˈɛdɛn dʑˈɛɲ ftʃˈɛsna ɕɲʲɛʒˈɨtsa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_60.wav|f tɨm mɔmˈɛɲtɕɛ tˈɔm skˈupʲaw ɕɛ pʃˈɛdɛ fʃˈɨstkim nˈatɨm, ʒˈɛ ˈɔba tɕˈawa znˌalɛʑˈɔnɔ na rˈuʒnɨx parkˈiŋɡax f tɕˈɔŋɡu tʃˈɛɣ dɲˈi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_35.wav|ɲʲɛxˈɛntɲʲɛ ɔpˈuʃtʃam mʲˈɛjstsɛ pˌɔstɔjˈɔvɛ i pɔvˈɔli sˈunɛ pʃˈɛs pˈarkiŋk, ftɕˈɔ̃ʃ mˈajɔnts nadʑˈɛjɛ, ʒˈɛ za xfˈilɛ dɔstʃˈɛɡɛ ɡdʑˈɛʑ znajˈɔmɛ vˈɔlvɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_15.wav|ɕfʲˈɛtɲʲɛ sˈɔbjɛ rˈadʑi. mˈawɨ ɡrubˈasɛk, bˌɛɲdʑɛʃ mˈuɕaw fpˈaɕtɕ rˈazɛm z lˈutsɨ i znˈuv ɡˈɔ zɔbˈatʃɨtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_16.wav|mrˈuknɔw kˈit, a tˈɔm vʲˈɛdʑaw, ʒˈɛ pɔlˈitsjant skrˌupulˈatɲʲɛ zˌapisˈujɛ fʃˈɨstkɔ f sfˈɔim nˌɔtatɲˈiku.|3
+Dataset/wavs/urwisko_ferenc/63_segment_30.wav|pɔ prˈɔstu zmʲɛɲˈiwa nazvˈiskɔ.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_111.wav|tɛˈɔbalt ɲʲɛ uvʲˈɛʒɨ nˈavɛt f pɔwˈɔvɛ tɛj ˌɔpɔvʲˈɛɕtɕi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_229.wav|a pˈuʑɲʲɛj stˈɔtʃɨw ɕɛ mʲˌɛndʑɨ kɔlˈana.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_48.wav|bʲˈillɨ pʃɛtɕˈina plˈats, kʲɛrˈujɔnts ɕɛ f prˈavɔ na tsˈɔurt strˈit plˈatsɛ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_363.wav|mˌaɛstˈɛra kˌɔlɛmˈɔna ɔpxˈɔdʑi tˌɨlkɔ xwˈɔpʲɛts.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_156.wav|tˌɨlkɔ ftɕˈiska ɡˈɔ s pɔvrˈɔtɛm dɔ kʲɛʃˈɛɲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_25.wav|ɲʲɛ, ˈɔjtʃɛ. tˈɛras sˈama zarˈabjam na ɕˈɛbjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_90.wav|lˈutsɨ spɔdˈɔba ɕɛ pɔmˈɨswu zɔstˈaɲʲa stˈarʃɔ̃ ɕˈɔstrɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_133.wav|tʃˈujɛ kɔlˈɛjnɛ ˌuʒɔndlˈɛɲʲɛ i swˈɨʃɛ jˈak tˈɔm sˈɨtʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_99.wav|ˌalɛ dˈɔɕtɕ jˈuʒ ɡadˈaɲʲa, jˌɛstɛm ɡwˈɔdnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_46.wav|w jɛj ɡwˈɔɕɛ pɔɡʒmʲˈɛva ˌɔskarʒɨtɕˈɛlska, prˌɔkuratˈɔrska nˈuta.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_381.wav|ɔdlˈɛɡwɔɕtɕ jɛzd za dˈuʒa i tʃˈɨxa nˈanaz zbˈɨd vʲˈɛlɛ ɲʲˌɛbɛspʲˈɛtʃɛɲstf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_55.wav|maʒˈɛna, ɡdʑˈɛ ɔn mʲˈɛʃka, tɛn pʃˈɨɡwup?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_38.wav|zˈafʃɛ jˌɛstɛm s tˈɔbɔ̃ ˌapsɔlˈutɲʲɛ ʃtʃˈɛrɨ, bˈɔː ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ natˈɨxmʲazd vɨtʃˈuwabˌɨɕ kwˈamstfɔ w mˈɔim ɡwˈɔɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_32.wav|bʲˈillɨ, ktˌurɨ vʲˈɛ na pˈɛvnɔ, ʒˈɛ tɔ ɕɛ ɲʲɛ pɔftˈuʒɨ, pˌɔtakˈujɛ s kiɲʲˈɛɲʲɛm ɡwˈɔvɨ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_68.wav|ˌɔtsunˈɛwa jˈɛdnɔ̃ z ɲˈix na dwˈuɡɔɕtɕ pˈaltsa i pˌɔdvʲɔ̃zˈawa.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_172.wav|kɔlˈɛjnɛ ˌɛlɛmˈɛntɨ fskˌakivˈawɨ na sfˈɔjɛ mʲˈɛjstsɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(74) R.Abbott_Zamknij Drzwi_segment_20.wav|ˌɔna tˈam mʲˈɛʃka?|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_114.wav|zavˈɔwaw, ɡdˈɨ lˈudʑɛ ɕɛ ˌustavʲˈali. pɔjˈɛdʑɛʃ ˌɔbɔk mɲʲɛ!|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_91.wav|jɛst tɔ fspɔmɲʲˈɛɲʲɛ, ktˌurɛ ɲˈiɡdɨ mɲʲɛ ɲʲɛ ˌɔpuɕtɕˈiwɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_19.wav|i stfˈaʒam ɡˈɔ na krˈutkɔ̃ xfˈilɛ w mˈɔix snˈax, w mˈɔjɛj pamjˈɛɲtɕi, w mˈɔjɛj pˌulsujˈɔntsɛj ɕfʲˌadɔmˈɔɕtɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_48.wav|ɲˈilɛ spˈɔjʒaw na ɲʲˈɛɡɔ zˌaskɔtʃˈɔnɨ i skˈinɔw ɡwˈɔvɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_186.wav|ɡdˈɨ sˈam dˈɔtar dɔ stˈatku, xfʲˈaw ɕɛ na nˈɔɡaɣ zˈɛ zmɛntʃˈɛɲʲa.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_231.wav|sˌamɔtʃˈɨnɲʲɛ ɔbrˈutɕiw ɕɛ w lˈɔtɕɛ, ʒˈɛbɨ vˌɨlɔndˈɔvatɕ na tʃtˈɛrɛx wˈapax. xrˈɛtɨ! tsˈɔ za fˈajna zabˈafka!|4
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_16.wav|pˌɔxɨlˈiwa ɕɛ nˈadɲim i vˌɨʃɛptˈawa mu dɔː ˈuxa.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_184.wav|trˈɔnt ˈuɕad na sfˈɔjɛj kanˈapʲɛ i ɕˈɛŋɡnɔw pɔ pˈatʃkɛ, ktˌurɔ̃ mu pʃɨɲʲˈɔswam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_29.wav|pʃˌɛkɔnˈujɛ, ʒˈɛbɨ ɲʲɛ pʲˈɛkwa tɕˈastɛk. ɲʲˈɛɣ zatʃˈɛka, ˈaʒ vrˈutɕi mˈama, bˈɨ jɛj pˈɔmuts. twumˈatʃɨ, ʒˈɛ ktˈɔɕ pˈɔbʲiw bˈɔba rɛˈinsa i bˈɔp pʃˈɨjdʑɛ dɔ dˈɔmu zwˈɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_36.wav|vʲɛdʑˈawa, ʒˈɛ ɲʲˈɛbɨw fˈanɛm pʃɛpˈɨxu, a tɛn dˈɔm mʲˈaw f sˈɔbjɛ fʃˈɨstkɔ, tsˈɔ pˌɔzvalˈawɔ ɡˈɔ dɔ tɛj kˌatɛɡˈɔrji zˌakfalˌifikˈɔvatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_22.wav|pɔt kˈɔɲʲɛts tɨɡˈɔdɲʲa stʃɛlˈaɲʲa ɕˈɛrʒant ˈuppiŋktɔn vˈɛzvaw mɲʲɛ i tˈatsɔ dɔ sfɔjˈɛɡɔ ɡˌabʲinˈɛtu, ktˌurɨ bˈɨw ɲʲɛvʲˈɛlɛ vʲˈɛŋkʃɨ ɔt ʃˈafɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_230.wav|ɲˈits mi ɲʲɛ jˈɛst, tɔ tˌɨlkɔ tˈaɡ ɡrˈɔʑɲʲɛ vɨɡlˈɔnda.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_227.wav|ɔtpˈɔvʲɛtɕ pʃˈɨʃwa natˈɨxmʲast.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_29.wav|tɛn bˈut ˌɔrtɔpɛdˈɨtʃnɨ mˈɔʒna rˌɛɡulˈɔvadʑ dla rˈuʒnɨx ʃˌɛrɔkˈɔɕtɕi wˈɨdɛk, prˈavda?|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_171.wav|mˈa kɕˈɛŋɡʲi dɔ spʃɛdˈaɲʲa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_187.wav|pʃˈɛs xfˈilɛ vɨdˈajɛ mi ɕɛ, ʒˈɛ vˌɨpɔvʲɛdʑˈawam tɛ swˈɔva s sarkˈazmɛm na ɡwˈɔs, ˌalɛ na ʃtʃˈɛɲɕtɕɛ tˌɛɡɔ ɲʲɛ zrɔbʲˈiwam.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_80.wav|pʃɨ tˌɛɡɔ tˈɨpu pɔrvˈaɲʲax ɔsˈɔbɨ, ktˌurɛ zɔstˈawɨ bɛsprˈavɲʲɛ zabrˈanɛ, ˌɔkrɛɕlˈanɔ mʲˈanɛm zˌakwadɲˈikuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_41.wav|tɔ jɛst ɕfʲatˈɔva ˌɛkɔnˈɔmja, a ɲʲɛ pʃɛtʃkˈɔlɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_35.wav|ɔdvrˈutɕiw ɕɛ s pɔvrˈɔtɛm dɔ tablˈitsɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_194.wav|dlatʃˈɛɡɔ mi pˈan ɲʲˈɛdaw w zˈɛmbɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_67.wav|jɛst w ɲʲˈɛj dʑˈura, f kɔʃˈuli tˈɛʃ. ɲʲɛ rɔzdˈartɕɛ, tˌɨlkɔː ˈɔtfur i ɲʲɛ w jˈɛɡɔ bˈɔku, jˈak pɔvʲˈɛdʑaw blˈiʒɛj pˈɛmpka.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_24.wav|bˌɛndɔ̃ muɕˈɛli pɔtfʲˈɛrdʑitɕ jˈɛɡɔ tɔʃsˈamɔɕtɕ, ˌalɛ jˈɛɕli tɔ bˈɨw ˈaʃ, ʒˈɨvɨ i z nˌadʑɛjˈami na vˌɨzdrɔvʲˈɛɲʲɛ, vʲˈɛdʑaw dˌɔskɔnˈalɛ, tsˈɔ pɔtʃˈujɛ jˈɔɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_242.wav|bˈardʑɔ trˈudnɔ na pˌɔtʃɛkˈaɲʲu f spˈɔsup pʃˌɛkɔnˌɨvajˈɔntsɨ vɨrˈazitɕ prˈɔʑbɛ ɲʲɛ dɔ spɛwɲʲˈɛɲʲa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_16.wav|pɔnˈɔvɲʲɛ spɔjʒˈawa na tˈɔma.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_68.wav|pʃˈɛs tsˈawɔ̃ nˈɔdʑ zˌastanavʲˈawam ɕɛ nˈattɔ̃ dɛtsˈɨzjɔ̃ ɔ vɨjˈɛʑdʑɛ dɔ vˈalji, ˌalɛ ɲʲˈɛvʲɛm, tsˈɔː innˈɛɡɔ mʲˈawabˌɨm zrˈɔbʲitɕ.|3
+Dataset/wavs/urwisko_ferenc/12_segment_171.wav|dɔrˈɔta lˌɛvandˈɔfska|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_203.wav|mwˈɔtʃɨ sˈɨn lˈɔrda jaspˈɛra, sˈɛr rˈɔnnɛl ˈarɨn, pɔɕlˈubʲiw dʑɛftʃˈɨnɛ z rˈɔdu bɛlmˈɔruf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_68.wav|ʃˈɛv zazɡʒˈɨtaw zɛmbˈami. vˈɛɕtɕɛ tˌɛɡɔ skˌurvɨsˈɨna stˈɔnt! ˈalbɔ ja zrˈɔbjɛ tsˈɔɕ takʲˈɛɡɔ, tʃˈɛɡɔ ɲˈikt jˈɛʃtʃɛ dˈɔtɔnt ɲʲɛ zrˈɔbʲiw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_127.wav|tsˈasɕɛ pˌɔvʲɛdʑˈawa, ʒˈɛ pʲˈɛkwa tɕˈastka i xˈɨba ɕɛ pʃˌɨpalˈiwɨ, pʃɛprˈaʃam.|2
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_42.wav|ɔpˈɔvʲɛɕtɕ, ktˌurɔ̃ pˈiʃɛ, zˌavwadnˈawa jˈɛɡɔ ʒˈɨtɕɛm, bˈa f tɛj xfˈili jɛst tsˈawɨm jˈɛɡɔ ʒˈɨtɕɛm i ftsˈalɛ mu tɔ ɲʲɛ pʃɛʃkˈadʑa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_101.wav|spʃˈɛdatɕ tʃɨ ɲʲɛ? kˈɔɲtʃɔ̃ mi ɕɛ pʲɛɲʲˈɔndʑɛ.|2
+Dataset/wavs/urwisko_ferenc/24_segment_27.wav|— a pˈaɲi sˈɨn dˈɔbʒɛ jˈɔ̃ znˈaw?|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_87.wav|s pʃˈɔdu, f tɛj skʃˈɨɲi z lˈɔɡɔ tɔjˈɔta.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_242.wav|zɡɔdʑˈimɨ ɕɛ umˈɔʒɨdʑ dwˈuk?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_513.wav|ˌɔna mɲʲɛ xtɕˈawa, tˈak.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_88.wav|tʃɨ tɔ tfˈɔim zdˈaɲʲɛm pˈɔvut, ʒˈɛbɨ zˈabʲitɕ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_59.wav|tsˈɔ pˌɔrabjˈawaɕ f tɕˈɔŋɡu tɨɡˈɔdɲʲa, nˈuʃ?|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_249.wav|ˌalɛ ɕɛ ɲʲɛ ˌɔpʲɛrˈawa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_157.wav|ɔt kˈilku mʲɛɕˈɛntsɨ. tˈak.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_78.wav|mʲˈawam ɕtɕiɕɲʲˈɛntɨ ʒɔwˈɔndɛk, ˌalɛ mˈimɔ tɔ starˈawam ɕɛ ɲʲɛ vɨɡlˈɔndatɕ na zdˌɛnɛrvɔvˈanɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_345.wav|a tʃˌɛmu mʲˈawbɨ rˈatʃɨtɕ pʃˈɨjɔɲtɕ tfˈɛ vɨzvˈaɲʲɛ, sˈɛr?|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_81.wav|tɨm rˈazɛm bˈardʑɔː ˌuvaʒˈawam, ʒˈɛbɨ znˈuf ɲʲɛ dˈɔtknɔɲtɕ kravˈɛɲdʑi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_5.wav|f kˈɔɲtsu tsˈɔʑ zˌatʃɛʃtʃˈawɔː i ɔdˈɛzvaw ɕɛ ɡwˈɔs.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_17.wav|f sfˈɔiɣ dʒvʲˈaɣ vɛjɕtɕˈɔvɨx pɔjˈavja ɕɛ dˈɛlla, ktˌura vɨtɕˈɛra dwˈɔɲʲɛ f kuxˈɛnnɔ̃ ɕtɕˈɛrkɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_44.wav|bˈɛtskɨ jˈuʒ vʲɛdʑˈawa, dˈɔkɔnt tɔ zmʲˈɛʒa.|3
+Dataset/wavs/urwisko_ferenc/01_segment_109.wav|a tˈɛras nˈaɡlɛ dʑvˈɔɲi pˈaɲi dɔ mɲʲɛ? pʃɨjˈɛʒdʒa dɔ prˈatsɨ, ʒˈɛbɨ mi pɔvʲˈɛdʑɛtɕ, ʒˈɛ mˌatɕɛ nˈɔvɛ ɕlˈadɨ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_260.wav|pʃˌɛtɕɛʃ mˈa pˈan tˈakʲɛ ɲʲɛpˈɛvnɛ, a nˈavɛt trˈɔxɛ vˌɨstraʃˈɔnɛ ˈɔtʃɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_206.wav|mˈɔɡwabˌɨʑ vɨɡlˈɔndatɕ jˈɛʃtʃɛ mwˈɔdʑɛj, ɡdˈɨbɨɕ ɕɛ pˌɔstarˈawa?|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_44.wav|bʲˈillɨ prubˈujɛ vˈɨtʃɛtɕ jɛj vwˈɔsɨ, ˌalɛ ɲˈits s tˌɛɡɔ ɲʲɛ bˈɛɲdʑɛ, bˈɔ sɔ̃ ɡˈɛ̃stɛ i pʃˌɨklɛjˈɔnɛ dɔ ɡwˈɔvɨ dɛʃtʃˈufkɔ̃ z rɨnʃtˈɔka.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_71.wav|xˈɨba ɲʲɛ udˈawɔ mu ɕɛ jɛj pʃɛkˈɔnatɕ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_390.wav|a mˈɔʒɛ pɔtrˈafiʒ vˈaltʃɨtɕ tˌɨlkɔ ɡˈuvnɛm?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_35.wav|kˈatɛ pˌɔstavˈiwa ix ɔbˈɔjɛ f trˈudnɛj sˌɨtuˈatsji i tʃˈuw s tˌɛɡɔ pɔvˈɔdu ˌirɨtˈatsjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_20.wav|mɨɕlˈitɕɛ, ʒˈɛ ta bˈanda ˌɔfɛrmɔvˈatɨx nˌaukˈɔftsuf s tsˈɛntrum stˌɛrɔvˈaɲʲa ɲʲɛ bˈɨwabˌɨ zdˈɔlna dɔ tʃˈɛɡɔɕ takʲˈɛɡɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_31.wav|pɔ vˌɨʒutsˈɛɲʲu tʃˈɛtɕɛj sprˈavdʑa, tʃɨ vʑˈɔw ˌawtɔpˈɔrtrɛt ʃˈɔn s flamˈiŋɡʲɛm, tˈɨm, kturˌɛmu zmʲɛɲˈiwa ˈimjɛ na dˈavɛ.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_142.wav|pʃɨpˈɔmɲʲaw sˈɔbjɛ swˈɔva, ktˌurɛ pjˈa ʃɛptˈawa mu f xarˈɛnxal, ɡdˈɨ kˈɨbɛrn pʃˈɨswaw jˈɔ̃ dɔ ɲʲˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_324.wav|ˈidɛ vzdwˈuʃ ˌɔɡrɔdʑˈɛɲʲa, lˈɛtʃ ɲʲˈɛma ɲˈiɡdʑɛ vˈɨjɕtɕa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_13.wav|kˈit prˌavdɔpɔdˈɔbɲʲɛ ɕɛ ɲʲɛ mˈɨliw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_69.wav|kwˈamstfɔ mʲˈawam jˈuʃ ɔd dˈavna pʃˌɨɡɔtɔvˈanɛ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_227.wav|ujʒˈafʃɨ jˌamjɛˈɛɡɔ, pˈadwa mu dɔ stˈup, wukˈajɔnts i tʃɛpʲˈajɔnts ɕɛ jˈɛɡɔ nˈɔɡʲi s çˌistɔrˈɨtʃnɔ̃ ɕˈiwɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_51.wav|f tˈakim rˈaʑɛ, dˈɔn, mˈuʃɛ tɕi zˈadatɕ pˈɛvnɛ pɨtˈaɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_162.wav|bʲˈillɨ xfˈɨta stʃˈɛlbɛ za kˈabwɔŋk spustˈɔvɨ i pɔvˈɔli pʃɨsˈuva jˈɔ̃ dɔ ɕˈɛbjɛ, z nadʑˈɛjɔ̃, ʒˈɛ mˈatka frˈaŋka tˌɛɡɔ ɲʲɛ uswˈɨʃɨ ˌaɲi ɕɛ ɲʲɛ ɔdvrˈutɕi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_10.wav|jˈak jˈuʒ vʲˈɛtɕɛ, nˈaʃa pˌɔdɛjʒˈana mˈarta pˈɔrtɛr kɔʒˈɨsta s kˈartɨ dˌɛbɛtˈɔvɛj vˌɨstavʲˈɔnɛj na ˈindjɛ kˈalu.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_90.wav|a pˈan? pʃˌɛtɕɛʃ pˈan rˌɛɡulˈarɲʲɛ vɨxˈɔdʑi na zˈɛvnɔntʃ, prˈavda?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_21.wav|ˈɔkɛj. mˈɔʒɛ skˌɔʒɨstˈamɨ s pɔmˈɔtsɨ mʲɛjstsˈɔvɛj pɔlˈitsji, ʒˈɛbɨ zwˈɔʒɨtɕ rɔdʑˈitsɔm vizˈɨtɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_141.wav|ɡʲˈɔrɡjɔ, mˈɔʒɛ xˈutʃɨ, ˌalɛ pʃɛzˈɔrnɨ jˈaɡ zˈafʃɛ, zˌarɛzɛrvˈɔvaw tˈɛʒ dvˈujkɛ, ˌɔpwatsˈɔnɔ̃ z ɡˈurɨ, dla stɛvˈɛna bˈɛrna i rɔsˈaljɛ fɔrˈɛstɛr.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_171.wav|tˈɛras pˈan jˈuʒ vʲˈɛ, dlatʃˈɛɡɔ lˈatam.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_4.wav|ˈɔkɛj, mˈɔi drˈɔdʑɨ. ɔstˈatɲʲɛ pˌɔtsumɔvˈaɲʲɛ dɲʲˈa, a pˈɔtɛm fʃˈɨstsɨ jɛdʑˈɛmɨ dɔ dˈɔmu na zˌaswuʒˈɔnɨ ˌɔtpɔtʃˈɨnɛk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_134.wav|zzˈa ˈɔkna dɔbjˈɛɡa dʑɛtɕˈɛntsɨ ɕmʲˈɛx, a ja zrˈɨvam ɕɛ na rˈuvnɛ nˈɔɡʲi, ��ˈɛbɨ pˈɔdbjɛdʑ dɔ dʒvˈi i jˈɛ zˈamknɔɲtɕ. ˈalfjɛ ɲʲɛ mˈɔʒɛ tˌɛɡɔ zɔbˈatʃɨtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_10.wav|ɲʲˈɛvʲɛm nˈavɛt, tsˈɔ mɔʒˈɛmɨ zjˈɛɕtɕ, bˈɔ ɲʲɛ jˌɛstɛm pʃˌɨɡɔtɔvˈana dɔː ˌɔpuʃtʃˈɛɲʲa pɔkˈɔju.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_47.wav|upʲˈɛraw ɕɛ ˈɛmɔn frˈɛj, lˈɛdʒ dʒˈɛjn f tɔ ɲʲɛ vʲˈɛʒɨw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_215.wav|ftˈɛdɨ mˈɔɡlibˌɨɕmɨ stfˈɔʒɨtɕ ˈarkuʒ zˈɛ zvˌɨtɕɛ̃stsˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_248.wav|ɲʲɛ mˈɔɡɛ tˌɛɡɔ zrˈɔbʲitɕ, jˈɛɕli bˌɛɲdʑɛʃ mi tˌɔvaʒɨʃˈɨwa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_66.wav|ɔtsknˈɛliɕmˌɨ ɕɛ zmɛntʃˈɛɲi, spɔjˈɛɲi pˈɔtɛm trˈudu.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_393.wav|tɕˈɔw mʲˈɛtʃɛm ɡˈawɔ̃ɕ, pʃˌɛrɔmbˈujɔnts jˈɔ̃ na pˈuw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_3.wav|tˈak naprˈavdɛ tɛn dˈɔmɛɡ bˈɨwbɨ tsˈawkʲɛm ˌurɔklˈivɨ, ɡdˈɨbɨ ɲʲɛ dˌɔpuʃtʃˈɔnɔ dɔ ftarɡɲʲˈɛɲtɕa ˌɔkɔlitʃnˈɛɡɔ lˈasu na tˈɛrɛn ɔɡrˈutka i ɔkrˈɨtɕa budˈɨŋku mrˈɔkʲɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_49.wav|dʑˈawɨ ɕɛ jˈakʲɛɕ pʃˌɛraʒajˈɔntsɛ prɔtsˈɛsɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_5.wav|nˈadal mˌɔɲitˌɔrɔvˈali pʃˈɛkas ˈawdjɔ, ˌalɛ ɔd zˌakɔɲtʃˈɛɲʲa rɔzmˈɔvɨ mʲˌɛndʑɨ tˈɛssɔ̃ a jˈɔɛ ɲʲɛ vˌɨdaʒˈɨwɔ ɕɛ ˌapsɔlˈutɲʲɛ ɲˈits.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_66.wav|kʲˈɛdɨ ɲˈilɛ dɔ ɲˈiɣ dɔwˈɔntʃɨw i pʃɛkˈazaw pɛndrˈivɛ tɔmˈɔvi, zatʃˈɛwa ɔt tʃˈɛɡɔɕ, tsˈɔ ɲʲɛ davˈawɔ jɛj spɔkˈɔju ɔt samˈɛɡɔ rˈana.|3
+Dataset/wavs/urwisko_ferenc/62_segment_47.wav|ftɕˈɔ̃ʒ zbjɛrˈawa dˈanɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_42.wav|ɔ mˈuj bˈɔʒɛ!|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_38.wav|mˈuɕiʃ ɕɛ pʃˈɛjɕtɕ kˈɔwɔ tɨx tɕˌɛ̃ʒarˈuvɛk, tˈak jˈak xɔdʑˈiwaɕ pɔ sklˈɛpax, f ktˌurɨx kupˈiwaɕ sˈɔbjɛ ubrˈaɲʲa, bˈɔ tˈɛras tˈɛʒ vɨbjˈɛraʃ ɕɛ na zakˈupɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_216.wav|a pˈan pɔvˈiɲʲɛn sˈɔbjɛ vˌɨɔbrˈazitɕ, ʒˈɛ tɛ tʃtˈɛrɨ tɨɕˈɔntsɛ tɔ jɛst lɔtɲˈiskɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_91.wav|ʒartˈujɛʃ sˈɔbjɛ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_17.wav|dˈɔbʒɛ tɕˈɛ vˈidʑɛtɕ, kˈatɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_6.wav|— f pɔʒˈɔntku — mruknˈɛwa jˈɔ. — vwˈaɕɲʲɛ ˌɔxʃaɲˈiwam ˈaʃa zˈatɔ, ʒˈɛ vˈɨʃɛd i zɔstˈaviw mɲʲɛ sˈamɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_79.wav|xwɔnˈɛwam kˈaʒdɛ swˈɔvɔ, ktˌurɛ vˌɨpɔvʲˈɛdʑaw.|3
+Dataset/wavs/urwisko_ferenc/56_segment_36.wav|tʃˈɨ lˈata tˈɛmu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_167.wav|pʃɨ jɛdʑˈɛɲʲu bʲˈilljɛ pˈɨta jˈɔ̃, tʃɨ vʲˈɛ, tsˈɔ tɔ jɛst sˈɨndrɔm ʃtɔkxˈɔlmski. ˈɛlis ˌɔtpɔvʲˈada pʃɛtʃˈɔntsɔ, vʲˈɛnts jɛj tɔ twumˈatʃɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_76.wav|ˈaram bˈɛs nˌajmɲʲɛjʃˈɛɡɔ vaxˈaɲʲa vˌɨkɔʒˈɨstawbˌɨ ˌɔptɕɔ̃ʒajˈɔntsɛ mɲʲɛ dɔvˈɔdɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_530.wav|mˈam pˈarɛ sprˈav dɔ zˌawatfʲˈɛɲʲa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_456.wav|i ja ɕɛ tɕˈɛʃɛ.|0
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_179.wav|pˌɔvʲɛdʑˈawɛm swˈɔva, ɡˈɔʑdʑik.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_377.wav|ja fʃˈɨstkɔ vʲˈɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_53.wav|kʲˈɛdɨ tˈatɔ dɔstˈavaw kˈɔntrakt na mˈɔntaʃ sxrˈɔnu pˌɔvʲɛtʃnˈɛɡɔ, zazvˈɨtʃaj kupˈɔvaw ɡˈɔː ˈu ɲʲˈɛj.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_135.wav|tɔ vwˈaɕɲʲɛ tˈak.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_132.wav|fskˈazaw rˈɛŋkɔ̃ na stˌartujˈɔntsɨ samˈɔlɔt.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_65.wav|dˈarɨ tʃˈujɛ ɕɛ zˌaʃtʃɨtsˈɔnɛ tˈɔ̃...|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_100.wav|a pˈɔtɛm, kʲˈɛdɨ dˌɔjɛxˈali jˈuʒ dɔ jˈɛɡɔ dˈ��mu i vˈɛʃli dɔ ɕrˈɔtka, pɔvʲˈɛdʑaw|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_101.wav|a ɔt tʃˈasu dɔ tʃˈasu...|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_110.wav|f kˈɔmptɔn ˈandɛrsɔn vˈɨɕat s sˌamɔlˈɔtu, vʑˈɔw ɔt rɨˈana jˈɛɡɔ litsˈɛntsjɛ i pɔtpˈisaw jˈɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_228.wav|mˈɔʒɛʃ rˈuvɲʲɛʃ ˈudatɕ ɕɛ dɔ tsastˈɛrlɨ ɹˈɔk jˈakɔ mˈuj jˈɛɲʲɛts, ɡdʑˈɛ bˌɛɲdʑɛʃ trˌaktɔvˈanɨ zˈɛ fʃɛlkˈimi vzɡlɛndˈami nˌalɛʒnˈɨmi zˌakwadɲikˈɔvi tfˈɔjɛj rˈaŋɡʲi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_60.wav|ɲʲɛ mˈuɕiʃ ɲˈits mˈuvitɕ. jˈɛɕli tɕi tɔ pɔmˈɔʒɛ, tɔ tɕˈɛ vɨswˈuxam.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_263.wav|lˈadɨ mˌɛrivˈɛtxɛr ˌuradɔvˈawa ɕɛ rˈuvɲʲɛ mˈɔtsnɔ jˈak krulˈɔva, xˈɔtɕ ɲˈiɡdɨ dˈɔtɔnt ɲʲɛ swɨʃˈawa ɔ sˈɨnaɣ vˌɔjɔvɲˈika ˌaɲi ɔ brˈatɕax ubˈɔɡʲix.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_99.wav|vˈɛdlɛ rɔskˈazu, vˈaʃa lɔrdˈɔfska mˈɔɕtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_14.wav|tɕˈixɛ, kˌɔnvulsˈɨjnɛ wukˈaɲʲɛ ˌuɲʲɛmˌɔʒlivˈiwɔ jɛj vˌɨpɔvʲɛdʑˈɛɲʲɛ ɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_67.wav|xtsˈɛ z ɲˈim pˌɔrɔzmˈavʲatɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_232.wav|ˈandɛrsɔn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw. pˈatʃɨw w ʑˈɛmʲɛ, pɔ tʃɨm ʒˈɛkw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_55.wav|ɲˈikt ˈinnɨ, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_66.wav|udˈawɔ mi ɕɛ jɛdˈɨɲʲɛ usˈɨpatɕ kˈilka kˈɔpuw s kɕˌɛ̃ʒɨtsɔvˈɛɡɔ pˈɨwu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_13.wav|zˌɔbatʃˈɨwɛm transpˈarɛnd zvˌisajˈɔntsɨ z bˌaldaçˈimu.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_145.wav|jˈak tɕi ɕɛ zdˈajɛ, dlatʃˈɛɡɔ ɕɛ ɡˈɔ pɔzbˈɨwam?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_217.wav|na rˈɛʃtkax parkˈɔvɛj wˈafki.|0
+Dataset/wavs/urwisko_ferenc/35_segment_54.wav|ɲˈidʑ vʲˈɛntsɛj ɲʲɛ swɨʃˈawɛm. tʃɛkˈawɛm nˈaɲʲɔ̃ f sˌamɔxˈɔdʑɛ. ˈɔlɡʲɛrt ˈuznaw, ʒˈɛ i tˈak spˈɔrɔ ɕɛ dɔvʲˈɛdʑaw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_291.wav|ɲʲɛ litʃˈɨwam tˌɛɡɔ ɲˈiɡdɨ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_86.wav|bʲˈillɨ, pˈɔzvul, ʒˈɛ vɨjˈaɕɲʲɛ, dlatʃˈɛɡɔ ɲʲɛ mˈɔɡwɛm ɕɛ s tˈɔbɔ̃ skˌɔntaktˈɔvatɕ ɔt rˈazu. mʲˌawɛm tˈu pˈɛvʲɛn kwˈɔpɔt...|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_50.wav|trˈudnɔː ɔsˈɔɲdʑitɕ jˈɔ̃ sprˌavʲɛdlˈivʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_54.wav|vʑˈɛwam ɡwɛmbˈɔki ˈɔddɛx.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_19.wav|na sˈamɔ̃ mˈɨɕl zatɕˈiska mi ɕɛ ɡˈardwɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_59.wav|tɨ jˌɛstɛɕ tsˈurka mˈara.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_396.wav|jɛj ˈɔjtɕɛts mˈuviw, ʒˈɛ ɲʲɛ jɛst fstˈɨdɛm ɕɛ bˈatɕ, a tˌɨlkɔː ˌɔkazˈɨvatɕ strˈax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_85.wav|unˈɔʃɛ vzrˈɔk, ʒˈɛbɨ nˈaɲʲɔ̃ spˈɔjʒɛtɕ.|3
+Dataset/wavs/urwisko_ferenc/30_segment_4.wav|tˈɛras tɛn dˈɔm pˌɔtʃɛbˈɔvaw mˈarji xˈɛrman, lˈɛtʃ ˌɔna ɲʲɛ vʲɛdʑˈawa, tʃɨ ˈumjɛ mu ɕɛ ɔdvdʑˈɛntʃɨtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_182.wav|tɔ xˈɨba nˌajmartfʲˈɛjʃa dʑɛlɲˈitsa f tsˈawɨm mʲˈɛɕtɕɛ.|2
+Dataset/wavs/urwisko_ferenc/49_segment_26.wav|mˈarja pʃˌɛwɔʒˈɨwa kˈartkɛ i zajʒˈawa dɔ prˌɔtɔkˈɔwu z awtˈɔpsji, ktˌurɨ pʃˌɛskanɔvˈawa vzrˈɔkʲɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_280.wav|a rˈatʃɛj vˈɛspɲʲɛ ɕɛ dɔ mˈɛɡɔː ˈuxa i fʃɨstkʲˈɛmu zapʃˈɛtʃɨ?|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_129.wav|jɛstˌɛɕmɨ pʃɨtˈɔmɲi, ˌalɛ sˌamɔpɔtʃˈutɕɛ dɔ dˈupɨ.|4
+Dataset/wavs/urwisko_ferenc/49_segment_73.wav|i ftˈɛdɨ pʃˈɨʃɛd ˌɛsˌɛmˈɛs, vʲadˈɔmɔʑdʑ z numˈɛrɛm tˌɛlɛfˈɔnu dˌɔbjɛɡwˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_105.wav|ɕfʲˈɛntɛ stsˈɛnɨ. jˈamɛ lˈɛdvʲɛ zdˈɔwaw pɔfstʃˈɨmatɕ ɕmʲˈɛx.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_195.wav|pɔvʲˈɛdʑaw bˈɛz vʲɛŋkʃˈɛɡɔ pʃˌɛkɔnˈa��ʲa. ˌalɛ jˈaɡ zamjˈɛʒaʃ ɕɛ s tˌɛɡɔ vɨvˈinɔɲtɕ? jakkˈɔlvʲɛɡ bˈɨ bˈɨwɔ, nˌarazˈiwaɕ tsˈawɛ mʲˈastɔ na ɲʲˌɛbɛspʲɛtʃˈɛɲstfɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_125.wav|mˈuj vwˈasnɨ, s kturˌɛɡɔ vɨjˈɛwam batˈɛrjɛ, lˈɛʒaw f kˈɔɲtɕɛ vnˈɛŋki.|4
+Dataset/wavs/urwisko_ferenc/62_segment_59.wav|ɲʲˌɛtɕɛrplˈiviw ɕɛ ɕikˈɔrski.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_188.wav|pɔdɲʲˈɔswɛm ɕɛ s tˌabɔrˈɛtu, ʒˈɛbɨ spˈɔjʒɛtɕ na fˌɔtɔɡrˈafjɛ pʃɨpʲˈɛntɛ dɔ ɕtɕˈanɨ zˈɛ spilɕɲʲˈɔnɨx pwˈɨt.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_41.wav|pˈɔza tɨm trˈudnɔ pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_415.wav|jˈuʃ ɲʲɛ pamjˈɛntam, kʲˈɛdɨ zatʃˈɛliɕmˌɨ ɕɛ tsawˈɔvatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_147.wav|nˈajpʲɛrf tʃˈɛba ɔtfˈɔʒɨtɕ ɔstˈatɲi vwˈas. wˈazik mʲˈaw ˌɔɡraɲitʃˈɔnɨ zˈapas pɔvʲˈɛtʃa, ˌalɛ w artˈɛmiz bˌɨwɔ ɡˈɔ pɔd dɔstˈatkʲɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_235.wav|ɔpʃˈɛdwɛm ɡmˈax pˌɔɡɔtˈɔvja rˌatuŋkɔvˈɛɡɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_40.wav|tʃɨ mˈili mʲˈawa bˈɨdʑ dˈaftsɔ̃ dla innˈɛɡɔ dʑˈɛtska?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_88.wav|s pɛvnˈɔɕtɕɔ̃ jɛj ɲʲɛ mʲˈawa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_98.wav|zabʲˈijɛʃ mɲʲɛ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_44.wav|znajdˈujɛ tˈɛ vʲadˈɔmɔɕtɕ, dʑˈɛŋki bˈɔɡu ftɕˈɔ̃ʃ ɲʲˌɛɔttʃɨtˈanɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_24.wav|vˈaxaw ɕɛ pʃˈɛs xfˈilɛ, prˌavdɔpɔdˈɔbɲʲɛ zˌastanˈavʲaw ɕɛ, tʃɨ ɲʲɛ zatɕˈɔŋɡnɔɲtɕ mɲʲɛ ɕˈiwɔ̃ dɔ wazˈika.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_279.wav|jɛdnˈɛɡɔ lˌɛʒɔntsˈɛɡɔ na ʑˈɛmi z ramjˈɛɲʲɛm fspˈartɨm ɔ vɨsˈɔki prˈuk krˌavɛ̃ʒɲˈika i tˌɛɡɔ druɡʲˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_119.wav|mˈuɕiʃ ɔtfˈɔʒɨtɕ tɛn zˈavur.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_19.wav|ˈaʃ ɔtfˈɔʒɨw ʃɛrˈɔkɔː ˈɔtʃɨ. jˈa? dlatʃˈɛɡɔ mʲˈawbɨm bˈɨdʑ z ɲˈimi pˌɔvʲɔ̃zˈanɨ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_69.wav|jˈɛɡɔ swˈɔva sɔ̃ zbˈɨd dɔkwˈadnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_256.wav|zbjˈɛɡwɛm pɔ sxˈɔdax na dˈuw i vrutɕˈiwɛm na drˈuɡɔ̃ strˈɔnɛ ulˈitsɨ. fˈarit ftɕˈɔ̃ʃ stˈaw pʃɨ brˈamjɛ. dˈɨɲʲa i wapˈiduɣ bˌɨli w dˈɔmu zˈabaf. wapˈidux klˈɛntʃaw ˌɔbɔɡ dʒˌɔnnɨˈɛɡɔ.|2
+Dataset/wavs/urwisko_ferenc/53_segment_117.wav|tɔː ˈɔna.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_12.wav|ˌalɛ kɕˈɔ̃ʒɛ dˈɔran ɔdʒˈutɕiw zˌaprɔʃˈɛɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_150.wav|tʃɨ krˈul i ja bɛɲdʑˌɛmɨ mʲˌɛli dʑˈɛtɕi? zˌapɨtˈawa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_77.wav|lˈɛtʃ rˈɛŋka jˈɛɡɔ ɲʲɛ pˌɔruʃˈɨwa ɕɛ nˈavɛt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_98.wav|pʃˌɛtɕɛʒ dʑɛftʃˈɨna jɛst studˈɛntkɔ̃ bʲiznˈɛsu, ɲʲɛ krɨtˈɨtʃkɔ̃ lˌitɛrˈatskɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_19.wav|xtɕˈawam tɔ zrˈɔbʲitɕ jˈuʃ pʃɛt lˈatɨ, kʲˈɛdɨ ɕɛ zˌɔrjɛntɔvˈawam, ʒˈɛ jɛst f tɕˈɔ̃ʒɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_69.wav|nˈavɛd z ˌɔdlɛɡwˈɔɕtɕi kˈilku krˈɔkuf, pɔmˈimɔ brˈaku vʲˈatru, tʃˈutɕ ɔt ɲʲˈɛj dʒˈinɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_316.wav|ʃˈɛd bʒˈɛɡʲɛm mˈɔʒa, vdɨxˈajɔnts pɔvʲˈɛtʃɛ i tʃˈuw, jˈak pʲˈasɛk uɡʲˈina ɕɛ pɔt jˈɛɡɔ tɕˈɛ̃ʃkim tɕˈawɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_26.wav|mʲˈawam ʃˈɛɕtɕ lˈat, vʲˈɛnts ɲʲɛ pamjˈɛntam fʃˈɨstkix ʃtʃɛɡˈuwuf.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_167.wav|rɔzˈumjɛm pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/urwisko_ferenc/01_segment_91.wav|dɨrˈɛktɔr dʑˈawu pˌɛrsɔnalnˈɛɡɔ vɨrˈaʑɲʲɛ sxˈud.|0
+Dataset/wavs/urwisko_ferenc/46_segment_1.wav|i zatʃˈɨmaw ɕɛ vzdwˈuʃ jˈɛzdɲi. ɕfʲˈatwa w ˈawtɕɛ zɡˈaswɨ. ɲˈiɡd z ɲʲˈɛɡɔ ɲʲɛ vˈɨɕad.|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_74.wav|s prˌɛmɛdɨtˈatsjɔ̃ navʲˈɔ̃zaw znajˈɔmɔʑdʑ z zˈafʃɛ fˌantazˈɨjɲʲɛ ɔbrˈanɨm tsɔlˈinɛm fçitˈɛɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_37.wav|ˌɔna tˈɛʃ pratsˈujɛ w ˈɛksɔˈutɛx.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_35.wav|tɔ bˈardʑɔ mˈiwɛ z jɛj strˈɔnɨ, ʒˈɛ ɕɛ vˈami zajˈɛwa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_56.wav|swɨʃˈawɛm, ʒˈɛ mɲʲɛ ʃˈukaʃ, filˈipɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_51.wav|jˈɔɛ, mˈuʃɛ s tˈɔbɔ̃ pˌɔrɔzmˈavʲatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_81.wav|ɲʲɛ muɕˈawam na ʃtʃˈɛɲɕtɕɛ ʃˈukadʑ vwaɕtɕˈivɨx swˈuf, ɡdˈɨʃ ˌuratɔvˈawɔ mɲʲɛ dvˈɔjɛ znajˈɔmɨx s kˈɔta, ktˌuʒɨ vbjˈɛɡli dɔ kavʲˈarɲi rˌɔzɛɕmʲˈaɲi i radˈɔɕɲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_32.wav|rˈɔzlɛkw ɕɛ ɡwˈɔs f swuxˈaftsɛ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_120.wav|pɔvʲˈɛdʑaw jɛj xˈɔtax.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_118.wav|dlatˈɛɡɔ tɕi dˈali.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_20.wav|jˈɛdnɨm z ɲˈiɣ bˈɨw pɔtˈɛ̃ʒɲʲɛ zbˌudɔvˈanɨ ɡrˈabaʃ, kturˌɛɡɔ spɔtkˈali pɔ drˈɔdʑɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_73.wav|ˈitɕ jˈuʒ dɔ ɕˈɛbjɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_27.wav|ˌɔtʃɨvˈiɕtɕɛ. ɔbˈɔjɛ musˈimɨ tɔ zrˈɔbʲitɕ. pˌɔrɔzmˈavʲam s filˈipɔ̃, ˌalɛ ɲʲɛ vˈidʑɛ sˈɛnsu, ʒˈɛbɨ jɛj pʃɛʃkˈadʑatɕ, dɔpˈuki ɲʲɛ bɛɲdʑˌɛmɨ mʲˌɛli tʃˈɛɡɔɕ kˌɔŋkrɛtnˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_60.wav|vʲɛdʑˈawam, ʒˈɛ mˈama bˌɛɲdʑɛ swˈuxatɕ awdˈɨtsji.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_52.wav|pʲˈɛŋkɲʲɛ tˈutaj, prˈavda? pɔtʃˈujɛʃ ɕɛ jˈaɡ w dˈɔmu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_37.wav|kʲˈɛdɨ tˈɔm i bˈɛtskɨ fspinˈali ɕɛ pɔ sxˈɔdax na pˈɔʑɔm pʲˈɔntɨ parkˈiŋɡu, ix krˈɔki ˌɔdbʲijˈawɨ ɕɛ ˈɛxɛm ɔd ɡwˈatkix ɕtɕˈan.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_18.wav|dlatʃˈɛɡɔ pwakˈawa?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_85.wav|pʃˈɛs xfˈilɛ ɲʲɛ vʲɛdʑˈawam, ɡdʑˈɛ jˌɛstɛm i tʃɨ ɔstˈatɲix kˈilka mˈinut ɲʲɛ bˌɨwɔ snˈɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_131.wav|f kˈɔɲtsu pɔnˈɔvɲʲɛ tʃˈasnɔw dʒvʲˈami.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_313.wav|tɔː ˈimjɛ bˌɨwɔ jˈak nˈuʒ vbʲˈitɨ w jɛj bʒˈux.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_261.wav|tʃɨ znˈatɕɛ tɔ swˈɔvɔ w mˈɨr?|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_258.wav|ja ɲʲɛ pʃɨjˈɔwɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_162.wav|tʃɨ tɔ s pˈaɲʲɔ̃ rˌɔzmavʲˈawɛm dʑˈiɕ rˈanɔ pʃˈɛs tɛlˈɛfɔn? zapˈɨtaw.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_178.wav|jˈamɛ rɔskˈazaw mi ɔdnˈalɛɕtɕ lˈadɨ sˈansɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_87.wav|kʲˈɛdɨ tˌɨlkɔ vwɔntʃˈɨwaɕ sfˈɔjɛ ɡʲˈizmɔ, zˌavʲadɔmˈiwam ˈɔtɨm rudjˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_115.wav|mˈam rˈaka.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_52.wav|ɕˈada zvrutsˈɔnɨ dɔ mɲʲɛ tfˈaʒɔ̃.|4
+Dataset/wavs/urwisko_ferenc/24_segment_65.wav|ɛwɡˈɛɲʲa lˈipska ɕɛdʑˈawa f tɛj sˈamɛj pˈɔʑɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_59.wav|wzˈɨ kˈapjɔ̃ mi z ˈɔtʃu i pʃɛtɕˈɛram tfˈaʃ.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_108.wav|bˈɔ jˌɛstɛɕ ɲʲɛznˈanɨ w brˈanʒɨ. rɔzˈumjɛʃ, tsˈɔ tɔ znˈatʃɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_6.wav|bˈɛtskɨ zmarʃtʃˈɨwa brvˈi.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_305.wav|ɲʲˈɛbɨw ɲikˈɔmu ɲˈidʑ vˈiɲʲɛn i ɲʲɛ mˈuɕaw naɡrˈadʑadʑ ʒˈadnɨx sfˈɔix faɡˈasuf.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_15.wav|jˈasnɛ, tsˈɔ mˈɔɡɛ dla tɕˈɛbjɛ zrˈɔbʲitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_107.wav|naprˈavdɛ vˈɛpxnɔw jˈɔ̃ ˈaʃ tˈaɡ dalˈɛkɔ?|2
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+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_39.wav|xɔlˈɛrɲʲɛ pʃɨjˈɛmnɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_154.wav|prubˈujɛ ɕɛ skˈupitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_66.wav|jˌɛstɛɕ ˌɔbɨvatˈɛlkɔ̃ arˈabji sawdˈɨjskʲɛj, tˈak?|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_172.wav|jˈamɛ nˈavɛt ɲʲˈɛvʲɛ ɔ tfˈɔim istɲʲˈɛɲʲu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_22.wav|pɔlˈitsjand znˈɔvu pˈatʃɨw nˈamɲʲɛ z ˌɔtfartˈɨmi ustˈami.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_41.wav|ˈɔsɨ dˈadʑɔ̃ mi spˈɔkuj, jˈɛɕli ɲʲɛ bˌɛndɛ ix ɲʲˌɛpɔkɔˈiwa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_21.wav|kɔbjˈɛta pʃˌɨkutsnˈɛwa i vˌɨtɕɔŋɡnˈɛwa rˈɛŋkɛ.|4
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+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_156.wav|a tˈɛras mˈɔja swˈɔtka ɕˈɔstra rˌɔskazˈujɛ mi dɔkˈɔɲtʃɨdʑ dʑˈɛwa, ktˌurɛ rˌɔspɔtʃˈɛli amˈɔrɨ lˈɔrx ˌɔraz ɡrˈɛɡɔr klɛɡˈanɛ.|1
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+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_86.wav|w jˈaki spˈɔsup lˈudʑɛ sɔ̃ vˌɛrbɔvˈaɲi? ɲʲɛ mˈɔɡlibˌɨɕmɨ pɔtstˈavitɕ kˈɔɡɔɕ ɔt nˈas, ʒˈɛbɨ ɕɛ zˌarɛklamˈɔvaw? mˈɔʒɛ ftˈɛdɨ vɛrbˈɔvɲik xfˈɨtɕi pʃɨnˈɛntɛ?|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_266.wav|mˈam dɔ vɨbˈɔru. tɔ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_130.wav|ljˈa tʃɛkˈawa nˈamɲʲɛ dɔkwˈadɲʲɛ f tɨm mʲˈɛjstsu, ɔ ktˌurɨm muvˈiwa.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_17.wav|ɲʲɛdwˈuɡɔ bɛɲdʑˌɛmɨ pˌɔtʃɛbɔvˈali ˌaplikˈatsji, ktˌura bˌɛɲdʑɛ zˈanas mˈɨɕlɛtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_112.wav|pɔ kˈilku sɛkˈundax tˈata jˈuʃ jˈɔ̃ pʃɨtˈulaw. dˈɔʑdʑ ʒˈatki vˈidɔk w ɔstˈatɲix tʃˈasax.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_103.wav|jˈak tˈam tfˈɔjɛ nˈɔɡʲi?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_289.wav|tɛlˈɛfɔn bʒˈɛntʃaw nˌatartʃˈɨvʲɛ i ɲʲˈɛxtɕaw umˈilknɔɲtɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_292.wav|mˈɔʒɛ pˈaɲi pˈɔmuts?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_61.wav|ʒˈɨtɕɛ w lˌakɛsˈidɛ zˌapɛvɲʲˈawɔ bˌɛspʲɛtʃˈɛɲstfɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_92.wav|dʑɛŋkˈujɛ, ʒˈɛ ɕɛ tɨm z nˈami pˌɔdʑɛlˈiwaɕ, jˈɔɛ. jˌɛstɛʑ bˈardʑɔ pɔmˈɔtsna i ɲʲɛzvˈɨklɛ dʑˈɛlna.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_230.wav|bˌɨwam pʃˌɛkɔnˈana, ʒˈɛ ˈumrɛ i tˌɨlkɔ dlatˈɛɡɔ tɕi vˌɨbatʃˈɨwam, ˌɔtpɔvʲɛdʑˈawam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_359.wav|bˈɔɲtɕ pɔzdrˈɔvʲɔn, ɲʲɛznˈanɨ, ɲʲˌɛpɔjˈɛntɨ, ɲʲˌɛɔdɡadɲʲˈɔnɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_223.wav|tˈak, pɔvʲˈɛdʑaw. ɡwˈɔs jˈɛɡɔ ɡʲˈinɔw na vʲˈɛtʃɛ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_16.wav|kɔpˈɨta xfˈawɨ|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_79.wav|xfˈilɛ pˈuʑɲʲɛj vrˈatsa mˈama ɕtɕiskˈajɔndʑ dˈuʒɔ̃ fɔljˈɔvɔ̃ tˈɔrbɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_638.wav|a mɨ trˈɔxɛ na tʃfɔrˈakax, trˈɔxɛ...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_20.wav|spˈɔjʒaw w jˈasnɔɲʲɛbjˈɛskʲɛ ˈɔtʃɨ brˈata i pʃˈɛs xfˈilɛ ɲʲˈɛbɨw f stˈaɲʲɛ vɨdˈuɕitɕ s ɕˈɛbjɛ swˈuf.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_99.wav|na pˈɛvnɔ vˈidʑaw, jˈak pʃˌɛxɔdʑˈiliɕtɕˌɛ pʃˈɛz bwˈɔtɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_252.wav|rˈudɨ tɕˈɔŋɡlɛ tˈu vˈɛ̃ʃɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_31.wav|vɛstxnˈɛwam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_65.wav|mˈɔʒɛ pɔ mˈɔjɛj ɲʲˌɛɔbɛtsnˈɔɕtɕi ftʃˈɔraj i dʑˈiɕ rˈanɔ zatʃˈɨna ɕɛ zˌastanˈavʲatɕ, tʃɨ nalˈɛʒɨ mi vʲˈɛʒɨtɕ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_42.wav|pˌɔrɔzmavʲˈamɨ ˈɔtɨm pˈuʑɲʲɛj, dˈɔbʒɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_131.wav|pˈɔmpɨ ftwˌatʃajˈɔntsɛ dɔ ɕrˈɔtka zˈapas tlˈɛnu zˈɛ zbjɔrɲˈikuf wazˈika na rˈaʑɛ ˌutʃɨmɨvˈawɨ tɕɛɕɲʲˈɛɲʲɛ, xˈɔtɕaʒ z ɡˈurɨ bˌɨwɨ skazˈanɛ na klˈɛ̃skɛ.|4
+Dataset/wavs/urwisko_ferenc/56_segment_32.wav|tɛn sˈam, ktˌurɨ dɔpˈadaw ɡˈɔː ɔt jakʲˈɛɡɔɕ tʃˈasu i ɲʲɛ zvʲastˈɔvaw ɲˈidʑ dɔbrˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_256.wav|lˈadɨ ɡˈɛnna prɨxnˈɛwa pˌɔɡardlˈivʲɛ. lˈɛpʲɛj, ʒˈɛbɨ bˌɨwɨ dˈɔbrɛ.|1
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+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_176.wav|ɲʲɛ dɔkˈɔɲtʃɨw.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_112.wav|pˈɔvʲɛʃ mi, ktˈɔ tɕi pɔmˈaɡaw?|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_176.wav|ɕtɕˈanɛ mˈɔʒna uʃkˈɔdʑitɕ.|4
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+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_36.wav|mˈama pˌɔvʲɛdʑˈawa, ˌutɕɛkɲʲˈɛmɨ, bˈɛnji. pʃˌɛɲʲɛɕˈɛmɨ ɕɛ dɔː innˈɛɡɔ mʲˈasta i zmʲɛɲˈimɨ nazvˈiskɔ. zatʃɲʲˈɛmɨ ɔt nˈɔva.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_26.wav|uɕˈɔɲtɕtɕɛ, prˈɔʃɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_61.wav|tɔ ktˈɔʑ zˈɛxtɕaw.|3
+Dataset/wavs/urwisko_ferenc/37_segment_8.wav|f tˌaki ˈupaw|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_121.wav|i zˌastanavʲˈawam ɕɛ ftˈɛdɨ, jˈakix ʃtˈutʃɛk uʒˈɨva ˈaram dɔ tʃɨtˈaɲʲa fprˈɔzd z nˈaʃɨɣ ɡwˈuf.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_246.wav|kuxˈaʒɛ zˌaʃlaxtɔvˈali vʲˈɛnts jˈɛdnɔ̃ z zamkˈɔvɨx mˈatɕɔr i pɔdˈali ʃˈɨŋkɛ z ɡˌɔʑdʑikˈami f pɔlˈɛvʲɛ mʲɔdˈɔvɛj s sˌuʃɔnˈɨmi viɕɲʲˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_189.wav|zɡˈɔdʑi ɕɛ zˈɛmnɔ̃ rɔzmˈavʲatɕ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_22.wav|ktˈɔ bˈɨ xtɕˈaw, ʒˈɛbɨ patʃˈɔnɔ na ɲʲˈɛɡɔ s pʃˌɛraʒˈɛɲʲɛm w rɛˈaktsji na ɕlˈadɨ, jˈakʲɛ ˌɔttɕisnˈɛwɔ nˈaɲim ʒˈɨtɕɛ?|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_206.wav|jɛj zadˈaɲʲɛ pˌɔlɛɡˈawɔ ɡwˈuvɲʲɛ na fxɔdʑˈɛɲʲu na drabʲˈinɨ f pˌɔʃukivˈaɲʲu rˈuʒnɨɣ ʑˈuw i lˈiɕtɕi pɔtʃˈɛbnɨɣ dʑɛftʃˈɨntsɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_260.wav|ɲʲɛ, dʑɛŋkˈujɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_22.wav|bˈɛz vʲɛŋkʃˈɛɡɔ prɔblˈɛmu zwapˈawam taksˈufkɛ. ɲʲɛ ˌutɕɛʃˈɨwam ɕɛ jˈɛdnak ʃtʃɛɡˈulɲʲɛ, kʲˈɛdɨ ˌɔkazˈawɔ ɕɛ, ʒˈɛ nˌatrafˈiwam na tˈakɔ̃ zɡˌadatlˈivɨm kʲɛrˈɔftsɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_47.wav|dʑˈɛtɕi prˌatsɔvɲˈikuf kˌakˌazˈɛt mˈɔɡɔ̃ za dˈarmɔ xˈɔdʑidʑ dɔ ʃkˈɔwɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_175.wav|ʒˈutsa ɡwˈɔsɛm pˈɛwnɨm ˌirɨtˈatsji.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_71.wav|tʃɨ zˈatɨm fʃˈɨstkim stˈɔi stˈɛvɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_236.wav|tɔ znˈatʃɨ, ʒˈɛ pˈaɲi ɲʲɛ znˈawa mˈɛɡɔ brˈata, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_276.wav|tʃɨ mˈɔʒna pʃˌɛpɔvʲˈɛdʑɛtɕ pʃˈɨʃwɔɕtɕ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_59.wav|dʑˈɛŋki dˈaltɔn.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_17.wav|ɕfʲˈad vˈɔkuw mɲʲɛ tɕɛmɲʲˈɛjɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_258.wav|pˈan ɲʲˈɛvʲɛ, jˈak pɔvˈinnɔ pˈaxɲʲɛtɕ mˈɔʒɛ, ʒˈɛkw ˈandɛrsɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_303.wav|i fʃˈɨstkɔ f tˌajɛmɲˈitsɨ, ʒˈɛbɨ ɲˈikt ɲʲɛ zadˈavaw kwˌɔpɔtlˈivɨx pˈɨtaɲ tˈɨpu pˈɔvʲɛts mi trˈɔnt, pɔ tsˈɔ tfˈɔjɛj fˈirmʲɛ tˈɨlɛ kɔmbˈajnuf?|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_251.wav|bˌɛɲdʑɛ nˈas tɔ kˌɔʃtɔvˈawɔ trˈɔxɛ tʃˈasu, kturˌɛɡɔ ɲʲɛ mˈamɨ, ˌalɛ mɔʒˈɛmɨ nadɡˈɔɲitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_10.wav|trafjˈawɛm z vʲˈɛŋkʃɛj ˌɔdlɛɡwˈɔɕtɕi. pˈɔza tɨm fʃˈɨstsɨ swɨʃˈɛliɕmˌɨ çistˈɔrjɛ ɔ najvˈɨʃʃɛj klˈasɨ snajpˈɛrax stʃˌɛlajˈɔntsɨx nˈavɛt s pʃˈɛʃwɔ dvˈux kˌilɔmˈɛtruf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_127.wav|bˈɔ jɛst mˈuj.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_44.wav|drˈuɡʲi mɛ̃ʃtʃˈɨzna lɛʒˈɔntsɨ w miltʃˈɛɲʲu na trˈavʲɛ ɔdˈɛzvaw ɕɛ pɔ rˈas pʲˈɛrʃɨ, ɲʲɛ ˌɔdvratsˈajɔndʑ ɡwˈɔvɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_84.wav|ˈaʃ pɔtʃˈuwam ɕɛ zupˈɛwɲʲɛ spˌaralˌiʒɔvˈana na kʃˈɛɕlɛ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_54.wav|pɔ zmʲˈɛʃxu pʃˈɛmknɔw ɕɛ pɔt kɔltsˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_112.wav|pʃˈɨkrɔ mi, ˌalɛ ɲʲˈɛvʲɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_94.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_22.wav|ɲʲɛ vʲˈɛʒɨw, ʒˈɛ mˈɔʒna tˈak pɔ prˈɔstu vˈɨdatɕ kˈɔmuɕ pˌɔlɛtsˈɛɲʲɛ, ʒˈɛbɨ zˈatʃɔw ɕɛ uɕmʲˈɛxatɕ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_364.wav|ˈɔjtɕɛts i jˈa.|1
+Dataset/wavs/urwisko_ferenc/20_segment_67.wav|f tɛj xfˈili zˈɛrvaw ɕɛ ɡvawtˈɔvnɨ vʲˈatr i tɕˈisnɔw drˌɔbʲiŋkˈami pʲˈaxu z drˈɔɡʲi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_100.wav|dʑɛftʃˈɨna uɕmʲˈɛxa ɕɛ ʃɛrˈɔkɔː i ʃtʃˈɛʒɛ, mˈiwɔ tɔ vˈidʑɛtɕ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_112.wav|vʲˈɛʒba zdʑɛlˈiwa ɡˈɔ wˈɨʃkɔ̃. bˈɛn pˈɔpla!|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_93.wav|jɛdnˈaɡʒɛ ʒˈadɛn z lˈudʑi vˌiktarjˈɔna ɲʲɛ vˈidʑaw, tsˈɔ ɕɛ stˈawɔ z rɨtsˈɛʒɛm pɔ vˌɨpadɲʲˈɛɲtɕu za bˈurtɛ. zapˈɛvnɛ utˈɔnɔw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_55.wav|bˈɛtskɨ pˌɔstukˈawa w jˈɛɡɔ zdjˈɛɲtɕɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_390.wav|ɲʲɛ ʒɨtʃˈɨwa sˈɔbjɛ alˈuzji. ɔdˈɛzvaw ɕɛ tɛlˈɛfɔn, ˌalɛ ɡˈɔ ɲʲɛ ˌɔdɛbrˈawa.|0
+Dataset/wavs/urwisko_ferenc/19_segment_52.wav|a ɲʲɛ zˌastanˈavja vˈas, dlatʃˈɛɡɔ mˈuj mˈɔ̃ʃ ɲʲɛjˈakɔ zavwˈadnɔw tˌɨmi pˌɔʃukˌivaɲʲˈami?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_75.wav|dɔ zˌɔbatʃˈɛɲʲa fkrˈuttsɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_14.wav|pˌɔtʃɛkˈajtɕɛ xfˈilɛ pɔvʲˈɛdʑaw tʃwˈɔvʲɛk s xˌɔrɔŋɡʲˈɛfkɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_2.wav|jˈaka tɔː ˈulɡa bˈɨdʑ w dˈɔmu, kʲˈɛdɨ xˈɔliʃ pˈivɛ w vwˈasnɨm wˈuʃku, a rˌɔzɛntˌuzjazmɔvˈanɨ baˈilɛj f kˈɔɲtsu dˈaw ɕɛ ɔkʲˈɛwznatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_94.wav|bˈɨw zˌamɔntɔvˈanɨ w ɕtɕˈaɲʲɛ i mʲˈaw zˈamɛk ˌɛlɛktrɔɲˈitʃnɨ, a ˌɔbɔɡ viɕˈawa instrˈuktsja ɔpswˈuɡʲi.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_200.wav|a tˈɨm, ktˌuʒɨ mˌajɔ̃ ɔxˈɔtɛ ɔbˈɛjʒɛtɕ fʃˈɨstkɔ z blˈiska, dˈalɛ i ˈinɲi ˌɛksplɔratˈɔʒɨ swˈuʒɔ̃ za pʃˌɛvɔdɲˈikuf.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_418.wav|a drˈuɡa pɔwˈɔva jɛzd ɡˈɔrʃa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_99.wav|rɔzbʲˈitɛ dɔɲˈitʃki z martfˈɨmi pˌɛlarɡɔɲʲˈami, pʃˌɛkʃɨvʲˈɔna antˈɛna tˌɛlɛvizˈɨjna, tabˈɔrɛd viʃˈɔntsɨ nat ulˈitsɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_187.wav|ˌirlanttʃˈɨtsɨ ˌuʒɔɲdʑˈilibˌɨ mu pˈɔɡʒɛb za pʲˈɛɲtɕ kavˈawkuf. tʃɨ tɨ jˌɛstɛɕ kˌatɔlˈikʲɛm?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_17.wav|ɲʲɛ vɨdˈajɛ mi ɕɛ. dʑˈɛtskɔ sprˈavja vraʒˈɛɲʲɛ tsˈawkʲɛm spˌɔkɔjnˈɛɡɔ. ɲʲɛ vˈidadʑ ʒˈadnɨx ˈɔznak strˈɛsu.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_222.wav|kʲˈɛdɨ prɔɕˈiwa ɔ vˈinɔ,|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_151.wav|lubʲˈiwa kfˈaɕnɨ lˈiɕtɕ i tɕˈastka na mʲˈɔdʑɛ.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_125.wav|mˈuɕaw ˌɔtpɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_7.wav|ˌalɛ pˈiʃɛ dɔ tɕˈɛbjɛ, ʒˈɛbɨ pɔtfʲˈɛrdʑitɕ, ʒˈɛ ɲˈits mi ɲʲɛ jˈɛst.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_67.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_261.wav|ɔtpˈarwa i spɔjʒˈawa pʃɛt ɕˈɛbjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_122.wav|tˈaɡ bˌɨwɔ dɔ samˈɛɡɔ kˈɔɲtsa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_86.wav|jˌɛstɛʑ ɡɔtˈɔva, bˈɨ pɔdbʲˈijatɕ ɕfʲˈat.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_154.wav|i vidʑˈawɛɕ mɲʲɛ z rˈɛɡʲim f tɛj mʲˈɛjskʲɛj fˌurɡɔnˈɛttsɛ, ɲʲɛ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_511.wav|f tɨm lˈɔxu pʃɛbʲˈitɨm pʃˈɛs pɔddˈaʃa zatʃˈɛwɔ tsˈɔɕ ʃtʃˈɛŋkatɕ i zɡʒˈɨtatɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_177.wav|ɲˈidʑ zwˈɛɡɔ bˈɨ ɕɛ ɲʲɛ stˈawɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_89.wav|patʃˈɨwɛm na jɛj kɔstjˈumik.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_100.wav|stfʲˈɛrdʑiw xˈu z ˌɔʒɨvʲˈɛɲʲɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_76.wav|vˈɛdwuɡ villjˈama vɔrtsfˈɔrtxa ʑrˈudwɛm najlˈɛpʃɛj lˌitɛratˈurɨ sɔ̃ ɡwɛmbˈɔkʲɛ vzruʃˈɛɲʲa rˌɔspamjˌɛntɨvˈanɛ f spɔkˈɔju.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_8.wav|ɲʲɛ xtɕˈawam vrˈatsatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_19.wav|xtsˈɛʃ pɔvʲˈɛdʑɛtɕ, ʒˈɛ ɲʲɛ znˈalas ɕɛ w bʲilˈiŋɡu? spˈɨtaw tˈɔm. tʃɨ tɔ w ɔɡˈulɛ mɔʒlˈivɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_151.wav|pˈɔwuʒ drˈuɡɔ̃ vˈarstfɛ na tsˈawɨm ɔbvˈɔdʑɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_4.wav|ɡʲitˈara aŋɡˈusa jɔˈuŋɡa, ɡrajˈɔntsa zwɔvʲˈɛʃtʃɨ rˈivv dʲˈirtɨ dʲˈidz dˈɔnt dʲˈirt tʃˈip.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_67.wav|vʲˈɛnts xˈɔdʑ zˈɛmnɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_11.wav|tˈutaj zˈaɕ mʲɛʃkˈajɔ̃ zamˈɔʒɲi ˌartɛmizjˈaɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_294.wav|mˈam na ʑˈɛmi kˈumpla, ktˌurɨ pˈɛɲdʑi tˈakʲɛ ʒˈɛtʃɨ, pɔvʲˈɛdʑaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_158.wav|bˈaki sˈadʑa jˈɔ̃ na kʃˈɛɕlɛ i pʃɛxˈɨla jɛj ɡwˈɔvɛ tɔ w jˈɛdnɔ̃, tɔ w drˈuɡɔ̃ strˈɔnɛ, ˈaʃ pʃɨtɕmʲˈɔnɛ ɕfʲˈatwɔ pɔrˈaŋka pˈada nˈaɲʲɔ̃ pɔd vwaɕtɕˈivɨm kˈɔntɛm.|2
+Dataset/wavs/urwisko_ferenc/51_segment_49.wav|jˈarɛɡ blˈɔx pˌɔtʃɛ̃stˈɔvaw mˈarjɛ kamˈɛlɛm i zɡʒˈɨtnɔw zˌapalɲˈitʃkɔ̃. xˈɔtɕ, kˈivnɔw rˈɛŋkɔ̃ i rˈuʃɨw f kʲɛrˈuŋku zarˈɔɕli.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_37.wav|ɲʲɛ mˈɔʒɛʒ zˈɛmnɔ̃ pɔjˈɛxatɕ. tɔ varjˈatstfɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_32.wav|ˈalbɔː ˌuvʲɔ̃zˈawɨ mˌɛxaɲˈizmɨ, ɲʲɛbˈatʃɲʲɛ pʃˈɛs tɕˈɛbjɛ ˌuruxɔmjˈɔnɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_451.wav|vɨstˈɔmpi jˈakɔː amˈatɔr.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_3.wav|ɔd ɡwˈɔs ɕmʲˈɛxu dˈɔtar dɔ mɔjˈɛɡɔ pɔkˈɔju s kˌɔrɨtˈaʒa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_519.wav|i tɔ patʃˈɛɲʲɛ budʑˈiwɔ vˈɛmɲʲɛ i w ɲʲˈɛj ɡɔrˈɔntsɛ drˈɛʃtʃɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_104.wav|tˈak jˈɛst, pɔtfʲˈɛrdʑiw dˈanɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_17.wav|ɲʲˈɛxtɕawbˌɨ ˈallɛn vʲˈɛdʑaw, jˈaka tɔ vˈaʒna sprˈava, jˈaɡ vʲˈɛlɛ ɔt tˌɛɡɔ zalˈɛʒɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_53.wav|kʲˈɛdɨ mˈuvi tɛ swˈɔva, blˈask pʃɨɡˈasa w jɛj ˈɔtʃax.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_44.wav|tsˈɔ maʃ na mˈɨɕli? ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ tˈu bˈɨwɛm. ɡdʑˈɛ ˈiɲdʑɛj mʲˈawbɨm bˈɨtɕ. zˈafʃɛ tˈu jˈɛstɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_125.wav|tɔ bˌɨwa dˈɔbra vʲadˈɔmɔɕtɕ, ˌalɛ zˌaxɔvˈawam kamjˈɛnnɔ̃ tfˈaʃ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_268.wav|ˌalɛ nˈavɛd ʒˈɛbɨ fʃˈɨstsɨ lˈudʑɛ ɕfʲˈata umˈarli jɛdnˈɛɡɔ dɲʲˈa i w jˈɛdnɛj ɡɔdʑˈiɲʲɛ,|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_68.wav|vˈaski!|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_55.wav|zmˌarnɔvˈana ɔkˈazja, ˌalɛ ɲʲɛ fʃˈɨstkɔ dˈa ɕɛ pʃɛvˈidʑɛtɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_44.wav|vʲˈɛm, ʒˈɛ f tɛn spˈɔsup pˈɨta, skˈɔnt mˈɔja kˌɔlɛʒˈaŋka vʲˈɛ ɔ kwˈutɲʲaɣ z ˈaʃɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_126.wav|dʒˈɛva nˌapʲɛrˈajɔ̃ z ˈɔbu strˈɔn, ɡawˈɛ̃ʑɛ xwˈɔʃtʃɔ̃ bˈɔki fjuʒˈɨna, rˈɔbʲi ɕɛ bˈardʑɛj strˈɔmu.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_244.wav|rubʲˈinɨ rɛɡˈara?|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_254.wav|bɛlˈandra jˈɛdnak rˈuvɲʲɛʃ nˌajvɨrˈaʑɲʲɛj stratɕˈiwa jˈɛ̃zɨk.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_4.wav|jˌɛstɛm pɔd vraʒˈɛɲʲɛm tfɔjˈɛɡɔ swˌɔvɔtfˈurstfa pɔvʲˈɛdʑaw dˈalɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_127.wav|ˌadmiɲˌistratˈɔrka ŋɡˈui mˈɔɡwa ujˈavɲitɕ mˈɔjɛ dˈanɛ lˌɔkalˌizatsˈɨjnɛ tˌɨlkɔ z jakʲˈɛɡɔɕ pˌɔvaʒnˈɛɡɔ pɔvˈɔdu.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_398.wav|pɔʒˈɛra mɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/59_segment_83.wav|kʲˈɛdɨ mˈam pʃˈɨjʒɛtɕ ɕɛ ubrˈaɲʲɔm, ɔstrˈɔʒɲʲɛ vɨjmˈujɛ jˈɛ s pˈatʃki i jˈɛʃtʃɛ ɔstrˈɔʒɲʲɛj vʲˈɛʃam nat kuvˈɛtɔ̃, zˈatʃɔw zavˈɔrski.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_15.wav|dɔpˈuki ɲʲɛ vˈɨjdɛ za mˈɔ̃ʃ i ɲʲɛ zawˈɔʒɛ vwˈasnɛj rɔdʑˈinɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_13.wav|dlatʃˈɛɡɔ tɔ vwˈaɕɲʲɛ mɲʲɛ prubˈɔvaw ˈuvʲɛɕtɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_172.wav|trˈɔmba, ktˌurɨ stˈaw pʃɨ ˈɔkɲʲɛ pɔ drˈuɡʲɛj strˈɔɲʲɛ, vɨrˈaziw tɔ sˈamɔ vzruʃˈɛɲʲɛm rˈamjɔn.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_45.wav|tɔː ɔdvˈala strˈaʃnɔ̃ fuʃˈɛrkɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_29.wav|na sˈam kˈɔɲʲɛdʑ zˌapɨtˈawam jˈɔ̃ fprˈɔst.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_50.wav|mˈɛtan, dɔdˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_47.wav|ɲʲɛ pˌɔtʃɛbɔvˈawam ɲikˈɔɡɔː innˈɛɡɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_40.wav|— fˈinn ˌɛmtsˈɛ ɡuˈinnɛss — pɔvʲˈɛdʑaw f kˈɔɲtsu tˈɔm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_234.wav|bˌɛndɛ mˈuɕaw xˈɔdʑidʑ za wukˈami.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_37.wav|vˈidʑi jɛj zˌavʲɛdʑˈɔnɔ̃ mˈinɛ i vzrˈuʃa rˌamjɔnˈami.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_48.wav|swˈuxaw, jˈak ɕɛ tsawˈujɔ̃, ɕmʲˈɛjɔ̃ i kɔxˈajɔ̃ zˈɛ sˈɔbɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_151.wav|zˌatʃɨmˈujɛ ɕɛ na fprˈɔzd dʒvˈi vɛjɕtɕˈɔvɨx, zdɛjmˈujɛ ʃtˈutʃnɨ bʒˈux i tʃˈɛka.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_200.wav|a dɔmˈɨɕlaʃ ɕɛ, tsˈɔ bˈɨ tɔː ˌɔznatʃˈawɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_74.wav|ɲʲɛ vˈidatɕ, tsˈɔ jɛst pɔ drˈuɡʲɛj strˈɔɲʲɛ vˌɨsɔkʲˈɛɡɔ mˈuru, ˌalɛ ɡdʑˈɛɕ tˈam stˈɔi struʒˈufka i jˈɛɕli ktˈɔɕ w ɲʲˈɛj dˌɨʒurˈujɛ, stˈarɨ dˈɔdʒ ɲʲɛxˈɨbɲʲɛ jˈuʃ ɕɛ nˈaɡraw na vidˈɛɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_169.wav|vɨɡlˈɔnda jˈak kʃˈɨʃ, ɲʲɛ? stˈɔnt, z dˈɔwu. stˈarʃɨ mɛ̃ʃtʃˈɨzna rɔzˈɛɕmʲaw ɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_28.wav|kˈid vɨtɕˈɔŋɡnɔw rˈɛŋkɛ i ustˈaviw mɔɲˈitɔr ˌidɛˈalɲʲɛ f pɔpʃˈɛdɲʲɛj pɔzˈɨtsji. jˈasnɛ. mrˈuknɔw tˈɔm, tʃˈujɔnts ɕɛ dʑˈivɲʲɛ ˌukarˈanɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_129.wav|bˌɨwa fɕtɕˈɛkwa. ɕfʲadˈɔmɔɕtɕ, ʒˈɛ mˈɔɡwabˌɨm lˈɛpʲɛj rɔzˈumjɛtɕ jˈɛɡɔ natˈurɛ ɲˈiʃ ˌɔna dˌɔprɔvadʑˈawa jˈɔ̃ dɔː ɔbwˈɛndu.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_276.wav|mˈɔʒna bˈɨ ɡˈɔ pʃɛmˈɨtɕitɕ rˈazɛm z ɡrˈupɔ̃ turˈɨstuf.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_452.wav|— kˈim jɛst tˈamta kˈurva? — zˌapɨtˈawa ˈɛstɛr.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_124.wav|kilkˈasɛt mˈɛtruv dˈalɛj pˈɔlnɨ trˈakt pʃɛxˈɔdʑi f pˌɔrɔɕɲʲˈɛntɔ̃ trˈavɔ̃ drɔʒˈɨnɛ, na ktˌurɛj mʲˌɛndʑɨ kˌɔlɛjnˈami rˈɔsnɔ̃ pˈɔlnɛ kfʲˈatɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_544.wav|mˈɨɕliʃ ˈɔɲʲɛj?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_544.wav|i skˈurtʃ fspuwtʃˈutɕa, i spˈazm ʒˈalu, ʒˈɛ tˈak nˈaɡlɛ...|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_152.wav|ˌalɛ vˈidʑiʃ, ˌɔna jɛst jˈak mˈɔʒɛ.|0
+Dataset/wavs/urwisko_ferenc/08_segment_19.wav|ˌumuvˈili ɕɛ ftˈɛdɨ f kafˈɛ lɛŋkʲˈɛvitʃ pʃɨ rˈɨŋku stˌarɔmjˈɛjskim, ˌalɛ ɲʲɛ w ɔɡrˈutku, tˌɨlkɔ w ˌɔfitsˈɨɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_201.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_187.wav|bʲˈillɨ pɔstˈaviw pʃɛdˈɛmnɔ̃ ʃklˈaŋkɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_184.wav|skˈɔnt ɕɛ tɛ pʲɛɲʲˈɔndʑɛ vʑˈɛwɨ, kˈɛn? spˈadɛk pɔ bɔɡˈatɨm vˈujku?|2
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_61.wav|ˌupɛvɲˈiwam ɕɛ, tʃɨ mˈuj tɔrɲˈistɛr jɛst sprˈavnɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_99.wav|rˈɔp ɔtfˈɔʒɨw bjˈurɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_48.wav|jˈuʃ tɔ zrɔbʲˈiwam, ɔtpˈarwa bˈɛki. swɨʃˈawa zmɛntʃˈɛɲʲɛ f sfˈɔim ɡwˈɔɕɛ i rˌɔspatʃlˈivʲɛ pˌɔtʃɛbɔvˈawa kˈavɨ, ʒˈɛbɨ jˈɛʃtʃɛ trˈɔxɛ pɔtɕˈɔŋɡnɔɲtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_30.wav|pˈɨtam, ftsˈalɛ ɲʲɛ mˈajɔnts ɔxˈɔtɨ zˈɛrkadʑ za ɕˈɛbjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_66.wav|tʃɨ tɔ, jˈak ˈɛlis mu zˌaufˈawa, jˈak nˈaɲim pɔlˈɛɡa, jɛst rˈuvɲʲɛ ɲʲˌɛbɛspʲˈɛtʃnɛ? ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ tˈak.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_62.wav|znanˈɨmi fspˌulɲikˈami, ktˌuʒɨ ɡˈɔ brɔɲˈili. fʃˈɨstkɔ, tsˈɔ tˌɨlkɔ ɕɛ dˈa. mˈɔʒɛ mˈa tɔ jˈakiʑ zvʲˈɔ̃zɛɡ z jˈɛdnɔ̃ z mˈɔix sprˈaf.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_57.wav|vʲˈɛm, ɔtpˈarwa i vˈidʑɔndʑ zdumjˈɛɲʲɛ na mˈɔjɛj tfˈaʒɨ, ˌuɕmʲɛxnˈɛwa ɕɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_120.wav|ɔpˈadwam plɛtsˈami na wˈuʃkɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_13.wav|tɛ vwˈaɕɲʲɛ, za kturˈɨmi mʲɛʃkˈawa mˈarɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_81.wav|jɛŋknˈɛwam pʃɛtɕˈɔŋɡlɛ i xfɨtɕˈiwam ʃˈuflɛ, ktˌurɔ̃ ftɕˈɔ̃ʃ tʃˈɨmaw w vˌɨtɕɔŋɡɲʲˈɛntɛj rˈɛntsɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_19.wav|mdwˈɔɕtɕi jˈɛdnak ɲʲɛ ˌustɛmpɔvˈawɨ i stratɕˈiwam na vˈadʑɛ, xˈɔtɕ ɲʲɛ mʲˈawam za bˈardʑɔ s tʃˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_233.wav|kʲˌɛrujˈɔntsɨ kɔmbˈajnɛm ˌɔpɛrˈatɔr xtɕˈaw mɲʲɛ zmʲˈaʒdʒɨtɕ nˌabjɛrˈakʲɛm, pˌamjɛntˈatɕɛ?|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_203.wav|pɔrvˈawa kɔʃˈulɛ na stˈɔ stʃˈɛmpuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_405.wav|bˌɨwa tɔ vwaɕtɕˈivʲɛ ɔpʃˈɛrna drɛzˈɨna z ˌuxfɨtˈami. na pʃˈɔdʑɛ virˈɔvaw ɲˈitʃɨm ɲʲˌɛɔswɔɲʲˈɛntɨ mˈɔtɔr.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_82.wav|vʲˈɛm, ʒˈɛ mɲʲɛ zwˈapaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_51.wav|tsˈuʃ, ɲʲˈɛmam zdɔlnˈɔɕtɕi plastˈɨtʃnɨx.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_7.wav|ɔznˈajmiw jɛdnˈɛmu z dʑɛtɕˈakuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_42.wav|dla mɲʲɛ jɛst tɔ jˈɛdnaɡ znˈak, ʒˈɛ ktˈɔʑ vʲˈɛ zbˈɨd vʲˈɛlɛ na tˈɛmat mˈɔjɛj pʃɛʃwˈɔɕtɕi.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_132.wav|i jɛj tsˈurka, tˈak jˈak rˌɔskazˈawɛɕ.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_27.wav|ˈɔtpar pˈɔdritsk. tɔ znˈatʃɨ, z mˈɔjɔ̃ pˈaɲʲɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_38.wav|tʃɨ ɔn vʲˈɛ, ɡdʑˈɛ ˌɔna tˈɛras jˈɛst?|3
+Dataset/wavs/urwisko_ferenc/24_segment_94.wav|bɔrˈɛvitʃ ɔdˈɛpxnɔw tɛ mˈɨɕli, ɡdˈɨ tˌɨlkɔ pʃɨpˈɔmɲʲaw sˈɔbjɛ zdjˈɛɲtɕa z ɔɡlˈɛɲdʑin zvwˈɔɡ zuzˈannɨ xudʑˈiɲskʲɛj.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_17.wav|pˈɔtɛm ɕɛŋɡnˈɛwam pɔ tɔrɲˈistɛr i zˌawɔʒˈɨwam ɡˈɔ sˈɔbjɛ na plˈɛtsɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_81.wav|swˈɨʃɛ kɔlˈɛjnɛ sɨɡnˈawɨ i zatʃˈɨnam ɕɛ zˌastanˈavʲatɕ, tʃɨ w ɔɡˈulɛ ɔdbjˈɛʒɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_100.wav|mˈuʃɛ prˈɔɕitɕ ɔ pʲɛɲʲˈɔndʑɛ, kʲˈɛdɨ zamjˈɛʒam kˈupitɕ tsˈɔʑ vaʒnˈɛɡɔ dɔ prˈatsɨ i ftˈɛdɨ kɔʒˈɨstam z vˈaʃɛj dˌɔbrɔtʃɨnnˈɔɕtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_203.wav|ɲʲˈɛma ˈɔbaf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_79.wav|tɔ tfˈuj vˈɨbur tʃɨ jɛj.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_304.wav|ɲˈiɡdɨ ɲʲˈɛbɨw bˈardʑɛj swˈɔtki i ɲʲɛvˈinnɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_195.wav|pˌɔwɔʒˈɨli ɕɛ na trˈavʲɛ i miltʃˈɛli pʃˈɛs xfˈilɛ. ˈandɛrsɔn pˈatʃɨw na ɲʲˈɛbɔ, pˈalɔnts pˌapʲɛrˈɔsa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_298.wav|a tˈɛras ɕpˈij i ɲʲˈɛmɨɕl jˈuʃ ˈɔtɨm, tsˈɔ xtɕˈawaʑ zrˈɔbʲitɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_113.wav|ɲʲˈɛmam pɔjˈɛɲtɕa ktˈɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_5.wav|dʑˈɛtɕi jˈuʃ fstˈawɨ, sɔ̃ zˌaɲʲɛpˌɔkɔjˈɔnɛ i zˌastanavʲˈajɔ̃ ɕɛ, kʲˈɛdɨ vrˈutɕi tˈatuɕ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_19.wav|pˌɔvʲɛdʑˈawɛm mu tɔ, ˌalɛ tɛn lˈɔrt ɲʲˈɛxtɕaw swˈuxatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_55.wav|pˌɔtʃɨnˈajɔnts ɔt mˈatki, ktˌura zapˈɛvnɛ vɔwˈawa na ɲʲˈɛɡɔ kˈɛnnɨ i tsˈɔ dvˈa tɨɡˈɔdɲʲɛ zˌabjɛrˈawa ɡˈɔ dɔ frɨzjˈɛra.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_94.wav|tɔ jˈɛdɛn s pɔvˈɔduf, dla ktˌurɨx tˈak ɕɛ pʃˌɛtɕɔŋɡˈawɔ. i sˈɔndʑɛ, ʒˈɛ ˌɔstatˈɛtʃɲʲɛ tɔ zdjˈɛɲtɕɛ tʃɨ zdjˈɛɲtɕa znalˈɛʑli.|2
+Dataset/wavs/urwisko_ferenc/05_segment_6.wav|mˈarja mɨɕlˈawa ɔ zˌaɡʲiɲʲˈɛɲtɕu mˈɔɲikˌi xudʑˈiɲskʲɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_27.wav|tˈɛras ɔbˈavʲam ɕɛ jˈɛʃtʃɛ tˈɛɡɔ, ʒˈɛ pɔlˈitsja z mˌanxɛstˈɛru ˌarɛʃtˈujɛ mɲʲɛ za zˌamɔrdɔvˈaɲʲɛ ɡˌɛnɛvʲˈɛvɛ, a ˈalfjɛ trˈafi dɔː ɔpʲˈɛki spɔwˈɛtʃnɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_140.wav|zwˈamaw tɔ, tsˈɔ w ɲʲˈɛj pˌɔzɔstˈawɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_16.wav|fstˈajɛ z wˈuʃka ˌiɡnɔrˈujɔndʑ bˈul f pʲˈɛrɕi i ɔtfʲˈɛram dʒvˈi sɨpʲˈalɲi, kʲˈɛdɨ rɔzlˈɛɡa ɕɛ dʑvˈɔnɛɡ dɔ dʒvˈi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_59.wav|fkrˈuttsɛ ɕɛ zˌɔbatʃˈɨmɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_18.wav|ˌalɛ tsˈɔ f sˌɨtuˈatsji, jˈɛɕli bˈɛzɛ mɲʲɛ ix plˈan tsˌawkɔvˈitɕɛ ɕɛ rɔssˈɨpaw?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_49.wav|— zˌavɔwˈawa luˈisa, kʃˈɨvʲɔnts ɕɛ z bˈulu. — lˈutsɨ, xˈɔtɕ tˈutaj, kɔxˈana, i vˈɛʑ bratɕˈiʃka. tɕˈɛ̃ʃkɔ mi ɡˈɔ tʃˈɨmatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_76.wav|ˈɔ, dʑˈɛɲ dˈɔbrɨ, pˈaɲi pˈɔrtɛr. pˈaɲi tˈata tɔ tˌaki mˈiwɨ tʃwˈɔvʲɛk. nˈɔː i mˈa pˈaɲi pʃˌɛswɔtkʲˈɛɡɔ xwˈɔptsa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_307.wav|pʃˌɨlɛtɕˈawɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_35.wav|i s tɛj vwˈaɕɲʲɛ pʃɨtʃˈɨnɨ uvˈaʒam, ʒˈɛ jɛst tˌɨlkɔ jˈɛdna ɔsˈɔba, ktˌurɛj stsˈɔtt mˈɔʒɛ ɲʲˌɛnavˈidʑidʑ bˈardʑɛj ɲˈiʃ tsˌamɛrˈɔna i jaɡˈɛra.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_71.wav|pˌɔdjɛʒdʒˈawɨ sˌamɔxˈɔdɨ pˌɔlitsˈɨjnɛ, ˈinnɛ raptˈɔvɲʲɛ ruʃˈawɨ z mawˈɛɡɔ parkˈiŋɡu, zˌapalˈajɔnts ɲʲɛbjˈɛskʲɛ kɔɡˈutɨ na dˈaxax mˈaʃɨn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_22.wav|tsˈɔ ɕɛ dʑˈɛjɛ? xˈɔdʑi ˈɔtɔ mɔrdˈɛrstfɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_72.wav|ɲʲɛ jˌɛstɛm w ɲˈitʃɨm dˈɔbra.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_159.wav|tɔ znˈatʃɨ, ʒˈɛ tɕˈɛ ɲʲˈɛstatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_74.wav|ɲʲɛ zmʲˈɛɲʲaj tɛmˈatu.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_95.wav|dʒˈɛs? mˈɔʒɛ tɨ tˈɛʃ sprubˈujɛʃ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_198.wav|nˌajvɨrˈaʑɲʲɛj ɲʲɛ pɔstˈawɔ mu tɔ w ɡwˈɔvʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_103.wav|vɨbˈatʃɲik, ɲʲɛ xtɕˈawɛm, ʒˈɛbɨ tɔ tˈaɡ zabʒmʲˈawɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_268.wav|i tˈak ˈɔtɔ kˌɔntrabˈanda trafˈiwa dɔː artˈɛmis.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_81.wav|pɔt sufˈitɛm viɕˈawa banˈalna ʒarˈufka s kilkˈɔma martfˈɨmi muxˈami, tˈaka sˈama, jˈakɔ̃ vidʑˈawɛm f sˈɛtkax krˌɨminˈalnɨx fˈilmuf.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_92.wav|kʲˈɛdɨ mɲʲɛ zɔbˈatʃɨw, uɕmʲˈɛxnɔw ɕɛ ʃɛrˈɔkɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_211.wav|zɔbˈatʃɨ jˈɛ, kʲˈɛdɨ nastˈɛmpnɨm rˈazɛm spˈɔjʒɨ w lˈustrɔ.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_241.wav|jˈak sˈɔbjɛ ʒˈɨtʃɨʃ.|1
+Dataset/wavs/urwisko_ferenc/46_segment_134.wav|bˌɨwa tʃˈɨsta i dˈɔbʒɛ pwˈatna. ɲˈikt ɲʲɛ pʃɛkrˈatʃaw prˈava, ɲʲɛ lˈitʃɔnts prˈava skˌarbɔvˈɛɡɔː i rɔzvˈɔju ʃˈarɛj strˈɛfɨ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_308.wav|jˈamɛ pɔklˈɛpaw ɡˈɔ zwˈɔtɔ̃ dwˈɔɲʲɔ̃ pɔ ramjˈɛɲʲu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_59.wav|sɔ̃ tʃˈɛɲɕtɕɔ̃ tfɔjˈɛɡɔ pʃɛbrˈaɲʲa, jˈak pɛrˈuka i ʃtˈutʃnɨ bʒˈux.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_227.wav|ktˈɔɕ tɔ mˈɔʒɛ pɔtfʲˈɛrdʑitɕ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_44.wav|ulˈitsa jɛst pˈɛwna ˈinnɨx mˈatɛk, ˈɔjtsuf i kilkˈɔrɡa dʑˈatkuf, ktˌuʒɨ ˌɔtprɔvadʑˈajɔ̃ dʑˈɛtɕi dɔ ʃkˈɔwɨ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_74.wav|kɕˈɔ̃ʒɛ tɕˈɛ vzˈɨva.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_51.wav|pʃɛwknˈɛwam ɕlˈinɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_18.wav|ʒˈadnɨɣ bwˌɨskajˈɔntsɨx kɔɡˈutuv zrˌɔzumjˈawam, mˈuvi ˌɔna i sˌalutˈujɛ, bʲˈili ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_192.wav|krˈɔ̃ʒɨw zˈɛ sfˈɔjɔ̃ pˈaɲʲɔ̃ pɔ vɔ̃vˈɔzax ˌɔkɔlˈitʃnɨx.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_142.wav|tˈɔm ˈɔpar ɕɛ vɨɡˈɔdɲʲɛj na sˈɔfjɛ, jˈaɡbɨ bˌɨwa tɔ pʃɨjˈazna pˌɔɡavˈɛntka.|3
+Dataset/wavs/urwisko_ferenc/33_segment_94.wav|w jˈaki spˈɔsub ɡˈɔː ɔdnˈajdʑɛ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_268.wav|zmˈarʃtʃki na tʃˈɔlɛ pˌɔɡwɛmbʲˈiwɨ ɕɛ, jˈak i zmˈarʃtʃki vˈɔkuw ˈust.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_59.wav|mˈam nadʑˈɛjɛ, ʒˈɛ ɲʲɛ pˈɔtrfa tɔ dwˈuɡɔː i ɲʲɛbˈavɛm. zɔbˈatʃɛ alfjˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_152.wav|upʲˈɛraw ɕɛ xwˈɔpʲɛts.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_153.wav|na mˈɔjɔ̃ kɔmˈɛndɛ rˈɔbɔd zˈatʃɔw ʃˈɨpkɔ pʃɛbjˈɛratɕ ˌurɔtʃˈɨmi mawˈɨmi ˌɔdnuʒˈami.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_189.wav|vʲˈɛnts musˈimɨ rˈadʑitɕ sˈɔbjɛ sˈami.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_152.wav|tʃɨ tɔ bˌɨwɔ strˈaʃnɛ?|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_321.wav|vˈɨʃɛd za mˈawɨm bɛŋkˈartɛm s kɔmnˈatɨ i fstˈɔmpiw na krˈɛntɛ kamjˈɛnnɛ sxˈɔdɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_89.wav|tˈɛras mi pˈɔmuʃ. bʲˈillɨ pɔdnˈɔɕi jɛj rˈɛŋkɛ i pɔ dvˈux ɲʲˌɛudˈanɨx prˈubax trˈafja ɲʲˈɔ̃ f krˈutki rˈɛŋkaf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_53.wav|za kˌɔmɛntatˈɔruf rˈɔbʲi tˈam bˈanda ˌɔʃɔwˈɔmuf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_12.wav|bˈɛtskɨ pˌɔstavˈiwa xɛrbˈatɨ i uɕˈadwa, a tˈɔm ˌɔpɔvʲˈɛdʑaw jɛj ɔ pɔvˈɔdax, dla ktˌurɨx tsˈurka pʃɛɲʲˈɔswa ɕɛ dɔ ɲʲˈɛɡɔː i ˈɔtɨm, tsˈɔ vˌɨdaʒˈɨwɔ ɕɛ pˌɔpʃɛdɲʲˈɛɡɔ dɲʲˈa.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_69.wav|rɨtsˈɛʒɛ ɡvˈardji krulˈɛfskʲɛj bˌɨli prˌavɔvitˈɨmi ˌɔbrɔɲtsˈami krˈula i krulˈɔvɛj jˈuʃ ɔt tʃˈasuf ɛɡˈɔna zdɔbˈɨftsɨ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_62.wav|pˈɔvʲɛʑ ɡˈɔː i skˈɔɲdʒ vrˈɛʃtɕɛ s tˈɨm.|1
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_104.wav|ʒˈɔka zˌastanavʲˈawa ɕɛ pʃˈɛs xfˈilɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_48.wav|fstˈajɛ s trˈudɛm i ɔdbjˈɛra ˈɔdɛ mɲʲɛ dʒˈinsɨ.|4
+Dataset/wavs/urwisko_ferenc/49_segment_50.wav|tɨm bˈardʑɛj, ʒˈɛ tɛn sˈam mɛxˈaɲizm vˌɨkɔʒˌɨstɨvˈawa f trˈaktɕɛ ˌupravʲˈaɲʲa xazˈardu.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_20.wav|i ɲʲˈɛx tˈam zɡɲˈi jˈɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_71.wav|tʃˈuwam pˌɔtɕfʲadˈɔmjɛ, ʒˈɛ tʃˈɛka nˈamɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_282.wav|lˈɔrt ɔrlˈɛɡɔ ɡɲʲˈazda ɲʲɛ mˈɔʒɛ zjˈɛʒdʒadʑ zˈɛ sfˈɛj ɡˈurɨ zvʲɔ̃zˈanɨ jˈaɡ vˈɔrɛk jɛntʃmʲˈɛɲʲa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_144.wav|vʲɛdʑˈawam, xˈɔtɕ tˌɛɡɔ ɲʲɛ rˌɔzumjˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_60.wav|jɛst pˈɛvʲɛn, ʒˈɛ xˌɔudʲˈiɲi bˈɨwbɨ pˌɔdɔbnˈɛɡɔ zdˈaɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_97.wav|zvˈabʲiw baʃˈarɛ w zasˈatskɛ, ʒˈɛbɨ alvˈarɛs mˈuɡw jˈɔ̃ zˈabʲitɕ, ˌalɛ tfʲˈɛrdʑi, ʒˈɛ zrˈɔbʲiw tɔ pɔt pʃɨmˈusɛm. pɔdˈɔbnɔː alvˈarɛz ɡrˈɔziw mu ɕmʲˈɛrtɕɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_53.wav|zˈajmɛ ɕɛ tˈɔbɔ̃ pˈuʑɲʲɛj, sˈɛr.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_52.wav|vʑˈɛwa kɔlˈɛjnɨ wˈɨɡ vˈina.|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_66.wav|pˈatʃɨ w zˌamɨɕlˈɛɲʲu na nˈɛndʑnɨ trˈavɲiɡ bʲillʲˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_39.wav|tˈak. ˌidɛˈalnɨ, ɲʲɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_15.wav|mˈɔʒɛ ɔkˈaʒɛ ɕɛ zbɨtˈɛtʃnɨm ɕrˈɔtkʲɛm ˌɔstrɔʒnˈɔɕtɕi na tʃˈas pɔdrˈuʒɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_350.wav|tɨmtʃˈasɛm zzˈa dʒˈɛv vˌɨnuʒˈɨwa ɕɛ ˈanɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_211.wav|pɔvˈinɲiɕtɕˌɛ ɕɛ fstˈɨdʑitɕ, mˈuvi vrˈɛʃtɕɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_15.wav|ɲˈiɡdɨ ɲʲɛ xtɕˈawam jˈuʃ ɲikˈɔɡɔ tˈak pɔkˈɔxatɕ, tʃˈutɕ tˈak sˈamɔ ɕˈilnɔ̃ rˈadɔɕtɕ, strˈax i rˈɔspatʃ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_6.wav|ɲˈiɡd dɔ tɛj pˈɔrɨ ɲʲɛ zadʑvˈɔɲiw.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_37.wav|pɔxˈɔvaj jˈɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_209.wav|ɡʒˈɛtʃnɨ xwˈɔptʃɨk.|4
+Dataset/wavs/urwisko_ferenc/63_segment_198.wav|xˈanna pilˈɛfska vʲˈɛʃxɛm dwˈɔɲi ɔtˈarwa wzˈɨ, a rɛŋkˈavɛm stˈarwa ɕlˈinɛ, ktˌura ɕtɕɛkˈawa jɛj pɔ brˈɔdʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_7.wav|vɨɡlˈɔnda tˈɛʃ na ɕmʲɛrtˈɛlɲʲɛ pʃˌɛraʒˈɔnɔ̃ i bʲˈillɨ ftsˈalɛ jɛj ɕɛ ɲʲɛ dʑˈivi.|2
+Dataset/wavs/urwisko_ferenc/58_segment_24.wav|ˌalɛ zatʃˈɨmaw ɕɛ pʃɛt rˌɔssuvanˈɨmi dʒvʲˈami i zˈɛrknɔw na pˈarkiŋk.|0
+Dataset/wavs/urwisko_ferenc/59_segment_27.wav|mˈɔʒɛ vʲˈɛ, mˈɔʒɛ pˌɔdɛjʒˈɛva.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_542.wav|i ˈɔdrux, ʒˈɛbɨ vɨskˈɔtʃɨtɕ spˈɔt kˈɔtsa i utɕˈɛkatɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_81.wav|tˈɛ, ktˌurɛ pˌɔzɔstˈawɨ, tˌɛɔrɛtˈɨtʃɲʲɛ ˌɔtpɔvʲɛdʑˈalnɛ za pʃˌɨvrutsˈɛɲʲɛ im vɔlnˈɔɕtɕi, bˌɨwɨ ˌɔfjarˈami.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_68.wav|uɕmʲˈɛxnɔw ɕɛ prɔmjˈɛnɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_85.wav|jɛʒˈɛli xtsˈɛmɨ mʲˈɛtɕ ˌɛkspɛrtˈɨzɛ dˌɛˌɛnˈa, musˈimɨ vˈɨswatɕ prˈupki na ʑˈɛmʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_3.wav|f kˈɔɲtsu vbjˈɛɡam dɔ mʲɛʃkˈaɲʲa, zˌatʃaskˈujɛ dʒvˈi i ɔpʲˈɛram ɕɛ ˈɔɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_262.wav|pɔvʲˈɛdʑaw ˈandɛrsɔn, ɕfʲˈɛtɲʲɛ tɔː ujˈɛwaɕ pɛvnˈɛɡɔ dɲʲˈa. i tsˈɔ dˈalɛj? tsˈɔ stˈaɲʲɛ ɕɛ tˌɛɡɔ dɲʲˈa?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_11.wav|skˈɔnt tˈakʲɛ pʃˌɛkɔnˈaɲʲɛ?|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_204.wav|maˈɛstɛr kˌalɛˈɔttɛ zdˈɔwaw ˌuratˈɔvatɕ jɛj ʒˈɨtɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_203.wav|dɔ ɡwˈɔvɨ mi tɔ ɲʲɛ pʃˈɨʃwɔ, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_24.wav|ˌalɛ na dˈɔlɛ...|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_40.wav|— tɔ pˈan xundˈɛbawx — pˌɔvʲɛdʑˈawa sˈusan. drˈuɡʲi pˈɔkuj pɔ lˈɛvɛj strˈɔɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_145.wav|ɲʲɛ, ˌalɛ bˈɨw tʃˈas, ʒˈɛ spˈɔrɔ tˈakiɣ zˌamjɛʃtʃˈali w ɕfʲɛrʃtʃˈɨkax tˈɨpu pˌɛntxɔˈusɛ i xˈastlɛr.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_18.wav|tʃɨ tɔː ɔznˈatʃa, ʒˈɛ jˈɔ̃ znalˈazwam? mˈili, jˈɛɕli tˈak, tɔ tsˈɔ zˌamjɛʒˈajɔ̃ z ɲʲˈɔ̃ dʑˈiɕaj zrˈɔbʲitɕ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_150.wav|natxˈɔdʑi tʃˈas na pˌɔruvnˈaɲʲɛ kˈart i mˈɔdlɛ ɕɛ, ʒˈɛbɨ ɲʲɛ ˌɔkazˈawɔ ɕɛ, ˈiʒ ʑlˈɛ ˌɔttʃɨtˈawam zˌaxɔvˈaɲʲɛ julˈɔŋɡa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_36.wav|dlatʃˈɛɡɔ ɲʲɛ sˈɔɲdʑiʃ, ʒˈɛ tɔ tsˈɔʑ dla tɕˈɛbjɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_179.wav|kˈaʒdɨ zbjˈɛk na kɕɛ̃ʒˈɨtsu mˈuɕi ɕɛ lˈitʃɨdʑ z drˈɔbnɔ̃ ɲʲˌɛdɔɡɔdnˈɔɕtɕɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_585.wav|pˌɔvʲɛdʑˈawa tɕˈixɔ pʃɛt ɕˈɛbjɛ.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_186.wav|pˈɔtʃuw ɕɛ, jˈaɡbɨ znˈɔvu bˈɨw ɕˌɛdmʲɔlˈɛtɲim xwˈɔptsɛm i za xfˈilɛ mʲˈaw ɕɛ zlˈadʑ w bjɛlˈiznɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_107.wav|na pɔɡˈuʒu tˈɛrɛn stˈaw ɕɛ ɲʲɛrˈuvnɨ i kˌamjɛɲˈistɨ, ˌalɛ kˈɔmbajn nˈavɛt ɲʲɛ zvˈɔlɲiw.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_606.wav|pˈɛvɲʲɛ kˈaʒda ʃtˈuka kɔʃtˈujɛ dɔlˈara, pˌɔmɨɕlˈawɛm z jˈakɔ̃ɕ mɕtɕivˈɔɕtɕɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_124.wav|pˌɔvɔdˈujɛ ɲˈim vɨwˈɔntʃɲʲɛ zvˈɨkwa lˈutska xˈɛɲtɕ pʃɛtrfˈaɲʲa i dlatˈɛɡɔ bʲˈillɨ uznˈajɛ jˈɛɡɔ zˌaskɔtʃˈɛɲʲɛ za ˌawtɛntˈɨtʃnɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_25.wav|ˈalbɔː ˌupɛvɲʲˈɛɲʲa ɕɛ, ʒˈɛ znˈana mˈarka jɛj ʒakʲˈɛtu tʃɨ pwˈaʃtʃa jɛzd dˈɔbʒɛ vidˈɔtʃna, kʲˈɛdɨ zˌaʒutsˈawa ɡˈɔː ɔt ɲʲɛxtsˈɛɲʲa na ɔpˈartɕɛ kʃˈɛswa.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_68.wav|i tʃˌarnɔbʒuxˈɛɡɔ rˈumu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_175.wav|i vˌɨɔbrˈaʒa sˈɔbjɛ, ʒˈɛ vˌɨstɛmpˈujɛ f tˈaɲtsu z ɡvʲazdˈami.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_105.wav|ʒˈadnɛ z nˈas ɲʲɛstˈɛtɨ jɛj ɲʲɛ vɨtʃˈuwɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_467.wav|tɔː ɔː amˈɛrɨtsˌɛ, pɔvʲˈɛdʑaw mˌɛksɨkˈaɲin. pʲˈɛŋkna ɔjtʃˈɨzna.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_79.wav|pʃɛrˈɨva, jˈaɡbɨ ɕɛ nat tʃˈɨmʑ zˌastanavʲˈawa.|4
+Dataset/wavs/urwisko_ferenc/05_segment_21.wav|dɔ vwasnˈɛɡɔ dʑˈɛtska, ktˌura trˌaktɔvˈawa kˌilkulˈɛtɲʲɔ̃ tsˈurkɛ jˈaɡ ʒɨtɕˈɔvɨ bˈalast, pʃɛʃkˈɔdɛ na drˈɔdʑɛ dɔ ʃtʃˈɛɲɕtɕa.|0
+Dataset/wavs/urwisko_ferenc/60_segment_28.wav|ˌalɛ bˌɨwa pˈɛvna, ʒˈɛ ɲʲɛ swˈɨʃaw.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_258.wav|tɔ bˌɨwɔ tˈaɡ bˈardʑɔ pɔdˈɔbnɛ dɔ dɔrˈana martˈɛlla, ʒˈɛ ˈarjan ɲʲɛ mˈɔɡwa pɔfstʃˈɨmatɕ ɕmʲˈɛxu.|1
+Dataset/wavs/urwisko_ferenc/41_segment_6.wav|dɔtknˈɛwa ʑɛlˈɔnɛj swuxˈafki.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_444.wav|ja zˈafʃɛ vˌidɨvˈawɛm jˈɛ z dalˈɛka.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_83.wav|lˌɛvɔrˈɛntʃnɨ lˈutsas tsˈɔtt i ɡvˈɛllɔn xˈumblɛ zɛrvˈali zˈɛ ɕtɕˈan arˈasɨ i zrɔbʲˈili sˈɔbjɛ z ɲˈix pwˈaʃtʃɛ.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_43.wav|dʒˈɛjms ssˈunɔw ɕɛ s ɕˈɔdwa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_65.wav|ɲʲˈɛxtɕaw, ˈabɨm ɕɛ dˌɔvʲɛdʑˈawa, ʒˈɛ pˈɔʃɛd dɔ kasˈɨna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_170.wav|ˈɛlis ˌuɕmʲɛxnˈɛwa ɕɛ lˈɛkkɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_60.wav|pɔ rˈas pʲˈɛrʃɨ w ʒˈɨtɕu ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ jˌakʲɛkˈɔlvʲɛk kɔlˈɔrɨ bˈɨwɨbˌɨ pɔ prˈɔstu ɲʲˌɛstɔsˈɔvnɛ.|4
+Dataset/wavs/urwisko_ferenc/36_segment_34.wav|a w zasˈadʑɛ ˌuswɨʃˈawa tɛ swˈɔva vˌɨpɔvʲɛdʑˈanɛ ɡwˈɔsɛm mˈatki.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_3.wav|ɲʲɛ mˈɔɡɛ w ɲˈim ɕˈɛdʑɛtɕ pʃˈɛs tsˈawɨ rˈanɛk, ɲʲɛ fspˌɔminˈajɔnts jˈuʃ ɔ tsˈawɨm dɲʲˈu.|3
+Dataset/wavs/urwisko_ferenc/10_segment_24.wav|ˌalɛ ɲʲˈɛbɨw tɨm zˌaskɔtʃˈɔnɨ. pʃˈɛjɔw ix tˌɛlɛfˈɔnɨ i jɛj tɔrˈɛpkɛ, pɔ tʃɨm skʲɛrˈɔvaw iɣ dɔ salˈɔnu, f ktˌurɨm rˌɔspɔtʃˈɛwa ɕɛ kɔlˈatsja.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_348.wav|ruʃˈɨliɕmˌɨ jˈakɔ̃ɕ jˈɛʃtʃɛ ˈinnɔ̃ ulˈitʃkɔ̃ f tˈɛ strˈɔnɛ, ɡdʑˈɛ swˈɨxadʑ bˌɨwɔ mʲˈastɔ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_118.wav|jˈakɔ ʒˈɛ sɨpʲˈawa ˌɔna vɨwˈɔntʃɲʲɛ z mˌɛ̃ʃtʃɨznˈami, ktˌuʒɨ ɕɛ z ɲʲˈɔ�� ˌɔʒɛɲˈili.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_115.wav|znˈajtɕ mˈɔjɔ̃ kˈartɛ bˌaŋkɔmatˈɔvɔ̃. baŋkˈɔmat jɛst na puwpʲˈɛntʃɛ. mˈuj pˌɛˌiˈɛn tɔ...|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_137.wav|f kˈɔɲtsu ɔpˈuɕtɕiw ɡwˈɔvɛ, spˈɔjʒaw na dʒvˈi, uɕmʲˈɛxnɔw ɕɛ i ˈuɲʲuz dwˈɔɲ w ɡˈɛɕtɕɛ pˌɔvitˈaɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_81.wav|ɔn jɛst jˈɛɡɔː ˈɔjtsɛm?|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_20.wav|pˈɔllɨ pʃɨkwˈada ɕrɔtkˈɔvɨ pˈalɛdʑ dɔ kravˈata, jˈak spˈiŋkɛ, ˌalɛ bjˈɛʒɛ tˈɔrbɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_164.wav|na jˈɛdnɛj zˈɛ ɕtɕˈan vˈiɕaw ɡɔbˈɛlin pʃˌɛtstavʲajˈɔntsɨ kˈɔɲʲɛ w ɡalˈɔpʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_7.wav|pˈatʃɛ na tʃɨmˈanɨ w dwˈɔɲi nˈuʃ, a dɔ mɔjˈɛɡɔː ˈuxa ʃˈɛptʃɛ ɡwˈɔs.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_208.wav|ftˈɛdɨ pʃˌɨpɔmɲʲˈawɔ mi ɕɛ, jˈaɡ dˈɔnɲʲɛ pˈaliw pˌapʲɛrˈɔsɨ f ʃˈɔpʲɛ, f ktˌurɛj spɛkˈɔvʲɛ tʃɨmˈali zapˈasɨ fˈarbɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_4.wav|vɨɡlˈɔnda na pˈustɔ̃, ˌalɛ ɲʲɛ jˈɛst. pɔtʃˈɛfka ɔt spˈɔdu pʃɨpʲˈɛnta jɛzd ʒɛpˈami.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_198.wav|kʲˈɛdɨ mˈa ɕɛ spɔdʑˈɛvatɕ tɛlˈɛfɔn ɔt tɕˈɛbjɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_51.wav|vʲˈɛmɨ jˈuʃ, tʃɨ mˈarta pˈɔrtɛr ˌutʃɨmɨvˈawa jˌakʲɛkˈɔlvʲɛk rɛlˈatsjɛ z ɡˌɛnɛvʲˈɛvɛ strˈaxan.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_56.wav|tˈɔm xtɕˈaw pɔprˈɔɕitɕ kˈita ɔ spravdʑˈɛɲʲɛ bradlˈɛja f sɨstˈɛmjɛ, kʲˈɛdɨ zˌauvˈaʒɨw, ʒˈɛ ɕˈɛrʒant nˈadal rɔzmˈavja pʃˈɛs tɛlˈɛfɔn s pɔlˈitsjɔ̃ z vˈalji.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_138.wav|jˈɛʃtʃɛ ɡˈɔ nˈavɛt ɲʲɛ zˌaktuˌalizɔvˈawa, bˈɔ nˈadal mˈa fpisˈanɛ ˌɔbɔvʲˌɔ̃zujˈɔntsɨ nˌastɔlˈatkuv zˈakas prˌɔvadʑˈɛɲʲa mʲˌɛndʑɨ pʲˈɛrʃɔ̃ w nˈɔtsɨ a pʲˈɔntɔ̃ rˈanɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_38.wav|tɔ ɲʲˈɛma ɲˈits fspulnˈɛɡɔ z jˌɔɛllˈɛɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_140.wav|ɲʲɛ mɔʒˈɛmɨ im iɣ zvrˈutɕitɕ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_183.wav|tˈɨrjɔn zˈafʃɛ mˈavʲaw, ʒˈɛ ˈɛmmɔn ɔtʃˈɨmaw kwɔpˈɔtɨ s travʲˈɛɲʲɛm w ɕlˈubnɨm dˈaʒɛ ɔt lˈɔrda tɨvˈina.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_136.wav|pˌɔvʲɛdʑˈawam lˌɔdɔvˈatɨm tˈɔnɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_76.wav|pˈɔtɛm, kʲˈɛdɨ zvʲˈɔ̃zɛk ɲʲɛ vɨpˈaliw, pˌɔstanɔvˈiwa, ʒˈɛ najlˈɛpʃɨm rˌɔzvʲɔ̃zˈaɲʲɛm bˌɛɲdʑɛ pˈɔvrud dɔ tˈɔma. tˈɔm ɔdmˈuviw, xˈɔtɕ ˌɔtʃɨvˈiɕtɕɛ brˌakɔvˈawɔ mu lˈutsɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_47.wav|tɔ bˈardʑɔ ɲʲˌɛtɨpˈɔvɨ mˈɔdus ˌɔpɛrˈandʲi, ˈuznaw, kʲˈɛdɨ skɔɲtʃˈɨwa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_18.wav|— pʃˌɨjɛxˈaliɕmˌɨ dɔ pˈana spɛntsˈɛra jˌɔxanssˈɔna — pɔvʲˈɛdʑaw tˈɔm. — pɔlˈitsja ɡrɛˈatɛr manxˈɛstɛr.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_193.wav|ˌɔna ɲʲˈɛxtsɛ mɔjˈɛɡɔ pɔvrˈɔtu dɔ lˌakɛsˈidɛ.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_245.wav|ftˈɛdɨ strˈatɕiw tɕɛrplˈivɔɕtɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_3.wav|bˈudʑɛ ɕɛ ɲʲˈɛtsɔ zˌamrɔtʃˈɔna pɔ ɲʲˌɛspɔkˈɔjnɛj nˈɔtsɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_51.wav|jˈɔː ɔpˈarwa ɕɛ ɔ bˈɛtskɨ i zatʃˈɛwa pwˈakatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_125.wav|tɔ xˈɨba pɔmˈɨwka nˌadʲinspɛktˈɔʒɛ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_198.wav|pʃɛvˈaʒɲʲɛ ˌɔbraʑlivˈɨmi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_106.wav|ɕmʲˈɛjɛ ɕɛ i pɔdnˈɔɕi dwˈɔɲ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_240.wav|tsˈɔ mˈam rˈɔbʲitɕ? ɲʲˈɛx pˈan ˈidʑɛ dɔ dˈɔmu. i tʃˈɛkam.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_58.wav|pˈɔtɛm ɔtfʲˈɛram ɡˈurnɔ̃ ʃuflˈadɛ ʃˈafki na dˌɔkumˈɛntɨ. pˈusta.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_401.wav|sˈɛr ˈilɨn bˈɨw dˌɔskɔnˈawɨm tˌɔvaʒˈɨʃɛm dɔ kʲɛlˈixa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_124.wav|vʲˈɛ, ʒˈɛ jɛst pˌɔʃukivˈanɨm mɔrdˈɛrtsɔ̃ i bˈɨtɕ mˈɔʒɛ sˈɔɲdʑi, ʒˈɛ jˈɛɕli ɲʲɛ vˈɨda ɡˈɔ pʃɨ pʲˈɛrʃɛj nˌadaʒajˈɔntsɛj ɕɛ ɔkˈazji, ɔskˈarʒɔ̃ jˈɔ̃ ɔ fspuwˈudʑaw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_63.wav|ɲʲɛdˈɔbʒɛ ɕɛ stˈawɔ. ɲʲɛvʲˈɛlɛ zabrˈakwɔ, ʒˈɛbɨɕ fʃˈɨstkɔ zɲˈiʃtʃɨw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_10.wav|kʲˈɛdɨ mˈa jˈuʃ na sˈɔbjɛ pɛrˈukɛ, ˌɔkulˈarɨ, vˈɔ̃sɨ i dˈuʒɨ bʒˈux, zamˈavja ubˈɛra i prˈɔɕi ɔ pˌɔdvʲɛʑˈɛɲʲɛ dɔ ˌɛmtsˈɛ tsˈɔj fˈɔrt na zaxˈɔdɲim krˈaɲtsu mʲˈasta.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_32.wav|tˈɔm xtɕˈaw dˈatɕ jɛj spˈɔkuj, ˌalɛ ˈuznaw, ʒˈɛ jˈɛʃtʃɛ nˈatɔ ɲʲɛ pˈɔra.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_461.wav|tˈak, tˈamta mʲˈawa ˌidɛntˈɨtʃɲʲɛ mˈawɛ ˈuʃkɔː i f ktˈurɨmɕ mɔmˈɛɲtɕɛ tˈak sˈamɔ stˈawɔ ɕɛ ruʒˈɔvɔ pʃɛjʒˈɨstɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_15.wav|vʲˈɛndʑ dʑˈɛtɕi ɲʲɛ mˈɔɡɔ̃ vˌɨxɔvˈɨvatɕ ɕɛ na kɕɛ̃ʒˈɨtsu ɔt ˌurɔdʑˈɛɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_97.wav|jˈatsɨɕ pʃɨjˈɛzdɲi strˌajkɔvˈitʃɛ ʃˌamɔtˈali ɕɛ na rˈɔɲdʑɛ z vˌɨbʒuʃɔnˈɨmi ɲˈitʃɨm balˈɔnɨ trˌansparɛntˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_97.wav|ɕtɕisnˈɛwam dwˈɔɲ tˈatɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_62.wav|tsˈɔ bɨwˈɔbɨ pˌɔtɛmpʲˈɛɲʲa ɡˈɔdnɛ i pˈɛvɲʲɛ pˈɔʃlibˌɨɕmɨ zˈatɔ dɔ pʲˈɛkwa mˈudʒuf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_87.wav|ɲʲɛ zˌalitʃˈɨwam vˌɨmaɡˈanɨx pʃɛdmʲˈɔtuf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_30.wav|zjˈɛdliɕtɕˌɛ tsˈɔɕ udˈali?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_58.wav|ˈanna frˈaŋklin|3
+Dataset/wavs/urwisko_ferenc/41_segment_25.wav|nˈɔ tɔ dˈɔbʒɛ. musˈimɨ pʃɛswˈuxatɕ sɔ̃ɕˈaduf xudʑˈiɲskix. mˈɔʒɛ tsˈɔɕ sˈɔbjɛ pʃɨpˈɔmnɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_122.wav|ɲʲɛ pʃɛkrˈatʃaj sˈɛtki, rˈadʑi. stˌudʑɛɕˈɛɲtɕu, ɡdˈɨbɨɕ muɕˈawa vɨpʃˈɛdʑitɕ tɕˌɛ̃ʒarˈufkɛ. ɲʲɛ xtsˈɛmɨ zɔbˈatʃɨdʑ bwˌɨskajɔntsˈɛɡɔ kɔɡˈuta, jˈasnɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_133.wav|jˈɛʃtʃɛ rˈaz dʑˈɛŋki, ʒˈɛ pʃɨjˈɔwɛɕ nˈas pɔt sfˈuj dˈax.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_139.wav|jˈɛɡɔ lɔrdˈɔfska mˈɔɕtɕ jɛst mˈɔim kuzˈɨnɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_21.wav|zabrˈawam fʃˈɨstkɔ. tɔ ja jˌɛstɛm tˈɛras jɛj mamˈuɕɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_154.wav|tʲˈajmɔn bˈɨw mɔrdˈɛrtsɔ̃ i ˌɔkrutɲˈikʲɛm. ɲʲɛ sˈɔndʑɛ jˈɛdnak, bˈɨ kwˈamaw f sprˈavʲɛ ɔɡˈara.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_49.wav|f kˈɔɲtsu ɕɛ rˌɔzwɔntʃˈamɨ, ˌalɛ ftʃˈɛɕɲʲɛj ˌɔbjɛtsˈujɛ jɛj, ʒˈɛ zadʑvˈɔɲʲɛ, kʲˈɛdɨ tˌɨlkɔ dˈɔvʲɛm ɕɛ, jˈak tʃˈujɛ ɕɛ xˈɔllɨ.|3
+Dataset/wavs/urwisko_ferenc/05_segment_82.wav|vˌɨdɔbˈɨwa s kʲɛʃˈɛɲi bˌavɛwɲʲˈanɨx spˈɔdɲi pˈatʃkɛ xˌɛstɛrfjˈɛlduf, zˌapalˈiwa pˌapʲɛrˈɔsa i pɔnˈɔvɲʲɛ pʃɨmknˈɛwa ˈɔtʃɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_87.wav|lˈɛpʲɛj za mˈiɕa pʃˈɛbjɛʃ ɕɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_105.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_179.wav|a ˌarɡumɛntˈatsja tsˌamɛrˈɔna tɔ zupˈɛwɲʲɛ tsˈɔː innˈɛɡɔ.|3
+Dataset/wavs/urwisko_ferenc/18_segment_49.wav|— vˈidʑɛ, ʒˈɛ pˈan ɲʲɛ vʲˈɛʒɨ, ʒˈɛ tˈakʲɛ dʑawˈaɲʲa mˈɔɡɔ̃ pˈɔmuts — ˌɔdɛzvˈawa ɕɛ smˈutnɨm ɡwˈɔsɛm.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_342.wav|prˌubɔvˈawa ɡˈɔ pʃɨvˈitatɕ tˈak, jˈak jˈɔ̃ nˌautʃˈɔnɔ, ˌalɛ z jɛj ˈust pˌɔpwɨnˈɛwa krˈɛf.|1
+Dataset/wavs/urwisko_ferenc/25_segment_56.wav|dɔpʲˈɛrɔ tˈɛras ˌuzmɨswɔvˈiwa sˈɔbjɛ, ʒˈɛ ˌumuvˈiwa ɕɛ z ɔlɡʲˈɛrdɛm na ˌanalˈizɛ bʲilˈiŋɡu fjˈanna sɔlskʲˈɛɡɔ. ˈarka vidʑˈawɛm, minˈɛliɕmˌɨ ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_216.wav|ktˌurɨ ɲʲˈɛma kˈɔɲtsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_148.wav|tsˈɛl jɛzd zˌavɔdˈɔftsɛm jˈak tˈɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_199.wav|bʲˈillɨ xtɕˈawbɨ vʲˈɛʒɨtɕ, ʒˈɛ j��st pʃˌɛtʃulˈɔnɨ, ˌalɛ pɔ vizˈɨtɕɛ ˌɛdʲisˈɔna tʃˈarnɨ stsɛnˈarjuʒ vɨdˈajɛ ɕɛ ɲʲˈɛtsɔ bˈardʑɛj prˌavdɔpɔdˈɔbnɨ.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_81.wav|kapˈitan xtɕˈaw tˈɛʒ dˈɔstatɕ waɲtsˈuxa ɛmˈɔna, ˌalɛ sˈam ɔdmˈuviw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_22.wav|spˈɔt tˌɛɡɔ pˈɔntʃa vˌɨstavˈawɔ mnˈustfɔ ɲʲɛɕfʲˈɛʒɨx xˈalɛk i spˈudɲits.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_38.wav|strˈaʃnɛ vʲˈɛɕtɕi ɔt samˈɛɡɔ rˈana. ɲʲɛ ʒˈɨjɛ ʒˈɔna mɔjˈɛɡɔ ʃˈɛfa. zˌamɔrdɔvˈana, dˈatɕɛ vʲˈarɛ?|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_303.wav|ˌalɛ z rɛɡˈuwɨ bˌɨli rˈuvɲʲɛ bjˈɛdɲi jˈak ˈɔn, vʲˈɛnts mɛrˈibalt ɲʲˈɛmukw ɕɛ ɲˈiɡdʑɛ zˌatʃɨmˈɨvadʑ zbˈɨd dwˈuɡɔ, ʒˈɛbɨ ɲʲˈɛbɨtɕ ˌɔptɕɔ̃ʒˈɛɲʲɛm dla sfˈɨɣ ɡˌɔspɔdˈaʒɨ.|1
+Dataset/wavs/urwisko_ferenc/25_segment_113.wav|xˈɛrman spɔjʒˈawa na dˈatɛ ɔstˈatɲix pɔwˈɔntʃɛɲ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_18.wav|tʃɨ tˌɛɡɔ vwˈaɕɲʲɛ xtsˈɛ stsˈɔtt?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_7.wav|vˈɨbatʃ, ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ jˈɛstɛɕ. vwˈaɕɲʲɛ pʃˈɨʃɛd nˌadʲinspˈɛktɔr dɔˈuɡlas. pʃɛkˈaʒɛ mu fʃˈɨstkɔː i vrˈutsɛ dɔ tɕˈɛbjɛ. dʑˈɛŋki, tˈɛt. dˈɔbra rɔbˈɔta.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_71.wav|rˌɛvɛlatsˈɨjɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_47.wav|pˈawl mˈuvi bʲilljˈɛmu, ʒˈɛ mˈiwɔ bˌɨwɔ ɡˈɔ zɔbˈatʃɨtɕ i kʲɛrˈujɛ ɕɛ dɔ dʒvˈi frɔntˈɔvɨx. frˈaŋk ˈidʑɛ za mˈɛrɣ dɔ kˈuxɲi.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_103.wav|vʲˈɛʃ, jˈaɡ bˈardʑɔ tɕˈɛ kˈɔxa.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_283.wav|tʃˈuwa tɕˈɛ̃ʒar spˌɔtʃɨvajˈɔntsɨx nˈaɲʲɔ̃ spˈɔjʒɛɲ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_60.wav|bˈutskɨ pʃˈɨswaw bʲilljˈɛmu pudˈɛwkɔ z napˈisɛm zˌabɛspʲɛtʃˈɛɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_218.wav|mɲʲˈɛj vʲˈɛntsɛj f tɨm mʲˈɛjstsu pʃɛstˈawam zaɡwˈɛmbjatɕ ɕɛ f tˈɛmat.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_13.wav|vˈɛʃwam ftˈɛdɨ ɡwˈuvnɨm vˈɛjɕtɕɛm i zastˈawam jaɡˈɛra ɕˌɛdʑɔntsˈɛɡɔ na jˈɛdnɨm z nˈɔvɨx, tʃɛrvˈɔnɨx kʃˈɛsɛw f sˌɛkrɛtarjˈatɕɛ. mʲˈaw na sˈɔbjɛ ˌɛlɛɡˈantski ɡarɲˈitur, bjˈawɔ̃ kɔʃˈulɛ i krˈavat.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_131.wav|mʲˈɛjstsa, f ktˌurɨɣ bʲˈillɨ mˈa zwˈɔʒɨtɕ pˈɔtpis, sɔ̃ zˌaznatʃˈɔnɛ ʒˈuwtɨm flamˈastrɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_57.wav|spˈuwkɔm tˌɛlɛkˌɔmuɲˌikatsˈɨjnɨm bˌɛɲdʑɛ zˌalɛʒˈawɔ na pˌɔdɲʲɛɕˈɛɲʲu jakˈɔɕtɕi, a tˈaɲʲa prɔdˈuktsja zˈafɔ jɛst mɔʒlˈiva tˌɨlkɔ tˈutaj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_4.wav|lˈɛtʃɨw fʃˈɨstkix, ktˌuʒɨ lɛtʃˈɛɲʲa vˌɨmaɡˈali, ˌalɛ pʃˈɛdɛ fʃˈɨstkim bˈɨw pˈɛwnɔ̃ ɡˈɛmbɔ̃ ʒɔwɲʲˈɛʒɛm ɡɔrˈɔntsɛj dʑɛvʲˈɔntki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_11.wav|a ɡdˈɨbɨ dɔmˈiɲik ɕɛ dɔvʲˈɛdʑaw, kˈim naprˈavdɛ jˈɛstɛm?|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_124.wav|krukˈarɲʲa jɛst najstˈarʃɨm budˈɨŋkʲɛm f tsˌɨtadˈɛli.|1
+Dataset/wavs/urwisko_ferenc/48_segment_22.wav|tsˈɔ tɕɛkˈavɛ, dˈɔbʒɛ pamjˈɛntaw tfˈaʒɛ kɔxˈanɛk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_37.wav|vʑˈɔwɛm zˈɛ sˈɔbɔ̃ tsˈasɛj i zˌaswaɲʲˈawa sˈɔbjɛ ˈɔtʃɨ, jˈaɡ bˌɨwɨ krfˈavɛ stsˈɛnɨ, a pˈɔtɛm ɕɲˈiwɨ jɛj ɕɛ kɔʃmˈarɨ i mʲˌawɛm vɨʒˈutɨ sumjˈɛɲʲa, ʒˈɛ jˈɔ̃ tˈam zabrˈawɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_55.wav|tɔ bˌɨwɔ ɲʲɛ lˈada pʃˌɛtɕɛ̃vʑˈɛɲtɕɛ. f pʃˌɛtɕivʲˈɛɲstfʲɛ dɔ prˌɔvizˌɔrɨtʃnˈɛɡɔ namjˈɔtu, tunˈɛlɛ rˌatuŋkˈɔvɛ sɔ̃ skˌɔnstruɔvˈanɛ tˈak, ʒˈɛ w ɕrˈɔtku mˈɔʒna utʃˈɨmatɕ tɕiɕɲʲˈɛɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_20.wav|tsˈɔ mˈam zrˈɔbʲitɕ, jˈɛɕli ɲˈikt ɕɛ dɔ mɲʲɛ ɲʲɛ ɔdˈɛzvʲɛ? xˈɔdʑ zʒɛrˈawɨ mɲʲɛ nˈɛrvɨ, muɕˈawam tɔ jˈɛdnaɡ zrˈɔbʲitɕ.|3
+Dataset/wavs/urwisko_ferenc/01_segment_88.wav|dɨrˈɛktɔr ɔtsˈunɔw ɕɛ ɔd bjˈurka i zawˈɔʒɨw nˈɔɡɛ na nˈɔɡɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_10.wav|pˈuʑɲʲɛj fʃˈɨstkim tɔ vɨjˈaɕɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_146.wav|ɲʲɛvˈaʒnɛ. zˈamkɲij ˈɔtʃɨ. ˌɔtpɔtʃˈɨvaj.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_165.wav|rˈɛʃtɛ zɛʒˈarli jˈɛɲtsɨ.|1
+Dataset/wavs/urwisko_ferenc/02_segment_96.wav|z drˈuɡʲɛj, ɲʲɛxlˈubnɛj, ˌalɛ pʃˌɨnɔʃˈɔntsɛj dˈuʒɔː ɛmˈɔtsji rɔbˈɔtɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_16.wav|ˌɔstatˈɛtʃɲʲɛ kˌakˌazˈɛt pˌɔstavˈiwa na sfˈɔim, bˈɔ jɛzd vwˌaɕtɕitɕˈɛlɛm bˈaɲki.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_40.wav|— ɲˈiɡdɨ ɲʲɛ pˌɔprɔɕˈiwam tɕˈɛ nˈavɛt ɔ pˈɛ̃sa, stˈɛvɛ, i ɲʲɛ f tɛj sprˈavʲɛ dɔ tɕˈɛbjɛ dʑvˈɔɲʲɛ. jˌɛstɛɕ jˈɛdnak fpisˈanɨ na ˈaktɕɛ ˌurɔdʑˈɛɲʲa mˈilljɛ jˈakɔː ˈɔjtɕɛts i...|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_8.wav|zrˈɔbjɛ tɔ, ˌalɛ sprˈubuj pʃɛkˈɔnatɕ mˈamɛ, ʒˈɛbɨ rˈuvɲʲɛʃ ɔdˈɛʃwa. bwˈaɡam.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_120.wav|ˈɔɲʲɛ, ˌintɛrˌɛsɔvˈawɔ jˈɔ̃ tɔ, ˌalɛ ɲˈits ɲʲɛ znatʃˈɨwɔ. ɡdˈɨbɨ tɔ dla ɲʲˈɛj tsˈɔʑ znatʃˈɨwɔ, ˌɔna bˈɨwabˌɨ dʑˈiɕaj zˈɛmnɔ̃, jˈudɨ.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_202.wav|nˈavɛt jˈɛdnak tʃwˈɔvʲɛk, ktˌurɨ vˈidʑaw stˈɔ bʲˈitɛf.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_183.wav|viktˈarjɔn ɲʲɛ bˈaw ɕɛ ɲikˈɔɡɔ z lˈudʑi, ˌalɛ na mˈɨɕl ɔ klˈɔntfʲɛ ˌutɔpʲɔnˈɛɡɔ bˈɔɡa...|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_122.wav|vɨstˈartʃɨ mu jˈɛdɛn.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_49.wav|mˈuɡwbɨ stˈanɔɲdʑ za mɔˈimi plɛtsˈami f sklˈɛpʲɛ, a ja bˈɨm nˈavɛt ɲʲɛ vʲɛdʑˈawa, ʒˈɛ tɔː ˈɔn.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_5.wav|sprˌɔvadʑˈili zˈɛspuw, ktˌurɨ pʃˌɛʃukˈujɛ budˈɨnɛk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_39.wav|ɲʲɛ vidʑˈɛliɕmˌɨ ɡˈɔː ɔt lˈat, prˈavda, bʲˈill?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_110.wav|mˈɔja ɲʲɛnˈaviʑdʑ dɔː arˈama fxˈɔdʑi na kɔlˈɛjnɨ pˈɔʑɔm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_15.wav|xˈɔtɕ f tɛj xfˈili, kʲˈɛdɨ prubˈujɛ ɕɛ jˈakɔɕ upˈɔratɕ s tɔ̃ pˌɔpʲɛpʃˈɔnɔ̃ sˌɨtuˈatsjɔ̃, ˌuzmɨswˈavja sˈɔbjɛ, ʒˈɛ mˈɔʒɛ bɨwˈɔbɨ prˈɔɕtɕɛj, ɡdˈɨbɨ umˈarwa?|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_34.wav|kʲˈɛdɨ rˌɔspakɔvˈujɔ̃ zakˈupɨ, bˈutskɨ pˈatʃɨ stsɛptˈɨtʃɲʲɛ na banˈanɨ rˈajskʲɛ kupʲˈɔnɛ pʃˈɛs ˈɛlis, ˌalɛ ɲˈits ɲʲɛ mˈuvi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_38.wav|tɛn pˈuŋkt plˈanu bˈudʑi w ɲˈim vʲˈɛŋkʃɛ ɔbˈavɨ ɔt samˈɛɡɔ zabˈujstfa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_74.wav|xtsˈɛ ˈiɕtɕ ftʃˈɛɕɲʲɛj spˈatɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_55.wav|prˈɔʃɛ pʃˈɛstatɕ ɕɛ tˈaɡ zˌaxɔvˈɨvatɕ, pˈannɔː ɔxˈanlɔn. zˌaɡʲinˈɛwɔ dʑˈɛtskɔ.|4
+Dataset/wavs/urwisko_ferenc/23_segment_57.wav|xˈɛrman pˌɔtfʲɛrdʑˈiwa s kiɲʲˈɛɲʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_179.wav|bʲˈillɨ fxˈɔdʑi na pˈɔdɛzd druɡʲˈɛɡɔ pʲˈɛntra. tˈam rɔspˈina tˈɔrbɛ na laptˈɔpa. fkwˈada rˌɛŋkavˈitʃki i mˈaskɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_47.wav|ɔt tˈamtɛj pˈɔrɨ ʒˈatkɔ ɕɛ ˌɔdʑɨvˈawam, ˈaʒ dɔ xfˈili, kʲˈɛdɨ zˌapɨtˈawam, dlatʃˈɛɡɔː ˌutɕɛkˈamɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_167.wav|tˌaki vˈiruz dˈɔstaw ɕɛ dɔ mˈɔjɛj ɕfʲˌadɔmˈɔɕtɕi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_181.wav|ja tɕˈɛbjɛ swˈabɔ pamjˈɛntam, a ʃtʃˈɛʒɛ mˈuvʲɔnts w ɔɡˈulɛ ɲʲɛ pamjˈɛntam.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_83.wav|ɲʲɛ trˈatsɔndʑ vʲˈɛntsɛj jˈak stˈɔ stˈup?|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_557.wav|zˈɛmsta.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_273.wav|i vidʑˈɛli, jˈak mɛ̃ʃtʃˈɨzna ɔpʲˈɛra jˈɛɡɔ prˈavɛ rˈamjɛ ɔ prˈuk i stˈɔi ɲʲˌɛruxˈɔmɔ,|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_211.wav|dˈɔtknɔw ramjˈɛɲʲa ˌirlanttʃˈɨka ɕˌɛdʑɔntsˈɛɡɔ pʃɨ sɔ̃ɕˈɛdɲim stɔlˈiku.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_221.wav|ɔn zarˈabjaw zɡˈɔdɲʲɛ s prˈavɛm, a ja ɲʲɛ, ˌalɛ zasˈada jɛst tˈaka sˈama.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_180.wav|pˈɔʃɛd dˈalɛj, zˌɔstavˈifʃɨ mɲʲɛ stɔjˈɔntsɔ̃ na wˈɔntsɛ, zˌasmutsˈɔnɔ̃ i ɲʲɛpˈɛvnɔ̃ nˌɛɡatɨvnˈɛɡɔ vɨdʑvʲˈɛŋku tˈɛɡɔ, tsˈɔ zrɔbʲˈiwam.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_227.wav|tʃwˈɔvʲɛk na kˌɔrɨtˈaʒu ɲʲɛ pʃɛstˈavaw mˈuvitɕ. jˈɛɡɔ ɡwˈɔz bʒmʲˈaw rˈas jˈak mɔdlˈitfa, a pˈɔtɛm stˈavaw ɕɛ ɡrˈɔʑbɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_2.wav|zˌajɛxˈawam pɔt tsˈɛntrum badˈaftʃɛ ˌɛˌɛsˈa i zˌaparkɔvˈawam tsˈɨŋɡla w vˈɔ̃skim kˌɔrɨtˈaʒu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_215.wav|z dɨʒˈurnɔ̃ ʃklˈaŋkɔ̃ na stˈɔlɛ, ʃklˈaŋkɔ̃, ktˌura jɛst jɛdˈɨnɨm natʃˈɨɲʲɛm ˌuʒɨvˈanɨm pʃɛzˈɛmɲʲɛ,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_17.wav|ɲʲɛ vˈidʑi vɨrˈazu jɛj ˈɔtʃu, ˌalɛ vʲˈɛ, ʒˈɛ jˈɛʃtʃɛ tɛj nˈɔtsɨ bˌɛndɔ̃ bwˈɨʃtʃɛdʑ z ɛmˈɔtsji.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_260.wav|jɛj ˌulubjˈɛɲtsɛm bˈɨw stˈarɨ, xˈudɨ kˈɔtsur ɔː ˌɔdɡrɨʑˈɔnɨm ˈuxu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_173.wav|tʃˈasɛm vˈɔlɔ̃, ʒˈɛbɨɕ tˈak ɕɛ ɲʲɛ stˈaraw, tˌɨlkɔ zrˈɔbʲiw sfˈɔjɛ i skˈɔɲtʃɨw, bˈɔ xtɕˈawɨbˌɨ jˈuʃ pˈujɕtɕ spˈatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_77.wav|pamjˈɛnta, ʒˈɛ jˈakiʑ dʑˈɛtɕak na zˈɛvnɔntʃ rˌɛtsɨtˈɔvaw, rˈas, dvˈa, tʃˈɨ, tʃtˈɛrɨ mˌaʃɛrˈujɔ̃ ˌɔfitsˈɛrɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_26.wav|s pɔvˈɔdu jˈɛɡɔ frɨzˈurɨ ɲʲɛktˌuʒɨ lˈudʑɛ ɲˈika nˌazɨvˈajɔ̃ ɡˈɔ frˈaŋkʲɛ ˈɛlvis lˈup, pɔɲʲˈɛvaʃ ɔstˈatɲʲɔ mˈa s tˈɨwu ɡwˈɔvɨ malˈɛɲki wˈɨsɨ plˈatsɛk, ˈɛlvis sɔlˈarnɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_25.wav|kɔbjˈɛta ʒˈutsa mi fspˌuwtʃujˈɔntsɛ spɔjʒˈɛɲʲɛ. xˈɨba spˌɔdʑɛvˈawa ɕɛ mɔjˈɛɡɔː ɔpˈɔru, ˌalɛ tɔ dɛtˈɛktɨf pˌɔstanˈavja zˈabradʑ ɡwˈɔs.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_213.wav|mˈɨɕli, ʒˈɛ jɛst ɲʲɛvʲˈɛlɛ lˈɛpʃɨ ɔt tɨx kɔlˈɛɕi. ˈɔt, pʃɨɡˈaɲʲaw kˈɔtɕɔw ɡarŋkˈɔvi. ˌalɛ tˈakʲɛ mɨɕlˈɛɲʲɛ ɲˈits ɲʲɛ dˈajɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_133.wav|ˈɔddaj za dvˈa dɲˈi, pˌɔvʲɛdʑˈawa, pɔ tʃɨm vrutɕˈiwa dɔ varʃtˈatu i zamknˈɛwa za sˈɔbɔ̃ dʒvˈi.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_360.wav|prˈɔʃɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_193.wav|ˌɔtɕɛplˈiwɔ ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_84.wav|vˈɨjdʑɛʃ stˈamtɔnt jˈakɔː ˈɛwnux.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_150.wav|ɲˈitsk kˈiva ɡwˈɔvɔ̃. znˈuf mˈa na tfˈaʒɨ tɛn ˈuɕmʲɛɣ za mˈiljɔn dɔlˈaruf.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_28.wav|vwˈɔsɨ mʲˈawa tʃˈarnɛ ɲˈitʃɨm skʃˈɨdwa krˈuka, tˈak krˈutkʲɛ i vˌɨstʃɛmpʲˈɔnɛ, ʒˈɛ alˈain pˌɔdɛjʒɛvˈawa, ˈiʒ dʑɛftʃˈɨna ɕtɕˈina jˈɛ ʃtɨlˈɛtɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_130.wav|zatʃˈɛli xˈɔdʑidʑ dˌɔlinˈami, a pˈɔtɛm xɔdʑˈili jˈuʃ ʃtʃɨtˈami, a pˈɔtɛm tɔ dʑˈɛtskɔː umjˈawɔ jˈuʃ xˈɔdʑitɕ i pɔ ɕɲʲˈɛɡu i pɔ skˈawax.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_64.wav|— pˌɔvʲɛdʑˈawɛɕ pˈan, ʒˈɛ maʃ pˈan tɛn sˈam prˈɔblɛm, ʒˈɛkw xwˈɔpak. — a mˈɔʒɛ ɲʲɛ zrˌɔzumjˈawɛm pˈana dˈɔbʒɛ?|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_271.wav|jɛj tˈɔn sˌuɡɛrˈɔvaw, ʒˈɛ xtɕˈawa pɔvʲˈɛdʑɛtɕ, jˈak mˈɔɡwabˌɨm ˈɔɲʲɛj ɲʲɛ vʲˈɛdʑɛtɕ. zˌɔstavˈiwa na tɕˈɛlɛ mɔjˈɛɡɔ mˈɛ̃ʒa sfˈuj znˈak.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_370.wav|pˈan jɛst pʃˌɨjatɕˈɛlɛm patsjˈɛnta?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_357.wav|ɲʲˈɛɣ vˈɛʑmʲɛ i vrˈatsa dɔ rɔsjˈɔɲi.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_173.wav|i mˈa bˌɛŋkarsˈijɔ̃ tsˈurkɛ z jˈakɔ̃ɕ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_163.wav|pɔvʲˈɛdʑaw i skˈinɔw ɡwˈɔvɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_86.wav|umˈɔvɨ pɔʒˈɨtʃki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_61.wav|ɕɲˈiwɔ mi ɕɛ, ʒˈɛ mɲʲɛ dˈuɕiw. trˈip!|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_5.wav|pɔdɲʲˈɔswam ɡwˈɔvɛ w rɛˈaktsji na znajˈɔmɨ ɡwˈɔs.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_38.wav|jˈak mˈɔʒna sˈɔbjɛ vˌɨɔbrˈazitɕ, trˈudnɔ bˌɨwɔ mu pʃˈɨjɔɲdʑ dɔ vʲˌadɔmˈɔɕtɕi, ʒˈɛ tɔ fʃˈɨstkɔ ɕɛ vˌɨdaʒˈɨwɔ. ɔtpˈarwa bˈɛki.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_143.wav|tˈɛraz bˌɨwa ubrˈana f spˈɔdɲʲɛ ɔd drˈɛsu i pɔt kɔʃˈulɛk. ɲʲɛ mʲˈawa mˌakijˈaʒu, a jɛj tfˈaʒ znatʃˈɨwɨ zasxɲʲˈɛntɛ ɕlˈadɨ wˈɛs.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_16.wav|mˈa dˈɔɕtɕ tʃˈasu, bˈɨ zatʃˈɛwɨ fkrˈadatɕ ɕɛ vˌɔntplivˈɔɕtɕi.|2
+Dataset/wavs/urwisko_ferenc/36_segment_133.wav|— ɲʲɛ, dˈaj spˈɔkuj — mˈaxnɔw rˈɛŋkɔ̃. — ɲʲˈɛmam tʃˈasu na ʒˈadnɛ mˈakɛˈupɨ.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_198.wav|jˈɛɕli lˈɔraz zdɔbˈɛɲdʑɛ zˈamɛk...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_13.wav|pˈiʃɔ̃ ˈɔtɨm fʃˈɛɲdʑɛ w mˈɛdjax spˌɔwɛtʃnɔɕtɕˈɔvɨx.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_98.wav|swˈɔva tɔ tˌɨlkɔ vʲˈatr, pˌɔvʲɛdʑˈawa sˈɔbjɛ brjˈɛnnɛ. ɲʲɛ mˈɔɡɔ̃ mɲʲɛ zrˈaɲitɕ. ɲʲˈɛx pɔ prˈɔstu pˈɔmɲʲɛ spwˈɨnɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_149.wav|nˈɔtsɔ̃ kapˈitan ɔdvʲˈɛdʑiw ɡɔspˈɔdɛ, bˈɨ na vwˈasnɛ ˈɔtʃɨ zɔbˈatʃɨtɕ mˌaɛstˈɛra ɛmˈɔna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_135.wav|zapˈɨtam ɡˈɔː ˌɔsɔbʲˈiɕtɕɛ, jˈɛɕli ɕɛ ɔkˈaʒɛ, ʒˈɛ uswˈɨʃaw ɔt tɕˈɛbjɛ tsˈɔː innˈɛɡɔ, vrˈutsɛ i tɕˈɛ zabʲˈijɛ, jˈasnɛ? tˈak, tˈak.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_53.wav|w jˈaki spˈɔsub zˌapɛvɲʲˈajɔ̃ sˈɔbjɛ tˈɛ kɔntrˈɔlɛ? spˈɨtaw rˈɔp.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_301.wav|tˌɛɡɔ vˌɨsɔkʲˈɛɡɔ, dɔbrˈɛɡɔ mɛ̃ʃtʃˈɨznɨ ɔ rˌɔzɛɕmʲˈanɨx ˈɔtʃax.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_95.wav|pˌɔtɕɛʃˈawam ɕɛ fˈaktɛm, ʒˈɛ sˈam mɲʲɛ pɔʃˈukaw, zˌɔrɡaɲizˈɔvaw pʃˈɛjast ˌawtɔbˈusɛm i ˌɔtprɔvˈadʑiw mɲʲɛ dɔ dˈɔmu.|3
+Dataset/wavs/urwisko_ferenc/53_segment_121.wav|mˈɔɡwa pɔdˈɛswatɕ prˌatsɔvɲˈitsɛ, zˌauvaʒˈɨwa xˈɛrman.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_123.wav|dʑɛftʃˈɨŋka pˌɔpatʃˈɨwa na ɲʲˈɛɡɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_52.wav|ˈɛlis pɔsˈɨwa mu ˈuɕmʲɛx, xˈɨba pʲˈɛrʃɨ ɔt jɛj pɔvrˈɔtu.|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_10.wav|na ɡˈurɛ vbjˈɛɡwam pɔ pɔxˈɨlɲʲax. vɔlˈawam ɲʲɛ lˈitʃɨtɕ na vˈindɨ, ktˌurɛ prˌavdɔpɔdˈɔbɲʲɛ ɲʲɛ dʑawˈawɨ, zˌablɔkɔvˈanɛ pʃˈɛs lɛʒˈɔntsɨɣ w dʒvʲˈax ɲʲˌɛpʃɨtˈɔmnɨx lˈudʑi.|4
+Dataset/wavs/urwisko_ferenc/33_segment_63.wav|ʃˈɨpkɔ dˈɔtrɔ̃ dɔ mixˈawa skʃɨtskʲˈɛɡɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_169.wav|fʃˈɨstkɔ ɕɛ ɲʲɛ ukwˈada.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_7.wav|jˈak tɛ vˈɔrki ɕɛ tˈam znalˈazwɨ i dlatʃˈɛɡɔ?|2
+Dataset/wavs/urwisko_ferenc/64_segment_49.wav|mˌamɨ tˈɛʃ psˈɨ zvwɔkˈɔvɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_250.wav|ˌɔdʒutɕˈiwam transˈaktsjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_25.wav|dˌɔvʲɛdʑˈawɛm ɕɛ, ʒˈɛ vrˈatsa. tɔː ˌɔtʃɨvˈiɕtɕɛ dˈɔbra vʲadˈɔmɔɕtɕ, bˈɔ jˈɛdʑɛ z ɲʲˈɔ̃ lˈutsɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_57.wav|zrɔbʲˈiwɛm, tsˈɔ kˈazaw.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_26.wav|dɔdˈawa lˈadɨ mˈarja. ɲʲɛktˌuʒɨ z lˈɔrduv dɔ ʒˈɛtʃa rˈuvɲʲɛʃ ˈidɔ̃ rˈɛŋka w rˌɛŋkavˈitsɛ z lˈudʑmi lˈɔrda bɛrˈika.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_292.wav|ˈaxa, i dɔvˈuttsɔ̃ nˈɔtsnɛj strˈaʒɨ zˈɔstaw mwˈɔdɨ xwˈɔpak, jˈakiʑ bɛŋkˈartsi, sˈɨn ɛddˈarda stˈarka.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_30.wav|pˌɔtʃɛbˈujɛ pˈaru ɡˈɔdʑin na ˌuspɔkɔjˈɛɲʲɛ ɕɛ pɔ ftʃɔrˈajʃɨɣ vˌɨdaʒˈɛɲʲax. pˈujdɛ pɔ pɔwˈudɲʲu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_23.wav|zˈafʃɛ tfʲˈɛrdʑɛ, ʒˈɛ zˌamɔrdɔvˈaɲʲɛ kˈɔɡɔʑ za tsˈɔɕ tˈak trˌɨvʲalnˈɛɡɔ vɨdˈajɛ ɕɛ tʃˈɨmɕ naprˈavdɛ ˌɛkstrɛmˈalnɨm.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_225.wav|zˌapwatɕˈimɨ za ɲʲˈɛɡɔː ˈɔkup.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_56.wav|— xˈɔtɕ tˈu na xfˈilɛ, xˈɛlɛn.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_164.wav|ˈalbɔ nˈavɛt f pˈɛntɔs.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_106.wav|rˌɔstɕɔŋɡɲʲɛntˈɛɡɔ na kanˈaptsɛ naɡʲˈɛɡɔ tɕˈawa kɔbjˈɛtɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_22.wav|bʲˈillɨ spˈuʃtʃa nˈɔɡʲi na pɔdwˈɔɡɛ. dʑɛftʃˈɨna tsˈɔfa ɕɛ i pɔdnˈɔɕi dwˈɔɲʲɛ w ɔbrˈɔnnɨm ɡˈɛɕtɕɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_66.wav|vʲˈɛʃ mˈɔʒɛ, f ktˌurɨm ʃpitˈalu pʃˌɛbɨvˈawɔ dʑˈɛtskɔ?|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_164.wav|a tsˈɔ z ɲˈimi zrˈɔbʲiʃ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_67.wav|ftˈɛdɨ bˌɛndɔ̃ mu ɕɛ rʲˈawɔː ˈiɕtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_13.wav|ˈɔ, bjˈɛdnɛ ɲʲˌɛviɲʲˈɔntkɔ, ˈɔtpar dʲibˈɔis, ɲʲɛ ˌɔdrɨvˈajɔndʑ vzrˈɔku ɔt kˌɔmputˈɛra.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_428.wav|jˈɛʃtʃɛ ˈinnɛ, skrɔmɲʲˈɛjʃɛ, f trˌadɨtsˈɨjnɨm pˌɔdvarʃˈafskim stˈɨlu tsˌɛmɛntˈɔvɨx pudˈɛwɛk.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_317.wav|pˈɔtɛm ˌɔbudʑˈiwɔ mɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_94.wav|zˌatʃɨmˈawɛm ɕɛ i tʃɨtˈawɛm bɛzmˈɨɕlɲʲɛ tʃˈɨjʑ vʲˈɛrʃ ˈalbɔ...|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_113.wav|mˈuɕaw pʃɨlˈɛtɕɛtɕ jˈakiɕ fraxtˈɔvʲɛts, inˈatʃɛj ɲˈiɡdɨ bˈɨɕ ɲʲɛ ftɕisnˈɛwa lˌɛɲivˈɛɡɔ dˈupska w mˈundur.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_86.wav|vʲˈɛʃ, tsˈɔ tˈɛraz bˈɛɲdʑɛ, prˈavda?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_95.wav|xtsˈɛ pˈan ptˈaka na pamjˈɔntkɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_99.wav|prubˈujɛ ɕɛ ˌuspɔkˈɔitɕ i upˈijam wˈɨɡ vˈɔdɨ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_434.wav|pˈɔvʲɛts ˈɔjtʃɛ.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_117.wav|pˈɔtɛm zrɔbʲˈiwa tɔ sˈamɔ s ktɕˈukʲɛm mallˈɔrɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_28.wav|zˌaʒutɕˈiwam pʃɨnˈɛntɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_142.wav|jˈɛɕli ɲˈitsk jɛzd dˌɨrɛktˈɔrɛm ɡˌɛnɛrˈalnɨm, tɔ ɡʲˈɔrɡjɔ pˈɛwɲi fˈuŋktsjɛ dˌɨrɛktˈɔra dɔ sprˈaf ˌɔpɛratsˈɨjnɨx.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_122.wav|pʃˈɛstaɲ!|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_151.wav|zˌatʃɨmˈawam ɕɛ i spɔjʒˈawam f strˈɔnɛ dʒvˈi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_434.wav|a mˌɛksɨkˈaɲin spɔjʒˈafʃɨ na jˈɛɡɔ prˈavɔ̃ dwˈɔɲ zɔbˈatʃɨw, ˈiʒ brˈudnɨ stˈarɨ bˈandaʃ pˈɔkrɨw ɕɛ ɕfʲˈɛʒɔ̃ krfjˈɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_78.wav|tsˈɔ tɛn tʃwˈɔvʲɛɡ vɨprˈavʲaw? tʃˈɛɡɔ xtɕˈaw?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_88.wav|tɔ fʃˈɨstkɔ pʃɛzˈɛmɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_211.wav|tˈakʲɛ, jˈakʲɛ nˈɔʃɔ̃ transpwtɕˈɔvi mɛ̃ʃtʃˈɨʑɲi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_248.wav|stˈukatʃ|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_103.wav|w mˈawɨm ɔkʲˈɛŋku zˌɔbatʃˈɨwam jˈɛɡɔ tfˈaʒ vˌɨkʃɨvʲˈɔnɔ̃ fɕtɕˈɛkwɨm ɡrɨmˈasɛm.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_50.wav|a dvˈa ʃtʃˈɨtɨ pʃˌɨvɔdʑˈiwɨ na mˈɨɕl bliʑɲʲˈaki.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_4.wav|mˈɔjɛ ɔkrˈɛsɨ zˈafʃɛ vˌɨdavˈawɨ ɕɛ rˌɛɡulˈarnɛ. ɲˈiɡdɨ jˈɛdnak ɲʲɛ pʃˌɨvʲɔ̃zɨvˈawam dˈuʒɛj vˈaɡʲi dɔ dˈat, a kɔlˈɛjnɛ dɲˈi bˌɨwɨ dɔ ɕˈɛbjɛ bˈardʑɔ pɔdˈɔbnɛ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_299.wav|stˈav dʑˈɛvits.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_24.wav|jˈɔ pʃɨtknˈɛwa.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_49.wav|ɡˈuntɛr pʃˈɛrvaw na xfˈilɛ i splˈud dwˈɔɲʲɛ s tˈɨwu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_16.wav|vʲɛdʑˈawam, ʒˈɛ ɲʲɛ bˌɛɲdʑɛ ɕɛ zˈɛmnɔ̃ kwˈutɕiw.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_317.wav|za xfˈilɛ zˈabʒmi dʑvˈɔn na kɔlˈatsjɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_66.wav|tɨ ˈɔtɨm vʲˈɛʃ rˈuvɲʲɛ dˈɔbʒɛ jˈak i jˈa. lˈataʃ i dwˈuʒɛj i lˈɛpʲɛj ˈɔdɛ mɲʲɛ. pʃˈɨkrɔ mi, ʒˈɛ mˈuʃɛ pɔvʲˈɛdʑɛtɕ tɕi kɔmplˈɛmɛnt.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_176.wav|a tsˈɔ ɕɛ stˈaɲʲɛ s tɨm mɛ̃ʃtʃˈɨznɔ̃?|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_231.wav|i ɕˌadajˈɔntsɨ na pˈɔlu startˈɔvɨm ɡwˈatkɔː i tɕˈixɔ pʃɨ bˈɔtʃnɨm, pˌɔrɨvˈistɨm vʲˈɛtʃɛ,|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_148.wav|tˈak mi smˈutnɔ s pɔvˈɔdu tfˈɔjɛj strˈatɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_12.wav|tʃˈujɛ ˈɔsɨ vɛ vwˈɔsax.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_303.wav|ˌalɛ lˈadɨ vˈɔ̃ɕik mu jˈɔ̃ ukrˈadwa.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_143.wav|dɔdˈawa sˈanxɛs. ˌɔsɔbʲˈiɕtɕɛ zˈadbam, ʒˈɛbɨʑ zɔstˈawa dˌɛpɔrtɔvˈana dɔ brazˈɨlji i stanˈɛwa pʃɛt sˈɔndɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_75.wav|dˈɔkɔnt jɛdʑˈɛmɨ, mˈam mu ɕɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_168.wav|ɲʲɛ vidʑˈawɛm nˈaɲʲɛj ʒˈadnɨx ɕlˈaduf tˈamtɛj nˈɔtsɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_38.wav|a tɔ pɔtstˈɛmpnɨ ɡnˈɔjɛk.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_156.wav|ɔtfˈɔʒɨw dʒvˈi i vˈɛpxnɔw ɡˈɔ dɔ tɕɛmnˈɛɡɔ pɔkˈɔju.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_38.wav|zapˈɨtaw, pˌɔxɨlˈajɔnts ɕɛ blˈiʒɛj mɔjˈɛɡɔː ˈuxa.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_284.wav|vˌɨxɨlˈiwam zavˈartɔɕtɕ ʃklˈaŋki dɔ kˈɔɲtsa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_94.wav|ˈandɛrsɔn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_197.wav|f tˈakim rˈaʑɛ ktˈɔ zˈatɨm stˈɔi?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_126.wav|zatʃˈɛkaj, ˈannɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_12.wav|pʃˈɛs tsˈawɨ tʃˈas ˌɔpsɛrvɔvˈawam tˈɛʃ skʃˈɨŋkɛ dˌɔmiɲˈika.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_475.wav|dɔ vidʑˈɛɲʲa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_4.wav|bˈɛtskɨ rˈɔbʲinsɔn stˈawa pʃɨ tablˈitsɨ i rˌɔzmavʲˈawa s ɕɛrʒˈantɛm kˈitɛm sˈimsɛm. ˌɔdvrutɕˈiwa ɕɛ, swˈɨʃɔnts ɛmˈɔtsjɛ w ɡwˈɔɕɛ tˈɔma.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_259.wav|ɡdˈɨbɨ ɲʲɛ ɲʲˌɛpɔkˈɔjɛ w dɔlˈiɲʲɛ...|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_78.wav|tʃˈɨʒbɨm zˌauvaʒˈɨwa tɕˈɛɲ pɔdʑˈivu na tfˈaʒɨ tɛj mrˌukɔvˈatɛj stˈarɛj rɔsjˈaŋki?|4
+Dataset/wavs/urwisko_ferenc/36_segment_99.wav|nˌastɔlˈatɛɡ zatʃˈɨmaw ɕɛ f tɕˈɛmnɨm kˌɔrɨtˈaʒu. — ˈidʑ dɔ kˈuxɲi, pɔ lˈɛvɛj — pˌɔprɔɕˈiwa xˈɛrman i zamknˈɛwa dʒvˈi za bˌɔrɛvˈitʃɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_20.wav|ɲʲɛ bˌɨwɔ mɲʲɛ tˈutaj pʃˈɛs jˈakiɕ tʃˈas, a tɔ tˈakʲɛ pʲˈɛŋknɛ mʲˈɛjstsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_44.wav|mˈuvi sxˈɔdʑɔnts pɔ ɕtɕˈɛʃtsɛ, pˌɔɲʲɛftʃˈaɕɛ pʃˌɨpɔmɲʲˈafʃɨ sˈɔbjɛ ɔ zˌavɔwˈaɲʲu. smatʃnˈɛɡɔ!|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_16.wav|rˈɨknɔw. zabʲˈijtɕɛ mɲʲɛ, jˈɛɕli zdɔwˈatɕɛ!|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_152.wav|pʃˌɛprɔvˈadʑiw mɲʲɛ pʃˈɛz dʒvˈi i sxɔdˈami na ɡˈurɛ dɔ sfˈɔix pɔkˈɔi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_174.wav|zˌɔbatʃˈɨwɛm nˈaɲʲɛj ɔptɕˈiswɛ dʒˈinsɨ ˌɔras rɔbˈɔtʃɔ̃ blˈuzɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_67.wav|ɲʲˈɛxtsɛ ɔdbjˈɛratɕ, ˌalɛ zˈɛrkam na ˈɛkran.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_345.wav|vɨplˈuwa ɡˈɔ na pɔdwˈɔɡɛ ˈu stˈup mwɔdˈɛɡɔ rɨtsˈɛʒa i ujʒˈawa ˌɔbʒɨdʑˈɛɲʲɛ na jˈɛɡɔ tfˈaʒɨ. pʲˈɛŋkna brjˈɛnnɛ!|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_137.wav|ʃˈansɛ nˈatɔ, ʒˈɛ ˈinɲi mˌajɔ̃ lˈɛpʃɛ kˈartɨ sɔ̃ ɲˈiskʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_108.wav|vidʑˈɛliɕtɕˌɛ ɡˈɔ?|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_287.wav|vɨpˈiwam mˈawɨ wˈɨtʃɛk i... natˈɨxmʲast fʃˈɨstkɔ vɨplˈuwam, kʃˈɨvʲɔnts ɕɛ z ˌɔbʒɨdʑˈɛɲʲa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_57.wav|bˈɔ spɔtkˈawam xwɔpˈaka i spɛɲdʑˈiwam z ɲˈim trˈɔxɛ tʃˈasu.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_8.wav|krˈɛv z vɨbʲˈitɨɣ zˈɛmbuf spwɨvˈawa mu pɔ pɔdbrˈutku,|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_341.wav|sxˈɔndɔ ɕmʲˈɛjɛ ɕɛ w dˈuxu, kʲˈɛdɨ vˈidʑi, jˈaɡ dˈajɛʃ w nˈɔs tˌɛmu mˌinstrɛlˈɔvi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_98.wav|bʲˈillɨ mˈɨɕli, ʒˈɛ mˈɔɡwɔ bˈɨdʑ ɡˈɔʒɛj. mˈɔɡli jˈɔ̃ dˌɔkumˈɛntɲʲɛ rˈɔsprutɕ, nˈavɛd zˈabʲitɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_199.wav|mʲˈawam tɕˈixɔ̃ nadʑˈɛjɛ, ʒˈɛ ɲˈikt ɕɛ tˈɛras ɲʲɛ nˌapatˈɔtʃɨ i ɲʲɛ bˌɛndɛ muɕˈawa vɨmˈɨɕlatɕ na pˌɔtʃɛkˈaɲʲu jˈakʲɛjɕ pʃˌɛkɔnujˈɔntsɛj lɛɡˈɛndɨ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_118.wav|ɡdɨbˈɨɕmɨ pˌɔvʲɛɕˈili taljˈɛɡɔ, ɲʲɛ mʲˈɛlibˌɨɕmɨ zˌakwadɲˈika, sˈɛr.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_75.wav|a tˈɨ, ˈanɔ, swɨʃˈawaɕ tɔ nazvˈiskɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_30.wav|zˈaɲim tˈɔm zdˈɔ̃ʒɨw ˌɔtpɔvʲˈɛdʑɛtɕ, bˈɛtskɨ zrɔbʲˈiwa krˈɔɡ dɔ pʃˈɔdu f strˈɔnɛ ˌintɛrtsˈɔmu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_9.wav|ˌɔbdaʒˈɨliɕmˌɨ tɕˈɛbjɛ tsɛxˈami, ktˌurɛ spˌɔtɨkˈamɨ fɕrˈud blˈiʑɲix ɔt ɕfʲˈɛnta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_71.wav|pʃˈɨznaj tɔː ɔtfˈartɕɛ, inˈatʃɛj zabʲˈijɛ tɕˈɛ f tɛj xfˈili.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_479.wav|nˈɔː i tˈak ʃɛpnˈɔwɛm.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_109.wav|jˌɛstɛʑ dˈɔbrɔ̃ pʃˌɨjatɕˈuwkɔ̃, tˈɛnɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_30.wav|pˈiʃɛ ɔ rˈɛʃtɕɛ swˈuʒbɨ na pustˈɨɲi i ˈɔtɨm, jˈak pˌɔstanˈɔviw, ɲʲˈɛmal dɔswˈɔvɲʲɛ w ɔstˈatɲʲɛj xfˈili, ʒˈɛ ɲʲɛ zatɕˈɔŋɡɲʲɛ ɕɛ na drˈuɡɔ̃ tˈurɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_136.wav|ˌɔtfɔʒˈɨwam sˈɛjf i w ɕrˈɔtku znalˈazwam tˌajɛmɲˈitʃɛ bjˈawɛ pudˈɛwkɔ.|4
+Dataset/wavs/urwisko_ferenc/14_segment_64.wav|rˌɔzmavʲˈawa z jˈakimɕ fatsˈɛtɛm. vˌɨɡlɔndˈawɔ nˈatɔ, ʒˈɛ ɕɛ kwutɕˈili.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_55.wav|f skupʲˈɛɲʲu ɲʲɛ pɔmˈaɡaw mu rˈuvɲʲɛʃ fˈakt, ʒˈɛ lˈutsɨ i kˈatɛ mʲˌawɨ ɲʲɛbˈavɛm pʃɨjˈɛxatɕ i zatʃˈɨmatɕ ɕɛ f xɔtˈɛlu pʃɨ lɔtɲˈisku.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_92.wav|kwˈadʑɛ na kɔlˈanax kɕˈɔ̃ʃkɛ vɨjˈɛntɔ̃ s kʲɛʃˈɛɲi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_64.wav|rˌɔzdavˈawɨ ulˈɔtki puwɡwˈufka z ulˈitsɨ dˈɔbrɛj.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_288.wav|ɲʲɛ xtɕˈawam jˈɛdnak, ʒˈɛbɨ pˈɔttʃas mˈɔjɛj ˈaktsji vwˈɔntʃɨw ɕɛ ˈalarm, dlatˈɛɡɔ zadbˈaliɕmˌɨ, ʒˈɛbɨ tɕiɕɲʲˈɛɲʲɛ pɔ nˈaʃɛj strˈɔɲʲɛ bˌɨwɔ tˈakʲɛ sˈamɔ jˈak mʲˌɛndʑɨ skˌɔrupˈami bˈaɲki.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_448.wav|xtsˈɛ, ʒˈɛbɨ mˈuj mawʒˈɔnɛk mʲˈaw zˈɛmbɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_16.wav|tʃwɔŋkˈɔvʲɛ ɡrˈupɨ dʑˈɛlɔ̃ ɕɛ znˌakɔmitˈɨmi pˌɔmɨswˈami na kɕˈɔ̃ʃki i zˈafʃɛ vˌɨraʒˈajɔ̃ sfˈɔjɛ ɔpˈiɲʲɛ na tˈɛmat tˈɛɡɔ, tsˈɔ zˌamjɛʒˈajɔ̃ pʃɛtʃˈɨtatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_29.wav|vʲˈɛm, ʒˈɛ tɔ bˌɛɲdʑɛ dla pˈana trˈudnɛ, pˈaɲʲɛ strˈaɡan.|3
+Dataset/wavs/urwisko_ferenc/10_segment_17.wav|na pɔtʃˈɛbɨ klˈubu ˈɔlɡʲɛrd zˌaadaptˈɔvaw dˈuʒɔ̃ sˈalɛ jadˈalnɔ̃ na vˈɨʃʃɛj kˌɔndɨɡnˈatsji.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_145.wav|pʃˈɛz vʲˈɛlɛ lˈad bˈɨw zˌapʃɨɕɛ̃ʒˈɔnɔ̃ tˈartʃɔ̃ kɕˈɛɲtɕa jɔffrˈɛja.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_55.wav|f tɨm ɕɲʲˈɛ ʃukˈawa mˈatki, brnˈɔnts pʃˈɛs spˌustɔʃˈɔnɔ̃ kraˈinɛ pˈɛwnɔ̃ bwˈɔta, krfˈi i ˈɔɡɲʲa. zˈafʃɛ pˈadaw tˈam dˈɛʃtʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_83.wav|klˈatki sxɔdˈɔvɛ f ʃˈɨbjɛ ɡwˈuvnɨm ɲʲɛ rˈuʒɲʲɔ̃ ɕɛ ɔt tɨx na ʑˈɛmi.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_7.wav|prˌatsɔvˈali tˈu najlˈɛpɕi faxˈɔftsɨ w mʲˈɛɕtɕɛ, ˌalɛ na prˈuʒnɔ bˈɨ vˌɨpatrˈɨvatɕ mˌiɡɔtʃˈɔntsɨx ʃˈɨlduf ˈalbɔ rˈɛklam.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_198.wav|a tʃɨ bˌɛndɔ̃ tɕˈastka tsˌɨtrɨnˈɔvɛ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_366.wav|ˌinvalˈitstfɛm, ktˌurɛ ɲʲɛ bˌɨwɔ vidˈɔtʃnɔ̃ ˌuwɔmnˈɔɕtɕɔ̃, a istɲʲˈawɔ jˈakɔ stˈawɛ zˌaɡrɔʒˈɛɲʲɛ ʒˈɨtɕa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_27.wav|kˈit mˈaxnɔw rˈɛŋkɔ̃ dɔ tˈɔma i pɔvʲˈɛdʑaw ɲʲˈɛmɔː ˈanpr. zˌɔstavʲˈajɔndʑ bˈɛki s pˈaɲʲɔ̃ ɔzbˈɔrnɛ, tˈɔm pˈɔtʃɛd dɔ kˈita ɕˌɛdʑɔntsˈɛɡɔ pʃɛt kˌɔmputˈɛrɛm.|3
+Dataset/wavs/urwisko_ferenc/31_segment_22.wav|— sˈɛrjɔ? — spˈɨtaw, zjɛʒdʒˈajɔndʑ zˈɛ vzɲʲɛɕˈɛɲʲa w dˈuw pɔt mˈɔstɛm kˌɔlɛjˈɔvɨm, ktˌurɨ ʃpɛtɕˈiwɨ rˌɔsɕfʲɛtlˈɔnɛ swˈɔɲtsɛm ɔɡɲˈiska rdʑˈɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_206.wav|— ja vˈas lˈubjɛ! — vˈɔwaw zduʃˈɔnɨm ɡwˈɔsɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_14.wav|— ˈandɛrsɔn — pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_326.wav|pʃɛʃkˈɔdɔ̃ jɛzd blˈatskfiʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_155.wav|pɔftˈuʒɨw stanˈɔftʃɨm tˈɔnɛm. ɲʲɛ spʲˈɛʃɨ tɕˈi ɕɛ, jˌɛstɛɕ tˌɨlkɔ ɲʲˌɛtɕɛrplˈiva.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_22.wav|w mˈɔix swuxˈafkax rˈɔzlɛkw ɕɛ ɡwˈɔz bˈɔba, ktˌurɨ bjˈɛɡw ˌɔbɔk mɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_294.wav|vʲˈɛm, ˌalɛ mˈɔʒɛʃ pʃˈɛstatɕ ɕɛ f tɨm nˈuʒatɕ i mˈɔʒɛʒ zˈɛmnɔ̃ rɔzmˈavʲatɕ jˈak s tʃwɔvʲˈɛkʲɛm. ˈɔtpar i pɔtɕˈɔŋɡnɔw wˈɨk pˈiva, ftɕˈɔ̃ʃ pˈatʃɔnts mi w ˈɔtʃɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_71.wav|ɲʲˈɛɕɛ dvʲˈɛ pˈuʃki pˈiva.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_75.wav|mˈam tˌɨlkɔ nadʑˈɛjɛ, ʒˈɛ ɲʲɛ pˌɔpɛwɲˈiwam pˌɔvaʒnˈɛɡɔ bwˈɛndu, mˈuvʲɔnts ɔ fʃˈɨstkim bˈɛtskɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_44.wav|swˈɔva uznˈaɲʲa za tɕˈɛ̃ʃkɔ̃ prˈatsɛ i fspˈartɕɛ nalˈɛʒɔ̃ ɕɛ tsawˈɛmu dʑawˈɔvi spʃɛdˈaʒɨ krˈɔvn i rˈandɔm xɔˈusɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_3.wav|ɕfʲadˈɔmɔɕtɕ, ʒˈɛ jˌɛstɛm f tɕˈɔ̃ʒɨ, pʃˌɛrazˈiwa mɲʲɛ dɔ tsnˈa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_29.wav|s tˈɛsɔ̃ dlatʃˈɛɡɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_95.wav|ɲʲˈɛxtɕaw pɔvʲˈɛdʑɛtɕ tsˈɔ, vˌɨtwumˈatʃɨw tˈɨlkɔ, ʒˈɛ dʑˈɛŋki tˌɛmu ɲʲɛ bˌɛɲdʑɛ bˈardʑɔ ɕmʲɛrdʑˈawɔ, kʲˈɛdɨ vrˈutsɔ̃ upˈawɨ, mˈɔʒɛ nˈavɛt ftsˈalɛ.|2
+Dataset/wavs/urwisko_ferenc/64_segment_81.wav|ˈɔlɡʲɛrt pɔkˈazaw tɔ mˈarji.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_31.wav|ˈɛliz vrˈatsa dɔ kˈuxɲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_295.wav|tˈakʲɛ sɔ̃ mˈɔjɛ varˈuŋki.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_92.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_24.wav|dɔpˈuki pɔt jˈɛɡɔ bramˈami stˈɔi jˈɔnɔs, tˈɨtɔs ɲˈiɡdɨ ɕɛ ɲʲɛ pˈɔdda.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_94.wav|tɔ mˈɔʒɛ ɕɛ ˈudatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_105.wav|ˌalɛ uznˈajɛ, ʒˈɛ tɔ ɲʲɛ mʲawˈɔbɨ vʲɛŋkʃˈɛɡɔ sˈɛnsu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_35.wav|ɲʲɛ xtɕˈawam ɡrˈadʑ w blˈatsk jˈatska.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_58.wav|pˈikɲik mˈiɕuf, vʲˈɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_253.wav|spɔjʒˈawam mu ɡwɛmbˈɔkɔ w ˈɔtʃɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_70.wav|s tˈakʲɛj ˌɔdlɛɡwˈɔɕtɕi trˈafiwbˌɨ nˈavɛt pʃɨ ɕˈilnɨm vʲˈɛtʃɛ, ˌɔtʃɨvˈiɕtɕɛ ɡdˈɨbɨ mʲˈaw ˌɔtpɔvʲˈɛdɲi spʃˈɛnt.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_51.wav|tˈak.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_203.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ fʃˈɨstkɔ ɡrˈa, stfʲˈɛrdʑiw dˈalɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_31.wav|tɔ bˈɨw pɔtˈɛ̃ʒnɨ tɕˈɔs.|4
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_153.wav|pʃɨ kˈaʒdɨm ʒˈɛɲdʑɛ fɔtˈɛli znˌajdɔvˈawɔ ɕɛ ɔkrˈɔŋɡwɛ ɔkʲˈɛŋkɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_32.wav|nadˈaʒa ɕɛ dˌɔskɔnˈawa ɔkˈazja, bˈɨ vˌɨprubˈɔvatɕ sfˈɔjɛ pʃɛbrˈaɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_75.wav|ɡdɨbˈɨɕmɨ vʲɛdʑˈɛli, dlatʃˈɛɡɔ zɔstˈawa pɔrvˈana, bɨwˈɔbɨ nˈam dˈuʒɔ wˈatf��ɛj jˈɔ̃ ɔdnˈalɛɕtɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_82.wav|zatʃˈɛwam ˌuɕfʲadˈamjatɕ sˈɔbjɛ, ʒˈɛ mˈɔʒɛ pˌɔtʃɛbˈujɛ miwˈɔɕtɕi, ktˌura jɛzd dˌɛlikatɲʲˈɛjʃa, watfʲˈɛjʃa f tsɔdʑˈɛnnɨm ʒˈɨtɕu, mˈɔʒɛ nˈavɛt pʃˌɛvidɨvˈalna.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_35.wav|zˌawɔʒˈɨliɕmˌɨ, ʒˈɛ tɔ mˈarta rɔɕtɕˈiwa sˈɔbjɛ prˈava dɔ naˈila. a tsˈɔ jˈɛɕli bˌɨwa tɔ kˈirstɛn i mʲˈawa na mˈɨɕli ɛdjˈɛɡɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_200.wav|— dˈɔn xtsˈɛ, ja rˈatʃɛj tˈɛʃ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_643.wav|vˈidʑiʃ, tˌɨlkɔ bʲˈiznɛs jɛst ɲʲˌɛɕmʲɛrtˈɛlnɨ.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_354.wav|ɡdˈɨ tsɛrsˈɛi xtɕˈawa tsˈɔfnɔɲtɕ rˈɛŋkɛ,|1
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_40.wav|— ˌɔtʃɨvˈiɕtɕɛ. ɔstʃˈɛɡam tɕˈɛ jˈɛdnak, ʒˈɛbɨɕ ɲʲɛ ˌɔdbjɛrˈawa ʒˈadnɨx rˈɔzmuf ɔt fˈɛj. tɔ pravdʑˈiva udrˈɛŋka. dʑvˈɔɲi bˈɛs pʃˈɛrvɨ s pˌɨtaɲʲˈami ɔ vʲˈɛɕtɕi f sprˈavʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_182.wav|jˈɛɕli tˌɛmu ˌɔbdartˈɛmu sˌɛptɔnˈɔvi vɨdˈajɛ ɕɛ, ʒˈɛ zmˈuɕi mɲʲɛ dɔ kupʲˈɛɲʲa bwˌɔɡɔswavʲˈɛɲstfa dla tɔmˈɛna, fkrˈuttsɛ ɕɛ pʃɛkˈɔna, ʒˈɛ ɕɛ mˈɨli.|1
+Dataset/wavs/urwisko_ferenc/38_segment_32.wav|mˈuɕiʒ zˈatʃɔɲtɕ mˈuvitɕ, jˈɛɕli mˈam tɕi pˈɔmuts uɲˈiknɔɲtɕ pˌaraɡrˈafuf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_45.wav|tˈɔtɛʃ ɲʲˈɛxtsɛ dɔlˈɛvatɕ ɔlˈivɨ dɔː ˈɔɡɲʲa, spʲɛrˈajɔnts ɕɛ bˌɛspɔɕrˈɛdɲʲɔ z ˈɛlis, ktˌura zmʲɛɲˈiwabˌɨ mu ʒˈɨtɕɛ f pʲˈɛkwɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_121.wav|dɔː arˈama ˌɔdvrutɕˈiwabˌɨ ɕɛ natˈɨxmʲast.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_26.wav|jˈɛɕli rajˈavi ɕɛ ɲʲɛ mˈɨli i w nˈaʃɨm zɛspˈɔlɛ jɛst krˈɛt, tɔ jˈak sˈɔɲdʑiʃ, ktˈɔ tɔ jˈɛst?|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_104.wav|ɲˈiɡdɨ ɲʲɛ ˌɔbjɛtsɨvˈaliɕmˌɨ sˈɔbjɛ vʲɛrnˈɔɕtɕi.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_364.wav|ɲʲɛ bˌɨwa tˈɛʒ zˌaxfɨtsˈɔna ɲʲˌɛustˈannɔ̃ kwˌutlivˈɔɕtɕɔ̃ i ɲʲˌɛvdʑɛntʃnˈɔɕtɕɔ̃ vʲɛlkʲˈɛɡɔ vrˈubla.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_183.wav|swˈuxaj, kˈɛn, dʑɛŋkˈujɛ, ʒˈɛ fpˈadwɛɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_237.wav|bˌɨwa tˈu ˈɛstɛr, pˌɔvʲɛdʑˈawa xˈɛlɛn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_187.wav|ktˌuʒɨ ɲʲɛ bˌɨli ˌaɲi bˈardʑɛj dˌɔɕfʲattʃˈɛɲi, ˌaɲi stˈarɕi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_49.wav|nˈɔ, tɔ jɛst nˈaz dvˈɔjɛ, pɔmˈɨɕlaw tˈɔm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_123.wav|tˈata zˈɛrka na alfjˈɛɡɔ, pˈɔtɛm nˈamɲʲɛ i znˈuf na ɲʲˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_152.wav|i dɔpˈilnuj, ʒˈɛbɨ tsˌawkɔvˈitɕɛ zakrˈɨwa pʲˈɛrʃɨ ɕtɕˈɛk.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_135.wav|tsˈawa rˈɛʃta rˈuvɲʲɛʃ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_82.wav|pˈɔdɲʲuz vzrˈɔk i zˌɔbatʃˈɨwam w ɲˈim vɨzvˈaɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_145.wav|rˌɔstʃarɔvˈawaɕ mɲʲɛ, ˈindjɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_28.wav|tʃɨ tsˈurka ɲʲɛ mˈɔʒɛ pɔ prˈɔstu ɔdvʲˈɛdʑitɕ ˈɔjtsa, ʒˈɛbɨ ˈɔddatɕ mu tʃˈɛɕtɕ?|4
+Dataset/wavs/urwisko_ferenc/11_segment_19.wav|kɔʃˈulka napʲˈɛwa ɕɛ na jˈɛɡɔ zˌaɔkrɔŋɡlˈɔnɨm bʒˈuxu. vˈɨjɔw drɔʒdʒˈufki s tˈɔrbɨ pˌapʲɛrˈɔvɛj, a mˈarja pɔdˈawa talˈɛʒɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_78.wav|jɛst lˈɛpʃɨ pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_258.wav|mˈɔʒɛ tɔ pʃˈɨjdʑɛ s tʃˈasɛm. jˈakɔɕ tˌɛɡɔ ɲʲɛ vˈidʑɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_178.wav|swˈapʃa ɡrˈavi... ɲʲɛvˈaʒnɛ. tʃɨ tɛn fˈatsɛd bˈɨw ubrˈanɨ w mˈundur kˌanadˈɨjskʲɛj pɔlˈitsji kˈɔnnɛj?|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_26.wav|pɕˈakrɛf. tɔ mɲʲɛ bˌɛɲdʑɛ kˌɔʃtɔvˈawɔ kˈilka tɨɕˈɛntsɨ ɡʲˈituf jˈak ɲˈits.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_41.wav|tfʲˈɛrdʑi pˈan, ʒˈɛ ɲʲˈɛma pɔjˈɛɲtɕa, dlatʃˈɛɡɔ pˌɔprɔɕˈiliɕmˌɨ pˈana ɔ pʃɨbˈɨtɕɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_177.wav|ɡdʑˈɛɕ tʃɨtˈawam, ʒˈɛ ˈidɔnts w ˌɔdvʲɛdʑˈinɨ dɔː ˌukraˈiɲtsa tʃˈɛba pʃˈɨɲʲɛɕtɕ jˈakiɕ prˈɛzɛnt.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_107.wav|pɔdˈawa lˈutsɨ mˌarɨnˌɔvanˈɛɡɔ kurtʃˈaka.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_113.wav|dɛmbʲˈina ɡwˈɔɕnɔ zˌatʃɛʃtʃˈawa.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_228.wav|mˈuwɨ znˈawɨ kˈaʒdɨ jɛj tsˈal.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_576.wav|xfˈilɛ miltʃˈawɛm.|0
+Dataset/wavs/urwisko_ferenc/54_segment_25.wav|— ˈɔ, tɔ mˈiwɔ s pˈana strˈɔnɨ.|0
+Dataset/wavs/urwisko_ferenc/13_segment_13.wav|ˈɔlɡʲɛrt mrˈuɡnɔw ukrˈatkʲɛm dɔ mˈarji i vwˈɔntʃɨw ɕɛ dɔ dɨskˈusji. — bˈɨw pˈan ftˈɛdɨ w dˈɔmu tʃɨ na zˈɛvnɔntʃ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_123.wav|— ktˌurɛ xtsˈɔ̃ zˈɔstatɕ lˌɔtɲikˈami — pɔvʲˈɛdʑaw rˈɨan. — i tɨx fʃˈɨstkiɣ ɡwˈuptsuf, ktˌuʒɨ zˈatɔ pwˈatsɔ̃, sɔ̃ tˈatsɨ, pʃɨɕˈɛŋɡam pˈanu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_95.wav|bʲˈillɨ sˈɔɲdʑi, ʒˈɛ sˈam mˈuɡwbɨ jˈɔ̃ ˌɔpɔvʲˈɛdʑɛtɕ, bˈɔ swˈɨʃaw vʲˈɛlɛ pɔdˈɔbnɨx.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_44.wav|ɲʲɛ vʲɛdʑˈawɛm, ʒˈɛ mʲˈɛʃka tˈu dʑˈɛtskɔ. tsˈɔ za mˈiwa ɲʲˌɛspɔdʑˈaŋka. mˈiwɔ mi tɕˈɛ pˈɔznatɕ, ˈindjɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_23.wav|dˈaltɔn smˈitx pɔvˈiɲʲɛn bˈɨtɕ f xˈundzvil i ˌinstalˈɔvatɕ sˈɨstɛm kˌɔmputɛrˈɔvɨ f tsɛntrˈali ɛɡvˈitɨ ˌinsurˈantsɛ.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_115.wav|tɔ ɲʲɛ dʑˈɛjɛ ɕɛ naprˈavdɛ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_290.wav|vɛŋɡˈartɨ ʒˈatkɔ ɕɛ pwˈɔdʑi, spuʃtʃˈajɔnts ɕɛ na bʒˈux.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_82.wav|ɲʲɛ, prˈɔʃɛ ɕpʲˈɛvadʑ dˈalɛj, wapˈidux ɕɛ rɔzˈɛjʒaw. ɲʲˈɛx ktˈɔɕ mi pɔmˈɔʒɛ, ktˈɔ znˈa tˈɛ zasrˈanɔ̃ pʲɔsˈɛŋkɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_64.wav|ˌutʃɨmˈɨvaw pˈan ɔt tˈamtɛj pˈɔrɨ jˌakikˈɔlvʲɛk kˈɔntaɡd z ɡˌɛnɛvʲˈɛvɛ?|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_110.wav|mˈuj kˈuzɨn ˈalin bˈɨw jˈɛdnɨm z lˈudʑi, ktˌurɨɣ vɨswˈanɔ na pˌɔʃukivˈaɲʲa ɔɡˈara. pɔɡˈadam z ɲˈim.|1
+Dataset/wavs/urwisko_ferenc/42_segment_77.wav|nˈɔ vʲˈɛnts sˈama vˈidʑiʃ, ʒˈɛ tɔ ɕɛ ɲʲɛ klˈɛi. xtsˈɛ vˈɨswatɕ tɕˈuxɨ mˈawɛj dɔ bjɛɡwˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_284.wav|zapˈɛvɲʲam tɕˈɛ, ʒˈɛ kˌɔmɛdjˈaɲska fˈarsa, jˈakɔ̃ jɛst tɔː ˌɔblɛ̃ʒˈɛɲʲɛ, na pˈɛvnɔ bˈɨ ɡˈɔ ɲʲɛ rˌɔsɕmʲɛʃˈɨwa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_120.wav|dˈɔtknɔw mˈɔix pʲˈɛrɕi.|3
+Dataset/wavs/urwisko_ferenc/52_segment_34.wav|ˌalɛ ɕɛ zavˈaxaw. ˈalbɔ ɲʲɛ. ɡɔtˈufkɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_207.wav|jɛj zakˈupɨ sɔ̃ w mˈawɛj bjˈawɛj tɔrˈɛptsɛ. vɨjmˈujɛ ˌɔpakɔvˈaɲʲɛ xustˈɛtʃɛk klˈinɛks, vɨtɕˈɛra nˈɔs i prubˈujɛ pʃˈɨbratɕ ˈuɕmʲɛx.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_161.wav|tɛn fˈatsɛt, dɔ kturˌɛɡɔ jɛdʑˈɛmɨ, mˈuvi ˈɛlis, jˈaki ɔn jˈɛst?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_448.wav|ˌalɛ tˈɛraz bˌɨwɔː inˈatʃɛj. ɕfʲˌɛntɔvˈanɔ z upˈɔrɛm ˌimjɛɲˈinɨ ˌɔfitsˈɛra dˌɨʒurnˈɛɡɔ, tˌɛɡɔ tʃwɔvʲˈɛtʃka, ktˈurɨ...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_256.wav|ˈalbɔ zwˈɔtɔ̃ mˈɨɕl, ɔt ktˌurɛj ɲʲɛ spˈɔsup ɕɛ uvˈɔlɲitɕ.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_424.wav|pˌɔfstʃɨmˈawa ɕɛ jˈɛdnak.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_14.wav|zˈafʃɛ ˌudavˈawɔ ɕɛ nˈam jˈakɔʑ dˌɔɡadˈɨvatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_152.wav|pˌɔtɕɔŋɡnˈɛwam nˈɔsɛm i ˌɔtxʃɔŋknˈɛwam, ʒˈɛbɨ pˈɔzbɨtɕ ɕɛ pwatʃlˈivɛj bˈarvɨ ɡwˈɔsu i zˌadʑvɔɲˈiwam dɔː ˈɔjtsa, kˌɔʒɨstˈajɔndʑ z lˌɔkalnˈɛɡɔ sɛrvˈɛra.|4
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_30.wav|ɲʲˈɛxtsɛ ʒˈɨtɕ w ɕɲʲˈadɛj amˈɛrɨtsˌɛ, mˈuvi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_68.wav|jˈak mˈɔɡwabˌɨm sprˈavitɕ mu zˈavut, kʲˈɛdɨ tˈak mɲʲɛ pˌɔtʃɛbˈɔvaw?|3
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+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_238.wav|zˌapɨtˈawa krulˈɔva.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_192.wav|ʒˈɛ jɛj ɲʲˌɛprɔʃˈɔnɛ pˌɔjavʲˈɛɲʲɛ ɕɛ w jˈɛɡɔ ʒˈɨtɕu prˌavdɔpɔdˈɔbɲʲɛ ɔznˈatʃa kˈɔɲʲɛts pisˈaɲʲa i tɔː akˈurat ftˈɛdɨ, kʲˈɛdɨ dˈɔbʒɛ mu ʃwˈɔ.|2
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+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_172.wav|tsˈɔʑ vɨmˈɨɕlɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_127.wav|pˈɔliʃ sˈɔbjɛ tɕˈɔŋɡnɔ̃. zvˈɨkwɛ kɔndˈɔmɨ kɔʃtˈujɔ̃ zdˌɛtsɨdɔvˈaɲʲɛ zbˈɨd vʲˈɛlɛ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_285.wav|ɕɲˈiwɔ mi ɕɛ.|1
+Dataset/wavs/urwisko_ferenc/46_segment_119.wav|lˈɛtʃ ɲʲɛ dˌɔtɕɛrˈawɔ dɔ ɲʲˈɛɡɔ ɲˈits ˈɔprutʃ ʃˈumu lˈiɕtɕi pɔblˈiskiɣ dʒˈɛf, s ktˌurɨɣ vʲˈatr stʃˈɔ̃saw dˈuʒɛ krˈɔplɛ dˈɛʃtʃu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_14.wav|ɲʲˈɛxtsɛ ɡˈɔ bˈudʑitɕ, ˌalɛ xˈɨba vɨtʃˈuva mˈɔjɔ̃ ɔbˈɛtsnɔɕtɕ f pˌɔmjɛʃtʃˈɛɲʲu, bˈɔː ɔbrˈatsa ɡwˈɔvɛ w mˈɔjɔ̃ strˈɔnɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_3.wav|dʑɛŋkˈujɛ za pˈɔmɔts. bˌɨwam f tʃˈarnɛj dˈupʲɛ. tˈɛras jˈuʃ ɲʲɛ jɛst tˈak tʃˈarnɔ.|4
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+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_53.wav|ˌandʒɛlˈinɛ rˌɔdriɡˈuɛs|4
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+Dataset/wavs/urwisko_ferenc/49_segment_68.wav|ˌɔdɛtxnˈɛwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_29.wav|jɛʒˈɛli ɕɛ pɔdˈɛpɲʲɛʃ, pʃˌɛdʑurˈaviʃ sfˈuj pʃˈɛvut na vˌɨʃtʃɛrbjˈɔnɛj zwˈɔntʃtsɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_577.wav|ˌalɛ kʲˈɛdɨ tˈak pʃˌɛkɔmaʒˈawɛm ɕɛ nat stɔlˈikʲɛm,|0
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+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_251.wav|lˈɛpʲɛj jˈuʃ pɔjˈadɛ.|2
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_16.wav|ɲʲɛstˈɛtɨ krɔˈiwam tsɨtrˈɨnɨ dɔ dʒˈinu s tɔɲˈikʲɛm, kʲˈɛdɨ dɔ tˌɛɡɔ dˈɔʃwɔː i tʃɨmˈawam w dwˈɔɲi nˈuʃ, ktˌurɨ swˈuʒɨw dɔ tˌɛɡɔ vwˈaɕɲʲɛ tsˈɛlu.|3
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+Dataset/wavs/urwisko_ferenc/35_segment_61.wav|ɕfʲˈɛtɲʲɛ.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_55.wav|jˈasnɛ, rɔzˈumjɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_85.wav|i bˌɛɲdʑɛ vˌɨxɔvˈɨvadʑ z miwˈɔɕtɕɔ̃ jɛj dʑˈɛtskɔ.|4
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_45.wav|ˈuɕɔɲtɕ, kˈatɛ. ja ɕɛ tɨm zˈajmɛ. pˈɔɕɛtɕ sˈɔbjɛ z lˈutsɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_189.wav|jˈak mˈɔʒɛ tˈɛras mɲʲɛ tˈaɡ drˈɛntʃɨtɕ?|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_216.wav|kʲˈɛdɨ ʒˈɔnɨ ɲʲˈɛma w dˈɔmu, vʲˈɛnts...|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_104.wav|tˈɨdʑɛɲ pɔ mˈɔim suktsˈɛɕɛ pʃɨ pˌɔkɛrˈɔvɨm stˈɔlɛ dɔstˈawam vʲadˈɔmɔɕtɕ ɔt kˌamɛrˈɔna. xtɕˈaw ɕɛ zˈɛmnɔ̃ zɔbˈatʃɨtɕ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_90.wav|jɛj pˈɛvnɔɕtɕ ɕˈɛbjɛ zaxfʲˈawa ɕɛ na mˈɔmɛnt.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_64.wav|fɕˈadam za kʲˌɛrɔvɲˈitsɔ̃ i zamˈɨkam ˈɔtʃɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_72.wav|ɲʲɛ lˈubʲiw, kʲˈɛdɨ nˈɔvi, kˌɔnvɛrtˈɨtɕi pʃˌɨjɛʒdʒˈali tˌaksufkˈami. zbˈɨd vʲˈɛlɛ ˈɔsub zˌadavˈawɔ jˈuʃ pɨtˈaɲʲa, tsˈɔ ɕɛ dʑˈɛjɛ f tɨm dˈɔmu.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_24.wav|mɨɕlˈawam, ʒˈɛ vˌɨjɛxˈawa vˌɨstartʃajˈɔntsɔ dalˈɛkɔ, ʒˈɛbɨ ɲʲɛ zapʃˈɔntatɕ tɕi vʲˈɛntsɛj ɡwˈɔvɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_127.wav|ɲˈilɛ bˈɨw nˈudnɨ, ftɕˈɔ̃ʃ pratsˈɔvaw i mʲˈaw ɔpsˈɛsjɛ na pˈuŋktɕɛ tɛj sfˈɔjɛj nˈɔvɛj ˌaplikˈatsji.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_328.wav|tɔ bˌɨwɔ zˈaɲim jˈɛʃtʃɛ pˌɔɕlubʲˈiwa mɔjˈɛɡɔ sˈɨna tʃɨ pˈuʑɲʲɛj?|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_101.wav|fʃˈɨstsɨ w bˈaɲtsɛ kɔnrˈada bˈɨlibˌɨ ˌuratɔvˈaɲi.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_371.wav|a na tʃɨm tɛn bˈuj pɔlˈɛɡa?|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_157.wav|tˈɨlɛ, ʒˈɛ tˈak tʃɨ ˈɔvaɡ vˌɨpatrɨvˈalibˌɨ sˌamɔtnˈɛɡɔ mɛ̃ʃtʃˈɨznɨ, mˈuvi bˈutskɨ.|2
+Dataset/wavs/urwisko_ferenc/44_segment_74.wav|pamjˈɛntaw spɛŋkˈanɔ̃ fˈarbɛ na sufˈitɕɛ kˌɔlɔɲˈijnɛj ˌizɔlˈatki.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_148.wav|tʃˈɨʃ ɲʲɛ tˈak, sˌɛrɔsnˈɛju?|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_222.wav|dˈaj mi tɔ pʃɛmˈɨɕlɛtɕ, dˈɔbʒɛ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_39.wav|mˈuvʲɔnts tɔ zˈɛrkam na tˈɛssɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_125.wav|rˈɔzvʲaʒ ɡˈɔ dˈɔm. pˈuʑdʑ ɡˈɔ, prˈɔʃɛ.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_137.wav|kˈɔntrakt mawʒˈɛɲski.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_156.wav|s tɛj strˈɔnɨ mɛxˈaɲizm bˈɨw pˌɔzbavʲˈɔnɨ finˈɛzji. prˈɔstɛ, ˌɔpswuɡʲivˈanɛ rˈɛntʃɲʲɛ zavˈɔrɨ.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_303.wav|pɔmˈɨɕlaw, pˌɔraʒˈɔnɨ ɕlˈɛpɔ̃ paɲˈikɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_454.wav|ftɕˈɔ̃ʃ jɛst jˈɛʃtʃɛ ˌamatˈɔrɛm, ɲʲˈɛxtsɛ strˈatɕidʑ dɲʲˈa prˈatsɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_214.wav|pˈɔza tɨm tˈɛrɛn f pɔblˈiʒu mʲˈasta bˈɨw pwˈaski i vˌɨɡwadʑˈɔnɨ pʃˈɛs lˈata tɕɔŋɡwˈɛɡɔː ˌuʒɨtkɔvˈaɲʲa.|4
+Dataset/wavs/urwisko_ferenc/36_segment_72.wav|mˈarja vzruʃˈɨwa rˌamjɔnˈami i vʑˈɛwa xˌɛstɛrfjˈɛlda dɔː ˈust.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_60.wav|ɲʲɛ ɕtɕˈɛli ɡˈɔ jˈɛʃtʃɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_93.wav|jˈɛʃtʃɛ bˈardʑɛj mɲʲɛ zˈabʲitɕ? i tˈak jˈuʒ dˈɨbjaw na mˈɔjɛ ʒˈɨtɕɛ.|4
+Dataset/wavs/urwisko_ferenc/37_segment_17.wav|ʑˈimna sˈuka, vˈarknɔw w mˈɨɕlax. zˈajmɛ ɕɛ ɲˈim. tˈɨlkɔ, ʒˈɛ tˈɛras jˌɛstɛm f prˈatsɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_182.wav|a vʲˈɛndʑ dˈɔbʒɛ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_240.wav|pjˈa z narˈɛntʃɛm ˈubraɲ stˈawa ˈu vˈɛjɕtɕa namjˈɔtu.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_17.wav|ˌalɛ ɲʲɛ mˈɔɡɔ̃ tˈu mʲˈɛʃkatɕ sˈami turˈɨɕtɕi i ˌɛkstsɛntrˈɨtʃɲi mˌiljardˈɛʒɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_76.wav|jˈɛɕli mˈɨɕliʃ ɔ latˈaɲʲu utʃtɕˈivʲɛ, a ɲʲɛ tˌɨlkɔː ˈɔtɨm, ʒˈɛbɨ ˈukraɕtɕ utʃɲʲˈɔvi jˈɛɡɔ ʃˈɛʑdʑ dɔlˈaruf. i kˈɔɲʲɛts.|0
+Dataset/wavs/urwisko_ferenc/18_segment_37.wav|ˌɔtʃukˈawa vzrˈɔkʲɛm tɛlˈɛfɔn, ktˌurɨ lˈɛʒaw na stˈɔlɛ ˌɔbɔk pˌɔrtsɛlanˈɔvɛj fˌiliʒˈaŋki. mˈɔʒɛ bˈɨtɕ pˈuʑɲʲɛj ˈɔtpar.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_47.wav|dɔpʲˈɛrɔ kʲˈɛdɨ vʑˈɔw jɛj pʲˈɛrʃɨ kˈɛ̃s, ˌuzmɨswˈɔviw sˈɔbjɛ, jˈaɡ bˈardʑɔ ɕɛ stˈɛ̃skɲiw za ʑˌɛlɛɲˈinɔ̃.|2
+Dataset/wavs/urwisko_ferenc/55_segment_21.wav|fˈilip w ɔɡˈulɛ ɲʲɛ pamjˈɛnta tɛj dʑɛftʃˈɨnɨ. bˌɨwɨ xˈɨba zˈɛ tʃˈɨ xˈaɲʲɛ, ˌalɛ ʒˈadna ɲʲɛ nˌazɨvˈawa ɕɛ pilˈɛfska.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_6.wav|tˈak, xtɕˈawbɨm. tʃɨ fʃˈɨstkɔ z ɲˈim f pɔʒˈɔntku? lˌɔuˈiɕɛ ɲˈits ɲʲɛ bˈɛɲdʑɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_22.wav|i zɡˈɔdɲʲɛ zˈɛ sfɔˈimi zˌapɛvɲʲɛɲʲˈami, dˈalɛ ɲˈiɡdɨ ɲʲɛ ˌɔtʃɛkˈivaw ˈɔdɛ mɲʲɛ ɲitʃˈɛɡɔ w zˈamjan.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_50.wav|muɕˈanɔ jˈɔ̃ pɔwˈɔʒɨdʑ dˈavnɔ tˈɛmu.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_218.wav|a tˈaɡʒɛ mˈatkɛ, ktˌura z dˈɔmu nˌazɨvˈawa ɕɛ dˈarɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_3.wav|dɔ prˈatsɨ dɔtɕˈɛram pʲˈɛɲtɕ mˈinut pˈuʑɲʲɛj ɲˈiʒ zvˈɨklɛ, ˌalɛ jˈuʃ w mɔmˈɛɲtɕɛ pʃˌɛkrɔtʃˈɛɲʲa prˈɔɡu ɡwuvnˈɛɡɔ bjˈura zˌauvˈaʒam, ʒˈɛ tsˈɔɕ jɛst ɲʲɛ tˈak.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_79.wav|tsˈɔ tɨ ɲʲɛ pˈɔvʲɛʃ? pˈɨta sˈam ɕˈɛbjɛ s sarkˈazmɛm, na ktˌurɨ zvˈɨklɛ ɲʲɛ pɔzvˈala sˈɔbjɛ nˈavɛt w mˈɨɕlax.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_64.wav|ˈarjan ɲʲɛ pˌɔtrafˈiwa f tɔː uvʲˈɛʒɨtɕ. zrɔbʲˈili tɔ z miwˈɔɕtɕi dɔ mɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_82.wav|ta sprˈava ftɕˈɔ̃ʃ ɲʲɛ davˈawa mu spɔkˈɔju, pɔdˈɔbɲʲɛ jˈak kˈaʒda z udʑˈawɛm dʑˈɛtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_203.wav|mˈuvi znˈɔvu.|2
+Dataset/wavs/urwisko_ferenc/59_segment_17.wav|brˈɔɲ, ktˌurɔ̃ ɲʲˌɛpɔstʃɛʒˈɛɲʲɛ zabrˈawa zˈɛ sxˈɔfka, lɛʒˈawa na dɲʲˈɛ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_253.wav|muɕˈawɛm pˈɔznatɕ prˈavdɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_103.wav|ftˈɛdɨ tˈata pˈɔʃɛdwbˌɨ za mnˈɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_204.wav|tˌɨlkɔ tɨ maʒ dˈɔɕtɕ ɕˈiw, ˈabɨ z ɲˈim vˈaltʃɨtɕ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_48.wav|ˌalɛ ɔbˈavʲam ɕɛ, ʒˈɛ ɲʲɛ mˈɔɡɛ skɔʒˈɨstadʑ z vˈaʃɛj ɡˌɔɕtɕinnˈɔɕtɕi.|1
+Dataset/wavs/urwisko_ferenc/11_segment_68.wav|ˈɛɡzɡlˈiɲʲaʃ fxˈɔdʑi na tˈɛrɛn bjawˈɛɡɔ ʒˈaɡla.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_184.wav|zˌavɔwˈawa, ˌɔtsuvˈajɔnts ɕɛ ɔt ɲˈix. kˈaʒɛ vˈaz zˈatɔ ɕtɕˈɔɲtɕ! fʃˈɨstkʲɛ stratɕˈitɕɛ ɡwˈɔvɨ! pʃɛpˈuɕtɕtɕɛ mɲʲɛ!|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_140.wav|tɕˈɛʃɛ ɕɛ, ʒˈɛ tɕˈɛbjɛ ˌɔdnalˈazwɛm. tʃɨ ˈinɲi ʒˈɨjɔ̃?|0
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_61.wav|znajdˈujɛ artˈɨkuw zˌilustrɔvˈanɨ kˈadrɛm s kamˈɛrɨ mˌɔɲitˌɔriŋɡˈɔvɛj, ktˌurɨ stanˈɔvi mˈɔtsnɔː ˌɔptɕɔ̃ʒajˈɔntsɨ dˈɔvut.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_81.wav|sprˈavʲaʃ mi bˈul, ˌɔznajmˈiwa.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_366.wav|vrˈɔɲʲɛ ˈɔkɔ pɔtɕˈɔŋɡnɔw wˈɨɡ zˈɛ srɛbrnˈɛɡɔ puxˈaru. tʃɨmˈawɛm kʲˈɛdɨʑ w dwˈɔɲi smˈɔtʃɛ jˈajɔ, brˈatɕɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_201.wav|pʲˈɛŋknɛ sˌamɔxˈɔdɨ, f ktˌurɨx tratɕˈili sfˈɔjɛ vwˈasnɛ pʲˈɛŋknɔ, zˌapadajˈɔntsɨ ɕɛ sfˈɨmi mɔtsnˈɨmi, tfardˈɨmi tɕawˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_137.wav|rˈudɨ pˈɔtʃɛd dɔ dʒvˈi.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_237.wav|tˈɨvin pɔvˈiɲʲɛn bˈɨw pʃˈɨznatɕ rivˈɛran kˌɛvanˈɔvi, a dˌarɛmˈɔvi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_141.wav|pʃɛprˈaʃam, ʒˈɛ ˈɔtɨm mˈuvjɛ, ˌalɛ jˈɛɕli ʒˌɛtʃɨvˈiɕtɕɛ maʃ jˈakɔ̃ʑ dʑɛftʃˈɨnɛ, tɔ pˌɔviɲʲˈɛnɛɕ ˈɔɲʲɛj tˈɛʃ pɔmˈɨɕlɛtɕ ɔt tʃˈasu dɔ tʃˈasu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_277.wav|skˈɔnd vʲˈɛʃ, ʒˈɛ ɲʲɛ pɔftˈuʒɛ tˌɛɡɔ ɲikˈɔmu?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_14.wav|ulˈɛɡwɔ tɔ zatˈartɕu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_17.wav|bˈɛtskɨ xtɕˈawa ɕɛ ɔdˈɛzvatɕ, kʲˈɛdɨ rɔzlˈɛɡwɔ ɕɛ dˌɛlikˈatnɛ pukˈaɲʲɛ dɔ dʒvˈi. pɔ xfˈili f pʃˈɛjɕtɕu pˌɔjavˈiwa ɕɛ ɡwˈɔva ɲʲˈɛtsɔ zˌaɲʲɛpˌɔkɔjɔnˈɛɡɔ rˈɔba.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_47.wav|pʃɨɕˈɛŋɡwa jˈɛdnak, ʒˈɛ ɲʲɛ stanˈɔvi tɔ dla ɲʲˈɛj prɔblˈɛmu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_86.wav|a pˈɔtɛm zˌaʒɔndˈawabˌɨɕ, ʒˈɛbɨm vrˈutɕiw prˈɔstɔ dɔ dˈɔmu. zˌadʑvɔɲˈiwɛm dɔ dˈɛli zˈaras pɔ nˈaʃɛj rɔzmˈɔvʲɛ, ʒˈɛbɨ ɕɛ upˈɛvɲitɕ, ʒˈɛ fʃˈɨstkɔ jɛst f pɔʒˈɔntku.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_619.wav|fˈaɡz w drˈuɡʲim pɔkˈɔju ˌuspɔkˈɔiw ɕɛ nˈaɡlɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_58.wav|ɲʲɛ sˈɔɲdʑi, bˈɨ mʲˈawɔ tɔ dwˈuɡɔ zˈajɔɲtɕ, ˌalɛ tɛ ɡɔdʑˈinɨ ɲʲˌɛvɔntplˈivʲɛ bˌɛndɔ̃ bˈardʑɔː ˌintɛnsˈɨvnɛ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_16.wav|ɡdˈɨ jˈuʒ vidʑˈawa tɔ fʃˈɨstkɔ, pɔt��ˈuwa ɕɛ ɡrˈuba i kɔsmˈata jˈak mˈawɨ ɲʲɛdʑvʲˈadɛk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_47.wav|bʲˈillɨ bjˈɛʒɛ dɔkwˈatkɛ. pʃˈɨtɨw dvˈa kˈilɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_31.wav|bˈɨw tɔ jɛdˈɨɲʲɛ dˈɔvut muvʲˈɔntsɨ ˈɔtɨm, ʒˈɛ mˈarta dˌɔtɨkˈawa rɔvˈɛru, ɲˈidʑ vʲˈɛntsɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_38.wav|tʃwɔvʲˈɛku, tɨ nˈavɛt f prˈuʒɲi pɔtrˈafiʒ zˈɛpsutɕ ˌatmɔsfˈɛrɛ, vʲˈɛʃ?|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_227.wav|ɔstˈatɲi kˈɔmbajn tˈɛras jˈuʃ ɲʲˈɛbɨw tˈak wˈatfɨm tsˈɛlɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_51.wav|alvˈarɛz ʒˈutɕiw ɕɛ nˈamɲʲɛ bˈɛs xfˈili vaxˈaɲʲa. bˈɔɲtɕ tsˈɔ bˈɔɲtɕ, bˈɨw zˌavɔdˈɔvɨm mɔrdˈɛrtsɔ̃. nˌalɛʒˈawɔ mu ɕɛ uznˈaɲʲɛ za prˌɔfɛsjɔnˈalizm.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_209.wav|jˈɛɕli tʃujˈɛtɕɛ ɕɛ pˌɔkʃɨvdʑˈɛɲi,|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_42.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ zˈasup pˈɨtaɲ jɛj ɕɛ vɨtʃˈɛrpaw, ˌalɛ pʃɨnˈajmɲʲɛj ɲʲɛ zatʃˈɛwa ʒˈɛ̃zitɕ i bʲˈillɨ mˈɨɕli, ʒˈɛ tɔ kɔlˈɛjnɨ krˈɔɡ w dˈɔbrɨm kʲɛrˈuŋku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_24.wav|pʃˌɨpɔmˈinam sˈɔbjɛ tɛn mˈɔmɛnt, kʲˈɛdɨ ˌuswɨʃˈawam jɛj vʒˈask.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_111.wav|vɛŋɡʲˈɛrka zˌasunˈɛwa mi dʒvˈi pʃɛt nˈɔsɛm. vrutɕˈiwa pɔ minˈutɕɛ i vrɛntʃˈɨwa mi ɲʲɛvʲˈɛlkɔ̃ vˌalizˈɛtʃkɛ.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_254.wav|pʃɨbˈɨwɛm ˈaʒ z mˈuru.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_108.wav|pɛvnˈɛɡɔ dɲʲˈa pɔvʲˈɛɕi jˈɛ f sfˈɛj kɔmnˈatɕɛ, bˈɨ jˈakɔ swˌabɔvˈitɨ stˈaʒɛts mˈukw sˈɔbjɛ pʃɨpˈɔmɲʲɛtɕ fʃˈɨstkiɣ vrˈɔɡuf, ktˌurɨɣ zˈabʲiw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_67.wav|tˈɔm ɲʲˈɛmʲaw pɔjˈɛɲtɕa, ɔ tsˈɔ ɲˌilɛˈɔvi xˈɔdʑi.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_203.wav|ɲʲɛ mˈɔɡwa jˈuʒ dwˈuʒɛj pˌɔfstʃɨmˈɨvatɕ ɕmʲˈɛxu. vˈɨrvaw ɕɛ ɔn z ˈust tsɛrsˈɛi, ɲʲˈɔsɔnts ɕɛ ˈɛxɛm pɔ kˌɔrɨtˈaʒu. vˈaʃa mˈiwɔɕtɕ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_67.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_109.wav|ˈaram mˈuviw spɔkˈɔjnɨm ɡwˈɔsɛm, ˌalɛ vʲɛdʑˈawam, ʒˈɛ pɔt pɔvʲˈɛʃxɲʲɔ̃ ˈaʃ ɕɛ ɡɔtˈujɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_21.wav|ˈɔx, tsˈɔ za ˌidjɔtˈɨtʃnɨ pˈɔmɨsw!|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_104.wav|ɡlɔbˈalna zmˈɔva pʃˈɛtɕif ɛwrˈɔpʲɛ. vʲˈɛlka ˈutʃta lˌudɔʒˈɛrtsuf fʃˈɛlkiɣ vwˈaɕtɕi.|0
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_35.wav|a kʲˈɛdɨ tɔ jˈuʃ nastˈɔmpi, pˌɔviɲʲˈɛnɛɕ fpˈaɕtɕ tˈu z vizˈɨtɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_27.wav|pɔvˈinnam bˌɨwa vʲˈɛdʑɛtɕ, ʒˈɛ ftɕˈɔ̃ʃ jɛzd vˈɔbɛts ɲʲˈɛɡɔ lɔjˈalna.|3
+Dataset/wavs/artemis_anna_szymanczyk/45_Artemis_segment_7.wav|fʃˈɨstkɔ s tˈɔbɔ̃ f pɔʒˈɔntku?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_166.wav|ɔrkʲˈɛstra ludˈɔva zaɡrˈawa krˈutki xˈɛjnaw, a ja patʃˈɨwɛm...|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_35.wav|zˈaras ɕɛ pʃˌɛkɔnˈamɨ.|4
+Dataset/wavs/urwisko_ferenc/35_segment_43.wav|vˈɨɕlɛ pˈanu pinˈɛskɛ zˌaprɔpɔnˈɔvaw, a ˈɔlɡʲɛrt pʃˌɛdɨktˈɔvaw mu sfˈuj nˈumɛr tˌɛlɛfˈɔnu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_103.wav|nˈɔ tsˈuʃ, mɲʲɛ zˈatɔ ɲʲˈɛviɲ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_172.wav|tsˈɔ nˈajmɲʲɛj rˈas.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_138.wav|tˈaɡʒɛ i tɨm rˈazɛm tʃˈɛka f kˌɔrɨtˈaʒu, znˈatʃɲʲɛ jˈɛdnak ˌɔkazˈalʃɨm ɔt tˌɛɡɔ f skrˈɔmnɨm ʒˈuwtɨm dˈɔmu w midvˈɔɔt.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_32.wav|dʑˈɛtɕi pɔvˈinnɔ ɕɛ ɔvˈijatɕ f pˌɔvijˈaki i vʲˈɛʃatɕ na ɕtɕˈaɲʲɛ, dɔpˈuki dʑɛftʃˈɨŋkɔm ɲʲɛ vɨrˈɔsnɔ̃ pʲˈɛrɕi, a xwˈɔptsɨ ɲʲɛ bˌɛndɔ̃ muɕˈɛli ɕɛ ɡˈɔlitɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_298.wav|i ftˈɛdɨ spɔstʃˈɛɡwɛm, ʒˈɛ tɛn wˈuk pˌɔzɔstavʲˈanɨx spˈalin jɛzd bˈardʑɔ ɡwɛmbˈɔki.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_151.wav|zˈatɛm swˈuʒɨw dɔ pʃˌɛsɨwˈaɲʲa dˈanɨx.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_141.wav|ɲʲɛ jˌɛstɛm f prˈatsɨ, mˈuvi bʲˈillɨ. mˈɔɡɛ jˈɛdnak tsˈɔɕ pˈanu dɔrˈadʑitɕ. swˈuxam.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_66.wav|vidʑˈawam jˈɔ̃ ftʃˈɔraj f sˌupɛrmarkˈɛtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_252.wav|pˈɔttʃas sfˈɛɡɔː ɔbjˈazdu zˈafʃɛ ɔdvʲˈɛdʑa sɔlˈaŋki.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_180.wav|mˈam pˈɛvɲʲɛ ɡɔrˈɔntʃkɛ. ˌɔɡarnˈɛwa mɲʲɛ raptˈɔvna ɔxˈɔta, ʒˈɛbɨ zɲˈiknɔɲtɕ, zˈapaɕtɕ ɕɛ pɔd ʑˈɛmʲɛ, ˈumʒɛtɕ na kˈilka ɡˈɔdʑin ˈalbɔ dɲˈi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_20.wav|mˈuvʲɔnts inˈatʃɛj, ɔt pˈana zalˈɛʒɨ, tʃɨ strˈatsɛ prˈatsɛ, tʃɨ ɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_55.wav|pɔftˈaʒam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_29.wav|ɲˈitsk rɔskwˈada rˈɛntsɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_162.wav|jˈɔɛl mˈɨɕli, ʒˈɛ nalˈɛʒɨ dɔ ɲʲˈɛɡɔ.|3
+Dataset/wavs/urwisko_ferenc/58_segment_6.wav|mˈuɡwbɨɕ jˈɛʃtʃɛ twˈɔtʃki pʃɛtʃˈɨɕtɕitɕ i zɔbˈatʃɨtɕ, tsˈɔ z rˈɛntʃnɨm, bˈɔ xˈɨba swˈabɔː ɔdbʲˈija, ˈɔtpaw ɡlˈipski.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_214.wav|ɲʲˈɛma ʒˈɔnɨ, ktˌura bˈɨ pˈɔɲim pwakˈawa, ˌaɲi dʑˈɛtɕi, ktˌurɨx mˈuɕawbˌɨ brˈɔɲitɕ. blˈatskfiʃ mˈɔʒɛ lˈitʃɨtɕ jɛdˈɨɲʲɛ na dˈɔbrɔ̃ ɕmʲˈɛrtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_78.wav|tʃɨ fʃˈɨstsɨ jˈɔ̃ zɡvawtɕˈili?|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_85.wav|a jˈɛɕli xˈɔdʑi ɔ jˈɛɡɔː ˈimjɛ, ɲʲɛ pʃɛtstˈaviw mi ɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_270.wav|spˈɔjʒaw na sɛptˈɔna mˌaribˈalda. mˈam nadʑˈɛjɛ, ʒˈɛ znˈajdʑɛʃ tʃˈas, bˈɨ ɔtpˈuɕtɕitɕ nˈam ɡʒˈɛxɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_115.wav|fɕˈɛdli dɔ sˌamɔlˈɔtu i zapʲˈɛli pˈasɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_372.wav|zɛrkˈawɨ kˈu mɲʲɛ tɕɛkˈavʲɛ jɛj pʲˈɛrɕi.|0
+Dataset/wavs/urwisko_ferenc/36_segment_28.wav|vˈɨʃwa na bˈalkɔn, ʒˈɛbɨ zapˈalitɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_61.wav|pˌɔmɨɕlˈawam nˈavɛt, ʒˈɛbɨ pɔprˈɔɕitɕ ɔ pˈɔmɔts rɔdʑˈitsuf, ˌalɛ ˌɔɲi ɲʲɛ dˌɨspɔnɔvˈali takˈimi kfɔtˈami.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_119.wav|ɔtfˈɔʒɨw dʒvˈi i pʃˈɛʃɛd dɔ druɡʲˈɛɡɔ pɔkˈɔju.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_73.wav|ɕˈɛŋɡam dɔ vwɔntʃɲˈika ɕfʲˈatwa, ˌalɛ znˈuf ɲʲɛ pʃɛnˈɔɕi tɔː ɛfˈɛktu. fxˈɔdʑɛ dɔ pˌɔmjɛʃtʃˈɛɲʲa i ɔstrˈɔʒɲʲɛ zblˈiʒam ɕɛ dɔ ɕtɕˈanɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_253.wav|ubˈɔɡa mˈaɡja.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_25.wav|ɲˈits pʃˌɨdatnˈɛɡɔ, mˈuvi vzruʃˈajɔnts rˌamjɔnˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_18.wav|a ta dʑɛftʃˈɨna rɔbʲˈiwa tɔ z ɲˈim dˌɔbrɔvˈɔlɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_285.wav|f tɨm jˈasnɨm, dˌɔskɔnˈalɛ xwˈɔdnɨm i dˌɔskɔnˈalɛ kfˌadratˈɔvɨm pɔkˈɔju wˈuʃkɔ tɔ vˌɨɡlɔndˈawɔ ɲˈibɨ tʃˈɛɲɕtɕ tˌɛatrˈalnɛj dˌɛkɔrˈatsji.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_65.wav|a tˈɛraz znˈuv dʑˈawa. tɔ ɲʲɛ bˌɨwɔ pɨtˈaɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_9.wav|pˈan spˈɛtsk pɔvʲˈɛdʑaw, jˌɛstɛɕ pˈɛvʲɛn, ʒˈɛ tˌɛɡɔ xtsˈɛʃ, bˈɛnji? a ja ˌɔtpɔvʲɛdʑˈawɛm, ʒˈɛ tˈak, xˈɔtɕ ftsˈalɛ ɲʲɛ bˌɨwɛm pˈɛvnɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_108.wav|ktˈɔ bˈɨw ɔfjˈarɔ̃?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_70.wav|stˈafka zˌatʃɨnˈawa rˈɔsnɔɲtɕ f trˈaktɕɛ rɔzdˈaɲʲa, a ja pˌɔstavˈiwam jˈuʒ zbˈɨd dˈuʒɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_24.wav|ɲʲɛktˌuʒɨ turˈɨɕtɕi jˈuʃ spˌatsɛrɔvˈali vzdwˈuʒ vɨɡʲˈɛntɛj fˈali ɕtɕɛɕtɕˈanɨ, ˌalɛ ˈidɔndʑ za suɡˈɛstjɔ̃ ɡuntˈɛra, dˌɔwɔntʃˈɨwɔ dɔ ɲˈix kˈilku ˈinnɨx.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_138.wav|tɔ bˈɨw fatˈalnɨ bwˈɔnt. jˈakiɕ ˈinnɨ vɛndrˈɔvʲɛdʑ znˈalaz ɡˈɔː i zˈabraw sˈɔbjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_3.wav|bʲˈillɨ zˌapisˈujɛ tˈɛkst na tfˈardɨm dˈɨsku, fstˈajɛ i lˈɛkkɔ ɕɛ xfʲˈɛjɛ, bˈɔ jˈɛɡɔ nˈɔɡʲi zdˈajɔ̃ ɕɛ znajdˈɔvatɕ w ˈinnɨm vɨmjˈaʒɛ ɲˈiʃ rˈɛʃta tɕˈawa.|2
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_129.wav|znalˈazwam ɕɛ vɛ vnˈɛntʃu wɔntʃɲˈika, tunˈɛlu mɛtrˈɔvɛj dwuɡˈɔɕtɕi mʲˌɛndʑɨ ɔbjˈɛma ɕluzˈami.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_99.wav|mˈuʃɛ zrɔzˈumjɛtɕ, tʃˈɛɡɔ tɨ ˌɔtʃɛkˈujɛʃ.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_65.wav|ɲʲɛ bˌɨwa pˈɛvna, jˈaɡ dˈɔbʒɛ sˈɛr xˈɛil znˈa tˌɛɡɔ tʃwɔvʲˈɛka.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_243.wav|tɔ zˌaintˌɛrɛsɔvˈawɔ sˈɛr xˈɨla.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_161.wav|vidʑˈawa tɔ pɔwˈɔva dvˈɔru.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_305.wav|za dˈuʒɔ pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_434.wav|jˈɛɡɔ druʒˈɨna kutsˈawa s surˈɔvɔ̃ dˌɛtɛrminˈatsjɔ̃ vˈɔkuw mɲʲɛ, tʃɨmˈajɔnts ɕɛ uxfˈɨtuf i pɔrˈɛntʃɨ. jˈɛdɲi bˌɨli ubrˈaɲi ɲʲɛdbˈalɛ i swɔvʲˈaɲskɔ,|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_208.wav|pˌɔswuxˈajtɕɛ, idjˈɔtki!|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_289.wav|tˈaɡ bˈardʑɔ mi pʃˈɨkrɔ, mˈɔja tsurˈɛtʃkɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_128.wav|jˈɛɕtɕ tˈɛʃ pˈɛvɲʲɛ tɕi ɕɛ ɲʲɛ xtɕˈawɔ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_145.wav|ʃɔkˈɔvi, kturˌɛɡɔ dɔtˈɨxtʃas ɲʲɛ znˈawɛm, ftˈɛdɨ pʃˌɨtɕɔŋɡnˈɔwɛm jˈɔ̃ ɡvawtˈɔvɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_15.wav|ɡdˈɨbɨ pɔvʲˈɛdʑaw ˈɔtɨm ftʃˈɔraj pɔlˈitsji, jˈuʒ bˈɨɕmɨ mʲˌɛli mˈili s pɔvrˈɔtɛm.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_179.wav|ɔt ˈɔtstu rˈana zˌabɔlˈawa ɡˈɔ jˈɛʃtʃɛ ɕˈilɲʲɛj ɲˈiʃ pʃˈɛttɛm. ɔdˈɛpxnɔw kɔbjˈɛtɛ na bˈɔk i zatɕˈisnɔw pʲˈɛɲʑdʑ zˈɛ srˈɔɡɔ̃ mˈinɔ̃. dˈaj mi vˈina!|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_18.wav|ɲʲɛ bˌɨwam zbˈɨtɲʲɔ pʃˌɛkɔnˈana.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_137.wav|xˈɔff rˈɔbʲiw na bʲˈillim vraʒˈɛɲʲɛ ɡˈɔɕtɕa, ktˌurɨ pʲˈɛrʃɨ zˈatʃɲʲɛ sˈɨpatɕ, jˈɛɕli tˌɨlkɔ pɔlˈitsja zˈɛxtsɛ dˈɔbʲidʑ z ɲˈim tˈarɡu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_36.wav|xˈa! ɲʲɛ sɔɲdʑˈiwɛm, ʒˈɛ jˈɛʃtʃɛ kʲˌɛdɨkˈɔlvʲɛk tɕˈɛ uswˈɨʃɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_89.wav|jˌɛstɛʑ dʑˈiɕaj pɔvˈɔlnɨ jˈak ɕlˈimak.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_130.wav|zatʃˈɛwam ɔt plandˈɛki.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_16.wav|ɡdˈɨ skɔɲtʃˈɨli tʃˈɨtatɕ,|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_136.wav|ˌalɛ ja mˈɔdlɛ ɕɛ, bˈɨ tɔ ɲˈiɡdɨ ɕɛ ɲʲɛ stˈawɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_70.wav|zˈafʃɛ xtɕˈawɛʑ bˈɨtɕ pisˈaʒɛm, ˌalɛ lˈɛdvɔ dˈawɛɕ rˈadɛ skˈɔɲtʃɨtɕ ʃkˈɔwɛ ɕrˈɛdɲʲɔ̃. pˈɔtɛm prˌatsɔvˈawɛɕ na budˈɔvax.|2
+Dataset/wavs/urwisko_ferenc/65_segment_7.wav|ɡdʑˈɛ klˈuska?|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_56.wav|vˌɨʃtʃɛrʒˈɨwam zˈɛmbɨ w uɕmʲˈɛxu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_167.wav|tsˈɔ tɨ rˈɔbʲiʃ? pˈɨta.|2
+Dataset/wavs/urwisko_ferenc/64_segment_23.wav|bɔrˈɛvidʒ vˌɨkɔʒˈɨstaw tɛn tʃˈas, ʒˈɛbɨ fʃˈɨstkɔ rˈas jˈɛʃtʃɛ pʃɛmˈɨɕlɛtɕ i zˌastanˈɔvitɕ ɕɛ, tʃɨ ɲʲɛ pˌɔpɛwɲˈili s partnˈɛrkɔ̃ ʒadnˈɛɡɔ bwˈɛndu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_139.wav|pˈisaʃ, mɨɕlˈawa sˈɔbjɛ, mˈɔʒɛ nˈavɛd dˈɔbʒɛ ɕɛ zˌapɔvʲˌadajˈɔntsɨ, ktˈɔɕ, ktˈɔ mˈuɡwbɨ ɔtfˈɔʒɨtɕ pʃɛt skrˈɔmnɔ̃ dʑɛftʃˈɨnɔ̃ prˌatsujˈɔntsɔ̃ dʒvˈi dɔ vʲɛlkʲˈɛɡɔ ɕfʲˈata.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_138.wav|pʃˈɨʃɛt tʃˈas na zmʲˈanɛ tɛmˈatu.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_210.wav|dʑˈɛŋki bˈɔɡu.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_447.wav|ˈarjan mˈɔɡwa ɕɛ jɛdˈɨɲʲɛ mˈɔdlitɕ ˈɔtɔ, bˈɨ jɛj vɨbˈaftsa ɔkˈazaw ɕɛ mwˈɔtʃɨ ɲˈiʃ stˌaruʃkˈɔvʲɛ, za ktˌurɨx prubˈɔvaw jˈɔ̃ f tɕˈɔŋɡu miɲʲˈɔnɨx lˈad vˈɨdatɕ ˈɔjtɕɛts.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_116.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_409.wav|xfɨtˈajɔnts jˈɔ̃ tʃˈupkʲɛm pˈaltsa za prˈavɨ ɡˈurnɨ rˈuk.|0
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_71.wav|znˈam vʲˈɛlu wˌadɔvˈatʃɨ, ktˌurɨm pʃˈɨdawbˌɨ ɕɛ dˌɔdatkˈɔvɨ zˈastʃɨɡ ɡɔtˈufki.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_118.wav|i tɛlˈɛfɔn dʑˈawaw nɔrmˈalɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_27.wav|spɔjʒˈawam na ɲʲˈɛɡɔː i zˌɔbatʃˈɨwam w jˈɛɡɔː ˈɔtʃax strˈax.|3
+Dataset/wavs/urwisko_ferenc/50_segment_8.wav|— pʃɛjmˈujɛ tfˈuj intˈɛrɛs f kujˈafskɔpɔmˈɔrskim — pʃɨpˈɔmɲʲaw mu pɔlˈitsjant.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_489.wav|tɔ jˈɛʃtʃɛ jˈɛdnɔː ɔzdˈɔbnɛ zmɨɕlˈɛɲʲɛ, ktˌurɛ prˈaɡɲʲɛ upʲˈɛŋkʃɨtɕ mˌɔnɔtˈɔnnɨ rˈux skrɔmnˈɛɡɔ vˌɔdɔspˈadu mˈawɨɣ zdˈaʒɛɲ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_245.wav|xfˈilɛ swuxˈawɛm jɛj tɕɛ̃ʃkʲˈɛɡɔː ɔddˈɛxu.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_200.wav|pʃˈɨbʲiw im dɔ ɡwˈuf jɛlˈɛɲʲɛ pɔrˈɔʒa, a pˈɔtɛm vɨstʃˈɛliw ix s trɛbˈuʃɨ pˈɔza mʲˈɛjskʲɛ mˈurɨ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_6.wav|fʃˈɨstkɔ tɔ bˌɨwɨ mˈawɛ ʒmˈijɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_21.wav|znˈawam tˈutaj kʲˈɛdɨɕ kˈɔɡɔɕ ɔ nazvˈisku rˈɔbɛrts.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_273.wav|rˌɔzbrɨzɡʲˈivaw pɔ drˈɔdʑɛ tʃˈarnɔ̃ vˈɔdɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_116.wav|fspɔmɲʲˈawɛɕ, ʒˈɛ tsˈɔɕ ɔdvrˈutɕi uvˈaɡɛ lˈudʑi i ʒˈɛ pˌɔɡadˈamɨ ˈɔtɨm pˈuʑɲʲɛj. tˈɛras jˈuʃ mˈɔʒna?|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_136.wav|kˌɔʒɨstˈajɔnts s pɔmˈɔtsɨ dˈɛjla, rˌɔzɛbrˈawam ɕɛ dɔ kˈɔɲtsa, a pˈɔtɛm pɔmˈɔɡwam mu zawˈɔʒɨtɕ skafˈandɛr.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_54.wav|rˌɔzmavʲˈamɨ bˈɛs pʃˈɛrvɨ ɔ mˈɔix pɔstˈatɕax, jˈaɡbɨ bˌɨwɨ prˌavdʑivˈɨmi lˈudʑmi|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_401.wav|pɔdbjˈɛɡwɛm dɔː ˈɔkna, ˌalɛ na ulˈitsɨ bˌɨwɔ jˈuʃ tɕˈixɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_159.wav|kʲˈɛdɨ ɔpwˈatsa raxˈunɛk jˈɛdnɔ̃ s kˈart krˌɛdɨtˈɔvɨɣ davˈida lɔtskrˈidʒa, mˈɨɕli ˈɔtɨm, jˈaɡ dʑˈɛtɕi fskɔtʃˈɨwɨ mu na plˈɛtsɨ skandˈujɔnts, zˈɨk, ˈuzɨk, ˈuzɨk, pʃˈɛɡraw pʲˈus w mˈik.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_31.wav|jˈulɔŋk sprˈavdʑa zɡˈɔdɲʲɛ z mɔˈimi ˌɔtʃɛkˌivaɲʲˈami. ɲˈiɡdɨ ɲʲɛ pasˈujɛ pʃɛd drˈuɡɔ̃ rˈundɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_149.wav|w jɛj tˈatʃtsɛ zɔstˈawɨ tˌɨlkɔ vˌɔdɔrˈɔstɨ i sˈul.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_41.wav|tʃɛkˈajɔ̃ dwˈuɡa pʃɛprˈava.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_32.wav|trfˈa tɔː ɔt tʃˈasuf.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_289.wav|pɔd varˈuŋkʲɛm, ʒˈɛ tɔ ʒˌɛtʃɨvˈiɕtɕɛ bˌɛɲdʑɛ krˈasnal. f pʃɛtɕˈivnɨm rˈaʑɛ...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_153.wav|znalˈazwam jˈuʃ mʲˈɛjstsɛ, f ktˌurɨm mɔʒˈɛmɨ skˈɔtʃɨtɕ. tɔ ɲʲˌɛdalˈɛkɔ mʲˈɛjstsa, ɡdʑˈɛ mʲˈɛʃkam. mˈuɡwbɨɕ pʃɨjˈɛxadʑ dɔ mɲʲɛ na wˈikɛnt?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_53.wav|tˈɛssa, mʲˌawɛm nadʑˈɛjɛ, ʒˈɛ tɕˈɛ tˈu zastˈanɛ. drˈɔɡʲɛ pˈaɲʲɛ, tʃɨ mˈɔɡɛ dɔ vˈaz dɔwˈɔntʃɨtɕ?|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_140.wav|ʃkˈɔda, ʒˈɛ ɲʲˈɛxtɕaw zˈɔstatɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_89.wav|vʲˈɛnts ɔtkwˈadam tˈɛ ɔbrˈɔswɔ̃ kˈuʒɛm swuxˈafkɛ i na ʃtˈɨvnɨx nˈɔɡax ˈidɛ dɔː ˈɔkna.|0
+Dataset/wavs/urwisko_ferenc/51_segment_41.wav|minˈɛli zjˈast w ulˈitsɛ napʃˈɛwaj, ɔt ktˌurɛj ˌɔtxɔdʑˈiwa sˌɛzamkˈɔva i kilkˈasɛt mˈɛtruv dˈalɛj vjɛxˈali w vˈɔ̃skɔ̃ drˈɔɡɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_29.wav|dʒˈɛz baʃˈara, zɡwˈaʃam ɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_61.wav|tsˈɔ tˈu rˈɔbʲiʃ tˈak ftʃˈɛɕɲʲɛ, dˈavɛ? sˈam bˈuk jˈɛʃtʃɛ ɲʲˈɛfstaw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_88.wav|vʲˈɛʃ tsˈɔ? pˈɔvʲɛm, ʒˈɛ ʒutɕˈiwam stˈudja. i f tɔː uvʲˈɛʒɨ. i ʒˈɛ jˈadɛ dɔ tsˈantsun zˈɛ znˌajɔmˈɨmi. f tɔ tˈɛʃ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_35.wav|tʃɨ ɔbˈɔjɛ mˈɔɡli zˈɔstatɕ pɔrvˈaɲi w rˈamax kˈarɨ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_82.wav|stsˈɔtt ɕtɕˈiʃɨw ɡwˈɔs ɲʲˈɛmal dɔ pɔmrˈuku.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_52.wav|ʒˈadnɨx pˈɨtaɲ, vˈɨbatʃ. ˈɔkɛj, mˈam nadʑˈɛjɛ, ʒˈɛ bɛɲdʑˌɛmɨ mˈɔɡli zˈɔstatɕ i fʃˈɨstkɔ ɕɛ uwˈɔʒɨ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_178.wav|ɕˈɔstrɔ̃ vʲˈɛʒbɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_24.wav|lˈubjɛ ʃtʃɛɲʲˈaki.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_126.wav|vɛsˈɛla bˌɨwɨ ɡwˈɔɕnɛ i vɛsˈɔwɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_157.wav|pˈatʃɨw xfˈilɛ na stˌartujˈɔntsɨ samˈɔlɔt, a pˈɔtɛm fʃˈɛd dɔ ɕrˈɔtka. ˈinnɨ tʃwˈɔvʲɛk ɕˈɛdʑaw za bjˈurkʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_110.wav|mˈɔʒɛ ɕɛ ɲʲɛ zatʃˈɨma, mˌiwɔɕˈɛrɲi sˌamarɨtˈaɲʲɛ tɔ zˈafʃɛ tˈɔvar dˌɛfitsɨtˈɔvɨ, ˌalɛ na pˈɛvnɔ vˈɛzvʲɛ pˌɔɡɔtˈɔvʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_80.wav|pˌɔwɔʒˈɨwɛm ɕɛ na vznˈak.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_151.wav|tɕi s kˌantsɛlˈarji mˈɔɡɔ̃ ɲʲɛ uswˈɨʃɛtɕ stʃˈawu, ˌalɛ bʲˈillɨ lˈitʃɨ, ʒˈɛ ɲʲɛ ˈumkɲʲɛ im xˈuk pʲɛrʃˈɛɡɔ wadˈuŋku pˌirɔtˌɛxɲitʃnˈɛɡɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_36.wav|kˈarɛn skinˈɛwa ɡwˈɔvɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_293.wav|dˈɔɕtɕ jˈuʃ tˈɛɡɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_80.wav|lˈitʃɛ, ʒˈɛ w ɔɡˈulɛ dɔ ɲʲˈɛj dˈɔtrɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_111.wav|uvˈaʒa mˈɛdja spˌɔwɛtʃnɔɕtɕˈɔvɛ za dʑˈɛwɔ ʃatˈana, a jˈɛn ɲʲɛ jɛst tʃwɔŋkˈiɲʲɔ̃ ɡrˈupɨ. spravdʑˈiwam tɔ.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_260.wav|jˈamɛ zdˈaw sˈɔbjɛ sprˈavɛ, ʒˈɛ pˈɛtsk rˈuvɲʲɛʃ mu ɕɛ pʃɨɡlˈɔnda.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_124.wav|tɔː ɔtpˈɔvʲɛdʑ ʒɔwɲʲˈɛʒa marˈinɛs tʃɨ tfˈɔja vwˈasna, sˈummɛrs?|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_82.wav|rˈɔbʲi ɕɛ s tɕˈɛbjɛ ɡˈaŋkstɛr pˈɛwnɔ̃ ɡˈɛmbɔ̃. mˈuvi s ʃɛrˈɔkim uɕmʲˈɛxɛm. sˈɛrjɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_189.wav|dlatˈɛɡɔ ɲʲˈɛma pʃɛʃwˈɔɕtɕi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_246.wav|nˈavɛt jˈɛɕli bɛɲdʑˌɛmɨ kˈɔxatɕ ɕɛ nˈɔts w nˈɔts,|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_57.wav|ɡɔtˈɔvɨ dɔ rˌɔzwadˈuŋku?|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_159.wav|vʲˈara ɔtʃˈɨma nalˈɛʒnɛ zwˈɔtɔ, ɡdˈɨ tˌɨlkɔ pɔvrˈutɕi pˈɔkuj.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_56.wav|— ktˈɔ pˈaɲi jˈɛst? — spɨtˈawɛm zasxɲʲˈɛntɨm ɡwˈɔsɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_40.wav|tˈɛras, kʲˈɛdɨ z ɲˈimi rɔzmˈavʲaw, wˈatfʲɛj bˌɨwɔ mi ɡˈɔː ˌɔpsɛrvˈɔvatɕ. pˈɔza tɨm jˈuʃ nˈamɲʲɛ ɲʲɛ pˈatʃɨw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_138.wav|fˈilis unˈɔɕi brvˈi. dʒˈɛm jˈutrɔ, dʒˈɛm ftʃˈɔraj.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_93.wav|ɲʲɛ mʲˈawam ʃˈanz zˈakraɕtɕ ɕɛ dɔ vˈindɨ. bˌɨwa dɔstˈɛmpna tˌɨlkɔ dla ɡˈɔɕtɕi i tˌɔvaʒɨʃˈɔntsɨx im ˈɔsup.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_319.wav|pʃˈɨjdʑ dɔ lˌabɔratˈɔrjum.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_177.wav|zˌapɨtˈawaɕ mɲʲɛ ɔ tsˈɔɕ, tsˈɔ ɡdˈɨbɨm zˈɛxtɕaw ujˈavɲitɕ, sˈam bˈɨm zdrˈadʑiw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_17.wav|tɔ bˌɨwa jɛdˈɨna ʒˈɛtʃ, ktˌura vʲɔ̃zˈawa jˈɔ̃ s tˈɔbɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_233.wav|pʃˈɛs ɔstˈatɲʲɛ tʃtˈɛrɨ mʲɛɕˈɔntsɛ mˌaɡazˌɨnɔvˈawɛm zapˈasɨ tlˈɛnu.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_74.wav|pɔkrˈɨvaw ɕɲʲˈɛk ɕˌɛŋɡajˈɔntsɨ dɔ pˈasa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_90.wav|ˈali i trˈɔmba mʲɔtˈali ɕɛ tɔ w jˈɛdnɔ̃, tɔ w drˈuɡɔ̃ strˈɔnɛ, ʃˈarpʲɔndʑ za tsˈawun, ˈaʃ f kˈɔɲtsu vˌɨtɕɔŋɡnˈ��li ɡˈɔ spˈɔt sfˈɔix nˈuk.|2
+Dataset/wavs/urwisko_ferenc/19_segment_134.wav|w ɲʲˈɛbjɛ rˈɔzlɛkw ɕɛ ɡwɛmbˈɔki basˈɔvɨ pˈɔmruk, a xfˈilɛ pˈuʑɲʲɛj pʲˈɛrʃɛ krˈɔplɛ dˈɛʃtʃu ˌudɛʒˈɨwɨ ɔː ˈasfalt.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_262.wav|sˈɔbur swɔvʲˈaɲski|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_72.wav|bˌɨwɔː ix tʃtˈɛrɛx, tfˈardʑi mɛ̃ʃtʃˈɨʑɲi ɔ vɨxˈudwɨx tfˈaʒax, xɔtɕˈaɲi f kɔltʃˈuɡʲi, zbrˈɔjɛ wuskˈɔvɛ i skuʒˈanɛ kˈurtɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_55.wav|dɔ kˈuxɲi ˈaʃ, natˈɨxmʲast. mˈuɕiʃ mi tsˈɔʑ vɨjˈaɕɲitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_172.wav|dˈɔdaw bˈɔp. jɛʒˈɛli xtsˈɛtɕɛ rɔzmˈavʲatɕ s kɔŋkrˈɛtnɔ̃ ɔsˈɔbɔ̃, uʒˈɨjtɕɛ ɡʲˈizmɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_63.wav|ɲˈikt nˈavɛt ɲʲˈɛvʲɛ, ɡdʑˈɛ ˌɔna mʲˈɛʃka. mˈɔʒɛʃ nˈam tsɔkˈɔlvʲɛk pɔvʲˈɛdʑɛtɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_16.wav|mɔʒˈɛtɕɛ zˌauvˈaʒɨtɕ, ʒˈɛ pʃɛʃklˈɔna ɕtɕˈana xˈali vˌidɔkˈɔvɛj mˈa dʑˈivnɨ prˈɔfil.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_37.wav|bˈɛtskɨ uvˈaʒɲʲɛ ˌɔpsɛrvɔvˈawa vˈɨras tfˈaʒɨ ɔbˈɔjɡa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_45.wav|tɔ bˌɨwa prˈavda, ˌalɛ z jakʲˈɛɡɔɕ pɔvˈɔdu pˈɔtʃuw ɕɛ zdˌɛnɛrvɔvˈanɨ vˈizjɔ̃ pɔrˈɔdu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_106.wav|ʒˈɛ tɨm rˈazɛm ɲʲɛ bˌɛɲdʑɛ mi f stˈaɲʲɛ tˌɛɡɔ zrˈɔbʲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_261.wav|tʃɨ ˈuʃɨ swabˈujɔ̃ tɕi tˈak sˈamɔ jˈak kˈutas?|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_305.wav|ˌalɛ ˌɔna nˈadal swɨʃˈawa jˈɛɡɔ ʃˈɛpt.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_14.wav|ɲˈikt ɲˈiɡdɨ ɲʲɛ zvrˈatsaw ɕɛ dɔ mɲʲɛ inˈatʃɛj ɲˈiʃ ˈanna.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_247.wav|dɔkwˈadɲʲɛ f trujkˈɔɲtɕɛ vˌɨtɨtʃˈɔnɨm pʃˈɛs tunˈɛlɛ mʲˌɛndʑɨ armstrˈɔŋɡʲɛm, bɛˈanɛm i ʃɛpˈardɛm.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_121.wav|w dʑiɕˈɛjʃɨx tʃˈasax ɔ ɲˈits ɲʲɛ bˌɨwɔ wˈatfʲɛj ɲˈiʃ ɔ kˈɔɕtɕi.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_149.wav|ɔstˈatɲʲɔ̃ barjˈɛrɛ, jˈaka dʑɛlˈiwa ix ɔt ˌɛkstsɨtujˈɔntsɛj pʃɨɡˈɔdɨ na kɕɛ̃ʒˈɨtsu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_24.wav|prˈɔʃɛ mi ˌɔpɔvʲˈɛdʑɛtɕ ɔ sfˈɔjɛj ˌinvɛstˈɨtsji w ɛksˈɔtɛx.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_453.wav|i ja dʑɛŋkˈujɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_92.wav|ja vʲˈɛm, ˌalɛ ja dɔstˈawɛm kˈulɔ̃ f pʃˈɛɡup i tɕˈɛ̃ʃkɔ mi vɨkrˈɛntsadʑ dwˈɔɲ w lˈɛvɔ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_189.wav|tʃˈarnɨ vˈaldɛr frˈɛj?|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_103.wav|tˌɨlkɔ pˈɔmɨɕl, ɔː ˈilɛ prˈɔstʃɛ bˈɨ tɔ bˌɨwɔ bˈɛs tɨx fʃˈɨstkiɣ vzmatsɲʲˈatʃɨ, ktˌurɛ rˈɔbjɔ̃ tˈɨlɛ bˈajzlu.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_307.wav|pʃˌɨɡɔtˈujtɕɛ ʃalˈupɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_98.wav|pˈaɲi rˈɔbɛrts sˈama pʃˌɛkazˈujɛ mi tɛ ˌinfɔrmˈatsjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_71.wav|viktˈɔrja xɔˈusɛ|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_79.wav|sfɔbˈɔda udˈɛʒɨw ɕɛ ɔtfˈartɔ̃ dwˈɔɲʲɔ̃ f tʃˈɔwɔ. tˈɛras fʃˈɨstkɔ jˈasnɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_18.wav|pˈɔtʃɛd dɔ ɲˈix jˈumbɔ, ktˈurɨ, tsˈɔ bˌɨwɔ dˈɔɕtɕ ɲʲˌɛtɨpˈɔvɛ, mʲˈaw vˌɨjɔntkˈɔvɔ zˌafrasɔvˈanɔ̃ mˈinɛ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_270.wav|uɕmʲˈɛxaj ɕɛ ˈilɛ xtsˈɛʃ, sɛrbrˈɔɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_210.wav|fʃˈɨstsɨ pʃɨbˈɨʃɛ pˌɔstavˈili kaptˈurɨ pˈɔza tɨm jˈɛdnɨm.|1
+Dataset/wavs/urwisko_ferenc/53_segment_35.wav|sɔɲdʑˈiwa, ʒˈɛ ɲʲɛ zˌauvˈaʒɨw w ɲʲˈɛj ʒˈadnɛj zmʲˈanɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_169.wav|zatʃˈɔwɛm utɕˈɛkadʑ dɔ dʒvˈi, ˌalɛ dʒvˈi bˌɨwɨ zamkɲʲˈɛntɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_39.wav|tˈak, maʃ rˈatsjɛ. sˈanxɛs ˌuspɔkɔˈiwa ɕɛ trˈɔxɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_148.wav|trˈip ˌɔtʃɨvˈiɕtɕɛ zˌasuɡɛrˈɔvaw, ʒˈɛbɨ pʃɛd vˈɨjɕtɕɛm na pˌɔtaɲtsˈufkɛ fstɔmpˈiwa dɔ ɲʲˈɛɡɔ na drˈiŋka, a ˌɔna ˌɔtʃɨvˈiɕtɕɛ ɕɛ zɡɔdʑˈiwa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_105.wav|vidʑˈɛliɕmˌɨ f tˌɛlɛvˈizji.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_205.wav|spɔjʒˈawam na sˈufit.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_278.wav|stˈaw tˈɛras pɔt ɕtɕˈanɔ̃, tʃɨmˈajɔnts f kɔɲtɕˈiku ˈuzd vɨɡˈaswɨ papʲˈɛrɔs.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_132.wav|— nˌabʲijˈɛmɨ ɕɛ? — spˈɨtaw rˈaptɛm, ɕɛŋɡˈajɔndʑ dɔ lɔdˈufki. — ɲʲɛ, dʑɛŋkˈujɛ. mˈam ˌɔkrɔpnˈɛɡɔ kˈatsa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_55.wav|pˈɔtʃɛd dɔː ˈɔkna i pˈatʃɨw na psˈa ˌidɔntsˈɛɡɔ spɔkˈɔjɲʲɛ ɕrˈɔtkʲɛm ulˈitsɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_72.wav|ˌalɛ ɡdˈɨbɨm tɔ zrɔbʲˈiwa, jˈuʃ ɲˈiɡdɨ ɲʲɛ zdɔbˈɨwabˌɨm ɕɛ na ɔdvˈaɡɛ zaɡrˈaɲʲa ɔ vˈɨʃʃɔ̃ stˈafkɛ, a muɕˈawam tˈaɡ ɡrˈatɕ, ʒˈɛbɨ zapwˈatɕitɕ tsˌamɛrɔnˈɔvi.|3
+Dataset/wavs/urwisko_ferenc/23_segment_146.wav|jˈakɔ̃ prˈavdɛ? znˈuf ɕɛ rɔzzwˈɔɕtɕiw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_48.wav|tˈɔm ɕˈɛŋɡnɔw dɔ klˈamki.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_56.wav|ˌɔpɔvʲˈadam im ɔ fˈajɛ, ɔ jɛj pˈɛwnɨx ɲʲɛxˈɛɲtɕi rɛˈaktsjax na ʃtʃˈɛɲɕtɕɛ ˈinnɨx i tʃˈujɛ ɕɛ pˈɔdlɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_12.wav|ˌɔbɛjmˈujɔnts mɲʲɛ nˈadal ramjˈɛɲʲɛm, tˈɛssa kʲɛrˈujɛ mɲʲɛ f strˈɔnɛ dʒvˈi.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_372.wav|zapwˈatsɛ tɕi mˈiljɔn ɡʲˈituf.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_332.wav|pɔʃˈukam pʃɨstˈaŋku ˌawtɔbˌusɔvˈɛɡɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_263.wav|a jˈak tɨ ɕɛ nazˈɨvaʃ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_90.wav|ʒˈɛ nabˈɨftsa pˈɔdaw fawʃˈɨvɛ nazvˈiskɔ, ɔː ˈilɛ xˈɔff mˈa xˈɔtɕ trˈɔxɛ ɔlˈɛju w ɡwˈɔvʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_312.wav|tɔ fʃˈɨstkɔ jɛzd ɡˈuvnɔ, ˌalɛ mˈuɕi bˈɨtɕ prˈavda, ɲʲɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_107.wav|mˈimɔ fʃˈɨstkɔ tˈɔm pɔstˈaraw ɕɛ zdˈuɕitɕ f sˈɔbjɛ pˌɔdɲʲɛtsˈɛɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_108.wav|ˈɛdʲisɔn ɲʲɛ vɨxˈɔdʑi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_76.wav|tʃˈujɛ, ʒˈɛ xtsˈɛ ɡˈɔː ˌɔpsɛrvˈɔvatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_103.wav|bjˈɛɡɲʲɛ s pɔvrˈɔtɛm w ɡwˈɔmb za wˈuka, ɕtɕɔŋɡˈajɔnts pɛrˈukɛ i kˈurtkɛ. fpˈada za kɔntˈɛnɛr, rˌɔsplɔntˈujɛ vˈɛ̃zɛw, na ktˌurɨm tʃɨmˈajɔ̃ ɕɛ tɛ dˈurnɛ, bufjˈastɛ spˈɔdɲʲɛ i vɨsˈuva nˈɔɡʲi z nɔɡˈavɛk.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_26.wav|pɔvʲˈɛdʑaw tˈɔm, zˌauvaʒˈɨfʃɨ, ʒˈɛ zbliʒˈajɔ̃ ɕɛ dɔ rˈɔnda, a jˈɛɡɔ partnˈɛrka ɲʲɛ ʃˌɨkɔvˈawa ɕɛ dɔ rˌɔspɔtʃˈɛɲtɕa xˌamɔvˈaɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_44.wav|vˌɨxɔvˈawam ɕɛ f tˈakim dˈɔmu.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_276.wav|ʃˈata mʲˈawa tˌɨlkɔ kˈilka mˈawɨx pnˈɔntʃɨ, vˌɨxaftɔvˈanɨɣ zwˈɔtɔ̃ ɲˈitɕɔ̃ na ɡˌɔrsɛtɕˈiku i rɛŋkˈavax, ʒˈɛbɨ zwaɡˈɔdʑidʑ vraʒˈɛɲʲɛ sˌurɔvˈɔɕtɕi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_67.wav|znalˈɛʑliɕmˌɨ sˈɛjf, sˈɛr.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_91.wav|tˈɛras rˌɔzumjˈɛtɕɛ, dlatʃˈɛɡɔ nˌazɨvˈaliɕmˌɨ ɡˈɔ z rˈɔɲim dˈɔmɛm vʲˈɛtʃnɛj fˈarbɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_67.wav|nˈaʃɛ spɔjʒˈɛɲʲa ɕɛ spˌɔtɨkˈajɔ̃.|3
+Dataset/wavs/urwisko_ferenc/22_segment_43.wav|ˈɔbbɨ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_282.wav|ɡdʑˈɛɕ swˈɨxadʑ bˌɨwɔ ɕmʲˈɛx mɛ̃ʃtʃˈɨznɨ i pʃɛklˈɛɲstfa kɔbjˈɛtɨ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_50.wav|ʃtʃˈupwɨ ɲʲˌɛdɔrˈɔstɛk.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_86.wav|ˌɔdraʒajˈɔntsɛ wˌɔmɔtˈaɲʲɛ bˈutuf trˌafjajˈɔntsɨx w ɲʲˌɛɔswɔɲʲˈɛntɛ tʃˈɛɲɕtɕi tɕˈawa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_32.wav|tˈɔm pɔpˈatʃɨw na zdjˈɛɲtɕɛ mˈili zˌavʲɛʃˈɔnɛ na lˈɛvɛj ɕtɕˈaɲʲɛ pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_150.wav|tˈata jˈuʃ ɲʲɛ vrˈutɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_29.wav|ʒˈal mu, ʒˈɛ mˈuɕi skˈalatɕ tɔ pʲˈɛŋknɔː i zapʃˈɛŋɡnɔɲdʑ daltˈɔna dɔ prˈatsɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_11.wav|bˈɔjɛ ɕɛ, ʒˈɛ ɲˈikt ɲʲɛ ɔdbjˈɛʒɛ. na ʃtʃˈɛɲɕtɕɛ sɨɡnˈawɨ ɕɛ ˌurɨvˈajɔ̃. pʃˈɛs xfˈilɛ f swuxˈaftsɛ panˈujɛ tɕˈiʃa, jˈaɡbɨ ɲikˈɔɡɔ tˈam ɲʲɛ bˈɨwɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_61.wav|ɲʲɛ zapˈɔmɲij ˌɔtʃɨvˈiɕtɕɛ ɔ mˈɔjɛj kwˈutɲi z ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_20.wav|ˈukrad zdjˈɛɲtɕa zˈɛ strˈɔnɨ krˌɔftfundʲiŋɡˈɔvɛj na fˌatsɛbɔˈɔku, vʲˈɛndʑ zapˈɛvnɛ ɕlˈɛdʑi mɲʲɛ tˈaɡʒɛ w ˌintɛrnˈɛtɕɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_41.wav|xtɕˈaw s ʃɛrˈɔkim ɡˈɛstɛm wˈɔktɕi pʃɨklˈɛpadʑ ʒˈuwtɨ mˈɛx na skrˈɔɲʲax, ˌalɛ zrˌɛzɨɡnˈɔvaw.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_84.wav|pʃɛprˈaʃam, ˌalɛ tsˈɔ za jˈa. zdɔbˈɨvam ɕɛ na ˌaɡrɛsˈɨvnɔɕtɕ, a pʃˈɛs mˈɔjɔ̃ bjˈɛdnɔ̃, ˌɔbɔlˈawɔ̃ ɡwˈɔvɛ pʃˌɛlatˈujɔ̃ jˈakʲɛɕ ɔkrˈuxɨ paɲˈitʃnɨx mˈɨɕli.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_268.wav|pˈɔtɛm zɲˈikam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_251.wav|bˈɔɲdʑmɨ ʃtʃˈɛʒɨ, tɔ sfɔˈistɨ tsˈut.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(70) R.Abbott_Zamknij Drzwi_segment_14.wav|mɛ̃ʃtʃˈɨzna w ʑɛlˈɔnɛj kˈurttsɛ zɲˈikw.|4
+Dataset/wavs/urwisko_ferenc/03_segment_119.wav|i pˈɔvʲɛm pˈaɲi, ʒˈɛ jɛst f tɛj muzˈɨtsɛ tsˈɔɕ, tsˈɔ mɲʲɛ pɔtɕˈɔŋɡa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_244.wav|stˈamtɔnd zˈadʑvɔɲ dɔ bakʲˈɛɡɔ. pʃɨjˈɛdʑɛ pɔ tɕˈɛbjɛ. f pɔʒˈɔntku?|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_75.wav|mˌatɕɛ ˈiɕtɕ nɔrmˈalnɨm krˈɔkʲɛm, ɲʲɛ bjˈɛɡatɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_389.wav|ʒˈɛ dʒˈɛva zˌakfitˈajɔ̃ pʃɛt ɕmʲˈɛrtɕɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_148.wav|pɔt mˈɔim balkˈɔnɛm ˌɔtɕɛkˈawa vˈɔdɔ̃ ɲʲɛzmʲˈɛrɲʲɛ dwˈuɡa lˌimuzˈɨna.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_438.wav|kʲˈɛdɨ ɲʲɛ mˈɔɡɛ spˈatɕ pɔ nˈɔtsax, tʃˈasɛm...|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_65.wav|stalˈɔva wˈɨʃka ɔpˈadwa z impˈɛtɛm mˈɛtr ˈɔdɛ mɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_234.wav|dɔmˈɨɕlam ɕɛ, ʒˈɛ uʒˈɨvaʃ fawʃˈɨvɛj tˌɔʃsamˈɔɕtɕi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_59.wav|zabˈɛmbɲiw ˌɔblaʃˈanɨ parˈapɛt pʃɛlˈɔtnɨ ɡrˈat lˈub dˈɛʃtʃ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_121.wav|bˈɔ f pʃɛtɕˈivnɨm rˈaʑɛ...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_134.wav|pˈatʃɨw nˈamɲʲɛ dwˈuɡɔː i ˌintɛnsˈɨvɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_52.wav|zˈɔstaw zˌamɔrdɔvˈanɨ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_392.wav|tsˈɔ vʲˈɛndʑ zɔstˈajɛ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_63.wav|vˈaltʃɔndʑ z zadˈɨʃkɔ̃, starˈawɛm ɕɛ pɔvʲˈɛdʑɛtɕ spɔkˈɔjɲʲɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_104.wav|tɛn ˈaɡɛnt tɔ tˈɨ, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_285.wav|lˈudʑɛ rˈuvɲʲɛʃ nˌajvɨrˈaʑɲʲɛj ɡˈɔ lubʲˈili.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_10.wav|tˈak, dʑˈɛŋki.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_19.wav|ˈalbɔ dla jˈɛɡɔː ˈɔjtsa, mɔjˈɛɡɔː ˌukɔxanˈɛɡɔ mˈɛ̃ʒa?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_18.wav|i zamjˈɛʒam tɕi tɔː ɔdˈɛbratɕ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_50.wav|ktˈɔː iɣ bˌɛɲdʑɛ tˈɛraz brˈɔɲiw?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_71.wav|mɔʒlˈivɛ, ˌalɛ tɔ prˈavda. pɔvˈiɲʲɛn bˈɨw nˈam pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_28.wav|tʃɛkˈajɔnts na pʃˈɨjast pɔtɕˈɔŋɡu, dla zabʲˈitɕa tʃˈasu znˈuf pˌɔɡrɔ̃ʒˈɨwam ɕɛ w lɛktˈuʒɛ mˈɔjɛj ˌulubjˈɔnɛj strˈɔnɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_47.wav|fˈuŋktsjɛ rɛtsˈɛptsji pɛwɲˈiwa bˈutka vʲɛlkˈɔɕtɕi ʃˈafɨ na ubrˈaɲʲa, f ktˌurɛj ɕˈɛdʑaw jˈɛdɛn pratsˈɔvɲik.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_71.wav|najvʲˈɛŋkʃɨm zˌaɡrɔʒˈɛɲʲɛm jɛzd brˈak tlˈɛnu, tˈak sˈamɔ jˈak f pʃɨpˈatku ˌutɔɲʲˈɛɲtɕa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_117.wav|tʃˈɛɲɕtɕ tɨx pʲɛɲʲˈɛndʑɨ nalˈɛʒɨ ɕɛ bakʲˈɛmu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_67.wav|tsamˈɛrɔn mˈaxnɔw rˈɛŋkɔ̃ f strˈɔnɛ stsˈɔtta i pɔxˈɨliw ɕɛ, lˈɛkkɔ jˈaɡbɨ xtɕˈaw zdrˈadʑitɕ mi jˈakɔ̃ɕ tˌajɛmɲˈitsɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_12.wav|a skˈɔrɔ mˈɔva ɔ rɔdʑˈitsax, tɔ ɡdʑˈɛ pɔdʑˈɛvaw ɕɛ ˈɔjtɕɛts alfjˈɛɡɔ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_252.wav|patʃˈɨli tˈɛras na ɕˈɛbjɛ.|0
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+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_64.wav|ˌuswɨʃˈawa ix krˈɔki i ujʒˈawa blˈask pɔxˈɔdɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_107.wav|pʃˈɨpɲʲɛʃ ɕɛ pasˈami, tʃɨ jˈak?|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_79.wav|fpˌakɔvˈawaɕ ɕɛ f strˈaʃnɛ tˌarapˈatɨ.|4
+Dataset/wavs/urwisko_ferenc/23_segment_13.wav|dwˈuɡɔ tɕi zˈɛjdʑɛ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_29.wav|ˈaʃ pˌɔʒawˈɔvaw, ʒˈɛ w ɔɡˈulɛ jɛj pɔvʲˈɛdʑaw ɔː ɔdmˈɔvʲɛ dʒˈɔna jˈɛɡɔ prˌɔpɔzˈɨtsjɛ mawʒˈɛɲstfa.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_11.wav|drˈɔɡa tʃˈɛ̃stɔ zɲikˈawa fɕrˈut tʃtɕˈin i pˌɔzɔstˈawɨx pɔ tsɔfɲʲˈɛɲtɕu ɕɛ pʃɨpwˈɨvu sadʑˈavɛk, pˈɔtɔ tˈɨlkɔ, bˈɨ pɔ mˈili pɔjˈavitɕ ɕɛ znˈɔvu.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_204.wav|znalˈazwa dʑbˈan z vˈɔdɔ̃ i rɔzbʲˈiwa ɡˈɔː ɔ ɕtɕˈanɛ, a pˈɔtɛm tˈak sˈamɔ pˌɔstɔmpˈiwa z nɔtsɲˈikʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_65.wav|ˌalɛ vʲˈɛ, ʒˈɛ bˌɛndɔ̃ sʃˌɔkɔvˈaɲi i fstʃɔ̃ɕɲʲˈɛɲtɕi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_8.wav|xˈɔtɕaʃ ɲʲɛ, tɔ ɲʲɛprˈavda.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_16.wav|ɲʲˈɛzbɨd vɨɡˈɔdnɛ, ˌalɛ lˈɛpʃɛ tɔ ɲˈiʒ ɡdˈɨbɨ ktˈɔɕ ɔbnˈaʒɨw mˈɔjɛ ɲʲˌɛpʃɨtˈɔmnɛ tɕˈawɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_239.wav|jˈɛɕli ɲʲɛ zadʑvˈɔɲʲɛ pɔ pɔwˈudɲʲu, pɔtʃˈɛkaj.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_352.wav|mˈuviw mˈarɛj sfˈɨm ʑˈimnɨm, jˌadɔvˈitɨm ɡwˈɔsɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_32.wav|ˌalɛ tsˈɔ tˈam, pwˈatɕiw mi mˈiljɔn ɡʲˈituf. mˈɔɡliɕmˌɨ bˈavitɕ ɕɛ w bˈɔnda, jˈɛɕli mʲˈaw ɔxˈɔtɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_78.wav|ɔː ˈilɛ ɲʲɛ bˌɛɲdʑɛ pˈan mʲˈaw ɲˈits pʃɛtɕˈifkɔ tˈɛmu.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_119.wav|bˌɨliɕmˌɨ vˈɔlɲi.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_192.wav|ɲʲɛ pˌɔzvɔlˈili mi nˈavɛd zˈabratɕ ˈubraɲ. brˈɔn pɔvʲˈɛdʑaw, ʒˈɛ nalˈɛʒɔ̃ tˈɛraz dɔ jˈɛɡɔ ʒˈɔnɨ. fʃˈɨstkʲɛ mˈɔjɛ jɛdvˈabjɛ i ˌaksamˈitɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_117.wav|nˈɛɔn jɛzd bɛzbˈarvnɨ i bɛzvˈɔnnɨ jˈaɡ zvˈɨkwɛ pɔvʲˈɛtʃɛ, vʲˈɛnts nˈavɛt ɕɛ ɲʲɛ zˌɔrjɛntˈujɛʃ, ʒˈɛ ɲˈim ɔddˈɨxaʃ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_285.wav|karˈabʲin vˈiɕi na sfˈɔim mʲˈɛjstsu.|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_59.wav|ˈaʃ mˈɔʒɛ vrˈutɕitɕ f kˈaʒdɛj xfˈili, a ɲʲɛ pɔvˈiɲʲɛn tɕˈɛ tˈutaj zɔbˈatʃɨtɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_286.wav|ktˌurɔ̃ fstavʲˈɔnɔ tˈu na xfˈilɛ, ˈabɨ pʃɛsˈunɔɲtɕ jˈɔ̃ na stsˈɛnɛ f ʃtˈutʃnɨ i traɡʲˈitʃnɨ ɡvˈar ɡwˈɔsuf.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_136.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ pʃˌɛɡapˈiwɛɕ najvʲˈɛŋkʃɔ̃ kˌɔɲʲuŋktˈurɛ. pɔ tsˈɔ tɕi tˈɛras ta xˈuta?|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_6.wav|mˈɨɕlɛ, ʒˈɛ tɔ jˈasnɔ vˌɨɲikˈawɔ s kɔntˈɛkstu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_200.wav|ktˈɔɕ jˈɛʃtʃɛ mˈuɕi mu zapwˈatɕitɕ. rˈɔɡɛr klˈɛrkɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_264.wav|kʲˈɛdɨ jˈuʃ pˌɔstavˈiwa nˈɔɡɛ na stˈɔpɲʲu ˌawtɔbˈusu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_26.wav|xˈɔtɕ tɕˈawɔ nˌalɛʒˈawɔ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_243.wav|za pˈamjɛɲtɕ mɛrˈɛta.|1
+Dataset/wavs/urwisko_ferenc/18_segment_7.wav|tɔ ɲʲˌɛpravdˌɔpɔdˈɔbnɛ, stfʲɛrdʑˈiwa, kʲˈɛdɨ bɔrˈɛvitʃ pˌɔdʑɛŋkˈɔvaw za kˈavɛ zˈɛ spʲɛɲʲˈɔnɨm mlˈɛkʲɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_86.wav|vˈɨbatʃ, ˌalɛ vʲɛdʑˈawam, ʒˈɛ jˈɛʃtʃɛ ɲʲɛ bˌɛɲdʑɛʃ spˈawa. mˈam nadʑˈɛjɛ, ʒˈɛ w ɲˈitʃɨm ɲʲɛ pʃɛʃkˈadʑam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_267.wav|litfˈiŋki jˈuʃ ɲʲɛ bˈɨwɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_53.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ nabjˈɛra prɛntkˈɔɕtɕi i zatʃˈɨna ɕɛ ˈɔdɛ mɲʲɛ ɔddˈalatɕ. vjˈɛxaw jˈuʃ xˈɨba na ˌawtɔstrˈadɛ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_130.wav|sˈɛbd znˈalas pʃɨ vɛvnˈɛntʃnɨm dʑɛdʑˈiɲtsu zˈamku.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_166.wav|ɲʲɛ rɔzˈumjɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_4.wav|vʲˈɛdʑaw, ʒˈɛ ɲʲɛbˈavɛm znˈuv bˌɛɲdʑɛ sˈɔbɔ̃, ˌalɛ na rˈaʑɛ fʃˈɨstkɔ bˌɨwɔ jˈɛʃtʃɛ zbˈɨt ɕfʲˈɛʒɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_274.wav|tsˈɔɕ ɕɛ ʃɨkˈujɛ ɲʲˌɛdɔbrˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_33.wav|ˌalɛ mˈam sfˈɔjɛ dɔmˈɨswɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_62.wav|ɲˈiɡdɨ ˈɔtɨm ɲʲɛ swɨʃˈawɛm, a vʲˈɛnts swˈuxaj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_17.wav|pˌɔdɛkstsˌɨtɔvˈawa mɲʲɛ ta vˈɔlnɔɕtɕ, jˈɛdnak ɲʲɛ zdavˈawam sˈɔbjɛ sprˈavɨ, jˈak trˈudnɔ bˌɛɲdʑɛ vɨkˈɔnatɕ pʲˈɛrʃɨ rˈux.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_313.wav|na pˈɛvnɔ ɕfʲˈɛtɲʲɛ ɕɛ mˈɔdlɔ̃, ˌalɛ tʃɨ pɔtrˈafjɔ̃ vˈaltʃɨtɕ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_67.wav|tsamˈɛrɔn ˈɛdmunts, jˈak mɲʲˈɛmam?|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_436.wav|dˈaj tʃwˌɔvʲɛkˈɔvi, ktˌurɨ tɕi tɔ pʃɨɲʲˈɛɕɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_435.wav|kˈu sfˈɔjɛj zɡrˈɔʑɛ zrɔbʲˈiwɛm ɕɛ jˈakiɕ ˌɛrɔtˈɨtʃnɨ.|0
+Dataset/wavs/urwisko_ferenc/23_segment_84.wav|f tʃɨm mˈɔɡɛ pˈɔmuts? zapˈɨtaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_76.wav|dɔtɕˈɛra dɔ ɲʲˈɛɡɔ tˈɛʃ tsˈɔɕ jˈɛʃtʃɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_3.wav|ɲʲɛstˈɛtɨ ɲʲɛ trfˈawa dwˈuɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_167.wav|ˌalɛ mˈɔʒɛ pɔ prˈɔstu jɛst nadmʲˈɛrɲʲɛ pˌɔdɛjʒlˈivɨ s pɔvˈɔdu tˌɛɡɔː ˌastrɔnˌɔmitʃnˈɛɡɔ vˌɨnaɡrɔdʑˈɛɲʲa?|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_7.wav|uvˈaʒaj, pˈaɲi.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_79.wav|kˈɔnnɨx pʃɛjˈaʃtʃkax.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_14.wav|pˌɔtʃɛbˈujɛ kˈɔɡɔɕ, ktˈɔ ɡˈɔː ˌɔdbudˈujɛ, a sˈanxɛs nadˈajɛ ɕɛ dɔ tˌɛɡɔ jˈak ɲˈikt.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_125.wav|ɲʲɛ zrɔbʲˈiliɕmˌɨ tˈɛɡɔ. ɲʲˈɛx nˈas xˈuj.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_113.wav|i vɨrˈɨva mɲʲɛ tɔ s pˌaralˈiʒu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_115.wav|ʒˈɛ dˌɔkɔnˈawam zwˈɛɡɔ vɨbˈɔru.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_154.wav|kʃˈɨvɛ pˌɛrspɛktˈɨvɨ nˈɔtsnɨx ˈulits.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_157.wav|ˌalɛ xundˈɛbawx jˈuʃ ɲʲɛ swˈɨʃaw. stˈaw nat jˈakimɕ tʃwɔvʲˈɛkʲɛm, ktˌurɨ zˌavʲɔ̃zˈɨvaw ʃnˌurɔvˈadwɔː i dlatˈɛɡɔ kˈutsnɔw.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_96.wav|fʃˈɨstsɨ ɲ��ɛ ʒˈɨjɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_286.wav|kʲˈɛdɨɕ pʃɨ ɔɡɲˈisku tʃˈɛj kuʃɲˈitsɨ zˌaprɔpˌɔnɔvˈali, ʒˈɛ pɔdʑˈɛlɔ̃ ɕɛ z ɲˈim ˌupɔlɔvˈanɨm zajˈɔntsɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_54.wav|dʒˈamal mʲˈɛʒvi vwˈɔsɨ sˈɨna f kˈaʒdɛj xfˈili.|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_80.wav|pˈɔvʲɛts mi, jˈak ˌɔna vɨɡlˈɔnda.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_31.wav|pʃɛklˈɛnta kɔbjˈɛta!|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_143.wav|a dlatʃˈɛɡɔ mɲʲɛ tɔ spɔtkˈawɔ? pɔvʲˈɛdʑaw i fʃˈɛd dɔ sklˈɛpu z ˌalkɔxˈɔlɛm.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_229.wav|nˈɔtsɔ̃ rɔzbʲˈili ˈɔbus pɔd vzɲʲɛɕˈɔnɨm na ʃtʃˈɨtɕɛ vzɡˈuʒa zˈamkʲɛm xˌɛɨfˈɔrduf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_161.wav|tʃˈɛɡɔɕ lɛpʃˈɛɡɔ ɲʲɛ zɔbˈatʃɨʃ ʃˈɨpkɔ nˈavɛd za vwˈasnɛ pʲɛɲʲˈɔndʑɛ. ɲʲˈɛmʲɛj pˈɔtɛm prɛtˈɛnsji, ʒˈɛ tɕˈɛ ɲʲɛ zˌavɔwˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_17.wav|pˌɔzɔstˈajɛ zˌaɡrɔʒˈɛɲʲɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_31.wav|dˈɔm i pˈɔdjast ˌɔswɔɲʲˈɛntɛ bˌɨwɨ ɔt ulˈitsɨ vɨsˈɔkim ʒˌɨvɔpwˈɔtɛm.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_61.wav|jˈɛ rˈuvɲʲɛʒ znˈam.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_165.wav|pˈanu xˈɔdʑi ɔ pˈɛwɛn kˈurs, prˈavda? s tɨm jˈɛdnak, ʒˈɛ bˌɛndɛ pwˈatɕiw za kˈaʒdɔ̃ ɡɔdʑˈinɛ ɔddʑˈɛlɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_118.wav|dˈalɛ xfˈɨtɕiw pɔkrˈɛntwɔː i ʃˈarpnɔw. bˈɛs ɛfˈɛktu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_140.wav|ˈindja i dʑˈɛtskɔ jˈadɔ̃ zˈɛmnɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_117.wav|rˌɛtsɛptsjɔɲˈistka pˈatʃɨ na plˌastʲikˈɔvɨ prɔstˈɔkɔnd w dwˈɔɲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_31.wav|jˈaɡ vˈidatɕ, ɲˈits ɲʲɛ dʑˈɛjɛ ɕɛ bˈɛs pɔvˈɔdu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_60.wav|tɔ jˈuʃ nˈaz dvˈux tˈakix jɛst f tɨm mʲˈɛɕtɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_438.wav|spʃɛtɕˈiviw ɕɛ jˈamɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_141.wav|jˈɛɕli ɲʲɛ, dˈajɛ infˈɛtsjɔ, jˈɔ̃ f tɨm vɨrˈɛntʃɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_37.wav|jˈaɡ vratsˈaliɕmˌɨ, pˈan spˈɛtsk pɔvʲˈɛdʑaw, tɛn ɕˈɛrʒant jɛst mˈɔtsnɨ w ɡˈɛmbjɛ, ˌalɛ ɲʲɛ sˈɔndʑɛ, ʒˈɛbɨ kʲˌɛdɨkˈɔlvʲɛk kˈɔɡɔʑ zˈabʲiw jˈak tˈɨ, bˈɛnji. ɲʲɛ vɨɡlˈɔnda na takʲˈɛɡɔ.|2
+Dataset/wavs/urwisko_ferenc/51_segment_27.wav|xˈɛrman ɕɛ ˌuɕmʲɛxnˈɛwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_6.wav|ɡɔspˈɔdaʃ napˈaliw f pʲɛtsˈɨku kuxˈɛnnɨm i ɕˈɛdʑi wˈɛ fɔtˈɛlu bujˈanɨm, pʃˌɨɲʲɛɕˈɔnɨm z vɛrˈandɨ, tʃɨmˈajɔnts nˈɔɡʲi f skarpˈɛtkax na ɔswˈɔɲʲɛ pˌalɛɲˈiska.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_236.wav|nˌaturˈalnɔ̃ zˈurɡɔ̃?|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_479.wav|tˌɔvaʒˈɨʃɨ jɛj lˈadɨ mirˈanda.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_91.wav|ˌalɛ tˈutaj tɔ ɲˈidʑ vʲɛlkʲˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_38.wav|pʃˈɛs xfˈilɛ ˌɔtprɔvadʑˈawam jˈɔ̃ vzrˈɔkʲɛm. vɨdˈawa ɕɛ vˈɨʃʃa ɲˈiʃ ftʃˈɛɕɲʲɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_19.wav|zmarʃtʃˈɨwam tʃˈɔwɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_443.wav|mˈɔja ˌɔsɔbʲˈista ɔxrˈɔna.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_232.wav|pˈɔbɨt f tɕɛmɲˈitsɨ ɔɡrˈabʲiw ɡˈɔ z rˈɛʃtɛk ɕˈiw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_36.wav|vidʑˈawɛm ɕtɕɛmɲʲˈɔnɔ̃ pʃˈɛs mrˈɔk tfˈaʃ i dlatˈɛɡɔ trˈɔxɛ ˈɔptsɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_159.wav|ɔt tɛj pˈɔrɨ mɔʒˈɛmɨ spɔdʑˈɛvatɕ ɕɛ tˈutaj takʲˈɛɡɔː ɔblˈitʃa kˌapitalˈizmu.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_398.wav|xtsˈɛ tɕi ɔtfˈɔʒɨtɕ ˈɔtʃɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_98.wav|pɔt kˈɔɲʲɛdʑ zɛʃwˈɛɡɔ rˈɔku zaʒˈutɕiw zˈamjar budˈɔvɨ pˈɔla ɡˌɔlfɔvˈɛɡɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_218.wav|bˈɔp prˈɨxnɔw z ɲʲˌɛzadˌɔvɔlˈɛɲʲɛm.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_317.wav|ɲʲɛ xtɕˈawa jˈɛdnaɡ vˈɨjɕtɕ na ɡwˈupjɔ̃, pˌɔvʲɛdʑˈawa vʲˈɛnts tˈɨlkɔ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_188.wav|ɲʲɛ, ftsˈalɛ. bʲˈillɨ ɕˈada prˈɔstɔ. tsˈɔ ɕɛ stˈawɔ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_78.wav|tˈak mi pʃˈɨkrɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_167.wav|pˌɔzɔstˈawɨx jˈɛɡɔ skwadɲˈikuf jˈak ˈazɔt i ˈarɡɔn lˈutski ɔrɡˈaɲizm ɲʲɛ pˌɔtʃɛbˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_329.wav|mʲˈaw ɔxˈɔtɛ zˈɛrvatɕ jˈɔ̃ i ʒˈutɕidʑ dɔ ʒˈɛki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_103.wav|tɔ xˈɔra bˈajka na dɔbrˈanɔts, ˌalɛ bʲˈillɨ jˈɔ̃ ˌɔpɔvʲˈada, pˌɔtʃɨnˈajɔnts ɔt xfˈili, kʲˈɛdɨ frˈaŋk ˌɛmtsˈɛ ˈintɔʃ i pˈawl lˈɔɡan pʃˌɨjɛxˈali pɔ ɲʲˈɛɡɔ dɔ xɔtˈɛlu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_26.wav|tɔ tʃɨ zmʲˈɛɲi tɔː ix spɔjʒˈɛɲʲɛ na mɔrdˈɛrstfɔ ɡˌɛnɛvʲˈɛvɛ strˈaxan?|3
+Dataset/wavs/urwisko_ferenc/48_segment_13.wav|bˈɔ vˌɨdaʒˈɛɲʲa z dʑɛtɕˈiɲstfa zaxˈɔvaw dla ɕˈɛbjɛ i ɲikˈɔmu ɔ ɲˈix ɲʲɛ ˌɔpɔvʲˈɛdʑaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_81.wav|pˈɔvʲɛts nˈam dɔkwˈadɲʲɛ, tsˈɔ pˌɔzvɔlˈiwaɕ mu zrˈɔbʲitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_35.wav|bʲˈillɨ jˈɛdnɔ̃ dwˈɔɲʲɔ̃ dɔtˈɨka sfˈɔix ˈuʃu, drˈuɡɔ̃ ˈust.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_66.wav|a tˈɛraz dɔ vidʑˈɛɲʲa, bˈɔ ʑˈɛmʲa pˈali mi ɕɛ pɔt nɔɡˈami.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_58.wav|ɔɡˈulɲʲɛ bˌɨwa bˈardʑɔ rˌɔzɛmˌɔtsjɔnɔvˈana, bˈɔ tɛn mɛ̃ʃtʃˈɨzna pɔxˈɔdʑi z awstrˈalji, a tˈam jɛst pʲˈɛŋkɲʲɛ. uvˈaʒa, ʒˈɛ spɔdˈɔba mi ɕɛ tɔ mʲˈɛjstsɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_106.wav|za xfˈilɛ ɔpˈuɕtɕi dˈɔm, ʒˈɛbɨ jˈumbɔ mˈukw tˈam vˈɛjʑdʑ zˈɛ sfˈɔim zɛspˈɔwɛm.|3
+Dataset/wavs/urwisko_ferenc/36_segment_12.wav|vrutɕˈimɨ dɔ tˈɛɡɔ, ˌɔbjɛtsˈawa i ftulˈiwa ɕɛ w jˈɛɡɔ plˈɛtsɨ, ˌɔbɛjmˈujɔndʑ ɡˈɔ rɛŋkˈɔma ɔt tˈɨwu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_60.wav|— ja tˈɛʃ, dˈɛrɛk uɕmʲˈɛxa ɕɛ spˈɔt mlɛtʃnˈɛɡɔ vˈɔ̃sa. i jˈa, dɔʒˈutsa ʃˈɛɲis.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_74.wav|jˈamɛ ɔdvrˈutɕiw ɕɛ na pʲˈɛɲtɕɛ i vˈɨʃɛd.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_38.wav|zˌamjɛʒˈawa tsˈɔɕ takʲˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_383.wav|mˌatɕɛ dla nˈas pɔkˈɔjɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_50.wav|jˈɛɡɔː ɔpˈɔvʲɛɕtɕ ftɕɔŋɡnˈɛwa jˈɔ̃ bˈɛs rˈɛʃtɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_263.wav|ambʲˈitnɛj i zˌarɔzumjˈawɛj planˈɛtki.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_439.wav|kˈu fɕtɕɛkwˈɔɕtɕi ˈarjan jɛj ˈɔtʃɨ zˈaʃwɨ wzˈami.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_80.wav|xwˈɔpʲɛts mˈuɡwbɨ mu zrˈɛʃtɔ̃ ɲʲɛ uvʲˈɛʒɨtɕ. tsɛrsˈɛi pˌɔvʲɛdʑˈawabˌɨ mu, ʒˈɛ tɔ ɲʲɛprˈavda.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_131.wav|pʃɛprˈaʃam, tɔ ɲʲˌɛmɔʒlˈivɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_24.wav|ˈaʃ xfˈɨta sfˈɔjɛ kˈulɛ i kuɕtˈɨka f strˈɔnɛ dʒvˈi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_66.wav|ɲʲɛ, ɲʲɛ, tɔ mˈam na mˈɨɕli.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_112.wav|pˈɛtɛr sˈant, asˈɨstɛnt ˌɛrkˈa, prˈɔɕi ɔ zdjˈɛɲtɕɛ kuzˈɨna darˈɛna bˈɛrna dla tsˈɛluf ˌidɛntˌɨfikˈatsji.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_201.wav|tɔ jˈakiɕ kˌanadˈɨjski zvˈɨtʃaj?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_97.wav|tɔ xˈɨba jˈuʃ fʃˈɨstkɔ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_121.wav|sˈɛr, pˈaɲi?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_34.wav|ɕˈɛŋɡnɔw pɔː ubrˈaɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_51.wav|— zˈɔstaf tɔ mɲʲɛ — ɔtpˈarwa bˈɛtskɨ. ˌɔbrutɕˈiwa ɕɛ na pʲˈɛɲtɕɛ i ruʃˈɨwa f strˈɔnɛ bjˈurka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_79.wav|starˈawam ɕɛ ˈukrɨtɕ tɔ fʃˈɨstkɔ pʃɛd dʑˈɛtɕmi|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_67.wav|dˈaw xwˌɔpakˈɔvi pʲɛɲdʑˈɛɕɔnt tsˈɛntuf i vˈɨɕad. stˈarɨ fˈɔrt ɔdjˈɛxaw stʃˈaskʲɛm f tumˈanax tʃarnˈɛɡɔ dˈɨmu.|0
+Dataset/wavs/urwisko_ferenc/53_segment_128.wav|tɔ dlatʃˈɛɡɔ na pˈɔmɨsw zˌawɔʒˈɛɲʲa strˈɔnɨ ˌintɛrnɛtˈɔvɛj i fˌanpaɡˈɛa fpˈadwa dwˈuɡɔ pˈɔtɛm?|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_68.wav|ɲʲˈɛmuf jˈɛdnak ɲitʃˈɛɡɔː i...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_105.wav|skwamˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_143.wav|bˈɨtɕ mˈɔʒɛ umˈarwabˌɨ w rɨnʃtˈɔku, ɡdˈɨbɨ ɲʲɛ ɔn i ɲˈits ɲʲɛ fskazˈujɛ nˈatɔ, bˈɨ xtɕˈaw jˈɔ̃ zɡvˈawtɕitɕ. pʃɛtɕˈivɲʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_272.wav|bˌɔxatˈɛra bʲˈitfɨ ɔ varʃˈavɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_4.wav|tˈak ˈiʃ ˈandɛrsɔn ɕˈɛdʑaw pɔ lˈɛvɛj strˈɔɲʲɛ mˈajka. mˈinɔw pˈasmɔ vzɡˈuʃ i lˈɛtsɔnts na vˌɨsɔkˈɔɕtɕi dvˈux tɨɕˈɛntsɨ stˈup,|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_5.wav|ˈɔ, vˈitaj dʒˈɛs. pˈarɛ dɲˈi tˌɛmu pʃɛlˈawam pʲɛɲʲˈɔndʑɛ na tfˈɔjɛ kˈɔntɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_95.wav|mˈɔɡwa pˈaɲi tˈɛʃ strˈatɕitɕ sˈɨna.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_32.wav|mˌamɨ na lˈiɲʲi tʃˈɛx rɔzmˈuftsuv ɡɔtˈɔvɨx nˈas ˈuvʲɛɕtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_126.wav|a ja dˌɔvʲɛdʑˈawam ɕɛ dɔpʲˈɛrɔ ftˈɛdɨ, kʲˈɛdɨ za ɲʲˈɛɡɔ vˈɛʃwam.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_143.wav|i ˌɔɕfʲɛtlˈɔnɛ ʃtˈutʃnɨm ɕfʲˈatwɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_266.wav|pɔ tsˈɔ mʲˈɛlibˌɨɕmɨ tɔ rˈɔbʲitɕ?|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_54.wav|zˌaswɔɲˈiwam tfˈaʃ pʃɛwbʲˈitsɔ̃ xˈɛwmu spˌavalɲitʃˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_39.wav|ˌalɛ pʃˈɛttɛm xtɕˈawbɨm fstˈɔmpidʑ dɔ sklˈɛpu z brˈɔɲʲɔ̃. tɔ pɔ drˈɔdʑɛ. xtsˈɛ kˈupitɕ karˈabʲin.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_20.wav|ʑˈɛvnɔw i zˈapat s pɔvrˈɔtɛm f sˈɛn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_53.wav|ɲˈilɛ istˈɔtɲʲɛ bˈɨw blˈadɨ i uvˈadʑɛ bˈɛtskɨ ɲʲɛ ˈumknɔw vˈidɔk jˈɛɡɔ drʒˈɔntsɨɣ dwˈɔɲ, kʲˈɛdɨ ɔtstˈavʲaw fˌiliʒˈaŋkɛ na blˈat.|3
+Dataset/wavs/urwisko_ferenc/34_segment_59.wav|sˈɔlski ɕɛ zˈaɕmʲaw. ʒˈɛ tsˈɔ? zvˌarjɔvˈawa pˈaɲi ɲˈiɡdɨ w ʒˈɨtɕu. ɲˈiɡdɨ w ʒˈɨtɕu!|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_423.wav|dʒˈɛjn bˈawa ɕɛ, ʒˈɛ mɔʒˈɛmɨ tɕˈɛ strˈatɕitɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_68.wav|pravdʑˈivɔ̃ trutɕˈiznɔ̃ jɛzd dˌɔstartʃˈɔna pʃˈɛs ɲʲˈɛɡɔ brˈɔɲ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_280.wav|kʲˈɛdɨ jɛst pˈan zdˌɛnɛrvɔvˈanɨ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_26.wav|ɲʲɛ, pɔɲʲˈɛvaʃ ɲʲɛ vɨdˈajɛ mi ɕɛ, ʒˈɛbɨ tɔ bˌɨwa prˈavda.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_80.wav|ɔ kˈurva, tɔ jˈamɛ lanɲˈistɛr.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_7.wav|ɲʲɛ pˌɔvʲɛdʑˈawam tɕi prˈavdɨ na tˈɛmat mɔjˈɛɡɔ sˈɨna, pɔɲʲˈɛvaʃ ɕɛ fstɨdʑˈiwam.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_44.wav|tsˈɔ tɕˈɛ dʑˈiɕ tˈutaj sprɔvˈadʑa?|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_281.wav|nˈavɛd bʲˈillɨ pʃˈɛrvaw sfˈɔjɛ pɔrˈannɛ pʃˌɨɡɔtɔvˈaɲʲa i ˌɔpsɛrvˈɔvaw rˈɔzvuj sˌɨtuˈatsji. ɲʲɛ jˌɛstɛm pʃˌɛkɔnˈanɨ, ʒˈɛ pˌɔstɛmpˈujɛʃ swˈuʃɲʲɛ, ɔdˈɛzvaw ɕɛ bˈɔp.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_287.wav|pʲˈɛŋknɛ ʃˈatɨ, ktˌurɛ nɔɕˈiwa pɔt spˈɔdɛm, bˌɨwɨ rɔzdˈartɛ. rɔzdˈarwa jˈɛ sˈama.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_253.wav|ˌalɛ vˈɔntpjɛ, tʃɨ swˈɔva zapˈɛvɲʲɔ̃ nˈam zvɨtɕˈɛ̃stfɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_79.wav|pɔvʲˈɛdʑaw, ʒˈɛ za rˈɔk pʃˌɨpatkˈɔvɨ turˈɨsta, ktˌurɨ vˈɛjdʑɛ na tɛn kavˈawɛɡ ʑˈɛmi, nˈavɛt ɕɛ ɲʲɛ dɔmˈɨɕli, tsˈɔ w ɲˈim lˈɛʒɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_75.wav|w vˈɔ̃skim xˈɔlu dɔstʃˈɛɡam nˈapis rɛtsˈɛptsja, zˌavʲɛʃˈɔnɨ nat mˈawɨm ɔkʲˈɛŋkʲɛm. za bjˈurkʲɛm ɕˈɛdʑi mwˈɔda, ˌuɕmʲɛxɲʲˈɛnta dʑɛftʃˈɨna.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_39.wav|a tʃˈɛ̃stɔ lutsˈantʲin. ˈaxa, rˌɛɡulˈarɲʲɛ ɔdvʲˈɛdʑa nˈas tˈɛʒ vʲˈɛlki maˈɛstɛr paˈisɛl.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_63.wav|tɔ bˌɨwɔ strˈaʃnɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_42.wav|a pʃɛxˈɔdʑɔnts ˌɔbɔk ɲʲˈɛɡɔ zˈajʒaw mu pʃˈɛs rˈamjɛ i vˈidʑaw fˌɔtɔɡrˈafjɛ tʃˈɛx pˌɔlitsjˈantuf prˌɔvadʑˈɔntsɨɣ zbʲitˈɛɡɔ studˈɛnta.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_5.wav|ktˌurɨ xtɕˈaw pɔdˈɛrʒnɔɲdʑ ɡˈardwɔ sfˈɛmu vrɔɡˈɔvi, lˈɛtʃ pɔmˈɨliw ɕɛ f tɕɛmnˈɔɕtɕax,|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_177.wav|ˈɔjtɕɛts ˈuɕat s pɔvrˈɔtɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_140.wav|zˌapisˈawɛm xˈaswɔ dɔ mɔjˈɛɡɔ laptˈɔpa na kˈarttsɛ, ktˌurɔ̃ vwɔʒˈɨwɛm dɔ tfˈɔjɛj tɔrˈɛpki.|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_127.wav|zavˈɔwaw dˈalɛ. ɲˈits tɕi ɲʲɛ jˈɛst? na xfˈilɛ ˈurvaw nˈam ɕɛ fˈilm.|4
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_50.wav|minˈɛwɔ pˈarɛ sˈɛkund zˈaɲim dɔtˈarwɔ dɔ mɲʲɛ, tsˈɔ ɕɛ stˈawɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_242.wav|ɔtxˈɔdʑiʃ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_28.wav|mɨ musˈimɨ dˈɔstatɕ jˈak najblˈiʒɛj ɔfjˈarɨ, a ɲʲˈɛmam ʒˈadnɨx ˌinfɔrmˈatsji na tˈɛmat jɛj stˈanu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_47.wav|inspˈɛktɔr bˈɛtskɨ rˈɔbʲinsɔn, pɔlˈitsja ɡrɛˈatɛr manxˈɛstɛr ˌɔras ɕˈɛrʒant rˈɔp kˈamba. ʃukˈamɨ pˈaɲi mˈartɨ pˈɔrtɛr.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_13.wav|ɲʲˈɛmam stˌuprɔtsɛntˈɔvɛj pɛvnˈɔɕtɕi, ˌalɛ vʲɛtʃˈɔrɛm w ˌapartˌamɛntˈɔftsu bˌɨwa pˈɛvna kɔbjˈɛta.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_36.wav|kʲˈɛdɨ stˈawam pɔt prɨʃɲˈitsɛm, pʃˌɨpɔmɲʲˈawam sˈɔbjɛ, dɔ tʃˈɛɡɔ tˈak naprˈavdɛ dˈɔ̃ʒɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_261.wav|nakˈɔʃi ɕˈɛŋɡnɔw pɔ sfˈɔjɛ ɡʲˈizmɔ, sprˈavdʑiw pˌɔtfʲɛrdʑˈɛɲʲɛ i pɔkˈivaw ɡwˈɔvɔ̃ na znˈak ˌaprɔbˈatɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_35.wav|pˈɔza tɨm rˈɔbʲi ɕɛ pˈuʑnɔ.|2
+Dataset/wavs/urwisko_ferenc/20_segment_92.wav|nˈɔ jˈasnɛ, ˈalɛ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_79.wav|zɲˈiʒa ɡwˈɔs, jˈaɡbɨ vˌɨjavʲˈawa tˌajɛmɲˈitsɛ.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_69.wav|ˈɔtʃɨ krulˈɔvɛj pʃˌɛrɔdʑˈiwɨ ɕɛ w ʑɛlˈɔnɨ lˈut.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_101.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_174.wav|ˌalɛ pˌɔzɔstˈajɛ jˈɛʃtʃɛ jˈɛdɛn prˈɔdukt ubˈɔtʃnɨ, ktˌurɨ jɛst ɲʲˌɛswɨxˈaɲʲɛ pɔtʃˈɛbnɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_66.wav|vˈɛʃwam dɔ jˈɛɡɔ pɔkˈɔju z ˌɔpuʃtʃˈɔnɔ̃ ɡwˈɔvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_81.wav|lˈɛpʃɛ tɔ ɲˈiʃ ɲˈits.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_212.wav|ˈɔtɔ zˌamjɛʒˈawɛm spˈɨtatɕ tɕˈɛ pˈuʑɲʲɛj.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_66.wav|ˌɔna vʲˈɛ, ʒˈɛ bˈɔjɛ ɕɛ utrˈatɨ mˈili i uvˈaʒa, ʒˈɛ mˈawa jɛst fʃˈɨstkim, tsˈɔ sklˈɛja nˈas rˈazɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_52.wav|tɕfˈitʃɛ pˌɔruʃˈaɲʲɛ ɕɛ na zˈɛvnɔntʃ pɔt ˈɔkʲɛm dalˈɛa.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_97.wav|zwˈɔʒɛ kˈaʒdɔ̃ pʃɨɕˈɛŋɡɛ, jˈakʲɛj zaʒˈɔndaʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_248.wav|xfˈilɛ stˈɔjɔ̃ i pˈatʃɔ̃ na ɕˈɛbjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_16.wav|i dʑˈadɛk ɲˈiɡdɨ ɲʲɛ dɔxˈɔdʑiw dɔ dˈɔmu i dɔ mɲʲɛ, tʃˌɛkajɔntsˈɛɡɔ w ˈɔkɲʲɛ ˈalbɔ na ɡˈaŋku.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_58.wav|jˈɛɕli xˈɔdʑi ˈɔmɲʲɛ, tɔ rˈuvɲʲɛ dˈɔbʒɛ mˈuɡwbɨ jˈɔ̃ ɔbdʑˈɨkadʑ dɔ ɲʲˌɛpʃɨtɔmnˈɔɕtɕi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_249.wav|— bˈɔː i dlatʃˈɛɡɔ mʲˈawbɨɕ tɔ rɔzˈumjɛtɕ? — pɔvʲˈɛdʑaw.|0
+Dataset/wavs/urwisko_ferenc/09_segment_48.wav|tˈɨlɛ, ʒˈɛ ftˈɛdɨ ɡlatsˈɔfski jˈuʃ ɲʲˈɛxtɕaw pʲɛɲʲˈɛndʑɨ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_170.wav|tsˈɔː innˈɛɡɔ zˈabʲidʑ vrˈɔɡa, a tsˈɔː innˈɛɡɔ ɡˈɔ sxˈaɲbʲitɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_120.wav|tɛn tˈak tʃɨ ˈɔvaɡ vɨɡlˈɔndaw na baŋkrˈutax, ˈandɨ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_320.wav|lˈɛtɲʲak pɔnˈɔvɲʲɛ natɕˈisnɔw jˈɛɡɔ bʒˈux i z nˈɔsa sˈama znˈuf trɨsnˈɛwa vˈɔda.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_80.wav|bˌɛɲdʑɛ mˈukw pˈisadʑ dˈalɛj, kʲˈɛdɨ dˈɔtʃɛ dɔ mʲɛʃkˈaɲʲa f sˌutɛrˈɛɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_92.wav|zamknˈɔwɛm ˈɔknɔ, pɔ tʃɨm pʃˌɛprɔɕˈiwɛm jˈɔ̃ puwʃˈɛptɛm zˈatɔ, pʃˈɛs tsˈɔ muɕˈawa pʃˈɛjɕtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_169.wav|zvrˈutɕiw ɕɛ dɔ jˈumbɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_151.wav|tsˈɔ vʲˈɛnts s tˈɨmi, ktˌuʒɨ sɔ̃ zupˈɛwɲʲɛ ʑlˈi?|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_130.wav|pˈɔtɕɔŋɡ vlˈuɡw mɲʲɛ za sˈɔbɔ̃, a mˈɔjɛ nˈɔɡʲi ˌɔbʲijˈawɨ ɕɛ ɔ pɔdwˈɔʒɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_82.wav|ˌɔtpɔvʲˈada z uɕmʲˈɛxɛm i tˈɛʃ mɲʲɛ tsawˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_86.wav|zrˌɔzumjˈɛli lˈɛpʲɛj vˈaʒ zvʲˈɔ̃zɛk.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_118.wav|zˈafʃɛ bˌɛɲdʑɛ mˈuɡw vrˈutɕidʑ dɔ sˌɛnɛsxˈala jˈutrɔ z ɡruɕˈikʲɛm w dwˈɔɲi.|1
+Dataset/wavs/urwisko_ferenc/08_segment_45.wav|pˈɔtʃuw tɕˈɛpwɔ w dˈɔlɛ bʒˈuxa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_144.wav|i ʒˈɛ bˌɛɲdʑɛ tɔ mˈiwa prˈɛmja.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_27.wav|rˌɔzmavʲˈaliɕmˌɨ w ɕfʲˈɛnta pʃˈɛs tɛlˈɛfɔn, ˌalɛ ɲʲɛ bˌɨwɔ nˈam wˈatfɔ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_118.wav|ja ɕɛ bˈɔjɛ tˈaɡ bˈardʑɔ, ʒˈɛ prˈavʲɛ ɲʲɛ mˈɔɡɛ mˈuvitɕ, ˌalɛ tɨ ɲʲɛ bˈɔiʃ ɕɛ ftsˈalɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_90.wav|ɔ ɕˈudmɛj vʲɛtʃˈɔrɛm zamˈavja kɔlˈatsjɛ dɔ pɔkˈɔju i ɔɡlˈɔnda ˌasfaltˈɔvɔ̃ dʒˈuŋɡlɛ na laptˈɔpʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_220.wav|nˌasunˈɛwa ɕɛ jɛj pˈɛvna mˈɨɕl.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_139.wav|zavˈɔwaw s fawʃˈɨvɨm uɕmʲˈɛxɛm, ktˌurɨ tˈak mi ˈɔbʒɨt pʃˈɛstɛ fʃˈɨstkʲɛ lˈata.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_163.wav|ktˈɔɕ fspˈɔmɲʲaw ɔ ɡʲˈiɲʲɛ s tɔɲˈikʲɛm? zapˈɨtaw jˈɛdɛn s xwɔpˈakuf.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_113.wav|vˈidʑiʃ, kʲˈɛdɨ ɔn klɲʲˈɛ, tɔ jˈɛɡɔ lˈudʑɛ swuxˈajɔ̃, tʃɨ tˈɛʃ udˈajɔ̃, ʒˈɛ swuxˈajɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_351.wav|vʲˈɛm, ʒˈɛ ˈuznaʃ mɲʲɛ za ɔkrˈɔpnɔ̃ bˌɛsfstɨdɲˈitsɛ, ˌalɛ spˈawam s tɨm wˈadnɨm xwˈɔptsɛm, mˌarɨljˈɔnɛm. ɲʲɛ vʲɛdʑˈawam, ʒˈɛ jɛst pɔtfˈɔrɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_206.wav|ɕˈada za kʲˌɛrɔvɲˈitsɔ̃, dˈana ˈɔbɔk, na mʲˈɛjstsu pˌasaʒˈɛra. kˈɛn pˈɨta, jˈaki jɛst plˈan? dˈana ˌɔtpɔvʲˈada, tˈaki. i stʃˈɛla.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_69.wav|kʲˈɛdɨ dˌɔrastˈawam, tʃɨmˈawam ɕɛ pɛvnˈɛɡɔ kɔdˈɛksu pˌɔstɛmpɔvˈaɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_444.wav|tɔ bˌɨwa ɔpsˈɛsja mˈɛɡɔ pˌɔkɔlˈɛɲʲa. ɲʲɛ pˈɔɡɔɲ za pˈɛwɲʲɔ̃ ʒˈɨtɕa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_105.wav|nˈaɛl strˈaxan.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_151.wav|ɔpʲˈɛkuj ɕɛ ɕˈɔstrɔ̃. tɔ zˈafʃɛ bˌɨwɨ ɔstˈatɲʲɛ swˈɔva mˌamɨ pʃɛd vˈɨjɕtɕɛm dɔ prˈatsɨ f prˈalɲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_188.wav|tʃˈujɛ ɕɛ, jˈaɡbɨm vaʒˈɨwa tˈɔnɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_36.wav|ˌalɛ ɲʲˈɛxtɕaw ɔkˈazatɕ tˌɛɡɔ tsˈurtsɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_75.wav|budˈɔva tˈakiɣ bˈaɲik tɔ ɲʲɛ bˈɨlɛ jˈakʲɛ pʃˌɛtɕɛ̃vʑˈɛɲtɕɛ, ˌalɛ rˈuvɲʲɛʃ ɲʲɛ bˈɨlɛ jˈaki zarˈɔbɛk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_133.wav|f ʃˈustɨm tɨɡˈɔdɲʲu bˈɨw tˈɨdʑɛɲ trˈavɨ, kʲˈɛdɨ utʃˈɔnɔ nˈas rɔskwˈadatɕ i skwˈadadʑ brˈɔɲ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_219.wav|rˈɔɲi muvˈiwa, ʒˈɛ ɲʲˈɛma dɔ ɲʲˈɛj ˈɔtɔ prɛtˈɛnsji.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_153.wav|na pɔtʃˈɔntɛk tʃˈɛba zˈɛbratɕ anˈɔrdɨt.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_21.wav|pˈɔnɔtɕ tʃwˈɔvʲɛɡ vɨtʃˈuva, kʲˈɛdɨ umjˈɛra blˈiska mu ɔsˈɔba.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_80.wav|mˈɨɕliʃ, ʒˈɛ dˈɔjdʑɛ dɔ ɕˈɛbjɛ?|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_73.wav|ˌɔtʃɨvˈiɕtɕɛ ˈɔtpar nˈɔrvɛk. pˌɔtʃɛbˈujɛ iɣ dɔː ˌɔrjɛntˈatsji f tɛrˈɛɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_159.wav|zˌaplɔntˈawɛm ɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_315.wav|stˈaram ɕɛ jˈak xɔlˈɛra.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_186.wav|tˌaki mˈa plˈan.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_144.wav|tsamˈɛrɔn ˌɔpsɛrvˈɔvaw mɲʲɛ tˌɛɡɔ vʲɛtʃˈɔru pʃˌɛkɔnˈanɨ ɔ tʃˌɛkajˈɔntsɛj mɲʲɛ pɔrˈaʃtsɛ, ˌalɛ ɲʲɛ pʃɛɡrˈawam i vˈɨʃwam bˈɛs swˈɔva.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_34.wav|na rˈaʑɛ ɲʲɛ vˌɨɔbrˈaʒa sˈɔbjɛ, jakʲˈɛɡɔ rɔdʑˈaju mʲˈawabˌɨ tɔ bˈɨtɕ pɔtʃˈɛba, ˌalɛ tsˈuʃ...|2
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_55.wav|ɔstˈatɲʲa zdˈɔbɨtʃ tˈɛssɨ. nˌajvɨrˈaʑɲʲɛj ɲʲɛ zrɔzˈumjaw pʃɛkˈazu, ˌalɛ w jˈɛɡɔ ʃɛrˈɔkim uɕmʲˈɛxu dɔstʃˈɛɡam lˈɛkkʲɛ drʒˈɛɲʲɛ kɔɲtɕˈika ˈust.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_26.wav|ɔkˈɔptɕɛ ɡˈɔː i ɔtˈɔtʃtɕɛ pˌalikˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_93.wav|pʃɛjˈɛʒdʒam fprˈɔst na tˈɨwɨ dˈɔmu i parkˈujɛ w ɡarˈaʒu.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_396.wav|dɔstˈaɲʲɛʒ dˈɔrnɛ pɔ mˈɔjɛj ɕmʲˈɛrtɕi.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_56.wav|fʃˈɨstkɔ pɔ kɔlˈɛi ɔtpˈarwa i zˌamaxˈawa mi dwˈɔɲʲɔ̃ pʃɛt nˈɔsɛm. ˈilɛ vˈidʑiʃ pˈaltsuf?|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_271.wav|dˈalɛ pʃɛsˈunɔw jˈɛdɛn z rˌɛɡulatˈɔruf napˈɛndu dɔ pɔpʃˈɛdɲʲɛj pɔzˈɨtsji.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_94.wav|ɔn zˈabraw xˈɛwm z ɡrˈɔbu klˌiɡaˈina, a tɨ ukrˈadwɛʑ ɡˈɔ z jˈɛɡɔ trˈupa.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_145.wav|ˌalɛ f pʃˌɛtɕivʲˈɛɲstfʲɛ dɔ tɛj ʃtʃˈupwɛj, ʒɛlˈastɛj dʑɛftʃˈɨnɨ, mirˈanda bˌɨwa mʲˈɛŋkka i paxɲʲˈawa swˈɔtkɔ.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_78.wav|tʃˈɨʒbɨɕ ɕɛ zalˈɛtsaw dɔ tɛj jɛj frˌantsɔvˈatɛj sˈɛptɨ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_223.wav|ˈabɨ mʲˈɛdʑ dˈɔsɨtɕ pʲɛɲʲˈɛndʑɨ na latˈaɲʲɛ, zmʲɛɲʲˈali ɕɛ lˈudʑɛ, dla ktˌurɨx pratsˈɔvaw, ˈabɨ mʲˈɛtɕ pʲɛɲʲˈɔndʑɛ na latˈaɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_123.wav|f tɕˈɔŋɡu tɨx tɨɡˈɔdɲi tʃˈuwam ɕɛ ʃtʃɛɲɕlˈifʃa i bˈardʑɛj ʒˈɨva ɲˈiʃ kʲˌɛdɨkˈɔlvʲɛɡ dˈɔtɔnt. ɲʲɛ mˈɔɡwam z ɲʲˈɛɡɔ tˈɛraz zrˌɛzɨɡnˈɔvatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_45.wav|pˌɔvʲɛdʑˈawam mu, ʒˈɛ tɔ ɲʲɛ jˈɛɡɔ sprˈava, s kˈim ɕɛ spɔtˈɨkam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_101.wav|mˈɨɕliʃ, ʒˈɛ tɔ bˈɨw stsˈɔtt?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_58.wav|vʲˈɛʃ tsˈɔ, luˈisa, zapˈɔmɲij ɔ krɛvˈɛtkax. mˈɔʒɛ bˈɨɕ pʃˌɨɡɔtɔvˈawa drˈɛssiŋɡ dɔ sawˈatki?|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_29.wav|mˈɔjɛ mʲˈɛjstsɛ jɛst ˈu jˈɛɡɔ bˈɔku. tfˈɔjɛ mʲˈɛjstsɛ jɛst tˈam, ɡdʑˈɛ vˈɨɕlɛ tɕˈɛ krˈul.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_358.wav|s pɛvnˈɔɕtɕɔ̃ vˌɨstartʃˈawɨ, ʒˈɛbɨ ˌadmiɲˌistratˈɔrka nɡˈuɡʲi bˈɛs xfˈili vaxˈaɲʲa vˌɨkɔpˈawa mˈuj ɲiktʃˈɛmnɨ tˈɨwɛk s pɔvrˈɔtɛm na ʑˈɛmʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_143.wav|a jˈɛɕli w ɔɡˈulɛ zawˈɔʒɨtɕ, ʒˈɛ stsˈɔdd ʒˈɨjɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_104.wav|muɕˈawa bˈɨtɕ ix pʃˌɛwɔʒˈɔnɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_88.wav|bʲˈillɨ ˌɔtpɔvʲˈada, ʒˈɛ dˈɔbʒɛ, tˈɨlɛ ʒˈɛ jɛst tʃˈɛtɕa nat rˈanɛm.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_190.wav|pˌɔvʲɛdʑˈawa tsˈɔɕ pɔ bravˈɔsku. ɲʲɛ mˈuvjɛ f tɨm jɛ̃zˈɨku.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_121.wav|ˈanɔ, tˈɛraz vɨtɕˈɔŋɡnɛ rˈɛŋkɛ i dˈɔtknɛ tfɔjˈɛɡɔ lɛvˈɛɡɔ ramjˈɛɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_104.wav|bˈɔ muɕˈawɛm ɕɛ pʃɛkˈɔnatɕ, tsˈɔ lˈitʃɨ ɕɛ dla tɕˈɛbjɛ najbˈardʑɛj.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_28.wav|kɔbjˈɛta vˌɨtɕɔŋɡnˈɛwa dɔ ɲʲˈɛj rˈɛŋkɛ i mˈili pɔ xfˈili vaxˈaɲʲa xfɨtɕˈiwa jˈɔ̃, mˈajɔnts nadʑˈɛjɛ, ʒˈɛ dwˈuɡʲɛ paznˈɔktɕɛ ɲʲɛ pɔdrˈapjɔ̃ jɛj skˈurɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_86.wav|a tɕi ˌɔtʃɨvˈiɕtɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_256.wav|tɛn ɔ vʲˈɛlu tfˈaʒaɣ vɨswˈuxaw jˈɛɡɔ mɔdlˈitfɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_99.wav|prɛzˈɨdɛnt pˈɔdɲʲus ɕɛ z barwˈɔɡu. xfˈastɨ na jˈɛɡɔː ɔblˈitʃu zaxfʲˈawɨ ɕɛ, jˈaɡbɨ pɔt raptˈɔvnɨm pʃɛtɕˈɔŋɡʲɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_323.wav|za dˈuʒɔ pisˈaɲʲa. pˈɔza tɨm xtsˈɛ tɕi pɔkˈazatɕ, tsˈɔ pɔtrˈafjɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_166.wav|skˈɔnd vʲˈɛʃ, ʒˈɛ ˌɔna jɛst f tɨm krˈaju ɲʲˌɛlɛɡˈalɲʲɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_102.wav|— ɲʲɛ, ʒˈadnɛj pɔlˈitsji. nˈajpʲɛrf mˈuvjɛ, a dɔpʲˈɛrɔ pˈɔtɛm mˈɨɕlɛ, ˌalɛ mˈɔja rɛˈaktsja jɛst nˌatɨxmʲastˈɔva. zˌauvˈaʒam zdumjˈɛɲʲɛ mˌalujˈɔntsɛ ɕɛ na tfˈaʒɨ dˌɔmiɲˈika.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_88.wav|ˈaʃ pɛvnˈɛɡɔ dɲʲˈa vˈɛzmɔ̃ tɕˈɛ dɔː ˌinstɨtˈutu, a tˈam jˈuʃ spˈɔtkaʃ tˌɨlkɔ tˈakix jˈak tˈɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_188.wav|pɔvʲˈɛdʑaw mɛnˈadʒɛr. jɛst mi ɔɡrˈɔmɲʲɛ pʃˈɨkrɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_10.wav|zˌatʃɛkˈali ˈaʃ pʃˈɛjdʑɛ, a tˈɔm zɔbˈatʃɨw, ʒˈɛ bˈɛtskɨ zˈɛrka pʃˈɛs ɔtfˈartɛ pʃˈɛjɕtɕɛ dɔ kˈuxɲi.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_20.wav|pɔdvˈinɔw sˈɔbjɛ rɛŋkˈavɨ pɔ wˈɔktɕɛ, ˌalɛ pɔɲˈiʒɛj kˈɔlan tkaɲˈina ʃˈatɨ pʃˌɛɕɔŋknˈɛwa vˈɔdɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_241.wav|tʃɨ musˈimɨ pʃˈɛstɔ pʃɛxˈɔdʑidʑ za kˈaʒdɨm rˈazɛm?|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_191.wav|spɔjʒˈawam na ɛkrˈanɨ pʃɛt mˈɔim fɔtˈɛlɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_225.wav|ɲʲˈɛx tˈam ɡɲˈijɛ, mˈɨɕli i vrˈatsa dɔ ɡwuvnˈɛɡɔ dˈɔmu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_76.wav|dˈɔn vɨbˈuxa tˈaɡ ɡwˈɔɕnɨm ɕmʲˈɛxɛm, ʒˈɛ bʲˈillɨ z lˈɛkkim ɡrɨmˈasɛm ɔtsˈuva tɛlˈɛfɔn ɔt ˈuxa, ˌalɛ ˈuɕmʲɛx ɲʲɛ sxˈɔdʑi mu s tfˈaʒɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_58.wav|ɲʲɛ, zupˈɛwɲʲɛ ɲˈits.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_176.wav|vˌɨdʑɛrʒˈaviw ɡˈɔ tfɔjˈɛmu ˌaɡɛntˈɔvi, ˌɔbɛtsnˈɛmu tˈu ɡˌɛɔrɡʲˈɛmu, tsˈɔ znˈatʃɨ, ʒˈɛ f papʲˈɛrax ɲʲˈɛma nˈaʃɨx nˈazvisk.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_263.wav|stˈarkuf i lˌanɲistˈɛruf, blˌatskfɔˈɔduf i bratskˈɛnuf.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_349.wav|tɔ ɡrˈaɲʲɛ dla dʑˈɛftʃɔnt.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_51.wav|pˌɔstanˈɔviw zˌaprɔvˈadʑitɕ tˈu pɔʒˈɔndɛk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_230.wav|na spatsˈɛʒɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_440.wav|ˌalɛ jˈuʃ tˌɛɡɔ ʒˈɨtɕa, tsˈɔ za mnˈɔ̃, ɲʲɛ ɔdmʲˈɛɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_8.wav|rɔzˈumjɛ mɲʲɛ pˈan?|4
+Dataset/wavs/urwisko_ferenc/05_segment_28.wav|i ɲʲɛ ɡɔdʑˈiwa ɕɛ na ɲʲɛmˈiwɔɕtɕ mˈatki. ɲʲɛ pˌɔtrafˈiwa zrɔzˈumjɛtɕ, tʃɨm jɛj zˌaviɲˈiwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_5.wav|fɕˈada ɔt strˈɔnɨ pˌasaʒˈɛra ˌɔstrɔʒnˈɨmi, pˌɔvɔlnˈɨmi ruxˈami stˈartsa s xɔrˈɨmi bjɔdrˈami.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_59.wav|ɡˈɔɕtɕɛ vɨpˈili pɔ kʲɛlˈixu, ɡrˈupki bˌaŋkʲɛtɔvˈitʃuf jˈɛwɨ ɕɛ pʃɛmjˈɛʃtʃatɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_169.wav|bˈɔ jˈuʃ ɲʲˈɛma zvʲˈɔ̃sku rˌadʑɛtskʲˈɛɡɔ, jˈɛɡɔː ɔjtʃˈɨznɨ, a ˈɔn?|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_419.wav|ja bˌɨwɛm drˈuɡʲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_132.wav|jˈɛɕli tsamˈɛrɔn skʃˈɨvdʑiw tˈɨlɛ ˈɔsup, tɔ tʃɨ jˈɛdna z ɲˈix...|3
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_72.wav|ɲʲˌɛzalˈɛʒɲʲɛ ɔt jˈɛɡɔ zamjˈaruf, nˌajvɨrˈaʑɲʲɛj znˈa lˈudʑi, ktˌuʒɨ pˌɔtrafˈilibˌɨ zˌɔrɡaɲizˈɔvadʑ dla ɲʲˈɛɡɔ tˈakʲɛ pɔrvˈaɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_179.wav|dlatˈɛɡɔ ɡˈɔ zˌawatfˈiwɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_25.wav|zˌapɨtˈawɛm, tʃɨ pʃˌɛtʃɨtˈawa fʃˈɨstkɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_58.wav|ja i dʑɛftʃˈɨna.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_132.wav|ɡdʑˈɛɕ na tˈɨwax swˈɨxatɕ tɕˈixɨ, ˌalɛ mˈɔtsnɨ, rˈuvnɨ vˈarkɔd ɡˌɛnɛratˈɔra.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_16.wav|— nˈɔ dˈalɛj, tsˈɔ tɨ tˈam rˈɔbʲiʃ? — mruknˈɛwa sˈandɨ pɔt nˈɔsɛm.|4
+Dataset/wavs/urwisko_ferenc/63_segment_107.wav|mˈarja skinˈɛwa ɡwˈɔvɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_40.wav|ˈɔtuʃ na tarˈaɕɛ bˌarɔkɔvˈɛɡɔ, a ɕtɕˈiɕlɛj mˈuvʲɔndʑ bˌarɔkˈɔvɔklˌasɨtsˌɨstɨtʃnˈɛɡɔ pawˈatsu pˌɔjavˈiwa ɕɛ jˈakaɕ ɲʲɛvʲˈɛɕtɕa pˈɔstatɕ,|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_212.wav|ˌɔpuɕtɕˈiwa ix jˈuʒ dˈavnɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_49.wav|ɲʲɛ bˌɛndɛ ɕɛ twumˈatʃɨw. ˌɔbjɛtsˈujɛ, ˌalɛ tʃɨ zɡˈɔdʑiʃ ɕɛ pʃɨnˈajmɲʲɛj na rɔzmˈɔvɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_214.wav|dˈɨm ɲˈiɡdɨ ɕɛ ɲʲɛ vˌɨdɔstˈaɲʲɛ s tˌɛɡɔ pˌɔmjɛʃtʃˈɛɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_239.wav|pˈɔtɛm znˈuf ˌuruxɔmˈiwam pˈalɲik, stɔsˈujɔnts tˌaki sˈam skwˈat mʲɛʃˈaŋki zˌapwɔnˈɔvɛj jˈak pɔpʃˈɛdɲʲɔː i ɕɛŋɡnˈɛwam pɔː ˌalumiɲʲˈɔvɨ prˈɛnt.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_53.wav|tɔdˈɛrɛk ˌɔstatˈɛtʃɲʲɛ namˈavja ɡˈɔ dɔ zwˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_7.wav|muɕˈɛli pʃˌɛtɕɛʃ pʃɨvˈɨknɔɲdʑ dɔ zˌamɨkˈaɲʲa lˈudʑi, a ɔn mˈimɔ tɔ vɨdˈavaw ɕɛ tʃˈutɕ, ʒˈɛ pʃɛrˈaʒa mɲʲɛ vˈizja tɛj ˌizɔlˈatsji.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_12.wav|ɲʲɛ tˈɨlkɔ, w ɔɡˈulɛ ix ɲʲɛ ˌuʒɨvˈawa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_6.wav|ˌalɛ pˈɔtɛm uʒˈɨwa jɛj pɔnˈɔvɲʲɛ, tɨm rˈazɛm dɔ vˌɨnajˈɛɲtɕa sˌamɔxˈɔdu pʃɨ lɔtɲˈisku vɛ ftɔrkˈɔvɨ vʲˈɛtʃur.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_64.wav|xˈarɨ ɔbˈudʑiw ɕɛ dvˈa rˈazɨ, ˌalɛ tˈɛras mˈɔtsnɔ ɕpˈi. pˌɔmɨɕlˈawɛm, ʒˈɛ tɕˈɛ ɔstʃˈɛɡɛ, ʒˈɛbɨʑ bˌɨwa w rˈaʑɛ tʃˈɛɡɔ pʃˌɨɡɔtɔvˈana.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_172.wav|ˌalɛ ɡwˈuvɲʲɛ dlatˈɛɡɔ, ʒˈɛ mˈam tˈu blˈiskɔ zˈɛ sfˈɔjɛj trˈumnɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_76.wav|bʒmˈi ɔkrˈutɲʲɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_59.wav|najlˈɛpʲɛj ftsˈalɛ, pʃɨnˈajmɲʲɛj na pɔtʃˈɔntku. xˈɨba, ʒˈɛ xtsˈɛʃ, ʒˈɛbɨ rˈana znˈɔvu tɕi ɕɛ ˌɔtfɔʒˈɨwa. tʃˈɛba bˈɨ tɕˈɛ sʃˈɨtɕ, ˌalɛ nˈavɛt ɲʲɛ zamjˈɛʒam sprubˈɔvatɕ.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_209.wav|tɔ ɲʲɛ bˈuɡ dɔ nˈas pʃɛmˈuviw.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_380.wav|ɡˈɔrtʃ xˈandrɨ, ktˌura dˌɔskfʲɛrˈawa mi dɔ tɛj pˈɔrɨ, zɲiknˈɛwa bˈɛs ɕlˈadu, ˌustɛmpˈujɔnts mʲˈɛjstsa tɕˈɛrpkʲɛj ɔxˈɨdʑɛ. vɨplˈuwam fʃˈɨstkɔ z ˌɔbʒɨdʑˈɛɲʲɛm.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_146.wav|ˈɔtpar mˈinstrɛl, fskazˈujɔndʑ ɡwˈɔvɔ̃ na lˈɔrda ɛmmˈɔna.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_34.wav|zˌavrutɕˈili na pɔwˈudɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_7.wav|dʑɛftʃˈɨna muvˈiwa, ʒˈɛ pratsˈujɛʃ nat kɕˈɔ̃ʃkɔ̃ zˌaɡajabˈaki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_140.wav|bˌɛndɔ̃ mɲʲɛ ʃˈukatɕ, ˌalɛ ɲʲɛ znˈajdɔ̃ i sprˈava trˈafi dɔː arçˈivum.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_50.wav|ˌalɛ tɔ tsˈawkʲɛm tɕɛkˈavɨ spˈɔsup. vʲˈɛŋkʃɔɕtɕ lˈudʑi ɲʲɛ kfˌɛstjɔnˈujɛ tˌɔʃsamˈɔɕtɕi pˌɔlitsjˈantuf i ɲʲɛ pʃ��ʃwˈɔbɨ im dɔ ɡwˈɔvɨ, ʒˈɛ ktˈɔɕ mˈɔʒɛ ɕɛ pˈɔdɲih pɔtʃˈɨvatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_161.wav|mʲˌɛndʑɨ jɛj ɔtʃˈami pˌɔjavʲˈajɔ̃ ɕɛ dvʲˈɛ zmˈarʃtʃki, jˈaɡbɨm trafˈiwa f tsˈɛl, ˌalɛ ʃˈɨpkɔ zɲikˈajɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_36.wav|w ɕrˈɔtku ɲʲɛvʲˈɛlɛ ɕɛ zmʲɛɲˈiwɔ pʃˈɛstɛ fʃˈɨstkʲɛ lˈata. ˌɔɡɲʲɔɔtpˈɔrnɛ vnˈɛntʃɛ bˌɨwɔ tɕˈasnɛ i mˈɔtsnɔ naɡʒˈanɛ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_186.wav|vˈɨʃɛd z ɲʲˈɛɡɔ maˈɛstɛr tsɔlˈɛmɔn f tˌɔvaʒˈɨstfʲɛ ɡʲˈɛrmkuf tɛrˈɛnsa i ɡʲillˈɛsa.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_59.wav|brˈat jˈɔ̃ uvʲˈɛlbja, dʑˈɛlɔ̃ ɕɛ fʃˈɨstkim.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_31.wav|dˈuʒɛ i ɲʲɛbjˈɛskʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_170.wav|dlatˈɛɡɔː ˈidʑ dɔ ɲʲˈɛj!|1
+Dataset/wavs/urwisko_ferenc/50_segment_65.wav|krˈutkɔ pʃɛt ɕmʲˈɛrtɕɔ̃ ˈɔjtɕɛts lipskʲˈɛɡɔ pɔvʲˈɛdʑaw mu, jˈakʲɛ swˈuxɨ krɔ̃ʒˈɨwɨ ɔː ɔɕrˈɔtku.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_180.wav|zˈatʃɔw i spˈuɕtɕiw vzrˈɔk.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_261.wav|a ftˈɛdɨ salvˈatɔr udˈɛʒɨw ɡˈɔ f tfˈaʃ ʃˈɨpkim, mˈɔtsnɨm prˈavɨm ɕˈɛrpɛm ˌɔtskakˈujɔnts f tˈɨw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_11.wav|unˈɔʃɔ̃ f strˈɔnɛ ɲʲˈɛba.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_108.wav|dʑˈɛŋki, kɔlˈɛɡɔ. na pˈɛvnɔ skɔʒˈɨstam. ɲʲˈɛmuv dɔ mɲʲɛ kɔlˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_17.wav|ɲˈiɡdɨ ɲʲɛ pɔzvˈɔliwbˌɨm jɛj ɕɛ tˈutaj fprɔvˈadʑitɕ, ɡdˈɨbɨm ˈuznaw, ʒˈɛ lˈutsɨ mˈɔʒɛ ɕɛ pʃˈɛstɔ pˈɔtʃutɕ ɲʲˌɛkɔmfɔrtˈɔvɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_27.wav|musˈimɨ pˈɔznatɕ nˈazvɛ tɛj spˈuwki.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_23.wav|mˈuʃɛ pɔdwˈɔntʃɨtɕ mˈɔjɛ zbjɔrɲˈiki dɔ tfɔjˈɛɡɔ skafˈandra.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_59.wav|tʃɨ ˌɔna stratɕˈiwa dʑˈɛtskɔ, ktˌurɨm ɕɛ ˌɔpʲɛkɔvˈawɛɕ? tʃɨ ˈɔtɔ vwˈaɕɲʲɛ xˈɔdʑi? ɔː ˈɔdvɛd za ɕmʲˈɛrdʑ dʑˈɛtska?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_97.wav|ktˈɔʑ vʲˈɛ ˈɔmɲʲɛ fʃˈɨstkɔ. znˈa tˌajɛmɲˈitsɛ, ktˌurɛ tˈak starˈanɲʲɛ ˌukrɨvˈawam.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_148.wav|ɲʲɛ mˈɨɕlɛ, ˈabɨɕ ˈɔtɨm vʲˈɛdʑaw, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_64.wav|pɔ tʃɨm jˈaɡbɨ ˌupʃɛdʑˈajɔnts mˈuj spʃˈɛtɕif mˈuvi...|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_56.wav|dˈɔbʒɛ znˈuf tɕˈɛ vˈidʑɛtɕ, bˈɛtskɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_75.wav|dˈɔn vzruʃˈɨwa rˌamjɔnˈami i zaɡrˈɨzwa ktɕˈuk.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_323.wav|ɲʲˈɛznam jɛj. ɲˈibɨ tʃˌɛmu mʲˈawabˌɨ rˈɔbʲitɕ tsˈɔɕ takʲˈɛɡɔ. ɲʲɛ pɔjmˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_45.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, dˈɔkɔnt ɕɛ vɨbjˈɛra, ˌalɛ ɲʲɛ jɛst xˈɨba na tˈɨlɛ ɡwˈupi, ʒˈɛbɨ pɔmˈɨɕlɛtɕ, ʒˈɛ krɔ̃ʒˈɛɲʲɛ pɔː ulˈitsax mʲˈasta tsɔkˈɔlvʲɛk pʃɨɲʲˈɛɕɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_299.wav|pʃˌɛskakujˈɛmɨ z ɡrˈɔbu dɔ ɡrˈɔbu.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_305.wav|darˈɛɔn ɲʲɛ ʒˈɨjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_156.wav|i dˈɔbʒɛ tɔː ˌukrɨvˈawa ˈaʒ dɔ samˈɛɡɔ kˈɔɲtsa.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_383.wav|pʃˌɛstraʃˈɨwaɕ mɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_175.wav|a tsˈɔ z ˈɔjtsɛm dʑˈɛtska?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_77.wav|zrɔbʲˈiwam tsˈɔʑ ɡwupʲˈɛɡɔ, a tsamˈɛrɔn ɕɛ dɔvʲˈɛdʑaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_36.wav|tˈɛn, ktˌurɨ zdˈaɲʲɛm tatˈuɕa nˈas ʃpʲɛɡˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_115.wav|mˈɔʒɛʃ tɔ vɨjˈaɕɲitɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_54.wav|ɲʲɛ skˈɔɲtʃɛ ɕɛ na bʲˈitɕu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_221.wav|tʃˈuw��m, ʒˈɛ ɔtkrˈɨliɕmˌɨ prˈavdɛ dˌɔtɨtʃˈɔntsɔ̃ ʒˈɨtɕa, ˌalɛ tˈɛraz vʲˈɛm, tʃɨm tɔ naprˈavdɛ bˈɨwɔ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_18.wav|tˈanda ɲʲɛ ʒˈɨjɛ, a ɡʲˈilɛs jɛst ˌumjɛrajˈɔntsɨ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_189.wav|ʒˈadɛn s kˈundli ɛwrˈɔna ɲʲˈɛmuɡwbˌɨ ɕɛ mʲˈɛʒɨdʑ z vˈulfɛm jˌɛdnɔˈuxɨm ˈalbɔ z andrˈikʲɛm ɲʲˌɛuɕmʲɛxɲʲˈɛntɨm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_50.wav|ɡdˈɨbɨ tˌɨlkɔ bˌɨwa tɔ prˈavda.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_185.wav|pɔvʲˈɛdʑaw tˈak, ˌɔtʃɨvˈiɕtɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_105.wav|bˈardʑɔ mˈiwɔ bˌɨwɔ pˈana pˈɔznatɕ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_46.wav|zapˈɨtaw jˈɔ̃ tˈarlɨ. ɲʲɛ, pˈaɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_26.wav|tˈɔm pɔdrˈapaw ɕɛ f kˈark.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_130.wav|lˈadɨ mɛrvˈɛtxɛr zatʃˈɛwa fstˈavadʑ z wˈɔʒa, bˈɨ pˈujʑdʑ z ɲʲˈɔ̃. ɲʲɛ, zˈɔstaɲ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_197.wav|jɛzd zˌavʲɛdʑˈɔnɨ, a tˈak ɕɛ tɕˈɛʃɨw, ʒˈɛ bˌɛɲdʑɛ mʲˈaw tsˈawɨ dˈɔm dla ɕˈɛbjɛ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_115.wav|kʲˈɛdɨɕ muɕˈawɛm ɕɛ ˈukrɨtɕ pɔt wˈɔʒɛm, bˈɔ sˈɛr lˈɔras pʃˈɨʃɛd jˈɔ̃ ɔdvʲˈɛdʑitɕ. muvˈiwa mi, ʒˈɛ ɔn ɲʲɛ mˈɔʒɛ ɔ ɲˈitʃɨm vʲˈɛdʑɛtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_99.wav|tɔ jɛst tˈakʲɛ tʃadˈɔvɛ! ˌɔdɛzvˈawa ɕɛ ɡwˈupja blɔndˈɨŋka dɔ sfɔjˈɛɡɔ nˌadʑanˈɛɡɔ xwɔpˈaka. pˌɔjɛdʑˈɛmɨ kɔlˈɛjkɔ̃ pʃˈɛs lunˈapark.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_230.wav|bʲˈitfa bˌɨwa krfˈava.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_149.wav|skrˈɔmna pˈaɲi kɕɛŋɡˈɔva kɔzˈatʃɨ pʃɛt fatsˈɛtɛm, ktˌurɨ fpˈad jɛj w ˈɔkɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_3.wav|vˈitaj pɔnˈɔvɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_182.wav|uxˈɨla dʒvˈi klˈatki sxɔdˈɔvɛj i vˈidʑi mˈawɨ xˈɔl. jɛst pˈustɨ. kɔrˈɨtaʒ zˈaɲim tˈɛʃ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_107.wav|jˈɛʃtʃɛ pʃɛt lˈantʃɛm mˈa dɔ vɨbˈɔru ˈajlin dˈɛ ɡɛnˈɛrɛs, xˈɔd bˈɛnx, kˈɛllɨ ˈand rˈɨan i dˈɔbrɔ̃ tsˈɛnɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_23.wav|zˌanɔtˈɔvaw, ʒˈɛbɨ pɔprˈɔɕitɕ ˈɔtɔ kˈɔɡɔʑ z zɛspˈɔwu.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_119.wav|tʃˈɛba bˌɨwɔ zˈatkatɕ mu nˈɔs i vˈɛtknɔɲtɕ skarpˈɛtkɛ w ˈusta.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_389.wav|bɔɡˈɔvʲɛ drvjˈɔ̃ sˈɔbjɛ zˈɛ fʃˈɨstkix nˈaʃɨx plˈanuf i nadʑˈɛi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_45.wav|znalˈɛʑliɕmˌɨ vwˌaɕtɕitɕˈɛla, ktˌurɨ pʃɨjˈɛxaw dɔ mʲˈasta na kɔlˈatsjɛ i trˈɔxɛ ɕɛ zapˈɛɲdʑiw z nˌapɔjˈami vˌɨskɔkɔvˈɨmi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_105.wav|skɔntˈaktuj ɕɛ z ˌɔtpɔvʲˈɛdɲʲɔ̃ ˌɔrɡaɲizˈatsjɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_218.wav|ɲʲɛ jɛst marˈudɔ̃. pˈɔtɨm, tsˈɔ jˈɔ̃ spɔtkˈawɔ, mˈa ɕfʲˈɛntɛ prˈavɔ marˈudʑitɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_45.wav|zˌaɔʃtʃˈɛɲdʑiwbˌɨ pˈan nˈam vʲˈɛlɛ tʃˈasu, ɡdɨbˈɨɕmɨ mˈɔɡli rˈazɛm pʃˈɛjʒɛtɕ tˈɛ lˈistɛ i ustˈalitɕ jˈakʲɛɕ prjˌɔrɨtˈɛtɨ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_268.wav|fʃˈɛɲdʑɛ bˌɨwɔ pˈɛwnɔ mˈux.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_139.wav|tɔ bˈɛz znatʃˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_163.wav|na ɡˈuʒɛ, pɔd dʒvʲˈami z dɛmbʲˈinɨ i ʒɛlˈaza, ɕˈɛdʑaw blˈadɨ mwɔdʑˈɛɲʲɛts, mɲʲˈɛj vʲˈɛntsɛj w vʲˈɛku sˈama.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_6.wav|tɨ ɲˈits ɲʲɛ zrˈɔbʲiʃ. ˌɔɲi mɲʲɛ ɲʲɛ znˈajɔ̃. nˈavɛt ˈaʃ mɲʲɛ ɲʲɛ znˈa. mˈɔɡɛ bˈɨdʑ zvɨtʃˈajnɨm fatsˈɛtɛm vˌɨprɔvˌadʑajˈɔntsɨm psˈa.|4
+Dataset/wavs/urwisko_ferenc/05_segment_57.wav|ɔtʃˈɨma vˌɨɔbrˈaʑɲi vidʑˈawa, jˈaɡ bɔrˈɛvitʃ mˈaxa rˈɛŋkɔ̃. ˌalɛ swˈuxaj!|0
+Dataset/wavs/urwisko_ferenc/19_segment_84.wav|w vˈiɲdʑɛ sˈɔlska pɔnˈɔvɲʲɛ ɕɛ ˌɔdɛzvˈawa.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_285.wav|zˌaprɔtɛstˈ��vaw sˈɛr bɔɲˈifɛr. ɲʲˈɛxtsɛ, ʒˈɛbɨ bˌɨwa blˈiskɔ mˈɔix lˈudʑi i ˌɔbnɔɕˈiwa ɕɛ zˈɛ sfɔˈimi...|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_29.wav|jˌɛstɛɕ pʃˌɛvraʒlivʲˈɔnɨ jˈaɡ dʑɛftʃˈɨna.|1
+Dataset/wavs/urwisko_ferenc/23_segment_139.wav|ˌalɛ mˈuɡw mu pˈan ˈɔtɨm pɔvʲˈɛdʑɛtɕ pˈuʑɲʲɛj, prˈavda?|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_152.wav|— pʃˈɨɲʲɛɕ mi mˈɨdwɔː i tfˈardɔ̃ ʃtʃˈɔtkɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_38.wav|bˈɛs smˈaku, bˈɔ ɲʲˈɛstatɕ mɲʲɛ na ɛkstrˈaktɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_336.wav|tˈak jˈak kˈaʒdɨ z lˈudʑi pʃɛnˈɔɕi zˈɛ sˈɔbɔ̃ tɕˈɛɲ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_72.wav|vwˈɔski na rˈɛŋkaɣ bˈɛki ɕɛ zjɛʒˈɨwɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_37.wav|ʒˈɛ znˈajdʑɛ mɲʲɛ pɔlˈitsja.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_136.wav|pʃɨvʲˈɔzwɛm tɕˈi...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_103.wav|ɔpʲˈɛram tʃˈɔwɔː ɔ kʲˌɛrɔvɲˈitsɛ. pˌɔtʃɛbˈujɛ tʃˈɛɡɔɕ, tsˈɔː ɔdvrˈutɕi mˈɔjɔ̃ uvˈaɡɛ.|3
+Dataset/wavs/urwisko_ferenc/20_segment_84.wav|kˈurva. ʃˈɛpnɔw, pɔ tʃɨm ɔdˈɛbraw pˌɔwɔntʃˈɛɲʲɛ. xˈalɔ? tʃˈɛɡɔ ɕɛ dˌɔvʲɛdʑˈawɛɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_56.wav|jˌɛstɛm dʑɛvˈitsɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_19.wav|bˈɛtskɨ ɲʲɛ fspɔmˈina ˈɔtɨm, ʒˈɛ znˈuf ˌɔpuɕtɕˈiwam dˈɔm, vʲˈɛndʑ zapˈɛvnɛ zˈɔɛ ftɕˈɔ̃ʃ uvˈaʒa, ʒˈɛ lˈiʒɛ rˈanɨ f sɨpʲˈalɲi. mˈuj samˈɔxut rˈuvɲʲɛʃ tˈam stˈɔi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_190.wav|a ɔn zapˈatʃɨw ɕɛ f sfˈɔjɔ̃ ʃklˈaŋkɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_6.wav|tsˈɔ mˈɔɡɛ dla tɕˈɛbjɛ zrˈɔbʲitɕ? xtɕˈawbɨm pʃˌɛprɔvˈadʑitɕ mˈawɔ̃ bˈuʒɛ mˈuzɡuf. rˈɔp, nˈɔtuj prˈɔʃɛ na tablˈitsɨ. rˈɔb vʑˈɔw tʃˈarnɨ mˈarkɛr.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_110.wav|ɲʲˈɛma pɔvʲˈɛtʃa, ktˌurɛ bˈɨ jˈɛ pˌɔxwɔnˈɛwɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_34.wav|jˈumbɔ pɔvʲˈɛdʑaw tsˈɔʑ dɔ tɛxɲˈitʃki, ktˌura vɨjˈɛwa plˌastʲikˈɔvɔ̃ tˈɔrbɛ na dɔvˈɔdɨ z nˈɔʒɛm, ktˌurɨ znalˈɛʑli f pʃɛpˈuɕtɕɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_377.wav|ʒˈɛ pˈan i ja jɛstˌɛɕmɨ jˈɛdnɨm tʃwɔvʲˈɛkʲɛm? ʒˈɛ xˈɔdʑi nˈam w ʒˈɨtɕu ˈɔtɔ sˈamɔ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_47.wav|pˈan zvarjˈɔvaw?|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_105.wav|muɕˈawɛʑ dɔkˈɔnadʑ vɨbˈɔru i ɡˈɔ dˌɔkɔnˈawɛɕ. kˈɔɲtʃɨ bʲˈili za ɲʲˈɛɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_78.wav|ɔn pʃˌɛtɕɛʃ mɲʲɛ kˈɔxaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_216.wav|rˈɔɲi w ɔstˈatɲʲɛj xfˈili vˌɨskɔtʃˈɨwa pʃˈɛs ˈɔknɔ na pʲˈɛntʃɛ s pˌɔpaʒˈɔnɔ̃ rˈɛŋkɔ̃ i nˈɔɡɔ̃ i pwˌɔnɔntsˈɨmi vwɔsˈami.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_79.wav|ˌalɛ tˈɛras mˈɔɡɛ ɕɛ tˌɨlkɔ mˈɔdlitɕ, ʒˈɛbɨ mʲˈawɔ tɔ dla ɲʲˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_17.wav|i pˈɔvʲɛts tɨm zvˌɨpɔʒɨtʃˈalɲi, ʒˈɛ mˌajɔ̃ ɕɛ skˌɔntaktˈɔvatɕ natˈɨxmʲast, ɡdˈɨ tˌɨlkɔ naprˈavjɔ̃ sfˈuj spʃˈɛnt.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_110.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_61.wav|tɕˈɛ̃ʃkɔ dˈɨʃɔnts, prˌubɔvˈawam zˌapanˈɔvatɕ nat ɔdrˈuxɛm vɨmjˈɔtnɨm.|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_46.wav|ˌalɛ ɲʲɛ bˌɛndɔ̃ ɕˈɛdʑɛtɕ w ɕrˈɔtku.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_8.wav|tˈɔm klˈɛpnɔw dwˈɔɲi w blˈad bjˈurka. tɔ dˌɔskɔnˈawɛ vˈiɕtɕi. tsˈɔ jˈɛʃtʃɛ vʲˈɛmɨ?|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_196.wav|ɕtɕɔŋɡnˈɛwa pʃˈɛz ɡwˈɔvɛ jɛj brɔ̃zˈɔvɔ̃, tsuxnˈɔntsɔ̃ rɨbˈami blˈuzɛ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_420.wav|viktˈarjɔn zatɕˈisnɔw pʲˈɛɲɕtɕi. na pɔdwˈɔɡɛ skapnˈɛwa krɔpˈɛlka krfˈi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_180.wav|pʃˈɛdɲʲɛ dʒvˈi ɔt strˈɔnɨ pˌasaʒˈɛra ˌɔtfʲɛrˈajɔ̃ ɕɛ i vɨɕˈada tˈɛŋɡʲi mɛ̃ʃtʃˈɨzna w brɔ��zˈɔvɨm ɡˌarɲitˈuʒɛ i ɲʲˌɛdɔʒˈɛtʃɲʲɛ dˈuʒɨm bjˈawɨm stɛtsˈɔɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_23.wav|pɔdɲʲˈɛɕliɕmˌɨ ɕɛ s fɔtˈɛli i pʃˈɛʃliɕmˌɨ dɔ tˈɨwu kabʲˈinɨ, ɡdʑˈɛ ˌɔbɨdvˈɔjɛ rˌɔzɛbrˈaliɕmˌɨ ɕɛ dɔ sˈamɛj bjɛlˈiznɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_32.wav|f swuxˈaftsɛ rɔzlˈɛɡwɔ ɕɛ vɛstxɲʲˈɛɲʲɛ pˈɛwnɛ ˈulɡʲi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_67.wav|jˈɔ spuɕtɕˈiwa vzrˈɔk, vˌɨpɔvʲadˈajɔnts tɛ ɔstˈatɲʲɛ swˈɔva, a bˈɛtskɨ zˌastanavʲˈawa ɕɛ pʃˈɛs xfˈilɛ, tʃɨ na pˈɛvnɔː ˌuswɨʃˈawa tsˈawɔ̃ prˈavdɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_91.wav|a mʲˌanɔvˈitɕɛ mˈili.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_34.wav|kɔbjˈɛta ukrˈɨwa tfˈaʒ w dwˈɔɲʲax i ɕɛ rˌɔspwakˈawa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_435.wav|a pˈuʑɲʲɛj ɲʲˈɛɣ bˈɛɲdʑɛ, tsˈɔ mˈa bˈɨtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_131.wav|pʃɛvˈijam strˈɔnɛ na sˈam dˈuw i vˈidʑɛ kɔlˈɛjnɛ zdjˈɛɲtɕɛ. tɔ ɲʲɛ pɔxˈɔdʑi z mɔjˈɛɡɔ fˌatsɛbɔˈɔka.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_30.wav|ftˈɛdɨ ɲʲɛ mˈuɕawbˌɨɕ spˈɛndʑatɕ nˈɔtsɨ f tˌaki spˈɔsup.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_254.wav|pʃˌɨzvɨtʃˈaiʃ ɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_37.wav|ɡwˈɔs i tˈɔn bˌɨwɨ mˈiwɛ, a mˈimɔ tɔ mˈɔʒna bˌɨwɔ vˈɨtʃutɕ, ʒˈɛ ˈaram ɲʲɛ jɛzd zˌadɔvɔlˈɔnɨ z ˌɔtpɔvʲˈɛdʑi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_142.wav|tsˈɔ tɔ bˈɨwɔ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_46.wav|filˈipa nˌalɛʒˈawa dɔ ɲʲɛvʲˈɛlkʲɛj ɡrˈupɨ ˈɔsup, ktˌurɛ vʲɛdʑˈawɨ ˈɔtɨm, ʒˈɛ dʒˈɛɡ ʒˈɨjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_86.wav|jˌɛstɛm arˈapkɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_66.wav|pˌɔvʲɛdʑˈawa, ʒˈɛ ɕɛ pˌɔspʃɛtʃˈaliɕtɕˌɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_22.wav|tˌɨlkɔː ɔn nadˈajɛ sˈɛns mɔjˈɛmu ʒˈɨtɕu.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_145.wav|pˈuʑɲʲɛj starˈuʃɛk spˈaw pʃˈɛz vʲˈɛŋkʃɔɕtɕ tʃˈasu, zviɲʲˈɛntɨ pɔt stˈɔsɛm fˈutɛr f kajˈutɕɛ kˌapitˈana.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_72.wav|tɔ s tfɔjˈɛɡɔ pɔvˈɔdu pɔjˈɛxaw dɔ nɛbrˈaskji.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_25.wav|ɕˈɛŋɡam pɔ mˈɨʃkɛ i lɔɡˈujɛ ɕɛ na sfˈɔjɔ̃ ˈɔɕ tʃˈasu pʃˌɛkɔnˈana, tsˈɔ zɔbˈatʃɛ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_163.wav|vˈas kˈava?|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_237.wav|mˈuvi, ʒˈɛ pɔvˈinnaʑ ɡˈɔ zvˈadʑ zdrˈajtsɔ̃ pʃɨɕˈɛŋɡʲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_90.wav|puwtˈɔrɛj ɡɔdʑˈinɨ. vˈɨbatʃ, kɔxˈaɲʲɛ. tɔ ɲʲɛ tˈak mʲˈawɔ vɨɡlˈɔndatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_13.wav|zɔˈuɲis jɛzd dˈɔʑdʑ blˈiskɔ, tɔ plˈuz drˈuɡʲi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_22.wav|pamjˈɛntam, jˈak ɔbjˈɛwa mɲʲɛ za ʃˈɨjɛ rɛŋkˈami i f pˈaɕɛ nɔɡˈami, kʲˈɛdɨ bˌɨwa zdˌɛnɛrvɔvˈana xɔrˈɔbɔ̃ psˈa sfˈɔjɛj pʃˌɨjatɕˈuwki.|4
+Dataset/wavs/urwisko_ferenc/12_segment_149.wav|tʃɨ tɔ bˌɨwa pˈana pʲˈɛrʃa rɔzmˈɔva s pɔlˈitsjɔ̃ f tɛj sprˈavʲɛ? xˈɛrman ˌɔdɛzvˈawa ɕɛ pʲˈɛrʃa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_37.wav|w valmˈartsʲɛ kɔʃtˈɔvawbˌɨ pˈɛvɲʲɛ za tʃˈɨ dˈɨxɨ mɲʲˈɛj, ˌalɛ jˈak ɕɛ ɲʲˈɛma, tsˈɔ ɕɛ lˈubʲi, tɔ ɕɛ lˈubʲi, tsˈɔ ɕɛ mˈa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_30.wav|skrɛɲtɕˈiwa w ulˈitʃkɛ prˌɔvadʑˈɔntsɔ̃ dɔ dˈɔmu ɛdjˈɛɡɔː i ˌɔtfɔʒˈɨwa ʃˈɛʒɛj ˈɔtʃɨ zˈɛ zdumjˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_320.wav|stfʲˈɛrdʑiw jɛj ˈɔjtɕɛts.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_12.wav|lˈutsɨ kˈatɛ|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_44.wav|f kartˈɔɲʲɛ bˈɨw nˈavɛt jˈɛɡɔ pˈɔrtfɛl.|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_87.wav|ˌalɛ tɔ jɛst ɕmʲˈɛxu vˈartɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_30.wav|kʲˈɛdɨ ɲʲɛ dɔstˈajɛ ˌɔtpɔvʲˈɛdʑi, kʃˈɨtʃɨ mˈarja, rˈuxɨ!|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_57.wav|tɔ bˌɨwa mˈama.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_73.wav|ɡdˈɨbɨm ɕɛ ɲʲɛ sxˈɨliw, trˈafiwbˌɨ mɲʲɛ f kˈark ˈalbɔ tˈɨw ɡwˈɔvɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_62.wav|ktˈɔɕ ɕˈɛdʑi pɔ strˈɔɲʲɛ pˌasaʒˈɛra.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_246.wav|ʃtʃˌɨptʃɨkˈami vˌɨtɕɔŋɡnˈɛwam ʃtˈɨftɨ z mˌɛtalˈɔvɛj brˌansɔlˈɛtɨ, ˌusunˈɛwam tʃˈɨ ɔɡɲˈiva i zwɔʒˈɨwam fʃˈɨstkɔ s pɔvrˈɔtɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_117.wav|mˈuɕaw pʃˈɛɡratɕ, bˈɔ mʲˈaw tˈɛʃ pɔdbʲˈitɛ ˈɔkɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_230.wav|na kɔlˈatsjɛ smˈaʒɨ jˌajɛtʃɲˈitsɛ i pɔdɡʒˈɛva zˈupɛ pˌɔmidɔrˈɔvɔ̃.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_20.wav|stˈarɨ napˈisaw na kˈarttsɛ vɨrvˈanɛj z nɔtˈɛsu, ɲʲˈɛmam ɲikˈɔɡɔ. mʲˈɛʃkam tˈu sˈam ɔt tʃˈɛx mʲɛɕˈɛntsɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_520.wav|i ɲʲˌɛbɛspʲˈɛtʃɲʲɛ vˌɨxɨlˈawa ɕɛ pʃˈɛs parˈapɛt.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_49.wav|tɔ zwamˈaɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_252.wav|pˌɔzɔstˈali dvˈaj spɔjʒˈɛli na ɕˈɛbjɛ w ˌɔʃɔwɔmjˈɛɲʲu. tsˈɔ ɕɛ stˈawɔ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_138.wav|nˈavɛt pɔlˈitsjant, ktˌurɨ ɡˈɔ pʃɨtˈuliw, ɲʲɛ zˈadaw tɨx pˈɨtaɲ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_40.wav|jˈɛɕli ɲʲɛ bˌɛɲdʑɛ ˌɔbɛrvˈaɲʲa xmˈurɨ, ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ tˈak.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_49.wav|swˈɨʃɛ, ʒˈɛ xˈɨba f sˌamɔxˈɔdʑɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_20.wav|kˈɔmpan sʃˈɛt s kɔpˈuwɨ na dˈaɣ vaɡˈɔnu.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_178.wav|zˌatʃɨmˈawa ɕɛ, dˈɨʃɔnts tɕˈɛ̃ʃkɔ. ɲʲˈɛx mɲʲɛ ɕˈɛdmju mˈa f sfˈɔjɛj ɔpʲˈɛtsɛ.|1
+Dataset/wavs/urwisko_ferenc/20_segment_62.wav|mɔʒlˈivɛ, ʒˈɛ ɡdʑˈɛɕ mi miɡnˈɛwa ta fˈɔtɔ.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_107.wav|xtsˈɛ pˈɔznatɕ lˈidʒbɛ zdɔbˈɨtɨx ɔkrˈɛntuf ˌɔraz vʑˈɛntɨɣ dɔ ɲʲɛvˈɔli rɨtsˈɛʒɨ i lɔrdˈɔfskix sˈɨnuf. pʃɨɲʲˈɛɕtɕɛ mi tˈɛʃ ix xɔrˈɔŋɡvʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_109.wav|lˈɛax ˌɔpɔvʲɛdʑˈawa mi pɔ tɕˈixu, dlatʃˈɛɡɔ pʃɨbˈɨwa dɔ lˌakɛsˈidɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_120.wav|ʒˈɛ ɲʲɛ tˌɨlkɔ ɕɛ z ɲˈim zɔbˈatʃɛ, ˌalɛ sprubˈujɛ tˈɛʒ vˌɨprɔstˈɔvatɕ tɔ fʃˈɨstkɔ, tsˈɔ zrɔbʲˈiwa mɲʲɛ tˈak.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_94.wav|fʃˈɛd na prˈavɛ skʃˈɨdwɔː i zˈajʒaw dɔ ɕrˈɔtka.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_10.wav|jˈak ɕɛ skˈɔndʑ zˌabjɛrˈatɕɛ, ɕlˈadu ɲʲɛ zˌɔstavʲˈatɕɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_125.wav|tʃɨ ɔn naprˈavdɛ sˈɔɲdʑiw, ʒˈɛ dˈam ɕɛ nˈatɔ nˈabratɕ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_40.wav|sˈami ʒˈutsa brˈatu pˌɔɡardlˈivɛ spɔjʒˈɛɲʲɛ, ˌalɛ pɔxˈɨla ɕɛ dɔ pʃˈɔdu i uɕmʲˈɛxa dɔ mɲʲɛ ʃtˈutʃɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_142.wav|ɲʲˈɛx lˈɛʒɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_16.wav|ɲʲɛktˌuʒɨ z nˈas mawpˈujɔ̃ tfˈuj tɕˈɛɲ, tfˈuj mˈajak, tfˈɔjɛ kʃˈɨvɛ ɔdbʲˈitɕɛ w lˈustʃɛ nˈaʃɛj ɕfʲˌadɔmˈɔɕtɕi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_111.wav|xˈɨba rɔzˈumjɛʃ, ʒˈɛ bˌɛɲdʑɛʃ muɕˈawa pɔtpˈisatɕ umˈɔvɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(88) R.Abbott_Zamknij Drzwi_segment_6.wav|dʒvˈi ɡʒɛxˈɔtʃɔ̃ i ɲʲˈɛtsɔ ɕɛ ˌuxɨlˈajɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_89.wav|pˌɔvʲɛdʑˈawabˌɨm, ʒˈɛ ˈidɛ ftʃˈɛɕɲʲɛj dɔ prˈalɲi, ʒˈɛbɨ mʲˈɛtɕ pˈuʑɲʲɛj vʲˈɛntsɛj tʃˈasu na mˌɛdɨtˈatsjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_157.wav|ˌɔɡlɔndˈajɔ̃ tˌɛlɛvˈizjɛ w jɛj pɔkˈɔju i ˈɛlis pˈɨta, tʃɨ zɔstˈaɲʲɛ z ɲʲˈɔ̃ na nˈɔts. bʲˈillɨ ˌɔtpɔvʲˈada, ʒˈɛ lˈɛpʲɛj ɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_180.wav|pʲˈɛŋknɨ vˈidɔk, pʲˈɛŋknɨ spˈatsɛr. i vʲˈɛʃ tsˈɔ, bʲˈillɨ? kilkˈasɛt mˈɛtruf stˈɔnt stˈɔi mˈawa xˈatka z bˈali.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_307.wav|rˈudɨ ˈɔpar ɕɛ ɔ ɕtɕˈanɛ. tɨm rˈazɛm tɕˈɛ dɔrvˈawɛm, dʒˈɛs.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_8.wav|w mˈɔim ɡwˈɔɕɛ swɨʃˈalnɛ jɛst nɛrvˈɔvɛ drʒˈɛɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_47.wav|ˌalɛ s tɕˈɛbjɛ ɡɲˈida!|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_178.wav|spˈɔjʒaw nˈamɲʲɛ ɡɲʲˈɛvɲʲɛ, ˌalɛ ɲʲɛ vˈɨʃɛd.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_87.wav|sˈanxɛz zˌavʲɛɕˈiwa ɡwˈɔs i vˈɔlnɔː ˌɔbrutɕˈiwa ɡwˈɔvɛ f strˈɔnɛ vˈannɨ, ktˌurɛj dˈɔlna pɔwˈɔva ʒaʒˈɨwa ɕɛ tɕˌɛmnɔtʃɛrvˈɔnɔ̃ pɔɕfʲˈatɔ̃. ɔ mˈuj bˈɔʒɛ!|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_181.wav|dˈawɛm mu vˈɨbur.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_165.wav|ɔtsˈunɔw ɡwˈɔvɛ i spˈɔjʒaw mi w ˈɔtʃɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_6.wav|vɨswˈawam mu vɨrˈaʑnɛ zˌaprɔʃˈɛɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_41.wav|tsˈɔllin fçˈitɛ w jaskrˈavɔpˌɔmaraɲtʃˈɔvɛj kɔʃˈultsɛ tˈaɡʒɛ vɨrˈuʒɲʲa ɕɛ s twˈumu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_177.wav|nˈɔ dˈɔbra, trˈafitɕ trˈafiʃ, ˌalɛ ɲʲɛ ˈɔtɔ pɨtˈawɛm, pɔvʲˈɛdʑaw.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_9.wav|tsˈɛntrum nalˈɛʒɨ dɔ tɨx ɲʲɛlˈitʃnɨx mʲˈɛjsts w artˈɛmis, f ktˌurɨx ˌɔbɔvʲɔ̃zˈujɔ̃ ɕtɕˈiswɛ prˌɔtsɛdˈurɨ bˌɛspʲɛtʃˈɛɲstfa.|4
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_22.wav|tˈak, pʃˈɛɕlij mi rˈapɔrt na tˈɛmad dʒˈatɨ, kʲˈɛdɨ ɡˈɔ dɔstˈaɲʲɛʃ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_29.wav|ftˈɛdɨ ɕɛ tˌɛɡɔ dˌɔmɨɕlˈiwɛm, ˌalɛ bˌɨwɔ jˈuʒ za pˈuʑnɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_61.wav|rˈatʃɛj z mˈɨɕlɔ̃ ɔ lˈudʑax, ktˌuʒɨ bˌɛndɔ̃ ɕɛ tɨm zajmˈɔvatɕ.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_133.wav|bˈɛs ˈɔbaf. pamjˈɛntam, tsˈɔ spɔtkˈawɔ rˈɔbba stˈarka.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_66.wav|tʃɨ znˈaw zabˈujtsɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_27.wav|i vˌɨstavʲˈɔnɨm jɛ̃zˈɨku, kʲˈɛdɨ dˌɛkɔrˈujɛ pˈitsɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_78.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_23.wav|ˈaʃ fxˈɔdʑi dɔ kˈuxɲi, kʲˈɛdɨ vɨjmˈujɛ s pʲˌɛkarɲˈika mʲˈɛ̃sɔ, ɡdʑˈɛ duɕˈiwɔ ɕɛ rɔskˈɔʃɲʲɛ pʃˈɛs ɔstˈatɲix kˈilka ɡˈɔdʑin.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_132.wav|a ɡdʑˈɛ tˈam?|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_367.wav|ɲʲˈɛxtɕaw vˈɨdatɕ ɕɛ ɲʲˌɛupʃˈɛjmɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_78.wav|ˌuɕmʲɛxnˈɛwam ɕɛ dɔ ɲʲˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_203.wav|bʲˈillɨ dɔkwˈadɲʲɛ tɔ twumˈatʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_322.wav|vɨjˈɔŋkaw sˈam.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_192.wav|dʑˈiɕaj w ɕrˈɔtku palˈiwɔ ɕɛ ɲʲɛvʲˈɛlɛ ɕfʲˈɛts, ktˌurɛ mˌiɡɔtˈawɨ ɲˈitʃɨm spˈadwɛ na ʑˈɛmʲɛ ɡvʲˈazdɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_90.wav|tˌɨlkɔ mi ɲʲˈɛmuf, ʒˈɛ jˌɛstɛɕ sˈama i tsˈawɛ wˈuʃkɔ maʒ dla ɕˈɛbjɛ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_227.wav|bˈɨtɕ mˈɔʒɛ jɛst jˈɛʃtʃɛ nadʑˈɛja dla nˈas ˈɔbu.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_39.wav|pˈɔttʃas kˈaʒdɛj mˈisji apˈɔllɔ, ˌastrɔnˈawtɕi zˌatɨkˈali na kɕɛ̃ʒˈɨtsu ˌamɛrɨkˈaɲskɔ̃ flˈaɡɛ, tɕˈɔŋɡnɔw ɡˈuntxɛr.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_338.wav|i dɔ kˈɔɡɔ jˈɔ̃ ɲʲˈɛɕɛʃ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_11.wav|kˈu sfɔjˈɛmu zˌaskɔtʃˈɛɲʲu ˌuswɨʃˈawa ɡwˈɔs tˈɔma.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_71.wav|tˌɛɡɔ vwˈaɕɲʲɛ prˈaɡɲʲɛ jˈɛɡɔ mˈiwɔɕtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_118.wav|naprˈavdɛ vɨɡlˈɔndaʃ jˈak pˈɔdlɛts. ˈɔ, ˈɔ, tˈɛras jɛst f pɔʒˈɔntku.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_165.wav|klˈɛrki mˈa swˈabɔʑdʑ dɔ mwˈɔdɨɣ dʑˈɛftʃɨn.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_63.wav|dʒˈɛjn pˈɔtʃuw, ʒˈɛ narˈasta w ɲˈim ɡɲʲˈɛf.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_130.wav|ktˈuʒ bˈɨw za ɕtɕˈanɔ̃ ɕmʲˈɛrtɕi, zɔbˈatʃɨw tɔ na vwˈasnɛ ˈɔtʃɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_180.wav|vʲˈadr zˈɛpxnɔw iɣ w bˈɔk, ɡdˈɨʃ rˈɨan vɨrˈuvnaw pˈɔʑɔm skʃˈɨdɛw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_5.wav|zdɔ̃ʒˈɨwam jˈɛdnaɡ zɔbˈatʃɨtɕ fstˈɨt w jˈɛɡɔː ˈɔtʃax.|3
+Dataset/wavs/urwisko_ferenc/25_segment_39.wav|pˌɔkivˈawa ɡwˈɔvɔ̃ i vˈɨʃwa na tˈaraz zapˈalitɕ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_306.wav|jɛj ˌinfɔrmatˈɔʒɨ nadʑvˈɨtʃaj sprˈavɲʲɛ ˌinfɔrmɔvˈali jˈɔ̃ ɔ fʃˈɛlkix pˌɔtʃɨnˈaɲʲax marɡˈɛrɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_163.wav|mˈɔʒɛ jˈɛdnak tʃˈɛɡɔɕ pˌɔtʃɛbˈujɛʃ, bˈɔ na pʃˈɨkwat jˌɛstɛm vwˌaɕtɕitɕˈɛlɛm kˈina tsarmˈikɛ f tsˈɛntrum xandlˈɔvɨm sˌɔudɣɡˈatɛ. dʑˈɛvʲɛɲtɕ ɛkrˈanuf, za rˈɔɡ dˈɔjdʑɛ ˈimaks.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_120.wav|ˌadmiɲˌistratˈɔrka ˌɔtʃɔ̃snˈɛwa ɕɛ s pˌɔsɛmpnˈɛɡɔ nastrˈɔju.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_379.wav|ja tɕi twumˈatʃɛ jˈak tʃwˌɔvʲɛkˈɔvi. tɛn tʃwˈɔvʲɛɡ bˈɨw bandˈɨtɔ̃. tɔ bˌɨwa brˈɔɲ dɔ vˌɨnajˈɛɲtɕa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_187.wav|xtsˈɛʃ tsˈɔɕ pʃɛkˈɔ̃ɕitɕ? mˈɔʒɛ mˌaɡmavˈina z jˈajkʲɛm?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_121.wav|vʲˈɛm, ɡdʑˈɛ znajdˈujɛ ɕɛ ʒˈɔndwɔ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_383.wav|tfˈuj ɔbrˈɔɲtsa jɛzd ɡˈɔtuf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_19.wav|dˈɔbʒɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn. tˈu jˈakiʑ ɡˈɔɕtɕ tɕˈɔŋɡlɛ pˈɨta ɔ mˈarɨ. tʃɨ tɔ pˈaɲska tsˈurka?|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_106.wav|tsɔfnˈɛwam ɕɛ, ʒˈɛbɨ zatʃˈɛkatɕ ˈaʃ ɔpˈadɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_141.wav|dˈɔbʒɛ jɛzd vʲˈɛdʑɛtɕ tɛ ʒˈɛtʃɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_232.wav|ɔt rˈɛŋki rɔzvʲˈɔ̃ʒɛ tɔ vʲˈɛlɛ prɔblˈɛmuf.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_47.wav|tɔ z jˈɛɡɔ pɔvˈɔdu pɔrvˈanɔ mˈili. tɔ fʃˈɨstkɔ z jˈɛɡɔ vˈinɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_42.wav|pˈɔʃwam dɔː artˈɛmis xˈɨatt, ɲʲˌɛvʲɛlkʲˈɛɡɔ xɔtˈɛlu na pɔʑˈɔmjɛ plˈus ʃˈɛʑdʑ bˈaɲki bʲˈina, ktˌurɨ ɲʲɛ pɔvˈalaw stˈɨlɛm, ˌalɛ mʲˈaw rɔssˈɔndnɛ tsˈɛnɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_73.wav|ɕˈada bˈɛs swˈɔva dɔ ɕrˈɔtka, a ja zajmˈujɛ mʲˈɛjstsɛ s pʃˈɔdu.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_391.wav|ɲʲɛ mˈɔɡɛ ˈumʒɛtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_496.wav|a vˈɔjna...|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_323.wav|fʃˈɨstkʲɛ transˈaktsjɛ ˈu xartnˈɛla mʲˌawɨ w ˌustavʲˈɛɲʲax mɔjˈɛɡɔ kˈɔnta stˈatus ɲʲɛ vɨmˈaɡa vˌɛrɨfikˈatsji.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_41.wav|ˈɔtuʃ pˈɔdmux ɕilɲˈika mɔdˈuwu stˌartɔvˈɛɡɔ pʃɛvrˈutɕiw ɲʲɛʃtʃˈɛ̃snɔ̃ flˈaɡɛ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_52.wav|prɔɕˈiwa lˈadɨ marɡˈarɨ, ʒˈɛbɨ jɛj pɔmˈɔɡwa znˈalɛʑdʑ dla ɲʲˈɛɡɔ mˈawpkɛ.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_177.wav|vɔlˈimɨ ɡˈɔ nazˈɨvadʑ znˈajdɔ̃, bˈɔ znalˈazwɛm ɡˈɔ nad ʒˈɛkɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_23.wav|tˈɨlɛr jɛzd ɡˈɛjɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_29.wav|ʑlˈɛ ɕɛ tʃˈujɛʃ?|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_248.wav|kʃɨtʃˈawa, pxˈajɔnts tˈatʃkɛ vzdwˈuʃ nabʒˈɛʒa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_56.wav|jˈutrɔ musˈimɨ stˈɔnd vɨjˈɛxatɕ, pˌɔvʲɛdʑˈawɛm zˈamjast tˈɛɡɔ. skˈɔrɔ ɕfˈit. dɔ sˌidɛvˈindɛr jɛst kˈavaw drˈɔɡʲi, a...|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_97.wav|vʲˈɛm, ʒˈɛ tɔ fʃˈɨstkɔ mˈɔja vˈina.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_20.wav|rɔzˈumjɛm, ʒˈɛ bˌɨwa pˈaɲi ɔstˈatɲʲɔ̃ ɔsˈɔbɔ̃, ktˌura rˌɔzmavʲˈawa z mˈartɔ̃ tˌɛɡɔ rˈaŋka.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_152.wav|ɲʲˈɛvʲɛm, ɔ tsˈɔ f tɨm fʃˈɨstkim xˈɔdʑi, ˌalɛ prˈɔʃɛ, vˈɨjdʑ z mɔjˈɛɡɔ dˈɔmu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_8.wav|i lˈɛʒaw ɡˌɔdʑinˈami z rɛŋkˈami zˌawɔʒɔnˈɨmi pɔd ɡwˈɔvɔ̃. nˌaswuçˈivaw nˈɔtsɨ i ˌuɕiwˈɔvaw zˈasnɔɲtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_2.wav|tˈɔm tʃˈuw pˌɔdɲʲɛtsˈɛɲʲɛ, ktˌurɛ zˈafʃɛ ɡˈɔː ˌɔɡarɲʲˈawɔ, kʲˈɛdɨ vʲˈɛdʑaw, ʒˈɛ ˌɔtpɔvʲˈɛdʑi na drɛntʃˈɔntsɛ ɡˈɔ pɨtˈaɲʲa sɔ̃ tˈaɡ blˈiskɔ, ʒˈɛ mˈɔʒɛ ix prˈavʲɛ dˈɔtknɔɲtɕ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_26.wav|pˈaɲʲɛ, ɡdʑˈɛ mˌamɨ rˈɔzbʲitɕ nˈamjɔt?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_100.wav|tɨ ɲʲɛ mˈuviʃ ɔ vɨjˈɛʑdʑɛ dɔ mʲastˈɛtʃka, prˈavda?|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_143.wav|ʒˈɛ nastrˈɔjɛ zmʲɛɲʲˈajɔ̃ ɕɛ na kˈɔʒɨɕtɕ ˌamɛrɨkˈanuf.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_165.wav|jˈɛɡɔ tfˈaʃ rˌɔsprɔmjɛɲˈiwa ɕɛ w uɕmʲˈɛxu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_32.wav|xfilˈɛtʃkɛ, pˈaɲi ɕˈɛrʒant. ˌɔɲi ɲʲɛ ˈidɔ̃ na pˈarkiŋk. sxˈɔdʑɔ̃ rˈampɔ̃ f strˈɔnɛ tɛˈatru.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_251.wav|— ɲʲˈɛma sprˈavɨ. mˈɔɡwabˌɨɕ rˈuvɲʲɛʃ pˌɔdʑɛŋkˈɔvatɕ sˈanxɛs.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_44.wav|— kɔnstˈablu — pˌɔvitˈawa ɡˈɔ nuɡˈuɡʲi i spɔjʒˈawa nˈamɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_10.wav|jˈɛɕli tɔ pɔmˈɔʒɛ ɔdnˈalɛɕtɕ mˈilljɛ, mˈɔʒɛʒ zˈabradʑ zˈɛ sˈɔbɔ̃ tsˈawɔ̃ pɔlˈitsjɛ z ɡrɛˈatɛr manxˈɛstɛr bˈɛtskɨ. tɔ naprˈavdɛ w ɲˈitʃɨm mi ɲʲɛ pʃɛʃkˈadʑa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_75.wav|fʃˈɨstkʲɛ spɔjʒˈɛɲʲa spɔtʃˈɛwɨ nˈaɲʲɛj, kʲˈɛdɨ ˈaram zˈatʃɔw vɨmjˈɛɲʲadʑ bwˈɛndɨ, ktˌurɛ pˌɔpɛwɲˈiwa ɔt xfˈili pʃɨbˈɨtɕa dɔ lˌakɛsˈidɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_71.wav|rɔzˈumjɛm, ʒˈɛ mˈɔɡɔ̃ ɕɛ tˈam znajdˈɔvatɕ pɔˈufnɛ ˌinfɔrmˈatsjɛ dˌɔtɨtʃˈɔntsɛ vˈaʃɛj dʑˌawalnˈɔɕtɕi, vʲˈɛndʑ zapˈɛvɲʲam, ʒˈɛ nˈaʃɨm tsˈɛlɛm jɛzd vɨwˈɔntʃɲʲɛ znˌalɛʑˈɛɲʲɛ plˈiku s xaswˈami.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_66.wav|ˈaʃ trˈudnɔ mi uvʲˈɛʒɨtɕ, ʒˈɛ ɔn ɲʲɛ ʒˈɨjɛ i w ɛfˈɛktɕɛ bˌalansˈujɛ na kravˈɛɲdʑi mʲˌɛndʑɨ ˈulɡɔ̃ a ɲʲˌɛpɔkˈɔjɛm zvʲɔ̃zˈanɨm z dalʃˈɨmi krɔkˈami tsˌamɛrˈɔna.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_134.wav|zrˈɛʃtɔ̃, bˈɛndɔnts mˈartfa, jˈuʃ ɲʲɛ muɕˈawabˌɨm pʃɛjmˈɔvatɕ ɕɛ ˌɔddɨxˈaɲʲɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_123.wav|vˌɨʒutɕˈiwam tˈɔrbɛ na zˈɛvnɔntʃ i vˌɨskɔtʃˈɨwam w ɕlˈad zˈaɲʲɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_171.wav|mʲˈaw rˈatsjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_154.wav|ˌalɛ tɔ ɲʲɛ pɔvˈinnɔ stanˈɔvitɕ prɔblˈɛmu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_256.wav|ta fatˈalna dʑɛftʃˈɨna.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_465.wav|w ˌuɕmʲɛxɲʲˈɛntɨm ˈɔku ɛwrˈɔna pɔjˈaviw ɕɛ drvʲˈɔntsɨ bwˈɨsk. a mˈɔʒɛ ʒˈɔndam ɔt tɕˈɛbjɛ zbˈɨd vʲˈɛlɛ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_66.wav|rˈɔp kɔwˈɨsaw ɕɛ na kʃˈɛɕlɛ, ˈaʃ pɔstˈaviw ɡwˈɔɕnɔ jˈɛɡɔ pʃˈɛdɲʲɛ nˈɔɡʲi na pɔdwˈɔdʑɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_293.wav|ɲʲˈɛvʲɛm, tʃɨ jɛst ʃtʃɛɲɕlˈivɨ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_250.wav|i ʒˈutɕiw ɡˈɔ na ʑˈɛmʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_64.wav|bˈɔ rˈɔbʲin xtɕˈaw pʃɛlˈɛtɕɛtɕ. ɲʲɛ jˈɛdnɛj nˈɔtsɨ, mˈɨɕlɔnts ˈɔɲʲɛj vˈaliw kˈɔɲʲa. a ˈɛlis pʃɛlˈɛtɕɛtɕ ɲʲˈɛxtsɛ. trˈɔʃtʃɨ ɕɛ ˈɔɲʲɔ̃, a tɔ znˈatʃɨ vʲˈɛntsɛj ɔt sˈɛksu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_155.wav|ˈɛlis pˈatʃɨ f sfˈuj makˈarɔn s sˈɛrɛm, jˈaɡbɨ ɡwɛmbˈɔkɔ ɲˈim zˌafastsˌɨnɔvˈana, pɔlˈitʃki jɛj rˌuʒɔvʲˈɛjɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_180.wav|dˈɔbʒɛ, tɔ dˈɔbʒɛ. a stˈɛvɛ brˈɔdɛr?|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_374.wav|tˌɨlkɔ s kˈɔʃtu jˈɛdɛn wˈɨtʃɛk, a pʲˈɛrʃɛ pˈivɔ dɔstˈaɲʲɛʃ na kˈɔʃt fˈirmɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_139.wav|vwˈaʑ dɔ ɕrˈɔtka.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_85.wav|bʲˈillɨ fskazˈujɛ na pˈustɛ kʃˈɛswɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_267.wav|w ɕrˈɔtku sxɔdʑˈiwɨ ɕɛ tɛ sˈamɛ tʃtˈɛrɨ ɔbvˈɔdɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_136.wav|zdˈɔ̃ʒɨw ɕɛ jˈuʒ zˌɔrjɛntˈɔvatɕ, ʒˈɛ trˈɔnt tsˈɔɕ kˌɔmbʲinˈujɛ, vʲˈɛnts mˈɔjɛ zɛznˈaɲʲa ɲʲɛ vɲʲˈɔswɨbˌɨ ɲˈits nɔvˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_63.wav|na sˈamɔ̃ mˈɨɕl ˈɔtɨm, jˈaɡ blˈiskɔ bˌɨwɔː utrˈatɨ tˌɛɡɔ dˈɔmu, pʃɛxˈɔdʑi mɲʲɛ drˈɛʃtʃ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_187.wav|dvˌupʲɛntrˈɔvɨ budˈɨnɛɡ ɡurˈɔvaw nad bwˌɔtɲistˈɨmi rˌɔsstajˈami drˈuk. mˈurɨ, vʲɛʒˈɨtʃki i kɔmˈinɨ vzɲʲɛɕˈɔnɔ s pʲɛŋknˈɛɡɔ bjawˈɛɡɔ kamjˈɛɲʲa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_86.wav|pʃɨnˈajmɲʲɛj s tˈɛɡɔ, tsˈɔ vʲɛdʑˈawɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_174.wav|ˌalɛ i tˌɛɡɔ pʃˌɛprɔʃˈɛɲʲa ɕɛ fstɨdʑˈiwɛm.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_91.wav|ˈinnɨ na sfˈɨm mˈartfɨm kˈɔɲʲu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_27.wav|tsˈɔ pˈɔvʲɛm, kʲˈɛdɨ zˌapɨtˈajɔ̃ mɲʲɛ, ɡdʑˈɛ pratsˈujɛ ˈalbɔ ɡdʑˈɛ tɨ pratsˈujɛʃ?|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_226.wav|jˈɛɕli rˈɔslin urˈɔdʑi dʑɛftʃˈɨŋkɛ, bˌɛɲdʑɛ jˈɔ̃ mˈɔʒna vˈɨdadʑ za tˈaj.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_64.wav|tɔ prˈavda, ʒˈɛ lˈɔras ɲʲɛ ɡˈapi ɕɛ na tfˈɔjɛ tsˈɨtski tˈak jˈak sˈɛr ˈɔsmunt, ˌalɛ ɲʲɛ mˈɨɕlɛ, lˈɛpʲɛj pˈɔmɨɕl ˈɔtɨm.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_335.wav|zˌauvˈaʒɨw vˈaldɛr rˈivɛrs. ɲʲɛ pˌɔtʃɛbˈujɛ dɔvˈɔdu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_163.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_47.wav|dˈɔn ɕɛ skʃɨvˈiwa.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_327.wav|mʲˈaw na sˈɔbjɛ sˌɔbɔlˈɔvɛ fˈutrɔ, ktˌurɛ zˈabraw blˈatsk tʲˌidɛˈɔvi, tʃɛrvˈɔnɔ̃ pʃɛpˈaskɛ na ˈɔku i ɲˈidʑ vʲˈɛntsɛj.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_409.wav|na zˈajutʃ krulˈɔva spɔtkˈawa na dʑɛdʑˈiɲtsu ɔsmˈunda kˌɛtɛlblˈaka.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_15.wav|pˈɔza tɨm mʲˈawam na sˈɔbjɛ tsˈawɔ̃ rˈɛʃtɛ ɡˌardɛrˈɔbɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_56.wav|tʃˈɛɕtɕ, kɔxˈaɲʲɛ. tɕˈɛʃɛ ɕɛ, ʒˈɛ dʑvˈɔɲiʃ. martfˈiwam ɕɛ ɔ tɕˈɛbjɛ pʃˈɛs tsˈawɨ dʑˈɛɲ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_81.wav|vˈaʒnɛ, ʒˈɛ dˈɔbʒɛ vˌɨɡlɔndˈajɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_89.wav|tˈɔm ˈuɲʲuz vzrˈɔɡ znˈat tˌɛlɛfˈɔnu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_184.wav|ˈilɛ pˈan mˈalat?|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_70.wav|f tɛj sprˈavʲɛ kɔrˈɔna i vʲˈara.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_22.wav|ɕtɕisnˈɛwa jˈɛɡɔ rˈɛŋkɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_120.wav|ɲʲɛ mˈuvjɛ ɲˈiɡdɨ, xˈɔtɕ i tˌɛɡɔ ɲʲɛ pɔvˈinnam vɨklˈutʃɨtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_101.wav|tʃˈujɛ znajˈɔmɛ ukwˈutɕɛ fstˈɨdu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_16.wav|tɕi dvˈaj, ktˌuʒɨ mɲʲɛ zabrˈali, ɲʲɛ vˈɛʃli na pʲˈɛntrɔ, pɔvʲˈɛdʑaw. nˈavɛt ɲʲɛ ˌɔpuɕtɕˈili xˈɔlu.|4
+Dataset/wavs/urwisko_ferenc/34_segment_54.wav|xtɕˈawɛm bˈɨdʑ z ɲʲˈɔ̃ f kɔntˈaktɕɛ pʃˈɨznaw sˈɔlski tˈak.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_471.wav|ˌalɛ krulˈɛfstsɨ lˈudʑɛ mˈuʃɔ̃ mʲˈɛtɕ krˈula.|1
+Dataset/wavs/urwisko_ferenc/08_segment_33.wav|f tɛn spˈɔsup ˌɛlimˌinɔvˈanɔ pʃˌɨpatkˈɔvɨɣ ɡˈɔɕtɕi, ɡˌɔwɔdˈuptsuv ʒˈɔndnɨɣ vrˈaʒɛɲ na jˈɛdnɔ̃ nˈɔts.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_215.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ jˈɛst.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_257.wav|ɲʲˈɛx pˈan uʒˈɨva ʒˈɨtɕa. ˌɔɲi mˌajɔ̃ fˈɔrsɛ ɲʲɛ vʲadˈɔmɔ skˈɔnt.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_23.wav|tʃˈɛkam jˈɛʃtʃɛ dʑˈɛɕɛɲtɕ mˈinut, jˈuʃ pɔː ˌuzɡɔdɲʲˈ��nɨm tʃˈaɕɛ, ˌalɛ ɔn ɕɛ ɲʲɛ pɔjˈavja.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_19.wav|ˈaram mˈuɕaw zˈafʃɛ planˈɔvadʑ dla mɲʲɛ jˈakʲɛɕ ˈinnɛ zˌakɔɲtʃˈɛɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_102.wav|mˈuʃɛ jˈɛdnak sprubˈɔvatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_97.wav|stɔtʃˈɨwaɕ tɕˈɛ̃ʃki bˈuj i pʃɛʒˈɨwaɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_83.wav|lˈɛnɛ spɔjʒˈawa na zɛɡˈarɛk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_66.wav|ɔn nalˈɛʒɨ dɔ mɲʲɛ, ɲʲɛ dɔ tɕˈɛbjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_414.wav|xwˈɔptsɨ, zrˈuptɕɛ pˈanu mʲˈɛjstsɛ. kˈilku mwˈɔdɨx lˈudʑi, ktˌuʒɨ kutsˈali na plˌastʲikˈɔvɛj platfˈɔrmʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_24.wav|bjˈɛdak pˈɔpat f tˈakɔ̃ ɔpsˈɛsjɛ, ʒˈɛ zˈatʃɔw f kˈɔɲtsu nˌapɔmˈɨkatɕ ɔ rɔsstˈaɲʲu z ʒˈɔnɔ̃, jˈɛɕli f tɛn spˈɔsup mˈuɡw zdˈɔbɨtɕ tˈɛssɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_238.wav|pʃɛstrˈɔnnɛ vnˈɛntʃɛ varʃtˈatu bˌɨwɔ prˈavʲɛ tsˈawkʲɛm pˈustɛ i ˈɔdɡwɔs nˈaʃɨx krˈɔkuf ɔdbʲˈijaw ɕɛ ˈɛxɛm ɔd ɡˈɔwɨx mˌɛtalˈɔvɨx ɕtɕˈan.|4
+Dataset/wavs/urwisko_ferenc/52_segment_45.wav|— nˈɔ jˈak tɔː ɔ tʃˈɨm? — w jˈɛɡɔ ɡwˈɔɕɛ vɨbʒmʲˈawɔ rˌɔstʃarɔvˈaɲʲɛ. — ˈɔtɨm, ʒˈɛ tamtˈɛɡɔ dɲʲˈa vrˈutɕiw dɔ dˈɔmu.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_45.wav|pɔvˈiɲʲɛn bˈɨw zrˈɔbʲitɕ jˈɛʃtʃɛ jˈɛdnɔ̃ vˈɨspɛ z ix tʃˈaʃɛk.|1
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_20.wav|pʃɨjˈɛɲtɕɛ tɨx pʲɛɲʲˈɛndʑɨ bˌɨwɔ nˌajtrudɲʲˈɛjʃɔ̃ dɛtsˈɨzjɔ̃ w mˈɔim ʒˈɨtɕu, ˌalɛ ɲʲɛ mʲˈawam vɨbˈɔru.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_52.wav|pɔ tˈamtɨm vɨpˈatku i...|3
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_47.wav|tˈak naprˈavdɛ pɔmˈɔɡwa nˈavɛd w zˌamaskɔvˈaɲʲu trˈɔpuf.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_36.wav|jɛdnˈaɡʒɛ iɣ dvˈɔrɨ bˌɨwɨ zbˌudɔvˈanɛ z ʑˈɛmi i drˈɛvna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_96.wav|zjˈaviʃ ɕɛ jˈɛʃtʃɛ dʑˈiɕaj, prˈavda?|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_183.wav|bɔjˈɔvɛ rumˈaki utʃˈɔnɔ kɔpˈaɲʲa i ɡrɨʑˈɛɲʲa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_97.wav|tˈɛras, kʲˈɛdɨ ɲʲɛ tʃɨmˈawa ɕɛ ɕˌɛŋɡajˈɔntsɛj pɔ pˈas pɔrˈɛntʃɨ kˈɔʃa, ʒˌɛtʃɨvˈiɕtɕɛ vˌɨɡlɔndˈawa jˈak tsˈawun.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_40.wav|klˈɛŋka pʃɛt kanˈapɔ̃ i ˌɛnɛrɡʲˈitʃɲʲɛ rɔstɕˈɛra plˈɛtsɨ dʑɛftʃˈɨnɨ. jɛj tˈɨwɛk ˈuda i wˈɨtki.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_111.wav|sˌɨtuˈatsja zupˈɛwɲʲɛ vˌɨjɔntkˈɔva.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_86.wav|pɔtxˈɔdʑɛ vʲˈɛnts ɔ krˈɔk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_16.wav|parˈada jɛst f pɔʒˈɔntku. tɔ, ʒˈɛ vʑˈɔw na barˈana dʑˈɛtskɔ, ktˌurɛ pˈuʑɲʲɛj ɕɛ dˈɔvʲɛ, ʒˈɛ ɕɛdʑˈawɔ na ramjˈɔnaɣ zabˈujtsɨ, jɛst f pɔʒˈɔntku pɔɲʲˈɛkɔnt.|2
+Dataset/wavs/urwisko_ferenc/19_segment_130.wav|mwˈɔtʃɔ̃ ɕˈɔstrɔ̃ mˈɔjɛj mˈamɨ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_25.wav|pɔkrˈɨtɛ tfˈardɔ̃, zrˌɔɡɔvatɕˈawɔ̃ skˈurɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_109.wav|ˈɔfʃɛm, tɔ ɡˈɔdnɛ pɔxfˈawɨ, ˈalɛ...|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_97.wav|zɔstˈajɛʃ f pɔkˈɔju ɔtfˈartɨ sˈɛjf, fkwˈadaʒ dɔ ɕrˈɔtka sfˈɔjɛ fˈantɨ i fprɔvˈadʑaʃ kˈɔt, ktˌurɨ dʑˈawa dɔpˈuki ɲʲɛ vˌɨmɛldˈujɛʃ ɕɛ s xɔtˈɛlu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_102.wav|tˌɛɡɔ ɲʲɛ vʲˈɛmɨ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_378.wav|fʃˈɨstkɔ vˌɨdavˈawɔ ɕɛ jɛj jˈɛdnak ɔdlˈɛɡwɛ i pˌɔzbavʲˈɔnɛ znatʃˈɛɲʲa.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_176.wav|rˈudɨ ˌarɛʃtˈɔvaw tʃwɔvʲˈɛka, ktˌurɨ tɔ zrˈɔbʲiw, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_294.wav|krulˈɛfski kˈat ˈɔstʃɨw sfˈuj vʲˈɛlki mʲˈɛtʃ ɔsˈɛwkɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_61.wav|ɔpˈuʃtʃam vzrˈɔk.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_151.wav|tʃɨmˈajɔndʑ ɡ��ɔ pʃˈɛz dvʲˈɛ lˈup tʃˈɨ sɛkˈundɨ f krɨtˈɨtʃnɛj pɔzˈɨtsji nˌatarsˈija, ˈabɨ ɡˈɔ znˈuf ɔpˈuɕtɕitɕ, kʲˈɛdɨ samˈɔlɔt lˈɛtɕaw na vˌɨsɔkˈɔɕtɕi tʃˈɛx stˈup,|0
+Dataset/wavs/urwisko_ferenc/43_segment_6.wav|mˈarja pˌɔdʑɛŋkɔvˈawa, ˌalɛ ˈɔlɡʲɛrt ɕɛ skˈuɕiw i vɨxˈɨliw ʃklˈaŋkɛ vˈɔdɨ jˈɛdnɨm xˈawstɛm.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_100.wav|sˈam vʑˈɔw pʲˌɛtʃɔnˈɛɡɔ mˈawʒa i pˈɔʒar ɡˈɔ w jˈɛdnɛj xfˈili. tʃɛkˈamɨ na stˈatɛk.|1
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_18.wav|dlatˈɛɡɔ zˌaprɔpˌɔnɔvˈawam tɔ mʲˈɛjstsɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_196.wav|ˈandɛrsɔn pˈaliw pˌapʲɛrˈɔsa, pˈatʃɔnts na jakʲˈɛɡɔɕ tʃwɔvʲˈɛka.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_89.wav|pˈaɲʲɛ prˌɛzɨdˈɛɲtɕɛ, prˌubɔvˈawɛm ɡˈɔː ˈɔbjɔɲtɕ, ʒˈɨtʃɛ pˈanu fʃɨstkʲˈɛɡɔ nˌajlɛpʃˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_23.wav|sˈɛrtsɛ bʲˈijɛ mˈɔtsnɔː i rˈuvnɔ w jɛj pʲˈɛrɕi. jɛst f trˈanɕɛ. tʃˈɨma nˈɔɡɛ na ɡˈaʑɛ jˈak tʲirˈɔvʲɛts f pʲɔsˈɛntsɛ kˈantrɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_223.wav|ʒɛpnˈɔwɛm jɛj dɔː ˈuxa.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_128.wav|ˈu mɲʲɛ fʃˈɨstkɔ f pɔʒˈɔntku, ɔtpˈarwam. jˌɛstɛm f tsˈɛntrum pˌɔttʃɨmɨvˈaɲʲa ʒˈɨtɕa i vwˈaɕɲʲɛ ˌɔtfɔʒˈɨwam zˈavur sɨstˈɛmu ˌavarɨjnˈɛɡɔ. jˈak ɕɛ tʃˈujɛʃ?|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_149.wav|mʲˈastɔ pʃɨpˈɔmɲi sˈɔbjɛ, ktˈɔ tˈu spravˈujɛ ʒˈɔndɨ. tɔ zˌapɔbjˈɛɡɲʲɛ kɔlˈɛjnɨm zamjˈɛʃkɔm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_14.wav|prˈɔʃɛ, tatˈuɕu, tɔ pˈaɲski sˈɨn. xˈɔdʑmɨ i zˌatʃɛkˈajmɨ, ˈaʃ ɔbˈudʑi ɕɛ mˈama.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_28.wav|ɲʲˈɛvʲɛm tsˈɔ rˈɔbʲitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_69.wav|a vʲˈɛnts tɛlˈɛfɔn pˈaɲskʲɛj ʒˈɔnɨ ˌɛmitˈɔvaw sˈɨɡnaw?|3
+Dataset/wavs/urwisko_ferenc/36_segment_162.wav|— ɲʲɛ, na pˈɛvnɔ ɲʲɛ. litʃˈɨwa nˈatɔ, ʒˈɛ pˈaɲi uvˈɔlɲi ɕɛ ɔt xazˈardu i zawˈɔʒɨ rɔdʑˈinɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_83.wav|bʲˈillɨ pˈɨta ɔ kafˈɛjkɛ pɔ drˈuɡʲɛj strˈɔɲʲɛ ulˈitsɨ i tsˈawa tʃfˈurka krˈɛɲtɕi ɡwɔvˈami.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_422.wav|prˈavʲɛ jˈak mʲˈɛtʃ.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_352.wav|ɲʲɛ vˈɔlnɔ tˈu fxˈɔdʑidʑ z brˈɔɲʲɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_235.wav|zˌaprɔpˌɔnɔvˈanɔ tɕi jˈakɔ̃ɕ ˌinvɛstˈɨtsjɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_106.wav|a jɛʒˈɛli ɲʲɛ jˌɛstɛɕ ix tʃwˈɔŋkʲɛm, ɲʲɛ mˈɔʒɛʃ f pˌɔjɛdˈɨŋkɛ vɨxˈɔdʑitɕ na zˈɛvnɔntʃ, ˌaɲi ˌɔprɔvˈadʑatɕ turˈɨstuf pɔ pɔvʲˈɛʃxɲi.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_363.wav|ix sˈɔk jɛst swˈɔtki i rˈɔbʲi ɕɛ z ɲˈiɣ vˈinɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_10.wav|jˈɛɕli mɛ̃ʃtʃˈɨznɔ̃ w jɛj sɨpʲˈalɲi ɲʲˈɛbɨw ˈaʃ, tɔ dlatʃˈɛɡɔ mɲʲɛ ˌɔkwamˈawa?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_121.wav|nˈadal tˌɛɡɔ ɲʲɛ rˌɔzumjˈawam.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_37.wav|pˈɔprɔɕ lˈintsaj, ʒˈɛbɨ ɕɛ ɲˈim zajˈɛwa, jˈak tˌɨlkɔ skˈɔɲtʃɨ s tˌɨmi kˌamɛrˈami. ɔbˈavʲam ɕɛ rˈuvɲʲɛʃ ɔ samˈɛɡɔː aʃrˈafa.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_41.wav|tʃɨtˈatʃu, tʃˌɛmu maʃ tˈakɔ̃ skfaʃˈɔnɔ̃ ɡˈɛmbɛ? zavˈɔwaw. tfˈɔjɛ ɔbˈavɨ ɕɛ ɲʲɛ spravdʑˈiwɨ.|1
+Dataset/wavs/urwisko_ferenc/51_segment_34.wav|pɔ tsˈɔ jɛdʑˈɛmɨ dɔ tˌɛɡɔ ʒvˌirɔvˈiska?|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_81.wav|mˈam uvʲˈɛʒɨtɕ, ʒˈɛ sabˈɔtaʃ, mɔrdˈɛrstfa i tfˈɔjɛ zɲikɲʲˈɛɲtɕɛ ɲʲɛ wˈɔntʃɔ̃ ɕɛ zˈɛ sˈɔbɔ̃?|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_63.wav|ˌɔtʃɨvˈiɕtɕɛ, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_16.wav|ˈɔx, ˌɔmɨwkˈɔvɔ zabrˈawam tɛlˈɛfɔn swuʒbˈɔvɨ. nˌastɛmpˈujɛ xfˈila pʃˈɛrvɨ i tʃˈɛkam, tʃɨ pˈɔvʲɛ tsˈɔɕ jˈɛʃtʃɛ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_492.wav|kˌɔʒɨstˈajtɕɛ s pʃˌɨjɛmnˈɔɕtɕi tˈam, ɡdʑˈɛ jˈɔ̃ znajdʑˈɛtɕɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_231.wav|i ɲʲɛ xtɕˈawa nˈavɛd zˈɛmnɔ̃ mˈuvitɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_340.wav|i tsˈawɨ tʃˈas mɨɕlˈawɛm, jˈaka tɔ ʃkˈɔda, ʒˈɛ ɲˈiɡdɨ jɛj ɲʲɛ spˈɔtkam w ʒˈɨtɕu. jˈaka tɔ ʃkˈɔda.|0
+Dataset/wavs/urwisko_ferenc/10_segment_33.wav|kʲˈɛdɨ tɛn zrˈɔbʲiw ɕɛ tfˈartʃɨ, dʑɛftʃˈɨna twˈumjɔnts jˈɛŋk, pʃˌɨtɕɔŋɡnˈɛwa ɡˈɔ dɔ ɕˈɛbjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_93.wav|vzruʃˈɨwam rˌamjɔnˈami.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_279.wav|zadˈawa sˈɔbjɛ pɨtˈaɲʲɛ brjˈɛnnɛ. tʃɨ tɔ kɔlˈɛjnɨ kˈɔʃmar zrɔdʑˈɔnɨ z zˈɛmbuf kɔ̃sˈatʃa?|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_132.wav|tʃɨ ɲʲɛ jɛst tˈak? zapˈɨtaw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_295.wav|i pɔ jˈakimɕ tʃˈaɕɛ rˈɨan pɔvʲˈɛdʑaw, xˌaˌɛmˈɛm...|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_365.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/urwisko_ferenc/03_segment_77.wav|jɛxˈali ʃɛrˈɔkɔ̃ drˈɔɡɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_12.wav|xtɕˈawbɨ vˈɨjɕtɕ na spˈatsɛr, mˈɔʒɛ nˈavɛt pɔbjˈɛɡatɕ, ˌalɛ tɔ bɨwˈɔbɨ mˈɔtsnɔ ɲʲˌɛfskazˈanɛ, nˈavɛd ɡdˈɨbɨ ɕɛ pʃˈɛbraw za daltˈɔna smˈitxa.|2
+Dataset/wavs/urwisko_ferenc/58_segment_8.wav|dˈɔbra, klutʃˈɨki zɔstˈavjɛ ˈu mˈatki, tˌɨlkɔ zaplˈanuj tɔ sˈɔbjɛ, bˈɔ mˈɔʒɛ vʲɛtʃˈɔrɛm bˌɛndɛ ɡˈɔ pˌɔtʃɛbˈɔvaw, fskˈazaw na mˌɛrtsɛdˈɛsa.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_309.wav|pɔd zˌardʑɛvʲˈawɨm, ɡarntʃkˈɔvɨm xˈɛwmɛm rˌɨsɔvˈawa ɕɛ jˌɛdnɔˈɔka tfˈaʃ. ix nˈam ɲʲɛ zabrˈakɲʲɛ!|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_383.wav|ˌalɛ mɡwˈa ɲʲɛ bˌɨwa tˈaɡ ɡˈɛ̃sta, jˈak ɕɛ tɔ ɲʲɛkʲˈɛdɨ zdaʒˈawɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_94.wav|f pˈɛwɲi ˌumɛblɔvˈanɨ, mˈuvi, jˈaɡbɨ prubˈɔvaw tɛn dˈɔm spʃˈɛdatɕ. mˈɔʒɛ f pˈɛvnɨm sˈɛnɕɛ tˈak jˈɛst.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_54.wav|jˈɛɕli pˈan uvˈaʒa, ʒˈɛ mˈa tɔ jˌakikˈɔlvʲɛɡ zvʲˈɔ̃zɛɡ z ɡˌɛnɛvʲˈɛvɛ, tɔ ɕɛ pˈan mˈɨli.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_213.wav|pɔ prˈɔstu maʃ nadˈɛmnɔ̃ tˈɛ sˈamɔ̃ vwˈadʑɛ, jˈakɔ̃ maʃ nat stjɛrmˈɛnɛm tʃɨ pˈɔnɨ.|0
+Dataset/wavs/urwisko_ferenc/53_segment_82.wav|vˈidʑiʃ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_17.wav|tsˈɔ zrˈɔbjɛ, jˈɛɕli bˌɛɲdʑɛ tˈam ktˈɔʑ z lˌakɛsˈidɛ? mˈɔʒɛ ktˈɔɕ, kˈɔɡɔ w ɔɡˈulɛ ɲʲˈɛznam, a ktˈɔ vʲˈɛ ˈɔmɲʲɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_623.wav|pamjˈɛntaʃ, tsˈɔ tɔ dˈɨrvan?|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_237.wav|ɔn bˈɨw tʃwɔvʲˈɛkʲɛm ɲʲˌɛzvɨkwˈɛɡɔ dˈuxa.|1
+Dataset/wavs/urwisko_ferenc/52_segment_70.wav|tʃˈɨli pɔjˈɛxaw pˈan prˈɔstɔ dɔ brɔdɲˈitsɨ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_271.wav|zapˈɨtatɕ, tʃɨ krulˈɔva jɛzd ɡɔtˈɔva vˈɨznadʑ ɡʒˈɛxɨ.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_77.wav|mˈɔɡɛ tˌɨlkɔ sprubˈɔvatɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_134.wav|ɔbˈɔjɛ vʲɛdʑˈɛli, ʒˈɛ ˈɛliz ɡɔɕtɕˈiwa w dˈɔmu naˈila.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_127.wav|tˈak jˈak tʃˈɛkaw na tuzˈiɲʲɛ dˈaxuf, swuxˈajɔnts xˈuku vɨstʃˈawuf i tʃˌɛpɔtˈaɲʲa fɔljˈɔvɨɣ vˈɔrkuf na dʒˈɛvax.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_12.wav|trˈudnɔ jɛst mi tʃˈɨmatɕ ɕɛ kɔŋkrˈɛtnɛj mˈɨɕli tʃɨ pʃˌɛkɔnˈaɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_177.wav|i tsˈɔ s tɨm zrˈɔbʲiʃ? ˈɔ, jˈɛʃtʃɛ ɲʲˈɛvʲɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_54.wav|ɔdvrˈatsa vzrˈɔk. dlatʃˈɛɡɔ ɲʲɛ pˈatʃɨ mi w ˈɔtʃɨ? tsˈɔː ukrˈɨva?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_129.wav|pɔtxˈɔdʑɛ blˈiʒɛj.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_17.wav|zmˈuʃam ɕɛ vʲˈɛnts, ʒˈɛbɨ uɕˈɛdʑɛtɕ na mʲˈɛjstsu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_57.wav|ɲʲɛ pɔtrˈafi zˌamaskˈɔvadʑ zˌaskɔtʃˈɛɲʲa i zˈɛrka pʃˈɛs rˈamjɛ. zˈɔɛ vˈɨʃwa s salˈɔnu zˌaalˌarmɔvˈana mɔˈimi kʃɨkˈami.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_107.wav|i jɛdˈɨnɨm, tsˈɔ tʃˈuw, bˈɨw zˈapaɣ zˈamka pˌɔkrɨtˈɛɡɔː ɔlˈivɔ̃ i tɕˈɛ̃ʒar kˌarabʲˈinu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_31.wav|ɲʲɛ pɔzvˈalam sˈɔbjɛ na lˈuksus pˌɔɕadˈaɲʲa pʃɨjˈatɕuw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_19.wav|ɲʲɛ rˌɔzmavʲˈawam z ɲˈim ɔt tamtˈɛɡɔ dɲʲˈa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_227.wav|tɔ nazvˈiskɔ, ˌalɛ ˈimjɛ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_236.wav|ɔdvrˈutɕiw ɕɛ nˈaɡlɛ kˈu ˌandɛrsɔnˈɔvi i pɔvʲˈɛdʑaw|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_183.wav|ˌadmiɲˌistratˈɔrka parsknˈɛwa ɕmʲˈɛxɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_37.wav|jˈuʒ ɡˈɔ tˈu ɲʲˈɛma, bˈɔmblu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_172.wav|ˈu nˈas jˈuʃ ɲʲˈɛma pˈuʃtʃ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_138.wav|zˌamɔrdɔvˈanɔ ɡˈɔ vbrˈɛf fʃˈɨstkim ɕfʲˈɛntɨm prˈavɔm ɡˌɔɕtɕinnˈɔɕtɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_64.wav|kˈivam ɡwˈɔvɔ̃, ˌiɡnɔrˈujɔnts pˌɨtajˈɔntsɛ spɔjʒˈɛɲʲa alfjˈɛɡɔ. xfˈɨtam ɡˈɔ za rˈɛŋkɛ i ruʃˈamɨ f strˈɔnɛ sˌamɔxˈɔdu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_191.wav|wzˈɨ zˌatʃɨnˈajɔ̃ spwˈɨvatɕ jɛj pɔ pɔlˈitʃkax.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_270.wav|ˌalɛ na ˈinnɨx stˈatkax pɔvʲˈɔdwɔ ɕɛ jɛj lˈɛpʲɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_10.wav|dʑɛftʃˈɨna pʃˌɛmɨɕlˈawa sˌɨtuˈatsjɛ i tˈɨlɛ. vʲɛdʑˈawɛɕ, ʒˈɛ tˈak ɕɛ mˈɔʒɛ stˈatɕ. pʃɨnˈajmɲʲɛj pˌɔviɲʲˈɛnɛʑ bˈɨw vʲˈɛdʑɛtɕ.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_11.wav|ix pɔtˈɛ̃ʒnɛ wˈuki z drˈɛvna zwɔtˈɛɡɔ sˈɛrtsa mʲˌawɨ zˈaɕɛŋk jˈɛʃtʃɛ vʲˈɛŋkʃɨ ɲˈiʒ dɔrɲˈijskʲɛ, tɕisˈɔvɛ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_278.wav|sˈɛr mˈɛrɨn trˈand zwˈapaw tˌɨrɔsçijtʃˈɨka za rˈamjɛ i vˈɨvlɔkw s kɔmnˈatɨ, ɲʲɛ zvaʒˈajɔnts na jˈɛɡɔ prɔtˈɛstɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_8.wav|ɲʲɛ vʲɛdʑˈɛliɕmˌɨ s tˈatɔ̃, tʃˈɛɡɔː ˌɔtʃɛkˈivatɕ i tʃɛkˈaliɕmˌɨ nɛrvˈɔvɔ, kʲˈɛdɨ zbliʒˈawa ɕɛ pˈɔra vˈɨjɕtɕa z jˈɛɡɔ ɡrˈɔtɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_48.wav|ɲʲˌɛvɨklutʃˈɔnɛ, ʒˈɛ mi jˈɛ kʲˈɛdɨɕ pɔdˈawa, ˌalɛ ɲʲɛ pamjˈɛntam.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_88.wav|dɔtˈarwɨ dɔ nˈaz vʲˈɛɕtɕi, ʒˈɛ za tridˈɛntɛm spɔtkˈanɔ baɲˈituf.|1
+Dataset/wavs/urwisko_ferenc/39_segment_68.wav|— ɔ tsˈɔ mɲʲɛ pˈaɲi kɔmˈisaʃ pˌɔdɛjʒˈɛva? ja ɲˈiɡdɨ ɲˈits. kɔbjˈɛta vɨrˈaʑɲʲɛ ɕɛ rˌɔspɔɡɔdʑˈiwa, ˌalɛ f swuxˈaftsɛ zapˈadwa tɕˈiʃa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_94.wav|pɔ prˈɔstu ɔtxˈɔdʑɛ i ɲʲɛ vrˈutsɛ jˈuʒ dɔ tɕˈɛbjɛ ɲˈiɡdɨ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_261.wav|pɔvˈinnam kˈazadʑ ɡˈɔː udˈuɕitɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_34.wav|zˈafʃɛ istɲʲˈɛjɛ jˈɛdnak mɔʒlˈivɔɕtɕ, ʒˈɛ zabˈujtsa tʃˈɛkaw w ɕrˈɔtku na pʃˈɨjazd ɡˌɛnɛvʲˈɛvɛ, a pˈɔtɛm vɨtɕˈɔŋɡnɔw jˈɔ̃ dɔː alˈɛjki, ʒˈɛbɨ tˈam zˌamɔrdˈɔvatɕ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_393.wav|sprˈubuj tˌɛɡɔ trˈuŋku.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_119.wav|ʒˈɛkwa marɡˈarɨ. ʒˈɔndam tˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_287.wav|mˈɔtsnɔ bˌɨliɕtɕˌɛ fstavʲˈɛɲi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_158.wav|kaʒdˈɛɡɔ dɲʲˈa spˌatsɛrɔvˈawa mu bˈɔku arˈama.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_41.wav|vʲˈɛm, ʒˈɛ mˈuvi prˈavdɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_63.wav|xˈɔdʑ dˈɔm jɛst rˈaptɛm dvˌupʲɛntrˈɔvɨ, sɔ̃ ˈaʃ tʃtˈɛrɨ pʃɨtɕˈiski.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_31.wav|mˈuvjɛ i pɔtkrˈɛɕlam tɔ ɕmʲˈɛxɛm. prˈɔʃɛ vɨbˈatʃɨtɕ. ɲʲɛ, bˈɔ mɨɕlˈawam ˈɔtɨm. mʲˌɛli sˈɨna ɔː imjˈɛɲʲu stsˈɔtt.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_263.wav|ˈalbɔ pˈana bˈɔɡa f tɨm vɨpˈatku ɲʲɛznˈanɛj dʑɛftʃˈɨnɨ?|0
+Dataset/wavs/urwisko_ferenc/19_segment_121.wav|tʃˈɨli mˈɔɲikˌa xudʑˈiɲska ɲʲɛ vidʑˈawa tɨɣ zdjˈɛɲtɕ.|0
+Dataset/wavs/urwisko_ferenc/51_segment_5.wav|— ɲʲˈɛx mi pˈaɲi ɲˈits ɲʲɛ mˈuvi. zavˈɔrski pɔprˈaviw ˌɔkulˈarɨ na nˈɔɕɛ. vˈɔlawbˌɨm zˈɛrknɔɲtɕ nˈatɔ ɕfʲˈɛʒɨm ˈɔkʲɛm, bˈɛz ʒˈadnɨx suɡˈɛstji.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_57.wav|kʲˈɛdɨ tˌɨlkɔ zamˈɨka dʒvˈi, mˈuj ˈuɕmʲɛɣ zɲˈika i pɔxˈɨlam ɕɛ dɔ pʃˈɔdu z wɔktɕˈami fspartˈɨmi na kɔlˈanax.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_458.wav|mˈɔiɣ ʒɛkˈɔmɨɣ brˈatɕi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_64.wav|ˈidɔndʑ dɔ dʒvˈi ɔdvrˈutɕiw ɕɛ jˈɛʃtʃɛ i pɔmˈaxaw mi, a ja zatʃˈɛwam ɕɛ zˌastanˈavʲatɕ, tʃɨ jˈɛʃtʃɛ ɡˈɔ kʲˌɛdɨkˈɔlvʲɛɡ zɔbˈatʃɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_52.wav|vɨrˈaʒaj ɕɛ. zˈaras.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_55.wav|kʲˈɛdɨ sˈɛɲdʑa vlˈɛpi tɕi nˈajmɲʲɛj ʃˈɛɕtɕ mʲɛɕˈɛntsɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_60.wav|ɲʲɛstˈɛtɨ tɔ prˈavda. pʃˌɨɡlɔndˈamɨ ɕɛ jˈɛdnak ɔfjˈarɔm tɨx atˈakuf, pʃɨ ktˌurɨx ɔfjˈarɨ dɔznˈawɨ ɔbrˈaʒɛɲ nˈuk.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_17.wav|prˈɔʃɛ zatʃˈɛkatɕ, pˈujdɛ sprˈavdʑitɕ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_172.wav|zɡɔdʑˈiwa ɕɛ ˈarja, ɡdˈɨ pˌɔɡrɔ̃ʒˈɨli ɕɛ w mrˈɔku krɛntˈɛɡɔ zawˈuka.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_45.wav|pʃɨ ˌɔdrɔbʲˈiɲʲɛ ʃtʃˈɛɲɕtɕa pˈɔvʲɛ ˌaramˈɔvi, ʒˈɛ jˌɛstɛm xˈɔra i ʒˈɛ pɔvˈiɲʲɛn tʃˈɨmatɕ ɕɛ na ɔdlˈɛɡwɔɕtɕ, ʒˈɛbɨ ɲitʃˈɛɡɔ ɲʲɛ zwˈapaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_107.wav|mˈuɕi ɕɛ pˈaɲi zˈɛmnɔ̃ zɡˈɔdʑitɕ, ʒˈɛ bˈardʑɔ trˈudnɔ jɛst nˈam tɔ zrɔzˈumjɛtɕ.|3
+Dataset/wavs/urwisko_ferenc/20_segment_26.wav|mˈɔɲʲa bˌɨwa dˈɔbrɔ̃ mˈatkɔ̃ i ʒˈɔnɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_128.wav|lˈubʲiʒ ɡˈurɨ, prˈavda? tˈak.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_32.wav|kˌɔnsɛkfˈɛntsjɛ dla zˌakwadɲˈikuf mˈɔɡwɨbˌɨ bˈɨdʑ bˈardʑɔ pɔvˈaʒnɛ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_146.wav|tɔ tɕi dɔpʲˈɛrɔ pʃˌɛraʒajˈɔntsa pˌɛrspɛktˈɨva.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_37.wav|jˈɔsmin pɛtsklˈɛdɔn pɔvʲˈɛdʑaw jɛj tɔ sˈamɔ. ɲʲɛ mˈɔʒɛʃ pˌɔruvnˈɨvatɕ ˈinnɨɣ zˈamkuf s xarˈɛnxal.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_90.wav|pˈɔmuʃ mi rˌɔzwadˈɔvatɕ tɕˌɛ̃ʒarˈufkɛ. mˈarɨj kˈazaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_48.wav|spɔjʒˈawam na dˈɨŋks, ʒˈɛbɨ sprˈavdʑidʑ ɡɔdʑˈinɛ i zaklˈawam pɔt nˈɔsɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_26.wav|nazˈɨva ɕɛ vˈilljam pˈɛtɛrsɔn. vʲˈɛʃ, jˈak tɛn ɡˈɔɕtɕ s tsˌɛˌɛsˈi.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_115.wav|pʃɨlɡnˈɛwam dɔ ɕtɕˈanɨ i zatʃˈɛwam ɕɛ vˌɨtsɔfˈɨvatɕ, dɔpˈuki ɲʲɛ stratɕˈiwam bˈɔba s pˈɔla vidʑˈɛɲʲa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_88.wav|kʲˈɛdɨ pˌɔvrutɕˈiwa mi ˈɔstrɔʑdʑ vidʑˈɛɲʲa, ɕɛdʑˈawam f tɛj sˈamɛj pɔzˈɨtsji, a ˈaram stˈaw za mɔˈimi plɛtsˈami i dˌɛlikˈatɲʲɛ masˈɔvaw mˈuj kˈark.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_43.wav|tɔ fʃˈɨstkɔ, tsˈɔ mˈɔɡwam zrˈɔbʲitɕ.|3
+Dataset/wavs/urwisko_ferenc/36_segment_88.wav|xˈɛrman ˌɔdwɔʒˈɨwa stˈarɔ̃ nˈɔkjɛ na pɔdwˈɔɡɛ balkˈɔnu i palˈiwa dˈalɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_98.wav|lˈɛpʲɛj ˈɔddaj mi pistˈɔlɛt, pˌɔvʲɛdʑˈawɛm. pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃. xtsˈɛ ɡˈɔ zatʃˈɨmatɕ? tɨ w rˈaʑɛ tʃˈɛɡɔ maʒ ɡˈas.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_44.wav|ɔpstˈavja jˈulɔŋk, xˈɔtɕ ɲʲˈɛma dˈɔbrɨx kˈart, ɲʲɛ pasˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_100.wav|jɛst f tˈɔbjɛ zˌakɔxˈana i bˌɛɲdʑɛ ɕɛ pʃɨ tˈɔbjɛ tʃˈɨmatɕ tˈaɡ dwˈuɡɔ, jˈaɡ dwˈuɡɔ nˈatɔ pɔzvˈɔliʃ, a tɔ dˌɔprɔvˈadʑi jˈɔ̃ dɔ zɡˈubɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_70.wav|ɲʲɛ pɔtrˈafjɛ mu ˌɔtpɔvʲˈɛdʑɛtɕ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_104.wav|ktˌurɨ zˈajɔw ɕɛ kɔvˈalstfɛm, ɡdˈɨ bˈɨw jˈuʒ za stˈarɨ, ʒˈɛbɨ vˈaltʃɨt��.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_136.wav|vɨvˈikwaw ɕɛ s tˌɛɡɔ dʑˈivnɨ pˌɔjɛdˈɨnɛk.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_35.wav|ˈaʒ zˈadrʒaw.|4
+Dataset/wavs/urwisko_ferenc/12_segment_78.wav|— mˈɨɕlɛ, ʒˈɛ ɲˈikt ɲʲɛ tʃˈɨtaw ˈakt, bˈɔ ɡdˈɨbɨ ktˈɔɕ tɔ zrˈɔbʲiw, mʲˈɛlibˌɨ sɔlskʲˈɛɡɔ jˈak na dwˈɔɲi.|0
+Dataset/wavs/urwisko_ferenc/53_segment_61.wav|kʃɨknˈɛwa pʃˌɛraʒˈɔna, a rˌɔskɔwɨsˈana kˈava xlusnˈɛwa na kˈaflɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_55.wav|jˈɔɛ ˌɔdvrutɕˈiwa ɕɛ dɔ bˈɛtskɨ. nˈadal ˌuvaʒˈatɕɛ, ʒˈɛ ɔn mˈɔʒɛ bˈɨtɕ f tɔ zˌamjɛʃˈanɨ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_80.wav|ɲʲɛ zˌapwatɕˈiwɛm mu za dvˈa mʲɛɕˈɔntsɛ, vʲˈɛnts f tɨm tɨɡˈɔdɲʲu zaʒˈɔndaw pʲɛɲʲˈɛndʑɨ.|3
+Dataset/wavs/urwisko_ferenc/59_segment_55.wav|— ˌalɛ ˈɔkɛj, sprubˈujɛ. naprˈavdɛ mˈuʃɛ jˈuʃ kˈɔɲtʃɨtɕ. mˈarja ɕɛ rˌɔzwɔntʃˈɨwa i spɔjʒˈawa na zˌavɔrskʲˈɛɡɔ. — pʃɛprˈaʃam.|0
+Dataset/wavs/urwisko_ferenc/25_segment_63.wav|tɔ znˈatʃɨ tˈak.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_112.wav|pʃɨspʲˈɛʃɨw, ʒˈɛbɨ dɔtʃˈɨmatɕ mi krˈɔku.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_219.wav|pamjˈɛntaʃ, tsˈɔ pˌɔvʲɛdʑˈawam?|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_142.wav|ʑˈɛmʲa bˌɨwa upstʃˈɔna ptasˈimi ˌɔtxɔdˈami.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_247.wav|a ta kɔbjˈɛta, ktˌura ɲʲɛ mˈɔɡwa ustˈalitɕ kɔlˈɔru pˈana ˈɔtʃu?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_6.wav|ɕtɕˈiskam ɡˈɔ mˈɔtsnɔː i tsawˈujɛ.|3
+Dataset/wavs/urwisko_ferenc/53_segment_15.wav|jˌɛstɛɕ tˈam? spɨtˈawa xˈɛrman.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_54.wav|vʑˈɔwɛm ˈurlɔp s prˈatsɨ. bɛspwˈatnɨ ˌɔtʃɨvˈiɕtɕɛ. ˌalɛ jˈɛɕli dˌɔstaɲʲˈɛmɨ tsˈɔɕ f spˈatku...|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_61.wav|dʑˈɛŋki tˌɛmu mˈɔɡli ˈɔtkrɨtɕ tsˈɔɕ, tsˈɔ rɔbʲˈiwa, a tsˈɔ mʲˈawɔ zvʲˈɔ̃zɛɡ z mɔrdˈɛrtsɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_86.wav|jˈɛɕli xˈɔdʑi ˈɔmɲʲɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_178.wav|zˌɔbatʃˈɨmɨ, tsˈɔ kˌɔmbʲinˈujɛʃ.|4
+Dataset/wavs/urwisko_ferenc/09_segment_22.wav|rˈɔbʲi vraʒˈɛɲʲɛ. dvˈa ɔpʃˈɛrnɛ prˌɔstɔpˌadwɔɕtɕˈanɨ ˌuwɔʒˈɔnɛ jˈɛdɛn na drˈuɡʲim i ˌustavʲˈɔnɛ na kʃˈɨʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_26.wav|w zˌawɔntʃɲˈiku pʃɛsˈɨwam tɕi plˈanɨ. iɣ zdɔbˈɨtɕɛ ˌɔkazˈawɔ ɕɛ zˌaskakujˈɔntsɔ wˈatfɛ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_183.wav|ˌalɛ pɔt kˈɔɲtsɛm bˈuʒɨ stˌatsjɔnˈujɛ jˈɛdna ˈarmja tɨrˈɛlluf, a f stˈavʲɛ dʑˈɛvidʑ drˈuɡa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_12.wav|skɔɲtʃˈɨwɛɕ tʃɨ jˈɛʃtʃɛ tʃˈɨtaʃ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_325.wav|zaɕɲˈijmɨ ɔbˈɔjɛ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_180.wav|kɔɲʲˈɛtʃnɛ bˌɛndɔ̃ mɔdlˈitfa,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_50.wav|trˈɛɕtɕ sˌuɡɛrɔvˈawa, ʒˈɛ mˈa ɔpsˈɛsjɛ na pˈuŋktɕɛ naˈila, ˌalɛ maˈilɛ pˌɔxɔdʑˈiwɨ z jɛj kˈɔnta na ɡmaˈilu, a ɲʲɛ s kˈɔnta fˌirmɔvˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_69.wav|vɨɡlˈɔndaʒ vzɡlˈɛndɲʲɛ zdrˈɔvɔ, ˌalɛ ɲʲɛ tɔ mʲˈawam na mˈɨɕli.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_40.wav|fʃˈɨstkɔ pɔdlˈɛɡa prˈavɔm rˈɨŋku.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_26.wav|naprˈavdɛ ɕɛ nˈatɨm znˈa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_12.wav|w ɲʲˌɛruxɔmˈɔɕtɕi, ktˌura nalˈɛʒɨ pɔ tʃˈɛɲɕtɕi dɔ ɲʲˌɛjakʲˈɛɡɔː arˈama fˌɔrakˈisa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_63.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ ɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_208.wav|i ɲˈidʑ dʑivnˈɛɡɔ, ʒˈɛ jɛzd zˌaintrˌɨɡɔvˈana.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_128.wav|uɕˈadwam na drˈuɡʲim kʃˈɛɕlɛ, w mʲˈɛjstsu, f ktˌurɨm pʃˈɛs tˈɨlɛ lˈad zˌaɕadˈawam dɔ pɔɕˈiwkuf.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_280.wav|ɲʲɛ, kɔxˈawɛm jˈɔ̃. xtɕˈawɛm jɛj brˈɔɲitɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_46.wav|bˈɔː i ɲʲɛ mˈɔɡwɛɕ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_447.wav|mˈɔɡwabˌɨm vrˈutɕitɕ s pˌɔdviɲʲˈɛntɨm ɔɡˈɔnɛm dɔ krulˈɛfskʲɛj pʃɨstˈaɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_337.wav|fstˈawa w nˈɔtsɨ, ʒˈɛbɨ nˈas pʃˈɨkrɨtɕ, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_35.wav|ʃˈukaw nɔvˈɛɡɔ partnˈɛra, ˈɔtkɔnt pijˈana tsˈurka pʃɛbʲˈiwa nˈɔʒɛm dwˈɔɲ mawˈɛɡɔ nˈarba.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_38.wav|pˌɔrɔzmˈavʲam s tfˈɔjɔ̃ mˈamɔ̃ i zˌɔbatʃˈɨmɨ, tsˈɔː ˈuda ɕɛ nˈam uzɡˈɔdɲitɕ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_193.wav|tɛn ɔstˈatɲi, pˈɔza vˌɨkɔnɨvˈaɲʲɛm ˌɛɡzɛkˈutsji, zvˌɨtʃajˈɔvɔ spravˈɔvaw nˈadʑur nat lɔxˈami i ˌɔpʲɛkˌujɔntsˈɨmi ɕɛ ɲˈimi lˈudʑmi.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_254.wav|sɛrˈɔsfrɨt pɔkwˈɔɲiw ɕɛ i vˈɨʃɛt pɔʃˈukatɕ kˈɔɡɔɕ, ktˈɔ pʃɛtʃˈɨta dla ɲʲˈɛɡɔ nakˈazɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_3.wav|jˈakʲɛ bˌɛndɔ̃ ʃˈansɛ nˈatɔ, ʒˈɛ stˈɛvɛ zɡˈɔdʑi ɕɛ na adˈɔptsjɛ, jˈɛɕli uvˈaʒa, ʒˈɛ tɔ pʃˈɛs ˈaʃa mˈawa znalˈazwa ɕɛ f tˈakim ɲʲˌɛbɛspʲɛtʃˈɛɲstfʲɛ?|4
+Dataset/wavs/urwisko_ferenc/15_segment_85.wav|jˈak mʲˈawbɨm tɔː ˌuzasˈadɲitɕ? pˈɔza tɨm tɛn fˈatsɛt jɛst ˌutʃulˈɔnɨ na ɡliɲʲˈaʒɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_199.wav|ɡˈaz dɔ dˈɛxɨ i vɨpˈuʃtʃam tʃˈat.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_40.wav|tʃɨ pˌɔvʲɛdʑˈɛli, ktˈɔ zˈɔstaw zabʲˈitɨ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_23.wav|dɔpˈuki jˈɛdnak mˈɔja ɡwˈɔva jɛst pʃˌɨtɕiɕɲʲˈɛnta dɔ jˈɛɡɔ pʲˈɛrɕi, jˌɛstɛm stˌɔsuŋkˈɔvɔ bɛspʲˈɛtʃna.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_5.wav|pɔprˈɔʃɛ trˈɔxɛ vˈɔdɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_144.wav|dˈɔktɔr rɔˈussɛl mˈuvi, ʒˈɛ vrˈatsaʒ dɔ zdrˈɔvja.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_129.wav|a mˈɔʒɛ tɔ fʃˈɨstkɔ vɨɡlˈɔnda ɲʲˈɛtsɔː inˈatʃɛj? mˈɔʒɛ tɨ ɲˈiɡdɨ ɲʲɛ bˌɨwɛɕ kˌɔmuɲˈistɔ̃, ktˌurɨ zabʲˈijaw lˈudʑi tˈam, f tɨm sfˈɔim pʃɛklˈɛntɨm krˈaju?|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_49.wav|zavʲˈɛʒɨw nˈas ɲʲˌɛɔpˌantsɛʒˈɔnɨm dʒˈipɛm na vzɡˈuʒɛ nat mɛtʃˈɛtɛm aldˈavla.|2
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_42.wav|sˈɨpʲam ɡdʑˈɛ ɕɛ dˈa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_32.wav|vˌɨdavˈawɔ ɕɛ, jˈaɡbɨ vˈɔjnɨ w irˈaku ɲʲɛ bˌɨwɔː i jˈɛɡɔ pʃˌɨjatɕˈɛlɛ umˈarli za sprˈavɛ, ktˌura ɲikˈɔɡɔ ɲʲɛ ˌɔpxɔdʑˈiwa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_149.wav|jˈɛʃtʃɛ jˈɛdɛn vˈarjant lˈɔsu. mɲˈix fspˌuwtʃɛsnˈɔɕtɕi.|0
+Dataset/wavs/urwisko_ferenc/54_segment_2.wav|z ɔddˈali dˌɔtɕɛrˈawɔ ʃtʃɛkˈaɲʲɛ psˈuv zˈɛ sxrɔɲˈiska i radˈɔsnɛ pˌɔkʃɨkivˈaɲʲa dʑˈɛtɕi, ktˌurɛ ɡɔɲˈiwɨ ɕɛ f pɔblˈiʒu fɔntˈannɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_136.wav|pɔstˈaʒaw ɕɛ, jˈɛdnaɡ bˈɨw ɔbrˈazɛm pɛvnˈɛɡɔ ɕˈɛbjɛ tʃwɔvʲˈɛka suktsˈɛsu, a stˈarʃɨ vˈɨɡlɔnt tˌɨlkɔ dɔdˈavaw mu urˈɔku.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_400.wav|jˈaɡbɨm ɕɛ znˈɔvu znˈalas pɔɕrˈɔtku vɔjˈɛnnɛj nˈɔtsɨ.|0
+Dataset/wavs/urwisko_ferenc/23_segment_66.wav|ˌuʃanˈujmɨ tɔ, ʒˈɛkwa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_198.wav|bˈɔ kˈaʒda mˈɨɕl vˌɨvɔwˈujɛ dˈuʃnɛ, zˌatɨkajˈɔntsɛ ˈɔddɛx, ˌupɔkˌaʒajˈɔntsɛ pˌɔdɲʲɛtsˈɛɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_206.wav|vɨjˈɛwa lustˈɛrkɔː i jˈɛwa strˈaʃnɔ̃, brɔ̃zˈɔvɔ̃ pɔmˈatkɔ̃ ʃmiŋkˈɔvatɕ ˈusta,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_125.wav|ɲʲɛ, ɲʲɛ pˌɔtʃɛbɔvˈawa dˌɔdatkɔvˈɛɡɔ spʃˈɛntu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_516.wav|tʃɨ tɔ tsˈɔʑ zwˈɛɡɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_45.wav|planˈɔvaw dɔkˈupidʑ vʲˈɛntsɛj ˈubraɲ w valmˈartsʲɛ, ktˌurɨ vˈidʑaw pɔ drˈɔdʑɛ, ˌalɛ vɨɡlˈɔnda nˈatɔ, ʒˈɛ ɲʲˈɛma tˈakʲɛj pɔtʃˈɛbɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_22.wav|sˈama mˈɨɕl, ʒˈɛ mˈɔɡlibˌɨ tˈak pɔmˈɨɕlɛtɕ, dˌɔprɔvˈadʑa mɲʲɛ dɔ mdwˈɔɕtɕi.|3
+Dataset/wavs/urwisko_ferenc/14_segment_13.wav|kɔmˈisaʃ rˈɔzlaw dɔ ʃklˈanɛɡ vˈɔdɛ mˌinɛrˈalnɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_51.wav|lˈalla, falˈudʒɨ, pɔprˈavja ɡˈɔː ˈɛliz z uɕmʲˈɛxɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_480.wav|panˈujɛ nat sfɔˈimi zmɨswˈami, pˌɔpɛndˈami, ˌɔdruxˈami.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_34.wav|a vɨdˈajɛ ɕɛ, ʒˈɛ vˈɔjna w ɔɡˈulɛ ix ɲʲɛ tknˈɛwa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_72.wav|jˈak na ˈaʃa, bˌɨwɔ tɔ dˈɔɕtɕ mˈɔtsnɛ. jɛst pravdʑˈivɨm pˌatsɨfˈistɔ̃.|4
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+Dataset/wavs/urwisko_ferenc/46_segment_156.wav|ˈɔlɡʲɛrt pɔtfʲˈɛrdʑiw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_45.wav|vʲˈɛm, ʒˈɛ inspˈɛktɔr rˈɔbʲinsɔn jˈuʃ ˈɔtɔ pˈana pɨtˈawa, ˌalɛ tʃɨ pamjˈɛnta pˈan mˈɔʒɛ xˈaswɔ dɔ tˌɛlɛfˈɔnu ʒˈɔnɨ?|3
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+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_43.wav|vɛ ɕɲʲˈɛ vˌɨɡlɔndˈawɔ tɔː inˈatʃɛj.|1
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+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_366.wav|kˌɔmputɛrˈɔvɨ vˈɨtɕɔŋk sˈalda, sˈalda nˈaʃɛj fspˌuwtʃɛsnˈɔɕtɕi na pʃɛwˈɔmjɛ stulˈɛtɕi i tˌɨɕɔntslˈɛtɕi.|0
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+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_113.wav|jˈaɡ dla mɲʲɛ bˈɛs sˈɛnsu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_24.wav|ɲʲɛ pɔvʲˈɛdʑaw tˌɨlkɔː ˌallɛnˈɔvi, tsˈɔ ɕɛ zˈatɨm krˈɨjɛ, a ˈallɛn ɲʲɛ zapˈɨtaw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_143.wav|zˈɛstaf tɛn w ɲˈitʃɨm ɲʲɛ pʃˌɨpɔmˈina strˈɔju, ktˌurɨ bʲˈillɨ sxˈɔvaw w ˌubʲikˈatsji, ˌalɛ w ɔɡˈulnɨm zˌamjɛʃˈaɲʲu ɲʲɛ pɔvˈinnɔ tɔ mʲˈɛdʑ znatʃˈɛɲʲa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_240.wav|pˌɔwɔʒˈɨwɛm ɕɛ, ɔkrˈɨwɛm jˈɔ̃ ramjˈɛɲʲɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_18.wav|dlatʃˈɛɡɔ dɔ mɲʲɛ dʑvˈɔɲiʃ?|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_137.wav|mˈɛtal pˌɔzɔstˈaɲʲɛ pwˈɨnnɨ dwˈuʒɛj ɲˈiʃ ɕɛ spɔdʑˈɛvaʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_120.wav|mˈɔɡɛ pˈana ɔ tsˈɔɕ spˈɨtatɕ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_227.wav|tsˈɔ pˈijɛʒ dʑˈiʑ vʲɛtʃˈɔrɛm, xˈɔnɛj? a ˌɔna spɔjʒˈawa nˈamɲʲɛ i mˈuvi...|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_258.wav|vˈaʃa mˈiwɔɕtɕ ɲʲˈɛxtsɛ ɕɲˈitɕ?|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_158.wav|pˌamjɛntˈawa, jˈak jˈɛɡɔ zˈɛmbɨ vbʲˈiwɨ ɕɛ f tɕˈawɔ jɛj tfˈaʒɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_68.wav|prˌubɔvˈawam pɔskrˈɔmɲʲɛtɕ ʃˌalɛjˈɔntsɨ w mˈɔjɛj ɡwˈɔvʲɛ xurˈaɡan ɡɲʲˈɛvu, ʒˈɛbɨ zmˈuɕitɕ ɕɛ dɔ lˌɔɡʲitʃnˈɛɡɔ mɨɕlˈɛɲʲa.|4
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+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_69.wav|skˈɔrɔ jˈuʃ sˈɔbjɛ maʒˈɨmɨ, xtɕˈawbɨm pˈisatɕ kɕˈɔ̃ʃki.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_26.wav|pˈɔza tˈɨm, jˈak mʲˈawabˌɨm vɨjˈaɕɲitɕ tˈɛɕɛ, ktˌura ɲˈiɡdɨ ɲʲɛ xtɕˈawa mʲˈɛdʑ dʑˈɛtɕi, jˈak tɔ jɛst strˈatɕitɕ tsˈurkɛ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_41.wav|zɡˈadʑa ɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_4.wav|pʃˈɛs tsˈawɨ dʑˈɛɲ pˌɔsuvˈali ɕɛ nˈapʃud bˈardʑɔ pɔvˈɔli.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_179.wav|dʑˈɛŋki, ʒˈɛ zˈafʃɛ jˌɛstɛɕ pɔ mˈɔjɛj strˈɔɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_255.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_83.wav|zdˌɛtsɨdɔvˈawa ɕɛ pɔvʲˈɛdʑɛtɕ kˈatɛ prˈavdɛ.|3
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+Dataset/wavs/urwisko_ferenc/65_segment_166.wav|tɕˈawɛm mɛ̃ʃtʃˈɨznɨ fstʃˈɔ̃snɔw krˈutki ʃlˈɔx. ʃˈɨpkɔ ɕɛ ˌɔpanˈɔvaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_165.wav|zapˈadwɔ ɲʲɛzrˈɛntʃnɛ miltʃˈɛɲʲɛ. pʃˈɛs lˈata udˈawɔ ɕɛ nˈam ˌɔpanˈɔvatɕ tˈɛ ʃtˈukɛ dɔ pɛrfˈɛktsji.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_197.wav|dbˈaj ɔ mˈuj wˈazik, ʃapˈirɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_76.wav|nˌatɕisnˈɛwam klˈaksɔn, xtsˈɔnts pʃɛɡˈɔɲitɕ tamtˈɛɡɔ, ˌalɛ vʲɛdʑˈawam, ʒˈɛ tˌɨlkɔ marnˈujɛ tʃˈas.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_470.wav|ˈaʒ vrˈɛʃtɕɛ mɲʲɛ dɔstʃˈɛʒɛʃ?|0
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+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_182.wav|ɛkˈipa tˌɛlɛvizˈɨjna filmˈujɛ.|2
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_33.wav|mˈuvi prɛzˈɛntɛr ɡwˈɔsɛm pˈɛwnɨm ɛmˈɔtsji.|3
+Dataset/wavs/urwisko_ferenc/42_segment_106.wav|ˌalɛ pɔ mˈiɲʲɛ mˈarji pˈɔznaw, ʒˈɛ mu ɲʲɛ ˌuvʲɛʒˈɨwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_179.wav|tˈatsɔ pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_15.wav|pˌɔvʲɛdʑˈawa i ɔbjˈɛwa ɡˈɔ.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_55.wav|ɔbˈɛtsɲʲɛ nˈaʒ dˈɔm bˈɨw pˈɛwɛn lˈudʑi, zˌaprɔʃˈɔnɨx tˈutaj pʃˈɛs arˈama, fɕrˈut ktˌurɨɣ znalˈazwɔ ɕɛ kˈilka mwˈɔdɨx pˈar pʃˌɛbɨvajˈɔntsɨɣ z nˈami ɔt lˈat.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_152.wav|xˈɛntɲʲɛ tɕˈɛ vɨswˈuxam, ɲˈitsk.|2
+Dataset/wavs/urwisko_ferenc/53_segment_41.wav|w zasˈadʑɛ vʲɛdʑˈawa, tsˈɔ bˌɛɲdʑɛ dˈalɛj.|0
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+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_250.wav|f ktˌurɨx mʲɛʃkˈali lˈudʑɛ, lˈɛtʃ ktˌurɨx sxlˈudnɔɕtɕ mʲˈawa f sˈɔbjɛ tsˈɔɕ ɲʲˌɛlutskʲˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_319.wav|lˈadɨ mirˈanda prɨxnˈɛwa pˌɔɡardlˈivʲɛ. ja mˈɔdlɛ ɕɛ ˈɔtɔ, bˈɨ zwˈapaw frˈantsɛ.|1
+Dataset/wavs/urwisko_ferenc/63_segment_200.wav|fskazˈawa dɔkwˈadɲʲɛ tɔ mʲˈɛjstsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_165.wav|f kˈaʒdɨm rˈaʑɛ pˌɔmɔdlˈiliɕmˌɨ ɕɛ za dˈuʃɛ pˈɛɡʲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_61.wav|pɔdˈɔbɲʲɛ jˈak ˈinɲi, spravdʑˈiwam kˈaʒdɔ̃ tʃˈɛɲʑdʑ vˌɨpɔsaʒˈɛɲʲa i uɲʲˈɔswam ktɕˈuk na znˈak, ʒˈɛ fʃˈɨstkɔ dʑˈawa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_169.wav|rˈɔbʲiw tɔ tʃɨ ɲʲɛ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_12.wav|lˈintsaj zdjˈɛwa kˈurtkɛ z ˌɔparsˈija kʃˈɛswa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_57.wav|ɔn tˈam prɔvˈadʑi fsxˈɔdɲʲɔ̃ ʃkˈɔwɛ mˌɛdɨtˈatsji i jˈudɔː i karˈatɛ.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_150.wav|pamjˈɛntaj ɔ sfˈɔix ɕlˈubax.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_164.wav|fpˌatrujˈɔntsɨ ɕɛ ˌintɛnsˈɨvɲʲɛ prˈavɨm ˈɔkʲɛm f pwˈɔmjɛɲ ɕfʲˈɛtsɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_36.wav|i bˈardʑɔ ɕɛ tɔ tˈɔbjɛ xfˈali, ˌɔtpɔvʲˈada tsɔrˈinnɛ, pɔ tʃˈɨm, zɛrkˈajɔndʑ z ukˈɔsa na bʲillʲˈɛɡɔ, pɔprˈavja ɕɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_32.wav|mɛ̃ʃtʃˈɨzna i dvʲˈɛ kɔbjˈɛtɨ ɕɛkˈali vaʒˈɨva na pɔɕˈiwɛk.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_146.wav|ˈandɛrsɔn ɔdvrˈutɕiw ɕɛ i pˈɔʃɛd dɔ sˌamɔlˈɔtu. stˈaw jˈuʃ nˈɔɡɔ̃ na skʃˈɨdlɛ i ftˈɛdɨ pɔvʲˈɛdʑaw.|0
+Dataset/wavs/urwisko_ferenc/52_segment_64.wav|z bwaxˈɛɡɔ pɔvˈɔdu.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_30.wav|tsˈɔ pˈaɲi rˈɔbʲi? zapˈɨtaw ˈɔjtɕɛts. ˌɔna ɲʲɛ pɔvˈinna bˈɨtɕ pʃɨtˈɔmna.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_295.wav|tˌɨlkɔ mˈɨɕliʃ, tʃɨ vʲˈɛʃ tɔ na pˈɛvnɔ?|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_195.wav|jɛst tˈɛʃ sˈɛnnɛ vˈinɔ, ɡdˈɨbɨʑ ɡˈɔ pˌɔtʃɛbˈɔvaw.|1
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+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_136.wav|sˈanxɛs pɔswˈawa mi ɡɲʲˈɛvnɛ spɔjʒˈɛɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_25.wav|ˌuɕfʲadˈamjam sˈɔbjɛ nˈaɡlɛ, ʒˈɛ mˈam pʃˌɛtɕɛʃ ˈadrɛs. ɕˈɛŋɡam vʲˈɛnts pɔnˈɔvɲʲɛ pɔ tɛlˈɛfɔn. mˈɔɡwabˌɨm tˈam pɔjˈɛxatɕ i zatʃˈɛkatɕ na mˈili.|4
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+Dataset/wavs/urwisko_ferenc/26_segment_15.wav|ɲʲˌɛɔɕfʲɛtlˈɔnɔ̃ drˈɔɡɔ̃ na bˈɨdʒɔʃtʃ sunˈɛwɨ ɲʲɛlˈitʃnɛ sˌamɔxˈɔdɨ.|0
+Dataset/wavs/urwisko_ferenc/64_segment_133.wav|ɲʲɛ zamjˈɛʒaw tˈu zˈɔstatɕ ˌaɲi xfˈili dwˈuʒɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_198.wav|dˈɔbʒɛ vʲˈɛdʑɛtɕ, ʒˈɛ nˈamɲʲɛ tʃɛkˈajɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_85.wav|mɨɕlˈawam ftʃˈɛɕɲʲɛj, ʒˈɛ sprˈavɨ mˌajɔ̃ ɕɛ ʑlˈɛ, ˌalɛ jɛzd dˈuʒɔ ɡˈɔʒɛj ɲˈiʃ sɔɲdʑˈiwam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_48.wav|zˌapisˈujɛ tˈɛkst na pɛndrˈivɛ, zamˈɨka laptˈɔpa, ˈidʑɛ vɨwˈɔntʃɨdʑ ɡʒˈɛjɲik i ɲʲˌɛruxɔmjˈɛjɛ f puwkrˈɔku.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_185.wav|zˈatʃ jɛj kʲˈɛtskɛ i pˈɔkaʃ mˈajtki. tɨm rˈazɛm xtsˈɛ tˈakɔ̃ naprˈavdɛ mwˈɔdɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_170.wav|s tsˌɔdʑɛnnˈɔɕtɕi vɨdˈawa ɕɛ tˈaka strˈaʃna ɡˈura ɲʲɛjˈasnɨx sˌɨtuˈatsji.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_44.wav|znˈaw ɔtpˈɔvʲɛtɕ s samˈɛɡɔ vɨrˈazu jɛj tfˈaʒɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_204.wav|tɔ pˈɛdant. ɔbˈava ɔ vwˈɔsɨ ˈutʃɨ mɛ̃ʃtʃˈɨznɛ pˌɛdantˈɛrji.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_21.wav|na ɛkrˈaɲʲɛ zˌauvˈaʒam pˈarkiŋk f tsˈɛntrum mˌanxɛstˈɛru, ktˌurɨ dˈɔbʒɛ znˈam.|3
+Dataset/wavs/urwisko_ferenc/26_segment_32.wav|tɨmtʃˈasɛm minˈɛwa vʲˈɛtʃnɔɕtɕ i ʒˈadna s tɨɣ ʒˈɛtʃɨ ɕɛ ɲʲɛ vˌɨdaʒˈɨwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_136.wav|rˌɔzɛjʒˈawam ɕɛ dˌɔɔkˈɔwa f pˌɔʃukivˈaɲʲu tʃˈɛɡɔɕ, tsˈɔ mɔɡwˈɔbɨ ɔkˈazatɕ ɕɛ pɔmˈɔtsnɛ, ˌalɛ tˈɛrɛn vˈɔkuw artˈɛmiz bˈɨw ftɕɛlˈɛɲʲɛm pˈustki.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_535.wav|tʃɨ mˈɔɡɛ pˈɔdɛjʑdʑ dɔː ˈɔkna?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_92.wav|sˈɨnuf ɛwrˈɔpɨ|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_270.wav|vidʑˈawa blˈiznɛ na jˈɛɡɔ tʃˈɔlɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_335.wav|jˌɛstɛm dˌɔrɛntʃɨtɕˈɛlkɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_16.wav|xˈɨba rˌɔzumjˈɛtɕɛ, ʒˈɛ jˈɛɕli pˌɔrɨvˈatʃɛ sɔ̃ f pɔblˈiʒu, ɲʲɛ mˈɔɡɔ̃ nˈaz zɔbˈatʃɨtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_74.wav|— jˈɛʃtʃɛ ɲʲɛ vʲˈɛmɨ. pʃˌɛkɔnˈamɨ ɕɛ, tʃɨ navʲˈɔ̃ʒɔ̃ kˈɔntakt. ftˈɛdɨ bɛɲdʑˌɛmɨ vʲɛdʑˈɛli ɲʲˈɛtsɔ vʲˈɛntsɛj.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_137.wav|jˈɛdɛn z ɲˈix prɔvˈadʑiw dvʲˈɛ mlˈɛtʃnɛ krˈɔvɨ f strˈɔnɛ ɲˈiskʲɛj ɔbˈɔrɨ krˈɨtɛj dˈarɲʲɔ̃, ˈinnɨ zˈaɕ ubʲˈijaw mˈaswɔ w mˌasɨlɲˈitsɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_68.wav|— tˈaɡ vʲˈɛm — ʒˈɛkwa. — tˈɛras tˌaki xˈaɔs...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_68.wav|tˈɔm ukwˈadaw fʃˈɨstkʲɛ tɛ kavˈawki w ɡwˈɔvʲɛ, prubˈujɔnts jˈɛ dˌɔpasˈɔvatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_44.wav|jˈumbɔː ɔdvrˈutɕiw ɕɛ bˈɛs swˈɔva na pʲˈɛɲtɕɛ i pˈɔdbjɛɡw dɔ mɛ̃ʃtʃˈɨznɨ, ktˌurɨ fskazˈɨvaw tsˈɔʑ dwˈɔɲʲɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_385.wav|i ˈandɛrsɔn vˈidʑaw f ʃˈɨbjɛ ɔdbʲˈitɕɛ tfˈaʒɨ rɨˈana, mwˈɔdɛj, pʲˈɛŋknɛj.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_85.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_38.wav|musˈimɨ ɕɛ dɔvʲˈɛdʑɛtɕ, kˈim jɛst ta kɔbjˈɛta.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_23.wav|ˌupuɕtɕˈiwam nˈuʃ i vɨbjˈɛɡwam s pˌɔmjɛʃtʃˈɛɲʲa, mijˈajɔnts pɔ drˈɔdʑɛ spɛntsˈɛra.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_6.wav|tˈak, mˈuvi, vidʑˈawa ɕɲʲˈɛk w rxˈɔdɛ ˈislant i tɔ ɲʲɛ rˈas, ˌalɛ ɲʲɛ tˈaki, ktˌurɨ tfˈɔʒɨ zˈaspɨ vˈɨʃʃɛ ɔt ɲʲˈɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_214.wav|w nˌajtʃarɲʲˈɛjʃɨx snˈax ɲʲɛ pʃɨpˈuʃtʃaw, ʒˈɛ fpakˈujɛ ɕɛ f tˌaki pˈaʃtɛt.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_72.wav|ˌalɛ jˈɛdnɔ vʲˈɛm na pˈɛvnɔ.|3
+Dataset/wavs/urwisko_ferenc/50_segment_42.wav|nˈɔtsɔ̃ vˌɨdaʒˈɨwɔ ɕɛ tsˈɔɕ straʃnˈɛɡɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_329.wav|ɲʲɛ, ɲʲɛ. ja tˈu jˈuʃ tˈɛraz zɔstˈanɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_116.wav|nˈɔ dˈɔbra.|4
+Dataset/wavs/urwisko_ferenc/17_segment_68.wav|ˌɔtfɔʒˈɨwa ʃˈɛʒɛj dʒvˈi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_257.wav|tsˈawɛ ʒˈɨtɕɛ ˈidɛ, xˈɔdʑ vwaɕtɕˈivʲɛ stˈɔjɛ w mʲˈɛjstsu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_72.wav|pˈaɲʲɛ prˌɛzɨdˈɛɲtɕɛ, pʃɛprˈaʃam, ˈalɛ...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_20.wav|vˌɨjɛdʑˈɛmɨ dʑˈiɕ na mˈawɛ vakˈatsjɛ, xˌaˈɛm? xˈɔtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_207.wav|trˈɔnt ˈɔddaw mi sfˈɔjɔ̃ fçˈiskɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_113.wav|vʲˈɛŋkʃɔɕtɕ nˈas tɔː ˌaktsɛptˈujɛ i stˈara ɕɛ zˈɛ fʃˈɨstkix ɕˈiw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_178.wav|tˈaɡʒɛ s tɨɣ dvudʑˈɛstu mˈinud zɔstˈawɔ mi tˌɨlkɔ pʲˈɛɲtɕ.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_77.wav|jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ, tˈɛras pˈan.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_342.wav|ɔdˈɛzvaw ɕɛ dˈalɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_68.wav|fskɔtʃˈɨwam dɔ ɕrˈɔtka i skulˈiwam ɕɛ. zˌarɨzˌɨkɔvˈawam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_75.wav|tfʲˈɛrdʑiʃ, ʒˈɛ ɲʲɛ maʒ ʒˈadnɨx pʲɛɲʲˈɛndʑɨ, a tfˈuj pˈartnɛr?|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_128.wav|pɔdɡʒˈɛva zˈupɛ i rɔzlˈɛva dɔ talˈɛʒɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_70.wav|pʃˈɨkrɔ mi, ˌalɛ ɲˈikt ɲʲɛ ɔdbjˈɛra.|4
+Dataset/wavs/urwisko_ferenc/09_segment_58.wav|jˈarɔɲ vbʲˈiw w ɲʲˈɔ̃ vzrˈɔk.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_65.wav|pɔtˈarwa ˈɔtʃɨ. uɕˈadwa i ɕɛ rˌɔzɛjʒˈawa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_68.wav|tɔ dʑˈivnɛ mʲˈɛtɕ mˈatkɛ, ktˌurɛj ɲˈiɡdɨ ɲʲɛ vidʑˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_155.wav|ɲʲɛ znalˈazwɛɕ mʲˈɛjstsa blˈiʒɛj, sˈɛrjɔ?|2
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_149.wav|vɨrˈaʑɲʲɛ ɕɛ tɨm tɕˈɛʃɨ, vʲˈɛdʑɔnts, ʒˈɛ pˌɔzɔstavʲˈɛɲʲɛ alfjˈɛɡɔ z ɲˈim jɛst mˈɔim najɡˈɔrʃɨm kɔʃmˈarɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_151.wav|ʒˈɛbɨ ɕɛ w ɔɡˈulɛ ɲʲɛ zatʃˈɛwɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_125.wav|kʲˈɛdɨ umˈarwa mˈɔja ʒˈɔna...|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_203.wav|tˈaki, ktˌurɨ pɔzvˈala ɔbɲˈiʒɨtɕ kˈɔʃtɨ, zvʲˈɛŋkʃɨtɕ pʃˌɛpustˈɔvɔɕtɕ i zapˈɛvɲitɕ ɲʲˌɛzavˈɔdnɔɕtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_136.wav|bʲˈillɨ pˈatʃɨ na krˈɛf ɕtɕˌɛkajˈɔntsɔ̃ pɔ sɛdˈɛɕɛ. lˈɛkaʃ ɲˈits tˈu ɲʲɛ pɔmˈɔʒɛ. dˈana, jˈak tɔ ɕɛ mˈuvi, kˈɔpnɔw f kalˈɛndaʃ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_68.wav|tɔ bˈɨ ɕɛ z ɡrˈupʃa zɡadʑˈawɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_83.wav|tsˈɔ maʃ na mˈɨɕli?|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_169.wav|vrutɕˈiwam mɨɕlˈami dɔ kɔŋkrˈɛtuf. ɲʲɛ mʲˈawam tʃˈasu na zˌadrɛntʃˈaɲʲɛ ɕɛ pɔtʃˈutɕɛm vˈinɨ. palɲˈika, dvˈuɣ bˈutli ˌatsɛtɨlˈɛnu, jˈɛdnɛj bˈutli s tlˈɛnɛm i mˈaski.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_19.wav|xtɕˈawabˌɨm mˈuts f tɛj xfˈili zɲˈiknɔɲtɕ ˈalbɔː ˈutɕɛts i ɕɛ sxˈɔvatɕ, ʒˈɛbɨm ɲʲɛ muɕˈawa stˈavitɕ tʃˈɔwa tˈɛmu, tsˈɔ mɲʲɛ tʃˈɛka.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_212.wav|kˌapitanˈɔvʲɛ i krulˈɔvʲɛ upˈili ɕɛ jˈɛɡɔ swɔvˈami ɔ smˈɔkax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_53.wav|ˈɔɕɛm lˈat pˈuʑɲʲɛj, kʲˈɛdɨ zrˌɔzumjˈawam, ʒˈɛ mˈɔɡɛ bˈɨtɕ f tɕˈɔ̃ʒɨ, pɔtʃˈuwam na krˌɛŋɡɔswˈupʲɛ lˌɔdɔvˈatɛ krˈɔplɛ pˈɔtu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_104.wav|ˌalɛ ʒˈɨjɛʒ w dˈuʒɨm strˈɛɕɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_231.wav|ɡrˈunt, ʒˈɛ ɲʲɛ muɕˈawabˌɨm jˈuʃ ɔɡlˈɔndatɕ ɕɛ na nˈakɔʃ jˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_29.wav|znajˈɔma mˌamɨ stratɕˈiwa mˈɛ̃ʒa pɔ tʃɨdʑˈɛstu lˈatax i fkrˈuttsɛ pˈɔtɛm ɕɛ dˌɔvʲɛdʑˈawa, ʒˈɛ ɔd dvudʑˈɛstu mʲˈaw kɔxˈaŋkɛ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_167.wav|f krulˈɛstfʲɛ jɛst pˈɛwnɔ krˈuluf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_11.wav|skˌɔntaktˈ��vaw ɕɛ vʲˈɛndʑ z alˈanɛm i pɔvʲˈɛdʑaw mu tˈɨlkɔ, ʒˈɛ tʃˈɛba kˈɔɡɔɕ spʃˈɔntnɔɲdʑ bˈɛs fxɔdʑˈɛɲʲa f ʃtʃɛɡˈuwɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_46.wav|s pɛvnˈɔɕtɕɔ̃ vˈɨɕlɛ sfɔjˈɛɡɔ zbʲˈira, ʒˈɛbɨ jˈɛ vɨvˈaʒɨw, ˌalɛ mˈɔʒɛ udˈawɔ mi ɕɛ kˈupitɕ nˈam trˈɔxɛ tʃˈasu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_351.wav|jɛst pˈan dwˈuɡɔ z ɲʲˈɔ̃?|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_161.wav|tsˈɔ zrˈɔbʲiʃ s tɔ̃ butˈɛlkɔ̃? zapˈɨtaw mˈuʒɨn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_23.wav|ɔtfʲˈɛra dʒvˈi ˌubʲikˈatsji. kɔrˈɨtaʃ jɛst pˈustɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_123.wav|ˌalɛ vʲˈɛ tsˈɔ mˈa na mˈɨɕli.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_210.wav|vˈɛjdɔ̃ pɔ sxˈɔdax? rˈɛntʃɛ zˈatɔ. tsˈɔɕ jˈɛʃtʃɛ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_24.wav|nˌadʲinspˈɛktɔr stˈanlɛj, tsˈɔ mˈɔɡɛ dla pˈaɲi zrˈɔbʲitɕ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_71.wav|vɨtɕˈɔŋɡa rˈɛntsɛ i kwˈadʑɛ mi jˈɛ na ramjˈɔnax.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_40.wav|swˈɔva ˌɔdbʲijˈajɔ̃ ɕɛ ˈɛxɛm w mˈɔjɛj ɡwˈɔvʲɛ i f kˈɔɲtsu pʃɛnˈɔʃɛ nˈaɲʲɔ̃ vzrˈɔk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_7.wav|ɲʲɛ vɨɡlˈɔnda jˈak ɲʲˌɛɔkʃɛsˈanɨ tfˈardʑɛl, vɨɡlˈɔnda jˈaɡbɨ ɕɛ spʲˈɛkw na swˈɔɲtsu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_247.wav|lˈɛdʒ ɡdˈɨ ˌɔtfʲɛrˈawɛm dʒvˈi pˌɔlitsjˈantɔm, ˈɔkna bˌɨwɨ pʃɨkrˈɨtɛ zˌaswɔnˈami.|0
+Dataset/wavs/urwisko_ferenc/48_segment_20.wav|ftɕˈɔ̃ʃ ʃˈukaw nˈɔvɨɣ vrˈaʒɛɲ, ɲʲɛ lˈitʃɔnts ɕɛ z ix ˌutʃutɕˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_7.wav|pʲˈɔnta nat rˈanɛm jɛzd dla mɲʲɛ w dˈuʒɨm stˈɔpɲʲu pɔjˈɛɲtɕɛm ˌapstraktsˈɨjnɨm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_50.wav|jɛdʑˈɛmɨ dɔ puwnˈɔtsnɛj vˈalji. ɔpˈɔvʲɛm fʃˈɨstkɔ pɔ pɔvrˈɔtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_277.wav|jˈɛdna z ɲˈiɣ bˌɨwa zrɔbjˈɔna zˈɛ zwˈɔta, ˌalɛ fˌuŋktsjɔnɔvˈawa rˈuvɲʲɛ dˈɔbʒɛ jˈaɡ drˈuɡa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_61.wav|ˌalɛ ɕɛ ɲʲɛ zˌatʃɨmˈawam.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_293.wav|ˈɔfʃɛm, zdaʒˈajɔ̃ ɕɛ tʃˈasɛm kradʑˈɛʒɛ f sklˈɛpax, ˌalɛ ɲˈikt ɕɛ ɲʲɛ pˌɔwakˈɔmi na tˌaki vˈuzɛk.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_18.wav|jˈasnɨ xˈuj!|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_17.wav|dɔ waʑˈɛŋki, zˌakɔmˌɛndɛrɔvˈawa ˈɛlis, jˈɛɕli ɲʲˈɛxtsɛʒ zabrˈudʑitɕ fʃɨstkʲˈɛɡɔ krfjˈɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_34.wav|tsˈɔ tɨ pˈɔvʲɛʃ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_21.wav|pˌɔvʲɛdʑˈawam tɕˈixɔ, ˌuʒɨvˈajɔnts jˈɛɡɔ pʃɛzvˈiska s tʃˈasuf, kʲˈɛdɨ jˈakɔ ʃˌɛɕtɕɔmjɛɕˈɛntʃnɛ dʑˈɛtskɔː uvʲˈɛlbjaw pʲˈɛrdʑɛtɕ ustˈami z vˌɨstavʲˈɔnɨm jɛ̃zˈɨkʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_107.wav|lˈɛpʃɛ tɔ, ɲˈiʃ ˈumʒɛtɕ w wˈɔʒu ˈalbɔ zɡʲˈinɔɲdʑ w vɨxˈɔtku.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_265.wav|zvwˈaʃtʃa ɔ tɕˈɛnnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_67.wav|rˈixtɛr pɔprˈavja ɡˈɔ mɛ̃ʃtʃˈɨznɛ i vɨtɕˈɔŋɡa rˈɛŋkɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_35.wav|tˈɔm vɨtʃˈɛʃtʃɨw nˈaɲʲɔ̃ ˈɔtʃɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_67.wav|taksˈufka jˈuʃ tʃˈɛka tˈaɡ dwˈuɡɔ. zabjˈɔrɛ xˈɔli.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_75.wav|ɡʲˈɔrɡjɔ vaxlˈujɛ ɕɛ kɔɲʲˈɛʒɛm kɔʃˈuli. ˈux!|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_183.wav|jˈɛdnɔ mʲɛʃkˈaɲʲɛ jɛst pɔ lˈɛvɛj strˈɔɲʲɛ, drˈuɡʲɛ pɔ prˈavɛj, tʃˈɛtɕɛ na kˈɔɲtsu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_54.wav|zwˈɨmi lˈudʑmi, ktˌuʒɨ nˌaʃpikɔvˈali jˈɔ̃ jˈakimɕ ɕfˈiɲstfɛm i ɲʲˌɛpʃɨtˈɔmnɔ̃ vˌɨkɔʒɨstˈali.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_236.wav|vɨdˈawɔ mi ɕɛ, ʒˈɛ tʃˈɛba jˈakɔɕ ɕɛ zaxˈɔvadʑ vˈɔbɛts tɛj pʲˈɛŋknɛj dʑɛftʃˈɨnɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_301.wav|dʑɛŋkˈujɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_91.wav|vʲˈɛlɛ ˈɔsup jɛst mi vˈinnɨx pʃɨswˈuɡɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_174.wav|tfˈɔja fspˌuwlɔkatˈɔrka ɲʲɛ bˌɨwa zazdrˈɔsna?|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_71.wav|ˌidɛˈalizm ɲʲɛ zapˈɛvɲi lˈudʑɔm pˌɔʒɨvʲˈɛɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_33.wav|mʲˈawam nadʑˈɛjɛ, ʒˈɛ vɨstˈartʃɨ mi ɡˈɔ na pʃɛʒˈɨtɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_158.wav|mɔʒlˈivɛ, ʒˈɛ ɲʲɛ. mˈa f sˈɔbjɛ jˈakiɕ pʲɛrvʲˈastɛɡ baɕɲʲˈɔvɨ, a jˈɛdnaɡ bʒmˈi vʲˌarɨɡˈɔdɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_385.wav|ʒɛlˈazna flˈɔta nalˈɛʒɨ dɔ mɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_167.wav|a i w nˈɔtsɨ prˈavʲɛ ɲʲɛ spˈawam.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_78.wav|fˈakt, ʒˈɛ tɨm rˈazɛm sˈam sˈɔbjɛ jɛzd zlˌɛtsɛɲʲɔdˈaftsɔ̃, ɲitʃˈɛɡɔ ɲʲɛ zmʲˈɛɲʲa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_163.wav|pɔmˈɔʒɛʃ mi z bʒˈuxɛm pɔ ɕɲʲadˈaɲʲu?|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_295.wav|pʃɨjmˈujɛ tfˈɔjɛ zˌadɔɕtɕˌutʃɨɲʲˈɛɲʲɛ, xˈɔtɕaʒ vʲˈɛm, ʒˈɛ pɔxˈɔdʑi z ɲʲˌɛɡɔdnˈɛɡɔ ʑrˈudwa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_432.wav|pravdʑˈivɨ kˈɔɲʲɛts ɕfʲˈata vˈiɕi nat nˈami, vˈiɕi nat nˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_65.wav|ɔkˈazaw ɕɛ tˌaki mˈiwɨ i dˌɛlikˈatnɨ, kʲˈɛdɨ ɕɛ zˌɔrjɛntˈɔvaw, jˈak ɲʲɛvʲˈɛlɛ vʲˈɛm na tˈɛmat ɕfʲˈata ˌɔtatʃˌajɔntsˈɛɡɔ lˌakɛsˈidɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_62.wav|naprˈavdɛ ɲʲɛ xtɕˈawɛm sˌuɡɛrˈɔvatɕ ɲitʃˈɛɡɔ ɲʲˌɛstɔsɔvnˈɛɡɔ. mˈɔʒɛ ˈinnɨm rˈazɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_66.wav|pˈawl vʲˈɛdʑaw, ʒˈɛ ʑrˈudwɔː ˌinfɔrmˈatsji tˈɔma jɛzd vʲˌarɨɡˈɔdnɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_74.wav|fˈɛj rɔzvʲˈadwa ɕɛ ɲʲɛdˈavnɔː i dɔstˈawa spˈɔrɔ̃ rˌɛkɔmpɛnsˈatɛ fˌinansˈɔvɔ̃, vʲˈɛnts ɲʲɛ mˈuɕi pratsˈɔvatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_42.wav|dʑˈɛtɕi zjadˈawɨ swɔdˈɨtʃɛ, vˌɨmjɛɲʲˈawɨ ɕɛ kˌɔmiksˈami i vˌɨʒutsˈawɨ ulˈɔtki.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_168.wav|tkɲʲˈɛntɨ jˈakɔ̃ɕ pɔsˈɛmpnɔ̃ tˌajɛmɲˈitsɔ̃ ˈalbɔ pʃɨkrˈɨtɨ vɛlˈɔnɛm,|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_173.wav|xɔwdˈɔvi tˈɛʃ.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_40.wav|zˈafʃɛ bˌɨwɨ z nˈami jɛj kuzˈɨŋki.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_296.wav|ɲʲɛ fspˌɔminˈajɔnts jˈuʃ ɔ smˈɔkax.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_55.wav|i vˌɨɡlɔndˈawɔ tɔ, jˈaɡbɨ vˌɨnuʒˈawa ɕɛ z ɡasnˈɔntsɛj zˈɔʒɨ vʲɛtʃˈɔrnɛj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_37.wav|prɔstˈujɔnts plˈɛtsɨ pɔdnˈɔʃɛ rˈɛŋkɛ i pˈukam mˈɔtsnɔ dɔ dʒvˈi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_73.wav|tˈɛras ɲʲɛ mʲˈawam jˈɛdnak najmɲʲˈɛjʃɨɣ vˌɔntplivˈɔɕtɕi, ʒˈɛ ˈaram ɲʲɛ mˈɔʒɛ ɕɛ ˈɔɲʲɛj dɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_138.wav|ɲʲɛ zvrˈutɕiw nˈamɲʲɛ uvˈaɡʲi. ˌɔdɛtxnˈɛwam z ˈulɡɔ̃ i vˈɛʃwam dɔ pɔtɕˈɔŋɡu.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_126.wav|pɔ prˈɔstu tɕˈɛ zabʲˈija.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_43.wav|ˌuswɨʃˈawɛm tɕˈixɨ ʃˈɛpt, pɔ tʃɨm tˈɛn, ktˈɔ tʃˈɨmaw ftɕiɕɲʲˈɛntɨ ɡˈuziɡ dˌɔmɔfˈɔnu, pˈɛttɛrsɛn dˌɔmɨɕlˈiwɛm ɕɛ, pˈuɕtɕiw ɡˈɔː i zapˈadwa zupˈɛwna tɕˈiʃa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_37.wav|mˈɨɕliʃ, ʒˈɛ zrɔbʲˈiwa tsˈɔɕ pˌɔdɔbnˈɛɡɔ ftʃˈɛɕɲʲɛj?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_149.wav|ktˌurɛ pˌamjɛntˈawɛm ɔt rˈana.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_394.wav|i f tɨx jɛj skˈɔmpɨɣ ɡˈɛstaɣ bˌɨwɔ xˈɨba zˌapʃɛtʃˈɛɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_27.wav|drˈuɡʲi ɲʲɛ vʲadˈɔmɔ, ɡdʑˈɛ ɕɛ pˈɔdʑaw.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_119.wav|tɔ ɡˈɔ drɛntʃˈɨwɔː i ɲʲɛ mˈɔʒna mu bˌɨwɔ ɲitʃˈɛɡɔ vˌɨtwumˈatʃɨtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_34.wav|starˈawam ɕɛ mˈuvitɕ pʃˌɛraʒˈɔnɨm tˈɔnɛm, ˌalɛ ɲʲɛ muɕˈawam zbˈɨtɲʲɔ ɕɛ vɨɕˈilatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_18.wav|ɲʲˌɛnavˈidʑi jɛj zˈatɔ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_201.wav|mʲˈawa jˈuʒ zˈamjar vˈɨjɕtɕ, ɡdˈɨ sˈɛr xˈɨall jˈɛdnak ɕɛ zjˈaviw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_22.wav|pˈɔtɛm pˌɔtpisˈawɛm ɕɛ f tʃtˈɛrɛx mʲˈɛjstsax, mˈɔtsnɔ dˌɔtɕiskˈajɔndʑ dwuɡˈɔpis, jˈak ɕˈɛrʒant kˈazaw.|2
+Dataset/wavs/urwisko_ferenc/46_segment_49.wav|ˌaɲi ˈɔna, ˌaɲi lˈipski ɲʲɛ zdradʑˈili ɡˈɔ pʃɛt prˌɔkuratˈɔrɛm. — lˈɛpʲɛj ɲˈiʃ tɕˈɛbjɛ — ˈɔtpar pɔlˈitsjant.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_221.wav|jɛdˈɨnɛ, tsˈɔ kɔjˈamɔ kɔxˈawa bˈardʑɛj ɲˈiʃ sfˈuj wˈuk,|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_208.wav|pˌɔɡrɔ̃ʒˈɔna w ʒawˈɔbjɛ vdˈɔva jɛst fɕtɕˈɛkwa, ʒˈɛ jɛj sɨnˈɔvʲɛ ɲʲɛ ˌɔdʑɛdʑˈitʃɔ̃ ʑˈɛm jɛj pˈana ˈɔjtsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_75.wav|ɲˈikt ˈɔprutʃ tɕˈɛbjɛ jɛj ɲʲɛ zɔbˈatʃɨ. i bˈardʑɔ dˈɔbʒɛ. spɛwɲˈiwa sfˈɔjɛ zadˈaɲʲɛ. ˌɔtfɔʒˈɨwa dʒvˈi.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_248.wav|ɔtpˈarwam i pˌɔtɕɔŋɡnˈɛwam wˈɨk pˈiva.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_11.wav|ˈaʒ dɔ vʲɛtʃˈɔra dʑˈɛɲ tsɛrsˈɛi bˈɨw ɲʲɛvʲˈɛlɛ lˈɛpʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_310.wav|zwˈɔʒɛ ɕlˈubɨ i fstˈɔmpjɛ f ʃɛrˈɛɡʲi sˈɨnuv vˌɔjɔvɲˈika.|1
+Dataset/wavs/urwisko_ferenc/52_segment_72.wav|— tˈak. — ɲʲɛ zapˈɔmɲʲaw pˈan ɲitʃˈɛɡɔ z dˈɔmu? — drˈɔ̃ʒɨw bɔrˈɛvitʃ.|0
+Dataset/wavs/urwisko_ferenc/57_segment_33.wav|— rˈɔskas tɔ rˈɔskas — ˈɔtpar z uɕmʲˈɛxɛm kʲɛrˈɔftsa i ɡdˈɨ vwɔntʃˈɨwɔ ɕɛ ʑɛlˈɔnɛ ɕfʲˈatwɔ, vʒˈutɕiw jɛdˈɨŋkɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_73.wav|ɲʲɛ vˈɔlnɔ vam zabjˈɛradʑ zˈɛ sˈɔbɔ̃ ɲitʃˈɛɡɔː ɔstrˈɛɡɔ, bˈɔ mˈɔɡlibˌɨɕtɕɛ pʃˈɛbʲitɕ pɔvwˈɔkɛ, a ftˈɛdɨ spɔtkˈawabˌɨ vˈas ɕmʲˈɛrtɕ na mʲˈɛjstsu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_237.wav|ˈɛlis pˈatʃɨ zˌafastsˌɨnɔvˈana.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_3.wav|f pˌɔruvnˈaɲʲu z mˈɔjɔ̃ ɔpskˈurnɔ̃ dʑɛlɲˈitsɔ̃, tɔ ɲʲˈɛba ʑˈɛmʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_247.wav|mˈatka ɲʲɛ xtɕˈawa. mɨ zˌɔstawˈɨɕmɨ z mˈatkɔ̃. tˈak ɕɛ zdˈaʒa.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_101.wav|spˈuwka sˈanxɛs ˌalumˈiɲʲum pˌɔbjɛrˈawa ɔpwˈatɨ ɔd vwˈasnɨx prˌatsɔvɲˈikuv za pʃˈɛjazd vwˈasnɨm pɔtɕˈɔŋɡʲɛm dɔ vwasnˈɛɡɔ kˌɔmbʲinˈatu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_76.wav|dˈɔm ɲʲˌɛzaxfʲˈaɲʲɛ vʲˈɛʒɨ f tɔ, ʒˈɛ rɔdʑˈina mˈɔʒɛ pɔkˈɔnatɕ fʃˈɨstkɔ, a ja rɔzˈumjɛm, dlatʃˈɛɡɔ tˈak uvˈaʒa.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_92.wav|ˌadmiɲˌistratˈɔrka vɨdˈawa pʃɛtɕˈɔŋɡwɛ vɛstxɲʲˈɛɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_38.wav|vidʑˈawɛm zdjˈɛɲtɕɛ. jɛst f pɔkˈɔju z wˈuʃkʲɛm. tɔ fʃˈɨstkɔ, tsˈɔ vʲˈɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_180.wav|tˈak tʃɨ ˈɔvak papʲˈɛrɨ sɔ̃ sfˌawʃɔvˈanɛ, a tˈu jɛzd vˈɔlnɨ krˈaj.|0
+Dataset/wavs/urwisko_ferenc/06_segment_23.wav|ɲʲˈɛmʲaw vˌɔntplivˈɔɕtɕi, ʒˈɛ bˈɨw tɔ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_115.wav|kʲˈɛdɨ dʑɛftʃˈɨna ˈɔtskɲʲɛ ɕɛ rˈanɔ, skˌatsɔvˈana, zdˌɛzɔrjˌɛntɔvˈana, w mʲɛʃkˈaɲʲu ɲʲˌɛznajɔmˈɛɡɔ, bˈɛs ˈubraɲ,|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_122.wav|rˌɔspalˈawa pwˈɔmjɛɲ f sfˈɨm sˈɛrtsu. ɡɲʲˈɛv bˈɨw lˈɛpʃɨ ɲˈiʒ wzˈɨ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_149.wav|mˈaʃa bˌɨwa dˈɔbrɔ̃ kɔbjˈɛtɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_43.wav|zˈatɔ tɕˈɛ̃ʃkɔ pratsˈujɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_160.wav|ɲʲˌɛvidˈɔtʃnɛj, ɲʲˌɛdɔstʃɛɡˈalnɛj, ɲʲˌɛuɕfʲˌadɔmjˈɔnɛj ˌɛpidˈɛmji, ktˌura pɔvˈɔli ɔɡˈarɲʲa nˈaʃ krˈaj, mˈɔʒɛ nˈavɛt ɛwrˈɔpɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_133.wav|jˈɛɕli kɔɲʲˈɛtʃɲʲɛ mˈuɕiʒ vʲˈɛdʑɛtɕ, tɔ pˌɔkwutɕiwˈɨɕmɨ ɕɛ ɔ tɕˈɛbjɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_6.wav|tˈak mi pʃˈɨkrɔ s pɔvˈɔdu tˌɛɡɔ fʃɨstkʲˈɛɡɔ, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ, ʃˈɛptʃɛ.|4
+Dataset/wavs/urwisko_ferenc/28_segment_80.wav|mˈarja ɕɛŋɡnˈɛwa pɔ pˈɔrtfɛl. dʑˈɛŋki za spɔtkˈaɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_17.wav|z jakʲˈɛɡɔɕ pɔvˈɔdu tfˈaʒɛ dʑˈɛŋki ɲˈim vˌɨdavˈawɨ ɕɛ ʒˈɨvɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_30.wav|jˈɛdʑɛ dɔ puwnˈɔtsnɛj vˈalji.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_161.wav|pɔt ʃafˈɔtɛm zˈɛbraw ɕɛ twˈum. bˌɨwɔ w ɲˈim rˈuvɲʲɛʃ kˌilkanˈaɕtɕɛ mˌarkʲɛtˈanɛk f skˈɔmpɨx strˈɔjax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_129.wav|prˈavʲɛ jˈak na vakˈatsjax, ˈaʃ f kˈɔɲtsu pʃɨxˈɔdʑi tʃˈas rɔspˈɔtʃɔɲdʑ vwaɕtɕˈivɛ pʃˌɨɡɔtɔvˈaɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_299.wav|tʃɨ mˈɔɡɛ prˈɔɕitɕ ɔ zˈaʃtʃɨt tˌɔvaʒɨʃˈɛɲʲa vˈaʃɛj miwˈɔɕtɕi na dvˈɔʒɛ?|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_130.wav|ɲʲˈɛbɔ bˌɨwɔ ɲʲɛvʲˈɛlɛ vʲˈɛntsɛj ɲˈiʃ mˈurɛm f kʃtˈawtɕɛ pˌuwkɕɛ̃ʒˈɨtsa, zbˌudɔvˈanɨm zˈɛ stˈarɨx, ɲʲˌɛpɔwɔntʃˈɔnɨɣ za prˈavɔ̃ kamjˈɛɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_65.wav|nˈavɛd bˈɛs mˌakijˈaʒu bˈɨwɨbˌɨ prˈavʲɛ ɲʲˌɛvidˈɔtʃnɛ mˈɨɕli bʲˈillɨ. mˈinɔw pˈɔnat tˈɨdʑɛɲ ɔt jɛj fɛrˈalnɛj rˈantki s trˈipɛm dˌɔnɔvˈanɛm, a mwˈɔdɨm ˌɔbraʒˈɛɲʲa ʃˈɨpkɔ ɕɛ ɡˈɔjɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_124.wav|ɲʲˈɛmam ʃˈansɨ pɔvʲˈɛdʑɛtɕ ɲˈidʑ vʲˈɛntsɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_21.wav|ʒadnˈɛɡɔ ɲʲɛ zˌauvˈaʒa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_200.wav|mˈɔʒɛ tˈak ɕɛ stˈatɕ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_54.wav|ɲʲˈɛvʲɛm jˈɛʃtʃɛ, ɔ ktˌurɛj vrˈutsɛ. mˈɔʒɛ fskˈɔtʃɛ dɔ basˈɛnu, vʲˈɛnts ɲʲɛ tʃˈɛkaj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_131.wav|ˈɛlis ɕfʲˈɛtɲʲɛ ɕɛ bˈavi, jˈaɡ dʑˈɛtskɔ, ktˌurɛ pʃɛbjˈɛra ɕɛ za dˌɔrɔswˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_39.wav|kʲˈɛdɨ bʲˈilis pɔɡlˈɔnda na ˈɛlis, ta pˈatʃɨ w dˈuw, na sfˈɔjɛ mˈɔtsnɔ splɛtɕˈɔnɛ dwˈɔɲʲɛ. pɔ jɛj pɔlˈitʃkax pwˈɨnɔ̃ wzˈɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_14.wav|prˌavdɔpɔdˈɔbɲʲɛ zdjˈɔw mi jˈɛ, kʲˈɛdɨ spˈawam.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_36.wav|sˈama pʃˈɛz dwˈuʃʃɔ̃ xfˈilɛ nˌapavˈawam ɕɛ tɨm vidˈɔkʲɛm. f kˈɔɲtsu ɲʲɛ jˌɛstɛm s kamjˈɛɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_203.wav|f sˈumjɛ mˈɔʒɛ bˈɨtɕ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_248.wav|nˈɔtsɔ̃ tsɛrsˈɛi tʃasˈami swɨʃˈawa tɕˈixɛ dʑvʲˈɛŋki, nˈavɛd vɛ vwˈasnɨx kɔmnˈatax. tɔ tˌɨlkɔ mˈɨʃɨ w ɕtɕˈanax.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_65.wav|tʃɨ bˌɨwam zˌaɕlɛpʲˈɔna?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_20.wav|tˈɔm ɲʲˈɛmʲaw pɔjˈɛɲtɕa, jˈak tɔ dʑˈɛtskɔ kˌɔmukˈɔlvʲɛɡ znˈuv zaˈufa, ˌalɛ muɕˈɛli jˈɔ̃ stˈɔnt jˈak najʃˈɨptɕɛj zˈabratɕ, ʒˈɛbɨ mˈɔɡwa zˈatʃɔɲdʑ dɔxˈɔdʑidʑ dɔ ɕˈɛbjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_209.wav|pʃɛtɕˈɔŋɡa pɔtˈɛ̃ʒnɔ̃ stalˈɔvɔ̃ ʃtˈabɛ pʃˈɛz dvˈa skˈɔblɛ i vrˈatsa dɔ pˈitskˈupa, ktˌurɨ rˈɨtʃɨ pʃˈɛs pˌɔdʑuravʲˈɔnɨ twˈumik.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_3.wav|dˈɔstaw ubrˈaɲʲɛ, ʒˈɛbɨ ɕɛ pʃˈɛbratɕ i zmˈɨw jˈuʒ zˈɛ skˈurɨ krˈɛv ʒˈɔnɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_85.wav|bʲˈillɨ ɡwˈuvɲʲɛ pˈɛnta ɕɛ za ɲˈimi, ɕtɕɔŋɡˈajɔnts na ɕˈɛbjɛ pˌɔdɛjʒlˈivɛ spɔjʒˈɛɲʲa ɲʲɛktˌurɨx spʃɛdˈaftsuf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_9.wav|stsˈɔtt mʲˈaw fpˈaʑdʑ vʲɛtʃˈɔrɛm, kʲˈɛdɨ fʃˈɨstsɨ bˌɛndɔ̃ na imprˈɛʑɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_65.wav|xfˈilɛ pˈuʑɲʲɛj zzˈa swˈupuv dɔbjˈɛɡa jˈakiɕ ʃˈɛlɛst, kˌɔjaʒˈɔntsɨ ɕɛ z ˌɔtɕɛrˌajɔntsˈɨmi ɔ ɕˈɛbjɛ tkˌaɲinˈami.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_115.wav|jˈamɛ vˈɛzvaw straʒɲˈika.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_163.wav|vˌɨɲʲɛɲʲˈawɨ fˈɔtɛl i kavˈawɛɡ bjurˈɛtʃka. i ɔt lˈad vˌɨdavˈawɔ mi ɕɛ, ʒˈɛ tɛn zɡʲˈɛntɨ tɕˈɛɲ f puwmrˈɔku tɔ jˌɛstɛm jˈa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_146.wav|bˈaki uvˈaʒɲʲɛ swˈuxa i pɔ pˈɛvnɨm tʃˈaɕɛ kˈiva ɡwˈɔvɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_49.wav|tɔ ɲʲɛ ja pɔvˈinnam tɕi ɕɛ twumˈatʃɨtɕ. tɔ tɨ jˌɛstɛɕ mi vˈinna vˌɨjaɕɲʲˈɛɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_46.wav|zɲˈiʒa ɡwˈɔs.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_212.wav|ɲʲɛ zatʃˈɨnaj, utɕˈina bʲˈillɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_207.wav|ktˌura tɔ ɡɔdʑˈina?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_53.wav|kwˈadɛ ɕɛ ˌɔbɔk na wˈuʃku. ʃˈɛptʃɛ swˈɔva ɔtˈuxɨ i pɔftˈaʒam, jˈaɡ bˈardʑɔ jˈɔ̃ kˈɔxam.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_83.wav|ˈalbɔ dɔ xɔˈustɔn.|0
+Dataset/wavs/urwisko_ferenc/53_segment_88.wav|bɔrˈɛvitʃ ˈuɕad ˌɔbɔk ɲʲˈɛj i pʃˈɛjɔw kɔmpˈutɛr.|0
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_13.wav|ˌalɛ tɔ strˈaʃɲʲɛ pˌɔkrɛntsˈɔnɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_155.wav|sˈanxɛs ˌalumˈiɲʲum tɔ spˈuwka brˌazɨlˈijska.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_145.wav|ɡˈɛndrɨ zˌauvˈaʒɨw jˈɔ̃ dɔpʲˈɛrɔ ftˈɛdɨ, ɡdˈɨ pʃˈɛrvaw prˈatsɛ, bˈɨ ˈɔtʃɛt pɔt s tʃˈɔwa.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_127.wav|ɲʲˈɛma ɲˈits pʃɛtɕˈifkɔ tˈɛmu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_157.wav|a pɔ ɡɔdʑˈiɲʲɛ pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_161.wav|ɡdˈɨbɨ ktˈɔɕ pˈɨtaw, pˈɔvʲɛ, ʒˈɛ fpˈad na nˈɔvɨ pˈɔmɨsw i mˈuɕi ɡˈɔ dɔkwˈadɲʲɛ rɔzvˈaʒɨtɕ, ˈalbɔ zbjˈɛra mˌatɛrjˈawɨ.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_9.wav|ˌalɛ ɲʲɛ tˈak tɕˈɛmna jˈak f krˈɨptɕɛ dʑˈɛvits ˈalbɔ na smˈɔtʃɛj skˈalɛ, ɡdʑˈɛ lˈɛʒɨ pˌɔpaʒˈɔnɨ, krfavʲˈɔntsɨ lˈɔras tˈɨrɛll.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_61.wav|ktˈɔɕ pʃɛtɕˈɔŋɡlɛ zˈaɲʲɔ̃ ɡvˈiʒdʒa, ˌiɡnɔrˈujɛ tɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_165.wav|tɕɛkˈavɛ, tʃɨ zdˈɔwam dʑˈiɕaj zˈasnɔɲtɕ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_202.wav|mˈɔʒɛ i ɲˈiɡdɨ ɲʲɛ vidʑˈawam vʲɛlbwˈɔnda, muvˈiwa im, ˌalɛ vʲɛlbwˈɔɲdʑɔ̃ pˈizdɛ pɔtrˈafjɛ pˈɔznatɕ pɔ zapˈaxu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_152.wav|dlatʃˈɛɡɔ maʃ kwɔpˈɔtɨ?|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_55.wav|tsˈɔ tɔ jɛzd dɔ xɔlˈɛrɨ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_165.wav|ɲˈiɡdɨ ɲʲɛ rˌɔzumjˈawam jˈɛɡɔ varˈuŋkuf, ˌalɛ vʲɛdʑˈawam, ʒˈɛ ˈaram nˈattɨm panˈɔvaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_115.wav|i tʃɨ bʲˈillɨ ɔttʃˈuva pɔkˈusa? ˌɔtʃɨvˈiɕtɕɛ. i tɔ jˈakɔ̃?|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_122.wav|pˈɔtɛm rˈuʃa ʃˈɨpkim krˈɔkʲɛm f strˈɔnɛ pˈɛarsɔn strˈit i budˈɨŋku mʲˌɛʃkalnˈɛɡɔ nˌapʃɛtɕˈifkɔ zbuʒˈɔnɛj stˈatsji kˌɔlɛjˈɔvɛj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_311.wav|ˌalɛ tˌɨlkɔ dɔtknˈɔwɛm tɨɣ ʒawˈɔsnɨx lˈɔkuf.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_30.wav|ˌalɛ dʑɛftʃˈɨŋki nˈaɲʲɔ̃ patʃˈɨwɨ i ɲʲɛ mˈɔɡwa ɕɛ tsˈɔfnɔɲtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_67.wav|ftɕˈɔ̃ʃ tɨm sˈamɨm tɕˈixɨm ɡwˈɔsɛm znˈuv zatʃˈɛwa pwˈakatɕ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_27.wav|tɕɔŋɡnˈɛwa ˈarjan, ɡdˈɨ mijˈali kɔlˈɛjnɛ mˈilɛ. znˈaʃ mɲʲɛ, ˈɔtkɔnd bˌɨwam mˈawɔ̃ dʑɛftʃˈɨŋkɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_141.wav|pravdʑˈivɨ dʒɛntˈɛlmɛn.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_193.wav|kʲˈɛdɨ vrˈatsa, ˈɛlis nˈadal pˈatʃɨ na kɕˈɛ̃ʒɨts.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_204.wav|klˈuɛ ɔtkˈɔpnɔw ɡˈɔ na bˈɔk. vidʑˈawɛm dʒˌɔnnɨˈɛɡɔ nat ramjˈɛɲʲɛm tˈatsɔ. tˈɛras jˈuʃ tʃˈuw bˈul. kʃˈɨtʃaw. xfʲˈaw ɕɛ na nˈɔɡax. krˈɛv zˌalɛvˈawa mu bˈutɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_20.wav|mˈɔɡwa ɕɛ ˌɔtʃɨvˈiɕtɕɛ mˈɨlitɕ, ˌalɛ pˌɔdɛjʒlˈivɔɕtɕ mʲˈawa vɛtskˈɛrvi.|3
+Dataset/wavs/urwisko_ferenc/53_segment_75.wav|tˈak, bˌɨwɨ f tˈɛtʃtsɛ i ktˈɔʑ z nˈaʃɨ�� vɨkˈɔnaw ɡʲˌiɡantˈɨtʃnɔ̃ rɔbˈɔtɛ. spˈisaw nazvˈiska fʃˈɨstkix sfˌɔtɔɡrˌafɔvˈanɨx. ɲʲɛ xˈɔdʑi ɔ lˈudʑi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_204.wav|zrˈɔbʲiwbˌɨɕ tɔ? pɔvˈaʒɲʲɛ? pˈɨta, kʲˈɛdɨ bʲˈillɨ kˈɔɲtʃɨ mˈuvitɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_42.wav|bjˈɛʒɛ dʑɛftʃˈɨnɛ za rˈamjɛ. nˈaɲim jɛst kɔlˈɛjnɨ mɲʲˈɛjʃɨ ɕˈiɲʲak. pʃɛvrˈatsa jˈɔ̃ na plˈɛtsɨ i rɔstɕˈɛra dˈalɛj. stˈɔpɨ, nˈɔɡʲi, bʒˈux, pʲˈɛrɕi, ramjˈɔna.|2
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_9.wav|kʲˈɛdɨ jˌɛstɛʑ zbˌuntɔvˈanɔ̃ nˌastɔlˈatkɔ̃ i vɨdˈajɛ tɕˈi ɕɛ, ʒˈɛ kˈaʒdɨ tfˈuj vˈɨbrɨk tɔ maɲˈifɛst pˌɔkɔlˈɛɲʲa, vˈartɔ ɕɛ pɔɕfʲˈɛɲtɕitɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_23.wav|i çˈiŋk prɔvˈadʑiw mu tɛ kɕˈɔ̃ʃki, ˌalɛ pɔ çˈiɲsku, pɔɲʲˈɛvaʃ ɲʲɛ ˈumjaw pˈisatɕ pɔː aŋɡʲˈɛlsku.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_38.wav|spravdʑˈiliɕmˌɨ trˈasɛ, jˈakɔ̃ pˌɔkɔnˈawa ɔfjˈara sˈɛr. bˈɨw f prɨvˈatnɨm kasˈɨɲʲɛ w mʲˈɛɕtɕɛ, f ktˌurɨm jɛzd dˌɨrɛktˈɔrɛm.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_347.wav|vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_67.wav|znˈam pˌɔvʲɛdʑˈɛɲʲɛ, ʒˈɛ prˈavda jɛzd dʑivɲʲˈɛjʃa ɔt fˈiktsji bˈɛtskɨ, ˌalɛ tʃɨ naprˈavdɛ vʲˈɛʒɨʃ, ʒˈɛ ˌɔna jɛst ˈaʃ tˈaɡ bˈɨstra?|3
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_119.wav|vˈitam f klˈubjɛ, mˈuvi rˈixtɛr.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_97.wav|ktɔkˈɔlvʲɛk, nˈavɛt tˈakʲɛ dvˈa zˌakapʲˈɔrɨ z vˈɛɡas jˈak ɲˈitsk majˈɔrjan i ɡʲˈɔrɡjɔ piɡljˈɛlli.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_5.wav|ˌalɛ tɔ ɲʲɛ bˌɨwɔː ˌaɲi trˈɔxɛ pɔmˈɔtsnɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_5.wav|tˈɛraz vʲˈɛm tˌɨlkɔ tˈɨlɛ, ʒˈɛ mˌajɔ̃ mˈɔjɔ̃ tsˈurkɛ i jɛzd z ɲˈimi zupˈɛwɲʲɛ sˈama.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_279.wav|lˈɔrdʑɛ jˈamɛ, tʃɨ mˈuʃɛ znˈɔɕitɕ tˈakɔ̃ ɲʲˌɛupʃˈɛjmɔɕtɕ? zapˈɨtaw.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_46.wav|dˈajɛ jɛj ɕrˈɔtki nasˈɛnnɛ i...|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_292.wav|ɡdˈɨ jɛxˈawɨ pʃˈɛs mʲˈastɔ, taˈɛnɛ nˈaɡlɛ dɔpˈadwɨ vˌɔntplivˈɔɕtɕi. tɛn prˈɔtsɛs...|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_164.wav|i vˈɨjɔw s kʲɛʃˈɛɲi pwˈaʃtʃa zɡrˈabɲʲɛ ˌɔviɲʲˈɛntɛ, ˌɛlɛɡˈantskʲɛ pˌudɛwˈɛtʃkɔ.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_302.wav|xfˈawɛ i ɲʲɛʃtʃˈɛɲɕtɕɛ naʃˈɛɡɔ rˈɔdu.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_451.wav|jˈɛɡɔ pɨzˈata bˈuʑa zrɔbʲˈiwa ɕɛ tʃɛrvˈɔna. maʒ zɔstˈavitɕ jɛj jˈɛ̃zɨk.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_51.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_427.wav|bˈɔrɔs tɔ txˈuʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_84.wav|kʲˈɛdɨ zamknˈɛwa za sˈɔbɔ̃ dʒvˈi, tˈɔm vɨtɕˈɔŋɡnɔw kɔmˈurkɛ i vɨʃˈukaw fˈirmɛ naˈila.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_363.wav|pˈan ɲʲɛ skˈɔɲtʃɨw sfɔjˈɛɡɔ pˈiva.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_410.wav|tʃˈɛba fstˈatɕ i ˈiɕtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_28.wav|a bˈul vˌɨɲikajˈɔntsɨ z jɛj zdrˈadɨ ɲʲɛ pɔvˈiɲʲɛn ˈaʃ tˈaɡ bˈɔlɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_98.wav|muvˈiwɛm tɕˈi, ʒˈɛ ɡwˈɔva mɲʲɛ ɔkrˈɔpɲʲɛ bˈɔli.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_76.wav|bˌɨwam na tʃˈɛtɕim rˈɔku çistˈɔrji.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_82.wav|nazvˈiskɔ vˌɨjaɕɲʲˈawɔ pʃɨnˈajmɲʲɛj skrˈut na tablˈitsɨ rˌɛjɛstratsˈɨjnɛj.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_3.wav|bˌɨli jˈɛʃtʃɛ vˈuftʃas tˈak mwˈɔdʑi, ʒˈɛ ɲˈikt ɲʲɛ pɔtrˈafiw ix ɔdrˈuʒɲitɕ ɔt ɕˈɛbjɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_113.wav|ɲʲˌɛnavˈidʑɛ tɕˈɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_87.wav|ɡdˈɨbɨm tˈɛras ɔpˈuɕtɕiw jˈɔ̃ na kamjˈɛnnɔ̃ pɔdwˈɔɡɛ, rˌɔstʃaskˈawabˌɨ ɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_155.wav|xˈɨba zˌɔbatʃˈɨwa vˈɨras mˈɔjɛj tfˈaʒɨ, bˈɔ xfɨtɕˈiwa mˈɔjɔ̃ dwˈɔɲ i pʃˌɨtɕɔŋɡnˈɛwa mɲʲɛ dˌɛlikˈatɲʲɛ, ʒˈɛbɨm nˈaɲʲɔ̃ spɔjʒˈawa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_14.wav|f pɔʒˈɔntku, mˈɨɕli i vɨpˈuʃtʃa pɔvʲˈɛtʃɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_564.wav|ɲʲˈɛvʲɛm tʃˈɛmu, vɨdˈawɔ mi ɕɛ, ʒˈɛ ɕɛ vˈaxa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_202.wav|ta kɔbjˈɛta ɲʲˈɛxtsɛ, ˈabɨɕ jɛj kupˈɔvaw tʃɨ dˈavaw.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_206.wav|ɡdˈɨ ɲˈikt ɕɛ ɲʲɛ zjˈaviw,|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_214.wav|pˌɔkrɨvˈawa jˈɔ̃ ʃtʃɛtɕˈina, pɔdˈɔbɲʲɛ jˈaɡ vɨdˈatnɔ̃ ʃtʃˈɛŋkɛ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_271.wav|pˈaltsɛ trˈɔxɛ mu ɕɛ tʃˈɛ̃swɨ, kʲˈɛdɨ tʃɨmˈawam ɡˈɔ za rˈɛŋkɛ, ˌalɛ tɔ fʃˈɨstkɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_50.wav|ˌalɛ ɲʲɛ pɔtrˈafjɛ tˌɛɡɔ w ʒˈadɛn spˈɔsup ˌudɔvˈɔdɲitɕ, a tɨ ɲʲɛ maʃ pɔvˈɔdu, ʒˈɛbɨ mi vʲˈɛʒɨtɕ na swˈɔvɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_14.wav|pˌɔvʲɛdʑˈawabˌɨ mi, ɡdˈɨbɨ ɡˈɔ zɡubʲˈili?|4
+Dataset/wavs/urwisko_ferenc/55_segment_3.wav|a tˈɛras maʃ xfˈilɛ? jˈasnɛ, tsˈɔ pɔtʃˈɛba.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_61.wav|pɔswˈuʃnɔ̃ i pʲˈɛŋknɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_264.wav|vˈɔkuw vʲˈɛlkʲɛj ɡwˈɔvɨ.|0
+Dataset/wavs/urwisko_ferenc/46_segment_34.wav|— pɔlˈitsja jɛst jˈuʒ w drˈɔdʑɛ. musˈimɨ tˌɨlkɔ vʲˈɛdʑɛtɕ, ɡdʑˈɛ jɛst ʃtʃˈɛrpski.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_161.wav|i pˈɛvɲʲɛ tɔ fʃˈɨstkɔ mˈɔja vˈina.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_48.wav|ɲʲɛ mˈuɕi pˈan mˈuvitɕ ɲitʃˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_449.wav|spˈɔjʒaw na ɕfʲˈɛtsɛ, jˈaɡbɨ ɲʲˈɛmuɡw jˈuʒ dwˈuʒɛj pˈatʃɛtɕ na brjˈɛnnɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_21.wav|vwˈaɕɲʲɛ, pɔvʲˈɛdʑaw trˈatsɨ trˈɔnts tʃˈɔwɔ, ˈɔtɔ vwˈaɕɲʲɛ xˈɔdʑi.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_251.wav|mˈawɔ̃ dʑɛftʃˈɨŋkɔ̃, ktˌura pʃˌɨbjɛɡˈawa dɔ mɲʲɛ, ɡdˈɨ sˈɔbjɛ rɔzbʲˈiwa kɔlˈanɔ.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_235.wav|swˈuɡa ɔdvrˈutɕiw ɕɛ tˌɨlkɔ dɔ ɲʲˈɛj plɛtsˈami i ˈɔtʃɛd.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_52.wav|ix mˈɔtɨf i zamjˈarɨ sɔ̃ tsˌawkɔvˈitɕɛ ɲʲɛznˈanɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_47.wav|pʃˈɛs xfˈilɛ rɔzmˈɨɕlam ɔ pʃɛkrˈɛɲtɕɛ zˈɛ spˌɔnsɔrˈiŋɡʲɛm, ktˌurɨ vˌɨmɨɕlˈiwam pʃɛt lˈatɨ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_104.wav|tɔ vʲˈɛlkʲɛ zvɨtɕˈɛ̃stfɔ, lˈɔrdʑɛ kˌapitˈaɲʲɛ, stfʲˈɛrdʑiw rˈalf. zvɨtɕˈɛ̃stfɔ ɡˈɔdnɛ lˌɔrdɔfskʲˈɛɡɔ tɨtˈuwu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_166.wav|jˈɛli ɕɛ tsawˈɔvatɕ, wˈapʲɔnts rˌuvnɔvˈaɡɛ na ɕlˈiskix flˈizax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_59.wav|tɛj nˈɔtsɨ jˈɛdnak ɲʲɛ jɛzd z ɲʲˈɔ̃ dˈɔbʒɛ. bʲˈillɨ ɕpˈi lˈɛkkim snˈɛm, inˈatʃɛj za ɲˈits w ɕfʲˈɛtɕɛ ɲʲɛ uswˈɨʃawbˌɨ pukˈaɲʲɛ dɔ dʒvˈi. jɛst ɲʲɛɕmʲˈawɛ, tɕˈixɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_21.wav|— prˈɔʃɛ nˈam ˌɔpɔvʲˈɛdʑɛtɕ ɔː ˈaʃu — pˌɔlɛtɕˈiwa inspˈɛktɔr.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_124.wav|dlatʃˈɛɡɔ ɲʲˈɛxtsɛ mi pˈaɲi pˈɔmuts?|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_239.wav|mˈɔɡɛ tˌɨlkɔː ˈɔtɨm mˈɨɕlɛtɕ, vʲˈɛnts tʃˈasɛm mˈɨɕlɛ, ʒˈɛ ɡdˈɨbɨm tɔː ˈumjaw pɔvʲˈɛdʑɛtɕ...|0
+Dataset/wavs/urwisko_ferenc/05_segment_50.wav|ˌalɛ ɲʲɛ mʲˈawa nˈatɔ ˌaɲi ɕˈiwɨ, ˌaɲi ɔxˈɔtɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_129.wav|vʲˈɛnts tɨ ɲʲɛ swɨʃˈawaɕ mɔjˈɛɡɔː aktsˈɛntu?|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_342.wav|tˈajɡɛt stˈaraw ɕɛ bˈɨtɕ ɲʲˌɛzalˈɛʒnɨ, ˌalɛ ɲʲˈɛbɨw f stˈaɲʲɛ dɔrˈuvnatɕ tfɔjˈɛmu ˈɔjtsu i z upwˈɨvɛm lˈat tsˈɔraz bˈardʑɛj ɡˈɔ tɔ ɡɲʲɛvˈawɔ.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_222.wav|jˈɛɕli pˈɔddaʒ zˈamɛk, ɲˈikt ɲʲɛ zɡʲˈiɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_60.wav|xrˈɨstɛ, jˈɛʃtʃɛ tˌɛɡɔ nˈam tʃˈɛba.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_90.wav|mˈuviw, ʒˈɛ ˈɔɡar pˈɔrvaw jˈɔ̃ i zˈabraw zˈɛ sˈɔbɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_23.wav|ˈalbɔ vˈɛzmɔ̃ ix pɔt ɔpʲˈɛkɛ ʒabˈɔlɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_158.wav|— pˈaɲi ʒˈɨjɛ — ʃɛpnˈɔwɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_192.wav|na pˈaʃax mˈɔix pɔstˈaviw mɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_123.wav|kˌanadˈɨjtʃɨɡ vˌɨprɔstˈɔvaw ɕɛ, vʑˈɔw ˈɔdɛ mɲʲɛ sfˈɔjɛ ɡʲˈizmɔː i ɔbrˈutɕiw tˈak, ʒˈɛbɨm tˈɛʒ vidʑˈawa vɨɕfʲˈɛtlatʃ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_106.wav|ʑlˈɛ ɡˈɔ zrˌɔzumjˈawam?|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_127.wav|ʒˈart ɲʲɛ pʃˈɨpad dɔ ɡˈustu brˈatu nˌarbɛrtˈɔvi. tɨ jˌɛstɛɕ rɨtsˈɛʒɛm, sˈɛr.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_298.wav|pɔtʃˈɛkaj tˈutaj.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_353.wav|jˈɛɡɔ tɕˈɛ̃ʒar vɡɲʲˈataw brjˈɛnnɛ w bwˈɔtɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_22.wav|ˈɔfʃɛm, dˌɨspɔnˈujɔ̃ spʃˈɛntɛm, ktˌurɨ dɔ tˌɛɡɔ swˈuʒɨ, i ˌakumˌulatɔrˈami na kˈilka mʲɛɕˈɛntsɨ zˌaɕilˈaɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_219.wav|tʃˈɨʒbɨ ktˈɔɕ prɔvˈadʑiw vwˈaɕɲʲɛ tˈakʲɛ badˈaɲʲa?|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_67.wav|tʃɛrvˈɔna wˈuna zˌaxɔdʑɔntsˈɛɡɔ swˈɔɲtsa zalˈɛva kˌukurˈɨdʑɛ, ktˌura ʃˈumi i vzdˈɨxa na lˈɛkkim vʲˈɛtʃɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_61.wav|tˈɛras muɕˈɛli jˈuʃ tˌɨlkɔ jˈɔ̃ znˈalɛɕtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_215.wav|tˈaɡ ɡwˈɔɕnɔ xuknˈɛwɔ, prˈavda, ʒˈɛ ɡwˈɔɕnɔ xuknˈɛwɔ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_93.wav|bˈɛtskɨ vʲɛdʑˈawa, tsˈɔ tɔː ɔznˈatʃa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_40.wav|lubʲˈimɨ tɛn sˈam rˈɔdʑaj.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_86.wav|pˌɔskarʒˈɨwa ɕɛ sˈanxɛs pʃˈɛs rˈadjɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_121.wav|tˈak. mɨɕlˈawɛɕ, ʒˈɛ ɔ butˈɛltsɛ pɔ pˈivʲɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_207.wav|ɔdɡˈaɲʲa tɛn ˈɔbras.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_11.wav|ˌalɛ jˈɛɕli bˈɨw tɔ ktˈɔɕ, ktˈɔ ɲʲɛ zapwˈatɕiw rˈatɨ, tɔ jˈaki mʲˈawɔ sˈɛnz zˌabʲijˈaɲʲɛ ɡˈɔ?|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_193.wav|pʃɛwˈamaw rˈɛʃtkɛ tʃˌɛkɔlˈadɨ i vrˈɛntʃɨw mi pɔwˈɔvɛ, a drˈuɡɔ̃ zˈatʃɔw pʃɛʒˈuvadʑ z bwˈɔɡɔ̃ mˈinɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_27.wav|ˈandɛrsɔn ˈuɕat pʃˈɨɲim i rˈɨan pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_260.wav|i dlatˈɛɡɔ ɡˈɔ lubʲˈiwam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_59.wav|zˈamax tˌɛrɔrɨstˈɨtʃnɨ tʃɨ tsˈɔɕ, vˈɔwa kɔbjˈɛta. jˈɛzu, bˌɨwɨ vɨbˈuxɨ!|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_143.wav|jakkˈɔlvʲɛk tɔː ˈujɔw, rɔsfɕtɕˈɛtʃɨw starʃˈɛɡɔ sˈɨna.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_237.wav|vˈɛdwuk jˈɛdnɛj z vˈɛrsji jɛst kɔxˈaŋkɔ̃ lˈɔrda bɛrˈika.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_90.wav|spɔkˈɔjɲʲɛ, kˌɔxaɲʲˈutka, pʃɨɲʲˈɔsɛ tɕi fˌiliʒanˈɛtʃkɛ xɛrbˈatki. nˈɔː i jˈuʃ tɕixˈutkɔ.|3
+Dataset/wavs/urwisko_ferenc/56_segment_20.wav|— ftˈɛdɨ tɛn bawˈaɡan mˈa ɕɛ skˈɔɲtʃɨtɕ? — pɔdˈɔbnɔ. ɔpˈarwa wˈɔktɕɛ na blˈatɕɛ i pɔtpˈarwa dwˈɔɲmi brˈɔdɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_75.wav|pˈɔtɛm spakˈujɛ ɕɛ i vɨjˈɛdʑɛ s tˌɛɡɔ pˌɛxɔvˈɛɡɔ mʲˈasta.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_497.wav|vidʑˈawam ɡˈɔ w lˈɛɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_103.wav|tɕˈi, ktˌuʒɨ zˈɛxtsɔ̃, bˌɛndɔ̃ mˈɔɡli zˈɔstatɕ w rivˈɛrun na swˈuʒbjɛ ˈu lˈɔrda ɛmˈɔna.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_41.wav|na ʑˈɛmi nˈadmʲar tɕˈɛpwa z ˌɛlɛktrˈɔvɲi jɔndrˈɔvɨx spwˈɨva vrˈaz z naɡʒˈanɔ̃ vˈɔdɔ̃ dɔ ʒˈɛk i jˈɛʑɔr.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_17.wav|ktˈɔɕ pʃɨtɕˈɔŋɡnɔw jˈɔ̃ dɔ ɕˈɛbjɛ, ʒˈɛbɨ jˈɔ̃ ˈɔbjɔɲtɕ, a ja vˌɨskɔtʃˈɨwam zzˈa stˈɔwu, ʒˈɛbɨ dɔ ɲˈiɣ dɔwˈɔntʃɨtɕ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_23.wav|ˌuɕfʲadɔmˈiwa sˈɔbjɛ pʃˌɛraʒˈɔna krulˈɔva.|1
+Dataset/wavs/urwisko_ferenc/11_segment_39.wav|xˈɛrman ɕɛ zˌatɕɔŋɡnˈɛwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_6.wav|ˌidɛˈalɲʲɛ mi tɔː ˌɔtpɔvʲadˈawɔ. fʃˈɛɲdʑɛ pˈɛwnɔ lˈudʑi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_27.wav|sˈaskja ɲʲɛ bˈɔi ɕɛ ɲikˈɔɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_6.wav|ˌalɛ kʲˈɛdɨ skˈɔɲtʃɛ, mˈɔɡɛ ˌɛvɛntuˈalɲʲɛ dˈatɕ kˈɔɡɔɕ innˈɛɡɔ, ktˈɔː ɔtpˈɔvʲɛ na pɨtˈaɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_83.wav|mˈuɡw ˌuratˈɔvatɕ jˌamjɛˈɛmu ʒˈɨtɕɛ, ˌalɛ ɲʲɛ pʃˈɛstaw s tˌɛɡɔ pɔvˈɔdu bˈɨtɕ krfˈavɨm kˌɔmɛdjˈantɛm.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_421.wav|zˌamjɛʒˈawa rˈaŋkʲɛm ɔpˈuɕtɕitɕ spˈɔt rˈikʲɛm tˌɔvaʒˈɨʃɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_63.wav|kivɲʲˈɛɲtɕɛ ɡwˈɔvɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_184.wav|miltʃˈɛli pʃˈɛs xfˈilɛ pˈatʃɔnts na ɕˈɛbjɛ,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_76.wav|ˈaʃ pˈatʃɨ mi w ˈɔtʃɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_143.wav|mˈɨɕliʃ, ʒˈɛ tˌɨlkɔ prubˈɔvaw mɲʲɛ nastrˈaʃɨtɕ?|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_117.wav|drˈɔɡa vʲˈɔdwa strˈɔmɔ pɔd ɡˈurɛ i zˌakrɛntsˈawa dvukrˈɔtɲʲɛ, ɲˈim vrˈɛʃtɕɛ vˈɛʃli dɔ vʲˈɛŋkʃɛj kɔmˈɔrɨ.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_229.wav|a z jɛj pʲˈɛrɕi spwɨvˈawa krˈɛf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_26.wav|kˈaʒda ʒˈɛtʃ mˈa tˈɨɕɔnts pʃˈɨtʃɨn i ɡdˈɨbɨ xtɕˈawɔ ɕɛ vɨjˈaɕɲitɕ tˌɨlkɔ pʲɛɲdʑˈɛɕɔnd z ɲˈix,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_100.wav|f kˈɔɲtsu vˌɨɕadˈamɨ i ruʃˈamɨ f kʲɛrˈuŋku xɔtˈɛlu, ktˌurɨ zˌarɛzˌɛrvɔvˈawam pɔ drˈɔdʑɛ pʃˈɛs intˈɛrnɛt.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_413.wav|pijˈakuf ɲʲɛ ˌɔpswuɡujˈɛmɨ. tˈu jɛst pɔʒˈɔndnɛ, tʃˈɨstɛ mʲˈɛjstsɛ i ɲʲɛ xtsˈɛmɨ mʲˈɛtɕ kwɔpˈɔtuf s pɔlˈitsjɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_55.wav|vzdˈɨxam z rɔspˈatʃɔ̃. rˌɔzmavʲˈamɨ ˈɔtɨm tsˈɔ kˈilka dɲˈi ɔt ɔstˈatɲix tʃˈɛx mʲɛɕˈɛntsɨ i ɲʲɛ rɔbʲˈimɨ ʒˈadnɨx pɔstˈɛmpuf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_82.wav|jˈɛnnɨ pˈatʃɨ nˈamɲʲɛ smˈutnɨm vzrˈɔkʲɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_113.wav|ɔstˈatɲʲɛ tʃˈɛɡɔ xtsˈɛmɨ, tɔ ʒˈɛbɨ ktˈɔʑ zɔbˈatʃɨw tɛn karˈabʲin. sˈummɛrs, stˈuj plɛtsˈami dɔ ʒˈɛki, dɔpˈuki ɲʲɛ bˌɛɲdʑɛʃ pˈɔt...|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_142.wav|bˈatsk jɛzd dɨskrˈɛtnɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_9.wav|jˈɛdnak f tɛj xfˈili pʃˌɛbɨvˈaɲʲɛ w mˌanxɛstˈɛʒɛ vɨdˈajɛ ɕɛ bˈardʑɛj ɲʲˌɛbɛspʲˈɛtʃnɛ ɲˈiʒ vˈɨjazd z mʲˈasta.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_115.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_78.wav|jˈɔ bˌɛɲdʑɛ pʃˈɛs jˈakiɕ tʃˈas ɲʲˌɛʃtʃɛɲɕlˈiva, ˌalɛ tʃˈɨmʒɛ jɛst smˈutɛk jˈɛdnɛj ɔsˈɔbɨ f pˌɔruvnˈaɲʲu z radˈɔɕtɕɔ̃ tʃˈɛx?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_255.wav|vjɛxˈaliɕmˌɨ na tʃˈɛtɕɛ pʲˈɛntrɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_251.wav|ɲʲɛ mʲɛɕtɕˈiwɔ mi ɕɛ w ɡwˈɔvʲɛ, ʒˈɛ lˈudʑɛ naprˈavdɛ pʃˌɨlɛtɕˈɛli tˈutaj f tʃˈɨmɕ tˈakim. ɲʲɛ dˈawabˌɨm ɕɛ nˈatɔ namˈuvitɕ nˈavɛd za mˈiljɔn ɡʲˈituf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_109.wav|pʲˈɛrʃɨ zavʲˈɛra ˌinfɔrmˈatsjɛ, ʒˈɛ fˈirma ˌɔɡrɔdɲˈitʃa, ktˌura dbˈa ɔ tɛrˈɛnɨ prˌɔmɔntˈɔrɨ pˈɔint nazˈɨva ɕɛ ɡrˈins ˈand ɡˈardɛns.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_203.wav|tʃɨ ɲʲɛ jɛst tˈak?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_3.wav|xtɕˈawabˌɨɕ tʃ��ɛɡɔʑ dɔ pˈitɕa? pˈɨta tˈɔm. mˈa tɕˈɛpwɛ spɔjʒˈɛɲʲɛ, pʃˈɛs ktˌurɛ znˈuv dɔː ˈɔtʃu nˌapwɨvˈajɔ̃ mi wzˈɨ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_10.wav|zrɔbʲˈiwɛm, tsˈɔ tˌɨlkɔ bˌɨwɔ w mˈɔjɛj mˈɔtsɨ, bˈɨm mˈuɡw ˈɔdɛjʑdʑ bˈɛs tɕˈɛrpʲɛɲ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_47.wav|ɕtɕˈɔŋɡa jɛj prˈavɔ̃ nˈɔɡɛ s kanˈapɨ, ˌɔtswaɲʲˈajɔnts pˈɔxfɛ.|2
+Dataset/wavs/urwisko_ferenc/03_segment_70.wav|ruʃˈɨli spˈɔt ɕfʲˈatɛw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_29.wav|ɲʲɛ, ɲʲɛ vɨdˈajɛ mi ɕɛ. lˈubʲi pɔ prˈɔstu jˈak ktˈɔɕ wˈadnɨ stˈɔi pʃɨ jˈɛɡɔ ramjˈɛɲʲu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_64.wav|tˈɨlkɔ, ʒˈɛ tɔ ɲʲɛ tfˈuj prˈɔblɛm, mˈikɛ. xˈɔdʑi ˈɔtɔ, ˈabɨɕ ɲʲˈɛstaw ɕɛ tˈakim jˈak jˈa.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_158.wav|vˈaʃa mˈiwɔɕtɕ jɛzd w bwˈɛɲdʑɛ. ɲʲɛ ˌɔdmuvˈiliɕmˌɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_225.wav|ɲˈits ɲʲɛ vˈartɔ.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_377.wav|ɲʲˈɛx ɕˈɛdmju mˌatɕɛ f sfˈɔjɛj ɔpʲˈɛtsɛ dʑˈɛtskɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_67.wav|ɲʲɛ bˌɨwam f stˈaɲʲɛ dwˈuʒɛj pˌɔfstʃɨmˈɨvatɕ wˈɛs, ktˌurɛ pˌɔpwɨnˈɛwɨ mi tˈɛras pɔ pɔlˈitʃkax.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_46.wav|ɛlˈinɔr jɛst ˌɔbjɛtsˈana xwˌɔpakˈɔvi ambrˈɔzuf, ˌalɛ uvʲˈɛlbja flirtˈɔvatɕ, a mˈɛɡɡa mˈa tsˈɔ dvˈa tɨɡˈɔdɲʲɛ nɔvˈɛɡɔ zˌalɔtɲˈika.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_55.wav|tsˈɔ dɔ xɔlˈɛrɨ rɔbʲˈiwa tˈutaj kˈatɛ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_17.wav|ɔt jˈaɡ dˈavna vʲˈɛʃ, ʒˈɛ jˌɛstɛɕ f tɕˈɔ̃ʒɨ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_90.wav|varˈuŋki ulˈɛɡwɨ zmʲˈaɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_106.wav|— skˈurrvɨ sˈɨn! — zarˈɨtʃaw tʃwˈɔvʲɛk s xˌɔrɔŋɡʲˈɛfkɔ̃. — rɔzdmˈuxaw nˈam tsˈawɨ ʒvˈir! ɲʲɛ vˈidʑaw kʃˈɨʒa, tʃɨ tsˈɔ?|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_269.wav|tɔ sɔ̃ nˌajɔkrutɲʲˈɛjʃɛ dˈarɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_95.wav|ˌalɛ ja tˈɛʃ mu ɲʲɛ vˌɨbatʃˈɨwam.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_369.wav|bˌɨwɛm ɡʲˈɛrmkʲɛm ʑɛlˈɔnɨm jˈak lˈɛtɲʲa trˈava.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_60.wav|ˌɔtstavˈiwɛm ʃklˈaŋkɛ z ʑˈimnɔ̃ xɛrbˈatɔ̃ i ɕˈadwɛm tɕˈɛ̃ʃkɔ na taptʃˈaɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_27.wav|jɛst ˈufnɨm, tˌɔvaʒˈɨskim dʑˈɛtskʲɛm i ɲʲˈɛxtsɛ z ɲʲˈɛɡɔ tɨx tsˈɛɣ vɨplˈɛɲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_204.wav|kamjˈɛnnɛ sˈɛrtsa ˈɔɲʲɔ̃ xˈɔdʑi.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_280.wav|a vwaɕtɕˈivʲɛ jɛj pɔwˈɔva, ɔ tʃɨm ˌinfɔrmˈɔvaw zɛɡˈarɛk lˈɛnɨ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_170.wav|blˈatskfiʃ ɲʲˈɛdaw ɕɛ nˈabratɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_120.wav|tɛn jɛj xwˈɔpak, s ktˌurɨm bˌɨwa pʃˈɛttɛm, pˈuɕtɕiw sfˈɛɡɔ studˈɛnta pɔ pʲˈɛɲtɕu ɡɔdʑˈinax sˈɔlɔː i xwˈɔpaɡ zɡʲˈinɔw.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_129.wav|f pˈɔrtɕɛ stˈawɔː ix ʃˈɛɕtɕ, xˈɔtɕ jˈɛdɛn z ɲˈix, ɡˌalɛˈasa zvˈana tsˈurkɔ̃ tɨtˈana,|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_122.wav|kʲˈɛdɨ tsɛrsˈɛi pɔdˈawa jɛj rˈɛŋkɛ, vɨssˈawa krˈɛf.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_78.wav|mˈuj dˈavnɨ pʃɨjˈatɕɛl ˈuɲʲuz brvˈi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_430.wav|paxɲʲˈawɔː ˌɔbudʑˈɔnɔ̃ dɔ ʒˈɨtɕa ʑˈɛmʲɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_94.wav|ɲʲɛ muvˈili ɲˈits, tʃˈuli tɕˈɛpwɔ sfˈɔix tɕˈaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_27.wav|ɲʲˈɛmʲaw jˈɛdnak najmɲʲˈɛjʃɨɣ vˌɔntplivˈɔɕtɕi, ʒˈɛ bˌɛɲdʑɛ tɔ tʃˈɛba dɔkwˈadɲʲɛ sprˈavdʑitɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_172.wav|zˈapax pˌɔmnaʒajˈɔntsɨ mˈuj ɲʲɛpˈɔkuj.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_262.wav|nabjˈɛraɡ vɡrˈɨs ɕɛ w ɡrˈunt, zɡˈarnɔw ɔkˈɔwɔ sˈɛtki kamjˈɛɲi i vʒˈutɕiw jˈɛ dɔ skʃˈɨɲi. pˈɔtɛm ɕˈɛŋɡnɔw pɔ nastˈɛmpnɔ̃ pˈɔrtsjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_168.wav|i kʲˈɛdɨ bʲˈillɨ ɕɛ prɔstˈujɛ, dvʲˈɛ alˈɛjki dˈalɛj dɔstʃˈɛɡa miɡɲʲˈɛɲtɕɛ ʃtˈɨvnɨx rˈudɨɣ vwˈɔsuf.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_161.wav|z rˌubʲinɔvˈɨmi ɔtʃˈami.|1
+Dataset/wavs/urwisko_ferenc/30_segment_18.wav|mˈarja ˌɔdɛbrˈawa pˈɔtʃtɛ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_91.wav|mˈa brɔdˈafkɛ na ˈɔku i ʃɔrˈujɛ mɲʲɛ tˈak mˈɔtsnɔ, ʒˈɛ ˈaʒ bˈɔli.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_27.wav|pˈɔtɛm vrˈatsa dɔ laptˈɔpa i pˈiʃɛ dˈalɛj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_70.wav|ʃˈum ˈɔpɔn sˌamɔxɔdˈɔvɨx, ˌɔddalˈɔnɛ, ɲʲˌɛzrɔzumjˈawɛ ɡwˈɔsɨ.|0
+Dataset/wavs/urwisko_ferenc/59_segment_138.wav|ˈɔlɡʲɛrt mʲˈaw rˈatsjɛ. ʒɨjˈɛmɨ f pʲˈɛklɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_26.wav|tˈɔm pˈɔtʃuw fˈalɛ pˌɔdɲʲɛtsˈɛɲʲa. sˌɨtuˈatsja stavˈawa ɕɛ tsˈɔraz bˈardʑɛj ˌintɛrˌɛsujˈɔntsa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_251.wav|ja ɕɛ ɔdvdʑˈɛntʃɛ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_476.wav|pˌɔtfʲɛrdʑˈiwa, ɡdˈɨ tˌɨlkɔ zˌɔrjɛntɔvˈawa ɕɛ, tsˈɔ ɕɛ dʑˈɛjɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_54.wav|lˈandvik ˌalumˈiɲʲum tˈɛʒ bˌɛɲdʑɛ prˌɔdukˈɔvatɕ sɔlˈidnɛ mˌatɛrjˈawɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_53.wav|tsˈɔ? nˈɔ tsˈɔ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_97.wav|ˌalɛ ˈaram ɲʲɛ pʃɨxˈɔdʑi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_43.wav|mʲˈɛʃ f ptˈaki, rˈadʑi. vʲˈɛm, ʒˈɛ krulˈiki sɔ̃ vʲˈɛŋkʃɛ, ˌalɛ kʲˈɛdɨ vˌɨskakˈujɔ̃, ɲʲˈɛma tʃˈasu dˈɔbʒɛ vˌɨtsɛlˈɔvatɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_32.wav|f tɛn spˈɔsup stratɕˈilibˌɨɕmɨ fʃˈɛlkɔ̃ nadʑˈɛjɛ, ʒˈɛ pɔrvˈaɲʲɛ tʃɨ ˌuprɔvadʑˈɛɲʲɛ mˈili zɔstˈawɔ pʃˌɛprɔvadʑˈɔnɛ pʃˈɛs ˌamatˈɔruf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_72.wav|ˌɔdvrutɕˈiwam ɕɛ pʃˈɛs rˈamjɛ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_232.wav|krˈul baˈɛlɔr bˈɨw zmuʃˈɔnɨ pɔɕlˈubʲitɕ ɕˈɔstrɛ daˈɛnɛ, lˈɛtʃ ɔddˈaliw jˈɔ̃, ɡdˈɨ tˌɨlkɔ vwˈɔʒɨw kɔrˈɔnɛ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_51.wav|ˌɔbɔɡ vˈut, ktˌurɛ vˌɨdavˈawɨ ɕɛ stˈarɛ i ʑˈimnɛ jˈak pwˈɨta kˈutɛj stˈali.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_77.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_157.wav|tˈutaj ɲˈiɡdɨ ɲʲɛ xɔdʑˈiwɔː ɔ tɕˈɛbjɛ!|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_15.wav|ɲʲɛ zdjˈɛɲtɕɛ, lˈɛtʃ pˈɔrtrɛt pˌamjɛɲtɕˈɔvɨ, ktˌurɨ jˈɛdnak rˈuvɲʲɛ dˈɔbʒɛ mˈuɡwbɨ bˈɨdʑ zdjˈɛɲtɕɛm, bˈɔ jɛzd vrˈɛndʒ dˌɔskɔnˈawɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_75.wav|— jˌɛstɛɕ jˈasna, a mɲʲɛ zˈafʃɛ muvʲˈɔnɔ, ʒˈɛ irlˈantki sɔ̃ tɕˌɛmnɔvwˈɔsɨ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_66.wav|jˈɛɕli mˈuɕiʃ.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_241.wav|sprˌubɔvˈawa nˌastɛmpnˈɛɡɔ dɲʲˈa. tsˈɔ ɕɛ stˈawɔ s kɕɛ̃ʒɲˈitʃkɔ̃ mɨrsˈɛllɔ̃?|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_139.wav|ˌɔtkrɨvˈaɲʲɛ prˈavdɨ bˌɨwɔ mɛntʃˈɔntsɛ i bˈawa ɕɛ tˈɛɡɔ, tsˈɔ ɲʲˌɛuxrˈɔnɲʲɛ zdˈaʒɨ ɕɛ pˈɔtɛm.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_127.wav|ˌɔna jˈuʃ ˌɔtpwɨnˈɛwa.|1
+Dataset/wavs/urwisko_ferenc/59_segment_90.wav|pˌɔnaɡlˈiwa ɡˈɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_18.wav|rˈazɛm ˌɔɡlɔndˈaliɕmˌɨ fsxˈut swˈɔɲtsa, trˈɔxɛ pˌɔɡadˈaliɕmˌɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_49.wav|tsˈurka, ktˌurɔ̃ tˈaɡ bˈardʑɔ pˈɔnɔtɕ kˈɔxa, ftɕˈɔ̃ʒ ɡdʑˈɛɕ tˈam jɛst i pɔvˈiɲʲɛn pɔvʲˈɛdʑɛtɕ nˈam ˌapsɔlˈutɲʲɛ fʃˈɨstkɔ, tsˈɔ tˌɨlkɔ pʃɨxˈɔdʑi mu dɔ ɡwˈɔvɨ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_69.wav|ɡdˈɨ brˈuskɔː i sɨnˈɔvʲɛ tsˌumɔvˈali wˈutɕ ˈu nabʒˈɛʒa tˈarɡu, bˌɨwɔ tˈam jˈuʃ pˈɛwnɔ spʃɛdˈaftsuf ɕlˈɛdʑi i xandlˈarɛɡ dˈɔrʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_129.wav|tfˈuj ɡarɲˈizɔn zɔstˈaɲʲɛ vɨtɕˈɛntɨ f pʲˈɛɲ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_197.wav|zvʲˈɔ̃zɛk xˈɔffa zˈɛ ɕmʲˈɛrtɕɔ̃ alˈɛna, ɲʲˌɛvɔntplˈivɨ mˈɔtɨf jˈɛɡɔ sˌamɔbˈujstfa, vˈɨjdʑɛ na jˈaf pˈuʑɲʲɛj.|2
+Dataset/wavs/urwisko_ferenc/46_segment_116.wav|tʃˈarnɛ ɲʲˈɛbɔ jaɕɲʲˈawɔ rˈas pɔ rˈas, ˌalɛ wˈɔskɔd ɡʒmˈɔtuv zdˌɛtsɨdɔvˈaɲʲɛ ˈutɕix.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_133.wav|tɔ pʲɛɲʲˈɔndʑɛ bˈɔba, a ɲʲɛ mˈɔjɛ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_148.wav|zvaʒˈɨfʃɨ na fʃˈɨstkɔ rˈazɛm, ɲʲˈɛbɨw tɔ vʲˈɛlki zˈastɛmp.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_61.wav|krˈɛɲtɕi lˈɛkkɔ ɡwˈɔvɔ̃, jˈaɡbɨ ˈuznaw, ʒˈɛ ɲʲɛ vˈartɔ ɕɛ spʲˈɛratɕ.|3
+Dataset/wavs/urwisko_ferenc/05_segment_38.wav|vˌɨwɔntʃˈɨwa muzˈɨkɛ, ɔtˈarwa vilɡˈɔtnɛ pɔlˈitʃki i ɕɛŋɡnˈɛwa pɔː apˈarat.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_39.wav|jɛj dˈamɨ tɕi pɔvʲˈɛdʑɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_17.wav|— zajmˈujɛʃ ɕɛ ɕlˈɛtstfɛm dˌɔtɨtʃˈɔntsɨm mɔrdˈɛrstfa fˈina? — spˈɨtaw dʒˈɛk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_107.wav|rˈɔbʲi jˈɛdɛn vɨjˈɔntɛk. ɲˈitsk majˈɛrjan stˈajɛ ɕɛ bˈɛnjim kɔmpsˈɔnɛm.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_129.wav|ˈɛrɨs tˌarɡarˈɨɛn kˈazaw mu zˈatɔ vˈɨtɕɔɲtɕ jˈɛ̃zɨk. ɔtfˈuʃtɕɛ brˈamɛ, rɔskˈazaw jɛˈɨmɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_426.wav|a pˈɔtɛm vʑˈɔw zˈɛ stˈɔwu lˈampɛ i ɔɕfʲˈɛtliw ɲʲˈɔ̃ wˈɔnɔ kɔbjˈɛtɨ, pˌɔkrɨvajˈɔntsɛ ɕɛ tˈɛras krɔplˈami pˈɔtu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_95.wav|tɔ ja vˌɨtɕɔŋɡnˈɛwam tɕˈɛ z bˈaɡna. sˈama w ʒˈadnɨm ɕɛ ɲʲɛ znˌajdɔvˈawam.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_266.wav|vnˈɛntʃɛ bˌɨwɔː ˌidɛntˈɨtʃnɛ jˈak f kɔmbˈajɲʲɛ trˈɔnda.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_188.wav|a ɛnˈɛrɡja ˌɛlɛktrˈɨtʃna jɛst najdrˈɔʃʃɔ̃ tʃˈɛɲɕtɕɔ̃ prɔtsˈɛsu prɔdˈuktsji ˌalumˈiɲʲum.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_100.wav|pˈujdʑɛ dɔ marˈɛja i pˈɔvʲɛ, ʒˈɛ mˈa pʃˈɛstuj z nˈaʃɛj vˈinɨ, a ftˈɛdɨ f pʲˈɔntɛɡ vɨskˈɔtʃɨʒ z rɔbˈɔtɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_79.wav|pɔ pɔvrˈɔtɕɛ na dˈuw z drˈuɡʲɛj tˈɨlnɛj kʲɛʃˈɛɲi vɨjmˈujɛ tɛlˈɛfɔn ˈɛlis i pɔdˈajɛ ɡˈɔ jɛj, jˈuʒ z vwɔʒˈɔnɔ̃ na pˈɔvrut kˈartɔ̃ ˌɛsˌiˈɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_31.wav|ɔpʲˈɛra rˈɛntsɛ na stˈɔlɛ i pɔxˈɨla ɕɛ w mˈɔim kʲɛrˈuŋku, jˈaɡbɨ xtɕˈaw, ʒˈɛbɨm mu ˌuvʲɛʒˈɨwa.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_36.wav|ɲʲɛktˌurɛ nˈavɛd vidʑˈawɨ, jˈak iɣ zˌabʲijˈanɔ.|1
+Dataset/wavs/urwisko_ferenc/01_segment_68.wav|bjˈawa kɔʃˈula pˌɔtkrɛɕlˈawa jˈɛɡɔː ˌɔpalɛɲˈiznɛ. f kˈɔɲtsu mɛ̃ʃtʃˈɨzna spˈɔjʒaw na kɔmˈisaʃ mˈarjɛ xˈɛrman zˌatʃɛrvʲˌɛɲʲɔnˈɨmi ɔtʃˈami.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_193.wav|dˈɔbʒɛ jɛst pˈisatɕ, zˈafʃɛ xtɕˈaw tɔ rˈɔbʲitɕ i tˈɛras mˈa kˈu tˌɛmu ɔkˈazjɛ. tɔ ɕfʲˈɛtɲʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_166.wav|dˈuʃna ɔd dvˌuznatʃnˈɔɕtɕi pʃɨɡˈɔda, ktˌura ɲʲɛ vʲadˈɔmɔ tʃɨm ɕɛ skˈɔɲtʃɨ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_141.wav|wˈadna jˈak na dʑˈɛtskɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_92.wav|swˈuxaj, mˈamɔ, tʃɨ mɔʒˈɛmɨ jˈuʒ vʲˈɛntsɛj dɔ tˌɛɡɔ ɲʲɛ vrˈatsatɕ? ɲˈiɡdɨ ɲʲɛ rˌɔzmavʲˈawam z dˌɔmiɲˈikʲɛm ɔ tˈamtɨm lˈɛtɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_80.wav|ɡdˈɨbɨm ɲʲɛ znˈalaz, zmˈuɕiwbˌɨ mɲʲɛ dɔ pɔvrˈɔtu i zrˈɔbʲiw fʃˈɨstkɔ, tsˈɔ w jˈɛɡɔ mˈɔtsɨ, ʒˈɛbɨ ɔdˈɛbratɕ mi sˈɨna.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_73.wav|fspˈulɲʲɛ pʃˌɛtaʃtʃˈɨliɕmˌɨ ˈalbɔ pʃɛvlˈɛkliɕmˌɨ tsˈawɨ spʃˈɛnt pɔt ɕtɕˈanɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_12.wav|tʃˈujɛ, ʒˈɛ pˌɔzɔstˈawɛ ɔsˈɔbɨ pʃˈɛs tˈɔlɛm mɲʲɛ ˌɔpsɛrvˈujɔ̃. vʲˈɛdʑɔ̃, ʒˈɛ pʃɛɡrˈawam dˈuʒɔ pʲɛɲʲˈɛndʑɨ, ˌalɛ ɲʲɛ mˌajɔ̃ pɔjˈɛɲtɕa, tsˈɔ tɔ dla mɲʲɛ ɔznˈatʃa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_239.wav|ta rˈɔla bˌɨwa zˌastʃɛʒˈɔna dla ɲʲˈɛj pʃˈɛz vʲˈɛlɛ lˈat.|3
+Dataset/wavs/urwisko_ferenc/57_segment_48.wav|ɲikˈɔɡɔ w ɲˈim ɲʲɛ bˈɨwɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_80.wav|ɲʲɛ s pɔvˈɔdu ʒˈɔndʑɨ, zazdrˈɔɕtɕi tʃɨ ɡɲʲˈɛvu.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_171.wav|a tˈɛraz vrˈatsam dɔ dˈɔmu. mˈuʃɛ vʑˈɔɲtɕ prˈɨʃɲits.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_54.wav|ɲʲˈɛxtsɛ ɔtfˈɔʒɨdʑ dʒvˈi.|3
+Dataset/wavs/urwisko_ferenc/41_segment_8.wav|tsˈɔ jɛst mˈawa?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_14.wav|f kˈɔɲtsu kˈulɔ̃ ɕɛ rˈazɛm na sˈɔfjɛ pɔt kˈɔtsɛm i ˌɔɡlɔndˈajɔ̃ krɛskˈufkɛ f tˌɛlɛvˈizji.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_55.wav|ɡdˈɨ tsˌɨnamɔnˈɔvɨ vʲˈatr mˈijaw kɔlˈɛjnɔ̃ zwupʲˈɔnɔ̃ vʲˈɔskɛ rɨbˈatskɔ̃, z mɡwˈɨ vˌɨwɔɲˈiwa ɕɛ vɔjˈɛnna ɡalˈɛra, zmʲˌɛʒajˈɔntsa pɔvˈɔli kˈu ɲˈim.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_110.wav|sɛrxˈail, ˌɔbʒutɕˈifʃɨ vʲˈɛlkʲɛ zvʲˈɛʒɛ pˈɛwnɨm pɔdʑˈivu spɔjʒˈɛɲʲɛm, vrˈɛntʃɨw vˈɔdʑɛ sfˈɛɡɔ vʲɛʃxˈɔftsa, brˈatu ɡʲˌilamˈɔvi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_29.wav|vrˈutsɛ dɔ dˈɔmu dɔ pɔwˈudɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_260.wav|skˈɔnt mˈɔʒɛʃ ˈɔtɨm vʲˈɛdʑɛtɕ? vˈidʑɛ, tʃˈujɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_26.wav|jɛst jˈuʃ pɔ ʃˈustɛj nat rˈanɛm, a ˌɔɲi ftɕˈɔ̃ʃ sɔ̃ tˈutaj i prubˈujɔ̃ znˈalɛɕtɕ mˈɔjɔ̃ rɔdʑˈinɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_156.wav|pʃɛvˈɔziw nˌarkɔtˈɨki tʃɨ tsˈɔɕ? jˈakɔɕ ɕɛ tˈakix nazˈɨva.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_64.wav|dlatˈɛɡɔ vwˈaɕɲʲɛ zˈafʃɛ istɲʲˈawɔ zˌawɔʒˈɛɲʲɛ, ʒˈɛ mˈuɕi tɔ bˈɨtɕ ktˈɔɕ, ktˈɔ pɔtrˈafi tˈakix pʃɛstˈɛmptsuv zˌidɛntˌɨfikˈɔvatɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_304.wav|z jˈakimɕ ɔkrˈɔpnɨm ʒˈalɛm, z raptˈɔvnɨm i ˌidjɔtˈɨtʃnɨm fspuwtʃˈutɕɛm dla ɕˈɛbjɛ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_39.wav|ɲʲɛ vˈɛzmɔ̃ mɲʲɛ za tʲirˈufkɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_12.wav|tʃɨ zrˌɔzumjˈɛjɔ̃, ʒˈɛ ɲʲɛ mʲˈawam vɨbˈɔru, ʒˈɛ mˌɔtɨvˈɔvaw mɲʲɛ strˈax ɔ sˈɨna i praɡɲʲˈɛɲʲɛ ˌɔtsɛpˌarɔvˈaɲʲa ɡˈɔː ɔt ˈɔjtsa?|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_410.wav|ktˌurɨ tˈɔtʃɨw tɕfitʃˈɛbnɔ̃ vˈalkɛ z jˈɛdnɨm z bliʑɲʲˈakuf rˌɛdvaˈinuf.|1
+Dataset/wavs/urwisko_ferenc/61_segment_10.wav|mˈarja ʃarpnˈɛwa klˈamkɛ i vɨɕˈadwa. — pˈɔjɛtɕ, prˈɔʃɛ, tˈam, z lˈɛvɛj strˈɔnɨ. mʲˌɛndʑɨ rˌɔɕlinˈami znˈajdʑɛʒ zjˈazd w dˈuw, dɔ sˈamɛj vˈɔdɨ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_226.wav|pɔtrˈafiw pɔwˈɨkatɕ mˈɨʃɨ i vɨtɕˈɔŋɡatɕ jˈɛ pˈɔtɛm z jɛj ˈuʃu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_65.wav|ˌalɛ jˈakim tsˈudɛm?|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_140.wav|ʃˈukaʃ transpˈɔrtu na pˈuwnɔts, pˈaɲi?|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_25.wav|pɔdˈɔbɲʲɛ jˈak skʃˈɨɲʲa pˈitskˈupa, ktˌura zavʲˈɛra kɔɕˈarkɛ lˈɔnɛ bˈɔj na ˈɔkɔ stˈarʃɔ̃ ɔt samˈɛɡɔ vˈɔzu.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_65.wav|dˈar ɕɛ mˈat. fstˈavaj i bjˈɛʃ ɕɛ dɔ rɔbˈɔtɨ, tʃˈarnɨ sˈamjɛ. vʲˈatr ɕɛ vzmˈaɡa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_111.wav|jˈɛɕli pʲɛɲʲˈɛndʑɨ nˈadal ɲʲɛ bˈɛɲdʑɛ, mˈam dɔ ɲʲˈɛɡɔ napˈisatɕ?|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_90.wav|tʃɨ ɲʲɛ lˈɛpʲɛj f tˈakim rˈaʑɛ stˈapʲatɕ pʲˈasɛk, jˈak tɔ ɕɛ rˈɔbʲi na ʑˈɛmi?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_180.wav|pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_42.wav|ɔdvrˈatsa ɕɛ s pɔvrˈɔtɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_161.wav|nˈavɛt ɲʲɛ prubˈujɛ pˈisatɕ.|2
+Dataset/wavs/urwisko_ferenc/27_segment_56.wav|s pˌɛrspɛktˈɨvɨ lˈat.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_167.wav|ɲʲɛ, ˌalɛ nˈavɛd ɡdˈɨbɨ, ɲʲɛ mʲawˈɔbɨ tɔ znatʃˈɛɲʲa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_30.wav|ftɕˈɔ̃ʒ bˌɨwa mˈɔjɔ̃ mˈatkɔ̃, ˌalɛ praɡnˈɛwa arˈama bˈardʑɛj ɲˈiʃ ja i uznˈawam, ʒˈɛ mˈɔɡɛ tɔ vˌɨkɔʒˈɨstatɕ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_139.wav|vʑˈɔw jˈɔ̃, ɲʲɛ zdɛjmˈujɔndʑ zbrˈɔi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_22.wav|ˌalɛ tɛ ˈɔtʃɨ za ʃkwˈami sɔ̃ ɲʲɛbjˈɛskʲɛ i ʑˈimnɛ. tɔː ˈɔtʃɨ snajpˈɛra.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_38.wav|ɲˈikt ɲʲɛ zjˈaviw ɕɛ, bˈɨ jˈɔ̃ pɔɕlˈubʲitɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_156.wav|ɔt artˈɛmji zdʑɛlˈiwɨ mɲʲɛ tʃˈɨ kˌilɔmˈɛtrɨ.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_22.wav|ɲˈiɡdɨ ɲʲɛ urˈɔdʑiw ɕɛ mɔndʒˈɛjʃɨ, lˈɛpʃɨ ˌaɲi wˌaɡɔdɲʲˈɛjʃɨ tʃwˈɔvʲɛk.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_157.wav|sˈara ˌɔtsunˈɛwa sfˈɔjɛ kʃˈɛswɔː ɔt stˈɔwu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_46.wav|ˈɛliz vzdˈɨxa.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_11.wav|krulˈɔva lˈɛdvʲɛ vʲɛʒˈɨwa vwˈasnɨm ˈɔtʃɔm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_146.wav|stsˈɔdd bˈɨw zdˌɛspɛrɔvˈanɨ i stˈalɛ tsˈɔɕ planˈɔvaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_44.wav|ɲʲɛ pɔzvˈɔli sˈɔbjɛ na tˌɔlɛrɔvˈaɲʲɛ nˈapʲɛɲtɕ mʲˌɛndʑɨ tʃwɔŋkˈami sfˈɔjɛj rɔdʑˈinɨ, a fʃˈɨstkɔ fskˌazɨvˈawɔ nˈatɔ, ʒˈɛ ɲʲɛ mˈuʃɛ mu nˈavɛt ɔ ɲˈitʃɨm mˈuvitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_57.wav|ˌalɛ w drˈuku prˌavdɔpɔdˈɔbɲʲɛ vɨɡlˈɔnda bˈardʑɛj ˌimpɔnujˈɔntsɔ ɲˈiʃ na ɛkrˈaɲʲɛ i fɔnˈɛa.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_82.wav|pɔvˈinnam jˈuʒ vrˈatsadʑ dɔ zˈamku.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_255.wav|ɡdˈɨ swˈɔɲtsɛ zˈaʃwɔ,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_128.wav|nˌakazˈujɛ ˈaram.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_24.wav|tˌɨlkɔ w vˈɨtɕɛ alˈarmu.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_136.wav|sˈɛr ˈɔsnɛj zˌakɔʃtˈujɛ w ʒˈɨtɕu pʃˈɨʃwɨm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_72.wav|pɔ tsˈɔ pˈanu ˌɔkulˈarɨ dɔ pʃˌɛʒutsˈɛɲʲa ɕmˈiɡwa?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_111.wav|pɔprˈɔʃɛ pˈana dɔ mɲʲɛ, ʒˈɛkw w mˈɔjɔ̃ strˈɔnɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_227.wav|znˈuf pˈatʃɨ pʃˈɛs ˈɔknɔ na ɡmˈax sˈɔndu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_174.wav|za dˈɔlar dvadʑˈɛɕtɕa pʲˈɛɲtɕ mˈuɡwbɨɕ mʲˈɛdʑ ɡˈalɔn vˈina.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_64.wav|ʒˈɛ ɲʲɛ prɔvˈadʑɛ ʒˈɨtɕa tˌɔvaʒɨskʲˈɛɡɔ, ɲʲˈɛmam pʃɨjˈatɕuw, partnˈɛra, kˌɔɡɔkˈɔlvʲɛk, ktˈɔ zapˈɛvɲiwbˌɨ mi alˈibʲi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_15.wav|ɲˈidʑ dʑivnˈɛɡɔ, ʒˈɛ jɛst lubjˈanɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_302.wav|tɔ bˌɨwɔ vˌɨkɔnˈalnɛ i zɔstˈaɲʲɛ mi mnˈustfɔ tʃˈasu na pˈɔvrut.|4
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_27.wav|ɲʲˈɛmam ɡdʑˈɛ ɕɛ pˈɔdʑatɕ. ɲʲɛ mˈɔɡɛ vrˈutɕidʑ dɔ tˈatɨ. pɔ prˈɔstu ɲʲɛ mˈɔɡɛ.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_190.wav|kʲˈɛdɨ ʃwˈa ˌulitsˈami brˈavɔs, mɡwˈa ˌɔtatʃˈawa jˈɔ̃ zˈɛ fʃˈɨstkix strˈɔn.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_146.wav|pʃɛjʒˈawam zavˈartɔɕtɕ tˈɔrbɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_32.wav|mˈa pˈan wˈadnɛ bjˈurɔ na tʃfˈartɨm pʲˈɛntʃɛ. mˈɨɕlɛ, ʒˈɛ ɕɛ pˈanu spɔdˈɔba. mˈuʃɛ zrˈɔbʲidʑ zdjˈɛɲtɕɛ dɔː ˌidɛntˌɨfikatˈɔra, jˈɛɕli pˈan pɔzvˈɔli.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_14.wav|ˌalɛ ɲʲɛ vidʑˈawam s kˈim, bˈɔ drˈuɡa strˈɔna stˈɔwu znˌajdɔvˈawa ɕɛ pˈɔza zaɕˈɛŋɡʲɛm mɔjˈɛɡɔ vzrˈɔku.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_144.wav|ɲʲɛ mˈɔɡɛ vɨjˈaɕɲitɕ tˌɛɡɔ dˌɔmiɲikˈɔvi. trˈawma zvʲɔ̃zˈana z dɲʲˈɛm, ɡdˈɨ stˈawam ɕɛ sfˌɛksɔfɔbʲˈitʃkɔ̃, bˌɨwa dˈuʒɔ ɡˈɔrʃa ɲˈiʃ mˈuɡwbɨ sˈɔbjɛ vˌɨɔbrˈazitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_129.wav|pʃˈɛs tsˈawɨ rˈanɛk ˌuvijˈaliɕmˌɨ ɕɛ jˈak w ukrˈɔpʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_197.wav|bˈɛz vzɡlˈɛndu nˈatɔ, tsˈɔ ɕɛ stˈaɲʲɛ s xwɔpˈakʲɛm na smˈɔtʃɛj skˈalɛ, krulˈɔva ɔdɲʲˈɛɕɛ zvɨtɕˈɛ̃stfɔ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_492.wav|bwˌɨskavˈitsa pɔjˈavja ɕɛ i pɔ xfˈili ɡˈaɕɲʲɛ, zɲikˈajɔndʑ bˈɛs ɕlˈadu. ɔbˈavʲam ɕɛ, ʒˈɛ ɕfʲˈatwɔ lˈɔrda bɛrˈika ˌɔpuɕtɕˈiwɔ tɛn ɕfʲˈat.|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_80.wav|zamˈavja kanˈapkɛ i dʑbˈanɛk xɛrbˈatɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_66.wav|ˌɔtpɔvʲɛdʑˈawam na jɛj pɨtˈaɲʲa, a ˌɔna vʲˈɛʒɨ, ʒˈɛ muvˈiwam prˈavdɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_84.wav|vˌɨmɨɕlˈiwam kwˈamstfɔː ɔ pʃˌɛmɛblɔvˈaɲʲu, kʲˈɛdɨ ʃˈɔna zˌadʑvɔɲˈiwa pɛvnˈɛɡɔ dɲʲˈa z zˌapɨtˈaɲʲɛm ɔ fspˈulnɔ̃ kˈavɛ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_370.wav|jˈak pˈɛvɲʲɛ pamjˈɛntaʃ, tsˈurka nˈɛda stˈarka utɕˈɛkwa pˈɔtɨm, jˈak jɛj vˈilɡ zˌaatakˈɔvaw jˈɔfa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_68.wav|tɔ vwˈaɕɲʲɛ xtɕˈawa mi pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_76.wav|tˈatɔ, mˈuʃɛ tɕˈɛ ɔ tsˈɔɕ pɔprˈɔɕitɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_4.wav|vˌɨɡlɔndˈawɔ nˈatɔ, ʒˈɛ tˌɛɡɔː ˌɔstatɲʲˈɛɡɔ mʲˈawa w brˈud zˈɛ strˈɔnɨ sfˈɔjɛj mˈatki.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_522.wav|mɛ̃ʃtʃˈɨʑɲi pʃɨxˈɔdʑɔ̃ i ɔtxˈɔdʑɔ̃, kwˈamjɔ̃, ˌumjɛrˈajɔ̃ ˈalbɔ nˈas ˌɔpuʃtʃˈajɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_52.wav|f pʲˈɛrʃɨm bʒˈasku dɲʲˈa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_83.wav|jɛj tɕˈawɔ znˈuf ukwˈada ɕɛ w bɛzvwˈadnɛ ˈu i bʲˈillɨ ɔpˈuʃtʃa jˈɔ̃ na wˈuʃkɔ, zˈamjazd dˌɛlikˈatɲʲɛ pɔwˈɔʒɨtɕ jˈaɡ zamjˈɛʒaw.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_39.wav|ˌɔbudʑˈiwaɕ ɕɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_98.wav|plˈan dɔpʲˈɛrɔ kʲɛwkˈujɛ mu w ɡwˈɔvʲɛ i kʲˈɛdɨ ɕɛ vˌɨklarˈujɛ, mˈɔʒɛ ˈɛlis ɲʲɛ bˌɛɲdʑɛ muɕˈawa brˈatɕ w ɲˈim udʑˈawu.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_18.wav|ktˌurɨɣ zadˈaɲʲɛm bˌɨwɔː ˌuswuɡʲivˈaɲʲɛ pʃɨ stˈɔlɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_105.wav|mˈiwɔ jˈɛdʑɛ, prˈavda?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_12.wav|ɲˈidʑ dʑivnˈɛɡɔ, ʒˈɛ uʒˈɨva innˈɛɡɔː imjˈɛɲʲa. mʲˈɛjmɨ nadʑˈɛjɛ, ʒˈɛ znˈuv zapwˈatɕi tɔ̃ kˈartɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_335.wav|nˈɔtsɔ̃ znˈɔvu ɕɲˈiwɔ ɕɛ jɛj, ʒˈɛ jɛzd vˈilkʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_215.wav|ɔdvrˈutɕiw ɕɛ dɔ nˈas, trɨskˈajɔnts krfjˈɔ̃, mˈaxnɔw rˈɛŋkɔ̃ na znˈak, ʒˈɛbɨɕmˌɨ ɕɛ tsɔfnˈɛli i ftˈɛdɨ zɛrvˈawɔ mu tʃˈubɛɡ ɡwˈɔvɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_160.wav|a tɛn ɡˈɔɕtɕ, tsˈɔ tʃˈɛkaw na ˈɔlɛj, zˈatʃɔw vʒˈɛʃtʃɛtɕ, ʒˈɛ ɲʲˈɛma tʃˈasu i ˈandɨ xtɕˈaw ˈɔdɛjɕtɕ. ˌalɛ zˌatʃɨmˈawɛm ɡˈɔ. uvˈaʒaj, ˈandɨ, pˌɔvʲɛdʑˈawɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_37.wav|jˌɛstɛm na mʲˈɛjstsu i ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ mˈa tɔ jˈakiʑ zvʲˈɔ̃zɛɡ zˈɛ sprˈavɔ̃ dɛrˈɛka brˈɛnta i tsˌamɛrˈɔna ɛdmˈuntsa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_13.wav|ɡlˈɛnn i rˈɔnɲʲɛ ɔdˈɛʃli, a dˈɔnɲʲɛ mʲˈaw rˈatsjɛ. kˈɔɲʲɛts kˈɔɲtsuf, zɔstˈajɛ tˌɨlkɔ fˈarba.|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_82.wav|ɲʲɛ wudʑˈiwam ɕɛ, ʒˈɛ pˈujdʑɛ mi ʃˈɨpkɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_23.wav|zmˈarwa tˈam, ɡdʑˈɛ jˈɔ̃ znˌalɛʑˈɔnɔ. z vwˈɔk ɲʲɛ pʃˌɛnɔʃˈɔnɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_108.wav|dlatʃˈɛɡɔ mʲˈawbɨ mɲʲɛ ˌɔkwamˈɨvatɕ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_150.wav|brˈat jɛst jˈuʃ pʃɨ dʒvʲˈax, pˌɔkazˈujɔnts mi rˈɛŋkɔ̃, ʒˈɛbɨm vˈɨʃwa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_35.wav|i kwˈadɛ dwˈɔɲ na mˈɨʃɨ kˌɔmputɛrˈɔvɛj, ʒˈɛbɨ vɨbˈudʑitɕ sˈɨstɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_350.wav|ˌalɛ ja fʃˈɨstkɔ pamjˈɛntam.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_29.wav|ˈamɨ fskazˈawa ɕlˈadɨ pɔ pxɲʲˈɛɲtɕu nˈɔʒɛm.|3
+Dataset/wavs/urwisko_ferenc/33_segment_71.wav|zdaʒˈawɔ ɕɛ, pɔftˈuʒɨw z natɕˈiskʲɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_59.wav|zapˈɨtaw, vbʲijˈajɔndʑ vˈɛmɲʲɛ spɔjʒˈɛɲʲɛ sfˈɔix lˌɔdɔvˈatɔ ʃˈarɨx ˈɔtʃu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_63.wav|a ftˈɛdɨ znˈɔvu ɕɛ pˌɔpwakˈawɛm, bˈɔ vˌɨɔbrazˈiwɛm sˈɔbjɛ jɛj rˈɛntsɛ pʃˌɨɡɔtˌɔvujˈɔntsɛ tsˈawɨ tɛn prˈɔvʲant.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_252.wav|zɡʲˈinɔ̃ sˈɛtki lˈudʑi, pʃˈɛdɛ fʃˈɨstkim vˈaʃɨx.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_261.wav|zɡˈɔdʑiw ɕɛ jˈɛɡɔ kˈuzɨn. ɲʲɛ vˈɔntpjɛ, ʒˈɛ ɕˈɔstra tɕˈɛ pˌɔtʃɛbˈujɛ.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_407.wav|tˌɨlkɔ na krˈutkɔ̃ xfˈilɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_108.wav|tɔ maʃ ɲʲɛ pɔ kɔlˈɛi w ɡwˈɔvʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_19.wav|swˈɨʃɛ ʃˈum vˈɔdɨ i ˌuzmɨswˈavʲam sˈɔbjɛ, ʒˈɛ ftɕˈɔ̃ʃ tʃˈɨmam nˈuʃ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_51.wav|jˌakakˈɔlvʲɛɡ bˌɨwa prˈavda, muɕˈɛli zawˈɔʒɨtɕ, ʒˈɛ stsˈɔdd ʒˈɨjɛ, dɔpˈuki ɲʲɛ zɔbˈatʃɔ̃ na vwˈasnɛ ˈɔtʃɨ vˌɨstavʲɔnˈɛɡɔ ɕfʲadˈɛtstfa zɡˈɔnu.|3
+Dataset/wavs/urwisko_ferenc/08_segment_64.wav|pˈan dɔ kˈɔɡɔ? uswˈɨʃaw kɔbjˈɛtsɨ ɡwˈɔs, ˌalɛ ɲʲɛ dˈɔstʃɛɡw jˈɛɡɔ vwˌaɕtɕitɕˈɛlki. tˈutaj dɔdˈawa kɔbjˈɛta.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_33.wav|ɲʲɛ mɔʒˈɛmɨ dɔ tˌɛɡɔ dɔpˈuɕtɕitɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_318.wav|nˈɔ dˈɔbra, a tsˈɔ bˌɛɲdʑɛ jˈak mɲʲɛ zwˈapjɔ̃?|4
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+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_189.wav|kfilˈɛɲʲɛ pʃɛxˈɔdʑi w ɡwˈɔɕnɨ ʃlˈɔx.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_143.wav|vˌɨmamrɔtˈawam.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_106.wav|tɛj nˈɔtsɨ, ɡdˈɨ vˌɨstɛmpˈɔvaw w dˈɔmu ɕˈɛdmju lˈamp.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_133.wav|mˈam ˈinnɨ pˈɔmɨsw.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_206.wav|rˈɔzlɛkw ɕɛ tɕˈixɨ sˈɨk i tɕiɕɲʲˈɛɲʲɛ w ɕlˈuʑɛ ˌɔɕɔŋɡnˈɛwɔ tˌaki sˈam stˈan jˈaɡ vˈɛvnɔntʃ mʲˈasta.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_93.wav|pamjˈɛntam mʃˈɛ ʒawˈɔbnɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_123.wav|mrˈuknɔw ɡdɛrlˈivʲɛ jˈɛdɛn s prˌatsɔvɲˈikuv dɔ sfɔjˈɛɡɔ kɔlˈɛɡʲi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_427.wav|tsˈɔ ɕɛ stˈawɔ s tfˈɔjɔ̃ prˈavɔ̃ rˈɛŋkɔ̃?|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_16.wav|minˈɛwa pɔwˈɔva nˈɔtsɨ, ɲˈim vrˈɛʃtɕɛ ujʒˈɛli f pˌadajˈɔntsɨm ɕɲʲˈɛɡu ɕfʲˈatwa kɕˌɛ̃ʒɨtsˈɔvɨɣ brˈam.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_174.wav|uɲʲˈɔswa dˌɛlikˈatnɔ̃, bjˈawɔ̃ dwˈɔɲ i zdjˈɛwa kˈaptur z ɡwˈɔvɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_268.wav|mˈikɛ zatʃˈɨmaw samˈɔxut pʃɛt jˈɛdnɨm z dˈɔmkuf i pˈɔʃɛt pʃˈɔdɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_116.wav|vɨɡlˈɔnda jˈaɡbɨ sxˈut kˈilka kˌilɔɡrˈamuf ɔt ix tʃˌɛrftsɔvˈɛɡɔ spɔtkˈaɲʲa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_113.wav|ɲʲɛ mˈɔʒna vɨdˈavatɕ pʲɛɲʲˈɛndʑɨ, bˈɛndɔnts mˈartfɨm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_132.wav|pɔvˈɔli, ˌalɛ pˈɛvɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_39.wav|sˈanxɛs ˌaɲi drɡnˈɛwa. ɲʲɛ nalˈɛʒɨʒ dɔ mɔjˈɛɡɔ pˌɛrsɔnˈɛlu. jˈak ɕɛ tˈu dɔstˈawaɕ?|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_38.wav|pɔprˈaviw ɡˈɔ vˈatɛrs.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_10.wav|ˌɔɲi ftɕˈɔ̃ʃ ˌɔddɨxˈajɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_26.wav|dˈama ɲʲɛ zvrutɕˈiwa uvˈaɡʲi na jˈɛɡɔ ɡrubjˈaɲstfɔ, pɔdˈɛʃwa upʃˈɛjmʲɛ dɔ mˈɛɡɔ barwˈɔɡu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_7.wav|ɲʲɛ dˌɨspɔnɔvˈali ʒadnˈɨmi dˌɔvɔdˈami, ʒˈɛ dˈɔm bˈɨw pɔt ˌɔpsɛrvˈatsjɔ̃, ˌalɛ muɕˈɛli zawˈɔʒɨtɕ, ʒˈɛ tˈaɡ vwˈaɕɲʲɛ jˈɛst.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_141.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_66.wav|zˌastanˈavʲam ɕɛ pʃˈɛs xfˈilɛ nat nˈaʃɔ̃ ɔstˈatɲʲɔ̃ rɔzmˈɔvɔ̃. pamjˈɛntam, jˈak ˈaʒ zdjˈɔw ˌɔkulˈarɨ i pʃˈɛtar ˈɔtʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_148.wav|kʲˈɛdɨ kɔbjˈɛta skɔɲtʃˈɨwa, tsɛrsˈɛi ɲʲɛ vʲɛdʑˈawa, tʃɨ ɕɛ ɕmʲˈatɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_373.wav|ktˈɔɕ tɕfˈitʃɨw jˈakɔ̃ɕ sɔnˈatɛ, ktˌurɔ̃ pˌamjɛntˈawɛm z dˈavnɨx tʃˈasuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_228.wav|ɔtkwˈada rɨsˈunɛk na stˈɔlik nˈɔtsnɨ ˌɔbɔɡ dvˈux tˌɛlɛfˈɔnuf i zˈaraz zasˈɨpja.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_348.wav|tsˈɔ bˈɨ zˈɨskaw na tˈakim pˌɔjɛdˈɨŋku?|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_199.wav|sˈɛdnɛm sprˈavɨ|4
+Dataset/wavs/urwisko_ferenc/15_segment_16.wav|sˈɛrtsɛ twˈukwɔ jɛj ɕɛ f klˈattsɛ pʲɛrɕˈɔvɛj, a vnˈɛntʃɛ dwˈɔɲi mʲˈawa vilɡˈɔtnɛ. zˈaɲim ɕɛ ˌuspɔkɔˈiwa, minˈɛwɔ kˌilkanˈaɕtɕɛ mˈinut.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_175.wav|pʲˈɛz zaʃtʃˈɛkaw na znˈaɡ zɡˈɔdɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_92.wav|ftɕˈɔ̃ʃ swˈɨʃɛ stsˈɔtta.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_59.wav|mˈimɔ fʃˈɨstkɔ tʃˈɛba dɔtsˈɛɲitɕ tɔ, ʒˈɛ pˌɔtpuwkˈɔvɲik pʃɨnˈajmɲʲɛj ɕɛ pɔstˈaraw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_38.wav|pɔprˈɔʃɛ fˌuŋktsjɔnarjˈuʃɨ, ktˌuʒɨ bˌɛndɔ̃ tɕi tˌɔvaʒˈɨʃɨtɕ, ʒˈɛbɨ pʃˌɛʃukˈali ɡabʲˈinɛt rˌadʑavʲˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_408.wav|stfʲˈɛrdʑiw jˈamɛ, vˌɨpɛwɲʲˈajɔnts kʲɛlˈixɨ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_405.wav|zaʒˈɔndaw ˈɛdvin frˈɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_170.wav|tˈak, tʃɨtˈawɛm. strˈaʃnɛ ɲʲˈɛʃ... vˈɛʃwam mu f swˈɔvɔ. tˈɛras mɔrdˈɛrtsɨ ʃukˈajɔ̃ mɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/10_segment_29.wav|kʲˈɛdɨ ɕɛ rɔzˈɛbraw i vˈɨʃɛd zzˈa pˌaravˈanu, pɔʃˈukaw vzrˈɔkʲɛm lˈipskʲɛj.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_84.wav|a kˈim tɨ jˈɛstɛɕ? zapˈɨtaw jˈamɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_178.wav|dˌɔskɔnˈalɛ. zˈadʑvɔɲ dɔ mɲʲɛ, ɡdˈɨbɨɕ mʲˈawa jˈakʲɛɕ pɨtˈaɲʲa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_5.wav|jˈɛɕli ɕɛ ɲʲɛ mˈɨlɛ i ɕlˈɛdʑi mˈɔjɔ̃ aktˈɨvnɔɕtɕ na fˌatsɛbˌɔɔkˈɔvɛj ɡrˈupʲɛ, tɔ na pˈɛvnɔ vˈidʑaw mˈuj kɔmˈɛntaʃ i vʲˈɛ, ʒˈɛ tˈu jˈɛstɛm.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_211.wav|ɲʲɛ pˌɔzvɔlˈɔnɔ jɛj jˈɛdnak na pɔdˈɔbnɛ rɔzrˈɨfki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_60.wav|tʃˈɛɕtɕ, tˈɔmmɨ, mˈuvi bʲˈillɨ, kʲɛrˈujɔnts ɕɛ dɔ vˈindɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_17.wav|ˌalɛ tˈɛras ɲʲɛktˌurɛ z ɲˈix tʃˈujɔ̃, ʒˈɛ sprˈaviw im zˈavut pʃɛt kilkˈɔma mʲˌɛɕɔntsˈami.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_93.wav|mˈɔʒɛ stˈatɕ ɕɛ jˈɛʃtʃɛ inˈatʃɛj, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_62.wav|vʲˈɛm, tsˈɔ tɔ znˈatʃɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_197.wav|dʒˈɔnnɨ ɲʲɛ vˈaxaw ɕɛ ˌaɲi xfˈili. nˈapar ramjˈɛɲʲɛm na lˈɛvɛ skʃˈɨdwɔ dʒvˈi i fpˈad dɔ ɕrˈɔtka vʒˈɛʃtʃɔnts, banzˈai, skˌurvɨsˈɨnɨ!|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_6.wav|zabjˈɛra tsˈurkɛ dɔ ʃkˈɔwɨ. pɔɲʲˈɛvaʃ ɲʲˈɛma tˈɛras sfɔjˈɛɡɔ sˌamɔxˈɔdu, pˈuʑɲʲɛj pɔjˈɛdʑɛ pˈɛvɲʲɛ bˌɛspɔɕrˈɛdɲʲɔ dɔ prˈatsɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_27.wav|pʃɨ ɔkˈazji tʃˈɨɲi jˈɛ tɔ najtrfˈalʃɨm ˌɛlɛmˈɛntɛm tsˈawɛj budˈɔvli tsˈɛntrum vˌɨtɕɛtʃkɔvˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_88.wav|a tˈɛras ɔn vʲˈɛ, ʒˈɛ ˈalfjɛ jɛzd blˈiskɔ, a ja utknˈɛwam tˈutaj i ɲʲɛ mˈɔɡɛ mu pˈɔmuts.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_55.wav|kʲˈɛdɨ ɲʲɛ pʃˌɛbɨvawˈɨɕmɨ rˈazɛm, lˈɛax starˈawa ɕɛ rˈuvɲʲɛʃ pɔɕfʲˈɛntsatɕ tʃˈas ˈinnɨm, ˌalɛ tɔ mˈɔjɛ tˌɔvaʒˈɨstfɔ spravʲˈawɔ jɛj najvʲˈɛŋkʃɔ̃ pʃɨjˈɛmnɔɕtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_51.wav|mʲɛʃkˈawa sˈama i stˌanɔvˈiwa w zvʲˈɔ̃sku s tɨm dˈɔbrɨ tsˈɛl. jˈɛdnak na rˈaʑɛ ɲˈits ɲʲɛ fskˌazɨvˈawɔ nˈatɔ, ʒˈɛbɨ ktˈɔɕ tɔ vˌɨkɔʒˈɨstaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_32.wav|kˈɔxam tɕˈɛ, ˈanɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_17.wav|jˈak mʲˈawabˌɨm ʒˈɨtɕ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_61.wav|tʃˈas rˈuʃadʑ w drˈɔɡɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_23.wav|ʒˈɨtɕɛ jɛst udrˈɛŋkɔ̃, kʲˈɛdɨ ɡlˈiɲʲaʃ tɕˈɔŋɡlɛ dˈɛptʃɛ tɕi pɔ pʲˈɛntax.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_3.wav|tˈɨm, tsˈɔ pʃˌɨvɔwˈujɛ bʲillʲˈɛɡɔ s pɔvrˈɔtɛm z irˈaku, jɛzd dʑvʲˈɛŋɡ dˈɔbʒɛ mu z irˈaku znˈanɨ, jˈɛdɛn z vʲˈɛlu, ktˌurɛ stˈalɛ tˌɔvaʒɨʃˈɨwɨ im w lˈa lˈa fallˈutɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_227.wav|jˈɛdna pɔ drˈuɡʲɛj, ˈaʃ f kˈɔɲtsu z ɡˈurɨ zɔstˈanɔ̃ jɛdˈɨɲʲɛ kamˈɨki.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_398.wav|sˌɛrɛrɔnˈɛtɕɛ!|1
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_22.wav|znalˈɛʑli tsˈɔʑ w ɡˌabʲinˈɛtɕɛ tfɔjˈɛɡɔ partnˈɛra.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_119.wav|pɔɕrˈɔtku vˌɨkɔpˈanɔ dˈuw na ˈɔɡʲɛɲ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_226.wav|nˈɔvɔ nˌarɔdʑˈɔnɛ kˈɔtɕɛ pʃˌɨvʲɔ̃zˈujɛ ɕɛ dɔ psˈa, ktˌurɨ jˈɛ ɔblˈiʒɛ, zˈamjast pʃɛɡˈɔɲitɕ tʃɨ pˈɔʒrɛtɕ.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_25.wav|pɔmˈɨɕlaw, ˌalɛ jɛj rˈɛntsɛ tɕɔŋɡnˈɛwɨ jˈuʒ za jˈɛɡɔ strˈuj, rˌɔzvʲɔ̃zˈujɔnts ʃnurˈufki spˈɔdɲi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_71.wav|pˈɨta spɔkˈɔjɲʲɛ, xˈɔtɕ w jˈɛɡɔː ˈɔtʃaɣ vˈidʑɛ lˈut.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_31.wav|kˈit ftɕˈɔ̃ʃ pʃˌɨtʃɨmˈɨvaw klˈapkɛ, a tˈɔm mˈuɡwbɨ pʃˈɨɕɔnts, ʒˈɛ uswˈɨʃaw skʃɨpɲʲˈɛɲtɕɛ w ɕrˈɔtku, jˈaɡbɨ ktˈɔɕ skrˈadaw ɕɛ s pʲˈɛntra na pˈartɛr.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_4.wav|kɔbjˈɛta pˌɔvʲɛdʑˈawa, ʒˈɛ tˈata zvˈɨklɛ pʃɨjˈɛʒdʒa tˈutaj ɔkˈɔwɔ dʑɛvʲˈɔntɛj i ɲʲɛ mˈɔɡɛ sˈɔbjɛ pɔzvˈɔlitɕ na rɨzˈɨkɔ, ʒˈɛ ɕɛ miɲʲˈɛmɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_50.wav|mˈɔʒɛ i jɛst ɕfʲˈɛtnɨm, pwˈatnɨm zabˈujtsɔ̃, ˌalɛ pʃɛstˈɛmpstfa, za ktˌurɨx sprˈavɔ̃ fpakˈɔvaw ɕɛ f tɛn bˈajzɛl, pɔpˈɛwɲiw pɔt fpwˈɨvɛm impˈulsu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_112.wav|ʃtʃˈɛʒɛ mˈuvʲɔnts, ɲʲɛ mʲˌawɛm na tsˈɔɕ takʲˈɛɡɔ tʃˈasu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_586.wav|vʲˈɛʃ, tɔ dla mɲʲɛ bˈardʑɔ skˌɔmplikɔvˈana sˌɨtuˈatsja.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_128.wav|a jˈɛdnak pʃˈɨjɛtɕ, pɔvʲˈɛdʑaw, kʲˈɛdɨ uswˈɨʃaw ɡwˈɔs ˈɛstɛr.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_89.wav|zdˈajɛ sˈɔbjɛ ɲʲˌɛspɔdʑɛvˈaɲʲɛ sprˈavɛ, ʒˈɛ dɔtˈarwam jˈuʒ dɔ ʃkˈɔwɨ, xˈɔtɕ ɲʲɛ mˈɔɡɛ pʃɨpˈɔmɲʲɛtɕ sˈɔbjɛ tsˈawɛj drˈɔɡʲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_138.wav|pɔ tsˈɔ tɕi ˈɔnɛ?|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_150.wav|spalˈili jɛj dˈɔm. fʃˈɨstkɔ jˈɛdnɔ, tˈam sɔ̃ jɛj bɔɡˈɔvʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_148.wav|na tʃˈɔlɛ mˈa druɡʲˈɛɡɔ ɕiɲʲˈaka nat lˈɛvɨm ˈɔkʲɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_48.wav|f kˈɔɲtsu vrˈatsam dɔ ʒˌɛtʃɨvistˈɔɕtɕi. pɔdnˈɔʃɛ ɕɛ s kʃˈɛswa i ˈidɛ dɔ kˌɔrɨtˈaʒa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_290.wav|tˈak wˈamjɔnts ɕɛ zˈɛ sˈɔbɔ̃, tˈak mˈɛntʃɔnts ɕɛ w jˈakimʑ dʑˈivnɨm spˈazmʲɛ,|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_139.wav|i ˌuvʲɛʒˈɨli tʃɨjˈɛmuɕ swˈɔvu, ˈiʃ stfˈɔrɨ mʲˌɛʃkajˈɔntsɛ tˈam mˌajɔ̃ lˈutskʲɛ tfˈaʒɛ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_143.wav|tʃˈɛkaj, ˈaʒ zɔbˈatʃɨʃ ˈɛfɛkt.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_167.wav|ɲʲɛ prˈavʲɛ pˈɛvʲɛn mˈɨɕli bʲˈillɨ. vʲɛdʑˈawɛm, ʒˈɛ tˈak ɕɛ stˈaɲʲɛ, bˈɔ bˌɨwɨ z lˈixɛj pwˈɨtɨ pˌiliɕɲʲˈɔvɛj. prˈavʲɛ tsˈɔ nˈɔts swɨʃˈɛliɕmˌɨ s kˈatjɛ, tsˈɔ tˈam zˈɛ sˈɔbɔ̃ rɔbʲˈili.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_15.wav|ˌɔdbjɛrˈawam ɡˈɔː ɔ stˈawɛj ɡɔdʑˈiɲʲɛ i ɲˈiɡdʑɛ ɕɛ jˈuʃ ɲʲɛ zˌatʃɨmɨvˈaliɕmˌɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_271.wav|a vˌɨsɨwˈaɲʲɛ kˌɔntrabˈandɨ dɔː artˈɛmis?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_48.wav|rˈɔp pɔvʲˈɛdʑaw, ʒˈɛ dʑvɔɲˈiwa, kʲˈɛdɨ tˈutaj jɛxˈawaɕ. zɡˈadʑa ɕɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_110.wav|stˈaw vʲˈɛnts ˌɔtʃɛkˈujɔnts sfˈɛj kɔlˈɛjki, a tʃwˈɔvʲɛk, ktˌurɨ fˌɔtɔɡrafˈɔvaw, ɲʲˈɛbɨw ˌɔfitsˈɛrɛm pɔlˈitsji, lˈɛdʒ vʲˈɛ̃ʑɲʲɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_72.wav|ratˈunɛk pʃˈɨʃɛt f sˈamɔ̃ pˈɔrɛ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_231.wav|pʃˌɨprɔvadʑˈimɨ zˈɛ sˈɔbɔ̃ smˈɔki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_125.wav|prˈɔblɛm pɔlˈɛɡa nˈatɨm, ʒˈɛ ɕˈɔstra mˈa trˈudnɨ xarˈaktɛr. ɲʲɛ lˈubʲi, jˈak jɛj ɕɛ mˈuvi, tsˈɔ mˈa rˈɔbʲitɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_209.wav|xˈalɔ, pˌɔvʲɛdʑˈawɛm sˈɛnnɨm ɡwˈɔsɛm.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_323.wav|tsɛrsˈɛi ˌuʃtʃɨpnˈɛwa mˈɔtsnɔ sˈutkɛ, ɕtɕiskˈajɔnts jˈɔ̃ mʲˌɛndʑɨ paltsˈami. marˈɨjka ftɕɔŋɡnˈɛwa ɡvawtˈɔvɲʲɛ pɔvʲˈɛtʃɛ. — bˈɔli.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_93.wav|dɔ kˈɔɡɔ mˈɔʒɛ ɕɛ zvrˈutɕitɕ stˈaɲis, jˈɛɕli ɲʲɛ dɔ ʒɛlˈaznɨx lˈudʑi i dʑˈikix?|1
+Dataset/wavs/urwisko_ferenc/09_segment_54.wav|mˈarja xˈɛrman uɲʲˈɔswa brvˈi. tsˈɔ takʲˈɛɡɔ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_372.wav|tɔ ɲʲɛ mˈɔja vˈina, ʒˈɛ w rɔdʑˈiɲʲɛ pˈaɲskʲɛj nˈajpʲɛrv budˈujɛ ɕɛ dˈɔm,|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_46.wav|sfɔbˈɔda ɔdˈɛbraw pˌɔwɔntʃˈɛɲʲɛ. krˌɨminˈalnɨ zˈɛspuw fsparsˈija tˌɛxɲitʃnˈɛɡɔ ɡɔtˈɔvɨ dɔː ˈaktsji.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_33.wav|ɲʲɛ jˌɛstɛm tˈutaj f tɛj sprˈavʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_4.wav|mɲʲˈɛjʃɨ ˈɔkrɛnt, vidˈɔtʃnɨ s pʃˈɔdu, zakrˈɛɲtɕiw nˈaɡlɛ, mˈɔntsɔndʑ vʲɔswˈami mˈɔrskɔ̃ vˈɔdɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_108.wav|tɔ nalˈɛʒɨ dɔ kɔmplˈɛtu.|4
+Dataset/wavs/urwisko_ferenc/25_segment_66.wav|zˈamuf tsɔkˈɔlvʲɛk i bjˈɛʒmɨ ɕɛ dɔ rɔbˈɔtɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_295.wav|vʲˈɛnts nˌapatʃˈɨfʃɨ ɕɛ bɛzrˈadɲʲɛ tɛj ɲʲˌɛruxˈɔmɛj,|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_462.wav|lˈudʑɛ muɕˈɛli vˈidʑɛtɕ, ʒˈɛ ʃˈukam dla tɕˈɛbjɛ mˈɛ̃ʒa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_133.wav|a jˈɛdnak tʃɛkˈaɲʲɛ mˈɛntʃɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_29.wav|kʲˈɛdɨ pɔznˈawɛɕ, ʒˈɛ vʲˈɛm? pˈɨta ˈɛli s tɕˈixɨm ɡwˈɔsɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_35.wav|jɔˈanna pˈalmɛr? zɡˈadʑa ɕɛ. mˈatka mˈilljɛ pˈalmɛr?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_2.wav|stˈɛvɛ zˌatʃɨmˈujɛ samˈɔxut na pɔbˈɔtʃu drˈɔɡʲi.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_141.wav|ɔdˈɛzvaw ɕɛ drˈuɡʲi vrˈubɛl.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_78.wav|tɔ jɛj spˈiski mɲʲɛ dɔ tˌɛɡɔ zmuɕˈiwɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_8.wav|ˌalɛ pʃɛstˈawam jˈuʒ dʑˈawadʑ zɡˈɔdɲʲɛ s xˌarmɔnɔɡrˈamɛm.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_6.wav|ˈalbɔ spˈɔtkaw kɔlˈɛjnɔ̃ dʑɛftʃˈɨnɛ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_179.wav|zaˈista.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_43.wav|mˈuɕaw jˈɛdnak pʃˈɨznatɕ, ʒˈɛ mˈɔɡli spˈɛɲdʑidʑ vʲˈɛlɛ dɲˈi na pʃˌɛpɨtɨvˈaɲʲu kˈaʒdɛj ɔsˈɔbɨ z rɛjˈɛstru i nˈadal ɲʲɛ ɔdnˈalɛʑdʑ zabˈujtsɨ.|3
+Dataset/wavs/urwisko_ferenc/14_segment_58.wav|tɔ tsˈɔ vˈas tˈak naprˈavdɛ zˌaɲʲɛpˌɔkɔˈiwɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_132.wav|dˈɔbra, f pɔʒˈɔntku, vʲˈɛʒɛ tɕˈi. muɕˈawɛm zapˈɨtatɕ.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_198.wav|ˈɛm bˌɛɲdʑɛ ɔkrˈɔpnɨm lˈɔrdɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_10.wav|ɲʲɛ zˌavratsˈajmɨ mu na rˈaʑɛ ɡwˈɔvɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_8.wav|dɔpʲˈɛrɔ tsˈɔ zˈabʲiw tʃwɔvʲˈɛka i xˈɔtɕ sˈal prˌavdɔpɔd��ɔbɲʲɛ utʃˈɨɲiw vʲˈɛlɛ zwˈa na pˌɔlɛtsˈɛɲʲɛ ɲˈika, bʲˈillɨ ɲʲˈɛvʲɛ na pˈɛvnɔ, ʒˈɛ na ɕmʲˈɛrdʑ zaswˈuʒɨw.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_158.wav|ɲʲɛ f tɛj xfˈili sˈam.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_355.wav|mɲʲˈɛjʃa s tˈɨm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_100.wav|bʲˈillɨ ˈidʑɛ dɔ waʑˈɛŋki i jˈak tˌɨlkɔ s krˈanu pwˈɨɲʲɛ tɕˈɛpwa vˈɔda, zvˈilʒa ɕtɕɛrˈɛtʃkɛ. vɨʒˈɨma jˈɔ̃ lˈɛkkɔː i ɲʲˈɛɕɛ dɔ salˈɔnu.|2
+Dataset/wavs/urwisko_ferenc/08_segment_21.wav|bɔrˈɛvidʒ zamˈuviw tʃˈɨ ɔlbʒˈɨmjɛ ɡˈawki lˈɔduf,|0
+Dataset/wavs/urwisko_ferenc/36_segment_16.wav|xˈɛrman zˌastanɔvˈiwa ɕɛ, tʃɨ naprˈavdɛ tˌɛɡɔ xtsˈɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_89.wav|udˈajɛ, ʒˈɛ pʃɛxˈɔdʑi ɡˈɔ drˈɛʃtʃ. bʲˈillɨ ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_89.wav|mitskʲˈɛvitʃ?|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_86.wav|i pɔ xfˈili zˈatʃɔw mˈuvitɕ ɔ mˈanɕɛ rɨdˈɛʒɛ i jˈɛɡɔ dʑˈikix.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_46.wav|ɡwˈɔs mʲˈaw ɡwɛmbˈɔki i ˌaksamˈitnɨ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_21.wav|pʃˈɨkrɔ mi, jˈɛɕli straʒɲˈitsɨ pˌɔtraktɔvˈali tɕˈɛ brutˈalɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_241.wav|mˈɔjɛ tɕˈawɔ rˌɛaɡɔvˈawɔ na ɲʲˈɛɡɔ, xˈɔtɕ ˈumɨsw prˈaɡnɔw ɡˈɔː ɔdʒˈutɕitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_38.wav|dˈɔbra, pˈɔra. mˈuʃɛ zatʃˈɛkatɕ jˈɛʃtʃɛ na vʲˈɛɕtɕi ɔt rˈɔba i zˈaras mɔʒˈɛmɨ rˈuʃatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_93.wav|kɔɲtɕˈiki ˈust arˈama unˈɔʃɔ̃ ɕɛ f pˈɛwnɨm sˌatɨsfˈaktsji uɕmʲˈɛxu.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_224.wav|ktˌura ɲʲɛ bˌɨwa jˈuʃ tˈaka wˈadna jˈak ftˈɛdɨ, ɡdˈɨ jˈamɛ vˈidʑaw jˈɔ̃ ɔstˈatɲʲɔ.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_232.wav|— fʃˈɨstkʲɛ tɛ nˈɔtsɛ w lˈɛɕɛ, kʲˈɛdɨ ɕɛdʑˈɛliɕtɕˌɛ rˈazɛm pɔt tfˈɔim pwˈaʃtʃɛm, ɲʲˈɛmuf mi, ʒˈɛ ɲˈiɡdɨ jɛj ɡˈɔ ɲʲɛ fsadʑˈiwɛɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_101.wav|ɲʲɛ vˌɨɡlɔndˈajɔnts jˈɛʃtʃɛ nˈatɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_19.wav|kˈilka kˌilɔmˈɛtruf ɔt tsˈɛntrum ˌɛwrɔpˈɛjskʲɛj stɔlˈitsɨ. skrˈɔmnɛj, bˈɔ skrˈɔmnɛj, ˌalɛ jˈɛdnak.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_87.wav|pʃɛt sˈɔndɛm ɲʲˈɛmuɡwbˌɨm pʃˈɨɕɔnts, bˈɔ ɲʲɛ vidʑˈawɛm ix tfˈaʒɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_115.wav|mˈama ʒutɕˈiwa tˈatɕɛ, a nastˈɛmpɲʲɛ mɲʲɛ bwaɡˈalnɛ spɔjʒˈɛɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_181.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_121.wav|pˈɔtɛm ˈidɔ̃ na ɡˈurɛ i jˈɛdʑɔ̃ tɕˈastɔ f salˈɔɲʲɛ, ɡdʑˈɛ jˈamal ɔɡlˈɔnda bˈaraʃ lˈiɡʲi bˌɛjzbɔlˈɔvɛj.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_51.wav|— ɲˈiɡdɨ ɡˈɔ ɲʲɛ pɔznˈawa? — pˈɨta bˈɛtskɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_6.wav|ˌɔna jɛst tˈaka tsɨɲˈitʃna w ˌɔdɲʲɛɕˈɛɲʲu dɔ mˈɛ̃ʃtʃɨzn. fʃˈɨstsɨ jɛstˌɛɕtɕɛ pˌɔzbavʲɔnˈɨmi ɕˈilnɛj vˈɔli i mˌɔralnˈɛɡɔ krˌɛŋɡɔswˈupa kˌanaljˈami. vʲɛdʑˈawɛɕ ˈɔtɨm?|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_157.wav|i bʲˈillɨ tˌɛɡɔ xtsˈɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_31.wav|ˌalɛ ɲʲɛ w dˈɔmu rɔbˈɛrtsuf. tɛn jɛzd zupˈɛwɲʲɛ tɕˈɛmnɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_78.wav|nˈɔ tˈak!|4
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_33.wav|ˈɔkɛj, f tˈakim rˈaʑɛ dɔ zˌɔbatʃˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_108.wav|pˌɔvʲɛdʑˈawɛm, ʒˈɛ xtsˈɛ swɔtkʲˈɛɡɔ mlˈɛka, ˌalɛ ɔn mi ɡˈɔ ɲʲˈɛdaw.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_94.wav|ɲʲɛ mˈɨɕlɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_100.wav|mˈa pˈan nˈumɛr tˌɛlɛfˈɔnu jɛnsˈɛnuf?|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_114.wav|tˈɛras ratˈujɛ tɕˈɛ znˈɔvu.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_332.wav|mʲˈawa tʃˈɛx mˈɛ̃ʒuf.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_15.wav|vˌɨɡlɔndˈawa jˈak jˈakʲɛɕ puxlˈivɛ zvʲɛʒˈɔntkɔ vˌɨɡlɔndajˈɔntsɛ zzˈa kʃˈaka.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_360.wav|a mˈɔʒɛ pˈɔʃɛt pɔpwˈɨvadʑ w vˈɔdnɨx ɔɡrˈɔdax? pɔɕlˈizɡnɔw ɕɛ na marmˈuʒɛ, udˈɛʒɨw w ɡwˈɔvɛ i utˈɔnɔw.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_345.wav|nˈapiw ɕɛ pˈiva.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_208.wav|pratsˈɔvatɕ ˈalbɔ krˈaɕtɕ, ˈalbɔ nˈavɛd zˈabʲitɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_14.wav|pujdʑˈɛmɨ alˈɛjkɔ̃ f strˈɔnɛ budˈɨŋku. sɔ̃ tˈam bˈɔtʃnɛ dʒvˈi, jˈuʃ ɔtfˈartɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_49.wav|ˈɔfʃɛm, ˌalɛ zupˈɛwɲʲɛ ˈɔtɨm zˌapɔmɲʲˈawam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_45.wav|mˈam jˈuʒ dˈɔɕtɕ xɔdʑˈɛɲʲa pɔ ɡˈɔwɨm bɛtˈɔɲʲɛ, muvˈiwa.|4
+Dataset/wavs/urwisko_ferenc/28_segment_19.wav|jaskrˈavɨ, ʑɛlˈɔnɨ tˈɔp ɔtswˈaɲʲaw vˌɨʒɛʑbjˈɔnɛ mʲˈɛɲɕɲʲɛ bʒˈuxa, a krˈutkʲɛ, spɔrtˈɔvɛ spɔdˈɛŋki ˌɔpinˈawɨ jˈɛndrnɛ ˈuda.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_170.wav|ktˌurɔ̃ ˈiʑdʑ bˌɛɲdʑɛ na fsxˈut pˈɔpʃɛs ˌarizˈɔnɛ i ɲʲˈu mɛksˈitsɔ,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_97.wav|tsˈɔ ɲʲˈɛvʲɛm, tʃɨ w ɔɡˈulɛ istɲʲˈawa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_46.wav|— pʃˈɨkrɔ mi, ɲʲɛ pʃˌɨpɔmˈinam sˈɔbjɛ. tɔ xˈɨba bˈɨw ɲʲɛdˈuʒɨ xˈadɣbatsk, ˌalɛ mˈɔɡɛ ɕɛ mˈɨlitɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_38.wav|ɡˌɛnɛvʲˈɛvɛ ˌintɛnsˈɨvɲʲɛ tɕfitʃˈɨwa, ˌalɛ tˌɨlkɔ na ɕiwˈɔvɲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_179.wav|f pˈɛvnɨm mɔmˈɛɲtɕɛ pʃɨxˈɔdʑɔ̃ z ɲʲˌɛzapˌɔvʲɛdʑˈanɔ̃ vizˈɨtɔ̃, tˈɔpjɔ̃ tfɔjˈɛɡɔ psˈa w basˈɛɲʲɛ i wˈamjɔ̃ tɕi pˈaltsɛ rˈɛŋki, ktˌurɔ̃ ɲʲɛ vˌɨpisˈujɛ ʃtʃˈɛkuf.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_57.wav|i w mˈɔrdɛ!|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_466.wav|znˈanɛ ɔd zˈafʃɛ.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_30.wav|jɛj ˈɔstʃɛ pˌɔwɨskivˈawɔ w blˈasku pɔxˈɔdɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_128.wav|tɔ bˈɨw kˈɔɲʲɛts.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_557.wav|zastˈɨɡwa pʃɛt nˈɔtsɔ̃ ulˈitsa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_122.wav|ˌalɛ ɲʲɛ tɔ bˌɨwɔ nˌajvaʒɲʲˈɛjʃɛ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_477.wav|pˌɔvʲɛdʑˈawɛɕ, ʒˈɛ jɛst mi pɔtʃˈɛbnɨ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_147.wav|mˈɔʒɛʃ tɔ zrˈɔbʲitɕ, mˈikɛ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_502.wav|zˌauvaʒˈɨwa mirˈanda.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_94.wav|pˌɔzɔstˈali vˌɨdavˈali ɕɛ vˌɨstartʃajˈɔntsɔ pʃɨjˈaʑɲi, ˌalɛ ɲʲɛ vʲɛdʑˈawam, tsˈɔ pɔmˈɨɕlɔ̃, kʲˈɛdɨ zˈatʃnɛ za ɲˈimi wˈazitɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_106.wav|swɨʃˈawam ˈɔɲim rˈuʒnɛ çistˈɔrjɛ, ˈalɛ...|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_340.wav|ɲʲɛ ɔtsˈɛɲʲam tɕˈɛ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_146.wav|jˈɛɡɔ pˌɔdɔpʲˈɛtʃnɨ...|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_177.wav|pˌɔwɔʒˈɨwam dwˈɔɲʲɛ na jˈɛɡɔ ramjˈɔnax.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_277.wav|ɲʲˈɛvʲɛm, dlatʃˈɛɡɔ tɔ zrɔbʲˈiwɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_50.wav|jɛzd vwˌaɕtɕitɕˈɛlɛm vɔrldvˈidɛ ˌɛntɛrtaˈinmɛnt, mˈuvi ˈɛlis.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_205.wav|xˈɔtɕ, pˈaɲʲɛ. pˌɔsadʑˈimɨ tɕˈɛ na mˈuwa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_74.wav|tˈaɡ vwˈaɕɲʲɛ mˈɨɕli.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_198.wav|ˌalɛ ɲʲɛ stanˈɔvjɔ̃ tʃˈɛɲɕtɕi vaʃˈɛɡɔ ʒˈɨtɕa, jˈak tˈu ˈu nˈas.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_52.wav|mʲɛʃkˈamɨ tˈutaj ɔd dvˈux lˈat. zˈafʃɛ vʲɛdʑˈawam, ʒˈɛ ɲʲɛ zˌɔstaɲʲˈɛmɨ tˈu na stˈawɛ. starˈawam ɕɛ jˈɛdnak utʃˈɨɲitɕ tɔ mʲɛʃkˈaɲʲɛ pʃɨtˈulnɨm i vɨ��ˈɔdnɨm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_167.wav|vʲˈatr ftɕˈɔ̃ʃ jˈɛʃtʃɛ ʃˈɛt s pˌɔwudɲʲɔvˈɛɡɔ fsxˈɔdu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_21.wav|tˈɔm ɲʲɛ ˌɔtpɔvʲˈɛdʑaw. ɲʲˈɛxtɕaw mˈuvitɕ ɔ sfˈɔjɛj najvʲˈɛŋkʃɛj ɔbˈavʲɛ, ʒˈɛ pʲɛrvˈɔtnɛ plˈanɨ pˌɔrɨvˈatʃɨ w jˈakiɕ spˈɔsup ɕɛ pˌɔsɨpˈawɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_17.wav|bˈɛrɡɛnbˈɛlsɛn bˌɨwɔ mʲˈɛjstsɛm, f ktˌurɨm çˈitlɛr... ˈɔx, pɔvʲˈɛdʑaw mˈuʒɨn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_96.wav|ɲʲɛ ja zɔstˈawabˌɨm vˌɨʒutsˈɔna, lˈɛtʃ ljˈa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_15.wav|pʃˈɛdɲʲɔ̃ stˈaw talˈɛʒɨk s pɔmjˈɛntɨm baŋknˈɔtɛm, ˌalɛ talˈɛʒɨɡ bˈɨw vɨtfˈɔrnɨ miɕɲʲˈɛɲskʲɛj rɔbˈɔtɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_108.wav|tɔ bˈɨwbɨ kˈɔɲʲɛts mɔjˈɛɡɔ ɕfʲˈata i fʃɨstkʲˈɛɡɔ, tsˈɔ znˈawam i f tsˈɔ vʲɛʒˈɨwam,|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_39.wav|pɔdˈɛjdɛ dɔ fˈɔsɨ i spˈɔtkam ɕɛ z ɲˈim na mˈɔɕtɕɛ zvɔdʑˈɔnɨm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_104.wav|ix pɔkˈɔjɛ ɲʲɛvʲˈɛlɛ mˌajɔ̃ fspulnˈɛɡɔ s pˌawatsɔvˈɨmi kˌɔmnatˈami, ˌalɛ sɔ̃ tsˈawkʲɛm pʃˌɨzvɔˈitɛ, a vˌɨkwadʑˈina na kˌɔrɨtˈaʒu vɨɡlˈɔnda na ɲʲɛdˈavnɔː ˌɔtkuʒˈanɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_84.wav|tˈak pʃˈɛs kˈilka dɲˈi.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_18.wav|ɔdˈɛzvaw ɕɛ ktˈɔʑ dɔ ɲʲˈɛɡɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_177.wav|tˈam muɕˈawam vɨpˈalitɕ ˈɔtfur.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_112.wav|vʲˈɛʃ, ɡdʑˈɛ nˌautʃˈɨwɛm ɕɛ prɔvˈadʑitɕ tɕˌɛ̃ʒarˈufkɛ? pɔvʲˈɛdʑaw salvˈatɔr.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_181.wav|pamjˈɛntam tɕˈɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_16.wav|mˈɔʒɛ kˈubɛk xɛrbˈatɨ?|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_155.wav|tʃˈɛɕtɕ tˈatɔ, mˈuvi dʒˈɛs.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_428.wav|zvˈanɔ ɡˈɔ stˈarɨm jastʃˈɛmbjɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_80.wav|pʃɛtftʃˈɔraj fstˈɔmpiw dɔ mɲʲɛ pˈɛvʲɛn sawdˈɨjtʃɨk i pɔvʲˈɛdʑaw, ʒˈɛ jˈɛɕli zˈɛxtsɛ, mˈɔʒɛ mɲʲɛ zatrˈudɲitɕ jˈakɔ tʃˌɛladɲˈika.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_368.wav|ˈɔrlɛ ɡɲʲˈazdɔ zbˌudɔvˈanɔ s pʲɛŋknˈɛɡɔ bjawˈɛɡɔ kamjˈɛɲʲa, a pwˈaʒdʒ ʑˈimɨ tʃˈɨɲiw jˈɛ jˈɛʃtʃɛ bjˈɛlʃɨm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_177.wav|tsˈawa jɛj mˌaʃɨnˈɛrja na pˈɛvnɔ jɛst f pivɲˈitsɨ i ɡdˈɨbɨ pˈɔʃwa w rˈux, taɲtʃˈɔntsɨ tɕˈɛɲ bˈɨ tɔː uswˈɨʃaw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_197.wav|bˈaki rˈɔbʲi pʃˈɛrvɛ dla zwapˈaɲʲa txˈu.|2
+Dataset/wavs/urwisko_ferenc/46_segment_121.wav|fʃˈɛd dɔ budˈɨŋku, ˌalɛ ɲʲɛ zapˈaliw ʒˈadnɛj lˈampɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_73.wav|pʃɛprˈaʃam, mˈuvi martʲˈinɛz dɔ tˌɛlɛfˈɔnu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_29.wav|fspɔmˈina fˈilmɨ ɔ rabˈuɕax, ktˌuʒɨ planˈujɔ̃ sfˈuj ɔstˈatɲi skˈɔk.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_49.wav|xˈɨba rˈatʃɛj ɲʲɛ wˈaskɛ. tʃɨ mˈɔi pʃˌɨjatɕˈɛlɛ bˌɛndɔ̃ ˌuvʲɛ̃ʑˈɛɲi zˈɛmnɔ̃?|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_164.wav|lˈudʑɛ ʃɛptˈali, ʒˈɛ mʲˌɛli s tɨm vʲˈɛlɛ fspulnˈɛɡɔ tʃˌarɔdʑˈɛjɛ ɛwrˈɔna, ʒˈɛ vrˈɔɲʲɛ ˈɔkɔ pʃɛbwˈaɡaw bˈɔɡa ʃtˈɔrmuf krfˈavɔ̃ ɔfjˈarɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_196.wav|dlatʃˈɛɡɔ tɔ tˈakʲɛ vˈaʒnɛ?|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_26.wav|ɕlˈubɨ miltʃˈɛɲʲa sɔ̃ ˈaktɛm skrˈuxɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_78.wav|jɛstˌɛɕmɨ w iˈɔva, prˈavda?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_29.wav|ɔbˈavʲam ɕɛ, ʒˈɛ tˈak.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_45.wav|na pˌɔstɛrˈuŋku mˈukw pʃɨnˈajmɲʲɛj ɕɛ ˈumɨtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_14.wav|ɲˈiɡdɨ ɲʲɛ prˌubɔvˈawam ukrˈɨvatɕ fˈaktu, ʒˈɛ ˈaʃ ɲʲɛ jɛst ˈɔjtsɛm mˈili.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_91.wav|kˈat swɨʃˈawa, jˈak xfˈaliw ɕɛ lˈaɲʲɛ, ʒˈɛ rˈɛʃtɛ vɨʒˈutɕiw dɔ kanˈawu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_69.wav|miltʃˈawa pʃˈɛs xfˈilɛ, a tˈɔm ɲʲˈɛmal vˈidʑaw ˌɔbratsajˈɔntsɛ ɕɛ w jɛj ɡwˈɔvʲɛ trɨbʲˈiki.|4
+Dataset/wavs/urwisko_ferenc/28_segment_69.wav|kˈilka dɲˈi, ˈaʃ f kˈɔɲtsu udˈawɔ mi ɕɛ ix pʃɨwˈapatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_108.wav|çˈiɲtʃɨk ɔtfˈɔʒɨw ˈusta, ʒˈɛbɨ znˈuv zˌaprɔtɛstˈɔvatɕ, ˌalɛ pɔʒˈutɕiw tɛn zˈamjar, vˈidʑɔnts, ʒˈɛ dʲibˈɔis ɕˈɛŋɡa pɔ zrˈaʃatʃ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_13.wav|zalˈɛva mlˈɛkʲɛm pwˈatki ˈalfa bˈɛats i vwˈɔntʃa pɔrˈannɛ vʲˌadɔmˈɔɕtɕi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_266.wav|pʃˌɨɡlɔndˈawɨ nˈam ɕɛ fɕtɕˈipskʲɛ, mrˌuɡajˈɔntsɛ pˈilɲʲɛ ɡvʲˈazdɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_55.wav|tʃˈɛɡɔ xtɕˈaw ɔt mɔjˈɛɡɔ dʑˈɛtska?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_62.wav|ɲʲɛ vʲɛdʑˈawam ɔ tʃɨm mˈuvi, ˌalɛ pʃɨvˈɨkwam jˈuʒ dɔ ɲʲˌɛzadavˈaɲʲa pˈɨtaɲ i zˌatʃɨnˈawam ʑlˈɛ ɕɛ tʃˈutɕ s pɔvˈɔdu mɔjˈɛɡɔ vɨbˈuxu.|3
+Dataset/wavs/urwisko_ferenc/37_segment_32.wav|ˌɔbɔk sˌamɔxˈɔdu pʃɛjˈɛxaw rˌɔvɛʒˈɨsta. ˈɔlɡʲɛrt ɕɛ vɨstrˈaʃɨw i sˈɛrtsɛ zˌadudɲˈiwɔ mu jˈɛʃtʃɛ mˈɔtsɲʲɛj. krˈɛf pwɔnˈɛwa w ʒˈɨwax.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_205.wav|bˌɛɲdʑɛ vʲˈɛdʑaw, ɡdʑˈɛ jˈɛstɛm, kʲˈɛdɨ ɔdbjˈɔrɛ jˈuʃ tɛ pʲɛɲʲˈɔndʑɛ?|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_298.wav|ɲʲɛ tˈɨlu, tsˈɔ pʃɛd vˈɔjnɔ̃.|1
+Dataset/wavs/urwisko_ferenc/01_segment_42.wav|pɔ xfˈili nˈatrɛnd vrˈutɕiw.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_40.wav|jɛstˌɛɕmɨ ɡˈɔɕtɕmi ɕfʲˈɛntɨɣ brˈatɕi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_152.wav|ɲʲˈɛvʲɛm, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_15.wav|ʒˈadna ˌɔkɔlˈitsa ɲʲɛ mˈɔɡwabˌɨ bˈɨdʑ bˈardʑɛj rˈuʒna ɔt tˈartu z jˈɛɡɔ ɡurˈami i vˌɔdɔspadˈami.|1
+Dataset/wavs/urwisko_ferenc/15_segment_99.wav|— tfˈɔja f tɨm ɡwˈɔva, ʒˈɛbɨ pʃɛstˈawa ɕɛ bˈatɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_201.wav|ˈulɡa zmʲɛɲˈiwa ɕɛ w ɲʲɛpˈɔkuj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_212.wav|mˈa tˈakɔ̃ spɛtsjˈalnɔ̃ fˈarbɛ, ktˌura rɔspˈuʃtʃa ɕɛ, kʲˈɛdɨ f kɔɕtɕˈɛlɛ pˈɛwnɔ jɛst tɨx fʃˈaʒɨ. i tˌɛmpɛratˈura, i vilɡˈɔtnɔʑdʑ vzrastˈajɔ̃, tɨ rɔzˈumjɛʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_176.wav|pˈɔtɛm klˈɛpʲɛ ɡˈɔ f plˈɛtsɨ, jˈaɡbɨ xtɕˈawa pɔvʲˈɛdʑɛdʑ dˈɔbra rɔbˈɔta.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_240.wav|ftɕˈɔ̃ʃ mˈɨɕlaw ˈɔtɨm mɔmˈɛɲtɕɛ, kʲˈɛdɨ jˈudɨ pʃˌɨtulˈiwa sfˈɔjɔ̃ tfˈaʒ dɔ jˈɛɡɔ dwˈɔɲi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_116.wav|na usˈɛmtsɛ vˌɨskakˈujɛ nˈapiz vʲadˈɔmɔʑdʑ z ɔstˈatɲʲɛj xfˈili, kturˌɛmu tˌɔvaʒˈɨʃɔ̃ zwɔvrˈɔɡʲɛ dʑvʲˈɛŋki skʃˈɨpʲɛts i dudɲʲˈɛɲʲɛ bˈɛmbnuf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_29.wav|xtsˈɛ zaxˈɔvatɕ spˈɔkuj, ˌalɛ tɔ jɛst mˈɔja mˈama.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_87.wav|ɲʲɛ bˌɨwam pˈɛvna, ˈilɛ tʃˈasu zˈajmʲɛ wˌadɔvˈaɲʲɛ ˌakumˌulatˈɔra, ˌalɛ ɲʲɛ zˌamjɛʒˈawam trˈatɕitɕ ˌaɲi xfˈili.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_101.wav|ɲˈikt ɲʲɛ mˈuɕi pˈɔznatɕ jˈɛɡɔ prˌavdʑivˈɛɡɔ plˈanu utɕˈɛtʃki.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_187.wav|vʲˈɛʃ, tˈɔɲi, ja zˌaxɔrɔvˈawɛm kˈilka mʲɛɕˈɛntsɨ tˈɛmu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_65.wav|pɔvˈinnam bˌɨwa zavˈɔwatɕ jˈak najɡwˈɔɕɲʲɛj, ʒˈɛ ˈaram zˈabʲiw mˈɔjɔ̃ pʃˌɨjatɕˈuwkɛ, tˈaɡ bˈɨ ˌuswɨʃˈawa tɔ tsˈawa spɔwˈɛtʃnɔɕtɕ.|3
+Dataset/wavs/urwisko_ferenc/23_segment_142.wav|a tsˈɔ bˈɨ tɔ dˈawɔ?|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_349.wav|vˌɛstɛrˈɔfski kɕˈɔ̃ʒɛ vʑˈɔw jˈɔ̃ sˈɔbjɛ za kɔxˈaŋkɛ i mʲˈaw z ɲʲˈɔ̃ tsˈurkɛ, ktˌura rˈuvɲʲɛʒ zɔstˈawa kˌurtɨzˈanɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_25.wav|pˌɔvʲɛdʑˈafʃɨ tɔ, vˈɨʃwam pɔspʲˈ��ʃɲʲɛ s kavʲˈarɲi, lˈɛdvʲɛ ɕɛ ʒɛɡnˈajɔnts.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_57.wav|prubˈujɛ ɕɛ ɔtprˈɛ̃ʒɨtɕ, uɕmʲˈɛxnɔɲtɕ, ˌalɛ vʲˈɛm jˈuʃ, ʒˈɛ pʃˌɨjatɕˈuwki ɲʲɛ ɔʃˈukam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_150.wav|ˌɛkspɛdjˈɛntka vˈanda stˈubbz bˌɨwa f sklˈɛpʲɛ sˈama.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_95.wav|uɕˈadwam na pɔdwˈɔdʑɛ i...|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_75.wav|tsˈɔɕ pˌɔvaʒnˈɛɡɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_59.wav|uɕmʲˈɛxnɔw ɕɛ stavʲˈajɔnts tˈalɛʃ na bjˈurku, xˈɔdʑ bˈɛtskɨ ftɕˈɔ̃ʒ vidʑˈawa pˈɔɲim, ʒˈɛ jɛst spʲˈɛntɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_21.wav|— mˈuʃɛ kˈɔɲtʃɨtɕ — pɔvʲˈɛdʑaw pɔspʲˈɛʃɲʲɛ dɔ jˈatska. — mˈɔɡɛ ɔddʑvˈɔɲitɕ pˈuʑɲʲɛj pɔt tɛn nˈumɛr.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_146.wav|mʲˈawa ʃɛrˈɔkʲɛ bjˈɔdra, ɡrˈubɔ̃ tˈaljɛ i bˈardʑɔ vʲˈɛlkʲɛ pʲˈɛrɕi, a dɔ tˌɛɡɔ ɡˈɛ̃stɛ kˌaʃtanˈɔvɛ lˈɔki.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_123.wav|zrˈɛʃtɔ̃ zatʃˈɛwam ɕɛ ɔbˈavʲatɕ, ʒˈɛ bˈɨtɕ mˈɔʒɛ ɲˈikt mi ɲʲɛ ɔtfˈɔʒɨ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_25.wav|rˌɛdvainˈɔvʲɛ zˌɔstavˈili na sfˈɨɣ vˈɔdax tˌɨlkɔ kˌilkanˈaɕtɕɛ ɔkrˈɛntuf. fʃˈɨstkʲɛ jˈɛ zdɔbˈɨli bˈɔɲdʑ zˌatɔpˈili ʒɛlˈaʑɲi lˈudʑɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_18.wav|dɔ pɔtɕˈɔŋɡu. pˈɔtɕɔŋk ɔdjˈɛxaw. nˈɔ tɔ dɔ sxrˈɔnu pˌɔvʲɛtʃnˈɛɡɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_81.wav|ˌalɛ f tɨm mɔmˈɛɲtɕɛ fpˈadwɔ dɔ tsˈɛli dvˈux strˈaʃɲʲɛ mwˈɔdɨx i bˈardʑɔ xˈudɨx pˌɔlitsjˈantuf. — ktˈɔ pˈaɲi pɔzvˈɔliw ɔtfʲˈɛratɕ tsˈɛlɛ? — kʃˈɨknɔw jˈɛdɛn z ɲˈix.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_74.wav|ftɕˈɔ̃ʃ mʲˈawam na sˈɔbjɛ pˌɔtkɔʃˈulɛk, ktˌurɨ zvɛɲdʑˈiwam z jˈɛɡɔ ʃˈafɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_21.wav|pʃˌɨwɔʒˈɨwam jˈɛ dɔ panˈɛlu kˌɔntrɔlnˈɛɡɔː i ˌɔdblɔkɔvˈawam sˈɨstɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_34.wav|stsˈɔtt pɔtsˈuvaw mi fʃˈɨstkʲɛ lɔɡʲˈitʃnɛ ˌarɡumˈɛntɨ pʃˌɛmavʲajˈɔntsɛ za abˈɔrtsjɔ̃, a ja prˌubɔvˈawam mu vɨjˈaɕɲitɕ, ʒˈɛ ɲʲɛ mˈɔɡɛ tˌɛɡɔ zrˈɔbʲitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_98.wav|vˈɨ, sˌawdɨjtʃˈɨtsɨ, ˌuvʲɛlbjˈatɕɛ tʃˈarnɔ̃ xɛrbˈatɛ.|4
+Dataset/wavs/urwisko_ferenc/55_segment_67.wav|tʃɨ ˌɔna ˌɔdɛbrˈawa sˈɔbjɛ ʒˈɨtɕɛ?|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_235.wav|tʃɨ mˈɔɡɛ tɕˈɛ zapˈɨtatɕ ɔ zbrˈɔjɛ?|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_164.wav|na ɔtfˈartɔ̃ pʃˈɛstʃɛɲ mˈɔʒɛʃ ɕɛ napˈatʃɛtɕ pʃˈɛstɛ ʃˈɨbɨ, a s kumplˈami ɔ vʲˈɛlɛ lˈɛpʲɛj umˈuvitɕ ɕɛ w bˈaʒɛ ɲˈiʃ f pˈarku.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_422.wav|zdˌɛtsɨdˈɔvaw w dˈuxu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_504.wav|tˌɨlkɔ ʑˈimnɨ, bjˈawɨ pˈapʲɛr skʃˈɨpi pɔt pʲˈurɛm, jˈaɡ davɲʲˈɛjʃɛ ɕɲʲˈɛɡʲi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_34.wav|ˌɔtpɔvʲˈɛdʑaw baˈilɛj i pɔtʃˈuwam, ʒˈɛ rˈɔbʲi mi ɕɛ tɕˈɛ̃ʃki w ramjˈɔnax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_20.wav|bˈaki mˈa vraʒˈɛɲʲɛ, ʒˈɛ vɨɡlˈɔnda ɲʲˈɛtsɔ lˈɛpʲɛj.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_38.wav|pʃˈɨkrɔ mi. jˌɛstɛm pˈɛvna, ʒˈɛ tɔː ɔstˈatɲʲa ʒˈɛtʃ, jˈakʲɛj bˈɨɕ tˈɛras xtɕˈawa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_102.wav|mˈuʃɛ ˈɔdɛjɕtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_99.wav|pˌɔzɔstˈajɛ jɛdˈɨɲʲɛ ɡˈɔɕtɕɛm w vˈaʃɨm dˈɔmu, pˌɔlɛɡˈajɔnts na vˈaʃɛj xɔjnˈɔɕtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_27.wav|bʲˈillɨ pˈatʃɨ nˈaɲʲɔ̃ z ukˈɔsa, lˈɛkkɔ zˌaskɔtʃˈɔnɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_253.wav|tʃɨ bˌɛɲdʑɛʃ jɛj brˈɔɲiw?|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_149.wav|mˈɔja mˈawa sɔ̃ɕˈatka z mˌɛadvˈɔɔt.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_483.wav|ja ɔ tˈɔbjɛ ɲˈits ɲʲˈɛvʲɛm.|0
+Dataset/wavs/urwisko_ferenc/63_segment_73.wav|pilˈɛfska zˌatʃɨmˈawa vzrˈɔk na vɨdrˈuku.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_50.wav|bˌɨwa ɕlˈitʃna i vʲˈɛŋkʃa ɲˈiʃ xˈarɨ, ˌalɛ w vʲˈɛku ˈɔɕmju mʲɛɕˈɛntsɨ jɛj ˈɔtʃɨ zdɔ̃ʒˈɨwɨ jˈuʃ ˌupɔdˈɔbɲitɕ ɕɛ dɔː ˈɔtʃu jˈatska.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_31.wav|vˈɛʃwam dɔ kˈuxɲi, f ktˌurɛj stˈawa, jˈaɡ zvˈɨklɛ pʃɨ pʲˈɛtsu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_24.wav|dla ɲˈix ɔbˈɔjɡa.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_266.wav|lˈɔrt pˈɛtɛr pˈiʃɛ, ʒˈɛ fʃˈɨstsɨ bˌɨli zdumjˈɛɲi.|1
+Dataset/wavs/urwisko_ferenc/35_segment_62.wav|dɔ zˌɔbatʃˈɛɲʲa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_67.wav|tˈɔm uvˈaʒɲʲɛ ˌɔpsɛrvˈɔvaw jˈɛɡɔ tfˈaʃ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_46.wav|bˈɛtskɨ pʃˌɛkazˈawa tɔmˈɔvi fʃˈɨstkʲɛ ʃtʃɛɡˈuwɨ, a ɔn vɨswˈuxaw jˈɔ̃ tɕɛrplˈivʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_9.wav|lˈɛpʲɛj jˈɛdʑmɨ dˈalɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_29.wav|dʑˈɛtɕi ʒutsˈajɔ̃ ɕɛ na tɕˈastka, bʲˈillɨ bjˈɛʒɛ jˈɛdnɔ, jɛst swˈɔtkʲɛ i pˈɨʃnɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_178.wav|vʲˈɛnts mruknˈɔwɛm tʃɨ xʃɔŋknˈɔwɛm, ʒˈɛbɨ jˈɔ̃ ɔbˈudʑitɕ, ˌalɛ ˌɔna trfˈawa f tɨm dʑˈivnɨm lɛtˈarɡu.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_189.wav|dɔ dˈɔmuv bɔɡˈatʃɨ pwɨnˈɛwa rurˈami, a bjɛdˈatsɨ nˌapɛwɲʲˈali vʲˈadra f publˈitʃnɨx fɔntˈannax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_114.wav|ɲʲɛ xˌawasˈujɛ, ˌalɛ mˈama lˈɛkkɔ ʃtɨvɲʲˈɛjɛ, xˈɔtɕ stˈɔi ˌɔdvrutsˈɔna dɔ mɲʲɛ tˈɨwɛm.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_19.wav|a sˈɛr jˈɛʃtʃɛ tfˈartʃɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_194.wav|dˈuʃɛ mˈɔjɔ̃ pɔɕˈila, prɔvˈadʑi mɲʲɛ ɕtɕɛʃkˈami sprˌavʲɛdlivˈɔɕtɕi dla imjˈɛɲʲa sfˈɛɡɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_148.wav|pʃˈɨjdʑɛ nastˈɛmpnɨ xurˈaɡan i fʃˈɨstkɔ zrujnˈujɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_68.wav|bʲˈillɨ jɛst pˈɛvʲɛn, ʒˈɛ ɲˈitsk uvˈaʒa ɡˈɔ za kˈɔɡɔɕ, ktˈɔ bjˈɛʒɛ fʃˈɨstkɔ za dˈɔbrɔ̃ mɔnˈɛtɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_87.wav|bˈavi ɕɛ pluʃˈakʲɛm, kturˌɛɡɔ kupˈiwam mu f sklɛpˈiku s pˌamjɔntkˈami pʃɨ kavʲˈarɲi i tɕˈixɔ pˌɔtɕpʲɛvˈujɛ pɔt nˈɔsɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_7.wav|ta kɔbjˈɛta uvˈaʒa, ʒˈɛ ˈaʃ tɕˈɛ zɔstˈavi i fprɔvˈadʑi ɕɛ dɔ ɲʲˈɛj tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ pɔrvˈawa mˈili?|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_12.wav|tɔ ɲʲɛ sɔ̃ ʒɛlˈaʑɲi lˈudʑɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_72.wav|tˈɛraz dɔpʲˈɛrɔ zrˌɔzumjˈawɛm, ʒˈɛ tɕi brɔdˈatɕi xudʑˈɛltsɨ tɔː ˌanarçˈiɕtɕi ˌɔblɛɡajˈɔntsɨ zɡrˌɔmadʑˈɛɲʲɛ sɔbˈɔru swˌɔvʲaɲskʲˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_141.wav|ˌalɛ ɲʲɛ vˈidʑi f tɨm dˌɨlɛmˈatu natˈurɨ mɔrˈalnɛj.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_41.wav|ɲʲɛ mˈuʃɛ nˈatɔ ˌɔtpɔvʲˈadatɕ, a ja ɲʲɛ mˈuʃɛ stˈɔnd vɨjˈɛʒdʒatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_28.wav|pɔvʲˈɛdʑaw jˈɛʃtʃɛ spˈɔrɔː ˈinnɨɣ ʒˈɛtʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_2.wav|fspʲˈɛwa ɕɛ sˈama na sxˈɔdɨ, vratsˈajɔnts pɔ rˈas ɔstˈatɲi dɔ sfˈɛɡɔ pɔkˈɔju.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_40.wav|ɲʲɛ mˈɔɡwam spˈatɕ pʃˈɛz dvʲˈɛ nastˈɛmpnɛ nˈɔtsɛ.|3
+Dataset/wavs/urwisko_ferenc/65_segment_202.wav|xfˈilɛ zajˈɛwɔ, ɲˈim ˌuswɨʃˈawa ɔtpˈɔvʲɛtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_62.wav|jɛbˈanɛ zˈɛrɔ! kʃˈɨknɔw i zakrˈɛɕliw rɛŋkˈami krˈɔŋk f pɔvʲˈɛtʃu. zˈɛrɔ!|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_14.wav|mˈa rˈuvɲʲɛʃ fatˈalnɨ fpwˈɨf na rˈɔzvuj kˈɔɕtɕi i mʲˈɛɲɕɲi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_6.wav|tɔ tsˈawa trˈɛɕtɕ, ˌalɛ mɲʲɛ vˌɨstartʃˈawa. zˌiɡnɔrɔvˈawam jˈɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_88.wav|bˈɔ ftˈɛdɨ ɲʲɛ vˈidʑi ɲˈits.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_233.wav|zˌapɨtˈawa kturˈ��ɡɔʑ dɲʲˈa bˈɔrsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_22.wav|pɔ kˈaʒdɛj ˈaktsji pɔtrˈafiʒ zɲˈikatɕ, jˈak xɔlˈɛrnɨ xˌɔudʲˈiɲi, pɔvʲˈɛdʑaw ɲˈitsk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_133.wav|jˈudɨ, ɲˈitsk ˌaɲi ja ɲʲɛ mʲˌɛliɕmˌɨ s tɨm ɲˈits fspulnˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_77.wav|kˌilkunˈastu ɲʲɛxlˈujnɨɣ vɛndrˈɔvnɨx rɨtsˈɛʒɨ klɛntʃˈawɔ pʃɛd vˌɔjɔvɲˈikʲɛm, prˈɔʃɔnts ɔ pˌɔbwɔɡˌɔswavʲˈɛɲʲɛ mʲˈɛtʃɨ, ktˌurɛ zwɔʒˈɨli ˈu jˈɛɡɔ stˈup.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_103.wav|ftɕˈɔ̃ʃ pˌaxnɔntsˈɛɡɔ jˈɛʃtʃɛ fˈarbɔ̃, mˈimɔː ˈiʃ ˈɔknɔ bˌɨwɔː ɔtfˈartɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_45.wav|— sprˈaftɕ tˈɛʃ ɔttɕˈiski znˌalɛʑˈɔnɛ w dˈɔmu jˈɔɛ. zˌɔbatʃˈɨmɨ, kˈɔɡɔ mɔʒˈɛmɨ skrˈɛɕlitɕ i ktˈɔ pˌɔzɔstˈaɲʲɛ — pɔlˈɛtɕiw tˈɔm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_43.wav|vɔntpˈiwam, bˈɨ tˈaɡ bˈɨwɔ, ˌalɛ muɕˈawam zˈɨskatɕ tˈɛ pˈɛvnɔɕtɕ, ʒˈɛbɨ ɲʲˈɛfpaʑdʑ w ɡwˈupi spˈɔsup.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_248.wav|zamjˈɛʒam zˌaɔfɛrˈɔvatɕ mu fspˌaɲʲawɔmˈɨɕlnɛ varˈuŋki.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_294.wav|tsˈɔ ɕɛ stˈaɲʲɛ, jˈɛɕli marɡˈarɨ zaʒˈɔnda, bˈɨ ɔ jɛj vˈiɲʲɛ bˈɔɲtɕ ɲʲˌɛvinnˈɔɕtɕi rˌɔsstʃɨɡnˈɛwa prˈuba vˈalki?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_98.wav|a ɔ tˌɛɡɔ ɲʲɛ vʲɛdʑˈawa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_64.wav|pʃˌɨpɔmɲʲˈawam sˈɔbjɛ ˈɔtɨm stˈarɨm kwˈamstfʲɛ dˌɔtɨtʃˈɔntsɨm ɡrˈɨ f pˈiwkɛ i uznˈawam, ʒˈɛ tɔ fʃˈɨstkɔ mˈa sˈɛns.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_114.wav|bɛɲdʑˌɛmɨ lˈɛtɕɛtɕ, mˈikɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_240.wav|na pˈɛvnɔ jˈɔ̃ dˈavnɔ zabrˈali, ˌalɛ pʃˌɛtɕɛʒ zɔstˈawa ɕmʲˈɛrtɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_464.wav|ɲʲɛ swɨʃˈawɛm ɔddˈɛxu i tˌɨlkɔ jɛj tɕˈɛpwɔː ˌɔɡʒɛvˈawɔ mɲʲɛ tʃˈulɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(70) R.Abbott_Zamknij Drzwi_segment_8.wav|a jˈɛɕli ɕɛ spˈuʑɲi? tʃɨ tˈɛrɨ na ɲʲˈɛɡɔ zatʃˈɛka?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_8.wav|brˈadlɛj rˈɔbɛrdz dɔxˈɔdʑiw dɔ ɕˈɛbjɛ f ʃpitˈalu.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_3.wav|jɛj vʲɛ̃ʑˈɛɲʲɛ ɲʲɛ nˌalɛʒˈawɔ dɔː ˌutɕɔ̃ʒlˈivɨx.|1
+Dataset/wavs/urwisko_ferenc/33_segment_25.wav|ʃwˈa w ɡwˈɔmp mʲɛʃkˈaɲʲa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_188.wav|i trˈatsɔnts pʃɨtˈɔmnɔʑdʑ vidʑˈawa jˈɛɡɔ ʑɛlˈɔnɛ ˈɔtʃɨ, pʃˌɨɡlɔndajˈɔntsɛ jɛj ɕɛ s tɕˌɛkavˈɔɕtɕɔ̃, pˈɔtɛm upˈadwa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_195.wav|kʲˈɛdɨ tɔ ɕɛ stˈawɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_216.wav|sˈam ɲʲˈɛvʲɛm, mˈuvi vratsˈajɔndʑ dɔ pɔkˈɔju.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_392.wav|pʃˌɨvʲɛʑˈɔnɛj pˈɛvɲʲɛ ɡdʑˈɛʑ z dˌalɛkʲˈɛɡɔ ɕfʲˈata.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_62.wav|swˈɨʃɛ jˈɛdnak tˈɛras, jˈak rɔzmˈavja z baˈilim i twumˈatʃɨ xˈɔllɨ, ʒˈɛ ɲʲɛ ˈidʑɛ dʑˈiʑ dɔ ʃkˈɔwɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_130.wav|pˌasaʒɛrˈɔvʲɛ mijˈali rˈadʒa pʃˌɨtɨkˈajɔnts sfˈɔjɛ ɡʲˈizmɔ dɔ kˌasɔvɲˈika i pʃˈɛs pʃɛtɕˈɔnɛk fxɔdʑˈili dɔ vaɡˈɔnu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_154.wav|na najvʲˈɛŋkʃɨm plˈatsu ɛwrˈɔpɨ i pɔɕrˈɔtku ɛwrˈɔpɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_100.wav|ɲʲˈɛma jˈɛdnak kˌɔɲʲɛtʃnˈɔɕtɕi sxɔdʑˈɛɲʲa s pɔvrˈɔtɛm dɔ rɛtsˈɛptsji.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_119.wav|varknˈɛwa tsɛrsˈɛi. tʃɨ fˈalis stratɕˈiwa rˈɔzum?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_5.wav|vˌɨɡlɔndˈawɔ tɔ tˈak, jˈaɡbɨ ktˈɔɕ xfˈɨtɕiw jˈɔ̃ za rˈɛntsɛ i mˈɔtsnɔ ɕtɕˈisnɔw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_34.wav|pʃɨnˈajmɲʲɛj mˈam tˈakɔ̃ nadʑˈɛjɛ.|4
+Dataset/wavs/urwisko_ferenc/64_segment_64.wav|zˈɛrɔ ɕˈɛdɛm ɕˈɛŋɡnɔw dɔ plɛtsˈaka pˈɔpˈanddɹˈajva. pˈan mi zɡrˈa tɛ zdjˈɛɲtɕa, dˈɔbʒɛ? pɔprˈɔɕiw mɛ̃ʃtʃˈɨznɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_15.wav|pˈɔdrus i sxˈud.|3
+Dataset/wavs/urwisko_ferenc/15_segment_45.wav|ɡdˈɨbɨ ɲʲɛ xˈazart, mˈɔʒɛ dʑˈiʑ bˈɨwabˌɨ ʃtʃɛɲɕlˈiva ˈu jˈɛɡɔ bˈɔku.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_107.wav|tˈaɡ bˈardʑɔ ɕɛ tɕˈɛʃɛ, ʒˈɛ ɲʲɛ ɔddʑvˈɔɲiw.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_4.wav|ˈɔtkɔnt tsɛrsˈɛi ɕɛŋɡˈawa pamjˈɛɲtɕɔ̃. ˌalɛ vˌɨdavˈawɔ ɕɛ, ʒˈɛ f tɕˈɔŋɡu tʃˈɛx ɔstˈatɲix nˈɔtsɨ pɔstˈaʒaw ɕɛ jˈɛʃtʃɛ ɔ stˈɔ lˈat.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_324.wav|tˈak jˈak kˈaʒda kɔbjˈɛta, ˌalɛ w rˈɔɲʲɛ ˈɔkɔ jˈɛ zˈaʃɨw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_193.wav|ˌɔswabwˈɛɡɔ kˌɔntɨnˈɛntu, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_66.wav|mˈuʃɛ ɕɛ dɔvʲˈɛdʑɛtɕ, tʃɨ jɛst ktˈɔɕ, s kˈim stsˈɔdd bˈɨw blˈiskɔ. ktˈɔɕ, ɔ kˈim ɲˈiɡdɨ mi ɲʲɛ pɔvʲˈɛdʑaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_10.wav|f pʃɨpˈatku stsˈɔtta zˌaɡrɔʒˈɛɲʲɛ pʃɛmˈɔtsɔ̃ fizˈɨtʃnɔ̃ viɕˈawɔ nˈadɲim ɲˈitʃɨm tʃˈarna xmˈura.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_23.wav|ɲʲˌɛjɛdnɔkrˈɔtɲʲɛ pʃˌɛprɔvadʑˈawam ɕɛ s takʲˈɛɡɔ vwˈaɕɲʲɛ pɔvˈɔdu, w ɔbˈavʲɛ pʃɛt rˌɔspɔznˈaɲʲɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_277.wav|uwˈɔmkuf mˈuru, pˌɔɡruxɔtˈanɨx ˌinstalˈatsji sˌaɲitˈarnɨx.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_15.wav|ˌɔstatˈɛtʃɲʲɛ dˈajɛ ɕɛ namˈuvitɕ na ɡʒˈaŋkɛ bˈɛs mˈaswa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_334.wav|ˌɔdɛzvˈawa ɕɛ jˈakaɕ muzˈɨka, a pˈɔtɛm mˈuj xrɨpʲˈɔntsɨ ɡwˈɔs.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_29.wav|pʃˌɛmjɛʒˈɨliɕmˌɨ pɔwˈɔvɛ xˌɔlɛrnˈɛɡɔ krulˈɛstfa i vwaɕtɕˈivʲɛ pɔ tsˈɔ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_29.wav|tˈak lˈɛkkɔ jˈak snˈɔb ʑˈuw, ʑˈuw ˌɔrjɛntˈalnɨx.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_172.wav|ˌɔraz vˈɔzɨ na trˈaktɕɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_71.wav|kʲˈɛdɨ drˈɔɡa mˈɔja jɛst krˈutka i kʲˈɛdɨ jˈuʃ ɲikˈɔmu ɲʲɛ bˌɛndɛ mˈuɡw ˈɔtɨm pɔvʲˈɛdʑɛtɕ, ɡdˈɨʃ fʃˈɨstkim, tsˈɔ tʃˈɛka mɲʲɛ na kˈɔɲtsu mˈɛj drˈɔɡʲi,|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_6.wav|tʃˈɨmaw ɕɛ vˈɛ̃ʃʃɨx, mrɔtʃɲʲˈɛjʃɨx ulˈitʃɛk, ɡdʑˈɛ bˌɨwɔ mɲʲˈɛjʃɛ rɨzˈɨkɔ, ʒˈɛ kˈɔɡɔɕ spˈɔtka.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_17.wav|prˈɔʃɛ ɕɛ pˌɔtʃɛ̃stˈɔvatɕ, ʒˈɛkw lˈɛdvɔ swɨʃˈalnɨm, ɔxrˈɨpwɨm ɡwˈɔsɛm, f ktˌurɨm vʲˈɛntsɛj bˌɨwɔ sɨtʃˈɛɲʲa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_96.wav|kʲˈɛdɨ zˌabʲijˈawɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_235.wav|vˌɨtɕiʃˈɨwam mikrˈɔfɔn.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_435.wav|jˌɛstɛɕ mˈɔim vˌɨɔbraʒˈɛɲʲɛm mɛ̃ʃtʃˈɨznɨ, jakʲˈɛɡɔ mˈɔɡwabˌɨm kˈɔxatɕ.|0
+Dataset/wavs/urwisko_ferenc/21_segment_16.wav|ˈɔkɛj, mˈɔtɨf tɔ jˈɛdnɔ, ˌalɛ alˈibʲi ɲʲɛ pʃɛskˈɔtʃɨʃ. fˈakt xˈɨba, ʒˈɛ ɲʲɛ dʑˈawaw sˈam.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_34.wav|dlatˈɛɡɔ ŋɡˈuɡʲi pˌɔvʲɛdʑˈawa, pʲˈɛpʃtɕɛ tɔ, ˈu nˈaz bˌɛɲdʑɛ vam lˈɛpʲɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_16.wav|vɨtɕˈɔŋɡam dwˈɔɲ, ɡwˈadʑɛ ɡˈɔ pɔ mʲˈɛŋkkim pɔlˈitʃku i ˌɔpsɛrvˈujɛ, jˈak krˈɛɲtɕi ɕɛ xfˈilɛ, pˌɔmrukˈujɛ pɔt nˈɔsɛm i znˈuv zasˈɨpja.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_182.wav|pʲˌɛrdɔlˈɛɲi dɛntˈɨɕtɕi.|0
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+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_332.wav|a pˈɔtɛm vbʲˈiw ɕɛ f tʃˈɛvja.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_119.wav|ɔt kˈilku dɲˈi jɛzd bˈardʑɔ ɲʲˌɛspɔkˈɔjna i mˈuʃɛ jɛj pˈɔmuts.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_72.wav|bˈɔp ɲʲˈɛmuɡw vˈɛjʑdʑ dɔ ɕrˈɔtka, ɲʲɛ z��abʲijˈajɔnts mɲʲɛ pʃɨ ɔkˈazji.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_146.wav|pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/urwisko_ferenc/03_segment_110.wav|pʃˌɨpɔminˈawɨ jɛj swuʒbˈɔvɔ̃ klˈitkɛ w bɨdʒˈɔʃtʃɨ pʃɨ ɡwˌɔvatskʲˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_228.wav|dˌɔkɔɲtʃˈɨwam ɕɲʲadˈaɲʲɛ i sxɔvˈawam pˈustɛ ˌɔpakɔvˈaɲʲɛ vɛ vnˈɛntsɛ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_176.wav|xwˈɔpaɡ bˈɨw ɔdvˈaʒnɨ, tʃˈɛba tɔ pʃˈɨznatɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_267.wav|stˈɔjɔnts jˈuʃ f prˈɔɡu, pˌɔvʲɛdʑˈawa tɕˈixɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_128.wav|nˈɔ tˈak, ɲʲɛ na prˈuʒnɔ vˌɨʃtafˌirɔvˈawam ɕɛ jˈaɡ dʑˈifka i vˌɨɕadɨvˈawam w bˈaʒɛ.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_65.wav|ˈɔjtɕɛts i tsˈurka, nˌaradʑˈifʃɨ ɕɛ krˈutkɔ zˈɛ sˈɔbɔ̃, vˌɨrazˈili zɡˈɔdɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_48.wav|vʲˈɛm, ʒˈɛ ɔbvˈiɲʲam ɡˈɔ bˈɛz ʒˈadnɨɣ dɔvˈɔduf, ˌalɛ zapˈɛvnɛ ʒˈɨwam pʃˈɛs fʃˈɨstkʲɛ tɛ lˈata ˈu bˈɔku pɔtfˈɔra.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_50.wav|pʃˌɛbɨvˈamɨ na tˈɛ ʑˈɛmʲɛ bˈɛs ɲitʃˈɛɡɔː i z ɲˈitʃɨm ˌɔtxɔdʑˈimɨ.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_232.wav|jˈɛɕli jɛj dʑˈɛtskɔː ɔkˈaʒɛ ɕɛ xwˈɔptsɛm,|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_160.wav|tutˈɛjʃɨ rˈitstsˈarltɔn zajmˈujɛ tsˈawɨ sˈɛktɔr.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_171.wav|tɔ bˈardʑɔ trˈudnɛ, ˌalɛ pˌɔstanˈavʲam vˌɨpɔvʲˈɛdʑɛtɕ tɛ swˈɔva.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_5.wav|sˈami zˈɛrvaw nˈavɛt tapˈɛtɛ w jɛj sɨpʲˈalɲi, ʒˈɛbɨ mˈɔɡwa vˈɨbratɕ sˈɔbjɛ nˈɔvɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_168.wav|mˈatka ɲʲɛ ʒˈɨjɛ, a ˈɔjtsa ɲˈiɡdɨ ɲʲɛ znˈawɛm.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_102.wav|i kɔbjˈɛtɨ tˈɛʃ. swɨʃˈawɛm, ʒˈɛ mˈam ɕɛ ɔʒˈɛɲidʑ z jˈɛdnɔ̃ z ɲˈix.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_128.wav|ɲʲɛ mˈɔʒɛ zɔstˈavitɕ ɔtfˈartɨɣ dʒvˈi, bˈɔ xˌawasɔvˈawɨbˌɨ na vʲˈɛtʃɛ, vʲˈɛnts kwˈadʑɛ dʑɛftʃˈɨnɛ na pɔdwˈɔdʑɛ i jˈɛ zamˈɨka.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_71.wav|dʒˈɛɡɛr znˈuf ustˈaviw ɕɛ za mɔˈimi plɛtsˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_78.wav|drɔbɲʲˈutki pˈɨw vɲˈika fʃˈɛɲdʑɛ i pʃɨvʲˈɛra dɔ fʃɨstkʲˈɛɡɔ, tsˈɔ jɛst xˈɔdʑbɨ ˌɔdrɔbʲˈinɛ nˌaɛlˌɛktrɨzɔvˈanɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_150.wav|a f tɨm zamkɲʲˈɛntɨm pˌɔmjɛʃtʃˈɛɲʲu ɲʲˈɛzbɨd dˈuʒɔ vidʑˈɛli.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_51.wav|bˌɛndɛ ʃtʃɛɲɕlˈivɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_92.wav|zwˈuʒ dwˈɔɲʲɛ, nadɡˈarstɛk pʃɨ nadɡˈarstku. tʃˈɛmu?|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_122.wav|ɡdˈɨ mˈur kˌurtɨnˈɔvɨ pˈad, ɔbrˈɔɲtsɨ vˌɨtsɔfˈali ɕɛ dɔ vˌɛvnɛntʃnˈɛɡɔ dɔ̃ʒˈɔnu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_119.wav|mʲˌawɛm vrˈɛʃtɕɛ ɲʲɛdˈuʒɛ pʃˌɛtɕɛmbjˈɔrstfɔ bˌudɔvlˈanɛ kˈɔwɔ ʃikˈaɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_267.wav|zˌasuɡɛrˈɔvaw ɕˈilnɨ dʑˈik. za kaʒdˈɛɡɔ lˌaɲistˈɛra mˈɔʒna ɔtʃˈɨmadʑ ɡɔdʑˈivɨ ˈɔkup.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_79.wav|kʲˈɛdɨ tʃɨʃtʃˈɛɲʲɛ dɔbjˈɛɡwɔ kˈɔɲtsa, vɛvnˈɛntʃnɨ vwˈas ɔtfˈɔʒɨw ɕɛ ˌawtɔmatˈɨtʃɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_34.wav|s tfˈaʒɨ lˈɔrda ɛdmˈura zɲˈiknɔw ˈuɕmʲɛx. dˈawɛɕ mi swˈɔvɔ, ʒˈɛ bˌɛndɛ trˌaktɔvˈanɨ xˌɔnɔrˈɔvɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_70.wav|pˌɔvʲɛdʑˈawa mˈama.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_9.wav|pʲaʃtʃˈɨstɛ vˈɨdmɨ i swˈɔnɛ bˈaɡna tɕɔŋɡnˈɔntsɛ ɕɛ bˈɛs kˈɔɲtsa pɔt ɔɡrˈɔmnɔ̃, ɲʲɛbjˈɛskɔʃˈarɔ̃ kɔpˈuwɔ̃ ɲʲˈɛba.|1
+Dataset/wavs/urwisko_ferenc/24_segment_54.wav|i ɲʲˌɛdʑawajˈɔntsɨ zɛɡˈarɛk.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_56.wav|tsɔfnˈɛwa ɕɛ ɔ krˈɔk i jɛj tfˈaʃ stɛ̃ʒˈawa.|4
+Dataset/wavs/urwisko_ferenc/64_segment_119.wav|t��ˈarnɨ sfˈɛtɛr i ˌubrudʑˈɔnɛ ʑˈɛmʲɔ̃ tʃˈarnɛ dʒˈinsɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_31.wav|vʲˈɛʃ jˈak ɕɛ tɔ jɛʑˈɔrɔ nazˈɨva, kɔxˈaɲʲɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_142.wav|ˌɛksplɔratˈɔʒɨ pˌilnɔvˈali fʃˈɨstkix ɕlˈus w artˈɛmis, ˌalɛ tʃɨ kˈɔmuɕ pʃˈɨʃwɔ dɔ ɡwˈɔvɨ, ʒˈɛbɨ ɔpstˈavitɕ tɛ f tsˈɛntrum vˌɨtɕɛtʃkˈɔvɨm?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_38.wav|ˈalfjɛ ɕɛ pɔprˈavja wˈɛ fˌɔtɛlˈiku i natˈɨxmʲazd vɨʒˈutsam tɛ mˈɨɕli z ɡwˈɔvɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_293.wav|ɲikˈɔmu ɲʲɛ jɛst lˈɛpʲɛj w vʲɛ̃ʑˈɛɲʲu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_98.wav|zˈatɔ, tsˈɔ pˈan zrˈɔbʲiw dla mɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_43.wav|mˈama vˌɨprɔstɔvˈawa ɕɛ lˈɛkkɔ, jˈaɡbɨ fpˈadwa na jˈakiɕ pˈɔmɨsw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_24.wav|ˌɔkazˈawa ɕɛ pɔmˈɨwkɔ̃ i ʒawˈɔvaw tˌɛɡɔ kaʒdˈɛɡɔ dɲʲˈa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_128.wav|a pɨzˈatɨ spˈikɛr mˈuviw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_81.wav|ɲʲɛ pamjˈɛntam. tsˈawa nˈɔts tɔ tʃˈarna dʑˈura. vʲˈɛm tˈɨlkɔ, ʒˈɛ ˌɔbudʑˈiwam ɕɛ tˈutaj skˌatsɔvˈana, tʃˈujɔnts ɕɛ, jˈaɡbɨ ktˈɔɕ fsˈadʑiw mi ʃtaxˈɛtɛ... vʲˈɛʒ ɡdʑˈɛ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_499.wav|tˈɛras tsˈɔras tʃˈɛɲɕtɕɛj mˈɨɕlɛ, tsˈɔ jɛst pɔ tˈamtɛj strˈɔɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_47.wav|bˈɨdlak stˈaw ɲʲˌɛruxˈɔmɔ s pˌapʲɛrˈɔsɛm w zˈɛmbax.|2
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+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_15.wav|xtɕˈawaɕ ɕɛ zˈɛmnɔ̃ zɔbˈatʃɨtɕ?|4
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_32.wav|sˈama ɲʲˈɛvʲɛm, jˈak sˈɔbjɛ pˌɔradʑˈiliɕmˌɨ.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_137.wav|mˈɔʒɛʃ tɔ pɔvʲˈɛdʑɛtɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_34.wav|mˈarjɔ mˌaɡdalˈɛnɔ, jˈɔɛ?|4
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+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_115.wav|zɔbˈatʃmɨ.|4
+Dataset/wavs/urwisko_ferenc/36_segment_125.wav|ˈilɛ tʃˈasu pˌɔtʃɛbˈujɛʃ? spɨtˈawa mˈarja.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_110.wav|bjˈɛʒɛ s kɔmˈɔdɨ tʃˈɨstɛ bɔksˈɛrki, tɨm sˈamɨm zɔstˈawa w zapˈaɕɛ jˈuʃ tˌɨlkɔ jˈɛdna pˈara.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_4.wav|jˈɛɕli ktˈɔɕ kwˈamjɛ pɔlˈitsji, mˈuɕi mʲˈɛtɕ pˈɔvut.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_278.wav|dlatʃˈɛɡɔ ɲʲɛ ˈumjɛʃ mˈɨɕlɛtɕ ˈɔtɨm, ʒˈɛ jɛst tɔ tˌɨlkɔ zvɨtʃˈajna blˈizna? zˌapɨtˈawa.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_67.wav|ʒˈɛkw kapˈitan, skɔɲtʃˈɨfʃɨ inspˈɛktsjɛ.|1
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+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_366.wav|ˈɔtʃɨ mʲˈawa pˈɛwnɛ wˈɛs.|1
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+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_16.wav|pɔlˈitsja tʃɨ pˌɔrɨvˈatʃɛ?|4
+Dataset/wavs/urwisko_ferenc/39_segment_57.wav|xˈɔtɕaʒ dɔ jˈɛdnɛj ʒˈɛtʃɨ bˌɨwa tsˈɔraz bˈardʑɛj pʃˌɛkɔnˈana.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_244.wav|kʲˈɛdɨ vjɛxˈaliɕmˌɨ na bˈardʑɛj ɲʲɛrˈuvnɨ tˈɛrɛn, sxrˈɔn zazɡʒˈɨtaw ɔ dˈax kabʲˈinɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_75.wav|dˈɔkɔnt ɕɛ pˈaɲi vɨbjˈɛra?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_12.wav|ɡˈurɨ ˌirɨtˈujɔ̃. pwaʃtʃˈɨzna vˈɔdɨ z ɔdbʲˈitɕɛm ɲʲˈɛba ˈalbɔ blˈasku swˈɔɲtsa waɡˈɔdɲʲɛ utɕˈiʃa.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_78.wav|snajpˈɛʒɨ mɔˈɔdʒuv bˌɨli ɡˈuvnɔ vˈartɕi, ˌalɛ iɣ zˌaimprˌɔvizɔvˈanɛ wadˈuŋki vˌɨbuxˈɔvɛ nˈas pʃˌɛraʒˈawɨ.|2
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_14.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ mˈuʃɔ̃ ɕɛ zˌaadaptˈɔvadʑ dɔ jɛj stˈɨlu bˈɨtɕa.|3
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+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_242.wav|jˈamɛ pɔwˈɔʒɨw dwˈɔɲ na ramjˈɛɲʲu kuzˈɨna.|1
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+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_16.wav|ˌɔbɔk ɕɛdʑˈawa lˈɛna.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_43.wav|fʃˈɨstsɨ mʲˌɛli na sˈɔbjɛ pˌɔmaraɲtʃˈɔvɛ kˌamizˈɛlki rɔbˈɔtʃɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_32.wav|dˈaw znˈak, ʒˈɛbɨ kˈit ɕɛ ɔtsˈunɔw.|3
+Dataset/wavs/urwisko_ferenc/53_segment_83.wav|xˈɛrman pʃɨjʒˈawa ɕɛ zdjˈɛɲtɕu. tsˈɔ zdʑivˈiwa ɕɛ? tˌɛkturˈɔvɨ kˈubɛk?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_159.wav|ˌɔdɛzvˈawɨ ɕɛ jˈakʲɛʑ dʑˈivnɛ pɔʃˈumɨ i stˈuki. ktˈɔɕ prubˈɔvaw mˌikrɔfˈɔnu.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_134.wav|pˈijak, ɡwˈupʲɛts i txˈuʃ.|1
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+Dataset/wavs/urwisko_ferenc/03_segment_16.wav|fskˈazaw na dʒvˈi, ˌalɛ ɡrˈɨmas na jˈɛɡɔ tfˈaʒɨ sˌuɡɛrˈɔvaw, ʒˈɛ pˌɔdʒutsˈɛɲʲɛ mˈarji dɔ mʲˈasta ɲʲɛ jɛst mu na rˈɛŋkɛ.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_247.wav|jˈɛʃtʃɛ ˈinɲi ɕadˈali na wˈavax.|1
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+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_307.wav|mˈɔʒɛʒ dɔ mɲʲɛ fpˈaɕtɕ?|4
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+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_6.wav|pʃˌɛdʑɛlˈiwam jˈuʃ sprˈavɛ ɡwuvnˈɛmu ˌinspɛktɔrˈɔvi filtsˈɔvi. ˌɔznajmˈiwa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_22.wav|f tsˈawkʲɛm ɲʲˈɛzwɨm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_14.wav|jˈɛɕli ɡˈɔ znˈajdʑɛʃ, lˈintsaj, ɲʲɛ spˈuʃtʃaj ɡˈɔ z ˈɔka, dɔpˈuki ɲʲɛ zˌɔrɡaɲˌizujˈɛmɨ nadʑˈɔru.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_33.wav|zasˈɨxa mi w ˈustax i prubˈujɛ pʃˈɛwknɔɲtɕ ɕlˈinɛ, ˌuzmɨswɔvˈifʃɨ sˈɔbjɛ, dlatʃˈɛɡɔ bʒmʲˈaw ɔn tˈaɡ znajˈɔmɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_166.wav|nˈastav ɡˈɔ mˈimɔ fʃˈɨstkɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_123.wav|pˌɔwɔntʃˈɛɲʲɛ zɔstˈajɛ pʃɛrvˈanɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_146.wav|ɲʲɛ lˈɛpʲɛj vʑˈɔɲtɕ tsˈawɛ pudˈɛwkɔ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_22.wav|muzˈɨka tɕˈixɲʲɛ i na ɔstˈatɲʲɛ tˈaktɨ vbʲˈija ɕɛ ɡwˈɔs prˌɛzɛntˈɛra.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_501.wav|pʃˌɛtɕɛʃ ja ɲˈiɡdɨ ɲʲɛ zapˈɔmnɛ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_317.wav|ɲˈikt ɲʲɛ bˌɛɲdʑɛ pˈɔɲim pwˈakaw, a jˈuʒ zvwˈaʃtʃa ˈinɲi frɛjˈɔvʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_265.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_295.wav|pʃˈɛʃɨw jˈɔ̃ ɡɔrˈɔntsɨ bˈul.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_35.wav|ˌalɛ ɲʲɛ dɔtˈarwɔ dɔ mɲʲɛ ftˈɛdɨ, ʒˈɛ xˈɔdʑi ɔ mɔrdˈɛrstfɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_407.wav|pˌɔwɔʒˈɨwa ɕɛ kˈɔwɔ mɲʲɛ, ˌɔkrɨvˈajɔnts ɕɛ ɲʲɛdbˈalɛ skrˈafkʲɛm kˈɔtsa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_32.wav|bˈɨw pˈan kʲˌɛdɨkˈɔlvʲɛk na zɛbrˈaɲʲu ˌinvɛstˈɔruf?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_63.wav|zatɕˈiskam dwˈɔɲʲɛ na ɔpˈartɕax kʃˈɛswa, starˈajɔnts ɕɛ pɔfstʃˈɨmadʑ dˈɨɡɔt.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_125.wav|sˈɔndʑɔnts pɔ dˈatax w lˈistax, pˈɔdjɔw tˈɛ dɛtsˈɨzjɛ jˈuʒ dˈɔʑdʑ dˈavnɔ tˈɛmu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_24.wav|bˌɨwɛm pɔ prˈɔstu zˌaskɔtʃˈɔnɨ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_346.wav|vˌɨdɨʃˈawa jˈakʲɛɕ swˈɔva w ˈɔptsɨm jɛ̃zˈɨku, a pˈɔtɛm zadrʒˈawa znˈɔvu, vɨɡʲˈɛwa plˈɛtsɨ w wˈuk i kʃɨknˈɛwa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_33.wav|pˈɔza tɨm tɔ bˌɨwɔ f tˌɛnnɛssˈɛɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_183.wav|ɲʲɛ, ɲʲˈɛxtsɛ, ʒˈɛbɨ bɔksˈɔvaw.|0
+Dataset/wavs/urwisko_ferenc/03_segment_62.wav|ɲʲɛ mˈɔɡwam.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_29.wav|kˈit, tʃɨ dˌɔvʲɛdʑˈɛliɕmˌɨ ɕɛ jˈuʃ, s kˈim spɔtˈɨkaw ɕɛ ɲˈilɛz drˈakan?|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_85.wav|— tˈɛʃ ɕɛ tɕˈɛʃɛ, ɲˈitsk — rɔzɡlˈɔnda ɕɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_46.wav|bˈɛtskɨ vzruʃˈɨwa rˌamjɔnˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_124.wav|zapˈɛvɲʲam, ʒˈɛ tɔ fʃˈɨstkɔ.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_113.wav|ɕfʲˈatwɔ bˈɛs tɕˈɛpwa.|1
+Dataset/wavs/urwisko_ferenc/23_segment_119.wav|pˌɔvalˈɔnɨ rɔzlˈɛɡwɨm zavˈawɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_471.wav|ɔdrˈadʑa ɕɛ vˈɛmɲʲɛ tɛn ɡrˈutʃɔw mɔtˈɨvu dɔ ʒˈɨtɕa. jˈɛɡɔ xɔrmˈɔnɨ fɕɔŋkˈajɔ̃ w mˈuj ɔrɡˈaɲizm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_87.wav|z dˈɔmu vˈɨʃwam tˈuʃ pɔ ɕfˈitɕɛ. ˈaram ɲʲɛ fstˈavaw ɔ tɛj pˈɔʒɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_89.wav|bʲˈillɨ pˈɨta, tʃɨ fʃˈɨstkɔ f pɔʒˈɔntku. ˌɔna ˌɔtpɔvʲˈada tsɔkˈɔlvʲɛk ʃˈɔrstkɔ, ʒˈɛ tˈak.|2
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_29.wav|ta spˈuwka pʃɨɲʲˈɛɕɛ mˌiljardˈɔvɛ zˈɨski. zˌainvɛstˈujɛ w jɛj ˈaktsjɛ ˈilɛ tˌɨlkɔ bˌɛndɛ mˈɔɡwa i sˌuɡɛrˈujɛ tɕˈi, ʒˈɛbɨɕ pɔstˈɔmpiw tˈak sˈamɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_102.wav|ɲˈilɛ zˈamknɔw ˈɔtʃɨ i tɕˈixɔ jˈɛŋknɔw.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_9.wav|kˈuzɨn vˈita mɲʲɛ xwˈɔdnɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_15.wav|tʃˈas spɛndʑˈɔnɨ za rˈamɛm nˈadaw jɛj dɲʲˈɔm sˈɛnsu, a ˌɔna zupˈɛwɲʲɛ inˈatʃɛj pˌɔstʃɛɡˈawa tˈɛraz zˌaufˈaɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_98.wav|kɔlˈɛjnɛ pɨtˈaɲʲɛ jˈɛɡɔ ɡwˌupavˈɛɡɔ jˈa.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_274.wav|ˌɔkazˈawɔ ɕɛ, ʒˈɛ mˈawa, bɛsfstˈɨdna mˈawpa pʃˌɨpwɨnˈɛwa z ɡˈulltawn.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_27.wav|mˈuɕi jˈɛdnaɡ vʲˈɛdʑɛtɕ, ʒˈɛ swɨʃˈawam ɡˈɔ w rˈadju, bˈɔ z jakʲˈɛɡɔː innˈɛɡɔ pɔvˈɔdu...|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_223.wav|tˈakʲɛ ˌɔɡraɲitʃˈɛɲʲɛ nˌaʒutɕˈiwa ɡʲˈildja, ʒˈɛbɨ ɲʲɛ narˈaʒatɕ sfˈɔix tʃwˈɔŋkuf na prˌɔmjɛɲʲɔvˈaɲʲɛ kɔsmˈitʃnɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_81.wav|natˈɨxmʲazd zatʃˈɛwam ɕɛ pˈɔtɕitɕ. jˈɛzu, ɔdˈɛzvaw ɕɛ ˈarun.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_356.wav|sxˈɔdɨ stˈamtɔnt prɔvˈadʑɔ̃ prˈɔstɔ dɔ kˈɔmnad vˌalɡravˈɛa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_103.wav|w ˌintɛrnˈɛtɕɛ mˈɔʒna znˈalɛɕtɕ mnˈustfɔ pˈɔrat.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_74.wav|ɲʲɛ zˌamjɛʒˈawam mu pɔzvˈɔlitɕ na skʃɨvdʑˈɛɲʲɛ mɔjˈɛɡɔ dʑˈɛtska.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_57.wav|ɲʲɛktˌuʒɨ ˈidɔ̃ na stˈudja pɔ tʃtɛrdʑˈɛsttsɛ, tʃɨ nˈavɛt ʃˌɛʑdʑɛɕˈɔnttsɛ, ɲʲɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_54.wav|bˌɨwam ˌuʃɔwɔmjˈɔna. lˈudʑɛ ˌɔtxɔdʑˈili z rɛɡˈuwɨ dlatˈɛɡɔ, ʒˈɛ tɔː ˈaram ˈuznaw, ˈiʃ ɲʲɛ mˌajɔ̃ ɲitʃˈɛɡɔ dɔ zˌaɔfˌɛrɔvˈaɲʲa spˌɔwɛtʃnˈɔɕtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_212.wav|tˌaki jɛst plˈan.|2
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_6.wav|muɕˈitɕɛ vˈidʑɛtɕ tsˈɛl, ˌalɛ tsˈɛl ɲʲɛ mˈɔʒɛ vˈidʑɛdʑ vˈas, pɔftˈaʒaw nˈam ˈupʲur bˈɛs kˈɔɲtsa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_232.wav|mʲˌawɛm strˈaʃnɔ̃ ɔxˈɔtɛ spˈɨtatɕ, tsˈɔ z ɲʲˈɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_125.wav|ˈax, dˈɔbʒɛ vʲˈɛtɕɛ, ʒˈɛ ɲʲɛ xˈɔdʑi ɔ pʲɛɲʲˈɔndʑɛ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_340.wav|ʒˈɛ najtʃˈɛɲɕtɕɛj tˈɛras tˈaɡ vwˈaɕɲʲɛ pˌamjɛntˈawa ˈɔvɔ̃ vˌɨdaʒˈɛɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_74.wav|sɔ̃ nˈatɨm ɕfʲˈɛtɕɛ dvˈa rɔdʑˈajɛ lˈudʑi ɔznˈajmiw. tɕˈi, ktˌuʒɨ nˈɔʃɔ̃ skafˈandrɨ i tɕˈi, ktˌuʒɨ kˈɔpjɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_19.wav|mˈam na mˈɨɕli jˈɔɛ. ɲʲˈɛvʲɛm jˈak.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_45.wav|ɲʲɛ jˌɛstɛm tˈɛras ʃtʃɛɡˈulɲʲɛ zˌaintˌɛrɛsɔvˈanɨ pʃɛbjˈɛɡʲɛm spɔtkˈaɲʲa, kˈit.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_174.wav|zabˈujtsuv dɔ vˌɨnajˈɛɲtɕa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_280.wav|mˈiltʃaw pʃˈɛs xfˈilɛ, pˈɔtɛm pɔvʲˈɛdʑaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_130.wav|ɲʲɛ muvˈimɨ tˈutaj ɔ vɨpˈadʑɛ na swɔnˈɛtʃnɛ plˈaʒɛ kɔrnvˈalji.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_337.wav|ˈɔtpar jˈɛdɛn z mˈɛ̃ʃtʃɨzn s tʃɛrvˈɔnɔ̃ ɡvʲˈazdɔ̃ na ɔpˈɔɲtʃɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_65.wav|tˌaki jɛst plˈan, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/urwisko_ferenc/63_segment_83.wav|nˈatɨh zdjˈɛɲtɕaɣ dɔkwˈadɲʲɛ vˈidatɕ, jˈak pɔmˈaɡa mu pˈaɲi ˈuɕɔ̃ɕtɕ f swuʒbˈɔvɛj tɔjˈɔtɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_36.wav|ɲʲˈɛvʲɛm, jˈak nˈaʃa rɔdʑˈina pˌɔradʑˈiwabˌɨ sˈɔbjɛ bˈɛs tˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_10.wav|nˈaɡʲɛ kamjˈɛnnɛ ɕtɕˈanɨ, ɡrˈubɔ tɕɔsˈanɨ stˈuw, tʃˈɨ kʃˈɛswa i wˈava mˌɔdlitˈɛvna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_17.wav|zˈafʃɛ ˌuvʲɛlbjˈawa ɡɔtˈɔvatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_25.wav|dɔː ˌadvɔkˈata, tˈam jɛst tɛlˈɛfɔn.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_251.wav|brjˈɛnnɛ zlˈɛvaw pˈɔt. palˈiwɔ jˈɔ̃ ɡɔrˈɔntsɔ, lˈɛdʒ z jakʲˈɛɡɔɕ pɔvˈɔdu jˌɛdnɔtʃˈɛɕɲʲɛ drʒˈawa ʑˈimna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_9.wav|pʃˈɨkrɔ mi, ˌalɛ pˈaɲi kˈalu ʑlˈɛ ɕɛ tˈɛras tʃˈujɛ|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_51.wav|tsˈɔ za irˈɔɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_22.wav|s tˈɛkstu vɨɲˈika, ʒˈɛ bʲˈillɨ zˈabraw sfɔjˈɛɡɔ laptˈɔpa zˈɛ sˈɔbɔ̃. ˌalɛ tɛn lˈaptɔp jɛst tˈutaj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_56.wav|mˈam nadʑˈɛjɛ, ʒˈɛ ɲʲɛ tʃˈɛkaʒ zbˈɨd dwˈuɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_217.wav|bʲˈillɨ mˈuvi sˈɔbjɛ, ʒˈɛ xfilˈɔva bɛssˈɛnnɔɕtɕ tɔ ɲʲɛ kwˈɔpɔt. jˈutrɔ mˈɔʒɛ pʃˈɛspatɕ tsˈawɨ dʑˈɛɲ, jˈɛɕli bˌɛɲdʑɛ mʲˈaw nˈatɔ ɔxˈɔtɛ, bˈɔː i tˈak ɲʲɛprˈɛntkɔ vˈɨjdʑɛ s tˌɛɡɔ mʲɛʃkˈaɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_68.wav|maʒ w zˈamku lˈadɨ sˈibɛl i trˈɔjɛ jɛj dʑˈɛtɕi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_87.wav|kˈatɛ pʃɛrvˈawa prˈatsɛ i ɔpˈarwa ɕɛ ɔ blˈat.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_53.wav|bˈɛtskɨ rˈuʃa mi z ɔtɕˈɛtʃɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_104.wav|ˌalɛ vʲˈɛtɕɛ, tsˈɔ bˌɨwɔ najlˈɛpʃɛ?|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_105.wav|xɔrˈatsɛ i xˈɔbɛr ɲʲɛ brˈali f tɨm udʑˈawu, prˈavda?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_49.wav|ˈɔx, pˈannɔ pˈɛtɛrsɔn, dˈɔbʒɛ, ʒˈɛ jɛst pˈaɲi bɛspʲˈɛtʃna. dˈɨʃɨ pˌɔvʲɛdʑˈɛli jˈuʃ pˈaɲi?|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_277.wav|dˈɔbʒɛ, bˈardʑɔ dˈɔbʒɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_177.wav|tˈak, i tɔ vwˈaɕɲʲɛ ɲˈim ˌɔddɨxˈamɨ, vʲˈɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_72.wav|dʒˈazɡa vbʲˈiwa mi ɕɛ ɡwɛmbˈɔkɔ w mʲˈɛŋkkɔ̃ ɔpˈuʃkɛ.|3
+Dataset/wavs/urwisko_ferenc/03_segment_88.wav|xˈɔtɕaʃ ɲʲˌɛvɨklutʃˈɔnɛ, ʒˈɛ jˈuʃ ftˈɛdɨ plˌanɔvˈawa rˈɔsstatɕ ɕɛ z ʒˈɨtɕɛm.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_97.wav|ɕˈilnɨ dʑˈiɡ znˈɔvu napˈɛwɲiw sˈɔbjɛ kʲˈɛlix.|1
+Dataset/wavs/urwisko_ferenc/14_segment_23.wav|ɲʲɛ mˌamɨ ʒadnˈɛɡɔ pˈuŋktu zˌatʃɛpʲˈɛɲʲa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_105.wav|nɔrmˈalɲʲɛ f tɛj sˌɨtuˈatsji vdˈarlibˌɨɕmɨ ɕɛ dɔ ɕrˈɔtka, skandˈujɔnts tɔ mˈɨ, tʃˈarnɛ kˈɔɲ, zˈabrɔɲ, zˈabrɔɲ, zˈabrɔɲ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_183.wav|f tɛn swɔnˈɛtʃnɨ dʑˈɛɲ ɲʲˌɛspɔdʑɛvˈanɛj vʲˈɔsnɨ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_189.wav|jˈɛɕli zɡˈɔdʑi ɕɛ vˈas pʃˈɨjɔɲtɕ. rˈɛʃta ˈuda ɕɛ zˈɛmnɔ̃ dɔ rivˈɛran.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_124.wav|krulˈɔva dɔ dʑˈiɕaj pˌamjɛntˈawa, jˈak ɲʲɛzvˈɨkwɛ i mʲˈɛŋkkʲɛ bˌɨwɨ jɛj ˈusta.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_130.wav|spravdʑˈiwɛm nˈɔvɨ tsɛlˈɔvɲik i karˈabʲin. bˌɨwɔ tˈakiɣ vʲˈɛlɛ, ˌalɛ tɛn bˈɨw mˈuj.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_262.wav|ɲʲˈɛx rˌɔspatʃlˈivʲɛ prubˈujɛ ftɕˈɔŋɡatɕ pɔvʲˈɛtʃɛ, ˈaʃ jˈɛɡɔ ɡˈɛmba zrˈɔbʲi ɕɛ tʃˈarna, jˈak tfˈaʃ mɔjˈɛɡɔ swɔtkʲˈɛɡɔ sˈɨna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_62.wav|jˈaɡbɨ bˌɨwɔ tˈam tsˈɔʑ dɔː ˌɔɡlɔndˈaɲʲa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_7.wav|xtɕˈawam bwˈaɡadʑ ɡˈɔ, bˈɨ pʃˈɛstaw, ˌalɛ ftˈɛdɨ utrˈatɕiwbˌɨ rˈɛʃtki nadʑˈɛi i ɔdvˈaɡʲi, ktˌurɛ jˈɛʃtʃɛ tʃɨmˈawɨ ɡˈɔ w jˈɛdnɨm kavˈawku.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_139.wav|vˈidʑɛ, ʒˈɛ jɛst rɔzdˈartɨ i mˈuʃɛ mˈuvitɕ pɔspʲˈɛʃɲʲɛ, ˌaktsɛntˈujɔnts kˈaʒdɛ vˈaʒnɛ swˈɔvɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_15.wav|ʒˈɛ zˌabʲijˈawam jˈuʃ ftʃˈɛɕɲʲɛj.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_53.wav|drˈuɡʲi, tɕˌɛmnɔvwˈɔsɨ mɛ̃ʃtʃˈɨzna, ɔdʑˈanɨ w bˌurɡundˈɔvɨ brˈɔkat i ʒˈuwtɨ pwˈaʃtʃ, nˌajvɨrˈaʑɲʲɛj zvˈanɨ tˈɛrɛm, dˈɔdaw tsˈɔɕ pɔː ˌɔbravˈɔsku.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_9.wav|prˌatsɔvɲˈitsɨ zˌarɛˌaɡɔvˈali ʃtʃˈɛrɨm zdumjˈɛɲʲɛm, kʲˈɛdɨ pˌɔvʲɛdʑˈawam, ʒˈɛ strˈɔna w vitrˈɨɲʲɛ zɔstˈawa sfˌabrɨkɔvˈana, bˈɔ ktˈɔɕ pˌɔstanˈɔviw zrˈɔbʲitɕ mi xˈɔrɨ ʒˈart.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_240.wav|vrˈutsɛ za ɡɔdʑˈinɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_8.wav|vˌɨmɨɕlˈiliɕmˌɨ tɕˈɛbjɛ tˈakim, jˈatsɨ sˈami jɛstˈɛɕmɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_6.wav|vidʑˈawam, dʑˈɛŋki.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_42.wav|vɨtɕˈɛram wzˈɨ vʲˈɛʃxɛm dwˈɔɲi, kʲˈɛdɨ z jɛdnˈɛɡɔ s sˌamɔxˈɔduv vɨɕˈada mɛ̃ʃtʃˈɨzna i ˈidʑɛ f strˈɔnɛ xɔspˈitsjum.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_21.wav|xˈɔdʑi ɔ tsˈɔʑ vʲˈɛntsɛj, prˈavda? ɔ tsˈɔ?|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_321.wav|tˈakʲɛ pˈizdɨ sɔ̃ dla lˈɔrduf i ˈinnɨɣ bɔɡˈatʃɨ, ɲʲɛ dla tˈakix jˈak mˈɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_20.wav|tɔ tˈam ɡrˈɨva tsamˈɛrɔn i vɨdˈajɛ ɕɛ trˈatɕidʑ vʲˈɛntsɛj ɲˈiʒ vɨɡrˈɨva.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_41.wav|tˈɛras jˈuʃ rɔzˈumjɛm.|3
+Dataset/wavs/urwisko_ferenc/44_segment_85.wav|ˈɔlɡʲɛrt ɕɛ ˈɔtsknɔw.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_145.wav|natxˈɔdʑiw pʃˈɨpwɨf.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_85.wav|rˌɔzvʲɔ̃zˈaɲʲɛm jɛst tɛn dʑˈivnɨ kˈɔnt.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_94.wav|zbˈɨd vʲˈɛlu tˈakiɣ w ʒˈɨtɕu spɔtkˈawɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_115.wav|ʒˈadɛn mʲˈɛɲɕɛɲ mˈɔjɛj tfˈaʒɨ.|3
+Dataset/wavs/urwisko_ferenc/28_segment_86.wav|xˈɔdʑi ˈɔtɔ, ʒˈɛ sˈɔlski rˈas pˈɔmukw xudʑˈiɲskʲɛj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_81.wav|tʃtˈɛrɨ tɨɡˈɔdɲʲɛ pˈɔtɨm, jˈak pˌɔvʲɛdʑˈawam stsɔttˈɔvi ɔ tɕˈɔ̃ʒɨ, ftɕˈɔ̃ʃ ɲʲɛ ˌustalˈiliɕmˌɨ ʒadnˈɛɡɔ plˈanu.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_339.wav|ɲʲɛbjˈɛski bˈart.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_60.wav|ɲʲɛ jɛst pˈaɲi ˌarɛʃtɔvˈana, vʲˈɛnts mˈɔʒɛ vˈɨjɕtɕ f kˈaʒdɛj xfˈili, ˌalɛ xtɕˈɛlibˌɨɕmɨ dˈɔstatɕ ɔtpˈɔvʲɛtɕ na jˈɛʃtʃɛ jˈɛdnɔ pɨtˈaɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_29.wav|pˈɔrtɛɡ vɨrˈuʒɲʲaw ɕɛ vʲɛlkˈimi ɔknˈami tɕˌɔŋɡnɔntsˈɨmi ɕɛ kˈu ɡˈuʒɛ i pɔdvˈujɲʲɛ ʃklɔnˈɨmi dʒvʲˈami prˌɔvadʑɔntsˈɨmi dɔ rɛtsˈɛptsji.|3
+Dataset/wavs/urwisko_ferenc/50_segment_74.wav|vʲˈɛnts mˈɔʒɛ tsˈɔɕ tˈu ɲʲɛ ɡrˈa, tsˈɔ? bɔrˈɛvitʃ spˈɔjʒaw znatʃˈɔntsɔ na kʲɛrˈɔftsɛ.|0
+Dataset/wavs/urwisko_ferenc/38_segment_40.wav|zjɛxˈali vˈɔ̃skɔ̃ drˈɔɡɔ̃ z vˌɨsɔkˈimi dʒɛvˈami pɔː ˈɔbu strˈɔnax. kɔrˈɔnɨ ˌufɔrmɔvˈawɨ nˌaturˈalnɨ, ʑɛlˈɔnɨ tˈunɛl.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_62.wav|ʃtʃɛɡˈulɲʲɛ starˈanɲʲɛ tʃˈɨɕtɕi pilˈɔta dɔ tˌɛlɛvizˈɔra, bˈɔː ˌuʒɨvˈali ɡˈɔː ɔbˈɔjɛ. ɲʲɛ zˌapɔmˈina tˈɛʃ ɔ vwɔntʃɲˈikax ɕfʲˈatwa.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_44.wav|bˈɔp pʃˈɛrvaw.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_208.wav|ʒˈɛ ftɕˈɔŋɡa mɲʲɛ w jˈakɔ̃ɕ ˈɔtxwaɲ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_35.wav|dɔ samˈɛɡɔ kˈɔɲtsa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_2.wav|ɲʲɛpˈɔkuj tˈɔma ɔ bˌɛspʲɛtʃˈɛɲstfɔ mˈili znˈatʃɲʲɛ vzrˈus.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_67.wav|bˈaki bjˈɛʒɛ dvˈa pˈiva i vɨxˈɔdʑɔ̃ na vɛrˈandɛ. fˈuɕɔn zˌaparkɔvˈanɨ jɛst pˈɔdɲʲɔ̃, pʃˈɔdɛm dɔ çirˈɔki.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_78.wav|na wˈɔʒu lɛʒˈawɨ pʲɛrnˈatɨ, a w vɨxˈɔtku bˌɨwɔ mˌarmurˈɔvɛ ɕɛdʑˈɛɲʲɛ i kˈɔʃ pˈɛwɛn ʑˈuw.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_114.wav|ɡdˈɨ sˈam zapˈɨtaw ɡˈɔ, tʃɨ ɲʲɛ mˈɔʒɛ zrˈɔbʲitɕ ɲˈidʑ vʲˈɛntsɛj,|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_77.wav|tʃwˈɔvʲɛk tˌaki jˈak tˈɨvin lanɲˈistɛr rˈɔdʑi ɕɛ rˈas na tˈɨɕɔnts lˈat.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_17.wav|ˌarɛʃtˈaɲtɕi ˌɔkrɔ̃ʒˈajɔ̃ awtˈɔbus ɔt pʃˈɔdu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_37.wav|pɔmˈɨɕlaw, ʒˈɛ tɔ pˈɛvɲʲɛ filˈipa, ktˌura w jˈakiɕ spˈɔsub zɡˈadwa, ʒˈɛ ɲʲɛ pɔswˈuxaw jɛj pɔlˈɛtsɛɲ, ˌalɛ z radˈɔɕtɕɔ̃ zɔbˈatʃɨw, ʒˈɛ tɔ lˈutsɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_27.wav|mˈɔɡwɨ tɔ bˈɨtɕ tɛ wˌaʑɛŋkˈɔvɛ, xˈɔtɕ pɔ lˈɛvɛj strˈɔɲʲɛ vˈidʑɛ jˈɛʃtʃɛ jˈɛdnɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_200.wav|na pˈɛvnɔ ʃˈɨpkɔ dˈɔjdʑɛʒ dɔ ɕˈɛbjɛ.|4
+Dataset/wavs/urwisko_ferenc/11_segment_51.wav|ɔt samˈɛɡɔ pɔtʃˈɔntku brˈaliɕmˌɨ tɔ pɔt uvˈaɡɛ, ɲʲɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_10.wav|pˈɔvʲɛts jɛj, ʒˈɛ jˈɔ̃ kˈɔxam. ɲʲɛ vˈɔlnɔ mi bˌɨwɔ jɛj tˌɛɡɔ vˈɨznatɕ pʃˈɛs tsˈawɛ lˈata, ˌalɛ ɲˈiɡdɨ ɲʲɛ pʃɛstˈawɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_74.wav|vʲˈɛʃ pɔ tʃɨm pˈɔznatɕ, ʒˈɛɕ idjˈɔta?|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_120.wav|ɲʲɛ, ˈɛlis, dʑɛŋkˈujɛ, ˌalɛ ɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_37.wav|spˌaɲikɔvˈawam. ɲʲɛ mʲˈawam pʲɛɲʲˈɛndʑɨ, ʒˈɛbɨ spwˈatɕidʑ dwˈuk. zˈɛrknɔw na zɛɡˈarɛk.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_110.wav|ˌɔʃtʃɛndʑˈɔnɔ mi tˌɛɡɔ dˌɔɕfʲattʃˈɛɲʲa, xfˈawa ɕˈɛdmju, ˌalɛ swɨʃˈawɛm jˈɛ nˈɔtsɔ̃ i tɔ ɲʲˈɛras.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_523.wav|ˌalɛ ɡˈura ɲʲɛ jɛst mɛ̃ʃtʃˈɨznɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_267.wav|tˈak, mˈikɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_16.wav|ɲʲɛ pʃɛkrˈatʃaj sˈɛtki, xˈɨba ʒˈɛbɨɕ muɕˈawa vɨpʃˈɛdʑatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_21.wav|na mˈɨɕl pʃˈɨʃwɨ mi vizˈɨtɨ ɡˌɛnɛvʲˈɛvɛ w bjˈuʒɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_168.wav|ˈɔtɔ vʲˈɛnts, jˈaki maʒ vˈɨbur. ˈalbɔ zˌarɨzɨkˈujɛʃ pˈɔstʃaw lˈitʃɔnts, ʒˈɛ pˈɔtɛm jˈakɔɕ ɕɛ vɨlˈiʒɛʃ, ˈalbɔ dˈaʃ ɕɛ vɨdˈuptʃɨtɕ. dɛtsˈɨzja nalˈɛʒɨ dɔ tɕˈɛbjɛ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_105.wav|mˌɛɡatˈajrɛl pwakˈawa jˈuʃ ɔtfˈartɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_76.wav|mˈɔʒɛ bˈɨdʑ ɡɔtˈɔvɛ na jˈutrɔ, pɔvʲˈɛdʑaw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_14.wav|jˈak tɔ mɔʒlˈivɛ, ʒˈɛ vˈɨʃwa ɲʲɛ pʃɛxˈɔdʑɔnts pʃˈɛz ɡwˈuvnɛ bjˈurɔ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_53.wav|ˈuɲʲus ɕɛ na wˈɔktɕax i ɔdvrˈutɕiw sfˈɔ̃ zˌapuxɲʲˈɛntɔ̃, pˌɔraɲʲˈɔnɔ̃ tfˈaʃ kˈu rˌɨanˈɔvi.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_330.wav|tɔ vɨvˈabʲi sˈɛr brɨndˈɛna na mˈurɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_5.wav|varʃˈava ftʃˈɛɕɲʲɛj skrˈɨva sfˈɔjɔ̃ bɛssˈɛnnɔɕtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_60.wav|tsamˈɛrɔn pˈɔdaw dɔkˈumɛnt jˌaɡɡɛrˈɔvi i rˈuʃɨw f strˈɔnɛ dʒvˈi, ɕtɕiskˈajɔnts mɲʲɛ za rˈamjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_33.wav|rˌɔzmavʲˈali pʃˈɛs kˈilka mˈinut, a pˈɔtɛm vˈɨʃli rˈazɛm na zˈɛvnɔntʃ.|3
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_11.wav|ɲˈiɡdɨ ɲʲɛ xˈɔdʑi z innˈɨmi na lˈandʒ dɔ bufˈɛtu, tˌɨlkɔ pʃɨnˈɔɕi sfˈɔjɛ jɛdʑˈɛɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_13.wav|vʲɛʒˈɨwa, ʒˈɛ rˈak jˈɔ̃ zabʲˈijɛ, a tˈɛras xtɕˈawa prˌavdɔpɔdˈɔbɲʲɛ rˌɔspatʃlˈivʲɛ ɕɛ tʃˈɛɡɔɕ uxfˈɨtɕitɕ i tɨm natɕˈɛʃɨtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_74.wav|mˈuɕi pˈan zaɕpʲˈɛvatɕ, tɔ ɡwˈuʃɨ bˈul.|2
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_7.wav|ˈɛliz vɨtɕˈɛra fʃˈɨstkʲɛ ɕlˈadɨ i zabjˈɛra fɔljˈɔvɨ vˈɔrɛɡ zˈɛ ɕmʲɛtɕˈami. mɛntˈalnɔɕtɕ pʃɛstˈɛmptsɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_85.wav|pʃɛprˈaʃam, ɲʲɛ pɔznˈajɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_281.wav|tˈak, ta pʲˈɛŋkna dʑɛftʃˈɨna bˌɨwa pijˈana. tɨm najprˈɔstʃɨm nˌarkɔtˈɨkʲɛm ɔdˈarta s tˌɔʃsamˈɔɕtɕi.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_61.wav|vˈarknɔw tˈarɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_136.wav|ɡʲinˈɔntsɨx f tɕɛmnˈɔɕtɕi xfˈil.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_41.wav|pˌɔrɔzmˈavʲam z nˌadʲinspˈɛktɔr stˈanlɛj, ˌalɛ ˌɔsɔbʲˈiɕtɕɛ uvˈaʒam, ʒˈɛ sˈɔnt ɔddˈaliwbˌɨ sprˈavɛ pʃɛtɕˈifkɔ mˈartɕɛ pʃˈɨtɨh dɔvˈɔdax, kturˈɨmi dˌɨspɔnujˈɛmɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_101.wav|dˈɛlla ɕfirˈuska tˈam bˌɨwa i xrapˈawa.|3
+Dataset/wavs/urwisko_ferenc/65_segment_33.wav|w ɔkrˈɔŋɡwɛj, xrˌɔmɔvˈanɛj lˈampʲɛ, ktˌura zvʲɛʃˈawa ɕɛ s sufˈitu nat stˈɔwɛm zˌabjɛɡˈɔvɨm, zˌauvˈaʒɨw sfˈɔjɛ rˌɔzmazˈanɛ ɔblˈitʃɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_175.wav|ˌɔna tɔ zrˈɔbʲi lˈɛpʲɛj ˈɔdɛ mɲʲɛ, xˈɛlɛn. jɛzd w drˈɔdʑɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_73.wav|mˈikɛ, tɔ ɲʲɛvˈaʒnɛ, kˈim sɔ̃ lˈudʑɛ dla nˈas. vˈaʒnɛ jˈɛst, kˈim mɨ mɔʒˈɛmɨ stˈatɕ ɕɛ dla lˈudʑi. inˈatʃɛj ɲʲɛ mˌamɨ nat ɲˈimi vwˈadʑɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_33.wav|mˈama vˌɨtɕɔŋɡnˈɛwa rˈɛŋkɛ i dɔtknˈɛwa jˈɛɡɔ ramjˈɛɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_112.wav|zajʒˈawam dɔ ɕrˈɔtka, ʒˈɛbɨ ɕɛ upˈɛvɲitɕ, tʃɨ ɲitʃˈɛɡɔ ɲʲɛ brakˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_42.wav|s kˈim rˌɔzmavʲˈawɛɕ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_25.wav|jˈɛɕli ʒˌɛtʃɨvˈiɕtɕɛ tˈam jɛst i kˌibʲitsˈujɛ ɡʲˈantsɔm, bˈuk rˈatʃɨ vʲˈɛdʑɛtɕ, ɡdʑˈɛ dɔkwˈadɲʲɛ ɔɡlˈɔnda mˈɛtʃ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_115.wav|sˈɛr xˈɛil mʲˈaw rˈatsjɛ. f stˈavʲɛ dʑˈɛvidʑ ʒˌɛtʃɨvˈiɕtɕɛ bˌɨwɨ jˈɛʃtʃɛ ɡɔspˈɔdɨ.|1
+Dataset/wavs/urwisko_ferenc/57_segment_10.wav|dˈɔkɔnt jɛdʑˈɛmɨ? spˈɨtaw ɡrubˈavɨ fˈatsɛt f kɔʃˈultsɛ zˈɛ znˈakʲɛm pˈɔlski valtʃˈɔntsɛj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_155.wav|nˈavɛt ɲʲˈɛmʲaw tʃˈasu pɔmˈɨɕlɛtɕ ɔ sfˈɔim tɕˈɛ̃ʃkim dʑɛtɕˈiɲstfʲɛ, kʲˈɛdɨ mu jˈuʃ pʃˌɨtʃɛpˈili kˈartkɛ z numˈɛrɛm dɔ jˈɛɡɔ vwˈasnɛj nˈɔɡʲi f kɔstɲˈitsɨ mʲˈɛjskʲɛj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_60.wav|xundˈɛbawɣ vʑˈɔw tˈupkɛ s klˈɛjɛm i pˈɔtʃɛd dɔ ɕtɕˈanɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_75.wav|ɲʲɛ ˌɔpuɕtɕˈiwam jˈɛdnak ˈɔtʃu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_253.wav|ʒˈɛ ɲˈiɡdɨ ɲʲɛ zdrˈadʑiwbˌɨm tˌɛɡɔ ɲikˈɔmu, ˌalɛ nˈɔ tsˈuʃ, ˈaram mˈa sfˈɔjɛ spɔsˈɔbɨ na vˌɨtɕɔŋɡˈaɲʲɛ ɔt lˈudʑi ˌinfɔrmˈatsji.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_49.wav|skˈura mʲˌɛndʑɨ pˈɔxfɔ̃ a ɔdbˈɨtɛm, vʲˈɛ jˈak ta tʃˈɛɲɕtɕ ɕɛ nazˈɨva, ˌalɛ f tɛj strˌɛsujˈɔntsɛj s��ɨtuˈatsji ɲʲɛ mˈɔʒɛ sˈɔbjɛ pʃɨpˈɔmɲʲɛtɕ, jɛst jˈɛʃtʃɛ ɡˈɔʒɛj pˌɔxaratˈana.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_11.wav|kˈim jˈɛstɛɕ? pˈɨta ˈɛlis. jˈak ɕɛ nazˈɨvaʃ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_7.wav|na jˈɛɡɔː ˈudax lˈɛʒɨ ɔtfˈartɨ lˈaptɔp, mˈɔtsnɔ pˌɔrɨsɔvˈanɨ i zmˌaltrɛtɔvˈanɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_149.wav|mˈuɡw bˈɨtɕ pwˈatʃɛm lˈub vˈɨtɕɛm psˈa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_221.wav|jˌɛstɛm w mʲˈɛɕtɕɛ ɡʒˈɛxu, mˈuvi z zˌadʑivʲˈɛɲʲɛm, i ɕˈɛdʑɛ w mˌɔtɛlˈɔvɨm pɔkˈɔju s pʃˌɨstɔjɲʲˈakʲɛm dvˈa rˈazɨ stˈarʃɨm ˈɔdɛ mɲʲɛ. mˈɔja mˈatka bˈɨ ɕɛ pɔsrˈawa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_128.wav|dˈɔm rˈuvɲʲɛʃ jɛst ˌɔɕfʲɛtlˈɔnɨ, tsˈɔː ˌuvɨdˈatɲʲa jˈɛɡɔ rˌɔzbuxˈanɔ̃ bʒɨdˈɔtɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_77.wav|zavˈɔwaw jˈɛdɛn s fˌuŋktsjɔnarjˈuʃɨ, ktˌurɨ zajmˈɔvaw ɕɛ ˌɔdbjɛrˈaɲʲɛm tˌɛlɛfˈɔnuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_13.wav|tʃfˈartɨ dˈɔm bˈɨw najvʲˈɛŋkʃɨ w ˌɔkɔlˈitsɨ.|2
+Dataset/wavs/urwisko_ferenc/25_segment_90.wav|ˈaʃ f kˈɔɲtsu zˌɛʃtɨvɲʲˈawa i fstʃɨmˈawa ˈɔddɛx.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_336.wav|ˌɔtpɔvʲɛdʑˈawa krulˈɔva.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_19.wav|ɲʲˌɛdalˈɛkɔ dɔ tsˈɛntrum mˌanxɛstˈɛru.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_134.wav|tɨm rˈazɛm ftɕˈɔŋɡa tʃˈɛɲʑdʑ ʒˈɨɡuv dɔ ɡˈardwa i zatʃˈɨna ɕɛ dwˈavitɕ. bʲˈillɨ klˈɛŋka zˈaɲʲɔ̃, ˌɔbɛjmˈujɛ jˈɔ̃ ramjˈɛɲʲɛm f pˈaɕɛ i pɔdnˈɔɕi dɔ pɔzˈɨtsji ɕɛdʑˈɔntsɛj.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_116.wav|xˈɔtɔː ˈuɲʲus pˈustɨ pˈuxar i blˈada, mwˈɔda kɔbjˈɛta f sˈukɲi z ɲʲˌɛbjɛskʲˈɛɡɔː ˌaksamˈitu i pˌɔzwatsˈanɨx kɔrˈɔnɛk nalˈawa mu vˈina.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_25.wav|pˈan f sprˈavʲɛ zˌamɔrdɔvˈanɛj dʑɛftʃˈɨnɨ, utfʲˈɛrdʑiw ɕɛ fˌuŋktsjɔnˈarjuʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_255.wav|i ɲˈits ɕɛ ɲʲɛ zmʲɛɲˈiwɔ. spˈaf jɛst ʃtʃˈɛlnɨ, ˌɔznajmˈiwam. dˈɔbra rɔbˈɔta, zavˈɔwaw ˈɔjtɕɛts.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_17.wav|ɡdʑˈɛ jɛst nˈuʃa?|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_320.wav|zˌapɨtˈawa sˈɨna tsɛrsˈɛi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_15.wav|fpˈisaw tɛn nˈumɛr wˈɛ fˌɔrmulˈaʒu pʃˌɛznatʃˈɔnɨm dla mɛrtˈɔna rixtˈɛra, aɡˈɛnta ɲʲˌɛruxɔmˈɔɕtɕi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_223.wav|jˈɛɕli zrˈɔbjɛ, ɔ tsˈɔ prˈɔɕiʃ, tɔː ɔpˈuʃtʃɛ tfˈɔjɔ̃ mˈatkɛ, tʃˈɨli utʃˈɨɲʲɛ tsˈɔɕ, tʃˈɛɡɔ pʃˌɨʒɛkˈawɛm ɲˈiɡdɨ ɲʲɛ zrˈɔbʲitɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_33.wav|w zˈamku tkfˈi klˈutʃ i ɲʲˈɛmam vˌɔntplivˈɔɕtɕi, ʒˈɛ tɔ tˈam zamkɲʲˈɛnta jɛst mˈili.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_86.wav|zˈɔstaw zˌamɔrdɔvˈanɨ ftʃˈɔraj vʲɛtʃˈɔrɛm na parkˈiŋɡu ˌapartˌamɛntˈɔftsa f tsˈɛntrum mˌanxɛstˈɛru.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_36.wav|jˈɛzu, ˌalɛ s tɕˈɛbjɛ ʑˈimna sˈuka!|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_101.wav|zɔstˈawa ɛwrˈɔpa.|0
+Dataset/wavs/urwisko_ferenc/28_segment_6.wav|w dɔdˈatku lˈɛɡnɛr mʲˈaw rˈatsjɛ. pɔvˈinna mˈɨɕlɛtɕ pʃˈɛdɛ fʃˈɨstkim ɔ ɡrˌɔmadʑˈɛɲʲu dɔvˈɔduf, ɲʲɛ dɔmˈɨswuf.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_93.wav|ˌalɛ tɔ mˈɔʒɛ bˈɨtɕ tɕˈɛ̃ʃkʲɛ lˈatɔ. zɛʃwˈɛɡɔ lˈata tɔ mɔjˈɛmu kɔlˈɛdʑɛ spalˈili dˈɔm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_150.wav|za ˌɔtpɔvʲˈɛdɲʲɔ̃ tsˈɛnɛ vɨkˈɔna kˈaʒdɛ zlɛtsˈɛɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_41.wav|xwˈɔpak jɛst ʃˈɨpki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_90.wav|bʲˈillɨ jɛst ʃtʃˈɛʒɛ zdumjˈɔnɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_41.wav|kʲˈɛdɨ pɔdɲʲˈɔswa vzrˈɔk na bˈɛki, mˈɔʒna bˌɨwɔ zˌauvˈaʒɨtɕ jɛj zˌatʃɛrvʲɛɲʲˈɔnɛ ˈɔtʃɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_43.wav|a rˈamjɔn vˌɨkɔʒˈɨsta, a pˈɔtɛm stˈɔnd vɨʒˈutɕi.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_181.wav|ˌinstalˈujɛ sxrˈɔn pɔvʲˈɛtʃnɨ dla pʃˌɨjatɕˈuwki. skwamˈawam.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_152.wav|jˈaɡ bʒmˈi tɔ vˌɛstɛrˈɔskʲɛ swˈɔvɔ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_36.wav|pʃɛt kilkˈɔma mʲˌɛɕɔntsˈami stratɕˈiwa kˈilku vʲˈɛŋkʃɨx kljˈɛntuf, ˌalɛ f kˈɔɲtsu vˈɨjdʑɛ na sfˈɔjɛ.|4
+Dataset/wavs/urwisko_ferenc/46_segment_16.wav|— mˈuf! — lˈɛɡnɛr ɔt jakʲˈɛɡɔɕ tʃˈasu mʲˈaw ɡˈɔ na ˈɔku.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_155.wav|ˌalɛ dla nˈas fʃˈɨstkix.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_133.wav|ɲʲɛ zrˈɔzum mɲʲɛ ʑlˈɛ, jˌɛstɛm vdʑˈɛntʃnɨ, bˈɔ sˈam pɔrˈadʑiwbˌɨm sˈɔbjɛ dˈuʒɔ ɡˈɔʒɛj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_264.wav|ktˌurɛj nˈavɛt imjˈɛɲʲa ɲʲɛ zˌapamjɛntˈawɛm, spˌɔɡlɔndˈawɛm s trfˈɔʒnɨm zaxfˈɨtɛm|0
+Dataset/wavs/urwisko_ferenc/37_segment_50.wav|ɲʲˈɛmʲaw ɕˈiwɨ tˌɛɡɔ kˌɔmɛntˈɔvatɕ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_392.wav|pˌɔvʲɛdʑˈawam tɔ kʲˈɛdɨɕ w ˈɔtʃɨ tfɔjˈɛmu ˈɔjtsu i pˈɔtɛm ɲʲɛ ɔdʑˈɨvaw ɕɛ dɔ mɲʲɛ pʃˈɛs pˈuw rˈɔku.|1
+Dataset/wavs/urwisko_ferenc/56_segment_35.wav|pˌɔviɲʲˈɛnɛm sˈɔbjɛ zapˈisatɕ, kʲˈɛdɨ ɕɛ pɔznˈaliɕtɕˌɛ. ja s xˈudɨm? tɔ znˈatʃɨ s karˈɔlkʲɛm? tˈak.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_61.wav|ˌalɛ tʃɨ ɲʲɛ fstɔmpˈiwɛɕ tʃˈasɛm na ʃklˈaŋkɛ pˈiva pˈɔtɨm, jˈak tɕˈɛ zvɔlɲˈili?|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_115.wav|ɲʲɛ pˌɔviɲʲˈɛnɛɕ tˌɛɡɔ mˈuvitɕ ɔ jˈɛɡɔ ʒˈɔɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_246.wav|mɨɕlˈawam, ʒˈɛ tɔ zaɡˈɔi ɕɛ lˈɛpʲɛj, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_331.wav|dla xfˈawɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_69.wav|ɲʲɛ bˌɨwa tɔ prˈavda, ˌalɛ ˈaram ɲʲɛ zajmˈɔvaw ɕɛ tˈak pʃˌɨʑɛmnˈɨmi spravˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_84.wav|ɲʲˈɛbɨw ʒɔnˈatɨ ˌaɲi rˈazu, tsˈɔ dɔpʲˈɛrɔ z dvʲˈɛma kˌɔbjɛtˈami jˌɛdnɔtʃˈɛɕɲʲɛ. tˈɛras jˈɛdnak jˈuʒ vʲˈɛ, jˈakʲɛ tɔ mˈuɕi bˈɨtɕ utʃˈutɕɛ. jˈɛdnɨm swˈɔvɛm mɛntʃˈɔntsɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_65.wav|mˈama zˌatrudɲˈiwa ɕɛ jˈakɔ spʃˌɛdaftʃˈɨɲi f sklˈɛpʲɛ spɔʒˈɨftʃɨm f kampˈuɕɛ kˌakˌazˈɛt. tɔ pʲˈɛrʃa prˈatsa w jɛj ʒˈɨtɕu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_135.wav|ɲʲɛ dɔdˈajɛ, ʒˈɛ prˌavdɔpɔdˈɔbɲʲɛ mʲˈaw rˈɔmans, bˈɔ ɲʲˈɛvʲɛm tˌɛɡɔ na pˈɛvnɔ.|3
+Dataset/wavs/urwisko_ferenc/48_segment_47.wav|— a ɡdʑˈɛ lˈipski? — lˈitʃɛ dɔ tʃˈɛx — pɔftˈuʒɨw z natɕˈiskʲɛm lˈɛɡnɛr.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_156.wav|kˈaʒdɨ xˈawst pɔvʲˈɛtʃa z bˈutli sprˈavʲaw, ʒˈɛ vratsˈawɨ mi ɕˈiwɨ.|4
+Dataset/wavs/urwisko_ferenc/53_segment_8.wav|a tsˈɔː ˈu tɕˈɛbjɛ?|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_360.wav|alˈain vʲɛdʑˈawa, ʒˈɛ tsɔlˈɛmɔn xtsˈɛ tˌɨlkɔ dˈɔbra sfɔjˈɛɡɔ pˌɔdɔpʲɛtʃnˈɛɡɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_75.wav|vʲˈɛm, ʒˈɛ zavʲˈɔdwam stsˈɔtta jˈuʒ za pʲˈɛrʃɨm rˈazɛm, kʲˈɛdɨ ɕɛ dɔ mɲʲɛ uɕmʲˈɛxnɔw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_69.wav|mˈɔim zdˈaɲʲɛm tɔ ɲʲˈɛma sˈɛnsu. jˈɛɕli ˈaʃ tˈam jˈɛst, tɔ tˈɛssa dˌɔskɔnˈalɛ vʲˈɛ, tsˈɔ jɛzd ɡrˈanɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_56.wav|pˈɔʃli dɔ sˌamɔlˈɔtu. ˈandɛrsɔn vɨtɕˈɔŋɡnɔw drɛvɲʲˈanɔ̃ zastˈafkɛ spˈɔt pʃɛdɲʲˈɛɡɔ kˈɔwa i fʃˈɛd dɔ kabʲˈinɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_3.wav|dvˈa tɨɡˈɔdɲʲɛ pɔ nˈaʃɨm pɔvrˈɔtɕɛ na ˌuɲivɛrsˈɨtɛt, pɔ ɕfʲɔntˈɛtʃnɛj pʃˈɛrvʲɛ, zdˌɛtsɨdɔvˈawam, ʒˈɛ mˈuʃɛ tsˈɔʑ zrˈɔbʲitɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_67.wav|mˈuʃɛ pʃˈɨznatɕ, ʒˈɛ tɕˈɛʃɛ ɕɛ bˈardʑɔ, ʒˈɛ ɲʲɛ ˌɔpʲɛkˈujɛ ɕɛ ɲʲˈɔ̃ bˌɨwa tˈɔma, lˈɛɔ. lˈutsɨ jˈɔ̃ lubʲˈiwa, ˌalɛ mˈɔim zdˈaɲʲɛm bˌɨwa dˈɔʑdʑ ʑˈimna. ɲʲɛ bˌɨwa ˈaʃ tˈaka zwˈa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_82.wav|ˈidʑɛ na kˈɔɲʲɛts ɕtɕˈɛʃki i pˈatʃɨ na pɔlˈanɛ pɔ drˈuɡʲɛj strˈɔɲʲɛ vɔ̃vˈɔzu. tɕˈɛkaf, tʃɨ zɔbˈatʃɨ tɛn sˈam vidmˈɔvɨ xˈɔtɛl, tsˈɔː ˈɛlis.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_51.wav|pɔvʲˈɛdʑaw mˈɔʒɛ, ɡdʑˈɛ bˈɨw?|3
+Dataset/wavs/urwisko_ferenc/28_segment_93.wav|bˈɔ ɡˈɔ ɕlɛdʑˈiwam.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_49.wav|ftˈɛdɨ ˌuɕfʲadɔmˈiwam sˈɔbjɛ tsˈɔɕ, ɔ tʃɨm pˌɔtɕfʲadˈɔmjɛ vʲɛdʑˈawam jˈuʃ ɔd dˈavna.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_125.wav|rˈudɨ pɔwˈɔʒɨw dwˈɔɲʲɛ na stɔlˈiku i tʃˈɛkaw tɕɛrplˈivʲɛ, dɔpˈuki fʃɨstkʲˈɛɡɔ sˈɔbjɛ ɲʲɛ pʃˌɛmɨɕlˈawa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_99.wav|naprˈavdɛ pˌɔpɛwɲˈiwam bwˈɔnt.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_54.wav|ɲʲɛ spˈɔsup pʃɛɡˈapitɕ tablˈitsɨ bjˈura ɲʲˌɛruxɔmˈɔɕtɕi, jˈɛɕli jɛst pˈaɲi zˌaintˌɛrɛsɔvˈana, ˌalɛ tɔ...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_177.wav|ˌɛmanujˈɔntsɨ jˈakimɕ napʲˈɛɲtɕɛm, jˈakɔ̃ɕ tsmɛntˈarnɔ̃ ɲʲˌɛruxɔmˈɔɕtɕɔ̃ i zvˈɨkwɨm lˈɛŋkʲɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_142.wav|kturˌɛɡɔ rˌuvnɔvˈaɡɛ zaxfʲˈawa ɕfʲˈɛʒɔ vˌɨkɔpˈana ˈu jˈɛɡɔ pɔtstˈavɨ dʑˈura, rˈunɔw i zmʲˈaʒdʒɨw mˈɔjɛ zbjɔrɲˈiki.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_27.wav|— dɔstʃˈɛɡwa jˈɔ ftɕiɕɲʲˈɛntɔ̃ w nˌajtɕɛmɲʲˈɛjʃɨ kˈɔnt i ruʃˈɨwa w jɛj strˈɔnɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_275.wav|pˌɔvʲɛdʑˈawam vˌɨtɕɔŋɡˈajɔnts rˈɛntsɛ pʃɛt ɕˈɛbjɛ.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_190.wav|nazˈɨva ɕɛ pʲɛtʃˈarɔ̃ pˌustɛlɲˈika.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_400.wav|ˌɔtʃɛkˈujɛ nˌatɨxmʲˌastɔvˈɛɡɔ rˌɔspatʃˈɛɲʲa rˌɛklamˈatsji.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_163.wav|tʃɨ tfˈuj pʃɨjˈatɕɛl tˈak ɔ zɡʲˈinɔw?|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_355.wav|pʃˌɛvidʑˈawa ɕmʲˈɛrtɕ jˈɛdnɛj z mˈɔiɣ dʑˈɛftʃɔnd dɔ tˌɔvaʒˈɨstfa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_68.wav|ɲʲɛ mˈɔɡɛ mʲˈɛdʑ vʲˈɛntsɛj dʑˈɛtɕi, vʲˈɛnts jˈɛɕli zˌɔstaɲʲˈɛmɨ z ˈaʃɛm rˈazɛm, mˈili bˌɛɲdʑɛ nˈaʃɔ̃ jɛdˈɨnɔ̃ tsˈurkɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_292.wav|ɲʲɛ pɔjˈɛxaw prˈɔstɔ dɔ zˈamku, lˈɛtʃ skʲɛrˈɔvaw ɕɛ na drˈuɡʲi bʒˈɛk kˌamjɛnnˈɛɡɔ nˈurtu, bˈɨ pˌɔrɔzmˈavʲadʑ z ɛdvˈinɛm frˈɛjɛm ɔ pʃˌɛkazˈaɲʲu jˈɛɲtsuf jˈɛɡɔ pradʑˈatka.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_221.wav|ˈalbɔ ɲʲɛ ʒˈɨjɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_37.wav|ɲʲˈɛrup tˈakʲɛj zˌatrɔskˈanɛj mˈinɨ. w dˈuw prɔvˈadʑi prˈɔsta drˈɔɡa i vˈidʑɛ ɕfʲˈatwa ˈawta. xtsˈɛ dˈatɕ jɛj trˈɔxɛ pʃɛstʃˈɛɲi, tɔ fʃˈɨstkɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_177.wav|bˈutskɨ jˈɛdnak ɲʲɛ ɕmʲˈɛjɛ ɕɛ rˈazɛm z ɲˈim. pʃɛtɕˈivɲʲɛ, jɛst ɕmʲɛrtˈɛlɲʲɛ pɔvˈaʒnɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_136.wav|pɔzˈɨtsja ɡˌɛnɛvʲˈɛvɛ strˈaxan vɛ vwˈasnɨm mˈawɨm ɕfʲˈɛtɕɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_194.wav|ɡrˌuzɔvˈiskɔ zˌapɔmɲʲˈanɨɣ vˈɔjɛn, umˈarwɨx rɛʒˈimuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_110.wav|a skˈɔrɔ jˈɛdʑɛʃ sˌamɔxˈɔdɛm, vɨstˈartʃɨ im ɔpstˈavitɕ fʃˈɨstkʲɛ drˈɔɡʲi prˌɔvadʑˈɔntsɛ dɔ vˈɛɡas. ɲʲˈɛma iɣ vʲˈɛlɛ.|2
+Dataset/wavs/urwisko_ferenc/01_segment_106.wav|tɔ bˈardʑɔ tɕɛkˈavɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_28.wav|tɔ s ˈɛf. stsˈɔtta fˌidʑɡɛrˈalda.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_140.wav|zɡˈɔdʑiw ɕɛ sˈɛptɔn.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_266.wav|i ˈɛstɛr, pˈatʃɔnts na jˈɛɡɔ ɕtɕɔŋɡɲʲˈɛntɛ brvˈi, tsɔfnˈɛwa ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_476.wav|zˌapɨtˈawa tʲimˈɔta, ɡdˈɨ znˈɔvu ɡˈɔ zˌɔbatʃˈɨwa.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_22.wav|fɕrˈut ɲˈiɣ bˈɨw ktˈɔɕ, ktˈɔ jˈuʃ rˈas prubˈɔvaw mɲʲɛ zˈabʲitɕ pʃɨ uʒˈɨtɕu kɔmbˈajnu. pˌamjɛntˈatɕɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_49.wav|ˌɔɲi nˈadɲim prˌatsɔvˈali.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_28.wav|pʃɛnˈɔʃɛ vzrˈɔk s pɔvrˈɔtɛm na tˈalɔn na kɕˈɔ̃ʃkɛ ɔ vartˈɔɕtɕi dʑɛɕˈɛɲtɕu fˈuntuf, ktˌurɨ ɕtɕˈiskam w dwˈɔɲi.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_52.wav|zˈaɲim zɡʲˈinɔw.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_442.wav|ɔn jɛzd dʑˈɛtskʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_84.wav|pɔvˈiɲʲɛn tˈɛʒ znˈalɛɕtɕ mu nˈɔvɔ̃ mˈawɔ̃ rˈadɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_313.wav|tɔ zbˈɨt skˌɔmplikɔvˈanɨ vˈarjant fspulnˈɛɡɔ lˈɔsu.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_261.wav|sˈɛrtsɛ tsɛrsˈɛi ɕˈilɲʲɛ bʲˈiwɔ z zaxfˈɨtu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_22.wav|tɛn ʃɛrˈɔki ˈuɕmʲɛx rˈɔbʲi sfˈɔjɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_62.wav|vʲˈɛm, ˌalɛ nˈajpʲɛrv bˌɨwam w dˈɔmu, a pˈɔtɛm mˈama zˌaxɔrɔvˈawa i...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_446.wav|nˈɔː i ɲˈits, ɲˈits ɲʲɛ zɔstˈawɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_13.wav|bˈɛtskɨ uɲʲˈɔswa ɡwˈɔs, zˌaɡwuʃˈɔna vˈɨtɕɛm pʃˌɛjɛʒdʒˌajɔntsˈɛɡɔ vˈɔzu strˈaʒɨ pɔʒˈarnɛj. pˌɔviɲʲˈɛnɛʑ bˈɨdʑ z ɲˈimi. fʃˈɨstkɔ mˌamɨ pɔt kɔntrˈɔlɔ̃, ʃˈɛfjɛ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_184.wav|tʃɛkˈawɛm, kʲˈɛdɨ pˈadɲʲɛ ta prˌɔpɔzˈɨtsja.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_267.wav|pˌɔvʲɛdʑˈawa dʑɛftʃˈɨna. ɡˈɛndrɨ!|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_29.wav|tɔː annˈɛɛ, varjˈatka. pɔsˈɛmpɲʲɛ ɔdˈɛzvaw ɕɛ prɛzˈɨdɛnt i zˈatʃɔw ʃˈukadʑ zɡubjˈɔnɛj f pɔɕtɕˈɛli pˈatʃki pˌapʲɛrˈɔsuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_133.wav|ˌɔna tˈɛʃ ɲʲɛ, pˌɔvʲɛdʑˈawɛm. w ɡrˈuɲtɕɛ ʒˈɛtʃɨ fʃˈɨstsɨ mˌajɔ̃ ɡˈɔ dˈɔsɨtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_56.wav|ɲˈiʃ ja ɕɛ tʃˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_164.wav|a tˈɛras ɔtfˈɔʒɛ zɛvnˈɛntʃnɨ vwˈas.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_299.wav|nˈavɛt maxˈɔmɛt ɲʲɛ pɔzvˈalaw ɲikˈɔmu skwˈadatɕ sˈɔbjɛ pɔkwˈɔnuf.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_488.wav|tsˈɔ bˈɛɲdʑɛ, tɔ bˈɛɲdʑɛ, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_15.wav|pʃˈɛs kˈilka xfˈil stˈɔi w dʒvʲˈax s tˈɔrbɔ̃ z laptˈɔpɛm pʃˌɛvʲɛʃˈɔnɔ̃ pʃˈɛs rˈamjɛ i ɕɛ rɔzɡlˈɔnda.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_198.wav|ɲʲˈɛvʲɛm tˈɛɡɔ, mˈɔʒɛ pɔ prˈɔstu dlatˈɛɡɔ, ʒˈɛ fʃˈɨstsɨ ɕɛ mˈɨlɔ̃. ʒˈɨtɕɛ lˈutskʲɛ jɛst pɨtˈaɲʲɛm, a ɲʲɛ ˌɔtpɔvʲˈɛdʑɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_199.wav|ˈɔtʃɨ ˌutɕɛkˈajɔ̃ jɛj w ɡwˈɔmp tʃˈaʃki i ɔsˈuva ɕɛ f kfʲˈatɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_233.wav|zarˈaziw mɲʲɛ prɛzˈɨdɛnt.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_9.wav|ɡdˈɨbɨ xɔdʑˈiwɔ vɨwˈɔntʃɲʲɛ ɔ pɔɡrˈuʃki zvʲɔ̃zˈanɛ z uʒˈɨtɕɛm pʃɛmˈɔtsɨ, mˈɔɡwabˌɨm zvrˈutɕitɕ ɕɛ dɔ pɔlˈitsji, ˌalɛ bˌɨwɔ tˌɛɡɔ vʲˈɛntsɛj.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_370.wav|dʑɛftʃˈɨŋka ɡapˈiwa ɕɛ nˈaɲʲɔ̃ f spˈɔsup, ktˌurɨ brjˈɛnnɛ ɕfʲˈɛtɲʲɛ znˈawa. tɔ tˈɨlkɔ...|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_12.wav|brjˈɛnnɛ vʲɛdʑˈawa, ʒˈɛ bˈɛs mˌɛribˈalda s pɛvnˈɔɕtɕɔ̃ bˈɨ zˌabwɔɲdʑˈili.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_91.wav|ˌɔdɛzvˈawa ɕɛ mwˈɔda tsɛrsˈɛi.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_102.wav|zˌasadɲˈitʃɨ ˈaʒ dɔ bˈulu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_15.wav|tsɔkˈɔlvʲɛk stsˈɔtt planˈujɛ zrˈɔbʲidʑ zˈɛmnɔ̃ i mˈɔjɔ̃ rɔdʑˈinɔ̃, mˈuɕi s tɨm skˈɔɲtʃɨtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_165.wav|zamknˈɛwam dʒvˈi pɔkˈɔju tatˈuɕka, ʒˈɛbɨ mˈuts sfɔbˈɔdɲʲɛ kˌɔntɨnuˈɔvatɕ rɔzmˈɔvɛ z alfˈɔnsɛm.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_402.wav|xtɕˈawɛm zɔbˈatʃɨtɕ, ɡdʑˈɛ ɲʲˈɛdʑvʲɛtɕ tˈaɲtʃɨw z dʑɛvˈitsɔ̃ ɲʲɛ tˈaɡ bˈardʑɔ tsˈut.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_68.wav|f tɕˈɔŋɡu rˈɔku ˌalumˈiɲʲum stˈaɲʲɛ ɕɛ prɔdˈuktɛm ubˈɔtʃn��m pʃɛmˈɨswu kʃˌɛmɔvˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_316.wav|tʃɛkˈawa vʲˈɛnts i ˌɔpsɛrvɔvˈawa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_42.wav|naprˈavdɛ ˌuvaʒˈawaɕ, ʒˈɛ ɲˈiɡdɨ ɕɛ ɔ ɲˈix ɲʲɛ dˈɔvʲɛm?|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_360.wav|ˈɔx, a vʲˈɛnts tɔ tˈak.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_141.wav|pʃˌɛtɕɛʃ ta vʲˈara bˌɛɲdʑɛ tfˈɔjɔ̃ vʲˈarɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_56.wav|w dˈɔdax fʃˈɨstkix, ktˌurɨx xtɕˈawɛɕ, ɲikˈɔmu ɲʲɛ ˌɔdmuvˈiliɕmˌɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_84.wav|ˌɔna mɲʲɛ znˈa, pˈujdɛ i pʃˌɨprɔvˈadʑɛ jˈɔ̃ tˈutaj. ɲʲɛ!|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_106.wav|tɨmtʃˈasɛm mɡʲˈɛwka vˌɨdɔbˌɨvajˈɔntsa ɕɛ s kikˈuta ˌutrɔntsɔnˈɛɡɔ zavˈɔru pwɨnˈɛwa tsˈɔras swˈapʃɨm strumjˈɛɲʲɛm, ktˌurɨ f kˈɔɲtsu ˈustaw.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_141.wav|rɔskrˈatʃɨw jˈɛɡɔ nˈɔɡʲi kɔpɲʲˈɛɲtɕɛm i kˈɔpaw ɡˈɔ f krˈɔtʃɛ, ˈaʒ dɔ mɔmˈɛntu, f ktˌurɨm zabrˈakwɔ mu ɕˈiw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_200.wav|na pɔlˈitʃku mʲˈawa rˌɔzmazˈanɔ̃, tʃɛrvˈɔnɔ̃ ʃmˈiŋkɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_18.wav|pˌɔviɲʲˈɛnɛm bˈɨw ɕɛ zˌastanˈɔvidʑ dvˈa rˈazɨ, zˈaɲim tˈak na tɕˈɛbjɛ nˌaskɔtʃˈɨwɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_468.wav|ˌalɛ tsˈɔ tɔ jɛst pʲˈɛŋknɔ!|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_333.wav|pɔ kɔlˈɛjnɨm pɔɡˈɔdnɨm i vʲˈɛtʃnɨm dɲʲˈu nˈastaw pɔxmˈurnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_54.wav|swɨʃˈɛliɕmˌɨ vʒˈaski jˌamjɛsˈɔna.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_187.wav|brˈat nˈarbɛrt pˌɔprɔvˈadʑiw ɡˈɔɕtɕi vˈɔkuw kˌaʃtanˈɔftsa kˈu drɛvɲʲˈanɨm dʒvʲˈɔm fpravʲˈɔnɨm w zbˈɔtʃɛ vzɡˈuʒa.|1
+Dataset/wavs/urwisko_ferenc/04_segment_78.wav|ktˌurɨ f tˈamtɨm ɔkrˈɛɕɛ bˈɨw vˈaʃɨm sɔ̃ɕˈadɛm i mʲˈɛʃkaw nˌapʃɛtɕˈifkɔ?|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_7.wav|mˈɔi lˈudʑɛ! sˈanxɛz ɡˌɔrɔntʃkˈɔvɔː ˌɔbratsˈawa ɕɛ na fɔtˈɛlu, ʒˈɛbɨ jˈak najlˈɛpʲɛj ɕɛ fʃɨstkʲˈɛmu pʃˈɨjʒɛtɕ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_91.wav|na vˈidɔk jˌamjɛˈɛɡɔ vˌɨbuxnˈɛwa ɕmʲˈɛxɛm. a ktˈɔ tɔ jɛst na ɕˈɛdɛm pʲˈɛkʲɛw? lˈɔrd dɔvˈuttsa ɡvˈardji krulˈɛfskʲɛj.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_65.wav|ɔdvrˈatsa ɕɛ dɔ tˈɛssɨ. — pˈanna ɔxˈanlɔn zɡˈadʑa ɕɛ?|4
+Dataset/wavs/urwisko_ferenc/46_segment_112.wav|zˈadʑvɔɲ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_142.wav|zɔstˈaftɕɛ nˈas prˈɔʃɛ. mˈuʃɛ pˌɔrɔzmˈavʲadʑ z ˈindjɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_107.wav|ɲʲɛ mˈɔɡɛ pɔvʲˈɛdʑɛtɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_114.wav|bˈɔ zwamˈawɛɕ sˈɛrtsɛ mˈɔjɛj tsˈurtsɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_53.wav|ɲʲɛ mˌamɨ tˈutaj tʃˈɛɡɔɕ takʲˈɛɡɔ jˈak...|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_109.wav|inspˈɛktɔr rˈɔbʲinsɔn pˈatʃɨ na dˈɔma bˈɛz vɨrˈazu, pˈɔtɛm pʃɛnˈɔɕi vzrˈɔk nˈamɲʲɛ. uɕmʲˈɛxam ɕɛ zdafkˈɔvɔ, ɲʲˈɛmal fstɨdlˈivʲɛ, jaɡbˈɨɕmɨ ɔbˈɔjɛ bˌɨli za stˈaʒɨ na tˈakʲɛ rɔzrˈɨfki.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_82.wav|tˈak jɛst lˈɛpʲɛj.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_11.wav|tɔ bˌɨwa ˈinna sprˈava.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_29.wav|tɔ vɨwˈɔntʃɲʲɛ z nakˈazɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_319.wav|kɔlˈɔrɨ ɔkwˈatki zlɛvˈawɨ mu ɕɛ pʃɛt ɔtʃˈami.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_289.wav|ˌuɕfʲadˈɔmiw sˈɔbjɛ jˈamɛ. jɛj mˈatka s pɛvnˈɔɕtɕɔ̃ ɲʲɛ bˌɨwa zˌadɔvɔlˈɔna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_58.wav|ʒutɕˈifʃɨ ɔstˈatɲʲɛ pˌɔʒɛɡnˈalnɛ spɔjʒˈɛɲʲɛ pʃˈɛs rˈamjɛ, sxˈɔdʑɛ pɔ sxˈɔdax i vɨxˈɔdʑɛ na zˈɛvnɔntʃ, pɔ tʃɨm zamˈɨkam dʒvˈi na ˈɔba zˈamki.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_20.wav|jˈak jˈuʃ pɔvʲˈɛdʑaw ftʃˈɛɕɲʲɛj tˈɔm, ɲʲˈɛma znatʃˈɛɲʲa, jˈak ɲʲˌɛdɔʒˈɛtʃna mˈɔʒɛ ɕɛ vɨdˈavatɕ.|3
+Dataset/wavs/urwisko_ferenc/02_segment_56.wav|ˈilɛ tɔ kˌɔʃtɔvˈawɔ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_85.wav|na pʲˈɛrɕax fartˈuxa vˈidɲʲaw nˈapis|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_89.wav|ja z ɲˈim.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_120.wav|ˈandɛrsɔn stˈanɔw pʃɛt kamˈɛrɔ̃. artˈɨsta ɲʲˈɛbɨw zˌadɔvɔlˈɔnɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_277.wav|dˈalɛ uɕmʲˈɛxnɔw ɕɛ znatʃˈɔntsɔː i pʃˈɛs xfˈilɛ sɔntʃˈɨliɕmˌɨ pˈivɔ w miltʃˈɛɲʲu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_123.wav|kˌɔrɛspɔndˈɛntka tɔ dwˌuɡɔnˈɔɡa blɔndˈɨŋka, ktˌura vɨɡlˈɔnda jˈaɡbɨ stˈudja dʑˌɛnɲikˈarskʲɛ skɔɲtʃˈɨwa pʃɛt tɨɡˈɔdɲʲɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_84.wav|rˈɔp prubˈɔvaw znˈalɛɕtɕ jˈakʲɛɕ ˌinfɔrmˈatsjɛ na tˈɛmat pˈɔrtɛr, ˌalɛ dɔpˈuki ɲʲɛ zˌɔbatʃˈɨliɕmˌɨ tɨx maˈili...|3
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_60.wav|dʒˈanɛt krˈɛɲtɕi ɡwˈɔvɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_74.wav|vˈɔntpjɛ, bˈɨ vˈartɔ bˌɨwɔː ɔtfʲˈɛratɕ pˌɔzɔstˈawɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_10.wav|ɲˈiɡdɨ ɲʲɛ swɨʃˈawɛm, ʒˈɛbɨ rˌɔzmavʲˈawɨ ɔ tʃˈɨmɕ, tsˈɔː im ɕɛ w ʒˈɨtɕu ɲʲɛ pɔvʲˈɔdwɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_59.wav|pɔdnˈɔɕi ɡwˈɔvɛ, kʲˈɛdɨ bʲˈillɨ pɔtxˈɔdʑi dɔ tʃɨtɲˈika, bˈɨ zˌarɛjɛstrˈɔvatɕ sfˈɔjɛ pʃɨbˈɨtɕɛ, jˈak na ɡʒɛtʃnˈɛɡɔ xwˈɔptsa pʃɨstˈawɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_74.wav|nˈɔɡa spˈuxwa mu ɲʲˌɛmiwɔɕˈɛrɲʲɛ, a lˈɛkaʒ zalˈɛtɕiw, ʒˈɛbɨ uvˈaʒaw f pʃɨʃwˈɔɕtɕi. stsˈɔdd vˈaliw f ʃˈɨbɛ, bwaɡˈajɔnts, ʒˈɛbɨm ˌɔtfɔʒˈɨwa dʒvˈi, ˌalɛ ja zupˈɛwɲʲɛ zamˈarwam.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_72.wav|i fʃˈɛɲdʑɛ mˈa kamˈɛrɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_42.wav|pʃˌɛjɛxˈaliɕmˌɨ tˈutaj tˌɨlkɔ pɔ xɔlˈɛrnɛ xˈaswɔ dɔ tˌɛlɛfˈɔnu ɡˌɛnɛvʲˈɛvɛ, a tˈɛras mˈarta pˈɔrtɛr dɔdˈawa nˈɔvɔ̃, zupˈɛwɲʲɛ ɲʲˌɛpɔtʃˈɛbnɔ̃ vˈarstfɛ dɔ tˌɛɡɔ ɕlˈɛtstfa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_33.wav|bˈar bˈɨw tɕˈɛmnɨ, kˈilku lˈudʑi ɕɛdʑˈawɔ pʃɨ kˌɔntuˈaʒɛ, pˈijɔnts w miltʃˈɛɲʲu.|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_143.wav|ˈɔptɕɔ̃ʃ kˈɔntɔː aɡˈɛntsji ɔxrˈɔnɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_120.wav|ɲʲɛ vidʑˈawam jɛj, kʲˈɛdɨ vrutɕˈiwa tamtˈɛɡɔ vʲɛtʃˈɔru. bˌɨwɔ jˈuʃ pˈuʑnɔː i lɛʒˈawam w wˈuʃku.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_6.wav|sˈɛr kˈɛnɔs stfʲˈɛrdʑiw, ʒˈɛ mˈɔʒɛ ɔn bˈɨtɕ ɲʲɛznˈanɨm krˈaik xˈɔlɛm, jˈakɔ ʒˈɛ tɛn rˈut mʲˈaw f xˈɛrbjɛ mˌɔrɛŋɡˌɔvatˈɛɡɔ dʑˈika.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_173.wav|mˈuj kɔlˈɛɡa mitskʲˈɛvitʃ pɔkˈivaw ɡwˈɔvɔ̃. ɕfʲˈad zˈaʃɛd dalˈɛkɔː ɔt tfˈɔix tʃˈasuf, pˌɔvʲɛdʑˈawɛm. tˈɔnɨ ˈuɲʲuz ɡwˈɔvɛ.|0
+Dataset/wavs/urwisko_ferenc/25_segment_16.wav|ɲʲɛ ˈɔtɔ xˈɔdʑi. skˈɔrɔ zˌaufˈawa tɕi drˈuɡʲi rˈas, pˌɔviɲʲˈɛnɛʑ zaswˈuʒɨtɕ nˈatɔ zˌaufˈaɲʲɛ, ɡrˈɔxu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_43.wav|jɛst jˈuʃ tˈak tɕˈɛmnɔ, ʒˈɛ ɲʲɛlˈitʃnɛ pʃˌɛjɛʒdʒajˈɔntsɛ sˌamɔxˈɔdɨ mˌajɔ̃ vwɔntʃˈɔnɛ ɕfʲˈatwa, pʃˈɛs tsˈɔ ɲʲɛ vˈidatɕ, ktˈɔ ɕˈɛdʑi za kʲˌɛrɔvɲˈitsɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_192.wav|brˈatɕa mˌaʃɛrˈujɔ̃ rˈazɛm z brˈatɕmi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_34.wav|pɔvʲˈɛdʑaw pʃˈɛtɕɛʃ, ʒˈɛ uɲˈikaw pʃˌɛbɨvˈaɲʲa z ɲʲˈɔ̃ w jˈɛdnɨm pˌɔmjɛʃtʃˈɛɲʲu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_32.wav|mˈɔʒɛ sfiŋɡˈɔvaw vwˈasnɛ pɔrvˈaɲʲɛ, ʒˈɛbɨ pʃˈɛjɔɲtɕ kɔntrˈɔlɛ nat ˌukɔxˈanɨm dʑˈɛtskʲɛm?|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_382.wav|bɔɡˈɔvʲɛ tˈu miltʃˈɛli.|1
+Dataset/wavs/urwisko_ferenc/50_segment_24.wav|na ʃtʃˈɛɲɕtɕɛ ɲˈiɡdɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_26.wav|pʃˈɛstaɲ pwˈakatɕ i vˈɨpij tɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_62.wav|mɛ̃ʃtʃˈɨzna w jɛj sɨpʲˈalɲi, prˌavdɔpɔdˈɔbɲʲɛ ˈarap, ˌɔpsɛrvujˈɔntsɨ dˈɔm i ˌuɲikajˈɔntsɨ vɨkrˈɨtɕa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_71.wav|jˈɛɕli mˈuviw prˈavdɛ, tɔ ɲʲˈɛmʲaw ɔkˈazji jɛj pˈɔznatɕ i vɨpˈɛwɲitɕ tˌɛɡɔː ɔbrˈaskɛ ˌɛmɔtsjˈami i kˌɔlɔrˈami.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_360.wav|zˈaɕawbˌɨm kɔnˈɔpjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_16.wav|mruknˈɛwa filˈipa, tsˈɔ bˌɨwɔ dˈɔɕtɕ mˈɔtsnɨm jɛ̃zˈɨkʲɛm, jˈak na kɔbjˈɛtɛ, ktˌura ʃtʃɨtɕˈiwa ɕɛ vˌɨxɔvˈaɲʲɛm w dˈɔmu, ɡdʑˈɛ ɲʲɛ pʃˌɛklinˈanɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_140.wav|twˌumatʃˈɨwa, ʒˈɛ dʒˈɛrɨ zarˈabja pɔʒˈɔndnɛ pʲɛɲʲˈɔndʑɛ i ja tˈɛʒ bˈɨm mˈɔɡwa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_27.wav|tˈɔm ɲʲɛ swˈɨʃaw tɕˈɛ bˌɛspɔɕrˈɛdɲʲɔ, a tɔ mˈɔʒɛ bˈɨtɕ pɔmˈɔtsnɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_417.wav|jˈaɡ ɡwˈɔs kˌapitˈana stˈatku pˌɔvʲɛtʃnˈɛɡɔ lˌɔndujɔntsˈɛɡɔ pɔ lˈɔtɕɛ dwˈuɡʲim, spɔkˈɔjnɨm i pˈɛvnɨm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_131.wav|bˌɨwɔ jˈak tɔ na ʃkɔlˈɛɲʲu. dˈuʒɔ kʃˈɨku i ɡlɛndʑˈɛɲʲa. tʃˈɛɲɕtɕ kˈɔtuv zrˌɛzɨɡnɔvˈawa ˈalbɔː ɔtpˈadwa, ˌalɛ ɲʲɛ jˈa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_107.wav|jˈɛʃtʃɛ ɔstˈatɲʲa ʒˈɛtʃ. dˌɔvʲɛdʑˈɛliɕmˌɨ ɕɛ rˈuvɲʲɛʃ, ʒˈɛ mˈarta pˌɔkwutɕˈiwa ɕɛ ɔstˈatɲʲɔ s tfˈɔjɔ̃ ʒˈɔnɔ̃. vʲˈɛʃ mˈɔʒɛ ɔ tsˈɔ pˈɔʃwɔ?|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_57.wav|ʒawˈujɛ, ʒˈɛ ɲʲɛ mˈɔɡɛ tɕi pˈɔmuts.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_40.wav|na stˈɔlɛ lˈɛʒɨ pˈara ʃˈustɛk, vʲˈɛndʑ zapˈɛvnɛ lˈitʃɨ na dvʲˈɛ pˈarɨ, pɔdˈɔbɲʲɛ jˈak kɔbjˈɛta.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_59.wav|ɲʲɛ jɛst tɔ vˌɨstartʃajˈɔntsɛ vˌɨnaɡrɔdʑˈɛɲʲɛ za ɔstˈatɲʲɛ pʲˈɛɲtɕ mʲɛɕˈɛntsɨ jˈɛɡɔ ʒˈɨtɕa, w ʒˈadnɨm rˈaʑɛ, ˌalɛ pʃɨnˈajmɲʲɛj krˈɔɡ vɛ vwaɕtɕˈivɨm kʲɛrˈuŋku.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_88.wav|vʲˈɛnts ktˈɔ tɔ jˈɛst? ɲʲˈɛvʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_363.wav|pˈɔvʲɛts sˈɛr bˌaɛlɔnˈɔvi, ʒˈɛ tɕˈɛmna ɡvʲˈazda prubˈɔvaw jˈɔ̃ zˈabʲitɕ, ˌalɛ sˈɛr ˈarɨs stˈanɔw mʲˌɛndʑɨ ɲˈimi i jˈɔ̃ ˌuratˈɔvaw.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_101.wav|pɔ kɔlˈɛjnɛj skrˌupulˈatnɛj kɔntrˈɔli pʃɨstˈɔmpiw vrˈɛʃtɕɛ dɔ prˈatsɨ. ˌasɨstɔvˈawam mu i rɔbʲˈiwam fʃˈɨstkɔ, tsˈɔ kˈazaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_63.wav|jˈak jˈuʃ tˈam bɛɲdʑˈɛmɨ, zadʑvˈɔɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_15.wav|i ɲʲɛ zvˈaʒaj nˈatɔ, ʒˈɛ tʃˈɨmam nˈɔɡɛ na tfˈɔim tˈɨwku, trˈɛpʲɛ bˌɛznadʑˈɛjnɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_67.wav|ɲʲˈɛzbɨt. dlatʃˈɛɡɔ lantsˈastɛr?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_45.wav|kˈɔɲtʃɛ rɔzmˈɔvɛ i pɔdwˈɔntʃam tɛlˈɛfɔn dɔ wˌadɔvˈarki, xˈɔdʑ batˈɛrja jɛst prˈavʲɛ tsˌawkɔvˈitɕɛ nˌawadɔvˈana.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_4.wav|jˌɛstɛm tˈak sˈamɔ pˌɔdɲʲɛtsˈɔna, jˈak pʃˌɛraʒˈɔna.|3
+Dataset/wavs/urwisko_ferenc/23_segment_23.wav|rˈanɔ mˈarja xˈɛrman ˌumuvˈiwa ɕɛ na spɔtkˈaɲʲɛ z ˈɔjtsɛm mˈɔɲikˌi xudʑˈiɲskʲɛj ˈu ɲʲˈɛɡɔ wˈɛ fˈirmʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_408.wav|z jˈɛɡɔ wˈɨsɛj tʃˈaʃki zvˈisaw s tˈɨwu zlɛpʲˈɔnɨ pˈɔtɛm ˌɔsɛwˈɛdɛts.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_101.wav|tʃasˈami rˈudɨ pʃˌɨwapˈujɛ jakʲˈɛɡɔɕ turˈɨstɛ, ktˌurɨ pʃɨvˈɔʑi tˈu dʑˈawkɛ dla ɕˈɛbjɛ, ˌalɛ tɔ ʒˈatkɔɕtɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_221.wav|jˈak ɔɡrˈɔmnɔ̃ mˈam dla ɲʲˈɛj tʃˈuwɔɕtɕ i jˈak lˈɛŋkam ɕɛ tˌɛɡɔ tʃˌɛrvɔnˈɛɡɔ mrˈɔku.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_230.wav|ˌalɛ ɲʲɛ ɔbrˈɔɲiw tɕˈɛ, ɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_38.wav|ɲˈiɡdɨ ftʃˈɛɕɲʲɛj ɲʲɛ vidʑˈawam ɡˈɔ f tˈakim stˈaɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_108.wav|pˌɔvʲɛdʑˈawa mi, ʒˈɛ bˌɛɲdʑ�� f prˈalɲi, ˌalɛ jɛj tˈam ɲʲˈɛma.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_241.wav|xtɕˈawabˌɨm s tˈɔbɔ̃ pɔjˈɛxatɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_7.wav|i pˌɔtɕɔŋɡˈajɔndʑ za sˈɔbɔ̃ ˌandɛrsˈɔna.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_96.wav|xtsˈɛ mu ˌɔtpɔvʲˈɛdʑɛtɕ, ˌalɛ tsˈɔ mˈam napˈisatɕ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_52.wav|kˈɔrsak pʃˈɨjʒaw mi ɕɛ s trˈɔskɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_42.wav|ɔstˈatɲi rˈas pwatɕˈiwɛm tˈutaj tʃˈɛkʲɛm. ɔstˈatɲim rˈazɛm bˈɨw tˈu ˈinnɨ vwaɕtɕˈitɕɛl.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_53.wav|zˌapɨtˈawɛm jˈɔ̃, tʃɨ ɲʲɛ zɛxtɕˈawabˌɨ fpˈaɕtɕ na drˈiŋka. ˌɔna jɛst samˈɔtna, ˈanɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_59.wav|mˈuʃɛ tɔ vʲˈɛdʑɛtɕ kɔɲʲˈɛtʃɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_96.wav|pɔdwˈuʒnɛ tɕˈɛmnɛ xmˈurɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_10.wav|drˈɔɡʲi kɛlvˈiɲʲɛ, vˈɨbatʃ, ʒˈɛ pʃˌɨspɔʒˈɨwam tɕi zmˈartfʲɛɲ. vɔlˈawabˌɨm, ʒˈɛbɨɕ ɲʲɛ kˌɔntaktˈɔvaw ɕɛ z mˈɔim ˈɔjtsɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_116.wav|zˌapisˈujɛ tˈɛkst na tfˈardɨm dˈɨsku, vɨwˈɔntʃa laptˈɔpa i ɔpˈuʃtʃa klˈapɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_252.wav|nˈɔː i tsˈɔ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_8.wav|tɔ bˌɨwa swˈuʃna dɛtsˈɨzja.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_36.wav|pɔdbjˈɛɡwam dɔ dʒvˈi, ˌɔtfɔʒˈɨwam jˈɛ i vɨbˈuxwam pwˈatʃɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_91.wav|ʒˈɛ tʃˈɛba pratsˈɔvatɕ pɔ tʃtɛrnˈaɕtɕɛ ɡˈɔdʑin na dˈɔbɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_2.wav|tˈɔm, f sˈamɔ̃ pˈɔrɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_479.wav|ˌalɛ tˈaɡ dla ɕˈɛbjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_7.wav|bˈɔskɔ. kˈava pʲˈɛŋkɲʲɛ pˈaxɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_41.wav|ɛˈɛɛ, tʃɨ mˈɔɡɛ zˌasuɡɛrˈɔvatɕ, ʒˈɛbɨ inspˈɛktɔr rˈɔbʲinsɔn pʃˌɛkazˈawa nˈam fʃˈɨstkɔ, tsˈɔ vʲˈɛ i pˈɔtɛm ˌɔtpɔvʲɛdʑˈawa na pɨtˈaɲʲa?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_72.wav|unˈɔʃɛ ɡwˈɔvɛ, ʒˈɛbɨ spˈɔjʒɛtɕ na bˈɛki.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_148.wav|spɔjʒˈawam na mʲɛrɲˈiki ˌumjɛʃtʃˈɔnɛ na rɛŋkˈavʲɛ skafˈandra.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_243.wav|xˈɛntɲʲɛ pˈili za mˈɔjɛ zdrˈɔvʲɛ, skˈɔrɔː im stavʲˈawam.|4
+Dataset/wavs/urwisko_ferenc/51_segment_6.wav|jˈasnɛ. pʃɛprˈaʃam.|0
+Dataset/wavs/urwisko_ferenc/56_segment_65.wav|ˌalɛ ftˈɛdɨ mˈukw ɕɛ pɔrˈuʃatɕ, vʲˈɛnts tʃasˈami ˌɔʃukˈivaw mˈatkɛ i ɔtxˈɨlaw rˈɛntʃɲik, ʒˈɛbɨ pˈɔtʃutɕ ˈulɡɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_65.wav|i pˈɛvɲʲɛ ɲˈiɡdɨ ɲʲɛ bˈɛɲdʑɛ. pʃɨnˈajmɲʲɛj ɲʲɛ dɔ kˈɔɲtsa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_108.wav|bˌɨwam zˌakɔxˈana.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_27.wav|ˈumɨj ɕɛ, vrˈudʑ dɔ pɔkˈɔju i tˈam tʃˈɛkaj.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_333.wav|pʃɛprˈaʃam. ɔdˈɛzvaw ɕɛ blˈɔndɨ. mˈuʃɛ tsˈɔɕ sprˈavdʑitɕ. zˈatʃɔw tʃˈaskatɕ klˌaviʃˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_62.wav|ɲʲɛ sprˈavja vraʒˈɛɲʲa pʃˌɛkɔnanˈɛɡɔ, ˌalɛ jɛzd dˈɔbrɨm xwˈɔptsɛm i kˈiva zˈɛ smˈutkʲɛm ɡwˈɔvɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_29.wav|ˌuswɨʃˈawam pʲˈɛrʃɛ ɡwˈuxɛ ˌudɛʒˈɛɲʲɛ, kʲˈɛdɨ lˌɛvɔrˈɛntʃnɨ ˌuɕiwˈɔvaw s pɔvrˈɔtɛm ftˈarɡnɔɲdʑ dɔ ɕrˈɔtka.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_10.wav|i ʒˈɛ ɔn pɔlˈubʲi ix.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_182.wav|vˌɨʃɛptˈawa dʑɛftʃˈɨna, ˌɔtɕɛrˈajɔndʑ wzˈɨ z jˈɛɡɔ pɔlˈitʃkuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_3.wav|tsˈɔ ɲʲɛ jɛzd zbˈɨd bɛspʲˈɛtʃnɛ pʃɨ vʲɛtʃˈɔrnɨm rˈuxu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_193.wav|vʲɛdʑˈawɛm, ʒˈɛ i ɔn vrˈutɕi na sfˈɔjɛ mʲˈɛjstsɛ. a tsˈɔː ɔn mɲʲɛ ɔpxˈɔdʑi?|0
+Dataset/wavs/urwisko_ferenc/03_segment_109.wav|xˈɛrman patʃˈɨwa na vʲɛʒˈɔftsɛ znˌajdujˈɔntsɛ ɕɛ pɔ lˈɛvɛj strˈɔɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_74.wav|jˌɛstɛm pˈɛvna, ʒˈɛ mˈɔtsnɔ tɔ tˈɔbɔ̃ fstʃɔ̃snˈɛwɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_25.wav|pʃɛprˈaʃam, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_526.wav|za pˈuʑnɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_42.wav|ɡdˈɨbɨm zabrˈawa tɛlˈɛfɔn zˈɛ sˈɔbɔ̃ lˈup...|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_166.wav|pʃɨɡlˈɔndaw ɕɛ jɛj tfˈaʒɨ pʃˈɛz dwˈuʃʃɨ tʃˈas.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_72.wav|ɲʲɛ s pɔvˈɔdu ɔbrˈazu, tʃɨ rˈatʃɛj ɲʲɛ tˌɨlkɔ z jˈɛɡɔ pɔvˈɔdu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_114.wav|dˈanɨ fˈatsjuz bjˈɛɡa pɔ sxˈɔdax. mˈa na sˈɔbjɛ ʒˈuwtɨ pwˈaʃtʃ pʃˌɛtɕivdɛʃtʃˈɔvɨ i rɔspʲˈɛntɛ kalˈɔʃɛ, ˈu ɡˈurɨ ʃɛrˈɔkʲɛ jˈaɡ dvˈa kɔmˈinɨ. mˈɔɡɛ z vˈami zˈaɡratɕ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_556.wav|jˈak lˈata jˈakʲɛjʑ dʑˈikʲɛj pˌartɨzˈantki ˌintɛlˌɛktuˈalnɛj i mɔrˈalnɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_155.wav|bˈɔ ɲˈibɨ pʃɨtʃˈɨnɔ̃ bˌɨwa nˈuda, samˈɔtnɔɕtɕ i brˈak jakʲˈɛɡɔʑ zajˈɛɲtɕa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_62.wav|ɡdʑˈɛ jɛst mˈili?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_50.wav|f tʃˈaɕɛ jˈazdɨ wzˈɨ pwˈɨnɔ̃ mi pɔ tfˈaʒɨ strumjˈɛɲʲɛm, ˌalɛ ɲʲɛ mˈɔɡɛ ɕɛ tˈɛras pˈɔddatɕ. mˈuʃɛ vrˈutɕidʑ bɛspʲˈɛtʃɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_39.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_31.wav|pˈuʑɲʲɛj fʃˈɨstkɔ tɕi ɔpˈɔvʲɛm. vrˈatsaj dɔ ʃukˈaɲʲa pʃɛstˈɛmptsuf, kɔxˈaɲʲɛ. tɔ mˈɔʒɛ zatʃˈɛkatɕ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_107.wav|vʲˈɛtɕɛ, ʒˈɛ tɔ bˈɨw sˈandɔr?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_11.wav|ɔdˈɛzvaw ɕɛ kʲɛrˈɔftsa.|4
+Dataset/wavs/urwisko_ferenc/23_segment_35.wav|vˈɔdɨ. bˈardʑɔ prˈɔʃɛ, zɡˈɔdʑiw ɕɛ upʃˈɛjmʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_44.wav|dˈɔwɔndʒ dɔ nˈas, ˈindjɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_99.wav|jˈakɔ̃ vɨdˈajnɔɕtɕ mˈa tˌaki ˌakumulˈatɔr?|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_76.wav|baˈɛlɔn ɡrɛˈɨjɔj prˌɔpɔnˈɔvaw sˈɔjuʃ mɔjˈɛmu pˈanu ˈɔjtsu. bˈɨtɕ mˈɔʒɛ jˈɛɡɔ nastˈɛmptsa zˌaɔfɛrˈɔvaw ɡˈɔ stˌaɲisˈɔvi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_55.wav|dlatʃˈɛɡɔ xˈɔllɨ tˈam vˈɛʃwa?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_18.wav|tʃɨ ˌɔnɛ pʃˌɨjɛxˈawɨ pɔ sˈaskjɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_114.wav|pʃˌɨpɔmˈina sˈɔbjɛ, ʒˈɛ ɲʲɛ fʃˈɨstkix f prˌɔmɔntˈɔrɨ pˈɔind znˌɛwtralizˈɔvaw dɔpʲˈɛrɔ f xfˈili, ɡdˈɨ z ɡˈurɨ dɔbjˈɛɡa rˌɔspatʃlˈivɨ lˈamɛnt.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_28.wav|bˈɨw ubrˈanɨ w jˈakʲɛʑ vˌɨɕfʲɛxtˈanɛ pˌaramˌilitˈarnɛ strˈɔjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_77.wav|ˈɔx, dˈaj spˈɔkuj. vʲɛdʑˈawam, ʒˈɛ ɲʲɛ jˌɛstɛɕ tˈaɡ ɡwˈupja, ʒˈɛbɨ vwˈɔntʃɨdʑ ɡʲˈizmɔ bˈɛz zˌaxɔvˈaɲʲa ɕrˈɔtkuf ˌɔstrɔʒnˈɔɕtɕi.|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_157.wav|pɔdˈɛʃwam dɔ bˈaɲki tsˈɛntrum vˌɨtɕɛtʃkɔvˈɛɡɔː i fspʲˈɛwam ɕɛ na kɔpˈuwɛ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_126.wav|viktˈarjɔn zˌastanˈavʲaw ɕɛ, jˈaɡ zmʲˈɛʃx spˈisawbˌɨ ɕɛ f stˈartɕu z jˈɛɡɔ tɔpˈɔrɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_124.wav|vʲˈɛnts nˌapisˈawɛm dʑˈɛwkɔː ɔ vˌɨpruʒɲʲˈaɲʲu ɕɛ. ɲˈikt ɲʲˈɛxtɕaw vˈɨdatɕ, ɕmʲˈali ɕɛ zˈɛmɲʲɛ, sɔ̃ɕˈɛdʑi vˌɨtɨkˈali paltsˈami, ˌalɛ ja ɕɛ ɲʲɛ zˌawamˈawɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_284.wav|ɲˈiɡdɨ ɕɛ s tˈɔbɔ̃ ɲʲɛ tsatskˈawɛm, bˈɔ ʒˈɨtɕɛ tˈɛʒ z ɲˈikim ɕɛ ɲʲɛ tsˈatska, a xtɕˈawɛm, ʒˈɛbɨʑ bˌɨwa nˈatɔ ɡɔtˈɔva.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_22.wav|tˈak sˈɔbjɛ mˈɨɕlɛ, mˈuvi ˈɛlis, ʒˈɛ jˈɛɕli naprˈavdɛ xtsˈɛʃ, tsˈu��, rɔzmˈuvitɕ ɕɛ s trˈipɛm, mˈɔʒɛ ɲʲɛ pˌɔvinɲˈiɕmɨ tʃˈɛkadʑ dɔ jˈutra?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_76.wav|ˌalɛ ja ɕɛ ɲʲɛ mˈɨlɛ.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_137.wav|vˈɨtʃɨj ɕɛ i zjˈɛts kavˈawɛk pˌɔmarˈaɲtʃɨ, xwˈɔptʃɛ.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_201.wav|pʃɨvdʑˈawa tʃˈɨstɛ ʃˈatɨ.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_63.wav|pˌɔmɨɕlˈawa tsɛrsˈɛi. tɛn kalˈɛka.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_4.wav|pʃˈɛs prˈavʲɛ tsˈawɨ ɕˈɛrpʲɛɲ bʲˈillɨ dˈɔbʒɛ sˈɨpʲaw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_76.wav|zakrˈɛntsa krˈan. zaprˈaʃam dɔ ɕrˈɔtka. ˈalbɔ mɔʒˈɛmɨ ˈuɕɔ̃ɕtɕ na sxˈɔtkax. jˈɛʃtʃɛ ɲʲɛ zdɔ̃ʒˈɨwɛm zrˈɔbʲitɕ pɔʒˈɔntku.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_42.wav|tʃˈuwam ɕɛ ˌɔsamɔtɲʲˈɔna pɔmˈimɔː ˌɔbɛtsnˈɔɕtɕi stsˈɔtta.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_384.wav|ʒˈatkɔ ɕɛ ˌɔdʑɨvˈawa i tʃˈɛ̃stɔ çˌixɔtˈawa bˈɛs pɔvˈɔdu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_86.wav|tˈɔm pɔpˈatʃɨw na kˌamɛrˈɔna, ktˌurɨ ɲʲɛ spˈuɕtɕiw vzrˈɔku.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_22.wav|zapˈɛvnɛ vʲˈɛntsɛj ɲˈiʃ pˌɔzɔstˈali.|3
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_78.wav|jˈɛdnak tɔ swˈuʃna uvˈaɡa, ʒˈɛ pʃɛpˈada nˈam pɔwˈɔva stˈartuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_25.wav|mwˈɔda kɔbjˈɛta pʃɨ stˈɔlɛ kuxˈɛnnɨm ɲˈits ɲʲɛ mˈuvi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_169.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_186.wav|zˈɛfʃɔnt ˌɔtatʃˈajɔ̃ mɲʲɛ rˈuʒɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_209.wav|nastˈɛmpnɛ sɔ̃ rɔɡˈɔvɛ ˌɔkulˈarɨ zɛrˈufki. zˌaskakujˈɔntsɔ trˈudnɔ tˈakʲɛ zdˈɔbɨtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_173.wav|tˈak mi pʃˈɨkrɔ, kɔxˈaɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_68.wav|ɕpʲɛvˈawam tɔ lˈutsɨ, kʲˈɛdɨ bˌɨwa mˈawa, pˌɔvʲɛdʑˈawa kˈatɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_38.wav|f pʃɛstʃˈɛɲi, ktˌura vɨɡlˈɔnda na zˌarɛzˌɛrvɔvˈanɔ̃ zazvˈɨtʃaj dla tɕˌɛ̃ʒarˈuvɛk, parkˈujɛ tɕˌɛmnɔɲʲɛbjˈɛski samˈɔxut.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_322.wav|i tɕˈɛpwɛ mlˈɛkɔ dla nˈaʃɛj pʃˌɨjatɕˈuwki ˈari, ktˌura vrutɕˈiwa dɔ nˈas tˈak ɲʲˌɛspɔdʑɛvˈaɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/39_segment_65.wav|ɲˈits mi ɲʲɛ pˈɔvʲɛʃ?|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_192.wav|xwˈɔpaɡ bˈɨw ɡʲˈɛrmkʲɛm samˈɛɡɔ krasnˈala.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_7.wav|vɨtɕˈɔŋɡam rˈɛŋkɛ i sprˈavdʑam mu pˈuls na ʃˈɨi. na ʃtʃˈɛɲɕtɕɛ ʒˈɨjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_82.wav|ɲʲɛ, ˌalɛ bˈɛz vɔntpʲˈɛɲʲa mˈa pˈaɲi jɛj nˈumɛr tˌɛlɛfˈɔnu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_32.wav|tɕˈixɨ ɡvˈar rˈɔzmuf, zapˈɔvʲɛtɕ pʃˈɛz ɡwɔɕɲˈiki jˈɛdnak ɲʲɛ vˌɨxfɨtˈujɛ ʒˈadnɨx swˈuf.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_181.wav|fˈatsɛt, ktˌurɨ zˈabʲiw tˈamtɨɣ dvˈɔjɛ, xtsˈɛ tˈɛraz zˈabʲitɕ mɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_28.wav|strˈatɕiw f pɔʒˈaʒɛ tsˈawɨ spʃˈɛnt, ktˌurɨ kˈupiw, a dɔ tˌɛɡɔ mˈuɕaw zapwˈatɕidʑ za zɲiʃtʃˈɛɲʲɛ samˈɛɡɔ lɔkˈalu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_435.wav|ˌalɛ ɲˈikt s pʃɛxˈɔdɲʲuf ɲʲɛ zvrˈatsaw uvˈaɡʲi na tˈɛ çˌistɔrˈɨtʃnɔ̃ bʲˈitfɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_258.wav|tʃˌɛmu jˌɛstɛɕ tˈaka pɔnˈura?|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_382.wav|dvadʑˈɛɕtɕa pʲˈɛɲtɕ. ɲʲɛ vʲˈɛntsɛj. ˌalɛ ˈidʑɛ z rˈuʒnɨx kʲɛrˈuŋkuf.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_365.wav|ɕadˈawɨ tʃɛpˈɔtʃɔnts skʃɨdwˈami vˈɔkuw ɲʲˈɛj w ˌɔtʃɛkivˈaɲʲu na pˌɔtʃɛ̃stˈunɛk.|0
+Dataset/wavs/urwisko_ferenc/01_segment_50.wav|xtɕˈawa ɡˈɔ zˈabʲitɕ|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_116.wav|i zatʃˈɨnam lˈitʃɨtɕ jˈak f skarbˈɔntsɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_349.wav|a ja ɲʲɛ mˈɔɡwɛm ɕɛ napˈatʃɛtɕ tɛj ɡˈɛ̃stfɨ mˈatsɛf, pɔmɲˈitʃkuf i kamjˈɛɲi naɡrˈɔbnɨx,|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_161.wav|ɲʲˈɛbɔ jɛst tʃˈɨstɛ jˈaɡ wzˈa, ˌaɲi ɕlˈadu dˈɛʃtʃu, kturˌɛɡɔː ɔbˈavʲaw ɕɛ ɲˈikt.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_32.wav|jˈɛɡɔː ˈɔtʃɨ sɔ̃ jˈak mˈawɛ, jˈasnɛ zvʲɛʒˈɔntka skrˈɨtɛ wˈɛ fˈawdax skˈurɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_4.wav|dˈɔbʒɛ bˌɛɲdʑɛ vʲˈɛnts pˈɔtʃutɕ jɛj ˌatmɔsfˈɛrɛ i sprˈavdʑitɕ pˈuŋktɨ dɔstˈɛmpu, zˈaɲim pˌɔrɔzmavʲˈamɨ zˈɛ strakˈanɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_62.wav|spɔjʒˈawam na ɲʲˈɛɡɔ, tsˈawɨ tʃˈas tʃɨmˈajɔndʑ vˌɨtɕɔŋɡɲʲˈɛntɔ̃ dwˈɔɲ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_96.wav|ˈɔprutʃ tʃˌarnɔvwɔsˈɛɡɔ xwɔpˈaka s kˈuʑɲi, ktˌurɨ skʃɨʒˈɔvaw ramjˈɔna na pʲˈɛrɕi,|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_17.wav|ɲˈitsk fstˈajɛ, vɨtɕˈɔŋɡa rˈɛŋkɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_82.wav|nˈɔ vʲˈɛnts tˈak.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_92.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_302.wav|pˌɔinfɔrmˈɔvaw mˈatkɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_454.wav|stˈaliɕmˌɨ pʃɛt sˈɔbɔ̃ ˌuɕmʲɛxɲʲˈɛɲtɕi i ˌɔɲʲɛɕmʲɛlˈɛɲi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_13.wav|pˌɔlɔvˈaɲʲɛ na skˈarbɨ trfˈawɔ w ɲʲˌɛskɔɲtʃˈɔnɔɕtɕ, kʲˈɛdɨ fʃˈɨstsɨ bjɛɡˈaliɕmˌɨ pɔ dˈɔmu, swuxˈajɔnts fskazˈuvɛk tˈatɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_113.wav|ɲʲɛ pɔtrˈafjɛ tˌɛɡɔ vɨjˈaɕɲitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_56.wav|pʃˈɛs xfˈilɛ mˈam ɔxˈɔtɛ pɔ prˈɔstu ˈuɕɔ̃ɕtɕ i zatʃˈɛkatɕ na pɔlˈitsjɛ, ktˌura bˈɛz vɔntpʲˈɛɲʲa f kˈɔɲtsu ɕɛ tˈutaj pɔjˈavi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_15.wav|tsamˈɛrɔn ˈuɲʲuz ɡwˈɔvɛ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_57.wav|ɡdˈɨ jˈamɛ mˈijaw kwˈusɛm dʑɛdʑˈiɲʲɛts, spˈɔt kˈɔpɨ txfˈawɨ pʲɛʃxˈawɨ kˈurɨ, ˈɔftsɛ bɛtʃˈawɨ, a xwˈɔpi ˌɔbʒutsˈali ɡˈɔ pˌɔnurˈɨmi spˌɔjʒɛɲʲˈami.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_218.wav|ja tɕˈɔŋɡlɛ vʲˈɛʒɛ. vʲɛʒˈɨmɨ w rˈuʒnɛ ʒˈɛtʃɨ, jˈudɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_8.wav|tˈɛras jˈuʒ bˌɨwa tɔ çistˈɔrja bɛnjˈɛɡɔ, ɲʲɛ jˈɛɡɔ vwˈasna.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_252.wav|zdˈɔwaʃ utʃˈɨmatɕ tɔ f tˌajɛmɲˈitsɨ?|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_269.wav|vrˈɛʃtɕɛ tɔ pˌɔvʲɛdʑˈawam.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_136.wav|vɨɡlˈɔndaw na zmʲˌɛʃanˈɛɡɔ, ˌalɛ ɲʲɛ prˌɔtɛstˈɔvaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_136.wav|tɔ ɲʲɛzvˈɨklɛ istˈɔtnɛ, bˈɔ pʲɛɲʲˈɔndʑɛ ɲʲˌɛudˌɔkumˌɛntɔvanˈɛɡɔ pˌɔxɔdʑˈɛɲʲa tɔ puwˈapka, f ktˌurɔ̃ wˈatfɔ fpˈaɕtɕ, kʲˈɛdɨ ɕɛ tˌɛɡɔ nˈajmɲʲɛj spɔdʑˈɛvaʃ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_93.wav|bˈɔ dˈɔstʃɛkw f tɨm vɨzvˈaɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_51.wav|ɲʲɛ pɔtrˈafjɛ fskˈazatɕ mɔmˈɛntu, f ktˌurɨm pʃɛjˈɛwaɕ pisˈaɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_71.wav|ˌɔpuɕtɕˈiwa dwˈɔɲ s tˌɛlɛfˈɔnɛm i spɔjʒˈawa pɨtˈajɔnts ˌɔna tˈɔma.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_237.wav|na plˌatɨnˈɔvɨm dˈɛklu vˈidɲʲaw vˌɨɡravˌɛrɔvˈanɨ tˈɛkst pɔ nɔrvˈɛsku.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_30.wav|lˈintsaj urvˈawa, jˈaɡbɨ zbjɛrˈawa mˈɨɕli, a bˈɛtskɨ jɛj ɲʲɛ pˌɔɡaɲʲˈawa.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_190.wav|tˈak tɔ jˈɛst, kʲˈɛdɨ zasˈɨpʲaʃ s pwˈatʃɛm.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_216.wav|zˌapɨtˈawa vˈuftʃaz zˈɛ vzɡˈardɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_67.wav|tˈu xˈɔdʑi ˈɔmɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_65.wav|ɲʲˈɛvʲɛm, tsˈɔ mˈuɡwbɨm pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_12.wav|vɨtɕˈɛntɨ z ʒˌɨvɔpwˈɔtu pʲˈɛs jɛst pɔ prˈavɛj strˈɔɲʲɛ, krulˈiki pɔ lˈɛvɛj.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_230.wav|brˈɨn starˈawa ɕɛ, bˈɨ w jɛj ɡwˈɔɕɛ ɲʲɛ bˌɨwɔ swˈɨxatɕ strˈaxu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_99.wav|ɲʲˈɛbɨw tɔː ɔstˈatɲi rˈas, kʲˈɛdɨ pɔtʃˈuwam tˈakɔ̃ sˈamɔ̃ utrˈatɛ pɔtʃˈutɕa tʃˈasu i ʒˌɛtʃɨvistˈɔɕtɕi.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_31.wav|pʃˈɛspatɕ ɕɛ z ɲˈim?|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_219.wav|strˈaʒɲik rˈuʃa kˈu ɲʲˈɛmu zˈɛ stʃˈɛlbɔ̃, tɔ mˈɔzbɛrk, ftɕˈɔ̃ʃ pʃˌɛvʲɛʃˈɔnɔ̃ pʃˈɛs rˈamjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_126.wav|tˈɛras jˈuʃ fʃˈɨstkɔ jɛzd dla bʲillʲˈɛɡɔ jˈasnɛ, ˌalɛ pɔzvˈɔli, bˈɨ ɡʲˈɔrɡjɔ dɔtɕˈɔŋɡnɔw sfˈuj vˈɨvud dɔ kˈɔɲtsa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_66.wav|tˈam mʲˌɛliɕmˌɨ dˈɔɕtɕ ˌɛkstrɛmˈalnɨ pʃɨpˈadɛk, mˈuvi z uɕmʲˈɛxɛm tˈɔm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_128.wav|jˈɛɕli drˈɔɡa ɕɛ nˈaɡlɛ ˈurvʲɛ, bˌɛɲdʑɛʃ mˈuɕaw vrˈatsatɕ tʃˈɨ kˌilɔmˈɛtrɨ na fstˈɛtʃnɨm, bˈɔ ɲʲˈɛma ɡdʑˈɛ...|2
+Dataset/wavs/urwisko_ferenc/13_segment_32.wav|a tsˈɔ tˈam rɔbʲˈiwa?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_22.wav|bɨwˈɔbɨ dˈuʒɔ lˈɛpʲɛj, ɡdˈɨbɨm pˌɔjɛxˈawa dɔ ʃkˈɔwɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_55.wav|dɔ ʒɛkˈɔmɛj napˈaɕtɕi dˈɔʃwɔ pʃɛd bɛvˈɛrlɨ çˈills xˈɔtɛl.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_17.wav|jˈak ktˈɔʑ dɔstˈavaw tʃkˈafki tʃɨ atˈaku kˈaʃlu, zatˈɨkaw mu nˈɔs i nˈutɕiw ˌaaaˈaa.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_381.wav|tˈak jˈak mɨ fʃˈɨstsɨ.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_379.wav|vidʑˈawa tˌɨlkɔ pɔdrˈitska.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_402.wav|pʃˌɨjatɕˈɛlɛ pɛttˈɨra na dvˈɔʒɛ zˌavʲadɔmˈili ɡˈɔ, ʒˈɛ krulˈɔva rˌɔzɛswˈawa lˈudʑi pˌɔʃukujˈɔntsɨx krasnˈala i sˈansɨ stˈark.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_58.wav|tˈɔm zˌastanˈɔviw ɕɛ, jˈak najlˈɛpʲɛj mˈuɡwbɨ ˈubratɕ f swˈɔva sfˈɔjɔ̃ nastˈɛmpnɔ̃ prˈɔʑbɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_28.wav|xˈɨba, ʒˈɛ vɨskˈɔtʃɨ, tsˈɔɕ urˈɔba. jˈaɡ dalˈɛkɔ jɛstˈɛɕmɨ?|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_79.wav|pʃˌɨɡlɔndˈawam mu ɕɛ pʃˈɛs xfˈilɛ, jˈak skˌɔwɔvˈanɨ ɲʲɛ pɔtrˈafi znˈalɛɕtɕ ˌɔtpɔvʲˈɛdɲix swˈuf.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_321.wav|bˈɛz vzɡlˈɛndu nˈatɔ, tsˈɔ mˈɔɡwabˌɨ planˈɔvatɕ,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_102.wav|bˈudʑɔ̃ jˈɛɡɔː ˈɔtʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_421.wav|vʲˈɛm, ʒˈɛ pʃɛbˈɨva ɡdʑˈɛʑ za vˈɔ̃skim mˈɔʒɛm i vˌɨnajmˈujɛ nˌajɛmɲˈikuf, bˈɨ ˈukraɕtɕ mi mˈɔjɛ dʑɛdʑˈitstfɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(28) R.Abbott_Zamknij Drzwi_segment_11.wav|ˈuɲʲuz ɡwˈɔvɛ, tʃˈujɔnts w ɲʲˈɛj brutˈalnɛ, bɔlˈɛsnɛ pˌulsɔvˈaɲʲɛ, jˈaɡbɨ pˌɔmpɔvˈana krˈɛf xtɕˈawa vˈɨrvatɕ ɕɛ pʃˈɛz dʑˈurɛ f tʃˈaʃtsɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_70.wav|tʃɨ tsɛlˈɔvɔ dˌɔprɔvˈadʑiwbˌɨ dɔː abˈɔrtsji?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_99.wav|stsˈɔtt! ɡdʑˈɛ jɛst stsˈɔtt? dˈɔkɔnt pˈɔʃɛd?|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_405.wav|ɲʲɛ mˈɔɡwa tˈɛʃ lˈitʃɨtɕ na ˌintɛrvˈɛntsjɛ sˌɛrkɛvˈana, ɲʲɛ pɔ swˈɔvax, ktˌurɛ pˈadwɨ mʲˌɛndʑɨ ɲˈimi pˈɔttʃas ix ˌɔstatɲʲˈɛɡɔ spɔtkˈaɲʲa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_48.wav|pɔvʲˈɛdʑaw nˈam, ʒˈɛ tɔ mʲˈɛjstsɛ jɛst ɲʲˈɛmal zˈafʃɛ pˈustɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_59.wav|ɕˈɛŋɡam dɔ pilˈɔta i rˈɔbjɛ ɡwˈɔɕɲʲɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_67.wav|z jɛj ˈuzd vɨrˈɨva ɕɛ tɕˈixɛ, ʒawˈɔsnɛ prɨxɲʲˈɛɲtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_155.wav|ˈɔbaj s kuxˈuru mˈɔ zamknˈɛli ɕɛ f kˌapitˈaɲskʲɛj kajˈutɕɛ, bˈɨ pˌɔrɔzmˈavʲatɕ f tʃtˈɛrɨ ˈɔtʃɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_92.wav|nˈavɛt ɕɛ ɲʲɛ zmaxˈawam.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_146.wav|vˈɛʃwam f swˈɔvɔː ˌadmiɲˌistratˈɔrka.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_77.wav|zdʑivˈilibˌɨ ɕɛ, dlatʃ��ɛɡɔ ɲʲɛ ɔdbjˈɛra.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_27.wav|jˈɛʃtʃɛ dɔ ftʃˈɔraj tfʲɛrdʑˈiwabˌɨm, ʒˈɛ tˈɛssa rˈuvɲʲɛʃ jɛst mˈɔim fspˈartɕɛm, ˌalɛ tˈɛras sˈama jˈuʃ ɲʲˈɛvʲɛm.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_166.wav|pʃɨnˈɔʃɔndʑ ɡrˈɔmɨ, bwˌɨskavˈitsɛ i tʃˈarnɨ dˈɛʃtʃ, ktˌurɨ pˈadaw tsawˈɨmi dɲʲˈami. a ɲʲɛkʲˈɛdɨ nˌatxɔdʑˈiwɨ s puwnˈɔtsɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_131.wav|vrutɕˈili w ɲʲɛdʑˈɛlɛ vʲɛtʃˈɔrɛm.|3
+Dataset/wavs/urwisko_ferenc/47_segment_56.wav|a tsˈɔ ɕɛ stˈawɔ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_425.wav|pˈɔtʃɛd blˈiʒɛj mˈɛɡɔ balkˈɔnu, ɔswˈɔɲiw dwˈɔɲʲɔ̃ ˈusta, jˈaɡbɨ xtɕˈaw vɨjˈavitɕ tˌajɛmɲˈitsɛ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_386.wav|pˌɔmɨɕlˈawa, tɔ ja mʲˈawam sˈɛn.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_50.wav|dlatʃˈɛɡɔ kˈatɛ uznˈawa za stɔsˈɔvnɛ pʃɛkˈazadʑ vʲˈɛɕtɕi, ktˌurɛ mˈɔɡwɨ fpwˈɨnɔɲtɕ na ʒˈɨtɕɛ lˈutsɨ f sˈamɨm ɕrˈɔtku nˈɔtsɨ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_178.wav|tˈak, mˈam dˈuʒɔ tʃˈasu.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_2.wav|w mʲˈɛjstsu zvˈanɨm rˈɔɡʲɛm matɕˈɔrɨ znalˈɛʑli starˈɛɡɔ, tfardˈɛɡɔ rɨtsˈɛʒa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_126.wav|ɡwˈɔz zaskʃˈɛtʃaw w ˌɔdbjɔrɲˈiku.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_16.wav|ˈɔlman ɲʲɛ pɔkˈazaw ɕɛ pʃˈɛs tsˈawɨ dʑˈɛɲ. ɔdvʲˈɛdʑiw pˈɔnɔtɕ jˈakɔ̃ɕ kɔbjˈɛtɛ, ktˌura mʲˈɛʃka ɡdʑˈɛɕ na fsxˈut ɔt mˌanxɛstˈɛru.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_183.wav|bˌudɔvˈaɲʲɛ tsˌɨvilizˈatsji tɔ parʃˈɨvɛ zadˈaɲʲɛ, ˌalɛ f pʃɛtɕˈivnɨm rˈaʑɛ ɲʲɛ bɨwˈɔbɨ tˈu ɲˈits.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_179.wav|ɡdˈɨbɨm tsˈɔʑ zjˈadwa, zˌaʒɨɡˈawabˌɨm mˈɔjɔ̃ nˈɔvɔ̃, ɕlˈitʃnɔ̃ sukʲˈɛŋkɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_33.wav|ɲˈiɡdʑɛ ɲʲɛ vˈidʑɛ bˈɛtskɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_224.wav|jˈak tɕˈɛ kʲˈɛdɨʑ zaprˈɔʃɔ̃, tɔː ˈitɕ. ɡrˈɔʃa ɲʲɛ vˈɨdaʃ na kˈɔstjum.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_4.wav|pɔ pʃɨbˈɨtɕu rˈama dɔ lˌakɛsˈidɛ fʃˈɨstkɔ tɔtʃˈɨwɔ ɕɛ pʃˈɛs pˈɛvʲɛn tʃˈaz vˈɛdwuk pʃˌɛvidˌɨvalnˈɛɡɔ vzˈɔrtsa.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_234.wav|zwamˈanɨ ʒˈɨjɛ z dɲʲˈa na dʑˈɛɲ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_121.wav|dɔpˈadɲij ɡˈɔ kˈit. sprˈaftɕ samˈɔxut, ɔpˈɔnɛ, krˈɛf. w ɕrˈɔtku znˈaʃ prˌɔtsɛdˈurɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_32.wav|vidʑˈawam jˈuʃ tɔ fʃˈɨstkɔ ftʃˈɛɕɲʲɛj i vʲˈɛm, ʒˈɛ pˌɔswuʃˈɛɲstfɔ wˈɛ fˈirmʲɛ ɲʲˈɛma ɲˈits fspulnˈɛɡɔ z brˈakʲɛm ˌintɛliɡˈɛntsji.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_144.wav|tɔː im ɕɛ ɲʲɛ spɔdˈɔba. ɔbˈavʲam ɕɛ tˈɛɡɔ, tsˈɔ ɕɛ mˈɔʒɛ vɨdˈaʒɨtɕ, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_191.wav|ɡdˈɨbɨ mˈɔɡwa, zapˈɛvnɛ pˌɔvʲɛdʑˈawabˌɨ vʲˈɛntsɛj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_41.wav|jˈɛɕli tˈɨlɛ pʃɛɡrˈɨvaw, tɔ skˈɔnt mʲˈaw nˈatɔ pʲɛɲʲˈɔndʑɛ? vʲˈɛmɨ tsˈɔɕ na tɛn tˈɛmat? spˈɨtaw tˈɔm.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_21.wav|xˈɔtɕ ɲʲɛ pˌamjɛntˈawa, jˈak ɕɛ nˈaɲim znalˈazwa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_109.wav|zˌajmujˈɛmɨ ɕɛ tˈɨm, jɛj ʃukˈamɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_42.wav|stˈarʃɨ ɕˈɛrʒant ʃtabˈɔvɨ djˈɛɡɔ vˈazɡvɛs s pɛndlˈɛtɔn mˈavʲaw, ʒˈɛ snˈajpɛr ʒˈɨjɛ dla stʃˈawuf ˌidɛˈalnɨx.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_69.wav|jˈak mˈuɡwbɨ mɲʲɛ swˈɨʃɛtɕ? bˈɨw ɲʲɛ tˌɨlkɔ najstˈarʃɨm ʒɨjˈɔntsɨm mˌaɛstˈɛrɛm, lˈɛtʃ rˈuvɲʲɛʃ najstˈarʃɨm tʃwɔvʲˈɛkʲɛm w vɛstˈɛrɔs.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_126.wav|bˈaki fskazˈujɛ ˌɔkɔlˈitsɛ ʃɛrˈɔkim ɡˈɛstɛm, zˌɔstavʲˈajɔnts f pɔvʲˈɛtʃu smˈuɡɛ dˈɨmu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_133.wav|tɔ mˈɔʒɛ tsˈɔlin dˈɔbʒɛ tɕi zrˈɔbʲi. trɔɲtɕˈiliɕmˌɨ ɕɛ ʃklˌanɛtʃkˈami.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_38.wav|ɲʲɛ mˈɔʒɛʃ tˈutaj pʃɛbˈɨvatɕ, pˈɔzvul vʲˈɛnts, ʒˈɛ tɕˈɛ ˌɔtprɔvˈadʑɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_114.wav|i ftˈɛdɨ ˌuswɨʃˈɛliɕmˌɨ zblˌiʒajˈɔntsɛ ɕɛ krˈɔki.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_112.wav|ɡdʑˈɛɕ jˈakiɕ mˈaɲʲaɡ bɔrˈɔvaw dʑˈurɛ w ɕtɕˈaɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_138.wav|i ktˌurɨ tɕˈɛ jˈuʃ ɲʲɛ ɔpxˈɔdʑi, tˈaɡ vʲˈɛnts i tɛn tʃwˈɔvʲɛk ˈɔtʃɛd.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_30.wav|pɔʒˈɨtʃɨtɕ spʃˈɛnd dɔ spavˈaɲʲa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_63.wav|bˈɛtskɨ pɔtʃˈuwa rɔsnˈɔntsɔ̃ frustrˈatsjɛ. jˈaɡ dwˈuɡɔ jˈɛʃtʃɛ tɔ pˈɔtrfa?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_241.wav|jˈaɡ zdɔbˈɨwɛɕ pʲɛɲʲˈɔndʑɛ na tˈɛ kˈartɛ dˌɛbɛtˈɔvɔ̃, tˈatɔ?|3
+Dataset/wavs/urwisko_ferenc/63_segment_168.wav|tˌɨlkɔ ɡwˈɔɕnɔ.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_5.wav|ɔstˈatɲʲɛ swˈɔvɔː ɔdbʲˈiwɔ ɕɛ ˈɛxɛm ɔt krˈɔkfi, vˌɨpɛwɲʲˈajɔnts sfˈɨm bʒmʲˈɛɲʲɛm ɔɡrˈɔmnɔ̃ sˈalɛ trɔnˈɔvɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_65.wav|zbˈɨt ˌɔptsɛsˈɔvɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_153.wav|jˈɛʃtʃɛ ftˈɛdɨ, jˈaɡ vɨsˈɔkɔ̃ zapwˈatsɛ zˈatɔ tsˈɛnɛ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_269.wav|bladˈɛɡɔ, ʃtʃupwˈɛɡɔ mɛ̃ʃtʃˈɨznɛ ɔ mˈawɨm nˈɔɕɛ i tɕˈɛmnɨx, zvˌisajˈɔntsɨx f strˈɔŋkaɣ vwˈɔsax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_82.wav|ɡˈɛrart tˈɔvɛr jɛst praktˈɨtʃɲʲɛ pˈusta. dʒvˈi vɛjɕtɕˈɔvɛ sɔ̃ ɔtfˈartɛ. jˈaɡʒɛ ˈufɲi sɔ̃ lˈudʑɛ s pˌɔɡraɲˈitʃa pɔwˈudɲʲa. na stˌanɔvˈisku ɔxrˈɔnɨ ɲʲˈɛma ɲikˈɔɡɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_31.wav|dʒvˈi ˌanɔɲimˈɔvɛ, ɲʲˌɛɔpatʃˈɔnɛ ʒˈadnɨm znˈakʲɛm ˈalbɔ sɨmbˈɔlɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_13.wav|ɲʲɛ sˈɔɲdʑi bˈɨ xˈɔff pratsˈɔvaw dla ɲˈitska, bˈɔ ɲˈidʑɡ zvˈɨklɛ ˌuʒɛndˈujɛ w vˈɛɡas.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_111.wav|zˈajmij ɡˈɔ na xfˈilɛ, ˈaʃ tˈutaj skɔɲtʃˈɨmɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_235.wav|sˈam ɕɛ w ɲʲˈɔ̃ fpakˈɔvaw.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_307.wav|w ʒˌɛtʃɨvistˈɔɕtɕi bˈɨw dˌɛzɛrtˈɛrɛm z nˈɔtsnɛj strˈaʒɨ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_238.wav|dˈaw ɡˈɔ jɛj sˈɛr jˈamɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_240.wav|bˌɨwɛm jˈɛʃtʃɛ w blˈasku pʃˈɛdɲix rˌɛflɛktˈɔruf, jˈak ˈaktɔr na stsˈɛɲʲɛ, kʲˈɛdɨ spˈɔɕrud dʒˈɛf rɔsnˈɔntsɨx tʃˈɨ mˈɛtrɨ ɔd brˈamɨ vˌɨwɔɲˈiwa ɕɛ kɔbjˈɛta.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_11.wav|tɔ ɲʲɛ mˈɔʒɛ jˈɛdnak trfˈatɕ w ɲʲˌɛskɔɲtʃˈɔnɔɕtɕ. i xˈɔtɕ xtɕˈawabˌɨm ɡˈɔ zˈabratɕ i znˈuf utɕˈɛkatɕ, mˈuʃɛ ɡˈɔː uvˈɔlɲitɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_163.wav|pˌɔwɔʒˈɨwa mu rˈɛŋkɛ na ˈustax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_54.wav|ɲʲˈɛx pˈan vˈɨjmʲɛ brˈɔɲ i jˈɔ̃ pɔkˈaʒɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_56.wav|na stˈɔlɛ lˈɛʒɔ̃ starˈanɲʲɛ ˌuwɔʒˈɔnɛ papʲˈɛrɨ. vˌɨɡlɔndˈajɔ̃ na ˌɔfitsjˈalnɛ i zˌauvˈaʒam nˈaɲih pɔtpˈisɨ arˈama i mˈɔjɛj mˈatki.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_316.wav|viktˈarjɔn pˈɔdɲʲus ɕɛ xfʲˈɛjɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_232.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_192.wav|mˈɔɡlibˌɨɕmɨ dˈatɕ mawˈɛmu na ˈimjɛ maˈɛstɛr, jˈɛɕli xtsˈɛʃ. ɲʲɛ tˈɛras.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_269.wav|dˈɛdɨ bˈɨw dˈɔbrɨ tʃwˈɔvʲɛk i nˈavɛt xtɕˈaw nˈam dˈatɕ ɔpʲˈɛkɛ dˌɛntɨstˈɨtʃnɔ̃, a tˈɛraz ɡˈɔ zamknˈɛli.|0
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_34.wav|pɔ prˈɔstu xtɕˈaw pʲɛɲʲˈɛndʑɨ, vʲˈɛnts mu zˌapwatɕˈiwɛm.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_317.wav|znˈɔvu vɨtɕˈɔŋɡnɔw z rɛŋkˈava sfˈuj dɔkˈumɛnt. krˈul tˈɔmmɛn pʃˈɨznaw mi, fʃˈɨstsɨ jˈuʒ vidʑˈɛliɕmˌɨ tɛn pˈapʲɛr, strɨjˈaʃku.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_389.wav|ɲʲˈɛmartf ɕɛ ˈɔtɔ, ˈɛstɛr.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_105.wav|tʃɨ bˈɨwbɨ ɡˈɔtuv zrˈɔbʲitɕ mi tsˈɔɕ takʲˈɛɡɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_112.wav|tʃɨtˈawɛɕ kɕˈɔ̃ʃkɛ pɔt tɨtˈuwɛm pˈɔdruʒ bˌɔxatˈɛra?|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_123.wav|ɲʲˈɛxtsɛʃ sprˈavdʑitɕ, tʃɨ ɲitʃˈɛɡɔ ɲʲɛ zˌɔstavˈiwaɕ f pɔkˈɔju?|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_48.wav|tˈaɡ vʲˈɛm, tsˈɔ mˈuɕi pˈaɲi zrˈɔbʲitɕ, ɔtpˈarwam. mˈuɕi pˈaɲi mi pˌɔdʑɛŋkˈɔvatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_12.wav|jˈɔɛ, musˈimɨ vʑˈɔɲtɕ pɔt uvˈaɡɛ fˈakt, ʒˈɛ dˈɔm tˈɛssɨ jɛst jɛdˈɨnɨm, s kturˌɛɡɔ rˌɔspɔɕtɕˈɛra ɕɛ vˈidɔk na tfˈuj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_588.wav|vʲˈɛlu lˈudʑɔm stˌartʃɨwˈɔbɨ tɔ dɔ sˌamɔbˈujstfa. ɲʲɛ pʃɛsˈadʑaj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_12.wav|na kˈɔɲtsu alˈɛjki zˌɔbatʃˈɨli strˈɔmɛ sxˈɔtki prˌɔvadʑˈɔntsɛ na lˈɔɔp lˈinɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_152.wav|i mˈɨɕlaw, ʒˈɛ tʃˈujɛ tˈam bˈɔɡa, ktˌurɨ ɔbjˈaviw ɕɛ vˌɨsfɔbɔdʑˈɛɲʲɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_13.wav|jˌɛstɛm tʃwɔvʲˈɛkʲɛm swˈabɨm, drʒˈɔntsɨm. mˈɔʒɛ dlatˈɛɡɔ, ʒˈɛ dʑˈiɕ ɲʲɛ udˈawɔ mi ɕɛ ɲitʃˈɛɡɔ zjˈɛɕtɕ ˌaɲi vˈɨspatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_61.wav|ɔstrˈɔʒɲʲɛ zˈɛrka na dʒˈɔrdʒja. dʒˈɔrdʒja. tɛn jˈɛdnak fpatrˈujɛ ɕɛ w dʒvˈi, za kturˈɨmi ɲʲˈɛma jˈuʒ dɛntˈɨstɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_154.wav|mˈɔʒɛ sˈɔbjɛ pɔvʲˈɛdʑɛtɕ, ʒˈɛ nˈapat pʃˈɛbjɛɡwbˌɨ tˈak sˈamɔ, nˈavɛd ɡdˈɨbɨ zadʑvˈɔɲiw na pɔlˈitsjɛ i tˈak rˈɔbʲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_144.wav|bʲˈillɨ vzrˈuʃa rˌamjɔnˈami na znˈak, ʒˈɛ nˈadal ɲʲɛ ɛntˈɛndɛr.|2
+Dataset/wavs/urwisko_ferenc/38_segment_30.wav|ˈɔlɡʲɛrt ɔdˈɛzvaw ɕɛ, ɡdˈɨ vˌɨjɛxˈali na drˈɔɡɛ ˌasfaltˈɔvɔ̃ prˌɔvadʑˈɔntsɔ̃ dɔ zˈamku bjˌɛʒɡwɔfskʲˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_183.wav|bˈuk ɲʲˈɛma ʒadnˈɛɡɔ plˈanu. ɔn ɡrˈa w bjˈɛrki.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_87.wav|dʒˈɛva skfaplˈivʲɛ ˌɔkrɨvˈawɨ ɕɛ bjˈawɨm pˈuxɛm i ulˈitsa mˈɔja pʃˌɨpɔminˈawa jˈuʃ ʃpalˈɛrɨ bˌɔʒɔnˌarɔdʑɛɲʲˈɔvɨx xɔˈinɛk.|0
+Dataset/wavs/urwisko_ferenc/08_segment_79.wav|ˌɔkazˈawa ɕɛ dɔrˈɔtɔ̃ lˌɛvandˈɔfskɔ̃, a ɡʒˈɛɡɔʃ lˈipski ɲʲɛ mʲˈɛʃkaw pɔt adrˈɛsɛm, ktˌurɨ pˈɔdaw.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_88.wav|nɛŋkˈajɔ̃ nˈas tˈɛras sˈɛtki ix ɔkrˈɛntuf, pʃˌɨpwɨvajˈɔntsɨx s tartʃˈɔvɨɣ vˈɨsp ˈalbɔ z ɲʲɛktˌurɨx skˈaw vˈɔkuw ˈarbɔr.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(36) R.Abbott_Zamknij Drzwi_segment_11.wav|bɛɲdʑˌɛmɨ mʲˌɛli kˈɔntaɡd z ˈaʃɛm i mˈam nadʑˈɛjɛ, ʒˈɛ zdˈɔwa nˈam pɔvʲˈɛdʑɛtɕ, ɡdʑˈɛ ʃˈukatɕ mˈili.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_25.wav|tˈaɡ bˈardʑɔ skupˈiwam ɕɛ na pɔzbˈɨtɕu tˌɛɡɔ s sukˈinsɨ na tsˌamɛrˈɔna.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_181.wav|w dˈuw nˈurtu ɔd zˈamku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_109.wav|— ˈidʑ za mnˈɔ̃ i zatʃˈɨmaj ɕɛ ˈu dˈɔwu sxˈɔduf — ʃɛpnˈɔwɛm jɛj na ˈuxɔ. — fʃˈɨstkɔ pɔtˈɔtʃɨ ɕɛ ʃˈɨpkɔ.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_269.wav|zavrˈutɕiw, kʲˈɛdɨ dɔtˈarliɕmˌɨ dɔ ʒˈɛki, pˈaɲi.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_357.wav|zasˈɨtʃaw nˈaɲʲɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_16.wav|ɔznˈajmiw tˈata, kwˈadɔndʑ dwˈɔɲʲɛ na jɛj ramjˈɔnax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_118.wav|dɔbʲˈili jˈɛɡɔ. nˈavɛt ɲʲɛ pˈɨtaj. zˌadʑvɔɲˈiwam dɔ ɲʲˈɛj ftʃˈɔraj vʲɛtʃˈɔrɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_56.wav|ˈɔprutʃ tˈɛɡɔ, ʒˈɛ jɛzd drˈɔʃʃɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_101.wav|ˌɔɡlɔndˈawam tˌɛlɛvˈizjɛ i vidʑˈawam ɡˈɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_59.wav|spˈɛɲdʑi jˈɛɕɛɲ ʒˈɨtɕa w braz��ɨlji?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_70.wav|— jˈɛɕli tˈɛras pɔzvˈɔlɛ tɕi vˈɨɡratɕ, jˈakɔ̃ mˈam ɡvarˈantsjɛ, ʒˈɛ ɲʲɛ bˌɛɲdʑɛʃ rˈɔbʲiw tˌɛɡɔ za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ tˌɨlkɔː ˈuznaʃ tɔ za stɔsˈɔvnɛ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_63.wav|tʃɨ jɛst ktˈɔɕ tˈam s pˈaɲʲɔ̃ jˈɔ?|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_5.wav|jˈɛɡɔ ɕˈɔstra zdjˈɛwa jˈuʒ ʒawˈɔbɛ, zˌastɛmpˈujɔnts tʃˈarnɔ̃ sˈukɲʲɛ nˌɛfrɨtˈɔvɔʑɛlˈɔnɔ̃ z rˌɛŋkavˈami zˈɛ srˈɛbrnɨx mɛrˈijskix kɔrˈɔnɛk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_250.wav|a nˈaʃ ʃˈɛv vʲˈɛ, ʒˈɛ kˈaʒdɨ bˈɨ tɔ rˈɔbʲiw nˈavɛd za dˈɔlar ɕˌɛdɛmdʑˈɛɕɔnt pʲˈɛɲtɕ i krˈɛv ɡˈɔ zalˈɛva.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_215.wav|vˈɛdwuk mɲʲɛ tɔː ɔznˈatʃa, ʒˈɛ ɲʲɛ mˈɔʒna tʃˈɛɡɔɕ takʲˈɛɡɔ zrˈɔbʲitɕ na ʑˈɛmi zˈɛ vzɡlˈɛndu na ɡrˌavitˈatsjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_191.wav|jɛzd za dˈɔbrɨ, ʒˈɛbɨ bˈɨw pravdʑˈivɨ i dlatˈɛɡɔ pˌɔstanˈɔviw, ʒˈɛ z ɲʲˈɛɡɔ ɲʲɛ skɔʒˈɨsta i ɲikˈɔɡɔː ˈɔtɨm ɲʲɛ upʃˈɛdʑi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_3.wav|zˈapad jˈuʒ zmrˈɔk.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_94.wav|i zˈapax ɲʲˌɛpʃɛvʲˌɛtʃɔnˈɛɡɔ mʲɛʃkˈaɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_266.wav|jˈɛɕli zbˈɔtʃɨ zˈɛ ʃlˈaku xˈɔdʑbɨ na stˈɔpɛ...|1
+Dataset/wavs/urwisko_ferenc/06_segment_22.wav|ktˌurɨ zawˈɔʒɨw rˈɛntsɛ za ɡwˈɔvɛ pˈɛwnɔ̃ blˈɔnt kɛɲdʑˈɔruf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_115.wav|jɛdʑˈɛɲʲɛ pɔvˈinnɔ bˈɨtɕ pɔʒˈɨvnɛ i zdrˈɔvɛ. tɔ fʃˈɨstkɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_149.wav|ɲʲɛ muvˈiwa, tʃɨ zamjˈɛʒa vrˈutɕitɕ na stˈudja. ɲʲɛ fspɔmɲʲˈawa ɔ pʃˌɨjatɕˈuwax ˌaɲi znajˈɔmɨx, ktˌuʒɨ mˈɔɡlibˌɨ ɕɛ ˈɔɲʲɔ̃ ɲʲˌɛpɔkˈɔitɕ.|2
+Dataset/wavs/urwisko_ferenc/15_segment_49.wav|kturˌɛɡɔ pˌarasˈɔlka ˌɔpʲɛrˈawa ɕɛ ɔ latˈarɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_45.wav|f kˈɔɲtsu mˈuj pʲˈɛŋknɨ, mˈawɨ xwˈɔpʲɛts ɔ dˌɔskɔnˈawɨx rˈɔntʃkax i nˈuʃkax ˌɔras ˈuʃax tɕˈɛŋkix i dˌɛlikˈatnɨx jˈak pˈapʲɛr zˈɔstaw mi vrɛntʃˈɔnɨ.|3
+Dataset/wavs/urwisko_ferenc/37_segment_25.wav|— jˈaɡ zˈafʃɛ, ˈɔluɕ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_375.wav|pɔdˈɛjmʲɛʃ tɔ rɨzˈɨkɔ?|1
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_11.wav|ˌalɛ ftɕˈɔ̃ʃ ɲʲɛ mˈɔɡɛ ɕɛ pɔwˈapatɕ, ɔ tsˈɔ xˈɔdʑi s tɔ̃ ɔrbʲˈitɔ̃ tsɨklˈitʃnɔ̃ ˈu pxˈɔvakrˈawtʃa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_450.wav|pɔ zˌakamˈarkax ˌinstɨtˈutsji z zˌaviɲʲˈɔntkʲɛm sfˈɛɡɔ baɡˈaʒu jˈak ɲʲɛʒˈɨvɨm pɔdʒˈutkʲɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_64.wav|ˌalɛ ɲʲˈɛma nˈatɨm ɕfʲˈɛtɕɛ vʲˈɛŋkʃɛj mˈɔtsɨ ɲˈiʃ mˈiwɔʑdʑ dɔ mɔjˈɛɡɔ dʑˈɛtska.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_92.wav|vɨdˈawam vɛstxɲʲˈɛɲʲɛ ˈulɡʲi i mˈɔja ɡwˈɔva ɔpˈadwa na pɔdˈuʃkɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_141.wav|nalˈɛʒɨ zˈatɛm pɔstˈavitɕ pɨtˈaɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_41.wav|bˈawɛm ɕɛ fʃɨstkʲˈɛɡɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_65.wav|drʒɔntsˈɨmi paltsˈami vwɔʒˈɨwam klˈutʃɨɡ dɔ statsˈɨjki i vʒutɕˈiwam fstˈɛtʃnɨ bjˈɛk. skrɛntsˈajɔnts f strˈɔnɛ brˈamɨ zˌɔbatʃˈɨwam, ʒˈɛ f ʃkˈɔlɛ ɡˈasnɔ̃ ɔstˈatɲʲɛ ɕfʲˈatwa.|3
+Dataset/wavs/urwisko_ferenc/42_segment_2.wav|pɔt jˈaki nˈumɛr mˈam zadʑvˈɔɲitɕ? spɨtˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_155.wav|ɕmʲˈɛrtɕ xwɔpˈaka bˌɨwa ˌɔstʃɛʒˈɛɲʲɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_60.wav|pamjˈɛntaʃ tˈɛ dʑɛftʃˈɨnɛ, ktˌurɔ̃ znalˈɛʑliɕmˌɨ w lˈɛɕɛ kˈilka lˈat tˈɛmu?|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_355.wav|bˌɨwɛm mwˈɔdɨ i pˈɛwɛn sˈɔku, a dʑɛftʃˈɛnta...|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_52.wav|jɛ̃zˈɨka ɲʲɛ rˌɔzumjˈɛliɕmˌɨ, ˌalɛ swˈɔva ɕmʲˈɛrtɕ amˈɛrɨtsˌɛ zˈafʃɛ padˈawɨ pɔː aŋɡʲˈɛlsku. pˈɔza tɨm vidʑˈɛliɕmˌɨ pʃˌɛtwumatʃˈɔnɛ ulˈɔtki, pɔdˈɔbnɔ pisˈanɛ pʃˈɛs tʃɔwˈɔvɨɣ duxˈɔvn��x.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_43.wav|na jˈɛɡɔ tfˈaʒɨ znˈuv ɡˈɔɕtɕiw tɛn sˈam dʑˈivnɨ vˈɨras.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_55.wav|ɡrˈamm pɔkˈivaw ɡwˈɔvɔ̃, tʃɨmˈajɔnts jˈɛdnɔ̃ rˈɛŋkɛ na rˌɛŋkɔjˈɛɕtɕi tʃˌɛrvɔnˈɛɡɔ dˈɛʃtʃu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_43.wav|dʑˈɛlna dʑɛftʃˈɨna i tsˈɔ ɕɛ stˈawɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_68.wav|tˈak, ɲˈits mi ɲʲɛ jˈɛst.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_66.wav|ɡdˈɨbɨ pˈan pˌɔtʃɛbˈɔvaw dˈɔbrɨ, ˌɛlɛɡˈantski ɡarɲˈitur,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_95.wav|ʃtʃɛɡˈulɲʲɛ jˈɛɕli dˌɔtɨtʃˈɨwɔ tɔ mɲʲɛ, a ja bˌɨwam pˈɛvna, ʒˈɛ...|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_204.wav|skʲˌɛrɔvˈawam ɕɛ f strˈɔnɛ vˈɛjɕtɕa dɔ salˈɔnu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_500.wav|ˈandɛrsɔn rɔzdˈɛɕmʲaw ɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_76.wav|ˌɔpsɛrvɔvˈawam, jˈak ˌɔrɡaɲizˈujɛʃ prˈatsɛ w lˌakɛsˈidɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_3.wav|mˈili rˈaz za rˈazɛm ʃɛptˈawa tɛ swˈɔva dɔ ɕˈɛbjɛ i za kˈaʒdɨm rˈazɛm budʑˈiwɨ w ɲʲˈɛj pʃˌɛraʒˈɛɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_23.wav|zrɔbʲˈiwɛɕ tɔ dla mɲʲɛ tʃɨ dla sfˈɔjɛj ɕˈɔstrɨ?|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_216.wav|krˈulɛm jɛst tˈɛras tˈɔmmɛn, ɲʲɛ maˈɛɡɔr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_133.wav|zdjˈɛɲtɕa f prˈavax jˈazdɨ z zasˈadɨ sɔ̃ fatˈalnɛ. fstˈɨt tˈakʲɛ pɔkˈazatɕ nˈavɛd ɡlˈiɲʲɛ zˌatʃɨmˌujɔntsˈɛɡɔ tɕˈɛ za pʃˌɛkrɔtʃˈɛɲʲɛ prɛntkˈɔɕtɕi.|2
+Dataset/wavs/urwisko_ferenc/63_segment_54.wav|— pɔznˈajɛ ɡˈɔ pˈaɲi? — zˌaskɔtʃˈɔna kɔbjˈɛta spɔjʒˈawa na fˌɔtɔɡrˈafjɛ. — nˈɔː ˌɔtʃɨvˈiɕtɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_42.wav|zvˌɨtɕɛ̃ʒˈɨliɕmˌɨ i vˈɨspɨ nalˈɛʒɔ̃ dɔ nˈas!|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_2.wav|rˈɔzdʑaw ʃˈustɨ|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_38.wav|a vʲˈɛndʑ dˈɔbʒɛ, pɔvʲˈɛdʑaw mˈikɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_49.wav|ktˈɔɕ kɔʒˈɨsta z ɲʲˈɛɡɔ rˈas tʃɨ dvˈa rˈazɨ f tɨɡˈɔdɲʲu, vʲˈɛnts tʃasˈami tˈam stˈavja ˈawtɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_23.wav|tˈam jɛst tʃwˈɔvʲɛk! kʃɨknˈɔwɛm mˌimɔvˈɔlɲʲɛ i zatʃˈɔwɛm rɔzɡlˈɔndatɕ ɕɛ, ʃukˈajɔnts pɔmˈɔtsɨ. ftˈɛdɨ zˌɔbatʃˈɨwɛm za sˈɔbɔ̃ prˌɛzɨdˈɛnta.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_113.wav|rɔzmˈavʲam f tɛj xfˈili z brjˈanɛm z lɛvˈɛnʃulm.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_71.wav|mɨɕlˈawa ɲʲɛkʲˈɛdɨ krulˈɔva, kʲˈɛdɨ jˈɔ̃ uɡɲʲˈataw.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_200.wav|w ˈinnɨx straɡˈanax kˌupɔvˈanɔː i spʃˌɛdavˈanɔ kɕˈɛŋɡʲi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_80.wav|tʃɨ pɔvˈinnam pɔvʲˈɛdʑɛdʑ bˈɛtskɨ, ʒˈɛ ˈaʒ dʑˈivɲʲɛ ɕɛ zˌaxɔvˈujɛ i ʒˈɛ jˈɛdʑɛ f kʲɛrˈuŋku bˈɔltɔn?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_150.wav|ʃˈɛptʃɛ mi dɔː ˈuxa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_633.wav|ɔtsknˈɔwɛm ɕɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_237.wav|vʑˈɔw w ɡˈarɕtɕ plˈik papʲˈɛruf, pʃɛʒˈutsaw jˈɛ, jˈaɡbɨ ʃukˈajɔnts mˈɔjɛj sprˈavɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_7.wav|vɨɕlˈɛmɨ tˈam fˌuŋktsjɔnarjˈuʃa, vʲˈɛnts prˈɔʃɛ zɔstˈavitɕ tɔ nˈam.|3
+Dataset/wavs/urwisko_ferenc/33_segment_106.wav|xwˈɔpak pˈɔdaw mu ˈadrɛs. — ɡdʑˈɛ mɛrtsˈɛdɛs? — ftʃˈɔraj w nˈɔtsɨ ɡʒˈɛxu vʑˈɔw ˈɔdɛ mɲʲɛ klutʃˈɨki. — dˈɔbra.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_108.wav|jɛst tsˈɔɕ jˈɛʃtʃɛ, prˈavda?|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_300.wav|sprˈavja mu pʃɨjˈɛmnɔɕtɕ, ʒˈɛ mˈɔʒɛ mɲʲɛ tsˈɔ nˈɔts ˌupɔkˈaʒatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_194.wav|vˌɨstartʃajˈɔntsa sˈuma na bjɛʒˈɔntsɛ vɨdˈatki, ˌalɛ ɲʲɛ na tˈɨlɛ vɨsˈɔka, bˈɨ swˈuʒbɔm fˌɛdɛrˈalnɨm zˌapalˈiwa ɕɛ tʃɛrvˈ��na lˈampka.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_34.wav|w nastˈɛmpnɨm fpˈiɕɛ zɔstˈaɲʲɛ pʃˌɛtstavʲˈɔnɨ jˈakɔ tɛn zwˈɨ, a ˌɔna zrˈɔbʲi s ɕˈɛbjɛ ɔfjˈarɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_9.wav|mɲʲˈɛj vʲˈɛntsɛj pɔ minˈutɕɛ skrɛɲtɕˈili w zatˈɔtʃkɛ, s ktˌurɛj nˌajvɨrˈaʑɲʲɛj kˌɔʒɨstˈanɔ pʃɨ ɲʲˌɛlɛɡˈalnɨm vˌɨʒutsˈaɲʲu ɕmʲˈɛtɕi.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_201.wav|kˈaʒdɨ mɛ̃ʃtʃˈɨzna, ktˌurɨ jˈɔ̃ zatʃˈɛpʲaw, mˈuɡw zɔbˈatʃɨtɕ fˈiɡɛ ˈalbɔː ɔtʃˈɨmatɕ mʲˈanɔː ɔɕlˈɛɡɔ piɕˈɔrka bˈɔɲdʑ vʲɛlbwˈɔɲdʑɛj pˈizdɨ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_309.wav|a dʑɛftʃˈɛnta f xwˈɔptsuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_112.wav|pɔpˈatʃɨw na jaɡˈɛra.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_27.wav|dˈɔkɔnt mˈam pˈujʑdʑ dɔ xɔlˈɛrɨ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_49.wav|f kˈɔɲtsu dˌɛtsɨdˈujɛ ɕɛ zwˈamatɕ sfˈɔjɛ zasˈadɨ. dˈajɛ ɔbˈɔjɡu pɔ kanˈaptsɛ i sˈadʑam ix na kanˈapʲɛ, ʒˈɛbɨ mˈɔɡwɨ pˌɔɔɡlˈɔndatɕ krɛskˈufkɛ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_9.wav|w mrˈɔtʃnɨx tʃˈɛvʲax skˈawɨ zdaʒˈawɨ ɕɛ nˈɔtsɛ, ɡdˈɨ tsɛrsˈɛi tɕɛʃˈɨwa ɕɛ z iɣ bliskˈɔɕtɕi i tɕˈɛpwa.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_153.wav|pˌɔmɨɕlˈawa lˈɛʒɔnts w wˈɔʒu.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_18.wav|mɛ̃ʃtʃˈɨzna vˈɨdaw s ɕˈɛbjɛ rˈɨk fɕtɕɛkwˈɔɕtɕi i ˈuɲʲus prˈavɛ rˈamjɛ, ˌɔdrɨvˈajɔnts mɲʲɛ ɔd ʑˈɛmi. tsˈuʃ, tˌɛɡɔ ɲʲɛ pʃˌɛvidʑˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_180.wav|ˌalɛ mˈɔʒɛ ɕɛ stˈatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_34.wav|mˈuʃɛ ˌuratˈɔvatɕ sˈɨna pʃɛt jˈɛɡɔː ˈɔjtsɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_37.wav|a mˈɔʒɛ zˌɔbatʃˈɨwa tsˈɔɕ, tsˈɔ muɕˈawa sprˈavdʑitɕ, kʲˈɛdɨ na pʃˈɨkwad vjɛʒdʒˈawa sˌamɔxˈɔdɛm dɔ ɡarˈaʒu?|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_240.wav|zvʲˈɛ ɡˈɔ fawʃˈɨvɨm pʃˌɨjatɕˈɛlɛm, tˈak jˈak tɨ ˌɔkazˈawaɕ ɕɛ fawʃˈɨva.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_134.wav|ˌalɛ jɛj jɛst tsˈawkʲɛm ɲʲˈɛzwɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_286.wav|— tɔ dˈɔbra vʲadˈɔmɔɕtɕ — pɔvʲˈɛdʑaw. — ɲʲɛ bˌɛɲdʑɛʒ dʑˈiɕaj w nˈɔtsɨ rˈɔbʲidʑ ʒˈadnɨɣ ɡwˈupstf, prˈavda? — ɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_163.wav|a ja ɕɛ zɡɔdʑˈiwam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_44.wav|pˌanɔvˈawa tˈu pʃˌɛjmujˈɔntsa tɕˈiʃa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_76.wav|a vɔkˈɔwɔ kwˈɛmbʲiw ɕɛ twˈum s pˌɔɡɲʲɛtɕɔnˈɨmi i pˌɔdartˈɨmi trˌansparɛntˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_83.wav|sfɔbˈɔda zdjˈɔw fˈartux lˌabɔrˌatɔrˈɨjnɨ i pɔvʲˈɛɕiw ɡˈɔ na ɕtɕˈaɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_217.wav|mˈa bˈardʑɔ swˈɔtki smˈak, vʲˈɛnts lˈɛpʲɛj dɔdˈavatɕ jˈɔ̃ dɔ tɕˈast, paʃtˈɛtuf i vˈin z mʲˈɔdɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_27.wav|jɛʒˈɛli jˌɛstɛɕ s xɔŋkkˈɔŋɡu i maʃ fˈɔrsɨ jˈak lˈɔdu, vɨbjˈɛʒɛʒ vwˈaɕɲʲɛ tɔ mʲˈɛjstsɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_209.wav|zamˈɨka mʲɛʃkˈaɲʲɛ jɛnsˈɛnuf i vratsˈajɔ̃ na dˈuw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_60.wav|zˌapɨtˈawa bˈɛtskɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_27.wav|pʃˌɛtɕɛʃ tɔ ɲʲˌɛmɔʒlˈivɛ, ˈabɨɕmˌɨ ˈɔbaj, tɨ i jˈa, zɔstˈali zɲiʃtʃˈɛɲi, zˈatʃɔw mˈuvitɕ rˈɨan i ɲʲɛ dɔkˈɔɲtʃɨw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_144.wav|dɔmˈɨɕlam ɕɛ, ʒˈɛ pʃɛbʲˈiwa mu jɛlˈita, mˈɔʒɛ ʒɔwˈɔndɛk.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_467.wav|ktˈɔɕ mi kʲˈɛdɨɕ mˈuviw, ʒˈɛ tˌɨlkɔ bˈul i tɕɛrpʲˈɛɲʲɛ rˈɔdʑɔ̃ pʲˈɛŋknɔ. pʃˌɨpɔmɲʲˈawɛm sˈɔbjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_194.wav|spˌɔdʑɛvˈawam ɕɛ, ʒˈɛ vɨbˈuxɲʲɛ pwˈatʃɛm. mʲˈawa dɔ tˌɛɡɔ prˈavɔ, ˌalɛ ɲˈits takʲˈɛɡɔ ɲʲɛ nˌastɔmpˈiwɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_505.wav|ɲʲɛ jˌɛstɛm ɡwˈɔdnɨ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_453.wav|kazˈanɔ mu ɕˈɛdʑɛtɕ w ukrˈɨtɕu ɡdʑˈɛʑ blˈiskɔː i zjˈavitɕ ɕɛ natˈɨxmʲast, ɡdˈɨ tˌɨlkɔ zɔbˈatʃɨ dˈɨm s kɔmˈina.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_189.wav|ˈaram mˈɔʒɛ ˈuʒɨdʑ zˌavartˈɔɕtɕi, ʒˈɛbɨ ɕtɕˈɔŋɡnɔɲtɕ mɲʲɛ tˈutaj s pɔvrˈɔtɛm?|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_51.wav|pˌɔvʲɛdʑˈawa xwˈɔptsu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_180.wav|ɲˈikt ɲˈiɡdɨ ɲʲɛ dˈɔvʲɛ ɕɛ, tsˈɔ zrɔbʲˈiliɕmˌɨ.|3
+Dataset/wavs/urwisko_ferenc/41_segment_39.wav|ɡˌɛnɛrˈalɲʲɛ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_121.wav|ʒˈɛbɨ ˌuratˈɔvatɕ ɕɛ i pʃˈɛʒɨtɕ, pɔtʃˈɛbna jɛzd dˌɨstsɨplˈina, ˌawtɔrˈɨtɛt.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_191.wav|kturˈɨmi vzmɔtsɲʲˈɔnɔ jˈɛɡɔ pʃɛɡˈubɨ. ˈuɲʲus rˈɛŋkɛ ɲʲɛznˈatʃnɨm rˈuxɛm, kʲˈɛdɨ sˈɛɲdʑa ɔɡwˈɔɕiw jˈɛɡɔ zvɨtɕˈɛ̃stfɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_222.wav|a ja pʃˌɛtɕɛʃ nˈavɛt sˈɛks mˈuʃɛ kupˈɔvatɕ, pɔvʲˈɛdʑaw ɡˈɛrs fˈirst lˈɔvɛ, tˈak jˈak ˈinɲi kupˈujɔ̃ kartˈɔflɛ tʃɨ xˌamburɡˈɛrɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_240.wav|pɔbjˈɛɡwɛm sxɔdˈami na ɡˈurɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_30.wav|dˈawaɕ jɛj sfˈuj nˈumɛr?|3
+Dataset/wavs/urwisko_ferenc/63_segment_13.wav|ˌɔttʃɛkˈawa, ˈaʃ mwˈɔda kɔbjˈɛta zˈajmʲɛ mʲˈɛjstsɛ pʃɨ stˈɔlɛ i dɔpʲˈɛrɔ ftˈɛdɨ pˈɔʃwa dɔ kˈuxɲi, skˈɔnd zabrˈawa tˈɛtʃkɛ z dˌɔkumɛntˈatsjɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_56.wav|sˈaskja|3
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_66.wav|ɲitʃˈɛɡɔː ɔt tɕˈɛbjɛ ɲʲˈɛxtsɛ. zˌaxɔvˈujɛʃ ɕɛ pɔ prˈɔstu ɲʲˌɛdɔʒˈɛtʃɲʲɛ. prˈɔʃɛ, ˈitɕ jˈuʃ. fpˈadnɛ dɔ tɕˈɛbjɛ mˈɔʒɛ jˈutrɔ, kʲˈɛdɨ mˈili bˌɛɲdʑɛ f ʃkˈɔlɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_32.wav|ɲʲˈɛma ʒˈadnɨɣ bˌɛspɔɕrˈɛdɲiɣ dɔvˈɔduf, ʒˈɛ sprˈaftsa pʃɛkrˈɔtʃɨw prˈuk tˌɛɡɔ dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_341.wav|ɕˈilnɨ dʑˈiɡ vˈalnɔw pʲˈɛɲɕtɕɔ̃ f stˈuw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_118.wav|tʃɨ tɔ ʒˌɛtʃɨvˈiɕtɕɛ pʃˌɨvʲɔdwˈɔbɨ tɕˈɛ dɔ zɡˈubɨ? ɲʲˈɛvʲɛm. tsˈawkʲɛm mɔʒlˈivɛ. ɡrˈunt, ʒˈɛ na rˈaʑɛ xˈɨba jˈɛʃtʃɛ dɔ tˌɛɡɔ ɲʲɛ dˈɔʃwɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_135.wav|mˈɔtsɨ, ktˌura ɲʲɛ pwˈɨɲʲɛ z lˈufɨ kˌarabʲˈinu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_18.wav|tɔ bˌɨwɔ sprˈɨtnɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_92.wav|vʲˈɛndʑ dlatʃˈɛɡɔ tɔ zrɔbʲˈiwɛɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_28.wav|ɔstrˈɔʒɲʲɛ, jˈɛʃtʃɛ ɡɔrˈɔntsɛ. tˈɛ, ktˌurɛ zabjˈɛʒɛʒ dɔ dˈɔmu, bˌɛndɔ̃ w nastˈɛmpnɛj pˈartji, dˈavit.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_191.wav|xˌaˌɛmˈɛm, tʃɨ mˈam jˈuʃ ʃˈukatɕ sˈɔbjɛ krɨjˈufki?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_364.wav|fɕˈɛdliɕmˌɨ dɔː ˌawtɔbˈusu. ˌɔna znˈɔvu zˈamɲʲɛ pʃɛtɕˈɛwa bʲˈilɛt.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_641.wav|pˈɛvɲʲɛ ʃlˈiɕmɨ dɔ mɲʲɛ, bˈɔː ˌɔbudʑˈiwɛm ɕɛ pʃɛt sfɔˈimi dʒvʲˈami.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_252.wav|xˈɔdʑ vˈill ɲʲˈɛbɨw rɨtsˈɛʒɛm, a tˌɨlkɔ kuxtɕˈikʲɛm ˌuzbrɔjˈɔnɨm f kuxˈɛnnɨ nˈuʃ, ktˌurɨ ˈukrad z ɡɔspˈɔdɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_122.wav|ɲʲɛ ɔtfʲˈɛraj ˈɔtʃu.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_97.wav|ɛnˈɛrɡja zamjˈɛɲʲa ɕɛ f tɕˈɛpwɔ, a ftˈɛdɨ vzrˈasta tˌɛmpɛratˈura pɔvʲˈɛtʃa, ktˌurɛ zvʲˈɛŋkʃa sfˈɔjɔ̃ ɔbjˈɛntɔɕtɕ.|4
+Dataset/wavs/urwisko_ferenc/01_segment_30.wav|mˈɔʒɛ tɔ jˈuʃ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_20.wav|tɔ mˈuɕi bˈɨtɕ tˈaɕma z jˈɛɡɔː ˌulubjɔnˈɨmi kˌavawkˈami, bˈɔː ˈatstts pʃɛxˈɔdʑi w mˌɛtallˈitsa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_111.wav|vʲɛdʑˈawɛm, ʒˈɛ jˈɛdɛn s tɨx tˈaɲix rupʲˈɛtɕi prˈɛndʑɛj tʃɨ pˈuʑɲʲɛj ɕɛ pʃˈɨda.|2
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_8.wav|mˈam nɔvˈɛɡɔ pʃˌɨjatɕˈɛla. ɔt tʃˈasu dɔ tʃˈasu udˈajɛ mi ɕɛ vɨsˈupwatɕ trˈɔxɛ pʲɛɲʲˈɛndʑɨ, ʒˈɛbɨ vɨskˈɔtʃɨtɕ na pˈivɔ dɔ tɛj spɛlˈuŋki w bˈaɲtsɛ kɔnrˈada.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_359.wav|umjˈɛɕtɕiw ɕɛ na ɕtɕˈaɲʲɛ nat naʃˈɨmi ɡwɔvˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_134.wav|dɔtknˈɛwam jˈɛɡɔ dwˈɔɲi, ʒˈɛbɨ ɡˈɔ pɔfstʃˈɨmatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_287.wav|ʒˈadnɨx klutʃˈɨkuf ˌaɲi ɲitʃˈɛɡɔ takʲˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_23.wav|f tɨx ˌɔkɔlˈitsax nˈadal ɡrasˈujɔ̃ bˈandɨ lˈudʑi vɨjˈɛntɨx spˈɔt prˈava.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_7.wav|a tˈaɡʒɛ pɔʒˈɔndɲʲɛ pʃɛʒˈutɨ bˈud dɔ pɔwˈɔvɨ pɔkrˈɨtɨ bwˈɔtɛm i plˈɛɕɲʲɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_111.wav|xˈɔtɕ tˈɛras ɲʲɛ bˌɨwɔ jˈuʃ ɕfʲˈatwa. zwˈɔtɨ dʑˈɛɲ ɔtxˈɔdʑiw w nˈɔts.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_4.wav|mˈɨɕli ˈɔtɨm, kˈim jˌɛstɛm i kˈim ɕɛ stˈawam, zˌaapsˌɔrbɔvˈawɨ mɲʲɛ dɔ tˌɛɡɔ stˈɔpɲʲa, ʒˈɛ ɲʲɛ ˌɔdnɔtɔvˈawam nˈavɛt fˈaktu pʃˌɛbudʑˈɛɲʲa ɕɛ alfjˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_16.wav|fstˈaw, tʃɨmˈajɔnts w rˈɛntsɛ ʃtʃˈɔtkɛ dɔ ʃˌɔrɔvˈaɲʲa. vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_55.wav|ɡdˈɨbɨ vʑˈɔɲtɕ pɔt uvˈaɡɛ, tsˈɔ spɔtkˈawɔ tˈɛ dʑɛftʃˈɨnɛ, ɲʲɛ spˈɔsup ɲʲɛ dˈɔstʃɛts f tɨm pˈɛvnɛj irˈɔɲʲi lˈɔsu.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_212.wav|nˈɔ dˈɔbra, tʃˌɛmu ɔt tˌɛɡɔ ɲʲɛ zatʃˈɔwɛɕ? tsˈɔ tʃˈɛba pʃɛmˈɨtɕitɕ? jˈakiʑ dˈuʒɨ tˈɔvar?|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_34.wav|dɔ nˈɔvɨx pʃɨjˈatɕuw dˌarɨˈɔna.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_296.wav|ɲʲˈɛbuj ɕɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/urwisko_ferenc/65_segment_2.wav|mˈɔɡwɛɕ nˈas pɔswˈuxatɕ, pˌɔvʲɛdʑˈawa z vɨʒˈutɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_27.wav|tʃɨ mɨɕlˈawɛɕ kʲˈɛdɨ ˈɔtɨm, jˈak naprˈavdɛ vɨɡlˈɔnda samˈɔlɔt?|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_119.wav|pʃɨ strumjˈɛɲʲu skwˈamaw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_79.wav|bɛɲdʑˌɛmɨ tˈatsɨ ʃtʃɛɲɕlˈivi w nˈaʃɛj nˈɔvɛj rɔdʑˈiɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_22.wav|tsˈɔ f tɨm takʲˈɛɡɔ vˌɨjɔntkɔvˈɛɡɔ, ʒˈɛ vɨpˈiwa kˈavɛ s kˈimɕ ˈinnɨm? vzruʃˈɨwa tˌɨlkɔ rˌamjɔnˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_92.wav|ʃanˈɔvna pˈaɲi, ɲʲˈɛvʲɛm, kˈɔmu pˈaɲi ftʃˈɛɕɲʲɛj mɨdlˈiwa ˈɔtʃɨ, ˌalɛ nˈamɲʲɛ tɔ ɲʲɛ dʑˈawa. tˈɛrmin mˈinɔw.|2
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_19.wav|rˌɔzlitʃˈɨwɛɕ ɕɛ z bˈɨwɨm mˈɛ̃ʒɛm xalˈimɨ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_477.wav|tˈak jˈak pˌɔpʃɛdɲʲˈɛɡɔ dɲʲˈa ʃˈɛt tamtˈɛndɨ mˈikɛ rˈɨan.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_141.wav|kʲˈɛdɨ pʃɛʒˈutɕiw pʃˈɛs rˈamjɛ wɔpˈatɛ pˈɛwnɔ̃ kˌamjɛɲˈistɛj ɡlˈɛbɨ,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_54.wav|ɔbˈavʲam ɕɛ, ʒˈɛ jˈɛʃtʃɛ ɲʲɛ pˌɔstavʲˈɔnɔ tɛj ɔsˈɔbjɛ zaʒˈutuf, vʲˈɛnts ɲʲɛ mˈɔɡɛ zdrˈadʑitɕ, ɔ kˈim mˈɔva.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_94.wav|ɲʲˈɛma ˌuspravʲˌɛdlivʲˈɛɲʲa dla tˈɛɡɔ, tsˈɔ zrɔbʲˈiwɛɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_44.wav|jˈak tˈɛ ʃklˈanɔ̃ kˈulkɛ, ktˈurɔ̃...|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_243.wav|ˈɔblaw ɡˈɔ ɡˌazɔlˈinɔ̃ i vwˈaɕɲʲɛ ʃˈukaw zapˈawɛk, kʲˈɛdɨ ɡˈɔ vrˈɛʃtɕɛ dɔpˈadli ˈinɲi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_25.wav|dɔpʲˈɛrɔ pɔ dwˈuʃʃɛj xfˈili, kʲˈɛdɨ swˈɨʃɛ vʒˈaski dʑˈɛtɕi vbjˌɛɡajˈɔntsɨɣ dɔ vˈɔdɨ, pɔdnˈɔʃɛ vzrˈɔk.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_73.wav|ˈuda tɕi ɕɛ vɨmˈɨɕlitɕ jˈakiɕ pˈɔvut, dla kturˌɛɡɔ dʑvˈɔɲiʃ ɔ tɛj pˈɔʒɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_21.wav|tˈɛras jˈuʃ mˈɨɕliʃ ˈɔtɨm fʃˈɨstkim inˈatʃɛj?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_77.wav|a vʲˈɛnts ɲʲɛ xˈɔdʑi ɔ mˈili. zˈɔɛ muɕˈawa ɕɛ zˌɔrjɛntˈɔvatɕ, ʒˈɛ ɲʲˈɛma nˈas na pʲˈɛntʃɛ i w varʃtˈatɕɛ ˈaʃa.|4
+Dataset/wavs/urwisko_ferenc/47_segment_81.wav|uznˈawa, ʒˈɛ tˌɨlkɔ tˈakim ɔbrˈazɛm bˌɛɲdʑɛ mˈukw pʃɛkˈɔnatɕ kˈiŋɡɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_124.wav|zaplˈɔntaw ɕɛ vɛ vwˈasnɛ jɛlˈita.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_108.wav|bˌɛɲdʑɛʒ vɨɡlˈɔndaw, jˈaɡbɨɕ prubˈɔvaw ˈukrɨtɕ tˈuʃɛ. tˈak rˈɔbjɔ̃ ɡrubˈasɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_24.wav|dɔmˈiɲiɡ vɨdˈajɛ s ɕˈɛbjɛ ˈɔdɡwɔs, ktˌurɨ kɔjˈaʒɨ mi ɕɛ s krˈutkim ɕmʲˈɛxɛm pʃˌɛpɛwɲʲˈɔnɨm smˈutkʲɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_35.wav|frˈaɡmɛnt snˈu ˈalbɔ mˌajatʃˈɛɲʲa w ɡɔrˈɔntʃtsɛ. mɲʲɛ ɲʲɛ ˌufɔrmɔvˈawɔ dʑɛtɕˈiɲstfɔ, lˈɛtʃ tsˈawɨ tɕˈɔŋɡ zdˈaʒɛɲ, pʃɨpˈatkuf.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_69.wav|dʒvˈi ˈawta bˌɨwɨ zamkɲʲˈɛntɛ, a jˈumbɔ pʃɛsˈunɔw ɕɛ na bˈɔk, ʒˈɛbɨ pɔzvˈɔlitɕ tɔmˈɔvi zˈajʒɛdʑ dɔ ɕrˈɔtka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_54.wav|i znalˈazwabˌɨ dˈuʒɔ vʲˈɛntsɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_8.wav|xtɕˈɛlibˌɨɕmɨ pˌɔrɔzmˈavʲatɕ s pˈaɲʲɔ̃ kˈalu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_368.wav|na pˈɔzur ˈɔptsa, ˌimpɛrtɨnˈɛntska i ˌɔtpɨxajˈɔntsa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_453.wav|ɲʲˈɛvʲɛm, pɔvʲˈɛdʑaw zmɛntʃˈɔnɨm ɡwˈɔsɛm. ɲʲɛ vidʑˈawɛm ɲˈiɡdɨ ˌaɲi jɛj, ˌaɲi jˈɛɡɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_95.wav|dlatʃˈɛɡɔ pˈaɲi mˈɔ̃ʃ pɔvʲˈɛdʑaw, ʒˈɛ bˌɨwa pˈaɲi pʃˈɛs tsˈawɨ vʲˈɛtʃur w dˈɔmu?|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_72.wav|w arˈɛʃtɕɛ ˌɔkrɛŋɡˈɔvɨm tˈɔtʃɨw ɕɛ ˌɔʒɨvʲˈɔnɨ xˈandɛl tˌɛlɛfɔnˈami kˌɔmurkɔvˈɨmi, ɡwˈuvɲʲɛ na kˈartɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_356.wav|ˌalɛ tɔ fʃˈɨstkɔ ɲʲɛ mʲˈawɔ sˈɛnsu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_118.wav|tɔ dla ɲʲˈɛj ɲˈits ɲʲɛ znatʃˈɨwɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_24.wav|kʲˈɛdɨ dʑɛftʃˈɨna jɛst ˌɔbnaʒˈɔna dɔ pˈasa, bʲˈillɨ kwˈadʑɛ jˈɔ̃ s pɔvrˈɔtɛm na kanˈapʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_154.wav|ɲʲˈɛmartf ɕɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_17.wav|a pʃɨnˈajmɲʲɛj ɲitʃˈɛɡɔ ɲʲɛ pˌɔvʲɛdʑˈɛli.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_18.wav|vʲˈɛʃ, ktˈɔ tɔ jɛzd dʑˈadɛk, prˈavda?|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_178.wav|tfˈɔjɛ dʑɛvˈitstfɔ dɔstˈanɔ̃ rɔbˈaki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_6.wav|rˈɛɡɡʲɛ lˈɛʒɨ na plˈɛtsaɣ z ˌɔtfartˈɨmi ɔtʃˈami, ktˌurɛ jˈuʒ zˌatʃɨnˈajɔ̃ ɕɛ ʃklˈitɕ. pistˈɔlɛt jɛst na vˌɨkwadʑˈiɲʲɛ, ˌɔbɔk jˈɛɡɔ vˌɨtɕɔŋɡɲʲˈɛntɛj dwˈɔɲi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_47.wav|dɔpʲˈɛrɔ kʲˈɛdɨ pɔtxˈɔdʑɛ s pɔvrˈɔtɛm dɔ wˈuʃka, ɔɡˈarɲʲam pˈɔkuj ɲʲˈɛtsɔ dˌɔkwadɲʲˈɛjʃɨm spɔjʒˈɛɲʲɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_24.wav|dʒˈim krˈɛɲtɕi ɡwˈɔvɔ̃. pʃɨnˈajmɲʲɛj na pʃˈɛrvʲɛ na lˈantʃ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_50.wav|pɔwˈɔʒɨw jˈɛdnɔ̃ dwˈɔɲ na ˌɔɡrɔdʑˈɛɲʲu i pʃɛskˈɔtʃɨw jˈɛ, zɲikˈajɔnts f tɕˈɛmnɨm ɔɡrˈɔdʑɛ jɛj ɡwˈuxɛj, stˈarʃɛj sɔ̃ɕˈatki.|4
+Dataset/wavs/urwisko_ferenc/17_segment_57.wav|— ɲʲɛ jˌɛstɛm zˌaintˌɛrɛsɔvˈana. dɔ vidʑˈɛɲʲa. w ɡwɔɕɲˈiku tsˈɔɕ tʃasnˈɛwɔː i zapˈadwa tɕˈiʃa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_118.wav|a pˈɔtɛm vɨmknˈɔwɛm ɕɛ dɔː amˈɛrɨkˌi. fʃˈɨstkɔ rɔbʲˈiwɛm, tsˈɔ ɕɛ dˈawɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_171.wav|vʲˈadr vzɲʲˈɛtsadʑ bˌɛɲdʑɛ tumˈanɨ tʃˌɛrvɔnˈɛɡɔ kˈuʒu.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_366.wav|zˌarɛntʃˈɨnɨ ˌɔɡwɔʃˈɔnɔ pˈɔttʃas ˈutʃtɨ, na ktˌurɛj bˌɨwa ɔbˈɛtsna pɔwˈɔva zaxˈɔdu.|1
+Dataset/wavs/urwisko_ferenc/11_segment_12.wav|f kˈuxɲi z rɛntʃɲˈikʲɛm na mˈɔkrɨɣ vwˈɔsaɣ vɨpˈiwa kˈavɛ i zjˈadwa kanˈapkɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_234.wav|— ɲʲˌɛmɔʒlˈivɛ, ʒˈɛbɨm ɕɛ mˈɨliw — pɔvʲˈɛdʑaw stˈɛvɛ ɔxˈara.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_253.wav|mʲˈawɛʑ zwˈɨ sˈɛn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_5.wav|jˈuʒ dˌɔjɛʒdʒˈamɨ na mʲˈɛjstsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_15.wav|ˌalɛ mˈuj najɡˈɔrʃɨ kˈɔʃmar dˈɔbjɛkw kˈɔɲtsa. mˈam pʃɨnˈajmɲʲɛj tˈakɔ̃ nadʑˈɛjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_606.wav|pɔdˈɔbnɛj dɔ tɨɕˈɔntsa ˈinnɨɣ w varʃˈavʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_67.wav|tɕɛkˈavɛ, tsˈɔ sˈɔbjɛ pɔmˈɨɕlaw, kʲˈɛdɨ pʃɛstˈawam jˈuʃ pʃɨxˈɔdʑitɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_76.wav|tsˈuʒ za ʃkˈɔda, ʒˈɛ zɡʲˈinɔw ɲʲˌɛvwaɕtɕˈivɨ tʃwˈɔvʲɛk, ɲʲɛ sˈɔɲdʑiʃ? xˈɔtɕaʒ z drˈuɡʲɛj strˈɔnɨ mˈɔʒɛ ɡˈɔ pˌɔlubʲˈiwaɕ. mʲˌawaʑ z ɲˈim vˌɨstartʃajˈɔntsɔ dˈɔbrɨ kˈɔntakt.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_57.wav|pˌɔdɛjʒˈɛvam, ʒˈɛ kˈaʒdɛj s tɨx ˈɔsub zabjˈɛʒɛ tɔ tʃˈɛɲʑdʑ dɲʲˈa, a ɲʲɛ pɔdˈali mi kɔŋkrˈɛtnɛj ɡɔdʑˈinɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_99.wav|tɔ bˌɨwɔ ɲʲˌɛutʃtɕˈivɛ zaɡrˈaɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_472.wav|vzdwˈuʃ ɲˈitɛk nˈɛrvuf, a mˈɔʒɛ f tɛntɲˈitʃɛj krfˈi.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_193.wav|sɨnˈɔvʲɛ z ɔjtsˈami|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_16.wav|ktˌuʒɨ ɲʲɛ dˌɔtʃɛkˈali ɕɛ zˌaswuʒɔnˈɛɡɔː uznˈaɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_254.wav|a mˈɛɡɔ wˌaɡrɔvˈɛɡɔ pʃˌɨjatɕˈɛla prˈavʲɛ dʑˈɛtskɔ w ˈɔvɨm tʃˈaɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_80.wav|vɨsˈɨwa vʲadˈɔmɔɕtɕ i tʃˈɛka.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_320.wav|jˈamɛ pɔɕlˈizɡnɔw ɕɛ na bwˈɔtɕɛ i vˌɨlɔndˈɔvaw na kɔlˈanax.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_34.wav|jˈɛdɛn s pˌɔlitsjˈantuv zˈɔstaw pʃɨ ɲʲˌɛzamkɲʲˈɛntɨɣ dʒvʲˈax. drˈuɡʲi tˌɔvaʒˈɨʃɨw blˌɔndɨnˈɔvi, ktˌurɨ dˌɛlikˈatɲʲɛ pɔpˈɨxaw mɲʲɛ w ɡwˈɔmp mʲɛʃkˈaɲʲa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_12.wav|ˌalɛ bˈardʑɔ mi ɡˈɔ pʃˌɨpɔmˈina.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_131.wav|ˈabɨ ɲˈikt ɲʲɛ pɔmˈɨɕlaw ɔ tˈɔbjɛ, ʒˈɛ jˌɛstɛɕ swˈabɨm, ɲʲˌɛdɔwˈɛ̃ʒnɨm tʃwɔvʲˈɛtʃkʲɛm, ˌubavˈiwɨ ɡˈɔ vwˈasnɛ swˈɔva. nˈɔ!|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_48.wav|kʲˈɛdɨ bˈɛtskɨ pʃɛrvˈawabˌɨ spˈɔjʒɛtɕ w nɔtˈatki, tˈɔm rɔzmˈɨɕlaw ɔ kʲɛrˈɔftsɨ fɔtsˈusa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_24.wav|ˌuvaʒˈamɨ, ʒˈɛ ɔfjˈara f sˌamɔxˈɔdʑɛ tɔ dˈɛrɛɡ brˈɛnt, pratsˈɔvɲik fˈirmɨ ˌuswuɡˈɔvɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_172.wav|rˈazɛm pʃˌɛɡlɔndˈali jɛj albˈumɨ zˈɛ zdjɛɲtɕˈami, ʃukˈali dʑɛftʃˈɨnɨ, ktˌura mˈɔɡwabˌɨ mu pʃˈɨpaʑdʑ dɔ ɡˈustu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_2.wav|lˌakɛsˈidɛ|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_171.wav|mˈuj vwˈasnɨ ˈukwad z djˈabwɛm.|3
+Dataset/wavs/urwisko_ferenc/52_segment_15.wav|sprˈava ʃtʃɛrpskʲˈɛɡɔ|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_63.wav|mˈɔʒɛ dʑˈɛŋki tˌɛmu uzˈɨskam trˈɔxɛ tʃˈasu?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_107.wav|ɔn tɕˈɛ ɲʲɛ pˈuɕtɕi, dʑɛftʃˈɨnɔ.|3
+Dataset/wavs/urwisko_ferenc/35_segment_57.wav|pˈuʑɲʲɛj ftrˈɔɲtɕiw, ʒˈɛbɨ ɲʲɛ drɔ̃ʒˈɨwa. pˌɔtʃɛbˈujɛ pɔmˈɔtsɨ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_305.wav|tɔ pʃˌɛrazˈiwɔ jˈɔ̃ tˈaɡ bˈardʑɔ, ʒˈɛ ɲʲɛ pˌɔtrafˈiwabˌɨ tˌɛɡɔː ˈubratɕ f swˈɔva.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_85.wav|ˌalɛ ɲʲɛ spˌɔdɔbˈawɔ mi ɕɛ tɔː ˌaɲi trˈɔxɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_89.wav|ɲʲˈɛvʲɛm, ɲʲɛ bˌɨwɔ mɲʲɛ pʃˈɨtɨm. tɨ tˈak.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_218.wav|tɔ ɲˈits. jˈɛʃtʃɛ vrˈutsɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_50.wav|ɲʲˈɛtsɔ jˈuʒ ʒˈuwtɨ trˈavɲiɡ z ɡumˈɔvɛj rˈurɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_14.wav|ɲʲɛ pˌɔmɨɕlˈawɛm ˈɔtɨm, ʒˈɛ ˌɔna pratsˈujɛ tˈam na lɔtɲˈisku i zarˈabja dvˈa dɔlˈarɨ na ɡɔdʑˈinɛ, pˈɔttʃaz ɡdˈɨ tɔ ftsˈalɛ ɲʲɛ bˌɨwɔ pɔtʃˈɛbnɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_52.wav|vrˈatsam w ɡˈurɨ, ˌɔznajmˈiwa f kˈɔɲtsu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_39.wav|zˈafʃɛ tˈak ɕɛ tɔ kɔɲtʃˈɨwɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_150.wav|jɛst ˌuɕmʲɛxɲʲˈɛntɨ i ˈuɕmʲɛx tɛn vɨɡlˈɔnda ˌawtɛntˈɨtʃɲʲɛ, na tˈɨlɛ, ʒˈɛ bʲˈillɨ ɔdnˈɔɕi vraʒˈɛɲʲɛ, ʒˈɛ pʲˈɛrʃɨ rˈaz vˈidʑi pravdʑˈivɛ ɔblˈitʃɛ tˌɛɡɔ tʃwɔvʲˈɛka.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_38.wav|mʲˈaw pʃˌɨdwuɡˈavɛ blˈɔnd vwˈɔsɨ i pʃˌɛɲiklˈivʲɛ patʃˈɔntsɛ ɲʲɛbjˈɛskʲɛ ˈɔtʃɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_249.wav|jˈakʲɛ mˈam pʃˈɛjɔɲtɕ nazvˈiskɔ?|3
+Dataset/wavs/urwisko_ferenc/11_segment_11.wav|ˌɔtumaɲʲˈɔna s trˈudɛm ɕɛ pɔdɲʲˈɔswa i pˌɔtʃwapˈawa dɔ waʑˈɛŋki, ɡdʑˈɛ pɔt prɨʃɲˈitsɛm ˌɔpwukˈawa tɕˈawɔ xwˈɔdnɔ̃ vˈɔdɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_8.wav|jˈɛɕli ktɔkˈɔlvʲɛk ɕɛ dˈɔvʲɛ, tsˈɔ zrɔbʲˈiliɕmˌɨ zˈɛ stsˈɔttɛm...|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_129.wav|ɔbjˈɛtsaj, ʒˈɛ tˈaɡ zrˈɔbʲiʃ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_49.wav|s pɛvnˈɔɕtɕɔ̃ ɔbˈavja ɕɛ rˈuvɲʲɛʃ tˈɛɡɔ, ʒˈɛ jˈɛɕli tɔ zrˈɔbʲi, strˈatɕi mˈili.|4
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_116.wav|tɔ bˈɨw rˈatʃ! ɲʲɛ pɔvˈinnɔ ɡˈɔ tˈu bˈɨtɕ! mˈuɕaw ɕɛ zamjˈɛɲidʑ z jˈakimɕ kɔlˈɛɡɔ̃!|4
+Dataset/wavs/urwisko_ferenc/30_segment_47.wav|rˈanɨ bˈɔskʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_12.wav|fʃˈɨstsɨ bˌɨli f tˈɨpʲɛ jɛj zwˈɛɡɔ xwɔpˈaka. tˈɛɡɔ, tsˈɔ zˈabʲiw mi ɕˈɔstrɛ, innˈɨmi swˈɔvɨ, bˌɨli pˌalantˈami.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_225.wav|tɔ jˈakiɕ nˈɔvɨ bˈuk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_172.wav|pɔwˈɔʒɨw jɛj rˈɛŋkɛ na ˈustax, a prˈavɔ̃ rˈɛŋkɛ vzɲʲˈus kˈu ɡˈuʒɛ, lˈɛtʃ ɲʲɛ udˈɛʒɨw jɛj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_96.wav|a mˈɔʒɛ vˈɨjdɛ stˈɔnt pɔ prˈɔstu?|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_52.wav|zapˈɨtaw zdʑivʲˈɔnɨ sˈam. maˈɛstɛr ˈɛmɔn mˈuviw, ʒˈɛ ɔn ɕɛ nazˈɨva nˈɔrɛn.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_119.wav|jˌɛstɛm zmɛntʃˈɔnɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_25.wav|tsɔkˈɔlvʲɛk tɔ bˈɨwɔ, vˌɨdavˈawɔ ɕɛ ɲʲˌɛustˈanɲʲɛ pratsˈɔvatɕ, miɡˈajɔndʑ djɔdˈami ˌinfɔrmˌujɔntsˈɨmi ɔː ˌaktɨvnˈɔɕtɕi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_116.wav|jˈɛɕli ktɔkˈɔlvʲɛɡ zˈatʃɲʲɛ rɔzmˈavʲatɕ s tsˌamɛrˈɔnɛm ˈalbɔ ɡˈɔː ˌarɛʃtˈujɛ...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_80.wav|sprˈavdʑmɨ tɔ, bˈɛtskɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_48.wav|za xfˈilɛ vˈɨɕlɛ mi tɛ zdjˈɛɲtɕa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_37.wav|bʲˌilixˈɔva laptˈɔpa i ʃˈarɔ̃ tʃˈapkɛ z dˈaʃkʲɛm za kˌɔntɛnˈɛrɛm, pɔ tʃɨm pʃɨkrˈɨva jˈɛ vˌɨtɕɔŋɡɲʲˈɛntɨm z ɔtpˈaduf papʲˈɛrɛm pakˈɔvɨm.|2
+Dataset/wavs/urwisko_ferenc/51_segment_15.wav|ftʃˈɛɕɲʲɛj pʃˌɨɡlɔndˈawa ɕɛ mˈapʲɛ ɡɔˈɔɡlɛ i zdjˈɛɲtɕɔm sˌatɛlitˈarnɨm kaʃtʃˈɔrka.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_92.wav|tɔ ɲʲˈɛma ɲˈits fspulnˈɛɡɔ z bˈulɛm zvʲɔ̃zˈanɨm zˈɛ strˈatɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_230.wav|pɔvʲˈɛdʑaw tɔ tˈakim tˈɔnɛm, ʒˈɛ tsˈɔɕ mɲʲɛ tknˈɛwɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_202.wav|a tˈɛras, skˈɔrɔ pˈatritsk ɲʲɛ ʒˈɨjɛ, pɔː ˌustɔmpʲˈɛɲʲu klɛrkˈija, tsˈɔ pʃɨ jˈɛɡɔ stˈaɲʲɛ zdrˈɔvja jɛst tˌɨlkɔ kfˈɛstjɔ̃ tʃˈasu, fˈirma pʃˈɛjdʑɛ w rˈɛntsɛ davˈina.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_81.wav|i pɔftˈaʒaw namjˈɛntnɨm bˌarɨtˈɔnɛm.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_197.wav|pɔ ktˌurɨm zbˈɨtɲʲɔ ɲʲɛ pw��akaw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_72.wav|nastˈɛmpnɨm rˈazɛm nastˈavjɛ sˈɔbjɛ ˈalarm f tˌɛlɛfˈɔɲʲɛ na vɨpˈadɛk, ɡdˈɨbɨm ˌɔtpwɨnˈɛwa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_97.wav|vɨdˈajɛʃ ɕɛ tˈaka rˌɔzɡɔrɨtʃˈɔna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_68.wav|vʲɛtʃˈɔrɛm, kʲˈɛdɨ upˈɔmɲʲɛ, tsˈɔː ɔtpˈuʃtʃa, bʲˈillɨ vɨnˈɔɕi ɡˈɔ na zˈɛvnɔntʃ i pɔdwˈɔntʃa dɔ krˈanu z bˈɔku dˈɔmu.|2
+Dataset/wavs/urwisko_ferenc/59_segment_36.wav|— pʃɛʃˈadʑaʃ — ʒaxnˈɛwa ɕɛ. — f tɛj ʃˈafjɛ jɛzd zalˈɛdvʲɛ uwˈamɛk ɕfʲˈata.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_21.wav|zˌatʃɨmˈujɛ samˈɔxut na parkˈiŋɡu sˌupɛrmarkˈɛtu, na ktˌurɨm w ɕrɔdˈɔvɨ rˈanɛk ɲʲˈɛma zbˈɨd vʲˈɛlɛ ˈawt.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_205.wav|mˈɨɕli, ʒˈɛ w zˈamjan zˈatɔ, tsˈɔ vʲˈɛ, zabˈujstfɔː ˈujdʑɛ mu bɛskˈarɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_166.wav|bɨwˈɔbɨ mˈiwɔ, ɡdˈɨbɨ sprˌubɔvˈawa pˈaɲi jˈakɔɕ tˌɛmu zarˈadʑitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_204.wav|pʃɨpˈuʃtʃam, ʒˈɛ swɨʃˈawaɕ ɔ kɔmbˈajnax.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_34.wav|mˈɔʒɛ pˈan vrˈatsadʑ dɔ dˈɔmu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_152.wav|swˈuʃna uvˈaɡa.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_112.wav|ˈɛfɛkt ˌupɔdɔbˈaɲʲa dɔ ʒˈutɕa kfaɕnˈɛɡɔ lˈiɕtɕa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_75.wav|ˌɔna dʑvɔɲˈiwa dɔ mɲʲɛ ftʃˈɛɕɲʲɛj, a ɲˈiɡdɨ tˌɛɡɔ ɲʲɛ rˈɔbʲi. pˈɔvʲɛm pɔ prˈɔstu, ʒˈɛ ɕɛ zˌastanavʲˈawam, tʃɨ fʃˈɨstkɔ jɛst f pɔʒˈɔntku.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_18.wav|ɔddˈɨxam pɔvˈɔli, prubˈujɔnts ɕɛ ˌuspɔkˈɔitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_86.wav|vˈɛʑmʲɛ tˈɛ rɔbˈɔtɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_162.wav|i ʒˌɛtʃɨvˈiɕtɕɛ, pˈipɛr fskˈɔtʃɨw na tsˈɛssnɛ i zvalˈili ɕɛ rˈazɛm na ʑˈɛmʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_62.wav|bˈɛs ɲʲˈɛj bˈɨlibˌɨɕmɨ bjˈɛdɲi jˈak ˈinnɛ krˈajɛ afrˈɨki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_26.wav|bʲˈillɨ ɔmˈalɲʲɛ bjˈɛʒɛ ɡˈɔ w ɔbjˈɛɲtɕa, jˈak tɔː ˌɔstatɲˈimi tʃˈas jɛzd w zvɨtʃˈaju, ˌalɛ ɕɛ pˌɔfstʃɨmˈujɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_59.wav|vʲˈɛŋkʃɔʑdʑ dˈɔmuv vˌɨpadawˈɔbɨ pˌɔmalˈɔvatɕ. pʃɛt ɲʲˌɛkturˈɨmi stˈɔjɔ̃ tablˈitsɛ na spʃˈɛdaʃ.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_182.wav|dʑɛftʃˈɨna pʃˌɨmruʒˈɨwa pɔvʲˈɛki.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_62.wav|tɨ sˈam ɲʲɛ vwˈɔʒɨʃ jɛj jˈuʃ ɲˈiɡdɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_152.wav|a vʲˈɛnts ta kanˈapa, na ktˌurɛj ɕˈɛdʑɛ, pʃˌɨlɛtɕˈawa tˈu z ʑˈɛmi, tˈak?|4
+Dataset/wavs/urwisko_ferenc/23_segment_135.wav|ɲʲɛ umjˈawɛm mu ˈɔtɨm pɔvʲˈɛdʑɛtɕ, vˈɨznaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_42.wav|rˈut rˌɔzɛɕmʲˈawa ɕɛ, tsˈɔ tˌɨlkɔ jˈɛʃtʃɛ bˈardʑɛj rˌɔsɕɛrdʑˈiwɔː ˈaʃa.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_345.wav|jˈɛɕli blˈatskfiʃ ɲʲɛ zˈɛxtsɛ ɡˈɔ vɨswˈuxatɕ, ɲʲɛ bˌɛɲdʑɛ mʲˈaw innˈɛɡɔ vɨbˈɔru, jˈaɡ zwˈamatɕ pʃɨɕˈɛŋɡɛ, ktˌurɔ̃ zwˈɔʒɨw tsatˈɛlɨn stˈark.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_258.wav|kʲˈɛdɨ tɕiɕɲʲˈɛɲʲɛ w ɕrˈɔtku vzrˈɔswɔ dɔ takʲˈɛɡɔ samˈɛɡɔ pɔʑˈɔmu jˈaɡ w bˈutli, bˈardʑɔː ɔstrˈɔʒɲʲɛ zamknˈɛwam zˈavur i ˌɔdwɔntʃˈɨwam pʃˈɛvut.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_83.wav|xtsˈɛ sxˈɔvatɕ kartˈɛtʃkɛ s pɔvrˈɔtɛm dɔ pɔrtfˈɛla, ˌalɛ bʲˈillɨ vɨtɕˈɔŋɡa rˈɛŋkɛ. xˈɔff ɔddˈajɛ ɕfˈistɛk.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_114.wav|f trˈaktɕɛ ktˌurɨx ɔn mˈuɕi xfˈɨtɕitɕ pʃɨnˈɛntɛ i ˌɔtpɔvʲˈɛdʑɛtɕ na mˈɔjɔ̃ vʲadˈɔmɔɕtɕ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_124.wav|mˈa nˈavɛt kilkˈɔrɔ dʑˈɛtɕi vˌɨɡlɔndajˈɔntsɨɣ z zˌamattʃˈɨnɨx spˈudɲits.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_21.wav|pɔ prˈɔstu s tˈɔrbɔ̃ tɕˈastɛk.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_242.wav|kʲˈɛdɨʑ bˌɨliɕmˌɨ tˈaɡ bl��iskɔ, tsˈɔ ɕɛ stˈawɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_48.wav|tˈɔm bˈɨw ʃtʃˈɛʒɛ zˌakwɔpɔtˈanɨ i zˌaɲʲɛpˌɔkɔjˈɔnɨ ˌɔɕfʲattʃˈɛɲʲɛm zwɔʒˈɔnɨm pʃˈɛz dˈɔn, f ktˌurɨm ˌɔznajmˈiwa, ʒˈɛ tɕˈawɔ f kɔstɲˈitsɨ ɲʲɛ nalˈɛʒɨ dɔ jɛj mˈɛ̃ʒa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_206.wav|f tɨm ɡrˈɔɲʲɛ znˈajdɔ̃ ɕɛ tˈaɡʒɛ lˌɔkatˈɔʒɨ ɡˈɛrart tˈɔvɛr, a fɕrˈut ɲˈiɣ bʲˈillɨ sˈummɛrs, ktˌurɨ utɕˈɛkɲʲɛ za rˈuk i fskˈɔtʃɨ dɔ tʃˌɛkajˈɔntsɛj fˌurɡɔnˈɛtki.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_459.wav|ˌalɛ pʃˌɛtɕɛʃ ɲʲɛ mˈɔɡɛ ɲˈiɡdʑɛ ˈɔdɛjɕtɕ, pˈuki ɲʲɛ rɔzvˈikwa ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_110.wav|zrɔbʲˈiwɔ mu ɕɛ ʒˈal tɛj kɔbjˈɛtɨ, ktˌura na pʲˈɛrʃɨ ʒˈut ˈɔka prˌɔvadʑˈiwa budʑˈɔntsɛ zˈazdrɔʑdʑ ʒˈɨtɕɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_431.wav|mˈɔʒɛ tɔ, tsˈɔ mɲʲɛ zasmˈutsa, ix rɔsfɕtɕˈɛtʃa, tsˈɔ mɲʲɛ pɔtɕˈɔŋɡa i vˈabʲi?|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_117.wav|i tsˈɔ stˈawɔ ɕɛ dˈalɛj s tfˈɔim brˈatɛm? vʲˈɛʃ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_410.wav|pɔnˈurɨ atˈaman skwˈɔɲiw mi ɕɛ ɲʲɛdbˈalɛ i vlˈɛpiw ˈɔtʃɨ w mˈɔjɔ̃ tˌɔvaʒˈɨʃkɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_60.wav|kˈilka mʲɛɕˈɛntsɨ pˈuʑɲʲɛj strˈatɕiw vzrˈɔk i vʲˈɛŋkʃɔ̃ tʃˈɛɲɕtɕ tfˈaʒɨ w vɨbˈuxu pʃɨdrˈɔʒnɛj bˈɔmbɨ puwˈapki.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_36.wav|tɔ fskazˈujɛ, ʒˈɛ tsˈawa ta tˌajɛmɲˈitʃɔɕtɕ ɲʲˈɛma zvʲˈɔ̃sku z zabʲˈitɕɛm ɡˌɛnɛvʲˈɛvɛ strˈakan.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_7.wav|ɲʲɛ pɔvˈiɲʲɛn bˈɨw pʃˈɨjɔɲdʑ zlɛtsˈɛɲʲa s tˈaɡ dwˈuɡʲim tɛrmˈinɛm rˌɛalizˈatsji, mˈɨɕli pˈɔtɨm wikˈɛɲdʑɛ, ˌalɛ z drˈuɡʲɛj strˈɔnɨ ktˈɔ tɔ mˈukw pʃɛvˈidʑɛtɕ?|2
+Dataset/wavs/urwisko_ferenc/53_segment_67.wav|mˈarja fskazˈawa mu pˈaltsɛm jˈɛʃtʃɛ jˈɛdnɔ̃ plˈamɛ na ksˌɛrɔkˈɔpji zdjˈɛɲtɕa z ɡazˈɛtɨ z jˈanɛm sˈɔlskim na pʲˈɛrʃɨm plˈaɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_148.wav|ˌuswɨʃˈawam w jɛj ɡwˈɔɕɛ sˈarkazm i ɲʲɛ vʲɛdʑˈawam, jˈak nˈatɔ zˌarɛaɡˈɔvatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_24.wav|dlatʃˈɛɡɔː ɔ ɲˈitʃɨm mi ɲʲɛ pˌɔvʲɛdʑˈawɛʑ dɔ xɔlˈɛrɨ? bˈɔ tɔ ɲʲɛ mʲˈawɔ znatʃˈɛɲʲa dla tɕˈɛbjɛ i tfɔjˈɛɡɔ ʒˈɨtɕa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_68.wav|zˌapalˈiwabˌɨm tˈɛras pˌapʲɛrˈɔsa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_200.wav|tɛn vʒˈask pʃˈɛɡnaw xˈarpjɛ, ktˌura zˌavwadnˈɛwa umˈɨswɛm ˈɛlis i pˌɔtɕɔŋɡnˈɛwa za spˈust. dʑɛftʃˈɨna ˌupuɕtɕˈiwa tɔrˈɛpkɛ i zˌaswɔɲˈiwa ˈusta dwˈɔɲʲɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_17.wav|mˈɔʒɛ ˈɔn, skˈɔrɔ ʒˈɨjɛ, uvˈɔlɲi mɲʲɛ ɔt pɔtʃˈutɕa vˈinɨ, ktˌurɛ pustˈɔʃɨ mˈɔjɛ vnˈɛntʃɛ ɔt tˈɨlu lˈat.|3
+Dataset/wavs/urwisko_ferenc/56_segment_13.wav|tɔ pɔ tsˈɔ pˈan dʑvˈɔɲiw dɔ karˈɔla?|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_92.wav|mˈɨɕli ɔ ʒˈɛtʃax, ktˌurɛ ɲʲˈɛɕli, ɲʲˌɛvɔntplˈivʲɛ jˈɛdnɛj z najlˈɛpʃɨx kɕˈɔ̃ʒɛk ɔ vˈɔjɲʲɛ, jˈakʲɛ kʲˌɛdɨkˈɔlvʲɛk nˌapisˈanɔ, mˈɔʒɛ nˈavɛt najlˈɛpʃɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_67.wav|tsˈuʃ tɔ tɨ tˈutaj zˌaparkɔvˈawɛɕ, pˌɔmɨɕlˈawɛm, ˌalɛ ɲʲɛ pˌɔvʲɛdʑˈawɛm tˌɛɡɔ ɡwˈɔɕnɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_12.wav|swˈɨʃɛ xʃˈɛ̃st ˈɔpɔn na ʒvˈiʒɛ, kʲˈɛdɨ ɔdjˈɛʒdʒa i zˌastanˈavʲam ɕɛ, tʃɨ ɲʲɛ pɔpˈɛwɲʲam bwˈɛndu, ˌalɛ ɲʲˈɛvʲɛm, jˈak mˈɔɡwabˌɨm ɡˈɔ tˈutaj zatʃˈɨmatɕ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_387.wav|ɔkrˈɔpɲʲɛ, vrˈɛntʃ ˌɔbʒɨdlˈivʲɛ zabˈavnɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_125.wav|ˌalɛ mɲʲˈɛjʃa s tˈɨm.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_389.wav|jˈɛɕli prˈɔstɨm mɛ̃ʃtʃˈɨznɔm zabrˈakɲʲɛ kˈurɛf, mˈɔɡɔ̃ ɕɛ pɔsˈunɔɲdʑ dɔ ɡvˈawtuf. ɔt tɛj pˈɔrɨ.|1
+Dataset/wavs/urwisko_ferenc/22_segment_47.wav|i tsˈɔ, zamjˈɛʒaʃ tˈam pɔjˈɛxatɕ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_102.wav|i kɔxˈaliɕmˌɨ ʒˈɨtɕɛ, ktˌurɛ dʑɛlˈiliɕmˌɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_61.wav|zˈafʃɛ rˌɔsxɔdʑˈiwɔ ɕɛ ɔ ʃkwˈɔ, prˈavda?|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_53.wav|ɡdˈɨbɨ pˈaɲi pʃɛstˈawa ɕɛ tsˈatskatɕ s krˌɨminˌalistˈami takˈimi jˈaɡ dʒˈɛs, mʲˈɛlibˌɨɕmɨ ɔ vʲˈɛlɛ lˈɛpʃɛ stɔsˈuŋki.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_72.wav|mʲˈawɔ mɲʲɛ tɔ z zˌawɔʒˈɛɲʲa zastrˈaʃɨtɕ i tsˈawkʲɛm ɕɛ spravdʑˈiwɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_9.wav|ˌalɛ ɲʲɛ bˌɨwɔː innˈɛɡɔ spɔsˈɔbu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_104.wav|ɔ tʃɨm vɨ tˈɛras muvˈitɕɛ? zapˈɨtaw salvˈatɔr. mˈuviw s tɕˈɛ̃ʃkim aktsˈɛntɛm, ktˌurɨ stˈaraw ɕɛ ˈukrɨtɕ i bʒmʲˈawɔ tɔ jˈɛʃtʃɛ ɡˈɔʒɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_262.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_394.wav|alˈain ɲˈiɡdɨ ɕɛ nˈattɨm ɲʲɛ zˌastanavʲˈawa. z jakʲˈɛɡɔɕ pɔvˈɔdu tɛn pˈɔmɨsw mˈɔtsnɔ jˈɔ̃ zˌaɲʲɛpɔkˈɔiw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_11.wav|f tɕˈɔŋɡu ɡɔdʑˈinɨ pɔvˈinnɔː ˈudatɕ tɕi ɕɛ zawˈatfitɕ nˈakas pʃˌɛʃukˈaɲʲa, a pˈɔtɛm pʃˌɛtʃɔ̃ɕɲʲˈɛmɨ kˈaʒdɨ tsɛntˈɨmɛtr tˌɛɡɔ mʲɛʃkˈaɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_195.wav|tsˈɔ jɛst f tɛj tˈɔrbjɛ ˈindjɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_9.wav|ja bˌɨwɛm stˈakɔ dʒˈɔrtʃ strˈɔmbɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_113.wav|tɛn sˈam xˈut, ˌɔpuʃtʃˈɔna ɡwˈɔva, ɲʲɛ bjˈɛɡɲʲɛ, ˌalɛ tˈɛʃ ɲʲɛ pʃɛxˈadʑa ɕɛ. vɨɡlˈɔnda na tʃwɔvʲˈɛka, ktˌurɨ vˌɨkɔnˈujɛ sfˈɔjɔ̃ mˈisjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_42.wav|ɲʲɛ, ˌaɲi krˈɔpli, ɔdɡrˈɨza kˈɛ̃s tɕˈastka.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_497.wav|ɲˈits. mˈɔʒɛ pˈɔvʲɛ tˈɨlkɔ, ˈim sˈɔrɨ, sˈɛr.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_38.wav|vɨtɕˈɔŋɡa jˈɛdnaɡ dɔ mɲʲɛ dwˈɔɲ, a ja jˈɔ̃ ujmˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_101.wav|ˈɔtɨm, ʒˈɛ zˈatʃɲʲɛʃ ˈinnɛ ʒˈɨtɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_137.wav|i mʲˈawabˌɨm ˌɔsɔbʲistˈɛɡɔː ˌasɨstˈɛnta.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_201.wav|fkrˈuttsɛ zɔstˈaɲʲɛ fspulɲˈitʃkɔ̃ w zabˈujstfʲɛ bˌɔɡatˈɛɡɔ, swavnˈɛɡɔ tʃwɔvʲˈɛka. a i tɔ tˌɨlkɔ pɔd varˈuŋkʲɛm, ʒˈɛ fʃˈɨstkɔ pɔtˈɔtʃɨ ɕɛ zɡˈɔdɲʲɛ s plˈanɛm.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_327.wav|vˈɔda zɲiʃtʃˈɨwa pʲˈɛŋknɨ pwˈaʃtʃ ksxˈɔnda.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_14.wav|tɔ tˈɨlɛ jˈɛɕli xˈɔdʑi ɔ mˈuj zbrɔdɲˈitʃɨ ɡˈɛɲʲuʃ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_29.wav|dɔstʃˈɛɡwam pˈɛvʲɛn vzˈɔʒɛts.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_106.wav|dlatʃˈɛɡɔ vʲˈɛnts pˌɔkazˈujɛʃ ɕfʲˈatu ix tfˈaʃ?|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_165.wav|ɲʲɛ jɛzd dla mɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_352.wav|sˈam pʃˈɛs xfˈilɛ spɔɡlˈɔndaw na jɛj dʑˈivnɨ, jˈasnɨ blˈask, a pˈɔtɛm zamrˈuɡaw i ɔdvrˈutɕiw vzrˈɔk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_135.wav|tɔ sˈamɔ tsˈɔ xambˈurɡɛr? ɲʲɛ, tɔ sˈamɔ tsˈɔ rˈɔzdbɛf.|0
+Dataset/wavs/urwisko_ferenc/09_segment_41.wav|dlatʃˈɛɡɔ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_29.wav|tʃɨ pˈan jɛzd bˈardʑɔ zmɛntʃˈɔnɨ? jˈɛstɛm. xtɕˈawbɨ pˈan ɕɛ tʃˈɛɡɔɕ nˈapitɕ?|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_31.wav|pˌɔtʃɛbˈujɛ tfˈɔjɛj pɔmˈɔtsɨ. ɲʲɛ xtɕˈawɛm...|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_79.wav|f tɨm mʲˈɛjstsu, ɡdʑˈɛ stˈawɛm, bˈɨw rˈɔdʑaj alkʲˈɛʒa.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_128.wav|spˈɔtkaw ɡˈɔ stˌɔjɔntsˈɛɡɔ w ɔtfˈartɨɣ dʒvʲˈax, ɡdʑˈɛ bˌɨwɔ sˈuxɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_78.wav|ˌalɛ mˈimɔ fʃˈɨstkɔ ɲʲˈɛtʃuw ɕɛ ɡˈɔtuf, ʒˈɛbɨ zˈamknɔɲtɕ ɕɛ na ˈinnɛ mˌɔʒlivˈɔɕtɕi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_63.wav|— nˈɔ vʲˈɛnts — pɔvʲˈɛdʑaw ˈandɛrsɔn — zapˈɔmɲij pˈan tˈɛras ˈɔtɨm, tsˈɔ pˈanu mˈuviw dʒˈɔnsɔn. vwˈaɕ pˈan dɔ ɕrˈɔtka.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_516.wav|a mɲʲɛ jˈuʒ bˌɨwɔ fʃˈɨstkɔ jˈɛdnɔː i kɔxˈaliɕmˌɨ ɕɛ z ɲʲɛɕmʲˈawɨm bɛsfstˈɨdɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_89.wav|tˌɨlkɔ pɔwˈɔva lˈudʑi w artˈɛmis jɛzd bjˈawa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_6.wav|mˈɔʒɛ mˈama pˌɔjɛxˈawa ɡdʑˈɛɕ na spɔtkˈaɲʲɛ s tˈatɔ̃, a ɔn ɲʲɛ pʃˈɨvʲɔs tˈutaj alfjˈɛɡɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_80.wav|tʃɨ mˈɔɡɛ ɕɛ zˌastanˈɔvitɕ, jˈak najlˈɛpʲɛj tɔ rɔzˈɛɡratɕ?|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_454.wav|ˈinnɔ̃ zˌastanavʲˈawa ɕɛ zˈaɕ, tʃɨ dʒˈɛjn pɔtɕˈɛʃɨwbˌɨ jˈɔ̃, ɡdˈɨbɨ vˌɨpwakˈawa mu ɕɛ na ramjˈɛɲʲu. tˌɛɡɔ vwˈaɕɲʲɛ praɡnˈɛli mɛ̃ʃtʃˈɨʑɲi, ɲʲɛprˈavdaʃ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_54.wav|zˈɛmsta jɛst swˈɔtka, pɔvʲˈɛdʑaw tˈakɔː i klˈɛpnɔw mɲʲɛ f plˈɛtsɨ. ˌɔdvrutɕˈiwɛm ɕɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_33.wav|mˈuj vzrˈɔk pʃɨtɕˈɔŋɡa nˈapis na jˈɛdnɛj s kˈartɛk. vʲˈɛm, tsˈɔ tɔ jˈɛst.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_271.wav|nˈavɛd bˈɛz bˈandɨ zbʲˈiruf sˈanxɛs mˈa vˌɨstartʃajˈɔntsɔ ɕˈilnɔ̃ ɔxrˈɔnɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_22.wav|ɲʲɛ ɔddˈɨxam, dɔpˈuki ɲʲɛ dɔtɕˈɛram na pʲˈɛntrɔ, ɡdʑˈɛ natˈɨxmʲazd zɲˈikam za nˌarɔʒɲˈikʲɛm, ʒˈɛbɨm ɲʲɛ zɔstˈawa zˌauvaʒˈɔna s kˈuxɲi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_400.wav|patʃˈɨli tˈɛras na psˈa.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_274.wav|kɔlˈɛmɔn zamrˈuɡaw pˌɔvʲɛkˈami, pˌɔruʃˈajɔnts nɛrvˈɔvɔ ɡrdˈɨkɔ̃. ja tˈɨlkɔ...|1
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_63.wav|ɡdʑˈɛ tˈɛraz bˈɨw sˈami?|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_197.wav|rˈɛnlɨ pʃɨstˈanɔw za dʑɛftʃˈɨnɔ̃, ˌɔdɡarɲʲˈajɔndʑ z ˈɔtʃu tʃˈarnɛ vwˈɔsɨ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_355.wav|musˈimɨ ɕɛ rˈazɛm pɔmˈɔdlitɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_110.wav|lˈɛkkɔ̃ kˈurtkɛ z lˈɔɡɔ rˈɔlliŋk stɔnˈɛsuf na plˈɛtsax i dʑɛtɕˈɛntsɨ pɔjˈɛmɲik na drˈuɡʲɛ ɕɲʲadˈaɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_19.wav|frˈaŋkʲɛ, ˈɛlvis, pˈawl i rˈɛɡɡʲɛ tɔ pɔtˈɛ̃ʒnɛ xwɔpˈiska.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_131.wav|zˈafʃɛ tʃˈuw w ɡˈardlɛ smˈaɡ ʒˈuwtɕi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_13.wav|tʃˈuwam ɕɛ bˈardʑɔ ɲʲˌɛkɔmfɔrtˈɔvɔ, ˌalɛ ɡɛxˈɛnna ɕɛ skɔɲtʃˈɨwa i ˌɔtprɛ̃ʒˈɔna vratsˈawam dɔ sfɔjˈɛɡɔ nɔvˈɛɡɔ bjˈura.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_275.wav|dlatʃˈɛɡɔ ɲˈikt ɲʲɛ pʃˈɨʃɛd mɲʲɛ uvˈɔlɲitɕ?|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_219.wav|nˈɔ tɔ tʃˌɛmu tɔ rˈɔbʲiʃ?|4
+Dataset/wavs/urwisko_ferenc/04_segment_82.wav|pɔmˈaɡaw pˈanu, ɡdˈɨ zˌaɡʲinˈɛwa, prˈavda?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_20.wav|musˈimɨ vʲˈɛdʑɛtɕ s kˈim.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_98.wav|bʲˈillɨ ɔdvrˈatsa ɕɛ zˌaskɔtʃˈɔnɨ. na kɔlˈanaɣ butskʲˈɛɡɔ lˈɛʒɨ stˈara, blaʃˈana pˌɔpʲɛlɲˈitʃka pˈɛwna ɲʲˌɛdɔpˈawkuv bˈɛs fˈiltra.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_341.wav|mɲʲɛ mˈɔʒna vmˈuvitɕ, nalˈɛʒɛ dɔ tɨx lˈudʑi, ktˌurɨm mˈɔʒna fʃˈɨstkɔ vmˈuvitɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_154.wav|dʒˈɛva rɔsnˈɔntsɛ jˈuʃ pˈɔza pˈasɛm startˈɔvɨm i xtɕˈaw vˈɨrvatɕ stˈɛr.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_196.wav|trˈɔnt pʃɛxˈɨliw ɡwˈɔvɛ na bˈɔk i spˈɔjʒaw nˈamɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_280.wav|vˈɨʒɛj mʲˈaw stalˈɔvɔ̃ ɡwˈɔvɛ ʃtʃˌɛʒɔntsˈɛɡɔ kwˈɨpsa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_176.wav|a mɲʲɛ ɲʲɛ vˈɔlnɔ bˈɨtɕ ˌamɛrˌɨkaɲˈinɛm, mˈam krˌɨminˈalnɔ̃ pʃˈɛʃwɔɕtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_75.wav|i nˈaɡlɛ jˈɔ̃ zˌɔbatʃˈɨwɛm.|3
+Dataset/wavs/urwisko_ferenc/03_segment_38.wav|xˈɛrman pˌɔftuʒˈɨwa pɨtˈaɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_293.wav|mˈuɕaw tˌaki bˈɨtɕ, jˈakɔ ʒˈɛ bˌɨwa ɲˈiskɔː ˌurɔdʑˈɔna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_131.wav|ˌalɛ ʒutɕˈifʃɨ ɔstˈatɲʲɛ spɔjʒˈɛɲʲɛ mˈamjɛ, ktˌura vɨɡlˈɔnda jˈaɡbɨ pʃˌɛbɨvˈawa w zupˈɛwɲʲɛ ˈinnɨm mʲˈɛjstsu, pɔdˈɔ̃ʒam zˈaɲim pʃˈɛs kuxˈɛnnɛ dʒvˈi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_192.wav|znˈuf lˈɛʒaw ɲʲˌɛruxˈɔmɔ, nˌaswuxˈujɔndʑ vʲˈatru i vˈidʑaw ɕˈɛbjɛ, mˈɨɕlɔnts ɔ sˈɔbjɛ.|0
+Dataset/wavs/urwisko_ferenc/41_segment_13.wav|— xˈɔdʑi ɔ jˈana sɔlskʲˈɛɡɔ. vʒˈudʑ ɡˈɔ na bˈɛmbɛn — pˌɔprɔɕˈiwa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_105.wav|ɲʲɛ ʃukˈawɛm ix.|0
+Dataset/wavs/urwisko_ferenc/23_segment_111.wav|kˈilka rˈazɨ bˌɨwɛm na kɔmˈɛɲdʑɛ i prɔɕˈiwɛm, bˈɨ zvrutsˈɔnɔː uvˈaɡɛ na tˌɛɡɔ fatsˈɛta.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_49.wav|mˈɔʒna bˈɨ tˈak pɔmˈɨɕlɛtɕ, ˌalɛ ɔn mʲˈaw lˈistɛ fʃˈɨstkix ˈutʃɲʲuf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_128.wav|i tɔ jˈuʃ ɲʲɛ bˌɨwa tfˈaʃ rajˈana, jˈasna i dˈɔbra tfˈaʃ tʃwɔvʲˈɛka, kturˌɛmu fʃˈɨstkɔ dˈanɔ, tsˈɔː ˌɔbjɛtsˈanɔ mu fpʲˈɛrf.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_276.wav|ɲʲˈɛx pˈan ɕfʲˈatwa mˈa nˈas f sfˈɛj ɔpʲˈɛtsɛ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_323.wav|tɔ tˌɨlkɔ xwˈɔpak.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_430.wav|prˈɛndʑɛj nˈas tˈu zɔstˈavi, ʒˈɛbɨɕmˌɨ zɡʲinˈɛli z ɡwˈɔdu, ɲˈiʃ narˈaʑi na ɲʲˌɛbɛspʲɛtʃˈɛɲstfɔ sfˈɔjɛ zvʲɛʒˈaki.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_140.wav|kɕˈɔ̃ʒɛ dˈɔran mˈuɡw jˈɔ̃ traktˈɔvatɕ jˈaɡ dʑˈɛtskɔ, lˈɛtʃ ˌɔna ɲʲɛ bˌɛɲdʑɛ ɕɛ ˌubjɛrˈawa stɔsˈɔvɲʲɛ dɔ tˈɛɡɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_29.wav|dlatʃˈɛɡɔ ɲʲɛ mɔʒˈɛmɨ znˈalɛɕtɕ ʃˈɔnɨ? zˌapɨtˈawa bˈɛtskɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_55.wav|zalˈɛʒɨ, jˈaɡ dwˈuɡɔː advˈɔkat tˌɛɡɔ dˈurɲʲa bˌɛɲdʑɛ ɔdvlˈɛkaw ˌɛkstradˈɨtsjɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_49.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_365.wav|prˈaliɕmˌɨ rɔdʑˈinnɔ̃ bjɛlˈiznɛ, martfˈiliɕmˌɨ ɕɛ ˌinvalˈitstfɛm dʑˈɛtska.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_149.wav|ʒˈɛkw jɛj ˈɔjtɕɛts, ɡdˈɨ zɔstˈali sˈami.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_201.wav|z mˈɨɕlɔ̃ ɔ spɔkˈɔju dˈuxa krˈula, krulˈɔva ɲʲɛ ˌumjɛɕtɕˈiwa ˈimjɔn na nakˈazax ˌarɛʃtɔvˈaɲʲa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_81.wav|ɔdʑˈɨva ɕɛ vrˈɛʃtɕɛ ɡwˈɔs f swuxˈaftsɛ i dɔpʲˈɛrɔ tˈɛras pɔjmˈujɛ, ʒˈɛ dʑvˈɔɲi dɔ mɲʲɛ kɔbjˈɛta.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_30.wav|dlatʃˈɛɡɔ?|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_63.wav|vʲˈɛnts w artˈɛmis rˈuvɲʲɛʃ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_93.wav|tsɛrsˈɛi ɲʲɛ vɔntpˈiwa, ʒˈɛ rˈɔbɛrt ɕfʲˈɛtɲʲɛ pamjˈɛntaw, jˈak jˈɔ̃ traktˈɔvaw nɔtsˈami. vidʑˈawa tɔ w jˈɛɡɔː ˈɔtʃax.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_166.wav|zadˈajɛʒ za dˈuʒɔ pˈɨtaɲ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_25.wav|ɲˈiɡdɨ ɲʲɛ pˈiwaʑ zbˈɨd vʲˈɛlɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_54.wav|jˈaɡ bʲillʲˈɛɡɔ f tfˈɔjɛj vˈɛrsji jˈɛɡɔ çistˈɔrji.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_180.wav|pˌɔjaviwˈɔbɨ ɕɛ naprˈavdɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_24.wav|ɲʲˈɛmam jˈɛdnak tʃˈasu, ʒˈɛbɨ ɕɛ ɲˈim tˈɛraz zajmˈɔvatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_16.wav|z vɨjˈɔntkʲɛm arˈama.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_63.wav|s tˈɛɡɔ, tsˈɔ vidʑˈawɛm, tɔ ɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_202.wav|dlatʃˈɛɡɔ lˈudʑɛ zˌabʲijˈali ɕɛ s pɔvˈɔdu fabrˈɨki, ktˌura ˈɔkrɛs najlˈɛpʃɛj kˌɔɲʲuŋktˈurɨ mʲˈawa jˈuʒ za sˈɔbɔ̃?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_83.wav|tɔ ɲʲˈɛx i tˈaɡ bˈɛɲdʑɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_50.wav|swˈ��ʃɛ ˌɔdrɔbʲˈinɛ ɡɔrˈɨtʃɨ vɛ vwˈasnɨm ɡwˈɔɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_88.wav|sˈama jˈuʃ ɲʲˈɛvʲɛm, f tsˈɔ mˈɔʒna vʲˈɛʒɨtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_130.wav|ɲitʃˈɛɡɔ jˈɛʃtʃɛ pɔ tˈɔbjɛ ɲʲɛ vˈidatɕ, vʲˈɛnts pˈɛvɲʲɛ zdˈɔwaʃ ˈukrɨtɕ pʃɛt rɔdʑˈinɔ̃ fˈakt, ʒˈɛ jˌɛstɛɕ f tɕˈɔ̃ʒɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_325.wav|sxɔvˈawam ɡʲˈizmɔ dɔ kʲɛʃˈɛɲi i ruʃˈɨwam f strˈɔnɛ vˈɨjɕtɕa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_94.wav|rˈɔbjɛ sˈɔbjɛ pʃˈɛrvɛ ɔt fatsˈɛtuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_64.wav|ɲʲɛ mˌajɔ̃ vɨbˈɔru.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_339.wav|spɔjʒˈawam na ɲʲˈɛɡɔ s pɔdˈɛwba.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_65.wav|zabrˈaliɕmˌɨ pʲˌɛɲdʑɛɕˈɛɲtɕu lˈudʑi, wutʃɲˈikuf i zbrˈɔjnɨx. mɨɕlˈɛliɕmˌɨ, ʒˈɛ tɔ rɔbˈɔta lˈɔrda bɛrˈika i mʲˌɛliɕmˌɨ nadʑˈɛjɛ zwˈapatɕ jˈɛɡɔ trˈɔp.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_26.wav|ˈɛlis pʃɛvrˈatsa ɔtʃˈami.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_17.wav|stanˈɔwɛm pʃɨ ʒɛlˈivnɛj bˌalustrˈadʑɛ vˌɨɕfʲɛtsˈɔnɛj lutskˈimi rɛŋkˈami ɔd vʲˈɛku.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_95.wav|mɔʒˈɛmɨ vʲˈɛndʑ vɨtfˈaʒatɕ tˈɨlɛ ʃkwˈa, ˈilɛ dˈuʃa zaprˈaɡɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_296.wav|ˌalɛ ɲʲˈɛma.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_163.wav|jˌɛstɛɕ kapwˈanɛm tʃɨ spʃɛdˈaftsɔ̃ vˈaʒɨf?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_108.wav|dˌɔskɔnˈalɛ znˈam tfˈaʒ vidˈɔtʃnɔ̃ na ɛkrˈaɲʲɛ tˌɛlɛfˈɔnu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_76.wav|tˈak xˈɨba bɨwˈɔbɨ lˈɛpʲɛj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_31.wav|pʃˈɛs xfˈilɛ jɛst mi fstˈɨt, bˈɔ xˈɔtɕaʃ ɕɛ bˈɔjɛ, xˈɔtɕaʃ jˌɛstɛm fɕtɕˈɛkwa, mˈuʃɛ pʃˈɨznatɕ, ʒˈɛ ɡdʑˈɛʑ w ɡwˈɛmbʲi ɔttʃˈuvam pˌɔdɲʲɛtsˈɛɲʲɛ na mˈɨɕl ɔ pɔnˈɔvnɨm spɔtkˈaɲʲu zˈɛ stsˈɔttɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_88.wav|zɲˈiʒa ɡwˈɔs, jˈak ftˈɛdɨ, kʲˈɛdɨ mˈuviw ɔ pʲɛtʃˈɔnɛj alˈastsɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_114.wav|i jɛst mˈɔʒɛ sˈɔk?|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_41.wav|zjˈɛmɨ tsˈɔɕ? pˈɨta ˈɛlis.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_83.wav|znˈuf ruʃˈɨwa dɔː atˈaku.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_93.wav|a pɔvˈaʒɲʲɛ mˈuvʲɔnts, xˈɔtɕ rɔbʲˈimɨ tsˈɔ mɔʒˈɛmɨ, ʒˈɛbɨ znˈalɛɕtɕ pˈɔrtɛr, ˌɔsɔbʲˈiɕtɕɛ uvˈaʒam, ʒˈɛ tʃˈɛba mʲˈɛtɕ ɲʲˈɛtsɔ pˌɔvaʒɲʲˈɛjʃɨ mˈɔtɨf, ʒˈɛbɨ kˈɔɡɔʑ zˌamɔrdˈɔvatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_144.wav|pɔ krˈutkʲɛj xfˈili zˌakrɛɲtɕˈiwam zˈavur.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_74.wav|ubrˈanɨ vɛ frˈɛnx kɔlˈɔru marˈɛŋɡɔː i spˈɔdɲʲɛ tˈɨpu ɡalˈifɛ ujˈɛntɛ w wˈɨtkax f ʃtˈɨlpɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_45.wav|ɡdʑˈɛ mˈɔja bjɛlˈizna?|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_349.wav|tʃɨ ˌɔtstɔmpˈimɨ ɔt ˌɔblɛ̃ʒˈɛɲʲa, jˈɛɕli vˈɨɡra?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_23.wav|bˈardʑɔ pɔvˈɔli ʃˈukam drˈɔɡʲi utɕˈɛtʃki.|3
+Dataset/wavs/urwisko_ferenc/38_segment_47.wav|dwˈuɡɔ tɕˈɛ urˈabjaw?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_52.wav|ɲʲɛ zˌapɔminˈajmɨ, ʒˈɛ kʲɛrˈɔftsa fɔtsˈusa ɲʲɛ zˌapamjˈɛntaw mˌɛrtsɛdˈɛsa, xˈɔdʑ zˌaparkˈɔvaw tˈaɡ blˈiskɔ ɲʲˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_22.wav|ˈalbɔ pˈɔɕlɛtɕ ɕɛ dɔ mawˈɛɡɔ, ʑˌɛlɔnˈɛɡɔ pɔkˈɔju s krɔplˈufkɔ̃ w ramjˈɛɲʲu.|2
+Dataset/wavs/urwisko_ferenc/23_segment_153.wav|f tɛn spˈɔsup ˌɔtsunˈɔwbɨ ɔt ɕˈɛbjɛ|0
+Dataset/wavs/urwisko_ferenc/23_segment_74.wav|kˈivnɔw rˈɛŋkɔ̃ f kʲɛrˈuŋku dʒvˈi i zˌastanˈɔviw ɕɛ nat tʃˈɨmɕ, mˈarʃtʃɔnts tʃˈɔwɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_46.wav|ɲʲˈɛvaʃ ɕɛ nazˈɨvatɕ mɲʲɛ lɛɲˈivɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_61.wav|vʲˈɛm, ʒˈɛ mi ˈɔtɨm pˌɔvʲɛdʑˈawɛɕ, ʒˈɛkwa. dlatˈɛɡɔ jˈɔ̃ vwɔʒˈɨwam.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_130.wav|ˌalɛ vʲˈɛŋkʃɔɕtɕ s tˈɛɡɔ, tsˈɔ napˈisaw, jɛst prˈavdɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_170.wav|i ftˈɛdɨ dʒˈɔnnɨ tsˈabbz zadʑvˈɔɲiw dɔ tɕˈɛbjɛ.|2
+Dataset/wavs/urwisko_ferenc/01_segment_6.wav|pʃˌɛraʒˈɔna kɔbjˈɛta ɲʲˈɛmal ˌɔtskɔtʃˈɨwa ɔt ʃtʃˈɛlɲʲɛ zˌamkɲʲɛntˈɛɡɔː ˈawta, vˌɨstavʲɔnˈɛɡɔ na swɔnˈɛtʃnɨ ʒˈar.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_473.wav|vʲˈɛŋkʃɛ ˈɔknɔ, vʲˈɛŋkʃɨ...|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_40.wav|ɲʲˈɛvʲɛm, tsˈɔ ɕɛ dʑˈɛjɛ s tɨm pʃɛklˈɛntɨm dˈɔmɛm. mʲˈaw bˈɨdʑ ɡɔtˈɔvɨ tʃˈɨ tɨɡˈɔdɲʲɛ tˈɛmu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_5.wav|mˈɔʒɛ mi pˈaɲi pɔvʲˈɛdʑɛtɕ, skˈɔnd znˈa mˈartɛ pˈɔrtɛr? zapˈɨtaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_73.wav|a ɲʲɛktˌurɛ rɛlˈiɡʲɛ dˈajɔ̃ na tsˈɔɕ takʲˈɛɡɔ pʃˌɨzvɔlˈɛɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_72.wav|pˈɔra tsˈɔɕ pʃɛkˈɔ̃ɕitɕ, mˈɨɕli bʲˈillɨ i pˈɔznatɕ kɔlˈɛjnɨx nˈɔvɨx sɔ̃ɕˈaduf.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_98.wav|zˌasadʑˈɛɲʲɛ pravdʑˈivɨɣ dʒˈɛf kˌɔʃtɔvawˈɔbɨ zbˈɨd vʲˈɛlɛ zaxˈɔdu, ˌalɛ pˈarku mˈukw ɕɛ pɔʃtʃˈɨtɕidʑ bˈardʑɔ rˌɛalistˈɨtʃnɔ̃ ʒˈɛʑbɔ̃ pʃˌɛtstavʲajˈɔntsɔ̃ dʒˈɛvɔ tsˌɨnamɔnˈɔvɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_348.wav|pˈuʑɲʲɛj znˈɔvu uɕˈadwɛm na sfˈɔim wˈuʃku, vˌɨmjɛntɔʃˈɔnɨm pʃˈɛs pˌɔlitsjˈantuf.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_496.wav|ˌɔtʃɨmawˈɨɕtɕɛ ˈɔdɛ mɲʲɛ naʒˈɛɲdʑa pɔtʃˈɛbnɛ, bˈɨ zrˈɔbʲitɕ tɔ sˌamɔdʑˈɛlɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_108.wav|a jˈɛɕli xˈɔdʑi ɔ sˈɛr lɔrˈasa, jˌɛstɛm pˈɛvna, ʒˈɛ marɡˈarɨ bˈardʑɔ ɕɛ starˈawa ˈukrɨtɕ sfˈɔjɛ vɨstˈɛmpki pʃɛd brˈatɛm.|1
+Dataset/wavs/urwisko_ferenc/55_segment_100.wav|jɛst pˈaɲi pˈɛvna, ʒˈɛ xɔdʑˈiwɔː ɔ tɛn vwˈaɕɲʲɛ mˈɔdɛl?|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_87.wav|ɔ krulˈɛfskʲɛj krfˈi?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_8.wav|jˈak ˌɔna vɨɡlˈɔnda?|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_89.wav|a ɔn ɲʲˈɛmʲaw pɔvˈɔduf tɔ vˈɔntpitɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_46.wav|tɔ mʲˈawa bˈɨtɕ ɲʲˌɛspɔdʑˈaŋka. jˈakɔ jɛj bjˌɔlɔɡʲˈitʃnɨ ˈɔjtɕɛdʑ vidɲʲˈɛjɛ na ˈaktɕɛ ˌurɔdʑˈɛɲʲa, vʲˈɛnts ɲʲɛ mˈɔɡwam tˌɛɡɔ zˌiɡnɔrˈɔvatɕ, xˈɔdʑ bˈardʑɔ bˈɨm xtɕˈawa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_306.wav|ɲʲɛ ˈumjɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_64.wav|rˌɔzwɔntʃˈɨwam ɕɛ, zˌadʑvɔɲˈiwam dɔː ˌɔpʲɛkˈuŋki s prˈɔʑbɔ̃, ʒˈɛbɨ zɔstˈawa trˈɔxɛ dwˈuʒɛj, pɔ tʃɨm fskɔtʃˈɨwam dɔː ˈawta.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_95.wav|tʃɨ tɔː ix prˈɔtsɛs prˌɔduktsˈɨjnɨ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_39.wav|trˌaktɔvˈawa tɔ jˈakɔ tʃˈɛɲɕtɕ kɔntˈaktuf spɔwˈɛtʃnɨx.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_139.wav|jˈaɡʒɛ vʲˈɛlkɔ̃ ˈulɡɔ̃ jɛst pɔzvˈɔlitɕ tˌɛmu ɡwɔsˈɔvi pʃɛmˈuvitɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_26.wav|rurˈɔtɕɔŋɡ z mɔjˈɛɡɔ kˌɔmbʲinˈatu bjˈɛɡɲʲɛ prˈɔstɔ dɔ tsˈɛntrum pˌɔttʃɨmɨvˈaɲʲa ʒˈɨtɕa w bˈaɲtsɛ armstrˈɔŋɡa.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_40.wav|bjˈɛda tʃˈɨstkɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_233.wav|ˈalɛʃ pˈaɲʲɛ ˈɛn!|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_50.wav|pˈarɛ rˈazɨ ˈɔmal ɲʲɛ puɕtɕˈiwam uxfˈɨtu, ˌalɛ udˈawɔ mi ɕɛ vˈɨtrfatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_22.wav|dˈɔbʒɛ ˈɔtɨm vʲɛdʑˈawa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_361.wav|mˈɔɡwɛɕ ɕɛ zˌastanˈɔvitɕ, ɲʲɛ ɕpʲˈɛʃɨtɕ, znˈalɛʑdʑ vɨɡˈɔdnɛ mʲˈɛjstsɛ, a tˈɛras kˈaʒdɨ xtsˈɛ tɕˈɛbjɛ natˈɨxmʲast.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_140.wav|dɔː ˌukɔxanˈɛɡɔ mʲˈasta ljˈi.|3
+Dataset/wavs/urwisko_ferenc/50_segment_39.wav|pʃˈɨʃwa lɛkˈarka, dˈɔstaw jˈakʲɛɕ lˈɛki. ɔt tʃˈasu dɔ tʃˈasu zˌaɡlɔndˈawa dɔ ɲʲˈɛɡɔː ˌɔpʲɛkˈuŋka ɡrˈupɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_66.wav|ˌɔnɛ çˌixɔtˈawɨ, zˌaswaɲʲˈajɔnts ˈusta.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_93.wav|bˌɛɲdʑɛ pˈan mˈɔim prɛmjˈɛrɛm. mˈa pˈan bʲˈilɛd vˌizɨtˈɔvɨ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_136.wav|tɔ bˈardʑɔ dʑˈivnɛ.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_98.wav|ˌɔdvrutɕˈiwa ɕɛ plɛtsˈami dɔ mˈawɛj krulˈɔvɛj. tartʃˈɔvɛ vˈɨspɨ nalˈɛʒɔ̃ dɔ rˈɛax.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_52.wav|tɔ jɛst pɔvˈaʒna sprˈava, dʒˈɛs.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_569.wav|mˈɨknɔw zˌaxɛntsajˈɔntsɔː i nˈatɨm pɔpʃˈɛstaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_34.wav|xˈɛj, zˌavɔwˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_97.wav|a pˈɔza tɨm tɔ ɲʲɛ tˈakʲɛ prˈɔstɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_269.wav|ˌɛnɛrɡʲˈitʃnɨ rˈux wɔktɕˈami,|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_247.wav|mˈimɔ fʃˈɨstkɔ xtɕˈawbɨm ɡˈɔ dˈɔstatɕ f sfˈɔjɛ rˈɛntsɛ, pɔvʲˈɛdʑaw ɡˈɛrs fˈirst lˈɔvɛ.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_43.wav|rɔstɕˈɔŋɡaw ɕɛ z ɲˈiɣ vˈidɔk na rɔzlˈɛɡwɛ bwˈɔta i ɔdlˈɛɡwɛ vˈɔdɨ zatˈɔki krˈabuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_204.wav|jˈɛɕli vˈɨjdʑɛʃ s tˌɛɡɔ bˈɛs ʃfˈaŋku i s pʲɛɲʲˈɛndʑmi, tʃˈɛɲʑdʑ dˈaj jɛj i vˈɨɕlij jˈɔ̃ s pɔvrˈɔtɛm na fsxˈut.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_61.wav|mˈiska zjˈɛʒdʒa z bʒuʃˈɨska ɲˈika, pˈɔptsɔrn sˈɨpʲɛ ɕɛ na vˌɨkwadʑˈinɛ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_69.wav|rˈɔzlɛkw ɕɛ ɡwˈuxɨ wˈɔskɔt, ˌɔdbʲijajˈɔntsɨ ɕɛ ˈɛxɛm ɔd dˈaxuv brˈavɔs ɲˈitʃɨm bʒmʲˈɛɲʲɛ ˌɔdlɛɡwˈɛɡɔ ɡrˈɔmu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_116.wav|ɲʲɛ pˈatʃɨw na samˈɔlɔt, ktˌurɨ lˈɛtɕaw tˈɛras rˌuvnɔlˈɛɡlɛ dɔ pˈasa stˌartɔvˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_186.wav|bʲˈillɨ kɔʒˈɨsta z ˌubʲikˈatsji.|2
+Dataset/wavs/urwisko_ferenc/65_segment_101.wav|jˈasnɛ, ʑˈɛɲtɕ ɔt pɔtʃˈɔntku im ɲʲɛ pˈɔtʃɛd. ˌalɛ prˈavda jɛst tˈaka, ʒˈɛ kˈiŋɡa mˈa rˈatsjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_49.wav|mɔɡwˈɔbɨm fˈakt.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_191.wav|ftɕˈɔŋɡa ʃˈɔrtɨ, kwˈadʑɛ ɕɛ na kanˈapʲɛ i prubˈujɛ pɔmˈɨɕlɛtɕ ˈɔtɨm, tsˈɔ zrˈɔbʲi z dʑɛftʃˈɨnɔ̃, kʲˈɛdɨ ta ɕɛ ɔbˈudʑi, ˌalɛ ɡwˈɔvɛ pʃˈɛdɛ fʃˈɨstkim zapʃˈɔnta mu tsˈɔː innˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_136.wav|tˈak, mˈɨɕlɛ, ʒˈɛ tˈak.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_49.wav|tˌɛɡɔ tˈɨpu pɨtˈaɲʲa bˌɨwɨ dla mɲʲɛ zbˈɨd zwɔʒˈɔnɛ, ˌalɛ pˌɔkrɛɲtɕˈiwam ɡwˈɔvɔ̃, bˈɔ tʃˈuwam, tsˈɔ natxˈɔdʑi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_75.wav|skˈɔnt pʃˌɨjɛxˈawam? vɨbrˈawam dˈavɔn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_86.wav|ˈɛliz znˈuf krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_63.wav|zatʃˈɨna pˈisatɕ ɔ dɲʲˈu, kʲˈɛdɨ mˈali bˌɛjzbɔlˈiɕtɕi zɔstˈali ˌɔdɛswˈaɲi dɔ dˈɔmu, ˌalɛ vɨxˈɔdʑi tɔ ɲʲɛjˈakɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_65.wav|— ɡdʑˈɛ jˈɛstɛɕ, dˈɔm? — ɲʲˈɛmal kʃˈɨtʃɛ. — uspˈɔkuj ɕɛ, zjɛxˈawɛm vwˈaɕɲʲɛ dɔ sˌupɛrmarkˈɛtu pɔ tsˈɔʑ dɔ jɛdʑˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_54.wav|ftˈɛdɨ mˈɔʒɛʃ ɕɛ pʃɛkˈɔnatɕ, ʒˈɛ ɲʲɛktˌurɛ rˈuʒɛ mˌajɔ̃ stalˈɔvɛ kˈɔltsɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_196.wav|fstʃˈɨmaj ɕɛ z dɛtsˈɨzjɔ̃, ˈaʃ uswˈɨʃɨʃ, dˈɔkɔnt ɕɛ vɨbjˈɛram i dlatʃˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_93.wav|rˈɔɲi pˌɔvʲɛdʑˈawa, ta ruˈina tʃˈɨma ɕɛ tˌɨlkɔ na fˈarbjɛ, bˈɛnji.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_57.wav|ɡdˈɨʒ w dˈɔmu sɔ̃ɕˈɛdɲim kʃˈɨtʃaw ktˈɔɕ pʃˈɛs rˈadjɔ vˈɨw ɲʲɛˈɔmal.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_176.wav|zapwˈatɕiw. pˈɔtɛm pɔjˈɛxaw dɔ kˈɔmptɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_13.wav|tɔ tfˈɔja pʃˌɨjatɕˈuwka sˌabɔtaʒˈɨstka jɛzd za ɲˈiska.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_86.wav|ɲʲɛ vʲɛdʑˈawam, ʒˈɛ ɡˈɔ znˈaʃ, stsˈɔtt. tʃˈɛɡɔ xtɕˈaw?|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_139.wav|i tˈɛn, ktˈɔ tɔ zrˈɔbʲiw, ɔʃtʃˈɛɲdʑiw mʲˈastu kˈɔʃtuf prɔtsˈɛsu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_41.wav|vˌɨswuxˈawam vɨjˈaɕɲʲɛɲ ˈaʃa, ktˌurɨ ɔɕfʲˈattʃɨw, ʒˈɛ xtɕˈawbɨ pˈujɕtɕ, ʒˈɛbɨ pˌɔzamˈɨkatɕ pˈɛvnɛ sprˈavɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_30.wav|ɲʲɛ pɔvʲˈɛdʑɔ̃ ɲitʃˈɛɡɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_255.wav|ja tˈak pˌɔvʲɛdʑˈawɛm, ʒˈɛbɨ pˈana pɔstrˈaʃɨtɕ. pˈan tˈak tsˈawɛ ʒˈɨtɕɛ ʒˈɨjɛ na palˈuʃkax i rɔzɡlˈɔnda ɕɛ jˈak ptˈaʃɛk.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_319.wav|bˈɨ pɔfstʃˈɨmadʑ ɡˈɔ pʃɛt pˌɔxaɲbjˈɛɲʲɛm ɕlˈubuf.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_193.wav|ˌuswɨʃˈawa krulˈɔva.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_87.wav|dˈaj mi tˈɛras sfˈɔjɔ̃ lˈɛvɔ̃ rˈɛŋkɛ pɔvʲˈɛdʑaw pɔlˈitsjant.|0
+Dataset/wavs/urwisko_ferenc/03_segment_80.wav|ˌalɛ mˈɔɲʲa ɕɛ ˌupʲɛrˈawa, ʒˈɛ jɛst ɲʲɛvˈinna.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_90.wav|mʲˈɛjmɨ tɔ jˈɛdnaɡ za sˈɔbɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_7.wav|tˈaɡ bˈardʑɔ ɕɛ zˈaɲʲɔ̃ stˈɛ̃skɲiw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_15.wav|pʃɨjˈɛmɲʲɛ tʃˈutɕ jˈɛɡɔ tɕˈɛ̃ʒar.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_211.wav|dʒˈɛjms spˈɔjʒaw na raffˈɔrda.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_273.wav|ja xˈɨba ɕɲʲˈɛ, pˌɔmɨɕlˈawɛm. sˈɛn tɔ najlˈɛpʃɛ ˌuspravʲˌɛdlivʲˈɛɲʲɛ dla sˌɨtuˈatsji, f ktˌurɛ trˈudnɔː uvʲˈɛʒɨtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_21.wav|jˌɛstɛm pˈɛvna, ʒˈɛ pˈan ɕɛ tɕˈɛʃɨ s pɔvrˈɔtu dɔ dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_162.wav|jˌɛstɛʑ bˈardʑɔ waskˈava, pˈaɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_4.wav|f pʲˈɛrʃɨ wˈikɛnd vʒˈɛɕɲʲa zdaʒˈajɔ̃ ɕɛ dvʲˈɛ ɲʲɛdˈɔbrɛ ʒˈɛtʃɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_64.wav|maˈilɛ fskazˈujɔ̃ na mˈɔtɨf, a tɔ muɕˈawɔ vɨmˈaɡatɕ tʃˈasu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_88.wav|bˈutskɨ vɛtˈujɛ bˈutɨ na ɲˈiskim ɔptsˈaɕɛ. zˈamjast ɲˈix kˈaʒɛ ˈɛlliz vʑˈɔɲtɕ tˌɨɲisˈufki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_11.wav|ɲʲɛ zˌapɔmˈina ɔ rɔɡˈɔvɨx ˌɔkulˈaraɣ zɛrˈufkax tʃˌɛkajˈɔntsɨx na pˈuwtsɛ f salˈɔɲʲɛ rˈazɛm s tˌɛrɛsˈɛɔ̃ rˈaɡvin.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_107.wav|mˈam ɔxˈɔtɛ kʃˈɨknɔɲtɕ na ɲʲˈɛɡɔ, ʒˈɛ strˈaʃɨ mˈɔjɛ dʑˈɛtɕi, ˌalɛ mˈuʃɛ ɕɛ skˌɔntsɛntrˈɔvatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_20.wav|tʃˈɛɕtɕ, ʃˈɛfjɛ pˌɔvʲɛdʑˈawa bˈɛtskɨ. vʒutɕˈiwa tɔrˈɛpkɛ pɔd bjˈurkɔː i uɕˈadwa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_104.wav|ɲʲɛ najɡˈɔʒɛj, xˈɔtɕ pɔʃˈɛdwɛm xˈɨba za dalˈɛkɔ. pˌɔstanɔvˈiwɛm, ʒˈɛ pɔdjˈadɛ dɔ pˈarku, ʒˈɛbɨ zmʲˈɛɲitɕ trˈɔxɛ stsɛnˈɛrjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_27.wav|kʲˈɛdɨ ˈidɛ kˌɔrɨtˈaʒɛm f strˈɔnɛ sxˈɔduf, rɔzlˈɛɡa ɕɛ dʑvˈɔnɛk pʃɨ vˈɛjɕtɕu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_55.wav|tʃɨ naprˈavdɛ rˈɔzbʲiwbˌɨ sˈɔbjɛ tfˈaʃ i prˈavʲɛ ɕɛ zˈabʲiw?|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_131.wav|dɔpˈilnuj, ʒˈɛbɨ ˌɔtʃɨʃtʃˈɔnɔː i ˌɔpatʃˈɔnɔ mu rˈanɨ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_155.wav|ˈɛwrɔn pʃɨtɕˈisnɔw ɕˈinɛ vˈarɡʲi dɔ jɛj ʃˈɨi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_28.wav|jˈɛɕli ɲʲɛ bˌɛndɛ mʲˈawa ɡɔtˈɔvɛj ˌɔtpɔvʲˈɛdʑi, zˈatʃnɔ̃ zɡadˈɨvatɕ, a ftˈɛdɨ pɔjˈavjɔ̃ ɕɛ prɔblˈɛmɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_147.wav|za mʲˈɛɕɔndʑ bˌɛɲdʑɛ ɕɛ tˈutaj rˈɔitɕ ɔt ix lˈudʑi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_292.wav|tʃɨ ja dˈɔbʒɛ ɕɛ dɔmˈɨɕlam, ɔt kˈɔɡɔ tɔ jˈɛst? pˈɨta ˈɛlis.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_56.wav|a tˈɨ, dʒˈɛk, jˈaɡ zarˈabjaʃ na xlˈɛp i pˈifkɔ?|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_362.wav|pʃɨɲʲˈɔsɛ tɕi kˈilka vɛwɲʲˈanɨx nˈaʒut.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_45.wav|ɡdˈɨ viktˈarjɔn sprubˈɔvaw ɡˈɔ vɨʃˈarpnɔɲtɕ, pˈɔkwad zˌakɔwˈɨsaw ɕɛ, ˌɔbalˈajɔndʑ ɡˈɔ na jˈɛdnɔ kɔlˈanɔ.|1
+Dataset/wavs/urwisko_ferenc/01_segment_12.wav|zɡʒˈɨtnɔw rˈɛntʃnɨ, a pˈɔtɛm tɕˈiʃa znˈuf na mˈɔmɛnd vˌɨpɛwɲˈiwa tɔ mʲˈɛjstsɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_116.wav|ˌadmiɲˌistratˈɔrka uɲʲˈɔswa brvˈi.|4
+Dataset/wavs/urwisko_ferenc/49_segment_44.wav|ɲʲɛ sˈɔndʑɛ, sɔ̃ bˈardʑɔ dˌɛlikˈatnɛ. f tˈakim pʃɨpˈatku pʃɨnˈajmɲʲɛj tʃˈɛɲʑdʑ z ɲˈiɣ zɔstˈawabˌɨ zɛrvˈana.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_36.wav|ˈɔbras prˈavʲɛ ɕɛ ɲʲɛ tʃˈɛɲɕɛ, nˈavɛt na najvʲˈɛŋkʃɨm zbliʒˈɛɲʲu i bʲˈillɨ vbrˈɛf sˈɔbjɛ jɛst pˈɛwɛn uznˈaɲʲa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_57.wav|dlatʃˈɛɡɔ lˈudʑɛ zˌabʲijˈajɔ̃?|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_277.wav|kʲˈɛdɨ stˈɔnd vˈɨjdɛ, kˈaʒɛ fʃˈɨstkix ɕtɕˈɔɲtɕ i znˈajdɛ na ix mʲˈɛjstsɛ lˈɛpʃɨx lˈudʑi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_341.wav|zˌɔbatʃˈɨmɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_148.wav|mˈɔɡwam kɔʒˈɨstatɕ s publˈitʃnɨx tɔˈalɛd w ɡwˈɛmbʲi kˌɔrɨtˈaʒa, kʲˈɛdɨ ɲikˈɔɡɔ ɲʲɛ bˌɨwɔ f pɔblˈiʒu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_44.wav|na pˈɛvnɔ w ɕrudmʲˈɛɕtɕu. ɡdʑˈɛ, f ktˌurɨm mʲˈɛjstsu, tˌɛɡɔ ɲʲɛ mˈɔɡɛ sˈɔbjɛ pʃɨpˈɔmɲʲɛtɕ. ɲʲɛ jˌɛstɛm rˈuvɲʲɛʃ pˈɛvʲɛn, tʃɨ prˌɔvadʑˈiwa dɔ pʃɨjˈatɕuw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_26.wav|ʒˈutsa ʃɨdˈɛrtʃɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_238.wav|spˈaɲʲɛ na kanˈapʲɛ s tsˌɛkɕistˈɔfskʲɛ? ʒartˈujɛʃ sˈɔbjɛ.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_138.wav|jˈɛɡɔ lɔrdˈɔfska mˈɔɕtɕ tˈam ɕɛ mˈɔdli.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_22.wav|ɲʲˈɛxtsɛ mˈuvitɕ ˌaɲi jɛj, ˌaɲi ɲikˈɔmu innˈɛmu, ʒˈɛ zatʃˈɨnam pˌɔvɔntpʲˈɛvatɕ, tʃɨ mˈili kʲˌɛdɨkˈɔlvʲɛɡ zɔstˈaɲʲɛ ˌɔdnalɛʑˈɔna.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_53.wav|tɛlˈɛfɔn daltˈɔna zatʃˈɨna dʑvˈɔɲitɕ f xfˈili, kʲˈɛdɨ bʲˈillɨ fxˈɔdʑi s pɔvrˈɔtɛm dɔ bjˈura. tɔ dˈɔn jˈɛnsɛn.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_198.wav|ktˌurɨ zˌapalˈifʃɨ nɔvˈɛɡɔ pˌapʲɛrˈɔsa, vˈɔlnɔ vˈɨɕat s sˌamɔxˈɔdu|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_41.wav|pʃˌɨvitˈajɔ̃ ritsˈassɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_159.wav|i kˈilka stɔlˈikuf ɲʲɛ dɔ kɔmplˈɛtu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_105.wav|fspˈulɲik rɛɡɡʲˈɛɡɔ s fˌurɡɔnˈɛtki vɨdʑˈawu rˈɔbut publˈitʃnɨx, drˈɔbnɨ rudʑˈɛlɛdʑ z ˌidjɔtˈɨtʃnɨm mˈɛ̃skim kˈɔkʲɛm, ktˌurɨ vɨmˈɔndʒaw ɕɛ w ɡˈɛrart tˈɔvɛr.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_33.wav|dˈɔm jɛst ʃˌɛrɛɡˈɔftsɛm z ˌɛlɛvˈatsjɔ̃ vˌɨkɔnˈanɔ̃ s ʃˈarɨx kamˈɨkuf i vˌɨkuʃˈami ɔt frˈɔntu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_154.wav|kʲˈɛdɨ na ɲʲˈɛɡɔ pˈatʃɛ, ɲʲɛpˈɛvna tsˈɔ pɔvʲˈɛdʑɛtɕ, dɔstʃˈɛɡam jˈakiɕ rˈuɣ za jˈɛɡɔ plɛtsˈami.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_116.wav|ˌɔbɛrʒˈɨsta pʃɨɕˈɛŋɡaw, ʒˈɛ tɛn tʃwˈɔvʲɛk mʲˈaw pˌɔpaʒˈɔnɔ̃ pɔwˈɔvɛ tfˈaʒɨ.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_79.wav|tsˈɔ maʃ nadʑˈɛjɛ tˈam znˈalɛɕtɕ?|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_181.wav|ˌadmiɲˌistratˈɔrka pˌɔkivˈawa ɡwˈɔvɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_109.wav|pɔ xɔlˈɛrɛ brˌazɨlˈijskʲɛj mˈafji jɛst pɔtʃˈɛbna xˈuta ˌalumˈiɲʲum na kɕɛ̃ʒˈɨtsu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_64.wav|a ˈɛdmunts ˈuʒɨw imjˈɛɲʲa stsˈɔtt.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_119.wav|na stˈɔwku ˌɔbɔk ɕˈɛdʑaw jˈakiɕ çˈiɲtʃɨk. vɨɡlˈɔndaw na pʲɛɲdʑˈɛɕɔnt kˈilka lˈat, bˈɨw ubrˈanɨ f tʃˌɨtʃɛɲɕtɕˈɔvɨ ɡarɲˈitur i nˈɔɕiw fstrˈɛntnɔ̃ zatʃˈɛskɛ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_265.wav|stˈara, xˈɔra i bʒˈɨtka.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_76.wav|ɲʲˈɛmɨɕl ˈɔɲʲɛj, pɔvʲˈɛdʑaw ˈandɛrsɔn. mˈɨɕl ˈɔtɨm, ʒˈɛ mˈɔʒɛʒ bˈɨdʑ ɡdʑˈɛ ˈiɲdʑɛj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_206.wav|tˈak, jˈɛɕli faktˈɨtʃɲʲɛ fskaʒˈɛmɨ zvɨtɕˈɛ̃stsɛ i pʃˌɛkaʒˈɛmɨ naɡrˈɔdɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_124.wav|ɲʲɛ bˌɨwa tɔ tˌajɛmɲˈitsa, ˌalɛ ɲˈikt ɲʲɛ mˈuviw, tsˈɔ dʑˈɛjɛ ɕɛ s tˈɨmi, ktˌuʒɨ ɲʲɛ zˌapwatɕˈili.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_53.wav|tʃˈɨtaw ˈɔtɨm ɡdʑˈɛɕ, dˈavnɔ tˈɛmu. zˌastanˈavʲaw ɕɛ, tʃɨ ɡˈɔʑdʑik tˈɛʃ ˈɔtɨm vʲɛdʑˈawa, tʃɨ kɔjˈamɔ pˌɔvʲɛdʑˈawa jɛj, tsˈɔ mˈa zrˈɔbʲitɕ.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_24.wav|ˌalɛ jˈɛɕli xtsˈɛʃ, mˈɔʒɛʒ dʑˈiʑ dʑˈɛlidʑ zˈɛmnɔ̃ wˈɔʒɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_51.wav|kɔlˈatsjɛ jˈɛdʑɔ̃ f pɔblˈiskʲɛj bˈarɡɛr bˈarn. pɔ pɔvrˈɔtɕɛ dɔ mɔtˈɛlu bʲˈillɨ pɔdwˈɔntʃa dɔ kˌɔmputˈɛra pˌɛndrivˈɛa zˈɛ sfˈɔjɔ̃ ˌɔpɔvʲˈɛɕtɕɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_327.wav|spˈuɕtɕiw naɕˈɛɲʲɛ na jɛj ˈudɔ, ɡdˈɨ prˌubɔvˈawa fprɔvˈadʑidʑ ɡˈɔ rˈɛŋkɔ̃ dɔ ɕrˈɔtka.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_77.wav|ɲʲɛ ɔpxˈɔdʑi mɲʲɛ tˈɛras, ktˈɔ jɛst tʃˌɛmu vˈiɲʲɛn. tsˈɔ tfˈɔim zdˈaɲʲɛm pˌɔvinɲˈiɕmɨ zrˈɔbʲitɕ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_44.wav|xˈɔtɕaʃ tɛ fʃˈɨstkʲɛ zmartfʲˈɛɲʲa ɔtpˈadnɔ̃, jˈɛɕli ɲʲɛ dˈa ɕɛ zwˈapatɕ, tˈak jˈak ɲʲˈɛdaw ɕɛ dɔ tɛj pˈɔrɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_16.wav|tɔ bˈɨw naprˈavdɛ ˌimpɔnujˈɔntsɨ pʃˈɨjast, uznˈawa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_242.wav|znˈuf kwˈadʑɛ ɕɛ na plˈɛtsax i vbʲˈija vzrˈɔk f tɕˈɛmnɔɕtɕ. ɲʲɛ, tɔ mu ɕɛ zupˈɛwɲʲɛ ɲʲɛ pɔdˈɔba.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_286.wav|ɲʲɛ mˈɔɡwa rˌɨzɨkˈɔvatɕ, ʒˈɛ zaskˈɔtʃɨ jˈɔ̃ ulˈɛva i pʃɨbˈɛɲdʑɛ dɔ sˈɛptu bˌaalˈɔra ˌɔtɕɛkˈajɔndʑ vˈɔdɔ̃. tɔ znatʃˈɨwɔ, ʒˈɛ mˈuɕi skɔʒˈɨstadʑ z lˈɛktɨkˌi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_237.wav|ˈɛstɛr ɲʲɛ mˈɔʒɛ mʲˈɛdʑ dʑˈɛtɕi, tʃɨ vʲˈɛʃ ˈɔtɨm?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_317.wav|paxnˈɔntsɛj jˈakɔ̃ɕ ɛɡzˈɔtɨkˌɔ̃ ˈalbɔ tʃˈɨmɕ ɲʲɛznˈanɨm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_48.wav|pʃˈɛs mˈɔmɛnt jɛzd vɨrˈaʑɲʲɛ fstʃɔ̃ɕɲʲˈɛnta, ˌalɛ pɔ xfˈili na jɛj tfˈaʒɨ pɔjˈavja ɕɛ vˈɨraz zˌakwɔpɔtˈaɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_184.wav|ɲʲˈɛvʲɛm, ˌalɛ xˈɛntɲʲɛ pɔjˈadɛ pɔ zakˈupɨ. ja tˈɛʃ, mˈuvi ˈɛlis, tˌɨlkɔ dˈaj mi lˈistɛ. zaɡlˈɔnda dɔ lɔdˈufki. pʃɨdˈawɨbˌɨ ɕɛ jˈakʲɛʑ vaʒˈɨva.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_25.wav|pˌɔvʲɛdʑˈɛli, ʒˈɛ tʃɨmˈali fʃˈɨstkɔ f tˌajɛmɲˈitsɨ, ʒˈɛbɨ tɔ bˌɨwa ɲʲˌɛspɔdʑˈaŋka.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_156.wav|z jˈakɔ̃ɕ pɔɡrˈuʃkɔ̃ ˈalbɔ zamjˈarɛm zˈɛmstɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_250.wav|prˈɔʃɛ, pˌɔvʲɛdʑˈawam zˌatʃaskˈujɔnts klˈamrɛ. tˈɛras pasˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_163.wav|i ɡdˈɨbɨ tɛn jˈɛɡɔ pistˈɔlɛt ɲʲˈɛbɨw nˌawadɔvˈanɨ, tˈɛʒ bˈɨm zɡʲˈinɔw, ˌalɛ vʲɛdʑˈawɛm, ʒˈɛ nˌawadɔvˈanɨ bˈɨw zˈafʃɛ, ʒˈɛbɨ w rˈaʑɛ tʃˈɛɡɔː ɔtstrˈaʃɨdʑ vwˌamɨvˈatʃɨ, jˈak ɔn ix nazˈɨvaw.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_235.wav|tsˈɔ tɔ za mʲˈɛjstsɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_151.wav|nˌatɕisnˈɛwam ɡˈuzik i ˌuswɨʃˈawam dˌɔbjɛɡajˈɔntsɨ z vnˈɛntʃa ɲʲˌɛvɨʃukˈanɨ ˈɔdɡwɔz bʒɛntʃˈɨka.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_162.wav|ftˈɛdɨ dʒvˈi pɔkˈɔju jˈatska ˌɔtfɔʒˈɨwɨ ɕɛ, a tˌɛlɛvˈizɔr ˈutɕix.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_17.wav|stˈɛvɛ zˈɛrka w mˈɔjɔ̃ strˈɔnɛ i unˈɔɕi brvˈi, ˌalɛ ɕɛ ɲʲɛ ɔdʑˈɨva. kɔbjˈɛta skrˈɛntsa w lˈɛvɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_32.wav|tˈaɡ vʲˈɛnts mˌamɨ tˈɨlɛ tlˈɛnu,|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_294.wav|mɲʲɛ bˌɛɲdʑɛ mˈikɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_26.wav|tfˈaʃ tsˌamɛrˈɔna mʲˈawa paskˈudnɔ̃ bˈarvɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_114.wav|jɛstˌɛɕmɨ ˌidɛˈalnɔ̃ prˈalɲʲɔ̃ brˈudnɛj fˈɔrsɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_223.wav|tˈak, pˌɔvʲɛdʑˈawa, bˌɛndɛ pamjˈɛntatɕ, sˈama tˌɛɡɔ xtɕˈawam. ɲʲɛ zapˈalaj ɕfʲˈatwa.|0
+Dataset/wavs/urwisko_ferenc/48_segment_33.wav|ɲʲˌɛudˈɔlɲʲɛ rˌɔzmasɔvˈɨvaw kˈark.|0
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_17.wav|tˈuʒ za dʒvʲˈami kajˈutɨ viɕˈawa lˈampa i fxˈɔdʑɔnts, sˈam udˈɛʒɨw ˈɔɲʲɔ̃ ɡwˈɔvɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_141.wav|fxˈɔtɕtɕɛ, fxˈɔtɕtɕɛ. sxˈɔdɨ sɔ̃ z bˈɔku. jɛstˌɛɕtɕɛ ɡwˈɔdɲi?|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_125.wav|lˈɔrd bˈɛrits mˈɔʒɛ sprubˈɔvatɕ uvˈɔlɲitɕ ɛdmˈura pʃɛd dɔtˈartɕɛm dɔ zwɔtˈɛɡɔ zˈɛmba.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_72.wav|dˌɔskɔnˈalɛ vʲˈɛm, jˈakʲɛ bɨvˈajɔ̃ kˌɔnsɛkfˈɛntsjɛ rˌɔstʃarɔvˈaɲʲa arˈama.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_172.wav|ɲʲɛ muvˈimɨ jˈɛdnak ɔ pˈɛwnɨm rˈiɡɔr mˈɔrtʲis.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_91.wav|pɔvʲˈɛdʑaw dˌɛlikˈatɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_239.wav|blˈatskfiʃ pɔjˈaviw ɕɛ na xfˈilɛ na mˈurax i ɔznˈajmiw, ʒˈɛ ɲʲɛ bˌɛɲdʑɛ marnˈɔvaw pʲˈɛŋknɨx swˈuv dla kˈɔɡɔɕ tˈak ˌɔbmʲɛrzwˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_446.wav|a jˈak tɔ ɕɛ stˈawɔ, ʒˈɛ ɕɛ ɲʲɛ pɔbrˈaliɕtɕˌɛ? zapˈɨtaw jˈamɛ.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_293.wav|tsɛrsˈɛi vˌɨsunˈɛwa ɕɛ spˈɔt kˈɔtsuf. zjˈɛm dʑˈiɕ ɕɲʲadˈaɲʲɛ s krˈulɛm.|1
+Dataset/wavs/urwisko_ferenc/08_segment_112.wav|pʃˈɛʃwɔ mu pʃˈɛs mˈɨɕl, ʒˈɛ bˈɨtɕ mˈɔʒɛ nˌalɛʒˈawɔ vˌɨprɔvˈadʑitɕ klˈup s tɔrˈuɲʲa, nˈavɛt na krˈutkɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_26.wav|na ʃtʃˈɛɲɕtɕɛ lˈutsɨ ɲʲɛ spravʲˈawa vraʒˈɛɲʲa, jˈaɡbɨ stˈawa ɕɛ jɛj jˈakaɕ kʃˈɨvda.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_49.wav|pˈɨta, ˌalɛ ˈɔbjɛ krɛɲtɕˈimɨ ɡwɔvˈami.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_42.wav|vɨbrˈaɲtsuv zˌapraʃˈanɨx pˈuʑɲʲɛj dɔ lˌakɛsˈidɛ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_136.wav|minstrˈɛllɛ swˈɨnɔ̃ s tˈɛɡɔ, ʒˈɛ xˈɔdʑɔ̃ dˈɔkɔnt xtsˈɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_210.wav|pɔ pɔptsˈɔrɲʲɛ ɲʲɛ mˌajɔ̃ ɔxˈɔtɨ na kɔlˈatsjɛ. zˈamjast tˌɛɡɔː ˌɔɡlɔndˈajɔ̃ vʲˌadɔmˈɔɕtɕi i jˈɛdʑɔ̃ bˈudɲi s kˈupkuf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_180.wav|tʃˈɨma ɕɛ jˈɛdnaɡ z dˈala ɔt ɲʲɛlˈɛtɲix, jˈak ɔt trutɕˈiznɨ, bˈɔ sɔ̃ trutɕˈiznɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_163.wav|tʃˈɛkatɕ tˈɛʃ ɲʲɛ mɔʒˈɛmɨ, bˈɔ bˈuʃ lˈada dʑˈɛɲ dˈa ʑɛlˈɔnɛ ɕfʲˈatwɔ na ˌɔpɛrˈatsjɛ pˌatsɨfˌikatsˈɨjnɔ̃ i jˈɛɕli kˈɔmuɕ ˈɔtɨm pɔvʲˈɛtɕɛ, bˌɛndɛ vˈas mˈuɕaw zˈabʲitɕ.|2
+Dataset/wavs/urwisko_ferenc/47_segment_92.wav|xˈɛrman vˌɨjaɕɲˈiwa mu, jˈak trˈafidʑ dɔ dvˈɔrku, pɔ tʃɨm ɔstʃˈɛɡwa. — tˈɨlkɔ, ʒˈɛbɨ pˈan ɕɛ pˈɔtɛm ɲʲɛ vɨkrˈɛntsaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_9.wav|skupˈiskɔ kˈɔpu|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_23.wav|tˈak, pˈaɲʲɛ xˈɔff. ʒˈɔna zdrˈɔva? artrˈɛtɨzm trˈɔxɛ jɛj dɔkˈutʃa, ˌalɛ pˈɔza tɨm mˈa ɕɛ ɲʲˈɛʑlɛ.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_169.wav|bwˈaɡaw ɔ dˈar wˈaski, ˌalɛ ja pʃɨɕˈɔŋɡwɛm, ʒˈɛ jˈuʃ ɲʲɛ bˌɛndɛ zabʲˈijaw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_36.wav|fʃˈɨstkɔ mˌamɨ pɔt kɔntrˈɔlɔ̃. ˌɔtʃɨvˈiɕtɕɛ kˈaʒdɨ z mʲɛʃkˈaɲtsuf mˈɔʒɛ bˈɨtɕ rˈuvɲʲɛʃ pˌɔdɛjʒˈanɨm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_44.wav|f tʃɨm mˈɔɡɛ pˈaɲi pˈɔmuts? dɔmˈɨɕlam ɕɛ, ʒˈɛ xˈɔdʑi ɔ ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_54.wav|bˈɔ lˈudʑɛ vʲˈɛʒɔ̃, ʒˈɛ nalˈɛʒɨ dɔ ɲˈix ix rɔdʑˈina, pʃˌɨjatɕˈɛlɛ i kˌɔxaŋkˈɔvʲɛ.|3
+Dataset/wavs/urwisko_ferenc/52_segment_71.wav|xudʑˈiɲski pˈɔtar tʃˈɔwɔ.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_155.wav|ˌalɛ mɨ ɲʲɛ jɛstˌɛɕmɨ krulˈami, tˌɨlkɔ brˈatɕmi ˌubɔɡʲˈimi. ɲʲɛ mˈɔʒɛʒ vˈɛjɕtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_83.wav|pɔtʃˈuwam nˈaɡwɔ̃ ɔxˈɔtɛ, ʒˈɛbɨ vɨskˈɔtʃɨtɕ s sˌamɔxˈɔdu i ˈutɕɛts s pɔvrˈɔtɛm dɔ ʃkˈɔwɨ, a pˈɔtɛm zatʃˈasnɔɲdʑ za sˈɔbɔ̃ dʒvˈi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_65.wav|nˈavɛt ɲʲɛ prubˈujɛ spˈɔjʒɛtɕ f tsɛlˈɔvɲik, ktˌurɨ na pˈɛvnɔ jɛst mˈɔtsnɔ skʃɨvʲˈɔnɨ, tˌɨlkɔ pʃɨkwˈada pɔlˈitʃɛɡ dɔ kˈɔlbɨ i pˈuʃtʃa sˈɛrjɛ ʃˈɨpkix stʃˈawuf. pˈax, pˈax, pˈax, pˈax, pˈax.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_207.wav|pʃˌɛtɕɛʃ lˈudʑɛ bˌɛndɔ̃ xtɕˈɛli ɕɛ dɔvʲˈɛdʑɛtɕ, ktˈɔ vˈɨɡraw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_101.wav|unˈɔɕi brvˈi, jˈaɡbɨ uznˈawa, ʒˈɛ sˈama ɕɛ ɲˈim zˌaintˌɛrɛsɔvˈawam, pɔ tʃɨm vrˈatsa dɔ jˈɛɡɔ prɔfˈilu.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_424.wav|ftɕˈɔ̃ʃ ɲˈikt ɲʲɛ ɔtfʲˈɛraw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_56.wav|pɛvnˈɛɡɔ dɲʲˈa vˌɨmknɛwˈɨɕmɨ ɕɛ dɔ jˈɛdnɛj s ʃˈɔp na sˈamɨm kˈɔɲtsu ɔɡrˈɔdu i tˈam tˌaɲtʃɨwˈɨɕmɨ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_47.wav|ɡdˈɨ vrˈɛʃtɕɛ tɔ zrɔbʲˈiwɨ, fʃˈɨstkʲɛ pɔxˈɔdɲʲɛ jˈuʃ ɕɛ dˌɔpalˈawɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_68.wav|tˈɛraz znˈam pʃɨnˈajmɲʲɛj jɛj ˈimjɛ, dʑˈɛŋki tʃˌɛmu ɲʲɛ pɔvˈinnɔ tɔː ɔkˈazatɕ ɕɛ ˈaʃ tˈak trˈudnɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_102.wav|tɔ sˈamɔ dɔtˈɨtʃɨ jɛj bratɕˈiʃka, ktˌurɨ ɲʲˈɛmʲaw z ɲʲˈɔ̃ kɔntˈaktu, ɔt kʲˈɛdɨ skˈɔɲtʃɨw kˈilka tɨɡˈɔdɲi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_52.wav|mɔʒˈɛmɨ fstˈatɕ i ˈiɕtɕ. ɲʲˈɛbɔɲtɕ pˈan ɡwˈupi pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_34.wav|xtɕˈawam tˌɨlkɔ tɕˈɛ pˌɔinfɔrmˈɔvatɕ, ʒˈɛ pʃɨdʑˈɛlam dɔ ɲʲˈɛj innˈɛɡɔː ˌinspɛktˈɔra.|4
+Dataset/wavs/urwisko_ferenc/40_segment_11.wav|ɔdʒˈutɕiw pˌɔwɔntʃˈɛɲʲɛ i napˈisaw smsˈa, tsˈɔ jˈɛst.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_360.wav|ftˈɛdɨ ɔn ˈurvaw ɕɛ z altsˈatras i pʃˈɨʃɛd dɔ ɲʲˈɛj, ʒˈɛbɨ ɡˈɔː ukrˈɨwa i trˈafiw na jɛj ɕlˈub z ˈinnɨm, vʲˈɛnts...|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_218.wav|pˈɔtɛm dvʲˈɛ tsˈurki umˈarwɨ na frˈantsɛ i zɔstˈawɔ ʃˈɛɕtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_22.wav|ɔdvrˈatsam ɕɛ dɔ ɲʲˈɛɡɔ. mˈuɡwbɨʑ zˈabratɕ xˈɔli dɔ ʃkˈɔwɨ? mˈuʃɛ pˌɔrɔzmˈavʲatɕ s paɲʲˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_190.wav|tˈɨlnɛ dʒvˈi ɕɛ ˌɔtfʲɛrˈajɔ̃ i vɨɕˈada kɔlˈɛjnɨ mˌundurˈɔvɨ. tɛn jɛst mʲɛɲɕɲʲˈakʲɛm w rɔzmʲˈaʒɛ ˌiksˈɛl.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_228.wav|tsˈawɨ tʃˈas.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_67.wav|dˈɔʃwɔ dɔ tˌɛɡɔ pɔ tʃtˈɛrɛx tɨɡˈɔdɲʲax spɛndʑˈɔnɨɣ z nˈami.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_6.wav|spˈɨtaw tɕˈixɔ tˈɔm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_67.wav|vwˈaɕɲʲɛ zatʃˈɨnaw vʲˈɛʒɨtɕ, ʒˈɛ udˈawɔ mu ɕɛ ɔdʑˈɨskadʑ brˈata, a tˈɛras kˈatɛ vʲɛdʑˈawa, ʒˈɛ ftsˈalɛ ɲʲɛ ˈumar. a ɲʲɛ nˌalɛʒˈawa ˌɔna dɔ najlˈɛpʃɨx pˌɔvʲɛrɲˈikuf tajˈɛmɲits.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_186.wav|kɔlˈɛjnɨm pɔvˈaʒnɨm krˈɔkʲɛm bˌɛɲdʑɛ fprˌɔvadʑˈɛɲʲɛ pɔdˈatkuf.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_354.wav|kʲˈɛdɨ dˈɔtʃɛ dɔ vzɡˈuʒa dˈuxuf, pʃɛkˈɔna ɕɛ, ʒˈɛ lˈadɨ tˈɔlant jɛzd zdˌɛtsɨdɔvˈana jˈɔ̃ pʃˌɛlitsɨtˈɔvatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_281.wav|tˈak, tsˈɔ napˈisaw?|2
+Dataset/wavs/urwisko_ferenc/36_segment_15.wav|na xfˈilɛ pʃˈɛtɕɔŋk na dˈuw firˈanɛ, ktˌura zˌataɲtʃˈɨwa krˈutkɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_66.wav|nˌadʲinspˈɛktɔr dɔˈuɡlas mˈuɕi ɕɛ kɔɲʲˈɛtʃɲʲɛ ˈɔtɨm dɔvʲˈɛdʑɛtɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_63.wav|ˌɔdwɔʒˈɨwa vidˈɛlɛts i wˈɨʃkɛ, ktˌurɨx ˌuʒɨvˈawa dɔ mʲɛʃˈaɲʲa w mˈistsɛ i ˌɔdvrutɕˈiwa ɕɛ dɔ luˈizɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_5.wav|tˈatɔ!|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_273.wav|ɡdʑˈɛ bɛɲdʑˌɛmɨ mˈɔɡli ɕmʲˈatɕ ɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_152.wav|pʃɛstˈajɛ pʃɛʒˈutsatɕ tɛlˈɛfɔn z rˈɛŋki dɔ rˈɛŋki i pˈuʃtʃa jˈɛʃtʃɛ jɛdnˈɛɡɔ ˌɛsˌɛmˈɛsa dɔ dʒˈɔrdʒja.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_61.wav|nˌajpɔbɔʒɲʲˈɛjɕi rˈuvɲʲɛʃ muɕˈɛli ɔʃˈalɛtɕ, jˈɛɕli vɨɲʲˈɛɕli tˈɛ krˌɛatˈurɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_16.wav|ɲʲɛ tsɔdʑˈɛnɲʲɛ, ˌalɛ na tˈɨlɛ tʃˈɛ̃stɔ, bˈɨ na kˈɔntax ɲʲɛ zbjˈɛraw ɕɛ kˈuʃ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_211.wav|zavʲˈasɨ i zamˈɛtʃɛɡ zrɔbjˈɔnɔ z bjawˈɛɡɔ zwˈɔta.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_6.wav|rˌɛtsɛptsjɔɲˈistka f xɔtˈɛlu w mˌanxɛstˈɛʒɛ zˌɔbatʃˈɨwa ˈalɛrd dˌɔtɨtʃˈɔntsɨ pɔrvˈaɲʲa dʑˈɛtska zˈɛ zdjɛɲtɕˈami mˈartɨ i alfjˈɛɡɔ pɔrtˈɛruf.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_258.wav|pˈɔswaw mi znatʃˈɔntsɛ spɔjʒˈɛɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_90.wav|pʲɛtnˈaɕtɕɛ kˌɔndɨɡnˈatsji w ɡˈurɛ pɔ sxˈɔdax mɔɡwˈɔbɨ na ʑˈɛmi zˈabʒmʲɛtɕ pʃˌɛraʒajˈɔntsɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_28.wav|w ɔɡˈulɛ ɲʲɛ pɔvˈinnam jɛj pˈitɕ. pˈɔnɔdʑ ɡɲˈijɛ tʃwˌɔvʲɛkˈɔvi w jɛlˈitax tʃɨ tsˈɔɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_142.wav|i pɔvˈinnaʑ zadʑvˈɔɲidʑ dɔː ˌadvɔkˈata.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_18.wav|mˈa tˈaɡʒɛ kˈartɛ xˌɔnɔrɔvˈɛɡɔ dˈaftsɨ krfˈi, kˈartɛ ˌubɛspʲɛtʃˈɛɲʲa spˌɔwɛtʃnˈɛɡɔː i nalˈɛʒɨ dɔ ɡrˈupɨ ˌuʒɨtkɔvɲˈikuf ˈapplɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_231.wav|mˈa pˈan jˈɛʃtʃɛ kˈɔɡɔɕ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_67.wav|kʲˈɛdɨ pʃɛsˈuvam ɕɛ ɔstrˈɔʒɲʲɛ za zˈakrɛnt, zˌauvˈaʒam kɔlˈɛjnɛ dʒvˈi. tɛ sɔ̃ lˈɛkkɔː ˌuxɨlˈɔnɛ, vʲˈɛndʑ vˈɔwam pɔnˈɔvɲʲɛ...|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_3.wav|tʃɛkˈawam pɔd dʒvʲˈami ɡˌabʲinˈɛtu nɡˈuɡʲi zˈɛ ɕfʲˌadɔmˈɔɕtɕɔ̃, ʒˈɛ f tɕˈɔŋɡu najblˈiʃʃɨx mˈinut rɔsstʃˈɨɡɲʲɛ ɕɛ, tʃɨ tˈutaj zɔstˈanɛ, tʃɨ bˌɛndɛ muɕˈawa ˈɔdɛjɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_254.wav|ˌalɛ ɕmʲˈɛm tfʲˈɛrdʑitɕ, ʒˈɛ ɲˈiɡd z nˈas ɲʲɛ bˌɛɲdʑɛ tˈɛ̃skɲiw za jˈɛɡɔ kˈaʃlɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_142.wav|uɕmʲˈɛxa ɕɛ, ˌalɛ mˈa tʃɛrvˈɔnɛ, zˌapuxɲʲˈɛntɛ ˈɔtʃɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_156.wav|kʲˈɛdɨɕ, bˈardʑɔ dˈavnɔ...|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_332.wav|ɲʲˈɛx fʃˈɨstsɨ utʃɲˈitsɨ vˌɨsmarˈujɔ̃ stʃˈawɨ kˈawɛm i zrˈɔbjɔ̃ z jˈɛɡɔ xˈɛwmu sfˈuj tsˈɛl.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_102.wav|ɔtpˈɔvʲɛtɕ ɲʲɛ pʃɨxˈɔdʑi, a tɔ mˈɔtsnɔ ɕmʲˈɛrdʑi, bˈɔ ɡʲˈɔrɡjɔ zˈafʃɛ mˈa dvʲˈɛ ʒˈɛtʃɨ pɔt rˈɛŋkɔ̃, sfˈuj tɛlˈɛfɔn i tsˈɔɕ na zˈɔmp.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_217.wav|ljˈa pɔdɲʲˈɔswa ɕɛ na kɔlˈana i spɔjʒˈawa mi w ˈɔtʃɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_81.wav|uznˈaliɕmˌɨ, ʒˈɛ tˈaɡ bˌɛɲdʑɛ najlˈɛpʲɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_58.wav|jˈɛɕli ftɕˈɔ̃ʃ tˈam jˈɛst, tɔ mˌamɨ ɕlˈɛpɨ zaˈuwɛk. a jˈɛɕli ɲʲɛ, tɔ skɔntˈaktuj ɕɛ zˈɛ spɛnsˈɛrɛm jˌɔxanssˈɔnɛm i zapˈɨtaj, tʃɨ pɔtrˈafi ɡˈɔː ɔpˈisatɕ.|3
+Dataset/wavs/urwisko_ferenc/61_segment_17.wav|zjɛxˈawɛɕ na sˈam dˈuw? ˌupɛvɲˈiwa ɕɛ, kʲˈɛdɨ ɡrˈɔx ɔdˈɛbraw pˌɔwɔntʃˈɛɲʲɛ. tˈak.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_280.wav|stanˈɔwɛm ˌɔswupʲˈawɨ pɔɕrˈɔtku pɔkˈɔju i ja vˌɨkʃtuɕˈiwɛm?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_49.wav|brjˈan fjˈɛn fʃɨstkʲˈɛmu zapʃˈɛtʃɨw, a lˈudʑɛ, na ktˌurɨx mʲˈaw xˈaka, ɲʲɛ xtɕˈɛli ɕɛ ujˈavɲidʑ z nazvˈiska, vʲˈɛnts fʃɨstkʲˈɛɡɔ ɕɛ vɨpˈarli.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_13.wav|pɔprˈavjɛ pˈanu pɔdˈuʃki.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_56.wav|bjˈɛdak stˈara ɕɛ s tsˈawɨx ɕˈiw, ˌalɛ tˈɛssa ɲˈits sˈɔbjɛ s tˌɛɡɔ ɲʲɛ rˈɔbʲi.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_314.wav|a tsˈɔ s tˌɨmi pʲɛŋknˈɨmi kurvˈami, ɔ ktˌurɨx ɕpʲɛvˈajɔ̃ minstrˈɛlɛ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_78.wav|fʃˈɨstkʲɛ tɛ skwadɲˈiki mʲˌawɨ swˈuʒɨtɕ lɛtʃˈɛɲʲu tˈakix ˈɔsup.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_43.wav|bˈɛtskɨ ɔpˈarwa ɕɛ ɔ ɕtɕˈanɛ, mˈajɔnts nadʑˈɛjɛ, ʒˈɛ tˈaka pˈɔza ˌuspɔkˈɔi ɲʲˈɛtsɔ jˈɔɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_93.wav|bʲˈillɨ mˈɔʒɛ i jɛst spˈɛtsɛm ɔd zɲikˈaɲʲa, ˌalɛ mˈadʒar jˈan ɲˈiɡdɨ ɲʲɛ pʃˈɛstawbˌɨ na ɲʲˈɛɡɔ pɔlˈɔvatɕ.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_276.wav|ˌalɛ mˌamɨ wˈuʃka.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_79.wav|kʲˈɛdɨ ˌɔpsɛrvɔvˈawɛm, jˈaɡ zɲˈikaʃ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_143.wav|kɕˈɔ̃ʒɛ dˈɔran uɕmʲˈɛxnɔw ɕɛ swˈabɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_39.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_130.wav|pˌɔvʲɛdʑˈawɛm swˈɔva.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_56.wav|ˌalɛ ɡdʑˈɛʑ z mrɔtʃnˈɛɡɔ bˈɔku vɨxˈɨnɔw pˌɔtkɔmˈisaʃ kˈɔrsak.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_232.wav|mˈam brˈata.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_54.wav|dʑɛŋkˈujɛ, pˈaɲʲɛ, ˌalɛ ɲʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_35.wav|ɲʲɛ mˈuɕiʃ nˈatɔ ˌɔtpɔvʲˈadatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_50.wav|dˈalɛ trˈɨsnɔw mi vˈɔdɔ̃ f tfˈaʃ.|4
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+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_203.wav|kʃɛɕˈivɔ ɲʲɛ zadʑˈawa f prˈuʒɲi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_10.wav|pɔprˈɔɕiw, ʒˈɛbɨ sˈɔbjɛ pˈɔʃwa, ˈɔtpar kˈit.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_61.wav|tɔ zatʃˈɛwɔ pʃˌɨpɔmˈinadʑ zabˈavɛ w bˈɛrka.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_48.wav|pɔdvˈujna pʃɨnˈɛnta f pɔstˈatɕi lˈɔduf i plˈaʒɨ zrɔbʲˈiwa sfˈɔjɛ, a ˈalfjɛ, ʒutɕˈifʃɨ mi ɔstˈatɲʲɛ spɔjʒˈɛɲʲɛ, pɔspʲˈɛʃɲʲɛ fɕˈad dɔ sˌamɔxˈɔdu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_114.wav|xˈɔvv vɨrˈaʑɲʲɛ ɕɛ ɔtɕˈɔŋɡa, jˈaɡbɨ uvˈaʒaw, ʒˈɛ pɔvˈiɲʲɛn pɔkˈazadʑ bʲilljˈɛmu tsˈɔɕ jˈɛʃtʃɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_109.wav|ɡdˈɨ jˈɛdnaɡ vɨtɕˈɔŋɡa dwˈɔɲ dɔ vˌɨwɔntʃɲˈika, zɲˈikɔnt pʃɨxˈɔdʑi pˈɛvna mˈɨɕl.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_195.wav|tʃɨ nˈadal jˌɛstɛɕ txˈuʒɛm?|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_31.wav|dʑɛftʃˈɨna pˈiwa, pˈatʃɔnts pʃɛt ɕˈɛbjɛ pˈustɨm vzrˈɔkʲɛm, ɔtʃˈɨma, ktˌurɨx kɔlˈɔru ɲʲɛ vˈidʑaw, ˈaʃ nˈaɡlɛ...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_27.wav|ɲʲɛ ɔdvrˈatsaj ɕɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_190.wav|lˈɛtʃ i tɨm rˈazɛm lˌɔndɔvˈaɲʲɛ bˌɨwɔ tfˈardɛ i samˈɔlɔd znˈuf pˈɔʃɛd w ɡˈurɛ pɔ ɡvawtˈɔvnɨm ˌudɛʒˈɛɲʲu kɔwˈami,|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_195.wav|bʲˈillɨ ɲʲɛ pʃɛtɕˈɔŋɡa tˌɛɡɔ tˈaɡ dwˈuɡɔ, jˈaɡ zamjˈɛʒaw. ɲʲˈɛma dɔ tˌɛɡɔ sˈɛrtsa, ˌaɲi vˌɨstartʃajˈɔntsɔ mɔtsnˈɛɡɔ ʒɔwˈɔntka.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_167.wav|dˈɔbrɨm ˈinnɨm.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_196.wav|rˈɔzlɛkw ɕɛ f swuxˈafkaɣ ɡwˈɔz bˈɔba.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_113.wav|ɔdbʲˈija ɲˈibɨ fʃˈɨstkɔ, ˌalɛ w atˈɔmax.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_245.wav|ˌalɛ ftɕˈɔ̃ʃ jˌɛstɛɕ mwˈɔdɨm mɛ̃ʃtʃˈɨznɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_86.wav|bˈɔ jˈɛɕli vam pˈɔvʲɛm, ɲʲˈɛxtsɛ, ʒˈɛbɨɕtɕˌɛ tɔ pˈuʑɲʲɛj vˌɨkɔʒɨstˈali pʃɛtɕˈifkɔ mɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_2.wav|f kɔmnˈatɕɛ lˈamp...|1
+Dataset/wavs/urwisko_ferenc/12_segment_122.wav|xˈɨba tˈak, jˈak tɔ mʲˌɛndʑɨ sˌɔ̃ɕadˈami bˈɨva.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_26.wav|vɨjˈɛwa ɡˈɔ s tɔrˈɛpki, vwɔʒˈɨwa dɔ ʃuflˈadɨ, a pˈɔtɛm zatʃˈɛwa uʒˈɨvatɕ mˈɨʃki, jˈaɡbɨ mɲʲɛ tˈam ɲʲɛ bˈɨwɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_123.wav|ˌɔttfɔʒˈɨwam f pamjˈɛɲtɕi mˈɔjɛ krˈutkʲɛ spɔtkˈaɲʲɛ s tɨm tʃwɔvʲˈɛkʲɛm.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_184.wav|tʃɨ mɔʒˈɛmɨ vʑˈɔɲdʑ zˈamɛɡ ɡwˈɔdɛm?|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_192.wav|ɲˈits s tˌɛɡɔ ɲʲɛ rɔzˈumjɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_197.wav|jɔˈɛla a lˈɛna puɕtɕˈiwɛm w ɲʲɛpˈamjɛɲtɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_65.wav|— tsˈɔ? ɔ tsˈɔ xˈɔdʑi ˈaʃ? xrˈɨstɛ, pʃˈɛstaɲ mɲʲɛ tˈaɡ drˈɛntʃɨtɕ!|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_43.wav|vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/urwisko_ferenc/03_segment_97.wav|dlatʃˈɛɡɔ jˈɔ̃ zvɔlɲʲˈɔnɔ?|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_359.wav|i lˈantsɛl.|1
+Dataset/wavs/urwisko_ferenc/59_segment_110.wav|ʒˈuɡ zdjˈɔw ˌɔkulˈarɨ i ˈɔtar tfˈaʃ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_403.wav|mˈɔʒɛ tɛn dʑˈɛɲ pʃɨɲʲˈɛɕɛ rˌɔzvʲɔ̃zˈaɲʲɛ. vɛstxnˈɔ̃fʃɨ ˌuwɔʒˈɨwɛm ɕɛ na vznˈak.|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_83.wav|vˌɨmɨɕlˈili sˈɔbjɛ, ʒˈɛ iɣ brˈanʒa jɛst pɔdˈɔbna dɔ spavˈaɲʲa, bˈɔ tˈɛʃ maʒ dɔ tʃɨɲʲˈɛɲʲa z mɛtˈalɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_5.wav|patʃˈɨwam z dˈumɔ̃ na rɨsˈuŋki dʑˈɛtɕi f kˌɔlɔrˈɔvɨx rˈamkaɣ zˌavʲɛʃˈɔnɛ na ɕfʲˈɛʒɔ pˌɔmalɔvˈanɨx ɕtɕˈanax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_222.wav|ɡdˈɨbɨm ˌuvaʒˈawa, ʒˈɛ ɲˈikt ɲʲɛ vˈɛʑmʲɛ tɕˈɛ za mˌɛksɨkaɲˈina, pˌɔvʲɛdʑˈawabˌɨm tɔː ɔtfˈartɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_197.wav|fxˈɔdʑi dɔ ɕrˈɔtka.|2
+Dataset/wavs/urwisko_ferenc/21_segment_20.wav|nˈɔ xˈɨba, ʒˈɛ xtɕˈaw bˈɨdʑ vˈɔlnɨ.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_83.wav|a skˈɔrɔ jˈuʃ ˈɔtɨm mˈɔva,|1
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_36.wav|ˌuɲikˈamɨ tˈakix, ktˌuʒɨ vdˈajɔ̃ ɕɛ w bʲˌijatˈɨki i sɔ̃ ɡwˈupi.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_32.wav|ˌuʒɨvˈajɔndʑ ɡʲˈizmɔ xˈarplid zˌapwatɕˈiwam za dˈɔstɛmb dɔ ʃfɛtskʲˈɛɡɔ bufˈɛtu, ktˌurɨ sɛrvˈɔvaw pʃɛkˈɔ̃ski s pˈulpɨ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_55.wav|jˈak tʃˈɛ̃stɔː ɔdvʲˈɛdʑa ɕˈɔstrɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_33.wav|tɔ tɨ zabʲˈiwɛɕ?|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_321.wav|dlatʃˈɛɡɔ mɛ̃ʃtʃˈɨʑɲi sɔ̃ takˈimi dʑˈɛtɕmi? ɡdˈɨbɨ ɡˈɔ zˈabʲiw, twˈuʃtʃa rˌɔzɛrvˈawabˌɨ nˈas na stʃˈɛmpɨ. fʃˈɨstsɨ jɛstˌɛɕmɨ dʑˈɛtɕmi mˈatki.|1
+Dataset/wavs/urwisko_ferenc/11_segment_79.wav|nˈɔ tɔ ɲʲɛ mˌajɔ̃ ɲˈits.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_111.wav|tʃˈujɛ wzˈɨ w ˈɔtʃax.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_14.wav|xˈɨba pˌɔviɲʲˈɛnɛɕ sˈɔbjɛ ˌuɕfʲadˈɔmitɕ, ʒˈɛ ɲʲɛ jˌɛstɛɕ jˈuʃ mɛ̃ʃtʃˈɨznɔ̃ nˈumɛr jˈɛdɛn w ʒˈɨtɕu nˈaʃɛj tsˈurki tˈɔm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_8.wav|dˈɔstaw na pɔtʃˈɔntku dvʲˈɛ ɕudˈɛmki, a dʑˈɛŋki kˈartɔm vˌɨwɔʒˈɔnɨm na stˈuw dˌɨspɔnˈɔvaw tʃfˈurkɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_288.wav|mɔjˈɛɡɔː ˈɔjtsa tʃˈɛ̃stɔ bˈɔli bʒˈux, pˈaɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_72.wav|dɔkˈumɛnt, f ktˌurɨm pʃɨznˈajɛ ɕɛ dɔ vˈinɨ, vˌɨjaɕɲˈiwam.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_240.wav|vʲˈɛlki sˈɛptɔn zˌastanˈavʲaw ɕɛ pʃˈɛs xfˈilɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_55.wav|pɔlˈitsja zvrutɕˈiwa tɛlˈɛfɔn ˈaʃa, tɛn vwaɕtɕˈivɨ, zˌarɛjˌɛstrɔvˈanɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_31.wav|ɲʲɛ vˌɨvɔwˈawɔ tɔ ʃtʃɛɡˈulnɨx ɛmˈɔtsji ˈu zɡrˌɔmadʑˈɔnɨx, jˈɛdnak tˈɔm bˈɨw pˈɛvʲɛn, ʒˈɛ nastˈɛmpna ˌinfɔrmˈatsja sprˈavi, ʒˈɛ fʃˈɨstsɨ ɕɛ ɔʒˈɨvjɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_126.wav|tˈak jɛzd dˈɔbʒɛ. jˈak fspɔmɲʲˈawaɕ, tˈamtɕi i tˈak mˈɨɕlɔ̃, ʒˈɛ lˈɛʒɛ pˌɔxɔvˈanɨ vɛ vzɡˈuʒax pajˈutʲi.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_103.wav|ˌɔtpɔvʲˈɛdʑaw ˈinnɨ mɛ̃ʃtʃˈɨzna.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_9.wav|xˈɔtɕ ɲʲˈɛxtɕaw rˈɔbʲitɕ pʃˈɛrvɨ, zdˈavaw sˈɔbjɛ sprˈavɛ, ʒˈɛ jˈɛɡɔ zˈɛspuw jɛst jˈuʃ na ɡraɲˈitsɨ vˌɨtʃɨmawˈɔɕtɕi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_22.wav|ɲʲɛstˈɛtɨ ɲʲˈɛmam tʃˈasu kˌɔntɨnuˈɔvatɕ tɛj mˈiwɛj pˌɔɡavˈɛntki. dˈaj mi znˈatɕ, kʲˈɛdɨ lˈutsɨ bˌɛɲdʑɛ mʲˈawa dˈɔɕtɕ i zˈɛxtsɛ vrˈutɕidʑ dɔ dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_309.wav|w mʲˈɛɕtɕɛ panˈɔvaw dʑˈivnɨ spˈɔkuj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_81.wav|tˈɨlɛ, ʒˈɛ tɔ rˈatʃɛj xˈaŋɡar ɲˈiʒ ɡˈaraʃ.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_202.wav|ˈɔtɨm, ʒˈɛ bˌɛndɔ̃ tˈak ɕˈilɲi, ɔdvˈaʒɲi i pʲˈɛŋkɲi, ˈiʃ ɲˈikt ɲˈiɡdɨ ɲʲɛ ɔdvˈaʒɨ ɕɛ z ɲˈix ɕmʲˈatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_35.wav|pˈɛvɲʲɛ pˌɔstanɔvˈiwɨ dwˈuʒɛj pˈɔspatɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_108.wav|bˈanda kutˈasuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_317.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_212.wav|tˈak.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_59.wav|ɲʲˈɛmartf ɕɛ ˈɔtɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_219.wav|ɡˈɛrz vˈɛrslɔvv zamˈɨɕliw ɕɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_125.wav|i ˈandɛrsɔn pˈatʃɨw na smˈɔki ɔ jˌadɔvˈitɕɛ tʃɛrvˈɔnɨx ɔzˈɔrax,|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_101.wav|jˈasnɛ, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_10.wav|jɛzd blˈada. ɔt ix pʲɛrʃˈɛɡɔ spɔtkˈaɲʲa stratɕˈiwa tsˈɔ nˈajmɲʲɛj pʲˈɛɲtɕ kˌilɔɡrˈamuf.|2
+Dataset/wavs/urwisko_ferenc/65_segment_139.wav|— ʃtʃˈɛʒɛ? — zmˈarʃtʃɨw ɕɛ. — tɔ pˈɔvut, dla kturˌɛɡɔ xtɕˈawɛm ɕɛ s tˈɔbɔ̃ spˈɔtkatɕ.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_73.wav|zapˈɨtaw pˈɔdritsk paˈɨnɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_57.wav|a tɔ bwˈɛndnɛ pʃˌɛkɔnˈaɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_65.wav|jˈaɡbɨ ɲʲɛ vˌɨstartʃˈɨwɔ sˈamɔ rˈadjɔ, jˈɛʃtʃɛ tˈɛ pˈitsɛ i vʲadˈɔmɔɕtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_48.wav|ɲʲɛ pɔvˈinnam bˌɨwa rɔzmˈavʲadʑ z dʑˌɛnɲikaʒˈami, ˌalɛ tɛn tsˈawɨ bawˈaɡan ɲʲˌɛpɔkˈɔiw dʑˈɛtɕi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_75.wav|na ʃˈɨi mɛ̃ʃtʃˈɨznɨ znˌajdɔvˈawa ɕɛ nˌɨlɔnˈɔva ɔpˈaska dɔ kˈabli. zɔstˈawa mˈɔtsnɔ zˌatɕiɕɲʲˈɛnta.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_244.wav|pamjˈɛntaw rˈuvɲʲɛʃ swˈɔva, ktˌurɛ uswˈɨʃaw ɔd bˌailˈɔra blatsktʲˈida.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_52.wav|jˈak maʃ ɔkˈazjɛ vˈɨʃtʃatɕ ɕɛ pʃɛd vˈalkɔ̃, kɔɲʲˈɛtʃɲʲɛ tɔ zrˈup.|2
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_45.wav|stˌanɔvˈitɕɛ zbˈɨt lˈitʃnɨ zˈɛspuw, ʒˈɛbɨ vɨmjˈɛɲitɕ tˈu fʃˈɨstkiɣ z ɔsˈɔbna.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_121.wav|pɔt spˈɔdɛm mʲˈaw blˈɔnt tʃuprˈɨnɛ, vˌɨɡɔlˈɔnɔ̃ tɔnsˈurɛ ˌɔraz bˈandaʃ w mʲˈɛjstsu, ɡdʑˈɛ pɔvˈinnɔ bˈɨtɕ ˈuxɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_421.wav|ˌalɛ ɲʲɛ na ɛwrˈɔpɛ, tˌɨlkɔ z ɛwrˈɔpɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_78.wav|— ɲʲˈɛx pˈan spˈɔjʒɨ, jˈaka vˌɨkʃɨvʲˈɔna. tɔ mˈuj pʃɨjˈatɕɛl.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_335.wav|vˌidʑɔntsˈɛmu jɛj ruʒˈɔvɔ̃, pˌapʲɛrˈɔsɛm rˌɔsɕfʲɛtlˈɔnɔ̃ dwˈɔɲ zdavˈawɔ ɕɛ, ˈiʃ pʃɛɲʲˈɔswa zˈɛ sˈɔbɔ̃ ɕfʲˈatwɔ.|0
+Dataset/wavs/urwisko_ferenc/25_segment_111.wav|fʃˈɨstkʲɛ dˌɔtɨtʃˈɨwɨ tˌɛɡɔ samˈɛɡɔ numˈɛru.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_404.wav|ɲʲɛ, xˈɛlɛn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_48.wav|nat rˈanɛm trˈudnɔ bˌɨwɔː ɔbˈudʑidʑ dˌɔmiɲˈika i pʃˈɛs xfˈilɛ ɕɛ ˌɔbavʲˈawam, ʒˈɛ mˈɔjɛ plˈanɨ lˈɛɡnɔ̃ w ɡrˈuzax i bˌɛndɛ zmuʃˈɔna zˈabradʑ dʑˈɛtɕi dɔ ʃkˈɔwɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_158.wav|pʃˌɛmɨkˈali xˈ��wkʲɛm kˌɔrɛaɲtʃˈɨtsɨ i mˌɔŋɡɔwˈɔvʲɛ, tˈurtsɨ i ɔrmʲˈaɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_180.wav|a ɔn ˈupad. pɔdˈɛʃwɛm dɔ ɲʲˈɛɡɔː i pˌɔvʲɛdʑˈawɛm sˈɔbjɛ, ʒˈɛ bˈɨtɕ mˈɔʒɛ bˌɛndɛ ɡˈɔ mˈuɕaw dˈɔbʲitɕ. zrˈɔbʲiwbˌɨm tɔ, ɡdˈɨbɨ bˌɨwɔ tʃˈɛba.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_62.wav|ˌalɛ vʲˈɛʒ dˈɔbʒɛ, jˈak ɕɛ mˌajɔ̃ sprˈavɨ i ʒˈɛ mˈuʃɛ vrˈatsatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_118.wav|— pʃˈɨkrɔ mi, ʒˈɛ muɕˈawaɕ pʃˈɛʒɨtɕ tsˈɔɕ takʲˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_272.wav|tɔ ɲʲɛ jɛzd zdrˈada, jˈɛɕli ɲʲɛ skˈɔɲtʃɨ ɕɛ w ɕrˈɔtku.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_105.wav|ˌɔbɛrʒˈɨsta ɲʲɛ dˈa nˈam vʲˈɛntsɛj, dɔpˈuki ɲʲɛ zˌapwatɕˈimɨ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_268.wav|pɔtrˈafiʃ sˈɔbjɛ z ɲˈim rˈadʑitɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_45.wav|tsˈuʒ za ɲʲɛzvˈɨkwɛ ˈimjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_99.wav|prɛzˈɨdɛnd zvʲˈɛɕiw ɡwˈɔvɛ i pˈatʃɨw tˈɛmpɔ w ʑˈɛmʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_99.wav|ˌuruxɔmˈimɨ klˌimatɨzˈatsjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_80.wav|— prˌubɔvˈawam tɔ sˈamɔ zrˈɔbʲitɕ ˈu ɕˈɛbjɛ f pɔkˈɔju i ɲʲɛ pˌɔmaɡˈawɔ. dlatʃˈɛɡɔ tˈɛras pɔmˈɔɡwɔ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_58.wav|dvˈa dɲˈi pʃɛt pɔtʃˈɔntkʲɛm ˌɔfɛnsˈɨvɨ dɔvˈuttsa kˈazaw dʒɔɲʲˈɛmu i pablˈɔvi pʃɛɡˈɔɲitɕ mˈawɨx irˈatskiɣ bˌɛjzbɔlˈistuv z bˈazɨ i fʃˈɨstsɨ zrˌɔzumjˈɛli, tsˈɔ tɔː ɔznˈatʃa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_243.wav|ktˈɔ tɨ jˈɛstɛɕ? ʃɛpnˈɔwɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_19.wav|vwɔʒˈɨwa ɡˈɔ w zˈamɛk, ˌɔtfɔʒˈɨwa dʒvˈi i vˈɛʃwa dɔ ɕrˈɔtka.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_246.wav|uftʃˈɛsnɨ stˈarʃɨ brˈat pɔvʲˈɛdʑaw mi, ʒˈɛ pʃɨɲʲˈɔswa mɲʲɛ fˈala, naɡʲˈɛɡɔ jˈaɡ w dʑˈɛɲ imjˈɛɲʲa.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_82.wav|pˌɔwɔʒˈɨwam jˈɔ̃ tˈak, ʒˈɛbɨ vˈidʑɛtɕ w lustˈɛrku mɔɲˈitɔr xˌɔtɛlɔvˈɛɡɔ kˌɔmputˈɛra.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_68.wav|bʲˈillɨ pɔtsˈuva tɛlˈɛfɔn jatskˈɔvi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_48.wav|zvaʒˈɨfʃɨ nˈatɔ, jˈakʲɛ pˌɔvʲɔ̃zˈaɲʲa mˈa vikˈɛrɨ, ɔbˈavʲam ɕɛ, ʒˈɛ musˈimɨ jˈɛdnaɡ zawˈɔʒɨtɕ najɡˈɔrʃɨ stsɛnˈarjuʃ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_118.wav|tɕˈɔŋɡnɔnts mɲʲɛ zˈɛ sˈɔbɔ̃ na pɔdwˈɔɡɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_27.wav|ʃˈɔna vɨznˈawa mi pʃɛt kilkˈɔma tˌɨɡɔdɲʲˈami, ʒˈɛ zˈafʃɛ praɡnˈɛwa mʲˈɛdʑ dʑˈɛtskɔ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_234.wav|znˈɔvu pʃˌɛmuvˈiwa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_91.wav|bˈɔma kɔmplˈɛksɨ?|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_43.wav|jˈɛdna spwɔnˈɛwa ˈaʒ dɔ lˈiɲʲi vˈɔdnɛj, a drˈuɡa mʲˈawa vʲˈɛlkɔ̃ dʑˈurɛ w bˈurtɕɛ w mʲˈɛjstsu, ɡdʑˈɛ udˈɛʒɨw w ɲʲˈɔ̃ tˈaran.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_201.wav|tɔ tsˈɔʑ zwˈɛɡɔ?|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_267.wav|pɔdˈɔbɲʲɛ jˈak tfˈɔja ɕˈɔstra.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_49.wav|zˌauvaʒˈɨwa tsɛrsˈɛi. dlatʃˈɛɡɔ mʲˈɛlibˌɨ zrˈɔbʲitɕ tɔ tˈɛras?|1
+Dataset/wavs/urwisko_ferenc/45_segment_14.wav|skɔɲtʃˈɨwaʑ dˈɨmitɕ? bˈɔ mˌamɨ tˈu rɔbˈɔtɛ. ˈaɕka radˈɔɕɲʲɛ klasnˈɛwa w rˈɛntsɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_150.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_331.wav|mˈɔʒɛ zadʑvˈɔɲʲɛ, a mˈɔʒɛ ɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_109.wav|pˈɔtɛm krɛntsˈɔntsɨ ɕmˈiɡwɔ pɔvʲˈɛdʑaw kˈɔntakt. ɕˈilɲiɡ zaskˈɔtʃɨw. mɛ̃ʃtʃˈɨzna ˈɔtʃɛd w bˈɔk.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_145.wav|jˈak ɕɛ tʃˈujɛ tfˈuj mˈɔ̃ʃ?|3
+Dataset/wavs/urwisko_ferenc/44_segment_64.wav|mɛ̃ʃtʃˈɨzna uswˈɨʃaw jˈuʒ zaʒˈutɨ, f tɨm tˈaɡʒɛ dˌɔtɨtʃˈɔntsɨ pˌɔɕadˈaɲʲa pˌɔrnɔɡrˈafji dʑɛtɕ��ɛntsɛj.|0
+Dataset/wavs/urwisko_ferenc/46_segment_28.wav|zˌawatfˈiwɛm ɕˈɛdmju pˌɛdɔfˈiluf i kˈaʒdɨ z ɲˈix ɕˈɛdʑi f pʲˈɛrdlu, vʲˈɛnts ɲʲɛ pʲˈɛrdɔl mi ˈɔtɨm, tsˈɔ jɛst lɛɡˈalnɛ, a tsˈɔ ɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_121.wav|jˈaɡbɨɕ mʲˈaw ɕɛ za ɡvʲazdˈɔra fˌilmɔvˈɛɡɔ, pˌɔvʲɛdʑˈawa.|2
+Dataset/wavs/urwisko_ferenc/63_segment_169.wav|kɔbjˈɛta ɡvawtˈɔvɲʲɛ pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃ i ɔddˈawa mˈarji kˈartkɛ ɕfʲˈɛtɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_135.wav|dɔmˈiɲik ɔtfʲˈɛra dʒvˈi dɔː ˈawta.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_18.wav|kˈaʒda za ˈinnɔ̃ uswˈuɡɛ. kɕɛŋɡˈɔvɔɕtɕ, uswˈuɡʲi ˌadmiɲˌistratsˈɨjnɛ i zasˈɔbɨ lˈutskʲɛ. kfˈɔta za kˈaʒdɔ̃ s fˈaktur fpwɨvˈawa na ˈinnɛ kˈɔntɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_99.wav|kɔbjˈɛta pɔ tʃɨdʑˈɛsttsɛ, vˌɨjaɕɲˈiwa. ˌuvaʒˈamɨ, ʒˈɛ tɔ ɡˌɛnɛvʲˈɛvɛ strˈaxan.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_19.wav|jˈɛɕli ˌɔna vɨdˈajɛ ɕɛ tˈaɡ ɡˈɔː uvʲˈɛlbjatɕ tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ uvˈaʒa tɔ za najlˈɛpʃɨ spˈɔsup na zˌapɛvɲʲˈɛɲʲɛ sˈɔbjɛ bˌɛspʲɛtʃˈɛɲstfa?|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_36.wav|swˈɔva vˌɨlɛvˈajɔ̃ ɕɛ z ɲʲˈɛɡɔ, jˈak spwˌɨvajˈɔntsa w dˈuw lˈasu vˈɔda z rˌɔspuʃtʃɔnˈɛɡɔ ɕɲʲˈɛɡu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_5.wav|ˈidɛ zˈaɲim dɔ kˈuxɲi, kʲˈɛdɨ rɔzlˈɛɡa ɕɛ dʑvˈɔnɛɡ dɔ dʒvˈi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_108.wav|na nazvˈiskɔ kˈalu.|3
+Dataset/wavs/urwisko_ferenc/22_segment_35.wav|zˌastanˈavʲam.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_184.wav|mˈuɡwbɨɕ tˈam pratsˈɔvatɕ nat sfˈɔjɔ̃ ˌɔpɔvʲˈɛɕtɕɔ̃, bʲˈillɨ. vˈaxaɕ ɕɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_214.wav|pˌɔvʲɛdʑˈawɛɕ, jˈɛɕli tɔ ɲʲˈɛbɨw pʃɨpˈadɛk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_246.wav|ɲˈiɡd ʑlˈɛ ɕɛ zˈɛmnɔ̃ ˈɔpʃɛd.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_142.wav|vɨʃˈɛdwɛm na bˈalkɔn.|0
+Dataset/wavs/urwisko_ferenc/35_segment_52.wav|tˌɨlkɔː ˈɔtɔ ɕɛ kwutɕˈili?|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_316.wav|s pɛvnˈɔɕtɕɔ̃ nakˈazawbˌɨ tɕi ˌuspɔkˈɔitɕ lˈɔrda rɔbˈɛrta za fʃˈɛlkɔ̃ tsˈɛnɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_63.wav|ɕˈadwam ˌɔbɔk ɲʲˈɛɡɔ na drˈuɡʲim tˌabɔrˈɛtɕɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_216.wav|mʲˈawam ɔxˈɔtɛ na pˈivɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_11.wav|ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ mˈɔɡwɛm lˈitʃɨtɕ nˈatɔ, ʒˈɛ jˈassim bˌɛɲdʑɛ ɲʲˌɛruxˈɔmɨ, jˈaɡ ɡwˈɔva na pˌapʲɛrˈɔvɨm tsˈɛlu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_13.wav|i pɔtʃˈuwɛm pʲɛkˈɔntsɨ, trˈɔxɛ pˌulsujˈɔntsɨ bˈul na tʃˈɔlɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_29.wav|xˈɔllɨ zasˈɨpja z uɕmʲˈɛxɛm na ˈustax, a ja tsawˈujɛ jˈɔ̃ dˌɛlikˈatɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_13.wav|bˈɛtskɨ, maʃ xfˈilkɛ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_5.wav|kˈit rˈuvɲʲɛʃ mʲˈaw ɕɛ zjˈavitɕ f kˈaʒdɛj xfˈili, vʲˈɛnts tˈɔm zˌasuɡɛrˈɔvaw, ʒˈɛbɨ zvˈɔwadʑ zɛbrˈaɲʲɛ zˈaras pɔ jˈɛɡɔ pʃɨjˈɛʑdʑɛ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_285.wav|zapˈɨtaw fstʃɔ̃ɕɲʲˈɛntɨ sˈam. dlatʃˈɛɡɔ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_219.wav|vˌɨɔbrˈaʑɲʲa pɔtsˈuva zbˈɨd vʲˈɛlɛ ɔbrˈazuf, f tɨm ʒˈadnɨx mˈiwɨx.|2
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_18.wav|vwˈasnɨ prˈɨʃɲits. kɔlˈɛjnɨ pˈuŋkt na lˈiɕtɕɛ pʃˈɨʃwɨɣ vˈɨɡut.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_53.wav|kˈaʒdɛ s ʃˈɛɕtɕu kˈuw mʲˈawɔ puwtˈɔra mˈɛtra ɕrɛdɲˈitsɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_57.wav|tʃasˈami mɲʲɛ tɔː ˌirɨtˈujɛ i prubˈujɛ ɡˈɔ ftˈɛdɨ pʃˌɛkɔnˈɨvatɕ, ʒˈɛ lˈudʑɛ sɔ̃ z natˈurɨ ɲʲˌɛdɔskɔnˈali. kˈaʒdɨ pɔpˈɛwɲʲa bwˈɛndɨ lˈup rˈɔbʲi tsˈɔɕ, tʃˈɛɡɔ ɕɛ fstˈɨdʑi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_170.wav|mˈɔʒɛ w jˈakimɕ mˌaɡazˈɨɲʲɛ, spˈɔrɔː ix tˈam.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_17.wav|ɡdˈɨ ta kˌɔmɛdjˈanska fˈarsa vrˈɛʃtɕɛ dɔbjˈɛɡ��ʲɛ kˈɔɲtsa,|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_133.wav|tɕˈɛmnɔɕtɕ rˌɔspraʃˈawɔ jɛdˈɨɲʲɛ swˈabɛ ɕfʲˈatwɔ sɔntʃˈɔntsɛ ɕɛ s salˈɔnu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_28.wav|tɔ ɲʲˌɛsamɔvˈitɛ, prˈavda?|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_95.wav|znˈɔvu ɕmʲˈɛx i rɔzmˈɔvɨ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_277.wav|jɛst pijˈanɨ tʃɨ tˌɨlkɔ tɕˈɛrpi na ʑɛlˈɔnɔ̃ xɔrˈɔbɛ pɔ nˌaduʒˈɨtɕu vˈina?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_80.wav|ɔdvrˈatsa ɕɛ f strˈɔnɛ dʒvˈi, pʃˌɛkɔnˈanɨ, ʒˈɛ pˈujdɛ zˈaɲim, tˈak jˈak rɔbʲˈiwam tɔ ɲʲˌɛzlitʃˈɔnɔ̃ ˈilɔɕtɕ rˈazɨ f pʃɛʃwˈɔɕtɕi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_61.wav|ɲʲɛ zˌɔrjɛntˈujɛ ɕɛ, ʒˈɛ vwɔntʃˈɨwam tˈɛ fˈuŋktsjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_190.wav|a bˈutskɨ tˈɛʃ mˈa pˈɛwnɛ prˈavɔː ˌutʃɛstɲˈitʃɨtɕ f tɛj rɔzmˈɔvʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_89.wav|zamjˈɛɲmɨ ɕɛ mʲɛjstsˈami, mˈuvi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_37.wav|stfɔʒˈɨmɨ nɔrmˈalnɨ, ɔtfˈartɨ zvʲˈɔ̃zɛk i ɲˈikt ɲʲɛ bˌɛɲdʑɛ ɲitʃˈɛɡɔ pˌɔdɛjʒˈɛvaw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_37.wav|vˌɨdavˈawɨ ɕɛ prɔvˈadʑidʑ dɔ pˈustɨx, f tɛj xfˈili sˈal kˌɔnfɛrɛntsˈɨjnɨx.|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_57.wav|ɔ tʃɨm jɛst pˈana kɕˈɔ̃ʃka? pˈɨta dˈɛrɛk, ktˌurɨ ɕˈɛdʑi mʲˌɛndʑɨ ɲˈimi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_11.wav|ˌɔstatˈɛtʃɲʲɛ jˈɛdnak ɲʲɛ vˌɨtʃɨmˈujɛ i pɔdnˈɔɕi rˈɛŋkɛ dɔ tʃˈɔwa w zˌavadjˈatskim salˈutɕɛ. mˈɔn tsˌapitaˈinɛ!|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_60.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_228.wav|mˈam ɔxˈɔtɛ kʃˈɨknɔɲtɕ ɲʲɛ fʃˈɨstkɔ.|3
+Dataset/wavs/urwisko_ferenc/01_segment_116.wav|ɲʲɛ. ɕɛdʑˈawa ɲʲˌɛvzruʃˈɔna.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_124.wav|vɨmˈaɡaw ˌaktuˌalizˈatsji, vʲˈɛnts pˌɔprɔʃˈɔnɔ mɲʲɛ ɔ jˈɛɡɔ pʃˌɛkazˈaɲʲɛ na jˈɛdɛn dʑˈɛɲ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_31.wav|ɔbˈavʲam ɕɛ, ʒˈɛ tˈak. pʃˈɨkrɔ mi, jˈɔɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_143.wav|sˈɛr, mˌamɨ tsˈɔɕ nɔvˈɛɡɔ. tsˈɔɕ, tsˈɔ mˈɔʒɛ fʃˈɨstkɔ zmʲˈɛɲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_261.wav|dɔstˈaliɕmˌɨ lˈist ɔt tfɔjˈɛɡɔː ˈɔjtsa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_92.wav|kˈatɛ spuɕtɕˈiwa vzrˈɔk.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_127.wav|bˌɨwa tɔ tˌɨlkɔ stˌɨlizɔvˈana ˌɔbudˈɔva tˌɛrminˈala pwˌatɲitʃˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_114.wav|na jˈɛɡɔ kˈɔɲtsu znˌajdɔvˈawa ɕɛ kamˈɛra ɔ vɨsˈɔkʲɛj rˌɔzdʑɛltʃˈɔɕtɕi i prˈɔstɛ xfɨtˈaki.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_105.wav|mˈuj ˈɔjtɕɛts pʃɛd bʲˈitfɔ̃ pɔt ˈɔkstsrɔss pˌɛrtraktˈɔvaw s pˈaks tˈɛrɛm rɛdvˈijnɛm.|1
+Dataset/wavs/urwisko_ferenc/05_segment_66.wav|xˈɛrman vˈɛʃwa mu f swˈɔvɔ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_22.wav|jˈɛɡɔ tˌɔvaʒˈɨʃkɔ̃ i pˌɔmɔtsɲˈitsɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_350.wav|sɔ̃ vwˌaɕtɕitɕɛlˈami sˈanxɛs ˌalumˈiɲʲum.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_13.wav|ˈɔkɛj, pʃˌɛkɔnˈajmɨ ɕɛ, tʃɨ zdɔwˈamɨ znˈalɛɕtɕ tɛlˈɛfɔn.|3
+Dataset/wavs/urwisko_ferenc/56_segment_8.wav|za ɲˈimi stˈarɛ parkˈɔvɛ dʒˈɛva ʒutsˈawɨ tɕˈɛɲ.|0
+Dataset/wavs/urwisko_ferenc/44_segment_56.wav|ˌalɛ kˈɔɲʲɛts kˈɔɲtsuf ɕɛ pɔddˈawa. tʃˈɛtɕi lˈiŋk pʃˈɛɲʲuz ɡˈɔ dɔː ˌɔpisɨvˈanɛj w mˈɛdjax sprˈavɨ spʃˈɛt rˈɔku.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_8.wav|bˈɨ vˌɨpɔvʲˈɛdʑɛtɕ swˈɔva.|1
+Dataset/wavs/urwisko_ferenc/01_segment_26.wav|strˈuʃka pˈɔtu pˌɔtɔtʃˈɨwa ɕɛ pɔ skrˈɔɲi, blˈuska pʃˌɨlɛpˈiwa ɕɛ dɔ plˈɛtsuf, zamknˈɛwa ˈɔtʃɨ i prˌubɔvˈawa pʃˈɛtrfatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_117.wav|jˈutrɔ bɛɲdʑˌɛmɨ ˈu butskʲˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_37.wav|tɔ mˈɛrtɔn rˈixtɛr, ˈaɡɛnt ɲʲˌɛruxɔmˈɔɕtɕi, ɔt kturˌɛɡɔ vɨnˈajɔ̃ mʲɛʃkˈaɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_86.wav|ɲʲɛ uvˈaʒaʃ, ʒˈɛ pɔvˈinna tɔ zrɔzˈumjɛtɕ? ɔbˈɔjɛ dˈɔbʒɛ vʲˈɛmɨ, ʒˈɛ tfˈɔja ɔfˈɛrta pɔvrˈɔtu ɲʲɛ mʲˈawa ɲˈits fspulnˈɛɡɔ z miwˈɔɕtɕɔ̃ dɔ mɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_17.wav|pɔʃˈukaj jakʲˈɛɡɔɕ ɲʲˌɛɕɛtɕɔvˈɛɡɔ mɔtˈɛlu na fsxˈut ɔd dˈanvɛr.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_118.wav|tʃˈɛɡɔ ɕɛ nˌautʃˈɨwɛm w dˈɔmu vʲˈɛtʃnɛj fˈarbɨ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_104.wav|ɲʲɛ jˌɛstɛɕ mu vˈinna ˈaʃ tˈɨlɛ, ʒˈɛbɨ zrˈɔbʲiw tɕi jˈakɔ̃ɕ kʃˈɨvdɛ.|3
+Dataset/wavs/urwisko_ferenc/33_segment_61.wav|ɲʲɛ bˌɨwɔ tˈu ʒˈadnɛj pɔlˈitsji.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_151.wav|vˌɨʒutsˈajɔnts ix pʲɛɲʲˈɔndʑɛ i fspˌɔminˈajɔnts ix sfˈɨmi skʃˌɛklivˈɨmi, ɔstrˈɨmi ɡwɔsˈami.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_375.wav|ɔ jˈakʲɛj ɕˈɔstʃɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_91.wav|mˈuɕiʃ nˈattɨm trˈɔxɛ pˌɔpratsˈɔvatɕ, mˈuvi. tˈɛras pˈɔra rˈuʃatɕ.|2
+Dataset/wavs/urwisko_ferenc/59_segment_108.wav|xˈɛrman tʃˈuwa, ʒˈɛ jɛj tɕˈawɔ drʒˈɨ, ˌalɛ ɲˈits ɲʲɛ mˈɔɡwa nˈatɔ pɔrˈadʑitɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_143.wav|vʲɛdʑˈawam, ʒˈɛ tsˈawa ta mˈɔva bˌɨwa sfˈɛɡɔ rɔdʑˈaju ˌɔɕfʲattʃɨnˈami.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_63.wav|zˌapɨtˈawa ix, jˈak ˈidɔ̃ pʃˌɨɡɔtɔvˈaɲʲa dɔ vˌɨstavʲˈɛɲʲa ɕˈɛdmju pijˈanɨɣ vʲɔɕlˈaʒɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_27.wav|dˈɔn jˈɛnsɛn pratsˈujɛ wˈɛ fˈirmʲɛ ɔ nˈazvʲɛ ɡrˈɔviŋk kˈɔntsɛrn, zˌajmujˈɔntsɛj ɕɛ ˌarçitɛktˈurɔ̃ ʑɛlˈɛɲi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_86.wav|ɲʲˈɛx pˈan ɔdwˈɔʒɨ swuxˈafkɛ i vˈɨjʒɨ pʃˈɛs ˈɔknɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_185.wav|ɲʲˈɛvʲɛ, tsˈɔ pˌɔmɨɕlˈɛlibˌɨ ˈinɲi, ˌalɛ w jˈɛɡɔ pʃˌɛkɔnˈaɲʲu tɛn tˈɛkst jɛzd dˈɔbrɨ. i tɔ ɲˈits, ʒˈɛ jɛst ɔkrˈɔpnɨ, bˈɔ tɔ, tsˈɔː ɔkrˈɔpnɛ, tʃˈasɛm jɛst pravdʑˈivɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_22.wav|mˌamɨ tˈam tˈaɡʒɛ vʲˈɛlki ˈɔɡrut, vʲˈɛnts mɔʒˈɛmɨ uʒˈɔndʑatɕ imprˈɛzɨ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_88.wav|ˌɔbɔk ɲʲˈɛj jɛxˈali lˈɔrt rˈɛnlɨ, dʲˈitsk krˈapp i|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_375.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_39.wav|ˌalɛ nˌajvaʒɲʲˈɛjʃɔ̃ ˌinfɔrmˈatsjɔ̃...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_41.wav|ɲˈiɡdɨ ɲʲɛ pʃɨkwˈadaw vʲˈɛŋkʃɛj vˈaɡʲi dɔ pʲɛɲʲˈɛndʑɨ, a f tɨm ruvnˈaɲʲu bˈɨw tɔ bˈɛz vɔntpʲˈɛɲʲa nˈajmɲʲɛj vˈaʒnɨ ɛlˈɛmɛnt.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_200.wav|pʃɛxˈɔdʑɛ na tˈɨwɨ f pɔblˈiʒɛ ʃklˈanɛj ɕtɕˈanɨ, na ktˌurɛj vˌɨɡravˌɛrɔvˈanɛ sɔ̃ swˈɔva sˈala pˌɔkɛrˈɔva.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_307.wav|tʃˈɨja?|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_135.wav|ɡˈɛndrɨ bˈɨw f kˈuʑɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_181.wav|tɔ zˈɛ vzɡlˈɛnduv bˌɛspʲɛtʃˈɛɲstfa vˌɨjaɕɲˈiwam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_73.wav|ɲʲɛ vˈidʑɛ tɕˈɛ, za dˈuʒɔː ˈawt, vˈɨɕɔɲtɕ i pɔmˈaxaj.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_345.wav|vˈaʃɛ ʒɨtʃˈɛɲʲɛ mˈɔʒɛ ɕɛ spˈɛwɲitɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_106.wav|mˈɔʒɛ jˈɛɡɔ pravdʑˈivɛ ɔblˈitʃɛ?|2
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_94.wav|fskazˈawam na jˈɛdɛn s tʃtˈɛrɛɣ zavˈɔruf na rˈuʒɛ bjɛɡnˈɔntsɛj najblˈiʒɛj nˈas.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_197.wav|bˌɨwa tɔ prɔstˈatska mʲˌɛʃaɲˈina swˈuf i frˈas s kˌilkunˈastu rˈuʒnɨx jɛ̃zˈɨkuf, fspˌɔmaɡˈana ɡɛstˈami rˈɔŋk.|1
+Dataset/wavs/urwisko_ferenc/10_segment_11.wav|ˌuxɨlˈifʃɨ dʒvˈi, ˈɔlɡʲɛrt pˈɔtʃuw pʃɨjˈɛmnɨ, ʒˈɛɕki pˈɔvʲɛf klˌimatɨzˈatsji.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_34.wav|lˈitʃɨ ɕɛ tˌɨlkɔ tɔ, tsˈɔː ˌutʃɨɲˈiwaɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_94.wav|s pɛvnˈɔɕtɕɔ̃ uswˈɨʃaw napʲˈɛɲtɕɛ w mˈɔim ɡwˈɔɕɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_41.wav|brˈat ɲʲɛ mˈɔʒɛ vʲˈɛdʑɛtɕ, ʒˈɛ jˈɛɡɔ brˈad ʒˈɨjɛ i ʒˈɛ f kˈaʒdɛj xfˈili mˈɔʒɛ vˈɛjʑdʑ dɔ ɕrˈɔtka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_42.wav|tɛn dˈɔm jɛst fspaɲʲˈawɨ, jˈɔɛl.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_91.wav|na tsˈɔ pˈan tʃˈɛkaʃ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_34.wav|pˌɔdɛjʒɛvˈawɛm, ʒˈɛ dʑˈɛtskɔ w dˈɔmu zakwˈutɕi prˈɔtsɛs tˌɛrapɛwtˈɨtʃnɨ tfˈɔjɛj mˈatki i mʲˌawɛm rˈatsjɛ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_375.wav|ˌalɛ pˈɔdritsk ˌaɲi na xfˈilɛ ɲʲɛ ˈuɲʲuz vzrˈɔku.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_354.wav|lˈudʑɛ ʒˌɛtʃɨvˈiɕtɕɛ tˈaɡ ɡadˈajɔ̃? zˌapɨtˈawa z uɕmʲˈɛxɛm tsɛrsˈɛi. tsˈuʒ za ɡwˈupstfɔ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_37.wav|pˌɔɲʲɛftʃˈaɕɛ pʃˌɨpɔmɲʲˈawa sˈɔbjɛ, ʒˈɛ ɲʲɛ mˌajɔ̃ tɕɛpwˈɛɡɔ xlˈɛba. kˈuxɲʲɛ bˌɨwɨ zamkɲʲˈɛntɛ, a pʲˈɛtsɛ vɨstˈɨɡwɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_174.wav|rˌɔzɛjʒˈawam ɕɛ w lˈɛvɔː i f prˈavɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_308.wav|ɲʲɛ ˈumjɛm, pɔvʲˈɛdʑaw. ɲʲɛ ˈumjɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_96.wav|pˈiʃɛ maˈilɛ. tʃˈasɛm ɡrˈam w ɡrˈɨ na tˌɛlɛfˈɔɲʲɛ. nˈɔː i jɛst jˈɛʃtʃɛ kˌɔmiksɔlˈɔɡɨ. tɔ tˈaka ˈapka. mˈɔʒna z ɲʲˈɛj ɕtɕˈɔŋɡatɕ rˈuʒnɛ ʒˈɛtʃɨ. tʃˈɨmam jˈɛ na laptˈɔpʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_86.wav|tɔ fʃˈɨstkɔ mˈuɕi ɕɛ vrˈɛʃtɕɛ skˈɔɲtʃɨtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_171.wav|mˈam nadʑˈɛjɛ, ʒˈɛ mʲˈaw rˈatsjɛ i ʒˈɛ ɲʲɛ tʃˈujɛʃ ɕɛ bˈardʑɔ ʑlˈɛ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_191.wav|a xwˈɔpʲɛdʑ z zaxfˈɨtɛm pɔdrˈɨvaw jˈɔ̃ w ɡˈurɛ, ɡdˈɨ nˈaɲʲɔ̃ skakˈawɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_251.wav|vˈidʑi pˈan tɛ dˈɔmɨ, mˈikɛ? pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_55.wav|tʃɨ ˈɔddaʒ ʒˈɨtɕɛ za ɔjtʃˈɨznɛ? pɨtˈawɨ. tʃɨ ˈumʒɛʃ xfalˈɛbnɔ̃ ɕmʲˈɛrtɕɔ̃ za ˈislam?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_59.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ jˌɛstɛm pˈɛvna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_73.wav|jˈaɡ dla kɔlˈɛɕa, ktˌurɨ znˈa ɕɛ na brˈɔɲi i vwaɕtɕˈivʲɛ ɲˈitʃɨm vʲˈɛntsɛj, dˌɔpɔvʲˈada w mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_32.wav|jˈaki mˈɔʒɛ bˈɨtɕ mˈɔtɨf pɔrvˈaɲʲa rˌajavʲˈɛɡɔː i mˈili?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_86.wav|mitskʲˈɛvitʃ|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_6.wav|tˈɔm uswˈɨʃaw ɡwˈɔs pɔ drˈuɡʲɛj strˈɔɲʲɛ lˈiɲʲi, ɲʲˈɛtsɔ pˌɔdɲʲɛɕˈɔnɨ, jˈaɡbɨ kɔbjˈɛta strˌɛsɔvˈawa ɕɛ fˈaktɛm rˌɔzmavʲˈaɲʲa s pɔlˈitsjɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_144.wav|mˈɔʒɛ tˈɛraz zakˈarɛ pɔvˈiɲʲɛn spˈɔjʒɛtɕ im w ˈɔtʃɨ, pɔswˈuxatɕ, jˈaɡ dˈajɔ̃ ˈupust sfɔjˈɛmu bulˈɔvi i zdumjˈɛɲʲu?|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_284.wav|a ɡdˈɨbɨ rˌɔsʃtʃɛlɲʲˈɛɲʲu ulˈɛɡwa skɔrˈupa vɛvnˈɛntʃna, dɔ pʃɛɡrˈɔdɨ dˌɔstawˈɔbɨ ɕɛ pɔvʲˈɛtʃɛ pɔd vˈɨʃʃɨm tɕiɕɲʲˈɛɲʲɛm z vnˈɛntʃa bˈaɲki.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_239.wav|pʃˈɨdawbˌɨ mi ɕɛ ktˈɔɕ mwˈɔtʃɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_210.wav|dˈɔnɲʲɛ ɔtʃtʃˈɛkaw tɔ, ˌalɛ rˈɔɲi mˈɔtsnɔ valnˈɛwa ɡlˈɛnna w rˈamjɛ. ɲʲɛ mˈuɕiʃ mɲʲɛ brˈɔɲitɕ, dˈatxɔn. sˈama sˈɔbjɛ pɔrˈadʑɛ, pˌɔvʲɛdʑˈawa.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_327.wav|kˈaʒda kˌurtɨzˈana mʲˈawa vwˈasnɔ̃ bˈarkɛ ˌɔras swuʒˈɔntsɨx, ktˌuʒɨ vɔzˈili jˈɛ na sxˈatski.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_135.wav|mˈikɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_24.wav|zˈatɛm jɛst jˈuʃ w ɕrˈɔtku.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_13.wav|dɔʒˈutsa dɔ ɲˈix kɔmˈurkɛ daltˈɔna smʲˈɛsa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_132.wav|tˈɛras, kʲˈɛdɨ jˈuʒ zatʃˈɛwam, ɲʲɛ mˈɔɡɛ ɕɛ dɔtʃˈɛkatɕ kˈɔɲtsa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_67.wav|ˌalɛ mˈɔʒɛʃ mi mˈuvitɕ frˈaŋk, bˈɛnji.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_29.wav|ˈax, ˌɔtʃɨvˈiɕtɕɛ. i tˈaɡ dˈɔbʒɛ bˌɨwɔ ɡˈɔ znˈuv zɔbˈatʃɨtɕ pɔ tsˈawɨm tɨm tʃˈaɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_40.wav|ˈindja kˈalu bˌɨwa jˈɛdnɔ̃ z ɲˈix.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_173.wav|a ja tˈak strˈaʃɲʲɛ ɲʲɛ lˈubjɛ rˌɔspɔtʃɨnˈaɲʲa mˈɨɕli ɔt tˌɛɡɔ nˈɔ tsˈuʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_143.wav|zbjˈɛɡa pɔ sxˈɔdaɣ dɔ sfɔjˈɛɡɔ pˌɔdrapanˈɛɡɔ sˈuva, lˈɛkkɔ zɡarbjˈɔnɨ, mˈɔʒɛ dlatˈɛɡɔ, ʒˈɛ pɔrˈanɛk jɛzd ʑˈimnɨ, mˈɔʒɛ dlatˈɛɡɔ, ʒˈɛ tʃˈɛka, kʲˈɛdɨ bʲˈillɨ stʃˈɛli mu f kˈark.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_262.wav|ɲʲɛ lˈubjɛ pˈana.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_209.wav|tˈam pˈɛvɲʲɛ bˌɨwɔ bˈardʑɛj ɲʲˌɛbɛspʲˈɛtʃɲʲɛ ɲˈiʒ w dˈɛmɔ dˈɛrbɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_189.wav|f tɛj xfˈili mˈa nˈatɨm kˈɔɲtɕɛ spˈɔrɔ pʲɛɲʲˈɛndʑɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_41.wav|vˌɨɡlɔndˈawɔ nˈatɔ, ʒˈɛ jɛzd dˈɔɕtɕ pˌɔpulˈarnɨ, a jˈɛdna z dʑˈɛftʃɨn dˌɔtɨkˈawa jˈɛɡɔ ramjˈɛɲʲa i ˌɔpʲɛrˈawa ɕɛ ɔ ɲʲˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_79.wav|ˌɔtʃɨvˈiɕtɕɛ, sˈɛr.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_129.wav|xtɕˈawam ɔkˈazadʑ zˌaskɔtʃˈɛɲʲɛ, mˈɔʒɛ nˈavɛt ʃˈɔk, ˌalɛ ɲʲɛ pɔtʃˈuwam ɲˈits takʲˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_76.wav|jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ, dˈuʒa ɲʲˌɛspɔdʑˈaŋka spˈɔtka tɕˈɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_212.wav|ˌuswɨʃˈawɛm ʃtʃˈɛŋk kɔntˈaktu i...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_69.wav|xtsˈɛ ˈutɕɛts jˈak najdˈalɛj, ˌalɛ ɲʲɛ mˈɔɡɛ utɕˈɛkatɕ w ɲʲˌɛskɔɲtʃˈɔnɔɕtɕ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_531.wav|tʃˈujɛ zˈapax nˌatxɔdʑˈɔntsɛj ɕɲʲɛʒˈɨtsɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_237.wav|i kɔxˈawɛm ɲʲˌɛʃtʃɛɲɕlˈivɔ̃ ɔjtʃˈɨznɛ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_156.wav|pɔxfˈaliw ɕɛ. ɲʲɛkʲˈɛdɨ pʃɨxˈɔdʑɔ̃ tˈam kˌapitanˈɔvʲɛ i vwˌaɕtɕitɕˈɛlɛ.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_240.wav|zrɔbʲˈiwa tɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_12.wav|strˈɔna vˌɨpɛwɲˈiwa ɕɛ nˌavʲɔ̃zaɲʲˈami i zdjɛɲtɕˈami, ɡwˈuvɲʲɛ z lˈat, kʲˈɛdɨ ɲʲɛ bˌɨwa jˈɛʃtʃɛ ʒˈɔnɔ̃ naˈila.|3
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_50.wav|bʲˈillɨ dɔmˈɨɕla ɕɛ, ʒˈɛ pʃɨtʃˈɨnɔ̃ upˈatku tɛj ˌɔkɔlˈitsɨ jɛst pˈusta dʑˈawka, dɔkwˈadɲʲɛ nˌapʃɛtɕˈifkɔ dˈɔmu, ktˌurɨ sˈɔbjɛ upˈatʃɨw.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_107.wav|ɔ ɕmʲˈɛrtɕi tfɔjˈɛɡɔ brˈata vʲˈɛʃ tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ zɡʲˈinɔw f sˌamɔlˈɔtɕɛ i ɲʲɛ mˈɔʒɛʃ mu pʃɛbˈatʃɨtɕ, ʒˈɛ rɔzvˈaliw dˈɔbrɨ samˈɔlɔt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_53.wav|ɲʲˈɛmam pɔjˈɛɲtɕa. tsˈɔ nˈajmɲʲɛj tˈɨdʑɛɲ, mˈɔʒɛ dvˈa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_10.wav|pɔpˈɨxam dʒvˈi i swˈɨʃɛ ˈɔdɡwɔs stˌarɔmɔdnˈɛɡɔ dʑvˈɔŋka. za lˈadɔ̃ ɕˈɛdʑi kɔbjˈɛta ɔ dʑˈivɲʲɛ ˌɔpuʃtʃˈɔnɨx kɔɲtɕˈikax ˈust i rˈɔbʲi na drˈutax.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_18.wav|ˈuɲʲuz ɡwˈɔvɛ. stˈaw na jˈakimɕ pɔmˈɔɕtɕɛ z vidˈɔkʲɛm na jɛʑˈɔrɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_84.wav|ktˌurɨ jˈak mwˈɔdɔɕtɕ i urˈɔda ɲʲˈɛtrfa dwˈuɡɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_70.wav|zdɔ̃ʒˈɨwam ɕɛ pʃˌɨzvɨtʃˈaidʑ dɔ naʃˈɛɡɔ nɔvˈɛɡɔː ukwˈadu, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_66.wav|jˈɛɡɔ plˈan ɔpʲˈɛraw ɕɛ na tʃɨmˈaɲʲu mɲʲɛ ˈu sfˈɛɡɔ bˈɔku, a pˈɔtɛm zˌamɔrdɔvˈaɲʲu mɲʲɛ, kʲˈɛdɨ tˌɨlkɔ pʲɛɲʲˈɔndʑɛ stˈanɔ̃ ɕɛ mˈɔjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_76.wav|kavˈawɛk ftʃˈɛɕɲʲɛj w lˈɛvɔː ɔtxˈɔdʑi drˈɔɡa ɡruntˈɔva. stˈɔjɔ̃ pʃˈɨɲʲɛj dvʲˈɛ tablˈitsɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_154.wav|lˈudʑɛ zˌamjɛɲʲˈali ɕɛ mʲɛjstsˈami i tʃɛkˈali ɲʲˌɛtɕɛrplˈivʲɛ, ʒˈɛbɨ pɔpˈatʃɛtɕ na pɔnˈurɨ, skalˈistɨ krajˈɔbras.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_281.wav|ktˌurɨ ˌuʒɛndˈɔvɨm krˈɔkʲɛm ˈidʑɛ spˈɛwɲitɕ pɔdɲʲˈɔswɔ̃ ˌuʒɛndˈɔvɔ̃ tʃˈɨnnɔɕtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_20.wav|ˌalɛ vɨprˈava ˌɔkazˈawa ɕɛ ɲʲˌɛudˈana.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_127.wav|zatʃˈɔwɛm lˈitʃɨtɕ ɔt nˈɔva. zzˈa mˈɔix plˈɛtsuv dˈɔbjɛɡw ɡwˈɔs ˈɛlis.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_68.wav|ˌɔtʃɨvˈiɕtɕɛ. na vʲɛtʃˈɛʒɛ bˌɛɲdʑɛ ɡˈulaʃ rˈɨbnɨ.|1
+Dataset/wavs/urwisko_ferenc/55_segment_4.wav|— ftɕˈɔ̃ʃ ɕˈɛdʑɛ nat sprˈavɔ̃ xudʑˈiɲskʲɛj i mˈam kˈilka pˈɨtaɲ dɔ tfɔjˈɛɡɔ nˌajmwɔtʃˈɛɡɔ brˈata, dɔ filˈipa.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_399.wav|mˈɔʒɛ ˌɔdrɔbʲˈinɛ xlˈɛba z mʲˈɔdɛm?|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_54.wav|fˈɔlknɛr pˈisaw s pˈuŋktu vidʑˈɛɲʲa pʃɨɡwˈupa vɛ fɕtɕɛkwˈɔɕtɕi i vʒˈasku.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_235.wav|pamjˈɛntam tɛn dʑˈɛɲ jˈaɡ dʑˈiɕ. tɨ jˌɛstɛɕ tɛn ɡˈɔɕtɕ, ktˌurɨ xtɕˈaw ɕɛ dˈɔstadʑ dɔː ˈusaf.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_221.wav|dˈɔbʒɛ pɔvʲˈɛdʑaw, vʲˈɛnts pʃˈɨjdɛ tˈu jˈɛʃtʃɛ rˈas, ˌalɛ pamjˈɛntaj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_309.wav|lˈɛŋkam ɕɛ vɨdˈɔstadʑ zˈɛ sfˈɛɡɔ ʃawˈasu na ɕfʲˈatwɔ dʑˈɛnnɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_46.wav|jˈɛɕli ɕɛ ˈuda, pʃɛkˈɔnam ɕɛ...|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_16.wav|xˈu zadʑvˈɔɲiw kˌajdaŋkˈami. ɲʲɛ pɔvˈinnɔ mɲʲɛ tˈu bˈɨtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_142.wav|ɔbdˈaʒa ɡˈɔ ʃˌɛlimˈɔfskim uɕmʲˈɛxɛm, s ktˌurɨm wˈadɲʲɛ vɨɡlˈɔnda.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_461.wav|ˈɔtkɔnt ˌɔɕɔŋɡnˈɛwaɕ ˌɔtpɔvʲˈɛdɲi vʲˈɛk,|1
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_22.wav|mʲˌɛli tʃˈɨ pˈɛwnɛ ɡɔdʑˈinɨ, ʒˈɛbɨ ɕɛ ɔddˈalitɕ i zˈatʃɛtɕ ɕlˈadɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_113.wav|ʒˈɨtʃɛ vam pʲɛŋknˈɛɡɔ dɲʲˈa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_40.wav|jɛst w arˈɛʃtɕɛ xrɔɲʲˈɔnɨ. pˈɛvɲʲɛ dˈɔbʒɛ mu tˈam, jˈak ˈu pˈana bˈɔɡa za pʲˈɛtsɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_281.wav|ˌalɛ f sklˈɛpʲɛ s pˌamjɔntkˈami f tsˈɛntrum vˌɨtɕɛtʃkˈɔvɨm jɛst jˈɛdna kamˈɛra.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_161.wav|ɕpʲˈɛvaj swˈɔtkɔ, tˈɔmjɛ ɕudˈɛmkɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_101.wav|ɲʲˈɛmʲɛtɕ pʃɨjˈatɕuw i mˈuɕɛtɕ tʃˈɨmatɕ ɕɛ z dˈala zˈɛ vzɡlˈɛndu na pʃˈɛʃwɔɕtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_218.wav|ɲʲɛ ˈindjɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_29.wav|na mˈɔjɔ̃ kˈɔʒɨɕtɕ pʃˌɛmavʲˈawɔ tɔ, ʒˈɛ ˌɔpɛratˈɔʒɨ bˌɨli upʃˈɛjmi pɔtstˈavitɕ mi jˈɛ w jˈɛdnɔ mʲˈɛjstsɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_48.wav|ˌalɛ sɔ̃ tˈatsɨ pɔdˈɔbɲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_143.wav|f tsˈawɨm mʲˈɛɕtɕɛ vwɔntʃˈɨwɨ ɕɛ sɨɡnˈawɨ ˌɔstʃɛɡˈaftʃɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_56.wav|stˈarɨm kˈijɛm dɔ krɨkʲˈɛta.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_114.wav|ˌalɛ tɛn pɔjˈɛmɲik ɲʲɛ jɛzd dla ɲʲˈɛj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_139.wav|bˈɨw mˈɔim xwɔpˈakʲɛm i zˈɔstaw pɔbʲˈitɨ. xtɕˈawam ɕɛ ɲˈim zˈajɔɲtɕ, sprˈavitɕ, bˈɨ ɔdˈɛʃwɔ fʃˈɨstkɔ tɔ, tsˈɔ zrˈɔbʲiw ɲʲɛ tˈak f sfˈɔim ʒˈɨtɕu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_43.wav|fˌɔrmulˈaʒɛ spˌɔnsɔrˈiŋɡu, arkˈuʃɛ kˌalkulatsˈɨjnɛ z vˌɨlitʃɛɲʲˈami dwˈuɡuv zˌatɕɔŋɡɲʲˈɛntɨx ˈu tsˌamɛrˈɔna ˌɔraz zdjˈɛɲtɕa ɔbrˈaʒɛɲ stsˈɔtta.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_170.wav|najlˈɛpʲɛj ɲʲɛ ʒˈutsatɕ ɕɛ w ˈɔtʃɨ lˈudʑɔm f pɔblˈiʒu ɕlˈuzɨ.|4
+Dataset/wavs/urwisko_ferenc/33_segment_67.wav|kɔbjˈɛta pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃.|0
+Dataset/wavs/urwisko_ferenc/42_segment_89.wav|xtsˈɛʃ, tɔ dɔ ɲʲˈɛj zadʑvˈɔɲʲɛ i bˌɛɲdʑɛʃ mˈɔɡwa z ɲʲˈɔ̃ pɔɡˈadatɕ ɔbjˈɛtsaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_20.wav|ɡdˈɨbɨ ɕɛ dɔvʲˈɛdʑaw, jˈak jˌɛstɛm pʃˈɛzɲʲɔ̃ trˌaktɔvˈana, fpadwˈɔbɨ w zwˈɔɕtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_89.wav|i pˈatʃɛ na ɲʲˈɛɡɔ, kʲˈɛdɨ ɲʲˌɛspɔdʑɛvˈaɲʲɛ ˌɔtfʲɛrˈajɔ̃ ɕɛ dʒvˈi i dɔ kˈuxɲi fpˈada mˈili.|4
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_40.wav|tˈɨlɛ prˈatsɨ na ɲˈits. ʃkˈɔda.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_32.wav|nˈavɛt inˈatʃɛj vɨɡlˈɔndaʃ.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_115.wav|a dɔ tˌɛɡɔ tˈakɔ̃ pʲˈɛŋknɔ̃ tfˈaʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_405.wav|w ˈɔkɲʲɛ pʃˌɛtɕivlɛɡwˈɛɡɔ dˈɔmu bwˈɨska trˈupi sɛlˈɛdɨn ɛkrˈanu tˌɛlɛvˌizɨjnˈɛɡɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_81.wav|ˈilɛ tɨ maʃ lˈat?|0
+Dataset/wavs/urwisko_ferenc/46_segment_102.wav|zˈɛrɔ ɕˈɛdɛm ɕɛ zavˈaxaw. mˈɔʒɛʃ pʲˈɛpʃɨtɕ ɕɛ s kˈim xtsˈɛʃ i jˈak xtsˈɛʃ, ˌalɛ ɲʲɛ mˈɔʒɛʃ krˈɨtɕ tˌɛɡɔ skurvʲˈɛla.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_283.wav|ktˌurɨx ɲʲɛ zmˈɔɲtɕiw ɲˈiɡdɨ ɡvˈar pluɡˈavɨx rˈɔzmuf,|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_87.wav|tfˈuj brˈat jɛzd bˌɔxatˈɛrɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_4.wav|s pɛvnˈɔɕtɕɔ̃ vʲˈɛdʑɔ̃ jˈuʃ ɔ nˈaʃɛj kwˈutɲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_59.wav|bʲˈillɨ ɔtfʲˈɛra pudˈɛwkɔː i vɨjmˈujɛ nˈɔvɔ̃ pɛrˈukɛ, pˈɛvɲʲɛ dvˈa rˈazɨ drˈɔʃʃɔ̃ ɔt tˈɛj, ktˌurɔ̃ zamˈuviw na ˌamazˈɔɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_46.wav|tˈɛssa ɲʲɛ xtɕˈawa ˌɔtpɔvʲˈadatɕ nˈatɔ pɨtˈaɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_101.wav|pɔtpˈɛwzwam dɔ ɲʲˈɛɡɔ, wukˈajɔnts i vɔwˈajɔnts ɔ pˈɔmɔts. ɲˈikt jˈɛdnak ɲʲɛ pʃˈɨʃɛd.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_14.wav|pɔvʲˈɛdʑaw. rˈɛʃta mlˈɛka skfaɕɲʲˈawa, a mʲˈɔdu jˈuʃ ɲʲˈɛma.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_58.wav|jˌɛstɛɕ pˈɛvna, ʒˈɛ ɲʲɛ pʃˌɛtrɛnɔvˈujɛʃ ɕɛ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_215.wav|a ˌɔna nˈatɔ tˈak, ʃˈɛfjɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_138.wav|i ɲʲɛ ɔʃtʃˈɛndʑaj na naprˈavʲɛ tˌɛɡɔ zavˈɔru.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_17.wav|ɡdˈɨ fˈil vɨxˈɔdʑi, vɨɡlˈɔnda znˈatʃɲʲɛ lˈɛpʲɛj.|2
+Dataset/wavs/urwisko_ferenc/08_segment_97.wav|i sprˈava rˌɔzvʲɔ̃zˈana. ˌintuˈitsja jˈɛdnak pˌɔtpɔvʲadˈawa mu, ʒˈɛ pɔvˈiɲʲɛn bˈɨtɕ tʃˈujnɨ.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_2.wav|kɔlˈatsja f stsɛptˈɔʒɛ bˌɨwa najbˈardʑɛj ɲʲɛzvˈɨkwɨm pɔɕˈiwkʲɛm, jˈaki brjˈɛnnɛ w ʒˈɨtɕu spɔʒˈɨwa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_140.wav|ˈandɛrsɔn fstˈaw.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_388.wav|burdˈɛlɛ pˌɔzvalˈajɔ̃ utʃˈɨmatɕ tɛn spˈɔkuj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_21.wav|bʲˈillɨ pɔdˈajɛ rˈɛŋkɛ daɲʲˈɛmu, pˈɔtɛm dʑɛftʃˈɨntsɛ, ktˌura pˈatʃɨ na ɲʲˈɛɡɔ ɲʲɛɕmʲˈawɔ, ɡdˈɨ jɛj brɔ̃zˈɔva dwˈɔɲ zɲˈika w jˈɛɡɔ bjˈawɛj dwˈɔɲi.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_124.wav|na jˈakim stˈatku zˌamjɛʒˈatɕɛ pɔpwˈɨnɔɲtɕ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_453.wav|pˈan dɔ dˈɔmu? spˈɨtaw prˈavʲɛ sɛrdˈɛtʃɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_95.wav|mˌaɡlɔvˈaɲʲɛ|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_164.wav|jˈamɛ vɨpˈatʃɨw mɛ̃ʃtʃˈɨznɛ tʃˌɨmajɔntsˈɛɡɔ w rˈɛŋkax xˈarfɛ. xˈɛj, tˈɨ!|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_247.wav|jˈɛɡɔ nˈɔva ʒˈɔna bˌɨwa dla mɲʲɛ dˈɔbra, ˈaʃ sˈama ˌurɔdʑˈiwa tsˈurkɛ. ftˈɛdɨ zˌapraɡnˈɛwa mˈɔjɛj ɕmʲˈɛrtɕi.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_23.wav|tsˈantɔn artˈɛmis|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_364.wav|tɔ ɕɛ ɲˈiɡdɨ ɲʲɛ zdaʒˈɨwɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_36.wav|bˈɛtskɨ udˈawɔ ɕɛ f kˈɔɲtsu pɔʒˈɛɡnatɕ s pˈaɲʲɔ̃ ɔzbˈɔrnɛ i pɔdˈɛʃwa dɔ ɲˈiɣ vzɨvˈana ɡˈɛstɛm pʃˈɛs tˈɔma.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_217.wav|ˈɔɡʲɛɲ na kɔmˈiŋku vˈɨɡas, a vʲˈatr ɔtfˈɔʒɨw ʃɛrˈɔkɔː ˈɔknɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_119.wav|pɔ tsˈɔ psˈutɕ ɔɡˈulnɛ vraʒˈɛɲʲɛ?|2
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+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_178.wav|ˈɔ, tʃˌɛkɔlˈada! kʃˈɨknɔw, kʲˈɛdɨ rˌɔspakˈɔvaw pˌɔtʃɛ̃stˈunɛk.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_60.wav|pɔ prˈɔstu mi pˈɔvʲɛts.|4
+Dataset/wavs/urwisko_ferenc/08_segment_94.wav|ˈalbɔ zˌaʃantaʒˈɔvatɕ, ˌalɛ trafˈili na lˈɛpʃɨx pʃˌɛtɕivɲˈikuf, ktˌuʒɨ pˌɔstanɔvˈili vɨmjˈɛʒɨtɕ im kˈarɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_21.wav|jˈɛdɛn vɨsˈɔki ɔ tʃˈarnɨɣ vwˈɔsax, zˌatʃɛsˈanɨɣ dɔ ɡˈurɨ f stˈɨlu mˈɔdnɨm w lˈatax pʲˌɛɲdʑɛɕˈɔntɨx.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_22.wav|pɔdˈɔbnɔ na kɕɛ̃ʒˈɨtsu panˈujɔ̃ vˌɨjɔntkˈɔvɔ spʃˌɨjajˈɔntsɛ varˈuŋki dla tˈakix prɔtsˈɛsuf.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_120.wav|tˌɨlkɔ ɡwˈupʲɛdʑ vɨɡwˈaʃa ɡrˈɔʑbɨ, ktˌurɨx ɲʲɛ jɛst skwˈɔnnɨ spˈɛwɲitɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_57.wav|tsɔfˈawa ɕɛ pɔvˈɔli pʃɛdˈɛmnɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_34.wav|i vʲˈɛm rˈuvɲʲɛʃ, w jˈaki spˈɔsup tɔ rˈɔbʲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_56.wav|tsˈɔ tˈaɡ dwˈuɡɔ? mˈuvi ɲˈitsk. pˌɔzɔstˈali dvˈa jˈuʒ zˌɔbatʃˈɨli bʲillʲˈɛɡɔ. ɔn jˈɛdnak ɲʲɛ mˈɔʒɛ ɔdˈɛrvatɕ ˈɔtʃu ɔt trfajˈɔntsɛj ˈaktsji. pˈɔstaf tɔ nˈa...|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_30.wav|ˈɛlis mˈuvi tɔ za ɲʲˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_404.wav|jɛj ɡwˈɔz bˈɨw pʃˌɛpɔjˈɔnɨ smˈutkʲɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_29.wav|prˈavʲɛ jˈak pʲɛʃtʃˈɔta.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_117.wav|ʒɛlˈaʑɲi lˈudʑɛ i iɣ drakˈarɨ ɲʲɛ pɔvˈinnɨ im zaɡrˈɔzitɕ.|1
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+Dataset/wavs/urwisko_ferenc/47_segment_85.wav|pɔnˈaɡliw jˈɔ̃ ɕlˈɛttʃɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_87.wav|tˈɔm i jˈumbɔ pʃˌɨkutsnˈɛli pʃɨ tɛxɲˈiku i pˌɔpatʃˈɨli vɛ fskazˈanɛ mʲˈɛjstsɛ.|3
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+Dataset/wavs/urwisko_ferenc/45_segment_6.wav|tsˈɔruʃ spˌɔɡlɔndˈawa w jɛj strˈɔnɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_27.wav|jɛj pˈartnɛr mˈarɡ bˈɨw fˌuŋktsjɔnarjˈuʃɛm bˌɛpˌɛtˈɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_27.wav|f kˈɔɲtsu pʃˌɨjɛxˈawam tˈutaj. nˈɔː i ɡˈɔ pˌɔxɔvˈaliɕmˌɨ, rˈazɛm z vʲɛŋkʃˈɔɕtɕɔ̃ jˈɛɡɔ ʒˈɛtʃɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_101.wav|dlatʃˈɛɡɔ tɕˈɔŋɡlɛ mˈuviʃ ɔ rajˈaɲʲɛ? pˌɔvʲɛdʑˈawa ˈɛstɛr.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_228.wav|znˈɔvu pʃɨmknˈɛwa pɔvʲˈɛki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_94.wav|ɔtsˈuvam ɡˈɔ ɲʲˈɛtsɔː ɔt ramjˈɛɲʲa, ʒˈɛbɨm mˈɔɡwa zdjˈɔɲtɕ mˌarɨnˈarkɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_80.wav|mˈa ɔkrˈɔŋɡwɔ̃ tfˈaʃ, ˌɔpalˈɔnɔ̃ w vˈɛɡas.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_86.wav|vʲˈɛʃ jˈak tɔ jˈɛst, kʲˈɛdɨ tʃwˈɔvʲɛk ɕɛ fprɔvˈadʑa na nˈɔvɛ ɕmʲˈɛtɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_119.wav|tɔ prˈavda, mˈuvi bʲˈillɨ tˈɛʃ rˌɔzɛɕmʲˈanɨ. ɡdˈɨbɨm vɨkˈupiw fʃˈɨstkʲɛ kɔlˈɛjɛ, zˈamjast trˈafidʑ dɔ vʲɛ̃ʑˈɛɲʲa...|2
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_37.wav|mˌamɨ zvrˈutɕitɕ uvˈaɡɛ na tsˈɔɕ ʃtʃˌɛɡulnˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_233.wav|xˈɨba tsˈɔɕ f tɨm jˈɛst.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_299.wav|xˈɔtɕaʃ ɲʲɛ zupˈɛwɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_15.wav|tʃˈɛba bˌɨwɔ sw��ɔnɔ zabˈulitɕ, ʒˈɛbɨ ɕɛ tˈu dˈɔstatɕ.|4
+Dataset/wavs/urwisko_ferenc/55_segment_26.wav|— dɔpˈɨtaʃ? — dɔpˈɨtam — sˈapnɔw ɡrˈɔx, jˈaɡbɨ pˈɔdɲʲus ɕɛ s fɔtˈɛla.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_205.wav|pˈɔvʲɛts jɛj, ʒˈɛbɨ dɔ mɲʲɛ fpˈadwa i pʃɨpˈɔmɲij, ʒˈɛ tɛ lˈɛvɛ papʲˈɛrɨ tɔ tˌɨlkɔ krˌutkɔtˌɛrminˈɔvɨ kamˈuflaʃ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_64.wav|ɲˈilɛ sprˈavʲaw vraʒˈɛɲʲɛ ʃtʃˈɛʒɛ fstʃˌɔ̃ɕɲʲɛntˈɛɡɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_17.wav|pˈɛvɲʲɛ ɡˈɔː ˌɔbudʑˈiwa, vʲˈɛnts ja ɕɛ tɨm zˈajmɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_225.wav|tˈata mˈuɕaw xˈɨba uswˈɨʃɛtɕ, ʒˈɛ pɔtɕˈɔŋɡam nˈɔsɛm, bˈɔ jˈɛŋknɔw za kʲˌɛrɔvɲˈitsɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_42.wav|kʲˈɛdɨ jˈɛdnak fspɔmɲʲˈawam, ʒˈɛ mɔʒˈɛmɨ ɡˈɔ zˈabratɕ na pˌɔstɛrˈunɛk f sfˈintɔn, xˈɨba pˈɔtʃuw ˈulɡɛ, ʒˈɛ ɲʲɛ mˈuɕaw pˌɔdɛjmˈɔvadʑ dɛtsˈɨzji.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_68.wav|ktˌura bˌɨwa skʃˌɨʒɔvˈaɲʲɛm skʃˈɨɲi na bjɛlˈiznɛ,|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_247.wav|ta vˈɨʃwa za rɨtsˈɛʒa na vwˈɔɕtɕaɣ zˌapʃɨɕˌɛ̃ʒɔnˈɛɡɔ vaˈɨnɛ vɔˈɔdɔm. dˈawa mu sˈɨna, kturˌɛɡɔ nazvˈawa xarˈɔldɛm?|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_39.wav|vˈaʃa mˈiwɔɕtɕ jɛst krulˈɔvɔ̃ rɛɡˈɛntkɔ̃ ɕˈɛdmju krˈulɛstf.|1
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_60.wav|tsˈɔ xtsˈɛʃ rˈɔbʲitɕ, kʲˈɛdɨ dɔrˈɔɕɲʲɛʃ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_121.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ ja mˈam dʑˈiɕaj sfˈuj dʑˈɛɲ, pˌɔvʲɛdʑˈawam.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_359.wav|ɡdˈɨ vˈaldɛr frˈɛj pʃɛkˈɔnaw mɔjˈɛɡɔ pˈana ˈɔjtsa, ʒˈɛbɨ ˈɔddaw mˈɔjɔ̃ rˈɛŋkɛ ɛmmˈɔvi.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_321.wav|vˈɛzmɔ̃ zˈɛ sˈɔbɔ̃ lˈinɨ i xˈaki, a pˈɔtɛm vdrˈapjɔ̃ ɕɛ na mˈurɨ, ʒˈɛbɨ ɔtfˈɔʒɨdʑ brˈamɛ ɔt ɕrˈɔtka.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_299.wav|aɡvˈɛnɕa i lˈadʑɡvɔ ɲʲɛ bˌɨli vˌɨstartʃajˈɔntsɔ dˈɔbʒɨ, ʒˈɛbɨ vˌɨstɛmpˈɔvadʑ w bwɛŋkˈitnɛj latˈarɲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_69.wav|tˈɔm uswˈɨʃaw za plɛtsˈami ɡwˈɔz bˈɛtskɨ i ɔdvrˈutɕiw ɕɛ pʃˈɛs rˈamjɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_19.wav|ɲʲɛ vˈidʑɛ jɛj. mˈuɕi znajdˈɔvatɕ ɕɛ w drˈuɡʲɛj tʃˈɛɲɕtɕi kˈuxɲi, vʲˈɛnts ɔstrˈɔʒɲʲɛ stˈavʲam stˈɔpɛ na stˈɔpɲʲu.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_102.wav|bwaɡˈawa mɛlˈara. tˌɨlkɔ pʃɛpˈɔvʲɛts nˈam pʃˈɨʃwɔɕtɕ i sˈɔbjɛ pujdʑˈɛmɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_5.wav|ɲʲɛ ˌɔdɛzvˈawa ɕɛ, ˌalɛ vʲˈɛdʑaw, ʒˈɛ pʃɨɡlˈɔnda mu ɕɛ uvˈaʒɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_149.wav|trˈɔnt pʃɨsˈunɔw ɕɛ dɔ mɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_113.wav|ˌalɛ bʲˈillɨ jɛst sˈam i dɔ sɨlvˈɛstra stallˈɔna trˈɔxɛ mu brakˈujɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_14.wav|jˈɛnnɨ ɕɛ ɕmʲˈɛjɛ. ɲˈiɡdɨ bˈɨm tʃˈɛɡɔɕ takʲˈɛɡɔ ɲʲɛ zrɔbʲˈiwa.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_126.wav|f pʃˌɛtɕinajˈɔntsɛj jaskˈiɲʲɛ ʃtʃɛlˈiɲʲɛ ˌustavʲˈɔnɔ na kˈɔzwax stˈuw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_270.wav|jˈaɡ vʲˈɛtʃnɛ pʲˈurɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_111.wav|spˈujʃtɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_25.wav|dɔrˈadʑaw tˈɛʃ krˈulɔm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_173.wav|mˈama stˈɔi bˈɛs rˈuxu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_147.wav|ˌɔtfɔʒˈɨwɛm pˈatʃkɛ f sfˈɔim pɔkˈɔju na ˈɔtʃax ˈɛlis.|2
+Dataset/wavs/urwisko_ferenc/21_segment_40.wav|jˈɛɕli sˈɔlski mʲˈawbɨ kˌɔɡɔkˈɔlvʲɛk pˈɔswadʑ dɔ pʲˈaxu, tɔ prˈɛndʑɛj jˈɔ̃ ɲˈiʃ xudʑˈiɲskɔ̃. tsˈɔ mu zˌaviɲˈiwa kɔxˈaŋka?|0
+Dataset/wavs/urwisko_ferenc/04_segment_74.wav|xudʑˈiɲski ɔdɡˈarnɔw s tʃˈɔwa blˈɔntkɛ dʑˈɔrɨ i tʃˈɛkaw na dˈalʃɛ pɨtˈaɲʲa.|0
+Dataset/wavs/urwisko_ferenc/43_segment_41.wav|xtɕˈawabˌɨm pˈana prˈɔɕitɕ, ʒˈɛbɨɕmˌɨ tsɔfnˈɛli ɕɛ dɔ dɲʲˈa ɕmʲˈɛrtɕi zuzˈannɨ xudʑˈiɲskʲɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_197.wav|ˌɔna ɕpˈi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_36.wav|ɔtfʲˈɛram dʒvˈi waʑˈɛŋki, zdɛjmˈujɛ s xatʃˈɨka flˌanɛlˈɔvɨ rˈɛntʃɲik, mˈɔtʃɛ ɡˈɔ w ʑˈimnɛj vˈɔdʑɛ, vrˈatsam dɔ pɔkˈɔju i pʃɛtɕˈɛram mu dwˈɔɲʲɛ i tfˈaʃ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_75.wav|tɔ mʲawˈɔbɨ sˈɛns. ˈɔjtɕɛts i tsˈurka.|4
+Dataset/wavs/urwisko_ferenc/09_segment_77.wav|jˈarɔɲ mˈiltʃaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_162.wav|s tɨm kˈɔɲʲɛts, dɔpˈuki ɲʲɛ bˌɛɲdʑɛ mʲˈaw tsawˈɛɡɔ tˌɛɡɔ burdˈɛlu za sˈɔbɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_125.wav|nˈɔ dˈɔbra, fxˈɔdʑɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_165.wav|ˈɛlis prubˈujɛ zrˈɔbʲitɕ mˈinɛ swɔtkʲˈɛɡɔ, skrɔmnˈɛɡɔ dʑɛftʃˈɛɲtɕa, ˌalɛ dɔstˈajɛ ˈatak uɕmʲˈɛxu.|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_157.wav|dˈɔbʒɛ ɕɛ tʃˈujɛ. xˈɨba musˈimɨ uzbrˈɔitɕ ɕɛ f tɕɛrplˈivɔɕtɕ, bˈɔ vɨmjˈana pɔvʲˈɛtʃa mˈuɕi jˈɛdnak trˈɔxɛ pˈɔtrfatɕ, ˌalɛ dˈɔbʒɛ nˈam ˈidʑɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_210.wav|a zˈatɛm zˈɔstaw jˈuʃ tˌɨlkɔ ɡʲˈɔrɡjɔː ɔstˈatɲi ɲʲˌɛrɔzvʲɔ̃zˈanɨ prˈɔblɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_59.wav|vzdwˈuʒ bʒˈɛɡu ʒˈɛki rɔzbʲˈili namjˈɔtɨ. nˌalitʃˈɨwam ix jˈuʃ ʃˈɛɕtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_32.wav|ˌɔtkrɛɲtɕˈiwa krˈan, zvilʒˈɨwa ɕtɕɛrˈɛtʃkɛ i ˌɔtʃɨɕtɕˈiwa ˌɔkɔlˈitsɛ rˈanɨ, ˌuvaʒˈajɔnts, ʒˈɛbɨ jɛj ɲʲɛ dɔtˈɨkatɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_180.wav|tsˈɔ pˈaɲi vʲˈɛ ɔ ʑˈɛmskim sɛktˈɔʒɛ tˌɛlɛkˌɔmuɲˌikatsˈɨjnɨm? zˌapɨtˈawam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_50.wav|a jˈak kʃtawtˈujɔ̃ ɕɛ pˈaɲi rɛlˈatsjɛ z ˈaʃɛm?|4
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_6.wav|jɛst tˈɨlu xˈɛntnɨx, ʒˈɛ mˈuʃɔ̃ pʃˌɛprɔvˈadʑatɕ sɛlˈɛktsjɛ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_163.wav|na vɨmˈɨɕlam tsawˈɛmu ɕfʲˈatu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_101.wav|tɔ fʃˈɨstkɔ zdaʒˈɨwɔ ɕɛ w nɛbrˈaska.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_33.wav|zamkɲʲˈɛntɔ ɡˈɔ f tsˈɛli pˌɔkutɲˈitʃɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_226.wav|trafˈiwam ˌidɛˈalɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_55.wav|i bˈɨw ɲˈibɨ dˈɔm mˈartfɨx.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_18.wav|skˈɔrɔ ɡˈɔ vˈidʑɛ tˈaɡ vˌɨrazˈiɕtɕɛ, tˈaɡ dɔtklˈivʲɛ,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_39.wav|pɔkˈaʒɛ tɕi zdjˈɛɲtɕa spˌalɔnˈɛɡɔ dˈɔmu, jˈɛɕli xtsˈɛʃ jˈɛ zɔbˈatʃɨtɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_76.wav|ˈuɕat pʃˈɨɲʲɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_12.wav|ɲʲˈɛma iɣ zbˈɨd vʲˈɛlɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_133.wav|za pˈuw rˈɔku mˈɔʒɛʃ pɔnˈɔvɲʲɛ pʃɨstˈɔmpidʑ dɔː ˌɛɡzamˈinu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_50.wav|mˈɔjɛ tɕˈawɔ tɛ̃ʒˈɛjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_56.wav|ɲʲɛ mˈɔʒɛʃ ˈɔdɛjɕtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_98.wav|mˈɔʒɛ mi pˈan jˈɛʃtʃɛ pɔvʲˈɛdʑɛtɕ, pˈaɲʲɛ frˈaŋklin, ɡdʑˈɛ bˈɨw pˈan ftʃˈɔraj vʲɛtʃˈɔrɛm?|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_196.wav|viɕˈɛltsuv znalˈɛʑli zvʲadˈɔftsɨ adˈama marbrˈanda.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_267.wav|mɔʒˈɛmɨ ɕɛ spˈɔtkatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_262.wav|vɨdˈawam vˈarɡʲi, ˌɔdvratsˈajɔnts ɔt ɲʲˈɛɡɔ vzrˈɔk.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_34.wav|ˌɔtʃɨvˈiɕtɕɛ, prˈɔʃɛ bˈardʑɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_416.wav|i tˈam rˈɨbɨ varjˈujɔ̃, mˈɔʒɛ stˈajɛ dˈɛmba, a s pɔvʲˈɛtʃa vˌɨɛkspirˈɔvaw tlˈɛn.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_70.wav|ˈaʃ ˈuɲʲuz ɡwˈɔvɛ i spˈɔjʒaw nˈaɲʲɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_142.wav|wɔmˈɔtʃɛ mi sˈɛrtsɛ, mˈam sˈuxɔ w ˈustax, a ɡˈardwɔ bˈɔli mɲʲɛ ɔt tɕɔŋɡwˈɛɡɔ pʃˌɛwɨkˈaɲʲa ɕlˈinɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_194.wav|vˌɨxɨlˈiwam ʃklˈaŋkɛ dɔ dnˈa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_38.wav|jˈak mˈɔɡwam vʲˈɛʒɨtɕ, ʒˈɛ w ubjˈɛɡwɨ pˌɔɲʲɛdʑˈawɛk w rˈadju bˈɨw stsˈɔtt?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_96.wav|zˌawɔʒˈɨfʃɨ, ʒˈɛ jɛst pˈustɨ, fˈatsɛd zˈajʒaw dɔ ɕrˈɔtka. tˈɛras jɛst na dˈɔlɛ w bjˈuʒɛ parkˈiŋɡu i pɔpˈija xɛrbˈatɛ, ʒˈɛbɨ ɕɛ ˌuspɔkˈɔitɕ. tʃɨ mˈam pˈujʑdʑ z ɲˈim pˌɔrɔzmˈavʲatɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_128.wav|jˈak pʃˌɨjɛxˈawɛm dɔ dˈɔmu vʲˈɛtʃnɛj fˈarbɨ, bˌɨwɔ tˈam tʃtɛrnˈaɕtɕɛ dʑˈɛtɕi vwˈɔntʃɲʲɛ zˈɛmnɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_205.wav|ɡdˈɨ tˌɨlkɔ ˈɛm uswˈɨʃaw, ʒˈɛ jɛst lˈɔrdɛm, mˈuɕaw natˈɨxmʲast ˈɔbjɔɲtɕ sfˈɔ̃ ɕɛdʑˈibɛ f pˌɔɕadˈaɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_19.wav|vɨʃˈɛptaw z ɲʲˌɛpɔkˈɔjɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_23.wav|tʃɨ vʲˈɛ pˈaɲi, ɡdʑˈɛ znajdˈujɛ ɕɛ tˈɨlts i luplˈinɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_59.wav|tʃɨ mˈɔɡlibˌɨɕmɨ dˈɔstatɕ ix kˈɔpjɛ?|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_240.wav|ɡdʑˈɛ tˌɨlkɔ kɔpˈuwɨ i vʲˈɛʒɛ budˈɨŋkuv vˌɨstavˈawɨ pˈɔnad ʑɛlˈɔnɛ vˈɔdɨ laɡˈunɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_37.wav|ɲʲˈɛxtsɛ mʲˈɛdʑ dˌɔdatkˈɔvɛj sprˈavɨ ɔ pɔɡˈardɛ f stɔsˈuŋku dɔ sˈɔndu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_119.wav|ɔtpˈarwa bˈɛtskɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_200.wav|pʃɛʒˈɨva xfˈilɛ ɡrˈɔzɨ na parkˈiŋɡu vʲˌɛlɔpˌɔʑɔmˈɔvɨm, kʲˈɛdɨ fjˈuʒɨn ɲʲˈɛxtsɛ ɔtpˈalitɕ, ˌalɛ pʃˌɨpɔmˈina sˈɔbjɛ, ʒˈɛ tʃˈɛba tʃˈɨmatɕ nˈɔɡɛ na pɛdˈalɛ xamˈultsa. sklɛrˈɔza, mˈɨɕli.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_418.wav|jˈaɡ bjˈɛɡlɛ vwˈada mʲˈɛtʃɛm tfˈuj brˈat ˈɔsnɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_150.wav|ˈɛlis pˌɔjɛxˈawa tˈam ˌawtɔbˈusɛm, bˈɔ ɲʲˈɛma sˌamɔxˈɔdu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_129.wav|ˌɔtpɔvʲɛdʑˈawa mˈama dɔ jˈɛɡɔ plˈɛtsuf, kʲˈɛdɨ ʃˈɛd jˈuʃ f strˈɔnɛ salˈɔnu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_48.wav|stˈajɛ jˈaɡ vrˈɨta, vˈidʑɔnts liljˈɔvɔ̃ tapˈɛtɛ vɛ vzˈɔrɨ i ruʒˈɔvɔbɔrdˈɔvɔ̃ pˈɔɕtɕɛl.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_92.wav|nadˈɛʃwa pˈɔra bˈɛstji.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_119.wav|tɕˈixɔ, ɲʲˈɛznaʃ ɕɛ na ʃtˈutsɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_138.wav|a ftˈɛdɨ tˈaɡʒɛ rˈɛʃta jˈɛɡɔ tˌɔʃsamˈɔɕtɕi pˈɔʃwabˌɨ z dˈɨmɛm, bˈɔ pʃˌɛtɕɛʃ istɲʲˈɛjɛ tˌɨlkɔ na papʲˈɛʒɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_52.wav|pɔftˈuʃtɕɛ fʃˈɨstkɔ jˈɛʃtʃɛ rˈas ɔt pɔtʃˈɔntku. stˈarʃɨ ʃˌɛrɛɡˈɔvɨ bˈɛl.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_160.wav|xrˈɨstɛ, ʒˈɛkw rˈɨan.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_48.wav|dʑˈiɕ jɛzd ɡˈɔʒɛj ɲˈiʃ kʲˌɛdɨkˈɔlvʲɛɡ dˈɔtɔnt.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_104.wav|stˈɛŋknɔw z vɨɕˈiwku, mɔtsˈujɔnts ɕɛ s pɔkrˈɛntwɛm.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_273.wav|zˌakaptuʒˈɔna kɔbjˈɛta tˈaka ɲʲɛ jˈɛst.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_599.wav|tɔ ɲʲɛ ɔ tʃɨm mɨ muvˈimɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_132.wav|swˈɨʃɛ tˌɨlkɔ vwˈasnɨ ˈɔddɛx, vʲˈɛndʑ ɡˈɔ fstʃɨmˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_74.wav|pˌɔkrɛɲtɕˈiwɛm ɡwˈɔvɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_208.wav|kʲˈɛdɨ bˌɛɲdʑɛ mʲˈaw dvˈa lˈatka.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_104.wav|ktˌurɛ ɲʲɛ mˌajɔ̃ pʃɨʃwˈɔɕtɕi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_102.wav|ˌɔna natˈɨxmʲast pʃɨtɕˈɔŋɡa kˈɔdʑ dɔ sfɔjˈɛ��ɔ pɔdbrˈutka i pʃɛvrˈatsa ɕɛ na bˈɔk.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_278.wav|vɨjʒˈawam pʃˈɛs ˌiluminˈatɔr w dˈaxu kabʲˈinɨ.|4
+Dataset/wavs/urwisko_ferenc/39_segment_66.wav|— a tsˈɔ mˈam tɕi pɔvʲˈɛdʑɛtɕ? — mˈitraz vˌɨdavˈawa ɕɛ zˌaskɔtʃˈɔna.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_143.wav|filˈipa mruknˈɛwa tsˈɔɕ pɔt nˈɔsɛm.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_143.wav|dɔpˈuki ɲʲɛ nadˈɛjdʑɛ ˈinna.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_66.wav|pˌɔvʲɛdʑˈawa bˈɛtskɨ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_104.wav|dˌɔvʲɛdʑˈawa ɕɛ, ʒˈɛ sˈam fˈakt jˈɛɡɔː istɲʲˈɛɲʲa pˌɔzɔstˈavaw tˌajɛmɲˈitsɔ̃ pʃˈɛs stˈɔ lˈat.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_98.wav|ˌalɛ bˈɨtɕ mˈɔʒɛ pˌɔviɲʲˈɛnɛm tɕˈɛ zˌaprɔvˈadʑidʑ dɔ starʃˈɛɡɔ brˈata.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_132.wav|f pʲˌɛrdɔlɲˈiku pʲˈax i kˈuʒ vdʑɛrˈawɨ ɕɛ fʃˈɛɲdʑɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_67.wav|ˈɔj prˈɔʃɛ tɕˈɛ ˈaʃ, s pɛvnˈɔɕtɕɔ̃ stˈatɕ tɕˈɛ na vʲˈɛntsɛj. musˈimɨ pɔvʲˈɛdʑɛtɕ pɔlˈitsji ɔ fʃˈɨstkim, tsˈɔ pˌɔmɔɡwˈɔbɨ w znˌalɛʑˈɛɲʲu mˈili, ɲʲɛ sˈɔɲdʑiʃ? ɔ fʃˈɨstkim!|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_188.wav|fpˈada dɔ tˌajɛmɲitʃˈɛɡɔ ɲʲˈɛmna.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_155.wav|mʲɛɕˈɛntʃna xɛrbˈata.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_9.wav|prˌɔtɛstˈɔvaw ˈɛmmɔn. tɛn ʃtˈurm na mˈɔjɔ̃ ɕɛdʑˈibɛ, ɲʲɛ mˈɔʒɛʃ tˌɛɡɔ rˈɔbʲitɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_456.wav|a vʲˈɛnts ja tɕi pˈɔvʲɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_6.wav|ˌalɛ tʃɨ tɔ vɨstˈartʃɨ, ʒˈɛbɨ...|3
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+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_274.wav|ɲʲɛ mˈɔɡɛ f tɨm fʃˈɨstkim ɕɛ pɔwˈapatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_2.wav|tˈɔm spˈɛɲdʑiw f pɔkˈɔju ˌɔpɛratsˈɨjnɨm zalˈɛdvʲɛ pʲˈɛɲtɕ mˈinut, kʲˈɛdɨ vˈɨtʃuw, ʒˈɛ kˈit stˈɔi tˈuʃ ˈɔbɔk, pʃˌɛstɛmpˈujɔnts ɲʲˌɛtɕɛrplˈivʲɛ z nˈɔɡʲi na nˈɔɡɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_266.wav|zbjˈɛra mi ɕɛ na vɨmjˈɔtɨ.|0
+Dataset/wavs/urwisko_ferenc/12_segment_121.wav|tʃɨ dˈɔbʒɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_265.wav|ˌɔkazˈawɔ ɕɛ, ʒˈɛ wˈaziɡ bˈɔba jɛst rˈuvɲʲɛʒ vˌɨpɔsaʒˈɔnɨ f pɔdnˈɔɕɲik pˌantɔɡrafˈɔvɨ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_21.wav|ɲʲɛ mˌamɨ smˈɔwɨ.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_58.wav|mɛlˈara pˌɔdɔ̃ʒˈawa tˈuʒ zˈaɲʲɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_144.wav|dˈɔbrɛj nˈɔtsɨ, prˌɛzɨdˈɛɲtɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_160.wav|ɲʲɛ pʃɛbˈatʃa.|2
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_11.wav|ʒˈɛ pˌɔstɔmpˈiwam swˈuʃɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_172.wav|tˈɛras rˌɔspɔznˈawam jˈuʃ kʃtˈawt wazˈika, ktˌurɨ znajdˈɔvaw ɕɛ w ˌɔdlɛɡwˈɔɕtɕi stˈu mˈɛtruf ˈɔdɛ mɲʲɛ i rˈus w ˈɔtʃax.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_42.wav|nˈɔ dˈɔbra.|3
+Dataset/wavs/urwisko_ferenc/05_segment_8.wav|ˈɔprutʃ pɔpʲˈɔwu i ɲʲˌɛdɔpˈawkuf tɔpˈiwɨ ɕɛ w ɲˈim mˈuxɨ.|0
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+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_41.wav|tʃɨ tɔ mɔʒlˈivɛ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_215.wav|tɔː ˌɔna zˈafʃɛ muɕˈawa vɨdˈɔstatɕ ɕɛ pˈɔtɛm spˈɔt jˈɛɡɔ tɕˈawa|0
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+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_269.wav|i patʃˈɨli tˈɛras, jˈak mɛ̃ʃtʃˈɨzna vlˈɛtʃɛ sˌalvatˈɔra pˈɔpʃɛs sˈalɛ,|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_72.wav|mˈastɛr ˈɔf.|0
+Dataset/wavs/urwisko_ferenc/46_segment_124.wav|fʃˈɨstkɔ tɔ, tsˈɔː ˌɔfitsjˈalnɛ.|0
+Dataset/wavs/urwisko_ferenc/33_segment_102.wav|ˌalɛ tsˈɔ ja ɲˈibɨ ɡwˈɔz drʒˈaw mwɔdˈɛmu zˈɛ strˈaxu.|0
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+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_184.wav|pʃˌɛtɕɛʃ tɔ zrɔbʲˈiwa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_63.wav|xˈɔdʑi ˈɔtɔ, ʒˈɛ ɲʲɛ jˌɛstɛm pˈɛvʲɛn, kˈim...|3
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+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_303.wav|tʃˈasɛm zarˈɔbjɛ pˈarɛ dɔlˈaruf pʃɨ ˈɛndʲim. ktˈɔ tɔ jˈɛst?|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_20.wav|spravdʑˈamɨ rˈuvɲʲɛʃ iɣ dˈanɛ fˌinansˈɔvɛ. vʲˈɛmɨ jˈuʃ, ʒˈɛ kˈarta dˌɛbɛtˈɔva zɔstˈawa zˌarɛjˌɛstrɔvˈana na ˈadrɛs w lˈinkɔln ʃˈarɛ.|3
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+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_74.wav|vˈɨwaɕ, pˈan!|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_483.wav|tfˈɔja natˈura...|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_18.wav|zˈɛ sfˈɨmi skˌurvɨsɨnˈami ��advɔkatˈami i nˌaradʑˈalibˌɨɕtɕɛ ɕɛ, jˈak ɔskˈarʒɨtɕ tɔ stˈudjɔ tʃɨ tˈɛʃ tɛn tsˈawɨ nˈarut.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_175.wav|kɔrˈɨtaʒ bˈɨw pˈustɨ.|4
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+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_80.wav|kʲˈɛdɨ tɔ fʃˈɨstkɔ ɕɛ skˈɔɲtʃɨ i jɛʒˈɛli vˈɨjdɛ s tˌɛɡɔ ʒˈɨva, udʑˈɛlɛ tɕi kˈilku lˈɛktsji na tˈɛmat kˈɔbjɛt. ʒˈɛ jˈak?|4
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_5.wav|f pɔʒˈɔntku, zˌatʃɨnˈajmɨ, pɔvʲˈɛdʑaw.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_87.wav|mˈɨɕlɛ, ʒˈɛ tɔ bˈɨw dʒˈɛk. ɲʲɛ mˈɔɡwam ɔddˈɨxatɕ. bˌɨwam pˈɛvna, ʒˈɛ ɕɛ udˈuʃɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_28.wav|kʲˈɛdɨ vˈɨʃɛd, bˈɛtskɨ pˌɔpatʃˈɨwa na tˈɔma.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_78.wav|vɨjˈaɕɲiʃ nˈam, jˈak tɔ ɕɛ mˈa dɔː ɔvˈɛɡɔː ˌaramˌafɔrakˈisa?|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_105.wav|ɲʲɛ mˈɔʒɛ pˈaɲi tˌɛɡɔ zrˈɔbʲitɕ. ˈalɛʃ ˈɔfʃɛm mˈɔɡɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_64.wav|jˈɛʃtʃɛ ɡˈɔrʃɛ bˌɨwɔ tɔ, ʒˈɛ jˈɔ zˌatʃɨnˈawa ɕɛ tʃˈɛɡɔʑ dɔmˈɨɕlatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_85.wav|ɲʲɛ mˈuʃɛ na ʃtʃˈɛɲɕtɕɛ vɨɕˈadatɕ, ʒˈɛbɨ jˈɔ̃ ɔtfˈɔʒɨtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_62.wav|ɡwˈɔs mˈɔjɛj mˌamɨ zatʃˈɨnaw ɕɛ wˈamatɕ i dɔmˈɨɕlam ɕɛ, ʒˈɛ za xfˈilɛ ɕɛ rɔspwˈatʃɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_38.wav|tsˈawa ʃtˈuka pɔlˈɛɡa nˈatɨm, ʒˈɛbɨ pʃɨ kˈaʒdɨm zɛtkɲʲˈɛɲtɕu s pɔdwˈɔʒɛm ʒˈutsatɕ ɕɛ nˈapʃut s pˌɔvʲɛŋkʃˈɔnɔ̃ ɕˈiwɔ̃ rɔspˈɛndu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_3.wav|zˌavɔwˈawa ˈamɨ sˈandɛrs, kʲˈɛdɨ tˈɔm zjˈaviw ɕɛ f prˌɔsɛktˈɔrjum.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_426.wav|jˈakaɕ rumˈuɲska tsɨɡˈaŋka pʃˌɨstanˈɛwa ˌɔbɔk i zatʃˈɛwa pʃˌɛrɨsɔvˈɨvatɕ na sfˈɔjɔ̃ tɛktˈurkɛ prɔʃˈalnɨ nˈapis mwˈɔdɛj nˌarkɔmˈaŋki.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_59.wav|pˈɔtɛm ˌufɔrmujˈɛmɨ z ɲˈix tsɨlˈindɛr.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_272.wav|ɲʲɛ, tɔ zˈafʃɛ bˌɨwa ˈɔna.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_202.wav|kʲˈɛdɨɕ mɲʲɛ ˈɔtɔ pɨtˈawaɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_91.wav|spwavˈiwam ix fʃˈɨstkix.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_97.wav|nˈaɡlɛ zatʃˈɛwɔ mi ɕɛ vɨdˈavatɕ, ʒˈɛ fʃˈɨstkɔ bˌɛɲdʑɛ dˈɔbʒɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_175.wav|fʃˈɨstkɔ fskazˈujɛ nˈatɔ, ʒˈɛ tsˈɔɕ jˈɔ̃ vˌɨvabʲˈiwɔ z dˈɔmu ˈalbɔ vˈɨʃwa ɕɛ s kˈimɕ spˈɔtkatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_11.wav|ja pˌɔjɛxˈawam na ɕfʲˈɛnta dɔ kˈumbrji, ˌalɛ pʃˈɛs tsˈawɨ tʃˈaz bˌɨwam tˈam f kʲˈɛpskim nastrˈɔju.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_76.wav|ɲʲɛ dɔ kˈɔɲtsa. ˌɔtpɔvʲˈadam z zˌatɕiɕɲʲɛntˈɨmi zɛmbˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_40.wav|pˈɔtɛm ɔtpˈala sfɔjˈɛɡɔː ˌɔsɔbʲistˈɛɡɔ mˈatsa, pɔnˈɔvɲʲɛ fxˈɔdʑi na ˌamazˈɔna i kupˈujɛ dvʲˈɛ pɛrˈuki.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_223.wav|na pˈuw ˌudɛʒˈɛɲʲa sˈɛrtsa tɕˈɛmnɔɕtɕ ˌɔbrutɕˈiwa ɕɛ w dʑˈɛɲ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_202.wav|ɲʲɛ pˌɔviɲʲˈɛnɛɕ tˈu ɲˈiɡdɨ pʃɨjˈɛʒdʒatɕ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_50.wav|jɛxˈali pɔt ɲʲˈɛbɛm bˈarvɨ wˈupku.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_168.wav|pˌɔvʲɛdʑˈafʃɨ tɔ, ˌɔdvrutɕˈiwa ɕɛ i vɨbjˈɛɡwa s kˈuxɲi.|3
+Dataset/wavs/urwisko_ferenc/01_segment_2.wav|tɔ ɲʲɛ vˌɨɡlɔndˈawɔ na waɡˈɔdnɔ̃ i ʃˈɨpkɔ̃ ɕmʲˈɛrtɕ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_54.wav|ɲʲɛ tˌɨlkɔ tɨ ɔdɲʲˈɔswaɕ rˈanɨ, lˈadɨ brjˈɛnnɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_135.wav|ˈɔkɛj, mˈam tʃɨ mʲˈawam. tɛn jˈɛdɛn vɨstˈartʃɨ mi na vʲˈɛtʃnɔɕtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_218.wav|vɨnˈajmij sˈɔbjɛ ˈinnɛ mʲɛʃkˈaɲʲɛ, pʃˌɛtɕɛʒ znˈajdʑɛʃ f kˈɔɲtsu ˈinnɔ̃ prˈatsɛ, a ftˈɛdɨ ˈɔddaʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_30.wav|pɔdbjˈɛɡwam dɔ stɔlˈika ˌɔbɔk wˈuʃka i vɨbrˈawam nˈumɛr na klˌavʲatˈuʒɛ tˌɛlɛfˈɔnu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_225.wav|ˌalɛ kturˈɛɡɔʑ dɲʲˈa vˈɛzmɛ tɕˈɛ zˈɛ sˈɔbɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_156.wav|pˌɔvʲɛdʑˈawa, zvratsˈajɔnts ɕɛ kˈu krulˈɔvɛj. tɔ bˈardʑɔ ɲʲˌɛrɔssˈɔndnɛ z jɛj strˈɔnɨ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_137.wav|ɲʲɛ bˌɛɲdʑɛ zwˈɔtɨx tsawˈunuf ˌaɲi vˌalɔŋkˈara.|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_101.wav|rˈudɨ ɔbrˈutɕiw w jˈɛɡɔ strˈɔnɛ sfˈɔjɛ ɡʲˈizmɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_3.wav|pɔlˈitsjant tʃˈɛkaw na ɔkˈazjɛ, bˈɨ zvrˈutɕitɕ na ɕˈɛbjɛ jˈɛɡɔː uvˈaɡɛ, ɲʲɛ pʃˌɛrɨvˈajɔnts mu prˈatsɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_77.wav|ɕfʲˈɛtɲʲɛ ɔtpˈarwam i vˌɨtɕɔŋɡnˈɛwam ɡʲˈizmɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_208.wav|dˈɔbʒɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_141.wav|pˌɔpatʃˈɨwam na ɲʲˈɛɡɔ pʃˌɛraʒˈɔna, ˌalɛ ɔn zvrˈutɕiw ɕɛ dɔ pˌɔzɔstˈawɨx.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_50.wav|tsˈuʃ, ʑlˈɛ zˌawɔʒˈɨwaɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_125.wav|ɡdˈɨbɨm jˈakɔɕ mˈukw tɕi tɔ vˌɨnaɡrˈɔdʑitɕ, mˈam tʃˈɨ bʲilˈɛtɨ na vˈɨstɛmp ˌakrɔbˈatuf.|4
+Dataset/wavs/urwisko_ferenc/19_segment_47.wav|i ʒˈatkɔ jɛʑdʑˈiwam dɔ dˈɔmu na sˌɛzamkˈɔvɛj.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_253.wav|pˌɔzvɔlˈiwɛm sˈɔbjɛ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_111.wav|bʲˈillɨ ɔɡlˈɔnda ɕɛ za ɕˈɛbjɛ, vɨrvˈanɨ s trˈansu i vˈidʑi ˈɛlis mˈaɡzvɛll stɔjˈɔntsɔ̃ w dʒvʲˈax sɨpʲˈalɲi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_185.wav|ja dˈɔrvatɕ tɕˈɛbjɛ ktˈurɨʑ dʑˈɛɲ.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_156.wav|zɛrknˈɛwam f strˈɔnɛ stɛrˈɔvɲi i uɲʲˈɔswam pʲˈɛɲɕtɕ f trjumfˈalnɨm ɡˈɛɕtɕɛ, kʲˈɛdɨ zˌɔbatʃˈɨwam, ʒˈɛ pˌɔmjɛʃtʃˈɛɲʲɛ jɛst pˈustɛ.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_125.wav|kupˈiliɕmˌɨ mʲˈɛjstsɛ na lˈadɨ ˌuʃanˈɔʒɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_7.wav|tˈutaj pɔlˈitsja ɡrɛˈatɛr manxˈɛstɛr, inspˈɛktɔr bˈɛtskɨ rˈɔbʲinsɔn i nˌadʲinspˈɛktɔr tˈɔm dɔˈuɡlas.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_88.wav|ˈandɛrsɔn pɔvʲˈɛdʑaw, jˌɛstɛm bˈardʑɔ zmɛntʃˈɔnɨ, tʃɨ mˈɔɡɛ pɔwˈɔʒɨtɕ ɕɛ kˈɔwɔ tɕˈɛbjɛ? pʃˈɛrvaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_81.wav|inspˈɛktɔr sˈimz vʲˈɛ ɲʲˈɛtsɔ vʲˈɛntsɛj na tɛn tˈɛmat, ˌalɛ jɛst ɔbˈɛtsɲʲɛ f tɛrˈɛɲʲɛ. zastˈɔmpiw mɲʲɛ dʑˈiɕaj pɔ pɔwˈudɲʲu na awtˈɔpsji.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_457.wav|mʲˌawɛm ɔxˈɔtɛ jˈɛʃtʃɛ tsˈɔɕ pɔvʲˈɛdʑɛtɕ, jˈakʲɛʑ dʑˈivnɛ stʃˈɛmpki ʒˈaluf, radˈɔɕtɕi, lˈɛŋku.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_104.wav|tˈak, ˈiʃ pˈatʃɔnts na ɲʲˈɛɡɔ, mɨɕlˈawɔ ɕɛ ˈɔtɨm, jˈaɡ vʲˈɛlɛ mu dˈanɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_4.wav|kˈɔxam tˌɛɡɔ fatsˈɛta, a ɔn pɔtrˈafi sprˈavitɕ, ʒˈɛ ˌɔdlatˈujɛ w wˈuʃku. ˌalɛ na bˈɔɡa...|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_72.wav|zatɕˈisnɔw ˈusta f tɕˈɛŋkɔ̃ lˈiɲʲɛ, a jˈɛɡɔː ˈɔtʃɨ...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_136.wav|ɲikˈɔla!|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_152.wav|ɲʲɛ xandlˈɔvaw. lˈitʃɨw i prˈaw pʲɛɲʲˈɔndʑɛ zˌarɔbjˈɔnɛ na nˌarkɔtˈɨkax.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_176.wav|tˈak jˈak tɔ rɔbʲˈiwa w dʑˈɛvʲɛɲdʑ dɲˈi s kˈaʒdɨɣ dʑɛɕˈɛɲtɕu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_177.wav|dɔ kʲˈɛdɨ xtsˈɛʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_83.wav|ɔmjˈɔtwam vzrˈɔkʲɛm pwˈɨtɛ z ɡˈurɨ na dˈuw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_48.wav|pʃɛt kilkˈɔma dɲʲˈami kˈupiw samˈɔxut ɔt pˈaɲi mˈasjus. kˈit jˈuʃ sprˈavdʑa ɡˈɔ f sɨstˈɛmjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_107.wav|tˈɛn, ɔ ktˌurɨm tɕi ˌɔpɔvʲadˈawɛm?|3
+Dataset/wavs/urwisko_ferenc/63_segment_19.wav|tˈak pamjˈɛntam.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_78.wav|a tsˈɔ mˈuɡwbɨ lˈɔrt stˈanɲiz zˈɨskatɕ, ɡdˈɨbɨ ɲʲɛ jˈɛɡɔ zbavʲˈɛɲʲɛ?|1
+Dataset/wavs/urwisko_ferenc/48_segment_24.wav|ɲʲɛ zapˈisaw ɕɛ ˌaɲi ˈɔbras tfˈaʒɨ mɛ̃ʃtʃˈɨznɨ, ktˌurɨ ɡˈɔ skʃˈɨvdʑiw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_13.wav|pˌɔstɔmpˈiwam ʑlˈɛ, dˌɛtsɨdˈujɔnts ɕɛ na kwˈamstfɔ, xˈɔtɕ tɔ ɲˈiɡdɨ ɲʲɛ vˌɨdavˈawɔ ɕɛ tˈakʲɛ prˈɔstɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_12.wav|bˈɔ tɔ jɛst jɛj pɔdvˈurkɔ, ˈɔtpar dˈanɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_219.wav|ja uznˈawɛm, ʒˈɛ bʲˈillɨ sˈummɛrs spˈɛwɲʲa vˌɨmaɡˈaɲʲa i kˈurdɛ, sprˈava zamkɲʲˈɛnta.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_150.wav|pˈɔttʃas kɔlˈɛjnɛj rɔzmˈɔvɨ s trˈɔndɛm pɔvˈinnam mu pʃɛtstˈavitɕ plˈan zɲiʃtʃˈɛɲʲa ˌɔstatɲʲˈɛɡɔ kɔmbˈajnu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_130.wav|najmwˈɔtʃa bˌɨwa pˈɛɡɡɨ pˈɨɛ, ktˌura tʃˈasɛm jˈɛʃtʃɛ ɕuɕˈawa w mˈajtki.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_16.wav|skˈɔnt pˈan vʲˈɛdʑaw, ʒˈɛ pʃɨjˈadɛ pɔ pˈana?|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_93.wav|nˌastɛmpnˈɛɡɔ rˈaŋka pɔjˈɛdʑɛ na fˌawˈɛr. vʲˈɛʃ, tsˈɔ mˈam na mˈɨɕli?|2
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_81.wav|ˌalɛ zdˈaɲʲɛm bʲillʲˈɛɡɔ nˌajvʲɛrɲʲˈɛjʃɨ pʃɛtstˈavi vwˈaɕɲʲɛ jˈɛɡɔ nˈɔvɨ znajˈɔmɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_99.wav|bʲˈillɨ mˈuvi, ʒˈɛ vɨɡlˈɔnda ɲʲˈɛʑlɛ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_501.wav|a vʲˈɛnts jˌɛstɛɕ ɲʲɛ tˌɨlkɔ pʲˈɛŋkna, lˈɛtʃ rˈuvɲʲɛʃ ɔdvˈaʒna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_61.wav|tˈɔm pˌɔʒawˈɔvaw pʃˈɛs xfˈilɛ, ʒˈɛ pʃɨjˈɛxaw sˌamɔxˈɔdɛm, bˈɔ nˈabraw nˈaɡlɛ dˈuʒɛj ɔxˈɔtɨ na kʲɛlˈiʃɛɡ vˈina.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_28.wav|pˌɔdjɛxˈawɛm dɔ ɲʲˈɛɡɔ, ˌɔpuɕtɕˈiwɛm ʃˈɨbɛ i ftɕisnˈɔwɛm ktɕˈukʲɛm ɡˈuzik.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_10.wav|xtɕˈawabˌɨm, ʒˈɛbɨ pˈɔʃɛd, ˌalɛ mˈuʃɛ mu ɔ tʃˈɨmɕ nˈajpʲɛrf pɔvʲˈɛdʑɛtɕ.|4
+Dataset/wavs/urwisko_ferenc/19_segment_10.wav|ɔtpˈarwa kɔbjˈɛta ftɕˈɔ̃ʃ plɛtsˈami dɔ ɡˈɔɕtɕa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_91.wav|pˌɔpatʃˈɨwam na ɲʲˈɛɡɔ, tʃˈujɔnts jˈaɡ vɨvrˈatsa mi ɕɛ ʒɔwˈɔndɛk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_16.wav|vzrˈuʃa rˌamjɔnˈami.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_362.wav|ɲʲɛdwˈuɡɔ nastˈaɲʲɛ rˈanɛk i...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_6.wav|mˈɔʒɛ z vɨjˈɔntkʲɛm snˈu, pɔmˈɨɕlaw tˈɔm, ˌalɛ zɔstˈaviw tɔ spˌɔstʃɛʒˈɛɲʲɛ dla ɕˈɛbjɛ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_347.wav|pwˌɨvajˈɔntsa zapˈɔra i tʃˈɨ vʲˈɛlkʲɛ ɔbˈɔzɨ ˌɔblɛɡajˈɔntsɨx ˈarmji vˌɨɡlɔndˈawɨ dɔkwˈadɲʲɛ tˈak, jˈak ɔpˈisaw jˈɛ jˈɛɡɔ kˈuzɨn.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_256.wav|pʃˈɛz dwˈuʃʃɔ̃ xfˈilɛ fpˌatrɨvˈawa ɕɛ f tˈartʃɛ. stʃɛpnˈɛwa zˈɛ ʃkʲˈɛwka drɔbʲˈiŋkɛ kˈuʒu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_121.wav|vʲˈɛm dˈɔbʒɛ, dlatʃˈɛɡɔ xtɕˈaw vˌɨɛlˌiminˈɔvatɕ stɛvˈɛna z naʃˈɛɡɔ ʒˈɨtɕa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_144.wav|kʲˈɛdɨ zatʃˈɔwɛm lˈatatɕ, ɲʲˌɛnavidʑˈiwɛm tˈɛɡɔ, a tˈɛras kˈɔxam tɔ. i vʲˈɛm, ʒˈɛ tɔ tˌɨlkɔ dʑˈɛŋki tˈɔbjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_85.wav|skˈɔnt ɔn vʲˈɛ ɔ pɔkˈɛʒɛ i tsˌamɛrˈɔɲʲɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_40.wav|pɔd varˈuŋkʲɛm, ʒˈɛ usˈuɲʲɛʃ mˈɔjɛ nazvˈiskɔ, ɲʲˈɛmam ɲˈits pʃɛtɕˈifkɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_31.wav|ɲˈits ɲʲɛ fskazˈujɛ na arˈama jˈakɔ mɔrdˈɛrtsɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_227.wav|jˈak ɕɛ tʃˈujɛʃ? zapˈɨtaw.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_410.wav|mʲˈawa dʑˈivɲʲɛ bjˈawɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_112.wav|tɔ mˈɔʒɛ, ˌalɛ ɲʲɛ mˈuɕi bˈɨtɕ ta sˈama ɔsˈɔba.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_90.wav|ˌalɛ dʑˈiɕ ɲʲɛ pʃˈɨʃwam tˈutaj jˈakɔ dʒˈɛz baʃˈara.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_96.wav|na pˌɔʒɛɡnˈaɲʲɛ ɔbʒˈutɕiw ɛdmˈura taljˈɛɡɔ pˌɔdɛjʒlˈivɨm spɔjʒˈɛɲʲɛm, ɲˈim lˈadɨ ɡˈɛna vˌɨtɕɔŋɡnˈɛwa ɡˈɔ s samˈɔtɲi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_12.wav|tsˈɔː ˈɔɲim sˈɔɲdʑiʃ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_103.wav|rˌɔzɛɕmʲˈawa ɕɛ f spˈɔsup, ktˌurɨ kʲˈɛdɨʑ vɨdˈavaw mu ɕɛ ˌatraktsˈɨjnɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_183.wav|i ɲʲˈɛx pˈan dʑɛŋkˈujɛ ˌɔpatʃnˈɔɕtɕi, ʒˈɛ ɲʲɛ pɔdwˈɔntʃɛ tˌɛɡɔː ustrˈɔjstfa dɔ prˈɔndu. mɨɕlˈawɛm ˈɔtɨm, prˈɔʃɛ mi vʲˈɛʒɨtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_25.wav|ɲʲɛ vʲɛdʑˈawam, tsˈɔ rˈɔbʲitɕ.|3
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+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_35.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_185.wav|tɔː ɔn mʲˈaw prˈɔblɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_15.wav|bˈɨw vɨrˈaʑɲʲɛ fstʃɔ̃ɕɲʲˈɛntɨ i zˌaprɔpɔnˈɔvaw, ʒˈɛ pɔʒˈɨtʃɨ mi trˈɔxɛ pʲɛɲʲˈɛndʑɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_38.wav|tʃˈɛɡɔ ɕɛ pˈan napˈijɛ? zapˈɨtaw mˈikɛ, kʲˈɛdɨ uɕˈɛdli pʃɨ stɔlˈiku.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_9.wav|ˈɔpar ɕɛ xˈɛɲtɕi dɔdˈaɲʲa ɲʲɛstˈɛtɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_37.wav|tsˈɔ dvˈa, tʃˈɨ swˈɔva xfˈɨta pɔvʲˈɛtʃɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_9.wav|sxˈɔdʑi na dˈuw i pʃɛbjˈɛra ɕɛ za daltˈɔna smˈitxa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_61.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_94.wav|tˈata uɕmʲˈɛxnɔw ɕɛ dɔ mɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_42.wav|tˈɔm pɔstˈaraw ɕɛ zˌamaskˈɔvatɕ nˌarastajˈɔntsɔ̃ ˌirɨtˈatsjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_197.wav|dˈɔbʒɛ vɨɡlˈɔndaʃ, bʲˈillɨ, jˈak irlˈanttʃɨɡ z dʑˈada pradʑˈada. i mˈuɡwbɨɕ ɕɛ ɡdʑˈɛʑ zatʃˈɨmatɕ? strˈaʃɲʲɛ mi ɕɛ xtsˈɛ ɕˈiku.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_129.wav|tsɛrsˈɛi spɔjʒˈawa na kɨbˈɛrna.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_131.wav|s pɛvnˈɔɕtɕɔ̃ mɔrdˈɛrstfɔ mʲˈawɔ dla ɲʲˈɛɡɔ vʲˈɛŋkʃɛ znatʃˈɛɲʲɛ ɲˈiʃ mˈuj pʃˌɛmɨtɲˈitʃɨ prɔtsˈɛdɛr i bˈɨwabˌɨm ɔ vʲˈɛlɛ bˌɛspʲɛtʃɲʲˈɛjʃa, ɡdˈɨbɨm dɔ fʃɨstkʲˈɛɡɔ ɕɛ pʃɨznˈawa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_326.wav|vˈɛʃli dɔ ɕrˈɔtka.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_28.wav|— muvˈimɨ ɔ vʲˌɛlɔfuŋktsˈɨjnɛj kɔbjˈɛtɕɛ — pˌɔvʲɛdʑˈawa bˈɛtskɨ z nˈutɔ̃ pɔdʑˈivu w ɡwˈɔɕɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_23.wav|kˈaʒdɨ ˈawtɔr uvʲˈɛlbja dɔstˈavatɕ ɔpˈiɲʲɛ, a ja ɲʲɛ stanˈɔvjɛ tˈu vɨjˈɔntku.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_591.wav|dɲʲˌufkɔvˈaliɕmˌɨ f tˈakʲɛj nˈɛndʑnɛj xˈatɕɛ ɔ jˈɛdnɛj ˈizbjɛ, bˈɛs pˌɔdmurˈufki i jˈɛdliɕmˌɨ kartˈɔflɛ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_279.wav|dɔ rˈamjɔn lˈɛpiw mu ɕɛ ʒˈuwtɨ ʃˈɨnɛl, brˈudnɨ i pʃˌɛmɔtʃˈɔnɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_63.wav|zdjˈɛɲtɕɛ lˈɛʒɨ na stˈɛrtɕɛ mˈɔiɣ drɔbjˈazɡuf f ʃuflˈadʑɛ, ˌɔdvrutsˈɔnɛ dɔ dˈɔwu, vʲˈɛnts pʃɛkwˈadam jˈɛ na drˈuɡɔ̃ strˈɔnɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_138.wav|bˌɛndɛ ˌɔfitsˈɛʒɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_97.wav|zɨskˈujɛ tɨm sɨmpˈatjɛ bʲillʲˈɛɡɔ. mˈɨɕli, ʒˈɛ dˈɔn jˈɛnsɛn ɲˈiɡdɨ ɲʲɛ pɔvʲˈɛdʑawbˌɨ ʒˈɔɲʲɛ, ʒˈɛ f tɨɣ ʒˈuwtɔʑɛlˈɔnɨx ʃˈɔrtaɣ vɨɡlˈɔnda ɡrˈubɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_486.wav|sˈɛnnɨm rˈuxɛm ˌɔdvrutɕˈiwa ɕɛ dɔ mɲʲɛ, a ja jˈɔ̃ ɔkrˈɨwɛm sˈɔbɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_115.wav|artˈɨsta z jakʲˈɛɡɔɕ pɔvˈɔdu ɲʲˈɛbɨw zˌadɔvɔlˈɔnɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_91.wav|ɲˈiɡdɨ ɲʲɛ zˌɔrɡaɲˌizɔvˈali na pʃˈɨkwad ʒˈadnɛj imprˈɛzɨ, lɛtɲʲˈɛɡɔ ɡrˈilla tʃɨ tʃˈɛɡɔɕ f tɨm rɔdʑˈaju?|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_123.wav|mɛ̃ʃtʃˈɨzna vˈɛstxnɔw i fskˈazaw na sfˈɔjɛ ɡʲˈizmɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_187.wav|ˌalɛ ɲʲɛ pˈɔvʲɛ tˌɛɡɔ fprˈɔst, nˈavɛt pʃˈɛs ɲʲˌɛzarˌɛjɛstrɔvˈanɔ̃ kɔmˈurkɛ. xˈɔdʑ vʲˈɛ, ʒˈɛ ɲˈikt pilnˈujɛ, bˈɨ jˈɛɡɔ prɨvˈatnɨ tɛlˈɛfɔn bˈɨw tʃˈɨstɨ jˈaɡ wzˈa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_12.wav|jˈak mˈɔɡwam ɕɛ ˈaʃ tˈak tsˈɔ dɔ ɲʲˈɛj pɔmˈɨlitɕ? zˌaprɔɕˈiwam jˈɔ̃ dɔ sfɔjˈɛɡɔ dˈɔmu, ˌuɡɔɕtɕˈiwam, mɨɕlˈawam, ʒˈɛ jɛst mˈɔjɔ̃ pʃˌɨjatɕˈuwkɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_193.wav|ɡdˈɨ dɔtˈarli dɔ jˈɛɡɔ namjˈɔtu,|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_126.wav|tˌɛɡɔ na rˈaʑɛ pˈɔjɔɲtɕ ɲʲɛ pɔtrˈafi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_113.wav|ɔbˈavʲam ɕɛ, ʒˈɛ ɲʲɛ pɔtrˈafjɛ ˌɔtpɔvʲˈɛdʑɛtɕ nˈatɔ pɨtˈaɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_122.wav|vɨswˈaliɕtɕˌɛ za ɲˈimi lˈudʑi?|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_182.wav|natˈɨxmʲazd vrˈatsaj dɔ dˈɔmu, jasmˈinɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_134.wav|tɔ tˈɛn, ktˌurɨ f tˈamtɨm dˈɔmu dˈɔstaw w nˈɔɡʲi, kturˌɛɡɔ zˌɔstavˈili pʃɨ ʒˈɨtɕu, ʒˈɛbɨ zvˈabʲidʑ vˈaz dɔ ɕrˈɔtka.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_136.wav|swˈɔɲtsɛ vˌɨpʃɛdʑˈiwɔ kalˈɛndaʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_149.wav|i vˈidɲʲaw nˈaɲim prˈɔstɨ tʃˈarnɨ nˈapis.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_170.wav|klˈɛrki pˈɔvlukw ɕɛ na kɔlˈanaɣ dɔ sˈɔfɨ, prˌɛzɛntˈujɔnts sfˈuj pʃɛdʑˈawɛɡ w dˈupʲɛ znˈatʃɲʲɛ vɨrˈaʑɲʲɛj ɲˈiʒ bˈɨ sˈɔbjɛ tˌɛɡɔ ʒˈɨtʃɨw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_19.wav|tʃɨ tɔ pɔvˈinnɔ trfˈatɕ tˈaɡ dwˈuɡɔ? tʃɨ ɲʲɛ pɔvˈinnam bˈɨtɕ jˈuʃ na mʲˈɛjstsu?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_137.wav|mɨɕlˈawɛɕ, ʒˈɛ tɔ tsamˈɛrɔn?|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_126.wav|a dɔ tˌɛɡɔ ɡrˈubɔ̃ ʃˈɨjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_248.wav|ɲˈibɨ prˈavda.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_52.wav|ˈɔtʃɨ vʲɛlkʲˈɛɡɔ mˌaɛstˈɛra pˌaisˈɛla zrɔbʲˈiwɨ ɕɛ vʲˈɛlkʲɛ jˈak jˈaja na tfˈardɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_50.wav|tˈa, ktˌurɔ̃ kupˈiwɛɕ jɛst f pɔʒˈɔntku, ˌalɛ pʃˈɨda ɕɛ tsˈɔɕ na zmʲˈanɛ.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_236.wav|fxɔdʑˈiwa na pˈɔkwat stˈatkuv z lˈis, starˈ��ɡɔ mʲˈasta i zibˈɛnu, bˈɨ spʃɛdˈavatɕ tˈam ɔstrˈɨɡʲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_116.wav|vʲˈɛm, ˌalɛ tɔ ɲʲɛ jɛst tˈak, jˈak pˈan mˈɨɕli.|2
+Dataset/wavs/urwisko_ferenc/28_segment_67.wav|pʃɨvˈitaw ɕɛ z ɲʲˈɔ̃, xfˈilɛ pˌɔɡadˈali pʃˈɛs pwˈɔt i ˌɔkazˈawɔ ɕɛ, ʒˈɛ vwˈaɕɲʲɛ vrˈutɕiw s prˈatsɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_62.wav|pɔɲʲˈɛɕliɕmˌɨ tsˌawkɔvˈitɔ̃ pɔrˈaʃkɛ. ja i tfˈɔja mˈama.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_81.wav|bʲˈillɨ, jˈakɔ pˈisaʃ, mˈɔʒɛ rˈɔbʲitɕ sˈɔbjɛ vˈɔlnɛ, kʲˈɛdɨ xtsˈɛ, ˌalɛ i pratsˈɔvatɕ ftˈɛdɨ, ɡdˈɨ ˈinɲi mˌajɔ̃ prˈavɲʲɛ ˌusaŋktsjˌɔnɔvˈanɨ dʑˈɛɲ ˌɔtpɔtʃˈɨŋku.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_191.wav|rˈɔzvʲɔ̃ʃ mi rˈɛntsɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_91.wav|zɔstˈaliɕmˌɨ kˌɔxaŋkˈami i ɲʲɛdwˈuɡɔ pˈɔtɛm stfʲɛrdʑˈiwam, ʒˈɛ ɔn xtsˈɛ tʃˈɛɡɔʑ vʲˈɛntsɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_270.wav|mˈikɛ zatʃˈɨmaw ɕɛ i zapˈɨtaw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_82.wav|a tˈɛraz zmʲɛɲˈiwɛɕ ˌɔbɨtʃˈajɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_20.wav|kɔɲʲˈɛtʃɲʲɛ muɕˈɛli ɕɛ dɔvʲˈɛdʑɛtɕ tʃˈɛɡɔʑ vʲˈɛntsɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_160.wav|i dlatʃˈɛɡɔ sˈɨstɛm nˌapɔvʲɛtʃˈaɲʲa jɛst stsˌɛntralˌizɔvˈanɨ, a ɲʲɛ pˌɔdʑɛlˈɔnɨ na strˈɛfɨ ˌɔtpɔvʲˌadajˈɔntsɛ kˈaʒdɛj z bˈaɲʲɛk?|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_50.wav|tfˈuj pɔpʃˈɛdɲik ɔtʃˈɨmaw ɔt mɔjˈɛɡɔ pˈana ˈɔjtsa ɲʲɛzvˈɨklɛ pʲˈɛŋknɔ̃ kɔrˈɔnɛ s krɨʃtˈawu i zwˈɔtɨx ɲˈitɕi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_73.wav|zˈafʃɛ ˌutʃɨmɨvˈaliɕmˌɨ, ʒˈɛ nˈaʃɛ mawʒˈɛɲstfɔ bˌɨwɔ skɔɲtʃˈɔnɛ, zˈaɲim zˌɔstavˈiwam tɕˈɛ dla dɛtslˈana. a tɨmtʃˈasɛm ɔn sɔlˈidɲʲɛ nˌapaskˈudʑiw.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_389.wav|tsˈɔː innˈɛɡɔ jˈɛdnaɡ vʲˈɛdʑɛtɕ, tsˈɔ tʃˈɛba zrˈɔbʲitɕ, a tsˈɔː innˈɛɡɔ vʲˈɛdʑɛtɕ, jˈak tˌɛɡɔ dɔkˈɔnatɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_52.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_262.wav|jˈaɡ vʲɛŋkʃˈɔɕtɕi ˌɔbɛrʒˈɨstuf, sˈɛr fˌɔrlɛjˈɔvi ɲʲɛ brˌakɔvˈawɔː ɔlˈɛju w ɡwˈɔvʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_111.wav|dʑɛŋkˈujɛ za pˌɔɕfʲɛntsˈɔnɨ tʃˈas. bɛɲdʑˌɛmɨ f kɔntˈaktɕɛ, ɡdˈɨbɨ pˌɔjavˈiwɨ ɕɛ jˈakʲɛʑ dˌɔdatkˈɔvɛ pɨtˈaɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_45.wav|dlatˈɛɡɔ, ʒˈɛ ɲʲɛktˌuʒɨ lˈudʑɛ mˌajɔ̃ fʃˈɨstkɔ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_341.wav|lˈadɨ vˌainvˈɔɔd zapˈɛvnɛ vˈɨda ɡˈɔ za jˈɛdnɔ̃ zˈɛ sfˈɔiɣ vnˈutʃɛk ˈalbɔ vnˈutʃɛk spˌiʒɔvˈɛɡɔ jˈɔna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_65.wav|jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ, nˈutɕi zˌamɨkˈajɔndʑ dʒvˈi, ɕpʲˈɛvaj zˈɛmnɔ̃ ˈɛlis.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_28.wav|i tsˈɔ jˈɛʃtʃɛ pʃɨʃˈɛdwɛɕ mi pɔvʲˈɛdʑɛtɕ, mˈikɛ? zapˈɨtaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_48.wav|ˈɛrtʃi i jˈɛɡɔ pʲɛrɕˈastɛ kˌɔlɛʒˈaŋki.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_73.wav|rˈɔdʑi ɕɛ vˈɛmɲʲɛ kʃˈɨk pʃˌɛraʒˈɛɲʲa, ktˌurɨ lˈɛdvʲɛ udˈajɛ mi ɕɛ zdwˈavitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_51.wav|pamjˈɛntam ˈɔtɨm, bˈɨ pɔrˈuʃatɕ ɕɛ ʃˈɨpkɔː i tɕˈixɔ, kʲˈɛdɨ zatʃˈɨnam ɔtfʲˈɛratɕ ʃuflˈadɨ i zaɡlˈɔndatɕ pɔt mˈɛblɛ.|3
+Dataset/wavs/urwisko_ferenc/34_segment_11.wav|dɔ zˌɔbatʃˈɛɲʲa na kɔmˈɛɲdʑɛ w bɨdʒˈɔʃtʃɨ.|0
+Dataset/wavs/urwisko_ferenc/27_segment_22.wav|a vʲˈɛ pˈaɲi dlatʃˈɛɡɔ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_40.wav|tɔ zˈafʃɛ mi pˌɔftaʒˈanɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_35.wav|tsˈɔ ɕɛ stˈaɲʲɛ, jˈɛɕli ktˈɔɕ pʃɛkˈaʒɛ ˌinfɔrmˈatsjɛ, ʒˈɛ mɔʒˈɛmɨ ɕlˈɛdʑitɕ ˈaʃa? mˈɔɡwabˌɨm f tɛn spˈɔsub dˌɔprɔvˈadʑidʑ dɔ ɕmʲˈɛrtɕi mˈilljɛ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_51.wav|sˈɛr rˈɨman ɲʲɛ tˌɨlkɔ ɲʲˈɛbɨw ɲʲˌɛdɨspˌɔnɔvˈan��, ˌalɛ vrˈɛndʒ zaʒˈɨvaw rɔzrˈɨfki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_10.wav|ˈɔprutʃ tˌɛɡɔ pɔː aŋɡʲˈɛlsku ˈumjaw jˈɛʃtʃɛ tˌɨlkɔ dˈɔbʒɛ pʃɨtsˈɛluj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_27.wav|pɔ rɛklˈamjɛ pˈitskˈupuf, xˈavɨ dɔ prˌɛzɛntˈɛruf f stˈudju dɔwˈɔntʃa ˌɛmɛrˌɨtɔvˈanɨ dɛtˈɛktɨf pˌɔlitsˈɨjnɨ. pɨtˈajɔ̃ ɡˈɔː ɔ mɔʒlˈivɛ mɔtˈɨvɨ zabˈujstfa jɔˈɛlla allˈɛna.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_26.wav|pˌɔwɔntʃˈɔna z dˈɔdʒɛm dvˌukɔwˈɔva, pˈusta pʃɨtʃˈɛpa jɛst mˈɔtsnɔ sfˌatɨɡɔvˈana.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_139.wav|vˈuj sˈam kˈɔɲʲɛts kˈɔɲtsuf ɔdˈɛswaw ɡˈɔ dɔ dˈɔmu w ɡvˈins na vˈusku ˌinvalˈitskim, jˈuʃ jˈakɔ tɕpˈuna.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_245.wav|pɔrˈadʑiwbˌɨm sˈɔbjɛ bˈɛs ɲˈix. zrˈɛʃtɔ̃ vʲˈɛŋkʃɔɕtɕ i tˈak trˈafi dɔ bakʲˈɛɡɔ. ɲʲɛ ɔ pʲɛɲʲˈɔndʑɛ xˈɔdʑi.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_134.wav|ktˈɔɕ nˌarɨsˈɔvaw kˌilkanˈaɕtɕɛ krˈɛŋɡuf na ɕtɕˈaɲʲɛ, tˈam ɡdʑˈɛ ftʃˈɛɕɲʲɛj znˌajdɔvˈawɨ ɕɛ brˈɨzɡʲi krfˈi.|4
+Dataset/wavs/urwisko_ferenc/36_segment_176.wav|mˈarja ɕɛ rˌɔzwɔntʃˈɨwa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_55.wav|pɔmˈimɔ pˈuʑnɛj pˈɔrɨ zaswˈɔnɨ ɲʲɛ zɔstˈawɨ jˈɛʃtʃɛ zˌatɕɔŋɡɲʲˈɛntɛ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_410.wav|ɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_94.wav|zˌɔrjɛntɔvˈawam ɕɛ jˈɛdnak, ɡdʑˈɛ zˌainstˌalɔvˈanɔ kamˈɛrɨ i s tʃˈasɛm nˌautʃˈɨwam ɕɛ ix uɲˈikatɕ.|3
+Dataset/wavs/urwisko_ferenc/15_segment_35.wav|ɲʲɛ xtɕˈawa bˈudʑitɕ stˈarɨɣ dɛmˈɔnuf.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_50.wav|jˌɛstɛɕ xwɔpˈakʲɛm pipˈɛruf? mrˈuknɔw.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_307.wav|f pʃˌɛtɕivʲˈɛɲstfʲɛ dɔ tfˈɔjɛj ɕˈɔstrɨ. tʃɨ tɔ prˈavda, ʒˈɛ tsɛrsˈɛi spalˈiwa tʃɛrvˈɔnɔ̃ tfʲˈɛrdʑɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_190.wav|tʃˈɛka, kʲˈɛdɨ ɡˈɔ zɡˈarnɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_51.wav|vˈɔjna z nˈas fʃˈɨstkix rˈɔbʲi pɔtfˈɔrɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_38.wav|jˈutrɔ jɛdʑˈɛmɨ na spɔtkˈaɲʲɛ s pravɲˈikʲɛm, ʒˈɛbɨ ɕɛ upˈɛvɲitɕ, ʒˈɛ pʲɛɲʲˈɔndʑɛ sɔ̃ bɛspʲˈɛtʃɲʲɛ zdˌɛpɔnɔvˈanɛ dla alfjˈɛɡɔ, ɡdˈɨbɨ tsɔkˈɔlvʲɛk mi ɕɛ stˈawɔ.|3
+Dataset/wavs/urwisko_ferenc/09_segment_123.wav|ˌalɛ tɔ bˌɨwa uwˈuda.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_150.wav|mˈɔʒɛ tˈak, mˈɔʒɛ ɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_321.wav|ɲʲˈɛvʲɛm, tʃɨ tɔ mɲʲɛ uznˈawa za ɲʲˌɛɔtpɔvʲˈɛdɲʲɔ̃, tʃɨ tˌɨlkɔ mˈuj pˈɔʃak.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_12.wav|ɲʲɛ vʲˈɛmɨ, tʃɨ mʲˈɛʃkaw sˈam.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_63.wav|ja mˈam ɡˈuza?|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_461.wav|tˈaɡ vʲˈɛndʑ znˈuv zˌapɨtˈawa pɔ xfˈili miltʃˈɛɲʲa, lˈɛtʃ ɲʲɛ pɔ xfˈili tɕˈiʃɨ, ɡdˈɨʃ tʃwˈɔvʲɛɡ za dʒvʲˈami mˈuviw tsˈɔraz ɡwˈɔɕɲʲɛj i tsˈɔraz ɡwɔɕɲʲˈɛjʃɨ bˈɨw na dvˈɔʒɛ vʲˈatr.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_231.wav|ɲʲɛ tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ pˌɔtʃɛbˈujɛ jɛj pɔmˈɔtsɨ f pʃˌɨɡɔtɔvˈaɲʲax. ˌɔna uvˈaʒɲʲɛ swˈuxa.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_287.wav|fʃˈɨstkɔ nˈaɡlɛ vˌɨpwɨnˈɛwɔ z brjˈɛnnɛ ɲˈitʃɨm tʃˈarna krˈɛv z rˈanɨ. zdrˈadɨ i zˌarɛntʃˈɨnɨ, rˈudɨ rˈɔnɛt i jˈɛɡɔ rˈuʒa.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_198.wav|vrutɕˈiwam na pʲɛxˈɔtɛ dɔ ɕlˈuzɨ i zamknˈɛwam ɕɛ f pʃɛtɕˈɔŋku.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_206.wav|pwˈatɕi kˈartɔ̃ mastˈɛrtsard daltˈɔna smˈitxa i vrˈatsa na pˈɛarsɔn strˈit.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_268.wav|kˌɔʒɨstˈajɔndʑ zˈɛ sfɔjˈɛɡɔː ˌɔsɔbʲistˈɛɡɔ laptˈɔpa, na ktˌurɨm mˈa zˌainstˌalɔvˈanɛ fˌawpˌɛˈɛn, vɨsˈɨwa ɡˌɛɔrɡʲˈɔvi zdjˈɛɲtɕa ˈɛlis i prˈɔɕi, bˈɨ ɲʲɛzvwˈɔtʃɲʲɛ pʃɛkˈazaw jˈɛ klˌɛrkɛjˈɔvi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_102.wav|ɔswˈɔna ɔt pʲˈasku ˈɔtpar dʒˈɛjmsɔn.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_30.wav|nˈaɡlɛ zˌɔrjɛntˈɔvaw ɕɛ, ʒˈɛ jɛj pʲˈɛrɕi sɔ̃ nˈaɡʲɛ, a ɔn iɣ dɔtˈɨka. — pˌɔvʲɛdʑˈawɛm swˈɔva — pɔmˈɨɕlaw pɔ rˈaz drˈuɡʲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_59.wav|pˌɔvʲɛdʑˈɛliɕmˌɨ jɛj, ʒˈɛ sprˈavɨ mʲˌɛndʑɨ nˈami ɕɛ ɲʲɛ ˌuwɔʒˈɨwɨ, ʒˈɛ znalˈazwaɕ kˈɔɡɔɕ, dʑˈɛŋki kˈɔmu bˌɛɲdʑɛʃ ʃtʃɛɲɕlˈifʃa, ˌalɛ ʒˈɛ tɔ ɕɛ ɲʲɛ udˈawɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_51.wav|stˈajɛ f tɕˈɛɲʲu i znˈuf kɔʒˈɨsta s tˌɔitˈɔja, fspˌɔminˈajɔndʑ dʲˈiktum tˌakɔbˈɛla.|2
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_77.wav|tɔ pˌɔʒɨvʲˈɛɲʲɛ dla bjˈɛdnɨx lˈudʑi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_69.wav|zmarʃtʃˈɨwa tʃˈɔwɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_45.wav|jɛzd vʲadˈɔmɔɕtɕ ɔd bakʲˈɛɡɔ. tʃˈɨ swˈɔva. pʃˈɛlɛf ɲʲɛ pʃˈɨʃɛd.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_125.wav|pˌɔlɛtsˈɔnɔ mu bʲillʲˈɛɡɔ. ɡɔrˈɔntsɔ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_311.wav|tɨ tɨmtʃˈasɛm ɔʃtʃˈɛndʑaj sfˈɔjɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_2.wav|vˈɨjazd dɔ ɕɛdʑˈibɨ ˈɛksɔ tˈɛx ɲʲɛ ɔkˈazaw ɕɛ tˈak pɔmˈɔtsnɨ, jˈak litʃˈɨli nˈatɔ tˈɔm i bˈɛtskɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_12.wav|vɨdˈajɔnts tɕˈixɛ, jɛŋklˈivɛ ɔkʃˈɨki, ktˌurɨx pʃˈɨkrɔ jɛj swˈuxatɕ, bʲˈillɨ ftʃɔwɡˈujɛ ɕɛ na tˈɨlnɛ ɕɛdʑˈɛɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_86.wav|pˈɔtɛm nastˈɔmpiw bˈardʑɛj rˌɨzɨkˈɔvnɨ ˈɛtap.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_268.wav|vratsˈawɛm vˈɔlnɔ na pɔlˈanɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_56.wav|tʃˈujɛ na ʃˈɨi vˈilɡɔtɕ, a ˈalfjɛ lˈɛkkɔ drʒˈɨ.|3
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+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_26.wav|ʒˈadnɛj rɛˈaktsji.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_314.wav|dbˈaj ɔ ɲʲˈɛɡɔ, pˌɔvʲɛdʑˈawam.|4
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+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_19.wav|ɕˈɛdʑaw na stˈɔwku.|0
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+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_121.wav|na vˈɨspʲɛ krˈukuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_151.wav|fstˈaw i vɨtɕˈɔŋɡnɔw rˈɛŋkɛ, a ja ˌuxfɨtɕˈiwam jˈɔ̃ bˈɛz vaxˈaɲʲa.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_95.wav|jˈuʃ mˈɔʒɛʃ spˈɔjʒɛtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_45.wav|tʃɨ jɛst pˈaɲi ˌapsɔlˈutɲʲɛ pˈɛvna, pˈaɲʲɛ ˈɛdmunts?|3
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+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_104.wav|kʲˈɛdɨ lˈudʑɛ zatʃˈɛli ˌɔdʑɨskˈivatɕ pʃɨtˈɔmnɔɕtɕ, zajˈɛli ɕɛ innˈɨmi. ˌalɛ tsˈɔɕ takʲˈɛɡɔ bˌɨwɔ mɔʒlˈivɛ tˌɨlkɔ f tˈaɡ zʒˈɨtɛj spˌɔwɛtʃnˈɔɕtɕi jˈak nˈaʃa.|4
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+Dataset/wavs/urwisko_ferenc/14_segment_6.wav|xˈɨba bˈɨ mi ˈɔtɨm fspˈɔmɲʲaw, ɲʲɛ? spˈɨtaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_41.wav|bˈul, ktˌurɨ sˈama vˌɨvɔwˈawam. i zˌastanˈavʲam ɕɛ mˌɔmɛntˈalɲʲɛ, tʃɨ ɲʲɛ jˌɛstɛm ɲʲˌɛspravʲɛdlˈiva.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_304.wav|ɲʲˈɛvʲɛm, dʑˈɛtskɔ.|3
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+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_84.wav|ˌalɛ ɲʲɛ mʲˈawam jˈuʃ ɔxˈɔtɨ tʃˈɨtatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_63.wav|kʲˈɛdɨ sxˈɔdʑi na dˈuw, bʲˈillɨ pɔmˈaɡa jɛj vˈɨtʃɛtɕ ɕlˈadɨ w mʲɛʃkˈaɲʲu f sˌutɛrˈɛɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_107.wav|jˈɛdnak ɔdbjˈɛɡam ɔt tɛmˈatu.|4
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+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_108.wav|zdɔ̃ʒˈɨwam zˌauvˈaʒɨtɕ. pɔ prˈɔstu traktˈujɛ pɔvˈaʒɲʲɛ kfˈɛstjɛ zdrˈɔvja pˌublitʃnˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_122.wav|ɲʲɛ vʲɛdʑˈawam ɲitʃˈɛɡɔ na tˈɛmat çipnˈɔzɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_73.wav|jˈɛɕli maʒ znˈɔvu ʒˈɨɡatɕ, skɔʒˈɨstaj zˈɛ zlˈɛvu.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_233.wav|swˈɔɲtsɛ ɕfʲɛtɕˈiwɔ jˈasnɔ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_379.wav|ɲˈikt jˈuʃ tˈu ɲʲɛ ɕpʲˈɛvaw.|1
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_53.wav|vʲˈɛm, ʒˈɛ tɔ dla tɕˈɛbjɛ trˈudnɛ, ˌalɛ ɲʲˈɛxtsɛ, bˈɨ ˈɔtɨm vʲˈɛdʑaw, dɔpˈuki sˈama mu ɲʲɛ pˈɔvʲɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_73.wav|ˈax, pˌɔdɛjʒˈɛvam, ʒˈɛ tˈam na ɡˈuʒɛ dˈalɛj ɕɛ kwˈutsɔ̃, ˌalɛ pʃɨnˈajmɲʲɛj ix ɲʲɛ swɨʃˈɨmɨ, xˈɔtɕ mˈam nadʑˈɛjɛ, ʒˈɛ ɕɛ ɲʲɛ pˌɔzabʲijˈajɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_59.wav|jˈɛɕli nˈavɛt rutʲˈiɡɛr, jˈutʃɨ, ktˌurɨkˈɔlvʲɛɡ z jˈɛɡɔ lˈudʑi uswˈɨʃaw plˈusk...|1
+Dataset/wavs/urwisko_ferenc/08_segment_28.wav|stˈawɨ bɨvˈalɛts ˈimprɛs, kturˌɛɡɔ pˈartja prˌɔpaɡɔvˈawa xʃˌɛɕtɕijˈaɲskʲɛ vartˈɔɕtɕi.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_135.wav|kɔmˈitʃnɔ̃. bˌɛɲdʑɛ ɕɛ nˌazɨvˈawa mˈɔva dɔ rˈɨp. tˌɨlkɔ ɲʲɛ ɕpʲˈɛvaj jɛj ɲˈiɡdʑɛ, ɡdʑˈɛ mˈɔʒɛ tɕˈɛ uswˈɨʃɛtɕ mˈɔja tɕˈɔtka.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_253.wav|lˈɛtʃ ɲʲɛ xtɕˈawa pʃˈɨjɔɲtɕ. vzrˈuʃɨw rˌamjɔnˈami i vˈɨpiw sˈam. xrˈɨstɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_243.wav|tˈak jˈaɡbɨ ˈɔtpar.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_69.wav|pɔ tʃˈɛtɕɛj jˈɛdʑɛ vˌɨnajˈɛntɨm fjuʒˈɨnɛm s pɔvrˈɔtɛm na tʃfˈartɨ pˈɔʑɔm parkˈiŋɡu nˈumɛr dvˈa i ˌupɛvɲˈifʃɨ ɕɛ, ʒˈɛ ɲˈikt ɲʲɛ pˈatʃɨ, zdɛjmˈujɛ ˌɔkulˈarɨ i ʃtˈutʃnɨ zˈarɔst.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_12.wav|jˈɛɕli ɲʲɛ vˈɛjdʑɛ zˈaɲim dɔ ɕrˈɔtka, ɲʲɛ dˈɔvʲɛ ɕɛ, na ktˌurɛ pɔjˈɛxaw pʲˈɛntrɔ, vʲˈɛnts litʃˈɨwa na zupˈɛwɲʲɛ ˈinnɨ pʃˈɛbjɛɡ vɨdˈaʒɛɲ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_10.wav|ɲʲɛ ˌɔdʒutɕˈiliɕmˌɨ tsˌawkɔvˈitɕɛ mˌɔʒlivˈɔɕtɕi, ʒˈɛ tˈamtɛn tʃwˈɔvʲɛk mʲˈaw bˈɨdʑ zˌamjɛʒˈɔnɔ̃ ɔfjˈarɔ̃ jˈɛdnak pɔ ɕmʲˈɛrtɕi rɔɡˈɛra jaɡˈɛra vɨdˈajɛ ɕɛ bˈardʑɛj prˌavdɔpɔdˈɔbnɛ, ʒˈɛ xɔdʑˈiwɔː ɔ pˈana|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_110.wav|tˈɛras musˈimɨ zdˌɛtsɨdˈɔvatɕ, tsˈɔ s tɨm zrˈɔbʲitɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_54.wav|jˈɛɕli mˌamɨ rˈatsjɛ, tɔ ktɔkˈɔlvʲɛk jɛst sprˈaftsɔ̃ pɔstˈaraw ɕɛ, ʒˈɛbɨ vrˈɔbʲitɕ f tɔ mɔrdˈɛrstfɔ mˈartɛ pˈɔrtɛr.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_44.wav|zvrˈutɕiw ɕɛ dɔ tsˈurki, ktˌura pˌɔkivˈawa z ˌɛntuzjˈazmɛm ɡwˈɔvɔ̃. kˈatɛ pˌɔdɔ̃ʒˈɨwa dɔ kˈuxɲi, a lˌɔuˈisa ruʃˈɨwa jɛj ɕlˈadɛm.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_265.wav|xwˈɔpi zˌapʃɛtʃˈali, bˈɨ iɣ vidʑˈɛli, ˌalɛ kʲˈɛdɨ zapˈɨtaw ˈɔstʃɛj, zatʃˈɛli ɕpʲˈɛvatɕ inˈatʃɛj.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_164.wav|bˌɨliɕmˌɨ jˈuʒ dˌɔstatˈɛtʃɲʲɛ dalˈɛkɔ, ʒˈɛbɨ ɲʲɛ mʲˈawɔ tɔ vʲɛŋkʃˈɛɡɔ znatʃˈɛɲʲa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_14.wav|spravdʑˈimɨ jɛj bʲilˈiŋɡʲi, zˌɔbatʃˈɨmɨ s kˈim rˌɔzmavʲˈawa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_160.wav|maʃ nˈuʒ dɔ ʃkwˈa, ʒˈɛbɨ vˈɨtɕɔɲtɕ ˈɔtfur w ˈɔkɲʲɛ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_84.wav|mˈarɛj vɨtɕˈɔŋɡnɔw s ʃˈafɨ fˈartux, na kturˌɛɡɔ plˈɛtsax nˌamalɔvˈanɨ bˈɨw jˈakiɕ tʃwˈɔvʲɛk fplɔntˈanɨ w ʒɛlˈaznɔ̃ pˌajɛntʃˈɨnɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_14.wav|bˈɛtskɨ fstˈawa zˈɛ sfɔjˈɛɡɔ mʲˈɛjstsa.|3
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_13.wav|tɔ nˈaʃa xˈuta. ɲʲɛ pˌɔtʃɛbujˈɛmɨ ɲitʃˈɨjɛj ˌaktsɛptˈatsji. ɔtpʲˈɛpʃtɕɛ ɕɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_186.wav|mɔʒlˈivɛ, ˈalɛ...|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_141.wav|ˌɔtfɔʒˈɨwam jˈɛ i mˈɔim ˈɔtʃɔm ukˈazaw ɕɛ...|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_185.wav|bˈardʑɔ xˈɛntɲʲɛ vˌɨmamrɔtˈawɛm, xtsˈɔndʑ zarˈazɛm ˈutɕɛts i zˈɔstatɕ na tɛj ulˈitʃtsɛ vˌɨpɛwɲʲˈɔnɛj naɡʲˈimi dʒɛvˈami.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_19.wav|tɔ ɲʲˈɛma sˈɛnsu.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_169.wav|nɡˈuɡʲi klasnˈɛwa w dwˈɔɲʲɛ i pˌɔxɨlˈiwa ɕɛ w mˈɔjɔ̃ strˈɔnɛ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_255.wav|tʃɨ tˈak mˈuj ˈɔjtɕɛdʑ vˌɨɔbrˈaʒa sˈɔbjɛ tˈɔrt?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_34.wav|f ktˌurɨm bjɛlˈawɨ tˌɨlkɔː ˌɔtʃɔdˈɔwɨ z ɲʲˌɛvidɔtʃnˈɨmi ʑrˌɛɲitsˈami,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_58.wav|jˈaɡ zvˈɨklɛ pʃɨtɕˈiskam dwˈɔɲ dɔ bʒˈuxa, ʒˈɛbɨ vɨmˈatsatɕ kˈartɛ. jɛst na sfˈɔim mʲˈɛjstsu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_25.wav|— f pɔʒˈɔntku, dʑˈɛŋki, ʒˈɛ nˈam pˌɔvʲɛdʑˈawɛɕ. tʃɨ mˈɔɡɛ tɕˈɛ pɔprˈɔɕitɕ, ˈabɨɕ ɲʲɛ fspɔmˈinaw ˈɔtɨm jɛj ˌaɲi ɲikˈɔmu innˈɛmu?|4
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+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_28.wav|xˈɔdʑ zˈafʃɛ, ɲʲˈɛmal zˈafʃɛ ʃanˈɔvaw jɛj ˌawtɔrˈɨtɛt, ʒˈadnɛ z ɲˈix ɲʲɛ zˌapɔmɲʲˈawɔ tʃˈasuf, kʲˈɛdɨ bˌɨwa ɡɔtˈɔva fskˈɔtʃɨtɕ mu na rˈɛntsɛ na vˈidɔk ʃtʃˈura.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_224.wav|mˈɔɡwabˌɨ nˈavɛt pɔmjˈɛʃkatɕ f sˌutɛrˈɛɲʲɛ pɔ jˈɛɡɔ vɨjˈɛʑdʑɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_85.wav|tˈɛras tˈɛʃ ɲʲɛ pɔtrˈafjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_276.wav|pˌɔtpisˈujɛ ɕɛ bˈɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_377.wav|ˌalɛ ˌɔbjɛktˈɨvɲʲɛ mˈuɕiʃ pʃˈɨznatɕ, ʒˈɛ tʃwˈɔvʲɛk, ktˌurɨ zadˈuɕiw fʃˈɨstkiɣ vɛsˈɛlnɨɣ ɡˈɔɕtɕi, mˈuɕaw bˈɨdʑ vˌɨrɔbjˈɔnɨ spɔrtˈɔvɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_29.wav|ˈalbɔ tsˈɔɕ f tɨm rɔdʑˈaju.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_182.wav|lɔɡʲˈitʃɲʲɛ ʒˈɛdʒ bjˈɔrɔnts, pɔvˈinnam zatʃˈɛkadʑ dɔpˈuki ɲʲɛ vrutɕˈimɨ dɔ mʲˈasta.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_77.wav|ktˌuʒɨ w dʒvʲˈax tʃɛkˈali z nɔʃˈami.|0
+Dataset/wavs/urwisko_ferenc/34_segment_4.wav|dlatʃˈɛɡɔ pˈan kwˈamaw?|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_395.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_29.wav|ja jˌɛstɛm ɔt tˈɛɡɔ, ʒˈɛbɨ znajdˈɔvatɕ pʃɨtʃˈɨnɨ...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_50.wav|mˈɔim zdˈaɲʲɛm tɔ bˈardʑɛj prˌavdɔpɔdˈɔbnɛ mʲˈɛjstsɛ ɲˈiʃ sɨpʲˈalɲʲa, f ktˌurɛj panˈujɛ z rɛɡˈuwɨ dˈuʒɨ rˈux.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_173.wav|zatʃˈɨmaw samˈɔxut pʃɛt sklˈɛpɛm s tʃɛɲɕtɕˈami sˌamɔxˌɔdɔvˈɨmi. fʃˈɛd.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_10.wav|mˈuvi ɲʲɛpˈɛvɲʲɛ, a jɛj ɡwˈɔz vɨdˈajɛ ɕɛ pˌɔzbavʲˈɔnɨ ɛmˈɔtsji i zˌaintˌɛrɛsɔvˈaɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_358.wav|w ɡˈurɛ ʒˈɛki ɔt swuʒˈɔntsɨx jˈakɔ latrˈɨnɨ rˈɔvuf.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_27.wav|vʲˈɛmɨ, ʒˈɛ tˌɛɡɔ ɲʲɛ zrɔbʲˈiwɛɕ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_167.wav|na vzɡˈuʒaɣ zˌapalˈɔnɔ jˈuʃ ɔɡɲˈiska, ˌalɛ na vˈɨspaɣ zɔstˈawɔ ɲʲɛvʲˈɛlɛ ɔbrˈɔɲtsuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_313.wav|ˌalɛ pˈɔtɛm, sˈam vʲˈɛʃ, zrɔbʲˈiwa ɕɛ afˈɛra, kʲˈɛdɨ ɔdbʲˈiwɛɕ mi xwɔpˈaka.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_54.wav|litʃˈɨwam, ʒˈɛ kɔpɲʲˈɛɲtɕɛ pɔfstʃˈɨma jˈɛɡɔː ˈatak i ɲʲɛ pˌɔmɨlˈiwam ɕɛ. rˈurka zˌatɔtʃˈɨwa ʃɛrˈɔki wˈuk i ˌɔminˈɛwa mɲʲɛ zˈamjazd vˌɨlɔndˈɔvatɕ na mˈɔjɛj ɡwˈɔvʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_197.wav|pˈɔdridʑɡ zwˈapaw ɡˈɔ za rˈamjɛ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_115.wav|kwutɕˈiwɨ ɕɛ ɔ dˈɔrʃa, dˈarwɨ jɛntʃmʲˈɛnnɨ xlˈɛp na kavˈawki i rˌɔsxlapɨvˈawɨ fkˈɔwɔː ɔfɕˈaŋkɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_76.wav|jˈaɡbɨ ɕɛ pɔkˈazaw, tɔ prˈɔʃɛ mu pɔvʲˈɛdʑɛtɕ, ʒˈɛ jˌɛstɛm w bˈaʒɛ.|4
+Dataset/wavs/urwisko_ferenc/63_segment_124.wav|tʃɨ karˈɔla, pˈaɲi kˌɔŋkubˈɛnta, drˈɛntʃɔ̃ kɔʃmˈarɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_55.wav|ˈɔbɨ tɔ ɲʲˈɛbɨw ɡwˈupi ʒˈart.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_109.wav|ɔdvrˈatsam ɕɛ f strˈɔnɛ dʒvˈi, xˈɔtɕ ɕfʲˈatwɔː utrˈudɲʲa mi vidʑˈɛɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_30.wav|nˈaɡlɛ tʃˈujɛ ɕˈilnɔ̃ pɔtʃˈɛbɛ, ʒˈɛbɨ s kˈimɕ pˌɔrɔzmˈavʲatɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_36.wav|tɔ f kˈɔɲtsu ɲʲɛ mˈɔja sprˈava.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_257.wav|ˌalɛ tɔ jɛzd dˈar ɔd bˈɔɡa, mˈɔʒna vʲˈɛndʑ ɡˈɔ pʃˈɨjɔɲtɕ lˈup ɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_242.wav|dˈanɛ ˌaktuˌalizɔvˈawɨ ɕɛ tˌɨlkɔ rˈas na ɡɔdʑˈinɛ, ˌalɛ lˈɛpʃɛ tɔ ɲˈiʃ ɲˈits.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_363.wav|bɛrˈika bˌɛndɛ xtɕˈaw zˌaprɔvˈadʑidʑ dɔ krulˈɛfskʲɛj pʃɨstˈaɲi zˈɛ ʃnˈurɛm na ʃˈɨi.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_159.wav|vrˈutsɛ tˈak ʃˈɨpkɔ, jˈaɡ bˌɛndɛ mˈuɡw, ˌalɛ tɔ mˈɔʒɛ bˈɨdʑ dɔpʲˈɛrɔ jˈutrɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_535.wav|lɛŋkˈawɛm ɕɛ zadˈavatɕ pɨtˈaɲʲa, a ˌɔna miltʃˈawa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_18.wav|dˈɔkɔnt ˌɔna jˈɛdʑɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_264.wav|vˈaʃa ʃkˈɔwa jɛzd dɔ ɲitʃˈɛɡɔ. i vˈɨʃɛd.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_173.wav|ɲʲɛ jˌɛstɛm tfˈɔjɔ̃ ɕˈɔstrɔ̃, jˈamɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_216.wav|fawʃˈɨvɛ nazvˈiska z rˈuʒnɨx ˌuɲivˌɛrsɨtˈɛtuf, ˌalɛ muɕˈɛlibˌɨɕmɨ dˌɔpilnˈɔvatɕ, ʒˈɛbɨ f kˈaʒdɨm kampˈuɕɛ ktˈɔɕ tsˈɔʑ vˈɨɡraw.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_171.wav|bˈɔ bʲˈillɨ jɛst mˈiwɨm barmˈanɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_49.wav|jˈakɔ bˈɛs pɔvˈɔdu nˈudɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_93.wav|nɛrvˈɔvɨ spˈuɕtɕiw vzrˈɔk.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_37.wav|zˈafʃɛ ˌuratˈujɛ mˈɔjɔ̃ mˈawɔ̃ mˈili.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_192.wav|palˈiwɨ ɕɛ tˈu ɕfʲˈɛtsɛ, a na kɔmˈiŋku buzˈɔvaw ˈɔɡʲɛɲ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_53.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_13.wav|tʃɨ fʃˈɨstkʲɛ ˈɔkna sɔ̃ zamkɲʲˈɛntɛ i zˌaswɔɲʲˈɛntɛ, a mˈɛblɛ zakrˈɨtɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_97.wav|tˈɛraz bʲˈillɨ mˈɔʒɛ zapˈɨtatɕ ˈɔtɔ, tsˈɔ naprˈavdɛ ɡˈɔː ˌintɛrɛsˈujɛ.|2
+Dataset/wavs/urwisko_ferenc/64_segment_16.wav|dɔ jˈutra, pˈaɲʲɛ karˈɔlu.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_280.wav|bˌɨwa ɔzdˈɔbɔ̃ jˈɛɡɔ kɔmnˈatɨ i ˌurɔdʑˈiwa mu vnˈukuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_149.wav|ɲʲɛ zˌaatakˈɔvaw rˌainˈɛsa, kʲˈɛdɨ tɛn kˈɔpaw jˈɛɡɔ ɕˈɔstrɛ, dˈɛptaw pˈɔɲʲɛj i mʲˈaʒdʒɨw bˌutɕɔrˈami jɛj dˌɛlikˈatnɔ̃ klˈatkɛ pʲɛrɕˈɔvɔ̃, na ktˌurɛj ɲˈiɡdɨ ɲʲɛ urˈɔsnɔ̃ pʲˈɛrɕi.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_274.wav|tɔ jˈɔ̃ vɨrˈaʑɲʲɛ zˌasmutɕˈiwɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_8.wav|f kˈɔɲtsu jɛj ˈuɕtɕizɡ zˈɛlʒaw, xfɨtɕˈiwɔ ɡˈɔ za rˈɛŋkɛ i pˌɔtɕɔŋɡnˈɛwa f strˈɔnɛ kˈuxɲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_304.wav|jˈɛʃtʃɛ jˈakʲɛɕ rˈadɨ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_12.wav|kɔrsˈaka? ˈu nˈas tˌaki ɲʲɛ pratsˈujɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_28.wav|zrɔzˈumjɛʃ tɔ fʃˈɨstkɔ, kʲˈɛdɨ zɔbˈatʃɨʃ, jˈak tɔ dʑˈawa i ˈilɛ dʑˈɛŋki tˌɛmu mˈɔɡwam zarˈɔbʲitɕ.|4
+Dataset/wavs/urwisko_ferenc/17_segment_1.wav|tʃɨtˈawa ftʃˈɛɕɲʲɛj ɔ sprˈavax, f ktˌurɨx lˈudʑɛ ˌɔdbjɛrˈali sˈɔbjɛ ʒˈɨtɕɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_115.wav|ˈandɛrsɔn, ʒˈɛkw rˈɨan, pʃˈɨkrɔ mi, ˌalɛ mˈuʃɛ tɕi tsˈɔɕ pɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_90.wav|pˈɔvʲɛdʑ vʲˈɛnts, tsˈɔ ɕɛ stˈawɔ, ˈɛlis, dɔ mɔmˈɛntu, kʲˈɛdɨ ˈurvaw tɕi ɕɛ fˈilm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_69.wav|muɕˈawam jˈɛdnaɡ vʑˈɔɲtɕ ɕɛ za ɕˈɛbjɛ i ʒˈatkɔ mʲˈawam pʲɛɲʲˈɔndʑɛ nˈatɔ, ʒˈɛbɨ ʃfˈɛndatɕ ɕɛ pɔ klˈubax.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_60.wav|jˈɛɕli ˈuzna, ʒˈɛ zɔstˈawa w jˈakiɕ spˈɔsup ˌɔtsuɲʲˈɛnta, mˈɔʒɛ mˈɔtsnɔː utɕˈɛrpʲɛtɕ.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_126.wav|lˌɛɲʲuxˈɔvaw w zˈamku. ˈukrad mi ʒˈɔnɛ, pˈɔtɛm trˈɔn, a tˈɛras krˈadɲʲɛ nalˈɛʒnɔ̃ mi xfˈawɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_117.wav|kʲˈɛdɨ tɔ ɕɛ zatʃˈɛwɔ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_45.wav|sˈami na stˈɔlɛ f kˈuxɲi lˈɛʒɨ mˈuj tɛlˈɛfɔn. mˈɔʒɛʃ mi ɡˈɔ ʒˈutɕitɕ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_90.wav|kʲˈɛdɨ mˈuvitɕ im bˌɛɲdʑɛʃ sfˈɔjɛ ɡwˈupstfa.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_300.wav|mˈuɕiʒ zˌadɛmɔnstrˈɔvatɕ sˈɛr brˌɨndɛnˈɔvi, ʒˈɛ nˈaʃɛ ɡrˈɔʑbɨ mˌajɔ̃ zˈɛmbɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_5.wav|pʃɨspʲˈɛʃam krˈɔku, ˌalɛ ɲʲˈɛxtsɛ zvrˈatsatɕ na ɕˈɛbjɛ uvˈaɡʲi bjˈɛɡʲɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_213.wav|pʃɛprˈaʃam tɕˈɛ, ɲʲɛ pˌɔviɲʲˈɛnɛm tˌɛɡɔ mˈuvitɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_13.wav|mˈɨɕlɛ, ʒˈɛ za kˈilka dɲˈi.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_49.wav|tʃɨ pˈɔttʃas iɡrˈaʃɛk miwˈɔsnɨx.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_493.wav|bjˈawɨ pˈapʲɛr skʃˈɨpi pɔt pʲˈurɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_40.wav|tʃɨj tɔ samˈɔxut?|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_125.wav|mi jɛst sˈɔrdɔː i mˈudɔ, jˌɛstɛm ɡwˌuxɔɲʲˈɛmɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_22.wav|vɨtɕˈɛram ɕɛ i pɔspʲˈɛʃɲʲɛ ɕˈadam pʃɛt lˈustrɛm, bˈɨ pʃˌɛmɔdɛlˈɔvatɕ ˈannɛ frˈaŋklin f kˈɔɡɔɕ innˈɛɡɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_85.wav|i ftˈɛdɨ zɔstˈajɛʃ sˈam i lˈudʑɛ mˈɨɕlɔ̃, ʒˈɛ jˌɛstɛɕ skɔɲtʃˈɔnɨ i tɔ jɛst ta prˈavda.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_260.wav|tˈaɡ vwˈaɕɲʲɛ pɔstˈɔmpiwbˌɨ lˈɔrt tˈɨvin. stratˈɔvawbˌɨ ix.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_98.wav|jˌɛstɛm pˈɛvnɨ, ʒˈɛ zˈɔɛ pʃˌɨɡɔtˈujɛ tɕi tsˈɔʑ dɔ jɛdʑˈɛɲʲa i xɛrbˈatɛ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_224.wav|nˈavɛd ɡdˈɨbɨ zdˈɔwaw ɕɛ pʃɛdˈɔstatɕ pʃˈɛz ɡˈurskʲɛ klˈanɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_306.wav|pˌɔviɲʲˈɛnɛm vɨdˈɔstatɕ tɕˈɛ stˈamtɔnt jˈuʒ dˈavnɔ tˈɛmu.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_370.wav|mˈaɡɡʲɛ vʲɛdʑˈawa, ˈilɛ dʑˈɛtɕi bˌɛndɛ mʲˈawa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_50.wav|bˈɛtskɨ ɕtɕɔŋɡnˈɛwa brvˈi.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_302.wav|sˈɛtki kɔlˈɛjnɨɣ vˌɨtɕɔŋɡɲʲˈɛntɔ na plˈaʒɛ ˈalbɔ na nabʒˈɛʒa pˈɔrtu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_69.wav|pˈɔvʲɛts pɔ prˈɔstu, dɔ tʃˈɛɡɔ bˈɨw mu pɔtʃˈɛbnɨ, jˈɛɕli ɲʲɛ dɔ kɔntˈaktuf s kɔxˈaŋkɔ̃. kˈaʒdɛ vˌɨjaɕɲʲˈɛɲʲɛ bˌɛɲdʑɛ lˈɛpʃɛ ɔt tˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_74.wav|kˈɔɡɔ skʃˈɨvdʑiw tɨm rˈazɛm?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_22.wav|prubˈɔvaw ɕɛ ˌɔtʃɨvˈiɕtɕɛ zdˌɨstansˈɔvatɕ. pɔvʲˈɛdʑaw nˈavɛt ˈinɛs, ʒˈɛ tˈamta mˈa jˈakʲɛɕ ˌurɔjˈɛɲʲa i ɲʲɛ ukrˈɨvaw, jˈaɡ bˈardʑɔ ɡˈɔ tɔ fʃˈɨstkɔ dˌɛnɛrvˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_16.wav|za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ fspˌɔminˈawa ɔ naˈilu, na jɛj tfˈaʒɨ mˌalɔvˈawɔ ɕɛ zˌadɔvɔlˈɛɲʲɛ, ktˌurɛ mˈɔɡwɔ sˌuɡɛrˈɔvatɕ mawʒˈɛɲskɔ̃ ɕɛlˈaŋkɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_4.wav|w zɛspˈɔlɛ bˈɨw nˈɔvɨ i ɲʲɛ navʲˈɔ̃zaw jˈɛʃtʃɛ ʒˈadnɨx ɕtɕiɕlˈɛjʃɨx rɛlˈatsji. bˈɛtskɨ pɔtʃˈuwa ukwˈutɕɛ ʒˈalu.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_263.wav|nˈɔ vʲˈɛnts...|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_61.wav|xlɔrˈɔfɔrm tɔ ɲʲɛ jɛst jˈakiɕ tˈam ɲʲɛɡrˈɔʑnɨ ˌanɛstˈɛtɨk. jɛzd bˈardʑɔ, ˌalɛ tɔ bˈardʑɔ ʃkɔdlˈivɨ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_135.wav|pˈɛtɛr baˈiliʃ ˈujɔw jˈɔ̃ za rˈɛŋkɛ i pɔtɕˈɔŋɡnɔw sˈɔbjɛ na kɔlˈana.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_225.wav|kʲˈɛdɨ vɨxˈɔdʑi, bˈutskɨ vɨxˈɨla ɕɛ nat stˈɔwɛm kuxˈɛnnɨm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_309.wav|ˌalɛ tˈaɡʒɛ ɲikˈɔmu ɲʲˌɛpɔtʃˈɛbnɨx.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_170.wav|lˈɔrt snˈɔf tˈɛʃ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_124.wav|bˈulu i ɕmʲˈɛrtɕi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_19.wav|ɕlɛdʑˈimɨ jˈɔ̃ jˈuʃ ɔt pˈuw ɡɔdʑˈinɨ, kʲɛrˈujɔnts ɕɛ na puwnˈɔtsnɨ fsxˈut, jˈɛɕli vʲˈɛʒɨtɕ mˈapʲɛ na tablˈitsɨ rɔzdʑˈɛltʃɛj sˌamɔxˈɔdu stɛvˈɛa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_158.wav|zˈatʃɔw ɕɛ tsˈɔfatɕ pʃɛdˈɛmnɔ̃ na tˈɨwku, ɕɛŋɡˈajɔnts pɔ lˈaskɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_30.wav|tˈɛssa ɔxˈanlɔn. vʲɛdʑˈawɛm, ʒˈɛ mˈam rˈatsjɛ. ˌɔkazˈujɛ ɕɛ, ʒˈɛ tɔ jɛj nazvˈiskɔ stsɛɲˈitʃnɛ, ktˌurɛ pʃɨjˈɛwa jˈakɔ vwˈasnɛ.|4
+Dataset/wavs/urwisko_ferenc/46_segment_163.wav|ɲʲˈɛvʲɛm, dlatʃˈɛɡɔ wˈɔntʃɔ̃ tɕˈɛ s tɔ̃ sprˈavɔ̃, ˌalɛ vwˈaɕɲʲɛ dlatˈɛɡɔ lˈipski fkrˈɛɲtɕiw ɕɛ na nˈaʃɔ̃ imprˈɛzɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_45.wav|pʃˌɛjɛdʑˈɛmɨ ɕɛ? pˈɨta frˈaŋk.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_127.wav|pɔwˈɔvɔ̃ sˈɛtki vʲˈɔsɛk, zbˈɨt mˈawɨx, bˈɨ mˈɔɡwɨ mʲˈɛdʑ vwasnˈɛɡɔ sɛptˈɔna.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_309.wav|pˈɔtʃɔw pwˈakatɕ i ftɕˈɔ̃ʃ jˈɛʃtʃɛ ʃˈɛt kˈu ɲʲˈɛmu na kɔlˈanax.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_62.wav|tˈɛssa ftɕˈɔ̃ʃ tˈutaj jˈɛst. ɲʲɛ vʲɛdʑˈawam ˈɔtɨm, ˌalɛ tɔ bˈɛz znatʃˈɛɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_281.wav|i uvˈɔlɲi mɲʲɛ ɔt napʲˈɛɲtɕa.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_168.wav|jˈɛɕli ja mˈɔɡɛ tɔ zrˈɔbʲitɕ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_257.wav|jˈɛdɛn z ɲˈix rɔzˈɛɕmʲaw ɕɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_8.wav|— mˈuɕiʃ skɔʒˈɨstadʑ z waʑˈɛŋki — ˌɔznajmˈiwa, a ˈuɕmʲɛɣ zupˈɛwɲʲɛ zɲˈiɡw z jɛj tfˈaʒ��.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_357.wav|ˌɔtsunˈɛwa s pɔlˈitʃka kˈɔsmɨk tɕˈɛmnɨɣ vwˈɔsuf, ktˌurɨm ʃamˈɔtaw vʲˈatr.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_80.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_160.wav|i tʃˈɛɡɔ tˈak pˈatʃɨʃ nˈamɲʲɛ jˈak pˈajɔŋk f pˈizdɛ? zapˈɨtaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_102.wav|mjˈa stˈɔnɛ tʃˈɛka jˈuʃ nˈanas w ɲʲˈɛbjɛ i zmˈartfi ɕɛ, jˈɛɕli zˈaɕɲʲɛʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_137.wav|fstˈajɛ i pɔtxˈɔdʑi dɔ zˌasɨpanˈɛɡɔ dˈɔwu, ktˌurɨ vˌɨkɔpˈali z bˈakim.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_111.wav|ktˈɔʑ zatʃˈɨna ɕfidrˈɔvatɕ ɕtɕˈanɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_35.wav|vɨɡlˈɔnda jˈak tʃwˈɔnɛk kfartˈɛtu rˌɛvɛlˈɛrsuf.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_216.wav|a tɕi fʃˈɨstsɨ lˈudʑɛ tˈaʃtʃɔ̃ zˈɛ sˈɔbɔ̃ sfˈɔix krˈɛvnɨx, bˈɛs rˈɔŋk i bˈɛs ˈɔtʃu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_128.wav|dɔmˈiɲik mˈa fʃˈɨstkɔ w nˈɔɕɛ, tˈɛras tɔ dɔstʃˈɛɡam.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_146.wav|na ʑˈɛmi ɲˈiɡdɨ bˈɨ tɔ ɲʲɛ pʃˈɛʃwɔ, ˌalɛ tɔ ɲʲɛ jɛzd ʑˈɛmʲa.|4
+Dataset/wavs/urwisko_ferenc/16_segment_25.wav|vɨdˈɔbɨw s kʲɛʃˈɛɲi kɔmˈurkɛ i pʃɛtʃˈɨtaw vʲadˈɔmɔɕtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_168.wav|kʲˈɛdɨɕ mɲʲɛ kɔxˈawaɕ, vʲˈɛnts pˈɔmuʃ mi, prˈɔʃɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_101.wav|mˈɔɡwabˌɨm tˈu mʲˈɛʃkatɕ, pɔftˈaʒa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_30.wav|filˈipa pʃˌɨɡlɔndˈawa ɕɛ tɔmˈɔvi pʃˈɛs xfˈilɛ, pɔ tʃɨm pˌɔkivˈawa ɡwˈɔvɔ̃ i pʃɛɲʲˈɔswa vzrˈɔk na sfˈɔjɛ dˌɔkumˈɛntɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_124.wav|kʲˈɛdɨ ɕɛ ɔdˈɛzvaw, zrˈɔbʲiw tɔ f tˌaki spˈɔsup, jaɡbˈɨɕmɨ bˌɨli jˌɛdɨnˈɨmi ˌɔsɔbˈami f salˈɔɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_56.wav|pˈatʃɨw na vˈɔdɛ, na mˈɔʒɛ, na bjˈawɛ fˈalɛ ˌumjɛrajˈɔntsɛ na pʲˈasku bˈɛz ɡwˈɔsu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_571.wav|pamjˈɛntaj, ʒˈɛ dɔ pˈɛvnɛj krˈɛski na skˈali jˌɛstɛm naˈivnɨ.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_215.wav|ˌɔkazˈawɔ ɕɛ, ʒˈɛ tɔ mˈapa.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_347.wav|dlatʃˈɛɡɔ xtsˈɔ̃ tɕˈɛ zˈabʲitɕ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_152.wav|pamjˈɛntam, jˈaki bˈɨw spʲˈɛntɨ, kʲˈɛdɨ ˌɔtʃɛkˈivaw, ˈaʃ pˈɔvʲɛm tɔ fʃˈɨstkɔ, tsˈɔ xtɕˈaw uswˈɨʃɛtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_40.wav|bˈɨtɕ mˈɔʒɛ jˈɔ̃ kˈupiw f sklˈɛpʲɛ ˈalbɔ na tʃˈarnɨm rˈɨŋku. bˈɨtɕ mˈɔʒɛ zˈabraw jɛdnˈɛmu s prˌatsɔvɲˈikuv blatskfˈatɛr, zˌastʃɛlˈɔnɨx, spalˈɔnɨx i pˌɔvʲɛʃˈɔnɨx na mˈɔɕtɕɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_22.wav|tʃˈujɛ, ʒˈɛ ta pʃˌɛwɔmˈɔva xfˈila ɕɛ zblˈiʒa, ʒˈɛ tɕˈɔŋɡlɛ jˌɛstɛm zˌaɡrɔʒˈɔna.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_65.wav|ˈalfjɛ z ɲˈim jˈɛst.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_450.wav|ftˈɛdɨ zˌaɡrɔdʑˈiwa nˈam drˈɔɡɛ tɕˈɛ̃ʃka, ʒɛlˈazna brˈama.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_197.wav|lˈɛtʃ ɲʲˈɛmuɡw, ɲʲɛ ˈumjaw pʃˈɛstatɕ nˈaɲʲɔ̃ pˈatʃɛtɕ, tʃˈujɔnts, ˈiʃ ɲʲɛ zˈabʲiw zapˈaxu jɛj tɕˈawa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_79.wav|mʲˈaw ɔtfˈartɛ ˈɔtʃɨ, tsˈɔ bˌɨwɔ dˈɔɕtɕ istˈɔtnɛ, pɔɲʲˈɛvaʃ ˌidɛntˌɨfikˈatsja tʃwɔvʲˈɛka z zˌamkɲʲɛntˈɨmi pˌɔvʲɛkˈami zˈafʃɛ jɛzd dˈuʒɔ trudɲʲˈɛjʃa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_14.wav|ˌɔdɛrvˈawa vzrˈɔk ɔt jˈɛɡɔ tɕˈawa i spɔjʒˈawa mu w ˈɔtʃɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_146.wav|jˌɛstɛɕ mɛ̃ʃtʃˈɨznɔ̃ tʃɨ ɲʲɛ? jˈɛstɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_32.wav|tˈɔm ɔdvrˈutɕiw ɕɛ dɔ bˈɛtskɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_20.wav|bˈɛtskɨ zɛrknˈɛwa f sfˈɔjɛ nɔtˈatki.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_195.wav|jˈɛɕli naprˈavdɛ xtsˈɛ pˈan tsˈɔʑ dla mɲʲɛ zrˈɔbʲitɕ, tɔ prˈɔɕiwbˌɨm ɔ japˈɔŋkɛ pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_51.wav|dˌɔjɛʒdʒˈamɨ jˈuʃ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_83.wav|fʃˈɛdwɛm s pɔvrˈɔtɛm f pˈɔlɛ vidʑˈɛɲʲa kamˈɛrɨ i pɔdɲʲˈɔswɛm vzrˈɔk.|2
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+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_67.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_128.wav|tʃɨ bˌɛndɛ muɕˈawa ɡrˈatɕ?|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_29.wav|f pɔʒˈɔntku? zapˈɨtaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_10.wav|tratɕˈiwa ɲʲˌɛpɔtʃˈɛbɲʲɛ tʃˈas. pˌɔstanɔvˈiwa, ʒˈɛ jˈɛɕli rˈɔp ɲʲɛ dˈɔtʃɛ na mʲˈɛjstsɛ f tɕˈɔŋɡu dvˈux mˈinut, vˈɛjdʑɛ tˈam bˈɛs ɲʲˈɛɡɔ.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_475.wav|pˈaɲʲɛ kˌɔmisˈaʒu.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_13.wav|tˈak mi pʃˈɨkrɔ, arˈamjɛ.|3
+Dataset/wavs/urwisko_ferenc/23_segment_40.wav|prˈɔʃɛ ˈuɕɔ̃ɕtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_59.wav|trˈɛɕtɕ prˌavdɔpɔdˈɔbɲʲɛ vˌɨstartʃˈɨwa, ʒˈɛbɨ pˌɔstanɔvˈiwa vˈɨjɕtɕ i spˈɔtkatɕ ɕɛ z mɔrdˈɛrtsɔ̃.|3
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+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_170.wav|tʃɨ tɛn tʃwˈɔvʲɛk, ktˌurɨ ɡrˈɔziw pˈanu, tˈɛʃ mˈuviw z aktsˈɛntɛm?|0
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+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_372.wav|ɲʲˌɛdɔstˈɛmpnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_132.wav|ɔdvˈɔwaj ɔbwˈavɛ nˈamɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_126.wav|ˌɔtʃɨvˈiɕtɕɛ, pˈaɲʲɛ xˈɔff.|2
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+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_116.wav|vˈaʃa lɔrdˈɔfska mˈɔɕtɕ jɛst ɔdvˈaʒna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_147.wav|stˈudja pˌɔdɨplɔmˈɔvɛ, mˈɨɕli bʲˈili. jˈasnɛ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_46.wav|zˈatɔ, tsˈɔː ˌutʃɨɲˈiwam, zˌaswuʒˈɨwam na katˈɔfski tˈɔpur, ˌalɛ ɔn ɲʲˈɛxtsɛ mi dˈatɕ nˈavɛt tˈɛɡɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_156.wav|dɔnˈɔvan prubˈujɛ ɕɛ zˈɛrvatɕ s kanˈapɨ, jˈɛdnak ˌɔdɛpxɲʲˈɛntɨ pʃˈɛz bʲillʲˈɛɡɔ lɔndˈujɛ nˈaɲʲɛj s pɔvrˈɔtɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_53.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_20.wav|spɔjʒˈawa jˈɛʃtʃɛ pɔ rˈas ɔstˈatɲi na sfˈuj pˈɔkuj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_149.wav|ˈax, pˈisaʃ tɔ mˈa ʒˈɨtɕɛ. vzdˈɨxa ˈirv znˈɔvu i ɔtfʲˈɛra tʃˌasɔpˈismɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_235.wav|jˈɛdɛn dˈana ˈɛdʲisɔn ɔkˈazaw ɕɛ pɔvˈaʒnɨm pʃˌɛtɕivɲˈikʲɛm, zˈabraw splˈuvɛ dɔ srˈatʃa.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_341.wav|ɡdˈɨ udˈɛʒɨw kɔlˈɛjnɨ pʲˈɔrun, brjˈɛnnɛ ujʒˈawa pʃˈɛs ʃtʃɛlˈinɨ vizˈurɨ bˈul, strˈax i zˌaskɔtʃˈɛɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/11_segment_91.wav|— nˈɔ vʲˈɛndʑ ɡˈuvnɔ mˈa — pɔstˈukaw pˈaltsɛm fskˌazujˈɔntsɨm w blˈat stˈɔwu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_92.wav|tˌɛɡɔ rˈɔku, kʲˈɛdɨ zˌatɕɔŋɡnˈɔwɛm ɕɛ dɔ marˈinɛs, znˈɔvu bˈɨw tʃɛrvˈɔnɔɲʲɛbjˈɛski.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_295.wav|f pɔʒˈɔntku, ˌalɛ ɲʲˈɛmam bladˈɛɡɔ pɔjˈɛɲtɕa ɔ kɔmbˈajnax.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_378.wav|bˈardʑɛj ɲˈiʃ tʃˌɛɡɔkˈɔlvʲɛk, pˌɔmɨɕlˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_4.wav|jˈaɡ dwˈuɡɔ ɕˈɛdʑaw na tˈɨwku?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_194.wav|tˈɔm mrˈuknɔw.|3
+Dataset/wavs/urwisko_ferenc/52_segment_106.wav|vɔwˈajkɔ vzrˈuʃɨw rˌamjɔnˈami. — ɲʲˈɛvʲɛm, ɲʲɛ dɔvˈidʑɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_25.wav|prˈavda jɛst tˈaka, ʒˈɛ ɲʲɛ zˌaswuɡˈujɛ na ɲitʃˈɨjɔ̃ mˈiwɔɕtɕ i xˈɔtɕ kˈaʒda mˈɔja swˈabɔʑdʑ zɔstˈajɛ ˌɔtswɔɲʲˈɛnta,|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_55.wav|zˌaklɛˈiwam kˈartɔn tˈaɕmɔ̃, vʲˈɛdʑɔnts, ʒˈɛ ɲˈiɡdɨ tˈam ɲʲɛ zˈajʒɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_9.wav|tɔ tˈakʲɛ ˌirɨtujˈɔntsɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_23.wav|zˌaxrɨpʲˈawɛm, kˈaʃlɔndʑ bɔlˈɛɕɲʲɛ.|0
+Dataset/wavs/urwisko_ferenc/17_segment_44.wav|jɔˈannɛ mˈitra spɔznˈawa jˈuʃ pɔ ɕmʲˈɛrtɕi ˈɔjtsa.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_81.wav|ɲʲɛ sɔɲdʑˈiwam, ʒˈɛ tɔ mɔʒlˈivɛ, ˈabɨ zvˈɨkwa puwsfˈɛra ˌɛmanɔvˈawa ˌarɔɡˈantsjɔ̃, ˌalɛ tˈaɡ bˈɨwɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_41.wav|ɲʲɛ pɔdˈɔba mi ɕɛ tɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_9.wav|dɔ zˌɔbatʃˈɛɲʲa!|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_239.wav|ɡˈɛnna vɛstxnˈɛwa ɡwɛmbˈɔkɔ. ɲʲˈɛmam prɛtˈɛnsji dɔ kɛvˈana, ʒˈɛ prˈaɡnɔw dla sfɔjˈɛɡɔ xwɔpˈaka bˌɛspʲɛtʃɲʲˈɛjʃɛj ɕɛdʑˈibɨ.|1
+Dataset/wavs/urwisko_ferenc/11_segment_57.wav|xˈɛrman miltʃˈawa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_236.wav|pˌɔvʲɛdʑˈawɛm zmʲɛʃˈanɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_176.wav|w najlˈɛpʃɨm vɨpˈatku zˈɔstaw mi uwˈamɛk sɛkˈundɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_97.wav|vʲˈɛndʑ dlatʃˈɛɡɔ pˈan tɔ dla mɲʲɛ rˈɔbʲi?|0
+Dataset/wavs/urwisko_ferenc/16_segment_15.wav|a pʃɨxˈɔdʑiw ktˈɔʑ dɔ ɲʲˈɛj?|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_129.wav|jˈɛɕli vˈɛjdʑɛʃ w ɲʲˌɛvwaɕtɕˈivɨm mʲˈɛjstsu, pɔxwˈɔɲʲɛ tɕˈɛ f tsawˈɔɕtɕi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_187.wav|mɛ̃ʃtʃˈɨzna ɲʲɛ mˈɔʒɛ tˌɛɡɔ vʲˈɛdʑɛtɕ, xˈɨba ʒˈɛ sˈam zɔstˈaɲʲɛ zɡvawtsˈɔnɨ.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_49.wav|na kɔlˈɛjnɨm zakrˈɛɲtɕɛ zatʃˈɨmaw ɕɛ nˈaɡlɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(87) R.Abbott_Zamknij Drzwi_segment_10.wav|kʲˈɛdɨ fpatrˈujɛ ɕɛ w nˈɔts, starˈajɔnts ɕɛ tsˈɔʑ vɨmˈɨɕlitɕ, dɔstʃˈɛɡam jˈakiɕ rˈuɣ za kamjˈɛnnɨm mˈurkʲɛm, ktˌurɨ ɔkˈala ˈɔɡrut.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_66.wav|ˈɛlis ˈidʑɛ dɔ vˈalɡrins, bʲˈillɨ tʃˈɛka f sˌamɔxˈɔdʑɛ. dɔ xɔtˈɛlu fxˈɔdʑɔ̃ bɔtʃnˈɨmi dʒvʲˈami. kʲˈɛdɨ jˈuʃ sɔ̃ w jˈɛɡɔ pɔkˈɔju, ˈɛlis pɔmˈaɡa mu zdjˈɔɲtɕ kˈurtkɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_9.wav|zɡˈadʑam ɕɛ s tˈɨm, ʒˈɛ musˈimɨ ɡˈɔ znˈalɛɕtɕ i pʃɛkˈɔnatɕ ɕɛ, tsˈɔ mˈa dɔ pˌɔvʲɛdʑˈɛɲʲa. jˈɛdnak fʃˈɨstkʲɛ ˈinnɛ ɕtɕˈɛʃki ɕlˈɛtstfa mˈuʃɔ̃ bˈɨtɕ kˌɔntɨnˌuɔvˈanɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_70.wav|ˌalɛ jˈɛɕli sprubˈujɛ ˈutɕɛts lˈup pˈɔvʲɛm kˌɔmukˈɔlvʲɛk ɔ lˈiɡʲi...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_13.wav|f kˈɔɲtsu ʃklˈanɛ dʒvˈi budˈɨŋku ˌumjɛʃkalnˈɛɡɔː ˌɔtfʲɛrˈajɔ̃ ɕɛ i kɔbjˈɛta vɨxˈɔdʑi.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_239.wav|ɔdʒˈutɕiw mˈɔjɔ̃ prˌɔpɔzˈɨtsjɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_36.wav|vwˈaɕɲʲɛ vjˈɛʒdʒam na pˈarkiŋk.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_87.wav|jˈak tɔ ɕɛ tˈutaj znalˈazwɔ?|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_10.wav|a ɡdˈɨ ɕɛdʑˈɔntsɨ pʃɨ tʃtˈɛrɛx ˌustavʲˈɔnɨx na kˈɔzwax stˈɔwaɣ brˈatɕa spˌɔʒɨvˈali pɔɕˈiwɛk, jˈɛdɛn z ɲˈix pʃɨɡrˈɨvaw na stɔjˈɔntsɛj xˈarfjɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_45.wav|ˈandɛrsɔn uɕtɕˈisnɔw jˈɛɡɔ dwˈɔɲ i sʃˈɛd nat mˈɔʒɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_68.wav|ɲʲˈɛtsɔː ˈinnɨ ɲˈiʃ ɕɛ jɛj vˌɨdavˈawɔ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_49.wav|tsɛrsˈɛi patʃˈɨwa na dʑɛftʃˈɛnta, ktˌurɛ skupˈiwɨ ɕɛ tɕˈasnɔ, ʃˈɛptʃɔnts tsˈɔʑ dɔ ɕˈɛbjɛ. vratsˈajtɕɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_18.wav|pˈɔkuj bˌailɛjˈɛɡɔ jɛst nˌapʃɛtɕˈifkɔ naʃˈɛɡɔ, a dʒvˈi sɔ̃ lˈɛkkɔː ˌuxɨlˈɔnɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_54.wav|ˌɔbɛjmɔvˈawa jˈɔ̃ vˈɔntwa pɔɕfʲˈata mˈɔjɛj latˈarɲi ulˈitʃnɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_28.wav|ˌalɛ ɲʲɛ na dwˈuɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_12.wav|pˌɔzɔstˈajɛ kɔmˈurka, ktˌura w ɔɡˈulɛ ɲʲɛ pɔvˈinna dʑvˈɔɲitɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_162.wav|pˌɔvʲɛdʑˈawɛm, ʒˈɛ jˈaɡ dla mɲʲɛ tʃtˈɛrɛx mafjˈɔzuf plˈus mˈɛrx tɔ ɲʲɛ jɛst lˌɛktsɛvaʒˈɛɲʲɛ. dlatʃˈɛɡɔ pˈɨtaʃ?|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_271.wav|i ftˈɛdɨ sˈam ɡˈɔː udˈɛʒɨw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_22.wav|— pˌɔvʲɛdʑˈawa, ʒˈɛ arˈama ɲʲˈɛma, vʲˈɛnts uznˈawɛm, ʒˈɛ mˈam ʃˈansɛ jˈɔ̃ stˈɔnd zˈabratɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_31.wav|ɲʲɛ s pˈaɲʲɔ̃ xtɕˈawabˌɨm pˌɔrɔzmˈavʲatɕ, ˌalɛ s pˈaɲi mˈɛ̃ʒɛm.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_211.wav|nˈavuz bˈɨw tˈu drˈɔɡʲi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_113.wav|pˈatʃɨw pʃˈɛs xfˈilɛ na rˈɛŋka w vʲˈatru, tarɡˈanɨ fɕtɕˈɛklɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_104.wav|bʲˈillɨ fstˈajɛ i vɨtɕˈɔŋɡa dwˈɔɲ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_41.wav|tˈɔm pɔpˈatʃɨw na ɲʲˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_129.wav|tˈam, ɡdʑˈɛ tɨ mʲˈɛʃkaʃ, ɲʲɛ jɛst tˈaɡ ɡɔrˈɔntsɔ. ja vʲˈɛm.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_117.wav|ˌɔdɛzvˈawa ɕɛ alˈain, tʃˈujɔnts, ʒˈɛ xwˈɔpʲɛdʑ drʒˈɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_168.wav|dˈɔdaw sfɔbˈɔda.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_88.wav|xfˈilɛ ɕɛ zˌastanˈavja. bʲˈillɨ jɛj f tɨm ɲʲɛ pʃɛʃkˈadʑa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_14.wav|tɔ bˌɨwa dla mɲʲɛ fskazˈufka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_153.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_193.wav|na spˈuwkɛ vˌɨʒɔɲdʑˈiliɕtɕˌɛ nˈam vʲˈɛlkɔ̃ ʃkˈɔdɛ.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_379.wav|swɨʃˈawɛm, jˈaɡ zvˈanɔ ɡˈɔ fɕtɕˈɛkwɨm psˈɛm s sɔlˈanɛk.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_118.wav|mˈɔɡwa bˈɨtɕ fɕrˈud dʑˈɛtɕi zabʲˈitɨx f sɔlˈaŋkax.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_53.wav|a mˈɔʒɛ tsamˈɛrɔn dɔvʲˈɛdʑaw ɕɛ, ʒˈɛ dˈɔm jɛzd vˌɨstavʲˈɔnɨ na spʃˈɛdaʃ i prubˈɔvaw zmˈuɕidʑ bradlˈɛja dɔ spwatsˈɛɲʲa dwˈuɡuf stsˈɔtta? ɲʲˈɛvʲɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_181.wav|dɔ lˈɛvɛj rˈɛŋki bjˈɛʒɛ ruɡˈɛra, dɔ prˈavɛj pʲˈaŋkɛ dɔ pʲˌɛkarɲˈika.|2
+Dataset/wavs/urwisko_ferenc/11_segment_50.wav|ˈɛksprɛs pʃˈɛstaw sˈɨtʃɛtɕ i xˈɛrman fstˈawa, ʒˈɛbɨ nˈalatɕ sˈɔbjɛ kˈavɨ dɔ kˈupka.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_266.wav|mˈɔʒɛ jˈuʃ ɲˈiɡdɨ ɲʲɛ zɔbˈatʃɛ tˈatɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_167.wav|jˈak tˈam pʲˈɛŋkɲʲɛ, zaxfˈɨtsa ɕɛ ˈɛlis. tˈaɡ vʲˈɛjɛ, ʒˈɛ mˈawɔ mi ɡwˈɔvɨ ɲʲɛ urvˈawɔ, ˌalɛ bˈɔʒɛ tɨ mˈuj, bʲˈillɨ, mˈɔʒna zɔbˈatʃɨtɕ tsˈawɔ̃ ˌɔkɔlˈitsɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_418.wav|zapˈɔmɲij ɔ mˈajku, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_178.wav|kwˈamstfɔ pɔ kwˈamstfʲɛ, jˈɛdnɔ mˌaskujˈɔntsɛ drˈuɡʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_93.wav|pɔdnˈɔɕi rˈɛŋkɛ, jˈaɡbɨ zaprˈaʃaw mɲʲɛ dɔ krˈɛŋɡu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_185.wav|zˈatɔ f tˌɛlɛfˈɔɲʲɛ daltˈɔna smˈitxa jɛst jˈɛdna nˈɔva vʲadˈɔmɔɕtɕ. z lɔkˈalnɛj ɡazˈɛtɨ. sˌamɔbˈujstfɔ znanˈɛɡɔ bʲˌiznɛsmˈɛna.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_54.wav|tʃˈɛkam, ˈaʃ ɕɛ ɔdˈɛzvʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_63.wav|pˌɔmɨɕlˈawaɕ ɔ fʃˈɨstkix kˌɔnsɛkfˈɛntsjaɣ zvʲɔ̃zˈanɨx s tɔ̃ dɛtsˈɨzjɔ̃?|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_135.wav|kʲˈɛdɨɕ tɕˈɛ naˈutʃɛ, jˈaɡ zˌaɡadˈɨvadʑ dɔ kˈɔbjɛt.|4
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_197.wav|i z umˈɨswɛm jɛst tˈak sˈamɔ mˈɨɕli i zamˈɨka ˈɔtʃɨ.|2
+Dataset/wavs/urwisko_ferenc/25_segment_27.wav|ɲʲˌɛɕfʲadˈɔmjɛ kˌupɔvˈawa tɛn rˈɔdʑaj.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_13.wav|jˈamɛ jˈɛdnak ftɕˈɔ̃ʒ vˈidʑaw w ɲˈim mwɔdˈɛɡɔ rɨtsˈɛʒa, ktˌurɨ ɔn dʑˈiɕ ˌɔtʃarˈɔvaw ɡʲˈɛrmka.|1
+Dataset/wavs/urwisko_ferenc/20_segment_23.wav|xudʑˈiɲski skˈinɔw ɡwˈɔvɔ̃, tsˈɔ mʲˈawɔ vɨstˈartʃɨdʑ za ɔtpˈɔvʲɛtɕ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_201.wav|ɲʲɛ, zvˈɛ tɕˈɛ kalˈɛkɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_174.wav|ɕfʲˈɛʒɨ nɔvˈitsjuʃ. pʃˈɨʃɛd zɔbˈatʃɨtɕ ɕɛ z mˈaɡʲɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_449.wav|ɡdʑˈɛɕ ɲʲˌɛdalˈɛkɔ pˌɔjɛŋkivˈawa kˌatarˈɨŋka.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_54.wav|mˈam dɔ tɕˈɛbjɛ kˈilka pˈɨtaɲ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_12.wav|f kˈɔɲtsu pɔdjˈɛʒdʒam pɔt ʃpˈital, vbjˈɛɡam pʃˈɛs ˌawtɔmatˈɨtʃɲʲɛ rˌɔssuvˈanɛ dʒvˈi dɔː ˈizbɨ pʃˈɨjɛɲtɕ i zatʃˈɨnam ɕɛ rɔzɡlˈɔndatɕ f pˌɔʃukivˈaɲʲu dˌɔmiɲˈika.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_60.wav|ʒˈadnɛ s pɔvˈɨʃʃɨx. tʃɛkˈawɛm, ˈaʃ ˌuzɨskˈamɨ dˈɔstɛmb dɔ mʲɛʃkˈaɲʲa mˈartɨ pˈɔrtɛr. ɕˈɛrʒant kˈamba jɛst jˈuʒ w drˈɔdʑɛ z zɛspˈɔwɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_62.wav|bʲˈillɨ fstˈajɛ i vɨʒˈutsa dɔ kˈɔʃa ɕmʲˈɛtɕi pɔ jɛdʑˈɛɲʲu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_83.wav|pɔvʲˈɛdʑaw mi, ʒˈɛ sˈɛktɨ sɔ̃ pɔvˈaʒnɨm prɔblˈɛmɛm f kampˈuɕɛ i ʒˈɛ zdaʒˈɨwɔ ɕɛ tsˈɔʑ bˈardʑɔ smutnˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_45.wav|tʃˈɛɡɔ ja ɲʲɛ rɔbʲˈiwam f sfˈɔim wˈuʃku?|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_170.wav|pʃˌɛlatˈujɔ̃ tˈu tsˈɔ rˈɔku i zˌatʃɨmˈujɔ̃ ɕɛ w najlˈɛpʃɨx xɔtˈɛlax.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_332.wav|ja dˌɔmɨɕlˈiwɛm ɕɛ w ɲˈix stˈarɨx aktˈɔrɛk s tɛˈatru ʒˌɨdɔfskʲˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_74.wav|kʲˈɛdɨ f pˌɔmjɛʃtʃˈɛɲʲax ˌɔɡɲʲɔɔtpˈɔrnɨɣ vwˈɔntʃa ɕɛ ˈalarm, fʃˈɨstkʲɛ dʒvˈi i vˌɨvʲɛtʃɲˈiki zˌamɨkˈajɔ̃ ɕɛ ˌawtɔmatˈɨtʃɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_3.wav|ɲˈits takʲˈɛɡɔ ɕɛ ɲʲɛ vˌɨdaʒˈɨwɔ. f kˈɔɲtsu zmuɕˈiwam ɕɛ dɔ pˌɔɡɔdʑˈɛɲʲa s fˈaktɛm, ʒˈɛ ˌɔdjɛxˈawa.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_267.wav|w drˈɔdʑɛ ustˈɛmpstfa dla prˌɨmitˈɨvnɛj lˈutskʲɛj natˈurɨ vwˈadʑɛ artˈɛmis pˌɔzvalˈajɔ̃ na spʃˈɛdaʃ ˌalkɔxˈɔlu.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_315.wav|vɔjˈɔvɲik nˈas ɔbrˈɔɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_11.wav|tˈɛraz vɨdˈajɛ ɕɛ za mˈawɛ, jˈak ubrˈaɲʲɛ, s kturˌɛɡɔ vˈɨrus.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_14.wav|rˈuvɲʲɛʃ i ˌɔna mʲˈawa xˈudɔ̃, ptˈaɕɔ̃ tfˈaʃ kɔbjˈɛtɨ na zˈafʃɛ zɲʲˌɛvaʒˈɔnɛj pˈɔpʃɛs fˈakt mawʒˈɛɲstfa s kˈimɕ,|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_108.wav|xˈalɔ, pɔvʲˈɛdʑaw pijˈanɨ. vwˈaɕɲʲɛ dʑˈiɕaj vrutɕˈiwɛm s frˈistsɔ. mˈɔja ʒˈɔna.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_62.wav|brjˈɛnnɛ pɔtʃˈuwa, ʒˈɛ ɕɛ rumjˈɛɲi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_34.wav|dɔ mˈɔix ˈuʃu dɔtˈarwɔ tɕˈixɛ wukˈaɲʲɛ i ˈɛliz vɨbjˈɛɡwa s pɔkˈɔju.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_5.wav|vˌɨdavˈawɔ ɕɛ ɲʲˈɛmal pˈɛvnɛ, ʒˈɛ frˈaŋklin jɛst mɔrdˈɛrtsɔ̃, ˌalɛ tsˈɔ mʲˈawa s tɨm fspulnˈɛɡɔː ˈanna?|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_30.wav|tʃˈɛba bˈɨtɕ idjˈɔtɔ̃, ʒˈɛbɨ stɔsˈɔvatɕ tˈaɕmɛ klɛjˈɔntsɔ̃ jˈakɔː ˌuʃtʃɛlɲʲˈɛɲʲɛ zbjɔrɲˈika tɕˌiɕɲʲɛɲʲɔvˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_153.wav|i kʲˈɛdɨ bɨvˈawɛm tʃˈasɛm f kwɔpˈɔtax, kʲˈɛdɨ...|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_124.wav|f pˈɛvnɨm mɔmˈɛɲtɕɛ pɔtstˈafka bˌɨwa jˈuʃ pˈɛwna, dʑvˈik ɲʲɛ vrˈutɕiw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_34.wav|ˈɛlis ɲʲɛ jɛst jɛdˈɨnɔ̃ ɔsˈɔbɔ̃, ktˌurɔ̃ ɔbrˈawam za tsˈɛl.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_152.wav|ɲʲɛ zabˈavjɛ tˈu dwˈuɡɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_41.wav|a ˈaʃ xtsˈɛ vʑˈɔɲtɕ ɕlˈup.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_40.wav|vˌɨprɔstˈɔvaw ɕɛ, ssˈunɔw nˈɔɡʲi z wˈuʃka i zˈabraw vˌibrujˈɔntsɨ tɛlˈɛfɔn dɔ waʑˈɛŋki.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_14.wav|trˈampki mˈa brˈudnɔː ɔt krfˈi.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_373.wav|brˈad zˈadba ɔ mˈɔjɛ bˌɛspʲɛtʃˈɛɲstfɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_91.wav|tʃˌɨim jɛst pˈan prˌɛzɨdˈɛntɛm?|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_25.wav|ɡdˈɨ alˈain vrutɕˈiwa dɔ vˈindɨ, znalˈazwa tˈam mjˈa stˈɔnɛ, tʃˌɛkajˈɔntsɔ̃ ɲʲˌɛtɕɛrplˈivʲɛ f tˌɔvaʒˈɨstfʲɛ lɔtˈɔra brˈuna i mˈɔrda.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_97.wav|dˈɔbʒɛ ˌumjɛɲɕɲʲˈɔna jˈak na kɔbjˈɛtɛ, tɔ prˈavda, ˈalɛ...|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_227.wav|ʒadnˈɛmu s pˌɔzɔstˈawɨx ɲʲɛ zrˈuptɕɛ kʃˈɨvdɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_438.wav|ɡʲinˈɔntsɛ lˈasɨ, a tˈaɡʒɛ pʃˈɛs ɲʲɛjˈasnɛ pɔtʃˈutɕɛ vˈinɨ.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_234.wav|pɔpwˈɨnɛ na vʲˈɛlkɔ̃ vˈɨk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_110.wav|sms, na ktˌurɨ tʃˈɛka ˌinfɔrmujˈɔntsɨ, ʒˈɛ kˌalifɔrɲˈijski sˈɛɲdʑa zɛzvˈɔliw na ˌɛkstradˈɨtsjɛ alˈɛna, bˌɛɲdʑɛ trˈɛɕtɕi rɛdˈaktɔr xtsˈɛ dˈatɕ tˈɛɡzd dɔ drˈuku.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_78.wav|lˈɔrt ɔrlˈɛɡɔ ɡɲʲˈazda i ɔbrˈɔɲtsa dɔlˈinɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_265.wav|jˈuʃ fskˌakivˈawam za kʲˌɛrɔvɲˈitsɛ tsˈɨŋɡla, kʲˈɛdɨ zˌapiʃtʃˈawɔ mˈɔjɛ ɡʲˈizmɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_116.wav|vʲˈɛm tˈɨlɛ, ˈilɛ pɔvʲˈɛdʑaw mi ɲˈitsk.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_47.wav|tsˈɔ pˈan tˈu rˈɔbʲi? zapˈɨtaw dʒˈɔnsɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_122.wav|zazvˈɨtʃaj ɲʲɛ, ˌalɛ trafˈiwam dʑˈiɕ na nˈɛndʑnɔ̃ pɔdrˈubɛ i muɕˈawam sˈɔbjɛ pʃɨpˈɔmɲʲɛtɕ, jˈak naprˈavdɛ pɔvˈinna smakˈɔvatɕ. vˌɨjaɕɲˈiwam, ɔddˈajɔnts mu ʃklˈaŋkɛ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_151.wav|z mawʒˈɛɲstfɛm musˈimɨ zatʃˈɛkatɕ, ˈaʃ tsɛrsˈɛi upˈadɲʲɛ, a sˈansa bɛspʲˈɛtʃɲʲɛ zɔstˈaɲʲɛ vdˈɔvɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_87.wav|pˈɔtɛm muɕˈɛli pʃˈɛɲʲɛʑdʑ vɨbrˈanɛ pʃˈɛs ɲʲˈɛɡɔ skʃˈɨɲʲɛ dɔ wˈɔdʑi.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_69.wav|ɲʲɛ bˌɛndɛ ɕɛ bˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_96.wav|mˈam bjˈurɔ w mʲˈɛɕtɕɛ, vʲˈɛʃ, w ɡˈɛrart tˈɔvɛr. pʃɨnˈajmɲʲɛj tˈak swɨʃˈawɛm, jˈutrɔ mˈam jˈɛ ɔbˈɛjʒɛtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_130.wav|ɲʲɛ xˈɔdʑi ɔ pɔlˈitɨkˌa, tsˈɔ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_28.wav|kʲˈɛdɨ pʃˌɛjɛʒdʒˈaliɕmˌɨ jˌɛdnɔkʲˌɛruŋkɔvˈɨmi ˌulitsˈami f pɔblˈiʒu parkˈiŋɡu ˌapartˌamɛntˈɔftsa, pʃˈɛs mˈɔjɔ̃ zadˈumɛ pʃɛbʲˈiwɨ ɕɛ swˈɔva kʲɛrˈɔftsɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_19.wav|kɔbjˈɛtɛ, ktˌurɛj ɲʲɛ krˈɛɲtɕi dwˌuɡɔtˌɛrminˈɔvɨ zvʲˈɔ̃zɛk ɲˈiʃ na kˈɔɡɔɕ, ktˈɔ ʃˈuka mɛ̃ʃtʃˈɨznɨ na stˈawɛ i ktˈɔ bˌɛɲdʑɛ prubˈɔvaw iɣ vˈɨrvatɕ rɔdʑˈiɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_57.wav|prˈɔʃɛ, tˌɨlkɔ jɛj ɲʲˈɛmuf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_65.wav|a spˈɛntsɛr pʃˈɨznaw, ʒˈɛ nˈuʒ vɨɡlˈɔnda jˈak jˈɛdɛn s tˈɨx, ktˌurɛ mˌamɨ f kˈuxɲi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(74) R.Abbott_Zamknij Drzwi_segment_31.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_6.wav|ftɕˈɔ̃ʃ lɛʒˈawam z ɡwˈɔvɔ̃ ftɕiɕɲʲˈɛntɔ̃ pɔt pɔdˈuʃkɛ, skˈɔnt jɛj ɲʲɛ vˌɨtɕɔŋɡnˈɛwam ɔt xfˈili, kʲˈɛdɨ tɛn tʃwˈɔvʲɛk nˈamɲʲɛ spˈɔjʒaw.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_83.wav|pˌɔftaʒˈawa sˈɔbjɛ brjˈɛnnɛ, ˌalɛ i tˈaɡ zasmˈutɕiw jˈɔ̃ tɛn vˈidɔk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_264.wav|ˌalɛ rˈatʃɛj xˈɔffa.|2
+Dataset/wavs/urwisko_ferenc/33_segment_56.wav|mˈɔʒɛ mi pˈan vrˈɛʃtɕɛ pɔvʲˈɛdʑɛtɕ?|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_338.wav|bˌɨwɔ jˈuʃ pˈuʑnɛ pˌɔpɔwˈudɲʲɛ, ɡdˈɨ ujʒˈɛli rivˈɛran vznɔʃˈɔntsɛ ɕɛ na vˈɔ̃skim tsˈɨplu w mʲˈɛjstsu, ɡdʑˈɛ kamjˈɛnnɨ nˈurt wˈɔntʃɨw ɕɛ s tʃˌɛrvɔnˈɨmi vidwˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_102.wav|pˌɔkazˈujɛ vam, kˈim jˈɛstɛm. zʒutɕˈiwɛm s ɕˈɛbjɛ ubrˈaɲʲa. ɔbnˈaʒam ɕɛ pʃɛd vˈami.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_38.wav|dvutlˈɛnɛɡ vˈɛŋɡla spʃɛdˈajɛ fˈarmɔm, ktˌurɛ vˌɨkɔʒɨstˈujɔ̃ ɡˈɔ pʃɨ uprˈavʲɛ ˈalk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_23.wav|vʲˈɛlɛ zalˈɛʒɨ ɔt tˈɛɡɔ, tsˈɔ stˈaɲʲɛ ɕɛ tˈɛras. ˈɛlis mˈɔʒɛ ɔdmˈuvitɕ. mˈɔʒɛ nˈavɛd dʑɡnˈɔɲdʑ ɡˈɔ nˈɔʒɛm, ktˌurɨ jɛj dˈaw, ʒˈɛbɨ pˌɔsmarɔvˈawa sˈɔbjɛ ɡʒˈaŋki mˈaswɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_50.wav|tˈɔm zdˈuɕiw f sˈɔbjɛ ˌirɨtˈatsjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_116.wav|dɔpˈuki ɲʲɛ bˌɛɲdʑɛʃ pɔt ɔswˈɔnɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_10.wav|pˌɔtfʲɛrdʑˈɔnɔ tˈɛʃ, ʒˈɛ tsamˈɛrɔn trˈatɕiw tʃasˈami dɔ pˈuw miljˈɔna f trˈaktɕɛ ɡɔrʃˈɛɡɔ tɨɡˈɔdɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_120.wav|tʃˈujɛ ɕɛ pʃˈɨɲim, vʲˈɛʃ, bɛspʲˈɛtʃɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_14.wav|tˈɔm pɔtskˈɔtʃɨw na kʃˈɛɕlɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_359.wav|mˈɔʒɛ lˈɛpʲɛj ɲʲˈɛx pˈan pˈɨta.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_209.wav|a tˈamtɛn dɔ ɲʲˈɛɡɔ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_42.wav|bʲˈillɨ pˈatʃɨ, jˈak jˈamal pʃɨkwˈada vʲatrˈufkɛ dɔ ramjˈɛɲʲa i vʲˈɛ, ʒˈɛ bˌɛɲdʑɛ mʲˈaw ʃtʃˈɛɲɕtɕɛ, jˈɛɕli vˈɨɡra plˌuʃɔvˈɛɡɔ ʒˈuwvja, ktˌurɨ jɛst naɡrˈɔdɔ̃ pˌɔtɕɛʃˈɛɲʲa za dvˈa tsˈɛlnɛ stʃˈawɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_245.wav|ja jˈuʃ ɲˈits ɲʲˈɛvʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_203.wav|ˈɛlis ˌɔdvrutɕˈiwa ɕɛ dɔ mɲʲɛ s ʃɛrˈɔkɔː ˌɔtfartˈɨmi, mɔkrˈɨmi ɔtʃˈami i rˌɔzdʑavʲɔnˈɨmi ustˈami.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_64.wav|tsˈɔ znˈɔvu za ɡalˈɛrja wˈɔtruf?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_5.wav|ɲʲɛ ˌɔpuʃtʃˈawɔ ɡˈɔ pʃɛtʃˈutɕɛ, ʒˈɛ pˌɔrɨvˈatʃɛ ɲʲɛ navʲˈɔ̃ʒɔ̃ kɔntˈaktu w najblˈiʃʃɛj pʃɨʃwˈɔɕtɕi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_16.wav|tɔ tˈutaj ˌɔpɔvʲadˈawɛɕ mi ˈɔtɨm.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_68.wav|prˈaɡnɔw zˈɛrvadʑ z ɲʲˈɛj sˈukɲʲɛ i zamjˈɛɲitɕ jɛj ˌudɛʒˈɛɲʲa f pˌɔtsawˈuŋki. rˈɔbʲiw tɔ jˈuʃ pʃˈɛttɛm, ɡdˈɨ jˈɛʃtʃɛ mʲˈaw dvʲˈɛ rˈɛntsɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_13.wav|zvaʒˈɨfʃɨ nˈatɔ, ʒˈɛ nˈadal musˈimɨ stɔsˈɔvatɕ ɕrˈɔtki, jaɡbˈɨɕmɨ mʲˌɛli dɔ tʃɨɲʲˈɛɲʲa s pɔrvˈaɲʲɛm, kˈit sprˈavdʑa tˌɛɡɔ fatsˈɛta, ʒˈɛbɨ ˌɔʃatsˈɔvatɕ jˈɛɡɔ majˈɔntɛk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_225.wav|jˈɛɕli tˈam jɛst pˈuwnɔts, tɔ tˈak.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_8.wav|a mˈɔʒɛ tɔ pɔ prˈɔstu fstʃˈɔ̃s mˈuzɡu?|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_316.wav|ˌɔɕfʲattʃˈɨwa bɔrsˈɔvi sfˈɨm najbˈardʑɛj rˌɔskazujˈɔntsɨm tˈɔnɛm. zaprˈɔvatɕ mɲʲɛ dɔ ɲʲˈɛɡɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_54.wav|bˈɛtskɨ mˈiltʃɨ, a zˈɔɛ ɲʲɛ ˌɔdɛzvˈawa ɕɛ ɔt kʲˈɛdɨ ˌɔpuɕtɕˈiliɕmˌɨ ɔɕrˈɔdɛk ʃkˌɔlɛɲʲˈɔvɨ. ɲʲˈɛvʲɛm jˈaɡ zɲʲˈɔsɛ jɛj ɔbˈɛtsnɔʑdʑ w dˈɔmu pʃˈɛs tsˈawɨ tʃˈas.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_108.wav|spakˈujɛ tɕi valˈiskɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_62.wav|ˈɔjtɕɛts tʃˈɨmaw dʑˈɛtskɔ pʃɨ pʲˈɛrɕi, a mˈatka pˌɔpravʲˈawa mu nˈuʃki, xtsˈɔndʑ zapˈɛvnɛ uwˈɔʒɨtɕ jˈɛ w vˌɨɡɔdɲʲˈɛjʃɛj pɔzˈɨtsji.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_282.wav|— jɛŋknˈɛwa brjˈɛnnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_94.wav|ɔpˈɔvʲɛɕtɕ jɛst tˈɨm, tsˈɔ ɲʲˈɛɕɛʃ i s kˈaʒdɨm dɔdˈanɨm swˈɔvɛm stˈajɛ ɕɛ tɕˈɛ̃ʃʃa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_143.wav|ɕfʲˈatwa sˌamɔxˈɔdu sɔ̃ tsˈɔras jaɕɲʲˈɛjʃɛ, pɔ tʃɨm malˈɛjɔ̃ i zɲikˈajɔ̃. bʲˈillɨ fstˈajɛ, pɔdnˈɔʃɔndʑ dʑɛftʃˈɨnɛ s pɔdwˈɔɡʲi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_225.wav|na tˈɨlɛ mˈuɕiʃ mi ˈufatɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_17.wav|dɔmˈiɲik pɔdnˈɔɕi pɔvˈɔli ɡwˈɔvɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_68.wav|kˈurva?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_34.wav|ʃtʃɛɡˈulɲʲɛ zvaʒˈɨfʃɨ nˈatɔ, ʒˈɛ nɔrmˈalnɨ tɛlˈɛfɔn aʃrˈafa mˈa aktˈɨvnɔ̃ blɔkˈadɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_406.wav|za kʲˌɛrɔvɲˈitsɔ̃ ɕˈɛdʑaw bˌɨwɨ pˌɔtkɔmˈisaʃ kˈɔrsak.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_170.wav|i nakrˈɨwɛm mu tfˈaʃ pɔdˈuʃkɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_70.wav|jˈɛɕli tˌɨlkɔ mˈɔʒɛʃ pɔɕfʲˈɛɲtɕitɕ mi ˌɔdrɔbʲˈinɛ tʃˈasu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_170.wav|i tɨ ʒˌɛtʃɨvˈiɕtɕɛ mɨɕlˈawɛɕ, ʒˈɛ tɔ jˌɛstɛm jˈa?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_184.wav|na ulˈitsax mʲˈasta i f kɕˈɔ̃ʃkax.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_63.wav|nˈajpʲɛrf mi pˈɔvʲɛts, tʃɨm jɛzd zˈafɔ?|4
+Dataset/wavs/urwisko_ferenc/46_segment_35.wav|bɔrˈɛvidʒ vʲˈɛdʑaw, ʒˈɛ tɔ blˈɛf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_125.wav|i dˈɔbʒɛ, i dˈɔbʒɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_399.wav|swuxˈamɨ dˈalɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_91.wav|ˈuɲʲus kˈulkɛ jˈɛʃtʃɛ vˈɨʒɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_184.wav|w bˈutax na vɨsˈɔkix ɔptsˈasax rɔzˈumjɛm tfˈuj tˈɔk mɨɕlˈɛɲʲa, jˈumbɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_56.wav|tˈak, mˈɨɕli bʲˈillɨ, mˈuɡwbɨm ˈɔtɨm napˈisatɕ i mˈɔʒɛ pˌɔviɲʲˈɛnɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_466.wav|pˈɔkaʃ mi tˈɛ sfˈɔjɔ̃ pˈatʃkɛ, tsˈɔ tɨ tˈam mˈaʃ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_174.wav|nˈajpʲɛrf jɛj.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_399.wav|alˈain ɲʲɛ bˌɨwa jˈɛdnak pˈɛvna, tʃˌɛmu vʲˈɛʒɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_2.wav|tˈɔm ɔtfˈɔʒɨw dʒvˈi dɔ pˌɔmjɛʃtʃˈɛɲʲa, f ktˌurɨm ɕɛdʑˈawa jˈɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_178.wav|tʃˈɛɕtɕ, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_114.wav|ja tˌɛɡɔ jˈɛʃtʃɛ ɲʲɛ zrˌɔzumjˈawɛm. xˈɔtɕ, zmɨjˈɛmɨ ɕɛ stˈɔnt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_150.wav|na tʃfˈartɨm pʲˈɛntʃɛ pʃɛbˈɨva dvunˈastu lˈudʑi, ɲʲɛ lˈitʃɔnts samˈɛɡɔ bʲiljˈɛɡɔ. pʲˈɛɲtɕu f kˌantsɛlˈarji ˌadvɔkˈatskʲɛj i ɕˈɛdmju w bjˈuʒɛ rˌaxuŋkˈɔvɨm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_496.wav|jˈuʃ tɕi muvˈiwam, ʒˈɛ ɕɛ ɲʲɛ bˈɔjɛ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_181.wav|ɲʲɛ pˌɔzvɔlˈiwɛm tɕi ˈuɕɔ̃ɕtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_53.wav|ˌɔdvrutɕˈiwa ɕɛ kˈu ɲʲˈɛmu, kʲˈɛdɨ zatʃˈasnɔw dʒvˈi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_63.wav|mˈɨɕlɛ ˈɔtɨm dˈɔmu, ktˌurɨ kupˈiwɛm, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_33.wav|zrˈɛʃtɔ̃ ɲˈiɡdɨ mu nˈatɨm ɲʲɛ zˌalɛʒˈawɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_149.wav|swˈɔvɔ vʲˈɛlu ɲˈits ɲʲɛ znˈatʃɨ dɔkwˈadɲʲɛ ˈilu. ɲʲˈɛvʲɛm ˈilu, vʲˈɛm, ʒˈɛ sˈɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_417.wav|ɔpˈɔvʲɛts mu, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔː i nˈapiʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_189.wav|mʲˈawam ɡvarˈantsjɛ, ʒˈɛ prˈɛndʑɛj rɔstˈɔpi ɕɛ tsˈawa vˈanna ɲˈiʃ mˈɔja wˈata.|4
+Dataset/wavs/urwisko_ferenc/63_segment_199.wav|vɨznˈawa fʃˈɨstkɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_25.wav|tˈak pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_138.wav|vrˈɛʃtɕɛ ˌuvɔlɲˈiwam ɕɛ ɔt tfˈɛj stˈartʃɛj zwˌɔɕlivˈɔɕtɕi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_79.wav|stˈɛvɛn!|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_214.wav|ˈaxa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_100.wav|xtɕˈawam jˈɛ vʑˈɔɲtɕ, ˌalɛ mˈɔ̃ʃ stfʲˈɛrdʑiw, ʒˈɛ bˌɛɲdʑɛ za mˈawɛ, jˈɛɕli nˈaʒ vɲʲˈɔsɛɡ zɔstˈaɲʲɛ pʃɨjˈɛntɨ. starˈamɨ ɕɛ ɔː adˈɔptsjɛ.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_340.wav|a ɡdˈɨ ˌɔbudʑˈiwa ɕɛ rˈanɔ...|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_350.wav|s plˈuskʲɛm vˌɨlɔndɔvˈawa f kawˈuʒɨ. vˈɔda vdˈarwa ɕɛ jɛj dɔ nˈɔsa i zalˈawa ˈɔtʃɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_168.wav|jˈakɔ̃ sprˈavi ɲʲˌɛspɔdʑˈaŋkɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_28.wav|tˈaɡ vʲˈɛnts xˈɔtɕaʃ ˌɔdblɔkɔvˈawam rˈɨɡlɛ, muɕˈawabˌɨm mʲˈɛtɕ ɕˈiwɛ sˌupɛrmˈana, ʒˈɛbɨ jˈɔ̃ ɔdˈɛrvatɕ, ˌalɛ pʃɨnˈajmɲʲɛj ˌusunˈɛwam z drˈɔɡʲi jˈɛdnɔ̃ pʃɛʃkˈɔdɛ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_420.wav|lˈarja sˈand bˌɨwa nˌaturˈalnɔ̃ tsˈurkɔ̃ lˈɔrda xarmˈɔna.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_346.wav|ɲʲɛ jˌɛstɛm tfˈɔjɔ̃ mˈatkɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_278.wav|rˈudɨ stˈuknɔw pˈaltsɛm w ˈɛkran sfɔjˈɛɡɔ ɡʲˈizmɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_19.wav|zdɛjmˈujɛ stˈɔpɛ s pɛdˈawu ɡˈazu, ʒˈɛbɨ ɲʲɛ pʃɛkrˈɔtʃɨtɕ ˌɔɡraɲitʃˈɛɲʲa prɛntkˈɔɕtɕi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_148.wav|ɲʲɛ pˌɔtʃɛbˈujɛʒ bˈutuf. tˈakʲɛ sɔ̃ plˈusɨ ɲʲɛ xɔdʑˈɛɲʲa dɔ ʃkˈɔwɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_29.wav|jˈɛdnɔ̃ rˈɛŋkɔ̃ tʃˈɨma mɲʲɛ za ramjˈɔna, a drˈuɡɔ̃ zatɕˈiska na mˈɔim ɡˈardlɛ, ftɕiskˈajɔnts mˈɔtsnɔ ktɕˈuk f krtˈaɲ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_98.wav|pˌɔxɨlˈawɨ ɕɛ nˈadɲim tɛ tʃˈɨ studˈɛntki, ktˌurɛ ɲʲɛ tˈaɡ dˈavnɔ pɔznˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_324.wav|mˈɔʒɛ bˌɛɲdʑɛ ɕɛ nˈaɲʲɔ̃ ɡɲʲˈɛvaw?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_548.wav|pˈɔvʲɛts tsˈɔɕ.|0
+Dataset/wavs/urwisko_ferenc/20_segment_59.wav|fˈakt, tsˈɔɕ swɨʃˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_203.wav|na ɡwˈɔvʲɛ mwɔdˈɛɡɔ smˈɔka pʃɨɕˈadwa mˈɛva.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_56.wav|kˈatɛ pˌɔpatʃˈɨwa nˈaɲʲɔ̃ pʃˈɛs xfˈilɛ, zˌastanavʲˈajɔnts ɕɛ, jˈaɡ bˈɨtɕ mˈiwɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_334.wav|jˈutrɔ bˌɛɲdʑɛʃ muɕˈawa swˈuʒɨtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_66.wav|trˈɔnt pˈɔtʃɛd dɔ jɛdnˈɛɡɔ s kˈuw i ˈɔpar ɕɛ ˈɔɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_137.wav|pɔmˈɔɡwabˌɨm tɕˈi, ɡdˈɨbɨm tˌɨlkɔ mʲˈawa kutˈasa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_55.wav|swˈɨʃɛ ɡwˈɔs ʃˈɔnɨ, tɕˈixʃɨ i spˌɔkɔjɲʲˈɛjʃɨ ɲˈiʃ ˈu fˈɛji.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_134.wav|ɲʲˈɛxtsɛ ʒˈadnɨx tajˈɛmɲits.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_289.wav|ˌalɛ tˌɛɡɔ ɲʲɛ zrˈɔbʲiʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_267.wav|tsˈɔɕ ɲʲɛdˈɔbʒɛ? spɨtˈawɛm.|0
+Dataset/wavs/urwisko_ferenc/23_segment_46.wav|ɕfʲˈɛtɲʲɛ ˌɔtpɔvʲɛdʑˈawa, zupˈɛwɲʲɛ ɲʲˌɛzaˌintɛrˌɛsɔvˈana tɛmˈatɛm. ɔ ktˌurɛj pʃˈɨjdʑɛ pˈan ɕikˈɔrski?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_41.wav|ˌalɛ w mʲˈarɛ jˈak ɔʃˈustfɔ stˈajɛ ɕɛ tsˈɔraz bˈardʑɛj skˌɔmplikɔvˈanɛ,|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_234.wav|ɲʲɛ dˈɔjdʑɛʃ jˈuʒ dɔ sˌamɔlˈɔtu i ɲʲɛ bˌɛɲdʑɛʃ jˈuʒ vʲˈɛntsɛj ˈɔtɨm mˈɨɕlɛtɕ, pˌɔftuʒˈɨwa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_75.wav|vɔʑnˈɛɡɔ jˈuʃ ɲʲɛ bˈɨwɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_180.wav|na tsˈɔ tɕi tɔ pɔtʃˈɛbnɛ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_68.wav|pɔlˈitsjant ftɕˈɔŋɡnɔw ɡwˈɔvɛ w ramjˈɔna i tsˈɔ ɕˈiw w nˈɔɡax rˈunɔw kˈu sxˈɔdɔm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_84.wav|a mˈam tˈutaj ˈakta.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_122.wav|zmʲˈɛɲiw xfˈɨt, zˈapar ɕɛ nɔɡˈami i pxnˈɔw s tsˈawɛj ɕˈiwɨ, ˌalɛ pɔkrˈɛntwɔː ˌaɲi drɡnˈɛwɔ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_100.wav|tsˈurkɔ̃ lˈɔrda tɨvˈina.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_151.wav|tɔ ɲʲɛ ɡvˌarantˈujɛ, tsˈɔ mˈɔʒɛ ɕɛ stˈadʑ z mˈɔim dʑˈɛtskʲɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_617.wav|a drˈuɡɔ̃ ˌuvalɲʲˈawɛm mˈɔjɔ̃ ʒˈɔndʑɛ blˈiskɔ̃ ɛksplˈɔzji.|0
+Dataset/wavs/urwisko_ferenc/19_segment_56.wav|mˈɔɡwɔ ɲʲɛ xˈɔdʑidʑ vɨwˈɔntʃɲʲɛ ɔ pʃˈɛmɔts w rɔdʑˈiɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_43.wav|ʃtʃɛɡˈuwɨ sprˈavdʑiʃ pɔ drˈɔdʑɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_32.wav|ˌalɛ vʲˈɛm, jˈak tɔ dʑˈawa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_432.wav|bˈɔ tɔ prˈavda.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_71.wav|ˌɔtsalˈawɛ ˈɔkɔ jˈɔt. misˈɔna pˌɔtɔtʃˈɨwɔ ɕɛ f strˈɔnɛ wˌapidˈuxa, ˌalɛ xˈ��ba ɲˈits ɲʲɛ vidʑˈawɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_153.wav|mˈam nadʑˈɛjɛ, ʒˈɛ fʃˈɨstkɔ z ɲʲˈɔ̃ f pɔʒˈɔntku.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_62.wav|ɲʲɛ rɔzˈumjɛm tˈɛɡɔ. dlatʃˈɛɡɔː ˌɔɲi pɔrvˈali ˈaʃa i mˈilljɛ? ja ɲʲˈɛmam ʒˈadnɨx pʲɛɲʲˈɛndʑɨ. tsˈɔː ˌɔɲi xtsˈɔ̃ zˈɨskatɕ na pɔrvˈaɲʲu iɣ dvˈɔjɡa?|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_63.wav|— dˈɔbʒɛ! — dˈɛrɛɡ zrˈɨva ɕɛ s kʃˈɛswa, ɔmˈalɲʲɛ rˌɔzlɛvˈajɔnts rˈɛʃtki mlˈɛka. — dˈɔbʒɛ! — kʃˈɨtʃɨ ʃˈaɲitsˌɛ i tˈɛʃ skˈatʃɛ na rˈuvnɛ nˈɔɡʲi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_191.wav|i vwˈɔʒɨw jˈɛ dɔ tˈɨlnɛj kʲɛʃˈɛɲi. ʃˈɛt kˈu vˈɨjɕtɕu, a xˈundɛ bˈawuɣ drˈuɡʲi bjˈɛɡw zˈaɲim.|0
+Dataset/wavs/urwisko_ferenc/11_segment_41.wav|skˈɔnd vʲɛdʑˈawaɕ?|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_158.wav|trˈɔnt snˈuw ɕɛ bˈɛs tsˈɛlu pɔ varʃtˈatɕɛ i bˈaviw ɕɛ nˌaʒɛɲdʑˈami. bˈɨw ɡɛɲʲˈuʃɛm pʃˌɛtɕɛmbjɔrtʃˈɔɕtɕi, ˌalɛ mʲˈaw tɕɛrplˈivɔʑdʑ dʑˌɛɕɛɲtɕɔlˈatka.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_24.wav|ˈɛlis pˈatʃɨ na ɲʲˈɛɡɔ vˌɨtʃɛkujˈɔntsɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_23.wav|ktˈɔɕ xˈɨba tˈam jˈɛst, kˈit. zapˈukaj jˈɛʃtʃɛ rˈas.|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_103.wav|bʲˈillɨ ˈidʑɛ dɔ wˈuʃka i lˈɛʒɨ fpatʃˈɔnɨ w mrˈɔɡ z dwˈɔɲmi pɔt pɔdˈuʃkɔ̃. zatʃˈɨna rɔzˈumjɛtɕ, tsˈɔ pʃˌɨtɕɔŋɡnˈɛwɔ ɲˈika dɔ kˌɛnaxˈɔfa i witsɛvˈɛrsa.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_376.wav|dla lˈɔrda tɨvˈina i lˌanɲistˈɛruv zˈafʃɛ mʲˈawɛʑ vˌɨrɔzumjˈawɔʑdʑ bˌaɛllˈɔra bwˌɔɡɔswˌavʲɔnˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_73.wav|w mˈarnɛj jˌɛstɛm fˈɔrmʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_174.wav|tʃɨ tɨ mɲʲɛ s kˈimɕ ɲʲɛ mˈɨliʃ? zˌapɨtˈawɛm rˈaptɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_54.wav|ˈanna muɕˈawa vʲˈɛdʑɛtɕ, ʒˈɛ ɡrˈa zɔstˈawa skɔɲtʃˈɔna, ˌalɛ zdɔwˈawa zaxˈɔvadʑ zdʑivʲˈɔnɛ spɔjʒˈɛɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_136.wav|tˈɛras pwɨɲʲˈɛmɨ dɔ ɡˈaltawn, ɔznˈajmiw kapˈitan.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_128.wav|xtsˈɛ, ʒˈɛbɨʑ zrˌɔzumjˈawa, ʒˈɛ za tˌɨmi murˈami jɛst ˈinnɨ ɕfʲˈat.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_43.wav|mˈɔɡwam zˌaxɔvˈɨvatɕ ɕɛ ɡwˈupjɔː i ɲʲˌɛrɔzvˈaʒɲʲɛ, ˌalɛ ɲˈiɡdɨ ɲʲɛ xtɕˈawam ɲikˈɔɡɔ skʃˈɨvdʑitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_161.wav|musˈimɨ vˌɨkɔʒˈɨstatɕ kˈaʒdɔ̃ xfˈilɛ, zˈaɲim ɕɛ tˈu zjˈavjɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_354.wav|w ɡˈastɔn ɡrˈɛj ɲʲɛ pʃˈɛtrfa nˈavɛt rˈɔku.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_33.wav|naprˈavdɛ, pʃˌɛtɕɛʒ bˈɨm tɕi pˌɔvʲɛdʑˈawa, ɡdˈɨbɨm vʲɛdʑˈawa tsɔkˈɔlvʲɛk ɔ mˈilljɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_74.wav|i ta jˈɛndʑa, ktˌura dʑawˈawa mi na nˈɛrvɨ, plˈus wˈazik i dvˈa skafˈandrɨ pruʒɲʲˈɔvɛ.|4
+Dataset/wavs/urwisko_ferenc/08_segment_90.wav|vɨdˈali kˈupɛ kˈasɨ na vˈɛjɕtɕɛ dɔ klˈubu.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_383.wav|ʃkˈɔda, ʒˈɛ tˌɛɡɔ ɲʲɛ zrɔbʲˈiwaɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_11.wav|zapˈɨtaw f kˈɔɲtsu. ɲʲɛ dˌɔprɛtsɨzˈɔvaw pɨtˈaɲʲa, ˌalɛ vʲɛdʑˈawam, ɔ tsˈɔ mu xˈɔdʑi.|3
+Dataset/wavs/urwisko_ferenc/01_segment_130.wav|jˈɛdnak tɨm rˈazɛm skupˈimɨ ɕɛ vɨwˈɔntʃɲʲɛ nˈatɨm, tsˈɔ jɛst nˌajvaʒɲʲˈɛjʃɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_104.wav|tʃˈɛɡɔ xtsˈɛʃ, dʒˈɛɡɛr? ˈɔ, zˌapamjɛntˈawaɕ mɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_105.wav|tʃɨ tsˈɔʑ zˌauvaʒˈɨwa f xfˈili jˈɛɡɔ ɲʲˌɛuvˈaɡʲi?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_9.wav|fʃˈɨstkʲɛ tɛ tˈarɡʲi, ktˌurɛ pʃˌɛprɔvadʑˈiwam sˈama zˈɛ sˈɔbɔ̃ w zˈamjan za bˌɛspʲɛtʃˈɛɲstfɔ xˈɔli zɔstˈawɨ jˈuʒ zˌapɔmɲʲˈanɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_101.wav|mɔjˈɛɡɔ sˈɨna tˈaɡ dalˈɛkɔː ɔd dˈɔmu. xtsˈɛ ɡˈɔ s pɔvrˈɔtɛm. musˈimɨ ɡˈɔː ɔdʑˈɨskatɕ, stsˈɔtt.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_104.wav|ˌalɛ pˈɔvʲɛm tɕˈi, tsˈɔ zrˈɔbʲiʃ. ɔpˈɔvʲɛʃ tɔ fʃˈɨstkɔ bˌarmanˈɔvi, a ja jˈutrɔ dɔ ɲʲˈɛɡɔ zadʑvˈɔɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_48.wav|jɛst pʃˌɛtɕivʲˈɛɲstfɛm ʃˈɔna pɔt kˈaʒdɨm vzɡlˈɛndɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_88.wav|sˈara vɨtˈarwa ˈɔtʃɨ xustˈɛtʃkɔ̃ i uɲʲˈɔswa ɡwˈɔvɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_268.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_45.wav|xrˈɨstɛ, pˈaɲʲɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn, ɲʲɛ vidʑˈawɛm tɕˈɛ ɔt tʃˈasu taŋɡˈɛru.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_270.wav|pˌɔdɛjʒɛvˈawɛm ɡˈɔ, ʒˈɛ jɛst prˌatsɔvɲˈikʲɛm uftʃˈɛsnɛj swˈuʒbɨ bˌɛspʲɛtʃˈɛɲstfa, bˈɔ pˈɔttʃas pʃˌɨpatkˈɔvɨx spˈɔtkaɲ bˈuduw mɲʲɛ zwˈɨm vzrˈɔkʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_81.wav|vɨwˈɔntʃa ˈidjɔ vˈizjɛ i ˈidʑɛ dɔ sɨpʲˈalɲi, kʲˈɛdɨ z zˈɛvnɔndʒ dɔbjˈɛɡa ɡwˈɔɕnɨ pˈisk ɕlˌizɡajˈɔntsɨx ɕɛ ˈɔpɔn i mˈɔtsnɔ zuʒˈɨtɨx xamˈultsuf.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_19.wav|pˈɛvɲʲɛ z mˈɔim vwˈasnɨm ubrˈaɲʲɛm. pʃɛt sˈɔbɔ̃ vidʑˈawɛm mrˌuɡajˈɔntsɨ pˈuŋktɕik jˌaskravˈɛɡɔ ɕfʲˈatwa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_102.wav|— bɛɲdʑˌɛmɨ muɕˈɛli pʃˌɨɡɔtˈɔvatɕ tsˈawɔ̃ stsˈɛnɛ mɔjˈɛɡɔː ɔdˈɛjɕtɕa dla zˈɔɛ i fʃˈɨstkix ˈinnɨx — dɔdˈajɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_79.wav|pʃˌɨpɔmˈina zˈɔɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_75.wav|a pɔ tsˈɔ jɛst tɔ? zapˈɨtaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_174.wav|a nˈavɛt strˈax pʃɛt pˈanɛm bˈɔɡʲɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_123.wav|ˌalɛ dˈɔkɔnt?|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_8.wav|pˌɔmɨɕlˈawa. ˌɔna ɕmʲˈɛ mi mˈuvitɕ, tsˈɔ mˈuʃɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_26.wav|vɨtɕˈɔŋɡam s tɔrˈɛpki xustˈɛtʃkɛ, vɨtɕˈɛram klɛjˈɔntsɛ ɕɛ dwˈɔɲʲɛ, ɡˈurnɔ̃ vˈarɡɛ i zˌaɡwɛmbjˈɛɲʲɛ nat pɔdbrˈutkʲɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_506.wav|tˈak, pɔvʲˈɛdʑaw ˈandɛrsɔn. vwˈaɕɲʲɛ s tˌɛɡɔ ɕɛ ɕmʲˈawɛm. vwˈaɕɲʲɛ ɕmʲˈawɛm ɕɛ s tˈɛɡɔ, ʒˈɛ ktˈɔɕ jɛst pˈɔdwɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_75.wav|naprˈavdɛ ˌaɲi pʃˈɛs xfˈilɛ ɲʲɛ mʲˈawɛʑ vˌɔntplivˈɔɕtɕi, ʒˈɛ mˈuɡw jˈɛ napˈisatɕ ktˈɔɕ ˈinnɨ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_48.wav|tˈɔm rˈuʃɨw f strˈɔnɛ dʒvˈi, ˌɔdvratsˈajɔnts pɔ drˈɔdʑɛ ɡwˈɔvɛ dɔ bˈɛki.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_268.wav|ˈɔjɛj, tɔ ɕfʲˈɛtɲʲɛ. a mˈɔʒɛ xtɕˈawabˌɨɕ pʃˈɨjɕtɕ s tɨm sfɔbˈɔdɔ̃?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_234.wav|mˈɔʒɛ ɲʲɛ fʃˈɨstkɔ vˈartɔ zˌapɔmˈinatɕ, spɨtˈawa pɔ xfˈili.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_69.wav|nˈamɲʲɛ prˈɔʃɛ ɲʲɛ pˈatʃɛtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_66.wav|pʃɛwˈɔʒɨw ˌuʒɔndʑˈɛɲʲɛ dɔː ˈuxa. pɔ kˈilku sɛkˈundax spˈɔjʒaw na bˈɛtskɨ i pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_4.wav|jɛst jˈɛdna ʒˈɛtʃ, ktˌurɔ̃ mˈuɕiʒ zrˈɔbʲitɕ ˈaʃ. pʃˈɛs tsˈawɨ tʃˈas mʲˈɛj pʃɨ sˈɔbjɛ tɛlˈɛfɔn.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_17.wav|jˈɛɡɔ zdˈɔlnɔɕtɕ krˌɛdɨtˈɔva ɲʲɛ jɛst najvˈɨʃʃa, bˈɔ tɔ mɔɡwˈɔbɨ zvrˈutɕitɕ uvˈaɡɛ, ˌalɛ tsˈawkʲɛm vɨsˈɔka.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_186.wav|bˈɔ ɕɛ f tˈɔbjɛ kˈɔxa.|2
+Dataset/wavs/urwisko_ferenc/28_segment_35.wav|ˌalɛ ftɕˈɔ̃ʃ mʲˈawa pʃɛt ɔtʃˈami tˈɛ pʲˈɛŋknɔ̃, blˈadɔ̃ dʑɛftʃˈɨnɛ, ktˌurɛj tɕˈawɔ pʃˈɛjɔw vɛ vwadˈaɲʲɛ mrˈus.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_85.wav|tˈu ɲʲɛ bˌɨwɔ vʲˈatru, mɡwˈa nˌaɕɔŋkɲʲˈɛnta dˈɨmɛm viɕˈawa ɲʲˌɛruxˈɔmɔ.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_75.wav|pɔxˈɔdʑi s krˈain zaxˈɔdu, a tɔ jɛst lˈadɨ brjˈɛnnɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_229.wav|ˌalɛ ɲʲɛ bˌɨwɔ mɲʲɛ w jˈɛɡɔ ʒˈɨtɕu pʃˈɛs ʃˈɛɕtɕ lˈat.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_158.wav|jˈudɨ tɔ jɛst mˈikɛ rˈɨan, mˈuj pʃɨjˈatɕɛl. ɔn tˈu pɔtʃˈɛka nˈamɲʲɛ. ja ʃˈɨpkɔ vrˈutsɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_150.wav|zɡˈɔdɲʲɛ s prˌɔtsɛdˈurɔ̃ pɔvˈinɲi zˈamknɔɲtɕ ɕɛ f sxrˈɔɲʲɛ pɔvʲˈɛtʃnɨm, ktˌurɨ znajdˈɔvaw ɕɛ w ɡwˈɛmbʲi pˌɔmjɛʃtʃˈɛɲʲa. ˌalɛ tʃˌɛmu mʲˈɛlibˌɨ ɲʲɛ skɔʒˈɨstadʑ z lɛpʃˈɛɡɔ rˌɔzvʲɔ̃zˈaɲʲa?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_50.wav|w jˈaki spˈɔsup ktˈɔɕ pɔwˈɔntʃɨw tɛ fʃˈɨstkʲɛ kavˈawki, ˌukwadˈaŋki? kˈim ɔn lˈup ˌɔna jɛst i dlatʃˈɛɡɔ rˈɔbʲi tɔ tˈɛras, pɔ tˈɨlu lˈatax?|3
+Dataset/wavs/urwisko_ferenc/46_segment_188.wav|ˈɔlɡʲɛrt ɔdwˈɔʒɨw ɡˈɔ na mʲˈɛjstsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_146.wav|f pʃˈɨʃwɨm tɨɡˈɔdɲʲu, ˌalɛ rˈatʃɛj ɡˈɔ tˈu ɲʲɛ bˈɛɲdʑɛ, ɕˈɛdʑi na zaxˈɔdɲim vɨbʒˈɛʒu.|2
+Dataset/wavs/urwisko_ferenc/08_segment_9.wav|jˈɛʃtʃɛ ɔ ɲˈitʃɨm ɲʲɛ pʃˌɛsɔndʑˈawɔ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_248.wav|jˈamɛ zˌastanˈavʲaw ɕɛ, jˈak tɔ zrˈɔbʲitɕ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_76.wav|pɔ tɕˈɛmku bˌɛɲdʑɛʃ tˈak sˈamɔ pʲˈɛŋkna jˈak ˈinnɛ kɔbjˈɛtɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_50.wav|dʑˈɛŋki.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_242.wav|i zrˈub z ɲʲˈɔ̃, tsˈɔ zˈɛxtsɛʃ.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_118.wav|f tɕˈɛmnɨm, ʑɛlˈɔnɨm namjˈɔtɕɛ krˈɛv vˌɨdavˈawa ɕɛ rˈatʃɛj tʃˈarna ɲˈiʃ tʃɛrvˈɔna.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_122.wav|dʑˈiɕaj startˈujɛ trˈanspɔrt pˌasaʒˈɛrski dɔ liɲʲˈɔftsa ɡˈɔrdɔn. pˈan jˈɛan mˈa ɕɛ w ɲˈim znˈalɛɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_463.wav|stʃˈɛliw z bʲˈitʃa i pʲˈɛrʃa pˈara vˈɔwuv zatʃˈɛwa xˈɔdʑitɕ f kˈɔwɔ, ˌɔbratsˈajɔnts kɔwˈɔvrut.|1
+Dataset/wavs/urwisko_ferenc/10_segment_79.wav|zˌauvˈaʒɨw dˈuʒɨ tɕˈɛɲ na stˈarɨm lˌinɔlˈɛum.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_363.wav|fʃˈɨstkɔ pɔpˈadɲʲɛ w zˌapɔmɲʲˈɛɲʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_267.wav|jˈɛɡɔː ˈusta ɔpˈadwɨ w dˈuw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_148.wav|znajdˈujɛ jˈɔ̃ na strˈɔɲʲɛ nˈaʃɛ sprˈavɨ fɕrˈut ˈinnɨx, mɲʲˈɛj vˈaʒnɨx ˌinfɔrmˈatsji.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_89.wav|tɨ ɲʲɛ maʒ vwˈasnɨɣ dʑˈɛtɕi?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_314.wav|ˈalbɔ ɲʲɛznˈanɨx mi ʑˈuw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_241.wav|mˈɔʒɛ pɔ prˈɔstu z ɲʲˈɔ̃ fʃˈɨstkɔ jɛst inˈatʃɛj i ɲʲɛ ˈumjawbˌɨm rˈɔbʲidʑ z ˈinnɔ̃ tˈɛɡɔ, tsˈɔ s tɔ̃ i tˈak tʃˈɛ̃stɔ jˈak s tˈɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_95.wav|ktˈɔʑ znˈalaz laptˈɔpa i ɡˈɔ zˈabraw, mˈuvi ɕɛ trˈudnɔː i mˈuɕiʃ ɕɛ sxˈɔvatɕ, zˈaɲim tɛn trˈansid zˈatʃɲʲɛ ɲʲɛspʲˈɛʃɲʲɛ pˌatrɔlˈɔvatɕ ˌɔkɔlˈitsɛ.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_10.wav|zˈadmij w rˈuk.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_96.wav|pɔvˈɔli dˌɔtɕɛrˈawɔ dɔ mɲʲɛ, ʒˈɛ jɛst tɔ nˌajvaʒɲʲˈɛjʃɛ zadˈaɲʲɛ, jakʲˈɛɡɔ kʲˌɛdɨkˈɔlvʲɛk ɕɛ pˈɔdjɔw.|4
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_84.wav|ˌalɛ mˈuɕi bˈɨtɕ jˈakʲɛʑ vˈɨjɕtɕɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_279.wav|ˌalɛ dʑˈɛŋki ɲʲˈɛmu mˈɔɡwam pɔrˈuʃatɕ ɕɛ ʃˈɨptɕɛj i dɔrˈɛntʃadʑ vʲˈɛntsɛj pˈatʃɛk.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_40.wav|lˈup jˈaɡɡɛr sprˌavdʑajˈɔntsɨ, tʃɨ fʃˈɨstkɔ rˈɔbʲi zɡˈɔdɲʲɛ z vˌɨmaɡaɲʲˈami.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_56.wav|kɔbjˈɛta vˌɨdavˈawa ɕɛ ɲʲɛzdˈɔlna dɔ spɔjʒˈɛɲʲa na vɨɕfʲˈɛtlatʃ tˌɛlɛfˈɔnu, ktˌurɨ lˈɛʒaw na stɔlˈiku mʲˌɛndʑɨ ɲˈimi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_91.wav|f ʃˈafkax sɔ̃ talˈɛʒɛ i pʃɨbˈɔrɨ kuxˈɛnnɛ. maʃ tˈɛʃ mˈawɨ zlˈɛf, f ktˌurɨm mˈɔʒɛʒ zmˈɨvatɕ natʃˈɨɲʲa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_78.wav|vˈɛɕtɕɛ ɡˈɔ stˈɔnt i pʃˈɨjtɕtɕɛ jˈutrɔ, lˈudʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_141.wav|vwˈaɕɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_74.wav|pʃˈɨjdʑ dʑˈiɕaj na kɔlˈatsjɛ, pˈuŋkt ʃˈusta, zrˈɔbjɛ zˌapʲɛkˈaŋkɛ pastˈɛrskɔ̃ z marxˈɛfkɔ̃ i ɡrˈɔʃkʲɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_3.wav|ftʃˌɔrajʃˈɛɡɔ vʲɛtʃˈɔru ɲʲˈɛbɔ rɔzdˈarwɔ ɕɛ s fɕtɕɛkwˈɔɕtɕɔ̃ i rˌɔsʃalˈawa ɕɛ bˈuʒa, a ja tʃɛkˈawam na tɛlˈɛfɔn ɔd dˌɔmiɲˈika.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_101.wav|ftɕˈɔ̃ʃ na ɕˈɛbjɛ patʃˈɨliɕmˌɨ, a ja pɔtʃˈuwam, ʒˈɛ kˈaʒda pɔdjˈɛnta dɛtsˈɨzja, kˈaʒda nadʑˈɛja na ʒˈɨtɕɛ pˈɔza tˌɨmi murˈami ɔddˈala ɕɛ ɲˈitʃɨm dˈɨm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_33.wav|ja xˈɨba ɲʲɛ vɨtʃˈɨmam.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_358.wav|dʑˈɛɲ dˈɔbrɨ, dʑɛŋkˈujɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_61.wav|pˈatʃɛ na sfˈɔjɛ kˈartɨ, a nastˈɛmpɲʲɛ na fʃˈɨstkiɣ ɡrˈatʃɨ pʃɨ stˈɔlɛ. ɲʲˈɛvʲɛm, tsˈɔ zamjˈɛʒa zrˈɔbʲitɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_57.wav|xtsˈɛʃ sˈuxɨ tʃɨ mˈɔkrɨ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_68.wav|ˌukarˈali ɡˈɔ zˈatɔ, tsˈɔ zrˈɔbʲiw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_69.wav|tˈɛssa ɔdvrˈatsa ɡwˈɔvɛ dɔ bˈɛtskɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_135.wav|vidʑˈawɛm pʃɛt sˈɔbɔ̃ kanˈapɛ i ɕlˈat ɲʲˌɛzapˌastɔvˈanɛj pɔdwˈɔɡʲi.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_458.wav|ˌalɛ z drˈuɡʲɛj strˈɔnɨ|1
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_26.wav|pɔ drˈuɡʲɛj strˈɔɲʲɛ swuxˈafki rɔzlˈɛɡwɔ ɕɛ tɕˈɛ̃ʃkʲɛ vɛstxɲʲˈɛɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_34.wav|vɨtɕˈɔŋɡa pʃɛt ɕˈɛbjɛ tʃtˈɛrɨ kartˈɔnɨ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_182.wav|jɛj kuzˈɨŋki mˈɔdlɔ̃ ɕɛ ɔ mˌiwɔɕˈɛrdʑɛ mˈatki.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_57.wav|ˌalɛ ɲʲɛ mˈɔɡɛ tˌɛɡɔ zrˈɔbʲitɕ. tɔ bɨwˈɔbɨ ɲʲɛ fˈɛr vˈɔbɛts alfjˈɛɡɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_383.wav|pʃˌɨsunˈɛwa ɕɛ blˈiʒɛj kˈu ɲʲˈɛmu i znˈuf pʃˈɛs xfˈilɛ patʃˈɨli w miltʃˈɛɲʲu na kɔrˈɔnɛ dʒˈɛva.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_11.wav|zakwˈada vʲˈɛnts f tɛj xfˈili, ʒˈɛ vwamˈɨvadʒ zˈɔstaw spwɔʃˈɔnɨ, zˈaɲim zdˈɔ̃ʒɨw tsɔkˈɔlvʲɛɡ zˈabratɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_47.wav|— pʃɛprˈaʃam tɕˈɛ, malˈɛɲki, ja ɲʲɛ xtɕˈawɛm tɕˈɛ pʃɛstrˈaʃɨtɕ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_128.wav|ɲˈiɡdɨ za bˈardʑɔ ɲʲɛ lubʲˈiwɛm pˌɔliˈɛɡɔ, tˌɛɡɔ kutˈasa, a pʲˈɛz bˈɨw brˈatɛm sˈɛr, vʲˈɛnts... jɛzd z nˈaz vrˈɛdna zɡrˈaja, pˈaɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_166.wav|pɔprˈɔʃɛ, ʒˈɛbɨ vɨznˈali sfˈɛ ɡʒˈɛxɨ, bˈɨm mˈuɡw im jˈɛ vɨbˈatʃɨtɕ.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_177.wav|pʃɨjmˈujɔ̃ tˈɛras fʃˈɨstkix.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_133.wav|bˌɨwa tˈu tˈɛʃ pʃˈɨstaɲ prˈɔmu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_67.wav|pˌɔvʲɛdʑˈawam prɔʃˈɔntsɨm tˈɔnɛm, za ktˌurɨ ɔt rˈazu ɕˈɛbjɛ zɲʲˌɛnavidʑˈiwam.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_198.wav|i ftˈɛdɨ znˈuf pɔ rˈaz drˈuɡʲi vˌɨtɕɔŋɡnˈɛwa kˈu ɲʲˈɛmu rˈɛŋkɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_69.wav|pˈɔza tɨm mˈa rˈudɛ vwˈɔsɨ, a tˌɛɡɔ pˈɔnɔtɕ ɲʲɛ znˈɔɕi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_48.wav|na kˈɔɲʲɛts pˌɔrɔzmavʲˈajmɨ ɔ ɕmʲˈɛrtɕi skˈɔta, dˈɔbʒɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_129.wav|jˈɛɕli trˈafɲʲɛ ɔtsˈɛɲʲaʃ sˌɨtuˈatsjɛ mɔʒlˈivɛ, ʒˈɛ ˌɔbjɛtsˈujɛʃ mi tsˈɔɕ, tʃˈɛɡɔ zlɛtsˈɛɲʲɛ dˈaftsa ɲʲɛ zamjˈɛʒa dɔstˈartʃɨtɕ, stfʲˈɛrdʑa bˈutskɨ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_373.wav|vɨdˈajɛ mu ɕɛ, ʒˈɛ mɔdlˈitfɔ̃ zmʲˈɛɲi kˈurvɨ s pɔvrˈɔtɛm w dʑɛvˈitsɛ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_73.wav|ˌalɛ mˈɔɡɛ pɔtfʲˈɛrdʑitɕ, ʒˈɛ ɲʲɛ mˌamɨ ʒˈadnɨx ˌinfɔrmˈatsji ɔ zabrˈaɲʲu pˈaɲi partnˈɛra i tsˈurki pʃˈɛs pɔlˈitsjɛ w rɛjˈɔɲʲɛ xrˈapstfa ɡrɛˈatɛr manxˈɛstɛr.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_86.wav|dˈaj mi pˈan stˈɔː ɔbrˈɔtuv vʲˈɛntsɛj.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_204.wav|ˌalɛ zrˈɔbʲiw jɛj tˌɨlkɔ jɛdnˈɛɡɔ dʑɛtɕˈaka, ɲˈim ˈumar na xɔrˈɔbɛ bʒˈuxa.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_328.wav|ɲʲɛ bˌɨwa dɔ kˈɔɲtsa pˈɛvna, ktˌura s tɨx ˌɛvɛntˌualnˈɔɕtɕi jɛst pravdʑˈiva.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_165.wav|ˈɛlis stfʲɛrdʑˈiwa, ʒˈɛ xtsˈɛ ɕɛ zdʒˈɛmnɔɲtɕ. tˈɛʃ mʲˌawɛm tˌaki zˈamjar, ˌalɛ ɲʲɛ dˈawɛm rˈadɨ zˈasnɔɲtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_44.wav|dˈɔbrɨ xwˈɔpʲɛts.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_71.wav|nadˈɛʃwa pˈɔra na jɛdˈɨnɛ sɛnsˈɔvnɛ rˌɔzvʲɔ̃zˈaɲʲɛ spˌasɔvˈaɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_117.wav|bˈɔ dɔkwˈadɲʲɛ nˈatɨm pˌɔlɛɡˈawa zdˈalna kɔntrˈɔla skɔrˈupɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_330.wav|jˈuʃ ɲʲɛ. a tsˈɔ ɕɛ stˈawɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_34.wav|bˈɔʒɛ kɔxˈanɨ, zupˈɛwɲʲɛ tɕˈɛ rɔsprˈuwa jˈak nˈɔʒɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_56.wav|ɔ ktˌurɛ ɲˈikt pʃˈɛs lˈata ɲʲˈɛdbaw, vʲˈɛnts pˈɛvɲʲɛ ɲʲɛ spʃˈɛda ɕɛ zbˈɨt ʃˈɨpkɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_56.wav|tɔ swˈɔvɔ skˈɔntɕ pˌamjɛntˈawɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_43.wav|pˈɨtam, a ɔn vzrˈuʃa rˌamjɔnˈami.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_94.wav|ˌalɛ tɔ wˈatfɔ pɔvʲˈɛdʑɛtɕ, ʒˈɛ xˈɨba ɕɲʲˈɛ. tˈak kˈaʒdɨ sˈɔbjɛ bˈajɛ w zwˈɛj xfˈili.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_58.wav|ˈidʑɛ zˈɛ spuʃtʃˈɔnɔ̃ ɡwˈɔvɔ̃, jˈaɡbɨ muɕˈawa uvˈaʒatɕ, ɡdʑˈɛ stˈavja stˈɔpɨ. ɲʲˈɛvʲɛm, tsˈɔ rˈɔbʲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_192.wav|tfˈuj brˈat rˈɔlv zˈɔstaw mʲˌanɔvˈanɨ lˈɔrdɛm kastˈamɛr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_183.wav|mˈuʃɛ tɔː iˈɔvɔ pʃˌɨɡɔtˈɔvatɕ i jˈak jˈuʒ zˈatʃnɛ, ɲʲɛ bˌɛɲdʑɛ ɔdvrˈɔtu. jˌɛstɛɕ pˈɛvʲɛn, ʒˈɛ tɔ bˌɛɲdʑɛ jˈutrɔ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_48.wav|krˈɔŋɡwɔɕtɕ tfˈɨɣ bjˈɔdɛr jɛst jˈak naʃˈɨjɲiɡ z burʃtˈɨnu, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_510.wav|a mˈuj ɔrɡˈaɲizm, tɨm ɲʲɛznˈanɨm mi dɔtˈɨxtʃas ɔbjˈavɛm pˌadatʃkˈɔvɨm, ɔstʃˈɛɡa mɲʲɛ, ˌalɛ pʃɛt tʃɨm ɔstʃˈɛɡa?|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_349.wav|tɔ brˌazɨlijtʃˈɨtsɨ z ˌɔrɡaɲizˈatsji pʃɛstˈɛmptʃɛj ˌɔpalˈatɕɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_180.wav|pɨtˈaɲʲɛ, tʃɨ ˈɔn, bʲˈillɨ, mˈa pɔvʲˈɛdʑɛtɕ ɲitskˈɔvi ˈalbɔ ɡˌɛɔrɡʲˈɔvi ˈɔtɨm ɲʲˌɛpʃɛvidʑˈanɨm zɡʒˈɨtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_47.wav|pɔ bʲˈitfʲɛ zaɲʲˈɛɕli ɡˈɔ dɔ zˈamku, lˈɛtʃ ˈɔdɲʲus straʃlˈivɛ rˈanɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_81.wav|f tlˈɛ bɛvˈɛrlɨ pʲˈɛjɛ z radˈɔɕtɕi.|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_174.wav|s plˈanu vɨɲˈika, ʒˈɛ zbjɔrɲˈiki trˈɔnda sɔ̃ pˌɔdwɔntʃˈɔnɛ. tʃˈɛba tˌɨlkɔ ɕɛ upˈɔradʑ zˈɛ skˌɔmplikɔvˈanɨm ukwˈadɛm zavˈɔruf, ˌalɛ jɛstˌɛɕmɨ na dˈɔbrɛj drˈɔdʑɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_60.wav|ɲʲˈɛvʲɛm, tʃɨ tɔ dˈɔbrɨ...|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_71.wav|nˌajpravdˌɔpɔdˈɔbɲʲɛj mʲˈawɛ w ɲʲˈɛj ɡɲʲˈazdɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_275.wav|a pˈɔtɛm spˈɔjʒaw na sfˈɔjɔ̃ prˈavɔ̃ dwˈɔɲ i pɔvʲˈɛdʑaw ɡwˈɔɕnɔ|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_116.wav|ɲʲɛ xtɕˈawɛm tˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_226.wav|pʃˌɛtɕɛʃ tɔ ʃalˈɛɲstfɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_14.wav|kˈɔɲʲɛts s tˌajɛmɲitsˈami, stsˈɔtt. ɲʲɛ pɔmˈɔɡɛ tɕˈi, jˈɛ��li ɲʲɛ pˈɔvʲɛʃ mi tsˈawɛj prˈavdɨ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_110.wav|brˈamnɔ̃ ˈami? bɔɡˈɔvʲɛ, bˈɔɲtɕtɕɛ waskˈavi, ɲʲɛ mˈɔɡwɛm uvʲˈɛʒɨtɕ, ʒˈɛ lˈantsɛl vˈɨbraw vwˈaɕɲʲɛ jˈɔ̃.|1
+Dataset/wavs/urwisko_ferenc/09_segment_92.wav|tˈak mɨɕlˈawɛm. kˈamjɛɲ s sˈɛrtsa.|0
+Dataset/wavs/urwisko_ferenc/25_segment_42.wav|rˌɔzbavʲˈɔna pˌɔɡrɔzˈiwa mu pˈaltsɛm. ɡrˈɔx pˈɔtʃɛd dɔ ɲʲˈɛj i naxˈɨliw ɕɛ nat jɛj ustˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_52.wav|vˌɛznanˈɔvitɕ ˌɔtʃɨvˈiɕtɕɛ vɨjˈɔntɛk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_299.wav|— ˈɛlis na pˈɛvnɔ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_25.wav|na tˈakʲɛ tˈɛʃ rˌɔzvʲɔ̃zˈaɲʲɛ ɕɛ zdˌɛtsɨdɔvˈawɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_61.wav|pɔswˈuxaj, mˈili.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_290.wav|nˈɔ tsˈuʃ, mˈɔi rɨtsˈɛʒɛ ɲʲɛ mˌajɔ̃ tɕˌɛrplivˈɔɕtɕi dɔː ɔʃˈustuf ˌaɲi ɡwˈuptsuf, ktˌuʒɨ kˈaʒɔ̃ im uɡˈaɲʲatɕ ɕɛ za tɕɛɲʲˈami. tˈatsɨ lˈudʑɛ...|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_504.wav|pʃˌɨɡlɔndˈawɛm ɕɛ za kamˈarkɔ̃ waʑˈɛŋki.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_271.wav|xˈarvin bwˈaɡaw mɲʲɛ, ʒˈɛbɨm dˈaw jɛj pˌɔtsawˈunɛɡ ʒˈɨtɕa, ˌalɛ minˈɛwɔ zbˈɨd vʲˈɛlɛ tʃˈasu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_44.wav|vʲˈɛm zˈatɔ, ʒˈɛ dʑˈɛtɕi rˌɛaɡˈujɔ̃ mˈɔtsɲʲɛj na çipnˈɔzɛ ɲˈiʒ dɔrˈɔɕli.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_39.wav|fstʃɨmˈawam ˈɔddɛx i pˌɔlitʃˈɨwam dɔ pʲˈɛɲtɕu. kmʲˈɔt pˌɔzɔstˈaɲʲɛ kmʲˈɔtɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_143.wav|mˈimɔ tɔ mʲˈawam ɕfʲadˈɔmɔɕtɕ jˈɛɡɔː ˈɔbaf, ʒˈɛ mˈama zbˈɨtɲʲɔ ɕɛ skˌɔntsɛntrˈujɛ nˈamɲʲɛ, vʲˈɛnts starˈawam ɕɛ ɲʲɛ fxˈɔdʑitɕ ɲikˈɔmu w drˈɔɡɛ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_192.wav|bluʑɲʲˈɛrstfa ɛwrˈɔna|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_267.wav|vɛ vnˈɛntʃu tsˌɨlindrˈɨtʃnɛj kɔmˈɔrɨ panˈɔvaw pʃˌɛɲiklˈivɨ xwˈut, a na mˌɛtalˈɔvɨx ɕtɕˈanaɣ zɛbrˈawɨ ɕɛ krɔpˈɛlki vˈɔdɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_181.wav|vɨbjˈɛɡwam zˈɛ strˈɛfɨ vˌɨrɔbʲˈiska, pˌɔzɔstavʲˈajɔnts ɕlˈadɨ, pɔ ktˌurɨx kˈaʒdɨ idjˈɔta mˈuɡwbɨ mɲʲɛ vɨtrˈɔpitɕ.|4
+Dataset/wavs/urwisko_ferenc/39_segment_55.wav|tsˈɔ prˈavda pˌɔkivˈawa ɡwˈɔvɔ̃, jˈɛdnaɡ vˌɨtɕɔŋɡnˈɛwa s pˈatʃki kˌɔlɛjnˈɛɡɔ xˌɛstɛrfjˈɛlda i zˌapalˈiwa ɡˈɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_73.wav|tʃˈɨli vˌɨklutʃˈɨwɛɕ jˈuʃ mˈɛ̃ʒa?|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_446.wav|tɔ bˌɨwɔ ftˈɛdɨ, ɡdˈɨ ɡvˈɛntʲin pɔ rˈas pʲˈɛrʃɨ pɔjˈɛxaw dɔː ˌirɔnvˈɔɔt. xtɕˈawɛm vˈuftʃas, bˈɨ zˈɔstaw mˈɔim nastˈɛmptsɔ̃, tɔ prˈavda.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_29.wav|jˈak tɔ f tˈakim rˈaʑɛ vɨswˈanɔ kˈit?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_168.wav|a mɲʲɛ ɕɛ zrɔbʲˈiwɔ rˈaptɛm ʑˈimnɔː i dˈuʃnɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_46.wav|ˌɔpsɛrvujˈɛtɕɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_15.wav|mˈuɕaw vʲˈɛnts skˈɔndʑ vʲˈɛdʑɛtɕ, ʒˈɛ bˌɛndɛ swuxˈawa tɛj awdˈɨtsji, ʒˈɛ ɡrˈɔʑba ˌujavɲʲˈɛɲʲa prˈavdɨ bˌɛɲdʑɛ dla mɲʲɛ pɔvˈaʒnɨm tɕˈɔsɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_160.wav|pˌɔstavˈiwɛm na stˈɔlɛ.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_40.wav|na rˈuvɲi z innˈɨmi vɨjɕtɕˈami.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_160.wav|zˈamɛk jɛst pʃɛklˈɛntɨ i nˌavʲɛdʑˈanɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_322.wav|ɔtkˈujɛʃ ɕɛ nastˈɛmpnɨm rˈazɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_96.wav|i zvʲɛʒˈɛnta ɲʲɛ rɔskˈɔpjɔ̃ ɡrˈɔbu.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_72.wav|dlatʃˈɛɡɔ mɲʲɛ ˌɔkwamˈujɛʃ?|1
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+Dataset/wavs/urwisko_ferenc/09_segment_34.wav|ˌalɛ skˈɔnt ɕɛ znˈali?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_84.wav|tˈɛras jˈuʒ vʲˈɛm, ʒˈɛ zdjˈɛɲtɕa ɲʲɛ pʃˌɛtstavʲˈajɔ̃ stsˈɔtta, ˌalɛ stɛvˈɛna.|3
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+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_86.wav|ˈɔtpar sˈɛr arvˈɔɔt.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_236.wav|lˈudʑɛ sɔ̃ xtɕˈivi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_36.wav|fkwˈadam klˈutʃɨk f statsˈɨjkɛ, vʒˈutsam fstˈɛtʃnɨ bjˈɛk i pɔ xfˈili vɨjˈɛʒdʒam na drˈɔɡɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_63.wav|ˈɛs. rˈɔbɛrts|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_21.wav|ɲʲɛ mˈɔɡɛ ɔkˈazadʑ zdumjˈɛɲʲa, kʲˈɛdɨ ɡˈɔ zɔbˈatʃɛ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_93.wav|pɨtˈawa brjˈɛnnɛ. dˈɔkɔnt mɲʲɛ zˌabjɛrˈatɕɛ?|1
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+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_21.wav|ɔ mˈuj bˈɔʒɛ, ɲʲɛ mˈɔɡɛ f tɔː uvʲˈɛʒɨtɕ. jˈak mˈɔɡwaʑ vɨpˈuɕtɕitɕ mˈili s tˌɨmi lˈudʑmi, jˈɔɛ? tsˈɔ tɨ sˈɔbjɛ mɨɕlˈawaɕ?|4
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+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_305.wav|jˈɛɕli zˈaɕ xˈɔdʑi ɔː arˈɨsa uxˈarta.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_71.wav|uʒˈɨjɛ ix pʃɛtɕˈifkɔ mɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_30.wav|i pɔmˈɨɕlɛtɕ, ʒˈɛ jˌɛstɛm tˈu tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ tɕi fatsˈɛtɕi mɲʲɛ zɡvawtɕˈili i vˌɨʒutɕˈili na dˈɛʃtʃ.|2
+Dataset/wavs/urwisko_ferenc/45_segment_60.wav|mˈɔʒɛ i ɲʲɛ umjˈawa ˌɔkazˈɨvatɕ miwˈɔɕtɕi, ˌalɛ tɔ ɲʲɛ ɔznˈatʃa, ʒˈɛ tɕˈɛ ɲʲɛ kɔxˈawa, stfʲɛrdʑˈiwa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_2.wav|bˈɛtskɨ tʃˈuwa nˌarastajˈɔntsɔ̃ frustrˈatsjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_260.wav|vrˈɛʃtɕɛ zˌɔbatʃˈɨwɛm mˈɛɡɔ dˌalajlˈamɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_77.wav|pˌɔtʃɔntkˈɔvɔ tʃˈɛ̃stɔ mɲʲɛ ˌɔdvʲɛdʑˈawa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_248.wav|tsˈɔ mˈam zapˈɔmɲʲɛtɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_124.wav|fˈilis ˌɔdvzajˈɛmɲʲa ˈuɕmʲɛx.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_38.wav|ix skˈarbɨ tɔ mˈuʃlɛ, kamjˈɛɲʲɛ i skuʒˈanɛ wˈɔdʑɛ, a ix najlˈɛpʃɔ̃ brˈɔɲʲɔ̃ sɔ̃ nˈɔʒɛ z zˌardʑɛvʲawˈɛɡɔ ʒɛlˈaza.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_441.wav|pˈɔpwɨɲ dɔ zatˈɔki ɲʲˌɛvɔlɲˈitʃɛj.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_70.wav|a ja spɔstʃˈɛɡwɛm, ʒˈɛ drʒˈɛ s pˌɔrannˈɛɡɔ ʑˈimna i ɲʲɛ mˈɔɡɛ pɔfstʃˈɨmatɕ tˌɛɡɔ drʒˈɛɲʲa. xʃɔŋknˈɔwɛm tɕˈɛ̃ʃkɔ rˈas, drˈuɡʲi.|0
+Dataset/wavs/urwisko_ferenc/19_segment_85.wav|ta kɔbjˈɛta, ɔ ktˌurɛj pˈaɲi muvˈiwam...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_58.wav|ɡwˈɔva mi pˌɔtpɔvʲˈada, ʒˈɛ ɔn ɲʲɛ zdˈɔwa mɲʲɛ kˌɔntrɔlˈɔvatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_75.wav|dˈavit lˈɔtskridʒ. dˈavɛ, dʑˈɛŋki.|2
+Dataset/wavs/urwisko_ferenc/39_segment_44.wav|tˌɨlkɔ tʃɨ utʃˈutɕɛ tsˈɔʑ zmʲɛɲʲˈawɔ f tɛj sprˈavʲɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_164.wav|ɲʲɛ jɛst tɔ pravdʑˈivɨ dˈɔm, tˌɨlkɔ krɨjˈufka.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_175.wav|tˈak sˈamɔ bˌɨwɔ z dˌarɛˈɔnɛm i ɡˈɔʑdʑik.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_69.wav|praɡnˈɛwa vrˈutɕidʑ dɔ dˈɔmu.|4
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+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_52.wav|tʃɨ naprˈavdɛ ˈumjɛ napˈisadʑ zbˌɛlɛtrˌɨzɔvˈanɔ̃ vˈɛrsjɛ vwasnˈɛɡɔ ʒˌɨtɕɔrˈɨsu, pˌɔswuɡˈujɔnts ɕɛ jɛ̃zˈɨkʲɛm sfɔjˈɛɡɔ ɡwˌupavˈɛɡɔ jˈa?|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_191.wav|tsˈɔɕ nˈam ɕɛ nalˈɛʒɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_300.wav|tɔ tˈu, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_197.wav|vˈɔjna vɨdˈajɛ im ɕɛ pʲˈɛŋknɔ̃ pʃɨɡˈɔdɔ̃, najvʲˈɛŋkʃɔ̃, jˈaka iɣ w ʒˈɨtɕu spˈɔtka.|1
+Dataset/wavs/urwisko_ferenc/34_segment_70.wav|brˈɔda i vˈɔ̃sɨ ɡrˈɔxa pˌɔwaskɔtˈawɨ jˈɔ̃ w ˈusta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_11.wav|xˈɔdʑi ˈɔtɔ, ʒˈɛbɨʑ vɨɡlˈɔndaw jˈaɡ dvˌudʑɛstˌɔpʲɛrʃɔvʲˈɛtʃna vˈɛrsja kɔvbˈɔja w wutʃˈɛŋɡʲi, twumˈatʃɨw bˈaki, kʲˈɛdɨ vɛsˈɔwɔ kɔpˈali bˈɛtʃki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_62.wav|a tsˈɔ tˈam, tɔː ɔstˈatɲʲa rɔbˈɔta. stfʲˈɛrdʑa pɔ xfˈili i pˈiʃɛ zdˈaɲʲɛ, ktˌurɛ pʃˌɛxɔvˈɨvaw f pamjˈɛɲtɕi na tˈɛ vwˈaɕɲʲɛ ɔkˈazjɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_165.wav|w ɔstˈatɲʲɛj xfˈili ktˈɔɕ pʃˌɨtʃaskˈujɛ tɕi wˈapɛ dʒvʲˈami, tˈak jˈak s tɔ̃ bjˈɛdnɔ̃ varjˈatkɔ̃ xˈɛlɛn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_97.wav|pɔt pˈaxɔ̃ tʃˈɨma tɕˈɛmnɔ̃ tɔrˈɛpkɛ, a tɛ vwˈɔsɨ...|0
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+Dataset/wavs/urwisko_ferenc/16_segment_26.wav|palˈarɲʲa kˈavɨ vinˈami f sɔsnˈɔftsu|0
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+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_81.wav|nˌatɕisnˈɛwam iskrˈɔvɲik i z dˈɨʃɨ bˈuxnɔw pwˈɔmjɛɲ. tʃɨmˈajɔnts pˈalɲiɡ w vˌɨtɕɔŋɡɲʲˈɛntɛj rˈɛntsɛ, vˌɨmjɛʒˈɨwam ɡˈɔ w lˌɛvɔrɛntʃnˈɛɡɔ, ktˌurɨ ʃˈɛt prˈɔstɔ nˈamɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_279.wav|i tsˈɔ bˈɨ ɕɛ ftˈɛdɨ stˈawɔ zˈɛ ɕtɕˈanɔ̃, ktˌurɔ̃ vˌɨbudɔvˈawɛʑ vˈɔkuw ɕˈɛbjɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_40.wav|mˈama prˌubɔvˈawa ɡrˈadʑ vˈɛdwuk jˈɛɡɔ zˈasat, ˌalɛ vɨrˈaʑɲʲɛ bˌɨwɔ vˈidatɕ, ʒˈɛ brakˈujɛ jɛj ˌɛntuzjˈazmu.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_74.wav|ktˌurɔ̃ zamkɲʲˈɛntɔ f tsˈɛli pˌɔkutɲˈitʃɛj za fspuwˈudʑaw f xˈaɲbjɛ krulˈɔvɛj.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_285.wav|lˈadɨ amˈarɨ ɔplˈɔtwa vˈarkɔdʒ vˈɔkuw pˈaltsa. ɔbjˈɛtsaw mi ɡwˈɔvɛ lˈɔrda bɛrˈika.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_119.wav|bˈɛŋkart ˌifˈaw ɛɡˈɔna zbuntˈɔvaw ɕɛ pʃɛtɕˈifkɔ sfˈɛmu prˌavɔvˈitɕɛ ˌurɔdʑɔnˈɛmu brˈatu i vʑˈɔw sˈɔbjɛ za xˈɛrp tʃarnˈɛɡɔ smˈɔka.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_147.wav|a ˈɛddjɛ stfʲˈɛrdʑiw s kɔlˈɛi, ʒˈɛ tɔː ɔn jˈɔ̃ zɔstˈaviw, bˈɔ zˈafʃɛ pʃˌɨstavʲˈawa ɕɛ dɔ jˈɛɡɔ kɔlˈɛɡuf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_123.wav|tˈɔm fstˈaw i pˈɔtʃɛd dɔ lɔdˈufki.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_150.wav|ɲʲˌɛpɔstʃɛʒˈɛɲʲɛ samˈɔxut stˈanɔw.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_5.wav|nˌajvɨrˈaʑɲʲɛj ɲʲɛ vˌɨstraʃˈɨwa ɕɛ tɛj ˌɔdrɔbʲˈinɨ xlˈɔru.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_50.wav|tʃɨ ɔn kˈazaw tɕi ˈɔdɛjɕtɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_109.wav|ɡwˈupjɔ mu, ʒˈɛ mˈa na sˈɔbjɛ tˌɨlkɔ lˈuʑnɛ bɔksˈɛrki, ˌalɛ bˌɛndɔ̃ muɕˈawɨ vɨstˈartʃɨtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_162.wav|ˈɛlis uɕmʲˈɛxa ɕɛ z zˌatɕiɕɲʲɛntˈɨmi ustˈami.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_172.wav|jˈak sˈɔbjɛ ʒɨtʃˈɨtɕɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_176.wav|ɡdˈɨbɨm mu pˌɔvʲɛdʑˈawa, tsˈɔ vˌɨdaʒˈɨwɔ ɕɛ w nɛbrˈaska,|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_162.wav|kʃˈɨknɔw, xfɨtˈajɔnts ɕɛ za sˈɛrtsɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_18.wav|pʃˌɨtɕisnˈɛwam dwˈɔɲ dɔː ˈust w ɔbˈavʲɛ, ʒˈɛ vˈɨdam s ɕˈɛbjɛ jˈakiʑ dʑvʲˈɛŋk w rɛˈaktsji na mˈɔjɛ pˈɛwnɛ zˌaskɔtʃˈɛɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_11.wav|bʲˈillɨ ɲʲɛ planˈɔvaw zˈɔstatɕ ˈaʃ tˈaɡ dwˈuɡɔ. fʃˈɨstkɔ pʃˈɛs ˈɛlis. nakwˈaɲʲa ɡˈɔ, bˈɨ dɔkˈɔɲtʃɨw sfˈɔjɔ̃ ɔpˈɔvʲɛɕtɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_194.wav|ˌɔtpɔtʃɲʲˈɛmɨ trˈɔxɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_48.wav|xtɕˈawɛm ɕɛ tˌɨlkɔ pʃɨvˈitatɕ s tfˈɔjɔ̃ mˈamɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_279.wav|a zrˈɛʃtɔ̃ tɨ ɲʲɛ lˈataʒ dla ɕˈɛbjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_60.wav|pɔvʲˈɛdʑaw i vʑˈɔw dɔː ˈust kˈɛ̃s pˈulpɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_10.wav|spˈɛntsɛr pʃˈɨɕad na skrˈaju fɔtˈɛla zˈɛ skˈurɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_66.wav|ˌɔdʑɨskˈaɲʲɛ jˈɛɡɔ zˌaufˈaɲʲa zabrˈawɔ mi spˈɔrɔ tʃˈasu. ɲʲɛ ʒawˈujɛ tˌɛɡɔ ʃtʃɛɡˈulɲʲɛ tˈɛras, ˌalɛ ɲʲɛ mˈɔɡɛ pɔvrˈutɕidʑ dɔ varˈuŋkuf, f ktˌurɨɣ ʒˈɨwɛm pɔ tfˈɔim ɔdˈɛjɕtɕu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_490.wav|ɲʲɛvʲˈɛlkix pʃɨpˈatkuf, drˈɔbnɨx tɕˈɛrpʲɛɲ, pˌɔjɛdˈɨntʃɨx rɔspˈatʃɨ, mˌiɲʲaturˈɔvɨx uɲʲˈɛɕɛɲ i nˌarastˌajɔntsˈɛɡɔ ʃˈumu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_16.wav|lˈɛtʃ wˈɔsk ˌɔtʃarpˈanɨɣ ɡvawtˈɔvɲʲɛ dʒvˈi ɲʲɛ ustˈavaw.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_284.wav|pˈɔtɛm ktˈɔɕ ɕtɕˈɔŋɡnɔw ɡˈɔ z minstrˈɛla.|1
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_89.wav|nˈɔ tsˈuʃ, ˌalumˈiɲʲum ɲʲˈɛma vwˌaɕtɕivˈɔɕtɕi mˌaɡnɛtˈɨtʃnɨx.|4
+Dataset/wavs/urwisko_ferenc/41_segment_28.wav|ɲʲɛ vʲɛdʑˈawa, ɔ tsˈɔ mu xˈɔdʑi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_130.wav|ɡdɨbˈɨɕmɨ mʲˌɛli tʃˈujɲiɡ dˈɨmu, tɔ bˈɨ ɕɛ vwˈɔntʃɨw, alˈɛɕmɨ ɡˈɔ f pʃɨtʃˈɛpʲɛ ɲʲɛ mʲˈɛli.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_170.wav|stfˈɔʒɨw zasˈadɨ zˌalɛʒnˈɔɕtɕi i dˌɔminˈatsji, vˌɨkɔʒɨstˈujɔnts strˈax pʃɛt ˌɔdʒutsˈɛɲʲɛm?|3
+Dataset/wavs/urwisko_ferenc/24_segment_34.wav|ɡdˈɨ tˌɨlkɔ minˈɛwa prˈuk, pʃˈɛjʒaw jɛj pˌɔwɔntʃˈɛɲʲa.|0
+Dataset/wavs/urwisko_ferenc/57_segment_21.wav|— a tsˈɔ ɕɛ stˈawɔ? — spˈɨtaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_151.wav|tɔ klˈutʃɛ dɔ dˈɔmu na ɛvˈɛrɡrin strˈit. ɲʲɛ ˌɔttʃɛpˈiwɛɕ ix ɔt kˈuwka. vɨlˈuzuj. jˈuʃ prˈavʲɛ jˌɛstɛɕ ˈu tsˈɛlu.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_60.wav|pʃɨvˈitaw ix tʃˈɛtɕi brˈat.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_6.wav|bˈaki zrˈɔbʲiw sfˈɔjɛ i jˈɛɕli mˈa ɡwˈɔvɛ na kˈarku, f tɛj xfˈili ɕˈɛdʑi f sˌamɔlˈɔtɕɛ vˌɨvɔʒˈɔntsɨm ɡˈɔ zˈɛ strˈɛfɨ zˌaɡrɔʒˈɛɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_169.wav|a tsˈɔ maʃ na ɡwˈɔvʲɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_247.wav|tˈɨlɛ mɲʲˈɛj vʲˈɛntsɛj pɔvˈinnaʑ vʲˈɛdʑɛtɕ ɔ sˈɔbjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_104.wav|xtsˈɛ bˈɨdʑ bɔɡˈata.|4
+Dataset/wavs/urwisko_ferenc/51_segment_42.wav|bjˈɛɡwa pʃˈɛs lˈas i ɲʲˌɛuʒˈɨtki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_37.wav|tɕi ɕfʲˈatli i mwˈɔdʑi lˈudʑɛ mˌajɔ̃ zvˈɨklɛ zamˈɔʒnɨx rɔdʑˈitsuf, a nˈavɛt jˈɛɕli jɛst inˈatʃɛj, mˈɔɡɔ̃ dˈɔbʒɛ zarˈabjatɕ f pʃɨʃwˈɔɕtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_154.wav|dɔ kˈɔɲtsa karɲˈiʃa jɛst pʃˌɨklɛjˈɔna tˈaɕmɔ̃ misˈɛtʃka drɛvɲʲˈanɛj wˈɨʃki.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_116.wav|ˈɔx, nˌaduʒˈɨwam trˈɔxɛ vˈina.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_40.wav|jˈakim tsˈudɛm znalˈazwɨ ɕɛ tˈutaj i ɲˈikt ˈɔtɨm ɲʲˈɛvʲɛ? zˌapɨtˈawam.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_72.wav|pˈaɲski pʃɨjˈatɕɛl mˈa rˈatsjɛ, pɔvʲˈɛdʑaw spʃɛdˈaftsa. ta brˈɔɲ ˌuʒɨvˈana bˌɨwa f tʃˈaɕɛ vˈɔjnɨ pʃˈɛs aŋɡʲˈɛlskɔ̃ pʲɛxˈɔtɛ kˌɔlɔɲʲˈalnɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_118.wav|ta jˈɛdnak pˌɔzɔstavˈawa ɲʲˌɛvzruʃˈɔna. zˌapʃɛtʃˈawa jɛdˈɨɲʲɛ, ʒˈɛ mʲˈawa s tɨm tsɔkˈɔlvʲɛk fspulnˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_132.wav|ftˈɛdɨ tɔ jˈuʃ ɲʲɛ bˌɛɲdʑɛ bwˈɔtɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_26.wav|tɨ naprˈavdɛ ɲitʃˈɛɡɔ ɲʲɛ rɔzˈumjɛʃ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_32.wav|bˈutskɨ pˌɔkazˈujɛ bʲilljˈɛmu dvˈa znˈaki viktˈɔrji i dˈalɛj vɨtɕˈina xɔwˈuptsɛ, ˈaʃ ɕɛ kˈuʒɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_35.wav|pɔvˈinnam bˌɨwa pɔjˈɛxadʑ dɔ lˈɛɛts, zɔstˈavidʑ ɡˈɔ ɡdʑˈɛɕ i zwˈapatɕ pˈɔtɕɔŋk jadˈɔntsɨ na pˈuwnɔts.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_74.wav|mˈuɕi ɡˈɔ pˌɔttʃɨmˈɨvadʑ w drˈɔdʑɛ dɔ wˈuʃka. bʲˈillɨ ˈidʑɛ pɔvˈɔli, pʃˌɛxɨlˈɔnɨ na prˈavɔ. jˈɛɡɔ tfˈaʃ lɕɲˈi ɔt pˈɔtu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_143.wav|a vˈɛmɲʲɛ rˈɔswa dˌɛspɛrˈatsja.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_151.wav|spɔɡlˈɔnda f swˈɔɲtsɛ, mˈɨɕlɔnts na ɡwˈɔs.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_20.wav|dɔmˈiɲik ɔdbjˈɛra ˈɔdɛ mɲʲɛ rˈɛntʃɲik i pʃɨtɕˈɔŋɡa mˈɔjɔ̃ ɡwˈɔvɛ dɔ sfɔjˈɛɡɔ tfardˈɛɡɔ bʒˈuxa, ɡwˈaʃtʃɔnts mɲʲɛ pɔ vilɡˈɔtnɨɣ vwˈɔsax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_75.wav|ɔtfʲˈɛra ˈɔtʃɨ, kʲˈɛdɨ ˈɛlis pˈuka f ʃˈɨbɛ i kʃˈɨvʲɔnts ɕɛ z bˈulu ɕˈɛŋɡa w bˈɔk, ʒˈɛbɨ ɔtfˈɔʒɨdʑ dʒvˈi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_79.wav|pˈɨta. bˈɛki i tɔmˈɔvi. ˌalɛ vɨklˈutʃaʃ mɔʒlˈivɔɕtɕ pˌɔvʲɛdʑˈɛɲʲa im ˈɔtɨm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_34.wav|pɔtʃˈuwam rˈatʃɛj, ɲˈiʒ zˌɔbatʃˈɨwam, ʒˈɛ ktˈɔɕ ɔpʲˈɛra ɕɛ ɔ ɕtɕˈanɛ tˈuʃ ˈɔbɔk.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_281.wav|ɔznˈajmiw z uɕmʲˈɛxɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_49.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_29.wav|ftɕˈɔ̃ʃ ɲʲɛ pˌɔzvalˈanɔ mi kɔʒˈɨstatɕ s sˌamɔxˈɔdu, a ˈaram swˈuʃɲʲɛ zawˈɔʒɨw, ʒˈɛ ɲʲɛ mˈɔʒna mi ˈufatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_19.wav|krˈɔ̃ʒɛ bˈɛs tsˈɛlu pɔ kˈuxɲi i vɨɡlˈɔndam pʃˈɛs ˈɔknɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_162.wav|ɲʲɛ pˌamjɛntˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_33.wav|nˈɔts nˌalɛʒˈawa dɔ zbʲˈiruf i kurtˈɨzan.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_124.wav|brˈad zatʃˈɨna dɔxˈɔdʑidʑ dɔ ɕˈɛbjɛ, a ja pʃɛnˈɔʃɛ vzrˈɔk na dˌɔmiɲˈika.|3
+Dataset/wavs/urwisko_ferenc/47_segment_36.wav|zaznˈawa pravdʑˈivɛj sˌamɔtnˈɔɕtɕi, ktˈura, jˈak sˈɔndʑɛ, mʲˈawa nˈaɲʲɔ̃ dˌɛstruktsˈɨjnɨ fpwˈɨf.|0
+Dataset/wavs/urwisko_ferenc/09_segment_93.wav|pɔlˈitsjant pɔtʃˈɛkaw, ˈaʃ mˈarja pɔdɲʲˈɛɕɛ ɕɛ s fɔtˈɛla, a kʲˈɛdɨ tɔ zrɔbʲˈiwa, dˈɔdaw nˈamɲʲɛ jˈuʃ tʃˈas.|0
+Dataset/wavs/urwisko_ferenc/24_segment_66.wav|tˈak jˈak jˈɔ̃ zɔstˈaviw, zˈɛ zwˌɔntʃɔnˈɨmi dwˈɔɲmi ˌɔpartˈɨmi na masˈɨvnɨx ˈudax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_42.wav|pɔ jˈɛɡɔ swˈɔvax fʃˈɨstsɨ mʲˌɛliɕmˌɨ ɡˈɔ za bˈardʑɔ pˌɔʒɔndnˈɛɡɔ...|2
+Dataset/wavs/urwisko_ferenc/65_segment_150.wav|kˌilkanˈaɕtɕɛ mˈinut pˈuʑɲʲɛj ɕɛdʑˈawa na fɔtˈɛlu pˌasaʒˈɛra f tˌɛrɛnˈuftsɛ ɡrˈɔxa i patʃˈɨwa bɛzmˈɨɕlɲʲɛ pʃˈɛz bˈɔtʃnɔ̃ ʃˈɨbɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_156.wav|zˌauvˈaʒa tˈɛʃ mɔzbˈɛrɡa lˌɛʒɔntsˈɛɡɔː ˌɔbɔk rˌɔzʒutsˈɔnɨx nˈuk frˈaŋka ˌɛmtsˈɛ intˈɔʃa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_88.wav|ɲʲɛ jɛzd ɡɔtˈɔva na dˈɔtɨk mɛ̃ʃtʃˈɨznɨ, zvwˈaʃtʃa takʲˈɛɡɔ, ktˌurɨ mˈa na sˈɔbjɛ tˌɨlkɔ znɔʃˈɔnɛ spɔdˈaŋki ɡʲˌimnastˈɨtʃnɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_180.wav|fʃˈɨstkʲɛ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_52.wav|tsˈɔ tɨ nˌarɔbʲˈiwɛɕ, ˈaʃ? mˈuʃɛ pʃˈɛstatɕ mˈɨɕlɛtɕ f tˌaki spˈɔsup. zˌɔrjɛntɔvˈawabˌɨm ɕɛ, ɡdˈɨbɨ kʃˈɨvdʑiw mˈilljɛ, prˈavda?|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_4.wav|bʲˈillɨ i ˈɛllis spɛndʑˈajɔ̃ ˈu butskʲˈɛɡɔ pʲˈɛɲdʑ dɲˈi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_63.wav|ʒˈadnɛ z dʑiɕˈɛjʃɨɣ vɨdˈaʒɛɲ ɲʲɛ mˈɔʒɛ bˈɨdʑ zbjˈɛɡʲɛm ˌɔkɔlitʃnˈɔɕtɕi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_525.wav|ʒˈɛ tˈɛʃ tɔ zbjˈɛɡwɔ ɕɛ z mˈɔjɔ̃ zapˈaɕtɕɔ̃ i ʒˈɛ tˈaɡ bɛsfstˈɨdɲʲɛ rɔzmˈija ɕɛ ʒˈɨtɕɛ z mˈɔim xˌɔrɔskˈɔpɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_78.wav|im bˈardʑɛj nˈɛndʑnɨ sˈɛktɔr, tɨm vˈɛ̃ʃʃɛ kˌɔrɨtˈaʒɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_77.wav|ɲˈiɡdɨ ftʃˈɛɕɲʲɛj ɲʲɛ tʃˈuwɛm takʲˈɛɡɔ bˈulu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_39.wav|ftˈɛdɨ nˈadbjɛɡw z ɡwˈɛmbʲi kˌɔrɨtˈaʒa zdˌɛnɛrvɔvˈanɨ pˌɔtkɔmˈisaʃ kˈɔrsak.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_221.wav|i ɲˈiɡdɨ ɲʲɛ bˌɨwɔː inˈatʃɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_16.wav|ɕpʲˈɛvaw jɛj pʃˈɨtɨm dɔː ˈuxa. mɲʲɛ tˈɛʃ f tɔ ftɕɔŋɡˈali, a kʲˈɛdɨ bˌɨwam mɲʲˈɛjʃa, tˈata tˈaɲtʃɨw zˈɛmnɔ̃ na rˈɛŋkax.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_86.wav|mamˈuɕu, a tsˈɔ spidˈɛrman rˈɔbʲi na kɕɛ̃ʒˈɨtsu?|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_234.wav|i tˈaɡ bˈɨ mi ɲʲɛ pˌɔvʲɛdʑˈawa prˈavdɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_84.wav|zamˈɨkam jˈɛ natˈɨxmʲast i ɔpʲˈɛram ɕɛ ˈɔɲʲɛ na kˈilka sˈɛkunt.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_52.wav|trˈudnɔ bˌɨwɔ nˈam znˈalɛɕtɕ prɨvˈatnɔ̃ pʃˈɛstʃɛɲ pʃɨ tˈaɡ vʲˈɛlu ɔsˈɔbaɣ vˈɔkuw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_40.wav|jˌɛstɛm ˌɔswabjˈɔna i fʃˈɨstkɔ mɲʲɛ bˈɔli.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_258.wav|tˈɨrjɔn jɛzd vˌalɔŋkˈarɛm, zˌakɔɲtʃˈɨwa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_122.wav|dʒˈɛɡɛr xfˈɨta mɲʲɛ za ɡˈardwɔː i pʃɨtɕˈiska dɔ swˈɔva.|3
+Dataset/wavs/urwisko_ferenc/57_segment_40.wav|a tsˈɔ tɔ znˈatʃɨ, ʒˈɛ ʑlˈɛ ɕɛ pˈɔtʃuw? blˈadɨ jˈakiʑ bˈɨw. mˈuviw, ʒˈɛ mˈa tsˈɔʑ z ʒɔwˈɔntkʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_18.wav|f kˈuxɲi tsɔrˈinnɛ atskˈɛrman vɨtɕˈɔŋɡa s pʲˌɛkarɲˈika blˈaxɛ s tɕastkˈami.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_440.wav|tsɛrsˈɛi zrˌɔzumjˈawa, ʒˈɛ mˈawa krulˈɔva ˌɔpɔvʲɛdʑˈawa mu ɔ sˈɛr lɔrˈaɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_80.wav|pˈɔɡutɕ ɕɛ z rˈɔlɔ̃ ɛlˈii vɔlˈaka i kˈɔp!|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_120.wav|vˌidɨvˈawam jˈuʃ ˈinnɨɣ vˌɨxɔdʑˈɔntsɨx s pɔkˈɔju z vɨrˈazɛm ˌɔʃɔwɔmjˈɛɲʲa na tfˈaʒɨ, ktˌurɨ zapˈɛvnɛ sˈama vʲˌɛlɔkrˈɔtɲʲɛ mʲˈawam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_12.wav|nˈaʃɛ mʲɛʃkˈaɲʲɛ mʲˈɛɕtɕi ɕɛ pʃɨ ruxlˈivɛj drˈɔdʑɛ na pʲˈɛrʃɨm pʲˈɛntʃɛ nad ɡˌabʲinˈɛtɛm pˌɛdʲikuʒˈɨstɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_61.wav|tʃˈɛɕtɕ, kˈatɛ. vˈɨbatʃ, ˌalɛ jˌɛstɛm w ɕrˈɔtku tʃˈɛɡɔʑ vaʒnˈɛɡɔ, vʲˈɛnts jˈɛɕli tɔ ɲˈits ˌistɔtnˈɛɡɔ, tɔ bˌɛɲdʑɛʃ muɕˈawa ɕɛ pɔspʲˈɛʃɨtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_52.wav|tɔ bˈɨw pɔʒˈɔndnɨ fˈatsɛt.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_211.wav|a ɲˈim rˈana zdˈɔ̃ʒɨ ɕɛ dɔ kˈɔɲtsa zaɡˈɔitɕ, ˌɔtʃɨmˈujɔ̃ nastˈɛmpnɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_36.wav|ˌalɛ tʃɨ lˈudʑɛ zˈafʃɛ f tˈakix sˌɨtuˈatsjaɣ zˌaxɔvˈujɔ̃ ɕɛ f spˈɔsup rˌatsjɔnˈalnɨ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_101.wav|vˈɨʃɛt s pɔkˈɔju i rˈuʃaw za bˈɛtskɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_171.wav|ˈɔjtɕɛts tˈɛʃ ɲʲɛ ɔdbjˈɛra.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_2.wav|mˈawɔ pratsˈɔvaw f tɕˈɔŋɡu nastˈɛmpnɨɣ dɲˈi.|0
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+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_83.wav|ʒˈɛbɨm zdɔ̃ʒˈɨwa vrˈutɕidʑ dɔ mʲˈasta, zˈaɲim nastˈɔmpi avˈarja.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_167.wav|stratɕˈiwa ˈɔjtsa i mˈɛ̃ʒa.|1
+Dataset/wavs/urwisko_ferenc/65_segment_84.wav|ɲʲɛ? tɔ dlatʃˈɛɡɔ s tɨm ɲʲɛ skˈɔɲtʃɨʃ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_245.wav|tɔ jɛdˈɨna ʒˈɛtʃ, ktˌurɛj mi naprˈavdɛ ʃkˈɔda, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_175.wav|ɲʲɛ mˈɔɡwam nˈatɔ pɔzvˈɔlitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_110.wav|vwˈaɕɲʲɛ f tˌaki spˈɔsup.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_248.wav|jˌɛstɛɕ mˈɔjɔ̃ tsˈurkɔ̃, ˈarjan.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_68.wav|xˈɨba ɲʲɛ utɕˈɛkɲʲɛʃ mi w ɕrˈɔtku nˈɔtsɨ, tsˈɔ?|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_147.wav|mˈa sfˈɔjɛ xɔtˈɛlɛ, kasˈɨna, burdˈɛlɛ i kˈina, a nˈavɛt pˈarɡ z nˌajpravdʑˈifʃɔ̃ trˈavɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_192.wav|balˈɔŋkar zatɕˈiɕɲʲɛ dwˈɔɲʲɛ na tfˈɨm ɡˈardlɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_411.wav|i ɲʲɛ f tɨm sˈɛnɕɛ, ʒˈɛ fstavʲˈɔna.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_130.wav|pʃɨtʃˈɨmaw dla ɲʲˈɛj ɔtfˈartɛ dʒvˈi i ɔdvrˈutɕiw ɕɛ, ʒˈɛbɨ jˈɛ zˈamknɔɲtɕ, zˌɔstavʲˈajɔnts mɲʲɛ sˈamɔ̃ f xˈɔlu.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_170.wav|vˈɔdɔ̃ z ʒˈɛki pʃɛmˈɨwɛm jˈɛɡɔ rˌɔspalˈɔnɛ tʃˈɔwɔ. dˈawɛm mu vˈinɛ i zrɔbʲˈiwɛm ˈɔkwat na rˈana, ˌalɛ bˌɨwɔ jˈuʒ za pˈuʑnɔ, ʒˈɛbɨ mu pˈɔmuts.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_101.wav|wˈat skʲɛrˈɔvaw nˈaɲʲɔ̃ jˈɛdnɔ ɲʲɛbjˈɛskʲɛ ˈɔkɔ, ktˌurɛ zɔstˈaviw mu kˈɨbɛrn.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_38.wav|pˌɔtsawɔvˈawa mɲʲɛ w ˈusta, a pˈɔtɛm vˌɨprɔstɔvˈawa ɕɛ i klɛntʃˈawa nadˈɛmnɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_155.wav|dˈalɛ ɔdˈɛzvaw ɕɛ pʲˈɛrʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_358.wav|mwˈɔtɕi sɨnˈɔvʲɛ, pɔmɲʲˈɛjɕi lɔrdˈɔvʲɛ, stˈartsɨ praɡnˈɔntsɨ ˌɔtpɔkutˈɔvadʑ za dˈavnɛ ɡʒˈɛxɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_50.wav|pˌɔtsawɔvˈawa ɡˈɔ f tʃˈubɛk nˈɔsa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_36.wav|mˈɨɕlɛ ɔ jˌɛdvabʲˈistɨɣ vwˈɔsax xˈɔllɨ i lˈɛpkix rˈɔntʃkaɣ bˌailɛjˈɛɡɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_19.wav|litʃˈɨwam na dˈɔbrɨ rɛzˈultat, ktˌurɨ ˌɔtpɔvʲˈɛdɲʲɔ vɨɡlˈɔndawbˌɨ f statˈɨstɨkˌax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_216.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_344.wav|zˈɛ fʃˈɨstkix strˈɔn ˌɔtɔtʃˈɨwɨ ix ɕlˈadɨ vˈɔjnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_187.wav|ɔt tˌɛɡɔ pˌɔpɔwˈudɲʲa jɛzd ɡwˈuvnɨm bˌɔxatˈɛrɛm sfˈɔjɛj vwˈasnɛj ˌɔpɔvʲˈɛɕtɕi ɔː ɔstˈatɲʲɛj rɔbˈɔtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_331.wav|ˌalɛ tsɔkˈɔlvʲɛɡ zˈɛxtsɛʃ im pɔvʲˈɛdʑɛtɕ, ɲʲɛ fspɔmˈinaj ˌaɲi swˈɔvɛm ɔ prɔrˈɔtstfax, ˌaɲi ɔ smˈɔkax.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_205.wav|zˈafʃɛ xˈɔdʑi ɔ pʲɛɲʲˈɔndʑɛ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_223.wav|bˈɨw ʃˈɔrstki i drˈapaw, ˌalɛ ɲʲɛ mʲˈawa ɲˈits innˈɛɡɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_8.wav|pˈɔza tɨm uznˈawɛm, ʒˈɛ ɔdʑˈɨskam jˈɛ dˈɔɕtɕ ʃˈɨpkɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_48.wav|mˈɔʒɛ pˌɔviɲʲˈɛnɛɕ pɔdwˈɔʒɨtɕ sˈɔbjɛ rˈɛntʃɲik?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_25.wav|xˈɛj, pˈatʃ na drˈɔɡɛ bˈɛki.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_27.wav|vʲˈɛm jˈɛdnak, tsˈɔ bˈɨ mi pˌɔvʲɛdʑˈawa.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_118.wav|praɡnˈɛwam tˈɨlkɔ, ʒˈɛbɨ dʑɛftʃˈɨŋka zɔstˈawa krulˈɔvɔ̃, ɡdˈɨbɨ nˈas ɲʲɛ zdradʑˈɔnɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_94.wav|ɕˈada za bjˈurkʲɛm f sˌɛkrɛtarjˈatɕɛ i pˈiʃɛ krˈutki tˈɛkst na kˈarttsɛ vɨrvˈanɛj z jɛdnˈɛɡɔ z zɛʃˈɨtuf stˈaplɛs, ktˌurɛ dɔ ɲitʃˈɛɡɔ pˈɔza tɨm ɕɛ ɲʲɛ pʃɨdˈawɨ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_208.wav|ʃkatˈuwa bˌɨwa vˌɨkɔnˈana s tsˌɛdrɔvˈɛɡɔ drˈɛvna.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_35.wav|bjˈɔrɛ ɡwɛmbˈɔki ˈɔddɛx i uɕmʲˈɛxam ɕɛ dɔ ɲʲˈɛj ˌuspɔkˌajajˈɔntsɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_79.wav|tˈak, ˌalɛ ɲʲˌɛvɨstˌartʃajˈɔntsɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_92.wav|tʃˈɛkam, ɲʲˈɛxtsɔndʑ vɨtɕˈɔŋɡadʑ z dʑɛtɕˈaka ˌinfɔrmˈatsji na ɕˈiwɛ. vʲˈɛm jˈɛdnak, ʒˈɛ pˈɔvʲɛ vʲˈɛntsɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_97.wav|ɡˈas ˈɔn. ɡˈas ˈɔn. sfˈitx ˈɔff.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_173.wav|mʲˈawa ɔxˈɔtɛ kʃˈɨknɔɲtɕ na ɲʲˈɛɡɔ. pˌɔviɲʲˈɛnɛɕ ɕɛ fɕtɕˈɛkatɕ.|1
+Dataset/wavs/urwisko_ferenc/21_segment_70.wav|dɔ sfˈɔjɛj mˈatki.|0
+Dataset/wavs/urwisko_ferenc/05_segment_87.wav|xˈɛrman stɛ̃ʒˈawa|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_5.wav|— tɔ ʒˈadɛn prˈɔblɛm. i tˈak ɲʲˈɛmam ʒˈadnɨx plˈanuf na vʲˈɛtʃur — zapˈɛvɲiw.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_349.wav|tɕi jˈɛɲtsɨ sɔ̃ vˌartɔɕtɕˈɔvi, sˈɛr.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_560.wav|ˌɔbʒɛŋkwˈɨmi, pˌɔdaɡrɨtʃnˈɨmi paltsˈami, kɕˈɔ̃ʒɛ dˈɔran ftɕˈisnɔw w jɛj dwˈɔɲ ˌɔnɨksɔvˈɛɡɔ smˈɔka i vɨʃˈɛptaw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_191.wav|bʲˈillɨ pʃɨtɕˈiska rˌɛmiŋktˈɔna dɔ pʲˈɛrɕi, pˈatʃɨ i tʃˈɛka.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_221.wav|ɲʲɛ zˌapalˈawɛm ɕfʲˈatwa, a ta dʑɛftʃˈɨna sprˈavɲʲɛ jˈaɡbɨ...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_37.wav|prubˈujɛ zˌamaskˈɔvatɕ ʃˈɔɡ vˌɨɲikajˈɔntsɨ zˈɛ ɕfʲˌadɔmˈɔɕtɕi, ʒˈɛ dɔmˈiɲik pɔdʑˈɛliw ɕɛ tɨm s xˈɔli. tɔ bjˈɛdnɛ dʑˈɛtskɔ jɛst pʃˌɛraʒˈɔnɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_183.wav|ja tˈɛʃ ɲʲɛ pˌɔvʲɛdʑˈawa kɔbjˈɛta.|0
+Dataset/wavs/urwisko_ferenc/19_segment_125.wav|ˌalɛ tsˈɔ bˈɨm nˈatɨm uɡrˈawa?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_47.wav|ˌɔkrɛɕlˈajɔ̃ ɡˈɔ mʲˈanɛm xɔspˈitsjum, xˈɔtɕ tɔ mˈɔim zdˈaɲʲɛm dˈɔʑdʑ vɨmˈɨɕlna nˈazva.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_313.wav|i vˈɨkutɕ sfˈuj wˈaɲtsux.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_197.wav|ˌɔna ɲʲɛ jɛzd zˌaɡrɔʒˈɛɲʲɛm, zapˈɛvɲʲa bʲˈillɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_147.wav|mˈikɛ pɔvʲˈɛdʑaw, ɲʲˈɛvʲɛm dlatʃˈɛɡɔ, ˌalɛ vʲˈɛʒɛ pˈanu.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_163.wav|mwˈɔdɨ xˈarɨ jɛst tˌɨlkɔ jɛj kuzˈɨnɛm, a pˈɔsak, jˈaki zˌaɔfˌɛrɔvˈawɛm lˈadɨ ˈanɲʲɛ,|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_260.wav|ˌalɛ jˈɛɕli bˌɛɲdʑɛ mˈuɡw uvˈɔlɲitɕ ɛdmˈura, s pɛvnˈɔɕtɕɔ̃ tɔ zrˈɔbʲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_85.wav|a jˈɛdnak ɲʲɛ pˈɔʃwaʑ dɔ ʃkˈɔwɨ kˌɔsmɛtˈɨtʃnɛj.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_76.wav|tsɛrsˈɛi ɲˈiɡdɨ ɲʲɛ lubʲˈiwa, ɡdˈɨ jɛj ɕɛ spʃˌɛtɕivʲˈanɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_109.wav|tɔ, tsˈɔː ɔn zrˈɔbʲiw i dlatʃˈɛɡɔ tɔ zrˈɔbʲiw, ɲʲɛ jɛst tˈɛras tˈakʲɛ vˈaʒnɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_6.wav|kʲˈɛdɨ ˌɔtprɔvadʑˈawam bˈɛtskɨ dɔ dʒvˈi, ta ˌɔdvrutɕˈiwa ɕɛ dɔ mɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/52_segment_36.wav|ˈutɕɛkw w lˈɛvɔ, f tɕˈɛɲ ʒutsˈanɨ pʃˈɛs kˌamjɛɲˈitsɛ pʃɨ ulˈitsɨ ʃˈɛfskʲɛj, prˌɔvadʑˈɔntsɛj dɔ parkˈiŋɡu, na ktˌurɨm zɔstˈaviw tɔjˈɔtɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_287.wav|dlatʃˈɛɡɔ tɕi lˈudʑɛ ʃfɛndˈajɔ̃ ɕɛ tˈutaj, sˈusan?|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_77.wav|ɡdʑˈɛ ɲʲɛ bˌɛɲdʑɛ lˈudʑi tˈakix jˈak ja i ˈɛstɛr, ɡdʑˈɛ ɲˈikt tɕˈɛ ɲʲɛ ɔʃˈuka i ɡdʑˈɛ ɲitʃˈɛɡɔ ɲʲɛ bˌɛɲdʑɛʃ mˈuɕaw kupˈɔvatɕ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_382.wav|ˌɔtfɔʒˈɨwa ˈusta.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_76.wav|ɲʲˈɛbɔ mʲˈawɔ ɕɛ fkrˈuttsɛ rɔzjˈaɕɲitɕ. zˌapɔvʲˈadaw ɕɛ tˈɛʃ w mʲˈarɛ tɕˈɛpwɨ dʑˈɛɲ i kˈɔɲʲɛts ɔpˈaduf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_25.wav|starˈawam ɕɛ pʃˈɛstɔ jˈɛʃtʃɛ bˈardʑɛj, ʒˈɛbɨ bˈɨtɕ tˈakɔ̃, jˈakɔ̃ sˈɔbjɛ ʒˈɨtʃɨw, a mˈimɔ tɔ mˈuɕaw ɕɛ dɔmˈɨɕlitɕ, ʒˈɛ mˈɔjɛ sˈɛrtsɛ ɲʲɛ nalˈɛʒɨ dɔ ɲʲˈɛɡɔ.|3
+Dataset/wavs/urwisko_ferenc/45_segment_48.wav|mˈarja ˌɔtʃukˈawa vzrˈɔkʲɛm pˈatʃkɛ pˌapʲɛrˈɔsuf i vˈɨʃwa z ɲʲˈɔ̃ na zˈɛvnɔntʃ. vʲˈatr ɔvʲˈɔnaw jɛj tfˈaʃ i rˈɔzvʲaw vwˈɔsɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_36.wav|ɲʲˈɛxtsɛ mi ɕɛ vʲˈɛʒɨtɕ, ʒˈɛ ɔbˈɔjɛ mˈɔɡlibˌɨ mɲʲɛ ˈaʃ tˈaɡ zrˈaɲitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_234.wav|tɔ tˌɨlkɔ bˈanda pazˈɛrnɨx kutˈasuf, ktˌuʒɨ pilnˈujɔ̃ sfɔjˈɛɡɔ mˌɔnɔpˈɔlu.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_74.wav|kʲˈɛdɨ uɲʲˈɔswa ɡwˈɔvɛ, w jˈɛdnɨm z jɛj ˈɔtʃu bwɨʃtʃˈawa wzˈa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_443.wav|ktˈɔɕ mɲʲɛ pˌɔkazˈɨvaw pˈaltsɛm, jˈakaɕ paɲʲˈuɕa zˌanɔɕˈiwa ɕɛ ɕmʲˈɛxɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_78.wav|maʒ dvadʑˈɛɕtɕa lˈat.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_74.wav|ˌalɛ jˈɛɕli ɲʲɛ pʃˈɨɕlɔ̃ mi dɔ jˈutra tʃˈɛku, ɲʲɛ bˌɛndɛ s tˈɔbɔ̃ dwˈuʒɛj mˈuvitɕ, xˈɛlɛn.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_140.wav|f prɔtsˈɛɕɛ ˌɛfˌɛftsˈɛ tsˈambridʒ vˌɨkɔʒɨstˈujɛ ɕɛ rˌɔspuʃtʃˈɔnɨ xlˈɔrɛɡ vˈapɲʲa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_62.wav|ɲʲɛ zvrutɕˈiliɕmˌɨ ɕɛ dɔ ɲikˈɔɡɔ s prˈɔʑbɔ̃ ɔː ˌɔpuʃtʃˈɛɲʲɛ dˈɔmu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_45.wav|ɡdʑˈɛ jɛst tˈɛras tɛn fˈatsɛt?|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_159.wav|pˈatʃɔnts na ɲʲˈɛɡɔ spɔkˈɔjɲʲɛ i z jˈakimʑ vˌɨkalkˌulɔvˈanɨm vˌɨlitʃˈɛɲʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_191.wav|bʲˈillɨ vɨwˈuʃtʃa im fʃˈɨstkɔ f kˈuxɲi pʃɨ kˈavʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_196.wav|kʲˈɛdɨ kˈɔɲtʃɨ, rˈɔbʲi tˌɛlɛfˈɔnɛm zdjˈɛɲtɕa tripˈɔvi i pˌɔzɔstˈawɛj dvˈujtsɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_127.wav|dˈavn pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_136.wav|jˈɛdɛn ɡʲˈit tɔ kˈɔʒd dˌɔstartʃˈɛɲʲa jɛdnˈɛɡɔ ɡrˈama wadˈuŋku z ʑˈɛmi dɔː artˈɛmis, tʃɨm trˈudɲi ɕɛ kˌakˌazˈɛt.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_155.wav|ˌalɛ tsˈɔ tˈam, jɛst jˈak jˈɛst, jˈak mavʲˈali na pustˈɨɲi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_183.wav|ɔdwˈɔʒɨw lˈalkɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_4.wav|ˈaʃ tsˈɔɕ pˈɔvʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_365.wav|jˈamɛ vˈidʑaw wutʃɲˈikuf pˌɔruʃajˈɔntsɨx ɕɛ za blaŋkˈami na mˈurax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_198.wav|vzwˈɔʒɨw parˈasɔl, bˈɔ dʑˈivɲʲɛ bˈɨ vˌɨɡlɔndˈawɔ, ɡdˈɨbɨ stˈaw z ɔtfˈartɨm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_236.wav|vʲˈɛnts mˈɔʒɛ ʒˌɛtʃɨvˈiɕtɕɛ tsˈɔʑ bˌɨwɔ na ʒˈɛtʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_306.wav|pɔt stˈalɔ̃, vˈɛwnɔ̃ i ˌutfardʑˈanɔ̃ skˈurɔ̃ jˈɛɡɔ tɕˈawɔ pɔkrˈɨvaw ɡˌɔbɛlˈiɲska lˈɛtʃɛɲ s trˈupuf i ɕiɲʲˈakuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_214.wav|ˌaɲi ˈɔn, ˌaɲi ˌɔna ɲʲɛ vʲˈɛdʑɔ̃, ʒˈɛ jˈuʒ za pˈuw rˈɔku lˈiɲʲɛ vˌɨtɕɛtʃkˈɔvɛ bˌɛndɔ̃ ˌuɲʲɛrˌuxɔmjˈɔnɛ, pɔdˈɔbɲʲɛ jˈak praktˈɨtʃɲʲɛ tsˈawɨ ɕfʲˈat.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_203.wav|bˈutskɨ zamˈɨɕla ɕɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_35.wav|ɔt mʲɛʃkˈaɲtsa ɡlˈazɡɔf pɔ rˌɔsjaɲˈina.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_311.wav|kˈaʒda mˈatka zrɔbʲˈiwabˌɨ tɔ sˈamɔ, bˈɨ brˈɔɲitɕ sfˈɨɣ dʑˈɛtɕi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_73.wav|xtɕˈawbɨm vɨjˈɛxatɕ najpˈuʑɲʲɛj ɔː ˈusmɛj.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_270.wav|mˈɔja ɕˈɔstra, jˈaɲʲɛ, ɲʲˈɛma jɛj tˈutaj.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_83.wav|tˈɔm ɕɛ uɕmʲˈɛxnɔw, xˈɔdʑ bˈɛtskɨ zˌauvaʒˈɨwa, ʒˈɛ jɛzd ɡwɛmbˈɔkɔ zˌamɨɕlˈɔnɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_71.wav|f pɔwˈɔvʲɛ drˈɔɡʲi dɔ jˈɛɡɔ bjˈura naxˈɔdʑi ɡˈɔ paskˈudna mˈɨɕl.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_148.wav|tʃɨ tɔ tˌɨlkɔ na pˈɔkas?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_92.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_39.wav|sprɛ̃ʒˈɨnɨ sˈɔfɨ vɨdˈajɔ̃ s ɕˈɛbjɛ tɕˈixɨ jˈɛŋk pɔt jˈɛɡɔ tɕɛ̃ʒˈarɛm. vzmˈuʃam ɕɛ, bˈɨ spˈɔjʒɛtɕ ɔbˈɔjɡuf ˈɔtʃɨ.|4
+Dataset/wavs/urwisko_ferenc/47_segment_47.wav|ftˈɛdɨ fstˈawa ɔt stˈɔwu, pʃˈɛʃwa kˈilka krˈɔkuv dɔ fɔtˈɛla.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_21.wav|zˌapamjɛntˈawɛm tɛn dˈɔm z mɔɕˈɛ̃ʒnɔ̃ vɨvʲˈɛʃkɔ̃ xfʲɛjˈɔntsɔ̃ ɕɛ waɡˈɔdɲʲɛ ɔd vʲˈatru.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_118.wav|swɨʃˈawɛm, ʒˈɛ dʑˈiɕaj ɔblˈawaɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_179.wav|znˈuf lˈɛjɛ jˈak s tsˈɛbra i na zˈɛvnɔntʃ ɲʲˈɛma ɲˈidʑ dɔː ˌɔɡlɔndˈaɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_20.wav|ˌɔpublikˈɔvatɕ pʲˈɛrʃɔ̃ pɔwˈɔvɛ, dɔdˈajɔndʑ zvrˈɔt.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_134.wav|mˈikɛ pɔvʲˈɛdʑaw, ja xtsˈɛ, ʒˈɛbɨʑ ʒˈɨw. mˈɨɕl ˈɔɲʲɛj, mˈikɛ, mˈɨɕl ˈɔɲʲɛj, mˈikɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_82.wav|pˈɔjɛdʑ dɔ dˈallas i tˈam pˈɔvʲɛts tɔ sˈamɔ, pɔvʲˈɛdʑaw ktˈɔɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_72.wav|kˈɔmiɡz z ˈarçim tʃˈɨɲi tsˈuda.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_130.wav|pirˈatuv z mˈɛr i lˈɛs?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_83.wav|ɲʲɛ vɨdˈajɛ mi ɕɛ, ʒˈɛbɨ bˌɨwɔ mɲʲɛ ɔbˈɛtsɲʲɛ stˈatɕ na zˈakup tʃˌɛɡɔkˈɔlvʲɛk w mˌanxɛstˈɛʒɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_83.wav|ɲʲɛ ˌɔdvaʒˈɨwam ɕɛ spˈɔjʒɛtɕ na tˈɛssɛ, ktˌura dˈɔbʒɛ vʲɛdʑˈawa, ʒˈɛ tɔ ɲʲɛprˈavda.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_4.wav|ˈɛlis xtsˈɛ f tɔ vʲˈɛʒɨtɕ, ˌalɛ ɲʲɛ mˈɔʒɛ. bʲˈili kuɕtˈɨka, pʃɨtɕˈiska dwˈɔɲ dɔ lɛvˈɛɡɔ bˈɔku.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_57.wav|azjˈatka ˌɔtsunˈɛwa ɕɛ ɔt ɲʲˈɛj, jˈaɡbɨ bˈawa ɕɛ tʃˈɨmʑ zarˈazitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_78.wav|tˈɨ, skˈɔrɔ z ɲʲˈɔ̃ ɲʲɛ sˈɨpʲaʃ, mˈɔʒɛʒ zˈajɔɲtɕ strˈɨx.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_32.wav|zˌapɨtˈawam xraplˈivʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_48.wav|ˌalɛ tɛn tfˈuj pˈɔmɨsw, ʒˈɛbɨ dˈatɕ ɕɛ pˈɔʒrɛtɕ maçˈiɲʲɛ vɔjˈɛnnɛj...|2
+Dataset/wavs/urwisko_ferenc/49_segment_7.wav|pɔlˈitsjant ɲʲɛ zdʑˈiviw ɕɛ, ʒˈɛ zˌadʑvɔɲˈiwa ɔ tˈak pˈuʑnɛj pˈɔʒɛ, ˌaɲi ɲʲɛ naʒˈɛkaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_93.wav|tɔ kˌɔpulˈatsja, pʃɨjˈɛmnɔɕtɕ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_227.wav|ujˈɛwa ɡˈɔ stanˈɔftʃɔ za rˈamjɛ i vˌɨtɕɔŋɡnˈɛwa z wˈɔʒa.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_223.wav|pʃɨnˈɔʃɛ tɕi sprˌavʲɛdlˈivɔɕtɕ. pʃɨnˈɔʃɛ tɕi ɡwˈɔvɛ tfɔjˈɛɡɔ vˌaluŋkˈara.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_95.wav|f kˈɔɲtsu zˌauvˈaʒam mˈamɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_219.wav|na bjˈawɨ labʲˈirɨnd zˌabudˈɔvaɲ klaʃtˈɔrnɨx pɔɲˈiʒɛj|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_238.wav|pʃˌɛtɕɛʃ ja tˈam ɲʲɛ pɔtrˈafjɛ jˈuʒ ʒˈɨtɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_141.wav|pamjˈɛntam jˈakʲɛɕ nazvˈiska, jˈakʲɛɕ tfˈaʒɛ. vʲˈɛlɛ rˈazɨ zdavˈawɔ mi ɕɛ pɔ tsˈawɨm ɕfʲˈɛtɕɛ, ʒˈɛ vˈidʑɛ kˈɔɡɔʑ z nˈaʃɛj ʃkˈɔwɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_198.wav|znˈuf mˈɨɕli ɔː ˈɛlis. ɲˈits ɲʲɛ mˈɔʒɛ nˈatɔ pɔrˈadʑitɕ. mˈuvi sˈɔbjɛ jˈɛdnak, ʒˈɛ ta kɔbjˈɛta ɲʲɛ jɛst ɲʲˈɔ̃ i ɲˈiɡdɨ ɲʲɛ bˈɛɲdʑɛ, pɔ tʃɨm udˈɛʒa mˈɛrx f skrˈɔɲ.|2
+Dataset/wavs/urwisko_ferenc/46_segment_104.wav|pˌɔtkɔmˈisaʃ pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃ i vˈɨɕad.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_230.wav|vʲˈɛnts i ja rˌɔzɛbrˈawɛm ɕɛ ɲʲɛzdˈarɲʲɛ, tsˈɔɕ mi vˌɨlɛtɕˈawɔ z bʒˈɛŋkʲɛm s kʲɛʃˈɛɲi, klˈutʃɛ ˈalbɔ bʲˈilɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_7.wav|dʑˈiɕ ɲʲɛ mˈɨɕli ɔ tɛrˈɛɕɛ rˈaɡvin, tˌɨlkɔː ˈɔtɨm, tsˈɔ mˈuɡwbɨ napˈisadʑ w bjˈuʒɛ, kturˌɛɡɔ ɲʲɛ vˈidʑaw na ˈɔtʃɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_142.wav|pujdʑˈɛmɨ ftˈɛdɨ na drˈiŋka ˈalbɔ dvˈa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_23.wav|tʃˈuw, ʒˈɛ s tɨm pʃɛstˈɛmpstfɛm vʲˈɔ̃ʒɛ ɕɛ tsˈɔʑ zwˌɔvrɔɡʲˈɛɡɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_33.wav|s kˈaʒdɔ̃ mˌijajˈɔntsɔ̃ ɡɔdʑˈinɔ̃ jɛzd ɡˈɔʒɛj, ɲʲɛ dɔ zɲʲɛɕˈɛɲʲa, a kˈaʒda nastˈɛmpna vɨdˈajɛ ɕɛ tʃarɲʲˈɛjʃa ɔt pɔpʃˈɛdɲʲɛj.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_31.wav|kˈilka sˈɛkunt pˈuʑɲʲɛj pˌɔkɔnˈali zˈakrɛnt i znalˈɛʑli ɕɛ pʃɛd dˈɔmɛm tsˌamɛrˈɔna ɛdmˈuntsa.|3
+Dataset/wavs/urwisko_ferenc/04_segment_98.wav|— jˈuʃ? mɨɕlˈawam, ʒˈɛ dɔpʲˈɛrɔ zˌatʃɨnˈatɕɛ. zrɔbʲˈiwa zˌavʲɛdʑˈɔnɔ̃ mˈinɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_36.wav|ˈɔstʃɛɡw mɲʲɛ dˈalɛ, ˌɔpsɛrvˈujɔnts fskazˈaɲʲa mʲɛrɲˈikuf. vilɡˈɔtnɔʑdʑ vɨnˈɔɕi prˈavʲɛ zˈɛrɔ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_185.wav|— pˈuɕtɕ, dʑɛftʃˈɨnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_127.wav|pɔtrˈafi zrɔzˈumjɛtɕ, dlatʃˈɛɡɔ vˈɔlɔ̃ tɛ ʃtʃɛɡˈuwɨ pʃɛmˈiltʃɛtɕ? jɛst tʃˈarnɨm xˌaraktˈɛrɛm, vʲˈɛnts pɔ tsˈɔ fʃˈɨstkɔ ɡmˈatfadʑ ɡlɛndʑˈɛɲʲɛ mɔjˈɛɡɔ xˌɛrɔˈitʃnɛj pʃɛʃwˈɔɕtɕi?|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_194.wav|tˈam sɔ̃ rˌɛaktˈɔrɨ jɔndrˈɔvɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_64.wav|vˈidʑɛ, ʒˈɛ mˌamɨ tˌɔvaʒˈɨstfɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_93.wav|zˌastanavʲˈamɨ ɕɛ ftˈɛdɨ, tʃɨ mˈɔɡliɕmˌɨ zrˈɔbʲitɕ tsˈɔʑ vʲˈɛntsɛj, tʃɨ mˈɔɡliɕmˌɨ bˈɨdʑ bˈardʑɛj mˈili lˈub vˌɨrɔzumjˈali.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_158.wav|zjˈɛm pwˈatki zrˈɛʃtɔ̃ mlˈɛka. tɨ mˈɔʒɛʒ vʑˈɔɲtɕ sˈɔbjɛ jˈajkɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_33.wav|nastˈɛmpnɨ ɛlˈɛmɛnt plˈanu. bˈɨtɕ mˈɔʒɛ...|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_7.wav|vʲˈɛm, ˌalɛ ɲʲɛ znajdʑˈɛmɨ ʒadnˈɛɡɔ pˌɔvʲɔ̃zˈaɲʲa mʲˌɛndʑɨ dˌɔmiɲˈikʲɛm fraŋklˈinɛm a tsˌamɛrˈɔnɛm ɛdmˈuntsɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_156.wav|ˌalɛ tsˈɔ rˈɔbʲitɕ w ɔɡˈulɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_389.wav|bˌɛndɛ jˈɛʃtʃɛ prubˈɔvaw, ˌɔtpɔvʲˈɛdʑaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_181.wav|pɔ tʃɨm ɔdvrˈatsa ɕɛ plɛtsˈami dɔ ɲʲˈɛɡɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_194.wav|vlˈɛjtɕɛ dɔ ɡˈarŋka trˈɔxɛ ʑˈimnɛj vˈɔdɨ z lˈɔdɛm i zatʃɲˈijtɕɛ pɔdɡʒˈɛvatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_2.wav|pʃˈɛs krˈutkɔ̃, straʃlˈivɔ̃ xfˈilɛ ɔbˈavʲam ɕɛ, ʒˈɛ ˈaʃ ɔdmˈuvi zabrˈaɲʲɛ zˈɛ sˈɔbɔ̃ tˌɛlɛfˈɔnu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_406.wav|jˈak na ˈɔbras kɔɕtɕˈɛlnɨ spʃˈɛt pʲˈɛɲtɕu stulˈɛtɕi.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_31.wav|i xfˈilɛ pˈuʑɲʲɛj jˈuʃ ɲʲɛ bˈɨwam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_536.wav|a rˈatʃɛj f puwmrˈɔku tˌɛɡɔ pɔkˈɔju.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_111.wav|tsɔdʑˈɛnnɨm smˈɔɡʲɛm, rɔzmˈɨtɕɛm ˌɔddalˈɛɲʲa, ʒˈɛ pˌɔmɨɕlˈawɛm...|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_68.wav|ɲʲɛ f tˈɛmpʲɛ xˈɔdu spˌɔrtɔvˈɛɡɔ, ˌalɛ prˈavʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_93.wav|zamjˈɛʒam znˈuv vˈɨjɕtɕ. zadʑvˈɔɲʲɛ dɔ ɲʲˈɛj, ˌalɛ z dˈala ɔd dˈɔmu, ʒˈɛbɨ pɔlˈitsja ˈɔtɨm ɲʲɛ vʲɛdʑˈawa.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_10.wav|mˈuɕaw ɔddˈalitɕ ɕɛ ɔd ɡʲˈizmɔ, bˈɔ jˈɛɡɔ ɡwˈɔz bʒmʲˈaw swˈabjɛj.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_440.wav|i tˈak ɲʲɛ bˈardʑɔ jɛst ɔ tʃɨm mˈuvitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_181.wav|nˈaɲʲɔ̃ vwɔʒˈɨwa nˈɔvɔ̃ pˈarkɛ i rɔspʲˈɛva jˈɔ̃, bˈɨ ɔtswˈɔɲidʑ dˈɛkɔlt.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_67.wav|mˈuɕi mʲˈɛdʑ dvʲˈɛ dˈɔbrɛ kˈartɨ, xˈɔtɕ nˈatɨm ɛtˈapʲɛ ɡrˈɨ ɲʲˈɛma mˈɔvɨ ɔ tʃˈɨmɕ tˈakim jˈak pˈɛvnɨ ˈukwat. xwˈɔpak pasˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_228.wav|tɔ bˌɨwɔː ɔn dʑˈiʑ dˈumnɛ ˈimjɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_71.wav|zˈatʃɔw xˈɔdʑitɕ f tɨx sfˈɔiɣ ʒɔwɲʲˈɛrskix skarpˈɛtkaɣ vˈɔkuw stˈɔwu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_134.wav|tsˈɔ z ɲʲˈɔ̃ zrɔbʲˈiliɕtɕˌɛ? ɲˈits ɲʲˈɛmuf, tɔ znˈɔvu dɔnˈɔvɛn. vɨdˈajɛ ɕɛ, ʒˈɛ tɛ tʃˈɨ swˈɔva tɔ jˈɛɡɔ ʒɨtɕˈɔvɛ krˈɛdɔ.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_237.wav|zˌakʃɨknˈɛwa, ɡdˈɨ sˈɛr klarˈɛntsɛ vʒˈutɕiw ɕɛ dɔ ʃˈarʒɨ. tɔ bˌɨwɔ ɲʲˌɛutʃtɕˈivɛ. ɲʲɛ mˈɔɡwa vˈaltʃɨdʑ bˈɛs mˌaɡʲitʃnˈɛɡɔ mʲˈɛtʃa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_13.wav|bˈaki ɲʲɛ tɕˈɔŋɡɲʲɛ tɛmˈatu. pˌɔmɨɕlˈawɛm, ʒˈɛ pɔjˈadɛ z ɲʲˈɔ̃ na zakˈupɨ. bˌɛɲdʑɛʃ mˈukw f spɔkˈɔju vʑˈɔɲtɕ ɕɛ dɔ rɔbˈɔtɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_142.wav|ˌalɛ kˈɔnta sɔ̃ nˈadal tɔ nˈas mʲˈɛɕa, tˈak? tˈak.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_57.wav|nˈuʃa rˌɔzmavʲˈawa pʃˈɛs tɛlˈɛfɔn pʃˈɛs ɔstˈatɲiɣ dʑˈɛɕɛɲtɕ mˈinut, ˌalɛ kˈaʒdɛ pˌɔwɔntʃˈɛɲʲɛ vˌɨdavˈawɔ ɕɛ krˈutʃɛ ɔt pˌɔpʃɛdɲʲˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_70.wav|bˈɛtskɨ ˌuvaʒˈawa plˈɔtki za tsˈɔɕ tsˈawkʲɛm pʃˌɨdatnˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_9.wav|ɔ bˈɔʒɛ!|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_190.wav|rˈɛʃta ˌustavˈiwa ɕɛ f ʃɛrˈɛɡu za dʒˈɔnɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_103.wav|i ˌɔʃrɔɲʲˈɔnɛ markˈizɨ sklˈɛpuf.|0
+Dataset/wavs/urwisko_ferenc/47_segment_19.wav|vʲˈɛʃ, tsˈɔ mˈam na mˈɨɕli.|0
+Dataset/wavs/urwisko_ferenc/63_segment_192.wav|a pɔ lˈataɣ zˈɛʃliɕtɕˌɛ ɕɛ na nˈɔvɔː i xtɕˈɛliɕtɕˌɛ pˈɔzbɨtɕ ɕɛ mˈɔɲikˌi.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_29.wav|tʃɛpnˈɛwam ɡˈɔː ɔtfˈartɔ̃ dwˈɔɲʲɔ̃ f tˈɨw ɡwˈɔvɨ. ɔtskˈɔtʃɨw ɔt mˌikrɔskˈɔpu i uɕmʲˈɛxnɔw ɕɛ jˈaɡ dʑˈɛtskɔ na vˈidɔk ˌukɔxˈanɛj tɕˈɔtɕi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_141.wav|— xtɕˈawbɨɕ jˈɔ̃ zapˈɨtatɕ ˈɔtɔ rˈas jˈɛʃtʃɛ? — dˈɔbʒɛ — pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_6.wav|kʃˈɨvjɛ ɕɛ, ˌalɛ rɔzˈumjɛm, ʒˈɛ ˈaʃ mˈuɕi ɔdˈɛɡratɕ sfˈɔjɔ̃ rˈɔlɛ. jˈɛɕli tɔ vɨmˈaɡa tˈakiɣ ʒˈɛtʃɨ, tɔ tsˈuʃ, trˈudnɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_57.wav|pˈɛvɲʲɛ ktˈɔɕ, ktˈɔ rˈɔbʲi pɛdʲˈikur.|3
+Dataset/wavs/urwisko_ferenc/48_segment_11.wav|ɲˈiɡdɨ bˈɨ ɲʲɛ zˌaxɔrˈɔvaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_56.wav|tʃˌɛmu ɡˈɔ pˈan ɲʲɛ ɡˈɔɲi?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_6.wav|pʃˈɛz dʑˈɛɲ tʃɨ dvˈa sɔɲdʑˈiwam, ʒˈɛ tʃˈas pwˈɨnɔw pɔ prˈɔstu vˈɔlɲʲɛj ɲˈiʒ zvˈɨklɛ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_182.wav|ˈuɲʲu sulˈaska|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_65.wav|ɔɡlˈɔndam ɕɛ pʃˈɛs rˈamjɛ, jˈaɡbɨm ˌɔtʃɛkivˈawa krˌɨjɔntsˈɛɡɔ ɕɛ ɡdʑˈɛɕ jaɡˈɛra.|3
+Dataset/wavs/urwisko_ferenc/57_segment_42.wav|— nˈɔ ɲʲˈɛɣʒɛ pˈan pʃɨspʲˈɛʃɨ, pɔlˈitsji tˈu ɲʲˈɛma, vˈidʑaw pˈan pʃˈɛtɕɛʃ. skartɕˈiwa kʲɛrˈɔftsɛ, ktˌurɨ spˈɛwɲiw jɛj prˈɔʑbɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_149.wav|nadʑˈaɲi turˈɨɕtɕi s tsˈawɛj ʑˈɛmi pʃˌɛlatˈujɔ̃ tˈu na dvˌutɨɡɔdɲʲˈɔvɛ turnˈusɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_62.wav|ˌalɛ ˌɔɲi ftɕˈɔ̃ʃ ˌɔddɨxˈajɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_285.wav|ˌɔbjɛtsˈawa s pɔvˈaɡɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_89.wav|ɲʲɛktˌuʒɨ pɔ dʑˈiʑ dʑˈɛɲ ˌutʃɨmɨvˈali, ʒˈɛ namjˈɛstɲiɡ bˌaɛlˈɔra...|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_94.wav|ɲˈim jˈɛdnak tsɛrsˈɛi skɔɲtʃˈɨwa ɔpˈɔvʲɛɕtɕ,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_44.wav|bˈɛtskɨ ˌɔtfɔʒˈɨwa dʒvˈi i pɔnˈɔvɲʲɛ vɨɕˈadwa s sˌamɔxˈɔdu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_33.wav|kˈaʒda ɲˈitɕ, ktˌura wɔntʃˈɨwa mˈɔjɛ dʑˈɛtskɔ zˈɛmnɔ̃, w mˈɔjɛj ɡwˈɔvʲɛ zɔstˈaɲʲɛ zɛrvˈana.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_16.wav|mˈa na ˈimjɛ zˈɔɛ, jɛst mˈiwa i vʲˈɛm, dlatʃˈɛɡɔ tˈutaj pʃɛbˈɨva, ˌalɛ ɔtxˈɨlam ɡwˈɔvɛ dɔ tˈɨwu, a ɡwˈɔs mi ɕɛ wˈamjɛ, kʲˈɛdɨ mˈuvjɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_562.wav|ˌalɛ pˌɔvʲɛdʑˈawa tˈak, bˈɔ bˈawa ɕɛ vʲˈɛntsɛj pɔvʲˈɛdʑɛtɕ. i ja ˌuɲikˈawɛm swˈuf.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_50.wav|nˈuʃ, zˈapaʃ prˈɔʃɛ kˈavɛ. xtɕˈawbɨm pˌɔrɔzmˈavʲadʑ z jˈɔɛ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_21.wav|s pɛvnˈɔɕtɕɔ̃ zˈabʲiwbˌɨɕ tˈɛʃ nˈɛda stˈarka, ɡdˈɨbɨm tɕi pˌɔzvɔlˈiwa zatʃˈɨmadʑ ɡˈɔ dwˈuʒɛj.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_50.wav|nˌajvaʒɲʲˈɛjʃɛ bˌɨwɔ tɔ, ʒˈɛ ktˈɔɕ pɔprˈɔɕiw ɡˌɛnɛvʲˈɛvɛ ɔ vˈɨjɕtɕɛ na zˈɛvnɔntʃ. pʃɛtʃˈɨtam tɕˈi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_44.wav|ɲʲˈɛvʲɛm, tʃɨ jˌɛstɛm ɡɔtˈɔva z ɲˈim rɔzmˈavʲatɕ, ˌalɛ mˈuʃɛ ɔdʑˈɨskatɕ tɛlˈɛfɔn.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_219.wav|nˈadal ˌɔpwakˈujɛ ˈɔjtsa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_16.wav|mˈɔʒɛ pʃɨvrˈutɕi tɔ pˈanu pˈamjɛɲtɕ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_230.wav|nalˈɛɡaw ɛˈamɔn.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_92.wav|ɲʲˈɛvʲɛm, tʃˈɛɡɔ bˈɨɕ pˌɔtʃɛbˈɔvaw? spʃɔntˈaɲʲa? prˌasɔvˈaɲʲa?|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_178.wav|dˈalɛ tsˈɔfaw ɕɛ f strˈɔnɛ wazˈika, a ja zbliʒˈawam ɕɛ dɔ ɕfʲˈɛʒɔ pʃˌɨspavanˈɛɡɔ sxrˈɔnu pˌɔvʲɛtʃnˈɛɡɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_115.wav|tʃˈujɛ ɡˈɛɲɕɔ̃ skˈurkɛ na tsˈawɨx ramjˈɔnax, a pˈaltsɛ mi ɕɛ tʃˈɛ̃sɔ̃, kʲˈɛdɨ pˈiʃɛ ɔtpˈɔvʲɛtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_64.wav|z mʲˈɛjstsa, f ktˌurɨm ɕɛ znˌajdɔvˈawam, ɲʲɛ bˌɨwɔ vˈidatɕ pˌɔmjɛʃtʃˈɛɲʲa stɛrˈɔvɲi.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_17.wav|ɔstˈatɲi ɔttɕˈinɛɡ drˈɔɡʲi bˈɨw nˌajwatfʲˈɛjʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_291.wav|a ˈarbɔr jˈɛʃtʃɛ bɔɡˈatʃɨ ɔt ɲʲˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_146.wav|tˈak ɕɛ mˈuvi, znˈajtɕ ʃklanˈɛtʃki. pɔtʃˈɛdwɛm dɔː ˈɔkna.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_56.wav|jˈɛɕli ɕɛ ɔkˈaʒɛ, ʒˈɛ tɔ naʒˈɛɲdʑɛ zbrˈɔdɲi, tɔ bˌɛɲdʑɛ vʲadˈɔmɔ, ʒˈɛ zjˈaviw ɕɛ ɔt tɛj strˈɔnɨ. ftɕˈɔ̃ʃ jˈɛdnak ɲʲɛ vʲˈɛmɨ, tʃɨ pʲɛxˈɔtɔ̃, tʃɨ na rɔvˈɛʒɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_30.wav|mˈimɔ fʃˈɨstkɔ ɲʲɛ mˈɔɡɛ ˈɔpʃɛtɕ ɕɛ pɔkˈuɕɛ zajʒˈɛɲʲa dɔ fˌatsɛbɔˈɔka, ʒˈɛbɨ zɔbˈatʃɨtɕ, tsˈɔ mˌajɔ̃ dɔ pˌɔvʲɛdʑˈɛɲʲa ˈinɲi.|3
+Dataset/wavs/urwisko_ferenc/03_segment_6.wav|tˈɛras jˈɛdnak mʲˈawa vraʒˈɛɲʲɛ, ʒˈɛ ɕikˈɔrski sxˈardʑaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_124.wav|tˈɔm ˈuɲʲuz brvˈi.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_225.wav|i ʃˈɛrɛɡ vˌɨʃtʃɛʒˈɔnɨx stalˈɔvɨɣ zˈɛmbuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_124.wav|pɔxˈɨlɛ ɕɛ, ʒˈɛbɨ pʃˈɛtɕɔɲtɕ ɔpˈaskɛ, a pˈɔtɛm pɔvˈɔli vˌɨprɔvˈadʑɛ tɕˈɛ na zˈɛvnɔntʃ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_157.wav|uɕmʲˈɛxnɔw ɕɛ i znˈɔvu pˌɔtsawˈɔvaw jˈɔ̃ f ʃˈɨjɛ. bjˈawɔ̃ skˈurɛ mwˈutki pˌɔkrɨvˈawɨ tʃɛrvˈɔnɛ ɕlˈadɨ jˈɛɡɔː ˈust.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_102.wav|ɔt frˈɔntu znajdˈɔvaw ɕɛ plˈatsɨk. zˌatʃɨmˈawɛm ɕɛ pʃɛt kˌamjɛnnˈɨmi sxɔdˈami prˌɔvadʑɔntsˈɨmi dɔː ˌɔkrɔŋɡwˈɛɡɔ pʃɛtɕˈɔŋka.|2
+Dataset/wavs/urwisko_ferenc/06_segment_10.wav|vˌɨɡlɔndˈawa zupˈɛwɲʲɛ inˈatʃɛj. mˈawa tʃˈarna ˌɔpinˈawa jɛj krˈɔŋɡwɛ bjˈɔdra, a ʃpˈilki pˌɔtkrɛɕlˈawɨ lˈiɲʲɛ smˈukwɨx nˈuk.|0
+Dataset/wavs/urwisko_ferenc/45_segment_65.wav|pʃˌɛtɕɛʃ mˈatka zˌapwatɕˈiwa za vɨnˈajɛm mʲɛʃkˈaɲʲa dla mˈarji krˈutkɔ pˈɔtɨm, jˈaɡ vˌɨʒutɕˈiwa jˈɔ̃ z dˈɔmu.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_72.wav|ˈɔɡar pɔtpˈaliw budˈɨŋki.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_121.wav|pʃɨvʲˈɔzwɛm mˈɔjɛj swˈɔtkʲɛj dʑɛftʃˈɨntsɛ pˌɔdarˈunɛk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_106.wav|ʒˌɛtʃɨvˈiɕtɕɛ mˈiwɔ. lˈubjɛ tɛn vˈus.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_27.wav|ɔdvrˈatsam ɕɛ i zˌauvˈaʒam mɛ̃ʃtʃˈɨznɛ z ˌɔɡɔlˈɔnɔ̃ ɡwˈɔvɔ̃, ˌubranˈɛɡɔ w dʒˈinsɨ i tɕˈɛmnɔ̃ kˈurtkɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_209.wav|f tsˈawɨm zˌamjɛʃˈaɲʲu bˌɛɲdʑɛ tɔ vˌɨɡlɔndˈawɔ nˌajzupˈɛwɲʲɛj nˌaturˈalɲʲɛ, rɔzˈumjɛʃ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_147.wav|jˈɛɕli ɲʲɛ, bˌɛɲdʑɛ mˈuɕaw pʃˈɨznatɕ pʃɛt sˈɔbɔ̃, ʒˈɛ pʃˈɛstaw nˈatɔ lˈitʃɨtɕ, ʒˈɛ pɔʒˈutɕiw tˈɛ nadʑˈɛjɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_53.wav|dˈɛʃtʃ pˈadaw rˌuvnɔmjˈɛrɲʲɛ, a kˈaʒdɨ pˈɔvʲɛv vʲˈatru zʒˈutsaw na ɲʲˈɛɡɔ tɕˈɛ̃ʃkʲɛ krˈɔplɛ z lˈiɕtɕi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_58.wav|pʃˌɛtɕɛʃ ɲʲɛ mˈɔɡɛ lˈɛtɕɛtɕ, jˈɛɕli mi prˈɔp ɲʲɛ pratsˈujɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_174.wav|lɔɡʲˈitʃɲʲɛ ʒˈɛdʒ bjˈɔrɔnts i tˈaɡ zrɔbʲˈiwam vʲˈɛlki krˈɔɡ dɔ pʃˈɔdu. mʲˈawam tʃˈɨstɛ sumjˈɛɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_292.wav|pˈɛtɛr sˈam zˌaaranʒˈɔvaw tɔ mawʒˈɛɲstfɔ. pˈɔsak pˈannɨ mwˈɔdɛj bˈɨw pˈɔnɔtɕ ɲʲˌɛvʲarɨɡˈɔdnɨ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_175.wav|swˈɔɲtsɛ ɡʒˈawɔ mu plˈɛtsɨ, a vʲˈatr pʲˈɛɕtɕiw jˈɛɡɔ vwˈɔsɨ ɲˈitʃɨm pˈaltsɛ kɔbjˈɛtɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_251.wav|pʃˈɨɕlɔ̃ tˈu nˌastɛmpnˈɛɡɔ, ʒˈɛbɨ mɲʲɛ zawˈatfiw. w najlˈɛpʃɨm vɨpˈatku mˈɔɡɛ lˈitʃɨtɕ na krˈutkɔ̃ xfˈilɛ vɨtxɲʲˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_231.wav|ˌɔbwɔŋkˈanɨ krˈul ɡˈɔ zˌamɔrdˈɔvaw. w ʒˈɛtʃɨ sˈamɛj.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_10.wav|ˈandɛrsɔn pˈɔtʃɛd dɔ dʒvˈi, a pˈɔtɛm ɲʲɛ zˈamknɔw ix, zˌapɔmɲʲˈafʃɨ ˈɔtɨm,|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_399.wav|ɲʲɛktˌurɛ z ɲˈix ɕtɕiskˈawɨ w rˈɛŋkax nˌawadɔvˈanɛ, ɡɔtˈɔvɛ dɔ stʃˈawu kˈuʃɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_96.wav|ɲʲɛ mˈuɕiʒ dʑɛŋkˈɔvatɕ. zrɔbʲˈiwabˌɨm dla tɕˈɛbjɛ fʃˈɨstkɔ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_43.wav|kɕɛ̃ʒɲˈitʃka bˌɨwa jˈuʃ f tˈakim stˈaɲʲɛ, ʒˈɛ ˌutɕɛʃɨwˈɔbɨ jˈɔ̃ dɔtkɲʲˈɛɲtɕɛ ɡˌɔrɔntsˈɛɡɔ ʒɛlˈaza ˈalbɔ pˌɔpɔwˈudɲʲɛ spɛndʑˈɔnɛ na wˈɔʒu tˈɔrtur.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_511.wav|bˌɨwɛm ɡˈɔtuf f tˈamtɛj xfˈili ɔʒˈɛɲitɕ ɕɛ z ɲʲˈɔ̃ bˈɛs namˈɨswu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_67.wav|swˈɨxatɕ krˈɔki na sxˈɔdax.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_46.wav|dlatʃˈɛɡɔː akˈurat mˈilljɛ? tsˈɔ jɛst w ɲʲˈɛj takʲˈɛɡɔ vˌɨjɔntkɔvˈɛɡɔ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_47.wav|swˈɨʃɛ ɡˈɔ, a jˈɛdnak pʃˈɛs xfˈilɛ ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ ɲʲˈɛma ɔn zˈɛmnɔ̃ ɲˈits fspulnˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_213.wav|i prˈatsɨ na ʒˈɛdʒ blˈiʑɲix.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_86.wav|tʃˈas, ˈidʑɛʒ zˈɛmnɔ̃, rˌɔskazˈawa. aˈarɔn i mˈɛrtsɨ, zˌɔstajˈɛtɕɛ tˈutaj i tʃɨmˈatɕɛ tˈunɛl ɔt tˈɨwu.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_364.wav|pɔtfʲˈɛrdʑiw tɕˈixɔ kˈapwan. jɛj mˈatka nˌazɨvˈawa ɕɛ bˌɛlɔnˈara.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_58.wav|ɲʲɛ mˌamɨ ɕˈɔstrɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_55.wav|tsˈɔ ɕɛ stˈawɔ z mʲˈastɛm?|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_308.wav|i dʑˈiɕ w nˈɔtsɨ dɔmˈaɡaw ɕɛ nˌastɛmpnˈɛɡɔ, ˌalɛ mu ˌɔdmuvˈiwɛɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_62.wav|kɔbjˈɛta rˈɔbʲi krˈɔk w mˈɔjɔ̃ strˈɔnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_250.wav|jˈɛɕli maʃ tˈam bˈɨdʑ dɔpʲˈɛrɔː ɔ pʲˈɛrʃɛj, mˈɔʒɛʃ jˈɛʃtʃɛ ɡɔdʑˈinɛ zˈɔstatɕ, mˈuvi ˈɛlis, nˈavɛd dvʲˈɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_78.wav|tɕˈɛkaf jˈɛst, tʃɨ zˈɔla kʲˌɛdɨkˈɔlvʲɛk ɔpˈisaw pɔdˈɔbnɨ zvrˈɔd vɨdˈaʒɛɲ. pˈɛvɲʲɛ ɲʲɛ, zˈatɔ dʲˈitskɛns.|2
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_71.wav|pˌɔstukˈawam pˈaltsɛm w ˌɔbudˈɔvɛ tkfʲˈɔntsɛj w ˈuxu swuxˈafki, ʒˈɛbɨ ɕɛ upˈɛvɲitɕ, tʃɨ jɛzd vwɔntʃˈɔna.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_382.wav|ˌalɛ vɨɡlˈɔnda nˈatɔ, ʒˈɛ jˈɛɡɔ kˌarwɔvˈatɨ sˈɨn ˌɔbrabˈɔvaw mɲʲɛ s tɛj pʃˌɨjɛmnˈɔɕtɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_116.wav|zrɔzˈumjɛ tɔː ˌɔtʃɨvˈiɕtɕɛ, xˈɔtɕ ɲʲɛ bˌɛɲdʑɛ ʃtʃɛɲɕlˈiva.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_233.wav|ɔtɕˈɛplɛ jɛj pɔlˈitʃka, ktˌurɛ pʃɛjˈɛwa jˈɛɡɔ rˈɛŋka, f ktˌurɛj tʃˈɨmaw tˈɛraz butˈɛlkɛ ɡʲˈinu ˌɔviɲʲˈɛntɔ̃ w brɔ̃zˈɔvɔ̃ tɔrˈɛpkɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_100.wav|sˈama jɛst innˈɛɡɔ zdˈaɲʲa, ˌalɛ ɲʲɛ pˈɔra ɕɛ spʲˈɛratɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_89.wav|mˈɔʒɛ pɔjˈɛdʑɛʒ dɔ dˈɔmu i sprˈavdʑiʃ, jˈak rˈadʑi sˈɔbjɛ lˈutsɨ? jˈɛɕli jˈɛʃtʃɛ tˈu zɔstˈaɲʲɛʃ, tɔ pɔ tfˈɔim pɔvrˈɔtɕɛ bˌɛɲdʑɛ jˈuʃ w wˈuʃku.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_97.wav|rˈɛntsɛ pʃɛt ɕˈɛbjɛ, nadɡˈarstɛk pʃɨ nadɡˈarstku.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_161.wav|muɕˈawam dˈɔstatɕ pɔ wˈapax.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_51.wav|w ɕtɕˈaɲʲɛ bˌɨwa dʑˈura, tɕɔŋɡnˈɔntsa ɕɛ ɔt pɔdwˈɔɡʲi pˈɔnat jɛj ɡwˈɔvɛ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_465.wav|kˈɔnɲiŋktɔn ɔtsˈunɔw ɕɛ na rˈɛŋkax i kɔlˈanax ɔt ʃɛʒˈɔntsɨx ɕɛ pwɔmjˈɛɲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_49.wav|ɲʲˈɛznam jˈɛʃtʃɛ ɲikˈɔɡɔ, vʲˈɛnts ɲʲɛ vʲɛdʑˈawam, kˈɔɡɔ zapˈɨtatɕ ɔ jˈakʲɛɕ fˈajnɛ mʲˈɛjstsa w ˌɔkɔlˈitsɨ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_380.wav|jˈɛɕli ɡʒɛʃɲˈitsɨ pʃˌɛmavʲˈajɔ̃, dlatʃˈɛɡɔ tsnɔtlˈivi mʲˈɛlibˌɨ ix swˈuxatɕ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_120.wav|pʃˌɨdʑɛlˈiliɕmˌɨ tˈɨlɛ ˈɔsup, ˈilɛ tˌɨlkɔ ɕɛ dˈawɔ dɔː ˌɔɡlɔndˈaɲʲa nˈaɡraɲ s kˈamɛr pʃɛt mɔrdˈɛrstfɛm jaɡˈɛra i pˈɔɲim, jˈak rˈuvɲʲɛʃ s pˌɔɲʲɛdʑˈawku, dˌɔpadɲʲˈɛmɨ ɡˈɔ sˈɛr.|3
+Dataset/wavs/urwisko_ferenc/23_segment_8.wav|mˈarja vzruʃˈɨwa bɛzrˈadɲʲɛ rˌamjɔnˈami. ˈɔjtɕɛts mʲˈaw w ɡarˈaʒu rˈɔlkɛ pˈapɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_27.wav|zapˈɛvnɛ pɔmˈɨɕlaw tˈɛras, jˈak mˈawɔ w ɲˈix rˌɛalˈizmu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_16.wav|mˈam nadʑˈɛjɛ, ʒˈɛ ɲʲɛ plˌanɔvˈawaɕ tˌɛɡɔ pʃɛdˈɛmnɔ̃ ukrˈɨvatɕ, ɲitsˈɔlɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_54.wav|ɲˈiɡdɨ ˈɔɲʲɛj ɲʲɛ swɨʃˈawɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_41.wav|ʒˌɛtʃɨvˈiɕtɕɛ ɲʲˌɛɔpˈɔdal stˈawɨ tʃˈɨ pˈannɨ trˈɔʃkɛ zˌafstɨdʑˈɔnɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_34.wav|ʃtʃˈɛʒɛ mˈuvʲɔnts, bˌɨwɛm fkuʒˈɔnɨ. tɔ bˌɨwa dla mɲʲɛ vʲˈɛlka xfˈila. nalˈawɛm sˈɔbjɛ ʃkˈɔtskʲɛ i uɕˈadwɛm i zatʃˈɔwɛm ɕɛ zˌastanˈavʲatɕ, kʲˈɛdɨ bɛɲdʑˌɛmɨ ɡɔtˈɔvi na pˌɔkazˈaɲʲɛ ˌaplikˈatsji ɕfʲˈatu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_83.wav|a ɔzbˈɔrnɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_34.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/urwisko_ferenc/12_segment_153.wav|sˈɔlski vˌɨprɔstˈɔvaw ɕɛ i nˈabraw pɔvʲˈɛtʃa. nˈadaw pɔlˈitʃki, a pˈɔtɛm ɡwˈɔɕnɔ vɨpˈuɕtɕiw pɔvʲˈɛtʃɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_63.wav|ʃarpnˈɔ̃fʃɨ strˈunɨ ɡʲitˈarɨ tˈak ɕˈilɲʲɛ,|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_68.wav|tsɛrsˈɛi ɲʲɛ pˌɔtrafˈiwa sˈɔbjɛ pʃɨpˈɔmɲʲɛtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_102.wav|pˈɔvʲɛts mu, ʒ��ɛ rˌɔsstaɲʲˈɛmɨ ɕɛ f pʃɨjˈaʑɲi i kˈaʒdɨ pˈujdʑɛ f sfˈɔjɔ̃ strˈɔnɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_320.wav|ktˈɔ tɔ jˈɛst?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_188.wav|tɔ znˈatʃɨ spɔtkˈawɛm, pɔznˈawɛm, minˈɔwɛm dˈuʒɔ kˈɔbjɛt.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_222.wav|bˈɨtɕ mˈɔʒɛ ɲʲɛ fʃˈɨstkʲɛ, ˌalɛ ɲʲɛktˈurɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_134.wav|ja zˈajmɛ ɕɛ ˈindjɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_339.wav|vˈaʒnɛ jɛst jɛdˈɨɲʲɛ tɔ, ʒˈɛ pratsˈujɛ.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_239.wav|ˌalɛ pɔvˈiɲʲɛn rˈuvɲʲɛʃ litˈɔvatɕ ɕɛ nat ɲˈimi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_12.wav|prˈavda? pˌɔtakˈujɛ bʲˈillɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_28.wav|pˈɔtɛm pˌɔpɛɲdʑˈiwam f strˈɔnɛ pɔxˈɨlɲi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_66.wav|ˈujʒaw nˈaɡlɛ ʃˈɨlt sklˈɛpu z brˈɔɲʲɔ̃ i zapˈɨtaw, tʃɨ tɔ tˈutaj?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_8.wav|na ʃˈali lˈɛʒɨ bˈɔvʲɛm bˌɛspʲɛtʃˈɛɲstfɔ mˈɔjɛj rɔdʑˈinɨ, nˈavɛt jˈɛɕli ɔznˈatʃa tɔ rˌɨzɨkɔvˈaɲʲɛ vwasnˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_21.wav|tɔ tʃˈɨ vʲˈɛʒa.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_336.wav|zˌavɔwˈawa mɲʲɛ sxˈɔdʑɔndʑ z bˈarki.|1
+Dataset/wavs/urwisko_ferenc/15_segment_56.wav|— zˈɛrɔ ɕˈɛdɛm mʲˈaw ɕɛ dʑˈiɕ spˈɔtkatɕ s kˈɔrtʃɛm — pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_221.wav|tɔ pˈɛvɲʲɛ znˈatʃɨ, ʒˈɛ jˌɛstɛm zwˈɨm tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/urwisko_ferenc/33_segment_111.wav|xˈɔdɲik pɔdɡʒˈɛvaw pɔdˈɛʃfɨ ɲʲˈu balˈansuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_38.wav|vzruʃˈɨwɛm rˌamjɔnˈami i kivnˈɔwɛm ɡwˈɔvɔ̃. vɨɕˈɛdliɕmˌɨ i pɔdˈɛʃliɕmˌɨ dɔ brˈamɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_25.wav|fpˌatrujˈɛmɨ ɕɛ w ɔdbjˈɔrɲik.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_276.wav|i w zvʲˈɔ̃sku s tˈɨm, ɡdˈɨbɨ udˈawɔ ɕɛ jɛj ˈutɕɛts, bˈɨwabˌɨ dvˈa rˈazɨ ɡrɔʑɲʲˈɛjʃa ɲˈiʃ ɛdmˈurɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_85.wav|dˌɛspɛrˈatsja vˌɨpwɨvˈawa z ɲʲˈɛɡɔ tsawˈɨmi falˈami, a ja pˌɔtʃɛbɔvˈawam ɡˈɔː ˈu sfɔjˈɛɡɔ bˈɔku.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_121.wav|ˌalɛ ja ɡˈɔ kɔxˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_55.wav|bʲˈillɨ pɔdnˈɔɕi pɔjˈɛmɲik ɛˈasɨ ˈɔffa. martʲˈinɛs pˈɛvɲʲɛ nˈadal lˈɛdvɔ vˈidʑi, ˌalɛ pɔznˈajɛ tsˈɔ tɔː i kˈurtʃɨ ɕɛ f sˈɔbjɛ.|2
+Dataset/wavs/urwisko_ferenc/63_segment_21.wav|— jɛst pˈaɲi pˈɛvna?|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_222.wav|mˈam sfˈuj ɡwˈɔs.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_115.wav|a mˈɔʒɛ zˌatʃɛkˈawabˌɨm na kˈɔɡɔʑ vˌɨsɔkʲˈɛɡɔː ˈalbɔ ɡrubˈɛɡɔː i pʃˈɛʃwa ˌukrɨvˈajɔnts ɕɛ zˈaɲim?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_25.wav|ftˈɛdɨ bˌɛɲdʑɛʃ mˈukw ɕɛ nˈami zˌaɔpʲɛkˈɔvatɕ, prˈavda, kɔxˈanɨ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_479.wav|jˌɛstɛm tʃwɔvʲˈɛkʲɛm vˌɨɛmˌantsɨpɔvˈanɨm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_182.wav|tɔ pʃˈɛs tɕˈɛbjɛ, pɔvʲˈɛdʑaw. tɨ drˈaʒɲitɕ mɲʲɛ pʃˈɛs tsˈawɨ dʑˈɛɲ ftʃˈɔraj, tɨ mɲʲɛ nˌaɕladˈɔvatɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_14.wav|mɲʲɛ s kɔlˈɛi pˈɔt spwˈɨva mʲˌɛndʑɨ pʲɛrɕˈami, a vwˈɔsɨ pʃˌɨklɛˈiwɨ mi ɕɛ dɔ skˈurɨ na kˈarku.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_118.wav|nˈɔ tsˈuʃ, ɲˈits ɲʲɛ zdʑˈawam f tɛj kfˈɛstji. na ʃˈɨpki pˈɔvrut mɔʒˈɛmɨ lˈitʃɨtɕ tˌɨlkɔ ftˈɛdɨ, ɡdˈɨ jɛj ɲʲɛ znajdʑˈɛmɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_75.wav|fʃˈɨstkɔ zatʃˈɨna ɕɛ ɔt nˈɔva. lˈɔs ɕɛ nˈamɲʲɛ ˈuvʑɔw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_26.wav|vʲˈɛʃ, ʒˈɛ ɲʲɛ tʃˈuwam ɕɛ tˈutaj najlˈɛpʲɛj, a ɔn zrɔzˈumjaw fʃˈɨstkɔ, zˈaɲim w ɔɡˈulɛ mu ˈɔtɨm ˌɔpɔvʲɛdʑˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_95.wav|— nˈɔː i? — mˈuvi tsɔrˈinnɛ. — nˈɔː i? — ��tʃˈɛʒɨ ɕɛ radˈɔɕɲʲɛ bʲˈili.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_136.wav|ɲʲɛvʲˈɛlɛ mˈuɡw nˈatɔ ʒˈɛts.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_208.wav|ɡdˈɨ jˈɛɡɔ kuzˈɨnɛk ɲʲɛ ˌɔtpɔvʲˈadaw, jˈamɛ vˈɛstxnɔw.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_150.wav|a tʃɛrvˈɔnɛ, ɔbʒmʲˈawɛ swˈɔɲtsɛ viɕˈawɔ ɲˈiskɔ na ɲʲˈɛbjɛ za ʃɛrˈɛɡʲɛm mˈaʃtuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_581.wav|znˈuv zrˈɔbʲiw tˌaki rˈux ustˈami, jˈaɡbɨ pwˈukaw pɔvʲˈɛtʃɛm dʑˈɔ̃swa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_47.wav|ˌalɛ dla kˈɔɡɔɕ tˈak sprˌaɡɲʲɔnˈɛɡɔ miwˈɔɕtɕi jˈak jˈa, vˌɨstartʃajˈɔntsɔ dwˈuɡɔ, ʒˈɛbɨ bˌɨwa dla mɲʲɛ fʃˈɨstkim.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_262.wav|tɔ bˌɨwa vˈɔjna dʑˌɛvʲɛɲtɕˌɔɡrɔʃˈɔvɨx krˈuluf?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_7.wav|ɲʲˈɛmam ɔxˈɔtɨ. xˈɨba bˈɨm ɕɛ ɲʲɛ pɔfstʃˈɨmaw. mˌamɨ tˈam fˌuŋktsjɔnarjˈuʃɛ na vɨpˈadɛk, ɡdˈɨbɨ jɛj mˈɔ̃ʒ zjˈaviw ɕɛ w dˈɔmu lˈup ktˈɔʑ zdˌɛtsɨdˈɔvaw ɕɛ ɡˈɔ tˈam pɔʃˈukatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_211.wav|pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_61.wav|jˈasnɛ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_291.wav|— pˈɔvʲɛts mi, tsˈɔ z mˈɔim sˈɨnɛm? tʃɨ nˈadal jɛst krˈulɛm?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_12.wav|ɔtpˈarwa. vˈɨtʃuw w jɛj ɡwˈɔɕɛ ˈuɕmʲɛx i dɔmˈɨɕliw ɕɛ, ʒˈɛ patʃˈɨwa vwˈaɕɲʲɛ na xarˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_339.wav|w dʑˈɛɲ dʑɛvˈitsɨ|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_449.wav|pˌɔvʲɛdʑˈawa dˌɔranˈɔvi ˌɔdʒutsˈajɔnts ˌɔstatɲʲˈɛɡɔ s kˌandɨdˈatuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_23.wav|akˈurat kʲˈɛdɨ rˌɔspʲɛpʃˈɨliɕmˌɨ fabrˈɨkɛ dˈɔdaw dˈalɛ, vˌɨkrɛntsˈajɔnts nɛrvˈɔvɔ dwˈɔɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_70.wav|jɛst prˈavʲɛ pˈɛvna, ʒˈɛ fˈatsɛt ˈɔrʒnɔw jˈɔ̃ na tsˈatsɨ, ˌalɛ mˈa tɔ ɡdʑˈɛɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_199.wav|mˈuɕi pʃˈɛjɕtɕ i zɔbˈatʃɨtɕ rˈas jˈɛʃtʃɛ. i ʒˈɛ pɔtʃˈɛba mu tˌɛɡɔ bˈɨwɔ, vidˈɔku pustˈɨɲi, ɡˈur i pʲˈasku.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_69.wav|pˌɔvʲɛdʑˈawɛɕ tɔ tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ ɡˈɔ ɲʲɛ lˈubʲiʃ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_192.wav|zdʑˈiviw ɕɛ, ɡdˈɨ tsɛrsˈɛi vʑˈɛwa ɡˈɔ w ramjˈɔna i pˌɔtsawɔvˈawa f tʃˈɔwɔ.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_209.wav|zastʃˈɛɡwa. ɲʲɛ ftʃˈɛɕɲʲɛj.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_155.wav|ˈɔtʃɨ tˈak ˌintɛnsˈɨvnɛ, ʒˈɛ budʑˈiwɨ jˈakiɕ lˈɛŋk pˈɛwɛn tʃuwˈɔɕtɕi.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_92.wav|dˌɔturlˈawam ɕɛ dɔ pʲˈɛrʃɛj lˈiɲʲi rˈur. nat tsˈawɔ̃ kɔnstrˈuktsjɔ̃ ɡˌurɔvˈawɨ tʃˈɨ ɔɡrˈɔmnɛ zbjɔrɲˈiki tɕˌiɕɲʲɛɲʲˈɔvɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_139.wav|nadjˈɛʒdʒa samˈɔxut, ktˌurɨ rˈaptɛm tʃˈɨ minˈutɨ ftʃˈɛɕɲʲɛj bˈɨwbɨ zvʲastˈunɛm jˈɛɡɔ zɡˈubɨ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_191.wav|kɔbjˈɛta vˌɨɡlɔndˈawa rˈatʃɛj na zˌatɕɛkavʲˈɔnɔ̃ ɲˈiʃ na fstʃɔ̃ɕɲʲˈɛntɔ̃. zˈafʃɛ mɨɕlˈawam, ʒˈɛ ɡˈɔ pɔvʲˈɛʃɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_82.wav|rˈatsja, tˌɨlkɔ ʒˈɛ vˈaʃɛ fˈilmɨ ɲʲɛ mˈuvjɔ̃, tsˈɔ ɕɛ pɔvˈinnɔ z ɲˈimi rˈɔbʲitɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_22.wav|mˈuɡw dɔwˈɔntʃɨdʑ dɔ ɡrˈub dˌɨskusˈɨjnɨx, dɔ ktˌurɨx ja rˈuvɲʲɛʃ nalˈɛʒɛ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_324.wav|xwˈɔpak, ktˌurɨ vɨɡlˈɔndaw zupˈɛwɲʲɛ jˈak rˈɛnlɨ,|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_207.wav|ɲʲɛktˌuʒɨ z ɲˈiɣ bˌɨli rannˈɨmi, sˈɔndʑɔnts s tˈɛɡɔ, jˈak ɕɛdʑˈɛli f ɕˈɔdwax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_234.wav|rɔmbnˈɔwɛɕ mɲʲɛ, mˈuvi sˈal i xfʲˈɛjɲʲɛ rˈɔbʲi krˈɔɡ dɔ tˈɨwu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_88.wav|a jɛj ˈɔstrɛ ɔdwˈamki vɲiknˈɛwɨbˌɨ pɔt mˈɛblɛ i fʃtʃɛlˈinɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_26.wav|ˈaʃ mˈarʃtʃɨ tʃˈɔwɔ. zapˈɛvnɛ mˈɨɕli ˈɔtɨm sˈamɨm, tsˈɔ jˈa. xfˈɨtam ɡˈɔ vʲˈɛndʑ za rˈɛŋkɛ i ɕtɕˈiskam.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_25.wav|ˌalɛ vɨkˈazaw ɕɛ rɔssˈɔntkʲɛm, pˌɔʒutsˈajɔnts tɛn pˈɔmɨsw.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_122.wav|ɔ bˈɔʒɛ, ɲʲɛ!|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_167.wav|ʒˈɛbɨ ɔtɕˈɛplitɕ tɛn ɲʲɛʒˈɨvɨ dˈɔm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_55.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, ˌalɛ zdˈajɛ ɕɛ, ʒˈɛ tɛ zvʲɛʒˈɛnta bˌɨwɨ pʃɛt pˌanɔrˈamɔ̃, tɨm stˈarɨm xɔtˈɛlɛm, tsˈɔ ɕɛ spˈaliw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_4.wav|bˈudʑɛ ɕɛ jˈɛdnaɡ dˈɔɕtɕ ftʃˈɛɕɲʲɛ pɔ ɲʲˌɛspɔkˈɔjnɛj nˈɔtsɨ i sxˈɔdʑɛ na dˈuw nˈapitɕ ɕɛ kˈavɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_245.wav|a dʑˈura f skafˈandʒɛ pruʒɲʲˈɔvɨm ɲʲɛ jɛst tfˈɔim pʃˌɨjatɕˈɛlɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_137.wav|pˈɔza tɨm muɕˈawam pʃˈɨjɔɲtɕ, ʒˈɛ prˌɔpɔzˈɨtsja ˌɔtpuʃtʃˈɛɲʲa ɡʒˈɛxuv w zˈamjan za vɨdˈaɲʲɛ trˈɔnda bˌɨwa ɲʲˌɛaktuˈalna.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_369.wav|ˌalɛ ta kɔbjˈɛta vɨdˈawa mi ɕɛ skˈɔndʑ znajˈɔma, jˈaɡbɨ z mwɔdˈɔɕtɕi, z ˈinnɛj ɛpˈɔki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_108.wav|f ktˈurɨmɕ mɔmˈɛɲtɕɛ tˌɛɡɔ lˈata, ˌupwɨvˌajɔntsˈɛɡɔ pɔd znˈakʲɛm zmʲˈan tˌɔʃsamˈɔɕtɕi, bʲˈillɨ pɔnˈɔvɲʲɛ tʃˈɨta ˈɔpis ɕmʲˈɛrtɕi bˈɔba rɛˈinsa i puʑɲʲˈɛjʃɛj rɔsprˈavɨ.|2
+Dataset/wavs/urwisko_ferenc/18_segment_73.wav|pˈɔtʃuw ɕɛ nˈaɡlɛ tˈak, jˈaɡbɨ pɔdɡlˈɔndaw tˈɛ rɔdʑˈinɛ z ukrˈɨtɕa.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_53.wav|tsˈɔraz vʲˈɛntsɛj tʃˈasu spɛndʑˈawa w wˈɔʒu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_196.wav|jˈakiʑ ɡˈaŋk? pˈɨta bʲˈillɨ. mˈɔʒɛ krˈips? pˈɔtpad im?|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_210.wav|pʃˈɛttɛm vˌɨdavˈawɔ ɕɛ, ʒˈɛ tɔ dˈɔbrɨ pˈɔmɨsw, bˈɨ rˈɔbʲiw jˈak najvʲˈɛntsɛj xawˈasu. tˈɛras ɲʲˌɛkɔɲʲˈɛtʃɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_149.wav|ktˈɔɕ tˈak ɲʲɛvʲˈɛlɛ znatʃˈɔntsɨ jˈaɡ ɡˌɛnɛvʲˈɛvɛ, ktˈɔ dˈɔstaw kˈɔʃa ɔt ɲʲˈɛɡɔ, ɲʲɛ vzbˈudʑaw ʒadnˈɛɡɔ zˌaintˌɛrɛsɔvˈaɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_81.wav|ɡdʑˈɛ f tɨm fʃˈɨstkim jɛstˌɛɕmɨ mˈɨ?|3
+Dataset/wavs/urwisko_ferenc/22_segment_6.wav|vʑˈɔw prˈɨʃɲits, dˈaw kˈilka smˈatʃkuf klˈustsɛ, ktˌurɨ zamˈɛrdaw ɔɡˈɔnɛm i vɨvˈaliw jˈɛ̃zɨk.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_148.wav|tˌɛɡɔ vʲɛtʃˈɔru ˌɔdvʲɛdʑˈiwam sfˈɔjɔ̃ ˌulubjˈɔnɔ̃ knˈajpɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_76.wav|ɲʲɛ udˈawɔ ɕɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_59.wav|pˌɔvʲɛdʑˈawɛm tɕˈi, ˈabɨɕ tˌɛɡɔ ɲʲɛ rɔbʲˈiwa, pˌɔvʲɛdʑˈawɛm tɕˈi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_29.wav|tʃasˈami çistˈɔrjɛ pɛvnˈɛɡɔ rɔsstˈaɲʲa sɔ̃ zabˈavnɛ, tʃasˈami smˈutnɛ, ˌalɛ mˈɔi kɔlˈɛdʑɨ i kˌɔlɛʒˈaŋki lˈubjɔ̃ ɔ ɲˈiɣ dˌɨskutˈɔvatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_34.wav|bˈɨw ftˈɛdɨ ɲʲɛznˈɔɕnɨ, a dʒvˈi ʃˈɔpɨ bˌɨwɨ ɔtfˈartɛ, vʲˈɛndʑ vbjˈɛɡwam dɔ ɕrˈɔtka. ɲʲɛ muvˈiwam prˈavdɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_123.wav|ɡwˈupʲɛ zvaʒˈɨfʃɨ nˈatɔ, tsˈɔ zrˈɔbʲiw, ˌalɛ pravdʑˈivɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_50.wav|ɲʲɛ zˌapwatɕˈiwaɕ xˈɨba zˈaɲʲɛ, tsˈɔ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_36.wav|vˌɨdavˈawɔ ɕɛ, ʒˈɛ nˈatɔ pɨtˈaɲʲɛ bˌɨwɔː aʃˈɔvi znˈatʃɲʲɛ wˈatfʲɛj ˌɔtpɔvʲˈɛdʑɛtɕ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_457.wav|s xˈɛɲtɕɔ̃ vˈɨʃwabˌɨm za mˈɔ̃ʃ, ˌalɛ kˌandɨdˈatɕi, ktˌurɨx mi pʃˌɛtstavʲˈawɛɕ, ɲʲɛ bˌɨli ɲˈitʃɨm ˈinnɨm jˈaɡ zɲʲɛvˈaɡɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_15.wav|nˌadʲinspˈɛktɔr dɔˈuɡlas jɛzd zajˈɛntɨ. prˈɔɕiw jˈɛdnak, ʒˈɛbɨm pˌɔtkrɛɕlˈiwa jˈɛʃtʃɛ rˈas kɔɲʲˈɛtʃnɔɕtɕ pʃˌɛkazɨvˈaɲʲa nˈam fʃˈɛlkix ˌinfɔrmˈatsji na kˈaʒdɨ tˈɛmat.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_102.wav|tɔ s kˈaʒdɔ̃ xfˈilɔ̃ stˈajɛ ɕɛ tsˈɔraz dʑivɲʲˈɛjʃɛ. ɲʲˈɛvʲɛm jˈuʃ, jˈakʲɛ pɨtˈaɲʲɛ pɔvˈinnam zˈadatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_30.wav|zamjˈɛʒaʃ mi pɔvʲˈɛdʑɛtɕ, tsˈɔ ɕɛ dʑˈɛjɛ?|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_10.wav|tʃɛkˈajɔnts nˈaɲ ˈu kˈɔɲtsa zvˌɔdʑɔnˈɛɡɔ mˈɔstu na kˌaʃtanɔvˈatɨm rumˈaku s tʃɛrvˈɔnɔbwɛŋkˈitnɨm ʒˈɛndɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_190.wav|kfˈadrans pɔ tʃfˈartɛj nat rˈanɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_31.wav|frˈaŋk ˌɛmtsˈɛ ˈintɔʃ ɕɛ ɕmʲˈɛjɛ, mˈilkɲʲɛ jˈɛdnak i kʃɨʒˈujɛ rˈɛntsɛ na pʲˈɛrɕi, kʲˈɛdɨ majˈɔran wˈɨpʲɛ na ɲʲˈɛɡɔ spˈɔt ˈɛwba.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_262.wav|pˌɔstanɔvˈiwa, ʒˈɛ bˌɛɲdʑɛ ɕɛ radˈɔvatɕ tɕˈiʃɔ̃, ʒˈɛ vˌɨkɔʒˈɨsta tɛn tʃˈas, bˈɨ vɨzdrˈɔvʲɛtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_94.wav|tɔ ɲʲɛ jɛst matˈɛrjaw na bˈajkɛ na dɔbrˈanɔts?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_51.wav|dʑˈɛŋki bˈɔɡu sɔ̃ jˈɛʃtʃɛ lˈudʑɛ z zˌasadˈami pɔmˈɨɕlaw tˈɔm.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_336.wav|vˈɔlɛ bˈɨtɕ ɔstrˈɔʒna.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_34.wav|ja sˈam mu tɔ pˈɔvʲɛm.|0
+Dataset/wavs/urwisko_ferenc/14_segment_26.wav|kˈim ˌɔna jˈɛst?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_8.wav|ɡdʑˈɛ lˈɛʒɨ lˈinkɔln ʃˈɛr? tʃɨ tɔ ftɕˈɔ̃ʃ ˈaŋɡlja?|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_181.wav|tɔ jɛzd ʒˈɛtʃ, ktˌurɔ̃ tɨ dˈɔbʒɛ znˈaʃ i vʲˈɛʃ, jˈak tɔ zrˈɔbʲitɕ. tˈɛras kwˈamjɛʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_128.wav|praktˈɨtʃnɛ rˌɔzvʲɔ̃zˈaɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_27.wav|jˈak wˈatfɔ ɕɛ pɔddˈajɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_5.wav|mʲˈɛʃkam w artˈɛmis.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_343.wav|pˌɔmɨɕlˈawa, fxˈɔdʑɔnts w mˈɨr tʃˈɛtɕim pˈaltsɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_20.wav|tʃˈɛɕtɕ, nˈuʃa.|4
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_75.wav|vˈɨjɔw spˈɔt kˌɔntuˈaru sfˌatɨɡɔvˈanɨ stˈarʃɨ mˈɔdɛl z napˈisɛm vwˈasnɔɕtɕ artˈɛmis xˈajat s tˈɨwu ˌɔbudˈɔvɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_18.wav|dˈalɛ i bˈɔp s xˈukʲɛm vɨlˈɛtsɔ̃ z ɡʲˈildji, ˌalɛ ja nˈavɛt ɲʲɛ dɔʒˈɨjɛ tɛj xfˈili, bˈɔ lɔjˈalɲi prˌatsɔvɲˈitsɨ kˌɔmbʲinˈatu zˌakatrˈupjɔ̃ mɲʲɛ na mʲˈɛjstsu.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_25.wav|vˌɨɡʒɛbˈawam ɡˈɔ s kʲɛʃˈɛɲi i spɔjʒˈawam na vɨɕfʲˈɛtlatʃ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_87.wav|nˈajpʲɛrf mˈuɕiʃ ɕɛ vˈɨmɨtɕ i nˈajɛɕtɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_47.wav|w jɛj ɡwˈɔɕɛ swˈɨʃɛ stwumjˈɔnɔ̃ ˌɛkstsɨtˈatsjɛ, jˈaɡbɨ bˌɨwa pˌɔdɲʲɛtsˈɔna fˈaktɛm ˌutʃɛstɲitʃˈɛɲʲa, xˈɔdʑbɨ pˌɔbjɛʒnˈɛɡɔ f tˈakim dramˈatɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_29.wav|ˈɔbɨɕ mʲˈaw rˈatsjɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_218.wav|ɲˈiɡdɨ ɲʲɛ bˌɨwɔ tɔ nˈaʃɨm zamjˈarɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_45.wav|mˈuʃɛ bˈɨtɕ w lˈɛpʃɨm stˈaɲʲɛ, kʲˈɛdɨ ɕɛ z ɲʲˈɔ̃ spˈɔtkam. mˈɔja tsurˈɛtʃka zˌaswuɡˈujɛ vɨwˈɔntʃɲʲɛ na dˈɔbrɨ nˈastruj.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_185.wav|ɲʲɛ mʲˌɛli vˈina. dˈarjɔn ɔbjˈɛtsaw, ʒˈɛ kˈupi im trˈɔxɛ za pʲɛɲʲˈɔndʑɛ, ktˌurɛ zarˈɔbʲiw ɕpʲɛvˈajɔnts.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_39.wav|pamjˈɛntaʃ, jˈak prɔɕˈiwam tɕˈɛ ɔ dˌɔdatkˈɔvɛ pʲɛɲʲˈɔndʑɛ na vɨtɕˈɛtʃkɛ lˈutsɨ dɔ lɔndˈɨnu pˈarɛ tɨɡˈɔdɲi tˈɛmu?|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_82.wav|ɔt tsˌuiɕˈinɛ tɔ ɲʲɛ jˈɛst, mˈuvi xˈarɨ, ˌalɛ lˈɛpʃɛ tɔ ɲˈiʃ lˈantʃ s tɔrˈɛpki.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_29.wav|vidʑˈawa, ʒˈɛ ˌɔdjɛʒdʒˈamɨ, ˌalɛ ˌɔdvrutɕˈiwa ɕɛ plɛtsˈami.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_10.wav|ɲʲɛ pˈɔzvul, ʒˈɛbɨ fʃˈɨstsɨ skˌɔntsɛntrɔvˈali ɕɛ tˌɨlkɔ nˈaɲim.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_22.wav|i znalˈɛʑliɕmˌɨ ɕɛ na ɲʲɛvʲˈɛlkʲɛj pɔlˈaɲʲɛ ˌɔtɔtʃˈɔnɛj ɲˈitɔ pˈarkʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_134.wav|planˈujɛ tʃˈɨmatɕ samˈɔxut na vʲˌɛlɔpˌɔʑɔmˈɔvɨm parkˈiŋɡu w mʲˈɛɕtɕɛ. trˈɔxɛ rˈuxu dˈɔbʒɛ mi zrˈɔbʲi. klˈɛpʲɛ ɕɛ pɔ ʃtˈutʃnɨm bʒˈuxu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_315.wav|nˌapastlˈivɛ sɨɡnˈawɨ karˈɛtɛk.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_15.wav|dɔmˈiɲik fstˈaw z wˈuʃka.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_34.wav|ɲʲˌɛpravidwˈɔvɛ vˌɨkɔʒˌɨstɨvˈaɲʲɛ ɕlˈuzɨ pɔvʲˈɛtʃnɛj tɔ ʃˈɨpki i skutˈɛtʃnɨ spˈɔsup na ˌuɕmʲɛrtsˈɛɲʲɛ fʃˈɨstkix mʲɛʃkˈaɲtsuv bˈaɲki.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_373.wav|vrˈublɛ tʃasˈami jˈɛ tˈu pʃˌɨprɔvadʑˈajɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_87.wav|ˌɔna jɛzd ʒˈɔnɔ̃ krˈula i...|1
+Dataset/wavs/urwisko_ferenc/43_segment_52.wav|pˈan ʒartˈujɛ, ˌɔbuʒˈɨwa ɕɛ xˈɛrman.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_124.wav|tʃɨ bˌɨwɨ mɔˈimi tɛ dʑɛftʃˈɨnɨ ˈalbɔ kɔbjˈɛtɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_56.wav|pʃɨ dˌɔmɲʲɛmˈanɨm sprˈaftsɨ znˌalɛʑˈɔnɔ lˈitʃnɛ dɔvˈɔdɨ tˌɔʃsamˈɔɕtɕi i kˈartɨ krˌɛdɨtˈɔvɛ.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_183.wav|w lˈɛɕɛ ɲˈits ɲʲɛ ˈumkɲʲɛ ix spɔjʒˈɛɲʲu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_6.wav|ktˈɔɕ, kˈɔɡɔ ɲˈikt ɲʲɛ znˈa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_21.wav|ˈaʃ pˈɔtʃuw kfˈaɕnɨ pˈɔsmak w ˈustax i pʃˈɛwknɔw ɕlˈinɛ. ɲʲˈɛmuɡw w ʒˈadɛn spˈɔsup ɔkˈazatɕ sfɔjˈɛɡɔː ˌɔbʒɨdʑˈɛɲʲa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_13.wav|dʑɛftʃˈɨŋka vʲɛdʑˈawa, ʒˈɛ kɔbjˈɛta ɕɛ zblˈiʒa. vidʑˈawa zˈarɨs jɛj sɨlvˈɛtki pʃˈɛs pwˈaxtɛ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_133.wav|vˈaʃa mˈiwɔɕtɕ jɛst waskˈava.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_86.wav|a jˈɛɕli tɕi ɲʲˈɛdam, tɔ sˈam dɔ ɲʲˈɛj tˈak tʃɨ ˈɔvak pɔjˈɛdʑɛʃ, prˈavda?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_42.wav|ˌɔstʃɛʒˈɛɲʲɛ pʃɨjˈɛntɛ. ɔpˈɔvʲɛts mi ɔ tʃˈɨmɕ ˈinnɨm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_506.wav|na ʃklˈanɛj puwˈɛtʃtsɛ zˌɔbatʃˈɨwɛm ɲʲɛznˈanɛ mi ɛtˈui zˈɛ ʃmˈiŋkɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_550.wav|tʃɨ tɔ pˈɛvnɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_320.wav|uɲˈikɲʲɛʒ dˌɛpɔrtˈatsji.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_8.wav|mɛ̃ʃtʃˈɨʑɲi ˌuɕtɕisnˈɛli sˈɔbjɛ dwˈɔɲʲɛ. xˈɔtɕ tˈɔm bˈɨw vɨsˈɔkim mɛ̃ʃtʃˈɨznɔ̃, pʃɨ jˈumbɔ zˈafʃɛ tʃˈuw ɕɛ jˈak krˈasnal.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_200.wav|dˈatɨ jˈɛʃtʃɛ ɲʲɛ vˌɨznatʃˈɨli, ˌalɛ ɲʲɛ ftʃˈɛɕɲʲɛj ɲˈiʒ w ɡrˈudɲʲu. dɔ tˌɛɡɔ tʃˈasu mˈuɕi pˈidʑ dˈuʒɔ kɔktˈajli bjawkˈɔvɨx i ɔbʒˈɛratɕ ɕɛ jarmˈuʒɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_107.wav|pamjˈɛntaj, ʒˈɛ jˌɛstɛɕ f tɨm krˈaju ɲʲˌɛlɛɡˈalɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_39.wav|mˈuvi mˌɔnɔtˈɔnnɨm ɡwˈɔsɛm, jˈaɡbɨ tɔ fʃˈɨstkɔ ɲʲɛ mʲˈawɔ dla ɲʲˈɛj ʒadnˈɛɡɔ znatʃˈɛɲʲa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_4.wav|pˌɔzɔstavˈawɔ mu tʃɛkˈaɲʲɛ, ˈaʃ sˈandɨ lˈup jˈumbɔ pʃɛkˈaʒɔ̃ nˈɔvɛ ˌinfɔrmˈatsjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_67.wav|vˌɨpɛwɲˈiwam jˈɛɡɔ pˌɔlɛtsˈɛɲʲɛ i pʃˌɨɡlɔndˈawam ɕɛ, jˈak starˈanɲʲɛ ɔdmʲˈɛʒa i zaznˈatʃa pˈuŋktɨ na tsˌɨlindrˈɨtʃnɛj ɕtɕˈaɲʲɛ sxrˈɔnu.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_107.wav|tɔtʃˈɨli tˈɛ rɔzmˈɔvɛ jˈuʃ tʃfˈartɨ tʃɨ pʲˈɔntɨ rˈas.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_223.wav|pʃɨvrˈutɕiw ɡˈɔ dɔ zdrˈɔvja. ɔɕˈɔŋɡnɔw xˈɔtɕ tˈɨlɛ.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_413.wav|vˈinɔ bˌɨwɔ tɕˌɛmnɔtʃɛrvˈɔnɛ, swˈɔtkʲɛ i mˈɔtsnɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_260.wav|pɔvʲˈɛdʑaw i uɕmʲˈɛxnɔw ɕɛ dɔ mɲʲɛ z mˈinɔ̃ zˌadufanˈɛɡɔ f sˈɔbjɛ ɡnˈɔjka. nˈɔ vʲˈɛnts pɔ tsˈɔ tɕi bˌɨwa ta ˈaktsja s kˌɔmbajnˈami?|4
+Dataset/wavs/urwisko_ferenc/62_segment_52.wav|ftɕˈɔ̃ʒ bˈaviw ɕɛ brɛlˈɔkʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_169.wav|tsˈɔ tɔ vwaɕtɕˈivʲɛ znˈatʃɨ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_51.wav|pɔ tʃɨm pˈɨta ɡˈɔ, dlatʃˈɛɡɔ ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_121.wav|dʑɛftʃˈɨna sprˈavja vraʒˈɛɲʲɛ ˌɔdrɔbʲˈinɛ fstʃɔ̃ɕɲʲˈɛntɛj, mˈɔim brˈakʲɛm mˈaɲʲɛr, ˌalɛ mɛ̃ʃtʃˈɨzna ɔdvrˈatsa ɕɛ dɔ mɲʲɛ z uɕmʲˈɛxɛm.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_200.wav|pʃɨprˈɔvadʑ ɡˈɔ dɔ mˈɔjɛj samˈɔtɲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_291.wav|fstˌɛmpɔvˈaliɕmˌɨ pɔ sxˈɔdax...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_60.wav|kˈiva pɔvˈɔli ɡwˈɔvɔ̃. ˈufam jɛj, ˌalɛ ɲʲɛ na tˈɨlɛ, ʒˈɛbɨ vˈɨznatɕ prˈavdɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_24.wav|pʃˌɨpɔminˈawa trˈɔxɛ kɔbjˈɛtɛ, ktˌurɔ̃ pɔznˈawa bˈɛtskɨ, xˈɔtɕ ta na zdjˈɛɲtɕu ɲʲɛ ɡʒɛʃˈɨwa skrˈɔmnɨm mˌakijˈaʒɛm i strˈɔjɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_182.wav|jˈakaɕ rˌɨzɨkˈɔvna xˈɛɲtɕ, ʒˈɛbɨ ʒˈutɕitɕ ɕɛ na wˈɛp, na ʃˈɨjɛ, pʃɛt ɕˈɛbjɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(36) R.Abbott_Zamknij Drzwi_segment_22.wav|ɡdʑˈɛ tɨ jˌɛstɛɕ tsurˈɛtʃkɔ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_45.wav|ɕtɕisnˈɛwɔ mɲʲɛ w ɡˈardlɛ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_129.wav|ftrˈɔɲtɕiw tʃwˈɔvʲɛɡ z mˌɔnɛtˈami. ˌalɛ ʒˈɛbɨ mʲˈɛʒɨtɕ ɕɛ z ɔɡˈarɛm, tʃˈɛba bˈɨtɕ ʃalˈɛɲtsɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_90.wav|kˌɔntsɛntrˈujɛ ɕɛ na ˌɔddɨxˈaɲʲu. vdˈɛx, vˈɨdɛx, pɔvˈɔli dˈam rˈadɛ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_416.wav|pʃɨpˈɔmɲʲaw frˈɛjɔm.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_52.wav|bˌɨwɔː ix tˈaɡ vʲˈɛlɛ, ʒˈɛ ˈarjan stratɕˈiwa raxˈubɛ.|1
+Dataset/wavs/urwisko_ferenc/23_segment_108.wav|nˈavɛt jˈɛɕli jɛst tˈak, jˈak pˈan mˈuvi, tɔ jˈɛdnak stˈavja sɔlskʲˈɛɡɔ w ɡrˈɔɲʲɛ pˌɔdɛjʒˈanɨɣ zvʲɔ̃zˈanɨɣ z jɛj zˌaɡʲiɲʲˈɛɲtɕɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_34.wav|tɔ parʃˈɨvɛ utʃˈutɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_74.wav|ɲʲɛ mˈɔʒɛ tˈak jˈɛxadʑ zbˈɨd dwˈuɡɔ. ˈumʒɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_99.wav|vwˈaɕɲʲɛ pʃˌɨlɛtɕˈawɛm dɔ mˌanxɛstˈɛru. ɲʲɛ mˈɔɡwɛm dwˈuʒɛj s tɨm tʃˈɛkatɕ, vʲˈɛnts fkrˈuttsɛ ɕɛ zˌɔbatʃˈɨmɨ, spˈikɛ. mˌamɨ tˈɨlɛ dɔ nˌadrɔbjˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_160.wav|a tɕi lˈudʑɛ sɔ̃ tˈu ˈɔptsɨ.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_354.wav|pˌɔvʲɛdʑˈawam jˈuʃ, tsˈɔ mʲˈawam dɔ pˌɔvʲɛdʑˈɛɲʲa.|1
+Dataset/wavs/urwisko_ferenc/62_segment_38.wav|w jˈakim tsˈɛlu jˈɛ pˈanu pɔkˈazaw?|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_104.wav|jˌɛstɛʑ ʒɔnˈatɨ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_134.wav|nˈatɨm pɔlˈɛɡaw pʃˌɛtɕɛʃ tɛn pˈɔmɨsw, prˈavda?|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_59.wav|dˈɔsɨdʑ ɡwˈupja nˈazva, jˈaɡbɨ ɕɛ nˈattɨm zˌastanˈɔvitɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_3.wav|tʃˈas ɕɛ zbjˈɛratɕ, ˈalfjɛ.|3
+Dataset/wavs/urwisko_ferenc/18_segment_75.wav|ftˈɛdɨ zˈɛrknɔw f kʲɛrˈuŋku salˈɔnu.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_62.wav|i zˌavʲadˈɔmiw ix kʃˈɨkʲɛm, ʒˈɛ fxˈɔdʑi na pˈɔkwat.|1
+Dataset/wavs/urwisko_ferenc/54_segment_11.wav|dnˈɔ jˈuʃ nˌapravʲˈɔnɛ? spˈɨtaw, ɡdˈɨ ɕɛ pʃˌɨvitˈali.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_259.wav|vʲˈɛm jˈuʃ na tɛn tˈɛmad bˈardʑɔ vʲˈɛlɛ, ˌalɛ jˈakʲɛɕ ʃtʃɛɡˈuwɨ mˈɔɡwɨ ˈumknɔɲtɕ mˈɔjɛj uvˈaɡʲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_106.wav|zmʲɛɲʲˈajɔnts imjˈɔna, bˈɨ ɔxrˈɔɲidʑ vˈinnɨx.|2
+Dataset/wavs/urwisko_ferenc/34_segment_37.wav|zmruʒˈɨwa ˈɔtʃɨ i spɔjʒˈawa na ɲʲˈɛɡɔ. ˌalɛ zatʃɲˈijmɨ ɔt tˈɛstu prˌavdɔmuvnˈɔɕtɕi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_74.wav|pˈɨtam, ɲʲɛ mˈɔɡɔnts ɲˈits pɔrˈadʑitɕ na drʒˈɛɲʲɛ vwasnˈɛɡɔ ɡwˈɔsu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_81.wav|ɲʲˈɛx pˈan pɔdˈɛjdʑɛ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_265.wav|vˌɨznatʃˈɨwɛm dʑɛɕˈɛɲtɕu lˈudʑi, ktˌuʒɨ bˌɛndɔ̃ stʃˈɛɡli taljˈɛɡɔ dɲʲˈɛm i nˈɔtsɔ̃. tɔ mˈɔi najlˈɛpɕi wutʃɲˈitsɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_395.wav|ɲʲɛvʲˈɛlkɔ̃ jˈɛʃtʃɛ ɲʲˌɛskɔɲtʃˈɔnɔɕtɕ.|0
+Dataset/wavs/urwisko_ferenc/13_segment_37.wav|fskˈazaw brˈɔdɔ̃ na ɡazˈɛtɛ pɔmˈɔrskɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_123.wav|mʲˈawa mˈɔʒɛ laptˈɔpa ˈalbɔː i pˈada?|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_192.wav|ɔpʲˈɛkuj ɕɛ ɕˈɔstrɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_27.wav|pɔftˈuʒɨw, zˈaɲim spʲˈɔw xfˈawɛ i pɔpˈɛɲdʑiw kˈu brˈamjɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_185.wav|vɨbrˈawam jˈɛɡɔ nˈumɛr.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_21.wav|zapˈada xfˈila tɕˈiʃɨ, a ja ɕɛ zˌastanˈavʲam, jˈakʲɛ ˌuspravʲˌɛdlivʲˈɛɲʲɛ nˈatɔ vɨmˈɨɕli.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_29.wav|mˈɔɡwabˌɨm tˈɛras spasˈɔvatɕ, ˌalɛ zˈakwat f tɕˈɛmnɔ jɛst ɲˈiski i ɲʲˈɛmam zbˈɨd vʲˈɛlɛ dɔ stratsˈɛɲʲa, vʲˈɛnts sprˈavdʑam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_94.wav|bˈɛtskɨ pʃɨɕˈadwa na prˈavɨm kˈɔɲtsu.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_106.wav|ˌalɛ dɔ tɛj pˈɔrɨ ɲʲɛ bˌɨwɛm vʲˌarɔwˈɔmtsɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_23.wav|zɡʲinˈɛwa fspaɲʲˈawa mwˈɔda kɔbjˈɛta, a ja miltʃˈawam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_15.wav|stsˈɔtt ɲʲɛ ʒˈɨjɛ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_116.wav|zˌaintˌɛrɛsˈɔvaw ɕɛ pˈɔdritsk. ɲʲɛ!|1
+Dataset/wavs/urwisko_ferenc/59_segment_40.wav|— ɲʲˈɛx pˈan tˈu nˈamɲʲɛ zatʃˈɛka — pˌɔprɔɕˈiwa, a kʲɛrˈɔftsa nˈajpʲɛrf spˈɔjʒaw na zɛɡˈarɛk, a pˈɔtɛm ɕɛ zɡˈɔdʑiw.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_100.wav|mˈɔʒɛ ɲʲɛ vʲˈɛdʑaw, ʒˈɛ tɔ ja vˌɨsadʑˈiwam kɔmbˈajnɨ, ˌalɛ ɲʲɛ dˈawabˌɨm zˈatɔ ɡwˈɔvɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_105.wav|prˈɔʃɛ pˈana, pˈaɲska kˈɔlɛj.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_25.wav|ɲʲɛ mˈɔɡwam zɲʲˈɛɕtɕ tɛj mˈɨɕli.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_13.wav|sɛrxˈail ɕtɕˈɔŋɡnɔw bˈutɨ, ʒˈɛbɨ ˈɔɡʒatɕ stˈɔpɨ pʃɨ ˈɔɡɲʲu.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_139.wav|brjˈɛnnɛ pʃˌɨɡlɔndˈawa mu ɕɛ pʃˈɛs xfˈilɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_221.wav|tʃˈɔwɔ, ktˌurɛ nɔrmˈalɲʲɛ mʲˈawɔ vʲˈɛlkɔʑdʑ znˈatʃka pˌɔtʃtɔvˈɛɡɔ, zɲiknˈɛwɔ zupˈɛwɲʲɛ, tˈak ˈiʃ ʃtʃˈɛŋka vˌɨrastˈawa mu fprˈɔzd z ɡwˈɔvɨ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_59.wav|ɲʲˈɛx ˈɔjtɕɛts ɔsˈɔɲdʑi ix surˈɔvɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_182.wav|zatʃˈɛwam krˈɔ̃ʒɨtɕ pɔ pɔkˈɔju, zbjɛrˈajɔnts ɔstˈatɲʲɛ z mˈɔiɣ ʒˈɛtʃɨ. swɨʃˈawam, jˈak stsˈɔdd bˈɛmbɲi f ʃˈɨbɛ, ˌalɛ ɲʲɛ pɔdɲʲˈɔswam ɡwˈɔvɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_257.wav|jˈak nˌazɨvˈawɛɕ ɕɛ pʃˈɛttɛm?|0
+Dataset/wavs/urwisko_ferenc/23_segment_110.wav|xˈɛrman zˌauvaʒˈɨwa, ʒˈɛ sˈɔlski vbʲˈiw vzrˈɔɡ w zdjˈɛɲtɕɛ tsˈurki i vnˈutʃki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_128.wav|prˈɔʃɛ tɕˈɛ tˈatɔ.|3
+Dataset/wavs/urwisko_ferenc/25_segment_34.wav|— dʑˈɛŋki, ɡrˈɔxu. pʃˈɛɡrɨs pˈitsɛ, pʃˈɛwknɔw, pɔ tʃɨm ɔtxˈɨliw ɕɛ na ɔpˈartɕɛ kʃˈɛswa i pʃɛtɕˈɔŋɡnɔw jɛ̃zˈɨkʲɛm pɔ zˈɛmbax.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_243.wav|rɔzˈumjɛm, pɔvʲˈɛdʑaw mˈikɛ.|0
+Dataset/wavs/urwisko_ferenc/57_segment_53.wav|vilɡˈɔtna plˈama ɲʲɛ pˌɔzɔstavʲˈawa zwˈudʑɛɲ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_148.wav|ɲʲɛ, ɲʲˈɛxtsɛ. ɲʲɛ mˈɔɡɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_356.wav|pʃɛrvˈawɛm, raʒˈɔnɨ jˈakimɕ kwujˈɔntsɨm bˈulɛm, ktˌurɨ pʃɛlˈɛtɕaw mi pʃˈɛz ɡwˈɔvɛ ɔt skrˈɔɲi dɔ skrˈɔɲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_139.wav|drˈɔbna ɲʲˌɛdɔɡˈɔdnɔɕtɕ. ɲʲɛ zdɔ̃ʒˈɨwam zˌawadˈɔvadʑ dɔ xamˈaka zˌapasˈɔvɨɣ zbjɔrɲˈikuf s tlˈɛnɛm. ˌɔbrutɕˈiwam ɕɛ i spɔjʒˈawam w ix strˈɔnɛ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_319.wav|ɲʲɛ ɔdmˈavja ɕɛ prˈɔʑbjɛ krulˈɔvɛj.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_122.wav|jɛst ˌukɔrˌɔnɔvˈaɲʲɛm tɛj lˈistɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_176.wav|i zɔstˈanɛ zvɔlɲʲˈɔnɨ z vʲɛ̃ʑˈɛɲʲa jˈutrɔ rˈanɔ, pɔvʲˈɛdʑaw vˈɔlnɔː ˈandɛrsɔn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_580.wav|ɲʲɛ mˈɔɡɛ ɕɛ ɔsfˈɔitɕ s tɔ̃ sˌɨtuˈatsjɔ̃. najlˈɛpʲɛj zˈaɕɲij.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_81.wav|tɛn krˈaj jɛst kˌɔntrɔlɔvˈanɨ pʃˈɛz ʒˈɨduf i bˌɛɲdʑɛ kˌɔntrɔlɔvˈanɨ pʃˈɛz ʒˈɨduf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_48.wav|bˈaki ɕɛ ɕmʲˈɛjɛ.|2
+Dataset/wavs/urwisko_ferenc/34_segment_46.wav|tɔ mˈawɔ pˌɔvʲɛdʑˈanɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_124.wav|jˈɛdɛn w zaˈuwku s kafˈɛjkɔ̃ na rˈɔɡu.|2
+Dataset/wavs/urwisko_ferenc/09_segment_85.wav|nˈadal patʃˈɨli sˈɔbjɛ w ˈɔtʃɨ, ˌalɛ jˈarɔɲ skˌapitulˈɔvaw pʲˈɛrʃɨ i klˈɛpnɔw ɕɛ w ˈuda.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_350.wav|bɔɡˈɔvʲɛ sɔ̃ waskˈavi.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_253.wav|kˈɔtɨ lubʲˈiwɨ zˈapax kˈɛt.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_42.wav|umˈɔva mˈɔɡwa pˌɔzɔstˈavadʑ vˈaʒna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_95.wav|dɔ ʃɛrvˈɔɔt xˈɛikts prɔvˈadʑɔ̃ dvˈa zjˈazdɨ z ˌawtɔstrˈadɨ, ˈɔba ˌɔpstavʲˈɔnɛ fˈast fˌɔɔdˈami, mawˈɨmi statsjˈami bˌɛnzɨnɔvˈɨmi i mˌɔtɛlˈami.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_32.wav|xˈɨba jɛj ulʒˈɨwɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_141.wav|ruʃˈajɔ̃ pɔxˈɨlɲʲɔ̃ pɔd ɡˈurɛ. jɛst rɔskˈɔʃɲʲɛ xwˈɔdnɔ f pˌɔruvnˈaɲʲu z ulˈitsɔ̃, ɡdʑˈɛ swˈɔɲtsɛ vˈali jˈak mwˈɔt.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_28.wav|bˈaki mu tɔ ɕɛ jˈɛdnak ɲʲɛ pɔdˈɔba. ˈɛlis tˌɛɡɔ ɲʲɛ vɨtʃˈuva, ˌalɛ bʲˈillɨ ˈɔfʃɛm, ɲʲˈɛvʲɛ tˈɨlkɔ, tsˈɔ jɛst pʃɨtʃˈɨnɔ̃.|2
+Dataset/wavs/urwisko_ferenc/28_segment_52.wav|tɔ sɔ̃ jɛj swˈɔva.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_103.wav|mˈɔʒɛʃ ɕɛ pɔmˈɔdlitɕ, ˌalɛ nˈajpʲɛrf nazvˈiskɔ kljˈɛnta.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_169.wav|ɲˈikt xtɕˈaw, ʒˈɛbɨm ɕɛ upˈɛvɲiw, ʒˈɛ plˈan jɛzd dla tɕˈɛbjɛ jˈasnɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_49.wav|tɔ mɲʲɛ rˌɔsɕmʲɛʃˈɨwɔː i ˈɛlis tˈɛʃ ɕɛ lˈɛkkɔː ˌuɕmʲɛxnˈɛwa, ˌalɛ pɔznˈawɛm, ʒˈɛ ɔ tʃˈɨmɕ mɨɕlˈawa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_59.wav|kʲˈɛdɨ bʲˈillɨ na zajˈutʃɛ rˈanɔ fɕˈada dɔ sˌamɔxˈɔdu, tsˈɔrɛj atskˈɛrman pʃɛxˈɔdʑi pʃˈɛs sfˈuj i jˈɛɡɔ trˈavɲik. ɲʲˈɛɕɛ brɔ̃zˈɔvɔ̃ tɔrˈɛpkɛ, f ktˌurɛj tsˈɔɕ smˌakɔvˈitɕɛ pˈaxɲʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_96.wav|bˌɛɲdʑɛ dˈɔbʒɛ. ɲʲˈɛx pˈan pɔlˈubʲi ʒˈɨtɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_85.wav|bˈɔ bˌɨwaɕ spˌaɲikɔvˈana. vʲɛdʑˈawam, ʒˈɛ jɛzd bɛspʲˈɛtʃna, ˌalɛ ɡdˈɨbɨm pɔvʲˈɛdʑaw tɕi ftˈɛdɨ, ʒˈɛ jɛzd z dˈɛlɔ̃, zˌadʑvɔɲˈiwabˌɨʑ dɔ ɲʲˈɛj i kazˈawabˌɨɕ pˌɔzamˈɨkatɕ fʃˈɨstkʲɛ dʒvˈi i ˈɔkna.|3
+Dataset/wavs/urwisko_ferenc/46_segment_33.wav|nˈɔː i? ˌalɛ dʑˈiɕ ɲikˈɔɡɔ tˈu ɲʲˈɛma. rɔzˈumjɛʃ? jɛstˌɛɕmɨ sˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_131.wav|ɲʲˈɛx jˈɛɡɔ rɔdˈatsɨ vˌɨmjɛʒˈajɔ̃ tɕi sprˌavʲɛdlˈivɔɕtɕ. tɔ jɛdˈɨnɛ utʃtɕˈivɛ rˌɔzvʲɔ̃zˈaɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_399.wav|ɲʲˈɛvʲɛm, tsˈɔ tɕi rˈadʑitɕ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_203.wav|nˈavɛd zˈamɛk rˈɔbʲiw vraʒˈɛɲʲɛ ˌɔpuʃtʃɔnˈɛɡɔː i pˌɔɡrɔ̃ʒɔnˈɛɡɔ w rɔspˈatʃɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_44.wav|pɔftˈaʒa rˈaz za rˈazɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_130.wav|tsˈɔ? mˈɨɕliʃ, ʒˈɛ jˌɛstɛm ˈaʃ tˈaɡ ɡwˈupi, ʒˈɛbɨ pɔvʲˈɛʒɨtɕ tˈakɔ̃ rɔbˈɔtɛ takʲˈɛmu ɡrˈandɛ fˈiljɔ dʲˌiputˈana?|2
+Dataset/wavs/urwisko_ferenc/65_segment_137.wav|kʲˈɛdɨ pˈɔtɛm?|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_206.wav|jˈɛɕli zˌaxɔvˈujɛʃ ɕɛ nɔrmˈalɲʲɛ, pʃɛvˈaʒɲʲɛ nˈavɛt tɕˈɛ ɲʲɛ zˌauvaʒˈajɔ̃. twumˈatʃɨ bʲˈili, kʲˈɛdɨ vratsˈajɔ̃ dɔ sˌamɔxˈɔdu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_71.wav|pˈuʃtʃam jɛj swˈɔva mˈimɔː ˈuʃu i xˈɔtɕ rˌɛjɛstrˈujɛ, ʒˈɛ zˈɔɛ ɕɛ zˈɛmnɔ̃ pʃˌɨvitˈawa, vˈɔlɛ zˈadatɕ kɔlˈɛjnɛ pɨtˈaɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_270.wav|ja pˌɔxɨlˈiwɛm ɕɛ i s trˈudɛm vˌɨdɨxˈawɛm s ɕˈɛbjɛ rˈɛʃtkɛ zmɛntʃˈɛɲʲa.|0
+Dataset/wavs/urwisko_ferenc/23_segment_132.wav|ɕikˈɔrski zavʲˈɛɕiw tɔ pɨtˈaɲʲɛ f prˈuʒɲi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_84.wav|vʲˈɛʃ, tsˈɔ mˈam na mˈɨɕli, ˈindjɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_14.wav|umjˈɛɕtɕiw tfˈɔjɛ zdjˈɛɲtɕɛ na sfˈɔim kanˈalɛ na jˈɔu tˈubɛ i mˈa tˈam ɔbˈɛtsɲʲɛ sˈɛtki tɨɕˈɛntsɨ ˌɔpsɛrvujˈɔntsɨx.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_241.wav|pʃˌɛlɛtɕˈawa mi raptˈɔvna mˈɨɕl, ʒˈɛ tɔ jˈakiɕ nˈavɨk, ʒˈɛ pˈɛvɲʲɛ ɲʲˈɛras tˈak pˌuwpʃɨtˈɔmna brˈɔɲi ɕɛ pʃɛt aɡrˈɛsjɔ̃ mˈɛ̃ʃtʃɨzn.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_397.wav|ɲʲɛ mʲˈawam pɔjˈɛɲtɕa, jˈaɡ zɲˈiʃtʃɨtɕ tɛn ɔstˈatɲi kˈɔmbajn.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_12.wav|mʲˈaw pʃɛt sˈɔbɔ̃ bɛzrˈadnɔ̃, drˈɔbnɔ̃ i ɲʲˌɛuzbrɔjˈɔnɔ̃ dʑɛftʃˈɨnɛ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_102.wav|— bˌɨwɛm tʃwɔvʲˈɛkʲɛm tfˈɛɡɔ pˈana ˈɔjtsa i tfˈɔim pʃˌɨjatɕˈɛlɛm f sprˈavʲɛ lˈɔrda rˈɨna. ɲʲˈɛmuɡwbˌɨm pʃˈɛʒɨtɕ w lˈɔxax ɲʲɛ pɔ rˈaz drˈuɡʲi.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_200.wav|pˈɔɕtɕitɕ? tɔ znˈatʃɨ, ʒˈɛ jɛst jˈɛʃtʃɛ vʲˈɛŋkʃɨm ɡwˈuptsɛm ɲˈiʃ mi ɕɛ zdavˈawɔ.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_184.wav|i bˈɨtɕ mˈɔʒɛ pʲˈɛrʃɨ pˈadɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_271.wav|bˌɛndɛ tˈuʃ ˈɔbɔk ɔɕfʲˈattʃɨw dˈalɛ i stˈanɔw pʃɨ vwˈaʑɛ.|4
+Dataset/wavs/urwisko_ferenc/53_segment_80.wav|tsˈɔ tʃˈɨmaw ɔn w dwˈɔɲi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_186.wav|bʲˈillɨ kwˈadʑɛ pɔtstˈavɛ miksˈɛra na prˈavɨm puwdˈupku dˌɔnɔvˈɛna. dɔnˈɔvɛn vzdrˈɨɡa ɕɛ i ftɕˈɔŋɡa pɔvʲˈɛtʃɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_123.wav|pˈɔza tɨm pˈisaʃ pratsˈujɛ nˈavɛt, kʲˈɛdɨ ɲʲɛ ɕˈɛdʑi za bjˈurkʲɛm, stˈuka ɕɛ pˈaltsɛm f skrˈɔɲ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_123.wav|znˈuf mˈɨɕli ɔ falˈudʒɨ, ɔ ɲʲˌɛkɔɲtʃˈɔntsɨx ɕɛ pʃˌɛʃukˈaɲʲaɣ vˈɔ̃skix ˈulits, ɔ dʑɛtɕˈɛntsɨm butɕˈiku, ktˌurɨ pʃɨ kˈaʒdɨm krˈɔku ɔbʲˈijaw ɕɛ ɔ jˈɛɡɔ bjˈɔdrɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_400.wav|rˌɔstarɡɲʲˈɔnɛ, vʲˈɛndʑ z vɛstxɲʲˈɛɲʲɛm zatʃˈɔwɛm jˈɔ̃ ɔstrˈɔʒɲʲɛ rɔzbjˈɛratɕ.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_210.wav|ɲʲɛ ɔpˈuʃtʃaj mɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_71.wav|ɔtpˈarwam i sˈama pˌɔklɛpˈawam ɕɛ pɔ pʲˈɛrɕi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_128.wav|sˈamɛ dvudʑˈɛstki, nɔvʲˈutkʲɛ, ɲʲˌɛvɨmjˈɛntɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_45.wav|vʲˈɛm, ʒˈɛ mˈɔja ɔdmˈɔva zraɲˈiwa ˈaʃa.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_183.wav|ɡdˈɨ jˈuʒ vˌɨpɛwɲˈiwɨ bˈaljɛ,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_17.wav|ɲʲˈɛma f tɨm ɲitʃˈɛɡɔː ˌɛkstsɨtˌujɔntsˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_42.wav|jˈaɡ vrutɕˈiwɛm, ftɕˈɔ̃ʒ bˈɨw vwɔntʃˈɔnɨ, dlatˈɛɡɔ vˌɨdavˈawɔ mi ɕɛ dʑˈivnɛ, ʒˈɛ jɛj tˈam ɲʲˈɛma.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_22.wav|tsˈawɨ rˌɔsprɔmjɛɲʲˈɔnɨ ˈalfjɛ fpˈada za mnˈɔ̃ dɔ sɨpʲˈalɲi, ɡdʑˈɛ fxˈɔdʑɛ na kʃˈɛswɔː i zdɛjmˈujɛ z ɡˈurnɛj pˈuwki ʃˈafɨ skuʒˈanɨ plˈɛtsak.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_69.wav|ɲʲɛ mˈɔɡɛ jˈɛdnak tˌɛɡɔ zrˈɔbʲitɕ. mˈɔtʃɛ vʲˈɛnts flˌanɛlˈɔvɨ rˈɛntʃɲik pɔd vˈɔdɔ̃ i pʃɨtɕˈiskam dɔ skˈurɨ z nadʑˈɛjɔ̃, ʒˈɛ pɔzvˈɔli mi zdʑˈawatɕ tsˈuda z mˌakijˈaʒɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_184.wav|tsˈɔː ɔ ɲˈitʃɨm ɲʲɛ ɕfʲˈattʃɨ, bˈɔ pʃˌɛtɕɛʃ tˈak tʃɨ ɕˈak ɲʲɛ zˌaparkɔvˈalibˌɨ ɔt frˈɔntu.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_273.wav|bˈɨtɕ mˈɔʒɛ pɔ tfˈɔjɛj ɕmʲˈɛrtɕi pʃɨɲʲˈɔsɔ̃ mu tfˈɔjɔ̃ tˈartʃɛ i mʲˈɛtʃ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_97.wav|ɔtkwˈadaj sfˈɔjɛ pajˈɔŋki, a ja bˌɛndɛ ɔtkwˈadaw sfˈɔjɛ ɕmʲˈɛtɕɛ w lˈɛvɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_184.wav|ɲʲɛ kwˈutɕmɨ ɕɛ, mˈɛrx. tʃˈas na ɡlˈɛɛ.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_217.wav|i ɲˈits ɲʲɛ mˈuvjɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_106.wav|xˈɔtɕ f tˌajɛmɲˈitsɨ ftɕˈɔ̃ʃ mɨɕlˈawam ɔ ɲˈix jˈakɔː ɔ mˈamjɛ i tˈatɕɛ.|3
+Dataset/wavs/urwisko_ferenc/54_segment_10.wav|burˈɛvitʃ usˈunɔw ɕɛ s pˈɔla vidʑˈɛɲʲa pilˈɛfskʲɛj, vˈɨjɔw tɛlˈɛfɔn i pʃɛdʑvˈɔɲiw dɔ xˌudʑiɲskʲˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_75.wav|zˈafʃɛ dɔː ˈuswuk. trˈɔnt pˈɔdɲʲus ɕɛ s kʃˈɛswa i pɔtʃˈɔ̃snɔw jɛj rˈɛŋkɔ̃, jˈaɡbɨ bˌɨli rˈuvɲi sˈɔbjɛ. dʑˈɛŋki za ˌɔdvʲɛdʑˈinɨ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_277.wav|prˈɔʃɛ ɔ vˌɨrɔzumjˈawɔɕtɕ tˌɨlkɔ dla mˈɔix pʃɨjˈatɕuw.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_81.wav|tɔ mʲˈɛjstsɛ i tˈak lˈɛʒɨ f strˈɛfjɛ zamkɲʲˈɛntɛj. s xˈali vˌidɔkˈɔvɛj f tsˈɛntrum vˌɨtɕɛtʃkˈɔvɨm zɔbˈatʃɨʃ tˈɨlɛ sˈamɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_624.wav|pamjˈɛntaʒ z nˈaʃɛj mwɔdˈɔɕtɕi drvˈanɨ pɔt mʲˈastɛm?|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_171.wav|pʃɛtstˈavjɛ tɔ f kˈilku ˌakapˈitax, pɔ tʃɨm pʃɛxˈɔdʑi dɔ vɨdˈaʒɛɲ, ktˌurɛ spravʲˈajɔ̃ mu bˈul dɔ dʑˈiɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_100.wav|ɲʲɛ dɔvʲˈɛdʑɔ̃ ɕɛ ɔt rˈazu, ʒˈɛ vˌɨjɛxˈawɛɕ, vʲˈɛndʑ zɨskˈamɨ trˈɔxɛ tʃˈasu.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_112.wav|dˈɔdaw ˈarun. vˌɨdmuxˈujtɕɛ!|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_391.wav|ɡdˈɨbɨ tɔ bˌɨwa pravdʑˈiva vˈalka, paˈɨnɛ zˈabʲiwbˌɨ ɡˈɔ tˌɨlkɔ dvˈa rˈazɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_406.wav|tʃˈɔwɛm, mwˈɔdɨ pʃˌɨjatɕˈɛlu, zavˈɔwaw prɛzˈɨdɛnt.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_29.wav|bˌɛɲdʑɛ tˈak sˈamɔ jˈak w lɔndˈɨɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_495.wav|mɲʲɛ, ktˌurɨ zˈafʃɛ tˈak ɔstrˈɔʒɲʲɛ kˌɔʃtɔvˈawɛm ʒˈɨtɕa, ɔstrˈɔʒɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_258.wav|lˈutskix ˈalbɔ ɲʲɛlˈutskix tfˈaʒɨ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_126.wav|tfˈɔi lɔrdˈɔvʲɛ i rɨtsˈɛʒɛ tɕˈɛ ˌuvʲɛlbjˈajɔ̃, a prˌɔstatʃkˈɔvʲɛ z radˈɔɕtɕɔ̃ vˌɨkʃɨkˈujɔ̃ tfˈɔjɛ ˈimjɛ.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_232.wav|a ɲʲɛdwˈuɡɔ pˈuʑɲʲɛj sˈɛr dˈɛnɲis ɔpˈuɕtɕiw tɕɛ̃ʒˈarnɔ̃ ʒˈɔnɛ i vɨrˈuʃɨw na vˈɔjnɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_121.wav|pʃɨxˈɔdʑɔ̃ mi na mˈɨɕl drɔbjˈazɡʲi, ˌalɛ ɲʲɛ tfˈɔʒɔ̃ ˌɔnɛ spujnˈɛɡɔː ɔbrˈazu.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_22.wav|lɛʒˈawa tfˈaʒɔ̃ w dˈuw na jˈɛɡɔ zˈadʑɛ, jˈaɡ vˈɔrɛk ˈɔfsa.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_194.wav|tɛn drˈuɡʲi tɔ jˈɛdɛn s xɔlˈɛrnɨɣ dɔmˈɔvɨx rɨtsˈɛʒɨ xˌɔlɛrnˈɛɡɔ randˈɨla tarjˈɛɡɔ, pˈaɲi.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_128.wav|a tsˈɔ jˈɛɕli tɔ vwˈattsɨ kˈɔɲi mˌajɔ̃ rˈatsjɛ? tʃɨ bˌɛndɛ vʲˈɛtʃɲʲɛ jˈɛʑdʑiw pɔ nˈɔtsnɨm ɲʲˈɛbjɛ na ɔɡʲˈɛʒɛ s pwɔmjˈɛɲʲa?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_50.wav|ɲʲɛ bˌɨwɔ jˈɛdnak tʃˈasu na ˈaplaws, vʲˈɛnts tˈɔm mrˈuknɔw tˌɨlkɔ pɔt nˈɔsɛm dˈɔbra rɔbˈɔta i vˈɛʃli dɔ ɕrˈɔtka.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_33.wav|pˈitsa na nazvˈiskɔ frˈaŋklin.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_172.wav|jˈɛɡɔː ɔstˈatɲʲɛ swˈɔva pɔɲʲˈɔswɨ ɕɛ ˈɛxɛm pɔ sˈɛptɕɛ. ˈɛ mɲʲɛ, mɲʲɛ, mɲʲɛ, mɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_147.wav|vˌɨkɔnˈanɨ krɛtk��ami rɨsˈunɛk ɲʲˈɛtsɔ pʃˈɨblakw, ˌalɛ ftɕˈɔ̃ʒ vɨrˈaʑɲʲɛ vˈidatɕ sɛrdˈuʃka vˌɛndrujˈɔntsɛ ɔt ˌɔpadajˈɔntsɛj ɡwˈɔvɨ flamˈiŋɡa dɔ ɡwˈɔvɨ ʃˈaɲis.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_377.wav|nˈɔɡʲi uɡʲˈɛwɨ ɕɛ pˈɔdɲʲɔ̃, a w ɡwˈɔvʲɛ zˌakrɛɲtɕˈiwɔ ɕɛ jɛj ɡvawtˈɔvɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_90.wav|mˈɔʒɛ ɲʲˈɛvʲɛm, ɡdʑˈɛ tˌɛɡɔ ʃˈukatɕ, ˌalɛ znˈam kˈɔɡɔɕ, ktˈɔ bˌɛɲdʑɛ vʲˈɛdʑaw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_57.wav|tˈɔm vrˈatsa dɔ lˈistɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_79.wav|pɔftˈaʒam tˈɛ tʃˈɨnnɔɕtɕ, jˈaɡbɨm ʃˌɨkɔvˈawa ɕɛ dɔ vˈɨjɕtɕa na stsˈɛnɛ, tsˈɔ f sˈumjɛ ɲʲɛvʲˈɛlɛ rˈuʒɲi ɕɛ ɔt prˈavdɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_25.wav|vˈɔn, pɔvʲˈɛdʑaw rˌɔzbudʑˈɔnɨ prɛzˈɨdɛnt.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_173.wav|tɔ dlatʃˈɛɡɔ pˈijɛʒ ɡʲˈin? zapˈɨtaw xwˈɔpʲɛts.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_122.wav|vʲˈɛlu z ɲˈix tʃɨmˈawɔ pamjˈɔntki kupʲˈɔnɛ f tsˈɛntrum vˌɨtɕɛtʃkˈɔvɨm. mɔdˈɛlɛ lˌɔndɔvɲˈika vˌɨʒɛʑbjˈɔnɛ s kavˈawka skˈawɨ kɕˌɛ̃ʒɨtsˈɔvɛj, rˈɛplikˌi çˌistɔrˈɨtʃnɨx plakʲˈɛtɛk nˈasa i tɨm pɔdˈɔbnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_15.wav|ˌalɛ za kˈaʒdɨm rˈazɛm rˌɔsɕmʲɛʃˈawɔː iɣ dɔ rɔspˈuku.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_8.wav|vidʑˈɛli jˈuʃ jˈɔ̃ na zdjˈɛɲtɕax i tˈɔm vʲˈɛdʑaw, ʒˈɛ tɔ rˈud vikˈɛrɨ. vˈɨtʃuw na sˈɔbjɛ spɔjʒˈɛɲʲɛ bˈɛtskɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_77.wav|dɔstˈaɲʲɛ mɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_123.wav|dʑˈɔ̃swa mʲˈawa mʲˈɛŋkkʲɛ jˈak nˌɔvɔrˈɔdɛk.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_108.wav|ɲʲˈɛvʲɛm, pɔ tsˈɔ zdˌɛtsɨdˈɔvaw ɕɛ vˈɛjʑdʑ dɔ ɕrˈɔtka.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_51.wav|ftʃˈɔraj dˈɔʃwɔ dɔ pɛvnˈɛɡɔː ˌintsɨdˈɛntu i prˌubujˈɛmɨ znˈalɛɕtɕ pˌɔvʲɔ̃zˈaɲʲa mʲˌɛndʑɨ ˌɔfjarˈami atˈakuf, dɔ ktˌurɨɣ dˈɔʃwɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_141.wav|zblˈiʒam ɕɛ dɔ ɲʲˈɛj i dɔtˈɨkam jɛj rˈɛŋki.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_156.wav|a artˈɛmis mˈa artsˈadɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_71.wav|ɲʲˈɛxtsɛ ɡˈɔ bˈudʑitɕ, ɲˈits mu ɲʲɛ jˈɛst. tsˈɔ ɕɛ dʑˈɛjɛ? ɡdʑˈɛ jˈɛstɛɕ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_170.wav|ˈɔtʃɛd.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_177.wav|w zasˈadʑɛ na dvʲˈɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_34.wav|ktˈɔɕ mˈuɕaw zˈabratɕ jɛj kˈartɛ ˌɛsˌiˈɛm i zˌainstalˈɔvatɕ f sfˈɔim tˌɛlɛfˈɔɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/23_segment_2.wav|xˈɛrman zrɔbʲˈiwa kˈavɛ i drˈuɡʲɛ ɕɲʲadˈaɲʲɛ, ˌalɛ nˈapar zdˈɔ̃ʒɨw vɨstˈɨɡnɔɲtɕ, zˈaɲim ɡrˈɔɣ vɨpˈɛwɲiw sˈɔbɔ̃ dʒvˈi kˈuxɲi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_410.wav|a ja ɲˈits innˈɛɡɔ ɲʲɛ umjˈawɛm tɨm lˈudʑɔm ˌɔpɔvʲˈadatɕ, bˈɔː ˌaɲi ɲʲɛ pˈiwɛm, ˌaɲi ɲʲɛ ɡrˈawɛm, ˌaɲi ɲʲɛ jɛʑdʑˈiwɛm ɲˈiɡdʑɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_74.wav|dlatˈɛɡɔ ɲʲɛ pˈɔʃwɨ dɔ ʃkˈɔwɨ, ˈalɛʒ bˌɛndɔ̃ zdˌɛzɔrjˌɛntɔvˈanɛ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_224.wav|jˈɛɕli jˈɛʃtʃɛ z ɲˈim ɲʲɛ spˈawa, fkrˈuttsɛ tɔː utʃˈɨɲi.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_377.wav|bˈɨw ɡˈɔɕtɕɛm na vˈaʃɨm krfˈavɨm vɛsˈɛlu.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_475.wav|ɲʲˈɛvʲɛm, kˈim jɛstˌɛɕmɨ ˌaɲi dˈɔkɔnd zmʲɛʒˈamɨ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_254.wav|ɲʲˈɛxtsɛ ʒadnˈɛɡɔ z lˈudʑi sˈɛr ɡrɛɡˈɔra.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_410.wav|ɲʲˈɛvʲɛm. xˈɨba dɔ dˈɔmu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_97.wav|lˈɛpʲɛj sprˈaftɕ, tʃˈɛɡɔ brakˈujɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_47.wav|ɲʲɛ pʃˈɛjmuj ɕɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_4.wav|tʃ�� ˈɔprutʃ kɔnflˈiktu dˌɔtɨtʃɔntsˈɛɡɔ mawʒˈɛɲstfa dˈɔʃwɔ jˈɛʃtʃɛ dɔː ˈinnɨx, pˌɔvaʒɲʲˈɛjʃɨx kwˈutɲi mʲˌɛndʑɨ vˈami?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_48.wav|bˈardʑɔ zdˌɛtsɨdɔvˈaɲʲɛ pɔtʃˈɛdwɛm dɔ tˌɛɡɔ mɛ̃ʃtʃˈɨznɨ,|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_139.wav|ˌuʒɔndʑˈɛɲʲɛ spɛwɲˈiwɔ sfˈɔjɛ zadˈaɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/42_segment_22.wav|dˌɔvʲɛdʑˈawɛɕ ɕɛ vrˈɛʃtɕɛ tʃˈɛɡɔɕ? bˈɔ mˈam vraʒˈɛɲʲɛ, ʒˈɛ ɡrˈaʃ na zvwˈɔkɛ.|0
+Dataset/wavs/urwisko_ferenc/22_segment_63.wav|jˈaɡbɨ vwˈaɕɲʲɛ ɕɛ tɔ dʑˈawɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_45.wav|zanˈɔʃɛ pˈitsɛ dɔ kˈuxɲi, zˌatʃɨmˈujɔnts ɕɛ pʃɨ dʒvʲˈaɣ dɔ salˈɔnu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_353.wav|tʃˈujɛ drʒˈɛɲʲɛ tfˈɔix pˈaltsuf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_12.wav|ktˈɔ mˈɔʒɛ nˈavɛt pɔkˈɔxa mɲʲɛ, jˈɛɕli jˌɛstɛm vˈarta tʃˌɨjɛjkˈɔlvʲɛk miwˈɔɕtɕi?|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_176.wav|zatʃˈɛkam na dvˈɔʒɛ, pˈaɲi.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_160.wav|nˈɔts minˈɛwa i mɲʲɛ spɔkˈɔjɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_180.wav|pɔʃˈɛdwɛm z dʒˈɔnɛm dɔ lˈasu i pˌɔvʲɛdʑˈawɛm swˈɔva pʃɛd dʒˈɛvɛm sˈɛrtsɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_31.wav|xɔlˈɛra.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_103.wav|a ja ˌɔtpɔvʲɛdʑˈawɛm, ɲʲɛ, pˈaɲʲɛ ɕɛrʒˈaɲtɕɛ, ɲʲˈɛxtsɛ ɕˌɛrʒantˈɔvi ɔptɕˈɔŋɡnɔɲtɕ lˈaski. na tsˈɔ ʒˈutɕiw, tsˈɔ, mˈɔja lˈaska tɕi ɲʲɛ ˌɔtpɔvʲˈada, ʃˌɛrɛɡˈɔvɨ sˈamɛrs, kˈɔtɕɛ zˌafajdˈanɨ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_147.wav|ɲˈik klˈɛpʲɛ bʲˈili jˈɛɡɔ w rˈamjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_13.wav|vɨnˈɔɕmɨ ɕɛ stˈɔnt.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_126.wav|tʃɨ bˌɨwɨ mɔˈimi tˈamtɛ z ɡɔrˈɔntsɨx nˈɔtsɨ, z vˌarjɔvˈanɨɣ vakˈatsji?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_54.wav|mʲˈawa ɕɛ ɡˈɔ pˈaʃpɔrt, ɲʲɛstˈɛtɨ jˈuʃ ɲʲˌɛaktuˈalnɨ, i jˈɛɡɔ prˈavɔ jˈazdɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_265.wav|ɡwˈuvɲʲɛ pɔrnˈɔsɨ.|4
+Dataset/wavs/urwisko_ferenc/22_segment_13.wav|ɡˈɛstɛm zaprˈɔɕiw ɡˈɔ dɔ vˈɔzu. bɔrˈɛvitʃ ˈuɕad na fɔtˈɛlu pˌasaʒˈɛra i zˈamknɔw dʒvˈi, ktˌurɛ pʃɨlɡnˈɛwɨ ɡwˈuxɔ dɔː uʃtʃˈɛlki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_111.wav|nˈɔ tsˈuʃ, ɲʲɛ znajdʑˈɛtɕɛ ʒˈadnɨx ʃkʲɛlˈɛtuf w mˈɔjɛj ʃˈafjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_22.wav|jˈuʃ ɔtfʲˈɛram, xtɕˈawɛm pɔvʲˈɛdʑɛtɕ, ˌalɛ ɡˈardwɔː ˌɔdmuvˈiwɔ pˌɔswuʃˈɛɲstfa i tˈɨlkɔ...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_25.wav|pɔː ɔstˈatɲim, pʃˌɛdwuʒajˈɔntsɨm ɕɛ pˌɔtsawˈuŋku stsˈɔdd vɨskˈɔtʃɨw z wˈuʃka, tfʲˈɛrdʑɔnts, ʒˈɛ mˈuɕi tsˈɔʑ zawˈatfitɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_11.wav|xtsˈɛ z ɲˈim pˌɔrɔzmˈavʲatɕ ˌɔsɔbʲˈiɕtɕɛ. jˈɛɕli mˈuɕiʃ pɔjˈɛxadʑ dɔ jˈɔɛ, ɲʲɛ tʃˈɛkaj nˈamɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_94.wav|dɔmˈɨɕlam ɕɛ, ʒˈɛ ɲʲˈɛma klˌimatɨzˈatsji. dˈɔbʒɛ ɕɛ pˈan dɔmˈɨɕla, ˌalɛ jˈak ɕɛ rˈɔbʲi ʑˈimnɔ, ˌɔɡʒɛvˈaɲʲɛ dʑˈawa ɲʲɛ najɡˈɔʒɛj. ˌɔtʃɨvˈiɕtɕɛ pwˈatnɛ, jˈak prˈɔnt.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_191.wav|kʲˈɛdɨ ˈiɲdʑɛj prˌɔvadʑˈiwɛm dwˌuɡɔtrfˈawɛ i mistˈɛrnɛ flˈirtɨ, ktˌurɛ kɔɲtʃˈɨwɨ ɕɛ ɲˈitʃɨm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_48.wav|xˈɔllɨ jɛzd w ɡˌadatlˈivɨm nastrˈɔju i ɲʲɛ mˈɔɡɛ jɛj zˌiɡnɔrˈɔvatɕ, ˌalɛ tsˈɔ kˈilka mˈinud zˈɛrkam na kɔmˈurkɛ i vˈidʑɛ, ʒˈɛ ɲʲˈɛma ʒˈadnɛj vʲˌadɔmˈɔɕtɕi ɔt mɔjˈɛɡɔ mˈɛ̃ʒa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_201.wav|uvˈaʒaj na butˈɛlkɛ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_106.wav|zˈamɛɡ zˈɛ ɕɲʲˈɛɡu|1
+Dataset/wavs/urwisko_ferenc/18_segment_44.wav|mˈɔ̃ʃ prˈɔɕiw, ʒˈɛbɨ ɕɛ tɨm zˈajɔɲtɕ?|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_113.wav|mʲɛɕˈɛntʃnɔ̃ xɛrbˈatɛ nˈa...|1
+Dataset/wavs/urwisko_ferenc/65_segment_72.wav|jˈaɡbɨ tˈamtɔ zdaʒˈɛɲʲɛ z dʑɛtɕˈiɲstfa dˌɛtɛrmˌinɔvˈawɔ tsˈawɔ̃ pʃˈɨʃwɔɕtɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_30.wav|i prˌɛzɛntˈɔvaw ɕɛ tˈɛras prˈavʲɛ ˌurɔtʃˈɨɕtɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_3.wav|pˌɔfstʃɨmˈawam ɕɛ, ʒˈɛbɨ jɛj ɲʲɛ zˌafturˈɔvatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_136.wav|tʃˈɨli jˈɛɕli klˈɛrkɨ bˈɨw w lˈɔs ˈandʒɛlˌɛs i mʲˈaw xˈɛntkɛ na klusˈɛtʃkɛ, dʑvˈɔɲiw dɔ tɕˈɛbjɛ ˈalbɔ jˈudɨ.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_378.wav|na tfˈɔim mʲˈɛjstsu utʃˈɨɲiwbˌɨm tɔ sˈamɔ.|1
+Dataset/wavs/urwisko_ferenc/17_segment_42.wav|a jˈɛdnak ˌɔna ɕɛ vˌɨdaʒˈɨwa.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_62.wav|i swuxˈali ɲʲɛsˈɔntsɨx ɕɛ nad vˈɔdɔ̃ kʃˈɨkuf, bˈɔjɔnts ɕɛ pʃˈɨbʲidʑ dɔ bʒˈɛɡu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_273.wav|ftˈɛdɨ spɔstʃˈɛɡwɛm zˈɛ zɡrˈɔzɔ̃, ʒˈɛ z jɛj ˈɔka spwˈɨva bwˌɛŋkitnˈava wzˈa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_55.wav|tʃɨ kʲˈɛdɨ pʃɛkˈazaw mu pˈan pʲɛɲʲˈɔndʑɛ, spˌɔʒɔɲdʑˈiliɕtɕˌɛ umˈɔvɛ na pˈiɕmʲɛ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_297.wav|ˌalɛ tˈɛras tɔ xˈɨba bˌɛɲdʑɛʃ mˈuɡw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_54.wav|zˈajɔw ɕɛ mʲˈɛjstsɛm pʃɛstˈɛmpstfa.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_108.wav|dvˈaj mɛ̃ʃtʃˈɨʑɲi ɲʲɛ xtɕˈɛli ˈɔdɛjɕtɕ s pˌɔzɔstawˈɨmi.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_126.wav|aɲʲˈɛmɨ kˈad bˈɨw tʃwɔvʲˈɛkʲɛm jˈɛɡɔː ˈɔjtsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_137.wav|kˈɛnxɔff krˈɛɲtɕi ɡwˈɔvɔ̃. jˈɛɡɔː ˈɔtʃɨ ˌaɲi na xfˈilɛ ɲʲɛ ˌɔdrɨvˈajɔ̃ ɕɛ ɔt tfˈaʒɨ bʲilljˈɛɡɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_18.wav|ɡdˈɨbɨ tɛn ɡˈɔʑdʑ ʒˈɨw, fʃˈɨstkɔ bɨwˈɔbɨ inˈatʃɛj.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_185.wav|jˈɛʃtʃɛ jˈɛdnɔ̃ zalˈɛtɔ̃ pˌɔwɔntʃˈɛɲʲa pʃˈɛs sˈɛrvɛr prˈɔksɨ bˌɨwɔ tɔ, ʒˈɛ ɲʲˈɛmuɡw dɔ mɲʲɛ ɔddʑvˈɔɲitɕ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_111.wav|dlatʃˈɛɡɔ mʲˈawbɨɕ tɔ rˈɔbʲitɕ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_69.wav|tˈɛras mɔʒˈɛmɨ sˈɔbjɛ pɔzvˈɔlitɕ na tsˈawɛ plˈɛmjɛ dʑɛtɕˈatʃkuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_86.wav|jˌɛstɛɕ f stˈaɲʲɛ prɔvˈadʑitɕ? bˈɔ mˈɔɡɛ sprubˈɔvatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_14.wav|ˈɛliz zˌatʃɛrvʲɛɲˈiwa ɕɛ lˈɛkkɔ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_399.wav|pˈɔza tɨm marɡˈarɨ ɲˈiɡdɨ ɲʲɛ sɨpʲˈawa sˈama.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_124.wav|plˈuz vɨdˈaftsa mˈɔʒɛ zaʒˈɔndatɕ iɣ zvrˈɔtu, jˈɛɕli ɲʲɛ dɔstˈaɲʲɛ tˈɛkstu w ˌustalˈɔnɨm tɛrmˈiɲʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_205.wav|pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_19.wav|zˈafʃɛ uvˈaʒaw, ʒˈɛ zabˈujstfɔ mˈɔʒna ˌuspravʲɛdlˈivitɕ, a ja ɲʲɛ mˈuʃɛ zadˈavatɕ sˈɔbjɛ pɨtˈaɲʲa, tʃɨ mˈuviw pɔvˈaʒɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_112.wav|vʲɛtʃˈɔrɛm bʲˈillɨ ˈidʑɛ dɔ pɔkˈɔju rˌɛkrɛˌatsɨjnˈɛɡɔː i w dˈuʒɨm tˌɛlɛvizˈɔʒɛ vwˈɔntʃa nɛtflˈiksa.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_25.wav|ɡnˈali s tˈakɔ̃ prɛntkˈɔɕtɕɔ̃ pɔ vɛrtˈɛpax, ʒˈɛ ɲʲɛ mˈɔɡli mɲʲɛ zˌauvˈaʒɨtɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_49.wav|mˈawɔ jɛst jˈɛdnak prˌavdɔpɔdˈɔbnɛ, ʒˈɛbɨ dʑvɔɲˈiwa lˈup smsɔvˈawa s kɔmˈurki.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_2.wav|sˈam vrˈutɕiw na wˈavɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_147.wav|a jˈɛɕli zɡʲˈinɛ, zɔstˈaɲʲɛʃ na lˈɔdʑɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_70.wav|tɨm rˈazɛm bˌɨwɔ jˈɛdnak inˈatʃɛj. pɔ rˈas pʲˈɛrʃɨ w ʒˈɨtɕu praɡnˈɛwa tˌɛɡɔ mɛ̃ʃtʃˈɨznɨ bˈardʑɛj ɲˈiʃ ɔn jɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_155.wav|tɛlˈɛfɔn pˈika na znˈak, ʒˈɛ ɔdˈɛbraw kɔlˈɛjnɛ pˌɔvʲadɔmjˈɛɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_13.wav|skupˈiwam ɕɛ jˈuʒ vɨwˈɔntʃɲʲɛ na ɔxrˈɔɲʲɛ mɔjˈɛɡɔ dʑˈɛtska i zˌapɛvɲʲˈɛɲʲu mu bˌɛspʲɛtʃˈɛɲstfa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_168.wav|a mˈimɔ tɔ fpakˈɔvaw ɕɛ f tˈɛ çistˈɔrjɛ. dlatʃˈɛɡɔ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_187.wav|xtsˈɛʃ mɲʲɛ jˈɛʃtʃɛ ˈutʃɨtɕ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_137.wav|kʃˈɨtʃɛ z bˈulu, kʲˈɛdɨ ˈɔstrɛ lˈiɕtɕɛ tnˈɔ̃ mi skˈurɛ na ramjˈɔnax.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_7.wav|na ɡˈuʒɛ sˈɛr. kʲˈɛdɨ znalˈɛʑli ɕɛ ˈu stˈup sxˈɔduf, zˌɔbatʃˈɨli ˌɛskɔrtɔvˈanɔ̃ kɔbjˈɛtɛ f kajdˈaŋkax.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_194.wav|krulˈɛfskʲɛj pʃɨstˈaɲi ɡˈaltawn ˈalbɔ zbʒuxˈatɨɣ vˈinnɨx kˈɔɡ z ˈarbɔr.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_148.wav|pˈatʃɨw na arˈama, a kʲˈɛdɨ ix spɔjʒˈɛɲʲa ɕɛ zɛtknˈɛwɨ, ʑrɛɲˈitsɛ tˈatɨ ɕɛ rˌɔsʃɛʒˈɨwɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_71.wav|mˈuzɡ zˈɛtɲʲɛ ɕɛ s pɔvrˈɔtɛm, zadˈanɨ ˌalkɔxˈɔlɛm. pˈij, pʃˌɨjatɕˈɛlu!|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_32.wav|ɔstˈatɲʲa rɔbˈɔta.|2
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_28.wav|jˈasnɛ, ʒˈɛkw mˈikɛ rˈɨan, ɲʲɛ zavrˈatsaj sˈɔbjɛ tɨm ɡwˈɔvɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_38.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ ɲˈiɡdʑɛ ɲʲɛ pɔjˈadɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_164.wav|tɔ jˈɔ̃ rɔsɕmʲˈɛʃa. pʲˈɛrʃɨ rˈas ˌawtɛntˈɨtʃɲʲɛ ɕɛ ɕmʲˈɛjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_162.wav|a dʑˈiɕ stˈawa pʃɛdˈɛmnɔ̃ ˌɔdmʲɛɲʲˈɔna.|0
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_147.wav|tɔ bˈɨwbɨ pɔtfˈɔrnɨ bˈuk.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_217.wav|kɔbjˈɛtɨ tɔpɲʲˈɛjɔ̃ jˈak mˈaswɔ, kʲˈɛdɨ uswˈɨʃɔ̃ mˈuj ɡwˈɔs.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_187.wav|ɡwˈɔɕnɔ pʃɛwˈɨka ɕlˈinɛ. ɲʲɛ pʃɛʃkˈadʑam.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_90.wav|mitskʲˈɛvidʒ z ulˈitsɨ ʒɨdˈɔfskʲɛj? ɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_296.wav|starˈuxa ɔɕfʲˈɛtli nˈam drˈɔɡɛ, a vɔjˈɔvɲiɡ dˈɔda ɕˈiw nˈaʃɨm ramjˈɔnɔm.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_169.wav|ˌalɛ bɔɡˈatɕi ɡˈɔɕtɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_153.wav|ɲʲɛ pɔvˈinnam ˈɔtɨm vʲˈɛdʑɛtɕ, ˌalɛ ˈɔbaj ɲʲɛ sɔ̃ pˌɛrfɛktsjˌɔɲistˈami, jˈɛɕli xˈɔdʑi ɔ zˌatɕɛrˈaɲʲɛ ɕlˈaduf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_104.wav|jˈuʃ ɲʲɛ vrˈutsɛ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_188.wav|jɛdnˈaɡʒɛ vɛ ɕɲʲˈɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_142.wav|jˈakɔ bɔɡˈata nˌastɔlˈatka pʃˌɨvʲɔ̃zɨvˈawa vˈaɡɛ dɔ sfɔjˈɛɡɔ vɨɡlˈɔndu i zazvˈɨtʃaj ɡˌɔdʑinˈami tkfˈiwa pʃɛt lˈustrɛm.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_206.wav|zˌaintˌɛrɛsˈɔvaw ɕɛ. tʃɨ bˌɛndɛ mˈuɡw zjˈɛɕtɕ stˈɔ?|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_203.wav|i nˈavɛt ɲʲɛ pʃˌɨnɔɕˈiwa vʲˈɛŋkʃɨɣ zˈɨskuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_73.wav|jˈɛʃtʃɛ minˈuta i bɨwˈɔbɨ pɔ tˈɔbjɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_44.wav|ˈɔlman pʃɨtɕˈɔŋɡnɔw sˈɔbjɛ kʃˈɛswɔ, skrˈɔbjɔnts xˌawaɕlˈivʲɛ mˌɛtalɔvˈɨmi nɔɡˈami ɔ pɔdwˈɔɡɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_256.wav|a tɨ pʃˌɛrazˈiwɛɕ ɕɛ, bˈɔ vʲɛdʑˈawɛɕ, ʒˈɛ jɛzd bɔksˈɛrɛm, tˈak?|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_121.wav|jˈasnɛ, mˈɔʒɛ lˈɛpʲɛj ɕɛ pˈɔwuʃ?|2
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_74.wav|znˈalas kˈɔntɔ zˌawɔʒˈɔnɛ na nazvˈiskɔ, ktˌurɛ mu pɔdˈawam i ˈɔtkrɨw, ʒˈɛ ɲˈikt ɲʲɛ pʃɨpˈisaw dɔ ɲʲˈɛɡɔ ɡʲˈizmɔ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_246.wav|tsɛrsˈɛi pʃɨjʒˈawa ɕɛ jɛj uvˈaʒɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/46_segment_17.wav|dlatˈɛɡɔ fkrɛɲtɕˈiliɕtɕˌɛ ɕɛ na nˈaʃɔ̃ imprˈɛzɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_7.wav|jˈɛɡɔː ˌɔbraʒˈɛɲʲa bˌɨwɨ tɨm rˈazɛm znˈatʃɲʲɛ ɡˈɔrʃɛ. na tfˈaʒɨ mʲˈawɔ mnˈustfɔ ɕiɲʲˈakuf i rˈɔstɕɛɲtɕ, a tɔ bˌɨwɨ tˌɨlkɔ tɛ rˈanɨ, ktˌurɛ mˈɔɡwam zɔbˈatʃɨtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_134.wav|ftˈɛdɨ zabˈujtsa prˈɨsnɔw mu tʃˈɨmɕ w ˈɔtʃɨ, fskˈɔtʃɨw dɔ sˌamɔxˈɔdu, zaʒˈutɕiw wɔpˈaskɛ na kˈablɛ na ʃˈɨjɛ ɔfjˈarɨ i jˈɔ̃ udˈuɕiw.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_62.wav|zavˈɔwaw. ɲʲɛ bˌɨwɔ tɕˈɛ tˈu prˈavʲɛ rˈɔk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_548.wav|mˈɔʒɛ vʲˈɛnts uɲˈikɲʲɛ zwˈɛɡɔ lˈɔsu i bˌɛzlitˈɔɕɲi bʲˌiznɛsmˈɛɲi zˌaɡraɲˈitʃɲi ɲʲɛ zrˈɔbjɔ̃ z ɲʲˈɛɡɔ pˌartɛrɔvˈɛɡɔ mˌaɡazˈɨnu kˈɔkatsˈɔli.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_147.wav|dlatˈɛɡɔ nawˈɔʒɨw pɛrˈukɛ, ʃtˈutʃnɨ bʒˈux i ˌɔkulˈarɨ zɛrˈufki i tˈɛras pɔsˈuva w dˈɛʃtʃu dɔ drɔɡˈɛrji.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_11.wav|s tˈɛɡɔ, tsˈɔ swɨʃˈawɛm, pɔvʲˈɛdʑaw tˈak. fkˈuʒa mɲʲɛ, kʲˈɛdɨ ktˈɔɕ wˈaʑi pɔ mˈɔim dˈɔmu i rˈɔbʲi bawˈaɡan.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_34.wav|pˈɨta mɲʲɛ pɔ rˈas pʲˈɛrʃɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_93.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_114.wav|pˈuʑɲʲɛj mˈɨɕlɛ, pɔ tsˈɔ ta zvwˈɔka?|0
+Dataset/wavs/urwisko_ferenc/65_segment_151.wav|drˈɔɡa ˌutɕɛkˈawa za plˈɛtsɨ. lˈas, vzdwˈuʃ kturˌɛɡɔ jɛxˈali, zlˈɛvaw ɕɛ w ʑɛlˈɔnɔbrɔ̃zˈɔvɔ̃ mˈasɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_100.wav|tʃˈɛɲɕtɕ lˈudʑi, ktˌurɨm vˈiʃɛ pʲɛɲʲˈɔndʑɛ, jɛzd zˌadɔvɔlˈɔna.|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_157.wav|tɕˈɛ̃ʃkɔ tˌɛɡɔ ʒawˈɔvaw i tˈɛras tˈɛʒ ʒawˈujɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_128.wav|swˈɨʃɛ jˈɛɡɔ nˈaɡwɨ ˈɔddɛx. zˈɔstaw ˌuʒɔndlˈɔnɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_248.wav|w dˈavnɨx tʃˈasax ˌastrɔnˈawtɕi ˌuʒɨvˈali vɨmjˈɛnnɨx fˈiltruf, ktˌurɛ kˌumulɔvˈawɨ dvutlˈɛnɛɡ vˈɛŋɡla.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_9.wav|pamjˈɛntaw jɛdˈɨɲʲɛ tˈɨlɛ, ʒˈɛ jˈɛdɛn z ɲˈix mʲˈaw tɕˈɛmnɛ vwˈɔsɨ ʒˌɛdɲʲɛjˈɔntsɛ na tʃˈupku ɡwˈɔvɨ, a drˈuɡʲi ˌɔspɔvˈatɔ̃ tfˈaʃ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_154.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_189.wav|kɔlˈɛjnɨ ˈɛtab bˈɨw nˈudnɨ i strˌɛsujˈɔntsɨ zarˈazɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_76.wav|tˌɨlkɔ tˈɛssa vʲˈɛ ˈɔtɨm, ʒˈɛ tsˈawkʲɛm ɲʲɛdˈavnɔ pˌɔkwutɕˈiwam ɕɛ z ˈaʃɛm. mˈam jˈɛdnak nadʑˈɛjɛ, ʒˈɛ fkrˈuttsɛ fʃˈɨstkɔ vˌɨprɔstˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_77.wav|ɲʲˈɛvʲɛm, dlatʃˈɛɡɔ ftɕˈɔ̃ʃ ˈɔtɔ pˈɨta. ɡdˈɨbɨ ktˈɔɕ ɕɛ skˌɔntaktˈɔvaw, ɲʲɛ muɕˈawabˌɨm pʃˌɛtɕɛʒ dʑvˈɔɲitɕ f tɛj sprˈavʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_75.wav|mˈama muvˈiwa tsˈɔraz ɡwˈɔɕɲʲɛj, vɨrˈaʑɲʲɛ pˌɔdɛnˌɛrvɔvˈana.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_130.wav|a tʃˈasɛm jˌɛstɛm ʃtʃɛɲɕlˈivɨ, ʒˈɛ ɔdˈɛʃwɨ, zˌɔstavʲˈajɔndʑ za sˈɔbɔ̃ jˈakɔ̃ɕ smˈuɡɛ ʒɛvnˈɔɕtɕi.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_196.wav|ˌɔtʃɨvˈiɕtɕɛ mˈɔɡwam nˈadal ɕɛ ukrˈɨvatɕ i tʃˈɛkatɕ, ˈaʃ rˈudɨ rɔzvʲˈɔ̃ʒɛ sprˈavɛ, ˌalɛ ɲˈidʑ bˈɨ tɔ ɲʲɛ dˈawɔ.|4
+Dataset/wavs/urwisko_ferenc/24_segment_21.wav|dˈɔbʒɛ jˈɔ̃ pˈaɲi znˈawa?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_7.wav|dˈɔkɔnt mɨ jɛdʑˈɛmɨ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_118.wav|pʲˈɔnta kˈarta tɔ ɕudˈɛmka pˈik.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_95.wav|tɔ ʒˈadɛn ɡʒˈɛx, a ja tʃˈujɛ ɕɛ ɔkrˈɔpɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/64_segment_78.wav|ˌalɛ pɔ tˈamtɨm dˈɔmku|0
+Dataset/wavs/urwisko_ferenc/36_segment_26.wav|ɲʲˈɛkʃɨftɕ ɕˈɛbjɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_222.wav|ɲʲˈɛmam s tɨm ɲˈits fspulnˈɛɡɔː i ɲʲɛ vˌɨrɔbʲˈitɕɛ mɲʲɛ f tɔ.|0
+Dataset/wavs/urwisko_ferenc/57_segment_32.wav|dˈɔbra, tɔ jˈadɛ nˈajpʲɛrv dɔ vˈas, stfʲɛrdʑˈiwa i ɕɛ rˌɔzwɔntʃˈɨwa. pˈan jˈɛdnak jˈɛdʑɛ prˈɔstɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_17.wav|zdɛjmˈujɛ jɛj kˈurtkɛ. tˈaɲʲɔ̃, t��ˈɛŋkɔ̃, ɲʲɛ s pravdʑˈivɛj skˈurɨ, tˌɨlkɔ z jˈakʲɛjɕ sˌɨntɛtˈɨtʃnɛj ˌimitˈatsji.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_91.wav|mʲˌawɨ ˌɛrɡɔnɔmˈitʃnɛ uxfˈɨtɨ z ˌɔbɛjmˈami na pʃɛdrˈamjɛ. ɔpˈarwa ɕɛ nˈaɲih i bˈɛs trˈudu pɔdɲʲˈɔswa ɕɛ s kʃˈɛswa.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_83.wav|ɕˈɛdʑiʃ f tɨm pɔː ˈuʃɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_241.wav|stˈɔ ɡʲˈituf pɔftˈuʒɨw, stukˈajɔnts f klˌavʲatˈurɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_153.wav|pˌɔvʲɛdʑˈawa spɔkˈɔjnɨm ɡwˈɔsɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_78.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_18.wav|bˈɛs xˈuku, ɲʲɛ rˈɔɲʲɔnts ˌaɲi krˈɔpli.|2
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_38.wav|za ˈɔknɛm vʲˈadr vʲˈɛjɛ tsˈɔras ɕˈilɲʲɛj ɔt strˈɔnɨ pˈustɛj dʑˈawki. prɔɡnˈɔzɨ zˌapɔvʲadˈajɔ̃ dˈɛʃtʃ i dˈalʃɛ ˌɔxwɔdʑˈɛɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/35_segment_3.wav|mwˈɔdɨ ˈuɲʲuz ɡwˈɔvɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_130.wav|jˈak trˈib vɨɡlˈɔnda?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_26.wav|jɛdˈɨɲʲɛ kˈatɛ mˈɔɡwa mˈɨɕlɛtɕ ɔ pʲɛɲʲˈɔndʑax f tˈakʲɛj sˌɨtuˈatsji.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_32.wav|tsˈɔː ˌɔna sˈɔbjɛ vˌɨɔbrˈaʒa?|3
+Dataset/wavs/urwisko_ferenc/02_segment_27.wav|mˈam tˈu w ˈaktaɣ zdjˈɛɲtɕɛ klasˈɔvɛ karˈɔla xˌudʑiɲskʲˈɛɡɔː i jˈɛɡɔ ʒˈɔnɨ.|0
+Dataset/wavs/urwisko_ferenc/65_segment_128.wav|pˌɔzɔstˈajɛ na vɔlnˈɔɕtɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_25.wav|zatʃˈɨnam ɕɛ zˌastanˈavʲatɕ, tʃɨ ɲʲˈɛma ˈinnɛj tˌɔʃsamˈɔɕtɕi.|3
+Dataset/wavs/urwisko_ferenc/36_segment_164.wav|tˈak, pamjˈɛntam tɔ dɔkwˈadɲʲɛ. zvʲɛʒˈɨwa mi ɕɛ, ʒˈɛ zˈafʃɛ xtɕˈawa mʲˈɛdʑ vnˈuki, ktˌurɛ mˈɔɡwabˌɨ kˈɔxatɕ i rɔspʲˈɛʃtʃatɕ.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_353.wav|xɔdʑˈɛɲʲɛ bˈɔsɔ bˌɨwɔ mˈɔjɔ̃ pɔkˈutɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_7.wav|ˌaɲi ɕlˈadu mˈartɨ.|3
+Dataset/wavs/urwisko_ferenc/28_segment_76.wav|krɛɲtɕˈiwa ɕɛ vˈɔkuw dˈɔmu xudʑˈiɲskix?|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_247.wav|dlatʃˈɛɡɔ tˈaɡ bˈardʑɔ ɕɛ bˈɔiʃ tˌɛɡɔ ɡwupʲˈɛɡɔ tʃwɔvʲˈɛtʃka?|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_273.wav|sˈɛrtsɛ vɨɕˈada zˈɛ strˈaxu, stˈarɨ, pɔvʲˈɛdʑaw tˈak. tɔ dɔpʲˈɛrɔ ɕmʲˈɛrtɕ, tsˈɔ?|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_283.wav|jˈaɡ vɨɲˈika z dˈanɨx kˈɔnta, ktˌurɛ ˌɔptɕɔ̃ʒˈɨwa kupˈujɔndʑ bʲˈilɛt, nazˈɨva ɕɛ nˈuxa nˈɛjɛm. tɕˈɔŋɡnɔw.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_157.wav|xˈɔtɕ pɔpˈɛwɲiw vʲˈɛlɛ ɡʒˈɛxuf, ɲʲɛ prˈɔɕiw ɔ vˌɨbatʃˈɛɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_70.wav|ɲʲˌɛpʃɨjˈatɕɛl vɨpwˈɨnɔw dalˈɛkɔ na mˈɔʒɛ zˌaxɔdʑɔntsˈɛɡɔ swˈɔɲtsa i udˈɛʒɨw na tartʃˈɔvɛ vˈɨspɨ ɔd zaxˈɔdu.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_151.wav|pˈɔttʃas nˈɔvju bˌɨwa ɲˈikim, swˈuʃkɔ̃ bˈɔɡa ɔ vʲˈɛlu tfˈaʒax, ɔdʑˈanɔ̃ f tʃˈarnɔbjˈawɔ̃ ʃˈatɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_21.wav|ʒˈɨtɕɛ bˌɨwɔ ftˈɛdɨ tˈakʲɛ prˈɔstɛ.|3
+Dataset/wavs/urwisko_ferenc/45_segment_58.wav|w ɔɡˈulɛ mɲʲɛ tɔ ɲʲɛ dʑˈivi, ˌɔdɛzvˈawa ɕɛ ˈaɕka pˈɔttɨm, jˈaɡ vˈɨbʒmʲaw ɡwˈɔɕnɨ ɡʒmˈɔt.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_139.wav|ˌɔtprɔvadʑˈiwam ɡˈɔ vzrˈɔkʲɛm, a pˈɔtɛm tɕˈɛ̃ʃkɔː ɔpˈadwam na wˈafkɛ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_49.wav|ɲˈikt ɲˈiɡdɨ ɲʲɛ pʃˈɨvdʑaw tʃˈɛrɲi dla tʃɛrvˈɔnɨx ˈust.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_175.wav|tɔ naprˈavdɛ dwˈuɡa çistˈɔrja. ɔtpˈarwam, pɔ tʃɨm vˌɨtɕɔŋɡnˈɛwam s kʲɛʃˈɛɲi ɲʲˌɛdɔjɛdʑˈɔnɔ̃ tablˈitʃkɛ tʃˌɛkɔlˈadɨ i ʒutɕˈiwam w jˈɛɡɔ strˈɔnɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_48.wav|jɛst ˈɔkɛj.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_166.wav|bwɨsnˈɛwɔ za ˈɔknɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_267.wav|mʲˌawɛm ftˈɛdɨ tʃtɛrnˈaɕtɕɛ ˈalbɔ pʲɛtnˈaɕtɕɛ lˈat i ʃumjˈawɔ mi pʃˌɛjmujˈɔntsɔ w ɡwˈɔvʲɛ, ʃumjˈawɔ.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_303.wav|tʃɨ lˈadɨ fˈalis jˈɛʃtʃɛ ʒˈɨjɛ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_180.wav|f tʃtɛrdʑˈɛstɨm tʃfˈartɨm rˈɔku. mʲˈaw ɕˌɛdɛmnˈaɕtɕɛ lˈat i ɲʲˈɛbɨw ɲˈiɡdɨ w ˈaktsji i zawˈamaw ɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_26.wav|vʲˈɛm ˈɔtɨm, bˈɔ zˌadʑvɔɲˈiwa ɔ tɛj pˈɔʒɛ, ʒˈɛbɨ zapˈɨtatɕ, ɔ ktˌurɛj vrˈutsɛ dɔ dˈɔmu.|3
+Dataset/wavs/urwisko_ferenc/05_segment_37.wav|s pʃˈɨkrɨx fspˈɔmɲʲɛɲ vˈɨrvaw jˈɔ̃ dʑvʲˈɛŋk tˌɛlɛfˈɔnu.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_121.wav|ja zdˈawɛm za pʲˈɛrʃɨm pɔdˈɛjɕtɕɛm, ˌalɛ ɲʲɛ kˈaʒdɨ mˈɔʒɛ bˈɨtɕ mnˈɔ̃, prˈavda?|4
+Dataset/wavs/urwisko_ferenc/53_segment_145.wav|zadʑvˈɔɲʲɛ dɔ filˈipa ɡrˈɔxa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_83.wav|zˈamjast ˌɔtpɔvʲˈɛdʑɛtɕ, ɲˈitsk fskazˈujɛ na dʒvˈi bˌɛspʲɛtʃnˈɛɡɔ pɔkˈɔju.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_91.wav|na zdjˈɛɲtɕax ˌutrfalˈɔnɔ zɲʲˌɛxɛntsˈɛɲʲɛ mˌalujˈɔntsɛ ɕɛ na mˈɔjɛj tfˈaʒɨ, kʲˈɛdɨ kljˈɛɲtɕi patʃˈɨli w ˈinnɨm kʲɛrˈuŋku.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_113.wav|rˈaŋkʲɛm fʃˈɨstkɔ tɔ zɲˈikɲʲɛ, pˌɔftaʒˈawa sˈɔbjɛ kɕɛ̃ʒɲˈitʃka, ˌalɛ ɡdˈɨ rˈanɛk nˈatʃɛd...|1
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_20.wav|stˈaram ɕɛ jˌɛdnɔtʃˈɛɕɲʲɛ zdˈuɕitɕ f sˈɔbjɛ wkˈaɲʲɛ. jˈɛɕli ɕɛ pɔpwˈatʃɛ, ɲʲɛ bˌɛndɛ dˈɔbʒɛ vidʑˈawa.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_167.wav|dlatʃˈɛɡɔ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_6.wav|ˌuɕmʲɛxˈamɨ ɕɛ dɔ ɕˈɛbjɛ, kʲˈɛdɨ rɔzlˈɛɡa ɕɛ pukˈaɲʲɛ dɔ dʒvˈi vɛjɕtɕˈɔvɨx. tʃˈɨ ɡwˈɔɕnɛ stukɲʲˈɛɲtɕa.|4
+Dataset/wavs/urwisko_ferenc/52_segment_4.wav|bɔrˈɛvitʃ uvˈɔlɲiw dwˈɔɲ z uɕtɕˈisku.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_414.wav|stˈaʒɛts pˈɔblad.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_261.wav|i kˈɔɡɔ tˈam jˈɛʃtʃɛ zˈɛxtsɔ̃ zˈɛ sˈɔbɔ̃ pʃˌɨprɔvˈadʑitɕ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_87.wav|ˈaʃ ɔdˈɛjdʑɛ, a ftˈɛdɨ ɲʲɛ tˌɨlkɔ mˈili strˈatɕitɕ tatˈuɕa, ˌalɛ ja strˈatsɛ tʃwɔvʲˈɛka, kturˌɛɡɔ ftɕˈɔ̃ʃ kˈɔxam, ɲʲˌɛzalˈɛʒɲʲɛ ɔt tˈɛɡɔ, tsˈɔ zrˈɔbʲiw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_67.wav|ɲʲɛ lˈitʃɔnts tˈu zˈina jˈaj i mˈaswa, strˈɔɲʲɛ ɔt tɔvˈaruf ɔ krˈutkʲɛj pʃˌɨdatnˈɔɕtɕi dɔ spɔʒˈɨtɕa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_51.wav|pˈɔza tˈɨm, tɛn tˌajɛmɲˈitʃɨ ktˈɔɕ mˈɔʒɛ sˈɔɲdʑitɕ, ʒˈɛ ɲʲˈɛma vɨbˈɔru.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_420.wav|tˈu ɕɛ ɲitʃˈɛɡɔ ɲʲɛ vˌɨxɔdˈujɛ, ˌaɲi sˌɔtsjalˈizmu, ˌaɲi kˌapitalˈizmu, ˌaɲi tˈɛɡɔ, tsˈɔ bˌɛɲdʑɛ f pʃɨʃwˈɔɕtɕi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_32.wav|xtɕˈawɛm pɔvʲˈɛdʑɛtɕ jˈɔɛ ɔ nˈɔvɨm kˈɔdʑɛ, ˌalɛ zˌapɔmɲʲˈawɛm.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_312.wav|ˌutɔpˈiwɛm ɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_186.wav|ˌalɛ pˌɔtʃɛbujˈɛmɨ ɕˈilnɨx lˈudʑi, bˈɨ iɣ brɔɲˈili.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_157.wav|tʃɛkˈawa mɲʲɛ pʃɛprˈava pʃˈɛz vɛrtˈɛpɨ, ˌalɛ f tˈamtɔ̃ strˈɔnɛ mʲˈawam zɡˈurki.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_11.wav|tʃɨ muɕˈawa?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_91.wav|jˈɛɕli mˈam mʲˈɛtɕ jˌakɔŋkˈɔlvʲɛk nadʑˈɛjɛ na vɨɡrˈaɲʲɛ pʲɛɲʲˈɛndʑɨ i spɛwɲʲˈɛɲʲɛ ʒˈɔndaɲ jaɡˈɛra, mˈuʃɛ zˌarɨzɨkˈɔvatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_9.wav|lɔrˈɛta jˈuʃ prˌɔjɛktˈujɛ nˈɔvɔ̃ fabrˈɨkɛ. zamjˈɛʒa fprɔvˈadʑitɕ kˈilka zmʲˈan. tˈɛras skupˈimɨ ɕɛ na krˌɨstalizˈatsji kʃˈɛmu i...|4
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_35.wav|i tˈak ɕɛ utɕˈɛʃɨw, kʲˈɛdɨ znˈalas tɛ fʃˈɨstkʲɛ ˌinfɔrmˈatsjɛ na tˈɛmat tˈɛssɨ ɔ xˈanlɔn, dɔdˈawa bˈɛtskɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_65.wav|dʑˈɛŋki.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_65.wav|na tsˈɔ ɕɛ s xˈɛɲtɕɔ̃ zɡɔdʑˈiwa.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_99.wav|ɡdˈɨ mɔdlˈitfa ɕɛ skɔɲtʃˈɨwa,|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_144.wav|rˈandɛk, mˈɨɕli bʲˈili.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_27.wav|zdjˈɛɲtɕa mˈɔɡɔ̃ pʃɨspˈɔʒɨtɕ kwɔpˈɔtuf.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_191.wav|ɡdˈɨ ˌuxɨlˈiwa dʒvˈi s tʃˈar drˈɛvna i vˈɛʃwa dɔ dˈɔmu tʃˈɛrɲi i bjˈɛli, drʒˈawa jˈuʃ lˈɛkkɔ ʑˈimna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_151.wav|ɲʲɛ bˌɨwam pˈɛvna. ɲʲɛ vʲɛdʑˈawam, tʃˈɛɡɔ mˈɔʒɛ ˈɔdɛ mɲʲɛ ˌɔtʃɛkˈivatɕ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_158.wav|dɔpˈuki ʃtˈɔrm ɲʲɛ mˈiɲʲɛ, xtsˈɛ, ʒˈɛbɨ tfˈɔjɛ ɔkrˈɛntɨ pˌɔzɔstˈawɨ s pɛwnˈɨmi zˌawɔɡˈami na ʒˈɛtsɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_7.wav|muɕˈawam ɔbmˈɨɕlitɕ nˈɔvɔ̃ stratˈɛɡjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_23.wav|tʃɨ ɔn udˈajɛ, ʒˈɛ jɛst stsˈɔttɛm?|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_199.wav|mˈiwɔ z jˈɛɡɔ strˈɔnɨ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_303.wav|kɕɛ̃ʒɲˈitʃka pʃˈɛs puwnˈɔtsɨ vˌɨxɨlˈawa ɕɛ pʃˈɛs ˈɔknɔː i kʃɨtʃˈawa, ˈaʃ rˌɔzbɔlˈawɔ jˈɔ̃ ɡˈardwɔ, lˈɛtʃ ɲʲɛ dˌɔtʃɛkˈawa ɕɛ ˌɔtpɔvʲˈɛdʑi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_172.wav|prˌubɔvˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_209.wav|pˌɔviɲʲˈɛnɛɕ sˈɨpʲadʑ z ʒˈɔnɔ̃, ɲʲɛ z dʑɛvˈitsɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_157.wav|tˈak jˈɛst, pˈaɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/27_segment_74.wav|jˈanɛm sˈɔlskim|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_163.wav|ɲʲɛ, tɔ ɲʲˈɛbɨw spˈatsɛr dla zdrˈɔvja. muɕˈawam dˈɔstatɕ ɕɛ ɲʲˌɛzawvaʒˈɔna dɔ pʃɛtɕˈɔŋka ɕlˈuzɨ, ɡdʑˈɛ tʃˈɛkaw zamkɲʲˈɛntɨ f ʃˈaftsɛ rˈɔbɔd ʒˈɔki.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_95.wav|ɔdˈɛzvaw ɕɛ mˈɛ̃ski ɡwˈɔz za mɔˈimi plɛtsˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_225.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_138.wav|jˈaɡbɨ ɕfʲˈɛʒɔ vrutɕˈiwa z dʑˈikʲɛj mˈɔrskʲɛj plˈaʒɨ. ja sˈam sˈɔbjɛ ɕɛ dʑˈivjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_52.wav|dˈɔbʒɛ vˌɨʃkɔlˈɔna ɛkˈipa natˈɨxmʲast pʃˌɨstɔmpˈiwa dɔ prˈatsɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_105.wav|pɔlˈitsjand zvˈanɨ ʃˈɔnɛm ˈujɔw dwˈɔɲ ˌandɛrsˈɔna i pˈatʃɨw pʃˈɛs xfˈilɛ nˈaɲʲɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_39.wav|ˌupwɨnˈɛwɔ jˈuʃ trˈɔxɛ tʃˈasu, ɔt kʲˈɛdɨ tˈɛssa ˌɔdɛɡrˈawa tˈakɔ̃ rˈɔlɛ publˈitʃɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_152.wav|w artˈɛmis ɲʲˈɛma kˈar pʲɛɲʲˈɛ̃ʒnɨx. nazvˈijmɨ tɔ dˌɔbrɔvˈɔlnɨm fkwˈadɛm w bˈudʒɛt mʲˈasta.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_94.wav|jˈaɡ dla mɲʲɛ tɔ pʲɛpʃˈɛɲʲɛ w bˈambus.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_118.wav|budˈɨnɛk, f ktˌurɨm muɕˈawɛɕ pˈuw rˈɔku tʃˈɛkatɕ i ɕɛ ˌintɛɡrˈɔvatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_117.wav|ɔbjˈɛwam ɡˈɔ, ʒˈɛbɨ bˈardʑɛj ɕɛ pʃɨblˈiʒɨw.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_169.wav|kˈaptur i zaswˈɔna ˌukrɨvˈawɨ jɛj tfˈaʃ, vˈidʑaw jˈɛdnak ɔdbʲˈitɕa ɕfʲˈɛdʑ w ʑɛlˈɔnɨx sadʑˈafkax jɛj ˈɔtʃu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_101.wav|ɲʲɛ pɔdˈajɛ tˌɛlɛfˈɔnu dˌɔnɔvanˈɔvi, bˈɔ tɛn ɲʲɛ sprˈavja vraʒˈɛɲʲa, jˈaɡbɨ bˈɨw ɡɔtˈɔvɨ pʃɛprˈɔɕitɕ.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_252.wav|dˈɔbʒɨ brˈatɕa vˌɨwavʲˈajɔ̃ tˈɛʃ ˌutɔpʲˈɔnɛ krˈɔvɨ i jɛlˈɛɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_457.wav|mˈɔɡɛ s pˈanɛm, bˈɔ ja tˈɛʒ dɔ dˈɔmu. prˈɔʃɛ, pˌɔvʲɛdʑˈawɛm ɲʲɛxˈɛntɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_56.wav|ɔtkwˈada pʲɛɲʲˈɔndʑɛ, ʒˈɛbɨ kˈupitɕ stˈɔlik f kasˈɨɲʲɛ stˈarlikt, w bˈaɲtsɛ ɔldrˈina.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_118.wav|nadˈavaw ɕɛ rˈuvɲʲɛʒ dɔ rˌɛalizˈatsji mɔjˈɛɡɔ ɲˌiktʃɛmnˈɛɡɔ plˈanu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_35.wav|nɔrmˈalɲʲɛ bʲillʲˈɛɡɔ ɲˈidʑ bˈɨ tɔ ɲʲɛ ˌɔpxɔdʑˈiwɔ. nɔrmˈalɲʲɛ jɛst tˌɨlkɔ ɕˈiwɔ̃ rɔbˈɔtʃɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_28.wav|mˈa f kˌɔsmɛtˈɨtʃtsɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_43.wav|ˌalɛ sɔɲdʑˈimɨ, ʒˈɛ tʃˈɛba ɡˈɔː ˌɔpsɛrvˈɔvatɕ na vɨpˈadɛk, ɡdˈɨbɨ zˈɛxtɕaw dɔ ɲʲˈɛj pɔjˈɛxatɕ lˈub ɡdˈɨbɨ tɔː ˌɔna ɕɛ tˈutaj zjavˈiwa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_554.wav|bˈɨwbɨ pɔdˈɔbnɨ dɔ sfˈɛɡɔ prˌɔtɔplˈastɨ na judˈaxu skˈalɛ, pˌɔmɨɕlˈawɛm f pʃɛlˈɔtɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_183.wav|ˌɔna jɛst mˈɔjɔ̃ pʃˌɨjatɕˈuwkɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_233.wav|ˌalɛ brˈama bˌɨwa zˈafʃɛ zamkɲʲˈɛnta.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_96.wav|jˌɛstɛm prˈavʲɛ pˈɛvʲɛn, ʒˈɛ tɔ bˌɨwa puwˈapka.|2
+Dataset/wavs/urwisko_ferenc/63_segment_119.wav|pʃɛɡʒˈaɲʲa ˌɔrɡaɲˈizmu. jˈɛzu, ɲʲɛ, tɔ ɲʲɛ tˈak!|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_4.wav|ɲʲˈɛmʲaw dvˈux pˈar kɔlˈɔru.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_31.wav|pˌɔprɔɕˈiwɛm jˈɔ̃ ɔ pʃɨbˈɨtɕɛ na pˌɔstɛrˈunɛk.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_5.wav|tsˈawa ta rɔzmˈɔva bˌɨwa jˈakaʑ dʑˈivna.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_252.wav|strˈatɕiw kɔlˈɛjnɨ talˈizman.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_370.wav|vˈaʃa mˈiwɔɕtɕ jɛst waskˈava, ʒˈɛ ɕɛ ˈɔmɲʲɛ bˈɔi, ˌalɛ brˈad zˈadbaw mˈɔjɛ bˌɛspʲɛtʃˈɛɲstfɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_116.wav|mˌamɨ tˈɛras nˈɔvɨ dˈɔm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_72.wav|rɔzˈumjɛm, ʒˈɛ pɔtstˈavɔ̃ jɛst spˈisɛk majˈɔntsɨ na tsˈɛlu pˌɔpɛwɲʲˈɛɲʲɛ mɔrdˈɛrstfa.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_306.wav|dʒˈɛf mˌamɨ vʲˈɛntsɛj.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_123.wav|pɔt jˈɛɡɔ ɲʲˌɛɔbˈɛtsnɔɕtɕ ja zɔstˈanɛ dʑɛdʑˈitsɛm tʃɨtˈatʃa.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_447.wav|pˈɛvnɛj nˈɔtsɨ ˌɔpɔvʲˈɛdʑaw jɛj, ʒˈɛ jɛst kuzˈɨnɛm brˈunuv z brˈɔvn xˈɔllɔf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_114.wav|ɡˈɔː ˈɔtɔ zapˈɨtatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_132.wav|krɔ̃ʒˈɔvɲik ˌɛntɛrprˈisɛ mʲˈaw ˌɔznatʃˈɛɲʲɛ taktˈɨtʃnɛ ˌɛntsˌɛtsˈɛ|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_11.wav|nˈaɕi nˈɔvi pʃˌɨjatɕˈɛlɛ ɲʲɛ sɔ̃ prˌavdʑivˈɨmi pʃˌɨjatɕˈuwmi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_140.wav|tɔ ktˈɔʑ bˈardʑɔ ɕɛ pɔstˈaraw, ʒˈɛbɨ jˈɔ̃ vrˈɔbʲitɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_45.wav|tɔ jˈasnɛ, xˈɨba ɲʲɛ ɔdlˈɛtɕiʃ pˈan tˈak na ʑˈimnɔ bˈɛs pˌɔʒɛɡnˈaɲʲa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_129.wav|zɡʲˈinɔw ɡwˈɔvɔ̃ f strˈɔnɛ sfɔjˈɛɡɔ sˌamɔxˈɔdu, ˌalɛ ɲʲɛ mˈɔɡwam dˈɔjʒɛtɕ ɲitʃˈɛɡɔ vˈɛvnɔntʃ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_48.wav|mˈɔʒɛ xtsˈɛtɕɛ nˈapitɕ ɕɛ kˈavɨ?|4
+Dataset/wavs/urwisko_ferenc/12_segment_25.wav|— vˈɨɕlɛ mu smsˈa — uznˈawa mˈarja.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_185.wav|ɲʲɛ mˈuɕi pwˈatɕitɕ raxˈuŋkuv za prˈɔnt? ɲˈiɡdɨ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_59.wav|ɲʲˈɛmukw fspˈɔmɲʲɛtɕ ɔ jˈatsku. pˌɔtʃɛbˈɔvaw jˈɛdnak jˈak najvʲˈɛntsɛj ˌinfɔrmˈatsji na tˈɛmat tɨrˈɔna kɛllʲˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_160.wav|tɔ dʑˈawa.|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_69.wav|ɲˈiɡdʑɛ ɕɛ stˈɔnt ɲʲɛ ruʃˈamɨ.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_251.wav|ɲʲɛ fʃˈɨstkʲɛ dˈarɨ ʒˈɛki sɔ̃ mˈiwɛ.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_201.wav|jˈɛɡɔ kˈuzɨn pɔvˈiɲʲɛn prˌatsɔvˈitɕɛ pwˈɔdʑidʑ z mwˈɔdɔ̃ vdˈɔvɔ̃ dʑɛdʑˈitsa ɔ tfˈaʒɨ waɕˈitsɨ, zˈamjazd ɡwˈɔdʑitɕ ɕɛ na ɕmʲˈɛrtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_194.wav|dˈalɛ xfˈɨtɕiw drˈɔ̃ʒɛk stˌɛrɔvɲˈitʃɨ. tˈu ɕlˈuza tˌɔvarˈɔva, prˈɔʃɛ ɔ zˌɛzvɔlˈɛɲʲɛ na vˈɨjast, pɔvʲˈɛdʑaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_77.wav|naprˈavdɛ? swuxˈawɛm vʲˌadɔmˈɔɕtɕi i ɲitʃˈɛɡɔ ɲʲɛ swɨʃˈawɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_60.wav|mˈɔʒɛ mi ɕɛ vˌɨdavˈawɔ? pˈɨtam, kwˈadɔndʑ zakˈupɨ na blˈatɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_57.wav|tɔ jɛst tˈak sˈɔndʑɛ.|2
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+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_127.wav|tɔ jˈa.|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_9.wav|mˈuʃɛ zatʃˈɛkatɕ, ˈaʃ ta kɔbjˈɛta zˈɛjdʑɛ.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_223.wav|pɔvˈinnɔ mi vɨstˈartʃɨtɕ nˈatɔ pʲɛɲʲˈɛndʑɨ.|1
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_89.wav|zˈamknɔw rˈɛjɛstr s xˈukʲɛm.|3
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+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_49.wav|tˈak jˈak f stˌarɔmˈɔdnɛj pˈɔtʃtɕɛ pnˌɛwmatˈɨtʃnɛj s pɔwˈɔvɨ ˌubjɛɡwˈɛɡɔ vʲˈɛku.|4
+Dataset/wavs/urwisko_ferenc/12_segment_64.wav|zˈɛrɔ ɕˈɛdɛm ˈuɕad wˈɛ fɔtˈɛlu.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_70.wav|bʲˈili kˈiva ɡwˈɔvɔ̃. tɔ prˈavda.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_285.wav|ɲʲˈɛvʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_305.wav|pˌɔmɨɕlˈawa krulˈɔva.|1
+Dataset/wavs/urwisko_ferenc/12_segment_79.wav|mˈarja pˌɔkivˈawa ɡwˈɔvɔ̃. jˈɛdnɔ jɛst pˈɛvnɛ.|0
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+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_75.wav|tsˈɔ ɲˈiɡdɨ ɲʲɛ zɔstˈawɔ jˈasnɔ stfʲɛrdʑˈɔnɛ, vʲˈɛnts mɔʒlˈivɛ, ʒˈɛ tˌɨlkɔ z dvʲˈɛma.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_282.wav|s tɛj dʑˈivnɛj tˌajɛmɲˈitsɨ, ktˌura tʃˈɨɲi kˌilkadʑˈɛɕɔnt kˌilɔɡrˈamuf pʲɛrvʲˈastkuf xɛmˈitʃnɨx,|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_42.wav|ˈaʒ zmrˈuʒɨw ˈɔtʃɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_239.wav|ʒˈutɕmɨ ˈɔkʲɛm na matˈɛrjaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_120.wav|tɔ çistˈɔrja, jˈakiɣ bʲˈillɨ vʲˈɛlɛ swˈɨʃaw i tʃˈɨtaw, ɔstˈatɲʲɔ f kɕˈɔ̃ʃkax ɛmˈila zˈɔli.|2
+Dataset/wavs/urwisko_ferenc/52_segment_19.wav|kʲˈɛdɨ kˈiŋɡa ˌɔdɛbrˈawa, vˈɨtʃuw, ʒˈɛ jɛst na ɲʲˈɛɡɔ zwˈa. pˌɔstanˈɔviw rɔzˈɛɡratɕ tɔ pɔ sfɔjˈɛmu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_52.wav|xrˈɨstɛ, tsˈɔ tɨ tˈutaj rˈɔbʲiʃ?|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_118.wav|tɕˈɛpwɔ vɛndrˈujɛ dɔ ɡˈurɨ nˈavɛt pʃɨ kɕˌɛ̃ʒɨtsˈɔvɛj ɡrˌavitˈatsji, vʲˈɛnts im ɡwˈɛmbjɛj sxˈɔdʑiʃ, tɨm ʑˈimɲʲɛj ɕɛ rˈɔbʲi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_51.wav|tˈata ɔt lˈat ɲʲɛ dʑˈɛliw z ɲʲˈɔ̃ sɨpʲˈalɲi.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_82.wav|vʲˈɛlki sˈɛptɔn zˌaprɔvˈadʑiw tsɛrsˈɛi w mʲˈɛjstsɛ, ɡdʑˈɛ starˈuxa ˌunɔɕˈiwa sfˈɔjɔ̃ lˈampɛ.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_298.wav|vˈinna bˌɨwa jˈɛɡɔ krˈɛf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_14.wav|vɨɡlˈɔndaw prˈavʲɛ jˈak pˈawats. mʲˈaw kˌɔpulˈastɨ dˈax i ˌɔtɕɛɲʲˈɔnɨ palmˈami dʑɛdʑˈiɲʲɛts. bˈɛz vɔntpʲˈɛɲʲa xˈata jakʲˈɛɡɔɕ nˌadʑanˈɛɡɔ baɕˈistɨ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_150.wav|a s kˈim mʲˈawam ɡrˈatɕ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_23.wav|lˈubʲiw ˌɔkazjɔnˈalɲʲɛ vˈɨpitɕ kʲɛlˈiʃɛɡ vˈina tʃɨ ʃklanˈɛtʃkɛ fçˈiskɨ, ˌalɛ ɲˈidʑ vʲˈɛntsɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_58.wav|tˈak ˌɔtpɔvʲˈada bʲˈillɨ, pɔ tʃɨm vɨxˈɨla ɕɛ nat stˈɔwɛm i pʃɨɡvˈɔʒdʒa ˌatskɛrmˈana juɲʲˈɔra vzrˈɔkʲɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_41.wav|nˈazvij mɲʲɛ trˈɛvɔr fçˈitlɛj tʃɨ tsˈɔɕ i nˈapiʃ, ʒˈɛ mʲɛʃkˈawɛm f sˌaskatxˈɛvan tʃɨ ˈinnɛj mˌaɲitˈɔbjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_94.wav|trˈɔnd vʑˈɔw zˈɛ stɔlˈika klˈudʒ dɔ nakrˈɛntɛk i vɨʒˈutɕiw ɡˈɔ w ɡˈurɛ. kavˈawɛk mɛtˈalu pˌɔʃɨbˈɔvaw lˈɛkkɔ pɔt sˈufit.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_59.wav|ˌalɛ mˈɔɡɛ ˈiʑdʑ dɔ dˈɔmu, spɨtˈawɛm i tɕˈarki mɲʲɛ pʃˈɛʃwɨ pɔ plˈɛtsax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_94.wav|tɨm bˈardʑɛj, ʒˈɛ zabˈujstfa ɲʲɛ zˌaspɔkɔˈiwɨ mɔtwˈɔxu. bˌɔjɔvɲˈitsɨ vɨvlˈɛkli tɕˈawa z vˈɔzuf, pɔlˈali bɛnzˈɨnɔ̃ i pˌɔtpalˈili.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_188.wav|ɲʲˌɛdalˈɛkɔ jɛst tsˌawɔdɔbˈɔvɨ ˌɛmtsˈɛ dˈɔnalts.|2
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_5.wav|kˈɔʒ zˌakɔwˈɨsaw ɕɛ lˈɛkkɔː i tˈak ˌɔpɔvʲˈɛdʑaw, ʒˈɛbɨm ɕɛ ɲʲɛ rˈuʃaw, jˈɛɕli ɲʲˈɛxtsɛ fsˈadʑitɕ kˈuli f ʃˈɨlt nad dʒvʲˈami sklˈɛpu zˈamjazd w ɡwˈɔvɛ jasˈima.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_111.wav|pratsˈujɔ̃ w buɕˈinɛss sɔlˈutjɔns, zajmˈujɔ̃ tsˈawɛ pʲˈɛrʃɛ pʲˈɛntrɔ. tɔː aɡˈɛntsja vˌindɨkatsˈɨjna. nˌazɨvˈamɨ ix ˌɛsˌɛˈɛm pˈami.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_51.wav|zrɔbʲˈiwa krˈɔk w mˈɔjɔ̃ strˈɔnɛ. pɔswˈuxaj, idjˈɔtkɔ, tɔ fʃˈɨstkɔ zˈaras ɕɛ rɔstˈɔpi. musˈimɨ stˈɔnd vˌɨpʲɛrdˈalatɕ i tɔ jˈuʃ!|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_19.wav|ɲʲɛ rˌɔzumjˈawam.|3
+Dataset/wavs/urwisko_ferenc/28_segment_56.wav|rˈɛʃtɨ ɕɛ dˈɔmɨɕl.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_111.wav|nˈɔː i mɲʲɛ kˈɔxaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_137.wav|xtsˈɛʃ na xfˈilɛ vrˈutɕidʑ dɔ dˈɔmu?|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_362.wav|tɔ fʃˈɨstkɔ, tsˈɔ mɲʲɛ ɔpxˈɔdʑi, jˈɛɕli muvˈimɨ ˈɔɲim, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_204.wav|ja tˈu zvarjˈujɛ i stˈanɛ ɕɛ rˈuvnɨ mˈɔim rɔdˈakɔm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_51.wav|jˈɛɕli ɲʲɛ mˈɔʒɛʃ tˌɛɡɔ zrˈɔbʲitɕ,|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_217.wav|ɲʲˈɛx pˈan spˈɔjʒɨ, ɡɔrbˈatʃɔf ˈidʑɛ, pˌɔvʲɛdʑˈawɛm sˈɛnɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_55.wav|mʲˌɛndʑɨ ɲˈimi uvˈijaw ɕɛ tʃˈɛx, ɲʲˌɛpɔɕˌadajˈɔntsɨ nˌarɔdɔvˈɛɡɔ strˈɔju,|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_9.wav|pʃˌɨsunˈɔwɛm mˈɔkrɔ̃ rˈɛŋkɛ dɔ jˈɛɡɔː ˈust i nˈɔsa, ʒˈɛbɨ sprˈavdʑitɕ, tʃɨ ɔddˈɨxa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_163.wav|ɔtsˈuva na bˈɔk mˈadʑ bɔˈɔka zˌavʲɛrˌajɔntsˈɛɡɔ jˈɛɡɔː ɔpˈɔvʲɛɕtɕ i ɔtfʲˈɛra vwˈasnɨ kɔmpˈutɛr.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_159.wav|ɲʲɛ bˌɛɲdʑɛ pˈaɲi pʃˌɛʃkadʑˈawɔ, jˈɛɕli nalˈɛjɛ sˈɔbjɛ kʲɛlˈiʃɛɡ vˈina? xˈɨba tˌɛɡɔ pˌɔtʃɛbˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_221.wav|sˈam ɲˈiɡdɨ tˈu ɲʲˈɛbɨw, ˌalɛ tʃˈɨ, tʃtˈɛrɨ rˈazɨ ɔdvʲˈɛdʑiw ɲˈitska w jˈɛɡɔː ˌapartamˈɛɲtɕɛ na pɔddˈaʃu dɔˈublɛ dɔmˈinɔː i pʃɨ pˈaru ɔkˈazjax tˌɛɡɔ fatsˈɛta tˈam spˈɔtkaw.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_78.wav|ˈarjan ˌuɕmʲɛxnˈɛwa ɕɛ sˈɛnɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_641.wav|zˌɔbatʃˈɨmɨ, tˈɔnɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_59.wav|pˌɔmnaʒˈanɨ bˈɨw pʃˈɛz dˌɨnamˈitʃnɛ mˌikrɔfˈɔnɨ i ɡwɔɕɲˈiki i ɕpʲˈɛvak kʃˈɨkʲɛm zapˈɛvɲʲaw|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_129.wav|krulˈɛfski kˈad dˈɔtknɔw nˈɔsa jˈɛdnɨm pˈaltsɛm. jˈamɛ xˈɛrknɔw ɕmʲˈɛxɛm. tɔ tʃtʃˈa pʃɛxfˈawka. uvˈaʒam, ʒˈɛ tʃˈɛx.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_123.wav|pɔvʲˈɛdʑaw bˈɔp, fskazˈujɔnts na ʒˈɔnt mˌɛtalˈɔvɨx ʃˈafɛk. ɡʲˈizmɔ zabjˈɛʃtɕɛ zˈɛ sˈɔbɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_47.wav|a dʑˈɛŋki tˌɛmu malˈɛɲstfu fpˈadwɛm na trˈɔp tˌajɛmɲˈitsɨ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_44.wav|pɔstˈaraj ɕɛ, ʒˈɛbɨ tɔ vˈɛʃwɔ tɕi w nˈavɨk, lanɲˈistɛr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_3.wav|pˌɔjɛxˈawɛm s pˈanɛm spˈɛkʲɛm dɔ xˌatanˈuɡʲi.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_6.wav|dˈɛʃtʃ pʃˈɛstaw pˈadatɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_3.wav|znˈaw drˈɔɡɛ. ʃˈɛt tˈɛndɨ ɔt rˈɔku, rˈɔbjɔnts tʃˈɨ mˈilɛ w ɡɔdʑˈinɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_51.wav|pˈɛvɲʲɛ na sfˈɔim kˌɔmputˈɛʒɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_48.wav|lˈɛdvʲɛ mrˈuɡa ɔtʃˈami.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_378.wav|ja bˈɨm tˌɛɡɔ ɲʲɛ pɔtrˈafiw i tɨ bˈɨɕ tˌɛɡɔ ɲʲɛ pɔtrˈafiw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_45.wav|zatʃˈɨmaw samˈɔxut pɔt samˈɨmi dʒvʲˈami i vˈɨjɔw s kʲɛʃˈɛɲi pˈɛŋk klˈutʃɨ.|3
+Dataset/wavs/urwisko_ferenc/59_segment_61.wav|jˈɛdɛn vwˈɔs. s tsɛbˈulkɔ̃. xˈɛrman zɲʲˌɛruxɔmjˈawa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_344.wav|a ja ˌɔbjɛxˈawam tsˈawɨ ɕfʲˈat. zˌɔbatʃˈɨwam, jˈaki jɛst mˈawɨ.|0
+Dataset/wavs/urwisko_ferenc/46_segment_83.wav|ˈɔlɡʲɛrt ɕɛ ˈɔtsknɔw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_289.wav|lɛʒˈawa pʃˈɛs xfˈilɛ ɲʲˌɛruxˈɔmɔː i patʃˈɨli ˈɔbaj na jɛj ˈusta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_58.wav|na mˈɨɕl ɔ pˈanu stɛpˈɛŋku pʃɛt ɔtʃˈami stˈajɛ mu ˈɔbras tɨɕˈɔntsa zˌɛzwɔmɔvˈanɨx sˌamɔxˈɔduf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_95.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, ktˈɔ jˈɛ zrˈɔbʲiw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_28.wav|ˈaʒ vɨɡlˈɔndaw na zˌaskɔtʃɔnˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_46.wav|dʑˈɛŋki za uvˈaɡɛ!|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_58.wav|ɡdˈɨbɨm mˈɔɡwa tɔ vˈɨdatɕ, vʲˈɛʃ, jˈaɡbɨm tˈɛ çistˈɔrjɛ zˌatɨtˌuwɔvˈawa?|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_447.wav|vˈɔbɛts tɕˈɛbjɛ mʲˌawɛm ˈinnɛ plˈanɨ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_192.wav|kʲˈɛdɨ ɔstˈatɲʲɔ jˈadwɛɕ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_40.wav|tˈɛssa ftɕˈɔ̃ʃ mɲʲɛ ˌɔbɛjmˈujɛ i tˈɛras prɔvˈadʑi f strˈɔnɛ salˈɔnu. swˈɨʃɛ za plɛtsˈami ɡwˈɔz bˈɛtskɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_307.wav|pˈɔʃɛj vɨbrˈawam.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_57.wav|s kˌartɔnˈɔvɨm vzmɔtsɲʲˈɛɲʲɛm, ˌalɛ ɲʲˈɛma w ɲʲˈɛj zdjˈɛɲtɕa. jɛst tˈam nˈadal pʃˌɨklɛjˈɔnɨ ɲʲɛvʲˈɛlki kavˈawɛk papʲˈɛru fˌɔtɔɡrˌafitʃnˈɛɡɔ.|3
+Dataset/wavs/urwisko_ferenc/17_segment_49.wav|zdˌɛtsɨdɔvˈawa ɕɛ ɔdˈɛbratɕ pˌɔwɔntʃˈɛɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_59.wav|sˈɛrjɔ? tˈak pɔ prˈɔstu?|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_90.wav|mˈuj krˈul pɔvʲˈɛʒɨw krulˈɔvɔ̃ mˈɔjɛj ɔpʲˈɛtsɛ, a ja pʃɨɕˈɔŋɡwɛm, ʒˈɛ bˌɛndɛ jɛj stʃˈɛɡw.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_171.wav|vaʒˈɨmɨ tˈɛʒ vwˈasnɛ ˈalɛ, a nˈaʃ mʲˈut i tsˈɨtr tɕˈɛʃɔ̃ ɕɛ pɔfʃˈɛxnɨm uznˈaɲʲɛm.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_165.wav|z ɡwˈɔvɔ̃ vɨsˈɔkɔː ˌuɲʲɛɕˈɔnɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_143.wav|ˌalɛ pˌɔtʃɛbˈujɛ tfˈɔjɛj pɔmˈɔtsɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_43.wav|tɔ dlatʃˈɛɡɔ znalˈɛʑliɕmˌɨ nˈuʃ f pʃɛpˈuɕtɕɛ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_58.wav|bˈɛtskɨ ɕɛŋɡnˈɛwa pɔ ɲʲˈɛɡɔː i pɔdɲʲˈɔswa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_125.wav|— tˈa, dˌɔmɨɕlˈiwam ɕɛ, ʒˈɛ ɲʲɛ pʃˌɨjɛxˈawɛɕ na xɛrbˈatɛ i tɕˈastka. tsˈɔɕ tɨ tˈu pʃˈɨvʲuz, pˈɔkaʃ, nˈɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_130.wav|ɲʲɛ, ˌalɛ muvˈiliɕmˌɨ jˈuʃ ˈɔtɨm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_9.wav|muɕˈawɛm vˈɨjɕtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_68.wav|tɔ ɲʲɛ bˌɨwɔ tˈakʲɛ trˈudnɛ. bˌɨwɛm pʃˌɛraʒˈɔnɨ. ˌalɛ ɲʲɛ xˈɔdʑi ˈɔmɲʲɛ. ɡdʑˈɛ jɛst mˈili? tsˈɔ jɛj zrɔbʲˈiwaɕ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_204.wav|a ɲʲɛ mˈɔɡɛ sˈama vˈɨbratɕ nazvˈiska.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_282.wav|mˈɔʒɛ pʃɛtstˈavjɛ tɔ wˈɛ fˈɔrmʲɛ prˈɔstɨx rˈuvnaɲ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_36.wav|— jɛst tˈam tˈɛʃ samˈɔxut i mˈɛ̃ʒa — zˌauvˈaʒɨw tˈɔm. bˈɛtskɨ tsmɔknˈɛwa z ɲʲˌɛzadˌɔvɔlˈɛɲʲɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_79.wav|tɔ varˈunɛɡ zˌapisˈaɲʲa nazvˈiska na ˈaktɕɛ ˌurɔdʑˈɛɲʲa i zˌɛzvɔlˈɛɲʲa mi na vˌɨxɔvˈaɲʲɛ dʑˈɛtska.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_423.wav|ɔtfˈɔʒɨw ɲˈim dʒvˈi i vˈɛpxnɔw ˈɛstɛr dɔ pɔkˈɔju.|0
+Dataset/wavs/urwisko_ferenc/59_segment_63.wav|jˈuʒ zˌabɛspʲɛtʃˈɔnɨ. pʃˈɛɕlɛ ɡˈɔ dɔ dˈalʃɨɣ bˈadaɲ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_367.wav|brˈatɕa? rɔdʑˈina?|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_169.wav|znˌakɔmˈitɕɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_76.wav|vʲˈɛm, ʒˈɛ tˌɛɡɔ ɲʲɛ znˈɔɕi.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_327.wav|na bjˈawɨx ɔpˈɔɲtʃax mʲˌɛli vɨʃˈɨtɛ tʃɛrvˈɔnɛ ɡvʲˈazdɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_15.wav|mˈa zˈɛ sˈɔbɔ̃ tsˈawɔ̃ ɕfˈitɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_112.wav|bʲˈillɨ ftɕˈɔ̃ʃ mˈiltʃɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_7.wav|nad dʒvʲˈami viɕˈawa flˈaɡa z nadrˈukʲɛm mˈɔtsɲi s tʃˌatanˈuɡʲi na jˈɛdnɨm s pˈasuf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_231.wav|bʲˈili klˈɛpʲɛ pʃˈɛdɲʲɔ̃ kʲˈɛʃɛɲ ˌɔɡrɔdɲˈitʃkuf. jɛst tˈak ɔpʃˈɛrna, ʒˈɛ ˈɔprutʃ pʃɨbˈɔruv dɔ pisˈaɲʲa zmʲˈɛɕtɕiw ɕɛ w ɲʲˈɛj tˈaɡʒɛ rˈuɡɛr s twumˈikʲɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_69.wav|mˈam pʃˌɨɡɔtɔvˈaɲʲɛ tˌɛɔrɛtˈɨtʃnɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_198.wav|kljˈɔz zˈafʃɛ pʃˌɨpɔmˈinaw mu ɲʲˈɛtsɔ waɕˈitsɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_94.wav|jˈasnɨ ʃlˈak. jˌɛstɛm pʃˌɛmɨtɲˈitʃkɔ̃. tʃˌɛmu lˈudʑɛ ftɕˈɔ̃ʃ ˌɔtʃɛkˈujɔ̃ ˈɔdɛ mɲʲɛ ˈinnɨx ˈuswuk?|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_90.wav|mˈɔʒɛʃ jˈɛ sˈɔbjɛ kˈupidʑ dɔ vwasnˈɛɡɔː uʒˈɨtku, ˌalɛ tɛn fˈatsɛd bˌɛɲdʑɛ xtɕˈaw tɕˈɛ vˈidʑɛtɕ f sukʲˈɛntsɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_74.wav|ˈɛx, pˈisaʃ tɔ mˈa ʒˈɨtɕɛ mˈɨɕli. i prubˈujɛ sˈɔbjɛ pʃɨpˈɔmɲʲɛtɕ, ktˈɔ tˈak pɔvʲˈɛdʑaw.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_220.wav|ˈɔtɨh tsudˈɔvnɨx ɲʲˌɛdɔskˌɔnawˈɔɕtɕax i ɲʲɛ dɔmˈɨɕla ɕɛ, jˈaɡ bˈardʑɔ jɛj xtsˈɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_52.wav|dɔ tˌɛɡɔ jɛst nˌɔtɔvˈanɨ i tɔ tɕi ɕɛ ɲʲɛ spɔdˈɔba.|4
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_33.wav|tˈak jˈak ɲiɲʲˈɛjʃa kɕˈɔ̃ʃka, kˌɔntsɛntrɔvˈawa ɕɛ na vˌɨdaʒˈɛɲʲax,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_33.wav|ɲˈiɡdɨ pˈaɲi tamtˈɛndɨ ɲʲɛ spˌatsɛrɔvˈawa ˌaɲi ɲʲɛ jɛʑdʑˈiwa na rɔvˈɛʒɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_23.wav|stsˈɔtt xtsˈɛ mɲʲɛ zrˈaɲitɕ. ˌɛmɔtsjɔnˈalɲʲɛ, fizˈɨtʃɲʲɛ lˈup na ˈɔba spɔsˈɔbɨ. a ja udˈɛʒam dwˈɔɲʲɔ̃ f kʲˌɛrɔvɲˈitsɛ. jˈak ɔn ɕmʲˈɛ!|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_52.wav|kˌɔntsɛntrˈujɛ ɕɛ na zˌaxɔvˈaɲʲu bɛzrˈuxu dwˈɔɲi i nˌɛwtralnˈɛɡɔ vɨrˈazu tfˈaʒɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_26.wav|xtsˈɛ ˈujʒɛtɕ jɛj strˈax.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_252.wav|jˈamɛ vɨkʃˈɨviw tfˈaʒ w ɡrɨmˈaɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_22.wav|mˈiwɔ vˈas pˈɔznatɕ. fˈajnɛ m��atɕɛ vakˈatsjɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_22.wav|ɲʲɛ pɔ rˈas pʲˈɛrʃɨ dɔɕfʲˈattʃam takʲˈɛɡɔː ˌupɔkɔʒˈɛɲʲa i vˈɔntpjɛ, ʒˈɛbɨ bˈɨw tɔː ɔstˈatɲi rˈas.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_130.wav|i mˈa nadʑˈɛjɛ ʒˈadnɨx ɔprˈɨxuf.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_64.wav|rˌɔzzwɔʃtʃˈɛɲi na tsˈɔ?|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_172.wav|kʲˈɛdɨ ujʒˈɛli tɨtˈana, ɲˈikt na pɔkwˈadʑɛ ɲʲˈɛbɨw f stˈaɲʲɛ ɲˈits pʃˈɛwknɔɲtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_13.wav|i mʲˈaw na ramjˈɔnax na tɛj kˌamizˈɛltsɛ ɔlbʒˈɨmjɛ pˌurpurˈɔvɛ paɡˈɔnɨ, ɲˈitʃɨm rɔsˈɨjski ɡɛnˈɛraw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_100.wav|tʃˈɛ̃stɔː ˌɔpʲɛrajˈɔntsɛ ɕɛ na prɔɡrˈamax sˌamɔrɔzvˈɔju.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_65.wav|ɲʲˈɛvʲɛm ɔ tsˈɔ mˈɔɡwɔ xˈɔdʑitɕ, xˈɨba ʒˈɛ sˌɨtuˈatsja jɛzd zbliʒˈɔna dɔ tɛj f krakˈɛʒɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_199.wav|sfɔbˈɔda naxˈɨliw ɕɛ i pˌɔtsawˈɔvaw mɲʲɛ f pɔlˈitʃɛk, jˈaɡbɨ nˈaɡlɛ sˈɔbjɛ ˈɔtɨm pʃɨpˈɔmɲʲaw.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_60.wav|kʲˈɛdɨɕ lubʲˈiwɛm tˈɛrkɔt tˌɛlɛfˈɔnu, ktˌurɨ mˈukw pʃˈɨɲʲɛʑdʑ zˌaskakujˈɔntsɔ̃ ɲʲˌɛspɔdʑˈaŋkɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_88.wav|tˈɔm vɨtɕˈɔŋɡnɔw rˈɛntsɛ i pʃɨtˈuliw lˌɔuˈisɛ.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_57.wav|na tˈartʃɨ mʲˈaw xˈɛrp rˈɔdu frˈɛjuv z ˌɔdvrutsɔnˈɨmi kˌɔlɔrˈami.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_171.wav|ɡɲʲɛvˈawɔ jˈɔ̃ bʒmʲˈɛɲʲɛ ɡwˈɔsu ˈɔjtsa. vɨdˈavaw ɕɛ tˌaki smˈutnɨ, zmɛntʃˈɔnɨ i swˈabɨ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_342.wav|sˌurɔvˈɛɡɔ sɛɲdʑˈɛɡɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_9.wav|rˈɨan ɔdjˈɛxaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_71.wav|ɔdvrˈatsa ɕɛ i zatʃˈɨna ɡramˈɔlidʑ z wˈuʃka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_83.wav|pˌɔdɛjmˈujɛ dɛtsˈɨzjɛ. tʃˈujɛ f sˈɛrtsu bˈul, tˈak ˌintɛnsˈɨvnɨ, ʒˈɛ ˈaʒ vɨdˈajɛ s ɕˈɛbjɛ ɡwˈɔɕnɨ jˈɛŋk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_250.wav|i ˈɔtɨm, ʒˈɛ f tɛn sˈam spˈɔsup ˈɔn, bʲˈillɨ, pˈɔmuɡw ˈɛlis.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_33.wav|xˈɨba mˌamɨ tˈam jˈakʲɛɕ pˌɔruʃˈɛɲʲɛ. pˌɔvʲɛdʑˈawa i ɔbˈɔjɛ s tˈɔmɛm fstˈali, ʒˈɛbɨ pˈɔdɛjʑdʑ dɔ bjˈurka kˈas, ktˌura fskˌazɨvˈawa tsˈɔɕ na ɛkrˈaɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_199.wav|f pʃɨpˈatku skaʒˈɛɲʲa xlˈɔrɛm ˌɔdɛswˈaɲʲɛ prˌatsɔvɲˈikuv dɔ mʲˈasta bˌɨwɔ nˌajrɔssɔndɲʲˈɛjʃɨm vˈɨjɕtɕɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_128.wav|ˌɔdɡmatfˈaɲʲa sɔ̃ pɔvʲˈɛɕtɕi, ɲʲɛ sɛrvˈisɨ ˌinfɔrmatsˈɨjnɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_131.wav|pˌɔdɔbˈawa jɛj ɕɛ swˈava.|3
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+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_330.wav|ɲˈiɡdɨ jˈɛʃtʃɛ ɲʲɛ spɔtkˈawɛm xwˈɔptsa, ktˌurɨ ɲʲɛ kˈɔxawbˌɨ vˌɔjɔvɲˈika najbˈardʑɛj. ˌalɛ ja jˌɛstɛm jˈuʃ stˈarɨ i dlatˈɛɡɔ kˈɔxam kɔvˈala.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_34.wav|ˈɔjtɕɛts fʃˈɛd dɔ ɕrˈɔtka, zˌɔstavˈifʃɨ ɔtfˈartɛ dʒvˈi.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_65.wav|najblˈiʒɛj mi bˌɨwɔ dɔ dʲˈidʲi i tˈak jˈuʒ zɔstˈawɔ. fʃˈɨstsɨ, wˈɔntʃɲʲɛ z nˌautʃˌɨtɕɛlˈami f ʃkˈɔlɛ vwˈaɕɲʲɛ tˈak ɕɛ dɔ mɲʲɛ zvratsˈali.|3
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+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_203.wav|pʃˌɛtɕɛʃ tɔ tʃtˈɛrɨ mˈilɛ.|0
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+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_60.wav|ˈabɨɕ ɲʲɛ dˌɔtɨkˈawa ɲˈiɡdɨ tɛj kɔʃˈuli.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_6.wav|dɔpʲˈɛrɔ pɔ xfˈili zrˌɔzumjˈawam, tsˈɔ mʲˈaw na mˈɨɕli.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_58.wav|vʲˈɛm, tsˈɔ tɔ znˈatʃɨ.|2
+Dataset/wavs/urwisko_ferenc/45_segment_67.wav|bˈɨtɕ mˈɔʒɛ vʲˈɛndʑ dˌɔɕfʲattʃˈɛɲʲɛ upˈatku, ktˌurɛ bˌɨwɔ dla xˈɛrman pɔtʃˈɔntkʲɛm drˈɔɡʲi tʃɛʑvʲˈɛɲʲa,|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_28.wav|dˈɔn spuɕtɕˈiwa vzrˈɔk. bˌɨwa tɔ pʲˈɛrʃa ɔznˈaka, ʒˈɛ tsɔkˈɔlvʲɛk tʃˈujɛ.|3
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+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_10.wav|ˌɔtpɔvʲˈɛdʑaw stˈarɨ rˈɨtsɛʃ. vɛ̃ʃˈɨli tˈu za tˈɔbɔ̃, pˈaɲʲɛ, ˌalɛ ix pʃɛɡnˈaliɕmˌɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_265.wav|zˈamjast ɲˈix jˈɛdnaɡ zɔbˈatʃɨw mˈɛrx f tɛj sˈamɛj ɔpʃˈɛrnɛj ɲʲɛbjˈɛskʲɛj sukʲˈɛntsɛ, f ktˌurɔ̃ bˌɨwa ubrˈana, kʲˈɛdɨ pʃɨjˈɛxaw dɔ prˌɔmɔntˈɔrɨ pˈɔint.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_56.wav|tˈak, tfʲˈɛrdʑi, ʒˈɛ pˈiʃɛ artˈɨkuw na tˈɛmat sˈɛksu zˈɛ starʃˈɨmi mˌɛ̃ʃtʃɨznˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_132.wav|ɔː ˈilɛ w ɔɡˈulɛ tsɔkˈɔlvʲɛɡ vˈidʑɔ̃, vˌɨɡlɔndˈajɔ̃ na mˈɔtsnɔ sfˌatɨɡɔvˈanɛ.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_106.wav|kˈaw wˈatfʲɛj jɛzd zmˈɨtɕ ɲˈiʃ krˈɛf, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_53.wav|pɔ xfˈili znalˈɛʑliɕmˌɨ ɕɛ f pˌɔlitsˈɨjnɨm vˈɔʑɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_34.wav|spˈɛntsɛr prubˈɔvaw zˌaçixˈɔtatɕ, xˈɔtɕ ɲʲɛ zabʒmʲˈawɔ tɔ pʃˌɛkɔnujˈɔntsɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_270.wav|pˌɔtʃɛbˈujɛʃ tˌɨlkɔ skˌɔrumpˌɔvanˈɛɡɔː ˌuʒɛndɲˈika, kturˌɛɡɔ znˈaʃ ɔd dʑˈɛtska.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_57.wav|dˈɔm, mˈɔim zdˈaɲʲɛm w mˌanxɛstˈɛʒɛ zˈafʃɛ krˈɔ̃ʒɨ jˈakiɕ mɔrdˈɛrtsa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_77.wav|ˈaʃ pɔxˈɨla ɕɛ dɔ pʃˈɔdu i skwˈada dwˈɔɲʲɛ jˈaɡ dɔ mɔdlˈitfɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_81.wav|ˌɔkazˈujɛ ɕɛ jˈɛdnak tsˈawkʲɛm rɔzmˈɔvna.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_345.wav|pˌɔmɨɕlˈawa arjˈanɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_48.wav|tɔ ɲʲɛ tˈakʲɛ prˈɔstɛ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_258.wav|sˈɛr ˈadam, ɕˈilnɨ dʑˈik, fˈɔrlɛj prˈɛstɛr, nˈaɕi lɔrdˈɔvʲɛ dɔ ʒˈɛtʃɛ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_398.wav|pɔvˈinnam zˈadatɕ tɕi tɔ sˈamɔ pɨtˈaɲʲɛ, ˈɔjtʃɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_204.wav|a jˈɛɕli ɲʲɛ fprɔvˈadʑɔ̃ ɡˈɔ dɔ sˈɔndu pɔ sxˈɔdax? jˈɛɕli vˈɛjdɔ̃ innˈɨmi dʒvʲˈami?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_130.wav|antˈɔɲi mitskʲˈɛvitʃ kˈara im z mˈɛɡɔ ɡʲimnˈazjum.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_43.wav|tʃˈɛkaw na zˈɛvnɔntʃ.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_30.wav|sˈɨstɛm rˌɛɡulˈatsji tˌɛmpɛratˈurɨ sxwˈadʑaw rˈuvɲʲɛʒ vˈɔdɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_193.wav|pˈan tˌɛɡɔ ɲʲɛ pamjˈɛntaw?|0
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+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_109.wav|bʲˈillɨ ɲʲˈɛma tsˈɔ dɔ tˌɛɡɔ vˌɔntplivˈɔɕtɕi. znˈuv zˌastanˈavja ɕɛ, ˈilu lˈudʑi stʃˈɛʒɛ mawˈɛɡɔ krulˈɛstfa ɲˈika.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_331.wav|vʲˈɛrnɨ pʃɨɕˈɛndʑɛ pʃˈɛbʲiw tkaɲˈinɛ, kɔltʃˈuɡɛ, skuʒˈanɔ̃ kˈurtɛ i znˈɔvu tkaɲˈinɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_72.wav|zrˈɛʃtɔ̃ nˈavɛd ɡdˈɨbɨ ktˈɔɕ mɲʲɛ zɔbˈatʃɨw, prˌavdɔpɔdˈɔbɲʲɛ pɔmˈɨɕlawbˌɨ, ʒˈɛ jˌɛstɛm kˌɔnsɛrvatˈɔrɛm i vˌɨkɔnˈujɛ sfˈɔjɔ̃ prˈatsɛ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_49.wav|ˌɔskarʒɨtɕˈɛlɛm jɛst rˈɨtsɛʃ, ktˌurɨ swˈuʒɨ tˈɔbjɛ.|1
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+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_197.wav|ɲʲˈɛx pˈan tˌɛɡɔ ɲʲɛ rˈɔbʲi, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_115.wav|kfˌadratˈɔvɨx i ɔkrˈɔŋɡwɨx, trˌujkɔɲtɕˈikuf, pʲɛrɕtɕˈɛɲi i kavˈawkuf kˈɔɕtɕi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_97.wav|ɲʲɛ pˌɔkwutɕˈiwaɕ ɕɛ xˈɨba znˈuv z ˈaʃɛm, tsˈɔ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_260.wav|vˌɔdɔrˈɔstuf i rˈɨp, ktˌurɛ mˈɔʒɛ vˌɨʒutɕˈiwɔ na bʒˈɛk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_204.wav|a mˈɔʒɛ pɔ prˈɔstu znalˈazwa ɕɛ w ɲʲˌɛvwaɕtɕˈivɨm mʲˈɛjstsu?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_98.wav|dˌɔmɨɕlˈiwam ɕɛ, ʒˈɛ ˈɔtɔ zapˈɨtaʃ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_88.wav|rɔsɕˈadwam ɕɛ vɨɡˈɔdɲʲɛ wˈɛ fɔtˈɛlu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_171.wav|xmˈurɨ bˌɨwɨ na ɲʲˈɛbjɛ nadˈɛmnɔ̃, ˌalɛ i pɔdˈɛmnɔ̃. vidʑˈawam takʲˈɛɡɔ vʲɛlkʲˈɛɡɔ ptˈaka. tɔ ɲʲˈɛmuɡw bˈɨtɕ kˈɔndɔr, ˈalɛ...|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_436.wav|bˈawa ɕɛ ɡˈɔ vˈuftʃas i...|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_418.wav|i blˈadɛj tsˈɛʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_96.wav|zrɔbjˈɔnɛ z nɛfrˈɨtu, mˌalaçˈitu i ɔnˈɨksu.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_298.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_322.wav|pɔmˈɨliw mɲʲɛ s kˈimɕ.|0
+Dataset/wavs/urwisko_ferenc/37_segment_67.wav|prˌɔkurˈatɔr ˈartur lˈɛɡnɛr|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_121.wav|ɲʲɛ mˈuɕi pʃɨtˈatʃatɕ swˈuf, ktˌurɛ ˈuppiŋktɔn vˌɨrɨkˈivaw mu f tfˈaʃ, jˈɛɕli ɲʲˈɛxtsɛ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_193.wav|bˌɛɲdʑɛ mu tɕˈɛ̃ʃkɔ, ɡdˈɨ strˈatɕi jˈɛ fʃˈɨstkʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_456.wav|tˈam fʃˈɨstkɔ bˌɛɲdʑɛ tˈak jˈaɡ bˈɨwɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_37.wav|pʲˈɛrʃa ɔznˈaka skandˈalu. nˈavɛt jˈɛɕli tsˌawkɔvˈitɕɛ bˌɛspɔtstavnˈɛɡɔː i zˈaʒɔnt tɕˈɛ vɨʒˈutɕi, dˈɔbʒɛ ˈɔtɨm vʲˈɛʃ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_205.wav|tɔ dɔ ɲʲˈɛɡɔ pɔdˈɔbnɛ. zˈafʃɛ tˈak kˌɔmbʲinˈɔvaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_161.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_460.wav|tˈaɡ bˈajɔ̃ lˈudʑɛ ɔt pɔtʃˈɔntku ɕfʲˈata.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_113.wav|ˈɔɲʲɛ, tˈu lˈɛ mˈaŋɡɛ dˈu lˈa kɔmˈɛdjɛ sˈawv ɡvˈɛlɡvɛs mawvˈais ˈatstɛwrs. tsˈuʃ tɔ znˈatʃɨ?|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_209.wav|jˈamɛ zˈɛrknɔw na sfˈɨɣ dvˈux mwˈɔtʃɨɣ ɡʲˈɛrmkuf, ktˌuʒɨ stˈali ˌɔbɔk pʲɛtsˈɨkuf i ˌudavˈali, ʒˈɛ ɲʲɛ swuxˈajɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_36.wav|bʲˈillɨ vɨjˈaɕɲʲa ɔ tsˈɔ xˈɔdʑi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_190.wav|fspɔmɲʲˈɛɲʲɛ tˈɛɡɔ, jˈaɡ zastʃˈɛliw bˈɔba rˌainˈɛsa, ɡˈɔ ɲʲɛ rˈuʃa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_194.wav|ɔd butskʲˈɛɡɔ xansˈɔna, ˌaktuˈalɲʲɛ zˌadɛkˌɔvanˈɛɡɔ bˈuɡra tʃɨ vʲˈɛdʑɛdʑ ɡdʑˈɛ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_178.wav|xlˈɛp jɛst tʃˈɛrstfɨ, ˌalɛ mˈɔɡɛ vɨbwˈaɡatɕ f kˈuxɲi trˈɔxɛ sˈɔsu dɔ ɲʲˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_168.wav|pˈɔttʃaz ɡdˈɨ vɨ pɔmʒˈɛtɕɛ z ɡwˈɔdu w vˈaʃɨm zˈamku.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_6.wav|a pˈɔtɛm pˈatʃɨw w ˈɔknɔ zˌamazˈanɛ dˈɛʃtʃɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_112.wav|vˈɔda na makˈarɔn bˌulɡɔtˈawa fɕtɕˈɛklɛ i sɨtʃˈawa na palɲˈiku. tˈata fstˈaw i ɕˈɛŋɡnɔw zˈaɲʲɔ̃, ʒˈɛbɨ zdjˈɔɲdʑ ɡˈarnɛk s pʲˈɛtsa.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_410.wav|mˈark jɛst jˈɛɡɔ pʲˌɛrvɔrˈɔdnɨm sˈɨnɛm.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_15.wav|bˈɨw mˌaɛstˈɛrɛm s tsˌɨtadˈɛli.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_526.wav|zrɔbʲˈiwɔ mi ɕɛ ɲʲɛsfˈɔjɔ, xˈɔtɕ ɲʲɛ vʲɛdʑˈawɛm jˈɛʃtʃɛ dɔ tʃˈɛɡɔ zmʲˈɛʒa.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_22.wav|tɔ sxrˈɔn ˌavarˈɨjnɨ mˈɔjɛj rɔdʑˈinɨ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_196.wav|zatʃɲˈijmɨ ɔt lˈɔrda jaspˈɛra arˈɨna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_224.wav|jˈɛɕli mˌamɨ zdˈɔbɨdʑ vʲˈɛntsɛj pʲɛɲʲˈɛndʑɨ, ʒˈɛbɨ spwˈatɕitɕ ɔtsˈɛtki i zˈatʃɔɲtɕ ɔddˈavadʑ dwˈuɡʲi, bɛɲdʑˌɛmɨ muɕˈɛli vɨmˈɨɕlitɕ tsˈɔʑ vʲɛŋkʃˈɛɡɔː i dˈuʒɔ bˈardʑɛj zˌɨskɔvnˈɛɡɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_188.wav|— lˌɔndɔvˈaɲʲɛ ɲʲɛ bˌɨwɔ zwˈɛ — pɔvʲˈɛdʑaw ˈandɛrsɔn. vʲˈadr bˈɨw pˌɔrɨvˈistɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_51.wav|jɛst ɔ vʲˈɛlɛ pʃɨjˈɛmɲʲɛj ɲˈiʃ ˈu tˈatɨ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_458.wav|minˈɛwɔ pˈuw dɲʲˈa, zˈaɲim ɕɛ zˌɔrjɛntˈɔvaw, ʒˈɛ kˌɔmɛdjˈaɲtɕi vˌɨkɔʒɨstˈali strˈumjɛɲ, bˈɨ ˈukrɨtɕ ɕlˈadɨ i zˌavrutɕˈili.|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_86.wav|pʃˈɨkrɔ mi tɔ mˈuvitɕ, ˌalɛ jɛstˌɛɕtɕɛ dʑˈɛtɕi f tˌarapˈatax.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_52.wav|tɔ ɲʲɛ jˈɛɡɔ sprˈava.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_85.wav|ja rˈuvɲʲɛʃ sprˈavdʑam.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_26.wav|tˈak jˈak ftˈɛdɨ, ɡdˈɨ pˌɔradʑˈiwɛɕ krulˈɔvi ˌɛrɨsˈɔvi ɔtfˈɔʒɨdʑ brˈamɨ pʃɛd vɔjskˈami mɔjˈɛɡɔː ˈɔjtsa?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_25.wav|ˌalɛ ɲʲɛ zrˈɔbʲiw tˌɛɡɔ xˈɨba pɔ rˈas pʲˈɛrʃɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_120.wav|pʃɨjˈaʑɲi ɕɛ z ɲˈim pˌɔʒɨtʃˈajɔ̃ sˈɔbjɛ rˈuʒnɛ ʒˈɛtʃɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_4.wav|musˈimɨ pˈujɕtɕ f pˈɛvnɛ mʲˈɛjstsɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_71.wav|ɡdˈɨbɨ stwɔtʃˈɨli ɕɛ rˈamjɛ pʃɨ ramjˈɛɲʲu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_29.wav|zdˈaʒa ɕɛ najlˈɛpʃɨm z nˈas i tsˈawɛj rˈɛʃtɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_56.wav|mˈɔʒɛ nˈavɛd zˌatʃɨmɨvˈawɨ ɕɛ tˈu ˌawtɔbˈusɨ ɡrˌɛɨxˈɔunt, trˌailvˈaɨs, sawtˈɛrnɛs.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_26.wav|tˈɔm mˈuɕaw ɕɛ s tɨm zɡˈɔdʑitɕ. ɡdˈɨbɨ vʲɛdʑˈɛli, ʒˈɛ mˈartxa pˈɔrtɛr jɛst rˈuvɲʲɛʃ ˈindjɔ̃ kˈalu, mˈɔɡlibˌɨ dˈɔtʃɛdʑ dɔ ɲʲˈɛj znˈatʃɲʲɛ ftʃˈɛɕɲʲɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_235.wav|w bˈaʒɛ ʒˈutsa ɕɛ nˈamɲʲɛ jˈakiɕ tʃwˈɔvʲɛk.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_218.wav|ɔdˈɛzvaw ɕɛ sˈɛr ˈɔsmunt. mˈuj brˈad vˈɛzvaw vʲˈɛntsɛj zwˈɔtɨx pwˈaʃtʃɨ.|1
+Dataset/wavs/urwisko_ferenc/59_segment_125.wav|w bwɨʃtʃˈɔntsɛj, pʃˌɛzrɔtʃˈɨstɛj bwˈɔɲʲɛ mˈɔʒna bˌɨwɔ zˌauvˈaʒɨtɕ tsˈɔɕ, tsˈɔ vˌɨɡlɔndˈawɔ jˈaɡ ʒˈɨwki.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_120.wav|vʲˈatr ʃˈarpaw nˈaɲim jˈakɔ̃ɕ mˈɔdnɔ̃ ˌamɛrɨkˈaɲskɔ̃ kurtˈɛtʃkɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_93.wav|ˈandɛrsɔn ˌɔbɛjmˈɔvaw rɨˈana, ktˌurɨ pˈatʃɨw f sˈufit ɲʲˌɛnɔrmˈalɲʲɛ rˌɔsʃɛʒɔnˈɨmi ɔtʃˈɨma.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_269.wav|kʲˈɛdɨ znalˈɛʑliɕmˌɨ jˈɔ̃ nad ʒˈɛkɔ̃,|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_94.wav|pˈɔza tɨm trjˈɔ kibʲˈitsuf wˈɛ fudbˈɔlu mˈuɕi zrɔzˈumjɛtɕ, ktˈɔ tˈu ʒˈɔɲdʑi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_59.wav|nˌaswuçivˈawɛm ɕfˈistu pʃˌɛlatujˈɔntsɨx kˈul i prˌubɔvˈawɛm ɕɛ pʃˌɨɡɔtˈɔvatɕ na pˈɔstʃaw, ˌalɛ ɲˈits ɲʲɛ swɨʃˈawɛm ˌaɲi ɲʲɛ tʃˈuwɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_139.wav|bʲˈillɨ a ɲʲɛ mˈɨɕli skwˈamatɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_114.wav|jˈɛdnaɡ dɔ tˌɛɡɔ pˌɔstanɔvˈiwa vrˈutɕitɕ pˈuʑɲʲɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_146.wav|ɲˈikt mi ɲʲɛ pɔvʲˈɛdʑaw. mˈɔʒɛ tˈɛʃ tˌɛɡɔ ɲʲˈɛvʲɛ. mˈɔʒɛ pˌatritskˈɔvi ʃˈɛpnɔw ˈɔtɨm ktˈurɨʑ z jˈɛɡɔ bɔɡˈatɨx i ɡwupˈavɨɣ znajˈɔmkuf.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_11.wav|tˈɔm vɨpˈuɕtɕiw pɔvˈɔli pɔvʲˈɛtʃɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_69.wav|w mʲɛʃkˈaɲʲu na pʲˈɛntʃɛ sɔ̃ nɔrmˈalnɛ ˈɔkna i bʲˈillɨ ɕˈada f smˈudʑɛ swˈɔɲtsa, pɔ tʃɨm zˌajadˈajɔndʑ buwˈɛtʃkɛ mˈɨɕli ˈɔtɨm, tʃˈɛɡɔ dˈɔtɔnt uɲˈikaw.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_210.wav|ˈinnɨ samˈɔlɔt pˈɔtʃɔw tˈɔtʃɨtɕ ɕɛ pˈɔlɛm startˈɔvɨm.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_35.wav|viktˈarjɔn rˈunɔw na ɲʲˈɛɡɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_158.wav|vwɔʒˈɨwam stˈɔpɛ f ʃtʃɛlˈinɛ, ʒˈɛbɨ pˈɔdmux ɲʲɛ zatʃˈasnɔw w wˈazu s pɔvrˈɔtɛm. dˈalɛ i sˈanxɛz bˌɨli ˌɔtsalˈɛɲi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_23.wav|tˈɔm pˈɔtʃuw fˈalɛ frustrˈatsji, kʲˈɛdɨ skˈɔɲtʃɨw rɔzmˈɔvɛ s kˈitɛm.|4
+Dataset/wavs/urwisko_ferenc/06_segment_20.wav|pʃˈɨjʒaw ɕɛ fˌɔtɔɡrˈafji i pʃˈɨɡrɨz vˈarɡɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_94.wav|uvˈaʒaj, tsˈɔ kˈɔmu mˈuviʃ.|4
+Dataset/wavs/urwisko_ferenc/22_segment_38.wav|spˈɔra.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_12.wav|vɨɡlˈɔnda na zmɛntʃˈɔnɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_143.wav|mʲɛntʃˈaku swˌɔtkɔvˈɔdnɨ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_250.wav|ɲˈikt ɲʲɛ pɔstʃˈɛliw mɔjˈɛɡɔ vʲɛʃxˈɔftsa z wˈuku w zˈat.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_91.wav|a jˈɛɕli bˌɛɲdʑɛ pɔtʃˈɛbnɨ ktˈɔɕ, ktˈɔ ɲʲɛ pɔxˈɔdʑi z zaxˈɔdu?|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_112.wav|tˈɔtʃɨw ɕɛ bˈardʑɔ vˈɔlnɔː i ɔstˈatɲʲɛ tsˌɛntɨmˈɛtrɨ dʑɛlˈɔntsɛ ɡˈɔː ɔt stˈatsji dˌɔkujˈɔntsɛj pɔkˈɔnaw w ɕlimˈatʃɨm tˈɛmpʲɛ.|4
+Dataset/wavs/urwisko_ferenc/64_segment_122.wav|pɔvʲˈɛtʃɛ ˈuʃwɔ z jˈɛɡɔ pwˈuts.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_12.wav|ˌalɛ vidʑˈawam na vwˈasnɛ ˈɔtʃɨ, jˈak utɕˈɛkaw s xɔspˈitsjum.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_84.wav|ˌalɛ pʃˌɛtɕɛʃ ɲʲɛ bˌɛndɛ pˌɔspɔlitˈɔvaw ɕɛ s tˌɨmi bwaznˈami.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_83.wav|pʃɨnˈajmɲʲɛj ɲʲɛ bˌɛɲdʑɛ mʲˈaw trudnˈɔɕtɕi z vˌɨkarmʲˈɛɲʲɛm ɡˌarɲizˈɔnu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_23.wav|a tˈɛras xfˈila, na ktˌurɔ̃ fʃˈɨstsɨ tʃɛkˈaliɕtɕˌɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_137.wav|mˈɔja tˌɔvaʒˈɨʃka tˈɛʃ tˈak mɨɕlˈawa? bˈaki? pʃɛtstˈavʲam tɕi ˈɛlis mˈaɡzvɛll.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_50.wav|mˈuɕaw jˈɔ̃ dˈɔstatɕ, ʒˈɛbɨ pʃˌɨɡɔtˈɔvatɕ pʃɛpˈustki. vɨɡlˈɔnda nˈatɔ, ʒˈɛ zaɡlˈɔndaw na mˈuj prˈɔfil na fˌatsɛbɔˈɔku. lˈutsɨ jɛst tˈam na zdjˈɛɲtɕu.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_213.wav|f sɔlˈaŋkax ʃˈukaw stˈatku.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_92.wav|bˈɔb zˈɛrknɔw na zɛpsˈutɨ zˈavur i pɔkˈivaw ɡwˈɔvɔ̃.|4
+Dataset/wavs/urwisko_ferenc/65_segment_157.wav|dlatˈɛɡɔ kfʲˈatɨ zwɔʒˈɨwa na ɡrˈɔbjɛ dɔpʲˈɛrɔ nˌastɛmpnˈɛɡɔ dɲʲˈa rˈanɔ.|0
+Dataset/wavs/urwisko_ferenc/46_segment_161.wav|kɔɕtɕˈista ɡrdˈɨka pˌɔtskɔtʃˈɨwa i vrutɕˈiwa na sfˈɔjɛ mʲˈɛjstsɛ. tsˈɔ tɨ pʲɛrdˈɔliʃ? zˌaɲʲɛpɔkˈɔiw ɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_196.wav|ɲˈits mi na tɛn tˈɛmat ɲʲɛ vʲadˈɔmɔ.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_230.wav|ɡdˈɨ swˈɔɲtsɛ zˌaxɔdʑˈiwɔ, ˈu pɔtstˈavɨ paɡˈurka pɔː ˈɔbu bʒˈɛɡax pwˌɨnɔntsˈɛɡɔ tˈam strumjˈɛɲʲa vɨrˈɔswɔː ɔkˈɔwɔ stˈu namjˈɔtuf.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_146.wav|f tɛn spˈɔsub bˌɛɲdʑɛ mˈukw sprˈavdʑitɕ, jˈaɡ vɨɡlˈɔnda zˈamɛk i jˈɛɡɔ ɡarɲˈizɔn. a jˈɛɕli zˌauvˈaʒɨ tsˈɔɕ ɲʲˌɛpɔkˌɔjɔntsˈɛɡɔ...|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_24.wav|a lˈɔrt pʃɛprˈavɨ ɔʒˈɛɲiw ɕɛ pɔ rˈas kɔlˈɛjnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_73.wav|tʃˈɨma ˈɔba pˈiva w jˈɛdnɛj dwˈɔɲi, drˈuɡɔ̃ vɨtɕˈɔŋɡa dɔ bʲiljˈɛɡɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_161.wav|muɕˈawam vˈɛjʑdʑ dɔ mʲˈasta w ɕrˈɔtku dɲʲˈa.|4
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+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_85.wav|dlatʃˈɛɡɔ?|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_40.wav|jˈɛɡɔ dʒvˈi bˌɨwɨ zamkɲʲˈɛntɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_196.wav|tɔ tɨ vˌɨsadʑˈiwaɕ tɛ kɔmbˈajnɨ? zˌapɨtˈawa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_54.wav|tˈɔm mˈa rˈatsjɛ. zˈafʃɛ tʃˈujɛ, ʒˈɛ kʲˈɛdɨ dɔ mɲʲɛ mˈuvjɔ̃, ɲʲɛ rˈɔbjɔ̃ ɲitʃˈɛɡɔ bˈardʑɛj pʃˌɨdatnˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_142.wav|i dlatʃˈɛɡɔ mˈɨɕliʃ, ʒˈɛ tɔ jɛzd dˈɔbrɨ krˈaj, xˈɛlɛn?|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_35.wav|kʲˈɛdɨ pʃɨjˈɛxaw dɔ baɡdˈadu, vˈɔjna ɕɛ skɔɲtʃˈɨwa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_47.wav|nˈɔɕi ˌɔkulˈarɨ i z dalˈɛka vɨɡlˈɔnda na azjˈatɛ lˈup kˈɔɡɔʑ z bliskʲˈɛɡɔ fsxˈɔdu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_22.wav|nˈɔ tɔ pɔtʃˈɛ̃stuj ɕɛ tɕˈastkʲɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_62.wav|ɡrˈupɛ ʃkwˈɔ xrɔɲˈiwɔ spˌatsɛrɔvˈitʃuf pʃɛt ɕˈilnɨm prˌɔmjɛɲʲɔvˈaɲʲɛm i falˈami ˌultrafjˌɔlɛtɔvˈɨmi, ktˌurɛ f pʃɛtɕˈivnɨm rˈaʑɛ ˌusmaʒˈɨwɨbˌɨ nˈaz ʒˈɨftsɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_76.wav|xˈɔvv vɨɡlˈɔnda lˈɛpʲɛj ɲˈiʃ pˈɔttʃas ix ˌɔstatɲʲˈɛɡɔ spɔtkˈaɲʲa i ɲʲɛ tʃˈutɕ ɔt ɲʲˈɛɡɔː ˌalkɔxˈɔlu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_124.wav|stˈawa pʃɛdˈɛmnɔ̃ jˌasnɔvwˈɔsa pˈaɲi...|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_112.wav|f siɡˈardʑɛ mˈuj sˈɨn vˈaldɛr tˈak sˈamɔ pˌɔtraktˈɔvaw patrˈɨka mˌalistˈɛra.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_86.wav|tɔ bˌɨwɔ dɔ pʃˌɛvidʑˈɛɲʲa, bˈɔ kʲˈɛdɨ na ɛkrˈaɲʲɛ kɔmˈurki vɨɕfʲˈɛtla ɕɛ nˈumɛr ɲʲɛznˈanɨ, bˈak jɛzd zbˈɨt pʃɛzˈɔrnɨ, bˈɨ fpˈisadʑ daltˈɔna smˈitxa dɔ lˈistɨ kɔntˈaktuf.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_41.wav|tʃɨ rˈɛŋka nˈarba ɲʲɛ vˌɨzdrɔvʲˈawa?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_83.wav|i fsuvˈawam ɕɛ dɔ ɕrˈɔtka.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_91.wav|mˈɔʒna vʲˈɛnts pɔvʲˈɛdʑɛtɕ, ʒˈɛ ɲʲɛ kwˈamaw.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_81.wav|tˈɛ stsˈɛnɛ s pˌudɛrɲˈitʃkɔ̃ ˌɔdɛɡrˈawa mɲʲɛ tˌɨlkɔ na pˈɔkas.|4
+Dataset/wavs/urwisko_ferenc/44_segment_36.wav|bwɨskˈawɔ ɕɛ tsˈɔras ˌintɛnsˈɨvɲʲɛj, a w ɕlˈad za pʲˌɔrunˈami, ktˌurɛ rˌɔzdʑɛrˈawɨ ɲʲˈɛbɔ, pʃɛtˈatʃaw ɕɛ ɲˈiski, ɡwɛmbˈɔki pˈɔmruɡ ɡʒmˈɔtuf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_103.wav|a pˈɔtɛm...|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_310.wav|a jɛj ˈusta, ktˌurɛ bˌɨwɨ ɲˈibɨ lˈistki vʲˈɛʒbɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_113.wav|— ˈandɨ — pɔvʲˈɛdʑaw mɛ̃ʃtʃˈɨzna dɔ vwˌaɕtɕitɕˈɛla stˈatsji. — tsˈɔ tɔ bˈɨw za samˈɔlɔt?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_23.wav|mˈɨɕlɛ, ʒˈɛ mɔʒˈɛmɨ vˌɨkɔʒˈɨstatɕ nˈaʃ sˈɨstɛm ɕlɛdʑˈɛɲʲa tˌɛlɛfˈɔnuf. pˌɔrɔzmˈavʲam s filˈipɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_602.wav|dʑɛŋkˈujɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_171.wav|tˈak. bˈɔ bˌɨwɛɕ najlˈɛpʃɨ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_589.wav|fʃɛxʃˈɛtɕi muvˈiwɛm ɔ mˈɔim rˌɔzumjˈɛɲʲu tˈamtɨx tʃˈasuf.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_86.wav|ɲʲɛ znalˈɛʑliɕmˌɨ jˈɛʃtʃɛ zbˈɨd vʲˈɛlɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_15.wav|vɨtɕˈɔŋɡa rˈɛŋkɛ, ʒˈɛbɨ vɨwˈɔntʃɨtɕ rˈadjɔ, vʲˈɛdʑɔnts, ʒˈɛ xˌawaɕlˈiva muzˈɨka ɲʲˌɛkɔɲʲˈɛtʃɲʲɛ mˈuɕi bˈɨtɕ tˈɨm, tsˈɔ mɲʲɛ ˌuspɔkˈaja, ˌalɛ kʲˈɛdɨ dɔtˈɨka pʃɨtɕˈisku nˈaɡlɛ zastˈɨɡa.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_335.wav|pɔlˈitʃki i pɔdbrˈudɛk pˌɔrastˈawa mu tʃˈarna ʃtʃɛtɕˈina, a ɡˈɛ̃stɛ, tʃˈarnɛ vwˈɔsɨ ɕɛŋɡˈawɨ pɔɲˈiʒɛj ˈuʃu.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_305.wav|ktˌura pˌɔtrafˈiwa pʃˌɛpɔvʲˈɛdʑɛtɕ pʃˈɨʃwɔɕtɕ skrˈɔpli krfˈi.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_62.wav|tɔ mˈɔja pʲˈɛrʃa vizˈɨta na kɕɛ̃ʒˈɨtsu i tʃˈujɛ ɕɛ jˈaɡ dʑˈɛtskɔ f sklˈɛpʲɛ s tsˌukʲɛrkˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_239.wav|tʃˈujɛ ɕɛ ˌupɔkɔʒˈɔna tˈɨm, tsˈɔ jˈɔ̃ spɔtkˈawɔː i jɛst jɛj fstˈɨt.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_22.wav|ˌɔpʲɛrˈajɔnts mu ɡumˈɔvɔ̃ pˈawkɛ na ɡrdˈɨtsɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_291.wav|prˈɛndʑɛj tʃɨ pˈuʑɲʲɛj fʃˈɨstkɔ bˈɨ ɕɛ vɨdˈawɔ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_52.wav|xtsˈɛʃ pɔvʲˈɛdʑɛtɕ, ʒˈɛ jɛstˌɛɕtɕɛ pˌɔtfɔrˈami?|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_418.wav|stanˈɛwam pʃɛd ɡwˈuvnɨm vˈɛjɕtɕɛm dɔ rˌɛzɨdˈɛntsji landvˈika i nˌatɕisnˈɛwam dʑvˈɔnɛk.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_6.wav|i ʒˈɛ bˌɛɲdʑɛ mˈuɕaw pˈɔswatɕ jɛj pʲɛɲʲˈɔndʑɛ i sprɔvˈadʑitɕ jˈɔ̃ dɔ ɕˈɛbjɛ, jˈɛɕli ˈuda mu ɕɛ dˈɔstatɕ na fsxˈut i tˈam znˈalɛɕtɕ jˈakɔ̃ɕ prˈatsɛ.|0
+Dataset/wavs/urwisko_ferenc/33_segment_80.wav|xɔlˈɛra jˈasna! ʒutɕˈiwa i vˈɨʃwa s pɔkˈɔju.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_159.wav|ˌɔbrutɕˈiwam ɕɛ na pʲˈɛɲtɕɛ i pɔbjˈɛɡwam ɲʲɛzdˈarɲʲɛ s pɔvrˈɔtɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_218.wav|dˈɔbrɨ tˈɔvar.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_185.wav|ˈandɛrsɔn pˈatʃɨw na pˌɔruʃajˈɔntsɛ ɕɛ ˈusta, pˈɔttʃaz ɡdˈɨ zˈɛmbɨ i papʲˈɛrɔs mʲˌɛndʑɨ ɲˈimi...|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_137.wav|fspinˈatʃka pɔ pˌɔɡrɔ̃ʒˈɔnɨx w mrˈɔku kamjˈɛnnɨx sxˈɔdax prˌɔvadʑˈɔntsɨx s tɕɛmɲˈitsɨ pˌɔzbavˈiwa tsɛrsˈɛi txˈu f pʲˈɛrɕax. mˈuʃɛ ɔtpˈɔtʃɔɲtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_412.wav|vɨdˈajɛ mi ɕɛ, ʒˈɛ dʑˈɛtskɔ ɲʲɛ vɨɡlˈɔnda dˈɔbʒɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_257.wav|zaɡˈadnɔw bʲˈillɨ pɔtxˈɔdʑɔndʑ dɔ mɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/56_segment_30.wav|xˈanna f tɨm tʃˈaɕɛ vˌɨwɔntʃˈɨwa muzˈɨkɛ, vˌɨvʲɛɕˈiwa na dʒvʲˈax tablˈitʃkɛ z ˌinfɔrmˈatsjɔ̃, ʒˈɛ zˈaraz vrˈutɕi i pʃˌɛkrɛɲtɕˈiwa zˈamki.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_59.wav|tˈak pˈan naprˈavdɛ mˈɨɕli?|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_26.wav|tʃˈɨ uɕtɕˈiɕla bʲˈili i ɲˈikt ɕmʲˈɛjɛ ɕɛ, jˈaɡbɨ ɔt ɕmʲˈɛrtɕi xɛnɲʲˈɛɡɔː jˌɔuŋɡmˈana ɲʲɛ swˈɨʃaw ɲˈits rˈuvɲʲɛ zˌabavnˈɛɡɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_123.wav|f pɔʒˈɔntku, tˌɨlkɔ ɕɛ mɛldˈujɛ.|4
+Dataset/wavs/urwisko_ferenc/44_segment_65.wav|ˈɔlɡʲɛrt pʃˈɛɲʲuz vzrˈɔk na pʃˈɛdɲʲɔ̃ ʃˈɨbɛ, pɔ ktˌurɛj spwˈɨvaw dˈɛʃtʃ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_119.wav|ftˈɛdɨ vˈɔlnɔ fʃˈɛd na skʃˈɨdwɔ sˌamɔlˈɔtu i sprubˈɔvaw ɔtfˈɔʒɨdʑ dʒvˈi. lˈɛtʃ stˈawɔ ɕɛ tˈak, jˈak pʃɨpˈuʃtʃaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_8.wav|ˌalɛ jˈɛɕli tɔ tˌɛlɛfˈɔnɨ swuʒbˈɔvɛ i jɛst nˈaɲih zˌainstˌalɔvˈana ta tfˈɔja nˈɔva ˌaplikˈatsja, tɔ tʃɨ ɲʲɛ ɔznˈatʃa tɔ, ʒˈɛ pɔbjˈɛraʒ z ɲˈiɣ dˈanɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_28.wav|tˈak tɕˈasnɔ, jˈak sˈam ɲˈiɡdɨ ɲʲˈɛdaw rˈadɨ, nˈavɛt kʲˈɛdɨ pʃɛkrˈɛntsaw ʃtˈutʃnɨ bʒˈux na plˈɛtsɨ, bˈɨ mʲˈɛtɕ plˌastʲikˈɔvɔ̃ spʃˈɔntʃkɛ pʃɛt sˈɔbɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_127.wav|ˌɔtʃɨvˈiɕtɕɛ mˈuɡw blɛfˈɔvatɕ, kʲˈɛdɨ ɲʲɛ ˌɔkazˈɨvaw ɛmˈɔtsji pʃɨ ˈaɕɛ kʲˈɛr, ˌalɛ vˈɔntpjɛ f tɔ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_244.wav|dˈalɛj tʃɛkˈajɔ̃ stˈɔpɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_47.wav|fstˈaw, ɲʲɛ pʃɛstˈajɔnts ɕɛ uɕmʲˈɛxatɕ i pˈɔtʃɛd dɔ dʒvˈi. ɔdvrˈutɕiw ɕɛ z dwˈɔɲʲɔ̃ na klˈamtsɛ. ˈax, tsamˈɛrɔn prˈɔɕiw tˈɛʃ, bˈɨm fspˈɔmɲʲaw ɔ pˈɛvnɛj sprˈavʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_209.wav|mˈɛ̃ska ambʲˈitsja ɲʲɛ pɔɲʲˈɛɕɛ uʃtʃˈɛrpku.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_40.wav|pɔʃˈuka vˈɨjɕtɕa dɔ mʲˈɛjstsa, ktˌurɛ mˈama nˌazɨvˈawa kˌulisˈami.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_186.wav|tɔ zalˈɛʒɨ ɔt pˈuŋktu vidʑˈɛɲʲa, jˈudɨ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_276.wav|ɲʲɛ pˌɔtrafˈiwa uvʲˈɛʒɨtɕ, bˈɨ kˌɛttlɛblatskˈɔvʲɛ ˌɔpuɕtɕˈili sfˈɛɡɔ brˈata. tsˈɔ rɔbʲˈiwa jɛj rˈada? txˈuʒɛ i zdrˈajtsɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_152.wav|pɔvʲˈɛtʃɛ ftwatʃˈanɛ dɔ ɕlˈuzɨ ˈisrɔ muɕˈawɔ zrˌuvnɔvˈaʒɨtɕ ubˈɨtɛk tɕiɕɲʲˈɛɲʲa.|4
+Dataset/wavs/urwisko_ferenc/46_segment_59.wav|bˈɨvam nˈatɨh imprˈɛzax.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_142.wav|brjˈɛnnɛ vɨpˈiwa tˈak xtɕˈivʲɛ, ʒˈɛ ˈaʃ ɕɛ rˌɔskaswˈawa. stˈartʃɨ!|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_240.wav|vɨtɲˈijmɨ tˈɛ zwɔɕlˈivɔ̃ nˈarɔɕl, zˈaɲim vɨstˈɔmpjɔ̃ pʃɛʒˈutɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_14.wav|f kˈɔɲtsu ɕˈɛŋɡnɔw pɔ tɔrˈɛpkɛ pˈɛwnɔ̃ pʃɛdmʲˈɔtuf, ktˌurɛ zamjˈɛʒaw nˈɔɕitɕ f kʲɛʃˈɛɲʲax sfɔjˈɛɡɔ ɡˌarɲitˈuru, a ktˌurɛj zˌavartˈɔɕtɕi tˈɔm mˈukw ɕɛ jɛdˈɨɲʲɛ dɔmˈɨɕlatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_62.wav|tˈɔm vzrˈuʃɨw rˌamjɔnˈami.|4
+Dataset/wavs/urwisko_ferenc/25_segment_93.wav|kʲˈɛdɨ ɕɛ ɔtsknˈɛwa, strˈumjɛɲ vˈɔdɨ ʃˈumjaw ɡwˈɔɕnɔː i zɲˈikaw w ɔtpwˈɨvʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_51.wav|dˈɔkɔnt jɛdʑˈɛmɨ? pˈɨta mɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_203.wav|znalˈazwɛm tfˈuj kˈɔltʃɨk.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_40.wav|kɔbjˈɛta pɔswˈawa mi spɔjʒˈɛɲʲɛ, ktˌurɛ muvˈiwɔ, ʒˈɛ ɔbrˈaʒam jˈɔ̃ i jɛj ʃatsˈɔvnɨx pʃˈɔtkuf.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_491.wav|a pˈɔtɛm jˈɔls ˈand dˈɛ ˈɔtxɛrz bˌɛɲdʑɛ pratsˈɔvaw jˈɛʃtʃɛ dɔ vʲɛtʃˈɔra i tˌɨlkɔ ʃtʃˈɛŋki bˌɛndɔ̃ mu xɔdʑˈiwɨ, ˌalɛ ɲʲɛ pˈɔvʲɛ ɲitʃˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_172.wav|rˈɔbʲi tsˈɔ tˌɨlkɔ mˈɔʒɛ, ʒˈɛbɨ zɲˈiʃtʃɨtɕ ˈu lˈudʑi pɔtʃˈutɕɛ vwˈasnɛj vartˈɔɕtɕi. pˈɔpatʃ na ɕˈɛbjɛ, ˈindjɔ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_323.wav|ˈinɲi artsɨmˌaɛstˈɛʒɨ|1
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_29.wav|vidʑˈawam jˈuʃ tɛn rɨsˈunɛk i pˌɔkazˈujɛ mu jˈɛ̃zɨk. ʃtʃˈɛʒɨ dɔ mɲʲɛ zˈɛmbɨ, a mˈili ix ˈɔtʃɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_48.wav|ɲʲɛ mʲˈawam kˈɔɡɔː ˈɔtɔ zapˈɨtatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_298.wav|parsknˈɛwam ɕmʲˈɛxɛm. zˈafʃɛ ɲʲˌɛnavˈidʑiw tɨɣ zasrˈaɲtsuf. nˈadal jɛst ɲʲˌɛzʒɛʃˈɔnɨ?|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_229.wav|ta ɲʲɛvʲˈɛlka krˈɔpla vˈɔsku, ktˌura spˈadwa nˈamɲʲɛ, stˌanɔvˈiwa zbˈɨt mˈawɨ ubˈɨtɛk, ʒˈɛbɨ tʃˈujɲiɡ ɡˈɔ zˌauvˈaʒɨw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_16.wav|ˌalɛ pʃɛd vˈɨjɕtɕɛm s xˈatki znˈuv zdɛjmˈujɛ ˈɔbraz zˈɛ ɕtɕˈanɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_226.wav|tɔ, ʒˈɛ tfˈɔjɛ ɡʲˈizmɔ pʃˌɛlɛʒˈawɔ tsˈawɔ̃ nˈɔts f tfˈɔjɛj kapsˈulɛ, ftsˈalɛ ɲʲɛ ɔznˈatʃa, ʒˈɛ tɨ tˈɛʃ tˈam bˈɨwaɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_287.wav|dʑɛŋkˈujɛ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_16.wav|mˈuʃɛ kˌɔntrɔlˈɔvatɕ sfˈɔjɛ instˈɨŋktɨ, pʃɨnˈajmɲʲɛj f tɛj xfˈili. f kˈɔɲtsu swˈɨʃɛ ˈɔdɡwɔz zˌamɨkˈanɨɣ dʒvˈi i stukˈaɲʲɛ bˈutuf ɔ stˈɔpɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_438.wav|drˈɔɡa jɛst ʃˈɛrʃa ɲˈiʃ ɕɛ vɨdˈajɛ, muvˈiwa mjˈa dɔ lˈɔrda rɔbˈɛrta radˈɔsnɨm tˈɔnɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_38.wav|bʲˈillɨ s tsˈawɛj ɕˈiwɨ vˈali ɡˈɔ rˌɛŋkɔjˈɛɕtɕɔ̃ ɡlˈɔka w wˈɨsɨ plˈatsɛk. trˈɨska krˈɛf i frˈaŋk pˈada jˈaɡ dwˈuɡʲi, ˌudɛʒˈajɔnts tʃˈɔwɛm ɔ stɔjˈɔntsɨ pɔɕrˈɔtku stˈuw ʒɛʑɲˈitski.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_216.wav|dʑˈɛŋki bˈɔɡu, ʒˈɛ ɲʲɛ zabʲˈiwɛɕ mˈarka ˌabramɔvˈitsa. ɲʲɛ jɛst ˈɔrwɛm ˌaɲi mafjˈɔzɛm, ˌalɛ ɔd vɨjˈazdu w vʲˈɛpʃka ɲʲˈɛmam ɲikˈɔɡɔ lɛpʃˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_78.wav|sfˈiŋks jɛzd zaɡˈatkɔ̃, ɲʲɛ zˌadajˈɔntsɨm zaɡˈatki.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_208.wav|pˈɔvʲɛm, ʒˈɛ tɔ ja prˌɔvadʑˈiwɛm samˈɔxut.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_238.wav|xtsˈɛʃ mɲʲɛ zmˈuɕitɕ, bˈɨm tɔ pɔvʲˈɛdʑaw?|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_135.wav|bˈɨw vˌɨrɔɕɲʲˈɛntɨ i tɕˈɔŋɡlɛ blˈuzɡaw, nˈavɛd bˈardʑɛj ɲˈiʃ rˈɔnɲʲɛ, ktˌura klˈɛwa jˈak ʃˈɛfts, ˌalɛ ɲˈiɡdɨ ɲʲɛ znˈɛntsaw ɕɛ nat mwɔtʃˈɨmi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_35.wav|ɲʲɛ mˈɔɡɛ ɕɛ z ɲˈim skˌɔntaktˈɔvatɕ. mˈa vˌɨwɔntʃˈɔnɨ tɛlˈɛfɔn, tsˈɔ pˈan zapˈɛvnɛ vʲˈɛ. prˌavdɔpɔdˈɔbɲʲɛ vʒˈutɕiw jˈuʃ kˈartɛ ˌɛsˌiˈɛm dɔ jakʲˈɛɡɔɕ ɕtɕˈɛku.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_107.wav|ˈalɛʃ tɔ bˌɨwɔ dˈɔbrɛ!|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_73.wav|ktˌura pʃˈɛs tɕˈɛbjɛ zɔstˈawa ɕɛrˈɔtɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_21.wav|ɡdˈɨbɨ ktˈurɨʑ z ɲˈix xtɕˈaw ukˈaratɕ sfˈɔjɔ̃ ˈɛks, zdˌɛtsɨdˈɔvawbˌɨ ɕɛ xˈɨba tˌɨlkɔ na zabrˈaɲʲɛ vnˈutʃki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_90.wav|sˈikstɨ ɲˈinɛ ˈɛl tsamˈinɔ tɔ jˈɛdna z ix pʲɔsˈɛnɛk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_70.wav|ʒˈɨw, kʲˈɛdɨ vɨʃˈɛdwɛm, ˌalɛ mˈɔtsnɔ mu pʃˌɨwɔʒˈɨwɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_32.wav|ɲʲɛ sˈɔndʑɛ, ˈabɨ ɛmˈilɨ pˈɔst f sfˈɔix pˌɔdrɛntʃɲˈikaɣ dˈɔbrɨx mˈaɲʲɛr pˌɔruʃˈɨwa tˈɛmat rˌatɔvˈaɲʲɛ ʒˈɨtɕa vrˈɔɡa pˈɔttʃas kˌatastrˈɔfɨ pʃˌɛmɨswˈɔvɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_13.wav|ɕfʲˈɛtɲʲɛ rˈadʑi sˈɔbjɛ vɛ vwˈasnɛj, vʲˈɛndʑ zatɕˈiskam zˈɛmbɨ i rˈɔbjɛ sfˈɔjɛ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_429.wav|brˈatɕa bɨvˈajɔ̃ ɲʲˌɛbɛspʲˈɛtʃɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_188.wav|tsˈɔɕ ɕɛ dɔ xɔlˈɛrɨ stˈawɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_112.wav|a jˈa? spˈɨtaw rˈɛʃtkɔ̃ ɡwˈɔsu prɛzˈɨdɛnt.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_458.wav|fʃˈɨstkɔ stˈajɛ ɕɛ ɲʲɛjˈasnɛ. mˈɔʒɛ tɔ ɲʲˌɛzawvaʒˈalnɨ pɔtʃˈɔntɛk kˈɔɲtsa ɕfʲˈata.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_241.wav|a vʲˈɛnts ɲʲˈɛxtsɛʃ? ɲʲɛ pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_69.wav|ɲʲɛ z ɔbˈavɨ pʃɛt ˌɛksplɔrˌatɔrˈami. ˌɔɲi stˈali zbˈɨd blˈiskɔ ɕtɕˈan, ʒˈɛbɨ mɲʲɛ zˌauvˈaʒɨtɕ. mˈuj prˈɔblɛm tkfˈiw ɡdʑˈɛ ˈiɲdʑɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_440.wav|strˈaʃnɨ bˈanaw.|0
+Dataset/wavs/urwisko_ferenc/48_segment_52.wav|f tɛj sˈamɛj sɛkˈuɲdʑɛ xˈuɡ vɨstʃˈawu zˈatʃɔ̃s ʃɨbˈami.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_275.wav|jˈasnɛ. ɔt mˈawpɨ mˈuɡwbɨɕ ɕɛ vʲˈɛlɛ naˈutʃɨtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_24.wav|vrˈutɕiw sxɔtkˈami na dˈuw.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_32.wav|istɲʲˈɛjɛ kˈu tˌɛmu pɔvˈaʒnɨ pˈɔvut.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_39.wav|jˈɛɡɔ rˈɛŋka drʒˈawa lˈɛkkɔ. pˈɔtɛm pɔvʲˈɛdʑaw ɡwˈɔɕnɔ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_351.wav|ɡˈarin pˌɔtʃɛbˈujɛ swˈɔɲtsa i ɕfʲɛʒˈɛɡɔ pɔvʲˈɛtʃa.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_254.wav|tɔ pˌɔirˌɨtɔvˈawɔ jˈɔ̃ jˈɛʃtʃɛ bˈardʑɛj. tfˈɔja ɡwˈɔva mˈɔʒɛ mʲˈɛtɕ ʃklˈanɛ ˈɔtʃɨ, ˌalɛ mˈɔjɛ sɔ̃ f pɔʒˈɔntku.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_23.wav|ʒˈutsam tɔrˈɛpkɛ na pɔdwˈɔɡɛ pʃɨ bjˈurku i ɔtsˈuvam kʃˈɛswɔ, ˌalɛ jˈuʃ pɔ kˈilku sɛkˈundaɣ dɔ ɕrˈɔtka fpˈada ˈɛlis.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_122.wav|ŋɡˈuwɡʲi pʃˌɨɡlɔndˈawa mi ɕɛ pʃˈɛs xfˈilɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_127.wav|tɔ pɔvˈaʒna vɨprˈava dla kˈɔɡɔɕ f tɨm vʲˈɛku, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_36.wav|ɲʲˌɛɔblitʃˈalnɨx ˌintsɨdˈɛntuf, tsˈɔ jˈak pɛjzˈaʒɛ vidʑˈanɛ s pˌɛndʑɔntsˈɛɡɔ pɔtɕˈɔŋɡu, ɡʲinˈɛwɨ ɡdʑˈɛʑ za xˌɔrɨzɔntˈami mˈɛɡɔ ʒˈɨtɕa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_94.wav|ʒˈɛ ɲʲɛ vɨbˈatʃɨw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_195.wav|pʲɛɲʲˈɔndʑɛ ɲʲɛ fpwɨnˈɛwɨ i pˈɛvɲʲɛ ɲʲɛ fpwˈɨnɔ̃. tsˈɔ zrˈɔbʲiʃ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_103.wav|prˈavʲɛ tʃˈɨ ɡɔdʑˈinɨ. a ˈilɛ tʃˈasu tʃˈɛba, ʒˈɛbɨ zrˈɔbʲitɕ pʃˈɛlɛf?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_515.wav|mʲˌawaʑ zwˈɨ sˈɛn? mˈuʃɛ tɕi tsˈɔɕ pɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_136.wav|xtsˈɛ, ʒˈɛbɨ ktˈɔʑ ɡˈɔ pʃˌɛtɛstˈɔvaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_130.wav|bʲˈillɨ vˈɔlawbˌɨ bˈardʑɛj jˌɛdnɔznˈatʃnɔ̃ ɔtpˈɔvʲɛtɕ, ˌalɛ ta na rˈaʑɛ vɨstˈartʃɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_61.wav|znˌajdɔvˈawa ɕɛ f sˈamɨm ɕrˈɔtku ɲitʃˈɛɡɔ.|4
+Dataset/wavs/urwisko_ferenc/45_segment_71.wav|mˈarja pˌɔdʑɛlˈiwa ɕɛ tɔ̃ mˈɨɕlɔ̃ z jɔˈannɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_5.wav|stfʲˈɛrdʑa, ʒˈɛ bʲˈillɨ ɲʲɛ mˈuɕi pˈɔdjɔɲtɕ ˌɔstatˈɛtʃnɛj dɛtsˈɨzji, dɔpˈuki tˌɛɡɔ mʲˈɛjstsa ɲʲɛ zɔbˈatʃɨ i ɲʲɛ pˈɔzna blˈiʃʃɨx ʃtʃɛɡˈuwuf.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_469.wav|pʃɛt ˌɔpuʃtʃˈɛɲʲɛm zˈamku mˈɔrt pɔdˈɛrʒɲʲɛ im ɡˈardwa i pˌɔtɕfʲartˈujɛ jˈɛ.|1
+Dataset/wavs/urwisko_ferenc/09_segment_110.wav|f tˈakix sprˈavax tˌɨlkɔ trˈup mˈuvi prˈavdɛ.|0
+Dataset/wavs/urwisko_ferenc/48_segment_41.wav|nˈadal jˈɛ kʃˈɨvdʑiʃ. ˈɔlɡʲɛrt mʲˈaw ɡdʑˈɛɕ jˈɛɡɔ prˌɔpɔzˈɨtsjɛ. pˈatʃɨw na mɛ̃ʃtʃˈɨznɛ, ˌalɛ mˈɨɕlaw ɔ rˌɔzɛɕmʲˈanɛj amˈɛltsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_193.wav|na pɔtʃˈɔntɛk.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_210.wav|tɛn ɡwˈɔs strˈɔɲtɕiw ɡˈɔ znˈuf f tɕˈiʃɛ i s tɕˈiʃɨ w vˈɔdɛ, f ktˌurɛj zmɛntʃˈɔnɨ ʃˈuka ˌɔtpɔtʃˈɨŋku.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_79.wav|zabˈujtsa na zlɛtsˈɛɲʲɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_176.wav|w ɕrˈɔtku ftɕˈɔ̃ʃ tʃˈutɕ tɛn xˌaraktˌɛrɨstˈɨtʃnɨ zˈapax nɔvˈɛɡɔ sˌamɔxˈɔdu, ktˌurɨ jˈɛdnak tˈɔtʃɨ ɲʲɛrˈuvnɔ̃ vˈalkɛ zˈɛ smrˈɔdɛm pˌapʲɛrˈɔsuf ɕfʲˈɛntɛj pamjˈɛɲtɕi vwˌaɕtɕitɕˈɛla.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_38.wav|pˈɔza tɨm tˈam pˈɛvɲʲɛ zˌainstˌalɔvˈali ˌɔprɔɡrˌamɔvˈaɲʲɛ dɔ rˌɔspɔznavˈaɲʲa tfˈaʒɨ. ɔstˈatɲʲɔ fʃˈɛɲdʑɛ ɡˈɔ pˈɛwnɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_37.wav|vˈɨbatʃ, kˌɔxaɲʲˈuska. ɔ tʃɨm tɔ rˌɔzmavʲawˈɨɕmɨ? ʒˈadɛn prˈɔblɛm. ɔ jɔˈɛlu kˈalu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_70.wav|pɔ rɔzdˈaɲʲu tʃˈɛx kˈart fspˈulnɨx mˈɔja sˌɨtuˈatsja ɲʲɛ pɔprˈavja ɕɛ. vˈalɛt kʲˈɛr, ɕudˈɛmka kˈarɔː i krˈul kʲˈɛr.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_30.wav|tsˈɔ vʲˈɛntsɛj, zmˈar w jɛj wˈuʃku.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_135.wav|mˈɔɡɛ tɕi zmajstrˈɔvatɕ nˈɔvɛ. tˈakʲɛ, ktˌurɛ ɲʲɛ pɔvˈinnɨ vzbˈudʑatɕ pɔdˈɛjʒɛɲ. skɔʒˈɨstam z ɡˌɛnɛratˈɔra nˈazvisk.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_143.wav|ɲʲɛ pɔtrˈafjɛ nˈavɛd vɨrˈazitɕ, jˈaka jˌɛstɛm tɕi vdʑˈɛntʃna.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_109.wav|vˌɨɡlɔndˈawɔ nˈatɔ, ʒˈɛ ɲʲˈɛspaw pʃˈɛz vʲˈɛlɛ nˈɔtsɨ. ˈɔddɛx jˈɛɡɔ tɕˈɛ̃ʃki bˈɨw ɔt ˌalkɔxˈɔlu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_392.wav|ɲˈits ɲʲˈɛvʲɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_88.wav|vʑˈɛwam ɡwɛmbˈɔki ˈɔddɛx.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_67.wav|tɔ tɕɛkˈavɛ, jˈaɡ dʑˈawa ɡˌɔspɔdˈarka, prˈavda?|4
+Dataset/wavs/urwisko_ferenc/63_segment_110.wav|vʲˈɛ pˈaɲi, tsˈɔ sˈɔɲdʑi prˌɔkurˈatɔr? spɨtˈawa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_232.wav|xˈɛlɛn ɕɛdʑˈawa wˈɛ fɔtˈɛlu i, pɔtʃˈɛtwʃɨ dɔ ɲʲˈɛj, dˌɛlikˈatɲʲɛ vˈɨjɔw jɛj z rˈɔŋk sfˈuj apˈarad dɔ ɡɔlˈɛɲʲa.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_169.wav|pʃˈɛstɔ fʃˈɨstkɔ mʲˌawɛm ɔkˈazjɛ zˌapʃɨjˈaʑɲitɕ ɕɛ s tfˈɔim ˈɔjtsɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_53.wav|spʲˌɔrnɔvˈawam jˈɔ̃ vzrˈɔkʲɛm. f tɨm jˌɛstɛm dˈɔbra.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_209.wav|vˈɔkuw jɛj ʃˈɨi ɔvˈijaw ɕɛ kˈɔts. tsɛrsˈɛi zɛrvˈawa ɡˈɔ s ɕˈɛbjɛ tˈaɡ ɡvawtˈɔvɲʲɛ, ˈaʃ ɕɛ rɔzˈɛrvaw, a pˈɔtɛm uɕˈadwa w wˈɔʒu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_97.wav|zˈafʃɛ sˈɔbjɛ vmavʲˈawɛm, ʒˈɛ ɲˈim ɲʲɛ jˈɛstɛm, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_111.wav|dʑˈɛŋki bˈɔɡu, ʒˈɛ pˈɔra jɛst pˈuʑna i ʒˈɛ ɲʲɛ pɔwˈɔʒɨw ɕɛ spˈatɕ pʲˈɛɲtɕ mˈinut ftʃˈɛɕɲʲɛj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_194.wav|a tsˈɔ ja sˈam ɕˈɛbjɛ ɔpxˈɔdʑɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_103.wav|ja tɔ vʲˈɛm i pˈaɲi tɔ vʲˈɛ, ˌalɛ musˈimɨ ɕɛ upˈɛvɲitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_135.wav|fʃˈɨstsɨ bˈɨlibˌɨ jˈuʃ mˈartfi.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_75.wav|zmʲˈɔtwam pˌudɛrɲˈitʃkɛ s kˌɔntuˈaru i vʒutɕˈiwam jˈɔ̃ dɔ tɔrˈɛpki.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_252.wav|dlatʃˈɛɡɔ bliʑɲʲˈatʃki?|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_287.wav|ˈuɕmʲɛɣ zɲˈiknɔw s tfˈaʒɨ starʃˈɛɡɔ brˈata.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_297.wav|fpˈuɕtɕiw ˈɛstɛr dɔ pɔkˈɔju i pɔvʲˈɛdʑaw|0
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_95.wav|vˈɛjtɕ, zˈɔɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_308.wav|znˈɔvu ɕɛ pɔdɲʲˈɔswɛm na wˈɔktɕu, ssunˈɔwɛm trˈɔxɛ kˈɔdʑ z jɛj pʲˈɛrɕi.|0
+Dataset/wavs/urwisko_ferenc/38_segment_2.wav|ˌɔna mˈɔʒɛ mu fʃˈɨstkɔ vɨɕpʲˈɛvatɕ, jˈɛɕli tˌɨlkɔː ˈɔlɡʲɛrd dˈɔbʒɛ tɔ rɔzˈɛɡra.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_236.wav|dˈalɛ zˈaɕmʲaw ɕɛ vbrˈɛf sˈɔbjɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_5.wav|tsˈɔ f tˈakim rˈaʑɛ rɔbʲˈimɨ? ɲʲɛ mɔʒˈɛmɨ tˈak pɔ prˈɔstu tˈutaj ɕˈɛdʑɛtɕ. ˌɔna mˈɔʒɛ mʲˈɛdʑ zˈɛ sˈɔbɔ̃ mˈili.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_36.wav|stˈaram ɕɛ tˈɛras ˈɔɲʲɛj ɲʲɛ mˈɨɕlɛtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_40.wav|pʃɛnˈɔɕi spɔjʒˈɛɲʲɛ nˈamɲʲɛ, a ja pʃˈɛs xfˈilɛ vˈidʑɛ w jˈɛɡɔː ˈɔtʃaɣ bˈul.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_169.wav|tɨ xˈɨba sˈɔbjɛ...|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_37.wav|xtsˈɛ tɕˈɛ tˈu znˈɔvu zɔbˈatʃɨtɕ, mˈuvi bˈaki dɔ ɲʲˈɛj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_43.wav|pˈan zdˈajɛ ɕɛ ɕˈɛdʑaw za mɔrdˈɛrstfɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_72.wav|pˈɔvʲɛts mi f tˈakim rˈaʑɛ, tsˈɔ zrɔbʲˈimɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_105.wav|trˈɔnt ɲʲɛ zˈavar zˈɛmnɔ̃ umˈɔvɨ na pˈiɕmʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_100.wav|dˈalʃɔ̃ ix rɔzmˈɔvɛ pʃɛrvˈawɔ pukˈaɲʲɛ dɔ dʒvˈi i dɔ ɡˌabʲinˈɛtu fsunˈɛwa ɡwˈɔvɛ mwˈɔda dʑɛftʃˈɨna pˌɔxɔdʑˈɛɲʲa çiɲskʲˈɛɡɔ s tʃˌɛrvɔnˈɨmi vwɔsˈami i kˌɔltʃɨkˈami na tfˈaʒɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_51.wav|pʃɛwˈɨkam ɕlˈinɛ i ɔtfʲˈɛram vʲadˈɔmɔɕtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_3.wav|nˈajpʲɛrv zatʃˈɛwam prˈɔɕitɕ kʲɛrˈɔftsɛ, ʒˈɛbɨ pɔjˈɛxaw trˈɔxɛ ʃˈɨptɕɛj, ˈɔbraw ˈinnɔ̃ trˈasɛ lˈub zrˈɔbʲiw tsɔkˈɔlvʲɛk, dʑˈɛŋki tʃˌɛmu prˈ��ndʑɛj dɔstˈanɛ ɕɛ na mʲˈɛjstsɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_26.wav|pˌɔvʲɛdʑˈawa jˈudɨ, ʒˈɛbɨm tɔ ja umjˈawa jˈakɔɕ nˈazvatɕ, tsˈɔ tɛn tʃwˈɔvʲɛɡ zrˈɔbʲiw.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_238.wav|ˌalɛ mˈiwɔ swˈɨʃɛtɕ, ʒˈɛ ɡʲˈildja ˌɛksplɔratˈɔruf pɔvˈaʒɲʲɛ traktˈujɛ sfˈɔjɛ zˌɔbɔvʲɔ̃zˈaɲʲa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_63.wav|tʃˈɛɕtɕ nˈuʃ!|4
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_65.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_7.wav|ɔtfˈɔʒɨw dʒvˈi prˌɔvadʑˈɔntsɛ dɔ bjˈura i ɔtʃˈukaw nˈumɛr f tˌɛlɛfˈɔɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_143.wav|ɲʲˈɛvʲɛm, jˈakʲɛ mˌajɔ̃ dɔvˈɔdɨ nˈatɔ, ʒˈɛ zabʲˈiwam ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_143.wav|ɡdʑˈɛ jɛstˈɛɕmɨ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_13.wav|ˌɔɲi mˈuʃɔ̃ tˈam mʲˈɛtɕ kamˈɛrɛ, zˈajmɛ ɕɛ tˈɨm.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_215.wav|jɛj prɛzˈɛsɛm i zˌawɔʒɨtɕˈɛlkɔ̃ bˌɨwa lɔrˈɛtta sˈanxɛs, pˌɔxɔdʑˈɔntsa z mˈanawz w brazˈɨlji.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_49.wav|dlatˈɛɡɔ, ʒˈɛ ɲʲɛvʲˈɛlu lˈudʑi tˈam w ɔɡˈulɛ mʲˈɛʃka, mˈɨɕli bʲˈillɨ. mˈɨɕli tˈɛʃ, ʒˈɛ tɔ dˈɔbʒɛ ɕɛ skwˈada. nˈavɛt lˈɛpʲɛj ɲˈiʒ dˈɔbʒɛ. fˌantastˈɨtʃɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_14.wav|zˌapɨtˈawa tsɛrsˈɛi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_35.wav|jˈakɔ strˌiptʲizˈɛrka?|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_197.wav|ɡˈɔʑdʑiɡ zˌastanɔvˈiwa ɕɛ nˈattɨm. dˈalla ˌurɔdʑˈiwa ɡˈɔ pˈɔttʃaz bʲˈitfɨ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_37.wav|ˌɔbʒutɕˈiwa ɡˈɔ pˌɨtajˈɔntsɨm spɔjʒˈɛɲʲɛm. ˌalɛ ɲʲɛ tˈɨ!|1
+Dataset/wavs/urwisko_ferenc/52_segment_87.wav|dˈatɨ ɲʲˈɛbɨw f stˈaɲʲɛ rɔspˈɔznatɕ. vˈidʑaw jɛdˈɨɲʲɛ pʲˈɛrʃɔ̃ tsˈɨfrɛ, dvˈujkɛ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_63.wav|pˈaɲʲɛ, tʃɨ zjˈɛdʑɛʒ zˈɛmnɔ̃ na dˈuw?|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_17.wav|ˈɛliz vˌɨtɕɔŋɡnˈɛwa ɡrˈilla s kawˈuʒɨ, ʃɔrˈujɛ rˈuʃt ˌɔdvrutsˈɔna plɛtsˈami.|2
+Dataset/wavs/urwisko_ferenc/21_segment_10.wav|tɕɛkˈavɛ tsˈɔ pˈɔvʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_275.wav|ɔdɡrˈɨʑɛ tɕi fjˈuta.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_183.wav|tˈak mʲˈaw tˈakʲɛ spˈɔdɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_62.wav|dɔ tˌɛɡɔ tʃˈasu xɔdʑˈiwɛm w ubrˈaɲʲax, f ktˌurɨx pʃˈɛttɛm xɔdʑˈili ˈinɲi lˈudʑɛ, ˈalbɔ pɔ prˈɔstu f kˌɔmbʲinɛzˈɔɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_167.wav|ɲˈiɡdɨ ɲʲɛ pʃɛstˈawɛm tɕˈɛ kˈɔxatɕ, mˈɔjɛ dʑˈɛtskɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_98.wav|fʃˈɨstkɔ f pɔʒˈɔntku.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_102.wav|ɡʲˈɔrɡjɔ tɕɛrplˈivʲɛ tʃˈɛka, ˈaʃ ɲˈitsk skˈɔɲtʃɨ, pɔ tʃɨm pˌɔdɛjmˈujɛ pʃɛrvˈanɨ vˈɨvut.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_99.wav|mˈama pxˈa vˈuzɛk na tˈɨw. pɔ xfˈili pʃˌɛwadɔvˈujɛ jˈɛɡɔ zavˈartɔʑdʑ dɔ bˌaɡaʒɲˈika, pɔ tʃɨm vrˈatsa dɔ sklˈɛpu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_403.wav|jˈɛdnak mˈuʃɛ pɔvʲˈɛdʑɛtɕ, ʒˈɛ zrɔbʲˈiwa nˈamɲʲɛ vraʒˈɛɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_89.wav|kˈiva ɡwˈɔvɔ̃, a ja vˈidʑɛ, jˈaɡ bˈardʑɔ tɕˈɛrpi s tˌɛɡɔ pɔvˈɔdu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_6.wav|rɔbʲˈiwam fʃˈɨstkɔ jˈak nalˈɛʒɨ. zˌapisˈawam ɕɛ na dˌɔdatkˈɔvɛ zajˈɛɲtɕa i vɨtɕˈɛtʃki, xɔdʑˈiwam na spɛtsjˈalnɛ pɔkˈazɨ filmˈɔvɛ i zˌaaŋɡˌaʒɔvˈawam ɕɛ w zbjˈurki pʲɛɲʲˈɛndʑɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_82.wav|— pɔdɡlˈɔndaʃ mɲʲɛ, drˈaɲʲu — pˌɔvʲɛdʑˈawɛm dɔ ɕˈɛbjɛ w dˈuxu.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_87.wav|ʒˈɛ jˈinxˈu ʒˈɨjɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_322.wav|lˈɛtʃ ja pʃˌɛtɕɛʃ ɲʲˈɛmam jˈuʃ ɲˈidʑ dɔ rɔzdˈaɲʲa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_58.wav|w ɡwˈɛmbʲi dˈuʃɨ vʲˈɛm jˈɛdnak, ʒˈɛ prˈubɨ ˌutʃɨɲʲˈɛɲʲa ɡˈɔ bˈardʑɛj tˌɔlɛrantsˈɨjnɨm sɔ̃ nˌaturˈalnɨm skˈutkʲɛm mˈɔiɣ vwˈasnɨx pɔrˈaʒɛk.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_117.wav|ʒˈɛɡw vartˈɔvɲik. na dˈɔlɛ jɛst lˈadɨ stɔkˈɛvart. bwˈaɡa ɔː awdjˈɛntsjɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_41.wav|ʒˈɛ ɲʲɛ bˌɛndɔ̃ pˌatrɔlˈɔvatɕ ɔkˈɔlits artˈɛmis, ʒˈɛbɨ tˈam mɲʲɛ dˈɔpaɕtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_23.wav|pˌɔvʲɛdʑˈawɛm, ʒˈɛ bˈɔli jˈak sˈam skurvˈɨsɨn.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_89.wav|zˌamruɡˈawa pˌɔvʲɛkˈami.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_213.wav|mˈikɛ fstˈaw, pɔpˈatʃɨw na wˈuʃkɔː ˌandɛrsˈɔna s tˈakim fstrˈɛntɛm, ʒˈɛ ˈandɛrsɔn rɔzˈɛɕmʲaw ɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_7.wav|tʃˈujɛ spwˌɨvajˈɔntsɨ pɔ plˈɛtsax pˈɔt i dˈɔɕtɕ ɲʲˌɛɔtʃˌɛkivˈaɲʲɛ ɡˈɛɲɕɔ̃ skˈurkɛ na ramjˈɔnax.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_305.wav|tɔ vʲɛrtˈarka pʃˈɛʃwa na vˈɨlɔd w zakwˈadax sˌamɔxɔdˈɔvɨx na pɔtʃˈɔntku mˈɔjɛj karjˈɛrɨ ˌamɛrɨkˈaɲskʲɛj.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_231.wav|dʒˈɛjn pamjˈɛntaw mawˈɛɡɔ rɔbˈɛrta s krulˈɛfskʲɛj pʃɨstˈaɲi. xˈɔtɕ xwˈɔpʲɛts mʲˈaw jˈuʃ tʃtˈɛrɨ lˈata,|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_242.wav|— prˈɔstɔ, prˈɔstɔ — ʒˈɛkw kˈɔrsak i skrˈɛɲtɕiw w lˈɛvɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_339.wav|tʃˈɨstɔ̃ kˈartɛ.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_29.wav|kˈɨbɛrn tʃˈɨmaw w dwˈɔɲi bʒˈɨtfɛ.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_109.wav|rˈɨtsɛʃ kfʲˈatuf pɔwˈɔʒɨw rˈɛŋkɛ na ramjˈɛɲʲu ɕˈɔstrɨ. vˈaʃa mˈiwɔɕtɕ, vɨswˈuxaj mɲʲɛ, jˈɛɕli wˈaska.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_189.wav|f puwnˈɔtsnɛj tʃˈɛɲɕtɕi tˌɛrminˈala kˈilku rˌɔbɔtɲˈikuf tʃɛkˈawɔ pʃɨ vˈɛjɕtɕu dɔ ɕlˈuzɨ kˌɔlɛjˈɔvɛj.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_61.wav|pɔtʃˈuwam ˈulɡɛ, ʒˈɛ jɛst xˈɔtɕaʃ pʃɨtˈɔmnɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_52.wav|ubrˈana bˌɨwa w jˈɛɡɔ spwɔvʲˈawɔ̃ kɔʃˈulɛ s pʃɨʃˈɨtɨm napˈisɛm flˈikt instrˈutstɔr.|0
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_95.wav|jɛʒˈɛli lˈudʑɛ zˌuʒɨvˈajɔ̃ vʲˈɛntsɛj ɛnˈɛrɡji ɲˈiʒ zvˈɨklɛ, tɕiɕɲʲˈɛɲʲɛ w mʲˈɛɕtɕɛ ɲʲɛznˈatʃɲʲɛ ɕɛ pɔdnˈɔɕi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_68.wav|ˌɔbjɛtsˈawam, ʒˈɛ pɔmˈɔɡɛ f prˈalɲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_111.wav|pʃɛɡrˈaliɕtɕˌɛ, vʲˈɛnts tɔ vɨ muɕˈitɕɛ upʃˈɔntnɔɲdʑ ɡrˈɛ, prˈavda?|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_373.wav|zɡˈɔdʑiw ɕɛ xˈastʲi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_318.wav|zrˈɨvaw ɔkwˈatki bˈɛs xfˈili pʃˈɛrvɨ, vznˈɔʃɔnts i ˌɔpuʃtʃˈajɔnts rˈɛŋkɛ tɨm sˈamɨm rˈuxɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_72.wav|spˈɨtaw jˈɛdɛn z mˈɛ̃ʃtʃɨzn, a ja vʲɛdʑˈawam, tsˈɔ mˈa na mˈɨɕli.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_217.wav|ɡdˈɨbɨm vʲɛdʑˈawa, tsˈɔ mˈa ɕɛ tˈam vɨdˈaʒɨtɕ, ɲˈiɡdɨ bˈɨm dɔ tˌɛɡɔ ɲʲɛ dˌɔpuɕtɕˈiwa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_50.wav|mɛ̃ʃtʃˈɨzna ˈuɲʲuz ɡwˈɔvɛ z nˌadramjˈɛɲʲa jɛdnˈɛɡɔ s tʃwˈɔŋkuf sfɔjˈɛɡɔ zɛspˈɔwu, ktˌurɨ starˈanɲʲɛ pʃˌɛtʃɛsˈɨvaw ʑdʑbwˈa trˈavɨ f pˌɔʃukivˈaɲʲu dɔvˈɔduf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_14.wav|pʃˌɛkɔnˈamɨ ɕɛ, tʃɨ ktˈɔʑ vˈidʑaw tˌɛɡɔ xwˈɔptsa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_224.wav|mɔʒˈɛtɕɛ startˈɔvatɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_101.wav|jˈɛɕli ɲʲɛ jˈɛstɛɕ, pˌɔviɲʲˈɛnɛɕ jˈɛxatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_32.wav|mˈuj kljˈɛnt jɛst tʃwɔvʲˈɛkʲɛm, ktˌurɨ ˌɔkalˈɛtʃɨw innˈɛɡɔ tʃwɔvʲˈɛka, bˈɔ mu ktˈɔɕ pɔvʲˈɛdʑaw, ʒˈɛ pʃˈɛs ɲʲˈɛɡɔ strˈatɕiw prˈatsɛ. ˈalbɔ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_407.wav|zˈaras nadˈɛjdʑɛ kˈɔɲ��ɛts.|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_13.wav|ɲʲˈɛvʲɛm, tʃɨ jˌɛstɛm ˌalkɔxɔlˈikʲɛm, tɔ sprˈava jˈɛʃtʃɛ ɲʲɛ rˌɔsstʃɨɡɲʲˈɛnta, mˈuvi, ˌalɛ mʲˌawɛm kwɔpˈɔtɨ z ˌalkɔxˈɔlɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_136.wav|tˌɨlkɔ sˈɔbjɛ vɨˈɔbraɕ, jˈaka tɔ muɕˈawa bˈɨtɕ rˌɛvɛlˈatsja dla ˌɔpalˈaɕɔ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_43.wav|tɔ bˌɨwa sprˌavʲɛdlˈivɔɕtɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_8.wav|zamjˈɛʒam dɔ ɲˈiɣ zadʑvˈɔɲitɕ. xfˈɨtam tɛlˈɛfɔn, znajdˈujɛ nˈumɛr, ktˌurɨ dˈawa mi dʒˈanɛt i ɡˈɔ vɨbjˈɛram.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_20.wav|nˈɔɡʲi ˈɔpar na pˈɔmpʲɛ i tʃˈɨtaw zmʲˈɛntɔ̃ ɡazˈɛtɛ pˌɔʒutsˈɔnɔ̃ tˈu pʃˈɛs kˈɔɡɔɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_8.wav|ˌalɛ twˈumiɡ dɔ ruɡˈɛra pʃˈɨdawbˌɨ ɕɛ na pˈɛvnɔ, xˈɔdʑ za tˌɛɡɔ rɔdʑˈaju ˌaktsɛsɔrjˈami ˌɔsɔbʲˈiɕtɕɛ ɲʲɛ pʃɛpˈada.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_144.wav|ɲʲɛ maʃ uprˈavɲʲɛɲ dɔ kˌɔʒɨstˈaɲʲa zˈɛ ɕlˈuzɨ pɔvʲˈɛtʃnɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_258.wav|ɲʲɛ mʲˈawam pɔjˈɛɲtɕa, tsˈɔ takʲˈɛɡɔ knˈuli, ˌalɛ bˌɨwam pˈɛvna, ʒˈɛ tɔ ɲˈits lˌɛɡalnˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_213.wav|i tˈɛras naxˈɔdʑi ɡˈɔ nˈɔva mˈɨɕl.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_83.wav|jˌɛstɛɕ pˈɛvna, ʒˈɛ tɔ bˈɨw ˈaʃ?|4
+Dataset/wavs/urwisko_ferenc/45_segment_77.wav|i ɔ mˈattsɛ, f ktˌurɛj ˌuzalɛʒɲʲˈɛɲʲɛ tsˈurki ˌɔbudʑˈiwɔː uɕpʲˈɔnɨ ɔt lˈat ˈinstɨŋkt mˌatɕɛʒˈɨɲski.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_153.wav|pˌɔvʲɛdʑˈawam z nˈutkɔ̃ ˌɔstʃɛɡaftʃˈɛɡɔ tˈɔnu w ɡwˈɔɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_206.wav|tˈɛɡɔ, jˈaɡ dʑˈɛtɕi fskɔtʃˈɨwɨ mu na plˈɛtsɨ, kʲˈɛdɨ dˈɛrɛɡ ɡˈɔː ˈɔɡraw.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_123.wav|pɛvnˈɛɡɔ dɲʲˈa ta dʑɛftʃˈɨŋka stˈaɲʲɛ ɕɛ dla kˈɔɡɔɕ ɔkrˈɔpɲʲɛ jˌɛndʑɔvˈatɔ̃ ʒˈɔnɔ̃.|1
+Dataset/wavs/urwisko_ferenc/59_segment_73.wav|pratsˈujɛ na ˌuɲivˌɛrsɨtˈɛtɕɛ mˌikɔwˈaja kˌɔpɛrɲˈika. mɛ̃ʃtʃˈɨʑɲi vˌɨmjɛɲˈili spɔjʒˈɛɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_13.wav|prˌubɔvˈawa pˈɨtatɕ, ˈɔtɔ tɕˈɛɲʲɛ ɲʲɛ ˌɔtpɔvʲadˈawɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_176.wav|ɔtpˈɔvʲɛdʑ bʒmˈi...|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_121.wav|tˈaɡʒɛ mˈuɕaw ˈuʒɨdʑ drˈɔŋɡa, ˈabɨ pɔdvˈaʒɨdʑ dʒvˈi i vɨtɕˈɔŋɡnɔw rɨˈana. rˈɨan ʒˈɨw jˈɛʃtʃɛ, kʲˈɛdɨ ˈandɛrsɔn...|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_10.wav|mʲˈaw ʃtʃˈɛɲɕtɕɛ, ʒˈɛ w ɔɡˈulɛ pʃˈɛʒɨw, bˈɔ ftɕˈɔ̃ʒ bˌɨliɕmˌɨ pˌɔdminɔvˈaɲi pɔ ɕmʲˈɛrtɕi ɔlbjˈɛɡɔ stˈarka.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_50.wav|xtɕˈawa im pɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_115.wav|a pʃɨnˈajmɲʲɛj prubˈujɛ.|2
+Dataset/wavs/urwisko_ferenc/12_segment_14.wav|— ˈɔbɨ, bˈɔː inˈatʃɛj dˌɔstaɲʲˈɛmɨ tˈu udˈaru.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_75.wav|jˌɛdɨnˈɨmi vˌartɔɕtɕɔvˈɨmi pʃˌɛdmʲɔtˈami, jˈakʲɛ im jˈɛʃtʃɛ zɔstˈawɨ, bˌɨwɨ znˌalɛʑˈɔnɛ f pɔdʑˈɛmjax tʃarnˈɛɡɔ zˈamku kɕˈɛŋɡʲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_19.wav|bʲˈillɨ pɔ krˈutkim namˈɨɕlɛ uznˈajɛ, ʒˈɛ tˈak.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_267.wav|ɲʲɛ bˌɨwɔ mˈɔʒɛ traɡʲˈitʃɲʲɛ, ˌalɛ tʃˈuwɛm, ʒˈɛ krˈɛf pʃɛsˈɔntʃa ɕɛ pʃˈɛs mˈɔjɔ̃ kɔʃˈulɛ vɨsˈɔkʲɛj klˈasɨ alfˈɔnsa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_15.wav|zɔstˈanɛ zmʲaʒdʒˈɔna.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_178.wav|pʃˌɛtɕɛʃ ɲʲɛ pɔlˈɛtsɛ tˈɛras txuʒlˈivʲɛ dɔ pʃɨxˈɔdɲi lɛkˈarskʲɛj, ʒˈɛbɨ pˈɔddatɕ ɕɛ badˈaɲʲɔm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_4.wav|prˌɔfɛsjˌɔnalˈistka ˈanna frˈaŋklin, dˌɨrɛktˈɔrka ʃkˈɔwɨ, kɔbjˈɛta pˈɛwna vˈɔli, ambʲˈitsji i ʃtʃˈɛrɛj trˈɔski ɔ dˈɔbrɔ sfˈɔix ˈutʃɲʲuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_34.wav|ɲʲˈɛma tʲirˈuvɛk.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_505.wav|sp��jʒˈawa na mˈijɛ stˈɔnɛ. ɔ mˈawɔ tsˈɔ bˈɨɕ spˈadwa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_16.wav|kˈit, idʑˈɛmɨ. zˈɔstaf jˈuʃ f spɔkˈɔju tɔ xɔlˈɛrnɛ bjˈurkɔ. bˌɛɲdʑɛ tˈutaj dˈalɛj stˈawɔ, kʲˈɛdɨ vrˈutɕiʃ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_4.wav|tsamˈɛrɔn spˈɔjʒaw na ɲʲˈɛɡɔː ˈɔstrɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_193.wav|i dʑˈiɕ jˈɛʃtʃɛ pˈɛwnɔ f tɨx ˌurɔtʃˈɨstkax nat strˌumjɛɲʲˈami fˈal|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_50.wav|ɕfʲadˈɔmɔɕtɕ, ʒˈɛ zamjˈɛʒam stˈɔnt ˈɔdɛjɕtɕ, spravˈiwa jˌɛdnɔtʃˈɛɕɲʲɛ, ʒˈɛ zˌatɛ̃skɲˈiwam za ɔstˈatɲim kɔntˈaktɛm z ɲʲˈɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_106.wav|ˌinstalˈujɛ ˈapkɛ, pʃˈɛz ɡɔdʑˈinɛ tʃˈɨta, pɔ tʃɨm bjˈɛʒɛ dwˈuɡʲi, ɡɔrˈɔntsɨ prˈɨʃɲits.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_166.wav|pˈɨta, tʃɨ dˈatɕ jɛj ʃklˈaŋkɛ i ɡdˈɨ dɔstˈajɛ ɔtpˈɔvʲɛtɕ, ʒˈɛ bˌɛɲdʑɛ pˈiwa s pˈuʃki, pʃɨnˈɔɕi dvˈa pˈiva dɔ salˈɔnu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_245.wav|xˈɛlis pɔdbjˈɛɡwa dɔ mɲʲɛ s kʃˈɨkʲɛm. — jˌɛstɛɕ rˈannɨ, bʲˈillɨ, jˌɛstɛɕ rˈannɨ? — ɲʲɛ, — xɨbʲˈiwa. i ftˈɛdɨ pɔtʃˈuwɛm bˈul w bˈɔku.|2
+Dataset/wavs/urwisko_ferenc/22_segment_44.wav|ˌalɛ jɛst tsˈɔɕ jˈɛʃtʃɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_25.wav|tɔ prˈavda, ɲʲɛ kwˈamjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_138.wav|pɔjˈadɛ jˈaɡ zvˈɨklɛ dɔ sˌupɛrmarkˈɛtu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_177.wav|zˌɔbatʃˈɨli jˈɛ, tʃtɕˈili, ˌalɛ ɲˈiɡdɨ ɲʲɛ pˌɔvaʒˈɨli ɕɛ ˈuznadʑ za sfˈɔjɔ̃ vwˈasnɔɕtɕ. rˌɔzumjˈɛjɔ̃, ʒˈɛ jˈɛɕli bˈuk istɲʲˈɛjɛ, ta skˈawa nalˈɛʒɨ dɔ ɲʲˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_162.wav|bˈɔɲtɕ tsˈɔ, bˈɔɲtɕ fˈatsɛd dʑˈawa w brˈanʒɨ tˌɛlɛvizˈɨjnɛj i filmˈɔvɛj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_261.wav|ɔɡlˈɔndaʃ ɕɛ za ɕˈɛbjɛ, ˈabɨ sprˈavdʑitɕ, tʃɨ ktˈɔɕ ɲʲɛ ˈidʑɛ.|0
+Dataset/wavs/urwisko_ferenc/42_segment_99.wav|pˌɔpatʃˈɨwa na ɲʲˈɛɡɔː uvˈaʒɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_109.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ narˈɛʃtɕɛ natxˈɔdʑi jˈɛɕɛɲ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_154.wav|skˌurvɨsˈɨnɨ, mˈɨɕli ɲʲɛ pʲˈɛrʃɨ rˈas. ɕmʲˈɛtɕɛ, ktˌurɛ zɡvawtɕˈiwɨ ɲʲˌɛpʃɨtˈɔmnɔ̃ dʑɛftʃˈɨnɛ. jˈakim tʃˈɛba bˈɨtɕ tʃwɔvʲˈɛkʲɛm, ʒˈɛbɨ tɔ zrˈɔbʲitɕ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_13.wav|pɔ vɨjˈɛʑdʑɛ z lˈandvʲɛf ɛstˈatɛz zadʑvˈɔɲiw dɔ ɲʲˈɛj, bˈɨ pɔvʲˈɛdʑɛtɕ, ʒˈɛ fʃˈɨstkɔ z ɲˈim f pɔʒˈɔntku, ˌalɛ tˈɛras ˈɛllis pˈɨta ˈɔtɔ znˈɔvu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_65.wav|zˈaɲim pujdʑˈɛmɨ dˈalɛj, xtsˈɛ, ʒˈɛbɨɕ ɕɛ tsɔfnˈɛwa mɨɕlˈami, ʒˈɛbɨɕ sprˌubɔvˈawa sˈɔbjɛ pʃɨpˈɔmɲʲɛtɕ tsˈɔɕ, tsˈɔ zrɔbʲˈiwaɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_508.wav|matʃˈuɡɔ̃ nˌajɛʒˈɔnɔ̃ ˌɔdwamkˈami kʃɛmjˈɛɲʲa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_110.wav|spɔjʒˈawam na mˈamɛ, ktˌura mʲˈawa ˈɔtʃɨ pˈɛwnɛ wˈɛs.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_30.wav|pˌɔstɛruŋkˈɔvɨ vɨtɕˈɔŋɡa rˈɛntsɛ i xfˈɨta ˈaʃa za nadɡˈarstɛk, ʒˈɛbɨ zawˈɔʒɨtɕ mu kajdˈaŋki.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_332.wav|tʃɨ zˌaatakˈɔvaw arˈɛɔ xɔtˈaxa dlatˈɛɡɔ, ʒˈɛ xtɕˈaw mɲʲɛ ratˈɔvatɕ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_51.wav|ta jˈɛdnak ɲʲˌɛspɔdʑɛvˈaɲʲɛ ssˈuva ɕɛ w dˈuw na sfˈɔim kʃˈɛɕlɛ i praktˈɨtʃɲʲɛ zɲˈika pɔt stˈɔwɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_6.wav|kʲˈɛdɨ ɔtfʲˈɛram dʒvˈi, ɔdvrˈatsa ɕɛ natˈɨxmʲast, zakwˈada pasˈɛmkɔ plˌatɨnˈɔvɨɣ vwˈɔsuv za ˈuxɔː i uɕmʲˈɛxa ɕɛ dɔ mɲʲɛ ʃɛlmˈɔfskɔ.|3
+Dataset/wavs/urwisko_ferenc/03_segment_90.wav|xˈɛrman uznˈawa, ʒˈɛ tʃˈaz zmʲˈɛɲitɕ tˈɛmat. kˈilka mʲɛɕˈɛntsɨ pʃɛd vɨpˈatkʲɛm pˈana tsˈurka zmʲɛɲˈiwa prˈatsɛ, prˈavda?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_36.wav|mʲˈawa rˈatsjɛ. spravdʑˈili dɔkwˈadɲʲɛ jˈɛɡɔ tɛlˈɛfɔn i ɔstˈatɲʲɛ bʲilˈiŋɡʲi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_90.wav|pˌɔvʲɛdʑˈawam, ʒˈɛ ɲʲˈɛma znatʃˈɛɲʲa jˈak tɔ bʒmˈi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_11.wav|i ʒˈɛ pˌɔstanɔvˈiwa pˈɔzbɨtɕ ɕɛ ɡˌɛnɛvʲˈɛvɛ, bˈɨ ɔtʃˈɨɕtɕitɕ sˈɔbjɛ drˈɔɡɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_176.wav|dˈɛmɔ dˈɛrbɨ tɔ nˈazva, jˈakɔ̃ nadˈaliɕmˌɨ tsmˌɛntaʒˈɨsku sˌamɔxˈɔduv za dˈɔmɛm vʲˈɛtʃnɛj fˈarbɨ, ˌɔbɔɡ varʃtˈatu ˈuspk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_158.wav|na ˈɔbu skʃˈɨdwaɣ vidɲʲˈawɨ vˌɨʒɛʑbjˈɔnɛ skʃˌɨʒɔvˈanɛ buwˈavɨ nat skʃɨdlˈatɔ̃ kɔtfˈitsɔ̃. sˈɨmbɔl bˌaaɕistˈɔfskiɣ bˌataljˈɔnuf. kɔlˈɛjnɨ zwˈɨ znˈak.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_6.wav|mˈɛ̃ʒa ɔfjˈarɨ ɲʲɛ vˈɔlnɔ bˌɨwɔ vɨklˈutʃɨtɕ, dɔpˈuki ɲʲɛ bˌɛndɔ̃ mʲˌɛli stˌuprɔtsɛntˈɔvɛj pɛvnˈɔɕtɕi, ʒˈɛ jˈɛɡɔː alˈibʲi jɛst ɲʲˌɛpɔdvaʒˈalnɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_16.wav|a bˈardʑɛj ʃtʃˌɛɡuwˈɔvɔ?|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_296.wav|kˈat fstˈaw i pɔdˈɔ̃ʒɨw zˈaɲim. jˈɛɡɔ stˈarɛ, skuʒˈanɛ butɕˈɔrɨ skʃɨpʲˈawɨ, ɡdˈɨ sxɔdʑˈili pɔ strˈɔmɨx sxˈɔdax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_42.wav|vˈidʑɛ w lustˈɛrku, jˈak mˈarʃtʃɨ tʃˈɔwɔ f skupʲˈɛɲʲu.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_205.wav|nˈatɨm ɕfʲˈɛtɕɛ ɕmʲˈɛrtɕ ɲˈiɡdɨ ɲʲɛ jɛzd dalˈɛkɔ, a ɡʒɛʃɲˈikuf, ktˌuʒɨ ɲʲɛ ɔkˈaʒɔ̃ skrˈuxɨ za sfˈɔjɛ ɡʒˈɛxɨ, tʃˈɛka ɕˈɛdɛm pʲˈɛkʲɛw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_57.wav|tˈu nˌadʲinspˈɛktɔr dɔˈuɡlas i inspˈɛktɔr rˈɔbʲinsɔn. tʃɨ mɔʒˈɛmɨ vˈɛjɕtɕ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_41.wav|ˌɔfitsˈɛʒɛ, pɔvʲˈɛdʑaw stˈaʒɛts, stanˈɔftʃɔ dɔmˈaɡam ɕɛ mˈɔjɛj drɛvɲʲˈanɛj nˈɔɡʲi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_66.wav|— prˈubuj dˈalɛj, skˈarbjɛ. ja tɨmtʃˈasɛm spɔʒˈɔndʑɛ lˈistɛ ˈɔsup, ktˌurɛ bˌɨwɨ w dˈɔmu, f ʃtʃˌɛɡulnˈɔɕtɕi na pʲˈɛntʃɛ. jˈakʲɛɕ pɔmˈɨswɨ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_36.wav|mɛ̃ʃtʃˈɨzna, ktˌurɨ ɔtfˈɔʒɨw dʒvˈi, ftsˈalɛ ɲʲɛ pʃˌɨpɔmˈinaw tˌɛɡɔ zˈɛ zdjˈɛɲtɕ s tʃˈasuv zvʲˈɔ̃sku z ɡˌɛnɛvʲˈɛvɛ, ktˌurɛ vidʑˈawa f prˈaɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_61.wav|ɲʲɛ pʃɨxˈɔdʑi mi dɔ ɡwˈɔvɨ ʒˈadɛn mˈɔtɨf.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_324.wav|mɔɡwˈɔbɨ ɕɛ ɲʲˈɛmal vɨdˈavatɕ, ʒˈɛ baɲˈitɕi vʲɛdʑˈɛli, ˈiʒ bˌɛɲdʑɛ vrˈatsaw dɔ bliʑɲʲˈakuv z mˈawɔ̃ ɛskˈɔrtɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_86.wav|bˌɨwɨ fɕrˈut ɲˈix tˈaɡʒɛ kɔbjˈɛtɨ.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_312.wav|alˈain bˌɨwa zdʑivʲˈɔna. dlatʃˈɛɡɔ pˌɔdɔpʲˈɛtʃnɨ lˈadɨ vˌainvˈɔɔt mʲˈawbɨ zˈɔstatɕ jɛj dʑɛdʑˈitsɛm?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_20.wav|ˌɔna nˈavɛt ɲʲɛ lˈubʲi ˈaʃa. zˈafʃɛ mi pɔftˈaʒa, ʒˈɛ jɛst nˈudnɨ i ʒˈɛ stˈatɕ mɲʲɛ na vʲˈɛntsɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_25.wav|na mˈuj vˈidɔk pɔdˈɛrvaw ɕɛ swuʒbʲˈiɕtɕɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_123.wav|zˈɛbradʑ vrˈɛʃtɕɛ tɛ mˈɨɕli, tsˈɔ ɕɛ rɔzbjˈɛɡwɨ f tɕˈɔŋɡu ɔstˈatɲiɣ dɲˈi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_86.wav|tˈɔm s trˈudɛm zaxˈɔvaw spˈɔkuj w ɡwˈɔɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_68.wav|ɲʲɛ ɔbˈavʲaj ɕɛ, lˈɔrdʑɛ kˌapitˈaɲʲɛ. pʃɨbˈɛndɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_120.wav|ˈɔtpar ˌɔtfʲɛrˈajɔnts ʃˈafkɛ, dɔ ktˌurɛj sxˈɔvaw rˌɛŋkavˈitsɛ i xˈɛwm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_98.wav|ɲʲˈɛmartf ɕɛ, bˈɔmblu, tɔ na pˈɛvnɔ ɲˈits takʲˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_50.wav|pˌɔvʲɛdʑˈawɛm, ʒˈɛ mˈɔja ɕˈɔstra ɲʲɛ ʒˈɨjɛ? tɔ jɛst ta pˈilna sprˈava.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_17.wav|mˈuɕiʒ dˈatɕ lˌɔrtsasˈɔvi ɡrˈɔɕik, bˈɔː inˈatʃɛj bˌɛɲdʑɛʃ tˈu tʃˈɛkaw tʃˈɨ dɲˈi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_45.wav|pɔvʲˈɛdʑaw, vˈidʑɔnts, ʒˈɛ dʑvˈɔɲi bˈɛtskɨ. ɔddˈaliw ɕɛ ɔt stˈɔwu, ʒˈɛbɨ z ɲʲˈɔ̃ pˌɔrɔzmˈavʲatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_54.wav|na tˈɛ mˈɨɕl dɔtɕˈɛra dɔ ɲʲˈɛɡɔ, w jˈakʲɛj znˈalas ɕɛ sˌɨtuˈatsji.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_44.wav|pˈɔvʲɛm tɕi f tˈakim rˈaʑɛ ˈɔmɲʲɛ i sˈamim.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_50.wav|xˈɨba lˈɛpʲɛj, ʒˈɛbɨɕ pˈuɕtɕiw im tɔ pwˈazɛm.|2
+Dataset/wavs/urwisko_ferenc/52_segment_26.wav|ɲʲɛ pˌɔvinɲˈiɕmɨ tˈakix sprˈav zawˈatfʲatɕ pʃˈɛs tɛlˈɛfɔn, ɔznˈajmiw.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_352.wav|tɔ pˌɔwɔʒɨwˈɔbɨ krˈɛz ɡadˈaɲʲu, ʒˈɛ rˌɨvalˌizujˈɛmɨ zˈɛ sˈɔbɔ̃ ɔ vzɡlˈɛndɨ krˈula.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_82.wav|zbliʒˈɨwɛm ɕɛ ɔstrˈɔʒɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_182.wav|kʲˈɛdɨ lɛʒˈawa na vznˈaɡ z zˌamkɲʲɛntˈɨmi ɔtʃˈami i s tɨm swˈɔtkim, ɲʲɛvˈinnɨm uɕmʲˈɛxɛm, a jɛj pʲˈɛrɕi pʃˌɨmilˈawɨ ɕɛ dɔ mɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_463.wav|zaprˈɔvadʑ ɡˈɔ prˈɔʃɛ dɔ jˈɛɡɔ sɨpʲˈalɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_196.wav|krˈɛsɛm pɔdrˈuʒɨ jɛst spɔtkˈaɲʲɛ kɔxˈaŋkuf. sˈɨn kaʒdˈɛɡɔ mˈɛntrtsa vʲˈɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_58.wav|vʲˈɛmɨ, ɡdʑˈɛ ɕɛ zatʃˈɨmaw i s kˈim, a vwˌaɕtɕitɕˈɛlka dˈɔmu pˌɔzvɔlˈiwa nˈam vˈɛjʑdʑ bˈɛs nakˈazu i dɔkˈɔnatɕ pʃˌɛʃukˈaɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_27.wav|pˈan xˈɨba ɲʲɛ ɔdmˈuvi, dʑˈiɕ sɔ̃ mˈɔjɛ ˌurɔdʑˈinɨ. prˈavda, ʒˈɛ pˈan ɕɛ zˈɛmnɔ̃ napˈijɛ?|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_262.wav|pˌɔmɨɕlˈawa brjˈɛnnɛ. mʲˈawa tˈakɔ̃ ɕˈilnɔ̃, pʃɨstˈɔjnɔ̃ tfˈaʃ, tˈakɔ̃ ɡwˈatkɔ̃ i mʲˈɛŋkkɔ̃ skˈurɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_75.wav|pɔswˈuxaj, kɔxˈanɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_15.wav|ˈalbɔ zrˈɔbʲiw tɔ tsɛlˈɔvɔ, ˈalbɔ bˈɨw kɔmplˈɛtnɨm idjˈɔtɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_63.wav|tʃˈujɛ ɕɛ, jˈaɡbɨ ktˈɔʑ vˈɨrvaw mi sˈɛrtsɛ, ˌalɛ ɲʲˈɛmam tʃˈasu, ʒˈɛbɨ zjˈɛxatɕ na pɔbˈɔtʃɛ i pˈɔddatɕ ɕɛ bulˈɔvi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_56.wav|ktˌurɨm ɕɛ ɲʲɛ udˈawɔ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_54.wav|jˈuʒ vʲˈɛm, tsˈɔ zamjˈɛʒam zrˈɔbʲitɕ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_187.wav|zaɡrˈɔziw, ʒˈɛ ˈɔdda mɲʲɛ ʒɔwɲʲˈɛʒɔm zɨ...|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_68.wav|vidʑˈawam fʃˈɨstkɔ jˈak pʃˈɛz mɡwˈɛ. vʑˈɛwam ɡwɛmbˈɔki ˈɔddɛx i z mˈɔix ˈuzd vɨdˈɔbɨw ɕɛ ʃlˈɔx.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_184.wav|tɕˈɛtʃ f prˈuʒɲi vʒˈɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_27.wav|bʲˈillɨ mˈɨɕli, ʒˈɛ ɲˈits milʃˈɛɡɔ, bˈa, ɲˈits lɛpʃˈɛɡɔ ɲʲˈɛmuɡw uswˈɨʃɛtɕ.|2
+Dataset/wavs/urwisko_ferenc/42_segment_78.wav|prɔɕˈiwam lɛɡnˈɛra, ʒˈɛbɨ dˈaw nˈam ʑɛlˈɔnɛ ɕfʲˈatwɔ.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_149.wav|jˈakimɕ lˈɔrdɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_41.wav|pˈɛvɲʲɛ ɲʲɛ pˈɔʃlibˌɨ na pɔlˈitsjɛ, ˌalɛ mˈɔɡlibˌɨ xtɕˈɛdʑ zrˈɔbʲitɕ mi kʃˈɨvdɛ.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_225.wav|dʒˈɛjn vʲˈɛdʑaw, ʒˈɛ ɡˈɛnna ɕɛ ɲʲɛ mˈɨli.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_161.wav|ɔtpˈarwam, vzruʃˈajɔnts rˌamjɔnˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_91.wav|bʲˈillɨ tˌɨlkɔ na ɲʲˈɛɡɔ zˈɛrka i ɔt rˈazu ɔdvrˈatsa ˈɔtʃɨ, ɲʲˈɛxtsɔnts ˌaɲi na xfˈilɛ ɔɕlˈɛpnɔɲtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_53.wav|bʲˈillɨ kʃˈɨvi ɕɛ nˈatɛ swˈɔva, bˈɔ sɔ̃ tˈakʲɛ ˌɔptsɛsˈɔvɛ, ˌalɛ i tˈakʲɛ pravdʑˈivɛ. ˈɛliz zˌauvˈaʒa jˈɛɡɔ rɛˈaktsjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_71.wav|ˌalɛ xrɨstˈusa swˌɔvʲaɲskʲˈɛɡɔ pˌɔxɔdʑˈɛɲʲa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_275.wav|ˌɔna tˈaɡʒɛ ˌuɕmʲɛxnˈɛwa ɕɛ. z mrˈɔku jɛj ɔɡrˈɔmnɨɣ ʒˈɛ̃z bwɨsnˈɛwɔ fjɔwkˈɔvɔ.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_35.wav|brjˈan i pˈɔdritsk jɛxˈali stˈɔ jˈarduf pʃɛt xˈuntɛm, ʒˈɛbɨ ɲʲɛ tʃˈutɕ smrˈɔdu zɡɲilˈiznɨ.|1
+Dataset/wavs/urwisko_ferenc/65_segment_114.wav|mˈuɕawbˌɨ ɕɛ pʃˈɨznadʑ dɔ pˌɔstʃɛlˈɛɲʲa fatsˈɛta ɔt pˈada.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_39.wav|dʑˈɛŋki, ˌalɛ dɔpʲˈɛrɔ zatʃˈɛliɕmˌɨ spʃˈɔntatɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_540.wav|pˈɔtɛm w lˌimuzˈɨɲʲɛ, jˈuʃ trˈɔxɛ pʃˌɨtɔmɲʲˈɛjʃɨ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_41.wav|a tsˈɔ zˈɛ sprˌavʲɛdlivˈɔɕtɕɔ̃?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_128.wav|dlatʃˈɛɡɔ mʲawˈɔbɨ tɔ mʲˈɛtɕ tsɔkˈɔlvʲɛk fspulnˈɛɡɔ s tˈɔbɔ̃, ˈindjɔ?|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_330.wav|tˈaɡ zˈafʃɛ ˌɔtpɔvʲˈadaw mu rˈɔbɛrt. za rˈɔk tsɛrsˈɛi pˈɔvʲɛ mu ɲˈiɡdɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_144.wav|i tsˈɔ tˈɛraz bˈɛɲdʑɛ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_49.wav|bˈɔ ɲʲɛ zˌamuvˈiwɛm. ˌɔtpɔvʲˈada i ɔdvrˈatsa ɕɛ, bˈɨ spˈɔjʒɛtɕ nˈamɲʲɛ i kartˈɔnɨ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_302.wav|rˈɔbɛrd w vʲɛŋkʃˈɔɕtɕi sprˈav bˈɨw ɡwˈuptsɛm, ˌalɛ f tɨm jˈɛdnɨm pʃɨpˈatku mʲˈaw rˈatsjɛ. vwadˈaɲʲɛ krulˈɛstfɛm tɔ mɛntʃˈɔntsɛ zajˈɛɲtɕɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_132.wav|bˈɔ tɔ bˌɨwɔ jɛj dʑˈɛtskɔ, prˈavda?|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_315.wav|ktˈɔɕ f xˈutɕɛ sˈanxɛs pʃɛwˈɔntʃɨw tˈɛ maʃˈɨnɛ na rˈɛntʃnɛ stˌɛrɔvˈaɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_20.wav|pˌɔtʃɛbujˈɛmɨ pˌɔtfʲɛrdʑˈɛɲʲa ɔt ˌanatˌɔmɔpˌatɔlˈɔɡa, ˌalɛ jˌɛstɛm pʃˌɛkɔnˈanɨ, ʒˈɛ ˌɔbraʒˈɛɲʲa zɔstˈawɨ zadˈanɛ jˈuʃ pɔ ɕmʲˈɛrtɕi.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_181.wav|dʑˈɛɲ jˈak tsˈɔdʑɛɲ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_129.wav|ɲʲɛ mˈɔɡwam pʃˈɨznatɕ, ʒˈɛ ɲʲˈɛvʲɛm ˈilɛ tˈakʲɛ fpisˈɔvɛ vˌɨnɔɕˈiwɔ. ɡrˈawam dˈɔtɔnt ɔ ɲʲɛdˈuʒɛ pʲɛɲʲˈɔndʑɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_26.wav|ɲʲɛ, ɲʲɛ vʲɛdʑˈawam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_95.wav|vɨdˈajɛ s ɕˈɛbjɛ pˈɔmruk ɔt rˈazu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_10.wav|jɛst tˈɛras w ɕrˈɔtku, zɲˈika mu s pˈɔla vidʑˈɛɲʲa, ˌalɛ fkrˈuttsɛ znˈuf ɕɛ zjˈavi.|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_55.wav|i ustˈavja fʃˈɨstkʲɛ sfˈɔjɛ zakwˈadɨ.|4
+Dataset/wavs/urwisko_ferenc/53_segment_37.wav|ˌɔttʃɛkˈawa xfˈilɛ, ˌɔpsɛrvˈujɔnts ˈɔɡrut spˌustɔʃˈɔnɨ pʃˈɛs sˈuʃɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_124.wav|dˈɔkɔnd ɡˈɔ vˌɨsɨwˈamɨ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_328.wav|ɔbˈudʑiw mɲʲɛ ɡvartwˈumu jakʲˈɛɡɔɕ pɔxˈɔdu ˈalbɔ dˌɛmɔnstrˈatsji.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_63.wav|ˌɔpxɔdʑˈiwɔ jˈɛdnaɡ brjˈɛnnɛ znˈatʃɲʲɛ mɲʲˈɛj ɲˈiʃ tɔ, ktˈɔː ix pɔvʲˈɛɕiw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_19.wav|zmʲɛʃˈaɲʲɛ jˈɔɛ bˌɨwɔ vɨrˈaʑɲʲɛ vidˈɔtʃnɛ, a tˈɔm vʲˈɛdʑaw, ʒˈɛ jˈɛʃtʃɛ nˈavɛt ɲʲɛ pʃˌɛkazˈali jɛj najɡˈɔrʃɛj mˌɔʒlivˈɔɕtɕi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_106.wav|dlatʃˈɛɡɔ vʲˈɛnts ɔtfˈɔʒɨw ˈɔknɔ? s pɛvnˈɔɕtɕɔ̃ vwˈɔntʃɨw klˌimatɨzˈatsjɛ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_279.wav|na tsˈurkɛ, ktˌura ɕpʲɛvˈawabˌɨ dla ɲʲˈɛɡɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_86.wav|ɔ ktˌurɛj ɲʲˈɛvʲɛ sˈɛɲdʑa,|0
+Dataset/wavs/urwisko_ferenc/65_segment_110.wav|ɔd ɡʒɛɡˈɔʒa lipskʲˈɛɡɔ|0
+Dataset/wavs/urwisko_ferenc/24_segment_32.wav|— jˈaɡbɨ mi pˈaɲi kˈavɨ zrɔbʲˈiwa, tɔ bˈɨwbɨm w ɲʲˈɛbɔ vʑˈɛntɨ. a ja f tɨm tʃˈaɕɛ zadʑvˈɔɲʲɛ rˈas jˈɛʃtʃɛ dɔ sˈɨna. tsˈɔ pˈaɲi nˈatɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_49.wav|filˈipa stukˈawa dwˌuɡɔpˈisɛm ɔ tʃˈɨstɨ dʑˈɛnɲik, ktˌurɨ lˈɛʒaw pʃˈɛdɲʲɔ̃ na bjˈurku.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_218.wav|vˈɛvnɔntʃ kɔmˈɔrɨ pˌanɔvˈawa prˈuʒɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_297.wav|ɔtpˈarwam xraplˈivɨm ɡwˈɔsɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_100.wav|tˈɔm mʲˈaw rˈatsjɛ. bˈɛtskɨ vʲɛdʑˈawa, ʒˈɛ ɲʲɛ pɔtrˈafiw pɔvʲˈɔ̃zadʑ dwˌuɡɔtˌɛrminˈɔvɨx plˈanuf mˈartɨ pˈɔrtɛr zˈɛ ɕmʲˈɛrtɕɔ̃ ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_127.wav|ɲʲɛ jˈa, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_282.wav|çipˈɔkraz bˈɨw swˈɔtki i smˌakɔvˈitɨ jˈak jɛj trjˈumf.|1
+Dataset/wavs/urwisko_ferenc/08_segment_88.wav|dlatʃˈɛɡɔ tˈak ɕɛ stˈawɔ?|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_332.wav|prˌɔstatʃkˈɔvʲɛ i nˌɔvitsjˈuʃɛ rˌɔsstɔmpˈili ɕɛ pʃˈɛdɲʲɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_72.wav|ɲʲɛ mˈuɕaw vɨmjˈɛɲʲatɕ imjˈɛɲʲa. sˈɛr kˈavan bˈɨw jɛdˈɨnɨm strˈɨjɛm, jˈakim mu pɔzˈɔstaw.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_60.wav|— wˈamjɛʃ mi sˈɛrtsɛ, ˈandɛrsɔn — pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_251.wav|vɨ jɛstˌɛɕtɕɛ bliʑɲʲˈatʃki?|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_74.wav|pˈɛvʲɛn bˈardʑɔ bɔɡˈatɨ tʃwˈɔvʲɛk ɔː ˌiɲitsjˈawax ˌɛrkˈa spˈɛɲdʑi rˈɛʃtɛ ʒˈɨtɕa w vʲɛ̃ʑˈɛɲʲu, ɡdʑˈɛ jˈɛɡɔ dˈupɛ w ɔbrˈɔtɨ vˈɛʑmʲɛ xˈarvɛj vˈɛinʃtajn.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_115.wav|pɔt rɔzbʲˈitɨm tʃˈɔwɛm sprˌɔʃkɔvˈanɛ mˈɨɕli, sprˌɔʃkɔvˈanɛ pʃɛtʃˈutɕa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_161.wav|jˈɛɡɔ ɡwˈɔs ɔtɕˈɛka tˈɛras jˈadɛm, ˌalɛ ɲʲɛ pˈatʃɨ na mˈamɛ, lˈɛtʃ nˈamɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_48.wav|pˌɔvʲɛdʑˈawa, zazvˈɨtʃaj rɔbʲˈili tɔ fʃˈɨstkɔ fspˈulɲʲɛ, ˌalɛ tˌɛɡɔ vʲɛtʃˈɔru ɲˈits ɲʲɛ vˌɨdavˈawɔ ɕɛ nɔrmˈalnɛ.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_228.wav|tʃɨ ɲˈiɡdɨ ɲʲɛ xɔdʑˈiwɛʑ dɔ mˈɔlɛstawn ʃˈukadʑ zˌakɔpˈanɨx skˈarbuf?|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_174.wav|tɔ jˈasnɛ pɔvʲˈɛdʑaw pɔlˈitsjant. ˈandɛrsɔn, pˈɔvʲɛts tsˈɔɕ!|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_127.wav|ɲʲˈɛmam ɲˈits pʃɛtɕˈifkɔ, ʒˈɛbɨɕ...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_91.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_319.wav|kɔmˈisaʃ kˈɔrsak pˈatʃɨw nˈamɲʲɛ ʑimˈɔvɨm vzrˈɔkʲɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_101.wav|vwˈɔntʃam jˈɔ̃ pɔ vˈɛjɕtɕu dɔ bjˈura kaʒdˈɛɡɔ rˈaŋka.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_10.wav|rɔzˈɛɕmʲaw ɕɛ ɡwˈɔɕnɔ, a ftˈɛdɨ mˈuʒɨn pɔdˈɛrvaw ɡwˈɔvɛ ɲʲˌɛspɔdʑɛvˈaɲʲɛ rˈaʑnɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_81.wav|ˈɔdʑɛʃ jɛzd brˈudna ɔt stˈarɛj krfˈi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_159.wav|ˌɔna muvˈiwa prˈavdɛ?|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_86.wav|dɔʃˈɛdwɛm dɔ vɲʲˈɔsku, ʒˈɛ dˈɔbʒɛ bˈɨ bˈɨwɔ, ɡdɨbˈɨɕmɨ mʲˌɛli vˈɔkuw ɕˈɛbjɛ trˈɔxɛ vʲˈɛntsɛj mʲˈɛtʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_149.wav|jˈɛɕli xtsˈɛʃ tˈu pʃˌɛʑimˈɔvatɕ, mˈuɕiʃ ɕɛ pɔstˈaratɕ, ʒˈɛbɨ tfˈɔja muzˈɨka pʃɨpˈadwa dɔ ɡˈustu lˈadɨ ɡˈɛnɲʲɛ. ˌɔna jɛst tˈu nˌajvaʒɲʲˈɛjʃa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_46.wav|ɡɔtˈɔva bˌɨwam vʑˈɔɲtɕ na ɕˈɛbjɛ fʃˈɨstkɔ, tsˈɔ mɲʲɛ tʃɛkˈawɔ, a ˌuzmɨswɔvʲˈɛɲʲɛ sˈɔbjɛ, ʒˈɛ dɲˈi ˈɛlis sɔ̃ pˌɔlitʃˈɔnɛ, jɛdˈɨɲʲɛ pˌɔpravˈiwɔ mˈɔjɛ sˌamɔpɔtʃˈutɕɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_35.wav|mˈili ɲitʃˈɛɡɔ ɲʲɛ rˌɔzumjˈawa.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_168.wav|tɔː ˌɔna kazˈawa mi zˈabʲitɕ starˈɛɡɔ vʲɛlkʲˈɛɡɔ sɛptˈɔna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_110.wav|prˈaɡnɔw mɲʲɛ mʲˈɛdʑ dla ɕˈɛbjɛ i bˌɨwam ˌapsɔlˈutɲʲɛ pˈɛvna, ʒˈɛ ɲˈiɡdɨ ɲʲɛ pɔzvˈɔli mi ˈɔdɛjɕtɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_434.wav|tʃɨ pˈan vʲˈɛʒɨ w bˈɔɡa?|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_45.wav|tˈɨlkɔ, ʒˈɛ tɨ ɲʲɛ vˈɛʑmʲɛʃ tˈɛɡɔ, tsˈɔ ja muɕˈawɛm vʑˈɔɲtɕ, mˈikɛ. bˈɔː ˈilɛ vrˈɛʃtɕɛ tʃwˈɔvʲɛk mˈɔʒɛ vʑˈɔɲtɕ, mˈikɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_178.wav|ˈalbɔ f tɔː ˌuvʲɛʒˈɨwa, ˈalbɔ ɲʲɛ. tˈak tʃɨ ˈɔvak, tɔ bˈɛs ruʒɲˈitsɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_31.wav|ɡdˈɨbɨɕ tˌɨlkɔ pˌɔtrafˈiwa tɔː ˌɔtpɔvʲˈɛdɲʲɔ vˌɨkɔʒˈɨstatɕ.|4
+Dataset/wavs/urwisko_ferenc/39_segment_64.wav|— ɔkˈɔwɔ dvudʑˈɛstɛj pʲˈɛrʃɛj. ɲʲɛ bˌɛɲdʑɛ za pˈuʑnɔ? — ɲʲɛ, skˈɔndʒɛ. dɔ zˌɔbatʃˈɛɲʲa. — zˈaras, zˈaras — rˌɔzɛɕmʲˈawa ɕɛ mˈarja. — tˈak?|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_143.wav|ˈidʑɛ dɔ mˈawɛj kˈuxɲi nˈapitɕ ɕɛ vˈɔdɨ. trˈɔxɛ rɔzlˈɛva, bˈɔ drʒˈɔ̃ mu rˈɛntsɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_172.wav|muvˈiwɛm puwɡwˈɔsɛm dɔ druɡʲˈɛɡɔ pɔkˈɔju.|0
+Dataset/wavs/urwisko_ferenc/49_segment_49.wav|kɔmˈisaʃ xˈɛrman uznˈawa, ʒˈɛ tɔ vˌɨstartʃajˈɔntsɨ arɡˈumɛnt, bˈɨ pʃˈɛstatɕ naɡʲˈinatɕ fˈaktɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_103.wav|pˌɔdɛkstsɨtˈɔvaw ɕɛ tʃˈɛma pʲɛrʃˈɨmi kartˈami, a tʃfˈartɔ̃ jˈuʃ ɲʲɛ, vʲˈɛnts ɲʲɛ mˈɔʒɛ mʲˈɛtɕ kʲˈɛruf, tsˈɔ jɛzd dˈɔbrɔ̃ vʲˌadɔmˈɔɕtɕɔ̃, pɔɲʲˈɛvaʃ jˈɛɡɔ kˈɔlɔr vˈɨɡrawbˌɨ z mˈɔjɔ̃ trˈujkɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_265.wav|w zvɨtʃˈajnɛj rɔzmˈɔvʲɛ bˌɛɲdʑɛʃ kwˈamatɕ jˈak na jˈɛnta.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_148.wav|vˈɨdaw ˌɔɕfʲattʃˈɛɲʲɛ, f ktˌurɨm zapʃˈɛtʃɨw, ʒˈɛ ɡˈɔ ʒutɕˈiwa, ˌalɛ prˈasa ɲʲɛ ˌɔtpuʃtʃˈawa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_49.wav|skˈɔnt tɨ tɔ fʃˈɨstkɔ vʲˈɛʒ dɔ jˈasnɛj xɔlˈɛrɨ, dʒˈɛk?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_45.wav|xtɕˈawa ɕɛ dɔvʲˈɛdʑɛtɕ ɲʲˈɛtsɔ vʲˈɛntsɛj na tˈɛmat umˈɔvɨ nˌɛɡɔtsjɔvˈanɛj pʃˈɛs mˈɛ̃ʒa.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_252.wav|kʲˌɛlixfˈina pʃɛt snˈɛm tʃˈɛ̃stɔ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_80.wav|pʃɛʒˈɨtɨm f skˈuʒɛ davˈida lɔtskrˈidʒa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_8.wav|zˌatʃaskˈujɛ dʒvˈi vɛjɕtɕˈɔvɛ. ɡwˈɔmb vʒˈɛʃtʃɨ, ʒˈɛ ˈɔɕlɛp.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_369.wav|mˈɔʒɛ nˈavɛd dla naʃˈɛɡɔ sˈɨna.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_72.wav|tʃˈɛkam xfˈilɛ, pɔ tʃɨm rˈuʃam dˈalɛj pʃɛt ɕˈɛbjɛ, tɨm rˈazɛm ɲʲˈɛtsɔ ʃˈɨptɕɛj.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_362.wav|tˈɛras jˈɛdnak lˈantsɛl stˈaw pʃˈɛdɲʲɔ̃ rˈazɛm z innˈɨmi pˌɔbɔʒnˈɨmi ɡwuptsˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_23.wav|pʃɨ dʒvʲˈax fˈilip pʃɨstˈajɛ i kwˈadʑɛ dwˈɔɲ na jˈɛɡɔ pʃˌɛdramjˈɛɲʲu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_122.wav|ˈu ɲˈiɣ zˈɛ fʃˈɨstkim sɔ̃ prɔblˈɛmɨ, a mɨ s tˈɔbɔ̃, krɛsˈɔftsɨ, pʃˌɛtɕɛʃ mˈamɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_111.wav|ˌalɛ tsˈɔ ɕɛ vwaɕtɕˈivʲɛ stˈawɔ? ˈɔx, rɔzbʲˈiwɛm samˈɔlɔt i lˈudʑɛ skˌatɔvˈali mɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_133.wav|tɔ bˈardʑɔ vʲˈɛlɛ. jˌɛstɛʑ dɔkwˈadnɨ jˈak mˈawɔ ktˈɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_93.wav|prˈavʲɛ vɨplˈuwa tɔː ɔstˈatɲʲɛ swˈɔvɔ.|3
+Dataset/wavs/urwisko_ferenc/01_segment_86.wav|nˈɔ vʲˈɛnts...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_11.wav|xˈɨba pɔvˈinnam sprˈavdʑitɕ, tsˈɔ s tˈɛssɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_60.wav|tʃɨ raɲˈiwam lˈudʑi, dɛptˈawam ix ˈɛɡɔ, vˌɨvɔwɨvˈawam ˌaɲimˈɔzjɛ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_180.wav|jˈɛɡɛr ɲʲɛ blɛfˈɔvaw. tsamˈɛrɔn pˌɔtʃɛbˈujɛ ɡɔtˈufki, jˈɛɕli ɲʲˈɛxtsɛ zˈɔstadʑ znˌalɛʑˈɔnɨ pʃˈɛs tˈɛɡɔ, ktˈɔ ʒˈɨtʃɨ mu ɕmʲˈɛrtɕi.|3
+Dataset/wavs/urwisko_ferenc/12_segment_145.wav|— mˈukw pˈan zadʑvˈɔɲitɕ. xˈɛrman pˌɔstukˈawa dwˌuɡɔpˈisɛm w nˈɔtɛs.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_179.wav|tfˈɔja ɕmʲˈɛrtɕ jˈɛst...|1
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_5.wav|tɛn stˈatɛk tɔː ˈistnɨ tsˈut.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_127.wav|xtsˈɛʃ ɕɛ tʃˈɛɡɔɕ nˈapitɕ?|0
+Dataset/wavs/urwisko_ferenc/43_segment_108.wav|bɔrˈɛvitʃ pɔtfʲˈɛrdʑiw. na tfˈaʒɨ mɛ̃ʃtʃ��ɨznɨ vˈidadʑ bˌɨwɔ napʲˈɛɲtɕɛ. jˈɛɡɔ prˈava pɔvʲˈɛka rɨtmˈitʃɲʲɛ drʒˈawa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_501.wav|bˌɨwɔ minˈɛwɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_75.wav|bʲˈillɨ bˈɨ pɔvʲˈɛdʑaw, ʒˈɛ bˌɨwa f kʲɛʃˈɛɲi fɔtˈɛla f sˌamɔlˈɔtɕɛ i vʑˈɔw jˈɔ̃ sˈɔbjɛ, bˈɔ spˌɔdɔbˈawa mu ɕɛ dʑɛftʃˈɨna na ɔkwˈattsɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_93.wav|pɔlˈɛtɕiw tˈɔm. a pˈɔtɛm vˈɨjtɕ stˈɔnt rˈazɛm s tɨm sˌukinsˈɨnɛm i zamkɲˈijtɕɛ za sˈɔbɔ̃ tˈamtɛ dʒvˈi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_220.wav|zmʲɛɲʲˈali ɕɛ tɕˈi, ktˌuʒɨ ɡˈɔ ɡɔɲˈili i zmʲɛɲʲˈali ɕɛ tɕˈi, za kturˈɨmi bjˈɛɡw ˈɔn.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_47.wav|ɲʲɛ vʲˈɛʒɛ w ˌaɲi jˈɛdnɔ swˈɔvɔ. mˈuj swˈɔtki sˈɨn kˈɔxa lˈadɨ marɡˈarɨ s tsawˈɛɡɔ sˈɛrtsa.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_128.wav|ʃˈɛbd zdrˈajtsɨ bˈɨw vˈinnɨ jˈɛɡɔ ɕmʲˈɛrtɕi f tˈakim sˈamɨm stˈɔpɲʲu jˈak xˌalabˈarda kˌapitˈana.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_41.wav|tˈɔm nˈaɡlɛ tsˈɔɕ sˈɔbjɛ ˌuzmɨswˈɔviw.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_219.wav|fʃˈɛɲdʑɛ lɛʒˈawɔ pˈɛwnɔ kɕˈɔŋk i zvˈɔjuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_115.wav|ɲʲɛ vidʑˈawam tɕˈɛ dʑˈiɕ na lˈantʃu.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_183.wav|ˌuvʲɛlbjˈawa xˈawas i ɲʲɛzvˈɨkwɛ zapˈaxɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_356.wav|i tsˈɔ bˈɨm zrɔbʲˈiwa pɔ dɔtˈartɕu na mʲˈɛjstsɛ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_245.wav|pʃɨlˈaʃtʃkɛ z lˈitfɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_153.wav|pˈɔtʃɛd blˈiʒɛj dɔ ɕˈatki i ˈɔpar ɕɛ ˈɔɲʲɔ̃, ˌuxfɨtɕˈifʃɨ krˈatɛ lˈɛvɔ̃ rˈɛŋkɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_14.wav|vʲˈɛmɨ tsˈɔɕ na tˈɛmat jɛj pʃɛʃwˈɔɕtɕi?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_66.wav|tɛlˈɛfɔn kˌɔmurkˈɔvɨ bˈɨw tˈam dɔvˈɔdɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_4.wav|— rɔzˈumjɛm, ʒˈɛ tɔ mˈuɕi bˈɨdʑ dla pˈaɲi bˈardʑɔ trˈudnɛ, pˈannɔ pˈalmɛr. tʃɨ mɔʒˈɛmɨ ɡdʑˈɛɕ pˌɔrɔzmˈavʲatɕ, zˈamjast stˈatɕ f kˌɔrɨtˈaʒu?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_4.wav|ɲʲɛ pamjˈɛntam, ʒˈɛbɨm kʲˌɛdɨkˈɔlvʲɛɡ vʑˈɛwa vˈɔlnɛ s pɔvˈɔdu xɔrˈɔbɨ, tʃɨ tɔ pravdʑˈivɛj, tʃɨ jˈak f tɨm vɨpˈatku ˌudavˈanɛj.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_190.wav|tˈaɡ dˈavnɔ tˈɛmu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_28.wav|ɲʲɛ vʲˈɛʒɛ, tɨ dˈajɛʃ mi ɔxrˈɔnɛ. ɲʲɛ vɨdˈajɛ mi ɕɛ, ʒˈɛbɨ znalˈazwɔ ɕɛ vʲˈɛlu tˈakix, ktˌuʒɨ bˈɨlibˌɨ f stˈaɲʲɛ zrˈɔbʲitɕ mi kʃˈɨvdɛ. ɲʲɛ sˈɔɲdʑiʃ tɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_200.wav|ɲˈikt ɲʲɛxˈɨbɲʲɛ rɔzvˈaʒɨw tˈakɔ̃ mɔʒlˈivɔɕtɕ, pɔmˈimɔː iɣ dwˈuɡʲɛj fspuwprˈatsɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_64.wav|ˈɔfʃɛm, pravdʑˈiva zˈɛmɲʲɛ ɲʲˌɛʒɔndɲˈitsa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_58.wav|jˈɛɕli tˌaki pˈan pˌɔtpuwkˈɔvɲik mˈa zˈamjar.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_43.wav|bʒmˈi trˈɔxɛ jˈak pˌɔstɛmpɔvˈaɲʲɛ kˈɔɡɔɕ, ktˈɔ pʃˈɛʃɛt ʃkɔlˈɛɲʲɛ vɔjskˈɔvɛ.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_258.wav|tˈak pɔvʲˈɛdʑaw paɕˈastɨ ˌuzdrɔvˈitɕɛl, na kturˌɛɡɔ zmˌarnɔvˈawɛɕ tsˈawɛ nˈaʃɛ srˈɛbrɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_85.wav|mɔʒlˈivɛ, ˌalɛ ɲʲˈɛmam pɛvnˈɔɕtɕi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_72.wav|zabrˈawɛm tfˈɔjɔ̃ brˈɔɲ? dˈɔɕlɛ rˈɛʃtɛ pʲɛɲʲˈɛndʑɨ, kʲˈɛdɨ bˌɛndɛ mˈuɡw.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_86.wav|bˈɔ nˈavɛt pʃɨ ˌusuvˈaɲʲu zˈɛmba ˌusɨpʲˈajɔ̃ tɕˈɛ za pʲˈɛɲdʑ dɔlˈaruf ˈɛkstra, a pˈɔtɛm kʲˈɛdɨ lˈɛʒɨʃ jˈuʃ w aɡˈɔɲʲi...|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_313.wav|pɛwnˈɛɡɔ swˈɔɲtsa mˈɔʒa.|0
+Dataset/wavs/urwisko_ferenc/48_segment_26.wav|i tˈaɡ bˈɨ pˈɛvɲʲɛ zɔstˈawɔ.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_333.wav|tsɛrsˈɛi ˌudɛʒˈɨwa ɡˈɔ lˈutɲʲɔ̃ f tfˈaʃ tˈak mˈɔtsnɔ, ʒˈɛ mˌalɔvˈanɛ drˈɛvnɔ rɔsprˈɨswɔ ɕɛ na dʒˈazɡʲi.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_275.wav|pʲˈɛz zaʃtʃˈɛkaw. vidʑˈitɕɛ? nˈavɛt pʲˈɛs ɕɛ znˈudʑiw.|1
+Dataset/wavs/urwisko_ferenc/52_segment_104.wav|xˈɔdʑi mi ɔ fˈirmɛ ɔd basˈɛnuf.|0
+Dataset/wavs/urwisko_ferenc/25_segment_3.wav|ja tɕˈɛbjɛ tˈɛʃ, tˈak.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_101.wav|tɔ tsˈawkʲɛm mɔʒlˈivɛ. ɲʲɛdwˈuɡɔ jɛdʑˈɛmɨ dɔː ɛksˈɔtɛx. pˌɔrɔzmˈavʲam jˈɛʃtʃɛ rˈas s pˌɛrsɔnˈɛlɛm. zˌɔbatʃˈɨmɨ, jˈakʲɛ plˈɔtki mˌajɔ̃ dɔ pʃˌɛkazˈaɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_59.wav|f kˌakˌazˈɛt ɲʲɛ mˌamɨ zvʲˈɔ̃skuv zˌavɔdˈɔvɨx ˌaɲi ɡʲˈildji. tɔ spɛtsjˈalna strˈɛfa ˌadmiɲˌistratsˈɨjna i ɲʲɛ ˌɔbɔvʲɔ̃zˈujɛ tˈutaj nɔrmˈalnɛ prˈavɔ, ktˌurɛ spʃˈɨja tˈakim ˌɔrɡaɲizˈatsjɔm.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_204.wav|ɔ jˌakɔŋkˈɔlvʲɛɡ zdrˈadɛ mɲʲɛ ɔskˈarʒaʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_187.wav|zɲiknˈɛwa f tʃɛlˈuɕtɕax tɛj pratsˈɔvɲi jˈak ʃtˈɔlɲʲa kɔpˈalɲi.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_69.wav|ɛdmˈurɛ mʲˈaw na sˈɔbjɛ brˈudnɔ̃, jɛdvˈabnɔ̃ blˈuzɛ f tʃɛrvˈɔnɔɲʲɛbjˈɛskʲɛ pˈasɨ tˈallix, a na ʃˈɨi kɔnˈɔpnɨ ʃnˈur.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_148.wav|ˈɔtpar jˈamɛ. ˈɔjtɕɛts na ɡˈuʒɛ mˈa vʲˈɛntsɛj tʃˈasu ˈɔdɛ mɲʲɛ. vʲˈɛʃ, kˈim jˈɛstɛm?|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_293.wav|zavˈɔwaw jˈɛdɛn z jˈɛɡɔ lˈudʑi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_76.wav|dɔstˈajɛ ɡˈɛɲɕɛj skˈurki na tsˈawɨm tɕˈɛlɛ ˌɔna ɲʲɛ mˈuvi ˈɔmɲʲɛ ˌɔna mˈuvi ɔ sˈɔbjɛ|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_162.wav|ɡwˈuvnɨm pɔvˈɔdɛm bˌɨwɔ tɔ, ʒˈɛ xtɕˈaw fprɔvˈadʑitɕ alˈɛna dɔ sˈɔndu ɡwuvnˈɨmi sxɔdˈami, ɲʲɛ bˈɔtʃnɨm vˈɛjɕtɕɛm dla pˌɛrsɔnˈɛlu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_73.wav|dvˈaj mɛ̃ʃtʃˈɨʑɲi na pɔdwˈɔdʑɛ krˈɛntsɔ̃ ɡwɔvˈami.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_119.wav|vʲˈɔ̃ʒɛ ɕɛ tɔ s pˈɛvnɨm pɔmˈɨswɛm, ktˌurɨ xtɕˈawɛm s tˈɔbɔ̃ skˌɔnsultˈɔvatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_112.wav|ɲʲɛ, dʑˈɛŋki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_34.wav|pˌɔvʲɛdʑˈawɛm, jˈasnɛ. ɔn nˈatɔ ˈɔɲʲɛ, kɔlˈɛɡɔ, maʃ ˌɔtpɔvʲˈadatɕ, tˈak jˈɛst, pˈaɲʲɛ ɕɛrʒˈaɲtɕɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_9.wav|jˈɛɕli pʃˈɨjɔɲtɕ tˈɛ vˈɛrsjɛ, tɔ ktˈɔ jɛst nˈaʃɔ̃ ɔfjˈarɔ̃?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_45.wav|ta dʑɛftʃˈɨna z mɔjˈɛɡɔ mʲɛʃkˈaɲʲa, jˈak tɔ ʒˈɨjɛ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_104.wav|puwnˈaɡʲɛ, ɲʲˌɛruxˈɔmɛ dʒˈɛva i na sˈamɨm kˈɔɲtsu tɕˈɛ̃ʃki mˈasɨf pawˈatsu kultˈurɨ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_186.wav|jˈaɡ bˌɛɲdʑɛ tʃˈɛba.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_61.wav|napˈɛwɲiw sˈɔbjɛ kʲɛlˈiʃɛk i jˈuʃ mʲˈaw pˈujʑdʑ dɔː ɔɡrˈɔdu, kʲˈɛdɨ ˌɔdɛzvˈawa ɕɛ jˈɛɡɔ kɔmˈurka.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_265.wav|ɲʲɛ musˈimɨ rˈuvɲʲɛʒ zˌakɔpˈɨvatɕ rˈur jˈaɡ ʑɛmʲˈaɲʲɛ, ktˌuʒɨ xrˈɔɲʲɔ̃ jˈɛ f tɛn spˈɔsup pʃɛd zvʲˌɛʒɛntˈami, tʃˌɨnɲikˈami ˌatmɔsfˌɛrɨtʃnˈɨmi i ɡwupˈimi lˈudʑmi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_45.wav|ɲˈits ʃtʃˌɛɡulnˈɛɡɔ, ˌalɛ f kˈuwku filmˈɔvɨm puʃtʃˈajɔ̃ sˈɛrjɛ kultˈɔvɨx pˈɔnɔtɕ fˈilmuf, a dʑˈiɕ lˈɛtɕi rɔsˈɛntsrants i ɡˌuildˈɛnstɛrn ɲʲɛ ʒˈɨjɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_126.wav|pʃɨnˈajmɲʲɛj stˈarɨ jˈak na sfˈɔjɛ lˈata, dɔ tˌɛɡɔ mˈɔtsnɔ sxˌɔrɔvˈanɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_71.wav|pʃɛrvˈawam mu, unˈɔʃɔndʑ dwˈɔɲ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_9.wav|ˈɛlis pɔmˈaɡa mu i ruʃˈajɔ̃.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_272.wav|— tʃɨ tɛn pʲˈɛŋknɨ xwˈɔpʲɛts, s ktˌurɨm latˈawɛɕ, jɛst tfˈɔim ˈutʃɲʲɛm? — zapˈɨtaw mɛ̃ʃtʃˈɨzna ˌandɛrsˈɔna, ˌɔtɕɛrˈajɔnts ˈusta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_133.wav|bʲˈillɨ zaxˈɔvaw prˈavɔ jˈazdɨ i kˈartɛ mˈastɛr tsˈard davˈida lɔtskrˈidʒa, mˈimɔ ʒˈɛ pɔʒˈɨtku z ɲˈix jˈuʃ ɲʲɛ bˈɛɲdʑɛ.|2
+Dataset/wavs/urwisko_ferenc/01_segment_131.wav|na zˌaxɔvˈaɲʲu pˈana tsˈurki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_7.wav|lɛtɕˈiva kɔɕˈarka ftɕˈɔ̃ʃ jɛst na skʃˈɨɲi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_3.wav|w drˈɔdʑɛ pɔvrˈɔtnɛj vidˈɔtʃnɔʑdʑ bˌɨwa zwˈa i pʃɛɕˈɛdli ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_46.wav|ˌalɛ tɔ tɨ maʃ strˌɛsujˈɔntsɔ̃ prˈatsɛ. rɔzˈumjɛm vʲˈɛnts, ʒˈɛ tˌɛɡɔ pˌɔtʃɛbˈujɛʃ. tˌɨlkɔ ɲʲɛ zˈaɕɲij tɨm rˈazɛm, dˈɔbʒɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_10.wav|tʃwɔvʲˈɛkʲɛm z vadˈami, vˈinnɨm xtɕivˈɔɕtɕi i zazdrˈɔɕtɕi.|3
+Dataset/wavs/urwisko_ferenc/43_segment_71.wav|pˈɔvʲɛv ɡˌɔrɔntsˈɛɡɔ pɔvʲˈɛtʃa pɔdˈɛrvaw drɔbʲˈinɨ pˈɨwu zˌalɛɡˌajɔntsˈɛɡɔ na drˈɔdʑɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_51.wav|stˈɔi f prˈɔɡu i pˈatʃɨ nˈamɲʲɛ pʃˈɛs xfˈilɛ, pɔ tʃɨm zamˈɨka za sˈɔbɔ̃ dʒvˈi i pɔtxˈɔdʑi dɔ wˈuʃka.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_24.wav|ˈamɨ pɔdˈɛʃwa dɔ tɕˈawa ɡˌɛnɛvʲˈɛvɛ spˌɔtʃɨvˌajɔntsˈɛɡɔ na stˈɔlɛ sɛktsˈɨjnɨm.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_336.wav|ˈɔx, tsˈuʒ za xˈaɲba! ɔɕmʲˈɛliw ɕɛ ˈuvʲɛɕtɕ krulˈɔvɔ̃?|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_69.wav|pʃˈɛs xfˈilɛ tʃɨmˈawa swuxˈafkɛ pʃɨ ˈuxu, a pˈɔtɛm ɕɛ rˌɔzwɔntʃˈɨwa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_81.wav|luˈisa ˌuɕmʲɛxnˈɛwa ɕɛ dɔ ɲʲˈɛɡɔː ˌuspɔkˌajajˈɔntsɔː i zdjˈɛwa patˈɛlɲʲɛ s palɲˈika.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_68.wav|ˌɛmtsˈɛ ˈintɔʃ skrˈɛntsa na pˈɔdjast pʲˌɛntrɔvˈɛɡɔ dˈɔmu z wɨsˈavɨm travɲˈikʲɛm, pˌɔmalˌɔvanˈɛɡɔ na pʃˌɨɡaʃˈɔnɨ ʒˈuwtɨ kˈɔlɔr.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_68.wav|ˌalɛ tɔ ɲʲɛ mʲˈawɔ sˈɛnsu. jˈɔ bˌɨwa tˈaka bˈɨstra i zarˈadna. f kˈɔɲtsu dʑˈɛŋki ɲʲˈɛj mʲˌɛli ɕɛ tʃˈɛɡɔː uxfˈɨtɕitɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_242.wav|xˈɔtɕ ɲʲɛ bˌɨliɕmˌɨ tɕɛkˈavi ɡɔdʑˈinɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_57.wav|tfˈɔjɛ vˌɨnaɡrɔdʑˈɛɲʲɛ ˌɔbɛjmˈujɛ vˌɨkɔnˈaɲʲɛ zlɛtsˈɛɲʲa, ˌalɛ i pˌɔɕfʲɛntsˈɔnɨ nˈatɔ tʃˈas, rɔzˈumjɛʃ tɔ, prˈavda?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_8.wav|ˌɔdwɔʒˈɨwa tɛlˈɛfɔn na stˈɔlik f xˈɔlu i pɔvˈɔli vˈɛʃwa na pʲˈɛntrɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_56.wav|i ktˈɔ tˌɛɡɔ dˈaw ʃwˈɔ?|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_234.wav|ɲˈikt tɕˈɛ rˈatʃɛj ɲʲɛ vˈɛʑmʲɛ za bˌaɛlˈɔra bwˌɔɡɔswˌavʲɔnˈɛɡɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_21.wav|ˌalɛ ˌɔɲi ɲʲɛ rˌɔzumjˈɛjɔ̃, ʒˈɛ kʲˈɛdɨ skˈɔɲtʃɛ ˌuɲivˈɛrɛk...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_467.wav|ˌalɛ ɡvˈawt! xrˈɨpnɔw jˈak stˈara fˌisxarmˈɔɲʲa zdɨʃˈanɨ prɛzˈɨdɛnt.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_156.wav|ɲʲɛ ˌɔtpɔvʲˈɛdʑaw, a tʃˈɛkaw pʃˈɛs xfˈilɛ, pɔ tʃɨm ʒˈɛkw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_131.wav|tʃˈujɛ ɕɛ, jˈaɡbɨm stratɕˈiwa ɡˈɔ pɔ rˈaz drˈuɡʲi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_133.wav|tˈak, pʃɨnˈajmɲʲɛj na rˈaʑɛ. bɛɲdʑˌɛmɨ f kɔntˈaktɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_31.wav|a jˈɛɕli ɲʲɛ pˌɔpɛwɲˈiwɨ ʒˈadnɨx ɲʲˌɛɡɔdʑivˈɔɕtɕi?|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_308.wav|ɡdˈɨ pˌɔtpwɨvˈali dɔ bʒˈɛɡu,|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_403.wav|a tʃɨ mˈɔʒna tˈam vʑˈɔɲdʑ zˈɛ sˈɔbɔ̃ psˈa?|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_44.wav|zɔbˈatʃmɨ, tsˈɔ mˌamɨ na jˈɛɡɔ tˈɛmat.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_108.wav|spɔtkˈawɛɕ tɔ stˈadɔ?|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_391.wav|kˈɔxam jˈɛ fʃˈɨstkʲɛ, a ˌɔnɛ kɔxˈajɔ̃ mɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_151.wav|tʃˈɨli ɲʲɛ uvˈaʒa pˈaɲi, ʒˈɛ pˌɔvinɲˈiɕmɨ traktˈɔvadʑ ɡˈɔ jˈak pˌɔdɛjʒanˈɛɡɔ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_61.wav|bˈɛtskɨ parkˈujɛ samˈɔxut na pɔdjˈɛʑdʑɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_176.wav|mˌamɨ tˈu swˈapʃɔ̃ ɡrˌavitˈatsjɛ, pʃˌɨpɔmɲʲˈawam mu.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_70.wav|tɔ mʲˈastɔ ɲʲɛ mʲawˈɔbɨ rˈatsji bˈɨtu bˈɛs pʲɛɲʲˈɛndʑɨ sˌɨndɨkˈatu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_80.wav|pʃˌɛpraʃˈamɨ, ʒˈɛ ˌɔdɛrvˈaliɕmˌɨ tɕˈɛ ɔt fʃɨstkʲˈɛɡɔ f tˈakim tˈɛmpʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_119.wav|pɔ drˈɔdʑɛ ʒˈutsa ˈɔkʲɛm na ɲʲˌɛprɔʃɔnˈɛɡɔ ɡˈɔɕtɕa.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_213.wav|ɡdˈɨ vˌɨjɛxˈali za mˈur, vʲˈatr pʃˈɨbraw ɡvawtˈɔvɲʲɛ na ɕˈilɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_266.wav|rˈɨan pʃɨstˈanɔw pʃɨ skʃˈɨntsɛ pɔtʃtˈɔvɛj, vˈɨjɔw z ɲʲˈɛj lˈistɨ, a pˈɔtɛm zˌɔbatʃˈɨfʃɨ ɡumˈɔvɔ̃ rˈurɛ lɛʒˈɔntsɔ̃ na ʑˈɛmi, zˈamknɔw krˈan.|0
+Dataset/wavs/urwisko_ferenc/12_segment_26.wav|mˈɔɡliɕmˌɨ tsˈɔɕ pɔmˈɨlitɕ?|0
+Dataset/wavs/urwisko_ferenc/36_segment_122.wav|zˌɔbatʃˈɨmɨ jˈaɡ vrˈutsɛ, ˈɔkɛj?|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_10.wav|fskazˈujɛ na kɔlˈɛɡɛ s kˌantsɛlˈarji, stˌɔjɔntsˈɛɡɔ pʃɨ vˈɔʑɛ z ʒˈartɕɛm mˌɛksɨkˈaɲskim.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_61.wav|ɔpˈuʃtʃɛ tɔ mʲˈɛjstsɛ pʃˈɛs pˈarkiŋk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_72.wav|ʒɨtʃˈɨmɨ pʃɨjˈɛmnɛj pɔdrˈuʒɨ, pˈaɲi kˈalu.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_119.wav|f ʃtʃɛɲɕlˈivɨm pˈɔrtɕɛ ɲʲɛkʲˈɛdɨ ˌɔdbɨvˈawɨ ɕɛ tʃˈɨ ˈalbɔ tʃtˈɛrɨ vɛsˈɛla na nˈɔts.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_28.wav|kʲˈɛdɨ ʃˈɛf ɲʲɛ vˈidʑaw.|0
+Dataset/wavs/urwisko_ferenc/10_segment_51.wav|ˌalɛ ɲʲˈɛmuɡw.|0
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_21.wav|vʲˈɛm, ʒˈɛ pratsˈujɛʒ w zupˈɛwɲʲɛ ˈinnɨm dʑˈalɛ, ˌalɛ i tˈak mˈɔʒɛʒ dˈuʒɔ vʲˈɛntsɛj ɲˈiʃ ktˈɔʑ z zˈɛvnɔntʃ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_5.wav|— ɲˈits ɕɛ spɛtsjˈalɲʲɛ ɲʲɛ vɨrˈuʒɲʲa, ˌalɛ xtɕˈawbɨm ˈɔtɨm s tˈɔbɔ̃ pˌɔrɔzmˈavʲatɕ w ˈinnɨm mʲˈɛjstsu. xˈɨba bɛɲdʑˌɛmɨ pˌɔtʃɛbɔvˈali pɔmˈɔtsɨ nˌadʲinspɛktˈɔra dˌɔuɡlˈasa.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_260.wav|ˌalɛ w ʒˌɛtʃɨvistˈɔɕtɕi jɛst tˌɨlkɔ bɛzrˈadnɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_212.wav|vʲˈadr bjˈɛɡaw pɔ balkˈɔɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_279.wav|tɔ zˈɛjɕtɕɛ w dˈuw...|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_10.wav|fskazˈawam na ɔkʲˈɛŋkɔ vɛ vwˈaʑɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_29.wav|pˈɛvɲʲɛ mˈa rˈatsjɛ, mˈɨɕli bʲˈillɨ, a pˈɔza tˈɨm...|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_502.wav|tɔ zdˌɛzɔrjˌɛntɔvˈawɔ jˈɔ̃ jˈɛʃtʃɛ bˈardʑɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_93.wav|pɔ tʃɨm pˈɨta bɛvˈɛrlɨ ɔ jɛj mˈatkɛ, ktˌura mʲˈɛʃka w mizˈuri i ɔstˈatɲʲɔ ɲʲɛ dɔmˈaɡa.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_128.wav|ˈɔstʃɛɡw ɡˈɔ sˈɛptɔn mɛrˈibalt. ˌɔnɔ ɲʲɛ lˈubʲi ˈɔptsɨx.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_198.wav|mˈuj ˈɔjtɕɛts tɕi tɔ zlˈɛtɕiw?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_14.wav|lˈɛtʃ tɔ ɲʲɛ bˌɨwɨ paɡˈɔnɨ, ˌalɛ plˈamɨ krfavˈɛɡɔ ɕfʲˈatwa. i zˈaɲim bˌɨwɔ tɔ tʃɛrvˈɔnɛ ɕfʲˈatwɔː i mʲˌɛndʑɨ bjawˈɨmi pɲʲˈami dʒˈɛf ˌɔvɔtsˈɔvɨx,|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_129.wav|tˈak, zɡwˈɔʃɛ ɕɛ pʃˈɛs rˈadjɔ zˈaras pɔ vˈɨjɕtɕu.|4
+Dataset/wavs/urwisko_ferenc/50_segment_62.wav|ˌɔkimˈɔva|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_13.wav|ˈaram ɔdvrˈatsa ɕɛ f strˈɔnɛ mˈamɨ, a ɔstˈatɲʲa zˈɛ swˈabɨx ɲˈitɕi, ktˌurɛ mɲʲɛ z ɲˈim vʲˈɔ̃ʒɔ̃, zɔstˈajɛ zɛrvˈana.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_645.wav|bɛɲdʑˌɛmɨ jˈutrɔ kˌɔntɨnu��ɔvatɕ.|0
+Dataset/wavs/urwisko_ferenc/65_segment_99.wav|xˈɛrman ɔpˈarwa ɡwˈɔvɛ na lɛʒˈaku i sɔntʃˈɨwa fçˈiskɨ.|0
+Dataset/wavs/urwisko_ferenc/47_segment_86.wav|xˈɛrman znˈuf ɕɛ rˌɔzwɔntʃˈɨwa.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_136.wav|f tɕˈasnɛj kabʲˈiɲʲɛ na rˈufjɛ tʃɛkˈawa nˈaɲ smˈaɡwa kɔbjˈɛta, ɡɔtˈɔva i vilɡˈɔtna.|1
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_13.wav|s tˌɛɡɔ vɨɲˈika mˈuj kɔlˈɛjnɨ prˈɔblɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_58.wav|vɨxˈɨla ɕɛ dɔ pʃˈɔdu.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_35.wav|tˌɨlkɔ na tˈakʲɛ zˌaprɔʃˈɛɲʲɛ mˈɔɡwam lˈitʃɨtɕ.|4
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+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_37.wav|tˈɨɕɔnts lˈudʑi mˈuɕi ˈujʒɛtɕ jˈɛɡɔ ɕmʲˈɛrtɕ, bˈɔː inˈatʃɛj znˈɔvu ɔʒˈɨjɛ.|1
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+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_84.wav|pˈaɲʲɛ, tʃɨ mˈuɡwbɨɕ mi pɔvʲˈɛdʑɛtɕ, ˈilu lˈudʑi mˈa ˈɔɡar?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_488.wav|vɛ dvˈɔjɛ bˌɛɲdʑɛ rˈaʑɲʲɛj, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_271.wav|tˈaɡ ɡwɛmbˈɔkʲɛ, jˈaɡbɨ tɔ ɲʲɛ bˌɨwɨ nˈɔɡʲi lɛkkʲˈɛɡɔ bɔksˈɛra vˈaɡʲi pʲurkˈɔvɛj.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_47.wav|uɲʲˈɛɕliɕmˌɨ krˈatɛ w vˈɔdnɛj brˈamjɛ.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_116.wav|tˈak, pɔprˈɔʃɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_2.wav|kʲˈɛdɨ vrˌutɕiwˈɨɕmɨ s kavʲˈarɲi, pˌɔvʲɛdʑˈawam zˈɔɛ, ʒˈɛ xtsˈɛ ɕɛ pɔwˈɔʒɨtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_87.wav|ˌɔtprɔvˈadʑiw mɲʲɛ vzrˈɔkʲɛm, kʲˈɛdɨ pʃˌɛmɨkˈawam f strˈɔnɛ vˈannɨ.|4
+Dataset/wavs/urwisko_ferenc/53_segment_97.wav|pɔ pʲˈɛrʃɛ zˌapraʃˈawa mɲʲɛ tˈam, a pɔ drˈuɡʲɛ jˈɛdɛn s tˈakix kˈupkuf pʃɨkrˈɨva ˈu ɲˈix pˌɔkrɔjˈɔnɛ plastˈɛrki tsɨtrˈɨnɨ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_81.wav|krˈasnal ɔʃˈukaw rˈuvɲʲɛʃ jˈɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_32.wav|mˌamɨ kˈilka skrˈɔmnɨx xˈat pʃˌɛznatʃˈɔnɨɣ dla kˈɔbjɛt, ktˌurɛ nˈas ˌɔdvʲɛdʑˈajɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_74.wav|ˈɔdɡwɔz ɡwɛmbˈɔkix ɔddˈɛxuf, jˈaɡbɨ ktˈɔʑ bjˈɛɡw, ˌalɛ na ulˈitsɨ pˈɔza nˈami ɲʲɛ bˌɨwɔ ʒˈɨvɛj dˈuʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_157.wav|zmˈar z rˈan ˌɔdɲʲɛɕˈɔnɨx f sɔlˈaŋkax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_119.wav|skˈɔrɔ pˈiʃɛ tˌɨlkɔ dla ɕˈɛbjɛ, mˈɔʒɛ w ˌɔpɔvʲˈɛɕtɕi zˈavʒɛtɕ tɔ, tsˈɔ vˈaʒnɛ dla ɲʲˈɛɡɔ, a rˈɛʃtɛ pɔmˈinɔɲtɕ.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_58.wav|ˈalɛʃ pˈɔtɔ, bˈɨ zasˈadʑitɕ kɔlˈɛjnɔ̃ rˈuʒɛ w rˈadʑɛ tɔmmˈɛna.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_242.wav|tʃɨ tɨ ɔtxˈɔdʑiʃ, tʃɨ utɕˈɛkaʃ, dla mɲʲɛ ɲʲˈɛma ruʒɲˈitsɨ, jˈɛɕli vʲˈɛm, ʒˈɛ utɕˈɛkaʃ, tʃɨ ɔtxˈɔdʑiʃ s kˈimɕ ˈinnɨm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_9.wav|tˈɔm ˈɔpar ɕɛ ɔ swˈup, ktˌurɨ zˈɔstaw jˈuʃ spravdʑˈɔnɨ pɔt kˈɔntɛm ɕlˈaduf, pɔ tʃɨm zawˈɔʒɨw rˈɛntsɛ na pʲˈɛrɕi.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_377.wav|ktˈɔ nˈas tˈɛras ɔbrˈɔɲi?|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_153.wav|ɡdˈɨ ʃlˈi rˈazɛm, pɔvʲˈɛdʑaw kˈɛt, ʒˈɛ ɔbjˈɛtsaw dʑˈiʑ vʲɛtʃˈɔrɛm zaɕpʲˈɛvatɕ w ɔbˈɛrʒɨ pɔd ʑɛlˈɔnɨm vɛŋɡˈɔʒɛm.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_159.wav|ɔtfˈɔʒɨw dʒvˈi puwnˈɔtsnɛj vʲˈɛʒɨ i rˈuʃɨw na ɡˈurɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_197.wav|zabjˈɛram ʃklˈaŋkɛ i pʃɛtɕˈinam sˈalɛ, swˈɨʃɔndʑ zarˈuvnɔ radˈɔsnɛ, jˈak i smˈutnɛ ɔkʃˈɨki ɡrajˈɔntsɨx. ɲʲɛ pɔtrˈafjɛ zrɔzˈumjɛtɕ pˌɔpularnˈɔɕtɕi rulˈɛtki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_121.wav|zˌɔstaɲʲˈɛmɨ w mɔtˈɛlu na nˈɔts?|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_146.wav|ɕˈɛdʑaw pˈɔtɛm na stˈɔɕɛ skʃˈɨnɛk i pˈiw ɡʲˈin.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_93.wav|vidʑˈawam tfˈɔjɛ zdjˈɛɲtɕɛ w vʲˌadɔmˈɔɕtɕax.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_26.wav|ˌɛliskˈiva ɡwˈɔvɔ̃ na znˈak, ʒˈɛ uznˈajɛ tˈɛmad za zamkɲʲˈɛntɨ.|2
+Dataset/wavs/urwisko_ferenc/21_segment_30.wav|fʃˈɨstkɔː ˈɔkɛj?|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_21.wav|mˈarta pˌɔvʲɛdʑˈawa xfˈilɛ ftʃˈɛɕɲʲɛj, ʒˈɛ ɲˈiɡdɨ ɲʲɛ bˌɨwa w dˈɔmu naˈila.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_86.wav|fspɔmɲʲˈawɛm jˈuʃ, ʒˈɛ mʲˈaw dʑɔbˈatɔ̃ tfˈaʃ, jˈak tɛn tˈutaj.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_295.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_79.wav|ˌalɛ tˈɛras tɔ jˈuʃ tˈak tʃɨ ˈɔvak ɲʲˈɛma znatʃˈɛɲʲa.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_14.wav|tɔ mixˈaɛl mˈɛndɛs. nˈɔ tˈak, vˈidʑɛ, pɔrˈuʃɛ ɕɛ.|4
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+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_127.wav|xˌaˌɛmˈɛm, ˈɔtpar mɛ̃ʃtʃˈɨzna, pˌɔtɕɛrˈajɔnts ˈusta.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_14.wav|zɔstˈawa ʃˈɔnɔ̃ pˈɔtɔ, ʒˈɛbɨ zblˈiʒɨtɕ ɕɛ dɔ mɲʲɛ i lˈɛpʲɛj mɲʲɛ pˈɔznatɕ. bˌɨwam f kˈɔɲtsu pʃɛʃkˈɔdɔ̃ na jɛj drˈɔdʑɛ dɔ ʃtʃˈɛɲɕtɕa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_79.wav|stˈarʃɨ ʃˌɛrɛɡˈɔvɨ pˈɛtɛr tsˈaʃman, pˈaɲʲɛ pˌɔtpuwkɔvɲˈiku i...|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_203.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_40.wav|zatʃˈɛwam ɡrˈatɕ f pɔkˈɛra, bˈɔ muɕˈawam ˌuratˈɔvatɕ ɕˈɛbjɛ, mawʒˈɛɲstfɔ, dˈɔm, mˈuj i mˈɔjɛj mˈatki. ˌalɛ tˈɛras ɲʲˈɛxtsɛ tˌɛɡɔ pʃɛrˈɨvatɕ.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_231.wav|jˈamɛ ˌɔsɔbʲˈiɕtɕɛ vɨznˈatʃɨw vˌartɔvɲˈikuf.|1
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_67.wav|ˌuvɔlɲˈijmɨ f tɛn spˈɔsup sfˈɔjɛ dˈuʃɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_294.wav|fʃˈɨstsɨ zˌaxɔvˈajɔ̃ sfˈɔjɛ pɔsˈadɨ.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_246.wav|tfˈaʒ vɨmˈana bˌɨwa bjˈawa jˈak ɕfʲˈɛʒɔ spˈadwɨ ɕɲʲˈɛk.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_141.wav|sfɔbˈɔda pɔtrˈafiw zmˈuɕidʑ dɔ prˈatsɨ kˈaʒdɨ ɡuvɲʲˈanɨ spʃˈɛnt.|4
+Dataset/wavs/urwisko_ferenc/63_segment_130.wav|xˈɛrman ˌɔpsɛrvɔvˈawa bˈatʃɲʲɛ rɛˈaktsjɛ pilˈɛfskʲɛj, ktˌura ˌɔtfɔʒˈɨwa ʃɛrˈɔkɔː ˈɔtʃɨ i rɔzvˈarwa ˈusta.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_90.wav|ziɡnˈɔruj tɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_124.wav|ˌɔna stˈawa jˈɛʃtʃɛ w bˈuttsɛ, pˌɔxɨlˈiwa ɡwˈɔvɛ, jˈaɡbɨ zbjɛrˈajɔnts mˈɨɕli ˈalbɔ ʃukˈajɔnts tʃˈɛɡɔɕ f pamjˈɛɲtɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_95.wav|xˈɨba vʲˈɛŋkʃɔʑdʑ ʒˈartuf mˈa f sˈɔbjɛ trˈɔxɛ prˈavdɨ i dlatˈɛɡɔ sɔ̃ ɕmʲˈɛʃnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_40.wav|jˈaɡbɨm mˈukw tsˈɔfnɔɲtɕ tʃˈas, tɔ ɲʲɛ zˈabrawbˌɨm jɛj na tɛn fˈilm, ˌalɛ xwɔpˈaka mˌamɨ zastʃˈɛliwbˌɨm znˈɔvu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_59.wav|jˈɛɕli zˌamjɛʒˈajɔ̃ pʃɛswˈuxatɕ kaʒdˈɛɡɔ, ktˈɔ kɔʒˈɨstaw s parkˈiŋɡu, tɔ trˈɔxɛ im zˈɛjdʑɛ, mˈuvi jˈɛnnɨ zˈɛ ɕmʲˈɛxɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_577.wav|ja starˈawɛm ɕɛ bˈɨdʑ vzˈɔrtsɛm dla tɨx fʃˈɨstkix ɲʲˌɛrɔzɡarɲʲˈɛntɨx.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_185.wav|pɔswˈuxaj, lˈɛnɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_83.wav|zˈatɔ ɲʲɛ znalˈazwam jˈɛɡɔ ɡʲˈizmɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_73.wav|pʲɛtnˈaɕtɕɛ pɔ dʑɛvʲˈɔntɛj pʃˌɛjɛʒdʒˈajɔ̃ pʃˈɛz bɔˈuldɛr. ftɕˈɔ̃ʃ jɛst pwˈaskɔː i nˈaɡlɛ bˈum, sɔ̃ w ɡˈurax.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_67.wav|f pivɲˈitsɨ lˈɛʒɨ zviɲʲˈɛntɨ, zˌakuʒˈɔnɨ ʃlˈawx.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_59.wav|pˌɔstavˈiliɕtɕˌɛ ɕɛ pˈɔnat fʃɨstkˈimi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_40.wav|pʃɨnˈajmɲʲɛj tˈaɡ vˌɨɲikˈawɔ s tˈɛɡɔ, tsˈɔ mˈuviw, ˌalɛ vʲˈɛʃ, jˈatsɨ sɔ̃ pravɲˈitsɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_29.wav|f kˈɔɲtsu bˌɛndɛ mʲˈawa ɕɔstʃˈɨtʃkɛ ˈalbɔ bratɕˈiʃka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_99.wav|f kˈɔɲtsu ɔdˈɛzvaw ɕɛ ɡwˈɔsɛm drʒˈɔntsɨm ɔt ɛmˈɔtsji.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_51.wav|bˈɛtskɨ ˌɔpsɛrvɔvˈawa tfˈaʃ tˈɔma i jˈɛɡɔ rɛˈaktsjɛ na swˈɔva ɔsˈɔbɨ na drˈuɡʲim kˈɔɲtsu lˈiɲʲi. vˌɨprɔstˈɔvaw ɕɛ na kʃˈɛɕlɛ i pʃɨtɕˈisnɔw tɛlˈɛfɔn dɔː ˈuxa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_15.wav|kˈɔxam tɕˈɛ, ˈanɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_12.wav|i zɡadɲˈijtɕɛ, tsˈɔ zˌɔbatʃˈɨli.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_122.wav|dvˈa miljˈɔnɨ. pˈuw bˈaɲki z ɡˈurɨ, rˈɛʃta pɔ vˌɨkɔnˈaɲʲu zadˈaɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_73.wav|pˈɔtʃuw tˈɛʃ jˈɛdnaɡ ɡˈɔʑdʑik.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_13.wav|ˈaʃ stˈɔi f prˈɔɡu, ubrˈanɨ w bɔksˈɛrki i kɔʃˈulkɛ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_157.wav|mˈuʃɛ ɕɛ pʃˈɛspatɕ, ˌalɛ bˈɔjɛ ɕɛ snˈuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_116.wav|tʃˈɛkam na dˈalʃɨ tɕˈɔŋk tˈɛkstu, ˌalɛ dˈavɛ ɕɛ ɲʲɛ ɔdʑˈɨva. tʃˈɛkam jˈɛʃtʃɛ trˈɔxɛ, nˈadal ɲˈits.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_35.wav|tˈɔm zˌastanˈavʲaw ɕɛ pʃˈɛs kˈilka xfˈil, pɔt tʃɨm dˈɔtknɔw ɛkrˈanu tˌɛlɛfˈɔnu i pɔnˈɔvɲʲɛ vwˈɔntʃɨw ɡwˈɔɕɲik.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_195.wav|swɨʃˈɛli pʲˈɛɕɲi i ˌɔpɔvʲˈɛɕtɕi, vʲˈɛnts mˌajɔ̃ ɔxˈɔtʃɛ sˈɛrtsa, mˈaʒɔ̃ ɔ tsˈudax, ktˌurɛ zɔbˈatʃɔ̃, bɔɡˈatstfʲɛ, ktˌurɛ zdɔbˈɛndɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_71.wav|dˈɔn ˈɛdmunts ɕɛ ˌuɕmʲɛxnˈɛwa. tɔ dˈɔbʒɛ, mˈam ɲʲˈɛɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_48.wav|vˈɨbatʃ, ɲitsˈɔlɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_116.wav|tɔ ɲʲˈɛbɨw ˈaram.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_103.wav|jˈɛdɛn ˈaɡɛnt f kˈɔɲtsu stfʲˈɛrdʑa, a kˈij tˈam, zˈɛrknɛ nˈatɔ, pɔdˈɛɕlij dvˈa pʲˈɛrʃɛ rɔzdʑˈawɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_4.wav|dʑɛlˈiwɔ mɲʲɛ ɔt ɲˈix ɲʲɛ mɲʲˈɛj ɲˈiʒ dvˈa kˌilɔmˈɛtrɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_39.wav|ʒˈɛ sɔ̃ tˈɛʃ ˈinnɛ vˌɨjaɕɲʲˈɛɲʲa dla fˈaktu, ʒˈɛ w jɛj sɨpʲˈalɲi pʃɛbˈɨva jˈakiɕ mɛ̃ʃtʃˈɨzna.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_21.wav|ɔtpˈarwɛm ɲʲɛxˈɛntɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_66.wav|mˈuɕiʒ ɡˈɔ znˈalɛɕtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_380.wav|prˈavdɛ mˈuvʲɔnts, tʃˈujɛ ɕɛ trˈɔxɛ jˈak ˈɔʃust. fʃˈɨstsɨ mɲʲɛ traktˈujɔ̃ jˈak rɨvˈala, a ja jˌɛstɛm bɛzbrˈɔnnɨ. i tɔ ɲʲɛ jɛst sprˈava vʲˈɛku.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_146.wav|bˈutskɨ ɕɛ zˌastanˈavja.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_481.wav|uɕˈadwa na bʒˈɛɡu taptʃˈana, zatʃˈɛwa lɛɲˈivʲɛ tʃˈɛsatɕ ʃtʃˈɔtkɔ̃ rˌɔspuʃtʃˈɔnɛ vwˈɔsɨ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_378.wav|lˈɔtxar brˈɨnn?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_164.wav|ˌalɛ vwˈaɕɲʲɛ f tɛj xfˈili straʒˈatsɨ zdɛjmˈujɔ̃ z dˈaxu dˈɔmu tˌɔvarɔvˈɛɡɔ tsˈɛntrum.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_108.wav|tɔ ɲʲɛ jɛst prˈɔblɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_303.wav|ˈɔ, tˈɛʃ nˈatɔ tɕˈɛrpjɛ.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_146.wav|a tsˈɔ jˈɛɕli pˈaɲi vrutɕˈiwa dɔ dˈɔmu?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_345.wav|xtsˈɛ pˈan, ʒˈɛbɨm jˈɛʃtʃɛ zɔstˈawa?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_178.wav|ˈalbɔ stˌarɔmˈɔdnɨm pˌɛɲuˈaʒɛ,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_21.wav|dɔmˈiɲik i dʑˈɛtɕi ˌuvaʒˈajɔ̃ jˈɔ̃ za fspˈulnɔ̃ vwˈasnɔɕtɕ i prˈɛndʑɛj tʃɨ pˈuʑɲʲɛj ktˈurɛʑ z ɲˈiɣ bˈɨ jˈɔ̃ znalˈazwɔ.|3
+Dataset/wavs/urwisko_ferenc/27_segment_55.wav|tsˈɔfnɔw rˈɛŋkɛ z baŋknˈɔtɛm i pɔvʲˈɛdʑaw tsˈɔɕ, tsˈɔ vˈuftʃas jˈɔ̃ rˌɔsfɕtɕɛtʃˈɨwɔ, ˌalɛ ɔbˈɛtsɲʲɛ...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_89.wav|drˈuɡa pɔwˈɔva pˌɔtʃɛbˈujɛ ɡˈɔ ʒɨvˈɛɡɔ, bˈɨ pɔlˈitsja ɲʲɛ zˌapukˈawa dɔ mˈɔiɣ dʒvˈi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_91.wav|tamtˈɛɡɔ dɲʲˈa wadˈuŋki pˌirɔtɛxɲˈitʃnɛ ɲʲɛ bˌɨwɨ jɛdˈɨnɔ̃ zmˈɨwkɔ̃. ɲʲɛdwˈuɡɔ pʃˈɛttɨm, kʲˈɛdɨ ɔddˈawɛm stʃˈaw, f sɔ̃ɕˈɛdɲʲɛj mʲˌɛjstsɔvˈɔɕtɕi vˈɨbux pˈɔʒar mˌaɡazˈɨnu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_157.wav|dʑˈiɕaj bʲˈillɨ ɲˈidʑ vʲˈɛntsɛj ɲʲɛ zdʑˈawa, vʲˈɛnts ˈidʑɛ spˈatɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_7.wav|tʃˈujɛ ɕɛ tˈutaj bɛspʲˈɛtʃɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_65.wav|tɔ ɲʲɛ mɲʲɛ zˈafʃɛ xtɕˈawɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_34.wav|vʲɛdʑˈawam jˈuʃ, ʒˈɛ ɲʲɛ mˈɔɡɛ zrˌɛzɨɡnˈɔvadʑ zˈɛ spɔtkˈaɲʲa z ɲˈim, nˈavɛd ɡdˈɨbɨm bˈardʑɔ xtɕˈawa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_93.wav|ftɕˈɔ̃ʃ tʃˈuwam ɕɛ ɲʲɛpˈɛvɲʲɛ. i tsˈɔ s tˈɛɡɔ? vˌɨstartʃˈɨwɔ tˈɛɡɔ, ʒˈɛbɨ kˈupiw samˈɔxut, ˌalɛ dlatʃˈɛɡɔ muɕˈɛliɕmˌɨ zɔstˈavitɕ mʲɛʃkˈaɲʲɛ, pʃɨjˈatɕuw, ʃkˈɔwɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_137.wav|ɔdvrˈutɕiw ɕɛ s pɔvrˈɔtɛm dɔ klˌavʲatˈurɨ i na mˌɔɲitˈɔʒɛ pɔjˈaviw ɕɛ sxˈɛmad bˈaɲki kˌɔmbʲinˈatu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_26.wav|fstˈaɲ i ˈubjɛʃ ɕɛ, prˈɔʃɛ, kɔxˈaɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_34.wav|zˌarɛjˌɛstrɔvˈanɨm vwˌaɕtɕitɕˈɛlɛm pɔjˈazdu jɛst rˈɔbɛrd dʒˈɛksɔn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_138.wav|vˌɨsadʑˈiliɕtɕˌɛ? tˈak tɔ nˌazɨvˈatɕɛ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_10.wav|tʃɨ ja dˈɔbʒɛ swɨʃˈawɛm, ʒˈɛ ɡdʑˈɛɕ tˈam jɛst jˈakʲɛɕ ˌalɛ bˈɛki?|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_243.wav|i ˌuɕiwˈujɛ stˈatɕ f pɔzˈɨtsji, w jˈakʲɛj stˈaw ˈɔn. ɲʲˌɛruxˈɔmɨ jˈuʃ tˈɛras i napʲˈɛntɨ jˈak fˌɔtɔɡrˈafja tʃwɔvʲˈɛka.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_66.wav|ɔpˈɔvʲɛts mi ˈɔtɨm, rˌɔskazˈawa. xtsˈɛ ɕɛ dɔvʲˈɛdʑɛtɕ fʃɨstkʲˈɛɡɔ, ɔt pɔtʃˈɔntku dɔ kˈɔɲtsa.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_98.wav|kˈarxma bˌɨwa f tɨm mʲˈɛjstsu ɔd vʲˈɛlu stulˈɛtɕi.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_291.wav|ɡˈarstka vrˈubli ˌɔtpɔvʲɛdʑˈawa rˌadɔsnˈɨmi ˌɔkʃɨkˈami, ˌalɛ bˌɨwɔː ix ɲʲɛvʲˈɛlu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_229.wav|xˈɔtɕ ˈɛlis mˈa zˌatʃɛrvʲɛɲʲˈɔnɛ ˈɔtʃɨ, mˈuvi ʒɛtʃˈɔvɨm tˈɔnɛm.|2
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_17.wav|ˈabɨ ˌɔpɔvʲˈɛdʑɛtɕ tsˈawɔ̃ plˌanɔvˈanɔ̃ çistˈɔrjɛ,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_117.wav|tʃɨ mˈɔɡwabˌɨ pˈaɲi pˈɔdatɕ mi pʃɨkwˈadɨ tˈakix sˌɨtuˈatsji, kʲˈɛdɨ bˌɨwa trˈudna, jˈak tɔ pˈaɲi ujˈɛwa?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_37.wav|ˌuswɨʃˈawɛm dʑvˈɔnɛk tˌɛlɛfˈɔnu.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_237.wav|lˈadɨ ɕˈɛbɛl vˌɨɡlɔndˈawa, jˈaɡbɨ pɔwknˈɛwa tsɨtrˈɨnɛ. xtsˈɛʃ, ʒˈɛbɨ dʑˈɛdʑidʑ z vˌɛstɛrlˈiŋɡuf pɔɕlˈubʲiw dʑɛftʃˈɨnɛ ɲʲˌɛpravˈɛɡɔ pˌɔxɔdʑˈɛɲʲa?|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_142.wav|mˈiwɔɕtɕ ɲikˈɔmu ɲʲɛ pʃɨnˈɔɕi fstˈɨdu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_99.wav|trˈɔxɛ ˈɔɲʲɛj pˌɔtʃɨtˈawɛm. ɲʲˌɛsamɔvˈitɛ, ˈilɛ tɕˌɛkavˈɔstɛk mˈɔʒna znˈal��ɕtɕ w ˌintɛrnˈɛtɕɛ, jˈɛɕli pɔtrˈafiʒ zˈajʒɛtɕ w jˈɛɡɔ mrˈɔtʃnɛ zˌakamˈarki.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_93.wav|nɡˈuɡʲi zmruʒˈɨwa ˈɔtʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_348.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_218.wav|na kˈɔɲʲɛts ɕɛŋɡnˈɛwa rˈɛŋkɔ̃ dɔ ʃˈɨi, jˈaɡbɨ xtɕˈawa sˈama ɕɛ udˈuɕitɕ, ˌalɛ zˈamjast tˌɛɡɔ pʃˌɛmuvˈiwa.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_50.wav|ɔstˈatɲʲɔ dʒˈɛjn tʃˈɛ̃stɔ zasˈɨpʲaw pʃɨ ˌakɔmpˌaɲʲamˈɛɲtɕɛ dʑvʲˈɛŋkuf prˌɔdukɔvˈanɨx pʃˈɛzɲih f kˈɔɲtɕɛ namjˈɔtu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_30.wav|ɡdʑˈɛ nˈavɛd bˈɛs pʃˌɛɕfitujˈɔntsɨx rˈɔlɛt ɲʲɛ bɨwˈɔbɨ dɔbrˈɛɡɔ vidˈɔku na ulˈitsɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_17.wav|pˈɔʃwɔ nˈaɲʲɔ̃ tˈɨlɛ mˌatɛrjˈawu, ʒˈɛ vˌɨstartʃɨwˈɔbɨ na ubrˈaɲʲa dla tsawˈɛɡɔ ɕˌɛrɔtɕˈiɲtsa, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_162.wav|ɡʲˈin ˈupiw wˈɨk kˈavɨ i vɨkʃˈɨviw tfˈaʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_105.wav|fprˈavdʑɛ pɔdlˈɛɡa mistʃˈɔvi ɡʲˈildʲi, ˌalɛ tɔː ɔn i tˌɨlkɔː ɔn dˌɛtsɨdˈujɛ, tʃɨ ktˈɔɕ nadˈajɛ ɕɛ na nɔvˈɛɡɔ tʃwˈɔŋka.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_205.wav|tɕˈɛŋki ˈɔdɡwɔs fsˌɨsanˈɛɡɔ rˌɔspatʃlˈivʲɛ f pwˈutsa pɔvʲˈɛtʃa, ktˌurɨ tˌɔvaʒˈɨʃɨw ˌɔstatɲʲˈɛmu ˌɔddɛxˈɔvi w ʒˈɨtɕu jˈɔfa.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_42.wav|xfˈɨtɕiw kˈartkɛ, jˈaɡbɨ tɔ bˌɨwa prˈupka mˈɔtʃu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_137.wav|zwˈɔʒɛ klɛrkʲˈɔvi vizˈɨtɛ i tˈɛras jˈuʒ bˌɨwɔ prˈavʲɛ pˈɛvnɛ, ʒˈɛ ˈɛliz bˌɛɲdʑɛ mi tˌɔvaʒˈɨʃɨtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_113.wav|jˈakiɕ tʃˈas na zˌastanɔvʲˈɛɲʲɛ ɕɛ, na pʃˌɛkɔnˈaɲʲɛ, ʒˈɛ naprˈavdɛ tˌɛɡɔ xtsˈɛmɨ. ɔddˈamɨ im pʲɛɲʲˈɔndʑɛ, a jˈa...|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_228.wav|ˈabɨ znˈuf pɔvrˈutɕidʑ dɔ tˈɔnu skˈarɡʲi, kɔbjˈɛta ɲʲɛ ˌɔtpɔvʲadˈawa.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_374.wav|tʃwˈɔvʲɛk, ktˌurɨ zˈadaw w mˈuj smˈɔtʃɨ rˈuk.|1
+Dataset/wavs/urwisko_ferenc/49_segment_86.wav|ɔstˈatɲi ˌɔznatʃˈɔnɔ dˈatɔ̃ tʃɛrftsˈɔvɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_252.wav|lɛʒˈawa bɛzbrˈɔnna, ˌɔddalˈɔna pʃˈɛs sˈɛn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_67.wav|rˈuʃɨw ˌɛnɛrɡʲˈitʃɲʲɛ s pɔvrˈɔtɛm. zatʃˈɨmaw ɕɛ nˈaɡlɛ, jˈaɡbɨ sˈɔbjɛ tsˈɔɕ pʃɨpˈɔmɲʲaw, ˈalɛ...|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_116.wav|tʃˈɛba tɔ ɡdʑˈɛɕ pɔvʲˈɛɕitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_118.wav|bˈutskɨ ɲʲɛ mˈuɕi bˈɨtɕ tˌɛlɛpˈatɔ̃, bˈɨ vɨtʃˈɨtatɕ s tfˈaʒɨ bʲillʲˈɛɡɔ, tsˈɔ mˈɨɕli.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_19.wav|ˈɔnas ɕɛ ɲʲˈɛmartf. dˈamɨ sˈɔbjɛ rˈadɛ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_212.wav|a tɔ sɔ̃ utʃtɕˈivi vɛndrˈɔftsɨ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_38.wav|sˈansa stˈark pˌɔstɔmpˈiwa tˈak sˈamɔ, pɔdˈɔbɲʲɛ jˈak mɛlˈara xˌɛdɛrspˈɔɔn i ɡrˈuba dʒˈɛjn fˈarman, ɡdˈɨ fʃˈɨstkʲɛ tʃˈɨ bˌɨwɨ jˈɛʃtʃɛ mwɔdˈɨmi dʑˌɛftʃɛntˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_11.wav|i pˌɔvʲɛdʑˈawa, ʒˈɛ xwˈɔpʲɛts mˈa na ˈimjɛ jˈamjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_12.wav|ɕˈada, bˈɨ pɔmˈɨɕlɛtɕ, tsˈɔ dˈalɛj, i ftˈɛdɨ zˌauvˈaʒa pˌapʲɛrˈɔvɨ rˈɛntʃɲik fsuɲʲˈɛntɨ pɔt tsˌukʲɛrɲˈitʃkɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_145.wav|za ɲˈits w ɕfʲˈɛtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_426.wav|paˈisɛl pɔkwˈɔɲiw ɕɛ ʃtˈɨvnɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_430.wav|pxnˈɛwam dʒvˈi i zajʒˈawam dɔ ɕrˈɔtka.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_81.wav|ʒˈutsam mu pˈɛwnɛ trˈɔski spɔjʒˈɛɲʲɛ, kʲˈɛdɨ ɔpˈuʃtʃa pˌɔmjɛʃtʃˈɛɲʲɛ i tɕˈixɔ zamˈɨka za sˈɔbɔ̃ dʒvˈi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_176.wav|mʲˈaw na ˈimjɛ stsˈɔtt.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_147.wav|vɨdˈavaw ɕɛ mɲʲˈɛjʃɨ ɲˈiʒ zvˈɨklɛ, a ja ɕɛ zˌastanavʲˈawam, tʃɨ tɔ dlatˈɛɡɔ, ʒˈɛ sˈama urˈɔswam?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_25.wav|ɲʲˈɛvʲɛm, tsˈɔː ˌɔtpɔvʲˈɛdʑɛtɕ. trˈatsɛ ɔstˈatɲʲɛ rɛzˈɛrvɨ vˌɨtʃɨmawˈɔɕtɕi i mˈam ɔxˈɔtɛ ɕɛ rɔzbˈɛtʃɛtɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_10.wav|tɔ fʃˈɨstkɔ jɛst tˈaɡ bɔlˈɛsnɛ, jˈak tˌɛɡɔː ˌɔtʃɛkivˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_38.wav|zamknˈɛwaʑ dʒvˈi na klˈutʃ? bʲˈillɨ fskazˈujɛ rˈuxɛm brˈɔdɨ w ɡˈurɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_54.wav|kˈilka tɛˈɔrji, ˌalɛ ɲʲɛ ɔpˈartɨx na ɲˈitʃɨm kɔŋkrˈɛtnɨm.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_334.wav|tɨrˈɛlluf mʲˈaw pʃˈɛjɔɲdʑ vwˈadʑɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_8.wav|ɲˈiɡdɨ ɲʲɛ skʃɨvdʑˈiwabˌɨm alfjˈɛɡɔ, ˌalɛ ˌɔɲi tˌɛɡɔ ɲʲɛ vʲˈɛdʑɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_15.wav|mˈiri pɔmˈɨɕli, ʒˈɛ ˈaʃa vɛzvˈanɔ dɔ ʃpitˈala, vʲˈɛndʑ dʑˈɛŋki bˈɔɡu ɲʲɛ pɔvˈinna ɕɛ spɛtsjˈalɲʲɛ mˈartfitɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_22.wav|pˈatʃɛ na mˈɔjɛ kfʲˈatɨ zˈɛ ɕfʲˌadɔmˈɔɕtɕɔ̃, ʒˈɛ ɲʲɛdwˈuɡɔː ˈumrɔ̃, ʒˈɛbɨ za kˈilka mʲɛɕˈɛntsɨ znˈuf pɔvrˈutɕidʑ dɔ ʒˈɨtɕa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_354.wav|ɔn tˈam jɛzd ɡdʑˈɛʑ w ɡˈuʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_262.wav|zabˈujtsɨ rˌɔsprɔʃˈɨli ɕɛ, ɡdˈɨ tˌɨlkɔː ˌɔpuɕtɕˈili stˈarɛ kamjˈɛɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_191.wav|w dˈɔmax na tɛj ulˈitsɨ ɕpjˈɔ̃ dˈɔbʒɨ lˈudʑɛ. ɲʲɛ zabʲˈijɛ ix.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_41.wav|tˈak tʃɨ inˈatʃɛj mˈa tɔ f sˈɔbjɛ pɔtˈɛntsjaw dˌɔxɔdˈɔvɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_85.wav|ˌuswɨʃˈawa jˈakiɕ ˈɔdɡwɔs. ktˈɔɕ natxˈɔdʑiw. fstʃɨmˈawa vʲˈɛnts ˈɔddɛx. za dʒvʲˈami rɔzlˈɛɡwɨ ɕɛ tɕˈɛ̃ʃkʲɛ krˈɔki.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_17.wav|kʲˈɛdɨ tˌɨlkɔ ɕadˈamɨ, mɛ̃ʃtʃˈɨzna pʃˌɛkazˈujɛ mi ʃˌɔkujˈɔntsɔ̃ ˌinfɔrmˈatsjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_169.wav|mʲˌawɛm vraʒˈɛɲʲɛ, ʒˈɛ fʃˈɨstkʲɛ ɡvʲˈazdɨ dʑˈiɕ nˈam spʃɨjˈajɔ̃ i ʒˈɛ f kˈɔɲtsu bˌɛɲdʑɛʃ mˈɔɡwa bˈɨdʑ zˈɛmɲʲɛ dˈumna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_182.wav|rˈadʑɛ ɕɛ ɲʲɛ rˈuʃatɕ, pˈaɲʲɛ dɔnˈɔvɛn. a jˈɛɕli jˈuʃ, tɔ jˈak nˈajmɲʲɛj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_434.wav|znˈajdɛ dʒvˈi i vˈɨjdɛ bˈɛs pˌɔʒɛɡnˈaɲʲa, tˈak jɛst lˈɛpʲɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_84.wav|dʑˈɛŋki za pˌɔtfʲɛrdʑˈɛɲʲɛ. a tˈɛras, ɔː ˈilɛ ɲʲɛ jɛst tɔ zbˈɨd bɔlˈɛsnɛ, xtɕˈɛlibˌɨɕmɨ jˈɛʃtʃɛ pˌɔrɔzmˈavʲatɕ ɔ tfˈɔjɛj ʒˈɔɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_236.wav|darˈɨɔn mˈukw tɔ fʃˈɨstkɔ sˈɔbjɛ vɨmˈɨɕlitɕ.|1
+Dataset/wavs/urwisko_ferenc/25_segment_44.wav|pˌɔtsawˈɔvaw jˈɔ̃ i pʃɨtɕˈɔŋɡnɔw dɔ ɕˈɛbjɛ. pɔtʃˈɛkaj, pˌɔprɔɕˈiwa ˌuxɨlˈajɔnts ɕɛ ɔd dˈalʃɨx pˌɔtsawˈuŋkuf, vbʲˈiwa vzrˈɔk f pɔdwˈɔɡɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_110.wav|ˌalɛ mˈuɕi tɔ pɔvʲˈɛdʑɛtɕ, jɛst mu tɔ vˈinna.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_29.wav|spˈɔjʒaw ɡdʑˈɛɕ nat mˈɔjɔ̃ ɡwˈɔvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_64.wav|ɲʲˈɛzdaj mˈuj naʒˈutɨ, ˈɛlis. bˌɛndɛ spˈaw nˈaɲʲɛj.|2
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_41.wav|a pˈɔtɛm zˌarɔbʲˈiwɛɕ jˈɛʃtʃɛ vʲˈɛntsɛj, vɨdˈajɔnts trˈɔnda brˌazɨlijtʃˈɨkɔm, kʲˈɛdɨ ʃlˈak trˈafiw ix kɔmbˈajnɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_133.wav|tɔ ɲʲɛ, f prˈuʒɲi na ɲʲɛvʲˈɛlɛ bˈɨ ɕɛ zdˈawa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_137.wav|krˈɛɲtɕi mi ɕɛ w ɡwˈɔvʲɛ i xfˈɨtam ɕɛ kravˈɛɲdʑi bjˈurka.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_36.wav|ɲʲɛ ˈumjɛm sˈɔbjɛ nˈavɛt tˌɛɡɔ vˌɨɔbrˈazitɕ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_24.wav|mɛ̃ʃtʃˈɨʑɲi ɲʲɛ pˌɔtrafˈili ix ɔbr��ɔɲitɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_44.wav|pʃˈɛɡrɔ mi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_250.wav|tʃɨ mˈɔʒɛ pˈan pˈɔmuts?|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_208.wav|kʲˈɛdɨ ɕɛ nˈajɛʃ|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_404.wav|na dˈɔlɛ pˈusta ulˈitsa i dʒɛmjˈɔntsɛ na xɔdɲˈikax sˌamɔxˈɔdɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_58.wav|mˈɔʒɛ tɛn nalˈɛʒaw dɔ ɲʲˈɛɡɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_283.wav|ˌalɛ ɲʲɛ mˈɔɡwam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_21.wav|zawˈatfiw vɨmjˈanɛ sˌamɔxˈɔdu pɔ rɔbˈɔtɕɛ, fʃˈɨstkɔ tsˈɔ pɔtʃˈɛbnɛ, ʒˈɛbɨ ʃˈɨpkɔː i bˌɛzbɔlˈɛɕɲʲɛ zawˈatfitɕ sprˈavɛ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_306.wav|ˌalɛ ˌɔtʃɨvˈiɕtɕɛ tɔ ɲʲɛ mˈɔɡwɔ ɕɛ zdˈaʒɨtɕ. a lˌimɛstˈɔnɛ ɲʲɛ mʲˈawa brˈatɕi. ɲʲɛ prˈavɔː ˌurɔdʑˈɔnɨx, ˌaɲi ˈinnɨx.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_316.wav|ja tˈɛʃ jˈuʃ tˈɨlu ʒˈɛtʃɨ ɲʲɛ pamjˈɛntam, pˌɔvʲɛdʑˈawɛm sˈam dɔ ɕˈɛbjɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_431.wav|tˈak jˌɛstɛm spˌɛtsjalˈistɔ̃ ɔt pʃˌɛvidɨvˈaɲʲa fʃˈɛlkiɣ vɨpˈatkuf.|0
+Dataset/wavs/urwisko_ferenc/46_segment_11.wav|ʃtʃˈɛrpski jɛst pˌɛdɔfˈilɛm?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_29.wav|ʃukˈamɨ tʃˈɛɡɔɕ kˌɔŋkrɛtnˈɛɡɔ, sˈɛr? spˈɨtaw kˈit.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_49.wav|ɔznˈajmiw trˈɔnt, fskazˈujɔnts na sfɔjˈɛɡɔ ɡˈɔɕtɕa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_23.wav|pɔdˈɔba mi ɕɛ vˈizja rˌɔstɕɔŋɡajˈɔntsɨx ɕɛ tˈam vʒɔsˈɔvisk, vzɡˈuʃ i plˈaʃ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_4.wav|— pwˈatʃ, ɲˈits tˈu ɲʲɛ pɔmˈɔʒɛ, jˈak mavʲˈawa mˈɔja mˈatka.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_47.wav|sɔ̃ dvˈa bˈarɨ, jˈɛdɛn ɲʲɛtʃˈɨnnɨ, drˈuɡʲi dˌɔɡɔrˌɨvajˈɔntsɨ. lˈɔmbart pˌɔwɔntʃˈɔnɨ s pˈuŋktɛm rˌɛalizˈatsji tʃˈɛkuf i aɡˈɛntsjɔ̃ pˌɔʒɨtʃkˈɔvɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_8.wav|kʲˈɛdɨ zˌɔbatʃˈɨli, ʒˈɛ vʲˈɔswa drakˈara ɕɛ pˌɔruʃˈɨwɨ, pˌɔkrɨvˈajɔnts mʲɛdʑˈanɔ̃ tˈaflɛ vˈud bjˈawɔ̃ pʲˈanɔ̃,|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_469.wav|splˈunɔw krfjˈɔ̃ pɔt stˈɔpɨ jˌamjɛˈɛɡɔ.|1
+Dataset/wavs/urwisko_ferenc/08_segment_52.wav|stˈawɔ ɕɛ tˈak mʲˈɛɕɔnts pˈuʑɲʲɛj. vˈuftʃas lˈipski ɔdˈɛbraw pɔ kˈilku sɨɡnˈawax. vɨlˈɛvɲʲɛ dʑɛŋkˈɔvaw ˌɔlɡʲɛrdˈɔvi za dˈɔbrɔ̃ vʲadˈɔmɔɕtɕ.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_260.wav|ɲʲɛktˌurɨx pˌɔwɔntʃˈɨwɨ zˈɛmnɔ̃ ɕlˈubɨ.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_171.wav|alˈain prˌubɔvˈawa sˈɔbjɛ pʃɨpˈɔmɲʲɛtɕ, tsˈɔ mirˈanda ˌɔpɔvʲadˈawa ˈɔɲim pɔ drˈɔdʑɛ.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_124.wav|na stˈatkax sɔ̃ wˈuʃka, tɔ znˈatʃɨ xamˈaki.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_124.wav|i ɡˈapiw ɕɛ nˈatɔ tsˈawɛ zˌamjɛʃˈaɲʲɛ, vˌɨtʃɛʃtʃˈajɔnts ʃɛrˈɔkɔː ˈɔtʃɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_16.wav|dˈɨɲʲa, tɨ stʃˈɛlaj, tsˈaʃ rˈub za ˌɔpsɛrvatˈɔra.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_104.wav|rˈudɨ jɛst ɲʲˌɛswɨxˈaɲʲɛ ˌuzdɔlɲʲˈɔnɨm pˌɔlitsjˈantɛm i zdˈavaw sˈɔbjɛ sprˈavɛ, ʒˈɛ narˈaʒa ɕɛ na ɲʲˌɛbɛspʲɛtʃˈɛɲstfɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_177.wav|ɔn ɲˈiɡdɨ ɲʲɛ mˈɔʒɛ nˈaz znˈalɛɕtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_30.wav|pʲˌɛɲtɕɔlˈatɛɡ vɨwˈamawbˌɨ tɛn zˈamɛk. dʑˌɛɕɛɲtɕɔlˈatɛk pˈɛvɲʲɛ dˈawbɨ rˈadɛ vɨvˈalidʑ dʒvˈi z zavʲˈasuf.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_147.wav|mˈuj kljˈɛnt natɕˈisnɔw jɛdˈɨŋkɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_123.wav|kʃˈɨtʃaw, ʒˈɛ bɔlˈawɔː i lˈitʃɛ, ʒˈɛ tɛ kʃˈɨki bˌɛndɔ̃ tɕˈɛ pʃˌɛɕladˈɔvatɕ jˈɛʃtʃɛ dwˈuɡɔ pˈɔtɨm, jˈak pɔɡˈɔdʑiʃ ɕɛ z mˈɔim ɔdˈɛjɕtɕɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_40.wav|tˈɛʃ tˈak uvˈaʒam, sˈɛr. ˌalɛ nˈaʒ zˈɛspuw tfʲˈɛrdʑi, ʒˈɛ tˈaka fˈirma jˈak ɛksˈɔtɛx s pɛvnˈɔɕtɕɔ̃ dˌɨspɔnˈujɛ stɔsˈɔvnɔ̃ vʲˈɛdʑɔ̃, ʒˈɛbɨ sklɔnˈɔvatɕ kˈartɛ ˌɛsˌiˈɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_82.wav|z mʲˈɛjstsɛm dla tuzˈina sˌamɔxˈɔduf, tsˈɔ nˈajmɲʲɛj.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_23.wav|sˈama mˈɨɕl sprˈavja, ʒˈɛ pʃɛxˈɔdʑi mɲʲɛ drˈɛʃtʃ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_341.wav|a pɔɲʲˈɛvaʃ jɛdˈɨnɨ ɕfʲˈadɛk ɲʲˈɛmʲaw jɛ̃zˈɨka...|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_42.wav|ɔʒˈɛɲʲɛ ɕɛ z ˈɛstɛr tˌɛɡɔ samˈɛɡɔ dɲʲˈa, f ktˌurɨm tɨ vˈɛʑmʲɛʃ sfˈuj smˈutnɨ pˈɨsk i zmˈɨjɛʃ ɕɛ s tˌɛɡɔ mʲˈasta.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_74.wav|prˈavʲɛ na mʲˈɛjstsu.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_279.wav|pɔdˈɔbɲi dɔ ɕˈɛbjɛ jˈaɡ dvʲˈɛ krˈɔplɛ vˈɔdɨ. ˈɔprutʃ tˈɛɡɔ, tsˈɔ bˌɨwɔ mʲˌɛndʑɨ vaʃˈɨmi nɔɡˈami ˌɔtʃɨvˈiɕtɕɛ. ˈalɛʃ mʲˌɛliɕtɕˌɛ pwˈutsa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_116.wav|ɕfʲˈɛtɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_137.wav|a jˈɛdnɔ z vˈas kˌɔntaktɔvˈawɔ ɡˈɔ s kˈimɕ na mʲˈɛjstsu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_4.wav|tˈɔm zˈɛrknɔw pʃˈɛs rˈamjɛ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_147.wav|ɲʲˈɛmuɡw vʲˈɛnts ɲˈits pɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_75.wav|lˈubʲiʃ tʃˈɨmatɕ nˈas w napʲˈɛɲtɕu, tsˈɔ, stsˈɔtt? pˈɔvʲɛts mi, kʲˈɛdɨ vidʑˈɛliɕtɕˌɛ ɕɛ pɔ rˈas ɔstˈatɲi?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_119.wav|pʃɛtstˈaviw mi tɕɛkˈavɛ i ˌaktuˈalnɛ idˈɛɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_156.wav|ˌalɛ jˈakɔʑ dˈawɛm sˈɔbjɛ rˈadɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_39.wav|ɲitsˈɔla ɡˈɔ zˌapɛvɲʲˈawa, ʒˈɛ pɔ tfˈɔim ɔdˈɛjɕtɕu fʃˈɨstkɔ bˌɛɲdʑɛ jˈɛʃtʃɛ lˈɛpʃɛ, ˈalɛ...|3
+Dataset/wavs/urwisko_ferenc/35_segment_59.wav|— ˈaxa — ɔtpˈarwa ɲʲɛpˈɛvɲʲɛ, a ɔn ɲʲɛ vʲˈɛdʑaw, tʃɨ tɔː ɔznˈatʃa zɡˈɔdɛ. — vʲˈɛnts? — drˈɔ̃ʒɨw.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_219.wav|a mɨ z radˈɔɕtɕɔ̃ pˌɔdlɛvˈaliɕmˌɨ zaɕˈanɛ pʃˈɛs ɲʲˈɛɡɔ ʑˈarnɔ, bˈɨ vrɔɡˈɔvʲɛ ˌuvaʒˈali nˈaz za pˌɔtɛ̃ʒɲʲˈɛjʃɨx ɲˈiʒ w ʒˌɛtʃɨvistˈɔɕtɕi.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_359.wav|pɔɲˈiʒɛj vˈidadʑ bˌɨwɔ lˈitʃnɛ lɛpʲˈaŋki i vˈɔzɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_36.wav|i vˌɨdavˈawɔ mu ɕɛ, ʒˈɛ dɔpʲˈɛrɔ tsˈɔ zˈasnɔw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_191.wav|zˈafʃɛ tɔ lˈɛpʲɛj, kʲˈɛdɨ lˈudʑɛ znˈajɔ̃ tɕˈɛ z vidʑˈɛɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_38.wav|zˌapɨtˈatɕɛ, jˈak tˈak mˈɔʒna?|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_55.wav|ɲʲˈɛma prˈavʲɛ ʒˈadnɛj ruʒɲˈitsɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_178.wav|ɲʲˈɛvʲɛm dlatʃˈɛɡɔ, ˌalɛ tɔ zrɔbʲˈiwam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_122.wav|ɔznˈajmiw tɕˈixɔ tˈata, a ja pɔdˈɛʃwam blˈiʒɛj.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_60.wav|pɔtɕˈɔŋɡam nˈɔsɛm i ɕˈɛŋɡam dɔ ʃuflˈadɨ f tˌɔalˈɛttsɛ, ɡdʑˈɛ sxɔvˈawam zdjˈɛɲtɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_93.wav|mˈɨɕlɛ, ʒˈɛ lˈudʑɛ ɲˈika i klˈɛrkja ʃukˈali ix f trˈaktɕɛ pˌɔstɛmpɔvˈaɲʲa ɔː ˌɛkstradˈɨtsjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_7.wav|a kˌɛrmanˈɔvʲɛ pˈɛvɲʲɛ pratsˈujɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_3.wav|pˌɔrɨvˈistɨ dʑˈiki vʲˈadr bjˈɛɡaw tˈam i s pɔvrˈɔtɛm. pˈanɔm zrˈɨvaw kˌapɛlˈuʃɛ, a pˈanɔm zadʑˈɛraw spudɲˈitsɛ.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_266.wav|ɲʲɛ uvˈaʒaʃ, ʒˈɛ zˌaswuʒˈɨwɛm na jˈɛʃtʃɛ jˈɛdɛn pˌɔtsawˈunɛk?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_20.wav|ˌuɕfʲadˈamjam sˈɔbjɛ na krˈutkɔ̃ xfˈilɛ, ʒˈɛ fspˈɔmɲʲaw jɛdˈɨɲʲɛ ɔ mˈili, ɲʲɛ ɔː ˈaʃu. pˈɛvɲʲɛ dlatˈɛɡɔ, ʒˈɛ vʲˈɛ, ˈiʃ mˈili jɛzd dla mɲʲɛ nˌajvaʒɲʲˈɛjʃa na ɕfʲˈɛtɕɛ.|4
+Dataset/wavs/urwisko_ferenc/53_segment_146.wav|i bˈɨtɕ mˈɔʒɛ ftˈɛdɨ...|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_377.wav|ˌalɛ dla vwˈasnɛj krfˈi ˌaɲi trˈɔxɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_21.wav|tɔ jˈɛdna zˈɛ mɲʲˈɛj vʲˈɛntsɛj dʑɛɕˈɛɲtɕu mˌɔʒlivˈɔɕtɕi, ktˌurɛ ɔbˈɛtsɲʲɛ pʃɨxˈɔdʑɔ̃ mi dɔ ɡwˈɔvɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_139.wav|tˈɔm ɲʲˈɛmukw ɕɛ s tɨm spʃˈɛtʃatɕ. pratsˈɔvaw tɕˈɛ̃ʃkɔ, bˈɨ ˌavansˈɔvatɕ na dˌɛtɛktˈɨva, a ˌɔɲi vʲˈɛtʃɲʲɛ nˌaʒɛkˈali na brˈak pʲɛɲʲˈɛndʑɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_116.wav|ɲʲɛ mʲˈawam pɔjˈɛɲtɕa, dˈɔkɔnd dˈɔjdʑɛ, pˌatrɔlˈujɔnts ˌɔkɔlˈitsɛ, ˌalɛ vʲɛdʑˈawam, ʒˈɛ ɲʲɛ ɔddˈali ɕɛ zbˈɨtɲʲɔː ɔt ɕlˈuzɨ pɔrtˈɔvɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_32.wav|ɲʲɛ tˌaki mʲˈawam zˈamjar, kʲˈɛdɨ ˌukwadˈawam tɛn plˈan.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_438.wav|pˈatʃɨw xfˈilɛ na tfˈaʃ ˈɛstɛr, pˈɔtɛm ɔtstˈaviw lˈampɛ i pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_389.wav|vˈarknɔw ɲˈiski mɛ̃ʃtʃˈɨzna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_165.wav|w dɲʲˈu, kʲˈɛdɨ zrˈɔbʲiʒ vʲˈɛʃ tsˈɔ, f tsˈɔdɨ vɨdˈaʒɨ ɕɛ tsˈɔɕ, tsˈɔː ɔdvrˈutɕi ɔt tˌɛɡɔː uvˈaɡɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_8.wav|a jˈɛdnak jɛxˈaliɕmˌɨ tˈu zˈaɲʲɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_130.wav|i ta tsˈawa ʑˈɛmʲa, ktˌura jɛst jˈɛʃtʃɛ pˈɛwna spɔkˈɔju, snˈu i wˈadu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_8.wav|stˈarɛ ɕfʲˈɛrki vˈɨsxwɛ zˈɛ starˈɔɕtɕi xfʲˈawɨ ɕɛ dˈumɲʲɛ pɔt lˈɛkkim napˈɔrɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(87) R.Abbott_Zamknij Drzwi_segment_21.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_26.wav|tʃˈɛkam vʲˈɛnts ɲʲˌɛtɕɛrplˈivʲɛ na pˈɔvrut ˈaʃa, jɛdˈɨnɛj ɔsˈɔbɨ, ktˌura pɔdʑˈɛla fʃˈɨstkʲɛ mˈɔjɛ lˈɛŋki.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_147.wav|tˈaɡ bˈardʑɔ tɕˈɛ pˌɔtʃɛbˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_301.wav|ˈalbɔ ʒˈɛbɨ lˈudʑɛ, ktˌuʒɨ ɡˈɔ zabʲˈili...|1
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_13.wav|tˈak, na tˈɨlɛ na ˈilɛ tɔ mɔʒlˈivɛ f sˌɨtuˈatsji, kʲˈɛdɨ twˈɔtʃɔ̃ ɕɛ pʃˈɛdɲim zastˈɛmpɨ dʑˌɛnɲikˈaʒɨ.|4
+Dataset/wavs/urwisko_ferenc/19_segment_2.wav|w dˈɔlɛ, tsˈɔ xˈɛrman vidʑˈawa ftʃˈɛɕɲʲɛj, ɡdˈɨ tʃɛkˈawa na ɡˌɔspɔdˈɨɲʲɛ, ktˌura zvinˈɛwa kˌarimˈatɛ, ˌɔtsunˈɛwa stˈɛppɛr w rˈuk pɔkˈɔju i pˈɔʃwa dɔ kˈuxɲi,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_77.wav|rˌɔspatʃlˈivʲɛ pˌɔtʃɛbˈujɛ tfˈɔjɛj pɔmˈɔtsɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_68.wav|ɔpʲˈɛka jˈɔ̃ f tɔstˈɛʒɛ, twumˈatʃɔnts sˈɔbjɛ, ʒˈɛ pɔ tsˈɔ mˈa splˈɛɕɲʲɛtɕ.|2
+Dataset/wavs/urwisko_ferenc/08_segment_99.wav|mwˈɔdʑi lˈudʑɛ ɲʲɛ mʲˌɛli pʃɨ sˈɔbjɛ ʒadnˈɛɡɔ spʃˈɛntu rˌɛjɛstrˌujɔntsˈɛɡɔ. kʲˈɛdɨ vˈɛʃli na ɡˈurɛ dɔ sˈali zblˈiʒɛɲ, bˌɨli pʃˌɛpasˈaɲi rˌɛntʃɲikˈami.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_444.wav|pˈɛwnɔ̃ spɔkˈɔju i ɡɔdnˈɔɕtɕi.|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_52.wav|ɔtsˈuvam kʃˈɛswɔː i ɔkrˈɔ̃ʒam stˈuw. xfˈɨtam tɛlˈɛfɔn samjˈɛɡɔ, pɔtxˈɔdʑɛ dɔ krɛdˈɛnsu, ɔtfʲˈɛram xlˈɛbak, fkwˈadam kɔmˈurkɛ dɔ ɕrˈɔtka i zamˈɨkam.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_368.wav|ɡdˈɨ jˈuʒ znudʑˈiwɛm ɕɛ jˈɛɡɔː ˌuspravʲˌɛdlivʲɛɲʲˈami, zabʲˈiwɛm ɡˈɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_226.wav|tʃˈɨmaw rˈɛŋkɛ vˌɨtɕɔŋɡɲʲˈɛntɔ̃ pʃɛt ɕˈɛbjɛ tˌɛatrˈalnɨm ɡˈɛstɛm i pˈatʃaw nˈaɲʲɔ̃, lˈɛtʃ ɲʲɛ vˈidʑaw jˈuʃ ɲitʃˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_27.wav|f tɕˈɔŋɡu kˈilku nastˈɛmpnɨx lˈad ʒˈɨtɕɛ zɨskˈawɔ rˈɨtm, ktˌurɨ vɨdˈavaw ɕɛ bˈardʑɔ prˈɔstɨ zˈɛ vzɡlˈɛndu na sfˈɔjɔ̃ pʃˌɛvidɨvˈalnɔɕtɕ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_249.wav|tɛn tʃwˈɔvʲɛk mˈa brɔ̃zˈɔvɛ ˈɔtʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_171.wav|bˈɨtɕ mˈɔʒɛ pˈɔkrɛs tfˈɔiɣ dɲˈi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_63.wav|jˈuʃ ɲˈiɡdɨ vʲˈɛntsɛj tˈutaj ɲʲɛ vrˈutsɛ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_350.wav|mʲˌɛndʑɨ nˌamjɔtˈami ˌustavʲˈɔnɔ vʲˈɛlki, ʃˈarɨ ʃˈafɔt.|1
+Dataset/wavs/urwisko_ferenc/46_segment_157.wav|za mˈawɔ tɕi pwˈatsɛ, tʃɨ tsˈɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_166.wav|i zamˈɨka dʒvˈi za sˈɔbɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_133.wav|muɕˈɛli vɨtɕˈɔŋɡnɔɲtɕ tɛ fˌɔtɔɡrˈafjɛ z arçˈivuf marˈinɛs, bˈɔ bʲˈillɨ ɲʲˈɛmʲaw blˈiskix, ktˌurɨm mˈuɡwbɨ vrˈɛntʃɨtɕ ɔdbʲˈitkɛ w dɲʲˈu spˈɔtkaɲ z rɔdʑˈinɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_73.wav|tsɛrsˈɛi ukrˈɨwa tfˈaʒ w dwˈɔɲʲax, jˈaɡbɨ w ʒawˈɔbjɛ.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_390.wav|pɔpwˈɨnɔɲdʑ vɛ̃ʒˈɔvɔ̃ wˈɔdʑɔ̃ pɔ kanˈawax, ˌɔbɔk tɨx fʃˈɨstkix pawˈatsuf i ɕfʲˈɔntɨɲ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_333.wav|bˈawa ɕɛ tɛj xfˈili.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_119.wav|bɛzzˈɛmbnɛ ˈusta mˈɛɡʲi zadrʒˈawɨ na jɛj vˈidɔk. dˈajtɕɛ mi jˈɔ̃!|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_545.wav|i pʃˈɨpwɨf ɔɡrˈɔmnɛj pʃɨkrˈɔɕtɕi.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_209.wav|ɔdjˈɛxaw na zˈaxut, kʲɛrˈujɔnts ɕɛ vzdwˈuʃ tridˈɛntu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_6.wav|ɛˈarlɨ tʲˈajms, pɔvʲˈɛdʑaw ˈandɛrsɔn, pɔwˈufkɛ. tsˈɔ ɕɛ stˈawɔ s tɨm ɡˈɔɕtɕɛm, ktˌurɨ tˈu pratsˈɔvaw?|0
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+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_109.wav|vwˈɔsɨ jˈɛɡɔ ɲʲɛ ˌuɡʲinˈawɨ ɕɛ pɔd vʲˈatrɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_257.wav|a ja jˌɛstɛm ftɕˈɔ̃ʃ s tɔ̃ sˈamɔ̃ kɔbjˈɛtɔ̃ i nˈavɛt ɲʲɛ pɔtrˈafjɛ vˌɨtwumˈatʃɨtɕ tˈɛɡɔ.|0
+Dataset/wavs/urwisko_ferenc/05_segment_54.wav|xˈɛrman vˌɨpuɕtɕˈiwa kwˈɔmp ʃarˈɛɡɔ dˈɨmu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_167.wav|xˌamɔvˈawɛm f sˈɔbjɛ zˈɛ fstˈɨdɛm çˌistɔrˈɨtʃnɨ ˈɔddɛx.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_13.wav|tʃɨ na pˈɛvnɔ mˈam ɕfʲadˈɔmɔɕtɕ pˌɔpɛwɲʲɔnˈɛɡɔ tʃˈɨnu?|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_470.wav|ɡdˈɨ rˈaŋkʲɛm tʲˈimɔt pʃˈɨɲʲus jɛj ɕɲʲadˈaɲʲɛ, kɕɛ̃ʒɲˈitʃka pˌɔprɔɕˈiwa ɔ spɔtkˈaɲʲɛ z rikˈasɛm, ɲʲɛ z ˈɔjtsɛm.|1
+Dataset/wavs/urwisko_ferenc/63_segment_69.wav|ɔdmˈuviw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_64.wav|dˈɔbʒɛ tɔ dˈɔbʒɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_87.wav|xfɨtɕˈiwa vˈɨlɔd z jˈɛdnɛj strˈɔnɨ, a ja z drˈuɡʲɛj i rˈuvnɨm krˈɔkʲɛm rˌuʃɨwˈɨɕmɨ pʃɛt ɕˈɛbjɛ, rˌɔstɕɔŋɡˈajɔnts xˌarmɔɲikˈɔvɔ̃ pɔvwˈɔkɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_222.wav|i ʒˈɛ nˈaz zɲiʃtʃˈɨwɔ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_270.wav|bˌɨwa mˈartfa jˈuʃ ɔt tʃˈɛɣ dɲˈi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_8.wav|pˌɔtʃɔntkˈɔvɔ sˌamɔrˌɛʒɨsˌɛrujˈɔntsɨ ɕɛ sˈɛn prubˈɔvaw ɔbjˈaɕɲitɕ tɛ dʑvʲˈɛŋki jˈakɔ̃ɕ sˌɨtuˈatsjɔ̃, ktˌurɛj ɲʲɛ rˌɔzumjˈawɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_7.wav|zˈafʃɛ kɔxˈawam mˈɔʒɛ. parkˈujɛ vʲˈɛnts samˈɔxut i vbʲˈijam vzrˈɔk f ʃˌarɔɲʲɛbjˈɛskɔ̃ vˈɔdɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_138.wav|ˌadmiɲˌistratˈɔrka xtsˈɛ ɕɛ s tˈɔbɔ̃ vˈidʑɛtɕ, kʲˈɛdɨ tˌɨlkɔ stˈaɲʲɛʃ na nˈɔɡʲi.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_132.wav|ɛkˈipa naprˈaftʃa sˈanxɛs rˌɔzvʲɔ̃zˈawabˌɨ tɛn prˈɔblɛm ɔt rˈazu.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_404.wav|lˈɛpʲɛj bɨwˈɔbɨ pɔt ɕɛrˈɔtɔ̃.|1
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+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_7.wav|mˈɔjɔ̃ nˌautʃɨtɕˈɛlkɔ̃ jɛst pˈaɲi tˈɛllɛr.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_21.wav|sˈɛr lˈɨlɛ, sˈɛr ˈilɛ ɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_321.wav|pɔvʲˈɛdʑaw z ˌudavˈanɨm zdumjˈɛɲʲɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_77.wav|ɲʲɛ sɔɲdʑˈiwam, ʒˈɛ ˌɔdnalɛʑˈɛɲʲɛ tˈɛɡɔ, tʃˈɛɡɔ ʃˈukam, ɔkˈaʒɛ ɕɛ tˈakʲɛ trˈudnɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_45.wav|pˈɔnɔtɕ rˈɔbʲi tˈaɡ vʲˈɛlu studˈɛntuf.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_101.wav|tsˈɔ tɨ kˈurva za jˈɛdɛn i tʃˈɛɡɔ tˈu ʃˈukaʃ?|2
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+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_75.wav|wˈat mˈuɡwbɨ mʲˈɛdʑ dwˈuɡʲɛ i ɔvˈɔtsnɛ ʒˈɨtɕɛ.|1
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+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_29.wav|rɔbʲˈimɨ tsˈɔ w nˈaʃɛj mˈɔtsɨ, ʒˈɛbɨ ɡˈɔː ɔtʃˈukatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_50.wav|tʃɨ mɔʒˈɛtɕɛ nˈam pˈaɲstfɔ fskˈazadʑ drˈɔɡɛ?|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_89.wav|dˈɔbrɨm kˌandɨdˈatɛm bˈɨwbɨ fˈɔrlɛjprˈɛstɔn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_44.wav|jˈuʃ ɲʲɛ jɛst tɔ̃ zˌaʒɨɡˈanɔ̃, pˌuwpʃɨtˈɔmnɔ̃ dʑɛftʃˈɨnɔ̃, ktˌurɔ̃ zˈabraw z dˈɛʃtʃu.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_5.wav|ˈaʒ zatɕˈisnɔw pɔvʲˈɛki.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_48.wav|dˈɔbʒɛ, jˈakʲɛɕ nˈɔvɛ ˌinfɔrmˈatsjɛ ɔt jˈumbɔ f sprˈavʲɛ ɕlˈaduv znˌalɛʑˈɔnɨx f sˌamɔxˈɔdʑɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_161.wav|ɲʲɛktˌuʒɨ pˌɔvʲɛdʑˈɛlibˌɨ, ʒˈɛ tɔ sˌɛkɕistˈɔfska bzdˈura, ˌalɛ bʲˈillɨ rˈatʃɛj bˈɨ ɕɛ z ɲˈimi ɲʲɛ zɡˈɔdʑiw.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_182.wav|— ɲˈits ɲʲˈɛmuf — ʃɛpnˈɛwa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_272.wav|puɕtɕˈili pˈana.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_38.wav|zɔbˈatʃɛ, jˈak ɕɛ tʃˈujɛ. mˈɔʒɛ pˌɔɔɡlɔndˈatɕɛ sˈɔbjɛ jˈakɔ̃ɕ kɕɔ̃ʒˈɛtʃkɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_178.wav|dˈaj tɔ mu w bjˈɛdji.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_199.wav|mruknˈɛwam dɔ ɕˈɛbjɛ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_38.wav|ɲʲɛ spɔtkˈali ʒˈadnɨx wˈɔduf ˌaɲi ix prɔstˈatʃkuf, xˈɔtɕ f pivɲˈitsɨ pɔt tfʲˈɛrdʑɔ̃ druɡʲˈɛɡɔ z brˈatɕi ˌukrɨvˈawa ɕɛ ɡˈarstka baɲˈituf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_18.wav|prˈavdɛ mˈuvʲɔnts tˈak.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_169.wav|jˈak mˈam...|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_3.wav|ɲʲɛktˌurɨm z ɲˈiɣ zvʲɔ̃zˈanɔ s tˈɨwu rˈɛntsɛ, a fʃˈɨstsɨ mʲˌɛli na ʃˈɨjax kɔnˈɔpnɛ pˈɛntlɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_103.wav|pɔvˈinnam pɔvʲˈɛdʑɛdʑ bˌailɛjˈɛmu, ʒˈɛbɨ ɲʲɛ nazˈɨvaw jɛj ɕfirˈuskɔ̃, ˌalɛ tˈɛras mˈam ˈinnɛ ʒˈɛtʃɨ na ɡwˈɔvʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_110.wav|vˈinɔ fɕˈɔŋkwɔ f pwutɕˈɛnnɨ ˈɔbrus.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_6.wav|mˈama jˈuʃ fstˈawa i kʃˈɔnta ɕɛ pɔ kˈuxɲi, a f tlˈɛ ɡrˈa rˈadjɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_201.wav|pʃˈɛs xfˈilɛ pˌɔdʑivʲˈawam ɕlˈadɨ pʲɔɲʲˈɛrskʲɛj vɨprˈavɨ ɲˈila i bˈaza. tɛn vˈidɔk rˈɔbʲi vraʒˈɛɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_47.wav|kʲˈɛdɨ dɔvˈɔdʑiw nˈami bˈɛrits, valtʃˈɨliɕmˌɨ ɔ sprˌavʲɛdlˈivɔɕtɕ. pʃɨnˈajmɲʲɛj tˈak sˈɔbjɛ pˌɔftaʒˈaliɕmˌɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_11.wav|pˈɔtʃɛd dɔ tˌɛlɛfˈɔnu i ˈujɔw swuxˈafkɛ.|0
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+Dataset/wavs/urwisko_ferenc/62_segment_53.wav|xˈɛrman zˌavʲɛɕˈiwa vzrˈɔk na klˈutʃu.|0
+Dataset/wavs/urwisko_ferenc/45_segment_47.wav|pʲˈɛŋknɔ̃ kɔbjˈɛtɔ̃.|0
+Dataset/wavs/urwisko_ferenc/46_segment_9.wav|ˌalɛ mˈuɕi tˈu bˈɨtɕ.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_166.wav|tʃˈɛɡɔ tˈam vˌɨpatrˈujɛʃ?|1
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+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_47.wav|nˈaʃɛj tsˈurki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_142.wav|klˈɛrki bˈɨ tˌɛɡɔ ɲʲɛ sprˈavdʑiw. tˈakʲɛ sprˈavɨ bˌɨwɨ pɔɲˈiʒɛj jˈɛɡɔ ɡɔdnˈɔɕtɕi, ˌalɛ pˈɛtɛrsɛn mˈuɡwbɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_193.wav|i fpisˈawam w ɔkʲˈɛŋkɔ vˈɨras.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_121.wav|mˈuvjɛ z aktsˈɛntɛm, tˌɛɡɔ ɕɛ ɲʲɛ dˈa zmʲˈɛɲitɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_85.wav|ˈɛs. rˈɔbɛrts, tʃˈɨli stsˈɔtt, pʃˌɛkrɛɕlˈɔnɨ najpˈɛvɲʲɛj dlatˈɛɡɔ, ʒˈɛbɨ...|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_9.wav|zatʃɲˈijmɨ ɔt mɔtˈɨvu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_7.wav|zˌapɨtˈawam ˈidɔndʑ zˈaɲim dɔ kˈuxɲi, ɡdʑˈɛ tɕˈɛ̃ʃkɔː ɔpˈadwɔ na kʃˈɛswɔ. tˈak ɕɛ ɔ tɕˈɛbjɛ martfˈiwam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_6.wav|trˈɔxɛ nadˈɛntɨ, tsˈɔ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_22.wav|pˈɔtɛm pɔwˈɔʒɨw dwˈɔɲ na ramjˈɛɲʲu ˌandɛrsˈɔna i pɔvʲˈɛdʑaw|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_32.wav|jɛj tɕˈawɔ ftɕˈɔ̃ʃ pˌɔmpɔvˈawɔ ɡˈɛ̃stɔ̃, tʃɛrvˈɔnɔ̃ krˈɛf.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_244.wav|vˈɛpxnɛ tɕi tɛ kˈuʃɛ f pˈizdɛ i vɨrˈuxam tɕˈɛ ɲʲˈɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_368.wav|dˈatɨ kˌalɛndaʒˈɔvɛ tɔ pʃˌɛtɕɛʃ tˌɨlkɔ ɲˈits ɲʲˌɛznatʃˈɔntsa nˈaʃa fspˈulna umˈɔva, ktˌurɔ̃ jˈutrɔ mˈɔʒna zmʲˈɛɲitɕ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_89.wav|ˌiɡnɔrˈujɔnts mˈawɔ̃ dʑɛftʃˈɨŋkɛ, ktˌura tʃɔwɡˈawa ɕɛ nˈaɡɔ pɔ stˈɔlɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_92.wav|ˌalɛ ɲʲɛ mˈɔɡwam traktˈɔvatɕ tˌɛɡɔ jˈakɔ ʃtˈɨvnɛj ɡraɲˈitsɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_27.wav|ɕmʲˈɛjɛ ɕɛ i f tɛj xfˈili tˈak pʃˌɨpɔmˈina stsˈɔtta, ʒˈɛ znˈam ɔtpˈɔvʲɛdʑ z vˌɨpʃɛdʑˈɛɲʲɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_80.wav|tɔ ftˈɛdɨ zdˈawam sˈɔbjɛ sprˈavɛ, ʒˈɛ ɲʲɛ mˈɔɡɛ stˈɔnd vɨjˈɛxatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_66.wav|tˈu na ruvɲˈinax pˌɔpɔwˈudɲʲɛ dɔpʲˈɛrɔ pʃɛxˈɔdʑi w vʲˈɛtʃur, mˈimɔ ʒˈɛ tɔ jˈuʃ listˈɔpat.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_381.wav|tˌɨlkɔ pɔ tsˈɔ ʒˈɨjɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_16.wav|tɛn dˈɔm tʃˈɛba ˈujʒɛtɕ, bˈɨ uvʲˈɛʒɨtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_88.wav|mˈɔʒɛ dˈɔʃwɨ ɡˈɔ jˈakʲɛʑ vʲˈɛɕtɕi? jˈɛɕli tˈak, ɲʲɛ mˈɔɡwɨ bˈɨdʑ dˈɔbrɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_204.wav|napʲˈɛɲtɕɛ pˌɔvʲɛʃxɲʲˈɔvɛ i swˈaba ɡrˌavitˈatsja spravʲˈawɨ, ʒˈɛ muɕˈawɔ ɕɛ zˈɛbradʑ dˈuʒɔ vˈɔdɨ, zˈaɲim zˌatʃɨnˈawa kˈapatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_185.wav|fʃˈɨstkɔ, tsˈɔ vˌɨtɕɛrpʲˈawam s pɔvˈɔdu tsˌamɛrˈɔna i jaɡˈɛra, nˈapaɕtɕ na dˌɔmiɲˈika, kwˈamstfa i ɔʃˈustfa, dɔ ktˌurɨx jˌɛstɛm zmuʃˈɔna, vˌɨɲikˈawɔ z jˈɛɡɔ vˈinɨ.|3
+Dataset/wavs/urwisko_ferenc/12_segment_84.wav|mˈamɨ, ɔtpˈarwa xˈɛrman.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_17.wav|— ɲʲɛ — pɔvʲˈɛdʑaw ˈandɛrsɔn. — za dˈuʒɔ ʒvˈiru.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_5.wav|pˌɔtʃɛbˈujɛ kˈɔɡɔɕ, ktˈɔ mɲʲɛ pʃɨtˈuli. zapˈɛvɲi, ʒˈɛ fʃˈɨstkɔ bˌɛɲdʑɛ dˈɔbʒɛ, xˈɔdʑ vʲˈɛm, ʒˈɛ tˈakʲɛj ˌɔbjɛtɲˈitsɨ ɲˈikt ɲʲɛ mˈɔʒɛ mi zwˈɔʒɨtɕ.|4
+Dataset/wavs/urwisko_ferenc/21_segment_11.wav|mɲʲɛ bˈardʑɛj tɕɛkˈavi tɔ, jˈak pˌɔtraktˈɔvatɕ tɛn rˈɔmans. tsˈɔː ɔn nˈam dˈajɛ? zˌastanɔvˈiwa ɕɛ na ɡwˈɔs.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_155.wav|mˈɔʒɛ ˌuswɨʃˈawa kʃˈɨk ˈalbɔ tsˈɔɕ pˌɔdɔbnˈɛɡɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_130.wav|pʃɛwˈɨkam ɕlˈinɛ, vʲˈɛdʑɔnts, ʒˈɛ mˈuʃɛ sˈɔbjɛ s tɨm pɔrˈadʑitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_172.wav|spɔkˈɔjɲʲɛ mˈuvi sˈɔbjɛ.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_333.wav|ɲˈits tɔ jˈɛdnak ɲʲɛ dˈawɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_66.wav|znˌajdɔvˈawaɕ ɕɛ f prˈuʒɲi tsˈawɛ tʃˈɨ minˈutɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_96.wav|kˈɔʃ ˈɔpat s pɔvrˈɔtɛm kˈu ʑˈɛmi, zˌɔstavʲˈajɔnts rɔspʲˈɛntɔ̃ pwˈaxtɛ na ɡˈuʒɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_144.wav|tɔ bˈɨw pʲˈɛrʃɨ pˈɔtɕɔŋk tˌɛɡɔ dɲʲˈa.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_246.wav|alˈantsɛl!|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_54.wav|pˌadlinɔʒˈɛrnɛ vrˈɔnɨ utʃtˈujɔ̃ na tɕˈawax pɔlˈɛɡwɨx i kˌɔnajˈɔntsɨx.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_51.wav|vʲɛdʑˈawam tˌɨlkɔː ɔ jˈɛdnɛj tˈakʲɛj sˌɨtuˈatsji i ɲʲɛ jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ dˈɔʃwɔ dɔ nˌaturalnˈɛɡɔ pˌɔrɔɲʲˈɛɲʲa, ˌalɛ ɲʲɛ zamjˈɛʒam dʑˈɛlitɕ ɕɛ tɨm stˈatɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_167.wav|kˈɔdɨ jɛst wˈadnɨx kˈilka kˌilɔmˈɛtruf stˈamtɔnt, a ɲˈikt ɲˈiɡdɨ w ʒˈɨtɕu ɲʲɛ pɔvʲˈɛdʑawbˌɨ tˌɛmu lɛʃtʃˈɔvi ɔ sfˈɔix plˈanax.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_306.wav|vɨʒˈɛkam ɕɛ lˌɔrdɔfskʲˈɛɡɔ tɨtˈuwu ˌɔraz ʒˈɔnɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_14.wav|ɔbˈɛtsɲʲɛ jˈɛdnak kˈinɔ w ɔɡˈulɛ ɲʲɛ fxɔdʑˈiwɔ w raxˈubɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_77.wav|nˈɔ mˈɔʒɛ ɲʲɛ tˈɨlɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_4.wav|ˈɛlis pˈɔʃwa dɔ vˈal��rins. ja zˌatʃɛkˈawɛm w ˈawtɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_119.wav|tɕɛkˈavɛ ˈilɛ tˈam pwˈatsɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_163.wav|vʲˈɛntsɛj ɲˈiʒ zarˈabjam mʲɛɕˈɛntʃɲʲɛ jˈakɔ dˌɔrɛntʃɨtɕˈɛlka.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_60.wav|ɲʲɛ, xtsˈɛ ˈiɕtɕ na nɔrmˈalnɔ̃ utʃˈɛlɲʲɛ. mˈɔʒɛ nˈavɛt na ˌuɲivɛrsˈɨtɛt tsˌɔlɔrˈadɔ. mˈɔɡwabˌɨm mʲˈɛʃkadʑ w bɔˈuldɛr. spˌɔdɔbˈawɔ mi ɕɛ tˈam.|2
+Dataset/wavs/urwisko_ferenc/54_segment_41.wav|ɡdˈɨ pilˈɛfska skɔɲtʃˈɨwa rɔzmˈavʲatɕ, znˈuv dɔ ɲʲˈɛɡɔ zadʑvˈɔɲiw.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_46.wav|bwɔɲdʑˈiwɨ pʃˈɛz dwˈuɡʲi tʃˈas, ɲˈim vrˈɛʃtɕɛ znalˈazwɨ nˈamjɔt starˈuxɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_39.wav|vwˈaɕɲʲɛ ɔdˈɛzvaw ɕɛ trˈɔnt. tʃwˈɔvʲɛk ɲʲɛ zdˈajɛ sˈɔbjɛ sprˈavɨ, jˈakʲɛ sɔ̃ vʲˈɛlkʲɛ, dɔpˈuki ix ɲʲɛ zɔbˈatʃɨ z blˈiska.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_74.wav|pʃɛnˈɔɕi vzrˈɔk nˈamɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_256.wav|vɨɡlˈɔndaw rˈatʃɛj na ˌɔbɛrʒˈɨstɛ ɲˈiʃ na rɨtsˈɛʒa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_136.wav|ja ɲʲɛ jˌɛstɛm dʒˈɔnsɔn. prˈatsuj spɔkˈɔjɲʲɛ i rˈas jˈɛʃtʃɛ pʃˈɛjtɕ pʃˈɛs sˈiɡar. mˈɨɕl.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_2.wav|dla tˈɔma nˈatʃɛt kˈɔɲʲɛts kˌɔlɛjnˈɛɡɔ frˌustrujɔntsˈɛɡɔ dɲʲˈa.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_103.wav|vˈitaj, ammˈaʒɛ, zaɡˈadnɔw. napˈijɛʃ ɕɛ sˈɔku?|4
+Dataset/wavs/urwisko_ferenc/27_segment_52.wav|spɨtˈawa xˈɛrman, a lˈɛɡnɛr pɔkˈivaw ɡwˈɔvɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_64.wav|bˌɛndɛ pˈɛvɲʲɛ prubˈɔvaw dɔ skˈutku, bˈɔ tɔ dla mɲʲɛ vˈaʒnɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_331.wav|tʃɨɲˈiwɨ tɔː ˌɔdrɔbʲˈinɛ tˌɛatrˈalɲʲɛ, pˈɛvɲʲɛ na mˈɔdwɛ pʃˌɛdvɔjˈɛnnɨx, prˌɔvintsjɔnˈalnɨɣ zvɨtʃˈajuf,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_14.wav|ustˈavʲam kʃˈɛswɔ tˈak, ʒˈɛbɨ pˈatʃɛtɕ aʃˈɔvi prˈɔstɔ w ˈɔtʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_95.wav|i artsɨmˌaɛstˈɛrax s tsˌɨtadˈɛli.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_169.wav|bˌɨwa z ɲˈim ʃtʃɛɲɕlˈiva?|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_97.wav|pɔ prˈɔstu dɔpˈilnuj, ʒˈɛbɨ vʲˈɛdʑaw, ʒˈɛ mˈɔʒna nˈamɲʲɛ pɔlˈɛɡatɕ.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_197.wav|mɲʲɛ rˈuvɲʲɛʃ ɔ ɲˈix xˈɔdʑi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_62.wav|ˈaram pɔvʲˈɛdʑaw mi pˈuʑɲʲɛj, ʒˈɛ znˈalaz nˈuʃ i ɡˈɔ sxˈɔvaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_69.wav|dˈɔkɔɲtʃ jɛdʑˈɛɲʲɛ i pˌɔrɔzmavʲˈajmɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_17.wav|bɛɲdʑˌɛmɨ pˌɔruʃˈali ɕɛ ʃˈɨpkɔ, ˌalɛ ɲʲɛ bjˈɛɡʲɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_6.wav|a tˈɛras, kʲˈɛdɨ sˈɔbjɛ pˈɔʃwa, ɲʲˈɛmuɡw nˈavɛt jɛj pʃɨtˈulitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_128.wav|skrˈɔmnɛ, zwɔʒˈɔnɛ z dvˈux pɔmjˈɛʃtʃɛɲ bjˈurɔ mɛrtˈɔna rixtˈɛra mʲˈɛɕtɕi ɕɛ pɔmjˈɛndʑɨ sɔlˈarjum a stˈudjɛm tˌatuˈaʒu jˈɔllɨ rˈɔɡɛr.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_112.wav|tˈurbɔ tsˈɔ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_153.wav|pʃɨnˈajmɲʲɛj ftˈɛdɨ, kʲˈɛdɨ pˌɔkazˈujɛ ɕɛ ɔt najlˈɛpʃɛj strˈɔnɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_123.wav|xˈɨba uznˈawa, ʒˈɛ...|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_47.wav|ˌalɛ tɔ mˈɔjɛ ʒˈɨtɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_117.wav|f ɕˈɛdmju krulˈɛstfaɣ vʲˈɛlkʲɛ ʒaɡlˈɔftsɛ z vˈɨsp lˈɛtɲiɣ zvˈanɔ wˌabɛɲdʑˈimi statkˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_202.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_69.wav|pʃɛɲʲˈɛɕli ɕɛ dɔ stˈavu dʑˈɛvits ˈalbɔ dɔː ˈinnɨx mʲˈast.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_227.wav|mˈɔʒɛ ta bzdˈurna pɔlˈitɨkˌa prˌɔtɛktsjˌɔnalˈizmu ɲʲɛ jɛst najlˈɛpʃɨm rˌɔzvʲɔ̃zˈaɲʲɛm?|4
+Dataset/wavs/urwisko_ferenc/01_segment_56.wav|fʃˈɨstkɔ ʃwˈɔ zɡˈɔdɲʲɛ s plˈanɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_168.wav|ɲʲɛ spˈɔsup pʃɛvˈidʑɛtɕ, ktˌurɨ z ɲˈix tsˈɔlin bˌɛɲdʑɛ mʲˈaw na sˈɔbjɛ w dɲʲˈu, kʲˈɛdɨ pʃɨvʲˈɔzɔ̃ jɔˈɛlla alˈɛna dɔ sˈɔndu i bʲˈillɨ stfʲˈɛrdʑiw, ʒˈɛ tɔ bˈɛz znatʃˈɛɲʲa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_93.wav|ɡdˈɨbɨ ɕɛ zɡɔdʑˈili, tsˈɔ jɛst mˈawɔ prˌavdɔpɔdˈɔbnɛ, nˈɔː ˌalɛ ɡdˈɨbɨ jˈɛdnak, pˌɔmɔʒˈɛtɕɛ im i tˈɨlɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_47.wav|w nˈɔtsɨ pɔstˈaraj ɕɛ lˈɛʒɛtɕ ɲʲˌɛruxˈɔmɔ, pˌɔvʲɛdʑˈawa. na plˈɛtsax. ɲʲɛ pʃɛvrˈatsaj ɕɛ z bˈɔku na bˈɔk, bˈɔ rˈana ɕɛ ɔtfˈɔʒɨ i zakrfˈaviʃ pˈɔɕtɕɛl.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_52.wav|mˈɔʒɛ plˌanɔvˈali skˌɔntaktˈɔvatɕ ɕɛ z ɲʲˈɔ̃ tˈuʃ pɔː ɔdjˈɛʑdʑɛ, ʒˈɛbɨ jˈɔ̃ pˌɔinfɔrmˈɔvatɕ ɔ zakˈaʑɛ zɡwaʃˈaɲʲa tɛj sˌɨtuˈatsji, ˌalɛ tsˈɔɕ pˈɔʃwɔ ɲʲɛ tˈak.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_12.wav|kɔxˈaɲʲɛ...|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_226.wav|kˈaʒɛ im ustˈavʲatɕ ɕɛ f ʃˈɛrɛk, wˈapadʑ zavwˈutʃɲʲɛ, kˈɔsɨ tʃɨ zˌaɔstʃˈɔnɛ mɔtˈɨki i vˈaltʃɨtɕ. a ɡdˈɨ ˌudɛʒˈajɔ̃ nˈaɲih rɨtsˈɛʒɛ...|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_43.wav|dʒˈɛjn pˌɔdɛjʒˈɛvaw, ʒˈɛ xwˈɔpak ɲˈiɡdɨ ɲʲˈɛznaw kɔbjˈɛtɨ, a pjˈa nˈadal bˌɨwa tsˈawkʲɛm wˈadna, dɔpˈuki tʃɨmˈawa ˈusta zamkɲʲˈɛntɛ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_151.wav|dˈɔdaw ɲˈiski tʃwɔvʲˈɛtʃɛɡ z vʲˈɛlkɔ̃ brˈɔdɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_15.wav|dˈalɛ pɔwˈɔʒɨw mˈuj xˈɛwm na wˈaftsɛ, a pˈɔtɛm vʑˈɔw mɲʲɛ za rˈɛŋkɛ i ˈɔtpʲɔw klˈamrɨ na maŋkʲˈɛtɕɛ skafˈandra.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_50.wav|fpˈadwa dɔ stˈarɛj ʃˈɔpɨ, f ktˌurɛj tʃˈɨmam naʒˈɛɲdʑa.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_73.wav|ɔn prˈavʲɛ tɕˈɔŋɡlɛ jɛst pijˈanɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_36.wav|tɔ prˈɔstɨ, ˌidjɔtˌɔɔtpˈɔrnɨ sˈɨstɛm, ktˌurɨ jɛzd bˈardʑɔ skutˈɛtʃnɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_49.wav|pɔ kˈilku minˈutax ˌinfɔrmˈujɛ jˈɔ̃, ʒˈɛ pˈujdɛ zrˈɔbʲitɕ jɛj tsˈɔʑ dɔ pˈitɕa.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_387.wav|znˈam tɕˈɛ ɔt tʃˈasu, ɡdˈɨ bˌɨwɛʑ dʑɛtɕˈɔntkʲɛm ˈu pʲˈɛrɕi jɔˈannɨ.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_271.wav|pɔ jˈɛɡɔ pʃɛmˈɔvʲɛ nastˈawa tɕˈiʃa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_75.wav|ɲʲɛ mˈajɔnts innˈɛɡɔ pɔvˈɔdu ɲˈiʒ ɡlˌɔrɨfˌikɔvˈaɲʲɛ samˈɛɡɔ ɕˈɛbjɛ,|3
+Dataset/wavs/urwisko_ferenc/08_segment_76.wav|vrˈutɕiw dɔ tɔjˈɔta, ˌuruxˈɔmiw ɕˈilɲik i pʃɛwˈɔntʃɨw klˌimatɨzˈatsjɛ na vˈɨʃʃɨ bjˈɛk.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_238.wav|ˌalɛ dˈuʒɛ ɔpʃˈarɨ amˈɛrɨkˌi pˌɔwudɲʲˈɔvɛj ftɕˈɔ̃ʒ znajdˈujɔ̃ ɕɛ pɔt kɔntrˈɔlɔ̃ kartˈɛli nˌarkɔtɨkˈɔvɨx.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_214.wav|vɨstˈartʃɨ nˈatɔ spˈɔjʒɛtɕ, ˈabɨ ɔtʃˈɛʑvʲɛtɕ, pɔvʲˈɛdʑaw mˈikɛ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_86.wav|pɔvʲˈɛdʑaw sˈam, ɡdˈɨ jˈuʃ sˈɔbjɛ pˈɔʃli.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_122.wav|pɔ tsˈawɨm pˌɔmjɛʃtʃˈɛɲʲu rˈɔzɲʲus ɕɛ ɡardwˈɔvɨ pˈɔmruk sprˌɛ̃ʒɔnˈɛɡɔ ɡˈazu, ktˌurɨ vɨpˈɛwɲʲaw rˈurɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_125.wav|pˌɔkrɛɲtɕˈiwam s pˌɔbwaʒˈaɲʲɛm ɡwˈɔvɔ̃, ɕmʲˈɛjɔnts ɕɛ w dˈuxu z mˈɔjɛj ɲʲˌɛdɔʒˈɛtʃnɛj rɛˈaktsji i ˌɔdɛbrˈawam pˌɔwɔntʃˈɛɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_98.wav|ˌɔkrɨvˈajɔnts ɕɛ jˈɛdnɨm z ɲˈix.|0
+Dataset/wavs/urwisko_ferenc/36_segment_94.wav|na jˈasnɨm tˈɛʃˈɛrtɕɛ xwˈɔptsa pɔt paxˈami mˈarja zˌauvaʒˈɨwa vilɡˈɔtnɛ plˈamɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_33.wav|bʲˈillɨ ɲʲɛ jɛst pˈɛvʲɛn, ˌalɛ mˈa vraʒˈɛɲʲɛ, ʒˈɛ tɔ frˈaŋk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_128.wav|xˈɔff jˈɛʃtʃɛ rˈaz zˈɛrka pʃˈɛs rˈamjɛ i fxˈɔdʑi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_119.wav|ɲʲɛ vʲɛdʑˈawam ftˈɛdɨ, ʒˈɛ tɔ dɔpʲˈɛrɔ pɔtʃˈɔntɛk rˌɛvɔlˈutsji w nˈaʃɨm ʒˈɨtɕu, ˌalɛ fkrˈuttsɛ mʲˈawam ɕɛ ˈɔtɨm pʃɛkˈɔnatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_29.wav|tʃɨ vwɔʒˈɨwam jˈɛ ɡdʑˈɛɕ i ˈɔtɨm zˌapɔmɲʲˈawam?|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_217.wav|ˈɔtuʃ tɔ. f kˈaʒdɨm rˈaʑɛ dɔstˈawɛm vʲadˈɔmɔɕtɕ ɔt jɛdnˈɛɡɔ ɡˈɔɕtɕa stˈɔnt. pˈɔznaʒ ɡˈɔ, jˈɛɕli pʃˈɨjmʲɛʒ zlɛtsˈɛɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_21.wav|a bɛspʲˈɛtʃnɛ dɔtˈartɕɛ na mʲˈɛjstsɛ jɛst tˈɛras nˌajvaʒɲʲˈɛjʃɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_150.wav|ja tɕˈɛbjɛ tˈɛʃ kˈɔxam, bʲˈillɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_278.wav|kʲˈɛdɨ tɛn pʃɛxˈɔdʑiw ˌɔbɔk ˈɔkna, jˈɛɡɔ dwˈuɡʲi tɕˈɛɲ kwˈat ɕɛ pʃˈɛs tsˈawɔ̃ dwˈuɡɔɕtɕ pɔkˈɔju.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_347.wav|strˈaʃnɨ xˈaɔs. ɲʲɛ spˈɔsup f tˈakim xaˈɔɕɛ umjˈɛratɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_23.wav|ɲʲɛ mˈɔɡɛ mˈuvitɕ. na mˈɨɕl ˈɔtɨm fʃˈɨstkim, tsˈɔ stratɕˈiliɕmˌɨ, mˈam ɕtɕiɕɲʲˈɛntɛ ɡˈardwɔ. bjˈɔrɛ vʲˈɛnts wˈɨk xɛrbˈatɨ, ʒˈɛbɨ zwaɡˈɔdʑidʑ bˈul.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_4.wav|jɛdˈɨnɛ ˈɔknɔ mʲɛʃkˈaɲʲa f sˌutɛrˈɛɲʲɛ zˌaswɔɲʲˈɛntɛ jɛst pwˈaxtɔ̃ bˌɔrdɔvˈɛɡɔ mˌatɛrjˈawu.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_103.wav|znˈuv zatʃˈɛwam ˌɔpsɛrvˈɔvadʑ vˈindɨ w nadʑˈɛi, ʒˈɛ ɔxrˈɔɲʲaʒ zrˈɔbʲi sˈɔbjɛ pʃˈɛrvɛ ˈalbɔ zˈajmʲɛ ɕɛ tʃˈɨmɕ ˈinnɨm.|4
+Dataset/wavs/urwisko_ferenc/23_segment_65.wav|mˈɨɕlɛ, ʒˈɛ pˈan ɕikˈɔrski vʲˈɛ, tsˈɔ rˈɔbʲi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_69.wav|mˈa ˌɔtʃɨvˈiɕtɕɛ rˈatsjɛ, xˈɔtɕ ɲʲˌɛkɔɲʲˈɛtʃɲʲɛ fʃˈɨstsɨ ɡˈɔɕtɕɛ fxˈɔdʑɔ̃ na ɡˈurɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_118.wav|tɔ dlatˈɛɡɔ, ʒˈɛ vʲˈɛ, ʒˈɛ tˈɛmat tˈak naprˈavdɛ ɕɛ ɲʲɛ zmʲˈɛɲiw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_103.wav|tɔ znˈatʃɨ f pˌɔruvnˈaɲʲu s pˌɔpʃɛdɲˈimi tʃˈɛma mˌɔtɛlˈami.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_11.wav|vɨtɕˈɛram vilɡˈɔtnɔ̃ dwˈɔɲ f spˈɔdɲʲɛ i vɨjmˈujɛ s tɔrˈɛpki tɛlˈɛfɔn.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_106.wav|pˈɔza tɨm mˈam rˈuvɲʲɛʃ ʃˈɛrɛk ˈinnɨɣ zˈasat.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_128.wav|uvˈaʒaj na ɕˈɛbjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_99.wav|ɲʲɛ dlatˈɛɡɔ, ʒˈɛ jɛzd dˈɔbrɨ, ˌalɛ dlatˈɛɡɔ, ʒˈɛ ɲʲɛ jˈɛst.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_48.wav|sˈɛr dˈavin zdjˈɔw pwˈaʃtʃ i ʒˈutɕiw ɡˈɔ mawˈɛmu lˈɛf.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_188.wav|ˈɔtɔ tsˈɔ tˈak naprˈavdɛ ˌɔɡraɲitʃˈawɔ tʃˈas spatsˈɛru f xɔmˈitʃɨx kˈulax. tʃˈas ˌutʃɨmɨvˈaɲʲa ɕɛ lˈɔdu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_109.wav|xtsˈɛ ɕɛ jˈɛʃtʃɛ nˈapitɕ, pɔvʲˈɛdʑaw mˈikɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_68.wav|ɲʲɛ sˈɔndʑɛ, ʒˈɛbɨm ɲʲɛ ɔkwˈamaw. ɲʲɛ sprˈavja vraʒˈɛɲʲa takʲˈɛɡɔ tʃwɔvʲˈɛka, vʲˈɛnts xˈɨba vˈɔlɛ ɲʲɛ vʲˈɛdʑɛtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_12.wav|sɔ̃ pˌɔwɔntʃˈɔnɛ zˈɛ sˈɔbɔ̃ kˌɔrɨtaʒˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_162.wav|jˈɛʃtʃɛ ɕɛ dɔ tɕˈɛbjɛ ɔdˈɛzvɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_128.wav|tʃˈɛba jˈɛ sprɔvˈadʑadʑ z ʑˈɛmi, bˈɔ ɲʲɛ mˌamɨ tˈutaj surˈɔftsuv dɔ prɔdˈuktsji latˈɛksu.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_33.wav|zˌastɔsɔvˈawam prˈɔstɔ̃ i spravdʑˈɔnɔ̃ mɛtˈɔdɛ.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_329.wav|pwˈaʃtʃ s pʲˈur pʃɨlˈɛpʲaw ɕɛ dɔ pɔtˈɛ̃ʒnɨx rˈamjɔn tʃˌarnɔskurˈɛɡɔ mɛ̃ʃtʃˈɨznɨ. bˈɨw mˈɔkrɨ,|1
+Dataset/wavs/urwisko_ferenc/35_segment_11.wav|na rˈaʑɛ mˈuɕiʃ ɕɛ ˈukrɨtɕ, ʒˈɛbɨ mˈɔi kɔlˈɛdʑɨ ɲʲɛ vʑˈɛli tɕˈɛ na pʃˌɛswuxˈaɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_15.wav|tɕˈiʃɛ pʃˈɛrvaw dʑvʲˈɛŋɡ dʑvˈɔŋka.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_79.wav|ɔpˈɔvʲɛts mi ɔ tɛj ɕˈɔstʃɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_34.wav|mˈili pˈatʃɨ ɲʲɛpˈɛvɲʲɛ nˈamɲʲɛ i na dvˈɔjɛ ˈɔptsɨx ɕ��dʑˈɔntsɨx na sˈɔfjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_36.wav|tʃˈujɛ, ʒˈɛ pɔvˈiɲʲɛn bˈɨw sˈɔbjɛ pɔrˈadʑidʑ znˈatʃɲʲɛ lˈɛpʲɛj, xˈɔtɕ ɲʲˈɛvʲɛm dlatʃˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_34.wav|skɔʃtˈujtɕɛ fɔrmˈuwɛ mˈɨrtlɛ ɡˈɔltʃtajn.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_89.wav|— i tɔ fʃˈɨstkɔ f tʃˈaɕɛ pʲˈɛrʃɛj lˈɛktsji? — pɔvʲˈɛdʑaw dʒˈɔnsɔn. — tˌɨlkɔ tˈɨlɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_131.wav|xwˈɔpak mˌamɨ zwˈapaw za ɕtɕˈɛrkɛ dɔ nˈatʃɨɲ i zˈatʃɔw ɲʲˈɔ̃ mˈaxatɕ, ʒˈɛbɨ rɔspˈɛɲdʑidʑ dˈɨm.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_399.wav|pɔtʃˈɛbna mu wˈadna, mwˈɔda ʒˈɔna, ktˌura pɔmˈɔʒɛ zapˈɔmɲʲɛtɕ ɔ ʒˈalu.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_10.wav|bˌɨwam w vɨsˈɔkix ʃpˈilkax i ɔptɕˈiswɛj spudɲˈitʃtsɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_179.wav|zatʃˈɛliɕmˌɨ ˈiɕtɕ ɲʲˌɛzdɛtsˌɨdɔvˈaɲʲɛ f strˈɔnɛ pawˈatsu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_46.wav|udˈuɕiw mwˈɔdɔ̃ dʑɛftʃˈɨnɛ f sfˈɔim mʲɛʃkˈaɲʲu. ɲʲɛ udˈuɕiw, ɲʲɛ udˈuɕiw. brɔɲˈiwɛm ɕɛ ɲʲɛzrˈɛntʃɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_22.wav|i z brˈatɛm, s ktˌurɨm ɲʲɛ ˌutʃɨmˈujɛ kɔntˈaktuf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_18.wav|f kˈuxɲi jɛst tˈasak i vidˈɛlɛdʑ dɔ mʲˈɛ̃sa.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_265.wav|tʃɨ xtsˈɛtɕɛ dˈɔstatɕ nˈɔtslɛk?|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_242.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_88.wav|na dʒvʲˈax fɔkˈusa vidˈɔtʃna bˌɨwa ɡwɛmbˈɔka rˈɨsa, a vˈɔkuw ɲʲˈɛj ɕlˈat tɕɛmnˈɛɡɔ lakʲˈɛru.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_116.wav|pɔvʲˈɛtʃɛ z vnˈɛntʃa tunˈɛlu vˌɨstʃɛlˈiwɔ, ˌɔtpɨxˈajɔnts nˈas kavˈawɛɡ dɔ pʃˈɔdu.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_134.wav|ja pʲɛrdʑˈɛlɛ! vidʑˈitɕɛ tɔ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_139.wav|zˈaɲim pʃɛjdʑˈɛmɨ dɔ naˈila, xtɕˈawabˌɨm vrˈutɕitɕ na mˈɔmɛnd dɔ tˌɛɡɔ piwkˈaʒa, djˈɛɡɔ tsarlsˈɔna.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_14.wav|ɲʲɛ vʲˈɛʒɨw jˈuʒ w zɡrˌɔmadʑˈɔnɛ pʃɛtɕˈifkɔ ɲʲˈɛj dɔvˈɔdɨ, xˈɔtɕ ftɕˈɔ̃ʒ bˌɨwa iɣ ɡwˈuvnɔ̃ pˌɔdɛjʒˈanɔ̃ i rˌɨzɨkɔvˈali, ʒˈɛ utɕˈɛkɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_305.wav|ʒˈɛbɨ ɕɛ tɕˈɛbjɛ bˈatɕ, mˈuʃɛ lˈubʲitɕ takʲˈɛɡɔ, jakʲˈɛɡɔ dˈaw mi lˈɔs.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_23.wav|f xˈɔlu zjavˈiwa ɕɛ kɔbjˈɛta.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_99.wav|ɲʲˈɛma tˈu ɲˈits, tʃˈɛɡɔ mˈɔʒna bˈɨ ˈuʒɨtɕ. mˈuʃɛ zˌarɨzɨkˈɔvatɕ. ˈitɕ jˈuʃ, bˈɛtskɨ!|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_7.wav|ˌalɛ tsˈawɨ ɕfʲˈad bˈɨw mˈɔkrɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_47.wav|ɲʲɛ mˈɔɡɛ jɛj vˈɨdatɕ, prˈavda, jˈɛɡɔ kɕˈɔ̃ʃki? nˈavɛt jˈakɔ rˈɔman a klˈɛf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_96.wav|spɔjʒˈawa na ɲʲˈɛɡɔ s pravdʑˈivɨm ʒˈarɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_15.wav|jɛst tˈu ktˈɔɕ jˈɛʃtʃɛ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_90.wav|a pˈɔtɛm pɔlˈitsjand vʑˈɔw jˈɛɡɔ prˈavɔ̃ dwˈɔɲ i ˈandɛrsɔn ʃˈarpnɔw ɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_29.wav|bˌɨwa xwˈɔdna, ɲʲˈɛmal vrˈɔɡɔ nˌastavʲˈɔna, ˌɔpɛntˈana pʃˈɛs arˈama.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_49.wav|mˈuj ɡwˈɔz zatʃˈɨna ɕɛ wˈamatɕ. bˈɛtskɨ kwˈadʑɛ mi dwˈɔɲ na ramjˈɛɲʲu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_59.wav|a jˈɛdnak ɕfʲˈɛtɲʲɛ mu ɕɛ tˈam prˌatsɔvˈawɔ. napˈisaw prˈavʲɛ stˈɔ strˈɔn.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_27.wav|ˌalɛ jˈɛɕli ɕɛ mɨlˈiwam, tɔ w jˈakʲɛj jˈɛʃtʃɛ kfˈɛstji mˈɔɡwam ɕɛ mˈɨlitɕ?|4
+Dataset/wavs/urwisko_ferenc/03_segment_1.wav|i na pˈɔnad dvˈa tɨɡˈɔdɲʲɛ trafˈiwa dɔ ʃpitˈala psˌɨhiˌatrɨtʃnˈɛɡɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_135.wav|muʒˈɨɲi z vˌɔ̃ɕikˈami i vwɔsˈami vˌɨprɔstˌɔvanˈɨmi za tsˈɛnɛ ˈɔɕmju dɔlˈaruf|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_118.wav|vidʑˈawɛm w ʒˈɨtɕu vʲˈɛlɛ vrˈakuf, ˈandɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_26.wav|— a vʲˈɛnts ɲʲɛ mˈuviʃ, pˈaɲi dɛtˈɛktɨf, tsˈɔ kˌɔmbʲinujˈɛmɨ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_30.wav|i sˈupɛr. ˌalɛ f sfˈɔim vwˈasnɨm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_179.wav|spˌɔɡlɔndˈawa nˈamɲʲɛ ɡʒˈɛtʃɲʲɛ jˈak na ˌadmiɲˌistratˈɔra dˈɔmu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_211.wav|dɔpˈilnuj, ʒˈɛbɨ frˈaŋɡ bˈɨw pɔd dˈɔbrɔ̃ ɔpʲˈɛkɔ̃ i zˈawatf tˈɛ drˈuɡɔ̃ sprˈavɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_6.wav|ja tˈakʲɛ çixˈɔtɨ pˌamjɛntˈawɛm z dˈavnɨx lˈat, z dvˈɔrtsuf kˌɔlɛjˈɔvɨx, zzˈa ɕtɕˈan sɔ̃ɕˈaduf.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_83.wav|xrˈɨpnɔw prɛzˈɨdɛnt.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_44.wav|upˈɛvɲiw ɕɛ, ʒˈɛ tɛlˈɛfɔn mˈa vˌɨwɔntʃˈɔnɨ dʑvʲˈɛŋk i vibrˈatsjɛ, pɔ tʃɨm zdˌɛtsɨdˈɔvaw, ʒˈɛ jɛdˈɨnɨm bɛspʲˈɛtʃnɨm mʲˈɛjstsɛm dla ɲʲˈɛɡɔ bˌɛɲdʑɛ wˈuʃkɔ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_108.wav|ktˌura utɕˈɛkwa z dˈɔmu.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_170.wav|kapˈitan rɔzˈɛbraw mˈaʃt i pʃɨvʲˈɔ̃zaw ɡˈɔ dɔ pɔkwˈadu.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_168.wav|ɲʲɛ mˌamɨ tˈutaj bɛspʲˈɛtʃnɨx ʃˈɨp.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_141.wav|a tˈaɡʒɛ dvˈux mulɲˈikuf i lˈadɨ mirˈanda rɔˈɨtsɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_209.wav|na pˈɛvnɔ ɲʲɛjˈɛdɛn rˈas ɕɛ zˌastanavʲˈawa, tsˈɔ zrˈɔbʲitɕ, bˈɨ vɨɡlˈɔndatɕ na stˈarʃɔ̃, bˈardʑɛj ɔbˈɨtɔ̃, ˌalɛ ʒˈɛbɨ ɕɛ ɔdmwˈɔdʑitɕ, pɔ tsˈɔ?|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_200.wav|zvʲˈɛʃ mɲʲɛ txˈuʒɛm?|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_72.wav|ɡwˈɔs pˌɛtɛrsˈɛna, ˌalɛ klˈɛrki na pˈɛvnɔ pˈatʃɨw. pˌɔʒɔndlˈivʲɛ vɨtʃˈɛʃtʃaw ɕlˈɛpja zˌatɔpʲˈɔnɛ f pˌɔmarʃtʃˈɔnɨx ˌɔtʃɔdˈɔwax.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_96.wav|fspɔmɲʲˈawa pˈaɲi ɔ tˌɛlɛfˈɔɲʲɛ. ɡdʑˈɛ znˌajdɔvˈawa ɕɛ pˈaɲi kɔmˈurka w vʲɛtʃˈɔrnɨɣ ɡɔdʑˈinax f pˌɔɲʲɛdʑˈawɛk?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_24.wav|zˈafʃɛ znalˈazwa ɔkˈazjɛ dɔ zˌadɛmˌɔnstrɔvˈaɲʲa tʃɛrvˈɔnɨx pɔdˈɛʃɛf sfˈɔix ˌɛlɛɡˈantskix ʃpˈilɛk ɔt lˌɔubˌɔutʲˈina.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_11.wav|tɔ dˈɔbrɛ mʲˈɛjstsɛ dɔ lˌɔndɔvˈaɲʲa, mˈikɛ. ɲʲˈɛma vʲˈɛʒɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_538.wav|f ʃˈɨbjɛ z zˌastɨɡwˈɨmi bˌɔmbɛlkˈami pɔvʲˈɛtʃa zˌɔbatʃˈɨwɛm mˈɛntnɛ ɔdbʲˈitɕɛ naʃˈɛɡɔ pɔkˈɔju.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_66.wav|vˈɨbatʃ, jˈɔɛ, mˈuvi tˈɔm, fstˈajɛ i ˈidʑɛ za rˈɔbɛm dɔ druɡʲˈɛɡɔ pɔkˈɔju, zˌamɨkˈajɔndʑ za sˈɔbɔ̃ dʒvˈi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_68.wav|tɔ mˈɔʒɛ bˈɨtɕ tˌɨlkɔ jˈɛdna ɔsˈɔba.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_391.wav|tʃɨ ja bˌɨwɛm w ʒˈɨtɕu lubjˈanɨ?|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_367.wav|xwˈɔpaɡ zɡɲˈijɛ rˈazɛm s tˈɔbɔ̃. vˈaʃɛ kˈɔɕtɕi ɔɡrˈɨzɔ̃ vˈilki.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_94.wav|ɲʲɛ traktˈujɛ ix jˈak pʃɨjˈatɕuw. tɔ lˈudʑɛ, s kturˈɨmi pratsˈujɛ, a im mɲʲˈɛj ˈɔmɲʲɛ vʲˈɛdʑɔ̃, tɨm lˈɛpʲɛj.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_289.wav|zˈafʃɛ bˌɛɲdʑɛ mˈuɡw z ɲʲˈɛj zrˈɔbʲitɕ prˈatʃkɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_64.wav|znalˈazwɛm ɕɛ f pɔtʃˈasku, w jˈakʲɛjɕ sˌɨtuˈatsji, ktˌurɛj ɲʲɛ rɔzˈumjɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_110.wav|f kɔrˈɔnaɣ dʒˈɛf pʃɨ ɛvˈɛrɡrin strˈid vˈidatɕ pʲˈɛrʃɛ bˈarvnɛ plˈamki.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_100.wav|tʃɨ sˈɛr ɡrˈɛɡɔr mʲanˈɔvaw kˈɔɡɔɕ kˌaʃtɛlˈanɛm?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_153.wav|ɲʲɛ zdˈɔwam tɕi tˌɛɡɔ vɨjˈaɕɲitɕ f pʲˈɛɲtɕ mˈinut.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_70.wav|zmɛntʃˈɔna, ˌalɛ pˌɔdɛkstsˌɨtɔvˈana lˈintsaj vwˈaɕɲʲɛ vˈɛʃwa dɔ pˌɔmjɛʃtʃˈɛɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_205.wav|jˈɛdʑ dɔ pˌɛnsjɔnˈatu z ˈalfim. ja zabjˈɔrɛ rˈɛntsɛ rɔvˈɛra.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_30.wav|muɕˈawabˌɨ zɔstˈavitɕ alfjˈɛɡɔ bˈɛs ɔpʲˈɛki, ˌalɛ tɔː akˈurat swˈabɛ alˈibʲi. ɲʲɛstˈɛtɨ lˈudʑɛ rˈɔbjɔ̃ tɔ pʃˈɛs tsˈawɨ tʃˈas.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_97.wav|jˈasnɛ, mʲˈawa pʲɛɲʲˈɔndʑɛ, ˈalɛ...|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_19.wav|mˈuɡwbɨ zawˈatfitɕ pʲɛrʃˈɛɡɔ, ktˌurɨ vˈɛjdʑɛ vidˈɛltsɛm dɔ mʲˈɛ̃sa. na pˈɛvnɔ bˈɨwbɨ tɔ rˈɛɡɡʲɛ. watfʲˈɛjʃɨ tsˈɛl.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_325.wav|jˈɛɡɔ zbˈaftsa pɔxˈɨliw ɕɛ nˈadɲim.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_245.wav|bʲˈillɨ pɔtsˈunɔw mi nastˈɛmpnɔ̃, ktˌurɔ̃ jˈuʃ pʃˌɨɡɔtˈɔvaw zaftʃˈasu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_140.wav|dɔpʲˈɛrɔ tˈɛraz dɔtɕˈɛra dɔ ɲʲˈɛɡɔ, ʒˈɛ tɔ bˌɨwɔ bˈardʑɔ dʑˈivnɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_350.wav|a xˈɨdra ulˈitsɨ ɡdʑˈɛɕ f sɔ̃ɕˈɛdɲʲɛj klˈattsɛ sxɔdˈɔvɛj tɕˈɔŋɡlɛ kˈuli ɕtɕˈanɛ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_252.wav|dlatʃˈɛɡɔ tsɛrsˈɛi pˌɔzvɔlˈiwa vʲˈɛʒɛ znˈɔvu ɕɛ uzbrˈɔitɕ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_134.wav|ɲʲɛ jɛst tɔ ɕtɕˈɛʃka, ktˌurɔ̃ s pʃˌɨjɛmnˈɔɕtɕɔ̃ pˌɔkɔnˌɨvawˈɔbɨ ɕɛ nˈɔtsɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_106.wav|nˈavɛt ja tˌɛɡɔ ɲʲˈɛxtsɛ vʲˈɛdʑɛtɕ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_349.wav|sˈɛrtsɛ i ɡwˈɔva ˌudʑɛlˈawɨ nˈaɲʲɛ pʃˌɛtɕifstˈavnɨx ˌɔtpɔvʲˈɛdʑi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_6.wav|xˈɔdʑ ɡdˈɨbɨm tˌɨlkɔ mˈɔɡwa, zɛrvˈawabˌɨm ɕɛ dɔ sprˈintu.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_66.wav|bˈaw ɕɛ ˌɔtpɔvʲˈɛdʑi, jˈakɔ̃ mˈuɡwbɨ uswˈɨʃɛtɕ.|1
+Dataset/wavs/urwisko_ferenc/01_segment_27.wav|i ftˈɛdɨ tɔ ɕɛ stˈawɔ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_5.wav|sˈɛr rˈɔɡɛr bˈɨw ɡrˈubɨ i pˌɔrɔɕɲʲˈɛntɨ ʃtʃɛtɕˈinɔ̃, tˈak jˈak sˌuɡɛrɔvˈawɔ jˈɛɡɔ nazvˈiskɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_205.wav|pˈɔtɛm pʃˌɨstavˈiwam iskrˈɔvɲiɡ dɔ vɨlˈɔtu dˈɨʃɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_527.wav|ktˈɔɕ tsˈɔʑ vˈɔwaw f pʃɛpˈaɕtɕi ulˈitsɨ, lˈɛdʒ vʲˈadr zaɡwˈuʃaw jˈɛɡɔ swˈɔva.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_94.wav|ɲʲɛ bˌɨwɔː ˌɔnɔ zbˈɨt tʃˈɛ̃stɔː ˌuʒɨvˈanɛ, skˈɔrɔ ɲˈikt ɲʲɛ nˈɔɕiw ɔbˈuvja, ˌalɛ nˈazva zɔstˈawa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_54.wav|xˈɨba kɕɛŋɡˈɔvɨ, na pˈɛvnɔ spˈɛts ɔt tsɨfˈɛrɛk. bʲˈillɨ ɲʲɛ pamjˈɛnta jˈɛɡɔː imjˈɛɲʲa. mˈiki, mˈajki, mˈɔʒɛ mˈarki.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_36.wav|nastˈɛmpɲʲɛ fstˈaw, znˈuf uɕtɕˈisnɔw dwˈɔɲ tˈatɨ, pɔmˈaxaw dɔ nˈas i vrˈutɕiw dɔ salˈɔnu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_86.wav|vɔlˈawabˌɨm, ʒˈɛbɨ ɲʲɛ ʃˈukaw vˈɛmɲʲɛ fsparsˈija. za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ tɔ rˈɔbʲi vzrˈɔɡ dɛtˈɛktɨf, pʃɛnˈɔɕi ɕɛ na mˈɔjɔ̃ tfˈaʃ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_47.wav|ʒutɕˈiwam pˈatʃkɛ s kˌɔntrabˈandɔ̃ na sˈɔfɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_8.wav|ˈalbɔ mɲʲɛ, dɔdˈawa kˈatɛ, xˈɔtɕ kʲˈɛdɨ tˈɔm ɕɛ ɔ fʃˈɨstkim dɔvʲˈɛdʑaw, bˌɨli jˈuʒ dˈavnɔ pɔ rɔzvˈɔdʑɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_57.wav|zˈaɲim bˈɛtskɨ zdɔ̃ʒˈɨwa ɡˈɔ pɔtɕˈɛʃɨtɕ, tˈɔm vˈɨʃɛd na kɔrˈɨtaʃ i pɔ xfˈili ˌuswɨʃˈɛli, jˈaɡ zbjˈɛɡa pɔ sxˈɔdax.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_260.wav|ˌuruxɔmˈiwam ˌaplikˈatsjɛ baŋkˈɔvɔ̃ f sfˈɔim ɡʲˈizmɔː i puɕtɕˈiwam pʃˈɛlɛf.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_399.wav|nˈaʃɛ tˌajɛmɲˈitsɛ, pˌɔmɨɕlˈawɛm. mˈɔja i tɛj dʑɛftʃˈɨnɨ ɲʲˌɛrɔzvʲɔ̃zˈana zaɡˈatka.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_297.wav|zvratsˈanɔ mi nˈatɔ uvˈaɡɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_183.wav|ftˈɛdɨ jˈuʒ zapˈɛvnɛ bˌɛndɔ̃ ɕɛ dɔ ɲʲˈɛɡɔ zvrˈatsatɕ pˈɛr kˈɛn, a ɲʲɛ pˈaɲʲɛ xˈɔff, bˈɔ tˈak rˈɔbjɔ̃, kʲˈɛdɨ zvʲˈɛtʃɔ̃ krˈɛf.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_9.wav|kʲˈɛdɨ mˈama pˌɔvʲɛdʑˈawa, ʒˈɛ zˌakɔpʲˈɛmɨ arˈama rˈazɛm z innˈɨmi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_6.wav|starˈawɛm ɕɛ vʲˈɛnts trfˈadʑ w bɛzrˈuxu, pˈɔttʃaz ɡdˈɨ ɔn rˈɔbʲiw fʃˈɨstkʲɛ ɲʲɛzbˈɛndnɛ ˌɔblitʃˈɛɲʲa, mamrˈɔtʃɔndʑ dɔ ɕˈɛbjɛ pɔt nˈɔsɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_240.wav|vˈidʑi pˈan, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_228.wav|ɲˈim jˈɛdnaɡ zdɔ̃ʒˈɨwa zavˈɔwatɕ swuʒˈɔntsɛ, swɔvˈitʃɛk ˈɔbjɔw jˈɔ̃ xudˈɨmi rˌamjɔnˈami i pˌɔtsawˈɔvaw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_4.wav|na tɛn mˈɔmɛnt muɕˈawa vʲˈɛʒɨtɕ jɛj na swˈɔvɔ.|4
+Dataset/wavs/urwisko_ferenc/21_segment_23.wav|nˌatartʃˈɨvɨ dʑvʲˈɛŋɡ dɔxˈɔdʑiw zzˈa dʒvˈi sɨpʲˈalɲi rɔdʑˈitsuf. ɲʲɛ fxɔdʑˈiwa tˈam ɔt mʲɛɕˈɛntsɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_82.wav|muɕˈawɛm jˈɛɕtɕ f sˌamɔtnˈɔɕtɕi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_55.wav|ɲʲɛ rɔzˈumjɛm zaxfˈɨtu ɡˈɔlfɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_346.wav|na drˈuɡʲim kˈɔɲtsu sˈali rɔzlˈɛɡwɨ ɕɛ kʃˈɨki. tɔ mˈarɛj! rɔzmˈavʲaw z jˈakimɕ kulˈavɨm tʃwɔvʲˈɛkʲɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_189.wav|zˌakwadˈawam, ʒˈɛ dɔ tɛj pˈɔrɨ tˈata pʃˈɨznaw ɕɛ jˈuʒ dɔ pɔrˈaʃki, ˌalɛ jˈɛdnak ɕɛ mɨlˈiwam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_228.wav|mˈimɔ tɔ na dvˈux rɛntʃɲˈikax, kturˈɨmi ɕɛ vɨtɕˈɛra, zɔstˈajɔ̃ brˈudnɛ plˈamɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_75.wav|vˈitaj w dʑɛlɲˈitsɨ, mˈɨɕli.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_25.wav|ɲʲˈɛxtsɛʃ ɕɛ dɔvʲˈɛdʑɛtɕ, ɔ tʃɨm fʃˈɨstsɨ rˌɔzmavʲˈamɨ?|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_206.wav|ɔdˈɛzvaw ɕɛ allˈɛras. tɔ jɛst artsɨmaˈɛstɛr mˈarvin.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_148.wav|ɕɛdʑˈɛli jˈuʃ f kabʲˈiɲʲɛ i ˈandɛrsɔn fprɔvˈadʑiw samˈɔlɔt na pˈɔlɛ startˈɔvɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_218.wav|ɲʲɛ nɔɕˈiwam jˈuʒ bandˈaʒɨ, ˌalɛ mˈɔjɛ dwˈɔɲʲɛ bˌɨwɨ pɔkrˈɨtɛ tʃˌɛrvɔnˈɨmi pˌɛnxɛʒˈami.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_43.wav|pʃɛprˈaʃam.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_117.wav|— ɲʲɛ — pɔvʲˈɛdʑaw ˈandɨ. — pʃɨvʲˈɛʑli jˈuʃ tɛ vrˈaki. mˈɔʒɛʃ sˈɔbjɛ pˈujɕtɕ i ɔbˈɛjʒɛtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_205.wav|fʃˈɨstkɔ ɡrˈa. mˈɛdʒ zatʃˈɨna ɕɛ ɔ pʲˈɛrʃɛj. ja rˈuʃɛ dɔː ˈaktsji najftʃˈɛɕɲʲɛj ɔ fpˈuw dɔ drˈuɡʲɛj.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_138.wav|— tɔ prˈavda, ˌalɛ mˌaɛstˈɛʒɨ mˈuvjɔ̃, jˈɛʃtʃɛ ɲʲɛ ˈumar.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_157.wav|tʃɨ bˈɨw kurjˈɛrɛm? mˈuvi bʲˈillɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_28.wav|— mɨɕlˈawam, ʒˈɛ pɔznˈawam ʒˌɨtɕɔvˈɛɡɔ partnˈɛra — pˌɔvʲɛdʑˈawa ftˈɛdɨ mˈarʃtʃɔnts tʃˈɔwɔ, jˈaɡbɨ tɛ fspɔmɲʲˈɛɲʲa bˌɨwɨ bɔlˈɛsnɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_160.wav|tɛn vʲˈɛlki vˈir mɲʲɛ vˈɛssaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_6.wav|tsˈɔɕ jɛst na ʒˈɛtʃɨ i ɔbˈɔjɛ sɔ̃ tɨm zˌaɲʲɛpˌɔkɔjˈɛɲi.|4
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_20.wav|mˈuɕiʃ tɔ dla mɲʲɛ zdˈɔbɨtɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_51.wav|tsamˈɛrɔn vzrˈuʃɨw rˌamjɔnˈami.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_280.wav|zdˈɔbɔɲtɕ ˈallɛ, jˈɛɕli tɕi ɕɛ ˈuda, ˌalɛ uvˈaʒaj, tsˈɔ mˈuviʃ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_135.wav|uvˈaɡʲi lˈɔrda kˌapitˈana ɲʲɛ ˈumknɔ̃ fˈakt, ʒˈɛ ˌuswuɡujˈɔntsɛ im dʑˈɛfki mˌajɔ̃ na sˈɔbjɛ pʲˈɛŋknɛ ubrˈaɲʲa z vˈɛwnɨ i ˌaksamˈitu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_63.wav|prˈɔʃɛ sprubˈɔvatɕ tɛj ɲʲɛvˈinnɛj zabˈavɨ, ktˌura pɔʃˈɛʒa ɔpʃˈarɨ i tˌɛrɨtˈɔrja pˈɔlskʲɛj pɔˈɛzji.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_15.wav|tɔ s pɛvnˈɔɕtɕɔ̃ ɲʲɛ nˈuʃa, a zadˈaɲʲɛm zˈɔɛ ɲʲɛ jɛzd ɡˌɔtɔvˈaɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_30.wav|jˈasim klˈɛpnɔw jɛdnˈɛɡɔ f plˈɛtsɨ i kʲˈɛdɨ ˈɔbaj xwˈɔptsɨ pˈɔʃli, pʃˌɨjatɕˈɛlskɔː ɔbjˈɛɲtɕi rˌamjɔnˈami, vˈɨjɔw pˈatʃkɛ pˌapʲɛrˈɔsuf s kʲɛʃˈɛɲi spˈɔdɲi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_77.wav|kʲˈɛdɨ znajdʑˈɛmɨ mˈartɛ pˈɔrtɛr, a f kˈɔɲtsu tsˈɔ nastˈɔmpi, bˌɛɲdʑɛ tɔ jˈɛdnɔ s pˈɨtaɲ, ktˌurɛ jɛj zadˈamɨ. jɛstˌɛɕmɨ tsˈɔraz blˈiʒɛj.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_11.wav|a tsˈuʃ tɔ bˌɨwɔ za tɕˈawɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_236.wav|tfˈaʒɛ ˈɔsup f tlˈɛ sɔ̃ zˌamazˈanɛ, ˌalɛ bʲˈillɨ fʃˈɨstkix rˌɔspɔznˈajɛ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_172.wav|pʃɨɕˈɛŋɡɲij mi, ʒˈɛ ɲʲɛ vrˈutɕiʃ, dɔpˈuki smˈɔtʃa skˈawa ɲʲɛ bˌɛɲdʑɛ nˌalɛʒˈawa dɔ tɔmmˈɛna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_36.wav|ɔ zabˈujstfʲɛ klɛrkˈija bˌɨwɔ ɡwˈɔɕnɔ na tsˈawɨm ɕfʲˈɛtɕɛ, xˈɔtɕaʃ...|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_40.wav|i pˈatʃɨw jˈɛʃtʃɛ pʃˈɛs xfˈilɛ na butˈɛlkɛ i na smˈɔtʃɛk, kturˌɛɡɔ ɲʲɛ dɔtknˈɛwɨ ɲˈiɡdɨ tɕˈɛpwɛ ˈusta dʑˈɛtska.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_260.wav|stˈaw vʲˈɛnts i tʃˈɛkaw, ˌɔddɨxˈajɔndʑ ɡwˈɔɕnɔ, lˈɛtʃ spɔkˈɔjɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_20.wav|bʲˈillɨ bjˈɛʒɛ pˈɔrtfɛl mˈarki lˈɔrd bˈukstɔn.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_51.wav|ˌalɛ tɛn swɔvʲˈaɲin kˌawkaskʲˈɛɡɔ pˌɔxɔdʑˈɛɲʲa ɲʲɛ spˈɛʃɨw ɕɛ ftsˈalɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_245.wav|ɲʲˈɛx tɔ sˈamɔ dʑˈɛjɛ ɕɛ z innˈɨmi. ɲʲˈɛmam ˌɔbɔvʲˈɔ̃sku ˌupʃɛdʑˈaɲʲa lˈudʑi i spravʲˈaɲʲa im pʃˌɨjɛmnˈɔɕtɕi za dˈarmɔ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_372.wav|ˌuswɨʃˈawa tʃˈask kˈɔɕtɕi. bˈul ɔɕlˈɛpiw jˈɔ̃ na xfˈilɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_57.wav|mˈɔja fˈirma prˌɔjɛktˈujɛ sɨstˈɛmɨ ʃtˈutʃnɛj ˌintɛliɡˈɛntsji, ktˌurɛ ˌintɛɡrˈujɔ̃ ɕɛ s tˌɛlɛfɔnˈami kˌɔmurkɔvˈɨmi.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_35.wav|nˈavɛt jˈɛɕli xˈɔtax stˈaɲʲɛ za mnˈɔ̃ s xˌalabˈardɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_16.wav|— dʒˈɛs! zˈaraz zɔbˈatʃɨʃ! ˈɔjɛj, ˌalɛ tɨ ɔkrˈɔpɲʲɛ vɨɡlˈɔndaʃ!|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_54.wav|jˈuʒ dˈavnɔ tˌɛmu ˌɔtpuɕtɕˈiwa sˈɔbjɛ prˈubɨ ˌɔtsɛɲʲˈaɲʲa tʃɨjˈɛɡɔɕ smˈutku.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_43.wav|xˈɨba ɲʲɛ palˈiwaʑ w dˈɔmu, tsˈɔ? ɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/17_segment_6.wav|i tˈak ɕɛ ɔtxˈɨliw, ʒˈɛ nˌaprɛ̃ʒˈɔnɨ ʃnˈur skutˈɛtʃɲʲɛ ˈɔttɕɔw mu dˈɔpwɨf tlˈɛnu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_32.wav|a pˈɔza tɨm baˈilɛj vwˈaɕɲʲɛ zˈatʃɔw sfˈɔjɔ̃ dˈuʒɔ̃ ʃkˈɔwɛ, jˈak tɔ nazˈɨva, vʲˈɛndʑ zˌatʃɨmˈaɲʲɛ ɡˈɔ w dˈɔmu zabˈuʒɨ mu rutˈɨnɛ zˈajɛɲtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_21.wav|znalˈazwam ɡʲˈizmɔ rudjˈɛɡɔː i fsunˈɛwam jˈɛ dɔ kʲɛʃˈɛɲi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_149.wav|dlatʃˈɛɡɔ tˈu f tˈakim rˈaʑɛ pʃˈɨʃwaɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_59.wav|bʲˈillɨ sˈummɛrs, ɔpˈɔvʲɛɕtɕ ɔ zˌaɡubjˈɔnɨm tʃwɔvʲˈɛku. tsˈɔ tɨ nˈatɔ?|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_425.wav|vɨrvˈawa dwˈɔɲ z uɕtɕˈisku.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_87.wav|ɲʲɛ, mˈikɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_289.wav|ɲʲɛ jˈɛstɛm, jˈak tɔ ɕɛ mˈuvi, prˌaktɨkujˈɔntsɔ̃ mˌuzuwmˈaŋkɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_51.wav|skrɛɲtɕˈili na krˈutkɔ̃ rˈampɛ i spɔjʒˈɛli f prˈavɔ, ɡdʑˈɛ tʃˈɨ lˈampɨ rˌɔsɕfʲɛtlˈawɨ tɕˈɛɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_85.wav|bˌɛndɛ tˈuʒ za tˈɔbɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_7.wav|tˈɛras na ɔtkrˈɨftsɛ pratsˈɔvaw tˌɨlkɔ jˈɛdɛn kˈɔmbajn.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_66.wav|sɨtʃˈɛɲʲɛ zavˈɔru tɕˈixwɔ s kˈaʒdɔ̃ xfˈilɔ̃, ˈaʃ f kˈɔɲtsu ustˈawɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_55.wav|w ɔɕrˈɔtku ʃkˌɔlɛɲʲˈɔvɨm fˌuŋktsjɔnˈarjuʒ zabjˈɛʒɛ jˈɔ̃ s xɔtˈɛlu f sˈalfɔrt kˈiss i pʃɛvʲˈɛʑɛ dɔ nˈas.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_129.wav|ɲʲɛ pʃɛsˈadʑaj, bˈɔp.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_10.wav|ˌalɛ tʃɨ ˈɔvat ɲʲɛ pˌɔstanˈɔvi zbˈadadʑ vnˈɛntʃa mɔjˈɛɡɔ nˈɔsa?|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_57.wav|bʲˈillɨ pʃɛrˈɨva ˌawtɔmatˈɨtʃnɔ̃ rɔzɡrˈɨfkɛ kribbˈaɡɛ i ɔtfʲˈɛra nˈɔvɨ dɔkˈumɛnd vˈarda.|2
+Dataset/wavs/urwisko_ferenc/15_segment_93.wav|miltʃˈawa. dˈam tɕi nˈamjar na jˈɛɡɔ bˈɨwɔ̃ ʒˈɔnɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_141.wav|kʲˈɛdɨ dɔwˈɔntʃaw dɔ nˈas na pɔɕˈiwki, zapˈɛvɲʲaw jˈɔ̃, ʒˈɛ dˈɔbʒɛ sˈɔbjɛ rˈadʑi, ʒˈɛ jɛzd bˈardʑɔː ɔtfˈarta.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_57.wav|jˈɛʃtʃɛ ɲˈiɡdʑɛ pˈɔza amˈɛrɨkˌɔ̃ ɲʲɛ spɔtkˈawam ɲikˈɔɡɔ, ktˈɔ dɔdˈavawbˌɨ swˈɔvɔ jˈuɲʲɔr dɔ sfɔjˈɛɡɔ nazvˈiska i ɲʲɛvʲˈɛlɛ brˌakɔvˈawɔ, ʒˈɛbɨm ɕɛ rˌɔzɛɕmʲˈawa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_251.wav|a jˈɛɕli bˌɨwɔ w ɲˈix tsˈɔɕ lutskʲˈɛɡɔ, tɔ martfˈɔta.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_13.wav|rˈɔp ɔdjˈɛxaw ɲʲˈɛmal dvʲˈɛ ɡɔdʑˈinɨ ftʃˈɛɕɲʲɛj, ʒˈɛbɨ vrˈutɕidʑ dɔ pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔː i pʃɛkˈazatɕ ˌinfɔrmˈatsjɛ ˌinspɛktɔrˈɔvi simsˈɔvi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_72.wav|i tˈak mɲʲɛ zabʲˈijɛʃ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_8.wav|bʲˈillɨ ɕmʲˈɛjɛ ɕɛ. tɔ za dˈuʒɛ swˈɔvɔ.|2
+Dataset/wavs/urwisko_ferenc/30_segment_44.wav|krˈɛf pˌulsɔvˈawa f skrˈɔɲʲax, zˈasxwɔ jɛj w ɡˈardlɛ. f kˈɔɲtsu spɔjʒˈawa na ɲʲɛvʲˈɛlki kˈamjɛɲ, ktˌurɨ lˈɛʒaw pʃɨ pˈustɛj dɔɲˈitsɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_403.wav|i ˈandɛrsɔn pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_62.wav|pˈɔtɛm dɔ ɡwˈɔvɨ pʃɨxˈɔdʑi mu ˈinna mˈɨɕl, znˈatʃɲʲɛ ˌistɔtɲʲˈɛjʃa, tˈaka, ktˌura bjˈɛʒɛ ɡˈurɛ nat fʃɨstkˈimi pˌɔzɔstawˈɨmi.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_185.wav|jˌɛstɛm pˈɛvna, ʒˈɛ tsˈɔ dɔ tˌɛɡɔ fʃˈɨstsɨ ɕɛ zɡadʑˈamɨ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_126.wav|ktˈɔɕ pɔvˈiɲʲɛn mu zˈaɲʲɛɕtɕ jɛdʑˈɛɲʲɛ, zˈaɲim fʃˈɨstkɔ zɲˈikɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/05_segment_45.wav|zaɕmʲˈawa ɕɛ i pˌɔstanɔvˈiwa rˌɔsprɔstˈɔvatɕ kˈɔɕtɕi. vˈɨʃwa na bˈalkɔn, ˌalɛ duxˈɔta ftɕˈɔ̃ʃ ˌɔbɛzvwadɲʲˈawa.|0
+Dataset/wavs/urwisko_ferenc/37_segment_29.wav|a mˈɔʒɛ tsˈɔɕ tˈam jˈɛʃtʃɛ rɔbʲˈitɕɛ rˈazɛm?|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_179.wav|pɔftˈaʒam, jɛʒˈɛli ɲʲɛ dɔtˈarwɔ. stˈal!|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_120.wav|f kˈɔɲtsu tˈata vʒˈutɕiw bjˈɛk i rˈuʃɨw vzdwˈuʃ pɔdjˈazdu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_59.wav|— a jˈɛdnak ɲʲɛ pɔtrˈafjɛ tɕˈɛ ɲʲˌɛnavˈidʑitɕ — pɔvʲˈɛdʑaw rˈɨan. — ɲʲˈɛvʲɛm dlatʃˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_28.wav|jɛst jˈak jˈɛst. nˌajvaʒɲʲˈɛjʃɛ, ʒˈɛ mˌamɨ trˈɔp. kˈit, skˈɔrɔ mˌamɨ jˈuʃ nazvˈiskɔ, sprˈavdʑmɨ, tʃɨ mˈa prˈavɔ jˈazdɨ, pˈaʃpɔrt. sˈam vʲˈɛʃ, rˌutɨnˈɔva kɔntrˈɔla.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_5.wav|bʲˈillɨ ɔdɡˈarɲʲa jˈɔ̃ i ɕˈada na kanˈapʲɛ, znˈuf mˈɨɕlɔnts, ʒˈɛ tɔ mʲɛʃkˈaɲʲɛ jɛst jˈak ˈɔkrɛnt pɔdvˈɔdnɨ, a ˈɔknɔ tɔ jˈɛɡɔ pɛrˈɨskɔp.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_8.wav|dˈɔɕtɕ tˌɛɡɔ ɲʲˌɛzdɛtsˌɨdɔvˈaɲʲa, jˈɛɕli xˈɔdʑi ɔ naˈila straxˈana.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_108.wav|bʲˈillɨ pɔswˈuʃɲʲɛ pɔtxˈɔdʑi.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_273.wav|spʃɛdˈamɨ nˈaʃɨɣ vlˈɛsji w vɔlˈantʲis.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_76.wav|jˈuʒ vʲˈɛm, tsˈɔ ɕɛ stˈawɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_4.wav|miɲʲˈɔnɛj nˈɔtsɨ zabrˈali mɲʲɛ dɔ tɛj tsˈɛli.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_328.wav|mʲˈawa na sˈɔbjɛ jɛdvˈabjɛ i brɔkˈatɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_17.wav|xrˈɨstɛ, dʒˈɛk, skˈɔnt ˈɔtɨm vʲˈɛʃ f tˈakim tˈɛmpʲɛ?|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_283.wav|tsɛrsˈɛi krɛɲtɕˈiwɔ ɕɛ w ɡwˈɔvʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_177.wav|jˈɛɕli dˈɔbʒɛ ɕɛ rɔspˈɛɲdʑiʃ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_24.wav|fʃˈɨstkɔ ɕɛ uwˈɔʒɨ, kʲˈɛdɨ stsˈɔtt skˈɔɲtʃɨ ˌuɲivɛrsˈɨtɛt.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_153.wav|kʲˈɛdɨ ɔn ˈumar, ˈɛlis...|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_233.wav|tʃɨ tɔ tɨ pˌɔradʑˈiwɛɕ rˌɨanˈɔvi, ˈabɨ kˈupiw karˈabʲin?|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_165.wav|pʃˈɨkrɔ mi, mˈuvi ˈɔna, ʒˈɛ ɲʲˈɛma ɲˈidʑ dɔ pˌɔvʲɛdʑˈɛɲʲa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_80.wav|tsˈɔː ɔn z ɲˈimi zrˈɔbʲiw?|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_260.wav|f tɛj ˌɔpɔvʲˈɛɕtɕi jɛst prˈavda.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_100.wav|tɔ ɲʲɛ pˈɔtrfa jˈɛdnaɡ dwˈuɡɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_250.wav|— ja pˈana znˈam ɔd dˈavna — ʒˈɛkwa ɲʲˌɛɔtʃˌɛkivˈaɲʲɛ vˈɛra.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_90.wav|pɔxˈɨliw ɕɛ dɔ pʃˈɔdu i xfˈɨtɕiw mɲʲɛ za rˈɛŋkɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_11.wav|ja tˈɛʃ tˈak mɨɕlˈawam. jˈak pˈan vˈidʑi, ʃˌɨkɔvˈawam ɕɛ na ˌɔɡlɔndˈaɲʲɛ tʃˈɛɡɔʑ dɔ pˈuʑna f tˌɛlɛvˈizji.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_480.wav|i rˈunɔw na sfˈuj bˈarvuk.|0
+Dataset/wavs/urwisko_ferenc/29_segment_16.wav|vˈɨtʃuw, ʒˈɛ kˈiŋɡa xtsˈɛ tsˈɔʑ dˈɔdatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_184.wav|pʃɨpˈuʃtʃa, ʒˈɛ ɡrˈubaz vʲˈɛntsɛj ɕɛ dɔ ɲʲˈɛɡɔ ɲʲɛ ɔdˈɛzvʲɛ, xˈɔdʑ z drˈuɡʲɛj strˈɔnɨ, w ɕfʲˈɛtɕɛ ɡdʑˈɛ xˌɔxstaplˈɛra vˌɨbjɛrˈajɔ̃ na prˌɛzɨdˈɛnta, fʃˈɨstkɔ ɕɛ mˈɔʒɛ zdˈaʒɨtɕ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_466.wav|ɲʲɛ bˈɔjɛ ɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_97.wav|bʲˈillɨ ɲʲˈɛxtsɛ swˈɨʃɛtɕ tˌɛɡɔ zaˈimka, ˌalɛ pɔmˈija tɔ miltʃˈɛɲʲɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_76.wav|ɲʲˈɛxtsɛ bˈɨdʑ z ʒˈadnɔ̃ mˈiwɔ̃ dʑɛftʃˈɨnɔ̃ pɔvʲˈɛdʑaw mˈikɛ. xtsˈɛ bˈɨtɕ s tˈɔbɔ̃, xˈɔtɕaʃ ɲʲˈɛvʲɛm dlatʃˈɛɡɔ. rɔzˈɛɕmʲaw ɕɛ nˈaɡlɛ.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_177.wav|tɔ bˌɨwa ʃalˈɔna nˈɔts.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_209.wav|bʲˈillɨ ˌinfɔrmˈujɛ jˈɔ̃, ʒˈɛ mɔʒlˈivɛ skˈutki ubˈɔtʃnɛ tɔ nudnˈɔɕtɕi, zavrˈɔtɨ ɡwˈɔvɨ,|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_24.wav|pˌɔvʲɛdʑˈawɛm swˈɔva.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_15.wav|mˈɔʒna bˌɨwɔ ɕɛ spɔdʑˈɛvatɕ, ʒˈɛ rˈɨxwɔ vˈɨjdʑɛ z mˌatɛtʃɲˈika na drˈɔɡɛ pravdʑˈivɨ ɲʲˈɛdʑvʲɛtɕ f pɔdˈɛʃwɨm vʲˈɛku.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_32.wav|i fspʲˈɛwam ɕɛ na sˈam ʃtʃˈɨt.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_113.wav|a mˈɔɡwabˌɨm prˈɔɕitɕ ɔ ɡʒˈaŋkɛ? pˈɨta prˈavʲɛ ɲʲɛɕmʲˈawɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_83.wav|ˈanna pˌɔkivˈawa z ˌɛntuzjˈazmɛm ɡwˈɔvɔ̃. ˌɔtʃɨvˈiɕtɕɛ, zapˈiʃɛ ɡˈɔ zˈaras, ˌalɛ pˌɔdɛjʒˈɛvam, ʒˈɛ mˈɔɡɔ̃ bˈɨtɕ tˈam kwɔpˈɔtɨ z zaɕˈɛŋɡʲɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_62.wav|ʃɛpnˈɛwa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_83.wav|ɲʲɛ pɔvˈinnaɕ ɲˈiɡdʑɛ vɨxˈɔdʑitɕ, ɲʲɛ ˌinfɔrmˈujɔnts nˈas ˈɔtɨm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_31.wav|vˈɛzmɛ tɔ pɔt uvˈaɡɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_156.wav|mˈartɔ pˈɔrtɛr|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_68.wav|ɔdˈɛzvaw ɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_108.wav|bʲˈillɨ zˌapisˈujɛ jɛj nˈumɛr w lˈiɕtɕɛ kɔntˈaktuf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_98.wav|vʲɛdʑˈawɛm, ʒˈɛ vʲˈɛntsɛj jɛj ɲʲɛ zɔbˈatʃɛ, ˌalɛ jˈɛʃtʃɛ ɔ jˈɛdnɔ̃ muɕˈawɛm jˈɔ̃ zapˈɨtatɕ.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_295.wav|zˌapɨtˈajtɕɛ ɔ mˈarɨ.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_102.wav|stˈarʃɨ brˈat ˈuɕad na jˈɛdnɨm z ɲˈix i ɔtstˈaviw lˈampɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_177.wav|mˈɔʒɛ jɛj pʃɨpˈɔmɲʲɛtɕ, ʒˈɛ zabʲˈija tˌɨlkɔ tˈɨx, ktˌuʒɨ nˈatɔ zˌaswuɡˈujɔ̃, ˌalɛ pɔ tsˈɔ?|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_32.wav|stɛŋknˈɛwam pʃɛtɕˈɔŋɡlɛ i zatʃˈɛwam ɕɛ fspˈinatɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_183.wav|pˈatʃɨw pʃˈɛs xfˈilɛ w jˈɛɡɔ pwˈaskʲɛ ˈɔtʃɨ pˌɔzbavʲˈɔnɛ ɕfʲˈatwa, a pˈɔtɛm pɔvʲˈɛdʑaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_30.wav|dˌɔdatkˈɔvɔ zˌirɨtˈɔvaw jˈɔ̃ fˈakt, ʒˈɛ ɲʲɛ mˈɔɡwa tˌɛɡɔ zrˈɔbʲitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_203.wav|bʲˈillɨ pˈatʃɨ zˈaɲim, ˈaʃ xˈɔff fxˈɔdʑi dɔ vˈindɨ i zɲˈika mu s pˈɔla vidʑˈɛɲʲa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_64.wav|jˈasnɛ.|2
+Dataset/wavs/urwisko_ferenc/12_segment_77.wav|i tsˈɔ mˈɨɕliʃ? spɨtˈawa xˈɛrman.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_104.wav|mˈatka i tsˈurka patʃˈɨwɨ na ɕˈɛbjɛ pʃˈɛs xfˈilɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_45.wav|pˌɔvʲɛdʑˈawa, ʒˈɛ ɲʲɛ mˈɔɡwa ɕɛ dɔtʃˈɛkatɕ, ʒˈɛbɨ mi ɔ tʃˈɨmɕ pɔvʲˈɛdʑɛtɕ, dlatˈɛɡɔ ɕɛ skˌɔntaktɔvˈawa.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_102.wav|ɕtɕˈanɨ nˈadal sɔ̃ nˈaɡʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_66.wav|bʲˈillɨ mˈɨɕli, ʒˈɛ jˈak tɔ s pˌɛsɨmˌistɨtʃnˈɨmi prˌɔɡnɔzˈami zvˈɨklɛ bˈɨva, tˈaɡ ʒˈɛ i ta zapˈɛvnɛ ɕɛ sprˈavdʑi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_28.wav|jˈɛwa napˈɛwɲʲatɕ plˌastʲikˈɔvɔ̃ ʃklanˈɛtʃkɛ bˌuzujˈɔntsɨm pwˈɨnɛm.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_164.wav|tsˈɔ ɕɛ stˈawɔ s tfˈɔim brˈatɛm? zˌapɨtˈawa tsˈat. s tɨm ɡrˈubɨm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_366.wav|krutsjˈata pʃˌɛbatʃˈɛɲʲa. a w ɔrkˈutɕɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_75.wav|tʃɨ s pɔvˈɔdu tˈɛɡɔ, ʒˈɛ vɨxˈɔvaw ɕɛ w dˈɔmu dʑˈɛtska i ɲʲˈɛmʲaw dɔbrˈɛɡɔ vˌɨkʃtawtsˈɛɲʲa?|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_75.wav|mˈuʃɛ pʃˈɨznatɕ, ʒˈɛ vˌɨɡlɔndˈawam w ɲˈim tsˈawkʲɛm sɛksˈɔvɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_203.wav|ɲʲɛ w ɡwˈɔvʲɛ mu dʑˈiɕaj pisˈaɲʲɛ. kˈurtʃɛ, nˈavɛt ɲʲɛ mˈɔʒɛ ɡrˈatɕ f krˈibɛtʃ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_243.wav|zˈaɲim na dʑˈiɕaj skˈɔɲtʃɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_78.wav|bʲˈillɨ pˈɨta, tsˈɔ dɔbrˈɛɡɔ dɔ jɛdʑˈɛɲʲa mˈɔʒna dˈɔstatɕ na dˈɔlɛ. dʒˈɔn i xˈarɨ pˌɔlɛtsˈajɔ̃ bˈar mˌɛksɨkˈaɲski.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_35.wav|dˈɔbʒɛ, ʒˈɛ pˈan jˈɛst. mɲʲɛ ɕɛ bˈardʑɔ ɕpʲˈɛʃɨ. xˈɔdʑmɨ dɔ mˈɛɡɔ ɡˌabʲinˈɛtu. fprɔvˈadʑiw mɲʲɛ dɔ mˌalɛɲkʲˈɛɡɔ pˌɔkɔˈiku.|0
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+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_190.wav|znajdˈujɛ ɕɛ stɛrˈɔvɲʲa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_26.wav|mˈɔʒɛ ˈuda ɕɛ zdˈɔbɨtɕ jˈakɔ̃ɕ ɔpˈiɲʲɛ na jɛj tˈɛmat.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_24.wav|mʲˌɛndʑɨ ɲˈimi stˈaw tˈaran, pʲˈɛɲ dʒˈɛva ɔː ˌutfardʑˈɔnɨm nat ˈɔɡɲʲɛm kˈɔɲtsu, zˌavʲɛʃˈɔnɨ na waɲtsˈuxax pɔd drɛvɲʲˈanɨm ɔkˈapɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_19.wav|tɔ bˈɨ vˌɨjaɕɲʲˈawɔ, dlatʃˈɛɡɔ w vʲˈɛlkʲɛj brɨtˈaɲʲi ɲʲɛ bˌɨwɔ ʒadnˈɛɡɔ zapˈisu dˌɔtɨtʃɔntsˈɛɡɔ ɕmʲˈɛrtɕi stsˈɔtta. ɲʲɛ bˌɨwɔː ˌɔbɔvʲˈɔ̃sku rˌɛjɛstrɔvˈaɲʲa zɡˈɔnu kˈɔɡɔɕ, ktˈɔ zmˈar za ɡraɲˈitsɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_103.wav|tsˈɔɕ pˌɔvʲɛdʑˈawa, ˌalɛ tˈak tɕˈixɔ, ʒˈɛ tˌɛɡɔ ɲʲɛ dˌɔswɨʃˈawɛm.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_349.wav|i panˈɔvaw w ɲˈim najvʲˈɛŋkʃɨ bawˈaɡan.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_84.wav|bˌɨwɨ vˌɨmuʃˈɔnɛ pɔd ɡrˈɔʑbɔ̃ mʲˈɛtʃa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_89.wav|pʃˌɛprɔvˈatska dɔ mˌanxɛstˈɛru stˌanɔvˈiwa pɔvˈaʒnɨ bwˈɔnt.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_275.wav|brjˈɛnnɛ mɔdlˈiwa ɕɛ, bˈɨ tˈaɡ vwˈaɕɲʲɛ zrɔbʲˈili. stˈawa ɲʲˌɛruxˈɔma jˈak kˈamjɛɲ, tʃɛkˈajɔnts na ɲʲˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_415.wav|patʃˈɨwɛm stsɛptˈɨtʃɲʲɛ na kˌɔlɔrˈɔvɛ piɡˈuwki.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_201.wav|jˈɛdnak ɔdvˈaɡa ʃˈɨpkɔ ɡˈɔː ˌɔpuɕtɕˈiwa.|4
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_151.wav|napˈɛndʑaw ɡˈɔ ɕˈilɲik ˌɛlɛktrˈɨtʃnɨ, a tˈɔrɨ ɲʲɛ bˌɨwɨ nˌaraʒˈɔnɛ na dʑawˈaɲʲɛ zmʲˈɛnnɨɣ varˈuŋkuf ˌatmɔsfɛrˈɨtʃnɨx, ktˌurɛ pˌɔvɔdˈujɔ̃ ˌɔtkʃtawtsˈɛɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_126.wav|fʃˈɨstkim tɨm tʃˈɛba ɕɛ zˈajɔɲtɕ f stɔsˈɔvnɨm tʃˈaɕɛ, ˌalɛ nˈajpʲɛrf jɛst tɔ jˈaɡʒɛ vˈaʒnɛ pʲˈɛrʃɛ spɔjʒˈɛɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_17.wav|zawˈɔʒɛ ɕɛ, ʒˈɛ tɔ vwˈaɕɲʲɛ tʃˈɨɲi ɡˈɔː ˌintrɨɡujˈɔntsɨm w ˈɔtʃax ˈinnɨx.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_163.wav|pˌɔjavˈiwɨ ɕɛ pˌɔdɛjʒˈɛɲʲa, ʒˈɛ ˌutʃɛstɲˈitʃɨw f spˈisku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_125.wav|swɨʃˈawam sfˈuj ˈɔddɛx, krˈutki i ˌurɨvˈanɨ, jˈaɡbɨm bjˈɛɡwa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_84.wav|tsˈɔ tɨ mˈɨɕliʃ? zapˈɨtaw mˈikɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_24.wav|xˈɨba pɔvˈinnam zadʑvˈɔɲidʑ dɔ tsarlsˈɔnuv w drˈɔdʑɛ dɔ dˈɔmu i jˈɔ̃ ˈɔtɔ zapˈɨtatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_263.wav|ˌɔtprɔvadʑˈiwam jˈɔ̃ vzrˈɔkʲɛm, tʃˈujɔnts pˌulsɔvˈaɲʲɛ w ʒˈɨwax.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_177.wav|kʲˈɛdɨ stˈɔjɛ na balkˈɔɲʲɛ, jˌɛstɛm ɕfʲadˈɔma, ʒˈɛ tsˌamɛrˈɔna ɲʲˈɛma w jˈɛɡɔ zvˌɨtʃajˈɔvɨm mʲˈɛjstsu pʃɨ stˈɔlɛ dɔ blˈatsk jˈatska i ɲʲɛ ˌɔpsɛrvˈujɛ mɲʲɛ uvˈaʒɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_47.wav|na rˈaʑɛ dˈam ˈustnɛ ˌupɔvaʒɲʲˈɛɲʲɛ, ʒˈɛbɨ ɲitʃˈɛɡɔ ɲʲɛ ɔpˈuʑɲʲatɕ. pʃˌɨɡɔtˈujɛ dˌɔkumˈɛntɨ i pɔtpˈiʃɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_112.wav|rˈɛʃta ɲʲˈɛx ɕɛ tˈu krˈɛɲtɕi. ˌudavˈajtɕɛ, ʒˈɛ tsˈɔɕ rɔbʲˈitɕɛ i tˈaɡ dˈalɛj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_294.wav|ɲʲˌɛzvʲɔ̃zˈanɛ zˈɛ sˈɔbɔ̃ sɨlˈabɨ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_435.wav|jɛst tˈam fʃˈɨstkɔ pˈɔza tˈɨm, tsˈɔ mˈam zrˈɔbʲitɕ s tsɛrsˈɛi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_6.wav|ˌiɡnɔrˈujɛ lˌɔdɔvˈatɛ spɔjʒˈɛɲʲɛ tˌaksufkˈaʒa w lustˈɛrku fstˈɛtʃnɨm. fˈatsɛd zvˈalɲʲa jˈɛʃtʃɛ bˈardʑɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_130.wav|zrˌɔzumjˈawam, ʒˈɛ jɛj zdˈaɲʲɛm ˈaram nalˈɛʒɨ dɔ ɲʲˈɛj.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_25.wav|pʃɛrˈɨva, kʲˈɛdɨ prɛzˈɛntɛr vʲˌadɔmˈɔɕtɕi pʃˌɛkazˈujɛ dˈalʃɛ ˌinfɔrmˈatsjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_139.wav|ˈaxa! xtsˈɛʃ pɔjˈɛxatɕ kɔmbˈajnɛm na pɔɡˈuʒɛ mɔltkʲˈɛɡɔ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_38.wav|ɲˈilɛ, strˈakan mˈiltʃaw, a tˈɔm tʃˈɛkaw.|3
+Dataset/wavs/urwisko_ferenc/09_segment_99.wav|a na ˈilɛ vʲˌarɨɡˈɔdnɨ mˈɔʒɛ bˈɨtɕ ˌalkɔxˈɔlik?|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_41.wav|tsawˈujɛ jˈɔ̃ na dɔbrˈanɔts i vɨxˈɔdʑɛ s pɔkˈɔju, ʒˈɛbɨ ɲʲɛ vidʑˈawa ɡɲʲˈɛvu w mˈɔix ˈɔtʃax.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_175.wav|spˈɔjʒaw nˈamɲʲɛ zdʑivʲˈɔnɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_24.wav|tˈata uvˈaʒɲʲɛ ɕɛ jɛj pʃɨɡlˈɔndaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_181.wav|mʲˌɛndʑɨ innˈɨmi tɨm ɕɛ zajmˈujɛ. mˈɔʒɛʃ stˈatɕ ɕɛ nˈɔvɨm tʃwɔvʲˈɛkʲɛm, jˈɛɕli xtsˈɛʃ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_41.wav|ˌalɛ pʃˈɨjdʑɛ tʃˈas, ʒˈɛ bɛɲdʑˌɛmɨ muɕˈɛli ɕɛ rˈɔsstatɕ, rɔzˈumjɛʃ, tɔ prˈavda.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_134.wav|bʲˈillɨ jɛst nˈatɔ pʃˌɨɡɔtɔvˈanɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_304.wav|fʃˈɨstsɨ ɕɛ znˈamɨ i jɛstˌɛɕmɨ pɔdˈɔbɲi dɔ ɕˈɛbjɛ jˈak kˈɔtɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_31.wav|ɲˈidʑ vʲɛlkʲˈɛɡɔ, tˌɨlkɔ tɔ, ʒˈɛ ta ɔsˈɔba jɛzd bˈardʑɔ zˌaɲʲɛpˌɔkɔjˈɔna tfˈɔjɔ̃ xɔrˈɔbɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_137.wav|xˈɔtɕ trfˈawɔ tɔ strˈaʃɲʲɛ dwˈuɡɔ, ˌɔna ɲʲɛ ruʃˈɨwa pɔvʲˈɛkɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_389.wav|xtsˈɛ, ʒˈɛbɨm znˈɔvu ɕɛ zˌatʃɛrvʲɛɲˈiwa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_360.wav|zˈɛrvaw ɕɛ s tˌabɔrˈɛtu.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_43.wav|jɛst rˈatʃɛj zbˈɨt sˈuxɔ, dlatˈɛɡɔ pˌɔzbɨvˈamɨ ɕɛ tɕˈɛpwa, vˌɨsɨwˈajɔnts jˈɛ f pʃˈɛstʃɛɲ kɔsmˈitʃnɔ̃ pɔt pɔstˈatɕɔ̃ prˌɔmjɛɲʲɔvˈaɲʲa pˌɔttʃɛrvɔnˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_187.wav|ˌalɛ pˈɔrt jɛst tˌɨlkɔ dla zˌavɔdˈɔftsuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_39.wav|f kˈɔɲtsu vdrapˈawam ɕɛ na ʃtʃˈɨd vˈawu i ɔmjˈɔtwam vzrˈɔkʲɛm tˈɛrɛn na dˈɔlɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_13.wav|inspˈɛktɔr sˈimz dˌɨspɔnˈujɛ kilkˈɔma ˌinfɔrmatsjˈami, kturˈɨmi xtɕˈawbɨ ɕɛ z nˈami pɔdʑˈɛlitɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_139.wav|lˈɛtʃ ɲʲɛ bˌɨwɔ jˈuʃ ɲikˈɔɡɔ, ktˈɔ mˈuɡwbɨ mu vʲˈɛʒɨtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_394.wav|pˈujdɛ na ˌɛmɛrɨtˈurɛ i vɨnˈajmɛ sˈɔbjɛ jˈakiɕ tˈaɲi pˈɔkuj w vˈɛnɛs, a mˈɔʒɛ f sˈanta mɔɲˈitsa kˈɔwɔ mˈɔla.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_11.wav|f sɔbˈɔtɛ f tsˈɛntrum mʲˈasta ɔdbˈɨva ɕɛ parˈada.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_189.wav|kˈɔrsaɡ vˈɛstxnɔw i ɡvawtˈɔvɲʲɛ vˌɨprɔstˈɔvaw nˈɔɡʲi. mɲʲˈɛjʃa s tˈɨm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_51.wav|vʲɛ̃ʑˈɛɲʲɛ tsɛntrˈalnɛ ɔkrˈɛŋɡu lˈɔs ˈandʒɛlˌɛs.|0
+Dataset/wavs/urwisko_ferenc/53_segment_85.wav|nˈɔː i tsˈɔ s tˈɛɡɔ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_43.wav|dˈavn lɛʒˈawa skulˈɔna w nˌarɔʒɲˈiku jˈɛdnɛj s sˈɔf. vˌɨɡlɔndˈawa zupˈɛwɲʲɛ inˈatʃɛj ɲˈiʃ pˌɔpʃɛdɲʲˈɛɡɔ dɲʲˈa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_187.wav|ˌɔna w dˈalʃɨm tɕˈɔŋɡu bˌɨwa ɲʲˌɛruxˈɔma.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_29.wav|ˈɔx, i fʃˈɨstkɔ fskazˈujɛ nˈatɔ, ʒˈɛ ɕɛ kwutɕˈiwɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_44.wav|dla tˈɔma nˌajvaʒɲʲˈɛjʃɛ bˌɨwɔ tɔ, ʒˈɛ ɔdʑˈɨskaw tsˈurkɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_149.wav|rˌɔzvalˈiwɛm tˌɨlkɔ tˈɨx, ktˌurɨx muɕˈawɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_32.wav|f pɔʒˈɔntku, pˈuʃtʃɛ tɕˈɛ vˈɔlnɔ, ˌalɛ tˌɨlkɔ na xfˈilɛ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_282.wav|ˈɛwnux mʲˈaw f tsˈawɨm mʲˈɛɕtɕɛ aɡˈɛntuf i ˌinfɔrmatˈɔruf.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_219.wav|muɕˈɛli spˈɛɲdʑitɕ nˈɔts w lˈɛɕɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_57.wav|ɔtkrˈɨwam, ʒˈɛ pɔtrˈafjɛ kwˈamadʑ bˈɛs mruɡɲʲˈɛɲtɕa ˈɔkʲɛm i ˌɔpanɔvˈawam ˌumjɛjˈɛntnɔɕtɕ ˌukrɨvˈaɲʲa kˈaʒdɛj ɛmˈɔtsji z vɨjˈɔntkʲɛm tɨx pʃˌɛznatʃˈɔnɨɣ dla ˈinnɨx.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_208.wav|a tˈak pɔt ɔswˈɔnɔ̃ brˌutalnˈɔɕtɕi i ɡʒˈɛxu mˈɔʒna pˈujɕtɕ na rɨzˈɨkɔ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_145.wav|jɛj tfˈaʒ bˌɨwa ʑˈimnɔ̃ mˈaskɔ̃ ˌupʃɛjmˈɔɕtɕi.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_27.wav|ɕfʲˈatwɔ swɔnˈɛtʃnɛ na zˈɛvnɔntʃ mɔɡwˈɔbɨ dˌɔprɔvˈadʑidʑ vˈɔdɛ dɔ tˌɛmpɛratˈurɨ vʒˈɛɲʲa, vʲˈɛnts nˈaʃɛ skafˈandrɨ bˌ��wɨ vˌɨpɔsaʒˈɔnɛ f tsɛntrˈalnɨ ˈukwat xwɔdʑˈɛɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_270.wav|tˈak naprˈavdɛ bˈɨw mˈartfɨ, mˈuviw dˈalɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_415.wav|ɔn xtsˈɛ zbˈavitɕ ɛwrˈɔpɛ!|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_95.wav|dʑvˈɔɲi dɔ ɲʲˈɛɡɔ bˈɛz vʲˈɛŋkʃɛj nadʑˈɛi, ʒˈɛ ɔdbjˈɛʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_26.wav|jˌɛstɛɕ jˈɛɡɔ vʲˈɛlkɔ̃ ɕfʲˌɔntɔblivˈɔɕtɕɔ̃?|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_130.wav|na pˈɛvnɔ bˈɨw tʃwɔvʲˈɛkʲɛm, ktˌurɨ dɔkwˈadɲʲɛ bˈadaw ɡrˈunt, zˈaɲim vɨkˈɔnaw jˈakiɕ rˈux.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_122.wav|ktˌurɨ bˈɨw ɔn dʑˈiɕ sɛptˈɔnɛm f sˈɛptɕɛ za mˈɔʒɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_2.wav|bˈɛtskɨ ɲʲɛ bˌɨwa ʃtʃɛɡˈulɲʲɛ zˌaskɔtʃˈɔna ˌinfɔrmatsjˈami ɔt tˈɔma na tˈɛmat rɔɡˈɛra jaɡˈɛra, xˈɔtɕ tˈɛras jˈɛʃtʃɛ pilɲʲˈɛjʃɛ vˌɨdavˈawɔ ɕɛ znˌalɛʑˈɛɲʲɛ tsˌamɛrˈɔna ɛdmˈuntsa.|3
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_39.wav|tɔ tsˈawkʲɛm prˈɔstɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_43.wav|zvaʒˈɨfʃɨ nˈatɔ, jˈaɡ vˈaʒnɛ jɛst tɔ xˈaswɔː ˌɔras nˈatɔ, ʒˈɛ mˌamɨ xɔlˈɛrɲʲɛ dˈuʒɔː ˈinnɨx sprˈav dɔ zˌawatfʲˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_117.wav|fkrˈuttsɛ ɕɛ ɔbˈudʑɛ.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_334.wav|lˈɔrdʑɛ ɔrtˈɔɲʲɛ, vˈɛzvij mˈɔjɛ strˈaʒɛ. ɲʲˈɛɣ zabjˈɔrɔ̃ tˌɛɡɔ nɛndʑɲˈika dɔ lˈɔxuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_592.wav|pˈɔvʲɛts mi tsˈawɔ̃ prˈavdɛ ɔ sˈɔbjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_119.wav|prˌɔpɔnˈujɛ mu tˈɔrbɛ na zakˈupɨ, ˌalɛ bʲˈillɨ ɡʒˈɛtʃɲʲɛ ɔdmˈavja.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_147.wav|pʃɨɲʲˈɔswam tɕi kɔlˈatsjɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_188.wav|fstˈawɛm jˈɛdnaɡ z wˈuʃka i pɔtʃˈɛdwɛm dɔ dʒvˈi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_255.wav|kʲˈɛdɨ ɡˈarbuz bjˈɛkw pʃˌɨnaɡlˈanɨ klɔntfˈami. a pˈɔtɛm ˈandɛrsɔn pˈɔʃɛd dɔ waʑˈɛŋki i pˈɔtʃɔw mˈɨtɕ rˈɛntsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_61.wav|f tɨm tʃˈaɕɛ ˈɛlis xˈɔdʑi pɔ mʲɛʃkˈaɲʲu jɛnsˈɛnuf, ˌɔprɨskˈujɛ fʃˈɨstkʲɛ pɔvʲˈɛʃxɲʲɛ lizˈɔlɛm zmʲɛʃˈanɨm z vˈɔdɔ̃ i vɨtɕˈɛra ɕtɕˈɛrkɔ̃ dɔ nˈatʃɨɲ.|2
+Dataset/wavs/urwisko_ferenc/43_segment_29.wav|ktˈɔ tɔ mˈɔʒɛ tˈɛras sprˈavdʑitɕ? zˌastanˈɔviw ɕɛ ɡɔspˈɔdaʃ rˌɛtɔrˈɨtʃɲʲɛ i vʑˈɔw ʃklˈaŋkɛ z vˈɔdɔ̃ ɔt pˌɔlitsjˈanta.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_30.wav|tsˈɔ bˌɨwɔ f trˈɛɕtɕi tɛj vʲˌadɔmˈɔɕtɕi?|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_85.wav|sfˈɛɲdʑi mɲʲɛ tfˈaʃ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_71.wav|ɲʲɛ mʲˈawa jˈɛdnak ɔxˈɔtɨ sprˈavitɕ pʃˌɨjɛmnˈɔɕtɕi tɛj tsˈawɛj ˈɛlis, pˌɔkazˈujɔnts, ʒˈɛ zwapˈawa pʃɛnˈɛntɛ.|3
+Dataset/wavs/urwisko_ferenc/36_segment_121.wav|— tsˈɔ bˌɛɲdʑɛ s xwɔpˈakʲɛm? — zɛrknˈɛwa f kʲɛrˈuŋku kˈuxɲi.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_438.wav|ɲˈiɡdɨ tˈak ɲʲɛ vˌɨɡlɔndˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_176.wav|mˈawɨ ɔɡrˈudɛk, dˈalɛj rˈuf mˌɛljɔratsˈɨjnɨ, nat ktˌurɨm rˈɔɕɲʲɛ kˈilka mizˈɛrnɨɣ dʒˈɛf, a jˈɛʃtʃɛ dˈalɛj jˈakʲɛʑ budˈɨŋki, xˈɨba mˌaɡazˈɨnɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_12.wav|fskazˈawam sfˈuj strˈuj.|3
+Dataset/wavs/urwisko_ferenc/10_segment_76.wav|bɔrˈɛvitʃ pamjˈɛntaw tɛ zdaʒˈɛɲʲa tˌɨlkɔ z jɛdnˈɛɡɔ pɔvˈɔdu.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_235.wav|bʒˈɛŋk stˈali stˈaw ɕɛ tˈu ɡwɔɕɲʲˈɛjʃɨ i brjˈɛnnɛ vˌɨpatʃˈɨwa dalˈɛkɔ za stajɲʲˈami, za vˈɔzɛm s pˌɔwamˈanɨm kˈɔwɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_22.wav|ja tˌɨlkɔ pʃɨvʲˈɔzwam mu ɲʲˌɛlɛɡˈalnɨ ʃˈajs, ktˌurɨ zamˈuviw.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_214.wav|ˌalɛ f tɛj xfˈili ɲʲɛ ufˈawam ɲitʃˈɛmu, tsˈɔ mʲˈawɔ zvʲˈɔ̃zɛɡ z ˌɛlɛktrˈɔɲikˌɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_151.wav|mɛ̃ʃtʃˈɨzna f kˈɔɲtsu ɕɛ tsˈɔfnɔw i zˈamknɔw zˈaɲʲɔ̃ dʒvˈi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_506.wav|sxɨlˈiwa ɕɛ i pˌɔtsawɔvˈawa mɲʲɛ w ˈusta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_18.wav|nakwˈada bufjˈastɛ spˈɔdɲʲɛ na dʒˈinsɨ, ɕtɕˈɔŋɡa ʃnˈurɛk f pˈaɕɛ i zˌavʲɔ̃zˈujɛ ɡˈɔ w vˈɛ̃zɛw bˈapski.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_163.wav|f sˈɛptɕɛ bˌɨwɔ tɕˈɛmnɔː i tɕˈixɔ.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_177.wav|kˈɔɡɔ ɲˈiɡdɨ ɲʲɛ znˈawɛm.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_8.wav|jˈadwɛɕ kʲˈɛdɨɕ pˌɔmarˈaɲtʃɛ, xwˈɔptʃɛ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_58.wav|ɲˈiɡdɨ tɕˈɛ jˈuʃ ɲʲɛ zɔbˈatʃɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_259.wav|pˈɔttʃas ɔstˈatɲʲɛj vˈɔjnɨ.|0
+Dataset/wavs/urwisko_ferenc/43_segment_67.wav|tsˈɔ rɔbʲˈimɨ? ɔdˈɛzvaw ɕɛ ˈɔlɡʲɛrt, ɡdˈɨ xˈɛrman pɔdˈɛʃwa dɔ tɔjˈɔta.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_52.wav|dɛtsˈɨzja ɲʲɛ nalˈɛʒɨ dɔ tɕˈɛbjɛ.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_131.wav|w ɔtfˈartɨɣ dʒvʲˈax stˈaw strˈaʒɲik. pʃɨ vˈɛjɕtɕu tʃɛkˈajɔ̃ lˈadɨ vɛstˈɛrliŋk.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_57.wav|ˌalɛ vʲˈɛʃ, ʒˈɛ tˈu ɲʲɛ xˈɔdʑi ɔ pʲɛɲʲˈɔndʑɛ, prˈavda?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_100.wav|ɲʲɛ mˈɔɡɛ zɔstˈavitɕ tˈutaj.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_46.wav|kɔmˈɛndant tˌɛɡɔ kˌɔmisarjˈatu bˈɨw kʲˈɛdɨɕ mˈɔim studˈɛntɛm.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_481.wav|pʃˌɛrɔdʑˈiwa ɕɛ w mˈaskɛ ˌuraʒˈɔnɛj ɡɔdnˈɔɕtɕi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_137.wav|jɛj pʲˈɛrʃɛ prˈafkɔ mˈɨɕli.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_17.wav|mˈɔʒɛ tsˈɔɕ mu ɕɛ stˈawɔ?|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_359.wav|rˈɨtsɛʃ ɔt muʃˈɛlɛk?|1
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_26.wav|zɔstˈaliɕmˌɨ ˌuvʲɛ̃ʑˈɛɲi w ɕrˈɔtku i lˈɛdvʲɛ zdɔ̃ʒˈɨliɕmˌɨ dˈɔbjɛdʑ dɔ sxrˈɔnu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_156.wav|jˈɛɕli pʃˈɛs tɕˈɛbjɛ tɛj dʑɛftʃˈɨɲʲɛ stˈaɲʲɛ ɕɛ tsˈɔʑ zwˈɛɡɔ, maʃ tˈu ɲʲɛ vrˈatsatɕ, mˈɔjɛ dʒvˈi bˌɛndɔ̃ pʃɛt tˈɔbɔ̃ zamkɲʲˈɛntɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_45.wav|pɔɲʲˈɛvaʃ ˌɔɲi ɔbˈɔjɛ tˌɛɡɔ ɲʲˈɛxtsɔ̃, mˈikɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_40.wav|dʑˈɛŋki.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_103.wav|ja ɲˈits ɔ ɲˈix ɲʲˈɛvʲɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_300.wav|ɲʲɛ xtɕˈawam, ʒˈɛbɨ tˈak ɕɛ tʃˈuw, ˌaɲi ʒˈɛbɨ bˈɨw smˈutnɨ. xtɕˈawam bˈɨdʑ dʑˈɛtskʲɛm, ktˌurɛ kˈɔxa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_27.wav|vʲˈɛnts ɔ tsˈɔ tˈutaj xˈɔdʑi?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_50.wav|mˈama ɕɛ rˌɔzɛɕmʲˈawa, xˈɔdʑ vɨrˈaʑɲʲɛ ɲʲɛ ˌuvaʒˈawa tˌɛɡɔ za zabˈavnɛ. ɲʲˈɛxtsɛ, ʒˈɛbɨ vratsˈali dɔ mɔjˈɛɡɔ ʒˈɨtɕa.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_194.wav|tsˈɔ pʃˈɨʃwɔ tfɔjˈɛmu ˈɔjtsu dɔ ɡwˈɔvɨ, ʒˈɛ mʲanˈɔvaw ɡˈɔ lˈɔrdɛm rivˈɛran?|1
+Dataset/wavs/urwisko_ferenc/55_segment_53.wav|pˈaɲi pˈɛvɲʲɛ vʲˈɛ ɡˈɔ sprˈavʲɛ, tˈak?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_95.wav|tɔ dlatˈɛɡɔ tˈutaj jˈɛst.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_345.wav|nat tsmɛntˈaʒɛm pʃˌɛlatˈɨvaw ɲˈiskɔ xˌɛlikˈɔptɛr, krˈɨjɔnts ɕɛ pʃɛt pˌɔdmuxˈami vʲˈatru.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_87.wav|pˈɔtɛm dɔkwˈadɲʲɛ ɔbˈɛjʒaw zavˈɔrɨ zbjɔrɲˈikuv z ɡˈazɛm i jˈɛʃtʃɛ rˈas sprˈavdʑiw dˈɨʃɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_80.wav|bˌɨwɛm zupˈɛwɲʲɛ ˌiɡnɔrɔvˈanɨ.|3
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+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_151.wav|swɨʃˈawɛɕ, ʒˈɛ jˈɛɡɔ ʒˈɔna spɔdʑˈɛva ɕɛ dʑˈɛtska?|1
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_31.wav|ˈɔfʃɛm, ˌalɛ nˈumɛr jɛst kˌɔntrɔlɔvˈanɨ pʃˈɛs kˈartɛ ˌɛsˌiˈɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_82.wav|tˈɔm pɔmˈɨɕlaw ɔ lˌɔuˈiɕɛ i sˌɨtuˈatsji, f ktˌurɛj muɕˈawabˌɨ jˈɛxadʑ dɔ ʃpitˈala, a ɔn utknˈɔwbɨ tˈutaj.|4
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+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_120.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_586.wav|jɛst pˈɛvʲɛn fɛnˈɔmɛn w nˈaʃɛj ˌɛdukˈatsji ˌɛwrɔpˈɛjskʲɛj.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_7.wav|jˌɛstɛʑ ɡwˈɔdnɨ, skˈarbjɛ?|3
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+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_238.wav|ɡdˈɨbɨm mˈukw pɔmˈuvitɕ s sˌɛnɛsxˈalɛm,|1
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+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_147.wav|a jˌɛdnɔtʃˈɛɕɲʲɛ stˈan, f ktˌurɨm prˈavɔ pɔzvˈala nˈɔɕitɕ ukrˈɨtɔ̃ brˈɔɲ. vʲˈɛnts jˈɛɕli ktˈɔɕ sprubˈujɛ zdrˈapatɕ mˈɔjɛ naklˈɛjki, lˈɛpʲɛj dla ɲʲˈɛɡɔ, ʒˈɛbɨm ɡˈɔ nˈatɨm ɲʲɛ pʃˌɨwapˈawa.|2
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+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_426.wav|ɔn bˈɨw...|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_19.wav|vʲˈɛŋkʃɔɕtɕ tˌɛɡɔ xˈɔkus pˈɔkus tɔ tʃˈɨsta ɡurˈalska mˌɛdɨtsˈɨna ludˈɔva, ktˌurɛj utʃˈɨwa mɲʲɛ bˈaptɕa.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_198.wav|bˈɨ zmˈɨtɕ s ɕˈɛbjɛ rˈɛʃtki zapˈaxu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_31.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_148.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, ɔtpˈarwam.|4
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_28.wav|ɲʲɛ vʲɛdʑˈawam, ɔ tsˈɔ mu xˈɔdʑi, ˌalɛ ɔn jˈuʃ ɕɛ ubjˈɛraw, a ja ɲʲɛ xtɕˈawam ɡˈɔː ɔpˈuʑɲʲatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_121.wav|ɲˈidʑɡ zawˈatfiw tɔ sˈam.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_127.wav|ˈaram ɔdvrˈutɕiw ɕɛ dɔ mɲʲɛ z zˌatɕiɕɲʲɛntˈɨmi varɡˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_144.wav|ˌalɛ vʲˈɛm, ʒˈɛ ˈaram dˌɨspɔnˈujɛ ɲʲˌɛpɔdvaʒˈalnɨm dɔvˈɔdɛm nˈatɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_39.wav|ˌɔpsɛrvˌɔvawˈɨɕmɨ tˌɨlkɔ kˈurki vˈɔdnɛ, ktˌurɛ sunˈɛwɨ bɛzɡwˈɔɕɲʲɛ pɔ ɲʲˌɛruxˈɔmɛj pɔvʲˈɛʃxɲi vˈɔdɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_57.wav|jˈɛʃtʃɛ tˌɛɡɔ ɲʲɛ rɔzɡrˈɨzwaɕ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_521.wav|a tˈaɡʒɛ ʃɔfˈɛra, ktˌurɨ rɔzɡlˈɔndaw ɕɛ pɔ vˈɨʃʃɨx pʲˈɛntrax kˌamjɛɲˈitsɨ, ʃukˈajɔndʑ vzrˈɔkʲɛm vˌinɔvˈajtsɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_281.wav|a pˈɔtɛm rɔzlˈɛɡwɔ ɕɛ pukˈaɲʲɛ dɔ dʒvˈi.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_43.wav|mˈarta pˈɔrtɛr mˈa pʲˌɛɲtɕɔlɛtɲʲˈɛɡɔ sˈɨna.|3
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+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_94.wav|pʃɨ vˈɛjɕtɕu dɔ tunˈɛlu ɔldrˈina zrˈɔbʲiw ɕɛ ɲʲɛvʲˈɛlki twˈum.|4
+Dataset/wavs/urwisko_ferenc/49_segment_94.wav|ʒˈɨwɨ vˌɨpɛwɲʲˈɔnɛ ɡɲijˈɔntsɔ̃ krfjˈɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_32.wav|bʲˈillɨ ɲʲɛ jɛst rabˈuɕɛm, ɲʲɛ nalˈɛʒɨ dɔ ʃˈajki i ɲʲɛ vʲˈɛʒɨ f pʃɛsˈɔndɨ, ˌalɛ tɔ skˌɔjaʒˈɛɲʲɛ s fˌilmɔvˈɨmi ˌɔstatɲˈimi skɔkˈami ɲʲɛ dˈajɛ mu spɔkˈɔju.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_104.wav|nˈɔ dˈɔbʒɛ, skˈɔrɔ xtsˈɛʃ.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_96.wav|sfɔbˈɔda fstˈaw s kʃˈɛswa i dˈaw mi znˈak, ʒˈɛbɨm ʃwˈa zˈaɲim.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_36.wav|mˈuvi tsˈɔɕ ɔ mustˈaŋɡu, kˌabrjɔlˈɛtɕɛ i tsˈɔɕ ɔ ʃˈafjɛ ɡrajˈɔntsɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_223.wav|ɲˈidʑɡ znˈuf ɔtpˈala tɛn sfˈuj ʃɛrˈɔki ˈuɕmʲɛx i znˈuf mʲˈɛʒɨ w bʲˌilɨˈɛɡɔ s pˈaltsa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_123.wav|fˈatsɛt mʲˈaw xrˈapkɛ na stˈarʃɛ kɔbjˈɛtɨ, lˈubʲiw zadˈavatɕ im bˈul, a pɛvnˈɛɡɔ dɲʲˈa pʃˈɛɡʲɔw i jˈɛdnɔ̃ zˈabʲiw.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_462.wav|tʃɨ maʃ ɔdvˈaɡɛ lˈatatɕ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_59.wav|plˈama ɕfʲˈatwa zbliʒˈɨwa ɕɛ dɔː ˈɔkna. vˌɨtɕɔŋɡnˈɛwa mˈawɔ̃ lunˈɛtkɛ i pʃˌɨwɔʒˈɨwa jˈɔ̃ dɔ pravˈɛɡɔː ˈɔka.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_105.wav|vˌɨɡlɔndˈawɨ jˈaɡ zastˈɨɡwɛ f trˈaktɕɛ pʃɨjˈaznɛj dʑɛftʃˈɛntsɛj pˌɔɡavˈɛntki.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_118.wav|jˈak tɔ jɛst mɔʒlˈivɛ?|0
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+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_343.wav|mˈuʃɛ tɕi tsˈɔʑ vˈɨznatɕ.|1
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+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_244.wav|ˌadmiɲˌistratˈɔrka pʃˌɛkʃɨvˈiwa ɡwˈɔvɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_11.wav|ˈɔmal ɲʲɛ dˈɔʃwɔ dɔ prɔtsˈɛsu f kɛɲˈijskim sˈɔɲdʑɛ.|4
+Dataset/wavs/urwisko_ferenc/52_segment_28.wav|kˈiŋɡa|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_415.wav|ɡwˈɔs jˈɛɡɔ bˈɨw ftɕˈɔ̃ʃ spɔkˈɔjnɨ.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_40.wav|ktˌurɨ dˈɔʃɛd dɔ vɲʲˈɔsku, ʒˈɛ pˌɔlɔvˈaɲʲɛ na baɲˈituf jɛst lˈɛpʃɛ ɔt pɔvrˈɔtu dɔ swɨnˈɔntsɛj za ʃpɛtˈɔtɨ ʒˈɔnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_53.wav|mˈɔʒɛ pˈan pɔʒˈɨtʃɨtɕ ɔt nˈas, prˈavda, tˈatɔ? mˈuvi dˈɛrɛk.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_240.wav|bˌɛɲdʑɛ mˈuɕaw vʑˈɔɲdʑ zˈamɛk ʃtˈurmɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_74.wav|pʲɛɲʲˈɔndʑɛ ɲˈidʑ dla mɲʲɛ ɲʲɛ znˈatʃɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_59.wav|ˌuɕmʲɛxnˈɛwa ɕɛ, xˈɔtɕ ɲʲɛ ˌɔtfɔʒˈɨwa ˈɔtʃu.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_91.wav|fkrˈuttsɛ pˈɔtɛm jˈɛɡɔː ˈumɨsw znˈɔvu zˈatʃɔw bwˈɔɲdʑitɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_18.wav|pˈɨtam zˈɔɛ, ktˌura ɕˈɛdʑi na sˈɔfjɛ z vzrˈɔkʲɛm utkfʲˈɔnɨm w laptˈɔpʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_53.wav|ɲʲɛ pɔdˈɔba mi ɕɛ ta sprˈava i tɔ, tsˈɔ mˈɔʒɛ ɕɛ z ɲʲˈɔ̃ vʲˈɔ̃zatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_112.wav|vˌɨkɔʒɨstˈujɔ̃ tɛn kɔmbʲˈinad dɔ prˈaɲʲa pʲɛɲʲˈɛndʑɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_41.wav|jˈɛʃtʃɛ ɲʲɛ, ˌalɛ prˈasa jˈuʃ snˈujɛ rˌɔzmaˈitɛ tɛˈɔrjɛ. dɔ tˌɛɡɔ kɔlˈɛjnɨ xʃaɲʲˈɔnɨ pˈarkiŋk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_45.wav|ˈɔ, trˈudnɔ pɔvʲˈɛdʑɛtɕ, ˌɔtpɔvʲˈada kɔbjˈɛta. muɕˈawɔː upwˈɨnɔɲtɕ jˈakʲɛɕ...|3
+Dataset/wavs/urwisko_ferenc/15_segment_68.wav|— f sˈɛnɕɛ? — zmˈarʃtʃɨw brvˈi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_39.wav|zˈamjast tˌɛɡɔ pɔtxˈɔdʑɛ i vˈɔwam ɡˈɔ spɔkˈɔjɲʲɛ. ˌɔtʃɛkˈujɛ, ʒˈɛ pʃɨbjˈɛɡɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_244.wav|tʃɨ mˈuʃɛ dɔdˈavadʑ vʲˈɛntsɛj?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_48.wav|stˈaram ɕɛ ɲʲɛ ɔdvrˈutɕitɕ i ɲʲɛ nakʃˈɨtʃɛtɕ nˈaɲʲɔ̃.|4
+Dataset/wavs/urwisko_ferenc/39_segment_28.wav|tɛn pʃɨpˈadɛk, dˌɔpɔvʲɛdʑˈawa lɛkˈarka, dʑˈɛtskɔ zamkɲʲˈɛntɛ f sˌamɔxˈɔdʑɛ vˌɨstavʲˈɔnɨm na prɔmjˈɛɲʲɛ swɔnˈɛtʃnɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_126.wav|zˈamjast tˌɛɡɔː uɕmʲˈɛxnɔw ɕɛ dɔ mɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_16.wav|ɲʲɛ spˈawam pʃˈɛs tsˈawɔ̃ nˈɔts, tˈɛ̃skɲʲɔndʑ za ˈalfim kˈaʒdɔ̃ kɔmˈurkɔ̃ mɔjˈɛɡɔ tɕˈawa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_56.wav|vidˈɔtʃɲʲɛ zvˌɛrbɔvˈanɨ w ɔstˈatɲʲɛj xfˈili.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_73.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_405.wav|dɔvˈɔdɨ bˌɛndɔ̃ muɕˈawɨ ɔkˈazatɕ ɕɛ tˈak ɲʲˌɛɔtpˈartɛ, ʒˈɛ nˈavɛt pˈan...|1
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_85.wav|w ˈustax mˈam xˈɨba vɛwɲʲˈanɔ̃ vɨɕtɕˈuwkɛ, a ʒɔwˈɔndɛɡ vɨvrˈutɕiw mi ɕɛ na drˈuɡɔ̃ strˈɔnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_115.wav|pɔ ɡwɛmbˈɔkim namˈɨɕlɛ bʲˈillɨ ˈuznaw, ʒˈɛ lˈɛpʃɛ bˌɛɲdʑɛ tsˈɔɕ ɲʲˈɛtsɔ bˈardʑɛj dˌɨskrɛtnˈɛɡɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_180.wav|zˈatɛm tʃˈɛba ɔt rˈazu fprɔvˈadʑitɕ ix tˈam, ɡdʑˈɛ jɛst najwˈadɲʲɛj.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_324.wav|ktˌurɨ zapˈɛvnɛ vɨɡlˈɔndaw tˈak sˈamɔ jˈak mˈarɛj, s tˈɨm, ʒˈɛ jˈɛɡɔ vwˈasnɛ zˈɛmbɨ kˌɔʃtɔvˈawɨ ɔ vʲˈɛlɛ drˈɔʒɛj,|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_110.wav|tˈak jˈɛst.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_110.wav|pˌɔvʲɛdʑˈawa, xfɨtˈajɔndʑ ɡˈɔ za nadɡˈarstki. trˈudnɔ mi tɔ zɲʲˈɛɕtɕ, ˌalɛ ɲʲɛbˈavɛm bɛɲdʑˌɛmɨ rˈazɛm. ˌɔbjɛtsˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_88.wav|xˈɛlis ˌuspɔkˈaja ɕɛ. na ʃtʃˈɛɲɕtɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_30.wav|mˈɔʒɛ i tˈak, ˌalɛ s tˈɛɡɔ, tsˈɔ swɨʃˈawɛm ɔd znajˈɔmɨɣ z lˈɔs ˈandʒɛlˌɛs, sˈɛɲdʑa tɔ stˈarɨ z ʒˈɛnda.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_176.wav|vˌɨtɔtʃˈɨwam ɕɛ na kɕˌɛ̃ʒɨtsˈɔvɨ ɡrˈund vrˈaz z rˈɛʃtɔ̃ ɡrˈupɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_28.wav|ˌɔbrabˈɔvaw bˈaŋk, tʃɨ tsˈɔ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_91.wav|kʲˈɛdɨʑ vʲɛʒˈɨwɛm f tɔ, ʒˈɛ tʃˈɛba lˈudʑi spɔwˈɛtʃɲʲɛ ʃkɔdlˈivɨx rˌɔsstʃɛlˈivatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_255.wav|i ruʃˈɨwam pʃɛt ɕˈɛbjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_159.wav|tsˈɔ tɔ fʃˈɨstkɔ znˈatʃɨ?|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_175.wav|tʃɨ jˈuʃ mɲʲɛ zˌapɔmɲʲˈawɛɕ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_21.wav|prubˈujɛ ɲʲɛ mˈɨɕlɛtɕ ɔ rɔzmˈɔvʲɛ, ktˌurɔ̃ mˈuʃɛ pʃˌɛprɔvˈadʑidʑ z ˈaʃɛm pˈɔtɨm, jˈak jˈuʃ mˈili pˈujdʑɛ dɔ wˈuʃka.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_106.wav|tɔ vɨɡlˈɔnda jˈaɡbɨ tɛn ɡˈɔʑdʑ vˈaliw f tsˈɔɕ kaʒdˈɛɡɔ dɲʲˈa, pɔvʲˈɛdʑaw. pˈɔɕlij ɡˈɔ dɔ fˌɔtɔɡrˈafji.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_166.wav|bʲˈillɨ zaɡlˈɔnda pʃˈɛs ʃtʃɛlˈinɛ mʲˌɛndʑɨ dʒvʲˈami a futrˈɨnɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_146.wav|fʃˈɨstkɔ bˌɛɲdʑɛ dˈɔbʒɛ, mˈamɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_54.wav|a pˈɔtɛm mˈama pɔdˈɛʃwa dɔ tˌɛlɛfˈɔnu, tsˈawa zˌasapˈana i pˌɔvʲɛdʑˈawa bˈɛnji, tsˈɔ ɕɛ stˈawɔ.|2
+Dataset/wavs/urwisko_ferenc/01_segment_35.wav|ʃarpnˈɛwa za pʃˈɛdɲʲɛ dʒvˈi.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_422.wav|mjˈa stˈɔnɛ i lˈɔrt rˈɔbɛrd dɔtˈarli jˈuʃ prˈavʲɛ dɔ skˈalnɛj iɡlˈitsɨ, za ktˌurɔ̃ stˈɔɡ znˈɔvu stˈavaw ɕɛ bˈardʑɛj pwˈaski.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_144.wav|jˈɛʃtʃɛ ˌɔdrɔbʲˈiŋkɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_256.wav|ja jˌɛstɛm zazdrˈɔsna ɔt ɕˈɛbjɛ za tˈamtɔ̃ nˈɔts. ɲˈits ɕɛ ɲʲɛ stˈawɔ. ˌɔna ɕɛ upˈiwa i tˈɨlɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_212.wav|a jˈɛɕli ɲʲɛ jɛst nˈavɛt nɔrmˈalnɛ, tɔ kˈaʒdɨ mwˈɔdɨ pˈilɔt ɕɛ tˌɛɡɔ bˈɔi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_146.wav|ɲʲɛ vʲadˈɔmɔ, tʃɨ ɲʲˈɛstawbˌɨɕ ɕɛ tˈaɡ zɡɔʃkɲʲˈawɛj, zɛpsˈutɨ, bˈɨ tɔ zrˈɔbʲitɕ. a jˈɛɕli tˈak, tɔ dlatʃˈɛɡɔ tˈɛras, pɔ tˈaɡ dwˈuɡʲim tʃˈaɕɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_38.wav|ja tˈɛʃ ɲʲɛ, ˌalɛ jˈɛɕli xtsˈɛmɨ, mɔʒˈɛmɨ vʲˈɛʒɨtɕ, ʒˈɛ ʒˈɨjɔ̃, prˈavda?|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_220.wav|f sxrɔɲʲˈɛɲʲu zbˌudɔvˈanɨm z ɡawˈɛ̃ʑi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_168.wav|pʃɨnˈajmɲʲɛj za pʲˈɛrʃɨm rˈazɛm.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_272.wav|pˈɔmɨɕl ɔ ʒawˈɔbjɛ, jˈaka ɡˈɔ tʃˈɛka, jˈɛɕli ɲʲɛ vrˈutɕiʃ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_15.wav|stˈaram ɕɛ kˌɔntrɔlˈɔvadʑ vˈɨras tfˈaʒɨ, ˌalɛ f kˈɔɲtsu pʃɛstˈajɛ.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_190.wav|kˈim tɨ jˈɛstɛɕ?|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_333.wav|mˈarvin zwˈapaw brˈudnɨ, skuʒˈanɨ pwˈaʒdʒ viʃˈɔntsɨ na kˈɔwku pʃɨ dʒvʲˈax, zaʒˈutɕiw ɡˈɔ na plˈɛtsɨ i zavʲˈɔ̃zaw tɕˈasnɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_198.wav|rɔzˈumjɛm, mˈuvi, fʃˈɨstkɔ bˌɛɲdʑɛ dˈɔbʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_302.wav|vʲˈɛnts jˈɔn snˈɔv bˈɨw jɛdˈɨnɨm brˈatɛm, jˈaki jɛj pɔzˈɔstaw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_50.wav|ɲʲɛ, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_52.wav|jˌɛdɛnnˈaɕtɕɛ dɔlˈaruf i ˌɔɕɛmdʑˈɛɕɔnt tsˈɛntuf. sxˈɔvaw pʲɛɲʲˈɔndʑɛ dɔ kʲɛʃˈɛɲi i vrˈutɕiw na sfˈɛ pɔpʃˈɛdɲʲɛ mʲˈɛjstsɛ, pɔdɲʲˈuswʃɨ z ʑˈɛmi ɡazˈɛtɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_64.wav|na krˌavɛ̃ʒɲˈiku pʃɛd ɡˈɛrart tˈɔvɛr vidɲʲˈɛjɛ vˌɨmalɔvˈanɛ ɔt ʃablˈɔnu ˌɔstʃɛʒˈɛɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_16.wav|zatʃˈɛkaj, ˈaʒ zɔbˈatʃɨʃ, na tsˈɔ ɕɛ zdˌɛtsɨdɔvˈaliɕmˌɨ, kɔxˈaɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_171.wav|tɔ jˈɛɡɔ budˈɨnɛk, ˌɔtpɔvʲˈada ɲˈidʑɡ bˈɛs namˈɨswu.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_301.wav|pˈas ssˈunɔw mu ɕɛ z bjˈɔdɛr, ˌɔplɔntˈujɔnts ɕɛ vˈɔkuw kˈɔstɛk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_148.wav|a pˈɔtɛm mˈuj brˈat pɔvʲˈɛdʑaw dɔ tˌɛɡɔ tsɨɡˈana, pʃˈɨkrɔ mi mˈuj stˈarɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_122.wav|tsˈɔ mˈam f tˈakim rˈaʑɛ zrˈɔbʲitɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_120.wav|mɨɕlˈawam, ʒˈɛ tɔ, tsˈɔ mɲʲɛ spɔtkˈawɔ, bˌɨwɔ zwˈɛ, ˈalɛ...|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_94.wav|dʑɛrʒˈavʲɛ, trˈɔxɛ tˈu pɔɕˈɛdʑɛ, jˈɛʃtʃɛ ɲʲˈɛvʲɛm jˈaɡ dwˈuɡɔ. jˈɛstɛm...|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_96.wav|jˈɛɡɔ dʑawˈaɲʲɛ bˌɨwɔ naprˈavdɛ bˈardʑɔ prˈɔstɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_27.wav|stˈarɨ napˈisaw, jˈɛɕli tɔ pˈanu pʃɛʃkˈadʑa, tɔ zdˈɛjmɛ kˈartkɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_130.wav|ˈɛlis ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_3.wav|f sˌɨtuˈatsji, kʲˈɛdɨ kˈit pratsˈɔvaw jˈakɔ pɛwɲʲˈɔntsɨ ˌɔbɔvʲˈɔ̃ski ˌinspɛktˈɔra, tˈɔm ˈuznaw, ʒˈɛ rˈɔɡ bˈardʑɔː im ɕɛ pʃˈɨda.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_94.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_56.wav|trˈudnɔ bˌɨwɔ jˈɔ̃ vˈiɲitɕ, zvaʒˈɨfʃɨ na tˈɛ çistˈɔrjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_94.wav|pʃɛkrˈɛntsa klˈutʃ i natɕˈiska pˈanɛl, ktˌurɨ unˈɔɕi ɕɛ, ˌukazˈujɔnts sxˈɔvɛk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_259.wav|mˈa sˈuxɔ w ˈustax, jˈɛɡɔ dwˈɔɲʲɛ zˌatɕiɕɲʲˈɛntɛ sɔ̃ f pʲˈɛɲɕtɕi.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_81.wav|vratsˈawɨ dɔː ˈutʃtɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_286.wav|na pˈɛvnɔ xtsˈɛʃ tɔ zrˈɔbʲitɕ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_70.wav|stsˈɔdd vɨdˈajɛ ɕɛ zdˌɛtsɨdɔvˈanɨ, bˈɨ vʑˈɔɲtɕ ˈɔdvɛt na kˈaʒdɨm, ktˈɔ ɡˈɔ skʃˈɨvdʑiw. tsˌamɛrˈɔɲʲɛ, jaɡɡˈɛʒɛ i mɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_209.wav|ʃˈɛlɛst jɛj ˌɔtɕɛrajˈɔntsɛj ɕɛ ɔ pɔsˈatskɛ spudɲˈitsɨ bʒmʲˈaw jˈak kˌɔvɨsˈaŋka.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_90.wav|ʒˌɛtʃɨvˈiɕtɕɛ, f tɛj ʃklˈanɛj bˈuttsɛ ˌustavʲˈɔnɛj fɕrˈud dʒˈɛf|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_89.wav|pɔswˈuxaj tˈɛɡɔ, jˈɔɛl, pˌɔvʲɛdʑˈawa.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_48.wav|mˈɔɡɛ ɕɛ dˈɔɕɔ̃ɕtɕ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_8.wav|tʃɨ ɔn i tˈɛssa mˈɔɡlibˌɨ mi tsˈɔɕ takʲˈɛɡɔ zrˈɔbʲitɕ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_30.wav|ˌuɕmʲɛxnˈɛwa ɕɛ i ɕtɕisnˈɛwa jˈɛɡɔ dwˈɔɲ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_48.wav|tsˈuʃ, mˈɨɕli bʲˈillɨ, dʑɛftʃˈɨna mˈa trˈɔxɛ rˈatsji.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_132.wav|maʃ papʲˈɛrɨ na jˈakʲɛɕ ˈinnɛ nazvˈiskɔ?|2
+Dataset/wavs/urwisko_ferenc/25_segment_70.wav|xˈɛrman pˌɔzbjɛrˈawa jˈɛ i ˌɔdwɔʒˈɨwa na bˈɔk. ʃturxnˈɛwa partnˈɛra dɔpʲˈɛrɔ, ɡdˈɨ ɡwˈɔɕnɔ zaxrˈapaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_50.wav|kʲˈɛdɨ dˌɔtɕɛrˈamɨ na mʲˈɛjstsɛ pwˈatsɛ kʲɛrˈɔftsɨ, vˌɨɕadˈamɨ s taksˈufki i xfˈɨtam alfjˈɛɡɔ za rˈɛŋkɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_108.wav|starˈawam ɕɛ pʃˌɛkɔnˈɨvatɕ sˈamɔ̃ ɕˈɛbjɛ, ʒˈɛ spˈɔrɔ mɲʲɛ tʃˈɛka f pʃɨʃwˈɔɕtɕi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_10.wav|xtɕˈawabˌɨɕ pˈujʑdʑ zˈɛmnɔ̃ na spˈɛktakl?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_50.wav|zatʃˈɛwam mˈɨɕlɛtɕ ˈɔtɨm, jˈaɡbɨ tɔ bˌɨwɔ vɨɡrˈɨvadʑ dʑˈɛŋki vwˈasnɨm ˌumjɛjɛntnˈɔɕtɕɔm.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_260.wav|pˌɔvʲɛʃˈɔnɔ za ɡvˈawt.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_13.wav|ɲʲɛ mˌamɨ jˈɛʃtʃɛ pˌɔtfʲɛrdʑˈɔnɛj ɡɔdʑˈinɨ zɡˈɔnu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_4.wav|ɲʲˌɛustˈanɲʲɛ tˌɔrturˈujɛ ɕɛ vˌɔntplivɔɕtɕˈami dˌɔtɨtʃɔntsˈɨmi ˈaʃa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_130.wav|ˌaɲi tɨm tʃwɔvʲˈɛkʲɛm, ktˌurɨ ʒˈɨw tɕˈɔŋɡlɛ pˈɔza prˈavɛm, wˈamjɔnts lˈudʑɔm rˈɛntsɛ i kˈɔɕtɕi. mˈɔʒɛ tɔ fʃˈɨstkɔ jɛst tˌɨlkɔ tˈɨm, tsˈɔ xtɕˈawbɨɕ ɔ sˈɔbjɛ mˈɨɕlɛtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_69.wav|jˈuʃ tɔ pʃˌɛrabjˈaliɕmˌɨ, kɔnstˈablu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_111.wav|i tsˈawkʲɛm fˈajɲʲɛ bˌɛɲdʑɛ udˈavatɕ kˈɔɡɔɕ, kˈim zˈafʃɛ pɔɲʲˈɛkɔnt xtɕˈaw zˈɔstatɕ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_194.wav|ɲʲɛ fʃˈɨstkʲɛ tʃˈɨ mˈuʃɔ̃ bˈɨdʑ vˈinnɛ.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_66.wav|vwutʃɲˈitsɨ ˌɔtsunˈɛli ɕɛ na bˈɔk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_32.wav|sˈɔndʑɛ, ʒˈɛ tˈak.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_69.wav|pˈɔkuj f sˌutɛrˈɛɲʲɛ jɛst tɛj sˈamɛj vʲɛlkˈɔɕtɕi, tsˈɔ tɛn w dˈɔmu bʲillʲˈɛɡɔ, ˌalɛ tˌɨlkɔ pɔwˈɔvɛ stanˈɔvi mˈɛ̃ski kˈɔɲtɕik.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_13.wav|mˈama zrɔbʲˈiwa tɕˈastka tsukrˈɔvɛ. kazˈawa zapˈɨtatɕ, tʃɨ xtsˈɛ pˈan kˈilka.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_106.wav|zˌavʲɔ̃zˈafʃɨ pɔnˈɔvɲʲɛ ʃnˌurɔvˈadwɔ, fstˈajɛ i uɕmʲˈɛxam ɕɛ dɔ rˌɛtsɛptsjɔɲˈistki.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_78.wav|zˈavʲud mɲʲɛ tˈaɡ bˈardʑɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_10.wav|mˈɔʒɛ nˈavɛt jɛst ɕfʲˈɛɲtɕɛ pʃˌɛkɔnˈana, ʒˈɛ mˈuvi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_63.wav|lˈiɲʲa tˈa, tˈɔr lˈɔtu kˈuli, ktˌurɔ̃ vɨstʃˈɛli, jˈɛɕli pʃˈɨjmʲɛ zlɛtsˈɛɲʲɛ, kˈɔɲtʃɨ ɕɛ na sxˈɔdax sˈɔndu ˌɔkrɛŋɡɔvˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_108.wav|ɕfʲˈɛnta prˈavda.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_234.wav|na ɔtkrˈɨftsɛ na pɔɡˈuʒu mɔltkʲˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_14.wav|tsˈɔ ɲʲɛ znˈatʃɨ, ʒˈɛ mi uvʲˈɛʒɨw.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_192.wav|pˈuʑɲʲɛj ˌɔtstavˈiwam s pɔvrˈɔtɛm tsˈɨŋɡla na mʲˈɛjstsɛ pˌarkiŋɡˈɔvɛ f pˈɔrtɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_72.wav|dʑvʲˈɛŋɡ bˈɨw tˈaɡ dɔnˈɔɕnɨ, ʒˈɛ dʑˈɛtskɔ ɕɛ ˌɔbudʑˈiwɔ.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_356.wav|xˈɨla xˈunta i pɔdrˈitska paˈɨna zˌaprɔvadʑˈɔnɔ pɔd vʲˈɔ̃zɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_269.wav|ɲʲɛvʲˈɛlɛ s tˌɛɡɔ rɔzˈumjɛm, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_109.wav|tˈam tˈɛʃ napˈisaw, ʒˈɛ jˈak lˈɛtsɔnts xˌɛlikɔptˈɛrɛm xˈuɛj stʃˈɛlaʒ z brˈɔɲi mˌaʃɨnˈɔvɛj dɔ swˈɔɲi, tɔ nˌaturˈalnɛ, ʒˈɛ pˈɔtɛm xtsˈɛʃ ɕɛ nˈatɕpatɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_83.wav|ˌalɛ prˈavʲɛ pʃˈɛs tɕˈɛbjɛ umˈarwɛm, spˈikɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_86.wav|i bˈɛs tˌɛɡɔ bˌɛɲdʑɛ vˌɨstartʃajˈɔntsɔ spˌaɲikɔvˈana, kʲˈɛdɨ ɕɛ ɔbˈudʑi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_96.wav|sprˈavdʑmɨ jɛj tablˈitsɛ rˌɛjɛstratsˈɨjnɔ̃ i pʃˌɛkɔnˈajmɨ ɕɛ, tʃɨ ˈuda ɕɛ jˈɔ̃ ɡdʑˈɛɕ namjˈɛʒɨtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_95.wav|na pʲˈɛntʃɛ sɔ̃ tʃˈɨ sɨpʲˈalɲʲɛ i dvʲˈɛ waʑˈɛŋki. drˈuɡa, mɲʲˈɛjʃa, pˈɛvɲʲɛ dla dʑˈɛtɕi.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_264.wav|tɛ zakˈɔnɨ vɨvˈɔdʑɔ̃ ɕɛ s tʃˈasuf spʃˈɛt pɔdbˈɔju ɛɡˈɔna, vˌɨjaɕɲˈiwa jɛj tsɛrsˈɛi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_37.wav|bˌɨwɔː ix tʃˈɛx, a ɔn vˈɨʃɛt s tˌɛɡɔː ɔbrˈɔnnɔ̃ rˈɛŋkɔ̃, jɛdˈɨɲʲɛ zˈɛ zwamˈanɔ̃ nˈɔɡɔ̃, ktˌura mu ftɕˈɔ̃ʃ tʃasˈami dɔkˈutʃa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_8.wav|f pɔkˈɔju zapˈadwa tɕˈiʃa i fʃˈɨstsɨ spɔjʒˈɛli w mʲˈɛjstsɛ, ɡdʑˈɛ stˈali tˈɔm i kˈit.|3
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_79.wav|a ˈɔtʃɨ fçitˈɛa, kʲˈɛdɨ pʃɛstˈajɛ ɲˈimi pʃɛvrˈatsatɕ, sɔ̃ ɲʲɛzvˈɨklɛ spˌɔstʃɛɡˈaftʃɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_27.wav|zˌastanavʲˈawɛm ɕɛ, dlatʃˈɛɡɔ tfˈɔja mˈama ɲˈits ɲʲˈɛvʲɛ na tɛn tˈɛmat. dˌɔpasɔvˈaɲʲɛ fraɡmˈɛntuf tɛj ˌukwadˈaŋki zabrˈawɔ mi naprˈavdɛ dˈuʒɔ tʃˈasu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_227.wav|ftɕˈɔ̃ʃ tʃɨmˈawa jˈɛɡɔ dwˈɔɲ f sfˈɔiɣ dwˈɔɲʲax i patʃˈɨwa nˈaɲʲɔ̃. xtɕˈawɛʑ bˈɨtɕ najlˈɛpʃɨm i zrˈɔbʲitɕ tsˈɔɕ, tʃˈɛɡɔ ɲʲɛ zrˈɔbʲiw ɲˈikt pʃɛt tˈɔbɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_286.wav|i sˈɛptɔn mɛrˈibalt, ktˌurɨ vɛndrˈɔvaw na pʲɛxˈɔtɛ s kɔstˈurɛm w rˈɛŋku, prɔvˈadʑɔnts mawˈɛɡɔː ɔɕˈɔwka i vʲɛlkʲˈɛɡɔ psˈa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_216.wav|pwˈatna ˌawtɔstrˈada na zˈaxut ɔt rˈɛd blˈuvv zɔstˈawa zamkɲʲˈɛnta s pɔvˈɔdu pˌɔttɔpʲˈɛɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_403.wav|krulˈɔva zdavˈawa sˈɔbjɛ sprˈavɛ, ʒˈɛ ɲʲɛ ɔdvˈaʒɨ ɕɛ pɔvʲˈɛʒɨtɕ sfˈɛɡɔ lˈɔsu trˌɨbunawˈɔvi zwˌɔʒɔnˈɛmu z vrˈubli.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_4.wav|tɨm rˈazɛm ʃˈɛf ɲʲɛ vɨbjˈɛraw. pɔ prˈɔstu, ɲʲɛ vɨxˈɔdʑɔndʑ z barˈaku, zavˈɔwaw pʲˈɛrʃɨx pʲɛtnˈastu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_84.wav|f tɨm sˈamɨm mɔmˈɛɲtɕɛ, kʲˈɛdɨ dɔstʃˈɛɡam ˌidɔntsˈɛɡɔ w mˈɔim kʲɛrˈuŋku dˌɔmiɲˈika,|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_2.wav|bˈɛtskɨ uznˈawa, ʒˈɛ spˈɛntsɛr jˈɔxanssɔn bˈɨw ɲʲˈɛtsɔ pʃˌɨtwɔtʃˈɔnɨ ˌɔstatɲˈimi vˌɨdaʒɛɲʲˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_144.wav|pʃˈɛdɛ fʃˈɨstkim xtsˈɛ vrˈutɕidʑ dɔ tˈɛɡɔ, tsˈɔ rˈɔbʲiw pʃɛt pʃˈɨjɕtɕɛm xˈɔffa. ɲʲɛ pʃɨpˈuʃtʃaw, ʒˈɛ pisˈaɲʲɛ mˈɔʒɛ bˈɨtɕ tˈakʲɛ pʃɨjˈɛmnɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_334.wav|ɲʲɛ ˌɔtpɔvʲˈɛdʑaw. vˈɨʃwa vʲˈɛnts s krˈɛŋɡu ɕfʲˈatwa, xˈɔtɕ jˌɛmu, stˌɔjɔntsˈɛmu w mrˈɔku, s tfˈaʒɔ̃ zvrutsˈɔnɔ̃ kˈu ɕtɕˈaɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_25.wav|tˈɔm ɕɛ ɔdvrˈutɕiw, ʒˈɛbɨ pˌɔrɔzmˈavʲatɕ s kˈitɛm sˈimsɛm, ˌalɛ bˈɛtskɨ zˌatʃɨmˈawa ɡˈɔ pɨtˈaɲʲɛm. jˈak tˈam pɔstˈɛmpɨ w mʲɛʃkˈaɲʲu mˈartɨ pˈɔrtɛr?|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_255.wav|tˌɨlkɔ w vɛstˈɛrɔs.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_195.wav|pˈɛtɛr ˈujɔw dwˈɔɲ alˈain i pɔɡwˈaskaw dˌɛlikˈatɲʲɛ pˈaltsɛm jɛj vɛvnˈɛntʃnɔ̃ pɔvʲˈɛʃxɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_82.wav|mˈam nadʑˈɛjɛ, ʒˈɛ tɔ ɲʲɛ dɔtˈɨtʃɨ jɛdnˈɛɡɔ z jˈɛɡɔ patsjˈɛntuf.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_238.wav|ˌuɕfʲadˈɔmiw sˈɔbjɛ sˈam. pɔtrˈafiw tɔ zrɔzˈumjɛtɕ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_148.wav|w dˈavnɨx tʃˈasaɣ ʒɛlˈaʑɲi lˈudʑɛ ɕmʲˈawɔ pwɨvˈali mandˈɛrɛm i jˈɛɡɔ dˌɔpwɨvˈami, plɔndrˈujɔndʑ bʒˈɛɡʲi.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_366.wav|ˈɔjtɕɛts ɲʲˈɛxtsɛ ɕɛ nˈavɛd zˈɛmnɔ̃ zɔbˈatʃɨtɕ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_30.wav|jɛdnˈaɡʒɛ ɔt tʃˈasu dɔ tʃˈasu zdˈaʒaw ɕɛ pɔrˈanɛk, ɡdˈɨ fstˈavaw ruʒˈɔvɔbwɛŋkˈitnɨ ɕfˈit.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_44.wav|ilˈɛkrɔtɕ jˈakiɕ nattɕˈɔŋɡa z nˌapʃɛtɕˈifka, bʲˈillɨ ɔttʃˈuva, bˈɨtɕ mˈɔʒɛ ˌinstɨŋktˈɔvnɔ̃, pɔkˈusɛ, bˈɨ spˈuɕtɕidʑ ɡwˈɔvɛ, ˌalɛ tɔ vˌɨɡlɔndawˈɔbɨ pˌɔdɛjʒˈaɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_88.wav|jˈaɡʒɛ pʃɨjˈɛmɲʲɛ tɔ pɔvʲˈɛdʑɛtɕ i ɲʲɛ mˈuɕɛtɕ udˈavadʑ ɡwˈupka. mˈark?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_161.wav|znˈam ɔtpˈɔvʲɛtɕ nˈatɔ ɔstˈatɲʲɛ pɨtˈaɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_228.wav|ɲʲɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_332.wav|f kˈaʒdɨm mʲastˈɛtʃku i f kˈaʒdɨm zˈamku jɛst kˈɔval.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_27.wav|jˈɛɕli zˈatʃɲʲɛ nˈaz zvˈɔdʑitɕ, kˈaʒɛ kˈɔmuɕ sprɔvˈadʑidʑ ɡˈɔ na fɔrmˈalnɛ pʃˌɛswuxˈaɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_191.wav|vʲˈɛʃ tsˈɔ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_33.wav|w miltʃˈɛɲʲu idʑˈɛmɨ pɔspʲˈɛʃɲʲɛ rˈamjɛ w rˈamjɛ f kʲɛrˈuŋku tˈɨlnɛj tʃˈɛɲɕtɕi xɔtˈɛlu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_449.wav|dˈɔbʒɛ ɕpˈi.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_34.wav|tʃɨ vʲˈɛʃ, tsˈɔ jɛzd ʑrˈudwɛm dɔxˈɔduf artˈɛmis? zˌapɨtˈawa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_142.wav|skˈɔnt ta pˈɛvnɔɕtɕ, ʒˈɛ dˌɔkɔntkˈɔlvʲɛk s tˈɔbɔ̃ pɔjˈadɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_316.wav|stˈɔ mˈɛtruv dˈalɛj vznˈɔɕiw ɕɛ vˈaw, ktˌurɨ zaswˈaɲʲaw kˈɔmplɛks rˌɛaktˈɔruf i kɔmbʲˈinat sˈanxɛs ˌalumˈiɲʲum.|4
+Dataset/wavs/urwisko_ferenc/30_segment_15.wav|bˌɨwa ˈɔtɨm pʃˌɛkɔnˈana.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_9.wav|ɲʲɛ jɛstˌɛɕmɨ jˈuʃ pʃˌɛkɔnˈaɲi, ʒˈɛ mˌamɨ dɔ tʃɨɲʲˈɛɲʲa s pɔrvˈaɲʲɛm dla ɔkˈupu.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_298.wav|kˌɔmɛdjˈaɲtɕi muɕˈɛli jˈɛɕtɕ, tˈak sˈamɔ jˈak fʃˈɨstsɨ.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_194.wav|mˈuj pˈan mˈɔ̃ʒ vˈɔli pˈɔɕtɕitɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_92.wav|tɔ rˈɔɡɛr klˈɛrkɨ xtɕˈaw, ʒˈɛbɨ tˈɛ sprˈavɛ zawˈatfitɕ i zapwˈatɕiw zˈatɔ ɡrˈubɛ miljˈɔnɨ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_427.wav|fˌavɔrɨzˈujɛʒ ɡˈɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_43.wav|pɔ prˈɔstu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_239.wav|i kɔwˈɨʃɔnts ɕɛ na nˈɔɡax.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_34.wav|lˈutsɨ vɛstxnˈɛwa tɕˈɛ̃ʃkɔː i bˈɛs swˈɔva vˈɛʃwa dɔ kˈuxɲi.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_220.wav|zdavˈawɔ ɕɛ, ʒˈɛ dɔbjˈɛɡa z ɡˈardwa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_209.wav|mˈɔʒɛ nˈavɛd bˈardʑɛj.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_142.wav|tsˈurka lˈɔrda nɛstˈɔra ˌɔkazˈawa ɕɛ ɲˈiskɔ̃, pˈulxnɔ̃ kɔbjˈɛtɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_207.wav|sɛnɲˈitʃka jɛst nˌajwaɡɔdɲʲˈɛjʃɔ̃ s trˈutɕizn.|1
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_55.wav|uvʲˈɛlbjam ˌamɛrɨkˈaɲskʲɛ sɛrjˈalɛ, ʃtʃɛɡˈulɲʲɛ ɔpˈɛrɨ mɨdlˈanɛ. sɔ̃ bˈardʑɔ tɕɛkˈavɛ, xˈɔtɕaʃ mˈɔjɛj mˈamjɛ ɕɛ ɲʲɛ pɔdˈɔba, ʒˈɛ jˈɛ ɔɡlˈɔndam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_36.wav|mˈɔjɛ tɕˈawɔ vˈɔwa ɔ tɕˈɛbjɛ.|3
+Dataset/wavs/urwisko_ferenc/60_segment_18.wav|tʃˈɛɲɕtɕ tˈɔrsu mu ˌɔɡɔlˈɔnɔ. dɔ ɡˈɔwɛj skˈurɨ pʃˌɨlɛɡˈawɨ tʃujɲˈiki mˌɔɲitˌɔrujˈɔntsɛ pˌaramˈɛtrɨ ʒɨtɕˈɔvɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_48.wav|ɲʲɛ pʃɨjˈɔwbɨ ɔfˈɛrtɨ prˈatsɨ na jɛj stˌanɔvˈisku, nˈavɛd ɡdˈɨbɨ zvʲɛŋkʃˈɨli mu pˈɛnsjɛ tʃtˌɛrɔkrˈɔtɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_29.wav|ja pɔ prˈɔstu ɲʲɛ pˈuʃtʃɛ ɡˈɔ sˈɔlɔ, ˈalɛ...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_342.wav|jˈakaʑ vˈina jɛzd za mnˈɔ̃, za mɔˈimi bliʑɲˈimi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_29.wav|a ɔ tsˈɔ xˈɔdʑi?|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_4.wav|ˈandɛrsɔn ftɕˈɔ̃ʃ jˈɛʃtʃɛ skˈutɨ bˈɨw kˌajdanˈami z jˈakimɕ muʒˈɨnɛm imjˈɛɲʲɛm dʲˈitsk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_92.wav|ʒˈɛ kˈɔxam mˈɔjɔ̃ ʒˈɔnɛ i ɲʲɛ jˌɛstɛm zˌaintˌɛrɛsɔvˈanɨ kimkˈɔlvʲɛk ˈinnɨm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_43.wav|ˌɔpsɛrvˈujɛ uvˈaʒɲʲɛ kɔbjˈɛtɛ. mˈuʃɛ pˈɔznatɕ jɛj jˈɛ̃zɨk tɕˈawa, xˈɔtɕ ɲʲɛvʲˈɛlɛ zdrˈadʑa.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_28.wav|pˌɔvʲɛdʑˈawɛʑ ɡrˈɔɕik?|1
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_8.wav|tʃˈɨʒbɨ tfˈuj ʃˈɔn ɲʲˈɛxtɕaw ujˈavɲʲatɕ sfˈɔiɣ dˈanɨx?|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_186.wav|kɔbjˈɛta zadˈajɛ pɨtˈaɲʲɛ i pɔtstˈavja mu mikrˈɔfɔn w ˌɔtʃɛkivˈaɲʲu na ɔtpˈɔvʲɛtɕ. bʲˈillɨ dɔmˈɨɕla ɕɛ, jˈakʲɛj bˌɛɲdʑɛ trˈɛɕtɕi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_47.wav|dʑˈɛŋki za uvˈaɡɛ!|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_211.wav|tɔ spɔkˈɔjnɛ ʒˈɨtɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_169.wav|stratɕˈiwa dˈɔm i tsˈawɨ sfˈuj ɕfʲˈat mˈa tˌɨlkɔ tɕˈɛbjɛ i dʑˈɛtskɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_15.wav|rˌɔzɛbrˈawɛm tɕˈɛ i...|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_136.wav|jˈamɛ ɲˈiɡdɨ dˈɔtɔnt ɲʲɛ zvrˈatsaw na minstrˈɛlla zbˈɨtɲʲɛj uvˈaɡʲi. bˈɨw tɔ ɲˈiski tʃwɔvʲˈɛtʃɛ, ɡɔdʑˈanɨ w ˌɔpʃarpˈanɛ, ʑɛlˈɔnɛ pˈɔrtki i vˌɨstʃɛmpʲˈɔnɔ̃ blˈuzɛ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_119.wav|kturˌɛɡɔː ɔbrˈatsaw f tʃɛrvˈɔnɨx, ɔbʒˈɛŋkwɨɣ dwˈɔɲʲax.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_21.wav|na ktˌurɛj znalˈɛʑliɕmˌɨ ɕɛ bˈɛs nˈaʃɛj vˈɔli i vʲˈɛdʑɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_83.wav|pɔ tsˈɔ mˈam jˈɔ̃ ɲˈiʃtʃɨtɕ?|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_2.wav|kɔpˈaɲʲɛ zajˈɛwɔ mi tsˈawɔ̃ vʲˈɛtʃnɔɕtɕ, a maxˈajɔnts ʃˈuflɔ̃ pʃɨ ɔkˈazji vˌɨʒutsˈawam s ɕˈɛbjɛ tˈɔnɨ pʃˈɛklɛɲstf, ˌalɛ f kˈɔɲtsu vɨbrˈawam tsˈawɨ sˈɨf s pʃɛɡrˈɔdɨ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_67.wav|pˈaɲʲɛ, ɲʲˌɛvɨklutʃˈɔnɛ, ʒˈɛ sˈandɔr klɛɡˈanɛ vʲˈɛ tsˈɔɕ ɔ tɛj dʑɛftʃˈɨɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_99.wav|mˈuʃɛ zˈadatɕ tɔ pɨtˈaɲʲɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_58.wav|ˈɛlis tɕˌixutˈɛɲkɔ ɕpʲˈɛva.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_122.wav|tɛn tʃwˈɔvʲɛk tɔ xɔdʑˈɔntsɛ kwɔpˈɔtɨ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_63.wav|ktˈɔʑ bjˈɛɡw za mɔˈimi plɛtsˈami, ʃurˈajɔnts nɔɡˈami f stˈarɨɣ ɡazˈɛtax.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_56.wav|zˌatʃɨmˈujɛ ɕɛ i ˌuspɔkˈajam ˈɔddɛx.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_398.wav|vˌɨstartʃajˈɔntsɔ pˌɔtɛ̃ʒnˈɛɡɔ, bˈɨm mˈuɡw zastrˈaʃɨtɕ ˈɔjtsa, zmˈuɕidʑ ɡˈɔ dɔː ˌuvɔlɲʲˈɛɲʲa mɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_350.wav|zˈaxut swˈɔɲtsa tɔ tˈaɡʒɛ prˈubnɨ kˈɔɲʲɛts ɕfʲˈata.|0
+Dataset/wavs/urwisko_ferenc/08_segment_20.wav|tˈam znajdˈɔvaw ɕɛ nˌɔvɔtʃˈɛsnɨ, ɔʃklˈɔnɨ budˈɨnɛk kavʲˈarɲi s pˌarasɔlˈami rˌɔsstavʲɔnˈɨmi w zatɕˈiʃnɛj pʃɛstʃˈɛɲi ˌɔpʃɛrnˈɛɡɔ tarˈasu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_127.wav|a ja ɲˈiɡdɨ jɛj ɲʲɛ vˌɨbatʃˈɨwɛm.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_89.wav|skˈɔrɔ pˌɔpʃɛdɲʲˈɛɡɔ vʑˈɛwaɕ i zabʲˈiwaɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_68.wav|ˌɔkazˈawɔ ɕɛ jˈɛdnak, ʒˈɛ mʲˌɛndʑɨ swupkˈami brˈamɨ vˌɨjazdˈɔvɛj stˈɔi jˈakiɕ samˈɔxut i blɔkˈujɛ pʃˈɛjast. kʃɨknˈɛwam s frustrˈatsji. ɲʲɛ mˈɔɡwam sˈɔbjɛ pɔzvˈɔlitɕ na ˌɔpuʑɲʲˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_414.wav|kˈaʒdɨ z ɲˈix mˈukw ɕɛ pɔxfˈalitɕ wˈɔʒɛm s pʲɛrnˈatɛm, nɔtsɲˈikʲɛm ˌɔras ˈɔknɛm. f pɔkˈɔju brjˈɛnnɛ bˌɨwɔ nˈavɛt pˌalɛɲˈiskɔ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_283.wav|tɨ ɲʲɛ ʒˈɨjɛʃ. zabʲˈiwam tɕˈɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_84.wav|bˈɛs pʲɛɲʲˈɛndʑɨ ɲʲɛktˌurɨɣ zaxtɕˈanɛk ɲʲɛ zˌaspɔkˈɔiʃ.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_113.wav|lˈɔrt jasɔn ˈuɡʲɔw kɔlˈana, ˈalɛ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_109.wav|bʲˈillɨ na fʃˈɛlki vɨpˈadɛk prubˈujɛ tɔ zbˈɨtɕ sfɔbˈɔdnɨm uɕmʲˈɛxɛm i tsˌawkɔvˈitɕɛ ʃtʃˈɛrɨm vɨznˈaɲʲɛm. ɲˈits ɕɛ ɲʲɛ stˈawɔ, bˌɨwɛm ɲʲˌɛɔbˈatnɨ dˈuxɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_27.wav|ɲˈiɡdɨ dˈɔtɔnt ɲʲɛ bˈaviw ɕɛ f pʲˈasku, ɲʲɛ tˈakim pravdʑˈivɨm na plˈaʒɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_29.wav|tˈɛras jˈuʒ vʲˈɛm, ʒˈɛ tɔ ɲʲɛprˈavda.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_92.wav|jˈɛdnak f tɛj xfˈili ɲʲɛ bˌɨwɔ tˈam pɔtɕˈɔŋɡu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_200.wav|pˌɔxɨlˈiwa ɕɛ nˈadɲim. ɲʲɛ swˈɨʃaw, kʲˈɛdɨ vˈɛʃwa.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_340.wav|ˈɔjtɕɛdʑ vwˈada|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_309.wav|mˈawa krulˈɔva lubʲˈiwa tˈɛʃ pwˈɨvatɕ wutkˈami i tʃˈɛ̃stɔ, bˈɛz dˌɔstʃɛɡalnˈɛɡɔ pɔvˈɔdu, ʒˌɛɡlɔvˈawa vzdwˈuʃ tʃarnˈɛɡɔ nˈurtu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_58.wav|a stsˈɔdd bˈɨ jˈɔ̃ pɔkˈɔxaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_53.wav|ɲʲɛ mˌamɨ prˈava tˈutaj pʃɛbˈɨvatɕ, ɔː ˈilɛ sˈɔbjɛ tˌɛɡɔ ɲʲɛ zˌaʒɨtʃˈɨtɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_53.wav|urvˈali, kʲˈɛdɨ tˈɔm fstˈaw.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_436.wav|fʃˈɨstsɨ zlatˈujɔ̃ ɕɛ dɔ krˈula jˈak stˈadɔ zɡwɔdɲʲˈawɨɣ vrˈɔn.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_300.wav|zrˈɛntʃnɨ dˌɛˌiɡjˈɛ|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_334.wav|ɲʲˈɛvʲɛm, ɔ jˈakim pɔtʃˈɔntku pˈan fspɔmˈina.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_32.wav|kˈilka rˈazɨ ɕɛ zdaʒˈɨwɔ, ʒˈɛ ktˈɔʑ zdˌɛtsɨdˈɔvaw ɕɛ ˈɔdɛjɕtɕ, krˌɨtɨkˈujɔnts naˈuki arˈama, a ftˈɛdɨ stˈavaw ɕɛ tsˈɛlɛm jˈɛɡɔ pɔɡˈardɨ i drvˈin.|3
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+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_136.wav|kamjˈɛnnɛ sˈɛrtsɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_23.wav|tʃɨ vˈiɲʲɛ ɡˈɔ zˈatɔ, tsˈɔ ɕɛ stˈawɔ?|4
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+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_109.wav|tʃɨ tɔ jɛst tɔ, tsˈɔ tɕˈɛ drˈɛntʃɨ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_23.wav|i stˈawa ɕɛ ʒˈɛtʃ najɡˈɔrʃa. z ubˈɔɡʲix i ʒawˈɔsnɨx prɔtsˈɛsuf xɛmˈitʃnɨx|0
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+Dataset/wavs/urwisko_ferenc/46_segment_148.wav|mˈam xˈɔtɛl, a tsˈɔ?|0
+Dataset/wavs/urwisko_ferenc/13_segment_21.wav|tʃɨ mˈɔʒɛ vˈidʑaw jˈɔ̃ pˈan f pɔwˈɔvʲɛ dɨstˈansu dɔ fˈurtki?|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_134.wav|vˌɨvrutɕˈiwam ɔtʃˈami.|4
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+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_121.wav|na jˈɛɡɔ skrˈaju zˌauvaʒˈɨwam tʃˈɨ ˈinnɛ maʃˈɨnɨ, ktˌurɛ nˌapɛwɲʲˈawɨ sfˈɔjɛ skʃˈɨɲʲɛ skawˈami.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_77.wav|z ˌɔtfartˈɨmi ustˈami patʃˈɨwa f sˈufit.|0
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+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_227.wav|ɲʲˌɛdɔʒˈɛtʃnɛ, prˈavda?|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_165.wav|ɲʲɛ mɨɕlˈawɛm ɲˈiɡdɨ, ʒˈɛ f tɛn spˈɔsup mˈɔʒna zdɔbˈɨvatɕ pˌɔʒɨvʲˈɛɲʲɛ.|0
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+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_266.wav|starˈamɨ ɕɛ rˈɔbʲitɕ tɔ najlˈɛpʲɛj, jˈak pˌɔtrafˈimɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_44.wav|pʃˌɛtɕɛʃ ɲˈiɡdɨ dˈɔtɔnt tɕˈɛ ɲʲɛ zwapˈali. tˈɨlɛ zˈabujstf i fʃˈɨstkʲɛ ˈuʃwɨ tɕi pwˈazɛm.|2
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+Dataset/wavs/urwisko_ferenc/48_segment_34.wav|tsˈɔ tˈɛraz bˈɛɲdʑɛ?|0
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+Dataset/wavs/urwisko_ferenc/30_segment_45.wav|ftˈɛdɨ pɔtʃˈuwa na rˈɛŋkax.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_96.wav|kˈɔmbajn ʃˈarpnɔw, rˈuʃɨw dɔ pʃˈɔdu i tˈak ˈɔtɔ znˈuv bˌɨwam w drˈɔdʑɛ.|4
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+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_109.wav|xˈɔff pɔdˈajɛ mu rˈɛŋkɛ.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_84.wav|zˌapɨtˈawa alˈain, ɡdˈɨ dʒvˈi zamknˈɛwɨ ɕɛ za ɲˈimi.|1
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+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_50.wav|ˌalɛ jˈaki mˌamɨ vˈɨbur?|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_251.wav|xtsˈɛ ɕɛ dɔvʲˈɛdʑɛtɕ, ktˈɔ tɔ zrˈɔbʲiw.|2
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+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_56.wav|tˈɨlnɛ ɕɛdʑˈɛɲʲɛ bˌɨwɔː ˌɔdɡrɔdʑˈɔnɛ drutɕˈanɔ̃ ɕˈatkɔ̃ i vˌɨɡlɔndˈawɔ jˈak klˈatka.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_129.wav|ˌɔtʃɨvˈiɕtɕɛ jˈakiɕ stˈarʃɨ pˈan, pˈɛvɲʲɛ dˈɔktɔr, zʒˈutɕiw kˈɔts i pɔxˈɨliw ɕɛ nat tɕˈawɛm mwˈɔdɛj kɔbjˈɛtɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_69.wav|tˈak, skˈarbjɛ. tʃɨ tɔ bˌɛɲdʑɛ f pɔʒˈɔntku, jˈɛɕli ɲʲɛ bˌɛndɛ ɕɛ tɨm ˌɛkstsɨtɔvˈawa?|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_157.wav|ˌɔdʒutɕˈiwa w rˈɛntsɛ nˌabʲijˈanɔ̃ ɡvɔʑdʑˈami pˈawkɛ, a ɲˈiski mɛ̃ʃtʃˈɨzna ˈuɲʲus tˈɔpur.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_70.wav|f krˈɛŋɡax ɕfʲˈata ujʒˈawam sɨlvˈɛtkɛ mɛ̃ʃtʃˈɨznɨ, ktˌurɨ stˈaw w lˈɛkkim rɔskrˈɔku z rɛŋkˈami zˌawɔʒɔnˈɨmi na pʲˈɛrɕi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_15.wav|idʑˈɛmɨ za kilkˈɔma trɔpˈami.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_30.wav|skwamˈawa. ˌuswɨʃˈawam, ʒˈɛ mˈuj swɔvˈitʃɛɡ ʑlˈɛ ɕɛ tʃˈujɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_196.wav|ɔ tɛj pˈɔʒɛ ɲʲɛ bˌɨwɔ tˈu pʃɛxˈɔdɲʲuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_117.wav|drˈuɡa jɛst tˈaka, ʒˈɛ ta bˈaba vɨɡlˈɔnda znajˈɔmɔ. jˈak xɔlˈɛra?|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_89.wav|ɔtfʲˈɛra sfˈɔjɔ̃ pˈɔvʲɛɕtɕ i pʃɛvˈija tˈɛɡzd dɔ mʲˈɛjstsa, f ktˌurɨm tˈakɔ pˈɔdaw mɛɡˈafɔn fˌaridˈɔvi, ix twˌumatʃˈɔvi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_127.wav|bʲˈillɨ ɔprˈuʒɲʲa kʲɛʃˈɛɲʲɛ i fkwˈada spˈɔdɲʲɛ dɔ prˈalki rˈazɛm z rˈɛʃtɔ̃ ˈubraɲ. rˈɔbʲi tɔ pɔvˈɔli zˈɛ zmarʃtʃˈɔnɨm tʃˈɔwɛm.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_197.wav|dɛndˈali na dʑˈikʲɛj jabwˈɔɲi, a tfˈaʒɛ mʲˌɛli zupˈɛwɲʲɛ tʃˈarnɛ.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_233.wav|prˈɔʃɛ, ɲʲɛ mˈɔjɛ dʑˈɛtɕi, ɲʲˈɛkʃɨftɕ mˈɔiɣ dʑˈɛtɕi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_50.wav|plˌanɔvˈawɛm skˈɔɲtʃɨtɕ na falˈudʒɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_87.wav|ˌɔtɕɛrˈajɔnts spɔtsˈɔnɛ tfˈaʒɛ xustkˈami, ktˌurɛ pʃɨbrˈawɨ jˈuʃ, jˈak i kˌɔwɲʲɛʒˈɨki kˈɔʃul, kˈɔlɔr dˈɨmu.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_183.wav|ˌalɛ kʲˈɛdɨ dɔtˈarwam dɔ nˌaturalnˈɛɡɔ tɛrˈɛnu, mˈɔjɛ ʃˈansɛ vzrˈɔswɨ.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_249.wav|ˈɔtpar mɛrˈibalt. prˈavdɛ mˈuvʲɔnts, bˌɨwɛm za mwˈɔdɨ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_256.wav|lˈɔrt rˈɔbɛrt tʃˈujɛ ɕɛ jˈuʃ lˈɛpʲɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_146.wav|ɲʲɛ pˌɔdɔbˈawɔ mi ɕɛ tɔ, tsˈɔ mʲˈawam mu zˌaprɔpɔnˈɔvatɕ, ˌalɛ kɔɲtʃˈɨwɨ ɕɛ nˈam mˌɔʒlivˈɔɕtɕi, a tʃˈɛba bˌɨwɔ zapwˈatɕitɕ tɛ ɔtsˈɛtki.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_234.wav|ja ˌuwɔʒˈɨwɛm ɕɛ ɔstrˈɔʒɲʲɛ ˈɔbɔk.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_281.wav|tˈu ɲʲɛ vˈɔlnɔ pʃɛbˈɨvatɕ ɔsˈɔbɔm pɔstrˈɔnnɨm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_47.wav|kˈit spɔʒˈɔndʑaw nɔtˈatki i jˈuʃ mʲˈaw ɔtfˈɔʒɨtɕ ˈusta, kʲˈɛdɨ zadʑvˈɔɲiw tɛlˈɛfɔn tˈɔma.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_66.wav|bˈɔʒɛ, ɲʲɛ!|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_50.wav|jˈɛdʑ dɔ prˈatsɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_9.wav|zˌapɨtˈawa bˈɛtskɨ, zˌapraʃˈajɔndʑ ɡˈɔ ɡˈɛstɛm dɔ zajˈɛɲtɕa mʲˈɛjstsa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_85.wav|f kˈɔɲtsu nˈatʃɛt ɕrɔdˈɔvɨ pɔrˈanɛk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_107.wav|rˈɔp mˈɔʒɛ ɡˈɔ pˌɔprɔvˈadʑitɕ, ˌalɛ xtsˈɛ bˈɨtɕ na mʲˈɛjstsu, kʲˈɛdɨ bˌɛɲdʑɛ pʃˌɛswuçivˈana.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_340.wav|zdˌɛtsɨdɔvˈawa w dˈuxu tsɛrsˈɛi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_32.wav|bʲˈillɨ uxˈɨla zaswˈɔnɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_336.wav|virˈuɕɛ, ktˌurɨ zabʲˈija mɔtˈɨvɨ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_175.wav|kˌapitanˈɔvʲɛ zatʃˈɛli vˈalitɕ kʲˌɛlixˈami f stˈuw i tˈupatɕ f pɔdwˈɔɡɛ. ˈɛwrɔn! vʒɛʃtʃˈɛli. ˈɛwrɔn, ˈɛwrɔn, ˈɛwrɔn!|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_261.wav|jˈak sˈɔbjɛ ʒˈɨtʃɨʃ.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_20.wav|brjˈɛnnɛ ɲˈiɡdɨ w ʒˈɨtɕu ɲʲɛ jˈadwa ɲˈits, tsˈɔ bɨwˈɔbɨ xˈɔtɕ f pɔwˈɔvʲɛ tˈak smˈatʃnɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_108.wav|za pˌɔtɕɛmɲʲˈawɨm swˈupɛm pawˈatsu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_41.wav|mˈɔja prˈatsa zˈaras ɕɛ zˈatʃɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_69.wav|nˈavɛt kfʲˈatɨ w dˈuʒɛj dɔɲˈitsɨ ˈusxwɨ i skurtʃˈɨwɨ ɕɛ.|3
+Dataset/wavs/urwisko_ferenc/62_segment_40.wav|bɛzvʲˈɛdɲʲɛ vʑˈɔw dɔ rˈɛŋki klutʃˈɨki z brɛlˈɔkʲɛm i mˈarja xˈɛrman zvrutɕˈiwa nˈatɔ uvˈaɡɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_86.wav|nˈavɛt jˈɛɕli kupˈimɨ...|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_7.wav|znalˈazwam ɕɛ za blˈiskɔ, ʒˈɛbɨ tʃˈutɕ ɕɛ kˌɔmfɔrtˈɔvɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_67.wav|ɲʲɛ mˈɔɡɛ uvʲˈɛʒɨtɕ, ʒˈɛ ɲʲɛ spravdʑˈiwam tˌɛɡɔ pˌɔmjɛʃtʃˈɛɲʲa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_62.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_57.wav|mˈɨɕlɛ, ʒˈɛ tˈak, pˈaɲʲɛ pˌɔtpuwkɔvɲˈiku.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_12.wav|fstˈaw i pˈɔtʃɛt tˈam. zɔbˈatʃɨw jakʲˈɛɡɔɕ starˈɛɡɔ tʃwɔvʲˈɛka, ktˌurɨ ɔtfʲˈɛraw dʒvˈi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_97.wav|vʲˈɛnts jˈɛɕli jˈuʃ utɕˈɛka, tɔ ɲʲɛ bˌɛɲdʑɛ pʃˌɛtɕɛʃ utɕˈɛkatɕ pʃˈɛs tsˈawɛ stˈanɨ, kʲˈɛdɨ mˈa pʃɛt sˈɔbɔ̃ tˌɨlkɔː ɔrˈɛɡɔn, a pˈɔtɛm sɛˈattlɛ, rɔzˈumjɛʃ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_131.wav|vʲˈɛndʑ zbliʒˈawɛm ɕɛ dɔ tɛj bˈutki tˌɛlɛfɔɲˈitʃnɛj, mˈɨɕlɔnts rˌɔspatʃlˈivʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_341.wav|ˌuɕfʲadɔmˈiwa sˈɔbjɛ nˈaɡlɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_69.wav|ˌalɛ zˈaɲim zdɔ̃ʒˈɨwam ɕɛ ɔtʃˈɔ̃snɔɲtɕ, znˈuf mɲʲɛ dɔpˈadwa. tɨm rˈazɛm zˌaatˌakɔvˈawa mɲʲɛ ɔt tˈɨwu i zatʃˈɛwa dˈuɕitɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_18.wav|vˈɨwɔntʃ pˈan nˈajpʲɛrf mˈɔtɔr pɔvʲˈɛdʑaw spʃˌɛdajˈɔntsɨ bɛnzˈɨnɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_105.wav|ɔdɡˈarnɔw rˈɛŋkɔ̃ vwˈɔsɨ s tʃˈɔwa i jˈudɨ zˌɔbatʃˈɨwa tɕˈɛmnɔ̃, tɕˈɛŋkɔ̃ blˈiznɛ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_330.wav|skinˈawa ɡwˈɔvɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_36.wav|skˈɔnd vʲˈɛʃ, ʒˈɛ jˌɛstɛm ʃlaxˈɛtɲʲɛ ˌurɔdʑˈɔnɨ? a skˈɔnt tɨ vʲˈɛʃ, ʒˈɛ jˌɛstɛm pˌuwkrfidˌɔrɲijtʃˈɨkʲɛm?|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_282.wav|tsˈɔ tɔ jˈɛst?|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_83.wav|tˈak rɔbʲˈiwɛm dɔ lˌistɔpˈada, dɔː ˈaktsji w dˈɔmu zˈabaf.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_236.wav|ˌurɔdʑˈiwa ɕɛ pɔ ɲʲˌɛvwaɕtɕˈivɛj strˈɔɲʲɛ wˈɔʒa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_19.wav|pˌɔpravˈiwa pɔdˈuʃki, a ˈaʃ pˈatʃɨw nˈaɲʲɔ̃ kɔmplˈɛtɲʲɛ ˌɔswupʲˈawɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_49.wav|ɲˈidʑ bˈɨ ɲʲɛ pˌɔvʲɛdʑˈɛli, ˌalɛ mˈɔɡlibˌɨ ɕɛ dɔmˈɨɕlitɕ, ʒˈɛ bʲˈillɨ vʲˈɛ ɔː ˌinviɡʲilˈatsji i xakˈɛrstfʲɛ vʲˈɛntsɛj ɲˈiʒ dˈajɛ pɔ sˈɔbjɛ pˈɔznatɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_32.wav|kˈilka tsˌɛntɨmˈɛtruf w lˈɛvɔː i mˈuj mˈuzɡ znalˈazwbɨ ɕɛ na ɕtɕˈaɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_48.wav|vˈɨɕlɛʃ mi jˈakʲɛʑ zdjˈɛɲtɕa?|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_320.wav|tsˈuʒ bˈɨwabˌɨ zˈɛmɲʲɛ za krulˈɔva, ɡdˈɨbɨm zˌɔstavˈiwa krulˈɛstfɔ w drʒˈɔntsɨɣ dwˈɔɲʲax xarˈɨsa sfˈifta?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_82.wav|tʃɨ pʃɨxˈɔdʑi pˈaɲi dɔ ɡwˈɔvɨ ktɔkˈɔlvʲɛk, ktˈɔ mˈuɡwbɨ tsˈɔɕ takʲˈɛɡɔ vˈɨswatɕ, pɔdˈajɔnts ɕɛ za pˈaɲʲɔ̃?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_63.wav|i pɔt spˈɔdɛm zˌauvˈaʒam kartˈɔnɨ.|3
+Dataset/wavs/urwisko_ferenc/02_segment_65.wav|jˌɛstɛm pʃˌɛkɔnˈanɨ, ʒˈɛ ɔt samˈɛɡɔ pɔtʃˈɔntku zˌawɔʒˈɨliɕtɕˌɛ, ʒˈɛ mˈɔɲʲa pˌɔpɛwɲˈiwa sˌamɔbˈujstfɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_43.wav|jˈaɡ dʑɛtɕˈɛntsɨ bˈutɕik, ktˌurɨ nˈɔɕiw za sˈɔbɔ̃ f tʃˈaɕɛ tsˈawɛj ˌɔpɛrˈatsji tʃˈujna stanˈɔftʃɔɕtɕ i prˈavʲɛ tsˈawɛj upʲˈɔrnɛj fˈurji.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(28) R.Abbott_Zamknij Drzwi_segment_6.wav|ˈɔdɲʲuz vraʒˈɛɲʲɛ, ʒˈɛ bjˈɛkw pʃˈɛs tɕˈɛmnɔ̃ nˈɔts, pʃˌɛmɔtʃˈɔnɨ ɔd dˈɛʃtʃu.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_99.wav|jasmˈinɛ pɛtsklˈɛdɔn pʃɨtʃˈɨmaw vˈɔdʑɛ klˈatʃki i jˈamɛ jɛj dˈɔɕad. ɡʲˈɛrmɛɡ bˈɨw xˈudɨ jˈaɡ vwˈutʃɲʲa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_398.wav|dvadʑˈɛɕtɕa pʲˈɛɲtɕ? nˈavɛt tˌɨlkɔ dvadʑˈɛɕtɕa tsˈɛntuv za pˈivɔ. tʃˈɛba tˌɨlkɔ vʲˈɛdʑɛtɕ, dˈɔkɔnt ˈiɕtɕ. ja ɲʲˈɛmam dʑˈɛtɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_152.wav|pɔvˈiɲʲɛn tɔ vʲˈɛdʑɛtɕ, ˌalɛ ɲʲˈɛvʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_458.wav|dɔpʲˈɛrɔ tˈɛras ˌuɕfʲadɔmˈiwɛm sˈɔbjɛ, ʒˈɛ jɛst pɔdˈɔbnɨ dɔ jɛdnˈɛɡɔ zwˈɔtruf f krakˈɔfskim ɔwtˈaʒu vˈita stfˈɔʃa.|0
+Dataset/wavs/urwisko_ferenc/44_segment_13.wav|mˈɔʒɛ ɔn tsˈɔɕ mˈa nˈaɲih ɔbˈɔjɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_208.wav|ˌalɛ ɲʲˈɛxtsɛ tˌɛɡɔ mˈuvitɕ na ɡwˈɔs.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_29.wav|jɛzd zˈɛ sˈɔbɔ̃ ʃtʃˈɛra i dˈɔbra f tˈɨm, tsˈɔ rˈɔbʲi, vʲˈɛntsɛj ɲˈiʒ dˈɔbra.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_42.wav|i tɔ ɲʲɛ bˌɨli tˌɨlkɔ prˈɔɕtɕi ʒɔwɲʲˈɛʒɛ, vˈaʃa mˈiwɔɕtɕ, ˌalɛ rˈuvɲʲɛʃ rɨtsˈɛʒɛ i mwˈɔdʑi lɔrdˈɔvʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_75.wav|tˌɛɡɔ ɲʲɛ vʲˈɛmɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_42.wav|fspˈinam ɕɛ na pˈaltsax, tʃɨmˈajɔnts ɕɛ blˈiskɔ ɕtɕˈanɨ, ʒˈɛbɨ zapˈɔbjɛts skʃɨpʲˈɛɲʲu stˈarɨɣ dˈɛsɛk.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_464.wav|zˈatʃɔw ɕɛ nˈaɡwɨ rˈux.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_293.wav|kʲˈɛdɨ sprubˈɔvaw zavˈɔwatɕ ɔ pˈɔmɔts, pˈɔwknɔw kɔlˈɛjnɨ xˈawst.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_3.wav|vʲˈɛlki maˈɛstɛr pɨtsˈɛllɛ bˈɨw stˈarɨ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_151.wav|dlatʃˈɛɡɔ mˈuvi ɔ ɡʒˈɛ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_65.wav|— jˌɛstɛʑ w dˈɔmu? — tˈak, vˈɨbatʃ, pɔvˈinnam bˌɨwa zadʑvˈɔɲitɕ ftʃˈɛɕɲʲɛj. ˈaʃ pratsˈujɛ, a ja kɔmplˈɛtɲʲɛ zˌapɔmɲʲˈawam, ʒˈɛ mˈili zɔstˈawa zˌaprɔʃˈɔna na zabˈavɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_26.wav|bˌɨwɨ ˈaɡɛnt lˌitɛrˈatski bʲilljˈɛɡɔ jɛst w nɔvˈadʑɛ, prˌavdɔpɔdˈɔbɲʲɛ pɔd ʑˈɛmʲɔ̃, ɡdʑˈɛ jˈɛɡɔ pˈaswɛ tɕˈɛlskɔ jˈuʒ zatʃˈɨna ɕɛ rɔskwˈadatɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_325.wav|mˈawɔ tsˈɔ pamjˈɛntam.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_104.wav|kʲˈɛdɨ jˈɔ̃ rˈaz zˌapɨtˈawɛm, kˈim xtsˈɛ bˈɨtɕ, jˈaɡ bˌɛɲdʑɛ dɔrˈɔswa, pˌɔvʲɛdʑˈawa, zɔstˈanɛ lˌuksusˈɔvɔ̃ prˌɔstɨtˈutkɔ̃ i swˈavɲi fatsˈɛtɕi bˌɛndɔ̃ mi pwˈatɕitɕ, ʒˈɛbɨm ɕɛ z ɲˈimi pʲˌɛrdɔlˈiwa.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_38.wav|rˈɔzlɛkw ɕɛ kɔlˈɛjnɨ xˈuk. ˌɔdwɔʒˈɨwam swuxˈafkɛ, pˌɔkɔɕtɨkˈawam dɔ dʒvˈi i vɨjʒˈawam pʃˈɛz vˈizjɛr na kɔrˈɨtaʃ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_114.wav|tˈak, tsˈɔɕ ɕɛ stˈawɔ, tsˈɔʑ zupˈɛwɲʲɛ ˌidjɔtɨtʃnˈɛɡɔː i ɲʲˌɛpɔjɛntˈɛɡɔ, jˈaɡ daxˈufka z dˈaxu ˈalbɔ pʲˈɔrun z jasnˈɛɡɔ ɲʲˈɛba.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_28.wav|dɔː iɣ zɛspˈɔwu mˈuɕi dɔwˈɔntʃɨtɕ jˈɛdɛn z dˌɔɕfʲattʃˈɔnɨx tɛxɲˈikuf f tɛj dʑɛdʑˈiɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_207.wav|kʲˈɛdɨ vjɛxˈawɛm, s pɔvrˈɔtɛm na ˌawtɔstrˈadɛ dɔdˈawa. mɨɕlˈawam, ʒˈɛ mɲʲɛ zɔstˈaviʃ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_177.wav|kʲˈɛdɨ mˈɨɕlaw, ʒˈɛ stˈadʑ ɡˈɔ na vʲˌɛlkɔdˈuʃnɔɕtɕ, tˈak ˈɔɲim mˈɨɕlɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_6.wav|dɔdˈajɛ i zaɡrˈɨza vˈarɡɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_169.wav|mafˈijna dˌɨplɔmˈatsja f klasˈɨtʃnɨm vɨdˈaɲʲu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_186.wav|ˈɔx, tʃˈɛɕtɕ, mˈuvi. mˈam nadʑˈɛjɛ, ʒˈɛ...|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_248.wav|fʃˈɨstsɨ ɕɛ ˌuɕmʲɛxˈajɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_8.wav|ɲˈikt jˈɛdnak ɲʲɛ pɔvʲˈɛdʑaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_146.wav|ˈindjɔ, jˈɛɕli mˈam nˈadal pɔmˈaɡatɕ tfˈɔjɛj mˈamjɛ...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_124.wav|mˈuj ˈɔjtɕɛts jɛzd vwˌaɕtɕitɕˈɛlɛm kasˈɛna w mʲˈɛɕtɕɛ. vʲɛdʑˈawaɕ ˈɔtɨm?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_32.wav|— tɔ jˌɛstɛm jˈa — ʃɛpnˈɛwa.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_13.wav|pʃˌɛtɕɛʃ pˌɔstanɔvˈiwa, ʒˈɛ ɲʲɛ bˌɛɲdʑɛ jˈuʃ mˈɨɕlɛtɕ ɔ fˈalis.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_170.wav|ˌalɛ nˈavɛt jˈɛɕli tɕi pɔmˈɔɡɛ, tɔ tsˈɔ zrɔbʲˈimɨ z mˈamɔ̃?|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_145.wav|nadˈaftsɔ̃ bˌɨwa fˈirma, ɲʲˌɛvɔntplˈivʲɛ ɲʲˌɛistɲʲɛjˈɔntsa, fˈun ˈand ɡˈamɛs nˌɔvɛlˈitjɛz z lˈaz vˈɛɡas.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_251.wav|vʲˈɛnts pˈɛvɲʲɛ ɲˈidʑ dʑivnˈɛɡɔ f tˈɨm, ʒˈɛ dɔ nɔvˈɛɡɔ ʒˈɨtɕa nˌarɔdʑˈiwɛm ɕɛ f tɛn spˈɔsup.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_96.wav|— tɔ ɲʲɛ zalˈɛʒɨ ˈɔdɛ mɲʲɛ — pɔvʲˈɛdʑaw i tˈak jˈuʒ zɔstˈaɲʲɛ. mˈuʃɛ tɕˈɛʃɨtɕ ɕɛ lˈalkɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_277.wav|zˌaintrˌɨɡɔvˈanɨ vɨʃˈɛdwɛm na kɔrˈɨtaʃ.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_176.wav|pɔskˈarʒɨw ɕɛ blˈɔndɨn.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_21.wav|fstˈajɛʃ jˈuʃ, mˈamɔ?|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_409.wav|kˈɔʑɔw xtɕˈaw, ʒˈɛbɨ jɛj ɕmʲˈɛrdʑ bˌɨwa ɕmʲˈɛʃna.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_86.wav|a mˈɔʒɛ vˈilki tʃaˈiwɨ ɕɛ za pɲʲˈami stulˈɛtɲiɣ dʒˈɛf? vʲˈatr ˌuspɔkˈɔiw ɕɛ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_120.wav|kʲˈɛdɨ ɕɛdʑˈɛli jˈuʃ f sˌamɔxˈɔdʑɛ, zapˈɨtaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_73.wav|pʃˈɛs xfˈilɛ na vʲˈɛʒɣ vɨxˈɔdʑi ɡwupˈavɛ jaxˈɔfa.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_249.wav|ˌuswɨʃˈawam kɔlˈɛjnɨ zɡʒˈɨt i skʃɨvˈiwam ɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_131.wav|xtsˈɛ pʃɛtʃˈɨtadʑ dɔ kˈɔɲtsa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_61.wav|jɛst mˌuzuwmaɲˈinɛm? ɔ mˈuj bˈɔʒɛ! vˈidʑɛ, ʒˈɛ ˌupʃɛdʑˈɛɲʲa rasˈɔvɛ w bɛrmˈɔntsɛj mˌajɔ̃ ɕɛ dˌɔskɔnˈalɛ.|4
+Dataset/wavs/urwisko_ferenc/19_segment_92.wav|ɕfʲˈatwɔ pˌadajˈɔntsɛ z ɡˈurnɛj lˈampɨ nˌadavˈawɔː ix tfˈaʒɔm ɲʲɛzdrˈɔvɨ, ʒˈuwtɨ vˈɨɡlɔnt. ɡwɛmbˈɔkɔː ˌɔsadʑˈɔnɛ ˈɔtʃɨ sˈɔlskʲɛj tɔnˈɛwɨ f tɕˈɛɲʲu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_32.wav|— ɲʲɛ uvˈaʒaʃ, ʒˈɛ ˌɔdrɔbʲˈinɛ za bˈardʑɔ tɔ ɡˌɛnɛrˌalizˈujɛʃ? — spˈɨtaw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_448.wav|ɔdɡwˈɔsɨ ʒˈɨtɕa ʑɛmskʲˈɛɡɔ dɔxˈɔdʑɔ̃ tˈu skˈɔmpɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_5.wav|na rˈaʑɛ na ʃtʃˈɛɲɕtɕɛ vʲˈɛʒɛ, ʒˈɛ tɔ nˈaʃɛ ʃalˈɔnɛ, spˌɔntaɲˈitʃnɛ vakˈatsjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_48.wav|kˈɔdɛks xˌɔnɔrˈɔvɨ, tsˈɔ?|2
+Dataset/wavs/urwisko_ferenc/18_segment_38.wav|pilˈɛfska xfɨtɕˈiwa sˈɨna pɔt pˈaxɨ i ˌɔdvrutɕˈiwa plɛtsˈami dɔ ɕˈɛbjɛ, pɔ tʃɨm ɔpˈarwa ɡˈɔː ɔ klˈatkɛ pʲɛrɕˈɔvɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_49.wav|tˈɛssa, ˈuvʲɛʃ mi, ˈaʃ ɲʲˈɛma prˈava na tsɔkˈɔlvʲɛk ɕɛ ɲʲɛ zɡˈɔdʑitɕ. ɲʲɛ pʃˈɛjmuj ɕɛ ɲˈim.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_36.wav|mʲˈaw nadʑˈɛjɛ, ʒˈɛ bɔɡˈɔvʲɛ bˌɛndɔ̃ waskˈavi dla ˈɔbu xwˈɔptsuf.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_229.wav|jˈɛɕli tˌɛɡɔ prˈaɡɲʲɛʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_51.wav|ˌɔras jˈɛɡɔ plˈan pˌɔlɛɡajˈɔntsɨ na zˌamɔrdɔvˈaɲʲu mɲʲɛ tˈuʃ pɔ vˌɨpwatsˈɛɲʲu pʲɛɲʲˈɛndʑɨ s pɛvnˈɔɕtɕɔ̃ pʃɨtʃˈɨɲʲaw ɕɛ dɔ zwˌaɡɔdʑˈɛɲʲa mɔjˈɛɡɔ vɨrˈɔku.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_148.wav|tɔː ˌɔna ˌɔpɔvʲɛdʑˈawa mi tˈɛ çistˈɔrjɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_511.wav|ɲʲˈɛbuj ɕɛ. ɲʲɛ tʃˈasnɛ tɕˈɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_29.wav|patʃˈɨwɛm w ˈɔknɔ zˌaxlapˈanɛ vˈapnɛm. vʲˈatr rɔzvlˈɛkaw pɔ zˌaɡratsˈɔnɨx pɔdvˈurkax jˈakʲɛɕ papʲˈɛrɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_101.wav|musˈimɨ stˈɔnt ɔdjˈɛxatɕ, pˌɔvʲɛdʑˈawa. w ɕrˈɔtku sɔ̃ zbjɔrɲˈiki s tlˈɛnɛm i mɛtˈanɨm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_354.wav|pˌɔpravʲˈawa nɛrvˈɔvɔ vˌɨsɨpujˈɔntsɛ ɕɛ s tɔbˈɔwka pɔmjˈɛntɛ papʲˈɛrɨ i stʃɛmpʲˈastɛ ʃmˈatɨ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_278.wav|tˈak ɕɛ skwˈada, ʒˈɛ maʃ rˈatsjɛ, ɔtpˈarwa tsɛrsˈɛi, çixˈɔtʃɔnts jˈak mˈawa dʑɛftʃˈɨŋka.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_134.wav|kˈɨbɛrn vʒˈutɕiw zˌakrfavʲˈɔnɔ̃ bʒˈɨtfɛ dɔ vʲˈadra z ˈɔtstɛm. marɡˈarɨ mˈɔʒɛ ɕɛ zˌastanˈavʲatɕ, ɡdʑˈɛ zɲˈiknɔw jɛj bˈart.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_187.wav|xˈɔdʑ vʲɛʒɡˈawa fɕtɕˈɛklɛ, zavlˈɔkwɨ jˈɔ̃ pɔ sxˈɔdaɣ dɔ vʲˈɛʒɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_130.wav|xˈɔtɕ trˈɔxɛ ɕɛ rˌɔstʃarɔvˈawa, ʒˈɛ jɛzd ʒɔnˈatɨ, tɔ tsˈarlsɔn ɲˈiɡdɨ ɲʲɛ swˈɨnɔw z vʲɛrnˈɔɕtɕi i uznˈawa, ʒˈɛ tɔ jɛst jɛj ʃˈansa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_141.wav|znˈa pˈaɲi ˌɔtpɔvʲˈɛdʑi na drɛntʃˈɔntsɛ jˈɔ̃ pɨtˈaɲʲa?|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_129.wav|ˈaʒ dɔ samˈɛɡɔ kˈɔɲtsa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_165.wav|pɔvʲˈɛdʑaw z uɕmʲˈɛxɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_199.wav|ɕmʲˈali ɕɛ s tˈɛɡɔ, ˌalɛ ja ɲʲɛ, bˈɔ mˈɔjɔ̃ mˈamɛ ʒˌɛtʃɨvˈiɕtɕɛ drapnˈɛwa drɔɡˈufka.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_4.wav|jˈak sfɛndʑˈɔntsɛ mʲˈɛjstsɛ, f ktˌurɛ natˈɨxmʲazd bˈɨm ɕɛ pˌɔdrapˈawa.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_305.wav|xˌaˌɛmˈɛm, ɲʲˈɛvʲɛm, tsˈɔ tɕi pɔvʲˈɛdʑɛtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_12.wav|zapˈɨtaw tˈɔm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_117.wav|tʃɨ ja jˈuʒ dɔ kˈɔɲtsa ʒˈɨtɕa bˌɛndɛ lˈɛŋkaw ɕɛ fxˈɔdʑidʑ dɔ vwasnˈɛɡɔ dˈɔmu?|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_402.wav|ɲˈiɡdɨ ɲʲɛ pʃɛrˈɨvaw jˌamjɛˈɛmu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_13.wav|ftɕˈɔ̃ʃ ɲʲɛ pˌɔdnɔɕˈiwa vzrˈɔku.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_158.wav|bʲˈillɨ ɔtfʲˈɛra pikˈantnɨ sˈɔs pˌɔmidɔrˈɔvɨ i xlˈust, zalˈɛva ɲˈim skfʲɛrtʃˈɔntsɔ̃ vˌɔwɔvˈinɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_56.wav|lˈɛpʲɛj i lˈɛpʲɛj. i ɲʲɛ mˈartftɕɛ ɕɛ ɔ rɔɕlˈinɨ, fkrˈuttsɛ vrˈatsam, tɨm rˈazɛm na dwˈuʒɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_165.wav|dʑˈɛɕɛɲtɕ pɔː ix tɕˈɔ̃ʒɲits.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_82.wav|dla mɲʲɛ bˌɨwɔː ˌɔnɔ jˈɛdnak ɲˈitʃɨm f pˌɔruvnˈaɲʲu z mˈɔjɔ̃ ˌɛmɔtsjɔnˈalnɔ̃ tɔrtˈurɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_474.wav|mɨɕlˈawɛm, ʒˈɛ kʲˈɛdɨ bˌɛɲdʑɛʃ pˌɛwnɔlˈɛtɲʲa, ˈalɛ...|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_82.wav|f pɔblˈiʒu ɲʲɛ bˌɨwɔ ʒˈadnɛj z vˈint, vʲˈɛnts ruʃˈɨwam na ɡˈurɛ sxɔdˈami, pʃˌɛskakˈujɔnts pɔ tʃˈɨ stˈɔpɲʲɛ nˈaras.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_53.wav|a xˈaŋk kʲˈɛdɨ vrˈatsa? kˈɔɲtʃɨ prˈatsɛ ɔ tʃfˈartɛj. dlatʃˈɛɡɔ...|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_40.wav|bˈardʑɔ bˈɨ mɲʲɛ zˌasmutɕˈiwɔ, ɡdˈɨbɨʑ zdradʑˈiwa mˈɔjɛ zˌaufˈaɲʲɛ, taˈɛnɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_10.wav|ɲʲɛktˈurɛ, jˈak kˌantsɛlˈarja ˌadvɔkˈatska na pʲˈɛntʃɛ bʲiljˈɛɡɔ, dvˈa lˈata tˌɛmu jˈɛʃtʃɛ ɲʲɛ istɲʲˈawɨ.|2
+Dataset/wavs/urwisko_ferenc/34_segment_53.wav|ɡrˈɔx jˈɛxaw pɔvˈɔli, a mˈimɔ tɔ bjˈawɨ pˈɨw, pɔdˈɔbnɨ dɔː ɔbwˈɔkuf, pˈɛntʃɲʲaw za sˌamɔxˈɔdɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_65.wav|w ɡˈurax tsˌɔlɔrˈadɔ zapˈɛvnɛ jˈuʒ zapˈada zmrˈɔk.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_37.wav|dlatˈɛɡɔ pʃˈɛʃli na nˈaʃɔ̃ strˈɔnɛ. rˈɛʃta bˌɨwa jˈuʃ wˈatfa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_22.wav|zatɕˈɔŋɡa zaswˈɔnɛ, zˌakrɨvˈajɔndʑ vˈidɔk na ulˈitsɛ i spɔɡlˈɔnda na zɛɡˈarɛk. za dvadʑˈɛɕtɕa jˌɛdɛnˈasta.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_346.wav|ˌɔɕfʲattʃˈɨwa tsɛrsˈɛi. mˈuʃɛ vwˈadatɕ krulˈɛstfɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_72.wav|tfˈɔja zˌapʲɛkˈaŋka rˈɨbna bʒmˈi dˈuʒɔ lˈɛpʲɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_85.wav|vʲˈɛm, ʒˈɛ rˌɔzmavʲˈawa pˈaɲi jˈuʃ rˈanɔ s ɕɛrʒˈantɛm kˈambɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_48.wav|mˈuʃɛ tˈu zˈɔstatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_86.wav|fskˈazatɕ, ʒˈɛ ɲʲɛ ʒˈɨjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_63.wav|pˌɔtʃɛbɔvˈawam xfˈili, ʒˈɛbɨ pɔzbjˈɛratɕ mˈɨɕli.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_30.wav|i na stɔjˈɔntsɔ̃ pʃɨ wˈuʃku butˈɛlkɛ ˌalkɔxˈɔlu.|0
+Dataset/wavs/urwisko_ferenc/09_segment_98.wav|jɛzd vʲˌarɨɡˈɔdnɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_128.wav|rˈuvɲʲɛ dˈɔbʒɛ mˈɔɡlibˌɨ mʲˈɛtɕ na ʃˈɨjax tablˈitʃki z napˈisɛm|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_230.wav|mˈuʃɛ ɕɛ vˈɨspatɕ. bˈɔʒɛ, jˈaɡ bˈardʑɔ xtsˈɛ mi ɕɛ spˈatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_146.wav|pʃɛprˈaʃam tɕˈɛ za tɛn xlɔrˈɔfɔrm.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_283.wav|fʃˈɨstkɔ tɔ jɛzd bˈardʑɔ tɕɛkˈavɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_104.wav|jˈɛɕli jˈɛʃtʃɛ tˌɛɡɔ ɲʲɛ zrɔbʲˈiwa, pˌɔmɨɕlˈawa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_34.wav|ˈaʃ umjˈɛɕtɕiw swˈɔmkɛ mʲˌɛndʑɨ varɡˈami, ˈupiw kˈilka wˈɨkuf i skˈinɔw ɡwˈɔvɔ̃ f pˌɔdʑɛŋkɔvˈaɲʲu.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_200.wav|fʃˈɨstsɨ ɕɲˈimɨ ˈɔtɨm, tʃˈɛɡɔ ɲʲɛ mɔʒˈɛmɨ mʲˈɛtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_41.wav|pˈɔmɨɕl ˈɔtɨm jˈutrɔ, bˈɔ jˈutrɔ tˈɛʃ jɛzd dʑˈɛɲ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_158.wav|pˈuɕtɕiw jɛj bwaɡˈaɲʲɛ mˈimɔː ˈuʃu.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_66.wav|tʃɨ jɛst tˈu jˈakʲɛɕ mʲˈɛjstsɛ, ɡdʑˈɛ mˈɔɡlibˌɨɕmɨ pˌɔrɔzmˈavʲatɕ na ˌɔsɔbnˈɔɕtɕi, vˈaʃa ɕfʲˌɔntɔblˈivɔɕtɕ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_18.wav|tˈɛssa zdɔ̃ʒˈɨwa jˈuʒ vrˈutɕidʑ dɔ stɔlˈika i zˈaras ɕɛ zˌɔrjɛntɔvˈawa, ʒˈɛ tsˈɔɕ jɛst ɲʲɛ tˈak.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_133.wav|tɔ jɛst jɛdˈɨnɨ strˈax, kturˌɛɡɔ ɲʲɛ pɔtrˈafjɛ zˌamaskˈɔvatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_261.wav|pˌɔvʲɛdʑˈawɛɕ, ʒˈɛ ɲʲɛ mɔʒˈɛtɕɛ bˈɨtɕ rˈazɛm.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_230.wav|vbʲˈiw pʲˈɛntɨ f kˈɔɲskʲɛ bˈɔki. mˈam nadʑˈɛjɛ, ʒˈɛ mˌajɔ̃ tˈu tˈɛʒ dˈuxa kuxˈaʒa.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_259.wav|ɲʲɛ ˌɔdrɨvˈajɔnts ˈɔdɛ mɲʲɛ spɔjʒˈɛɲʲa lˈɛkkɔ zmruʒˈɔnɨx ˈɔtʃu, nuɡˈuɡʲi vɨjˈɛwa pistˈɔlɛt spˈɔd blˈatu bjˈurka.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_7.wav|ɲʲɛ lˈitʃɔnts ɲˈits ɲʲˌɛznatʃˈɔntsɨɣ bratˈɛrskix uɕtɕˈiskuf, jakˈimi vitˈali ɡˈɔ tˈatsɨ lˈudʑɛ jˈak ɲˈitsk i ɡʲˈɔrɡjɔ, dˈavnɔ ɲˈiɡd ɡˈɔ tˈak naprˈavdɛ ɲʲɛ pʃɨtˈuliw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_4.wav|ɲˈikt ɲʲɛ pɔvˈiɲʲɛn tˌɛɡɔ rˈɔbʲitɕ. fʃˈɨstsɨ mˌajɔ̃ nˈɔɕitɕ tɛ tˌɛlɛfˈɔnɨ pʃɨ sˈɔbjɛ pʃˈɛs tsˈawɨ tʃˈas.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_69.wav|pˈɔtʃɛd dɔ bˈɛki, ktˌura ftɕˈɔ̃ʃ rˌɔzmavʲˈawa pʃˈɛs tɛlˈɛfɔn z zɛspˈɔwɛm pˌɔʃukivˈaftʃɨm i dˈaw jɛj ɡˈɛstɛm znˈatɕ, ʒˈɛ xtsˈɛ z ɲʲˈɔ̃ zamjˈɛɲitɕ swˈɔvɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_3.wav|pɔzvˈalam dʑˈiʑ dʑˈɛtɕɔm pˈɔspadʑ dwˈuʒɛj. f kˈɔɲtsu ʒˈadnɛ z nˈas ɲʲɛ vɨbjˈɛra ɕɛ dɔ ʃkˈɔwɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_88.wav|jˈaki nˈumɛr rˌɛjɛstratsˈɨjnɨ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_64.wav|jˈaɡbɨm uɕˈadwa na bʒˈɛɡu mˈɔʒa, vʲˈadr bˈuʒɨw jˈɛɡɔ pɔvʲˈɛʃxɲʲɛ i fɔrmˈɔvaw bjˈawɔ̃ pʲˈanɛ, ɡɔtˈɔvɔ̃ mɲʲɛ pɔxwˈɔnɔɲtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_4.wav|dɔmˈɨɕlam ɕɛ, ʒˈɛ ɲʲˈɛma pˈaɲi tˈɛras ɔxˈɔtɨ ˌɔtpɔvʲˈadatɕ na pɨtˈaɲʲa, pˈaɲi ɔzbˈɔrnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_71.wav|prˈɔʃɛ pɔtkˈasatɕ sukʲˈɛŋkɛ, mwˈɔda dˈamɔ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_254.wav|tˈak jˈɛdnak mˈɔɡwabˌɨ pɔstˈɔmpitɕ sˈansa, ta straxlˈiva dʑɛftʃˈɨŋka.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_18.wav|ˌɔna ɲʲɛ pɔvˈinna bˈɨtɕ pʃɨtˈɔmna.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_35.wav|mˈɨɕli, ʒˈɛ srˈaʒ vʲˈɛ ˈu kˈamji.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_219.wav|strˈɛj mˈuɕi vˌɨkɔnˈɨvatɕ tfˈɔjɛ rɔskˈazɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_23.wav|dˈɨstans, jˈaki ˌutʃɨmɨvˈawa vˈɔbɛts fʃˈɨstkix ˈinnɨx, bˈɨw f tɛj sˌɨtuˈatsji tˌɨlkɔ zalˈɛtɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_161.wav|tɔ ɲʲɛ dɔ bʲˈitki z jˈakʲɛjʑ bʲˈitfɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_27.wav|pʃˌɨtɕɔŋɡnˈɛwa mɲʲɛ dɔ ɕˈɛbjɛ i ɔbjˈɛwa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_56.wav|tˈɔm lˈɛdvʲɛ pɔfstʃˈɨmaw ɕɛ ɔt ɕmʲˈɛxu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_74.wav|a tsˈɔ z dˈavnɨ vɔltˈɛrɛm? tʃɨ ˈusxnɔ̃ spraɡɲʲˈɛɲʲa na pˌarapˈɛtɕɛ, jˈak rɔmˈɛɔː i jˈulja ɕfʲˈata rˈɔɕlin?|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_438.wav|tfˈɔʒɔ̃ rˈazɛm ˌidɛˈalnɛ mawʒˈɛɲstfɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_43.wav|mˈam nadʑˈɛjɛ, ʒˈɛ tɔː ˌɔznatʃˈawɔ zvɨtʃˈajnɨ spˈatsɛr na plˈaʒɛ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_346.wav|prˌɔstatʃkˈɔvʲɛ muvˈili nˈaɲʲɔ̃ mˈɛɡʲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_103.wav|pˌɔvʲɛdʑˈawa tɔ z uɕmʲˈɛxɛm, xˈɔtɕ jɛj ˈɔtʃɨ zˌaɔkrɔŋɡlˈiwɨ ɕɛ zˈɛ strˈaxu i ˌɔtfɔʒˈɨwa ˈusta.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_112.wav|— ɲʲɛ bˈɔjɛ ɕɛ tˈutaj ɲitʃˈɛɡɔ — pˌɔvʲɛdʑˈawa xˈɛlɛn.|0
+Dataset/wavs/urwisko_ferenc/61_segment_34.wav|— a tsˈɔ kˌɔmbʲinˈujɛʃ? — ɲʲˈɛvʲɛm. ʃˈukam pɔ mˈatsku ɔt pˈarwa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_87.wav|mˈama vʑˈɛwa ɡwɛmbˈɔki ˈɔddɛx.|3
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_10.wav|kazˈawa nˈam napˈisadʑ dɔ dʑˈɛtɕi s kɔmplˈɛksu kˌakˌazˈɛt f kˈɛɲʲi.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_121.wav|a fspˈulnɔ̃ sˈalɛ vˌɨpɛwɲʲˈawɨ ɔdɡwˈɔsɨ ʒˈutɕa ˌɔras tɕˈɔsuv vˌɨmjɛʒˈanɨɣ dʑˈɛtɕɔm pʃˈɛz vʲˈɛʒbɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_548.wav|jˈakaɕ pʃˈɨkrɔɕtɕ ukwˈuwa mɲʲɛ w ˌɔkɔlˈitsɨ sˈɛrtsa.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_422.wav|vˌɨmɨɕlˈiwam jˈuʃ kˈilka nˈɔvɨx ˌuʃtʃɨplivˈɔɕtɕi, kturˈɨmi zˌamjɛʒˈawam jˈɔ̃ urˈatʃɨtɕ.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_19.wav|vˌɨʃɔrɔvˈanɔ jˈɔ̃, ˌalɛ krˈɛf fɕˈɔŋka ɡwɛmbˈɔkɔ w drˈɛvnɔː i ɲʲɛ spˈɔsup ɕɛ jɛj pˈɔzbɨtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_186.wav|tɔː ˌintɛnsˈɨvnɛ utʃˈutɕɛ pʲˈɛrʃɛj miwˈɔɕtɕi zˌaɕlɛpˈiwɔ mɲʲɛ tˈaɡ bˈardʑɔ, ʒˈɛ pˌɔpɛwɲˈiwam vʲˈɛlɛ bwˈɛnduf.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_20.wav|pˌɔvʲɛdʑˈawam jɛj, ʒˈɛ ɲʲɛ pʃɨlˈɛtsɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_34.wav|uvˈaʒa ʃˈɔnɛ za tɛn tˈɨp, tsɔkˈɔlvʲɛk mˈa na mˈɨɕli.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_59.wav|tʃɨ tɔ dʒˈɛvɔ kˈɔwɔ tfˈɛɡɔ dˈɔmu tɕˈɔŋɡlɛ jˈɛʃtʃɛ stˈɔi?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_23.wav|zakwˈadam, ʒˈɛ ɲʲˈɛxtsɛʃ, ʒˈɛbɨ znˈaw ʑrˈudwɔ pˌɔxɔdʑˈɛɲʲa tfˈɔix. spɨtˈawa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_97.wav|kɔbjˈɛta sprˈavdʑa.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_222.wav|ɲˈiski tʃwɔvʲˈɛtʃɛk ɔ smˈutnɨm spɔjʒˈɛɲʲu, ktˌurɨ ukwˈadaw dla stˈatku fʃˈɨstkʲɛ zbɛrˈɛʑnɛ fˈarsɨ, zˌaprɔpɔnˈɔvaw, ʒˈɛ naˈutʃɨ jˈɔ̃, jˈak tsawˈujɛ kɔbjˈɛta.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_74.wav|kʲˈɛdɨ pɔd dʒvʲˈami zjˈavja ɕɛ dvˈux fatsˈɛtuf pˌɔdajˈɔntsɨx ɕɛ za pˌɔlitsjˈantuf, mˈuɕawbˌɨm bˈɨdʑ bˈardʑɛj ɲˈiʃ naˈivnɨ, ʒˈɛbɨ uvʲˈɛʒɨtɕ im na swˈɔvɔ.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_202.wav|wˈava zˈɛ skʃˈɨɲʲɔ̃, kˈilka vɨsˈɔkix kˈufruf pˈɛwnɨx kɕˈɔŋk ˌɔras kʃˈɛswa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_36.wav|pʃɛnˈɔʃɛ spɔjʒˈɛɲʲɛ na zˈɔɛ i na bˈɛtskɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_141.wav|ˌalɛ tsˈɔ nˌajvaʒɲʲˈɛjʃɛ, jˈaɡ vɨjˈaɕɲʲɛ ftʃɔrˈajʃɛ kwˈamstfɔ? w jˈaki spˈɔsup?|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_129.wav|ɲʲɛ zˌapɔmˈinaj ɔ ɲˈiku, dɔdˈawɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_8.wav|mʲˈawa vʲˈɛnts nadʑˈɛjɛ, ʒˈɛ ɲˈits ɲʲˌɛspɔdʑˌɛvanˈɛɡɔ ɲʲɛ vɨskˈɔtʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_125.wav|— jˌɛstɛm pˈɛvʲɛn, ʒˈɛ jɛxˈali rˈazɛm dɔ sɔlˈanɛk.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_324.wav|bɛɲdʑˌɛmɨ tˈaɲtʃɨtɕ tsɔdʑˈɛnɲʲɛ, ˈaʒ vrˈɛʃtɕɛ bˌɛndɛ vˈaltʃɨw lˈɛvɔ̃ rˈɛŋkɔ̃ rˈuvɲʲɛ dˈɔbʒɛ, jˈak ɔn dʑˈiɕ prˈavɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_143.wav|ɔn xˈɨba ˈɔka ɲʲɛ zmrˈuʒɨw? ɲʲɛ vʲɛdʑˈawam, ʒˈɛ bˌɨwɔ z ɲˈim ˈaʃ tˈaɡ ʑlˈɛ, ʒˈɛ kˈula vˈɛʃwa tˈaɡ ɡwɛmbˈɔkɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_259.wav|mˈuʃɛ rˈɔbʲitɕ ˈɔpxut. mˈɔʒɛ vrutɕˈimɨ rˈazɛm dɔ dˈɔmu? mˈam tˈu fˌurɡɔnˈɛtkɛ na brˈɔɲ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_100.wav|tʃˈɔwɛm, mˈuj nˌɔvɔjˈɔrski aɡˈɛɲtɕɛ. tɔ jˈa, dˈavɛ lˈɔtskridʒ. ɲʲˌɛspɔdʑˈaŋka, ˌukɔɲtʃˈɨwɛm kɕˈɔ̃ʃkɛ.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_91.wav|tˈak ɕɛ pʃˌɨzvɨtʃaˈiwa dɔ tˌɛɡɔ zapˈaxu, ʒˈɛ prˈavʲɛ jˈuʒ ɡˈɔ ɲʲɛ tʃˈuwa.|1
+Dataset/wavs/urwisko_ferenc/25_segment_73.wav|zmˈarʃtʃɨw brvˈi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_135.wav|lˈampka vˈɛvnɔntʃ lˈɛdvʲɛ ˌɔɕfʲɛtlˈawa tfˈaʃ tsˌamɛrˈɔna.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_160.wav|tˈak mi pʃˈɨkrɔ, spˈikɛ. jˈɛŋknɔw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_99.wav|ˈu mɲʲɛ jɛst pˈaɲski pˌuɡʲilˈarɛs. rˈatsja!|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_268.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_138.wav|sˈu tɛnˈɛrɛm.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_458.wav|ˈufa mu na tˈɨlɛ, na ˈilɛ ˈufa kˌɔmukˈɔlvʲɛk.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_338.wav|ɲʲˈɛma znatʃˈɛɲʲa, na tʃɨm pɔlˈɛɡa jˈɛɡɔ prˈatsa.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_24.wav|ˌɔznatʃˈawɔ tɔ, ʒˈɛ bˌɛndɛ muɕˈawa ɕɛ trˈɔxɛ nˌaɡʲimnˌastɨkˈɔvatɕ.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_55.wav|mˈɔʒɛ jɛzd ʑimɲʲˈɛjʃɛ ɲˈiʒ dʑɛvˈitsa i ˌɔkrutɲʲˈɛjʃɛ ɲˈiʃ kˈurva.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_202.wav|zvˈɔlna pˌɔznavˈawɛm sfˈuj pˈɔkuj, f kˈɔɲtsu dɔjʒˈawɛm i ɕˈɛbjɛ.|0
+Dataset/wavs/urwisko_ferenc/27_segment_107.wav|lˈɛɡnɛr pˈɔvʲud vzrˈɔkʲɛm pɔ pɔkˈɔju, a nastˈɛmpɲʲɛ ˈuɲʲuz brˈɔdɛ i dwˈuʃʃɔ̃ xfˈilɛ ɡˈapiw ɕɛ f sˈufit.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_118.wav|tˈɔmmɛn bˌɛɲdʑɛ pˌɔtʃɛbˈɔvaw lɔjˈalnɨx pʃɨjˈatɕuw, bˈɨ stʃˈɛɡli jˈɛɡɔ plˈɛtsuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_221.wav|zˈatɔ ja vʑˈɛwam tsɨɡˈarɔ, kʲˈɛdɨ mɲʲɛ pˌɔtʃɛ̃stˈɔvaw i sxɔvˈawam dɔ kʲɛʃˈɛɲi kˌɔmbʲinɛzˈɔnu na pʲˈɛrɕi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_78.wav|ɲʲˈɛxtsɛ jˈɛxadʑ bˈɛs tɕˈɛbjɛ, mamˈuɕu. wˈuka.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_213.wav|jˈɛdʑɛ samˈɔxud z ɡwˌɔɕɲikˈami na dˈaxu. rˌɛklamˈujɔ̃ jˈɛʃtʃɛ jˈɛdnɔ̃ pˈartjɛ ˈalbɔ strɔnɲˈitstfɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_23.wav|ˈaʃ ɲʲɛ mˈɔʒɛ uvʲˈɛʒɨtɕ, ʒˈɛ ftʃˈɛɕɲʲɛj nˈatɔ ɲʲɛ fpˈad.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_221.wav|na pɔwˈudɲʲɛ ɔt tridˈɛntu vznˈɔʃɔ̃ ɕɛ zˈamki dˈarɨ i xarˈɛnxal. na zaxˈɔdʑɛ mˈa valtʃˈɔntsɨɣ zˈɛ sˈɔbɔ̃ blˌatskfɔˈɔduf i bratskˈɛnuf.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_44.wav|maʃ na mˈɨɕli tɛ tʃtˈɛrɨ skˈawɨ? fʃˈɨstkʲɛ rˈazɛm ɲʲɛ zwɔʒˈɨwɨbˌɨ ɕɛ na jˈɛdnɔ̃ xˈarlaw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_192.wav|pɔt jˈakim nazvˈiskʲɛm vˌɨstɛmpˈujɛʃ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_16.wav|ɡdʑˈɛ? na sxˈɔdax. ɕˈɛdʑi jˈuʒ ɡɔdʑˈinɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_216.wav|zɔstˈaviwbˌɨm mu f spˈatku. mɲʲɛ ɕɛ jˈuʒ vwˈɔsɨ znudʑˈiwɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_137.wav|sklˈɛp s kˌɔsmɛtɨkˈami dɔ mˌakijˈaʒu. pˈujdʑɛʃ sˈam. ɲʲˈɛxtsɛ ɕɛ lˈudʑɔm pˌɔkazˈɨvatɕ s tˈakɔ̃ tfˈaʒɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_19.wav|pɔvʲˈɛdʑaw tɕˈixɔ pɔlˈitsjant, kʲˈɛdɨ vˌɨxɔdʑˈiwam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_31.wav|bʲˈillɨ zˌastanˈavʲaw ɕɛ nˈattɨm w drˈɔdʑɛ pɔvrˈɔtnɛj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_278.wav|jˈɛst, jˈakʲɛ jˈɛst.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_7.wav|pɔ drˈɔdʑɛ bjˈɛʒɛ vˈuzɛk, na ktˌurɨm vʲˈɛʑɛ baɡˈaʒɛ dɔ sˌamɔxˈɔdu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_69.wav|ˌɔtsunˈɛwam ɔt ɕˈɛbjɛ tɛ mˈɨɕli.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_31.wav|tɔ ftˈɛdɨ zatʃˈɛwam pɔjmˈɔvatɕ ˌidɛɔlˈɔɡjɛ arˈama i spˈɔsup, w jˈaki fpwˈɨvaw na mˈɔjɔ̃ mˈatkɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_115.wav|ftˈɛdɨ fʃˈɛd na bˈalkɔn pˌɔtkɔmˈisaʃ ˈalbɔ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_202.wav|prˌɔkuratˈura mˈɔʒɛ ɔbjˈɛtsatɕ, ʒˈɛ ɲʲɛ zaʒˈɔnda kˈarɨ ɕmʲˈɛrtɕi, zmʲˈɛɲi zˈaʒut na zabˈujstfɔ druɡʲˈɛɡɔ stˈɔpɲʲa tʃɨ tsˈɔɕ?|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_189.wav|kʲˈɛdɨ zjɛdʑˈɛmɨ dɔ kɕˌɛ̃ʒɨtsˈɔvɨɣ brˈam.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_50.wav|ˌuɕfʲadɔmˈiwa sˈɔbjɛ. ʃˌumɔvˈinɨ z vʲˈɛlu ˈarmji.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_182.wav|ja xtsˈɛ mʲˈɛtɕ tʃˈɨstɔ̃ vˈalkɛ, xwɔpˈaki.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_53.wav|zapˈɨtaw sˈam, ˌalɛ ksˈɔndɔ vzrˈuʃɨw tˌɨlkɔ rˌamjɔnˈami.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_56.wav|ɲʲɛstˈɛtɨ, sˈɛr, zˌaparkɔvˈanɔ ɡˈɔ za skwˈadɛm vˈuskuf, a kʲˈɛdɨ vɨtsˈɔfaw, bˈɨw pɔd zwˈɨm kˈɔntɛm.|3
+Dataset/wavs/urwisko_ferenc/18_segment_11.wav|tˌajɛmɲˈitʃɛ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_241.wav|a pˈɔtɛm ja lɛʒˈawɛm tʃˈɨ tɨɡˈɔdɲʲɛ f ʃpitˈalu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_179.wav|ˌɔna pʃˌɛtɕɛʒ vʲˈɛ, ʒˈɛ ʒˈɨtɕɛ pʃɛt arˈamɛm mʲˈawɔ spˈɔrɔ dɔ zˌaɔfˌɛrɔvˈaɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_317.wav|za pʲɛtnˈaɕtɕɛ mˈinud bɛɲdʑˌɛmɨ na mʲˈɛjstsu, ɔznˈajmiw dˈalɛ, ktˌurɨ xˈɨba tʃˈɨtaw w mˈɔix mˈɨɕlax.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_16.wav|zˌaswuɡˈujɛ na tsˈɔʑ dˈuʒɔ lɛpʃˈɛɡɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_22.wav|s tˌɨmi swɔvˈami ˌɔpuɕtɕˈiwa sˈalɛ, ʒutsˈajɔnts pˌɔlitsjantˈɔvi vɛsˈɔwɨ ˈuɕmʲɛx. ˈaʃ pˈɔtʃuw, ʒˈɛ jˈɛɡɔ sˈɛrtsɛ ɡvawtˈɔvɲʲɛ pʃɨspʲˈɛʃa.|4
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_12.wav|rɔzˈumjɛm, ʒˈɛ tɔ jɛst trˌajɛktˈɔrja, pɔ ktˌurɛj rakʲˈɛtɨ krˈɔ̃ʒɔ̃ mʲˌɛndʑɨ ʑˈɛmʲɔ̃ a kɕɛ̃ʒˈɨtsɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_18.wav|trˈɔxɛ ˌubarvˈiwam tˈɛ çistˈɔrjɛ, ˌalɛ dˌɔmɨɕlˈatɕɛ ɕɛ, dɔ tʃˈɛɡɔ zmʲˈɛʒam.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_238.wav|fprˈavdʑɛ utɕˈɛkwam f paɲˈitsɛ i ˌukrɨvˈawam ɕɛ, ʒˈɛbɨ ratˈɔvadʑ vwˈasnɔ̃ skˈurɛ, ˌalɛ ɲʲɛ zˌamjɛʒˈawam rˌɛzɨɡnˈɔvadʑ z dɔstˈɛmpu dɔ maˈili.|4
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_100.wav|bʲˈili kˈiva ɡwˈɔvɔ̃. jɛst sxlˈudnɨm ɡˈɔɕtɕɛm.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_260.wav|jˌɛstɛɕ jˈɛʃtʃɛ bʒˈɨtʃa ɲˈiʃ tɕˈɛ zˌapamjɛntˈawɛm, stfʲˈɛrdʑiw zˈɛ ɕmʲˈɛxɛm mɛ̃ʃtʃˈɨzna f xˈɛwmʲɛ ɔɡˈara. vˈɔlawbˌɨm zɡvˈawtɕitɕ tfɔjˈɛɡɔ kˈɔɲʲa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_95.wav|ɲʲɛ lˈubʲi pˈaɲi, kʲˈɛdɨ ktˈɔʑ vʲˈɛ, kˈim pˈaɲi jɛst naprˈavdɛ. ˈɔtɔ xˈɔdʑi? tʃɨ dlatˈɛɡɔ zmʲɛɲˈiwa pˈaɲi nazvˈiskɔː i skwamˈawa na tˈɛmat sfɔjˈɛɡɔ mʲˈɛjstsa zˌamjɛʃkˈaɲʲa?|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_212.wav|skʲˌɛrɔvˈawam ɕɛ f strˈɔnɛ pˌɔwudɲʲˈɔvɛj tʃˈɛɲɕtɕi pˈɔrtu, ɡdʑˈɛ znajdˈujɛ ɕɛ ɕlˈuza tˌɔvarˈɔva.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_141.wav|ʒˈɛka ɕɛ pʃˌɛsunˈɛwa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_70.wav|zˈɛʃwa z wˈuʃka i pˌɔdrɛptˈawa tɕˈixɔ f strˈɔnɛ dʒvˈi, ɲʲɛ vʲˈɛdʑɔnts, tʃɨ vˈɔlnɔ jɛj vɨxˈɔdʑitɕ s pɔkˈɔju.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_85.wav|krulˈɔva ɲʲɛ mʲˈawa innˈɛɡɔ vɨbˈɔru, jˈaɡ zrˈɔbʲitɕ tɔ sˈamɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_46.wav|a jˈɛɡɔ nˈumɛr tˌɛlɛfˈɔnu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_73.wav|ɲʲɛ xtɕˈawa rɔzɡɲʲˈɛvatɕ kɔbjˈɛtɨ. ta mʲˈawa ftˈɛdɨ tˌaki ɲʲˌɛpʃɨjˈɛmnɨ ɡwˈɔs. jˌɛdnɔtʃˈɛɕɲʲɛ jˈɛdnak ɲʲɛ xtɕˈawa ɕˈɛdʑɛtɕ f tɨm pɔkˈɔju.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_382.wav|tʃˌɛmu mʲˈawabˌɨɕ ɕɛ bˈatɕ?|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_264.wav|tʃɨ w ɔɡˈulɛ mˈuʃɛ tɕi twumˈatʃɨtɕ, dlatʃˈɛɡɔ pˌɔviɲʲˈɛnɛɕ tɔ zrˈɔbʲitɕ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_87.wav|zˈaɲim zdˈɔ̃ʒa pɔvʲˈɛdʑɛtɕ nˈɔvɛ, ˌɔna jɛst jˈuʃ na zˈɛvnɔntʃ i ʃˈɨpkim krˈɔkʲɛm, prˈavʲɛ bjˈɛɡʲɛm rˈuʃa dɔ vˈalɡrins.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_71.wav|jˈaɡ bˌɛɲdʑɛʒ ɡʒˈɛtʃnɨ, tɔ mˈɔʒɛ jˈɔ̃ jˈɛʃtʃɛ zɔbˈatʃɨʃ. mˌatɕɛ brˈɔɲ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_104.wav|bʲˈillɨ lˈubʲi lˈudʑi, a jˌɛdnɔtʃˈɛɕɲʲɛ vˈɔli ix tʃˈɨmatɕ na dˈɨstans.|2
+Dataset/wavs/urwisko_ferenc/62_segment_25.wav|xɔdʑˈiwɔː ɔ kˌɔlɛʒˈaŋkɛ s klˈasɨ? tˌɛɡɔ ɲʲˈɛvʲɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_3.wav|vwɔʒˈɨwa dʑˈiɕaj kˌarmazɨnˈɔvɨ kˌapɛlˈuɕik i ʃˈal s tʃˈarnɔbjawˈɛɡɔ jɛdvˈabju z vzˈɔrkʲɛm f stˈɨlu ˈard dˈɛtsɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_25.wav|bˈɛtskɨ spɔjʒˈawa na tˈɔma.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_44.wav|mʲˈawa tsˈɔ dɔ tˌɛɡɔ rˈatsjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_104.wav|rˈɔɡɛr klˈɛrkɨ|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_155.wav|ʃwˈa bˈɔvʲɛm zˈɛ zwˈɔ̃ nɔvˈinɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_92.wav|nˈɔ tˈak, pˌɔmɨɕlˈawam.|4
+Dataset/wavs/urwisko_ferenc/19_segment_61.wav|kɔbjˈɛta ssunˈɛwa stˈɔpɨ na pɔdwˈɔɡɛ, pɔdɲʲˈɔswa ɕɛ i pʃˈɛʃwa dɔ kˌɔrɨtˈaʒa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_191.wav|a tsˈɔ tɔ takʲˈɛɡɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_154.wav|pˈɔvʲɛm tˈɨlkɔ, ʒˈɛ bˈɛs tfˈɔjɛj pɔmˈɔtsɨ alfjˈɛɡɔ zabjˈɛʒɛ ɔpʲˈɛka spɔwˈɛtʃna.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_112.wav|dɔstʃˈɛɡwa jˈɛɡɔ fˈurjɛ i ˌɔbʒɨdʑˈɛɲʲɛ, zˌɛʃtɨvɲʲˈawa vʲˈɛnts natˈɨxmʲast i ɕtɕisnˈɛwa ɡˈɔ mˈɔtsɲʲɛj.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_453.wav|kʲˈɛdɨ sprˌubɔvˈawa tsˈɔɕ pɔvʲˈɛdʑɛtɕ, ˈɔmal ɲʲɛ ˌudwavˈiwa ɕɛ vwˈasnɨm jɛ̃zˈɨkʲɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_14.wav|a mɲʲɛ ɕɛ vɨdˈawɔ, ʒˈɛ vˈidʑɛ mʲˌɛndʑɨ pɲʲˈami dʒˈɛf pˌasɔntsˈɛɡɔ ɕɛ wˈɔɕa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_5.wav|mˈa pʃɛkrfʲˈɔnɛ ˈɔtʃɨ, rˌɔzvikʃˈɔnɛ vwˈɔsɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_92.wav|ˈɔfʃɛm, ˌalɛ kˈaʒdɨ pʃɛvˈɔdɲik ˌɔprɔvˈadʑa tˌɨlkɔ dvʲˈɛ vɨtɕˈɛtʃki f tɨɡˈɔdɲʲu, ʒˈɛbɨ ˌɔɡraɲˈitʃɨtɕ nˌaprɔmjˌɛɲʲɔvˈaɲʲɛ dɔ mˈiɲimˌum. tsˈɔɕ jˈɛʃtʃɛ?|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_250.wav|i sˈansa rˈuvɲʲɛʃ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_182.wav|jɛdnˈaɡʒɛ vʲˈɛlki sˈɛptɔn mˈɔʒɛ prˈaɡnɔɲtɕ ˌɔsɔbʲˈiɕtɕɛ ɔsˈɔɲdʑitɕ krulˈɔvɔ̃, tˈak jˈaɡ vʲˈara sɔɲdʑˈiwa lˈudʑi w dˈavnɨx tʃˈasax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_21.wav|ˌalɛ tˈak naprˈavdɛ bɨwˈɔbɨ tɔ jɛdˈɨɲʲɛ swˈɔvɔ pʃɛtɕˈifkɔ swˈɔvu, vʲˈɛnts pˌɔstanɔvˈiwam sprˈavɛ pʃɛmˈiltʃɛtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_16.wav|tɕˈɛ̃ʃkʲɛ bʒˈɛmjɛ, ktˌurɛ nˈɔʃɛ na ramjˈɔnax, zˌɔstawˈɔbɨ f kˈɔɲtsu zˈɛmɲʲɛ zdjˈɛntɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_11.wav|fpatrˈujɛ ɕɛ w ˈɔbraz zˈɛ zmˌarʃtʃɔnˈɨmi brvʲˈami.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_160.wav|tʃɛkˈawam na kɔlˈɛjnɨ fstʃˈɔ̃z zvʲˌastujˈɔntsɨ zaɡwˈadɛ ˌɔstatɲʲˈɛɡɔ kɔlˈɔsa.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_49.wav|jˈɛɡɔ kˈurtka bˌɨwa z jˈɛdnɛj strˈɔnɨ uʃˈɨta z ʑˌɛlɔnˈɛɡɔː ˌaksamˈitu, a z drˈuɡʲɛj zˈɛ srˌɛbrnɔɡwˈɔvju.|1
+Dataset/wavs/urwisko_ferenc/04_segment_77.wav|znˈa pˈan jˈana sɔlskʲˈɛɡɔ?|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_32.wav|ftɕisnˈɛliɕmˌɨ ɕɛ dɔ ɕrˈɔtka i zamknˈɛliɕmˌɨ ʃtʃˈɛlɲʲɛ vwˈaz vɛvnˈɛntʃnɨ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_124.wav|vʲˈɛm, ʒˈɛ pɔtʃˈuwɛɕ ɕɛ lˈɛpʲɛj, kʲˈɛdɨ jˈuʒ vɨznˈawɛɕ prˈavdɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_74.wav|bʲˈili kˈiva dwˈɔɲʲɔ̃ na bˈɔki, pɔ tʃˈɨm, jˈaɡbɨ dɔpʲˈɛrɔ f tɛj xfˈili pʃˈɨʃwɔ mu tɔ dɔ ɡwˈɔvɨ, mˈuvi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_391.wav|ˌalɛ pʃˌɛtɕɛʃ pɔvˈinnɨ bˈɨtɕ pʃˈɛttɛm jˈakʲɛɕ fˌɔrmalnˈɔɕtɕi, ɲʲˈɛvʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_331.wav|tʃˈuwa ɕɛ ɲʲɛzɡrˈabna i zˌaʒɛnɔvˈana.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_75.wav|bʲˈillɨ mˈɨɕli ɔ sfˈɔjɛj pʲˈɛrʃɛj vizˈɨtɕɛ w vˌɨnajˈɛntɛj mˌatsabrˈɨlɛ.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_244.wav|tʃˈɨʒbɨʑ zˌapɔmɲʲˈawa, pˈaɲi, ʒˈɛ kʲˈɛdɨɕ pʃɨɕˈɛŋɡwaɕ jɛj swˈuʒbɛ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_67.wav|ɔpʲˈɛram ɕɛ na klˈamtsɛ i zaɡlˈɔndam pʃˈɛs ʃpˈarɛ dɔ ɕrˈɔtka.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_120.wav|ɡdˈɨ tsˌɨnamɔnˈɔvɨ vʲˈadr dɔstˈavaw ɔt rˈufɨ ɕˈilnɨ pˈɔvʲɛf, mˈukw pʃɛɕtɕˈiɡnɔɲtɕ kˈaʒdɔ̃ ɡalˈɛrɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_131.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, ɔ tsˈɔ mu xɔdʑˈiwɔ, ˌalɛ mˈɨɕlɛ, ʒˈɛ tɛn ʃtʃˈɛɡuw mˈɔʒɛ jˈɛʃtʃɛ zatʃˈɛkatɕ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_68.wav|dˌɔkɔntkˈɔlvʲɛɡ zˌavɛndrˈujɛ nˈatɨm ʃɛrˈɔkim ɕfʲˈɛtɕɛ, jˈɛɡɔ lˈɛŋki zˈafʃɛ bˌɛndɔ̃ mu tˌɔvaʒˈɨʃɨtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_214.wav|vɛ ftˈɔrɛk ɔbˈɛjʒɨ bjˈurɔ, ktˌurɛ tˈaɡʒɛ vˌɨdʑɛrʒˈaviw dla ɲʲˈɛɡɔ ɡɛˈɔrɡʲi vʲˈɛpʃɛk.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_174.wav|tˈartʃa bˌɨwa vˌɨsadʑˈana djˌamɛntˈami, ktˌurɛ ˌɔznatʃˈawɨ fʃˈɨstkʲɛ ɡɔdʑˈinɨ ˈɔprudʒ dvunˈastɛj. f tɨm mʲˈɛjstsu znajdˈɔvaw ɕɛ ʃmˈarakt.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_39.wav|ftˈɛdɨ nˈaɡlɛ ˌɔtfɔʒˈɨwɨ ɕɛ tɕˈixɔ dʒvˈi.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_6.wav|nˈɔ xˈɔtɕ, dʒˈɛs.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_61.wav|kʲˈɛdɨ zatˈatʃam kˈɔwɔː i pɔdjˈɛʒdʒam w mʲˈɛjstsɛ, s kturˌɛɡɔ mˈɔɡɛ jˈɔ̃ ˌɔpsɛrvˈɔvatɕ, mˈijam z blˈiska rˈɛntʃɔ rɔvˈɛra.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_187.wav|ˌalɛ dlatʃˈɛɡɔ tɨ mˈuɕiʃ tɔ fʃˈɨstkɔ vʲˈɛdʑɛtɕ?|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_325.wav|zˌatɕɔŋɡnˈɛli jˈɔ̃ s pɔvrˈɔtɛm dɔ tsˈɛli, xˈɔdʑ vˌɨrɨvˈawa ɕɛ i vʲɛʒɡˈawa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_81.wav|vˈidʑɛ w jˈɛɡɔː ˈɔtʃax pravdʑˈivɨ strˈax.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_62.wav|ɲʲɛ bˌɨwɔ trˈudnɔ nˈatɔ fpˈaɕtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_212.wav|ˌɔdɛtxnˈɛwam z ˈulɡɔ̃ i ˌɔpuɕtɕˈiwam ɔswˈɔnɛ xˈɛwmu.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_10.wav|ʃnˈurɨ, kturˈɨmi zvʲɔ̃zˈanɔ jɛj rˈɛntsɛ, namjˈɛŋkwɨ ɔd vˈɔdɨ, ˌalɛ zˌatɕisnˈɛwɨ ɕɛ ɔt tˌɛɡɔ jˈɛʃtʃɛ mˈɔtsɲʲɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_133.wav|ɲʲɛ vʲɛʒˈɨwam vɛ vwˈasnɔ̃ ɔdvˈaɡɛ, kʲˈɛdɨ vˌɨpɔvʲɛdʑˈawam tɛ swˈɔva.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_262.wav|a rˈɨtsɛʃ tɔ sˈɛr xɛˈilxant.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_145.wav|tʃˈɛɕtɕ sfˈɔbɔ!|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_62.wav|çistˈɔrja, ktˌurɔ̃ ɕɛ jˈɛʃtʃɛ zˈɛmnɔ̃ ɲʲɛ pˌɔdʑɛlˈiwa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_122.wav|znˈuv vˌɨɔbrˈaʒa sˈɔbjɛ, tsˈɔ ɕɛ stˈaɲʲɛ. vˈidʑi tɔ jˈak na dwˈɔɲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_21.wav|pɔ pʲˈɛrʃɛ, jɛst tˈaɡʒɛ prˌɔfɛsjˌɔnalˈistɔ̃, pɔ drˈuɡʲɛ...|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_306.wav|pˈan xundˈɛbawx sˈɛɲʲɔr jɛzd vɛ frˈistsɔ.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_283.wav|mˈuɡwbɨɕ sprubˈɔvatɕ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_264.wav|pʃˌɛtstavˌitɕɛlˈami zaxˈɔdu bˌɨli sˈɛr dˈavin, ɕˈilnɨ dʑˈik, ˈadam mˈarbrantt i fˈɔrlɛj prˈɛstɛr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_229.wav|ˈupad na plˈɛtsɨ i bˌɔjɔvɲˈitsɨ tɨm rˈazɛm tɔ jˈɛɡɔ brˈali sˈɔbjɛ za tsˈɛl tɕfˈitʃɛɲ stʃɛlˈɛtskix. dʒˈɔnnɨ dˈalɛj vʒˈɛʃtʃaw.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_87.wav|naprˈavdɛ ɕɛ starˈawam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_41.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/urwisko_ferenc/24_segment_15.wav|ɕɛŋɡnˈɛwa pɔ tɛlˈɛfɔn, ktˌurɨ lˈɛʒaw na lˈadʑɛ i pɔdˈawa ɡˈɔ pˌɔlitsjantˈɔvi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_104.wav|pɔ tɨx swˈɔvax tˈɛssa ɕɛ rɔzwˈɔntʃa.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_69.wav|tʃˈarnɨ i krˈɛntɨ, z ˌɔkutɕˈami zˈɛ starˈɛɡɔ zwˈɔta.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_57.wav|mˈɔɡɛ ɕɛ nˈapitɕ, mamˈuɕu? pˈɨta.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_44.wav|jˈɛɕli mʲˈawɔ tɔ jˌakʲɛkˈɔlvʲɛɡ znatʃˈɛɲʲɛ, tɔ lˈɛpʲɛj bˌɛɲdʑɛ zapˈɨtatɕ ˈɔtɔ bˌɛspɔɕrˈɛdɲʲɔ naˈila.|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_56.wav|jˈaɡ dalˈɛkɔ jɛst tɛn tsˈɛl? spˈɨtaw jˈamisɔn, fskazˈujɔnts na kɔpˈuwɛ mɛtʃˈɛtu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_128.wav|bʲˈillɨ vɨtʃˈuva rˈuɣ za sˈɔbɔ̃, ˌalɛ ɕɛ ɲʲɛ ɔdvrˈatsa. nˈavɛt jˈɛɕli ɲˈitsk i ˌabramˈɔvidʒ zɛrvˈali ɕɛ dɔː utɕˈɛtʃki, ʒˈadɛn ɲʲɛ ɔdvˈaʒɨ ɕɛ na ɲʲˈɛɡɔ ʒˈutɕitɕ, bˈɔ muɕˈɛlibˌɨ vˈɛjɕtɕ f pˈɔlɛ ɔstʃˈawu ˌɛdʲisˈɔna.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_197.wav|a fʃˈɨstkɔ tɔ prɔvˈadʑi f kˈɔɲtsu dɔ dˌɛfitsˈɨtu bˌudʒɛtɔvˈɛɡɔː i upˈatku.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_283.wav|spˌɔɡlɔndˈajɔnts pʃˈɛs ʃˈɨbɨ ˌawtɔbˈusu zˌɔrjɛntɔvˈawɛm ɕɛ, ʒˈɛ jɛdʑˈɛmɨ f strˈɔnɛ vˈɔli.|0
+Dataset/wavs/urwisko_ferenc/04_segment_17.wav|tsˈɔʑ vaʒnˈɛɡɔ?|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_235.wav|tˈak, f pɔʒˈɔntku. sfɔbˈɔda pˈɔtar zaspˈanɛ ˈɔtʃɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_314.wav|ˈandɛrsɔn pɔpˈatʃɨw na ɲʲˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_140.wav|zarˈabja na ʒˈɨtɕɛ prˈatsɔ̃ dla zwˈɨx lˈudʑi? jˈasnɛ, ʒˈɛ tˈak.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_83.wav|tˈɔm zawˈɔʒɨw, ʒˈɛ nˈumɛr bˈɨw rˈɔkʲɛm ˌurɔdʑˈɛɲʲa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_40.wav|bˈɛs mˌɔʒlivˈɔɕtɕi vˌɨklutʃˈɛɲʲa ɡˈɔɕtɕi, ktˌuʒɨ pˌɔjavˈili ɕɛ ˈu ɲˈix f tɕˈɔŋɡu ɔstˈatɲix kˈilku dɲˈi, bˌɛɲdʑɛ tɔ dˈɔɕtɕ trˈudnɨ tˈɔm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_43.wav|mˈa rˈatsjɛ, sˈama tɔ pˌɔvʲɛdʑˈawam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_111.wav|i mʲˈawam rˈɔbʲitɕ tɔ pʃɛt tˌɨmi fʃɨstkˈimi lˈudʑmi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_172.wav|tˌajɛmɲˈitʃɨx ɲʲˌɛspɔdʑˈanɛk.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_96.wav|tʃɨmˈajtɕɛ ɕɛ mˈɔtsnɔ!|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_263.wav|bˌɨwa tˈak spraɡɲʲˈɔna, ʒˈɛ muɕˈawa ɕɛ nˈapitɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_41.wav|ɡwˈɔva ˈaʃ tˈak mi ɲʲɛ dɔkˈutʃa. jˌɛstɛm pɔ prˈɔstu zwˈɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_65.wav|tˈɔm vɨstˈaviw pˈalɛts.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_42.wav|ɛlˈiski vˈaw ɡwˈɔvɔ̃ tˈaɡ ɡvawtˈɔvɲʲɛ, ʒˈɛ vwˈɔsɨ jɛj pˌɔtskakˈujɔ̃.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_460.wav|ɡʲˈirls fˈirst lˈɔvɛ pˈɔtʃɛd dɔː ˌandɛrsˈɔna i zapˈɨtaw ʃˈɛptɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_62.wav|tˈaɡ dalˈɛkɔ jˈɛʃtʃɛ ɲʲɛ dɔtˈarliɕmˌɨ. s fˌuŋktsjɔnarjˈuʃɛm vʲɛ̃ʑˈɛnnɨm skˌɔntaktɔvˈanɔ ɕɛ bˌɛspɔɕrˈɛdɲʲɔ. vʲˈɛmɨ tˌɨlkɔ tˈɨlɛ, ʒˈɛ ktˈɔɕ mˈuɕaw vʲˈɛdʑɛtɕ ɔ xɔrˈɔbjɛ jˈɛɡɔ sˈɨna.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_54.wav|tˌɛɡɔ tˈɛʃ ɲʲɛ rɔzˈumjɛm. zˈafʃɛ ɔtkwˈadam naʒˈɛɲdʑa na mʲˈɛjstsɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_47.wav|vˌɨlɔndɔvˈawam na tfˈardɨm pɔdwˈɔʒu i pʃˌɛturlˈawam ɕɛ kˈilka mˈɛtruf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_98.wav|ɲʲɛ dɔ kˈɔɲtsa. pˈuʑɲʲɛj dɔstˈawɛm kˈilka maˈili.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_73.wav|mˈuɡw ˈalbɔ dˈalɛj pʃɨtɕˈiskatɕ rˈurkɛ dɔ mˈɔjɛj krtˈaɲi, ˈalbɔ ɕˈɛŋɡnɔɲtɕ pɔ vˈɔ̃ʃ.|4
+Dataset/wavs/urwisko_ferenc/23_segment_69.wav|pɔkˈivaw ɡwˈɔvɔ̃, a pɔ xfˈili tɕˈiʃɨ vrˈutɕiw dɔː ˌulubjɔnˈɛɡɔ tɛmˈatu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_13.wav|jˈumbɔː ˈuɕad, a ɕɛdʑˈiskɔ zˈɛ ɕfˈistɛm vˌɨpuɕtɕˈiwɔ pɔvʲˈɛtʃɛ pɔt jˈɛɡɔ tɕɛ̃ʒˈarɛm.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_189.wav|ˈukrat tɕi kˈɔɲʲa? ɲʲɛ, zabʲˈili ɡˈɔ baɲˈitɕi.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_48.wav|vʲˈɛntsɛj vʲˈarɨ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_13.wav|jˈɛɡɔ dʑˈɛtɕi rɔdʑˈiwɨ ɕɛ vˈɔlnɛ, pɔd varˈuŋkʲɛm, ʒˈɛ pʃɨjˈɛwɨ ˌutɔpʲɔnˈɛɡɔ bˈɔɡa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_98.wav|pɔɡˈɔda jɛst strˈaʃna i mˈɔdlɛ ɕɛ, ʒˈɛbɨ ɲʲˈɛmʲaw ʒadnˈɛɡɔ vɨpˈatku.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_96.wav|ˈaram zˈaɡraw vwaɕtɕˈivɔ̃ kˈartɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_157.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_82.wav|tˈɨlɛ, ʒˈɛ tˈɛras trafˈiwa mu ɕɛ pˌɔtɛntsjˈalna tʃˌɨtɛlɲˈitʃka i f sˈumjɛ tsˈɔ tɔ mˈɔʒɛ zaʃkˈɔdʑitɕ, zvaʒˈɨfʃɨ ˈilɛ ˈɛlis jˈuʃ ˈɔɲim vʲˈɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_124.wav|dʑvɔɲˈiwa kˈirstɛn, ʒˈɔna ɛljˈɛɡɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_85.wav|f pɔʒˈɔntku? vzrˈuʃɨw rˌamjɔnˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_58.wav|zˌatʃɛsnˈɛwam za sˈɔbɔ̃ vwˈas, ɕɛŋɡnˈɛwam dɔ zbjɔrɲˈika rˌatuŋkɔvˈɛɡɔː i vɨrvˈawam zavlˈɛtʃkɛ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_385.wav|ˈɔtpar mwˈɔdɨ kˈɔval.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_74.wav|muɕˈawam ɡˈɔ tʃˈutɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_106.wav|mʲɛjstsˈɔvi nazvˈali jˈɛ dˌamulkˈami.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_106.wav|stˈajɲʲa bˌɨwa vˌɨpɛwɲʲˈɔna ɲʲɛspˈɛwna w jˈɛdnɛj tʃfˈartɛj. na jˈɛdnɨm jɛj kˈɔɲtsu stˈawɔ kˈilka mˈuwuf.|1
+Dataset/wavs/urwisko_ferenc/18_segment_48.wav|xwˈɔpʲɛdʑ zvʲˈɛrtɕiw ɕɛ na jɛj kɔlˈanax, vʲˈɛnts pɔdˈawa mu ɲʲɛbjˈɛskɔ̃ ɡʒɛxˈɔtkɛ, ktˌurɔ̃ natˈɨxmʲazd vwˈɔʒɨw dɔ bˈuʑi.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_242.wav|tɨ mˈɔʒɛʒ zˈɔstatɕ. mˌamɨ vʲˈɛlɛ sprˈav dɔː ˌɔmuvʲˈɛɲʲa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_33.wav|tʃˈɛɕtɕ mˈili, mˈuvi kɔbjˈɛta. jˌɛstɛm dʒˈanɛt, a tɔ bˈɔp.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_31.wav|jɛj ɡwˈɔs stˈaw ɕɛ waɡˈɔdnɨ, kuʃˈɔntsɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_460.wav|i ta sˈama ʃtˈutʃna dˌɔbrɔdˈuʃnɔɕtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_235.wav|ɔ bˈɔʒɛ, maʃ rˈatsjɛ, jˌɛstɛm ɡwˈupja.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_430.wav|ˌalɛ tsˈɔ?|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_8.wav|zˌaprɔvadʑˈiwa mɲʲɛ pɔt sˈamɛ dʒvˈi jadˈalɲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_164.wav|bʲˈili mˈɨɕli, a tsˈɔ tˈam, krˈutki pˈɔkas ɲʲɛ zaʃkˈɔdʑi. vˌɨbawˈuʃa ˈɔtʃɨ i ɕlˌamazˈarɲʲɛ tsˈɛdʑi swˈɔva.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_6.wav|ʒˈatkɔ pratsˈujɛ w ɲʲɛdʑˈɛlɛ, ˌalɛ tɔ vˌɨjɔntkˈɔva sˌɨtuˈatsja, a ɔn pɔtxˈɔdʑi dɔ tˌɛɡɔ bˈardʑɔ sumjˈɛnɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_278.wav|tɔ mʲˈastɔ ɲʲɛ jɛzd zˌaprɔjˌɛktɔvˈanɛ dɔ rˈuxu kˌɔwɔvˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_39.wav|mˈɔɡɛ ˈuɕɔ̃ɕtɕ, lˈɛdvɔ stˈɔjɛ na nˈɔɡax.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_313.wav|a mˈɔʒɛ zvˈɨkwɨ bˈɛssɛns? i pʃɨkrˈɨwɛm jˈɔ̃ tɨm kˈɔtsɛm jˈak tsawˈunɛm, pˌɔʒɛɡnˈafʃɨ vzrˈɔkʲɛm ɲʲɛzvˈɨkwɔ̃...|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_37.wav|pɔ drˈuɡʲɛj strˈɔɲʲɛ ulˈitsɨ dˈajɛn fˈatɕɔ ɕˈɛdʑi wˈɛ fɔtˈɛlu bujˈanɨm na sfˈɔim ɡˈaŋku.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_212.wav|dˈalɛ pˈɔtʃɛd dɔ mɲʲɛ i pˈɔmuɡw mi ɕɛ rɔzˈɛbratɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_93.wav|f tˈamtɨx kˌantsɛlˈarjax pratsˈujɔ̃ ɡwˈuvɲʲɛ nˌapuʃˈɔnɛ dʲˌinɔzˈawrɨ f tʃˌɨʒɛndˈɔvɨɣ ɡˌarɲitˈurax.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_89.wav|dʑˈivɲʲɛ tʃˈuwbɨ ɕɛ swuxˈajɔnts swˈɔtkʲɛj ptˈaɕɛj sɨmfˈɔɲʲi i fpatrˈujɔnts ɕɛ w zˌakrfavʲˈɔnɛ zvwˈɔki.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_331.wav|tɔ muɕˈawɔ bˈɨtɕ ɔkrˈɔpnɛ, pˈaɲi.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_215.wav|f kɔmnˈatɕɛ panˈɔvaw lˌɔdɔvˈatɨ xwˈut.|1
+Dataset/wavs/urwisko_ferenc/09_segment_113.wav|ˌɔddɨxˈawa pwˈɨtkɔ, twɔtʃˈɨwa naɡʒˈanɛ pɔvʲˈɛtʃɛ dɔ pwˈuts i vɨrˈaʑɲʲɛ tʃˈuwa, ʒˈɛ brakˈujɛ jɛj tlˈɛnu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_94.wav|ɲʲɛ, fɕˈadwam dɔː ˌawtɔbˈusu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_133.wav|tʃɨmˈawɛm dwˈɔɲ w rˈɛŋku i tʃˈuwɛm tsˈawɨ bˈɛzmʲar ʒˈɨtɕa f tɛj dwˈɔɲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_26.wav|f tˈakim rˈaʑɛ pɔ tsˈɔ pʃˈɨʃwaɕ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_54.wav|ɔt ˌɔɕɛmnˈastu mʲɛɕˈɛntsɨ jˈɛʒdʒɛ tɔ̃ sˈamɔ̃ trˈasɔ̃, tsˈɔ nˈajmɲʲɛj dvˈa rˈazɨ f tɨɡˈɔdɲʲu, a jˈɛɕli udˈajɛ mi ɕɛ znˈalɛɕtɕ sɛnsˈɔvnɛ ˌuspravʲˌɛdlivʲˈɛɲʲɛ, tɔ nˈavɛt tʃˈɛɲɕtɕɛj.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_213.wav|i jɛdnˈɛɡɔ drˌɔɡɔtsɛnnˈɛɡɔ sˈɨna, ktˌurɨ rˈuvɲʲɛʃ nazˈɨvaw ɕɛ jˈaspɛr.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_89.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ zblˈiʒa ɕɛ zˌawamˈaɲʲɛ pɔɡˈɔdɨ. mˈɔʒɛ nˈadɛjʑdʑ bˈuʒa, vʲˈɛnts pˈɛvɲʲɛ zjˈavi ɕɛ za jˈakiɕ...|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_238.wav|pˈɔnɔtɕ pˌɔvʲɛɕˈili jˈɔ̃ frɛjˈɔvʲɛ, ˌalɛ dɔndˈarjɔn pˌɔtsawˈɔvaw jˈɔ̃?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_12.wav|ɲʲɛ znˈawam ɔbjˈavuf, a ɲikˈɔmu w dˈɔmu ɲʲɛ ufˈawam f tˈakim stˈɔpɲʲu.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_530.wav|pʃɛt nˈami jˈɛʃtʃɛ dwˈuɡa drˈɔɡa i...|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_177.wav|ɲʲɛ pˌɔtrafˈiwa uvʲˈɛʒɨtɕ, bˈɨ ktˈurɛʑ z ɲˈix nˈaɲʲɔ̃ dɔɲʲˈɔswɔ, ˌalɛ f tˈakim pʃɨpˈatku zɔstˈavaw tˌɨlkɔ tɕˈɛmna ɡvʲˈazda.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_43.wav|fʃˈɨstkix tʃˈɛx?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_41.wav|dˈɔbʒɛ, tˈɔm, jˌɛstɛm zmɛntʃˈɔna. xtɕˈawabˌɨm jˈuʃ urˈɔdʑitɕ tɔ dʑˈɛtskɔː i tɕˈɔŋɡlɛ mu pɔftˈaʒam, ʒˈɛbɨ jˈuʒ zdˌɛtsɨdɔvˈawɔ ɕɛ vˈɨjɕtɕ.|4
+Dataset/wavs/urwisko_ferenc/15_segment_104.wav|paɲˈitʃɲʲɛ ɕɛ ɡˈɔ bˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_59.wav|dˈɔmɨɕl ɕɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_339.wav|tʃɛkˈawɛm, fstʃɨmˈujɔnts ˈɔddɛx, ʒˈɛ ˌɔna stˈɛŋkɲʲɛ pʃˈɛs sˈɛn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_27.wav|mˈɔʒɛ dʑˈiɕaj zapˈaliw ʃlˈuɡa za sklˈɛpɛm, pɔvʲˈɛdʑaw tˈakɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_64.wav|dlatʃˈɛɡɔ mɲʲɛ ɡɔɲˈitɕɛ dɔ kˈurvɨ nˈɛndʑɨ?|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_186.wav|pʃˌɛtɕɛʃ tɔ ɲˈits nˌadʑvɨtʃajnˈɛɡɔ, prˈavda?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_180.wav|tˈɛras tɔ jˈuʃ fʃˈɨstkɔ jˈɛdnɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_170.wav|tʃˈasɛm tˌɔvaʒˈɨʃɨ im kfʲɛtɕˈista, ɔpʃˈɛrna w ramjˈɔnax kɔʃˈula, tʃˈasɛm tˈɛʃˈird z napˈisɛm ɡˈɛjɛ za trˈumpɛm, tʃˈasɛm jˈɛdna z vʲˈɛlu kɔʃˈulɛɡ z nazvˈami zɛspˈɔwuf.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_6.wav|i bʒmʲˈawɔ jˈak prˈɔʑba ɔ ɕlˈup.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_130.wav|jˈak ɕɛ tʃˈujɛʃ, pˈɨta? ɲʲɛ najɡˈɔʒɛj. dˈawɛm rˈadɛ pˈujʑdʑ dɔ waʑˈɛŋki i ɕɛ ˈɔdlatɕ. ˌaɲi ɕlˈadu krfˈi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_40.wav|jˈɛɡɔː ˈɔtʃɨ vidʑˈawɨ fʃˈɨstkɔ, vdʑɛrˈawɨ ɕɛ w dˈuʃɛ kaʒdˈɛɡɔ z nˈas i zˌaɡarɲʲˈawɨ jˈɔ̃ dla ɕˈɛbjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_282.wav|zɡˈaɕ ɕfʲˈatwɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_102.wav|zvrˈatsa ɕɛ dɔ bʲillʲˈɛɡɔ. stˈɛvɛn brˈɔdɛr jɛzd dɔzˈɔrtsɔ̃ budˈɨŋku.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_259.wav|a tɨ ɲʲɛ maʃ nˈɔsa.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_95.wav|zˈakrɛɲdʑ ɡˈɔ dɔː ɔpˈɔru, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_195.wav|na ɔpʲˈɛkɛ nat frˈaŋkʲɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_206.wav|blˈɔnt, jˈak jˈɛdna s pˈɛruk, ktˌurɛ zamˈuviw.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_317.wav|strumjˈɛɲi pʃɨlˈaʃtʃɛk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_21.wav|zavˈɔwaw pˌɔdɛkstsˌɨtɔvˈanɨ tˈata.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_56.wav|nˈaʃɛ varʃˈafskʲɛ tˌɛlɛfˈɔnɨ mˌajɔ̃ sfˈɔjɛ ˌɔbɨtʃˈajɛ. bˈardʑɔ tʃˈɛ̃stɔ zadʑvˈɔɲʲɔ̃ rˈas i dˈajɔ̃ spˈɔkuj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_41.wav|ɲʲɛ ɔtxˈɔdʑitɕ ɔt stˈɔwu, dɔpˈuki ˈidʑɛ kˈarta. bˈɛs pʲɛɲʲˈɛndʑɨ ɲʲɛ zrˈɔbʲiʃ pʲɛɲʲˈɛndʑɨ, ɲʲɛ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_159.wav|rˈuʒnɛ pˈaɲʲɛ, ˌalɛ tˈaɡʒɛ i mɛ̃ʃtʃˈɨʑɲi ɡʒɛbˈali prˌatsɔvˈitɕɛ w vˌɨwɔʒˈɔnɨm bɛsfstˈɨdɲʲɛ tɔvˈaʒɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_342.wav|ktˈɔ tɕˈɛ tˌɛɡɔ naˈutʃɨw? ˈɔna?|0
+Dataset/wavs/urwisko_ferenc/12_segment_103.wav|ɡvˈawtɕiw ʒˈɔnɛ i bʲˈiw dʑˈɛtɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_59.wav|muɕˈawam ɕɛ trˈɔxɛ natrˈudʑitɕ, ʒˈɛbɨ znˈalɛɕtɕ fˈirmɛ, ktˌura vɨnˈajmʲɛ mi ˈawtɔ s pwatnˈɔɕtɕɔ̃ kˈartɔ̃ dˌɛbɛtˈɔvɔ̃, a ɲʲɛ krˌɛdɨtˈɔvɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_214.wav|skˈɔntɕ tɔ fʃˈɨstkɔ znˈam. ktˈɔɕ mi ˈɔtɨm ˌɔpɔvʲˈadaw ˈalbɔ tʃɨtˈawɛm w ɡazˈɛtɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_36.wav|ja ˌɔkwamˈujɛ mˈɔix najblˈiʃʃɨx tsɔdʑˈɛnɲʲɛ, a kˈaʒdɛ vˌɨpɔvʲɛdʑˈanɛ uɡˈarstfɔː ɔdɡrˈɨva sfˈɔjɔ̃ rˈɔlɛ w vʲˈɛŋkʃɨm ɔʃˈustfʲɛ. jɛst mi zˈatɔ fstˈɨt.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_21.wav|ʃˈɨpkɔ ɕɛ zˌɔrjɛntɔvˈawam, ʒˈɛ nˈɔvi tʃwɔŋkˈɔvʲɛ ɡrˈupɨ zˈafʃɛ pʃˌɨnɔɕˈili pʲɛɲʲˈɔndʑɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_45.wav|pˌɔjavˈiwa ɕɛ w mˈɔim ʒˈɨtɕu w ɔkrˈɛɕɛ, f ktˌurɨm najbˈardʑɛj kˈɔɡɔɕ pˌɔtʃɛbɔvˈawam, kʲˈɛdɨ tʃˈuwam ɕɛ ˌɔdʲizˌɔlɔvˈana ɔt fʃˈɨstkiɣ vˈɔkuw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_75.wav|pʃˌɛtɕɛʃ mˈɔɡɛ jˈuʃ ɲˈiɡdɨ ɲʲɛ ɔdʑˈɨskatɕ mˈili i ˈaʃa.|4
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_22.wav|kʲˈɛdɨ pʃˌɛprɔvadʑˈawaɕ ɕɛ s tˈatɔ̃ na kɕˈɛ̃ʒɨts, lɛtɕˈɛliɕtɕˌɛ tˈam rˈusɔ̃?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_74.wav|vidʑˈawam, ʒˈɛ mu ɕɛ tɔ ɲʲɛ pɔdˈɔba.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_389.wav|pɔ zmʲˈɛʃxu tɕfitʃˈɨli s sˈɛr i lˈɨnɛm tsˈawɛ tʃˈɨ ɡɔdʑˈinɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_197.wav|kˈilku mˌɛksɨkˈaɲskix xwˈɔptsuv bavˈiwɔ ɕɛ pˈiwkɔ̃, a tˈɛras ˌukutsnˈɛli lˈup uɕˈɛdli na sxˈɔdaɣ dˈɔmuf i patʃˈɨli w miltʃˈɛɲʲu na ˌandɛrsˈɔna.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_77.wav|jˈɛdna z ɲˈix xfɨtɕˈiwa mɲʲɛ ɔt tˈɨwu i pʃˌɨwɔʒˈɨwa dɔː ˈuzd dwˈɔɲ w rˌɛŋkavˈitʃtsɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_34.wav|kˈit ˈupiw wˈɨɡ vˈɔdɨ zˈɛ ʃklˈaŋki stɔjˈɔntsɛj na bjˈurku.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_165.wav|kazˈawɛɕ kˈɔmuʑ vzɲʲˈɛtɕitɕ tɛn pˈɔʒar f kˈɔdʲi?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_99.wav|ˌuswɨʃˈawam vɛ vwˈasnɨm ɡwˈɔɕɛ bwaɡˈalnɔ̃ nˈutɛ i ʒˌawɔvˈawam, ʒˈɛ ɲʲɛ ˈumjɛm sprˈavʲadʑ vraʒˈɛɲʲa ɕilɲʲˈɛjʃɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_48.wav|jɛstˌɛɕmɨ ɲʲˌɛdalˈɛkɔ rɔˈuɡrin w vˈɔ̃skʲɛj ulˈitʃtsɛ. vjˈɛtɕ na ˌawtɔstrˈadɛ f kʲɛrˈuŋku vˈɔrslɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_53.wav|pɔmˈimɔː ulˈɛvɨ pˌɔpʃɛdɲʲˈɛɡɔ dɲʲˈa f pʃɛpˈuɕtɕɛ pwˈɨnɔw jɛdˈɨɲʲɛ vˈartki strˈumɨk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_26.wav|pˌɔkɔnˈaliɕmˌɨ zˈakrɛnt, za ktˌurɨm drˈɔɡɛ pʃˌɛɡradʑˈawa brˈama zˈɛ ʃtˈaxɛt mˈɔʒɛ dvˌumɛtrˈɔvɛj vˌɨsɔkˈɔɕtɕi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_188.wav|jˈakʲɛ tɔ bˌɨwɔː utʃˈutɕɛ zlˈɛtɕidʑ zabˈujstfɔ vwasnˈɛɡɔ sˈɨna?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_109.wav|dʑɛŋkˈujɛ. tɔ bˌɨwɔ bˈardʑɔ taktˈɔvnɛ.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_249.wav|vidʑˈawɛʑ drabʲˈinɨ, vʲˈɛʒɛ, trɛbˈuʃɛ i tarˈanɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_95.wav|na pˈɛvnɔ vʲˈɛm tˈɨlkɔ, ʒˈɛ pɔlˈitsja jˈaɡ dˈɔtɔnt ɲʲɛ zˌapukˈawa dɔ rɔɡˈɛra klˈɛrki, aʒˈɛbɨ ɡˈɔː ˌarɛʃtˈɔvatɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_128.wav|ɲʲˈɛmam tˈɛraz ɡwˈɔvɨ dɔ tʃɨtˈaɲʲa. sˈam pˈan vʲˈɛ, jˈaɡ zˈɛmnɔ̃ jˈɛst.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_69.wav|ɔtfʲˈɛra tˈɨlnɛ dʒvˈi dˈɔmu i rˈuʃa ɕtɕˈɛʃkɔ̃ pʃɛt ɕˈɛbjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_89.wav|z nadmˈuru vɨstˈajɛ ɡˈurnɛ kˈilka mˈɛtruf stɔdˈɔwɨ f kɔlˈɔʒɛ rˌustɨkˈalnɛj tʃɛrvʲˈɛɲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_2.wav|ʒˈadnɛ mʲˈɛjstsɛ ɲʲɛ vɨdˈajɛ mi ɕɛ jˈuʒ bɛspʲˈɛtʃnɛ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_357.wav|ˈɔtpar zˈɛ spɔkˈɔjɛm.|1
+Dataset/wavs/urwisko_ferenc/55_segment_6.wav|pˈɔvʲɛʒ ɡrɔxˈɔvi, ktˈɔ jɛst na tɛj fˌɔtɔɡrˈafji? xˈanna pilˈɛfska, kˌɔŋkubʲˈina xˌudʑiɲskʲˈɛɡɔ|0
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_26.wav|jˈaka kɔmˈurka? mˈam sfˈɔjɔ̃ vwˈasnɔ̃, ktˌurɔ̃ zˌɔstavˈiwɛm w ɡˌabʲinˈɛtɕɛ, tɔ prˈavda, ˌalɛ ɲʲɛ jɛst ɲʲˌɛzarˌɛjɛstrɔvˈana.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_537.wav|skˈɔnd vʲˈɛʃ, tʃɨ tˈam w ɡwˈɛmbʲi ɲʲɛ rɔstɕˈɔŋɡa ɕɛ ˌamfilˈada pɔkˈɔjuf, f ktˌurɨɣ bˌaraʃkˈujɛ mˈuj mˈɔ̃ʃ s trˈɔjɡʲɛm nˈaʃɨɣ dʑˈɛtɕi?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_35.wav|kˈatɛ spɔjʒˈawa na ɲʲˈɛɡɔː ˈɔstrɔ, jˈaɡbɨ zrˈɔbʲiw tsˈɔʑ zwˈɛɡɔ. jˈɛɕli faktˈɨtʃɲʲɛ tsˈɔʑ zrˈɔbʲiw, tɔ ɲʲɛ vʲˈɛdʑaw tsˈɔ.|3
+Dataset/wavs/urwisko_ferenc/35_segment_22.wav|xwˈɔpʲɛts rɔspˈɔstar pˈaltsɛ i pʃɛjˈɛxaw pˌaznɔktɕˈami pɔː ˈudax, zˌɔstavʲˈajɔnts nˈaɲih dwˈuɡʲɛ, zˌatʃɛrvʲɛɲʲˈɔnɛ lˈiɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_312.wav|ktˌurɛ bˌɨwɔ tˈɛras pˈɛwnɛ lˈiɕtɕi, kfitnˈɔntsɛ i pʲˈɛŋknɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_143.wav|mˈɨɕlɛ, ʒˈɛ mˈama dˈɔbʒɛ tɔ vˌɨjaɕɲˈiwa, lˈutsɨ. prˌatsɔvˈawɛm pʃˈɛz vʲˈɛlɛ ɡˈɔdʑin f tɕˈɔŋɡu dɲʲˈa i pˌɔviɲʲˈɛnɛm bˈɨw vʲˈɛdʑɛtɕ, ʒˈɛ...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_27.wav|dʑvˈiɡam tɕˈɛ̃ʃkʲɛ bʒˈɛmjɛ, a fʃɨstkʲˈɛmu vˈiɲʲɛn jɛst stsˈɔtt.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_221.wav|ɔt kʲˈɛdɨ ja tˈu dɔvˈɔdʑɛ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_25.wav|ʒˈɛ zrˈɔbjɛ tɔ, tsˈɔ mi kˈaʒɛ, bˈɛz dɨskˈusji.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_23.wav|pamjˈɛntaj, ʒˈɛ tɕˈɛ kˈɔxam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_25.wav|a ɡrˈa ˈidʑɛ ɔ vɨsˈɔkɔ̃ stˈafkɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_89.wav|xˈɔdʑi pɔ vˈɔ̃skim, dwˈuɡʲim mʲɛʃkˈaɲʲu s tˌɛlɛfˈɔnɛm w rˈɛŋku. kɔmˈurka dʑvˈɔɲi pɔ ɲʲɛtsˈawɛj minˈutɕɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_344.wav|nˈavɛd bˈɛs ˌupʃɛdɲʲˈɛɡɔ kwadʑˈɛɲʲa ɕɛ na kanˈapʲɛ. vˈɔmɛns vˈɔrld zrˈɨvaw ɔkwˈatki zmɛntʃˈɛɲskim vɨrˈazɛm tfˈaʒɨ.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_334.wav|a pˈɔtɛm tʃˈɨ dɛʃtʃˈɔvɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_36.wav|jˈɛɕli nˈam ɕɛ ɲʲɛ spɔdˈɔba, zˈafʃɛ mɔʒˈɛmɨ znˈalɛɕtɕ ˈinnɛ mʲˈɛjstsɛ i ɡˈɔ spʃˈɛdatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_104.wav|mˈɨɕli, tʃɨ ɲʲɛ zmʲˈɛɲitɕ nˈazvisk, jˈak tɔ pˌɔtʃɔntkˈɔvɔ zrˈɔbʲiw w ˌɔpɔvʲˈɛɕtɕi, ktˌurɔ̃ pˈiʃɛ.|2
+Dataset/wavs/urwisko_ferenc/36_segment_136.wav|— zjˈɛmɨ tsˈɔɕ — zˌaprɔpˌɔnɔvˈawa xˈɛrman, ˌɔtfʲɛrˈajɔnts lɔdˈufkɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_210.wav|bʲˈillɨ zrɔzˈumjaw brˌavurˈɔvɛ ˌalɛ i dˈɔbrɛ pˌɔsuɲʲˈɛɲtɕɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_45.wav|ɔkrˈɔpnɨ mˈam wˈɔmɔd w ɡwˈɔvʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_52.wav|tfʲˈɛrdʑiʃ, ʒˈɛ tɔ kɔbjˈɛta? dlatʃˈɛɡɔ? tʃˈɛɡɔ xtsˈɛ ɔt mɔjˈɛɡɔ dʑˈɛtska? xˈɔdʑi ɔ pʲɛɲʲˈɔndʑɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_225.wav|stˌɨlizɔvˈanɔ̃ s prˈavɛj strˈɔnɨ na kʃtˈawt wˈuku zˈɛ stʃˈawɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_74.wav|ˌalɛ ɲˈits ɲʲɛ rɔzˈumjɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_27.wav|w zasˈadʑɛ nˈatɨm pɔlˈɛɡa pʃˌɛtfaʒˈaɲʲɛ rˈudɨ. tʃˈɛba uvˈɔlɲitɕ tlˈɛn, ʒˈɛbɨ pɔfstˈawɔ tʃˈɨstɛ ˌalumˈiɲʲum.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_398.wav|vrˈɛʃtɕɛ dɔbrˈawɛm ɕɛ dɔː ˈust.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_43.wav|bˈɛtskɨ vˌɨpuɕtɕˈiwa s frustrˈatsjɔ̃ pɔvʲˈɛtʃɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_113.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_43.wav|tɔ dˈɔbʒɛ, bˈardʑɔ dˈɔbʒɛ, mˈuvi lˈɔɡan i pˌɔrɔzˌumjɛvˈaftʃɔ mrˈuɡa dɔ ˌɛmtsˈɛ intˈɔʃa.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_377.wav|sˈɛr lˈɨlɛ s pɛvnˈɔɕtɕɔ̃ zvɨtɕˈɛ̃ʒɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_30.wav|wˈatfʲɛj ɕɛ fxˈɔdʑi i vɨxˈɔdʑi.|4
+Dataset/wavs/urwisko_ferenc/24_segment_41.wav|tʃɨ rɔbʲˈiwa jˈuʃ tˈam pˈaɲi pɔʒˈɔndɛk?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_429.wav|tʃɨ tˈak sˈamɔː ˌɔtsɛɲʲˈali ˌɔdlɛɡwˈɔɕtɕi i mˈɔʒɛ bˌɨli blˈiʒɛj ˈalbɔ dˈalɛj ɲʲˈɛba lˈup krˈaɲtsa ʑˈɛmi?|0
+Dataset/wavs/urwisko_ferenc/25_segment_15.wav|pʃˌɛtɕɛʃ ɲʲɛ rɔbʲˈimɨ ɲˈidʑ zwˈɛɡɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_25.wav|tʃɨ tˈɛras stˈɔnt ɔdjˈɛdʑɛ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_564.wav|pamjˈɛntaʃ? ˈu nˈas ɕɛ jadˈawɔ tˈakʲɛ tˌɔvaʒˈɨskʲɛ tʃɨ publˈitʃnɛ ɕɲʲadˈaŋka.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_62.wav|ɔpˈuʃtʃa ɡwˈɔvɛ i zatɕˈiska dwˈɔɲʲɛ mʲˌɛndʑɨ udˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_81.wav|ɲʲɛ tʃˈɛba, dʑˈɛŋki. a tˈɨ, ktˌurɨ najbˈardʑɛj lˈubʲiʃ, ʃˈɔn?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_91.wav|tɔ tsɨɲˈitʃnɛ nˈavɛt f tfˈɔix ˈustax.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_34.wav|pʃɛvrˈutɕiw ɔtʃˈami, bˈɔ jˈak mˈɔɡwɛm zapˈɔmɲʲɛtɕ. jˈak mˈiwɔ, ʒˈɛ pʃˌɛkazˈawa ɡˈɔ tˈɔbjɛ na vwˈasnɔɕtɕ.|3
+Dataset/wavs/urwisko_ferenc/64_segment_76.wav|na jˈɛdnɨm zˈɛ zdjˈɛɲtɕ prˌatsɔvɲˈitsɨ f tˈɛʃˈirtaɣ z nadrˈukʲɛm lˈɔɡɔ ɲʲˌɛmjɛtskʲˈɛɡɔ prˌɔdutsˈɛnta basˈɛnuv vnɔɕˈili dɔ ɲʲˈɛɡɔ tɕˈɛ̃ʃki spʃˈɛnt.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_48.wav|tˈɔm pˈɔtʃuw, jˈak pʃɨspʲˈɛʃa mu tˈɛntnɔ, swˈɨʃɔnts pˌɔdɲʲɛtsˈɛɲʲɛ w ɡwˈɔɕɛ bˈɛtskɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_59.wav|ɲʲɛ vʲˈɛʒɛ f çipnˈɔzɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_196.wav|xundˈɛbawx ftɕˈɔ̃ʒ bjˈɛɡw zˈaɲim, xfɨtˈajɔndʑ ɡˈɔ za wˈɔkʲɛtɕ. — japˈɔŋkɛ!|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_111.wav|tɔ prˈɔ? fskazˈujɛ rˈuxɛm ɡwˈɔvɨ tˈɔrbɛ na laptˈɔpa lɛʒˈɔntsɔ̃ na pɔdwˈɔdʑɛ. ɲʲˈɛzwa maʃˈɨna, stˈarɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_118.wav|ˌupɔdabɲʲˈajɔnts jˈɔ̃ dɔ mˈaski, vˌɨpɛwɲˈifʃɨ ˈɔstrɛ brˈuzdɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_24.wav|pˌɔmɔɡwˈɔbɨ nˈam bˈardʑɔ, ɡdɨbˈɨɕmɨ zrˌɔzumjˈɛli, tsˈɔ tˈak naprˈavdɛ mˌɔtɨvɔvˈawɔ lˈintsaj.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_79.wav|djˈabɛw bjˈɛʒɛ fʃˈɨstkix, ʒˈɛkw ˈandɛrsɔn.|0
+Dataset/wavs/urwisko_ferenc/21_segment_17.wav|tɔ jˈuʃ jɛst fantˈazja, ɲʲɛ sˈɔɲdʑiʃ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_298.wav|f pɔʒˈɔntku, pɔvʲˈɛdʑaw ɡˈɛrs fˈirst lˈɔvɛ.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_307.wav|i bˈɛŋka z vɔ̃sˈami.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_237.wav|jˈɛɕli ɲʲɛ sɔ̃ ɕlˈɛpi.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_239.wav|jɛdˈɨnɔ̃ ˌɔtpɔvʲˈɛdʑɔ̃ bˈɨw tʃˈazɡ zˌamɨkˈanɨɣ dʒvˈi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_47.wav|ɔtsˈunɔw swuxˈafkɛ ɔ dˈuxa i pɔpˈatʃɨw nˈaɲʲɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_296.wav|swuxˈawa jɛj tɕixˈɛɡɔː ɔddˈɛxu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_246.wav|i dlatʃˈɛɡɔ tˈak mˈɨɕliʃ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_117.wav|pɔ tsˈɔ tɔ rˈɔbʲiʃ?|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_7.wav|vwˈaɕɲʲɛ tˌɛɡɔ pˌɔtʃɛbɔvˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_251.wav|za jˈɛɡɔ plɛtsˈami vˈidadʑ ʒˈuwtɔ̃ tˈaɕmɛ pˌɔlitsˈɨjnɔ̃, kˈɔwɔ sˈɔndu ftɕˈɔ̃ʒ bwɨskˈajɔ̃ kɔɡˈutɨ kˈilku rˌadjɔvˈɔzuf.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_117.wav|kʲˈɛdɨ prˌubɔvˈaliɕmˌɨ ɡˈɔ zˈapʃɔndʑ dɔ pwˈuɡa, kˈɔpnɔw brˈata rawnˈɛa i zwˈamaw mu ɔbˈɔjtʃɨɡ w dvˈux mʲˈɛjstsax.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_136.wav|tɔ rˌɔzvʲɔ̃zˈaɲʲɛ jˈɛdnak rˈuvɲʲɛʃ ɲʲɛ bˌɨwɔ bɛspʲˈɛtʃnɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_289.wav|pˈɔtʃɛd dɔː ˈɔkna i stˈanɔw za rajˈanɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_11.wav|fʃˈɨstsɨ lubʲˈili rɔzmˈavʲatɕ ɔ sfˈɔiɣ dʑˈɛtɕax, xfˈalitɕ ɕɛ zdjɛɲtɕˈami, ˌɔɕɔŋɡɲʲɛɲtɕˈami, tʃɨ ˌɔpɔvʲˈadatɕ ˌanɛɡdˈɔtɨ, ktˌurɛ rˌɔsɕmʲɛʃˈawɨ rɔdʑˈitsuf.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_12.wav|drˈɛntʃɨ mɲʲɛ tˌɨlkɔ straʃlˈivɛ pɔtʃˈutɕɛ strˈatɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_260.wav|dɔvʲˈɛdʑaw ɕɛ ˈɔdɛ mɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_363.wav|vɛ ftʃˈɛsnɨx lˈatax mawʒˈɛɲstfa rˈɔbɛrt tɕˈɔŋɡlɛ jˈɔ̃ bwˈaɡaw, ʒˈɛbɨ pˌɔjɛxˈawa z ɲˈim na pˌɔlɔvˈaɲʲɛ, ˌalɛ tsɛrsˈɛi zˈafʃɛ ɕɛ vˌɨmavʲˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_202.wav|ˈilɛ dˈawbɨɕ jɛj lˈat? pˈɨta bʲˈillɨ butskʲˈɛɡɔ. tɔ znˈatʃɨ, ɡdˈɨbɨɕ ɲʲɛ vʲˈɛdʑaw, ˈilɛ mˈa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_15.wav|mˈɨɕli, ʒˈɛ kʲˈɛdɨ pˌɔfstavˈawa, zˈɔla dɔpʲˈɛrɔ zatʃˈɨnaw tʃˈɛrpadʑ z jˈak ɕɛ mʲˈawɔː ɔkˈazadʑ ɡwɛmbˈɔkix i pʃˌɛbɔɡˈatɨx pɔkwˈaduf talˈɛntu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_42.wav|a maʃ tsˈɔɕ pʃɛtɕˈifkɔ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_8.wav|bˈɔː i dlatʃˈɛɡɔ mʲˈawbɨɕ mɲʲɛ ɲʲˌɛnavˈidʑitɕ, mˈikɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_132.wav|mˈatka patrˈɨka umˈarwa s pʃˌɛdafkɔvˈaɲʲa jˈakixɕ lˈɛkuf.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_322.wav|tʃˈɛx rɨtsˈɛʒɨ i dvunˈastu zbrˈɔjnɨx.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_151.wav|tˈaɡʒɛ mʲˈɛ̃sɔː i xlˈɛb zmʲɛʃˈawɨ ɕɛ zˈɛ ʒvˈirɛm.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_88.wav|pˈɛtsk jɛzd bˌɔxatˈɛrɛm z nˌattʃarnˈɛɡɔ nˈurtu, vɨjˈaɕɲiw jˈamɛ. zˈabʲiw dvˈux rɨtsˈɛʒɨ i vʑˈɔw dɔ ɲʲɛvˈɔli dvˈux nastˈɛmpnɨx.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_124.wav|ˌɔdɛzvˈawa ɕɛ sˈanxɛs.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_98.wav|ˌuswɨʃˈawam ɔd znajˈɔmɨx jˈɛɡɔ rɔdʑˈitsuf, ʒˈɛ zˈɔstaw skrˌɛmɔvˈanɨ w amˈɛrɨtsˌɛ i pˌɔmɨɕlˈawam ftˈɛdɨ, jˈakʲɛ tɔ muɕˈawɔ bˈɨtɕ trˈudnɛ dla jˈɛɡɔ rɔdʑˈinɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_189.wav|ɲʲˈɛmuɡw. tˈak tʃɨ ˈɔvak, jˈaki mʲˈaw vˈɨbur.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_123.wav|xˈɨba mˈam f tɔrˈɛptsɛ vˌizɨtˈufkɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_47.wav|zˈɔstaɲ tˈutaj na vɨpˈadɛk, ɡdˈɨbɨ pʃɨvʲˈɛʑli jˈɔ̃ dɔ dˈɔmu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_20.wav|pˈan mˈɨɕli, ʒˈɛ pˈan jɛzd zabˈavnɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_195.wav|a tɔ dˌɔprɔvˈadʑi jˈɔ̃ dɔ zɡˈubɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_58.wav|— pɔlˈitsjant pɔvʲˈɛdʑaw, ʒˈɛbɨm ɲʲɛ pakˈɔvaw ɕɛ w ʒˈadnɛ kwɔpˈɔtɨ, tɔ ɲˈiɡdɨ ɲʲɛ bˌɛndɛ mˈuɕaw jˈɛxatɕ tˈam s tˈɨwu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_138.wav|strˈaʒɲik jˈɛdnak ɔdvrˈatsa ɕɛ w bˈɔk i klˈɛpʲɛ ɔbjˈɛma dwˈɔɲmi sfˈuj tsˈawkʲɛm pɔkˈaʑnɨ tˈɨwɛk.|2
+Dataset/wavs/urwisko_ferenc/38_segment_56.wav|ɲʲˈɛx tɕi pˈɔvʲɛ, ɔ tsˈɔ pˈɔʃwɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_170.wav|bˌɛndɛ mˈuɕaw, pɔvʲˈɛdʑaw. mˈɨɕlɛ, ʒˈɛ xˈɨba bˌɛndɛ mˈuɕaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_9.wav|skˈɔrɔ jɛstˌɛɕmɨ na vakˈatsjax, tɔ mˈɔɡɛ zjˈɛɕtɕ pˈitsɛ, mˈamɔ?|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_94.wav|tsˈawɨ tɛn vˈɔdur spˈɔtkaw ɕɛ s tlˈɛnɛm w vɨsˈɔkʲɛj tˌɛmpɛratˈuʒɛ i rˈazɛm trˈɔxɛ nˌarɔzrabjˈawɨ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_104.wav|zɡɔdʑˈiwɛɕ ɕɛ pˈɔmuts ˌutɕɛmjɛ̃ʒˈɔnɛj kɔbjˈɛtɕɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_100.wav|ˌalɛ tɨm rˈazɛm tɔ zrɔbʲˈiliɕmˌɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_7.wav|stˈaw za mnˈɔ̃ i ˌɔpɔvʲˈadaw, jˈakim tɔ fspaɲʲˈawɨm jɛst ʃˈɛfɛm, dɔdˈajɔnts rˈuvɲʲɛʃ, ʒˈɛ pɔvˈinnam bˈɨdʑ dla ɲʲˈɛɡɔ mˈiwa, zvaʒˈɨfʃɛ na fʃˈɨstkɔ, tsˈɔ dla mɲʲɛ zrˈɔbʲiw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_87.wav|prˈɔʃɛ vɨbˈatʃɨtɕ tˈɛ xɛrbˈatɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_167.wav|mˈimɔ pɔɕpʲˈɛxu tʃɛkˈawam tɕɛrplˈivʲɛ, ˈaʃ prˌɔtsɛdˈura ˌɔtʃɨʃtʃˈaɲʲa dɔbjˈɛɡɲʲɛ kˈɔɲtsa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_57.wav|zapˈɨtaw mwˈɔdɨ dɛtˈɛktɨf.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_128.wav|pˈɛvɲʲɛ ɛkˈipa dˌɔxɔdʑɛɲʲˈɔva. znˈanɨ rɨtˈuaw. tsˌɛrɛmˈɔɲʲaw nˈaʃɛj ˌartɨstˈɨtʃnɛj pˌɔfʃɛdɲʲˈɔɕtɕi.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_34.wav|zˈaɲim jˈamjɛ vˈidʑaw pˌɔtʃɛrɲʲˈawɛ ruˈinɨ vʲˈɛʒɨ nˌamjɛstɲˈika. skˈɔnt tɛ ɔpˈɔrɨ, sˈɛr?|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_21.wav|jɛst pˈan tˌɛɡɔ pˈɛvʲɛn? zapˈɨtaw mɛnˈadʒɛr dˈɔmu.|0
+Dataset/wavs/urwisko_ferenc/34_segment_36.wav|prˈavdɨ.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_244.wav|vˈɛzvɛ tɕˈɛ, ɡdˈɨ nadˈɛjdʑɛ tfˈɔja kˈɔlɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_77.wav|strumjˈɛɲʲɛ sprˌɛ̃ʒɔnˈɛɡɔ pɔvʲˈɛtʃa z rˌɔzmʲɛʃtʃˈɔnɨɣ dˌɔɔkˈɔwa dˈɨʃ ˌudɛʒˈɨwɨ vˈɛmɲʲɛ pɔt fʃɨstkˈimi kɔntˈami.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_453.wav|ɡdˈɨ ɲʲɛprˈavɔː ˌurɔdʑˈɔna dʑɛftʃˈɨna vˌɨprɔvadʑˈiwa mˈuwa zzˈa ɔswˈɔnɨ skˈawɨ, vˈixɛr udˈɛʒɨw jˈɔ̃ prˈɔstɔ f tfˈaʃ.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_211.wav|xˈɔdʑ bˈɨw ɲˈiski i pʃˌɨsadʑˈistɨ, mʲˈaw pɔtˈɛ̃ʒnɔ̃ klˈatkɛ i bˈarɨ, a tˈaɡʒɛ tfˈardɨ, ɔkrˈɔŋɡwɨ, pˈivnɨ bʒˈuʃɛk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_93.wav|vʲˈadr zrˈɨvaw ʃˈɨldɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_85.wav|ˈɔtuʒ za pɔmˈɔtsɔ̃ rɔbˈɔtuf ˌinspɛktsˈɨjnɨx.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_90.wav|ɕfʲˈatwɔ ɕɛ zmʲˈɛɲʲa i samˈɔxut rˈuʃa. prubˈujɛ ɲʲɛ pˈatʃɛtɕ f tˈamtɨm kʲɛrˈuŋku, ˌalɛ ɲʲɛ mˈɔɡɛ ɕɛ pɔfstʃˈɨmatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_214.wav|kʲˈɛdɨ zakwˈada pɛrˈukɛ i zbjˈɛɡa pɔ sxˈɔdax na dˈuw, mˈuvi sˈɔbjɛ, ʒˈɛ jɛst na ɕˈɛbjɛ skazˈanɨ i mˈuɕi ʒˈɨdʑ zˈɛ sˈɔbɔ̃ najlˈɛpʲɛj jˈak pɔtrˈafi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_16.wav|mˈɔʒɛʃ pʃɛwˈɔntʃɨtɕ naɡwˈɔɕɲik na fʃˈɛlki vɨpˈadɛk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_62.wav|mˈɔʒɛ zˈamjast tˌɛɡɔ pˌɔvinɲˈiɕmɨ nazˈɨvatɕ tɕˈɛ... tsˈɔɕa. mˈɔʒɛ bˈɨtɕ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_508.wav|mˈuj ɔrɡˈaɲizm, splɛtɕˈɔnɨ vˈɛ̃zɛw bjɔlˈɔɡji i ˌɛmanˈatsji ˌɛlɛktrˈɨtʃnɨx,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_105.wav|a ɔ kˈim rˌɔzmavʲˈamɨ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_25.wav|vʲɛdʑˈawam, ʒˈɛ bˌɛɲdʑɛ mi tɕˈɛ̃ʃkɔ, jˈɛdnak ɕfʲadˈɔmɔɕtɕ, ʒˈɛ dʑˈɛtskɔ zɔstˈaɲʲɛ vˌɨxɔvˈanɛ f ʃtʃɛɲɕlˈivɨm dˈɔmu, mˈɔʒɛ z innˈɨmi dʑˈɛtɕmi, mˈɔʒɛ ɡdʑˈɛɕ ɲʲˌɛdalˈɛkɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_112.wav|mˈam jˈɛdnak straʃlˈivɛ pʃɛtʃˈutɕɛ, ʒˈɛ tɔ ɲʲɛ bˌɛɲdʑɛ tˈakʲɛ prˈɔstɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_52.wav|vˈɛvnɔntʃ tɕˈɛmnɛj pˈaʃtʃɨ tsˈɔɕ ɕɛ kwɛmbʲˈiwɔː ˈalbɔ kˌɔtwɔvˈawɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_71.wav|tɛn bˌɛɲdʑɛ lˈɛpʃɨ pɔvʲˈɛdʑaw i vʑˈɔw zˈɛ stɔjˈaka ˈinnɨ karˈabʲin.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_105.wav|f pɔvʲˈɛtʃu uɲʲˈɔswa ɕɛ brɔ̃zˈɔva xmˈura.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_3.wav|ʒˈɛbɨ dˈɔtʃɛdʑ dɔː ɔbˈɔzu sˈɛr dɛjvˈɛna, muɕˈɛli pʃɛjˈɛxatɕ pʃˈɛs ˌɔbɔzɔvˈiskɔː ɛmmˈɔna frˈɛja.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_127.wav|kʲˈɛdɨ pɔvˈɔli ruʃˈɨwam f strˈɔnɛ ʒˈɛki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_76.wav|pʃˌɛjɛxˈawɛm pʃˈɛs tsˈawɨ ɲʲˈu dʒˈɛrzi ˈaʒ dɔ pˌɛnsɨlvˈaɲʲi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_143.wav|jˈɛɕli pwˈatsɔ̃ tɕi tˈu dvˈa dɔlˈarɨ pʲɛɲdʑˈɛɕɔnt tʃˈɨ tsˈɛntɨ za ɡɔdʑˈinɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_32.wav|bˌɨwa ˌɔpruʒɲʲˈɔna dɔ pɔwˈɔvɨ. ˈɔtʃɛd ɔt ˈɔkna, znˈuv zˌatɕɔŋɡnˈɔ̃fʃɨ firˈaŋkɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_11.wav|pˈatʃɛ ɲʲˌɛvidʑˈɔntsɨm vzrˈɔkʲɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_298.wav|lˈudʑɛ, ktˌuʒɨ tɔ tʃɨɲˈili, ɲʲɛ ˌɔɕɔŋɡnˈɛli vʲˈɛlɛ.|0
+Dataset/wavs/urwisko_ferenc/44_segment_82.wav|w ˌɔkɔlˈitsɨ kʃˈɨʒa nat lˈɛvɨm pɔɕlˈatkʲɛm|0
+Dataset/wavs/urwisko_ferenc/17_segment_28.wav|pˌɔɡrɔ̃ʒˈɔna f tʃˈarnɨx mˈɨɕlax, f tɨm ɡˈɛɕtɕɛ rɔspˈatʃɨ vidʑˈawa tʃˈɛ̃stɔ jɛdˈɨnɨ spˈɔsup na ˌuvɔlɲʲˈɛɲʲɛ ɕɛ ɔt pʲɛntʃˈɔntsɨx ɕɛ prɔblˈɛmuf.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_82.wav|— ɲʲɛ martfˈiwabˌɨm ɕɛ tɨm spɛtsjˈalɲʲɛ, ˌɔna ɲikˈɔɡɔ ɲʲɛ rˌɔspɔznˈajɛ. zapˈɨtam dˌɨrɛktˈɔra, ˌalɛ ɲʲɛ sˈɔndʑɛ, bˈɨ bˌɨwɨ jˈakʲɛɕ pʃˌɛtɕivfskazˈaɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_251.wav|nˈavɨk pˌɔswuʃˈɛɲstfa ɡwɛmbˈɔkɔ zˌakɔʒˈɛɲiw ɕɛ w vˌiktarjˈɔɲʲɛ ɡrˌɛɨjˈɔju, a ˈɛwrɔn nˈɔɕiw na ɡwˈɔvʲɛ kɔrˈɔnɛ z vˌɨʒutsɔnˈɛɡɔ pʃˈɛs mˈɔʒɛ drˈɛvna.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_10.wav|tˈɔm xtɕˈaw ɕɛ jˈɛdnaɡ dɔvʲˈɛdʑɛtɕ, tʃɨ ˈaʃ mˈuɡw mʲˈɛtɕ f tˌɛlɛfˈɔɲʲɛ tsɔkˈɔlvʲɛk, tʃˈɛɡɔ jˈɛɡɔ zdˈaɲʲɛm partnˈɛrka ɲʲɛ pɔvˈinna zɔbˈatʃɨtɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_55.wav|dɔ pɔkˈɔju fʃˈɛd mɛ̃ʃtʃˈɨzna, ɲˈiski, ɕˌivɔvwˈɔsɨ i ʑˈimnɔː ˈɔki.|0
+Dataset/wavs/urwisko_ferenc/42_segment_37.wav|na stˈatsji bˌɛnzɨnˈɔvɛj wˈɨknɔw dvˈa i bukrˈɔmɨ, bˈɔː ɔt tˌɛɡɔ fʃɨstkʲˈɛɡɔ rˌɔzbɔlˈawa ɡˈɔ ɡwˈɔva.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_124.wav|pɔʃˈukaj na tˌɛlɛfˈɔɲʲɛ nˌajbliʃʃˈɛɡɔ vʲɛŋkʃˈɛɡɔ mʲˈasta z valmˈartɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_29.wav|bʲˈillɨ znajdˈujɛ brˈɔɲ f stɔlˈiku nˈɔtsnɨm pɔ strˈɔɲʲɛ wˈuʃka zˌajmɔvˈanɛj pʃˈɛz dˈɔnna.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_182.wav|xfɨtɕˈiwa mɲʲɛ ɔstrˈɔʒɲʲɛ. ɲʲˈɛbɨw tɔ najbˈardʑɛj xfalˈɛbnɨ mˈɔmɛnt w mˈɔim ʒˈɨtɕu, ˌalɛ lɔɡʲˈitʃɲʲɛ ʒˈɛdʒ bjˈɔrɔnts ɲʲɛ mʲˈawam ɕɛ tʃˈɛɡɔ fstˈɨdʑitɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_46.wav|prubˈujɛ zapˈaʒɨtɕ xɛrbˈatɨ w dʑbˈaŋku, ˌalɛ tˌɨlkɔ krˈɔ̃ʒɛ bˈɛs sˈɛnsu pɔ kˈuxɲi, ɲʲɛ mˈɔɡɔnts ɕɛ skˌɔntsɛntrˈɔvatɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_61.wav|pʃˈɛs xfˈilɛ ɲʲɛ muvˈili ɲˈits. pˈɔtɛm mˈikɛ dˈɔtknɔw rˈɛŋki ˌandɛrsˈɔna.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_251.wav|tˈaɡ vʲˈɛnts jɛst tˈu fʃˈɨstkɔ, tsˈɔ ftˈɛdɨ zɲiʃtʃˈɨwam.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_228.wav|praɡnˈɛwa pɔvʲˈɛdʑɛtɕ tʃˈɛɲɕtɕɔ̃ jˈaʑɲi, lˈɛtʃ jˈɛɡɔ swˈɔva zraɲˈiwɨ jˈɔ̃ zbˈɨd ɡwɛmbˈɔkɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_338.wav|w ɔtfˈartɛj bˈuttsɛ tˌɛlɛfɔɲˈitʃnɛj viɕˈawa na ʃnˈuʒɛ swuxˈafka, ktˌurɛj kˈɔmuɕ ɲʲɛ xtɕˈawɔ ɕɛ ɔdvʲˈɛɕitɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_34.wav|ˈɔbjɛ miltʃˈawɨ pʃˈɛs xfˈilɛ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_285.wav|tsˈɔɕ tɕi ɕɛ pˌɔkrɛɲtɕˈiwɔ. tɔ ja tɕˈɛ zabʲˈijɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_101.wav|bˈɛtskɨ xtɕˈawa bˈɨdʑ z ɲʲˈɔ̃ ʃtʃˈɛra, ˌalɛ muɕˈawa uvˈaʒatɕ na swˈɔva.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_9.wav|ˌɔna ɕɛ ɲʲɛ rˈuʃa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_92.wav|tʃwˈɔvʲɛk ɔt fʃɨstkʲˈɛɡɔ, pravdʑˈivɨ bˈɨdlak.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_114.wav|zwˈɔʒɛ ˌɔbjɛtɲˈitsɛ, ʒˈɛ zapwˈatsɛ zˈatɔ mʲɛʃkˈaɲʲɛ, pʃˈɛlɔt, za fʃˈɨstkɔ. w jˈakiɕ spˈɔsub zbjˈɔrɛ pʲɛɲʲˈɔndʑɛ, ˌalɛ xtsˈɛ ɡˈɔ s pɔvrˈɔtɛm. ɲʲˈɛdam sˈɔbjɛ rˈadɨ bˈɛs ɲʲˈɛɡɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_45.wav|ɲʲɛ tʃɛkˈajɔnts na jɛj ɔtpˈɔvʲɛtɕ, fstˈajɛ, vɨxˈɔdʑɛ dɔ xˈɔlu i ˈidɛ na pʲˈɛntrɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_31.wav|juɲʲˈɔra. nazˈɨvam ɕɛ ˈandɛrsɔn.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_31.wav|ˌalɛ ɲʲɛ spˈuʃtʃam vzrˈɔku z ɛkrˈanu, na ktˌurɨm vɨɕfʲˈɛtla ɕɛ lˌɔkalizˈatsja kɔmˈurki ˈaʃa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_78.wav|pʃɨnˈajmɲʲɛj prubˈujɛ.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_145.wav|ˈitɕ spˈatɕ, dʑˈɛtskɔ. rˈanɔ bˌɛɲdʑɛʃ muɕˈawa swˈuʒɨtɕ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_115.wav|vwɔʒˈɨwa ʃlˈafrɔk i pɔdˈɛʃwa dɔ dʒvˈi.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_419.wav|tˈɨrjɔn ˌɔpɔvʲˈadaw mi kʲˈɛdɨɕ, ʒˈɛ vʲˈɛŋkʃɔɕtɕ kˈurɛf ɲʲˈɛxtsɛ ɕɛ tsawˈɔvatɕ s kljɛntˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_140.wav|ukwˈadʑɛ w rˈaʑɛ rɔzvˈɔdu.|3
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_49.wav|ɲʲɛ bˈardʑɔ xtsˈɛ mi ɕɛ trˈudʑitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_59.wav|zˈatɔ alvˈarɛs ɕˈɛŋɡnɔw z drˈuɡʲɛj strˈɔnɨ, zwˈapaw rˈurkɛ ɔbjˈɛma rɛŋkˈami i pʃɨtɕˈɔŋɡnɔw jˈɔ̃ dɔ mɔjˈɛɡɔ ɡˈardwa.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_42.wav|ˈɔjtɕɛdʑ zˈafʃɛ pɔftˈaʒaw, ʒˈɛ ʃˈɨpkʲɛ ˌudɛʒˈɛɲʲɛ mʲˈɛtʃa jɛst lˈɛpʃɔ̃ ɔbrˈɔnɔ̃ ɲˈiʃ jˌakakˈɔlvʲɛk tˈartʃa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_44.wav|mˈiltʃaw pʃˈɛs xfˈilɛ, a ja pˌɔzvɔlˈiwam mu ɕɛ zˌastanˈɔvitɕ nˈattɨm, ɔ tsˈɔ pˌɔprɔɕˈiwam.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_319.wav|na brˈuku vˈɔkuw ɲʲˈɛɡɔː ˌutfɔʒˈɨwa ɕɛ kawˈuʒa.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_444.wav|najlˈɛpʲɛj pʃˌɛprɔvˈadʑitɕ mˈuwɨ za vˈɔdʑɛ.|1
+Dataset/wavs/urwisko_ferenc/35_segment_35.wav|tˈak, ɡʒˈɛɡɔʒ zˈabraw tˈam tˈɛʃ mˈatkɛ i sˈam mʲˈaw tˈam spˈɛɲdʑitɕ kˈilka nˈɔtsɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_78.wav|uɕˈɔndɛ na pɔdwˈɔdʑɛ. bʲˈillɨ ɔtsˈuva jˈɛdnɔ s kʃˈɛsɛw i ɕˈada.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_49.wav|ˌalɛ vʲɛdʑˈawam jˈɛdnɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_75.wav|bʲˈillɨ dɔwˈɔntʃa dɔ ɲˈix.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_98.wav|z vʲˈɛlkix ˈɔkʲɛn stɛrˈɔvɲi rɔstˈatʃaw ɕɛ vˈidɔk na vnˈɛntʃɛ xˈali.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_43.wav|jɛʒˈɛli pʃɨjʒˈɨtɕɛ ɕɛ uvˈaʒɲʲɛ na lˈɛvɔː ɔt ˈɔrwa, zˌauvaʒˈɨtɕɛ ɲʲɛvʲˈɛlkɔ̃ bjˈawɔ̃ plˈamɛ. tɔ jɛdˈɨna tʃˈɛɲɕtɕ flˈaɡʲi, ktˌura pˌɔzɔstˈawa vidˈɔtʃna.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_254.wav|tɨ ˈidʑɛʒ dɔ wˈuʃka, mˈuvi, a ˌɔna ɲʲɛ prˌɔtɛstˈujɛ. pʃɛtɕˈivɲʲɛ, vɨɡlˈɔnda, jˈaɡbɨ jɛj ulʒˈɨwɔ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_326.wav|lˈɔrt snˈɔf ɲʲˈɛmuɡw ˈɔtɨm vʲˈɛdʑɛtɕ, lˈɛtʃ ja pˌɔviɲʲˈɛnɛm bˈɨw zrɔzˈumjɛtɕ. ˈɔɡʲɛɲ pɔxwˈaɲʲa.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_81.wav|bˈɨw xɛrlˈakʲɛm ɔdʑˈanɨm w vˈɛwnɛ i w ɔɡˈulɛ ɲʲˈɛmʲaw pɔdbrˈutka.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_102.wav|rˌɛjɛstrˈujɛ ɕɛ ˌɔna f sɨstˈɛmjɛ za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ ktˈɔɕ fxˈɔdʑi dɔ budˈɨŋku lˈub z ɲʲˈɛɡɔ vɨxˈɔdʑi, a pˈɔtɛm jˈɔ̃ vɨwˈɔntʃam i pʃˈɛs rˈɛʃtɛ dɲʲˈa tʃˈɨmam f ʃuflˈadʑɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_50.wav|lˈɛax ʃˈɨpkɔ ɕɛ zˈɛmnɔ̃ zˌapʃɨjaʑɲˈiwa. pˌɔzɔstavˈawa jˈɛdnak ɕfʲadˈɔma pˌanujˈɔntsɨɣ zˈasat i vʲɛdʑˈawa, ʒˈɛ ɲʲɛ mɔʒˈɛmɨ zˈɔstatɕ pʃˌɨwapˈanɛ na prɨvˈatnɨx rɔzmˈɔvax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_134.wav|lubʲˈiwɛm tɔː i bˌɨwɛm f tɨm dˈɔbrɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_109.wav|f tɛj tʃˈɛɲɕtɕi mʲˈasta jɛst tɕˈiʃa i spˈɔkuj nˈavɛt f pɔwˈudɲʲɛ dɲʲˈa pˌɔfʃɛdɲʲˈɛɡɔ, ˌalɛ prˈɛndʑɛj tʃɨ pˈuʑɲʲɛj ktˈɔɕ tˈɛ dʑɛftʃˈɨnɛ zˌauvˈaʒɨ.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_329.wav|ʒˈɛ swˈuʒba jɛst najvˈɨʃʃɨm zaʃtʃˈɨtɛm, a pˌɔswuʃˈɛɲstfɔ najvˈɨʃʃɔ̃ tsnˈɔtɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_35.wav|f kˈɔɲtɕɛ ʃˈɔpɨ stˈɔi stˈara zˌamraʒˈarka skʃɨɲʲˈɔva, ktˌurɛj ɲʲɛ ˌuʒɨvˈaliɕmˌɨ.|3
+Dataset/wavs/urwisko_ferenc/36_segment_74.wav|sˈɔɲdʑiʃ, ʒˈɛ ɕmʲˈɛrdʑ dʑˈɛtska...|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_101.wav|tʃwˈɔvʲɛk tsˈawɨ tʃˈas pˈatʃɨ w lˈɛvɔ, tʃɨ ˈutʃɛɲ ɲʲɛ zrˈɔbʲi tʃˈasɛm jakʲˈɛɡɔʑ ɡwˈupstfa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_89.wav|ɲʲɛ vʲɛdʑˈawam pˌɔtʃɔntkˈɔvɔ, ʒˈɛ jˌɛstɛm nˌaɡrɨvˈana, ˈaʃ pɔ dvˈux tɨɡˈɔdɲʲax jˈaɡɡɛr ftɕˈisnɔw mi w dwˈɔɲ kɔpˈɛrtɛ vˌɨpɛwɲʲˈɔnɔ̃ zdjɛɲtɕˈami s kamˈɛrɨ mˌɔɲitɔrˈiŋɡu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_184.wav|tsˈɔ ɕɛ z ɲʲˈɔ̃ stˈawɔ?|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_220.wav|ɕitˈɔvʲɛ ʃˌɛlɛɕtɕˈiwɔ pɔt jɛj bˌɔsɨmˈista pˈaɲi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_143.wav|ɲˈikt ɲʲɛ zˌaprɔtɛstˈɔvaw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_174.wav|nˈavɛt jˈɛɕli ɲʲˈɛma dʑvˈiɡu, tɔ mˈuɕiʃ stˈatɕ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_295.wav|musˈimɨ zdˈɔbɨdʑ zˈamɛk.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_135.wav|pɔ rˈaz drˈuɡʲi tˌɛɡɔ dɲʲˈa tsˈɨŋɡʲɛl pɔswˈuʒɨw jˈakɔː ambˈulans.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_8.wav|tˈak pʃɨnˈajmɲʲɛj sɔɲdʑˈiwam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_17.wav|pɔtxˈɔdʑɛ dɔː ˈɔkna f sɨpʲˈalɲi i vɨɡlˈɔndam na ˈɔɡrut.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_265.wav|tˈak pˈɔʃwɔ, xwˈɔptsu, ɲˈits nˈatɔ ɲʲɛ pɔrˈadʑiʃ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_3.wav|ɔ ɕˈudmɛj nat rˈanɛm nˌastɛmpnˈɛɡɔ dɲʲˈa tˈɔm bˈɨw jˈuʃ f pɔkˈɔju ˌɔpɛratsˈɨjnɨm i mˈɨɕlaw tˌɨlkɔː ˈɔtɨm, ʒˈɛbɨ zˈajɔɲtɕ ɕɛ sprˈavɔ̃ mˈartɨ pˈɔrtɛr.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_292.wav|tsɔfnˈɛwa ɕɛ mˈɨɕlɔ̃ dɔ dʑiɕˈɛjʃɨɣ vɨdˈaʒɛɲ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_135.wav|i patʃˈɨli nˈatɛ irˈantskʲɛ dʑɛftʃˈɨnɨ, pijˈɔntsɛ ɲʲɛ ɡˈɔʒɛj ɔt mˈɛ̃ʃtʃɨzn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_55.wav|tʃɨ pˈaɲska ʒˈɔna ˈɔɲʲɛj vʲɛdʑˈawa?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_122.wav|tʃɨ xtsˈɛ pˈan zakˈɔxatɕ ɕɛ vˈɛmɲʲɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_218.wav|kʲˈɛdɨ xɔdʑˈiwam dɔ litsˈɛum, rɔdʑˈitsɛ mɔjˈɛɡɔ xwɔpˈaka pɛvnˈɛɡɔ dɲʲˈa vrutɕˈili dɔ dˈɔmu ftʃˈɛɕɲʲɛj ɲˈiʒ zvˈɨklɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_206.wav|ˌɔɕfʲattʃˈɨwam, pˌɔtsuvˈajɔnts mu pˈustɔ̃ ʃklˈaŋkɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_21.wav|f pɔʒˈɔntku, vˈɨɕlɛ tɕi fʃˈɨstkʲɛ tɛ ʒˈɛtʃɨ w nastˈɛmpnɛj dɔstˈavʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_171.wav|a jˈakʲɛ rˈɔbjɔ̃ zakˈupɨ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_180.wav|ktˌurɛj zˈɛmbɨ zvˈarwɨ ɕɛ na zˈafʃɛ, tˈak, ˈiʃ kʲˈɛdɨ mˈuviw, pˌɔruʃˈawɨ ɕɛ tˌɨlkɔː ˈusta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_227.wav|pˈɔza tˈɨm, tsˈɔ jˈɛɕli trˈib bˌɛɲdʑɛ mɲʲɛ ʃˈukaw?|2
+Dataset/wavs/urwisko_ferenc/19_segment_98.wav|sˈɔlska pʃˌɨstanˈɛwa i rˌɔzɛjʒˈawa ɕɛ f pˌɔʃukivˈaɲʲu psˈa. brˈandɔ!|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_89.wav|tɨ mi pˈɔvʲɛts, tˈɔm.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_52.wav|znˈali ɡˈɔ tˌɨlkɔ pʃˈɛs krˈutkɔ̃ xfˈilɛ, ˌalɛ lɛtɲʲˈatsɨ ʃˌanɔvˈali stˈartsuf i swavˈili sfˈɨɣ zmˈarwɨx.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_67.wav|tˈɔbjɛ ɕɛ pˌɔʃtʃɛɲɕtɕˈiwɔ za ˈaʃɛm. xtɕˈawabˌɨm ɡˈɔ pˈɔznatɕ. jˈaki ɔn jˈɛst?|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_7.wav|fstˈavaj, pɔxˈɨliw ɕɛ nadˈɛmnɔ̃. jɛstˌɛɕmɨ spuʑɲʲˈɛɲi, a bˈɔp ɲʲɛ mˈɔʒɛ fstʃɨmˈɨvatɕ tˌɛɡɔ pɔtɕˈɔŋɡu w ɲʲˌɛskɔɲtʃˈɔnɔɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_48.wav|ɡdˈɨ sˈɛr ˈajlin pɔkˈazaw pˈi jˈɛɡɔ ɡwˈɔvɛ, dʑɛftʃˈɨna ˌuɕmʲɛxnˈɛwa ɕɛ, ˌɔtswaɲʲˈajɔnts pˌɔzɔstawˈɔɕtɕi zˈɛmbuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_87.wav|dˈɔbʒɛ, jˈɛɕli tˌɨlkɔ bˌɛndɛ f stˈaɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_82.wav|ɲʲˌɛbɛspʲɛtʃˈɛɲstfɔ na rˈaʑɛ minˈɛwɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_12.wav|ɲˈikt ɲʲɛ umjˈɛraw. f pˈɛvnɨm sˈɛnɕɛ pɔtrˈafi zrɔzˈumjɛtɕ pˌɔstɛmpɔvˈaɲʲɛ kˈatɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_185.wav|ˈandɛrsɔn pˈɔʃɛd za vɨsˈɔkim pˌɔlitsjˈantɛm i znˈalas ɕɛ f tsˈɛli.|0
+Dataset/wavs/urwisko_ferenc/34_segment_33.wav|— rˌɔzmavʲˈawam z ɲʲˈɔ̃. vʲˈɛm vʲˈɛntsɛj, ɲˈiʃ ɕɛ pˈan spɔdʑˈɛva.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_131.wav|tsˈuʃ, vɨrˈuʃam na pˌɔʃukivˈaɲʲɛ tˌajɛmɲitʃˈɛɡɔ sˌabɔtaʒˈɨstɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_74.wav|tɔ prˈɔstɛ.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_386.wav|ɲʲˌɛvʲarɨɡˈɔdɲʲɛ ʃɛrˈɔkɔ rɔzdʑˈaviw ˈusta.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_109.wav|kʲˈɛdɨ mˌɛldɔvˈaliɕmˌɨ ɕɛ w mɔtˈɛlu, mˈuj tɛlˈɛfɔn pˈiknɔw.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_160.wav|fʃˈɨstsɨ vˈaɕi xˌɔrɔ̃ʒˈɔvʲɛ skˌapitˌulɔvˈali.|1
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_11.wav|i tɔ jɛst mˈiwɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_145.wav|vʲˈɛnts tɨm bˈardʑɛj zaskˈɔtʃɨw mɲʲɛ pɛvnˈɛɡɔ dɲʲˈa, kʲˈɛdɨ zatʃˈɨmaw mɲʲɛ f xˈɔlu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_226.wav|ɔː ˈilɛ vʲˈɛm, jˈɔɛl ˈallɛn bˈɨw ɲˈikim.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_55.wav|ɲʲɛ mˈuɕi tˌɛɡɔ rˈɔbʲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_90.wav|ɡˈɔʑdʑik.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_69.wav|jˈɛʃtʃɛ rˈas pˌɔtsawˈɔvaw luˈisɛ i rˈuʃɨw f strˈɔnɛ dʒvˈi.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_137.wav|nˈaɡlɛ ɕɛ ˌɔkazˈawɔ, ʒˈɛ iɣ drˌuɡɔʒˈɛndna prˈalɲʲa brˈudnɨx pʲɛɲʲˈɛndʑɨ mˈɔʒɛ ˌavansˈɔvadʑ dɔ rˈaŋɡʲi mˌɔnɔpˈɔlu vartˈɛɡɔ miljˈardɨ dɔlˈaruf.|4
+Dataset/wavs/urwisko_ferenc/49_segment_55.wav|ˌɔtxɨlˈiwa ɡwˈɔvɛ i s tsˈawɛj ɕˈiwɨ zˌatɕisnˈɛwa pɔvʲˈɛki.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_379.wav|mˈuʃɛ znˈalɛɕtɕ sˈɛr ilˈɛna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_17.wav|jˈak jˈuʃ muvˈiwaɕ, ɕlˈadɨ fskazˈujɔ̃ na ˌɛɡzɛkˈutsjɛ, ˌalɛ ftɕˈɔ̃ʃ ɲʲɛ vʲˈɛmɨ, ktˈɔː ˈumar, a ktˈɔ mʲˈaw ˈumʒɛtɕ.|3
+Dataset/wavs/urwisko_ferenc/39_segment_79.wav|fʃˈɨstkɔ vˌɨɡlɔndˈawɔ tˈak jˈaɡ zˈafʃɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_17.wav|mˈɔʒɛ dˌɔprɔvˈadʑidʑ dɔ ɲʲˌɛpʃɛvˌidʑanˈɛɡɔ zɡˈɔnu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_116.wav|tʃˈujɛ, ʒˈɛ spˈɔra dʒˈazɡa vˈɛʃwa mu f stˈɔpɛ i tɔ ɡwɛmbˈɔkɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_102.wav|xɔffˈɔvi vɨrˈaʑɲʲɛ ulʒˈɨwɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_18.wav|na tˈaɡ vʲˈɛlɛ spɔsˈɔbuf xtsˈɛ pʃˈɛstatɕ utɕˈɛkatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_26.wav|dvʲˈɛ jɛdnˈɔstki mɔbʲˈilnɛ pˌɔjɛxˈawɨ zˈaɲʲɔ̃ dɔ xɔtˈɛlu, mˌɔɲitɔrˈujɔnts ˈinnɛ ˈawta, ktˌurɨx kʲɛrˈɔftsɨ mˈɔɡli bˈɨtɕ ɲʲˈɔ̃ zˌaintˌɛrɛsɔvˈaɲi.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_78.wav|vɨjˈaɕɲiw, ɡdˈɨ ksxˈɔndɔ ɡˈɔ zapˈɨtaw, dlatʃˈɛɡɔ jɛst tˌaki smˈutnɨ.|1
+Dataset/wavs/urwisko_ferenc/33_segment_92.wav|vɨbrˈawa nˈumɛr.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_34.wav|tsˈɔ tɔ kˈurva znˈatʃɨ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_46.wav|sˈɛsjɛ arˈama z mˈamɔ̃ trfˈawɨ tˌɨlkɔ tʃˈɛɲʑdʑ dɲʲˈa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_317.wav|pˈan pɔkˈaʒɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_9.wav|vˈɨʃwa, a ɔn ɲʲˈɛbɨw f stˈaɲʲɛ pɔvʲˈɛdʑɛtɕ ɲˈits, tsˈɔ nˌapraviwˈɔbɨ ˌatmɔsfˈɛrɛ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_360.wav|vidʑˈawaɕ kʲˈɛdɨɕ mˈamkɛ z mawˈɨmi tsɨtskˈami?|1
+Dataset/wavs/urwisko_ferenc/41_segment_22.wav|ɡdˈɨ tˌɨlkɔ ɕɛ rˌɔzwɔntʃˈɨwa, zˌadʑvɔɲˈiwa dɔː ɔlɡʲˈɛrda. vˌɨmjɛɲˈili kˈilka ˌinfɔrmˈatsji, pɔ tʃɨm spɨtˈawa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_117.wav|vrutɕˈiwɛm dɔ dˈɔmu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_25.wav|ɲʲɛ pˌɔruʃˈɨwa ɕɛ jˈɛdnak.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(28) R.Abbott_Zamknij Drzwi_segment_2.wav|ˈaʃa ˌɔbudʑˈiwɔ ʑˈimnɔ. dɨɡˈɔtaw tˈaɡ ɡvawtˈɔvɲʲɛ, ʒˈɛ zˈatʃɔw ɕɛ ɔbˈavʲatɕ, ˈiʃ mˈɔʒɛ ˈɔdɡrɨɕtɕ sˈɔbjɛ jˈɛ̃zɨk.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_55.wav|dɔtɕˈɛram na mʲˈɛjstsɛ f tɨm sˈamɨm mɔmˈɛɲtɕɛ, kʲˈɛdɨ kɕˈɛ̃ʒɨdʑ vɨwˈaɲʲa ɕɛ zzˈa xmˈur.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_213.wav|i jˈɛɡɔ dɛkrˈɛtɨ ɲʲɛ mˌajɔ̃ jˈuʒ znatʃˈɛɲʲa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_13.wav|ɔtfʲˈɛram dʒvˈi vɛjɕtɕˈɔvɛ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_53.wav|ix sˈutki sɔ̃ rˈuvɲʲɛ vraʒlˈivɛ jˈak kɔbjˈɛtsɛ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_287.wav|vʲˈɛlu z ɲˈiɣ dʑviɡˈawɔ kˈɔʃɛ ɕfʲˈɛʒɨx kfʲˈatuf. kˈaʒda z jɛj kuzˈɨnɛk tɕɔŋɡnˈɛwa za sˈɔbɔ̃ vˌilbʲitɕˈɛla.|1
+Dataset/wavs/urwisko_ferenc/53_segment_125.wav|tsˈɔ takʲˈɛɡɔ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_88.wav|mˈɨɕliʃ, ʒˈɛ mˈɔɡwabˌɨ tsˈɔʑ zrˈɔbʲitɕ mˈilljɛ?|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_412.wav|xtɕˈawɛɕ pɔvʲˈɛdʑɛdʑ zdrajtsˈami i bˌuntɔvɲikˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_286.wav|rˈɔzlɛkw ɕɛ dʑvˈɔnɛk mɔjˈɛɡɔ ɡʲˈizmɔ. ˌumjɛɕtɕˈiwam jˈɛ f pˈɔrtɕɛ na dˈɛstsɛ rɔzdʑˈɛltʃɛj i bˌɨwɔ tˈɛras pˌɔdwɔntʃˈɔnɛ dɔ ɡwɔɕɲˈikuf. tˈak!|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_127.wav|ftɕˈɔ̃ʃ mʲˈawam na tfˈaʒɨ mˈaskɛ pˌɔwɔntʃˈɔnɔ̃ vˈɛ̃ʒɛm z bˈutlɔ̃ ˌaparˈatu ˌɔddɛxɔvˈɛɡɔ, ktˌurɔ̃ dʑviɡˈawam na plˈɛtsax.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_37.wav|— ˌapsɔlˈutɲʲɛ ɲˈits. ɲʲˈɛvʲɛm, skˈɔnt mˈukw ɕɛ tˈam vʑˈɔɲtɕ. ɲˈiɡdɨ w ʒˈɨtɕu ɲʲɛ kupˈiwɛm ɲʲˌɛzarˌɛjɛstrˌɔvanˈɛɡɔ tˌɛlɛfˈɔnu. nˈavɛt ɲʲˈɛvʲɛm, ɡdʑˈɛ ɕɛ tʃˈɛɡɔɕ takʲˈɛɡɔ ʃˈuka.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_59.wav|kuˈuldʑɛ sˈama nat sxɔtkˈɔvɔ̃ bjˈawɔ̃ vʲˈɛʒɔ̃ starˈɛɡɔ mʲˈasta z jɛj kɔrˈɔnɔ̃ s pwɔmjˈɛɲi pˌɔvʲɛvˈawa xɔrˈɔŋɡʲɛf krˈula tɔmmˈɛnna z jɛlˈɛɲʲɛm i lvˈɛm.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_20.wav|kʲˈɛdɨ vˈɨʃwa za lˈɔrda rɛnljˈɛɡɔ w vˌɨsɔɡrˈɔdʑɛ, pˌɔmaɡˈawam rɔzˈɛbratɕ pˈana mwɔdˈɛɡɔ pʃɛt pˌɔkwadʑinˈami.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_243.wav|i tɛn tfˈuj ˈuɕmʲɛɣ zˌapamjɛntˈawam.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_73.wav|vˌɨbudɔvˈaɲʲɛ prˌavdʑivˈɛɡɔː ɔɕˈɛdla na kɕɛ̃ʒˈɨtsu kɔʃtˈujɛ mnˈustfɔ pʲɛɲʲˈɛndʑɨ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_102.wav|lˈɔrt jˈɔt. mɲʲɛ pʃˈɨʃɛt tˈu vˌɨswuçˈivadʑ ɡadˈaɲʲa ɲʲɛʒˈɔndɲits.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_137.wav|zˌiɡnɔrɔvˈawa mˈɔjɔ̃ zwɔɕlˈivɔɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_309.wav|mˈuɡw zɡʲˈinɔ��tɕ. pravdʑˈivɨ rˈɨtsɛʃ, stˈarɨ tʃɨ mwˈɔdɨ, pʃɨɕˈɛŋɡa brˈɔɲitɕ tˈɨx, ktˌuʒɨ sɔ̃ ɔt ɲʲˈɛɡɔ swˈapɕi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_227.wav|— zˈɔstaw zvɔlɲʲˈɔnɨ? — ʃɛpnˈɔwɛm z ɲʲˌɛdɔvʲɛʒˈaɲʲɛm. — dlatʃˈɛɡɔ? — za pɔlˈitɨkˌɛ.|0
+Dataset/wavs/urwisko_ferenc/11_segment_1.wav|ɲʲˌɛvɨrˈaʑnɛ rɔzmˈɔvɨ, ʃˈum ˈɔpɔn, pˌɔʃtʃɛkivˈaɲʲɛ psˈuf.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_20.wav|tʃˌɛmu zˌavdʑɛntʃˈamɨ zˈaʃtʃɨd zvʲɔ̃zˈanɨ s tfˈɔjɔ̃ vizˈɨtɔ̃ f pˌɔɲʲɛdʑawkˈɔvɨ vʲˈɛtʃur?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_26.wav|f tɛn spˈɔsub zˈɨskam najvʲˈɛntsɛj tʃˈasu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_53.wav|vˈidʑɛ nˈuʃ f sfˈɔjɛj dwˈɔɲi, tʃˈujɛ zˈapax krfˈi i swˈɨʃɛ ɡwˈɔs ʃɛptʃˈɔntsɨ mi dɔː ˈuxa.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_172.wav|ˌalɛ sˈɛr rɔskˈazaw, ʒˈɛbɨ dˈatɕ trˈɔxɛ fʃˈɨstkim pɔ kɔlˈɛi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_296.wav|zastˈɨɡwɛj, skˌamjɛɲʲˈawɛj na mˈɔim wˈuʃku dʑɛftʃˈɨɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_12.wav|mˈɔʒɛ pɔjˈɛxaw spˈɔtkatɕ ɕɛ z mˈili, a ja fʃˈɨstkɔ zrujnˈujɛ, jˈɛɕli pˈɔvʲɛm ˈɔtɨm pɔlˈitsji.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_267.wav|pˌɔvʲɛdʑˈawa kɔbjˈɛta.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_68.wav|tˈɔm vɨɡlˈɔnda, jˈaɡbɨ ɲʲɛ zamjˈɛʒaw mi ˌɔtpɔvʲˈɛdʑɛtɕ, bˈɔ ʒˈadna ɔtpˈɔvʲɛtɕ ɲʲɛ mˈɔʒɛ bˈɨdʑ dˈɔbra.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_158.wav|ɕɛŋɡnˈɛwam pɔ xɛrbˈatɛ i tɕˈɛpwɔ prˌɔmjɛɲʲujˈɔntsɛ ɔt kˈupka rɔzlˈawɔ ɕɛ pɔ mˈɔiɣ dwˈɔɲʲax.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_28.wav|tʃɛkˈajɔnts na jˈɛɡɔ pˈɔvrut, jˈamɛ pɔvʲˈɛdʑaw sfˈɨm lˈudʑɔm, tsˈɔ zamjˈɛʒa zrˈɔbʲitɕ.|1
+Dataset/wavs/urwisko_ferenc/32_segment_7.wav|drˈɔbjask ˈɔtpar i xtɕˈaw jˈɛʃtʃɛ tsˈɔʑ dˈɔdatɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_58.wav|ɲʲɛ pˌɔvʲɛdʑˈawam ɲˈidʑ vʲˈɛntsɛj, pˌɔstanɔvˈifʃɨ tʃˈɛkatɕ na nastˈɛmpnɛ pɨtˈaɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_80.wav|i vɨjˈɛwa s tɔbˈɔwka pʃˌɨtɔtʃɔnˈɛɡɔ dɔ pˈɔntʃa ɔɡrˈɔmnɨ dwuɡˈɔpis.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_495.wav|znalˈazwɨ dla ɲʲˈɛɡɔ mʲˈɛjstsɛ f skˈalnɛj ʃtʃɛlˈiɲʲɛ na tˈɨlɛ ɡwɛmbˈɔkʲɛj, ʒˈɛ ˌɔswɔɲˈiwa ɡˈɔ pʃɛd ʑˈimnɨm vʲˈatrɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_217.wav|kˈulɛ bʲˈiwɨ f pɔdwˈɔɡɛ duʒˈɛɡɔ pɔkˈɔju, vˌɨʒutsˈajɔndʑ w ɡˈurɛ ɔdwˈamki pwˈɨtɛk tsˌɛramˈitʃnɨx. kˈulɛ valˈiwɨ w dɨvˈanɨ, vzbʲijˈajɔnts kwˈɛmbɨ kˈuʒu i vwˈukʲɛn.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_83.wav|xˈɨba dɔstʃˈɛɡa ɲʲɛpˈɛvnɔɕtɕ w mˈɔix ˈɔtʃax, bˈɔ tsˈɔfa ɕɛ s ʃɛlmˈɔfskim uɕmʲˈɛxɛm na tfˈaʒɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_54.wav|ɲʲˌɛnavˈidʑi rɔzmˈavʲatɕ ɔ tˈamtɛj nˈɔtsɨ.|3
+Dataset/wavs/urwisko_ferenc/10_segment_43.wav|kɔxˈali ɕɛ ɲʲɛzvˈɨklɛ ʒˈatkɔ.|0
+Dataset/wavs/urwisko_ferenc/46_segment_10.wav|— tɔ ja dˌɛtsɨdˈujɛ, ktˈɔ mˈuɕi tˈu bˈɨtɕ, rɔzˈumjɛʃ? — pʃɨpˈɔmɲʲaw ˈɔlɡʲɛrt.|0
+Dataset/wavs/urwisko_ferenc/13_segment_8.wav|— nˈɔ ɲʲˈɛvʲɛm, ɲʲɛ pamjˈɛntam jˈuʃ tˈaɡ dɔkwˈadɲʲɛ — ˌɔtpɔvʲˈɛdʑaw sˈɔlski, ɲʲˈɛtsɔ zbʲˈitɨ s trˈɔpu. — ˌalɛ tɔ na baŋkˈɔna!|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_96.wav|dɔmˈɨɕlam ɕɛ, ʒˈɛ zˌaprɔpˌɔnɔvˈanɔ vam kɔʒˈɨstnɛ varˈuŋki vɨnˈajmu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_8.wav|s tɕˈixɨm dʑˈɛɲ dˈɔbrɨ pʃɛxˈɔdʑɛ pʃˈɛs pˌɔmjɛʃtʃˈɛɲʲɛ i fxˈɔdʑɛ dɔ sfɔjˈɛɡɔ prˌɨvatnˈɛɡɔ sˌaŋktuˈarjum.|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_29.wav|tablˈitsa vɨɡlˈɔnda, jˈaɡbɨ stˈawa tˈam dˈɔʑdʑ dwˈuɡɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_359.wav|pˌɔftuʒˈɨwɛm z jˈakimɕ rˌɔspatʃlˈivɨm upˈɔrɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_7.wav|vɨbjˈɛraʃ ɕɛ jˈakɔɕ ɲʲɛbˈavɛm dɔ wˈuʃka?|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_68.wav|xtsˈɛ ˈaliɡn.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_227.wav|jɛst pˈaɲi ɕlˈitʃnɔ̃, ˌintrɨɡujˈɔntsɔ̃ dʑɛftʃˈɨnɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_7.wav|ktˌurɨ dˈɔm? tfˈuj, pɔ lˈɛvɛj strˈɔɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_40.wav|bʲˈillɨ mˈaxa lˈufɔ̃ ɡlˈɔka f strˈɔnɛ tʃˈɛx mʲˈɛjzdʑ dla vˈidʑuf pʃɨ stˈɔlɛ bʲˌilardˈɔvɨm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_101.wav|a jˈɛɕli dɔmˈiɲik ɕɛ ɲʲɛ mˈɨli, ta ɔsˈɔba mˈɔʒɛ mɲʲɛ ˌɔpsɛrvˈɔvatɕ, mɲʲɛ i mˈɔjɔ̃ rɔdʑˈinɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_27.wav|ɕˈada z dʑˈɛtɕmi. kˈɔrɨɲ stˈavja tˈalɛʃ tɕˈastɛk na stˈɔlɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_165.wav|tˈak tɔ ɕɛ rˈɔbʲi, pˈɔpatʃ!|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_373.wav|tɔ ɲʲɛ znˈatʃɨ, ʒˈɛ pˌɔdɔbˈawɔ mi ɕɛ fʃˈɨstkɔ, tsˈɔ rˈɔbʲiw, ˌaɲi ʒˈɛ lubʲˈiwam tˌɔvaʒˈɨstfɔ tʃwɔvʲˈɛka, jˈakim ɕɛ stˈaw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_62.wav|ɔskˈubjɛ vˈas tʃˈɨnʃɛm za ɲʲˌɛruxɔmˈɔɕtɕi, a pˈɔtɛm dɔbʲˈijɛ xˌɔtɛlˈami. jˈɛɕli mˌamɨ zˈɛ sˈɔbɔ̃ ɡrˈatɕ, muɕˈitɕɛ tɔ vʲˈɛdʑɛtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_54.wav|rˈaz zˌaparkɔvˈali pʃɛd ɡˈɛrart tˈɔvɛr, tˈam ɡdʑˈɛ f pˈɔʒɛ lˈantʃu stˈɔjɔ̃ bˈarɨ na kˈuwkax.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_81.wav|ˌalɛ ja dˌɛpɔrtˈujɛ tɕˈɛ jˈuʃ tˈɛras.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_146.wav|vˈidʑi, ʒˈɛ vˌɨsunˈɛwa dwˈɔɲʲɛ pʃɛt ɕˈɛbjɛ w ɔbrˈɔnnɨm ɡˈɛɕtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_289.wav|pɔ fʃˈɨstkix tɨx lˈataɣ zɔstˈawɔ tˌɨlkɔ jˈɛdnɔ pɨtˈaɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_25.wav|uznˈaliɕmˌɨ, ʒˈɛ mˈawa sˈɔfja pɔvˈinna pˈɔznatɕ sfɔjˈɛɡɔ kuzˈɨna xarˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_148.wav|bˈaki zbˈɨva ɡˈɔ maxɲʲˈɛɲtɕɛm rˈɛŋki.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_234.wav|tɔ ɲʲɛ jɛst ɲˈits nɔvˈɛɡɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_11.wav|pˌɔtpwutɕˈɛnnɨm bˌaldaçˈimɛm pˌɔdrɨɡʲˈivaw zˈɛspuw mwˌɔdʑɛʒˈɔvɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_187.wav|jˈumbɔ vɨpˈuɕtɕiw ɡwˈɔɕnɔ pɔvʲˈɛtʃɛ pʃˈɛz vɨdˈɛntɛ vˈarɡʲi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_32.wav|xˈɨba jˌɛstɛʑ zbˈɨt mˌɛlɔdrˌamatˈɨtʃnɨ, tˈɔm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_49.wav|vɨdˈawa mi ɕɛ fɕtɕˈipska i zˌarɔzumjˈawa. mˈɔʒɛ dlatˈɛɡɔ, ʒˈɛ bˌɨwɛm tˌaki zdˌɛnɛrvɔvˈanɨ, ˌalɛ xˈɨba ɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/52_segment_78.wav|jˈɛdɛn zˈɛ ɕfʲˈatkuv zˈɛznaw, ʒˈɛ tamtˈɛɡɔ dɲʲˈa pɔ vɨjˈɛʑdʑɛ pˈana ʒˈɔnɨ vrˈutɕiw pˈan dɔ dˈɔmu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_119.wav|ɡdʑˈɛ ˈiɲdʑɛj mʲˈawabˌɨʑ zdˈɔbɨtɕ pʲɛɲʲˈɔndʑɛ, ktˌurɛ jˌɛstɛɕ mi vˈinna?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_126.wav|pʃɨjʒˈawɛm ɕɛ pˌɔtpisˈɔvi na vɛzvˈaɲʲu.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_24.wav|pˌɔtʃɛbˈujɛʃ pʲɛɲʲˈɛndʑɨ?|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_198.wav|ˌalɛ ɲʲɛ, ʒˈɛbɨm tʃˈuwa ɕɛ tsˈawkʲɛm zˌadɔvɔlˈɔna.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_183.wav|ja xtsˈɛ vʲˈɛdʑɛtɕ, tʃɨ ɔn mˈa tsˈɔɕ fspulnˈɛɡɔ s tɔ̃ sprˈavɔ̃ na vˈɛstɛrn ˌavɛnˈuɛ, tʃɨ ɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_163.wav|ˈɛlis uɕmʲˈɛxa ɕɛ na tɛn kɔmplˈɛmɛnt, ˌalɛ tˌɨlkɔ lˈɛkkɔ. vʲˈɛ, dɔ tʃˈɛɡɔ ta çistˈɔrja zmʲˈɛʒa, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/urwisko_ferenc/60_segment_35.wav|vʲˈɛm, kˈim jˈɛstɛɕ. pɔ tsˈɔ dʑvˈɔɲiʃ?|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_488.wav|vʲˈɛlki jˈaɡ ɡˈurɨ.|1
+Dataset/wavs/urwisko_ferenc/19_segment_37.wav|tɔ bˈɨw ˈɔkrɛs, f ktˌurɨm zdˈawam sˈɔbjɛ sprˈavɛ, ʒˈɛ mˈuʃɛ ɕɛ z ɲˈim rˈɔsstatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_96.wav|pˌɔstɛruŋkˈɔvɨ ˌɛvvˌuˈɛs mˈɔlkin pɔvʲˈɛdʑaw, ʒˈɛ spɛkˈɔvʲɛ ɲʲɛ sɔ̃ najɡˈɔrɕi ˌaɲi najlˈɛpɕi i mʲˈaw rˈatsjɛ.|2
+Dataset/wavs/urwisko_ferenc/04_segment_105.wav|ɲʲɛ. prɔvˈadʑɛ strˈɔnɛ ˌintɛrnɛtˈɔvɔ̃ i prˈɔfil na fˌatsɛbɔˈɔku pˌɔɕfʲɛntsˈɔnɛ zˌaɡʲiɲʲˈɛɲtɕu mˈɔɲikˌi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_3.wav|ʒˈɛbɨ bˌɨwa jˈasnɔɕtɕ. tɔ mɔrdˈɛrstfɔ mˈɔʒɛ ɲʲˈɛmʲɛdʑ ʒadnˈɛɡɔ zvʲˈɔ̃sku z nˈaʃɔ̃ sprˈavɔ̃. zˌɔstavˈimɨ jˈɛ dɔ zbadˈaɲʲa innˈɛmu zˌɛspɔwˈɔvi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_159.wav|ˌalɛ jˈɛdnak prɛzˈɨdɛnd ʒˈɨw.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_5.wav|pʃɨnˈajmɲʲɛj ˌɔnɛ ɲʲɛ sɔ̃ ˌapsurdˈalɲʲɛ drˈɔɡʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_292.wav|pʲˈɛz zaʃtʃˈɛkaw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_26.wav|zmˈuʃam ɕɛ f kˈɔɲtsu dɔː ˌɔdʒutsˈɛɲʲa na bˈɔk kˈɔwdrɨ i pˈujɕtɕa dɔ waʑˈɛŋki, blɔkˈujɔndʑ dˈɔstɛmb dɔ mˈɔjɛj ɡwˈɔvɨ fʃˈɨstkim mˈɨɕlɔm zvʲɔ̃zˈanɨm s ftʃɔrˈajʃɔ̃ vʲˌadɔmˈɔɕtɕɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_82.wav|jˈɛɕli tɔː ɔznˈatʃa, ʒˈɛ mˈuʃɛ dɔkˈɔnatɕ kˈilku pɔɕfʲˈɛntsɛɲ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_41.wav|dˌɛlikˈatɲʲɛ vɨtˈarwa mɲʲɛ rɛntʃɲˈikʲɛm dɔ rˈɔŋk, ktˌurɨ rˈuvɲʲɛʒ vˌɨlɔndˈɔvaw f kˈɔʃu, pɔ tʃɨm pɔmˈɔɡwa mi vˈɨjʑdʑ z vˈannɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_79.wav|na pɔtʃˈɔntɛɡ bˈɨw ʃˈampan, na kˈɔɲʲɛts pʲɛtʃˈɔna alˈaska.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_20.wav|znajˈɔma z vidʑˈɛɲʲa nˌarkɔmˈaŋka xɔdʑˈiwa fɕrˈud ɡˈapʲuf, dˌɔpraʃˈajɔnts ɕɛ dˈatku na pɔrtsˈɨjkɛ kɔmpˈɔtu.|0
+Dataset/wavs/urwisko_ferenc/12_segment_161.wav|pɔtrˈafiwbˌɨm uɕmʲˈɛxnɔw ɕɛ trjumfˈalɲʲɛ i ɕˈɛŋɡnɔw pɔ ɡazˈɛtɛ ˌalɛ tˈak ɕɛ skwˈada, ʒˈɛ wˈatfʲɛj mi bˌɛɲdʑɛ jˈɔ̃ pɔkˈazatɕ.|0
+Dataset/wavs/urwisko_ferenc/27_segment_38.wav|ʒˈɛ nˈɔɡʲi vrˈɔswɨ jɛj w ʑˈɛmʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_37.wav|pˈiwa mʲɛɕˈɛntʃnɔ̃ xɛrbˈatɛ, bˈɨ zˌamɔrdˈɔvatɕ w wˈɔɲʲɛ ˈɔvɔts sfˈɨx tsˌudʑɔwˈɔʒnɨx ˈaktuf.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_217.wav|fʃˈɛlkʲɛ nadʑˈɛjɛ na ˌɔdnalɛʑˈɛɲʲɛ w lˈɔxax ʃˌaɡuˈɛla, pˈɨɡa ˈalbɔ zˈɔla rɔzvʲˈawɨ ɕɛ bˈardʑɔ ʃˈɨpkɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_38.wav|i kˈɔntɛm ˈɔka pˌɔznavˈawɛm sfˈuj pʃɛtpˈɔkuj z vʲˈɛlkim vʲɛʃˈakʲɛm,|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_263.wav|kʲˈɛdɨ ɕɛ stˈɔpiw, ˈiŋkawzd zˈatʃɔw ɕɛ rˌɔzmazˈɨvatɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_11.wav|ɲʲɛ bˌɨwam f stˈaɲʲɛ znˈalɛɕtɕ swˈuf.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_52.wav|ˌalɛ nˈadal tsɔdʑˈɛnɲʲɛ nˈɔɕi mˈundur.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_61.wav|bˈɛtskɨ ˌuswɨʃˈawa f tlˈɛ tʃˈɨjʑ ɡwˈɔs, ˌalɛ ɲʲɛ zrˌɔzumjˈawa vˌɨpɔvʲɛdʑˈanɨx swˈuf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_47.wav|pɔvʲˈɛdʑaw vˌɨmaxˈujɔnts klutʃˈami f pɔvʲˈɛtʃu, pɔ tʃɨm vˈɨɕat s sˌamɔxˈɔdu.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_373.wav|ɔtpˈarwa brjˈɛnnɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_347.wav|f tˈakim rˈaʑɛ sɔ̃ fkuʒˈɛɲi na kˈɔɡɔɕ innˈɛɡɔ. ja ɲˈits ɲʲɛ zrɔbʲˈiwam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_104.wav|prˈɔblɛm f tˈɨm, ʒˈɛ jˈɛɕli...|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_118.wav|s pɔnˈurɔ̃ tfˈaʒɔ̃ i zˌapadɲʲɛntˈɨmi ɔtʃˈɨma sˈɛr ˈilɨn mˈuɡwbɨ uxˈɔdʑidʑ za sˈamɔ̃ ɕmʲˈɛrtɕ. tˈak jˈaɡ dʑˈawɔ ɕɛ tɔː ɔt lˈat.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_320.wav|sˌɛksɔlˈɔɡɨ fsˈadʑiw pˌapʲɛrˈɔsa mʲˌɛndʑɨ zˈɛmbɨ.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_5.wav|sˈɛptɔn mɛrˈibalt i sˈɛr xˈɨlɛ pˌɔpijˈali vaʒˈɔnɨ pʃˈɛz brˈatɕi mʲˈut pˈitnɨ i ɔʒˈɛkli, ʒˈɛ jɛzd bˈardʑɔ dˈɔbrɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_62.wav|na pˈɛvnɔ ɲʲɛ jɛst tɔ zˈazdrɔɕtɕ. fʃˈɨstsɨ ˌuvaʒˈajɔ̃, ʒˈɛ ɲˈilɛ dˈaw mi kˈɔʃa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_161.wav|ruʒɲʲˈɔntsɨm ɕɛ ɔd druɡʲˈɛɡɔ jɛdˈɨɲʲɛ tablˈitʃkɔ̃ z napˈisɛm bjˈurɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_419.wav|ʒˈɛɡnam pˈaɲʲɔ̃. tʃˈɔwɛm, mwˈɔdɨ pʃˌɨjatɕˈɛlu.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_63.wav|bɔtʃnˈɨmi drɔɡˈami vɛndrˈujɔ̃ baɲˈitɕi, a jaskˈiɲʲɛ tɔ dˈɔbrɛ krɨjˈufki dla ɕtɕiɡˈanɨx lˈudʑi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_7.wav|rˈɔp pɔjˈɛxaw dɔ ɕˈɔstrɨ ɡˌɛnɛvʲˈɛvɛ w lˈi i vwˈaɕɲʲɛ vrˈatsaw stˈamtɔnt.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_41.wav|bˌɨwɔ tɔ najmɲʲˈɛjʃɛ ˌuʒɔndʑˈɛɲʲɛ, jˈakʲɛ dˈɔtɔnd vˈidʑaw, ˌalɛ jˈɛɕli zɔstˈavi jˈɛ ukrˈɨtɛ w rɛntʃɲˈikax, ˈinna pʲˌɛlɛŋɡɲʲˈarka mˈɔʒɛ pʃˈɨjɕtɕ i jˈɛ zˈabratɕ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_442.wav|jˈɛɕli ˈuda ɕɛ jɛj pʃɛdˈɔstatɕ pʃˈɛs fˈɔsɛ kaˈɨlin i ɔmˈinɔɲtɕ tˈɨx, ktˌuʒɨ ɔbˈɛtsɲʲɛ nˈadɲʲɔ̃ pˌanɔvˈali,|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_103.wav|a tˈak na mˌarɡʲinˈɛɕɛ...|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_10.wav|tˈɨlɛ, ʒˈɛ tˈɛras jˈuʃ ɲʲˈɔ̃ ɲʲɛ jˈɛst, jˈɛɕli w ɔɡˈulɛ kʲˌɛdɨkˈɔlvʲɛɡ bˈɨwa.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_100.wav|ˌalɛ sˈɛr pˈɛrvin vɨɡlˈɔnda na tsˈawkʲɛm pˌɔʒɔndnˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_287.wav|pamjˈɛntaj zˈamknɔɲtɕ mˈɔjɛ, jˈaɡ bˌɛɲdʑɛʒ vɨxˈɔdʑiw.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_353.wav|na dvˈɔʒɛ zapˈadaw jˈuʒ zmrˈɔk.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_129.wav|tʃɨ tɔ pʃˈɛs pɔdˈaɡrɛ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_194.wav|ɲʲɛ mʲˌɛli ˌintɛrtsˈɨzɨ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_51.wav|ɲʲɛ ɔɡlˈɔndaw vʲˌadɔmˈɔɕtɕi, pʃˈɨznaw ɕɛ, ʒˈɛ pɛvnˈɛɡɔ dɲʲˈa pˈɔʃɛd za vˈami, kʲˈɛdɨ ˌɔdɛbrˈawaɕ tsˈurkɛ zˈɛ ʃkˈɔwɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_224.wav|urˈɨva i zatɕˈiska mˈɔtsnɔ vˈarɡʲi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_356.wav|pˌɔpatʃˈɨwɛm nˈaɲʲɔ̃ z ukˈɔsa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_23.wav|dɔdˈawa, ʒˈɛ xˈɛntɲʲɛ mɲʲɛ tˈam zabjˈɛʒɛ. bˌɨwɛm vɲʲˌɛbɔvʑˈɛntɨ, xˈɔdʑ zarˈazɛm pʃˌɛstraʃˈɔnɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_86.wav|ɲʲɛ mʲˌɛliɕmˌɨ ˌadvɔkˈata, jˈak f tɨm sɛrjˈalu prˈavɔː i pɔʒˈɔndɛk, i ɲʲˈɛbɨw pɔtʃˈɛbnɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_172.wav|kʲˈɛdɨ tʃwˈɔvʲɛk ˈumjaw ɕɛ mˈɨlitɕ f tɨm tsˈawa ʒˈɛtʃ. tɔ jɛst tɛn mɛ̃ʃtʃˈɨzna, ɔ ktˌurɨm muvˈimɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_266.wav|pˌɔtsawɔvˈawa mɲʲɛ f tɔ mʲˈɛjstsɛ mʲˌɛndʑɨ brvʲˈami i patʃˈɨwa xfˈilɛ na mˈɔjɛ tʃˈɔwɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_260.wav|mɨɕlˈawɛm ˈɔtɨm dʒˈɛvʲɛ, ktˌurɛ stˈawɔ pʃɛt tfˈɔim dˈɔmɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_303.wav|tsˈɔː ɔn tɕi zrˈɔbʲi, tˈatɔ, kʲˈɛdɨ ɕɛ dˈɔvʲɛ, tʃˈɛɡɔ ɕɛ dˌɔpuɕtɕˈiwɛɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_212.wav|i tˈɛras lˈɛʒɨ tˈu, rɔzmˈɨɕla i tʃˈɛka na sˈɛn.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_197.wav|a zɔbˈatʃɨtɕ tɔ tsˈawkʲɛm tsˈɔɕ innˈɛɡɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_17.wav|tʃɨ lˈɛʒɨ tˈɛras w wˈuʃku? tʃɨ tˈam, ɡdʑˈɛ ɕɛ znajdˈujɛ, w ɔɡˈulɛ jɛst jˈakʲɛɕ wˈuʃkɔ?|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_144.wav|a pˈɔtɛm znˈuv zˌapanˈɔvaw bˈɛzrux.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_14.wav|tɔ ɲʲɛ mˈɨɕlɛ ˈɔɲim.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_500.wav|na tˈamtɨm bʒˈɛɡu tʃɨ na tˈamtɨm ɕfʲˈɛtɕɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_139.wav|ʒˈɛ bˌɨwam w bwˈɛɲdʑɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_100.wav|mˈɔʒɛ nˈavɛd dʑˈɛtɕi?|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_116.wav|tʃɨ w ɔɡˈulɛ kʲˌɛdɨkˈɔlvʲɛk muvˈimɨ sˈɔbjɛ tsˈawɔ̃ prˈavdɛ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_37.wav|pɔ ɕmʲˈɛrtɕi tˈatɨ mˈama uznˈawa, ʒˈɛ jˈɛɕli pʃɛpˈiʃɛ nˈamɲʲɛ dˈɔm, uɲˈikɲʲɛ f tɛn spˈɔsup pɔdˈatku spˌatkɔvˈɛɡɔ, a bˌɨwa pɔ ɕˌɛdɛmdʑɛɕˈɔnttsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_6.wav|ɲʲɛ vʲɛdʑˈawam ftˈɛdɨ ɲˈidʑ vʲˈɛntsɛj.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_15.wav|ɲʲɛ vʲɛdʑˈɛli, tʃˈɛɡɔ kɔbjˈɛta ʃˈuka f tɔrˈɛptsɛ, ˌalɛ zdavˈawɔ ɕɛ tɔ trfˈatɕ tsˈawɔ̃ vʲˈɛtʃnɔɕtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_39.wav|musˈimɨ tɕˈɛ pɔprˈɔɕitɕ ɔ pˈɛwnɨ ˈɔpis lˈudʑi, ktˌuʒɨ vˈɛʃli dɔ tfɔjˈɛɡɔ dˈɔmu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_519.wav|xtɕˈawɛm jˈɔ̃ sxfˈɨtatɕ, ˌalɛ jˈuʒ bˌɨwa pʃɨ ɔtfˈartɨm ˈɔkɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_65.wav|utʃˈɛpʲam ɕɛ jˈɛɡɔ ramjˈɛɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_156.wav|mˈɔʒɛ pɔvʲˈɛdʑɛtɕ, ʒˈɛ tɔ dlatˈɛɡɔ, ʒˈɛ dʑˈiɕ pʃɨjˈɛxaw pˈuʑnɔ, ˌalɛ tˈakʲɛ twˌumatʃˈɛɲʲɛ mɔɡwˈɔbɨ ɕɛ pˈɔtɛm zˈɛmɕtɕitɕ, bˈɔ pʃˌɛtɕɛʃ tsɔdʑˈɛnɲʲɛ parkˈujɛ na tʃfˈartɨm pɔʑˈɔmjɛ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_221.wav|ʒˌawɔvˈawa, ʒˈɛ pɔdˈarwa kɔʃˈulɛ, ktˌurɔ̃ jɛj dˈali.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_38.wav|dʑˈɛɲ dˈɔbrɨ, pˈaɲʲɛ smˈitx.|2
+Dataset/wavs/urwisko_ferenc/15_segment_47.wav|pʃɨtknˈɛwa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_345.wav|vʲˈɛnts ɲʲˈɛɣ bˌɛɲdʑɛ mˈɔja vwˈasna.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_145.wav|s xˈɛɲtɕɔ̃, ˌalɛ ɔt tʃˈɛɡɔ bˈɨ tˈu zˈatʃɔɲtɕ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_47.wav|kˈu jˈɛɡɔ zˌaskɔtʃˈɛɲʲu kˈit skˈɔtʃɨw na dʒvˈi z uɡʲˈɛntɔ̃ nˈɔɡɔ̃, pɔ tʃɨm vˌɨprɔstˈɔvaw jˈɔ̃, kʲˈɛdɨ stˈɔpa zɛtknˈɛwa ɕɛ z drˈɛvnɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_235.wav|xˈɨba tɔ rɔzˈumjɛʃ, prˈavda?|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_42.wav|pɔlˈitsjant pɔvʲˈɛdʑaw ɲʲˈɛma sprˈavɨ i tʃˈɛkaw f tʃˈaɕɛ, kʲˈɛdɨ mˈama fkwadˈawa mˈɔjɛ ubrˈaɲʲa dɔ vˈɔrka mˌarɨnarskʲˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_52.wav|pˈɛvɲʲɛ, ʒˈɛ ɲʲˈɛxtsɛ, mˈuvi tsɔrˈinnɛ. nˌajnudɲʲˈɛjʃa ɡrˈa na ɕfʲˈɛtɕɛ. pɔprˈɔɕtɕɛ ˈɔjtsa, tɔ vʲɛtʃˈɔrɛm z vˈami zˈaɡra, jˈɛɕli ɲʲɛ bˌɛɲdʑɛ zbˈɨd zmɛntʃˈɔnɨ.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_58.wav|pʃɨpˈuʃtʃam, ʒˈɛ tɔ sˈamɔ dɔtˈɨtʃɨ kˈɔbjɛt.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_45.wav|mˈam kˈilka mˈinut i mˈuʃɛ dʑˈawatɕ naprˈavdɛ ʃˈɨpkɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_130.wav|zvʲɛɕˈiwam ɡwˈɔvɛ, bˈɨw nˈamɲʲɛ zwˈɨ, a ja pwɔnˈɛwam zˈɛ fstˈɨdu. pʃɛprˈaʃam.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_257.wav|ɲʲɛ, mˈuvjɛ pɔvˈaʒɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_60.wav|drɛntʃˈɨwa mɲʲɛ ɕfʲadˈɔmɔɕtɕ, ʒˈɛ mˈɔɡwam tˌɛmu fʃɨstkʲˈɛmu zapˈɔbjɛts. pɔvˈinnam bˌɨwa zˈaɲʲɛʑdʑ dʒˌɛɡɔrˈɔvi ɔtsˈɛtki stsˈɔtta rˈazɛm z mɔˈimi.|3
+Dataset/wavs/urwisko_ferenc/19_segment_39.wav|f kˈaʒdɨm rˈaʑɛ pɔdjˈɛwam dɛtsˈɨzjɛ i vˌɨnajˈɛwam tɔ mʲɛʃkˈaɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_77.wav|tˈɔm zdˌɛtsɨdˈɔvaw ɕɛ ɲʲɛ ˌɔtpɔvʲˈadatɕ, a uznˈaɲʲɛ kˈatɛ dla jˈɛɡɔ ʃtʃɛrˈɔɕtɕi ɲʲɛ pɔtrfˈawɔ zbˈɨd dwˈuɡɔ.|3
+Dataset/wavs/urwisko_ferenc/12_segment_158.wav|pʃˌɛɡlɔndˈajɔnts ˈakta zˌɔrjɛntˈɔvaw ɕɛ, ʒˈɛ fɕrˈud zˈɛznaɲ sɔ̃ɕˈaduf xudʑˈiɲskix ɲʲˈɛma ʒˈadnɛj ˌinfɔrmˈatsji ɔt sɔlskʲˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_224.wav|paˈisɛl bˈɨw stˈarɨ, ˈɔtkɔnt tsɛrsˈɛi ɕɛŋɡˈawa pamjˈɛɲtɕɔ̃, ˌalɛ bˌɨwɨ tʃˈasɨ, ɡdˈɨ prˌɛzɛntˈɔvaw ɕɛ fspaɲʲˈalɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_188.wav|ɲʲɛ zdˈɔ̃ʒɨʃ jɛj sfɔrsˈɔvatɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_240.wav|im krˈutsɛj ktˈɔʑ bˈɨw w wˈaɡʒɛ, tɨm wˈatfʲɛj ɔsˈɔndʑa blˈiʑɲix.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_240.wav|pɔ dʑˈiʑ dʑˈɛɲ pˌamjɛntˈawa, jˈak ɕɛ tʃˈuwa, ɡdˈɨ dɔtknˈɛwɨ jɛj jˈɛɡɔː ɔkrˈutnɛ ˈusta.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_123.wav|ˌalɛ jˈɛɕli uʒˈɔndʑaʃ tˈu zvˈɨkwɔ̃ pˌɔpijˈavɛ, tɔ vˈɔlawbˌɨm vrˈutɕidʑ dɔː imˈama.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_69.wav|kivnˈɛwam vʲˈɛndʑ ɡwˈɔvɔ̃, ɲʲɛ dɔ kˈɔɲtsa pˈɛvna, na tsˈɔ ɕɛ zɡˈadʑam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_50.wav|vwɔʒˈɨwam nˈɔvɛ dʒˈinsɨ, ktˌurɛ dɔstˈawam ɔt rɔdʑˈitsuf na ɕfʲˈɛnta i tʃˈarnɔ̃ blˈuskɛ z vɨtɕˈɛntɨm dɛkˈɔltɛm. ɲʲɛ xtɕˈawam, ʒˈɛbɨ tsamˈɛrɔn zɔbˈatʃɨw, ˈilɛ nˈas kɔʃtˈujɛ tɛn dwˈuk.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_134.wav|ɔdvrˈatsam ɡwˈɔvɛ, ˈabɨ spˈɔjʒɛtɕ na xɔspˈitsjum, ˌalɛ budˈɨnɛk skrˈɨw ɕɛ za zakrˈɛntɛm ɕtɕˈɛʃki.|3
+Dataset/wavs/urwisko_ferenc/34_segment_52.wav|na kˈɔɲtsu drˈɔɡʲi, mʲˌɛndʑɨ pˈɔlɛm kˌukurˈɨdʑɨ a xˌɛktarˈami pʃɛɲˈitsɨ, pɔjˈaviw ɕɛ ɲˈissan pˈatrɔl.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_12.wav|tˈam ˈɔtɔ znˈatʃɲʲɛ wˈatfʲɛj. ˌalɛ tsˈɔ ja mʲˈawabˌɨm zrˈɔbʲidʑ zˈɛ sfˈɔim tʃˈasɛm?|4
+Dataset/wavs/urwisko_ferenc/38_segment_20.wav|— tɔ ɲʲɛ ja zɡwɔɕˈiwam sfˈɔjɛ zˌaɡʲiɲʲˈɛɲtɕɛ — ʒutɕˈiwa lˌɛvandˈɔfska.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_320.wav|— jˈɔ̃ zˈaras pɔ pˈanu vɨvʲˈɛʑli.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_90.wav|dˈɔm jɛst kilˈɔmɛtr ɔd brˈamɨ, pˈaɲʲɛ bˈɛrn, pɔvʲˈɛdʑaw ɡwˈɔz z dˌɔmɔfˈɔnu. pʲɛɲʲˈɔndʑɛ bˌɛndɔ̃ tʃˈɛkatɕ na mʲˈɛjstsu.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_72.wav|na ktˌurɨm ɲʲɛ tˈaɡ dˈavnɔ pɔʒˈɛɡnaw ɕɛ s krfavˈɨmi kˌɔmɛdjantˈami.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_407.wav|vʲˈatr ˈalbɔ pˈɛnt rˈɔzvʲaw mu ʃtʃˈɔntki vwˈɔsuf,|0
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_22.wav|pɔvˈinnaʑ vʑˈɔɲtɕ tɔ pɔt uvˈaɡɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_155.wav|i tɔ pˈɛvɲʲɛ jˈɛʃtʃɛ dʑˈiɕaj.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_367.wav|stˈarɛ mʲˈastɔ ʒˈɨwɔ znˈɔvu pɔbˈɔʒɲʲɛ jˈak pʃɛd vʲɛkˈami. ɡdʑˈɛɕ nat prˈaɡɔ̃ tɛrkˈɔtaw prˌatsɔvˈitɕɛ xˌɛlikˈɔptɛr, a pˈɔtɛm vrutɕˈiwa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_6.wav|jˈɔɛ miltʃˈawa, ˌalɛ pɔ xfˈili uswˈɨʃaw xˈuk, kʲˈɛdɨ ˌudɛʒˈɨwa pʲɛɲɕtɕˈami ɔ blˈat i pˈɔtʃuw na pɔlˈitʃku jɛj tɕˈɛpwɨ ˈɔddɛx.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_33.wav|ˌalɛ tɔ jɛst prˈavdɔ̃, mˈikɛ. i tˈɛras tɨ jˈuʃ ˈɔtɨm vʲˈɛʃ. tɔ jɛst prˈavdɔ̃, jˈɛɕli xˈɔdʑi ˈɔnas ˈɔbu.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_108.wav|kˈurvɨ mˈarɨ ɕmʲˈawɨ ɕɛ s tˌɛɡɔ pɔ dʑˈiʑ dʑˈɛɲ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_42.wav|nˈɔ xˈɔtɕtɕɛ, pɔznˈajtɕɛ mˈɛɡɔ kɔlˈɛɡɛ s krˌɨminˈawu.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_154.wav|tɛn zɛɡˈarɛk mˈa ˌawtɔmatˈɨtʃnɨ nˈatɕɔŋk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_114.wav|jˌɛstɛm prˈavʲɛ pˈɛvna, ʒˈɛ lˈandvʲɛf ɛstˈatɛs tɔ tɛ tʃˈɨ budˈɨŋki pɔ lˈɛvɛj. trˈip, ˌɔɲi fʃˈɨstsɨ mʲɛʃkˈajɔ̃ w budˈɨŋku tsˈɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_109.wav|zˌapɨtˈawam, xˈɔdʑ znˈawam jˈuʃ ɔtpˈɔvʲɛtɕ. dʑˈɛŋki vˌɨstɛmpˈɔvi f tˌɛlɛvˈizji.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_57.wav|ɲʲɛ mʲˌɛli vˌɔntplivˈɔɕtɕi, ʒˈɛ tɛn tʃwˈɔvʲɛk tɕˈɛrpi, a tˈɛras muɕˈɛli jˈɛʃtʃɛ dɔwˈɔʒɨtɕ mu trˈɔsk.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_70.wav|na pˈɛvnɔ ɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_142.wav|spɔjʒˈawam na sfɔbˈɔdɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_6.wav|bʲˈillɨ nawˈɔʒɨw blˈɔnt pɛrˈukɛ i ˌɔkulˈarɨ zɛrˈufki, pɔɲʲˈɛvaʒ vˈus tɔ mˈɔdɛl ɡvˈat tsˈap. skrˈɔmnɛ baɡˈaʒɛ mˈɔʒna sxˈɔvadʑ za pʃˈɛdɲim ɕɛdʑˈɛɲʲɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_213.wav|ɲʲɛ mʲˈawam ɔxˈɔtɨ ˌaɲi xfˈili dwˈuʒɛj ɔptsˈɔvadʑ z ˌɛkɔnˈɔmjɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_39.wav|pɔpˈarwa ɡˈɔ lˈadɨ mˈarja. ɲˈiɡdɨ ɲʲɛ ˌuvɔlɲˈimɨ ɕɛ ɔd baɲˈituf, jˈɛɕli prˌɔstatʃkˈɔvʲɛ ɲʲɛ pˌɔkɔxˈajɔ̃ lantsˈɛla, tˈak jˈak kʲˈɛdɨɕ kɔxˈali mɔjˈɛɡɔː ˈɔjtsa i dʑˈatka.|1
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_118.wav|rˈɛʃta jɛst tfˈɔja.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_4.wav|vɛ ftˈɔrɛk, zˈaras pɔː ɔtfˈartɕu bˈaŋkuf ˈidʑɛ dɔ sɔˈutxɛrn trˈust i vɨpwˈatsa tʃˈɛɲɕtɕ pʲɛɲʲˈɛndʑɨ na bjɛʒˈɔntsɛ vɨdˈatki s kˈɔnta davˈida lɔtskrˈidʒa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_63.wav|pˈɛvɲʲɛ bˌɛndɛ tˈu ɕˈɛd��aw, dɔpˈuki bˈuk ɲʲɛ pˈujdʑɛ dɔ wˈuʃka.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_112.wav|vʒˈava, jˈakɔ̃ pʃˌɨvitˈanɔ tɛ swˈɔva, spɛwɲˈiwa fʃˈɛlkʲɛ nadʑˈɛjɛ tsɛrsˈɛi lanɲˈistɛr.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_45.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_67.wav|tɔ tʃwˈɔvʲɛk, ktˌurɨ uvˈaʒa, ʒˈɛ fʃˈɨstkɔ mu ɕɛ nalˈɛʒɨ i pɔvˈiɲʲɛn mʲˈɛtɕ tɔ ɲʲɛ tˌɨlkɔ pɔdˈanɛ na tˈatsɨ, ˌalɛ i ˌɛstɛtˈɨtʃɲʲɛ pʃɨbrˈanɛ.|2
+Dataset/wavs/urwisko_ferenc/60_segment_5.wav|ftʃˈɛɕɲʲɛj rˌɔzmavʲˈawa ɔ stˈaɲʲɛ bˌɔrɛvˈitʃa z lɛkˈaʒɛm prˌɔvadʑˈɔntsɨm. zastˈawa ɡˈɔ w ɡˌabʲinˈɛtɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_129.wav|ɲʲɛ, ˌalɛ vʲɛdʑˈawam, ʒˈɛ mˈuʃɛ. kˈɔwɔ tʃˈɛtɕɛj zˌatʃɨmˈawam ɕɛ, ʒˈɛbɨ kˈupitɕ kanˈapki. bʲˈillɨ zˈɔstaw na tˈɨlnɨm ɕɛdʑˈɛɲʲu. spˈaw. ɲʲɛ xtɕˈawam ɡˈɔ bˈudʑitɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_177.wav|bˌɨwa pˌɔdwɔntʃˈɔna dɔː ˌaparatˈurɨ pˌɔttʃɨmujˈɔntsɛj ʒˈɨtɕɛ i vˈidadʑ bˈɨwɔ, ʒˈɛ s tˌɛɡɔ ɲʲɛ vˈɨjdʑɛ. na mˌɔɲitˈɔʒɛ...|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_101.wav|brjˈɛnnɛ prˌubɔvˈawa ɡˈɔ zavˈɔwatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_98.wav|zaˈufaj mi. tɛ rˈurɨ mˌajɔ̃ ukwˈadɨ rˌɛduktsˈɨjnɛ, ɔbvˈɔdɨ tʃɨʃtʃˈɔntsɛ i tsˈawɛ mnˈustfɔː ˈinnɨɣ dˌupɛrˈɛli, ktˌurɛ fprˌɔvadʑˈajɔ̃ tˈu kɔmplˈɛtnɨ xˈaɔs.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_17.wav|tˈaɡ vʲˈɛlɛ ʃtʃɛɡˈuwuf mu ɕɛ pʃˌɨpɔmɲʲˈawɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_77.wav|tʃɨ pˌɔzvɔlˈiwaɕ mu ɕɛ dˈɔtknɔɲtɕ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_67.wav|tʃˈɛba jˈɛdnak pamjˈɛntatɕ, ʒˈɛ xˈɔtɕ psˌɨxɔlˈɔdʑɨ sɔndˈɔvi mˌajɔ̃ kɔntˈaktɨ zˈɛ spraftsˈami pʃˈɛstɛmpstf, tɔ tʃˈɛ̃stɔ pratsˈujɔ̃ rˈuvɲʲɛʒ z ix ˌɔfjarˈami.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_233.wav|i tˈaɡ bˈɨ pˈan tˌɛɡɔ ɲʲɛ pɔtrˈafiw uwˈɔʒɨtɕ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_103.wav|tsˈɔraz vʲˈɛntsɛj pʃˌɨjaznˈɛɡɔ mi ɕfʲˈatwa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_167.wav|bˈɔ w jˈɛɡɔ tfˈaʒɨ bˌɨwɔ tsˈɔɕ takʲˈɛɡɔ, ʒˈɛ mu ˌuvʲɛʒˈɨli.|0
+Dataset/wavs/urwisko_ferenc/36_segment_171.wav|xˈɛrman s trˈudɛm vrutɕˈiwa dɔ ʒˌɛtʃɨvistˈɔɕtɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_162.wav|pɔdnˈɔɕi nˈɔɡɛ i vˈɔnxa pˌɔkrɨvajˈɔntsɛ jˈɔ̃ pwˈɨnnɛ vˌɨmjɔtɕˈinɨ, tˈaɡ ʒˈɛ i tɨm rˈazɛm vˌɨxfɨtˈujɛ tˌɨlkɔ swˈabɨ zˈapaɣ ɡɔʒˈawɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(74) R.Abbott_Zamknij Drzwi_segment_19.wav|dˈɔkɔnt jɛdʑˈɛmɨ? jˈaɡ zvˈɨklɛ f sˈam ɕrˈɔdɛk ɲitʃˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_169.wav|pˈɔttʃaz ɡdˈɨ ˌɔna ˌudɛʒˈawa w ɲˈix mʲˈɛtʃɛm.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_15.wav|pɔmˈimɔ kalˈɛkʲɛj nˈɔɡʲi, ˌalɛ ˈɔjtɕɛts ɲʲˈɛxtɕaw jɛj vˈɨswadʑ dɔ vˌɨsɔɡrˈɔdu, bˈɨ ɡˈɔ pɔznˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_8.wav|ɲˈidʑɡ vznˈɔɕi ʃklˈaŋkɛ pˈiva.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_250.wav|ˈaʒ dɔ tˌɛɡɔ mʲˈɛjstsa, ktˌurɛ vzmaɡˈawɔ vˈɛmɲʲɛ jˈakʲɛɕ ɔkrˈɔpnɛ dudɲʲˈɛɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_61.wav|sɛptˈɔɲʲɛ mˌɛribˈaldʑɛ|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_224.wav|tˌɨlkɔ zavˈartɔɕtɕ tʃˈaʃki pˈuxɲʲɛ, mˌatsɛrˈujɛ ɕɛ, rɔsʃtʃˈɛpja ɕɛ na vwˈukna nˌadvraʒlivˈɔɕtɕi.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_58.wav|nˈavɛd w ɡwɛmbʲˈinax snˈu bˈul jɛj ɲʲɛ ɔpˈuʃtʃaw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_184.wav|dˈana ɔtfʲˈɛra ˈusta, ʒˈɛbɨ ˌɔtpɔvʲˈɛdʑɛtɕ, ʒˈɛ tˈak ˌɔtʃɨvˈiɕtɕɛ, ˌalɛ bʲˈillɨ krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_32.wav|ˌalɛ zdʑˈiviwbˌɨɕ ɕɛ, bʲˈillɨ, ˈilɛ tɛj kˈasɨ bjˈɛʒɛ ɕɛ z ˌintɛrnˈɛtu.|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_16.wav|zatʃˈɛwam pʃɛsˈuvatɕ pwˈɔmjɛɲ pɔː ɔkrˈɛŋɡu w ɲʲɛɕpʲˈɛʃnɨm tˈɛmpʲɛ, pʃˌɛxɨlˈajɔnts lˈɛkkɔ pˈalɲik, ɡdˈɨʃ ukˈɔɕnɨ bʒˈɛɡ vɨtɕˈɛntɛj pwˈɨtɨ mˈuɡw ɲʲˈɛtsɔː uwˈatfit�� jɛj ˌusuɲʲˈɛɲtɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_137.wav|bʲˈillɨ pʃɛrˈɨva pisˈaɲʲɛ vɨrvˈanɛ s trˈansu.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_144.wav|vwˈɔsɨ spʲˈɛwa lˈuʑnɔ f kˈɔɲski ˈɔɡɔn, ktˌurɨ uxˈɔdʑiw pɔfʃˈɛxɲʲɛ za ɔznˈakɛ ɲʲɛdbˈalstfa.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_58.wav|tɨm rˈazɛm vˌɨkɔnˈawam tɕˈɛɲtɕɛ pɔt tˈakim skˈɔsɛm, ʒˈɛbɨ ˌalumiɲʲˈɔvɨ krˈɔŋk fpˈad dɔ vnˈɛntʃa bˈaɲki.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_199.wav|ja xˈɨba ˈumrɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_26.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/urwisko_ferenc/36_segment_112.wav|ˌalɛ ɲʲɛ tˈɛraz zˈastʃɛɡw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_12.wav|ɔpʲˈɛra ɕɛ ramjˈɛɲʲɛm ɔ ɕtɕˈanɛ w zˌatɕɛɲʲˈɔnɨm pʃˈɛjɕtɕu, w mʲˈɛjstsu, ɡdʑˈɛ stˈaw jˈuʒ vʲˌɛlɔkrˈɔtɲʲɛ i zˌastanˈavja ɕɛ, kˈim ˌɔna jɛst i kˈim ɕɛ stˈawa.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_86.wav|vˈarknɔw jˈamɛ. lˈɛpʲɛj tˈɛʃ ɲʲɛ prˈubuj mi mˈuvitɕ, tsˈɔ mˈuʃɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_15.wav|dʑˈɛŋki.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_17.wav|pɔvʲˈɛdʑaw ɡˈuntxɛr.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_92.wav|rˈɨan ˈujɔw dwˈɔɲ ˌandɛrsˈɔna.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_6.wav|mˈili tˈutaj ɲʲˈɛma.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_200.wav|bˌɨwɔ sˈanxɛs ˌalumˈiɲʲum.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_216.wav|pɛwznˈɔntsɛ zˈaɲim na pˌɔkrfavʲˈɔnɨx rˈɛŋkax tɔ dʑˈɛtskɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_31.wav|ˈɔx, bˈardʑɔ mi pʃˈɨkrɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_86.wav|vɨtwˈumatʃ mi tsˈɔɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_82.wav|mɛ̃ʃtʃˈɨzna zˈatʃɔw starˈanɲʲɛ vɛrtˈɔvatɕ kˈaʒdɔ̃ strˈɔnɛ, ˈaʃ f kˈɔɲtsu dˈɔtar dɔ tʃˈɛɲɕtɕi pˈɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_128.wav|lˈudʑɔm, ktˌuʒɨ zdˈali ɛɡzˈamin, tˈakʲɛ ʒˈɛtʃɨ ɕɛ ɲʲɛ zdaʒˈajɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_228.wav|fɕˈɛdliɕmˌɨ dɔ sˌamɔxˈɔdu i zˌavrutɕˈiliɕmˌɨ na platsˈɨku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_74.wav|jˈɛnnɨ vɨjˈɛwa s tˈɛtʃki kˈartkɛ papʲˈɛru i pʃˌɛsunˈɛwa jˈɔ̃ pɔ blˈatɕɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_3.wav|dɔ vʲɛ̃ʑˈɛɲʲa tsˌɛntralnˈɛɡɔ pʃˌɨjɛxˈali kˈɔwɔ puwnˈɔtsɨ.|0
+Dataset/wavs/urwisko_ferenc/08_segment_115.wav|pˈɔtɛm pʃɛt spʃɛdˈaʒɔ̃ vˌɨʃlifˈɔvaw tɔ mʲˈɛjstsɛ i bˈɨw pʃˌɛkɔnˈanɨ, ʒˈɛ tɔ zˌawatfˈiwɔ prˈɔblɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_64.wav|pɔvʲˈɛdʑaw znˈatʃɲʲɛ tɕˈiʃɛj, tsˈɔ fskˌazɨvˈawɔ, ʒˈɛ zatʃˈɨna ɔpˈadatɕ s ɕˈiw.|4
+Dataset/wavs/urwisko_ferenc/22_segment_30.wav|zawˈatfjɛ tɔ, ɔbjˈɛtsaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_83.wav|ɲʲɛ sˈɔɲdʑiʃ, ʒˈɛ pɔnˈɔɕi tʃˈɛɲɕtɕ ˌɔtpɔvʲˌɛdʑalnˈɔɕtɕi zˈatɔ, tsˈɔ rˈɔbʲiw? pʃˌɛtɕɛʒ ɡɔdʑˈiwa ɕɛ s tˈɨm, ʒˈɛ pratsˈɔvaw dla ɡaŋkstˈɛra.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_187.wav|bˌɛndɛ za pˈarɛ ɡˈɔdʑin, mˈɔʒɛ ftʃˈɛɕɲʲɛj. zmʲɛɲˈiwɛm vˈus na lˈɛpʃɨ. ʑɛlˈɔnɛ mˌitsubʲˈiʃi ˌɔutlˈandɛr. spˈakuj ɕɛ, vˌɨjɛʒdʒˈamɨ. fʃˈɨstkɔː ɔpˈɔvʲɛm tɕi w drˈɔdʑɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_254.wav|ɲʲɛ jɛstˌɛɕmɨ pʃˌɨjatɕˈuwmi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_241.wav|tˈɨlkɔ, ʒˈɛ zˈamjazd bˈutuf ɕˌɛdmʲɔmilˈɔvɨx mʲˈawa zdˈartɛ zamʃˈaki zˈɛ sfˌatɨɡˌɔvanˈɨmi ˌɛlastɨtʃnˈɨmi fstafkˈami.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_178.wav|ɲʲɛ, vʲˈɛʃ mi, ˌɔtpɔvʲˈada ˈɔn, kwˈadɔnts ɕɛ pɔ sfˈɔjɛj strˈɔɲʲɛ wˈuʃka.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_29.wav|tʃɨ tɔ bˌɨwa dˈɔbra rˈada?|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_359.wav|pˈɔtɛm pˈɔʃɛt pɔʃˈukatɕ sˈɛr ilˈɛna i dvˈux mʲˈɛtʃɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_245.wav|tlˈɛn tɔ w zasˈadʑɛ sɨnˈɔɲim mˌatɛrjˈawu wˌatfɔpalnˈɛɡɔ. dɔstˈawɛʑ zˌɛzvɔlˈɛɲʲɛ na pʃˌɛxɔvɨvˈaɲʲɛ tˈakʲɛj bˈɔmbɨ w mʲˈɛɕtɕɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_68.wav|ɔ mˈuj bˈɔʒɛ, mˈuvi ˈɛlis. jɛj ɡwˈɔs jɛst stwumjˈɔnɨ, bˈɔ zˌaswɔɲˈiwa ˈusta dwˈɔɲʲɔ̃. tɔ ɲʲˌɛdraɕɲʲˈɛɲtɕɛ. dɔstˈawɛʑ w bʒˈux.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_457.wav|ɡdˈɨbɨm mˈuɡw nadˈɛpnɔɲtɕ ɔlbʒˈɨmjɔ̃ stˈɔpɔ̃ tˈɛ stˈarɔ̃ kˌamjɛɲˈitsɛ vˌɨpɛwɲʲˈɔnɔ̃ bɛzmˈɨɕlnɨm rˈuxɛm i vʒˈavɔ̃ ˌidjɔtˈɨtʃnɨx ˈistɔt.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_40.wav|uɲʲˈɔswa jˈɛdɛn kˈɔɲʲɛdʑ dwuɡʲˈɛɡɔ, kˌɔlɔrɔvˈɛɡɔ, jˌɛdvabnˈɛɡɔ ʃˈala, ktˌurɨ nɔɕˈiwa f tsˈɛlu ukrˈɨtɕa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_23.wav|xˈɨba mɲʲɛ ɲʲɛ kˌɔntrɔlˈujɛʃ, tˈatɔ. ɲʲɛ, dʑvˈɔɲʲɛ, ʒˈɛbɨ tɕˈɛ pˌɔvʲadˈɔmitɕ, ʒˈɛ maʃ mawˈɛɡɔ bratɕˈiʃka.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_114.wav|tɔ ɲʲɛ drˈɛʃtʃɛ mnˈɔ̃ fstʃɔ̃sˈajɔ̃, lˈɛtʃ ta jˈakaɕ sˈɨpkɔɕtɕ pɔt mˈɔstkʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_84.wav|dʑɛftʃˈɨna uxˈɨla pɔvʲˈɛki, pɔ tʃɨm zamˈɨka jˈɛ s pɔvrˈɔtɛm i dˈalɛj xrˈapʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_24.wav|ɲˈikt ɲʲɛ pˈɔtʃɛd dɔ dʒvˈi. tˈɔm fskˈazaw ʃtʃɛlˈinɛ na lˈistɛ, a kˈit pɔxˈɨliw ɕɛ i pʃɨwˈɔʒɨw dɔ ɲʲˈɛj ˈusta, pˌɔpɨxˈajɔnts klˈapkɛ paltsˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_26.wav|pˌɔtʃɔntkˈɔvɔ pisˈaɲʲɛ ˈidʑɛ mu vˈɔlnɔ, bˈɔ rˈas pɔ rˈaz zˈɛrka f kˈɔnt pɔkˈɔju, jˈaɡbɨ spˌɔdʑɛvˈajɔnts ɕɛ, ʒˈɛ ˈɔbraz znˈuf jˈaɡ za sprˈavɔ̃ tʃˈaruv zavˈiɕɲʲɛ na ɕtɕˈaɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_15.wav|ɲʲɛ mˈɔɡɛ ɲitʃˈɛɡɔ f tɛj sprˈavʲɛ zrˈɔbʲitɕ, a pʃɨnˈajmɲʲɛj ɲitʃˈɛɡɔ, tsˈɔ zrˈɔbʲidʑ bˈɨm xtɕˈawa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_21.wav|pʃˌɛkɔnˈanɨ, ʒˈɛ kˈit nat fʃˈɨstkim panˈujɛ dɔ xfˈili pɔvrˈɔtu bˈɛtskɨ ɔt jˈɔɛ pˈalmɛr, tˈɔm rˈuʃɨw f strˈɔnɛ sfɔjˈɛɡɔ bjˈura.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_158.wav|kʲˈɛdɨ vˈɛʃliɕmˌɨ, lɔkˈalnɛ vɨrˈɔstki nˈaɡlɛ pʃˌɨpɔmɲʲˈawɨ sˈɔbjɛ, ʒˈɛ mˌajɔ̃ pˈilnɛ sprˈavɨ dɔ zˌawatfʲˈɛɲʲa i vʑˈɛwɨ nˈɔɡʲi za pˈas.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_109.wav|ɲʲɛ dlatˈɛɡɔ, ʒˈɛ tɔ jˈakaʑ vʲˈɛlka tˌajɛmɲˈitsa tʃɨ tsˈɔɕ. pɔ prˈɔstu na rˈaʑɛ mˈuɕi tɔ ɕɛ vˈɛmɲʲɛ trˈɔxɛ ulˈɛʒɛtɕ. jˈɛɕli zˈatʃnɛ ˈɔtɨm mˈuvitɕ, vzrˈuʃa rˌamjɔnˈami.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_48.wav|i ˌuɕfʲadɔmˈiwam sˈɔbjɛ ftˈɛdɨ, ʒˈɛ ɲʲɛ pˌɔdʑɛlˈiwa ɕɛ z ɲˈim fspaɲʲˈawɔ̃ vʲˈɛɕtɕɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_52.wav|znˈaʃ pʃˌɛtɕɛʃ ɕˈɛbjɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_287.wav|twˈum lˈudʑi, ktˌuʒɨ zˌamjɛɲˈili sfˈɔjɛ vwˈasnɛ tfˈaʒɛ na mˈaski,|0
+Dataset/wavs/urwisko_ferenc/36_segment_49.wav|bˈɔ tfˈɔja ɕˈiwa dˈajɛ ɕˈiwɛ ˈinnɨm xˈɔrɨm. pamjˈɛntaj ˈɔtɨm.|0
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_42.wav|kʲˈɛdɨ maʃ ɲʲɛʃtʃˈɛlnɨ skafˈandɛr i jˈak najʃˈɨptɕɛj mˈuɕiʒ dˈɔstatɕ ɕɛ dɔ ɕrˈɔtka, prˌɔtsɛdˈura ˌawtɔrˌɨzatsˈɨjna jɛst strˈatɔ̃ bɛstsˈɛnnɨx sˈɛkunt.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_388.wav|jɛj stˈarʃa ɕˈɔstra vˌɨdavˈawa ɕɛ bˈardʑɛj ˌintɛrˌɛsujˈɔntsa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_292.wav|bˌɨwɔ tɔ tˌɨlkɔː ˌɔʃukivˈaɲʲɛ samˈɛɡɔ ɕˈɛbjɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_434.wav|i tˌɨlkɔ jˈɛdna jɛzd ʒˈɛtʃ, ktˌura tɕˈɛ pɔvˈinna ˌintɛrɛsˈɔvatɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_26.wav|bˈɨwbɨm ɡwˈuptsɛm, ɲʲɛ fspʲɛrˈajɔndʑ ɡˈɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_47.wav|zzˈa nˌarɔʒɲˈika vɨbjˈɛɡa dɔzˈɔrtsa, ktˌurɨ jˈak na sfˈɔjɛ ɡˌabarˈɨtɨ pɔrˈuʃa ɕɛ tsˈawkʲɛm ʒvˈavɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_64.wav|ˈɛliz bjˈɛʒɛ ɡˈɔ za rˈɛntsɛ i pɔmˈaɡa mu ˈuɕɔ̃ɕtɕ prˈɔstɔ, z nɔɡˈami na bˌɛʑimjˈɛnnɛj pˈɔlnɛj drˈɔdʑɛ w mʲˌɛjstsɔvˈɔɕtɕi ɔ nˈazvʲɛ xɛmˈiŋkfɔrt xˈɔwm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_30.wav|bˈɛtskɨ pɔnˈɔvɲʲɛ pˌɔpatʃˈɨwa na tɕˈawɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_13.wav|nˈɔ tˈak i tsˈɔ s tˈɛɡɔ?|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_193.wav|tʃɨ prˈaɡɲʲɛʃ ɔt nˈas tʃˈɛɡɔɕ jˈɛʃtʃɛ?|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_331.wav|tˈak tʃˈɛ̃stɔː ˌɔɡlɔndˈanɛ ˈu kɔvˈali.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_28.wav|sˈanxɛs ɲʲɛ zˌauvaʒˈɨwa mɲʲɛ ɔt rˈazu, ɡdˈɨʃ tsˈawɔ̃ jɛj uvˈaɡɛ pˌɔxwaɲʲˈawa ˌɔpsɛrvˈatsja uʒˈɔndʑɛɲ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_394.wav|mˈimɔ tɔ bˈawa ɕɛ mˈɨɕli ɔ jˈɛɡɔː ˌɔpuʃtʃˈɛɲʲu prˈavʲɛ rˈuvɲʲɛ mˈɔtsnɔ jˈak rˈɔbɛrt.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_266.wav|xˌasajˈɔntsɨx na dˌɛskɔrˈɔlkax, vrˈɔtkax, rɔvˈɛrax.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_122.wav|mˈuɡwbɨ pˈan bˈɨtɕ ˌinstruktˈɔrɛm i ˈutʃɨtɕ... kˈɔɡɔ? tɛ fʃˈɨstkʲɛ dʑˈɛtɕi.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_262.wav|pˈɔvʲɛts mu, ʒˈɛ dɔstˈaɲʲɛ ɡˈɔ, ɡdˈɨ tˌɨlkɔ pʃˈɨzna ɕɛ dɔ vˈinɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_38.wav|tˈata pɔprˈaviw sˈɔbjɛ pɔdˈuʃkɛ i mrˈuknɔw. ɲˈiɡdɨ ɲʲɛ ˌintɛrˌɛsɔvˈawɛm ɕɛ spɛtsjˈalɲʲɛ ˌintrɔspˈɛktsjɔ̃.|3
+Dataset/wavs/urwisko_ferenc/04_segment_104.wav|ɕˈilɲik ftɕˈɔ̃ʃ pratsˈɔvaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_28.wav|najtʃˈɛɲɕtɕɛj jˈɛdnak ɕɛ ɕmʲɛjˈɛmɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_238.wav|dlatʃˈɛɡɔ mʲˈawabˌɨ ɲʲɛ ʒˈɨtɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_63.wav|f tɨm stˈaɲʲɛ mˈɔʒna dˈɔstatɕ piɡˈuwkɛ dʑˈɛɲ pɔ bˈɛs rɛtsˈɛptɨ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_112.wav|a tʃˌɛmu bˈɨ ɲʲɛ?|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_169.wav|ˌalɛ ɲˈiɡdɨ ɲʲɛ vˈɛʃwabˌɨm dɔ mʲˈasta w brˈudnɨm skafˈandʒɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_144.wav|skˈɔnt pˈaɲi ˈɔtɨm...|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_53.wav|bˈɨtɕ mˈɔʒɛ vɨdˈajɛ mu ɕɛ, ʒˈɛ jˌɛstɛm wˈatfɔ̃ zvʲɛʒˈɨnɔ̃, ˌalɛ bˈardʑɔ ɕɛ mˈɨli.|3
+Dataset/wavs/urwisko_ferenc/62_segment_3.wav|na parkˈiŋɡu stˈaw tˌɨlkɔ xˌɨundˈai ɕˌikɔrskʲˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_136.wav|wzˈɨ spwɨvˈajɔ̃ jɛj pɔ pɔlˈitʃkax i skapˈujɔ̃ spˈɔd brˈutka.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_85.wav|jɛʒˈɛli tsˈawɨ tɛn plˈan ɕɛ pɔvʲˈɛdʑɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_32.wav|tʃɨ ɔn jˈɔ̃ ɕlˈɛdʑi?|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_40.wav|zˌatɕisnˈɛwa ˈusta.|1
+Dataset/wavs/urwisko_ferenc/63_segment_135.wav|pˌɔxɨlˈiwa ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_124.wav|ɔdjˈɛxaw stˈɔnt, kʲˈɛdɨ ja pʃˌɨjɛxˈawɛm, mˈɔja drˈɔɡa. zvˈɨklɛ vɨxˈɔdʑi tˈɨlnɨm vˈɨjɕtɕɛm i parkˈujɛ na dˈɔlnɨm parkˈiŋɡu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_90.wav|kʃˈɨtʃaw, ʒˈɛ bɔlˈawɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_6.wav|pʃɨznˈajɛ, ʒˈɛ ɲʲˈɛznam ɕɛ zbˈɨtɲʲɔ nˈatɨh sprˈavax.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_77.wav|dɔ sˈalfɔrt rˈɔjal.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_56.wav|jɛdˈɨnɔ̃ jˈɛɡɔ vˈadɔ̃, jˈɛɕli w ɔɡˈulɛ mˈɔʒna tɔ tˈak nˈazvatɕ, jɛst ɲʲˌɛumjɛjˈɛntnɔʑdʑ zrˌɔzumjˈɛɲʲa lˈup tˌɔlɛrɔvˈaɲʲa tˈɛɡɔ, tsˈɔ pɔstʃˈɛɡa jˈakɔ swˈabɔɕtɕ ˈu ˈinnɨx.|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_98.wav|tɔ tˌɨlkɔ tˌɨmtʃasˈɔva fˈuxa, ʒˈɛbɨ zarˈɔbʲitɕ trˈɔxɛ na drˈɔbnɛ vɨdˈatki. ʃˈɔn pwˈatɕi raxˈuŋki, ˌalɛ ɲʲˈɛxtsɛ bˈɨtɕ ɔt ɲʲˈɛɡɔ zalˈɛʒna vɛ fʃˈɨstkim. nˈɔ vʲˈɛʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_223.wav|ˌalɛ s tɕˈɛbjɛ mˈɛnda.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_84.wav|ˌuswɨʃˈawam ɡwɛmbˈɔki ɡwˈɔs tˈatɨ, ktˌurɨ zˈatʃɔw ʃˈɛptatɕ pʲˈɛŋknɛ swˈɔva na tˈɛmat sfˈɔjɛj miwˈɔɕtɕi dɔ ɲʲˈɛj i zapˈɛvɲʲatɕ, ʒˈɛ zrˈɔbʲi fʃˈɨstkɔ, ʒˈɛbɨ jˈɔ̃ ˌuʃtʃɛɲɕlˈivitɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_178.wav|ˌalɛ ɲˈidʑ vʲˈɛntsɛj ɲʲɛ pˌɔtrafˈiwa vˌɨtwumˈatʃɨtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_145.wav|pɔzvˈɔli tɔ nˈam stfˈɔʒɨtɕ jˈɛɡɔː ˈɔbras.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_358.wav|tɔː ˈɔna.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_28.wav|lˈutsɨ spɔjʒˈawa na ɲʲˈɛɡɔ z ɲʲˌɛdɔvʲɛʒˈaɲʲɛm i vˌɨtɕɔŋɡnˈɛwa tɛlˈɛfɔn s tˈɨlnɛj kʲɛʃˈɛɲi dʒˈinsuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_36.wav|dʑɛftʃˈɨna ɕɛ kʃˈɨvi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_42.wav|na ɕfʲˈɛtɕɛ jɛzd vʲˈɛlu zwˈɨx lˈudʑi, ˈanɔ. tˈakix, s kturˈɨmi bˈɨɕ sˈɔbjɛ ɲʲɛ pˌɔradʑˈiwa. bˈɔɲtɕ ɔstrˈɔʒna, kɔxˈaɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_20.wav|kʲˈɛdɨ na tɕˈɛbjɛ pˈatʃɛ,|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_252.wav|lˈɛnɛ pˌɔtʃɔ̃snˈɛwa rˈɛŋkɔ̃, ˌalɛ zɛɡˈarɛk pɔzˈɔstaw na mʲˈɛjstsu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_66.wav|bˌɛndɛ ˈu ɕˈɛbjɛ, jˈɛɕli pɔjˈavi ɕɛ tsˈɔɕ nɔvˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_445.wav|ˈalbɔ mˈɔɡwabˌɨm pɔjˈɛxatɕ ɲˈim na pɔwˈudɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_18.wav|rˌɔsprɨskˈujɔndʑ bwɔtɲˈistɔ̃, tʃɛrvˈɔnɔbrɔ̃zˈɔvɔ̃ vˈɔdɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_505.wav|i s tˌɛɡɔ ɕɛ ɕmʲˈawɛɕ? s tˈɛɡɔ, ʒˈɛ ktˈɔɕ jɛst pˈɔdwɨ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_198.wav|tɔ pˈɛvɲʲɛ bɔlˈawɔ, ɔ tˈak.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_81.wav|tɔ s pɛvnˈɔɕtɕɔ̃ mˈiɲʲɛ, jˈɛɕli zɔstˈanɛ f pɔkˈɔju pʃˈɛz dʑˈɛɲ tʃɨ dvˈa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_105.wav|tˈɔm spˈɔjʒaw na lˌɔuˈisɛ, ktˌura swɨʃˈawa kˈaʒdɛ ix swˈɔvɔ, pɔ tʃɨm rɔzwˈɔʒɨw bɛzrˈadɲʲɛ rˈɛntsɛ, zˌapɔminˈajɔnts, ʒˈɛ kˈatɛ mˈɔʒɛ rˈuvɲʲɛʒ zɔbˈatʃɨtɕ tɛn ɡˈɛst.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_145.wav|mˈuɡwbɨʑ dɔwˈɔntʃɨdʑ dɔ tˌɛɡɔ tˌɔvaʒˈɨstfa.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_138.wav|mawʒˈɛɲstfɔ|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_203.wav|ɲˈim strˈatɕi ɕˈiwɨ i ɲʲɛ bˌɛɲdʑɛ mˈukw pratsˈɔvatɕ tˈak jˈaɡ dɔtˈɨxtʃas,|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_205.wav|mˈuʃɛ dɔ lɛkˈaʒa, bˈɔli!|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_174.wav|dʒˌɛntɛlmˈɛnɛm tɔː ɔn ɲʲɛ jˈɛst, ˌalɛ vˈɔli blɔndˈɨŋki.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_27.wav|klnˈɔnts, vʒutɕˈiwam fstˈɛtʃnɨ i zatʃˈɛwam tsˈɔfatɕ ɕɛ ˈaʒ dɔ mʲˈɛjstsa, ɡdʑˈɛ kɔrˈɨtaʒ bˈɨw na tˈɨlɛ ʃɛrˈɔki, ʒˈɛbɨm mˈɔɡwa zavrˈutɕitɕ.|4
+Dataset/wavs/urwisko_ferenc/42_segment_38.wav|tablˈɛtki zatʃˈɛwɨ dʑˈawadʑ dɔpʲˈɛrɔ ɡdˈɨ zˌaparkˈɔvaw pɔd dˈɔmɛm xˈɛrman.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_37.wav|— bˈɔ vˈidʑiʃ — pɔvʲˈɛdʑaw mˈuʒɨn — f tɨm mʲˈɛɕtɕɛ ˌɔnɛ fʃˈɨstkʲɛ sɔ̃ strˈaʃɲʲɛ xˈɨtrɛ na pʲɛɲʲˈɔndʑɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_105.wav|ˌalɛ tɛn pˈawadʑ dʑˈivɲʲɛ ɕɛ pʃɨblˈiʒɨw. stˈaw na vˌɨtɕɔŋɡɲʲˈɛɲtɕɛ rˈɛŋki.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_188.wav|pʃˌɛtɕɛʃ tɔ trudɲʲˈɛjʃɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_115.wav|vˈaxa ɕɛ. dlatʃˈɛɡɔ tˈak trˈudnɔ vɨdˈɔbɨtɕ tɔ swˈɔvɔ s ɕˈɛbjɛ? tsˈɔ w ɲˈim takʲˈɛɡɔ jˈɛst?|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_135.wav|dˈɔbʒɛ, ʒˈɛ dʑɛftʃˈɨna tˈɛʃ ɲʲɛ zɲiknˈɛwa.|1
+Dataset/wavs/urwisko_ferenc/46_segment_79.wav|tɔ bˌɨwa jˈɛɡɔ tˌajɛmɲˈitsa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_112.wav|pˌɔpraviwˈɔbɨ jˈɛɡɔ vˌizɛrˈunɛk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_86.wav|vʲɛdʑˈawam dˌɔskɔnˈalɛ, dɔ tʃˈɛɡɔ jɛzd zdˈɔlnɨ.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_156.wav|sˈam vˌɨkɔʒˈɨstaw tɛn tʃˈas, bˈɨ vɨjˈaɕɲidʑ ɡˈɔʑdʑik sfˈɔjɛ plˈanɨ. nˈajpʲɛrf tsˌɨtadˈɛla.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_33.wav|ˌɔdvrutɕˈili ɡwˈɔvɨ i skinˈɛli ɲˈimi na pˌɔvitˈaɲʲɛ, pɔ tʃɨm pˌɔvrutɕˈili dɔ ɲʲˌɛvdʑɛntʃnˈɛɡɔ zadˈaɲʲa zvʲˌɔ̃zanˈɛɡɔ s karmʲˈɛɲʲɛm nˈaʃɛj spˌɔwɛtʃnˈɔɕtɕi.|3
+Dataset/wavs/urwisko_ferenc/13_segment_27.wav|i jˈaɡ zˌarɛaɡˈɔvaw?|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_264.wav|a jɛj mˈɔ̃ʃ ɲʲɛ zɡˈadʑa ɕɛ na rˈɔzvut.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_352.wav|pˌɔjɛdˈɨnɛk ɲˈits ɲʲɛ dˈa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_257.wav|ˌɔtʃɨvˈiɕtɕɛ, pˌɔvʲɛdʑˈawɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_46.wav|mˈɔja tsˈurka.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_83.wav|ˌalɛ pʃˌɛtɕɛʒ bˈɨ mɲʲɛ ɲʲɛ ˌarɛʃtɔvˈali.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_206.wav|ɲʲɛ ˌɔtpɔvʲˈɛdʑaw jɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_47.wav|pˌɔvʲɛdʑˈawɛm, ʒˈɛ tˈak, pʃɛpˈaɲi.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_304.wav|ɲʲɛ ˌutʃɛstɲˈitʃɨw f tutˈɛjʃɨɣ vɛndˈɛtax.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_114.wav|dʑˈɛtɕi ʒutɕˈiwɨ ɕɛ na kɔlˈatsjɛ jˈaɡ vˈilki na rannˈɛɡɔ jɛlˈɛɲʲa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_9.wav|ɔdvrˈutɕiw ɕɛ dɔ mˌɔɲitˈɔra, a rˈɔb zapˈɨtaw pɔnˈɔvɲʲɛ mˈartɛ, tʃɨ jɛst pˈɛvna, ʒˈɛ ɲʲˈɛxtsɛ skɔʒˈɨstatɕ s prˈava dɔː ˌadvɔkˈata.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_9.wav|tɔ plˈats f kʃtˈawtɕɛ kˈɔwa, na ktˌurɨm ɲʲˈɛma ɲˈits ˈɔprutʃ wˈavɛk i dʒˈɛvɛɡ w dɔɲˈitsax.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_92.wav|naprˈavdɛ jˌɛstɛʑ z nˈɔtsnɛj strˈaʒɨ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_120.wav|ˈidʑɛ dɔ vɨlˈɔtu za ˈuwka i znˈuv vɨɡlˈɔnda na ulˈitsɛ.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_223.wav|taˈɛna zwapˈawa jˈɔ̃ za rˈamjɛ. bˈɔjɛ ɕɛ ix.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_11.wav|xtɕˈɛli ɕɛ upˈɛvɲitɕ, tʃɨ ix maʃˈɨɲʲɛ vˈartɛj miljˈɔnɨ ɡʲˈituf ɲʲɛ zaɡrˈaʒa fˈala rˌɔspɛndʑˈɔnɨx skˈaw.|4
+Dataset/wavs/urwisko_ferenc/12_segment_155.wav|dʑˈɛŋki za uvˈaɡɛ!|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_10.wav|tɔ, ʒˈɛ mɲʲɛ vɨswˈali dɔ dˈɔmu spˈɛkuf, tɔ bˌɨwa vˈina mˈɔjɛj mˈamɨ, ɲʲɛ mˈɔja.|2
+Dataset/wavs/urwisko_ferenc/03_segment_104.wav|dˈɔbʒɛ pˈaɲi vʲˈɛ, dlatʃˈɛɡɔ tˈak ɕɛ stˈawɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_21.wav|pˌɔvʲɛdʑˈawa, vˌɨtɕɔŋɡnˈɛwa mˈawɛ lustˈɛrkɔː i ʃˈɨpkɔ pˌɔmalɔvˈawa pˈɛwnɛ ˈusta ʃmˈiŋkɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_104.wav|napˈadli nˈanaz baɲˈitɕi.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_156.wav|ɛdmˈurɛ tˈullɨ pˈat tfˈaʒɔ̃ w dˈuw na ʃˈafɔt.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_123.wav|ja bˌɛndɛ pˈatʃɨw zˈanas ɔbˈɔjɛ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_36.wav|lˈadɨ mɛrvˈɛtxɛr vzruʃˈɨwa rˌamjɔnˈami. sˈɛr lˈambɛrt, ɡwˈupʲɛts, ktˌurɨ zaswˈaɲʲa zdrˈɔvɛ ˈɔkɔ pʃɛpˈaskɔ̃. bˈajart nˈɔrtsrɔss...|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_55.wav|ɕtɕɔŋɡɲˈijtɕɛ nˈaz w dˈuw, vʒasnˈɔwɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_60.wav|mˈatsam paltsˈami f pˌɔʃukivˈaɲʲu kravˈɛɲdʑi pwˈaxtɨ i pʃɨtɕˈɔŋɡam jˈɔ̃ lˈɛkkɔ dɔ ɕˈɛbjɛ, pɔ tʃɨm fskakˈujɛ dɔ pˌɔmjɛʃtʃˈɛɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_85.wav|a ɔn jɛst f sˈamɨɣ bɔksˈɛrkax. fstˈajɛ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_74.wav|ɡdˈɨ jˈuʒ zamkɲʲˈɛntɔ dʒvˈi jɛj tsˈɛli, ˈarjan dɔkwˈadɲʲɛ ˌɔbɛjʒˈawa sfˈuj nˈɔvɨ dˈɔm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_555.wav|pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_144.wav|tsamˈɛrɔn ˈɛdmɔndz vɨsˈɨsaw tɕˈɛ dɔ sˈuxa ɔd vʲˈɛlu mʲɛɕˈɛntsɨ, a tˌɛmu nˈatɔ pˌɔzvalˈawaɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_54.wav|kˈatɛ tɔ bˈɛz znatʃˈɛɲʲa, tʃɨ ˌɔna vʲˈɛ ɔ dɛklˈaɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_131.wav|dlatʃˈɛɡɔ mʲˈawbɨm ɕɛ nˈatɔ zɡˈɔdʑitɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_83.wav|naprˈavdɛ ɕɛ nˈattɨm zˌastanavʲˈawam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_552.wav|tˈakʲɛ tɔ tˈɛras prˈɔstɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_26.wav|tˈutaj pɔlˈitsja ɡrˈɛat manxˈɛstɛr. tʃɨ mɔʒˈɛmɨ prˈɔɕitɕ ɔː ɔtfˈartɕɛ dʒvˈi?|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_161.wav|tɔ skˌɔmplikɔvˈanɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_107.wav|nˈavɛt tˈɛras pamjˈɛntam, jˈaka bˌɨwa kʲˈɛdɨɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_62.wav|tɨm bˈardʑɛj, ʒˈɛ kʲˈɛdɨ ɔstˈatɲi rˈaz vzɲʲˈɛɕli ɡˈɔ rˈazɛm, tʃɨmˈajɔndʑ dwˈɔɲ na dwˈɔɲi, zabrˈakwɔ tˌɨlkɔː ɔlbjˈɛɡɔ stˈarka, kʲˈɛpskɔ tɔ ɕɛ skɔɲtʃˈɨwɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_211.wav|a tɛn pɔvʲˈɛdʑaw, dɔ ɕˈɛbjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_132.wav|tˈak tɔ bˌɛɲdʑɛ vˌɨɡlɔndˈawɔ, bˈɛan.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_490.wav|xfɨtɕˈiwɨ mɲʲɛ drˈɛʃtʃɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_118.wav|ɔn ɲˈiɡdɨ ɲʲˈɛmuɡw zrɔzˈumjɛtɕ, dlatʃˈɛɡɔ ta jˈɛɡɔ ʒˈɔna rʒnˈɛwa ɕɛ zˈɛ fʃɨstkˈimi, kʲˈɛdɨ ɔn tʃˈɛkaw na ɕmʲˈɛrtɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_3.wav|mˌamɨ dla tɕˈɛbjɛ pˌɔmjɛʃtʃˈɛɲʲɛ. mˈɔɡwabˌɨɕ ɕɛ pʃɨnˈajmɲʲɛj pɔwˈɔʒɨtɕ.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_166.wav|ʒalˈaʑɲi lˈudʑɛ vˌɨtɕɔŋɡnˈɛli drakˈarɨ na kˌamjɛɲˈistɛ plˈaʒɛ i z bwˌɨʃtʃɔntsˈɨmi mʲɛtʃˈami w dwˈɔɲʲax pˌɔpɛɲdʑˈili wˈɛ fjˌɔlɛtˈɔvɨm rˈɔk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_471.wav|zˌɔbatʃˈɨmɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_20.wav|tʃɛkˈaliɕmˌɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_494.wav|tɔ bˌɨwɔ fʃˈɨstkɔ, s tʃɨm vˈɨʃɛt w ɕfʲˈat s tˌɛɡɔ mʲˈɛjstsa, ɡdʑˈɛ ɕɛ urˈɔdʑiw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_582.wav|kˌɔbjɛtsˈɛɡɔ tɕˈawa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_23.wav|tˈɔm zjˈɛxaw z ɡwˈuvnɛj drˈɔɡʲi i dˈɔtar ɕtɕˈɛʃkɔ̃ na mʲˈɛjstsɛ pʃɛstˈɛmpstfa.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_366.wav|lˈɔrd vˈatɛrs rɔzvˈinɔw ʒˈaɡlɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_185.wav|na dˈaxu ˌɔbratsˈawɨ ɕɛ kˌɔlɔrˈɔvɛ ɕfʲˈatwa. zˌauvaʒˈɨwɛm, ʒˈɛ lˈɛvɛ bˌɨwɔ tʃɛrvˈɔnɛ, natˈɔmjast prˈavɛ ɲʲɛbjˈɛskʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_18.wav|zɔstˈaɲmɨ tˈutaj, jˈɛɕli tɔ ɲʲɛ stanˈɔvi prɔblˈɛmu, ɔtpˈarwa bˈɛtskɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_30.wav|tsˈɔː ˈɔtɨm sˈɔɲdʑiʃ, jˈuɡɡɛr?|3
+Dataset/wavs/urwisko_ferenc/65_segment_111.wav|ɔdvʲˈɛdʑiw mɲʲɛ w bjˈuʒɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_111.wav|bʲˈin rˈunɔw jˈaɡ dwˈuɡʲi.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_344.wav|vˈɨbatʃ, ʒˈɛ zakwˈutsam tfˈɔjɔ̃ ʒawˈɔbɛ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_28.wav|ɔtpˈarwa jˈɛdnaɡ ɡˈɔʑdʑik i znˈɔvu zamknˈɛwam ˈusta sfɔˈimi ustˈami.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_329.wav|ʒˈɛ ɲʲɛ zrˌɔzumjˈawa ˌaɲi swˈɔva.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_5.wav|pʃˈɨʃwɔ mu dɔ ɡwˈɔvɨ, ʒˈɛ mˈɔʒɛ jˈɛdnak ɲʲɛ bˌɛɲdʑɛ mˈuɕaw pɔswˈuʒɨtɕ ɕɛ ˈɛlis. bˈɔɲtɕ tsˈɔ bˈɔɲtɕ jɛst snajpˈɛrɛm. stʃɛlˈaɲʲɛ z dalˈɛka tɔ jˈɛɡɔ spɛtsjˈalnɔɕtɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_2.wav|lˈɛdvʲɛ mˈɔɡɛ ɔddˈɨxatɕ. sˈɛrtsɛ bʲˈijɛ mi tˈak ʃˈɨpkɔ, ʒˈɛ ˈaʃ trˈudnɔː uvʲˈɛʒɨtɕ, ʒˈɛ ɡˈɔ ɲʲɛ ˌuswɨʃˈawa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_127.wav|tˈɛras pɔ zmʲˈɛʃxu pˌɔtɕfʲɛtlˈɔnɛ ˌukrɨtˈɨmi rˌɛflɛktɔrkˈami pˌuŋktɔvˈɨmi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_45.wav|tɔ bˌɨwɔ jˈak tɔrtˈura tɨɕˈɔntsa tɕˈɛɲtɕ. pʃˌɛjmɔvˈaliɕmˌɨ sˈɛtki ɡrˌanatɲˈikuf i ˈinnɨx rɔdʑˈajuv brˈɔɲi, ˌalɛ xˈadʑi i tˈaɡ zˈafʃɛ mʲˌɛli s tʃˈɛɡɔ dɔ nˈas stʃˈɛlatɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_391.wav|f ktˌurɨm na vwˈasnɔ̃ rˈɛŋkɛ, mˈimɔ ʒˈɛ vbrˈɛf prˈavɔm krɔ̃ʒˈɛɲʲa matˈɛrji,|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_431.wav|zakˈɔɲtʃɨw z uɕmʲˈɛxɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_254.wav|ɲʲɛ rˈɔbʲi tˌɛɡɔ jˈɛdnak. pɔdnˈɔɕi na ɲʲˈɛɡɔ vzrˈɔk.|2
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_20.wav|kʲˈɛdɨ bˌɛndɛ bɔɡˈatɨm prˌɔjɛktˈantɛm rˈakʲɛt, ɔdvʲˈɛdʑɛ tɕˈɛ w artˈɛmis.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_135.wav|bˈɔ ɲʲɛ pʃˌɨpuʃtʃˈawɛm, ʒˈɛ bˌɛndɛ mʲˈaw tˌɔvaʒˈɨstfɔ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_67.wav|pˈatʃɨ na ɲʲˈɛɡɔ jˈak na varjˈata.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_163.wav|drˈɔɡʲɛ ɕˈɔstrɨ i drˈɔdʑɨ brˈatɕa, rɔzɲʲˈɔswɔ ɕɛ pˌɔpɔlˈaɲʲɛ z ukrˈɨtɨɣ ɡwɔɕɲˈikuf.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_212.wav|ˈɔtpar pˌɔkazˈujɔnts mi ˈɔbjɛ kɔɲtsˈufki pʃɛvˈɔdu. tɔ zaɕlˈɛpki. tˌɛɡɔ kˈabla ɲʲɛ dˈa ɕɛ dɔ ɲitʃˈɛɡɔ pɔdwˈɔntʃɨtɕ. f kˈaʒdɨm rˈaʑɛ bˈɛs ftˈɨtʃɛk.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_74.wav|tˈɔm pxnˈɔw jˈɛ ɔstrˈɔʒɲʲɛ nˈɔɡɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_353.wav|ɲˈiɡɛr mʲˈaw rˈatsjɛ, ˈɛstɛr pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_12.wav|tɔ jɛst jˈakʲɛɕ ɲʲˌɛpɔrˌɔzumjˈɛɲʲɛ, ˌɔdɛzvˈawam ɕɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_39.wav|pʃˌɨjatɕˈɛlu, ˌɔpsɛrvˈujɛ ɡˈɔː ɔt pˈaru mˈinut. ɲʲˈɛx pˈan spˈɔjʒɨ nˈatɛ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_22.wav|jɛj tʃˈarnɛ vwˈɔsɨ ɕɛŋɡˈajɔ̃ mu tˌɨlkɔ dɔ kˈarku, zˈatɔ zˌaswaɲʲˈajɔ̃ tʃˈɔwɔ dɔ brvˈi i ˈɔba pɔlˈitʃki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_100.wav|spˈaw, kʲˈɛdɨ vrutɕˈiwam. mˈɨɕlaw pˈɛvɲʲɛ, ʒˈɛ vˈɨʃwam tˌɨlkɔ na ɡɔdʑˈinɛ, vʲˈɛnts ɲʲɛ bˌɨwɔ sˈɛnsu ˈɔtɨm fspɔmˈinatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_411.wav|pˈɔdɲʲuz ɡwˈɔvɛ i xfˈilɛ pʃˌɨpatrˈɨvaw ɕɛ mɲʲɛ sxˌɨlɔnˈɛmu nad bˌalustrˈadɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_206.wav|xˈɔtɕaʒ ɡvˈawtsɔ̃ na ˈɔɡuw dˌɛlikˈatɲi, tˈatsɨ, tsˈɔ ɕɛ fstˈɨdʑɔ̃ i krɛmpˈujɔ̃ partnˈɛrki.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_200.wav|musˈimɨ pɔmˈɨɕlɛtɕ ɔ tʃˈɨmɕ ˈinnɨm, tʃˈɨmʑ vʲˈɛŋkʃɨm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_49.wav|— mʲˌɛli xˈɨba ɔstˈatɲʲɔ trˈɔxɛ prɔblˈɛmuf, ˌalɛ tɔː ix sprˈava. tɔː ix pɔvˈinna pˈaɲi ˈɔtɔ zapˈɨtatɕ, tˈɨlɛ mˈɔɡɛ pɔvʲˈɛdʑɛtɕ na tɛn tˈɛmat.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_197.wav|ˈaʒ dɔ nˌastɛmpnˈɛɡɔ rˈazu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_142.wav|kʲˈɛdɨ dˈɔjdɛ dɔ vɨdˈaʒɛɲ w dˈɔmu stɛpˈaŋkuf, tˈɨlɛ ʒˈɛ nˈazvɛ ɡˈɔ dˈɔmɛm spˈɛkuf,|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_67.wav|ktˈɔɕ i mɲʲɛ pˈɔdaw pˈɛwnɔ̃ mˌuʃtardˈufkɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_56.wav|za rˈɔk utɕˈina tsɔrˈinnɛ i pʃɛvrˈatsa ɔtʃˈami z mˈinɔ̃, ktˌura mˈuvi bʲilljˈɛmu, ʒˈɛ tsˈurka ɔd dˈavna mˌɔlɛstˈujɛ jˈɔ̃ ɔ tɛlˈɛfɔn. mˈɔʒɛ ɔt pʲˈɔntɨx urˈɔdʑin.|2
+Dataset/wavs/urwisko_ferenc/21_segment_55.wav|ftˈɛdɨ dɔ pɔkˈɔju fʃˈɛd ˈɔjtɕɛts i xfˈɨtɕiw tsˈurkɛ w ramjˈɔna.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_26.wav|vˌɨkratʃˈawɔ tɔ zdˌɛtsɨdɔvˈaɲʲɛ pˈɔza pʃɛtɕˈɛntnɨ kɔmpˈutɛr dɔmˈɔvɨ i tˈɔm ɲʲɛ udˈavaw ˌaɲi pʃˈɛs xfˈilɛ, ʒˈɛ vʲˈɛ, tsˈɔ ɕɛ tˈutaj vɨrˈabja.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_145.wav|ɡdˈɨ jˈuʒ dɔtʃˈɛmɨ dɔ starˈɛɡɔ mʲˈasta, vɨnˈajmɛ vˈus s kilkˈɔma kˈɔɲmi i sˈam jˈɔ̃ tˈam zavʲˈɔzɛ.|1
+Dataset/wavs/urwisko_ferenc/04_segment_23.wav|dˈɔbʒɛ vʲˈɛdʑaw, ʒˈɛ pɔvˈiɲʲɛn skˈupitɕ ɕɛ na rɔzmˈɔvʲɛ s xudʑˈiɲskim, ˌalɛ ɲʲˈɛmukw ɕɛ uvˈɔlɲitɕ ɔt mˈɨɕli ɔ dʑɛftʃˈɨɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_160.wav|tʃɨ tɔ tˈakʲɛ ˌɔtʃɨvˈistɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_67.wav|ˌuvaʒˈawam dˈɔtɔnt, ʒˈɛ jˈaɡɡɛr jɛst ɲʲˌɛzvɨtɕɛ̃ʒˈɔnɨ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_533.wav|mʲˌawɛm tɕˈɛ vˈɨswadʑ dɔ tˈɨrɔs na jɛj mʲˈɛjstsɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_250.wav|vzruʃˈɨwam rˌamjɔnˈami i ˌɔpuɕtɕˈiwam rˈɛntsɛ vzdwˈuʃ tuwˈɔvja.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_11.wav|dʑˈɛtɕi pwˈatʃɔ̃, a ja rˈazɛm z ɲˈimi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_83.wav|ˈɔx, ʒutɕˈiwa tʃɛrvʲˈɛ��ʲɔnts ɕɛ. vˌɨbatʃˈɛli.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_284.wav|lˈɛpʲɛj tʃˈuw ɕɛ mʲˌɛndʑɨ ʒˌɔwɲʲɛʒˈami f pˈɔlu ɲˈiʃ na krulˈɛfskim dvˈɔʒɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_53.wav|ɕfʲˈat krˈɛɲtɕi ɕɛ dˈalɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_117.wav|jˈɛɕli ɲˈitsk pˌɔstanˈɔvi ɡˈɔ pˌɔtswuçˈivatɕ, bˌɛɲdʑɛ mˈuɡw dɔɡwˈɛmbɲʲɛ zapˈɔznatɕ ɕɛ z dˌɨskɔɡrˈafjɔ̃ rˈɛbɨ, villjˈɛɡɔː i krnˈɔmbrnɨx kˈumpli xˈɛŋka juɲʲˈɔra.|2
+Dataset/wavs/urwisko_ferenc/20_segment_55.wav|tʃˈujɛ, ʒˈɛ zˈaraz bˌɛɲdʑɛ pˈɔmpa.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_27.wav|a mɨɕlˈɛliɕtɕˌɛ, ʒˈɛ skˈɔnt mˌatɕɛ pɔvʲˈɛtʃɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_65.wav|tˈak, mˈuvi ˈɛlis. ɔdvrˈatsa ɕɛ dɔ ɲʲˈɛɡɔ z uɕmʲˈɛxɛm na tfˈaʒɨ i vɨrˈazɛm ɲʲˌɛskrɨvˈanɛj ˈulɡʲi w ˈɔtʃax. tɛn pˈan pɔdˈɔbnɔ vɨnˈajɔw tɕi tɔ mʲɛʃkˈaɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_16.wav|ɲʲɛ zˌaxɔvɨvˈawa ɕɛ jˈak ˈanna frˈaŋklin. jɛst jˈɛdnak tsˈɔɕ pˌɔdɔbnˈɛɡɔ f spɔsˈɔbjɛ, w jˈaki tʃˈɨma ɡwˈɔvɛ, ɡdˈɨ swˈuxa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_80.wav|dwˈavjɛ f sˈɔbjɛ kʃˈɨk, ˌalɛ swˈɨʃɛ, ʒˈɛ mˈuj ɡwˈɔs stˈajɛ ɕɛ tsˈɔraz vˈɨʃʃɨ i bˈardʑɛj pʃˌɛɲiklˈivɨ. ɡdʑˈɛ ˌɔɲi sˈɔ̃?|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_197.wav|jɛstˌɛɕmɨ ˌumuvʲˈɛɲi, ɔtpˈarwam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_229.wav|i kaprˈɨɕnɨ stʃˈɛmpɛk ɕfʲˈatwa swˌɔnɛtʃnˈɛɡɔ pʃˈɨlɡnɔw dɔ jɛj bˈɔku.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_7.wav|skwˈada ɕɛ s pʲˈɛɲtɕu ɔɡrˈɔmnɨx sfɛrˈɨtʃnɨɣ budˈɔvli nˌazɨvˈanɨɣ baɲkˈami, ktˌurɛ dɔ pɔwˈɔvɨ sɔ̃ ˌɔsadʑˈɔnɛ f skalˈistɨm ɡrˈuɲtɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_403.wav|ɲˈiɡdɨ mu ɲʲɛ zapʃˈɛtʃaw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_20.wav|tˈɔm i rˈɔp pˈɔʃli zˈaɲʲɔ̃ dɔ pˌɔmjɛʃtʃˈɛɲʲa i jɛj pˌɔdʑɛŋkɔvˈali.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_96.wav|nˈavɛt tˈɛras ta mˈɨɕl vɨdˈajɛ ɕɛ ɲʲˌɛvʲarɨɡˈɔdna, ˌalɛ i bɛsspʃˈɛtʃɲʲɛ lɔɡʲˈitʃna.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_107.wav|sfɔbˈɔda vɨtɕˈɔŋɡnɔw dɔ mɲʲɛ rˈɛntsɛ. jˌɛstɛm dɔ tfˈɔjɛj dˌɨspɔzˈɨtsji, ɔznˈajmiw ˌurɔtʃˈɨɕtɕɛ. tsˈɔ tˌɨlkɔ zˈɛxtsɛʃ.|4
+Dataset/wavs/urwisko_ferenc/37_segment_66.wav|na kanˈapʲɛ mˌɛrtsɛdˈɛsa mˈɔkrɛ tʃˈɔwɔː ɔtɕˈɛraw xˈustkɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_88.wav|f pˈɔrtɕɛ fʃˈɨstsɨ mɲʲɛ znˈajɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_38.wav|rˈudɣ vikˈɛrɨ xtɕˈawa tɔ fʃˈɨstkɔ tˈak pɔ prˈɔstu dˈɔstatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_70.wav|xˈɔdʑi ˌɔtʃɨvˈiɕtɕɛ ɔ çistˈɔrjɛ bɛnjˈɛɡɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_447.wav|i pʃɛʒˈutsaw tsˈawɨ tɕˈɛ̃ʒar tɕˈawa z jˈɛdnɛj nˈɔɡʲi na drˈuɡɔ̃,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_314.wav|mʲˈawa na sˈɔbjɛ kfʲɛtɕˈistɔ̃, jɛdvˈabnɔ̃ sukʲˈɛŋkɛ, jˈakʲɛ nɔɕˈiwɨ ftˈɛdɨ dʑɛftʃˈɛnta, na nˈɔɡaɣ drɛvɲʲˈaki.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_118.wav|mʲˌɛliɕmˌɨ nadʑˈɛjɛ, ʒˈɛ kastrˈatsja vɨlˈɛtʃɨ ɡˈɔ zˈɛ zwˌɔɕlivˈɔɕtɕi, ˈalɛ...|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_183.wav|pʃɨtrˈɔtʃɨw tˈɛʒ zwˈɔtɔ̃ rˈɛŋkɛ, ktˌurɔ̃ kˈazaw vˌɨpɔlɛrˈɔvatɕ, bˈɨ wˈadɲʲɛ ɕfʲɛtɕˈiwa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_16.wav|tˈak mi pʃˈɨkrɔ, jˈɔɛ. tˈaɡ bˈardʑɔ mi pʃˈɨkrɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_99.wav|jɛzd zˈafʃɛ pʃɨnˈajmɲʲɛj jˈɛdnɔ vˈɨjɕtɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_55.wav|kʲˈɛdɨ tˈɔm zakˈɔɲtʃɨw rɔzmˈɔvɛ, dʒvˈi dɔ pɔkˈɔju pʃɛswˈuxaɲ ɕɛ ˌɔtfɔʒˈɨwɨ i vˈɨʃli jˈɛn i rˈɔp.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_230.wav|nˈavɛt mˈɨʒ zˌaatakˈujɛ lvˈa, jˈɛɕli skɔʃtˈujɛ krfˈi bˌazɨlˈiʃka.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_220.wav|ɲʲˈɛznaʃ innˈɛɡɔ ʒˈɨtɕa ɔt kʲˈɛdɨ skɔɲtʃˈɨwaʑ dʑˈɛɕɛɲtɕ lˈat.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_173.wav|ɲʲɛ fpˈuɕtɕiwbˌɨ tɕˈɛ, a ɡdˈɨbɨ nˈavɛt mˈuɕawbˌɨʑ ɡˈɔ zˈabʲitɕ. ɲʲˈɛxtsɛʃ tˈɛɡɔ, ja tˈɛʃ ɲʲɛ. jˈadɛ s tˈɔbɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_4.wav|ɲʲˈɛznam ɕɛ ʃtʃɛɡˈulɲʲɛ na sˌamɔxˈɔdax, ˌalɛ znˈak mˌɛrtsɛdˈɛsa rɔspˈɔznam zˈafʃɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_3.wav|bˈardʑɔ ɕɛ ɔ tɕˈɛbjɛ mˈartfjɛ. ɔt pˈɔnat mʲɛɕˈɔntsa ɲʲɛ dˈajɛʒ znˈaku ʒˈɨtɕa.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_147.wav|tsɛrsˈɛi ˌɔpuɕtɕˈiwa zaswˈɔnɛ. tɔː ˈapsurt.|1
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_113.wav|ˈidʑɛ dɔ smɛntnˈɛɡɔ, mawˈɛɡɔ pasˈaʒu xˌandlɔvˈɛɡɔ. ɲʲɛbjˈɛski swˈuf mɛrtˈɔna rixtˈɛra z zˌadrapanˈɨmi dʒvʲˈami zɲˈiknɔw. jˈɛɡɔ bjˈurɔ jɛzd zamkɲʲˈɛntɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_61.wav|ɲʲɛ pamjˈɛntam, ʒˈɛbɨ mˈarta vʑˈɛwa xˈɔdʑbɨ dʑˈɛɲ vɔlnˈɛɡɔ, ɔt kʲˈɛdɨ zatʃˈɛwa prˈatsɛ pʃɛd dvˈɔma lˈatɨ. tsˈɔ ɕɛ z ɲʲˈɔ̃ dʑˈɛjɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_187.wav|ktˈɔ tˈam?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_35.wav|bˈɛtskɨ skɔɲtʃˈɨwa rɔzmˈavʲatɕ s sˈimsɛm i vrutɕˈiwa dɔ jˈɔɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_488.wav|ˌɔɲi bˌɛndɔ̃ mɨɕlˈɛli, ˈiʃ jˈɔurs ˈand dˈɛ ˈɔtxɛrs tɔ zrˈɔbʲiw, pɔvʲˈɛdʑaw ɡˈɛrs fˈirst lˈɔvɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_51.wav|kˈu zˌaskɔtʃˈɛɲʲu tˈɛssɨ pɨtˈaɲʲɛ zˈadaw mɛ̃ʃtʃˈɨzna, ktˌurɨ dɔ tɛj pˈɔrɨ mˈiltʃaw.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_40.wav|balˈɛɲki sˈalɔn prˌɛzɛntˈɔvaw ɕɛ ˌimpɔnujˈɔntsɔ f pˌɔruvnˈaɲʲu z mˈɔjɔ̃ nˈɛndʑnɔ̃ nˈɔrɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_412.wav|kˈɔ̃satʃ ɔdʒˈutɕiw ɡwˈɔvɛ dɔ tˈɨwu, znˈɔvu ɔtfˈɔʒɨw ˈusta i zˈavɨw, vˌɨsuvˈajɔnts jˈɛ̃zɨk.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_33.wav|zɡwɔɕˈiwɛm tɔ tsˈawɛ ix stˌɔvaʒɨʃˈɛɲʲɛ na ˌuɲivˌɛrsɨtˈɛtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_333.wav|ˌɔnɛ sɔ̃ z rɛɡˈuwɨ ɲʲˌɛʃkɔdlˈivɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_51.wav|ʒˈɛ zˌaurɔtʃˈɨwa vˈas çistˈɔrja i pʲˈɛŋknɔ tˌɛɡɔ mʲˈɛjstsa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_199.wav|ɲʲˈɛma tɔ jˈak spʃˈɛnt najnˈɔfʃɛj ɡˌɛnɛrˈatsji pˌɔwɔntʃˈɔnɨ z ˌintɛrnˈɛtɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_53.wav|dlatˈɛɡɔ vwˈaɕɲʲɛ utɕˈɛkam.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_287.wav|ɲʲɛ! kʃɨknˈɛwam.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_419.wav|pˈɔtɛm pˈɔtʃɛd dɔ zlˈɛvu i zɛrvˈafʃɨ bˈandaʒ zˈɛ sfˈɛj ˌɔpuxɲʲˈɛntɛj i pˌɔkalɛtʃˈɔnɛj dwˈɔɲi, pɔtstˈaviw jˈɔ̃ pɔt strˈumjɛɲ ʑˈimnɛj vˈɔdɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_142.wav|pʃɛrvˈawam prˈatsɛ i ɔtsˈɛtki znˈuv zatʃˈɛwɨ ɕɛ mnˈɔʒɨtɕ, ˌalɛ jˈuʃ mi tɔ ɲʲɛ pʃˌɛʃkadʑˈawɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_98.wav|prˌatsɔvɲˈitsɨ twɔtʃˈɨli ɕɛ na pɛrˈɔɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_28.wav|pˌɔswuxˈajtɕɛ fʃˈɨstsɨ. tʃˈɛba bˌɛɲdʑɛ ˌɔpratsˈɔvadʑ ɡrˈafik. fʃˈɨstsɨ muɕˈitɕɛ pɔmˈaɡatɕ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_18.wav|ktˈɔɕ pɔtɕˈɔŋɡnɔw nˈɔsɛm f tɕɛmnˈɔɕtɕi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_117.wav|tˈak, tˈɛras lˈɛpʲɛj. ˈɔɲʲɛ, ɲʲɛ, ɲʲɛ, ɲʲɛ. pʃˈɛttɛm bˌɨwɔ lˈɛpʲɛj. ɲʲɛ ɡɲʲˈɛvaj ɕɛ, xˈarɨ, ˈalɛ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_99.wav|nˈɔ tˈak, ˌɔtʃɨvˈiɕtɕɛ.|2
+Dataset/wavs/urwisko_ferenc/43_segment_28.wav|— tʃɨmˈawa ɕɛ jˈɛdnɛj vˈɛrsji — vˌɨjaɕɲˈiwa xˈɛrman. ˌuvaʒˈawa, ʒˈɛ tɔ mˈɔ̃ʃ mʲˈaw ˈɔdvʲɛʑdʑ dʑˈɛtskɔ dɔ ʒwˈɔpka.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_534.wav|ˈu nˈas tˌɨlkɔ ɡʒˈɛxɨ, mɨ pʃˌɨzvɨtʃajˈɛɲi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_119.wav|pɔnˈattɔ pˌɔtʃɛbujˈɛmɨ pˈaɲskʲɛj fspuwprˈatsɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_159.wav|ɔstrˈɔʒɲʲɛ s tɔ̃ dʑɛftʃˈɨnɔ̃, mˈak. jˈuʃ ɲʲɛ rˈas nˌarɔbʲˈiwa nˈam mnˈustfɔ kwɔpˈɔtuf.|0
+Dataset/wavs/urwisko_ferenc/59_segment_111.wav|f tˈakim rˈaʑɛ mˈuʃɛ pˈanɔm pʃɨpˈɔmɲʲɛtɕ, ʒˈɛ dʑˈɛtskɔ zɔstˈawɔː ˌɔdnalɛʑˈɔnɛ f sˌamɔxˈɔdʑɛ, ktˌurɨ stˈaw na parkˈiŋɡu f tsˈɛntrum mʲˈasta.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_315.wav|naˈutʃɨʃ ɕɛ vˈaltʃɨtɕ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_162.wav|rˈɔpp stˈarɡ zaskˈɔtʃɨw mɲʲɛ f ʃɛptʃˈɔntsɨm lˈɛɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_318.wav|pamjˈɛntaʃ tɛn dʑˈɛɲ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_98.wav|najvˈɨʒɛj najblˈiʃʃɛj rɔdʑˈiɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_180.wav|marɡˈarɨ ɲʲɛ ratʃˈɨwa ˌɔtpɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_193.wav|zvˈɨklɛ tˈaɡ vwˈaɕɲʲɛ ɔkrˈɛɕlaw tɛn stˈan, zˌaɡaɲʲˈajɔnts mɲʲɛ dɔ spˈaɲʲa, kʲˈɛdɨ bˌɨwam marˈudnɔ̃ ˌɔɕmʲɔlˈatkɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_103.wav|mˈɔi rɔdʑˈitsɛ bˌɨli jˈuʃ pɔ ʃˌɛʑdʑɛɕˈɔnttsɛ, a kʲˈɛdɨ dʑˈɛtskɔː ɔɕˈɔŋɡɲʲɛ pˌɛwnɔlˈɛtnɔɕtɕ, bˌɛndɔ̃ dɔbjˈɛɡatɕ ˌɔɕɛmdʑɛɕˈɔntki.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_6.wav|ɔː ˈɔknɔː ɔbʲˈija ɕɛ ˈɔsa, ktˌura prubˈujɛ ɕɛ stˈɔnd vɨdˈɔstatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_133.wav|mˈɔʒɛ tɔ jˈɛdnak ɲʲɛ jɛst tˈaɡ zvˌarjɔvˈanɨ pˈɔmɨsw,|4
+Dataset/wavs/urwisko_ferenc/65_segment_174.wav|mˈɔɲitsˌɛ, bɨwˈɔbɨ pʃˈɨkrɔ, ɡdˈɨbɨ pˈaɲi ˌɔdmuvˈiwam.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_119.wav|nˈaʃ kuzˈɨnɛɡ vrˈutɕiw dɔ krulˈɛfskʲɛj pʃɨstˈaɲi, bˈɨ zˈɔstatɕ jˈɛdnɨm z zˌapʃɨɕɛ̃ʒˈɔnɨx mʲˈɛtʃɨ vʲɛlkʲˈɛɡɔ sɛptˈɔna.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_189.wav|ɔt ɕtɕˈanɨ dɔ ɕtɕˈanɨ zˌastavʲˈɔnɔ jˈɔ̃ fspartˈɨmi na kˈɔzwax stɔwˈami, a sˌufitˈɔvɛ krˈɔkfʲɛ bˌɨwɨ tʃˈarnɛ ɔt sˈadʑɨ.|1
+Dataset/wavs/urwisko_ferenc/47_segment_42.wav|mˈarjɛ tsˈɔɕ ɕtɕisnˈɛwɔ za ʃˈɨjɛ. sˈɔndʑɛ, ʒˈɛ ˌɔna w jˈakimɕ stˈɔpɲʲu dʑviɡˈawa kʃˈɨʃ tfˈɔiɣ ʒɨtɕˈɔvɨɣ vɨbˈɔruf.|0
+Dataset/wavs/urwisko_ferenc/04_segment_71.wav|mˈawɔ tɔ jˈuʃ tˈakix sˌɨtuˈatsji bˈɨwɔ?|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_77.wav|tˈu jɛst tɕˈɛmnɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_21.wav|vʲˈɛjskim ˌɔbɨtʃˈajɛm kˈivnɔw nˈamɲʲɛ pˈaltsɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_66.wav|tˈɔm zɛʃtˈɨvɲʲaw.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_86.wav|vʲˈɛnts nazˈɨvam ɡˈɔ psˈɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_196.wav|tɔ ɲʲɛ tˈɨlɛ lˈat minˈɛwɔ, ˌalɛ ja ɲʲɛ mˈɔɡɛ zapˈɔmɲʲɛtɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_18.wav|filˈipa xtɕˈawa mi jˈɛ pʃɨdʑˈɛlitɕ, ˌalɛ pˌɔvʲɛdʑˈawɛm jɛj, ʒˈɛ tɔː ˌapsɔlˈutɲʲɛ ɲʲɛ fxˈɔdʑi w raxˈubɛ. zˌaɡrɔzˈiwa mi zvɔlɲʲˈɛɲʲɛm, ˌalɛ xˈɨba ˌɔstatˈɛtʃɲʲɛ tɔ ja zvˌɨtɕɛ̃ʒˈɨwɛm.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_36.wav|jˈɛɡɔ bɛstʃˈɛlnɔɕtɕ rˌɔsɕmʲɛʃˈɨwa tsɛrsˈɛi.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_47.wav|ɡdˈɨ viktˈarjɔn strˈatɕiw rˌuvnɔvˈaɡɛ, jˈɛɡɔ tˈartʃa ˌɔbrutɕˈiwa ɕɛ na drˈuɡɔ̃ strˈɔnɛ. xfˈɨtɕiw vʲˈɛnts mʲˈɛtʃ sɛrjˈɛɡɔ w ʒɛlˈaznɔ̃ pʲˈɛɲɕtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_88.wav|çistˈɔrja stˈara jˈak ɕfʲˈat.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_75.wav|jɛdnˈɛɡɔ lvˈa mɲʲˈɛj.|1
+Dataset/wavs/urwisko_ferenc/46_segment_4.wav|spɔdʑˈɛvaw ɕɛ, ʒˈɛ prˌɔkurˈatɔr jˈɛdnak ɕɛ tˈu pɔjˈavi. mˈimɔ tɔ pˌɔstanˈɔviw rˈɔbʲitɕ sfˈɔjɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_39.wav|pˈɔkaʃ mi tɔ zdjˈɛɲtɕɛ. ɕˈɛŋɡam dɔ jˈɛɡɔ kˈurtki, prubˈujɔndʑ vɨmˈatsatɕ kʲɛʃˈɛɲʲɛ. dˈaj mi tɛlˈɛfɔn.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_155.wav|ɡdˈɨ mʲˈɛtʃ sˈɛrji lˈuna pʃˈɛtɕɔw ʃnˈur,|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_197.wav|kʲˈɛdɨ ˈɔjtɕɛdʑ dɔ ɲʲˈɛj pʃˈɨjdʑɛ, dˈɔvʲɛ ɕɛ ɔt ɲʲˈɛɡɔ ktˈɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_207.wav|ɲʲˈɛznam ɕɛ na prˈavʲɛ, kɔxˈaɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_543.wav|ʃɨkˈujɔnts pˌɔmjɛʃtʃˈɛɲʲa dla pʃɨʃwˈɛɡɔ butʲˈiku.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_65.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_13.wav|ˌalɛ ˌɔna ɡwˈupja. tsˈɔ kɔbʲˈita, pˈaɲʲɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_237.wav|ɲʲɛ bˌɨwɛm pˈɛvʲɛn, tʃɨ tɕˈɛ tˈu zastˈanɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_122.wav|ɔznˈajmja zˌakwadˈajɔnts rˈɛntsɛ na pʲˈɛrɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_119.wav|bʲˈillɨ ɲʲˈɛma tˌɛlɛfˈɔnu zˌarɛjˌɛstrɔvanˈɛɡɔ na davˈida lɔtskrˈidʒa. dʒˈɔrdʒ ˌaɲi frˈaŋk ˌɛmtsˈɛ ˈintɔʃ mu takʲˈɛɡɔ ɲʲɛ dˈali. ˌaɲi kɔmˈurki na kˈartɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_21.wav|filˈipa miltʃˈawa pʃˈɛs xfˈilɛ, a tˈɔm jɛj ɲʲɛ pʃɛrˈɨvaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_113.wav|tʃɨmˈawa jˈɔ̃ pʃɛt sˈɔbɔ̃, jˈaɡbɨ ˌɔswaɲʲˈajɔnts ɕɛ pʃˈɛttɨm, tsˈɔ nastˈɔmpi f tɕˈɔŋɡu najblˈiʃʃɨx mɲʲˈɛj vʲˈɛntsɛj tʃˈɨstu sˈɛkunt.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_77.wav|na tsˈawɛj skˈuʒɛ tʃˈujɛ ɡˈɛɲɕɔ̃ skˈurkɛ zˈɛ strˈaxu. tʃɨ za ɕfʲatwˈami ktˈɔɕ ɕɛ xˈɔva?|3
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_31.wav|a pʃɨnˈajmɲʲɛj mˈam tˈakɔ̃ ʃtʃˈɛrɔ̃ nadʑˈɛjɛ. f tˈaɲtsu zˈɛ smɔkˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_41.wav|zˈɔbatʃ, skˌɔntsɛntrˈɔvaw ɕɛ na jɛj swˈɔvax, a ɲʲɛ nˈatɨm, tsˈɔ dʑˈawɔ ɕɛ na stˈɔlɛ pʃɛt jˈɛɡɔː ɔtʃˈami.|3
+Dataset/wavs/urwisko_ferenc/03_segment_27.wav|xˈɛrman vrutɕˈiwa dɔ ɡwuvnˈɛɡɔ vˈɔntku.|0
+Dataset/wavs/urwisko_ferenc/11_segment_59.wav|bɔrˈɛvitʃ pʃˈɛʒɨw kɔlˈɛjnɨ kˈɛ̃z drˌɔʒdʒɔvˈɛɡɔ tɕˈasta.|0
+Dataset/wavs/urwisko_ferenc/09_segment_46.wav|nˈɔː ˌalɛ jˈaki tɔ mˈa zvʲˈɔ̃zɛɡ z ɡlatsˈɔfskim?|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_241.wav|mɨ mˌamɨ sfˈɔjɛ rˌɛɡulamˈinɨ, tɔ f kˈɔɲtsu sprˈava.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_68.wav|mʲɛvˈatɕɛ mnˈustfɔ rˈuʒnɨɣ ɡˈɔɕtɕi, a kˌɔlɛʒˈaŋki mˈili stˈalɛ ɕɛ tˈu krˈɛntsɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_58.wav|pˌɔdɛjmˈujɛ ɔɡrˈɔmnɛ rɨzˈɨkɔː ˌɔbjɛtsˈawam aʃˈɔvi, ʒˈɛ ɲʲɛ pˈuʃtʃɛ pˈarɨ z ˈust ˌɔkwamˈawam ɡˈɔ, ˌalɛ tɔ ɲʲˌɛistˈɔtnɛ ˈufam tˈɔbjɛ i tˌɨlkɔ tˈɔbjɛ|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_13.wav|a pˈɔtɛm, kʲˈɛdɨ pʃˈɛʃɛd jˈuʒ bˈul i mˈukw pɔrˈuʃatɕ paltsˈami, znˈuv vɨkrˈɛɲtɕiw nˈumɛr.|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_29.wav|mˈɔɡɛ zapˈɨtatɕ, ɔ tʃɨm jɛst pˈaɲska kɕˈɔ̃ʃka?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_14.wav|ˌɔblizˈawam ˈusta i ˌuɕmʲɛxnˈɛwam ɕɛ dɔ ɲʲˈɛɡɔ sˌuɡɛstˈɨvɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_14.wav|kɕɛ̃ʒɲˈitʃka bˌɨwa nˈavɛt skwˈɔnna rɔzvˈaʒɨdʑ villˈasa tɨrˈɛlla.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_238.wav|s pɛvnˈɔɕtɕɔ̃ ɲʲˈɛxtsɛ, ʒˈɛbɨ jˈɔj vˈɨʃwa za sˈɨna jˈakʲɛjɕ pɔtstˈɛmpnɛj, zdradlˈivɛj sˈuki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_10.wav|vɨtɕˈɔŋɡa rˈɛŋkɛ i vɨjmˈujɛ ɡˈɔ z jɛj dwˈɔɲi. rˈɔbʲi tɔ dˌɛlikˈatɲʲɛ i dʑɛftʃˈɨna ɲʲɛ stˈavja ɔpˈɔru.|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_167.wav|bɔnˈanza, pɔvʲˈɛdʑaw pʃˈɨbɨʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_32.wav|ɲʲɛ spuɕtɕˈiwɛʑ vˈɔdɨ, fˈuj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_276.wav|i tsˈawa mˈɔja prɛtˈɛnsja dɔ ɲʲˈɛj rˈaptɛm rˌɔspwɨnˈɛwa ɕɛ f tʃuwˈɔɕtɕi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_36.wav|zvalɲʲˈatɕɛ mɲʲɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_193.wav|bˈardʑɔ tɕi fspuwtʃˈujɛ.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_213.wav|vˈɨrvaw rˈɛŋkɛ i fstˈaw, nˌapavˈajɔnts ɕɛ bravˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_156.wav|kɔbjˈɛta mˈɔɡwabˌɨ pʃˈɨjʒɛtɕ ɕɛ uvˈaʒɲʲɛj mˈɨɕli bʲˈili.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_311.wav|zˌarɛjˌɛstrujˈɛmɨ pˈartjɛ pʃˌɛbatʃˈɛɲʲa.|0
+Dataset/wavs/urwisko_ferenc/27_segment_27.wav|ʒˈɛbɨ mʲˈawa pˈaɲi ɡdʑˈɛ mʲˈɛʃkatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_97.wav|dvˈaj mɛ̃ʃtʃˈɨʑɲi fskakˈujɔ̃ s pɔvrˈɔtɛm dɔ vˈɔzu. dʒvˈi ɕɛ zˌasuvˈajɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_316.wav|lˈɛdvɔ tʃɨtˈɛlnɔ̃ f tɨm ɲʲɛʒˈɨvɨm, jˈɛʃtʃɛ ʑimˈɔvɨm ɡˈɔ̃ʃtʃu. i nˈaɡlɛ zˌɔbatʃˈɨwɛm s tʃɛrɲʲˈawɛ pˌɔrɔɕɲʲˈɛntɛ mɛkxˈɛm...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_131.wav|i pʃɛrvˈaɲʲɛ tɕˈɔŋɡu kwˈamstf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_195.wav|pˌɔtskakˈujɛ na dʑvˈɔnɛk tˌɛlɛfˈɔnu stˌatsjɔnarnˈɛɡɔ. tɔː ˈirv dˈɛan. pʃˈɨʃwa pˈatʃka z ˌamazˈɔna ˌinfɔrmˈujɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_11.wav|pˈɔttʃas jˈazdɨ zˈɛrkam pʃˈɛs ˈɔknɔ na lˈudʑi spʲɛʃˈɔntsɨɣ dɔ prˈatsɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_138.wav|pɔvˈinnam bˌɨwa vʲˈɛdʑɛtɕ, ʒˈɛ ɲʲɛ zrˈɔbʲiw tˌɛɡɔ stsˈɔtt.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_657.wav|pʃɨklˈɛpaw vˈɔntwɛ ˌuvwɔɕˈɛɲʲɛ na skrˈɔɲʲax.|0
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_3.wav|dɔstˈawɛm na ˌurɔdʑˈinɨ vʲˈɛlki plˈakad z rˈusɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_345.wav|ˌalɛ tɔ ɕɛ tˈak ɲʲɛ skˈɔɲtʃɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_45.wav|ɲʲɛ ˈumjɛm kɔʒˈɨstadʑ z ˌaplikˈatsji ɡrafˈitʃnɨx, vˌɨjaɕɲˈiwam. ˌalɛ pˈɔvʲɛts, tsˈɔː ˈɔtɨm mˈɨɕliʃ?|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_215.wav|tɔ zupˈɛwɲʲɛ ˈinnɛ pʃˌɛtɕɛ̃vʑˈɛɲtɕɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_78.wav|jˌɛstɛɕ tˌaki xɔlˈɛrɲʲɛ vɨsˈɔki.|3
+Dataset/wavs/urwisko_ferenc/27_segment_37.wav|xˈɛrman mʲˈawa vraʒˈɛɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_27.wav|mˈɔʒɛ zavʲˈɛʑlibˌɨ tɕˈɛ na jˈakʲɛɕ ɔdlˈudʑɛ i tˈam zabʲˈili. pˌɔstɔmpˈiwɛɕ swˈuʃɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_103.wav|sɔ̃ tˈak ɲʲɛzvˈɨklɛ pʃˌɛɲiklˈivɛ.|3
+Dataset/wavs/urwisko_ferenc/09_segment_86.wav|mˈarjɛ pʃˌɛrazˈiwɔ tɔ, ʒˈɛ kwˈamstfɔ dɔdˈawɔ jɛj ɔdvˈaɡʲi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_24.wav|w lˌinkɔlnʃˈajɛr ɲʲɛ mʲˌɛliɕmˌɨ ɲikˈɔɡɔ, bˌɨwɔ tˌɨlkɔ nastrˈɔjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_305.wav|tsˈawɨ tʃˈas ˌuvaʒˈawam, ʒˈɛbɨ ɲʲɛ dˈɔstatɕ ɕɛ pɔd ɡʲˌiɡantˈɨtʃnɛ kˈɔwa.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_314.wav|pɔ dvˈux tɨɡˈɔdɲʲax jɛj tɕɛrplˈivɔʑdʑ vˌɨtʃɛrpˈawa ɕɛ ɲʲˈɛmal tsˌawkɔvˈitɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_101.wav|stʃˈɛj mɛ̃ʃtʃˈɨʑɲi vˌɨrɨvˈajɔ̃ nˈapʃut, vˈidatɕ, ʒˈɛ tˌɨlkɔ ʒˈartɕɛ im w ɡwˈɔvʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_15.wav|jɛst tsˈɔɕ, tsˈɔ mˈɔɡɛ zrˈɔbʲitɕ, xˈɔdʑbɨ pˈɔtɔ, bˈɨ pɔtfʲˈɛrdʑitɕ, ʒˈɛ tˈata ftɕˈɔ̃ʒ ʒˈɨjɛ.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_116.wav|zbʲˈir zˈabʲiw ɡˈɔ zˈatɔ, ʒˈɛ pɔvʲˈɛdʑaw, ʒˈɛ mˈɔja mˈatka bˌɨwa pʲɛŋkɲʲˈɛjʃa ɲˈiʃ swˈɔvik.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_37.wav|rˈɔp pɔkˈivaw ɡwˈɔvɔ̃, a tˈɔm kˌɔntɨnuˈɔvaw.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_378.wav|jˌɛstɛm zɡubjˈɔna, kɨbˈɛrɲʲa.|1
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_17.wav|ˌalɛ zvˈɨklɛ jˈɛm pˈulpɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_55.wav|ɲˈiɡdɨ jɛj ɲʲɛ ˌɔkwamˈaliɕmˌɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_170.wav|uvʲˈɛlbjam tɔ mʲˈɛjstsɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_18.wav|vʲɛdʑˈawɨ ɔ jˈɛɡɔ rɔmˈanɕɛ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_72.wav|ˌuɕfʲadˈamjam sˈɔbjɛ, ʒˈɛ zˌasɨpˈawam tˈɛ kɔbjˈɛtɛ pˌɨtaɲʲˈami, vʲˈɛnts ɕɛ zamˈɨkam, mˈɔdlɔnts ɕɛ ɔ dˈɔbrɔ̃ ɔtpˈɔvʲɛtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_114.wav|mɲʲˈɛj vʲˈɛntsɛj.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_143.wav|tsɔdʑˈɛnɲʲɛ pˈatʃɨw na tˈakʲɛ stsˈɛnɨ dʑɛɕˈɔntki rˈazɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_57.wav|dˈɔbʒɛ jɛst mʲˈɛtɕ pʃɨjˈatɕuw, ktˌurɨm nˈamɲʲɛ zalˈɛʒɨ, ˌalɛ tɕˈɛʃɛ ɕɛ, ʒˈɛ jˈuʃ sˈɔbjɛ ˈidɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_22.wav|stˈarɨ napˈisaw, ja vʲˈɛm, ˌalɛ tɔ pʃɨjˈɛmɲʲɛ mˈɨɕlɛtɕ, ʒˈɛ mʲˈɛʃka ɕɛ w mʲɛʃkˈaɲʲu, f ktˌurɨm mʲɛʃkˈawa mwˈɔda ɔsˈɔba.|0
+Dataset/wavs/urwisko_ferenc/43_segment_69.wav|rˈas tˌɨlkɔ vʲˈadr zˌaʃɛlˈɛɕtɕiw f kɔrˈɔnax klˈɔnuf.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_390.wav|vɨpˈɛwɲiw dvˈa puxˈarɨ ɲʲɛzvˈɨkwɨm tʃˈarnɨm vˈinɛm, ktˌurɛ bˌɨwɔ ɡˈɛ̃stɛ jˈak mʲˈut.|1
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_53.wav|dˈalɛ jɛzd dˈɔbrɨm nˌautʃɨtɕˈɛlɛm. mˈuʃɛ jˈɛʃtʃɛ vʲˈɛlɛ ɕɛ naˈutʃɨtɕ, bˈɔ tɔ trˈudna i ɲʲˌɛbɛspʲˈɛtʃna ʃtˈuka.|4
+Dataset/wavs/urwisko_ferenc/62_segment_35.wav|rɔzˈumjɛm, pˌɔvʲɛdʑˈawa mˈarja.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_77.wav|ˈɛlis na xfˈilɛ zamˈilkwa. vrˈɛʃtɕɛ pˌɔvʲɛdʑˈawa.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_96.wav|skˈura bˌɨwa vilɡˈɔtna ɔt pˈɔtu, xwˈɔdna i lˈɛpka w dɔtˈɨku.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_6.wav|ˌalɛ dlatʃˈɛɡɔ?|3
+Dataset/wavs/urwisko_ferenc/39_segment_47.wav|mˈarja utˈarwa tfˈaʃ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_413.wav|i s xutʃˈɔntsɔ̃ jˈuʒ ɡwˈɔvɔ̃ spɔtkˈawɛm zbjˌɛɡajˈɔntsɛ ɕɛ pɔkˈɔrɲʲɛ ˈuda.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_12.wav|z ɲʲɛsfˈɔrnɔ̃ kˈɛmpɔ̃ jˈasnɨɣ vwˈɔsuv zˈafʃɛ ˌɛmanˈujɛ ɛnˈɛrɡjɔ̃ i radˈɔɕtɕɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_124.wav|pʃɛvrˈatsa ɕɛ na bˈɔk, tfˈaʒɔ̃ dɔ ɕtɕˈanɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_144.wav|zˈamjast tˌɛɡɔ pɔtʃˈuwam spˈɔkuj.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_41.wav|pɔt jˈɛdnɔ̃ zˈɛ ɕtɕˈan znˌajdɔvˈawɨ ɕɛ dvʲˈɛ zˌabudɔvˈanɛ prˈɨtʃɛ. rˌɔzvʲɔ̃zˈaɲʲɛ bˈardʑɔ rˌɔspɔfʃɛxɲʲˈɔnɛ fɕrˈut ˌartɛmizjˈaɲskʲɛj klˈasɨ ɲˈiʃʃɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_106.wav|rˈudɨ zavʲˈɛɕiw ɡwˈɔs i pʃɛxˈɨliw ɡwˈɔvɛ f strˈɔnɛ dʒvˈi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_165.wav|ˌalɛ na rˈaʑɛ vɨstˈartʃɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_105.wav|bˈɨw dˌɛlikˈatnɨ, tʃˈuwɨ i vʑˈɔw sprˈavɛ f sfˈɔjɛ rˈɛntsɛ, ˈaʃ pɔtʃˈuwam ɕɛ ɡɔtˈɔva.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_7.wav|ˌalɛ jˈaɡ vɨjˈaɕɲʲɛ tsˈurtsɛ, ʒˈɛ jɛj ˈɔjtɕɛdʑ zˈabʲiw dvʲˈɛ ɔsˈɔbɨ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_122.wav|nˈɔ dˈɔbʒɛ, ʒˈutɕiw tˈakɔ̃. fʃˈɨstsɨ dɔ mɲʲɛ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_58.wav|lˈɛpʃɛ tɔː ɔd zˌabʲijˈaɲʲa, pɔvʲˈɛdʑaw xwˈɔpak.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_327.wav|ˌalɛ ʑˈimnɔ zˌaxɔvˈujɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_36.wav|ˈɛlis pʃɛstˈajɛ rˌɔstʃɛsˈɨvatɕ pɛrˈukɛ i pˈatʃɨ mu prˈɔstɔ f tfˈaʃ.|2
+Dataset/wavs/urwisko_ferenc/12_segment_22.wav|mˈarja pɔnˈɔvɲʲɛ vɨbrˈawa nˈumɛr dɔ mɛ̃ʃtʃˈɨznɨ, ˌalɛ fkrˈuttsɛ ɕɛ pɔddˈawa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_21.wav|tɛn fˈatsɛt f sˌamɔxˈɔdʑɛ pɔʒˈɔndɲʲɛ mɲʲɛ vɨstrˈaʃɨw.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_10.wav|kʲˈɛdɨ ɕɛ pˌɔruʃˈɨwa, uɕˈadwa i znalˈazwa pantˈɔflɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_59.wav|nˈɔ ɕmʲˈawɔ, zɡˈaduj.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_12.wav|pˈɔpatʃ na tˌɛɡɔ fatsˈɛta w ɲʲɛbjˈɛskʲɛj kɔʃˈuli. vˈidʑiʃ jˈɛɡɔ bʒˈux?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_115.wav|fprˌɔvadʑˈɛɲʲɛ lˈudʑi na vwaɕtɕˈivɛ tˈɔrɨ kˈu ˌɔsɔbʲistˈɛmu spɛwɲʲˈɛɲʲu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_83.wav|ɲˈikt mˈa ˌupɔdɔbˈaɲʲɛ dɔ klasˈɨtʃnɨx ˈawt. tˈak pʃɨnˈajmɲʲɛj swɨʃˈawɛm.|2
+Dataset/wavs/urwisko_ferenc/34_segment_75.wav|zwˈa dʑɛftʃˈɨŋka|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_152.wav|rˈuvɲʲɛʃ ɲˈits. ɲʲɛ pɔzvˈala im ɕɛ ɲˈiɡdɨ lˈatatɕ sˈɔlɔː i ɲʲɛ zdˈaʒa ɕɛ z ɲˈimi ɲˈits.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_445.wav|a mɨ ɔbˈɔjɛ lɛʒˈɨmɨ jˈak f trˈumɲʲɛ, nat nˈami pɔxˈɨwɛ ˈɔknɔː i vʲˈɛlki kˈavaw ɲʲˈɛba.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_54.wav|tˈɨlɛ, ʒˈɛ ɔn pɔmˈɨɕli, ʒˈɛ tɛ rumjˈɛɲtsɛ tɔː ɔt tʃˈɛɡɔɕ innˈɛɡɔ. ɲʲɛdˈɔbʒɛ, bˈardʑɔ ɲʲɛdˈɔbʒɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_132.wav|ɲʲˈɛma f tɨm ɲˈidʑ zdrɔʒnˈɛɡɔ, jˈɛɕli vˌɨkɔʒˈɨstam sfˈɔjɛ znˌajɔmˈɔɕtɕi, ʒˈɛbɨ... ɲʲɛ dʑɛŋkˈujɛ!|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_487.wav|sɔ̃ jˈuʃ na tˈamtɨm bʒˈɛɡu ˈalbɔ w zupˈɛwɲʲɛ ˈinnɨm vɨmjˈaʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_269.wav|w brˈatstfʲɛ s krˌulɛfskʲˈɛɡɔ lˈasu tˈɛʒ bˌɨwa kɔbjˈɛta.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_50.wav|dlatʃˈɛɡɔ mˈuʃɛ pɔzˈɔstatɕ f tʃˌɨixkˈɔlvʲɛk rˈɛŋkax?|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_165.wav|dʑɛvˈitsɛ jɛj ɲʲɛ pˌɔtʃɛbɔvˈawɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_189.wav|ˌutʃɨmˈɨvaw ɕɛ dvʲˈɛ ɡɔdʑˈinɨ.|4
+Dataset/wavs/urwisko_ferenc/49_segment_61.wav|a mˈɔʒɛ f tɨm fʃˈɨstkim jɛst tsˈɔɕ, tʃˈɛɡɔ ɲʲɛ vˈidʑiʃ, drˈɔɡa mˈarjɔ?|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_67.wav|ʒˈɛtʃ jˈasna, marɡˈarɨ mˈa prˈavɔ zaʒˈɔndatɕ, bˈɨ ɔ jɛj vˈiɲʲɛ bˈɔɲtɕ ɲʲˌɛvinnˈɔɕtɕi rˌɔsstʃɨɡnˈɛwa prˈuba ɔrˈɛ̃ʒa.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_240.wav|ʒˈɛka spɔtˈɨka ɕɛ tˈu z zatˈɔkɔ̃. prˈɔndɨ vˈaltʃɔ̃ zˈɛ sˈɔbɔ̃ i na nˈaʃɨɣ bʒˈɛɡax lɔndˈujɛ vʲˈɛlɛ ɲʲɛzvˈɨkwɨx i tsudˈɔvnɨɣ ʒˈɛtʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_123.wav|vˈaʃa mˈiwɔɕtɕ, jˈɛɕli wˈaska ˈɔna...|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_390.wav|kˈɔɲiŋktɔn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_139.wav|a zˈatɛm, mˈɨɕli bʲˈillɨ, xˈɔff ɲʲɛ ʒˈɨjɛ. ɡʲˈɔrɡjɔ prˈavʲɛ na pˈɛvnɔ ɲʲɛ ʒˈɨjɛ, a ɲˈitsk mˈa ʒɛlˈaznɛ alˈibʲi.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_319.wav|jˈɛɡɔ tˌɔvaʒˈɨʃɛ z zawˈɔɡʲi pˌɔpatʃˈɨli na ɲʲˈɛɡɔː i rɨknˈɛli ɕmʲˈɛxɛm. na ɕˈɛdɛm pʲˈɛkʲɛw, xwˈɔptʃɛ!|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_112.wav|ja vrˈatsam dɔ lˌakɛsˈidɛ, ʒˈɛbɨ stˈavitɕ tʃˈɔwɔː ˌaramˈɔvi.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_92.wav|sˈanxɛz zˌastanavʲˈawa ɕɛ pʃˈɛs xfˈilɛ nat mɔˈimi swɔvˈami i f kˈɔɲtsu pˌɔkivˈawa ɡwˈɔvɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_486.wav|ɡˈarɨ ɲʲɛ stfʲˈɛrdʑiw, ʒˈɛ tɔ ɲʲɛ jɛst tɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_37.wav|jˈak jˈuʃ pˈada, tɔ na tsawˈɛɡɔ, dɔdˈajɛ rˈɛɡɡʲɛ. ɲʲɛ tɔ tsˈɔ w vˈɛɡas, ʃˈɛfjɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_71.wav|xfˈila ta skɔɲtʃˈɨwa ɕɛ jˈɛdnaɡ dˈɔɕtɕ ʃˈɨpkɔ vrˈas s pɔvrˈɔtɛm sˈarɨ, ktˌura ˌuspɔkɔˈiwa sfˈɔjɛ dʑˈɛtɕi i zˌaɡɔɲˈiwa jˈɛ na pʲˈɛntrɔ, ʒˈɛbɨ pʃˌɨɡɔtɔvˈawɨ ɕɛ dɔ pˈujɕtɕa dɔ wˈuʃka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_31.wav|zastˈɔmpiw jˈɔ̃ fˈatsɛt ɔ blˈiskɔ fsxˈɔdɲim vɨɡlˈɔɲdʑɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_114.wav|w ɔɡˈulɛ jˈɔ̃ pˈaɲi vwɔntʃˈawa?|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_149.wav|tʃɨ jˈudɨ tʃˈasɛm dʑvˈɔɲi dɔ ɲʲˈɛɡɔ pʲˈɛrʃa?|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_231.wav|xˈɔdʑbɨ wɔdʑˈanɨ f ʃˈatɛ mˌaɛstˈɛra ɲʲˈɛmʲaw na ʃˈɨi waɲtsˈuxa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_2.wav|jˈak na kˈɔɡɔɕ, ktˈɔ mˈa f krfʲɔbjˈɛɡu vʲˈɛntsɛj ˌalkɔxˈɔlu ɲˈiʒ vɨnˈɔɕi mˈuj pˈɔʑɔm tˌɔlɛrˈantsji, stˈɛvɛ ɲʲˈɛʑlɛ sˈɔbjɛ rˈadʑi s pˌɔdɔ̃ʒˈaɲʲɛm za sˌamɔxˈɔdɛm tɛj kɔbjˈɛtɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_196.wav|pɔ prˈɔstu zɔstˈawa i dˈalɛj tˈam pratsˈujɛ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_361.wav|spʃɛdˈavawbˌɨm ʃnˈur i zrˈɔbʲiwbˌɨm majˈɔntɛk.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_173.wav|mɔʒˈɛmɨ sprɔvˈadʑitɕ prˈɔvʲand z bliʑɲʲˈakuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_65.wav|vɨmˈaɡaw ɔt sfˈɔjɛj spˌɔwɛtʃnˈɔɕtɕi stˌuprɔtsˌɛntɔvˈɛɡɔː ɔddˈaɲʲa, a dʑˈɛtskɔ vˌɨmaɡawˈɔbɨ ɔt rɔdʑˈitsuf pʃɨjˈɛɲtɕa ˈinnɨx prjˌɔrɨtˈɛtuf.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_80.wav|a dlatʃˈɛɡɔ ɲʲɛ? pʃˌɛtɕɛʃ tɔ prˈavda.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_66.wav|urˈɔdʑi jˈɛ w vʲɛ̃ʑˈɛɲʲu, ˌalɛ vˈɨrɔɡ bˌɛɲdʑɛ dwˈuɡʲi, ɲʲɛ vʲadˈɔmɔ vʲˈɛnts, jˈaɡ dwˈuɡɔ bˌɛɲdʑɛ mˈɔɡwa jˈɛ zatʃˈɨmatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_6.wav|tˈɔm pɔpˈatʃɨw na pˌɔzɔstˈawɨx.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_196.wav|pˈɔɲih pʃɨxˈɔdʑɔ̃ ɕfʲattʃˈɛɲʲa publˈitʃnɛ i pˈɔmɔts spɔwˈɛtʃna.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_16.wav|mˈuvi sfˈɔim spɔkˈɔjnɨm, lɛkˈarskim tˈɔnɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_242.wav|f kˈɔɲtsu ɕɛ ˌuɕmʲɛxnˈɔwɛɕ, bjˈɔrɔndʑ bjˈɛrnɨ ˈudʑaw w jˈakʲɛjɕ mˈawɛj pʃɨɡˈɔdʑɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_74.wav|ɲˈits tɕi ɲʲɛ jˈɛst?|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_219.wav|ˈɛlljɛ zvˈɔdʑi vzrˈɔkʲɛm mʲˌɛndʑɨ ɲˈimi, jˈaɡbɨ ˌɔɡlɔndˈawa mˈɛtʃ tˌɛɲisˈɔvɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_8.wav|w ˈɔtʃax pˌɔzɔstˈawɨx ɲʲɛ bˌɨwɔ vˈuftʃaz ʒadnˈɛɡɔ fspuwtʃˈutɕa, jɛdˈɨɲʲɛ ˈulɡa.|3
+Dataset/wavs/urwisko_ferenc/55_segment_99.wav|kɔbjˈɛtsɨ samˈɔxut, pˌɔmɨɕlˈawa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_118.wav|swˈɨʃɛ pˌɛŋkajˈɔntsɔ̃ pɔtʃˈɛfkɛ, kˈɔntɛm ˈɔka zˈɛrkam pʃˈɛs ˈɔknɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_235.wav|tˈak mˈɔʒɛ ɲʲɛ vˈartɔ.|0
+Dataset/wavs/urwisko_ferenc/36_segment_57.wav|ɕmʲˈɛrtɕ f sˌamɔxˈɔdʑɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_120.wav|mˈam dˈɔɕtɕ tfˈɔix pɔɡrˈuʒɛk.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_198.wav|ˌɔdɡrɔdʑˈiwa ɕɛ snˈɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_297.wav|xtɕˈawɛm sprˈavdʑitɕ, jˈaɡ dwˈuɡa jɛst lˈiɲʲa jɛj ʒˈɨtɕa. i ˌɔna mi tˌɛɡɔ ɲʲɛ brɔɲˈiwa. ˌuɕmʲɛxˈawa ɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_86.wav|ˌɔna rˈuvɲʲɛʃ nˈamɲʲɛ pˈatʃɨ, ˌalɛ ɲʲɛ ɔdʑˈɨva ɕɛ ˌaɲi swˈɔvɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_105.wav|ɲʲˈɛvʲɛ ˈɔtɨm ɲˈikt pˈɔza stsˈɔttɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_246.wav|sˈɨstɛm ˌɔtprɔvadʑˈaɲʲa dvutlˈɛŋku vˈɛŋɡla w mˈɔim skafˈandʒɛ mʲˈaw stˈatuz ʑɛlˈɔnɨ.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_72.wav|i kɔpnˈɛwa wˈuʃkɔ tʃˌarɔvɲˈitsɨ, vɔwˈajɔnts|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_211.wav|ˌujadˈajɔ̃ nˈamɲʲɛ jˈak stˈadɔː ˌirɨtujˈɔntsɨx, pˌɔkɔjˈɔvɨx pʲˈɛskuf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_292.wav|tˈaɡ bˌɛɲdʑɛ lˈɛpʲɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_110.wav|ˈaram ɔd vʲˈɛlu lˈat mɲʲɛ vˌɨxɔvˈɨvaw, ˈutʃɨw ɔpʲˈɛratɕ ɕɛ pɔkˈuɕɛ, vˈaltʃɨtɕ s tˈɨm, tsˈɔ mˌatɛrjˈalnɛ. jˈak mˈɔɡwabˌɨm ɡˈɔ tˈɛraz zˈavʲɛɕtɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_21.wav|tfʲˈɛrdʑi, ʒˈɛ jɛst s xɔŋkkˈɔŋɡu i ʒˈɛ jɛst s xɔŋkkˈɔŋɡu.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_405.wav|ktˈɔ mˈuɡwbɨ prˈaɡnɔɲtɕ ɕmʲˈɛrtɕi lˈɔrda ɡʲillˈɛsa?|1
+Dataset/wavs/urwisko_ferenc/15_segment_102.wav|ɲʲɛ zdɔ̃ʒˈɨwɛm ɕɛ ɔt ɲʲˈɛj ɲitʃˈɛɡɔ dɔvʲˈɛdʑɛtɕ. bˌɨwa skrˈɨta. klasˈɨtʃna ɔfjˈara pʃɛmˈɔtsɨ dɔmˈɔvɛj.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_57.wav|pˈɛvɲʲɛ ʒˈadna zˈɛmɲʲɛ ɡɔspˈɔɕa rˈɔku, ˌalɛ f kˈuxɲi rˈadʑɛ sˈɔbjɛ ɲʲˈɛʑlɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_24.wav|vˈidʑɛ tʃtˈɛrɨ vˈɨjɕtɕa. w znˌajdujˈɔntsɨm ɕɛ na fprˈɔst fstavʲˈɔnɔ dʒvˈi, ktˌurɛ sɔ̃ ˌuxɨlˈɔnɛ. za ɲˈimi znajdˈujɛ ɕɛ waʑˈɛŋka.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_254.wav|tˈɛras jˈɔ̃ znˈaʃ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_113.wav|tˈak, xˈɛlɛn.|0
+Dataset/wavs/urwisko_ferenc/48_segment_2.wav|xˈɔdʑiw bˈɔsɔ pɔ ɡɔrˈɔntsɨm pʲˈasku, zanˈuʒaw ɕɛ w vˈɔdʑɛ, skˈakaw pʃˈɛs xwˈɔdnɛ fˈalɛ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_174.wav|ˈɛwrɔn ɔttrˈɔɲtɕiw na bˈɔk sfɔjˈɛɡɔ kˌɔtsmɔwˈuxa i fʃˈɛd na stˈuw.|1
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_61.wav|kʲˈɛdɨʑ bˌɨwaʑ ɡʒˈɛtʃnɔ̃ dʑɛftʃˈɨŋkɔ̃, ˌalɛ tˈɛras jˌɛstɛʑ zwˈa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_280.wav|ɔn stˈukatʃ, pɔsˈɛmpɲʲɛ ʒˈɛɡw ɡardwˈɔvɨm ɡwˈɔsɛm mˈuj kawkˈaski pˌɔbratˈɨmjɛts.|0
+Dataset/wavs/urwisko_ferenc/59_segment_141.wav|bˌɨwa pʃˌɛkɔnˈana, ʒˈɛ wˈɛ fˈɔrdʑɛ mˈɔɲikˌi xudʑˈiɲskʲɛj jˈɛntɛk ɲˈikt ɲʲɛ dˈɔstʃɛɡw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_7.wav|jɛɕˈɛɲʲɔ̃ zatʃˈɛwa ɕɛ ʃkˈɔwa, ɲʲɛktˌurɛ dʑɛtɕˈaki pʃˌɛzɨvˈawɨ mɲʲɛ bˈɛnji pˈiff pˈaff i zɔstˈawɛm na drˈuɡʲi rˈɔk.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_16.wav|zˈɛ stˈɔkɛ vˈart nadˈɛʃwɨ vʲˈɛɕtɕi muvʲˈɔntsɛ, ʒˈɛ lˈadɨ tˈanda zmˈarwa s pɔvˈɔdu pʃˌɛʑɛmbjˈɛɲʲa i kˈaʃlu vˌɨvɔwˈanɨɣ zwamˈanɨm bjˈɔdrɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_91.wav|jˈasnɛ, mˈam tsˈɔʑ dla tɕˈɛbjɛ pʃˌɛʃmuɡlˈɔvatɕ?|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_305.wav|vnukˈɔvɨ sɔ̃ jˈɛʃtʃɛ dʑˈɛtɕmi i mˈa tˈɛʒ dvʲˈɛ tsˈurki.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_85.wav|vʲɛ̃ʑˈɛɲʲa tˈɛʃ pʃˌɛʒɨvˈajɔ̃ krˈɨzɨs.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_25.wav|vˌɨbjɛrˈamɨ ɕɛ tˈɛras na drˈuɡɔ̃ tʃˈɛɲɕtɕ nˈaʃɨɣ vakˈatsji i nˈatʃɛd jˈuʃ tʃˈas, ʒˈɛbɨ rˈuʃadʑ w drˈɔɡɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_38.wav|jɛst ˌɔpatulˈɔna vɛwɲʲˈanɔ̃ ruʒˈɔvɔ̃ pɔdˈɔmpkɔ̃, w dwˈɔɲi tʃˈɨma kˈubɛk kˈavɨ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_61.wav|kʲˈɛdɨ ɔstˈatɲʲɔ xtɕˈawɛm jˈɔ̃ ɔdvʲˈɛdʑitɕ, jɛj mˈatka vɨlˈawa nˈamɲʲɛ tsˈawɨ kɔtɕˈɔwɛɡ zˈupɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_65.wav|ˌɔtʃɨvˈiɕtɕɛ, ɔː ˈilɛ zˈasnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_136.wav|— vʲˈɛm, ɲʲɛ spˌɔdʑɛvˈawɛɕ ɕɛ, ʒˈɛ pʃɨbˈɛɲdʑɛ tɕi drˈuɡa ɡˈɛmba dɔ vˌɨkarmʲˈɛɲʲa — pɔspʲˈɛʃɲʲɛ dɔdˈajɛ ˈɛlis.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_109.wav|lˈɛpʲɛj jˈuʃ ˈitɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_72.wav|tɔ tˌɨlkɔ jˈɛdna z mˌɔʒlivˈɔɕtɕi. w mˌanxɛstˈɛʒɛ sɔ̃ tɨɕˈɔntsɛ azjˈatuf i arˈabuf nɔʃˈɔntsɨx ˌɔkulˈarɨ, vʲˈɛnts ɲitʃˈɛɡɔ ɲʲɛ zˌakwadˈajmɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_23.wav|ʒawˈɔɕɲi z vˈas, kˈurva, ɡˈɔɕtɕɛ, ˌalɛ ɲʲˈɛʑlɛ stʃɛlˈatɕɛ, pɔvʲˈɛdʑaw. mˈɔʒɛ nˌautʃˈɨtɕɛ ɕɛ tˈɛʃ surfˈɔvatɕ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_72.wav|vʒˈutsam zdjˈɛɲtɕɛ s pɔvrˈɔtɛm dɔ ʃuflˈadɨ. sˈɛrtsɛ mi wɔmˈɔtʃɛ, kʲˈɛdɨ swˈɨʃɛ, jˈaɡ dɔmˈiɲik sxˈɔdʑi na dˈuw, bˈɨ ɔtfˈɔʒɨdʑ dʒvˈi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_53.wav|rˌɨzɨkˈɔvnɛ, ˌalɛ mˈɔʒɛ ɕɛ ˈudatɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_206.wav|tɔ ɲʲɛ bˌɨwɔ pɔtʃˈɛbnɛ. pamjˈɛntawbˌɨm jˈɛɡɔ tfˈaʃ ˈaʒ dɔ dɲʲˈa, f ktˈurɨm...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_44.wav|s pɛvnˈɔɕtɕɔ̃ vˌɨtʃɛʃtʃˈɨwam ˈɔtʃɨ. ɲˈiɡdɨ ɲʲɛ mʲˌɛliɕmˌɨ sˌamɔxˈɔdu, a tɛn bˈɨw naprˈavdɛ fˈajnɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_323.wav|pˈatʃɔnts pʃɛt ɕˈɛbjɛ zˈɛ fstʃɨmˈanɨm ɔddˈɛxɛm,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_44.wav|xtɕˈaw pʃɛkˈɔnatɕ pˌɔzɔstˈawɨx, ʒˈɛ tʃˈujɛ ɕɛ zˈɛmnɔ̃ ɲʲˌɛkɔmfɔrtˈɔvɔ sˈam na sˈam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_43.wav|ɲʲɛ maʃ ɲˈits pʃɛtɕˈifkɔ tˈɛmu, ʒˈɛbɨm pˌɔjɛxˈawa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_71.wav|tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ f prˌɔmɔntˈɔrɨ pˈɔint?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_196.wav|tˈɛras tɔ bˌɨwa studˈɛntka ˌakadˈɛmji ʃtˈuk pʲˈɛŋknɨx, pʃˌɨjmujˈɔntsa vizˈɨtɛ dɔtsˈɛnta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_99.wav|makˈintɔs pˈɨta, tʃɨ ɕɛ tʃˈɛɡɔɕ napˈijɔ̃. jɛzd vˈɔda sɔdˈɔva, pˈivɔ, lˌɛmɔɲʲˈada i mrɔʒˈɔna xɛrbˈata, mˈuvi.|2
+Dataset/wavs/urwisko_ferenc/62_segment_11.wav|mˈam vraʒˈɛɲʲɛ, ʒˈɛ s kˈaʒdɨm krˈɔkʲɛm zbliʒˈamɨ ɕɛ dɔ prˈavdɨ, ˌalɛ ftɕˈɔ̃ʃ jˈɛʃtʃɛ brakˈujɛ nˈam dɔvˈɔduf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_23.wav|ɲʲɛktˌuʒɨ z ɲˈix pˈarɛ dɲˈi ftʃˈɛɕɲʲɛj bˈɛz vɔntpʲˈɛɲʲa valˈili s kˌawaʃɲikˈɔvuv dɔvˈɔzuv blatskfˈatɛr.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_142.wav|dɔtsˈɛɲʲaw tˈɛʃ nˈaʃɛ fspˈartɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_166.wav|na kˌɔrɨtˈaʒu jˈɛdnak ɲʲˈɛma ɲikˈɔɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_153.wav|jɛst f ʃpitˈalu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_191.wav|i tɔ jɛj vˌɨstartʃˈɨwɔ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_54.wav|a tˈɔm ˈuznaw, ʒˈɛ ɲʲɛ jɛst tɔ nˌajrɔssɔndɲʲˈɛjʃɛ mʲˈɛjstsɛ na pɔzbˈɨtɕɛ ɕɛ naʒˈɛɲdʑa zbrˈɔdɲi.|3
+Dataset/wavs/urwisko_ferenc/37_segment_45.wav|— nˈɔ tɔ ɲʲˈɛvʲɛm. mˈɔʒɛ ktˈɔɕ s pˈaɲstfa jɛst tɕˈɔŋɡlɛ pˈɔza dˈɔmɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_45.wav|bʲˈillɨ zjˈada tsˈawɔ̃ pˈɔrtsjɛ, a pˈɔtɛm jˈɛʃtʃɛ ɔɡrˈɨza kˈɔɕtɕ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_392.wav|pˌɔxɨlˈiwa ɕɛ f strˈɔnɛ alˈain. tʃɨ tfˈuj ˈɔjtɕɛdʑ zamjˈɛʒa znˈɔvu ɕɛ ɔʒˈɛɲitɕ?|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_157.wav|dʑˈɛŋki tˌɛmu vʲɛdʑˈawam, ʒˈɛ vidʑˈɛli bwˈɨzɡ vɨbˈuxu.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_12.wav|znˈɔvu ʒˈuw kfˈaɕnɨ lˈiɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_158.wav|pɔdˈɔbɲʲɛ jˈak rɨsˈunɛk ʃˈan pʃˌɨklɛjˈɔnɨ tˈaɕmɔ̃ dɔ dˈɛski rɔzdʑˈɛltʃɛj, tɛn ɔ ktˌurɨm mʲˈaw napˈisadʑ z uɕmʲˈɛxɛm dumnˈɛɡɔː ˈɔjtsa, ʒˈɛ jɛzd dʑˈɛwɛm jˈɛɡɔ tsˈurki.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_18.wav|ɡdʑˈɛ pɔvˈinnɨ bˈɨdʑ dʒvˈi. pɔ drˈɔdʑɛ pʃˌɛvrutɕˈiwɛm kʃˈɛswɔː i znalˈazwɛm ɕɛ na dʒvˈi.|0
+Dataset/wavs/urwisko_ferenc/42_segment_105.wav|ˈɔlɡʲɛrt nˈabraw txˈu i bˈul zˈatʃɔw ɔtpwˈɨvatɕ. spɔkˈɔjɲʲɛ panˈujɛ nat fʃˈɨstkim ˈɔtpar.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_267.wav|ɲʲɛ zˌamjɛʒˈawa bˈɨdʑ z ɲˈim tˈak ʃtʃˈɛra, ˌalɛ swˈɔva sˈamɛ vɨrvˈawɨ ɕɛ z jɛj ˈust.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_20.wav|vˌɨɕilˈiwɛm vzrˈɔk, pʃˌɛxɨlˈiwɛm ɕɛ nˈavɛt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_40.wav|ˈɔtɔ jɛst pɨtˈaɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_94.wav|ˈidɛ f strˈɔnɛ kˈuxɲi, bˈɨ pɔʒˈɛɡnatɕ ɕɛ z dʑˈɛtɕmi i ʒˈutsam dɔ dˈɔma pʃˈɛs rˈamjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_110.wav|muɕˈitɕɛ tɔ rˈɔbʲitɕ f tɛj xfˈili?|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_126.wav|jˈuʃ ɲˈits mɲʲɛ tˈam ɲʲɛ tʃɨmˈawɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_222.wav|lˈudʑɛ sɔ̃ bˈardʑɛj skwˈɔnɲi zaˈufadʑ ʒˌɛtɛlnˈɛmu pʃɛstˈɛmptsɨ ɲˈiʃ kwˌamlivˈɛmu pʃˌɛtɕɛmbjˈɔrtsɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_43.wav|zarˈabjaw ɡwˈuvɲʲɛ na pʃɛtɕˈɛntnɨx lˈudʑax, ktˌuʒɨ pʃˌɨlatɨvˈali tˈu na vakˈatsjɛ ʒˈɨtɕa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_50.wav|dˌɛlikˈatnɨ jˈaɡ bˈabja lˈatɔ, ˌalɛ jˌɛdnɔtʃˈɛɕɲʲɛ ɡrˈɔʑnɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_31.wav|tfˈɔja nˈɔva najlˈɛpʃa pʃˌɨjatɕˈuwka.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_61.wav|ɲʲˈɛx pˈan sˈam zɔbˈatʃɨ, jˈakʲɛ tɔ rɔskˈɔʃnɛ. dˈɔbra dˈupa. xˈɔʒa dˈupa. vˈiltʃa dˈupa, a nˈavɛt...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_18.wav|fʃˈɨstkɔ tɔ dɔ ɕˈɛbjɛ pˌasɔvˈawɔ, xˈɔtɕ nˈadal ˌɔpʲɛrˈawɔ ɕɛ na pɔʃlˈakax i vˈɔntpiw, ʒˈɛbɨ tsˈɔɕ takʲˈɛɡɔ vˌɨstartʃˈɨwɔ f sˈɔɲdʑɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_208.wav|tɔ bˈɨw dwˈuɡʲi, namjˈɛntnɨ pˌɔtsawˈunɛk, pˌɔzbavʲˈɔnɨ fʃˈɛlkiɣ dvˌuznatʃnˈɔɕtɕi.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_79.wav|musˈimɨ rˈazɛm ˈɔtkrɨtɕ prˈavdɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_413.wav|ɲˈits.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_58.wav|mˌamɨ tsɔkˈɔlvʲɛɡ dˌɔtɨtʃɔntsˈɛɡɔ tɛj kɔbjˈɛtɨ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_109.wav|spˈɔtkaw ɕɛ zˈɛmnɔ̃ na balkˈɔɲʲɛ, ɡdʑˈɛ mʲˌɛliɕmˌɨ vˈidɔk na sˈalɛ w dˈɔlɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_167.wav|zɲˈiʃtʃɛ ix kɔmbˈajnɨ dɔʃtʃˈɛntɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_248.wav|ɲʲɛktˌuʒɨ mˈɔɡlibˌɨ nˈavɛt pɔvʲˈɛdʑɛtɕ, ʒˈɛ jˈɛlɛɲ jɛzd dla lvˈa nˌaturˈalnɔ̃ zvʲɛʒˈɨnɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_232.wav|pˌɔtʃɛbˈujɛ tˌɨlkɔ rˌumjanˈɛɡɔ, pʲˌɛtʃɔnˈɛɡɔ kurtʃˈɛɲtɕa, ʒˈɛbɨ ɕfʲˈad znˈɔvu vˈɨdaw mi ɕɛ pʲˈɛŋknɨ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_263.wav|kɕˈɔ̃ʒɛ dˈɔran vˈɛstxnɔw.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_264.wav|taˈɛna ujˈɛwa jɛj dwˈɔɲ i pˌɔɡwaskˈawa jˈɔ̃. tɔ bˌɨwa pˈɔdwa kɔbjˈɛta.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_167.wav|rˌɛdvinɛˈɔvʲɛ bˌɨli zbˈɨd blˈiskɔ s tˌɨrɛllˈami.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_440.wav|pˌɔpatʃˈɨwɛm nˈaɲʲɔ̃ z ukˈɔsa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_93.wav|ɕɛrʒˈaɲtɕɛ, jˈɛɕli bˈɨw pˈan w bjˈuʒɛ i rɔzmˈavʲaw z mɔˈimi kˌɔlɛɡˈami i kˌɔlɛʒaŋkˈami, tɔ vʲˈɛ pˈan zapˈɛvnɛ, ʒˈɛ ɲʲɛ nalˈɛʒɨ dɔː ix ˌulubjˈɔnɨɣ znajˈɔmɨx s prˈatsɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_217.wav|im mˈam, pʃˌɨɡarnˈɔwbɨ mɲʲɛ pɔt sfˈuj dˈax, a pˈɔza tɨm ˌɔbudʑˈiwa ɕɛ vˈɛmɲʲɛ jˈakaɕ pʲɛrvˈɔtna tɛ̃sknˈɔta za mˈɔim tˈatɔ̃.|4
+Dataset/wavs/urwisko_ferenc/33_segment_46.wav|bɔrˈɔvitʃ ɔbˈavʲaw ɕɛ, ʒˈɛ ɕɛ tˈu udˈuɕi.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_374.wav|jˈak tɛn ɕfiɲʲˈartʃɨk.|1
+Dataset/wavs/urwisko_ferenc/53_segment_17.wav|tʃˈɨli w dˈɔmu znˈɔvu ˈɔɡʲɛɲ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_108.wav|ɲʲɛ vwɔʒˈɨwa bʲˌiʒutˈɛrji.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_415.wav|bˈɨw dwˈuʃʃɨ ɲˈiʃ lˈutski jˈɛ̃zɨk mʲˈaw prˈavɔ bˈɨtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_5.wav|ɲʲɛ spˌɔdʑɛvˈawam ɕɛ tɕˈɛbjɛ tˈutaj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_86.wav|stˈɔi dvˈɔma kɔwˈami na xɔdɲˈiku bjɛɡnˈɔntsɨm vzdwˈuʃ pˈustɛj dʑˈawki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_30.wav|ɲʲˈɛvʲɛm, tʃɨ jˌɛstɛm ˌutʃulˈɔna na ix jˈat.|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_91.wav|fˈatsɛt jɛzd vˈaʒnɔ̃ fiɡˈurɔ̃ w rˈɛd blˈuff?|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_394.wav|kʲˈɛdɨ ɕɛ z ɲʲˈɔ̃ pʲˌɛrdɔlˈiwɛm, tsɛrsˈɛi kʃɨtʃˈawa, xtsˈɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_60.wav|mˈɔʒɛ ɲʲɛ bɨwˈɔbɨ mɲʲɛ tˌɨlkɔ pʃˈɛz dʑˈɛɕɛɲtɕ mˈinut, ˌalɛ tɔ mˈɔʒɛ vɨstˈartʃɨtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_73.wav|zˌasuɡˌɛrɔvˈawa rˈuvɲʲɛʃ, ʒˈɛ vʲˈɛ ˈɔɲim ʒˈɛtʃɨ, ktˌurɛ tʃˈɨɲʲɔ̃ jˈɔ̃ kˈimɕ tsˈɛnnɨm.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_116.wav|nˈavɛd vʲˈɛlki krˈɔŋk sˈɛra ɲʲɛ pʃˈɛtrfaw zbˈɨd dwˈuɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_18.wav|ɲˈiʒ w dʑvʲˈɛŋku nɔrmˈalnɛj lˈutskʲɛj strˈunɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_63.wav|a tʃˈarnɨ swɔvʲˈaɲin stˈaw pɔt lˈadɔ̃ dʑˈawu tsˌukʲɛrɲitʃˈɛɡɔː i ɲʲɛ spˈuʃtʃaw z nˈaz vzrˈɔku.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_117.wav|pʃɛstˈɛmptʃɨ sɨndˈɨkad dˈɔ̃ʒɨw dɔ pʃɛjˈɛɲtɕa kɔntrˈɔli nat nˌajvaʒɲʲˈɛjʃɨm z zasˈɔbuf nˌaturˈalnɨx na kɕɛ̃ʒˈɨtsu, a trˈɔnd zˌaprɔpɔnˈɔvaw mi rˌɔzvʲɔ̃zˈaɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_197.wav|na ktˌurɨm mˈulɛ prˈaɡɲʲɛʒ dʑˈiɕ pɔjˈɛxatɕ, pˈaɲʲɛ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_48.wav|tsˈɔɕ ɔ kradʑˈɛʒɨ sˌamɔxˈɔdu, ˌarɛʃtɔvˈaɲʲu i vˈɨjɕtɕu z ˌɔstʃɛʒˈɛɲʲɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_73.wav|najlˈɛpʲɛj, jˈɛɕli na kˈilka dɲˈi zatʃˈɨmam ɕɛ f xɔtˈɛlu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_131.wav|ɲʲɛktˌuʒɨ ɕadˈajɔ̃ na zˈɛvnɔntʃ, tˈam ɡdʑˈɛ pʃɛt mʲˌɛɕɔntsˈami ɕˈɛdʑaw s kˈɛnɛm xˈɔffɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_220.wav|ftˈɛdɨ nˈajmi mˈɔrdɨ f sˈɔɲdʑɛ ˌudɔvˈɔdɲʲɔ̃ jˈɛdnɛj spˈuwtsɛ ˌubɛspʲˌɛtʃɛɲʲˈɔvɛj, ˈiʃ jɛzd vˈinna pʲɛɲʲˈɔndʑɛ drˈuɡʲɛj.|0
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_32.wav|zˌɔbatʃˈɨmɨ, tsˈɔ s tˌɛɡɔ vˈɨjdʑɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_335.wav|a jˈɛɕli bˈɨva?|0
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_160.wav|ɲʲɛ vˈɛzmɛ sˈɔbjɛ ʒˈɔnɨ i ɲʲɛ spwˈɔdʑɛ dʑˈɛtɕi. pˌɔvʲɛdʑˈawɛm swˈɔva.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_109.wav|ˈɔjtɕɛdʑ zmʲˈɛʒɨw ɡˈɔ lˌɔdɔvˈatɨm spɔjʒˈɛɲʲɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_75.wav|bjˈɛʒɛ ɡwɛmbˈɔki vdˈɛx i vɨpˈuʃtʃa pɔvʲˈɛtʃɛ sˈɛrjɔ̃ ˌurɨvˈanɨx stˈɛŋkɲʲɛɲtɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_39.wav|ɔtsˈunɔw jˈɔ̃ na bˈɔk, vʑˈɔw pˈarɛ kˈɔstɛk lˈɔdu i vʒˈutɕiw jˈɛ dɔ ʃklˈaŋki, a pˈɔtɛm pˈɔdaw ʃklˈaŋkɛ xˈɛlɛn, ˌɔdvrutɕˈifʃɨ ɕɛ kˈu ɲʲˈɛj puwbˈɔkʲɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_19.wav|jˈakʲɛ tɔ mˈiwɛ s pˈana strˈɔnɨ. pʃˌɨpɔmˈinam jˈɛdnak, ʒˈɛ sprˈava dɔtˈɨtʃɨ mɔrdˈɛrstfa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_306.wav|zɲʲˌɛxɛntsˈɔnɨ vrutɕˈiwɛm na sfˈɔjɛ rˌɔzbɛbɛʃˈɔnɛ wˈuʃkɔ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_299.wav|i tsˈɔ tˈɛraz zrɔbʲˈimɨ?|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_95.wav|sˈam zˈajɔw ɕɛ linˈami, ʒaɡlˈami.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_155.wav|a jɛj ˈɔjtɕɛts ɕɛ ɲʲɛ pɔjˈaviw.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_297.wav|i vwˈadaw mwˈɔtɛm zˈɛ ɕmʲˌɛrtɕɔnˈɔɕnɔ̃ spravnˈɔɕtɕɔ̃. bˈɨw dˈɔbrɨm dɔvˈuttsɔ̃ ɡˌarɲizˈɔnu, ˌalɛ trˈudnɔ bˌɨwɔ ɡˈɔ kˈɔxatɕ. xˈɔtɕaʃ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_43.wav|zawˈɔʒɛ ɕɛ, ʒˈɛ tˈaɡ vwˈaɕɲʲɛ ɕɛ tɔː ɔdbˈɨwɔ. nˈavɛt jˈɛɕli zdjˈɛɲtɕɛ tʃɨ zdjˈɛɲtɕa bˌɨwɨ f sˈɛjfjɛ, ˈallɛn mˈuɡw dˈɔstatɕ ʃˈɨfr rˈazɛm z rˈɛʃtɔ̃ ˌinfɔrmˈatsji ɔ patrˈitsku.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_3.wav|mˈimɔ, ʒˈɛ nˌatɨxmʲastˈɔvɨ pˈɔvrud dɔ tsˈɛntrum kˌɔɔrdˌɨnatsɨjnˈɛɡɔ vɨdˈavaw ɕɛ kuʃˈɔntsɨ, xtɕˈawa nˈajpʲɛrv zˈajɔɲtɕ ɕɛ ˈannɔ̃ frˈaŋklin.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_102.wav|kturˌɛɡɔ kˌulminˈatsjɛ stanˈɔviw dˈɔm zˈabaf, ɲʲɛjˈakɔ pˌɔtsumˌɔvujˈɔntsɨ tsˈawɔ̃ rˈɛʃtɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_91.wav|ɲʲɛ vˈidʑɛ f tɨm ɲitʃˈɛɡɔ ʃtʃˌɛɡulnˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_261.wav|jˈɛɕli tˌɨlkɔ bˌɛndɛ mˈuɡw.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_32.wav|nˌazɨvˈamɨ tɔ ɕtɕˈɛʃkɔ̃ vʲˈarɨ. tˌɨlkɔ vʲˈɛrɲi mˈɔɡɔ̃ pʃɛdˈɔstatɕ ɕɛ tˈɛndɨ bɛspʲˈɛtʃɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_315.wav|xtsˈɛ pˌɔrɔzmˈavʲadʑ z ˈɔjtsɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_331.wav|ftˈɛdɨ zˌɔbatʃˈɨwɛm nat sˈɔbɔ̃ ˈɔknɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_10.wav|mˈam nadʑˈɛjɛ, ʒˈɛ ˈuda mi ɕɛ vˈɛjɕtɕ pɔ sxˈɔdax, ɲʲɛ vɨdˈajɔndʑ ʒˈadnɨɣ dʑvʲˈɛŋkuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_52.wav|dʒˈɛɲis pˈatʃɨ na bʲillʲˈɛɡɔ z nadʑˈɛjɔ̃, ˌalɛ ɲˈits ɲʲɛ mˈuvi.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_350.wav|ɡdˈɨbɨ ɲʲɛ mʲˌɛli vartˈɔɕtɕi, jˈɛɡɔ mˈiwɔʑdʑ bˈɨ ɔ ɲˈix ɲʲɛ prˈɔɕiw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_39.wav|ɲʲɛ zdavˈawam sˈɔbjɛ ftˈɛdɨ sprˈavɨ s fˈaktu, ʒˈɛ kwˈamstfɔ, ktˌurɛ mʲˈawɔ ɲikˈɔɡɔ ɲʲɛ skʃˈɨvdʑitɕ, bˌɛɲdʑɛ kˌɔʃtɔvˈawɔː ˈaʃ tˈɨlɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_85.wav|patʃˈɨwɛm bɛzmˈɨɕlɲʲɛ na tˈɛ ɡvawtˈɔvnɔ̃ zˈamjɛtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_73.wav|zˈɛrkam pɔspʲˈɛʃɲʲɛ na mˈamɛ, ˌalɛ ta pˈatʃɨ pɔt nˈɔɡʲi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_191.wav|jɛj tɛlˈɛfɔn jɛzd vwɔntʃˈɔnɨ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_41.wav|xtɕˈawam pɔswˈuxatɕ, jˈaɡ ʒartˈujɛ na tˈɛmat ˈɔjtsa, ktˌurɨ zdˌɛtsɨdˈɔvaw ɕɛ zatʃˈɛkatɕ na zˈɛvnɔntʃ, ɲʲɛzdˈɔlnɨ dɔ pˌɔradʑˈɛɲʲa sˈɔbjɛ z vidˈɔkʲɛm mɔjˈɛɡɔ tɕɛrpʲˈɛɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_143.wav|tsɛrsˈɛi pˌɔkwɔɲˈiwa ɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_199.wav|mˈɛblɛ bˌɨwɨ ɲʲɛzvˈɨkwɛ, ˌalɛ prˈɔstɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_30.wav|ɲʲɛ mˈuʃɛ vzˈɨvatɕ pˈana na pʃˌɛswuxˈaɲʲɛ, ɔː ˈilɛ ɲʲɛ ɔkˈaʒɛ ɕɛ tɔ kɔɲʲˈɛtʃnɛ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_160.wav|vˈidʑɛ, ʒˈɛ tɔ prˈavda.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_242.wav|s pɛvnˈɔɕtɕɔ̃ ��ʲɛ bˌɨwɔ tɔ dla ɲʲˈɛɡɔ prˈɔstɛ, ɲʲɛ pˈɔtɨm fʃˈɨstkim, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_70.wav|ʃlˈi tˈaɡ dwˈuɡɔ, ʒˈɛ ˈarjan ˈaʃ ɕɛ zdɨʃˈawa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_65.wav|dɔstˈawam dvˈa pˈiki.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_219.wav|pˈɔtʃuw pɔd bˈɔsɔ̃ stˈɔpɔ̃ tsˈɔɕ mɔkrˈɛɡɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_122.wav|tɔ bˌɨwɔ pɨtˈaɲʲɛ rˌɛtɔrˈɨtʃnɛ, vʲˈɛnts ɲʲɛ zadˈawɛm sˈɔbjɛ fatˈɨɡʲi, ʒˈɛbɨ ˌɔtpɔvʲˈɛdʑɛtɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_297.wav|bɛzbrˈɔnnɛ i ɲʲˌɛdɔɕfʲattʃˈɔnɛ ftˈɛdɨ jˈɛʃtʃɛ ˈuda.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_310.wav|pˌɔvʲɛʃˈɔnɔ ɡˈɔ rˈazɛm z jˈɛɡɔ tˌɔvaʒɨʃˈami.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_24.wav|ɲʲɛstˈɛtɨ ɲˈiɡdʑɛ ɲʲɛ dˈɔstʃɛɡw mˈili.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_107.wav|ˌɔɡraɲˈitʃam dɔ mˈiɲimˌum mˌatɛrjˈawɨ wˌatfɔpˈalnɛ i ɲʲɛ sprɔvˈadʑam ʒˈɨvɨx rˈɔɕlin.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_280.wav|ˌalɛ ˌurɔdʑˈiwa ɕɛ jˈakɔ kɔbjˈɛta i na dˈɔmjar zwˈɛɡɔ pˌɔxɔdʑˈiwa z mˈɨr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_171.wav|w ɔɡˈulɛ ɲʲˈɛxtsɛ ɕɛ pˌɔkazˈɨvatɕ, pʃɨnˈajmɲʲɛj pʃˈɛs jˈakiɕ tʃˈas.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_59.wav|bˌɨwa jˈɛdnak krulˈɔvɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_2.wav|rˈɔp, maʃ sɛkˈundɛ? zˌapɨtˈawa bˈɛtskɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_119.wav|tʃˈujɛ, ʒˈɛ kɔʃˈulka zatʃˈɨna klˈɛitɕ mi ɕɛ dɔ plˈɛtsuf, ˌalɛ ɲʲɛ mˈɔɡɛ pɔkˈazatɕ jˌaɡɡɛrˈɔvi, dɔ tʃˈɛɡɔ mɲʲɛ dˌɔprɔvˈadʑiw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_59.wav|pˈatʃɛ mu w ˈɔtʃɨ i vˈidʑɛ jɛdˈɨɲʲɛ ɲʲɛpˈɛvnɔɕtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_61.wav|trˈɔxɛ tˈaka, trˈɔxɛ tˈaka.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_162.wav|ktˌurɛ lɕɲˈiwɨ ɲˈitʃɨm dvʲˈɛ tʃɛrvˈɔnɛ ɡvʲˈazdɨ.|1
+Dataset/wavs/urwisko_ferenc/51_segment_19.wav|rapˈɔrtɨ f tɛj sprˈavʲɛ ɲʲɛ kwamˈawɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_53.wav|jˈak tˌɨlkɔ vwˈɔntʃɔ̃ mi prˈɔnt, mˈuvi bʲˈillɨ, nˈatɨm pɔlˈɛɡa mˈɔja prˈatsa. nˈɔ, tʃɛɲɕtɕˈɔvɔ. vʲˈɛŋkʃɔʑdʑ zlˈɛtsam pˌɔdvɨkɔnˈaftsɔm.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_73.wav|vˈɨrʒnɔw mʲɛʃkˈaɲtsuf i ɔdjˈɛxaw zˈɛ ɕmʲˈɛxɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_51.wav|ɲʲɛ mˈɨɕlɛ tˈɛras ɔ stsˈɔttɕɛ ˌaɲi kˌamɛrˈɔɲʲɛ. f tɛj xfˈili lˈitʃɨ ɕɛ tˌɨlkɔ mˈɔja rɔdʑˈina.|3
+Dataset/wavs/urwisko_ferenc/27_segment_6.wav|pˈuʑɲʲɛj rɨbˈatska pɔdˈɛʃwa dɔ ɕlˈɛttʃɛj i pˌɔtʃɛ̃stɔvˈawa jˈɔ̃ pˌapʲɛrˈɔsɛm. ftˈɛdɨ jˈɛdnak xˈɛrman pˌɔpɛwɲˈiwa bwˈɔnt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_17.wav|tɨm rˈazɛm vˈɨbjɛʃ mˈɔtɛl ɕɛtɕˈɔvɨ. nazvˈiskɔ dˈaltɔn smˈitx nˈadal jɛst tʃˈɨstɛ, a ɲˈits nˈam na rˈaʑɛ ɲʲɛ ɡrˈɔʑi. ɲˈikt nˈas ɲʲɛ bˌɛɲdʑɛ ʃˈukaw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_110.wav|pˌɔtʃɛbˈujɛ pˈɛvnɨx ˌinfɔrmˈatsji.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_24.wav|ɲʲɛ vidʑˈawɛm jˈɛɡɔ tˈablits.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_293.wav|f tˈakim rˈaʑɛ dɔtʃˈɨmaj pʃɨɕˈɛŋɡʲi, ktˌurɔ̃ jɛj zwɔʒˈɨwaɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_25.wav|na fʃˈɨstkix pʲˈɛntraɣ bˌɨwɨ sɔlˈidnɛ dʒvˈi s tʃarnˈɛɡɔ dʒˈɛva.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_254.wav|ˌalɛ ɲʲɛ tʃˈuwabˌɨm ɕɛ zbˈɨt pˈɛvɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_162.wav|a vʲˈɛnts mˌamɨ jˈɛʃtʃɛ jɛdnˈɛɡɔ mɛ̃ʃtʃˈɨznɛ, pˌɔvʲɛdʑˈawa xˈɛlɛn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_49.wav|tˈɔm pɔpˈatʃɨw na ɕɛrʒˈanta. kidʑɡbˈɔksiŋk, vɨjˈaɕɲiw kˈit, pˌɔpravʲˈajɔnts mˌarɨnˈarkɛ.|3
+Dataset/wavs/urwisko_ferenc/16_segment_1.wav|pɔ ktˌurɨm zrˈɔbʲiw ɕɛ sˈɛnnɨ. s trˈudɛm fstˈaw ɔt stˈɔwu, vˌɨstavʲɔnˈɛɡɔ w ɲʲɛvʲˈɛlkim ɔɡrˈutku f tɕˈɛɲʲu rˌɔzlɛɡwˈɛɡɔ pˌarasˈɔla.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_39.wav|ʒˈɛ fˌavɔrˌɨzɔvˈaɲʲɛ jˈɛdnɛj spˈuwki pˈɔpʃɛs mˌaɲipulˈatsjɛ pˌɔlitˈɨtʃnɛ jɛst ɲʲˌɛutʃtɕˈivɛ?|4
+Dataset/wavs/urwisko_ferenc/63_segment_86.wav|pilˈɛfska tʃɛkˈawa, sɔndˈujɔnts sˌɨtuˈatsjɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_11.wav|tˈɔm spˈɔjʒaw na bˈɛtskɨ, ktˌura pʃɛjˈɛwa pawˈɛtʃkɛ, ujʒˈafʃɨ jˈɛɡɔ skiɲʲˈɛɲʲɛ ɡwˈɔvɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(88) R.Abbott_Zamknij Drzwi_segment_3.wav|fxɔdʑˈimɨ dɔ ɕrˈɔtka. ˈɔtsuɲ mˈili ɔd dʒvˈi, bˈɔ zˌamjɛʒˈamɨ pʃɛstʃˈɛlidʑ zˈamɛk. rɔzˈumjɛʃ?|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_207.wav|ʒɨvˈɔtɨ vʲˈɛlkix sɛptˈɔnuf ˌɔras pɔtˈɛ̃ʒnɛ tɔmˈiskɔ trˌaktujˈɔntsɛ ɔ smˈɔkax.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_107.wav|twumˈatʃɨw jɛj mˈiwɨ starˈuʃɛk. ˌalɛ braˈavɔs jɛzd bˌɛŋkarsˈijɔ̃ tsˈurkɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_198.wav|zamjˈɛʒa ɕɛ tˌɨlkɔ zdʒˈɛmnɔɲtɕ, ˌalɛ zˈamjast tˌɛɡɔ znˈɔvu zapˈada w ɡwɛmbˈɔki sˈɛn.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_134.wav|ɲʲɛ, ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ ɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_14.wav|jˈɛɕli tɔ ɲʲɛ stsˈɔtt, tɔ tʃɨ ktˈɔɕ mˈɔʒɛ znˈatɕ nˈaʃɔ̃ çistˈɔrjɛ?|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_367.wav|vˈallɛn mˈuvi, ʒˈɛ vɛstˈɛrliŋk ɔbˈɛrvaw jˈɛdnɨm bˈɛwtɛm w bˈark, a drˈuɡʲim w bʒˈux, ˌalɛ i tˈaɡ zdˈɔwaw dˈɔbjɛdʑ dɔ bˌalustrˈadɨ i skˈɔtʃɨdʑ dɔ ʒˈɛki.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_51.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, jˈak ɕɛ tˈam dɔstˈawa. dʒvˈi sɔ̃ zˈafʃɛ zamkɲʲˈɛntɛ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_381.wav|jˈɛdna z ɲˈix pʃɨxˈɔdʑi tsˈɔ ɡɔdʑˈinɛ, ʒˈɛbɨ zapˈɨtatɕ, tʃɨ jˌɛstɛm ɡɔtˈɔva pʃˈɨznatɕ ɕɛ dɔ tsˌudʑɔwˈustfa. ɲʲɛ pˌɔzvalˈajɔ̃ mi nˈavɛt spˈatɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_25.wav|xtsˈɛ nɔrmˈalnɛ spˈɔdɲʲɛ. mˈɔʒɛʒ dˈatɕ mi dʒˈinsɨ i rˈɔstɕɔɲtɕ ʃˈɛf pʃɨ nɔɡˈaftsɛ, ʒˈɛbɨm mˈukw pʃɛtɕˈisnɔɲtɕ pʃˈɛzɲʲɔ̃ tɛn bˈutɕɔr?|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_14.wav|pɔsˈunɔw ɕɛ za dalˈɛkɔ.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_79.wav|lˈubʲi stɛmplˈɔvatɕ papʲˈɛrɨ sfˈɔjɔ̃ pʲɛtʃˈɛɲtɕɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_78.wav|tʃɨ jˈakiɣʑ bɔkˈuvɛk ˌartɨstˈɨtʃɲʲɛ zˌaadˌaptɔvanˈɛɡɔ pɔddˈaʃa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_47.wav|plˌanujˈɛtɕɛ tsˈɔɕ takʲˈɛɡɔ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_480.wav|ktˌura tɔ ɡɔdʑˈina?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_99.wav|mˈuvi f kˈɔɲtsu ɡwˈɔsɛm pʃˌɛpɛwɲʲˈɔnɨm ɡɲʲˈɛvɛm.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_443.wav|ˌalɛ ɲʲˈɛbɨw tˈɛʒ bʒˈɨtki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_19.wav|ɲʲɛ, ɲʲɛ, mˈuvi frˈaŋkʲɛ, zˈɔstaf tɔ pˌɔliˈɛmu, trˈɔxɛ ɡʲimnˈastɨkˌi dˈɔbʒɛ mu zrˈɔbʲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_95.wav|tɨm jˈɛstɛm? kˌɔmbatˈantɛm?|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_46.wav|puʃtʃˈajɔ̃ matˈɛrjaw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_38.wav|tʃˈasɛm tˈɛʃ tɛ s sˌupɛrbˌɔxatɛrˈami, ˌalɛ mɲʲˈɛj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_493.wav|ˈɔjtɕɛts|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_121.wav|tʃɨ pˈan ɲʲɛ uvˈaʒa, ʒˈɛ utʃˈɛɲi tˈɛʃ f pʲˈɛntkɛ ɡˈɔɲʲɔ̃?|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_181.wav|xɔlˈɛrɲʲɛ tɕˈɛ̃ʃkɔ zɛskrˈɔbatɕ rˈɛʃtki sˈɛra.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_168.wav|vʲˈɛʃ spˈɔrɔ na tˈɛmat kfʲˈatuf i ptˈakuf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_218.wav|i tsˈɔː ˌɔɲi s tɨm zrˈɔbjɔ̃?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_50.wav|mˈɔʒɛ mˈa rˈɔvɛr? skˌɔntaktˈujmɨ ɕɛ z rˈɔbɛm i sprˈavdʑmɨ tɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_133.wav|na tɕˈɛɲ pˌɔzɔstajˈɔntsɨ na ʑˈɛmi, pˈɔttʃaz ɡdˈɨ samˈɔlɔd vznˈɔɕiw ɕɛ kˈu ɲʲˈɛbu tarɡˈanɨ pˌɔrɨvˈami vʲˈatru.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_92.wav|tɨm rˈazɛm tɔ dɔmˈiɲik krˈɛɲtɕi ɡwˈɔvɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_248.wav|fspʲɛrˈajɔndʑ ɡwˈɔvɛ na tʃˈɨixɕ kɔlˈanax.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_118.wav|sɛrtˈallad bˈɨw kʲˈɛdɨʑ vɛndrˈɔvnɨm rɨtsˈɛʒɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_407.wav|ɲʲɛ litʃˈɨwɛm udˈɛʒɛɲ, xˈɔdʑ bʲˈiw krˈutkɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_15.wav|tʃtˈɛrɛx, zɡˈadʑa ɕɛ? jˈaɡ vˌɨɡlɔndˈawɨ sprˈavɨ pɔ kˈaʒdɨm z rɔzvˈɔduf?|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_107.wav|tʃɨ tɔ rˈɔbɛrt stˈɔnɛ nazˈɨvaw ˈumɨsw mˈawpɔ̃?|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_202.wav|tsˈuʃ, vwaɕtɕˈivʲɛ prɔdˈuktsjɛ kʃˈɛmu. ˌuɲʲɛrˌuxɔmjˈɛɲʲɛ xˈutɨ zˌapɛvɲiwˈɔbɨ mu umˈɔvɛ z mʲˈastɛm, ktˌurɛj pˌɔtʃɛbˈɔvaw, ʒˈɛbɨ zrˌɛalizˈɔvatɕ sfˈuj plˈan.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_162.wav|jɛʒˈɛli tɔ najvʲˈɛŋkʃɨ prˈɔblɛm, jˈaki pʃɨxˈɔdʑi tɕi na mˈɨɕl, tɔ ɲˈits mi ɲʲɛ ɡrˈɔʑi.|4
+Dataset/wavs/urwisko_ferenc/65_segment_29.wav|tʃˈuw, ʒˈɛ tsˈɔʑ zapʲˈɛkwɔ ɡˈɔ pɔt pˌɔvʲɛkˈami. xtɕˈawbɨm dla ɲʲˈɛɡɔ jˈak najlˈɛpʲɛj.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_285.wav|a pʃɨnˈajmɲʲɛj stˈaraw ɕɛ nˈas ˈɔtɨm pʃɛkˈɔnatɕ. mˈimɔ tɔ ɲʲɛ ˈɔstʃɛkw tsɛrsˈɛi pʃɛd zˌamjɛʃkˈami.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_243.wav|jˈɛɕli ʒˌɛtʃɨvˈiɕtɕɛ pʃɨɲʲˈɔswa pˈanu ɲʲɛʃtʃˈɛɲɕtɕɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_16.wav|pɔ zˌakɔɲtʃˈɛɲʲu zˈajɛɲtɕ ɲʲɛ mˈɔɡɛ ɕɛ ˈɔpʃɛtɕ pɔkˈuɕɛ zˌalɔɡɔvˈaɲʲa na fˌatsɛbˌɔɔkˈɔvɔ̃ strˈɔnɛ xˌapˌɛˈɛr, ʒˈɛbɨ zɔbˈatʃɨtɕ, tsˈɔ pˈiʃɔ̃ lˈudʑɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_5.wav|fʃˈɛɲdʑɛ dɔkˈɔwa vznɔɕˈiwɨ ɕɛ mˌajɛstatˈɨtʃnɛ dʒˈɛva z ɡɔdnˈɔɕtɕɔ̃ pˌɔruʃajˈɔntsɛ vʲˌɛkɔvˈɨmi kˌɔrɔnˈami.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_145.wav|tʃˈɨli tsˈɔ, dɔvˈɔʒɔ̃ dʑɛftʃˈɨnɨ dɔ ɲʲˈɛɡɔ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_423.wav|a dˈɔkɔnt jɛdʑˈɛmɨ? a, zɔbˈatʃɨ pˈan na mʲˈɛjstsu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_40.wav|bˈɛtskɨ zˌastanavʲˈawa ɕɛ pʃˈɛs xfˈilɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_164.wav|pratsˈɔvaw pʃˈɛs jˈakiɕ tʃˈas f kˈansas tsˈitɨ jˈakɔ pˈilɔtstrˈuktɔr.|0
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_7.wav|tsˈawɨ kˈɔmplɛks lˈɛʒɨ kilˈɔmɛtr na pɔwˈudɲʲɛ ɔt mʲˈasta.|4
+Dataset/wavs/urwisko_ferenc/02_segment_25.wav|nˈɔ tɔ mˈɔʒɛ tɨ bˌɛɲdʑɛʃ tsˈɔʑ vʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_131.wav|pʃˌɨɡɔtɔvˈawam jˈɛ, zˌamjɛɲʲˈajɔnts kˈaʒdɨ w bˈɔmbɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_119.wav|zasˈuvaʃ pʃɛt ɕˈɛbjɛ, dɔpˈuki ɲʲɛ strˈatɕiʃ pʃˌɨtɔmnˈɔɕtɕi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_59.wav|pˈɔra ɕɛ pʃɛkˈɔnatɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_8.wav|tˈam ɡˈɔ zɡubʲˈiliɕmˌɨ. jˈɛdnaɡ bɨwˈɔbɨ mu trˈudnɔ stˈamtɔnd vɨjˈɛxatɕ pɔnˈɔvɲʲɛ, ɲʲˌɛzawvaʒˈɔnɨm. tɔ sˌuɡɛrˈujɛ, ʒˈɛ zɔstˈaviw tˈam samˈɔxut.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_252.wav|i tɛ sˌamɔxˈɔdɨ za ˈilɛɕ tɨɕˈɛntsɨ dɔlˈaruf? i tɛ kɔbjˈɛtɨ f tɨx sˌamɔxˈɔdax kˌɔʃtujˈɔntsɛ jˈɛʃtʃɛ vʲˈɛntsɛj?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_42.wav|tɔ, ʒˈɛ jˈɛ spalˈiwam, ɲʲˈɛma ʒadnˈɛɡɔ znatʃˈɛɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_169.wav|ʃˈalɲitɕ tɔ pˌɔvʲɛdʑˈawɛm. zˈɔstaɲ tˈutaj. pɔrˈadʑɛ sˈɔbjɛ sˈam.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_170.wav|ˈuznaw tɔ za zɲʲɛvˈaɡɛ. jˌɛstɛm rɨtsˈɛʒɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_54.wav|tʃwˈɔvʲɛk tˌaki jˈak pˈan ɲʲɛ vɨʒˈutsa dvˈuɣ dɔlˈaruv bˈɛs pʃɨtʃˈɨnɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_86.wav|ɔ tʃfˈartɛj zˌapisˈujɛ tˈɛkst na tfˈardɨm dˈɨsku i vɨwˈɔntʃa laptˈɔpa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_128.wav|— kˈɛn, mˈuʃɛ tɕˈɛ ɔ tsˈɔʑ zapˈɨtatɕ. ɲʲɛ bjˈɛʃ tˌɛɡɔ dɔ ɕˈɛbjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_155.wav|tʃɨ pˈatrɨk rˈɔbʲiw ˌintɛrˈɛsɨ s kˌartɛlˈami? spɨtˈawa ˈɛlis.|2
+Dataset/wavs/urwisko_ferenc/21_segment_26.wav|kɔrˈɔna zvalˈiwa ɕɛ vzdwˈuʒ drˈɔŋki.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_64.wav|jˌɛstɛɕ ˌinstruktˈɔrɛm, ktˌurɨ ɲʲɛ ˈumjɛ ˈutʃɨtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_60.wav|a pʃɨnˈajmɲʲɛj tˈak ˌuvaʒˈawam.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_44.wav|a vʲˈɛnts tɔ rɛˈaktsja xɛmˈitʃna.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_147.wav|ɡˈuvnɔ vʲɛdʑˈawaɕ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_353.wav|jˈak mʲˈawabˌɨm ɕɛ tˈam dˈɔstatɕ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_117.wav|tɔ mˈuɕi bˈɨdʑ vˈɛjɕtɕɛ dla swˈuʒbɨ, stfʲˈɛrdʑa pɔ pˈɛvnɨm tʃˈaɕɛ bˈutskɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_38.wav|ˌalɛ ˌɔnɛ ɲʲɛ ˌintɛrˌɛsɔvˈawɨ ɕɛ mnˈɔ̃, tˌɨlkɔ tˈɔbɔ̃, a rˈatʃɛj tfˈɔim ˌɛvɛntuˈalnɨm pˌɔvʲɔ̃zˈaɲʲɛm s tˌɨmi mˌɛ̃ʃtʃɨznˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_21.wav|tˈaɡ zɔstˈawɔ nˈavɛt f ʃkˈɔlɛ snajpˈɛruf i w irˈaku.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_22.wav|ˌuvʲɛʒˈɨwaɕ jɛj, ʒˈɛ tɛn fˈatsɛt ɲʲˈɛma ʒadnˈɛɡɔ znatʃˈɛɲʲa?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_89.wav|ɲʲɛ vˌɨpuʃtʃˈajɔndʑ z rˈɔŋk rɔvˈɛru, ˈanna patʃˈɨwa na ɲʲˈɛɡɔ zˈɛ swɔdˈɨtʃɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_25.wav|trˈudnɔ mi ɕɛ jˈɛʃtʃɛ pɔ prˈɔstu s tɨm fʃˈɨstkim ɔsfˈɔitɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_105.wav|pʃˌɨpɔmˈinam sˈɔbjɛ jˈɛɡɔ swˈɔva z rˈana.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_335.wav|rˈɨan ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|0
+Dataset/wavs/urwisko_ferenc/62_segment_15.wav|pˈɔmuɡw jɛj spˈisatɕ nazvˈiska fʃˈɨstkix ˈutʃɲʲuf ˌutʃɛ̃ʃtʃajˈɔntsɨɣ dɔ tɛj klˈasɨ mˌaturˈalnɛj.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_77.wav|ˈɔsɨ bzɨtʃˈawɨ tˈaɡ ɡwˈɔɕnɔ, ʒˈɛ tsɛrsˈɛi lˈɛdvʲɛ swɨʃˈawa vwˈasnɛ mˈɨɕli.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_28.wav|vʲˈɛɕtɕi ɔ zvɨtɕˈɛ̃stfʲɛ dɔtˈarwɨ tˈu pʃˈɛdɲim i natˈɨxmʲast ˌɔtɔtʃˈɨli ɡˈɔ lˈudʑɛ praɡnˈɔntsɨ mu pˌɔɡratulˈɔvatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_48.wav|w mʲˈarɛ jˈak pɔvʲˈɛtʃɛ ˌuxɔdʑˈiwɔ zˈɛ ɕlˈuzɨ, kˈula nˌaprɛ̃ʒˈawa ɕɛ tsˈɔraz bˈardʑɛj, a mɲʲɛ bˌɨwɔ tsˈɔras trˈudɲʲɛj vˈaltʃɨtɕ s tɕiɕɲʲˈɛɲʲɛm, ktˌurɛ prˌubɔvˈawɔ rˌɔsprɔstˈɔvatɕ mˈɔjɛ pˈaltsɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_162.wav|prˈavʲɛ ɔd ɡɔdʑˈinɨ xɔdʑˈiwam f kˈuwkɔ pɔ pɔʑˈɔmjɛ zɛrˈɔvɨm kɔnrˈada.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_394.wav|mˈɔjɛ mʲɛʃkˈaɲʲɛ. tˈak, tɛn pˈɔkuj, ɡdʑˈɛ umˈarwa dʑɛftʃˈɨna.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_123.wav|a pˈɔtɛm ˈuɕad nˈadɲim. mʲˈaw ˈɔtʃɨ ʃɛrˈɔkɔː ɔtfˈartɛ i mˈuviw tsˈɔɕ, tʃˈɛɡɔː ˈandɛrsɔn ɲʲɛ rɔzˈumjaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_166.wav|a kɔbjˈɛtɨ lˈubjɔ̃ mʲˈɛtɕ sfˈɔjɛ tˌajɛmɲˈitsɛ, pˌɔvʲɛdʑˈawam fstˈajɔnts s kʃˈɛswa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_4.wav|tʃɨ pɔlˈitsja dɔtˈarwa jˈuʃ na mʲˈɛjstsɛ? kʲˈɛdɨ ɕɛ zˌɔrjɛntˈujɔ̃, ʒˈɛ mɲʲɛ ɲʲˈɛma?|3
+Dataset/wavs/urwisko_ferenc/64_segment_8.wav|tɔ znˈatʃɨ mˈɔɲikˌi?|0
+Dataset/wavs/urwisko_ferenc/50_segment_22.wav|bɔrˈɛvidʒ dˈɔstʃɛɡw, ʒˈɛ lˈɛɡnɛr pɔprˈaviw xfˈɨt na kʲˌɛrɔvɲˈitsɨ i ɡrˈubɛ ʒˈɨwɨ vɨpˈɛwzwɨ pɔt skˈurɛ dwˈɔɲi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_18.wav|tˈɔm vʲˈɛdʑaw, ʒˈɛ fkrˈuttsɛ bˌɛndɔ̃ muɕˈɛli znˈalɛɕtɕ ˌɔtpɔvʲˈɛdʑi na vʲˈɛlɛ pˈɨtaɲ.|3
+Dataset/wavs/urwisko_ferenc/65_segment_37.wav|mˈɨɕlaw tˈɛʃ ɔ pɕˈɛ, ktˌurɨ ɡˈɔ pɔkˈɔxaw i ktˌurɨ umjˈɛraw s tɛ̃sknˈɔtɨ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_398.wav|xˈɔtɕ, vˌɨpijˈɛmɨ trˈɔxɛ dɔbrˈɛɡɔ tʃˌɛrvɔnˈɛɡɔ vˈina xɔstˈɛra taljˈɛɡɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_171.wav|zˌapɔmɲʲˈawɛm tɕi ɡˈɔ pɔkˈazatɕ, a tɔ kˈurdɛ pravdʑˈivɛ tsˈatskɔ.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_139.wav|zatʃˈɨmaw ɕɛ tˈu na t��ˈɨ dɲˈi i pɔvʲˈɛdʑaw dɔ mɲʲɛ mˈɔʒɛ za tʃˈɨ swˈɔva.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_312.wav|pʲˌɛrdɔlˈiwam ɕɛ z ɲˈim, ˈɔjtʃɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_35.wav|dʑɛftʃˈɨna ɡvawtˈɔvɲʲɛ krˈɛɲtɕi ɡwˈɔvɔ̃. bˌɨwɛʑ w drˈuɡʲim pɔkˈɔju. mˈɔɡwam ʃˈɛpnɔɲtɕ, ʒˈɛ nazˈɨvaʃ ɕɛ vˈilljam sˈummɛrs i ʒˈɛ tɔ tɨ zabʲˈiwɛɕ tˌɛɡɔ tʃwɔvʲˈɛka pʃɛt sˈɔndɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_146.wav|ftˈɛdɨ bˈɨwbɨ tˌɨlkɔ pɔswˈaɲtsɛm i mˈuɕawbˌɨ pʃɛstʃˈɛɡatɕ ɕfʲˈɛntɨx prˈaf, ktˌurɛ ɲʲɛ sɔ̃ zɡˈɔdnɛ z jˈɛɡɔ pravˈami. tɔ ɲʲɛ w jˈɛɡɔ stˈɨlu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_181.wav|pˌɔviɲʲˈɛnɛʑ bˈɨw pɔprˈɔɕitɕ ɔ zdjˈɛɲtɕɛ. dlatʃˈɛɡɔ tˌɛɡɔ ɲʲɛ zrɔbʲˈiwɛɕ?|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_164.wav|lˈantsɛl sprˈavʲaw vraʒˈɛɲʲɛ jˈɛʃtʃɛ xutʃˈɛɡɔ ɲˈiʃ f krulˈɛfskʲɛj pʃɨstˈaɲi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_57.wav|mˈɔʒɛ lˈɛpʲɛj bɨwˈɔbɨ zˈɔstatɕ i mˈɔdlitɕ ɕɛ, ʒˈɛbɨ ɲʲɛ zatʃˈɛli mi ɕɛ zbˈɨd dɔkwˈadɲʲɛ pʃɨɡlˈɔndatɕ, ʒˈɛbɨ skupˈili ɕɛ na mˈartɕɛ pˈɔrtɛr.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_220.wav|skɔɲtʃˈɨwɛm sfˌinansɔvˈaɲʲɛm napˈaduf na zˌamuvʲˈɛɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_260.wav|jˌɛstɛm tɕi tɔ vˈiɲʲɛn.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_60.wav|ja mˈuɡwbɨm tɔ zrˈɔbʲitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_110.wav|tˈɔm ɲʲɛ lˈubʲiw naˈila i mu ɲʲɛ ˈufaw.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_240.wav|mʲˈawa paznˈɔktɕɛ z matɕˈitsɨ pɛrwˈɔvɛj, a pˈaltsɛ bˌɨwɨ na fpˈuw zamkɲʲˈɛntɛ, jˈaɡbɨ xtɕˈawɨ pɔxfˈɨtɕitɕ nˈuʃkɛ puxˈaru.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_122.wav|pɔvʲˈɛdʑaw bʲilljˈɛmu ɔ zbˈɔku ɡrˌasujˈɔntsɨm wˈɛ mɲʲˈɛjʃɨx klˈubax i kasˈɨnax na ɔbʒˈɛʒax mʲˈasta.|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_68.wav|bwˌɨskavˈitʃɲʲɛ ˌɔtfɔʒˈɨwam ˈɔtʃɨ. alvˈarɛs mʲˈaw ɔ jˈɛdnɔ̃ rˈɛŋkɛ za dˈuʒɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_180.wav|jɛdˈɨɲʲɛ ˌɔdrɔbʲˈinɛ, ˈalɛ...|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_28.wav|maʃ ʃtʃˈɛɲɕtɕɛ, ʒˈɛ jˌɛstɛm tˈaka zmɛntʃˈɔna. mˈaʒɛ tˌɨlkɔː ˈɔtɨm, bˈɨ ɕɛ pɔwˈɔʒɨtɕ i zˈasnɔɲtɕ.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_110.wav|pˈɔtɛm krˈasnal zapwˈatɕiw ɡˈarɕtɕi jɛlˈɛɲi jɛdnˈɛmu zˈɛ swuʒˈɔntsɨɣ darjˈɛɡɔː i tɛn dˈaw mu klˈudʒ dɔ pivɲˈitsɨ, f ktˌurɛj ukrˈɨtɔ zdjˈɛntɛ tkaɲˈinɨ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_388.wav|pˈɔvʲɛts tɔ z mʲˈɛtʃɛm w rˈɛŋku, frˈɛj.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_208.wav|dɔbrˈanɔts.|0
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_64.wav|ˌalɛ tˈɛras xalˈimɛ tʃˈɛka ɔpʲˈɛka nad dʑˈɛtskʲɛm, a mɨ fʃˈɨstsɨ bɛɲdʑˌɛmɨ jˈɔ̃ ˌutʃɨmˈɨvatɕ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_231.wav|zɡarɲʲˈɛmɨ fʃˈɨstkix, ɲˈim swˈɔɲtsɛ vzˈɛjdʑɛ, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_198.wav|stfʲˈɛrdʑiw ɡˈɛndrɨ ˌɔbɔjˈɛntnɨm tˈɔnɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_353.wav|mˈikɛ ɔtstˈaviw butˈɛlkɛ s pˈivɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_49.wav|ɲʲˈɛxtsɛʒ zˌavʲadˈɔmitɕ sfˈɔix kɔlˈɛɡuf, ʒˈɛ mɲʲɛ zwapˈawɛɕ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_58.wav|ʒˈɨjɔ̃ w ɛpˈɔtsɛ tˌɛlɛfˈɔnuf kˌɔmurkˈɔvɨɣ z ˌaparatˈami fˌɔtɔɡrˌafitʃnˈɨmi. jɛst pʃˌɛkɔnˈanɨ, ʒˈɛ dˈɛrɛk tsˈɔ nˈajmɲʲɛj rˈas sfˌɔtɔɡrafˈɔvaw ɡˈɔ sfˈɔim.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_194.wav|rˈɛntsɛ maskˈutɛ s pʃˈɔdu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_28.wav|tʃˈuwɛm, ʒˈɛ ktˈɔɕ ɕɛ nadˈɛmnɔ̃ pɔxˈɨla.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_49.wav|jˈak ˈidʑɛ intˈɛrɛs?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_42.wav|pˌɔmɨɕlˈawɛm raptˈɔvɲʲɛ, ʒˈɛ dˈɔbʒɛ bɨwˈɔbɨ ɕɛ rɔzˈɛɕmʲatɕ i sprˌubɔvˈawɛm tɔ zrˈɔbʲitɕ, ˌalɛ ɔn ɲʲɛ zvrˈutɕiw nˈatɔ uvˈaɡʲi.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_438.wav|fsˈunɔw pˈaltsɛ pɔd ɡɔrsˈɛtɕik jɛj sˈukɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_60.wav|ˈɔ, fˈatsɛt jɛst f pɔvˈaʒnɨx tˌarapˈatax, mˈɨɕli bʲˈillɨ znˈɔvu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_168.wav|tɔ tˌɨlkɔ pˈarɛ strˈɔn kɔɲtʃˈɔntsɨx ɕɛ stsˈɛnɔ̃, jˈaɡ bˈɛnji stʃˈɛla dɔ bˈɔba rˌainˈɛsa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_607.wav|fspinˈaliɕmˌɨ ɕɛ dɔ ɡˈurɨ pɔ mˈɔkrɨx stˈɔpɲʲax lˌastrɨkˈɔvɨx.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_12.wav|spʃˈɔntnɔɲtɕ, tˈak tɔ nˈazvaw?|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_393.wav|pʃˈɛs tsˈawɨ tʃˈas mɨɕlˈawɛm ˈɔtɨm, ʒˈɛ kʲˈɛdɨ stˈukɲʲɛ mi ʃˌɛʑdʑɛɕˈɔntka.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_3.wav|bˌɨwɔ zbˈɨd drˈɔɡɔ jˈak na mˈuj ɡˈust, ˌalɛ pˌɔtʃɛbɔvˈawam spˌɛtsjalnˈɛɡɔː ubrˈaɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_192.wav|ɲʲɛ, a pˌɔviɲʲˈɛnɛm?|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_254.wav|ɡdˈɨ tˌɨlkɔ zamknˈɛwa ˈɔtʃɨ, znˈɔvu zjavʲˈawa ɕɛ nˈɛlla.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_205.wav|lˈɔrt rˈandall fspɔmˈinaw ˈɔɲʲɛj f stˈavʲɛ dʑˈɛvits.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_31.wav|pˈan pɔtpˈiʃɛ, a pˈuʑɲʲɛj bɛɲdʑˌɛmɨ dˌɨskutˈɔvatɕ. pˌɔtpisˈawɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_201.wav|mˈɔjɛ ubrˈaɲʲɛ pʃˌɛɕɔŋkɲʲˈɛntɛ krfjˈɔ̃ lˈi mˈidvaj.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_298.wav|vwaɕtɕˈivʲɛ ɲˈikt ɲʲˈɛma dˈɔmu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_193.wav|tsˈɔrin atskˈɛrman tˈɛʃ, nˈavɛd dʒˈɛjn kˈɛllɔkk i tɔ pɔ pijˈaku.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_15.wav|jˈɔɛ znˈam ɔt kˈilku lˈat i jɛst mˈɔjɔ̃ dˈɔbrɔ̃ pʃˌɨjatɕˈuwkɔ̃. mˈilljɛ tɔ pravdʑˈiva swˈɔdɨtʃ, kɔxˈanɛ dʑˈɛtskɔ. ˈaʃa ɲʲˈɛznam ˈaʃ tˈaɡ dˈɔbʒɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_54.wav|bˈɔː ˈɔkna f tɨm bjˈuʒɛ ɕɛ ɲʲɛ ˌɔtfʲɛrˈajɔ̃.|2
+Dataset/wavs/urwisko_ferenc/49_segment_80.wav|mˈɔɲikˌa xudʑˈiɲska tʃˈɛ̃stɔ zʒutsˈawa vˈinɛ na ˈinnɨx.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_61.wav|kʲˈɛdɨ jˈuʃ ˌɔɡarnˈɛwam tˈɛmat, muɕˈawam pʃˈɨznatɕ, ʒˈɛ ta kɔbjˈɛta jɛst naprˈavdɛ ɡɛɲʲˈalna.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_30.wav|ɲˈiɡd bˈatʃɲʲɛ mu ɕɛ pʃˌɨpatrˈujɛ. ɔtɕˈɛra vˈarɡʲi bwɨʃtʃˈɔntsɛ ɔt ɕlˈinɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_469.wav|ɲʲˌɛvʲɛʒˈɔntsɨ i pˌɛdantˈɨtʃnɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_58.wav|spˈuʃtʃa vzrˈɔk i mˈuvi tɕˈixɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_109.wav|xtɕˈawam mu ˈɔtɨm pɔvʲˈɛdʑɛtɕ, ˌalɛ jˈakɔɕ ɕɛ pˌɔfstʃɨmˈawam.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_103.wav|krˈɨtɨm stʃˈɛxɔ̃ dˈaxɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_139.wav|tˈak tˌɨlkɔ mˈuvjɛ, pʲɛrˈɔɲskɔ dˈɔbrɨ spˈaf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_70.wav|rɔzɡlˈɔndaw ɕɛ na bˈɔki, pɔ tʃɨm spˈɔjʒaw za ɕˈɛbjɛ. tɕjˈi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_102.wav|ktˌurɨ pˈilɔd vwˈɔntʃaw tsˈɔ sɛkˈunda i tˌɨlkɔ dʑˈɛŋki tˌɛmu samˈɔlɔd bˈɨw ɲʲˈɛtsɔ vidˈɔtʃnɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_4.wav|rˈaŋkʲɛm nˌastɛmpnˈɛɡɔ dɲʲˈa ˌɔbudʑˈiwam ɕɛ nˈaɡa w mʲˈɛŋkkim, vɨɡˈɔdnɨm wˈuʃku.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_116.wav|pˈɔvʲɛts tɔ tɨm s tsˌɨtadˈɛli. sprˈaf, ʒˈɛbɨ tɕˈɛ vˌɨswuxˈali. mˈuʃɔ̃ vˈɨswadʑ dɔ ɲʲˈɛj mˌaɛstˈɛra.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_38.wav|sˈam vɨtɕˈɔŋɡnɔw ɡrˈɔɕik.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_184.wav|a lˈadɨ rˈɔslin skutˈɛtʃɲʲɛ ˌɔdvratsˈawa tfˈɔjɔ̃ uvˈaɡɛ. zmˈur...|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_296.wav|jɛj xɔnˈɔru mˈɔʒɛ brˈɔɲitɕ tˌɨlkɔ rˈɨtsɛʒ ɡvˈardji krulˈɛfskʲɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_56.wav|vˌɨjɔŋkˈawam. jasmˈinɛ baʃˈara.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_258.wav|bɛɲdʑˌɛmɨ pˌɔtʃɛbɔvˈali nɔvˈɛɡɔ lˈɔrda skarbɲˈika.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_362.wav|i vidʑˈawɛm vˌɨpwɔvʲˈawɔ̃ tʃˈɛrɲ druɡʲˈɛɡɔ pɔkˈɔju, davnˈɛɡɔː azˈɨlu mˈɔjɛj ʒˈɔnɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_563.wav|lɛʒˈɛliɕmˌɨ pʃˌɨtulˈɛɲi i ˌɔddalˈɛɲi ɔt ɕˈɛbjɛ vʲˈɛlkɔ̃ zɡrɨzˈɔtɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_268.wav|s pɛvnˈɔɕtɕɔ̃, zɡˈɔdʑiw ɕɛ mˈarbrantt, ˌalɛ ɲˈikt ɲˈiɡdɨ ɲʲɛ zaʒˈɔndaw ɔkˈupu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_62.wav|vratsˈajɔ̃ fspɔmɲʲˈɛɲʲa mˌiɲʲɔnˈɛɡɔ vʲɛtʃˈɔru i ˈaʒ drʒˈɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_166.wav|vʲˈɛnts pɔwˈɔʒɨw ɕɛ znˈuf ˌɔbɔk ɲʲˈɛj, nˌaswuxˈujɔndʑ vʲˈatru.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_70.wav|pˈan rɛvˈɛlɛrs, tsˈɔ dˈɔbʒɛ ˈɔɲim ɕfʲˈattʃɨ, tˈɛʃ naɡrˈadʑa bʲillʲˈɛɡɔː ˌɔklaskˈami, pɔ tʃɨm vrˈɛntʃa rˌuʒɔvˈɛɡɔ flamˈiŋɡa ʃˈaɲitsˌɛ, ktˌura zˈɛ ɕmʲˈɛxɛm pʃɨtˈula vʲɛlkʲˈɛɡɔ pluʃˈaka.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_342.wav|xˈɔtɕ jˈɛɡɔː ˈɔtʃɨ mʲˌawɨ tˌaki sˈam tɕˈɛmnɔɲʲɛbjˈɛski kˈɔlɔr, zˈafʃɛ bˌɨwɨ tɕˈɛpwɛ, mˈiwɛ i pˈɛwnɛ vˌɛsɔwˈɔɕtɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_89.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ vʲɛdʑˈawam. zˈafʃɛ ˌɔɡlɔndˈali tɔ f sɔbˈɔtɛ vʲɛtʃˈɔrɛm. tʃasˈami pˌɔzvalˈali mi tˈɛʒ zˈɔstadʑ z ɲˈimi ɲʲˈɛtsɔ dwˈuʒɛj pʃɛt spˈaɲʲɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_303.wav|tɔ tɕˈɛ naˈutʃɨ f pʃɨʃwˈɔɕtɕi ʃatsˈuŋku dla bjawˈɛɡɔ tʃwɔvʲˈɛka.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_254.wav|zʒutɕˈiwɛm z ɲʲˈɛj kˈɔwdrɛ, ˌuspravʲˌɛdlivʲˈajɔnts ɕɛ duʃnˈɔɕtɕɔ̃ pʃɛdrˈannɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_580.wav|f tɨm pɔkˈɔju ɔbʲˈitɨm pwˈɨtɔ̃ spˌiliɕɲʲˈɔnɔ̃ jˈak pˌakamˈɛra bˌɨwɔ jˈuʃ tɕˈɛmnɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_63.wav|ɲʲɛ pɔtrˈafjɛ ɔtsˈɛɲitɕ, ˈilɛ na mˈuj tˈɛmat mˈɔɡli ɕɛ jˈuʒ dɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_192.wav|nˈɔ dˈɔbʒɛ, mˈɔʒɛ i ɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/02_segment_87.wav|pˌɔvʲɛdʑˈanɔ mi, ʒˈɛ zˈuski ˈu ɲˈix ɲʲˈɛma.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_35.wav|pˌɔmɨɕlˈɛliɕmˌɨ pɔ prˈɔstu, ʒˈɛ tˌɛɡɔ ɲʲɛ zˌaaprɔbˈujɛʃ, a pʃɨnˈajmɲʲɛj sˈami uvˈaʒam, ʒˈɛ aʃˈɔvi tɔ ɕɛ ɲʲɛ spɔdˈɔba. ɔn pɔtxˈɔdʑi dɔ mɲʲɛ jˈak pʲˈɛz dɔ jˈɛʒa, prˈavda?|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_128.wav|xˈɨba, ʒˈɛ zdɔwˈajɔ̃ jˈɛʃtʃɛ zˈɛbratɕ plˈɔn.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_275.wav|lˈɔrt tˈɨvin zˈafʃɛ pwˈatɕiw sfˈɛ dwˈuɡʲi.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_205.wav|rˈudɨ rˈɔɡɡɔ naˈutʃɨw jˈɔ̃ tˌɛɡɔ f ʃtʃɛɲɕlˈivɨm pˈɔrtɕɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_430.wav|xˈɔdʑmɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_117.wav|ˈɔtpar ɲʲɛ pʃˌɛrɨvˈajɔnts stukˈaɲʲa. plˈus jˈɛdɛn mɔɲˈitɔr dɔ vˌɨɕfʲɛtlˈaɲʲa pˌaramˈɛtruf tɔ f sˈumjɛ pʲˈɛɲtɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_49.wav|pʃɨvˈɨkwam jˈuʒ dɔ zvratsˈaɲʲa ɕɛ dɔ ɲʲˈɛj pɔː imjˈɛɲʲu, xˈɔtɕ ftɕˈɔ̃ʃ mɨɕlˈawam ˈɔɲʲɛj jˈakɔː ɔ sfˈɔjɛj mˈamjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_445.wav|ʒˈɛ ta prˈatsa tɔ bˈɨw mˈuj narkˈɔtɨk?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_19.wav|jɛst mi xɔlˈɛrɲʲɛ pʃˈɨkrɔ, ˌalɛ za bˈardʑɔ ɕɛ fstɨdʑˈiwɛm, ʒˈɛbɨ pɔvʲˈɛdʑɛtɕ tɕi prˈavdɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_38.wav|znˈuf ʃˈɛd vzdwˈuʒ ʒˈɛndu sˌamɔlˈɔtuf stɔjˈɔntsɨx na pˌɔwudɲʲˈɔvɛj strˈɔɲʲɛ pˈasa stˌartɔvˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_42.wav|pˈɔzvul, ʒˈɛ zˈadam tɕi pɨtˈaɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_157.wav|dlatʃˈɛɡɔ tɛn krˈaj mʲˈawbɨ trˈɔʃtʃɨtɕ ɕɛ ɔ jˈɛdnɔ̃, stˈarɔ̃, bjˈɛdnɔ̃ kɔbjˈɛtɛ?|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_194.wav|ʒɛmpˈɔliw na skʃˈɨpkax.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_21.wav|ˈɔbus lˌaɲistˈɛruf rɔzbʒmʲˈɛvaw dʑvʲˈɛŋkʲɛm drɛvɲʲˈanɨx mwˈɔtkuf.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_61.wav|sˈɛr lˈɔras jɛst tʃˈɨ rˈazɨ lˈɛpʃɨm mɛ̃ʃtʃˈɨznɔ̃ ɲˈiʃ sˈɛr ˈɔsmunt.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_53.wav|xˈɔdʑ dɔ mɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_41.wav|ɔː ˈinnɨɣ vɔlˈawabˌɨm zapˈɔmɲʲɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_119.wav|na dvˈɔʒɛ zatʃˈɛwɔ pˈadatɕ.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_35.wav|nˈajpʲɛrf mˈuʃɛ pˌɔrɔzmˈavʲadʑ z blatskfˈiʃɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_29.wav|bjˈɛʒɛ jˈɛɡɔ dwˈɔɲ w ˈɔbjɛ rˈɛntsɛ, lˈɛkkɔ zˈɛ vzɡlˈɛndu na dˌɔkutʃajˈɔntsɨ bakʲˈɛmu artrˈɛtɨzm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_62.wav|tɔ tsfˈana bˈapka.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_84.wav|ɲʲˈɛznam ʃtʃɛɡˈuwuf, bˈɔ tɔ ɲʲɛ mˈɔja dʑˈawka. f kˈaʒdɨm rˈaʑɛ xˌakɛrˈɔvi udˈawɔ ɕɛ f kˈɔɲtsu zˌainstalˈɔvatɕ prˈɔɡram, ktˌurɨ mʲˈaw namjˈɛʒɨtɕ tfˈɔjɛ pˌɔwɔʒˈɛɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_93.wav|tˈɔm ˈupiw sɔlˈidnɨ wˈɨɡ vˈina.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_41.wav|ɲʲɛ nazˈɨvaj mɲʲɛ tˈak.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_166.wav|xˈɨba, ʒˈɛ kɔbjˈɛta f tʃɛrvʲˈɛɲi bˈɨ ɡˈɔ spalˈiwa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_70.wav|tˈak jɛj nˌajvɨrˈaʑɲʲɛj pˌɔvʲɛdʑˈawaɕ, a ˌɔna tɕi ɲʲɛ ˌuvʲɛʒˈɨwa. pˌɔtfʲɛrdʑˈiwɛm, ʒˈɛ muvˈiwaɕ prˈavdɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_484.wav|a tsˈɔ z ɲʲˈɔ̃, tˈɛ nˈatkɔ̃? spˈɨtaw rˈaptɛm kˈɔrsak.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_341.wav|nˈaɡɔɕtɕ ɛwrˈɔna mʲˈawa f sˈɔbjɛ tsˈɔɕ ˌɔpstsɛɲitʃnˈɛɡɔː i ɲʲˌɛpɔkˌɔjɔntsˈɛɡɔ. ʒˈadɛn tʃwˈɔvʲɛk ɲʲɛ dˈɔvʲɛ ɕɛ, na tsˈɔ ɡˈɔ stˈatɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_161.wav|i bɛzvˈɔnɨ ɲˈimi, jˈak mˈɔʒɛ, ktˌurɛ ix ˌɔtatʃˈawɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_81.wav|vrutɕˈiwa dɔ dʒvˈi prˌɔvadʑˈɔntsɨx na kɔrˈɨtaʃ i sprˌubɔvˈawa ˈuɲʲɛɕtɕ klˈamkɛ zˈamjast jˈɔ̃ natɕˈiskatɕ, tʃɨmˈajɔnts jˈɔ̃ mˈɔtsnɔː ˈɔbu rˈɔntʃ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_90.wav|tˈɨdʑɛɲ pɔ nˈaʃɛj vɨprˈavʲɛ dɔ kˈina, kʲˈɛdɨ vˈɨʃwam z vɨkwˈadu, zastˈawam stsˈɔtta tʃˌɛkajɔntsˈɛɡɔ nˈamɲʲɛ na utʃˈɛlɲi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_114.wav|tˈaɡ dwˈuɡɔ, jˈaɡ bˌɛɲdʑɛ tɔ kɔɲʲˈɛtʃnɛ, ʒˈɛbɨ pˈɔmuts tˈɨm, ktˌuʒɨ ʃukˈajɔ̃ sˈɛnsu w ʒˈɨtɕu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_185.wav|ɲʲɛ, dʑɛŋkˈujɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_26.wav|tʃˈɛka tɕˈɛ bɔlˈɛsna rˌɛkɔnvˌalɛstsˈɛntsja, ˌalɛ pʃɛʒˈɨjɛʃ.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_81.wav|rɔzɡɲʲˈɛvaw jˈɔ̃ vˈidɔɡ dˌarɨˈɔna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_99.wav|lˈubjɛ pɔmˈaɡatɕ, jˈɛɕli tˌɨlkɔ mˈɔɡɛ, a vˈidʑɛ vɨrˈaʑɲʲɛ, ʒˈɛ tsˈɔɕ tɕˈɛ drˈɛntʃɨ. xtsˈɛʃ mi pɔvʲˈɛdʑɛtɕ, ɔ tsˈɔ xˈɔdʑi?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_6.wav|pʃɛt jˈakimʑ ɡmˈaxɛm ʒɔndˈɔvɨm ˌɔbʒutsˈɔnɨm jajˈami, ktˌurɛ zˈasxwɨ na ɕtɕˈanax,|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_115.wav|pˌɔprɔvadʑˈiwam ɡˈɔ f strˈɔnɛ ɡrˈubɛj na pˈuw mˈɛtra rˈurɨ ˌɔtpwɨvˈɔvɛj i fskazˈawam tkfʲˈɔntsɨ w ɲʲˈɛj zˈavur.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_110.wav|tɔ vwˈaɕɲʲɛ ftˈɛdɨ ɕɛ stˈawɔ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_57.wav|a tsˈɔ tɕˈɛ tɔː ɔpxˈɔdʑi?|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_113.wav|kˈɔstki zvˈɨklɛ sɔ̃ jˈɛɡɔ spʃˌɨmjɛʒˈɛɲtsɛm, ˌalɛ ɲʲɛ dʑˈiɕaj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_194.wav|vratsˈajmɨ na dˈuw. zrˈɔbjɛ tɕi pravdʑˈivɛ ɕɲʲadˈaɲʲɛ. jˌajɛtʃɲˈitsɛ na bɛkˈɔɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_185.wav|ruʃˈɨwam pʃɛt ɕˈɛbjɛ, klˈutʃɔnts mʲˌɛndʑɨ prˌatsɔvɲikˈami, ktˌuʒɨ fprˈavɲʲɛ ɕmiɡˈali vɛ fʃˈɨstkix kʲɛrˈuŋkax.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_21.wav|ʒˈɛ planˈujɛʒ zatʃˈɨmatɕ jˈɔ̃ pʃɨ sˈɔbjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_53.wav|i dlatˈɛɡɔː ˈallɛn ɲʲɛ pɔvˈiɲʲɛn stˈanɔɲtɕ pʃɛt sˈɔndɛm f stˈaɲʲɛ, f ktˌurɨm ˌɔbɔvʲɔ̃zˈujɛ kˈara ɕmʲˈɛrtɕi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_32.wav|stˈarɨ znˈuf pʃˈɛrvaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_14.wav|ˌinfɔrmˈujɛ bˈɛtskɨ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_181.wav|bˈɨw bˈardʑɔ pʃɨstˈɔjnɨ, ˌalɛ jˈɛɡɔ spɔjʒˈɛɲʲɛ vˌɨdavˈawɔ ɕɛ xˈɨtrɛ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_123.wav|jˈɛɕli ɲʲɛ, pˈɔddaʒ zˈamku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_167.wav|ɔdvrˈatsa ɕɛ dɔː ˈɛlis.|2
+Dataset/wavs/urwisko_ferenc/53_segment_68.wav|ˈɔlɡʲɛrt pʃɨwˈɔʒɨw dɔ kˈartki lˈistɛk, ktˌurɨ mʲˈaw fxwˈɔnɔɲtɕ krˈɔplɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_142.wav|lˈudʑɛ fxˈɔdʑɔ̃ i sxˈɔdʑɔ̃ pɔ sxˈɔdax sˈɔndu, ˌalɛ ix ɲʲɛ vˈidʑi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_149.wav|mˌaçinˈalɲʲɛ spravdʑˈiwɛm, tʃɨ mˈam spˈɔdɲʲɛ na sˈɔbjɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_4.wav|bˈɛtskɨ fpˈada dɔ pɔkˈɔju, ɕˈada na sˈɔfjɛ napʃˈɛtɕif mɲʲɛ i zakwˈada zˈɛstaf swˌuxafkˈɔvɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_10.wav|i dlatˈɛɡɔ vˌɨɔbraʒˈamɨ sˈɔbjɛ, ʒˈɛ mˈɔʒna tɕˈɛbjɛ ˈujɔɲdʑ ɡwˈatkim swˈɔvɛm.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_61.wav|ɡdˈɨ rˈɔbɛrt pˈɔtʃuw na tfˈaʒɨ dɔtkɲʲˈɛɲtɕɛ ʑimnˈɛɡɔ vˈixru, skˈuliw ɕɛ trfˈɔʒɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_397.wav|zˌapɔznˈawa ɡˈɔ zˈɛ sfˈɨm plˈanɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_178.wav|kʲˈɛdɨ pɔdˈɛʃliɕmˌɨ blˈiʒɛj, vˌɨmuskˈanɨ pʃɛvˈɔdɲik pɔvˈitaw tsˈawɔ̃ nˈaʃɔ̃ ɡrˈupɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_13.wav|mˈɔʒɛ pɔvˈinɲi pˌɔtraktˈɔvatɕ tɔ jˈakɔ dˈɔbrɛ vʲˈɛɕtɕi, ˌalɛ jˈɛɕli tɔ jɛst ˈaʃ, tɔ ɡdʑˈɛ pʃˌɛbɨvˈawa mˈili?|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_139.wav|tʃˈɛɕtɕ kɔlˈɛɡɔ. ɡwˈɔs ˌɛdʲisˈɔna jɛst tɕˈixɨ i upʃˈɛjmɨ.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_103.wav|pɔdɲʲˈɛbnɛ tsˈɛlɛ nˌadavˈawɨ zamkˈɔvi vˈɨɡlɔnt pʃˌɨvɔdʑˈɔntsɨ na mˈɨɕl plˈastɛr mʲˈɔdu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_54.wav|ˈɔlman zajmˈujɛ ɕɛ ɔpswˈuɡɔ̃ trˈaz dla zɛspˈɔwuf i ˈinnɨx artˈɨstuf, kɔmˈikuf, maɡʲˈikuf, kˈɔɡɔ tˈam xtsˈɛʃ. ɡwˈuvɲʲɛ jˈɛdnak xˈɔdʑi ɔ zɛspˈɔwɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_76.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_11.wav|vrˈatsam dɔ mʲastˈɛtʃka zˌastanavʲˈajɔnts ɕɛ nad dˌɔstɛmpnˈɨmi mˌɔʒlivɔɕtɕˈami.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_60.wav|jˈak tɔ ɕɛ nazˈɨva?|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_56.wav|xwˈɔpak tʃˈuw ɕɛ zmɛntʃˈɔnɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_34.wav|xˌɔrɔvˈawɛɕ kʲˈɛdɨ na sˈɛrtsɛ? ɲʲɛ, ɲˈiɡdɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_73.wav|tɔ tˌɨlkɔ sfˈɛɡɔ rɔdʑˈaju kˌɔmplikˈatsja.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_16.wav|pˈaki mˈa rˈatsjɛ. wˈɔftsɨ nˈaɡrut na pˈɛvnɔ skˈupjɔ̃ ɕɛ w vˈɛɡas i ˌɔkɔlˈitsax.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_199.wav|ˌalɛ nˌastɛmpnˈɛɡɔ dɲʲˈa kɕˈɔ̃ʒɛ dˈɔran rˈuvɲʲɛʃ ɲʲɛ pʃˈɨʃɛd.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_23.wav|ˈɔbaj w ɡˌarɲitˈurax.|2
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_32.wav|— rɔzˈumjɛm, ˌalɛ vˈɛʑ ɡˈɔː i tˈak. ɲʲɛ jɛst nˌawadɔvˈanɨ. prˈavʲɛ na pˈɛvnɔ ɲʲɛ bˌɛɲdʑɛʃ muɕˈawa ɡˈɔ vˈɨjɔɲtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_2.wav|rɔzmˈɔva tˈɔma z bˈɨwɔ̃ ʒˈɔnɔ̃ pˌɔpʃɛdɲʲˈɛɡɔ vʲɛtʃˈɔru pˌɔtɔtʃˈɨwa ɕɛ zɡˈɔdɲʲɛ z jˈɛɡɔː ˌɔtʃɛkˌivaɲʲˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_71.wav|wˈuʃkɔ bˌɨwɔ pˈustɛ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_53.wav|mˈuj strˈɨj jɛzd dˈɔbrɨm pwɨvˈakʲɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_6.wav|na pˌɔrɔɕɲʲˈɛntɛj xfastˈami drˈuʃtsɛ ɲʲˈɛstaw ʒˈadɛn pˈɔjast, tsˈɔ mʲˈawɔ sˈɛns, skˈɔrɔ znalˈɛʑli samˈɔxut jaɡˈɛra f tsˈɛntrum mˌanxɛstˈɛru.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_226.wav|tɔ ɡʲˈildja jɛzd zˌaɡrɔʒˈɛɲʲɛm dla tfˈɔjɛj pʃɨʃwˈɔɕtɕi, ɲʲɛ jˈa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_6.wav|bˈɨw tɛlˈɛfɔn dɔ tɕˈɛbjɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_133.wav|mˈawɨ tʃwˈɔvʲɛk, ktˌurɨ xtɕˈawbɨ dˈɔstatɕ jˈakiɕ mˈawɨ jˈɔp, ʒˈɛbɨ mʲˈɛdʑ dla ɕˈɛbjɛ jˈakɔ̃ɕ mˈawɔ̃, swˈɔtkɔ̃ kurˈɛfkɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_206.wav|ʑlˈɛ ɕɛ tʃˈujɛ, tɕˈɔŋɡlɛ jˈɛʃtʃɛ tɕˈɛmnɔ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_43.wav|ɡdʑˈɛ ɔn jˈɛst?|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_50.wav|vˈidʑɛ vˌɨbʒuʃˈɛɲʲɛ pɔ lˈɛvɛj strˈɔɲʲɛ pˈaɲskʲɛj kˈurtki, pˈaɲʲɛ bˈɨrnɛ, pɔvʲˈɛdʑaw ɡwˈɔs. jɛst pˈan ˌuzbrɔjˈɔnɨ?|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_242.wav|pɔvʲˈɛdʑaw i pɔwˈɔʒɨw sfˈɔjɛ ɡʲˈizmɔː ˌɔbɔk mɔjˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_285.wav|ktˌurɨ stˈaw pʃɨ vˈɛjɕtɕu dɔ namjˈɔtu.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_286.wav|tʃˈɨ pˈaltsɛ mawˈɛɡɔ nˈarba ɲʲˈɛxtsɔ̃ ɕɛ zɡʲˈinatɕ.|1
+Dataset/wavs/urwisko_ferenc/19_segment_41.wav|sˈɔlska skinˈɛwa ɡwˈɔvɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_244.wav|ɡwˈɔvɛ ˌɔvʲɔ̃zˈanɔ jɛj jɛdvˈabnɨm bandˈaʒɛm w mʲˈɛjstsu, ɡdʑˈɛ zrˈaɲiw jˈɔ̃ tɕˈɛmna ɡvʲˈazda, a ʑɛlˈɔnɛ ˈɔtʃɨ bwɨʃtʃˈawɨ w ɡɔrˈɔntʃtsɛ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_286.wav|najlˈɛpʃɛ kˈurvɨ sɔ̃ f ʃtʃɛɲɕlˈivɨm pˈɔrtɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_19.wav|vˌɨʃɛptˈawa lˈadɨ mˌɛrivˈɛtxɛr, ɕadˈajɔnts na pɔdˈuʃkaɣ z nˌaʒutˈami pˌɔttɕɔŋɡɲʲɛntˈɨmi dɔ tˈalji. tʃɨ tsˈɔɕ ɕɛ stˈawɔ? ɲˈits.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_30.wav|na zdjˈɛɲtɕu vˈidatɕ ˈaʃa i mˈili. zrɔbjˈɔnɔ jˈɛ na kˌaruzˈɛli. ja jˈɛ zrɔbʲˈiwam tˌɛlɛfˈɔnɛm. ɲˈikt ˈinnɨ ɡˈɔ ɲʲˈɛma, nˈavɛt ˈaʃ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_133.wav|xˈɨba jˈɔ̃ tɔ zbˈɨtɲʲɔ ɲʲɛ ɔbˈɛʃwɔ, ʒˈɛ tsˈurka, ktˌurɛj ɲʲɛ vidʑˈawa ɔt ʃˈɛɕtɕu lˈat i dɔ ktˌurɛj lˈɛdvʲɛ ɕɛ ˌɔdʑɨvˈawa pʃˈɛz znˈatʃɲʲɛ vʲˈɛntsɛj.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_118.wav|ɲʲɔsˈɔntsɨ jˈɔ̃ kˈɔɲ zatʃˈɨmaw ɕɛ nˈaɡlɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_546.wav|ɡdʑˈɛɕ pɔt spˈɔdɛm tˈɛɡɔ, tsˈɔ vidʑˈawɛm, pɔt spˈɔdɛm ftʃˈɛsnɛj nˈɔtsɨ,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_106.wav|mˈɨɕliʃ, ʒˈɛ tɔ tɛn sˈam fˈatsɛt, ktˌurɨ krˈɛɲtɕiw ɕɛ tˈutaj w ɔstˈatɲiɣ dɲʲˈax?|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_173.wav|lanɲˈistɛr zˈafʃɛ pwˈatɕi sfˈɛ dwˈuɡʲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_50.wav|bˌɨwam tˈaɡ zdˌɛspɛrɔvˈana, ˈabɨ vɨdˈɔstatɕ ɕɛ s kwɔpˈɔtuf i pˈɔmuts stsɔttˈɔvi, ʒˈɛ nˌamuvˈiwam ɔsˈɔbɨ, ktˌurɛ znˈawam i lubʲˈiwam, ʒˈɛbɨ mɲʲɛ spˌɔnsɔrɔvˈawɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_7.wav|tɔ fʃˈɨstkɔ, tˌɨlkɔ pɔʒˈɛtʃka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_219.wav|pˈɔza tɨm bˌɛndɔ̃ tɔ pʲɛɲʲˈɔndʑɛ, ktˌurɛ zˌarɔbʲˈiwɛm dʑˈɛŋki tˈɔbjɛ. ɔt tʃtˈɛrɛx lˈat jˌɛstɛɕ mˈɔim jɛdˈɨnɨm kljˈɛntɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_58.wav|tsˈɔ pˈɛvʲɛn tʃˈas rɔzlˈɛɡa ɕɛ ʃtʃɛkˈaɲʲɛ psˈa, a w ɔddˈali krˈɛntsɔ̃ ɕɛ pɔstˈatɕɛ w bjˈawɨx kˌɔmbʲinɛzˈɔnax.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_144.wav|sˈam swˈɨʃaw, jˈak pˌɔzɔstˈawɛ pˌɔftaʒˈajɔ̃ ɡvˈarɡ dɔ ɕˈɛbjɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_311.wav|tsˈɔ s kʲˌɛliʃkˈami w rˈɛŋku stˈɔjɔ̃ pɔ kˈɔntax pɔkˈɔju i rˌɔzmavʲˈajɔ̃ ɔ fʃˈɨstkim, tɔ znˈatʃɨ ɔ ɲˈitʃɨm.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_403.wav|i zˈabʲij mɲʲɛ, jˈɛɕli zdˈɔwaʃ.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_348.wav|sˈɛr vˈaldɛr zmˈarʃtʃɨw brˈɨvi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_10.wav|mˈam na zˈɛvnɔntʃ tʃwɔvʲˈɛka z brˈɔɲʲɔ̃. vɨstˈartʃɨ, ʒˈɛ kʃˈɨknɛ, a bˌɛɲdʑɛ tˈu f tɕˈɔŋɡu kˈilku sˈɛkunt. pʃɛɡrˈawaɕ, jˈɔɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_20.wav|tˈak sˈamɔ bˌɨwɔ pʃˈɛttɛm, mˈuvi sˈɔbjɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_100.wav|jˈɛɕli tˈɛras ɲʲɛ stˈavjɛ mu tʃˈɔwa, jˈuʒ zˈafʃɛ bˌɛndɛ ˌɔɡlɔndˈawa ɕɛ pʃˈɛs rˈamjɛ i ɲʲɛ spˈuʃtʃɛ xˈɔllɨ i baˈilɛj jˈɛɡɔ s pˈɔla vidʑˈɛɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_47.wav|lˌɛvɔrˈɛntʃnɨ zˌaxɔvˈɨvaw ɕɛ ɲʲˈɛzbɨd dɨskrˈɛtɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_194.wav|tɛ kfʲˈatɨ zdˈajɛ ɕɛ dˈɔbʒɛ znˈɔʃɔ̃ xwˈɔdɨ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_180.wav|f krulˈɛfskʲɛj pʃɨstˈaɲi s pɛvnˈɔɕtɕɔ̃ vˌidɨvˈawɛɕ krˈula rɔbˈɛrta.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_26.wav|pʃˌɛtɕɛʒ zˌapwatɕˈiwɛm mu jˈɛɡɔ ʃˈɛʑdʑ dɔlˈaruv za ɡɔdʑˈinɛ lˈɔtu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_35.wav|ɲʲɛ vˌɨklutʃˈɨwam tˌɛɡɔː ˈaʃ. ɔtpˈarwa jˈɔ, zˈaɲim bˈɛtskɨ zdɔ̃ʒˈɨwa ɔtfˈɔʒɨtɕ ˈusta. rˌɔzmavʲˈawam z ɲʲˈɔ̃ i zˌapʃɛtʃˈɨwa, ʒˈɛ ktɔkˈɔlvʲɛk ˈu ɲʲˈɛj bˈɨw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_58.wav|pˈɔza tɨm stˈaram ɕɛ bˈɨtɕ na bjɛʒˈɔntsɔ s tˈɨm, tsˈɔ dʑˈɛjɛ ɕɛ ˈu mˈɔiɣ dˈavnɨx pʃɨjˈatɕuw. ˈurɔk mˈɛdjuf spˌɔwɛtʃnɔɕtɕˈɔvɨx, tsˈɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_50.wav|za kˈaʒdɨm rˈazɛm bˌɛsskutˈɛtʃɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/29_segment_18.wav|— jˌɛstɛʑ z ɲʲˈɔ̃? — spɨtˈawa tɕˈixɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_73.wav|ɲʲˈɛma mˈɔvɨ, tˈatɔ. zɔstˈajɛ tˈutaj s tˈɔbɔ̃. jˈɛɕli ˌɔna zˈɛxtsɛ pɔjˈɛxatɕ, ɲʲˈɛx jˈɛdʑɛ. jɛj vˈɨbur.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_120.wav|tsˈawa lˈutskɔɕtɕ nalˈɛʒɨ dɔ ɲʲˈɛɡɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_205.wav|lɛpʲˈɛɲʲɛ|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_190.wav|vrˈɛʃtɕɛ dɔpˈadwɔ mɲʲɛ tɔ fʃˈɨstkɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_82.wav|ˌɔdvrutɕˈiwam ɡwˈɔvɛ i spɔjʒˈawam na ɲʲˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_227.wav|jɛdnˈaɡʒɛ tˈɨrjɔn zɡˈɔliw tˈɛ brˈɔdɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_80.wav|tsˈɔ tˈu ɕɛ dɔ xɔlˈɛrɨ vɨrˈabja?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_221.wav|ɔ tsˈɔ xˈɔdʑi?|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_8.wav|na pɔtʃˈɔntɛk pˈɨta dʒˈɔrdʒja, tʃɨ mˈuɡwbɨ vˌɨkɔʒˈɨstatɕ sfˈɔjɛ snajpˈɛrskʲɛ ˌumjɛjɛntnˈɔɕtɕi dɔ rˌɔzvʲɔ̃zˈaɲʲa prɔblˈɛmu rɔɡˈɛra klɛrkˈɛa.|2
+Dataset/wavs/urwisko_ferenc/46_segment_86.wav|lˈɛɡnɛr fpatrˈɨvaw ɕɛ f ʃˈɨbɛ, pɔ ktˌurɛj zˌɨɡzakˈami spwɨvˈawɨ krˈɔplɛ dˈɛʃtʃu, wˈɔntʃɔnts ɕɛ zˈɛ sˈɔbɔ̃ i pʃˌɨspʲɛʃˈajɔnts.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_378.wav|z jˈakɔ̃ɕ ɲʲɛznˈanɔ̃ pʃɛʃwˈɔɕtɕɔ̃ ˈalbɔ zwˈɨmi pʃˌɛtʃutɕˈami.|0
+Dataset/wavs/urwisko_ferenc/50_segment_49.wav|ɲʲɛstˈɛtɨ ɲʲɛ. mˌilitsjˈaɲtɕi skutˈɛtʃɲʲɛ ˌɔdradʑˈili im fʃˈɛlkʲɛ dʑawˈaɲʲa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_16.wav|ktˌuʒɨ zˌaɡrɔzˈili naʃˈɛmu fspˌaɲʲawˈɛmu ʒˈɨtɕu, ktˌuʒɨ ˌɔkazˈali ɕɛ ɲʲˌɛlɔjˈalɲi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_142.wav|dʒvˈi dɔ salˈɔnu bˌɨwɨ ɔtfˈartɛ i ˈaram swˈɨʃaw kˈaʒdɛ nˈaʃɛ swˈɔvɔ.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_179.wav|tˌarɡarˌɨɛnˈɔvʲɛ zˈafʃɛ ˌɔddavˈali sfˈɨɣ zmˈarwɨx pwɔmjˈɛɲʲɔm.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_129.wav|maʃ nˈumɛr pʃɛsˈɨwki? mˈɔɡɛ zawˈatfitɕ, ʒˈɛbɨ dɔtˈarwa tˈu ʃˈɨptɕɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_166.wav|tsˈawɛ prɔɡrˈamɨ i dˌɔprɔvˈadʑa dɔ bɛzvwˈadu sɨstˈɛmɨ baŋkˈɔvɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_61.wav|pʃɨɕˈɛŋɡaw, ʒˈɛ jˈɛɡɔ rɔdʑˈina ɲʲˈɛma ʑˌɛlɔnˈɛɡɔ pɔjˈɛɲtɕa ˈɔtɨm, tsˈɔ rɔbʲˈimɨ, ˌalɛ rˈuvɲʲɛ dˈɔbʒɛ mˈɔɡwɔ tɔ bˈɨtɕ kɔlˈɛjnɛ z jˈɛɡɔ kwˈamstf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_90.wav|mˈɔʒɛ ɲˈiɡdɨ bˈɨ mi f tɔ ɲʲɛ uvʲˈɛʒɨw, ˌalɛ tˈakʲɛ drˈɔbnɛ ˌɔtxɨlˈɛɲʲɛ ɔt mɔjˈɛɡɔ xˌarmɔnɔɡrˈamu ɲʲɛ zˌɔstawˈɔbɨ rˈatʃɛj zɡwɔʃˈɔnɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_110.wav|ɲʲɛ mʲˈawam pɔjˈɛɲtɕa, ɔ tʃɨm rˌɔzmavʲˈajɔ̃ i splˈɔtwam dwˈɔɲʲɛ, ʒˈɛbɨ pʃɛstˈawɨ ɕɛ tʃˈɔ̃ɕtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_20.wav|jɛj tfˈaʒ vɨkʃˈɨviw ɡrˈɨmas ɲʲˌɛzadˌɔvɔlˈɛɲʲa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_46.wav|ʃˈɛfjɛ, ˌɔɲi ɕɛ ˌɔbraʒˈajɔ̃, kʲˈɛdɨ ix ɕɛ bjˈɛʒɛ jˈɛdnɨɣ za drˈuɡʲix. tˈak? ˌɔbraʒˈajɔ̃ ɕɛ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_65.wav|fʃˈɨstkɔ, tsˈɔ ja pˈɔvʲɛm, bˌɛɲdʑɛ pˈan pɔftˈaʒatɕ, ʒˈɛkw ˈandɛrsɔn.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_54.wav|mˌamɨ tˈu spˈɔrɔ pɔwˈɔntʃɛɲ dɔː ˈinɛs ɔrtˈɛɡʲi. dɔmˈɨɕlam ɕɛ, ʒˈɛ tɔ ktˈɔʑ zˈɛ ʃpitˈala.|4
+Dataset/wavs/urwisko_ferenc/53_segment_54.wav|ɲʲɛ mˈɔɡwa uvˈɔlɲitɕ ɕɛ ɔt mˈɨɕli, ʒˈɛ ɔn tsˈɔɕ ukrˈɨva.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_63.wav|pˌamjɛntˈajtɕɛ, ʒˈɛ jɛst tɔː ˌaparatˈura zˌaprɔjˌɛktɔvˈana z mˈɨɕlɔ̃ ɔ turˈɨstax i pɔtrˈafi sˌamɔdʑˈɛlɲʲɛ zˈadbatɕ ɔ fʃˈɨstkɔ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_31.wav|pɔ tsˈɔ mʲˌanɔvˈawaʑ davˈɛna nˌamjɛstɲˈikʲɛm zaxˈɔdu, jˈɛɕli ɲʲɛ vʲˈɛʒɨʃ w jˈɛɡɔ mˌɔʒlivˈɔɕtɕi?|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_96.wav|mˈuʃɛ dɔ waʑˈɛŋki, a i tˈak prˈavʲɛ zbˌaŋkrutɔvˈawam, ftrˈɔntsa ʃˈaɲis i fstˈajɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_12.wav|kazˈawam mu zˈɛjʑdʑ zˈɛ ʃtʃˈɨtu kɔpˈuwɨ tsˈɛntrum vˌɨtɕɛtʃkɔvˈɛɡɔː i ˌusadˈɔvitɕ ɕɛ tˈuʃ nat ɕlˈuzɔ̃ kˌɔlɛjˈɔvɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_46.wav|rˈas na jˈakiɕ tʃˈas, kʲˈɛdɨ bˌɨwam ɡʒˈɛtʃna, ˌuʒɔndʑawˈɨɕmɨ sˈɔbjɛ, jˈak ˌɔna tɔ nˌazɨvˈawa, spɛtsjˈalnɨ dʑˈɛɲ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_198.wav|dɔ vidʑˈɛɲʲa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_58.wav|pʃˌɨpɔmˈinam sˈɔbjɛ, ʒˈɛ tɔ zdjˈɛɲtɕɛ s ʃˈɔpɨ spʃˈɛt kˈilku dɲˈi bˌɨwɔ lˈɛkkɔ nˌadɛrvˈanɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_21.wav|tsˈɔ tɕɛkˈavɛ, ɲʲɛ pˌɔtʃɛbujˈɛmɨ ɔxrˈɔnɨ pʃɛt skaʒˈɛɲʲɛm rˌadjɔaktˈɨvnɨm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_69.wav|a tˈam tʃˈɛkaw na ɲʲˈɛɡɔ lɲʲˌanɔvwˈɔsɨ ˈɔlbʒɨm w rubˈaʃtsɛ i krakˈɔfskix spˈɔdɲʲax.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_28.wav|zwɔʒˈɨwabˌɨm vizˈɨtɛ jˈɛɡɔ mˈattsɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_72.wav|a fʃˈɨstsɨ bˈɨ mu ˌuvʲɛʒˈɨli.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_289.wav|pɔ tsˈɔ ktˈɔɕ mʲˈawbɨ krˈaɕtɕ mˈuj vˈuzɛk? tsˈɔ bˈɨ z ɲˈim zrˈɔbʲiw?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_21.wav|bˈɛtskɨ pɔtʃˈuwa rˌɔstʃarɔvˈaɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_219.wav|fˈaliz bˌɨwa jˈɛdnaɡ ɡwˈuxa na ɡwˈɔz zdrɔvˈɛɡɔ rɔssˈɔntku. fʃˈɨstkɔ, tsˈɔ zrɔbʲˈiliɕmˌɨ, zrɔbʲˈiliɕmˌɨ dla vˈaʃɛj miwˈɔɕtɕi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_174.wav|pɔvʲˈɛdʑaw pʃˌɨtɕɔŋɡˈajɔnts mɲʲɛ dɔ ɕˈɛbjɛ.|3
+Dataset/wavs/urwisko_ferenc/46_segment_123.wav|tsˈɔ vʲˈɛdʑaw ɔ sfˈɔim ʃˈɛfjɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_230.wav|vʲɛdʑˈawam, ʒˈɛ tɔ bˌɛɲdʑɛ trˈudnɛ i zˈafʃɛ dˌɔpuʃtʃˈawam mˈɨɕl ɔ pɔrˈaʃtsɛ.|3
+Dataset/wavs/urwisko_ferenc/29_segment_4.wav|ɕˈɛŋɡnɔw pɔ kɔmˈurkɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_17.wav|vɨɡlˈɔnda ɕfʲˈɛtɲʲɛ, tsˈɔ?|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_397.wav|ɡdˈɨbɨm tɔ ja bˈɨw pʲˈɛrʃɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_15.wav|ɲʲˈɛvʲɛm, tʃɨ stˈartʃɨ mi tʃˈasu, ʒˈɛbɨ z ɲʲˈɔ̃ pˌɔrɔzmˈavʲatɕ, ʒˈɛbɨ jˈɔ̃ pʃɛkˈɔnatɕ, zˈaɲim ˈaram pʃˈɨjdʑɛ tsˈɔʑ zjˈɛɕtɕ, ˌalɛ na rˈaʑɛ mˈuɕi tɔ zatʃˈɛkatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_88.wav|ˈɛdmunt spˈɔjʒaw na ɲʲˈɛɡɔ, jˈaɡbɨ uswˈɨʃaw tsˈɔɕ, tsˈɔ jˈɛɡɔ zdˈaɲʲɛm w ɔɡˈulɛ ɲʲɛ fxɔdʑˈiwɔ w rɛxˈubɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_26.wav|ɕmʲˈɛʃɲʲɛ ɕɛ tʃˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_104.wav|mʲɛjstsˈɔva pɔlˈitsja mˈɔʒɛ jˈɔ̃ zlˌɔkalizˈɔvatɕ i zatʃˈɨmatɕ, jˈɛɕli ɕɛ ɲʲɛ mɨlˈimɨ tsˈɔ dɔ mʲˈɛjstsa dˌɔtsɛlɔvˈɛɡɔ, pɔvʲˈɛdʑaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_6.wav|pɔvʲˈɛdʑaw, pɔ tʃɨm ɔdˈɛrvaw skˈurkɛ i pˈɔdaw mi ˈɔvɔts.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_245.wav|kʲˈɛdɨ tɔ ɕɛ skˈɔɲtʃɨ, pˌɔmɨɕlˈawɛm z rɔspˈatʃɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_20.wav|ˌintɛrˌɛsujˈɔntsɔ̃, sɛksˈɔvnɔ̃ i zuxfˈawɔ̃ kɔbjˈɛtɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_487.wav|sˈɨn mˈuvi, ʒˈɛ vɨrˈɔbʲi nˈam vˈɨjazd dɔ vwˈɔx. na fɛstʲˈival tɛˈatruf ulˈitʃnɨx.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_69.wav|tˈɔm fʃˈɛd dɔ kˌɔrɨtˈaʒa, a bˈɛki ɲʲˈɛmal dɛptˈawa mu pɔ pʲˈɛntax.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_105.wav|tɛn dʑɛɕˈɔntɨ mˈuɡwbɨ ɕɛ ɔkˈazatɕ tˈɨm, ktˌurɨ mɲʲɛ zabʲˈijɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_109.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_15.wav|sfɔbˈɔda ɔtfˈɔʒɨw pʃɛdˈɛmnɔ̃ dʒvˈi, zˈaɲim zdɔ̃ʒˈɨwam zapˈukatɕ.|4
+Dataset/wavs/urwisko_ferenc/27_segment_87.wav|ɕlˈɛttʃɨ pʃˈɨɡrɨz vˈarɡɛ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_127.wav|tɨ jˌɛstɛɕ tɨm kˈimɕ.|1
+Dataset/wavs/urwisko_ferenc/16_segment_39.wav|— vidʑˈawɛɕ, jˈaɡ vˌɨxɔdʑˈiwa? — zˌaintˌɛrɛsˈɔvaw ɕɛ ˈɔlɡʲɛrt. — tˈak, jˈakʲɛɕ pʲɛtnˈaɕtɕɛ mˈinut tˈɛmu.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_262.wav|rɔskˈazaw mi tʃˈɨmatɕ ɕɛ ɔt tɕˈɛbjɛ z dalˈɛka.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_13.wav|— pʃˌɛjɛʒdʒˈawɛm tˈɛndɨ — pɔvʲˈɛdʑaw mˈikɛ rˈɨan. — mɨɕlˈawɛm, ʒˈɛ mˈɔʒɛ jˈɛʃtʃɛ pˈana zwˈapjɛ w drˈɔdʑɛ dɔː ˌawtɔbˈusu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_13.wav|tɔ ɲʲɛ vɨstˈartʃɨ. vʲˈɛm ˈɔtɨm i xˈɔdʑ bˈɛtskɨ prubˈujɛ tɔ zˌamaskˈɔvatɕ, swˈɨʃɛ w jɛj ɡwˈɔɕɛ nˈutɛ zvɔntpʲˈɛɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_37.wav|zˌamruɡˈawam zdʑivʲˈɔna.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_293.wav|i pɛwnˈɛɡɔ tɨx fʃˈɨstkiɣ dwˈuɡʲix, zwˈɔtɨɣ dɲˈi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_110.wav|na pˈɛarsɔn strˈid w ɡɔdʑˈinax ʃtʃˈɨtu panˈujɛ tɕˈiʃa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_216.wav|dɔ ʃˈɨbɨ pʃˈɨɡnɔw zˌɛʃwɔrˈɔtʃnɨ mˈɔkrɨ lˈiɕtɕ. mˈuj ɲʲɛpˈɔkuj tˈaɡʒɛ ɕɛ ɔbˈudʑiw.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_77.wav|ɲʲɛ bˌɛndɔ̃ vʲɛdʑˈɛli, kˈim jˈɛstɛm, ˌalɛ kʲˈɛdɨ zavlˈɔkɔ̃ mɲʲɛ dɔ ɕrˈɔtka i ɕtɕˈɔŋɡnɔ̃ xˈɛwm, prˈavda vˈɨjdʑɛ na jˈaf jˈak f stsɔˈɔbɨdˈɔɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_44.wav|ukrˈadwam kˈɔts s xˌɔtɛlˈɔvɛj prˈalɲi, ʒˈɛbɨ mʲˈɛtɕ jˈakʲɛɕ ɔkrˈɨtɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_36.wav|ɡʲˈɔrɡjɔ ɕɛ ɲʲɛ pˌɔkazˈujɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_11.wav|vʲˈɛm, ʒˈɛ xtsˈɛʒ bˈɨdʑ zˈɛmnɔ̃, vʲˈɛnts jˈɛɕli ɲʲɛ maʃ jˈaj, ʒˈɛbɨ pɔvʲˈɛdʑɛtɕ ˈɔtɨm jˈɔɛ, tɔ pˈɔzvul, ʒˈɛ zrˈɔbjɛ tɔ sˈama.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_33.wav|kwˈamjɛ, ʒawˈujɔnts, ʒˈɛ mˈɔ̃ʃ ftɕˈɔ̃ʃ ɲʲɛ jɛzd zvrutsˈɔnɨ dɔ mɲʲɛ plɛtsˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_17.wav|kɔmpˈaɲʲa ɲʲɛ spʃɛdˈajɛ ʒˈadnɨx ɲʲˌɛruxɔmˈɔɕtɕi. fʃˈɨstkɔ tˈu jɛzd vˌɨnajmɔvˈanɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_111.wav|ˈallɛn fkrˈuttsɛ ɕɛ tˈu zjˈavi. zapˈɛvnɛ pʃɨlˈɛtɕi sˌamɔlˈɔtɛm pˌasaʒˈɛrskim, skˈutɨ z jˈɛdnɨm z lɔkˈalnɨɣ dˌɛtɛktˈɨvuf ˈalbɔ ɡlˈinɔ̃ stanˈɔvɨm. i bˈardʑɔ dˈɔbʒɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_166.wav|pɔ prˈɔstu mi tɔ zɡwˈɔɕtɕɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_114.wav|f skʃˈɨntsɛ na lˈistɨ znalˈazwɛm ˌuʒɛndˈɔvɨ pˈapʲɛr. sˈɛrtsɛ ˌɔtʃɨvˈiɕtɕɛ skɔtʃˈɨwɔ mi dɔ ɡˈardwa, tˈak? tɔ bˌɨwɔ vɛzvˈaɲʲɛ na pɔlˈitsjɛ.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_90.wav|ˈalbɔ rˈɔlant kraˈiɡall.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_78.wav|zrɔbʲˈiwa tɔ, bˈɔ tˌɛɡɔː ɔt ɲʲˈɛj ˌɔtʃɛkivˈanɔ, a kˈara bˈɨwabˌɨ jˈɛʃtʃɛ tɕˈɛ̃ʃʃa.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_195.wav|dlatʃˈɛɡɔ ɲʲɛ dʑˈawa?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_21.wav|ˈɛx, a ja jˈuʃ mɨɕlˈawɛm, ʒˈɛ ɡˈɔ mˈamɨ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_13.wav|tʃɨ vɨdˈajɛ ɕɛ jɛj, ʒˈɛ tsˈɔɕ tʃˈujɛ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_11.wav|ɔtfʲˈɛram ˈusta, bˈɨ tsˈɔɕ pɔvʲˈɛdʑɛtɕ, ˌalɛ mˈama ɡvawtˈɔvɲʲɛ pɔdnˈɔɕi ɔtfˈartɔ̃ dwˈɔɲ i ɲʲɛ jɛst tɔ rɛˈaktsja na mˈɔjɛ swˈɔva.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_187.wav|ˌɔtʃɨvˈiɕtɕɛ pʃɨ zˌawɔʒˈɛɲʲu, ʒˈɛ ɲˈiɡd bˈɨ ɲʲɛ vʲˈɛdʑaw, ʒˈɛ jɛst ɲʲɛvʲˈɛrnɨ. vʲadˈɔmɔ, xˈɔdʑi ɔː utrˈatɛ tfˈaʒɨ.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_215.wav|tʃˈɨ ʃtʃˈɨptɨ spˌɔvɔdˈujɔ̃ sˈɛn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_120.wav|vʲˈɛm, ʒˈɛ tɔ prˈavda. jˌɛstɛm pˈɛvʲɛn, ʒˈɛ s tʃˈasɛm zɔstˈaviʃ tɔ za sˈɔbɔ̃.|2
+Dataset/wavs/urwisko_ferenc/65_segment_21.wav|mˈam nadʑˈɛjɛ, ʒˈɛ mɲʲɛ pˈaɲi rɔzˈumjɛ, ʒˈɛkw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_31.wav|mˈa dˈɔm f xˈalɛbˈarnɛs, jˈɛʃtʃɛ s tʃˈasuf, kʲˈɛdɨ ɡrˈaw dla uɲˈitɛt i xˈɔtɕ pʃˈɛz vʲˈɛŋkʃɔ̃ tʃˈɛɲɕtɕ rˈɔku mʲˈɛʃka f tsˈadʲis, ftɕˈɔ̃ʃ tˈutaj vrˈatsa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_53.wav|vrˈatsaj dɔ tsˈɛntrum kˌɔɔrdˌɨnatsɨjnˈɛɡɔː i pʃˌɛprɔvˈatɕtɕɛ z bˈɛki ɔtprˈavɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_95.wav|vidʑˈawa pˈaɲi kʲˈɛdɨʑ brˈɔɲ, vartˈɛmis?|4
+Dataset/wavs/urwisko_ferenc/23_segment_4.wav|zɲiʃtʃˈɨwa tˈɨŋk?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_60.wav|na spˈɔdɲʲɛj strˈɔɲʲɛ kartˈɔnu zˌauvˈaʒam rˈɛntʃɲʲɛ nˌapisˈanɨ tˈɛkst.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_131.wav|tsɛrsˈɛi mɔdlˈiwa ɕɛ ˈɔtɔ, bˈɨ stˈara ɔʃˈustka ˌɔtʃɨmˈawa nalˈɛʒnɔ̃ kˈarɛ f pʲˈɛklɛ.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_386.wav|vˌɨkʃɨtʃˈawa swˈɔvɔ.|1
+Dataset/wavs/urwisko_ferenc/63_segment_4.wav|pˌɔpʃɛdɲʲˈɛɡɔ dɲʲˈa xˈɛrman zˌaprɔɕˈiwa xˈannɛ pilˈɛfskɔ̃ dɔ ɕˈɛbjɛ dɔ dˈɔmu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_175.wav|zˈamkɲij ɕɛ, utɕˈina xˈɛŋk. nalˈɛʒɨ mu ɕɛ. nˈam pˈɛvɲʲɛ tˈɛʃ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_371.wav|tˌɛɡɔ jˈuʃ ɲʲˈɛmuɡw zɲʲˈɛɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_214.wav|zˈɛmbɨ zˈaɕ pˌɔkrɨvˈawɨ mu tʃɛrvˈɔnɛ plˈamɨ ɔt kfaɕnˈɛɡɔ lˈiɕtɕa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_71.wav|tsˈuʃ, kʲˈɛdɨ ˌɔkɔlitʃnˈɔɕtɕi ɲʲɛ pˌɔzɔstavʲˈajɔ̃ mu pˈɔla manˈɛvru.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_157.wav|ˌurɔdʑˈiwɛɕ ɕɛ f krulˈɛfskʲɛj pʃɨstˈaɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_190.wav|tsˈɔ, nˈavɛt rˈudɨ ɲʲɛ ɔdbjˈɛra?|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_84.wav|ˌalɛ ɲʲɛ pɔvˈinnam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_312.wav|fxɔdʑˈimɨ w vʲɔsˈɛnnɔ̃ kˌɔnstɛlˈatsjɛ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_395.wav|pʃˌɨpɔmɲʲˈawa sˈɔbjɛ vˈɨras tfˈaʒɨ lˈisɨ ˈarɨn vˌɨpadajˈɔntsɛj pʃˈɛs kɕˌɛ̃ʒɨtsˈɔvɛ dʒvˈi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_27.wav|pˌɔzɔstˈajɛ nˈam jˈɛdnak swˈuxatɕ ˈɛlljɛ ɡɔˈuldʲiŋk ɕpʲˌɛvajˈɔntsɛj lˈɔvɛ mˈɛ lˈikɛ jˈɔu dˈɔ, tsˈɔ ftsˈalɛ mɲʲɛ ɲʲɛ ˌuspɔkˈaja.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_373.wav|bjˈɛdnɛ dʑˈɛtskɔ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_122.wav|vartˈɔvɲiɡ zavˈaxaw ɕɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_169.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_58.wav|vɨbjˈɛra tˈɨtuw çistˈɔrja bɛnjˈɛɡɔ kɔmpsˈɔna.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_31.wav|ɲʲɛ sˈɔndʑɛ, ʒˈɛbɨ tɔ tˈak naprˈavdɛ dʑawˈawɔ.|4
+Dataset/wavs/urwisko_ferenc/34_segment_2.wav|ktˈɔɕ pˈaɲʲɔ̃ tˈu pʃˈɨvʲuz?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_153.wav|i w jˈak traɡʲˈitʃnɨm pˌɔwɔʒˈɛɲʲu ɕɛ znˈalaz.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_2.wav|rˈɔzdʑaw ɕˈudmɨ|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_382.wav|tˌɨlkɔ najlˈɛpʃɛ ɔkrˈɛntɨ z nˌajlɛpʃˈɨmi zˌawɔɡˈami mˈɔɡɔ̃ dɔpwˈɨnɔɲdʑ dɔ zatˈɔki ɲʲˌɛvɔlɲˈitʃɛj i vrˈutɕitɕ. ʒɛlˈazna flˈɔta.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_38.wav|dˈuʒa ɲʲˌɛspɔdʑˈaŋka spˈɔtkatɕ ɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_164.wav|ɡʒˈaŋki vˌɨskakˈujɔ̃. bʲˈillɨ vɨjmˈujɛ jˈɛ na tˈalɛʃ i wˈɨʃkɔ̃ nakwˈada nˈaɲʲɛ ɡɔrˈɔntsɔ̃ vˌɔwɔvˈinɛ s sˈɔsɛm. bjˈɛʒɛ kˈɔlɛ i ɕˈada dɔ stˈɔwu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_101.wav|tʃɨ tsˈɔlin fçˈitɛ jɛzd dˈɔbrɨm tʃɨ zwˈɨm tʃwɔvʲˈɛkʲɛm?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_17.wav|zdˈaw sˈɔbjɛ zapˈɛvnɛ sprˈavɛ, ʒˈɛ ɲʲɛ zdˈɔwa mɲʲɛ pʃɛkˈɔnatɕ, ˈiʒ bˌɨwɔ tɔ tsˈɔʑ dˌɔpuʃtʃalnˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_169.wav|ɲʲɛ najɡˈɔrʃɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_163.wav|pɔ tʃɨm pɔt fpwˈɨvɛm impˈulsu, a dɔː ˌimpulsˈɨvnɨx ɲʲɛ nalˈɛʒɨ, mˈuvi tsˈɔɕ, tʃˈɛɡɔː ɔbjˈɛtsaw sˈɔbjɛ ɲʲɛ pɔvʲˈɛdʑɛtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_129.wav|raʑˈɔnɛ ˌinstʲitʲˈiva, jˈak nazvˈalibˌɨ tɔ rɔdʑˈitsɛ i dʑatkˈɔvʲɛ pˌiljɛlˈɛɡɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_199.wav|i dɔ tˌɛɡɔ tʃˈasu, jˈɛɕli ɕɛ tˌɛɡɔ ɲʲɛ zrɔzˈumjɛ, ɲʲɛ mˈɔʒna ɲˈidʑ zrˈɔbʲitɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_164.wav|vˈɨʃwam za ɲʲˈɛɡɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_107.wav|ˈaʃ ftɕˈisnɔw dwˈɔɲʲɛ ɡwɛmbˈɔkɔ f kʲɛʃˈɛɲʲɛ, ʒˈɛbɨ pʃɨpˈatkʲɛm ɲʲɛ zatɕˈisnɔɲtɕ ix na jɛj ʃˈɨi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_54.wav|ɔkˈɔwɔ ʃˈustɛj uɕˈɛdliɕmˌɨ dɔ kɔlˈatsji. ɲʲɛ skɔɲtʃˈɨliɕmˌɨ jˈɛɕtɕ, vʲˈɛnts mˈɔɡwɔ bˈɨtɕ mɲʲˈɛj vʲˈɛntsɛj pʲɛtnˈaɕtɕɛ pˈɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_163.wav|i vˌɨdavˈawɔ mi ɕɛ, ʒˈɛ vrutɕˈiwa z dalˈɛkʲɛj pɔdrˈuʒɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_69.wav|xrˈɨstɛ, ˈanɔ, ɔ tsˈɔ tɕi xˈɔdʑi? jɛst ˌɔtʃɨvˈiɕtɕɛ zˈɛmnɔ̃. pˈɔtʃuw ɕɛ trˈɔxɛ lˈɛpʲɛj, vʲˈɛndʑ zabrˈawɛm ɡˈɔ zˈɛ sˈɔbɔ̃, ˌalɛ zˈasnɔw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_51.wav|ʃˈɛfjɛ, mˈa pˈan xfˈilɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_239.wav|bʲˈillɨ nˈalaw sˈɔbjɛ pˈuw ʃklˈaŋki i vzɲʲˈus tˈɔast.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_112.wav|kˈɔɲʲɛts kˈɔɲtsuf fʃˈɨstkɔ tɔ prɔvˈadʑi dɔ vzrˈɔstu tˌɛmpɛratˈurɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_108.wav|ɲʲɛ vʲˈɛmɨ, ɡdʑˈɛ jˈɛst, xˈɔtɕ tɔ ɲʲˌɛkɔɲʲˈɛtʃɲʲɛ tɔ sˈamɔ, tsˈɔ zˌaɡʲiɲʲˈɛɲtɕɛ. ɲˈikt ɲʲɛ znˈa jɛj adrˈɛsu, vʲˈɛnts rˈuvɲʲɛ dˈɔbʒɛ mˈɔʒɛ bˈɨdʑ w dˈɔmu i tʃˈɨtatɕ kɕˈɔ̃ʃkɛ lˈub ɡɔtˈɔvatɕ ˈɔbjat.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_18.wav|mʲˈawam ɔxˈɔtɛ ɡˈɔ zapˈɨtatɕ, pɔ tsˈɔ nˈam tˌaki dˈuʒɨ dˈɔm, skˈɔrɔ ɲʲɛ bɛɲdʑˌɛmɨ mʲˌɛli ʒˈadnɨx pʃɨjˈatɕuw, ktˌurɨx mˈɔʒna bˈɨ tˈam zaprˈɔɕitɕ, ˌalɛ zˌaxɔvˈawam tɔ dla ɕˈɛbjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_85.wav|pˌɔwɔʒˈɨwam ɡʲˈizmɔ na ʑˈimnɛj mˌɛtalˈɔvɛj pɔdwˈɔdʑɛ, skulˈiwam ɕɛ f kˈɔɲtɕɛ i ukrˈɨwam tfˈaʒ w dwˈɔɲʲax.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_66.wav|mˌamɨ pˈaɲski samˈɔxut, pˈaɲʲɛ jˈɔxanssɔn.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_52.wav|ˌalɛ znalˈazwa ɕɛ w ɕrˈɔtku. pɔtknˈɛwa ɕɛ i upˈadwa na dwˈutɔ lɛʒˈɔntsɛ na pɔdwˈɔdʑɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_2.wav|drˈɔɡa dɔ ʃkˈɔwɨ ˌɔkazˈujɛ ɕɛ kɔʃmˈarɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_17.wav|pˌɔvʲɛdʑˈawaɕ, ʒˈɛ ɲʲɛdˈavnɔ navʲˈɔ̃zaw kˈɔntakt, mˈuvi bˈɛtskɨ. tʃɨ bˌɨwa kˈu tˌɛmu jˈakaɕ ʃtʃɛɡˈulna pʃɨtʃˈɨna?|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_111.wav|prˈavʲɛ mˈuvi tˈak, kˈu sfɔjˈɛmu pʃˌɛraʒˈɛɲʲu.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_164.wav|ɡdˈɨbɨ zˈɔstaw f tʃˈarnɨm zˈamku, mˈuɡwbɨ pˈɔʒɨtɕ jˈɛʃtʃɛ dʑˈɛɕɛɲtɕ lˈat.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_37.wav|tɨ tɔ pˌɔvʲɛdʑˈawaɕ, ɲʲɛ jˈa, mˈuvi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_56.wav|prˈɔʃɛ, uvˈaʒaj na ɕˈɛbjɛ.|3
+Dataset/wavs/urwisko_ferenc/45_segment_33.wav|mˈitraz vˌɨdavˈawa ɕɛ pˌɔdɛkstsˌɨtɔvˈana, vʲˈɛnts mˈarja ɲʲɛ xtɕˈawa jɛj rˈɔbʲitɕ pʃɨkrˈɔɕtɕi. ɡɔtˈɔva. nabrˈawa pɔvʲˈɛtʃa i pʃˌɨtʃɨmˈawa jˈɛ f pwˈutsax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_120.wav|ɲʲɛ mˈuɕi ˌɔpisˈɨvatɕ tˈɛɡɔ, jˈak ɔstʃˈɨɡli ɡˈɔ na zapˈawkɛ, xˈɔtɕ mˈuɡwbɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_27.wav|mˈuʃɛ ɡdʑˈɛɕ pɔjˈɛxatɕ na pˈɛvʲɛn tʃˈas, vʲˈɛndʑ dʑˈadɛk ɕɛ tˈɔbɔ̃ zˌaɔpʲɛkˈujɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_52.wav|mˈuvjɛ pɔvˈaʒɲʲɛ, ɲʲɛ vˈɔlnɔ tɕi filtrˈɔvadʑ ʒˈadnɨx ˌinfɔrmˈatsji.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_43.wav|ɲʲɛ bˌɨwɨ tˈaɡ vɨɡˈɔdnɛ jˈak ɔsˈɔbna sɨpʲˈalɲʲa, ˌalɛ zˌapɛvɲʲˈawɨ prɨvˈatnɔɕtɕ i f tɨm tkfˈiwa iɣ zalˈɛta.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_23.wav|tˈɔm ftɕˈisnɔw rˈɛntsɛ f kʲɛʃˈɛɲʲɛ dʒˈinsuf, ɔpˈuɕtɕiw ɡwˈɔvɛ w zadˈumjɛ i vrˈutɕiw dɔ pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_141.wav|ɲʲɛ mˈuɕiʒ vˌɨkɔʒɨstˈɨvatɕ fʃɨstkʲˈɛɡɔ za jˈɛdnɨm rˈazɛm, vʲˈɛnts rˈɛʃta zɔstˈajɛ na tfˈɔim kˈɔɲtɕɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_20.wav|tʃˈuwa, ʒˈɛ jɛst tɔ pravdʑˈivɛ sˈɛrtsɛ tˌɛɡɔ dˈɔmu. ʃtʃɛɲɕlˈivɛ mʲˈɛjstsɛ, pɔmˈimɔ tˌɛɡɔ fʃɨstkʲˈɛɡɔ, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ.|4
+Dataset/wavs/urwisko_ferenc/23_segment_70.wav|ˌalɛ tɛ mɔdˈuwɨ tɔ naprˈavdɛ pʃˈɨʃwɔɕtɕ.|0
+Dataset/wavs/urwisko_ferenc/44_segment_18.wav|xˈɛrman vbʲˈiwa f tɛlˈɛfɔn partnˈɛra tɕˈɔŋk tsˈɨfr, ktˌurɨ spisˈawa zˈɛ sfˈɔjɛj nˈɔɡʲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_254.wav|a skˈɔrɔ jˈuʃ ˈɔtɨm mˈɔva...|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_120.wav|bˈɔli ɡˈɔː urvˈanɨ kavˈawɛɡ duʒˈɛɡɔ pˈaltsa ˈu nˈɔɡʲi. jˈɛɕli ta dʑɛftʃˈɨna jˈɛʃtʃɛ ʒˈɨjɛ, bˈɨtɕ mˈɔʒɛ dwˈuɡɔ ɲʲɛ pɔʒˈɨjɛ.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_108.wav|sˈɛr raˈimunt mˈukw kˈazatɕ jˈɛ zdjˈɔɲtɕ, ˌalɛ ɲʲˈɛbɨw f stˈaɲʲɛ zˈatʃɛtɕ ɕlˈaduf pˈɔɲih.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_94.wav|ʒˈadɛn z ɲˈix jɛj ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_35.wav|kʲɛrˈujɔnts ɕɛ f strˈɔnɛ rɨbnˈɛɡɔ tˈarɡu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_125.wav|mˈɔʒɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_158.wav|ɲʲˈɛma jˈɛʃtʃɛ dʑɛvʲˈɔntɛj, ˌalɛ tɔ bˈɨw tɕˈɛ̃ʃki dʑˈɛɲ.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_326.wav|pxˈajɔnts tˈatʃkɛ vzdwˈuʃ kanˈawuf, tsˈad vidʑˈawa ɲʲɛkʲˈɛdɨ, jˈak ktˈuraʑ z ɲˈix pʃˌɛpwɨvˈawa ˈɔbɔk, bˈɨ spˈɛɲdʑidʑ vʲˈɛtʃur z jˈakimɕ kɔxˈaŋkʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_138.wav|ˌalɛ prˈavdɔ̃ jˈɛst, ʒˈɛ bʲˈillɨ pʃɨjmˈujɛ zlɛtsˈɛɲʲa tˌɨlkɔ na zwˈɨx lˈudʑi.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_353.wav|pˈɔnɔtɕ rˈandall tˈarlɨ rˈuvɲʲɛʒ zmʲˈɛʒa kˈu nˈam zˈɛ stˈavu dʑˈɛvits.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_119.wav|ˌalɛ vʲˈɛm, ʒˈɛ pɔvˈinnam stˈatɕ ɲʲˌɛruxˈɔmɔː i zatʃˈɛkatɕ, ˈaʒ ʑrˈudwɔ mɔjˈɛɡɔ pʃˌɛraʒˈɛɲʲa ɔdlˈɛtɕi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_374.wav|mˈiltʃɔnts pˌɔwɔʒˈɨwɛm ɕɛ na sfˈɔim wˈuʃku.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_38.wav|kʲˈɛdɨ mˈɔja pʲˈɛɲʑdʑ dɔtˈɨka drˈɛvna pɔ rˈaz drˈuɡʲi, dʒvˈi ˌustɛmpˈujɔ̃ ɔ kˈilka tsˌɛntɨmˈɛtruf.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_181.wav|kˈɔmpʲɛl dˈɔbʒɛ tɕi zrˈɔbʲi, mˈɔja swˈɔtka.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_155.wav|pˈɔzvul, bˈɨm ja zdˈɔbɨw smˈɔtʃɔ̃ skˈawɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_105.wav|tsˈɔ xtɕˈawabˌɨɕ, ˈabɨm zrˈɔbʲiw?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_61.wav|a dˈarɛn brˈɔvn?|3
+Dataset/wavs/urwisko_ferenc/53_segment_140.wav|— ɲʲˈɛvʲɛm — pʃɨznˈawa mˈarja.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_308.wav|jɛʒˈɛli nazbjˈɛra ɕɛ ɡˈɔ zbˈɨd dˈuʒɔ, mˈɔʒɛʃ mʲˈɛtɕ spˈɔrɛ trudnˈɔɕtɕi z ˌusuɲʲˈɛɲtɕɛm vɨtɕˈɛntɛj pwˈɨtɨ.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_15.wav|ɲʲɛ bˌɨwa jˈɛdnak tˈaka pˈɛvna, tʃɨ sˈama pɔtrˈafi sˈɔbjɛ vɨbˈatʃɨtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_15.wav|ˌalɛ uʒˈɨwɛɕ tˌɛlɛfˈɔnu ʒˈɔnɨ, ʒˈɛbɨ sprˈavdʑitɕ, ɡdʑˈɛ bˌɨwa tˈamtɛj nˈɔtsɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_34.wav|ˌɔtʃɨvˈiɕtɕɛ pɔd varˈuŋkʲɛm, ʒˈɛ zɡˈɔdʑi ɕɛ zɛznˈavatɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_44.wav|mruknˈɛwa vɨrˈaʑɲʲɛ ɲʲˌɛzadˌɔvɔlˈɔna.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_110.wav|bʲˈillɨ uvˈaʒɲʲɛ swˈuxaw twumˈatʃɛɲ wˌapidˈuxa na tˈɛmat tɨɣ dvˈux mˈɛtɔt ˌuspɔkɔjˈɛɲʲa mˈawpɨ, ktˌura ɕˈɛdʑi tɕi w ɡwˈɔvʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_113.wav|tɔ vˈaʒnɛ, bˈɔ nˈatɨm najwˈatfʲɛj fpˈaɕtɕ. ɲʲˌɛzɡwɔʃˈɔnɛ dɔxˈɔdɨ tɔ puwˈapka.|2
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_174.wav|jˈɛɕli xˈɨbjɛ, zvˈalɛ tsˈawɔ̃ vˈinɛ na ˌɔpsɛrvatˈɔra, pˌɔvʲɛdʑˈawɛm. tʃˈɛpnɔw mɲʲɛ w rˈamjɛ. tʃɨm bˈaw pʲɛpʃˈɔnɨ? zˈafʃɛ mˈuɕiʒ rʒnˈɔɲtɕ, ɡwˈupa.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_132.wav|tɛ ˌɔkrutɕˈɛɲstfa sɔ̃ vˈinɔ̃ lˈudʑi s puwnˈɔtsɨ.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_87.wav|jˌɛstɛm jˈɔsmɨn pɛtsklˈɛdɔn, jˈɛɕli wˈaska, pˈaɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_279.wav|a jˈɛɕli xˈɔdʑi ɔ stˈɔkɛ vˈart?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_8.wav|zˌamjɛʒˈamɨ jˈɔ̃ ˌɔdblɔkˈɔvatɕ, ˌalɛ zˌastanˈavʲam ɕɛ, tʃɨ vˌɨdaʒˈɨwɔ ɕɛ ɔstˈatɲʲɔ tsˈɔɕ, tsˈɔ mˈɔɡwɔ fpwˈɨnɔɲtɕ na tˈakɔ̃ jˈɛɡɔ dɛtsˈɨzjɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_390.wav|a pˈɔtɛm pɔwˈɔʒɨw ɕɛ na xwˈɔdnɨm mˌɛtalˈɔvɨm pulpˈitɕɛ. tʃˈuw tˈɛraz vzmɔʒˈɔnɨ tɕˈɛ̃ʒar sfˈɨx kˈɔɕtɕi nˈuk.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_445.wav|nˈadal pˌɔzɔstavˈawa prˌavɔvˈitɔ̃ dʑɛdʑˈitʃkɔ̃ swɔnˈɛtʃnɛj vwˈutʃɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_161.wav|tˈak, mˈuvi tsˈandɨ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_45.wav|xtsˈɛ, ʒˈɛbɨ brˈɨndɛn tˈaliz zɡʲˈinɔw lˈub znˈalas ɕɛ w waɲtsˈuxax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_194.wav|jɛst tˌɛɡɔ pˈɛvʲɛn.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_27.wav|zˈamjast tˌɛɡɔ zatɕˈɔŋɡa mu pˈasɛk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_266.wav|ɡdˈɨ znˈuf fstˈawɛm, bˈul w bˈɔku stˈaw ɕɛ jˈɛʃtʃɛ ɕilɲʲˈɛjʃɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_28.wav|tˈɔmu mˈuɡwbɨ pʃˈɨɕɔnts, ʒˈɛ pɔmˈimɔː ɔbrˈaʒɛɲ na tfˈaʒɨ ˈaʃa zaɡˈɔɕtɕiw tˈam na mˈɔmɛnt ɲʲɛpˈɔkuj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_65.wav|zajmˈujɛ im tɔː ɔkˈɔwɔ ɡɔdʑˈinɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_65.wav|pɔmˈimɔ fʃˈɨstkix ɲʲˌɛdɔɡɔdnˈɔɕtɕi, xɔmˈitʃɛ kˈulɛ ˌidɛˈalɲʲɛ nadˈajɔ̃ ɕɛ dɔ bjɛɡˈaɲʲa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_37.wav|pɔ kˈilku prˈubax udˈajɛ ɕɛ nˈam ˈukrɨtɕ tɛlˈɛfɔn.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_57.wav|— ɲʲɛ tˈutaj, dʒˈɛf. — xˈɔtɕ, pˌɔɡadˈamɨ na zˈɛvnɔntʃ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_257.wav|xˈamiʃ xˈarfjaʒ zˈɛmdlaw, kʲˈɛdɨ pɔ ɲʲˈɛɡɔ pʃˈɨʃli, a sˈɛr tˈalad vɨsˈɔki zrˈaɲiw tʃˈɨ zwˈɔtɛ pwˈaʃtʃɛ. ɲˈim pˌɔzɔstˈawɨm udˈawɔ ɕɛ ɡˈɔː ˌɔbɛzvwˈadɲitɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_208.wav|a ʒˈɛbɨ dˈɔʃwɔ dɔ rˌɔzmnɔʒˈɛɲʲa, tʃˈɛba kˈɔɡɔʑ vɨrˈuxatɕ.|4
+Dataset/wavs/urwisko_ferenc/59_segment_120.wav|nˈɔ xˈɨba, ʒˈɛ zɔstˈaviwbˌɨ dʑˈɛtskɔ f sˌamɔxˈɔdʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_215.wav|bˈɔ vidʑˈitɕɛ, jɛj rɔdʑˈitsɛ zɡʲinˈɛli f pɔʒˈaʒɛ dˈɔmu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_14.wav|pˌɔlɛtsˈɔnɔ mi naˈutʃɨtɕ ɕɛ sfɔjˈɛɡɔː ˌɔɕfʲattʃˈɛɲʲa, pʃˌɨɡɔtˈɔvatɕ ɕɛ dɔ vɨznˈaɲʲa sfˈɔix ɲʲˌɛdɔtɕˈɔŋɡɲʲɛɲtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_59.wav|mʲˈɛjstsɛ, ɡdʑˈɛ dɔ ɲʲɛdˈavna mʲˈaw lˈɛvɔ̃ stˈɔpɛ, bˌɨwɔː ˌɔpatʃˈɔnɛ bandˈaʒɛm ˌutɕiskˈɔvɨm, ktˌurɨ jˈuʃ pʃˈɛɕɔŋkw krfjˈɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_129.wav|ɲʲɛ zaprˈɔɕi jˈɛ jˈɛdnak pɔznˈavatɕ lˈudʑi ˈɔfʃɛm, pɔlˈubʲitɕ ix i dˈatɕ ɕɛ pɔlˈubʲitɕ tˈak, ˌalɛ zblˈiʒatɕ ɕɛ dɔ ɲˈix? vˌɨklutʃˈɔnɛ.|2
+Dataset/wavs/urwisko_ferenc/49_segment_97.wav|a xˈɛrman ˌɔtpwɨnˈɛwa mɨɕlˈami dɔː ɔkrˈɛsu, kʲˈɛdɨ bˌɨli rˈazɛm.|0
+Dataset/wavs/urwisko_ferenc/43_segment_49.wav|bˌɨwa wˈɛ fˌɔtɛlˈiku? xˈɛrman vˌɨprɔstɔvˈawa plˈɛtsɨ.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_187.wav|ɡdˈɨ jˈamɛ pˌɔstanˈɔviw zˈabratɕ sˈɛr ilˈɛna zˈɛ sˈɔbɔ̃,|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_75.wav|fstˈajɛ, krˈɛɲtɕi rˌamjɔnˈami, bˈɨ jˈɛ rɔzlˈuʑɲitɕ, pɔ tʃɨm bjˈɛʒɛ dʑɛftʃˈɨnɛ na rˈɛntsɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_147.wav|w dvudʑˈɛstu rˈuʒnɨx mʲˈɛjstsaɣ zatʃˈɛwɨ bwˈɨskadʑ ʒˈuwtɛ ɕfʲˈatwa, a f xˈali rɔzlˈɛɡwɔ ɕɛ ɲʲˌɛsamɔvˈitɕɛ ɡwˈɔɕnɛ vˈɨtɕɛ sɨrˈɛnɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_96.wav|bˈaki ɔbʒˈutsa jˈɔ̃ tˌaksujˈɔntsɨm spɔjʒˈɛɲʲɛm i kˈiva ɡwˈɔvɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_7.wav|zazvˈɨtʃaj trafjˈajɔ̃ tˈam pijˈatsɨ ˈalbɔ lˈudʑɛ, ktˌuʒɨ mˈuʃɔ̃ ɔxwˈɔnɔɲtɕ pɔbˈujtsɛ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_208.wav|ˈinɲi nadˈajɔ̃ jɛj ɔdmʲˈɛnnɛ imjˈɔna.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_72.wav|mˈɔjɛ mʲˈɛjstsɛ jɛst ˈu bˈɔku krˈula.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_198.wav|vˈɨbraw ɡˈɔ tfˈuj krulˈɛfski vʲˈɛts. sˈam vwɔʒˈɨwɛɕ mu na ɡwˈɔvɛ kɔrˈɔnɛ z vˌɨʒutsɔnˈɛɡɔ pʃˈɛs mˈɔʒɛ drˈɛvna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_15.wav|ta kɔbjˈɛta vˌɨdavˈawa ɕɛ mʲˈɛtɕ ɔpsˈɛsjɛ na pˈuŋktɕɛ naˈila. pˌɔkwutɕˈiwa ɕɛ z ɡˌɛnɛvʲˈɛvɛ, xˈɔtɕ nˈadal ɲʲɛ bˌɨwɔ vʲadˈɔmɔ dlatʃˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_165.wav|mˈam ʃɛɕtɕˈɔpak w lɔdˈuftsɛ, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_89.wav|za xɔlˈɛrɛ ɲʲˈɛmam pɔjˈɛɲtɕa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_6.wav|tʃɛkˈawam na tɛn mˈɔmɛnt, kʲˈɛdɨ stˈanɛ pʃɛt sfɔˈimi pʃˌɨjatɕˈuwmi, lˈudʑmi, ktˌurɨx trˌaktɔvˈawam jˈak rɔdʑˈinɛ i pˈɔvʲɛm im, ʒˈɛ iɣ zavʲˈɔdwam.|3
+Dataset/wavs/urwisko_ferenc/55_segment_56.wav|za pʲˈɛrʃɨm rˈazɛm pʃˈɨʃɛd mɛ̃ʃtʃˈɨzna.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_90.wav|ˈanna pɔdɲʲˈɔswa vzrˈɔɡ znˈat kˈartki.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_341.wav|vrˈɛʃtɕɛ dʒvˈi ɕɛ ˌɔtfɔʒˈɨwɨ i nˌaʒɛtʃˈɔnɨ brjˈɛnnɛ fʃˈɛd dɔ kɔmnˈatɨ jɛj ˈɔjtsa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_19.wav|xˈɔtɕaʃ sˈam ɲʲˈɛvʲɛm jakʲˈɛɡɔ pɔznˈaɲʲa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_67.wav|pɔkˈazaw mi paltsˈami sˈɨmbɔl zvɨtɕˈɛ̃stfa i zɲˈiknɔw f kˌɔrɨtˈaʒu,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_559.wav|kˈilka ɡvʲˈast lˈɛdvɔ vidˈɔtʃnɨx nad daxˈami.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_177.wav|tɔ bˈɨw pravdʑˈivɨ tsˈut.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_69.wav|ɲʲɛ pˌɔmaɡˈamɨ sˈɔbjɛ, lˈɛtʃ ɕɛ ˌɔbviɲʲˈamɨ. i jˈɔ pˌɔvʲɛdʑˈawa, ʒˈɛ vˈɔli zˈɔstatɕ tˈutaj sˈama, bˈɛzɛ mɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_155.wav|ɲʲɛ dɔ kˈɔɲtsa tˈak tɔ vˌɨɡlɔndˈawɔ, ˈalɛ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_33.wav|mˈɔʒɛ dlatˈɛɡɔ, ʒˈɛ vˌɨnaɡrɔdʑˈɛɲʲɛ jɛst tˈaɡ vɨsˈɔkʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_94.wav|dˈɔbʒɛ rˌɔspɔznˈawam tɛn ɡwˈɔs.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_42.wav|vˈidadʑ vˈɛjɕtɕɛ dɔ tʃˈɛɡɔɕ, tsˈɔ pʃˌɨpɔmˈina stˈarɔ̃ fˈarmɛ.|4
+Dataset/wavs/urwisko_ferenc/39_segment_63.wav|vʲɛtʃˈɔrɛm mˈam jˈɛdnɔ̃ sprˈavɛ dɔ zˌawatfʲˈɛɲʲa, ˌalɛ ɲʲɛ pɔvˈinna mi zˈajɔɲdʑ dˈuʒɔ tʃˈasu. ɕfʲˈɛtɲʲɛ, ɔ ktˌurɛj mˈɔɡɛ pʃɨjˈɛxatɕ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_15.wav|tsˈɔ tɔ mˈa znˈatʃɨtɕ? dlatʃˈɛɡɔː ˈaʃ jɛst na tʲindˈɛʒɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_59.wav|ɕfʲˈatwɔ swɔnˈɛtʃnɛ tˈɛʃ ɲʲɛ pʃɛbʲˈijɛ tˌɛɡɔ pantsˈɛʒa.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_459.wav|ɔbˈavʲam ɕɛ, ʒˈɛ fkrˈuttsɛ mˈɔʒɛʒ bˈardʑɔ pˌɔtʃɛbˈɔvatɕ ˈɔbu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_308.wav|znˈɔvu ɡdʑˈɛɕ stʃˈɛliw pʲˈɔrun.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_486.wav|dˈuʃɛ ɕɛ! zajˈɛntʃaw prɛzˈɨdɛnt.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_286.wav|miltʃˈɛli pʃˈɛs xfˈilɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_28.wav|mʲˌɛndʑɨ nˌapɔjˈami ˌɛnɛrɡˌɛtɨtʃnˈɨmi a ɡablˈɔtɔ̃ s kˌilkudʑˌɛɕɛɲtɕˈɔma ruʒnˈɨmi rˌɔdʑajˈami tɕˈastɛk lˈɛʒɨ stˈɛrta tˌɛlɛfˈɔnuf fˈast fˈɔnɛ f pudˈɛwkax.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_200.wav|a kɔlˈɛjnɛ sˈɛtki twɔtʃˈɨwɨ ɕɛ w ɔɡrˈɔdax. ix ɔɡɲˈiska vˌɨpɛwɲʲˈawɨ pɔvʲˈɛtʃɛ dˈɨmɛm i smrˈɔdɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_13.wav|tʃɨ tˈam sɔ̃ kamˈɛrɨ?|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_425.wav|zrɔdʑˈili ɕɛ s tfɔjˈɛɡɔ tɕˈawa.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_210.wav|mʲˌawɛm spˈɔrɔ mʲˈɛtʃɨ i ɲʲɛ mˈɔɡwɛm ɕɛ z ɲˈim zbjˈɛratɕ.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_18.wav|vˌɨʃɛptˈawa, bˈɨ ɲʲɛ bˈudʑidʑ dʑˈɛtska. tˈu jɛst smˈutnɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_131.wav|mˈɔʒɛ pɔvˈiɲʲɛn bˈɨw xˈɔdʑidʑ dɔ mˈatki, mˈatkɛ wˈatfʲɛj natɕˈɔŋɡnɔɲtɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_28.wav|jˈɛɡɔ zmʲˈanɨ zˌaxɔvˈaɲʲa, ɔbˈava pʃɛt utrˈatɔ̃ mˈili. tsˈɔɕ muɕˈawɔ fpwˈɨnɔɲtɕ na jˈɛɡɔ ʒˈɨtɕɛ i ɲʲɛ vʲˈɛmɨ tsˈɔ takʲˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_88.wav|ˌalɛ za dvˈa miljˈɔnɨ dɔlˈaruf jˈakɔʑ vɨtʃˈɨma.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_220.wav|tˈɨlɛ, ʒˈɛ pɔtrˈafi tɔː ɔkˈazatɕ tˌɨlkɔ pʲɛɲʲˈɛndʑmi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_288.wav|zabjˈɛʃtɕɛ tˌɛɡɔ pˈana, pˌɔkazˈawa tʃarnˈɛɡɔ swˌɔvʲaɲˈina.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_201.wav|ˌalɛ sɔ̃ jˈɛʃtʃɛ ˈinnɛ ʒˈɛtʃɨ, ktˌurɛ mˈɔɡɛ jɛj dˈatɕ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_454.wav|ɲʲɛ dˈawa mu ʃˈansɨ ˌɔtpɔvʲˈɛdʑɛtɕ. vʲˈɛm, ʒˈɛ jɛst mˈɔim ˌɔbɔvʲˈɔ̃skʲɛm zapˈɛvɲidʑ dˈɔrn dʑɛdʑˈitsa.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_89.wav|zˈafʃɛ mʲˈɛj pʃɨjˈatɕuw za plɛtsˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_108.wav|tʃˈɛɲɕtɕ na kˈɔɲtɕɛ ˌistɲʲɛjɔntsˈɛɡɔ tˌɨlkɔ na papʲˈɛʒɛ tʃwɔvʲˈɛka nazvˈiskʲɛm ˈɛdvard vɔˈɔdlɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_57.wav|bʲˈillɨ ɲʲˈɛma jˈɛʃtʃɛ ɡˌɔtɔvˈɛɡɔ plˈanu, ˌalɛ zatʃˈɨna ɡˈɔː ɔbmˈɨɕlatɕ.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_47.wav|mˈuj pʃɨjˈatɕɛl, tˈɛrɔ, mˈuvi, ʒˈɛ ɲʲɛdˈɔbʒɛ mu ɕɛ rˈɔbʲi na vˈidɔk takʲˈɛɡɔ ɡrubˈasa jˈak tˈɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_21.wav|vʲɛdʑˈawam, ʒˈɛ mˈuʃɛ jˈak najʃˈɨptɕɛj ˈɔdɛjɕtɕ, zˈaɲim zmʲˈanɨ w mˈɔim tɕˈɛlɛ stˈanɔ̃ ɕɛ vˌɨraʑɲʲˈɛjʃɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_354.wav|zatʃˈɛwam, ˌalɛ ʃˈɨpkɔ zamˈilkwam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_121.wav|jˈɛɕli ɲʲɛ vrˈutsɛ, mˈuɕiʒ zrˈɔbʲitɕ tɔ, tsˈɔ ja zrɔbʲˈiwam. zˈabratɕ alfjˈɛɡɔ jˈak najdˈalɛj stˈɔnt, w mʲˈɛjstsɛ, f ktˌurɨm ˈaram tɕˈɛ ɲʲɛ znˈajdʑɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_338.wav|kˈɔrsaɡ vɨkˈɔnaw ʃˈɨpki i ɔkrˈɔŋɡwɨ ɡˈɛst wɔktɕˈami, jˈaɡbɨ zabjˈɛraw ɕɛ dɔ trˈudnɛj ˌɔpɛrˈatsji, a pˈɔtɛm rˈas i drˈuɡʲi vɨsˈunɔw ˌɛnɛrɡʲˈitʃɲʲɛ ʃtʃˈɛŋkɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_97.wav|ja ɲʲˈɛmam ɲˈits pʃɛtɕˈifkɔ ʒˈɨtɕu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_528.wav|fpˌɔmpɔvˈali vˈɛmɲʲɛ ɕmʲˈɛrtɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_145.wav|ɲʲˈɛx pˈan zatʃˈɨna.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_105.wav|kˈɔntakt. mɛ̃ʃtʃˈɨzna pʃɛʒˈutɕiw ɕmˈiɡwɔ lˈɛvɔ̃ rˈɛŋkɔ̃, lˈɛtʃ...|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_237.wav|zˌapɨtˈawa ɡˈɔ nˈaɡlɛ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_15.wav|pʲˈɛz zaʃtʃˈɛkaw i zamˈɛrdaw ɔɡˈɔnɛm.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_215.wav|znˈɔvu spɛndʑˈawa nˈɔdʑ z mˈawɔ̃ krulˈɔvɔ̃, vʲˈɛnts ˌɔbɔk tsɛrsˈɛi spˈawa dˈɔrtsas.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_51.wav|f tɨm pˈɛvɲʲɛ tˈakix ɔː ɔstˈatɲim skˈɔku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_33.wav|vɨrˈɨva mi ɕɛ z ɡˈardwa, zˈaɲim udˈajɛ mi ɕɛ pɔfstʃˈɨmatɕ. tɔ ɲʲɛ mˈɔʒɛ bˈɨtɕ prˈavda.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_19.wav|f tʃˈarnɨx ˈɔtʃax taˈɛnɨ pˌɔjavˈiwɨ ɕɛ fiɡlˈarnɛ bwˈɨski.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_426.wav|i zatʃˈɔwɛm trɔsklˈivʲɛ ɔkrˈɨvatɕ ɕɛ kˈɔtsɛm.|0
+Dataset/wavs/urwisko_ferenc/20_segment_77.wav|mˈuɕaw pɔɡˈadatɕ s xˈɛrman, dɔpˈɨtatɕ skˈɔnd vʲˈɛ ɔ rɔmˈanɕɛ sɔlskʲˈɛɡɔ s xudʑˈiɲskɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_451.wav|w mˈɔix ɔbjˈɛɲtɕaɣ zanˈuʒaʃ ɕɛ f tɕˈɛmnɛj tˈɔɲi.|0
+Dataset/wavs/urwisko_ferenc/53_segment_77.wav|ɡdʑˈɛ sɔ̃ tɛ zdjˈɛɲtɕa?|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_194.wav|ˈandɛrsɔn i ɡˈɛrs fˈirst lˈɔvɛ uɕˈɛdli na ʑˈɛmi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_115.wav|zˌastanˈavʲam ɕɛ nat plɔtkˈami krˌɔ̃ʒɔntsˈɨmi pɔ bjˈuʒɛ, ˌalɛ ɲˈits ɲʲɛ pʃɛxˈɔdʑi mi dɔ ɡwˈɔvɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_88.wav|pɔdˈɔbɲʲɛ jˈak mʲɛʃkˈaɲtsɨ ɛvˈɛrɡrin strˈit w midvˈɔɔt.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_60.wav|ɲʲˈɛma sprˈavɨ, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_17.wav|pʃɨɡwˈupjɔ̃ lˈɔllis mʲˌanɔvˈanɔ lˈadɨ stɔkˈɛvɔrt, a sˈɛr brˈɔnn zˈɔstaw jɛj lˈɔrdɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_238.wav|tʃˈɨtam dˈuʒɔ fspˈɔmɲʲɛɲ s tɨx wˈaɡruf. vwaɕtɕˈivʲɛ znˈam fʃˈɨstkɔ, tsˈɔ dɔtˈɨxtʃaz vɨdˈanɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_41.wav|ˈalfjɛ ftɕˈɔ̃ʃ nˈamɲʲɛ pˈatʃɨ i vˈidʑɛ pˌɔdɲʲɛtsˈɛɲʲɛ w jˈɛɡɔː ˈɔtʃax. vʲˈɛ, tʃɨm jɛst lɔtɲˈiskɔ, xˈɔtɕ ɲˈiɡdɨ na ʒˈadnɨm ɲʲˈɛbɨw.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_30.wav|jˈaɡ vɨdˈɔstatɕ ɕɛ z mʲˈasta?|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_238.wav|ɡdˈɨ jˈɛdnaɡ vˈarɡʲi xwˈɔptsa dɔtknˈɛwɨ jɛj vˈark,|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_318.wav|a ˌɔna z rˌɔssɨpanˈɨmi vwɔsˈami vˈɔkuw tfˈaʒɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_181.wav|zvrutɕˈiwam ɕɛ dɔ ɲʲˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_76.wav|tsˈɔ tɕˈɛ skwˈaɲʲa dɔ tˈak tʃˈɛ̃stɨx ɔdvʲˈɛdʑin f krˈɨptɕɛ dʑˈɛvits?|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_212.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ vɛstˈɛrɔs stratɕˈiwɔ dla ɲʲˈɛɡɔː ˈurɔk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_66.wav|mˈɔim zdˈaɲʲɛm, s tʃˈɨstɛj ˌarɔɡˈantsji.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_78.wav|luˈisa zamˈarwa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_43.wav|tˈɔm zˈɛrknɔw na bˈɛtskɨ, ktˌura zrɔbʲˈiwa mˈinɛ muvʲˈɔntsɔ̃ ɔ tʃɨm ɔn dɔ xɔlˈɛrɨ mˈuvi?|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_198.wav|pˌɔftaʒˈawa sˈɔbjɛ. pˈɛvɲʲɛ w ɔɡˈulɛ ɲʲɛ pʃˈɨjdʑɛ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_52.wav|mˈuj mʲˈɛtʃ!|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_145.wav|vɨjˈɛwam ɡʲˈizmɔː i vɨbrˈawam nˈumɛr sfɔbˈɔdɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_146.wav|bʲˈillɨ ɔdvrˈatsa ɕɛ dɔ dˌɔnɔvˈɛna.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_195.wav|kʲˈɛdɨ stˈawa f swˈɔɲtsu brɔ̃zˈɔva, dwˌuɡɔnˈɔɡa i tɕˈɛmna jˈak pˈɔsɔŋk.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_251.wav|jˈɛɕli f krˌulɔvˈaɲʲu bˌɨwɔ tsˈɔɕ, tsˈɔ tˈɔmmɛn naprˈavdɛ lˈubʲiw, s pɛvnˈɔɕtɕɔ̃ bˌɨwa tɔ zabˈava s pʲɛtʃˈɛɲtɕɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_113.wav|ʒˈɛɡw braˈavɔz zˈɛ fspuwtʃˈutɕɛm w ɡwˈɔɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_109.wav|tsˈɔ jɛst s tˈɔbɔ̃? spˈɨtaw trˈɔmba.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_93.wav|vɨbrˈawam kˈilka pʃɨtɕˈiskuf i nˌavʲɔ̃zˈawam pˌɔwɔntʃˈɛɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_143.wav|jˈɛɕli vˈaɕi sˌɛptɔnˈɔvʲɛ mˈuvjɔ̃, ʒˈɛ jɛst inˈatʃɛj, tɔ znˈatʃɨ, ʒˈɛ vˈaʃɨx ɕˈɛdmju bˈɔɡuf tɔ s pɛvnˈɔɕtɕɔ̃ dɛmˈɔnɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_4.wav|fʃˈɨstkʲɛ pʃˌɛtʃɨtˈanɛ ɡazˈɛtɨ varʃˈavɨ ˌunɔɕˈiwɨ ɕɛ f pɔvʲˈɛtʃu jˈak latˈaftsɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_463.wav|tˈak, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_89.wav|ɲʲɛ rɔzˈumjɛm, jˈaɡ zdɔwˈawaɕ tɔ fʃˈɨstkɔ zˌɔrɡaɲizˈɔvatɕ. znˈalɛɕtɕ lˈudʑi, ktˌuʒɨ vˈɛjdɔ̃ dɔ mɔjˈɛɡɔ dˈɔmu i pɔdˈadʑɔ̃ ɕɛ za dˌɛtɛktˈɨvuf. zdˈɔbɨtɕ fawʃˈɨvɛ dˌɔkumˈɛntɨ.|4
+Dataset/wavs/urwisko_ferenc/19_segment_40.wav|bˈardʑɔ mi pʃˈɨkrɔ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_176.wav|pˌɔstavˈiwa tˈam rˈuvɲʲɛʒ bˈutɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_119.wav|jˌɛstɛɕ sˌupɛrɡvʲˈazdɔ̃, ˌinspɛktˈɔʒɛ sˈims.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_92.wav|mˈɨɕli, ʒˈɛ f tɛn spˈɔsup ɔdʑˈɨska xˈɔtɕ trˈɔxɛ ˌutratsˈɔnɨx ɕˈiw vitˈalnɨx? znˈuf pɔtʃˈujɛ ɕɛ jˈaɡ za mwˈɔdu?|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_101.wav|fʃˈɨstsɨ zwɔʒˈɨli tˈɛʃ ˌurɔtʃˈɨstɔ̃ pʃɨɕˈɛŋɡɛ, ʒˈɛ ɲˈiɡdɨ ɲʲɛ vɨrˈuʃɔ̃ f pˈɔlɛ pʃɛtɕˈifkɔ lɔrdˈɔvʲɛ mɔnˈɔvi ˈalbɔ rɔdˈɔvi lˌanɲistˈɛruf.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_125.wav|trˈɔnd vrˈutɕiw z nˈɔvɔ̃ ʃklˈaŋkɔ̃ fçˈiskɨ, umjˈɛɕtɕiw nˈɔɡʲi na stˈɔlɛ i rˈɔspar ɕɛ na kʃˈɛɕlɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_22.wav|ktˈɔɕ skˌɔntaktˈɔvaw ɕɛ s xˈɔffɛm, mˈɨɕli, pɔ tʃɨm ˌuɕfʲadˈamja sˈɔbjɛ, ʒˈɛ ɲʲɛ mˈɔɡwɔ tˈaɡ bˈɨtɕ.|2
+Dataset/wavs/urwisko_ferenc/33_segment_40.wav|mˈam mˈuvitɕ na klˈattsɛ sxɔdˈɔvɛj?|0
+Dataset/wavs/urwisko_ferenc/55_segment_60.wav|pˌamjɛntˈawa tɔ nazvˈiskɔ z ˈakt, w jˈakʲɛj sprˈavʲɛ pʃˈɨʃɛd.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_92.wav|dˈɔkɔnt jɛdʑˈɛmɨ?|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_186.wav|tɔ, ʒˈɛ mˌamɨ skafˈandrɨ, ftsˈalɛ ɲʲɛ ɡvˌarantˈujɛ nˈam bˌɛspʲɛtʃˈɛɲstfa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_156.wav|nˈavuz bʲˈillɨ mˈuɕi pʃˈɛɲʲɛɕtɕ sˈam, bˈɔː ˈɛlljɛ zmˈarʃtʃɨ nˈɔs i stfʲˈɛrdʑa, ʒˈɛ nˈavɛd w vˈɔrku za bˈardʑɔ ɕmʲˈɛrdʑi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_101.wav|dˈaj spˈɔkuj, minˈɛwɔ dɔpʲˈɛrɔ pˈarɛ ɡˈɔdʑin.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_40.wav|bˈɔ tˌɨlkɔ jɛj tˈu brˌakɔvˈawɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_212.wav|nˈɔ pɔ prˈɔstu tɕˈixɔ.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_154.wav|pɔ tɛj strˈɔɲʲɛ vɛstˈɛrɔz vɨsˈɔɡrut ɲʲˈɛmʲaw vwˈasnɛj flˈɔtɨ. tˌɨrɛllˈɔvʲɛ muɕˈɛli pɔlˈɛɡatɕ na flˈɔtɕɛ rˌɛdvaˈinuf, ktˌura vwˈaɕɲʲɛ vratsˈawa dɔː ˈarbɔr.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_6.wav|ˈinnɨm rˈazɛm zˌalɛvˈawa ɕɛ wzˈami.|3
+Dataset/wavs/urwisko_ferenc/45_segment_1.wav|xˈɛrman tʃˈuwa, ʒˈɛ brakˈujɛ jɛj txˈu. ɲʲɛ mˈɔɡwa pʃˈɛwknɔɲtɕ ɕlˈinɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_28.wav|ɲʲɛ ˈufaj ɲikˈɔmu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_154.wav|zˈafʃɛ stˈaram ɕɛ pˈisadʑ z mˈɨɕlɔ̃ ɔ dvˈux lˈudʑax, sˈɔbjɛ i ɲʲˌɛznajˈɔmɨm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_53.wav|prˌubɔvˈawɛm rɔzmˈavʲadʑ z mˈartɔ̃, ˈalɛ...|3
+Dataset/wavs/urwisko_ferenc/25_segment_120.wav|w rɔzɡʒˈanɨm sˌamɔxˈɔdʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_155.wav|mˈɔʒɛ dlatˈɛɡɔ fstɔmpˈiwɛm dɔ marˈinɛs, xˈɔtɕaʃ prˈavdɛ mˈuvʲɔnts pˈɛvɲʲɛ i tˈaɡ bˈɨm tɔ zrˈɔbʲiw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_113.wav|i tˈak tˈɛʒ zrɔbʲˈiwam.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_153.wav|ɲʲˈɛma f tɨm ɲˈidʑ dˌɔbrɔvɔlnˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_60.wav|pˌɔpatʃˈɨwa nˈanaz z nadʑˈɛjɔ̃ w ˈɔtʃax.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_328.wav|dɔmˈaɡam ɕɛ sfˈɔix prˈaf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_114.wav|i ftˈɛdɨ ɲˈikt ɲˈits ɲʲɛ rˈɔbʲi pʃˈɛs pˈarɛ mˈinut. ɲʲɛ prˌatsɔvˈawɛɕ ɲˈiɡdɨ, mˈikɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_40.wav|bʲiljˈɛmu vˈiɕi tɔ, tʃɨ z ɲʲˈɛba spˈadɲʲɛ dˈɛʃtʃ, dˈɛʒdʒ zˈɛ ɕɲʲˈɛɡʲɛm, ɕɲʲˈɛk tʃɨ banˈanɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(36) R.Abbott_Zamknij Drzwi_segment_2.wav|f pˈɛvnɛj xfˈili fʃˈɨstkɔ vˌɨdavˈawɔ ɕɛ dʑˈatɕ rˌuvnɔtʃˈɛɕɲʲɛ. ɔd vʲˈɛlu ɡˈɔdʑin ɲʲɛ bˌɨwɔ ʒˈadnɨɣ vʲˈɛɕtɕi, jɛdˈɨɲʲɛ pˌɔdɛjʒˈɛɲʲa, spˌɛkulˈatsjɛ i tɕˈɔŋɡwɨ strˈɛs.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_54.wav|dˈaj mi tˌɛɡɔ pˌapʲɛrˈɔsa, pɔvʲˈɛdʑaw tɕˈixɔ rˈɨan. ɲʲɛ.|0
+Dataset/wavs/urwisko_ferenc/31_segment_25.wav|ˌalɛ tɔ ɲʲɛ ˌɔna ɕɛdʑˈawa za kˈuwkʲɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_70.wav|ˈaram pɔvʲˈɛdʑaw, ʒˈɛ pˌɔtʃɛbˈujɛ trˈɔxɛ spɔkˈɔju, ʒˈɛbɨ pɔmˈɨɕlɛtɕ. fʃˈɨstsɨ z vɨjˈɔntkʲɛm mɲʲɛ i tfˈɔjɛj mˌamɨ ɔdˈɛʃli.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_169.wav|stˈanɔ̃ ɕɛ ɲˈimi bˌudɔvˈanɛ na tʃˈarnɨm nˈurtɕɛ drɔmˈɔnɨ.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_130.wav|tsɨtrˈɛnɨ!|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_23.wav|jˈak tɛn tʃˈas lˈɛtɕi, kʲˈɛdɨ dˈɔbʒɛ ɕɛ bˈaviʃ, mˈɨɕli?|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_270.wav|ʒɛlˈaznɛ zvɨtɕˈɛ̃stfɔ tʃɛkˈawɔː ˈu ˈujɕtɕa ʒˈɛki jˈɛʃtʃɛ pʃˈɛz vʲˈɛlɛ ɡˈɔdʑin.|1
+Dataset/wavs/urwisko_ferenc/03_segment_67.wav|pɔlˈitsja tˌɛɡɔ ɲʲɛ pˌɔtfʲɛrdʑˈiwa, pʃˌɨpɔmɲʲˈawa xˈɛrman, bˈɔ pˌamjɛntˈawa zapˈisɨ s prˌɔtɔkˈɔwu ɔɡlˈɛɲdʑin fˈɔrda fɔtsˈusa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_634.wav|swˈuxaj, tˈɔnɨ, ɲʲɛ mˈɔɡɛ pɔzbjˈɛratɕ mˈɨɕli. tˈak mɲʲɛ tɔ fʃˈɨstkɔ pʃˌɨtwɔtʃˈɨwɔ, pʃɨbʲˈiwɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_175.wav|tɔ ɲʲˈɛbɨw jˈuʃ tˌɨlkɔ zvˌarjɔvˈanɨ pˈɔmɨsw.|4
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_60.wav|ɲʲɛ zˌamjɛʒˈawam stˈavʲatɕ ɔpˈɔru. jɛʒˈɛli mɲʲɛ dɔpˈadnɔ̃, pɔ prˈɔstu ɕɛ pˈɔddam.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_141.wav|a tˈɛras tʃˈɛkaj na dʑvˈik.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_69.wav|muɕˈawam ɕɛ zaxˈɔvatɕ jˈaɡ dˈuʒa dʑɛftʃˈɨŋka, xˈɔdʑbɨ tˌɨlkɔ pʃˈɛs xfˈilɛ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_59.wav|tfˈaʃ jˈɔ̃ pʲˈɛkwa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_89.wav|pʃɨnˈajmɲʲɛj mˈɨɕli ɲˈiɡdɨ ɲʲɛ zˌastʃɛlˈiwɛm pʲˌɛtnastɔlˈatka w drˈɔdʑɛ dɔ ʃkˈɔwɨ, ɔː ˈilɛ jˈɔɛl ˈallɛn ˈaljas jˈɔɛ ʒˌɛtʃɨvˈiɕtɕɛ tɔ zrˈɔbʲiw.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_301.wav|trudnˈɔɕtɕax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_145.wav|kʲˈɛdɨ jˈuʃ mˈa vˈɔlnɛ rˈɛntsɛ, fstɨdlˈivʲɛ ɔptɕˈɔŋɡa tˈɛʃˈirt pɔt tˈɨwɛk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_161.wav|pɔ jˈakimɕ tʃˈaɕɛ trˈɨb zˌauvˈaʒɨw, ʒˈɛ xˌɛinˈɛkɛn ɔpˈɔrɲʲɛ jɛj fxˈɔdʑi, vʲˈɛnts spˈɨtaw, tʃɨ vˈɔli ɡʲˈin s tɔɲˈikʲɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_68.wav|vʲˈɛm, ʒˈɛ pɔvˈinnam pʃɛprˈɔɕidʑ dˈɔma.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_85.wav|xtsˈɛʃ nˈas pʃɛkˈɔnatɕ, ʒˈɛ tɕi ʃlaxˈɛtɲi lˈudʑɛ nˈas ˌɔkwamˈali?|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_285.wav|vˌɨʃɛptˈawa. ɔ bɔɡˈɔvʲɛ, tˈak ɕɛ tɕˈɛʃɛ, ʒˈɛ vˈidʑɛ tfˈɔjɔ̃ tfˈaʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_32.wav|zamˈɨkam ˈɔtʃɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_111.wav|spˌɛwɲʲajˈɔntsɨm fˈuŋktsjɛ pˌɔʒɔntkˈɔvɛ, a w dɔdˈatku bˈɨw kˈimɕ ɔ dˈuʃɨ artˈɨstɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_80.wav|tˈak sɔɲdʑˈimɨ. samˈɔxut jɛzd zˌarɛjˌɛstrɔvˈanɨ na tsˌamɛrˈɔna ɛdmˈuntsa, lˈɛpʲɛj znanˈɛɡɔ jˈakɔ tsamˈɛrɔn ˈɛdmunts jˈuɲʲɔr.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_574.wav|tˈaɡʒɛ bˌɨwa sˈuxa.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_164.wav|maʃ nˈatɔ mˈɔjɛ swˈɔvɔ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_349.wav|tʃɨ pɔzvˈɔliʃ nˈam pˌɔrɔzmˈavʲadʑ z marɡˈɛrɨ i jɛj kˌuzɨŋkˈami?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_36.wav|zˌapɨtˈawa bˈɛtskɨ. rˈatʃɛj ɲʲɛ. rˈɔb zˈɛrknɔw na vˈɨdruk. bˌɨwa zmuʃˈɔna dɔː ˌuvɔdʑˈɛɲʲa najlˈɛpʃɨx kljˈɛntuf.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_296.wav|na mʲˈɛjstsu zɔstˈawɔ jˈuʃ ɲʲɛvʲˈɛlu frˈɛjuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_96.wav|bˈɨ ta pɔɕˈadwɔʑdʑ vˌɨɡlɔndˈawa jˈak rˈaj pˈɔɕrut pustˈɨɲi. ˈilu pɔtʃˈɛba ˌɔɡrɔdɲˈikuf, ˈilu swuʒˈɔntsɨx.|2
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_146.wav|ɡdˈɨbɨ pɔlˈitsja i fˌɛdɛrˈalɲi, ktˌuʒɨ tˈɛʃ na pˈɛvnɔ zajˈɛli ɕɛ sprˈavɔ̃, ˌustalˈili, ʒˈɛ mʲˌawaʑ zvʲˈɔ̃zɛk s tˈɨm, tsˈɔ zˈaʃwɔː ˈu klˈɛrki, a zamknˈɛlibˌɨ tɕˈɛ na dwˈuɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_113.wav|fˈiliz zruvnˈujɛ ɕɛ z ɲˈim.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_7.wav|tˈɛras, kʲˈɛdɨ mˈɔjɛ pʃˌɛraʒˈɛɲʲɛ zatʃˈɨna jˈuʃ ɕˈɛŋɡatɕ ʃtʃˈɨtu, tʃˈujɛ nˌarastajˈɔntsɨ ɡɲʲˈɛf.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_203.wav|bʲˈillɨ nˈalaw mi dɔ ʃklˈaŋki tˌɛɡɔ samˈɛɡɔ ɕikˈatʃa tsˈɔ zvˈɨklɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_62.wav|zˈafʃɛ tʃˈuwam ɕɛ bɛspʲˈɛtʃɲʲɛ zˈɛ ɕfʲˌadɔmˈɔɕtɕɔ̃, ʒˈɛ tˌɨlkɔ dvʲˈɛ ɔsˈɔbɨ znˈajɔ̃ nˈaʃɛ tˌajɛmɲˈitsɛ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_248.wav|pˌɔvʲɛdʑˈawa jˈɛdna pɔ xfˈili.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_86.wav|ˌalɛ f tɛj xfˈili dʑɛlˈiwa mɲʲɛ ɔt ɲʲˈɛj najdwˈuʃʃa drˈɔɡa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_104.wav|kabʲˈina jˈɛwa ɕɛ napˈɛwɲʲatɕ xwˈɔdnɨm, lˈɛɕnɨm pɔvʲˈɛtʃɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_145.wav|mˈɔʒɛʃ jˈɔ̃ ˈɔtɔ spˈɨtatɕ, jˈɛɕli mˈuɕiʃ tɔ kɔɲʲˈɛtʃɲʲɛ vʲˈɛdʑɛtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_118.wav|nˈɔ tˈak, mˈɔja swˈɔtka ʒˈɔnɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_49.wav|brɔ̃zˈɔvɨx, smˈukwɨx i rˌɔzɛɕmʲˈanɨx.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_255.wav|vˌɨpravʲˈawɛm ɕɛ tɕˈiʃɔ̃ w dwˈuʃʃɛ rˈɛjsɨ i znˈatʃɲʲɛ ɲʲˌɛbɛspʲɛtʃɲʲˈɛjʃɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_148.wav|skɔtʃˈɨmɨ na spˌadɔxrˈɔɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_218.wav|mwˈɔdɨ smˈɔk pˈɔdaw pʃɛsˈadnɔ̃ litʃˈɛbnɔɕtɕ nˈaʃɨx ˈarmji f tɛj sfˈɔjɛj kɕˈɛndʑɛ, bˈɨ utʃˈɨɲitɕ sfˈuj trˈɨumv bˈardʑɛj xfalˈɛbnɨm.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_242.wav|maʒ zˈamjar tˈak mi ɕˈɛdʑɛtɕ na kˈarku tsˈawɨ tʃˈas?|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_308.wav|na dvˈɔʒɛ zapˈadwa tɕˈɛmnɔɕtɕ, ˌalɛ f kɔmnˈatɕɛ palˈiwɨ ɕɛ pɔxˈɔdɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_167.wav|f pˈɔrtɕɛ zˈafʃɛ mˈɔʒna bˌɨwɔ pˈɔznatɕ nˈɔvɛ vʲˈɛɕtɕi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_106.wav|zˌauvaʒˈɨwɛm tˈu spˈɔrɔː ˈɔsup f sfɔbˈɔdnɨx strˈɔjax, na pʃˈɨkwat ix.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_33.wav|tˈɔm ɔdˈɛpxnɔw ɕɛ ɔt swˈupa.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_238.wav|stˈɔɡ bˈɨw najbˈardʑɛj strˈɔmɨ i sxˈɔdɨ vˈiwɨ ɕɛ sˌɛrpɛntɨnˈami, zˈamjazd vʲˈɛɕtɕ prˈɔstɔ w dˈuw.|1
+Dataset/wavs/urwisko_ferenc/08_segment_48.wav|tɔ dʑɛftʃˈɛntsɛ zˌafstɨdʑˈɛɲʲɛ vɨdˈawɔ mu ɕɛ tʃˌarujˈɔntsɛ i pˌɔdɲʲɛtsajˈɔntsɛ zarˈazɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_50.wav|ɔkˈazaw ɕɛ tˈak ˌidɛˈalɲʲɛ vˌɨmjɛʒˈɔnɨ, bˈardʑɛj tɔ wˈut ʃtʃˈɛɲɕtɕa ɲˈiʃ tˈɛxɲikˌa, ʒˈɛ valnˈɛwam ɔ ɕtɕˈanɛ nɔɡˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_57.wav|tɔ jˈak, ɡrˈa pˈan w mˌɔnɔpˈɔlɨ? pɔnˈavja pɨtˈaɲʲɛ dˈɛrɛk, xˈɔdʑ bˈɛz vʲˈɛŋkʃɛj nadʑˈɛi.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_152.wav|vˈɨɕlij dɔ lˈɔrda valdˈɛra vʲadˈɔmɔɕtɕ, ʒˈɛ kɔrˈɔna ʒˈɔnda pʃˌɛkazˈaɲʲa fʃˈɨstkix jˈɛɲtsuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_23.wav|tɔ fʃˈɨstkɔ pˌɔvʲɛdʑˈawam ʃˈɨpkɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_47.wav|tʃɨ kʲˌɛdɨkˈɔlvʲɛk mi vɨbˈatʃɨʃ, jˈɔɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_202.wav|jˈɛɡɔː ɔstˈatɲʲɛ swˈɔva bʒmʲˈawɨ, tɔ ɲˈits tˌɨlkɔ draɕɲʲˈɛɲtɕɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_105.wav|dʑvˈɔɲiw klˌutʃɨkˈami f tɛn sfˈuj...|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_242.wav|brjˈɛnnɛ ˌuswɨʃˈawa ɡwˈɔs mɛ̃ʃtʃˈɨznɨ nˌɔʃɔntsˈɛɡɔ xˈɛwm ɔɡˈara.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_36.wav|na xfˈilɛ zmuʃˈɔnɨ jɛst pʃɨstˈanɔɲtɕ, dlatˈɛɡɔ ʒˈɛ w dʒvʲˈax prˌɔvadʑˈɔntsɨɣ dɔ xˈɔlu vˌɛjɕtɕɔvˈɛɡɔ pˈɔfstaw kˈɔrɛk.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_40.wav|dʑˈɛŋki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_26.wav|tˌɨlkɔ dɔ mɔmˈɛntu, kʲˈɛdɨ ja ɕɛ pɔjˈavʲam. vʲˈɛʃ, tɛj stsˈɛnɨ, f ktˌurɛj ˈɔmal ɕɛ ɲʲɛ zˌaxwɨstˈujɛ vwasnˈɨmi ʒɨɡˈami.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_205.wav|xwˈɔpaɡ bˈɨw f kˈɔɲtsu sˈɨnɛm mˈansa rˌɛidˈɛra. w jˈɛɡɔ ʒˈɨwax ɲʲɛ pwɨnˈɛwa txuʒlˈiva krˈɛf sˈama.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_27.wav|jˈɛdna s kˈɔbjɛd bˌɨwa bˈardʑɔ stˈara, drˈuɡa w zˌaavˌansɔvˈanɛj tɕˈɔ̃ʒɨ, a tʃˈɛtɕa dʑɛftʃˈɨnɔ̃ ɕfʲˈɛʒɔ̃ i wˈadnɔ̃ jˈaɡ vʲɔsˈɛnnɨ kfʲˈatɛk.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_247.wav|pˈɛvɲʲɛ mˈɔʒna tɔ bˌɨwɔ pʃɛvˈidʑɛtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_524.wav|ˌuvʲɛɲtʃˈɔnɛj ɲʲˌɛspɔdʑˈanɨm ˌukɔjˈɛɲʲɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_103.wav|ˌɔna pˌɔvʲɛdʑˈawa stsˈɔtt.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_15.wav|tʃˈujɛ ˌudɛʒˈɛɲʲɛ strˈaxu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_188.wav|zˌarazˈiwɛm ɕɛ virˈusɛm, ktˌurɨ ˌatakˈujɛ mˈɔtɨv dɔ ʒˈɨtɕa. jˌɛstɛm sprˈavnɨ fizˈɨtʃɲʲɛ, zupˈɛwɲʲɛ zdrˈɔvɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_38.wav|vˌɨbjɛlˈiwam nˈavɛt nˈuʃ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_48.wav|dɔmˈiɲiɡ ʒˈutsa mi na dɔ̃sˈanɛ spɔjʒˈɛɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_179.wav|zɡadʑˈajɔnts ɕɛ, bˈɨ pʲˈɛɲtɕ ɔstˈatɲix ɔkrˈɛntuf nˈazvaw tˈɔmmɛn. xwˈɔpaɡ vˈɨbraw dla jɛdnˈɛɡɔ z ɲˈix nˈazvɛ kɕˌɛ̃ʒɨtsˈɔvɨ xwˈɔpʲɛts.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_421.wav|tɔ dɔdˈajɛ im smˈaku.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_223.wav|ftˈɛdɨ ˈuɕad i pˈatʃɨw na rajˈana, mrˈuʒɔnts sfˈɛ vˈɔ̃skʲɛ, ʑɛlˈɔnɛ ˈɔtʃɨ i uɕmʲˈɛxnɔw ɕɛ, lˈɛdʒ vˌɨɡlɔndˈawɔ tɔ jˈaɡ ɡrˈɨmas.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_65.wav|bˈɛtskɨ vˌɨswuxˈawa zˈɛ zdumjˈɛɲʲɛm ˌɔpɔvʲˈɛɕtɕi jˈɔɛ ˈɔtɨm, jˈak ta pˌɔjɛxˈawa ftʃˈɛɕɲʲɛj za ˈaʃɛm i tʃˈɛɡɔ bˌɨwa ɕfʲˈatkʲɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_26.wav|tˈɔm uɕmʲˈɛxa ɕɛ pʃɛlˈɔtɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_97.wav|ɲʲɛ mɨɕlˈawɛm ˈɔtɨm ɲˈiɡdɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_133.wav|mˈaʒɛ ˈɔtɨm, ʒˈɛbɨ tˈɛʃ kʲˈɛdɨʑ zˈɔstatɕ traɡˈaʒɛm jˈak tˈɨ.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_81.wav|mˈɔja swˈɔtka ɕˈɔstra kwamtʃˈuxa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_36.wav|bˈɛtskɨ pˌɔkivˈawa pɔvˈɔli ɡwˈɔvɔ̃, pɔ tʃɨm zmarʃtʃˈɨwa tʃˈɔwɔ.|3
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+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_284.wav|sˈɛr xˈarvin zapˈɛvɲʲa, ˈiʃ tɛ ˌɔpɔvʲˈɛɕtɕi sɔ̃ kwˈamstfɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_31.wav|tˈɛssa kazˈawabˌɨ mi pˈɛvɲʲɛ zaʒˈɔndadʑ vɨjˈaɕɲʲɛɲ i vwˈaɕɲʲɛ s tˌɛɡɔ pɔvˈɔdu pˌɔstanɔvˈiwam jɛj ˈɔtɨm ɲʲɛ mˈuvitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_127.wav|ɡdˈ�� ˈɛlis fxˈɔdʑi w nˈɔvɛj spudɲˈitʃtsɛ i blˈustsɛ, bˈutskɨ vɨsˈɨwa jˈɔ̃ s pɔvrˈɔtɛm dɔ waʑˈɛŋki i kˈaʒɛ zmˈɨtɕ prˈavʲɛ tsˈawɨ makˈijaʃ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_8.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, skˈɔnt ɕɛ tɔ tˈam vʑˈɛwɔ, ˌalɛ tɔ ɲʲɛprˈavda.|3
+Dataset/wavs/urwisko_ferenc/36_segment_87.wav|zadʑvˈɔɲʲɛ, ˌɔbjɛtsˈawa mɛdˈɨtʃka i ɡwˈɔs pɔ drˈuɡʲɛj strˈɔɲʲɛ ˈutɕix.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_98.wav|ˌalɛ tɔ kɔʃtˈɔvnɛ i skˌɔmplikɔvˈanɛ ˌuʒɔndʑˈɛɲʲa, ktˌurɛ vˌɨmaɡˈajɔ̃ zˌaɕilˈaɲʲa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_68.wav|xˈɛj, jˈɛn, maʃ mˈɔʒɛ xfˈilɛ?|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_127.wav|xˈɔtɕ ftˈɛdɨ bˌɨwa jˈuʃ tʃɛrvˈɔna ɔd rdʑˈɨ.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_269.wav|tʃɨ tɔ prˈavda, ʒˈɛ tˈɨvin uɕmʲˈɛxaw ɕɛ na mˈarax?|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_90.wav|spʃˌɛtɕivˈiwa ɕɛ tɕˈixɨm ɡwˈɔsɛm lˈadɨ mˈarja. zɲʲɛvˈaʒaʃ f tɛn spˈɔsup utʃtɕˈivɨɣ ʒɛʑɲˈikuf na tsˈawɨm ɕfʲˈɛtɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_234.wav|a ʒˈadɛn tˈɨrɛll s pɛvnˈɔɕtɕɔ̃ ɲʲɛ pˌɔtsawˈɔvawbˌɨ alˈain stˈɔnɛ.|1
+Dataset/wavs/urwisko_ferenc/55_segment_49.wav|fʃˈɨstkɔ w ɲˈim lɕɲˈiwɔ, wˈɔntʃɲʲɛ z drɛvɲʲˈanɔ̃ pɔdwˈɔɡɔ̃, ˈaʃ xˈɛrman mʲˈawa ɔxˈɔtɛ ɕtɕˈɔŋɡnɔɲdʑ bˈutɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_351.wav|jˈak rˌɨsunˈɛtʃki krɛɕlˈɔnɛ lˈɛvɔ̃ rˈɛŋkɔ̃. pˌamjɛntˈawɛm jˈɛ z dʑɛtɕˈiɲstfa, ˌalɛ ɲˈiɡdɨ ɲʲɛ pɔznˈawɛm iɣ znatʃˈɛɲʲa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_49.wav|zadʑvˈɔɲʲɛ dɔ kˈirstɛn pˈuʑɲʲɛj. tɔ jɛst tˈɛras ɲʲˈɛtsɔ vaʒɲʲˈɛjʃɛ. mˈɨɕliʃ, ʒˈɛ mˈarta jɛst f tɨm dˈɔmu?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_419.wav|tsˈɔː ˈu pˈana? spˈɨtaw kˈɔrsak, pʃˌɛkʃɨkˈujɔnts rˈɨk mɔtˈɔru. ˌumɔʒˈɨli!|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_206.wav|kʲˈɛdɨ ja pʃɨʃˈɛdwɛm pɔ rˈas pʲˈɛrʃɨ i dˈali mi tɛn fˈartux...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_501.wav|jˈɛdnɨm swˈɔvɛm, zˈatɔ̃ ɡraɲˈitsɔ̃, dɔ ktˌurɛj ˌɔtprɔvadʑˈamɨ blˈiʑɲix.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_4.wav|jˈɛɕli ɕɛ mˈɨlɛ, tɔ mˈɔʒɛ pɔ prˈɔstu vɨpˈiwɨ za dˈuʒɔ ɡˌazɔvˈanɨx napˈɔjuf ˈu daˈisɨ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_53.wav|matɕˈintɔʃ prɔvˈadʑi. lˈɔɡan ɔɕfʲˈattʃa, ʒˈɛ uɕˈɔɲdʑɛ s tˈɨwu, bˈɔ jɛst ɲˈiski.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_456.wav|ja ɲʲɛ mˈɔɡɛ tˌɛɡɔ zrɔzˈumjɛtɕ. bˈɔli mɲʲɛ ɡwˈɔva.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_136.wav|fʃˈɨstkɔ tɔ znˈaw tˈaɡ dˈɔbʒɛ, jˈaɡ dˈɔbʒɛ znˈaw tɕˈawɔː ˈɛstɛr.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_148.wav|mˈuviʃ tˈak tˈɨlkɔ, ʒˈɛbɨ mɲʲɛ pˈɔdɲʲɛɕtɕ na dˈuxu.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_277.wav|ɡdˈɨbɨ bɔɡˈɔvʲɛ ˌɔkazˈali ɕɛ waskˈavi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_14.wav|pˌɔviɲʲˈɛnɛɕ jˈɛdnak ɔ tʃˈɨmʑ vʲˈɛdʑɛtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_230.wav|ʒˈɛ mˈa tɔ bˈɨtɕ prˈɔdukt ubˈɔtʃnɨ vɨtˈɔpu ˌalumˈiɲʲum.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_188.wav|tˈɛ nˈɔvɔ̃, jˈɛɕli wˈaska.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_134.wav|vˌɨkwutsˈaɲʲɛ ɕɛ ɲʲɛ mʲˈawɔ nˌajmɲʲɛjʃˈɛɡɔ sˈɛnsu, vʲˈɛnts fɕˈadwam dɔ ɕrˈɔtka. dʒˈɛɡɛr zatʃˈasnɔw jˈɛ za mnˈɔ̃, pɔ tʃɨm ˈɔpar ɕɛ ˈɔɲʲɛ plɛtsˈami.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_88.wav|pˈɛvɲʲɛ pɔvˈinnam ɕɛ tɕˈɛʃɨtɕ pʃɨnˈajmɲʲɛj s tˈɛɡɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_58.wav|pɔtʃˈuwam, ʒˈɛ ɕɛ tʃɛrvʲˈɛɲʲɛ. ɲʲˈɛma sprˈavɨ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_433.wav|brjˈɛnnɛ ɲʲɛ pˌɔtrafˈiwa mu ˌɔtpɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_50.wav|tɔ bˌɨwɔ strˈaʃnɛ, ˌalɛ ɲʲɛ zdavˈawɛm sˈɔbjɛ sprˈavɨ, tsˈɔ ɕɛ zˈɛmnɔ̃ dʑˈɛjɛ, dɔpˈuki ɲʲɛ pˌɔprɔɕˈili ɔ pʲɛɲʲˈɔndʑɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_20.wav|ɲʲˈɛmuɡw zɲʲˈɛɕtɕ ˌɔbɛtsnˈɔɕtɕi tɨɣ dvˈux mˈɛ̃ʃtʃɨzn wˈɛ fˈirmʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_95.wav|dlatʃˈɛɡɔ tɔ zrɔbʲˈiwɛɕ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_32.wav|tˈɔm ʒˈutɕiw jɛj spɔjʒˈɛɲʲɛ muvʲˈɔntsɛ ˈɔtɨm, ʒˈɛ ɲʲɛ uvʲˈɛʒɨw w ˌaɲi jˈɛdnɔ jɛj swˈɔvɔ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_148.wav|zˈɛjɕtɕɛ bˌɛɲdʑɛ watfʲˈutkʲɛ, zɔbˈatʃɨʃ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_12.wav|ɲʲɛktˌurɛ vˌɨdaʒˈɛɲʲa sɔ̃ ʃtʃɛɲɕlˈivɛ, ˈinnɛ mɲʲˈɛj. a ja sˈama jˌɛstɛm tɕɛkˈava, tsˈɔ jˈɛʃtʃɛ spˈɔtka ɡˈɔ w ʒˈɨtɕu.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_95.wav|ɔbˈuʒɨw ɕɛ ˈɛmmɔn. tɔ mˌɔnstruˈalnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_59.wav|pˌakɔvˈaɲʲɛm ˌɔstatˈɛtʃɲʲɛ zajmˈujɛ ɕɛ bʲˈillɨ. ɲʲˈɛtrfa tɔ dwˈuɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_181.wav|pˌɔzɔstˈajɛ mi jɛdˈɨɲʲɛ uvʲˈɛʒɨtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_68.wav|mɛ̃ʃtʃˈɨzna pɔpˈatʃɨw na ɲʲˈɛɡɔ, ˌiɡnɔrˈujɔnts pɨtˈaɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_152.wav|pˈɔʒar wˈɛ fabrˈɨtsɛ ɡvˈinslant.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_93.wav|tɔ bˈɨw tˌaki ʃˈɨpki pˈɔmɨsw, ʒˈɛbɨ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_136.wav|tɨmtʃˈasɛm zvˈiɲ ɕɛ za ɕˈudmɔ̃ ɡˈurɛ i ʒˈɛkɛ. pɔdrˈuʒuj pɔt pʃɨbrˈanɨm nazvˈiskʲɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_18.wav|jɛj blˈuska jɛst trˈɔxɛ vɨmjˈɛnta, ˌalɛ pˈɔza tɨm ɲʲˈɛma ɕɛ dɔ tʃˈɛɡɔ pʃɨtʃˈɛpitɕ.|2
+Dataset/wavs/urwisko_ferenc/63_segment_175.wav|tʃˈɨtadʑ dˈalɛj?|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_12.wav|ˌalɛ ja bˌɨwam dˈurna.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_46.wav|tsˈɔ vʲˈɛntsɛj, pˌɔtfʲɛrdʑˈiliɕmˌɨ jˈuʃ...|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_79.wav|mˈimɔ tɔ sˈɛrtsɛ pˌɔtxɔdʑˈiwɔ jɛj dɔ ɡˈardwa, ɡdˈɨ vʑˈɛwa rɔbˈɛrta za rˈɛŋkɛ i pɔmˈɔɡwa mu fɕˈɔ̃ɕtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_101.wav|— bˈɛndɛ, tˈatɔ, ɲʲˈɛmartf ɕɛ ˈɔmɲʲɛ — ɔtpˈarwam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_23.wav|jˈɔɛ, ɡdʑˈɛ ˌɔna jˈɛst?|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_107.wav|pɔdˈɛʃwam blˈiʒɛj i ˌɔpʲɛrˈajɔnts ɕɛ ɔ pʲˈɛɲ kˌamjɛnnˈɛɡɔ dʒˈɛva, uɲʲˈɔswam vzrˈɔk f strˈɔnɛ vidˈɔtʃnɛj na ɲʲˈɛbjɛ pɔwˈufki ʑˈɛmi.|4
+Dataset/wavs/urwisko_ferenc/11_segment_94.wav|a tˈɛraz bjˈɛʒmɨ ɕɛ dɔ rɔbˈɔtɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_53.wav|bˈɛtskɨ zɛrknˈɛwa na tˈɔma w ˌɔtʃɛkivˈaɲʲu na ˌaprɔbˈatɛ, pɔ tʃɨm zˌapukˈawa dˌɛlikˈatɲʲɛ f tɕˈɛmnɛ drˈɛvnɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_25.wav|jˈak ˈɔstsar vˈildɛ, ktˌurɨ spˌatsɛrˈɔvaw z ruʒˈɔvɨm pˈudlɛm w djadˈɛmjɛ na ɡwˈɔvʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_56.wav|a tɨ zˈamɛk, pˈɛwɛn tˈakix jˈak tˈɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_3.wav|ɲʲɛ, ɔtpˈarwa. uswˈɨʃaw, ʒˈɛ pwakˈawa. ɔ tsˈɔ xˈɔdʑi, skˈarbjɛ, tsˈɔ ɕɛ stˈawɔ? f pʲˈɛrʃɨm ɔdrˈuxu pɔmˈɨɕlaw, ʒˈɛ mˈa tɔ jˈakiʑ zvʲˈɔ̃zɛɡ z dʑˈɛtskʲɛm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_7.wav|vʲˈɛnts mˈuɕi bˈɨtɕ na ɡˈuʒɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_29.wav|stɔsˈuŋki mʲˌɛndʑɨ ɲʲˈɔ̃ a kˈatɛ trˈɔxɛ ɕɛ napʲˈɛwɨ. dʑvɔɲˈiwa dʑˈiɕ rˈanɔ na fˈatsɛ tʲˈajm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_285.wav|stˈawɨ ɕɛ jˈakɔɕ ludɲʲˈɛjʃɛ i bˈardʑɛj kˌɔlɔrˈɔvɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_235.wav|dwˈuɡɔ̃ xfˈilɛ miltʃˈawa.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_113.wav|viktˈarjɔn spˈɔjʒaw na drˈuɡʲi kˈɔɲʲɛts kɔmnˈatɨ, ɡdʑˈɛ ɕˈɛdʑaw sˈɛr xˈaras xˈarlaw, pˌɔpijˈajɔndʑ vˈinɔ zˈɛ zwɔtˈɛɡɔ puxˈaru.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_381.wav|i tɔ mˈa bˈɨtɕ kˌɔmisˈarjat, vzrˈuʃɨw rˌamjɔnˈami prɛzˈɨdɛnt.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_106.wav|mˈuʃɛ pɔprˈɔɕitɕ kˈɔɡɔɕ ɔ pˈɔmɔts.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_43.wav|pʃˈɛjɕtɕɛ znˌajdɔvˈawɔ ɕɛ pɔ drˈuɡʲɛj strˈɔɲʲɛ pɔtˈɛ̃ʒnɛj vˈannɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_30.wav|tˈam, skˈɔnt padˈawɔ ɕfʲˈatwɔː i patʃˈɨli pʃˈɛs xfˈilɛ ˈɔbaj na ˈɛstɛr bjɛɡnˈɔntsɔ̃ dɔ sˌamɔlˈɔtu,|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_38.wav|bjˈurɔ rudjˈɛɡɔ vˌɨɡlɔndˈawɔ tˈak, jˈak jˈɛ zˌapamjɛntˈawam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_105.wav|a pˈɔza tɨm ftɕˈɔ̃ʃ muɕˈawam pʃɛkˈɔnatɕ stsˈɔtta.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_112.wav|tɛn mɛ̃ʃtʃˈɨzna zˌaɔfɛrˈɔvaw mˈamjɛ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_95.wav|rˈɛɡɡʲɛ z vʒˈaskʲɛm pʃɛvrˈatsa ɕɛ na plˈɛtsɨ i vɨtɕˈɔŋɡa rˈɛŋkɛ dɔ kˈɔstki. tɨ skurvʲˈɛlu, pˌɔstʃɛlˈiwɛɕ mɲʲɛ!|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_469.wav|ɲˈikt ɲʲɛ ˈumjɛ pɔvʲˈɛdʑɛtɕ, lˈɛtʃ kˈaʒdɨ pʃˌɛtɕɛʒ vʲˈɛ.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_200.wav|ˈinɲi vˈaltʃɔ̃ latˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_168.wav|tʃˈɛkam, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_69.wav|a jˈɛɕli ɔn ɕɛ ɲʲɛ pɔkˈaʒɛ, pˈaɲʲɛ pˌɔtpuwkɔvɲˈiku?|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_107.wav|ɔkˈɔwɔ sˈɛtki mˈarɨɲ zvrutɕˈiwɔ stˈamtɔnd w vˈɔrkax na zvwˈɔki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_16.wav|pʃɛjˈadɛ pʃˈɛs ˌaɡlɔmɛrˈatsjɛ nɔvˈɛɡɔ jˈɔrku, a pˈɔtɛm pʃˈɛs ɲʲˈu dʒˈɛrzi. f pˌɛnsɨlvˈaɲʲi pʃˈɛjmʲɛʃ kʲˌɛrɔvɲˈitsɛ. dˈaʃ rˈadɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_22.wav|pʃˈɛs pɔrˈɨtɔ̃ virˈami vˈɔdɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_220.wav|lˈɛpʲɛj vɨpˈalitɕ pˈatʃkɛ ˌazbɛstˈɔvɨx pˌapʲɛrˈɔsuf, ɲˈiʒ vdˈɨxatɕ tɔ ɡˈuvnɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_87.wav|tɔ, ʒˈɛ bˈutskɨ zadˈajɛ sˈɔbjɛ ˈaʃ tˈɨlɛ trˈudu, ɕfʲˈattʃɨ ˈɔtɨm, ʒˈɛ jɛzd bˈardʑɔ, bˈardʑɔː ɔstrˈɔʒnɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_112.wav|tʃˈujɔnts ɕɛ, jˈak stˈara kɔbjˈɛta fstˈajɛ s sˈɔfɨ i vrˈatsam dɔ bjˈurka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_125.wav|mˈɔɡwam udˈavatɕ, ʒˈɛ mˈɛrɡɛ...|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_117.wav|lˈɛpʲɛj bˌɛɲdʑɛ ɲʲɛ mʲˈɛʃadʑ dɔ tˌɛɡɔ vʲˈɛlkix lˈɔrduf, ˌalɛ tɕi pˌɔzɔstˈali...|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_6.wav|mˈɔʒɛ pˈɔʃwa dɔ waʑˈɛŋki mˈɨɕli, vɔwˈajɔnts jˈɔ̃?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_26.wav|bˌɨwɔ jˈuʒ za pˈuʑnɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_143.wav|pˌɔvʲɛdʑˈawa tɔ s sˌatɨsfˈaktsjɔ̃, jˈaɡbɨ ˌupɔkɔʒˈɛɲʲɛ tsˈurki spravˈiwɔ jɛj pʃɨjˈɛmnɔɕtɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_50.wav|tʃɨ ja tˈɛʒ vɨɡlˈɔndawbˌɨm tˈak, ɡdˈɨbɨm urˈɔdʑiw ɕɛ tˈutaj i ˈumjaw mˈuvidʑ bˈɛs tˌɛɡɔ xˌɔlɛrnˈɛɡɔː aktsˈɛntu? pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_141.wav|bʲˈillɨ jɛst jɛj vdʑˈɛntʃnɨ.|2
+Dataset/wavs/urwisko_ferenc/01_segment_7.wav|mʲˈawɔ jˈuʒ bˈɨtɕ pɔ fʃˈɨstkim.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_12.wav|ˌalɛ jˈak tˈakʲɛ pˌɔstɛmpɔvˈaɲʲɛ mˈɔɡwɔ bˈɨtɕ swˈuʃnɛ?|3
+Dataset/wavs/urwisko_ferenc/41_segment_32.wav|— tɨ tɔ pˌɔvʲɛdʑˈawɛɕ. xˈɛrman vrutɕˈiwa z balkˈɔnu dɔ sɨpʲˈalɲi. — ˌalɛ jˈak pˌɔtskɔtʃˈɨmɨ dɔ kaʃtʃˈɔrka, ɔtpˈuʃtʃɛ tɕi ɡʒˈɛxɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_169.wav|mˈɛrx mˈa w rˈɛŋku swuxˈafkɛ tˌɛlɛfˈɔnu, spirˈalnɨ kˈabɛl jɛst rˌɔstɕɔŋɡɲʲˈɛntɨ dɔː ɔpˈɔru, fʃˈɨstkʲɛ zvˈɔjɛ vˌɨprɔstɔvˈanɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_146.wav|i ɲʲɛ mˈuviw ɲˈits, pˈatʃɔnts na ˈuxɔ tˌɛɡɔ tsɨɡˈana, ktˌurɨ mlˈaskaw jɛ̃zˈɨkʲɛm, pˈatʃɔnts jˈak tɛn drˈuɡʲi ʃˈulɛr spɔkˈɔjɲʲɛ zbjˈɛra fˈɔrsɛ i lˈitʃɨ jˈɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_427.wav|mˈuɕi zatʃˈɛkatɕ.|1
+Dataset/wavs/urwisko_ferenc/56_segment_15.wav|ˌɔbjɛtsˈawɛm, ʒˈɛ mu vˈɨɕlɛ, ˌalɛ f sˈumjɛ zdjˈɛɲtɕɛ mˈam f sˌamɔxˈɔdʑɛ, mˈɔɡɛ pʃˈɨɲʲɛɕtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_232.wav|bˈuk ɲʲɛ uvˈɔlɲiw ɡˈɔː ɔt innˈɛɡɔ tɕˈawa.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_232.wav|mʲˈawa na sˈɔbjɛ bjˈawɔ̃ sˈukɲʲɛ s fstˈafkɔ̃ zˈɛ zwˌɔtɔɡwˈɔvju, ɔpʃˈɨtɔ̃ kˌɔrɔŋkˈami, ˌalɛ skrˈɔmnɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_97.wav|tʃˌɛmu kupˈujɛʃ tˈakʲɛ ʒˈɛtʃɨ z drˈuɡʲɛj rˈɛŋki?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_107.wav|jˈuʒ za pˈuʑnɔ, ʒˈɛbɨ jˈɛ ɔdˈɛswatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_201.wav|— jˌɛstɛm rˈannɨ — vɨwklˈɛrki, tʃɨmˈajɔnts ɕɛ za bʒˈux.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_58.wav|ɲʲɛ bˌɨliɕmˌɨ jˈɛʃtʃɛ pʃˌɨzvɨtʃajˈɛɲi dɔ nɔvˈɛɡɔ nˌazɛvɲˈitstfa pˌɔlitsɨjnˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_117.wav|bˈɔ tɔ jɛst kˈɔndɔm?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_11.wav|fˌarɨzˈɛjskɔ̃ pɔkˈɔrɔ̃, kwamlˈivɨm pɔxlˈɛpstfɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_49.wav|s tˌɛɡɔ tˈɛʃ mˈuɡwbɨ bˈɨtɕ ɲʲˈɛzwɨ ˈɛsɛj.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_224.wav|ɲˈits mi ɲʲɛ jˈɛst, ˌɔtpɔvʲɛdʑˈawam pˌɔdʑvaɲʲˈajɔndʑ zɛmbˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_178.wav|kʲˈɛdɨ zajʒˈawaʑ dɔː ix ʃˈafɨ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_113.wav|ɲˈikt pʃɛtstˈavja jˈɛ i bʲˈillɨ jɛst tˈaɡ zˌaskɔtʃˈɔnɨ tˈɨm, tsˈɔ swˈɨʃɨ, i pʃˌɛraʒˈɔnɨ tɔ tˈɛʃ, ʒˈɛ trˈatɕi raxˈubɛ tʃˈasu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_207.wav|tsˈɔ maʃ na mˈɨɕli?|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_219.wav|najstˈarʃa vˈɨʃwa za sˈɛr dɛnˈɨsa arˈɨna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_218.wav|ˌalɛ ɡɔdʑˈinɨ ɕfˈitu strˈaʃɲʲɛ ɕɛ dwˈuʒɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_181.wav|uznˈajɛ, ʒˈɛ zaxˈɔva tɔ dla ɕˈɛbjɛ, rɔzvˈaʒɨ f sfˈɔim sˈɛrtsu, jˈak marˈɨja nˌarɔdʑˈinɨ dʑɛtɕˈɔntka jˈɛzus.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_229.wav|ɲʲɛprˈavda.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_184.wav|sˈanxɛz zˌaɔpatrˈujɛ nˈas f pɔvʲˈɛtʃɛ, a mʲˈastɔ zapˈɛvɲʲa xˈutɕɛ tˈɨlɛ ˌɛlɛktrɨtʃnˈɔɕtɕi, ˈilɛ bˌɛɲdʑɛ pˌɔtʃɛbˈɔvatɕ. tsˌawkɔvˈitɕɛ bɛspwˈatɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_17.wav|bˈɛtskɨ ˌɔdvrutɕˈiwa ɕɛ dɔ tˈɔma z dwˈɔɲmi fspartˈɨmi ɔ bjˈɔdra i z vɨrˈazɛm rˌɛzɨɡnˈatsji na tfˈaʒɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_160.wav|pɔvʲˈɛtʃɛ zatʃˈɛwɔː utɕˈɛkatɕ s sˈɨkʲɛm i nˈaʃɛ xɔmˈitʃɛ kˈulɛ stˈawɨ ɕɛ bˈardʑɛj ʃtˈɨvnɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_164.wav|ˌalɛ ɲʲɛ pʃˈɨʃwɔ mi nˈavɛd dɔ ɡwˈɔvɨ, ʒˈɛbɨ ɔdmˈuvitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_79.wav|tsˈɔ dɔstˈaliɕmˌɨ? ɔː ˈilɛ tsɔkˈɔlvʲɛk ɔt tɛxɲˈikuv z mʲˈɛjstsa pʃɛstˈɛmpstfa?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_124.wav|xtɕˈawam jɛdˈɨɲʲɛ vrˈutɕidʑ dɔ dˈɔmu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_52.wav|ˈaram ɕɛ dɔmˈɨɕlaw, ʒˈɛ tsˈɔɕ jɛst na ʒˈɛtʃɨ. tʃˈuw tɔ, jˈaɡbɨ mˈɔjɛ zdˌɛnɛrvɔvˈaɲʲɛ fpravʲˈawɔ pɔvʲˈɛtʃɛ w rˈux i ˌɔdbʲijˈawɔ ɕɛ ɔt ɕtɕˈan.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_224.wav|jˈɛɕli mˈa pˈan trˈɔxɛ tʃˈasu i mˈɔʒɛ zˈɛmnɔ̃ pɔjˈɛxadʑ dɔ malˈibu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_231.wav|pɔvˈinnam bˌɨwa fɕˈɔ̃ʑdʑ z ˈalfim dɔ pɔtɕˈɔŋɡu jˌadɔntsˈɛɡɔ dɔ nˈɔrttˌumbɛrlˈandu?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_52.wav|z jˈɛdnɛj strˈɔnɨ xtɕˈawam ɕɛ tˈam znˈalɛɕtɕ, z drˈuɡʲɛj bˈawam ɕɛ, w jˈaki nˈastruj fpˈadnɛ pɔ rɔzmˈɔvʲɛ za rˈamɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_78.wav|fʃˈɨstkʲɛ spɔjʒˈɛɲʲa utkfʲˈɔnɛ sɔ̃ vˈɛmɲʲɛ, ˌalɛ mˈuʃɛ pamjˈɛntatɕ, ʒˈɛ jˌɛstɛm f tɨm dˈɔbra.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_115.wav|xˈaŋk ɲʲɛ stˈavja ɔpˈɔru.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_60.wav|jˈɛɕli zɡɔdʑˈimɨ ɕɛ tˈaɡʒɛ, ʒˈɛ mˈarta ɲʲɛ zˌaɔfˌɛrɔvˈawa ɕˈɛbjɛ nˌailˈɔvi, a vʲˈɛtɕɛ dˈɔbʒɛ, ʒˈɛ w dʑˈivnɨ spˈɔsup jɛj vʲˈɛʒɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_130.wav|tʃɨ jˈudɨ mˈa tˈakiɣ znajˈɔmɨx f tʲˌijuˈana?|2
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_76.wav|a mˈɔʒɛ ɲʲɛ bˌɨwa zbwɔŋkˈana?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_49.wav|zˌauvaʒˈɨwam, ʒˈɛ tˈata pˈatʃɨ nˈamɲʲɛ s pˈɛvnɔ̃ trˈɔskɔ̃.|3
+Dataset/wavs/urwisko_ferenc/19_segment_64.wav|prˈɔʃɛ. sˈɔlska vrutɕˈiwa i pɔdˈawa jɛj brɔ̃zˈɔvɔ̃ kɔpˈɛrtɛ duʒˈɛɡɔ fɔrmˈatu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_69.wav|i jˈɛ tˈɛʒ vɨwˈɔntʃa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_135.wav|tɕɛkˈava jˈɛstɛm, kˈim bˈɨwbɨʑ bˈɛzɛ mɲʲɛ, pˌɔvʲɛdʑˈawa. i bˈɛs tɛj lˈalki.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_16.wav|dˈɔlna tʃˈɛɲɕtɕ jɛj krˈutkʲɛj sukʲˈɛŋki pɔrˈuʃa ɕɛ lˈuʑnɔ vˈɔkuw nˈaɡʲix, ˌɔpalˈɔnɨx nˈuk.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_523.wav|mˈimɔ vˈɔli fstʃɨmˈawɛm ˈɔddɛx.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_370.wav|tfˈuj pˈuŋɡd vidʑˈɛɲʲa jɛzd bˈɛz vartˈɔɕtɕi, pɔvʲˈɛdʑaw mˈarɨj. tʃˈɨmaj ɕɛ tˈɛkstu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_171.wav|pˌɔkivˈawɛm dwˈɔɲmi na bˈɔki, bˈɨ pɔkˈazatɕ, ʒˈɛ mˈɔʒɛ jɛst tʃˈɨstɔ, mˈɔʒɛ ɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_166.wav|pʃɨvˈitaw jˈɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_39.wav|zdradʑˈiwɛm sfˈɔjɔ̃ najblˈiʃʃɔ̃ pʃˌɨjatɕˈuwkɛ, ˌalɛ jˈɛɕli mˈɨɕliʃ, ʒˈɛ mi s tɨm lˈɛkkɔ, tɔ tˈak naprˈavdɛ mɲʲɛ ɲʲˈɛznaʃ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_74.wav|ˌalɛ tɨ ɲʲɛ jˌɛstɛɕ jˈuʃ mˈawɨm dʑˈɛtskʲɛm, ˈindjɔ. a ɲikˈɔla ɲʲɛ mˈuɕi tɕˈɛ jˈuʃ kˈarmitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_186.wav|a tɨ prˌubɔvˈawaɕ mi pʃˈɛtɕɔɲdʑ ʒˈɨwɛ ʃˈɨjnɔ̃. mˈɔim zdˈaɲʲɛm jɛstˌɛɕmɨ kfˈita.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_58.wav|a ja jˌɛstɛm nˌajdrɔbɲʲˈɛjʃɔ̃ zˈɛ fʃˈɨstkix pwˈɔtɛk, vʲˈɛnts mɲʲɛ vˈɨpuɕtɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_150.wav|i vʲˈatr tˈarɡaw dʒˈɛvɛm i bwˌɛŋkitnˈɨmi kˌɔmbʲinˌɛzɔnˈami, f ktˌurɛ ubrˈaɲi bˌɨli lˈudʑɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_152.wav|tˈak sˈɔbjɛ mɨɕlˈawɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_126.wav|mˈɨɕlɛ, ʒˈɛ nˈatɨm ɕfʲˈɛtɕɛ tʃˈɛba lˈitʃɨtɕ na ɕˈɛbjɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_120.wav|brˈaw ˈudʑaw f spɔtkˈaɲʲu z ˌinvɛstɔrˈami f tsˈɛntrum mˌanxɛstˈɛru, a kʲˈɛdɨ vrˈutɕiw, ɲʲɛ zˈastaw ʒˈɔnɨ f salˈɔɲʲɛ, xˈɔtɕ tˌɛlɛvˈizɔr bˈɨw vwɔntʃˈɔnɨ.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_235.wav|mˈam nadʑˈɛjɛ fkrˈuttsɛ ɲˈim zˈɔstatɕ.|1
+Dataset/wavs/urwisko_ferenc/39_segment_52.wav|mˈɔɲikˌɛ xudʑˈiɲskɔ̃|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_228.wav|ˌalɛ tɕˈɛʃɛ ɕɛ, ʒˈɛ ɔpxˈɔdʑi tɕˈɛ mˈuj lˈɔs. vʲˈɛm, ʒˈɛ dˈaʒɨʃ mɲʲɛ miwˈɔɕtɕɔ̃, pˈaɲi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_64.wav|vɨmˈɨɕlmɨ jˈakɔ̃ɕ çistˈɔrjɛ naʃˈɛɡɔ pɔznˈaɲʲa i ftˈɛdɨ mˈɔʒɛ ɕɛ spɔtkˈamɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_610.wav|vrˈɛʃtɕɛ zˌatʃɨmˈaliɕmˌɨ ɕɛ na ktˈurɨmɕ pɔdˈɛɕtɕɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_155.wav|lˈɛʒaw ɲʲˌɛpʃɨtˈɔmnɨ na ʑˈɛmi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_28.wav|ɲˈiɡdʑɛ jˈuʃ ɲʲɛ jɛzd bɛspʲˈɛtʃɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_55.wav|tʃwɔvʲˈɛku, kʲˈɛdɨ zdɔbˈɛndɛ ˌupravɲʲˈɛɲʲa, bˌɛndɛ ˌɔpwɨvˈawa w dɔstˈatki.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_247.wav|— tɔ ftˈɛdɨ, kʲˈɛdɨ pˈatʃɛ na tɕˈɛbjɛ — pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_320.wav|jˈɛɡɔ lɔrdˈɔfska mˈɔʑdʑ dɔswˈuʒɨw ɕɛ tɨm çˌixɔtˈaɲʲɛm vɨɡnˈaɲʲa. tsɛrsˈɛi vʑˈɛwa tˈɛʒ dɔ rˈadɨ jakʲˈɛɡɔʑ bɛŋkˈarta.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_231.wav|vwˈaɕɲʲɛ tˈɛras, dɔkwˈadɲʲɛ f tɛj xfˈili dˌɛtsɨdujˈɛmɨ ˈɔtɨm jˈaɡ bˌɛɲdʑɛ vˌɨɡlɔndˈawɔ nˈaʃɛ mʲˈastɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_66.wav|a mˈɔʒɛ nˈavɛd zˌatʃɨmˈawa ɕɛ tˈam na mʲˈɛɕɔnts tʃɨ dvˈa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_30.wav|ɕmʲˈɛjɛ ɕɛ radˈɔɕɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/39_segment_3.wav|pˌɔzɔstavʲˈɔnɨ na stˈɔlɛ tɛlˈɛfɔn zˌavibrˈɔvaw. xˈɛrman spɔjʒˈawa, ktˈɔ dʑvˈɔɲi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_2.wav|fʃˈɛɲdʑɛ jɛst krˈɛf.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_205.wav|jɛʒˈɛli mˌamɨ rɔzmˈavʲatɕ ɔ mˈɔix pɔrˈaʃkax, xtsˈɛ drˈuɡɔ̃ kɔlˈɛjkɛ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_113.wav|z mˈɔnɛt s kˌilkudʑɛɕˈɛɲtɕu rˈuʒnɨx mʲˈast.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_22.wav|ˈɔkɛj. vʲˈɛʃ, tsˈɔ tɔː ɔznˈatʃa, prˈavda?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_151.wav|pˈaɲʲɛ kˌɔmisˈaʒu, zatʃˈɔwɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_75.wav|zatʃˈɔwɛm ɕɛ tsˈɔfatɕ tˈɨwɛm, ɲʲɛ vʲˈɛʒɔnts w ɔtpˈɔrnɔɕtɕ ˌanarçˈistuf.|0
+Dataset/wavs/urwisko_ferenc/33_segment_88.wav|kɔbjˈɛta pʃɨɕˈadwa na skrˈaju sˈɔfɨ i vaʒˈɨwa tɛlˈɛfɔn w dwˈɔɲi.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_25.wav|bˈɔrɔz blˈunt i mˈɛrɨn trˈant rˈuvɲʲɛʃ spravʲˈali vraʒˈɛɲʲɛ ɕpʲˈɔntsɨx, tˈɨlɛ ʒˈɛ nˌastɔjˈɔntsɔ. nˈavɛt ˈɔsmunt kɛttˈɛrblaɡ ʑˈɛvaw.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_87.wav|pɔlˈitsjant ɔdwˈɔʒɨw sɛrvˈɛtkɛ na stˈɔlik.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_158.wav|mˈuɡwbɨ jˈɛdnaɡ zˌauvˈaʒɨtɕ rˈuɣ za kˌɔrɔŋkˈɔvɔ̃ zaswˈɔnɔ̃.|2
+Dataset/wavs/urwisko_ferenc/14_segment_16.wav|nˈɔ mˈuf, tsˈɔ tɕˈɛ sprɔvˈadʑa, bˈɔ zˈaraz bˌɛndɛ mˈuɕaw zmˈɨkatɕ na spɔtkˈaɲʲɛ.|0
+Dataset/wavs/urwisko_ferenc/54_segment_7.wav|tʃɨɕtɕˈiwa tsˈɔɕ, tʃˈɛɡɔ s tˌɛɡɔ mʲˈɛjstsa ɲʲˈɛmʲaw prˈava vˈidʑɛtɕ, bˈɔ maʃˈɨna spˈɔrɔ zˌaswaɲʲˈawa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_308.wav|a tˈɛras pˈatʃɨw na ˈɛstɛr stɔjˈɔntsɔ̃ ˌɔbɔk ˈɔkna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_19.wav|vˈitam sɔ̃ɕˈada. xtsˈɛʃ rˈɛntʃɲik, ʒˈɛbɨ vˈɨtʃɛdʑ vwˈɔsɨ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_232.wav|— jɛstˌɛɕmɨ na mʲˈɛjstsu — pɔvʲˈɛdʑaw blˈɔndɨn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_70.wav|zrˌɔzumjˈawam tˈɨlkɔ, ʒˈɛ zrˌɛzɨɡnˈɔvaw s prˈatsɨ na stˈatku i ˈuznaw, ʒˈɛ trˈɔxɛ ɔtpˈɔtʃɲʲɛ, ʒˈɛbɨ ɕɛ zˌastanˈɔvitɕ nad dalʃˈɨmi krɔkˈami.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_43.wav|krˈɛntsɛ ɡwˈɔvɔ̃. mˈuɕi bˈɨtɕ jˈakʲɛʑ vˌɨtwumatʃˈɛɲʲɛ. s pɛvnˈɔɕtɕɔ̃ dˈɔʃwɔ dɔ jakʲˈɛɡɔɕ ɲʲˌɛpɔrˌɔzumjˈɛɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_50.wav|nˈatɔ twˈumik ɲˈits ɲʲɛ pɔrˈadʑi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_26.wav|ʒˈɛ ʒˈatkɔ mˈɨɕlɛ ɔ tʃɨmkˈɔlvʲɛk ˈinnɨm. jˈak ɕɛ tʃˈujɛʃ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_433.wav|a tɨ bˌɛɲdʑɛʒ vɨɡlˈɔndatɕ kʲˈɛdɨɕ tˈak jˈak ˌɔna i ɲʲɛ pɔrˈadʑi nˈatɔ ɲˈikt.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_113.wav|zdˌɛtsɨdɔvˈawam ɕɛ vˈɨmknɔɲtɕ pˌɔkrɨjˈɔmu na bɔˈiskɔ, ʒˈɛbɨ pɔpˈatʃɛtɕ na ɲʲˈɛɡɔ s krɨjˈufki za mˈawɔ̃ trɨbˈunɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_673.wav|dlatʃˈɛɡɔ vwˈaɕɲʲɛ mɲʲɛ tɔ spɔtkˈawɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_191.wav|klˈarki ˈurvaw i zˈajʒaw mi za plˈɛtsɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_97.wav|jɛst rˌɔzvʲɛdʑˈɔnɨ, ɲʲɛ rˈas, ˌalɛ dvˈa rˈazɨ. tɔ znˈatʃɨ, ʒˈɛ bˈuli spˈɔrɛ ˌalimˈɛntɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_515.wav|a tˈaɡʒɛ sfˈɔim lˈɔsɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_249.wav|parsknˈɔwɛm ɕmʲˈɛxɛm i pʃˈɛstɔ bˈul w bˈɔku pʃˈɨbraw na ɕˈilɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_30.wav|mʲˈawam z ɲʲˈɔ̃ dɔ tʃɨɲʲˈɛɲʲa jˈuʃ sˈɛtki rˈazɨ, ˌalɛ zˈafʃɛ muɕˈawam vɨjˈaɕɲʲatɕ, tsˈɔ mɲʲɛ sprɔvˈadʑa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_87.wav|jˈɛɡɔ kʃˈɨk pʃˈɛrvaw bˈɛtskɨ, ktˌura ˌɔttʃɨtɨvˈawa prˈava dˌɔmiɲikˈɔvi.|3
+Dataset/wavs/urwisko_ferenc/19_segment_97.wav|vˈɨʃwɨ pʃɛt klˈatkɛ vʲɛʒˈɔftsa na vˌɨasfˌaltɔvˈanɨ plˈats pˈɛwɛn sˌamɔxˈɔduf, za ktˌurɨm rˌɔstɕɔŋɡˈawɔ ɕɛ bɔˈiskɔ dɔ pˈiwki nˈɔʒnɛj.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_136.wav|— bɔɡˈɔvʲɛ, bˈɔɲtɕtɕɛ waskˈavi — pˌɔvʲɛdʑˈawa tsɛrsˈɛi, fprˌɔvadʑˈajɔnts jˈɔ̃ dɔ samˈɔtɲi i zˌamɨkˈajɔndʑ dʒvˈi. — tsˈɔ ɕɛ stˈawɔ s tfˈɔjɔ̃ tfˈaʒɔ̃?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_152.wav|tʃɨ tɔ jɛj vˈina, ʒˈɛ trafˈiwa nˈamɲʲɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_127.wav|zˈɔstaɲ tˈutaj.|3
+Dataset/wavs/urwisko_ferenc/56_segment_4.wav|— tʃˈɨli jˈɛdnak fpˈat pˈan dɔ mɲʲɛ na kˈavɛ? — ˌuɕmʲɛxnˈɛwa ɕɛ dɔ ɲʲˈɛɡɔ zalˈɔtɲʲɛ i ˈɔbras nˈaɡlɛ ɔtpwˈɨnɔw. — bjˈawa tʃɨ tʃˈarna?|0
+Dataset/wavs/urwisko_ferenc/23_segment_14.wav|— a tsˈɔ? mˈuʃɛ jˈɛxatɕ, sprˈavɛ mˈam. — nˈɔ tɔ jˈɛtɕ, pʃˌɛtɕɛʒ ɡrˈɔx sˈɔbjɛ pɔrˈadʑi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_242.wav|jˈɛɕli maʃ tsˈɔɕ pʃɛtɕˈifkɔ, vˈal ɕmʲˈawɔ.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_166.wav|ɲʲɛ mˈɔɡwa pɔlˈɛɡatɕ na flˈɔtɕɛ ˈarbɔr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_159.wav|mˈuɡw vʲˈɛnts uswˈɨʃɛtɕ ˈɔtɨm ɔt kˈɔɡɔɕ s kartˈɛlu, kˈɔɡɔɕ ktˈɔ bˈɨw zbˈɨd ɡˌadatlˈivɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_31.wav|ɲʲˈɛvʲɛm, tsˈɔ dɔ ɲʲˈɛj mˈuvi, ˌalɛ mˈɔjɛ sˈɛrtsɛ pʃɛpˈɛwɲʲa strˈax.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_71.wav|sɔlˈaŋki ɲˈiɡdɨ ɲʲɛ bˌɨwɨ vˈaʒnɨm pˈɔrtɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_131.wav|ɲʲɛ mˈɔɡwam spˈɔjʒɛtɕ na rˈama.|3
+Dataset/wavs/urwisko_ferenc/02_segment_5.wav|pʃˈɨjʒaw ɕɛ uvˈaʒɲʲɛ pˌɔʃtʃɛɡˈulnɨm tfˈaʒɔm i f kˈɔɲtsu f tʃˈɛtɕim ʒˈɛɲdʑɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_93.wav|bˌɛndɛ mˈuɕaw pˌɔpratsˈɔvatɕ s kˈaʒdɨm z vˈas, ʒˈɛbɨ ɕɛ pʃɛkˈɔnatɕ, tsˈɔ vˈas ˌɔɡraɲˈitʃa, tsˈɔ pˌɔfstʃɨmˈujɛ pʃɛd bˈɨtɕɛm sˈɔbɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_48.wav|dɔ tˌɛɡɔ mɔmˈɛntu ɲʲɛ bˌɛndɛ pˌaɲikɔvˈawa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_31.wav|z vɨjˈɔntkʲɛm tˌɛɡɔ mʲˈɛjstsa.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_276.wav|lˈadɨ mˌɛrivˈɛtxɛr natˈɨxmʲazd zrˌɔzumjˈawa f tʃɨm ʒˈɛtʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_24.wav|tɛ xɔlˈɛrnɛ rɔɕlˈinɨ bˈɨ ˈusxwɨ.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_26.wav|ɲʲɛ znˈalaz ɡˈɔ w ʒˈadnɨm s tɨx lɔkˈali.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_228.wav|tˈaɡ bˌɨwɔ dɔ dɲʲˈa, f ktˌurɨm ɔdˈɛʃwaɕ, pɔvʲˈɛdʑaw. ɲʲɛ ɔdˈɛʃwam, utɕˈɛkwam.|0
+Dataset/wavs/urwisko_ferenc/19_segment_112.wav|bɛˈata vˈaltɛr|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_15.wav|w zasˈadʑɛ tˈaka sˈama mɛtˈɔda pwatnˈɔɕtɕi, jˈakɔ̃ ˌɔbjɛtsˈanɔ mɲʲɛ, tˌɨlkɔ na mɲʲˈɛjʃɔ̃ skˈalɛ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_178.wav|maʒ dʑɛlnˈɛɡɔ brˈata.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_119.wav|zmuɕˈiwam ɕɛ, bˈɨ w ʒˈadɛn spˈɔsup ɲʲɛ zˌarɛaɡˈɔvatɕ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_106.wav|vˈɨʃɛd z ɡɔspˈɔdɨ, ɲʲɛ zjˈatwʃɨ ˌaɲi kˌavawˈɛtʃka.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_219.wav|jˈɛʃtʃɛ ɲʲɛ ɔtpˈarwa.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_398.wav|f tɛj xfˈili pratsˈujɛ nat ˌɔstatɲˈimi ʃtʃˌɛɡuwˈami plˈanu dɔstˈavɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_183.wav|ɡwˈɔs ˈɔjtsa pˈɔdɲʲus ɕɛ ɔ pˈɛwnɔ̃ ɔktˈavɛ. na mˈiwɔɕtɕ allˈaxa ɲʲɛ zadʑˈɛraj z mˌɔrdɛrtsˈami!|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_38.wav|vˌɨtɕɔŋɡnˈɛwam s kʲɛʃˈɛɲi sxˈɛmat i pɔdˈawam mu.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_297.wav|ɲʲɛ vʲɛdʑˈawam, jˈak tˌɛmu pɔdˈɔwam, ˌalɛ dla dˈɔbra mʲˈasta muɕˈawam sxˈɔvadʑ dˈumɛ dɔ kʲɛʃˈɛɲi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_14.wav|dɔpʲˈɛrɔ pɔ xfˈili dɔtɕˈɛra dɔ mɲʲɛ, dɔ tʃˈɛɡɔ zmʲɛʒˈajɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_334.wav|pˈiʃɛ nˈaɲim sfˈɔjɛ ˈimjɛ i stˈavja pʲˈɛtʃɛɲtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_490.wav|ɔn tɔ pˈɔvʲɛ f tʃˈaɕɛ pʃˈɛrvɨ ˌɔbjadˈɔvɛj, kʲˈɛdɨ jˈɔurs ˈand dˈɛ ˈɔtxɛrz bˌɛɲdʑɛ mʲˈaw kˈupɛ lˈudʑi vˈɔkuw ɕˈɛbjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_87.wav|ɲˈidʑɡ vɨxˈɨla ɕɛ dɔ pʃˈɔdu, fpijˈajɔndʑ brɔ̃zˈɔvɛ ˈɔtʃɨ f tfˈaʒ bʲilljˈɛɡɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_47.wav|vˈɔskʲɛm i bɛnzˈɨnɔ̃ ˌuʒɨvˈanɔ̃ zapˈɛvnɛ dɔ tʃɨʃtʃˈɛɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_444.wav|tʃɨ pʃˈɛtʃɨʃ, ʒˈɛ nˌapisˈawɛɕ tɛ swˈɔva?|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_75.wav|spˈɔrɨ zˈapas pɔvʲˈɛtʃa, ˌalɛ dla tsawˈɛɡɔ mʲˈasta tɔ ɲʲɛ vɨstˈartʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_144.wav|maʒ zwamˈanɔ̃ rˈɛŋkɛ i kˈilka ʒˈɛbɛr. dvˈa, mˈɔʒɛ tʃˈɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_24.wav|xfˈilɛ ɕɛ nˈattɨm zˌastanˈavja.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_170.wav|pˈatʃɨw na ix kɔbjˈɛtɨ ˌukrɨvajˈɔntsɛ tfˈaʒɛ pɔt ʃmˈiŋkɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_358.wav|jˈɛdnak ja f tɔ ɲʲɛ vʲˈɛʒɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_79.wav|tˈata zˈɛrka na mˈamɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_24.wav|lˌakɛsˈidɛ|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_190.wav|ˌalɛ ˌuratɔvˈawɛɕ jɛj ʒˈɨtɕɛ. pˌɔskwadˈawɛɕ jˈɔ̃ s pɔvrˈɔtɛm dɔ kˈupɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_37.wav|fkwˈadam dʒˈinsɨ i ɔdvrˈatsam ɕɛ dɔ nˈuʒɨ.|4
+Dataset/wavs/urwisko_ferenc/01_segment_11.wav|samˈɔxut pɔtˈɔtʃɨw ɕɛ w dˈuw pɔ stˈarɛj ɡruntˈɔvɛj drˈɔdʑɛ i zatʃˈɨmaw f pɔblˈiʒu tˈafli vˈɔdɨ pʃɨ zˌapɔmɲʲˈanɨm pʃˈɛs ɕfʲˈad ʒvˌirɔvˈisku.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_12.wav|sˈɛr kˈɛnɔs skˈatsɛ ˈujɔw w rˈɛŋkɛ rˈuk xɛrˈɔka i zˈaɡraw nˈaɲim.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_8.wav|uvʲˈɛʒɨ mi, ɡdˈɨʃ ɲˈiɡdɨ dˈɔtɔnt ɲʲˈɛmʲaw pɔvˈɔdu, bˈɨ vˈɛmɲʲɛ zvˈɔntpitɕ.|3
+Dataset/wavs/urwisko_ferenc/53_segment_91.wav|fskˈazaw na tˌɛkturˈɔvɛ natʃˈɨɲʲɛ, ktˌurɛ tʃˈɨmaw sˈɔlski.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_56.wav|ˌɔna lˈɛʒɨ ɲʲˌɛpʃɨtˈɔmna na jˈɛɡɔ kanˈapʲɛ i ɔbˈɔjɛ sɔ̃ nˈadʑi, jˈakix pˈan bˈuk stfˈɔʒɨw.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_406.wav|znˈɔvu jˈɔ̃ mʲˌawɛm nˈaɡɔ̃ pʃɛt sˈɔbɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_266.wav|bˌɛndɔ̃ nˈam pɔtʃˈɛbnɛ ʃtʃɛɡˈuwɨ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_139.wav|ja muɕˈawam ˌɔpʲɛkˈɔvatɕ ɕɛ dʑˈɛtskʲɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_262.wav|vʲˈɛnts mˈam tˈɛras pˈatʃɛtɕ, jˈak ɔn tɕˈɛbjɛ zabʲˈija?|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_142.wav|sfˈɔjɛ ɡɛɲʲˈalnɛ pɔmˈɨswɨ bjˈɛʒɛʃ ɔt pˌɔzujˈɔntsɨx na çˈipxɔpˈɔftsuf lɛvˈakuf, s kturˈɨmi ftɕˈɔŋɡaʃ kˈɔkɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_24.wav|mˈuviʃ pɔː arˈapsku, pˌɔvʲɛdʑˈawa, ɲʲɛ rɔzˈumjɛm tɕˈɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_19.wav|ɲʲɛ mˈɔɡwam ˈuʒɨtɕ sfɔjˈɛɡɔ, ɡdˈɨʃ pˌɔzɔstavˈiwabˌɨm tsɨfrˈɔvɨ pˈɔtpis pɔt tsˈawɨm tɨm bˈajzlɛm, ktˌurɨ ʃˌɨkɔvˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_171.wav|tɔ nˈavɛt ɲʲɛ mɛ̃ʃtʃˈɨzna, tɔ kɔbjˈɛta. ɔ ʃtˈɨvnɨx, rˈudɨɣ vwˈɔsaɣ zvʲɔ̃zˈanɨx f kˈɔɲski ˈɔɡɔn.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_25.wav|zdjˈɛɲtɕa i mˈɔntaʃ|3
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_19.wav|vrˈɛʃtɕɛ dɔtˈarwam dɔ pˈuŋktu vˈɨjɕtɕa i ˌalumiɲʲˈɔvɨ krˈɔŋk ɔ ɕrɛdɲˈitsɨ mˈɛtra pɔxˈɨliw ɕɛ lˈɛkkɔ w mˈɔjɔ̃ strˈɔnɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_91.wav|stˈajɛ f prˈɔɡu i zaɡlˈɔndam dɔ ɕrˈɔtka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_108.wav|vˌɨɕadˈawa z mˈɔjɔ̃ pɔmˈɔtsɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_65.wav|kˈit skˈinɔw ɡwˈɔvɔ̃ i pˈɔʃɛd dɔ sfɔjˈɛɡɔ bjˈurka.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_192.wav|— a mˈɔʒɛ pˈan xtsˈɛ, ʒˈɛbɨm ja pˈanu sˈam tɛ kˈurvɨ tˈu pʃˌɨprɔvˈadʑiw? — pˈɨtaw xundˈɛbawx, xfɨtˈajɔndʑ ɡˈɔ za rˈamjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_102.wav|ɲʲˈɛmam ʒˈadnɨɣ dɔvˈɔduf, ʒˈɛ tɔ stsˈɔtt ɕlˈɛdʑi mˈɔjɔ̃ rɔdʑˈinɛ i ʒˈɛ tɔː ɔn vwˈamaw ɕɛ dɔ nˈaʃɛj ʃˈɔpɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_190.wav|ˌalɛ ɲʲˈɛmam mɔtˈɨvu dɔ ʒˈɨtɕa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_37.wav|lˈatɛm zˈafʃɛ jɛst najvʲˈɛŋkʃɨ rˈux w ˌintɛrˈɛɕɛ, a mˈuʃɛ mʲˈɛdʑ vwˈasnɨ kˈɔnt.|2
+Dataset/wavs/urwisko_ferenc/52_segment_46.wav|mˌamɨ tɔ na uvˈadʑɛ. dʑɛŋkˈujɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_48.wav|a tɔ ɲʲɛ fxɔdʑˈiwɔ w raxˈubɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_256.wav|tˈɛraz zdˈajɛ sˈɔbjɛ sprˈavɛ z zˌaɡrɔʒˈɛɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_39.wav|matɕˈintɔʒ vɛrtˈujɛ strˈɔnɨ i pˌɔkazˈujɛ tsˈɔɕ pawljˈɛmu lˌɔɡanˈɔvi.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_258.wav|ɔpˈɔvʲɛts mi fʃˈɨstkɔ, tsˈɔ muvˈiwɛɕ naʃˈɛmu dˌɔrɲijskʲˈɛmu sfiŋksˈɔvi.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_241.wav|tɕˈɛɕɲin rˌɛdvinˈɛuf stʃˈɛɡɔ̃ ɡalˈɛrɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_83.wav|tsamˈɛrɔn ɔdʑˈɨskaw pɔtʃˈutɕɛ vwˈasnɛj vartˈɔɕtɕi. ɔdvrˈutɕiw ɕɛ dɔ tˈɔma. fspˈar rˈɛŋkɛ ˈɔbɔk, jˈaɡbɨ mˈuviw f tɛn spˈɔsup, nˈɔ vʲˈɛnts…|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_57.wav|mˈuj samˈɔxut ftɕˈɔ̃ʃ tˈam stˈɔi. xtɕˈawɨ sprˈavdʑitɕ, tʃɨ tsˈɔʑ vidʑˈawam.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_280.wav|tsˈɔ za ˌupʲɛrdlˈivʲɛts! vɨdˈawam pˈɛwnɛ rˌɛzɨɡnˈatsji vɛstxɲʲˈɛɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_40.wav|zapˈadwa tɕˈiʃa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_212.wav|ɲʲˈɛx mu zjɛʒdʒˈajɔ̃ z nˈɔsa, pʃɨnˈajmɲʲɛj bˌɛɲdʑɛ vɨɡlˈɔndaw jˈak ˌintɛlˌɛktualˈista.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_58.wav|prubˈɔvatɕ nˌajlɛpʃˈɛɡɔ jɛdʑˈɛɲʲa w mˌanxɛstˈɛʒɛ i jˈɛʃtʃɛ dˈɔstadʑ zˈatɔ pʲɛɲʲˈɔndʑɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_152.wav|mʲɛʃkˈaɲʲɛ ˌɔkazˈawɔ ɕɛ dˈuʒɛ. stˈadʑ ɡˈɔ nˈaɲʲɛ vˌɨtwumˈatʃɨw tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ ɔpwˈatsa kɔmˈɔrnɛ dɔ spˈuwki zˈɛ fspˌuwlɔkˌatɔrˈami.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_37.wav|sˌamɔdʑˈɛlna pˈɔdruʒ dɔ duʒˈɛɡɔ mʲˈasta takʲˈɛɡɔ jˈak manxˈɛstɛr zdˌɛtsɨdɔvˈaɲʲɛ vˌɨxɔdʑˈiwa pˈɔza strˈɛfɛ kɔmfˈɔrtu mˈɔjɛj mˈamɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_182.wav|mˈɔim zadˈaɲʲɛm bˌɨwɔː ˈɔtɔ zˈadbatɕ.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_123.wav|naprˈavdɛ?|1
+Dataset/wavs/urwisko_ferenc/23_segment_129.wav|tˈak. xɔdʑˈiwɔː ɔ karˈɔla.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_79.wav|dˈɔbʒɛ bˌɨwɔː ˈujʒɛtɕ jˈɛɡɔ pˌɔmarʃtʃˈɔnɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_101.wav|tɔ dʑɛftʃˈɨna na pˈɛvnɔ.|2
+Dataset/wavs/urwisko_ferenc/27_segment_82.wav|ʒˈɛ tsˈɔ? ʒˈɛ sˈɔlski dˈaw kɔxˈantsɛ tɛlˈɛfɔn firmˈɔvɨ, tˈak?|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_42.wav|z ʒˈadnɔ̃. jˌɛstɛm tˌɨlkɔ minstrˈɛlɛm, prˈɔʃɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_63.wav|fsunˈɛwa ɕɛ pɔt kˈɔwdrɛ, ˌɔvinˈɛwa ɲʲˈɔ̃ ʃtʃˈɛlɲʲɛ, ʒˈɛbɨ zapˈɛvɲitɕ sˈɔbjɛ tɕˈɛpwɔː i zasnˈɛwa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_106.wav|lˈɛdvɔ ʒˈɨvɨ vrˈatsam dɔ tˌɛlɛfˈɔnu, prubˈujɛ pˈɔdɲʲɛɕtɕ swuxˈafkɛ, ˌalɛ vɨpˈada mi z rˈɔŋk.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_141.wav|jˈamɛ ɲʲˈɛmukw tˌɛmu zapʃˈɛtʃɨtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_27.wav|vʲˈɛnts jˈɛɕli stsˈɔtt stˈɔi za tˌɨmi mˌɔrdɛrstfˈami, tɔ tʃɨ pʃˈɨjdʑɛ pˈɔmɲʲɛ w nastˈɛmpnɛj kˌɔlɛjnˈɔɕtɕi?|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_329.wav|pɛndʑˈɔntsɨ na wˈɛp na ʃˈɨjɛ baɲˈita nˈadʑaw ɕɛ na ʃtˈɨx.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_63.wav|vɨtɕˈɔŋɡnɔw ˌɔswɔɲʲˈɛntɔ̃ rˌɛŋkavˈitʃkɔ̃ dwˈɔɲ, ˈabɨ dˈɔtknɔɲtɕ mˈaski ʑˈimna.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_247.wav|smakˈujɛ jˈak ˈɔɡʲɛɲ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_99.wav|tˈɛras, ɡdˈɨ pˌɔtʃɛbˈujɛ ɔt ɲʲˈɛɡɔ kˈilku swˈuf, ˌɔdɛbrˈawɔ mu mˈɔvɛ.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_291.wav|valˈɛtʃɲi smˌɔkɔbˈujtsɨ z mʲɛtʃˈami w dwˈɔɲʲax?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_46.wav|ɲʲˈɛvʲɛm, tsˈɔ ɕɛ zˈɛmnɔ̃ dʑˈɛjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_51.wav|mˈɔi kɔlˈɛdʑɨ w mˌanxɛstˈɛʒɛ sɔ̃ ɡɔtˈɔvi ˌarɛʃtˈɔvatɕ kˈɔɡɔʑ za zˌamɔrdɔvˈaɲʲɛ ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_3.wav|ʃˈɔn fʃˈɨstkɔ spʲˈɛpʃɨw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_11.wav|na rˈaʑɛ dʑˈɛtɕi vʲˈɛdʑɔ̃ tˌɨlkɔ tˈɨlɛ, ʒˈɛ tˈatuɕ ɲʲɛ vrˈutɕi dɔ dˈɔmu pʃˈɛs jˈakiɕ tʃˈas.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_9.wav|mˈɔjɛ ʒˈɨtɕɛ zupˈɛwɲʲɛ ɕɛ rɔssˈɨpʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_254.wav|xtsˈɛʃ, ʒˈɛbɨm fstʃɨmˈawa prɔdˈuktsjɛ tlˈɛnu f xˈutɕɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_161.wav|tsˈɔ zrɔbʲˈiwɛʑ bʲillˈɔvi? zˌastʃɛlˈiwɛʑ ɡˈɔ? tɛn xˈuk tɔ bˈɨw stʃˈaw?|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_235.wav|ɡˈɛt ˌɔpɔvʲˈadaw, ʒˈɛ zˈaɲim jˈɛɡɔ mˈatka umˈarwa na rˈaka pwˈuts, pˌɔvʲɛdʑˈawa mu, ʒˈɛ jˈɛɡɔ dˈavnɔ ɲʲˌɛɔbˈɛtsnɨ tˈatuɕ ˈutʃɨw çistˈɔrji.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_307.wav|tɔː ˈɔjtɕɛdʑ vɨmˈɨɕliw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_134.wav|i mˈɔʒɛ tɔ vwˈaɕɲʲɛ jɛst ta prˈavda, ɔ ktˌurɛj ɲʲɛ muvˈiliɕmˌɨ dɔ tˌɛɡɔ tʃˈasu, a rˈɛʃta...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_175.wav|nˈaɡlɛ vɨdˈawɔ mi ɕɛ, ʒˈɛ pˌɔpɛwɲˈiwɛm ɡvˈawt.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_65.wav|nastˈɛmpnɨ pˌɔɲʲɛdʑˈawɛk tɔ kɔlˈɛjnɨ vˈaʒnɨ dʑˈɛɲ, ɔ ktˌurɨm zˈafʃɛ mɨɕlˈawɛm jˈak ɔ kˈɔɲtsu.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_457.wav|zdɔwˈawa jˈɛdnak jˈakɔɕ ɔdʑˈɨskatɕ rˌuvnɔvˈaɡɛ i ruʃˈɨwa pʃɛt ɕˈɛbjɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_233.wav|skwɛmbjˈɔnɛ ɲˈiskɔ nat ʃˈarɨm mˈɔʒɛm pɔvʲˈɛdʑaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_75.wav|ˌalɛ tʃɨtˈawam rˈapɔrt ɔ mˈattsɛ blˈiʑɲʲɔnt.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_10.wav|pʃɛprˈaʃam, tˈatɔ, ˌalɛ ɲʲɛ mˈɔɡɛ ɕɛ ɔdˈɛrvatɕ ˌaɲi na xfˈilɛ ɔt xarˈɛɡɔ. jɛst tˌaki swˈɔtki, kʲˈɛdɨ tˌɨlkɔ nˈamɲʲɛ spˈɔjʒɨ, zˈaras ɕɛ ɕmʲˈɛjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_135.wav|jˈɛɡɔː ˈɔtʃɨ taɲtʃˈɨwɨ ftˈɛdɨ ʃˈɨptɕɛj ɲˈiʃ stˈɔpɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_64.wav|tɔ tfˈɔjɛ plˈuz dvʲˈɛ zˌapasˈɔvɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_111.wav|pˈɔtɛm zabrˈawam ɕɛ dɔ zbjɔrɲˈika drˈuɡʲɛj maʃˈɨnɨ.|4
+Dataset/wavs/urwisko_ferenc/11_segment_5.wav|drˈuɡa tʃɨdʑˈɛɕtɕi ˈɔɕɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_173.wav|ʒˈɛ vˈɨssaw s tɕˈɛbjɛ dˈuʃɛ i zɔstˈaviw pˈustɔ̃ skɔrˈupɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_146.wav|pˈɔra pʃɛstˈavidʑ ɡˈɔ tˈutaj pʃɛd dˈɔm, ʒˈɛbɨ mˈuɡw vɨjˈɛxadʑ dɔ nɛvˈadɨ, jˈak tˌɨlkɔː ˈuzna, ʒˈɛ ɲˈits mu ɲʲɛ ɡrˈɔʑi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_25.wav|dvˈa pɔ prˈavɛj strˈɔɲʲɛ ɲʲɛ mˌajɔ̃ dʒvˈi, a ix ɔtfˈɔrɨ sɔ̃ jɛdˈɨɲʲɛ zˌaswɔɲʲˈɛntɛ kˌɔlɛjnˈɨmi pwaxtˈami fˈɔlji.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_102.wav|pˌɔruʃˈajɔnts ɕɛ na pˈaltsax pʃɛxˈɔdʑɛ f kʲɛrˈuŋku plˈamɨ ɕfʲˈatwa sˌɔntʃɔntsˈɛɡɔ ɕɛ dɔ tɕˈɛmnɛj prˈalɲi z jˈasnɔː ˌɔɕfʲɛtlˈɔnɛj kˈuxɲi, ktˌurɛj ˈɔkna vɨxˈɔdʑɔ̃ na pˈuwnɔts.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_238.wav|rˌɔskazˈujɛ tɕˈi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_218.wav|ɕfʲˈatwɔ, f ktˌurɨm tfˈaʃ jɛj jaɕɲʲˈawa pʃˈɛs xfˈilɛ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_141.wav|mˈuj kljˈɛnd vɨkˈɔnaw zlɛtsˈɛɲʲɛ i zɲˈiknɔw na vwˈasnɔ̃ rˈɛŋkɛ? jɛst xudʲˈiɲim, pamjˈɛntaʃ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_23.wav|kʲˈɛdɨ ʃˈɛt kˌɔrɨtˈaʒɛm, zˌadʑvɔɲˈiwa jˈɛɡɔ kɔmˈurka.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_205.wav|ɲʲɛktˌuʒɨ maxˈali f strˈɔnɛ ˈɔkʲɛn tsˈɛntrum vˌɨtɕɛtʃkɔvˈɛɡɔ, xˈɔtɕaʃ ɲitʃˈɛɡɔ ɲ��ɛ bˌɨwɔ pʃˈɛzɲʲɛ vˈidatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_23.wav|ɡdʑˈɛ f tˈakim rˈaʑɛ bˌɨli tɕi lˈudʑɛ, kʲˈɛdɨ ktˈɔʑ ɡˈɔ zˈabʲiw?|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_126.wav|ɡdˈɨbɨʑ znˈɔvu zˈatʃɔw kwˈamatɕ... ɲʲɛ zˈatʃnɛ. pˈɔvʲɛm prˈavdɛ, a pˈɔtɛm...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_46.wav|ɲˈiɡdɨ ɲʲɛ ˌuʒɨvˈawam swˌuʒbɔvˈɛɡɔ kˌɔmputˈɛra tʃɨ tˌɛlɛfˈɔnu dɔ tʃˌɛɡɔkˈɔlvʲɛk, tsˈɔ ɲʲɛ bˌɨwɔ bˌɛspɔɕrˈɛdɲʲɔ zvʲɔ̃zˈanɛ s prˈatsɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_155.wav|i mˈuviʒ ʒˈɛtʃɨ tˈɨpu ʃɛrˈɔkɔ zˌakrɔjˈɔnɛ ɕlˈɛtstfɔ, mˈɨdlitɕ ˈɔtʃɨ. ɲʲɛ jˌɛstɛɕ tˌaki ɡwˈupi, za jakʲˈɛɡɔ ɕɛ pɔdˈajɛʃ, tsˈɔ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_14.wav|ˈaʃ jˈɛŋknɔw, zˈaɲim zdˈɔ̃ʒɨw ɕɛ pɔfstʃˈɨmatɕ, ˌalɛ na ʃtʃˈɛɲɕtɕɛ ɲʲɛ zrˌɔzumjˈawa tˌɛɡɔː ˌɔtpɔvʲˈɛdɲʲɔ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_147.wav|dʒˈɛjn pʃˈɛɲʲuz vzrˈɔk s sˈɛr rˌaɨmˈana na jˈɛɡɔ sˈɨna. ɛdvˈiɲʲɛ!|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_124.wav|mˈɔʒɛ bˈɨtɕ spɨtˈawa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_109.wav|jˈɛʃtʃɛ pʃɛtftʃˈɔraj bˌɨwɛm nudʑˈɔntsɨm ɕɛ, samˈɔtnɨm mɛ̃ʃtʃˈɨznɔ̃, ktˌurɨ sˈam ɲʲˈɛvʲɛ,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_367.wav|ˌɔbudʑˈiwɛm ɕɛ i pˈatʃɛ na tɕˈɛbjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_57.wav|bˈɔ kˈurtʃɛ, ɡdˈɨbɨ tɛn mˈutʃ pʃˌɨtʃajˈɔnɨ za dʒvʲˈami zastʃˈɛliw dʒɔnˈɛɡɔ tsˈapsa, a ɲʲɛ tˌɨlkɔ pˌɔʃatkˈɔvaw mu nˈɔɡʲi, bʲillʲˈɛɡɔ summˈɛrsa tˈɛraz bˈɨ tˈutaj ɲʲɛ bˈɨwɔ.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_172.wav|ɲʲˈɛxtɕawbˌɨɕ ɕɛ z ɲʲˈɔ̃ ɔʒˈɛɲitɕ, ˌalɛ ɡdˈɨ bˌɛɲdʑɛ tɕˈɛ w wˈɔʒu, trˈaktuj jˈɔ̃ tˈak, jˈak traktˈɔvawbˌɨʑ ʒˈɔnɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_60.wav|s tʃˈasɛm ɡˈɔ vˌɨrɛmˌɔntujˈɛmɨ, jˈɛdnak trfˈa tɔ fʃˈɨstkɔ dwˈuʒɛj ɲˈiʃ ˌɔtʃɛkivˈaliɕmˌɨ, jˈak tɔ zvˈɨklɛ zapˈɛvnɛ bˈɨva pʃɨ tˈakix ɲʲˌɛruxɔmˈɔɕtɕax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_181.wav|bʲˈillɨ klˈɛŋka ˈu jˈɛɡɔ bjˈɔdra.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_24.wav|bɛɲdʑˌɛmɨ tˈam ʃtʃɛɲɕlˈivi.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_139.wav|jˈɛɡɔ tʃˈɛɲʑdʑ vɨtrˈatsa sˈam matˈɛrjaw, ˌalɛ zmʲˈana stˈanu skupʲˈɛɲʲa pɔxwˈaɲʲa vʲˈɛŋkʃɔɕtɕ ɛnˈɛrɡji. tɕˈɛpwɔ ɲʲɛ rɔsxˈɔdʑi ɕɛ zbˈɨd dalˈɛkɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_46.wav|fizˈɨtʃnɛ pʲɛɲʲˈɔndʑɛ praktˈɨtʃɲʲɛ ɲʲɛ istɲʲˈɛjɔ̃, stˈawɨ ɕɛ dˈuxɛm w maʃˈɨɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_197.wav|ɔɡlˈɔnda tˌɛlɛvˈizjɛ.|2
+Dataset/wavs/urwisko_ferenc/53_segment_18.wav|ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_174.wav|jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ sˈɔndɨ spɔjʒˈawɨbˌɨ na pˈaɲʲɔ̃ pʃɨxˈɨlɲʲɛ f kfˈɛstji dʑˈɛtɕi.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_84.wav|zatʃˈɛwa krulˈɔva.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_59.wav|— jˈɔɛ, prˈɔʃɛ, ɲʲˈɛx mi pˈaɲi pˈɔvʲɛ, ɡdʑˈɛ jɛst mˈilljɛ i tʃɨ ɲˈits jɛj ɲʲɛ jˈɛst.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_269.wav|najˈɛmɲik w rˈɛŋku tʃˈɨmaw kʲˈɛliɣ vˈina i uɕmʲˈɛxaw ɕɛ bɛstʃˈɛlɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_4.wav|fspɔmɲʲˈɛɲʲɛ ˌɔstatɲʲˈɛɡɔ vʲɛtʃˈɔru i vɨznˈaɲʲɛ kˈatɛ ɲʲɛ pˌɔzvalˈawɨ mu ɕɛ na ɲˈitʃɨm skˈupitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_94.wav|zapˈɛvɲiw ɡʲˈina i ɔbrˈutɕiw ɕɛ dɔ mɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_69.wav|dʑˈɛɲ rˌɛalizˈatsji zlɛtsˈɛɲʲa ɕɛ zblˈiʒa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_17.wav|ɲʲɛ pamjˈɛntaʃ, jˈaɡ vɨɡlˈɔnda tfˈuj vwˈasnɨ dˈɔm?|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_83.wav|mˈɔtsnɔ, sɛrdˈɛtʃɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_226.wav|fˈalɛ rˌɔzbʲijˈajɔ̃ ɕɛ ɔ ɡˈurɛ, ˌalɛ ɲʲɛ pʃɛstˈajɔ̃ natxˈɔdʑitɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_31.wav|zˈaras pˈanu pˈɔvʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_151.wav|tˈakɔː ɔtsˈunɔw ɕɛ na bˈɔk, bˈɨ jˈɛtʲi mˈuɡw zrˈɔbʲitɕ, tsˈɔ dɔ ɲʲˈɛɡɔ nalˈɛʒɨ. ɡdˈɨ jˈɛdnak pˈablɔ na prˈubɛ pxnˈɔw brˈamɛ, ˌɔtfɔʒˈɨwa ɕɛ, zˈɛ skʃɨpʲˈɛɲʲɛm rˈɔdɛm s xɔrˈɔru.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_68.wav|tɔ bˈɛki. vɨdˈajɛ s ɕˈɛbjɛ spˌɔntaɲˈitʃnɨ jˈɛŋk.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_217.wav|dˌɔvɔdʑˈiwa tʃˌɛrvɔnˈɨmi wˌutʃɲikˈami stˈatku i z watfˈɔɕtɕɔ̃ nˌapinˈawa pɔdvˈujɲʲɛ vɨɡʲˈɛntɨ wˈuɡ z drˈɛvna zwɔtˈɛɡɔ sˈɛrtsa.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_177.wav|nˈɔ tˈak, w ɡvˈinslant. jˌɛstɛm mˈawa, vʲˈɛnts ɕɛ zɡwɔɕˈiwam na ˌɔxɔtɲˈika. s fabrˈɨki zɔstˈawɨ ruˈinɨ, ˌalɛ udˈawɔ ɕɛ fʃˈɨstkix ˌuratˈɔvatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_13.wav|pʃˌɨɡɔtɔvˈawa fʃˈɨstkʲɛ mˈɔjɛ ˌulubjˈɔnɛ pɔtrˈavɨ, ˌalɛ ɲʲɛ mʲˈawam nˈaɲʲɛ ˌapɛtˈɨtu.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_382.wav|jˈak spˈawɛʑ z marɡˈɛrɨ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_99.wav|dlatʃˈɛɡɔ ɲʲɛ ɔdʑvˈaɲʲa?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_110.wav|a tˈɛras rˈuvɲʲɛʒ dla mɔjˈɛɡɔ tˈatɨ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_280.wav|ɲʲɛ pʃˌɨpɔmˈinam sˈɔbjɛ, ʒˈɛbɨm ja jˈɔ̃ skwˈadaw. i dlatˈɛɡɔ vwˈaɕɲʲɛ zˈɛmnɔ̃ ɲʲɛ pɔjˈɛdʑɛʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_250.wav|jˌɛstɛm ʃˈɛfɛm ɔxrˈɔnɨ. dɔrˈabjam dɔː ˌɛmɛrɨtˈurɨ, xˈɔtɕaʃ ɲʲɛ mˈuʃɛ, ˈalɛ...|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_38.wav|jˈakiɕ xwˈɔpaɡ zatʃˈɨmaw starˈɛɡɔ fˈɔrda pˌaxnɔntsˈɛɡɔ ɡˌɔrɔntsˈɨmi spˌalinˈami i zapˈɨtaw.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_289.wav|pˈuw ˌudɛʒˈɛɲʲa sˈɛrtsa vˈidʑaw na dˈɔlɛ tʃˈarnɔ̃ vˈɔdɛ. pˈɔtɛm fpˈat s plˈuskʲɛm dɔ kanˈawu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_107.wav|pˈatʃɨw xfˈilɛ na ˌandɛrsˈɔna, uɲʲˈuswʃɨ kˈu ɲʲˈɛmu sfˈɔ̃ pʲˈɛŋknɔ̃, mwɔdʑˈɛɲtʃɔ̃ tfˈaʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_309.wav|ɲʲɛ s tˌɛɡɔ pɔvˈɔdu, ɔ ktˌurɨm mˈɨɕliʃ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_126.wav|kʲˈɛdɨ pʲˈɛs ɕɛ fɕtɕˈɛkɲʲɛ, tʃˈɛba mu pɔdˈɛrʒnɔɲdʑ ɡˈardwɔ.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_320.wav|xˈɔtɕ mˈɔʒɛ tɨ nazˈɨvaʒ ɡˈɔː inˈatʃɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_179.wav|znˈatʃɨ, f tʃɛrvˈɔnɔ̃ kˈurtkɛ i tˌaki dʑˈivnɨ kapˈɛluʃ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_6.wav|f tʃˈaɕɛ rɔzmˈɔvɨ ɲʲɛ ɔdrˈɨva ˈɔtʃu ɔt ɔbrˈazu, pɔtrˈɔʃɛ spˌɔdʑɛvˈajɔnts ɕɛ, ʒˈɛ vɨtɕˈɛntɛ z ʒˌɨvɔpwˈɔtu zvʲɛʒˈɛnta zˈatʃnɔ̃ ɕɛ rˈuʃatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_151.wav|bʲˈillɨ fkwˈada pˈɔrtfɛl s pɔvrˈɔtɛm dɔ kˈurtki dʑɛftʃˈɨnɨ, ˌalɛ tɛlˈɛfɔn zabjˈɛra i xˈɔva dɔ ɡˈurnɛj ʃuflˈadɨ kɔmˈɔdɨ, pɔt stˈɛrtɛ sfˈɔix kɔʃˈulɛk.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_383.wav|pˌɔmɨɕlˈawa s trjˈumfɛm ˈarjan. ˌalɛ dɔ kˈɔɡɔ ɡˈɔ vˈɨɕlɛ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_181.wav|ɲˈits mɲʲɛ tɔ ɲʲɛ ˌɔpxɔdʑˈiwɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_215.wav|fstˈɨdʑiʃ ɕɛ mɲʲɛ? ʃɛpnˈɔwɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_9.wav|bˈɛtskɨ stanˈɛwa jˈaɡ vrˈɨta.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_56.wav|ɲˈilɛ ɕˈɛdʑaw pʃˈɔdɛm dɔː ɔɡrˈɔdu i swˈɔɲtsɛ ˌɔɕfʲɛtlˈawɔ mu tfˈaʃ, ktˌura bˌɨwa blˈada, s tɕɛmnˈɨmi krɛŋɡˈami pɔt ɔtʃˈami.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_112.wav|ɲʲɛ dɔstˈaɲʲɛʃ pˌɔzvɔlˈɛɲʲa nˈavɛt na spˈɛtɕal fˌawˌɛfˈɛr.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_362.wav|bˈɨw na dʑɛdʑˈiɲtsu, ɡdˈɨ nˈaɕi lˈudʑɛ pʃˈɨʃli zawˈatfidʑ vilkˈɔra.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_38.wav|strˈaʒɲiɡ vrˈatsa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_65.wav|ɲˈits ɲʲɛ pʃɨxˈɔdʑi mi dɔ ɡwˈɔvɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_72.wav|mˈɔʒɛ pɔvʲˈɛdʑaw kˈɔmuɕ innˈɛmu?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_55.wav|na rˈaʑɛ ɲˈiski prjɔrˈɨtɛt, bˈɔː ˌɔna ɲʲɛ jɛst pˌɔdɛjʒˈanɔ̃, xˈɔtɕ tɔ jˌɛdnɔtʃˈɛɕɲʲɛ dˈɔʑdʑ dʑˈivnɛ, ʒˈɛ ˌulɔtɲˈiwa ɕɛ zˈaras pˈɔtɨm, jˈak ˌuswɨʃˈawa ɔ ɕmʲˈɛrtɕi ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_24.wav|xˈɨba dɔ ɲʲˈɛj ɲʲɛ dʑvɔɲˈiwɛɕ. spravdʑˈawɛɕ mɲʲɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_31.wav|jˈak jˈɔ̃ ˌɔdɛbrˈawaɕ, kʲˈɛdɨ ɕɛ spˌɔtkawˈɨɕtɕɛ, bˈɛtskɨ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_57.wav|sˈɔndʑɔnts pɔ jˈɛɡɔ ɡwˈɔɕɛ, dˈɔn jɛst fstavʲˈɔnɨ, mˈimɔ ʒˈɛ dɔpʲˈɛrɔ minˈɛwɔ pɔwˈudɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_50.wav|pɔdɲʲˈɔswam jˈɛdnɔ̃ s pwˈɨt i zˌauvaʒˈɨwam w rˈɔɡu lˈɔɡɔ prˌɔdutsˈɛnta.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_48.wav|pʃˈɛs krˈutkɔ̃ xfˈilɛ xtɕˈawam ɔtfˈɔʒɨdʑ dʒvˈi i zavˈɔwadʑ vratsˈajtɕɛ! zabjˈɛʃtɕɛ mɲʲɛ dɔ dˈɔmu!|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_206.wav|vʲˈɛndʑ zatʃˈɔwɛm jˈɔ̃ vˌɨsfɔbˈadʑatɕ s tɛj blˈuzɨ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_115.wav|sˈɛr ˈarɨs nˈadal ɲʲˈɛʒɨw, a mɨrtsˈɛlla...|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_27.wav|tˈak ɕɛ ɲʲɛ dʑˈɛjɛ i jˈuʃ pɔ pˈuw ɡɔdʑˈiɲʲɛ skupʲˈɔnɨ jɛst na swˈɔvax na ɛkrˈaɲʲɛ kˌɔmputˈɛra.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_101.wav|ˈɔrlɛ ɡɲʲˈazdɔ nat ɲˈimi kurtʃˈɨwɔ ɕɛ pɔvˈɔli.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_62.wav|s tʃˈasɛm bwɛŋkˈitnɨ bˈart ˌɔpɔvʲˈɛdʑaw im tsˈawɛ sfˈɔjɛ ʒˈɨtɕɛ, pˌɔtʃɨnˈajɔnts ɔt pʲɛrʃˈɛɡɔ dɲʲˈa imjˈɛɲʲa.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_24.wav|fʃˈɨstsɨ lˈudʑɛ ɡʒˈɛʃɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_10.wav|tˌɨlkɔ jˈɛdna ɔsˈɔba ɲʲɛ kɔʒˈɨsta z dʑvˈɔŋka pʃɨ dʒvʲˈax.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_168.wav|pɔmˈɨɕlaw kapˈitan. pʃɨpˈɔmɲʲaw sˈɔbjɛ, jˈak jˈɛɡɔ ʒˈɔna pwakˈawa, kʲˈɛdɨ jˈɔ̃ bʲˈiw.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_137.wav|zabjˈɛraj ɕɛ stˈɔnt, sˈɛr.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_42.wav|strˈatɕiw zˌaintˌɛrɛsɔvˈaɲʲɛ mnˈɔ̃, ˌalɛ ktˈɔ mˈuɡwbɨ ɡˈɔ zˈatɔ vˈiɲitɕ?|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_301.wav|zɡˈɔdʑiw ɕɛ mˈiwɨ starˈuʃɛk.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_53.wav|stfʲɛrdʑˈiwa jˈɛɡɔ tɕˈɔtka.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_232.wav|vɨjˈɛwam s tˈɔrbɨ zˈavur tɕˌiɕɲʲɛɲʲˈɔvɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_5.wav|stwumˈiwam f sˈɔbjɛ ɲʲɛpˈɔkuj, ktˌurɨ ɔɡˈarnɔw mɲʲɛ, kʲˈɛdɨ sˈɔbjɛ ˌuɕfʲadɔmˈiwam, jˈaɡ bˈardʑɔ jˌɛstɛm ˌɔsamɔtɲʲˈɔna.|4
+Dataset/wavs/urwisko_ferenc/56_segment_23.wav|ˈɔlɡʲɛrd zjˈad wˈɨʃkɔ̃ ɕmʲɛtˈanɨ, a pˈɔtɛm vʑˈɔw kˈilka dˈuʒɨx wˈɨkuf tɕɛpwˈɛɡɔ napˈɔju i pɔkˈivaw z uznˈaɲʲɛm ɡwˈɔvɔ̃. ɕfʲˈɛtna!|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_140.wav|ɕˈɛŋɡa f strˈɔnɛ dʒvˈi i ɔdvrˈatsa ɡwˈɔvɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_150.wav|ˌalɛ jˈutrɔ bˌɛɲdʑɛ mˈɔjɔ̃ tsˈurkɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_51.wav|ktˈɔ xtsˈɛ mɲʲɛ vɨstrˈaʃɨtɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_82.wav|vʲˈɛʒɛ na swˈɔvɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_53.wav|pʃɛtɕˈiskam ɕɛ s pɔvrˈɔtɛm pʃˈɛs ʃtʃɛlˈinɛ i vrˈatsam na plˈats, tʃɨmˈajɔnts ɕɛ z dˈala ɔt tʃujɲˈika, kturˌɛɡɔ tˈamtɛn ɲʲɛ ˌuruxˈɔmiw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_26.wav|vˈɛdwuk ɲʲˈɛɡɔ tɔ vwˈaɕɲʲɛ bˌɨwɔ pʃɨtʃˈɨnɔ̃ fʃˈɨstkix nˈaʃɨx prɔblˈɛmuf. fˈatsɛd bˈɨw naprˈavdɛ ˌuʒɛkajˈɔntsɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_194.wav|zvʲɛɕˈiwam ɡwˈɔvɛ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_140.wav|ˈɔrlɛ ɡɲʲˈazdɔ mˈɔɡwɔ bˈɨtɕ ɲʲˌɛzdɔbˈɨtɛ, lˈɛtʃ fkrˈuttsɛ stˈaɲʲɛ ɕɛ rˈuvɲʲɛʃ ɲʲˌɛdɔstˈɛmpnɛ, a zˈɛjɕtɕɛ s kˈaʒdɨm dɲʲˈɛm rɔbʲˈiwɔ ɕɛ tsˈɔraz bˈardʑɛj ɲʲˌɛbɛspʲˈɛtʃnɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_136.wav|ˌalɛ ɲitʃˈɛɡɔ pʃˌɛtɕɛʃ ɲʲɛ zrɔbʲˈiwam.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_226.wav|nˈɔɕiw tˈɛʃ ˈɔvɔ maɡʲˈitʃnɛ nazvˈiskɔː ˈarɨn, tsˈɔ tʃɨɲˈiwɔ ɡˈɔː ˌidɛˈalnɨm kˌandɨdˈatɛm na mˈɛ̃ʒa najstˈarʃɛj tsˈurki vˌaɨnˌɛvɔˈɔduf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_40.wav|ɲʲɛ, ˌalɛ ˌuswɨʃˈawam, jˈak ktˈɔɕ rɔzmˈavja na pˈɔlu ɡɔlfˈɔvɨm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_3.wav|mˈuj sˈɨn tˈak naprˈavdɛ ɲʲɛ rɔzˈumjɛ, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ, ˌalɛ jˈɛɡɔ tsɔdʑˈɛnna rutˈɨna zɔstˈawa zˌakwutsˈɔna i tɔ vˌɨvɔwˈawɔː ˈu ɲʲˈɛɡɔ ɲʲɛpˈɔkuj.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_164.wav|zabrˈakwɔ pɔvʲˈɛtʃa, pˌɔvʲɛdʑˈawam. bˌɨwɔ ɡˈɔ za mˈawɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_43.wav|ɲʲɛvʲˈɛlɛ spˈawa i jɛzd vˌɨtʃɛrpˈana fizˈɨtʃɲʲɛ i psɨçˈitʃɲʲɛ. s pɛvnˈɔɕtɕɔ̃ tɔ rˌɔzumjˈɛtɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_21.wav|najblˈiʒɛj untsˈɔdɛz znajdˈujɛ ɕɛ stˈatsja pˌitstsadʲˈillɨ. zɡˈɔda?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_338.wav|tʃɨ tɨ pɔtrˈafiʃ ɲʲˌɛnavˈidʑitɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_21.wav|jɛst inˈatʃɛj, bˈɔ tɔ ɕmʲˈɛrdʑi, tˈak jˈak ˈɔddɛx xˈɔffa, ɡdˈɨ ɲʲˌɛspɔdʑɛvˈaɲʲɛ ˈɔbjɔw bʲillʲˈɛɡɔ w ɲʲˌɛzdarnˈɛmu ɕtɕˈisku.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_222.wav|skʲˌɛrɔvˈawam rɔbˈɔta f strˈɔnɛ vwˈazu zˌɛvnɛntʃnˈɛɡɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_56.wav|tɔ pˈaɲi tsˈurka zɡˈadʑa ɕɛ?|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_64.wav|f pʃɛtɕˈivnɨm rˈaʑɛ ɡˈɔʑdʑik ɲʲɛ pwakˈawabˌɨ tˈaɡ bˈardʑɔ.|1
+Dataset/wavs/urwisko_ferenc/55_segment_62.wav|pˌɔlitsjˈantka ʒutɕˈiwa ˈɔkʲɛm na pˈarkiŋk pˈɛwɛn sˌamɔxˈɔduf i stˈarɛ pʲɛntrˈɔvɛ dˈɔmɨ ʃˌɛrɛɡˈɔvɛ pɔ drˈuɡʲɛj strˈɔɲʲɛ jˈɛzdɲi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_114.wav|ˌalɛ ɲʲɛ bˌɨwɔ jɛj na nˈaʃɨm stˈarɨm ɔɕˈɛdlu, ˌaɲi pɔt adrˈɛsɛm, ɡdʑˈɛ pʃˈɛs jˈakiɕ tʃˈas mʲɛʃkˈawa s xwɔpˈakʲɛm, ktˌurɨ zrˈɔbʲiw z ɲʲˈɛj tɕpˈuŋkɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_128.wav|pɔdˈajɛ mu bjˈawɔ̃ tɔrˈɛpkɛ zˈɛ sklˈɛpu ɡvˈitsk pˈits.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_62.wav|stwɔtʃˈɨliɕmˌɨ ɕɛ fʃˈɨstsɨ w namjˈɔtɕɛ. bˌɨwɔ naprˈavdɛ tɕˈasnɔ, ˌalɛ bˈɔp i tˈak mˈuɕaw fstˈavidʑ dɔ ɕrˈɔtka tsˌɨlindrˈɨtʃnɨ mˌɛtalˈɔvɨ zbjˈɔrɲik.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_7.wav|dʑˈɛɲ ftʃˈɛɕɲʲɛj zˌadʑvɔɲˈiwa dɔ ɲʲˈɛɡɔ lˈutsɨ. zˌapɨtˈawa, tʃɨ tˈɔm i lˌɔuˈisa ɲʲɛ pʃˌɨjɛxˈalibˌɨ na ɡrˈilla, pɔɲʲˈɛvaʒ bˈɨw tɔː ɔstˈatɲi dʑˈɛɲ pʃɛt ˌɔpɛrˈatsjɔ̃ jɛj mˈamɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_32.wav|tˈɛras ɲʲɛ bˌɨwa jˈuʃ ˌuɕmʲɛxɲʲˈɛntɔ̃ sˌɛkrɛtˈarkɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_79.wav|ɲʲˈɛvʲɛm, jˈak tɔ fʃˈɨstkɔ vɨjˈaɕɲʲɛ, ˌalɛ mˈuʃɛ sprubˈɔvadʑ bˈɨdʑ z ɲˈim ʃtʃˈɛra.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_123.wav|ɔ mˈuj bˈɔʒɛ!|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_52.wav|ˌɔtʃɛkivˈawam pˌɔdɔbnˈɛɡɔ spɔjʒˈɛɲʲa jˈak ftʃˈɛɕɲʲɛj, jˈaɡbɨ sˈamɔ mˈɔjɛ istɲʲˈɛɲʲɛ stˌanɔvˈiwɔ dla ɲʲˈɛɡɔ prˈɔblɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_119.wav|ˈalbɔ jˈɛɕli ˌɔɲi jˈɔ̃ znˈajdɔ̃ i ʃˈɨpkɔ ɕɛ pʃˈɨzna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_175.wav|tsˈɔ jɛst na tˈɨwaɣ dˈɔmu?|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_439.wav|tˈɔmmɛn strˈatɕiw jˈuʒ brˈata i tʃwɔvʲˈɛka, kturˌɛɡɔː uvˈaʒaw za ˈɔjtsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_21.wav|stukˈajɔ̃ ɕɛ kʲˌɛliʃkˈami i pˈijɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_167.wav|mˈɔʒɛ z vɨjˈɔntkʲɛm vʲˈɛpʃka.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_238.wav|udˈawɔ mi ɕɛ tɔ tɕˈɛɲtɕɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_198.wav|ʒutɕˈiwam mu bjˈawɛ pudˈɛwkɔ, ktˌurɛ znalˈazwam f xˌɔtɛlˈɔvɨm sˈɛjfjɛ. zwˈapaw jˈɛ w lˈɔtɕɛ i spˈɔjʒaw na ˌɛtɨkʲˈɛtkɛ.|4
+Dataset/wavs/urwisko_ferenc/36_segment_130.wav|— jˈak? — zdʑˈiviw ɕɛ. — nɔrmˈalɲʲɛ, pɔ bˈapsku. kˌɔsmɛtɨkˈami.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_60.wav|ɡrˈɛtʃɛl i mˈɛdʲi pˌɔdɔ̃ʒˈawɨ tˈuʒ za ɲˈimi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_24.wav|ktˌurɛ w nˈaz zaxˈɔdʑɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_22.wav|pˌɔstanˈavja ɲʲɛ rˈɔbʲitɕ ˌaɲi jɛdnˈɛɡɔ, ˌaɲi druɡʲˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_88.wav|tɔ dˈɔbʒɛ. spˈɔtkam ɕɛ z ɲˈim jˈɛʃtʃɛ rˈas, ˌalɛ na jˈɛɡɔ tˌɛrɨtˈɔrjum.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_56.wav|— vwˈaɕɲʲɛ vˌɨxɔdʑˈiliɕmˌɨ — ɔznˈajmiw dʒˈɛk. — jˌɛstɛm pˈɛtɛ, dˈavnɨ pʃɨjˈatɕɛl tfɔjˈɛɡɔ tˈatɨ. tɔ jɛst klˈɛrɛ i sˈɔfja.|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_49.wav|rˈɔnalt rˈɛɡan mʲˈaw spˈɔrɔ rˈatsji, kʲˈɛdɨ pɔvʲˈɛdʑaw, ˈufaj, ˌalɛ sprˈavdʑaj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_118.wav|pˈan bˈɨ na mˈɔim mʲˈɛjstsu ɲʲɛ vɨtʃˈɨmaw, a ja jˌɛstɛm zˈɛ fɕˈi. tɔ fʃˈɨstkɔ pʃɛtʃˈɨmam.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_202.wav|prˈɔnt ɔː ɔɡrˈɔmnɨm nˌatɛ̃ʒˈɛɲʲu rɔskwˈada anˈɔrtɨt na tʃɨnɲˈiki pʲˈɛrʃɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_166.wav|bˈɨw mwˈɔdɨ, dˈɔbʒɛ ubrˈanɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_90.wav|fʃˈɨstkɔ ɡrˈa, kɔxˈaɲʲɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_96.wav|ktˈɔɕ tˈu ɕɛ vwˈamaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_65.wav|zˌɔstavˈiwam stsˈɔtta na balkˈɔɲʲɛ f tɨm skfˈaʒɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_343.wav|jˌɛstɛɕ naprˈavdɛ ˌintɛliɡˈɛntna i pˌɔtʃɛbˈujɛʃ pʲɛɲʲˈɛndʑɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_53.wav|ˌutʃɨmɨvˈawa, ʒˈɛ jɛzd dˌɨrɛktˈɔrɛm i ˌudʑawˈɔftsɛm wˈɛ fˈirmʲɛ i ʒˈɛ mˈɔim ˌɔbɔvʲˈɔ̃skʲɛm jɛst pʃɛkˈazatɕ jɛj tɛ dˈanɛ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_123.wav|kˈɔɲ ɡʒˈɛbaw w zˈɛsxwɨx lˈiɕtɕax f pˌɔʃukivˈaɲʲu kaʃtˈanuf, a ˌɔbɔk pˌɔruʃˈali ɕɛ rˌɔzmavʲajˈɔntsɨ tɕixˈɨmi ɡwɔsˈami mɛ̃ʃtʃˈɨʑɲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_112.wav|s pɛvnˈɔɕtɕɔ̃ mˈuɕi bˈɨtɕ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_134.wav|dwˈuɡa, nˌaturˈalna kɔmnˈata i vɨkˈutɛ f skˈalɛ uxfˈɨtɨ prˌɔvadʑˈɔntsɛ na ɡˈurɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_50.wav|dˈalɛ ɔstrˈɔʒɲʲɛ ɔtstˈaviw tɔrɲˈistɛr na wˈafkɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_234.wav|ta kɔbjˈɛta, ktˌura jɛzd dla tɕˈɛbjɛ jˈak mˈɔʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_2.wav|pɔɲʲˈɛvaʃ sˈɛptɔn mɛrˈibald vɛndrˈɔvaw na pʲɛxˈɔtɛ,|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_322.wav|zˈɨɡmunt ˈandɛrsɔn|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_89.wav|ɔdvrˈutɕiw ɡwˈɔvɛ f strˈɔnɛ mɛ̃ʃtʃˈɨznɨ. — tɨ sˌadɨstˈɨtʃnɨ bɨdlˈaku!|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_210.wav|a mɲʲɛ ɕɛ vˌɨdavˈawɔ, ʒˈɛ tɔ ɕfˈit.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_207.wav|pɔdnˈɔɕi pˈalɛts, lˈɛkkɔ zɲʲˌɛkʃtawtsˈɔnɨ pʲɛrʃˈɨmi zmʲanˈami ˌartrɛtɨtʃnˈɨmi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_236.wav|spˈɨtaw f kˈɔɲtsu tˈata.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_366.wav|a tsˈuʃ tɔ takʲˈɛɡɔ? zˌapɨtˈawa ˈɛstxɛr.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_115.wav|ɔstrˈɔʒɲʲɛ ɔtkwˈada brˈɔɲ, ˌalɛ ɲʲɛ s tʃtɕˈɔ̃, jˈuʃ ɲʲɛ, na stˈuw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_14.wav|ˌalɛ dlatʃˈɛɡɔ spˈɛntsɛr pɔmˈɨɕlaw, ʒˈɛ zˌamjɛʒˈajɔ̃ ɡˈɔː ˌarɛʃtˈɔvatɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_81.wav|ɲʲɛ, jˈɛɕli jɛj sˈɨn ˈumʒɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_217.wav|s pɛvnˈɔɕtɕɔ̃ zˈɛxtsɛ tɕˈɛ ɔdʑˈɨskatɕ i pˈɛvɲʲɛ zɡwˈɔɕi tfˈɔjɛ zˌaɡʲiɲʲˈɛɲtɕɛ pɔlˈitsji.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_436.wav|mˈuɕi dɔ ɲʲˈɛɡɔ dˈɔtʃɛtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_43.wav|ˌɔtkrɛɲtɕ��iwa kˈurɛk, ʒˈɛbɨ ˈumɨdʑ zlˈɛf, pɔ tʃɨm vˈɨʃwa s prˈalɲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_135.wav|varknˈɛwam w ˌɔtpɔvʲˈɛdʑi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_288.wav|ɡˈɛrs fˈirst lˈɔvɛ ˈɔtʃɛd na xfˈilɛ zˌavɔwˈanɨ pʃˈɛs marˈɛja, a pˈɔtɛm vrˈutɕiw, trˈupjɔ blˈadɨ, i zapˈɨtaw ˌandɛrsˈɔna.|0
+Dataset/wavs/urwisko_ferenc/20_segment_9.wav|pɔvˈiɲʲɛn bˈɨw zadʑvˈɔɲidʑ dɔ ɲʲˈɛɡɔː i zdˈatɕ mu rɛlˈatsjɛ s tˈɛɡɔ, jˈak ˈidɔ̃ pˌɔʃukivˈaɲʲa ɡʒɛɡˈɔʒa lipskʲˈɛɡɔː i dʑɛftʃˈɨnɨ.|0
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_109.wav|ɡdˈɨbɨ na pɔkwˈadʑɛ bˈɨw jˈɔn snˈɔf ˈalbɔ nˈavɛt pˈip tʃɨ ɡrˈɛn, mˈuɡwbɨ ɕɛ zvrˈutɕitɕ ɔ rˈadɛ dɔ ɲˈix.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_294.wav|jˈuʃ tʃˈas.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_79.wav|ʒˈɛ bˌɨwam pʃˌɨɡɔtɔvˈana nˈatɔ, bˈɨ pˈatʃɛtɕ jˈak umjˈɛra.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_54.wav|vʲˈɛm, ʒˈɛ maʃ pɔvˈɔdɨ, ʒˈɛbɨ mɲʲɛ ɲʲˌɛnavˈidʑitɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_202.wav|ˌɔɲi fʃˈɨstkɔ zˌawatfˈili tˈak jˈak tʃˈɛba, a pˈɔtɛm puɕtɕˈili pʃˈɛs ɲʲˈɛɡɔ prˈɔnt.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_60.wav|ɲʲɛ zɔstˈavjɛ tsˈurki na ix wˈastsɛ i ɲʲɛ pɔzvˈɔlɛ, ʒˈɛbɨ lˈɔras tˈɨrɛll dɔvˈɔdʑiw ɡvˈardjɔ̃ krulˈɛfskɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_283.wav|samˈɔvi vˌɨdavˈawɔ ɕɛ, ʒˈɛ bʲˌijatˈɨka zvɔlɲˈiwa tˈɛmpɔ, jˈaɡbɨ bˌɨli dvʲˈɛma tʃarnˈɨmi muxˈami vˌaltʃɔntsˈɨmi w burʃtˈɨɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_98.wav|ɲˈits ɲʲɛ pɔvʲˈɛdʑaw, tˌɨlkɔ ɕɛ vˈɛmɲʲɛ fpatrˈɨvaw.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_459.wav|pˈɔtɛm strˈatɕiw jˈɛʃtʃɛ vʲˈɛntsɛj tʃˈasu, bˈɔ mˈuɕaw ɔmˈinɔɲtɕ kˈɔlumn nˌɛfrɛjˈɔfskix rɨtsˈɛʒɨ. ɡdˈɨbɨ ɲʲɛ tˈɨ...|1
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_54.wav|kʲˈɛdɨ dˈɔtar na mʲˈɛjstsɛ, zɔbˈatʃɨw jˈɔ̃ f stˈarɨm kamjˈɛnnɨm pˌavilˈɔɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_319.wav|ˌɔbɔvʲˈɔ̃ski vzɨvˈajɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_106.wav|ɡdʑˈɛ f tɛj xfˈili ɕɛ znajdˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_141.wav|tˈak tɔ xˈɨba tʃˈɛba nˈazvatɕ jˈɛɡɔ pratsˈɔvɲʲɔ̃.|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_20.wav|— nˈɔ — pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_221.wav|bˈɔ zavˈarwam umˈɔvɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_24.wav|bˈɛtskɨ skinˈɛwa ɡwˈɔvɔ̃ i spɔjʒˈawa na zɛɡˈarɛk.|4
+Dataset/wavs/urwisko_ferenc/53_segment_79.wav|a rˈatʃɛj nˈatɔ,|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_83.wav|tɨ tˌɛɡɔ ɲʲɛ mˈɨɕliʃ?|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_106.wav|ɕfʲˈatwɔ bˌɨwɔ tˈu dˈɔbrɛ, a ɡdˈɨ tˌɨlkɔː ˈuɲʲuz vzrˈɔɡ z nadbjˈurka, vˈidʑaw ʒˈɛkɛ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_6.wav|dˈɛmɔn sˈant pɔsˈunɔw ɕɛ nˈavɛd dɔ tˈɛɡɔ, ʒˈɛ pɔprˈɔɕiw ɔ jɛj rˈɛŋkɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_320.wav|tɔ dʒˈɛvɔ ɲʲɛ kfˈitɲʲɛ, mˈikɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_92.wav|ɲʲˈɛraz vidʑˈawam, jˈaɡ zapˈalaʃ pwˈɔmjɛɲ jˈɛdnɔ̃ rˈɛŋkɔ̃, a drˈuɡɔ̃ f tɨm sˈamɨm tʃˈaɕɛ rˌɛɡulˈujɛʃ mʲɛʃˈaŋkɛ. dlatʃˈɛɡɔ tˈak ɕɛ...|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_90.wav|rˌɔbɔtɲˈitsɨ ɲʲɛ zvratsˈali nˈanas uvˈaɡʲi, ɡdˈɨ krɔtʃˈɨliɕmˌɨ mʲˌɛndʑɨ mˌaʃɨnˈami i plˌɔntaɲˈinɔ̃ rˈur.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_147.wav|w rˈɛŋku dʑˈɛrʒɨw lˈaskɛ.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_371.wav|ˈɔjtɕɛdʑ zrˈɔbʲiw ɕɛ bjˈawɨ jˈak kɔbˈɨlɛ mlˈɛkɔ, a vˈaldɛr frˈɛj drʒˈaw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_132.wav|mˈam, mˈuvi z nˈutɔ̃ sˌatɨsfˈaktsji. ɔdvrˈatsa ɕɛ i uɕmʲˈɛxa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_118.wav|sˈara vˌɨpuɕtɕˈiwa ɡwˈɔɕnɔ pɔvʲˈɛtʃɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_68.wav|vratsˈamɨ dɔ dˈɔmu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_109.wav|vrˈatsam mɨɕlˈami dɔ vʲˌadɔmˈɔɕtɕi, ktˌurɔ̃ zˌɔstavˈiwam na fˌatsɛbɔˈɔku pɔd vˈɔntkʲɛm kˈim sɔ̃ stsˈɔtt i spˈikɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_118.wav|ˌalɛ s tʃˈasɛm zmʲɛɲˈiwa ɕɛ f tsˈɔɕ innˈɛɡɔː i ˌuɕfʲadˈɔmiw tɔ sˈɔbjɛ dɔpʲˈɛrɔ, kʲˈɛdɨ pʃɛtʃˈɨtaw jˈɔ̃ na xwˈɔdnɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_74.wav|— ˈitɕ ftʃˈɛɕɲʲɛ spˈatɕ, bˈɔ vˌɨjɛʒdʒˈamɨ skˈɔrɔ ɕfˈit. pʃɛt nˈami dwˈuɡa pˈɔdruʃ — mˈuvi bʲˈillɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_43.wav|vʲˈɛʒ dˈɔbʒɛ, jˈaɡ dʑˈawa mˈuj mˈusk. ɲˈiɡdɨ ɲʲɛ pʃɨjmˈujɛ najbˈardʑɛj lɔɡʲˈitʃnɛj ˌɔtpɔvʲˈɛdʑi, dɔpˈuki kˈaʒdɨ frˈaɡmɛnt ˌukwadˈaŋki ɲʲɛ trˈafi na sfˈɔjɛ mʲˈɛjstsɛ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_174.wav|s pɛvnˈɔɕtɕɔ̃ ˌɔna i jɛj mˈɔ̃ʒ dˌɔxɔvˈajɔ̃ jɛj vʲɛrnˈɔɕtɕi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_122.wav|ˌalɛ ɡdˈɨbɨ pˈaɲska kɕˈɔ̃ʃka ɔdɲʲˈɔswa sˈuktsɛs, prˈɔʃɛ ˈɔnas pamjˈɛntatɕ, pˈaɲʲɛ lˈɔtskridʒ, tˈɛʒ dʑawˈamɨ ɔt ɲʲɛdˈavna.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_9.wav|tsˈawɔ̃ ɕtɕˈanɛ ˌɔprɨskˈawɔ mˈuzɡʲɛm. pɔtʃˈɛwa lˈitʃɨtɕ, ˌudɛʒˈajɔnts paltsˈami f klavˈiʃɛ. fˈinf, ɕˈɛbɛn ˈund zvˈanzik.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_184.wav|ɲʲɛ pɔtrˈafiw ɔkrˈɛɕlitɕ jɛj vʲˈɛku. mˈɔʒɛ mʲˈɛtɕ pʲɛtnˈaɕtɕɛ lˈat, pɔmˈɨɕlaw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_139.wav|tˈak jˈɛst, pɔtfʲˈɛrdʑiw tˈakɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_353.wav|tsˈɔ pɔ tʃˈɛɣ ɡɔdʑˈinax pwˈatʃɔ̃ i ˌɔpɔvʲadˈajɔ̃ ɔ jˈakimʑ zdʑˈivu ˈalbɔ zbˈɨxu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_66.wav|tɔ zrˌɛvɔlˌutsjɔɲizˈujɛ lˈutskʲɛ ʒˈɨtɕɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_64.wav|tsˈɔ s tfˈɔjɔ̃ rˈɛŋkɔ̃? dlatʃˈɛɡɔ nˈɔɕiʒ bˈandaʃ? mˈɔɡɛ ɡˈɔ zdjˈɔɲtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_127.wav|nˈaɡlɛ vɨdˈajɛ ɕɛ bˈardʑɔ mwˈɔda. jˈak tɔ dalˈɛkɔ stˈɔnt?|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_102.wav|tˈak jˈaɡ za stˈarɨx, dˈɔbrɨx tʃˈasuf. ɲʲɛ. ˈalbɔ bjˈɛʒɛʃ pʲɛɲʲˈɔndʑɛ, ˈalbɔ mˈɔʒɛʃ mi ɲʲɛ ʒˈutɕitɕ im na ʒˈɛr.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_55.wav|tsˈuʃ, ɲʲɛ jˌɛstɛm dʑˈifkɔ̃, mˈuvi ˌɔna i zatʃˈɨna pwˈakatɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_348.wav|za ˈɔknɛm lɕɲˈiwɔ pʃˌɛraʑlˈivʲɛ ɲʲɛbjˈɛskʲɛ ɲʲˈɛbɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_89.wav|pˈuʑɲʲɛj, w drˈɔdʑɛ pɔvrˈɔtnɛj dɔ midvˈɔɔt, fstɛmpˈujɛ dɔ valmˈartu.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_118.wav|ɲʲɛ, sˈɛr, ɲʲɛ sˈɔndʑɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_496.wav|mɲʲˈɛjʃa s tˈɨm, jˈak pɔvʲˈada pˌɔtkɔmˈisaʃ kˈɔrsak.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_74.wav|ˌalɛ ɲʲɛ pʃɛbˈɨwam tɛj drˈɔɡʲi nˌadarˈɛmnɔ. zbjˈɛram vʲˈɛnts f sˈɔbjɛ rˈɛʃtki dˌɛtɛrminˈatsji, vɨɕˈadam s sˌamɔxˈɔdu i kʲɛrˈujɛ ɕɛ f strˈɔnɛ budˈɨŋku.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_354.wav|tʃɨ lˈɔrt mˌɛrivˈɛtxɛr ɕɛ nˈatɔ zɡˈɔdʑiw?|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_223.wav|tˈɛras pɔprˈɔɕi, ʒˈɛbɨm dˈaw sˈɔbjɛ spˈɔkuj i vrˈutɕiw z ɲʲˈɔ̃ dɔ kˌɔlɔrˈadɔ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_52.wav|f tɕˈɔŋɡu kˈilku ɔstˈatɲix lˈat.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_11.wav|bˌɨwɔ mˈawɔ prˌavdɔpɔdˈɔbnɛ, ʒˈɛbɨ tsɔkˈɔlvʲɛk ˌuswɨʃˈawa.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_492.wav|ɲʲɛ mˈɔɡwɛm pˌɔdɛjmˈɔvatɕ rɨzˈɨka.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_144.wav|fabrˈɨkɛ mˈɔʒna ˌɔdbudˈɔvatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_255.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_205.wav|ɲʲɛ prubˈujɛ jɛj zawˈɔʒɨtɕ s pɔvrˈɔtɛm, bˈɔ mˈuɕawbˌɨ zdjˈɔɲtɕ mˈaskɛ. pɔdnˈɔɕi jˈɔ̃ tˌɨlkɔ rˈɛŋkɔ̃ ɲʲˌɛtʃɨmajˈɔntsɔ̃ ruɡˈɛra.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_359.wav|tsɛrsˈɛi ˌɔttɔtʃˈɨwa ɕɛ ɔt ɲʲˈɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_203.wav|a mˈimɔ tɔ ɕˈɛŋɡnɔw dɔ jɛdnˈɛɡɔ z ɡranˈatuf pʃˌɨtrɔtʃˈɔnɨx ˈu pˈasa. zdˈɔ̃ʒɨw ɡˈɔ nˈavɛt xfˈɨtɕitɕ. zˈaɲim jˈɛdnak mˈuɡw vɨtɕˈɔŋɡnɔɲdʑ zavlˈɛtʃkɛ, ɡrˈanad vɨsˈunɔw mu ɕɛ s pˈaltsuf.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_175.wav|mˈɔʒɛʃ tɔː ˈuznadʑ za ɕlˈubnɨ dˈar.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_101.wav|mˈɔʒɛ faktˈɨtʃɲʲɛ zrɔbʲˈiwa tsˈɔɕ takʲˈɛɡɔ jˈuʃ ftʃˈɛɕɲʲɛj, ˌalɛ manxˈɛstɛr bˈɨw ɲʲˌɛvwaɕtɕˈivɨm mʲˈɛjstsɛm dɔ rˌɔspɔtʃˈɛɲtɕa pˌɔʃukˈivaɲ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_77.wav|vɨplˈuva ɔstˈatɲʲɛ swˈɔva.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_198.wav|vˈalɛts ftˈatʃa ɕɛ pɔt ɔkrˈɔŋɡwɨ stˈɔlik, na ktˌurɨm lˈɛʒɨ lˈaptɔp mˌartʲinˈɛza.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_467.wav|tˈak ɕɛ pʲˈɛŋkɲʲɛ mˈuvi, ɲʲɛ?|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_91.wav|a vrˈɔɡuf tˈam, ɡdʑˈɛ bˌɛɲdʑɛʃ iɣ vˈidʑaw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_92.wav|ˌɔna ɲʲɛ rˌɛzɨɡnˈujɛ wˈatfɔ s talˈɛʒa s pɔɕˈiwkʲɛm. ja tɨmtʃˈasɛm pˌɔrɔzmˈavʲam s kˈatɛ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_290.wav|tɔ dʒˈɔn ˈarɨn mˈuɕawbˌɨ ɕɛ upˈɔratɕ s tɨm fʃˈɨstkim.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_165.wav|zalˈɛdvʲɛ ɡˈarstkɔ̃ vʲˈɛrnɨx.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_294.wav|vˌɨjɛxˈawam s pˈɔrtu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_213.wav|i ktˈɔ tɕi tɔ pɔvʲˈɛdʑaw? ɲʲˈɛvʲɛm, ɲʲɛ pamjˈɛntam. muɕˈawɛm bˈɨtɕ xˈɨba trˈɔxɛ vlˈanɨ, ˌalɛ ɲʲɛ f tɨm ʒˈɛtʃu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_52.wav|ʒˈɛ ɡdˈɨbɨ jˈɛɡɔ sˈɛkrɛd vˈɨʃɛd na jˈaf, bˈɨwbɨ skɔɲtʃˈɔnɨ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_351.wav|bˈɔ mˌɛistˈajrɛl pʃˈɛrvaw ˌɔblɛ̃ʒˈɛɲʲɛ kˈɔɲtsa bˈuʒɨ i mˌaʃɛrˈujɛ tˈu zˈɛ sfˈɔ̃ ˈarmjɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_173.wav|pɔvʲˈɛdʑaw ʃˈɛptɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_54.wav|pˌɔpɔwˈudɲʲɛ f sˈɛnɕɛ ˌastrɔnɔmˈitʃnɨm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_135.wav|pɔtʃˈuwam lˈɛkki ɲʲɛpˈɔkuj.|3
+Dataset/wavs/urwisko_ferenc/55_segment_23.wav|pamjˈɛntaʃ, jˈak tɔ bˌɨwɔ na studɲʲˈufkax. kˈaʒdɨ mˈukw pʃˈɨjʑdʑ z ɔsˈɔbɔ̃ tˌɔvaʒɨʃˈɔntsɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_316.wav|mˈa pˈan klˈutʃɛ? mˈam.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_6.wav|pɔpˈɨxam dʒvˈi prˌɔvadʑˈɔntsɛ dɔ salˈɔnu i zˌauvˈaʒam dˌɔmiɲˈika, ktˌurɨ stˈɔi z zˌawɔʒɔnˈɨmi rɛŋkˈami i pˈatʃɨ na ˈɛkran. vɨwˈɔntʃa tˌɛlɛvˈizɔr i ɔtkwˈada pilˈɔta na stˈuw.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_297.wav|ɲˈiɡdɨ ɲʲɛ vɨdˈavaw ɕɛ jɛj mˈilʃɨ ɲˈiʃ tˌɛɡɔ rˈaŋka.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_54.wav|mˈiwɔ tɕˈɛ pˈɔznatɕ, dʒˈɛs.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_355.wav|ɲʲɛ pˌɔtʃɛbˈujɛ tʃˈɨtatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_134.wav|ˈɛllis sprˈavdʑa tsˈɔɕ na alltˈɛxu, pɔ tʃɨm kʲɛrˈujɛ bʲillʲˈɛɡɔ dɔ tsˈɛntrum xˌandlɔvˈɛɡɔː ˌarɔfxˈɛat mˈall.|2
+Dataset/wavs/urwisko_ferenc/46_segment_178.wav|bɛzvwˈadnɛ tɕˈawɔ zvalˈiwɔ ɕɛ na kˈaflɛ i dɔstˈawɔ drɡˈavɛk. pɔ xfˈili napʲˈɛɲtɕɛ mʲɛɲɕɲʲˈɔvɛ puɕtɕˈiwɔ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_107.wav|kʲˈɛdɨɕ f kˈimʑ bˈɨwam.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_108.wav|ɡdˈɨ tɛn jˈuʃ skˈɔɲtʃɨw, sfˈinks lˈɛkkɔ dˈɔtknɔw jˈɛɡɔ pʃˌɛdramjˈɛɲʲa drˈɔbnɔ̃, smˈaɡwɔ̃ dwˈɔɲʲɔ̃.|1
+Dataset/wavs/urwisko_ferenc/08_segment_128.wav|vˈɔjtɕɛx?|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_8.wav|ˌɔbɔk lˈɛʒɔ̃ sɛkˈatɔr dɔ ʒˌɨvɔpwˈɔtuf, dmuxˈava dɔ lˈiɕtɕi i stˈara pˈiwa wˌaɲtsuxˈɔva s tˈɨl.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_44.wav|ˈirɔp, tɔ ɲʲɛ ɔdnˈɔɕi ɕɛ dɔ tɕˈɛbjɛ, ʒˈɛbɨ pʃɛjʒˈɛli lˈistɛ i fskazˈali najbˈardʑɛj prˌavdɔpɔdˈɔbnɛ pʃɨpˈatki, ˈabɨɕmˌɨ jˈutrɔ mʲ��ɛli tsˈɔ sprˈavdʑatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_491.wav|pʃˈɛs xfˈilɛ dˌɨɡɔtˈawɛm pˈatʃɔnts na krɛntsˈɔntsɛ ɕɛ ˈɔɕki kasˈɛtɨ mˌaɡnɛtˌɔfɔnˈɔvɛj, tsˈɔ ja tˈu rˈɔbjɛ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_380.wav|dɔpˈuki ɕɛ ɲʲɛ zjavˈiwaɕ, ˌɔdvʲɛdʑˈawɨ mɲʲɛ tˌɨlkɔ sˈɛptɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_241.wav|pʃˈɛrvaw mi z vˌɨmuʃˈɔnɨm uɕmʲˈɛxɛm.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_160.wav|pʃˈɛkaʃ mi dɔvˈutstfɔ, vˈaʃa mˈiwɔɕtɕ, a zˈamɛɡ bˌɛɲdʑɛ tfˈuj pʃɛt upwˈɨvɛm dvˈux tɨɡˈɔdɲi, xˈɔdʑbɨm mˈuɕaw ɡˈɔ rɔzvˈalidʑ ɡɔwˈɨmi rɛŋkˈami.|1
+Dataset/wavs/urwisko_ferenc/49_segment_75.wav|a w vɨɲˈiku urˈazu psˌɨçitʃnˈɛɡɔ prˌubɔvˈawa zʒˈutɕitɕ s ɕˈɛbjɛ ˌɔtpɔvʲɛdʑˈalnɔʑdʑ za ɕmʲˈɛrdʑ dʑˈɛtska. xtɕˈawa tɔ vˈɨpʃɛtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_139.wav|dɔmˈiɲik ɔtfʲˈɛra jɛj i fpˈɨxa mɲʲɛ dɔ ɕrˈɔtka.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_322.wav|jˈɛʃtʃɛ zˌataɲtʃˈɨmɨ, ɔbjˈɛtsaw sˈɛr ˌilɨnˈɔvi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_91.wav|nˈɔ vwˈaɕɲʲɛ. a pˈɔtɛm pʃɛbjˈɛʒɛʃ ɕɛ f kˌɔmbʲinˈɛzɔn prˌatsɔvɲˈika swˈuʃp mʲˈɛjskix. zˌapɨtˈatɕɛ ɡlˈinɨ, tʃɨ mɔʒˈɛtɕɛ pˈɔmudʑ zˌapanˈɔvatɕ nat twˈumɛm tʃɨ tsˈɔɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_156.wav|a ˈu stˈup pawˈatsu ˌuwɔʒˈɨwɨ ɕɛ dvʲˈɛ ɔɡrˈɔmnɛ xˈalɛ jˈak kˌɔlɔrˈɔvɛ ɡˌɔ̃ɕɛɲˈitsɛ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_137.wav|pˌɔzlɛpʲˈanɛ ɔt pˈɔtu vwˈɔsɨ ˌɔpadˈawɨ mu na tʃˈɔwɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_65.wav|ˌalɛ na pɔtʃˈɔntɛk pʃˈɨɕlij mi fˈɔtɨ tˌɛɡɔ tfɔjˈɛɡɔ tɔvˈaru.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_211.wav|pravdʑˈivɨ marˈatɔn ɕmʲˌɛtɕɔvˈɛɡɔ ʒarsˈija, mˈuvi ˈɛlis, ɡdˈɨbɨ mˈɔja mˈama...|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_97.wav|vˈɨʃli s sˌamɔlˈɔtu i dʒˈɔnsɔn stˈaw pʃˈɛs xfˈilɛ bˈɛs rˈuxu, pˈatʃɔnts na ˌandɛrsˈɔna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_37.wav|pʃɨznˈawɛm jɛj rˈatsjɛ.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_58.wav|ˌuzbrɔjˈɛɲi xwˈɔpi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_116.wav|klˈɛŋka na jˈɛdnɔ kɔlˈanɔ.|2
+Dataset/wavs/urwisko_ferenc/41_segment_31.wav|ɲʲˈɛvʲɛm, tʃɨ zˌauvaʒˈɨwaɕ, ʒˈɛ mʲˌɛndʑɨ bˈɨtɕ a pratsˈɔvatɕ jɛzd dɨskrˈɛtna ruʒɲˈitsa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_3.wav|zɡˈɔdɲʲɛ z instrˈuktsjɔ̃, bʲˈillɨ jˈɛdʑɛ ubˈɛrɛm dɔ ɡˈɛrart tˈɔvɛr.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_419.wav|rɨtsˈɛʒɛ ɡvˈardji krulˈɛfskʲɛj pˌɔpʃɨɕˈɛŋɡli tɕˈɛ brˈɔɲitɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_252.wav|tfˈuj dˈurnɨ xwˈɔpaɡ zɲˈiʃtʃɨw.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_114.wav|pʃˌɨɡlɔndˈawam mu ɕɛ dwˈuɡɔː i uvˈaʒɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_379.wav|vɨjˈaɕɲiw sˈɛptɔn mɛrˈibalt.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_308.wav|i ˌɔna vˈidʑi, ʒˈɛ ɕɛ bˈɔjɛ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_312.wav|pˌɔjɛxˈali bʒˈɛɡʲɛm tʃɛrvˈɔnɨɣ vˈidɛw dɔ rˈuin spalˈɔnɛj vʲˈɔski, ktˌurɛ mijˈali pɔ pɔwˈudɲʲu.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_194.wav|musˈimɨ ɡˈɔ pɔfstʃˈɨmatɕ, brˈatɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_44.wav|sˈɛrɨ zdˈɔ̃ʒɨw ɕɛ jˈɛdnaɡ vɨvˈinɔɲtɕ. tˈɔpur vˈalnɔw w rˈɛliŋk, sˈɨpʲɔndʑ dʒazɡˈami i ˈuɡʒɔ̃z w drˈɛvɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_183.wav|sfɔbˈɔda pɔstˈukaw w vɨɕfʲˈɛtladʒ ɡʲˈizmɔː i na ɛkrˈaɲʲɛ pɔkˈazaw ɕɛ ʃkˈits ˌarçitˌɛktɔɲˈitʃnɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_315.wav|mˈikɛ bˈɨw jˈasnɨ, pʃɨstˈɔjnɨ, mʲˈaw rˈuvnɛ, bjˈawɛ zˈɛmbɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_202.wav|ɔdvʲˈɛʑɛʃ mɲʲɛ dɔ dˈɔmu? ɲʲɛ, xtsˈɛ tˈu jˈɛʃtʃɛ zˈɔstadʑ z lˈudʑmi.|0
+Dataset/wavs/urwisko_ferenc/27_segment_75.wav|mˈam nˈatɔ ɲʲˌɛpɔdvaʒˈalnɛ dɔvˈɔdɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_10.wav|prˌubɔvˈawa z ɲˈim flirtˈɔvat��, ˌalɛ bˈɨw pɔvˈaʒnɨ jˈak na pɔɡʒˈɛbjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_36.wav|spɔjʒˈawam na ɲʲˈɛɡɔ pʃˌɛraʒˈɔna.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_233.wav|i tʃˈɛ̃stɔ, ilˈɛkrɔtɕ xtɕˈaw jˈɔ̃ zˈabʲitɕ, bˈuk ˌupɔmˈinaw ɡˈɔ miltʃˈɛɲʲɛm, ˈabɨ tˌɛɡɔ ɲʲɛ rˈɔbʲiw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_33.wav|dˈaj spˈɔkuj, tˈɛss.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_78.wav|vˌɨɔbraʒˈawam sˈɔbjɛ, ʒˈɛ ˈinstɨŋkt pˌɔprɔvˈadʑi mɲʲɛ dɔ tsˈɛlu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_41.wav|dˈaj mi znˈatɕ, jˈak tˌɨlkɔ ɕɛ pɔjˈavi. a tˈɛras ˈidɛ dɔ jaskˈiɲi lvˈitsɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_9.wav|xtɕˈawabˌɨm jɛj ˌɔpɔvʲˈɛdʑɛtɕ ɔ sfˈɔix ɔbˈavax, ˌalɛ mˈa vwˈasnɛ prɔblˈɛmɨ, vʲˈɛnts pɔzvˈalam jɛj mˈuvitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_164.wav|tɔ ʃɛrˈɔkɔː ˌuɕmʲɛxɲʲˈɛɲtɕi krɛntˈatʃɛ ɔ mˈɔtsnɨm uɕtɕˈisku dwˈɔɲi, nɔʃˈɔntsɨ kɔʃˈulki pˈɔlɔ mˈarki ˈizɔt i mˌɔkasˈɨnɨ ɔd bˌailɛjˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_228.wav|vʲˈɛ, ɡdʑˈɛ studjˈujɛ i ɡdʑˈɛ mʲˈɛʃkam.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_115.wav|tˈak, ˌalɛ tˌɨlkɔ pʃˈɛs rˈɔk.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_385.wav|xˈɨba ktˈɔɕ tˈu dˈɔtar pʃɛdˈɛmnɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_153.wav|tˈak xˈɛlɛn pɔvʲˈɛdʑaw, ˌalɛ ɲʲˈɛmɨɕl ˈɔtɨm.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_127.wav|tʃˈɨmaj ɕɛ, ʒutɕˈiwam ɔd dʒvˈi. ɔdˈɛzvɛ ɕɛ dɔ tɕˈɛbjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_117.wav|tɔ ɲʲɛ jɛst ix pˈuŋkt strˌatɛɡʲˈitʃnɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_15.wav|zabrˈawɛɕ tsˈɔɕ, tsˈɔ ɲʲɛ bˌɨwɔ tfˈɔjɛ, a nˈavɛt mˈɔjɛ.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_268.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_97.wav|i tɔ tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ ɲʲɛ umjˈawɛm tɕˈɛ ftˈɛdɨ zˈabʲitɕ, pɔvʲˈɛdʑaw rˈɨan? tˈak, mˈikɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_170.wav|vwˈaɕɲʲɛ tʃɨtˈawam kɔmˈɛntaʃ krulˈɔvɛj dɔ tsˈawɛj tɛj sˌɨtuˈatsji, kʲˈɛdɨ pˈɔtɕɔŋk ɕɛ zatʃˈɨmaw.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_172.wav|brˈɛa pˌɔjɛxˈawa s tˈatʃkɔ̃ dɔ fjˌɔlɛtɔvˈɛɡɔ pˈɔrtu.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_60.wav|ʃˈɛrɨv vikˈɛrɨ dˈaw drapˈaka. ʃˈɛrɨv vikˈɛrɨ nˈavʲaw.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_420.wav|ˌuɕfʲadɔmˈiwa sˈɔbjɛ, ʒˈɛ fstʃɨmˈujɛ ˈɔddɛx.|1
+Dataset/wavs/urwisko_ferenc/65_segment_142.wav|zˌaɲʲɛpˌɔkɔˈiwa ɕɛ, tʃˈujɔnts jˈaɡ drˈɛʃtʃ pʃɛbjˈɛɡa jɛj pɔ plˈɛtsax.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_264.wav|vˈɔjnɨ dˌɔbjɛɡˈajɔ̃ jˈuʃ kˈɔɲtsa, a tɕi baɲˈitɕi ɲʲɛ mˌajɔ̃ ʃˈans pˈɔttʃas pɔkˈɔju.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_92.wav|im uvˈaʒɲʲɛj tˈɔm swˈuxaw mˈartɨ pˈɔrtɛr, tɨm bˈardʑɛj skwˈaɲʲaw ɕɛ kˈu ˌuvʲɛʒˈɛɲʲu w jɛj swˈɔva.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_104.wav|vˌɨpɔvʲɛdʑˈawa tɔː ˈimjɛ dvukrˈɔtɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_151.wav|tsˈɔː ˌɔɲi rˈɔbjɔ̃? zapˈɨtaw rˈɨan.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_131.wav|ɡʲˈɔrɡjɔ zɲˈiʒa ɡwˈɔs, mˈimɔ ʒˈɛ tɛlˈɛfɔn pɔdˈɔbnɔ jɛzd bɛspʲˈɛtʃnɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_378.wav|i ʒˈɛ nˈavɛt muvˈimɨ tɨm sˈamɨm jɛ̃zˈɨkʲɛm mˈikɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_200.wav|i ɲˈiɡdɨ ɲʲɛ zdˈaʒɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_210.wav|dˈawɔ ɕɛ swˈɨʃɛdʑ vɨrˈaʑnɛ klikɲʲˈɛɲtɕɛ, xˈɔtɕaʃ ˈukwat ɲʲˈɛbɨw vˌɨpɔsaʒˈɔnɨ f pʃɛwˈɔntʃɲik.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_104.wav|kʲˈɛdɨ bˈarman vrˈutɕiw z mˈɔjɔ̃ ʃkˈɔtskɔ̃, uɲʲˈɔswam ʃkalnˈɛtʃkɛ dɔː ˈust.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_32.wav|muɕˈitɕɛ zdˈɔbɨtɕ ix mˈiwɔɕtɕ.|1
+Dataset/wavs/urwisko_ferenc/45_segment_36.wav|jɔˈanna uɲʲˈɔswa lˈustrɔ, pʃˌɨtʃɨmˈawa jˈɛ na vˌɨsɔkˈɔɕtɕi pʲˈɛrɕi i ˌustavˈiwa pɔt ˌɔtpɔvʲˈɛdɲim kˈɔntɛm.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_38.wav|ɕˈilnɨ dʑˈik ɲʲˈɛbɨw s tˌɛɡɔ zˌadɔvɔlˈɔnɨ, ˌalɛ f kˈɔɲtsu ɕɛ zɡˈɔdʑiw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_48.wav|tɛn pˌɔtpuwkˈɔvɲik, jˈamisɔn ɕɛ nazˈɨvaw, zavˈɔwaw mɲʲɛ i tˈakɔː i kˈazaw, ʒˈɛbɨɕmˌɨ z ɲˈim pˈɔʃli.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_334.wav|fʃˈɨstkʲɛ spʃˈɛntɨ pˌɔpʃɛstavʲˈanɔ, ɔbrˈazɨ na ɕtɕˈanax pʃˌɛkʃɨvˈiwɨ ɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_225.wav|vˌɨznatʃˈɔnɔ nˈavɛt lˈudʑi, ktˌuʒɨ ˌɔsɔbʲˈiɕtɕɛ kˌɔntrɔlɔvˈali ˌidɛntˌɨfikatˈɔrɨ prˌatsɔvɲˈikuv dˌɔjɛʒdʒajˈɔntsɨx pɔtɕˈɔŋɡʲɛm dɔ xˈutɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_157.wav|tʃˈuwam ɕɛ kˌɔmfɔrtˈɔvɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_29.wav|dɔpʲˈɛrɔ kʲˈɛdɨ pʃˌɛkrɔtʃˈɨwam prˈuk i znalˈazwam ɕɛ na kˌɔrɨtˈaʒu, dɔtˈarwɔ tɔ dɔ mɲʲɛ. vrˈaz z jˈakimɕ tˈɛmpɨm pʃɛdmʲˈɔtɛm, ktˌurɨ udˈɛʒɨw mɲʲɛ f tˈɨw ɡwˈɔvɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_45.wav|klnˈɛ ɕɛ na bˈɔɡa, ʒˈɛ ɲʲɛ mʲˈawɛɕ nˈɔɡʲi, sˈɨnu, pɔvʲˈɛdʑaw pɔlˈitsjand z mɛntʃˈɛɲskim uɕmʲˈɛxɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_232.wav|jˈaɡ dla mɲʲɛ tʃtˈɛrɛx mafjˈɔzuf tɔ ɲʲɛ jɛst lˌɛktsɛvaʒˈɛɲʲɛ, pɔvʲˈɛdʑaw ɲˈitsk.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_252.wav|tˈɛras artˈɛmis jɛst tfˈɔjɔ̃ ɔjtʃˈɨznɔ̃ i znalˈazwa ɕɛ w ɲʲˌɛbɛspʲɛtʃˈɛɲstfʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_75.wav|xtɕˈawabˌɨm tˌɨlkɔ pɔvʲˈɛdʑɛtɕ, ʒˈɛ...|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_195.wav|ɲʲˈɛvʲɛm, kturˈɛndɨ pˌɔdɔ̃ʒˈawa ɔbwˈava,|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_128.wav|i tsˈɔ vʲˈɛntsɛj jɛst prˈavdɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_90.wav|jɛst pˈaɲi tˌɛɡɔ tsˌawkɔvˈitɕɛ pˈɛvna.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_152.wav|xtɕˈawa jˈuʒ zavˈɔwatɕ sˌɛrɔsmˈunda, bˈɨ jɛj brˈɔɲiw, ɡdˈɨ rˈɨtsɛʃ kfʲˈatuf...|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_73.wav|stˈara kɔbjˈɛta i trˈɔjɛ dʑˈɛtɕi w zˈamjan za tfˈɛɡɔ sɛɲʲˈɔra.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_54.wav|ˌalɛ ja mu mˈuvjɛ, nˈarbɔ, ɲʲˈɛrup tˈɛɡɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_88.wav|bʲiljˈɛmu tɔ ɲʲɛ pʃɛʃkˈadʑa, bˈɔ pʃˌɛtɕɛʃ jɛst sˌɨmpatˈɨtʃnɨ, tˌɨlkɔ mˈa parʃˈɨvɔ̃ prˈatsɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_135.wav|ftˈɛdɨ zˌɔbatʃˈɨwa stˌɔjɔntsˈɛɡɔ za mɔˈimi plɛtsˈami arˈama.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_35.wav|mˈuʒɨn naʒˈɛkaw, ˈiʃ tɕˈɛ̃ʃkɔ mu f tɨm mʲˈɛɕtɕɛ, lˈɛtʃ ˈandɛrsɔn swˈuxaw jˈɛɡɔ ɕpʲɛvnˈɛɡɔ ɡwˈɔsu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_63.wav|ɲʲɛ pɔdˈɔba tɕˈi ɕɛ, mˈuvi ˈɛlis. jɛj ˈuɕmʲɛx pʃɨɡˈasa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_199.wav|tʃɨ tɔ pˈana tɛn ɕlˈitʃnɨ sˌamɔxˈɔdʑik?|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_51.wav|i za tɛn dˈar dʑˌɛŋkujˈɛmɨ mu f sfˈɨx mɔdlˈitfax.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_185.wav|kɔxˈawa tˈɛʃ mˌarɨnˈaʒɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_80.wav|ɲʲɛ ˌɔdrɨvˈawam vzrˈɔku ɔd dʒvˈi i s kˈaʒdɔ̃ ˌupwɨvajˈɔntsɔ̃ minˈutɔ̃ mˈɔjɛ zdˌɛnɛrvɔvˈaɲʲɛ pʃˌɨbjɛrˈawɔ na ɕˈilɛ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_180.wav|z jɛdnˈɛɡɔ ramjˈɛɲʲa zvisˈawa mu pˈuw pˌalɛrˈɨna w ʑɛlˈɔnɔzwˈɔtɛ pˈasɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_136.wav|pʃˌɨpuʃtʃˈalɲʲɛ zˌawadˈɔvaw kˈilka skˈaw dɔ skʃˈɨɲi i pˌɔstanˈɔviw pɔʃˈukatɕ nˌastɛmpnˈɛɡɔ kˈɔ̃ska.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_173.wav|bˈɔiʃ ɕɛ vwasnˈɛɡɔ tɕˈɛɲʲa?|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_16.wav|mˈɨɕli, ʒˈɛ zˈɔla bˈɨw, jˈɛst.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_81.wav|nazˈajutʃ tʃˈuwɛm ɕɛ lˈɛpʲɛj. mˈuj bˈɔk ɲʲˈɛbɨw jˈuʃ tˌaki ʃtˈ��vnɨ i ˌɔbɔlˈawɨ i mˈɔɡwɛm tsˈawkʲɛm dwˈuɡɔ prɔvˈadʑitɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_21.wav|tɔ ɕɛ na tˈɔbjɛ zˈɛmɕtɕi, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_53.wav|ɲʲɛ jˌɛstɛm ɲˈitʃɨm, tsˈɔ jɛst jˈɛɡɔ.|3
+Dataset/wavs/urwisko_ferenc/61_segment_1.wav|jˈɛɡɔ stˈan ftɕˈɔ̃ʒ bˈɨw tɕˈɛ̃ʃki, ˌalɛ xˈɛrman muɕˈawa vˌɨkɔnˈɨvatɕ sfˈɔjɛ zadˈaɲʲa, dlatˈɛɡɔ tˈɛras jɛxˈali z ɡrˈɔxɛm pʃˈɛs kaʃtʃˈɔrɛk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_13.wav|xˈɔtɕ tʃˈɨta kˈɔmiks pɔt tɨtˈuwɛm ˈɛrtʃis pˈulsɛ ˈand ɡˈulls, tɔ mˈɨɕli ɔː ɛmˈilu zˈɔli, jˈɛɡɔ tʃˈɛtɕɛj, pʃˌɛwɔmˈɔvɛj pɔvʲˈɛɕtɕi tɛrˈɛɕɛ rˈaɡvin.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_76.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_35.wav|zasˈadɨ tɛ zɔstˈawɨ jˈɛdnak ˌustalˈɔnɛ pʃˈɛs lˈudʑi w imjˈɛɲʲu iɣ bˈɔɡa.|3
+Dataset/wavs/urwisko_ferenc/65_segment_96.wav|pˈartnɛr, xˈɔtɕaʒ w zdˌɛtsɨdɔvˈaɲʲɛ lˈɛpʃɨm nastrˈɔju, ɲʲɛ fspˈɔmɲʲaw ɔː ˌɔdvʲɛdʑˈinaɣ blˈiskix, mˈimɔ ʒˈɛ prˌubɔvˈawa tɔː ɔt ɲʲˈɛɡɔ vɨtɕˈɔŋɡnɔɲtɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_61.wav|vˌɨprɔstɔvˈawa rˈɛŋkɛ i dɔtknˈɛwa jˈɛɡɔ pɔlˈitʃka.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_14.wav|dlatʃˈɛɡɔ ɡˈɔ zabʲˈili?|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_271.wav|tɔ dlatˈɛɡɔ, ʒˈɛ ɲʲɛ umjˈɛtɕɛ ɕɛ kˈɔxatɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_25.wav|a s xˈɔllɨ fʃˈɨstkɔ jɛst f pɔʒˈɔntku.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_175.wav|xˈɔff pˌɔkazˈujɛ mu pˌɔdɲʲɛɕˈɔnɛ ktɕˈuki i vrˈatsa dɔ sfˈɔjɛj drˈɔɡʲɛj zabˈafki.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_134.wav|sˈɔndʑɔnts tˈɛɡɔ, tsˈɔ mˈuvi mi ˈɛdvin, lˈɛpʲɛj jˈɛdnaɡ bˈɛɲdʑɛ, jˈɛɕli vɨbjˈɔrɛ sˈɔbjɛ dʑɛftʃˈɨnɛ, ktˌura jˈɛʃtʃɛ ɲʲɛ zakfˈitwa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_24.wav|pˌɔstanɔvˈiwam rɔspˈɔtʃɔɲtɕ ftʃˈɛɕɲʲɛ prˈatsɛ w ɡˌabʲinˈɛtɕɛ arˈama, bˈɔ pɔ pɔwˈudɲʲu spˌɔdʑɛvˈawam ɕɛ dɔstˈavɨ i tʃˈɛkaw mɲʲɛ vˈɨjazd dɔ kurjˈɛra, ʒˈɛbɨ jˈɔ̃ ɔdˈɛbratɕ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_381.wav|ɲˈiɡdɨ f tɔ ɲʲˈɛvɔntp.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_12.wav|pɔdˈawa mu rˈɛŋkɛ i pɔmˈɔɡwa fstˈatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_71.wav|ftɕˈɔ̃ʒ ʒˈɛ̃ʑi, ˌalɛ jˈuʃ ɲʲɛ vɨɡlˈɔnda, jˈaɡbɨ mʲˈawa zˈɛmdlɛtɕ.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_123.wav|ɲʲɛ vʲˈɛdʑaw, tsˈɔ zrˈɔbʲitɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_18.wav|bʲˈillɨ ɕtɕˈiska jˈɛɡɔ dwˈɔɲ.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_13.wav|spɔjʒˈawam na vɨɕfʲˈɛtlatʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_58.wav|tˈutaj tˈɛʃ ɲʲɛ jɛst ruʒˈɔvɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_125.wav|ˌɔdnɔɕˈiwam vraʒˈɛɲʲɛ, ʒˈɛ bˈɛs ɲʲˈɛɡɔ fʃˈɨstsɨ bɛɲdʑˌɛmɨ stratsˈɛɲi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_39.wav|ɲʲɛ pˌɔvʲɛdʑˈawam tˈɛɕɛ ɲitʃˈɛɡɔ. pˈɔʃwa vʲˈɛnts f kˈɔɲtsu dɔ dˈɔmu, nˌajvɨrˈaʑɲʲɛj ɲʲˈɛtsɔ rˌɔstʃarɔvˈana mˈɔim miltʃˈɛɲʲɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_111.wav|kʲˈɛdɨ bʲˈillɨ ɡˈɔ dɔstˈaɲʲɛ, pɔtʃˈɨɲi ɔstˈatɲʲɛ pʃˌɨɡɔtɔvˈaɲʲa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_37.wav|lˈɛpʲɛj tˈak tɔ zɔstˈavitɕ, dɔpˈuki ɲʲɛ skɔɲtʃˈɨmɨ ɕɛ pʃɨɡlˈɔndatɕ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_484.wav|bʒmˈi tsˈawkʲɛm jˈaɡ vˈilk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_148.wav|pˈɔtɛm mˈuvi xɔffˈɔvi, ʒˈɛbɨ vrˈɛʃtɕɛ sˈɔbjɛ pˈɔʃɛd na lˈitɔʑdʑ bˈɔskɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_206.wav|zˌasunˈɛwam jˈɔ̃ i zˌakrɛɲtɕˈiwam kˈɔrbɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_30.wav|ʒˈɛ bˈɨwbɨ zdˈɔlnɨ kˈɔɡɔʑ zˈabʲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_76.wav|jˈuʒ za pˈuʑnɔ bwˈaɡatɕ pardˈɔnu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_115.wav|fɕˈɔndɛ na tˈɨw i trˈɔxɛ sˈɔbjɛ pɔlˈɛʒɛ. dˈaj mi dvʲˈɛ dʑ��ɕˈɔntki ˈɔksɨ, mˈɔʒɛ zˈasnɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_35.wav|ˈaʃ jˈɛŋknɔw.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_172.wav|pɔvʲˈɛdʑaw kˈɔrsak.|0
+Dataset/wavs/urwisko_ferenc/01_segment_33.wav|z zˌamkɲʲɛntˈɨmi ɔtʃˈami ˌɔdlitʃˈɨwa dɔ tʃɨdʑˈɛstu.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_54.wav|viktˈarjɔn ˌɔkrfavʲˈɔnɔ̃ pʲˈɛɲɕtɕɔ̃ zwˈapaw xwɔpˈaka za ɡˈardwɔ. ˈidʑ ɡˈɔ pɔʃˈukatɕ!|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_158.wav|pˈɨta, tʃɨ mˈa zamˈuvitɕ tsˈɔʑ dɔ jɛdʑˈɛɲʲa. ˈɛlis krˈɛɲtɕi ɡwˈɔvɔ̃ pʃɛtʃˈɔntsɔ. ɡɔtˈɔva jɛst pɔkˈazatɕ ɕɛ publˈitʃɲʲɛ i dˈɔbʒɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_31.wav|pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_109.wav|ɕmʲˈɛ vˌɨpɔmˈinatɕ mi nˈɛda stˈarka?|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_96.wav|xˈɔdʑbɨ stˈɔ lˈat i ɲʲˈɛmɨɕl ˈɔmɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_4.wav|vʲˈɛŋkʃɔʑdʑ z ɲˈix ɲʲɛ zɛtknˈɛwa ɕɛ jˈɛʃtʃɛ z ʒˈadnɔ̃ tɕɛmɲʲˈɛjʃɔ̃ strˈɔnɔ̃ ʒˈɨtɕa, ˌuɕmʲɛxˈajɔ̃ ɕɛ vʲˈɛnts radˈɔɕɲʲɛ, a ix ɔblˈitʃa sɔ̃ ˌɔdʑvʲɛrtɕɛdlˈɛɲʲɛm ɲʲˌɛvinnˈɔɕtɕi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_55.wav|ˌupɔkaʒˈajɔ̃ tɕˈɛ, a pˈɔtɛm zˌalɛvˈajɔ̃ pˌɔxfawˈami, pʃˈɛs tsˈɔː ˈutʃɨʃ ɕɛ ɲʲˌɛustannˈɛɡɔ pˌɔʃukivˈaɲʲa swˈuf ˌaprɔbˈatɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_6.wav|ɲʲˈɛbɔ jɛst tʃˈarnɛ, a z ɔddˈali dɔbjˈɛɡa ɲˈiski pˈɔmruɡ ɡrˈɔmu.|3
+Dataset/wavs/urwisko_ferenc/01_segment_22.wav|ʃɛptˈawa nad vˈɔdɔ̃ kɔlˈɛjnɨ jˈuʃ rˈas, jˈaɡbɨ tɔ mʲˈawɔ sprˈavitɕ, ʒˈɛ zɡubjˈɔnɛ swˈɔva sˈamɛ jˈɔ̃ ɔdnˈajdɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_142.wav|pˈaɲi zˌapɨtˈawa mɲʲɛ, ktˈɔ bwˈɨʃtʃɨ tˈak jaskrˈavɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_43.wav|dˈɔm sprubˈɔvaw ɕɛ uɕmʲˈɛxnɔɲtɕ, ˌalɛ vˈɨʃwɔ mu tɔ tˈak sˈamɔ kʲˈɛpskɔ jˈak mɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_281.wav|ɡdˈɨ dʒvˈi jɛj tsˈɛli ˌɔtfɔʒˈɨwɨ ɕɛ nˈaɡlɛ i dɔ ɕrˈɔtka fʃˈɛd lˈɔrt kˈɨbɛrn.|1
+Dataset/wavs/urwisko_ferenc/51_segment_29.wav|— tˈaɡ zrˈɔbjɛ — ɔbjˈɛtsaw blˈɔx i zˈɛrknɔw nˈaɲʲɔ̃ z uɕmʲˈɛxɛm. a pˈɔza tɨm skrɛɲtɕˈili f prˈavɔ. — nˈɔ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_49.wav|kˈat pɔtʃˈuwa ɕɛ smˈutna.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_23.wav|mˈatki straʃˈɨwɨ tsˈurki tɔ̃ ˌɔpɔvʲˈɛɕtɕɔ̃ jˈuʃ f tʃˈasax, ɡdˈɨ bˌɨwɛm f tfˈɔim vʲˈɛku.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_156.wav|tɔ ɲʲɛ jɛst kwˈamstfɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_267.wav|pˌɔvʲɛdʑˈawɛm trˈɔxɛ, ʒawˈujɔnts sfˈɛj dɛtsˈɨzji.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_63.wav|jˈɛɡɔː ˈɔjtɕɛdʑ bˈɨw prˌɔdutsˈɛntɛm ɕfʲˈɛts i wˈata rˈuvɲʲɛʃ utʃˈɔnɔ tˌɛɡɔ fˈaxu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_179.wav|pɔ prˈɔstu tʃɛkˈawɛɕ nˈamɲʲɛ, a jˈuʒ bˌɨwam blˈiskɔː i pˌɔwɔntʃˈɨliɕmˌɨ ɕɛ znˈɔvu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_157.wav|tɔ mˈuɕi bˈɨtɕ tɛn sˈam, ktˌurɨ vartˈɔvɲik sˈal ɲʲˈus pʃˌɛvʲɛʃˈɔnɨ pʃˈɛs rˈamjɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_21.wav|ɲʲˈɛznam ʃtʃɛɡˈuwuf. fkrˈuttsɛ pʃɨjˈadɔ̃ i mˈɔʒɛ dˈɔvʲɛm ɕɛ tʃˈɛɡɔʑ vʲˈɛntsɛj.|4
+Dataset/wavs/urwisko_ferenc/31_segment_17.wav|prˌɔvadʑˈiwa? ɕɛdʑˈawa w ɲˈim? zapˈɨtaw. ɲʲɛ, ˌalɛ tɔ ɕfʲˈɛʒa sprˈava. pujdʑˈɛmɨ tɨm trˈɔpɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_173.wav|tʃɨ tɔː ˌɔznatʃˈawɔ, ʒˈɛ ˈaram xtɕˈaw tˌɛɡɔ dʑˈɛtska?|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_100.wav|za dwˈuɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_274.wav|ɡdˈɨ zɲiknˈɛwa w ɔdmˈɛntax, vˌiktarjɔnˈɔvi vrˈɛʃtɕɛ pɔdˈanɔ lˈidʒbɨ, ɔ ktˌurɛ prˈɔɕiw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_79.wav|uprˈavʲadʑ z ɲˈimi sˈɛks?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_86.wav|musˈimɨ tˈɛras pʃˈɛjɕtɕ ɕɛ kavˈawɛk skˈarbjɛ, a pˈɔtɛm fɕadˈamɨ dɔ tramvˈaju.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_35.wav|sˈapʲɔnts i pʃˌɛklinˈajɔnts, brnˈɛwam pɔd ɡˈurɛ.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_35.wav|stɔmpˈajtɕɛ pɔ mˈɔix ɕlˈadax, a pʃɛjdʑˈɛtɕɛ pʃˈɛz bwˈɔta.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_10.wav|bˈɨw zdˌɛnɛrvɔvˈanɨ, vʲˈɛnts uɕˈadwam na ɔpˈartɕu kʃˈɛswa i vˌɨtɕɔŋɡnˈɛwam dɔ ɲʲˈɛɡɔ rˈɛŋkɛ, ˌalɛ ɲʲˈɛbɨw w nastrˈɔju.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_93.wav|tʃasˈami xtsˈɛ ˌɔtʃɨvˈiɕtɕɛ uvˈɔlɲitɕ xˈɔtɕ mˈawɔ̃ tʃˈɛɲɕtɕ ɕˈɛbjɛ ɔt ˌɔɡraɲˈitʃɛɲ ʒˈɨtɕa vˌɨɲikajˈɔntsɨx s kɔdˈɛksuf nˌapisˈanɨx pʃˈɛs ˈinnɨx.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_21.wav|dˈɛla jɛst ɲʲˈɛtsɔ nˌaxmuʒˈɔna i zˌastanˈavʲam ɕɛ, tsˈɔ tˈak naprˈavdɛ pɔvʲˈɛdʑaw jɛj dɔmˈiɲik i ɡdʑˈɛ ɔn jˈɛst.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_42.wav|ɲʲɛ najlˈɛpʲɛj, ˌalɛ i ɲʲɛ najɡˈɔʒɛj. tˈɛras ˈɔba vˈɛrsɨ z utʃˈutɕɛm. jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ, dˈuʒa ɲʲˌɛspɔdʑˈaŋka spˈɔtka tɕˈɛ. rˈazɛm zˈɛmnɔ̃. adjˈɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_10.wav|znˈuf tʃˈujɛ nˌapwɨvajˈɔntsɛ dɔː ˈɔtʃu wzˈɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_140.wav|ɲʲˈɛx rˈɨan stˈaɲʲɛ ɕɛ s pɔvrˈɔtɛm sˈɔbɔ̃ sˈamɨm, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_40.wav|tˈɔm pˈɔtʃɛd dɔ tablˈitsɨ i pʃˈɨjʒaw ɕɛ dɔvˈɔdɔm, ktˌurɛ zɔstˈawɨ dɔ tɛj pˈɔrɨ zɡrˌɔmadʑˈɔnɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_34.wav|zˌavawˈawa. jɛj ɡwˈɔz vɨdˈavaw ɕɛ ɕmʲˈɛʃnɨ, bɛzdʑvʲˈɛntʃnɨ, jˈaɡbɨ kʃɨtʃˈawa pʃˈɛs jˈɛdɛn s kˈɔtsuf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_128.wav|skˌɔntaktɔvˈawa ɕɛ z ˈɛdʲim, bˈɔ dʑˈɛŋki ɲʲˈɛmu mʲˈawa najvʲˈɛŋkʃɛ ʃˈansɛ dˈɔstatɕ ɕɛ na najlˈɛpʃɛ imprˈɛzɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_282.wav|ˌalɛ ɲʲɛ mˈɔɡɛ narˈazitɕ artˈɛmis na tˈakɔ̃ pʃˈɨʃwɔɕtɕ, ɔ jˈakʲɛj mˈuviʃ. pˈɔza tɨm ˌɔɲi zabʲˈili dvˈɔjɛ nˈaʃɨx. fxˈɔdʑɛ f tɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_259.wav|ɲʲɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_126.wav|dʑɛftʃˈɨŋka pʃˌɨmruʒˈɨwa pˌɔdɛjʒlˈivʲɛ ˈɔtʃɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_35.wav|ɲʲɛ mɨɕlˈawɛɕ ˈɔtɨm ɲˈiɡdɨ, ʒˈɛ samˈɔlɔd vɨɡlˈɔnda naprˈavdɛ jˈak...|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_310.wav|tsˈɔ tˈu ɕɛ dɔ xɔlˈɛrɨ dʑˈɛjɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_112.wav|w vˈaʃɨx plɛtsˈakaɣ znajdˈujɔ̃ ɕɛ rˈuvɲʲɛʃ tʃujɲˈiki, ktˌurɛ pʃˈɛɕlɔ̃ mi sˈɨɡnaw, jɛʒˈɛli pɔjˈavjɔ̃ ɕɛ jˈakʲɛɕ prɔblˈɛmɨ.|4
+Dataset/wavs/urwisko_ferenc/35_segment_46.wav|a s kˈim ɕɛ kwutɕˈiwa?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_88.wav|tˈak pˈuʑnɨm lˈatɛm ɲʲɛ mˈɔʒna bˌɨwɔ lˈitʃɨtɕ na pˈɛwɛn kˈɔntsɛrt ɔ ɕfˈitɕɛ, tsˈɔ tˈɔm pʃˈɨjɔw z ˈulɡɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_140.wav|pamjˈɛntam, jˈak rˈas mi pɔvʲˈɛdʑaw, ʒˈɛ tʃwˈɔvʲɛk, ktˌurɨ pˈaxɲʲɛ jˈaɡ dʒɛntˈɛlmɛn, ɲʲɛ mˈɔʒɛ ˈumʒɛtɕ. bˈuɡ bˈɨ nˈatɔ ɲʲɛ pɔzvˈɔliw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_90.wav|zˌastanˈavʲam ɕɛ pʃˈɛs mˈɔmɛnt, tʃɨ ɲʲˈɛpujʑdʑ dɔ sˌupɛrmarkˈɛtu i ɲʲɛ pɔprˈɔɕitɕ jɛj ɔ pˈɔmɔts.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_32.wav|f tɨm stˈaɲʲɛ ˌɔbɔvʲɔ̃zˈujɛ kˈara ɕmʲˈɛrtɕi.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_20.wav|dˈalɛ rˈuʃɨw w mˈɔjɔ̃ strˈɔnɛ. zvˌarjɔvˈawaɕ? tɕi lˈudʑɛ prˌubɔvˈali tɕˈɛ zˈabʲitɕ!|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_29.wav|tˈɛras fʃˈɨstkɔ fskazˈujɛ nˈatɔ, ʒˈɛ mˈɔja prˈatsa w ˈɛksɔ tˈɛɣ dɔbjˈɛɡwa kˈɔɲtsa i trˈɔxɛ mi s tˌɛɡɔ pɔvˈɔdu smˈutnɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_223.wav|tˈak nˈatɔ vɨɡlˈɔnda. pɔdʒˈutsɛ tɕˈɛ, pɔvʲˈɛdʑaw. ɡdʑˈɛ mʲˈɛʃkaʃ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_19.wav|pˈuʑɲʲɛj dˈam tɕi znˈatɕ, tʃɨ pˌɔtʃɛbˈujɛ pɔmˈɔtsɨ, ˌalɛ dʑˈɛŋki za prˌɔpɔzˈɨtsjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_225.wav|ɲʲˈɛvʲɛm, tʃɨ jˌɛstɛm vˌɨstartʃajˈɔntsɔ ɕˈilnɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_221.wav|pɔtɕˈiski ˌɔmijˈawɨ jˈɛdnaɡ dʒˌɔnnɨˈɛɡɔ, ktˌurɨ lˈɛʒaw pɔɕrˈɔtku pɔkˈɔju f pˌɔvʲɛŋkʃajˈɔntsɛj ɕɛ kawˈuʒɨ krfˈi i kʃˈɨtʃaw w ɲʲˌɛbɔɡwˈɔsɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_39.wav|ktˈɔɕ mˈuɕi vʲˈɛdʑɛtɕ, s kˈim ˈaʃ mʲˈaw rˈɔmans, nˈavɛt jˈɛɕli pɔvʲˈɛdʑaw jˈɔɛ, ʒˈɛ bˌɨli ɔstrˈɔʒɲi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_23.wav|ktˈɔ bˈɨ pɔmˈɨɕlaw, ʒˈɛ nˈaʃa vɨɡrˈana na lɔtˈɛrji tɔ fʃˈɨstkɔ zmʲˈɛɲi?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_112.wav|tsˈɔ takʲˈɛɡɔ zrɔbʲˈiwɛm, ʒˈɛ zdˌɛtsɨdɔvˈawa ɕɛ ˈɔdɛjʑdʑ zˈamjast mɲʲɛ kˈɔxatɕ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_29.wav|swˈɨʃɛ ˈɔddɛx ʃˈɔnɨ pɔ drˈuɡʲɛj strˈɔɲʲɛ lˈiɲʲi. tʃˈɛka na mˈɔjɔ̃ ɔtpˈɔvʲɛtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_7.wav|kɔbjˈɛta zblˈiʒa ɕɛ dɔ mɲʲɛ ɔ krˈɔk.|4
+Dataset/wavs/urwisko_ferenc/21_segment_39.wav|tˈɨlɛ tˈɨlkɔ, ʒˈɛ xwˈɔp ɲʲˈɛma mɔtˈɨvu. jˈɛɕli dˈɔbʒɛ zrˌɔzumjˈawɛm, rɔzvˈɔdʑiw ɕɛ z ʒˈɔnɔ̃, ktˌura mʲˈawa tfˈardɛ dɔvˈɔdɨ zdrˈadɨ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_231.wav|jˈɔj jɛst nˌaturˈalnɔ̃ tsˈurkɔ̃ mɔjˈɛɡɔ zmarwˈɛɡɔ strˈɨja.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_117.wav|jɛst najˈɛmnɨm zabˈujtsɔ̃, jˈɛɕli ɲʲɛ bˌɛɲdʑɛ mˈɨɕlaw, jˈak najˈɛmnɨ zabˈujtsa ɲʲɛ ˌuratˈujɛ sfˈɔjɛj skˈurɨ.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_132.wav|stˈarʃɨ brˈat s pɛvnˈɔɕtɕɔ̃ jˈuʃ nˈanas tʃˈɛka.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_110.wav|ʃˈɛfɛm prˌavdɔpɔdˈɔbɲʲɛ jɛst kˈɛltɔn frɛˈɛman ˈalbɔ xˈɛtstɔr martʲˈinɛs, ˌalɛ mˈɔʒɛ tɔ tˈɛʒ bˈɨtɕ ktˈɔʑ zupˈɛwɲʲɛ ˈinnɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_179.wav|vʲˈara f tsˈɔ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_53.wav|mˈɔʒɛ fkrˈuttsɛ ɕɛ ˌuspɔkˈɔjɔ̃?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_104.wav|ˌɔbjɛtsˈawam aʃˈɔvi, ʒˈɛ ɲʲɛ skˌɔntaktˈujɛ ɕɛ s pɔlˈitsjɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_2.wav|ɡdˈɨ nat tʃɛrvˈɔnɔ̃ tfʲˈɛrdʑɔ̃ zapˈadwa nˈɔts, jɔtsˈɛlɨn rˌɔzɲʲɛtɕˈiwa ˈɔɡʲɛɲ na kɔmˈiŋku krulˈɔvɛj, a dˈɔrtsaz zˌapalˈiwa ɕfʲˈɛtsɛ pʃɨ wˈɔʒu.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_180.wav|ɲʲɛ pɔvʲˈɛdʑaw ɔ tsˈɔ xˈɔdʑi, ˌalɛ krˈɔ̃ʒɨ pɔɡwˈɔska, ʒˈɛ jˌɛstɛʑ zˌamjɛʃˈana f tɛ mɔrdˈɛrstfa.|4
+Dataset/wavs/urwisko_ferenc/63_segment_167.wav|ɲʲˈɛx pˈaɲi pʃɛtʃˈɨta, pˌɔprɔɕˈiwa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_17.wav|ʃˈɛptʃɛ nɛrvˈɔvɔ pɔ drˈɔdʑɛ. prˈɔʃɛ, tsɔkˈɔlvʲɛk pˌɔstanˈɔviʃ, ɔ ɲˈitʃɨm mu ɲʲˈɛmuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_19.wav|frˈaŋkʲɛ ˈɛlvis mˈɔʒɛ i ɲʲɛ znˈa frˌantsuskʲˈɛɡɔ, ˌalɛ tˈɛxɲikˌɛ ˌɔtfʲɛrˈaɲʲa ʃampˈana ˌɔpanˈɔvaw pˌɛrfɛktsˈɨjɲʲɛ. nˌalɛvˈaɲʲa tˈɛʃ.|2
+Dataset/wavs/urwisko_ferenc/52_segment_31.wav|tˌɨlkɔ ɕɛ pˈɔspʲɛʃ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_273.wav|znˈɔvu ɕɛ rˌɔskaswˈawa.|1
+Dataset/wavs/urwisko_ferenc/17_segment_54.wav|pˌɔlitsjˈantka pʃˈɛʃwa dɔ drˈuɡʲɛj klˈatki i ˌɔtʃukˈawa nˈumɛr mʲɛʃkˈaɲʲa na dˌɔmɔfˈɔɲʲɛ. xˈalɔ, ˌɔdɛzvˈawa ɕɛ kˌataʒˈɨna sˈɔlska.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_19.wav|ˌuspravɲˈiwɛm nˈaʃɔ̃ brˈamɛ ɡˌaraʒˈɔvɔ̃, ʒˈɛbɨ vˌɨkrɨvˈawa pˌɔwɔʒˈɛɲʲɛ zblˌiʒajɔntsˈɛɡɔ ɕɛ sˌamɔxˈɔdu ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_92.wav|pʃˌɛɕfʲɛtlˈɔnɛj swˈɔɲtsɛm skʃˈɨɲi z ʑˌɛlɔnˈɨmi frˌamuɡˈami stˈɔi...|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_6.wav|starˈawam ɕɛ tʃˈɨmatɕ rˈɛŋkɛ ɲʲˌɛruxˈɔmɔ. pɔtˈɛ̃ʒna tˌɛmpɛratˈura, pˌɔttʃɨmɨvˈana stˈawɨm dɔpwˈɨvɛm tlˈɛnu, zatʃˈɛwa rɔspˈuʃtʃatɕ mˈɛtal, vˌɨpalˈajɔnts tsˈɔraz ɡwˈɛmpʃɔ̃ dʑˈurɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_177.wav|bʲiljˈɛɡɔː ɔɡˈarɲʲa zɡˈɔwa ɲʲˌɛɔtpˈarta pɔkˈusa, bˈɨ pʃɨwˈɔʒɨtɕ jɛj znˈɔvu, ɲʲɛ dlatˈɛɡɔ jˈɛdnak, ʒˈɛ ɡˈɔː ɔplˈuwa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_43.wav|musˈimɨ tˈɛʃ ʃˈɛʒɛj zaʒˈutɕitɕ ɕˈɛtɕ. ɲʲˈɛmam tˈɛras tʃˈasu tˌɛɡɔ vɨjˈaɕɲʲatɕ, ˌalɛ kʲˈɛdɨ bˌɛɲdʑɛʃ ʃˈukaw pɔvʲˈɔ̃zaɲ, uvzɡlˈɛndɲij prˈɔʃɛ jˈɛʃtʃɛ tɨx lˈudʑi.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_220.wav|mˈukw ɕɛ znˈalɛɕtɕ f puwˈaptsɛ. w bliʑɲʲˈakax ɕˈɛdʑɔ̃ frɛjˈɔvʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_295.wav|mˈɔʒna zvarjˈɔvatɕ.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_320.wav|zɡˈɔdʑiw ɕɛ marˈibalt.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_51.wav|pˈuʃtʃɛ rˈɔba i sˈam tˈɛʒ vrˈutsɛ dɔ dˈɔmu. dɔ zˌɔbatʃˈɛɲʲa rˈanɔ.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_182.wav|ɔ ɲˈitʃɨm ɲʲɛ vʲɛdʑˈawɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_84.wav|ɲʲɛ, jˈuʃ w nˈɔtsɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_16.wav|ɲʲˌɛnavidʑˈiwam kwˈamatɕ, ˌalɛ kɔxˈawam drʒˈɛɲʲɛ, ktˌurɛ vˌɨvɔwˈɨvaw vˈɛmɲʲɛ pˈɔkɛr.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_234.wav|stˈɔi ˌuɕmʲɛxɲʲˈɛntɨ f sfˈɔim ɔɡrˈutku na ɛvˈɛrɡrin strˈit.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_119.wav|fskazˈujɛ na surˈɔvɛ, stalˈɔvɛ dʒvˈi bˌɛspʲɛtʃnˈɛɡɔ pɔkˈɔju.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_161.wav|tˌɛɡɔ nˈaʃ plˈan ɲʲɛ ˌɔbɛjmˈujɛ, a ja ɲʲɛ lˈubjɛ, jˈak tsˈɔʑ vɨkrˈatʃa pˈɔza plˈan.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_263.wav|nˈajpʲɛrf musˈimɨ ɕɛ stˈɔnt ulˈɔtɲitɕ. pʲˈɛɲtɕ stʃˈawuf tɔ tʃtˈɛrɨ za dˈuʒɔ. vˈɛɕ mɔjˈɛɡɔ ɡlˈɔka, tˈam lˈɛʒɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_77.wav|vɨɡlˈɔnda pʃˈɛs ˈɔknɔ pɛrˈɨskɔp i vˈidʑi tɔ, tsˈɔ zvˈɨklɛ, tʃˈɨli ɲˈits tɕˌɛkavˈɛɡɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_107.wav|mɔʒˈɛmɨ vˌɨdmuçˈivatɕ?|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_110.wav|ɔdˈɛzvaw ɕɛ jˈakiʑ zaxrˈɨpwɨ, mˈɛ̃ski ɡwˈɔs.|4
+Dataset/wavs/urwisko_ferenc/65_segment_123.wav|bɔrˈɛvidʒ vˈɨdaw vˈarɡʲi i pɔdrˈapaw ɕɛ pɔ ɡwˈɔvʲɛ. xɔlˈɛra vʲˈɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_74.wav|mˈuj brˈad zˈafʃɛ lˈubʲiw zˈapax trˈavɨ.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_156.wav|jˈɛɡɔ ɕˈɔstra uɲʲˈɔswa dwˈɔɲ dɔː ˈust. lˈɔra ɕɛ ɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_171.wav|mˈɔʒna pɔvʲˈɛdʑɛtɕ, ʒˈɛ znalˈazwam jˈakʲɛɕ rˌɔzvʲɔ̃zˈaɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_62.wav|bˌɨwaɕ ftˈɛdɨ bˈardʑɔ mˈawa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_21.wav|zˌatʃɛkˈawam, ˈaʃ ɔtfˈɔʒɔ̃ vˈalmart.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_10.wav|swuxˈawɨ tˈam ɕpʲˈɛvu bwˌɛŋkitnˈɛɡɔ bˈarda.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_8.wav|jˈɛɡɔ tɕˈawɔː ˌutɕɛrpʲˈawɔ jˈak pɔpʃˈɛdɲim rˈazɛm. ɔdɲʲˈɔswam jˈɛdnaɡ vraʒˈɛɲʲɛ, ʒˈɛ jˈɛɡɔ dˈux rˈuvɲʲɛʃ ˈupad.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_95.wav|bˈɔʒɛ, jˈaɡbɨm ubjˈɛraw mˈawɛ dʑˈɛtskɔ, mˈɨɕli.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_28.wav|pamjˈɛntam, ʒˈɛ pɔ ʃkˈɔlɛ jˌɛstɛm ˌumuvʲˈɔna z mˈɔjɔ̃ pʃˌɨjatɕˈuwkɔ̃ tˈɛssɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_97.wav|nastˈɛmpnɨm rˈazɛm, jˈak pˈaɲi spˈɔtka skɔrpʲˈɔna, rˈadʑɛ ɡˈɔ rɔzdˈɛptatɕ, zˈamjast nˈɔɕitɕ na ɡʒbjˈɛtɕɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_39.wav|fˈaidɣ dɔstˈajɛ dˈɔbrɛ ɔtsˈɛnɨ w litsˈɛum, xˈɔtɕaʒ zdrˈadʑa trˈɔxɛ za dˈuʒɛ zˌaintˌɛrɛsɔvˈaɲʲɛ xwɔptsˈami.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_6.wav|kˈɔʒɛɲ ɕɛ pʃɛt tˈɔbɔ̃, tˈɛ̃skɲʲɛ za tˈɔbɔ̃ i lˈɛŋkam ɕɛ tɕˈɛbjɛ.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_376.wav|jˈak jˈuʃ spˈɛndʑɔ̃ w vˈɔdʑɛ kˈilka dɲˈi, fʃˈɨstkʲɛ vˌɨɡlɔndˈajɔ̃ tˈak sˈamɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_37.wav|drˈɔɡa dʒˈɛs|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_352.wav|ɲʲɛktˌuʒɨ pˌɔvʲadˈajɔ̃, ʒˈɛ rˈuvɲʲɛʃ nˌajpɔtɛ̃ʒɲʲˈɛjʃɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_49.wav|pʃˌɛsunˈɛwam ɡʲˈizmɔ nat tʃɨtɲˈikʲɛm i dʒvˈi bˈutki stanˈɛwɨ pʃɛdˈɛmnɔ̃ ɔtfˈɔrɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_75.wav|mˈikɛ vˈɨɕat s kabʲˈinɨ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_387.wav|pɔmˈɨɕlaw jˈamɛ, ɡdˈɨ pˈipɛr pˈɔdɲʲus ɕɛ xfʲˈɛjɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_30.wav|zˌawɔʒˈɔnɔ nˈavɛd ɡrˈupɛ xˌapˌɛˈɛr na fˌatsɛbɔˈɔku.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_30.wav|ɲʲɛ tʃˈujɔnts tʃˈasu ˌaɲi swˈɔɲtsa pˌadajɔntsˈɛɡɔ mu na tfˈaʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_84.wav|ɲˈiɡdɨ ɲʲɛ nalˈɛʒɨ pɔzvˈalatɕ, ʒˈɛbɨ ktˈɔɕ tɔ rˈɔbʲiw sˌamɔdʑˈɛlɲʲɛ. ˈɔfʃɛm, jɛst tɔ vˌɨkɔnˈalnɛ, ˌalɛ strˈaʃɲʲɛ ˌutɕɔ̃ʒlˈivɛ.|4
+Dataset/wavs/urwisko_ferenc/27_segment_104.wav|ɲˈiɡdɨ ftʃˈɛɕɲʲɛj tˌɛɡɔ ɲʲɛ rɔbʲˈiliɕmˌɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_104.wav|ɲʲɛ znɔsˈimɨ tˈɛʃ, kʲˈɛdɨ nˌazɨvˈajɔ̃ nˈas lˌunatɨkˈami, a na artˈɛmis mˈuvjɔ̃ kɔsmˈitʃnɛ mʲˈastɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_121.wav|zzˈa nˌajbliʃʃˈɛɡɔ rˈɔɡu s pˈiskʲɛm ˈɔpɔn vɨpˈada radjˈɔvus na sɨɡnˈalɛ. bʲˈili tsˈɔfa ɕɛ i tʃˈɛka, ˈaʒ ɡlˈinɨ pʃɛjˈadɔ̃.|2
+Dataset/wavs/urwisko_ferenc/62_segment_8.wav|ɲʲɛ za miltʃˈɛɲʲɛ, ˌalɛ za vzbudʑˈɛɲʲɛ nadʑˈɛi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_18.wav|stˈɔpɲʲɛ sxɔdʑˈɔntsɛ dɔ trˈaktu mʲˌawɨ z jˈɛdnɛj strˈɔnɨ vɨtɕˈɛntɛ rˈɔfki, zapˈɛvnɛ pʃˌɨstɔsɔvˈanɛ zɔstˈawɨ dɔ rˌɔvɛrˈɔvɨx kˈuw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_322.wav|tɔ jɛst pɔdˈɔbnɛ dɔ lˌitɛratˈurɨ, ʒˈɛkw f kˈɔɲtsu.|0
+Dataset/wavs/urwisko_ferenc/01_segment_53.wav|nˌajvaʒɲʲˈɛjʃɛ, ʒˈɛbɨ dˈaw jɛj jˈuʃ spˈɔkuj, bˈɔ muɕˈawa ɕɛ skˈupitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_70.wav|xˈɨba tˈak. mˈam nˈɔvɛ zlɛtsˈɛɲʲɛ nˈa...|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_26.wav|kˈɔrsak stˈanɔw ˈɔstrɔ.|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_35.wav|tsˈɔ bˈɨm zrɔbʲˈiwa, ɡdˈɨbɨ pɔvʲˈɛdʑaw, ɲʲɛ, mˈɨɕlɛ, ʒˈɛ mˈili jˈuʃ ɲʲɛ ʒˈɨjɛ.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_254.wav|a tˈaɡʒɛ lˈutskʲɛ trˈupɨ.|1
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+Dataset/wavs/urwisko_ferenc/52_segment_22.wav|zadʑvˈɔɲiw vʲˈɛnts jˈɛʃtʃɛ rˈas.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_84.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_12.wav|ʒˈɛkwam f kˈɔɲtsu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_223.wav|bˈutskɨ ɕɛ ɕmʲˈɛjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_142.wav|w jˈɛdnɛj xfˈili dɔtˈarwɔ dɔ mɲʲɛ, ʒˈɛ vʲˈɛm, tsˈɔ mˈuʃɛ zrˈɔbʲitɕ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_44.wav|rɔzbʲˈijtɕɛ mˈuj nˈamjɔt i rɔzvˈiɲtɕɛ ʃtandˈarɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_102.wav|naprˈavdɛ tˌɛɡɔ ɲʲɛ rˌɔzumjˈawam, a tˈata xˈɨba vˈɨtʃuw mˈɔjɛ zmʲɛʃˈaɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_37.wav|filˈipa vˌɨtʃɨmˈawa jˈɛɡɔ spɔjʒˈɛɲʲɛ i zˌatɕisnˈɛwa vˈarɡʲi.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_100.wav|jɛʒˈɛli tɕiɕɲʲˈɛɲʲɛ w mʲˈɛɕtɕɛ jɛzd za vɨsˈɔkʲɛ, zˈavur ɕɛ ɔtfʲˈɛra i vɨpˈuʃtʃa nˈadmʲar pɔvʲˈɛtʃa, dɔpˈuki fʃˈɨstkɔ ɲʲɛ vrˈutɕi dɔ nˈɔrmɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_54.wav|ˌalɛ bˌɨwɔ f tɨm ˌɔvwɔɕˈɔnɨm ɔblˈitʃu tsˈɔʑ z bˌajkɔvˈɛɡɔ, pʃˌɨjaznˈɛɡɔ pɔtfˈɔra.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_82.wav|mˈuʃɛ ɕˈɛdʑɛtɕ ɲʲˌɛruxˈɔmɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_158.wav|i ˌɔtʃɨvˈiɕtɕɛ zabʲˈijɔ̃ kaʒdˈɛɡɔ, ktˈɔ sprubˈujɛ stˈanɔɲtɕ im na drˈɔdʑɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_31.wav|xwˈɔptsɨ dɔswˈɔvɲʲɛ vˌɨvrutɕˈili tɔ mʲɛʃkˈaɲʲɛ dɔ ɡˈurɨ nɔɡˈami, xtsˈɔndʑ ɡˈɔ znˈalɛɕtɕ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_298.wav|xˈɔtɕ rˈas mˈɔʒɛ mʲˈɛtɕ rˈatsjɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_24.wav|mˈuʃɛ ɕɛ jˈuʒ zbjˈɛratɕ. vɨbˈatʃtɕɛ, ˌalɛ mˈam jˈɛʃtʃɛ zakˈupɨ dɔ zrɔbjˈɛɲʲa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_95.wav|tˈata ɲʲˈɛmʲaw jˈuʃ pˌɔzvɔlˈɛɲʲa na spˈaɲʲɛ w wˈuʃku z mˈamɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_20.wav|sprˈava naʃˈɛɡɔ dʑˈɛtska tɔ jˈɛdnak tsˈɔʑ zupˈɛwɲʲɛ innˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_324.wav|lˈudʑɛ stˈali w mˈawɨɣ ɡrˈupkax, spˌɔɡlɔndˈajɔnts pɔnˈurɔ na dʒvˈi vʲɛlkʲˈɛɡɔ sˈɛptu, ktˌurɨx stʃˈɛkw ʃˈɛrɛk sɛptˈɔnuf nˌɔvitsjˈuʃɨ z drɔŋɡˈami w dwˈɔɲʲax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_138.wav|pʲˌɛrdɔlˈɔna mˈɛtʃ, xˈɛ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_19.wav|ɔ ktˌurɨx mˈɔʒɛ ɲˈiɡdɨ ɕɛ ɲʲɛ dˈɔvʲɛʃ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_129.wav|z impˈɛtɛm ɔtfʲˈɛram dʒvˈi, pʃɛtɕˈinam ɲʲɛdˈuʒɨ tˈaras i dɔpʲˈɛrɔ tˈɛraz zˌauvˈaʒam, ʒˈɛ dˈɔm zbˌudɔvˈanɔ na zbˈɔtʃu vzɡˈuʒa.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_184.wav|ʒˈɛbɨ mɲʲɛ dˌɛpɔrtɔvˈanɔ? ɲʲɛ, dʑɛŋkˈujɛ. ɲʲɛ mˈɔɡɛ mu ˈufatɕ. f tɛj xfˈili ɲʲɛ mˈɔɡɛ ˈufatɕ ɲikˈɔmu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_235.wav|jˌɛstɛɕ tsˈɔras lˈɛpʃɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_260.wav|dˈalɛ skrˈɛɲtɕiw lˈɛkkɔ w lˈɛvɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_206.wav|vwɔntʃˈɨwam mikrˈɔfɔn s pɔvrˈɔtɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_75.wav|çirˈɔki dɹˈajf kˈɔɲtʃɨ ɕɛ pʃɨ ɡwˈuvnɨm vjˈɛʑdʑɛ dɔ prˌɔmɔntˈɔrɨ pˈɔint.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_31.wav|na ɡwˈɔvʲɛ mˈa kˈazɡ z ɔtfˈartɔ̃ ʃˈɨpkɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_123.wav|tɔ bˌɨwɔ mˈɔjɛ zvɨtɕˈɛ̃stfɔ, ɲʲɛ jˈɛɡɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_100.wav|jˈɛdnak lˈɛkki vzrˈɔst tɕiɕɲʲˈɛɲʲa zapˈɔbjɛkw pʃɨnˈajmɲʲɛj zˌasɨsˈaɲʲu skˌaʒɔnˈɛɡɔ xlˌɔrɔfˈɔrmɛm pɔvʲˈɛtʃa pʃˈɛs ɲʲɛʃtʃˈɛlnɛ bʒˈɛɡʲi.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_192.wav|ˈandrik ɔdˈɛpxnɔw sfˈɔjɛ kɔbjˈɛtɨ i pˈɔdɲʲus ɕɛ tɕˈɛ̃ʃkɔ, ɲˈitʃɨm ɡˈura vˌɨnuʒajˈɔntsa ɕɛ z mˈɔʒa.|1
+Dataset/wavs/urwisko_ferenc/50_segment_72.wav|pʲˈɛrʃɛ prɔmjˈɛɲʲɛ swˈɔɲtsa musnˈɛwɨ ˈasfalt i rˌɔzjaɕɲˈiwɨ lˈas pɔ prˈavɛj strˈɔɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_15.wav|zatʃˈɨna nˈam brakˈɔvadʑ ʒɨvnˈɔɕtɕi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_287.wav|dʒˈimnɔ|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_152.wav|zapˈɨtaw sˈɛr xˈɨdɛ, ɡdˈɨ ruʃˈɨli dˈalɛj w ɡˈurɛ pɔ drɛvɲʲˈanɨx sxˈɔdax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_205.wav|ɲʲˌɛɔtʃˌɛkivˈaɲʲɛ dɔstˈawaɕ spˈɔrɛ pʲɛɲʲˈɔndʑɛ i ɕɛ ˌutɕɛʃˈɨwaɕ, tɔ nˌaturˈalnɛ.|2
+Dataset/wavs/urwisko_ferenc/01_segment_96.wav|f sprˈavʲɛ zˌaɡʲiɲʲˈɛɲtɕa pˈana tsˈurki pˌɔjavˈiwɨ ɕɛ nˈɔvɛ vˈɔntki.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_34.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ tɔ nˈaʃ najlˈɛpʃɨ trˈɔp f pˌɔʃukivˈaɲʲu ɛdmˈuntsa, kturˌɛɡɔ ɲʲˈɛma jˈuʃ ɔt pˈaru dɲˈi. musˈimɨ ɕɛ upˈɛvɲitɕ, tʃɨ ʒˈɨjɛ i jɛzd bɛspʲˈɛtʃnɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_37.wav|kˈim tɨ na bˈɔɡa jˈɛstɛɕ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_7.wav|ɲʲˈɛxtsɛ tˈam jˈɛxatɕ i ɲʲɛ sˈɔndʑɛ, ʒˈɛbɨ bˌɨwɔ tɔ najlˈɛpʃɛ mʲˈɛjstsɛ dla mˈilljɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_298.wav|ʒˈɛbɨ ɲʲɛ ˌɔtxɔdʑˈiwa, ʒˈɛbɨ ɲʲɛ rˌɔstɔpˈiwa ɕɛ w bˌɛznadʑˈɛjnɛj tsˌɔdʑɛnnˈɔɕtɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_67.wav|jˈɛɕli tɔ tˈata, tɔ mˈɔʒɛ ɲʲɛ fʃˈɨstkɔ stratsˈɔnɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_32.wav|ˌuzɡɔdɲˈiliɕmˌɨ tˈɛʃ, ʒˈɛ ʒˈadnɛ z nˈas ɲʲɛ bˌɛɲdʑɛ ɔbvˈiɲʲadʑ druɡʲˈɛɡɔ za rˈɔspat mawʒˈɛɲstfa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_10.wav|jɛzd za mwˈɔdɨ na stsˈɔtta.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_5.wav|na kˌɔrɨtˈaʒu panˈɔvaw xarmˈidɛr.|3
+Dataset/wavs/urwisko_ferenc/02_segment_88.wav|vˈɛstxnɔw i pɔdrˈapaw vnˈɛntʃɛ dwˈɔɲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_214.wav|ɲʲˈɛmuɡw ɡˈɔ ɲˈiɡdɨ zastˈɔmpitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_328.wav|dlatʃˈɛɡɔː uvˈaʒaʃ, ʒˈɛ w ɔɡˈulɛ dˈam sˈɔbjɛ s tɨm rˈadɛ?|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_248.wav|pɔ krulˈɛfskim vʲˈɛtsu prubˈɔvaw pˌɔʒɛɡlˈɔvadʑ dɔ dˈɔmu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_99.wav|zˌiɡnɔrˈɔvaw ˌuɲʲɛɕˈɔnɛ brvˈi bˈɛtskɨ, kˈɔɲtʃɔnts rɔzmˈɔvɛ z brˈatɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_107.wav|fˈarit spˈɔjʒaw na ɲʲˈɛɡɔ pˌɨtajˈɔntsɔ, ˌalɛ pˌɔlɛtsˈɛɲʲɛ vɨkˈɔnaw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_61.wav|pˌɔvʲɛdʑˈawa f kˈɔɲtsu kˈatɛ, zajmˈujɔnts ɕɛ krˌɛvɛtkˈami.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_21.wav|tˈɔm unˈɔɕi brvˈi.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_302.wav|lˈudʑɛ, ktˌurɨɣ zabʲˈiwa.|1
+Dataset/wavs/urwisko_ferenc/47_segment_40.wav|a rˈatʃɛj pʃˈɛstɔ, jˈakɔ̃ bˌɨwa mˈatkɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_50.wav|bˈɛtskɨ mɨɕlˈawa ɡˌɔrɔntʃkˈɔvɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_8.wav|mʲˈastɔ vˌɨɡlɔndˈawɔ jˈak pɔː ˌapɔkalˈipɕɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_106.wav|ˈanna zɲʲˌɛruxɔmjˈawa, a ˈuɕmʲɛx spˈɛwz z jɛj tfˈaʒɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_25.wav|tʃɨ tɔː ɔznˈatʃa, ʒˈɛ muɕˈawɛɕ mu zvrˈutɕitɕ fʃˈɨstkʲɛ pʲɛɲʲˈɔndʑɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_65.wav|pʃˌɛvɔdɲˈitsɨ pˌɔdʑɛlˈili nˈas na tʃˈɨ ɡrˈupɨ pɔː ˈɔɕɛm ˈɔsup.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_50.wav|zdˈajɛ ɕɛ, ʒˈɛ mˈuviw, ʒˈɛ spɔtkˈaɲʲɛ mˈa ɔ drˈuɡʲɛj. pˈɔtɛm mˈɔʒɛ pˈujdʑɛ na kˈavɛ, tʃˈasɛm tˈak rˈɔbʲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_113.wav|pʃˌɨpuʃtʃˈalɲʲɛ ɲˈidʑ bˈɨ tɔ ɲʲɛ dˈawɔ. bˈɨw ˌɔtpɔvʲˈɛdɲʲɔ vˌɨʃkɔlˈɔnɨ, a tsˈawɛ jˈɛɡɔ zadˈaɲʲɛ pˌɔlɛɡˈawɔ na pˌilnɔvˈaɲʲu dɔstˈɛmpu dɔ pɔkˈɔjuf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_30.wav|ftˈɛdɨ pˌɔmɨɕlˈawam ɔ ʒˈɨtɕu mɔjˈɛɡɔ dʑˈɛtska, ɡdˈɨbɨm zɔstˈawa.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_26.wav|tˈak ɕɛ pɔmˈɨɕlɲʲɛ dla mɲʲɛ skwˈada.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_224.wav|tsˈɔ tˈam, kɔlˈɛɡɔ mˈuvi, starˈuʃka tɕˈɛ fpuɕtɕˈiwa?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_48.wav|— tsˈɔɕ tɕi pˈɔvʲɛm — mˈuvi dʒˈanɛt.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_266.wav|ˌalɛ ja ˈɔtɨm mˈɨɕlɛ stˈalɛ i ɔː ˈinnɨx ˌɔkɔlitʃnˈɔɕtɕax mˈɨɕlɛ i ɔ tsˈawɛj nˈaʃɛj ɡɔlɡˈɔtɕɛ waɡrˈɔvɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_429.wav|swˈɔɲtsɛ ʃwˈɔ ɲʲˌɛvɨsˈɔkɔ nat xˌɔrɨzˈɔntɛm.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_137.wav|bˈɨtɕ mˈɔʒɛ bʲˈitfa rɔzɡʒˈawa rˈuvɲʲɛʃ jɛj krˈɛf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_4.wav|spˈɔjʒaw na tablˈitsɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_8.wav|dʑˈiɕaj ɲʲˈɛma ɡˈɔ w mʲˈɛɕtɕɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_449.wav|ˌɔpsɨpˈanɨx mˌikrɔskˌɔpijnˈɨmi listkˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_34.wav|tˈak, mʲɛʃkˈawam tˈam pʃˈɛs jˈakiɕ tʃˈas, ɕˈɛdɛm lˈat tˌɛmu i pamjˈɛntam, ʒˈɛ jˈɛʑdʑiw tˈutaj pɔ pˈɔtʃtɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_38.wav|ˌɔna jɛst f pɔʒˈɔntku, tˈɛss. pɔ prˈɔstu ftɕˈɔ̃ʃ prubˈujɛ ɕɛ ɔdnˈalɛɕtɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_20.wav|wˈɔntʃ mɲʲɛ z nˌadʲinspɛktˈɔrɛm dˌɔuɡlˈasɛm. natˈɨxmʲast!|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_7.wav|pʃɛɕˈɛdʑaw tˈu wˈadnɨx kˈilka ɡˈɔdʑin, zupˈɛwɲʲɛ ɲʲɛ tʃˈujɔnts upwˈɨvu tʃˈasu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_98.wav|pratsˈujɛ n��attɨm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_200.wav|ɲʲɛ dˈanɛ mu bˌɨwɔ tˌɛɡɔ maʒˈɛɲʲa spˈɛwɲitɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_134.wav|ˌalɛ tˈaɡʒɛ i tɨm rˈazɛm ɕɛ mˈɨli.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_21.wav|ɲʲɛ vʲˈɛʒɛ, ʒˈɛ ˈaʃ mˈuɡwbɨ bˈɨtɕ tˈak pʃɛbjˈɛɡwɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_3.wav|tsˈɔ xfˈila stavˈaliɕmˌɨ f kˈɔrkax, zˌablɔkɔvˈaɲi pʃˈɛs mɲʲˈɛjʃɛ i vʲˈɛŋkʃɛ pɔxˈɔdɨ ˌɔraz dˌɛmɔnstrˈatsjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_9.wav|pˌɔmɨɕlˈawam, ʒˈɛ kʲˈɛdɨ bˌɛɲdʑɛ jˈuʃ pɔ fʃˈɨstkim, pɔjˈɛʒdʒɛ sˈɔbjɛ ɲˈim dla tʃˈɨstɛj frˈajdɨ.|4
+Dataset/wavs/urwisko_ferenc/36_segment_35.wav|ɔtsknˈɛwa ɕɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_166.wav|upʃˈɛdʑiw mɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_83.wav|sˈansa stˈark|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_327.wav|ˌalɛ ja pamjˈɛntam, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(89) R.Abbott_Zamknij Drzwi_segment_6.wav|ɲʲˌɛnavˈidʑɛ tɨx swˈuf, zˈafʃɛ vˌɨpɔvʲadˈanɨx tˈaɡ ɡwˈatkɔː i zvˈɨklɛ dalˈɛkix ɔt prˈavdɨ. z mˈɔix ˈuzd vˈɨʃwɨ jˈɛdnak ɲʲˈɛmal ˌawtɔmatˈɨtʃɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_22.wav|pʃˈɛs tsˈawɨ tʃˈas ɕɛ zˌastanˈavʲam, tʃɨ pɔrvˈaɲʲɛ ˈɔjtsa ɲʲɛ jɛst jɛdˈɨɲʲɛ zaswˈɔnɔ̃, a vwaɕtɕˈivɨm tsˈɛlɛm ɲʲɛ jɛzd dʑˈɛtskɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_54.wav|tˈak naprˈavdɛ stˈawa ɕɛ ˌɔna dˈɔbrɨm ˌuspravʲˌɛdlivʲˈɛɲʲɛm mˈɔiɣ dʑˈivnɨx nastrˈɔjuf, kʲˈɛdɨ prˌubɔvˈawam vɨmˈɨɕlitɕ, tsˈɔ mˈam zrˈɔbʲitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_244.wav|na tʃˈɛtɕim pʲˈɛntʃɛ ɲʲɛ bˌɨwɔ ɕtɕˈan i swˈɔɲtsɛ ˌudɛʒˈɨwɔ mɲʲɛ jˈak ɔbˈuxɛm.|2
+Dataset/wavs/urwisko_ferenc/25_segment_60.wav|xˈɛrman vɨdˈawa vˈarɡʲi i vˌɨpuɕtɕˈiwa pɔvʲˈɛtʃɛ. xˈɨba mˈa rˈatsjɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_8.wav|jˈuʃ tɕi muvˈiwam.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_132.wav|mˈɔi lˈudʑɛ vˈɔlɔ̃ zɡʲˈinɔɲdʑ w vˈaltsɛ, stˈɔjɔnts, ɲˈiʃ na kɔlˈanax pɔt katˈɔfskim tɔpˈɔrɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_67.wav|znajdʑˈɛmɨ spˈɔsup, ˌalɛ ɔbˈavʲam ɕɛ, ʒˈɛ tɔ bˌɛɲdʑɛ vˌɨmaɡˈawɔ prˈatsɨ, tʃˈasu i pˈɛvnɛj dˈɔzɨ tɕˌɛrplivˈɔɕtɕi zˈɛ strˈɔnɨ tfˈɔiɣ blˈiskix.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_54.wav|tɔ dˈɔbrɨ pˈɔmɨsw, pɔtfʲˈɛrdʑam.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_259.wav|stˈɔ zwˈɔtɨx pwˈaʃtʃɨ z drɔŋɡˈami, mʲɛtʃˈami i bˌuzdɨɡanˈami ʃˈɨpkɔ bˈɨ ɕɛ ˌupɔrˈawɔ s tɔ̃ twˈuʃtʃɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_86.wav|vɨwˈɔntʃa kɔmpˈutɛr i pˌɔstanˈavja ɕɛ pɔkˈazatɕ na pˈɛarsɔn strˈit, pʃɨpˈɔmɲʲɛtɕ ɔ sˈɔbjɛ bɛvˈɛrlɨ jˈɛnsɛn i jɛj mɛ̃ʒˈɔvi, ktˌurɨ ɲʲˌɛvɔntplˈivʲɛ dʑˈiɕ ɲʲɛ pratsˈujɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_11.wav|f kˈɔɲtsu znˈuf ˌupɔdɔbɲˈiwam ɕɛ trˈɔxɛ dɔ tʃwɔvʲˈɛka.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_277.wav|ɲʲɛktˌurɨx pˌɔvʲɛʃˈɔnɔː ˈinnɨm vɨprˈutɔ̃ vnɛntʃnˈɔɕtɕi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_60.wav|ˈaʃ pɔdˈɔ̃ʒa za mnˈɔ̃, ssuvˈajɔnts ɕɛ na pɔɕlˈatkax pɔ pɔrˈɛntʃɨ. ɲʲɛ jɛst tɔ spɛtsjˈalɲʲɛ dˌɨstɨɡɔvˈanɨ spˈɔsup na ˌɔpuʃtʃˈɛɲʲɛ dˈɔmu.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_402.wav|tʃɨ mˌamɨ zapˈɨtatɕ ˈɔtɔ mɔjˈɛɡɔ brˈata?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_35.wav|na rˌɛtsɛptsjɔɲˈisttsɛ kˈɔɲtʃɔnts, bˈɨw ɡˈɔtuv dɔ dˌɔdatkɔvˈɛɡɔ vɨɕˈiwku, ʒˈɛbɨ ɔtʃˈɨmatɕ naɡrˈɔdɛ f pɔstˈatɕi uɕmʲˈɛxu na tfˈaʒɨ ʃˈɛfa.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_129.wav|tɔ ɲʲɛ tˈakʲɛ prˈɔstɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_2.wav|bˈɛtskɨ pˌɔmaxˈawa dɔ tˈɔma, ktˌurɨ fʃˈɛd dɔ pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_96.wav|mˈɔʒɛ akˈurat jɛst f ɕiwˈɔvɲi lˈup na basˈɛɲʲɛ klˈiɲikˌi.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_189.wav|a dʒˈɛjn pɔpˈatʃɨw na jɛj mˈatkɛ.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_121.wav|jˈɛɡɔː ɛskˈɔrtɔ̃ bˌɛɲdʑɛ dɔvˈɔdʑiw sˈɛr fˈɔrlɛj prˈɛstar.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_41.wav|znˈajmiw mˈawɨ lˈɔrt pisklˈivɨm, marˈudnɨm ɡwˈɔsɛm. zɔstˈanɛ dʑˈiɕaj w wˈuʃku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_31.wav|patʃˈɨwaɕ prˈɔstɔ nˈamɲʲɛ i zˌauvaʒˈɨwɛm, ʒˈɛ nˈaɡlɛ klˈapka tɕi zˌaskɔtʃˈɨwa.|2
+Dataset/wavs/urwisko_ferenc/43_segment_89.wav|zˌastanˈavʲam ɕɛ, tʃɨ jˈɛɡɔ zˌaxɔvˈaɲʲɛ...|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_222.wav|stˈanɔw pʃɛt krulˈɔvɔ̃ s pˌɔxɨlˈɔnɔ̃ ɡwˈɔvɔ̃, mruɡˈajɔnts ˌɔpadˌajɔntsˈɨmi pˌɔvʲɛkˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_182.wav|pˌɔɡvizdˈujɔnts ɲʲɛvˈinɲʲɛ, ɲʲɛ zvratsˈawam na ɕˈɛbjɛ ɲitʃˈɨjɛj uvˈaɡʲi.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_31.wav|zˌasuɡɛrˈɔvaw ɕˈilnɨ dʑˈik. na pˈɛvnɔ dˈuʒɔ vam ftˈɛdɨ pɔvʲˈɛdʑɔ̃, zˌauvˈaʒɨw jˈamɛ. jˈɛɕli xtsˈɛtɕɛ ix pɔmˈɔtsɨ...|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_139.wav|ɲʲˈɛbɔ bˌɨwɔ jˈɛʃtʃɛ jˈasnɛ, ˌalɛ pˌɔkazˈawɔ ɕɛ pɔ pʃɛtɕˈivnɛj strˈɔɲʲɛ ɲʲˈɛba.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_249.wav|krulˈɔva znˈɔvu ɕɛ ˌuɕmʲɛxnˈɛwa. swˈɔtka fˈalis, jɛst tˈu maˈɛstɛr kˈɨbɛrn.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_119.wav|jˌɛstɛm za stˈarɨ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_38.wav|na dʑɛdʑˈiɲtsu viktˈarjɔn spˈɔtkaw ɡɔrˈɔlda ɡˌɔɔdbrɔtxˈɛra i starˈɛɡɔ drˈama, ktˌuʒɨ rˌɔzmavʲˈali tɕˈixɔ z rɔdrˈikʲɛm xarlˈawɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_157.wav|f xrˌɔmɔvˈanɨm stɔjˈaku xwɔdʑˈiwa ɕɛ butˈɛlka ɲʲˌɛvɔntplˈivʲɛ drɔɡʲˈɛɡɔ ʃampˈana.|2
+Dataset/wavs/urwisko_ferenc/57_segment_17.wav|xˈɛrman ɲʲɛ mʲˈawa ɔxˈɔtɨ na rɔzmˈɔvɛ ɔ ɲˈitʃɨm, vʲˈɛnts ˌɔstɛntatsˈɨjɲʲɛ pʃˌɨwɔʒˈɨwa swuxˈafkɛ dɔː ˈuxa.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_211.wav|zamjˈɛʒam dˌɔprɔvˈadʑidʑ dɔ kˈɔɲtsa plˈan trˈɔnda.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_23.wav|ɔn pˈɛvɲʲɛ vʲˈɛntsɛj vʲˈɛ ɔt pɔlˈitsji, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_306.wav|fʃˈɨstsɨ prˈaɡnɔ̃ jˈɔ̃ pˈɔjmatɕ i spʃˈɛdatɕ krulˈɔvɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_127.wav|kʲˈɛdɨ ɲʲɛ zvˈalɲʲa krˈɔku, vratsˈajɔ̃ dɔ pʃɛrvˈanɛj rɔzmˈɔvɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_46.wav|jˈɔ spɔjʒˈawa na tˈɔma tʃˌɛrvɔnˈɨmi, nˌapuxɲʲɛntˈɨmi ɔtʃˈami.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_387.wav|ɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_50.wav|ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ muɕˈawam pwˈatɕidʑ za fstˈɛmp.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_213.wav|xˈɔtɕ mʲˈaw tɔnsˈurɛ,|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_66.wav|zapˈɔmɲij ˈɔtɨm. ɲʲˈɛma ʒˈadnɛj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_67.wav|nˈɔ vʲˈɛnts...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_151.wav|tʃˈɛɡɔː ɔt nˈas xtsˈɛʃ?|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_75.wav|natˈɨxmʲast rˌɔzluʑɲˈiwa xfˈɨt, zrɔbʲˈiwa krˈɔɡ dɔ tˈɨwu i fstʃɨmˈujɔnts ˈɔddɛx prˌubɔvˈawa s pɔvrˈɔtɛm zawˈɔʒɨtɕ mˈaskɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_141.wav|paxnˈɔntsɨx wˈɔŋk i jˈasnɨx ɔɡrˈɔduv ʑˈɛmi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_313.wav|utɕˈɛkam pʃɛt ɲˈimi dɔ kˈɔwa zˌastavʲɔnˈɛɡɔ stˈɔwu.|0
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_51.wav|jɛzd dˈɔbrɔ̃ mˈatkɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_322.wav|ɲʲɛ mˈɨliw ɕɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_17.wav|mɔʒˈɛmɨ pʃˈɛjʑdʑ dɔ salˈɔnu.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_15.wav|stfʲˈɛrdʑiw sˈɛptɔn mɛrˈibalt.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_86.wav|ˈaʃ krˈɛɲtɕi ɡwˈɔvɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_185.wav|pʲˈɛrʃɛ ˌudɛʒˈɛɲʲɛ vɨrvˈawɔ jɛj ʑˈɛmʲɛ spˈɔt nˈuk, lˈɛtʃ ɲʲɛ upˈadwa, ɡdˈɨʃ pɔttʃˈɨmaw jˈɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_195.wav|vʲˈɛm, ʒˈɛ jɛst tɔ jɛdˈɨnɛ kwˈamstfɔ, kturˌɛɡɔ dɔmˈiɲik ɲˈiɡdɨ mi ɲʲɛ vɨbˈatʃɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_89.wav|pɔtʃˈɛkaʃ s tɔ̃ dʑɛftʃˈɨnɔ̃, pˈɔtɛm ja ɔdbjˈɔrɛ tɕˈɛbjɛ, a tɨ ɔdvʲˈɛʑɛʃ mɲʲɛ. dˈɔkɔnt?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_278.wav|xˈɔtɕaʃ najtʃˈɛɲɕtɕɛj bˈɛs pɔvˈɔdu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_20.wav|— pˈɔvʲɛm jɛj, ʒˈɛ dʒˈɔɲʲɛ ʒˈɨjɛ. s tʃˈasɛm ɕɛ s tɨm pɔɡˈɔdʑi. tˈɛras mˈam ɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_37.wav|zˌapakɔvˈawam ftˈɛdɨ fʃˈɨstkʲɛ ʒˈɛtʃɨ dɔ kartˈɔnu i sxɔvˈawam ɡˈɔ na pɔddˈaʃu.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_32.wav|ɲʲɛ vˈidʑɛ mɔjˈɛɡɔ pʃˌɨjatɕˈɛla, sɛptˈɔna tɔrbˈɛrta.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_214.wav|ktˌura vidˈɔtʃna bˌɨwa tˈɛras, kʲˈɛdɨ tfˈaʃ kɔbjˈɛtɨ zbrˌɔ̃zɔvʲˈawa ɔt swˈɔɲtsa i nˈavɛt jɛj brvˈi.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_265.wav|tɔ lˈadɨ mˌɛrivˈɛtxɛr zvrutɕˈiwa uvˈaɡɛ tsɛrsˈɛi na tɛn fˈakt.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_98.wav|i bˈɛz ʒˈadnɨx kˌɔmbʲinˈatsji. im ʃˈɨptɕɛj ɕɛ dɔvʲˈɛmɨ, ktˈɔ zˈabʲiw jaɡˈɛra i bˈɨtɕ mˈɔʒɛ prubˈɔvaw zˈabʲitɕ tɕˈɛbjɛ, tɨm ʃˈɨptɕɛj vrˈutɕiʒ dɔ sfɔjˈɛɡɔ nˌɔrmalnˈɛɡɔ ʒˈɨtɕa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_15.wav|ɲʲɛ dbˈawɛm ˈɔɲʲɔ̃ tˈak, jˈak pˌɔviɲʲˈɛnɛm dbˈatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_166.wav|jɛstˌɛɕmɨ kumplˈami?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_45.wav|dʑˈɛtɕi xˈɔdʑɔ̃ dɔ mʲɛjstsˈɔvɛj pˌɔtstavˈufki, a mɲʲɛ dˈɔjazd dɔ trˈɔxɛ vʲˈɛŋkʃɛj platsˈufki zabjˈɛra pˈuw ɡɔdʑˈinɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_59.wav|jɛst ˌiraɲtʃˈɨkʲɛm, ˌalɛ vɨxˈɔvaw ɕɛ w ˌabuzˈabʲi. tsˈɔ tɔ mˈa dɔ ʒˈɛtʃɨ?|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_73.wav|tɨ tsˈuxɲʲɛʃ ɲʲɛwˈadɲʲɛ jˈak mˈuw.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_68.wav|kʃˈɨtʃaw tˌɨlkɔ tsˈɔʑ z mˈɔruf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_243.wav|ɲʲɛ jˌɛstɛɕ jˈuʃ mwˈɔdɨ. ɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_242.wav|krˈɔ̃ʒɔ̃ plˈɔtki, ʒˈɛ jˌɛstɛʑ zˌamjɛʃˈana f tɛ mɔrdˈɛrstfa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_57.wav|pˌɔvʲɛdʑˈawam jˈɛnnɨ, ʒˈɛ mˈuʃɛ spˈɔtkatɕ ɕɛ z brˈatɛm i dɔ ɲʲɛdʑˈɛli bˌɛndɛ f tsˈumbrji. ˌɔbjɛtsˈawam jˈɛdnak, ʒˈɛ vrˈutsɛ dɔ prˈatsɨ f pˌɔɲʲɛdʑˈawɛk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_193.wav|ɲʲɛ pˈɔvʲɛm tɕˈi, ʒˈɛbɨɕ ɕɛ vˌɨluzˈɔvaw i tʃˈɛrpaw s tˌɛɡɔ pʃɨjˈɛmnɔɕtɕ. ˈaʃ tˈaɡ zwɔɕlˈivɨ ɲʲɛ jˈɛstɛm.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_255.wav|vrˈublɛ ˌɔbʒutsˈawɨ jˈɔ̃ pˌɔnurˈɨmi, vrɔɡʲˈimi spˌɔjʒɛɲʲˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_154.wav|ftˈɛdɨ ˌɔdɛɡrˈawam sfˈɔjɔ̃ stsˈɛŋkɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_236.wav|vˌɨtsɔfujˈɛtɕɛ ɕɛ, ʃˈɛfjɛ? zapˈɨtaw fˈarit.|2
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_35.wav|pˌɔdɔbˈajɔ̃ nˈam ɕɛ xwˈɔptsɨ, ktˌuʒɨ sɔ̃ mˈili i pɔtrˈafjɔ̃ nˈas rɔzbˈavitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_44.wav|ɲʲɛ swˈɨʃɛ alˈarmu, pˌɔvʲɛdʑˈawam i ɕɛŋɡnˈɛwam pɔ ɡʲˈizmɔ.|4
+Dataset/wavs/urwisko_ferenc/44_segment_69.wav|na jˈɛdnɛj z ɡrˈafiɡ zˌauvˈaʒɨw zdjˈɛɲtɕɛ mɛ̃ʃtʃˈɨznɨ, kturˌɛɡɔ tfˈaʃ tɔnˈɛwa f tɕˈɛɲʲu kaptˈura.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_79.wav|lˈɔrda ɛmˈɔna, ɲʲˈɛx nˈas ɕˈɛdmju mˈa f sfˈɔjɛj ɔpʲˈɛtsɛ.|1
+Dataset/wavs/urwisko_ferenc/53_segment_26.wav|ˌɔɡrɨʑˈɔnɛ kˈɔɕtɕi vˌɨlɔndɔvˈawɨ f kˌartɔnˈɔvɨm vʲˈadʒɛ, ktˌurɨ ɔt rˈazu vɨɲʲˈɔswa na zˈɛvnɔndʒ dɔ ɕmʲɛtɲˈika.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_60.wav|ɲˈits ɲʲɛ fskazˈujɛ nˈatɔ, ʒˈɛbɨ ʑlˈɛ sˈɔbjɛ pˈan rˈadʑiw.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_109.wav|dlatʃˈɛɡɔ ɲʲɛ vˈɛzvaw irˈinɨ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_31.wav|jˈɛɕli tˈak jˈɛst, tɔ ɲʲɛ pɔdˈɔba mi ɕɛ fˈakt, ʒˈɛ dˈɔʃwɔ tˈutaj dɔː ˌɛɡzɛkˈutsji.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_38.wav|mˈɨlɲʲɛ uznˈajɛ, ʒˈɛ jˈɛɡɔ miltʃˈɛɲʲɛ ɔznˈatʃa vaxˈaɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_276.wav|ɲˈiɡdɨ jˈɛdnak ɲʲɛ zˌapɔmˈinaj, ʒˈɛ ˈaram ɲʲɛ lˈubʲi pʃɛɡrˈɨvatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_25.wav|tʃˈuw trˈɔskɛ bˈɛki i vʲˈɛdʑaw, ʒˈɛ mˈuɕi skˈɔntɕ pˈɔbratɕ trˈɔxɛ psɨçˈitʃnɛj ɛnˈɛrɡji.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_346.wav|z ɲʲˈɛba lˈawɨ ɕɛ strˈuɡʲi tʃarnˈɛɡɔ dˈɛʃtʃu.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_194.wav|kʲˈɛdɨ lˈadɨ tsatˈɛlɨn mɲʲɛ ˌuvɔlɲˈiwa...|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_216.wav|mˈiɲʲɛ pˈarɛ tɨɡˈɔdɲi zˈaɲim dˈɔtʃɛ tˈutaj ktˈɔʑ z ʑˈɛmi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_69.wav|na sˈamɔ̃ mˈɨɕl ˈɔtɨm, ʒˈɛ zˌɔbatʃˈɨwabˌɨ nˈaz dvukrˈɔtɲʲɛ, rˈɔbjɛ ɕɛ nɛrvˈɔva.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_96.wav|vrˈatsam pɔ vʲˈɛlu lˈataɣ dɔː ɔjtʃˈɨznɨ, a tˈu jɛdˈɨnɨ kɔlˈɛɡa f krˌɨminˈalɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_41.wav|bˈɛtskɨ zˌauvaʒˈɨwa wzˈɨ kapʲˈɔntsɛ na ˈuda jˈɔ, kʲˈɛdɨ ta ˌɔpuɕtɕˈiwa ɡwˈɔvɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_72.wav|jˈak nˈaz znalˈazwa?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_28.wav|ˌɔbjɛtsˈawam dˌɔmiɲikˈɔvi, ʒˈɛ ˌuɡɔtˈujɛ ˈɔbjat, a tɨmtʃˈasɛm pɔjˈavjɛ ɕɛ w dˈɔmu pˈuʑɲʲɛj ɲˈiʒ zvˈɨklɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_282.wav|nazvˈawam ɡˈɔ tsˈɨŋɡlɛm.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_4.wav|fʃˈɨstsɨ klɛntʃˈɛli, ˌalɛ ɲʲɛ pˈɔtɔ, bˈɨ ɕɛ mˈɔdlitɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_96.wav|ɲʲɛ bˈɨwabˌɨ pʲˈɛrʃa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_50.wav|zamknˈɛwam jˈɛ tˌɨlkɔ dʑˈiɕaj, bˈɔ zˌamjɛʒˈawam pʃɛlˈitʃɨtɕ pʲɛɲʲˈɔndʑɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_106.wav|jˈaki maʃ nˈumɛr tˌɛlɛfˈɔnu?|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_73.wav|kʲˈɛdɨ brˈaw jˈɔ̃ tʃˈɛɲɕtɕɛj,|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_442.wav|stˈawɛm ɕɛ zˌuxɔvˈatɨ. w jˈakixɕ stʃˈɛmpax ɕfʲˌadɔmˈɔɕtɕi vidʑˈawɛm vˌɨtʃɛʃtʃˈɔnɛ ˈɔtʃɨ bjˌɛɕadɲˈikuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_142.wav|vidʑˈawa, jˈaɡ vˌɨxɔdʑˈili z jˈɛɡɔ dˈɔmu. nˈavɛt pˌɔzdrɔvˈiwa bʲillʲˈɛɡɔ pˌɔdɲʲɛɕˈɔnɨm ktɕˈukʲɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_38.wav|strˈakan ɲʲɛ prˌɔtɛstˈɔvaw, kʲˈɛdɨ muvˈiliɕmˌɨ ɔ zajʒˈɛɲʲu dɔ maˈili mˈartɨ, vʲˈɛnts rˈuvɲʲɛʃ tɨm ɕɛ zˈajmɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_173.wav|dˈɔbʒɛ, ɔdˈɛzvaw ɕɛ.|4
+Dataset/wavs/urwisko_ferenc/29_segment_6.wav|pʃˈɛtar ˈɔtʃɨ i vˈɨbraw jɛj nˈumɛr.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_240.wav|i nˈaɡlɛ sxfɨtɕˈiwa mɲʲɛ za ʃˈɨjɛ w dʑˈivnɨm ɔdrˈuxu pʃˌɨtɕɔŋɡˈaɲʲa ˈalbɔː ˌɔtpɨxˈaɲʲa.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_235.wav|kˌanadˈɨjtʃɨɡ vˈɨjɔw sfˈɔjɛ ɡʲˈizmɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_18.wav|tʃɨ ktˈɔɕ jˈɛʃtʃɛ tɔ swˈɨʃaw?|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_149.wav|dlatˈɛɡɔː ˌɔtʃɨmˈajɔ̃ jˈɛ ɔddʑˈɛlɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_155.wav|tʃɨ ɔn ɲʲɛ ʒˈɨjɛ?|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_127.wav|pɨtˈajtɕɛ ˈalbɔ zɲikˈajtɕɛ stˈɔnt.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_31.wav|pʃˈɛtɕɔw ɲʲˈɔ̃ strˈuj bwˌɛŋkitnˈɛɡɔ bˈarda, rˌɔzbjɛrˈajɔndʑ ɡˈɔ dɔ nˈaɡa.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_128.wav|nˈajpʲɛrf muɕˈawam pʃˌɨmɔtsˈɔvatɕ ɕɛ dɔ pɔdvˈɔʑa. kˈɔmbajn ɲʲˈɛstaw dwˈuɡɔ w jˈɛdnɨm mʲˈɛjstsu, a ja ɲʲɛ mʲˈawam zamjˈaru ɡˈɔ ɡˈɔɲitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_41.wav|xˈɨba ɲˈiɡdɨ ɲʲɛ zˌapɔmˈinaʃ pʲˈɛrʃɛj dʑɛftʃˈɨnɨ, s ktˌurɔ̃ ɕɛ tsˌawɔvˈawɛɕ tˈak naprˈavdɛ. pˌɔvʲɛdʑˈawa mi...|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_267.wav|tɔ zˈaras pʃɛsˈuva tɕˈɛ na ˈinnɔ̃ rɔbˈɔtɛ. ja jˌɛstɛm ɡʲˈirls fˈirst lˈɔvɛ, a nˈavɛt ɲʲˈɛvʲɛm, ɔ tʃɨm tɔ w ɔɡˈulɛ jˈɛst.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_79.wav|pɔtxˈɔdʑɛ spɔkˈɔjɲʲɛ dɔ dʒvˈi i pɔ xfˈili znˌajdujˈɛmɨ ɕɛ jˈuʃ na upˈalnɛj ulˈitsɨ.|3
+Dataset/wavs/urwisko_ferenc/53_segment_126.wav|bɔrˈɛvitʃ pʃˈɛtar zmɛntʃˈɔnɛ ˈɔtʃɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_9.wav|vˈɔli pˈaɲi ɔtpˈɔtʃɔɲtɕ tˈutaj tʃɨ f tsˈɛli?|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_428.wav|ˌuɕiwɔvˈawa ɔkrˈɛɲtɕitɕ ɕɛ bˈɔkʲɛm, lˈɛdʒ znˈuf ʃˈɨpkim, lˈɛkkim ˌudɛʒˈɛɲʲɛm pʲˈɛɲɕtɕi rɔzʒˈutɕiw jɛj ˈuda.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_25.wav|zˌapɨtˈawa tsɛrsˈɛi. bˌɨwa krˈɛf?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_59.wav|stˈanɔw w ˌɔtʃɛkivˈaɲʲu na dˈalʃɛ pˌɔlɛtsˈɛɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_44.wav|mˈa bˈardʑɔ vˌɨrazˈistɛ rˈɨsɨ, ˌalɛ vˈɨras jˈɛɡɔ tfˈaʒɨ jɛst xɔlˈɛrɲʲɛ ɲʲˌɛpɔkɔjˈɔntsɨ. bˈardʑɔː ˌintɛnsˈɨvnɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_248.wav|ktˌurɨ prɔvˈadʑitɕ mˈɔɡwɔ nˈavɛd dʑˈɛtskɔ, pˈɔttʃaz ɡdˈɨ ɔn prɔvˈadʑiw ɡˈɔ tˈak, jˈaɡbɨ tɔ bˌɨwa tɕˌɛ̃ʒarˈufka.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_16.wav|jɛst ftʃˈɛɕɲʲɛ rˈanɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_14.wav|pɔdˈɔbɲʲɛ jˈak tsˈawa ˌaparatˈura badˈaftʃa, ktˌurɔ̃ rˌɔsstavˈili dˈavɲi ˌastrɔnˈawtɕi.|4
+Dataset/wavs/urwisko_ferenc/46_segment_179.wav|dˈɔm zalˈawa tɕˈiʃa.|0
+Dataset/wavs/urwisko_ferenc/25_segment_57.wav|pɔdˈɔbnɔ dˈax tɕi naprˈaviw.|0
+Dataset/wavs/urwisko_ferenc/22_segment_10.wav|ɔ vizˈɨtɕɛ ˈu ʃˈɛfa w vˈilli w rɔɡˈufku.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_330.wav|ɲˈikt ɲʲɛ prubˈɔvaw jɛj zˌatʃɨmˈɨvatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_151.wav|xˈɔdʑiw na spɔtkˈaɲʲa ˌanɔɲimˈɔvɨx nˌarkɔmˈanuf, ʒˈɛbɨ ɲʲˈɛtɕpatɕ, ˌalɛ ʒˈɨw s xˈandlu nˌarkɔtɨkˈami?|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_148.wav|bʲˈilits wˈapʲɛ krˈɔkʲɛm ɡrubˈasa na zˈɛvnɔntʃ i dɔpʲˈɛrɔ kʲˈɛdɨ jɛzd w ɡwˈɛmbʲi parkˈiŋɡu, bjˈɛɡɲʲɛ dɔ fjuʒˈɨna.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_165.wav|ʃkˈɔda, ʒˈɛ skɔɲtʃˈɨwɔ ɕɛ jˈuʃ lˈatɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_9.wav|ɲʲˈɛznam ɕɛ na vˈaltsɛ vrˈɛntʃ, a utɕˈɛtʃka tˈɛʃ ɲʲɛ fxɔdʑˈiwa w ɡrˈɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_160.wav|a na nˈɔvɨm ɕfʲˈɛtɕɛ mwˈɔda tsɨɡˈaŋka dɔpˈadwa bʲˌiznɛsmˈɛna nˈɔvɛj ɡˌɛnɛrˈatsji, tʃarˈujɔndʑ ɡˈɔ bwˌɨskavˈitʃɲʲɛ tˌasɔvanˈɨmi kartˈami.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_78.wav|zˈaɲim ɲʲɛdˈavnɔ znalˈazwam tɔ mʲˈɛjstsɛ, pˌarkɔvˈawam tˈam rˌɛɡulˈarɲʲɛ, drʒˈɛnɛ mˈɨɕlɛ ˈɔtɨm, ʒˈɛ tɔ mˈɔɡwam bˈɨtɕ jˈa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_47.wav|ɲʲɛ jɛst pˈan ˌarɛʃtɔvˈanɨ, ˌalɛ xtɕˈɛlibˌɨɕmɨ nˈaɡratɕ rɔzmˈɔvɛ, vʲˈɛnts mˈuʃɛ pˈana ˈɔstʃɛts.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_178.wav|ˌalɛ ɔn tˈɛʃ ɲʲɛ ʒˈɨjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_52.wav|tʃˈujɛ vʲˈatr ˌudɛʒajˈɔntsɨ w mˈɔjɛ pɔlˈitʃki, kʲˈɛdɨ tʃɛkˈawam na sˈɨɡnaw, pɔ ktˌurɨm vɨskˈɔtʃɛ i zˈatʃnɛ ɕɛ mˈɔdlitɕ, bˈɨ spadˈɔxrɔn ɕɛ ɔtfˈɔʒɨw.|3
+Dataset/wavs/urwisko_ferenc/49_segment_60.wav|bˈardʑɔ pˈaɲi dʑɛŋkˈujɛ. pʃɨnˈajmɲʲɛj mˈɔɡɛ vrˈɛʃtɕɛ ɔdʒˈutɕidʑ bwˈɛndnɛ zˌawɔʒˈɛɲʲa.|0
+Dataset/wavs/urwisko_ferenc/15_segment_1.wav|w drˈuɡʲɛj tʃˈɨmaw ˌastrɔlˈabjum. pˌɔpɔwudɲʲˈɔvɨ ˈupaw ɲʲɛ pʃɛʃkˈadʑaw turˈɨstɔm i mʲɛʃkˈaɲtsɔm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_197.wav|pˈɔtɛm vɨtɕˈɔŋɡa mˈiksɛr zˌɛʃlɔxˌajɔntsˈɛɡɔ mɛ̃ʃtʃˈɨznɨ, vɨtɕˈɛra sfˈɔjɛ ɔttɕˈiski pˈaltsuf i ɔdʒˈutsa ˌuʒɔndʑˈɛɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/56_segment_53.wav|uvˈaʒaw, ʒˈɛ ˌɔdnalɛʑˈɛɲʲɛ mˈɔɲikˌi pɔ lˈatax pʃɨɲʲˈɛɕɛ tˌɨlkɔ bˈul. bˈɨw pʃˌɛkɔnˈanɨ, ʒˈɛ ɲʲɛ bˌɨli jˈuʒ zˈɛ sˈɔbɔ̃, ʒˈɛ ix tʃˈas mˈinɔw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_136.wav|ɲʲɛ swɨʃˈɛliɕmˌɨ ɡvˈaru ulˈitsɨ, w ɔɡˈulɛ ɲitʃˈɛɡɔ ɲʲɛ swɨʃˈɛliɕmˌɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_62.wav|tʃˈɛka i pˈatʃɨ na mˌiɡajˈɔntsɛ krˈɔpki, kʲˈɛdɨ xˈɔff pˈiʃɛ ɔtpˈɔvʲɛtɕ. jˈɛɕli mˈɨɕli, ʒˈɛ mʲˈɛjstsɛ spɔtkˈaɲʲa pɔdlˈɛɡa dɨskˈusji, srˈɔɡɔ ɕɛ zavʲˈɛdʑɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_127.wav|vʲˈɛnts na rˈaʑɛ ɲʲɛ jˈɛxaw ʃˈɨpkɔ.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_238.wav|aˈɛrɔn ɡrɛˈɨjɔj pɔtʃˈɔ̃snɔw kudwˈatɔ̃ ɡwˈɔvɔ̃ i ɔddˈaliw ɕɛ w nˈɔts.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_128.wav|ŋɡˈui ɕtɕisnˈɛwa paltsˈami pɔd brˈudɛk.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_110.wav|mˈɔɡɛ pɔʒˈɨtʃɨtɕ tɕi pʲɛɲʲˈɔndʑɛ jˈakɔ pʃɨjˈatɕɛl, ˈalɛ...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_15.wav|dʑˈɛɲ dˈɔbrɨ, tʃˈɛɕtɕ. tsˈɔ za mˈiwɛ tˌɔvaʒˈɨstfɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_73.wav|pˈiʃ ˈɔtɨm, tsˈɔ znˈaʃ. pamjˈɛntam tˈɛ rˈadɛ z lˈɛktsji ˌaŋɡʲɛlskʲˈɛɡɔ. litsˈɛum f parˈamus, spˈartan z dɔbˈɔju. tˈak jɛst f tfˈɔim pʃɨpˈatku?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_11.wav|ɲʲɛ mʲˈawam tʃˈasu, ʒˈɛbɨ vɨjˈaɕɲitɕ, tsˈɔ rˈɔbjɛ i dlatʃˈɛɡɔ. bˌɛndɛ muɕˈawa natˈɨxmʲazd zˈabratɕ rˈɛntʃ rɔvˈɛra i tˈam pɔjˈɛxatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_82.wav|mˈam nadʑˈɛjɛ, ʒˈɛ fʃˈɨstkɔ bˌɛɲdʑɛ f pɔʒˈɔntku.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_199.wav|lˈɔrt rˈɔbɛrt uvʲˈɛlbjaw tɕˈastka tsˌɨtrɨnˈɔvɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_132.wav|pɔ rˈas pʲˈɛrʃɨ w ʒˈɨtɕu zˌɔbatʃˈɨwam zmʲɛʃˈaɲʲɛ na tfˈaʒɨ rudjˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_79.wav|tʃˈɛba mˈuvitɕ tɛn ɡrˈubɨ ˈalbɔ tˈɛn, ktˌurɨ bˈɨw pʃˈɛttɨm ɡrˈubɨm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_23.wav|ˈɛstɛr ɲʲɛ jɛst jˈɛʃtʃɛ mˈɔjɔ̃ ʒˈɔnɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_115.wav|lɛʒˈɛliɕmˌɨ na bˈɔku, pˈatʃɔnts na ɕˈɛbjɛ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_76.wav|dʒˈɛjn fˈarman pisnˈɛwa zˈɛ strˈaxu i utɕˈɛkwa z namjˈɔtu, ɡnˈajɔnts w nˈɔts na wˈɛp na ʃˈɨjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_64.wav|tʃˈɨ dla dʒˈɔrdʒja i ʃˈɛʑdʑ za mˈɔjɔ̃ ɡwˈɔvɛ.|2
+Dataset/wavs/urwisko_ferenc/03_segment_24.wav|zˌaparkɔvˈali f tsˈɛntrum tɔrˈuɲʲa. ɡdˈɨbɨ ɲʲɛ zˌapasˈɔvɨ klˈutʃ, pɔ ktˌurɨ pˌɔjɛxˈali ˌawtɔbˈusɛm na vʒˈɔsɨ, pˈɛvɲʲɛ muɕˈɛlibˌɨ vˈɨbʲidʑ bˈɔtʃnɔ̃ ʃˈɨbɛ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_82.wav|bˈɔ tɔː ɔstˈatɲi pɔɕˈiwɛk f tfˈɔim ʒˈɨtɕu.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_500.wav|tɔ jˈuʃ ɲʲˈɛma znatʃˈɛɲʲa.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_77.wav|fprˈavdʑɛ budˈɔvlɔm na kɕɛ̃ʒˈɨtsu ɲʲɛ zˌaɡraʒˈajɔ̃ tʃɨnɲˈiki ˌatmɔsfɛrˈɨtʃnɛ, jˈɛdnak pˈɔlɛ ˌɛlɛktrˌɔstatˈɨtʃnɛ rˈɔbʲi sfˈɔjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_44.wav|xˈaŋk jɛst f prˈatsɨ, jɛst spʃɛdˈaftsɔ̃ w dʒˈɛwz bˈaŋk.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_114.wav|pʲɛrdˈɔlidʑ bˌɨwɔ pʲˈɛrʃɨm swˈɔvɛm jɛ̃zˈɨka pˌɔfʃɛxnˈɛɡɔ, jakʲˈɛɡɔ naˈutʃɨw ɕɛ ksˈɔndɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_57.wav|i dˈɔdaw tsˈɔɕ f tɨm rɔdʑˈaju pˌɔtkɔmˈisaʒ ɡˈɔrsak.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_38.wav|bˈɔ tˈutaj kˈaʒda ˌɔpɛrˈatsja w ˌintɛrnˈɛtɕɛ mˈa tʃtˌɛrɔsˌɛkundˈɔvɛ ˌɔpuʑɲʲˈɛɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_82.wav|tɨm bˈardʑɛj, ʒˈɛ mˈiljɔn dɔlˈaruf tɔ kˈupa fˈɔrsɨ.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_377.wav|ɲˈidʑ dʑivnˈɛɡɔ, ʒˈɛ vidʑˈawɛʑ bjˈɛl.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_103.wav|xtsˈɛ ɕɛ ɔdvrˈutɕitɕ, ˌalɛ ɲʲɛ pɔtrˈafjɛ. ɲʲɛ ˈumjɛm sˈɔbjɛ vˌɨɔbrˈazitɕ, tsˈɔ pɔtʃˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_6.wav|bʲˈillɨ mˈaxa f strˈɔnɛ sˌɔ̃ɕɛdɲʲˈɛɡɔ dˈɔmu, xˈɔtɕ ɲʲˈɛma pɔjˈɛɲtɕa, tʃɨ ktˈɔɕ tˈam w ɔɡˈulɛ jˈɛst. dɔpʲˈɛrɔ f pˈuw dɔ dvunˈastɛj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_388.wav|pʃˌɛtstavˈiwɛm ɕɛ pˈa��i ɔd zwˈɛj strˈɔnɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_26.wav|pˈan bɨvˈawɨ, ɡdʑˈɛ tˈu tɛlˈɛfɔn? tʃˈɛba dʑvˈɔɲitɕ na pɔlˈitsjɛ. ɲʲˈɛx pˈan dˈa spˈɔkuj, pʃˌɨjatɕˈɛlu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_12.wav|s pɛvnˈɔɕtɕɔ̃ mˈa na mˈɨɕli tɛlˈɛfɔn z ʒɔndˈaɲʲɛm ɔ kˈupu lˈup tʃˌɛɡɔkˈɔlvʲɛk innˈɛɡɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_74.wav|ˈɔbjɛ vʲˈɛmɨ dˈɔbʒɛ, ʒˈɛ mˈɔja pʃˌɨjatɕˈuwka kwˈamjɛ.|4
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+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_422.wav|ˌutʃutɕˈɔvɨm.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_84.wav|tsˈuʒ za mˌɛlɔdrˌamatˈɨtʃna pɔstˈava, ˈindjɔ.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_23.wav|vɨxˈɔdʑɛ z ɡarˈaʒu, mˈijam pʃˌɨbudˈufki i pʃɛxˈɔdʑɛ w zaxˈɔdɲʲɔ̃ tʃˈɛɲʑdʑ dˈɔmu.|3
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+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_265.wav|dlatʃˈɛɡɔ vʲˈɛnts xtsˈɛʒ zˈɛmnɔ̃ jˈɛxatɕ?|1
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+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_349.wav|ɲʲɛdwˈuɡɔ tɔ fʃˈɨstkɔ tɕˈɛ pʃɛrˈɔɕɲʲɛ.|4
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_55.wav|xtsˈɛ ɕɛ zmˈɛntʃɨtɕ, ʒˈɛbɨ mˈudʑ zˈasnɔɲtɕ, ɡdˈɨ tˌɨlkɔ pʃɨwˈɔʒɛ ɡwˈɔvɛ dɔ pɔdˈuʃki.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_138.wav|tˈam dʑˈɛjɛ ɕɛ tsˈɔɕ jˈɛʃtʃɛ.|3
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_62.wav|smatʃnˈɛɡɔ! tɔ tfˈɔja tʃˈɛtɕa vɨɡrˈana w lɔtˈɛrji dˌɔbrɔtʃˈɨnnɛj f tɨm mʲɛɕˈɔntsu.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_30.wav|i dˈɔkɔnt utɕˈɛkɲʲɛʃ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_58.wav|pɔtxˈɔdʑɛ i tsawˈujɛ ɡˈɔ w ɡwˈɔvɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_263.wav|i ˈɔtʃɛt s tɨm vʲˈɛɲtsɛm pʃˌɛʒɛdʑˈɔnɨx, kˌɛɲdʑɛʒˈavɨɣ vwˈɔsuf.|0
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+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_199.wav|kˈɛd z nat kanˈawuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_126.wav|zˈaɲim ˈuznaw, ʒˈɛ ɲʲɛ jˌɛstɛm jˈuʒ vˈarta jˈɛɡɔ miwˈɔɕtɕi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_12.wav|vɨtɕˈɔŋɡa dɔ mɲʲɛ rˈɛntsɛ i prˈɔɕi, ʒˈɛbɨm zabrˈawa jˈɔ̃ w mʲˈɛjstsɛ, ktˌurɛ znˈa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_88.wav|mˈɔjɛ starˈanɲʲɛ vˌɨpʲɛlˌɛŋɡnɔvˈanɛ i pʃɛtɕˈɛntnɛ ʒˈɨtɕɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_43.wav|pʃɨprˈavja mɲʲɛ ɔ mdwˈɔɕtɕi.|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_61.wav|pʃɨnˈajmɲʲɛj na jˈakiɕ tʃˈas.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_10.wav|bɨlˈɛbɨɕ ɲʲɛ pˌɔdvɛɲdʑˈiwa vˈɔdɨ pɔ ɡɔlˈɛɲʲu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_95.wav|tsamˈɛrɔn ɲˈits ɲʲɛ pɔvʲˈɛdʑaw, skˈupiw tˌɨlkɔ vzrˈɔk na jˈakimɕ pˈuŋktɕɛ w ɔddˈali.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_234.wav|a dlatʃˈɛɡɔ tʃwˈɔvʲɛk, ktˌurɨ mˈa jˈɛdɛn ɡˈarɲʲɛdʑ zwˈɔta, mʲˈawbɨ prˈaɡnɔɲdʑ druɡʲˈɛɡɔ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_46.wav|kˈid vɨtɕˈɔŋɡnɔw tɛlˈɛfɔn kˌɔmurkˈɔvɨ i pɔwˈɔʒɨw ɡˈɔ na bjˈurku.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_37.wav|natɕˈiskam ɡvawtˈɔvɲʲɛ xamˈulɛts. zˌauvˈaʒam tʃˈarnɨ samˈɔxud zˌaparkɔvˈanɨ na xɔdɲˈiku.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_253.wav|ɲʲɛ pˌɔtʃɛbˈujɛ mɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_11.wav|pˈɛvɲʲɛ tɕˈɛ ɲʲɛ vˈidʑaw f tɨm dˈɛʃtʃu.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_88.wav|vˌɨjɔŋkˈawa i s pɔvrˈɔtɛm spɔjʒˈawa nˈamɲʲɛ. a vʲˈɛndʑ ɡdʑˈɛ jɛst tɔ vˈɨjɕtɕɛ?|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_196.wav|bɔɡˈɔvʲɛ mˈɔɡlibˌɨ pʃɨnˈajmɲʲɛj pʃˈɨznatɕ mu ɕmʲˈɛrdʑ ɡˈɔdnɔ̃ pʲˈɛɕɲi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_83.wav|ɲʲˈɛmam tʃˈasu na ɔtpˈɔvʲɛtɕ, bˈɔ rɔzlˈɛɡa ɕɛ pukˈaɲʲɛ dɔ kuxˈɛnnɨɣ dʒvˈi i dɔ ɕrˈɔtka fxˈɔdʑi bˈɛtskɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_27.wav|xtɕˈawa ɕɛ tˈɛʒ dɔvʲˈɛdʑɛtɕ, jˈak pˈɔʃwɔ mi spɔtkˈaɲʲɛ z ˌinvɛstɔrˈami, bˈɔ nˈaɲim ɕɛ vwˈaɕɲʲɛ znˌajdɔvˈawɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_55.wav|nˈɔː i xtɕˈawabˌɨm vʲˈɛdʑɛtɕ, jˈak pɔznˈawɛʑ butskʲˈɛɡɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_395.wav|tʃɨ mwˈɔda kɔbjˈɛta?|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_71.wav|na dʑvʲˈɛŋk krˈɔkuf jˌamjɛˈɛɡɔ ˈuɲʲuz ɡwˈɔvɛ i ɔblˈizaw sˈuxɛ, spɛŋkˈanɛ vˈarɡʲi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_42.wav|tsˈɔ vʲɛdʑˈawam na tˈɛmad ʒˈɨtɕa pˈɔza murˈami lˌakɛsˈidɛ?|3
+Dataset/wavs/urwisko_ferenc/11_segment_18.wav|xˈɛrman pʃɛmknˈɛwɔ pʃˈɛz ɡwˈɔvɛ, ʒˈɛ bɔrˈɛvitʃ pʃˈɨtɨw.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_137.wav|ˌɔstatˈɛtʃɲʲɛ zbjɔrɲˈiki s tlˈɛnɛm ɲʲɛ vɨbˈuxwɨ, ˌalɛ vɨtfˈurɲʲa ʃkwˈa i tˈaɡ bˌɨwa zɲiʃtʃˈɔna.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_72.wav|dɔ tɛj pˈɔrɨ w artˈɛmiz dˈɔʃwɔ tˌɨlkɔ dɔ pʲˈɛɲtɕu pɔdˈɔbnɨɣ zbrˈɔdɲi i jɛst tɔ pʲˈɛrʃɛ pɔdvˈujnɛ mɔrdˈɛrstfɔ f çistˈɔrji kɕˌɛ̃ʒɨtsɔvˈɛɡɔ mʲˈasta.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_68.wav|jɛst ix wˈɔntʃɲʲɛ pʲˈɛɲtɕ, fʃˈɨstkʲɛ zˌaklɛjˈɔnɛ tˈaɕmɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_77.wav|mˈɔʒɛ ja ɕɲʲˈɛ pʲˈɛrʃɨ rˈaz w ʒˈɨtɕu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_30.wav|pʃˈɛs xfˈilɛ mɨɕlˈawɛm, ʒˈɛ tɕˈɛ ɲʲˈɛma.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_401.wav|jˈuʃ ɔdbʲˈiwa ɕɛ ɔd bʒˈɛɡu jˈavɨ, ɲˈikɲʲɛ w ɔbwˈɔkax ɲʲɛznˈanɨx mi zvˈiduf i pʃˈɛtʃutɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_20.wav|pɔvʲˈɛtʃɛ, pˌɔvʲɛdʑˈawam i dvʲˈɛ pˈarɨ ˈɔtʃu vbʲˈiwɨ vˈɛmɲʲɛ pˌɨtajˈɔntsɛ spɔjʒˈɛɲʲa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_63.wav|tsˈass, mwˈɔda dɛtˈɛktɨf, ktˌurɔ̃ pˌɔprɔʃˈɔnɔː ɔ spravdʑˈɛɲʲɛ numˈɛru tˌɛlɛfˈɔnu kˌɔmurkɔvˈɛɡɔ pʃˌɛkazanˈɛɡɔ pʃˈɛs naˈɔmi, zˌamɛldɔvˈawa, ʒˈɛ ɲˈikt ɲʲɛ ɔdbjˈɛra.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_29.wav|sˈam tʃˈuw, ʒˈɛ ɲʲɛ bˌɛɲdʑɛ jˈuʃ mˈuɡw mˈuvidʑ dwˈuɡɔ. bˈɨw krfjˈɔ̃ smˈɔka, ˌalɛ jˈɛɡɔː ˈɔɡʲɛɲ jˈuʒ vˈɨɡas.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_168.wav|ɲˈikt ɲʲɛ ɔdˈɛzvaw ɕɛ ˌaɲi swˈɔvɛm, kʲˈɛdɨ ruʃˈɨli f strˈɔnɛ prˈɔmu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_21.wav|bʲˈillɨ zdɛjmˈujɛ z ɲʲˈɛj tˈɛʃˈirt f pˈɔrɛ, bˈɨ jˈɔ̃ pɔttʃˈɨmatɕ, zˈaɲim spˈadɲʲɛ na pɔdwˈɔɡɛ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_30.wav|lˈɛdʒ ɡdˈɨ ɡˈɔ spɔtkˈawa, jˈɛɡɔ brˈɔda bˌɨwa jˈuʒ zupˈɛwɲʲɛ bjˈawa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_9.wav|pˈɛvɲʲɛ pˌɔdʑivʲˈajɔ̃ pʃˈɨtɨm pˌanɔrˈamɛ stɔlˈitsɨ.|0
+Dataset/wavs/urwisko_ferenc/09_segment_116.wav|kˈim bˈɨw tɛn pʲɛpʃˈɔnɨ fˈatsɛt, ktˌurɨ vˈidʑaw ɡlˌatsɔfskʲˈɛɡɔ?|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_230.wav|jɛstˌɛɕmɨ spraɡɲʲˈɔnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_83.wav|a ja ˈidɛ ɔ zˈakwat, ʒˈɛ ɲʲɛ, zvwˈaʃtʃa dʑɛtɕˈaki.|2
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_12.wav|nˈatɨm kljˈɛɲtɕɛ zˌarɔbʲˈimɨ fɔrtˈunɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_424.wav|tʃɨ vʲˈɛ pˈan ˈɔtɨm?|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_108.wav|pˈatʃɨw tˈɛras na pˌɔtarɡˈanɔ̃ lˈalkɛ.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_313.wav|nˈatɨm ɕfʲˈɛtɕɛ swˈabʲi zˈafʃɛ padˈajɔ̃ ɔfjˈarɔ̃ ɕˈilnɨx.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_15.wav|zˌamjɛʒˈawam ɔtfˈɔʒɨdʑ dʒvˈi, kʲˈɛdɨ ˌuswɨʃˈawam ɡwˈɔs arˈama, spɔkˈɔjnɨ, ˌɔpanɔvˈanɨ z lˈɛkkɔ̃ nˈutɔ̃ ɔt rˈazɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_104.wav|ɲʲɛ spˈɔsub bˌɨwɔ ɲʲɛ zˌauvˈaʒɨdʑ ɡɔrˈɨtʃɨ w jɛj ɡwˈɔɕɛ, jˈɛdnak tˈɔm pˌɔstanˈɔviw tɔ zˌiɡnɔrˈɔvatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_38.wav|vʲˈɛm, ʒˈɛ vʲˈɛlu rɛkrˈutɔm sˌuɡɛrɔvˈanɔ pɔdjˈɛɲtɕɛ prˈatsɨ na tʃˈɛɲɕtɕ ɛtˈatu i pʃˌɛkazˈaɲʲɛ spˌɔwɛtʃnˈɔɕtɕi vʲɛŋkʃˈɔɕtɕi sfˈɔiɣ zarˈɔpkuf.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_26.wav|ja zˈafʃɛ vʲˈɛm, ɡdʑˈɛ jˈɛstɛɕ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_424.wav|jˈak sˈɔbjɛ ʒˈɨtʃɨʃ, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_33.wav|nˈavɛt jˈɛɕli pʃɛxˈɔdɲʲɛ bˌɛndɔ̃ pˈatʃɛtɕ na dˈɔm, vʲˈɛŋkʃɔɕtɕ nˈavɛt ɲʲɛ zˈɛrkɲʲɛ na ˈɔknɔ sˌutɛrˈɛnɨ.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_372.wav|ja mˈam na ˈimjɛ pˈɛɨt.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_68.wav|s pɔʒˈɔndnɨm palɲˈikʲɛm ˌatsɛtˌɨlɛnˈɔvɨm na pˈɛvnɔ tsˈɔʑ vˌɨkɔmbʲinˈujɛʃ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_166.wav|ʃlaxˈɛtɲʲɛ ˌurɔdʑˈɔnɛj tʃˌɨnastɔlˈɛtɲʲɛj dʑɛvˈitsɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_59.wav|bˈɛtskɨ rˌɔzɛjʒˈawa ɕɛ pɔ pˌɔmjɛʃtʃˈɛɲʲu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_69.wav|nˌastɛmpˈujɛ xfˈila pʃˈɛrvɨ, kʲˈɛdɨ pɔnˈɔvɲʲɛ zˈɛrka na ˈɛkran.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_286.wav|f kˌɔnsɛkfˈɛntsji|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_150.wav|pˌɔvʲɛdʑˈawɛm, ʒˈɛ ɲʲɛ bˈɛndɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_96.wav|dla vwasnˈɛɡɔ bˌɛspʲɛtʃˈɛɲstfa lˈɛpʲɛj tˈakiɣ ʒˈɛtʃɨ ɲʲɛ zˌapisˈɨvatɕ. zrˈɛʃtɔ̃...|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_216.wav|zˌaufɛrˈujɛʃ im vɨsˈɔkɔ̃ ɔtprˈavɛ, kʲˈɛdɨ ix ˌaltɛrnatˈɨvɔ̃ bˌɛɲdʑɛ vˈidmɔ baŋkrˈutstfa.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_228.wav|ɲʲɛ pʃˌɛjmɔvˈawam ɕɛ stˈanɛm ukwˈadu xwɔdʑˈɛɲʲa, ˌalɛ ɲʲɛ xtɕˈawam, ʒˈɛbɨ kˈɔmbajn vˈɨswaw dɔ bˈazɨ ˌinfɔrmˈatsjɛ ɔ vɨtɕˈɛku.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_101.wav|ɔ rˈɛtɨ, mˈɔɡwabˌɨm spˈavatɕ wukˈɔvɔ s tˈakim zˌaɕilˈaɲʲɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_103.wav|lˈubʲi tɕˈɛ. bˌɛɲdʑɛ dla tɕˈɛbjɛ dˈɔbrɨ, ˌalɛ ˈɔn...|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_130.wav|bʲˈillɨ vɨxˈɔdʑi zˈɛ smɛntnˈɛɡɔ mawˈɛɡɔ pasˈaʒu xˌandlɔvˈɛɡɔ na ulˈitsɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_186.wav|tɔ mˈiwɔ z jɛj strˈɔnɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_18.wav|tɔ bˌɨwɔ f kˈiŋkstɔn, prˈavda? tˈak.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_68.wav|pʃˌɛprɔvˈadʑaw ˌɔpɛrˈatsjɛ na vʲˈɛ̃ʑɲʲax.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_492.wav|tʃɨ vʲɛtʃnˈɛɡɔ xaˈɔsu?|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_170.wav|jˈak swˈuʃɲʲɛ zˌauvaʒˈɨwaɕ, jˌɛstɛɕ mi pɔtʃˈɛbna dɔ kˌɔntrɔlɔvˈaɲʲa pʃɛmˈɨtu.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_30.wav|brjˈɛnnɛ wɨpnˈɛwa spˌɔdɛwbˈana rɨtsˈɛʒa.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_101.wav|ˌalɛ mʲˈɛjmɨ nadʑˈɛjɛ, ʒˈɛ dɔ tˈɛɡɔ...|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_385.wav|mˈɨɕliʃ, ʒˈɛ ˌɔna pɔdˈɔba mu ɕɛ f tɨx skˈurax i kɔltʃˈudʑɛ?|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_86.wav|ˈɔjtɕɛts pɔwˈɔntʃɨw jˈɔ̃ z lˈantsɔ̃ palɲˈika i sprˈavdʑiw dvˈa rˈazɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_78.wav|dlatˈɛɡɔ pˌɔstanɔvˈiwam zˌastɔsˈɔvatɕ mɲʲˈɛj suptˈɛlnɔ̃ mɛtˈɔdɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_39.wav|tʃɨ ta sprˈava ɲʲɛ jɛst prjˌɔrɨtɛtˈɔva?|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_159.wav|tˈam bˈɨw tɛn ɡwˈuvnɨ lunˈapark, dɔ kturˌɛɡɔ pˌɔjɛxˈali.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_91.wav|bˈɛs tsɨɡˈanuf i azjˈatuf! zakʃˈɨknɔw prɛzˈɨdɛnt. bˈɛz ʒˈuwtɨx, tʃˈarnɨx.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_129.wav|xtɕˈaw mʲˈɛdʑ dˈɔvut, ʒˈɛ tɛn vˌɨnalˈazɛk naprˈavdɛ istɲʲˈɛjɛ.|4
+Dataset/wavs/urwisko_ferenc/20_segment_53.wav|xudʑˈiɲski dʑvˈiɡnɔw ɕɛ s fɔtˈɛla. bɔrˈɛvitʃ pˈɔʃɛd w jˈɛɡɔ ɕlˈadɨ i fskˈazaw rˈɛŋkɔ̃ na ɕtɕˈɛʃkɛ vzdwˈuʒ dˈɔmu. — ˌɔtprɔvˈadʑɛ pˈana dɔ fˈurtki.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_80.wav|ɕˈɛrʒand bˈɛrfɔrt uvˈaʒa, ʒˈɛ jˈɛɕli jɛj ɡˈɔʑdʑ zɲˈikw, tɔ ɲʲɛ vˈɨʃɛt pʃˈɛz ʒˈadnɔ̃ s fˈurtɛk, mˈuɡw vʲˈɛnts jɛdˈɨɲʲɛ pʃɛskˈɔtʃɨtɕ pʃˈɛs ˌɔɡrɔdʑˈɛɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_35.wav|kˈilka lˈat tˌɛmu ta sˈama ɡrˈupa uznˈawa, ʒˈɛ zamknˈɛli ˈɛmmɛ, jɛj sˈɨna, ɔljˈɛɡɔː i pˌaɕɛrbʲˈitsɛ tˈaʃɛ w dˈɔmu i spalˈili iɣ ʒˈɨftsɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_476.wav|pˈatʃɨw zˈaɲʲɔ̃, kʲˈɛdɨ ʃwˈa pɔdvˈuʒɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_7.wav|irˈina bˌɨwa ɕˈilna, ˌɔtpɔvʲˈɛdɲʲɔ vˌɨʃkɔlˈɔna i ˌuzbrɔjˈɔna. mˈimɔ tɔ ɲʲɛ dˈawa sˈɔbjɛ z ɲˈim rˈadɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_210.wav|ˈumjɛm tʃˈɨtatɕ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_261.wav|pʃˈɨɲʲɛɕ jˈɛɡɔ lɔrdˈɔfskʲɛj mˈɔɕtɕi strˈuj dɔ kˈɔnnɛj jˈazdɨ i jˈɛɡɔ nˌajtɕɛplˈɛjʃɨ pwˈaʃtʃ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_35.wav|tfʲˈɛrdʑi pˈan, ʒˈɛ ɲˈits ɲʲˈɛvʲɛ na jˈɛɡɔ tˈɛmat.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_70.wav|tsˈɔ mʲˈawabˌɨm tˈam rˈɔbʲitɕ?|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_353.wav|jˈɛɕli zˈamknɔ̃ ɡˈɔ w jˈakʲɛjʑ vilɡˈɔtnɛj tsˈɛli ɔ kamjˈɛnnɨx mˈurax, ɲʲɛ pɔʒˈɨjɛ dwˈuɡɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_282.wav|tɔ jɛdˈɨnɨ pˈɔkuj, jˈaki ˌuʒɔɲdʑˈiwɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_75.wav|vʲˈɛndʑ zˈakrɨj ˌidɛntˌɨfikatˈɔrɨ na skafˈandʒɛ i pɔ prɔblˈɛmjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_151.wav|dɔtɕˈɛra dɔ pɔdnˈuʒa sxˈɔduv bˈɛz ʒˈadnɨx pʃˈɨkrɨx pʃˈɨɡut i tˈɨwkʲɛm ɔtfʲˈɛra dʒvˈi sfɔjˈɛɡɔ mʲɛʃkˈaɲʲa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_79.wav|ˈaʃ sprˈava pʃɨtɕˈixɲʲɛ, jˈak mˈuvjɔ̃ wˈɛ fˈilmax ɔː ɔstˈatɲʲɛj rɔbˈɔtɕɛ, ktˌura ʑlˈɛ ɕɛ kˈɔɲtʃɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_355.wav|i swˈux pˈɔɲim zaɡʲˈinɔw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_12.wav|zˈɛrka lɛŋklˈivʲɛ na ʒˈɛkɛ ˈawt mˌijajˈɔntsɨx jˈɔ̃ z lˈɛvɛj i prˈavɛj strˈɔnɨ. mˈa prˈavɔ jˈazdɨ ɲʲˈɛtsɔ pˈɔnat tʃˈɨ lˈata i ɲˈiɡdɨ jˈɛʃtʃɛ ɲʲɛ prˌɔvadʑˈiwa f tˈaɡ dˈuʒɨm rˈuxu.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_104.wav|zˌɔrjɛntɔvˈawa ɕɛ, ʒˈɛ tɔ ftsˈalɛ ɲʲɛ rˈɛndli.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_56.wav|ɲʲɛ. zˈaɲim udˈajɛ mu ɕɛ mɲʲɛ zatʃˈɨmatɕ, xfˈɨtam tɔrˈɛpkɛ, ɔtfʲˈɛram dʒvˈi i vɨɕˈadam s sˌamɔxˈɔdu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_88.wav|mˈɔʒɛ jˈɛdnak jɛst pisˈaʒɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_53.wav|kʲˈɛdɨ sfɔbˈɔda jˈuʃ ɕɛ rɔskrˈɛɲtɕiw, ɲʲɛ dˈawɔ ɕɛ ɡˈɔ pɔfstʃˈɨmadʑ w ʒˈadɛn spˈɔsup. w ʒˈɨtɕu ɲʲɛ spɔtkˈawam ɲikˈɔɡɔ, ktˈɔ kˈɔxaw sfˈɔjɔ̃ prˈatsɛ tˈaɡ bˈardʑɔ jˈak ˈɔn.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_5.wav|ʒˈɔna lantsˈɛla skˌɔʃtɔvˈawa kavˈawɛk, skinˈawa ɡwˈɔvɔ̃ za prɔbˈatɔ̃ i kazˈawa pˈɔdatɕ pʲˈɛrʃɔ̃ pˈɔrtsjɛ jˌamjɛˈɛmu.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_243.wav|jˈɛɕli nˈadal xtɕˈawabˌɨɕ ɔtʃˈɨmadʑ dˈarɨ, nˈapiʒ dɔ tsɛrsˈɛi i pʃˈɛtstaf jɛj sfˈɔjɛ rˈatsjɛ.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_232.wav|a tʃɨ tɔ dʑˈawa tˈɛʃ na psˈɨ?|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_202.wav|pˌɔbwɔɡˈɔswaf tɔmˈɛna, a ɔn pɔwˈɔʒɨ krˈɛs tɨm ɲʲˌɛɡɔdʑivˈɔɕtɕɔm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_265.wav|tsˈɨka bˈul w ɡwˈɛmbʲi tʃˈɔwa.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_61.wav|z jakʲˈɛɡɔɕ pɔvˈɔdu ɲʲɛ sˈɔɲdʑiw, bˈɨ spˌisujˈɔntsɨ krˈɔɲikˌi mˌaɛstˈɛʒɨ mʲˌɛli ɡˈɔ pɔmˈɨlitɕ s kɕˈɛɲtɕɛm ɛmˈɔnɛm smˈɔtʃɨm rɨtsˈɛʒɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_35.wav|jˈɛʃtʃɛ bˈardʑɛj ʒawˈujɛ, ʒˈɛ ɲʲˈɛmam ɲikˈɔɡɔ, dɔ kˈɔɡɔ mˈɔɡwabˌɨm ɕɛ zvrˈutɕitɕ.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_301.wav|pˈaltsɛ zwˈɔtɛj rˈɛŋki bˌɨwɨ zˌakʃɨvʲˈɔnɛ i mˈɔɡwɨ swˈuʒɨtɕ jˈakɔ xˈak, ˌalɛ ɲʲˈɛbɨw f stˈaɲʲɛ iɣ zatɕˈisnɔɲtɕ, vʲˈɛnts tʃˈɨmaw tˈartʃɛ bˈardʑɔ ɲʲɛpˈɛvɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_63.wav|ɔpˈuʃtʃam rˈɛntsɛ.|4
+Dataset/wavs/urwisko_ferenc/50_segment_45.wav|f ktˌurɨm tɔ bˌɨwɔ rˈɔku? ɔdˈɛzvaw ɕɛ f kˈɔɲtsu bɔrˈɛvitʃ. ɲʲɛ pamjˈɛntam dɔkwˈadɲʲɛ. w ˌɔɕɛmdʑɛɕˈɔntɨm ˈusmɨm?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_35.wav|ɲˈits tɕˈɛ tˈutaj ɲʲɛ tʃˈɨma.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_50.wav|ɲʲɛ bˌɛndɛ jˈɛdnaɡ zupˈɛwɲʲɛ sˈama.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_288.wav|tɔ zalˈɛʒɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_37.wav|xwˈɔpak rˈuvɲʲɛʃ pasˈujɛ, vʲˈɛndʑ ɡrˈa tˈɔtʃɨ ɕɛ tˈɛras mʲˌɛndʑɨ kɔbjˈɛtɔ̃ a dʒulˈɔŋɡʲɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_101.wav|ˈɔt, ɲʲɛvʲˈɛlkʲɛ pudˈɛwkɔ s pʃˌɛzrɔtʃɨstˈɛɡɔ plastʲˈiku, f ktˌurɨm tsˈɔɕ lɛʒˈawɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_137.wav|pistˈɔlɛt spˈad na ɡˈanɛk i vɨpˈaliw s xˈukʲɛm mawˈɛɡɔ fˌajɛrvˈɛrku. tˈak ɕɛ ɲʲɛ pɔvˈinnɔ stˈatɕ, vʲˈɛnts fˈatsɛt mˈuɕaw ɡˈɔ jˈakɔɕ pʃɛrˈɔbʲitɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_90.wav|ˌɔtsunˈɛwam ɔt ɕˈɛbjɛ ʃklˈaŋkɛ s pˈivɛm. ɲˈiɡdɨ ɲʲɛ pˈiwam pʃˈɨɲim ˌalkɔxˈɔlu.|4
+Dataset/wavs/urwisko_ferenc/46_segment_108.wav|f tɛj sˈamɛj xfˈili vˈɨtʃuw vibrˈatsjɛ f kʲɛʃˈɛɲi spˈɔdɲi.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_20.wav|zavʒˈɨjmɨ umˈɔvɛ.|1
+Dataset/wavs/urwisko_ferenc/19_segment_12.wav|ˈutɕɛkw mi, dɔdˈawa sˈɔlska, jˈaɡbɨ tʃɨtˈawa jɛj w mˈɨɕlax, ˌalɛ pʃˈɨjdʑɛ. vʲɛtʃˈɔrɛm zˈafʃɛ vrˈatsa pɔt klˈatkɛ. mˈuʃɛ tˌɨlkɔ pɔ ɲʲˈɛɡɔ zˈɛjɕtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_122.wav|jˌɛstɛm ɡwˈɔdna.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_56.wav|ˈalfjɛ ftɕˈɔ̃ʃ tɕˈɔŋɡɲʲɛ mɲʲɛ za rˈɛŋkɛ i f kˈɔɲtsu ɕɛ pɔxˈɨlam.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_322.wav|zˌɔbatʃˈɨwɛm ɡrˈupkɛ lˈudʑi stɔjˈɔntsɨɣ vˈɔkuw dˈɔwu, jˈaɡ ʒˈuwta rˈana f tɨm ɕmʲɛtɲˈiku umˈarwɨx rˈɔɕlin.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_45.wav|tɔ bɨwˈɔbɨ jˈak ˌɔɡwɔʃˈɛɲʲɛ tˌɛɡɔ pɔrvˈaɲʲa w vʲɛtʃˈɔrnɨɣ vʲˌadɔmˈɔɕtɕax, ˌalɛ fʃˈɨstkɔ, tsˈɔ znajdʑˈɛmɨ, mˈɔʒɛ zatʃˈɛkatɕ, ˈaʒ dɔvʲˈɛmɨ ɕɛ vʲˈɛntsɛj.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_63.wav|nˈatɨm vzɡˈuʒu rˈɔi ɕɛ ɔd vrˈubli, a fʃˈɨstsɨ vʲˈɛmɨ, ʒˈɛ vrˈublɛ bʒˈɨdʑɔ̃ ɕɛ ɲʲˌɛɡɔdʑivˈɔɕtɕɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_23.wav|mɔʒlˈivɛ, ʒˈɛ plˌanɔvˈali skˌɔntaktˈɔvatɕ ɕɛ z jˈɔɛ f tɕˈɔŋɡu kˈilku ɡˈɔdʑin, ˌalɛ tsˈɔɕ pˈɔʃwɔ ɲʲɛ tˈak.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_8.wav|bˈɛtskɨ tˌɔvaʒˈɨʃɨ mi w drˈɔdʑɛ dɔː ɔddʑˈɛlnɛj sˈali, f ktˌurɛj lˈɛʒɨ ˈaʃ.|4
+Dataset/wavs/urwisko_ferenc/59_segment_142.wav|bˈɔː ix tˈam ɲʲɛ bˈɨwɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_108.wav|ɡˈaʃɛ ɕfʲˈatwɔ, ʒˈɛbɨ dˈɔm ɲʲɛ vˈidʑaw mˈɔjɛj tfˈaʒɨ. mˈijam ɡˈɔː i vɨxˈɔdʑɛ na ɕtɕˈɛʃkɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_62.wav|tˈaɡ bˈardʑɔ xtɕˈawa jˈuʃ stˈɔnd vˈɨjɕtɕ, vrˈutɕidʑ dɔ sfɔjˈɛɡɔ dˈɔmu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_8.wav|pˌɔdɔ̃ʒˈali jˌɛdnɔtʃˈɛɕɲʲɛ za kilkˈɔma trɔpˈami, a fʃˈɨstkʲɛ tɛ dɔmˈɨswɨ i çˌipɔtˈɛzɨ pʃˌɨpravʲˈawɨ ɡˈɔː ɔ bˈul ɡwˈɔvɨ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_246.wav|ɔn swˈuxa tˌɨlkɔ bˈɔɡuf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_24.wav|jˈɛɕli bˌɨwa s tsˌamɛrˈɔnɛm, tɔ muɕˈawa bˈɨtɕ tɔ sˈaskja. ˈax, i dˈɔdaw jˈɛʃtʃɛ, ʒˈɛ kˌapitˈalɲʲɛ ɡrˈa f pɔkˈɛra.|3
+Dataset/wavs/urwisko_ferenc/34_segment_42.wav|ɲʲɛ vʲˈɛdʑaw, tsˈɔ zrˈɔbʲidʑ z rɛŋkˈɔma.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_92.wav|tʃɨ ja ɲitʃˈɛɡɔ tɕˈɛ ɲʲɛ nˌautʃˈɨwɛm?|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_116.wav|ˈarjan sɔɲdʑˈiwa, ʒˈɛ xˈɔttaɣ zˌaprɔvˈadʑi jˈɔ̃ dɔ vʲˈɛʒɨ swˈɔɲtsa, bˈɨ ˈɔjtɕɛts ɔsˈɔɲdʑiw tsˈurkɛ. pˈɔʃli jˈɛdnaɡ dɔ samˈɔtɲi kɕˈɛɲtɕa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_85.wav|tɔ fʃˈɨstkɔ jɛst tˈu dla mɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_163.wav|ɔstˈatɲʲɔ̃ ɔfjˈarɛ stwˈukw tˈak, ʒˈɛ zapˈadwa w ɕpʲˈɔntʃkɛ i trˈaf xtɕˈaw, ʒˈɛ dʑɛftʃˈɨna bˌɨwa z rɔdʑˈinɨ tsˌapizˈanɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_176.wav|ˈuɲʲus prˈavɔ̃ dwˈɔɲ, ɡdˈɨʃ ʃˈɛf pˈɛŋkaw i plakʲˈɛtka ˌɔdrɨvˈawa ɕɛ, lˈɛtʃ...|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_54.wav|ktˈɔɕ mˈuɡwbɨ pɔvʲˈɛdʑɛtɕ, ʒˈɛ vɨtɕˈɛɲtɕɛ vʲˈɛlkʲɛj dʑˈurɨ f kɔmˈɔʒɛ tɕˌiɕɲʲɛɲʲˈɔvɛj ɲʲɛ jɛzd dˈɔbrɨm pɔmˈɨswɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_57.wav|a ja kturˈɛɡɔʑ dɲʲˈa bˌɛndɛ tˈɛʒ vʲˈɛlkim rɨˈanɛm, spˌɛtsjalˈistɔ̃ ɔd bˈaŋkrutstf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_158.wav|rˌɔzumjˈawam tˈɛras, ʒˈɛ fʃˈɨstsɨ pˌɔʃukivˈali tʃˈɛɡɔɕ, tʃˈɛɡɔː im w ʒˈɨtɕu brˌakɔvˈawɔ, a dʑˈɛŋki tˈɛmu, ʒˈɛ ˈaram ix prɔvˈadʑiw, vʲɛʒˈɨli, ʒˈɛ w nˈaʃɨm dˈɔmu tɔː ɔdnˈajdɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_89.wav|ɲʲɛ zˌauvaʒˈɨwam nˈavɛt, kʲˈɛdɨ fstˈaw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_17.wav|jˈak sˈɔɲdʑiʃ, ktˈɔ najlˈɛpʲɛj ɕɛ nadˈajɛ dɔ pʃˌɛpɨtˈaɲʲa pʃˌɨjatɕˈuwɛɡ ɡˌɛnɛvʲˈɛvɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_15.wav|ɲʲɛ pˌɔvɔdˈujɛ mnˈɔ̃ pˈɨxa ˌaɲi ɛɡˈɔizm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_70.wav|ɡdˈɨbɨ ɲʲɛ tɔ, jˈaɡ dwˈuɡɔ tˌɛɡɔ rˈaŋka brˈawa prˈɨʃɲits, pɔmˈɨɕlawbˌɨ, ʒˈɛ ɲˈits w ɲʲˈɛj ɲʲɛ zɔstˈawɔ s tˈamtɛj zɡvawtsˈɔnɛj dʑɛftʃˈɨnɨ.|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_58.wav|nˈavɛt sˈama starˈuxa ɲʲɛ vˌɨprɔvadʑˈiwabˌɨ mɲʲɛ bɛspʲˈɛtʃɲʲɛ s tɛj kabˈawɨ.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_177.wav|pʃɨnˈajmɲʲɛj mˈam pˈɛvnɔɕtɕ, ʒˈɛ ɲʲɛ zrˈɔbʲi mi dʑˈɛtska.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_19.wav|ˈaʃ pˈuʃtʃa mɲʲɛ i ɕɛ ɔdvrˈatsa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_115.wav|ˈabɨ im pʃɛbˈatʃɨtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_11.wav|sɔ̃ pɔt tɕˈɛ̃ʃkim ɔstʃˈawɛm z druɡʲˈɛɡɔ dˈɔmu za rˈɔɡʲɛm ulˈitsɨ. mˈuʒɛ vˈalɔ̃ dɔ ɲˈiɣ z ˈɔkʲɛn na ɡˈuʒɛ i z dˈaxu. kˈulɛ bʲˈijɔ̃ bˈɔŋk, bˈɔŋk, bˈɔŋk f pɔdvˈɔʑɛ taksˈufki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_174.wav|pɛxˈɔvɨ vʲˈɛtʃur rˈas na jˈakiɕ tʃˈas ɲʲɛ stanˈɔvi jˈuʃ kˈɔɲtsa ɕfʲˈata i zˈafʃɛ zˌaxɔvˈujɛ trˈɔxɛ pʲɛɲʲˈɛndʑɨ, ʒˈɛbɨ mˈudʑ zˈaɡratɕ pɔnˈɔvɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_21.wav|ɲʲɛ pˌɔlɛtɕˈawɔ zbˈɨd dalˈɛkɔ, ˌalɛ jˈuʃ tˌɛɡɔ ɲʲɛ zmʲˈɛɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_292.wav|pijˈana tsˈurka pˌɔtrafˈiwa bˈɨtɕ swˈɔtka, ɡdˈɨ bˌɨwa tʃˈɛʑva, ˌalɛ ɲʲɛ ftˈɛdɨ, ɡdˈɨ mʲˈawa f sˈɔbjɛ vˈinɔ.|1
+Dataset/wavs/urwisko_ferenc/04_segment_61.wav|zdˈaɲʲɛm pˌɔlitsjˈantuf prˌɔvadʑˈɔntsɨx sprˈavɛ vˌɨɡlɔndˈawɔ tɔ tˈak, jˈaɡbɨ mˈɔɲikˌa xudʑˈiɲska pˌɔwɔʒˈɨwa tˈam apˈarat tsɛlˈɔvɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_76.wav|ktˌurɨ bˈɨw ɲʲɛ tˌɨlkɔ ʃpˌakɔvˈatɨ, ˌalɛ i ʑɛlˈɔnɨ, a mʲɛjstsˈami nˈavɛt ɲʲɛbjˈɛski.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_94.wav|tˈak fstˈɛmpnɔ̃ rɔsprˈavɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_29.wav|dˈalɛ vˈɛstxnɔw tɕˈɛ̃ʃkɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_60.wav|ˌalɛ ɔn mˈa rˈatsjɛ. tˈɛras lˈitʃɨ ɕɛ tˌɨlkɔ mˈili.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_416.wav|jˈak inˈatʃɛj mˈɔɡwabˌɨʑ dˈɔvʲɛɕtɕ sfˈɛj ɲʲˌɛvinnˈɔɕtɕi?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_120.wav|pɔkˈɔnatɕ mˈɔɡɔ̃ mɲʲɛ tˌɨlkɔ tʃˈɨ ukwˈadɨ kˈart.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_18.wav|prˌubɔvˈawa zbˈɨtɕ jˈɛɡɔ pɨtˈaɲʲɛ parskɲʲˈɛɲtɕɛm, ˌalɛ ɲʲɛ vˈɨʃwɔ jɛj tɔ ʃtʃɛɡˈulɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_100.wav|dˈɔbjɛɡw ɡˈɔ zˈapax tʃˈɛɡɔɕ smatʃnˈɛɡɔ, a kʲˈɛdɨ fʃˈɛd dɔ kˈuxɲi, zɔbˈatʃɨw lˈutsɨ pʃɨ kuxˈɛntsɛ mʲˌɛʃajˈɔntsɔ̃ zavˈartɔʑdʑ duʒˈɛɡɔ ɡˈarŋka s kˌasɛrˈɔlɛ.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_154.wav|lˈadɨ vˌainvˈɔɔt?|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_358.wav|lˈɛpʲɛj ˈɔmuf tˈɛ sprˈavɛ z lˈɔrdɛm prˌɔtɛktˈɔrɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_25.wav|kˈit.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_313.wav|kˈaptur twˈumiw ˌɔtatʃajˈɔntsɛ dʑvʲˈɛŋki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_56.wav|bˈɨwbɨ zˌaxfɨtsˈɔnɨ, ˈɛlis.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_13.wav|ˈɛlis fskazˈawa na skʃˈɨŋkɛ pɔtʃtˈɔvɔ̃ za sklˈɛpɛm. tɔ tˈutaj?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_20.wav|ʒˈutsam ɲˈim s tsˈawɛj ɕˈiwɨ i swˈɨʃɛ, jˈak pˌɔbʒɛŋkˈujɛ na kamjˈɛɲʲax.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_70.wav|ɲʲɛ ɔkˈazaw ʃˈɔku tʃɨ smˈutku, jakʲˈɛɡɔ mˈɔʒna bˈɨ ˌɔtʃɛkˈivatɕ pɔ rɔdʑˈitsu, ˌalɛ jˈaɡ dˈɔtɔnt mˈili bˌɨwa jɛdˈɨɲʲɛ ɔbrˈaskʲɛm w jˈɛɡɔ ɡwˈɔvʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_44.wav|ˌimiɡrˈatsjɛ|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_303.wav|bˈɔrɔz blˈant i mˈɛrɨn trˈant.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_125.wav|kʲˈɛdɨ jˈɛdnaɡ zadˈajɛʒ bˈul druɡʲˈɛmu tʃwˌɔvʲɛkˈɔvi, ɲʲɛ lˈɛkki jˈaɡ zɡɔjˈɔntsɛj ɕɛ rˈanɨ w mˈɔim bˈɔku, lˈɛtʃ tˌaki pravdʑˈivɨ, ɔt ɕmʲɛrtˈɛlnɛj kˈuli.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_217.wav|mˈuj ɡʲˈɛrmɛk, ɡdʑˈɛ jɛst pˈɔdritsk?|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_239.wav|vɨkˈutɔ ɡˈɔ z mˈɨɕlɔ̃ ɔ zdrˈadʑɛ i mɔrdˈɛrstfʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_136.wav|bʲˈillɨ zamˈɨka dˈɔm na klˈutʃ i vɨxˈɔdʑi, f tʃˈaptsɛ z dˈaʃkʲɛm, ʒˈɛbɨ ɲʲɛ bˌɨwɔ vˈidatɕ, ʒˈɛ jˈɛɡɔ vwˈɔsɨ ɲʲɛ sɔ̃ kɔlˈɔru blˈɔnt.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_37.wav|kˈim jˈɛstɛ��?|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_328.wav|ɲʲɛ, jɛst mwˈɔtʃɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_155.wav|bˈɔ ɲʲɛ utɕˈɛkwɛm dɔ naʃˈɛɡɔ pɔkˈɔju.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_92.wav|s pɔtʃˈɔntku mʲˈawam kˌɔŋkurˈɛntsjɛ, ˌalɛ vɨpˈarwam fʃˈɨstkiɣ z brˈanʒɨ, pɔɲʲˈɛvaʃ mˈam ɲˈiskʲɛ tsˈɛnɨ, ˌɔfɛrˈujɛ vɨsˈɔki pˈɔʑɔm ˈuswuk i zˈafʃɛ dˌɔtʃɨmˈujɛ swˈɔva.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_114.wav|ˌustavʲˈɔnɨx w mˈɔrskix tavˈɛrnax, f ktˌurɨx spʃˌɛdavˈanɔ xɔmˈarɨ i rˈɨbɨ zˈɛ ʃtʃˈɛlɲʲɛ zamkɲʲˈɛntɨx, blaʃˈanɨx pˈuʃɛk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_47.wav|ɲʲɛ zdɔwˈamɨ pˈɔznatɕ prˈavdɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_93.wav|mˈam vraʒˈɛɲʲɛ, ʒˈɛ ftɕˈɔ̃ʃ krˈɛɲtɕi mi ɕɛ w ɡwˈɔvʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_416.wav|ktˈɔɕ ɕɛ na pˈɛvnɔ zɡwˈɔɕi.|0
+Dataset/wavs/urwisko_ferenc/63_segment_160.wav|ˌalɛ tʃɨ s pɔvˈɔdu ɡwupʲˈɛɡɔ rɔmˈansu?|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_59.wav|rutʃˈajɛ, f ktˌurɨx spraɡɲʲˈɔnɨ tʃwˈɔvʲɛk mˈɔʒɛ ɕɛ nˈapitɕ ˌɔras jaskˈiɲʲɛ, ɡdʑˈɛ mˈɔʒna znˈalɛɕtɕ sxrɔɲʲˈɛɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_125.wav|f tɨm swˈɔvʲɛ ɲʲˈɛma ɲitʃˈɛɡɔ pˈɔza ɡɔrˈɨtʃɔ̃.|3
+Dataset/wavs/urwisko_ferenc/21_segment_58.wav|kɔlˈɛjnɨ bwˈɨsk pʃˈɛrvaw fspɔmɲʲˈɛɲʲa mˈarji.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_179.wav|rˌɔspwakˈawam ɕɛ nˈaɡlɛ, pʃˌɨpɔminˈajɔnts sˈɔbjɛ ɔstˈatɲʲɛ xfˈilɛ stsˈɔtta.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_221.wav|tˌaki bˈɨw jˈɛɡɔ pʲɛrvˈɔtnɨ zˈamɨsw.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_278.wav|ʒˈɛkw, vɨjmˈujɔnts spˈɔd bˈaru butˈɛlkɛ jakʲˈɛɡɔʑ brˌɔ̃zɔvˈɛɡɔ pwˈɨnu. nˈalaw mi trˈɔxɛ dɔ ʃklanˈɛtʃki.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_67.wav|strˈax pˌaisˈɛla bˈɨw ˈaʃ nˈattɔ vidˈɔtʃnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_114.wav|jˈudɨ ɡrˈatʲis pʃɛkˈaʒɛ jˈɛ dˈalɛj. bˌɛɲdʑɛ zˌadɔvɔlˈɔna, jˈɛɕli ˈɛr.kˈa. spˈɔtka ɲʲˌɛʃtʃɛɲɕlˈivɨ vɨpˈadɛk.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_198.wav|dɔbrˈanɔts, kɔxˈanɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_238.wav|dˈaɕ spˈɔkuj, ɲʲɛ jˌɛstɛm idjˈɔtɔ̃! ʒˈaxnɔw ɕɛ i lˌɛktsɛvaʒˈɔntsɔ mˈaxnɔw rˈɛŋkɔ̃.|4
+Dataset/wavs/urwisko_ferenc/15_segment_11.wav|tsˈɔɕ mˈarɲʲɛ vɨɡlˈɔndaʃ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_131.wav|tʃˈujɔnts jɛj rˈɛntsɛ dˌɛlikˈatɲʲɛ ɡwadʑˈɔntsɛ jˈɛɡɔ vwˈɔsɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_27.wav|ˌuʒɔndʑˈɛɲʲɛ ɲʲɛ bˌɨwɔ zˌablɔkɔvˈanɛ, a na ɛkrˈaɲʲɛ pɔjˈaviw ɕɛ kˌɔmuɲˈikat ɔ dɔstˈɛmpnɛj vʲˌadɔmˈɔɕtɕi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_182.wav|nˈavɛd ɡˈɔ ɲʲɛ vidʑˈawɛm, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_342.wav|pɔvʲˈɛɕtɕɛ ix.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_125.wav|xˈɔvv zˈɛrka pʃˈɛs rˈamjɛ, tʃɨ ɲˈikt ɲʲɛ pʃɨwˈapaw ɡˈɔ na pɔmˈɨwtsɛ. mˈɔɡɛ vˈɛjɕtɕ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_87.wav|ɲʲɛ vʲɛdʑˈawam, pˌɔvʲɛdʑˈawa jˈudɨ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_29.wav|ɲʲˌɛvinnˈɔɕtɕi?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_59.wav|tˈɔm zatʃˈɛkaw na pˌɔzɔstˈawɛ pɨtˈaɲʲa i pɔpˈatʃɨw pɔ tfˈaʒaɣ zɡrˌɔmadʑˈɔnɨx lˈudʑi, ktˌuʒɨ tˈak sˈamɔ jˈak ɔn xtɕˈɛli jˈuʃ rɔspˈɔtʃɔɲtɕ ɕlˈɛtstfɔ.|3
+Dataset/wavs/urwisko_ferenc/23_segment_86.wav|pˌɔlitsjˈantka ɲʲɛ spuʃtʃˈawa vzrˈɔku z mɛ̃ʃtʃˈɨznɨ.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_373.wav|pɔftˈuʒɨw zdʑivʲˈɔnɨ ˈɔsnɛj. muvˈiwɛm ˌɔsmundˈɔvi, ʒˈɛ marɡˈarɨ tˌɨlkɔ ɕɛ zˈɛmnɔ̃ bˈavi. ɲˈiɡdɨ ɲʲɛ pɔzvˈala mi na vʲˈɛntsɛj ɲˈiʃ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_53.wav|ɡˈɔɕtɕ pˈɔrvaw samˈɔlɔt, zɡˈarnɔw spˈɔrɨ ˈɔkup, vɨskˈɔtʃɨw zˈɛ spˌadɔxrˈɔnɛm i vʲˈɛntsɛj ɡˈɔ ɲʲɛ vidʑˈanɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_35.wav|— pʃɛprˈaʃam, ʃˈɛfjɛ — pɔvʲˈɛdʑaw rˈɔp. — ��alɛ mˌamɨ ʃpˈital na lˈiɲʲi.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_189.wav|pʃɨnˈajmɲʲɛj dɔ xfˈili, ɡdˈɨ stˈaɲiz zɔstˈaɲʲɛ pˌɔkɔnˈanɨ.|1
+Dataset/wavs/urwisko_ferenc/63_segment_123.wav|xˈɛrman pˌɔtʃɛkˈawa, ˈaʃ kɔbjˈɛta ɕɛ ˌuspɔkˈɔi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_73.wav|tˈamtɛn ʒˈutɕiw mu lˌɔdɔvˈatɛ spɔjʒˈɛɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_18.wav|ɔdˈɛzvɛ ɕɛ, kʲˈɛdɨ bˌɛndɛ na zˈɛvnɔntʃ, pˌɔvʲɛdʑˈawam i zˌakɔɲtʃˈɨwam pˌɔwɔntʃˈɛɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_416.wav|tˈak, xˈɨba tˈaɡ bˌɛɲdʑɛ lˈɛpʲɛj.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_125.wav|mˈuviʃ ɕˈɛdmju.|1
+Dataset/wavs/urwisko_ferenc/55_segment_58.wav|— tˈak, kɔbjˈɛta uɕˈadwa ˌɔbɔk xˈɛrman. — pamjˈɛnta pˈaɲi jˈɛɡɔ nazvˈiskɔ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_75.wav|zatʃˈɔwɛm ɔt tɨɕˈɔntsa fˈuntuf.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_83.wav|upˈɛvɲʲam ɕɛ, ʒˈɛ swˈɨʃɨ mˈɔjɛ tɕˈɛ̃ʃkʲɛ vɛstxɲʲˈɛɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_51.wav|dʑˈivnɛ, ʒˈɛ ɲʲɛ fpˈadwɔ mi tɔ dɔ ɡwˈɔvɨ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_66.wav|ɲʲɛ ˌulɛɡˈawɔ vˌɔntplivˈɔɕtɕi, ʒˈɛ kˌɔmɛdjˈantska fˈarsa z ɛdmˈurɛm i ʃˌubjɛɲˈitsɔ̃ zvʲɛŋkʃˈɨwa tˌɨlkɔː ˈupur blatskfˈiʃa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_33.wav|i znˈuf tɕˈiʃa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_79.wav|plˈan bʲillʲˈɛɡɔ bjˈɛʒɛ w wˈɛp kfˈadrans pʃɛt puwnˈɔtsɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_160.wav|vˌɨtsɔfˈujɛ ɕɛ f strˈɔnɛ dʒvˈi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_36.wav|xˈɨba jˈuʃ kʲˈɛdɨʑ ɡˈɔ vidʑˈawam, ˌalɛ ɲʲɛ mʲˈawam ɲˈiɡdɨ ʒˈadnɨx pɔvˈɔduf, ʒˈɛbɨ dʑvˈɔɲitɕ na pɔlˈitsjɛ, vʲˈɛnts pɔ prˈɔstu ˈutɕɛkw mi s pamjˈɛɲtɕi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_5.wav|ɲʲɛ zˌɔrjɛntˈɔvaw ɕɛ, ʒˈɛ zˈaɲim pˈɔʃwa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_11.wav|dˌɔvʲɛdʑˈɛli ɕɛ, ʒˈɛ bˈɨw tˈɨpɛm ˈɔjtsa vˌɨxɔvˌujɔntsˈɛɡɔ dʑˈɛtɕi w dˈɔmu, ˌalɛ xˈɔdʑ vɨswˈanɔ tˈam natˈɨxmʲast fˌuŋktsjɔnarjˈuʃɨ, fraŋklˈina ɲʲɛ zastˈali.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_133.wav|mˈɔʒɛʃ jˈɛxatɕ, kɔxˈaɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_67.wav|ɡdʑˈɛ jɛzd baˈilɛj?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_6.wav|bˌɨwam pˈɛvna, ʒˈɛ vrˈutɕiw dɔ xazˈardu, vˌɨkɔʒɨstˈujɔndʑ dɔ tˌɛɡɔ tsˈɛlu ɔstˈatɲʲɔ̃ rˈatɛ studˈɛntskʲɛj pɔʒˈɨtʃki i vʲˈarɛ, ʒˈɛ lˈɔs ɕɛ ɔdvrˈutɕi.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_401.wav|ˌɔdnɔɕˈiwa vraʒˈɛɲʲɛ, ʒˈɛ unˈɔɕi ɕɛ nat sfˈɔim tɕˈawɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_75.wav|mˈɛrtʃ, mˈuvi. pʲˌɛrdɔlˈɔna mˈɛrtʃ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_52.wav|zˌɔbatʃˈɨwa pʃˈɛzɲʲɔ̃ nˈɔts. ɲʲˈɛbɔ bˌɨwɔ tʃˈarnɛ i pʃˈɛs xfˈilɛ zˌastanavʲˈawa ɕɛ, tʃˈɛɡɔ f tɨm vidˈɔku brakˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_166.wav|sxɨlˈiwɛm ɕɛ, ʒˈɛbɨ jˈɛtʲi tˈɛʃ mˈuɡw zˈajʒɛdʑ dɔ ɕrˈɔtka.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_17.wav|kˈaʒda zwˈa dɛtsˈɨzja|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_78.wav|tʃɨ ˌɔɲi ɲʲɛ bˌɨli jˈuʃ mɔˈimi rˌɔdʑitsˈami? tʃɨ jˈuʃ mɲʲɛ ɲʲɛ kɔxˈajɔ̃?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_50.wav|tɔ bˌɨwɔ mˈɔjɛ dʑˈɛtskɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_180.wav|— na fsxˈut, jˈudɨ — pɔvʲˈɛdʑaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_173.wav|nˈail mˈuɕawbˌɨ tsˈɔ nˈajmɲʲɛj spʃˈɛdatɕ sfˈɔjɛ pˌɔzɔstˈawɛ udʑˈawɨ.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_180.wav|a tʃɨ pˈana ˈɔjtsa tˈɛʒ zˌapɔmɲʲˈawɛɕ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_49.wav|pˈujdɛ pʃˌɨɡɔtˈɔvadʑ bˌailɛjˈɛɡɔ.|3
+Dataset/wavs/urwisko_ferenc/59_segment_42.wav|spɔjʒˈawa pʃˈɛz bˈɔtʃnɔ̃ ʃˈɨbɛ na dˈɔm bjɛɡwˈɛɡɔ, pʃɛt ktˌurɨm vˌɨrastˈawɨ ˌimpɔnujˈɔntsɛ nˌaparstɲˈitsɛ pˌurpurˈɔvɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_184.wav|ɲˈikt mi ˈɔtɨm fspˈɔmɲʲaw. zadʑvˈɔɲʲɛ fkrˈuttsɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_87.wav|bˌɨwɔ jˈɛʃtʃɛ za ftʃˈɛɕɲʲɛ, vʲˈɛnts pʃˌɨkutsnˈɛwam na tˈɨwaɣ ɡarˈaʒu, tʃɛkˈajɔnts na xʃˈɛ̃zd ʒvˈiru pɔt stɔpˈami.|3
+Dataset/wavs/urwisko_ferenc/59_segment_86.wav|tʃɛrvˈɔna krˈɔpka vˌɨkɔnˈawa ˈɔval vˈɔkuw pˌɔpɛŋkˈanɨx fraɡmˈɛntuf tɕˈawa jˈɛntki.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_41.wav|dʑˈɛtskɔ mˈa spˈɔrɔ ɲʲˌɛɔbɛtsnˈɔɕtɕi f ʃkˈɔlɛ, a kʲˈɛdɨ ɕɛ jˈuʃ pɔjˈavja, vɨɡlˈɔnda fatˈalɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_56.wav|nˈajpʲɛrf mˈuʃɛ ɕɛ vɨɕˈikatɕ, trˈɔxɛ ɕɛ bˈɔjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_96.wav|ʒˈuwtɛ rˌɛŋkavˈitsɛ kɔbjˈɛtɨ vˌɨɡlɔndˈajɔ̃ jˈak kupʲˈɔnɛ f tɨm sˈamɨm sklˈɛpʲɛ, f ktˌurɨm bʲˈillɨ kˈupiw sfˈɔjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_32.wav|fɕadˈajɔ̃. bʲˈillɨ ɔtpˈala ɕˈilɲik. pˌɔtʃɔntkˈɔvɔ trˈɔxɛ xˈartʃɨ, zˈaras jˈɛdnaɡ zatʃˈɨna nɔrmˈalɲʲɛ pratsˈɔvatɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_22.wav|pɔdbjˈɛɡam dɔ dʒvˈi i pʃˌɨtʃɨmˈujɛ jˈɛ pʃɛd zˌatʃaɕɲʲˈɛɲtɕɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_58.wav|a ɲʲˈɛvʲɛm jˈaɡ dwˈuɡɔ bˌɛndɛ f stˈaɲʲɛ prɔvˈadʑitɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_55.wav|vjɛʒdʒˈajɔ̃ vˈindɔ̃ na tʃfˈartɛ pʲˈɛntrɔː i vɨxˈɔdʑɔ̃ na pˈustɨ kɔrˈɨtaʃ.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_21.wav|nˈavɛt lˈadɨ mirˈanda zatʃˈɛwa ʑˈɛvatɕ i skˈarʒɨtɕ ɕɛ, ʒˈɛ jɛzd zmɛntʃˈɔna.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_47.wav|nˈut rˈɨknɔw ɕmʲˈɛxɛm. a ktˈuraʃ tɔ rˈuʒa mˈɔʒɛ skʃˈɨvdʑitɕ krakˈɛna z mˈɔrskiɣ ɡwˈɛmbʲin?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_503.wav|mˈɔʒɛ pˈan xtsˈɛ ɔtpˈɔtʃɔɲtɕ? nalˈɛʒɨ ɕɛ pˈanu kɔlˈatsja, bˈɔ xˈɨba zˌatʃɨmˈamɨ pˈana.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_429.wav|i pˌɔtsawɔvˈawa ɡˈɔ f pˈaltsɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_474.wav|zˌɔbatʃˈɨmɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_60.wav|pɔpˈɛwɲʲaw bwˈɛndɨ, srˈɔɡɔ mɲʲɛ zˈavʲud, ˌalɛ ɲʲˈɛmʲaw zwˈɛɡɔ xˌaraktˈɛru.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_18.wav|zˈafʃɛ ˌɔkazɨvˈali sˈɔbjɛ tʃˈuwɔɕtɕ, jˈɛdnak ɔt kʲˈɛdɨ lˈutsɨ zɔstˈawa nˌastɔlˈatkɔ̃, stˈawa ɕɛ ˌɔdrɔbʲˈinɛ bˈardʑɛj ɔʃtʃˈɛndna w uɕtɕˈiskax.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_213.wav|ʃnˈur sˌuɡɛrˈujɛ dˌɔndarjˈɔna.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_608.wav|jɛdˈɨnɛ, tsˈɔ mi spˈatɕ ɲʲɛ dˈajɛ, tɔ ta nˈaʃa pʃˈɛʃwɔɕtɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_88.wav|ɲʲɛ, ˈaram.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_70.wav|lˌɔuˈisa starˈawa ɕɛ ɲʲɛ pˈatʃɛtɕ jɛj na rˈɛntsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_25.wav|mˈuvi jˈɛnnɨ, ˌɔtstavʲˈajɔnts kˈubɛk na mˈɔjɛ bjˈurkɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_73.wav|sˈanxɛs mˈa na sˈɔbjɛ skafˈandɛr i jˈuʒ dˌɔjɛxˈaliɕmˌɨ dɔ tunˈɛlu. zˈaraz bˌɛndɛ vɨxˈɔdʑiw z wazˈika, a tsˈɔː ˈu tɕˈɛbjɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_189.wav|pˈɔra ftˌajɛmɲˈitʃɨtɕ ˈɛlis w jˈɛɡɔ zamjˈarɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_16.wav|sˌɨtuˈatsja ɕɛ vˌɨklarɔvˈawa ɲʲˈɛtsɔ pˈɔnat tˈɨdʑɛɲ tˈɛmu, kʲˈɛdɨ zˌadʑvɔɲˈiwa dɔ ɲʲˈɛɡɔ pˈɔttʃas ɲʲˌɛdʑɛlnˈɛɡɔ lˈantʃu.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_282.wav|a jɛj ˈɔtʃɨ bˌɨwɨ ʑˈimnɛ jˈak kavˈawki lˈɔdu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_247.wav|vʲˈɛnts pˌɔwɔʒˈɨwɛm rˈɛŋkɛ na jɛj pʲˈɛrɕax i zdʑivˈiwɛm ɕɛ iɣ dˌɛlikatnˈɔɕtɕɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_226.wav|zˌaprɔtɛstˈɔvaw rˈɔbɛrt, ˌalɛ mjˈa puɕtɕˈiwa jˈɛɡɔ swˈɔva mˈimɔː ˈuʃu.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_220.wav|bˌɨwɔ pɔ tʃˈɛtɕɛj w nˈɔtsɨ, ˌalɛ ɲʲɛ pʃˌɛjmɔvˈawam ɕɛ kˌɔnvɛnansˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_50.wav|jɛzd zˌadɔvɔlˈɔn��, kʲˈɛdɨ vˈidʑi, jˈak ˈɛlis fpatrˈujɛ ɕɛ f sfˈɔjɔ̃ kanˈapkɛ s kurtʃˈakʲɛm i bɛkˈɔnɛm, jˈak planˈujɛ nastˈɛmpnɨ kˈɛ̃s, zˈaɲim skˈɔɲtʃɨ pʃɛʒˈɨvatɕ pɔpʃˈɛdɲi.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_300.wav|bˈɨw tˌɨlkɔ jɛj pʃɨrˈɔdɲim brˈatɛm, ˈalɛ...|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_37.wav|vɨtsˈɛdʑiw mwɔdʑˈɛɲʲɛdʑ z mʲˈɛŋkkim, dɔrɲˈijskim aktsˈɛntɛm, ˌuɕmʲɛxˈajɔnts ɕɛ ʃɛrˈɔkɔ.|1
+Dataset/wavs/urwisko_ferenc/19_segment_107.wav|a jɛj vzrˈɔk pˌɔvɛndrˈɔvaw f strˈɔnɛ kɔpˈɛrtɨ z dˌɔvɔdˈami zdrˈadɨ sɔlskʲˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_20.wav|tˈarlɨ bˌɛɲdʑɛ xtɕˈaw jˈɛ zˈatknɔɲtɕ na mˈurax, ɔznˈajmiw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_105.wav|pˌɔvʲɛdʑˈawa bˈɛtskɨ. na pʃˈɨkwat lˈaptɔp ˈalbɔː i pˈat.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_175.wav|ˌalɛ ɲʲɛ bˌɛndɛ ɕɛ za tɕˈɛbjɛ mˈɔdliw, dˌɔpɔvʲˈada bʲˈili w dˈuxu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_37.wav|ˈɔtʃɨ jɛj zvɛ̃zˈiwɨ ɕɛ ɲʲˈɛtsɔ. patʃˈɨwa na ɲʲˈɛɡɔ zˈɛ skupʲˈɛɲʲɛm, pʃˌɛstɛmpˈujɔndʑ z nˈɔɡʲi na nˈɔɡɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_50.wav|ɕˈadaj, pɔmˈɔɡɛ tɕi zdjˈɔɲtɕ tɛn strˈuj.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_143.wav|rˈudɨ ˈuɲʲuz dwˈɔɲʲɛ w ˌuspɔkˌajajˈɔntsɨm ɡˈɛɕtɕɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_463.wav|vʲˈɛʃ, ʒˈɛ ftˈɛdɨ bˌɨwam jˈuʃ pɔ tˈamtɛj strˈɔɲʲɛ?|0
+Dataset/wavs/urwisko_ferenc/07_segment_3.wav|mɔʒˈɛmɨ pɔɡˈadatɕ? spˈɨtaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_27.wav|pʃɛrvˈawam mu. jˌɛstɛm dʑˈiɕaj dˈɔsɨtɕ ɲʲɛˈufna.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_88.wav|vɨɡlˈɔndaʃ na zˌafrasˌɔvanˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_150.wav|vidʑˈɛliɕtɕˌɛ tɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_165.wav|vwaɕtɕˈivʲɛ tsˈawkʲɛm tˈaɲʲɔ f pˌɔruvnˈaɲʲu z ˌaltɛrnatˈɨvɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_51.wav|pˈɛvɲʲɛ na ˈɔdbjur. tʃɛkˈajtɕɛ, zˌɔbatʃˈɨmɨ tsˈɔ ɕɛ vɨdˈaʒɨ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_21.wav|tɔ pˌɔtɕɛʃˈawɔ ɲʲˈɛtsɔː ˈarjan.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_45.wav|ˈɔkɛj, tɨm rˈazɛm tɕi zaˈufam.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_153.wav|swˈɨʃɛ tɔ z vʲˈɛlkim ʒˈalɛm, pˈaɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_28.wav|zˈafʃɛ f tɔ vʲɛʒˈɨwam, ˈaʒ dɔ tˈɛras.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_229.wav|ˈaltɛr ˈɛɡɔ, ktˌurɛ nazˈɨva sfˈɔim ɡwupˈavɨm jˈa,|2
+Dataset/wavs/urwisko_ferenc/42_segment_32.wav|mˈam nad vˈami pʃɛvˈaɡɛ, vʲˈɛnts lˈɛpʲɛj pɔswˈuxaj, tsˈɔ mˈam tɕi dɔ pˌɔvʲɛdʑˈɛɲʲa. ʒˈutɕiw zˈaɲim lˈipski, zdˈɔ̃ʒɨw ɕɛ ɔdˈɛzvatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_39.wav|tˈak naprˈavdɛ tʃˈuwam ɕɛ skrˌɛmpɔvˈana jˈak xɔlˈɛra, ˌalɛ rɔbʲˈiwam fʃˈɨstkɔ, ʒˈɛbɨ ɲʲˈɛdatɕ tˌɛɡɔ pɔ sˈɔbjɛ pˈɔznatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_11.wav|a pˈɔtɛm vratsˈajɔ̃ dɔ ɕrˈɔtka.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_154.wav|ʒˈɛ za kˌɔntuarˈami bˈaruf na tsˈawɨm ɕfʲˈɛtɕɛ pˈɛwnɔ jɛst ɲʲˌɛpijˈɔntsɨx ˌalkɔxɔlˈikuf.|2
+Dataset/wavs/urwisko_ferenc/14_segment_69.wav|f kˈaʒdɨm rˈaʑɛ pɔ jˈakimɕ tʃˈaɕɛ lˌɛvandˈɔfska zatʃˈɛwa ɕɛ ʃˈarpatɕ s tɨm ɡˈɔɕtɕɛm, a f kˈɔɲtsu vˈɨʃwa s pˈarku. nˈɔː i akˈurat minˈɛwa tˌɛɡɔ xwˈɔpa s psˈɛm.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_313.wav|ta mˈɨɕl vˌɨpɛwɲʲˈawa vˌiktarjˈɔna ɲʲɛsmˈakʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_150.wav|w lɔdˈuftsɛ jɛst ˌɔpakɔvˈaɲʲɛ mʲɛlˈɔnɛj vˌɔwɔvˈinɨ. bʲˈillɨ zdɛjmˈujɛ fˈɔljɛ i vˈɔnxa zavˈartɔɕtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_112.wav|pɔswˈuxaj.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_22.wav|udˈawɔ mu ɕɛ pʃɨnˈajmɲʲɛj na xfˈilɛ zadʑvˈɔɲidʑ dɔ dˈɔmu, ˌalɛ luˈisa ɡˈɔː ˌɔtpravˈiwa, zˌapɛvɲʲˈajɔnts, ʒˈɛ fʃˈɨstkɔ jɛst w najlˈɛpʃɨm pɔʒˈɔntku.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_22.wav|ɲʲɛ lˈubjɛ, kʲˈɛdɨ pʃˌɛswuxˈujɛ mɲʲɛ pɔlˈitsja.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_145.wav|ftˈɛdɨ iɣ zˌɔbatʃˈɨwam.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_56.wav|na jˈɛɡɔ pʲˈɛrɕi tʃɛrvˈɔnɛ ˈɔkɔ zˌapwakˈawɔ krfjˈɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_233.wav|zˌanɔtɔvˈawam f pamjˈɛɲtɕi, ʒˈɛ mˈuʃɛ sˈɔbjɛ tˈakɔ̃ kˈupitɕ, kʲˈɛdɨ jˈuʒ bˌɛndɛ bɔɡˈata.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_229.wav|i alˈain bˈardʑɔ ɕɛ s tˌɛɡɔ tɕɛʃˈɨwa.|1
+Dataset/wavs/urwisko_ferenc/63_segment_117.wav|tʃˈɛɡɔ?|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_110.wav|klˈatka bˌɛspʲɛtʃˈɛɲstfa dɔstˈawa ɲʲˈɛzwɨ vˈɨtɕisk. vnˈɛntʃɛ kabʲˈinɨ zˌamjɛɲˈiwɔ ɕɛ w bˈɛmbɛn virˈufki i tsˈudɛm pˌɔfstʃɨmˈawam vɨmjˈɔtɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_326.wav|ʒˈɛ ubjˈɛɡwɨ tˈɨdʑɛɲ bˈɨw dla mɲʲɛ jˈɛdnɔ̃ vʲˈɛlkɔ̃ lˈɛktsjɔ̃ pɔkˈɔrɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_93.wav|ɲˈitsk ˌɔprɔvˈadʑa ɡˈɔ.|2
+Dataset/wavs/urwisko_ferenc/44_segment_34.wav|jˈɛdnaɡ ɡwˈɔs pɔ drˈuɡʲɛj strˈɔɲʲɛ jˈuʒ zˈamilkw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_34.wav|ˌalɛ tɔ ɲʲɛ tˌɨlkɔ tɔ, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_200.wav|pɔdˈɛʃliɕmˌɨ dɔ tɛj bˌalustrˈadɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_162.wav|ɡdʑˈɛɕ f tɨɣ zaɡˈɔnax ˈulidʑ za ˈɔknɛm ɔdˈɛzvaw ɕɛ ˈalarm sˌamɔxɔdˈɔvɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_113.wav|mˈɔʒɛ nˈavɛt tˈamtɔː uʃwˈɔbɨ mu na sˈuxɔ, ɡdˈɨbɨ ɲʲɛ vˈɨbraw ɕɛ dɔ lˈɔs ˈandʒɛlˌɛs i ɲʲˈɛvʑɔw jˈakʲɛjɕ pisˈarki za prˌɔstɨtˈutkɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_244.wav|bʲˈillɨ swˈɨʃɨ skʃɨpʲˈɛɲʲɛ sprˈɛ̃ʒɨn wˈuʃka.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_287.wav|ʒˈatkɔ zdaʒˈawɨ ɕɛ rɛklˈamɨ pˈɔlskʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_106.wav|spɔtkˈawam ɕɛ z ɲˈim z dˈala ɔt mɔjˈɛɡɔ pɔkˈɔju, ktˌurɨ zatʃˈɨnaw vɨdˈavatɕ ɕɛ klˌawstrɔfɔbʲˈitʃnɨ pɔ tɨx fʃˈɨstkiɣ bɔlˈɛsnɨɣ vˌɨdaʒˈɛɲʲax.|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_49.wav|vˈɨbatʃ, ʒˈɛ tɕˈɛ tɨm fʃˈɨstkim zanˈudʑam.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_259.wav|ˌɔtʃɨvˈiɕtɕɛ ja stˈavʲam.|4
+Dataset/wavs/urwisko_ferenc/24_segment_16.wav|pˈan sprˈavdʑi i zadʑvˈɔɲi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_155.wav|dɔstʃˈɛɡam bwˈɨsk w ˈɔtʃax nˌadʲinspɛktˈɔra. pɔdˈɔba mu ɕɛ tɔ, tsˈɔ vwˈaɕɲʲɛ uswˈɨʃaw.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_230.wav|f tˈakix xfˈilax tʃwˈɔvʲɛk ɕɛ wˈamjɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_126.wav|ˈɔjtɕɛts pˈɔtʃɛd dɔ stɔlˈika nˌapʃɛtɕˈifkɔː anˈɛksu kˌuxɛnnˈɛɡɔː i ˈuɕad na jˈɛdnɨm s kʃˈɛsɛw.|4
+Dataset/wavs/urwisko_ferenc/64_segment_101.wav|vˌɨstɔmpˈiwa pʃɛtɕˈifkɔ pˈanu.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_384.wav|f tsˈawɨx ɕˈɛdmju krulˈɛstfax ɲʲˈɛma mˈɛ̃ʒa, ktˌurɨ mˈuɡwbɨ ɕɛ mu ˈɔpʃɛtɕ. vɨstˈartʃɨ, ʒˈɛ vˈɨdaʃ rˈɔskas.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_75.wav|ktˈɔ vʲˈɛ, mˈɔʒɛ kɔxˈaŋka bˌɨwa najmɲʲˈɛjʃɨm z mˈɔiɣ zmˈartfʲɛɲ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_133.wav|pɔ tʃɨm zadˈawɛm pɨtˈaɲʲɛ, kturˌɛɡɔ ɲʲɛ mʲˌawɛm prˈava zˈadatɕ, ˌalɛ muɕˈawɛm pˈɔznatɕ ɔtpˈɔvʲɛtɕ.|2
+Dataset/wavs/urwisko_ferenc/30_segment_9.wav|pˈɛvɲʲɛ mʲˈawbɨ wzˈɨ w ˈɔtʃax.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_129.wav|xtsˈɛʃ pɔjˈɛxadʑ dɔ mˈakidˈak?|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_103.wav|tɔ jˈuʃ fʃˈɨstkɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_279.wav|a tɕˈɛɲ vɨɡlˈɔndaw tˈak sˈamɔ jˈak i jˈɛɡɔ tʃwˈɔvʲɛk, tɕˈɛmnɨ, ˈɔstrɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_38.wav|a ja xtsˈɛ ɕɛ dɔvʲˈɛdʑɛtɕ, tsˈɔ tɔ jˈɛst.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_83.wav|ˌalɛ jˈak ɔɡlˈɔndatɕ kɔnstrˈuktsjɛ bˈaɲki ɔd zˈɛvnɔndʒ bˈɛs uprˈavɲʲɛɲ dɔ prˈats f prˈuʒɲi?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_26.wav|ʒutɕˈiwa mu fɕtɕˈɛkwɛ spɔjʒˈɛɲʲɛ, vʲˈɛdʑɔnts, ʒˈɛ tsɛlˈɔvɔ skʲɛrˈɔvaw nˈaɲʲɔ̃ uvˈaɡɛ fʃˈɨstkix.|4
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_3.wav|tˈɨɕɔnts ɔkrˈɛntuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_432.wav|bˈardʑɔː ɔstrˈɔʒɲʲɛ vˌɨsunˈɔwɛm ɕɛ spˈɔt kˈɔtsa, znalˈazwɛm ubrˈaɲʲɛ, ftɕɔŋɡnˈɔwɛm jˈɛ na ɕˈɛbjɛ bˌɛsʃɛlˈɛstɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_423.wav|tɔ ɡvˈɛntʲin pɔvˈiɲʲɛn spiskˈɔvatɕ pʃɛtɕˈifkɔ mɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_174.wav|pɔmˈɨɕlaw jˈamɛ. a tɨ jˌɛstɛɕ jɛdˈɨnɔ̃ mɔnˈɛtɔ̃, jˈaka mi zɔstˈawa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_17.wav|bˈɛtskɨ rˌɔzumjˈawa pɔdˈɛjɕtɕɛ tsˌarɔlˈinɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_76.wav|ɲʲɛ ɕfʲˌattʃɨwˈɔbɨ xˈɨba ˈɔɲim dˈɔbʒɛ, ɡdˈɨbɨ ˌɔtpɔvʲˈɛdʑaw fspˌuwpratsɔvɲˈikɔm f ʃpitˈalu, ʒˈɛbɨ ɲʲɛ zˌavratsˈali mu ɡwˈɔvɨ f trˈaktɕɛ lˈantʃu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_13.wav|ɲʲɛ, ɲʲɛ, ɲʲɛ, mamrˈɔtʃɛ, pʃˌɨtɕiskˈajɔndʑ dwˈɔɲʲɛ dɔ skrˈɔɲi.|4
+Dataset/wavs/urwisko_ferenc/46_segment_82.wav|tsˈɔ xtsˈɛʒ z ɲˈim zrˈɔbʲitɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_96.wav|zˈamkɲij pˈɨsk ˈalbɔ ja tɕi ɡˈɔ zˈamknɛ? ɲʲɛ vʲˈɛʒɨʃ, tɔ sprˈubuj ʃtʃˈɛɲɕtɕa.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_311.wav|vˈidʑɛ ix tɕˈɛɲʲɛ na ɕɲʲˈɛɡu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_64.wav|dˈɔɕtɕ rˌɛɡulˈarɲʲɛ pʃˈɛs ɔstˈatɲʲɛ tʃˈɨ mʲɛɕˈɔntsɛ, ˌalɛ ɔstˈatɲʲɔ ʒˈadʑɛj. vɨɡlˈɔnda nˈatɔ, ʒˈɛ jɛst psˌɨxɔlˈɔɡʲɛm sɔndˈɔvɨm. tsˈɔɕ tɕi tɔ mˈuvi?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_247.wav|tsˈɔɕ w lˈuku na plˈɛtsax sˈapʲɔndʑ zˈɛ ɕfˈistɛm.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_177.wav|ɲʲɛ pɔvˈinnaɕ... tˈak, ˌɔtʃɨvˈiɕtɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_201.wav|bʲˈili kˈiva ɡwˈɔvɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_164.wav|jˈɛdʑ dɔ krulˈɛfskʲɛj pʃɨstˈaɲi pɔskˈarʒɨtɕ ɕɛ mˈɔjɛj swˈɔtkʲɛj ɕˈɔstʃɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_191.wav|ɲʲˈɛma tʃˈasu nˈatɔ, ʒˈɛbɨɕ tˈam pɔjˈɛxaw i pˌɔrɔzmˈavʲaw z mˈamɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_33.wav|pʃˈɛs xfˈilɛ ˈɔjtɕɛts i ja patʃˈɨliɕmˌɨ na ɕˈɛbjɛ w miltʃˈɛɲʲu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_32.wav|tˈu pɔkˈazaw dwˈɔɲʲɔ̃ mˈɔstɛk pɔt rɔspʲˈɛntɔ̃ kɔʃˈulɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_112.wav|dʑˈɛŋki za uvˈaɡɛ!|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_34.wav|vidʑˈawam na vwˈasnɛ ˈɔtʃɨ ubrˈanɨ na bjˈawɔ zˈɛspuw w mʲˈɛjstsu zbrˈɔdɲi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_29.wav|dˈam tɕi pʲɛɲʲˈɔndʑɛ i zmˈɨj ɕɛ s tˌɛɡɔ mʲˈasta.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_253.wav|maʃ jˈuʃ kʃˈɨʃ, na pɔtʃˈɔntɛk pɔvʲˈɛdʑaw dɔ xˈɛlɛn.|0
+Dataset/wavs/urwisko_ferenc/18_segment_12.wav|nˈɔ vʲˈɛ pˈan, tˈak jˈak f pʃɨpˈatku mˈɔɲikˌi vˌɨjaɕɲˈiwa.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_294.wav|jɛzd bɛspʲˈɛtʃnɨ w mˈuraɣ varˈɔvɲi mˌaɛɡˈɔra.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_241.wav|dˈuʒɔ vʲˈɛntsɛj ɲˈiʃ pˌɔtʃɛbɔvˈawam. pʃɨnˈajmɲʲɛj mʲˈawam tˈakɔ̃ nadʑˈɛjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_122.wav|mˈɔja ɕˈɔstra tsˈasɛj bˌɨwa pʃɨ stˈɔlɛ, s kturˌɛɡɔ jˈɛdliɕmˌɨ i mˌalɔvˈawa kˌɔlɔrɔvˈaŋkɛ.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_38.wav|jˈɛɡɔ ɡwˈɔz bˈɨw swˈabɨ i trˈudnɔ ɡˈɔ bˌɨwɔː uswˈɨʃɛtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_66.wav|ɲʲɛ vˌidujˈɛmɨ ɕɛ tʃˈɛ̃stɔ. ɔn mˈa sfˈuj vˈarʃtat, ja mˈam sfˈɔjɔ̃ prˈatsɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_14.wav|zakwˈadam, ʒˈɛ maʃ tɛn nˈumɛr.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_143.wav|kʲˈɛdɨ zˌajɛʒdʒˈajɔ̃ pʃɛt mˈɔtɛl, bʲˈillɨ ɕˈɛŋɡa dɔ tˈɨlnɛj kʲɛʃˈɛɲi spˈɔdɲi i vɨjmˈujɛ zwɔʒˈɔnɔ̃ kˈartkɛ.|2
+Dataset/wavs/urwisko_ferenc/23_segment_97.wav|ɔt kʲˈɛdɨ vʲˈɛdʑaw pˈan ɔ rɔmˈanɕɛ tsˈurki?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_25.wav|— zˈadʑvɔɲ pˈu��ɲʲɛj, prˈɔʃɛ. rɔzwˈɔntʃɨw ɕɛ i fsˈunɔw tɛlˈɛfɔn dɔ kʲɛʃˈɛɲi dʒˈinsuf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_52.wav|ˈalfjɛ pɔvʲˈɛdʑaw jɛj pˈɔnɔtɕ, ʒˈɛ mʲɛʃkˈajɔ̃ nat mʲˈɛjstsɛm, f ktˌurɨm pˈan rˈɔbʲi stˈɔpɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_64.wav|najvʲˈɛntsɛj uvˈaɡʲi pˌɔɕfʲɛntsˈajɔ̃ waʑˈɛntsɛ, ˌarmatˈuʒɛ, kɔɲtsˈuftsɛ prɨʃɲˈitsa, lˈustru, rˈɔntʃtsɛ s pwˈutʃki.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_105.wav|ftˈɛdɨ dɔ ɲʲˈɛɡɔ dɔtɕˈɛra, ʒˈɛ ɕɛ pɔmˈɨliw.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_452.wav|i ftɕisnˈɛwa ɡˈɔ tsˈɛdʒɛ dɔ rˈɛŋki pˈɔttʃas nastˈɛmpnɛj kɔmpʲˈɛli.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_33.wav|tsˈɔʑ bˌɨwɔ ɲʲɛ tˈaɡ zˈɛ strakˈanɛm, xˈɔtɕ mˈɔʒɛ tˈak tˌɨlkɔ tˈɛras tʃˈuw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_66.wav|ɲʲɛ vidʑˈawa ɡˈɔ, kʲˈɛdɨ natxˈɔdʑiw, ɲʲɛ jˈaɡ zazvˈɨtʃaj z mrˈɔku lˈup s tɕˈɛɲʲa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_53.wav|tʃɨ pamjˈɛntaʃ jˈɛʃtʃɛ, tʃɨm sɔ̃ pʲɛɲʲˈɔndʑɛ, xˈɛlɛn?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_422.wav|pˈaɲʲɛ prˌɛzɨdˈɛɲtɕɛ, pʃˈɛs pɔmˈɨwkɛ vɨdˈali mi pˈana pˈɔrtfɛl, kʃɨknˈɔwɛm. ɲʲˈɛx pˈan pʃɛxˈɔva, jˈɛʃtʃɛ ɕɛ spɔtkˈamɨ.|0
+Dataset/wavs/urwisko_ferenc/18_segment_62.wav|a ɔstˈatɲʲɔ?|0
+Dataset/wavs/urwisko_ferenc/49_segment_100.wav|ftˈɛdɨ i tˈɛras prˌɔvadʑˈiwa z ɲˈim dwˈuɡɔ̃ rɔzmˈɔvɛ bɛndˈɔntsɔ̃ vɨtfˈɔrɛm vˌɨɔbrˈaʑɲi.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_131.wav|tɔ bˈɨw kɔlˈɛjnɨ ʃˈɔk. w jˈaki spˈɔsup?|1
+Dataset/wavs/urwisko_ferenc/23_segment_58.wav|zˌaprɔpˌɔnɔvˈawɛm mˌartɕinˈɔvi, ʒˈɛ zˌapwatɕˈimɨ dˈuʒɔ pʲɛɲʲˈɛndʑɨ tˈɛmu, ktˈɔ ʒˈutɕi nˈɔvɛ ɕfʲˈatwɔ na tˈɛ sprˈavɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_198.wav|zˌatʃɨnˈajɔ̃ fxˈɔdʑitɕ na ɡˈurɛ. bʲˈillɨ fsˈuva lˈufɛ rˌɛmiŋktˈɔna w ˈɔtfur vɨtɕˈɛntɨ w ˈɔkɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_91.wav|xˈɨba ˌuswɨʃˈawa, bˈɔː unˈɔɕi drˈuɡɔ̃ rˈɛŋkɛ i s trˈudɛm pʃɛtɕˈiska jˈɔ̃ pʃˈɛs rˈɛŋkaf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_56.wav|w jˈaki spˈɔsup rɔstɕˈɛwa sˈɔbjɛ nˈɔɡɛ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_200.wav|pʃˌɛtɕɛʃ nɔɡˈafki tˈɛʃ rˌɔstɕinˈajɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_23.wav|ɲʲɛ mˈuʃɛ sprˈavdʑatɕ jˈɛɡɔ zˌavartˈɔɕtɕi. vʲˈɛm, ʒˈɛ mˈam tˈam fʃˈɨstkɔ, tʃˈɛɡɔ pˌɔtʃɛbˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_129.wav|nˈavɛt nɛrvˈɔvɨ pɔrˈadʑiw sˈɔbjɛ z ɲˈim bˈɛz dˌɔdatkˈɔvɨx pˈɨtaɲ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_61.wav|i mˈɔjɛ mˈawɛ mʲɛʃkˈaɲʲɛ, f ktˌurɨm pʃɛt ɲˈitʃɨm ɲʲɛ mˈɔʒna ˈutɕɛts.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_80.wav|prˈɔʃɛ tɔ vwˈɔʒɨtɕ na dnˈɔ ʃuflˈadɨ i pʃˌɛxɔvˈɨvatɕ na fʃˈɛlki vɨpˈadɛk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_103.wav|tˈɔm pˈɔtʃɛd blˈiʒɛj i pʃˈɨɕad na skrˈaju jɛj bjˈurka.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_286.wav|bˌɛndɛ pˌɛrtraktˈɔvaw z blatskfˈiʃɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_38.wav|znˈuv zˌatʃɨnˈajɔ̃ mi dɨɡˈɔtatɕ rˈɛntsɛ. bˈɛki pɔdnˈɔɕi mˈɔjɔ̃ ʃklˈaŋkɛ, kʲˈɛdɨ prubˈujɛ ɔdʑˈɨskatɕ nat sˈɔbɔ̃ kɔntrˈɔlɛ.|4
+Dataset/wavs/urwisko_ferenc/21_segment_1.wav|w dˈuʒɨm pɔkˈɔju na ɕtɕˈaɲʲɛ kˌɔminˈɔvɛj pʲˈɛrʃɛ zatɕˈɛki pˌɔjavˈiwɨ ɕɛ jˈuʒ vʲˈɔsnɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_12.wav|f pɔdˈɔbnɨ spˈɔsub vɨɡrˈɨvaw rˈuvɲʲɛʃ spˈɔrɔ pʲɛɲʲˈɛndʑɨ. ɲʲɛ nˌatrafˈili jˈɛdnak na ʒˈadɛn ɕlˈat tɛj ɡɔtˈufki.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_227.wav|tɔ bɨwˈɔbɨ dla tɕˈɛbjɛ zbˈɨt mɛntʃˈɔntsɛ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_397.wav|ˈalaj mˈɛɡa, tɔ jˈɛʃtʃɛ prˈavʲɛ dʑˈɛtɕi. vˈaʃa mˈiwɔɕtɕ, tɔ...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_93.wav|ˌalɛ ɲʲˈɛmʲaw pɔjˈɛɲtɕa, dlatʃˈɛɡɔ bˌɨwa tˈaka zdˌɛnɛrvɔvˈana.|3
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_107.wav|dˈɔbʒɛ ʒˈɨjɛʒ z lˈudʑmi bˈɛs pʃˌɨmilˈaɲʲa ɕɛ dɔ ɲˈix?|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_214.wav|ɡdʑˈɛ tkfˈi xˈatʃɨk?|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_186.wav|ˌɔbudʑˈiwam ɕɛ ɔ tʃfˈartɛj nat rˈanɛm i za bˈardʑɔ mɲʲɛ nɔɕˈiwɔ, ʒˈɛbɨm mˈɔɡwa dwˈuʒɛj tʃˈɛkatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_103.wav|mˈasa lˈudʑi tɕˈɛ ʃˈuka. tfardʑˈɛlɛ jˈaɡ dˈana ˈɛdʲisɔn, ɔ ktˌurɨm fspɔmɲʲˈawɛɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_17.wav|tɨm rˈazɛm pˌɔsunˈɛwaɕ ɕɛ za dalˈɛkɔ, dʒˈɛs.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_5.wav|bˈɛtskɨ zrˌɛlatsjɔnˈujɛ vam pʃˈɛbjɛk rɔzmˈɔvɨ zˈɛ strakˈanɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_47.wav|ktɔkˈɔlvʲɛk pˈɔza pˈanɛm mʲˈaw ɡdʑˈɛʑ dˈɔstɛmb dɔ tˌɛɡɔ tˌɛlɛfˈɔnu?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_81.wav|xˈɨba mʲˈaw dʑɛftʃˈɨnɛ ɔ dˈuʒɨx pɔtʃˈɛbax.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_72.wav|kturˌɛɡɔː ˈɔjtɕɛts ɲʲˈɛmʲaw dˈɔsɨtɕ pʲɛɲʲˈɛndʑɨ, ˈabɨ mu ɔtfˈɔʒɨdʑ bjˈurɔ w bɛvˈɛrlɨ çˈills.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_224.wav|mˈɔɡwɛʑ zˈaɲʲɛ kˈupidʑ dla nˈas tsˈɔʑ dɔ jɛdʑˈɛɲʲa, pɔmˈɨɕlaw sˈam. mˈɔɡwɛɕ kˈupidʑ drˈɛvnɔ, ʒˈɛbɨ maˈɛstɛr ˈɛmɔn ɲʲɛ mˈuɕaw mˈarznɔɲtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_40.wav|bˈutskɨ xˈɛnsɔn ʃtʃˈɛʒɨ ɕɛ radˈɔɕɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_103.wav|ɲʲɛ zrɔzˈumtɕɛ mɲʲɛ ʑlˈɛ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_384.wav|mʲˌawɛm sˈɛn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_26.wav|rˈaz zˌɔbatʃˈɨwam s tˈɨwu radjˈɔvus na sɨɡnˈalɛ i mɨɕlˈawam, ʒˈɛ jˌɛstɛm ˌuɡɔtɔvˈana, ˌalɛ mɲʲɛ vɨpʃˈɛdʑiw i pˈɔɡnaw dˈalɛj jˈaɡ dɔ pɔʒˈaru.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_411.wav|skˈɔnt tɕi tɔ pʃˈɨʃwɔ dɔ ɡwˈɔvɨ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_141.wav|tsˈuʃ, mˈuvi jɛj bʲˈillɨ, çistˈɔrja dʒˌɔnnɨˈɛɡɔ, pʃɨnˈajmɲʲɛj jˈɛɕli xˈɔdʑi ɔː ˌuzalɛʒɲʲˈɛɲʲɛ ɔt prˈɔxuf, mʲˈawa ʃtʃɛɲɕlˈivɛ zˌakɔɲtʃˈɛɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_22.wav|mˈɔʒɛ zˌaɡrɔʒˈɛɲʲɛ kˈɔmuʑ brˈɔɲʲɔ̃ vɨstˈartʃɨ. ɲʲɛ mˈuʃɛ jɛj pʃˌɛtɕɛʃ ˈuʒɨtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_91.wav|vɨbˈuliw pʲɛtnˈaɕtɕɛ bˈaɲʲɛk, tˈak pˈiʃɔ̃ na zˈillɔf.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_93.wav|nˈatɔ ɕɛ ˌɔdvrutɕˈiwa i vɨbjˈɛɡwa s pɔkˈɔju, a...|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_277.wav|jˈakʲɛɕ ɕmʲˈɛtɕɛ, dˈuʒɔ kˈuʒu.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_241.wav|tɛn pʃɛklˈɛntɨ zˈɛɡar z vʲˈɛʒɨ zˈamku krˌulɛfskʲˈɛɡɔ znˈɔvu vɨbʲˈijaw ɡɔdʑˈinɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_60.wav|ʒˈɛ ɲʲɛ jˌɛstɛɕ mˈɔjɔ̃ mamˈuɕɔ̃, ˌalɛ ˈindjɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_138.wav|ɲʲɛ ˈudʒ dʑˈatka dʑˈɛtɕi rˈɔbʲitɕ mwɔdʑˈaku. mˈam pʃˌɨɡɔtɔvˈanɔ̃ krɨjˈufkɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_8.wav|ɲʲˈɛvʲɛm, pʃˈɨznaw tˈɛrɨ. ˌɔna dʑˈawa tˈak, ʒˈɛ kˈaʒdɨ vʲˈɛ tˌɨlkɔ tɔ, tsˈɔ mˈa rˈɔbʲidʑ w dˈanɛj xfˈili. nˈaʃ kʲɛrˈɔftsa vʲˈɛ sfˈɔjɛ, tɔ nˌajvaʒɲʲˈɛjʃɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_161.wav|bʲˈili tʃˈɛka, tʃɨ zapˈalɔ̃ ɕɛ jˈɛɡɔ ɕfʲˈatwa xˌamultsˈɔvɛ. ɲʲɛ zˌapalˈajɔ̃ ɕɛ i fˌurɡɔnˈɛtka zɲˈika s pˈɔla vidʑˈɛɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_250.wav|ˌalɛ ɲʲɛ fspɔm��ʲˈawa pˈaɲi ɔ ɲˈix.|4
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+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_198.wav|tˈak pˌɔvʲɛdʑˈawɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_142.wav|i tɔ bˈardʑɔ tʃˈuwɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_133.wav|tɔ zwˈɨ tʃwˈɔvʲɛk.|2
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+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_157.wav|vbʲˈiwam pˌɔirˌɨtɔvˈanɛ spɔjʒˈɛɲʲɛ f kˈɔndɔm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_140.wav|ɕfʲˈatwa rˌɛflɛktˈɔruf padˈajɔ̃ na zˌaxlapˈanɔ̃ dˈɛʃtʃɛm ʃˈɨbɛ w dʒvʲˈax frɔntˈɔvɨx.|2
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+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_65.wav|tfˈaʃ mʲˈawa ʃɛrˈɔkɔ̃ i ɡwˈatkɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_99.wav|i vidʑˈɛli, jˈak samˈɔlɔt ɔkrˈɛntsa ɕɛ dˌɔɔkˈɔwa vwˈasnɛj ˈɔɕi, pˈɔttʃaz ɡdˈɨ pˈilɔd vɨpˈuɕtɕiw stˈɛr, ˈabɨ ɔswˈɔɲidʑ ɡwˈɔvɛ rɛŋkˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_133.wav|kʲˈɛdɨ tˈata ɕɛ ɔdˈɛzvaw, tʃˈar prˈɛs.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_18.wav|ɲʲɛ mɔʒˈɛmɨ ɕɛ tˈak ˌiɡnɔrˈɔvatɕ, jˈɔɛ. mˈuv dɔ mɲʲɛ ˈalbɔ pˈɔzvul mi mˈuvidʑ dɔ tɕˈɛbjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_84.wav|fʃˈɨstkʲɛ pˌɔtɛntsjˈalnɛ nabˈɨtki kˌɔnsultˈujɛ z bˈutskim, bˈɔ tɔː ɔn zrˈɔbʲi zdjˈɛɲtɕa, ktˌurɛ ɡʲˈɔrɡjɔ lˈup jˈudɨ blˈatnɛr vˈɨɕlɛ dɔ klɛrkˈija.|2
+Dataset/wavs/urwisko_ferenc/44_segment_71.wav|ˈɔlɡʲɛrd zɡˈaɕiw ˈɛkran.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_257.wav|zjˈɛxaw vʲˈɛnts na bˈɔk i mˈuɕaw zˈamknɔɲdʑ dˈax.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_50.wav|tsɛrsˈɛi rˌɔzɛɕmʲˈawa ɕɛ ɡwˈɔɕnɔ. mˌɔtɨlˈɛɡɔ rɨtsˈɛʒa, ktˌurɨ strˈatɕiw rˈɛŋkɛ nat tʃˈarnɨm nˈurtɛm? tsˈɔ za pɔʒˈɨtɛk s pˌuwmɛ̃ʃtʃˈɨznɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_347.wav|zˈatɛm znalˈazwɛm ɕɛ nˈatɨh ˌimjɛɲˈinax i fʃˈɨstkɔ...|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_55.wav|na nˈaʃɨm lɔtɲˈisku ɲʲɛ vˈɔlnɔ tˌɛɡɔ rˈɔbʲitɕ.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_42.wav|f pʲˈɛrʃɛj kˌɔlɛjnˈɔɕtɕi muɕˈawam ɕɛ upˈɛvɲitɕ, ʒˈɛ w bjˈurku ɲʲɛ zˌɔstavˈiwam ɲitʃˈɛɡɔː ˌɔsɔbʲistˈɛɡɔ.|3
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+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_97.wav|dʑˈɛɕɛɲtɕ lˈat tɔ stˈartʃɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_107.wav|— tsˈɔ jɛst s tˈɔbɔ̃? — zapˈɨtaw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_256.wav|bˈɔ tˈɨlɛ jɛst wˈadnɨx i mwˈɔdɨx kˈɔbjɛt, s kturˈɨmi mˈɔʒna bˈɨ bˈɨtɕ pʃˈɛs mʲˈɛɕɔnts, tʃɨ pʃˈɛz dvˈa, pʃˈɛs rˈɔk, tʃɨ pʃˈɛz dvˈa.|0
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+Dataset/wavs/urwisko_ferenc/30_segment_42.wav|xˈɛrman ɲʲɛ znˈawa ˌɔtpɔvʲˈɛdʑi nˈatɛ pɨtˈaɲʲa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_218.wav|kʲˈɛdɨ rˈas ˌɔdvʲɛdʑˈiwa rˈɔɲi f ʃpitˈalu, pˌɔvʲɛdʑˈawa, ˌɔtxɔvˈawam vwˈasnɔ̃ dvˈujkɛ djablˈikuf i tɔ mi vɨstˈartʃɨ.|2
+Dataset/wavs/urwisko_ferenc/17_segment_17.wav|i ɔ tɕˈɛlɛ, ktˌurɛ mˈukw pˈɔrvatɕ ɕˈilnɨ nˈurt.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_499.wav|pɔvʲˈɛdʑaw, ʒˈɛ mɲʲɛ pɔvʲˈɛɕi.|1
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+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_35.wav|tʃɨ mˈuj ˈɔjtɕɛts tɕi zapwˈatɕiw?|4
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_58.wav|trˈudnɔ ɕɛ z ɲˈim rɔzmˈavja tɔ fʃˈɨstkɔ. ɲʲɛ bˌɛndɛ vˈaz zanˈudʑaw ʃtʃˌɛɡuwˈami.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_34.wav|ˈindja kˈalu ˈalbɔ mˈarta pˈɔrtɛr, jˈaɡ vˈɔliʃ, jɛst jˈɛɡɔ tsˈurkɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_122.wav|brˈuskɔ mɲʲɛ pʃˈɨjɔw i dˈaw mi tˈatʃkɛ.|1
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+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_183.wav|ɔstˈatɲʲɛj nˈɔtsɨ pʃɛt ɕmʲˈɛrtɕɔ̃ zapˈɨtaw, tʃɨ mˈɔʒɛ pɔtʃˈɨmadʑ dʑˈɛtskɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_79.wav|spʃˈɛnd dʑˈawa, ˌalɛ mˈɔɡɛ pʃɨpˈuʃtʃatɕ, ʒˈɛ mˈa tɔ jˈakiʑ zvʲˈɔ̃zɛɡ z jaɡˈɛrɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_117.wav|ˈɛlis ɲʲɛ natɕˈiska, pɔ tʃˈɛɲɕtɕi dlatˈɛɡɔ, ʒˈɛ vʲˈɛ, ʒˈɛ zalˈɛʒɨ mu na pɔɕpʲˈɛxu, pɔ tʃˈɛɲɕtɕi dlatˈɛɡɔ, ʒˈɛ zdˈajɛ sˈɔbjɛ sprˈavɛ, ʒˈɛ ɲʲɛ spˌɔdɔbawˈɔbɨ jɛj ɕɛ tɔ, tsˈɔ bˈɨ zˌɔbatʃˈɨwa.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_421.wav|jˈɔ̃ i jɛj tsˈurki ˌuvʲɛ̃ʑˈɔnɔ rˈazɛm z rˈɛʃtɔ̃ ʒmijˈɔvɨɣ bɛŋkˈartɕits.|1
+Dataset/wavs/urwisko_ferenc/37_segment_16.wav|ˈɔlɡʲɛrd zatɕˈisnɔw zˈɛmbɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_186.wav|zabrˈawabˌɨm pˈana na lˈitfɛ, vʲˈɛ pˈan?|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_63.wav|dˈalɛ i ja zˌamuvˈiliɕmˌɨ jˈɛʃtʃɛ pɔ pˈivʲɛ, a lˈɛna zajˈɛwa ɕɛ sfˈɔim ɡʲˈizmɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_28.wav|pɔɲʲˈɛvaʃ kɛlvˈiɲʲɛ, stˈarɨ drˈuxu, tɔ jɛst nˈaʃa ʒɨtɕˈɔva ʃˈansa.|4
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+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_223.wav|ɲʲɛ ˈɔtɔ xˈɔdʑi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_158.wav|ɲʲɛ jˌɛstɛɕ kɔbjˈɛtɔ̃ imjˈɛɲʲɛm xˈɛlɛn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_21.wav|f tˈamtɨm tˈɛʃ mˈam udʑˈawɨ, ˌalɛ tɛn tɔ f tsawˈɔɕtɕi mˈɔjɛ dʑˈɛtskɔ.|2
+Dataset/wavs/urwisko_ferenc/51_segment_28.wav|ɲʲɛ, ɲˈits mi ɲʲɛ jɛzd vˈiɲʲɛn, ɔtpˈarwam. ˌaɲi ja jˌɛmu na ʃtʃˈɛɲɕtɕɛ. f kˈaʒdɨm rˈaʑɛ pˈɔzdruv ɡˈɔː ˈɔdɛ mɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_106.wav|a ftˈɛdɨ mˌɛksɨkˈaɲin vˈɨjɔw tsɨɡˈarɔː i pˈɔtʃɛd dɔ ɲʲˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_20.wav|vˌɨsfɔbɔdʑˈiwam ɕɛ xˈɔdʑbɨ tˌɨlkɔ na krˈutkɔ̃ xfˈilɛ i muɕˈawam tɔ vˌɨkɔʒˈɨstatɕ.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_249.wav|ɲʲˈɛxtsɔnts ˈuznatɕ ɛwrˈɔna za sfˈɛɡɔ sɛɲʲˈɔra, lˈɛdʒ ʒɛlˈazna flˈɔta zamknˈɛwa zatˈɔkɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_310.wav|ɲʲɛ vˈartɔ fspɔmˈinatɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_330.wav|bˈɛz zˌɔbɔvʲˈɔ̃zaɲ.|0
+Dataset/wavs/urwisko_ferenc/65_segment_51.wav|pʃɛstrˈɔnnɛ pˌɔmjɛʃtʃˈɛɲʲɛ tɔnˈɛwɔ f prɔmjˈɛɲʲaɣ dɔ ɡˌasajɔntsˈɛɡɔ swˈɔɲtsa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_106.wav|bʒmˈi znajˈɔmɔ, ˌalɛ ɲʲɛ kɔjˈaʒɨ mu ɕɛ zˈɛ ɕfʲˈatɛm ɲˈitska, ˌaɲi butskʲˈɛɡɔ xansˈɔna sfˈɔjɔ̃ drˈɔɡɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_107.wav|bˌɨwam zadʑˈɔrnɔ̃ dʑɛvˈuxɔ̃, ktˌura z jˈakiɣʑ dʑˈivnɨx i pˌɔzbavʲˈɔnɨx sˈɛnsu pʃˈɨtʃɨn uznˈawa, ʒˈɛ fˈajɲʲɛ bˌɛɲdʑɛ ɡˈɔ tˈaɡ zawˈatfitɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_61.wav|vʲɛdʑˈawam, ʒˈɛ ˈalbɔ bˌɛndɛ zmuʃˈɔna f kˈɔɲtsu tɔ zrˈɔbʲitɕ, ˈalbɔ fstˈanɛ ɔt stˈɔwu i pˈɔvʲɛm dˌɔmiɲikˈɔvi, ʒˈɛ musˈimɨ spʃˈɛdadʑ dˈɔm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_98.wav|tˈɛras wˈatfʲɛj tɕi zrɔzˈumjɛtɕ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_4.wav|jˈaɡ vˌɨtɕɔŋɡɲʲˈɛntɛ f skˈɔku xˈartɨ,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_45.wav|ɲʲɛ dˈajɛ mi spɔkˈɔju fˈakt, ʒˈɛ w dˌɔkumˈɛntax pˌɛrsɔnˈɛlu ɲʲˈɛma ˈakt mˈartɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_217.wav|tʃɨ tɔ mˈa jˈakiʑ zvʲˈɔ̃zɛɡ z mˌɔrdɛrstfˈami?|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_195.wav|tˌɨlkɔ ta dʑɛftʃˈɨna ɲʲɛ pˈɔʃwa za tˈɔbɔ̃, tˈak jˈak tɨ sˈɔbjɛ tɔ vˌɨɔbraʒˈawɛɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_125.wav|xˈɔtɕaʃ ɲʲɛ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_51.wav|pˌɔvʲɛdʑˈawa mwˈɔda kɔbjˈɛta z vɨrˈaʑnɔ̃ frustrˈatsjɔ̃ w ɡwˈɔɕɛ. sˈɔndʑɔnts pɔː ubrˈaɲʲu, jɛzd dˌɛtɛktˈɨvɛm. ˈɔj, pʃɛprˈaʃam, mˈuvi pˈan bˈaldvin.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_105.wav|dlatʃˈɛɡɔ zrˈɔbʲiw tɔ dʑˈɛtsku?|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_244.wav|bjɛɡɲˈijtɕɛ pɔ mˈamɛ!|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_4.wav|kʲˈɛdɨ zajˈɛʒdʒa pʃɛt mˈɔtɛl, ˈɛllis tʃˈɛka pʃˈɨtɨm sˈamɨm mʲˈɛjstsu pˌarkiŋɡˈɔvɨm, ɡdʑˈɛ ftʃˈɛɕɲʲɛj stˈaw stˈarɨ pˈitskup.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_183.wav|ˌuvaʒˈajtɕɛ na ɕˈɛbjɛ pʃˈɛs tsˈawɨ tʃˈas. jˈɛɕli pˈɔvʲɛm brˈɛak, ˌɔtstɔmpˈitɕɛ dɔ tˈɨwu.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_457.wav|dˈarɨ ɛwrˈɔna sɔ̃ zatrˈutɛ, pɔmˈɨɕlaw.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_263.wav|pʃˌɛanˌalizɔvˈawam w mˈɨɕlax kˈilka stsˌɛnarjˈuʃɨ i ˌɔpratsɔvˈawam plˈan dʑawˈaɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_120.wav|pʲˈɛz zaʃtʃˈɛkaw. nˈɔtsɔ̃ rɔzbʲˈili ˈɔbus na vˈɨdmax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_212.wav|skwˈada fawʃˈɨvɛ ˌɔbjɛtɲˈitsɛ w zˈamjan za pʲɛɲʲˈɔndʑɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_15.wav|pˈan mɲʲɛ ɲʲˈɛxtsɛ ˈutʃɨtɕ. ɲʲɛ, ja pˈana ɲʲɛ pɔtrˈafjɛ ɲitʃˈɛɡɔ naˈutʃɨtɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_98.wav|ktˌurɨ ɲitʃˈɛɡɔ ɲʲɛ dˈajɛ, ˌalɛ i ɲitʃˈɛɡɔ ɲʲɛ zabjˈɛra.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_145.wav|zamjˈɛʒam bˈɨtɕ tfˈardɨ, ˌalɛ sprˌavʲɛdlˈivɨ dla sfˈɨx nˈɔvɨɣ vasˈali.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_5.wav|a nˈavɛt fˈula, jˈak ftʃˈɛɕɲʲɛj pʃˌɛvidɨvˈawam.|3
+Dataset/wavs/urwisko_ferenc/11_segment_74.wav|zˌapamjˈɛntaw mˈarkɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_14.wav|zɡrˈaja muzɡˈɔftsuv zmarʃtʃˈɨwa tʃˈɔwa i zatʃˈɛwa nˈattɨm ɡwufkˈɔvatɕ. a pˈɔtɛm jˈɛdɛn z ɲˈiɣ zˌaprɔpɔnˈɔvaw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_133.wav|ɲˈikt ɲʲˈɛmʲaw prˈava ˈɔtɨm vʲˈɛdʑɛtɕ, nˈavɛt spˈɛntsɛr.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_173.wav|sfɔbˈɔda vzrˈuʃɨw rˌamjɔnˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_87.wav|rˌɛɡulˈarɲʲɛ spɔtˈɨkaw ɕɛ z drˈɔɡʲim ˌadvɔkˈatɛm, ktˌurɨ zapˈɛvɲʲaw ɡˈɔ, ʒˈɛ fʃˈɨstkɔ jɛst pɔt kɔntrˈɔlɔ̃, a vwaɕtɕˈivʲɛ bˈɛɲdʑɛ, jˈak tˌɨlkɔ trˈafi na fsxˈut.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_400.wav|vʲˈɛm, ʒˈɛ tɔ vʲˈɛlki zˈamɛk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_244.wav|dˈɔbʒɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn. ɲʲˈɛx pˈaɲi napˈiʃɛ tˈam, ɡdʑˈɛ tʃˈɛba, ʒˈɛ...|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_220.wav|z lˈudʑi lˈadɨ vˈɛndd zɔstˈawɔ tˌɨlkɔ trˈɔjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_213.wav|tʃˈɨli jˌɛstɛɕ tʃˈɨstɨ, a tɔ dˈɔbʒɛ, bˈɔ vˌɨznatʃˈɨli naɡrˈɔdɛ za tfˈɔjɔ̃ ɡwˈɔvɛ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_471.wav|pˈaɡd zavˈartɔ f tˌajɛmɲˈitsɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_16.wav|bˈɛtskɨ vʲɛdʑˈawa, ʒˈɛ jˈɛɡɔː ɛntˈuzjazm spˈadɲʲɛ, kʲˈɛdɨ pɔftˈuʒɨ mu swˈɔva tˈɔma.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_109.wav|i stˈaw xfˈilɛ bˈɛs rˈuxu, fxwaɲʲˈajɔndʑ zˈapax ɔlˈivɨ rˌɔsʃɛʒɔnˈɨmi nɔzdʒˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_50.wav|tˈɛras mʲˈɛʃkam s ʃˈɔnɛm.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_215.wav|jˌalabarˈɔvi ˌiksˈɔ prˈavda vˈɨda ɕɛ ˌatraktsˈɨjna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_183.wav|vˈɔwaw, ˌalɛ pʃˌɨtɕisnˈɛwam rˈɛntsɛ dɔː ˈuʃu i zˌiɡnɔrɔvˈawam ɡˈɔ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_254.wav|zjavˈili ɕɛ rˈuvɲʲɛʒ ɡɛrmkˈɔvʲɛ rɔbˈɛrta.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_246.wav|kʲˈɛdɨ jɛxˈaliɕmˌɨ z bliʑɲʲˈakuf, tsˈawɛ stˈada ˌatakɔvˈawɨ nˈaʃ tˈabɔr.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_258.wav|mˈɔim ɕˈilnɨm prˈavɨm ramjˈɛɲʲɛm.|1
+Dataset/wavs/urwisko_ferenc/63_segment_103.wav|pɔvˈinna pˈaɲi pʃˈɛstatɕ kwˈamatɕ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_264.wav|ɲʲˈɛxtɕaw ɕɛ zɡˈɔdʑitɕ.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_25.wav|ˌalɛ vʲˈɛm, ʒˈɛ pʃɛt tˈɔbɔ̃ ˈuɡɲʲɛ kˈɔlan.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_303.wav|vʲˈɛndʑ zˌapalˈiwɛm ɕfʲˈatwɔː i s tsˈawɔ̃ ɕˈiwɔ̃ vɨrvˈawɛm tˈɛ bɛzvwˈadnɔ̃, ˌɔpʲɛrajˈɔntsɔ̃ ɕɛ dwˈɔɲ zzˈa ˌɔparsˈija kʃˈɛswa.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_156.wav|ɲʲɛ ɔdvˈaʒɔ̃ ɕɛ zatʃˈɛpʲatɕ ˌuzbrɔjˈɔnɨx lˈudʑi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_95.wav|a pˈɔtɛm nˈamɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/19_segment_54.wav|dɔdˈawa dvˈa dɔ dvˈux.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_25.wav|— xˈɔdʑmɨ, xwɔpˈaki — pɔvʲˈɛdʑaw tˈakɔ — dɔ bˈɔju.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_78.wav|ɲʲɛ mʲˈawɛɕ tˌɛɡɔ zvɨtʃˈaju ɲˈiɡdɨ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_352.wav|mˈuj pˈan pradʑˈadɛɡ bˌɛɲdʑɛ ˌɔtʃɛkˈivaw rˌɛkɔmpɛnsˈatɨ za tɨx jˈɛɲtsuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_213.wav|nˈavilʃ skˈurɛ jˈɛʃtʃɛ rˈas.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_313.wav|ɔ tsˈɔ xˈɔdʑi? ʒˈadnɛj ripˈɔstɨ?|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_30.wav|zatʃˈɛkaj, ˈaʒ zɔbˈatʃɨʒ vɨsˈɔkɔ̃ vʲˈɛʒɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_12.wav|dˈɔbʒɛ, ruʃˈajmɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_11.wav|mˈɔja ɕfʲˈɛʒa dˌɛtɛrminˈatsja trˈɔxɛ malˈɛjɛ, kʲˈɛdɨ vjˈɛʒdʒam na nˈaʃ pˈɔdjast. ɲʲɛ vˈidʑɛ sˌamɔxˈɔdu dˌɔmiɲˈika, tsˈɔ jɛst pˈɛvnɔ̃ ɲʲˌɛspɔdʑˈaŋkɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_145.wav|mˈawa krulˈɔva mˈɔʒɛ bˈɨtɕ mwˈɔtʃa ˈɔdɛ mɲʲɛ, ˌalɛ ɲˈiɡdɨ ɲʲɛ bˌɨwa pʲɛŋkɲʲˈɛjʃa. fkrˈuttsɛ bˌɛɲdʑɛ mˈartfa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_114.wav|— ˌɔtprɔvˈadʑɛ pˈana, mˈuvi bʲˈillɨ, zɲˈiʒa ɡwˈɔs. — pʃɨ ɔkˈazji xtɕˈawbɨm s pˈanɛm pˌɔrɔzmˈavʲatɕ ˈɔ...|2
+Dataset/wavs/urwisko_ferenc/05_segment_40.wav|ˌalɛ ɲʲɛ dˌɔvʲɛdʑˈawɛm ɕɛ ɲˈits nɔvˈɛɡɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_37.wav|f kˈaʒdɨm rˈaʑɛ ja ɲʲɛ zˌapwatɕˈiwɛm zˈatɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_151.wav|ˈandɛrsɔn stˈanɔw, xˈarɨ zabʒˈɛntʃaw pˌɔrɔzˌumjɛvˈaftʃɔ kˌajdanˈami.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_107.wav|ɔt tʃˈasu dɔ tʃˈasu mrˈuɡaw pˌɔvʲɛkˈami, ˌalɛ ˌaɲi rˈazu ɕɛ ɲʲɛ zˈaɕmʲaw, ˌaɲi ɲʲɛ pʃˈɛrvaw samˈɔvi.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_169.wav|dˈaw mi tɛn mʲˈɛdʒ w dˈɔbrɨm tsˈɛlu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_34.wav|tˈɔm zamjˈɛʒaw tsˈɔɕ jˈɛʃtʃɛ dˈɔdatɕ, kʲˈɛdɨ rɔzlˈɛɡwɔ ɕɛ pukˈaɲʲɛ dɔ dʒvˈi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_208.wav|bʲˈillɨ stˈajɛ jˈakʲɛɕ tʃˈɨ mˈɛtrɨ za mˈurɛm, zɔstˈavja vˈus na bjˈɛɡu jawˈɔvɨm i zamˈɨka brˈamɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_86.wav|mˈa nadʑˈɛjɛ, ʒˈɛ tɛn xˈɔf ɲʲɛ pʃɨspˈɔʒɨ mu kwɔpˈɔtuf.|2
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_19.wav|tsɔdʑˈɛnɲʲɛ ɡrˈam z mˈɔim kˌɔmputˈɛrɛm i ɲʲɛdwˈuɡɔ zˈatʃnɛ rˈuvɲʲɛʒ ɡrˈadʑ z lˈudʑmi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_69.wav|kˈurtʃaɡ zrˈɔʒna mˈuvi dɔ ɲʲˈɛj, vɨɡlˈɔnda ɲʲˈɛʑlɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_218.wav|patʃˈɨwa na krˈavɛɲdʑ zbˈɔtʃa ujˈɛntɔ̃ w ɡˈɛ̃stfɛ pˈustɨx kʃˈakuf.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_110.wav|pˈana ɕfʲˈatwa!|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_206.wav|swˈuxaʃ uvˈaʒɲʲɛ, swɔdʑˈutka?|1
+Dataset/wavs/urwisko_ferenc/04_segment_47.wav|dˈɔkɔnt mˈɔɡwa pˈujɕtɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_84.wav|dʑɛtɕˈaki sadˈama pʃˌɨjɛʒdʒˈawɨ tˈu na vˌɨpɔtʃˈɨnɛk, pˌɔvʲɛdʑˈanɔ nˈam.|2
+Dataset/wavs/urwisko_ferenc/43_segment_83.wav|a mˈɔʒɛ ɔn tɕi zapwˈatɕiw?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_64.wav|mˈam nadʑˈɛjɛ, ʒˈɛ ɔpʲˈɛka nat lˈutsɨ ɲʲɛ bˌɛɲdʑɛ dla tɕˈɛbjɛ zbˈɨt ˌutɕɔ̃ʒlˈiva, skˈɔrɔ pratsˈujɛʃ?|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_439.wav|ˌalɛ ˈɔsnɛj ɕɛ dɔpˈuɕtɕiw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_212.wav|pˈɛvɲʲɛ kˈaʒɔ̃ nˈam spˈadatɕ, pɔvʲˈɛdʑaw bʲˈillɨ. jɛstˌɛɕmɨ prˌatsɔvɲikˈami swˈuʃp mʲˈɛjskix, ˌalɛ i tsˌɨvilˈami, mˈam rˈatsjɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_332.wav|a pˈɔtɛm nˈaɡlɛ, ʒˈɛbɨ ɕɛ ɲʲɛ rɔzmˈɨɕlitɕ, xfɨtɕˈiwɛm mˌarɨnˈarkɛ i jˈuʒ bˌɨwɛm na sxˈɔdax.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_77.wav|kɔjˈaʒɨ jˈɔ̃ pˈaɲi?|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_127.wav|tˈak sˈamɔ jɛst na drˈɔdʑɛ ʒˈɨtɕa, ktˌurɔ̃ lˈudʑɛ jˈɛʒdʒɔ̃, jˈak im ɕɛ ʒˈɨvɲʲɛ pɔdˈɔba. tʃˈasɛm pˈɛndʑɔ̃ pɔt prˈɔnt na ˌawtɔstrˈadʑɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_433.wav|vʲɛdʑˈawɛm, ʒˈɛ jˌɛstɛm trˈɔxɛ ɕmʲˈɛʃnɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_296.wav|i vɨbˈatʃam tɕˈi.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_45.wav|jˈaɡ vˌɨkɔnˈamɨ wɔntʃˈɛɲʲɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_26.wav|pˈili vɨxˈɔdʑi z ˌubʲikˈatsji i rˈuʃa sxɔdˈami w dˈuw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_114.wav|jˈɛɕli jˈɔ̃ zˈabʲiw lˈub bˈɨw pʃɨ jɛj ɕmʲˈɛrtɕi, ˌɔtʃɛkivˈalibˌɨ rˈatʃɛj rɔzbrˈɨzɡuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_55.wav|kˈuxɲʲa, ɲʲˈɛʑlɛ, tsˈɔ?|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_66.wav|ˌɔblɛ̃ʒˈɛɲʲɛ trfˈa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_93.wav|i mˈɔʒɛ tɛn nˌavʲɛdʑˈɔnɨ pˈɔkuj z nˌavʲɛdʑˈɔnɨm ɔbrˈazɛm na ɕtɕˈaɲʲɛ mu f tɨm pɔmˈaɡa?|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_22.wav|i pˈɔʃwam kˈupitɕ trˈɔxɛ ʒˈɛtʃɨ, kˈɔtsɛ, pɔdˈuʃki, zdˈajɛ ɕɛ ɕpˈivur.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_22.wav|spʃˈɔntʃka ˈu jˈɛɡɔ spˈɔdɲi udˈɛʒa ɔ krˈavɛɲdʑ z lˈɛvu. krˈan pˌɔwɔntʃˈɔnɨ jɛzd z dˈɨʃɔ̃ nˌatrɨskˈɔvɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_2.wav|tʃasˈami pˈɨtam sˈamɔ̃ ɕˈɛbjɛ, ktˌura ja jɛst pravdʑˈiva.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_378.wav|mˈɨliʃ tɕɛrplˈivɔʑdʑ z vˌɨrɔzˌumjawˈɔɕtɕɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_276.wav|i ftˈɛdɨ uswˈɨʃaw rˈɨk sɨrˈɛnɨ pˌɔlitsˈɨjnɛj i pˈisk xamˈultsuf sˌamɔxˈɔdu, vˌɨlatˌujɔntsˈɛɡɔ wˈukʲɛm spˈɔza rˈɔɡu.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_323.wav|a brˌavɔsˈɔvʲɛ ɕtɕɔŋɡˈajɔ̃ z lˈudʑi dwˈuɡʲi f tsˈawɨm vɛstˈɛrɔs.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_143.wav|pɔvʲˈɛdʑaw pʃˌɛsuvˈajɔnts sˈɔbjɛ kʃˈɛswɔː i ˈuɕad ˌɔbɔk wˈuʃka.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_162.wav|ɲʲɛ pɔvˈinnam bˌɨwa vrˈatsatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_82.wav|skˈɔnt tɨ ˈɔtɨm vʲˈɛʒ dɔ xɔlˈɛrɨ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_10.wav|pʲˈɛrʃɔ̃ mˈɨɕlɔ̃, jˈaka pʃˈɨʃwa bˈɛtskɨ dɔ ɡwˈɔvɨ, bˌɨwɔ pˌɔdɛjʒˈɛɲʲɛ, ʒˈɛ mˈɔɡli mʲˈɛdʑ dɔ tʃɨɲʲˈɛɲʲa z jˈɛdnɔ̃ z ˈɔfjar jaɡˈɛra.|3
+Dataset/wavs/urwisko_ferenc/33_segment_48.wav|pˈɔkuj zalˈawɔ jaskrˈavɛ ɕfʲˈatwɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_5.wav|z drˈuɡʲɛj strˈɔnɨ mˈɔɡwa bˈɨtɕ tˌɨlkɔ rˌɔstʃarɔvˈanɔ̃ ʒˈɔnɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_38.wav|ˌɔna ɲʲɛ ʒˈɨjɛ, mˈarta!|3
+Dataset/wavs/urwisko_ferenc/34_segment_76.wav|ɡwˈɔs nalˈɛʒaw dɔ jɛj mˈatki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_87.wav|tˌɛɡɔ ɕɛ ɲʲɛ spɔdʑˈɛvaw.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_24.wav|vidʑˈawaɕ pʃɨpˈatkʲɛm mawʒˈɛɲskʲɛ wˈɔʒɛ nˌastɛmpnˈɛɡɔ rˈaŋka?|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_160.wav|tɔ jˈɛʃtʃɛ ɲˈits f pˌɔruvnˈaɲʲu s tˈɨm, tsˈɔ narˈɔbʲi dʑˈiɕaj, pɔvʲˈɛdʑaw ˈandɛrsɔn. dʑˈɛtɕi ɕɛ bˌɛndɔ̃ jˈɛʃtʃɛ ˈutʃɨtɕ ˈɔtɨm f ʃkˈɔwaɣ za tˈɨɕɔnts lˈat.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_76.wav|mˈam nadʑˈɛjɛ, ʒˈɛ ɲʲɛ maʃ ɲˈits pʃɛtɕˈifkɔ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_147.wav|vɨjˈaɕɲiw allˈɛras. bjˈawɛ i tʃˈarnɛ krˈuki kwˈutsɔ̃ ɕɛ zˈɛ sˈɔbɔ̃ jˈaɡ dˌɔrɲijtʃˈɨtsɨ i pˌɔɡraɲitʃɲˈitsɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_163.wav|tɔ ɲʲɛ mˈɔja splˈuva, mˈuvi. pˌɔʒɨtʃˈɨwɛm jˈɔ̃. vʲˈɛm, ʒˈɛ jɛst nˌawadɔvˈana, ˌalɛ ɲʲˈɛvʲɛm tʃˈɨm, ɲʲɛ spravdʑˈiwɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_34.wav|tˈɔm prubˈɔvaw tˈɛras ɔtsˈunɔɲtɕ tɛ mˈɨɕli i skˌɔntsɛntrˈɔvatɕ ɕɛ na pɔdvˈujnɨm mɔrdˈɛrstfʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_10.wav|ˌalɛ tɛn jˈɛdɛn rˈɔdʑits mˈuɕi dˈatɕ mu fʃˈɨstkɔ, tʃˈɛɡɔ bˌɛɲdʑɛ pˌɔtʃɛbˈɔvaw, vwˈɔntʃɲʲɛ s pɔtʃˈutɕɛm bˌɛspʲɛtʃˈɛɲstfa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_375.wav|nalˈɛʒɨ dɔ sˈɛktsji kˈɛɨz bɛfˈɔrɛ kˈill i ɔtpʲˈɛrdɔl ɕɛ!|0
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_38.wav|inspˈɛktɔr rˈɔbʲinsɔn nˈavɛt ɲʲɛ mruɡnˈɛwa, tsˈɔ rɔbʲˈiwɔ vraʒˈɛɲʲɛ, ˌalɛ jˌɛdnɔtʃˈɛɕɲʲɛ rˌɔstʃarˌɔvɨvˈawɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_6.wav|zaxˈɔvuj ɕɛ. zamjˈɛʒam ˈuɕɔ̃ɕtɕ, nˈavɛt jˈɛɕli tɨ tˌɛɡɔ ɲʲɛ zrˈɔbʲiʃ. pɔvwˈutʃɔnts tɕˈɛ̃ʃkɔ nɔɡˈami, pʃɛxˈɔdʑɛ dɔ salˈɔnu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_154.wav|ruʃˈɨliɕmˌɨ zˈaɲim.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_172.wav|tsˈawkʲɛm mɔʒlˈivɛ, ʒˈɛ tɔ bˈɨw kˈɔndɔr f trˈɔntsɛ bˈaki. tʃˈasɛm pʃˌɨlatˈujɔ̃ f tɛ ˌɔkɔlˈitsɛ, xˈɔtɕ sˈam ɲʲɛ vidʑˈawɛm ˌaɲi jɛdnˈɛɡɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_90.wav|kˈilka sˈɛkunt pˈuʑɲʲɛj zjavˈiwa ɕɛ jˈakaɕ pˈara i kɔbjˈɛta ˌɔtfɔʒˈɨwa dʒvˈi sfˈɔim ɡʲˈizmɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_233.wav|tʃwɔŋkˈɔvʲɛ ɡʲˈildji mˈɔɡlibˌɨ ˌɔpswuɡʲˈivatɕ ɕlˈuzɨ i pɔzvˈɔlitɕ lˈudʑɔm vɨxˈɔdʑitɕ na vwˈasnɔ̃ rˈɛŋkɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_96.wav|ˌɔdvrutɕˈiwam ɕɛ dɔ barmˈana.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_171.wav|zatʃˈɨmaw ɕɛ nˈaɡlɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_240.wav|pʃɛvrˈatsa ɕɛ na bˈɔk i jˈuʃ prˈavʲɛ zasˈɨpja, kʲˈɛdɨ tsˈɔɕ sˈɔbjɛ pʃˌɨpɔmˈina.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_196.wav|ɲʲɛ mˈuɕi ɲˈits mˈuvitɕ, ʒˈɛbɨ dˈadʑ dɔ zrˌɔzumjˈɛɲʲa, tsˈɔ mˈa na mˈɨɕli.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_21.wav|naprˈavdɛ tˈak ɲˈiskɔ mɲʲɛ ɔtsˈɛɲʲaʃ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_240.wav|pɔdˈɔbnɨ dɔː ɛlvˈisa prɛslˈɛja.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_116.wav|dˈɔdaw mˈiwɨ starˈuʃɛk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_168.wav|ɔ ktˌurɛj w dˈavnɨx lˈatax pˌɔvʲadˈanɔ bˈɨ, ʒˈɛ mˈa sɛksˈapil.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_59.wav|ɔdˈɛrvaw vzrˈɔk ɔt ɛkrˈanu.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_271.wav|ˈɛwrɔn vzrˈuʃɨw rˌamjɔnˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_7.wav|ɲˈikt tˈutaj ɲʲɛ ˌɔkazˈɨvaw jɛj brˈaku sɨmpˈatji, xˈɔdʑ ʒˌɛtʃɨvˈiɕtɕɛ tʃɨmˈawa ɕɛ na dˈɨstans.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_318.wav|ˌutɕɛʃˈɨwa ɕɛ, ʒˈɛ mˈa kˈaptur.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_237.wav|pˌɔtɕɛmɲʲˈawɨ jˈak strˈumjɛɲ pʃɛt nˈɔtsɔ̃, a ˌɔna patʃˈɨwa w mˈɔjɛ.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_393.wav|tʃɨ z marɡˈarɨ tˈɛʃ?|1
+Dataset/wavs/urwisko_ferenc/43_segment_99.wav|fʃˈɨstkɔ na ɲˈits, pˌɔmɨɕlˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_98.wav|tʃˈɛɕtɕ tˈɔm, jɛstˌɛɕmɨ f kˈuxɲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_116.wav|sˈɨstɛm pʃˌɛtɕifpˌɔʒarˈɔvɨ zˈamknɔw ʃtʃˈɛlɲʲɛ fʃˈɨstkʲɛ vlˈɔtɨ pɔvʲˈɛtʃa, vʲˈɛndʑ vˈarʃtad bˈɨw vˌɨpɛwɲʲˈɔnɨ ɡˈazɛm ˌɔbɔjˈɛntnɨm.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_62.wav|mʲˌawɛm nadʑˈɛjɛ.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_46.wav|xˈɔdʑ dɔ ɕrˈɔtka, kuzˈɨŋku. musˈimɨ pˌɔrɔzmˈavʲatɕ.|1
+Dataset/wavs/urwisko_ferenc/53_segment_20.wav|ˈɔkɛj, pʃɨjˈɛʒdʒaj. pˌɔɕɛdʑˈimɨ nat sprˈavɔ̃, uznˈawam.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_74.wav|tˈɔm zˌauvˈaʒɨw, ʒˈɛ lˌɔuˈisa zaɡrˈɨzwa vˈarɡɛ, twˈumjɔnts ɕmʲˈɛx. vʲɛdʑˈawa, jˈaɡ bˈardʑɔ kˈatɛ frˌustrɔvˈawa tˈɔma.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_11.wav|tsˈɔ jˈɛst, brˈatɕɛ? zapˈɨtaw mˈuʒɨn ˌandɛrsˈɔna.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_12.wav|pɔ drˈuɡʲɛj strˈɔɲʲɛ ˌintɛrkˈɔmu zapˈadwa tɕˈiʃa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_239.wav|ɲʲˈɛbuj ɕɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_351.wav|tʃasˈami nˈavɛt pˌɔzvalˈawa mi spˈatɕ w wˈuʃku, jˈɛɕli ɡɔspˈɔda ɲʲɛ bˌɨwa pˈɛwna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_202.wav|zˈabjɛʃ jˈɔ̃ zˈɛ sˈɔbɔ̃ dɔ nɔvˈadɨ, jˈasnɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_156.wav|jˈɛɕli pʃɨxˈɔdʑi tɕi ɔxˈɔta mˈɨɕlɛtɕ ˈɔɲʲɛj i ˈɔmɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_236.wav|uɲʲˈɔswɛm ɕɛ na wˈɔktɕu, patʃˈɨwɛm w jɛj ˈɔtʃɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_221.wav|pʃˈɛs minˈutɛ zdɔwˈawam ɕɛ jˈakɔ tˈakɔː ˈɔɡʒatɕ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_294.wav|ɲʲˈɛbɔ za ˈɔknɛm zˌatʃɨnˈawɔ jˈuʃ jˈaɕɲʲɛtɕ.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_518.wav|vʲɛdʑˈawam, ʒˈɛ zˈafʃɛ mɲʲɛ zwˈapʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_58.wav|ˌalɛ tɛn tʃwˈɔvʲɛk nazˈɨva ɕɛ...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_623.wav|i xfˈilɛ swuxˈaliɕmˌɨ ˈɛxa tˌɛɡɔ pʃˌɛraʒˌajɔntsˈɛɡɔ wɔskˈɔtu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_43.wav|tˈɔm ɲʲɛ pɔtrˈafiw tˌɛɡɔ zrɔzˈumjɛtɕ. dlatʃˈɛɡɔ tˈaɡ bˈardʑɔ zˌalɛʒˈawɔː im nˈatɨm, ʒˈɛbɨ ɲʲɛ stˈawa ɕɛ mu ʒˈadna kʃˈɨvda?|4
+Dataset/wavs/urwisko_ferenc/04_segment_35.wav|pɔ dʑɛɕˈɔntɛj, bˈɔ ftˈɛdɨ zmʲɛɲˈiwɛm rˈɔskwad zˈajɛɲtɕ wˈɛ fˈirmʲɛ i ɡɔdʑˈinɨ spˈɔtkaɲ swuʒbˈɔvɨx.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_135.wav|nˈaɡlɛ swˈɨʃɛ jˈakiɕ xˈawas, jˈaɡbɨ pɔ stˈɔpɲʲax tˈɔtʃɨw ɕɛ kˈamjɛɲ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_160.wav|pɔwˈɔʒɨw sfˈɔjɔ̃ tɕˈɛmnɔ̃ vʲatrˈufkɛ na stˈɔlɛ i pˈɔtʃɛd dɔ kɔbjˈɛtɨ ɕɛdʑˈɔntsɛj za ˈinnɨm stˈɔwɛm.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_381.wav|pɔ puwnˈɔtsɨ krulˈɔva vɛzvˈawa mɲʲɛ dɔ ɕˈɛbjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_120.wav|bʲˈillɨ zˈɛrka na tɛlˈɛfɔn i vˈidʑi, ʒˈɛ pʃˈɨʃwɔ pˌɔvʲadɔmjˈɛɲʲɛ z ɡazˈɛtɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_10.wav|pˌɔvʲɛdʑˈawa dɔː ˌandɛrsˈɔna, dʑɛŋkˈujɛ pˈanu, prˈɔʃɛ pʃˈɨjʑdʑ znˈɔvu. zvrutɕˈiwa ɕɛ dɔ jakʲˈɛɡɔɕ tʃwɔvʲˈɛka stˌɔjɔntsˈɛɡɔː ˌɔbɔk ɲʲˈɛj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_169.wav|— prˈɔʃɛ tɔ vɨpˈɛwɲitɕ — pˌɔvʲɛdʑˈawa. ɔbrˈutɕiw ɕɛ kˈu ɲʲˈɛj bˈɔkʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_267.wav|pˌɔtʃɨnˈajɔnts ɔd draʒlˈivɛj, vˌɨbuxˈɔvɛj ɔbˈarɨ, ˈaʃ pɔ najmwˈɔtʃɔ̃ lɔrˈɛzɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_38.wav|pˈuʑɲʲɛj ɕɛ zˌastanˈɔvjɛ.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_62.wav|ˌalɛ ɡdˈɨ zˌɔbatʃˈɨli tsˈat, zˈɛʃli na dˈuw kˈupitɕ ɔstrˈɨɡʲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_116.wav|ˌalɛ bʲˈillɨ prˈavʲɛ ɲʲɛ zvrˈatsa nˈatɔ uvˈaɡʲi. mˈɨɕli ɔ sfˈɔjɛj ˌɔpɔvʲˈɛɕtɕi.|2
+Dataset/wavs/urwisko_ferenc/04_segment_54.wav|bɔrˈɛvitʃ pɔkˈivaw ɡwˈɔvɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_115.wav|pɔ pʃˌɛjɛxˈaɲʲu puwtˈɔra kˌilɔmˈɛtra sɔ̃ jˈuʒ za mʲˈastɛm. bʲˈillɨ zvˈalɲʲa i vˈidʑi tablˈitʃkɛ z nˈazvɔ̃ ˌɛdʒɛvˈɔɔt mˌɔuntˈain dɹˈajv.|2
+Dataset/wavs/urwisko_ferenc/42_segment_40.wav|ɡdˈɨ mˈarja uɕˈadwa ˈɔbɔk, vˈɨʃ, ʒˈɛ tsˈɔɕ jˈɔ̃ ɡrˈɨʑɛ. mˈimɔ tɔ ɲʲɛ natɕˈiskaw. dˈaw jɛj tʃˈas.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_57.wav|jˈɛdɛn mʲˈaw rˈɛŋkɛ na tɛmblˈaku, drˈuɡʲi ˌɔbandˌaʒɔvˈanɔ̃ ɡwˈɔvɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_77.wav|vˈɨʃwam z lˈɔbbɨ ˌɛnɛrɡʲˈitʃnɨm krˈɔkʲɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_76.wav|mˈuʃɛ ˈuɕɔ̃ɕtɕ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_29.wav|jˈaɡbɨ pˈatʃɛtɕ pʃˈɛs pɛrˈɨskɔp, mˈɨɕli bʲˈillɨ, tɛn pˈuŋɡd vidʑˈɛɲʲa mu ˌɔtpɔvʲˈada.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_73.wav|tˈɔm ʒˈutsa mi pʃˌɛpraʃajˈɔntsɛ spɔjʒˈɛɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_30.wav|na tsˈɔ tʃˈɛ̃stɔ wˈapjɔ̃ ɕɛ kɔbjˈɛtɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_113.wav|ɲʲɛ mˈuɕi tˌɛɡɔ rˈɔbʲitɕ, skˈɔrɔ planˈujɛ ˈɔddatɕ tˌɨlkɔ jˈɛdɛn stʃˈaw, ˌalɛ tˈaɡ ɡˈɔ nˌautʃˈɔnɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_117.wav|ˈɔbjɛ zˌatʃɛwˈɨɕmɨ kˈaswatɕ pɔ pʲˈɛrʃɨm vdˈɛxu, ˌalɛ pɔvʲˈɛtʃɛ ɲʲɛ bˌɨwɔ najɡˈɔrʃɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_12.wav|ɔtfʲˈɛram dʒvˈi kuxˈɛnnɛ i bjˈɔrɛ ɡwɛmbˈɔki vdˈɛx, ʒˈɛbɨ ˌuspɔkˈɔitɕ nˈɛrvɨ.|4
+Dataset/wavs/urwisko_ferenc/07_segment_49.wav|ˈaʒ dɔ ftʃˈɔraj.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_331.wav|lˈɔrt nˈɛstɔr i jˈɛɡɔ dˌɔmɔvɲˈitsɨ, rˈɨtsɛʒ brˈamɨ...|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_243.wav|bˈɨw bˈardʑɔ pˈɛvnɨ ɕˈɛbjɛ, stfʲɛrdʑˈiwam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_43.wav|f tɛj sˈamɛj xfˈili ˌuswɨʃˈɛli trjumfˈalnɨ ˈɔkʃɨk jɛdnˈɛɡɔ s tɛxɲˈikuf stˌɔjɔntsˈɛɡɔ nat pʃɛpˈustɛm, pʃˈɛs ktˌurɨ pʃɛpwˈɨvaw mˈawɨ strˈumɨk.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_309.wav|bˈɨw pravɲˈikʲɛm. tʃɨ mˈuɕiʃ mɲʲɛ mˈɛntʃɨtɕ? jˌɛstɛɕ strˈaʃɲʲɛ pˌɔdɛjʒlˈivɨ. tˈak, jˌɛstɛm pˌɔdɛjʒlˈivɨ i zarˈazɛm naˈivnɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_18.wav|tˈaɡ vʲˈɛlɛ tajˈɛmɲits, ktˌurɛ ɲʲɛ vˌɨdavˈawɨ ɕɛ istˈɔtnɛ, tˈɛraz zɨskˈawɔː ɔɡrˈɔmnɛ znatʃˈɛɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_116.wav|skˈɔnt tˌaki pˈɔmɨsw, ʒˈɛ ftɕˈɔ̃ʃ kˈɔxam stsˈɔtta?|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_63.wav|dɔtˈarwam dɔ mʲˈasta.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_48.wav|spˈɛntsɛr pɔdrˈapaw ɕɛ w ɡwˈɔvɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_48.wav|a mˈɔʒɛ bˌɨwaɕ w waʑˈɛntsɛ, a ktˈɔɕ ɕɛ zˈakrad dɔ ɕrˈɔtka? ɲʲɛ zˈafʃɛ zamˈɨkaʒ dʒvˈi na klˈutʃ, kʲˈɛdɨ jˌɛstɛɕ w ɕrˈɔtku, prˈavda?|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_65.wav|zapˈɨtaw i znˈuf spˈɔjʒaw na sxˈɛmat.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_69.wav|zˈaras, a skˈɔnt pˈaɲi vʲˈɛ, ʒˈɛ mˈɨ...|4
+Dataset/wavs/urwisko_ferenc/46_segment_7.wav|tʃˈarnɨ, skuʒˈanɨ strˈuj lɕɲˈiw ɔd dˈɛʃtʃu.|0
+Dataset/wavs/urwisko_ferenc/05_segment_1.wav|f stˈarɨm parkʲˈɛtɕɛ vʲɔd��ɛwkɛ f salˈɔɲʲɛ i vzˈɔrax nˌanɔʃˈɔnɨɣ dˈavnɔ tˌɛmu vˈawkʲɛm na zˌakuʒˈɔnɛ jˈuʒ dʑˈiɕ ɕtɕˈanɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_142.wav|dˌɔskɔnˈawa stratˈɛɡja. vˈidʑɛ, ʒˈɛ mˈa pˈan f sˈɔbjɛ trˈɔxɛ mˌakʲavɛlˈizmu.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_268.wav|za fʃˈɨstkix, ktˌuʒɨ dʑˈiɕ pɔlˈɛɡli.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_6.wav|kɔbjˈɛta pˌɔtɕɔŋɡnˈɛwa nˈɔsɛm i vɨjˈɛwa xustˈɛtʃkɛ s kʲɛʃˈɛɲi dʒˈinsuf. ˌɔtfɔʒˈɨwa ʃˈɛʒɛj dʒvˈi, zˌapraʃˈajɔndʑ bˈɛtskɨ dɔ ɕrˈɔtka.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_275.wav|ɔʒˈɨwa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_26.wav|ɲʲɛ zabjˈɛraj ɲitʃˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_24.wav|pˌɔtʃɛbɔvˈawam fawʃˈɨvɛj tˌɔʃsamˈɔɕtɕi.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_89.wav|nˈaʃɛ mawʒˈɛɲstfɔ ʒˌɛtʃɨvˈiɕtɕɛ bˌɨwɔ vˈalkɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_63.wav|pˌɔmɨɕlˈawɛm, ʒˈɛ zatʃˈɛkam, ˈaʃ ɕɛ ɔbˈudʑiʃ. ftˈɛdɨ sˈama zdˌɛtsɨdˈujɛʃ, tsˈɔ xtsˈɛʒ zrˈɔbʲitɕ.|2
+Dataset/wavs/urwisko_ferenc/17_segment_13.wav|jˈadɔnts f kʲɛrˈuŋku tsˈɛntrum tramvˈajɛm, ktˌurɨ dwˈuɡʲi tʃˈas sˈunɔw pɔ tˈɔraɣ vzdwˈuʒ ɡraɲˈitsɨ starˈɛɡɔ pˈarku mʲɛjskʲˈɛɡɔ,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_63.wav|lˈɛax pˌɔxɨlˈiwa ɕɛ ɲʲˈɛtsɔ blˈiʒɛj mɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_99.wav|bˈɔʒɛ, tsˈɔ ɕɛ stˈawɔ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_20.wav|i tɔ ɕɛ ɲʲɛ zmʲˈɛɲi, vʲˈɛnts ˈinɲi mˈɔɡɔ̃ sˈɔbjɛ mˈɨɕlɛtɕ, tsˈɔ tˌɨlkɔ xtsˈɔ̃.|4
+Dataset/wavs/urwisko_ferenc/56_segment_34.wav|jˈak rˌɔzmavʲˈawɛm s pˈaɲi partnˈɛrɛm, tɔː ˌuzmɨswɔvˈiwɛm sˈɔbjɛ, ʒˈɛ mˈam brˈaki f papʲˈɛrax. jˈakʲɛ brˈaki?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_615.wav|ɔɡˈarnɔw mɲʲɛ raptˈɔvnɨ pʃˈɨpwɨv ʒˈɔndʑɨ, jˈak pˌɔvʲadˈajɔ̃ awtˈɔʒɨ, i pʃɨpˈarwɛm jˈɔ̃ dɔ ɕtɕˈanɨ, ʒˈɛbɨ ɲʲɛ upˈadwa i zadˈarwɛm jɛj spudɲˈitsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_168.wav|w jˈakʲɛj fˈɔrmʲɛ bˌɨwa na zakˈupax?|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_36.wav|i jˈɛɡɔ lˈamɛnd bʒmʲˈaw ɲˈibɨ pʲˈɛɕɲ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_213.wav|nˈavɛt ˌɛmˌɛrˈɛs. ɔnˈasɕis tˌɛɡɔ ɲʲˈɛvʲɛ, pɔvʲˈɛdʑaw mˈuʒɨn dʲˈitsk. ɲʲɛ pɨtˈajtɕɛ mɲʲɛ ˈɔtɔ, brˈatɕa, nˈavɛt ˌɔna tˌɛɡɔ ɲʲˈɛvʲɛ. a mˈɔʒɛ zrˈɛʃtɔ̃...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_26.wav|tˈɛssa zˌapukˈawa dɔ mˈɔiɣ dʒvˈi pˈuw ɡɔdʑˈinɨ pˈuʑɲʲɛj, pɨtˈajɔnts, dlatʃˈɛɡɔː utɕˈɛkwam i tʃɨ na pˈɛvnɔ fʃˈɨstkɔ jɛst f pɔʒˈɔntku.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_299.wav|xtsˈɛ, ʒˈɛbɨ jɛj sˈɨn vrˈutɕiw dɔ ʒˈɨtɕa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_133.wav|ʃkˈɔda. a f kˈim?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_12.wav|mnˈustfɔ ɲʲɛvdʑˈɛntʃnɨɣ drˈaɲi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_78.wav|ɲʲˌɛnavidʑˈiwam ˈɔs.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_95.wav|bjˈɛdnɨ xwˈɔpʲɛts.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_56.wav|mˈuj plˈan pɔlˈɛɡaw na zˌarabjˈaɲʲu pʲɛɲʲˈɛndʑɨ, vʲˈɛndʑ zdˌɛtsɨdɔvˈawɛm ɕɛ zˌiɡnɔrˈɔvatɕ fʃˈɨstkʲɛ pʃˌɛanˌalizɔvˈanɛ stratˈɛɡʲɛ i pɔdˈɔ̃ʒadʑ za instˈɨŋktɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_12.wav|na ʃtʃˈɛɲɕtɕɛ ɲʲɛ jˈɛɡɔ kɔmpˈutɛr swuʒbˈɔvɨ i zɔstˈavʲaw tˈam vʲˌadɔmˈɔɕtɕi.|4
+Dataset/wavs/urwisko_ferenc/57_segment_18.wav|ˈɔlɡʲɛrt ɲʲɛ ɔdbjˈɛraw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_175.wav|mˈuj tɕˈɛɲ ˈalbɔ ja sˈam vˌɨzvɔlˈɔnɨ s pˈaru vʲˈadɛr vˈɔdɨ i s kˈilku pʲɛrvʲˈastkuf.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_105.wav|dˈalɛ natɕˈisnɔw klˈaviʃ na tsɛntrˈalnɛj kɔnsˈɔli pʃˌɛwɔntʃˈajɔnts fˈuŋktsjɛ stˌɛrɔvˈaɲʲa na mˈɔjɔ̃ strˈɔnɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_75.wav|kˈatɛ zɛrknˈɛwa pʃˈɛs ˈɔknɔ. tˈɔm bˈɨw z lˈutsɨ w ɔɡrˈɔdʑɛ.|3
+Dataset/wavs/urwisko_ferenc/64_segment_72.wav|na spˈɔrɨm tɛrˈɛɲʲɛ, f pɔblˈiʒu ˌɔɡrɔdʑˈɛɲʲa, ktˌurɨ zˈɔstaw vˌɨsɨpˈanɨ kˈɔrɔ̃, rˈɔswɨ mwˈɔdɛ kʃˈaki.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_182.wav|ˌalɛ tsˈɔ ɕɛ mʲˈawɔ tˈak skˈɔɲtʃɨtɕ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_68.wav|ɔn jɛst jˈaɡ vˈampir.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_51.wav|mˈuʃɛ pʃˌɛtɕɛʃ s tˈɔbɔ̃ ɔ tʃˈɨmɕ mˈuvitɕ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_61.wav|ˌalɛ jɛzd dˌɔbrɔdʑˈɛjstfɛm dla nˈas fʃˈɨstkix i zˌaswuɡˈujɛ na spɛtsjˈalnɛ vzɡlˈɛndɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_179.wav|rˈɨan ɕtɕˈɔŋɡnɔw stˈɛr zbˈɨt ʃˈɨpkɔː i samˈɔlɔd znˈuv vzɲʲˈus ɕɛ nat pˈɔlɛm, ˈabɨ ˈɔpaɕtɕ tɕˈɛ̃ʃkɔː i s pˈiskʲɛm kˈuw.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_279.wav|ɡˌalɔpˈujɔndʑ vzdwˈuʃ kɔlˈumnɨ s pɔvrˈɔtɛm dɔ rivˈɛran, jˈamɛ mˈuɕaw mˈinɔɲdʑ vˌɛstɛrlˈiŋɡuf.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_230.wav|ɡrˈubɨ, mɛrˈɨjski kˈapwan, ktˌurɨ bˈɨw tˌɔvaʒˈɨʃɛm ɔt kʲɛlˈixa rɔbˈɛrta.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_25.wav|jˈɛɡɔ lˈudʑɛ tʃɨkrˈɔtɲʲɛ pʃˌɛʃukˈali rivˈɛran, ˌalɛ ɲˈiɡdʑɛ ɲʲɛ znalˈɛʑli brɨndˈɛna taljˈɛɡɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_39.wav|tʃˈujɛ na sˈɔbjɛ vzrˈɔɡ dˌɔmiɲˈika.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_87.wav|tɔ bˌɛɲdʑɛ ɲʲˌɛsamɔvˈitɛ, tsˈɔ?|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_24.wav|ɲʲɛ zrˈɔbʲi ɲikˈɔmu kʃˈɨvdɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_60.wav|pˈɔtɛm stˈaɲʲɛʃ ɕɛ zbˈɛndna. kʲˈɛdɨ ˈumʒɛʃ, pʲɛɲʲˈɔndʑɛ bˌɛndɔ̃ nˌalɛʒˈawɨ dɔ dʑˈɛtska.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_267.wav|tʃˈas jˈuʃ, bˈɨ tˈɔmmɛn mʲˈaw ɕˌilɲʲɛjʃˈɛɡɔ nˌamjɛstɲˈika.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_102.wav|jˈɛdɛn bˈɨw pˌɔdɔbʲˈiznɔ̃ xˈaŋɡɛ, çˈiɲskʲɛj bɔɡʲˈiɲi kɕɛ̃ʒˈɨtsa, drˈuɡɔ̃ pɔstˈatɕɔ̃ bˌɨwa ˌartɛmˈida.|4
+Dataset/wavs/urwisko_ferenc/03_segment_92.wav|pʃˌɛtɕɛʃ pˈaɲi dˈɔbʒɛ vʲˈɛ, ʒˈɛ prˌatsɔvˈawa zˈɛmnɔ̃ w ɛrbˈudʑɛ.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_129.wav|dɔrˈastaw f tɕˈɛɲʲu brˈatɕi i vʲˈɛrɲʲɛ nˌaɕladˈɔvaw vɛ fʃˈɨstkim bˌailˈɔna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_117.wav|ɡdˈɨbɨɕ tˌɨlkɔ znˈawa prˈavdɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_145.wav|a ja xtɕˈawam zapˈɨtadʑ ɡˈɔː ɔ tˈaɡ vʲˈɛlɛ sprˈaf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_112.wav|drʒˈɛ na sˈamɔ̃ mˈɨɕl.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_567.wav|— zɲʲˌɛnavˈidʑiʃ mɲʲɛ! — ʃɛpnˈɛwa jˈaɡ dʑˈɛtskɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_248.wav|zapˈɨtaw, ja tɔ mˈuvjɛ pɔvˈaʒɲʲɛ. stˈali w miltʃˈɛɲʲu pʃɨ ˈɔkɲʲɛ, pˈatʃɔnts na dʒˈɛvɔː ˌɔɕfʲɛtlˈɔnɛ ulˈitʃnɔ̃ latˈarɲʲɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_148.wav|zwˈamaw prˈavɔː i mˈɔjɛ sˈɛrtsɛ, ʒˈɛbɨ ˈutɕɛts pʃɛt tsˌamɛrˈɔnɛm i jaɡˈɛrɛm.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_323.wav|mʲˈawa kʲˈɛdɨɕ ˈusta.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_182.wav|mˈɔja xˈardɔʑdʑ zɲˈikwa bˈɛs ɕlˈadu.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_248.wav|ɲʲˌɛvɔntplˈivʲɛ ˌɔnɛ rˈuvɲʲɛʃ fxˈɔdʑɔ̃ f skwˈat tˌɛɡɔ sɛktˈɔra.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_166.wav|bɛɲdʑˌɛmɨ mʲˌɛli jˈɛʃtʃɛ pˈarɛ dɲˈi ˌindjaɲskʲˈɛɡɔ lˈata, pˌɔvʲɛdʑˈawa jˈudɨ. mˈɔʒɛʃ pʃɨjˈɛxadʑ dɔ mɲʲɛ. vɛʑmʲˈɛmɨ ɡˈalɔn vˈina i pujdʑˈɛmɨ na plˈaʒɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_60.wav|pˌɔvʲɛdʑˈawa tɕˈixɔ, zɛrkˈajɔnts na ˈɛkran. f pɔʒˈɔntku, rɔzlˈuʑɲij ɕɛ, tɔ ɲʲˌɛpɔrɨvˈatʃɛ. vˈɨmɨɕl tsˈɔɕ.|4
+Dataset/wavs/urwisko_ferenc/01_segment_13.wav|pʃɛrvˈawɔ jˈɔ̃ ɡwˈuxɛ tʃaɕɲʲˈɛɲtɕɛ dʒvˈi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_59.wav|mʲˌawɛm bʒmˈi bˈardʑɛj jˈak mˈawɛm.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_255.wav|jˈɛɕli xtsˈɛʃ kˈɔɡɔʑ zɡvˈawtɕitɕ, sprˈubuj zˈɛmnɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_10.wav|bˈɔ bˌɨwɛm na tɕˈɛbjɛ zwˈɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_148.wav|ɲʲɛ rɔzˈumjɛm. znˈam tˌɨlkɔ tɔː ˈimjɛ, a ɲʲɛ...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_73.wav|trjumfˈujɛʃ, tˈɔm?|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_39.wav|vɨʒˈɛwa ɕtɕɛrˈɛtʃkɛ i vˌɨʒutɕˈiwa jˈɔ̃ dɔ vˌɨwɔʒɔnˈɛɡɔ fˈɔljɔ̃ kˈɔʃa, pɔ tʃɨm dˈawa mi drˈuɡɔ̃, ʒˈɛbɨm ˈɔtar pɔt s tfˈaʒɨ. tɛn tˈɛʒ vˌɨʒutɕˈiwa.|2
+Dataset/wavs/urwisko_ferenc/65_segment_49.wav|partnˈɛrka zˌapʃɛtʃˈɨwa. tʃˈɛmu?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_381.wav|vʲˈɛnts ja fʃˈɨstkɔ vʲˈɛm. i mˈɔɡɛ nˈavɛt pʃɛvˈidʑɛtɕ ɔpskˈurnɨ ˌawtɔmˈatɨzm nastˈɛmpnɨɣ ɡˈɛstuf i pɔtʃˈɨnaɲ.|0
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_9.wav|na tˈɛmat nˌɛɡɔtsjˈatsji mʲˌɛndʑɨ sˈanxɛs i kˌakˌazˈɛt.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_456.wav|vɨbrˈawam tɕˈɛbjɛ na tˌɔvaʒˈɨʃa dalˈɛkʲɛj drˈɔɡʲi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_12.wav|ɲʲˈɛma jɛj jˈuʃ ɔd dwuʃʃˈɛɡɔ tʃˈasu i bˈɔjɛ ɕɛ trˈɔxɛ, ʒˈɛ tɛn dʒˈɛf sprˈavja jɛj jˈakɔ̃ɕ pʃˈɨkrɔɕtɕ. pʃˌɨpilnˈujɛʃ mˈɔiɣ ʒˈɛtʃɨ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_101.wav|najvʲˈɛŋkʃɔ̃ mˈɔjɔ̃ ɔbˈavɛ|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_184.wav|rˈudɨ zmˈarʃtʃɨw tʃˈɔwɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_46.wav|ˌalɛ jˌɛstɛm ɲʲɛzmʲˈɛrɲʲɛ vdʑˈɛntʃnɨ, ʒˈɛ tˈaɡ vʲˈɛlu ˌintɛliɡˈɛntnɨx lˈudʑi ˌuvʲɛʒˈɨwɔ w mˈɔjɔ̃ tfˈurtʃɔɕtɕ i pʃˌɨbliʒˈɨwɔ jˈɔ̃ tsawˈɛmu ɕfʲˈatu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_98.wav|ktˌurɛ xtɕˈawɨbˌɨ mʲˈɛdʑ dʑˈɛtɕi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_120.wav|zdɔbˈɨliɕmˌɨ nˈakas pʃˌɛʃukˈaɲʲa paɲskʲˈɛɡɔ dˈɔmu, kʲˈɛdɨ pˈan zaɡʲˈinɔw. f pˈaɲskim bjˈuʒɛ jɛst sˈɛjf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_246.wav|jˈɛɕli xˈɔdʑi ɔ pˈaɲʲɔ̃, ɔ tˈɛ ʃkˈɔwɛ i ɔ fɛdˈɛral avʲˈatjɔn ˌadmiɲistrˈatjɔn?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_460.wav|fʃˈɨstkɔ dɔkˈɔwa tɔnˈɛwɔ f pʃɛtftʃˈɛsnɨm tɕˈɛplɛ swˈɔɲtsa, ktˌurɛ ʃwˈɔ ɲʲˌɛvɨsˈɔkɔ nad daxˈami.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_145.wav|dlatˈɛɡɔ tɛn tʃwˈɔvʲɛk ɲˈits jˈuʒ dla mɲʲɛ ɲʲɛ znˈatʃɨ.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_219.wav|tɔ bˌɛɲdʑɛ mˈuɕaw bˈɨtɕ ktˈɔɕ fspaɲʲˈawɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_174.wav|dlatʃˈɛɡɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_20.wav|mˈuʃɛ ɕɛ pɔzbjˈɛratɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_205.wav|jˈɛɕli mˈɔɡwɔ tsˈɔɕ ɕɛ zdˈavatɕ f tɨm ʃalˈɛɲstfʲɛ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_23.wav|ɲʲɛ mˈɔɡɛ dˈatɕ ɕɛ zwˈapatɕ mˈɨɕli.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_17.wav|ˌɔpɔvʲɛdʑˈawam ˈɔɲim alfjˈɛmu z nadʑˈɛjɔ̃, ʒˈɛ pɛvnˈɛɡɔ dɲʲˈa ɕɛ spɔtkˈajɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_71.wav|f snˈɔpax kˌɔlɔrɔvˈɛɡɔ ɕfʲˈatwa fpˌadajɔntsˈɛɡɔ dɔ ɕrˈɔtka pʃˈɛz barvʲˈɔnɛ ʃˈɨbɨ vʲˈɛlkʲɛj kɔpˈuwɨ vˈidadʑ bˌɨwɔː ˌunɔʃˈɔntsɛ ɕɛ f pɔvʲˈɛtʃu drɔbʲˈiŋki pˈɨwu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_79.wav|nˈɔ xˈɨba, ʒˈɛ ktˈɔʑ zapwˈatɕiw mu zˈatɔ naprˈavdɛ fɔrtˈunɛ. tˈak tʃɨ inˈatʃɛj.|4
+Dataset/wavs/urwisko_ferenc/44_segment_26.wav|dɔ rɔɡˈufka mʲˈaw jˈɛʃtʃɛ kˌilkanˈaɕtɕɛ kˌilɔmˈɛtruf. ˈuznaw, ʒˈɛ tʃˈas pɔwˈɔntʃɨtɕ ɕɛ z lˈipskim.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_186.wav|pʲˌɛɲdʑɛɕˌɛɲtɕɔpˌarɔlˈɛtɲʲa ˌɛkspɛdjˈɛntka bˈɛs swˈɔva kˌɔmɛntˈaʒa nabʲˈija jˈɛɡɔ zakˈupɨ na kˈasɛ,|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_119.wav|mˈuj ˈɔjtɕɛts uvˈaʒaw, ʒˈɛ nalˈɛʒɨ ˈufatɕ ɔsˈɔbɔm, ktˌurɛ ɕɛ kˈɔxa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_175.wav|kʲˈɛdɨ ɔpstˈavaw pʃɨ tʃˈɛx i pˈuw patˈɔla, zwapˈawa mɲʲɛ za rˈamjɛ i pˌɔvʲɛdʑˈawa, xˈɔtɕ ˈɛlmɛr, tɛn dʒɛntˈɛlmɛn jɛst m��iwɨ, ˌalɛ ɲʲˌɛpɔvˈaʒnɨ, dˈaʒ vʲˈarɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_124.wav|a vˈidʑiʃ tˈam w drˈuɡʲim pɔkˈɔju tɕˈɛɲ sxˌɨlɔnˈɛɡɔ tʃwɔvʲˈɛka?|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_437.wav|kˈaʒdɨ xtsˈɛ vɨdʑˈɔbatɕ kavˈawɛk jˈɛɡɔ tɕˈawa.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_91.wav|kˈilku ˈinnɨx puwnˈɔtsnɨx lˈɔrduf rˈuvɲʲɛʃ pʃˈɛʃwɔ na strˈɔnɛ lˈɔrda bɔltˈɔna.|1
+Dataset/wavs/urwisko_ferenc/08_segment_35.wav|mɔdlˈilibˌɨ ɕɛ ɔ dɨskrˈɛtsjɛ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_60.wav|i nˈadal tʃˈuwa ɕɛ zbˈɨd zmɛntʃˈɔna, ʒˈɛbɨ fstˈatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_98.wav|sprˌubɔvˈawam ɡˈɔː ɔtfˈɔʒɨtɕ, ˌalɛ zˈamɛɡ bˈɨw zˌablɔkɔvˈanɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_24.wav|ɲˈilɛ zmˌaɲipulˈɔvaw tsˈawɔ̃ çistˈɔrjɛ f tˌaki spˈɔsup, ʒˈɛ tɔ ja ˌɔkazˈawam ɕɛ vˈinna, ˌalɛ ftˈɛdɨ mɲʲɛ tɔ ɲʲɛ ˌɔpxɔdʑˈiwɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_365.wav|fstɔmpˈiwam dɔ xartnˈɛla, uɕˈadwam na sfˈɔim stˈawɨm mʲˈɛjstsu i skinˈɛwam na bʲillʲˈɛɡɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_105.wav|i tˈak ɲˈiɡdɨ ɲʲɛ ˌuvaʒˈawam stsˈɔtta za kˈɔɡɔʑ dɔbrˈɛɡɔ dla tɕˈɛbjɛ.|3
+Dataset/wavs/urwisko_ferenc/60_segment_54.wav|vɨʃˈɛptaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_28.wav|dˈalɛj mˌamɨ rɔɡˈɛra jaɡˈɛra. pʃˈɛkaʒ bˈɛtskɨ tɔ, tsˈɔ mi pˌɔvʲɛdʑˈawɛɕ, kˈit.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_122.wav|nˈaɡlɛ rˈɔzlɛkw ɕɛ stwumjˈɔnɨ ɡʒmˈɔt. trfˈaw zalˈɛdvʲɛ uwˈamɛk sɛkˈundɨ i bˈɨw jˈɛdnɨm s tɨx ɔdɡwˈɔsuf, ktˌurɛ rˈatʃɛj ɕɛ tʃˈujɛ ɲˈiʃ swˈɨʃɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_191.wav|tɔ ɲʲˌɛspravʲɛdlˈivɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_177.wav|dʒvˈi sɔ̃ɕˈaduv bˌɨwɨ lˈɛkkɔː ˌuxɨlˈɔnɛ. spɔstʃˈɛɡwɛm vʲˈɛlɛ ˈɔtʃu vlɛpʲˈɔnɨɣ vˈɛmɲʲɛ.|0
+Dataset/wavs/urwisko_ferenc/28_segment_89.wav|xˈɛrman zɲʲˌɛruxɔmjˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_121.wav|w bˈaɲtsɛ ɔldrˈina ˈaʃ rˈɔi ɕɛ ɔt prˌɔstɨtˈutɛk, ɡdˈɨbɨɕ xtɕˈaw ɕɛ pʃɛkˈɔnatɕ. ˈɔ!|4
+Dataset/wavs/urwisko_ferenc/42_segment_94.wav|w jˈakim sˈɛnɕɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_148.wav|xˈɔva ˈɔbjɛ splˈuvɨ dɔ vɔrˈɛtʃka.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_351.wav|vɨsˈɔki jˈak trˈɛbuʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_148.wav|zɔstˈajɛʒ dʑˈiʑ dɔ pˈuʑna? ɲʲˈɛvʲɛm, zˌɔbatʃˈɨmɨ jˈaɡ bˌɛɲdʑɛ mi ʃwˈɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_12.wav|ˈɔknɔ bˌɨwɔː ɔtfˈartɛ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_51.wav|ɡdˈɨ ɡˈarɛtt ɔtpˈinaw mu na ɡˌɔlɛnɲˈiki, pˈɔwa namjˈɔtu ˌuxɨlˈiwa ɕɛ nˈaɡlɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_14.wav|mˈɔʒɛ pˈan zˈatʃɔɲtɕ ɔt pˌɔvʲɛdʑˈɛɲʲa nˈam, dlatʃˈɛɡɔ pˈan ˈutɕɛkw, kʲˈɛdɨ pʃˌɨjɛxˈali nˈaɕi fˌuŋktsjɔnarjˈuʃɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_156.wav|bˈaki zawˈatfi tɔ, kʲˈɛdɨ dˈɔtʃɛ tˈam, dˈɔkɔnt ɕɛ vɨbjˈɛra, ˌalɛ tˌɨlkɔ jˈɛɕli bˌɛɲdʑɛ tsˈɔ pʃˈɛlatɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_281.wav|z dalˈɛka pɔtʃˈuwam vˈɔɲ ˌalkɔxˈɔlu.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_76.wav|tˈarɡʲi z vʲˌarɔwɔmtsˈami sɔ̃ jˈaɡ bˌudɔvˈaɲʲɛ na lˈɔtnɨx pʲˈaskax.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_310.wav|tɔ dˈɔbrɛ ˈimjɛ dla xwˈɔptsa ɔt pwˈuɡa, ɲʲɛ dla mistrˈɛla.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_100.wav|pɔdˈɔbɲʲɛ jˈaɡ vɲʲˈɔsɛk xˈɔffa ɔ zɡˈɔdɛ na ɔtfˈartɕɛ kasˈɨna.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_260.wav|ɡdˈɨ vʲˈɛlki sˈɛptɔn ˌɔtprɔvˈadʑaw jˈɔ̃ s pɔvrˈɔtɛm dɔ kɔmnˈatɨ lˈamp,|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_188.wav|tʃɨ pɔtʃˈutɕɛ vˈinɨ vʑˈɛwɔ w ɲˈim ɡˈurɛ nad ʒˈɔndʑɔ̃?|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_305.wav|tˈam, ɡdʑˈɛ mˈɔʒɛʃ trˈafitɕ, jɛzd dˈuʒɔ lˈudʑi, ktˌuʒɨ mˈuvjɔ̃ bˈɛs pʃˈɛrvɨ tɕˈixɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_118.wav|dʑˈɛtɕɔm nˈadal jɛzd vɛsˈɔwɔ. sɔ̃ rˌɔzbavʲˈɔnɛ jˈɛɡɔ swɔvˈami, bˈɔ ɲʲɛ muɕˈawɨ pˈatʃɛtɕ, jˈak pijˈanɨ pˈɔtfur z vɨblˈakwɔ̃ sɨrˈɛnɔ̃ na ramjˈɛɲʲu dˈɛptʃɛ bˌutɕɔrˈami ix ɕˈɔstrɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_108.wav|drˈɛntnɛ dɔ ɲˈix.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_72.wav|ʃkˈɔda, ʒˈɛ ɲʲˈɛma ɲˈidʑ dɔ tʃɨtˈaɲʲa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_37.wav|dlatʃˈɛɡɔ pɔʒˈɨtʃaw pˈan pʲɛɲʲˈɔndʑɛ tˈaɡ vʲˈɛlu pʃˌɨjatɕˈuwɔm?|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_74.wav|pɔkˈazaw jˈɔ̃ ɡˈɛnɲʲɛ. bˈardʑɔ wˈadna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_148.wav|bʲˈill, ɡdʑˈɛ dʒˈɛf?|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_91.wav|ˈɔtʃɨ ˈarjan vˌɨpɛwɲˈiwɨ ɕɛ wzˈami i nˈaɡlɛ zatʃˈɛwa pwˈakatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_113.wav|ʒˈabɛm ɲʲˈɛmʲaw rˈɔɡuf ˌaɲi ɲʲɛ nˈɔɕiw tʃˈarnɛj pˌɛlɛrˈɨnɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_87.wav|tʃɨ ljˈa ɔdˈɛjdʑɛ, zˈaɲim ɕɛ ɔbˈudʑɛ?|3
+Dataset/wavs/urwisko_ferenc/36_segment_111.wav|vwˈaɕɲʲɛ nˈatɔ lˈitʃɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_103.wav|ˌalɛ mˈukw tɔ zrˈɔbʲitɕ lˈada xfˈila.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_3.wav|dˈɨʃɔnts tɕˈɛ̃ʃkɔː ɔpˈadwam na plˈɛtsɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_27.wav|zˈɛ spɔsˈɔbɛm mɨɕlˈɛɲʲa stsˈɔtta, skˈɔrɔː i tˈak mʲˈawam ˈɔddadʑ dʑˈɛtskɔ, tɔ dlatʃˈɛɡɔ za dˈarmɔ, trˈudnɔ bˌɨwɔ ɕɛ ɲʲɛ zɡˈɔdʑitɕ, mˈimɔ tɔ tʃˈuwam f sˈɔbjɛ dʑˈivnɔ̃ pˈustkɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_2.wav|tˈɔm i bˈɛtskɨ zˌɔstavˈili ɲˈila pˌɔpijˌajɔntsˈɛɡɔ f kˈuxɲi kɔlˈɛjnɔ̃ kˈavɛ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_99.wav|tɔ bˈɨw ɔdvˈaʒnɨ tʃwˈɔvʲɛk, pɔmˈɨɕlaw viktˈarjɔn. mˈuɡwbɨ ɲʲˈɛmal pɔxˈɔdʑidʑ z ʒˌɛlaznˈɛɡɔ rˈɔdu.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_358.wav|mʲˌawɛm ɕˈɛdɛm lˈat.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_27.wav|xˈɔtɕ pˌɔzɔstˈali tʃwɔŋkˈɔvʲɛ zɛspˈɔwu ɕɛdʑˈɛli na sfˈɔix mʲˈɛjstsax, kˈit stˈaw vˌɨprɔstɔvˈanɨ jˈak strˈuna.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_90.wav|ɲʲɛ kɔxˈaliɕmˌɨ ɕɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_52.wav|ˌɔna jɛst f tɕˈɔ̃ʒɨ, a ja ɲʲˈɛmam vʲˈɛŋkʃɨɣ vˌɔntplivˈɔɕtɕi, ʒˈɛ tɔː ˈaʃɨ jɛst ˈɔjtsɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_93.wav|mˈuɡwbɨ kˈazatɕ kˌɔmputɛrˈɔvi sprˈavdʑitɕ ɔbjˈɛntɔʑdʑ dˌɔkumˈɛntu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_19.wav|jˌɛstɛm jɛdnˈɛɡɔ pɔwˈɔvɛ ɔt ɲʲˈɛɡɔ mɲʲˈɛjʃa i lˈɛdvʲɛ rˌɛjɛstrˈujɛ mˈuj ˈatak. zatˈatʃam ɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_5.wav|xˌaˌɛmˈɛm, ɲʲɛ pɔdˈɔba tɕi ɕɛ ta pˌɛrspɛktˈɨva, tsˈɔ?|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_99.wav|vzruʃˈɨwa mɲʲɛ vˈaʃa ɲʲɛdˈɔla. mˌatɕɛ mˈɔjɛ swˈɔvɔ, ʒˈɛ ɡdˈɨ tˌɨlkɔ rivˈɛran pˈadɲʲɛ, vrˈutsɛ tˈu, bˈɨ dˈɔpaɕtɕ ɔɡˈara i zˈabʲidʑ ɡˈɔ dla vˈas.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_116.wav|jˈakɔɕ pɔdˈɔbɲʲɛ ˌutɨtˌuwɔvˈanɨ tsɨvˈilnɨ pɔlˈitsjant pɔxˈɨliw ɕɛ nad zˌardʑɛvʲˈawɔ̃ bˌalustrˈadɔ̃|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_66.wav|mʲˌawɛm vˈɨjɕtɕ s kˈadru.|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_73.wav|dˈalɛ vɨtɕˈɔŋɡnɔw dɔ mɲʲɛ rˈɛŋkɛ, f ktˌurɛj tʃˈɨmaw ʃˈuflɛ.|4
+Dataset/wavs/urwisko_ferenc/10_segment_55.wav|ˌalɛ ɲʲˈɛtʃuw ɕɛ xˈɔrɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_154.wav|pɔtʃˈɛdwɛm dɔ naʃˈɛɡɔ bufˈɛtu dˈɔɕtɕ sfˌatɨɡˌɔvanˈɛɡɔ pʃˈɛstɛ fʃˈɨstkʲɛ lˈata.|0
+Dataset/wavs/urwisko_ferenc/46_segment_183.wav|fskuʒˈanɨ mɛtˈuin z ˌɔttɕiɕɲʲɛntˈɨmi ˌiɲitsjawˈami ʃˈɛfa znˈalas kˈartɨ bˌaŋkɔmatˈɔvɛ i kilkˈasɛd zwˈɔtɨx.|0
+Dataset/wavs/urwisko_ferenc/24_segment_49.wav|vɨsˈunɔw dvʲˈɛ ʃuflˈadɨ znˌajdujˈɔntsɛ ɕɛ na dˈɔlɛ. ɲʲɛ znˈalaz w ɲˈix ɲˈits ˈɔprutʃ kˈuʒu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_481.wav|tɕˈɔŋɡlɛ ta sˈama.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_218.wav|dɔpʲˈɛrɔ tˈɛraz zˌauvaʒˈajɔnts, ʒˈɛ ɕtɕˈanɨ kˌɔrɨtˈaʒa ˌɔbvʲɛʃˈɔnɛ bˌɨwɨ ɡˌɔbɛlinˈami pʃˌɛtstavʲˌajɔntsˈɨmi rɨtsˈɛʒɨ, nadˈɔbnɛ dˈamɨ i xɔlˈɛra vʲˈɛ dlatʃˈɛɡɔ vʲatrˈaki.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_77.wav|ˈaram pɔtrˈafi tˌɛɔrɛtˈɨtʃɲʲɛ zˈajɔɲtɕ ɕɛ naʃˈɨmi duʃˈami, ˌalɛ tɔ dʑˈɛŋki tˈɔbjɛ fʃˈɨstkɔ dʑˈawa jˈak nalˈɛʒɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_47.wav|pɔxˈɨlam ɕɛ nat mˈɛ̃ʒɛm i tsawˈujɛ ɡˈɔ dˌɛlikˈatɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_250.wav|a tˈu kˈɔɡɔʑ vˈitaw ˌɛntuzjastˈɨtʃɲʲɛ twˈum vʲˌɛlbʲitɕˈɛli.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_89.wav|lˈitʃɨ ɕɛ tˌɨlkɔ tɔ, ktˈɔ jˈɔ̃ zˈabʲiw, a ɲʲɛ tɔ, tsˈɔ bˌɨwɔ ftʃˈɛɕɲʲɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_220.wav|pɔ pɔvrˈɔtɕɛ ˈɛlis ɕˈada w ˈɔkɲʲɛ jˈɛɡɔ pɔkˈɔju. pˈatʃɨ na ɲʲˌɛpʃɛbrˈanɔ̃ ʒˈɛkɛ sˌamɔxˈɔduv zmʲˌɛʒajˈɔntsɨɣ dɔ mʲˈasta, f ktˌurɨm zˌapalˈajɔ̃ ɕɛ ɕfʲˈatwa xɔtˈɛli i kˈasɨn.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_115.wav|f swuxˈafkaɣ znˈuf rˈɔzlɛkw ɕɛ ɡwˈɔs ˈɔjtsa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_43.wav|ɲʲɛbjˈɛski samˈɔxut, ktˌurɨ zˌaparkˈɔvaw ˈɔbɔk, rˈuvɲʲɛʃ stˈaw tˈam pʃˈɛs tsˈawɔ̃ nˈɔts.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_32.wav|ʃˈɔk, ktˌurɨ zaɡˈɔɕtɕiw na jˈɛɡɔ tfˈaʒɨ, kʲˈɛdɨ pˈɔznaw prˈavdɛ, ɲʲˈɛmuɡw bˈɨtɕ ˌudavˈanɨ.|3
+Dataset/wavs/urwisko_ferenc/59_segment_95.wav|nˌɛkrɔfˈaɡʲi? xˈɛrman pˌamjɛntˈawa znatʃˈɛɲʲɛ tˌɛɡɔ swˈɔva zˈɛ ʃkɔlˈɛɲʲa dla swˈuʃp krˌɨminˈalnɨx. ɲʲɛ!|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_144.wav|vʒasnˈɛwam pʃˌɛkʃɨkˈujɔnts ʃˈum.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_308.wav|tɕɔŋɡnˈɛwa mirˈanda rɔˈɨtsɛ. ɲʲɛdˈuʒɔ̃, tˌɨlkɔ dla ɡʲˈɛrmkuf. lˈawr zvɨtɕˈɛ̃stsɨ mʲˈaw zdˈɔbɨtɕ xˈarɨ dʑˈɛdʑits i tˈak tˈɛʃ ɕɛ stˈawɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_69.wav|a fʃˈɨstsɨ tfˈɔi pʃˌɨjatɕˈɛlɛ mʲɛʃkˈajɔ̃ blˈiskɔ mˈamɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_347.wav|xˈɔdʑmɨ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_71.wav|a stsˈɔtt ɲʲɛ ʒˈɨjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_90.wav|bˌɨliɕmˌɨ ʃtʃɛɲɕlˈivi, ɔkˈɔwɔ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_34.wav|ɲʲɛ xtɕˈawam pɔdˈɔ̃ʒatɕ ɕladˈami skˈɔta.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_102.wav|swˈɔvɔ xɔnˈɔru sprˈavja vraʒˈɛɲʲɛ, jˈaɡbɨ bˈɨw mwˈɔtʃɨ, mˈɨɕli bʲˈillɨ, i ɕilɲʲˈɛjʃɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_24.wav|fkrˈuttsɛ ɕɛ z ɲʲˈɔ̃ pˈan zɔbˈatʃɨ, ˌalɛ nˈajpʲɛrf musˈimɨ zˈadatɕ kˈilka pˈɨtaɲ. lˈitʃɨ ɕɛ kˈaʒda minˈuta.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_116.wav|ɔdvrˈatsa ɕɛ lˈɛkkɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_546.wav|vʲˈɛnts i ja mˈuʃɛ pɔlˈubʲidʑ ʒˈɨtɕɛ, tˈɨlɛ ˈilɛ mɲʲɛ ɡˈɔ zɔstˈawɔ?|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_123.wav|sˈɛr ɲʲˈɛrɔ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_107.wav|zabʲˈijɛ ɕɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_234.wav|mˈɔjɛ ɲʲɛzvˈɨklɛ pˌɔtɕɔŋɡajˈɔntsɛ mˈartfɛ tɕˈawɔ spˌɔtʃɨvawˈɔbɨ na kɕˌɛ̃ʒɨtsˈɔvɛj pustˈɨɲi, dɔpˈuki ktˈɔʑ bˈɨ ɡˈɔ ɲʲɛ znˈalaz.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_233.wav|krˈɛf krˈula i krˈɛf ˈɔjtsa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_20.wav|sˈami tˈɛʃ pʃˈɨʃɛd?|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_122.wav|pɔmˈɨɕlaw kapˈitan, tʃˈujɔnts na jɛ̃zˈɨku smˈaɡ ɡɔrˈɨtʃɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_147.wav|vzrˈuʃɨw rˌamjɔnˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_72.wav|swɨʃˈawɛm, ʒˈɛ pˌɔtʃɔntkujˈɔntsɨ pisˈaʒɛ tʃˈɛ̃stɔ kˌɔʒɨstˈajɔ̃ z vwˈasnɨɣ dɔɕfʲˈattʃɛɲ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_62.wav|bʲˈillɨ zˌapisˈujɛ ɡˈɔ, pɔ tʃɨm fxˈɔdʑi na tsˌɛmɛntˈɔvɔ̃ ɕtɕˈɛʃkɛ prˌɔvadʑˈɔntsɔ̃ dɔ vˈɛjɕtɕa i ɔɡlˈɔnda dʑvˈɔŋki dɔ dʒvˈi.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_361.wav|vˌinɔɡrˈɔna sɔ̃ ʒˌɛtʃɨvˈistɛ. mˈɔʒna ɕɛ ɲˈimi nˈajɛʑd�� dɔ sˈɨta.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_33.wav|ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ mˈɔjɛ tɕˈawɔ zˌarɛˌaɡɔvˈawɔ lˈɛkkim skˈurtʃɛm w rɛˈaktsji nˈatɔ pɨtˈaɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_157.wav|ʑlˈɛ trˈafiw, ˌalɛ ɡˈɔlnɔ̃ ʃklanˈɛtʃkɛ i znˈalaz jˈakɔɕ fspˈulnɨ jˈɛ̃zɨk. tˈɛras lˈɛʒɨ tˈam.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_126.wav|ɲʲɛ mˈɔʒɛʃ jɛj ˈɔttɕɔɲtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_222.wav|a jɛʒˈɛli ɡrˌavitˈatsja kɕˌɛ̃ʒɨtsˈɔva jɛst na tˈɨlɛ swˈaba, ʒˈɛ ˌumɔʒlˈivja stˌɔsɔvˈaɲʲɛ tɛj tˌɛxnɔlˈɔɡji na tʃɨmkˈɔlvʲɛk ˌɔna pɔlˈɛɡa?|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_82.wav|dʑɛdʑˈitʃka ˌɔdmuvˈiwa kˌɔmɛntˈaʒa f tɛj sprˈavʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_84.wav|ɲʲɛ bˌɨwɔ pɔvʲˈɛtʃa, f ktˌurɨm mˈuɡwbɨ ɕɛ unˈɔɕitɕ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_45.wav|a ɡdˈɨbɨm tɔ zrɔbʲˈiwa, pˈɔvʲɛts tˌɨlkɔ swˈɔvɔ, a sˈama ˈɔddam ɕɛ w rˈɛntsɛ kɨbˈɛrna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_166.wav|jˈɛdɛn z jˈɛɡɔ fspˌuwlɔkatˈɔruf pˈuɕtɕiw muzˈɨkɛ i ˈɛlis kɔjˈaʒɨ, ʒˈɛ taɲtʃˈɨwa f salˈɔɲʲɛ s trˈipɛm, a pˈɔtɛm jˈuʃ ɲˈits ɲʲɛ pamjˈɛnta.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_37.wav|mˈarta pˈɔrtɛr zapˈɛvɲʲa, ʒˈɛ mʲˈawa pʃɨ sˈɔbjɛ kɔmˈurkɛ pʃˈɛs tsˈawɔ̃ nˈɔts, kˈit, i ʒˈɛ...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_136.wav|ˈalbɔ na tˈamtɛn ɲʲɛznˈanɨ ɕfʲˈat.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_252.wav|udʑˈɛliw im sxrɔɲʲˈɛɲʲa, kʲˈɛdɨ tˌɛɡɔ pˌɔtʃɛbɔvˈali i fspʲˈɛra ix f tˈɨm, tsˈɔ zˌamjɛʒˈajɔ̃ zrˈɔbʲitɕ. nˈɔː i tsˈɔ nˌajvaʒɲʲˈɛjʃɛ, bˈɨw dˈɔbrɨ dla ˈɛlis.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_211.wav|pˌɔstanɔvˈiwam trˈɔxɛ pɔʃpˈɛratɕ f ɕˈɛtɕi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_378.wav|ɲʲɛ dla mɲʲɛ.|0
+Dataset/wavs/urwisko_ferenc/46_segment_133.wav|dˌɔskɔnˈalɛ zdˈavaw sˈɔbjɛ sprˈavɛ, ʒˈɛ ˈinɲi fˌuŋktsjɔnarjˈuʃɛ tˈɛʃ ˌɔdvalˈajɔ̃ rɔbˈɔtɛ dla ʃtʃɛrpskʲˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_23.wav|tɔ jɛst tˈakʲɛ ɲʲˌɛsamɔvˈitɛ! zavˈɔwaw, pʃˌɛstɛmpˈujɔndʑ z nˈɔɡʲi na nˈɔɡɛ. dˈɔbʒɛ, dˈɔbʒɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_254.wav|i rˈuʃam f strˈɔnɛ sˌamɔxˈɔdu.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_175.wav|spɔjʒˈawam na ɡʲˈizmɔ. minˈɛwɔ dvadʑˈɛɕtɕa mˈinut ɔd vɨtɕˈɛku xlˌɔrɔfˈɔrmu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_149.wav|dˈɔpad ɡˈɔrak pwˈuts.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_8.wav|lˈɛtʃ ɲʲɛ pɔvʲˈɛdʑaw ɲˈits. samˈɔlɔt ˈɔpat tɕˈɛ̃ʃkɔ, dalˈɛkɔ pˈɔza prˈɔɡʲɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_16.wav|pɔvʲˈɛdʑaw, ɲʲɛ ˌintɛrˌɛsɔvˈawɨ ɡˈɔ sˈamɛ pʲɛɲʲˈɔndʑɛ, jɛdˈɨɲʲɛ iɣ ʑrˈudwɔ, a nˈatɔ mʲˈaw nadʑˈɛjɛ natrˈafitɕ w rɛjˈɛstʃɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_67.wav|mˈam ɔxˈɔtɛ ɡˈɔ zapˈɨtatɕ, ˈilɛ rˈazɨ im ɕɛ ɲʲɛ pɔvʲˈɔdwɔ, ˌalɛ ɲʲˈɛmam tˈɨlɛ ɔdvˈaɡʲi.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_47.wav|ktˈɔ bˈɨwbɨ tˈak ʃalˈɔnɨ, ʒˈɛbɨ napˈadatɕ na ʑˈɛmʲɛ pˌɔwɔʒˈɔnɛ rˈuvɲʲɛ blˈiskɔ starˈɛɡɔ mʲˈasta?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_7.wav|tˈɔm, ɔt mɔmˈɛntu, ɡdˈɨ ɕɛ pɔznˈaliɕmˌɨ, nˈɔnstˈɔp jˈɛntʃɨʃ na tˈɛmat mˈɔjɛj jˈazdɨ, a tˈɛras, kʲˈɛdɨ stˈaram ɕɛ jˈɛxatɕ ɔstrˈɔʒɲʲɛj, tˈɛʃ tɕi ɕɛ tɔ ɲʲɛ pɔdˈɔba?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_34.wav|ˌɔpuɕtɕˈiwam ɡwˈɔvɛ i zvʲɛɕˈiwam ramjˈɔna, pɔ tʃɨm pˌɔtsunˈɛwam sˈɔbjɛ kʃˈɛswɔː i uɕˈadwam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_160.wav|pɔtˈɛ̃ʒnɨ mɛ̃ʃtʃˈɨzna ˈuɲʲuz ɡwˈɔvɛ i fstˈaw na dʑvʲˈɛŋɡ zblˌiʒajˈɔntsɨx ɕɛ krˈɔkuf.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_26.wav|a zˈaɲim dvˈux pˌɔlitsjˈantuf.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_79.wav|ʃˈɔfɛr skˈinɔw ɡwˈɔvɔ̃ i ʃˈɛʒɛj ɔtfˈɔʒɨw dʒvˈi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_30.wav|ɲʲˈɛma ɡˈɔ w ʒˈadnɨm spˈiɕɛ vɨbˈɔrtsuf. ɲʲɛ pwˈatɕi pɔdˈatkuf, ɲʲɛ jɛzd zˌarɛjˌɛstrɔvˈanɨ dɔː ˌubɛspʲɛtʃˈɛɲʲa spˌɔwɛtʃnˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_35.wav|tɔ xˈɨba tɛn jˈuʃ ɕɛ tɨm zajˈɔwɛm|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_37.wav|vrˈutɕiw na wˈafkɛ i pˈatʃɨw na lˈudʑi pˌɔtxɔdʑˈɔntsɨɣ dɔ ɕtɕˈanɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_98.wav|dɔmˈiɲik ɕɛ ɕmʲˈɛjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_255.wav|ˈɔjtɕɛts pʃɛjˈɛxaw dwˈɔɲʲɔ̃ pɔ blˈatɕɛ stˈɔwu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_99.wav|ɲʲˈɛvʲɛm, tsˈɔː ɔn zrˈɔbʲi, kʲˈɛdɨ f kˈɔɲtsu mɲʲɛ zɔbˈatʃɨ, ˌalɛ vʲˈɛm, ʒˈɛ zaprˈaɡɲʲɛ, ʒˈɛbɨm tɕɛrpʲˈawa.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_356.wav|ˈɔtpar pˌɔstaʒˈawɨ rˈɨtsɛʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_134.wav|bjˈawa xmˈura krɔpˈɛlɛk ˌudɛʒˈɨwa ɡˈɔ f tfˈaʃ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_147.wav|zrˈɔbʲi dɔ jˈutra.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_211.wav|ˌɔtstɔmpˈimɨ ɔt ˌɔblɛ̃ʒˈɛɲʲa.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_339.wav|ɲʲɛ ʒɔndˈajɔnts ɔt ɲʲˈɛj w zˈamjan ʒˈadnɨx swˈuf, ˌaɲi nˈavɛt skiɲʲˈɛɲʲa ɡwˈɔvɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_207.wav|dʒˈɔnnɨ zrˈɔbʲiw jˈɛʃtʃɛ jˈɛdɛn krˈɔk i ˈupad. kʃˈɨtʃaw, dɔstˈawɛm, ɔ bˈɔʒɛ, dɔstˈawɛm. klˈuɛ rˈuʃɨw nˈapʃut, tˈak ˈɔtuʒ zˈaɲim i ftˈɛdɨ zatʃˈɛli dɔ nˈas stʃˈɛladʑ z ɡˈurɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_114.wav|nˈɔː i tsˈɔ pˈan mˈa s tɛj sfˈɔjɛj dˌɛmɔkrˈatsji?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_237.wav|stˈawɛɕ na rˈɔɲdʑɛ dˈɛ ɡawllˈɛa i ɡapˈiwɛɕ ɕɛ na rˈux ulˈitʃnɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_22.wav|i ɲˈiɡdɨ ɲʲɛ mʲˈawam ˈinnɛj pʃˌɨjatɕˈuwki.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_356.wav|mˌɛrivˈɛtxɛr zrˌɛzɨɡnˈɔvaw s tʃwɔŋkˈɔstfa w rˈadʑɛ i ˈutɕɛɡw dɔ dwuɡʲˈɛɡɔ stˈɔwu rˈazɛm z ʒˈɔnɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_24.wav|pʃˌɨpuʃtʃˈajɔ̃ tˈɛʃ, ʒˈɛ rˈazɛm z ɲˈim w rˈɛd blˈuff pʃɛbˈɨva ɡrˈubaz vˌɨstɛmpujˈɔntsɨ pɔt nazvˈiskʲɛm dʒˈɔrdʒ rˈussɛll.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_164.wav|mˈuviʃ, jˈaɡbɨɕ ɕɛ nˈadɲim litˈɔvaw, zˌauvaʒˈɨwa brjˈɛnnɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_35.wav|pʃɨkwˈadam dwˈɔɲ dɔː ˈust, bˈɨ zˌamaskˈɔvatɕ ʃˈɔk.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_61.wav|kˈaʒdɨ bˈɨ tˈak pɔstˈɔmpiw, prˈavda? a jˈɛɕli tɔ ɲʲɛ ɔn ɡˈɔ tˈam umjˈɛɕtɕiw, tɔ mˈuɡwbɨ pɔmˈɨɕlɛtɕ, ʒˈɛ mu ɲʲɛ ˈufam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_10.wav|skˌɔʒɨstˈawa s kˈartɨ dˌɛbɛtˈɔvɛj, ˌalɛ na zupˈɛwɲʲɛ ˈinnɛ nazvˈiskɔ. ˈindja kˈalu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_78.wav|vʲˈɛm, ʒˈɛ bˌɛɲdʑɛ tɔ dla pˈaɲi bɔlˈɛsnɛ i vɔlˈawabˌɨm tˌɛɡɔː uɲˈiknɔɲtɕ, ˌalɛ ɔbˈavʲam ɕɛ, ʒˈɛ tɔ ɲʲˌɛmɔʒlˈivɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_21.wav|pʃˌɨɡɔtujˈɛmɨ ɕɛ. musˈimɨ ɕɛ pɔspʲˈɛʃɨtɕ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_20.wav|mˈuɕiʃ mi uvʲˈɛʒɨtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_190.wav|vˌɨɔbrˈaʒa sˈɔbjɛ, jˈak skrˈɛntsa f sklɛpˈɔvɔ̃ alˈɛjkɛ s kɔʃˈɨkʲɛm pʃˌɛvʲɛʃˈɔnɨm pʃˈɛs rˈɛŋkɛ i stˈajɛ tfˈaʒɔ̃ f tfˈaʃ s pˈawlɛm rɛɡlˈɛndɛm tʃɨ pˈitɛm fˈatɕɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_18.wav|tʃˌɛmu ɲʲɛ tɕˈɔŋɡɲʲɛ ɕɛ pɔː ɔkrˈɛŋɡu ˈalbɔ pɔ lˈiɲʲi prˈɔstɛj?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_11.wav|jɛdˈɨnɛ pˌɔtɕɛʃˈɛɲʲɛ jɛst tˈakʲɛ, ʒˈɛ mˈa vˌɨruʒɲʲajˈɔntsɨ ɕɛ samˈɔxut. rɔzˈumjɛm, ʒˈɛ ɡˈɔ ʃukˈamɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_7.wav|wzˈɨ fɕɔŋkˈajɔ̃ f pɔdˈuʃkɛ, a ʒɔwˈɔndɛk rɔzbˈɔlaw mɲʲɛ ɔt pwˈatʃu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_160.wav|trˈanzɨt jˈɛdʑɛ dˈalɛj.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_205.wav|ɲʲɛ tfˈuj intˈɛrɛs, tsˈɔ jˈɛdliɕmˌɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_127.wav|jˈɛɕli vˈɨjdʑɛʃ ftʃˈɛɕɲʲɛj, mˈɔʒɛ jˈuʃ mɲʲɛ ɲʲɛ bˈɛɲdʑɛ, mˈɔʒɛ jˈɛʃtʃɛ bˈɛndɛ. akˈurat, mˈɨɕli bʲˈiɲi. ˌalɛ jˈɛɕli tˈu bˈɛndɛ, tɔ tɕˈɛ zabʲˈijɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_71.wav|tɔ bʒmˈi brutˈalɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_319.wav|pˌɔvɔdʑˈɛɲʲa na nˈɔvɛj drˈɔdʑɛ. prˈɔʃɛ bˈɛs ˈɔbaf.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_408.wav|ɲʲɛ bˌɨwa dʑˈiɕ pʲɛŋkɲʲˈɛjʃa ɔt tˈɛ tsˈawɔ̃ mˈɔjɔ̃ ʃˌamɔtaɲˈinɛ vɛvnˈɛntʃnɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_402.wav|jˈɛɕli tˈɛras umjˈɛra, tɔ s pɛvnˈɔɕtɕɔ̃ dlatˈɛɡɔ, ʒˈɛ ktˈɔɕ tˌɛɡɔ xtsˈɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_32.wav|tʃɨ dʒˈɔnsɔn tɕi mˈuviw ˈɔtɨm, ʒˈɛ pʃɨ pʃɛxˈɨlɛ na skʃˈɨdwɔ...|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_147.wav|rumjˈanɛ pɔlˈitʃki, mˈawɛ ˈusta i pˈarɛ brɔ̃zˈɔvɨx, pˈɛwnɨɣ ʒˈɨtɕa ˈɔtʃu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_134.wav|f tɨm mʲˈɛjstsu pˈɛwnɨm stˈali, plastʲˈiku i bɛtˈɔnu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_77.wav|a mˈɔʒɛ jˈuʃ jˈɔ̃ znˈalaz?|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_225.wav|ktˌurɨ spʲˈɛɲiw ɕɛ i stˈɛ̃ʒaw ɲʲˈɛmal natˈɨxmʲast.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_159.wav|jˌɛstɛm tfˈɔim nˌautʃɨtɕˈɛlɛm, ˈindjɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_113.wav|zastˈukaw f klˌavʲatˈurɛ i jˈaɡ za dɔtkɲʲˈɛɲtɕɛm tʃˌarɔdʑˈɛjskʲɛj rˈuʃtʃki, fʃˈɨstkʲɛ mˌɔɲitˈɔrɨ ˌɔbudʑˈiwɨ ɕɛ dɔ ʒˈɨtɕa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_101.wav|swˈuxaj, stˈarɨ xwˈɔpʲɛ, pɔvʲˈɛdʑaw. tɔ tˌɨlkɔ mʲˌɛndʑɨ mnˈɔ̃ a tˈɔbɔ̃. tʃɨ tɨ mʲˈawɛɕ tɕˈɛ̃ʃkʲɛ dʑɛtɕˈiɲstfɔ? jˈa?|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_195.wav|ɲʲɛ pʃɨkrˈɨli ɡˈɔː i stˈɔi f kawˈuʒɨ. tsˈawɨ ɔɡrˈudɛk tɔ jˈɛdna vʲˈɛlka kawˈuʒa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_20.wav|bˈaki fskazˈujɛ rˈuxɛm ɡwˈɔvɨ waʑˈɛŋkɛ, s ktˌurɛj dɔbjˈɛɡa ɕpʲˈɛf.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_52.wav|ɲʲɛ bˌɨwa tˈaɡ dɔ kˈɔɲtsa pˈɛvna, kˈɔɡɔ prubˈujɛ ˈɔtɨm pʃɛkˈɔnatɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_593.wav|swˈuxam, swˈuxam. prˈɔʃɛ mˈuvitɕ. prˈɔʃɛ mˈuvitɕ fʃˈɨstkɔ, tsˈɔ pˈan xtsˈɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_304.wav|f tʃɔwɡˈawam ɕɛ pɔt skazˈanɔ̃ na zaɡwˈadɛ maʃˈɨnɛ, ʒˈɛbɨ zˈabratɕ sfˈuj spʃˈɛnt.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_90.wav|pˈuɕtɕ jˈɔ̃ z dˈɨmɛm i utɕˈɛkaj dɔ skˈawɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_81.wav|f kˈɔɲtsu nˈaz vɨsˈadʑa, a ja pamjˈɛntam ɔ vrɛntʃˈɛɲʲu mu ˌɔtpɔvʲɛdɲʲˈɛɡɔ napˈifku.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_242.wav|pʃɨlˈaʃtʃka?|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_44.wav|w ˈɔrlim ɡɲʲˈɛʑdʑɛ pˌanɔvˈawa mˈartfa tɕˈiʃa i alˈain stɛ̃skɲˈiwa ɕɛ za kʃɨkˈami ˌɔras ɕmʲˈɛxɛm.|1
+Dataset/wavs/urwisko_ferenc/07_segment_45.wav|ɲʲɛ mʲˌɛliɕmˌɨ ʒadnˈɛɡɔ sɨɡnˈawu.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_142.wav|ˌalɛ ɲʲɛ dˈaʒɔ̃ miwˈɔɕtɕɔ̃ lvˈuf.|1
+Dataset/wavs/urwisko_ferenc/43_segment_23.wav|pˈana zdˈaɲʲɛm mˈɔɡwa zapˈɔmɲʲɛtɕ ɔ dʑˈɛtsku i zɔstˈavitɕ jˈɛ f sˌamɔxˈɔdʑɛ?|0
+Dataset/wavs/urwisko_ferenc/30_segment_21.wav|kˈilka krˈɔpɛl vˈɔdɨ z jɛj mˈɔkrɨɣ vwˈɔsuf spˈadwɔ na klˌavʲatˈurɛ. stˈarwa jˈɛ dwˈɔɲʲɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_75.wav|jˈɛɕli pɔzvˈɔlɔ̃ nˈam ɕɛ uvˈɔlɲitɕ ɔt arˈama, tɔ ɲʲˈɛx sˈɔbjɛ vˈɛʑmʲɛ kaʒdˈɛɡɔ pˈɛ̃sa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_40.wav|xtɕˈawam uswˈɨʃɛtɕ jɛj ɡwˈɔs, pˈɔtʃutɕ jɛj xwˈɔdnɔ̃ dwˈɔɲ, ɡwadʑˈɔntsɔ̃ mɲʲɛ pɔ ɡwˈɔvʲɛ. praɡnˈɛwam jɛj zˌapɛvɲʲˈɛɲʲa, ʒˈɛ fʃˈɨstkɔ bˌɛɲdʑɛ dˈɔbʒɛ i ʒˈɛ ɕfʲˈɛtɲʲɛ sˈɔbjɛ rˈadʑɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_81.wav|ɲʲɛstˈɛtɨ ɲʲɛ znˈamɨ jˈɛʃtʃɛ ˌɔtpɔvʲˈɛdʑi nˈatɔ pɨtˈaɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_102.wav|jˈɛdnɔ lˈɛkkʲɛ pxɲʲˈɛɲtɕɛ i rˈuɲʲɛ na dnˈɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_79.wav|tˈata ɕɛ zatʃˈɨmaw i ɔdvrˈutɕiw ɡwˈɔvɛ w jˈɛɡɔ strˈɔnɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_30.wav|ˈuɕad napʃˈɛtɕif jˈɔɛ, a bˈɛtskɨ zajˈɛwa mʲˈɛjstsɛ na sˈɔfjɛ ˌɔbɔk ɲʲˈɛj, ɡɔtˈɔva zˌaɔfɛrˈɔvatɕ fspˈartɕɛ w rˈaʑɛ pɔtʃˈɛbɨ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_242.wav|jˈɛʃtʃɛ trˈɔxɛ ɡˈuvna vɛ vʲˈadʒɛ.|1
+Dataset/wavs/urwisko_ferenc/19_segment_45.wav|kˈaʒda ˌinfɔrmˈatsja ɔt ɔsˈɔbɨ, ktˌura znˈawa mˈɔɲikˌɛ xudʑˈiɲskɔ̃ i jˈɔ̃ vˌidɨvˈawa, mˈɔʒɛ bˈɨtɕ pʃɨdˈatna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_128.wav|ɕfʲadˈɔmɨ tˈɛɡɔ, ʒˈɛ dˈɔlnɛ pˈartjɛ tɕˈawa mˈɔɡɔ̃ ɡˈɔ znˈɔvu zdrˈadʑitɕ, stfʲˈɛrdʑa, ʒˈɛ vˈɔli vrˈutɕitɕ na kanˈapɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_107.wav|vɨtɕˈɔŋɡa dɔ mɲʲɛ rˈɛntsɛ, ˌalɛ ɲʲɛ jˌɛstɛm jˈɛʃtʃɛ nˈatɔ ɡɔtˈɔva.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_40.wav|tsɨɲˈitʃki rˌɔzbavʲˈɔnɛj brˈakʲɛm krˌɛŋɡɔswˈupa mˌɔralnˈɛɡɔː ˈu mˈɛ̃ʃtʃɨzn.|4
+Dataset/wavs/urwisko_ferenc/43_segment_107.wav|— xudʑˈiɲski — fskˈazaw pˈaltsɛm na dˈɔm za ix plɛtsˈami. — muvˈiwɛm, ʒˈɛ tamtˈɛɡɔ dɲʲˈa vˌɨjɛxˈawɛm ɔstˈatɲi, prˈavda?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_84.wav|jˈɛɕli pˈɔvʲɛm tˈak, mˈili dɔrˈɔɕɲʲɛ ɲʲˌɛrɔzɛrvˈalɲʲɛ zvʲɔ̃zˈana s kɔbjˈɛtɔ̃, ktˌura jˈɔ̃ pɔrvˈawa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_14.wav|zjɛxˈali z ulˈitsɨ i stanˈɛli pʃɛd brˈamɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_50.wav|tsɔkˈɔlvʲɛk pˈan pˈɔvʲɛ, mˈɔʒɛ pɔswˈuʒɨdʑ za dˈɔvut f sprˈavʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_40.wav|pjˈa swuxˈawa ɡˈɔ z uvˈaɡɔ̃, jˈak pʲˌɛɲtɕɔlˈɛtɲʲa dʑɛftʃˈɨŋka nˈauk sˈɛptɨ.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_42.wav|pʃˌɛvaʒˈawɨ fɕrˈut ɲˈix stˈatki kupʲˈɛtskʲɛ i rɨbˈatskʲɛ wˈɔdʑɛ, ˌalɛ vidʑˈɛli tˈɛʃ pˌɔʒutsˈɔnɛ drakˈarɨ ˌɔras ʃtʃˈɔntki dvˈuɣ vʲˈɛlkiɣ drˈɔmɔn.|1
+Dataset/wavs/urwisko_ferenc/53_segment_104.wav|ʃtʃˈɛʒɛ mˈuvʲɔnts, ɲʲˈɛvʲɛm, ˌalɛ tˈak mi tɔ trˈɔxɛ vɨɡlˈɔnda. ˌɔna mwˈɔda, brˈad ɡrˈɔxa tˈɛʃ, dˈuʒa sˈala.|0
+Dataset/wavs/urwisko_ferenc/18_segment_36.wav|fanpˈaɡɛ vidʑˈawɛm, ɡrˈupɨ ɲʲɛ. pɔdˈɛɕlɛ mi pˈaɲi lˈiŋk? ˌɔtʃɨvˈiɕtɕɛ, tˈɛras?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_108.wav|a tsˈɔ jˈɛɕli zmˈar, a ja ɲʲɛ zdɔ̃ʒˈɨwam ɕɛ z ɲˈim pɔʒˈɛɡnatɕ?|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_162.wav|kʲˈɛdɨ bjˈɛdnɨ klˈɛmɛnt ɲʲˈɛxtɕaw ˌɔtpɔvʲˈɛdʑɛtɕ, vˈɨtɕɔw mu jˈɛ̃zɨk.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_18.wav|tɛn tʃwˈɔvʲɛk jɛst ʃtʃˈupwɨ, zɡarbjˈɔnɨ i vɨɡlˈɔnda stˈarɔ, xˈɔtɕ mˈuj tˈata jɛst pɔ tʃtɛrdʑˈɛsttsɛ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_145.wav|ɔdˈɛzvaw ɕɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_82.wav|fʃˈɨstkɔ ɕɛ uwˈɔʒɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_19.wav|ʒˈɛ vʲˈɛŋkʃɔʑdʑ dʑɛtɕˈakuf uvˈaʒa ˈapkɛ za swˈɔvɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_103.wav|ɲˈits ɲʲɛ pɔvʲˈɛdʑaw i zatʃˈɛwam ɕɛ pʃˈɛs xfˈilɛ zˌastanˈavʲatɕ, tʃɨ ɲʲɛ nakˈaʒɛ mi vˈɨɕɔ̃ɕtɕ.|3
+Dataset/wavs/urwisko_ferenc/33_segment_45.wav|ˈɔkna bˌɨwɨ pˌɔzamɨkˈanɛ, rɔlˈɛtɨ zˌatɕɔŋɡɲʲˈɛntɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_55.wav|ɲʲˈɛvʲɛm, tsˈɔː ˌɔtpɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_89.wav|xˌaˌɛmˈɛm, a zɡɔdʑˈiwabˌɨɕ ɕɛ na vɨmjˈanɛ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_55.wav|ɲʲɛ zatʃˈɛliɕmˌɨ nˈavɛt pudʲˈiŋɡu, ktˌurɨ pʃˌɨɡɔtɔvˈawam ˌulubjɔnˈɛɡɔ dˈaɲʲa mˈili. z japkˈɔvɔ̃ kruʃˈɔŋkɔ̃, xˈɔtɕ trˈɔxɛ ɕɛ pʃɨpˈaliw.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_125.wav|jɛdˈɨna znˈana brjˈɛnnɛ tfˈaʃ nˌalɛʒˈawa dɔ dwˈuɡʲɛj dʒˈɛjn xˈɛdlɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_140.wav|mˈawɔ tˈɛɡɔ, nˈavɛd zbˈadaw mˈuj prˈɔblɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_59.wav|tɔ ɲʲɛ jɛzd dɛtsˈɨzja, ktˌurɔ̃ xtsˈɛ pˈɔdjɔɲtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_159.wav|fʃˈɨstkɔ, rˌɔzwɔʒˈɔnɨ karˈabʲin, mˌaɡazˈɨnɛk, tsɛlˈɔvɲik lˈɛwpɔlt i nˈuʒ dɔ tɕˈɛɲtɕa ʃkwˈa fkwˈada dɔ pavlˈatʃa mʲˌɛndʑɨ ɡˌabʲinˈɛtɛm a mˈawɔ̃ kˈuxɲʲɔ̃.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_30.wav|tɨ zˈafʃɛ fʃˈɨstkɔ pʃɛlˈitʃaʃ, mˈikɛ.|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_83.wav|jˈɛɕli tɔ zrˈɔbʲiʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_8.wav|mˈɔʒɛ pʃɨjˈɛwa swˈuʃnɔ̃ pɔstˈavɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_3.wav|ˈalfjɛ zˈasnɔw pʃˌɨtulˈɔnɨ dɔ mɲʲɛ na wˈuʃku f pɔkˈɔju xˌɔtɛlˈɔvɨm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_7.wav|ˌalɛ nˌajvɨrˈaʑɲʲɛj zɔstˈawam zˌaprɔɡrˌamɔvˈana, bˈɨ ɡrˈatɕ f tˈɛ ɡrˈɛ dɔ samˈɛɡɔ kˈɔɲtsa.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_89.wav|jˈak mˈuj tˈatɔ, ɔtpˈarwa dʑɛftʃˈɨŋka z uɕmʲˈɛxɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_233.wav|mˈɔʒna bˈɨ sprubˈɔvatɕ, stfʲˈɛrdʑa w dˈuxu.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_11.wav|pˌɔzɔstavˈawɔ mi zdˈatɕ ɕɛ na ˌintuˈitsjɛ. muɕˈawam tˌɨlkɔ pʃɛvˈidʑɛtɕ, ɡdʑˈɛ napˈastɲiɡ zˈada mi tɕˈɔs.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_46.wav|pˌɔmɨɕlˈawɛm, ʒˈɛ mˈɔʒɛ xtɕˈawabˌɨʑ dɔwˈɔntʃɨtɕ jˈakɔ studˈɛntka jɛ̃zˈɨka ˌaŋɡʲɛlskʲˈɛɡɔ. fˈajna ɔpsˈada.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_108.wav|pʃˌɛtɕɛʃ tɔ ɲʲˌɛmɔʒlˈivɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_4.wav|fʃˈɨstkɔ jɛst na sfˈɔim mʲˈɛjstsu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_87.wav|dɔ vʲɛtʃˈɔra plˈɔtki ɕɛ rɔzˈɛʃwɨ i vʲɛdʑˈɛliɕmˌɨ jˈuʃ, tsˈɔ ɕɛ stˈawɔ, pʃɨnˈajmɲʲɛj w ɔɡˈulnɨɣ zarˈɨsax.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_61.wav|tʃɨ mˈɔɡɛ zˌaprɔpɔnˈɔvatɕ tɕi ʃklanˈɛtʃkɛ tʃˈɛɡɔɕ na drˈɔɡɛ? lˈutsɨ zaprˈɔvatɕ mˈamɛ dɔ salˈɔnu, a ja pʃɨɲʲˈɔsɛ tsˈɔʑ dɔ pˈitɕa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_55.wav|dˈɔʑdʑ dʑˈivɲʲɛ, kʲˈɛdɨ ɲʲɛ mˈuʃɛ ˈiʑdʑ dɔ prˈatsɨ, ˌaɲi mˈartfitɕ ɕɛ ɔ pʲɛɲʲˈɔndʑɛ na ɕfʲɔntˈɛtʃnɛ prɛzˈɛntɨ dla naʃˈɛɡɔ dʑˈɛtska.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_412.wav|ɲˈiɡdɨ jˈɛʃtʃɛ ɲʲɛ ˌɔkwamˈawɛm vʲɛlkʲˈɛɡɔ sɛptˈɔna.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_304.wav|tʃɨ ɲʲɛ mˈɔɡwɨbˌɨɕmɨ ɡdʑˈɛɕ ˈutɕɛts i xfˈilɛ ɕɛ zabˈavitɕ?|1
+Dataset/wavs/urwisko_ferenc/10_segment_65.wav|mʲˈaw jˈɛʃtʃɛ jˈɛdnɔ̃ z nˌaklɛjˈɔnɨm znˈatʃkʲɛm i vˌɨpisˈanɨm ˌɛlɛɡˈantskim pˈismɛm adrˈɛsɛm mʲɛʃkˈaɲʲa w bɨdʒˈɔʃtʃɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_27.wav|pʃɛbˈɨvam tˈutaj stanˈɔftʃɔ zbˈɨd dwˈuɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_243.wav|natˈɨxmʲazd zapˈadwam f sˈɛn.|4
+Dataset/wavs/urwisko_ferenc/53_segment_30.wav|mˈarja mʲˈawa prˈɔblɛm z vʑˈɛɲtɕɛm ɔddˈɛxu. bˈul ɡwˈɔvɨ ɲʲɛ ɔtpˈuʃtʃaw, ˌalɛ pʃɨnˈajmɲʲɛj strˈatɕiw na ˌintɛnsɨvnˈɔɕtɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_54.wav|ˌizɔlˈujɔ̃ tɕˈɛ ɔt fʃˈɨstkiɣ z vɨjˈɔntkʲɛm tʃwˈɔŋkuf sˈɛktɨ, kˈaʒɔndʑ vʲˈɛʒɨtɕ, ʒˈɛ fʃˈɨstsɨ ɲʲˌɛnalɛʒˈɔntsɨ dɔː ix spˌɔwɛtʃnˈɔɕtɕi sɔ̃ dla tɕˈɛbjɛ zˌaɡrɔʒˈɛɲʲɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_278.wav|ɔ ɕtɕˈanɛ ɔpʲˈɛraw ɕɛ tɛn tʃˈarnɨ swɔvʲˈaɲin, kturˌɛɡɔ pˌamjɛntˈawɛm zˈɛ sklˈɛpu dˌɛlikˌatɛsɔvˈɛɡɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_579.wav|pʃˌɛmaɡˈajɔnts f sˈɔbjɛ pʃˈɨkrɔɕtɕ i ssˈɔntsɔ̃, ɲʲˌɛpʃɨjˈɛmnɔ̃ ɔbˈavɛ,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_413.wav|ˌalɛ ˌɔna mi pʃˌɨpɔminˈawa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_16.wav|dvˈaj lɔtɲˈitsɨ vˈɛʃli dɔ xaŋɡˈaru i zˌatʃɨmˈali ɕɛ pʃɨ tɕˌɛ̃ʒarˈuftsɛ, na ktˌurɛj lˈɛʒaw ˈandɛrsɔn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_7.wav|tʃˈɨma jˈakiʑ dɔkˈumɛnt i zˈaɲim udˈajɛ mi ɕɛ ɡˈɔː ɔttʃˈɨtatɕ, pʃɛtstˈavja ɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_207.wav|tɔ pɨtˈaɲʲɛ ˌintrɨɡˈujɛ jˈɔ̃ na tˈɨlɛ, ʒˈɛ zˌapɔmˈina, ʒˈɛ na jɛj tfˈaʃ i tɕˈawɔ ɡˈapjɔ̃ ɕɛ dvˈaj fatsˈɛtɕi.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_277.wav|s pɛvnˈɔɕtɕɔ̃ zrˈɔbʲiwbˌɨ tsˈɔɕ jˈɛʃtʃɛ ɡɔrʃˈɛɡɔ, ɡdˈɨbɨ tsɛrsˈɛi ɲʲɛ ˌɔdvɔwˈawa ɡˈɔ dɔ krulˈɛfskʲɛj pʃɨstˈaɲi, ɡdʑˈɛ tʃɛkˈawa nˈaɲʲɛ vwˈutʃɲʲa tʃɛrvˈɔnɛj ʒmˈiji.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_184.wav|brˈɔn vbʲˈiw mu ʃtˈɨlɛt w ˈɔkɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_79.wav|zwapˈawam jˈɔ̃ za rˈɛŋkaf, ˈalɛ...|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_97.wav|zatʃˈɨnam ˌɔdʑɨskˈivatɕ pˈamjɛɲtɕ. pʃɨpˈɔmnɛ sˈɔbjɛ fʃˈɨstkɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_82.wav|dlatˈɛɡɔ, ʒˈɛ tɕi ɲʲɛ ufˈawɛm. a tˈɛras ˈufaʃ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_123.wav|w ɕfʲˈɛtɕɛ ʒˌɛtʃɨvˈistɨm zazvˈɨtʃaj ɲˈits ɲʲɛ ukwˈada ɕɛ zɡˈɔdɲʲɛ s tfɔˈimi pʃˌɛvidˌɨvaɲʲˈami, ˌalɛ ta rɔbˈɔta zˈafʃɛ zatʃˈɨna ɕɛ ɔt ˌɔpsɛrvˈatsji.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_158.wav|muɕˈawam jˈakɔʑ zˈadbatɕ, ʒˈɛbɨ f kˌɔmbʲinˈatɕɛ na pˈɛvnɔ ɲʲɛ bˌɨwɔ ɲikˈɔɡɔ, kʲˈɛdɨ nastˈɔmpi kˌatastrˈɔfa.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_353.wav|stfʲˈɛrdʑiw sˈɛr bɔɲˈifɛr dˈɔbrɨ ɔ pɔvˈaʒnɛj, smˈutnɛj tfˈaʒɨ. tɔ sɔ̃ dɛmˈɔnɨ f skˈuraɣ vˈilkuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_46.wav|bˌɨwa pʃˈɨmɲʲɛ ɔt tʃˈɛx mʲɛɕˈɛntsɨ, ɲʲˈɛzbɨd dwˈuɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_96.wav|kɔxˈamɨ tɕˈɛ. ja tɕˈɛ kˈɔxam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_91.wav|za plɛtsˈami bˈɛtskɨ rˈɔzlɛkw ɕɛ ɡwˈɔɕnɨ ʃˈɛpt.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_7.wav|tʃɨ ˌɔna zˌɔstavˈiwa tˈutaj mˈili sˈamɔ̃ f tɕɛmnˈɔɕtɕax?|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_225.wav|ktˈɔʑ zwˈamaw jɛj nˈɔs i vˈɨbʲiw pɔwˈɔvɛ zˈɛmbuf.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_30.wav|ɔ tʃɨm mi ɲʲɛ mˈuviʃ, tˈɛssa?|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_313.wav|bˈardʑɔ ɕɛ starˈawa, ʒˈɛbɨ jɛj tfˈaʃ ɲˈits ɲʲɛ vˌɨraʒˈawa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_11.wav|dˈɔbʒɛ, pɔprˈɔʃɛ fʃˈɨstkix ɔ xfˈilɛ uvˈaɡʲi. zavˈɔwaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_24.wav|ɔtfʲˈɛra klˈutʃɛ mʲɛ̃sˈɨnuv dʒvˈi ix mʲɛʃkˈaɲʲa. ʒˈutsa ˈɔkʲɛm na dˈafnɛ i valtˈɛra. mˌajɔ̃ ɕɛ dˈɔbʒɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_4.wav|prˌubɔvˈawam rɔzmˈavʲadʑ z ɲˈim ˈɔtɨm, tsˈɔ ɕɛ stˈawɔ, ˌalɛ ɔdvrˈatsaw ɡwˈɔvɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_444.wav|pˈɔjazd ɡvawtˈɔvɲʲɛ skrˈɛɲtɕiw w lˈɛvɔ, nˈas na platfˈɔrmʲɛ zaɲʲˈɔswɔ f prˈavɔ. tʃɨmˈajtɕɛ ɕɛ! zˈaraz bɛɲdʑˌɛmɨ na mʲˈɛjstsu!|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_40.wav|ɕɛdʑˈawɨ w bˈaʒɛ z vidˈɔkʲɛm na kˈanaw, prˌavdɔpɔdˈɔbɲʲɛ ɔd dwuʃʃˈɛɡɔ tʃˈasu. kʲˈɛdɨ vrˈutɕi, fʃˈɨstkɔ nˈam ɔpˈɔvʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_85.wav|skɔɲtʃˈɨli jˈuʃ prˈatsɛ w dˈɔmu?|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_32.wav|mˈama pˌɔvʲɛdʑˈawa, pɔtsˈawuj mɲʲɛ w dˈupɛ, twuɕtɕˈɔxu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_248.wav|tʃˈɛkam xfˈilɛ, ˌalɛ ɲʲɛ ˌɔtpɔvʲˈada, vʲˈɛndʑ vɨtɕˈɔŋɡam rˈɛŋkɛ i dɔtˈɨkam jˈɛɡɔ pɔlˈitʃka.|3
+Dataset/wavs/urwisko_ferenc/46_segment_20.wav|— bˈɨtɕ mˈɔʒɛ ɲʲɛ nˈatɨh, ktˌurɛ ɔpstˈavʲaʃ — vɨpˈaliw lˈipski. — tˈamtɛ imprˈɛzɨ sɔ̃ lˈɛpʲɛj stʃɛʒˈɔnɛ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_302.wav|ɲʲɛ pɔpwˈɨnɔ̃ zˈaɲim dɔ zatˈɔki ɲʲˌɛvɔlɲˈitʃɛj.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_55.wav|kˈɔ̃sadʒ zwˈapaw jˈɔ̃ za rˈamjɛ, pʃɨtɕˈɔŋɡnɔw dɔ ɕˈɛbjɛ i vˈɨɡrɨs kˈavaw jɛj tfˈaʒɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_49.wav|ˈɔbraz znˈuv vˈiɕi f kˈɔɲtɕɛ xˈatki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_25.wav|a ɔn tˌɛɡɔ pˌɔtʃɛbˈujɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_243.wav|ˌalɛ dlatʃˈɛɡɔː akˈurad dɔ mɲʲɛ s tɨm pʃɨjˈɛʒdʒaʃ?|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_292.wav|pʃ��ɛswɔɲʲˈɛntɛ varstˈɛfkɔ̃ xmˈur.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_75.wav|s ʃɛlmˈɔfskim uɕmʲˈɛxɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_100.wav|ɲʲɛ mʲawˌɨɕmɨ najmɲʲˈɛjʃɛj ɔxˈɔtɨ vɨpˈalidʑ dʑˈurɨ f pɔvwˈɔtsɛ tunˈɛlu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_244.wav|tʃwˈɔvʲɛk tʃˈasɛm mˈɨɕli, ʒˈɛ jɛst ɕmʲˈɛʃnɨ, jˈak ˌupʲɛrdˈɔli druɡʲˈɛɡɔ, pɔvʲˈɛdʑaw bˈurɨ mˈɛ alˈivɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_236.wav|ɲʲɛ, ja mu tˌɨlkɔ pˌɔradʑˈiwɛm, ˈabɨ pɔvʲˈɛɕiw ɡˈɔ nat wˈuʃkʲɛm. i tsˈuʃ ɔn s tɨm zrˈɔbʲiw? zrˈɔbʲiw tɔ, tsˈɔ mu kazˈawɛɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_22.wav|bjˈɔrɛ vʲˈɛndʑ ɡwɛmbˈɔkʲɛ ɔddˈɛxɨ i prubˈujɛ kˌɔntrɔlˈɔvatɕ paɲˈikɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_276.wav|f pˌɔruvnˈaɲʲu z ɲʲˈɔ̃ dˈana ˈɛdʲisɔn s tɨm jˈɛɡɔ vˌɨmuskˈanɨm mˈɛ̃skim kˈɔkʲɛm bˈɨw zvˈɨkwɨm ulˈitʃnɨm ɔprˈɨʃkʲɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_62.wav|i zɡˈɔdɲʲɛ s fʃɛlkˈimi pravˈami natˈurɨ ɲʲɛ pɔvˈinnaʑ bˌɨwa tˌɛɡɔ pʃˈɛʒɨtɕ, stfʲɛrdʑˈiwa lɛkˈarka.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_105.wav|tɕˌɛrplivˈɔɕtɕi, bʲˈillɨ. maʃ tʃˈas, ʒˈɛbɨ ɕɛ zˌadɔmˈɔvitɕ. frˈaŋkʲɛ fspɔmˈinaw, ʒˈɛ spɔtˈɨkaʃ ɕɛ w milvˈɔɔt s sˌɔ̃ɕadˈami.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_229.wav|xˈɛj, ɔdˈɛzvaw ɕɛ dˈalɛ. skˈɔrɔ mi vˌɨbatʃˈɨwaɕ, pˌɔmɨɕlˈawɛm sˈɔbjɛ, ʒˈɛ mˈɔɡɛ jˈuʃ pʃˌɛɕadˈɨvatɕ tˈu s tˈɔbɔ̃ bˈɛs ˌɔɡraɲˈitʃɛɲ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_345.wav|vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_105.wav|spɨtˈawa, tʃɨ ˈaʃ tˈak pˌɔdɔbˈawɔ mi ɕɛ w litsˈɛum, ʒˈɛ xtsˈɛ nˈadal vɨɡlˈɔndatɕ jˈak lˌitsɛalˈistka.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_389.wav|prˈaɡnɔ̃ zɔbˈatʃɨtɕ, jˈak tˈɨtan vznˈɔɕi ɕɛ pˈɔnat mˈɔrskʲɛ fˈalɛ, srˈɔɡʲi i straʃlˈivɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_41.wav|tsˈɔ za kˈɔʃmar. tsˈɔ ɕɛ vwaɕtɕˈivʲɛ stˈawɔ? jˈaka ˌɔna bˈɨwa? fʃˈɨstkɔ f pɔʒˈɔntku, ˈɛlis? pˈɔdʒutɕ tsˈɔɕ f tˌajɛmɲˈitsɨ. ɲʲˈɛdaj ɕɛ prˈɔɕitɕ. ˈilɛ mˌamɨ tʃˈɛkatɕ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_59.wav|zapˈɨtaw, kʲˈɛdɨ pɔdˈawa mu vˈinɔ.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_328.wav|sˈam zˌauvˈaʒɨw, ʒˈɛ lˈɛtɲʲak mˈuvi prˈavdɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_303.wav|jˈuʒ za pˈuʑnɔ.|0
+Dataset/wavs/urwisko_ferenc/53_segment_72.wav|mˈarja tʃɛkˈawa na vˌɨjaɕɲʲˈɛɲʲa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_103.wav|fʃˈɨstkim ʃkˈɔdʑi. lˈudʑɛ dɔstˈajɔ̃ zavˈawu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_174.wav|nˈavɛt adrˈɛsu ix ɲʲɛ zˌapamjɛntˈawɛɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_88.wav|mˈɔja paɲˈitʃna utɕˈɛtʃka vzmˈɔɡwa pɔtʃˈutɕɛ mˌɔbʲilizˈatsji, ktˌurɛ dˌɔdavˈawɔ mi ɕˈiw, ˌalɛ tˈɛras, kʲˈɛdɨ bˌɨwam jˈuʒ bɛspʲˈɛtʃna,|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_199.wav|nˈavɛt jɛj vwˈasnɨ pˈan ˈɔjtɕɛdʑ bˌɛɲdʑɛ mˈuɕaw jˈɔ̃ pɔtˈɛmpitɕ, bˈɔ f pʃɛtɕˈivnɨm rˈaʑɛ xˈaɲba tsˈurki spˈadɲʲɛ rˈuvɲʲɛʃ na ɲʲˈɛɡɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_17.wav|zˈafʃɛ tˈak maʃ na tˈakim ɛtˈapʲɛ ɕlˈɛtstfa.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_210.wav|tsˈɔ vɨdˈaʒɨ ɕɛ pˈɔtɛm zalˈɛʒɨ tˌɨlkɔː ɔt tɕˈɛbjɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_247.wav|ˈandɛrsɔn pˈatʃɨw pʃˈɛs xfˈilɛ na ɕfʲˈatwa kˌɔwɨʃˈɔntsɛ ɕɛ na vˈɔdʑɛ,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_191.wav|a ʒˈɛbɨ tˌɛɡɔ dɔkˈɔnatɕ, pɔvˈinnam ˌuspɔkˈɔitɕ ˈɔddɛx i skˌɔntsɛntrˈɔvatɕ ɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_125.wav|tʃɨ ˌaktuˌalizˈatsjɛ ɲʲɛ sɔ̃ pʃˌɛsɨwˈanɛ pʃˈɛs ɕˈɛtɕ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_280.wav|i ɲʲˌɛpʃɨnɔʃˈɔntsɨ mˈɨɕli ɔː ˌɔtpɔtʃˈɨŋku, jˈaki vnˈɔɕi tɕˈɛɲ dʒˈɛva.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_170.wav|vrˈutɕtɕɛ, kʲˈɛdɨ fʃˈɨstkɔ spʃɛdˈatɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_203.wav|a w jˈaki spˈɔsub vˈaʃa mˈiwɔɕtɕ?|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_371.wav|a ftˈɛdɨ ɲʲɛ pamjˈɛntam jˈuʃ ˈɔtɨm dˈɔmu i ˈɔtɨm stˈarɨm, zˌardʑɛvʲˈawɨm wˈuʃku i jˈɛʃtʃɛ jˈɛdnɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_52.wav|tɕˈɔŋɡlɛ ɲʲɛ mˈɔɡɛ zrɔzˈumjɛtɕ, jˈak udˈawɔ tɕi ɕɛ rɔspˈɔznatɕ mˈuj dˈɔm, pɔvʲˈɛdʑaw ʃˈɨpkɔ rˈɨan. tʃɨ bˌɨwɛɕ tˈam jˈuʃ kʲˈɛdɨɕ pˈɔtɛm?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_71.wav|kˌɔʒɨstˈajɔ̃ tˈaɡʒɛ z waʑˈɛŋki na partˈɛʒɛ, pɔdˈɔbɲʲɛ jˈaɡ vʲˈɛŋkʃɔɕtɕ mˈɔiɣ znajˈɔmɨx.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_392.wav|vˈɨpij zˈɛmnɔ̃, brˈatɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_116.wav|mˈɔɡɛ dˈatɕ sˈɔbjɛ spˈɔkuj z ˌɔtstavʲˈaɲʲɛm vɔltsknˈɛra, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_71.wav|ˌalɛ na mˈiwɔʑdʑ bˈɔɡa ɲʲˈɛmuf tɨx fʃˈɨstkiɣ ɡwˈupstf sɛɲdʑˈɛmu, ktˌurɨ prˌavdɔpɔdˈɔbɲʲɛ bˌɛɲdʑɛ ɲʲˌɛudˈanɨm mwˈɔdɨm ˌadvɔkˈatɛm.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_127.wav|ɲʲɛ, ɲʲˈɛvʲɛm, ɡdʑˈɛ jˈɛst, ˌaɲi nˈavɛt tʃɨ ʒˈɨjɛ, ˌalɛ jˈɛdnɔ vʲˈɛm s tsˈawɔ̃ pɛvnˈɔɕtɕɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_380.wav|rˌɔstʃapʲˈɛʒam pˈaltsɛ, vˈidʑɛ, ʒˈɛ mi drʒˈɔ̃ i ɲʲɛ pɔtrˈafjɛ ˌɔpanˈɔvatɕ tˌɛɡɔ drʒˈɛɲʲa.|0
+Dataset/wavs/urwisko_ferenc/09_segment_82.wav|tˈaɡ dˈuʒɔ lˈɛpʲɛj, ˌɔtpɔvʲɛdʑˈawa uɕmʲˈɛxɛm na ˈuɕmʲɛx, a pˈɔtɛm ˌuswɨʃˈawa sfˈuj ɡwˈɔz bʒmʲˈɔntsɨ pˈɛvɲʲɛ i mˈɔtsnɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_38.wav|tˈɛras ɲʲˈɛma nˈatɔ tʃˈasu, skˈarbjɛ. ftsˈalɛ ɲʲɛ vɨɡlˈɔndaʃ jˈaɡ dʑɛftʃˈɨna. tɛn kˈɔlɔr jɛst tˈɛras mˈɔdnɨ. jˈamjɛ tˈɛʒ ɡˈɔ lˈubʲi. pɔvʲˈɛdʑaw mi, ʒˈɛbɨm tɕi kupˈiwa tˈakɔ̃ kɔʃˈulkɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_97.wav|ɲʲɛ tˌɨlkɔ kˈɛn xˈɔff i dˈavit lˈɔtskridʒ bˌɨli vˌɨstavʲˈɛɲi na pʲˈɛrʃɨ plˈan, prˈavda?|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_277.wav|rˈɨan stˈaw i pˈatʃɨw na ˌandɛrsˈɔna.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_48.wav|bˌɛɲdʑɛʃ tˈam ˌɔtʃɛkivˈawa na kɕɔ̃ʒˈɛntsɔ̃ wˈaskɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_152.wav|zapˈɛvɲitɕ, ʒˈɛ rɔzˈɛrvʲɛ na stʃˈɛmpɨ jɛj pɔtʃˈutɕɛ vwˈasnɛj vartˈɔɕtɕi, a ja ɲʲɛ xtɕˈawam bˈɨtɕ ɕfʲˈatkʲɛm tˌɛɡɔ prɔtsˈɛsu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_50.wav|ɔdɲʲˈɔswam vraʒˈɛɲʲɛ, ʒˈɛ jɛdʑˈɛmɨ bˈɛs kˈɔɲtsa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_161.wav|s tɔ̃ prˈubɔ̃ ɡvˈawtu pˈɔvʲɛm tɕi zabˈavna çistˈɔrja. nˈɔ xˈɨba, ʒˈɛ jˌɛstɛɕ lˈaskɔ̃ ɔt ˈaktsji mˈitu.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_97.wav|mˈɔʒɛ pʃɛʒˈɨjɛʃ, a mˈɔʒɛ zɡʲˈiɲʲɛʃ, lˈadɨ brjˈɛnnɛ, ˌalɛ ɲʲɛ vrˈatsaj dɔ stˈavu dʑˈɛvits, dɔpˈuki ja tˈu vwˈadam.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_117.wav|fspɔmɲʲˈawaɕ, ʒˈɛ swɨʃˈawaɕ rˈuʒnɛ çistˈɔrjɛ na jˈɛɡɔ tˈɛmat. tsˈɔ tɔ bˈɨwɔ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_100.wav|ˌɔtpɔvʲɛdʑˈawa zdˌumjɛvajˈɔntsɔ spɔkˈɔjnɨm ɡwˈɔsɛm.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_328.wav|ɲˈikt ɲʲɛ ɔɕmʲˈɛliw ɕɛ fspɔmˈinatɕ ɔ jˈɛɡɔ ɕiɲʲˈakax.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_431.wav|pʃɨbˈɨvaj natˈɨxmʲast.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_74.wav|kˈurtʃɛ, jˌɛstɛm pˈɛwna uznˈaɲʲa. dˌɔprɔvadʑˈiwa pˈaɲi dɔ rɔskfˈitu ɡˌɔspɔdartʃˈɛɡɔ kˈɛɲʲi, a tˈɛras pʃˈɨʃwa kˈɔlɛj nˈanas.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_175.wav|dlatˈɛɡɔ tʃˈɨta jˈɛ pɔ rˈas tʃfˈartɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_6.wav|tˈɔm skˈinɔw ɡwˈɔvɔ̃ dɔ bˈɛki.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_271.wav|pˈɛwnɨm jˈakixɕ ɲʲɛjˈasnɨx pɔɡrˈuʒɛk.|0
+Dataset/wavs/urwisko_ferenc/62_segment_9.wav|bˈardʑɔ bˈɨm xtɕˈawa, ˈalɛ...|0
+Dataset/wavs/urwisko_ferenc/53_segment_62.wav|— jˈɛzu, ˌalɛ mɲʲɛ pʃˌɛstraʃˈɨwɛɕ! — sˈɔrɨ — mrˈuknɔw zaspˈanɨ ˈɔlɡʲɛrt. — mɨɕlˈawɛm, ʒˈɛ mɲʲɛ swˈɨʃɨʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_25.wav|mʲˌawɛm nadʑˈɛjɛ, ʒˈɛ ta pʃɛbjˈɛɡɲʲɛ ʃˈɨptɕɛj i bˈardʑɛj ɡwˈatkɔ.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_253.wav|jˈamɛ vzrˈuʃɨw rˌamjɔnˈami.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_40.wav|ɲʲɛ mʲˈawɔ tɔ sˈɛnsu, vʲˈɛnts tˌɨlkɔ skinˈɛwa ɡwˈɔvɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_93.wav|dʑˈɛɲ dˈɔbrɨ ʃˈɛfjɛ. ˌɔtpɔvʲɛdʑˈɛli ɲʲˈɛmal rˌuvnɔtʃˈɛɕɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_91.wav|bˈɛtskɨ pɔdɲʲˈɔswa vzrˈɔk. pɔvˈinna bˌɨwa sprubˈɔvatɕ natɕˈisnɔɲtɕ ˈannɛ frˈaŋklin znˈatʃɲʲɛ mˈɔtsɲʲɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_163.wav|ɲʲˈɛxtsɛ vʲˈɛntsɛj mʲˈɛtɕ s tɔ̃ kɔbjˈɛtɔ̃ dɔ tʃɨɲʲˈɛɲʲa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_15.wav|dˈɔmɨ w lɔndˈɨɲʲɛ sɔ̃ drˈɔɡʲɛ. ɡdɨbˈɨɕmɨ tˌaki kupˈili, ɲʲɛ zˌɔstawˈɔbɨ nˈam dˈuʒɔ pʲɛɲʲˈɛndʑɨ, vʲˈɛnts pʃˌɨjɛxˈawɛm tˈutaj, ɡdʑˈɛ mˈɔɡɛ kˈupitɕ tsˈɔʑ w dˈuʒɔ lˈɛpʃɛj tsˈɛɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_18.wav|pˈɨtam pɔ rˈas kɔlˈɛjnɨ. tɔ jˈuʃ xˈɨba mˈɔja stˌandardˈɔva rɛˈaktsja na jˈɛɡɔ vˈidɔk. swˈɨʃɛ paɲˈikɛ f sfˈɔim ɡwˈɔɕɛ i prubˈujɛ kˌɔntrɔlˈɔvatɕ ˈɔddɛx.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_30.wav|zapˈɨtaw, kʲˈɛdɨ rˌɔzɛjʒˈɛli ɕɛ pɔ pˌɔmjɛʃtʃˈɛɲʲu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_76.wav|strˈaʒɲiɡ z ɡˈɛrart tˈɔvɛr|2
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_14.wav|ɔtsˈɨwam ix s pɔvrˈɔtɛm dɔ ʒˈɔn, ɡdʑˈɛ ix mʲˈɛjstsɛ, xˈɔdʑ dʒˈɛf pʃˌɛbɔŋkˈujɛ tsˈɔɕ ɔ zˌɔstavʲˈɛɲʲu sfˈɔjɛj, tsˈɔ mɲʲɛ ˌɔtʃɨvˈiɕtɕɛ ftsˈalɛ ɲʲɛ tɕˈɛʃɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_133.wav|dlatʃˈɛɡɔ ɕˈɛdʑiʃ, tʃwɔvʲˈɛku?|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_112.wav|i ftˈɛdɨ idʑˈɛtɕɛ dɔ jakʲˈɛɡɔɕ psˌɨxɔˌanalˈitɨkˌa idjˈɔtɨ, na kturˌɛɡɔ ɕtɕˈaɲʲɛ vˈiɕi dˈɨplɔm xarvˈardu tʃɨ jˈalɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_128.wav|zˌapɨtˈawam, tʃɨ ɲʲˈɛma vˈɔlnɛj xfˈili, a kʲˈɛdɨ pɔvʲˈɛdʑaw, ʒˈɛ zamjˈɛʒa zatʃˈɨmatɕ ɕɛ w ˌɔkɔlˈitsɨ pʃˈɛs kˈilka tɨɡˈɔdɲi, zˌaprɔɕˈiwam ɡˈɔ na lˈantʃ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_93.wav|dɔpʲˈɛrɔ tˈɛraz zdˈawam sˈɔbjɛ sprˈavɛ, jˈaɡ bˈardʑɔ bˌɨwam spʲˈɛnta.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_111.wav|nˈɔ dˈɔbʒɛ, vrutɕˈimɨ dɔ tˌɛɡɔ pˈuʑɲʲɛj.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_4.wav|tsˈɔ bˈɛɲdʑɛ, jˈɛɕli ftʃˈɛɕɲʲɛ rˈanɔ nadˈɛjdɔ̃ jˈakʲɛʑ vʲˈɛɕtɕi? jˈɛɕli mˈili bˌɛɲdʑɛ mɲʲɛ pˌɔtʃɛbɔvˈawa? ɲʲɛ mˈɔɡɛ sˈɔbjɛ pɔzvˈɔlitɕ na ʒˈadnɛ ˌɔtumaɲʲˈɛɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/01_segment_3.wav|rˈɔtʃna dʑɛftʃˈɨŋka bɛzɡwˈɔɕɲʲɛ pwakˈawa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_35.wav|pʃɛjʒˈawam tˈɛndɨ i pˌɔmɨɕlˈawam, ʒˈɛ ɕɛ z ɲˈim zɔbˈatʃɛ, ˌalɛ tɔ ɲˈidʑ vaʒnˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_121.wav|jˈɛdnak tˈɛras tʃɛkˈawɔ mɲʲɛ ɔ vʲˈɛlɛ bˈardʑɛj skˌɔmplikɔvˈanɛ zadˈaɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_313.wav|kʲˈɛdɨ zamjˈɛʒaʃ sprɔvˈadʑitɕ na dvˈur tˌɛɡɔ sfɔjˈɛɡɔ xwɔpˈaka? jˈak ɔn ɕɛ nazˈɨva? rˈussɛll?|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_19.wav|spˌɔtɨkˈali tˈɛʃ lˈudʑi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_181.wav|pʲˈɛrʃɨ ˈɔbjɛkt. kˈamjɛɲ nɛrkˈɔvɨ krˈula stɛfˈana bˌatɔrˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_21.wav|trˈɔnd vɨxˈɨliw ɡwˈɔvɛ na zˈɛvnɔntʃ i ˈɔmjud vzrˈɔkʲɛm kɔrˈɨtaʃ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_63.wav|ˌalɛ tˈak ɲʲɛ jˈɛst.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_18.wav|ˌalɛ pˌɔmɨɕlˈɛliɕtɕˌɛ, ʒˈɛ w ˈɔkɲʲɛ stˈɔi ˈaʃ...|4
+Dataset/wavs/urwisko_ferenc/34_segment_22.wav|pˈɔd vɨpˈɛwzaw na tʃˈɔwɔː i plˈɛtsɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_90.wav|ʒˌutɕiwˈɨɕmɨ ɕɛ bjˈɛɡʲɛm. bˌɨwam ʃˈɨpʃa, bˈɔ sˈanxɛs ˌutɨkˈawa. kʲˈɛdɨ dˌɔbjɛɡwˈɨɕmɨ dɔː ɔtfˈɔru, puɕtɕˈiwam jˈɔ̃ pʃˈɔdɛm.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_469.wav|jˌɛstɛɕ mˈɔim skʃɨdlˈatɨm rɨtsˈɛʒɛm, sˈɛr swɔvˈitʃku.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_62.wav|fʃˈɨstkʲɛ mˈɔjɛ dˈɔbrɛ intˈɛntsjɛ zvʲɔ̃zˈanɛ zˈɛ spɔkˈɔjnɨm vˌɨswuxˈaɲʲɛm tsˈɔ mˈa mi dɔ pˌɔvʲɛdʑˈɛɲʲa ˌulatˈujɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_106.wav|a pɔ jˈɛɡɔ pravˈitsɨ ɕfʲɛtɕˈiwa ʑɛlˈɔnɔ ta sˈama ɡvʲˈazda, ktˌurɛj w zˈɛjɕtɕɛ spɔstʃˈɛɡwɛm|0
+Dataset/wavs/urwisko_ferenc/18_segment_9.wav|tɛ tˌajɛmɲˈitʃɛ zˌaɡʲiɲʲˈɛɲtɕa.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_77.wav|pʃɨvˈitaw stˈatɛk pɔ tˌɨrɔsçˈiɲsku i ɲˈiɡd z zawˈɔɡʲi ɲʲɛ pɔtrˈafiw mu ˌɔtpɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_360.wav|vˌɨtʃuvˈawam ɡrˈubɔ̃ ɕtɕˈɛmɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_212.wav|ˌɔdvrutɕˈiwa ɕɛ f strˈɔnɛ tɨlnˈɛɡɔ ɕɛdʑˈɛɲʲa i pˌɔvʲɛdʑˈawa, ɲʲɛ mˈuʃɛ dˈɔstatɕ tɕˈɔtɨ, ʒˈɛbɨ bˈatɕ ɕɛ ˈɔɡɲʲa, viɡmˈɔrɛ, bˈɔ mˈam tɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_5.wav|uswˈɨʃaw krˈɔki na drɛvɲʲˈanɛj pɔdwˈɔdʑɛ i dʒvˈi ɕɛ ˌɔtfɔʒˈɨwɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_3.wav|pˈatʃɛ pʃɛt ɕˈɛbjɛ i tʃˈɛkam, ˈaʃ fkrˈɔtʃɨ f plˈamɛ ɕfʲˈatwa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_25.wav|jɛst mˈiwa i trɔsklˈiva. stˈara ɕɛ ɲʲɛ fxˈɔdʑitɕ mi w drˈɔɡɛ, ˌalɛ ɲʲɛ jɛst mˈɔjɔ̃ pʃˌɨjatɕˈuwkɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_17.wav|uswˈɨʃaw f swuxˈaftsɛ jɛj tsmɔkɲʲˈɛɲtɕɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_61.wav|zavˈɔwaw dˈalɛ. ɔt tɛj pˈɔrɨ pˈijɛ ˈu tɕˈɛbjɛ na kˈɔʒd dʒˈɛs. ˌɔna jɛst mˌiljɔnˈɛrkɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_3.wav|spravˈiwa jɛj jˈɛdnak rˈadɔɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_38.wav|drˈuɡʲi tɕˈɔs trˈafiw f xˈɛwm, ɲˈim ʒɛlˈaznɨ kapˈitan zdˈɔ̃ʒɨw ˈuɲʲɛɕtɕ tˈartʃɛ. viktˈarjɔn ˌɔtpɔvʲˈɛdʑaw, ˌudɛʒˈajɔnts na ˈɔdlɛf tɔpˈɔrɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_65.wav|rˈuvɲʲɛ dˈɔbʒɛ mˈɔɡwa vˈɨjɕtɕ pˈɔtɔ, ʒˈɛbɨ kˈupitɕ nˌarkɔtˈɨki. lˈidʒba mˌɔʒlivˈɔɕtɕi vˌɨdavˈawa ɕɛ ɲʲˌɛɔɡrˌaɲitʃˈɔna, ˌalɛ jˈɛdnɔ bˌɨwɔ pˈɛvnɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_79.wav|utɕˈɛrpi nˈatɨm mˈɔja xtɕˈivɔɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_214.wav|mˈɔdlɔ̃ ɕɛ z ɲʲˈɔ̃, tʃɨtˈajɔ̃ i ʃˈɨjɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_54.wav|— pˈaɲʲɛ kˌɔmisˈaʒu, pʃɨɕˈɛŋɡam! — pˈɔtʃɛd dɔ mɲʲɛ blˈiʒɛj i ʒˈɛɡw z natɕˈiskʲɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_74.wav|tˈɔm zˈɛrknɔw na bˈɛtskɨ, ktˌura zdavˈawa ɕɛ ʃtʃˈɛʒɛ rˌɔzbavʲˈɔna jˈɛɡɔ kˌɔmɛntaʒˈami na tˈɛmat naˈila stratskˈana.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_45.wav|pʃˌɛkazˈawɛm ɡˈɔ kˈas, ktˌura ɕɛ tɨm vwˈaɕɲʲɛ zajmˈujɛ. naˈɔmi ɲʲɛ znˈa adrˈɛsu mˈartɨ, ktˌura zˈafʃɛ pwatɕˈiwa ɡɔtˈufkɔ̃ za ɔpʲˈɛkɛ nat ˈalfim.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_127.wav|tɛn tʃwˈɔvʲɛɡ zamjˈɛʒaw tˈutaj zarˈɔbʲitɕ jˈak najvʲˈɛntsɛj pʲɛɲʲˈɛndʑɨ i tɔ mu ɕɛ udˈawɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_202.wav|nˈaʃ ʃˈɛf mˈa dʑˈivnɛ pɔtʃˈutɕɛ xumˈɔru, ʒˈɛɡw ɡˈɛrʃ s fˈirst lˈɔvɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_75.wav|mˈuvi tɕˈixɔ. nˈavɛt na xfˈilɛ ɲʲɛ spˈuʃtʃam z ɲʲˈɛɡɔ vzrˈɔku.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_282.wav|f stˈarɨx kɕˈɛŋɡax sɔ̃ pˈɛvnɛ zaklˈɛɲtɕa.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_313.wav|ɔː ˈilɛ sˈɔbjɛ pʃˌɨpɔmˈinam, kazˈawɛɕ mi zˈadbatɕ ɔ rɔzrˈɨfkɛ dla nˈaʃɨx ʃlaxˈɛtɲʲɛ ˌurɔdʑˈɔnɨɣ ɡˈɔɕtɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_26.wav|kɔlˈɛjna sprˈava, pˌɔvʲɛdʑˈawa bˈɛtskɨ.|3
+Dataset/wavs/urwisko_ferenc/08_segment_133.wav|jˈak tɔ? bˈɨw na zabˈavʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_61.wav|mˈɔja mˈatka bˌɛɲdʑɛ dˈumna, ʒˈɛ vˌɨkɔʒɨstˈawam dɔ tˌɛɡɔ jɛj dʑɛdʑˈitstfɔ.|3
+Dataset/wavs/urwisko_ferenc/55_segment_5.wav|a tsˈɔː ɔn mˈa s tɨm fspulnˈɛɡɔ? ɲˈits. xˈɔdʑi ˈɔtɔ, ʒˈɛ jɛst s kˈimɕ na zdjˈɛɲtɕu. i ɔ tˌɛɡɔ kˈɔɡɔɕ xtɕˈawam ɡˈɔ zapˈɨtatɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_93.wav|zˈɔbatʃ, tsˈɔ ɕɛ s tˈɔbɔ̃ stˈawɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_83.wav|vʲˈɛm tɔ, bˈɔ kʲˈɛdɨ zˌapɨtˈawɛm tɕˈɛ, jˈak sˈɔbjɛ rˈadʑiʃ s tˈɨm, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔː ˈu klɛrkˈija, pˌɔvʲɛdʑˈawaj, ʒˈɛ tsˈɔras lˈɛpʲɛj.|2
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+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_209.wav|ɔ ktˌurɨm vʲˈɛdʑɔ̃, ʒˈɛ jɛst pˈustɨ i mˈuvjɔ̃ mu,|0
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+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_59.wav|brˈɔɲ, pˈaɲʲɛ bˈɔʒɛ pɔvʲˈɛdʑaw jˈamisɔn.|2
+Dataset/wavs/urwisko_ferenc/28_segment_10.wav|w ʒˈaptsɛ na stˈarɨm mʲˈɛɕtɕɛ kupˈiwa pˌapʲɛrˈɔsɨ, ktˌurɛ ftsˈalɛ ɲʲɛ bˌɨwɨ jɛj ˌulubjɔnˈɨmi.|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_43.wav|tˈɔm ɔdvrˈutɕiw ɕɛ na pʲˈɛɲtɕɛ, a jˈɛdɛn s fˌuŋktsjɔnarjˈuʃɨ fstˈaw i rˈuʃɨw ʃˈɨpkɔ w ix strˈɔnɛ.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_124.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/urwisko_ferenc/12_segment_85.wav|rˈanɔ pˌɔɡadˈawam sˈɔbjɛ z artˈurɛm lɛɡnˈɛrɛm. tɔː ɔn pɔprˈɔɕiw nˈas, ʒˈɛbɨɕmˌɨ pʃɨjʒˈɛli ɕɛ zˌaɡʲiɲʲˈɛɲtɕu xudʑˈiɲskʲɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_463.wav|i pˈɔdaw mi mˈɔkrɔ̃ rˈɛŋkɛ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_184.wav|zˌaprɔtɛstˈɔvaw f tɛj sˈamɛj xfˈili rˈɔbɛrt. tɛrˈɛntsɛ i ɡʲˈillɛs jɛj ɲʲɛ dɔstˈanɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_278.wav|tɔ bˈardʑɔ ʃlaxˈɛtɲʲɛ s tfˈɔjɛj strˈɔnɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_4.wav|nˈɔɡʲi tˈak mi ɕɛ tʃˈɛ̃sɔ̃, ʒˈɛ mˈuʃɛ na xfˈilɛ ˈuɕɔ̃ɕtɕ.|3
+Dataset/wavs/urwisko_ferenc/23_segment_136.wav|ɡdˈɨbɨ kˈarɔl vʲˈɛdʑaw, ʒˈɛ ʒˈɔna ɡˈɔ zdradʑˈiwa...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_95.wav|vˌɨkupˈiwɛɕ mɲʲɛ? tˈak, s pˈudwa.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_173.wav|ftˈɛdɨ tˌɛɡɔː ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ vʲɛdʑˈawɛm, tˌɨlkɔ ʒˈɛ bˈɨw tɕˈɛ̃ʃki i tʃɨmˈawɛm ɡˈɔː ɔbjˈɛma rɛŋkˈami pʃɨ pʲˈɛrɕi.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_263.wav|i nˈabratɕ ɕˈiw pʃɛt nˌatxɔdʑˈɔntsɔ̃ prˈubɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_587.wav|pɔtʃˈuwɛm ɲʲˈɛsmak.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_110.wav|ˌalɛ ja mʲˈawam jˈɛdnɔ̃ ʒˈɛtʃ, ktˌurɛj jˌɛmu brˌakɔvˈawɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_228.wav|fatˈalna drʒˈɔntʃka pˈɛwna ˈɔbaf, ˌalɛ i lˈɛkkɔ mˈɨɕlnɛj ɕmʲawˈɔɕtɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_115.wav|tʃmɨxnˈɛwam pɔspʲˈɛʃɲʲɛ f tɕˈɛɲ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_49.wav|mˌamɨ rˈuvɲʲɛʃ pʃɛtɕˈifkɔ pˈaɲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_40.wav|mˈuvi ɔ tɨɕˈɔntsax ˈawt, ktˌurɨx pʃˈɛdɲʲɛ ʃˈɨbɨ bwɨʃtʃˈawɨ f swˈɔɲtsu, ɔː iɣ zˌɛzwɔmɔvˈanɨm pʲˈɛŋkɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_46.wav|ɔpʲˈɛram ɕɛ ɔ pˈɔrɛndʒ ɡɔtˈɔvɔ zavˈɔwatɕ, kʲˈɛdɨ ˌuɕfʲadˈamjam sˈɔbjɛ, ʒˈɛ kʃˈɨk nˈuʃɨ ɲʲˈɛbɨw ɛfˈɛktɛm strˈaxu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_62.wav|ɡdˈɨbɨ kˈula pʃˈɛʃwa pˈarɛ tsˌɛntɨmˈɛtruv w bˈɔk, mʲˈawbɨm pɔvˈaʒnɛ kwɔpˈɔtɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_14.wav|pɔ drˈuɡʲɛj strˈɔɲʲɛ swuxˈafki rˈɔzlɛkw ɕɛ pˌɔzbavʲˈɔnɨ vˌɛsɔwˈɔɕtɕi ɕmʲˈɛx.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_63.wav|ɲʲɛdwˈuɡɔ pɔ pˌɔtpisˈaɲʲu umˈɔvɨ, tʃˈɨ, mˈɔʒɛ tʃtˈɛrɨ dɲˈi pˈuʑɲʲɛj, zrˌɔzumjˈawam fʃˈɨstkɔ w nˌajɔkrutɲʲˈɛjʃɨ mɔʒlˈivɨ spˈɔsup.|3
+Dataset/wavs/urwisko_ferenc/08_segment_137.wav|jˈaɡ vˌɨɡlɔndˈajɔ̃? xˌaˌɛmˈɛm, zamˈɨɕliw ɕɛ pɔlˈitɨk nɔrmˈalɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_77.wav|ɲˈikt jɛst mu vˈiɲʲɛn pʲɛɲʲˈɔndʑɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_50.wav|ɲʲɛ pʃɛtstˈaviʃ mɲʲɛ, stsˈɔtt?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_8.wav|tɔ ɲʲɛ ɔn mɲʲɛ zˌaɲʲɛpɔkˈɔiw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_23.wav|kturˈɛɡɔʑ dɲʲˈa...|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_201.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_63.wav|ˈɛliz zrɔbʲˈiwa plˈatsɛɡ bʒˌɔskfiɲʲˈɔvɨ na dˈɛsɛr.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_29.wav|pɔtʃˈuwa ɕɛ ɲʲˈɛtsɔː ˌuraʒˈɔna, ʒˈɛ ɲʲˈɛxtsɛ z ɲʲˈɔ̃ rɔzmˈavʲatɕ, ˌalɛ ˌɔkazˈawa ɕɛ na tˈɨlɛ vraʒlˈiva, ʒˈɛ pˌɔstanɔvˈiwa zapˈɛvɲitɕ mi trˈɔxɛ pʃɛstʃˈɛɲi.|4
+Dataset/wavs/urwisko_ferenc/23_segment_80.wav|prˈɛzɛs pɔʒˈɛɡnaw ɕɛ, a ˌɔɲi pˈɔʃli dɔ bjˈura dˌɨrɛktˈɔra dʑˈawu xˌaˈɛr.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_150.wav|mˌɛxaɲˈitsɨ dˌɔprɔvˈadʑɔ̃ ˌɔtsalˈawɔ̃ maʃˈɨnɛ dɔ stˈanu ˌuʒɨvalnˈɔɕtɕi. vɨdˈajnɔɕtɕ kˌɔmbʲinˈatu ɕɛ zmɲʲˈɛjʃɨ, ˌalɛ nˈadal bˌɛɲdʑɛ f stˈaɲʲɛ zˌaɔpatrˈɨvatɕ mʲˈastɔ f tlˈɛn.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_87.wav|mˈɛdʲi vˌɨʃɔrˈujɛ tɕi plˈɛtsɨ i vɨmˈɨjɛ vwˈɔsɨ pʃɛd drˈɔɡɔ̃, ʒˈɛbɨʑ bˈɨw tʃˈɨstɨ i vɨɡlˈɔndaw pɔ lɔrdˈɔfsku. tʃɨ tɔ ɲʲɛ bɨwˈɔbɨ mˈiwɛ?|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_446.wav|s pɔtʃˈutɕa ˌɔbɔvʲˈɔ̃sku.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_46.wav|ˌalɛ nˈaʃa pʃˈɨjaʑɲ dˌɔprɔvadʑˈiwa dɔ jɛj ˌɔstatɛtʃnˈɛɡɔː upˈatku.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_494.wav|zapˈaʒɨtɕ xɛrbˈatɛ, pɔwˈɔʒɨtɕ ɕɛ na wˈuʃku i pʃɛmˈɨɕlɛtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_126.wav|tˈɔm stˈaraw ɕɛ zˈɛ fʃˈɨstkix ɕˈiw zˌamaskˈɔvatɕ ɔt rˈazu dɔ tˌɛɡɔ tʃwɔvʲˈɛka.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_275.wav|bˈɨtɕ mˈɔʒɛ nˈavɛt pɔvʲˈɛɕi jˈɛ f sfˈɛj kɔmnˈatɕɛ i bˌɛɲdʑɛ spɔɡlˈɔndaw nˈaɲʲɛ z dˈumɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_123.wav|dʒˈɛɡɛr ʃtʃˈɛknɔw z rˌɔzbavʲˈɛɲʲɛm, a tsamˈɛrɔn zmrˈuʒɨw ˈɔtʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_253.wav|ˈumar na stˈɔpɲʲax, ɲʲɛ zdɔ̃ʒˈɨfʃɨ zˈadatɕ nˈavɛt jɛdnˈɛɡɔ tɕˈɔsu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_16.wav|mɛ̃ʃtʃˈɨzna, kturˌɛɡɔ pˌɔkazˈujɛ, dɔwˈɔntʃɨw dɔ ɡrˈupɨ kɔlˈɛɡuf ˌɔbɔɡ bˈaru mˌɛksɨkaɲskʲˈɛɡɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_58.wav|ˌɔɡʒɛvˈaɲʲɛ jɛst ˌustavʲˈɔnɛ na pˈɛwnɔ̃ mˈɔts. sˈɨstɛm rˌɛɡulˈatsji tˌɛmpɛratˈurɨ ɲʲɛ dʑˈawa, a kˈɔrɛkt ɔplˈivɨ zˌaspavˈawam stalˈɔvɔ̃ pwˈɨtɔ̃. xˈɔtɕ, musˈimɨ stˈɔnt utɕˈɛkatɕ!|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_187.wav|ˌulɛɡajˈɔntsɨ xtɕivˈɔɕtɕi i vˌɨpatʃˈɛɲi ɲʲˌɛnavˈiɕtɕɔ̃. ɡˈardʑɔ̃ bɔɡˈami i dbˈajɔ̃ tˌɨlkɔː ɔ ɕˈɛbjɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_51.wav|ja ɲˈits ɲʲˈɛvʲɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_460.wav|vˌɨjɛʒdʒˈajɔnts, pˌɔvʲɛdʑˈawa, vʲˈɛʃ, mˈam pʃɛtʃˈutɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_494.wav|ˌalɛ vˌɨbjɛrˈajtɕɛ mˈɔndʒɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_77.wav|pˈɔtɛm vrˈatsa pamjˈɛɲtɕɔ̃ dɔ vʲɛtʃˈɔru, kʲˈɛdɨ ɲˈitsk pɔvʲˈɛdʑaw mu ɔ wadˈuŋkax pˌirɔtɛxɲˈitʃnɨx i pʃɛtstˈaviw sfˈuj plˈan ˌɛvakuˈatsji.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_122.wav|sˈam rˈɔbʲiw tɔ.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_182.wav|stˈarɛ mʲˈastɔ bˌɨwɔ lˌabʲirˈɨntɛm, a ɔn ɲʲˈɛmʲaw tʃˈasu na bwɔndʑˈɛɲʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_227.wav|mˈatkɛ mˈiltʃaw pʃˈɛs xfˈilɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_28.wav|ˌalɛ ɲˈiɡdɨ ɲʲɛ pˌɔmɨɕlˈawam,|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_382.wav|kʲˈɛdɨ mi jˈɔ̃ pˈɔdaw, vˌɨxwɛptˈawam fʃˈɨstkɔ dɔ dnˈa ɲˈitʃɨm spraɡɲʲˈɔnɨ vɛndrˈɔvʲɛts, ktˌurɨ znˈalaz ɔˈazɛ na pustˈɨɲi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_58.wav|ɲʲɛ pɔtʃˈɛba ˈumuf, jˈɛɕli ɕɛ kˈɔmuɕ ˈufa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_55.wav|ɲʲɛ zdʑivˈiwɔ mɲʲɛ, kʲˈɛdɨ tˈuʃ pʃɛt lˈantʃɛm mˈɔjɛ dʒvˈi ɕɛ ˌɔtfɔʒˈɨwɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_36.wav|tˈɨlɛ mˈɔɡwɛm strˈatɕitɕ, ˌalɛ vaʒɲʲˈɛjʃɛ bˌɨwɔ tɔ, ʒˈɛ...|3
+Dataset/wavs/urwisko_ferenc/46_segment_24.wav|vɨsˈɔki, xˈudɨ, pɔtfʲˈɛrdʑiw jˈɛɡɔ pʃˌɨpuʃtʃˈɛɲʲa lˈipski.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_29.wav|na tɛj pɔlˈaɲʲɛ rˌɔsstavʲˈɔnɔ stɔlˈiki z jadwˈɨmi nˌapɔjˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_12.wav|prˌavdɔpɔdˈɔbɲʲɛ i tˈak pˈujdɛ w jˈɛɡɔ ɕlˈadɨ i ɲʲɛ bˌɛndɛ pˌɔtʃɛbɔvˈawa raxˈuŋku rˌuʒɲitʃkɔvˈɛɡɔ, ʒˈɛbɨ zɛspˈavadʑ zˈɛ sˈɔbɔ̃ dvˈa kavˈawki mɛtˈalu.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_272.wav|ɲʲɛ pʃɛrvˈawam. ɲˈits s tɨɣ ʒˈɛtʃɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_15.wav|maʃ tˈam vˌɨstartʃajˈɔntsɔ dˈuʒɔ vˈɔdɨ na dˌɔdatkˈɔvɔ̃ xɛrbˈatɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_123.wav|bʲˈillɨ rˌɛaɡˈujɛ ɡvizdɲʲˈɛɲtɕɛm, ktˌurɛ ɲʲɛ jɛst ˌɛlɛmˈɛntɛm ˌɔdɡrɨvˈanɛj pʃˈɛs ɲʲˈɛɡɔ rˈɔli, tʃɨ rˈatʃɛj, jˈak sˈam tɔ w dˈuxu nazˈɨva, jˈɛɡɔ ɡwˌupavˈɛɡɔ jˈa.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_200.wav|spɔjʒˈawam na ɲʲˈɛɡɔ z vɨʒˈutɛm.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_327.wav|ɲʲɛ dʑˈiɕaj.|1
+Dataset/wavs/urwisko_ferenc/64_segment_35.wav|rɔzˈumjɛm. a mˈa pˈan pˈɔmpɛ dɔ ʃɨpkʲˈɛɡɔː ˌusuvˈaɲʲa vˈɔdɨ z basˈɛnu?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_122.wav|na pɔdwˈɔdʑɛ fɔrmˈujɛ ɕɛ kawˈuʒa krfˈi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_95.wav|kʲˈɛdɨ tɔ mˈuvi, bʲˈillɨ vˈidʑi nat jɛj ramjˈɛɲʲɛm, ʒˈɛ dˈɔn pɔvˈɔli krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/urwisko_ferenc/53_segment_32.wav|ɡˈapiw ɕɛ na ˈɔɡrut ˈalbɔ na sˈuxɔ̃ trˈavɛ i spɛŋkˈanɔ̃ ʑˈɛmʲɛ. tɕˈɛ̃ʃkʲɛ pɔvʲˈɛki ˌɔpadˈawɨ mu tsˈɔ jˈakiɕ tʃˈas.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_90.wav|tʃɨ tɔ brˈɔda, tʃɨ zˌapɔmɲʲˈawɛʑ zmˈɨdʑ brˈut s tfˈaʒɨ?|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_224.wav|lˈɛdʒ ɡdˈɨ sˈɛptɛnt pɔvʲˈɛdʑaw mu, w jˈakim tsˈɛlu pʃɨbˈɨwa tˈu s sˈɛr xaˈilɛm,|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_125.wav|klˈɛrk jɛst stˈarɨ.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_18.wav|jˈɛɡɔ psˈɨ znˈɔvu ˌɔdnalˈazwɨ trˈɔp na pˈuwnɔts ɔd bˈaɡna jˈɛndʑɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_124.wav|vrˈatsam mɨɕlˈami dɔ pˈudɛw z aktˈami, dɔ papʲˈɛruf na pʲˈɛntʃɛ, dɔ pɔtpˈisuf, ktˌurɛ vidɲʲˈawɨ na tʃˈɨmɕ, tsˈɔ pʃˌɨpɔminˈawɔ fɔrmˈalnɛ dˌɔkumˈɛntɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_167.wav|vˌɨxɔvˈawa ɕɛ tˈutaj. dlatˈɛɡɔ pˌɔtʃɛbˈujɛ vʲˈɛntsɛj sfɔbˈɔdɨ. ɡˈuvnɔ prˈavda, vˈarknɔw rˈudɨ. pʲˈɛrʃɨ rˈas ˌuswɨʃˈawam jˈaɡ zˈaklɔw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_223.wav|ɲʲɛ ˌuvʲɛʒˈɨwabˌɨ, pˌɔkazˈujɛ pˈaltsɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_52.wav|ɲʲɛ vʲɛdʑˈawam, dlatʃˈɛɡɔ ɲʲˈɛma dʑˈɛtska, ˌalɛ zdavˈawam sˈɔbjɛ ˌɔtʃɨvˈiɕtɕɛ sprˈavɛ, ʒˈɛ ɲʲɛ mˈɔɡɛ ˈɔtɔ spˈɨtatɕ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_470.wav|brjˈɛnnɛ zˌastanavʲˈawa ɕɛ, tʃɨ vʲˈɛʒba mˈɔʒɛ bˈɨtɕ kˈimʑ vʲˈɛntsɛj, ɲˈiʒ bˈɨ ɕɛ zdavˈawɔ.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_93.wav|mˌamɨ za mˈawɔː ɔkrˈɛntuf, bˈɨ stˈavitɕ im tʃˈɔwɔ.|1
+Dataset/wavs/urwisko_ferenc/10_segment_59.wav|pˌɔdɔbˈawɨ mu ɕɛ tɕˈiʃa i spˈɔkuj. xˈawas rɔzlˈɛɡaw ɕɛ za dʒvʲˈami tˌɨlkɔ ftˈɛdɨ, ɡdˈɨ ɡrˈupa xwˈɔptsuf ʃwˈa ɕɛ mˈɨtɕ.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_322.wav|kturˌɛɡɔ s ɕˈɛdmju bˈɔɡuf kˈɔxaʃ najbˈardʑɛj?|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_129.wav|tʃɨ pˈan vʲˈɛ, jˈaɡ vɨɡlˈɔnda lˈas ɔ ɕfˈitɕɛ? i jɛlˈɛɲʲɛ, ktˌurɛ ˌutɕɛkˈajɔ̃ pʃɛt tɕˈɛɲʲɛm sˌamɔlˈɔtu?|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_209.wav|prˈɔɕiw mɲʲɛ, ˈabɨm tˈu pʃˈɨʃwa i pʃˌɛprɔɕˈiwa tɕˈɛbjɛ tɔ nˌajvaʒɲʲˈɛjʃɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_119.wav|zamknˈɛwam ˈɔtʃɨ i vˌɨkɔnˈawam w mˈɨɕlax ˌɔblitʃˈɛɲʲa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_38.wav|vˌɨʃɛptˈawa. bˈɛtskɨ pɔtʃˈuwa, ʒˈɛ dwˈɔɲ jˈɔɛ lˈɛkkɔ jˈɔ̃ ɕtɕˈiska.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_38.wav|pʃˈɨkrɔ mi, ʒˈɛ tʃˈujɛʃ ɕɛ zˌɛstrɛsɔvˈana. tɔ ɲˈits fajnˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_217.wav|maʃ skafˈandɛr i kˌartɔtˈɛkɛ krˌɨminˈalnɔ̃. tɔ dˈɔbrɨ pˈuŋɡd vˈɨjɕtɕa dla mɔjˈɛɡɔ ɕlˈɛtstfa.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_183.wav|fstˈawam s kʃˈɛswa i ruʃˈɨwam dɔ dʒvˈi, ˌalɛ zˌatʃɨmˈawam ɕɛ z dwˈɔɲʲɔ̃ na klˈamtsɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_2.wav|lˌakɛsˈidɛ|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_95.wav|mˈuvi, ʒˈɛ bˈɨw plˈan, ʒˈɛ fʃˈɨstkɔ zɔstˈawɔː ˌuzɡɔdɲʲˈɔnɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_95.wav|zˈafʃɛ xtɕˈaw mʲˈɛdʑ vʲˈɛntsɛj dʑˈɛtɕi i pˈɛvɲʲɛ mʲˈɛlibˌɨɕmɨ kɔlˈɛjnɛ, ɡdˈɨbɨm z ɲˈim zɔstˈawa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_216.wav|a pˈɔtɛm mɲʲɛ.|0
+Dataset/wavs/urwisko_ferenc/05_segment_39.wav|dʑvˈɔɲiw bɔrˈɛvitʃ. vrˈatsam ɔt xˌudʑiɲskʲˈɛɡɔ, pɔvʲˈɛdʑaw pɔ krˈutkim pˌɔvitˈaɲʲu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_69.wav|i rˌɔskwadanˈɛɡɔ tˌaptʃaɲˈika ˌuʒɨvanˈɛɡɔ tʃˈasɛm pʃˈɛz ʒˈatkiɣ ɡˈɔɕtɕi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_16.wav|pˌɔtʃɛbujˈɛmɨ ˌidɛntˌɨfikˈatsji zɛspˈɔwu, ktˌurɨ pʃɛʃˈuka ˌɔkɔlˈitsɛ. mˈɔʒɛ tʃɨmˈajɔ̃ mˈili ɡdʑˈɛɕ f pɔblˈiʒu. dˈɔkɔnd zabrˈanɔ rˌadʑjavʲˈɛɡɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_42.wav|vˌɨɕadˈajɔnts, na xfˈilɛ ɲʲˌɛruxɔmjˈɛjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_286.wav|jɛʒˈɛli tɕiɕɲʲˈɛɲʲɛ f pʃɛɡrˈɔdʑɛ spˈada, ɔt rˈazu vʲadˈɔmɔ, ʒˈɛ ɲʲɛʃtʃˈɛlna jɛst skɔrˈupa zɛvnˈɛntʃna.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_50.wav|ɲʲɛ pɔtrˈafjɛ tˈɛras mˈɨɕlɛtɕ ɔ ɲˈitʃɨm ˈinnɨm, tˌɨlkɔː ɔ mˈili. prˈɔɕiʃ ɔ zbˈɨd vʲˈɛlɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_73.wav|ljˈa tsmɔknˈɛwa.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_270.wav|a pɔ tsˈɔ mʲˈawabˌɨm z ɲˈim pʃɨxˈɔdʑitɕ?|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_177.wav|pɔdˈɔbnɔ dla lˈudʑi, ktˌuʒɨ dɔ tˌɛɡɔ ɲʲɛ navˈɨkli, jɛst ˌɔdraʒajˈɔntsɔ lˈɛtɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_28.wav|mˈaska ˌaparˈatu ˌɔddɛxɔvˈɛɡɔ twumˈiwa mˈuj ɡwˈɔs. xtɕˈawam pˈɔtʃɛtɕ pʲɛkˈɔntsɛ ˈɔtʃɨ, ˌalɛ dˈalɛ zwˈapaw mɲʲɛ za rˈɛŋkɛ. ɲʲˈɛrup tˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_68.wav|bʲˈillɨ vʲˈɛ, ʒˈɛ tɔ jˈɛɡɔ znˈak firmˈɔvɨ, pˈɛvɲʲɛ pˌɔtpatʃˈɔnɨ ˈu jakʲˈɛɡɔɕ ʃˌansɔɲˈistɨ z vˈɛɡas.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_96.wav|i tfˈɔja rˈuvɲʲɛʃ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_95.wav|dvˈa z ɲˈix nastˈɛmpɲʲɛ rˌɔzɛrvˈali na stʃˈɛmpɨ jˈak kurtʃˈaki z rˈɔʒna.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_198.wav|zrˈɛʃtɔ̃ tsˈawɛ swˈɔvɔ bˌɨwɔ zˌapisˈanɛ vʲɛlkˈimi lˌitɛrˈami.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_346.wav|a tsˈɔː ˌɔna zrˈɔbʲi, kʲˈɛdɨ zˈabʒmi muzˈɨka?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_33.wav|ɔɡrˈɔmna, s ʃɛrˈɔkɔ̃ tfˈaʒɔ̃ tsˈawɔ̃ pɔkrˈɨtɔ̃ ʃpˌakɔvˈatɨm, skˌɔwtuɲʲˈɔnɨm zarˈɔstɛm.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_283.wav|dʒˈɛjmz zˈafʃɛ pɔftˈaʒaw, ʒˈɛ nˌajtrudɲʲˈɛjʃɛ sɔ̃ xfˈilɛ pʃɛd bʲˈitfɔ̃. ˌɔtʃɛkivˈaɲʲɛ na majˈɔntsɔ̃ ɕɛ zˈatʃɔɲdʑ ʒˈɛɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_6.wav|pɔvˈinnam spˈɛɲdʑidʑ z ɲˈimi trˈɔxɛ tʃˈasu, pʃˌɨɡɔtˈɔvatɕ jˈɛ nˈatɔ, tsˈɔ bˌɛndɛ muɕˈawa im pʃɛkˈazatɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_35.wav|dʒˈɔrtʃ pɔdnˈɔɕi kamˈɛrɛ, kʲɛrˈujɛ jˈɔ̃ na ɡˈɛrart tˈɔvɛr, pɔ tʃɨm vɨmjˈɛʒa ɔbjˈɛktɨf f tʃfˈartɛ pʲˈɛntrɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_63.wav|nˈɔ dˈɔbra.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_69.wav|dˈaw jɛj ɡˈurɨ i ɡvʲˈazdɨ, ɲʲɛ na vwˈasnɔɕtɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_578.wav|tˈɨx, tsˈɔ vˌɨtʃɛʃtʃˈajɔ̃, zˌauzavʲˈɔnɛ ˈɔtʃɨ i tɕˈɔŋɡlɛ ɔ tsˈɔɕ pɨtˈajɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_6.wav|i mˈɨjɔnts ɕɛ, ɕpʲˈɛva, tsˈɔ jɛzd bˈɨtɕ mˈɔʒɛ najlˈɛpʃɔ̃ jˈaɡ dˈɔtɔnt ɔznˈakɔ̃ tˈɛɡɔ, ʒˈɛ tsˈɔraz z ɲʲˈɔ̃ lˈɛpʲɛj.|2
+Dataset/wavs/urwisko_ferenc/38_segment_48.wav|pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃. ɲʲɛ, pɔ prˈɔstu. pɔvʲˈɛdʑaw, tʃˈɛɡɔː ˌɔtʃɛkˈujɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_8.wav|ˌɔtpɔvʲˈadam dˈuʒɔː ɔstrˈɔʒɲʲɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_76.wav|rɔzˈumjɛm. jˈakɔ̃ mˌamɨ pˈɛvnɔɕtɕ, ʒˈɛ tɔː ɔn jɛst sprˈaftsɔ̃?|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_186.wav|zˌapalˈimɨ stˈɔ ɕfʲˈɛdʑ dla naʃˈɛɡɔ dʑɛlnˈɛɡɔ rɨtsˈɛʒa kfʲˈatuf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_19.wav|i vɨtɕˈɔŋɡnɔɲtɕ trˈɔxɛ fˈɔrsɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_41.wav|kˈit pɔtskˈɔtʃɨw na pˈaltsax.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_48.wav|vʲˈɛm, dlatʃˈɛɡɔ pʃˌɨjɛxˈawa pˈaɲi zˈɛmnɔ̃ pˌɔrɔzmˈavʲatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_130.wav|tˌɨlkɔ jˈɛdɛn zˈavur dʑˈɛliw nˈas ɔd zvɨtɕˈɛ̃stfa, a ɲʲɛ mˈɔɡliɕmˌɨ zrˈɔbʲitɕ ˌaɲi krˈɔku dˈalɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_29.wav|tˈɛras ɲʲˈɛstadʑ ɡˈɔ na rˌɔskrɛntsˈɛɲʲɛ fˈirmɨ. xɔlˈɛra.|4
+Dataset/wavs/urwisko_ferenc/41_segment_12.wav|pʃˌɛtɕɛʒ vʲˈɛʃ, ʒˈɛ ɡrˈɔx pɔmˈɔʒɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_104.wav|tɔ bʒmˈi jˈak pˌaranˈɔja, ˌalɛ pˌɔplɛtʃɲˈitsɨ arˈama mˌajɔ̃ ruʒnˈɛɡɔ rɔdʑˈaju zavˈɔdɨ i tʃˈɛ̃stɔ sɔ̃ ˌintɛlˌiɡɛntnˈɨmi, ˌɔdnɔʃɔntsˈɨmi suktsˈɛsɨ lˈudʑmi.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_53.wav|ɲʲɛzdˈarɲʲɛ pɔdɲʲˈɔswam ɕɛ pɔː upˈatku i kurtʃˈɔvɔ zˌatɕisnˈɛwam dwˈɔɲʲɛ na kˈɔrbjɛ vwˈazu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_81.wav|jˈakiɕ pˈan ɔ tfˈaʒɨ dˈalajlˈamɨ rɔspʲˈɛraw ɕɛ f kˈɔɲtɕɛ ˈawta i pˈatʃɨw nˈamɲʲɛ z jˈakimʑ dʑˈivnɨm uɕmʲˈɛʃkʲɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_58.wav|vʲˈɛnts fɔrmˈalɲʲɛ ʒˈɛdʒ bjˈɔrɔnts, mʲˈaw vˌɨstartʃajˈɔntsɔ dˈuʒɔ tʃˈasu, ʒˈɛbɨ pɔjˈɛxadʑ dɔ dˈɔmu, zˈabʲidʑ ʒˈɔnɛ i vrˈutɕitɕ na spɔtkˈaɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_273.wav|zapˈɨtaw vɨrˈaʑɲʲɛ zmʲɛʃˈanɨ sˈɛr fˈɔrlɛj. ˌɔna jˈɛst...|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_77.wav|ɲʲɛ vɨtʃˈɨma za kˈuwkʲɛm tʃˈɛx kˌilɔmˈɛtruf, mˈɨɕli ˈɛllis, a jˈuʃ na pˈɛvnɔ ɲʲɛ dˈa rˈadɨ pʃɛjˈɛxadʑ w dˈuʒɨm rˈuxu pʃˈɛs tsˈawɨ nˈɔvɨ jˈɔrk i ɲʲˈu dʒˈɛrzi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_11.wav|bjˈɛʒɛ sˈɔk pˌɔmaraɲtʃˈɔvɨ z lɔdˈufki, upˈija tˌɨlkɔ jˈɛdɛn, dvˈa wˈɨtʃki, ʒˈɛbɨ startʃˈɨwɔ na dwˈuʒɛj, pɔ tʃɨm pɔt prɨʃɲˈitsɛm zmˈɨva s ɕˈɛbjɛ ftʃɔrˈajʃɨ pˈɔt.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_98.wav|pʃɛwˈɔntʃam ɕɛ s pɔvrˈɔtɛm na ˌaplikˈatsjɛ ɕlɛdʑˈɔntsɔ̃. ˈaʃ ɕɛ f kˈɔɲtsu zatʃˈɨmaw. i dʑˈɛli nˈas pʲˈɛɲtɕ mˈinut jˈazdɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_75.wav|tˈɔm vɨjˈaɕɲiw, tsˈɔ pˌɔvʲɛdʑˈawɔ mu kˈits.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_425.wav|pˈaɲʲɛ kˌɔmisˈaʒu, kˈɔɲtʃɨ ɕɛ tˌɨɕɔntslˈɛtɕɛ i ja rɔzˈumjɛm pˈana ɲʲˌɛpɔkˈɔjɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_7.wav|mˈuɡw zɔbˈatʃɨtɕ samˈɔxut jadˈɔntsɨ dɔ ɡarˈaʒu, ˌalɛ ɲʲˈɛbɨwbˌɨ f stˈaɲʲɛ dˈɔstʃɛts, ktˈɔ ɡˈɔ prɔvˈadʑi.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_154.wav|xˈɨba ɲʲɛ bˌɨwɔː im zbˈɨd vɨɡˈɔdɲʲɛ, kʲˈɛdɨ w ɕrˈɔtku twɔtʃˈɨwɨ ɕɛ ˈɔbjɛ zmʲˈanɨ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_334.wav|rˈivɛr rˈun bˌɛɲdʑɛ nˈaʃɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_414.wav|musˈimɨ jˈɛʑdʑ dˈuʒɔ vitˈamin.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_134.wav|sˈamɛ ubrˈaɲʲa praktˈɨtʃɲʲɛ zmʲɛɲʲˈajɔ̃ jˈɔ̃ w nˌastɔlˈatkɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_153.wav|tɔ prˈavda.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_139.wav|mˈɔjɛ f kˈɔɲtsu ɲʲɛ jɛst tˈakʲɛ zwˈɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_30.wav|prɔstˈujɛ ɕɛ bˈardʑɛj i pˈatʃɛ mu w ˈɔtʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_166.wav|ɲʲɛ pʃˌɛjmɔvˈawa ɕɛ tɨm zbˈɨtɲʲɔ.|1
+Dataset/wavs/urwisko_ferenc/53_segment_81.wav|— tˈu — pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_480.wav|pɔmˈɔɡwa xwˈɔptsu sɕˈɔ̃ɕtɕ i tʃɨmˈajɔnts ɕɛ za rˈɛntsɛ pʃˈɛʃli pɔ nˈaɡʲim skˈalnɨm ɕˈɔdlɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_179.wav|pˈatʃɨw na ʒˈɔnt sˌamɔxˈɔduf, a pˈɔtɛm spˈɔjʒaw na rˈɛŋkav vʲˈatru. vʲˈadr vʲˈaw tˈɛras pɔt kˈɔntɛm prˈɔstɨm.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_269.wav|dʑɛftʃˈɨŋka pˌɔtʃɔ̃snˈɛwa ɡwˈɔvɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_77.wav|mˈɔɡwabˌɨm tˈu mʲˈɛʃkatɕ, mˈuvi ˈɛlis.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_169.wav|mˈikɛ pʃˈɛrvaw, pˈɔtɛm pɔvʲˈɛdʑaw tɕˈixɔ.|0
+Dataset/wavs/urwisko_ferenc/06_segment_12.wav|dʑɛftʃˈɨna ˌɔpublˌikɔvˈawa ɔstˈatɲi pˈɔst kˈilka dɲˈi tˈɛmu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_87.wav|ɲʲɛvʲˈɛlɛ mˈɔɡɛ f tɛj kfˈɛstji pɔvʲˈɛdʑɛtɕ. dˈɔm mˈa rˈatsjɛ. spˌaɲikɔvˈawam, ˌalɛ ɲʲɛ mˈɔɡɛ pʃˌɛtɕɛʃ pɔvʲˈɛdʑɛtɕ mu dlatʃˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_204.wav|f kˈaʒdɨm rˈaʑɛ zamjˈɛʒam ɕɛ tˈam vwˈamatɕ i dˌɔprɔvˈadʑidʑ dɔ tˈɛɡɔ, ʒˈɛbɨ xˈuta pʃˌɛtɔpˈiwa sˈamɔ̃ ɕˈɛbjɛ.|4
+Dataset/wavs/urwisko_ferenc/35_segment_49.wav|— skˈɔnd vʲˈɛʃ? — nˈɔ bˈɔ zatʃˈɛli ɕɛ kwˈutɕitɕ jˈuʒ w brˈamjɛ. dɔpʲˈɛrɔ pˈɔtɛm pˈɔʃli ɡdʑˈɛʑ dˈalɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_176.wav|ɲʲˈɛmam pˌarasˈɔla.|2
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_21.wav|ˈɛlis tˌɛɡɔ ɲʲˈɛvʲɛ. vʲˈɛ jˈɛdnak, ʒˈɛ f tˈakʲɛj sˌɨtuˈatsji tɨlˈɛnɔl ɲʲɛ pɔmˈɔʒɛ.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_329.wav|pɔˈɛtka zˈafʃɛ tʃɨmˈawa w rˈɛŋku kɕˈɔ̃ʃkɛ.|1
+Dataset/wavs/urwisko_ferenc/41_segment_54.wav|ɡrˈɔɣ bˈɨ ɲʲˈɛmʲaw, nˈɔ pˈɛvɲʲɛ, ʒˈɛ mˈam.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_114.wav|vˈɔwam kʲɛrˈujɔnts ɕɛ dɔ dʒvˈi vɛjɕtɕˈɔvɨx.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_58.wav|— zɡˈadʑa ɕɛ — pʃˈɨznaw rˈɔp. — pˈɔza tˈɨm...|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_168.wav|sˈɛr nˈajpʲɛrf ɔdrˈɔmbaw mu dwˈɔɲʲɛ i stˈɔpɨ, a pˈɔtɛm rˈɛʃtɛ kˈɔɲtʃɨn.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_125.wav|ɲʲˈɛvʲɛm dlatʃˈɛɡɔ, ˌalɛ ɲʲɛ spˌɔdʑɛvˈawam ɕɛ jˈɛɡɔ nastˈɛmpnɨx swˈuf.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_214.wav|sˈɛrxajl vˈɨjɔw s xɔlˈɛvɨ zvˈuj ˈɔftʃɛj skˈurɨ, ɔtsˈunɔw kʲɛwbˈasɨ na bˈɔk i rɔzvˈinɔw ɡˈɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_84.wav|nˈajpʲɛrf ɲˈits ɕɛ ɲʲɛ dʑˈawɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_96.wav|pˈɔtɛm mɨɕlˈawam, ʒˈɛ w ɔɡˈulɛ nˈas ɲʲɛ fpˈuʃtʃɔ̃, ʒˈɛ fˈatsɛt pˈɔvʲɛ, ftsˈalɛ ɲʲɛ jˌɛstɛɕ ʃˌɛsnastɔlˈatkɔ̃, vˈɨpat stˈɔnt, ʃkˈɔda nˈam dla tɕˈɛbjɛ tʃˈasu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_96.wav|vɨrˈaʑɲʲɛ ɲʲˈɛxtsɛ, bˈɨ ʒˈɔna vʲɛdʑˈawa, jˈak ɔtsˈɛɲʲa ʃˈansɛ tɛɕtɕˈɔvɛj na pˈɔvrud dɔ zdrˈɔvja.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_255.wav|skˈɔrɔ pˌɔvʲɛdʑˈawaɕ prˈavdɛ,|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_49.wav|— ɲʲɛ, ɲʲɛ mˈɨɕlɛ tˈak, ʃˈɛfjɛ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_99.wav|nˈajpʲɛrv w ɡvawtˈɔvnɨx ʃarpɲʲˈɛɲtɕax, pˈɔtɛm bˈardʑɛj ɡwˈatkɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_132.wav|ruʃˈɨliɕmˌɨ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_118.wav|tɔ ɲʲɛ bˌɛɲdʑɛ kɔɲʲˈɛtʃnɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_41.wav|i pˌɔmɨɕlˈawam, ʒˈɛ tɔ mˈɔʒɛ bˈɨtɕ ˈɔn. tˈatuɕ prˈɔɕiw, ʒˈɛbɨm tɕi ˈɔtɨm ɲʲɛ muvˈiwa, bˈɔ bˌɛɲdʑɛʃ ɕɛ mˈartfitɕ.|3
+Dataset/wavs/urwisko_ferenc/09_segment_51.wav|ˌalɛ mˈuj ɕfʲˈadɛk ɲʲˈɛbɨw f stˈaɲʲɛ pˈɔdatɕ mˈarki ˈawta, bˈɔ bˌɨwɔ tɕˈɛmnɔ.|0
+Dataset/wavs/urwisko_ferenc/05_segment_55.wav|mˈawa xmˈura s trˈudɛm ɕɛ rɔzvʲˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_117.wav|pˈɔtɨm, tsˈɔ zrɔbʲˈiliɕmˌɨ f pˌɔɕadwˈɔɕtɕi klˈɛrki, a w mˈɔntawk pˈɔint, vʲˈɛm, ʒˈɛ mʲˈaw rˈatsjɛ. pʃɨnˈajmɲʲɛj tsˈɔ dɔ tˈɛɡɔ, ʒˈɛ zɔstˈawa bˈɨdʑ zˈɛmnɔ̃, tsɔkˈɔlvʲɛɡ bˈɨ ɕɛ stˈawɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_122.wav|a pˈɔtɛm...|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_413.wav|xˈɨba pˈujdɛ zˈatɔ dɔ jakʲˈɛɡɔɕ pʲˈɛkwa.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_160.wav|pʃɨnˈajmɲʲɛj bˌɨwam vˌɨpɔtʃˈɛnta.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_148.wav|— jˌɛstɛɕ ɲʲˌɛvɔntplˈivʲɛ ɡwˈupʃɨ — pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_163.wav|zˌɔbatʃˈɨwɛm dˈuʒɨ, ɔkrˈɔŋɡwɨ pˈɔkuj vˌɨwɔʒˈɔnɨ dˌɨvanˈami, ɲˈiskɔ̃ kanˈapɛ, bʲˌibljɔtˈɛtʃkɛ zˌavʲɛrajˈɔntsɔ̃ jˈuʃ tˌɨlkɔ jˈɛdnɔ̃ samˈɔtnɔ̃ kɕˈɔ̃ʃkɛ w mʲˈɛŋkkʲɛj ɔprˈavʲɛ, pʃˌɛvrutsˈɔnɨ stˈɔlik.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_13.wav|ˈaʃ jɛst f ʃpitˈalu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_17.wav|dʑˈɛtskɔː i dʑˈiɕaj. ˈɔtʃɨ vˌɨpɛwɲʲˈajɔ̃ mi ɕɛ wzˈami.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_209.wav|mˈam paskˈudnɨ zvˈɨtʃaj tsˌɔdʑɛnnˈɛɡɔ spravdʑˈaɲʲa stˈanu mɔjˈɛɡɔ kˈɔnta.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_148.wav|ɡdˈɨ rˈɔbɛrd vˌɨɡramˈɔliw ɕɛ z vʲˈadra, uklˈɛŋkwa w ɕɲʲˈɛɡu, bˈɨ pˌɔtsawˈɔvadʑ ɡˈɔ w dwˈɔɲ i f pɔlˈitʃki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_170.wav|ˈusta kɔbjˈɛtɨ vˌɨkʃɨvʲˈajɔ̃ ɕɛ w ɡrɨmˈaɕɛ ɲʲˌɛnavˈiɕtɕi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_44.wav|vˌɨjaɕɲˈiwam mu, ʒˈɛ musˈimɨ skɔʒˈɨstadʑ z ˈuswuk naʃˈɛɡɔ vˌɛvnɛntʃnˈɛɡɔ zɛspˈɔwu tˌɛxɲitʃnˈɛɡɔ, ʒˈɛbɨ uzˈɨskadʑ dˈɔstɛmb dɔ plˈikuf na kˌɔmputˈɛʒɛ mˈartɨ. a jˈɔxanssɔn ɕɛ zɡˈɔdʑiw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_120.wav|tˈɨlɛ, ʒˈɛ tɔ ɲʲɛ bˌɨwɔ tʃˈɨstɛ ˌudavˈaɲʲɛ, xˈɔtɕ tˈakʲɛ mʲˈɛjstsɛ w ʒˌɛtʃɨvistˈɔɕtɕi ɲʲɛ istɲʲˈɛjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_88.wav|bʲˈillɨ ɲʲɛ ˌɔtpɔvʲˈada. ˈɛllis pˈatʃɨ na plˈastɛr zˌalɛpʲajˈɔntsɨ rˈanɛ. vɨɡlˈɔnda ˌidjɔtˈɨtʃɲʲɛ. tʃˈɨmɕ tˈakim mˈɔʒna ɔpˈatʃɨtɕ tsˈɔ najvˈɨʒɛj zˌadrapˈaɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_147.wav|ˈalbɔ mɔjˈɛɡɔː ˈɔjtsa, ktˌurɨ xtɕˈawbɨ vʲˈɛdʑɛtɕ, dlatʃˈɛɡɔ kazˈawam mu ɕɛ ukrˈɨvatɕ pʃˈɛs ɔstˈatɲi tˈɨdʑɛɲ w dˈɔmu i mˈama.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_167.wav|mˈa ɲʲɛbjˈɛskʲɛ ˈɔtʃɨ i kˌaʃtanɔvˈatɛ vwˈɔsɨ.|1
+Dataset/wavs/urwisko_ferenc/21_segment_35.wav|xˈalɔ? ʒˈutɕiw bɔrˈɛvitʃ. jˈɛstɛm, jˈɛstɛm. ˌɔdɛzvˈawa ɕɛ i pɔdˈɛʃwa dɔː ˈɔkna.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_62.wav|zrˌɛvɔlˌutsjɔɲˌizɔvˈawa tsˈawɨ prˈɔtsɛs prɔdˈuktsji i pʃˌɨstɔsɔvˈawa ɡˈɔ dɔ varˈuŋkuf pˌanujˈɔntsɨx na kɕɛ̃ʒˈɨtsu.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_405.wav|a lˈinɛ znˈɔvu ɕɛ zˌatʃɛrvʲɛɲˈiwa.|1
+Dataset/wavs/urwisko_ferenc/58_segment_21.wav|ɲˈits, ˈɔtpar, ˌalɛ ʃˈɨpkɔ ɕɛ zrˌɛflɛktˈɔvaw, ʒˈɛ zapˈɔmɲʲaw pˈɔdatɕ jɛj kˈartɛ, ktˌurɔ̃ ftɕˈɔ̃ʃ tʃˈɨmaw w dwˈɔɲi.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_231.wav|ɲʲɛ xtɕˈɛli tˈɛʃ pɔvʲˈɛdʑɛtɕ, tsˈɔ ɕɛ dʑˈɛjɛ na ɕfʲˈɛtɕɛ pˈɔza jɛj klˈatkɔ̃ s pʲaskˈɔftsa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_4.wav|ɲʲɛ pˌɔmɨlˈiwam ɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_133.wav|tˌɨlkɔ ɕmʲˈɛrtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_47.wav|ɲʲɛ pˌɔvʲɛdʑˈawɛɕ, ʒˈɛ zˌamuvˈiwɛɕ pˈitsɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_191.wav|a jˈak pʃɛkrˈɛɲtɕiʒ zˈavur?|4
+Dataset/wavs/urwisko_ferenc/10_segment_47.wav|a pˈɔtɛm, kʲˈɛdɨ ʃˈum klˌimatɨzˈatsji zˈatʃɔw kɔwˈɨsadʑ ɡˈɔ dɔ snˈu,|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_240.wav|na ɡˈurɛ vjɛxˈawa sˈansa stˈark.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_419.wav|a vʲˈɛnts tɔ bˌɨwɔ mˈɨr.|1
+Dataset/wavs/urwisko_ferenc/13_segment_3.wav|ˈilɛ rˈazɨ vˈidʑaw pˈan tˈɛ kɔbjˈɛtɛ, jˈaɡ vˌɨxɔdʑˈiwa z dˈɔmu xudʑˈiɲskix?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_95.wav|afˈɔrɨzm ˌutrfalˈɔnɨ tʃɛrvˈɔnɨm akrˈɨlɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_19.wav|i tˈɛras, kʲˈɛdɨ mˈuvjɛ ɡʲˈizmɔ, mˈam na mˈɨɕli mˈɔjɛ vwˈasnɛ vʲˌɛlɔfuŋktsˈɨjnɛ ˌuʒɔndʑˈɛɲʲɛ mˈarki ɡʲˈizmɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_55.wav|tʃˈɨmam za ɲʲˈɛɡɔ ktɕˈuki.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_154.wav|ˌɔtfɔʒˈɨwam dʒvˈi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_132.wav|vʲˈɛm, ʒˈɛ kˈirstɛn mˈuvi prˈavdɛ na tˈɛmat mʲˈɛjstsa spɔtkˈaɲʲa z ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_106.wav|kˈilka ˈɔsup ˈidʑɛ vzdwˈuʃ pˈɛarsɔn strˈit.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_29.wav|mˈɔʒna bˌɨwɔ ɕɛ spɔdʑˈɛvatɕ, ʒˈɛ pʃɛpˈisɨ stˈanɔ̃ ɕɛ surˈɔfʃɛ, a ɲʲɛ na ˈɔdvrut.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_176.wav|ɲʲɛ mˈɔɡɛ bˈɨdʑ za bˈardʑɔ vlˈanɨ pɔvʲˈɛdʑaw ˈandɛrsɔn. tʃˈɛkam na jɛdnˈɛɡɔ ɡˈɔɕtɕa. ɔn tˈu jɛzd ɡdʑˈɛɕ w ˌɔkɔlˈitsɨ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_49.wav|ɕfʲˈat stˈavaw ɕɛ tsˈɔraz bˈardʑɛj ʃˈarɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_226.wav|jˈɛɕli zɔstˈanɛ, bɛɲdʑˌɛmɨ kfˈita?|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_218.wav|vˌɨɡlɔndˈawɔ nˈatɔ, ʒˈɛ dʑˈɛlɲi kɔmpˈaɲi pˌɔʒutɕˈili vˈarɡɔ xɔˈuta.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_365.wav|ja tˈaɡʒɛ mɨɕlˈawɛm, ʒˈɛ ɲʲˈɛmam prɔblˈɛmuf, ʒˈɛ zɔstˈawɨ dalˈɛkɔ za mnˈɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_67.wav|zdˈɛjmɛ jˈɔ̃, kʲˈɛdɨ bˌɛndɛ ʃwˈa spˈatɕ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_140.wav|mˈuf sˈɔbjɛ, tsˈɔ xtsˈɛʃ. tɔ ɕmʲˈɛrdʑi tɨvˈinɛm lˌanɲistˈɛrɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_65.wav|tʃˈɛkaw mɲʲɛ kɔlˈɛjnɨ ˈɛtap.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_334.wav|pʲˈɛrɕi mʲˈawa za mˈawɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_183.wav|tˈaɡ dwˈuɡɔ zaɕˈadaw na trˈɔɲʲɛ, ʒˈɛ ɲʲɛ vˌɨɔbrˈaʒaw sˈɔbjɛ, bˈɨ ktɔkˈɔlvʲɛk ɔɕmʲˈɛliw ɕɛ ɲʲɛ vɨkˈɔnatɕ jˈɛɡɔ rɔskˈazu.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_14.wav|jˈak fpɛwzˈawam pɔt pɔdvˈɔʑɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_8.wav|i vˈɨʃɛd. ʃtʃˈɛŋknɔw zˈatʃask.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_274.wav|ˌuɕmʲɛxnˈɔwɛm ɕɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_66.wav|pɔwˈɔʒɨw dwˈɔɲʲɛ na jɛj ramjˈɔnax i pʃɨtɕˈɔŋɡnɔw jˈɔ̃ dɔ ɕˈɛbjɛ, ˌɔpuʃtʃˈajɔndʑ ɡwˈɔvɛ, ʒˈɛbɨ jˈɔ̃ pˌɔtsawˈɔvatɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_201.wav|vˈɛʑmʲɛ mɲʲɛ na spˈɨtki.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_195.wav|z mɡwˈɨ vˌɨwɔɲˈiwɨ ɕɛ rˈɛntsɛ, ktˌurɛ nastˈɛmpɲʲɛ ˌɔvinˈɛwɨ ɕɛ vˈɔkuw jɛj ʃˈɨi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_131.wav|tɔ ɲʲɛ ɔt ˌudɛʒˈɛɲʲa ɔ xˈɔdɲik, bˈɔ ɲʲɛ upˈadwa na tfˈaʃ. pˈɔza tɨm ɕˈiɲʲak jɛzd zbˈɨd vɨrˈaʑnɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_45.wav|ɲʲɛdwˈuɡɔ bˌɛɲdʑɛ tˈutaj pɔlˈitsja. ftˈɛdɨ ɕɛ pʃˌɛkɔnˈamɨ, jˈaka bˌɛɲdʑɛʃ xˈarda.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_155.wav|a kʲˈɛdɨ ɕɛ vˈas ɔ tsˈɔɕ pɔprˈɔɕi, tɔ trˈudnɔ vam nˈavɛt pˈɔstatɕ minˈutɛ spɔkˈɔjɲʲɛ pʃɛt kamˈɛrɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_22.wav|dʒˈɛk, ɲʲɛ vʲˈɛʒɛ, ʒˈɛ tˈu jˈɛstɛɕ. i pˈukaʒ dɔ mˈɔiɣ dʒvˈi. ˈɛmma, vˈɛjtɕtɕɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_19.wav|rˈut ɕɛ rˌɔzɛɕmʲˈawa.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_72.wav|ˌudɛʒajˈɔntsɨ dɔ ɡwˈɔvɨ bˈukʲɛt sfˈɛɡɔ vwasnˈɛɡɔ, zˌasxɲʲɛntˈɛɡɔ pˈɔtu.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_96.wav|minˈɛwɔ vʲˈɛlɛ lˈat, ˈɔtkɔnd dʒˈɛjn ɔstˈatɲʲɔ nˈadaw ˈimjɛ kturˈɛmuʑ zˈɛ sfˈɔiɣ vʲɛʃxˈɔftsuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_73.wav|pˌɔvʲɛdʑˈawɛm, ʒˈɛ tˈɛ̃skɲʲɛ za mˈamɔ̃. ˌɔtpɔvʲˈɛdʑaw ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ tˈak i kʲˈɛdɨ tˌɨlkɔ stˈaɲʲɛ na nˈɔɡʲi, bˌɛɲdʑɛ nastˈɛmpna rɔsprˈava i vrˈutɕiʒ dɔ dˈɔmu.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_21.wav|vʲˈɛɕtɕi z rˈix s kˈaʒdɨm krˈukʲɛm stavˈawɨ ɕɛ tsˈɔraz bˈardʑɛj zwɔvrˈɔɡʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_30.wav|dʑɛŋkˈujɛ, ʒˈɛ ɕɛ zjavˈiwɛɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_189.wav|w nɔrmˈalnɨɣ varˈuŋkax lˌɔndɔvˈaɲʲɛ bɨwˈɔbɨ tsˈawkʲɛm ɲʲˈɛzwɛ, kˈɔwuj na stˈart. i pamjˈɛntaj, s ktˌurɛj strˈɔnɨ maʒ vʲˈatr.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_175.wav|stsˈɔtt pɔdrˈapaw ɕɛ f pɔlˈitʃɛk.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_76.wav|prˈɛndʑɛj dˌɔʃukˈawabˌɨm ɕɛ w ɲˈix rˌɔzbavʲˈɛɲʲa.|3
+Dataset/wavs/urwisko_ferenc/36_segment_157.wav|tʃɨ mˈatka pˌɔvʲɛdʑˈawa pˈaɲi, dlatʃˈɛɡɔ zˌalɛʒˈawɔ jɛj nˈatɨm, bˈɨ spwˈatɕitɕ mˈɔjɛ dwˈuɡʲi i zatʃˈɨmatɕ tɛn dˈɔm?|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_244.wav|ɲʲˈɛx sˈɔbjɛ kʃˈɨtʃɔ̃ ˈaʒ dɔː ˌɔxrɨpɲʲˈɛɲtɕa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_79.wav|dʑˈiʑ bˌɨwɔ naprˈavdɛ sˈupɛr.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_196.wav|kɨbˈɛrnɛ pʃɨnˈɔɕiw jɛj rapˈɔrtɨ ɔː ix lˌitʃɛbnˈɔɕtɕi, ˌalɛ uswˈɨʃɛtɕ tɔ jˈɛdnɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_22.wav|vɨdˈajɛ mi ɕɛ, ʒˈɛ ɲʲɛ pʃˈɛtrfam dwˈuʒɛj ˌɔtʃɛkivˈaɲʲa na pʲˈɛrʃɛ ˌuʒɔndlˈɛɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_97.wav|rˈas udˈawɔ ɕɛ jˈɛ zamˈɛdlitɕ, drˈuɡʲi rˈas lˈɛpʲɛj ɲʲɛ rˌɨzɨkˈɔvatɕ.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_92.wav|pʃˌɨpɔmɲʲˈawa sˈɔbjɛ bwˌɨskavˈitsɛ i bwˈɔtɔ pɔt stɔpˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_3.wav|pʃˈɛs ɔtfˈartɛ ˈɔknɔ swˈɨʃɛ vɨrˈaʑɲʲɛ çˈixɔt mɔjˈɛɡɔ sˈɨna.|3
+Dataset/wavs/urwisko_ferenc/36_segment_2.wav|ˈarɛɡ zdˈɔ̃ʒɨw rˈɔspʲɔɲtɕ jɛj stˈaɲik, a ˌɔna nˈavɛt ɲʲɛ ssunˈɛwa ɡˈɔ z rˈamjɔn, bˈɔ valtʃˈɨwa z ɡˌuzikˈami rɔspˈɔrka ɡrˈɔxa.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_278.wav|tˈajrɛk swˈuʒɨw krulˈɔvi rˌɔbɛrtˈɔvi jˈakɔ ɡʲˈɛrmɛk rˈazɛm z lantsˈɛlɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_75.wav|vˌɨɡlɔndˈawɔ tɔ jˈak skˈɛtʃ abbˈɔtta i tsɔstˈɛlla.|2
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_58.wav|f tsˈawɨm tɨm pɔɕpʲˈɛxu na ɕmʲˈɛrdʑ zˌapɔmɲʲˈawam, ʒˈɛ w ɔɡˈulɛ jˈɔ̃ mˈam.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_256.wav|jˈamɛ pʃɛtʃˈɨtaw ɡˈɔ, ɕˈɛdʑɔnts na wavˈɛtʃtsɛ w ˈɔkɲʲɛ vˌɨkuʃˈɔvɨm, skɔmpˈanɨ w ɕfʲˈɛtlɛ ʑimnˈɛɡɔ, bjawˈɛɡɔ pɔrˈaŋka.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_92.wav|naprˈavdɛ jɛst ˌɛntuzjˈastɔ̃ tˌɛɡɔ pɔmˈɨswu.|2
+Dataset/wavs/urwisko_ferenc/38_segment_7.wav|dˈɔbrɨ znˈak.|0
+Dataset/wavs/urwisko_ferenc/07_segment_25.wav|pamjˈɛntaʒ bɨwˈɛɡɔ pˌɔlitsjˈanta, ktˌurɨ zaɡʲˈinɔw f tʃˈaɕɛ, ɡdˈɨ prˌatsɔvˈaliɕmˌɨ nat sprˈavɔ̃ viddbˈɛrɡuf?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_41.wav|ɲʲɛdwˈuɡɔ ɕɛ zˌatʃɨmˈamɨ, kɔxˈaɲʲɛ. vɨtʃˈɨmaʃ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_52.wav|tɔ mˈuj vˈɨbur i jˈɛʃtʃɛ mu ˈɔɲim ɲʲɛ pˌɔvʲɛdʑˈawam. prˈɔʃɛ vʲˈɛnts.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_103.wav|bˈɛtskɨ pˌɔpatʃˈɨwa na ˌuɲʲɛɕˈɔnɛ brvˈi rˈɔba, ktˌurɨ ˌɔtprɔvˈadʑiw dʑɛftʃˈɨnɛ vzrˈɔkʲɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_166.wav|pˈatʃɔnts na pˈapʲɛr zˌapisɨvˈanɨ mˈɔjɔ̃ rˈɛŋkɔ̃, vʲˈɛnts patʃˈɨwɛm na samˈɛɡɔ ɕˈɛbjɛ, ktˈurɨ...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_458.wav|jˈɛɕli bˈɔɡa ɲʲˈɛma,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_130.wav|fʃˈɛɲdʑɛ tɔ sˈamɔ nazvˈiskɔ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_114.wav|ˌalɛ krˈɛf mʲˈaw ʑˈimnɔ̃ jˈak lˈut.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_59.wav|spɔjʒˈawam na sfˈɔjɔ̃ dwˈɔɲ, na nˈuʃ, pɔ tʃɨm vˌɨʒutɕˈiwam ɡˈɔ jˈak najdˈalɛj f strˈɔnɛ vˈɔdɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_211.wav|a ɲˈikt pˈɔʃɛd na tɛn ˈukwat. tɔ tˈɛʃ rɔzˈumjɛ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_71.wav|pravdʑˈiva krulˈɔva stˈɔi tˈɛras pʃɛt tˈɔbɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_96.wav|ftʃˈɛɕɲʲɛj swˈɔɲtsɛ ɕfʲɛtɕˈiwɔ pʃˈɛs ˈɔknɔ, tˈɛraz bˌɨwɔ jˈuʒ dˈalɛj i f pˌɔmjɛʃtʃˈɛɲʲu zrɔbʲˈiwɔ ɕɛ xwˈɔdɲʲɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_238.wav|zɛrknˈɛwam pʃˈɛs rˈamjɛ, ʒˈɛbɨ ɕɛ upˈɛvɲitɕ, tʃɨ ɲˈikt nˈamɲʲɛ ɲʲɛ pˈatʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_9.wav|tɔ na pˈɛvnɔ mˈuj kˈuzɨn, namjˈɛstɲiɡ zaxˈɔdu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_103.wav|dˈɔbrɨ klidʑɡbˈait.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_300.wav|vwˈaɕɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_569.wav|pʃˌɛtɕɛʃ ˌɔna zˈaras ɕɛ zaɕmʲˈɛjɛ i nˈutsɔnts tsˈɔɕ pɔt nˈɔsɛm pˈujdʑɛ zrˈɔbʲitɕ nˈɔvɔ̃ xɛrbˈatɛ. pʃˌɛtɕɛʃ ɲʲˈɛvʲɛm, kʲˈɛdɨ ˌɔna mˈuvi prˈavdɛ, a kʲˈɛdɨ zmˈɨɕla.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_107.wav|dɔmˈiɲik fskazˈujɛ pˈaltsɛm fɔrmˈulaʃ spˌɔnsɔrˈiŋɡu, plakˈatɨ dˌɔtɨtʃˈɔntsɛ lɔtˈɛrji i dɔvˈɔdɨ fʃˈɨstkix ˈɔʃustf, ktˌurɛ pʃˌɨɡɔtɔvˈawam zˈɛ stsˈɔttɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_36.wav|usˈadʑiw na kʃˈɛɕlɛ, a sˈam bjˈɛɡaw nɛrvˈɔvɔ vˈɔkuw tˌɛɡɔ ɲʲˌɛvʲɛlkʲˈɛɡɔ pˌɔmjɛʃtʃˈɛɲʲa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_73.wav|w dɲˈi pɔfʃˈɛdɲʲɛ jˈɛ lˈantʃ na plˈatsu pʃɛd ɡˈɛrart tˈɔvɛr, jˈɛɕli ɲʲɛ jɛzd za ɡɔrˈɔntsɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_35.wav|vʲɛdʑˈawam, ʒˈɛ ɲʲˈɛxtsɛ uswˈɨʃɛtɕ ˈɔdɛ mɲʲɛ prˈavdɨ.|3
+Dataset/wavs/urwisko_ferenc/46_segment_146.wav|i pˈɔtʃuw, jˈak pˈɔd zatʃˈɨna spwˈɨvatɕ mu pɔ plˈɛtsax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_90.wav|fʃˈɨstkʲɛ mɔʒlˈivɛ ˌudɔɡɔdɲʲˈɛɲʲa. i ktˈɔ vʲˈɛ, tʃɨ tʃˈɛɡɔɕ jˈɛʃtʃɛ ɲʲɛ dˌɔbudˈɔvaw, bˈɔ tɛ zdjˈɛɲtɕa mˈuʃɔ̃ pɔxˈɔdʑitɕ s tʃˈasuf, zˈaɲim tˈam zamjˈɛʃkaw.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_385.wav|tʃˈɨli ˌustanɔvʲˈɔnɨ pʃˈɛs tɕˈɛbjɛ.|0
+Dataset/wavs/urwisko_ferenc/36_segment_172.wav|tɔ bˌɨwɔ jɛj maʒˈɛɲʲɛ. mʲˈawa f sˈɔbjɛ dˈuʒɔ miwˈɔɕtɕi, dɔdˈawa rɨbˈatska.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_145.wav|ˌutʃɨɲˈiwa tɔ sˈama, ɡdˈɨʃ tɕˈawɔ mɛ̃ʃtʃˈɨznɨ|0
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_57.wav|ʒˈadnɨx ˌalɛ ˈaʃ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_115.wav|ˈɔfʃɛm, mˈɔʒna f tɨx strˈɔnaɣ zɔbˈatʃɨtɕ sˌamɔxˈɔdɨ z blaxˈami s pɔwˈudɲʲa, ˌalɛ rˈatʃɛj ʒˈatkɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_153.wav|tˈaɡʒɛ i tɨm rˈazɛm ɲʲɛ dɔstˈajɛ ˌɔtpɔvʲˈɛdʑi.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_123.wav|tʃɛkˈawam ukrˈɨta za brˈɨwɔ̃ vˈannɨ. pɔ dʑɛɕˈɛɲtɕu minˈutax ɲʲˌɛtɕɛrplivˈɛɡɔ vʲɛrtsˈɛɲʲa ɕɛ na tˈɨwku ˌuswɨʃˈawam vrˈɛʃtɕɛ ɡwˈuxɨ pˈɔɡwɔs ˌɔdbʲijajˈɔntsɨ ɕɛ ɔt ɕtɕˈan.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_104.wav|dʒvˈi stanˈɛwɨ pʃɛdˈɛmnɔ̃ ɔtfˈɔrɛm.|4
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_42.wav|tʃwˈɔvʲɛk jˈuʃ ɲʲɛ mˈɔʒɛ bɛspʲˈɛtʃɲʲɛ vˈɨjʑdʑ za vwˈasnɛ dʒvˈi, prˈavda?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_18.wav|a jɛst ɲʲˈɔ̃ ʒˈɨtɕɛ z jˈɛɡɔː ˈɔjtsɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_291.wav|xtɕˈawɛm tsˈɔʑ zawˈatfitɕ, tʃɛkˈawɛm na jˈakʲɛɕ tˌɛlɛfˈɔnɨ, ˈalɛ...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_24.wav|fʃˈɨstkɔ jɛst lˈɛpʃɛ ɔt ˌɔtʃɛkivˈaɲʲa, jˈakʲɛ bˌɛɲdʑɛ jˈɛɡɔ nastˈɛmpnɛ pˌɔsuɲʲˈɛɲtɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_226.wav|xˈɔtɕaʃ ˌɔfitsjˈalɲʲɛ nazˈɨva ɕɛ jˈɛ vzɡuʒˈami, jˈɛɕli mˈa tɔ jˈakʲɛʑ znatʃˈɛɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_82.wav|zɡˈɔdʑiw ɕɛ upʃˈɛjmʲɛ xˈunt. ɲʲɛ zamˈɨkaj dʑˈiɕ w nˈɔtsɨ dʒvˈi sɨpʲˈalɲi, a zakrˈadnɛ ɕɛ dɔ tfɔjˈɛɡɔ wˈɔʒa i dɔvʲˈɔdɛ prˌavdʑivˈɔɕtɕi sfˈɔix swˈuf.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_243.wav|tsˈɔ tɨ vʲˈɛʃ ɔ ɡʒˈɛxu, kuzˈɨŋku?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_51.wav|fˈakt, ʒˈɛ ɲʲɛ vˈɔlnɔː im bˌɨwɔ skʃˈɨvdʑitɕ ˈaʃa, sˌuɡɛrˈujɛ, ʒˈɛ tɔ sˈamɔ tˈɨtʃɨ ɕɛ mˈili.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_105.wav|ˌalɛ ja mˈam ˈasɨ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_229.wav|bˌɨwɔ vˈaʒnɛ, ˈabɨ ˌɔkazˈawɔ ɕɛ, ʒˈɛ bliʑɲʲˈatsɨ rˌɛdvinɛˈɔvʲɛ zɔstˈali fawʃˈɨvʲɛ ˌɔskarʒˈɛɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_140.wav|ɲʲɛ tˈaɡ dˈɔbʒɛ jˈak jˈa, ˌalɛ ˈɔfʃɛm, trˈafjaw tʃˈɨ na tʃtˈɛrɨ stʃˈawɨ s tʃˈɨstu mˈɛtruf w ɕrˈɔdɛk pˌapʲɛrɔvˈɛɡɔ tsˈɛlu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_64.wav|tʃˈɨma w rˈɛŋku vɨsˈɔkɔ̃ ʃklˈaŋkɛ i lˈɛkkɔ ɕɛ zatˈatʃa.|2
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+Dataset/wavs/urwisko_ferenc/01_segment_64.wav|nˈajpʲɛrf pɔxˈɔvaw rˈɔtʃnɔ̃ vnˈutʃkɛ, a kˈilka mʲɛɕˈɛntsɨ pˈuʑɲʲɛj zˌaɡʲinˈɛwa jˈɛɡɔ jɛdˈɨna tsˈurka.|0
+Dataset/wavs/urwisko_ferenc/45_segment_76.wav|kturˌɛɡɔ stratɕˈiwa pʃˈɛs xˈazart.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_78.wav|fʃˈɨstkɔ f pɔʒˈɔntku, dʑˈɛŋki.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_90.wav|tfˈɔi lˈudʑɛ sɔ̃ f tɨm dˈɔbʒɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_24.wav|mˈɔʒɛ pˌɔjɛdʑˈɛmɨ ˈaʒ dɔ bɔˈuldɛr? tˈam jɛzd vʲˈɛŋkʃɨ vˈɨbur. w drˈɔdʑɛ pɔvrˈɔtnɛj zajʒˈɨmɨ dɔ kɔmˈisji ritskʲˈɛɡɔ pˌatɛrsˈɔna. zˌɔbatʃˈɨmɨ, tsˈɔ mˈa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_148.wav|dlatʃˈɛɡɔ pˌɔzvɔlˈiwɛɕ nˈam fʃˈɨstkim uvʲˈɛʒɨtɕ, ʒˈɛ ɲʲɛ ʒˈɨjɛʃ?|3
+Dataset/wavs/urwisko_ferenc/20_segment_76.wav|f kˈuxɲi ɕfʲɛtɕˈiwɔ ɕɛ ɕfʲˈatwɔ, ˌalɛ pʃˈɛz zˌatɕɔŋɡɲʲˈɛntɛ ʒalˈuzjɛ vˈidʑaw jɛdˈɨɲʲɛ tɕˈɛɲ ɔsˈɔbɨ, ktˌura ɕɛ tˈam kʃɔntˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_238.wav|umˈɔva tɔː umˈɔva, ɔtpˈarwam.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_14.wav|dla mɲʲɛ tɔ ɲʲɛ prˈɔblɛm. pɔtrˈafjɛ ˈuɲʲɛʑdʑ dvˈa rˈazɨ tˈɨlɛ bˈɛz vʲɛŋkʃˈɛɡɔ vɨɕˈiwku.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_149.wav|mˈuɕiʃ tsˈɔʑ dla mɲʲɛ zrˈɔbʲitɕ.|4
+Dataset/wavs/urwisko_ferenc/64_segment_126.wav|swˈɔva lɛɡnˈɛra dˌɔtɕɛrˈawɨ dɔː ɔlɡʲˈɛrda jˈaɡ ɡdˈɨbɨ z ɔddˈali.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_289.wav|jˈazda na twˈustɨm mˈulɛ bˈɨwabˌɨ znˈatʃɲʲɛ vˌɨɡɔdɲʲˈɛjʃa.|1
+Dataset/wavs/urwisko_ferenc/15_segment_41.wav|f sˈumjɛ vˌɨtɕɔŋɡnˈɛwa ɔt ɲʲˈɛɡɔ na rˈatɨ kˌilkadʑˈɛɕɔnt tɨɕˈɛntsɨ zwˈɔtɨx.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_150.wav|xˈɔdʑ zˈɛmnɔ̃.|3
+Dataset/wavs/urwisko_ferenc/36_segment_20.wav|mˈarja ˌɔbavʲˈawa ɕɛ, ʒˈɛ tɔ zɲˈiʃtʃɨ tˈɛ kɔbjˈɛtɛ, dɔʃtʃˈɛntɲʲɛ zwˈamjɛ jɛj vʲˈarɛ f ɕˈɛbjɛ.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_534.wav|swuʒˈɨwabˌɨɕ ˌarxɔntˈɔvi jˈakɔ pɔttʃˈaʃɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_172.wav|mˈuɕiʃ sˈɔbjɛ ˌuzmɨswˈɔvitɕ, ʒˈɛ ˈaram tɕˈɛ skˌɔnsumˈɔvaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_107.wav|bˈɛtskɨ rˌɔzɛjʒˈawa ɕɛ dˌɔɔkˈɔwa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_6.wav|kʃˈɨvjɛ ɕɛ, ɡdˈɨ ɕfʲˈatwa bwɨskˈajɔ̃, sˌɨɡnalizˈujɔnts pˌɔtfʲɛrdʑˈɛɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_220.wav|sˈɛr brˈɨndɛn vzrˈuʃɨw rˌamjɔnˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_76.wav|kʲˈɛdɨ ɕɛdʑˈawɛm w rˌadjɔvˈɔʑɛ i muvˈiwɛm, tsˈɔ ɕɛ stˈawɔ, pʃˌɨjɛxˈawɔ vʲˈɛntsɛj pɔlˈitsji i fˌurɡɔnˈɛtka z napˈisɛm lˌabɔratˈɔrjum krˌɨminˌalistˈɨtʃnɛ mˈajvil.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_69.wav|pˌɔtskakˈuj��, kʲˈɛdɨ rɔzlˈɛɡa ɕɛ dʑvˈɔnɛɡ dɔ dʒvˈi i pʃˌɨpɔmˈinam sˈɔbjɛ natˈɨxmʲast, ʒˈɛ stsˈɔtt ɲʲɛ jɛst jɛdˈɨnɨm zˌaɡrɔʒˈɛɲʲɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_32.wav|pˌɔvʲɛʒˈɨwɛɕ jɛj pʲɛɲʲˈɔndʑɛ bˈɛs umˈɔvɨ, a ˌɔna tɕi ɲʲɛ ˈufa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_79.wav|i na tɕˈɛmnɔ̃ tfˈaʃ mɛ̃ʃtʃˈɨznɨ stˌɔjɔntsˈɛɡɔ pʃˈɛdɲʲɔ̃ zˈɛ spɔkˈɔjnɨm, sˈɛnnɨm vɨrˈazɛm.|0
+Dataset/wavs/urwisko_ferenc/26_segment_12.wav|ˌalɛ tsˈɔ naprˈavdɛ vʲɛdʑˈawa pɔlˈitsja? tsˈɔ vʲˈɛdʑaw jˈarɔɲ? bɔrˈɛvitʃ ɲʲˈɛmʲaw pɔjˈɛɲtɕa.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_191.wav|na pɔɕrˈɛdɲix pʲˈɛntrax ˌulɔkɔvˈanɔ pɔkˈɔjɛ pʃˌɛznatʃˈɔnɛ dla ɡwuvnˈɛɡɔ klutʃɲˈika.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_266.wav|a i ɲʲɛ zˌarɔbʲˈiwɛm ˌaɲi ɡrˈɔʃa.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_106.wav|dʑɛftʃˈɨŋka ɕmʲɛrdʑˈawa rˈɨbɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_58.wav|tʃˈɛkaw xfˈilɛ, pʃˌɛwɨkˈajɔnts ɕlˈinɛ i pɔ xfˈili pɔvʲˈɛdʑaw ʃˈɛptɛm xˈɛlɛn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_243.wav|bʲˈillɨ krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_197.wav|ɡarbˈusa ɔ ɲʲˌɛʃtʃɛɲɕlˈivɛj tfˈaʒɨ starˈɛɡɔ ʒˈɨda, kturˌɛmu ɲʲɛ pɔvʲˈɔdwɔ ɕɛ ɲˈiɡdʑɛ i w ɲˈitʃɨm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_282.wav|a tˈaɡʒɛ s sɔndʑˈɛɡɔː utʃˈutɕa pʃɨkrˈɔɕtɕi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_260.wav|pʃˈɛttɛm nˌazɨvˈawɛm ɕɛ jˈɔɛ rˌɛsurɛtstjˈɔnɛr.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_136.wav|a ʒˈadɛn z ɲˈix ɲʲɛ tɕˈɛrpʲaw na kɔnvˈulsjɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_114.wav|f tɛj sˈamɛj xfˈili zˌavibrɔvˈawa lɛʒˈɔntsa pʃɛd bˈɛki kɔmˈurka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_73.wav|mˈuɕi bˈɨtɕ jˈakiɕ pˈɔvut, dla kturˌɛɡɔ ta kɔbjˈɛta dɔkwˈada tˈak ɔɡrˈɔmnɨx stˈaraɲ, ʒˈɛbɨ pɔzˈɔstatɕ w ukrˈɨtɕu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_125.wav|ftˈɛdɨ dˈɔbjɛɡw mɲʲɛ ɡʒˈɛx ɔt waɲtsˈuxa ˌɔpadˌajɔntsˈɛɡɔ na ʑˈɛmʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_12.wav|vɲʲɔskˈujɛ s tˈɛɡɔ, ʒˈɛ mu ɕɛ ɲʲɛ pʃɛlˈɛva.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_7.wav|s pɔkˈɔju mˈartɨ vˌɨxɔdʑˈiwɨ kɔlˈɛjnɛ dʒvˈi, a spˈɛntsɛr rˈuʃɨw pɔspʲˈɛʃɲʲɛ w ix strˈɔnɛ i jˈɛ ɔtfˈɔʒɨw.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_130.wav|zakˈɔɲtʃɨw pˌɔwɔntʃˈɛɲʲɛ i zvrˈutɕiw ɕɛ dɔ mɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_24.wav|zdɛjmˈujɛ ɡˈɔ znˈɔvu i ɔdvrˈatsa dɔ ɕtɕˈanɨ. znˈɔvu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_413.wav|bˈɔbɛl vˈɛdɛr tɔ sˈɨmbɔl nˈaʃɛj sˌuvɛrɛnnˈɔɕtɕi, ktˌura zvˈɨklɛ trfˈa ˈu nˈas tˈɨlɛ tsˈɔ vʲɔsˈɛnna bˈuʒa.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_101.wav|a darˈujɛ tfˈɔim lˈudʑɔm ʒˈɨtɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_125.wav|tɔ rˌɨzɨkˈɔvnɛ jˈak fʃˈɨstsɨ djˈabli, ˌalɛ ɲʲɛ vˌɨɔbrˈaʒam sˈɔbjɛ, tsˈɔː innˈɛɡɔ mˈɔʒna bˈɨ zrˈɔbʲitɕ. zrˈɛʃtɔ̃, dˈɔdaw i uɕmʲˈɛxnɔw ɕɛ ʃɛrˈɔkɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_82.wav|rɔbʲˈiwam pɔ prˈɔstu tɔ, tsˈɔ mi kazˈanɔ, pɔdˈɔbɲʲɛ jˈak fʃˈɨstsɨ ˈinɲi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_275.wav|ʒˈɛbɨ rˌɔzwadˈɔvatɕ tɔ tfˈɔjɛ ɲʲˌɛustˈannɛ napʲˈɛɲtɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_23.wav|lˈutsɨ ˌɔtsunˈɛwa ɕɛ ɡvawtˈɔvɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_108.wav|maʃ prˈavɔ tˈak mˈɨɕlɛtɕ. miɡˈaɲʲɛ ɕɛ tɔ tfˈɔja spɛtsjˈalnɔɕtɕ.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_182.wav|ˈusta zˈaɕ ɔkrˈutnɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_30.wav|ˌɔtsɛɲˈiliɕmˌɨ vʲˈɛnts tfˈɔjɛ aktˈɨva, dˈɔɔw ˈɔba sˌamɔxˈɔdɨ i ˌuzɨskˈaliɕmˌɨ pʃˌɨbliʒˈɔnɔ̃ vˈartɔɕtɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_556.wav|ˌalɛ ɲʲɛ jɛst jˈuʃ kʃtˈawtɛm miwˈɔɕtɕi, lˈɛtʃ...|0
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_70.wav|kˈuki mˈuvi, ʒˈɛ znˈajdʑɛ ɡdʑˈɛɕ pɔsˈadɛ ɲʲˌɛvɨmˌaɡajˈɔntsɔ̃ kfˌalifikˈatsji, ʒˈɛbɨ dɔwˈɔʒɨtɕ tsˈɔɕ ɔt ɕˈɛbjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_60.wav|vɨxˈɔdʑɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_37.wav|pʃɨklˈɛjam dɔ tfˈaʒɨ ˈuɕmʲɛx, pɔpˈɨxam dʒvˈi i udˈajɛ zˌaskɔtʃˈɛɲʲɛ, kʲˈɛdɨ zˌatʃɨmˈujɛ mɲʲɛ jˈɛdɛn s fˌuŋktsjɔnarjˈuʃɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_33.wav|bˌɛndɛ za vˈami tɛ̃skɲˈiwa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_53.wav|zˈatɛ dvˈa kʲɛlˈiʃki mˈuɕaw pˈan zapwˈatɕidʑ bˈɔɲtɕ tsˈɔ bˈɔɲdʑ dvˈa dɔlˈarɨ, tɔ tˈɨlɛ ˈilɛ zˌarabjˈajɔ̃ nˈaɕi rˌɔbɔtɲˈitsɨ na ɡɔdʑˈinɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_451.wav|ɲʲɛpˈɔkuj i bˌɛssɛnsˈɔvnɛ ˌɔtʃɛkivˈaɲʲɛ ɲʲɛ vʲadˈɔmɔ na tsˈɔ. ɡdʑˈɛɕ f pɔwˈɔvʲɛ drˈɔɡʲi zdɛʒˈɨwɛm ɕɛ s sɔ̃ɕˈadɛm ˌɛmɛrˈɨtɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_21.wav|mɔʒˈɛmɨ ɕɛ pʃɛbjˈɛratɕ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_75.wav|pɔt ɕtɕˈanɔ̃ lˈɛʒɨ stˈɛrta ɡʲˈɛr planʃˈɔvɨx.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_134.wav|tʃɨm ɕɛ tɔ skˈɔɲtʃɨ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_231.wav|ja tˈu vrˈutsɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_53.wav|ɲʲɛ zˌamjɛʒˈawa jˈɛdnak ɲˈiɡdʑɛ jˈɛxatɕ, dɔpˈuki ɲʲɛ pˌɔrɔzmˈavja s sˈarɔ̃ ˈɔzbɔrn.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_155.wav|— nˈɔ tsˈuʃ... — ɔdˈɛzvaw ɕɛ pˌɔtkɔmˈisaʃ, mɨknˈɔ̃fʃɨ upʃˈɛdɲʲɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_16.wav|trˈudnɔ bˌɨwɔ ɲʲɛ pˌɔtswuçˈivatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_76.wav|tʃasˈami ɔkwˈatki ɕɛ ɡˈubjɔ̃ i ftˈɛdɨ mˈuɕiʃ pʃɛtʃˈɨtatɕ kavˈawɛk tˈɛkstu, tˈak jˈak tɛn tʃwˈɔvʲɛk tɔ rˈɔbʲi. swˈuxaj.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_283.wav|zmarʃtʃˈɨwa brvˈi.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_42.wav|alvˈarɛs ɲʲɛ mˈuɕaw bˈɨtɕ xɛmˈikʲɛm, ʒˈɛbɨ sˈɔbjɛ ˌuɕfʲadˈɔmitɕ, ʒˈɛ tsˈɔɕ ɕɛ stˈawɔ s pɔvʲˈɛtʃɛm.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_242.wav|ɲʲɛ xtɕˈawam jɛj kʃˈɨvdɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_126.wav|pʲˌɛrdɔlˈɔna mˈɛrx tˌɨlkɔ tɕˈɛ drasnˈɛwa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_117.wav|ɲʲɛ zamjˈɛʒaw ɕɛ pɔddˈavatɕ, ˌalɛ tɔ sˈamɔ mˈɔɡwam pɔvʲˈɛdʑɛtɕ ɔ sˈɔbjɛ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_426.wav|xtsˈɛ fstˈatɕ pʃɛt fsxˈɔdɛm swˈɔɲtsa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_280.wav|tˈɛras ˌɔna lɛʒˈawa ɲʲˌɛruxˈɔmɔ, bˈɛz ʒˈɨtɕa.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_262.wav|fʃˈɨstsɨ zɛbrˈali ɕɛ ʃˈɨpkɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_6.wav|jˈɛdnɔ̃ rˈɛŋkɛ mˈa vˌɨtɕɔŋɡɲʲˈɛntɔ̃, jˈaɡbɨ xtɕˈawa xfˈɨtɕitɕ mɲʲɛ za kˈɔstkɛ, vʲˈɛnts ˌɔdruxˈɔvɔ tsˈɔfam ɕɛ w bwˈɔtɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_33.wav|dlatʃˈɛɡɔ ɲʲɛ pˌɔzvɔlˈili mi z ɲʲˈɔ̃ pɔjˈɛxatɕ?|4
+Dataset/wavs/urwisko_ferenc/55_segment_7.wav|vɨtʃˈuwa, ʒˈɛ ɡrˈɔx ɕɛ vˈaxa. jˈak xtsˈɛʃ tɔ zrˈɔbʲitɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_3.wav|pɔdvʲˈɛdʑɛ tˌɛɡɔ tfɔjˈɛɡɔ bɨdlˈaka jˈɛʃtʃɛ dʑˈiɕaj, ɔznˈajmja bʲˈillɨ. jˈutrɔ zvˈijam ʒˈaɡlɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_84.wav|bʲˈillɨ vɨbjˈɛra tsɨlˈindɛr. zatʃˈɨna jˈɔ̃ ɡrˈatɕ. pɔ tʃtɛrdʑˈɛstu minˈutax, kʲˈɛdɨ pʃɨxˈɔdʑi kˈɔlɛj na jˈɛɡɔ rˈux, dˈɛrɛɡ vˈɔwa mˈatkɛ. mˈamɔ, pˈɔratɕ mi, tsˈɔ mˈam rˈɔbʲitɕ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_344.wav|tɨ i tfˈɔi kuzˈɨɲi praɡnˈɛliɕtɕˌɛ vˈɔjnɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_18.wav|ɲʲɛ pɔznˈawa mˈartɨ, ˌalɛ kɔbjˈɛta spravʲˈawa vraʒˈɛɲʲɛ tsˌawkɔvˈitɕɛ ɔttɕˈɛntɛj ɔt ɕfʲˈata.|3
+Dataset/wavs/urwisko_ferenc/65_segment_145.wav|i dɔpʲˈɛrɔ tˈɛras mi ˈɔtɨm mˈuviʃ?|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_303.wav|pˈɔra jˈuʃ, bˈɨ fʃˈɨstsɨ nˌamaʃtʃˈɛɲi rɨtsˈɛʒɛ pˌɔʒutɕˈili swˈuʒbɛ ˈu ɕfʲˈɛtskix pˈanuf i brɔɲˈili nˈaʃɛj ɕfʲˈɛntɛj vʲˈarɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_109.wav|zapˈɔmɲʲɛtɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_7.wav|dlatʃˈɛɡɔ w jɛj ˈustax tɔ fʃˈɨstkɔ bʒmʲˈawɔ tˈak sfɔbˈɔdɲʲɛ i radˈɔɕɲʲɛ, jˈaɡbɨ ɲʲɛ rɔbʲˈili ˌapsɔlˈutɲʲɛ ɲˈidʑ zwˈɛɡɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_39.wav|tˈak, ˌɔtpɔvʲˈada ˈɛllis, ˌalɛ bʲˈillɨ mˈa vraʒˈɛɲʲɛ, ʒˈɛ mˈuvi tˈak tˌɨlkɔ dlatˈɛɡɔ, ʒˈɛ bˈutskɨ tˌɛɡɔː ˌɔtʃɛkˈujɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_64.wav|tˈɔm pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃. ɲʲˈɛvʲɛm, f tsˈɔː ˌɔna pɔɡrˈɨva. skˌɔntaktˈujɛ ɕɛ s sˈandɨ bˈɛrfɔrt i zapˈɨtam, tʃɨ tsɔkˈɔlvʲɛk ɕɛ tˈam dʑˈɛjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_116.wav|ˈax, i f tɨm sˈɛŋɡ zɲˈika na parkˈiŋɡu pʃɨ manxˈɛstɛr tsˈɛntral.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_88.wav|vʲɛdʑˈawam, ʒˈɛ bˌɛɲdʑɛ sˈam, ˌalɛ ɲʲɛ xtɕˈawam, ʒˈɛbɨ mɲʲɛ zɔbˈatʃɨw i pˈɔdɲʲus ˈalarm, vʲˈɛndʑ zˌatʃɛkˈawam, ˈaʃ ɔtfˈɔʒɨ samˈɔxut.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_59.wav|zˌauvˈaʒɨw w dˈuxu. ɲʲɛktˌuʒɨ mʲˌɛli kˈɔsɨ, ˈinɲi drˈɔŋɡʲi, a jˈɛʃtʃɛ ˈinɲi ɡrˈɔʑɲʲɛ zˌaɔstʃˈɔnɛ mɔtˈɨki.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_225.wav|tʃɨ pɔkˈaʒɛʃ mi jˈɔ̃ dʑˈiɕaj?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_59.wav|stsˈɔtt ɕɛ ɕmʲˈɛjɛ, ˌalɛ mˈuvi mi f tɛn spˈɔsup, ʒˈɛ ˌɔpsɛrvˈujɛ mɲʲɛ w ˌintɛrnˈɛtɕɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_11.wav|tɔ tsˈɔ pˈan tˈu rˈɔbʲiʃ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_25.wav|vˌɨɡlɔndˈawa pʲˈɛŋkɲʲɛ. jɛj pɔlˈitʃki lɕɲˈiwɨ, a w ˈɔtʃax mˌiɡɔtˈawɨ radˈɔsnɛ iskʲˈɛrki.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_28.wav|za blˈiskɔ, ʒˈɛbɨm mˈɔɡwa tʃˈutɕ ɕɛ kˌɔmfɔrtˈɔvɔ?|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_12.wav|bˌɨwɔː ix tˈu ɲʲɛvʲˈɛlɛ i mʲˌawɨ ɔɡrˈɔmnɔ̃ pɔvʲˈɛʃxɲʲɛ, tsˈɔ pˌɔtfʲɛrdʑˈawɔ, jˈaɡ vʲˈɛlkɔ̃ fɔrtˈunɔ̃ dˌɨspɔnɔvˈali iɣ vwˌaɕtɕitɕˈɛlɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_114.wav|zrɔbʲˈiwaɕ ɕɛ xɔlˈɛrɲʲɛ pˌɔpulˈarna, dʑɛftʃˈɨnɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_9.wav|ɲʲɛ zˌamjɛʒˈawam ɡˈɔ ɲˈiʃtʃɨtɕ. tˈamtɔ zaɡrˈaɲʲɛ nˌalɛʒˈawɔ jˈuʒ dɔ çistˈɔrji.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_136.wav|a minstrˈɛlɛ bˌɛndɔ̃ ˈɔɲim ɕpʲˈɛvatɕ pʃˈɛs tˈɨɕɔnts lˈat.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_113.wav|kʲˈɛdɨ bˌɛɲdʑɛ ɡɔtˈɔvɛ,|3
+Dataset/wavs/urwisko_ferenc/65_segment_185.wav|ˈɔprutʃ nˈas ɲikˈɔɡɔ tˈu ɲʲɛ vˈidʑɛ, pˌɔvʲɛdʑˈawa, a ɔn uɕmʲˈɛxnɔw ɕɛ puwɡˈɛmpkʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_248.wav|fʃˈɨstsɨ tʃˈɛj ɕmʲˈali ɕɛ i vˌivatɔvˈali, jˈaɡbɨ bˌɨli na mˈɛtʃu piwkˈarskim i iɣ druʒˈɨna prˌɔvadʑˈiwa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_11.wav|kˌɔmisˈaʒa kɔrsˈaka|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_64.wav|ɲˈikt ɲʲɛstˈɛtɨ ɲʲˈɛvʲɛ, ɔ tsˈɔ pˈɔʃwɔ. ɲʲˌɛvɨklutʃˈɔnɛ, ʒˈɛ xtɕˈawa ɕɛ pɔ prˈɔstu dɔvʲˈɛdʑɛtɕ ɔt mˈartɨ, ɡdʑˈɛ bˈɨw ɲˈilɛ, ktˌurɨ pʃɛbˈɨvaw ftˈɛdɨ pˈɔza fˈirmɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_281.wav|ɲʲɛ mˈɔɡɛ ɕɛ dɔtʃˈɛkatɕ, kʲˈɛdɨ znˈɔvu zɔbˈatʃɛ ɡˈurɨ. naprˈavdɛ jˈɛ kˈɔxam, xˈɔtɕ lˈɛdvɔ mˈɔɡwam ɔddˈɨxatɕ, dɔpˈuki ɲʲɛ pʃɨvˈɨkwam dɔ tɛj vˌɨsɔkˈɔɕtɕi.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_350.wav|ʒˈutɕiw na pˌɔʒɛɡnˈaɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_46.wav|tˈɔm i bˈɛtskɨ ˌɔpuɕtɕˈili sˈalɛ i zamknˈɛli za sˈɔbɔ̃ dʒvˈi. ruʃˈɨli f strˈɔnɛ dɨʒˈurki pʲˌɛlɛŋɡɲʲˈarskʲɛj, ɡdʑˈɛ tʃɛkˈawa nˈaɲih jˈɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_91.wav|ɔtfʲˈɛra vʲˈɛndʑ dʒvˈi tɔjˈɔta ɔt strˈɔnɨ pˌasaʒˈɛra i zaprˈaʃa ɡˈɔ ɡˈɛstɛm dɔ ɕrˈɔtka. xˈɔff fɕˈada.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_20.wav|jˈɛɡɔ ʒˈɨtɕɛ bˌɨwɔ rˈuvɲʲɛ bˌɔxatˈɛrskʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_253.wav|mˈuɕiʃ tˌɨlkɔː ɔtpˈɔtʃɔɲtɕ i nˈajɛɕtɕ ɕɛ dɔsˈɨta. kʲˈɛdɨ bɛɲdʑˌɛmɨ f stˈarɨm mʲˈɛɕtɕɛ...|1
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_6.wav|mˈɔɡwabˌɨ tˈɛʃ pɔ prˈɔstu ɕɛ zɡˈubʲitɕ, a ftˈɛdɨ mamˈuɕa i tˈatuɕ ɲʲɛ vʲɛdʑˈɛlibˌɨ, ɡdʑˈɛ jɛj ʃˈukatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_29.wav|unˈɔʃɛ ɡwˈɔvɛ i ɕˈadam pʃɨ tˌɔalˈɛttsɛ plɛtsˈami dɔ mˈɛ̃ʒa.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_72.wav|pʃˈɨkrɔ mi s pɔvˈɔdu tfˈɔjɛj strˈatɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_262.wav|i tsˈɔ z ɲˈimi rˈɔbʲiw? zapˈɨtaw ˈandɛrsɔn. ja tˌɛɡɔ ɲʲˈɛvʲɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_32.wav|ɔdvrˈatsam ɕɛ dɔ dˌɔmiɲˈika i mˈarʃtʃɛ tʃˈɔwɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_25.wav|mˈɔjɛ sɔ̃ɕˈɛtstfɔ jɛst jˈaɡ vˈinɔ.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_150.wav|ˌalɛ ɲʲˈɛbɨw dˈumnɨ zˈɛ swˈuʒbɨ.|1
+Dataset/wavs/urwisko_ferenc/41_segment_35.wav|pˌɔlitsjˈantka zvaʒˈɨwa w dwˈɔɲi stˈarɔ̃ nˈɔkjɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_326.wav|jˈɛdnɛj ʒˈɛtʃɨ ɲʲɛ rɔzˈumjɛm, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_8.wav|tʃˈujɛ ɕɛ bɛzrˈadna, a tsˈawɛ mˈɔjɛ tɕˈawɔ prˈaɡɲʲɛ pʃɨtˈulitɕ ɕɛ dɔ tsurˈɛtʃki.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_154.wav|xtsˈɛʃ mi pɔvʲˈɛdʑɛtɕ, ʒˈɛ sˈɛr bˈalman vˈɨzvaw brˈɔna na pˌɔjɛdˈɨnɛk?|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_418.wav|jˌɛstɛɕ mi pɔtʃˈɛbnɨ. tʃɨ pɔpwˈɨɲʲɛʒ dɔ zatˈɔki ɲʲˌɛvɔlɲˈitʃɛj, bˈɨ pʃˈɨvʲɛɕtɕ mi mˈɔjɔ̃ ˌukɔxˈanɔ̃?|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_330.wav|dlatʃˈɛɡɔ tˈɔmmɛn mʲˈawbɨ tɔ zrˈɔbʲitɕ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_88.wav|vʲˈɛm, ʒˈɛ ɲʲɛ spˌɔdɔbˈawa mu ɕɛ tʃfˈarta kˈarta.|3
+Dataset/wavs/urwisko_ferenc/09_segment_66.wav|tɛn sˈam dʑˈɛɲ, ktˌurɨ ˌuznajˈɛmɨ za dʑˈɛɲ zˌaɡʲiɲʲˈɛɲtɕa ɡlˌatsɔfskʲˈɛɡɔ, tɔ ɕɛ jˈakɔɕ ukwˈada f tsˈawɔɕtɕ, vɲʲɔskˈɔvaw jˈarɔɲ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_88.wav|dlatʃˈɛɡɔ ɲʲɛ mˈɔɡɔ̃ tˈu ɲikˈɔɡɔ vˈɨswatɕ? nˈaɡlɛ krˈɛf w mˈɔiɣ ʒˈɨwax lɔdˈɔva tɕˈɛjɛ i jˈuʒ vʲˈɛm, dlatʃˈɛɡɔ ftɕˈɔ̃ʃ pɨtˈawa, tʃɨ ktˈɔɕ ɕɛ kˌɔntaktˈɔvaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_69.wav|ˌɔdvrutɕˈiwam ɡwˈɔvɛ i zˌɔbatʃˈɨwam s pʃˌɛraʒˈɛɲʲɛm, ʒˈɛ skˈɔta ˌɔtɔtʃˈɨwɨ ˈɔsɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_15.wav|swˈuxam? tɔ dˌɔskɔnˈawa vʲadˈɔmɔɕtɕ. dlatʃˈɛɡɔ jˌɛstɛɕ tˈaka pɔnˈura?|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_316.wav|ˈɔ, f tɔ ɲʲɛ vˈɔntpjɛ. tʃɨ mˈɔɡɛ zɔbˈatʃɨtɕ tfˈɔjɔ̃ lˈutɲʲɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_61.wav|fstˈajɛ, pɔtxˈɔdʑi dɔ dʒvˈi i vɨɡlˈɔnda pʃˈɛs judˈaʃa.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_47.wav|ɡˈarɛdd zapˈaliw pʲɛtsˈɨki i rˌɔzʒaʒˈɔnɛ vˈɛŋɡlɛ vˌɨpɛwɲʲˈawɨ nˈamjɔt jˌamjɛˈɛɡɔ tʃˌɛrvɔnˈavɨm blˈaskʲɛm ˌɔras tɕˈɛpwɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_64.wav|zapˈɨtaw tˈɔm ɡdʑˈɛɕ pˈɔza swuxˈafkɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_39.wav|swˈuʒɨ tˌɨlkɔ dɔ jɛdnˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_64.wav|a ɔn pʃˈɛʃɛd na drˈuɡʲi stˈatɛk f tˌɔvaʒˈɨstfʲɛ ʃˈɛɕtɕu rɨtsˈɛʒɨ, pʃɨvˈitaw kuxˈuru mˈɔa s kiɲʲˈɛɲʲɛm ɡwˈɔvɨ, pˈɔtɛm zˈaʑ zaʒˈɔndaw, bˈɨ pˌɔkazˈanɔ mu wadˈɔvɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_107.wav|vˈidʑaw, ʒˈɛ ˌuswɨʃˈɛli jˈɛ s pʃˌɨjɛmnˈɔɕtɕɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_9.wav|ˌalɛ tˌɛɡɔ rˈaŋka bˌɨwɔː inˈatʃɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_106.wav|ˈɔbjɛɡ vɔskˈɔvɨ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_59.wav|tsˈɔː ˈu luˈisɨ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_57.wav|dɛtˈɛktɨv zapˈukaw ˈɔstrɔ, fʃˈɛd i pɔwˈɔʒɨw rˈɛjɛstr na bjˈurku tˈɔma.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_12.wav|tˈɔm pɔstˈukaw pˈaltsɛm w zdjˈɛɲtɕɛ darjˈuʃa rˌadʑɛvʲˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_73.wav|ɔn jˈɛdnak krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_36.wav|ɔdvrˈatsa ɕɛ dɔ nˈas.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_30.wav|f pʃɛtɕˈivnɨm rˈaʑɛ ˌɔɕlɛpʲawˈɔbɨ nˈas ɕfʲˈatwɔ swɔnˈɛtʃnɛ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_272.wav|tsɛrsˈɛi praɡnˈɛwa f tɔː uvʲˈɛʒɨtɕ.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_178.wav|zˌaxɔvˈujɛʃ tsnˈɔtɛ dla lˈɔrda rɔbˈɛrta?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_339.wav|pʃˌɛvrutɕˈiwa ɕɛ na vznˈak, patʃˈɨwa na tɛn ɲʲˌɛfɔrˈɛmnɨ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_14.wav|ˈalbɔ pʃˌɛʒɨvˈajɔ̃, ˌalɛ pɔlˈitsja ɔtkrˈɨva, ʒˈɛ jɛj tɔvˈaʒɨʃ mˈa kˈulɛ w bʒˈuxu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_55.wav|sɔ̃ tˈakʲɛ xfˈilɛ, kʲˈɛdɨ ʒawˈujɛ, ʒˈɛ vˈɨʃwam za ɕfʲɛntˈɛɡɔ. tɔ trˈɔxɛ tˈak, jˈaɡbɨ jˈɛɡɔ tsnˈɔtɨ lɕɲˈiwɨ na tlˈɛ mˈɔix ɲʲˌɛdɔskˌɔnawˈɔɕtɕi.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_92.wav|ɲʲɛ mʲˈawa ɲˈits pʃɛtɕˈifkɔ tɛj prˈatsɨ. kʲˈɛdɨ mʲˈɛɲɕɲʲɛ ˈalbɔ plˈɛtsɨ bɔlˈawɨ jˈɔ̃ ɔd dʑviɡˈaɲʲa tɕɛ̃ʒˈaruf, pˌɔftaʒˈawa sˈɔbjɛ, ʒˈɛ stˈajɛ ɕɛ ɔt tˌɛɡɔ ɕilɲʲˈɛjʃa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_38.wav|ˌalɛ pɔvˈinna pˈaɲi vʲˈɛdʑɛtɕ, ʒˈɛ stsˈɔdd dɔtʃˈɛkaw marnˈɛɡɔ kˈɔɲtsa. ɲʲɛ ʒˈɨjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_19.wav|ˌɔdvrutɕˈiwam ɕɛ dɔ tˈatɨ, ktˌurɨ ɔpʲˈɛraw ɕɛ ɔ ɕtɕˈanɛ i lˈɛkkɔː uɕmʲˈɛxaw. nˈamɲʲɛ ɲʲɛ patʃˈanɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_4.wav|dɔmˈiɲik pʃɨɡlˈɔnda mi ɕɛ z ɲʲˌɛpɔkˈɔjɛm, tɨm bˈardʑɛj vʲˈɛnts mˈuʃɛ vɨjˈɛxatɕ, ʒˈɛbɨ ɲʲɛ vˈidʑaw mɔjˈɛɡɔ zmʲɛʃˈaɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_84.wav|zˌabɛspʲɛtʃˈɨwɛɕ laptˈɔpa xˈaswɛm, prˈavda?|2
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_123.wav|tˈak jˈɛst, trˈafiwbˌɨm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_27.wav|kˈɔxam tɕˈɛbjɛ i tˌɨlkɔ tɕˈɛbjɛ. pˌɔpɛwɲˈiwɛm bwˈɔnt, ktˌurɨ f kˈaʒdɨx ˌɔkɔlitʃnˈɔɕtɕaɣ bˈɨwbɨ strˈaʃnɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_97.wav|nˈɔ tɔ jˈazda, pɔmˈɨɕlaw tˈɔm.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_119.wav|pɛvnˈɛɡɔ dɲʲˈa pɔdˈɛrʒnɛ mu ɡˈardwɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_163.wav|a tsˈɔ tˌaki ɲʲɛ jˈɛst?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_56.wav|dɔvˈɔdɨ sˌuɡɛrˈujɔ̃, ʒˈɛ ktɔkˈɔlvʲɛk mˈa tɛn tɛlˈɛfɔn, tɔː ˈalbɔ jɛst mɔrdˈɛrtsɔ̃, ˈalbɔː ɔstˈatɲʲɔ̃ ɔsˈɔbɔ̃, ktˌura vidʑˈawa ɡˌɛnɛvʲˈɛvɛ ʒˈɨvɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_528.wav|ja tɕˈɛ ɔstʃˈɛɡwam.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_151.wav|ˌɔdɛzvˈawa ɕɛ tɕˈixɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_13.wav|jˈɛɕli sɔɲdʑˈiwa, ʒˈɛ tɔ mˈuj ɡwˈuvnɨ tsˈɛl w ʒˈɨtɕu, tɔ znˈatʃɨ, ʒˈɛ w ɔɡˈulɛ mɲʲɛ ɲʲɛ znˈa|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_202.wav|mˈudʒ vɨtˈɔtʃɨw ɕɛ zˈɛ sfˈɔjɛj krɨjˈufki i rˈunɔw na pɔdwˈɔɡɛ. tˈak pˌɔʃatkɔvˈanɨ, ʒˈɛ tˌɨlkɔː ubrˈaɲʲɛ tʃɨmˈawɔ ɡˈɔ w jˈɛdnɨm kavˈawku.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_2.wav|ˌɔpuʑɲˈiwam vˈɨjazd dɔ prˈatsɨ ɔ pˈuw ɡɔdʑˈinɨ i zˌamuvˈiwam taksˈufkɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_201.wav|mˈukw tɔ bˈɨtɕ frˈaŋk, pˈawl i rˈɛɡɡʲɛ, tʃɨ nˈavɛt ktˈɔɕ, kˈɔɡɔ ɲʲˈɛmʲaw ɔkˈazji pˈɔznatɕ, sprˌɔvadʑˈɔnɨ s flɔrˈɨdɨ tʃɨ atlˈantɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_64.wav|jˈɔt. mˈasɔn pˈatʃɨw pʃˈɛs lɔrnˈɛtkɛ, ˌalɛ i bˈɛs ɲʲˈɛj vˈidadʑ bˈɨwɔ, ʒˈɛ jˈɛdɛn z ɡwɔɕɲˈikuf rˈunɔw na ʑˈɛmʲɛ, tɕˈɔŋɡnɔndʑ za sˈɔbɔ̃ kˈabɛl.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_68.wav|tsˈɔ tɨ tˈutaj rˈɔbʲiʃ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_45.wav|ɲʲɛ vʲˈɛmɨ nˈavɛt, tʃɨ sˈama ɲʲɛ jɛst ɔfjˈarɔ̃, a jˈɛɕli ktˈɔɕ s fˌatsɛbɔˈɔka jˈɔ̃ zˌauvˈaʒɨ, pˌɔinfɔrmˈujɛ ��ɔtɨm ˈɛlis.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_329.wav|mɛrˈibald znˈɔvu spˈɔjʒaw na pɔdrˈitska.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_243.wav|ɲʲɛ fspɔmɲʲˈawa pˈaɲi ɔ wɔntʃnˈɔɕtɕi radjˈɔvɛj ˌaɲi sˌatɛlitˈarnɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_469.wav|tsˈɔ ɕɛ zˈɛmnɔ̃ stˈawɔ?|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_296.wav|pˌɔskarʒˈɨwa ɕɛ, ɡdˈɨ vˌɨprɔvadʑˈanɔː ˌɔstatɲʲˈɛɡɔ wˈɔftsɛ nˈaɡrut. ˈilɛ ix f kˈɔɲtsu jˈɛst?|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_29.wav|kʲˈɛdɨ vɨxˈɔdʑi, f pɔblˈiʒu stˈɔi tʃˈarna lˈaska w blˈustsɛ z ˌɔtkrɨtˈɨmi plɛtsˈami i dʒinsˈɔvɛj spudɲˈitʃtsɛ, tˈak krˈutkʲɛj, ʒˈɛ vɨstˈajɛ spˈɔt ɲʲˈɛj rˈɔmbɛk mˈajtɛk.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_39.wav|kˈarta ˌɛsˌiˈɛm muɕˈawa bˈɨtɕ ftˈɛdɨ f tˌɛlɛfˈɔɲʲɛ, jˈak rˈuvɲʲɛʃ pˈuʑɲʲɛj, kʲˈɛdɨ vwˈɔntʃɨw ɡˈɔ pɔnˈɔvɲʲɛ spˈɛntsɛr jˈɔxansɔn.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_27.wav|ʒˈutsa ɲʲˌɛpɔtʃˈɛbɲʲɛ stˈɛvɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_29.wav|lˈɛpʲɛj. dalˈɛkɔ mi dɔ rˌadɔsnˈɛɡɔ nastrˈɔju, ˌalɛ jˈuʃ lˈɛpʲɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_189.wav|kˈazaw sfɔjˈɛmu ˌadvɔkatˈɔvi rˈɔbʲitɕ fʃˈɨstkɔ, ʒˈɛbɨ ɲʲɛ dɔpˈuɕtɕidʑ dɔː ˌɛkstradˈɨtsji i trˈudnɔ mu ɕɛ dʑˈivitɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_25.wav|tɔ drˈuɡʲɛ vɨɡlˈɔnda na lˈɛpʃɨ vˈɨbur.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_283.wav|pˌɔvʲɛdʑˈawa xˈɛlɛn, karˈabʲin vˈiɕi na sfˈɔim mʲˈɛjstsu.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_313.wav|tsˈawa jˈɛɡɔ vwˈadʑa pɔxˈɔdʑi ɔt lˈɔlins.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_322.wav|nˈavɛt jˈɛɕli tɔ prˈavda.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_215.wav|pʃɨnˈajmɲʲɛj jɛzd vˌɨstartʃajˈɔntsɔ dˈuʒa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_72.wav|pˈɔvʲɛts lˈutsɨ, ʒˈɛ pˌɔrɔzmˈavʲam z ɲʲˈɔ̃ jˈutrɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_71.wav|nˈaʃɛ zasˈɔbɨ|4
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_4.wav|ɲʲɛ dˈajɛʒ znˈaku ʒˈɨtɕa ɔd dvˈux tɨɡˈɔdɲi.|4
+Dataset/wavs/urwisko_ferenc/17_segment_56.wav|pˌɔrɔzmˈavʲatɕ ɔ pˈaɲi bˈɨwɨm mˈɛ̃ʒu.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_68.wav|f tˈakim pʃɨpˈatku jɛj ɔbrˈɔɲtsɔ̃ mˈuɕi bˈɨtɕ jˈɛdɛn s ɕˈɛdmju rɨtsˈɛʒɨ tɔmmˈɛna.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_5.wav|dʑvʲˈɛŋk pʃˌɨpɔmˈina jˈɛdnaɡ bˈardʑɛj vʲˌadɔmˈɔɕtɕi, tsˈɔɕ tsˈɔ ʒˈatkɔː ˌɔɡlɔndˈamɨ dɔpˈuki xˈɔllɨ i baˈilɛj ɲʲɛ znˈajdɔ̃ ɕɛ w wˈuʃkax.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_11.wav|tˈak tˈɛʒ zrɔbʲˈili.|1
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_72.wav|ʒˈɛ marnˈujɛ sfˈɔjɔ̃ pʃˈɨʃwɔɕtɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_34.wav|pˈɔtɛm dˈɔʃwɔ dɔ vɨpˈatku dˈɔma.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_269.wav|na ɛkrˈaɲʲɛ vˈidɲʲaw ˈɔbras sˌatɛlitˈarnɨ nˈaʃɛj ˌɔkɔlˈitsɨ w mˈɔʒu spɔkˈɔju.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_149.wav|pɔ mʲˈɛɕtɕɛ bwˈɔɲdʑi tˌaki tʃwˈɔvʲɛk, tsˈɔ ɲʲɛ mˈɔʒɛ pʃɛkrˈɔtʃɨdʑ ɡraɲˈitsɨ nˈaʃɛj ʒˌɛtʃɨvistˈɔɕtɕi.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_167.wav|mˈɔʒɛʒ bˈɨtɕ pˈɛvna, ʒˈɛ tɔ sprˈavdʑɛ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_46.wav|ˈinɲi mʲˌɛli vɨʃˈɨtɛ na pʲˈɛrɕaɣ ɡˈɔdwa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_490.wav|ja zˈafʃɛ mʲˌawɛm tɕɛkˈavɔʑdʑ dɔː artˈɨstuf.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_551.wav|tʃɨ bˌɛɲdʑɛʃ mɲʲɛ jˈɛʃtʃɛ lˈubʲiw, kʲˈɛdɨ zˈatʃnɛ bʒˈɨdnɔɲtɕ? spɨtˈawa pʃɛtɕˈɔŋɡlɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_172.wav|bʲˈillɨ mˈɨɕli ɔ kˈɛnnɨ xˈɔffjɛ, ktˌurɨ tˈɛʃ mʲˈaw mustˈaŋɡa i w ɲˈim ˈumar.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_72.wav|mˈɔɡɔ̃ tɔ pɔtfʲˈɛrdʑitɕ sˈɛpta aɡlˈantʲin, sˈɛpta mˌɛlisˈɛntsɛ, a tˈaɡʒɛ ˌɔsɔbʲˈista sˈɛpta krulˈɔvɛj marɡˈɛrɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_47.wav|pɔdˈɔbnɔ bˈɨw nˌavʲɛdʑˈɔnɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_66.wav|dˈana zapˈɛvnɛ tˈɛʃ ˌɔpsɛrvˈujɛ twˈum.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_368.wav|s paɲskʲˈɛɡɔ pˈuŋktu vidʑˈɛɲʲa bˈɨtɕ mˈɔʒɛ jˌɛstɛm vwutʃˈɛŋɡɔ̃, ʒˈɛkw ˈandɛrsɔn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_12.wav|ɲʲˈɛx pˈan ɕɛ tɨm ɲʲɛ pʃɛjmˈujɛ, pɔvʲˈɛdʑaw dʒˈɔnsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_224.wav|tʃˈasu jɛst mnˈustfɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_39.wav|mˈuʃɛ mu dˈatɕ tsˈɔʑ vʲˈɛntsɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_183.wav|vʲˈɛnts ɔn tʃˈɛkaw na rɔzvˈawkɛ, a fʃˈɨstsɨ jˈɛɡɔ kɔlˈɛdʑɨ ˌɔpɔvʲadˈali mu, jˈak tɔ jˈɛst, kʲˈɛdɨ ɕɛ ɕpˈi s kɔbjˈɛtɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_223.wav|ɲʲɛ zaʃtʃˈɨtɕiw mɲʲɛ nˈavɛt jˈɛdnɨm spɔjʒˈɛɲʲɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_73.wav|vʲˈɛnts pamjˈɛntaj ˈɔtɨm, pɔvʲˈɛdʑaw. mˈuvjɛ s tˈɔbɔ̃ i jˌɛstɛm tˈu s tˈɔbɔ̃, pɔɲʲˈɛvaʃ mi pwˈatsɔ̃.|0
+Dataset/wavs/urwisko_ferenc/09_segment_28.wav|a tɛn vwaɕtɕˈitɕɛl?|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_40.wav|tɨm rˈazɛm na jˈɛɡɔː ˈusta vɨpwˈɨva ɲʲˌɛvɨmuʃˈɔnɨ ˈuɕmʲɛx, tˈɛn, ktˌurɨ pˌɔkɔxˈawa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_272.wav|tʃɨmˈaliɕmˌɨ ɕɛ za rˈɛntsɛ i patʃˈɨliɕmˌɨ na ɕˈɛbjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_84.wav|ɲʲɛ maʃ innˈɛɡɔ vɨbˈɔru, pˈɔza tɨm tɔ ʒˈadna strˈata.|2
+Dataset/wavs/urwisko_ferenc/64_segment_47.wav|z jakʲˈɛɡɔɕ pɔvˈɔdu dnˈɔ ɕɛ zapˈadwɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_47.wav|ʃˈɔna jɛst tʃwɔŋkˈiɲʲɔ̃ nˈaʃɛj ɡrˈupɨ tˌɛatrˈalnɛj. dˌɔwɔntʃˈɨwa dɔ nˈas ɲʲɛdˈavnɔ, ˌalɛ vˌɨkazˈawa ɕɛ naprˈavdɛ spˈɔrɨm ˌɛntuzjˈazmɛm.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_2.wav|tsɛrsˈɛi|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_26.wav|ɲʲɛ zamjˈɛʒaw zˈɔstatɕ na nˈɔts.|3
+Dataset/wavs/urwisko_ferenc/49_segment_32.wav|ˌɔttʃɨtˈawa ʃˈɛptɛm ɔstˈatɲʲɛ zdˈaɲʲɛ prˌɔtɔkˈɔwu spˌisanˈɛɡɔ pʃˈɛs mɛdˈɨtʃkɛ sɔndˈɔvɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_169.wav|fprˈavdʑɛ mʲˈawam alˈibʲi, ˌalɛ vɔlˈawam uɲˈikatɕ jˌakixkˈɔlvʲɛk pˈɨtaɲ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_3.wav|xˈarljɛ xˈuɡɛz bˌɨwa f pˈɛwnɛj ɡˌɔtɔvˈɔɕtɕi na vɨpˈadɛk, ɡdˈɨbɨ xtɕˈɛli tsˈɔɕ mu pʃɛkˈazatɕ lˈup uzˈɨskatɕ jˈakʲɛʑ dˌɔdatkˈɔvɛ vˌɨjaɕɲʲˈɛɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_80.wav|ˌaɲi wˌɨkavˈina, nˈavɛt mˈawɛj lˈampki na pˈarɛ ɡˈɔdʑin pʃˈɛttɨm, jˈak pˌɔprɔvˈadʑiʃ, ɲʲɛ fspˌɔminˈajɔnts fˈaktu, ʒˈɛ zrɔbʲˈiwaɕ ɕɛ ɲʲˈɛmal ʑɛlˈɔna na vˈidɔk krɛvˈɛtɛk.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_229.wav|za dʒvʲˈami znˌajdɔvˈawa ɕɛ sˈala ɔ kamjˈɛnnɛj pɔsˈatstsɛ i vɨsˈɔkix wˈukax ˈɔkʲɛn.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_73.wav|tɔ bʒmˈi bˈardʑɔ dʑˈivɲʲɛ. ˈaram ʒˈɨjɛ z ˌuvʲɛlbjˈɛɲʲa sfˈɔiɣ vɨznˈaftsuf i spˈɔrɨx kfˈɔt, ktˌurɛ pʃɨ ɔkˈazji dʑˈɛŋki ɲˈim ɡrɔmˈadʑi. tsˈɔ jɛzd ɡrˈanɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_45.wav|xalˈima jɛst tˈɛras f ʃˈustɨm mʲɛɕˈɔntsu i fʃˈɨstsɨ pʃˌɨɡɔtˌɔvujˈɛmɨ ɕɛ na pʃˈɨjɕtɕɛ na ɕfʲˈat nɔvˈɛɡɔ tʃwˈɔŋka rɔdʑˈinɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_112.wav|tʃwˈɔvʲɛk stɔjˈɔntsɨ pʃɛt kamˈɛrɔ̃ vɨɡlˈɔndaw na zˌavɔdɔvˈɛɡɔ dˌuɕitɕˈɛla i tfˈaʒɨ, jˈɛɡɔ trˈudnɔ bˌɨwɔː ɔdmˈuvitɕ ɕˈiwɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_101.wav|dʑˈɛŋki.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_94.wav|i jˌɛstɛm nˈatɔ pʃˌɨɡɔtɔvˈana.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_80.wav|ktˌurɨ pʲˈɔnɛk pˈan xtsˈɛ? pˈɨta dˈɛrɛk. ja zvˈɨklɛ bjˈɔrɛ vˌɨɕtɕiɡˈufkɛ, kʲˈɛdɨ ɡrˈam s ʃˈan, ˌalɛ mˈɔɡɛ jˈɔ̃ ɔtstˈɔmpitɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_25.wav|jɛst prˈavʲɛ pˈɛvʲɛn, ʒˈɛ tɔ stˈamtɔnt mˈa stʃˈɛlatɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_28.wav|dɔpˈuki ɲʲɛ zɡrˌɔmadʑˈimɨ fʃˈɨstkix fˈaktuf, ɲʲˈɛxtsɛ, ʒˈɛbɨ tɔ vˈɨʃwɔ pˈɔza tɛ tʃtˈɛrɨ ɕtɕˈanɨ. zrˌɔzumjˈanɔ?|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_136.wav|jˈɛɕli xtsˈɛʃ, mˈɔɡɛ tɕi pɔvʲˈɛdʑɛtɕ, ɡdʑˈɛ jɛst jˈɛɡɔ ɡrˈup.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_14.wav|mˈamɔ!|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_65.wav|kˈaʒdɨ s tɨx fʃˈɨstkix prɨvˈatnɨx ˌinstruktˈɔruv brˈaw mɲʲɛ na bˈɔk i mʲˈaw zˈɛmnɔ̃ prɨvˈatnɔ̃ rɔzmˈɔvɛ, f ktˌurɛj mˈuviw, pˈaɲʲɛ rˈɨan...|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_151.wav|tɔ ɲʲɛ pɔvˈinnɔ bˈɨdʑ zbˈɨt trˈudnɛ, pˈaɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_11.wav|kʲˈɛdɨ prˌɔvadʑˈiliɕmˌɨ rˈazɛm nˈaʃɔ̃ ɔstˈatɲʲɔ̃ sprˈavɛ, bˌɨwɔ lˌɔdɔvˈatɔ. ɔː ˈilɛ dˈɔbʒɛ pamjˈɛntam, nˌapadˈawɔ ɕɲʲˈɛɡu pɔ pˈas, vʲˈɛndʑ dla ɔdmʲˈanɨ tˈɛras mˈɔʒɛ bˈɨtɕ upˈalɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_205.wav|sˈam skrˈɛɲtɕiw w lˈɛvɔ, ˈidɔndʑ drˈɔɡɔ̃ bjɛɡnˈɔntsɔ̃ vzdwˈuʒ ʒˈɛki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_25.wav|tɔ tˌɨlkɔ pɔ tʃˈɛɲɕtɕi ʒˈart. ɲʲɛ, pamjˈɛntam tˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_260.wav|vɨrʒɲʲˈɛmɨ vˈaʃɛ stˈada.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_348.wav|pʃˌɛbjɛɡˈawɔ jˈaɡ zvˈɨklɛ pʃɨ tˈakix ɔkˈazjax, ˌalɛ tɨm rˈazɛm bˌɨwa ɲʲˌɛznajˈɔma i trˈɔxɛ...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_129.wav|xˈɨba tɛ̃skɲˈiwa za tˌɨmi tʃasˈami, kʲˈɛdɨ tˌɨlkɔː ˌimprɛzɔvˈawa.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_91.wav|bˈɔp pɔkˈivaw ɡwˈɔvɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_239.wav|jˈɛɕli f tɛj ʃkatˈulɛ ʒˌɛtʃɨvˈiɕtɕɛ jɛzd ɡwˈɔva krasnˈala...|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_179.wav|a najpˈɛvɲʲɛj dʲˌisnɛˈɨlant ɛpˈɔki juzˈɛfa vˌisarjˌɔnɔvˈitʃa. zrˈɔbjɛ tɕˈɛbjɛ dˌɨrɛktˈɔrɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_66.wav|tɔ ɲʲɛ tˈakʲɛ prˈɔstɛ, pˈaɲi ˈɛdmunts.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_142.wav|z mˈaskɔ̃ ɲʲˈɛma kwɔpˈɔtu. dɔ xˈalɔwˌɨn zɔstˈawɔ wˈadnɨx kˈilka tɨɡˈɔdɲi, ˌalɛ sklˈɛpɨ zˈafʃɛ vˌɨkwadˈajɔ̃ ˌasɔrtˈɨmɛnt ɕfʲɔntˈɛtʃnɨ znˈatʃɲʲɛ ftʃˈɛɕɲʲɛj.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_219.wav|ˌalɛ tɔ jɛst jˈɛdna s tɨɣ ʒˈɛtʃɨ, ɔ ktˌurɨx ɲʲˈɛvʲɛ ɕɛ na pˈɛvnɔː i ɔ ktˌurɨx tˌɨlkɔ pʃɨjˈɛmɲʲɛ jɛst mˈuvitɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_135.wav|lˈub z rˌɛɡʲɔnalnˈɛɡɔ rˈadja.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_3.wav|pʃɨ ˈɔbu ɕtɕˈanax mʲɛɕtɕˈiwɨ ɕɛ dvˈa vˈɔ̃skʲɛ taptʃˈanɨ,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_71.wav|ɲʲɛ zˌamjɛɲˈili zˈɛmnɔ̃ ˌaɲi swˈɔva, ɲʲɛ dɔstʃˈɛɡli mɲʲɛ w ɡrˈupʲɛ ˈinnɨx studˈɛntuf, ktˌuʒɨ tˌɛɡɔ vʒˌɛɕɲʲɔvˈɛɡɔ dɲʲˈa pʃˌɨjɛxˈali z mˌanxɛstˈɛru.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_12.wav|tɔ bˌɨwɔ tsˈɔɕ nɔvˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_133.wav|mˈɔjɛ ɡʲˈizmɔ zˌapiʃtʃˈawɔː i na vˌɨɕfʲɛtlˈatʃu pɔjˈaviw ɕɛ kˌɔmuɲˈikat.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_161.wav|spˌɔdʑɛvˈawɛm ɕɛ ɡˈɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_118.wav|w jˈakim mɔmˈɛɲtɕɛ pʃɛwˈɔmu dʑɛtɕˈiɲstfa i mwɔdˈɔɕtɕi?|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_48.wav|ˌaɲi za pʲˈɛɲtɕ, ˌaɲi za dʑˈɛɕɛɲtɕ lˈat. ɲʲˈɛma tsˈɔ ɕɛ ˌɔʃukˈivatɕ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_323.wav|ix rˈuvɲʲɛʒ znˈawa.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_240.wav|upˈadɛk jɛzd bˈardʑɔ dˌɛlikˈatnɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_5.wav|— vɨbˈatʃtɕɛ, jˈɛɕli pʃɛʃkˈadʑam. bˈɛtskɨ zˌavʲɛɕˈiwa ɡwˈɔs w nadʑˈɛi, ʒˈɛ jˈɛdnɔ z ɲˈiɣ vɨjˈaɕɲi, tsˈɔ ɕɛ dʑˈawɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_8.wav|mˈuʃɔ̃ mʲˈɛtɕ tsˈɔʑ vʲˈɛntsɛj, xˈɔtɕ ʃtʃˈɛʒɛ mˈuvʲɔnts ɲˈits ɲʲɛ pʃɨxˈɔdʑi mi dɔ ɡwˈɔvɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_6.wav|xˈɛj, tˈɛssa. pɔxˈɨlam ɕɛ, ʒˈɛbɨ jˈɔ̃ ˌutsawˈɔvatɕ. tsˈɔː ˈu tɕˈɛbjɛ?|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_166.wav|praɡɲʲˈɛtɕɛ tˌɨlkɔ na xfˈilɛ tɔ fʃˈɨstkɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_67.wav|zˌauvˈaʒam zˈɔɛ, ktˌura vɨstˈavja ɡwˈɔvɛ s salˈɔnu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_443.wav|ɔn ɲʲɛ jɛst mˈɔim dʑˈɛtskʲɛm, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_200.wav|stˈawɨx kljˈɛntuf tʃˈɛba tsˈɛɲitɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_7.wav|blˈadɔ̃, s tʃˈɔwɛm pɔkrˈɨtɨm pˈɔtɛm i z rˌɔsʃɛʒɔnˈɨmi ɔtʃˈami.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_279.wav|— dˈaj jˈɛ dɔ lˌabɔratˈɔrjum. kˈɔrsak skˈinɔw ɡwˈɔvɔ̃, a kʲˈɛdɨ zamknˈɛwɨ ɕɛ dʒvˈi...|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_443.wav|kʲˈɛdɨ ɔɕˈɔŋɡɲʲɛ vʲˈɛk jˈɔfa, ɲʲɛ bˌɛɲdʑɛ nˈavɛt pamjˈɛntaw, jˈaɡ vɨɡlˈɔndaw lˈɔras.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_159.wav|kɔlˈɛjnɨ ʃˈɛbd dɔː ˈuxa. tɨm rˈazɛm vrˈɔɲʲɛ ˈɔkɔ rˈɨknɔw ɡwˈɔɕnɨm ɕmʲˈɛxɛm i vˈalnɔw puxˈarɛm f stˈuw, nˌakazˈujɔnts fʃˈɨstkim ɕɛ utɕˈiʃɨtɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_47.wav|pɔdˈɔba tɕˈi ɕɛ? spɨtˈawa kɔbjˈɛta.|4
+Dataset/wavs/urwisko_ferenc/33_segment_109.wav|pɔftˈuʒɨw, a ˌɔna skinˈɛwa ɡwˈɔvɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_417.wav|ˌalɛ pˈɔtɛm pʃɛstˈawɔ tˈakʲɛ bˈɨtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_129.wav|ɲʲˈɛtsɔ pɔzmʲˈɛɲʲaw imjˈɔna. tsˈasɕɛ zastˈɔmpiw tsˈatxɨ, a jˈɛɡɔ mˈatka w ʒˌɛtʃɨvistˈɔɕtɕi mʲˈawa na ˈimjɛ darlˈɛnɛ, a ɲʲɛ arlˈɛnɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_98.wav|akˈurat ɲʲˈɛʑlɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_146.wav|bʲˈillɨ vˈidʑi, ʒˈɛ na xatʃˈɨku ˌɔbɔk kʃˈɛswa vˈiɕi tɕˈɛŋki, bˌavɔwɲʲˈanɨ vɔrˈɛtʃɛɡ vˌɨpɛwɲʲˈɔnɨ kulˈami bʲˌilardɔvˈɨmi. zdɛjmˈujɛ ɡˈɔː i vˌɨsɨpˈujɛ bʲˈillɛ na ʑɛlˈɔnɨ fˈilts stˈɔwu.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_178.wav|jɛj ˌɛlastˈɨtʃna pˌɔlimɛrˈɔva pɔvwˈɔka zˌatʃɨmɨvˈawa vʲˈɛŋkʃɔɕtɕ ɕfʲˈatwa swˌɔnɛtʃnˈɛɡɔ, ˌalɛ tɔː ˌɔznatʃˈawɔ, ʒˈɛ ʃˈɨpkɔ ɕɛ nˌaɡʒɛvˈawa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_67.wav|lˈɛpʲɛj ɔt rˈazu ˈɔtɔ zapˈɨtatɕ, zˈaɲim pʃˈɛs pɔmˈɨwkɛ zdrˈadʑi, ʒˈɛ jˈuʃ tɔ vʲˈɛ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_239.wav|pˌɔmɨɕlˈawa ɔː ˈinnɨm pˌɔtsawˈuŋku.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_30.wav|tˈɔm pˌɔstanˈɔviw tˌɛɡɔ ɲʲɛ kˌɔmɛntˈɔvatɕ. pɔvˈinnaʑ vʲˈɛdʑɛtɕ jˈɛdnɔ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_27.wav|tʃɨ pʃˈɨswaw tɕˈɛ maˈɛstɛr tsɔlˈɛman?|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_265.wav|ˌɔtfɔʒˈɨwam mˈawɛ dʒvˈitʃki.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_9.wav|ˌalɛ pʃˈɛdɛ fʃˈɨstkim bˌɨwa ɡʒˈɛtʃna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_196.wav|a tʃˌɨim pɔmˈɨswɛm jɛst pˈɔʒar mˌaɡazˈɨnu f kˈɔdʲi w dɲʲˈu ˈaktsji? ɲʲɛ ɲˈika, ɲʲɛ xˈɔfa.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_10.wav|f kˈɔɲtsu dɔtˈarwam dɔ pɔdnˈuʒa tʃˈɛɡɔɕ, tsˈɔ nˌazɨvˈamɨ vˈawɛm.|4
+Dataset/wavs/urwisko_ferenc/27_segment_84.wav|lˈɛɡnɛr ˌanalizˈɔvaw ˌuzɨskˈanɛ ˌinfɔrmˈatsjɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_447.wav|i zjɛxˈaliɕmˌɨ ɲʲˌɛɔtʃˌɛkivˈaɲʲɛ na bˈɔtʃnɔ̃ drˈɔɡɛ vˌɨwɔʒˈɔnɔ̃ klˌiŋkʲɛrˈɔvɔ̃ tsˈɛɡwɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_99.wav|jˈɛɕli tˌɛɡɔ ɲʲɛ pˌɔukwˈadam...|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_181.wav|tsˈɔ tɔ znˈatʃɨ f tɨm mɔmˈɛɲtɕɛ? zapˈɨtaw vɨsˈɔki pɔlˈitsjant.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_78.wav|mˈɔʒɛʃ mˈuvitɕ trˈɔxɛ jˈaɕɲʲɛj?|3
+Dataset/wavs/urwisko_ferenc/25_segment_74.wav|mˈarja zˌaɔfˌɛrɔvˈawa mu nˈɔtslɛk na partˈɛʒɛ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_33.wav|bˈutskɨ zɡˈɔdʑiw ɕɛ znˈalɛɕtɕ kˈɔɡɔɕ, ktˈɔː ɔdvʲˈɛʑɛ fjuʒˈɨna s pɔvrˈɔtɛm dɔ vˌɨpɔʒɨtʃˈalɲi, ʒˈɛbɨ dˈaltɔn smˈitx pɔzˈɔstaw pˈɔza fʃˈɛlkim pˌɔdɛjʒˈɛɲʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_109.wav|tʃɨ tˌaki vwˈaɕɲʲɛ prˈaɡɲʲɛʃ ɕɛ stˈatɕ, tsˈɨtrɨn?|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_79.wav|ˌalɛ pratsˈujɛ dla ɕˈɛbjɛ w dˈɔmu. i s tˌɛɡɔ mˈɔʒna jˈakɔʑ ʒˈɨtɕ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_5.wav|ˌalɛ im ʃˈɨptɕɛj ˌuzɨskˈamɨ vʲˈɛntsɛj ˌinfɔrmˈatsji na tˈɛmat pˈaɲi ɕˈɔstrɨ, tɨm vʲˈɛŋkʃɛ bˌɛndɔ̃ ʃˈansɛ na ˌɔdnalɛʑˈɛɲʲɛ jɛj mɔrdˈɛrtsɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_140.wav|pʃɨ kˈaʒdɛj bˈaɲtsɛ mˌiɡɔtˈawɨ tˈɛraz ʒˈuwtɛ ɕfʲatˈɛwka, ktˌurɨx ftʃˈɛɕɲʲɛj ɲʲɛ vidʑˈawam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_113.wav|ɕmʲˈɛjɛ ɕɛ w rɛˈaktsji na mˈuj ˈakt ɔdvˈaɡʲi.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_294.wav|ˌalɛ mˈɨɕlɛ, ʒˈɛ vrˈutsɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_8.wav|ɕˈadam napʃˈɛtɕif ɲʲˈɛj i vɨtɕˈɔŋɡam rˈɛntsɛ s kˈurtki. dˈajɛ rˈadɛ. jˈak tˈam ukwˈada ɕɛ sprˈava z dʒˈɛfɛm?|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_33.wav|i marsjˈaɲʲɛ ɲʲɛ budʑˈili ɡrˈɔzɨ, a tˌɨlkɔ vɛsˈɔwɔɕtɕ, kʲˈɛdɨ patʃˈɨwɔ ɕɛ na iɣ ɡrˈubɛ tˈɨwki.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_396.wav|kɔbjˈɛta, ktˌurɔ̃ mˈa pˈan, ɲʲɛ pˌɔtʃɛbˈujɛ ˌaɲi dˈɔmuf malˈibu, ˌaɲi sˌamɔxˈɔduf, ˌaɲi pʲɛɲʲˈɛndʑɨ, prˈavda?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_34.wav|tˈɔm ˈɔbjɔw ramjˈɛɲʲɛm ʃˈɨjɛ lˈutsɨ i pʃɨtɕˈɔŋɡnɔw jˈɔ̃ dɔ ɕˈɛbjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_89.wav|jɛdnˈɛɡɔ rˈɔku bˈɨw ʑɛlˈɔnɨ, z bjawˈɨmi vˌɨkɔɲtʃɛɲʲˈami.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_12.wav|mˈuʃɛ uvˈɔlɲitɕ nˈas ɔbˈɔjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_64.wav|vˌɨtɔtʃˈɨwam ɕɛ na zˈɛvnɔntʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_36.wav|tʃɨ ɲʲɛ zdˈɔ̃ʒɨw?|4
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_17.wav|xˈɛj, tsˈɔ vɨ ˌɔtpʲɛrdalˈatɕɛ z nˈaʃɨm kɔmbˈajnɛm?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_139.wav|a jˈɛɕli ɡˌɛnɛvʲˈɛvɛ zˌaʒɔndˈawabˌɨ pɔwˈɔvɨ pɔzˈɔrnɛj vartˈɔɕtɕi fˈirmɨ, ɲˈilɛ mˈuɕawbˌɨ spʃˈɛdatɕ spˈɔrɔ̃ lˈidʒbɛ udʑˈawuf, ʒˈɛbɨ jˈɔ̃ spwˈatɕitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_92.wav|z ɔtfˈɔru f pɔdwˈɔdʑɛ vˌɨnuʒˈawɔ ɕɛ rˈamjɛ pʃˌɛnɔɕɲˈika kˌubɛwkɔvˈɛɡɔ, ktˌurɨ fsɨpˈɨvaw zmʲɛlˈɔnɨ anˈɔrtɨd dɔ lˈɛja na ʃtʃˈɨtɕɛ vˈannɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_101.wav|ɲʲˈɛxtɕaw pˈɨtatɕ, dɔ tʃˈɛɡɔ pˌɔtʃɛbɔvˈali tˌɛɡɔ tʃˈasu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_37.wav|kʲˈɛdɨ vɨjʒˈawɛm pʃˈɛs ˈɔknɔ, zˌɔbatʃˈɨwɛm, ʒˈɛ jɛstˌɛɕmɨ na zˌatwɔtʃˈɔnɛj ulˈitsɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_13.wav|zɛrknˈɛwa pɔ rˈas ɔstˈatɲi na zɛɡˈarɛk i vwˈaɕɲʲɛ zˌamjɛʒˈawa rˈuʃɨtɕ f strˈɔnɛ vˈɛjɕtɕa, kʲˈɛdɨ na pˈarkiŋɡ vjɛxˈawɔ z impˈɛtɛm ɡrˌanatˈɔvɛ ˈawdʲi rˈɔba.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_39.wav|ɲʲɛ pˈɔʃwabˌɨm dɔ tˌɛɡɔ namjˈɔtu, ɡdˈɨbɨ ɲʲɛ ˈɔnɛ. ɲʲɛ pˌɔzvɔlˈiwabˌɨm, ʒˈɛbɨ mˈɛɡʲi ʒˈaba pɔtʃˈuwa smˈak mɔjˈɛɡɔ jˈutra f krˈɔpli krfˈi.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_165.wav|pɔdˈɛʃwam dɔ zavˈɔru tʃɨmˈajɔnts ɔbˈurɔntʃ rˈurkɛ skʲˌɛrɔvˈanɔ̃ ˈɔstrɨm kˈɔɲtsɛm dɔ pʃˈɔdu.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_219.wav|ɔznˈajmiw ɲˈim zvrˈutɕiw ɕɛ kˈu pˌɔzɔstˈawɨm ɡˈɔɕtɕɔm. zˈafʃɛ tˈɛʃ tɕˈɛʃɨ mɲʲɛ vˈidɔk nˈɔvɨx tfˈaʒɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_182.wav|zwapˈali ɡˈɔ ʒandˈarmi, a tɔ bˈɨw tʃˈɛtɕi dʑˈɛɲ pɔfstˈaɲʲa i tɛn ʃˈɛv ʒandˈarmuf pɔvʲˈɛdʑaw, tɔ bˌɛɲdʑɛ bˈardʑɔ vˈaʒnɨ pʃˈɨkwad dla dˈuxa bˌɔjɔvˈɛɡɔ nˈaʃɨɣ ʒɔwɲʲˈɛʒɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_50.wav|vʲˈɛnts kʲˈɛdɨ tʃasˈami pʃɨxˈɔdʑɛ dɔ prˈatsɨ dvʲˈɛ tʃɨ tʃˈɨ ɡɔdʑˈinɨ pˈuʑɲʲɛj, a ɔn dɔ mɲʲɛ dʑvˈɔɲi, tɔ mˈɔja sˌɛkrɛtˈarka mˈuvi...|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_390.wav|vʲˈɛm, ʒˈɛ ɕmʲˈɛjɛ ɕɛ ɡwˈɔɕnɔ jˈak pɔrtˈɔva dʑˈifka, ˌalɛ w ɡwˈɛmbʲi dˈuʃɨ nˈadal jɛst mˈawɔ̃ dʑɛftʃˈɨŋkɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_106.wav|zapˈɨtaw jˈamɛ.|1
+Dataset/wavs/urwisko_ferenc/02_segment_17.wav|ɡɔ̃ɕˈɔrɛk ɲʲɛ ʒˈɨjɛ. s krˌɨminalnˈɛɡɔ pʃˈɛɲʲus ɕɛ dɔ ʃtˈabu i bˈɨw pɔt ˈarkʲɛm ɡrˈɔxɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_36.wav|ɔn ɲʲɛ mˈɔʒɛ tɕˈɛ zmˈuɕitɕ, ʒˈɛbɨʑ dˌɔkɔntkˈɔlvʲɛɡ z ɲˈim pˈɔʃwa. ˈaram i ja mɔʒˈɛmɨ bˈɨtɕ rˈazɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_188.wav|pˈɔʃwam dɔ tˌɛrminˈala pˌɔrtɔvˈɛɡɔ, ɡdʑˈɛ tʃˈɛkaw nˈamɲʲɛ tsˈɨŋɡʲɛl. zˌapakɔvˈawam dɔ ɲʲˈɛɡɔ tsˈawɨ ˌɛkfipˈunɛk i kˌɔrɨtaʒˈami ɕpʲɔntsˈɛɡɔ mʲˈasta pˌɔjɛxˈawam f strˈɔnɛ ɕlˈuzɨ w bˈaɲtsɛ kɔnrˈada.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_81.wav|mʲˈɛliɕmˌɨ, pɔvʲˈɛdʑaw ˈandɛrsɔn. tɨ pɔɕˈɛdʑiʃ sˈɔbjɛ s tɔ̃ dʑɛftʃˈɨnɔ̃, jˈɛɕli xtsˈɛʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_246.wav|z dˈɔwu ɲʲɛ bˌɨwɔ nˈavɛd vˈidatɕ ʃtʃˈɨtu kɔpˈuwɨ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_445.wav|tɕˈɔŋɡnɔw jɛj sˈɨn.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_223.wav|tˈɛn, tsˈɔ pʃɨjˈɛxaw z vˈaʃɔ̃ ɛkˈipɔ̃, pˈan pˈɛvɲʲɛ ˌɔbɔk prˈava studjˈɔvaw psˌɨxɔlˈɔɡjɛ.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_122.wav|ɡdˈɨ ˈɔjtɕɛdʑ vˈɨswaw pˈɔmɲʲɛ, kˈaʒɔnts mi pʃɨjˈɛxatɕ na dvˈur, rˌɔspwakˈawam ɕɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_54.wav|— tˌɨlkɔ ʒˈɛ mˈam mˈawɔ pʲɛɲʲˈɛndʑɨ — mˈuvi ˈɛlis.|2
+Dataset/wavs/urwisko_ferenc/12_segment_73.wav|mˈɔʒɛ sˈɔlski ɔdvʲˈɛdʑiw ɡˈɔ f ʃpitˈalu, a tˈamtɛn na prˈɔxax pˈaplaw jˈak pˌɔtwutʃˈɔnɨ, stfʲɛrdʑˈiwa.|0
+Dataset/wavs/urwisko_ferenc/24_segment_44.wav|— ɲitʃˈɛɡɔ pˈan tˈam ɲʲɛ znˈajdʑɛ. dɔrˈɔtka ɲʲɛ mʲˈawa dˈuʒɔ ʒˈɛtʃɨ i fʃˈɨstkʲɛ zabrˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_164.wav|zastˈanuf ɕɛ lˈɛpʲɛj, jˈaɡ zamjˈɛʒaʃ spwˈatɕitɕ sfˈuj dwˈuk, ˈanɔ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_290.wav|a pˈulxnɛj, rˌɔzɛɕmʲˈanɛj mˈɛɡdʑɛ jˌɛdnɔrˈɛŋki mˈark malˈɛndɔr.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_22.wav|kˈatɛ bˌɨwa pɔpʃˈɛdɲʲɔ̃ ʒˈɔnɔ̃ tˈɔma, a lˈutsɨ ix tʃtˌɛrnastɔlˈɛtɲʲɔ̃ tsˈurkɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_182.wav|swɨʃˈawa jˈɛɡɔ kɔpɲʲˈɛɲtɕa, ˌalɛ ɲˈits ɲʲɛ zrˌɔzumjˈawa.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_126.wav|muɕˈawam vˌɨkɔʒˈɨstatɕ tˈɛ krˈutkɔ̃ pʃˈɛrvɛ, mˈɔʒɛ dʑˌɛɕɛɲtɕˌɔminutˈɔvɔ̃, zˈaɲim lˈudʑɛ fɕˈɔndɔ̃ dɔ pɔtɕˈɔŋɡu i ɔdjˈadɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_454.wav|dɔ mɔjˈɛɡɔ rˌɔzɡrabjɔnˈɛɡɔ dˈɔmu i dɔ mˈɔjɛj vɨsxɲʲˈɛntɛj ʒˈɛki.|0
+Dataset/wavs/urwisko_ferenc/60_segment_51.wav|a jˈɛɡɔː ˈusta ɲʲɛskwˈadɲʲɛ prubˈujɔ̃ vˌɨpɔvʲˈɛdʑɛtɕ jˈakʲɛɕ swˈɔva.|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_112.wav|vɨkrˈɨliɕmˌɨ ˌɔtxɨlˈɛɲʲɛ ɔt nˈɔrmɨ i musˈimɨ tɔ sprˈavdʑitɕ pʃɛt jutʃˈɛjʃɨm lˌɔndɔvˈaɲʲɛm. na lˈitɔʑdʑ bˈɔskɔ̃, bˈɔp!|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_87.wav|bˌɨwɛm naprˈavdɛ blˈiski vˌɨraʒˈɛɲʲa zɡˈɔdɨ, ˌalɛ zrˈɔbʲiwbˌɨm tɔ tˌɨlkɔ dla lˈutsɨ. a pˈɔza tˈɨm, jˈakʲɛ mʲˈawabˌɨ ʒˈɨtɕɛ z rˌɔdʑitsˈami, ktˌuʒɨ ˌutratɕˈili ɲʲɛ tˌɨlkɔ mˈiwɔɕtɕ, ˌalɛ i ʃatsˈunɛɡ dɔ ɕˈɛbjɛ?|3
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_9.wav|tɔ ɲʲɛ fʃˈɨstkɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_199.wav|aʒˈɛbɨʑ vʲˈɛdʑaw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_24.wav|vʲˈɛlɛ ˈɔsup utɕˈɛʃɨ ɕmʲˈɛrtɕ jaɡˈɛra.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_194.wav|naprˈavdɛ bˈardʑɔ mi pʃˈɨkrɔ, ˈandɛrsɔn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_310.wav|zˌatʃɨmˈali ɕɛ pʃɛt ɲˈiskim dˈɔmɛm.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_69.wav|sˈɛr mˈanfrɛj ˈujɔw jˈɔ̃ za rˈamjɛ i pˌɔprɔvˈadʑiw w ɡˈurɛ pɔ sxˈɔdax.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_179.wav|pɔlˈitsjant spʃˈɛtʃaw ɕɛ ɔ tsˈɔʑ z ɲʲˌɛvidˈɔtʃnɨm tʃwɔvʲˈɛkʲɛm, a pˈɔtɛm pɔvʲˈɛdʑaw ɡwˈɔɕnɔ|0
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_42.wav|ˈaʃ ɲʲɛ mˈɔʒɛ ɕɛ ˈɔtɨm dɔvʲˈɛdʑɛtɕ. na ʃtʃˈɛɲɕtɕɛ fstˈajɛ z wˈuʃka i ˈidʑɛ dɔ waʑˈɛŋki.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_272.wav|ɲˈikt ɲʲɛ zapˈɛvɲi im bˌɛspʲɛtʃˈɛɲstfa.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_67.wav|pʃɛmjˈɛʒɨw z ɲˈimi pɔwˈɔvɛ rˈɛax, im f kˈɔɲtsu dˈɔtar dɔ krulˈɛfskʲɛj pʃɨstˈaɲi, lˈitʃɔnts nˈatɔ, ʒˈɛ zdɔbˈɛɲdʑɛ wˈaski na dvˈɔʒɛ.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_3.wav|ˈɔkna jˈuʃ ʃtʃˈɛlɲʲɛ zamkɲʲˈɛntɔː i zˌatʃaɕɲʲˈɛntɔː ˌɔkʲɛnɲˈitsɛ, a mˈɛblɛ nakrˈɨtɔ tkaɲˈinɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_210.wav|jˌɛstɛm ɕfʲˈɛntɨm sɛptˈɔnɛm, dˈɔbra pˈaɲi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_48.wav|sprubˈujɛ tɔ rˌɔspratsˈɔvatɕ, jˈumbɔ. pɔ tsˈɔ mʲˈɛlibˌɨ udˈavatɕ pɔlˈitsjɛ, vʲˈɛdʑɔnts, ʒˈɛ kʲˈɛdɨ ɲʲɛ zvrˈutsɔ̃ zˌakwadɲˈikuf, ɔfjˈara natˈɨxmʲazd zɡwˈɔɕi ɕɛ dɔ nˈas?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_63.wav|jˈasnɛ. fʃˈɨstkʲɛ stˌandardˈɔvɛ ˌinfɔrmˈatsjɛ bˌɛndɔ̃ w ˈaktax. ˌalɛ jˈɛɕli tˌɨlkɔ pɔjˈavi ɕɛ tsˈɔɕ jˈɛʃtʃɛ, dˌɔpilnˈujɛ, ʒˈɛbɨɕ tɔ dˈɔstaw.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_155.wav|rˈɛʃtɔ̃ ɕfʲˌadɔmˈɔɕtɕi dˌɔmɨɕlˈiwɛm ɕɛ vrˈɛʃtɕɛ, ʒˈɛ nˈajpʲɛrf tʃˈɛba upˈɔratɕ ɕɛ z ʒˌakʲɛtɕˈikʲɛm, vʲˈɛnts...|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_112.wav|zɔbˈatʃɨw fʃˈɨstkɔ, tsˈɔ tʃˈɛba i pˈɔdjɔw dɛtsˈɨzjɛ. vˈɛʑmʲɛ tɔ mʲɛʃkˈaɲʲɛ, a ɲˈitsk, madʒˈarjan, ɲʲɛ mˈuɕi ɲˈits ˈɔtɨm vʲˈɛdʑɛtɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_156.wav|rˈatsja, pˌɔtfʲɛrdʑˈiwam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_109.wav|mˈatka pˌɔvʲɛdʑˈawa, ʒˈɛ w ɡwˈɔvʲɛ jɛj ɕɛ pʃˌɛvrutɕˈiwɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_16.wav|tɔ ɲʲɛ jɛst pʃˌɛswuxˈaɲʲɛ dɔ rˈɔli. tɔ jɛst mˈɔjɛ ʒˈɨtɕɛ.|4
+Dataset/wavs/urwisko_ferenc/19_segment_9.wav|i s psˈɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_3.wav|ɲʲɛ mˈɔɡɛ dwˈuʒɛj ɕˈɛdʑɛdʑ w ɡarˈaʒu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_46.wav|upˈuʃtʃa rˈɛntʃɲik i vɨtɕˈɔŋɡa rˈɛntsɛ dɔ dʑɛftʃˈɨnɨ, zˌamjɛʒˈajɔnts pʃɛvrˈutɕitɕ jˈɔ̃ s pɔvrˈɔtɛm na bˈɔk, ʒˈɛbɨ ɲʲɛ zˌaxwɨsnˈɛwa ɕɛ vwasnˈɨmi vˌɨmjɔtɕinˈami, pˈɔtɛm jˈɛdnaɡ zmʲˈɛɲʲa zdˈaɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_131.wav|swɨʃˈawam ɲˈiski pˈɔmruk jˈɛɡɔ ɡwˈɔsu i pʃˈɛs xfˈilɛ ɲʲˈɛtsɔ pˌɔdɲʲɛɕˈɔnɨ ɡwˈɔs mˈamɨ, ˌalɛ ɲʲɛ rˌɔspɔznˈawam ʒˈadnɨx swˈuf. ɲʲˈɛvʲɛm, jˈaɡ dwˈuɡɔ tˈam ɕɛdʑˈɛli.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_357.wav|rˌɛtsɨtɔvˈawɛm im ustˈɛmpɨ s ɕˌɛdmʲɔramjˈɛnnɛj ɡvʲˈazdɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_5.wav|dˈɔm jˈɛɡɔ rɔdʑˈitsuv znajdˈɔvaw ɕɛ ɲʲˈɛtsɔ na ubˈɔtʃu. ɲʲɛ pʃˌɨpɔmˈinam sˈɔbjɛ jˈɛdnaɡ za ɲˈits w ɕfʲˈɛtɕɛ, tʃɨ bˌɨwɔ tɔ pɔ lˈɛvɛj tʃɨ pɔ prˈavɛj strˈɔɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_39.wav|bʲˈillɨ ˈidʑɛ na ɡˈurɛ dɔ ɡwˈuvnɛj sɨpʲˈalɲi i kwˈadʑɛ valˈiskɛ na pɔdvˈujnɨm wˈuʃku, ktˌura vɨɡlˈɔnda na ɕfʲˈɛʒɔ pɔswˈanɛ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_144.wav|zˈɔstaf nˈas sˈamɨx, kˌapitˈaɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_57.wav|pɔdvˈujnɔ̃ ɡwupˈɔtɛ mˈɨɕli bʲˈillɨ, jˈɛɕli dɔlˈitʃɨtɕ tˈamtɔ̃ pisˈarkɛ.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_13.wav|ubrˈawa ɕɛ ʃˈɨpkɔ f tɕɛmnˈɔɕtɕi. ɡdˈɨ ftɕɔŋɡˈawa blˈuzɛ pʃˈɛz ɡwˈɔvɛ, ta lˈi ˌɔtfɔʒˈɨwa ˈɔtʃɨ.|1
+Dataset/wavs/urwisko_ferenc/58_segment_1.wav|pɔ tʃɨm vɨtɕˈɔŋɡnɔw tʃˈɨ baŋknˈɔtɨ i ɕɛ zavˈaxaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_332.wav|kˌanadˈɨjtʃɨk sxˈɔvaw sfˈɔjɛ ɡʲˈizmɔ dɔ kʲɛʃˈɛɲi.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_333.wav|sˈɛr ˈilɨn vrˈutɕiw dɔ kˈɔɲi, pˌɔzvalˈajɔnts, bˈɨ jˈamɛ sˈam ɕɛ pˈɔdɲʲus.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_176.wav|nˈavɛt ɲʲɛmˈɔvlɛ zatʃˈɛwɔ ssˈadʑ z vʲˈɛŋkʃɨm zapˈawɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_168.wav|ɲʲˈɛvʲɛm, jˈakim tsˈudɛm dɔmˈiɲik mʲˈawbɨ mɲʲɛ stˈɔnd vɨpˈuɕtɕitɕ pˈɔtɨm fʃˈɨstkim, tsˈɔ pɔvʲˈɛdʑaw.|3
+Dataset/wavs/urwisko_ferenc/39_segment_13.wav|zˌaintˌɛrɛsɔvˈawa ɕɛ xˈɛrman i stʃɛpnˈɛwa pˈɔpʲuw za bˌalustrˈadɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_21.wav|ɲʲɛ rɔzˈumjɛm, dlatʃˈɛɡɔ tˈaɡ bˈɔi ɕɛ f tsɔkˈɔlvʲɛɡ zˌaaŋɡaʒˈɔvatɕ, ˌalɛ ɲʲɛ mɲʲɛ tɔː ɔsˈɔndʑatɕ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_133.wav|udˈawɔ tɕi ɕɛ dˈɔstatɕ trˈɔxɛ tsˈɨtrɨn.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_406.wav|pˈɔza tɨm rˈɨtsɛʃ s tsˌɨtrɨnɔvˈɛɡɔ lˈasu mˈuɡwbɨ bˈɨtɕ mˈɔʒɛ zastrˈaʃɨtɕ jakʲˈɛɡɔɕ pˌɔɕrɛdɲʲˈɛɡɔ lˈɔrda, ˌalɛ s pɛvnˈɔɕtɕɔ̃ ɲʲɛ kɕˈɛɲtɕa dˈɔrnɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_29.wav|tˈɛssa vɛstxnˈɛwa, ʒawˈujɔnts, ʒˈɛ w ɔɡˈulɛ tɔ pˌɔvʲɛdʑˈawa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_145.wav|ɲʲɛstˈɛtɨ ɲʲɛ fʃˈɨstkɔ dˈa ɕɛ rɔzvʲˈɔ̃zatɕ s pɔmˈɔtsɔ̃ dˌɔmiɲˈika ˌɔras xustˈɛtʃki, ˌɔdrɔbʲˈinɨ miwˈɔɕtɕi i atˈɛntsji.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_36.wav|tˈak tʃɨ ˈɔvak, bˈɨtɕ mˈɔʒɛ dwˈuɡɔ ɲʲɛ pɔʒˈɨjɛ. tˌaki pʃɛvˈaʒɲʲɛ jɛst lˈɔs kˈɔzwuf ɔfjˈarnɨx ɲˈika mˌadʒarjˈana.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_103.wav|lˈɔrt lˈɛjtɔn zˈamknɔw ɕɛ na ʃtʃˈɨtɕɛ sfˈɛj vʲˈɛʒɨ s ʃalˈɔnɔ̃ dʑɛvˈitsɔ̃ i studjˈujɛ kɕˈɛŋɡʲi z zˌaklɛɲtɕˈami. mˈɔʒɛ pʃɨvˈɔwa ˈarmjɛ z ɡwˈɛmbʲin?|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_249.wav|mˈuvi ɔ krfavʲˈɔntsɨɣ ɡvʲˈazdax, bjˈawɨx tɕˈɛɲʲax, snˈax i...|1
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_31.wav|stˈɛvɛ mˈuvi jˈɔɛ pˈalmɛr, pˌɔvʲɛdʑˈawam, kʲˈɛdɨ f kˈɔɲtsu pʃˌɛkɔnˈawam pˌɨʃawkˌɔvatˈɛɡɔː ˌasɨstˈɛnta, ʒˈɛbɨ mɲʲɛ z ɲˈim pɔwˈɔntʃɨw.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_239.wav|pɔvʲˈɛdʑaw pɛtskˈɔvi, zˈaɲim rˈuʃɨw na ɡˈurɛ. xwˈɔpaɡ bɛzzvwˈɔtʃɲʲɛ mu jˈɔ̃ pʃˈɨɲʲus. vɨkˈuta zˈɛ zwˈɔta rˈɛŋka vˌɨɡlɔndˈawa jˈak pravdʑˈiva.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_237.wav|mɨɕlˈawɛm, ʒˈɛ ɕɛ mnˈɔ̃ znudʑˈiwa, ˌalɛ pɔ xfˈili vrutɕˈiwa vˈɔlnɨm krˈɔkʲɛm, ˌɔbratsˈajɔnts tsˈɔɕ f pˈaltsax.|0
+Dataset/wavs/urwisko_ferenc/60_segment_10.wav|a tɔ w vˈaʃɨm lˌabɔratˈɔrjum ɲˈits pˈaɲi ɲʲɛ pˌɔvʲɛdʑˈɛli? vʲˈɛm, ʒˈɛ tɛxɲˈitsɨ krˌɨminˈalɲi tˈu bˈɨli, pɔbrˈali prˈupki krfˈi, a tˈaɡʒɛ zˌabɛspʲɛtʃˈɨli vwˈɔsɨ.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_16.wav|minˈɛwɔ jˈuʒ vʲˈɛlɛ dɲˈi, ˈɔtkɔnt ɔstˈatɲʲɔ palˈili ˈɔɡʲɛɲ, ˌalɛ dʑˈika dʑɛftʃˈɨna nˈadal kulˈiwa ɕɛ pʃɨ kɔmˈiŋku.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_198.wav|vʲˈɛndʑ vˈidʑaw ɕˈɛbjɛ, ˌidɔntsˈɛɡɔ, xˈɔtɕaʃ mˈukw kˈupitɕ sˈɔbjɛ bʲˈilɛt i pɔjˈɛxatɕ ˌawtɔbˈusɛm, ˌalɛ pˌɔstanˈɔviw ˈiɕtɕ i vʲˈɛdʑaw, ʒˈɛ drˈɔɡɛ, ktˌurɔ̃ vˈɨbraw,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_33.wav|tsamˈɛrɔn ɕˈɛŋɡnɔw pɔː umˈɔvɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_184.wav|bʲˈillɨ lˈɛʒɨ na xˌɔtɛlˈɔvɨm wˈuʃku z dwˈɔɲmi pɔt pɔdˈuʃkɔ̃, rˌɔskɔʃˈujɔnts ɕɛ skrˈɨtɨm tˈam jˈaɡʒɛ ulˈɔtnɨm xwˈɔdɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_95.wav|prɔvˈadʑi tˈɛndɨ jɛdˈɨna drˈɔɡa z bˈaɲki kɔnrˈada dɔ bˈaɲki ɔldrˈina.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_210.wav|mjˈa ruʃˈɨwa pʃˈɔdɛm, a ˌɔpatulˈɔnɨ w ɲʲɛdʑvʲˈɛdʑɛ fˈutrɔ lˈɔrt rˈɔbɛrt pɔdˈɔ̃ʒaw tˈuʒ zˈaɲʲɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_113.wav|prubˈɔvaw ratˈɔvatɕ sfˈɔjɔ̃ ʒˈɔnɛ, krˈɛf pɔvˈinna bˈɨtɕ rˌɔssmarɔvˈana.|3
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_5.wav|pˈarnɛ, upˈalnɛ dɲˈi pˈɛwnɛ swˈɔɲtsa pʃˌɛplatˈanɛ sɔ̃ naɡwˈɨmi buʒˈami, tʃˈasɛm sˌɨpʲɔntsˈɨmi ɡrˈadɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_208.wav|rˈɛŋka, ktˌurɔ̃ ˈuɲʲus ˈu pˌapʲɛrˈɔsa, drʒˈawa lˈɛkkɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_220.wav|tʃˈɛba tʃtˈɛrɛɣ dɔ ʃˈɛɕtɕu ɡˈɔdʑin, ʒˈɛbɨ skˈura pɔʒˈɔndɲʲɛ zbrˌɔ̃zɔvʲˈawa. kʲˈɛdɨ jˈɛʃtʃɛ vwˈɔʒɨʃ kapˈɛluʃ i ˌɔɡrɔdɲˈitʃki?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_41.wav|pˈatʃɛ na sfɔjˈɛɡɔː ˈɔjtsa, jˈaɡbɨ prˈɔɕiw ɔ pˌɔzvɔlˈɛɲʲɛ i dɔpʲˈɛrɔ ftˈɛdɨ ɕɛ ɔdvrˈatsa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_21.wav|ɲʲɛ zmʲɛɲʲˈawɔ tɔ jˈɛdnak fˈaktu, ʒˈɛ tɕi dvˈɔjɛ tɔtʃˈɨli zˈɛ sˈɔbɔ̃ vˈɔjnɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_64.wav|tˈɛras tˈunɛl xˌarmɔɲikˈɔvɨ, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_156.wav|ɲˈikt xtsˈɛ vʲˈɛdʑɛtɕ, tʃɨ jˌɛstɛʑ ɡɔtˈɔvɨ na jˈutrɔ. jˈasnɛ. ɡdʑˈɛ brˈɔɲ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_40.wav|bʲˈillɨ ɔtfʲˈɛra fˈildr dʒvˈi sfˈɔjɛj tɔjˈɔta ɔt strˈɔnɨ pˌasaʒˈɛra.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_439.wav|pʃɛstrˈaʃɛ ɕɛ nat rˈanɛm i ftˈɛdɨ dˈumam sˈɔbjɛ, a nˈuʒ bˈuk istɲʲˈɛjɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_228.wav|i zajʒˈawam dɔ ɕrˈɔtka. pɔt ɕtɕˈanɔ̃ w ɡwˈɛmbʲi bˈaɲki stˈawa lɔrˈɛtta sˈanxɛs.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_207.wav|zatʃˈɛwa vˈalidʑ w dʒvˈi pʲɛɲɕtɕˈami.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_26.wav|ɲʲɛ ˌɔtpɔvʲˈada nˈuʃa. ɲʲɛ udˈawɔ ɕɛ nˈam z ɲˈim skˌɔntaktˈɔvatɕ. nˌastɛmpˈujɛ xfˈila tɕˈiʃɨ, pɔ tʃɨm rɔzlˈɛɡa ɕɛ ˈɔkʃɨɡ zˌaskɔtʃˈɛɲʲa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_81.wav|vˈidɔɡ bˈɨw lˈɛkkɔ pʃˌɛraʒajˈɔntsɨ, bˈɔ blˈask pˌadajˈɔntsɨ ɔd dˈɔwu ʒˈutsaw tɕˈɛɲʲɛ, a jˈɛɡɔː ˌɔtʃɔdˈɔwɨ vˌɨdavˈawɨ ɕɛ pˈustɛ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_496.wav|kˈapwan vˈɨdaw vˈarɡʲi. ˈɔɡar spɔtʃˈɨva jˈuʒ w ɡrˈɔbjɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_274.wav|mˈɔʒɛ ɲʲˈɛbɨw tɔ ʃtʃˈɨt tɛxɲˈitʃnɛj finˈɛzji i s tsˈawɔ̃ pɛvnˈɔɕtɕɔ̃ ɲʲɛ ɡʒˈɛʃɨw urˈɔdɔ̃, ˌalɛ dʑˈawaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_48.wav|ˌuswɨʃˈawɛm jɛj kʃˈɨk i pɔdbjˈɛɡwɛm dɔː ˈɔkna.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_46.wav|ˈɔx, jˌɛstɛm pˈɛvna, ʒˈɛ ɲikˈɔɡɔ jˈuʃ tˈam ɲʲˈɛma, xˈɔls. ja ɲikˈɔɡɔ ɲʲɛ vidʑˈawam, vʲˈɛnts ɲʲˈɛma ɕɛ tʃɨm pʃɛjmˈɔvatɕ, dˈɔbʒɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_26.wav|plˈus mˈinus mˈiljɔn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_147.wav|bjˈɛʒɛ ɡlˈɔka ˌɛdʲisˈɔna z waʑˈɛŋki i pistˈɔlɛt ɲˈika lɛʒˈɔntsɨ ˌɔbɔk mˈartfɛj dwˈɔɲi rɛɡɡʲˈɛɡɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_36.wav|ja dɔ fʃˈɨstkix mˈuvjɛ tˈɨ, tˌaki mˈam zvˈɨtʃaj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_26.wav|pˈɔtʃɛd dɔ tˌɛlɛfˈɔnu i ˌɔtfɔʒˈɨfʃɨ kɕˈɔ̃ʃkɛ tˌɛlɛfɔɲˈitʃnɔ̃ ɔdnˈalaz nˈumɛr rɨˈana.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_91.wav|ɲʲɛ mɨɕlˈawɛɕ xˈɨba, ʒˈɛ bˌɛndɛ prˌɔtɛstˈɔvatɕ, tsˈɔ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_67.wav|ɕˈɛŋɡnɔw dɔ kʲɛʃˈɛɲi i vɨtɕˈɔŋɡnɔw s pɔrtfˈɛla vˌizɨtˈufkɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_30.wav|nˌavʲɔ̃zˈawam znˌajɔmˈɔɕtɕi s kilkˈɔma ˌɔsɔbˈami, ktˌurɛ vɨdˈawɨ ɕɛ ˌɔbɔjˈɛntnɛ nˈatɔ,|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_141.wav|skʲˌɛrɔvˈawam pwˈɔmjɛɲ s pɔvrˈɔtɛm na kɔɲtsˈufkɛ prˈɛnta.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_146.wav|dʑˈiɕaj ɲʲɛ vˈidʑi ɲˈits.|2
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_12.wav|ˌɔprɔvˈadʑa turˈɨstuf na zˈɛvnɔntʃ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_206.wav|i vrˈutsɛ ɲˈim dɔ lˌakɛsˈidɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_164.wav|bʲˈillɨ tˌɛɡɔ ɲʲˈɛvʲɛ i ɲˈidʑ ɡˈɔ tɔ ɲʲɛ ɔpxˈɔdʑi.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_236.wav|pˌɔrastˈawɨ ɡˈɔ ʃtˈɨvnɛ vwˈɔsɨ i pʃˌɨpɔmˈinaw rˈatʃɛj mˈawpɛ ɲˈiʃ tʃwɔvʲˈɛka.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_413.wav|jˈamɛ tˌɛɡɔ ɲʲɛ zrˈɔbʲiw.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_47.wav|i pɔpˈifʃɨ jˈɔ̃ vˈɔdɔ̃ pɔvʲˈɛdʑaw,|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_331.wav|ˌalɛ ɲʲɛ dʑˈiɕaj.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_108.wav|zˈasxwɔ jɛj w ɡˈardlɛ.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_297.wav|ɲʲɛ mˌamɨ vʲˈɛlu ɡˈɔɕtɕi.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_233.wav|bʲˈillɨ pɔstˈaviw pʃɛdˈɛmnɔ̃ ʑˈimnɛ, ˌɔʒɛʑvʲajˈɔntsɛ pˈivɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_44.wav|tˈata zabjˈɛra rˈɛŋkɛ i kwˈadʑɛ jˈɔ̃ dˌɛlikˈatɲʲɛ na tʃuprˈɨɲʲɛ alfjˈɛɡɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_304.wav|pɔ drˈuɡʲɛj strˈɔɲʲɛ bˈɨw mˈur i ɲʲɛ vidʑˈawɛm jˈɛɡɔ pɔtʃˈɔntku ˌɔras kˈɔɲtsa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_166.wav|kˈurtʃɛ, trˈafiwbˌɨm nˈavɛd w dˈɛʃtʃu, xˈɨba ʒˈɛbɨ rˌɔspɛntˈawa ɕɛ nˌavawɲˈitsa, jˈak s kɕˈɛŋɡʲi rɔdʑˈaju.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_384.wav|pɔtfˈɔra, kturˌɛɡɔ sˈam spwˈɔdʑiw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_551.wav|vjɛxˈaliɕmˌɨ na ktˈurɛɕ pʲˈɛntrɔː i zˈaraz znalˈazwɛm ɕɛ w ɔpʃˈɛrnɨm ˌapartamˈɛɲtɕɛ.|0
+Dataset/wavs/urwisko_ferenc/12_segment_139.wav|w nɔtˈattsɛ z vˈaʃɛj rɔzmˈɔvɨ|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_123.wav|vɨtɕˈɛra ˈɔtʃɨ, vɨtɕˈɛra nˈɔs. pˈatʃɨ, jˈak ɔbwˈɔtʃki pˈarɨ vˌɨxɔdʑˈɔntsɛ z jɛj ˈust rˌɔspwɨvˈajɔ̃ ɕɛ f pɔvʲˈɛtʃu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_149.wav|kɔxˈawam ɡˈɔ tˈaɡ bˈardʑɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_70.wav|zrˈɛʃtɔ̃ bˈɨwbɨ tɔ pɔvˈaʒnɨ prˈɔblɛm. spɛɲdʑˈiwam tˈutaj pˈɔnat pɔwˈɔvɛ ʒˈɨtɕa, vʲˈɛnts mˈuj ɔrɡˈaɲizm jɛst pʃˌɨzvɨtʃajˈɔnɨ dɔ ʃˈɛɕtɕ rˈazɨ swˈapʃɛj ɡrˌavitˈatsji.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_446.wav|mˈiltʃaw, pɔdˈɛʃwa dɔ ɲʲˈɛɡɔː i pʃˌɨtulˈiwa ɕɛ dɔ ɲʲˈɛɡɔ, lˈɛtʃ...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_68.wav|ɲʲɛ jɛzd vˌɨstartʃajˈɔntsɔ vˌɨzɨvajˈɔntsa.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_80.wav|ɲʲɛ mˈɔɡɛ zˌapɔmˈinatɕ ɔ jˈɛɡɔ nˈɔvɨm tɨtˈulɛ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_36.wav|zˌapɨtˈawa mawˈɛɡɔ lˈɔrda, tʃɨ mˈam vˈɨswatɕ mˈɛdʲi pɔ jaɡˈɔdɨ z bʲˈitɔ̃ ɕmʲɛtˈanɔ̃ ˈalbɔ pɔ tɕˈɛpwɨ xlˈɛb z mˈaswɛm?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_31.wav|a vʲˈɛnts sˈɔɲdʑi pˈaɲi, ʒˈɛ jˈɛdnɔ z ɲˈix mˈɔʒɛ mʲˈɛtɕ ˈalbɔ jˈuʃ mʲˈawɔ rˈɔmans?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_45.wav|prˈɔʃɛ ˈuɕɔ̃ɕtɕ, pˈaɲi inspˈɛktɔr.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_186.wav|kɔwˈɨsaw jˈɛ i nˈutɕiw mu pʲɔsˈɛŋkɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_126.wav|fʃˈɛɲdʑɛ zajʒˈawɛm. ɲʲˈɛma tˈu ɲikˈɔɡɔː ˈɔprutʃ mɲʲɛ i kˈilku lˈudʑi z ɔpswˈuɡʲi, ktˌuʒɨ zˌatʃɨnˈajɔ̃ zmʲˈanɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_208.wav|zrˈɔbjɛ tsˈɔ w mˈɔjɛj mˈɔtsɨ, ʒˈɛbɨ jˈɔ̃ pʃɛkˈɔnadʑ dɔː ɔdˈɛjɕtɕa, dɔ dˌɔwɔntʃˈɛɲʲa dɔ tɕˈɛbjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_153.wav|ˌalɛ bˌɨwɔ ʑˈimnɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_82.wav|nˌajvidˈɔtʃɲʲɛj tɔ jˈɛɡɛr bˈɨw tʃɨɕtɕˈɔʃkʲɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_55.wav|maʃ jˈakiɕ pˈɔmɨsw?|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_200.wav|vwɔʒˈɨwɛm mu jˈɔ̃ na ɡwˈɔvɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_77.wav|zˌapɔvʲˈada ɕɛ krˈutkʲɛ pɔdˈaɲʲɛ dɔ bɛrklˈɛja, mˈuvi kˌɔmɛntˈatɔr f tˌɛlɛvˈizji. jˈɔnɛz za xfˈilɛ vznˈɔvi ɡrˈɛ i...|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_151.wav|tˌɨlkɔ dla ˌupɔvaʒɲʲˈɔnɨx.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_14.wav|tˈɔbjɛ pɔtʃˈɛbna jɛst nˈɔva pɛrˈuka, jɛj rˈuʒnɛ dˈamskʲɛ pʲɛrdˈɔwki i ɲʲɛ tˌɨlkɔ fˈarba dɔ vwˈɔsuf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_24.wav|nˈɔ tˈak, ˌalɛ jakʲˈɛɡɔ rɔdʑˈaju vʲˌadɔmˈɔɕtɕi?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_7.wav|zˈaɲim vˌɨpɔvʲˈadam jˌakʲɛkˈɔlvʲɛk swˈɔva, vɨtɕˈɔŋɡa rˈɛŋkɛ i ɕtɕˈiska dˌɛlikˈatɲʲɛ mˈɔjɔ̃ dwˈɔɲ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_13.wav|za kˈaʒdɨm rˈazɛm pʃˌɛtɕɛrˈajɔnts ˈɔtʃɨ zˈɛ zdumjˈɛɲʲa, ja xtɕˈawbɨm zɔstˈavitɕ pɔ sˈɔbjɛ zvˈitɛɡ vʲˈɛtʃnɛj ɛnˈɛrɡji.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_28.wav|vɨdˈajɛ s ɕˈɛbjɛ dʑvʲˈɛŋk, ktˌurɨ mʲˈaw bˈɨtɕ parskɲʲˈɛɲtɕɛm, ˌalɛ pʃˌɨpɔmˈina bˈardʑɛj wkˈaɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_266.wav|tɨ mɲʲɛ rˌɔstʃarɔvˈujɛʃ ɔt lˈat, ˈɔjtʃɛ.|1
+Dataset/wavs/urwisko_ferenc/03_segment_10.wav|ˌalɛ nˈaɡlɛ urˈɔdʑiw ɕɛ jɛj w ɡwˈɔvʲɛ plˈan. jˈɛdʑɛ pˈan dɔ tɔrˈuɲʲa, prˈavda?|0
+Dataset/wavs/urwisko_ferenc/59_segment_71.wav|pˈan jɛzd bjˈɛɡwɨm ɔd dˌɛˌɛnˈa? zˌapɨtˈawa ʒˈuka.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_82.wav|dˈɔbʒɛ ɕɛ nˈam rˌɔzmavʲˈawɔː i ftɕˈɔ̃ʒ bˌɨliɕmˌɨ f kɔntˈaktɕɛ, kʲˈɛdɨ fstˌɛmpɔvˈawɛm dɔ pɔlˈitsji.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_100.wav|ˌidɛˈalɲʲɛ, w ɔɡˈulɛ ɲʲɛ pʃɛpˈuʃtʃa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_42.wav|ˌuɕfʲadɔmˈiwam sˈɔbjɛ f tɛj sˈamɛj xfˈili, ʒˈɛ ɲʲɛ mʲˈawa jˈuʃ tˈutaj pʃɛʃwˈɔɕtɕi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_62.wav|tʃɨ bˌɛndɔ̃ kɔlˈɛjnɛ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_50.wav|zˈafʃɛ ˌɔkrɛɕlˈawa jˈɔ̃ mʲˈanɛm nadˈɛntɛj sˈuki, xˈɔtɕ kʲˈɛdɨ mʲˌawɨ kˈɔntakt tfˈaʒɔ̃ f tfˈaʃ, tɔː ˈaʃ ˌɔtɕɛkˈawa swɔdˈɨtʃɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_39.wav|fspʲˈɛʃɨ dɔ waʑˈɛŋki i bjˈɛʒɛ jˈɛdɛn z dvˈux sfˈɔix rɛntʃɲˈikuf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_3.wav|xˈɔllɨ vrˈatsa dɔ ʃkˈɔwɨ, a ja mˈuʃɛ jˈɔ̃ tˈam ɔtstˈavitɕ, ʒˈɛbɨ dɔmˈiɲik mˈuɡw zˈɔstadʑ z baˈilim w dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_360.wav|ˌalɛ bˈɛridʑ dɔndˈarjɔn tɔ tsˈɔː innˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_386.wav|pˈan pɔzvˈɔli, ʒˈɛɡw dɔ mɲʲɛ i pɔkˈazaw ˌuvalˈanɔ̃ w ˌatramˈɛɲtɕɛ rˈɛŋkɔ̃ nˈaʃɛ zˌardʑɛvʲˈawɛ dʒvˈi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_188.wav|bˈutskɨ zˌastanˈavja ɕɛ xfˈilɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_127.wav|ɡdˈɨbɨm ˌɔtsnɔvʲˈawɔ, bˈɨwbɨm mɲʲˈɛj pˈɛvnɨ ɕˈɛbjɛ, ˈalɛ...|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_225.wav|fʃˈɨstkɔ dɔkˈɔwa xutʃˈawɔ, ɡʒmʲˈawɔ, tʃaskˈawɔ.|0
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+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_127.wav|napˈarwam nˈaɲʲɔ̃ s tsˈawɛj ɕˈiwɨ, ʒˈɛbɨ pɔvʲˈɛŋkʃɨtɕ ˈɔtfur, ktˌurɨ f kˈɔɲtsu stˈaw ɕɛ na tˈɨlɛ ʃɛrˈɔki, ʒˈɛ udˈawɔ mi ɕɛ pʃˈɛs ɲʲˈɛɡɔ pʃɛtɕˈisnɔɲtɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_130.wav|zˌaplanɔvˈawam sfˈuj vˈɨjast, zˌɔrɡaɲˌizɔvˈawam dla ɲʲˈɛj, dla jɛj pʃˌɨjatɕˈɛla i dla dʑˈɛtɕi vɨtɕˈɛtʃkɛ dɔ lˌɛɡɔlˈandu na tsˈawɨ wˈikɛnt.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_22.wav|dʑɛŋkˈujɛ, ʒˈɛ tˈu zˈɛmnɔ̃ pʃˌɨjɛxˈawaɕ, kɔxˈaɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_532.wav|dɔtknˈɔwɛm jɛj tfˈaʒɨ, xˈɔtɕ...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_6.wav|tˈɔm pˈɔtʃɛd dɔ ɲʲˈɛj.|4
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+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_32.wav|tˈakʲɛ dɲˈi tsˈat lubʲˈiwa najbˈardʑɛj.|1
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+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_95.wav|ɲʲɛ mˈɔʒna tˈak tˌɛɡɔ nˈazvatɕ. pʃɨɕˈɛŋɡʲi, ktˌurɛ zwɔʒˈɨwɛm, zˌabraɲʲˈajɔ̃ mi zdrˈadʑatɕ pʃɨɕˈɛŋɡʲi.|1
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_61.wav|uswˈɨʃaw vɛstxɲʲˈɛɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_69.wav|i tɔ bˌɨwɔ nˌajstraʃɲʲˈɛjʃɛ, ɡdˈɨʃ tfˈaʃ jɛj bˌɨwa zɲiʃtʃˈɔna i zmʲˈɛnta i pˈatʃɔnts na jɛj nˈɔɡʲi mˈɨɕlaw...|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_25.wav|a ɔdbjˈɛratɕ tˌɛlɛfˈɔnɨ pɔtrˈafiʃ? dʲˈiɡnam ʃɛvrˈɔlɛt. s kˈim pˈana pɔwˈɔntʃɨtɕ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_167.wav|bˈɨw tˌaki sˈam jˈak jˈa, ˌalɛ trˈɔxɛ ˈɔptsɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_73.wav|ˌɔpuɕtɕˈiwam vzrˈɔk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_60.wav|f kˈɔɲtsu ɕɛ ˌɔdvrutɕˈiwam i ɲʲˈɛmal ˌɔɕlɛpʲˈɔna wzˈami ruʃˈɨwam f kʲɛrˈuŋku rˌɛntʃɔrɔvˈɛra.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_173.wav|wadˈunɛk pˌirɔtɛxɲˈitʃnɨ vwˈaɕɲʲɛ tɔ rɔbˈɔta fraŋkʲˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_192.wav|tsˈawɔɕtɕ ɔtˈatʃaw ɲˈiski, ɔmʃˈawɨ mˈur s pˌɔpɛŋkˈanɨɣ bjˈawɨx kamjˈɛɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_115.wav|jˈuʃ rˈas tɕˈɛ zwapˈawɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_165.wav|pˈɔttʃaz ɡdˈɨ fçˈiskɨ pʃˌɛpwɨvˈawa pʃˈɛs jɛj krtˈaɲ,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_318.wav|mˈɔʒɛ ftˈɛdɨ jˈɔ̃ pɔznˈawɛm, xˈɔtɕaʃ ˌɔna mɲʲɛ s pɛvnˈɔɕtɕɔ̃ ɲʲɛ spɔstʃˈɛɡwa.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_216.wav|ɲʲɛ dˌɔpuʃtʃˈanɔ dɔ ɲʲˈɛj ɲikˈɔɡɔ pˈɔza swˈuʒbɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_93.wav|bˈɔ tɕˈɛ zastʃˈɛlɛ, jˈɛɕli tˌɛɡɔ ɲʲɛ zrˈɔbʲiʃ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_34.wav|pˌɔmɨɕlˈɛliɕtɕˌɛ, ʒˈɛ jɛst f tɔ zˌamjɛʃˈana?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_91.wav|ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ tsˈɔɕ...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_56.wav|mˈɔja rɔzmˈɔva z ɡˌɛnɛvʲˈɛvɛ ɲʲˈɛma ɲˈits fspulnˈɛɡɔ s tˈɔbɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_158.wav|pˈɔvʲɛts mɔjˈɛmu tˈatɕɛ, ʒˈɛ ɡˈɔ kˈɔxam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_34.wav|kˈit fskˈazaw ˈɛkran.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_72.wav|mɛtˈalɛ mˌajɔ̃ tɔ dɔ ɕˈɛbjɛ, ʒˈɛ nˌaɡʒɛvˈajɔ̃ ɕɛ pˈɔttʃas ɔbrˈupki palɲˈikʲɛm, zˌauvˈaʒɨw dˈalɛ.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_203.wav|jˌɛstɛm rɨtsˈɛʒɛm.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_412.wav|f kˈɔɲtsu zdˌɛtsɨdɔvˈali ɕɛ na tʃˈɨ pɔkˈɔjɛ ˌulɔkɔvˈanɛ ˌɔbɔk ɕˈɛbjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_78.wav|unˈɔɕi rˈɛŋkɛ, f ktˌurɛj tʃˈɨma pilˈɔta i fkrˈuttsɛ pɔmjˈɛndʑɨ prɛntˈami vˈidatɕ tˌɨlkɔ zɲˌikajˈɔntsɛ plˈɛtsɨ pˈaɲi ˈɛdmɔnts.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_36.wav|zapˈɔmɲij, mˈuvi kɔbjˈɛta, ˌɔdvratsˈajɔnts ɕɛ. i tˈak ɲʲɛ ɔptɕˈɔŋɡnɛ mˌɛksɨkaɲtsˈɔvi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_141.wav|nazvˈawɔ mɲʲɛ tˈak, jˈak tɔ rˈɔbʲiw w mˈɔim dʑɛtɕˈiɲstfʲɛ i natˈɨxmʲast nˌapwɨnˈɛwɨ mi dɔː ˈɔtʃu wzˈɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_74.wav|mʲˈastɔ lɕɲˈiwɔ w ɕfʲˈɛtlɛ swˈɔɲtsa ɲˈitʃɨm kˈiɕtɕ mˌɛtalˈitʃnɨx tsˈɨtskuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_219.wav|dˈalɛ ɔtstˈɔmpiw mi rˈuvɲʲɛʃ sfˈuj kˌɔmbʲinˈɛzɔn. bˈɨw na tˈɨlɛ dˈuʒɨ, ʒˈɛ bˈɛs trˈudu mˈɔɡwam natɕˈɔŋɡnɔɲdʑ ɡˈɔ na vwˈasnɨ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_129.wav|ʒˈadnɛ klɛjnˈɔtɨ ɲʲɛ mˈɔɡɔ̃ ɕɛ rˈuvnadʑ z ɔtʃˈɨma mˈɔjɛj tsˈurki.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_57.wav|zvˌɨtɕɛ̃ʒˈɨwɨ mˈɔjɛ napʲˈɛntɛ dɔ ɡrˈaɲits mˌɔʒlivˈɔɕtɕi nˈɛrvɨ i pˌɔstanɔvˈiwam spasˈɔvatɕ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_120.wav|pʃˈɨʃɛd dɔ vˈaz z vwˈasnɛj vˈɔli i vˈɨznaw pˌɔpɛwɲʲˈɔnɛ ɡʒˈɛxɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_63.wav|nɡˈuɡʲi pɔdˈɛʃwa dɔ sxrˈɔnu zˌamjɛɲʲɔnˈɛɡɔ w ˈarɛʃt i zajʒˈawa dɔ ɕrˈɔtka pʃˈɛs ɔkʲˈɛŋkɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_89.wav|tɔ ja pˈujdɛ dɔ sɨpʲˈalɲi i pɔzvˈɔlɛ pˈanɔm pˌɔrɔzmˈavʲatɕ, mˈuvi, vɨxˈɔdʑi i zamˈɨka za sˈɔbɔ̃ dʒvˈi.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_121.wav|tfˈaʃ mʲˈaw blˈadɔ̃ i ˌɔpuxɲʲˈɛntɔ̃, a stˈavɨ tˈaɡ zˌatʃɛrvʲɛɲʲˈɔnɛ, ʒˈɛ sˈamɔ patʃˈɛɲʲɛ nˈaɲʲɛ spravʲˈawɔ jɛj bˈul.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_138.wav|dˈɔbʒɛ pˈan mˈuvi, sɔ̃ɕˈɛdʑɛ. tɔ ʃtˈuki pˈan ɲʲɛ bjˈɛʒɛ?|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_210.wav|a ɡdʑˈɛ jɛst tˈɛras xwˈɔpʲɛts?|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_233.wav|a vʲˈɛnts tɔː ɔn jˈɛdnak mʲˈaw bˈɨtɕ mnˈɔ̃, prˈavda?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_32.wav|rˈɔɕɲʲɛ vˈɛmɲʲɛ ʒˈɨtɕɛ, ktˌurɛ xtsˈɛ bˈɨtɕ kɔxˈanɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_383.wav|krɔpnˈɔwɛm jˈɛʃtʃɛ jˈɛdnɔ̃ ʃklanˈɛtʃkɛ, ʒˈɛbɨ ɕɛ rɔzlˈuʑɲitɕ i ɲʲɛ ɔttʃˈuvadʑ bˌanalnˈɔɕtɕi sˌɨtuˈatsji.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_210.wav|jˈɛɡɔ mˈiwɔɕtɕ pˌɔtʃɛbˈujɛ fʃˈɨstkix sfˈɨx lˈudʑi.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_74.wav|xtsˈɛmɨ, ʒˈɛbɨɕ nˈam pʃˌɛpɔvʲɛdʑˈawa pʃˈɨʃwɔɕtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_239.wav|najlˈɛpʲɛj, ɡdˈɨbɨ tsˈawa ta kˌamjɛɲˈitsa spwɔnˈɛwa, zˈaɲim tˈam dˈɔjdɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_141.wav|dˈɔbʒɛ ʒˈɨjɛʒ z lˈudʑmi bˈɛs pʃˌɨmilˈaɲʲa ɕɛ dɔ ɲˈix. ˌuɕmʲɛxˈajɔ̃ ɕɛ z dalˈɛka na tfˈuj vˈidɔk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_148.wav|tˈɛras pɨtˈaɲʲɛ nˌajvaʒɲʲˈɛjʃɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_8.wav|xtsˈɛ, ʒˈɛbɨ mʲˈaw jˈak najlˈɛpʃɛ ʒˈɨtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_124.wav|stˈuknɔw ɕɛ puxˈarɛm f pʲˈɛrɕ. — xˈɔtɔ ɡˈarbus, lˈɔrt xˈarlaw!|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_40.wav|jˈuʒ vɨxˈɔdʑɛ. ɡdʑˈɛ jˈɛstɛɕ?|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_457.wav|vʲˈɛlki maˈɛstɛr paˈisɛl pʃˈɨznaw, ʒˈɛ dˈavaw tɕi mʲɛɕˈɛntʃnɔ̃ xɛrbˈatɛ, a tfˈuj bwɛŋkˈitnɨ bˈart...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_122.wav|ftʃˈɛɕɲʲɛj mˈɨɕlaw zapˈɛvnɛ, ʒˈɛ pˌɔwɔʒˈɨwa ɕɛ dɔ wˈuʃka.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_29.wav|vwˈaɕ, pɔvʲˈɛdʑaw kivˈajɔnts rˈɛŋkɔ̃. fɕlizɡnˈɛwam ɕɛ dɔ ɕrˈɔtka, a ɔn natˈɨxmʲazd zasˈunɔw za mnˈɔ̃ brˈamɛ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_464.wav|pɔɲʲˈɛvaʃ inˈatʃɛj zatʃˈɛlibˌɨ tsˈɔɕ pˌɔdɛjʒˈɛvatɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_59.wav|tɔ bˌɨwɔ ɲʲɛ f pɔʒˈɔntku i mˈir ɲʲɛ vʲɛdʑˈawa, tʃɨ pɔvˈinna ɕɛ s tˌɛɡɔ pɔvˈɔdu tɕˈɛʃɨtɕ, tʃɨ bˈatɕ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_286.wav|krulˈɛfski kˈat mʲˈaw na sˈɔbjɛ zˌardʑɛvʲˈawɔ̃ kɔltʃˈuɡɛ, a zzˈa jˈɛɡɔ kˌɔɕtɕistˈɛɡɔ ramjˈɛɲʲa stˈɛrtʃaw mʲˈɛtʃ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_389.wav|ˈandɛrsɔn vʑˈɔw dvˈa dɔlˈarɨ i kˈupiw bˈuwkɛ s ʃˈɨŋkɔ̃ ɔt spʃɛdˈaftsɨ stˌɔjɔntsˈɛɡɔː ˌɔbɔɡ vˈɔzu bufˈɛtu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_43.wav|kʲˈɛdɨ pʃɨkwˈada rˈɛntʃɲiɡ dɔ jɛj tfˈaʒɨ, dʑɛftʃˈɨna pɔdnˈɔɕi rˈɛntsɛ f swˈabɨm, ɔbrˈɔnnɨm ɡˈɛɕtɕɛ. zˈaras jˈɛdnak jɛj ɔpˈuʃtʃa, jˈaɡbɨ tɔ bˈɨw za dˈuʒɨ vɨɕˈiwɛk.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_8.wav|pɔvˈinnaʑ zˈɔstatɕ jˈɛʃtʃɛ w wˈuʃku, kɔxˈaɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_281.wav|pˈɔvʲɛts mu, ˈilɛ rˈazɨ kˈɔɲtʃɨʒ z ɲˈim, kʲˈɛdɨ jˌɛstɛʑ z ɲˈim w wˈuʃku.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_168.wav|xˈɨba fʃˈɨstkɔ bˌɨwɔ f pɔʒˈɔntku.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_86.wav|ʒˈɛbɨ zvˈabʲitɕ mɔrdˈɛrtsɛ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_309.wav|jˈutrɔ rˈuʃam dɔ krulˈɛfskʲɛj pʃɨstˈaɲi, bˈɨ pʃˈɨɕɔnts swˈuʒbɛ vʲɛlkʲˈɛmu sˌɛptɔnˈɔvi i ɕˈɛdmju.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_34.wav|dˈaʃ mi xfilˈɛtʃkɛ, jˈɛnnɨ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_68.wav|pʃˈɨkrɔ nˈam ˈɔtɨm mˈuvitɕ, pˈaɲʲɛ ˈɔlman, ˌalɛ mˈili zɔstˈawa pɔrvˈana f sɔbˈɔtɲi vʲˈɛtʃur.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_140.wav|tsˈɔː ɔn vɨmˈɨɕliw?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_133.wav|ʃˈɛptʃɛ, pɔ tʃɨm ɔpˈada na kɔlˈana ˈu jˈɛɡɔ bˈɔku i vɨtɕˈɔŋɡa rˈɛŋkɛ, ʒˈɛbɨ dˈɔtknɔɲtɕ tˈɨlnɛj tʃˈɛɲɕtɕi jˈɛɡɔ ɡwˈɔvɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_511.wav|tʃɨ tɔ tˈamtɛj, tʃɨ tˈɛj?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_220.wav|na ɲʲɛxlˈujnɔ̃ ɡmˌatfaɲˈinɛ dˈaxuf i skrˈafki rtɛɲtɕˈɔvɛj vˈiswɨ pɔd bˈurɨm xˌɔrɨzˈɔntɛm|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_33.wav|ftʃˈɛɕɲʲɛj jˈɛdnaɡ zdɔ̃ʒˈɨwa ʒˈutɕidʑ bˈɛki pˈɛwnɛ dˌɛspɛrˈatsji spɔjʒˈɛɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_34.wav|plˈanɨ ɕɛ zmʲɛɲʲˈajɔ̃, pˌɔvʲɛdʑˈawa lˈɛnɛ i spɔjʒˈawa na zɛɡˈarɛk.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_295.wav|pʲˈɛrʃɨ rˈas tˈɔm vʑˈɔw mɲʲɛ ɕˈiwɔ̃ na tsmɛntˈaʒu vɔjskˈɔvɨm w dˈarliŋktɔn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_135.wav|ɔ tʃɨnˈastɛj ˈɔɕɛm.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_47.wav|prˈɔʃɛ, ˌɔna ɲˈiɡdɨ... ɕpʲɛvˈawɛm, tˌɨlkɔ ɕpʲɛvˈawɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_40.wav|a vʲˈɛnts ɲʲɛ bˌɨwɔ ɡˈɔ pʃɨ dˌɔmiɲˈiku, kʲˈɛdɨ z ɲˈim rˌɔzmavʲˈawam.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_120.wav|ˌupɛvɲˈifʃɨ ɕɛ, ʒˈɛ lˈudʑɛ, ktˌurɨm pʃɨʃwˈɨɕmɨ na ratˈunɛk, ɲʲɛ pˈadnɔ̃ trˈupɛm, sˈara pʃˌɛkrɛɲtɕˈiwa kˈɔrbɛ vwˈazu i ˌɔtfɔʒˈɨwa sxrˈɔn.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_88.wav|dʑˈivɲʲɛ ˌɔdrɛntfʲˈawɨ kwˈadɛ swuxˈafkɛ na mˈɔim stˈɔlɛ, pɛwɲʲˈɔntsɨm tˈɛʃ rˈɔlɛ bjˈurka.|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_31.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ tˈak.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_140.wav|bˈɔ tˈɛras mˈɔda na jɔŋkˈaɲʲɛ ɕɛ, ktˌurɛ ɔznˈatʃa nˈamɨsw i pˈɛvnɔ̃...|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_269.wav|xtɕˈawam ɡˈɔ zɡˈaɕitɕ jˈakɔ̃ɕ tsfaɲʲˈatskɔ̃ ɔdʑˈɨfkɔ̃, ˌalɛ ɲˈits ɲʲɛ pʃˌɨxɔdʑˈiwɔ mi dɔ ɡwˈɔvɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_196.wav|tʃˈɨ ɡɔdʑˈinɨ tˈɛmu, pɔvʲˈɛdʑaw mɛnˈadʒɛr. naprˈavdɛ bˈardʑɔ mi pʃˈɨkrɔ. vˌɨɔbrˈaʒam sˈɔbjɛ, tsˈɔ pˈan tʃˈujɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_78.wav|vrˈɛʃtɕɛ zasˈɨpja, ˌalɛ w ɕrˈɔtku nˈɔtsɨ vɨrˈɨva ɡˈɔ zˈɛ snˈu pikɲʲˈɛɲtɕɛ pʃˌɨxɔdʑɔntsˈɛɡɔ smsˈa.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_103.wav|tɔ ɲʲɛ bˌɨwɨ zˌabɛspʲɛtʃˈɛɲʲa stfɔʒˈɔnɛ z mˈɨɕlɔ̃ ɔ pʃˌɛxɔvɨvˈaɲʲu klɛjnˈɔtuf kɔrˈɔnnɨx.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_373.wav|kʲˈɛdɨ jɛj dɔtknˈɛwa,|1
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_42.wav|rˌɔzɛjʒˈawa ɕɛ, ˌalɛ zˌɔbatʃˈɨwa tˌɨlkɔ kɔlˈɛjnɛ fɔljˈɔvɛ pwˈaxtɨ, zvˌisajˈɔntsɛ s sufˈitu pʃɨ ɕtɕˈanax.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_7.wav|minstrˈɛli?|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_192.wav|sˈam znˈalaz jˈɔ̃, ɡdˈɨ pwakˈawa ˈu kamjˈɛnnɨx stˈup jakʲˈɛɡɔʑ dˈavnɔ ɲʲˌɛʒɨjɔntsˈɛɡɔ mɔrskʲˈɛɡɔ lˈɔrda. mˌamɨ tˌɨlkɔ vˈɔdɛ s kanˈawu.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_34.wav|dlatˈɛɡɔ fʃˈɨstsɨ ˌɛksplɔratˈɔʒɨ i ix kursˈaɲtɕi ˌawtɔmatˈɨtʃɲʲɛ stˈajɔ̃ ɕɛ ˌɔxɔtɲikˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_218.wav|f kˈɔɲtsu dɔstˈaɲʲɛʃ tsˈawɛ puwtˈɔra miljˈɔna.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_192.wav|lˈubʲi tˈɛʃ jɛj kuzˈɨŋki.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_39.wav|brˌakɔvˈawɔ tˌɨlkɔ vʲˈɛ̃ʑɲʲa zˌamkɲʲɛntˈɛɡɔ f pʃˌɛrɔbjˈɔnɨm na ˈarɛʃt sxrˈɔɲʲɛ pɔvʲˈɛtʃnɨm.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_163.wav|ɡdˈɨ wabˈɛɲdʑi stˈatɛk tsumˈɔvaw, sˈam pˈɔtʃɛd dɔ kˈɔː i mˈɔː i tʃˈɛx jɛj wutʃɲˈikuf, ktˌuʒɨ stˈali ˌɔbɔk trˈapu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_23.wav|skˈɔnt ta pˈaɲi znˈawa jɛj ˈimjɛ? mˈili ɲˈiɡdɨ ftʃˈɛɕɲʲɛj jɛj ɲʲɛ vidʑˈawa.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_41.wav|vʲˈɛdʑɔ̃, ʒˈɛ iɣ ʑɛmʲˈami vwˈada lˈɔrt mɔˈutɔn, ˌalɛ tˌɨlkɔ ɲʲɛvʲˈɛlu ɡˈɔ vidʑˈawɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_37.wav|mlknˈɔw tsˈɔɕ tˌɨlkɔ w ˌɔtpɔvʲˈɛdʑi, xˈɔtɕ ɲʲˈɛmuɡw ɲʲɛ pʃˈɨznatɕ jɛj rˈatsji.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_414.wav|vidˈɔtʃɲʲɛ tɕi ɡˈɔɕtɕɛ, ktˌurɨx nudʑˈiwɛm,|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_72.wav|tfˈuj sˈɛn bˈɨw ˌɔdʑɨskˈanɨm fspɔmɲʲˈɛɲʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_45.wav|a tʃɨ znalˈazwaɕ starkˈuvnɛ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_66.wav|f tˈakim rˈaʑɛ lˈɛpʲɛj pˈɔvʲɛts im ɔː imprˈɛʑɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_56.wav|mˈam tˈakʲɛ vraʒˈɛɲʲɛ, jˈaɡbɨ mi ɕɛ skɔɲtʃˈɨwɔ ʒˈɨtɕɛ.|0
+Dataset/wavs/urwisko_ferenc/34_segment_56.wav|ˌalɛ pˈɔtɛm...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_350.wav|tsˈɔ prˈavda dʑˈivnɔɕtɕ jɛj tˈaɡʒɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_194.wav|tsˈɔ tɔ jɛzd za fˈɔ?|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_180.wav|ɲʲɛ, tˈaɡ vɨɡlˈɔnda mˈundur parˈadnɨ. mʲˈawam na mˈɨɕli bjˈawɔ̃ kɔʃˈulɛ i tɕˈɛmnɛ spˈɔdɲʲɛ z ʒuwtˈɨmi lˌampasˈami.|4
+Dataset/wavs/urwisko_ferenc/34_segment_39.wav|dɔrˈɔtɛ lˌɛvandˈɔfskɔ̃ pʲˈɛrʃɨ rˈaz zɔbˈatʃɨw pˈan w ɡazˈɛtɕɛ.|0
+Dataset/wavs/urwisko_ferenc/45_segment_54.wav|ˌalɛ prˈɔblɛm f tˈɨm, ʒˈɛ pʃˌɨpɔmˈinaʃ sfˈɔjɔ̃ mˈatkɛ, tˈak?|0
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_16.wav|fʃˈɨstkɔ zˌawatfʲˈɔnɛ i mˈuvjɛ tɕˈi, tɔ jɛst tsˈɔɕ pʲɛŋknˈɛɡɔ. pˈɔmɨsw dʒˈɔrdʒja. pɔvʲˈɛmɨ tɕˈi, tsˈɔː i jˈak jˈutrɔ vʲɛtʃˈɔrɛm pɔ tfˈɔim spɔtkˈaɲʲu s xˈɔffɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_12.wav|ˌalɛ fʃˈɨstkʲɛ tɛ prɔblˈɛmɨ sɔ̃ ɲˈitʃɨm f pˌɔruvnˈaɲʲu z jɛdʑˈɛɲʲɛm.|4
+Dataset/wavs/urwisko_ferenc/33_segment_23.wav|— tsˈɔ za skˈurvʲɛl! — sˈɨknɔw bɔrˈɛvitʃ, ɡdˈɨ pɔ xfˈili fʃˈɨstkɔː utɕˈixwɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_145.wav|ɔstˈatɲʲɔ vʲˈɛlɛ ɕɛ vˌɨdaʒˈɨwɔː i ɲʲɛktˌurɨɣ z vˈas nurtˈujɔ̃ pɨtˈaɲʲa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_54.wav|dlatʃˈɛɡɔ ktˈɔɕ mʲˈawbɨ mi...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_126.wav|tɔ dlatˈɛɡɔ fʃˈɨstkix stˈɔnt ɔdˈɛswaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_55.wav|dla mɲʲɛ ˌɔtʃɨvˈiɕtɕɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_354.wav|tɔ jɛst puwɡwˈuvɛk.|0
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_125.wav|ˌalɛ ɲʲˈɛx tɔ zɔstˈaɲʲɛ mʲˌɛndʑɨ nˈami, dˈɔbʒɛ? pˌɔvʲɛdʑˈawam i zˌavʲɛɕˈiwam pˈalɛts nad vˌɨɕfʲɛtlˈatʃɛm ɡʲˈizmɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_38.wav|vʲˈɛnts ɲʲˈɛma ɕɛ tʃˈɛɡɔ bˈatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_41.wav|rɔspˈɔtʃɔw ɕɛ dʑɛvˈitʃɨ rˈɛjz daltˈɔna smˈɨtxa.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_50.wav|pˈɔttʃaz ɡdˈɨ tsatˈɛlɨn lˈɛʒɨ w vɨɡˈɔdnɨm ɡrˈɔbjɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_64.wav|pɔxˈɨliw ɕɛ dɔ pʃˈɔdu, fspˈar pʃˌɛdramjˈɔna na ˈudax i uɕmʲˈɛxnɔw ɕɛ dɔ mˈamɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_93.wav|mˌamɨ tˈutaj spˈɔrɔ budˈɔvli s kamjˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_187.wav|ɲʲˈɛvʲɛm, jˈak mˌamɨ vɨkˈarmitɕ kˈɔɲʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_75.wav|zavʲˈɛraw f sˈɔbjɛ nˈajmɲʲɛj dvʲˈɛ ʃtˈapki ɡˈumɨ dɔ ʒˈutɕa.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_179.wav|tɔ dlatʃˈɛɡɔ vɨtɕˈɔŋɡnɔw mʲˈɛtʃ na bjˈɛdnɔ̃ mɨrtsˈɛllɛ?|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_59.wav|ɲʲɛ, ɔt ɕfʲˈatwa bˈɔlɔ̃ mɲʲɛ ˈɔtʃɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_204.wav|mˈuʒɨn dʲˈitsk, ɕpʲˈɔntsɨ f kˈɔɲtɕɛ tsˈɛli, zˈɛrvaw ɕɛ nˈaɡl��.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_461.wav|pwɔnˈɔntsɨ ˈɔlɛj rˈɔzlaw ɕɛ na ʑˈɛmʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_79.wav|ˌalɛ prˈɛndʑɛj tʃɨ pˈuʑɲʲɛj bˌɛɲdʑɛ mˈuɕaw vɨpwˈɨnɔɲtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_67.wav|tsˈɔ s klˈutʃɛm dɔ mʲɛʃkˈaɲʲa jɛnsˈɛnuf? ˈɔ, ja tɕˈɛ, mˈuvi ˈɔna, bˈɨwabˌɨm zˌapɔmɲʲˈawa. vˈɨtrɛ ɡˈɔ, a pˈɔtɛm, tsˈɔ, fsˈunɔɲdʑ ɡˈɔ pɔt iɣ dʒvˈi?|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_130.wav|mˈɔʒɛ ɲˈiɡdɨ ɲʲɛ zamjˈɛʒaw?|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_87.wav|sˈɛr rˈɨman fspʲˈɔw ɕɛ na ʃˈafɔt, tˈupʲɔnts tɕˈɛ̃ʃkɔ. tˌɔvaʒɨʃˈɨwa mu lˌadatʃɲˈitsa ɔ swɔmjˈanɨɣ vwˈɔsax, rˈuvɲʲɛ pijˈana jˈak ˈɔn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_80.wav|ɡdʑˈɛɕ mˈam ɕpˈivur.|2
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_73.wav|dɔ tˌɛɡɔ jˈɛʃtʃɛ dalˈɛkɔ, ˌalɛ mˈɔjɛ ɕˈɔstrɨ i ja tɕˈɛ̃ʃkɔ prˌatsujˈɛmɨ, ʒˈɛbɨ tɔ ɕɛ spɛwɲˈiwɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_192.wav|xtɕˈawɛm pˈanu dˈadʑ w zˈɛmbɨ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_6.wav|jˈɛɕli ˌɔtʃɛkˈujɛ ˌɔtpɔvʲˈɛdʑi na pɨtˈaɲʲa ˈɔtɔ, jˈak ɕɛ tʃˈujɛ i tsˈɔ bˌɛɲdʑɛ dˈalɛj, tɔː ɔbˈavʲam ɕɛ, ʒˈɛ mu ix ɲʲɛ udʑˈɛlɛ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_61.wav|ɕmʲˈɛrdʑaw vˈinɛm i xʃˈɔŋkaw jˈaɡ dʑˈika ɕfˈiɲʲa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_36.wav|tʃɨ tˈaɡ bˈɨ ɕɛ stˈawɔ, ɡdˈɨbɨ mʲˈaw kɔnʃˈaxtɨ z ɲˈikʲɛm, ktˌurɨ vʲˈɛ jˈaɡ zawˈatfʲatɕ tˈakʲɛ sprˈavɨ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_46.wav|fʃˈɨstkɔ zatʃˈɛwɔ ɕɛ pʃˈɛtɕɛʃ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_16.wav|ˈuɲʲus ɕɛ na wˈɔktɕax i pɔpˈatʃɨw nˈaɲʲɔ̃ zˌaskɔtʃˈɔnɨ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_23.wav|pˈɔtɛm pʃˈɨʃwɨ tʃfˌɔrɔnˈɔʒnɛ vˈilki i zɛʒˈarwɨ ˈɔftsɛ, ktˌurɛ zˌɔstavˈiwɨ mi mˌantɨkˈɔrɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_159.wav|ˈidɔ̃ dɔ lɔkˈalu ɔ nˈazvʲɛ dˈɔns plˈatsɛ, xˈɨba jɛdˈɨnɛj knˈajpɨ f prɔtˈɛtstjɔn.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_188.wav|ɡdˈɨ tˌɨlkɔ fʃˈɛd dɔ ɕrˈɔtka, zdɨʃˈanɨ i zˌatʃɛrvʲɛɲʲˈɔnɨ, jˈakaɕ jˌɛdnɔˈɔka kɔbjˈɛta zˌaʒutɕˈiwa mu rˈɛntsɛ na ʃˈɨjɛ. ɲʲˈɛrup tˈɛɡɔ.|1
+Dataset/wavs/urwisko_ferenc/11_segment_8.wav|a mˈɔʒɛ tˈak jɛj ɕɛ tˌɨlkɔ vˌɨdavˈawɔ?|0
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_22.wav|i pˌɔtsawɔvˈawa ɡˈɔ w ˈusta.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_148.wav|xˈɛntɲʲɛ zapwˈatsɛ, ˌalɛ jˈɛɕli maʃ ɔpˈɔrɨ, mɔʒˈɛmɨ ɕɛ zʒˈutɕitɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_139.wav|maʃ pʲɛɲʲˈɔndʑɛ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_572.wav|— tʃɨ tɨ ɕɛ nˈamɲʲɛ ˌɔbrazˈiwɛɕ? — spˈɨtaw, kʲˈɛdɨ pˌɔxɨlˈiliɕmˌɨ ɕɛ nat fˌiliʒaŋkˈami.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_19.wav|ɲʲˈɛpatʃ nˈamɲʲɛ f tˌaki spˈɔsup. ɲʲˈɛvʲɛm, tsˈɔ planˈujɔ̃. kʲˈɛdɨ utɕˈɛkwɛm, mˈɔɡli ɕɛ zdˌɛtsɨdˈɔvatɕ na ˌuvɔlɲʲˈɛɲʲɛ mˈili.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_120.wav|ɕlˈubuf tʃˈɛ̃stɔː udʑˈɛlaw vɛsˈɔwɨ, zˌapijatʃˈɔnɨ, tʃɛrvˈɔnɨ kˈapwan ˌɛzɛlˈinɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_36.wav|i ɔdwˈɔʒɨw swuxˈafkɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_29.wav|vʲˈɛʃ jˈuʃ tsˈɔʑ vʲˈɛntsɛj na tˈɛmat tˌɛɡɔ zdaʒˈɛɲʲa?|3
+Dataset/wavs/urwisko_ferenc/35_segment_21.wav|na vʒˈɔsɨ. ˌalɛ zˈaɲim tˈam dˌɔjɛdʑˈɛmɨ, mˈuɕiʃ ˌɔtpɔvʲˈɛdʑɛtɕ na mˈɔjɛ pɨtˈaɲʲa.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_30.wav|vˈaʒ zvʲˈɔ̃zɛk ɲʲˈɛmʲaw ʃˈans.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_32.wav|jˈɛɡɔ kɔmˈɛntaʃ spˈɔtkaw ɕɛ z zupˈɛwnɔ̃ tɕˈiʃɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_105.wav|lˈɛktɨkˌa zatʃˈɛwa zvˈalɲʲatɕ, tsˈɔ s pɛvnˈɔɕtɕɔ̃ znatʃˈɨwɔ, ʒˈɛ dɔtˈarli jˈuʃ na ʃtʃˈɨd vzɡˈuʒa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_145.wav|vʲˈatr, ktˌurɨ prˈavʲɛ stˈalɛ pʃɛtɕˈɔŋɡa nad zˌaɡruzɔvˈanɔ̃ dʑˈawkɔ̃, tɕˈiska w jˈɛɡɔ kˈɔstkɛ arkˈuʃɛm kupˈɔnuf rˌabatˈɔvɨɣ z lɔkˈalnɛj ɡazˈɛtɨ i bʲˈillɨ lˈɛkkɔ pˌɔtskakˈujɛ z zˌaskɔtʃˈɛɲʲa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_147.wav|pʃɨpˈɔmɲʲaw sˈɔbjɛ fʃˈɨstkɔ f ʃtʃɛɡˈuwax i jɛst mu fstˈɨt.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_100.wav|pˈaɲi ɲʲɛ uvˈaʒa, ʒˈɛ tɔ ta kɔbjˈɛta, ktˌurɛj zdjˈɛɲtɕɛ ˌɔpublˌikɔvˈanɔ na fˌatsɛbɔˈɔku?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_13.wav|ɔtpˈarwa z ɲʲɛxˈɛɲtɕɔ̃ kˈatɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_47.wav|tsɔkˈɔlvʲɛk pˌɔtpɔvʲˈada mi lˈɔɡʲikˌa i xˈɔtɕaʒ bˈardʑɔ ɕɛ ɡˈɔ bˈɔjɛ, ɲʲɛ pɔtrˈafjɛ zapʃˈɛtʃɨtɕ, ʒˈɛ xtsˈɛ ɡˈɔ zɔbˈatʃɨtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_119.wav|ˌɔpsɛrvˈujɛ tɕˈɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_40.wav|ɲʲˈɛx pˈan vɨpˈijɛ za mˈɔjɛ zdrˈɔvʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_204.wav|zamjˈɛʒam stˈɔnd vˈɨjɕtɕ, ˈindjɔ.|3
+Dataset/wavs/urwisko_ferenc/63_segment_136.wav|ɔn pˈaɲʲɔ̃ ɔʃˈukaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_62.wav|pˈɔkuj dɔ pʃˌɛʒɨvˈaɲʲa dɛprˈɛsji, uznˈawa bˈɛtskɨ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_336.wav|pɔwˈɔva lˈaɲi spˈɔrtu xɔdʑˈiwa dɔ ɲʲˈɛj pɔː ˌamulˈɛtɨ i ˌɛliksˈirɨ.|1
+Dataset/wavs/urwisko_ferenc/27_segment_17.wav|xˈɛrman ɲʲɛ zdɔwˈawa ˈukrɨdʑ zdʑivʲˈɛɲʲa. kɔmˈɔrɲik, ktˌurɨ mʲˈaw zlˌitsɨtˈɔvadʑ vˈaʒ dˈɔm, jɛst mˈɔim kuzˈɨnɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_138.wav|i ɡdˈɨbɨ mˈɔja rɔdʑˈina ɲʲɛ pwatɕˈiwa tɕi zˈatɔ, ʒˈɛ tʃˈɨmaʒ zamkɲʲˈɛntɔ̃ mˈɔrdɛ, kˈim bˈɨwbɨɕ?|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_220.wav|ɲʲɛ maʃ ɔkrˈɛntuf ˌaɲi mʲˈɛtʃɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_73.wav|mˈam ɔxˈɔtɛ pɔkrˈɛɲtɕitɕ ˌɛnɛrɡʲˈitʃɲʲɛ ɡwˈɔvɔ̃, jˈaɡbɨm xtɕˈawa pɔtkrˈɛɕlitɕ ɲʲˌɛdɔʒˈɛtʃnɔɕtɕ tˌɛɡɔ pɨtˈaɲʲa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_14.wav|s tˈɨmi, ktˌuʒɨ muɕˈɛli ˈumʒɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_159.wav|a pˈɔtɛm f pawˈatsu mɔrskʲˈɛɡɔ lˈɔrda.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_86.wav|ɔstˈatɲʲɔ dˌɔtɕɛrˈawɨ dɔ nˈas rˈuʒnɛ dʑˈivnɛ ˌɔpɔvʲˈɛɕtɕi.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_82.wav|a tˌɛɡɔ ɲʲɛ lˈubjɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_61.wav|pˈɛvɲʲɛ mˈuʃɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_3.wav|ɲʲɛ mˈɔɡɛ ɕlˈɛdʑitɕ ix tɔ̃ drˈɔɡɔ̃ sˌamɔxˈɔdɛm. ɲʲɛ zdˈɔwam ɕɛ ˈukrɨtɕ, jˈɛɕli bˌɛndɔ̃ tˈɛndɨ vrˈatsatɕ. zɔbˈatʃɔ̃ nˈas.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_194.wav|muvˈiwɔː ɔ sˈutɛj naɡrˈɔdʑɛ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_111.wav|jˈɔffrɛj bˈɨw mwˈɔdɨ i brˌakɔvˈawɔ mu jˈɛʃtʃɛ nˌalɛʒˈɨtɛj mɔndrˈɔɕtɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_5.wav|tɔ sprˈava dˈɔɕtɕ tɛxɲˈitʃna i mˈɔɡɛ ɲʲˈɛbɨdʑ vwaɕtɕˈivɔ̃ ɔsˈɔbɔ̃, ktˌura tɔ pʃɛkˈaʒɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_234.wav|vʲˈɛm, ʒˈɛ na rˈaʑɛ trˈudnɔ pɔvʲˈɛdʑɛtɕ, ˈalɛ...|2
+Dataset/wavs/urwisko_ferenc/03_segment_8.wav|pʃˈɛstaw bˈatɕ ɕɛ ɕmʲˈɛrtɕi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_107.wav|bˈɛtskɨ pˈatʃɨ mi w ˈɔtʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_367.wav|a mˈɔʒɛ tɔː ɔdvˈaʒnɛ dʑˈɛtskɔ rˈuvɲʲɛʃ mˈuɕi pˈaɕtɕ ɔfjˈarɔ̃ trˌaɡʲitʃnˈɛɡɔ vɨpˈatku?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_27.wav|ɲˈiɡdɨ ɲʲɛ bˌɨwam ˈu ɲˈiɣ w dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_344.wav|ɔdɡrˈɨzwa sˈɔbjɛ jˈɛ̃zɨk.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_54.wav|wˈadnɛ zˈɛmbɨ, jˈak ˌɔtsɛɲˈiwabˌɨ mˈɔja mˈatka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_74.wav|jˈɛɕli ktˈɔʑ ɡrˈɔʑi ˌɔdɛbrˈaɲʲɛm ʒˈɨtɕa,|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_39.wav|dɔ dʒ��ɔna xɔvˈarda ɡriffˈina jˈɛʃtʃɛ mi dalˈɛkɔ, ˌalɛ dˈɔbrɛ i tɔ.|2
+Dataset/wavs/urwisko_ferenc/65_segment_31.wav|ɲʲˈɛx pˈan pɔtʃˈɛka.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_80.wav|pˈɛwna strˈaxuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_28.wav|tɕˈɛ̃ʃkɔː ˈɔtɨm tʃˈɨtatɕ, vʲˈɛnts pʃɛstˈawam.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_64.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_251.wav|pɔtʃˈɛbnɨ mi ɛlˈiksir. tsˈɔɕ, tsˈɔ pɔmˈɔʒɛ mi spˈatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_322.wav|ɲʲɛ vɨɡwˈupʲaj ɕɛ, dʒˈɛs.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_184.wav|ˌɔbɛjmˈujɛ ɔkrˈɨtɛ vɨmjˈɛntɔ̃ kɔʃˈulɔ̃ ramjˈɔna xˈɔffa, vˌɨprɔvˈadʑa ɡˈɔ na kɔrˈɨtaʃ i kʲɛrˈujɛ f strˈɔnɛ vˈindɨ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_309.wav|ɡdʑˈɛɕ pɔt nˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_22.wav|jˈɛɡɔ tfˈaʒ zɲiknˈɛwa f tɕˈɛɲʲu.|3
+Dataset/wavs/urwisko_ferenc/33_segment_66.wav|ˈu mɲʲɛ, ˌalɛ ɲʲˈɛma jˈɛʃtʃɛ prˈava jˈazdɨ, vʲˈɛnts swɨʃˈawa pˈaɲi ɔ zˌaɡʲiɲʲˈɛɲtɕu dʑɛftʃˈɨnɨ, ktˌura vˌɨnajmɔvˈawa pˈɔkuj ˈu ɛwɡˈɛɲʲi lˈipskʲɛj?|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_174.wav|prˈaviw viktˈarjɔn smˈaɡwɛj kɔbjˈɛtɕɛ, ɡdˈɨ ta vʲɔ̃zˈawa mu na rˈɛntsɛ pwutɕˈɛnnɨ bˈandaʃ. na pˈɛvnɔ pʃˌɛpɔvʲɛdʑˈɛli tɔ jˈɛɡɔ tʃˌarɔdʑˈɛjɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_111.wav|tɛn mˈuɕi bˈɨtɕ ɔtfˈartɨ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_309.wav|mˈarvin pɔnˈɔvɲʲɛ spˈɔjʒaw na sˈama.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_42.wav|tˈɔm pɔpˈatʃɨw na luˈisɛ zˌaskɔtʃˈɔnɨ, puʃtʃˈajɔnts jˈɔ̃ pʃˈɔdɛm dɔ kˈuxɲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_229.wav|dʑɛftʃˈɨna mˈuɕi vɨlˈizatɕ sfˈɔjɛ rˈanɨ i uznˈawa, ʒˈɛ ɔn ɲʲɛ jɛst ɲʲˌɛbɛspʲˈɛtʃnɨ, pʃɨnˈajmɲʲɛj dla ɲʲˈɛj.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_36.wav|ɔt xfˈili, kʲˈɛdɨ tɕˈɛbjɛ pɔznˈawam, ɲʲɛ xtɕˈawam ɲikˈɔɡɔː innˈɛɡɔː ˈaʃ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_186.wav|pʃˌɛtɕɛʒ bʲˈiliɕmˌɨ ɕɛ nˈavɛt rˈas pɔ lˈɛktsjax. na bˌufawˈɔvɛj ɡˈuʒɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_35.wav|dʑˈɛŋki tˌɛmu vˈidatɕ, ʒˈɛ pʃɨjˈɛxaw ɲʲɛbjˈɛskim sˈuvɛm z rˈɨsɔ̃ na bˈɔtʃnɨɣ dʒvʲˈax.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_58.wav|pɔjˈɛmɲiɡ z ɡˈazɛm bˈɨw znˈatʃɲʲɛ mɲʲˈɛjʃɨ, vʲˈɛnts ɲʲɛ vɨbʒˈuʃaw ɕɛ pɔt kˈurtkɔ̃. jˈɛɕli ˌumjɛʃkɔdlˈivjɛ vwˌaɕtɕitɕˈɛla ɡwˈɔsu z dˌɔmɔfˈɔnu, s klˈɛrki jˈɛm ɲʲɛ bˌɛɲdʑɛ kwɔpˈɔtu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_31.wav|pˈɔdɲʲus jˈɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_189.wav|vˈiɕiʃ mi jˈɛʃtʃɛ mˈiljɔn dvʲˈɛɕtɕɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_7.wav|bˈɛs pʃɛsˈadɨ, kɔxˈana, ˈɔtpar bʲˈillɨ. pˌɔvʲɛdʑˈawaɕ, ʒˈɛ pˌɔtʃɛbˈujɛʃ mʲˈɛjstsa na spɔtkˈaɲʲɛ, vʲˈɛnts mˈaʃ.|4
+Dataset/wavs/urwisko_ferenc/53_segment_25.wav|ˈɔlɡʲɛrt pɔspʃˈɔntaw talˈɛʒɛ i zmˈɨw natʃˈɨɲʲa, a mˈarja vɨtˈarwa stˈuw z rˈɛʃtɛk paɲʲˈɛrki i ˌusunˈɛwa twˈustɛ plˈamɨ.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_265.wav|ɲʲɛ ɔ staɲˈiɕɛ, kɕˈɛɲtɕu rɛɡˈaʒɛ tʃɨ ɔ kɕɔ̃ʒˈɔntku, kturˌɛmu rɔzbʲˈitɔ ɡwˈɔvɛ ɔ ɕtɕˈanɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_142.wav|f tˌɛɡɔ dɲʲˈu trˈavɨ jˈɛdnak ɲʲɛ bˌɨwɔ stʃɛlˈaɲʲa. ftˈɛdɨ tˌɨlkɔ rˌɔskwadˈaliɕmˌɨ i skwadˈaliɕmˌɨ brˈɔɲ, pˌɔftaʒˈajɔnts krˈɛdɔ stʃˈɛltsa.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_3.wav|bˈɛmbnɨ vˌɨbʲijˈawɨ bʲitˈɛvnɨ vˈɛrbɛl, a ʒɛlˈaznɛ zvɨtɕˈɛ̃stfɔ mknˈɛwɔ nˈapʃut, prˈujɔnts tarˈanɛm vɨsˈɔkʲɛ, ʑɛlˈɔnɛ fˈalɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_152.wav|dwˈuɡɔ bˈɨ ˌɔpɔvʲˈadatɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_59.wav|tˈɔm mˈiltʃaw pʃˈɛs xfˈilɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_56.wav|ɲˈilɛ strˈakan nat sˈɔbɔ̃ panˈɔvaw, xˈɔtɕ lˈɛdvʲɛ mu ɕɛ tɔː ˌudavˈawɔ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_64.wav|ɲʲɛ jɛst jˈɛʃtʃɛ za stˈarɨ, bˈɨ vʑˈɔɲtɕ sˈɔbjɛ nˈɔvɔ̃ ʒˈɔnɛ i spwˈɔdʑidʑ z ɲʲˈɔ̃ sˈɨna.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_316.wav|zˌauvaʒˈɨli mɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_56.wav|nˌastɔmpˈiwa krˈutka pʃˈɛrva, zˈaɲim na lˈiɲʲi ɔdˈɛzvaw ɕɛ drˈuɡʲi zˈɛspuw.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_30.wav|tʃɨ pwakˈawɛɕ pˈɔmɲʲɛ ɡɔʃkˈimi wzˈami, kuzˈɨŋku?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_25.wav|dɔstˈawam vʲadˈɔmɔɕtɕ ɔt stsˈɔtta, ʒˈɛbɨɕmˌɨ ɕɛ tˈutaj spɔtkˈali.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_7.wav|kwˈat ɕɛ spˈatɕ, pˈatʃɔnts na pˌɔwɨsklˈivɨ i miltʃˈɔntsɨ tɛlˈɛfɔn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_32.wav|tˈɔm mˈukw sˈɔbjɛ tˌɨlkɔ vˌɨɔbrˈaʒatɕ, jˈak tʃˈuwa ɕɛ lˈutsɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_4.wav|jˈaɡ vʲˈɛŋkʃɔʑdʑ ɡvʲazdˈɔruf filmˈɔvɨx, ɲʲɛ fspˌɔminˈajɔnts ɔ mɛ̃ʃtʃˈɨznax, ktˌurɨɣ bʲˈili mˈija na ulˈitsɨ, nˌaɕladujˈɔntsɨx tˈɨɣʒɛ ɡvʲazdˈɔruf,|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_78.wav|tʃɨ bˈɛtskɨ jɛst s tˈɔbɔ̃?|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_100.wav|dɔnˈɔvɛn pɔswˈuʃɲʲɛ skwˈada dwˈɔɲʲɛ. bʲˈillɨ krɛmpˈujɛ mu nadɡˈarstki i dʑvˈɔɲi dɔː ˈɛllis, bˈɨ pɔvʲˈɛdʑɛtɕ, ʒˈɛ dvˈux mˈa z ɡwˈɔvɨ. zˈɔstaw jˈɛʃtʃɛ jˈɛdɛn.|2
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_159.wav|ubrˈana bˈɛz ɡˈustu ˌamɛrɨkˈaŋka ˌɔdɛrvˈawa vzrˈɔk ɔt ˈɔkna i spɔjʒˈawa nˈamɲʲɛ. tʃˈɨʃ tɔ ɲʲɛ tsudˈɔvnɛ? jɛstˌɛɕmɨ na kɕɛ̃ʒˈɨtsu!|4
+Dataset/wavs/urwisko_ferenc/35_segment_10.wav|vʒˈutɕiw jɛdˈɨŋkɛ i ɔdjˈɛxaw spˈɔt ʃkˈɔwɨ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_275.wav|mˈuj ˈɔjtɕɛts jɛzd dʑˈiɕ rˈanɔ ɲʲˌɛdɨspˌɔnɔvˈanɨ.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_26.wav|w namjˈɔtɕɛ starˈuxɨ bˌɨwɔ tɕˈɛmnɔ.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_82.wav|ktˌurɨ ɕˈɛdʑaw sˈɔbjɛ bɛstʃˈɛlɲʲɛ w burdˈɛlu, ɡˈapʲɔnts ɕɛ na lˈanɛ, a jˈɛɡɔ pˈaltsɛ taɲtʃˈɨwɨ pɔ strˈunax xˈarfɨ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_96.wav|kʲˈɛdɨ bˌɛɲdʑɛʃ tʃˈɨstɨ, pɔtʃˈujɛʃ ɕɛ lˈɛpʲɛj.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_130.wav|ˈalbɔ dˌɔwɔʒˈɨmɨ tɕi dˌɔdatkˈɔvɛ ˌɔskarʒˈɛɲʲɛ ɔː ˌuʒɨvˈaɲʲɛ f stɔsˈuŋku dɔː ˌɔfitsˈɛruf pluɡˈavɨx swˈuf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_168.wav|jˈɛn rˈuvɲʲɛʃ, ʃtʃˈɛʒɛ mˈuvʲɔnts.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_9.wav|vˈidɔk kˈita ɕˌɛdʑɔntsˈɛɡɔ za bjˈurkʲɛm ɲʲˌɛʃtʃɛɡˈulɲʲɛ ɡˈɔ zaskˈɔtʃɨw, a xfˈilɛ pˈuʑɲʲɛj dɔ ɕrˈɔtka vˈɛʃwa bˈɛki twumjˈɔntsa ʑɛvɲʲˈɛɲtɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_42.wav|bˈɛtskɨ, tsˈɔ mˈɔɡɛ dla tɕˈɛbjɛ zrˈɔbʲitɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_196.wav|kɔbjˈɛta znˈuf plˈujɛ mu f tfˈaʃ. pʃɨnˈajmɲʲɛj prubˈujɛ, bˈɔ zabrˈakwɔ jɛj ɕlˈinɨ. mˈa sˈuxɔ w ˈustax, mˈɨɕli bʲˈillɨ. bˈɔi ɕɛ, ˌalɛ ɲʲɛ spˈɛwɲi jˈɛɡɔ ʒɔndˈaɲʲa.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_22.wav|sɨnˈɔvʲɛ bʒˈuska xfɨtɕˈili zatˈɨtʃki. kˈɛt rˌɔspɛɲdʑˈiwa ɕɛ i skɔtʃˈɨwa dɔː ˌɔddalajˈɔntsɛj ɕɛ ɔt pʃɨstˈaɲi wˈɔdʑi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_71.wav|a mɔʒˈɛmɨ tɔ zrˈɔbʲidʑ za pʲˈɛɲtɕ mˈinut? i dʑˈɛŋki za tɕˈastka.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_51.wav|ɡdˈɨbɨ ɲʲɛ strˈaʒɲik na zˈɛvnɔntʃ, bˈɛz vɔntpʲˈɛɲʲa ˌuzbrɔjˈɔnɨ, zbjˈɛɡwabˌɨm natˈɨxmʲast pɔ sxˈɔdax i rˌɔspravˈiwa ɕɛ s tɔ̃ kɔbjˈɛtɔ̃ zˈatɔ, tsˈɔ zrɔbʲˈiwa mˈɔjɛj rɔdʑˈiɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_136.wav|ˈalbɔ kˌamɛrdˈɨnɛr pˈana na vwˈɔɕtsax.|2
+Dataset/wavs/urwisko_ferenc/45_segment_9.wav|mˈarja pʃˌɨwɔʒˈɨwa pˌapʲɛrˈɔsa dɔː ˈust.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_245.wav|ɲʲɛ mˈuvmɨ jˈuʃ ˈɔtɨm vʲˈɛntsɛj.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_160.wav|jˈuʃ ɲitʃˈɛɡɔ ɲʲɛ swɨʃˈawɛm.|0
+Dataset/wavs/urwisko_ferenc/22_segment_64.wav|jˈaɡbɨ tˈɛras, kʲˈɛdɨ spˈaw ˌɔbɔɡ ʒˈɔnɨ, ɲʲˌɛznajˈɔmɨ mɛ̃ʃtʃˈɨzna fsˈunɔw ɕɛ pɔt kˈɔwdrɛ.|0
+Dataset/wavs/urwisko_ferenc/08_segment_110.wav|a tɔ sprˈavi, ʒˈɛ bˌɛndɔ̃ ɔ krˈɔk ɔd dˌɔtarsˈija dɔ mʲˈɛjstsa intˈɨmnɨx spˈɔtkaɲ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_105.wav|ktˈɔ kupˈujɛ ʒˈɨvnɔʑdʑ dla rˈɛʃtɨ dˌɔmɔvɲˈikuf?|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_377.wav|swɨʃˈawɛm, ʒˈɛ tɔ sˈamɔ dɔtˈɨtʃɨ viɕˈɛltsuf.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_128.wav|pɔtɕˈɔŋɡnɔw ɡˈɔ za sˈɔbɔ̃ i ʒˈutɕiw na pˈɔkwat ˈu stˈup kˈɔjmɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_150.wav|nˈɔ pʃˈɛtɕɛʃ! s pɔvˈɔdu ʃtʃɛlˈinɨ, pʃˈɛs ktˌurɔ̃ tsˈawɨ tʃˈas ˌutɕɛkˈawɔ pɔvʲˈɛtʃɛ, tɕiɕɲʲˈɛɲʲɛ pɔ tɛj strˈɔɲʲɛ bˌɨwɔ ɲˈiʃʃɛ ɲˈiʃ w mʲˈɛɕtɕɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_86.wav|za ˌuxɨlˈɔnɨm ˈɔknɛm swˈɨxadʑ bˌɨwɔ mʲˈastɔ, jˈak stˈarɛ ɔrɡˈanɨ w najɲˈiʃʃɨx rɛjˈɛstrax.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_7.wav|tɔ tɛlˈɛfɔn, ˌuʒɨvˈanɨ tˈak spˌɔradˈɨtʃɲʲɛ i vɨwˈɔntʃɲʲɛ za pʃˌɨzvɔlˈɛɲʲɛm arˈama, ʒˈɛ tʃˈɛ̃stɔ zˌapɔminˈawam, ʒˈɛ w ɔɡˈulɛ ɡˈɔ mˈamɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_35.wav|pɔ tʃɨm fxˈɔdʑi w ɡwˈɔmp i kˈutsa za dˈalʃɨm z dvˈux kˌɔntɛnˈɛruf.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_102.wav|nˈɔɕiw kˌarmazɨnˈɔvɨ, lˌaɲistˈɛrski pwˈaʃtʃ, ˌalɛ na jˈɛɡɔ pˈɔɲtʃɨ vidɲʲˈawɔ dʑˈɛɕɛɲtɕ fjˌɔlɛtˈɔvɨɣ bˈarvɛn na ʒˈuwtɨm pˈɔlu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_20.wav|ɲʲɛ tʃˈujɛ jˈɛdnaɡ ʒˈadnɛj ˈulɡʲi, ʒadnˈɛɡɔː ˌuɲʲɛɕˈɛɲʲa w zvʲˈɔ̃sku s fˈaktɛm, ʒˈɛ mɛ̃ʃtʃˈɨzna, kturˌɛɡɔ kɔxˈawam, ʒˈɨjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_162.wav|lˈɛna ˌɔbrutɕˈiwa ɕɛ dɔ mɲʲɛ i pˌɔkazˈawa mi tˈartʃɛ zɛɡˈarka.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_93.wav|ʒˈɔna staɲˈisa bˌaratjˈɔna mˈa bujɲʲˈɛjʃɛ vˈɔ̃sɨ ɔt tɕˈɛbjɛ. ˈilɛ maʃ lˈat?|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_139.wav|nˈɔs mʲˈaw dwˈuɡʲi i ˈɔstrɨ, uɕmʲˈɛxaw ɕɛ ʃɛrˈɔkɔ, a ʒˈatkʲɛ brɔ̃zˈɔvɛ vwˈɔsɨ ˌɔpadˈawɨ mu na kˈɔwɲʲɛʃ, skˌɔwtuɲʲˈɔnɛ i ɲʲɛmˈɨtɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_9.wav|mɛ̃ʃtʃˈɨzna, s ktˌurɨm ɔdjˈɛxaw ˈaʃ, s pɛvnˈɔɕtɕɔ̃ vʲˈɛ, ɡdʑˈɛ jɛst mˈili.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_38.wav|arˈamjɛ, pˈɔznaj nˈaʃɔ̃ tsˈurkɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_56.wav|spˈɔjʒaw na strˈɔmɛ vzɲʲɛɕˈɛɲʲɛ pɔvˈɨʒɛj. ˌɔpsɛrvɔvˈawɔ ɡˈɔ dvˈux mˈɛ̃ʃtʃɨzn ubrˈanɨɣ w dʒˈinsɨ i kˈurtki.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_69.wav|musˈimɨ uzˈɨskadʑ dˈɔstɛmb dɔ tˌɛlɛfˈɔnu tfˈɔjɛj ʒˈɔnɨ, a xˈaswa nˌajvɨrˈaʑɲʲɛj znajdˈujɔ̃ ɕɛ na kˌɔmputˈɛʒɛ mˈartɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_171.wav|spˈɔjʒaw rˈas jˈɛʃtʃɛ na mwɔdˈɛɡɔ, ktˌurɨ stˈaw z ɡwˈɔvɔ̃ ˌuɲʲɛɕˈɔnɔ̃ dɔ ɡˈurɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_49.wav|rˌɨsɔvˈawaɕ tɔ lˈɛvɔ̃ rˈɛŋkɔ̃ tʃɨ jˈak? zapˈɨtaw ˌɔbratsˈajɔnts ʃkˈits.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_389.wav|i tɔ pʃˌɨpɔmˈina tɛj dʑɛftʃˈɨɲʲɛ ˈalbɔ kɔbjˈɛtɕɛ ʒˌɛtʃɨvˈistɔɕtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_35.wav|ˌalɛ bˌɨwam tˌɨlkɔ na fpˌuwpʃɨtˈɔmna, a kʲˈɛdɨ rˈuɣ vˈɔkuw mɲʲɛ ustˈavaw, ˌɔtpwɨvˈawam s pɔvrˈɔtɛm w ɲʲˈɛbɨt.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_71.wav|znˈam tɛn ɡwˈɔs. skˈɔnt ˌɔna vʲˈɛ, ʒˈɛ tˈutaj jɛstˈɛɕmɨ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_250.wav|ɲʲˈɛxtsɛ tˌɛɡɔ vʲˈɛdʑɛtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_303.wav|ʒˌɛtʃɨvˈiɕtɕɛ pɔvˈinnam ˈɔtɨm vʲˈɛdʑɛtɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_147.wav|zatʃˈɔwɛm jˈɔ̃ tsawˈɔvatɕ pɔ vwˈɔsax, tʃˈɔlɛ, ˈustax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_152.wav|ktˈɔʑ zˌaplanˈɔvaw tˈɛ zasˈatskɛ, a mɨ vʲˈɛmɨ ktˈɔ, bˈɔ vˈɛʃliɕmˌɨ mu na tɛlˈɛfɔn. rˌɔzumjˈɛtɕɛ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_7.wav|fʃˈɨstkɔ jɛzd dˈɔbʒɛ. rˈadʑi sˈɔbjɛ ɕfʲˈɛtɲʲɛ. a z ɲʲˈɛɡɔ jɛst kˈavaw swɔtkʲˈɛɡɔ, vʲɛlkʲˈɛɡɔ xwɔpˈaka. mˈa tsudˈɔvnɛ, pˌɔmarʃtʃˈɔnɛ nˈuʃki. vʲˈɛ pˈan, tsˈɔ mˈam na mˈɨɕli.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_151.wav|dˈɔbrɛ mʲˈɛjstsɛ na rˈɛlaks.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_56.wav|sprubˈɔvaw ɕɛ uɕmʲˈɛxnɔɲtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_145.wav|vʲˈɛŋkʃɔɕtɕ kʲɛrˈujɛ ɕɛ dɔ sˈɔndu.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_90.wav|kʲˈɛdɨ bˌɨwɛm mˈawɨ, tˈɛʃ mʲˌawɛm psˈa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_34.wav|vʲˈɛʃ, jˈak tɔ zˈɛmnɔ̃ jˈɛst. ɲˈiɡdɨ ɲˈiɡdʑɛ ɲʲɛ zaɡʒˈɛjɛ dwˈuɡɔ mʲˈɛjstsa. ɲʲɛ zapˈɔmɲij, ʒˈɛ vˌɨʒutɕˈiwaɕ mɲʲɛ f sɔbˈɔtɛ w nˈɔtsɨ, vʲˈɛndʑ zɲiknˈɔwɛm na jˈakiɕ tʃˈas.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_192.wav|vɨjˈɛwam ɡʲˈizmɔ, ˌɔtfɔʒˈɨwam pʃˌɛɡlɔndˈarkɛ ˌintɛrnɛtˈɔvɔ̃|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_137.wav|bʲˈitɔ vˈuftʃaz vɛ fʃˈɨstkʲɛ dʑvˈɔnɨ, a na sxˈɔdax taɲtʃˈɨwɨ ɲʲɛdʑvʲˈɛdʑɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_97.wav|muvˈiwaɕ, ʒˈɛ ɲʲˈɛxtsɛʃ pɔznˈavatɕ lˈudʑi s tɛj fɕˈi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_199.wav|i tˌɨlkɔ ɲʲˈɛbɔ tʃɨɲˈiwɔ tɕˈɛ rˈuvnɨm, pˌɔvʲɛdʑˈawa ˈɛstɛr.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_32.wav|jˈɛɕli pɔznˈajɔ̃ dˌɛˌɛnˈa, tɔ mˈɔʒɛ natrˈafjɔ̃ na ɕlˈat, ktˌurɨ dˌɔprɔvˈadʑi iɣ dɔ mˈili.|4
+Dataset/wavs/urwisko_ferenc/24_segment_69.wav|fˈusɨ pwɨvˈawɨ na pɔvʲˈɛʃxɲi.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_253.wav|pˈadwɛ ɕfˈiɲʲɛ rɔzdˈɛntɛ tˈaɡ bˈardʑɔ, ʒˈɛ sɔ̃ vʲˈɛlkʲɛ prˈavʲɛ jˈak kˈɔɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_140.wav|kɔbjˈɛta fspˈina ɕɛ na pˈaltsɛ i klˈɛpʲɛ vˈɔrɛk. sɔmbrˈɛrɔ kˈiva jɛj ɕɛ na ɡwˈɔvʲɛ. tˌɨlkɔ jˈɛdɛn, jˈɛdɛn, sˈɔlɔː ˈunɔ?|2
+Dataset/wavs/urwisko_ferenc/03_segment_60.wav|kʲˈɛdɨ pʃɨvʲˈɔzwɛm jˈɔ̃ dɔ dˈɔmu...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_25.wav|znˈɛndʑnɨx mˌikrɔprˈɔnduf, ktˌurɛ pˌɔbudʑˈamɨ f sfˈɔjɛj vˌɛɡɛtˈatsji.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_34.wav|rˈɔb dˈajɛ znˈaɡ dʑɛftʃˈɨɲʲɛ f tɕˈɛmnɨm kɔstjˈumjɛ, ktˌura vbʲˈija kˈɔt na klˌavʲatˈuʒɛ i ɔtfʲˈɛra nˈam dʒvˈi.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_95.wav|ˈɔbɨ utʃtˈɔvaw tˈak jˈaɡ vˈaltʃɨw f pɔdvˈɔdnɨx kɔmnˈatax ˌutɔpʲɔnˈɛɡɔ bˈɔɡa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_62.wav|zjˈadwɛm jˈɛdnɔ̃ s kanˈapɛk i zˌɔbatʃˈɨwɛm, ʒˈɛ dɔ tɔrˈɛpki mˈama vwɔʒˈɨwa tˈɛʃ jˈajkɔ fˌaʃɛrɔvˈanɛ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_54.wav|ˈaʒ vrˈɛʃtɕɛ nˈatʃɛt tʃˈas, ɡdˈɨ fstavˈawa tˌɨlkɔ dɔ vɨxˈɔtka.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_73.wav|pɔvʲˈɛdʑaw pɔlˈitsjant i ˈandɛrsɔn pˈatʃɨw jˈak stˈarɨ ˈɔtpɛwz w bˈɔk.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_201.wav|kɕɛ̃ʒɲˈitʃka bˌɨwa sˈama.|1
+Dataset/wavs/urwisko_ferenc/27_segment_85.wav|i tsˈɔ dˈalɛj? spˈɨtaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_180.wav|kˈɔrsak ɲʲɛ spɔɡlˈɔndaw w mˈɔjɔ̃ strˈɔnɛ, jˈaɡbɨ w ɔbˈavʲɛ, ʒˈɛ mɲʲɛ spwˈɔʃɨ. za ˈɔknɛm pˈadaw drˈɔbnɨ dˈɛʃtʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_49.wav|pˈan dˈɛan bˈardʑɔ mi pˈɔmuɡw, mˈuvi ɡʲˈɔrɡjɔ.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_196.wav|pʃˈɨɕɔŋɡw, ʒˈɛ tɔ bˌɛndɔ̃ lɔrdˈɔvʲɛ ˈalbɔ dʑɛdʑˈitsɛ, ɲʲɛ mwˈɔtɕi sɨnˈɔvʲɛ ˌaɲi dɔmˈɔvi rɨtsˈɛʒɛ.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_385.wav|tɨm rˈazɛm ɲʲɛ mˈɔɡwa jˈuʃ pɔfstʃˈɨmatɕ ɕmʲˈɛxu.|1
+Dataset/wavs/urwisko_ferenc/50_segment_60.wav|f kˈaʒdɨm rˈaʑɛ pɔ lˈatax ɔɕrˈɔdɛk ˈupad i krˈɔɲikˌa vrˈaz z innˈɨmi ʃpˌarɡawˈami znalˈazwa ɕɛ w rˈɛŋkax nɔvˈɛɡɔ vwˌaɕtɕitɕˈɛla.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_73.wav|pˌɔxɔdʑˈiwɨ z jɛj kˈɔnta.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_244.wav|a ˈɛstɛr ˌɔdvinˈɛwa prˈavɨ rˈɛŋkaf jˈɛɡɔ zrudʑˈawɛj kˌanadˈɨjki.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_76.wav|krˈɛntsɛ ɡwˈɔvɔ̃. dlatʃˈɛɡɔ w ɔɡˈulɛ mˈɨɕlɛ f tˌaki spˈɔsup? pʃˌɛtɕɛʃ tɔː ˈaʃ!|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_11.wav|fxˈɔdʑɔ̃ dɔ ɕrˈɔtka.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_80.wav|pɛndrˈivɛ vɨdˈajɛ ɕɛ jˈaɡbɨ tɕˈɛ̃ʃʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_260.wav|vˈɛɕ sˈɔbjɛ dʑɛftʃˈɨnɛ ˈalbɔ zmʲˈataj sˈam.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_123.wav|ktˌurɔ̃ tsˈɔ pˈɛvʲɛn tʃˈaz zabjˈɛraw dʑvˈik. salvˈatɔr stˈaw nˈadɲim i splˈuvaw tsˈɔ xfˈila brunˈatnɔ̃ ɕlˈinɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_80.wav|ta drˈuɡa ʒˈɛtʃ, ɔblˈana prˈuba xˌaraktˈɛru, zdˈaʒa ɕɛ f pˌɔɲʲɛdʑˈawɛk, ktˌurɨ jɛst ɕfʲˈɛntɛm paɲstfˈɔvɨm.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_85.wav|a pʃɨɕˈɛŋɡa, ktˌurɔ̃ zwɔʒˈɨwɛɕ ˌaɛrɨsˈɔvi?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_79.wav|mʲˈawam nadʑˈɛjɛ, ʒˈɛ mˈama mu ɲʲɛ pɔzvˈɔli mɲʲɛ pʃˈɛɲʲɛɕtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_5.wav|ˈɔn, wapˈidux tˈatsɔː i ˈalbɨ stˈark sɔ̃ za pʃˌɛvrutsˈɔnɔ̃ taksˈufkɔ̃. rˈɛʃta dʑɛvʲˈɔntki skrˈɨwa ɕɛ za spalˈɔnɨm vrˈakʲɛm fˌurɡɔnˈɛtki pʲɛkˈarɲi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_53.wav|vˈɨʃwa dɔ tɛj alˈɛjki.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_84.wav|jˈakɔɕ tˈak tɔ ɕɛ ukwˈada w artˈɛmis.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_169.wav|zapˈɨtaw vɨrˈaʑɲʲɛ zmʲɛʃˈanɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_96.wav|bˈɔ ɲʲɛ vɨdˈajɛʃ ɕɛ zwˈɨm tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_344.wav|vˈɛdlɛ rɔskˈazu pˈaɲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_67.wav|xtsˈɛ tˈɨlkɔ, ʒˈɛbɨɕ fʃˈɨstkɔː uvˈaʒɲʲɛ pʃˌɛmɨɕlˈawa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_82.wav|tˈak, ˌalɛ bwˈaɡam, ɲʲɛ pˌɔutʃˈajtɕɛ mɲʲɛ tˈɛras ɔː ɔjtsˈɔfskix prˈavax.|3
+Dataset/wavs/urwisko_ferenc/08_segment_118.wav|bɔrˈɛvidʒ zamrˈuɡaw, bˈɨ pˈɔzbɨtɕ ɕɛ ɔbrˈazuf s pʃɛʃwˈɔɕtɕi.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_83.wav|tɕˈixɨ i vilɡˈɔtnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_182.wav|ʑˈimnɔ, mˈuvi ˈɛlis. dla tɕˈɛbjɛ tɔ dˈɔbʒɛ. mˈɔʒɛʒ vwˈɔʒɨtɕ kˈurtkɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_59.wav|vɨˈɔbraɕ sˈɔbjɛ mˈɔjɛ zdumjˈɛɲʲɛ, kʲˈɛdɨ tfˈɔjɛ ɡʲˈizmɔ vɨswˈawɔ sˈɨɡnaw s samˈɛɡɔ ɕrˈɔtka artsˈadɛ zɡvˈarɛ. tɔ dˈɔsɨtɕ ɲʲˌɛɔstrˈɔʒnɛ. zupˈɛwɲʲɛ dɔ tɕˈɛbjɛ ɲʲˌɛpɔdˈɔbnɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_226.wav|znˈuv vˈɨpiw wˈɨɡ dʒˈinu i pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_40.wav|spʲˌɔnɔvˈawam ɡˈɔ vzrˈɔkʲɛm.|4
+Dataset/wavs/urwisko_ferenc/55_segment_87.wav|mˈɔ̃ʃ pˈaɲi ɲʲɛ pɔvʲˈɛdʑaw?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_91.wav|vɨbˈuxa krˈutkim ɕmʲˈɛxɛm. tˈak tɔ nazˈɨvaʃ? rɔzˈumjɛm, ʒˈɛ mˈuj vɨpˈadɛk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_168.wav|ˌintɛrɛsˈujɔ̃ ɡˈɔ tˌɨlkɔ prˌɔfɛsjˌɔnalˈiɕtɕi, ɲʲɛ mwˌɔdɔtɕˈaɲi, tɕpˈunɨ tʃɨ furjˈatɕi, tsˈɔ z bˈɨlɛ pɔvˈɔdu wˈapjɔ̃ za brˈɔɲ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_11.wav|tˈata bˈɨw pʃˌɛraʒˈɔnɨ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_261.wav|brˈɔnn bˈɨw, ʒˈɛtʃ jˈasna, tˌɨlkɔ drˈɔbnɨm ˌutrapʲˈɛɲʲɛm. ˌaɲi pʃˈɛs xfˈilɛ ɲʲɛ vʲɛʒˈɨwa, ʒˈɛ istˈɔtɲʲɛ ukrˈɨva krasnˈala.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_88.wav|ɲˈikt ɲʲɛ ˌɔtpɔvʲˈɛdʑaw. swɨʃˈawa jˈɛdnaɡ vɨrˈaʑɲʲɛ tʃˈɨjɕ ˈɔddɛx.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_10.wav|pʲˈɛrʃɛ pˌɔmjɛʃtʃˈɛɲʲɛ, malˈɛɲka rɛtsˈɛptsja, stˌanɔvˈiwa rˈɛlikt tʃˈasuf, f ktˌurɨx pɔvʲˈɛʃxɲʲa ˌuʒɨtkˈɔva bˌɨwa jˈɛʃtʃɛ pɔvˈaʒɲʲɛ ˌɔɡraɲitʃˈɔna.|4
+Dataset/wavs/urwisko_ferenc/33_segment_81.wav|bɔrˈɛvitʃ pˈɔʃɛd zˈaɲʲɔ̃. — ɲʲˈɛx mi pˈaɲi pˈɔda sfˈuj nˈumɛr, zadʑvˈɔɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_128.wav|jˈɛʃtʃɛ tɕˈaɕɲʲɛj ˌɔtulˈiwam tfˈaʃ ɲikˈabɛm i ɡˈarbjɔnts ɕɛ ruʃˈɨwam pʃɛt ɕˈɛbjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_180.wav|ˈɛliz vɨɡlˈɔnda, jˈaɡbɨ jˈɔ̃ zɛmdlˈiwɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_61.wav|ɕˈɛdʑaw na ʑˈɛmi i ɔtɕˈɛraw pˈɔt s tʃˈɔwa.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_325.wav|ɲˈits s tˌɛɡɔ bˈɨ ɕɛ ɲʲɛ vˌɨdaʒˈɨwɔ, ɡdˈɨbɨ mʲˈawa xˈɔtɕ ˌɔdrɔbʲˈinɛ rɔssˈɔntku i zrɔbʲˈiwa nˌamjɛstɲˈikʲɛm tfɔjˈɛɡɔ strˈɨja.|1
+Dataset/wavs/urwisko_ferenc/63_segment_182.wav|tʃfˈartɛk i pʲˈɔntɛk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_116.wav|jˈaɡ vʒɛɕɲʲˈɔvɨ pɔrˈanɛɡ dɔdˈajɛ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_113.wav|krulˈɔva lˈɛdvʲɛ mˈɔɡwa zɲʲˈɛɕtɕ tɛn vˈidɔk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_7.wav|mˈɔʒɛ nˈavɛt ɕɛ zatʃˈɨma, jˈɛɕli dˈana, ktˌurɨ dɔ ɡwˈupix ɲʲɛ nalˈɛʒɨ, ˈuzna, ʒˈɛ vˈartɔ sprˈavdʑitɕ tɛn dˈɔm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_336.wav|fspʲˈɔwɛm ɕɛ pɔ drabʲˈiɲʲɛ i pɔdˈawɛm dʑɛftʃˈɨɲʲɛ ɔ lˈɛɕnɨx ˈɔtʃax.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_30.wav|s tˌɨmi swɔvˈami vɨxˈɔdʑi s sɨpʲˈalɲi.|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_20.wav|ˌɔbrutɕˈiwam ɡwˈɔvɛ f strˈɔnɛ ustɲˈika i vˌɨdɔˈiwam dˈɔbrɛ pˈuw lˈitra vˈɔdɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_38.wav|jɛst mˈɔtsnɔ pˌɔkʲɛrˌɛʃɔvˈana, ˌalɛ bʲˈillɨ sˈɔɲdʑi, ʒˈɛ ɲˈits jɛj ɲʲɛ bˈɛɲdʑɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_289.wav|tsˈɔ dɔ dɛmˈɔlki ɲʲɛ jˌɛstɛm pʃˌɛkɔnˈana.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_52.wav|pˌɔswuxˈajtɕɛ, rˈɛjɛstr prɔvˈadʑiw jˈaɡɡɛr pˌɔvʲɛdʑˈawɛm jˈuʃ, dɔ tʃˈɛɡɔ swˈuʒɨ ja zˈafʃɛ dˌɨspɔnɔvˈawɛm pʲɛɲʲˈɛndʑmi prˌubɔvˈawɛm pɔmˈaɡatɕ lˈudʑɔm, jˈɛɕli bˌɨwɔ tɔ mɔʒlˈivɛ|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_432.wav|nˈaɡlɛ znalˈazwa ɕɛ na dˈɔlɛ. kulˈiwa ɕɛ rˈazɛm z mˈijɔ̃ i mˈawɨm lˈɔrdɛm pɔd vˌɨkrɛntsˈɔnɔ̃ skˈalnɔ̃ iɡlˈitsɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_235.wav|i ɲʲɛ zrɔzˈumjɛʃ. ɲˈikt, ktˈɔ tˈam ɲʲˈɛbɨw, ɲʲɛ jɛst f stˈaɲʲɛ tˌɛɡɔ zrɔzˈumjɛtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_63.wav|ɲʲɛ, sɔ̃ tˈam, ɡdʑˈɛ bˈɨli.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_107.wav|fskazˈujɛ ʃtˈutʃnɨ bʒˈux.|2
+Dataset/wavs/urwisko_ferenc/53_segment_141.wav|maʃ namjˈarɨ na pilˈɛfskɔ̃?|0
+Dataset/wavs/urwisko_ferenc/08_segment_75.wav|f kˈɔɲtsu ˈuznaw, ʒˈɛ tʃˈas ɕɛ pɔʒˈɛɡnatɕ. pˌɔdʑɛŋkˈɔvaw i pʃɛprˈɔɕiw za pɔmˈɨwkɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_282.wav|mˈɔʒɛ ja ɕɛ pˈanu naʒˈutsam?|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_445.wav|muvˈiwa alˈain.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_170.wav|tˈuzin kɔlˈɛjnɨx, pʃˌɛtstavʲajˈɔntsɨx jˈɔ̃ zˈɛ spiŋkˈami vɛ vwˈɔsax i jˈɛʃtʃɛ tˈuzin, na ktˌurɨx mˈa ɔpˈaskɛ na ɡwˈɔvʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_160.wav|zanˈuʒɨw mʲˈɛdʒ w bˈali z dɛʃtʃˈufkɔ̃, ʒˈɛbɨ ɡˈɔ zˌaxartˈɔvatɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_57.wav|na rˈaʑɛ mˈuɕiʒ vʲˈɛdʑɛtɕ jɛdˈɨɲʲɛ tˈɨlɛ, ʒˈɛ vɛrbˈɔvɲik jɛzd znˈuf aktˈɨvnɨ i ʒˈɛ s tsˈawɔ̃ pɛvnˈɔɕtɕɔ̃ mˈa tɔ zvʲˈɔ̃zɛɡ zˈɛ ɕmʲˈɛrtɕɔ̃ fˈina.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_159.wav|pɔzvˈultɕɛ mɔjˈɛmu kˌuzɨnˈɔvi vˈɛjɕtɕ f pɔkˈɔju, pʃˌɨjatɕˈɛlɛ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_269.wav|xwˈɔpak pɔ prˈɔstu zɲˈiknɔw.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_16.wav|ɔbrˈutɕiw rˌɛŋkavˈitsɛ i ɕtɕˈɔŋɡnɔw jˈɔ̃ z mˈɔjɛj dwˈɔɲi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_32.wav|tʃɨ baˈilɛj pɔvʲˈɛdʑaw tɕˈi?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_57.wav|bˈɛtskɨ ˌɔtpɔvʲɛdʑˈawa uɕmʲˈɛxɛm i ɔbˈɔjɛ ʃˈɨpkɔ fskɔtʃˈɨli f strˈɔjɛ ɔxrˈɔnnɛ.|3
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+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_121.wav|bˈutskɨ ɲʲɛ zapʃˈɛtʃa. zapˈala tˌɨlkɔ nˌastɛmpnˈɛɡɔ pˌapʲɛrˈɔsa i mˈuvi, ʒˈɛ vˈɔntpi, bˈɨ ʃukˈali bʲillʲˈɛɡɔ f tˈakix stˈanax jˈak ˌɔklaxˈɔma tʃɨ kˈansas.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_253.wav|mˈa pˈan zˈafʃɛ mˈinɛ, jˈaɡbɨ ʃˈɛd ɡdʑˈɛɕ tsˈɔʑ vaʒnˈɛɡɔ zrˈɔbʲitɕ ˈalbɔ dɔkˈɔnatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_213.wav|nˈɔ vʲˈɛnts tˈak.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_304.wav|dˈɔbʒɛ, ʒˈɛ xˈɔtɕaʒ zˈɛmbɨ mˈa bjˈawɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_202.wav|ˈɛlis rˈɔbʲi zˌaskɔtʃˈɔnɔ̃ mˈinɛ, pɔ tʃɨm uɕmʲˈɛxa ɕɛ ɲʲɛpˈɛvɲʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_462.wav|ta kɔbjˈɛta jɛzd ʒɨdˈufkɔ̃, prˈavda?|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_191.wav|stˈaɲis mˈuviw prˈavdɛ tˌɛɡɔ dɲʲˈa, kʲˈɛdɨ spˈɔtkaw ɕɛ z rˈɛnlim.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_132.wav|lˈutsɨ pˌɔdɛrvˈawa ɡwˈɔvɛ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_132.wav|vʲˈatr pʃɨbjˈɛraw na ɕˈilɛ, a vˌiktarjɔnˈɔvi dˌɔkutʃˈawɔ palˈɔntsɛ praɡɲʲˈɛɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_257.wav|nˈaʒ ɡrˈabaʃ ɲʲɛ znˈa ˌɔtpɔtʃˈɨŋku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_58.wav|pʃɛkrˈɛntsa ʃtˈutʃnɨ bʒˈux na vwaɕtɕˈivɛ mʲˈɛjstsɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_135.wav|ɲʲɛ bˌɨwa dˈuʒa, ˌalɛ spɛwɲˈiwa sfˈɔjɛ zadˈaɲʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_257.wav|tsˈɔ tɨ rˈɔbʲiʃ, tʃwɔvʲˈɛku? zapˈɨtaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_155.wav|ɲʲɛ pˌɔtʃɛbˈujɛ pʲɛɲʲˈɛndʑɨ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_39.wav|jˌɛstɛɕ nˌɔvitsjˈuʃɛm? ˌakɔlˈitɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_3.wav|ɲʲɛ, dʑˈɛŋki. pˈɔvʲɛts lˈɛpʲɛj, jˈak tɕi pˈɔʃwɔ s tˈɛssɔ̃ ɔ xˈanlɔn.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_137.wav|dʒˈɛjn vɛstˈɛrliŋɡ bˌɨwa krulˈɔvɔ̃ rˈɔbba stˈarka.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_32.wav|bˈɨw w ɲʲˈɛj tˌɛɡɔ dɲʲˈa, kʲˈɛdɨ znˈalaz dʑɛtɕˈɛntsɨ bˈutɕik i pʃɨvʲˈɔ̃zaw ɡˈɔ dɔ ʃlˈufki na prˈavɨm bjˈɔdʒɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_20.wav|ɲʲɛ mɔʒˈɛmɨ tʃˈɛkatɕ tʃˈɨ dɲˈi, ˈaʒ vrˈutɕi pˈan z vɔjˈaʒɨ.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_77.wav|faˈisal zmˈarʃtʃɨw brvˈi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_18.wav|sˈami xˈɨba rˌɔzumjˈɛtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_8.wav|sˈɛr ɛdmˈurɛ tˈɛʃ ˈɔɲim vʲˈɛ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_10.wav|pɔddˈanɨ mˈuɕaw swˈuʒɨtɕ, ˌalɛ ɲʲˈɛbɨw vwasnˈɔɕtɕɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_22.wav|bˌɛndɛ mˈuɕaw uspˈɔdʑitɕ ɔɡrˈɔmnɨ dwˈuk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_73.wav|ˈɛlis pˌɔttɕɔŋɡnˈɛwa sukʲˈɛŋkɛ dɔː ˈut, pˈatʃɔndʑ w ʑˈɛmʲɛ, ɲʲɛ na kamˈɛrɛ. ɕˈiɲtsɛ dˈavnɔ zɲiknˈɛwɨ, jɛj nˈɔɡʲi bˌɨwɨ ɡwˈatkʲɛ, mwˈɔdɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_189.wav|bʲˈillɨ ɲʲɛ jɛst jˈɛʃtʃɛ pˈɛvʲɛn, tʃɨ ʒˌɛtʃɨvˈiɕtɕɛ jˈɔ̃ ˈɔtɔ pɔprˈɔɕi. w ɡwˈɔvʲɛ mˈa dɔpʲˈɛrɔ mɡlˈistɛ zarˈɨsɨ plˈanu, ˌalɛ ɕɛ kˈu tˌɛmu skwˈaɲʲa.|2
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+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_104.wav|jˈɛɡɔː ˈɔddɛx ɕmʲˈɛrdʑaw vˈinɛm i tsɛbˈulɔ̃.|1
+Dataset/wavs/urwisko_ferenc/35_segment_37.wav|ɲʲɛ, ɔddˈawɛm mu klutʃˈɨki ɔt mɛrˈɔla.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_13.wav|mˈijam vjˈazd dɔ sˌupɛrmarkˈɛtu i zmʲˈɛʒam f kʲɛrˈuŋku mɲʲˈɛjʃɨx sklɛpˈikuf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_156.wav|ˌalɛ tɔ bˌɨwa tʃˈɛɲɕtɕ jˈɛɡɔ ɡrˈɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_204.wav|kˈiʑdʑ dwˈɔɲi, tˈaɡ dˌɛlikˈatnɔ̃ i bɛzbrˈɔnnɔ̃ jˈak ˈu dʑˈɛtɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_160.wav|mˈɔtsnɔ ɕɛ w ɲʲˈɛɡɔ ftˈula.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_221.wav|mˈɔʒɛ, mˈɨɕli, tɔ mʲˈɛjstsɛ nˈadal jɛst nˌavʲɛdʑˈɔnɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_330.wav|xtsˈɛ pˈan tsˈɔʑ dˈɔdatɕ? ɲʲˈɛvʲɛm, pˌɔvʲɛdʑˈawɛm fʃˈɨstkɔ.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_287.wav|mˈɔɡlibˌɨ zˈabʲitɕ rˈuvɲʲɛʃ tɕˈɛbjɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_49.wav|jˈak f tˈakim rˈaʑɛ udˈawɔ ɕɛ pˈanu ˈutɕɛts?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_86.wav|tˈaɡ bˈardʑɔ tɕi dʑɛŋkˈujɛ. mˌamɨ tˈutaj vʲˈɛlki dˈɔm, vʲˈɛnts jˈɛɕli pˌɔtʃɛbˈujɛʒ zˌakfatˌɛrɔvˈaɲʲa, tɔ z watfˈɔɕtɕɔ̃ mɔʒˈɛmɨ zapˈɛvɲitɕ tɕi pˈɔkuj, prˈavda jˈɔɛl?|3
+Dataset/wavs/urwisko_ferenc/59_segment_87.wav|vʲɛdʑˈawɛm jˈuʃ, ʒˈɛ f kartˈɔɲʲɛ mɔʒˈɛmɨ mʲˈɛdʑ ɡˈɔɕtɕa. rˌɔzwɔʒˈɨwɛm vʲˈɛnts pˈudwɔ nat kuvˈɛtɔ̃, ˌalɛ ɲˈidʑ vʲˈɛntsɛj w ɲˈim ɲʲɛ znalˈazwɛm.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_144.wav|kˈiva ɡwˈɔvɔ̃, a ja dʑɛŋkˈujɛ bˈɔɡu, ʒˈɛ ɲʲɛ kˈaʒɛ mi tˌɛɡɔ twumˈatʃɨtɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_193.wav|tɔ ɲʲˌɛmɔʒlˈivɛ, ʒˈɛbɨ ta mˈɔja rˈɔskɔʃ i mˈɛŋka brˈawɨ ɕɛ s kˌilkunˈastu rˈuxuf frɨktsˈɨjnɨx.|0
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+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_123.wav|pɔmˈɔʒɛʃ mi?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_20.wav|xˈɨba jˈuʃ ɕɛ ɲˈim stˈawɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_84.wav|ˌalɛ tɔ bˈɨw najɡˈɔrʃɨ tʃˈas i zamknˈɛli ɡˈɔ dɔ vʲɛ̃ʑˈɛɲʲa.|0
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+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_32.wav|pɔskˈarʒɛ ɕɛ vwˌaɕtɕitɕɛlˈɔvi. pˈɔvʲɛm mu, ʒˈɛ pˈan jˌɛstɛʑ bˈɛŋkart.|0
+Dataset/wavs/urwisko_ferenc/09_segment_31.wav|dˈɔdaw tˈɨlkɔ, ʒˈɛ ˌumuvˈili ɕɛ z ɡlatsˈɔfskim na bˈartɛr. kʃˈɨxu mʲˈaw zajmˈɔvatɕ ɕɛ dˈɔmɛm pɔt jˈɛɡɔ ɲʲˌɛɔbˈɛtsnɔɕtɕ. w zasˈadʑɛ dˈɔmɛm i ɔɡrˈɔdɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_154.wav|xtsˈɛ napˈisatɕ ɔ ɕˈudmɨm tɨɡˈɔdɲʲu i ɔ fʃˈɨstkim, tsˈɔ vˌɨdaʒˈɨwɔ ɕɛ pˈuʑɲʲɛj.|2
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_124.wav|spɔtkˈajmɨ ɕɛ, bˈɔ xtɕˈawbɨm zˈadbatɕ ɔ tfˈɔjɛ bˌɛspʲɛtʃˈɛɲstfɔ.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_199.wav|dʑˈɛɲ dˈɔbrɨ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_11.wav|ʒˈɛkw sˈɛptɔn mɛrˈibalt, fskazˈujɔnts na puwnˈɔtsnɨ bʒˈɛk. brˈatɕa zavʲˈɔzɔ̃ nˈaz dɔ ɲˈix s pɔrˈannɨm pʃɨpwˈɨvɛm, xˈɔdʑ bˈɔjɛ ɕɛ tˈɛɡɔ, tsˈɔ tˈam znajdʑˈɛmɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_25.wav|lˈutsɨ zatʃˈɛwa ɡˈɔ vˌɨpɨtˈɨvatɕ, kʲˈɛdɨ mˈɔʒɛ pʃɨjˈɛxatɕ, ˌalɛ tˈɔm jɛj pʃˈɛrvaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_70.wav|ɲʲɛ sˈɔɲdʑi, bˈɨ mʲˈawa tɔ zrˈɔbʲitɕ, vɨrˈaʑɲʲɛ trˈɔxɛ ɕɛ ˌuspɔkɔˈiwa, ˌalɛ ta sˌɨtuˈatsja nˈadal mˈɔʒɛ ɕɛ zmʲˈɛɲitɕ na ɡˈɔrʃɛ i bˈɛs tˌɛɡɔ jɛzd vˌɨstartʃajˈɔntsɔ zwˈa.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_176.wav|mˈɔɡɛ tɕi pɔkˈazadʑ drˈɔɡɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_19.wav|jˈɛdnak w jˈakimɕ mɔmˈɛɲtɕɛ tsˈawɨ jˈɛɡɔ xarˈaktɛr zˈɔstaw zmʲɛɲʲˈɔnɨ ɔt ɕrˈɔtka.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_95.wav|uvˈaʒaj na ɲʲˈɛɡɔ, pɔvʲˈɛdʑaw tɕˈixɔ ɡʲˈirls fˈirst lˈɔvɛ dɔː ˌandɛrsˈɔna.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_131.wav|spɔjʒˈawɛm na ˈɔknɔ, a tˈam...|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_188.wav|rˈɨtsɛʃ fstˈaw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_86.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_144.wav|pɔ tʃɨm ɲʲɛ tʃɛkˈajɔnts na ɔtpˈɔvʲɛtɕ, tɔ tˈɨ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_59.wav|innˈɨmi swˈɔvɨ, bˌɛɲdʑɛ tˈam mʲˈaw ɕfʲˈɛntɨ spˈɔkuj, a tɔ dˈɔbʒɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_101.wav|mˈɨliw ɕɛ f tɛj kfˈɛstji.|3
+Dataset/wavs/urwisko_ferenc/34_segment_32.wav|zɲʲˌɛruxˈɔmjaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_47.wav|ɲʲˈɛx pˈan ˈidʑɛ i ɲʲɛ zavrˈatsa lˈudʑɔm ɡwˈɔvɨ.|0
+Dataset/wavs/urwisko_ferenc/20_segment_86.wav|rˌɔzmavʲˈawɛʑ z ɲˈim?|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_142.wav|xˈaŋk tˌɛɡɔ ɲʲɛ mˈuvi. zatʃˈɨna pwˈakatɕ, tsˈɔ mˈuvi bʲilljˈɛmu tsˈɔɕ innˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_134.wav|ɲˈitsk ɕmʲˈɛjɛ ɕɛ, krˈɛɲtɕi ɡwˈɔvɔ̃ i pˈatʃɨ na bʲillʲˈɛɡɔ z ˌawtɛntˈɨtʃnɔ̃ sɨmpˈatjɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_54.wav|pɔ prˈɔstu ʃˈuka pɔː ɔmˈatsku, ɲˈidʑ vʲˈɛntsɛj.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_19.wav|brˈama zˈamku ˌɔtfɔʒˈɨwa ɕɛ pɔvˈɔli.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_118.wav|jˈuʃ tɔ zrɔbʲˈiwɛɕ. ɔtpˈarwam i zˌauvaʒˈɨwam, ʒˈɛ skʃˈɨviw ɕɛ, swˈɨʃɔnts mˈuj dɔtɕˈinɛk.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_28.wav|kwˈadɛ ɕɛ ˌɔbɔk ɲʲˈɛj, bˈɨ snˈutɕ ˌɔpɔvʲˈɛɕtɕi ɔː ɔdlˈɛɡwɨx plˈaʒax i kˌɔlɔrˈɔvɨx swˈɔɲʲax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_243.wav|nˈavɛd ɡdˈɨbɨ sˈama mˈɨɕl ɲʲɛ budʑˈiwa jˈɛɡɔ pʃˌɛraʒˈɛɲʲa, plˈan ɲʲˈɛmuɡwbˌɨ ɕɛ pˈɔvʲɛɕtɕ, ɡdˈɨbɨ z ɲˈim bˌɨwa i ɔbˈɔjɛ ˈɔtɨm dˈɔbʒɛ vʲˈɛdʑɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_40.wav|kʲˈɛdɨ lˈudʑɛ mˈuʃɔ̃ ʒˈɨtɕ jˈak ʃtʃˈurɨ f tɕɛmnˈɔɕtɕax pɔd ʑˈɛmʲɔ̃, ʃˈɨpkɔ zˌapɔminˈajɔ̃ ɔ litˈɔɕtɕi, tˈak sˈamɔ jˈak ɔ mlˈɛku i mʲˈɔdʑɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_223.wav|ɔn tˈu pʃɨxˈɔdʑi tsˈɔ nˈɔts.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_472.wav|zˌamjɛʒˈawɛm tɕi fʃˈɨstkɔ vɨjˈavitɕ, ɡdˈɨ ɔɕˈɔŋɡɲʲɛʃ ˌɔtpɔvʲˈɛdɲi vʲˈɛk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_40.wav|bʲˈillɨ sˈɔɲdʑi, ʒˈɛ bˈutskɨ xˈɛnsɔn jɛzd ɡˈɛjɛm, mˈimɔ ʒˈɛ mˈa za sˈɔbɔ̃ dvˈa mawʒˈɛɲstfa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_120.wav|f sfˈɔim bjˈuʒɛ ɕˈɛŋɡa dɔ tˈɔrbɨ i spˈɔt ˈubraɲ vˌɨɡʒɛbˈujɛ tablˈitʃkɛ kupʲˈɔnɔ̃ f stˈaplɛs. pʃˌɛpraʃˈamɨ, ɲʲɛtʃˈɨnnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_201.wav|ˈɔbaj pˈatʃɔ̃ na ˈɛlis, ktˌura rumjˈɛɲi ɕɛ i spˈuʃtʃa ˈɔtʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_339.wav|kɔbjˈɛta pɔtʃˈuwa na pɔlˈitʃku dɔtkɲʲˈɛɲtɕɛ ʑimnˈɛɡɔ mɛtˈalu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_345.wav|ˈusta pʃɨbrˈawɨ tˌaki vˈɨras, jˈaɡbɨ ta mwˈɔda kɔbjˈɛta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_125.wav|pɨtˈaɲʲɛ tˈɨlkɔ, tʃˌɛmu xˈɛɲdʑ zˌɔbatʃˈɛɲʲa ɲʲˈɛtsɔ vʲɛŋkʃˈɛɡɔ kavˈawka ɕfʲˈata zavʲˈɔdwa jˈɔ̃ tˈutaj, dɔ tɛj ɲijˈakʲɛj mʲɛɕtɕˈinɨ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_377.wav|ˌalɛ tsˈɔ zˈatʃɔɲtɕ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_17.wav|dlatˈɛɡɔ ɲˈiɡdɨ mɲʲɛ ɲʲɛ natɕˈiskaw.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_280.wav|swuxˈajtɕɛ naʃˈɛɡɔ rˈɨku, jˈamɛ uɕmʲˈɛxnɔw ɕɛ. za xfˈilɛ zˈatʃɲʲɛʃ mi ˌɔpɔvʲˈadatɕ, jˈaɡ bˈardʑɔ lˈubʲiw ɕɛ ɕmʲˈatɕ.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_288.wav|mˈa zˈamjar zˈɔstadʑ vʲɔɕlˈaʒɛm.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_60.wav|tɔ ʃˈɔrstki, ˌalɛ dˈɔbrɨ tʃwˈɔvʲɛk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_30.wav|zˌapɔmɲʲˈawɛʑ zmʲˈɛɲitɕ mˈɔjɛ ˈimjɛ.|2
+Dataset/wavs/urwisko_ferenc/34_segment_25.wav|jˈɛʃtʃɛ jˈɛdnɔ kwˈamstfɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_17.wav|— a tsˈuʃ tɔ jˈɛst? — kʃˈɨtʃaw. — ɲʲˈɛx pˈan mˈuvi prˈɛntkɔ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_2.wav|krɔ̃ʒˈɨwa pɔ kɔmˈɔʒɛ, ʃukˈajɔnts jˈakʲɛjʑ brˈɔɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_9.wav|mˈuj ˈɔjtɕɛts rˌɔzbudɔvˈujɛ tˈɛras fˈirmɛ.|4
+Dataset/wavs/urwisko_ferenc/63_segment_64.wav|kʲˈɛdɨ zˌadʑvɔɲˈiwam, pˌɔtfʲɛrdʑˈiwa pˈaɲi, ʒˈɛ ˈɔlɡʲɛrd bɔrˈɛvidʒ ʑlˈɛ ɕɛ pˈɔtʃuw, prˈavda?|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_60.wav|fˌurɡɔnˈɛtka ɕɛ zɛpsˈuwa?|2
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_97.wav|bʲˈillɨ mˈɔtsnɔ zatɕˈiska ˈusta.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_153.wav|mˈuj kljˈɛnt pʃɨwˈɔʒɨw ɡʲˈizmɔ dɔ tʃɨtɲˈika w zˈamku, ktˌurɨ ustˈɔmpiw s tɕˈixɨm ʃtʃɛ��kɲʲˈɛɲtɕɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_151.wav|jˈɛɕli tɔ ɕɛ ɔkˈaʒɛ kɔɲʲˈɛtʃnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_41.wav|bʲˈillɨ pʃɛsˈuva spɔjʒˈɛɲʲɛm pɔ jɛj ɲʲɛbjˈɛskiɣ dʒˈinsax, pˈartsɛ i pʃˈɛdɛ fʃˈɨstkim ɲʲˌɛumˌalɔvˈanɛj tfˈaʒɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_178.wav|vdɛpnˈɛwam prˈɔstɔ w ɡˈuvnɔ.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_111.wav|dɔ tˌɛɡɔ tʃˈasu mɔʒˈɛmɨ jɛdˈɨɲʲɛ stʃˈɛdʑ zatˈɔki i tʃˈɛkatɕ, ˈaʃ ta sˈuka, ktˌura vwˈada f krulˈɛfskʲɛj pʃɨstˈaɲi, spˈuɕtɕi vrˈɛʃtɕɛ zˈɛ smˈɨtʃɨ lˈɔrda pakstˈɛra.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_2.wav|ɔbˈudʑiw mɲʲɛ jˈakiɕ xrˈɔbɔt. zˌɔbatʃˈɨwɛm ˈɔknɔ pʃˌɛswɔɲʲˈɛntɛ drutɕˈanɔ̃ ɕˈatkɔ̃ i frˈaɡmɛnt ɲʲˈɛba nad daxˈami dˈɔmuf.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_71.wav|pɔ rɔzvˈɔdʑɛ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_30.wav|xˈɔdʑmɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_41.wav|f tɛj sˈamɛj xfˈili swˈɨʃɛ dʑvɔɲʲˈɔntsɨ na partˈɛʒɛ tɛlˈɛfɔn.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_47.wav|ʒˈɛ tɔ ɲˈits pˌɔvaʒnˈɛɡɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_148.wav|i pˈatʃɨw na ʒˈɔnt sˌamɔxˈɔduf. na ʒˈɔnt stˈarɨx, bjˈɛdnɨx sˌamɔxˈɔduf nˌalɛʒˈɔntsɨɣ dɔ bjˈawɨx.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_76.wav|pˌɔɡadˈamɨ jˈuʃ ɲʲɛbˈavɛm, tsurˈɛtʃkɔ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_258.wav|zabʲˈiwɛɕ krˈula?|1
+Dataset/wavs/urwisko_ferenc/59_segment_133.wav|bˈɔː ˌɔnɛ latˈajɔ̃ xmarˈami. tɛxɲˈitsɨ krˌɨminalˈistɨkˌi pɔvˈinɲi jˈɛ znˈalɛɕtɕ f sˌamɔxˈɔdʑɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_123.wav|tɔ mˈuɕaw bˈɨdʑ ɡwˈɔɕnɨ xˈuk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_142.wav|a pʃɨnˈajmɲʲɛj bɨwˈɔbɨ, ɡdˈɨbɨ tˈak pˌɔzɔstˈawɔ na stˈawɛ. a ɲʲɛ pˌɔzɔstˈaɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/01_segment_24.wav|ɲˈijak ɲʲɛ umjˈawa sˈɔbjɛ pʃɨpˈɔmɲʲɛtɕ fraɡmˈɛntu tˈɛkstu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_115.wav|tsˈɔ tɔ? na zˈilu tˌɛɡɔ ɲʲɛ vˈidatɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_11.wav|tɔ tˌɨlkɔ jˈɛʃtʃɛ jˈɛdnɔ swˈɔvɔ vˌɨmɨɕlˈɔnɛ pʃˈɛzvas lˈudʑi. ja tɕi pɔ prˈɔstu pˌɔkazˈawɛm prˈavdɛ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_267.wav|ɲʲˈɛxtsɛ pɔvʲˈɛdʑɛtɕ, ʒˈɛ ɲʲɛ jˌɛstɛm vdʑˈɛntʃnɨ za tɛn zˈaʃtʃɨt, ˌalɛ nˈaʃ strˈɨj jɛzd dvˈa rˈazɨ stˈarʃɨ ˈɔdɛ mɲʲɛ i mˈa vʲˈɛntsɛj dˌɔɕfʲattʃˈɛɲʲa jˈakɔ dɔvˈuttsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_114.wav|ˌalɛ tɔ tˌɨlkɔ tɛj nˈɔtsɨ.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_39.wav|ɕˌivɔbrˈɔdʑi stˌaruʃkˈɔvʲɛ, ambʲˈitɲi ɡwˈuptsɨ i ɡˈart sprˈɔɕnɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_163.wav|vˈɔlawbˌɨm tɔː i tɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_7.wav|tɔ nˈavɛt pɔmˈaɡa lˈudʑɔm pʃˌɨstɔsˈɔvatɕ ɕɛ dɔ ɡrˌavitˈatsji kɕˌɛ̃ʒɨtsˈɔvɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_55.wav|vˌɨtɕɔŋɡnˈɔwɛm ɡlˈɔka i pɔdɲʲˈɔswɛm ɡˈɔ dɔ kamˈɛrɨ.|2
+Dataset/wavs/urwisko_ferenc/62_segment_27.wav|jˈak tɔ vˌɨɡlɔndˈawɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_59.wav|pʃˌɨtulˈiwam ɡˈɔ mˈɔtsnɔː i zmuɕˈiwam ɕɛ, bˈɨ radˈɔɕɲʲɛ pɔmˈaxatɕ sɨnˈɔvi pʃˈɛs ˈɔknɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_84.wav|ɡdˈɨbɨ ɲʲɛ ˌuvaʒˈali, ʒˈɛ jˌɛstɛm vˈinna.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_212.wav|traɡˈaʒɨ i kˌɔmɛdjˈantuf, lˈudʑi zˌajmujˈɔntsɨx ɕɛ spʃɛdˈaʒɔ̃ lˈin i naprˈavɔ̃ ʒˈaɡli.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_29.wav|jˈuʒ ɡˈɔ tˈam ˌɔtʃɨvˈiɕtɕɛ ɲʲˈɛma.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_18.wav|pˈɛvʲɛn ˌɔpswuɡʲivˈanɨ pʃˈɛs jˈɛɡɔ fˈirmɛ zˈɛspuw ɡrˈa tˈutaj kˈɔntsɛrt. sˌuppɔrtˈujɔ̃ kˈɔɡɔɕ f xˈali kˌɔntsɛrtˈɔvɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_43.wav|tˈɔm ˈurvaw, pɔɲʲˈɛvaʃ ɔstˈatɲʲa mɔʒlˈivɔʑdʑ vˌɨdavˈawa ɕɛ pɔvˈaʒna, a zarˈazɛm...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_49.wav|ˌalɛ ɲʲɛ zamjˈɛʒam rˈuvɲʲɛʃ rˌɨzɨkˈɔvatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_163.wav|— ɲʲɛ ʃkˈɔdʑi — ʒˈɛkw tˈɔnɨ. — pˌɔmɨɕlˈawɛm ˈɔtɨm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_21.wav|tʃˈɛkam na ˈalɛ. mˈɔmɛnt, f ktˌurɨm tʃˈɛɲʑdʑ vˈinɨ zʒˈutɕi nˈamɲʲɛ. jˈɛdnak ɲʲɛ vˌɨpɔvʲˈada tˌɛɡɔ swˈɔva.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_9.wav|ɲʲɛ jɛzd zdˈɔlnɨ dɔ takʲˈɛɡɔː ˌɔkrutɕˈɛɲstfa.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_172.wav|dlatˈɛɡɔ vwˈaɕɲʲɛ kazˈali mi zˈabradʑ dʑˈɛtskɔ dˈali i zɔstˈavidʑ vwˈasnɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_37.wav|prɛzˈɛntɛr na ʃtʃˈɛɲɕtɕɛ ɔttɕˈina jˈɔ̃ i pʃɛxˈɔdʑi dɔ nˌastɛmpnˈɛɡɔ dʑvˌɔɲʲɔntsˈɛɡɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_338.wav|jˈak ˌɔna wˈadɲʲɛ ɕpˈi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_194.wav|i pʃˈɛs xfˈilɛ vʲˈɛʒɛ, ʒˈɛ mi pɔmˈɔʒɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_209.wav|xtsˈɛ tɕi dˈadʑ zarˈɔbʲitɕ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_154.wav|ɲʲɛ vˌɨmaɡˈawɔ tɔ zbˈɨd vʲˈɛlɛ vɨɕˈiwku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_65.wav|xˈɨba, ʒˈɛ maʃ ɔbjˈɛktsjɛ natˈurɨ rˌɛliɡʲˈijnɛj lˈup mɔrˈalnɛj.|2
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_38.wav|pʃˌɛjɛxˈali pʃɛt ʃɛrˈɛɡʲɛm sˌamɔlˈɔtuf, a pˈɔtɛm ˈandɛrsɔn zatʃˈɨmaw samˈɔxut pʃɛt ˈinnɨm xaŋɡˈarɛm i pɔvʲˈɛdʑaw|0
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_15.wav|swˈɨʃɛ jɛj kʃˈɨk, vɔwˈaɲʲɛ ɔ pˈɔmɔts. vɨʒˈutsam tɛ mˈɨɕli.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_26.wav|ɔbˈɔjɛ nalˈɛʒɔ̃ dɔ mɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_83.wav|mˈɔʒɛ tˌɛɔrɛtˈɨtʃɲʲɛ bˌɨwɔ tɔ vwaɕtɕˈivɛ ˌɔkrɛɕlˈɛɲʲɛ tˈɛɡɔ, tsˈɔ mʲˈaw na mˈɨɕli, ˌalɛ f tɛj sˌɨtuˈatsji ɡɔrʃˈɛɡɔ ɲʲˈɛmuɡw ˈuʒɨtɕ. zˌauvaʒˈɨwɛm, ʒˈɛ klˈu ɕɛ pʃɛʒˈɛɡnaw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_33.wav|kˈivam ɡwˈɔvɔ̃, jˈaɡbɨ ɲʲɛ bˌɨwɔ tɔ ɲˈitʃɨm ʃtʃɛɡˈulnɨm.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_86.wav|pˈɔtʃuw ɕfʲɛʒbjˈɛɲʲɛ wˈɛ fˌantɔmˈɔvɨx pˈaltsax.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_36.wav|nˌastɛmpˈujɛ pˈawza, a f pɔvʲˈɛtʃu zavˈisa ɲʲˌɛzadˈanɛ pɨtˈaɲʲɛ, ktˌurɛ tʃˈɨɲi ˌatmɔsfˈɛrɛ f kˈuxɲi ɲʲˈɛmal klˌawstrɔfɔbʲˈitʃnɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_20.wav|tfˈuj dˈɔm tʃˈɛ̃stɔ mi ɕɛ ɕɲˈi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_245.wav|kˈilka lˈat pʃɛʒˈɨwɛm, tˈak, spˈɔrɨ tʃˈas pʃɛʒˈɨwɛm f kɔpˈalɲi.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_85.wav|vɨɡlˈɔndaʒ dʑˈiɕ rˈanɔ bˈardʑɔ zdrˈɔvɔ, pˈaɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_115.wav|xˈɔdʑi ɔ klˈɛrki, a prˈavda?|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_97.wav|nˈavɛd vʲˈɛntsɛj, ɡdˈɨbɨ vˈɨtar brˈuki dɔ tʃˈɨsta.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_110.wav|ˌubʲitʃɔvˈanɔ ɡˈɔ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_339.wav|ˌuswɨʃˈawa vwˈasnɨ ɡwˈɔs.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_250.wav|fʃˈɨstsɨ rɔdʑˈimɨ ɕɛ nˈadʑɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_113.wav|pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃ z vʲˈɛŋkʃɨm utʃˈutɕɛm, ɲˈiʃ tɔ bˌɨwɔ kɔɲʲˈɛtʃnɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_495.wav|uswˈuʒnɨ tˈɔɲi mitskʲˈɛvitʃ|0
+Dataset/wavs/urwisko_ferenc/08_segment_108.wav|tsˈɔ prˈavda jˈɛɡɔ ʃˈɛf ɲˈits mu na tɛn tˈɛmat ɲʲɛ pɔvʲˈɛdʑaw, ˌalɛ bˈɨtɕ mˈɔʒɛ mlˈɛkɔ ɕɛ jˈɛʃtʃɛ ɲʲɛ rɔzlˈawɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_237.wav|ɲʲɛ ˈumjɛm ˈɔtɨm pɔvʲˈɛdʑɛtɕ. tsˈɔ jɛst mʲˌɛndʑɨ nˈami naprˈavdɛ? pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_15.wav|dɔmˈiɲik pʃˈɨznaw ɕɛ dɔ zˌamɔrdɔvˈaɲʲa dvˈux ˈɔsup. a ja mˈuʃɛ ɕɛ stˈɔnd vɨdˈɔstatɕ, zˈabradʑ dʑˈɛtɕi i ˈukrɨtɕ ɕɛ dɔ mɔmˈɛntu, ˈaʃ pɔlˈitsja ɡˈɔː ˌarɛʃtˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_84.wav|ɲʲɛ mˈɔɡwɛm ɲʲɛ pʃˈɨznatɕ jɛj rˈatsji.|2
+Dataset/wavs/urwisko_ferenc/52_segment_43.wav|spˈɨtaw sˈɔ̃ɕat xudʑˈiɲskix, kturˌɛɡɔ ɲʲɛdˈavnɔː ˌɔdvʲɛdʑˈili s xˈɛrman. jˈasnɛ, pamjˈɛntam, ɔ tsˈɔ xˈɔdʑi. rɔzmˈavʲaw pˈan s karˈɔlɛm?|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_96.wav|xtsˈɛ, bˈɨ ktˈɔɕ pʃɛtʃˈɨtaw tɔ, tsˈɔ napˈiʃɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_100.wav|xˈɨba nˈatʃɛt tʃˈas, ʒˈɛbɨm bˌɨwa s tˈɔbɔ̃ ʃtʃˈɛra, ˌalɛ zˈɛ vzɡlˈɛndu na fʃˈɨstkix pˌɔzɔstˈawɨx ˈindjɔ ɲʲɛ vˈɔlnɔ tɕi ɲikˈɔmu ˈɔtɨm pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_12.wav|bˈɨw jˈuʃ tˈutaj kˈilka rˈazɨ, ˌalɛ ɲʲɛ pʃɨ mˈɔim stˈɔlɛ, vʲˈɛnts ɲʲɛ jˌɛstɛm pˈɛvna, tʃˈɛɡɔ pɔvˈinnam ˌɔtʃɛkˈivatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_70.wav|jˌɛstɛm pˈɛvna, ʒˈɛ tɔ bˌɛɲdʑɛ jɛdˈɨɲʲɛ rˌutɨnˈɔvɛ pʃˌɛswuxˈaɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_12.wav|ɲˈits mi ɲʲɛ pˌɔkazˈawɛɕ pɔvʲˈɛdʑaw rˈɨan.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_63.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ ɲʲɛ, mˈamɔ. zˌastanˈavʲam ɕɛ tˈɨlkɔ, ɡdʑˈɛ ɡˈɔ sxˈɔvaw.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_233.wav|kˈɔɲʲɛdʑ z nˌadʑɛjˈami na ɔstˈatɲʲɛ ʒɲˈiva.|1
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+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_65.wav|f tɨm mɔmˈɛɲtɕɛ ˌɛksplɔdɔvˈawam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_49.wav|spɔjʒˈawa na wˈuʃkɔ, na ruʒˈɔvɔbɔrdˈɔvɔ̃ kˈɔwdrɛ i zaxtɕˈawɔ ɕɛ jɛj pwˈakatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_27.wav|pˌɔvʲɛdʑˈawa bˈɛtskɨ. tsˈɔɕ ɕɛ tˈam dʑˈɛjɛ i jˈɛʃtʃɛ ɲʲɛ dɔtˈarliɕmˌɨ dɔ sˈɛdna.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_24.wav|pɔdˈɛʃli dɔ bjˈurka, pʃɨ ktˌurɨm mwˈɔda dɛtˈɛktɨf kɔɲtʃˈɨwa vwˈaɕɲʲɛ rɔzmˈɔvɛ pʃˈɛs tɛlˈɛfɔn.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_128.wav|dlatʃˈɛɡɔː ˈaʃ tˈɨlɛ?|2
+Dataset/wavs/urwisko_ferenc/52_segment_39.wav|xˈɔtɕaʃ ɲʲˈɛmʲaw jˈɛʃtʃɛ plˈanu, jˈak pɔɡˈɔdʑitɕ ˈɔɡʲɛɲ z vˈɔdɔ̃ i sprˈɔstatɕ ˌultʲimˈatum kˈiŋɡʲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_145.wav|zrɔbʲˈiwam tsˈɔɕ pˌɔxɔpnˈɛɡɔ. pʃˌɛvrutɕˈiwam na ɲʲˈɛɡɔ stˈɔlik i zatʃˈɛwam spʲˈɛpʃatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_196.wav|muɕˈawam vɨdˈɔstatɕ ɕɛ s tɛj nˈɔrɨ.|4
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+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_224.wav|prˈɔʃɛ mi zrˈɔbʲitɕ tˈɛ pʃɨjˈɛmnɔɕtɕ i ˌɔtpɔvʲˈɛdʑɛtɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_30.wav|vɨɡlˈɔnda na dˈuʒɔ vʲˈɛŋkʃɛ ɲˈiʃ na zdjˈɛɲtɕax.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_58.wav|kʲˈɛdɨɕ jˈuʃ ɕɛ spˌɔtkawˈɨɕmɨ. zlɛtɕˈiwam tfɔjˈɛmu ˈɔjtsu ˌinstalˈatsjɛ sxrˈɔnu pˌɔvʲɛtʃnˈɛɡɔ w mˈɔim dˈɔmu. pʃˌɨprɔvˈadʑiw tɕˈɛ zˈɛ sˈɔbɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_79.wav|ɲʲɛ xtɕˈawam nˈaɲʲɔ̃ pˈatʃɛtɕ, ˌalɛ vʲɛdʑˈawam, ʒˈɛ ˈaram tɔ dɔstʃˈɛʒɛ i za xfˈilɛ dɔ ɲʲˈɛj dɔwˈɔntʃɛ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_429.wav|lˈɔrd dʒˈɔn ɲʲˈɛmʲaw brˈatɕi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_90.wav|pɔvʲˈɛɕitɕ ˈalbɔ pˈɔtɕɔɲtɕ na talˈarki.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_49.wav|a tɔ bˈɨw dˈɔbrɨ znˈak.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_158.wav|ˌalɛ tɛn trˈiɡ zapˈɛvnɛ sprˈavdʑa ɕɛ tˌɨlkɔ wˈɛ fˈilmax.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_259.wav|a jˈɛɡɔ pʃˌɨjatɕˈɛla, dʒˈɔna frˈantsɛ...|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_222.wav|pɛvnˈɛɡɔ dɲʲˈa vɨpˈijɛ tfˈɔjɛ vˈinɔ, vrˈɔɲʲɛ ˈɔkɔː i ɔdbjˈɔrɛ tɕi fʃˈɨstkɔ, tsˈɔ dla tɕˈɛbjɛ drˈɔɡʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_160.wav|zrɔbʲˈiwaɕ tɔ dla tɔmmˈɛna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_18.wav|jˈɛɡɔ tʃˈɔwɔ vɨɡlˈɔnda jˈak pˈas startˈɔvɨ.|2
+Dataset/wavs/urwisko_ferenc/05_segment_15.wav|zjɛxˈawa kˈilka liɲˈijɛk ɲˈiʒɛj i pʃˌɛtʃɨtˈawa tsˈɔɕ, tsˈɔ fstʃɔ̃snˈɛwɔ ɲʲˈɔ̃ dɔ ɡwˈɛmbʲi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_228.wav|lˈudʑɛ f pʲˈɛklɛ xtsˈɔ̃ vˈɔdɨ z lˈɔdɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_134.wav|vrˈɛʃtɕɛ, ɲʲɛ ˌɔdrɨvˈajɔndʑ vzrˈɔku ɔt mˈɔix ˈɔtʃu, zabrˈawa z bjˈurka nˈakaz dˌɛpɔrtˈatsji i vwɔʒˈɨwa ɡˈɔ dɔ ʃuflˈadɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_66.wav|pˌɔjavʲˈɛɲʲɛ ɕɛ jɛdnˈɛɡɔ z lˈudʑi z zɛspˈɔwu pˌɔʃukˌivaftʃˈɛɡɔː ˌuɲʲɛmˌɔʒlivˈiwɔ tɔmˈɔvi zadˈaɲʲɛ kˌɔlɛjnˈɛɡɔ pɨtˈaɲʲa.|3
+Dataset/wavs/urwisko_ferenc/10_segment_41.wav|bɔrˈɛvitʃ xtɕˈaw pɔvʲˈɛdʑɛtɕ tsˈɔʑ ʒˈɔɲʲɛ, ˌalɛ stwˈumiw ɡˌɔtujˈɔntsɛ ɕɛ w ɲˈim ɛmˈɔtsjɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_33.wav|tˈata tsmˈɔknɔw i ɔdʒˈutɕiw ɡwˈɔvɛ dɔ tˈɨwu.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_257.wav|ˌɔznajmˈiwa swuʒˈɔntsɨm alˈain. pʃɨɲʲˈɛɕtɕɛ mu vˈɔdɨ na kˈɔmpʲɛl, ˌalɛ pˌamjɛntˈajtɕɛ, ʒˈɛbɨ ɡˈɔ ɲʲɛ ɔpˈaʒɨtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_102.wav|bʲˌilizˈɛrka na zˈɛɡar na ɕtɕˈaɲʲɛ kˈuxɲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_245.wav|xtɕˈaw tˌɨlkɔ jˈak najʃˈɨptɕɛj stˈamtɔnt spʲɛrdˈɔlitɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_505.wav|i ˌɔtʃɨvˈiɕtɕɛ mˈɔjɛ zwˈɛ pʃɛtʃˈutɕa ɔt rˈazu ɕɛ spɛwɲˈiwɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_58.wav|pˈatʃɨw mi tˈɛras prˈɔstɔ w ˈɔtʃɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_33.wav|dlatʃˈɛɡɔ mʲˈawabˌɨm f tɔ vˈɔntpitɕ? ʃtʃɛɡˈulɲʲɛ pˈɔtɨm, jˈak pˌɔvʲɛdʑˈawaɕ, ʒˈɛ ɲʲˈɛxtsɛʃ ɔ ɲˈitʃɨm rɔzmˈavʲatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_253.wav|zˈavur tɕˌiɕɲʲɛɲʲˈɔvɨ,|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_129.wav|dlatˈɛɡɔ kʲˈɛdɨ kturˈɛɡɔʑ dɲʲˈa zapˈɨtaw, tʃɨ pɔ prˈatsɨ pˈɔʃwabˌɨ z ɲˈim tsˈɔɕ pʃɛkˈɔ̃ɕitɕ, bˈɛz vaxˈaɲʲa ɕɛ zɡɔdʑˈiwa.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_130.wav|zɛrknˈɛwam f strˈɔnɛ tsɛrbˈɛra stʃˌɛɡɔntsˈɛɡɔ dɔstˈɛmpu dɔ vˈint, a pˈɔtɛm znˈuf na mɔjˈɛɡɔ kljˈɛnta.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_237.wav|zˌɔbatʃˈɨwɛm jˈɔ̃ pʃɨ ʃˈafjɛ ɡrajˈɔntsɛj i ɔt rˈazu vʲɛdʑˈawɛm, ʒˈɛ mˈuɕi bˈɨtɕ mˈɔja. jˈaki tɔ tʃwˈɔvʲɛɡ bˈɨw ɡwˈupi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_117.wav|vɨxˈɔdʑɔndʑ dɔː ɔɡrˈɔdu ˈɔbjɛ kɔbjˈɛtɨ ɕɛ rˌɔzɛɕmʲˈawɨ. tˈɔm pˈɔdɲʲuz vzrˈɔk i spˈɔjʒaw nˈaɲʲɛ, zˌaskɔtʃˈɔnɨ.|3
+Dataset/wavs/urwisko_ferenc/15_segment_52.wav|pˈatʃɨw pʃɛt ɕˈɛbjɛ i pˈar spɔkˈɔjnɨm krˈɔkʲɛm f kʲɛrˈuŋku plˈatsu tˌɛatralnˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_25.wav|pʃˈɨʃɛt tʃˈas na bˈuʒɛ mˈuzɡu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_74.wav|mɨɕlˈawam, ʒˈɛ zrɔzˈumjɛʃ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_67.wav|upˈalnɨ dʑˈɛɲ pˌɔzɔstˈaviw pɔ sˈɔbjɛ ɕlˈat f pɔstˈatɕi tɕɛ̃ʃkʲˈɛɡɔ pɔvʲˈɛtʃa.|3
+Dataset/wavs/urwisko_ferenc/49_segment_48.wav|pɛnxˈɛʒɛ nˌaskurkˈɔvɛ zɔstˈawɨ zˌaxɔvˈanɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_68.wav|vˈɛʃli. mˈikɛ ɔɡlˈɔndaw kˌarabʲˈinɨ, ɔtkwˈadaw jˈɛ i vrˈɛʃtɕɛ zapˈɨtaw ˌandɛrsˈɔna,|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_424.wav|xˈɛlɛn ɲʲɛ spˈawa. zapˈaliw ɕfʲˈatwɔ, pˈɔtʃɛd dɔ wˈuʃka i zdˈar z ɲʲˈɛj nˈajpʲɛrf kˈɔwdrɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_158.wav|jˈɛɡɔ pɨtˈaɲʲɛ dˌɔprɔvˈadʑa mɲʲɛ ɲʲˈɛmal dɔ ɕmʲˈɛxu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_227.wav|tɔ skˌɔmplikɔvˈanɛ. ˌɔtpɔtʃˈɨvaj, zbjˈɛraj mˈɨɕli.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_166.wav|jˈɛdɛn z ɲˈix tɕˈɔŋɡlɛ dɔmˈaɡaw ɕɛ ʒarsˈija.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_48.wav|xtɕˈawam, ʒˈɛbɨɕ jˈɔ̃ pɔznˈawa, ʒˈɛbɨ tɕi nˈaɲʲɛj zˌalɛʒˈawɔ, bˈɔ mˈuɕiʃ mi jˈɔ̃ zvrˈutɕitɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_88.wav|tʃɨ ˈinnɨ spˈɔsup?|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_102.wav|mˈuɕi bˈɨtɕ ˈinnɨ prˈɔblɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_294.wav|ɔpˈɔvʲɛts mi tsˈɔɕ ɔ sˈɔbjɛ, ʃɛpnˈɛwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_55.wav|xtɕˈawɛm pɔprˈɔɕitɕ, ʒˈɛbɨ tˈak ɲʲɛ muvˈiwa, ˌalɛ ɕɛ rˌɔzmɨɕlˈiwɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_150.wav|starˈanɲʲɛ i vˈɔlnɔ rˈɔstar jˈɔ̃ ɔptsˈasɛm.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_131.wav|ˈutʃta ɕɛ udˈawa.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_273.wav|ˌalɛ vʲˈɛntsɛj na tɛn tˈɛmat ˈinnɨm rˈazɛm.|4
+Dataset/wavs/urwisko_ferenc/09_segment_14.wav|bjˈawɨ ʒˈaɡʲɛl?|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_88.wav|vˈɨʃwam z zˌawɔʒˈɛɲʲa, ʒˈɛ rˈuvɲʲɛʒ brˌazɨlijtʃˈɨtsɨ vɨswˈali tˈam sfɔjˈɛɡɔ tʃwɔvʲˈɛka. mʲˈawam nadʑˈɛjɛ, ʒˈɛ rˈudɨ ɡˈɔ zwˈapʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_120.wav|vʲɛdʑˈawɛm, ʒˈɛ pˈujdʑɛ dɔ brˈamɨ ɡwˈuvnɛj, na pˈɛvnɔ znˈawa ˌɔtfʲɛrajˈɔntsɨ jˈɔ̃ kˈɔt, ˌalɛ zˌɔstavˈiwɛm straʒɲˈika, sˈala.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_127.wav|kˈurtka mˈa tʃˈɨ kʲɛʃˈɛɲʲɛ zˌapinˈanɛ na suvˈaki, jˈɛdnɔ̃ mˈawɔ̃ nat lˈɛvɔ̃ pʲˈɛrɕɔ̃, dvʲˈɛ vʲˈɛŋkʃɛ ukˈɔɕnɛ pɔ bˈɔkax.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_15.wav|ɡʒˈɛbjɛ f tɔrˈɛptsɛ fɕrˈut pʃˌɨpatkˈɔvɨx pʃɛdmʲˈɔtuf, ktˌurɛ zabrˈawam zˈɛ sˈɔbɔ̃ i vɨjmˈujɛ kɔmˈurkɛ ˈaʃa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_206.wav|w ɲʲˈu dʒˈɛrzi? a ktˈɔ tɔ rˈɔbʲi?|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_248.wav|pˈɔvʲɛts mi, tsˈɔ ɕɛ z ɲʲˈɔ̃ dʑˈɛjɛ?|1
+Dataset/wavs/urwisko_ferenc/59_segment_96.wav|jˈɛntki z natˈurɨ ɲʲɛ ˌintɛrɛsˈujɔ̃ ɕɛ zvwɔkˈami.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_76.wav|mʲˈawɛʑ vʲˈɛntsɛj jˈak jɛdnˈɛɡɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_159.wav|tˈɔm ɔdvrˈutɕiw ɕɛ i spˈɔjʒaw na jˈumbɔ, ktˌurɨ kˈutsaw pʃˈɛz vwˈɔkax ubrˈanɨ w ˌɔtpɔvʲˈɛdɲi strˈuj i ɔbˈuvʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_333.wav|xtɕˈawabˌɨʑ bˈɨtɕ spavˈatʃɛm?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_150.wav|ɲʲɛ pˌɔvinɲˈiɕmɨ pɔɕˈadadʑ ʒˈɛtʃɨ, ktˌurɛ dˈajɔ̃ nˈam vwˈadʑɛ nat innˈɨmi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_334.wav|ɔddˈɨxaw tɕˈɛ̃ʃkɔː i dwˈɔɲʲɔ̃ ˌɔklɛjˈɔnɔ̃ plˈastrɛm pɔ krɔplˈuftsɛ ɕtɕˈɛraw pˈɔt s tʃˈɔwa.|0
+Dataset/wavs/urwisko_ferenc/21_segment_31.wav|tˈak skɔɲtʃˈɨwɔ ɕɛ na strˈaxu, stfʲɛrdʑˈiwa sxˈɔdʑɔnts pɔ sxˈɔdax. ɔ tʃɨm ɡadˈaliɕmˌɨ? ɔ sˈɔlskim, pʃɨpˈɔmɲʲaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_67.wav|ɲʲɛ pɔvˈinnaʑ vˌɨkɔnˈɨvatɕ tˈaɡ dwˈuɡʲix skˈɔkuf, upˈɔmɲʲaw mɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/03_segment_69.wav|mˈɔɡwa vʲˈɛnts ɲʲɛ zˌauvˈaʒɨtɕ tsˈurki.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_137.wav|f ɕˌɛdmʲɔramjˈɛnnɛj ɡvʲˈɛʑdʑɛ jɛst nˌapisˈanɛ, ʒˈɛ fʃˈɨstkʲɛ ɡʒˈɛxɨ mˈɔɡɔ̃ bˈɨdʑ vˌɨbatʃˈɔnɛ, lˈɛdʒ zbrˈɔdɲʲɛ zˈafʃɛ tʃˈɛba ukˈaratɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_215.wav|xmˈurɨ ɕɛ rɔzˈɛʃwɨ na mˈɔmɛnt i zrˈɔbʲiw ɕɛ kfˈadrans lˈata.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_27.wav|jɛstˌɛɕmɨ ɲˈim.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_308.wav|taˈina ujˈɛwa dwˈɔɲ tsɛrsˈɛi i pˌɔtsawɔvˈawa jˈɔ̃. mˈɔdlɛ ɕɛ ˈɔtɔ, bˈɨm ɲˈiɡdɨ tɕˈɛ ɲʲɛ rˌɔzɡɲʲɛvˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_91.wav|tsˌawkɔvˈitɕɛ rɔzˈumjɛm. pʃɛprˈaʃam, ʒˈɛ zˌapɨtˈawɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_510.wav|vʲˈɛnts pˈɔvʲɛts mi fʃˈɨstkɔ, tsˈawɔ̃ prˈavdɛ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_89.wav|ʒˈadɛn ɲʲˈɛmʲaw xˈɛwmu z ɡwˈɔvɔ̃ ɔɡˈara.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_108.wav|mˈɨɕliʃ, ʒˈɛ jˌɛstɛɕ ɕmʲˈɛʃnɨ?|0
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+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_150.wav|ʒˈɛbɨ ɲʲɛ strˈatɕitɕ ɕˈiwɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_26.wav|nɡˈuɡʲi rɔspˈarwa ɕɛ wˈɛ fɔtˈɛlu i jɛj pˈaltsɛ zˌatɕiɕɲʲˈɛntɛ na rˌɛŋkɔjˈɛɕtɕi pˌistɔlˈɛtu ɲʲˈɛtsɔ ɕɛ rˌɔzluʑɲˈiwɨ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_314.wav|ɡdˈɨbɨ bˈɨw tˈu mˈuj ˈɔjtɕɛts...|1
+Dataset/wavs/urwisko_ferenc/63_segment_114.wav|ʒˈal mi, pˈaɲi sˈɨŋka.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_43.wav|pɔ dʑɛɕˈɛɲtɕu minˈutaɣ zabʒˈɛntʃaw tɛlˈɛfɔn w jˈɛɡɔ kʲɛʃˈɛɲi.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_291.wav|na drˈuɡʲim bʒˈɛɡu ʒˈɛki swˈɨxadʑ bˌɨwɔ vˈɨtɕɛ vˈilkuf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_325.wav|i zapwˈatɕiw jˈɛ jˈɛdnɨm tʃˈɛkʲɛm. mˈarɛj stˈaw pʃˈɛs xfˈilɛ ɲʲˌɛruxˈɔmɔ. pˈɔtɛm ɔtxˈɔdʑiw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_16.wav|pʃˈɛz ɡɔdʑˈinɛ ˌɔɡlɔndˈaliɕmˌɨ tˌɛlɛvˈizjɛ, jˈɛdliɕmˌɨ, tʃɨtˈaliɕmˌɨ lˈup f tsˈɔʑ ɡrˈaliɕmˌɨ, a pˈɔtɛm kwˈadwam ɡˈɔ dɔ wˈuʃka.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_217.wav|f tɛn spˈɔsup fʃˈɨstsɨ znˈalibˌɨ zvɨtɕˈɛ̃stsɛ, nˈavɛt jˈɛɕli ɲʲɛ znˈalibˌɨ ɡˈɔː ˌɔsɔbʲˈiɕtɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_35.wav|ɲʲˌɛvɨklutʃˈɔnɛ tˈɛʃ, ʒˈɛ jɛj mˈɛ̃ʒa ftsˈalɛ ɲʲɛ bˌɨwɔ tˈam, ɡdʑˈɛ tfʲˈɛrdʑiw, ʒˈɛ bˈɨw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_24.wav|kˈaʒdɨ kavˈawɛk mɔjˈɛɡɔ tɕˈawa ɔtɕˈɛka pˈɔtɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_28.wav|a tˈɨ, jˈɔɛ, tɨ jˌɛstɛɕ jˈuʃ mˈartfa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_74.wav|krˈavɛɲdʑ dʒvˈi jɛst rˌɔstʃaskˈana, pɔdˈɔbɲʲɛ jˈak ˌɔɕtɕɛʒɲˈitsa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_59.wav|mˈuʃɛ jˈuʒ zɲˈikatɕ, bratɕˈiʃku. bˌɛndɛ f kɔntˈaktɕɛ.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_4.wav|pʃˌɛxɨlˈiwa lˈɛkkɔ ɡwˈɔvɛ i pˌɔpatʃˈɨwa na ɲʲˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_50.wav|ɡʲˈɔrɡjɔː ɔtstˈavja pˈustɔ̃ ʃklˈaŋkɛ kˌɔktajlˈɔvɔ̃ na stˈɔlik, pˈɛvɲʲɛ tʃˈip ˈand dˈalɛ, ˌɔbɔk sfɔjˈɛɡɔ fɔtˈɛla i bˈɛka.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_204.wav|ˌalɛ ftˈɛdɨ tsˈad vˌɨtɕɔŋɡˈawa nˈɔʒɨk. zˈafʃɛ bˈɨw bˈardʑɔ dˈɔbʒɛ nˌaɔstʃˈɔnɨ i umjˈawa ɕɛ ɲˈim pˌɔswuɡʲˈivatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_9.wav|bʲˈillɨ dɔmˈɨɕla ɕɛ, ʒˈɛ f tɨɡˈɔdɲʲu jɛst tˈu spˈɔrɨ rˈux, ˌalɛ tˈɛras, f sɔbˈɔtɲʲɛ pˌɔpɔwˈudɲʲɛ, vnˈɛntʃɛ ɕfʲˈɛtɕi pustkˈami, a tsˈawɨ kˌavʲarɲʲˈanɨ ɔɡrˈudɛk mˌajɔ̃ dla ɕˈɛbjɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_126.wav|tˈɛras, kʲˈɛdɨ tɨ vʲˈɛʃ, kˈim jɛst ˈɔna, a ˌɔna vʲˈɛ, kˈim jˌɛstɛɕ tˈɨ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_177.wav|tˌɨlkɔ ɲʲˈɛmuf, ʒˈɛ pʃˌɛlɛtɕˈawɛɕ mɲʲɛ z litˈɔɕtɕi.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_192.wav|tʃasˈami spˌɔtɨkˈawa tˈɛʃ lˈudʑi z vɛstˈɛrɔs.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_396.wav|tɔ narˈada vɔjˈɛnna, ɲʲɛ vˈɔjna.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_105.wav|baˈɛlɔr budˈujɛ ɡalˈɛrɨ.|1
+Dataset/wavs/urwisko_ferenc/33_segment_44.wav|fʃˈɛɲdʑɛ lɛʒˈawɨ pˌɔrɔzʒutsˈanɛ tɕˈuxɨ.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_163.wav|kˈɔpjɛ f pʲˈɛrʑ bjɛdnˈɛɡɔ kˈa...|1
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+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_89.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_96.wav|ɲʲɛktˌuʒɨ mɛ̃ʃtʃˈɨʑɲi sɔ̃ pˌɔbwɔɡˌɔswavʲˈɛɲi sɨnˈami, ˈinɲi tsurkˈami. ɲˈikt ɲʲɛ zˌaswuɡˈujɛ nˈatɔ, bˈɨ pʃɛklˈɛntɔ ɡˈɔ tˈakim dʑˈɛtskʲɛm jˈak tˈɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_431.wav|dlatʃˈɛɡɔ tɔ pˈaɲi pɔftˈaʒa z natɕˈiskʲɛm?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_192.wav|ɲʲɛ rˌɔzumjˈawam, tsˈɔ ɕɛ dʑˈɛjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_133.wav|pɔ xfˈili miltʃˈɛɲʲa ˌuswɨʃˈawɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_63.wav|bˈul mˌalujˈɔntsɨ ɕɛ na jˈɛɡɔ tfˈaʒɨ rˈaɲi mɲʲɛ ɡwɛmbˈɔkɔ.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_113.wav|dˈɔbʒɛ mˈuviʃ w jɛ̃zˈɨku pɔfʃˈɛxnɨm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_637.wav|i w miltʃˈɛɲʲu pʃˌɨpatrɨvˈawɨ ɕɛ nˈam zˈɛ zɡrˈɔzɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_75.wav|tʃˈujɛ tfˈuj bˈul, ɲikˈɔla.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_38.wav|luˈisa zɛrknˈɛwa pɔspʲˈɛʃɲʲɛ na tˈɔma i ɕɛ ˌuɕmʲɛxnˈɛwa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_69.wav|zˌauvaʒˈɨwɛm, ʒˈɛ ɔbjˈɛktɨf ɕɛ vɨsˈunɔw. rɔbʲˈili zbliʒˈɛɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_135.wav|pɔvʲˈɛʒɨw dɔvˈutstfɔ nutˈɔvi i sʃˈɛt pɔt pˈɔkwat.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_81.wav|jˈɛɕli tɕi ɕɛ pɔʃtʃˈɛɲɕtɕi, ɔtʃˈɨmaʃ w naɡrˈɔdɛ za fatˈɨɡɛ tˌɨlkɔː ˌɔtpaʒˈɛɲʲa ɔt ɕˈɔdwa.|1
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+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_48.wav|farˈɛnxall stˌatsjɔnˈujɔ̃ lˈudʑɛ ɡrɛɡˈɔra, pʃɨpˈɔmɲʲaw jˈamjɛ. ɔn lˈubʲiw ɡwˈupix i ɔkrˈutnɨx pˌɔtkɔmˈɛndnɨx.|1
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_85.wav|na ɛkrˈaɲʲɛ pˌɔjavˈiwɔ ɕɛ mnˈustfɔː ˌinfɔrmˈatsji na tˈɛmat ˌiksˈɔ tˈɛx.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_123.wav|kʲˈɛdɨ fʃˈɨstsɨ vɨɕˈɛdli, rˈadʒ zavˈɔwaw tʃˈɨstɨm i dɔnˈɔɕnɨm ɡwˈɔsɛm.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_477.wav|a ˈɔɡɲʲɛ ɲʲɛ zdradʑˈiwɨ mi, tsˈɔ tʃˈɛka na jɛj kˈɔɲtsu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_16.wav|pɔtrˈafjɛ rˈɔbʲidʑ bˌulbuljˈɛrɨ.|0
+Dataset/wavs/urwisko_ferenc/63_segment_32.wav|xˈɛrman zˌamurɔvˈawɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_379.wav|mˈuʃɛ pʃˈɨznatɕ, ʒˈɛ bˌɨwam zˌaskɔtʃˈɔna. spˌɔdʑɛvˈawam ɕɛ, ʒˈɛ bˌɛɲdʑɛ smakˈɔvatɕ tˈak paskˈudɲʲɛ jˈak pɔpʃˈɛdɲʲɔ. ˌalɛ tɨm rˈazɛm paskˈudnɨ smˈaɡ bˈɨw zupˈɛwɲʲɛ ˈinnɨ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_275.wav|tfˈuj dʑˈadɛɡ zastˈɔmpiw mɔjˈɛɡɔː ˈɔjtsa jˈakɔ nˌamjɛstɲˈika ɛrˈɨsa.|1
+Dataset/wavs/urwisko_ferenc/37_segment_7.wav|dˈɔbʒɛ. vrˌutɕiwˈɨɕmɨ vwˈaɕɲʲɛ zˈɛ spatsˈɛru.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_21.wav|ɲʲɛ mˈuɕaw twumˈatʃɨtɕ filˈipʲɛ fʃˈɨstkix pɔvˈɔduf, dla ktˌurɨx ɕlˈɛtstfɔ vwˈaɕɲʲɛ stˈawɔ ɕɛ jˈɛʃtʃɛ trudɲʲˈɛjʃɛ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_244.wav|lˈadɨ ɡˈɛna maxnˈɛwa lˌɛktsɛvaʒˈɔntsɔ kʲɛlˈixɛm. ɲʲɛ, tɛn kˈɔɲ jˈuʃ ɔpˈuɕtɕiw stˈajɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_141.wav|ˌambʲivalˈɛntsjɛ sˈɔnduf, nˌɔnʃalˈantsjɛ i zarˈazɛm drˌɔbjazɡˈɔvɔɕtɕ ˌanalˈizɨ,|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_294.wav|mitskʲˈɛvitʃ uɕmʲˈɛxnɔw ɕɛ kʃˈɨvɔ.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_319.wav|ɲʲɛ bɛɲdʑˌɛmɨ dɔ tˌɛɡɔ vrˈatsatɕ.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_136.wav|ˈalta? tsˈɔ tɔ takʲˈɛɡɔ? pˈɨta bʲˈillɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_137.wav|bʲˈillɨ pɔxˈɨla ɕɛ nˈadɲim s pˌistɔlˈɛtɛm w rˈɛŋku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_63.wav|pʃˌɛtɕɛʃ tɔ z jɛj tˌɛlɛfˈɔnu kˌɔmuɲˌikɔvˈanɔ ɕɛ zɨ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_36.wav|ˈɛlis ɔpˈuʃtʃa ʃˈɨbɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_403.wav|ˌaɲi zˌabraɲʲˈajɔnts.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_7.wav|i vbrˈɛf tˈɛmu, tsˈɔ pˌɔkazˈujɔ̃ wˈɛ fˈilmax, sɲˈipɛr ɲˈiɡdɨ ɲʲɛ dʑˈawa f pˌɔjɛdˈɨŋkɛ.|2
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+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_248.wav|ktˌurɔ̃ natˈɨxmʲast spʃˈɛdaw. vʲˈara mˈa tˈɛraz vwˈasnɨx rɨtsˈɛʒɨ, dɔdˈawa.|1
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_60.wav|kˌakˌazˈɛt mˈa ɔɡrˈɔmnɛ fpwˈɨvɨ f kɛɲˈijskim ʒˈɔɲdʑɛ, ktˌurɨ fprɔvˈadʑiw vʲˈɛlɛ kɔʒˈɨstnɨɣ dla ɲʲˈɛj ˈustaf.|4
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+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_26.wav|ɲʲˈɛvʲɛm pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_24.wav|pˈiwa ɡʒˈanɛ vˈinɔ s kˌɔʒɛɲʲˈami i paxɲʲˈawa ɡˈawkɔ̃ mˌuʃkatɔwˈɔvɔ̃.|1
+Dataset/wavs/urwisko_ferenc/31_segment_3.wav|pɔ tʃɨm pʃɛjˈɛxaw za narˈɔʒɲik rˌɛstawrˈatsji, bˈɨ ɔttʃˈɛkatɕ sfˈɔjɛ f kɔlˈɛjtsɛ.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_108.wav|tʃˈɛba bˌɨwɔ vˈɨdatɕ nˈaʃɛ pʲɛɲʲˈɔndʑɛ na drˈɛvnɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_14.wav|w drˈɔdʑɛ pɔvrˈɔtnɛj fstɛmpˈujɛ dɔ bˈurɡɛr kˈiŋɡa, a pʃɛd ʒˈuwtɨm dˈɔmɛm zastˈajɛ dvˈujkɛ dʑˈɛtɕi na rɔvˈɛrax.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_59.wav|ɕtɕˈanɨ pˌɔmalɔvˈanɔ na stalˈɔvɔʃˈarɨ kˈɔlɔr, a bˈɛtskɨ ɔdɲʲˈɔswa vraʒˈɛɲʲɛ, ʒˈɛ fkrˈatʃa dɔ jaskˈiɲi.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_323.wav|ɲʲɛ mʲˈawɔ sˈɛnsu rɔzvˈɔdʑitɕ ɕɛ nˈattɨm, tsˈɔ minˈɛwɔ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_94.wav|mʲˈaw dvˈa kˈɔɲʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_212.wav|ʒˈɛ ɲʲɛ mˈɔʒɛ ɕɛ pɔrˈuʃɨtɕ i tʃˈuw jˈak kɔbjˈɛta.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_285.wav|ˌalɛ vatˈɔvi tˈak naprˈavdɛ xɔdʑˈiwɔː ɔ kɔbjˈɛtɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_105.wav|i s pɛvnˈɔɕtɕɔ̃ pˌasɔvˈawɔ tɔ dɔː ɔbrˈazu, ktˌurɨ lˈubʲiw pʃɛtstˈavʲatɕ jˈɔxanssɔn.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_14.wav|vˈɨbatʃ mi, prˈɔʃɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_17.wav|i vɨtˈarwɛm dɔ sˈuxa. bˌɨwaɕ pʃˌɛmɔtʃˈɔna dɔ sˈuxɛj ɲˈitki. drʒˈawaɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_377.wav|ʃwˈa ɲʲˌɛɕfʲadˈɔma sfˈɛj naɡˈɔɕtɕi, ˌɔbɔjˈɛntna vˈɔbɛts ɲʲˈɛj.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_72.wav|musˈimɨ zawˈatfitɕ tɔ na spɔkˈɔjɲʲɛ, jˈɔɛ.|4
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+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_102.wav|spravʲˈawɔ mu pʃɨjˈɛmnɔɕtɕ f tɕɛmnˈɔɕtɕi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_8.wav|tˌɛɡɔ ɲʲɛ vʲˈɛmɨ, ˌalɛ mˈɔʒɛ ˈuda nˈam ɕɛ dɔ tʃˈɛɡɔʑ dˈɔjɕtɕ, kʲˈɛdɨ bɛɲdʑˌɛmɨ mʲˌɛli ɔkˈazjɛ s pˈaɲʲɔ̃ pˌɔrɔzmˈavʲatɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_22.wav|bˌɛssɛnsˈɔvnɔ̃ mˈɨɕlɔ̃.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_36.wav|ɲʲˈɛxtsɛ mu tˌɛɡɔ mˈuvitɕ, ˌalɛ tˌaki vwˈaɕɲʲɛ mʲˈawam zˈamɨsw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_35.wav|xɔlˈɛra.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_104.wav|tʃˈujɛ pravdʑˈivɔ̃ ˈulɡɛ, kʲˈɛdɨ zɡwˈaʃa ɕɛ pˈɔtʃta ɡwɔsˈɔva.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_65.wav|znˈuf pɔtʃˈujɛ nˈapwɨf ɕˈiwɨ i ɲʲɛ pɔpˈɛwɲʲɛ tɨx sˈamɨɣ bwˈɛnduf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_398.wav|a nˈavɛd ɡdˈɨbɨ istˈɔtɲʲɛ tˈaɡ bˈɨwɔ, pɔvʲˈɛdʑaw ˈandɛrsɔn, pˌɔvʲɛdʑˈawɛm jˈuʃ pˈanu pˈaɲi, ja jɛstˌɛɕmɨ tɨm sˈamɨm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_48.wav|tsˈɔ pˈan xtsˈɛʃ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_65.wav|rˈɨan ɲʲɛ pɔvˈiɲʲɛn lˈatatɕ pɔvʲˈɛdʑaw dʒˈɔnsɔn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_180.wav|znˈuf mˌiltʃawˈɨɕmɨ pʃˈɛs xfˈilɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_16.wav|ˌalɛ bˌɨwa ʒˈuwtɔbˈura i ɲʲɛ umjˈawa ɔdbʲˈijatɕ ɲʲˈɛba i prɔmjˈɛɲi swɔnˈɛtʃnɨx, jˈaɡ ʒˈɛki mˈɛɡɔ dʑɛtɕˈiɲstfa.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_162.wav|pˌɔmɨɕlˈawa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_198.wav|nˈaɡlɛ ɔbjˈɔwɛm jˈɔ̃ ramjˈɛɲʲɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_277.wav|i tˈɛras ɲʲɛ vidʑˈawa jˈuʃ jˈɛɡɔ blˈiznɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_90.wav|ɲʲɛ spˈɔjʒaw mi w ˈɔtʃɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_39.wav|muɕˈawam pˌɔrɔzmˈavʲatɕ s tsˌamɛrˈɔnɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_206.wav|nˈɔ tˈak, rˈatsja.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_29.wav|vzdwˈuʃ plˈɛtsuf pʃˌɛbjɛɡˈajɔ̃ mɲʲɛ drˈɛʃtʃɛ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_59.wav|ˈaʃkɔ, dˈa.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_186.wav|zapʃˈɛtʃɛ ˈilɛ xtsˈɛʃ. tɛn mʲˈɛtʃ ɕfʲˈattʃɨ, ʒˈɛ kwˈamjɛʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_56.wav|ˈaram xtsˈɛ tɕˈɛ vˈidʑɛtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_62.wav|ɲʲɛ tʃˈujɛ ɕɛ ʃtʃɛɡˈulɲʲɛ ˌuspɔkɔjˈɔna.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_292.wav|ɲʲˈɛxtsɛ, ʒˈɛbɨ zɔstˈali bˈɛs prˈatsɨ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_171.wav|ɔtpˈarwa jɛj mˈatka.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_113.wav|ɲʲɛ xtɕˈawam, ʒˈɛbɨ ktˈɔɕ na kˌɔrɨtˈaʒu mɲʲɛ uswˈɨʃaw.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_64.wav|rˌɛtsɛptsjɔɲˈistka vɨdˈawa ˈusta.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_66.wav|vʲˈɛ jˈɛdnak, ʒˈɛ tɔ ɲʲɛ tsˈawkʲɛm tˈak.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_84.wav|ɲˈits ɲʲɛ pɔrˈadʑi nˈatɔ, ʒˈɛ urˈɔdʑiw ɕɛ mˈawɨ i xˌɔrɔvˈitɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_180.wav|tɔ jɛst ʃtʃˈɨt pɛrfˈidji, vʲˈɛ pˈaɲi?|4
+Dataset/wavs/urwisko_ferenc/17_segment_39.wav|ˌalɛ vaʒɲʲˈɛjʃɛ bˌɨwɔ tɔ, ʒˈɛ mˈarja xˈɛrman...|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_188.wav|nˈɔ tɔ ɲʲɛ ɔdmˈuvjɛ. ɔtpˈarwam ɕɛŋɡˈajɔnts pɔ darmˈɔvɨ trˈunɛk i pˌɔtɕɔŋɡnˈɛwam dˈuʒɨ wˈɨk.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_125.wav|kʲˈɛdɨ sxˈɔdʑiw na dˈuw pɔ drabʲˈiɲʲɛ, ksˈɔndɔ xfˈɨtɕiw ɡˈɔ za kˈɔwɲʲɛʃ.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_95.wav|vˌɨɡlɔndˈawɨ jˈak ˈulɛ s kamjˈɛɲʲa, ɲˈiskʲɛ, ɔkrˈɔŋɡwɛ i pˌɔzbavʲˈɔnɛ ˈɔkʲɛn.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_146.wav|udˈawɔ mi ɕɛ ˌusadˈɔvitɕ w mʲˈarɛ vɨɡˈɔd��ʲɛ na natkˈɔlu. ɲʲɛ bˌɨwɔ najɡˈɔʒɛj. pʃˈɛs tsˈawɔ̃ drˈɔɡɛ rˌɔzmɨɕlˈawam ɔ sfˈɔjɛj sˌɨtuˈatsji.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_26.wav|dʑˈɛŋki za swˈɔva ɔtˈuxɨ.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_14.wav|ɕˈɔstrɔ̃ jɛj mˈatki.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_56.wav|ɲʲɛ mˈuvjɛ ˌaɲi swˈɔva i zaɡrˈɨzam vˈarɡɛ, ʒˈɛbɨ ɲʲɛ pɔvʲˈɛdʑɛtɕ tˈɛɡɔ, tsˈɔ bˈɨm xtɕˈawa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_135.wav|tɔ fʃˈɨstkɔ. skinˈawa ɡwˈɔvɔ̃ f strˈɔnɛ ɛkrˈanu. nˌapisˈawam rˈapɔrt, vˈɨɕlɛ ɡˈɔ pˈanu maˈilɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_116.wav|zˌaswuʒˈɨwɛm, stfʲˈɛrdʑiw mˈuj dˈavnɨ pʃɨjˈatɕɛl i jˈɛdnɨm wˈɨkʲɛm dˈɔpiw pˈivɔ.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_202.wav|vwɔʒˈɨwa pˈarɛ tʃˈɨstɨx, pwutɕˈɛnnɨx pantˈɔfli i pˈɔʃwa dɔ kˈuxɲi vɨbwˈaɡatɕ ɔt ˈummɨ tsˈɔʑ dɔ jɛdʑˈɛɲʲa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_94.wav|innˈɛɡɔ pˌɔvʲɔ̃zˈaɲʲa ɲʲɛ vˈidʑɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/45_Artemis_segment_4.wav|pɔdˈɔbnɔ tsˈawɛ mʲˈastɔ jɛst ɲʲˌɛdɔstˈɛmpnɛ. z ɲˈikim ɲʲˈɛma kɔntˈaktu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_86.wav|ˈɛlis ɔɡlˈɔnda fˌɔtɔɡrˈafjɛ z zˈillɔf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_101.wav|pʃˌɛmɨɕlˈawa tɔ, pʃˌɛɡarɲʲˈajɔndʑ vwˈɔsɨ dwˈɔɲʲɔ̃, znˈuf mʲˈawa tʃˈarnɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_8.wav|prˈasɔ̃ dˈavnɨx tʃˈasuf.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_178.wav|a tʃɨ vʲɛdʑˈawaɕ, ʒˈɛ w zˈamjan za tɛn tlˈɛn sˈanxɛz dɔstˈajɛ darmˈɔvɨ prˈɔnt?|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_39.wav|tˈak, pˌɔvʲɛdʑˈawɛm, mɔʒˈɛmɨ.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_124.wav|pˌɔvʲɛdʑˈawa, ʒˈɛ ɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_142.wav|fˈiliz zˌatʃɨmˈujɛ ɕɛ f pɔwˈɔvʲɛ zakrˈɛntu. tˈu stˈɔjɛ, ftɕˈiska ɡˈuzik na brɛlˈɔku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_51.wav|pˈɔvʲɛʃ mi, jˈak maʃ na ˈimjɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_19.wav|ɲʲɛ zˌapɨtˈawɛɕ, tsˈɔ w zvʲˈɔ̃sku s tɨm tʃˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_282.wav|ɔbrˈutɕiw vɨɕfʲˈɛtlatʃ w mˈɔjɔ̃ strˈɔnɛ. zˌɔbatʃˈɨwam, jˈak ˈidɛ f pʃɛbrˈaɲʲu f strˈɔnɛ xˈɔlu vˌidɔkɔvˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_229.wav|ɲˈikt jˈuʃ tɕˈɛ ɲʲɛ skʃˈɨvdʑi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_154.wav|mˈama pɔdnˈɔɕi ɕɛ ɡvawtˈɔvɲʲɛ, vɨrˈɨva mi ɡˈɔ z rˈɛŋki i udˈɛʒa ɲˈim ɔ stˈuw.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_52.wav|tʃˈɨja tɔ xɔrˈɔŋɡʲɛf?|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_110.wav|ˌalɛ bʲˈillɨ pamjˈɛnta.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_6.wav|tʃˈujɛ ɕɛ jˈak pʃˌɛbudʑˈɔnɨ z vˌɨrazistˈɛɡɔ snˈu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_54.wav|a ja swuxˈawam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_34.wav|ˌɔdvrutɕˈiwam ɕɛ, zabrˈawam tɛlˈɛfɔn i zˌadʑvɔɲˈiwam na pɔlˈitsjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_29.wav|vrˈatsam mɨɕlˈami dɔː ˌɔɕɛmnˌastɔlˈɛtɲʲɛj dʑɛftʃˈɨnɨ, ktˌura pʃˌɨjɛxˈawa pˌɔdɛkstsˌɨtɔvˈana na ˌuɲivɛrsˈɨtɛt w mˌanxɛstˈɛʒɛ, pʃˌɛpɛwɲʲˈɔna vʲˈarɔ̃, ʒˈɛ ɔɕˈɔŋɡɲʲɛ vʲˈɛlkʲɛ ʒˈɛtʃɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_15.wav|ˌalɛ ja naprˈavdɛ jˌɛstɛm ɲʲɛvˈinnɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_30.wav|i ktˈɔɕ pʃˌɛkazˈɨvaw jɛj tɛ ˌinfɔrmˈatsjɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_113.wav|tɔ dlatˈɛɡɔ mɲʲɛ ˌuratɔvˈawɛʑ z uvˈaɡʲi nˈaɲʲɔ̃?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_386.wav|ja jˈuʃ ɲʲˈɛmam ɕˈiwɨ nˈavɛd dɔ pʃˌɛbatʃˈɛɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_149.wav|ɲʲɛ rˌɔzumjˈɛmɨ, tˈak?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_113.wav|tʃɨ tˈata mɲʲɛ vˈɨda?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_37.wav|drʒˈana sˈamɔ̃ mˈɨɕl.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_248.wav|ɲʲɛ vʲˈɛntsɛj ɲˈiʃ tfˈuj xwˈɔpʲɛts tˈɛras.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_138.wav|— jˈadɛ tˈam, ɡdʑˈɛ jˌɛstɛm pɔtʃˈɛbnɨ najbˈardʑɛj — vɨjˈaɕɲiw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_23.wav|ɔdvrˈutɕiw ɕɛ w jɛj strˈɔnɛ, mˈɔdlɔnts ɕɛ, ʒˈɛbɨ ɲʲɛ bˌɨwa sˈama.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_21.wav|sprˈavdʑam rˈɛjɛstr pɔwˈɔntʃɛɲ na pɔtstˈavʲɛ pˌɔdanˈɛɡɔ mi pʃˈɛz dʒˈanɛt numˈɛru.|4
+Dataset/wavs/urwisko_ferenc/36_segment_19.wav|ˌalɛ tʃɨ mʲˈawa prˈavɔ bˈɨdʑ z ɡrˈɔxɛm i zbˈuʒɨtɕ tɔ, tsˈɔ mɔzˈɔlɲʲɛ ˌɔdbudˈɔvaw z bˈaɕkɔ̃, ktˌura dˈawa mu drˈuɡɔ̃ ʃˈansɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_103.wav|pˈɔtɛm spʃˌɛdavˈawam ˌinfɔrmˈatsjɛ za ɡɔtˈufkɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_4.wav|pˈɔtɛm zatʃˈɨna drʒˈɛtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_29.wav|ˌɔtʃɨvˈiɕtɕɛ zˈɛ sfˈɔim ˈɔjtsɛm.|3
+Dataset/wavs/urwisko_ferenc/02_segment_94.wav|ɡdˈɨ bˈɨw jˈuʃ na zˈɛvnɔntʃ i upˈɛvɲiw ɕɛ, ʒˈɛ ɲˈiɡd ɡˈɔ ɲʲɛ swˈɨʃɨ, ɔddʑvˈɔɲiw dɔ sfɔjˈɛɡɔ...|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_18.wav|rˈaz drˈɔɡɛ pʃˈɛbjɛɡw im lˈis i pʲˈɛs mˌɛribˈalda rɔsʃtʃˈɛkaw ɕɛ jˈak ʃalˈɔnɨ.|1
+Dataset/wavs/urwisko_ferenc/43_segment_56.wav|ˌalɛ jˈak f tˈakim vɨpˈatku xudʑˈiɲska dɔtˈarwabˌɨ dɔ prˈatsɨ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_58.wav|vidʑˈawam zdjˈɛɲtɕɛ ˈaʃa na tʲindˈɛʒɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_24.wav|rˌɛflɛktˈɔrɨ ɲʲɛ sɔ̃ ˌɔblɛpʲˈɔnɛ kˈitɛm, zˈatɔ ɕɛdʑˈɛɲʲɛ jɛst sklɛjˈɔnɛ tʃˈarnɔ̃ tˈaɕmɔ̃, a prˈɔɡʲi mˈɔtsnɔ pʃˌɛrdʑɛvʲˈawɛ.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_91.wav|ɔznˈajmiw vrˈɛʃtɕɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_289.wav|a tˈu na pʃˌɛvrutsˈɔnɨm kʃɛsˈɛwku ɕˈɛdʑi ˈannɛ i pwˈatʃɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_23.wav|bˌɛndɛ tˈu z baˈilim, dɔpˈuki ɲʲɛ vrˈutɕiʃ.|3
+Dataset/wavs/urwisko_ferenc/18_segment_14.wav|zˈɛrɔɕˈɛdɛm pˌɔsmakˈɔvaw kˈavɨ. bˌɨwa mˈɔtsna, tˈak jˈak lˈubʲiw, i ɲʲɛ pʃˌɛʃkadʑˈawɔ mu, ʒˈɛ pˈijɛ tˈakɔ̃ na vʲˈɛtʃur.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_60.wav|vɨɡlˈɔnda, jˈaɡbɨ ɲʲɛ mʲˈawa ɕˈiwɨ pˈɔdɲʲɛɕtɕ nˈavɛt jˈɛdnɛj tˈɔrbɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_59.wav|mˈuj pajˈɛntʃɨ zmˈɨsw mˈuvi mi, ʒˈɛ tɨm rˈazɛm ɲʲɛ mˈɨɕliʃ ɔ ʃkˈɔlɛ bʲˌiznɛsˈɔvɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_298.wav|mˈɔʒɛ tˈutaj jɛst lˈɛpʃɔ̃ vˈɛrsjɔ̃ ɕˈɛbjɛ?|2
+Dataset/wavs/urwisko_ferenc/19_segment_93.wav|tɔ znˈatʃɨ, tsˈɔ mu pˈaɲi pˌɔvʲɛdʑˈawa? spɨtˈawa xˈɛrman.|0
+Dataset/wavs/urwisko_ferenc/55_segment_13.wav|xˈɔdʑi ɔ prˈɔfil xˈannɨ pilˈɛfskʲɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_130.wav|ɡdʑˈɛ jɛst jˈɔɛl?|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_417.wav|ftˈɛdɨ vrutɕˈiwɛm tˈutaj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_328.wav|nad ʒˈuwtɨm dˈɔwɛm, s kturˌɛɡɔ ɕtɕˈan tɕˈɔŋɡlɛ sˈɨpaw ɕɛ mˈɔkrɨ pʲˈasɛk,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_11.wav|s pɛvnˈɔɕtɕɔ̃ ɲʲɛ dˈajɛ mu tɔ spɔkˈɔju.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_218.wav|i rˌadɔvˈawɨ mɲʲɛ ˈuda, ɲʲɛ tˈaɡ znˈɔvu klasˈɨtʃnɛ i tɔ mɲʲɛ rˌɔstʃulˈawɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_44.wav|kwˈadʑɛ laptˈɔpa starˈɛɡɔ, vʲɛrnˈɛɡɔ drˈuxa bʲiljˈɛɡɔ na stˈɔlɛ kuxˈɛnnɨm.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_229.wav|ɲˈiska ɔrbʲˈita ˌɔkɔwɔʑˈɛmska tʃɨ artˈɛmis?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_75.wav|ɔt tˌajɛmɲitʃˈɛɡɔ zˌaxɔvˈaɲʲa pɔ fˈakt, ʒˈɛ utɕˈɛkwa.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_46.wav|jɛʒˈɛli tˈak, zɨskˈawabˌɨm pˌɔtfʲɛrdʑˈɛɲʲɛ z jˈaɡ ɡrˈɔʑnɨm pʃˌɛtɕivɲˈikʲɛm mˈam dɔ tʃɨɲʲˈɛɲʲa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_87.wav|bˌɨwaɕ jˈuʃ w mˈɔjɛj ˌɔkɔlˈitsɨ, prˈavda? ɲˈits mi ɲʲɛ ˈumkɲʲɛ. spɔtkˈajmɨ ɕɛ tˈam jˈutrɔː ɔ dʑɛɕˈɔntɛj. pasˈujɛ tɕˈi?|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_46.wav|tsˈawɨ xˈɔtɛl skwˈadaw ɕɛ z jɛdnˈɛɡɔ dwuɡʲˈɛɡɔ kˌɔrɨtˈaʒa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_96.wav|uvˈaʒam, ʒˈɛ tɔ nˌaturˈalnɛ, pʃɨznˈawa bˈɛtskɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_51.wav|kɔmˈɔɛ jˌɛmu zˌaskɔtʃˈɛɲʲɛ ɔdbjˈɛra pɔ pʲˈɛrʃɨm dʑvˈɔŋku.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_131.wav|ɲʲɛ vidʑˈawam tsˌamɛrˈɔna ɔd zˌakɔɲtʃˈɛɲʲa pʲɛrʃˈɛɡɔ rˈɔku w mˌanxɛstˈɛʒɛ i mʲˈawam nadʑˈɛjɛ, ʒˈɛ tɔ jˈuʃ ɲˈiɡdɨ vʲˈɛntsɛj ɲʲɛ nastˈɔmpi.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_256.wav|ʒˈadnɨx.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_247.wav|brˈatɕa ubˈɔdʑɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_292.wav|ɡdʑˈɛ jɛstˈɛɕtɕɛ? ɲʲɛ vˈidʑɛ ɔbrˈazu s kˈamɛr.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_221.wav|mˈuj lˈɔz bˈɨw spisˈanɨ tʃɛrvʲˈɛɲʲɔ̃, tʃɛrvʲˈɛɲʲɔ̃ krfˈi i vˈina.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_51.wav|stˈɛvɛ ɲʲɛxˈɛntɲʲɛ vˌɨkɔnˈujɛ mˈɔjɛ pˌɔlɛtsˈɛɲʲɛ i pɔdnˈɔɕi tɛlˈɛfɔn.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_19.wav|tˈɔm skˈinɔw kitˈɔvi ɡwˈɔvɔ̃, bˈɨ tɛn zapˈukaw, a sˈam stˈanɔw f pˈɛvnɛj ˌɔdlɛɡwˈɔɕtɕi i pɔpˈatʃɨw na ˈɔkna.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_174.wav|i tɔ bˌɨwɔ fʃˈɨstkɔ, tsˈɔ pamjˈɛntam. bjɛɡˈawɛm pʃˈɛs tʃɨdʑˈɛɕtɕi dɲˈi.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_26.wav|kɔnˈɛsɛr ɔpˈisawbˌɨ jˈɛ jˈakɔ ɡuvɲʲˈanɛ, z nˈutɔ̃ pɔrˈaʃki i xɨbjˈɔnɨɣ dɛtsˈɨzji ʒɨtɕˈɔvɨx.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_239.wav|vwɔntʃˈɨwam mikrˈɔfɔn s pɔvrˈɔtɛm.|4
+Dataset/wavs/urwisko_ferenc/08_segment_83.wav|dɔ zˌaɡʲiɲʲˈɛɲtɕa kɔbjˈɛtɨ dˈɔʃwɔ tˈɨdʑɛɲ tˈɛmu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_91.wav|mˈɔʒɛ dˈuʒɔ, za dˈuʒɔ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_120.wav|kapˈitan pɔvʲˈɛdʑaw, ʒˈɛ na nɨmmˈɛrji ɲʲɛ pɔtʃˈɛba mˈawɨɣ dʑɛftʃˈɨnɛk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_87.wav|pˈɔtɨm, kʲˈɛdɨ kˈula ɕˈɛŋɡɲʲɛ tsˈɛlu, tɕi fʃˈɨstsɨ lˈudʑɛ pɔvʲˈɛdʑɔ̃ dʑˌɛnɲikˈaʒɔm, ʒˈɛ vɨdˈavaw ɕɛ tˌaki sˌɨmpatˈɨtʃnɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_29.wav|bˈɛtskɨ vwɔntʃˈɨwa sfˈuj mɔɲˈitɔr.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_55.wav|tʃɛkˈawɛm na tɕˈɛbjɛ, ˌalɛ vˌɨnudʑˈiwɛm ɕɛ pʃɛt tˌɛlɛvizˈɔrɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_99.wav|na tˈɨlnɨm zdɛʒˈaku jɛst naklˈɛjka, ˌalɛ bʲˈillɨ ɲʲˈɛma ʃˈans jɛj ɔttʃˈɨtatɕ.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_3.wav|a jˈɛɡɔː ɔɕˈɔwɛɡ dʑvˈiɡaw vʲˈɛlki tɕˈɛ̃ʒar.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_43.wav|tʃˈɛɕtɕ, tˈɔm pˌɔvʲɛdʑˈawa lˌɔuˈisa, vɨjmˈujɔndʑ z lɔdˈufki dˈuʒɔ̃ mˈiskɛ s sawˈatkɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_129.wav|tsˈɔ mˈa jˈɛʃtʃɛ jˈɛdnɔ̃ dˈɔbrɔ̃ strˈɔnɛ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_165.wav|tsˈɔɕ tɕixˈutkɔ skfʲɛrtʃˈawɔ w ɕtɕˈaɲʲɛ za naʃˈɨmi ɡwɔvˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_124.wav|mruknˈɛwa bˈɛtskɨ z uɕmʲˈɛxɛm na tfˈaʒɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_56.wav|ʃɛfˈɔvɔ, s tsˈawɨm ʃatsˈuŋkʲɛm dla tfˈɔjɛj vwˈadʑɨ, ɲʲɛ pʃɨjmˈujɛ tɛj sprˈavɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_235.wav|tʃɨ ˈaram kʲˌɛdɨkˈɔlvʲɛɡ bˈɨ zrˌɛzɨɡnˈɔvaw?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_4.wav|stsˈɔdd vɨdˈavaw ɕɛ tsˌawkɔvˈitɕɛ rɔspˈadatɕ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_411.wav|krulˈɔva ɲʲɛ vʲɛdʑˈawa s ktˈurɨm, ɲˈiɡdɨ ɲʲɛ pˌɔtrafˈiwa ix ɔt ɕˈɛbjɛ ɔdrˈuʒɲitɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_522.wav|pɔtʃˈuwɛm jˈakɔ̃ɕ pʃˈɨkrɔɕtɕ. vbjˈɛɡwɛm dɔ pɔkˈɔju i zatʃˈɔwɛm ɕpʲˈɛʃɲʲɛ ɕɛ ubjˈɛratɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_157.wav|ˌɔtfɔʒˈɨwam kɔpˈɛrtɛ i zajʒˈawam dɔ ɕrˈɔtka.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_220.wav|zˈafʃɛ dˌɔtʃɨmˈɨvatɕ swˈɔva.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_413.wav|pʃˈɛjtɕ ɕɛ zˈɛmnɔ̃ kavˈawɛk.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_234.wav|ɲʲɛktˌuʒɨ pˌɔvʲadˈajɔ̃, ʒˈɛ zˈabʲiw tˈɛʃ mˈatkɛ, tɔrˈujɔnts sˈɔbjɛ drˈɔɡɛ z jɛj matɕˈitsɨ ˌɔkrutnˈɨmi pˌazurˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_68.wav|zrɔbʲˈiwa tɔː i uɕˈadwa na zvɔlɲʲˈɔnɨm pʃɛzˈɛmɲʲɛ mʲˈɛjstsu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_265.wav|tʃˈɨʒbɨ pˈan zapˈɔmɲʲaw?|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_10.wav|lɔrˈɛtta sˈanxɛz bˌɛɲdʑɛ dla tɕˈɛbjɛ pratsˈɔvatɕ?|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_151.wav|a bɔɡˈɔvʲɛ ɲʲɛ mˈɔɡɔ̃ ˈumʒɛtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_164.wav|tˈak tˈɛʃ pʃˌɨpuʃtʃˈawɛm. ɲˈitsk fspˈɔmɲʲaw, ʒˈɛ bˌɨwɛɕ snajpˈɛrɛm. trˈɔxɛ sˈɔbjɛ pˌɔstʃɛlˈawɛɕ wˈɛ falˈudʒɨ, tsˈɔ? jˈak tˈam bˈɨwɔ?|2
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_2.wav|znalˈɛʑliɕmˌɨ ɕɛ na pɔʑˈɔmjɛ ˈɔkʲɛn pɔtɕˈɔŋɡu i sˈanxɛz vɨdˈawa ɡwˈɔɕnɛ vɛstxɲʲˈɛɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/14_segment_33.wav|bɔrˈɛvidʒ drɡnˈɔw.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_316.wav|tfˈuj ˈɔjtɕɛdʑ zvˈaw jˈɛɡɔ dʑˈatka çixˈɔtkʲɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_32.wav|ɲʲɛ mʲˈawam pɔjˈɛɲtɕa tsˈɔ tɔ takʲˈɛɡɔ, vʲˈɛnts pˌɔkrɛɲtɕˈiwam ɡwˈɔvɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_150.wav|dla ɲˈix tʃˌɔwɡajˈɔntsɨx ɕɛ jˈuʒ dɔ ɡrˈɔbu i dla ix kˈurɛf, ktˌurɛ ʒˈɨtɕ jˈɛʃtʃɛ bˌɛndɔ̃ w jˈakiɕ tʃˈas pˈɔɲih.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_98.wav|jˌɛstɛm pˈɛvna, ʒˈɛ pˈaɲi ɕˈɔstra vʲɛdʑˈawa, ʒˈɛ jˈɔ̃ pˈaɲi bˈardʑɔ kˈɔxa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_194.wav|dɔtɕˈɛra dɔ ɲʲˈɛɡɔ, jˈakʲɛ tɔ fʃˈɨstkɔ bˌɨwɔ ɡwˈupʲɛ, jˈakʲɛ ɔxˈɨdnɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_24.wav|ɔtpˈarwam. i dˌɔprɔvadʑˈiwam ix prˈɔstɔ dɔ tɕˈɛbjɛ.|4
+Dataset/wavs/urwisko_ferenc/01_segment_34.wav|i f kˈɔɲtsu pɔdˈɛʃwa dɔ sˌamɔxˈɔdu.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_175.wav|ˌɔbudʑˈiwa ɕɛ zlˈana pˈɔtɛm.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_2.wav|kɕɛ̃ʒɲˈitʃka w vʲˈɛʒɨ|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_160.wav|zˌaʃtʃɨtɕˈiwa tˌɨlkɔ lɔrˈasa sfˈɨm zˌaufˈaɲʲɛm. sˈam pˈat pʃˈɛdɲʲɔ̃ na kɔlˈana, prˈɔʃɔnts ɔ pˌɔvʲɛʒˈɛɲʲɛ mu dɔvˈutstfa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_394.wav|jˈɛɕli pˈan jˈɛʃtʃɛ pˈɔvʲɛ, ʒˈɛ jɛstˌɛɕmɨ kɔxˈaɲi pʃˈɛs tˈɛ sˈamɔ̃ kɔbjˈɛtɛ, tɔ zapˈɔmnɛ ɔ pˈaɲskʲɛj rˈɛntsɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_43.wav|vɨbrˈawɛʑ dˈɔbʒɛ i bˈardʑɔ mi ɕɛ tˈutaj pɔdˈɔba, ˌalɛ tɔ tˈaka vʲˈɛlka zmʲˈana.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_38.wav|mˈɔʒɛ, ˌalɛ tɔ bˈɨ ɲʲɛ mʲˈawɔ sˈɛnsu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_69.wav|ˈɔtɔ tfˈɔja nˈɔva tɔʃsˈamɔɕtɕ. dˈavit lˈɔtskridʒ vˌɨxɔvˈɨvaw ɕɛ f pɔrtsmˈɔutx f stˈaɲʲɛ ɲʲˈu xampʃˈajɛr.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_220.wav|uklˈɔŋkwɛm pʃˈɨɲim, ˌalɛ ɲʲɛ muɕˈawɛm sprˈavdʑatɕ mu tˈɛntna, swɨʃˈawɛm jˈɛɡɔː ˈɔddɛx rˈuvnɨ i spɔkˈɔjnɨ. ʒˈɨjɛ.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_156.wav|ˌalɛ tˌɨlkɔ pˈɔttʃas nˈɔvju.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_63.wav|xˈɔdʑ bˌɨwa pʃˌɛraʒˈɔna pɔvrˈɔtɛm mˈɛ̃ʒa, tʃˈarnɨ xˈumɔr jɛj ɲʲɛ ɔpˈuʃtʃaw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_387.wav|jˈak fʃˈɨstsɨ sˈamtsɨ mˈɛɡɔ ɡatˈuŋku stˈawɛm ɕɛ ʃɨdˈɛrtʃɨ i ˌɔdrɔbʲˈinɛ ˌaɡrɛsˈɨvnɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_77.wav|a pˈɔza tɨm mˈuʃɛ tɕi ɕɛ jˈakɔɕ ɔdvdʑˈɛntʃɨdʑ zˈatɔ, ʒˈɛ jˌɛstɛɕ tˌaki dˈɔbrɨ dla mˈɔiɣ dʑˈɛtɕi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_5.wav|kˈɔɡɔ? kˈɔɡɔ kʲˈɛdɨʑ znˈawa? vʲˈɛm ɔ mˈɔjɛj tsˈurtsɛ fʃˈɨstkɔ. jˈɛɕli kˈɔɡɔʑ znˈawa, tɔ ja tˈɛʒ znˈam tˈɛ ɔsˈɔbɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_31.wav|mˈɔjɛ ɕˈɔstrɨ sɔ̃ dˈurnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_166.wav|ˌalɛ ɡʲˈɔrɡjɔ piljˈɛri jɛst ˈinnɨ. ɔbʒˈɛra ɕɛ na ɕmʲˈɛrtɕ, ˈɔfʃɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_104.wav|dˈali mi na pɔlˈitsji pʃˈɛs pɔmˈɨwkɛ. vˌɨskɔtʃˈɨwɛm z wˈuʃka.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_360.wav|ˌɔtfɔʒˈɨwa jˈɛdnɔː ˈɔkɔ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_161.wav|waɲtsˈuxɨ zˌaɡʒɛxɔtˈawɨ tɕˈixɔ, ɡdˈɨ ˈɔsnɛj vɨkrˈɛɲtɕiw tɕˈawɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_107.wav|nˈadal vʲˈɛʒɨʃ, ʒˈɛ kʲˈɛdɨ stˈaɲʲɛ ɕɛ, tsˈɔ mˈa ɕɛ stˈatɕ, jˈakɔɕ ɕɛ vɨmˈiɡaʃ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_53.wav|kˈitt jˈuʃ jˈɛdʑɛ dɔ prˌɔsɛktˈɔrjum, ʒˈɛbɨ tɕˈɛ zastˈɔmpitɕ. f pɔʒˈɔntku?|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_215.wav|i pʃˈɨbraw fawʃˈɨvɛ ˈimjɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_27.wav|w dɨʒˈurtsɛ sɔbˈɔftur çimmlˈɛra z zˌawzavʲɔnˈɨmi ɔtʃˈami|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_28.wav|w ˈɔtʃaɣ bʲilljˈɛɡɔ dˈaltɔn smˈidɣ z jˈɛɡɔ skrˈɔmnɔ̃, ˌalɛ ɲʲˌɛpɔʃlˌakɔvˈanɔ̃ rˌɛputˈatsjɔ̃ jɛst pʲˈɛŋknɨ, jˈak ɲʲɛtkɲʲˈɛntɛ lˈutskɔ̃ nˈɔɡɔ̃ zˌaɕɲʲɛʒˈɔnɛ pˈɔlɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_431.wav|a tˈɛraz zapˈɔmɲij rajˈana. pamjˈɛntaj, ʒˈɛ ta kɔbjˈɛta...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_40.wav|ɲʲˈɛxtsɛ ɕɛ zˌatʃɨmˈɨvatɕ, fxˈɔdʑidʑ dɔ zˌatwɔtʃɔnˈɛɡɔ budˈɨŋku stˈatsji bˌɛnzɨnˈɔvɛj. ɲʲɛ mˈɔɡɛ mu jˈɛdnak ɔdmˈuvidʑ vizˈɨtɨ f tˌɔalˈɛtɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_65.wav|ta kɔbjˈɛta vˌɨdavˈawa ɕɛ ɛkspˈɛrtkɔ̃ ɔt ˌukrɨvˈaɲʲa ɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_320.wav|jˈamɛ bˈɨw pˌɔɕiɲʲatʃˈɔnɨ i pˌɔɔbʲijˈanɨ, ˌalɛ vˈinɔ w jˈɛɡɔ ʒˈɨwax ɕɛ vˌɨpalˈiwɔː i mʲˈaw jˈasnɔ w ɡwˈɔvʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_188.wav|i ftˈɛdɨ pʃˌɨprɔvadʑˈili dʒɔnˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_145.wav|jɛj kˈulɛ lɛʒˈawɨ rˌɔzʒutsˈɔnɛ na pɔdwˈɔdʑɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_46.wav|w zˈamjan zˌaɔfɛrˈujɛ sfˈɔjɛ uswˈuɡʲi.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_72.wav|jˈak tɕi ˈidʑɛ, dˈalɛ?|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_296.wav|ftɕˈɔ̃ʃ pamjˈɛntam.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_62.wav|ˈɛddjɛ ˈuznaw, ʒˈɛ ɲʲɛ jɛst na tˈɨlɛ tɨm zˌaintˌɛrɛsɔvˈanɨ, bˈɨ dˈalɛj drˈɔ̃ʒɨtɕ. ˌalɛ jˈɛɕli tɔː istˈɔtnɛ...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_119.wav|a kʲˈɛdɨ ɕɛ rˌɔsstajˈɛtɕɛ, ɛmˈɔtsjɛ nˌarastˈajɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_49.wav|ˈɔ, jˈakʲɛ tɔ smˈutnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_53.wav|vɨxˈɔdʑɔnts, spɔɡlˈɔnda na zɛɡˈarɛk f pˈuw dɔ pʲˈɛrʃɛj.|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_2.wav|rɔzwˈɔʒɨw sfˈɔjɛ vˈɔ̃skʲɛ wˈuʃkɔ pʃɨkrˈɨtɛ dvˈɔma brudnˈɨmi kɔtsˈami i pɔwˈɔʒɨw ɕɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_33.wav|spɔjʒˈawa w ˈɔtʃɨ tɔmˈɔvi, ktˌurɨ pɔkrˈɛɲtɕiw tˌɨlkɔ ɡwˈɔvɔ̃ zˈɛ smˈutkʲɛm.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_167.wav|— jˌɛstɛm tˌɨlkɔ dʑɛftʃˈɨnɔ̃ i ɲʲɛ jˌɛstɛm tˈaka ɔdvˈaʒna i ɕˈilna jˈak tˈɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_16.wav|pʃˌɛkɔnˈajmɨ ɕɛ, jˈak jˈɛ ukrˈɨva sɛkrˈɛtɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_38.wav|kˈu sfɔjˈɛmu zˌaskɔtʃˈɛɲʲu uswˈɨʃaw jɛj ʃˈɛpt.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_21.wav|dɔ ɕtɕˈɛʃki ɡruntˈɔvɛj bjɛɡnˈɔntsɛj pʃˈɛs pˈɔlɛ, sˈɛr. ˌɔna tˈɛʒ zɔstˈawa ɔttɕˈɛnta. zˈɛspuw dɔktˈɔra ɔsˈɔbɨ pʃɛʃˈukaw jˈuʃ tɔ mʲˈɛjstsɛ. nˈɔ, pʃɨnˈajmɲʲɛj ˈaʒ dɔː ˌɔɡrɔdʑˈɛɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_167.wav|pʃˈɛs ɔswˈɔnɛ pʃˌɛtɕifswɔnˈɛtʃnɔ̃ na vizjˈɛʒɛ xˈɛwmu ɲˈikt ɲʲɛ zɔbˈatʃɨ mˈɔjɛj tfˈaʒɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_195.wav|jˈɛtʲi zatʃˈɛkaw na sˈɨɡnaw tˈakɔ, pɔ tʃɨm rɔzvˈaliw zˈamɛk, a rˈazɛm z ɲˈim spˈɔrɨ kavˈawɛk pravˈɛɡɔ skʃˈɨdwa dʒvˈi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_6.wav|tsˈɔɕ mi tˈam ɲʲɛ ɡrˈawɔ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_489.wav|jˈɛɕli xtsˈɛtɕɛ vˈɨjʑdʑ za mˈɔ̃ʃ, prˈɔʃɛ bˈardʑɔ.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_183.wav|ɕˈɔmpiw dˈɛʃtʃ, vʲˈɛndʑ brˈuɡ bˈɨw mˈɔkrɨ i ɕlˈiski, a za wˈuki spˌɔvijˈawa tˌajɛmɲˈitʃa mɡwˈa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_51.wav|ˈidɛ dɔ bjˈura bˈɛki. jˈɛɕli rˈɔb zadʑvˈɔɲi z jakˈimiɕ ˌinfɔrmatsjˈami dˌɔtɨtʃɔntsˈɨmi mʲɛʃkˈaɲʲa pˈɔrtɛr, pʃˈɛwɔndʒ ɡˈɔ dɔ mɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_89.wav|spˈuwka sˈanxɛs ˌalumˈiɲʲum dˌɨspɔnɔvˈawa spɛtsjˈalnɔ̃ lˈiɲʲɔ̃ kˌɔlɛjˈɔvɔ̃ wɔntʃˈɔntsɔ̃ artˈɛmis s kˌɔmbʲinˈatɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_36.wav|xtsˈɛʃ tsˈɔʑ dɔ pˈitɕa? mˈɔʒɛ tsˈɔɕ pʃˌɛtɕivbˌulɔvˈɛɡɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_66.wav|bʲˈillɨ mˈarʃtʃɨ brvˈi, jˈaɡbɨ vɨtˈɛ̃ʒaw pˈamjɛɲtɕ i uɕmʲˈɛxa ɕɛ ʃɛrˈɔkɔ na znˈak, ʒˈɛ jˈuʒ vʲˈɛ, s kˈim mˈa dɔ tʃɨɲʲˈɛɲʲa. — a, tˈak, pˈan rˈitskɛr.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(74) R.Abbott_Zamknij Drzwi_segment_16.wav|ˈaʒ zmˈɔknɔw. pˌɔdɛjʒˈɛvaw, ʒˈɛ jˈuʃ ɲˈiɡdɨ ɲʲɛ zɔbˈatʃɨ sfɔjˈɛɡɔ tˌɛlɛfˈɔnu, ˌalɛ tˈɛrɨ ɡˈɔ zaskˈɔtʃɨw.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_247.wav|pˈɔtɨm fˈaktɕɛ krˈul ˈɛɡɔn pɔprˈɔɕiw tsˌɨtadˈɛlɛ, ʒˈɛbɨ pʃɨswˈawa kˈɔɡɔɕ mwɔtʃˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_88.wav|ɲʲˈɛvʲɛm tʃˌɛmu ˌutɕɛʃˈɨwɛm ɕɛ tɨm vidˈɔkʲɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_41.wav|jˈak ɕɛ pˈaɲi nazˈɨva?|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_145.wav|kˈɔtax udˈɛʒɨw tʃˈɔŋkʲɛm xˌalabˈardɨ f pɔsˈatskɛ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_200.wav|brjˈɛnnɛ pɔdˈɛʃwa dɔ dʒvˈi ɡɔspˈɔdɨ i vɨjʒˈawa w dˈɛʃtʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_110.wav|pʃˈɛs xfˈilɛ patʃˈɨwam na ɲʲˈɛɡɔ zˌaskɔtʃˈɔna.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_97.wav|tɕɛkˈavɛ, ˈilɛ rˈazɨ bˌɛɲdʑɛ muɕˈawa vrˈutɕidʑ dɔ sklˈɛpu, jˈɛɕli tˌɨlkɔ tˈɨlɛ dˈajɛ rˈadɛ pʃˈɛpxnɔɲtɕ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_298.wav|ɔt jˈɛɡɔ kuzˈɨnuf fɕrˈut ɕˈɛrɔd vʑˈɔwɛm pʲɛɲʲˈɔndʑɛ i zˌakwadɲˈikuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_187.wav|tˈak, ftˈɛdɨ, kʲˈɛdɨ ˌɔdvʲɛdʑˈiwɛɕ trˈipa i jˈɛɡɔ kˈumpli.|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_132.wav|tɔ dʑˈɛtskɔ ɲˈiɡdɨ dˈɔtɔnt ɲʲɛ mʲˈawɔː ɔkˈazji pʃɛmˈuvitɕ, nˈavɛt na rɔsprˈavʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_78.wav|pˈɔtɛm znˈuv zatʃˈɛwam ɕɛ fspˈinatɕ. tɨm rˈazɛm kɔpˈuwa bˌɨwa mɲʲˈɛjʃa i pˈɔʃwɔ mi znˈatʃɲʲɛ ʃˈɨptɕɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_163.wav|a nˈavɛt ˈumɨdʑ zˈɛmbɨ mˈɔjɔ̃ ʃtʃɔtˈɛtʃkɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_66.wav|pʃɛsˈuvam rˈɛŋkɔ̃ pɔ bʒˈuxu, jˈak tɔ zvˈɨkwam rˈɔbʲitɕ kˈilka rˈazɨ dʑˈɛnɲʲɛ, ʒˈɛbɨ sprˈavdʑitɕ, tʃɨ mˈɔja tˌɔrɛbˈɛtʃka jɛst na sfˈɔim mʲˈɛjstsu.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_86.wav|musˈimɨ zˌadɔkˈɔvatɕ w ɕlˈuʑɛ ˈisrɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_52.wav|mˈam nadʑˈɛjɛ, ʒˈɛ stˈɛvɛ ɔdjˈɛxaw. ɔn ɲʲɛ mˈɔʒɛ ɡˈɔ tˈam znˈalɛɕtɕ. vʲˈɛm, ʒˈɛ tɔ mˈɔja ʃˈansa. mˈɔʒɛ jɛdˈɨna. i ɲʲɛ mˈɔɡɛ jɛj pʃɛɡˈapitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_77.wav|bˈɔʒɛ, ɲʲɛ!|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_41.wav|a pˈɔtɛm zˈamknɔw lɔdˈufkɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_5.wav|na zˈajutʃ rˈanɔ bʲˈillɨ dɔwˈɔntʃa dɔ ɡˌɔspɔdˈaʒa, kʲˈɛdɨ ˈɛllis jɛst pɔt prɨʃɲˈitsɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_4.wav|ˌalɛ jˈadɛ tˈam tˈɛras, ʒˈɛbɨ pˌɔrɔzmˈavʲadʑ z ix ˌinspɛktˈɔrɛm i upˈɛvɲitɕ ɕɛ, ʒˈɛ ɲitʃˈɛɡɔ ɲʲɛ pʃˌɛɡapˈiliɕmˌɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_86.wav|f pɔblˈiʒu vˈint stˈaw ɔxrˈɔɲʲaʃ. nˈɔɕiw ɡarɲˈitur i ˌɛlɛɡˈantskʲɛ bˈutɨ, ˌalɛ pɔtrˈafjɛ rɔspˈɔznatɕ ɔɕˈiwka na pʲˈɛrʃɨ ʒˈut ˈɔka.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_45.wav|rɔzlˈɛɡa ɕɛ pukˈaɲʲɛ dɔ dʒvˈi. vˌɨkɔnˈujɛ ɡvawtˈɔvnɨ rˈux rˈɛŋkɔ̃ i tɛlˈɛfɔn upˈada na pɔdwˈɔɡɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_14.wav|tˈɛras ɲʲɛ jˌɛstɛm jˈuʃ pˈɛvna, tʃɨ tɔ mˈa jˌakʲɛkˈɔlvʲɛɡ znatʃˈɛɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_291.wav|na lˈiɲʲi ɔdˈɛzvaw ɕɛ ɡwˈɔs sfɔbˈɔdɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_109.wav|ˈitɕ tˈɛraz dɔ fˌɔtɔɡrˈafji, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_25.wav|tˈɔm ɕɛ rɔzwˈɔntʃɨw i pɔpˈatʃɨw na bˈɛtskɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_111.wav|zˌɔbatʃˈɨwam, ʒˈɛ ɕˈɛŋɡa za ɕˈɛbjɛ i vɨtɕˈɔŋɡa tsˈɔʑ zzˈa pˈaska spˈɔdɲi. ʃarpnˈɛwam ɕɛ w bˈɔk, pʃˌɛkɔnˈana, ʒˈɛ tɔ pistˈɔlɛt, pɔ tʃɨm xfɨtɕˈiwam za dʒvˈi.|3
+Dataset/wavs/urwisko_ferenc/36_segment_52.wav|ɔtpˈarwa xˈɛrman|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_93.wav|pʃˌɨpɔmɲʲˈawa sˈɔbjɛ, jˈak tɕˈɛ̃ʃka xˌalabˈarda xɔtˈaxa pʃɛtɕˈɛwa tɕˈawɔː i kˈɔɕtɕi arˈisa.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_351.wav|sˈansa kɔxˈawa tˈaɲtʃɨtɕ, ˌalɛ alˈain...|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_84.wav|kʲˈɛdɨ pʃˈɨjdʑɛ vwaɕtɕˈivɨ mˈɔmɛnt, ɔː ˈilɛ pʃˈɨjdʑɛ, tɛn stʃˈaw tɔ bˌɛɲdʑɛ watfˈizna.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(36) R.Abbott_Zamknij Drzwi_segment_10.wav|ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ jˈuʃ mi pɔvʲˈɛdʑaw ɔ tsˈɔ xˈɔdʑi, ˌalɛ w ɔɡˈulɛ tˌɛɡɔ ɲʲɛ zˌakɔdɔvˈawam.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_132.wav|pɔɡwˈaskaw jˈɔ̃ pɔ pɔlˈitʃku. ɲʲɛ vɨɡlˈɔndaʃ na zmɛntʃˈɔnɔ̃, jˈudɨ pɔvʲˈɛdʑaw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_310.wav|tʃɨmˈajɔnts paltsˈami ɡˈurnɔ̃ ʃtʃˈɛŋkɛ pɔvʲˈɛdʑaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_436.wav|tsˈɔ pˈanu pʃˈɨʃwɔ dɔ ɡwˈɔvɨ? pˈan pˈɛvɲʲɛ tɕˈɔŋɡlɛ jˈɛʃtʃɛ f ʃˈɔku.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_424.wav|pɔt ɕtɕanˈami kamjˈɛɲits nˌarkɔmˈaɲi dʒɛmˈali nat tˌablitʃkˈami s falˈistɛj tɛktˈurɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_72.wav|vʲɛdʑˈawam, tsˈɔ mˈa na mˈɨɕli mˈuvʲɔnts ɔ tʃˈaɕɛ. mˈama ˌurɔdʑˈiwa mɲʲɛ w vʲˈɛku ˌɔɕɛmnˈastu lˈat.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_224.wav|ʒˈɛbɨ tɕˈɛ pʃɛkˈɔnatɕ, ʒˈɛ pɔvˈinnaʑ zˈɛmnɔ̃ ˈɔdɛjɕtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_180.wav|dɔpʲˈɛrɔ f ʃkˈɔlɛ snajpˈɛruf nˌautʃˈɨli mɲʲɛ, ʒˈɛbɨ zˈafʃɛ stʃˈɛladʑ w ɡwˈɔvɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_12.wav|mˈɨɕlɛ, ʒˈɛ bˌɛɲdʑɛ jˈɛʃtʃɛ bˈardʑɛj ˌɛkstsɨtujˈɔntsɔ. ˌɔtpɔvʲˈadam, starˈajɔnts ɕɛ ɡˈɔ pʃɛkˈɔnatɕ, ʒˈɛ ɔpswˈuɡa xˌɔtɛlˈɔva tɔ tsˈɔʑ vˌɨjɔntkɔvˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_425.wav|a stˈarʃɨ brˈat pʃɛkˈɔnaw jˈɔ̃, ʒˈɛ nat tridˈɛntɛm ɲʲɛ znˈajdʑɛ sˈansɨ stˈark.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_53.wav|za ˈɔknɛm ʃwˈa jˈakaʑ dˌɛmɔnstrˈatsja.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_58.wav|zɡwˈɔɕi tɔ s tsˈawɔ̃ pɛvnˈɔɕtɕɔ̃. ɲʲˈɛmam ʒˈadnɨɣ vˌɔntplivˈɔɕtɕi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_174.wav|xˈɔdʑi ɔ straʒɲˈika, ktˌurɨ dˌɨʒurˈujɛ fxˈɔdu vɛjɕtɕˈɔvɨm.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_395.wav|ɲʲˌɛpɔkˈɔjɛ ɕɛ ɔː ɔstˈatɲʲɔ̃ pˈatʃkɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_205.wav|ɲʲɛ zvrutɕˈiwa nˈavɛt nˈamɲʲɛ uvˈaɡʲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_186.wav|spravdʑˈiwam zbjˈɔrɲiɡ z ˌatsɛtɨlˈɛnɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_95.wav|prubˈɔvaw mi tɔ fʃˈɨstkɔː uwˈatfitɕ. xtɕˈawam pɔvʲˈɛdʑɛtɕ mu fʃˈɨstkɔ prˈɔstɔ z mˈɔstu, ˌalɛ pɔtʃˈuwam ɕɛ s tɨm ɲʲˌɛkɔmfɔrtˈɔvɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_82.wav|mˈuʃɛ vɨmˈɨɕlitɕ tsˈɔɕ, tsˈɔ zadʑˈawa z ˌɔpuʑɲʲˈɛɲʲɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_26.wav|vʲˈɛlu lˈudʑi mˈa dˈɔstatɕ spˈɔrɛ pʲɛɲʲˈɔndʑɛ, f tɨm sˈam xˈɔff.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_36.wav|vɨɡlˈɔndaw na mɔjˈɛɡɔ rˌuvʲɛɕɲˈika i ɕɛ uɕmʲˈɛxaw.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_265.wav|w ˌɔstatɛtʃnˈɔɕtɕi vˈɨɕlɛ pʃˈɔdɛm na drabʲˈinɨ, jˈɛɕli bˌɛɲdʑɛ zmuʃˈɔnɨ dɔ ʃtˌurmɔvˈaɲʲa mˈuruf rivˈɛran.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_32.wav|ˌatmɔsfˈɛra ulˈɛɡwa lɛkkʲˈɛmu pˌɔɡɔrʃˈɛɲʲu, a tˈɔm xtɕˈaw jˈɔ̃ ʃˈɨpkɔ pɔprˈavitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_143.wav|a rˈatʃɛj wˈadɲʲɛ vˌɨɡlɔndˈawabˌɨ, ɡdˈɨbɨ ɲʲɛ ɕiɲʲˈaki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_188.wav|rˌɛpɔrtˈɛrka mˈa naɡrˈanɔ̃ vɨpˈɔvʲɛtɕ, na ktˌurɔ̃ litʃˈɨwa, vʲˈɛnts tsˈɔfa ɕɛ ɔ krˈɔk.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_324.wav|mˈuj nˌautʃˈɨtɕɛl f ʃkˈɔlɛ pɔvʲˈadaw, ʒˈɛ ʒˈɨtɕɛ nˌaɕladˈujɛ lˌitɛratˈurɛ, a pˈuʑɲʲɛj lˌitɛratˈura nˌaɕladˈujɛ nˌaɕladujˈɔntsɛ ʒˈɨtɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_395.wav|pɔ prˈɔstu ˌukrɨvˈawa tɔ lˈɛpʲɛj.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_448.wav|pˌɔstɛmpˈujɛʒ ɡwˈupjɔ.|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_45.wav|bˌɨwɔ tˈu ʑˈimɲʲɛj ɲˈiʃ pɔː ˌɔswɔɲʲˈɛntɛj pʃɛd vʲˈatrɛm strˈɔɲʲɛ, a ˌɔkɔlˈitsa vˌɨdavˈawa ɕɛ dʑˈikʃa.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_108.wav|ˈɔbaj vʲˈɛmɨ, ʒˈɛ ɲʲɛ mˈɔʒɛʃ pɔzvˈɔlitɕ, bˈɨ ɕɛ pʃˌɨwɔntʃˈɨli dɔ lˈɔrda bɛrˈika.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_255.wav|vɨdˈajɛ mi ɕɛ, ʒˈɛ tɔ rˈatʃɛj pˈaɲski prˈɔblɛm, a ɲʲɛ mˈuj.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_15.wav|rˈudɨ ɕˈɛdʑaw na kʃˈɛɕlɛ z ɡwˈɔvɔ̃ ɔpˈartɔ̃ ɔ blˈad bjˈurka. nˈavɛt kʲˈɛdɨ bˈɨw ɲʲˌɛpʃɨtˈɔmnɨ, sprˈavʲaw vraʒˈɛɲʲɛ pɛvnˈɛɡɔ ɕˈɛbjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_34.wav|w ˌɔdɲʲɛɕˈɛɲʲu dɔ tɛj zdˌɛmɔrˌalizɔvˈanɛj i zɡnɛmbjˈɔnɛj vˈɛrsji, a pˌɔdɛjmɔvˈaɲʲɛ dɛtsˈɨzji jɛst tˈakʲɛ trˈudnɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_69.wav|zrɔbʲˈiwɔ mi ɕɛ ɲʲɛdˈɔbʒɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_20.wav|xtsˈɛʃ nˈajpʲɛrf uswˈɨʃɛtɕ ɔ ɕˈɔstʃɛ, tʃɨ fxɔdʑˈimɨ dɔ ɕrˈɔtka i bjɛʒˈɛmɨ kˈɔd dɔ kɔmˈurki? spˈɨtaw rˈɔp, zmʲɛɲʲˈajɔnts tˈɛmat.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_192.wav|ja tˈɛʒ dˈɔtɔnt ɲʲɛ vʲɛdʑˈawɛm, tsˈɔ tɔ takʲˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_140.wav|s sˈɛnsɛm pˈɨta bʲˈilljɛ? prˌɔvadʑˈiwa z vˈami tˌɔvaʒˈɨskɔ̃ rɔzmˈɔvɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_72.wav|mˈatka zabrˈawa ɡˈɔ dɔ rˈinɔ. lˈɛʒɨ f spɛtsjˈalnɨm ɔɕrˈɔtku. ɔpʲˈɛka pˌaljatˈɨvna, tˈak tɔ nˌazɨvˈajɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_99.wav|ɲˈidʑɡ vˈɨswawbˌɨ tˈɛʃ lˈudʑi, pˈɛvɲʲɛ fraŋkʲˈɛɡɔː ɛlvˈisa i pˈawla lɔɡˈɛna dɔ midvˈɔɔt. pʃˌɛpɨtˈalibˌɨ fˈatɕuf i raɡlˈanduf, jamˈala i tsˈɔrin tˈɛʃ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_57.wav|pɔtxˈɔdʑɛ dɔ dʒvˈi.|3
+Dataset/wavs/urwisko_ferenc/61_segment_14.wav|stanˈɛwa na ɡruntˈɔvɛj drˈɔdʑɛ i ˌɔttʃɛkˈawa jˈakiɕ tʃˈas, zˌastanavʲˈajɔnts ɕɛ, tʃɨ ˌɛkspɛrˈɨmɛnt ɕɛ pɔvʲˈɛdʑɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_2.wav|bˈɛtskɨ nˌatɕisnˈɛwa pɔ rˈas tʃˈɛtɕi pʃˈɨtɕizɡ dʑvˈɔŋka pʃɨ brˈamjɛ i zˌatʃɛkˈawa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_79.wav|ɲʲɛ vˈidʑi ɲˈits, tsˈɔ pʃˌɨpɔmˌinawˈɔbɨ ɡˈaraʃ i pˈɨta ɔ tˌɔbakʲˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_209.wav|brˈatɕa trudʑˈɔntsɨ ɕɛ w ɔɡrˈɔdʑɛ mʲˌɛli pˌɔxɨlˈɔnɛ plˈɛtsɨ i pʃˌɨɡarbjˈɔnɛ bˈarki.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_147.wav|tsˈɔ vʲˈɛʃ ɔ prɔdˈuktsji ˌalumˈiɲʲum?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_33.wav|ɲʲˈɛxtɕaw ɕɛ z ɲʲˈɔ̃ kwˈutɕitɕ. dʒˈɛk fspˌuwpratsˈɔvaw z zˌɔrɡaɲˌizɔvˈanɔ̃ ɡrˈupɔ̃ pʃɛstˈɛmptʃɔ̃, ˌalɛ tˌɨlkɔ pɔd ɡrˈɔʑbɔ̃ skʃɨvdʑˈɛɲʲa najblˈiʃʃɨx mu ˈɔsup.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_235.wav|lˈɛtʃ nˈaɡlɛ pʃɨpˈɔmɲʲaw sˈɔbjɛ, ʒˈɛ tˈɨvin lanɲˈistɛr ɲʲɛ ʒˈɨjɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_27.wav|pamjˈɛntam, ʒˈɛ patʃˈɨwɛm na jˈɔɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_37.wav|skɔntˈaktuj ɕɛ s tɔ̃ stˈatsjɔ̃ radjˈɔvɔ̃ kˌaˌitˈɛ. sprˈaftɕ, tʃɨ mˌajɔ̃ jˈakʲɛʑ dˈanɛ skˈɔta rɔbˈɛrtsa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_42.wav|sɔ̃ jˈɛɡɔ tˌalizmanˈami.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(81) R.Abbott_Zamknij Drzwi_segment_7.wav|ɲʲɛ maʒ ʒadnˈɛɡɔ xˌɔlɛrnˈɛɡɔ psˈa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_399.wav|tɔ jˈuʃ fʃˈɨstkɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_46.wav|fspʲˈɔw ɕɛ pɔ drabʲˈintsɛ na dˈax wazˈika i ɔttʃˈɛpiw tˈaɕmɛ mˌɔtsujˈɔntsɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_70.wav|vɨrvˈawam ɡvawtˈɔvɲʲɛ dwˈɔɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_201.wav|tʃɨ baˈɛlɔr bwˌɔɡɔswavʲˈɔnɨ ɲʲɛ skˈɔɲtʃɨw s pɔvˈɔdu pˈɔstu na mˈarax?|1
+Dataset/wavs/urwisko_ferenc/42_segment_15.wav|xˈɔdʑi ˈɔtɔ, ʒˈɛ mʲˈawam trˈɔxɛ prɔblˈɛmuf rɔdʑˈinnɨx i pɔ prˈɔstu pˌɔtʃɛbˈujɛ xfˈili spɔkˈɔju. zaʃˈɨwam ɕɛ na fɕˈi i tˈɛras...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_56.wav|tɔ bˈardʑɔː ˌintɛliɡˈɛntna kɔbjˈɛta, ktˌura ɲʲɛ dˈa ɕɛ tˈak wˈatfɔ zwˈapatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_46.wav|stɔpɲʲˈɔvɔ jˈɛɡɔ ɡwˈɔs pʃɛbʲˈija ɕɛ pʃˈɛz mɡwˈɛ w mˈɔim mˈuzɡu i ftˈɛdɨ ˌuɕfʲadˈamjam sˈɔbjɛ, ʒˈɛ ɲʲɛ ˌɔpɔvʲˈada nˈaʃɛj çistˈɔrji.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_96.wav|dɔmˈiɲik ɲʲˈɛmʲawbˌɨ xˈɨba prɛtˈɛnsji ˈɔtɔ, ʒˈɛ ftˈɛdɨ s kˈimɕ ɕɛ spˌɔtɨkˈawaɕ. ɲʲɛ sˈɔndʑɛ, bˈɨ uvˈaʒaw, ʒˈɛ jɛst pʲˈɛrʃɨm mɛ̃ʃtʃˈɨznɔ̃ f tfˈɔim ʒˈɨtɕu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_9.wav|swˈɨxadʑ bʒˈɛŋk twˌutʃɔnˈɛɡɔ ʃkwˈa, a pˈɔtɛm pʃɛklˈɛɲstfɔ. mkˈif, kˈarin!|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_303.wav|vɨɡlˈɔndaw pˈan pˌɔdɛjʒˈaɲʲɛ. dʑˈivɲi lˈudʑɛ dɔ pˈana pʃˌɨxɔdʑˈili.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_195.wav|ɲʲɛ zɔstˈavʲaj sfɔjˈɛɡɔ pɔjˈazdu na mʲˈɛjstsu pʃɛstˈɛmpstfa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_181.wav|kʲˈɛdɨ vˌɨɡlɔndˈajɔ̃ jˈak tʃˈɛba, ˌɔtʃɛpˈujɛ jˈɛ i fstˈajɛ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_442.wav|ˈɔtɨm, ktˈɔː uvˈɔlɲi mɲʲɛ s tɛj tsˈɛli, bˌɛndɛ pˌamjɛntˈawa, ɡdˈɨ nadˈɛjdʑɛ pˈɔra ɕlˈubu.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_15.wav|kʲˈɛdɨ dɔwˈɔʒɛ dɔ tˌɛɡɔ çˈijap, ktˌurɨm zakrˈɨva ɕɛ vwˈɔsɨ, bˌɛɲdʑɛ vˈidatɕ tˌɨlkɔ mˈɔjɛ ˈɔtʃɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_132.wav|pɔxfˈaliw nˈaz bˈɔp i spˈɔjʒaw f strˈɔnɛ kˈilku ˌɔsmalˈɔnɨx ˈɔsup, ktˌurɨm ˌɔxɔtɲˈitsɨ zˌakwadˈali mˈaski tlɛnˈɔvɛ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_181.wav|skˈɔrɔ zˌabavʲˈawɛɕ ɕɛ z ɲʲˈɔ̃ w wˈuʃku, kʲˈɛdɨ mˌɔrdɔvˈanɔ tfˈɔjɔ̃ ɕˈɔstrɛ i tfɔjˈɛɡɔ krˈula.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_53.wav|pˈɔdɛjdʑ dɔ dˈɔmu ɔt tˈɨwu, ˌalɛ ɲʲˈɛma sˈɛnsu mˈartfitɕ ɕɛ tʃˈɨmɕ, na tsˈɔ ɲʲɛ maʃ fpwˈɨvu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_12.wav|ˌalɛ fspˌuwpratsˈujɛ pˈan blˈiskɔ z ɲˈilɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_156.wav|bʲˈillɨ zamjˈɛra w bɛzrˈuxu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_88.wav|ɲʲɛ mˈɔɡwam ɡˈɔ zˈatɔ tˈɛras ɔbvˈiɲitɕ, muɕˈawam fʃˈɨstkɔ zʒˈutɕitɕ na ɕˈɛbjɛ.|3
+Dataset/wavs/urwisko_ferenc/50_segment_50.wav|bɔrˈɛvitʃ mˈɨɕlaw ɡˌɔrɔntʃkˈɔvɔ. a skˈɔnd vʲˈɛʃ, ʒˈɛ za fʃˈɨstkim stˈaw ʃtʃˈɛrpski?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(89) R.Abbott_Zamknij Drzwi_segment_8.wav|mˈɔʒɛ pʃˈɨʃli pɔʃˈɔnɛ, prˈaɡnɔndʑ zˈɛmstɨ za pˌɔlɛtsˈɛɲʲɛ zabʲˈitɕa tamtˈɛɡɔ tʃwɔvʲˈɛka? mˈɔʒɛ w ɔɡˈulɛ ɲʲɛ sɔ̃ pˌɔlitsjantˈami?|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_131.wav|rˈanɔ mɔʒˈɛmɨ pˈujʑdʑ dɔ pˈɔrtu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_197.wav|jˈakaɕ utrˈata sˌamɔdʑɛlnˈɔɕtɕi, xfilˈɔvɛ ˈalbɔ trfˈawɛ ˌupɔɕlɛdʑˈɛɲʲɛ ˌumɨswˈɔvɛ,|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_324.wav|spɔjʒˈawam w ɔkʲˈɛŋkɔ z bˈɔku kabʲˈinɨ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_187.wav|rˈɔslin ɲʲɛ xtɕˈawa, pwakˈawa, ˌalɛ mɨɕlˈawɛm, ʒˈɛ tɔ...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_52.wav|mruknˈɛwam dɔ ɕˈɛbjɛ, ˌɔtɕɛrˈajɔnts tfˈaʃ xustˈɛtʃkɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_41.wav|lˈutsɨ pɔvˈinna vɨjˈɛxadʑ zˈɛmnɔ̃ dɔː awstrˈalji.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_12.wav|spɔjʒˈawam na ɡʲˈizmɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_155.wav|ˌalɛ ktˈɔ zapwˈatɕi za pˈaɲski trˈɛɲiŋk?|0
+Dataset/wavs/urwisko_ferenc/53_segment_89.wav|dˈɔtar dɔ fˌɔtɔɡrˈafji, ktˌura ɡˈɔː ˌintɛrˌɛsɔvˈawa.|0
+Dataset/wavs/urwisko_ferenc/22_segment_19.wav|bɔrˈɛvitʃ ɔdˈɛbraw brˈɛlɔk i pʃˈɛs jˈakiɕ tʃˈaz vˈaʒɨw ɡˈɔ w dwˈɔɲi. — ˈɔkɛj, spʲˌɛrdɔlˈiwɛm sprˈavɛ, ˌalɛ tˈak spʲˌɛrdɔlˈiwɛɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_26.wav|zamˈɨkam ˈɔtʃɨ i tsˈɔfam ɕɛ ɔ tˈɨdʑɛɲ dɔ ɲʲˌɛdʑɛlnˈɛɡɔ lˈantʃu.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_79.wav|na tʃˈɨ, pɔvʲˈɛdʑaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_121.wav|tʃˈɨli tɔ kˈɔɲʲɛts, ˈɔ? naprˈavdɛ ʒˈutsaʃ tɔ fʃˈɨstkɔ?|2
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_94.wav|a bˈul ɡwˈɔvɨ tʃˈɨɲiw ɡˈɔ jˈɛʃtʃɛ dwˈuʃʃɨm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_83.wav|bˈardʑɔ pʃɨdˈatna bˈɨwabˌɨ dla nˈas rˈuvɲʲɛʃ rɔzmˈɔva na tˈɛmat pˈana ɛdmˈuntsa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_429.wav|lˈɛpʲɛj utɕˈɛkatɕ, ɲˈim bˌɛɲdʑɛ za pˈuʑnɔ.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_238.wav|ˈidʑ zˌavʲadˈɔmitɕ pˈana mˈɛ̃ʒa i pɔstˈaraj ɕɛ sprɔvˈadʑitɕ tˌɛɡɔ minstrˈɛla.|1
+Dataset/wavs/urwisko_ferenc/51_segment_11.wav|mˈimɔ fʃˈɨstkɔː ˌɔpuʃtʃˈawa dˈɔm zˌavɔrskʲˈɛɡɔ z nˌastavʲˈɛɲʲɛm na sˈuktsɛs.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_64.wav|ɲʲɛ pɔzvˈala ˌɔna ix ɔbˈɛtsnɔɕtɕ f tɨm mʲˈɛjstsu i zˌatʃɨnˈawam f kˈɔɲtsu pɔjmˈɔvatɕ, dlatʃˈɛɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_57.wav|pˈaltsɛm ɲʲɛ bˌɛndɛ pˌɔkazˈɨvaw, ˌalɛ pˈɛvɲʲɛ pɔtrˈafiʃ pɔlˈitʃɨdʑ dɔ tʃtˈɛrɛx.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_19.wav|pɔvˈinnam tʃˈutɕ ɔɡrˈɔmnɔ̃ ˈulɡɛ s pɔvˈɔdu jˈɛɡɔ ɕmʲˈɛrtɕi.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_51.wav|maʃ tˈɛn ix...|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_119.wav|ɔt ˈɛstɛr|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_42.wav|a pˈɔtɛm pˈɔkrɨw jˈɔ̃ pˈɨw, ktˌurɨ vzbʲˈiw ɕɛ pˈɔttʃas stˈartu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_82.wav|f kˈɔɲtsu fʃˈɨstsɨ swɔvʲˈaɲʲɛ ˌutɕɛkˈali jˈuʒ dɔ sfˈɔjɛj tfʲˈɛrdʑɨ, zˌatʃaskˈujɔnts s xawˈasɛm dʒvˈi za sˈɔbɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_487.wav|tʃˈuwɛm na ʃˈɨi jɛj lɛtɕˈutki ˈɔddɛx, jˈak wˌaskɔtˈaɲʲɛ vʲɔsˈɛnnɨx trˈaf.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_58.wav|tˈɛraz bˌɨwɔ dɔkwˈadɲʲɛ tˈak sˈamɔ. mˌamɨ i tˈatɨ ɲʲɛ bˌɨwɔ f sɔ̃ɕˈɛdɲim pˌɔmjɛʃtʃˈɛɲʲu. tɔ ɲʲˈɛbɨw iɣ dˈɔm, ix ulˈitsa, a nˈavɛt ix mʲˈastɔ.|4
+Dataset/wavs/urwisko_ferenc/15_segment_51.wav|ˌalɛ tɔ nɔrmˈalnɛ. ɲʲˈɛmartf ɕɛ i rˈup sfˈɔjɛ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_272.wav|ɕfʲˈɛɲtɕi mɛ̃ʒˈɔvʲɛ, astsˈɛtɕi, fˌanatˈɨtsɨ, tʃˌarnɔkɕɛ̃ʒɲˈitsɨ, smˌɔkɔbˈujtsɨ, wˈɔftsɨ dɛmˈɔnuf. krˈɔ̃ʒɨ ɔ ɲˈiɣ vʲˈɛlɛ ˌɔpɔvʲˈɛɕtɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_55.wav|jˌɛstɛm pˈɛvna, ʒˈɛ ˈaram zˌastanˈavja ɕɛ nat sfˈɔim nastˈɛmpnɨm pˌɔsuɲʲˈɛɲtɕɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_219.wav|znˈaʒ zˈatɔ vʲˈɛlɛ ˈinnɨx swˈuf, pˌɔvʲɛdʑˈawa, i vʲˈɛʃ, jˈak ix uʒˈɨvatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_310.wav|zˌawɔʒˈɨwam xˈɛwm spˌavalɲˈitʃɨ i ˌuruxɔmˈiwam pˈalɲik.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_31.wav|ɕlˈuza pɔvʲˈɛtʃna s tˈɨwu kabʲˈinɨ wazˈika bˌɨwa ɲʲɛvʲˈɛlka, ˌalɛ mˈɔɡwa pɔmjˈɛɕtɕidʑ dvʲˈɛ ɔsˈɔbɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_123.wav|na vʲɛlkˈanɔts jˈadɛ dɔ dˈɔmu pɔvʲˈɛdʑɛtɕ rɔdʑˈitsɔm, a pˈɔtɛm urˈɔdʑɛ i pʃɛkˈaʒɛ dʑˈɛtskɔ dɔː adˈɔptsji.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_35.wav|musˈimɨ tɕˈɛ trˈɔxɛ sxwˈɔdʑitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_28.wav|ʒawˈujɛ, ʒˈɛ ɲʲˈɛznam ʒˈadnɨx ʃtʃɛɡˈuwuv dˌɔtɨtʃˈɔntsɨx ɕlˈɛtstfa f sprˈavʲɛ mɔrdˈɛrstfa ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_128.wav|ʒˈɛ dˈɔznaw fstʃɔ̃ɕˈɛɲʲa mˈuzɡu ɔt kturˈɛɡɔɕ s tɨx udˈɛʒɛɲ w ɡwˈɔvɛ, pɔvʲˈɛdʑaw. ɲʲˈɛxtɕawbˌɨm pɔsˈunɔɲtɕ ɕɛ za dalˈɛkɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_445.wav|ɲʲɛ mˈuʃɛ tɕi mˈuvidʑ dlatʃˈɛɡɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_53.wav|kʲˈɛdɨ jˈɛnnɨ zˌapɨtˈawa, tʃɨ tsˈɔɕ mɲʲɛ trˈapi, pˌɔvʲɛdʑˈawam jɛj, ʒˈɛ mˈartfjɛ ɕɛ nˈɔɡɔ̃ dˌɔmiɲˈika, tsˈɔ bˌɨwɔ prˈavdɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_246.wav|jˈuʃ ɲʲˈɛɣ bˈɨ lˈɛpʲɛj zˈamknɔw mɲʲɛ s pɔvrˈɔtɛm w arˈɛʃtɕɛ, bˈɨwbɨm spˌɔkɔjɲʲˈɛjʃɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_64.wav|ˌalɛ jˈak fʃˈɨstkʲɛ ɕfʲˈatwɔ vˈɔdɨ skwˈada ɕɛ w ɡwˈuvnɛj mʲˈɛʒɛ zˈɛ ʃkwˈa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_58.wav|mˈuɕaw jˈɛdnaɡ zapˈɔmɲʲɛtɕ ɔ vwˈasnɨx praɡɲʲˈɛɲʲax i pɔmˈɨɕlɛtɕ ˈɔtɨm, tsˈɔ bˌɨwɔ najlˈɛpʃɛ dla lˈutsɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_93.wav|w jɛj zˌaxɔvˈaɲʲu ɲʲɛ bˌɨwɔ ɲitʃˈɛɡɔ, tsˈɔ fskˌazɨvawˈɔbɨ na xˈɛɲtɕ sprˌubɔvˈaɲʲa ʃtʃˈɛɲɕtɕa z mɛ̃ʃtʃˈɨznɔ̃ bˈɛz zˌaprɔʃˈɛɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_39.wav|tfˈuj, ˈɔtpar i na mˈiwɔʑdʑ bˈɔskɔ̃ prˈɔvatɕ tˈak jˈaɡ dɔ tɛj pˈɔrɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_138.wav|pɔ lˈantʃu ˈɛlis stfʲˈɛrdʑa, ʒˈɛ xtsˈɛ ɕɛ zdʒˈɛmnɔɲtɕ. bʲˈillin jɛzd zˌaskɔtʃˈɔnɨ.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_161.wav|rˈuvɲʲɛ brutˈalnɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_111.wav|zwapˈawam ɡˈɔ pɔnˈɔvɲʲɛ na ulˈitsɨ f pɔblˈiʒu parkˈiŋɡu, na ktˌurɨm zabʲˈitɔ jaɡˈɛra.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_179.wav|jˈuʃ pˈɔtɨm, jˈak pɔwˈɔʒɨw kɔʃˈulɛ na wˈuʃku i ˈuklɔŋkw pʃˈɨɲim, i trfˈaw tˈak ɲʲˌɛruxˈɔmɔ, w mrˈɔku, f tɕˈiʃɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_92.wav|ˈaʒ ɡˈapiw ɕɛ tˌɨlkɔ na zdjˈɛɲtɕɛ. bˈɛtskɨ vʲˈɛlɛ bˈɨ dˈawa, ʒˈɛbɨ ɕɛ dɔvʲˈɛdʑɛtɕ, tsˈɔ mʲˌɛndʑɨ ɲˈimi zˈaʃwɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_105.wav|jˈɛɕli stˈawɔ ɕɛ pˈanu tsˈɔɕ f pʃɛʃwˈɔɕtɕi, ɲʲˈɛmuf pˈan tˌɛɡɔ ɲikˈɔmu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_135.wav|miltʃˈɛliɕmˌɨ pʃˈɛs xfˈilɛ, ktˌura vˌɨdavˈawa ɕɛ vʲɛtʃnˈɔɕtɕɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_332.wav|mˌɔɡɔntsˈɨmi utʃˈɨmatɕ ˈɔkrɛnt.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_19.wav|ɲʲɛ mʲˈawam ɕˈiwɨ tɔ spʃˈɔntatɕ. nˌakarmˈiwam tˌɨlkɔ dʑˈɛtɕi.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_45.wav|sˈɛrxajl vɨʃtʃˈɛʒɨw zˈɛmbɨ w uɕmʲˈɛxu. swɨʃˈawɛm, ʒˈɛ dɔ tˌɛɡɔ pɔtʃˈɛba mɛ̃ʃtʃˈɨznɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_130.wav|kˈaʒdɨ pˈɔjast mˈa sˈɨstɛm bˌɛspʲɛtʃˈɛɲstfa, ktˌurɨ zˌapɔbjˈɛɡa pʃɛɡʒˈaɲʲu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_27.wav|unˈɔɕi vɨsˈɔkɔ pɔdbrˈudɛk i pˈatʃɨ nˈamɲʲɛ trjumfˈalɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_9.wav|tˈak sprˈavɲʲɛ tɔ zˌawatfˈili, pˌɔvʲɛdʑˈawa bˈɛtskɨ, a ja ftɕˈɔ̃ʃ ɲʲˈɛmam pɔjˈɛɲtɕa, tsˈɔ ɕɛ dʑˈɛjɛ.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_361.wav|zwˈɛ snˈɨ ɲˈiɡdɨ ɕɛ ɲʲɛ spravdʑˈajɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_14.wav|vˈɛvnɔntʃ swˈɨxatɕ ɔdɡwˈɔsɨ kʃˌɔntaɲˈinɨ i tʃˈudʑ zˈapax jɛdʑˈɛɲʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_145.wav|rˈas mʲˈawa vraʒˈɛɲʲɛ, ʒˈɛ ɡˈɔ vidʑˈawa, tsˈɔ ɲʲˌɛvɔntplˈivʲɛ bˌɨwɔ zwudʑˈɛɲʲɛm, vˌɨvɔwˈanɨm ɲʲˌɛpʃɨstˌɔsɔvˈaɲʲɛm dɔ rˌɔzʒɛdʑɔnˈɛɡɔ ɡurskʲˈɛɡɔ pɔvʲˈɛtʃa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_171.wav|ˈɛdʲisɔn ɲʲɛ ɔtpˈuʃtʃa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_365.wav|tɔ ɲʲɛ mˈɔja vˈina, ʒˈɛ mˈɔja rɔdʑˈina ɕˈɛdʑi na fˈɔrɕɛ, a pˈan jˌɛstɛɕ jˈɛʃtʃɛ jˈɛdna kɔɕtɕˈɛlna mˈɨʃ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_60.wav|pɔ drˈuɡʲɛj strˈɔɲʲɛ ulˈitsɨ tˈɛssa krɔ̃ʒˈɨwa nɛrvˈɔvɔ pɔ kˈuxɲi, pɔdnˈɔʃɔnts tsˈɔ xfˈila tɛlˈɛfɔn, bˈɨ sprˈavdʑitɕ, tʃɨ pʃɨpˈatkʲɛm ɲʲɛ zadʑvˈɔɲiw.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_146.wav|zatʃˈɛwa waɡˈɔdɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_265.wav|budʑˈiwam ɕɛ w ˈinnɨm pɔkˈɔju, sxɔvˈana na pʃˈɨkwad za fˈɔtɛl.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_82.wav|pɔmˈɔɡwɛm mu z radˈɔɕtɕɔ̃. pɔprˈɔɕiw ɔ pʃˈɛrvɛ f spwˈatax, na tsˈɔ ɕɛ zɡɔdʑˈiwɛm, ˌalɛ ˈumar vʲˈɛlɛ lˈat tˈɛmu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_14.wav|tsˈɔ zrˈɔbʲi, kʲˈɛdɨ ɲʲˈɛdam mu nˈavɛd zwˌamanˈɛɡɔ pˈɛ̃sa?|3
+Dataset/wavs/urwisko_ferenc/55_segment_24.wav|a f ktˌurɨm rˈɔku fˈilip pˈisaw matˈurɛ? ˈɔj, tʃˈɛkaj. tɛn tʃˈas tˈaɡ zasˈuva, ʒˈɛ ɡrˈɔx jˈuʃ ɲʲɛ pamjˈɛnta. xˈɨba...|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_86.wav|pʃɨʃˈɛdwɛm ɕɛ pɔʒˈɛɡnatɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_43.wav|nˌastɛmpnˈɛɡɔ dɲʲˈa mɲʲɛ ˌiɡnɔrˈɔvaw, a ja praɡnˈɛwam ɔdʑˈɨskatɕ jˈɛɡɔ vzɡlˈɛndɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_21.wav|nˈaʃa tsˈurka zraɲˈiwa ɕɛ w nˈaʃɨm vwˈasnɨm ɔɡrˈɔdʑɛ na tfˈɔjɛj zmʲˈaɲʲɛ. mʲˈawɛɕ prˈavɔ bˈɨdʑ zdˌɛnɛrvɔvˈanɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_240.wav|mˈam kˈɔntrakt s sˈanxɛs na rˌɛɡulˈarnɛ dɔstˈavɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_32.wav|vʲˈɛm dˈɔbʒɛ, kˈim jˈɛstɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_14.wav|jakˈimi dˌɔvɔdˈami pʃɛtɕˈifkɔ mˈartɕɛ pˈɔrtɛr dˌɨspɔnɔvˈali?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_40.wav|f pɔʒˈɔntku, dˈawabˌɨm sˈɔbjɛ ftʃˈɔraj rˈadɛ.|3
+Dataset/wavs/urwisko_ferenc/33_segment_8.wav|pɔlˈitsjant ˈuznaw, ʒˈɛ mˈimɔ zwˈɨɣ vʲˈɛɕtɕi, ktˌurɛ mʲˈaw ʃɛfˈɔvi dɔ pʃˌɛkazˈaɲʲa, pɔvˈiɲʲɛn bˈɨdʑ z ɲˈim f stˈawɨm kɔntˈaktɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_21.wav|pɔftˈaʒam sˈɔbjɛ, ʒˈɛbɨ ɲʲɛ pˌaɲikˈɔvatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_71.wav|mˌamɨ mnˈustfɔ tʃˈasu, ʒˈɛbɨ zapˈɛwɲitɕ tɔ mʲˈɛjstsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_47.wav|ɲʲɛ maʃ ɲˈits pʃɛtɕˈifkɔ, prˈavda?|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_285.wav|znˈuf mɨɕlˈawa pʃˈɛs xfˈilɛ, ˌɔdɡarnˈɛwa vwˈɔsɨ, ktˌurɛ ɔpˈadwɨ jɛj na tʃˈɔwɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_64.wav|vɨtɕˈɔŋɡam rˈɛŋkɛ i ɔpʲˈɛram ɕɛ ɔ ɕtɕˈanɛ, ɲʲɛpˈɛvna, tʃɨ nˈɔɡʲi ˌutʃɨmˈajɔ̃ mˈuj tɕˈɛ̃ʒar.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_320.wav|ʒˈɛkw jˈɛdɛn z ɲˈix. mˈɔʒɛ nˈaʃ kapˈitan mˈuɡwbɨ sˈɔbjɛ kˈupitɕ tˈakɔ̃ kˌurtʃɨzˈanɛ, ˌalɛ mˈuɕawbˌɨ nˈajpʲɛrf spʃˈɛdatɕ xɔlˈɛrnɨ stˈatɛk.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_122.wav|kʲˈɛdɨ mˈuviw, kˈɔɲtɕik jˈɛɡɔː ˈust lˈɛkkɔ ɕɛ ˈuɲʲus.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_30.wav|vʲˈɛmɨ, ʒˈɛ vʲadˈɔmɔɕtɕ pʃˈɨʃwa z numˈɛru nˌalɛʒɔntsˈɛɡɔ dɔ mˈartɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_22.wav|i mˈɔʒɛ jˈuʃ ɲˈiɡdɨ ɕɛ ɲʲɛ pɔjˈavidʑ ʒɔndˈaɲʲɛ ɔkˈupu. f tˈakim vɨpˈatku rˈatʃɛj ɲʲɛ zˌɔbatʃˈɨlibˌɨ jˈuʒ zˌakwadɲˈikuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_250.wav|bʲˈillɨ ɲʲɛ pʃɛpˈada za brˌatɛrskˈimi ˌuɕtɕiskˈami, ˌalɛ ɲʲɛ prˌɔtɛstˈujɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_12.wav|lˈitʃɨ, ʒˈɛ tˈɛras, pɔ tˈaɡ dwˈuɡʲim tʃˈaɕɛ, tʃˈujnɔɕtɕ ɲˈika ɲʲˈɛtsɔː ɔswˈabwa.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_172.wav|mˈɔʒɛ ɲʲɛ z bjˌɔlɔɡʲitʃnˈɛɡɔ, ˌalɛ s psˌɨxɔlˌɔɡʲitʃnˈɛɡɔ pˈuŋktu vidʑˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_382.wav|mˈuj ˈɔjtɕɛts prubˈɔvaw znˈalɛɕtɕ mˈɛ̃ʒa dla mi, ˌalɛ ˌɔna ˌɔdʒutɕˈiwa fʃˈɨstkix kˌandɨdˈatuf. ta dʑɛftʃˈɨna sˈama jɛst f pɔwˈɔvʲɛ mˈuwɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_118.wav|mˈawa kabˈura na mˈawɨ pistˈɔlɛt.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_187.wav|skˈɔnt klˈɛrki mˈuɡw mʲˈɛtɕ pˈɛvnɔɕtɕ, ʒˈɛ ɲʲˈɛma vʲˈɛntsɛj zdjˈɛɲtɕ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_138.wav|vʲɛdʑˈawam, ʒˈɛ ɲʲɛ pɔvˈinnam ɔ ɲˈitʃɨm mu pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_69.wav|mɲʲˈɛjʃa s tˈɨm.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_380.wav|prˈavdɛ mˈuvʲɔnts, tɔ bˌɨwa tsˈawkʲɛm wˈadna dʑɛftʃˈɨna.|1
+Dataset/wavs/urwisko_ferenc/50_segment_38.wav|bˈɨw tˈam mˈawɨ pˈɔkuj z dˈuʒɔ̃ ʃˈafɔ̃ i wˈuʃkʲɛm z jˌɛntʃɔntsˈɨmi sprˌɛ̃ʒɨnˈami.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_76.wav|zrˈup tɔ, paˈɨnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_121.wav|rˈɔk tˌɛmu mˈarɨ zɔstˈaviw mˈɔ̃ʃ i pɔznˈawa jɛdnˈɛɡɔ takʲˈɛɡɔ lɛbjˈɛɡɛ, zdˈajɛ ɕɛ w bˈaʒɛ, bˈɔba jakʲˈɛɡɔɕ tˈam.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_95.wav|sˈam pˈan pˈɔpatʃ i sˈam pˈan sˈɔbjɛ pˈɔvʲɛts, ʒˈɛɡw dʒˈɔnsɔn. dlatʃˈɛɡɔ pˈan tɕˈɔŋɡlɛ pˈatʃɨ w lˈɛvɔ?|0
+Dataset/wavs/urwisko_ferenc/03_segment_131.wav|ɲʲɛpˈɔkuj vɨpˈɛwɲiw xwˈɔdɛm jɛj tʃˈɛvja i rˈɔsʃɛt ɕɛ pɔ tɕˈɛlɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_79.wav|i xˈɔtɕ sˈɔbjɛ tˌɛɡɔ ɲʲɛ ˌuɕfʲadˈamjaʃ, tɔ fʃˈɨstsɨ zvratsˈajɔ̃ ɕɛ dɔ tɕˈɛbjɛ, kʲˈɛdɨ tʃˈɛba tsˈɔɕ naprˈavitɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_26.wav|ɲˈikt ɕɛ ɲʲɛ zdʑˈivi, kʲˈɛdɨ pˌɔjavˈimɨ ɕɛ w jˈɛɡɔ dˈɔmu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_166.wav|dʑˈɛŋki bˈɔɡu i zˈatɔ pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_147.wav|a tɨ trˈafiʒ dɔ vʲɛ̃ʑˈɛɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_63.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_210.wav|ˌalɛ nˈavɛt ftˈɛdɨ ɲʲɛ xtɕˈɛli ɕɛ zˈamknɔɲtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_98.wav|ɡɔrˈɔntsa pɔvʲˈɛʃxɲʲa, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_155.wav|tˈak naprˈavdɛ pʃˈɨʃwa sˈɔbjɛ pˈɔpitɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_99.wav|ktˌuʒɨ vˈɛʃli na pɔdvˈurkɔː i ɕtɕˈɛli dʒˈɛvɔ, ktˌurɛ runˈɛwɔ,|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_56.wav|lˈɔrt tˈarlɨ mˈa vʲˈɛlki mʲˈɛtʃ jˈat sˈɛrtsa, vɨkˈutɨ z vˌalɛrjˈaɲskʲɛj stˈali.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_392.wav|mɔjˈɛɡɔ xɔnˈɔru mˈɔʒɛ brˈɔɲitɕ jɛdˈɨɲʲɛ zˌapʃɨɕɛ̃ʒˈɔnɨ brˈad ɡvˈardji krulˈɛfskʲɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_190.wav|pˌɔvʲɛdʑˈawam, ʒˈɛ zɛrvˈawam s xwɔpˈakʲɛm, kʲˈɛdɨ ʒutɕˈiwam stˈudja i pˌɔtʃɛbˈujɛ trˈɔxɛ tʃˈasu dɔ namˈɨswu, tsˈɔ dˈalɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_64.wav|tɔ mi ɕɛ ɕmʲˈɛjɛ. nˈɔ, tɔ dɔ dʑˈɛwa, mˈistʃu.|2
+Dataset/wavs/urwisko_ferenc/17_segment_52.wav|jˈasnɛ. tʃˈɛkam na sˈɨɡnaw, swˈɔɲtsɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_5.wav|pʃˈɛs tsˈawɨ tʃˈas mˈɨɕlɛ ɔ xˈɔllɨ, jˈak mˈɔɡwam bˈɨtɕ tˈaɡ dalˈɛkɔ, kʲˈɛdɨ mɲʲɛ pˌɔtʃɛbɔvˈawa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_213.wav|pˌɔdmalɔvˈujɛʃ ˈɔtʃɨ ɔbrˈazu ɲʲˌɛvidˈɔtʃnɔ̃ fˈarbɔ̃ i kʲˈɛdɨ xɔwˈɔta jɛst f kɔɕtɕˈɛlɛ, ta fˈarba rɔspˈuʃtʃa ɕɛ i ftˈɛdɨ ɕfʲˈɛntɨ fraɲtɕˈiʃɛk tʃɨ ɕfʲˈɛntɨ jˈuzɛf|0
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_43.wav|bˈɛki mˈa rˈatsjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_11.wav|na pɔʑˈɔmjɛ tʃfˈartɨm armstrˈɔŋɡa, tˈuʃ pʃɨ vɨlˈɔtɕɛ rˈampɨ, znajdˈujɛ ɕɛ ɔtfˈarta pʃˈɛstʃɛɲ zvˈana pˈarkʲɛm skˈalnɨm.|4
+Dataset/wavs/urwisko_ferenc/45_segment_37.wav|xˈɛrman drɡnˈɛva|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_53.wav|mˈam prˈavʲɛ pʲˈɛɲtɕ i pˈuw rˈɔku.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_559.wav|pˈɛvɲʲɛ ˈɔtɨm muvˈiwɛɕ.|0
+Dataset/wavs/urwisko_ferenc/38_segment_19.wav|lˈitʃɨw, ʒˈɛ z vʲˈɛkʲɛm stˈɛmpiw jɛj ɕɛ swˈux.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_27.wav|ɔn xtɕˈaw ɕɛ s tˈɔbɔ̃ ɔʒˈɛɲitɕ i dˈɔbʒɛ vʲˈɛʃ, ʒˈɛ ɲʲɛ s pɔvˈɔdu mˈili, ˌalɛ dlatˈɛɡɔ, ʒˈɛ tɕˈɛ kˈɔxa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_161.wav|ɔddˈajɛ tɕi ɡwˈɔs, mˈuvi jˈɛɡɔ spɔjʒˈɛɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_100.wav|uvˈaʒaj tˈam na ɕˈɛbjɛ, ftrˈɔɲtɕiw ˈɔjtɕɛts.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_83.wav|jjj, tˈak. prˈɔʃɛ dˈatɕ mi xfˈilɛ, jˈuʃ pɔ ɲʲˈɛɡɔː ˈidɛ.|3
+Dataset/wavs/urwisko_ferenc/41_segment_23.wav|mʲˌɛliɕmˌɨ jˈɛxatɕ na sˌɛzamkˈɔvɔ̃, pamjˈɛntaʃ?|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_225.wav|xfɨtˈajɔnts ɕɛ rˈur i zavˈɔruf i ˈinnɨɣ vˌɨpukwˈɔɕtɕi, fspʲˈɔw ɕɛ pɔ dʒvʲˈax.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_187.wav|tɔː ˌirɨtɔvˈawɔ tsɛrsˈɛi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_180.wav|kʲˈɛdɨ ɲʲˈɔswa tˈɛ pʃɛklˈɛntɔ̃ tˈatsɛ zupˈɛwɲʲɛ nˈaɡa i tˈak pʲˈɛŋkna.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_432.wav|ix ɔdʒˈutsa i napˈava fstrˈɛntɛm?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_78.wav|mɨɕlˈawam nˈattɨm dwˈuɡɔ, ˌalɛ xˈɨba ɲʲˈɛmam ʒadnˈɛɡɔ vɨbˈɔru, jˈak tˌɨlkɔ zvrˈutɕitɕ ɕɛ dɔ tɕˈɛbjɛ pɔnˈɔvɲʲɛ s prˈɔʑbɔ̃ ɔ pˈɔmɔts.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_39.wav|zamˈɨkam ˈɔtʃɨ i prubˈujɛ pɔfstʃˈɨmadʑ wzˈɨ, ktˌurɛ ɔstˈatɲʲɔ sɔ̃ ɡɔtˈɔvɛ ɔt rˈazu pɔpwˈɨnɔɲtɕ. tʃˈujɛ ɕɛ tˈaka bɛzrˈadna.|4
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_6.wav|xˈuta nˌalɛʒˈɔntsa dɔ tɛj spˈuwki zajmˈujɛ mˌiɲʲaturˈɔvɔ̃ bˈaɲkɛ, ktˌura mʲˈɛɕtɕi ɕɛ f pɔblˈiʒu ˌɛlɛktrˈɔvɲi ˌatɔmˈɔvɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_84.wav|ˌuvaʒˈamɨ, ʒˈɛ mɔʒˈɛmɨ pˈɔmuts tɕi ɔdnˈalɛʑdʑ vwaɕtɕˈivɔ̃ drˈɔɡɛ dɔ zˌadɔvɔlˈɛɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_181.wav|vʲɛdʑˈawam, ɔ tsˈɔ xtsˈɛ spˈɨtatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_63.wav|a jˈɛdna z ɲˈix jɛst mˈartfa.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_201.wav|tˌɛɡɔ dɲʲˈa ɲʲɛ bˌɨwɔ ɲikˈɔɡɔ nɔvˈɛɡɔ, a ʒˈadɛn zˈɛ stˈawɨɣ bɨvˈaltsuf nˈavɛt nˈamɲʲɛ ɲʲɛ spˈɔjʒaw.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_156.wav|tʃasˈami lˈɛpʲɛj jɛst pˈɔznadʑ ɡrˈɛ, zˈaɲim zˈatʃɲʲɛ ɕɛ w ɲʲˈɔ̃ ɡrˈatɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_277.wav|rˈuʒɲiʃ ɕɛ ɔt fʃˈɨstkix pˌɔzɔstˈawɨx kˈɔbjɛt.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_45.wav|ɲʲɛ jˌɛstɛm pˈɛvʲɛn, tʃɨ tɔ mˈa w ɔɡˈulɛ jˌakʲɛkˈɔlvʲɛɡ znatʃˈɛɲʲɛ, ˌalɛ z dˌɔkumˈɛntuv vɨɲˈika, ʒˈɛ pˈɔza krfjˈɔ̃ na ˈɔstʃu vɨkrˈɨtɔ jˈɛʃtʃɛ ɕladˈɔvɛ ilˈɔɕtɕi sˈɔku s tsɨtrˈɨnɨ.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_65.wav|tɛj nˈɔtsɨ zjˈat fʃˈɨstkɔ, tsˈɔ dˈaw mu sˈam.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_88.wav|f kˈɔɲtsu ˌɔtfɔʒˈɨwɨ ɕɛ dʒvˈi i dɔ ɕrˈɔtka fʃˈɛd ɔstˈatɲi z zˌaprɔʃˈɔnɨɣ ɡˈɔɕtɕi.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_187.wav|nˈadal lˈitʃɨw nˈatɔ, ʒˈɛ ˈuda mu ɕɛ pɔdbˈuʒɨtɕ lˈudʑi z ʒˌɛlaznˈɛɡɔ rˈɔdu dɔ bˈuntu pʃˈɛtɕif nɔvˈɛmu krulˈɔvi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_101.wav|vˌɨdwubˈawɛm s kʲɛʃˈɛɲi rˈɛʃtki pʲɛɲʲˈɛndʑɨ, dɔdˈawɛm jˈɛʃtʃɛ tʃˈɨ bʲilˈɛtɨ ˌawtɔbusˈɔvɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_74.wav|jˈɛɡɔ lˈaptɔb zɲˈiknɔw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_17.wav|ɔdvrˈutɕiw ɕɛ w ix strˈɔnɛ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_138.wav|krɔpˈɛlka tʃɛrvˈɔnɛj krfˈi sɨtʃˈɔntsa f pwɔmjˈɛɲʲu ɕfʲˈɛtsɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_96.wav|pɔvˈɨʒɛj tɛj dwuɡˈɔɕtɕi sˈɨɡnaw jɛzd zbˈɨt swˈabɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_12.wav|w jˈakʲɛj jˈɛʃtʃɛ sprˈavʲɛ ɲʲɛ pɔvʲˈɛdʑaw prˈavdɨ i dlatʃˈɛɡɔ dɔ xɔlˈɛrɨ vɨmˈɨkaw ɕɛ xˈɛwkʲɛm z bjˈura kˈilka rˈazɨ f tɨɡˈɔdɲʲu?|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_83.wav|tˈɛras tɔ ja skwˈadam mˈɔjɛ ʒˈɨtɕɛ f tfˈɔjɛ rˈɛntsɛ.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_173.wav|brˈɔn udˈɛʒɨw mɲʲɛ f tfˈaʃ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_160.wav|ʒɛlˈaʑɲi lˈudʑɛ pʃɨbˈɨli z vʲɛtʃˈɔrnɨm pʃɨpwˈɨvɛm, bˈɨ blˈazɡ zˌaxɔdʑɔntsˈɛɡɔ swˈɔɲtsa ˈukrɨw ix pʃɛt spˌɔjʒɛɲʲˈami ɕˌivɔbrˈɔdɨx.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_37.wav|ɡdˈɨ vrˈɛʃtɕɛ dɔtˈarli dɔ zˈamku ˈɔjtsa lˈadɨ mirˈandɨ, ˌɔna rˈuvɲʲɛʒ zasnˈɛwa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_395.wav|ʒˈɛ za fʃˈɨstkɔ tʃˈɛba w ʒˈɨtɕu pwˈatɕitɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_177.wav|f sfˈɔim ɲˈibɨ ɲʲɛmˈɔdnɨm kɔstjˈumjɛ, kʲˈɛdɨ s pʃˌɛxɨlˈɔnɔ̃ ɡwˈɔvɔ̃ spˌɔɡlɔndˈawa nˈamɲʲɛ tˈam,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_64.wav|tˈɔm skˈinɔw ɡwˈɔvɔ̃ bˈɛtskɨ, ktˌura ˌɔtfɔʒˈɨwa jˈɛdnɔ zˈɛ zdjˈɛɲtɕ f tˌɛlɛfˈɔɲʲɛ. dˈavn pʃˌɨɡlɔndˈawa mu ɕɛ pʃˈɛs xfˈilɛ, pˌɔvʲɛŋkʃˈajɔndʑ zdjˈɛɲtɕɛ i pʃˌɛsuvˈajɔnts na bˈɔki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_123.wav|zˈɛ ɕmʲˈɛxɛm zatʃˈɔwɛm pʃɛlˈitʃadʑ baŋknˈɔtɨ. bˌɨwɨ tɔ sˈamɛ sˈɛtki.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_55.wav|ɡdˈɨbɨm tɔ mˈɔɡwa zrˈɔbʲitɕ, ɲʲɛ mˈartfʲɔnts ɕɛ ɔ kˌɔnsɛkfˈɛntsjɛ...|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_207.wav|ktˌurɛ kʲˈɛdɨɕ tsˌawɔvˈali dˌɨktatˈɔʒɨ tˌɛɡɔ krˈaju nad vˈiswɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_108.wav|ɡdʑˈɛ tɛ nˈaʃɛ vˌɨjɔntkˈɔvɛ dʑˈɛtɕi?|3
+Dataset/wavs/urwisko_ferenc/20_segment_15.wav|tʃɨ ɔn ˈɔtɨm vʲˈɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_97.wav|vʲˈɛʃ, ktˈɔ prubˈɔvaw ɡˈɔ zˈabʲitɕ?|3
+Dataset/wavs/urwisko_ferenc/08_segment_69.wav|pɔftˈuʒɨw ˈimjɛ i nazvˈiskɔ mɛ̃ʃtʃˈɨznɨ, ˌalɛ dɔtˈarwɔ dɔ ɲʲˈɛɡɔ, ʒˈɛ kɔbjˈɛta pʃˌɛtɕɛʃ jˈɛ ˌuswɨʃˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_126.wav|pʃˌɛtɕɛʃ tɕi muvˈiwɛm, zatʃˈɨna dɔnˈɔvan.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_93.wav|— sfˈɛdɛn, ɲʲˈɛvʲɛm, ɔ tsˈɔ tɕi xˈɔdʑi, ˌalɛ fʃˈɨstkɔ jɛst f pɔʒˈɔntku, naprˈavdɛ. — ɲʲɛ jˈɛst.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_46.wav|ɡdˈɨ tˌɨlkɔ skɔɲtʃˈɨmɨ z rivˈɛrun, bˌɛndɛ prˈaɡnɔw kɔlˈɛjnɛj vˈalki.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_5.wav|tˈam ɲʲɛ jɛst tˈak jˈaɡ w vʲˈɛlkʲɛj brɨtˈaɲʲi. ˌɔɲi tˈam rˌɔzumjˈɛjɔ̃, ʒˈɛ prɨvˈatnɛ adˈɔptsjɛ dʑawˈajɔ̃ f spˈɔsup, ktˌurɨ jɛst kɔʒˈɨstnɨ dla ˈɔbu strˈɔn. w nˈaʃɨm pʃɨpˈatku fˌinansˈɔvɔ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_86.wav|ɔrˈain vrˈutɕiw zˈɛ smˈɔtʃɛj skˈawɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_64.wav|zˈamkɲij ˈɔtʃɨ, ˈindjɔ.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_131.wav|xˈɔdʑmɨ, jˈɛɕli wˈaska.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_89.wav|ɲʲɛ sˌabɔtaʒˈɨstkɔ̃ i ɲʲɛ bˌɔxatˈɛrkɔ̃, ˌaɲi vˌɨbavitɕˈɛlkɔ̃ mʲˈasta.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_54.wav|i tɔ jɛst jˈɛɡɔ swˈabɨ pˈuŋkt.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_271.wav|ɲʲˈɛxtsɛ pˈan zɔbˈatʃɨtɕ?|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_166.wav|ɡdˈɨ tˌɨlkɔ mˈarbrandd znˈɔvu dˈɔɕat kˈɔɲʲa, pˈɔtʃuw vɨrˈaʑnɔ̃ ˈulɡɛ.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_276.wav|strɛbˈuʃa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_247.wav|tɔ bˈɨ tˌɨlkɔ fʃˈɨstkɔ skˌɔmplikɔvˈawɔ, bˈɔ xtɕˈawbɨ ˌɔtprɔvˈadʑitɕ mɲʲɛ ˌɔsɔbʲˈiɕtɕɛ dɔ brˈamɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_45.wav|a mˈɔʒɛ tɔ zvɨtʃˈajna bravˈura?|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_25.wav|mˈɔʒɛ zjˈɛmɨ lˈantʃ f xˈandɨ ˈandɨs?|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_68.wav|a jˌɛmu vˌɨdavˈawɔ ɕɛ bɛspʲˈɛtʃnɛ.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_118.wav|pʃˌɨpɔmɲʲˈawa mu tsɛrsˈɛi.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_121.wav|nˈadal ɡɲʲɛvˈawɔ jˈɔ̃ tɔ fspɔmɲʲˈɛɲʲɛ. ˈarjan ˌutʃɛpˈiwa ɕɛ ɡɲʲˈɛvu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_17.wav|ftˈɛdɨ zˈɛrkam na swˈɔtkɔ̃, ɲʲɛvˈinnɔ̃ bˈuɕka ɛlfjˈɛɡɔː i tʃˈujɛ, ʒˈɛ bˈardʑɔ ɕɛ ɔ ɲʲˈɛɡɔ bˈɔjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_45.wav|tˈata ukˈutsnɔw pʃɨ sfˈɔim vnˈuku.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_33.wav|pɔ kˈilku minˈutaɣ dʒvˈi stanˈɛwɨ ɔtfˈɔrɛm i dɔ pɔkˈɔju vbjˈɛɡwa lˈutsɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_104.wav|pˈɔtɛm ɕˈada f kˈutski i zvˈija tsˈawɛ pʃɛbrˈaɲʲɛ f twˈumɔk. ftɕˈiska ɡˈɔ najɡwˈɛmbjɛj, jˈak ɕɛ dˈa, pɔt stˈɔz zmʲɛntˈɛɡɔ, pˌɔplamjanˈɛɡɔ papʲˈɛru pˌakɔvˈɛɡɔ. i ftˈɛdɨ natrˈafja na tsˈɔʑ dwˈɔɲʲɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_44.wav|vʲɛdʑˈawam, ɔ tʃɨm pˌɔmɨɕlˈawa.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_83.wav|w zasˈadʑɛ mˈɔɡwam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_145.wav|ʒutɕˈifʃɨ lˈi ɔstˈatɲʲɛ spɔjʒˈɛɲʲɛ, ˌɔpuɕtɕˈiwam ɡwˈɔvɛ i ruʃˈɨwam f strˈɔnɛ dˈɔmu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_379.wav|bˈɔ mˈiwɔɕtɕ jɛst jɛdˈɨnɨm jɛ̃zˈɨkʲɛm fʃˈɨstkix lˈudʑi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_463.wav|ˌɔna ɲʲɛ zˌarɛˌaɡɔvˈawa. lɛʒˈawa zupˈɛwɲʲɛ ɲʲˌɛruxˈɔmɔ.|0
+Dataset/wavs/urwisko_ferenc/36_segment_45.wav|xˈɛrman tˈak ɕɛ vwˈaɕɲʲɛ tʃˈuwa. s tɔ̃ drˈɔbnɔ̃ ruʒɲˈitsɔ̃, ʒˈɛ bˌɨwa ʒɔwɲʲˈɛʒɛm i pˌɔtɕiskˈami jˌɛdnɔtʃˈɛɕɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_112.wav|jˈɛɕli tˌɨlkɔ xtsˈɛʃ, mˈɔʒɛʃ nadrˈɔbʲitɕ mˈuj ɲʲˌɛdɔstˈatɛk, sˌɛrkɛnˈɔɕɛ. pɔmˈaxaj dɔ ɲˈix ɔbjˈɛma rɛŋkˈami i stɔpˈami tˈɛʃ, jˈɛɕli pʃˈɨjdʑɛ tɕi ɔxˈɔta.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_6.wav|vrˈatsam mɨɕlˈami dɔ tˈamtɛj imprˈɛzɨ i tɛj strˈaʃnɛj xfˈili z ɲˈilɛm f kˈuxɲi.|3
+Dataset/wavs/urwisko_ferenc/36_segment_116.wav|— jˌɛstɛɕ pˈɛvʲɛn, ʒˈɛ tɔ bˌɨwa ˈɔna? — vˌɨʃɛptˈawa xˈɛrman. — zɡʲˈinɔw ɡwˈɔvɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_396.wav|ˌalɛ pʃˌɛtɕɛʃ tɔ pˌɔftaʒˈajɔ̃ lˈudʑɛ ˌawtɔmatˈɨtʃɲʲɛ ɔd vʲˈɛkuf.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_225.wav|ɲikˈɔɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_108.wav|tfʲˈɛrdʑi, ʒˈɛ prubˈɔvaw jˈɔ̃ ratˈɔvatɕ, ˌalɛ pʃˌɛkɔnˈamɨ ɕɛ, tsˈɔ pɔvʲˈɛdʑɔ̃ nˈam dɔvˈɔdɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_207.wav|pˈan pɔvˈiɲʲɛn bˈɨtɕ mˈɔim ˌinstruktˈɔrɛm, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_121.wav|a pˈɔtɛm ʒˈutɕiw karˈabʲin na wˈuʃkɔː i pˈɔtʃɛd dɔː ˈɔkna i ɔtfˈɔʒɨw jˈɛ, pˈatʃɔnts na mˈɔʒɛ, kturˌɛɡɔ zapˈaxu ɲʲˈɛtʃuw.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_209.wav|mˈɔi lˈudʑɛ ˌɔtprɔvˈadʑɔ̃ tɕˈɛ dɔ rivˈɛrun.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_51.wav|jˈakiʑ zasrˈaɲʲɛts s tsˈɛntrum stˌɛrɔvˈaɲʲa udˈɛʒɨw mɲʲɛ wˈɨʃkɔ̃ na bjɛrˈaka.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_86.wav|mˈɔʒɛ pˈaɲi pʃˈɛjɕtɕ. tɔ tʃˈɛtɕɛ dʒvˈi pɔ prˈavɛj strˈɔɲʲɛ, w dˈuw kˌɔrɨtˈaʒa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_25.wav|zapˈɛvnɛ uznˈali, ʒˈɛ tɔ jˈakiɕ pʃˈɛwɔm w ɕlˈɛtstfʲɛ, a tˈu tˈaka klˈapa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_400.wav|ˈandɛrsɔn pˈɔdɲʲuz butˈɛlkɛ s pˈivɛm, kturˌɛɡɔ ɲʲɛ dˈɔpiw mˈikɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_39.wav|ɲʲɛstˈɛtɨ. tʃˈɛpɲʲɛ nˈas tɔ pɔ kʲɛʃˈɛɲi, ˌalɛ vɛ ftˈɔrɛk advˈɔkat mˈa ɔttʃˈɨtatɕ jɛj tɛstˈamɛnt i jɛst ʃˈansa, ʒˈɛ tsˈɔɕ nˈam kˈapɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(74) R.Abbott_Zamknij Drzwi_segment_10.wav|ˈaʒ bˈɨw pʃˌɛraʒˈɔnɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_425.wav|a ja rˈaptɛm zˌafstɨdʑˈiwɛm ɕɛ ɕˈɛbjɛ, sfˈɔjɛj tɕˌɛlɛsnˈɔɕtɕi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_66.wav|im bˈardʑɛj ɔddˈalam ɕɛ ɔt ɔtfˈartɨɣ dʒvˈi, tɨm tɕˈɛmɲʲɛj rˈɔbʲi ɕɛ dˌɔɔkˈɔwa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_121.wav|ɲʲɛ bˌɨwa ɡɔtˈɔva, ʒˈɛbɨ ɔptɕˈɔ̃ʒɨtɕ sfˈɔjɔ̃ tɔrˈɛpkɛ dˌɔdatkˈɔvɔ̃ kɔmˈurkɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_191.wav|na tˈɨlɛ, ʒˈɛ dwˈuɡɔ, bˈardʑɔ dwˈuɡɔ bˌɛɲdʑɛ mʲˈaw s tʃˈɛɡɔ ʒˈɨtɕ, jˈɛɕli bˌɛɲdʑɛ ɔʃtʃˈɛndnɨ. a bˈɛɲdʑɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_134.wav|pʃɨ tˈakʲɛj prɛntkˈɔɕtɕi mˈɔɡwam rɔzˈɛdʒɛtɕ sˈɔbjɛ skafˈandɛr ɔ jˈakiɕ ˈɔstrɨ kavˈawɛk skˈawɨ. muɕˈawam ˈɔpʃɛtɕ na tʃˈɨmɕ nˈɔɡʲi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_37.wav|pˈatʃɛ na ɲʲˈɛɡɔ zˌaskɔtʃˈɔna.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_211.wav|jˈamɛ ɲʲˈɛbɨw f stˈaɲʲɛ pɔlˈitʃɨtɕ pˌɔtwutʃˈɔnɨɣ dʑbˈaŋkuf pɔ vˈiɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/09_segment_32.wav|w zˈamjan mˈukw tˈam mʲˈɛʃkatɕ. ɔznˈajmiw jˈarɔɲ i pɔprˈaviw ɕɛ wˈɛ fɔtˈɛlu, ktˌurɨ ɡwˈɔɕnɔ zatʃˈɛʃtʃaw.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_231.wav|bˈɨw ɔlbʒˈɨmi i ɡrˈɔʑnɨ.|1
+Dataset/wavs/urwisko_ferenc/18_segment_42.wav|spɔjʒˈawa zˌaskɔtʃˈɔna, ˌalɛ bɔrˈɛvitʃ ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_33.wav|a ɡdˈɨbɨ ɡˌɛnɛvʲˈɛvɛ ɕɛ z ɲˈim rɔzvʲˈɔdwa?|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_86.wav|na ʃtʃˈɛɲɕtɕɛ tɛn vʲˈɛlki sˈɛptɔn ɲʲˈɛbɨw tˈakim ɡadˈuwɔ̃ jˈak tˈamtɛn ɡrˈubɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_127.wav|ˌɔtʃɨvˈiɕtɕɛ tɔ ɲʲˈɛbɨw awtˈɔɡraf kɔrsˈaka.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_18.wav|tˈutaj jˌɛstɛm zbˈɨt ɔtkrˈɨta.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_94.wav|tʃˈas na mˌatɛmˈatɨkˌɛ, ˈindjɔ. vˈɨjmij prˈɔʃɛ zˈɛʃɨd dɔ tɕfˈitʃɛɲ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_91.wav|tɔ wˈuʃkɔ tʃɛkˈawɔ na tɕˈɛbjɛ pʃˈɛs tsˈawɨ tʃˈas.|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_87.wav|bˈɔ w umˈɔvʲɛ vɨnˈajmu jɛst klawzˈula zˌakazujˈɔntsa xˌawasɔvˈaɲʲa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_92.wav|ftsˈalɛ tˌɛɡɔ ɲʲɛ ʒawˈujɛ, tˈak jˈak ɲʲɛ ʒawˈɔvaw ˌɔɡwuʃˈɛɲʲa frˈaŋka f kˈuxɲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_68.wav|mˈili ɕtɕˈiska jˈɛɡɔ dwˈɔɲ, ftɕˈɔ̃ʃ ˌuɕmʲɛxɲʲˈɛntɨ. pˈatʃɨ rˌixtɛrˈɔvi w ˈɔtʃɨ, ˌalɛ ɲʲɛ mˈɔʒɛ z ɲˈix ɲˈidʑ vɨtʃˈɨtatɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_463.wav|ɡʲˈirls fˈirst lˈɔvɛ pˈɔrvaw zˈɛ stˈɔwu pˈatʃkɛ i stˈar ɡˈumkɔ̃ mɔnˈɔɡram ˌandɛrsˈɔna.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_45.wav|a mɲʲɛ tˈam jˈɔ̃...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_121.wav|pˌɔkrɛɲtɕˈiwam ɡwˈɔvɔ̃, starˈajɔnts ɕɛ ɲʲɛ mˈɨɕlɛtɕ ˈɔtɨm, w ˈilɛ prɔblˈɛmuf fpakˈɔvaw mɲʲɛ jˈuʃ xˈazart.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_234.wav|xtɕˈawaɕ pɔvʲˈɛdʑɛtɕ, ʒˈɛ ˈɔjtɕɛts ɕɛ pʃɛxfˈalaw i kwˈamaw.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_102.wav|spɔjʒˈawam f strˈɔnɛ xˈutɨ i rˌɛaktˈɔruf, ktˌurɛ zɲikˈawɨ w ɔddˈali i znˈuf ɔɡˈarnɔw mɲʲɛ ɲʲɛpˈɔkuj.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_66.wav|stˈaɲis mˈukw sˈɔbjɛ zˈɔstatɕ na mˈuʒɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_457.wav|tɔ jɛst jɛj dʑˈɛtskɔ, prˈavda?|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_140.wav|ˌalɛ tˈɛras pʃɛstˈali ɕɛ jˈuʃ wˈudʑitɕ i vʲɛdʑˈɛli, ʒˈɛ ɲʲɛ bˌɛndɔ̃ ɕɛ jˈuʃ wˈudʑitɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_155.wav|ˌɛksplɔratˈɔʒɨ ˌuʒɨvˈali jakʲˈɛɡɔɕ innˈɛɡɔ kanˈawu, ʒˈɛbɨm ɲʲɛ swɨʃˈawa ix rˈɔzmuf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_98.wav|dˈavn pʃɨɡrˈɨzwa dˈɔlnɔ̃ vˈarɡɛ i vbʲˈiwa vzrˈɔk f ʃklanˈɛtʃkɛ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_62.wav|ɲʲɛ vidʑˈawɛɕ, tsˈɔː ɔn tˈam zrˈɔbʲiw, sˈɛr.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_96.wav|ɲʲɛktˌuʒɨ zvˈɔ̃ jˈɔ̃ stˈarɔ̃ ɡɔspˈɔdɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_4.wav|ˈaʒ ʒˈatkɔː ɔdvʲˈɛdʑaw markˈɛtɨ bˌudɔvlˈanɛ, ja zrˈɛʃtɔ̃ rˈuvɲʲɛʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_156.wav|tˈak naprˈavdɛ bˈardʑɔ mi ɕɛ spʲˈɛʃɨ. mˈuʃɛ tɔ skˈɔɲtʃɨtɕ pʃɛd vˈɛjɕtɕɛm drˈuɡʲɛj zmʲˈanɨ f kˌɔmbʲinˈatɕɛ.|4
+Dataset/wavs/urwisko_ferenc/41_segment_51.wav|xˈɛrman pɔtˈarwa tʃˈɔwɔ. mɨɕlˈawa ˌintɛnsˈɨvɲʲɛ.|0
+Dataset/wavs/urwisko_ferenc/05_segment_51.wav|ʃtʃɛɡˈulɲʲɛ f tˌaki ˈupaw. pˌɔvʲɛdʑˈawaɕ ɕˌikɔrskʲˈɛmu, na jˈakix pɔtstˈavax pɔnˈɔvɲʲɛ fʃtʃˈɛntɔ ɕlˈɛtstfɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_112.wav|dɔ wadɲʲˈɛjʃɨɣ dʑˈɛlɲits jˈaɡ bˈɛntɔnvil, ʃɛrvˈɔɔt xˈɛikts, plˈatiw, midvˈɔɔt.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_71.wav|ɲʲˈɛmukw pɔkˈazatɕ ɕfʲˈatu, ʒˈɛ ktˈɔʑ dˈaw mu kˈɔʃa, vʲˈɛnts ɔdˈɛɡraw rˈɔlɛ fatsˈɛta, ktˌurɨ bˈɔi ɕɛ zˈɔstatɕ xfɨtsˈɔnɨm za jˈaja vɛ vwˈasnɨm bjˈuʒɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_88.wav|ja vwˈaɕɲʲɛ bˌɛndɛ rˈɔbʲidʑ ɡwɛmbˈɔki skrˈɛnt.|0
+Dataset/wavs/urwisko_ferenc/53_segment_136.wav|ˈalbɔ pɔ prˈɔstu mʲɛʃkˈawa f kaʃtʃˈɔrku. xˈɛrman zamknˈɛwa kɔmpˈutɛr.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_8.wav|i tˈɛras pˈatʃɔnts na vɛsˈɔwɛ ˈɔtʃɨ lˈalki, vˌɨtʃɛʃtʃˈɔnɛ na ɲʲˈɛɡɔ skˈɔnta, mˈɨɕlaw ˈɔtɨm,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_26.wav|uvˈaʒam tɔ za mˈawɔ prˌavdɔpɔdˈɔbnɛ, ʒˈɛ ktˈurɨɕ s pˌɔrɨvˈatʃɨ tˈam vrˈutɕi, ˌalɛ mˈɔɡɔ̃ ˈuznatɕ, ʒˈɛ jˈɔ jɛst tˈam sˈama, vʲˈɛnts nalˈɛʒɨ zaxˈɔvatɕ ɔstrˈɔʒnɔɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_269.wav|mˈarvin ɔdvrˈutɕiw ɡwˈɔvɛ i splˈunɔw na pɔsˈatskɛ kˈapkɔ̃ tʃɛrvˈɔnɛj flˈɛɡmɨ. ˌalɛ ɲʲɛ ˈufawbˌɨm mu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_179.wav|bˌɨwa ɡɔdʑˈina ˈusma i mɛ̃ʃtʃˈɨzna ubrˈanɨ f smˈɔkiŋk mˈuviw dɔ mˌikrɔfˈɔnu,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_524.wav|ʒˈɛ tˈɛʃ tɔ vwˈaɕɲʲɛ mitskʲˈɛvitʃ mˈuɕaw zjˈavitɕ ɕɛ s tɔ̃ kˈawtsjɔ̃ i ɔkrˈɔpnɨm pʃˌɨpɔmɲʲˈɛɲʲɛm kˈɔɲtsa vˈɔjnɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_179.wav|sˌɛksɔlˈɔɡʲi ˈuɲʲuz z rˈɛntʃnɨm rˈuxɛm ɡˈurnɔ̃ ʃtʃˈɛŋkɛ|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_110.wav|ɲʲɛ vmˈuvi mi pˈaɲi, ʒˈɛ tɕi dvˈaj tɔ pravɲˈitsɨ tʃɨ ˌasɨstˈɛɲtɕi ˌarçitˈɛktuf. ɲˈibɨ mˈɔɡlibˌɨ bˈɨdʑ zˈɛ stˈudja fˌɔtɔɡrˌafitʃnˈɛɡɔ, ˌalɛ jɛst ix tsˈawɛ stˈadɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_32.wav|tʃɨ dɔmˈiɲik mɲʲɛ tˈutaj zɔstˈavi?|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_299.wav|jɛdnˈaɡʒɛ sˈɛr lˈɔraz zˈɔstaw pɔvˈaʒɲʲɛ rˈannɨ i ɔbˈavʲam ɕɛ, ʒˈɛ rˈɔla kɕˈɛɲtɕa ɛmˈɔna mˈuɕi pʃˈɨpaɕtɕ kturˈɛmuʑ z jˈɛɡɔ zˌapʃɨɕɛ̃ʒˈɔnɨɣ brˈatɕi.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_74.wav|pɔtɕtɕˈɛka struʃkˈami pɔ jˈɛɡɔ vˌɨprɛ̃ʒˈɔnɨx...|4
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_37.wav|ɲʲɛ zˌɔstavˈiwabˌɨ jɛj pʃˌɛtɕɛʒ zupˈɛwɲʲɛ sˈamɛj. mˈɔʒɛ bˌɨli w dˈɔmu ˈu znajˈɔmɨx ˈalbɔ na zaplˈɛtʃu tɛˈatru.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_49.wav|a tˈɛraz vɨpˈijmɨ za jˈɛɡɔ ʒˈɨtɕɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_63.wav|a pˈɔtɛm ˌɔna jˈɛʃtʃɛ kwˈamjɛ f tɛj sprˈavʲɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_20.wav|patʃˈɨwa prˈɔstɔ pʃɛt ɕˈɛbjɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_56.wav|xtɕˈawam pɔvʲˈɛdʑɛtɕ, ʒˈɛ ɲʲˈɛmam pɔjˈɛɲtɕa, dlatʃˈɛɡɔː ˈaʃ mˈa ˈinnɨ tɛlˈɛfɔn lˈub dlatʃˈɛɡɔ ɡˈɔ pʃɛdˈɛmnɔ̃ xˈɔva.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_126.wav|kˌɔlɔrˈadɔ, mˈuj bˈɔʒɛ!|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_122.wav|pʃɨjˈɔwɛm, ˌɔtpɔvʲˈɛdʑaw i rɔzwˈɔntʃɨw ɕɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_11.wav|ɲʲɛ mˈɔɡɛ ɲˈits tˈutaj kˌɔmbʲinˈɔvatɕ. zˌɔrjɛntɔvˈalibˌɨ ɕɛ, ɡdˈɨbɨm zˈatʃɔw w ɲʲˈɛj ɡʒˈɛbatɕ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_95.wav|sˈam bˈɨ jɛj pɔvʲˈɛdʑaw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_161.wav|dla mɲʲɛ... ɲʲɛ xtɕˈawɛɕ nˈas s pɔvrˈɔtɛm f sfˈɔim ʒˈɨtɕu?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_45.wav|f swuxˈafkax ɔdˈɛzvaw ɕɛ ɡwˈɔs.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_157.wav|tʃɛkˈawɛm, ˈindjɔ, ˌalɛ tˈɛras nadˈɛʃwa pˈɔra.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_22.wav|mwˈɔda dɛtˈɛktɨf ɔpˈadwa tɕˈɛ̃ʃkɔ na kʃˈɛswɔ, a bˈɛtskɨ pɔdˈɛʃwa dɔ tˈɔma.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_57.wav|vʲˈɛm, ʒˈɛ tɔ fʃˈɨstkɔ mˈɔɡɔ̃ bˈɨtɕ kwˈamstfa, ˌalɛ kˈirstɛn ɲʲɛ bˌɨwɔ na mʲˈɛjstsu, vʲˈɛnts ɲʲɛ mˈɔɡwam tˌɛɡɔ sprˈavdʑitɕ. pɔvʲˈɛdʑaw, ʒˈɛ jɛst f klˈiɲitsˌɛ na badˈaɲʲax, vʲˈɛnts jɛj ɲʲɛ pʃˌɛswuxˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_176.wav|mˈam nadʑˈɛjɛ, ʒˈɛ dˈɔrvʲɛʃ jˌɛbanˈɛɡɔ pˌɛdɔfˈila.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_572.wav|pˈaɲʲɛ kˌɔmisˈaʒu?|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_80.wav|f kˈɔɲtsu mˈɔim ˈɔtʃɔm ukˈazaw ɕɛ ɡʲˌiɡantˈɨtʃnɨ, lɕɲʲˈɔntsɨ pˈɔtfur f tsˈawɛj sfˈɔjɛj xfˈalɛ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_395.wav|mɨɕlˈawɛm, ʒˈɛ tɔ mɲʲɛ xtsˈɛ, ˌalɛ ˌɔkazˈawɔ ɕɛ, ʒˈɛ xˈɔdʑi jɛj ˈɔtɔ, bˈɨm ˌɔkalˈɛtʃɨw ˈalbɔ zˈabʲiw starkˈuvnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_76.wav|vɨbjˈɛʒɛ ɕɛ na zˈaxut, ɲʲɛ na pˈuwnɔts i w ɲʲˌɛɔdlˈɛɡwɛj pʃɨʃwˈɔɕtɕi zwˈɔʒɨ vizˈɨtɛ ɲikˈɔvi mˌadʒarjanˈɔvi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_265.wav|ˌapsɔlˈutɲʲɛ ɲˈits ɲʲɛ dʑˈɛjɛ ɕɛ w vˈas.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_191.wav|lˈɔrdʑɛ pˌɔwudɲʲˈɔvɛj tˈartʃɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_29.wav|dwˈɔɲ bˌɨwa ʑˈimna, ˌalɛ fʃˈɨstkɔ f tɨm dˈɔmu bˌɨwɔ lˌɔdɔvˈatɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_280.wav|stˌɔjɔntsˈɛɡɔ nˈadɲim.|0
+Dataset/wavs/urwisko_ferenc/03_segment_108.wav|dˌɔjɛʒdʒˈali vwˈaɕɲʲɛ dɔ rˈɔnda wˌɔntʃɔntsˈɛɡɔ ɡrudʑˈɔntskɔ̃ s trˈasɔ̃ rˌatʃkʲɛvˈitʃa, ktˌura dʑɛlˈiwa mʲˈastɔ na ˈɔɕi fsxˈudzˈaxut.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_24.wav|jˈɛɡɔ vˈina, mˈuvi bʲˈiɲi. sukˈinsɨn ɕˈɛdʑaw tɕi na zdɛʒˈaku. pˈɛvɲʲɛ kˈibʲits jˈaŋkis. ɔ tˈam, vˈidʑiʃ tɛn nˈɛɔn? tˌɛɡɔ vwˈaɕɲʲɛ ʃukˈamɨ.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_399.wav|ˈɛwrɔn pɔtɕˈɔŋɡnɔw dwˈuɡʲi wˈɨɡ zˈɛ sfˈɛɡɔ kʲɛlˈixa i uɕmʲˈɛxnɔw ɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_147.wav|ktˌurɔ̃ dʑˈɛliw z brjˈɛnnɛ.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_189.wav|pʃɛt ɲˈimi majˈatʃɨw vʲˈɛlki sˈɛbd bˌailˈɔra zˈɛ fspaɲʲˈawɔ̃ kɔpˈuwɔ̃ i ɕɛdmʲˈɔma bwˌɨʃtʃɔntsˈɨmi vʲɛʒˈami.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_82.wav|i ˈinstɨŋkt pˌɔtpɔvʲˈada mi, ʒˈɛbɨ ɔdvrˈutɕitɕ ɕɛ i ˈutɕɛts, ˌalɛ jˈuʃ mɲʲɛ zˌauvˈaʒɨw i ɲʲɛ mˈɔʒɛ tˈɛras ɕɛ zˌɔrjɛntˈɔvatɕ, ʒˈɛ jˌɛstɛm zdˌɛnɛrvɔvˈana.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_99.wav|ɲʲɛ muɕˈawam bˈɨdʑ dˌɛtɛktˈɨvɛm, ʒˈɛbɨ vˌɨdɛdukˈɔvatɕ, ʒˈɛ mɔrdˈɛrstfɔ bˌɨwɔ zˈɛmstɔ̃ za sabˈɔtaʃ. ktɔkˈɔlvʲɛk jˈɛ pɔpˈɛwɲiw, xtɕˈaw rˈuvɲʲɛʒ zˈabʲitɕ mɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_12.wav|— zˈɔbatʃ tɨx lˈudʑi — pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_393.wav|zˈamɨɡ zamjˈɛɲi ɕɛ w mrˈɔʑnɛ, bjˈawɛ vʲɛ̃ʑˈɛɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_106.wav|jˈɛɕli tˈak,|3
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_5.wav|kʲˈɛdɨ vˈɨʃɛd na kɔrˈɨtaʃ, zadʑvˈɔɲiw jˈɛɡɔ tɛlˈɛfɔn. ɲʲɛ rɔspˈɔznaw numˈɛru.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_628.wav|ʃtʃɛɡˈulɲʲɛ tˈutaj, ʃtʃɛɡˈulɲʲɛ mʲˌɛndʑɨ nˈami.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_155.wav|fʃˈɛɲdʑɛ jˈak ˈɔkʲɛm ɕˈɛŋɡnɔɲtɕ, pstʃˈɨwɨ ɕɛ kʲˈɔski, bˈutki, krˈamɨ, straɡˈanɨ.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_172.wav|tɔ ɲˈits ɲʲɛ dˈa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_136.wav|i ʃtʃˈɛʒɛ pʃˈɨznam, jˈak rˈaz dˈawɛm mu ɕɛ namˈuvitɕ na rˈuntkɛ, ˌɔkazˈawɔ ɕɛ, ʒˈɛ ˌudɛʒˈɛɲʲɛ mˈa ɲʲɛʑˈɛmskʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_4.wav|mrˈuʒɨ lˈɛkkɔː ˈɔtʃɨ, jˈaɡbɨ ɕɛ nat tʃˈɨmʑ zˌastanavʲˈawa.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_226.wav|ʒˈɨtʃɛ im ʃtʃˈɛɲɕtɕa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_35.wav|— tʃɨ pˌɔvʲɛdʑˈɛli tsˈɔɕ jˈɛʃtʃɛ? — zapˈɨtaw tˈɔm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_125.wav|dɔʒˈutsa dwˈuɡɔ̃ tʃˈarnɔ̃ pɛrˈukɛ i fkwˈada tˈɔrbɛ dɔ ʃˈafɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_46.wav|kˈim jɛstˈɛɕtɕɛ? zapˈɨtaw z nˈutɔ̃ pˌɔdɛnˌɛrvɔvˈaɲʲa w ɡwˈɔɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_140.wav|jɛst lˌɛɡʲitɨmˈatsja studˈɛntka utʃˈɛlɲi bʲˌiznɛsˈɔvɛj klarˈɛdɔn, mʲɛʃtʃˈɔntsɛj ɕɛ tˈu w mʲˈɛɕtɕɛ, bˈɔn pˌɔdaruŋkˈɔvɨ dɔ kˈin ˌaˌɛmtsˈɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_68.wav|ˈɛlis krˈɛɲtɕi ɡwˈɔvɔ̃. jˈɛdʑmɨ dˈalɛj. zjˈɛmɨ na mʲˈɛjstsu. xtsˈɛ uswˈɨʃɛtɕ rˈɛʃtɛ tɛj çistˈɔrji.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_103.wav|mˈɔɡɛ zˈɔstatɕ na xfˈilɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_51.wav|na zˈɛvnɔntʃ ɲʲˈɛma ɲikˈɔɡɔ. ulˈitsa jɛst pˈusta.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_237.wav|bˈɔi ɕɛ mˈɛ̃ʃtʃɨzn, ˌalɛ ɲʲɛ kˈɔbjɛt.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_16.wav|ɲʲɛ nalˈɛʒɨ ɲitʃˈɛɡɔ zakwˈadatɕ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_25.wav|mˈɛdji i ɡrˈɛtsxɛl mˈɔɡwɨ sˈɔbjɛ pˌɔtswuçˈivatɕ, ˈilɛ tˌɨlkɔ zˈɛxtsɔ̃. i tˈak ɲˈits ɲʲɛ uswˈɨʃɔ̃. i tsˈawɛ ʃtʃˈɛɲɕtɕɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_547.wav|jˈakɔɕ pʃˌɨzvɔˈitɕɛ zaxˈɔvatɕ i ukwˈutɕa zwˈɔɕtɕi nˈaɲʲɔ̃, tʃˌɛkajˈɔntsɔ̃ pʃɨ mˈɔjɛj pʲˈɛrɕi na vˈɨrɔk.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_56.wav|ɔn tˌɛɡɔ swˈuxaw w ɔstˈatɲi pˌɔɲʲɛdʑˈawɛk.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_218.wav|ɲʲˈɛma prɔblˈɛmu, mˈɔɡɛ tɕˈɛ pˈɔdvʲɛɕtɕ. dʑɛŋkˈujɛ, tɔ ɲʲˌɛdalˈɛkɔ, mˈuʃɛ zˈɛbratɕ mˈɨɕli.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_48.wav|pˈɔtɛm zɔbˈatʃɨw pˌɔtpuwkɔvɲˈika i zˌasalutˈɔvaw.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_65.wav|pɔlˈitsja puɕtɕˈiwa mɲʲɛ za kˈawtsjɔ̃ fpwatsˈɔnɔ̃ pʃˈɛs ˌamɛrˌɨkaɲˈina.|0
+Dataset/wavs/urwisko_ferenc/63_segment_172.wav|jˈak ʃˈɨpkɔ rˈɔɕɲʲɛ tˌɛmpɛratˈura vɛ vnˈɛntʃu ˈawta.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_47.wav|a tsˈɔ mˈam tɕi pɔvʲˈɛdʑɛtɕ? jˌɛstɛm jɛj mˈamɔ̃ i kˈɔxam jˈɔ̃ pˈɔnat fʃˈɨstkɔ na ɕfʲˈɛtɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_33.wav|krˈɛv zmʲɛʃˈana z mawˈɨmi skʃɛpˈami ɕtɕɛkˈawa dɔː ɔtpwˈɨvu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_222.wav|zɔstˈawaʑ zˌindɔktrˌɨnɔvˈana pʃˈɛs tˌɛɡɔ tʃwɔvʲˈɛka?|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_19.wav|ɡˈɔʑdʑik stˈawa na dʑˈɔbjɛ z dʑˈɛtskʲɛm na rˈɛŋku, ɡˈapʲɔnts ɕɛ na zbˌudɔvˈanɨ na klˈifaɣ zˈamɛk.|1
+Dataset/wavs/urwisko_ferenc/42_segment_86.wav|sɔ̃ ɕfʲatkˈɔvʲɛ?|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_300.wav|a tˈɛras ɲʲɛ ʒˈɨjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_135.wav|zabʲˈiwɛɕ tˌɛɡɔ tʃwɔvʲˈɛka f sˌamɔxˈɔdʑɛ, prˈavda?|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_122.wav|maʃ tˈam w ɕrˈɔtku brˈɔɲ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_131.wav|ɲʲˈɛma pˈan tʃˈɛɡɔʑ za dɔlˈara? xˌamburɡˈɛra?|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_109.wav|mˈɔʒɛʃ mi mˈuvitɕ tsˈut.|1
+Dataset/wavs/urwisko_ferenc/15_segment_32.wav|dˈɔkɔnt tˈak tɕi ɕpʲˈɛʃnɔ, mˈawa? na tɛrˈapjɛ, pʃɨznˈawa. nˈɔ tɔ tʃˈɛba bˌɨwɔ tˈak ɔt rˈazu. ɔ ktˌurɛj zatʃˈɨnaʃ?|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_186.wav|tɔ ʑlˈi lˈudʑɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_131.wav|dˈɔan ftɕˈɔ̃ʃ ɕˈɛdʑaw f sfˈɔim fɔtˈɛlu, a jˈɛɡɔ mˈina vˌɨraʒˈawa lˈɛdvʲɛ dˌɔstʃɛɡˈalnɔ̃ ˌaprɔbˈatɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_41.wav|rˌɔzmavʲˈaliɕmˌɨ jˈuʃ na tˈɛmat xwˈɔptsuf i ˌuvaʒˈaɲʲa na ɕˈɛbjɛ, ˈalɛ...|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_249.wav|a tˈɛras ɲʲɛ zɔstˈavjɛ sˌamɔlˈɔtu.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_279.wav|vratsˈamɨ dɔ mʲˈasta lˈɔrda xuˈɛta.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_250.wav|jˈɛɕli spˈadɲʲɛ, xˈɨba dˈamɨ rˈadɛ ɡˈɔ pˈɔdɲʲɛɕtɕ, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_192.wav|kʲˈɛdɨɕ tɔ bˈɨwabˌɨ swˈɔtka vˈalka, pɔmˈɨɕlaw jˈamɛ.|1
+Dataset/wavs/urwisko_ferenc/65_segment_193.wav|— mˈɔʒɛ tɔː i dˈɔbʒɛ — ɔtpˈarwa, ɲʲɛ vʲˈɛʒɔnts, ʒˈɛ naprˈavdɛ vˌɨpɔvʲɛdʑˈawa tɛ swˈɔva.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(77) R.Abbott_Zamknij Drzwi_segment_6.wav|xrˈɨstɛ, jˈɔɛ, ˈaʃ trˈudnɔː uvʲˈɛʒɨtɕ f tɔ fʃˈɨstkɔ, mˈuvi stˈɛvɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_205.wav|pʲˈɛrʃɨ jɛst s funtʲˈimɛ ˌɛltˌɛdˈɛ. f xɔŋkkˈɔŋɡu. tɔ pudˈɛwkɔ zˌavʲɛrajˈɔntsɛ vˈɔ̃sɨ vˌɨkɔnˈanɛ s pravdʑˈivɨx lˈutskiɣ vwˈɔsuf.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_250.wav|jˈak ɕɛ pˈaɲi nazˈɨva? zapˈɨtaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_184.wav|ˈɛlis ɲʲɛ jɛst f tɛj sˈamɛj sˌɨtuˈatsji, tsˈɔ mˈɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_143.wav|bʲilˈina swuxˈujɛ vɨstʃˈawuf. ʒˈadnɨx ɲʲɛ swˈɨʃɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_39.wav|nˈɔ vˈidʑiʃ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_466.wav|tsˈɔ takʲˈɛɡɔ vˈaʃɨm zdˈaɲʲɛm ˌutʃɨɲˈiwam?|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_144.wav|znˈɔvu sprubˈɔvaw fstˈatɕ, lˈɛtʃ ˌɔkazˈawɔ ɕɛ tɔ dla ɲʲˈɛɡɔ za trˈudnɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_5.wav|nˌastɛmpnˈɛɡɔ dɲʲˈa lɛʒˈawam f sfˈɔjɛj trˈumɲʲɛ i bavˈiwam ɕɛ panˈɛlɛm stˌɛrɔvɲˈitʃɨm.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_70.wav|xtɕˈawa zavˈɔwatɕ krulˈɔva. mˈawɛ idjˈɔtki, ɲˈiɡdɨ ɲʲɛ bˈutɕtɕɛ ɕpʲˈɔntsɛj tʃˌarɔdʑˈɛjki.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_295.wav|tˌɨlkɔ prˈavda.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_87.wav|mɨɕlˈawɛɕ ɔ plˈaɲʲɛ utɕˈɛtʃki, ɔ ktˌurɨm tɕi fspɔmɲʲˈawɛm?|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_89.wav|ɲʲɛ pɔtrˈafjɛ tɕi ˌɔtpɔvʲˈɛdʑɛtɕ nˈatɔ pɨtˈaɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_82.wav|a kˈɨbɛrn?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_69.wav|ɲʲɛ znˈɔʃɛ zbˈɨd dˈɔbʒɛ tˈakiɣ dwˈuɡʲix lˈɔtuf.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_4.wav|sɔɲdʑˈiwam, ʒˈɛ pɔznˈaɲʲɛ nˈɔvɨx pʃɨjˈatɕuw bˌɛɲdʑɛ prˈɔstɛ, ˌalɛ xˈɔtɕ fʃˈɨstsɨ bˌɨli rɔzmˈɔvɲi i mˈili, tɔ xˈɨba jˈɛdnaɡ zdˌɛtsɨdɔvˈaɲʲɛ lˈɛpʲɛj tʃˈuli ɕɛ sˈami zˈɛ sˈɔbɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_100.wav|rˌɔzwɔntʃˈɨwa ɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_16.wav|mˈɔim zdˈaɲʲɛm tɔ xɔlˈɛrɲʲɛ strˈaʃnɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_155.wav|tʃɨ vʲˈɛʒ dɔkwˈadɲʲɛ ˈilu jɛst tˈakix jˈak jˈa?|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_204.wav|tˈɛ ruʒɲˈitsɛ rɔzˈumjɛ kˈaʒda kɔbjˈɛta, pˈaɲʲɛ ˈandɛrsɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_319.wav|jˌɛstɛm pɔsrˈana z nˈɛrvuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_133.wav|pˈan spˈɛtsk ɲʲɛ mˈuɕaw jˈɛdnaɡ zˈɔstatɕ jˈɛɡɔ prˈavnɨm ˌɔpʲɛkˈunɛm i pɔtpˈisatɕ papʲˈɛruf rˈazɛm z ɲˈim. zrɔbʲˈiwa tɔ mˈatka ɡlˈɛnna, bˈɔː ɔbjˈɛtsaw, ʒˈɛ bˌɛɲdʑɛ jɛj pʃɨsˈɨwaw tʃˈɛɲʑdʑ ʒˈɔwdu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_33.wav|dʒˈɔnsɔn twumˈatʃɨw mi fʃˈɨstkɔ, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/urwisko_ferenc/19_segment_123.wav|xˈɛrman tɕɛrplˈivʲɛ tʃɛkˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_14.wav|dla vʲɛŋkʃˈɔɕtɕi nˈas tɛ bwˈɛndɨ pˌɔzɔstˈajɔ̃ f pʃɛʃwˈɔɕtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_90.wav|najlˈɛpʃa pˈɔra na tɛlˈɛfɔn. pʃɨnˈajmɲʲɛj maʃ pˈɛvnɔɕtɕ, ʒˈɛ rɔzmˈuftsa jɛzd w dˈɔmu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_181.wav|nˌapɔtɨkˈajɔnts pˈustɛ spɔjʒˈɛɲʲɛ, bʲˈillɨ jˈɛɡɔ pʃˌɨpɔmˈina dɔzˈɔrtsa budˈɨŋku.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_20.wav|a z mˈɔix pʃɨjˈatɕuw ɲʲˈɛma ʒadnˈɛɡɔ pɔʒˈɨtku.|1
+Dataset/wavs/urwisko_ferenc/13_segment_12.wav|pʃˈɛttɔ muɕˈawɔ bˈɨtɕ jˈakɔʑ z rˈana. nˈɔ mˈɔʒɛ ɲʲɛ ɔː ˈusmɛj tʃɨ dʑɛvʲˈɔntɛj, ˌalɛ ɔkˈɔwɔ jˌɛdɛnˈastɛj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_148.wav|ɲʲɛ bˌɨwɔ tɕˈɛ tˌɛɡɔ vʲɛtʃˈɔru w dˈɔmu z dʑˈɛtɕmi, prˈavda?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_35.wav|ɔn bˌɛɲdʑɛ vʲˈɛdʑaw, tsˈɔ nalˈɛʒɨ zrˈɔbʲitɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_46.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ ɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_260.wav|pˌɔpʲɛrˈali jˈɛ tsˈɔ pˌɔbɔʒɲʲˈɛjɕi lɔrdˈɔvʲɛ i vʲˈɛlu prɔstˈatʃkuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_101.wav|jˈak sɔɲdʑˈitɕɛ, jˈak ɕɛ s tɨm tʃˈujɛ?|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_181.wav|mˈɔʒɛ i tˈak.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_189.wav|ˌalɛ tsˈɔɕ mˌamɨ mʲˌɛndʑɨ sˈɔbɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_294.wav|pʃɛmˈuviw ˈɔjtɕɛts ˌurɔtʃˈɨstɨm tˈɔnɛm i xfˈɨtɕiw mɲʲɛ za rˈɛntsɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_34.wav|mˈɔrisɔn pˌɔvʲɛdʑˈawa, ɲˈiɡdɨ ɲʲɛ vʲɛdʑˈawam, tsˈɔ jɛzd vˈɛmɲʲɛ ɕilɲʲˈɛjʃɛ, mˈɔja pɔɡˈarda dla tɕˈɛbjɛ?|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_250.wav|a tˈɔmmɛn bˌɛɲdʑɛ ɔstˈatɲim.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_4.wav|zˌapɨtˈawa ix ɔ vʲˈɛɕtɕi ɔ ɕˈɛdmju krulˈɛstfax.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_54.wav|pɔ xfˈili ˈuɕad za sfˈɔim bjˈurkʲɛm i pˈɔdɲʲus swuxˈafkɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_35.wav|mɛ̃ʃtʃˈɨzna ɕˈɛdʑaw ˌɔdvrutsˈɔnɨ dɔ mɲʲɛ tˈɨwɛm, a kʲˈɛdɨ vˈɛʃwam dɔ pˌɔmjɛʃtʃˈɛɲʲa, tˈata zˈɛrvaw ɕɛ na rˈuvnɛ nˈɔɡʲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_34.wav|ɲʲɛ pʃˌɛvidʑˈawɛm, ʒˈɛ zˈaxtsɛ tɕi ɕɛ spʃˈɔntadʑ w dˈɛʃtʃu.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_157.wav|vbʲijˈawam vzrˈɔk f kˈɔmbajn pʃˈɛs kˈilka mˈinut.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_384.wav|jaskˈuwki latˈawɨ vɨsˈɔkɔ pˈɔnad daxˈami, mˈɔʒɛ na pɔɡˈɔdɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_247.wav|tɔ ɲˈits ɲʲɛ znˈatʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_270.wav|tɔ ɲʲɛ mˈɔʒɛ bˈɨtɕ ɲˈidʑ zbˈɨd bˌɔɡatˈɛɡɔː ˌaɲi zdɔbnˈɛɡɔ, stfʲɛrdʑˈiwa krulˈɔva.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_195.wav|f sɔlˈaŋkaɣ znalˈɛʑli jɛdˈɨɲʲɛ ɕmʲˈɛrtɕ i zɲiʃtʃˈɛɲʲa.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_97.wav|viktˈarjɔn vzrˈuʃɨw rˌamjɔnˈami. vrˈɔɲʲɛ ˈɔkɔ zapˈɛvɲʲa, ʒˈɛ bɛɲdʑˌɛmɨ mʲˌɛli tsˈawɨ ɛwstˈɛrɔs.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_6.wav|pɔdˈɔbɲʲɛ zˌaɔfˌɛrɔvˈawa mi wˈuʃkɔ, ˌalɛ ɲʲɛ xtɕˈawam ɔpˈuʃtʃatɕ tˌɛɡɔ pɔkˈɔju.|4
+Dataset/wavs/urwisko_ferenc/09_segment_74.wav|ftˈɛdɨ na kɔmˈɛɲdʑɛ pˌɔvʲɛdʑˈawaɕ mɔjˈɛmu ʃɛfˈɔvi, ʒˈɛ ˈɔlɡʲɛrt rˌɛalizˈɔvaw tˈam ˌɔbɔvʲˈɔ̃ski swuʒbˈɔvɛ.|0
+Dataset/wavs/urwisko_ferenc/32_segment_24.wav|zˈaɲim tˈu pʃˌɨjɛxˈawa, ˌɔdnalˈazwa davnˈɛɡɔ prˌatsɔdˈaftsɛ sɔlskʲˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_5.wav|dʑˈɛŋki bˈɔɡu sɔ̃ vakˈatsjɛ. ˌɔpʲɛkˈuŋka ɲʲɛ zadˈajɛ pʃɨnˈajmɲʲɛj zbˈɨd vʲˈɛlu pˈɨtaɲ, kʲˈɛdɨ zabjˈɛram sˈɨna alfjˈɛɡɔ dɔ dˈɔmu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_102.wav|ta kˈurtka bˌɨwa jˈɛdnak tˌɨlkɔ na pˈɔkas. ɔt rˈazu ɕɛ zˌɔrjɛntɔvˈawɛm. tˈakɔ pˈɔtɛm tfʲˈɛrdʑiw, ʒˈɛ ɔn tˈɛʃ.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_245.wav|a ɲʲɛ bˌɨwɔ jˈuʃ tʃˈasu, bˈɨ vˈɨswatɕ mɨɕlˈivɨx.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_52.wav|tsˈuʒ za zbjˈɛk ˌɔkɔlitʃnˈɔɕtɕi.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_2.wav|tʃtˈɛrɨ zˌasuʃˈɔnɛ sˈɛptɨ ˌɔtprɔvadʑˈiwɨ krulˈɔvɔ̃ na dˈuw.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_145.wav|tˈak ɕɛ tɔ rˈɔbʲi.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_112.wav|rˈuvɲʲɛʃ jˈɛɡɔ nˈɔɡʲi i tˈɨwɛk pˌɔkrɨvˈawɨ lˈitʃnɛ tʃɛrvˈɔnɛ prˈɛŋɡʲi i rˈanɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_232.wav|trˈɔn zwˈɔntʃɨw ɔpˈuʃki pˈaltsuf, skwadˈajɔndʑ dwˈɔɲʲɛ f pˌiramˈitkɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_108.wav|mˈɔja kɔxˈana ˈindja.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_17.wav|jˌɛstɛm tsˈawa ɔt rˈɨŋɡ vʲˈawa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_5.wav|rˈaŋkʲɛm dɲʲˈa ʃustˈɛɡɔ, tˈɛɡɔ, f ktˌurɨm bˈuk pɔdˈɔbnɔ stfˈɔʒɨw zvʲɛʒˈɛnta pˈɔlnɛ i ptˈatstfɔ pɔvʲˈ��tʃnɛ, pakˈujɔ̃ ʒˈɛtʃɨ dɔ dˈɔdʒa rˈɛma i ʃɨkˈujɔ̃ ɕɛ dɔ vɨjˈazdu.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_9.wav|f pɔvʲˈɛtʃu unˈɔɕiw ɕɛ zˈapax jˈakʲɛjʑ vɨbˈɔrnɛj pɔtrˈavɨ. tsˈɔɕ mʲɛ̃snˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_21.wav|vzrˈuʃa rˌamjɔnˈami.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_282.wav|dʑˈiɕaj jɛst nˈɔf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_197.wav|dlatʃˈɛɡɔ tˈak mˈuɕi bˈɨtɕ?|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_314.wav|mˈɔi brˈatɕa rˈuvɲʲɛʃ ɕɲˈili ɔ smˈɔkax i tɛ snˈɨ zabʲˈiwɨ ix fʃˈɨstkix.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_70.wav|prˌubɔvˈawa sˈɔbjɛ pɔvʲˈɛdʑɛtɕ, ˌalɛ bˌɨwɔ jˈuʃ nˈatɔ za pˈuʑnɔ. ɲʲɛ pɔzvˈɔlɛ, ʒˈɛbɨ zˌɔbatʃˈɨli mˈuj strˈax.|1
+Dataset/wavs/urwisko_ferenc/55_segment_72.wav|ɲʲɛ bˌɨwɔ mɲʲɛ w dˈɔmu pˈɔttʃas tˈamtɛj rɔzmˈɔvɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_217.wav|lˈubjɛ jˈɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_328.wav|ɲʲɛ pɔvʲˈɛdʑaw mi bˈardʑɔ vʲˈɛlu ʒˈɛtʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_93.wav|ˈalbɔ nˈavɛt pˈɛtɛr baˈɛliʃ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_67.wav|jˈɔɛ swuxˈawa pʃˈɛs kˈilka mˈinut, a bˈɛtskɨ zˈɛ sfɔjˈɛɡɔ mʲˈɛjstsa swɨʃˈawa jɛŋklˈivɨ ɡwˈɔs kɔbjˈɛtɨ f swuxˈaftsɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_371.wav|ʒˈɛbɨm tˈak pɔtrˈafiw skˈupitɕ ɕɛ, zˌastanˈɔvitɕ, pʃɛmˈɨɕlɛtɕ mˈɔjɔ̃ sˌɨtuˈatsjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_12.wav|ˌalɛ jˌɛdɨnˈɨmi swɔvˈami, jˈakʲɛ bʲˈillɨ vˌɨxfɨtˈujɛ, sɔ̃ ktˈɔː i tˈɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_142.wav|a ʃnˈurki znˈuf prɔvˈadʑɔ̃ dɔ stsˈɔtta.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_47.wav|vidˈɨvaw kɔlˈina fçitˈɛa s kɔmˈurkɔ̃ i pˈarɛ rˈazɨ zˈafʃɛ na lˈantʃu f swuxˈafkaɣ z mˌikrɔfˈɔnɛm, s kturˈɨmi zapˈɛvnɛ jɛzd zrɔɕɲʲˈɛntɨ, ˌalɛ ɲˈiɡdɨ z laptˈɔpɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_134.wav|dɔstˈartʃɨ tɔ...|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_76.wav|tʃˈujɛ nˈavɛt lˈɛkkʲɛ zavrˈɔtɨ ɡwˈɔvɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_129.wav|ɕɛdʑˈawɛm na wˈaftsɛ tˈaɡ blˈiskɔ, ʒˈɛ ɲʲɛ tˌɨlkɔ tʃˈuwɛm tɛ ˌɔrjɛntˈalnɛ pɛrfˈumɨ,|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_34.wav|namˈavʲaw jˈɔ̃ tˌaɡanˈarɔ, vˌɨsɨsˈajɔnts mˈawʒɛ z muʃˈɛlɛk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_304.wav|tʃwˈɔvʲɛk, kturˌɛmu pwˈatɕi pˈan za bɛnzˈɨnɛ ɔt pˈuw rˈɔku.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_295.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_41.wav|wˈaɲtsux i kwˈutka pɔ drˈuɡʲɛj strˈɔɲʲɛ ɲʲɛ vˌɨtʃɨmˈawɨ pɔt napˈɔrɛm tˈakʲɛj ɕˈiwɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_215.wav|wˈɔntʃnɔɕtɕ jɛst pˌɔtstavˈɔvɨm ɕrˈɔtkʲɛm bˌɛspʲɛtʃˈɛɲstfa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_92.wav|dlatʃˈɛɡɔ na mˈiwɔʑdʑ bˈɔskɔ̃ vɨswˈawɛɕ mɲʲɛ dɔ ɲʲˈɛɡɔ? dlatʃˈɛɡɔ? vʲɛdʑˈawɛɕ, ʒˈɛ ɲʲɛ bˌɛndɛ mˈɔɡwa tˈɨlɛ zapwˈatɕitɕ. xrˈɨstɛ, stsˈɔtt!|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_251.wav|nˌaswuçivˈaliɕmˌɨ uvˈaʒɲʲɛ, tʃɛkˈajɔnts ˈaʃ sˈɨɡ vrˈɛʃtɕɛ utɕˈixɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/54_segment_3.wav|spˌɔɡlɔndˈajɔnts mʲˌɛndʑɨ dʒɛvˈami f kʲɛrˈuŋku kamjˈɛɲits, bɔrˈɛvitʃ prubˈɔvaw zlˌɔkalizˈɔvatɕ kavʲˈarɲʲɛ pilˈɛfski.|0
+Dataset/wavs/urwisko_ferenc/28_segment_11.wav|vˌɨbjɛrˈawa jˈɛ, sˌuɡɛrˈujɔnts ɕɛ tsˈɛnɔ̃. sxɔvˈawa pˈatʃkɛ dɔ kʲɛʃˈɛɲi i pʃˈɛʃwa f strˈɔnɛ ulˈitsɨ sˌukʲɛnɲˈitʃɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_72.wav|pˌɔmɨɕlˈawɛm, ʒˈɛ skˈɔrɔ jɛstˌɛɕtɕɛ w zbliʒˈɔnɨm vʲˈɛku...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_63.wav|tsamˈɛrɔn skʃˈɨviw ɕɛ, jˈaɡbɨ vʲˈɛdʑaw, ʒˈɛ tˈɔm ɲʲɛ mˈɔʒɛ ɕɛ dɔ ɲʲˈɛɡɔ dˈɔbratɕ, skˈɔrɔ jˈaɡɡɛr ɲʲˈɛbɨw jˈuʒ dɔstˈɛmpnɨ i ɲʲɛ mˈɔʒna ɡˈɔ bˌɨwɔ pʃɛswˈuxatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_107.wav|pʃɛjˈɛʒdʒa kˈilka sˌamɔxˈɔduf, jˈɛdɛn tɔ radjˈɔvus, ˌalɛ bʲˈillɨ ɕɛ tɨm ɲʲɛ pʃɛjmˈujɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_52.wav|tɕˈiʃɛ pˌanujˈɔntsɔ̃ f prˈalɲi pʃɛrˈɨva mˈɔjɛ tɕˈixɛ wkˈaɲʲɛ, ktˌurɛ prubˈujɛ zdˈuɕidʑ w ɡˈardlɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_25.wav|ɔbˈɔjɛ ɲʲɛ mˈɔɡliɕmˌɨ vɨdˈuɕitɕ swˈɔva.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_76.wav|mˈɔʒɛ ɕɛ ɔkˈazatɕ, ʒˈɛ tɔ jˈɛdnaɡ ɡwˈupi pˈɔmɨsw. ɲʲɛ jˌɛstɛm dɔ kˈɔɲtsa zdˌɛtsɨdɔvˈanɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_17.wav|vɨswˈawa dɔ ɡˌɛnɛvʲˈɛvɛ vʲadˈɔmɔɕtɕ spˈɔza dˈɔmu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_31.wav|dlatˈɛɡɔ, ʒˈɛ pˈɔʃliɕmˌɨ w dˈuw nat malˈibu, pɔvʲˈɛdʑaw ˈandɛrsɔn. pʃˌɛskɔtʃˈɨliɕmˌɨ xˈɨba tʃˈɨ ɡjˌɛˈɛs.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_7.wav|ˈaʃ i ʃˈɔna? tɔ ɲʲɛ mˈɔʒɛ bˈɨtɕ prˈavda.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_19.wav|ˈɔbras tˈɛn, xˈɔdʑ vidʑˈawam ɡˈɔ jˈuʃ kˌilkakrˈɔtɲʲɛ, sprˈavja, ʒˈɛ vɨdˈajɛ s ɕˈɛbjɛ jˈɛŋk i ɔpʲˈɛram tʃˈɔwɔː ɔ xwˈɔdnɛ pwˈɨtki f kabʲˈiɲʲɛ prˌɨʃɲitsˈɔvɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_436.wav|w varkˈɔtɕɛ bˈɛmbnuv vzdwˈuʃ plˈatsu pʃˌɛxɔdʑˈiwa rˌɔstaɲtʃˈɔna prɔtsˈɛsja vɨznˈaftsuf ˌɛɡzɔtˈɨtʃnɛj rɛlˈiɡji dˌalɛkʲˈɛɡɔ fsxˈɔdu.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_216.wav|ɲˈiɡdɨ w ʒˈɨtɕu ɲʲɛ ˌubjɛrˈawam ɕɛ tˈak ʃˈɨpkɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_436.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_97.wav|i f kˈɔɲtsu jˈɛɡɔ rˈɛŋka ɔpˈada.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_199.wav|jˈɛɕli xtsˈɛʃ pɔvʲˈɛdʑɛtɕ mi, ʒˈɛ ɕɛ mˈɨlɛ...|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_25.wav|ɲʲɛ pʃˌɨpɔminˈawa ˈannɨ frˈaŋklin, jˈakɔ̃ tˈɛraz vˌidʑawˈɨɕmɨ.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_335.wav|tfˈaʃ ɔrtˈɔna mˌɛrvɛtxˈɛra bˌɨwa vilɡˈɔtna zˈɛ strˈaxu. tʃɨ tˈɛn...|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_173.wav|bˈɨtɕ mˈɔʒɛ vidʑˈawaɕ w nˈaʃɛj stˈajɲi vʲɛlkʲˈɛɡɔ tʃarnˈɛɡɔː ɔɡʲˈɛra.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_154.wav|zˌapɨtˈawam zdʑivʲˈɔna. pʃˌɛtɕɛʃ uɕpˈiwam tsˈawɛ mʲˈastɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_12.wav|a jɛʒˈɛli nastˈɔmpi ɛksplˈɔzja rˌɛaktˈɔra?|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_124.wav|skˈura pɔt jˈɛɡɔː ɔtʃˈami i vˈɔkuw ˈuzd zbjɛlˈawa s pʃˌɛraʒˈɛɲʲa, ˌalɛ jɛzd ɡʒˈɛtʃnɨ i nadrˈabja mˈinɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_85.wav|tɔ bˌɨwɔː ˈinnɛ ʒˈɨtɕɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_139.wav|tˌɨlkɔ tɔvˈarɨ i uswˈuɡʲi w zˈamjan za pʲɛɲʲˈɔndʑɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_64.wav|ʒˈɛ vʲˈɛ ˈɔtɨm w ɡwˈɛmbʲi dˈuʃɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_348.wav|tʃɨ tɔ w ɔɡˈulɛ bˌɨwɔ mɔʒlˈivɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_90.wav|mˈɔja mˈama mʲˈɛʃka ɡdʑˈɛɕ na ʑˈɛmi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_112.wav|jɛdˈɨnɨm spɔsˈɔbɛm jɛst utɕˈɛtʃka s tˌɛɡɔ mʲˈɛjstsa i vɛzvˈaɲʲɛ pɔmˈɔtsɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_6.wav|ɔt tamtˈɛɡɔ tʃˈasu pɔfstˈawɨ tʃtˈɛrɨ kɔlˈɛjnɛ bˈaɲki, a aɡˈɛntsjɛ pˌɔzɔstˈawɨ w dˈavnɨx ɕɛdʑˈibax.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_106.wav|swˈɨʃɛ ˌɔtfʲɛrajˈɔntsɛ ɕɛ za mɔˈimi plɛtsˈami dʒvˈi, ˌalɛ ɲʲɛ ɔdvrˈatsam ɕɛ. ɲʲˈɛxtsɛ ɕɛ pɔrˈuʃɨtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_63.wav|vʲɛdʑˈawam tˌɨlkɔ tɔ, tsˈɔ zˌɔbatʃˈɨwam f tˌɛlɛvˈizji, kʲˈɛdɨ jˈɔ̃ jˈɛʃtʃɛ mʲˈɛliɕmˌɨ. tˈɛras jˈuʃ jɛj ɲʲɛ ˌɔɡlɔndˈamɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_125.wav|tʃfˈartɛ i pʲˈɔntɛ z lˈɛvɛj strˈɔnɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_79.wav|jˈɛɕli tˈak, zapˈɛvnɛ pɔvʲˈɛdʑaw im tɔ, tsˈɔ ɲˈiɡd vʲˈɛdʑaw i bˈɛs tˈɛɡɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_219.wav|tˈak, tɔ bˌɨwɔ tɔ sˈamɔ tɕˈawɔ, ktˌurɛ vlˈɔkwɛm pʃɛtftʃˈɔraj jˈak ɲʲɛʒˈɨvɛ na mˈɔjɔ̃ kanˈapɛ.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_163.wav|jˈɛɕli stˈanɔ̃ nˈam na drˈɔdʑɛ, bwˈaɡam, zˈɔstaf ix mɲʲɛ, sˈɛr.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_114.wav|tʃɨmˈawam rˈɛntsɛ na jˈɛɡɔ bjˈɔdrax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_134.wav|klˈɛrki mˈa tˈɛʃ mwɔtʃˈɛɡɔ sˈɨna, s kturˌɛɡɔ mˈatkɔ̃ jɛst rˌɔzvʲɛdʑˈɔnɨ, na ˈimjɛ mu dˈɛvin.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_155.wav|zˌawatfˈifʃɨ tɔ ruʃˈɨwɛm kˈu ɕfʲˈatwɔm, pɔtˈɛ̃ʒnɨm tɕˌɛ̃ʒarˈufkɔm i rˈɛʃtɕɛ mɔjˈɛɡɔ ʒˈɨtɕa.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_10.wav|bwˈaɡam, pˈaɲʲɛ, zˈɔstaɲ z nˈami i pˈɔmuʃ nˈam pɔrˈadʑitɕ sˈɔbjɛ z lˈɔrdɛm bɛrˈikʲɛm i ɔɡˈarɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_40.wav|a mˈarɡɔ vɨrˈasta na pravdʑˈivɔ̃ spɔrtsmˈɛŋkɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_163.wav|zabˈujtsɔ̃ tʃwɔvʲˈɛka, ktˌurɨ zˈabʲiw tfɔjˈɛɡɔ sˈɨna, pˌɔvʲɛdʑˈawɛm.|2
+Dataset/wavs/urwisko_ferenc/15_segment_100.wav|ˌalɛ pɔ tsˈɔ mˈam jˈɔ̃ naxˈɔdʑitɕ, skˈɔrɔ sˈam mˈɔʒɛʃ mi ˌɔpɔvʲˈɛdʑɛtɕ ɔ sˈɔlskim?|0
+Dataset/wavs/urwisko_ferenc/25_segment_20.wav|jˈakɔɕ jˈɛ tɕɔŋɡɲʲˈɛmɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_525.wav|jˈɛɕli xtsˈɛʃ, tɔ mˈɔʒɛʃ ˈɔdɛjɕtɕ, pˌɔvʲɛdʑˈawa pˈuʑɲʲɛj zmɛntʃˈɔnɨm ɡwˈɔsɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_48.wav|a tʃɨ pˈaɲi ɔbˈɛtsnɔɕtɕ tˈutaj jɛst kɔɲʲˈɛtʃna?|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_374.wav|ˌɔbɔk starˈɛɡɔ, pˌɔpɛŋkanˈɛɡɔ rˈɔɡu, ktˌurɨ dˈaw mu dʒˈɔn.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_153.wav|ˌalɛ tˈu ɲʲɛ jɛst plˈats tʃɛrvˈɔnɨ w mˈɔskfʲɛ. bˌɛɲdʑɛʃ ˈɔtɨm pamjˈɛntaw?|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_194.wav|tˈak? pʃˈɛkaʃ jɛj, ʒˈɛ tɔː ˈɔdɛ mɲʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_81.wav|lˈɛtʃ ɔn ɲʲɛ ɔpˈuɕtɕiw sfˈɔix, tʃɨmˈajɔnts w ɲˈix lˈalkɛ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_48.wav|zabrˈaliɕmˌɨ im ix tˈartʃɛ i rˌɔstʃaskˈaliɕmˌɨ jˈɛ na kavˈawki.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_66.wav|dɔtˈɨkam ramjˈɛɲʲa dˈɔma, vʲˈɛdʑɔnts, ʒˈɛ ftɕˈɔ̃ʒ vʲˈɛlɛ ɡˈɔ tɔ kɔʃtˈujɛ.|3
+Dataset/wavs/urwisko_ferenc/33_segment_77.wav|ɲʲˈɛx pˈaɲi zadʑvˈɔɲi dɔ sˈɨna, rɔskˈazaw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_99.wav|pˈilɔt ɲʲɛ ˌɔtpɔvʲˈɛdʑaw. mɛ̃ʃtʃˈɨzna pɔftˈuʒɨw, brˈakɛs ˈɔn!|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_167.wav|pˈɔtɛm stʃˈɛliw pʲˈɔrun. patʃˈɨliɕmˌɨ pʃˈɛs xfˈilɛ w ˈɔknɔ smaɡˈanɛ ʒˌɛɲɕistˈɨmi krɔplˈami.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_462.wav|jˈaɡbɨ vɛ vnˈɛntʃu kˈɔnxɨ zaɕfʲˈɛtɕiw rɔbˈatʃɛk ɕfʲˌɛntɔjˈaɲski. vɛstxnˈɔwɛm tɕˈɛ̃ʃkɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_94.wav|ˌalɛ mˌamɨ ɲʲɛ mˈartfitɕ ɕɛ ɔ tɕˈɛbjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_152.wav|ɲʲɛ ˌɔdɛzvˈali ɕɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_5.wav|tˈaɡ vʲˈɛndʑ bˈɨw tˈɛras sˈam s xˈɛlɛn, pˈatʃɔnts na tɛlˈɛfɔn, ktˌurɨ ɲʲɛ ɔdˈɛzvaw ɕɛ f tɕˈɔŋɡu tɨɣ dɲˈi.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_9.wav|ɲˈim pɔdˈanɔ jɛdʑˈɛɲʲɛ, mɛrˈibalt ɔdmˈuviw mɔdlˈitfɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_147.wav|spɔjʒˈawam na ɲʲˈɛɡɔ zˌaskɔtʃˈɔna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_197.wav|ˈɛlis pʃˈɛs kˈilka mˈinut pʃɛɡlˈɔnda lˈistɛ dɔstˈɛmpnɨx fˈilmuf i sɛrjˈali, pɔ tʃɨm pˈɨta ɡˈɔ, tʃɨ lˈubʲi tʃˈarnɔ̃ lˈistɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_142.wav|ɲʲˈɛznam jˈɛʃtʃɛ tˌɛɡɔː utʃˈutɕa, pɔvʲˈɛdʑaw mˈikɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_162.wav|mˈa pˈan jˈakʲɛɕ rˌɛfɛrˈɛntsjɛ baŋkˈɔvɛ? zapˈɨtaw. ɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_166.wav|pˈuʑɲʲɛj, kʲˈɛdɨ pɔnˈɔvɲʲɛ tʃɛsˈawa mˈɔjɔ̃ pɛrˈukɛ, bˈɨ vˌɨɡlɔndˈawa jˈak na zdjˈɛɲtɕu, pʃɨznˈawa, ʒˈɛ pɔdˈɔbɲʲɛ jˈak ja ɲʲɛ zmruʒˈɨwa ˈɔka.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_60.wav|a jˈɛɕli ˈaʃ fakt��ɨtʃɲʲɛ jɛst ˈu ɲʲˈɛj, tɔ ɡdʑˈɛ dɔ xɔlˈɛrɨ jɛst mˈɔja tsˈurka? i dlatʃˈɛɡɔ tɕi dvˈɔjɛ mʲˈɛlibˌɨ skazˈɨvatɕ mɲʲɛ na tˈakʲɛ tɕɛrpʲˈɛɲʲɛ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_39.wav|pɔtɕˈɔŋɡnɔw mɲʲɛ tˈak, ʒˈɛbɨɕmˌɨ bˌɨli zvrutsˈɛɲi dɔ ɕˈɛbjɛ, ˌalɛ ɲʲɛ spˈɔjʒaw mi w ˈɔtʃɨ.|3
+Dataset/wavs/urwisko_ferenc/20_segment_20.wav|pˌɔtkɔmˈisaʃ ɕtɕˈiskaw w dwˈɔɲi apˈarat i tʃˈɛkaw na vʲadˈɔmɔɕtɕ, ktˌura ftɕˈɔ̃ʃ ɲʲɛ nˌatxɔdʑˈiwa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_84.wav|ɲʲɛ rɔzɡlˈɔndaj ɕɛ, jˈɔɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_98.wav|w ˈɔtʃax ˈɔbu mˈɛ̃ʃtʃɨzn vˈidʑɛ ʃtʃˈɛrɛ fspuwtʃˈutɕɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_9.wav|lˈutsɨ ɲˈits ɲʲɛ pˌɔvʲɛdʑˈawa, tˌɨlkɔ na ɲʲˈɛɡɔ patʃˈɨwa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_201.wav|naprˈavdɛ ɲʲˈɛvʲɛʒ dlatʃˈɛɡɔ? zapˈɨtaw ɡˈɛrst fˈirst lˈɔvɛ. ɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_73.wav|vˈɔlnɔ mu ɕɛ ɔdʑˈɨvatɕ jɛdnˈɛɡɔ dɲʲˈa s kˈaʒdɨx ɕˈɛdmju. brˈatɕɛ, tɕi dˈɔbʒɨ lˈudʑɛ pɔmˈɔɡli mi pˈɔttʃaz vɛndrˈufki.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_262.wav|zapˈɨtaw maˈɛstɛr pɔ dwˈuɡʲɛj xfˈili miltʃˈɛɲʲa. na lˈiɕtɕɛ vˌɨlɔndˈɔvaw pwˈatɛk ɕɲʲˈɛɡu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_203.wav|xˈarps kupˈujɛ mʲˈɛ̃sɔ, mlˈɛkɔ, jˈajka, xlˈɛp, krakˈɛrsɨ, sawˈatkɛ, drˈɛssiŋk i kˈilka kˈɔnsɛrf.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_194.wav|muvˈimɨ tˈutaj ɔ tˌɛxnɔlˈɔɡji stˌɔsɔvˈanɛj ɔt tɨɕˈɛntsɨ lˈat.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_16.wav|na ʃˈali mˌamɨ dʑˈɛtskɔ, jˈumbɔ, a sˈam dˈɔbʒɛ vʲˈɛʃ, jˈak pɔtxˈɔdʑɛ dɔ zaɡʲˈiɲʲɛɲdʑ dʑˈɛtɕi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_88.wav|bˈɛvi zˈafʃɛ vɔlˈawa jˈɛ ɔt naʃˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_157.wav|pˈɛvnɛ vˌɨdaʒˈɛɲʲa s tˈamtɨx tʃˈasuf ʃtʃɛɡˈulɲʲɛ zˌapisˈawɨ mi ɕɛ f pamjˈɛɲtɕi.|2
+Dataset/wavs/urwisko_ferenc/11_segment_13.wav|ftˈɛdɨ ˌuswɨʃˈawa ʃˈum nˌadjɛʒdʒˌajɔntsˈɛɡɔ sˌamɔxˈɔdu, a xfˈilɛ pˈuʑɲʲɛj dɔstʃˈɛɡwa rˈux pʃɛd dˈɔmɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_148.wav|ˌalɛ tʃɨ dɔxˈɔvawbˌɨ tɛj dˈurnɛj ɔmˈɛrtɨ, ɡdˈɨbɨ tɔ jˌɛmu ɡrɔzˈiwa ˌɛkstradˈɨtsja?|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_60.wav|ɡˈastɔn ɡrˈɛj bˌɨwɔ stˈarɨm, rˌɔssɨpujˈɔntsɨm ɕɛ zˈamkʲɛm, zbˌudɔvˈanɨm na skˈalɛ na mˈɔʒu dɔrɲˈijskim.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_202.wav|ɔn mˈa dˈɔvut, ʒˈɛ zabʲˈiwam ljˈɛ.|3
+Dataset/wavs/urwisko_ferenc/33_segment_75.wav|f sˌamɔxɔdˈuftsɛ.|0
+Dataset/wavs/urwisko_ferenc/18_segment_18.wav|xwˈɔpʲɛts ɕɛ rˌɔsprɔmjˈɛɲiw. uɕˈatwʃɨ z ɲˈim wˈɛ fɔtˈɛlu, ˌusadɔvˈiwa ɡˈɔ pʃˈɔdɛm dɔ ɕˈɛbjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_77.wav|xˈɔtɕ mʲɛʃkˈali zˈɛ sˈɔbɔ̃ ɔt kˈilku mʲɛɕˈɛntsɨ, tˈɔm ftɕˈɔ̃ʃ tʃˈuw pʃɨjˈɛmnɛ mrɔvʲˈɛɲʲɛ na mˈɨɕl ɔ pɔvrˈɔtɕɛ dɔ dˈɔmu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_10.wav|dˈɔm sprˈavdʑiw jˈuʃ sfˈɔjɛ spʃˈɛntɨ i ˈuznaw, ʒˈɛ ɲitʃˈɛɡɔ ɲʲɛ brakˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_62.wav|pˌɔxɨlˈifʃɨ ɕɛ kˈu ɲʲˈɛmu, ɲʲɛ xtɕˈawɛm pˈana ɔbrˈazitɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_106.wav|ˌɔstatˈɛtʃɲʲɛ uznˈali nˈaz za skˈɔmptsuf.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_392.wav|ˌɔɲi mˌajɔ̃ jɛdʑˈɛɲʲɛ, ɡˈɛndrɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_36.wav|tsˈɔ, tfˈɔja krɨjˈufka?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_51.wav|dˈɛlla zˌadʑvɔɲˈiwa, bˈɨ zapˈɨtatɕ ɔ sˌamɔpɔtʃˈutɕɛ xˈɔllɨ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_61.wav|ˌalɛ tsˈuʒ za mɛ̃ʃtʃˈɨzna ukrˈɨva ɕɛ za nˈaɡɔ̃ kɔbjˈɛtɔ̃?|1
+Dataset/wavs/urwisko_ferenc/63_segment_5.wav|mˌamɨ ɕɛ spˈɔtkatɕ f pˈaɲi dˈɔmu? dlatʃˈɛɡɔ?|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_369.wav|i tsˈɔɕ mi ɕmʲˈɛrdʑi f tɛj tsˈawɛj sprˈavʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_194.wav|a jˈɔɛ ɕˈɛdʑi sˈɔbjɛ w ˌizɔlˈattsɛ, bˈɔ ktˈɔɕ jˈuʃ prubˈ��vaw ɔʒˈɛɲitɕ mu kˈɔsɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_144.wav|nˈaɡlɛ ɕɛ rɔspwˈakaw i zˈatʃɔw vɨtɕˈɛratɕ pɔlˈitʃki ɡʒbjˈɛtɛm dwˈɔɲi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_74.wav|ˌalɛ rˈuvɲʲɛ dˈɔbʒɛ mˈɔʒna bˈɨ zawˈɔʒɨtɕ, ʒˈɛ ɲʲˈall mʲˈaw kɔxˈaŋkɛ. ɲʲɛ kˈɔɡɔɕ, ktˈɔ pɔ prˈɔstu rɔzvˈaʒaw sfˈɔjɛ ʃˈansɛ. jˈak nˌajvɨrˈaʑɲʲɛj rɔbʲˈiwa tɔ mˈarta.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_21.wav|i ˌɔpsɛrvɔvˈawɛm tsˈɔɕ, tsˈɔ pʃˌɨpɔminˈawɔ trˈupa ɲʲˌɛɕɔnˈɛɡɔ na vznˈak.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_94.wav|a jˈɛɕli xˈɔdʑi ɔ tɕˈɛbjɛ, pˈaɲi, pˌɔvʲadˈajɔ̃, ʒˈɛ tfˈuj ˈɔjtɕɛts jɛzd dˈɔbrɨm tʃwɔvʲˈɛkʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_103.wav|ˌɔbnaʒˈɔna nˈɔɡa zˌanuʒˈɔna jɛzd w vˈɔdʑɛ pwɨnˈɔntsɛj rɨnʃtˈɔkʲɛm. vɨdˈajɛ ɕɛ bˈardʑɔ bjˈawa.|2
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_239.wav|f xˈɔrn çˈill ɔn rˈuvɲʲɛʒ vˈɔlaw tˌɔvaʒˈɨstfɔ dʑˈɛftʃɨn.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_135.wav|pˌɔpɛwɲˈiwam bwˈɔnt i za ɲʲˈɛɡɔ pʃɛprˈaʃam.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_34.wav|ˌalɛ ja jˈuʒ znˈam ɔtpˈɔvʲɛtɕ. zˈafʃɛ jɛst tˈaka sˈama.|4
+Dataset/wavs/urwisko_ferenc/23_segment_27.wav|ˌuswɨʃˈawa sfˈɔjɛ nazvˈiskɔ vˌɨpɔvʲɛdʑˈanɛ s ɕˈilnɨm ɲʲɛmjˈɛtskim aktsˈɛntɛm. ˌɔdvrutɕˈiwa ɕɛ i ujʒˈawa ɕivˈɛɡɔ fatsˈɛta z ɡwˌɛmbɔkˈimi zˌakɔlˈami.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_214.wav|ˌalɛ krulˈɔvɔ̃ ˌintɛrˌɛsɔvˈawɔ jɛdˈɨɲʲɛ tɔ, tsˈɔ krˈɨwɔ ɕɛ w ɕrˈɔtku.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_125.wav|vˈɛʃliɕmˌɨ dɔ pɔkˈɔju.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_127.wav|ɔdlˈudnɛ mʲˈɛjstsɛ. ˌidɛˈalnɛ, ʒˈɛbɨ sˈɔbjɛ pɔstʃˈɛlatɕ.|2
+Dataset/wavs/urwisko_ferenc/11_segment_48.wav|xˈɛrman zɡaɕˈiwa pˈɛta w brˈudnɛj pˌɔpʲɛlɲˈitʃtsɛ i spɔjʒˈawa na kɔlˈɛɡɛ z ukˈɔsa.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_278.wav|jˈɛɡɔ vnˈuɡ bˈɨw mwˈɔtʃɨ i, nˈɔ tsˈuʃ, pʃɨnˈajmɲʲɛj mˈa ɕˈilnɔ̃ ʒˈɔnɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_8.wav|ʃkˈɔwa vɨdˈajɛ ɕɛ bˌɛspʲɛtʃɲʲˈɛjʃɨm i spˌɔkɔjɲʲˈɛjʃɨm vɨbˈɔrɛm, xˈɔtɕ jˈɛnnɨ pɔtrˈafi bˈɨtɕ rˈuvɲʲɛ dˌɔtɕɛklˈiva.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_192.wav|ɔd dˈavna ɲʲɛ vɨstˈartʃa jɛj ɲˈits, tsˈɔ rˈɔbjɛ.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_71.wav|mɛrˈibalt pɔpˈatʃɨw na tˌɔvaʒˈɨʃɨ pɔdrˈuʒɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_9.wav|ɡdʑˈɛʑ za ˌɔkratɔvˈanɨm ˈɔknɛm w ɡwˈɛmbʲi tɕɛmnˈɔɕtɕi ˌɔpxɔdʑˈɔnɔ xˈutʃɲʲɛ ˌimjɛɲˈinɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_16.wav|stsˈɔdd vzrˈuʃɨw rˌamjɔnˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_39.wav|tsˈɔː ˈɔtɨm fʃˈɨstkim mˈɨɕliʃ? zapˈɨtaw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_24.wav|mˈajtki tˈɛʃ pɔ lˈɛvɛj strˈɔɲʲɛ pʃɛɕˈɔŋkwɨ na vˈɨlɔt.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_94.wav|rivˈɛran nalˈɛʒɨ dɔ mɲʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_250.wav|ɲʲɛ swˈɨʃaw jˈuʃ tˈɛras ʃˈumu vˈɔdɨ dˌɔxɔdʑɔntsˈɛɡɔ z waʑˈɛŋki, ɡdˈɨʃ ˌɔɡwuʃˈɔnɨ bˈɨw bʲˈitɕɛm vwasnˈɛɡɔ sˈɛrtsa.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_128.wav|najvʲˈɛntsɛj tʃˈasu tratɕˈiwam, kʲˈɛdɨ muɕˈawam xrˈɔɲitɕ ɕɛ pʃɛt spˌadajɔntsˈɨmi ʃtʃɔntkˈami.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_55.wav|zmˈuʃam ɕɛ dɔ pʃˌɨpɔmɲʲˈɛɲʲa sˈɔbjɛ, ʒˈɛ ʒˈɔndlɔ̃ jɛdˈɨɲʲɛ samˈitsɛ, vʲˈɛnts pˈɛvɲʲɛ pɔwˈɔva z ɲˈix ɲʲɛ mˈɔʒɛ zrˈɔbʲitɕ mi kʃˈɨvdɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_256.wav|pˈuʃtʃa ɡˈɔː i ˈidʑɛ s pɔvrˈɔtɛm dɔ mɔtˈɛlu.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_221.wav|ɲʲˈɛmam tʃˈasu na pʃˌɛkɔnɨvˈaɲʲɛ tɕˈɛ, ʒˈɛbɨɕ nˈam pˈɔmuɡw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_45.wav|pɔ rˈampax ɲʲɛ zjɛʒdʒˈawɨ ˌaɲi ɲʲɛ vjɛʒdʒˈawɨ ʒˈadnɛ ˈawta, a f pɔblˈiʒu ɲʲɛ bˌɨwɔ vˈidadʑ ʒɨvˈɛɡɔ dˈuxa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_35.wav|p��ˈɨmkɲij ɕɛ, tˈak?|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_53.wav|prˌɔdukˈujɔ̃ sɔlˈidnɛ mˌatɛrjˈawɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_71.wav|lˈɛkaʒ zapˈɛvɲʲa, ʒˈɛ ɲˈits jɛj ɲʲɛ bˈɛɲdʑɛ, ʒˈɛ ɲʲˈɛma ɕɛ ɔ tsˈɔ mˈartfitɕ, ˌalɛ i tˈak pʃɛpˈɛwɲʲa mɲʲɛ pɔtʃˈutɕɛ vˈinɨ, kturˌɛɡɔ ɲʲɛ pɔtrˈafjɛ ɕɛ pˈɔzbɨtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_59.wav|stˈɔi na parkˈiŋɡu ˌapartˌamɛntˈɔftsa f tsˈɛntrum mˌanxɛstˈɛru.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_340.wav|fpˌadajˈɔntsɨ pʃˈɛs ˈɔknɔ vʲˈatr pɔrˈuʃɨw tʃˈarnɨm pwˈaʃtʃɛm.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_425.wav|pˌɔviɲʲˈɛnɛm ɡˈɔ vˌɨkastrˈɔvatɕ i vˈɨswatɕ na mˈur.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_186.wav|ˈuɕad na bˌɛtɔnˈɔvɛj pɔsˈatstsɛ i pˈatʃɨw na jakʲˈɛɡɔɕ tʃwɔvʲˈɛka, ktˌurɨ ˌɔpɔvʲˈadaw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_16.wav|ftˈɛdɨ swˈɨʃɛ dvˈa swˈɔva, ktˌurɛ mrˈɔʒɔ̃ mi krˈɛv w ʒˈɨwax.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_104.wav|tɔ jˈuʒ bˈɨwɔ, fʃˈɨstkɔ jˈuʒ bˈɨwɔ, ˌalɛ ɲʲɛ vʲadˈɔmɔ, tsˈɔ bˈɛɲdʑɛ. vɨʃˈɛdwɛm na plˈats tʃˈɛx kʃˈɨʒɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_132.wav|— ktˈɔ tˈɨ, bˈɛwkɔ tʃɨ dʑɛftʃˈɨna? ɡdʑˈɛ jˈa?|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_259.wav|ɔ fsxˈɔdʑɛ swˈɔɲtsa sˈɛpta mˈɔɛl ˌɔfjarɔvˈawa jɛj mˈiskɛ vɔdɲˈistɛj ʃˈarɛj kˈaʃɨ.|1
+Dataset/wavs/urwisko_ferenc/36_segment_119.wav|a kˈim jɛzd dɔ xɔlˈɛrɨ lˈipski? tɔ lɔkˈalnɨ dʑɛnɲˈikaʃ, blˈɔɡɛr tʃɨ xˈuj vʲˈɛ ktˈɔ. f kˈaʒdɨm rˈaʑɛ dˈuʒɔ vʲˈɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_139.wav|kwˈadʑɛ ɕɛ i lˈɛʒɨ f tɕɛmnˈɔɕtɕi z dwˈɔɲmi pɔt pɔdˈuʃkɔ̃, fpatʃˈɔnɨ f pˈustkɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_102.wav|ɲʲɛ tʃɛkˈajɔnts na ix ɔtpˈɔvʲɛtɕ, ˌɔdvrutɕˈiwa ɕɛ i tsɔfnˈɛwa dɔ bjˈura mˈartɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_71.wav|pamjˈɛntaʃ, stsˈɔtt, jˈak xtɕˈawam ɕˈɛŋɡnɔɲdʑ ɡvʲˈast?|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_319.wav|mˈam nadʑˈɛjɛ, ʒˈɛ ɲʲɛ pˌɔsunˈɔwɛm ɕɛ zbˈɨd dalˈɛkɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_373.wav|mˈɛntʃɨ mɲʲɛ ta kanˈapa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_93.wav|spˈɔjʒaw na tˈatɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_43.wav|uvˈaʒaw, ʒˈɛ wˈatfɔ jɛst pɔdˈɛrvatɕ kɔbjˈɛtɛ prɔvˈadʑɔnts tˈakʲɛ ˈawtɔ. zˈafʃɛ zvrˈatsaw vˈus ftʃˈɛɕɲʲɛj ɔ pɔrˈaŋku i spˈaw f sˌamɔxˈɔdʑɛ ˈaʒ dɔ rˌɔspɔtʃˈɛɲtɕa pɔrˈannɛj zmʲˈanɨ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_387.wav|vʑˈɔwɛm jˈɔ̃ na wˈɔʒu rˌaimˈuna darˈɛɡɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_108.wav|lˌɛvɔrˈɛntʃnɨ dˈɨʃaw tɕˈɛ̃ʃkɔ. pˈɔrvaw zˈɛ stˈɔwu dwˈuɡʲi stalˈɔvɨ prˈɛnt i pˈɔtʃɛt s pɔvrˈɔtɛm dɔ mɔjˈɛɡɔ sxrˈɔnu.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_162.wav|mˈɔɡliɕmˌɨ jˈuʒ bˈɨdʑ w dˌuskɛndˈalɛ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_47.wav|tsˈɔ prˈavda bˈɛridʑ dɔndˈarʲɔn ɲʲɛ jɛzd zbˈɨt trˈudnɨm pʃˌɛtɕivɲˈikʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_152.wav|tʃˈɨli trafˈiwɛm vɛ vwaɕtɕˈivɛ mʲˈɛjstsɛ, mˈuvi bʲˈillɨ z uɕmʲˈɛxɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_411.wav|ɲʲˈɛvʲɛm tˈɛɡɔ, ˈɛllɛn. mˈɔʒɛ trˈɔxɛ pˈuʑɲʲɛj?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_222.wav|dʑˈɛŋki tˌɛmu i spˌɔnsɔriŋɡˈɔvi zɛskˈɔku spˌadɔxrˌɔnɔvˈɛɡɔ mɔʒˈɛmɨ pˈɔzbɨtɕ ɕɛ kˌamɛrˈɔna ˈaʒ dɔ ɕfʲˈɔnt.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_332.wav|mˈɔɡwabˌɨɕ rˈɔbʲitɕ fʃˈɨstkɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_55.wav|bˈɛtskɨ zˌɔbatʃˈɨwa, jˈak na tfˈaʒɨ jˈɔɛ malˈujɛ ɕɛ pʃˌɛraʒˈɛɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_6.wav|na ʃˈɨi mʲˈawa ʃmˈaraɡd vʲɛlkˈɔɕtɕi ɡˌɔwɛmbjˈɛɡɔ jˈaja viʃˈɔntsɨ na zwˈɔtɨm waɲtsˈuxu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_16.wav|sˈɛrtsɛ bʲˈiwɔ jɛj ɲʲˈɛtsɔ ʃˈɨptɕɛj, a zmˈɨswɨ mʲˈawa vˌɨɔstʃˈɔnɛ. lˈɛpʲɛj ˌɔdbjɛrˈawa fʃˈɛlkʲɛ dʑvʲˈɛŋki, ɔbrˈazɨ i zapˈaxɨ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_386.wav|jˈɛɕli f krulˈɛfskʲɛj pʃɨstˈaɲi ɲʲɛ bˌɛɲdʑɛ burdˈɛli, ix stˈatki bˌɛndɔ̃ zˌavijˈawɨ dɔ dˌuskɛndˈalɛ ˈalbɔ ɡˈulltawn.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_7.wav|ˌarɛʃtˈaɲtɕi i malˈaʒɛ snˈuli ɕɛ pɔ kˌɔrɨtˈaʒaɣ zaswˈanɨx starˈɨmi ɡˌazɛtˈami.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_3.wav|skɔɲtʃˈɨwɔ ɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_141.wav|jˈuʃ mʲˌawɛm ˌɔtpɔvʲˈɛdʑɛtɕ, pɔ tʃɨm pʃˌɨpɔmɲʲˈawɛm sˈɔbjɛ, ʒˈɛ fˈatsɛt lɛʒˈɔntsɨ f pʃɛtɕˈɔŋku tɔ tˈɛʒ bʲˈillɨ, ɲʲˌɛjɛdnˈɛmu psˈu na ˈimjɛ bˈurɛk.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_53.wav|mɨlˈiwam ɕɛ, kʲˈɛdɨ vɔntpˈiwam, ʒˈɛ bˌɛndɛ f stˈaɲʲɛ ɡˈɔ rɔspˈɔznatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_74.wav|fɕˈadaj, fɕˈadaj! kʃˈɨtʃaw jˈamisɔn.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_13.wav|vɨdˈajɛ mi ɕɛ, ʒˈɛ rˈanɔ znˈuv zɔstˈanɛ pʃˌɛswuxˈana. nˈadal jˌɛstɛm iɣ ɡwˈuvnɔ̃ pˌɔdɛjʒˈanɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_221.wav|kʲˈɛdɨ dʑɛftʃˈɨna fstˈawa, sˈam zˌauvˈaʒɨw, ʒˈɛ pɔt pwˈaʃtʃɛm jɛst nˈaɡa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_71.wav|fʃˈɨstkɔ f pɔʒˈɔntku? tsˈɔ ɕɛ dʑˈɛjɛ?|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_113.wav|ˈujɔw vˈɔdʑɛ w lˈɛvɔ̃ dwˈɔɲ i zavrˈutɕiw kˈɔɲʲa. — paˈɨnɛ!|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_233.wav|fskˈazaw na kʃˈɛswɔ. ɕˈadaj, zabˈujtsɔ!|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_55.wav|pɔnˈɔvɲʲɛ vzruʃˈɨwa rˌamjɔnˈami.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_476.wav|i bˈaviw mɲʲɛ rɔzmˈɔvɔ̃. dˈɔbrɨ i tɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_2.wav|tˈɔm i bˈɛtskɨ zajˈɛli mʲˈɛjstsa, ʒˈɛbɨ ɔbˈɛjʒɛtɕ pʃˈɛbjɛk rɔzmˈɔvɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_405.wav|ˈalɛʃ skˈɔnt, pˈaɲʲɛ kˌɔmisˈaʒu?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_37.wav|ɲʲɛ skɔɲtʃˈɨwɛm jˈɛʃtʃɛ pʃˌɛkazˈɨvadʑ dˈɔbrɨɣ vʲˈɛɕtɕi. na pʃˌɛtɕivlˈɛɡwɨm krˈaɲtsu tˌɛɡɔ pˈɔla jɛst kavˈawɛɡ ʑˈɛmi, ktˌurɨ nˈaʃɨm zdˈaɲʲɛm pɔswˈuʒɨw za mʲˈɛjstsɛ dɔ pˌarkɔvˈaɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (26)_segment_37.wav|ɲʲɛ, ˈaram, naprˈavdɛ tˈaka ɲʲɛ jˈɛstɛm. pʃɛprˈaʃam, ɲʲɛ xtɕˈawam ɲikˈɔɡɔ zdˌɛnɛrvˈɔvatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_144.wav|jɛj swˈɔva mnˈɔ̃ fstʃɔ̃snˈɛwɨ, ˌalɛ ɲʲɛ mˈɔɡwam pʃˈɛstadʑ ɡˈɔ brˈɔɲitɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_34.wav|mˈam nadʑˈɛjɛ, ʒˈɛ jɛj tˌɛɡɔ ɲʲɛ pˌɔvʲɛdʑˈawaɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_470.wav|ja zˈafʃɛ jˌɛstɛm zˌadɔvɔlˈɔnɨ.|0
+Dataset/wavs/urwisko_ferenc/43_segment_65.wav|xˈɛrman ɕlɛdʑˈiwa vzrˈɔkʲɛm, jˈak pratsˈɔvɲik fˈirmɨ bˌasɛnˈɔvɛj fɕˈada dɔ dˌɔstaftʃˈaka i zˌatʃaskˈujɛ dʒvˈi, ftɕˈɔ̃ʃ s tˌɛlɛfˈɔnɛm pʃɨ ˈuxu.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_267.wav|zavʒˈɛmɨ transˈaktsjɛ.|4
+Dataset/wavs/urwisko_ferenc/08_segment_126.wav|ɔdˈɛzvaw ɕɛ skʃɛklˈivɨ mˈɛ̃ski ɡwˈɔs.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_77.wav|mˈawa, twˈusta dʒˈɛjn, ɡwˈupja i bˌɔjaʑlˈiva. dʒˈɛjn ɔ ʑɛmˈistɛj tsˈɛʒɛ, ktˌura bˈawa ɕɛ kaʒdˈɛɡɔ tɕˈɛɲʲa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_65.wav|xtɕˈawbɨm mˈudʑ zapˈɛvɲitɕ, ʒˈɛ tɔ bˌɛɲdʑɛ ʃˈɨpkʲɛ i wˈatfɛ, ɲikˈɔla, ˌalɛ ɲʲɛ mˈɔɡɛ tˌɛɡɔ zrˈɔbʲitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_92.wav|fspʲˈɛwam ɕɛ pɔ bˈurtɕɛ i vʒutɕˈiwam tˈɔrbɛ zˈɛ spʃˈɛntɛm dɔ skʃˈɨɲi wˌaduŋkˈɔvɛj. pˈɔtɛm sˈama fskɔtʃˈɨwam dɔ ɕrˈɔtka.|4
+Dataset/wavs/urwisko_ferenc/49_segment_10.wav|tʃˈɛkaj, tʃˈɛkaj. vaʒˈɛxa bˈɨw zˌaskɔtʃˈɔnɨ. dʑˈɛtska xudʑˈiɲskʲɛj?|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_259.wav|dɔbrˈanɔts.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_114.wav|tɔ tˈak jˈaɡbɨ mˌuzuwmˈaɲʲɛ w awstrˈalji vˌɨkɔpɨvˈali dʑˈurɨ i mɔdlˈili ɕɛ ɡwɔvˈami w dˈuw.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_49.wav|prˈɔʃɛ, rˈut, pˈɔzvul mi ɕɛ z ɲʲˈɔ̃ zɔbˈatʃɨtɕ, zˈaɲim ɔdlˈɛtɕi. tɔ tˌɨlkɔ mˈawa dʑɛftʃˈɨŋka. ˌɔna mˈuɕi vʲˈɛdʑɛtɕ, ʒˈɛ ftɕˈɔ̃ʃ jˈɔ̃ kˈɔxam.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_345.wav|ɔsˈunɔw ɕɛ nˈaɲʲɔ̃ tsˈawɨm tɕɛ̃ʒˈarɛm i nˈaɡlɛ pɔtʃˈuwa, ʒˈɛ tʃˈɨma w ramjˈɔnax trˈupa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_92.wav|ɔtpˈarwa ˌɔbɔjˈɛntnɨm ɡwˈɔsɛm, jˈaɡbɨ tɔ bˌɨwɔː ˌɔtʃɨvˈistɛ vˌɨjaɕɲʲˈɛɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_154.wav|ˌɛsˌɛmˈɛs ɔt tɕˈɛbjɛ. ɲʲɛ nˌapisˈawɛɕ tsˈɛntrum ˌɔɡrɔdɲˈitʃɛ pʃˈɛs mˈawɛ tsˈɛ i mˈawɛ ˈɔ. uʒˈɨwɛʑ duʒˈɛɡɔ tsˈɛ i duʒˈɛɡɔː ˈɔ.|2
+Dataset/wavs/urwisko_ferenc/15_segment_12.wav|pˈɔdɲʲus pˈaltsɛm jɛj brˈɔdɛ, zmuʃˈajɔnts mˈarjɛ, bˈɨ spɔjʒˈawa mu w ˈɔtʃɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_150.wav|ˌudavˈawɛm spˌɔntaɲitʃnˈɛɡɔ zˈuxa, ˌimpɛtˈɨka, rˌɔmantɨtʃnˈɛɡɔː ˌutʃutɕˈɔftsa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_17.wav|xtsˈɔ̃, ʒˈɛbɨ pˌɔrɨvˈatʃɛ ˌuvʲɛʒˈɨli, ʒˈɛ jˌɛstɛm w dˈɔmu, jˈɛɕli zˌapukˈajɔ̃ dɔ dʒvˈi, f tsˈɔ jˈɛdnak pɔlˈitsja zdˌɛtsɨdɔvˈaɲʲɛ vˈɔntpi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_33.wav|pʃˌɛtstavʲajˈɔntsa ɡwˈɔvɛ jakʲˈɛɡɔɕ mˌaʃkarˈɔna tʃˌɨmajɔntsˈɛɡɔ f pˈaʃtʃɨ klˈamrɛ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_175.wav|budˈɨnɛk pˈɛvɲʲɛ bˈɨw ˌɔpuʃtʃˈɔnɨ, a mˈimɔ tɔ rˈas pɔ rˈas ˌɔbmatsɨvˈawɛm ʃlˈufkɛ f pˌɔʃukivˈaɲʲu tˌɛɡɔ pʲˌɛpʃɔnˈɛɡɔ butɕˈika.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_130.wav|prˌubɔvˈawam ˈukrɨtɕ pʃɛt fʃɨstkˈimi, ʒˈɛ pwˈatʃɛ, ˌalɛ kʲˈɛdɨ spɔjʒˈawam na arˈama, mˈɔjɛ wzˈɨ vˈɨsxwɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_59.wav|uɕmʲˈɛxa ɕɛ. bɛvˈɛrlɨ, jˈasnɛ. jˈɛʃtʃɛ tˌɨlkɔ jˈɛdna valˈiska i jˈuʒ dɔ tɕˈɛbjɛ ˈidɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_23.wav|ɲʲɛ jɛst tˈaka jˈak ˈinɲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_31.wav|tsˈɔrin pɔdˈajɛ dʑˈɛtɕɔm dˈuʒɛ ʃklˈaŋki mlˈɛka, bʲiljˈɛmu mˈawɔ̃. pˈɔtɛm nalˈɛva sˈɔbjɛ, tˈɛʃ mˈawɔ̃ i dɔwˈɔntʃa dɔ ɲˈix.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_141.wav|vˈɔ̃suf pˌasujˈɔntsɨɣ dɔ pɛrˈuki, ktˌurɔ̃ mi kupˈiwa, zapˈuɕtɕitɕ ɲʲɛ zdˈɔ̃ʒɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_35.wav|jɛstˌɛɕmɨ na tˈɨwaɣ budˈɨŋku, f tʃˈɛɲɕtɕi pʃˌɛznatʃˈɔnɛj vɨwˈɔntʃɲʲɛ dla pˌɛrsɔnˈɛlu.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_82.wav|f tɛj xfˈili ɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_252.wav|vʲˈɛnts muɕˈawa pʃɨkˈutsnɔɲtɕ f kˈɔɲtɕɛ i pˈatʃɛtɕ, jˈak mˈɔtʃ spwˈɨva pɔ pɔdwˈɔdʑɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_140.wav|ˈalɛʃ mˈuʃɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_169.wav|pʃˈɨjdʑ dɔ mɲʲɛ, znajdʑˈɛmɨ jˈakʲɛɕ rˌɔzvʲɔ̃zˈaɲʲɛ. ɲʲɛ, mˈuɕiʃ stˈamtɔnd zɲˈiknɔɲtɕ. tʃɨtˈawɛɕ ˈɔtɨh mɔrdˈɛrstfax, ɔ trˈɔɲdʑɛ i irˈiɲʲɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_251.wav|rɔzˈumjɛm tɔ, kʲˈɛdɨ jˌɛstɛm sˈam, ˌalɛ kʲˈɛdɨ vˈidʑɛ ˈinnɔ̃ kɔbjˈɛtɛ, ktˌura jɛst wadɲʲˈɛjʃa i mwˈɔtʃa i pˈɛvɲʲɛ lˈɛpʃa ɔt ɲʲˈɛj, ɲʲɛ rɔzˈumjɛm tˌɛɡɔ znˈuf.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_418.wav|zˈaras tˈam bˈɛndɛ. skˈɔɲtʃɨw pˈitɕ pˈivɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_254.wav|tˈak tɔ pʃɨnˈajmɲʲɛj vɨɡlˈɔnda, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_55.wav|bʲˈillɨ dɔstʃˈɛɡa pˌɔʃarpˈanɛ ruˈinɨ mˌurɔvanˈɛɡɔ budˈɨŋku, ktˌurɨ zapˈɛvnɛ kʲˈɛdɨʑ bˈɨw stˈatsjɔ̃ kˌɔlɛjˈɔvɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_26.wav|dˈɔn ˈɛdmunts ˌɔtfɔʒˈɨwa dʒvˈi, ˌalɛ zˈaras ɕɛ tsɔfnˈɛwa zˈɛ zmarʃtʃˈɔnɨm tʃˈɔwɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_86.wav|tsˈɔlin kwˈadʑɛ dwˈɔɲ na pɔlˈitʃku i pˈatʃɨ na bʲillʲˈɛɡɔː ˌɔkrɔŋɡwˈɨmi ɔtʃˈami pʲˈɛrʃɛj naˈivnɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_162.wav|mˈam pʃˌɛjɛbˈanɛ, mˈɨɕli znˈɔvu.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_125.wav|sˈɛr raˈɨman zatˈɔtʃɨw ɕɛ dɔ tˈɨwu i fpˈad w ramjˈɔna sfˈɛj dʑˈifki. maʃ tˈɛmpɔ̃ ɡwˈɔvɛ, sˈɛr rˌaɨmˈaɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_95.wav|i ɡʒˈɛx ɔt jˈɛɡɔ spˌadajˈɔntsɛj na pɔdwˈɔɡɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_11.wav|ɲʲɛktˌuʒɨ truxtˈajɔ̃, pˌɔpisˈujɔnts ɕɛ kɔndˈɨtsjɔ̃, ˈinɲi tʃwˈapjɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_50.wav|ix ʃɛfˈɔva ˌɔdvrutɕˈiwa ɕɛ i ˌɔpuɕtɕˈiwa pˌɔmjɛʃtʃˈɛɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_134.wav|tsˈɔ tɨ pˌɔvʲɛdʑˈawaɕ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_55.wav|dʑvˈiɡa pˈudwɔ s tˌɛlɛvizˈɔrɛm. ˈidɔ̃ pɔ ɕtɕˈɛʃtsɛ dɔː ɔtfˈartɨɣ dʒvˈi frɔntˈɔvɨx, pˈɔtɛm sxˈɔdʑɔ̃ sxɔdˈami na dˈuw.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_141.wav|udˈawɔ mi ɕɛ vˈɨmknɔɲtɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_80.wav|tˈuʃ ˌɔbɔɡ bjˈura mˈartɨ, napʃˈɛtɕiv dʒvˈi dɔ mɔjˈɛɡɔ ɡˌabʲinˈɛtu, jɛst tˌaki kˈɔɲtɕik, f ktˌurɨm sxɔvˈaliɕmˌɨ trˈɔxɛ vˌɨpɔsaʒˈɛɲʲa dɔ kˈuxɲi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_23.wav|uɕˈadwam na skrˈaju wˈuʃka i pʃˌɨtulˈiwam ɡˈɔ, ˌɔtatʃˈajɔnts rˌamjɔnˈami i lˈɛkkɔ kɔwˈɨʃɔnts.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_228.wav|ktˈɔɕ ɕɛ ɕmʲˈɛjɛ, ktˈɔʑ ʒˈɨtʃɨ spɔkˈɔjnɛj nˈɔtsɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_83.wav|ˈuɲʲuz vzrˈɔk spˌɔɡlɔndˈajɔnts tɔ na bˈɛki, tɔ na rˈɔba.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_88.wav|na kˈaʒdɨm pˈaltsu mʲˈaw pʲˈɛrɕtɕɛɲ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_23.wav|bˈɛtskɨ vʒutɕˈiwa bjˈɛk i ʃˈɨpkɔ vwɔntʃˈɨwa ɕɛ dɔ rˈuxu. ɲʲˈɛvʲɛm. bˈardʑɔ vʲˈɛlu ʒˈɛtʃɨ ɲʲˈɛvʲɛm f tɛj xfˈili. jˈɛdʑmɨ tˈam vʲˈɛnts i ɕɛ pʃˌɛkɔnˈajmɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_29.wav|jˌakakˈɔlvʲɛk jɛst prˈavda, f tɛj xfˈili lˈitʃɨ ɕɛ jˈɛdnak tˌɨlkɔ mˈɔja tsˈurka.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_107.wav|vidʑˈawɛʑ dʑˈiɕ rˈanɔː ˈindjɛ, jɔˈɛlu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_32.wav|jɛstˌɛɕmɨ vˈɛvnɔntʃ, zˌamɛldɔvˈawa tɕˈixɔ dɔ mˌikrɔfˈɔnu. pˌɔinfɔrmˈujtɕɛ nˌadʲinspɛktˈɔra dˌɔuɡlˈasa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_277.wav|zˌatʃɨmˈujɔ̃ ɕɛ na nˈɔts f xɔlˈidaj ˈinn ˈɛksprɛss w lˈinkɔln f stˈaɲʲɛ nɛbrˈaska.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_59.wav|tɔ vʲˈɛlɛ ɔ tˈɔbjɛ mˈuvi, ˈanɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_33.wav|vˈɨbatʃ, ʒˈɛ ɕɛ ftrɔɲtɕˈiwam, tˈɔm, ˌalɛ fˈatsɛt mɲʲɛ fkˈuʒɨw.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_17.wav|jˈak udˈawɔ tɕi ɕɛ pʃɛkˈɔnatɕ tɨx lˈudʑi, ʒˈɛbɨ ftɕɛlˈili ɕɛ w rˈɔlɛ dˌɛtɛktˈɨvuf i prˌatsɔvɲˈikuf ɔpʲˈɛki spɔwˈɛtʃnɛj, a pˈɔtɛm zabrˈali mɲʲɛ i mˈili na pʃˌɛswuxˈaɲʲɛ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_130.wav|vʲˈɛnts ʃˈɛdwɛm tˈak, ˌɛskɔrtɔvˈanɨ pʃˈɛz zˌajadwˈɛɡɔ kˈundla, ktˌurɨ ɲʲɛ vʲadˈɔmɔ tʃˌɛmu ˈuvʑɔw ɕɛ nˈamɲʲɛ f tɛj xfˈili.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_215.wav|tˈɛras mˌamɨ tʃˈasɨ krˈula tɔmmˈɛna.|1
+Dataset/wavs/urwisko_ferenc/49_segment_19.wav|w rapˈɔrtɕɛ s sˈɛktsji zvwˈɔk ˌɔdnɔtɔvˈanɔ, ʒˈɛ tʃˈɛɲʑdʑ z ɲˈiɣ zɔstˈawa zɛrvˈana.|0
+Dataset/wavs/urwisko_ferenc/64_segment_19.wav|pɔdˈɔbɲʲɛ jˈak tɛxɲˈitsɨ krˌɨminˌalistˈɨtʃɲi w ʑɛlˈɔnɨm bɛrlˈiŋɡɔ. jˈɛdɛn z ɲˈix jˈat kanˈapki i pɔpˈijaw xɛrbˈatɛ s kˈupka tˌɛrmitʃnˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_149.wav|na jˈɛɡɔ tfˈaʒɨ zaɡˈɔɕtɕiw dʑˈivnɨ vˈɨras, jˈaɡbɨ ɲʲˈɛbɨw jˈuʃ ɔbˈɛtsnɨ z nˈami f kˈuxɲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_135.wav|ˈɔtʃɨ ˌɛdʲisˈɔna tˈɔtʃɔ̃ ɕɛ kˈu bʲilljˈɛmu. lˈɛkˈaʒˈa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_36.wav|dʒˈɛk mˈiltʃaw pʃˈɛs xfˈilɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_36.wav|jɛst jˈɛʃtʃɛ ftʃˈɛɕɲʲɛ, ˌalɛ ɛvˈɛrɡrin strˈit skˈɔrɔ ɕfˈid bˈudʑi ɕɛ dɔ ʒˈɨtɕa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_178.wav|s tɨm drˈuɡʲim.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_212.wav|pˌɔvʲɛdʑˈawa sˈanxɛs i zatʃˈɛwa vɨbjˈɛratɕ nˈumɛr.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_351.wav|pˈɔtɛm rˈazɛm pujdʑˈɛmɨ dɔ stˈatkuf, a kʲˈɛdɨ vrutɕˈimɨ, pʃˌɨɲʲɛɕˈɛmɨ jɛdʑˈɛɲʲɛ, vˈinɔː i drˈɛvnɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_180.wav|mˈama ɔpʲˈɛra ɕɛ plɛtsˈami ɔ kuxˈɛŋkɛ i zatɕˈiska dwˈɔɲʲɛ na xrˌɔmɔvˈanɨm uxfˈɨtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_280.wav|mˈatka na ɡˈuʒɛ kʃˈɨtʃɨ z bˈulu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_43.wav|na ʃtʃˈɛɲɕtɕɛ znˈam xˈaswɔ dˈɔma, pɔɲʲˈɛvaʒ w dˈɔmu ɲʲɛ mˌamɨ ʒˈadnɨx tajˈɛmɲits, vʲˈɛnts lɔɡˈujɛ ɕɛ na jˈɛɡɔ kˈɔntɔː i sprˈavdʑam spˈam.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_457.wav|za dˈuʒɔ ɲʲˌɛjasnˈɔɕtɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_102.wav|mɨɕlˈawam, ʒˈɛ mi ɕɛ pˌɔlɛpʃˈɨwɔ, ʃˈɛptʃɛ ˈɛlis.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_15.wav|ɲʲˈɛxtsɛ bˈɨtɕ tˈɔbɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_147.wav|ɲʲɛ lˈataj na pˈustɨ ʒɔwˈɔndɛk i sxˈɔvaj sˈɔbjɛ sfɔjˈɛɡɔ dɔlˈara.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_247.wav|ɲˈiɡdɨ vʲˈɛntsɛj fspˈulnɨx sˌaɲitarjˈatuf.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_141.wav|pˈɔʃɛd dˈalɛj, zɔbˈatʃɨw drutɕˈanɔ̃ ɕˈatkɛ, pʃɨ ktˌurɛj stˈaw jˈakiɕ tʃwˈɔvʲɛk w jˈasnɛj kɔʃˈuli.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_4.wav|jɛst pˌɔɲʲɛdʑˈawɛk, sˈamɔ pɔwˈudɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_131.wav|ɲʲˈus pʃˌɛvʲɛʃˈɔnɔ̃ pʃˈɛs rˈamjɛ tˈɔrbɛ i uɕmʲˈɛxaw ɕɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_4.wav|pˌasaʒɛrˈɔvʲɛ ˌapatˈɨtʃɲʲɛ patʃˈɨli pʃˈɛz brˈudnɛ ʃˈɨbɨ na tˈɛ rˈɛvjɛ xˈasɛw, vˈɛzvaɲ i ɔbjˈɛtɲits.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_295.wav|vˈinɔ zwˌaɡɔdʑˈiwɔ pˌulsujˈɔntsɨ bˈul w jˈɛɡɔ dwˈɔɲi.|1
+Dataset/wavs/urwisko_ferenc/62_segment_16.wav|mʲˈawa jˈɛ vˌɨdrukɔvˈanɛ na ɔsˈɔbnɛj kˈarttsɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_96.wav|ftʃˈɛɕɲʲɛj dʑˈiɕ fstˈawɛɕ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_417.wav|ˌalɛ kʲˈɛdɨ zapˈadɲʲɛ zmrˈɔk...|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_104.wav|jˈak tˈaka maʃˈɨna sˈɔbjɛ rˈadʑi z ˌɔtprɔvadʑˈaɲʲɛm tɕˈɛpwa?|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_173.wav|tɔ tɨ tɔ pˌɔvʲɛdʑˈawɛɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_102.wav|mˈa na sˈɔbjɛ tˌɛɲisˈufki, spudɲˈitʃkɛ pˌɔttɕɔŋɡɲʲˈɛntɔ̃ tˈaɡ vɨsˈɔkɔ, ʒˈɛ ˌɔtswɔɲʲˈɛnta jɛst prˈavʲɛ tsˈawa zɡʲˈɛnta nˈɔɡa i skuʒˈanɔ̃ kˈurtkɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_123.wav|ɲʲɛ pʃɛstˈawabˌɨ mʲˈɛʃatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_9.wav|ˌɔna s kɔlˈɛi zˌajmɔvˈawa ɕɛ spʃɔntˈaɲʲɛm bjˈur, ʒˈɛbɨ zvʲˈɔ̃zatɕ kˈɔɲʲɛts s kˈɔɲtsɛm, tsɔkˈɔlvʲɛk tɔ znˈatʃɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_120.wav|mʲˈaw na sˈɔbjɛ ɡrˌanatˈɔvɔ̃ kˈurtkɛ z mˌɔɕɛ̃ʒnˈɨmi ɡˌuzikˈami w ɡwˌupkɔvˈatɨm ˌiksˌiˈiɡzvʲˈɛtʃnɨm stˈɨlu i tʃˈapkɛ kˌɔnduktˈɔrskɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_168.wav|jˈuʃ mˈɨɕli ˈɔtɨm, tsˈɔ jˈutrɔ napˈiʃɛ.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_114.wav|mˈuj ˈɔjtɕɛdʑ bˈɨw vʲˌɔswɔmˈistʃɛm na nɨmˈɛrji.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_182.wav|ɲʲɛ dˈawɔ ɕɛ tˌɛɡɔː uɲˈiknɔɲtɕ. tsˈawɨ tɛn ˈɔpʃar zˈɔstaw dˈavnɔː ˌɔtʃɨʃtʃˈɔnɨ zˈɛ fʃɨstkʲˈɛɡɔː ˈɔprutʃ pˈɨwu.|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_32.wav|ˈɔjtɕɛdʑ bˈɨw fɕtɕˈɛkwɨ.|4
+Dataset/wavs/urwisko_ferenc/48_segment_5.wav|pamjˈɛntaw tˈɛʃ lˈɔdɨ na patˈɨku i ʑˈimnɛ napˈɔjɛ z lɔdˈufki.|0
+Dataset/wavs/urwisko_ferenc/03_segment_95.wav|zatʃɲˈijmɨ ɔt tˈɛɡɔ, ʒˈɛ imˈawa ɕɛ rˈuʒnɨx prˈats.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_9.wav|spɔtkˈawam jˈɔ̃ tamtˈɛɡɔ dɲʲˈa, kʲˈɛdɨ zabrˈawam jˈɔ dɔ dˈɔmu. pˌɔdavˈawa ɕɛ ftˈɛdɨ za ʃˈɔnɛ, pɔmˈɔtsnɔ̃ pʃˌɨjatɕˈuwkɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_157.wav|kturˌɛmu ˌɔbjɛtsˈanɔ fʃˈɨstkɔ, a ɲʲɛ dˈanɔ ɲitʃˈɛɡɔ. znˈuv vˈɨpiw wˈɨɡ ɡʲˈinu,|0
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_11.wav|bʲˈillɨ upˈuʃtʃa tˈɔrbɛ i kˈɔpjɛ ɡˈɔ w bʒˈux.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_194.wav|fpˈadnɛ jˈutrɔ pɔ pɔwˈudɲʲu pɔ mˈɔjɔ̃ zabˈafkɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_329.wav|jˌɛstɛm bʲˌiznɛsmˈɛnɛm i mˈɔja prˈatsa pɔlˈɛɡa na vˌɨkɔʒˌɨstɨvˈaɲʲu zasˈɔbuf, ktˌurɨx pˌɔtɛntsjˈawu ɲˈikt ɲʲɛ dɔstʃˈɛɡa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_23.wav|pʃɛjˈɛxaw pʃˈɛz brˈamɛ, a ja vrˈɛntʃ ˌɔswupʲˈawam.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_107.wav|starˈawam ɕɛ kʲɛrˈɔvatɕ nɔɡˈami w dˈuw. mʲˈawam nadʑˈɛjɛ, ʒˈɛ f tˈakʲɛj pɔzˈɨtsji bˌɛɲdʑɛ mi wˈatfʲɛj zˌapanˈɔvatɕ nat impˈɛtɛm ˌudɛʒˈɛɲʲa.|4
+Dataset/wavs/urwisko_ferenc/63_segment_102.wav|pilˈɛfska ɕlizɡˈawa ɕɛ vzrˈɔkʲɛm pɔ blˈatɕɛ stˈɔwu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_153.wav|ɲʲˈɛvʲɛm, tsˈɔ pɔvʲˈɛdʑɛtɕ, ˌalɛ vʲˈɛm, tsˈɔ pɔvˈinnam zrˈɔbʲitɕ, vʲˈɛndʑ bjˈɔrɛ dɔ rˈɛŋki tɛlˈɛfɔn.|3
+Dataset/wavs/urwisko_ferenc/47_segment_46.wav|dlatˈɛɡɔ pˌɔtfʲɛrdʑˈiwam, ʒˈɛ tɔ mɔʒlˈivɛ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_257.wav|tsɛrsˈɛi ɲʲɛ mˈɔɡwa pɔfstʃˈɨmatɕ uɕmʲˈɛxu. nˈavɛt jɛj pˈan ˈɔjtɕɛts ɲʲɛ sprˈaviwbˌɨ ɕɛ lˈɛpʲɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_6.wav|na pɔdwˈɔdʑɛ pʃɛtɕˈɔŋka lɛʒˈɛli dvˈaj ˌɛksplɔratˈɔʒɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_26.wav|pʃɨjˈɛmna pɔɡˈɔda zvabʲˈiwa tˈutaj tsˈawɛ rɔdʑˈinɨ. jˌɛstɛm mˈɔtsnɔ zˌaskɔtʃˈɔna, kʲˈɛdɨ zˈɛrkam na zɛɡˈarɛk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_8.wav|tsˈɔɕ takʲˈɛɡɔ nˈavɛt ɲʲɛ pʃɨʃwˈɔbɨ mi dɔ ɡwˈɔvɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_19.wav|dˈalɛ fskˈɔtʃɨw na sfˈuj stˈɔwɛk.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_35.wav|nˈɔ, mˈɔʒɛ ɲʲɛ dɔswˈɔvɲʲɛ tˈak.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_124.wav|mˈikɛ pɔwˈɔʒɨw rˈɛŋkɛ na dʑvˈiɡɲi pʃˌɛpustɲˈitsɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_182.wav|pʃˌɛtpwatsˈɔnɔ̃ kˈartɛ dˌɛbɛtˈɔvɔ̃ ɲʲɛ jɛst pˌɔvʲɔ̃zˈana z ʒˈadnɨm kˈɔntɛm baŋkˈɔvɨm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_142.wav|ˈalbɔ z mˈɔjɛj ulˈitsɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_8.wav|ˌɔna zamjˈɛʒa ˌɔpublikˈɔvatɕ mˈɔjɛ zdjˈɛɲtɕɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_266.wav|i tɛn ɲʲɛɕmʲˈawɨ kʃˈatʃɛɡ dˌɛlikˈatnɨɣ vwˈɔsuf, jˈak jɛɕˈɛnnɛ trˈavɨ,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_12.wav|jˈaɡ dɔ tˌɛɡɔ dˈɔʃwɔ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_259.wav|i tɨ mˈɨɕliʃ, ʒˈɛ mˈɔɡwɛm tɔ zrˈɔbʲitɕ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_18.wav|ɡˌɛnɛvʲˈɛvɛ ˌɔznajmˈiwa ftˈɛdɨ prˈaɕɛ, ʒˈɛ z ɲˈim skɔɲtʃˈɨwa.|3
+Dataset/wavs/urwisko_ferenc/34_segment_30.wav|dɔtˈarwam dɔ kɔbjˈɛtɨ, ktˌurɔ̃ vˈidʑaw pˈan w ɔɡrˈɔdʑɛ xudʑˈiɲskix.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_60.wav|dʑˈɛŋki, ɔtpˈarwam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_53.wav|tɔ tɨ jˈɛ vʑˈɔwɛɕ, stsˈɔtt?|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_32.wav|dˌɔɕfʲattʃˈɨwam tˌɛɡɔ na vwˈasnɛj skˈuʒɛ i pˈɔvʲɛm vam...|4
+Dataset/wavs/drzwi_anna_szymanczyk/(87) R.Abbott_Zamknij Drzwi_segment_15.wav|pʃɛsˈuvam spɔjʒˈɛɲʲɛ ɲʲˈɛtsɔ na lˈɛvɔ. jˈɛʃtʃɛ jˈɛdɛn. tsˈɔ ɕɛ tˈam dʑˈɛjɛ dɔ xɔlˈɛrɨ?|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_101.wav|kʲˈɛdɨ tˌaki sˈɛjf ɲʲɛ jɛst ˌuʒɨvˈanɨ, dʒvˈitʃki pˌɔzɔstˈajɔ̃ ɔtfˈartɛ na ˈɔɕtɕɛʃ.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_37.wav|ˈukwat ˌɛlɛktrɔɲˈitʃnɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_39.wav|ˈuɕmʲɛx spˈɛws s tfˈaʒɨ tˈɔma.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_42.wav|bˈɛki ɕɛŋɡnˈɛwa pɔ rˈadjɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_19.wav|zjˈɛdliɕmˌɨ rˈazɛm kɔlˈatsjɛ, vˌɨkɔmpˈawam ɡˈɔ, pˌɔwɔʒˈɨwam dɔ wˈuʃka, pʃˌɛtʃɨtˈawam bˈajkɛ, a pˈɔtɛm sˈama vʑˈɛwam kɕˈɔ̃ʃkɛ, ʒˈɛbɨ pʃˈɨɲʲɛj zˈasnɔɲtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(87) R.Abbott_Zamknij Drzwi_segment_11.wav|ɲʲˈɛbɔ rɔzjˈaɕɲʲa ɕɛ na mˈɔmɛnt i ˌɔkazˈujɛ ɕɛ, ʒˈɛ pˈɔlɛ jɛst pˈɛwnɛ ˈɔvʲɛts, ktˌurɛ spɔkˈɔjɲʲɛ jˈɛdʑɔ̃ trˈavɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_36.wav|ˈɛlis f tɨm tʃˈaɕɛ pʃɛsˈuva pˈaltsɛm pɔː ɛkrˈaɲʲɛ, pɔxˈɨla ɕɛ nat tˌɛlɛfˈɔnɛm, ɲʲˌɛtɕɛrplˈivʲɛ ˌɔdɡarɲʲˈajɔndʑ vwˈɔsɨ s tfˈaʒɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_111.wav|ɲʲɛ xˈɔdʑi im ɔ zˈɨski, vɨjˈaɕɲiw dʲibˈɔis.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_77.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_35.wav|zɡɔdʑˈiwam ɕɛ na tfˈuj vˈɨbur, xˈɔdʑ vidʑˈawam tˌɨlkɔ fˌɔtɔɡrˈafjɛ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_4.wav|ta ɕfʲadˈɔmɔɕtɕ pˌɔtɕɛʃˈawa ˈarjan.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_175.wav|i mˈɔtsnɔ valnˈɛwa sakʲˈɛfkɔ̃ w blˈat stˈɔwu, za ktˌurɨm ɕˈɛdʑaw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_240.wav|twumˈatʃɨw jɛj, ʒˈɛ ɲʲˌɛpɔtʃˈɛbɲʲɛ, ˌalɛ tɔ jˈaɡ ʒˈutsadʑ ɡrˈɔxɛm ɔ ɕtɕˈanɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_61.wav|stˈɛvɛ vɨrˈaʑɲʲɛ mɲʲɛ ˌiɡnɔrˈujɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_278.wav|ja ɲʲɛ ɔtʃˈɛdwɛm ɲˈiɡdɨ ɔt ɲʲˈɛj, vʲˈɛnts ɲʲɛ ɔtʃˈɛdwɛm ɲˈiɡdɨ ɔt tɕˈɛbjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_153.wav|ˌalɛ tˈak, tɔ f sˈumjɛ na jˈɛdnɔ vɨxˈɔdʑi. i rˈaz zvrutɕˈiwɛm mu nˈatɔ uvˈaɡɛ. vʲˈɛʃ, tsˈɔ pɔvʲˈɛdʑaw?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_29.wav|ɲʲɛ vʲɛdʑˈawa jˈɛdnak, tʃɨ vʲˈɛɕtɕi, ktˌurɛ pʃɨnˈɔɕi, sɔ̃ dˈɔbrɛ tʃɨ zwˈɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_107.wav|bʲˈillɨ ɲʲɛ jɛst pˈɛvʲɛn, tʃɨ ˈufa tˌɛmu tʃwˌɔvʲɛkˈɔvi. ɲʲɛ mˈɔʒɛ pˈatʃɛtɕ na jˈɛɡɔ ɲʲɛxlˈujnɨ zˈarɔst.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_452.wav|ɲʲˈɛvaʃ ɕɛ jɛj dˈɔtknɔɲtɕ. ja jˌɛstɛm krˈulɛm, ɲʲɛ tˈɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_273.wav|pɔ tʃɨm bˈɛs swˈɔva, rˈuxɛm vˈɔlnɨm i ɲʲˈɛmal pʲˌɛʃtʃɔtlˈivɨm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_636.wav|w rˈaʑɛ tʃˈɛɡɔ vɨkˈupjɛ tɕˈɛ, zasˈɨpjɛ fʃˈɨstkix wˌapufkˈami.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_167.wav|sˈɛr xˈɛil vɨkʃˈɨviw tfˈaʃ w ˌirɔɲˈitʃnɨm ɡrɨmˈaɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_154.wav|pˌɔtpɔvʲˈɛdʑaw ksˈɔndɔ. tˈak, dɔ pʲˌɛrdɔlˈɛɲʲa.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_136.wav|ɲʲɛ bˌɛndɛ tɕi pʃɛʃkˈadʑaw w ˌɔtpɔtʃˈɨŋku.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_163.wav|na mˈɔʒu, ɡdˈɨ jˈuʃ minˈɛli skˈaɡɔs, ɲˈiɡd z ɲˈix ɲʲˈɛjad zbˈɨd vʲˈɛlɛ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_180.wav|ʃtʃˈɨd vzɡˈuʒa vʲˈɛɲtʃɨw ɲˈiski mˈurɛɡ z ɲʲˌɛpɔwɔntʃˈɔnɨɣ za prˈavɔ̃ kamjˈɛɲi, ˌɔtatʃajˈɔntsɨ skupˈiskɔ dˈuʒɨɣ budˈɨŋkuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_199.wav|pɔstˈaraj ɕɛ tˌɛɡɔ ɲʲɛ spʲˈɛpʃɨtɕ, baʃˈara dˈɔdaw bˈɔp.|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_62.wav|ˌɔtʃɨvˈiɕtɕɛ natˈɨxmʲast ˌɔblɛpˈiwa mɲʲɛ varstˈɛfka pˈɨwu, ktˌurɨ zamjˈɛɲiw ɕɛ w ˌɔbʒɨdlˈivʲɛ ʃˈarɛ bwˈɔtɔ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_376.wav|nˈavɛd ɡdˈɨ jˈɛɡɔ stˈɔpɨ uɲʲˈɔswɨ ɕɛ nad ʑˈɛmʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_209.wav|uɕˈadwa na wˈɔʒu i vˌɨɡwadʑˈiwa jˈɛɡɔ dwˈuɡʲɛ, mʲˈɛŋkkʲɛ vwˈɔsɨ.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_103.wav|dˌaɛnˈɛrɨs jɛst jɛdˈɨnɔ̃ nadʑˈɛjɔ̃, zakˈɔɲtʃɨw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_72.wav|ˌalɛ tɔː ɔznˈatʃa, ʒˈɛ mˈuɕawbˌɨ pˈisatɕ ɔ marˈinɛs, a tˈaɡ dˈuʒɔ ɕɛ ftˈɛdɨ dʑˈawɔ, pˌɔtʃɨnˈajɔnts ɔt pɔdrˈuʒɨ ˌawtɔbˈusɛm na vˈɨspɛ pˈaris ˈu ɲitˈarki.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_308.wav|jˈakʲɛʒ bˌɨwɔ mˈɔjɛ zdʑivʲˈɛɲʲɛ, kʲˈɛdɨ zˌɔbatʃˈɨwam ɡˈɔ tʃˈɨ mˈɛtrɨ ɔt sfˈɔjɛj tfˈaʒɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_131.wav|tʃˈujɛ, ʒˈɛ mwˈ��dʑi mɛ̃ʃtʃˈɨʑɲi na ɲʲˈɛɡɔ pˈatʃɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_193.wav|pˌɔkɔnˈaliɕmˌɨ krˈutki ɔttɕˈinɛɡ drˈɔɡʲi, ˌɔkrɔ̃ʒˈajɔnts tsˈɛntrum vˌɨtɕɛtʃkˈɔvɛ.|4
+Dataset/wavs/urwisko_ferenc/31_segment_29.wav|bɔrˈɛvidʒ zˌaparkˈɔvaw pɔt nˈɛttɔː i pʃˈɛʃɛd ulˈitsɔ̃ rˈɛja f kʲɛrˈuŋku kˌamjɛɲˈitsɨ, f ktˌurɛj znˌajdɔvˈawɔ ɕɛ mʲɛʃkˈaɲʲɛ lˈipskʲɛj.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_73.wav|dʑˈivnɛ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_128.wav|s pɛvnˈɔɕtɕɔ̃ vɔlˈawabˌɨɕ, ʒˈɛbɨ bˈɨw tˈu, ɡdʑˈɛ mˈɔɡwabˌɨʑ ɡˈɔ tsɔdʑˈɛnɲʲɛ ɔɡlˈɔndatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_202.wav|tfˈɔʒɨ çistˈɔrjɛ tˌɛɡɔ mʲˈɛjstsa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_54.wav|ɲʲɛ bˌɨwa ˌaɲi jˈɛdnɨm, ˌaɲi drˈuɡʲim i ɲʲˈɛmam pɔjˈɛɲtɕa, dlatʃˈɛɡɔ zˌawɔʒˈɨwa, ʒˈɛ ɲʲɛ ɔtkrˈɨjɛ jɛj kwˈamstfa.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_310.wav|mˈɔi ʃɛptˈatʃɛ mˈuvjɔ̃ mi, ʒˈɛ ɡˈɔ bʲitʃˈujɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_382.wav|jˈɛdnɔ ɲʲɛ vɨklˈutʃa druɡʲˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_101.wav|fɔrmˈalɲʲɛ jˌɛstɛm ˌɔbɨvatˈɛlkɔ̃ arˈabji sawdˈɨjskʲɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_31.wav|mˈɔʒɛ pɛvnˈɛɡɔ dɲʲˈa bˌɛndɛ mʲˈaw dʑˈɛtskɔ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_337.wav|rɔzˈɛjʒaw ɕɛ pɔ sˈɛptɕɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_28.wav|vɨʃˈɛdwɛm na kɔrˈɨtaʃ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_124.wav|ʒartˈujɛʃ sˈɔbjɛ zˈɛmɲʲɛ. brˈamna ˈami mˈuɕi bˈɨdʑ bˈardʑɛj ɡrˌɔnɔstˌajɔvˈata ɲˈiʃ mi ɕɛ zdavˈawɔ, jˈɛɕli pɔpxnˈɛwa xwɔpˈaka dɔ takʲˈɛɡɔ krˈɔku.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_136.wav|ʃˈɛptʃɛ mˈama i zˈɛrka na ɲʲˈɛɡɔ ɲʲɛpˈɛvɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_66.wav|pˌɔtkɔmˈisaʃ ɔdvrˈutɕiw ɕɛ, xtɕˈaw sprˈavdʑitɕ, tʃɨ ˈidɛ zˈaɲim.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_45.wav|ɲʲɛ ɔtfʲˈɛram ˈɔtʃu i ɲʲɛ pɔrˈuʃam ɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_265.wav|ɲˈiɡdɨ ɲʲɛ zˌɔstavˈiwɛm naɕˈɛɲʲa vɨ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_12.wav|ɡdˈɨbɨ tˈak ɕɛ stˈawɔ, ɲʲɛ sˈɔɲdʑi, bˈɨ mˈuɡw jˈɔ̃ zˈabʲitɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_26.wav|brˈama bˌɨwa ɔtfˈarta.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_137.wav|w ɔtfˈartɨɣ dʒvʲˈax stˈɔi vɨsˈɔki mɛ̃ʃtʃˈɨzna f kɔʃˈuli, ktˌurɛj rɛŋkˈavɨ pɔdvˈinɔw pɔɲˈiʒɛj wˈɔktɕi. tˌɔvaʒˈɨʃɨ mu kɔbjˈɛta ɔ kˌaʃtanˈɔvɨɣ vwˈɔsax.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_122.wav|a jˈɛɕli xˈɔdʑi ɔ lˈɔrda ɡʲillˈɛsa...|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_117.wav|tɔ za bˈardʑɔ pʃˌɨpɔminˈawɔ ɡˈak f stˈɨlu bustˈɛra kˌɛatˈɔna, ʒˈɛbɨ mˈɔɡwɔ ɕɛ ˈudatɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_95.wav|i tˈɛras jˈuʒ vʲɛdʑˈɛli ˈɔbaj, ˈiʃ jɛst tɔ jɛdˈɨnɛ pravdʑˈivɛ tɕˈɛpwɔ, kturˌɛɡɔ zaznˈali w ʒˈɨtɕu ɔt fʃˈɨstkix lˈudʑi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_33.wav|bʲiljˈɛmu tɔ ɕɛ ɲʲɛ pɔdˈɔba, vʲˈɛnts kʲɛrˈujɛ jˈɔ̃ dɔ ʒˈɛndu jˌɛdnɔrˈɛŋkiɣ bandˈɨtuf, ɡdʑˈɛ ˈɛlis f pˈuw ɡɔdʑˈinɨ vɨɡrˈɨva kɔlˈɛjnɛ tʃɨdʑˈɛɕtɕi dˈɔltsuf. ɔdvrˈatsa ɕɛ dɔ ɲʲˈɛɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_58.wav|f tɛj sˈamɛj xfˈili pɔtxˈɔdʑi pʲˌɛlɛŋɡɲʲˈarka. pˈaɲi frˈaŋklin, pˈana tsˈurka ɕɛ bˈudʑi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_64.wav|i vbʲˈiw vzrˈɔk f pɔdwˈɔɡɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_121.wav|ˌɔpisˈujɛ f pʲˈɛrʃɛj ɔsˈɔbjɛ, jˈaɡbɨm tɔ ja ɕɛ vˌɨpɔvʲadˈawa, jˈaɡ zdjˌaɡnɔzɔvˈanɔː ˈu mɲʲɛ ʒˈatki pʃɛpˈadɛk rˈaka.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_355.wav|mˈɔja znajˈɔma.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_63.wav|mˈɨɕlɛ, ʒˈɛ nˌadʲinspˈɛktɔr dɔˈuɡlas rˈuvɲʲɛʃ pɔvˈiɲʲɛn tɔː uswˈɨʃɛtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_141.wav|pˌɔvʲɛdʑˈafʃɨ tɔ zˈɛʃwam na dˈuw dɔ sˈali pˌɔkɛrˈɔvɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_32.wav|fʃˈɨstkɔ bˌɨwɔ vɨrˈaʑnɛ jˈak na dwˈɔɲi. kʃatʃˈastɛ brvˈi jˈasimˌa, jˈɛɡɔ vˈarɡʲi, tʃɛrvˈɔnɛ jˈak ˌuʃmiŋkɔvˈanɛ kɔbjˈɛtsɛ ˈusta, ʃpˌakɔvˈatɨ zˈarɔst.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_427.wav|xˈɔtɕaʃ ɲʲɛ jɛst tˈaka vɨsˈɔka jˈak tˈɨ, pˈaɲi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_91.wav|ja bˌɨwam zazvˈɨtʃaj pʃɛtɕˈivnɨm bjɛɡˈunɛm dla mɔjˈɛɡɔ mˈawɔː ˌambʲitnˈɛɡɔ mˈɛ̃ʒa.|3
+Dataset/wavs/urwisko_ferenc/33_segment_55.wav|— ɲʲɛ — pʃɨɕˈadwa na sˈɔfjɛ. — tsˈɔ ɕɛ stˈawɔ?|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_130.wav|artˈɛmiz dˌɛpɔrtˈujɛ tɕˈɛ dɔ krˈaju ɔfjˈarɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_324.wav|ja bˌɛndɛ tʃˈuvatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_54.wav|ˌalɛ tˈata tsˈawɛ ʒˈɨtɕɛ pratsˈɔvaw na sfˈɔjɔ̃ rˌɛputˈatsjɛ i fawʃˈɨvɛ pɔɡwˈɔski ɲʲɛ mˈɔɡɔ̃ mu zaʃkˈɔdʑitɕ. ʒˈadɛn z jˈɛɡɔ kljˈɛntuf ɲʲˈɛdaw ɕɛ nˈabratɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_53.wav|mˈuj kˈumpɛl tˈak ˌɔpɔvʲˈɛdʑawbˌɨ, ʒˈɛ maʃ ʃfˈuŋk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_43.wav|f kɔmˈɔdʑɛ znajdˈujɔ̃ ɕɛ skarpˈɛtɨ, mˈajtki, kɔʃˈulki, dʒˈinsɨ vraŋɡlˈɛrɨ,|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_161.wav|bʲˈillɨ vʲˈɛ, tsˈɔ jˈɛɡɔ kljˈɛɲtɕi sˈɔbjɛ tsˈɛɲʲɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_90.wav|na dʒvʲˈaɣ dˈɔmu w midvˈɔɔd zastˈajɛ kˈartkɛ pʃˌɨtʃɛpʲˈɔnɔ̃ pinˈɛskɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_284.wav|vˈizja bˌɨwa zabˈavna, ˌalɛ tsɛrsˈɛi nˈavɛt pʃˈɛs xfˈilɛ f tɔ ɲʲɛ ˌuvʲɛʒˈɨwa. drˈuɡʲi ˌutʃɨmˈɨvaw, ʒˈɛ vˈidʑaw krasnˈala f trˈupʲɛ kˌɔmɛdjˈantuv w braˈavɔs.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_244.wav|ˌɔdvrutɕˈiwa ɕɛ dɔ mɲʲɛ i pˌɔtsawɔvˈawa f pɔlˈitʃɛk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_23.wav|rˌɔzmavʲˈawam z ˈindjɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_292.wav|rˈuvɲʲɛ dˈɔbʒɛ mˈuɡw bˈɨdʑ zbˌudɔvˈanɨ z wˈɔju.|1
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+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_342.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_74.wav|im ʃˈɨptɕɛj, tɨm lˈɛpʲɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_232.wav|f tɨm pʲˈɛrʃɨm mrˈɔku rˈɨsɨ jɛj ɕɛ zˌatɕɛrˈawɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_41.wav|ɲˈiɡdɨ ɲʲɛ bˌɛɲdʑɛʃ nazˈɨvaw mɲʲɛ dˈavɛ, jˈɛɕli tɔ mˈa bˈɨtɕ mˈɔja pʃɨkrˈɨfka.|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_109.wav|ɡˈɔʒɛj ɲʲɛ mˈɔɡwɔ mi tɔ vˈɨjɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_77.wav|ɲʲˈɛbɨw pˈɛvʲɛn, ˈilɛ pɔvˈiɲʲɛn pɔvʲˈɛdʑɛtɕ.|1
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_79.wav|xˈɛntɲʲɛ vrutɕˈiwam dɔ sfɔjˈɛɡɔ pɔkˈɔju, ˌalɛ ɲʲɛ zasnˈɛwam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_169.wav|mˈɔʒɛ jˈak jˈuʃ ɕɛ ɔtxˈudʑiʃ, ɔbˈɛjdʑɛ ɕɛ bˈɛs ˌɔpɛrˈatsji.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_93.wav|rˈudɨ prˈɨsnɔw w ɲʲˈɛɡɔ vˈɔdɔ̃ zˈɛ zraʃˈatʃa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_72.wav|tʃɨ ja mʲˈawam rˈatsjɛ? tʃɨ tɔ jˈɛɡɔ spɔjʒˈɛɲʲɛ tʃˈuwam na kˈarku f pˌɔɲʲɛdʑˈawɛk? ta mˈɨɕl pʃɨprˈavja mɲʲɛ ɔdrˈɛʃtɕɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_204.wav|tʃɨ pɔ prˈɔstu jˌɛstɛm ˌurɔdʑˈɔnɨm kwˈamtsɔ̃?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_61.wav|a jˈakɔ jˈɛɡɔː ˈɔjtɕɛts ˈaram zaxˈɔva nat ɲˈimi pˈɛwnɔ̃ kɔntrˈɔlɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_4.wav|rˈɔb dʑvˈɔɲiw dɔ naˈɔmi sˈimpsɔn, ktˌurɔ̃ vɨtrˈɔpiw tˈak wˈatfɔ jˈak pʃˌɨpuʃtʃˈali.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_35.wav|kwˈutsɔ̃ ɕɛ ɔ kˈaʒdɨ xɔlˈɛrnɨ pʃɛtɕˈinɛk, a pravɲˈitsɨ ɕɛ tɕˈɛʃɔ̃, ʒˈɛ lˈitʃɲiɡ bʲˈijɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_72.wav|ɲʲɛ zˌɔbatʃˈɨmɨ ɕɛ dʑˈiɕaj, pˌɔvʲɛdʑˈawa ˈɛstɛr.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_64.wav|ɕɛrʒˈaɲtɕɛ, rˌɔzumjˈɛtɕɛ, tsˈɔ mˌatɕɛ rˈɔbʲitɕ, jˈak tˌɨlkɔ sˈummɛrs ˈɔdda stʃˈaw?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_223.wav|ɲʲɛ mˈɔɡɛ tɕˈɛbjɛ zapˈɔmɲʲɛtɕ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_327.wav|jɛj najvʲˈɛŋkʃɔ̃ nadʑˈɛjɛ stˌanɔvˈiwa tsˈɛdra.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_594.wav|mitskʲˈɛvitʃ uɕmʲˈɛxaw ɕɛ ɲʲˌɛpʃɨjˈɛmɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_99.wav|a dɔ tˌɛɡɔ spˌɔvalɲʲˈajɔ̃ transmˈisjɛ dˈanɨx.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_104.wav|jˈɛnnɨ, pˈɔmuʃ mi f tɛj xfˈili. pˈɔvʲɛts, ɔ tsˈɔ tɕi xˈɔdʑi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_130.wav|dˈuʒɨ, fjˌɔlɛtˈɔvɨ ɕˈiɲʲɛts rɔzlˈɛva ɕɛ pɔ jɛj pɔlˈitʃku i skʃɨdˈɛwku nˈɔsa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_170.wav|mˈɔʒɛ zrɔbʲˈimɨ spˈatsɛr dˌɔɔkˈɔwa pawˈatsu? spɨtˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_64.wav|zˈaras jˈɛdnak fʃˈɨstkɔ znˈuf jɛzd vɨrˈaʑnɛ jˈak na dwˈɔɲi.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_316.wav|dlatʃˈɛɡɔ ʒɛlˈaznɨ trˈɔn mʲˈawbɨ nˈatɔ pɔzvˈɔlitɕ?|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_202.wav|mˈɔʒna tɔ bˌɨwɔ vɨtʃˈɨtadʑ z jˈɛɡɔ klˈatki pʲɛrɕˈɔvɛj, bˈaruf i tɛj vɨdˈatnɛj ʃtʃˈɛŋki.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_134.wav|rˌɔssɨpˈawɨ ɕɛ pɔ pɔdwˈɔdʑɛ.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_322.wav|ˈɛmɔn zˌaçixˈɔtaw tɕˈixɔ. ˈalbɔ jˌɛstɛm tˌɨlkɔ kˌɔnajˈɔntsɨm na ɡɔrˈɔntʃkɛ stˈartsɛm.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_196.wav|ˌuʒɨvˈanɨm na nabʒˈɛʒax i f pɔrtˈɔvɨx tavˈɛrnax.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_249.wav|f ktˌurɛj pˈɔpsuw ɕɛ sˈɨstɛm ˌuwatfʲajˈɔntsɨ kʲˌɛrɔvˈaɲʲɛ.|0
+Dataset/wavs/urwisko_ferenc/16_segment_36.wav|ɕfʲˈɛtɲʲɛ ˌutʃɨmˈanɨ, pɔxfˈaliw xwɔpˈaka. stˈaram ɕɛ, ɔ samˈɔxut tʃˈɛba dbˈatɕ, stfʲˈɛrdʑiw mwˈɔdʑan.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_470.wav|vˈɛdlɛ rɔskˈazu vɨsˈapaw sˈɛr bˈɔrɔs, spˌɔɡlɔndˈajɔnts ɲʲˌɛspɔkˈɔjɲʲɛ na krˈula. vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_78.wav|mˈuɡw ɲˈim ɔtfˈɔʒɨdʑ dɔswˈɔvɲʲɛ kˈaʒdɛ dʒvˈi w artˈɛmis.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_5.wav|tɛn instrˈuktɔr?|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_29.wav|dˈaruj sˈɔbjɛ tɛ brˈɛdɲʲɛ, pʃˈɛʃɛd na aŋɡʲˈɛlski. tʃˈɛɡɔ xtsˈɛʃ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_63.wav|musˈimɨ sprˈavdʑitɕ jˈɛɡɔ samˈɔxut, kˈit. pˈɛwna kɔntrˈɔla dˌɛˌɛnˈa i tˈaɡ dˈalɛj. jˈɛɕli jˈɔ̃ zˈabʲiw, ɲʲˈɛmʲawbˌɨ zbˈɨd vʲˈɛlɛ tʃˈasu, ʒˈɛbɨ pˈɔzbɨtɕ ɕɛ tˈɛɡɔ, tsˈɔ na ɕˈɛbjɛ vwˈɔʒɨw.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_162.wav|tˈak jˈak pʃˈɛs tsˈawɔ̃ drˈɔɡɛ zˈɛ stˈarɛj vˈɨɡrɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_65.wav|dˈuʒɨ klˈuɛ uɕmʲˈɛxnɔw ɕɛ, ˌɔtswaɲʲˈajɔnts ʃpˈarɛ mʲˌɛndʑɨ pʃɛdɲˈimi zɛmbˈami.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_187.wav|ˌɔdvrutɕˈiwa ɕɛ f strˈɔnɛ swuʒˈɔntsɛj. dˈɔrkas, pʃˈɨɲʲɛɕ mi kɔrˈɔnɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_170.wav|muvˈiwam tɕˈi, jˈaka z ɲʲˈɛj pɛrfˈidna zˈɔwza?|4
+Dataset/wavs/urwisko_ferenc/12_segment_96.wav|vwˈaɕɲʲɛ dlatˈɛɡɔ ɲʲɛ dʑvɔɲˈiwam.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_144.wav|rˈixtɛr uɕmʲˈɛxa ɕɛ, jˈaɡbɨ vrˈɛntʃaw bʲilljˈɛmu naɡrˈɔdɛ. ɲʲɛ, tɔ jˈuʃ f pˈaɲskix rˈɛŋkaɣ brˈaxu. i pɔdˈajɛ mu dwˈɔɲ.|2
+Dataset/wavs/urwisko_ferenc/11_segment_23.wav|tɔ mɔʒˈɛmɨ sˈɔbjɛ pˈɔdatɕ rˈɛntsɛ. zmruʒˈɨwam ˈɔkɔ dɔpʲˈɛrɔ nat rˈanɛm, pˌɔʒalˈiwa ɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_52.wav|tɔ tsˈɔ? ɲʲɛ napˈiʃɛʃ, jˈaɡ dˈɔʃwɔ dɔ tˈɛɡɔ, ʒˈɛ zajˈɔwɛɕ ɕɛ zˌabʲijˈaɲʲɛm lˈudʑi za pʲɛɲʲˈɔndʑɛ?|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_9.wav|brjˈɛnnɛ vidʑˈawa pasˈɔntsɛ ɕɛ na stˈɔku ˈɔftsɛ ˌɔraz bɔtɕˈanɨ brɔdʑˈɔntsɛ f pwˈɨtkiɣ vˈɔdaɣ vˈɔkuw pʃɨstˈaɲi prˈɔmu.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_57.wav|jˈuʃ najvˈɨʃʃɨ tʃˈas. ɲʲɛ uɕtɕˈiskaʃ stˈarɛj, ɡrˈubɛj tɕˈɔtki?|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_103.wav|lˈadɨ amˈɔrɨ zˌarɛˌaɡɔvˈawa jˈɛdnaɡ z zaxfˈɨtɛm. jˌɛstɛɕ pravdʑˈivɨm rɨtsˈɛʒɛm, sˈɛr lˈɨlɛ.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_348.wav|ɲʲɛ mˈɔɡɛ mu ɔdmˈuvitɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_21.wav|ˌɔdɛzvˈawam ɕɛ pɔː arˈapsku.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_213.wav|pˈɔdɲʲɔ̃ zaɕˈadaw na trˈɔɲʲɛ jɛj ˈɔjtɕɛts.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_256.wav|vɨdˈajɛ tɕˈi ɕɛ, ʒˈɛ jɛstˌɛɕmɨ w vɛstˈɛrɔs?|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_21.wav|tɔ ɲˈidʑ dla mɲʲɛ ɲʲɛ znˈatʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_198.wav|rˌuʒnɔbˈarvnɛ ˈɔtʃɨ wɨpˈawɨ nˈaɲʲɔ̃ ʃɨdˈɛrtʃɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_140.wav|ˈaram ɲʲɛ mˈɔʒɛ dˈɔstatɕ alfjˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_138.wav|ɔdbˈurknɔw stˈaʒɛts i zˈɛrknɔw nˈamɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_29.wav|ɲikˈɔmu ɲˈits ɕɛ ɲʲɛ stˈawɔ, ˌalɛ vˈarʃtat spwˈɔnɔw dɔʃtʃˈɛntɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_304.wav|jˈɔ̃ rˈuvɲʲɛʃ tʃˈɛka prˈɔtsɛs.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_77.wav|zˌapɔmɲˈijtɕɛ, ʒˈɛ ˈɔtɔ spɨtˈawɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_75.wav|ˈɔjtɕɛdʑ vzrˈuʃɨw rˌamjɔnˈami.|4
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_178.wav|pˈɔttʃas spɔtkˈaɲʲa na vˈɨspʲɛ rˈɔɡɛr klˈɛrkɛj pɔvʲˈɛdʑaw ɲitskˈɔvi, ʒˈɛ bˈɨw na bˈaɲi i pɔ prˈɔstu xtɕˈaw zɔbˈatʃɨtɕ, jˈak tɔ jˈɛst.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_11.wav|pɔ prˈɔstu tɔ pˈɔkaʃ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_78.wav|nˌastɔmpˈiwa xfˈila tɕˈiʃɨ, pɔ tʃɨm ˌɔdɛzvˈawa ɕɛ tɕˈixʃɨm, drʒˈɔntsɨm ɡwˈɔsɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_152.wav|ɲʲɛ mʲˈɛʃaj, a ɲʲɛ bˌɛɲdʑɛʒ ʒawˈɔvaw, mˈuvi, tɔ zɨ...|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_243.wav|dˈuʒɔ prˈavdɨ jɛst f tɨx plˈɔtkax.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_10.wav|zɡˈɔdɲʲɛ s pʃˌɨpuʃtʃɛɲʲˈami, ˈɛlis uznˈawa mˈartɛ za dʑivˈadwɔ.|3
+Dataset/wavs/urwisko_ferenc/52_segment_7.wav|ˌalɛ kʲˈɛdɨɕ mi ɕɛ zˈatɔ ɔdvdʑˈɛntʃɨʃ, ʒˈutɕiw bɔrˈɛvitʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_156.wav|tsˈɔː ɔdvrˈutɕi ix uvˈaɡɛ?|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_387.wav|bˈɨtɕ mˈɔʒɛ sˈɛr ɛˈaliŋɡ ɡˈɔː upʃˈɛdʑiw.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_284.wav|za dˈuʒɔ vˈina i za mˈawɔ snˈu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_154.wav|tʃɨ pʃˈɛʒɨtɕ raptˈɔvnɨ flˈirt?|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_54.wav|ɲʲɛ mˈuɕiʒ dʑɛŋkˈɔvatɕ. zrɔbʲˈiwabˌɨm dla tɕˈɛbjɛ fʃˈɨstkɔ, bʲˈillɨ.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_381.wav|tɔ bˌɨwa dʑˈivna ɔtpˈɔvʲɛtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_53.wav|mˌamɨ tɛlˈɛfɔn, ftrˈɔɲtɕiw tˈɔm, ˌalɛ ɲʲɛ jɛzd zˌarɛjˌɛstrɔvˈanɨ na ɛdmˈuntsa.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_191.wav|tʃˌɛmu bˈɨ ɲʲɛ nˈaz dvˈux, sˈɛr?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_30.wav|vʲˈɛm, ʒˈɛ ɲʲɛktˌuʒɨ lˈudʑɛ ˌuvaʒˈajɔ̃ tɔ za drˈɔbjask, a ˈinnɛ dʑɛftʃˈɨnɨ dˌɛtsɨdˈujɔ̃ ɕɛ nˈatɔ, kʲˈɛdɨ tɕˈɔ̃ʒa stˈajɛ ɕɛ tʃˈɨmɕ ɲʲˌɛvɨɡˈɔdnɨm.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_63.wav|jˈɛɡɔː ˈusta drʒˈawɨ. zˈafʃɛ bˌɨwɛm vʲˈɛrnɨ kɔrˈɔɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_248.wav|tɔ dwˈuɡʲi, mˈɔtsnɨ ˈuɕtɕisk. bˈaki pˈuʃtʃa jˈɔ̃ mˈɔʒɛ pˈuw minˈutɨ pˈuʑɲʲɛj i ɔdvrˈatsa ɕɛ dɔ bʲillʲˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_51.wav|tˈɔm vʲˈɛdʑaw, ʒˈɛ trˈafiw w dʑɛɕˈɔntkɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_77.wav|ˌalɛ ʒˈɛbɨɕ pˈɔtɛm ɲʲɛ naʒˈɛkaw, ʒˈɛ pʃɨnˈudʑam.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_66.wav|f kˈɔɲtsu sprˈavdʑa, pɔdˈɔbɲʲɛ jˈak kɔbjˈɛta.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_87.wav|ɲʲɛ vʲˈɛtɕɛ nˈavɛt pɔwˈɔvɨ tˈɛɡɔ, tsˈɔ tˈam ɕɛ dʑˈawɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_16.wav|mʲˈawa kʲˈɛdɨɕ tˌaki dʑˈivnɨ ɕˈiɲʲak, ˌalɛ pʃˌɛtɕɛʃ tɔ tɨpˈɔvɛ ˈu dʑˈɛtɕi w jɛj vʲˈɛku.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_121.wav|i ʒˈɛ ʒɛlˈaʑɲi lˈudʑɛ mɔrdˈujɔ̃ prɔstˈatʃkuf na tartʃˈɔvɨɣ vˈɨspax. pˈɔvʲɛts, ʒˈɛ ɲʲɛ spˈawam puwnˈɔtsɨ. pʃˈɨjmɛ jˈɔ̃ jˈutrɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_15.wav|mʒˈɨwɔ ɡˈɛ̃stɛ ɕfʲˈatwɔ zˌaxɔdʑɔntsˈɛɡɔ swˈɔɲtsa.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_10.wav|dˈalɛ zblˈiʒɨw ɕɛ dɔ kravˈɛɲdʑi bˈaɲki, zavrˈutɕiw na tʃˈɨ rˈazɨ i ustˈaviw wˈazik tˈɨwɛm dɔ ɕtɕˈanɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_57.wav|tʃˈɨ kˌilɔmˈɛtrɨ za tsˈɛntrum vˌɨjɛʒdʒˈajɔ̃ dɔ dʑɛlɲˈitsɨ, ktˌura w ˈɔtʃaɣ bʲiljˈɛɡɔ vɨɡlˈɔnda na zˌamjɛʃkˈanɔ̃ pʃˈɛs ɲʲˌɛzamˈɔʒnɔ̃ klˈasɛ ɕrˈɛdɲʲɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_149.wav|tˈɨlɛ, ʒˈɛ ɔn ɲˈiɡdɨ ɲʲɛ pˈɨta, tʃɨ xˈɔdʑi ɔ dɔbrˈɛɡɔ tʃɨ zwˈɛɡɔ tʃwɔvʲˈɛka. ɲʲɛ rˈɔbʲi tˈakix rɔzrˈuʒɲʲɛɲ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_49.wav|mˈuj ˈaʃ mˈa xˈɨba ˌɔdrɔbʲˈinɛ zbˈɨt mʲˈɛŋkkʲɛ sˈɛrtsɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_78.wav|tɛlˈɛfɔn naˈila vˈɨbraw sˈɔbjɛ akˈurat tɛn mˈɔmɛnt, ʒˈɛbɨ ɕɛ rɔzdʑvˈɔɲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_218.wav|zvaʒˈɨfʃɨ na fʃˈɨstkɔ rˈazɛm,|1
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_17.wav|xrˈɔɲiʃ mʲˈastɔ pʃɛt pɔʒˈarɛm i w ɔɡˈulɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_191.wav|nˈɔ ʒˈɛʃ, kˈurda, mˈɨɕli bʲˈillɨ, jˈaɡbɨm ɲʲɛ vʲˈɛdʑaw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_25.wav|tˈak pʃɨnˈajmɲʲɛj zˈafʃɛ ˌuvaʒˈawam.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_356.wav|ˈɛwrɔn ˈuɕad i pɔprˈaviw pwˈaʃtʃ, zˌakrɨvˈajɔnts intˈɨmnɛ tʃˈɛɲɕtɕi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_262.wav|a pˈɔtɛm pʃɛvrˈutɕiw ɕɛ pɔ rˈaz drˈuɡʲi, a dʒˈɔnsɔn i tɛn drˈuɡʲi, tsˈɔː ˌuɕiwˈɔvaw ɡˈɔ pɔttʃˈɨmatɕ, pʃˌɛvrutɕˈili ɕɛ rˈazɛm z ɲˈim.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_13.wav|zˌamɨkajˈɔntsɛ ɕɛ ɡdʑˈɛʑ dʒvˈi.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_204.wav|vʲˈɛlki maˈɛstɛr paˈisɛl zamrˈuɡaw, rˌɔzdʑavʲˈajɔnts ʃɛrˈɔkɔː ˈusta.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_207.wav|ˈɔtʃɨ mʲˈaw pˌɔtpuxɲʲˈɛntɛ i vɨɡlˈɔndaw na zmˌɛntʃɔnˈɛɡɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_337.wav|pɔdˈɛʃwa dɔ ʃˈafɨ i ˌɔtfɔʒˈɨwa jˈɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_433.wav|kˈɔxam tɕˈɛ tʃˈɨ rˈazɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_16.wav|lˈubjɛ ˌamɛrɨkˈaɲskʲɛ sɛrjˈalɛ, a mˈɔjɔ̃ ˌulubjˈɔnɔ̃ pɔtrˈavɔ̃ sɔ̃ lˈɔdɨ ˌimbʲirˈɔvɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_125.wav|ɲʲɛ tfˈuj intˈɛrɛs. vˈɨɕlij tˈu dʑɛftʃˈɨnɛ, zapˈarkuj pʃɨ ɡarˈaʒu i ɕˈɛtɕ f sˌamɔxˈɔdʑɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_321.wav|vʲˈɛm, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_36.wav|xfˈilɛ ɡmˈɛraw f skˌɔtwɔvˈanɨm kˈɔtsu, a pˈɔtɛm ʒˈɛɡw bˈɛs pʃˌɛkɔnˈaɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_278.wav|bˌɛzbɔʒɲˈitsɨ i tʃtɕitɕˈɛlɛ dɛmˈɔnuv bɛstʃˈɛʃtʃɔ̃ sˈɛptɨ, ɡvˈawtsɔ̃ dʑɛvˈitsɛ i mˈatki, mˌɔlɛstˈujɔ̃ nˈavɛt miltʃˈɔntsɛ ɕˈɔstrɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_201.wav|tˌɨlkɔ tɨ jˈɛdna pˈaxɲʲɛʃ f tɨm krˈaju, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_15.wav|ʒˈutɕiw ʃtʃˈɛʒɛ zˌadɔvɔlˈɔnɨ za sfɔjˈɛɡɔ znˌalɛzˈiska.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_237.wav|tˈɛras tɔ jˈuʒ bˈɛz znatʃˈɛɲʲa, stfʲɛrdʑˈiwa sˈanxɛs.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_239.wav|pˌɔvʲɛdʑˈawa, ʒˈɛ pʃɛnˈɔɕi ɕɛ pɔjˈutʃɛ dɔ nɔvˈɛɡɔ dˈɔmu i ʒˈɛbɨʑ dɔ ɲʲˈɛj ɲʲɛ dʑvˈɔɲiw, a pʃˈɨʃɛd. ɲʲˈɛvʲɛm, tsˈɔ tɔ znˈatʃɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_83.wav|ˈɔprutʃ mɲʲɛ i rudjˈɛɡɔ fʃˈɨstsɨ bˌɨli tˈu vʲˌɛtnamtʃɨkˈami.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_109.wav|pɔvʲˈɛdʑaw jɛj krˈul zˈɛ zdʑivʲˈɛɲʲɛm w ɡwˈɔɕɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_25.wav|s kɔlˈɛi mˈili bˈudʑi ɕɛ i vˌɨskakˈujɛ s pɔɕtɕˈɛli kaʒdˈɛɡɔ rˈaŋka, ɡɔtˈɔva zˈatʃɔɲdʑ dʑˈɛɲ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_347.wav|tɕˈisnɔw rˈuʒɛ f tfˈaʒ dʑɛftʃˈɨnɨ.|1
+Dataset/wavs/urwisko_ferenc/43_segment_109.wav|ˌalɛ tˈak ɲʲɛ bˈɨwɔ, vɨjˈaviw vɔwˈɛkɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_217.wav|— tʃɨ tɨ ɲʲɛ jˌɛstɛɕ tʃˈasɛm xˈaŋki, kɔxˈaɲʲɛ? — kʃɨknˈɛwa. jˈudɨ xlusnˈɛwa jɛj kˈuflɛm pˈiva f tfˈaʃ.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_342.wav|i bˌɛndɔ̃ ˌɔbuʒˈɛɲi, jˈɛɕli ɕɛ dɔvʲˈɛdʑɔ̃, ʒˈɛ stanˈɛliɕtɕˌɛ mi na drˈɔdʑɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_147.wav|bˈaki pɔdɡʒˈɛva w mˌikrɔfˈali makˈarɔn s sˈɛrɛm.|2
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+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_183.wav|kɔlˈɛɡa mitskʲˈɛvitʃ, ˌalɛ mˈɔʒɛ mi ɕɛ pˌɔplɔntˈawɔ z nˈaʃɨm vʲˈɛʃtʃɛm, bˈɔː ɔn tˈɛʒ bˈɨw stˈalɛ ɔbˈɛtsnɨ f ʃkˈɔlɛ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_214.wav|xˈɔtɕ rɨzˈɨkɔ ɲʲɛ bɨwˈɔbɨ zbˈɨd vʲˈɛlkʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_60.wav|dˌɔmɨɕlˈawam ɕɛ, tsˈɔ zˈaras nastˈɔmpi.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_121.wav|fʃˈɨstkɔ pɔ kɔlˈɛi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_203.wav|uvˈaʒaj na ɕˈɛbjɛ, ɲˈitsk.|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_40.wav|jˈasnɨ ʃlˈak!|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_8.wav|rˌɔspɔznˈawam ɡˈɔ natˈɨxmʲast s tamtˈɛɡɔ vʲɛtʃˈɔru. stsˈɔtt.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_392.wav|tsˈɔ tɔ znˈatʃɨ bˈɨtɕ lubjˈanɨm? mˈɔʒɛ dʑˈɛŋki tˌɛmu ˌuɲiknˈɔwɛm jˈakixɕ kˌɔmplikˈatsji ˈalbɔ katˈastrɔf?|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_162.wav|tsˈuʃ, mˈɨɕli bʲˈillɨ, mˈɔʒɛʃ pɔpˈatʃɛtɕ na vˈɔdɛ pɔ ɡɔlˈɛɲʲu na mˈɔjɛj pˈuwtsɛ?|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_107.wav|dˈɔbʒɛ vˌɨruvnˈanɛ ɔbʒˈɛʒɛ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_331.wav|tɔ ɲʲɛ jˈɛɡɔ vˈina.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_125.wav|zˈɛ vzɡlˈɛndu na tɕˈɛbjɛ ˌɔras fʃˈɨstkix ˈinnɨɣ zaxˈɔvatɕ jˈɛɡɔ zˌaufˈaɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_275.wav|pˌɔpɛwɲˈiwa tɛn bwˈɔnt, ʒˈɛ ɕɛ ˌɔdɛzvˈawa, kʲˈɛdɨ sˈɛr ɡrˈɛɡɔr prˈaɡnɔw tɕˈiʃɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_10.wav|tɛn tˈɛʃ tˌaki jˈɛst.|2
+Dataset/wavs/urwisko_ferenc/10_segment_38.wav|xˈɨba bˌɛndɛ mʲˈawa ˈɔkrɛs, vˌɨʃɛptˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_30.wav|zrɔbʲˈimɨ tˈak.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_78.wav|tˈak tʃɨ inˈatʃɛj, dʑˈiʑ vrˈatsa dɔ mɲʲɛ tɔ. mˈɔʒɛʒ dˈadʑ znˈatɕ luˈiɕɛ, ʒˈɛ sˈama ɔdbjˈɔrɛ jˈɔ̃ zˈɛ ʃkˈɔwɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_159.wav|xtɕˈawabˌɨm, ʒˈɛbɨɕ pɔswˈuxaw mɲʲɛ uvˈaʒɲʲɛ. naprˈavdɛ uvˈaʒɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_403.wav|jˈɛɡɔ brˈɔda liɕɲˈiwa w blˈasku lˈampɨ, jˈaɡbɨ pwɔnˈɛwa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_192.wav|prˈɔʃɛ bˈɔʒɛ, ˈɔbɨ ɲʲɛ, mˈɨɕli.|2
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_138.wav|dˈalɛ ɔsˈunɔw ɕɛ na kɔlˈana.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_65.wav|mˈɔʒɛ ɔn krˈɨjɛ ɕɛ tˈam na ɡˈuʒɛ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_425.wav|dˈɔbʒɛ, xˈɛlɛn, pɔvʲˈɛdʑaw. jˈuʃ tˈam ˈidɛ. pʃˈɛʃɛd dɔ druɡʲˈɛɡɔ pɔkˈɔju.|0
+Dataset/wavs/urwisko_ferenc/60_segment_17.wav|xˈɛrman pʃˌɨɡlɔndˈawa ɕɛ bˌɔrɛvitʃˈɔvi. mʲˈaw zamkɲʲˈɛntɛ ˈɔtʃɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_107.wav|na rˈaʑɛ ɲˈits. xtsˈɛʃ, ʒˈɛbɨm ɕɛ z ɲˈim skˌɔntaktˈɔvaw? zɔstˈaviw ˈadrɛs mˌailˈɔvɨ, na ktˌurɨ mˈam w rˈaʑɛ tʃˈɛɡɔ pˈisatɕ. pˈɛvɲʲɛ nalˈɛʒɨ dɔ tˌɛɡɔ jˈɛɡɔ twustˈɛɡɔ pˌɔmaɡʲˈɛra.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_295.wav|pʃˌɛtɕɛʃ ja ɕɛ ɲˈiɡdɨ ɲʲɛ ʒɛɡnˈawɛm, bˈɔ jˈɛstɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_84.wav|vˈidʑi tˌɨlkɔ kˈilka ˌɔsmalˈɔnɨɣ bˈɛlɛk startʃˈɔntsɨɣ z ʑˈɛmi w mʲˈɛjstsu, ɡdʑˈɛ stˈaw.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_15.wav|za ɡɔrˈɔntsɔ, mˈɔim skrˈɔmnɨm zdˈaɲʲɛm, mˈuvi kɔbjˈɛta.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_94.wav|pˌɔvʲɛdʑˈawa mɛlˈara. xtsˈɛmɨ ɕɛ tˌɨlkɔ dɔvʲˈɛdʑɛtɕ, za kˈɔɡɔ vɨjdʑˈɛmɨ za mˈɔ̃ʃ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_333.wav|jˈɛdnɛ tʃˈɛɡɔɕ ʃukˈawɨ w blaʃˈanɨm zˌaɡwɛmbjˈɛɲʲu, ˈinnɛ tʃɔxrˈawɨ pʲˈura ˈalbɔ stʃɛpʲˈawɨ ɕɛ dʑɔbˈami f kwˈutɲi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_134.wav|znˈuf jˌɛstɛm f stˈaɲʲɛ ɔddˈɨxatɕ, xˈɔdʑ vˈidɔk tɛj ˈɔsɨ ˌɔdɛbrˈawam jˈakɔ zwˈɨ ˈɔmɛn. stˈɔjɛ w bɛzrˈuxu.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_235.wav|natˈɔmjazd vˌɨnaɡrɔdʑˈɛɲʲɛ dˌɔrɛntʃɨtɕˈɛlki plˈuz dɔxˈɔdɨ s pʃɛmˈɨtu ruvnˈajɔ̃ ɕɛ tɕiwˈaɲʲu w ɲʲˌɛskɔɲtʃˈɔnɔɕtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_16.wav|pʃˈɛɕlɛ tɕi rˈapɔrt, ɡdˈɨ tˌɨlkɔ ɡˈɔ dɔstˈanɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_585.wav|mˈam dla tɕˈɛbjɛ pˈɛvnɔ̃ prˌɔpɔzˈɨtsjɛ, swˈɨʃɨʃ mɲʲɛ? mˈuviw tˈɔnɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_252.wav|pˈɛvɲʲɛ pɔ prˈɔstu nˌautʃˈɨwa ɕɛ natstˈavʲatɕ ˈuʃu pʃɨ pˌɔdavˈaɲʲu lˈantʃu i kɔlˈatsji.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_131.wav|za pˌɔvɔdʑˈɛɲʲɛ mˈuvi bˈutskɨ, stukˈajɔnts ʃˈɨjkɔ̃ sfˈɔjɛj butˈɛlki f ʃˈɨjkɛ butˈɛlki bʲillʲˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_71.wav|jɛst jˈuʃ jˈɛdnaɡ za pˈuʑnɔ na ɔstrˈɔʒnɔɕtɕ, vʲˈɛnts rɔzrˈɨvam pʲˈɛrʃɛ pˈudwɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_11.wav|stˈɔi ˌɔpʲɛrˈajɔnts rˈɛntsɛ na dˈaxu sfɔjˈɛɡɔ sˌamɔxˈɔdu i kˈiva pɔvˈɔli ɡwˈɔvɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_124.wav|f tɨm mɔmˈɛɲtɕɛ ɲʲɛ mʲˈawam innˈɛɡɔ vˈɨjɕtɕa i muɕˈawam znˈalɛɕtɕ ɕɛ f pˈɔlu vidʑˈɛɲʲa kˈamɛr.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_10.wav|tɔ kɔlˈɛjnɛ pɨtˈaɲʲɛ, na ktˌurɛ ɲʲˈɛznam ˌɔtpɔvʲˈɛdʑi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_101.wav|zadʑvˈɔɲʲɛ dɔ butskʲˈɛɡɔ. mˈa znˌajɔmˈɔɕtɕi. mˈɔʒɛ fɕrˈut ɲˈix jɛst lˈɛkaʒ z nɔvˈɛɡɔ jˈɔrku, ktˌurɨ mˈuɡwbɨ ɔpˈatʃɨtɕ rˈanɛ pˌɔstʃawˈɔvɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_42.wav|ɲʲɛ mʲˈawam pɔjˈɛɲtɕa, tʃɨ tsamˈɛrɔn ftɕˈɔ̃ʃ krˈɛɲtɕi ɕɛ f tɨm sˈamɨm mʲˈɛjstsu, xˈɔtɕ sɔɲdʑˈiwam, ʒˈɛ zrˌɛzɨɡnˈɔvaw jˈuʃ s tɕɛmnˈɛɡɔ pˌɔmjɛʃtʃˈɛɲʲa w bˈaʒɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_65.wav|pɔ drˈɔdʑɛ zˌatʃɨmˈujɔ̃ ɕɛ pɔplˈastrɨ, rˈɔlkɛ ɡˈazɨ, tˈaɕmɛ ˌɔpatruŋkˈɔvɔ̃, vˈɔdɛ ˌutlɛɲʲˈɔnɔ̃ i mˈaʑdʑ bˌɛtadʲˈinɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_114.wav|ɡdˈɨbɨ ɲʲɛ dʑˈɛtɕi, pˌɔvʲɛdʑˈawabˌɨm zdˌɛtsɨdɔvˈaɲʲɛ...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_140.wav|stˈarɨ bʲˈilɛt pˌarɨskʲˈɛɡɔ mˈɛtra.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_42.wav|jɛdˈɨnɔ̃ ɔsˈɔbɔ̃, ktˌura vʲɛdʑˈawa ɔ nˈaʃɨm zˌaintˌɛrɛsɔvˈaɲʲu tɔ̃ lˈistɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_67.wav|dʒˈɔnnɨ tsˈubz ʒˈutɕiw ɕɛ za ɲˈimi i pɔzbjˈɛraw jˈɛ z ʑˈɛmi.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_184.wav|dʑɛftʃˈɨna pˌɔkivˈawa ɡwˈɔvɔ̃. vɛstxnˈɛwam ɡwˈɔɕnɔ, ʒˈɛbɨ vɨpˈɛwɲitɕ tʃˈɨmɕ ɲʲɛzrˈɛntʃnɔ̃ tɕˈiʃɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_38.wav|xtsˈɛ zˈɔstatɕ ˌinʒɨɲʲˈɛrɛm bˌudɔvlˈanɨm. jɛstˌɛɕmɨ z ɲʲˈɛj dˈumɲi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_229.wav|dʑɛŋkˈujɛ tɕˈi, mˈikɛ.|0
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_7.wav|jˈɛdɛn kˈubɛɡ vɨpˈili za kˈɔjɛ mˈɔ, drˈuɡʲi za xwɔptʃˈɨka dˈalli, a tʃˈɛtɕi za dʑˈɛtskɔ ɡˈɔʑdʑik, ktˌurɛ zɔstˈawɔ na mˈuʒɛ.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_85.wav|tɔ bˌɨwɔ vˈinɔ. pˈijɛ za dˈuʒɔ vˈina.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_146.wav|ˌɔtɕɛkajˈɔntsɛ vˈɔdɔ̃ vwˈɔsɨ dʑɛftʃˈɨnɨ kɔwˈɨʃɔ̃ ɕɛ, kʲˈɛdɨ znˈɔɕi jˈɔ̃ pɔ sxˈɔdax, ˈidɔndʑ bˈɔkʲɛm, bˈɨ ɲʲɛ strˈatɕitɕ rˌuvnɔvˈaɡʲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_121.wav|ˌalɛ kʲˈɛdɨ nˌastɛmpnˈɛɡɔ dɲʲˈa zˌapɨtˈawam ɡˈɔː ɔ mˈɛtʃ, z ˌɛntuzjˈazmɛm ˌɔpɔvʲˈɛdʑaw mi ɔ sfɔjˈɛmu udʑˈalɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_38.wav|kɔbjˈɛta ˌɔtfɔʒˈɨwa dʒvˈi i mˈili zˌɔbatʃˈɨwa dˈuʒɛ wˈuʃkɔ.|4
+Dataset/wavs/urwisko_ferenc/20_segment_1.wav|a ˌɔɲi ˈɔbaj pʃɛɲʲˈɛɕli ɕɛ na tˈaras, ʒˈɛbɨ ɲʲɛ pʃɛʃkˈadʑadʑ ɡwˈɔɕnɔ̃ rɔzmˈɔvɔ̃ w ˌusɨpʲˈaɲʲu xwˈɔptsa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_35.wav|jˈɛɕli tˈaka ɔsˈɔba stavʲˈawa ɕɛ mˈimɔ tɔ…|3
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_39.wav|a musˈimɨ sˈɔbjɛ ˈufatɕ navzˈajɛm. ɲʲɛ vˈidʑɛ pɔvˈɔdu, ʒˈɛbɨ sˈɔɲdʑitɕ, ʒˈɛ tsˈɔɕ mˈɔɡwɔ ɕɛ stˈatɕ mˈili.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_93.wav|nˈaɡlɛ umˈilkwam.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_55.wav|pɔ vˈawax xɔdʑˈili kuʃɲˈitsɨ, ɲʲɛktˌuʒɨ f kˌarmazɨnˈɔvɨx pwˈaʃtʃax i lvˈix xˈɛwmax, ˈinɲi w ɲʲɛbjˈɛskɔʃˈarɨx strˈɔjax rˈɔdu frˈɛjuf.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_22.wav|skˈɔnt ɔn ˈɔtɨm vʲˈɛ? ɲʲɛ pɔxˈɔdʑi s tɛj tʃˈɛɲɕtɕi ɕfʲˈata. tʃɨ ɲʲɛ pɔvʲˈɛdʑaw mi, ʒˈɛ spɔtˈɨkaw ɕɛ s kɔbjˈɛtɔ̃ mʲˌɛʃkajˈɔntsɔ̃ na vzɡˈuʒax?|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_143.wav|a jˈaɡ zamjˈɛʒaʒ vɨdˈɔstatɕ ɕɛ z mʲˈasta?|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_142.wav|kʲˈɛdɨ skˈɔɲtʃɨw, ˈɔddaw jˈɔ̃ sfˈɔim lˈudʑɔm, ktˌuʒɨ utɕˈɛli jɛj nˈɔs i brɔdˈafki sutkˈɔvɛ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_208.wav|nˈut pɔpˈatʃɨw na ɲʲˈɛɡɔ, jˈaɡbɨ ɔʃˈalaw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_38.wav|a tsˈɔ z vwˈadʑɔ̃ jˈakɔ mɔtˈɨvɛm?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_82.wav|ɡdʑˈɛ zˌamjɛʃkˈamɨ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_653.wav|ˌalɛ ɲʲɛ pʃˌɨpɔmˈinam sˈɔbjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_90.wav|ˌɔɲi ɲʲɛ vʲˈɛdʑɔ̃, jˈak tɔ ɕɛ skɔɲtʃˈɨwɔ, jˈaki bˈul mˈuɕaw tʃˈutɕ, bˈɛndɔnts tˈaɡ blˈiski ɕmʲˈɛrtɕi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_170.wav|prˈavɔ̃ rˈɛŋkɛ tʃˈɨmaw f kʲɛʃˈɛɲi, lˈɛdʒ vidʑˈawa tˈɛras, ˈiʒ dwˈɔɲ jˈɛɡɔ bˌɨwa ˌɔbandˌaʒɔvˈana.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_55.wav|tɔ, ʒˈɛ nˈazvaw mɲʲɛ zwˈɨm tʃwɔvʲˈɛkʲɛm, tˈɛʒ zmɨɕlˈiwaɕ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_32.wav|bˌɛndɛ tʃˈuw ɕɛ znˈatʃɲʲɛ lˈɛpʲɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_242.wav|i kʲˈɛdɨ jˌɛstɛm z ˈinnɔ̃, mˈuʃɛ mˈɨɕlɛtɕ tsˈawɨ tʃˈas ˈɔɲʲɛj, bˈɔː inˈatʃɛj...|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_76.wav|ɲʲɛ jɛst ˈaʃ tˈaɡ ɡwˈupi jˈak jˈɛɡɔː ˈɔjtɕɛts, ˌalɛ pˈɛwɛn ɲʲˌɛnavˈiɕtɕi, jˈak tʃˈɨrak rˈɔpɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_128.wav|zapˈada tɕˈiʃa, tsˈɔ nˈajmɲʲɛj na minˈutɛ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_322.wav|sˈam ix pˌɔprɔvˈadʑɛ, jˈɛɕli rˈada zˈɛxtsɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_34.wav|dɔpˈuki ɕɛ ɕfʲˈɛtɕi, mˈuʃɛ ɔmˈinɔɲtɕ ɕfʲˈatwɔ�� i dˈɔtʃɛtɕ w mʲˈɛjstsɛ, f ktˌurɨm znajdˈujɛ ɕɛ ʃɛrˈɔkʲɛ, ɲʲˌɛxrɔɲʲˈɔnɛ ˈɔknɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_93.wav|vɨbrˈawam tˈakɔ̃ pˈɔrɛ dla sfˈɔjɛj ˈaktsji, ʒˈɛbɨ zɡrˈatɕ ɕɛ z vɨmjˈanɔ̃ zawˈɔɡʲi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_11.wav|dlatʃˈɛɡɔ ɲʲɛ mˈɔɡɛ zˈɔstatɕ sˈama z mˈɔim dʑˈɛtskʲɛm?|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_42.wav|spʃɛdˈaftsa ʒˈɨtʃɨ mu miwˈɛɡɔ vʲɛtʃˈɔru, bʲˈillɨ ˌɔtpɔvʲˈada tɨm sˈamɨm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_364.wav|dlatʃˈɛɡɔ pˈan mi pɔkˈazaw tˈɛ fstrˈɛntnɔ̃ dʑˈurɛ? zapˈɨtaw rˈɨan.|0
+Dataset/wavs/urwisko_ferenc/22_segment_36.wav|jˈaka jɛst ʃˈansa, ʒˈɛ dʑɛftʃˈɨna znˈajdʑɛ ɕɛ ʒˈɨva?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_22.wav|nalˈitʃɨw ʃˈɛʑdʑ dʑˈɛftʃɨn. vʲˈɛŋkʃɔʑdʑ zdjˈɛɲtɕ ɲʲˈɛtsɔ vɨblˈakwa, tsˈɔ fskˌazɨvˈawɔ nˈatɔ, ʒˈɛ zrɔbjˈɔnɔ jˈɛ pʃɛt kilkˈɔma lˈatɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_23.wav|ɲʲˈɛvʲɛm, ˈilɛ zɔstˈawɔ nˈaɲʲɛj ɕrˈɔtkuf, ˌalɛ mˈɔɡɛ jˈɔ̃ dˌɔwadˈɔvatɕ pʃˈɛs intˈɛrnɛt.|4
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_165.wav|tɕˈɛʃɨ ɕɛ tˈɨlkɔ, kʲˈɛdɨ tʃˈujɛ, ʒˈɛ dʑɛftʃˈɨna stɔpɲʲˈɔvɔ pʃɛstˈajɛ drʒˈɛtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_63.wav|a im bˈardʑɛj prˌubɔvˈawɛm ɔdrˈɔbʲitɕ strˈatɨ, ɡrˈajɔnts w ɲʲˌɛbɛspʲˈɛtʃnɨ spˈɔsup, tɨm vʲˈɛntsɛj pʃˌɛɡrɨvˈawɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_80.wav|mˈatka ɲˈiɡdɨ tɕi tˌɛɡɔ ɲʲɛ ɕpʲɛvˈawa?|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_208.wav|mʲɛʃkˈaɲʲɛ jɛst pˈustɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_86.wav|mˈɔja ʒˈɔna, kˈirstɛn.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_229.wav|s pɔtʃˈɔntku ɕɛ jɛj bˈawam.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_33.wav|tʃɨ mˈawa jˈuʃ spˈawa?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_53.wav|ɔpstˈavʲam vɨsˈɔkɔ, mˈajɔnts nadʑˈɛjɛ, ʒˈɛ mˈɔja pˈɛvnɔɕtɕ ɕˈɛbjɛ zaxˈɛɲtɕi tʃˈɛɲʑdʑ ɡrˈatʃɨ dɔ spˌasɔvˈaɲʲa i zvʲɛŋkʃˈɛɲʲa mˈɔjɛj ʃˈansɨ na vɨɡrˈanɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_245.wav|ɔdvˈaʒnɨ tʃwˈɔvʲɛɡ zabʲˈija mʲˈɛtʃɛm.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_151.wav|xtɕˈawbɨm zɔbˈatʃɨtɕ jˈɛɡɔ ɡwˈɔvɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_86.wav|bʲˌilizˈɛrka na ɲʲˈɛɡɔ z ukˈɔsa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_49.wav|zˈadʑvɔɲ, ɡdˈɨbɨɕ tʃˈɛɡɔɕ pˌɔtʃɛbˈɔvaw.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_58.wav|bjˈawɛ rˈuʒɛ tsɔfˈawɨ ɕɛ pʃɛd ʒalˈaznɔ̃ fˈalɔ̃. ɲʲɛktˌuʒɨ z ɔbrˈɔɲtsuf prˌubɔvˈali skrˈɨtɕ ɕɛ pɔt pɔkwˈadɛm, a ˈinɲi prɔɕˈili pardˈɔnu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_36.wav|ɡdʑˈɛ jˈɛstɛɕ? xˈɔllɨ mʲˈawa vɨpˈadɛk, a ja ɲʲɛ mˈɔɡɛ ɕɛ dɔ tɕˈɛbjɛ dɔdʑvˈɔɲitɕ. zabjˈɛram jˈɔ̃ dɔ ʃpitˈala, ˌalɛ ˌɔna xtsˈɛ dɔ mˈamɨ. zˈadʑvɔɲ, jˈak tɔː ɔttʃˈɨtaʃ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_21.wav|mˈikɛ mˈiltʃaw pʃˈɛs xfˈilɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_125.wav|nat ktˌurɨm pʃɨbʲˈitɨ bˈɨw ʃˈɨld z napˈisɛm tʃˈarnɛ ʃatˈanɨ frˈaŋka sˌalivˈana.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_163.wav|lˈɛtʃ ja uznˈajɛ tˌɨlkɔ ɡrˈɨ, f ktˌurɨx mˈam ʃˈansɛ zvɨtɕˈɛ̃stfa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_4.wav|dˈɔstʃɛɡw ˈuʃɨ tˈɔma f prˈɔɡu, uɲʲˈɔswa rˈɛŋkɛ i pˌɔmaxˈawa dɔ ɲʲˈɛɡɔ, sˌɨɡnalizˈujɔnts, ʒˈɛbɨ pˈɔtʃɛd dɔ jɛj bjˈurka.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_7.wav|tsˈɔ ɕɛ z ɲˈim dʑˈawɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_33.wav|vʲˈɛm, ʒˈɛ pˈana kɕˈɔ̃ʃka jɛst ɕtɕˈiɕlɛ tˈajna, zaɡˈaja dˈɛrɛk, ˈalɛ...|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_262.wav|vʲˈɛnts spʃɛdˈadʑɔ̃ mi tˈɛ xˈutɛ na pɲʲˈu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_146.wav|ˌɔna pˈadwa kˈɔwɔ mɲʲɛ na tˈaptʃan.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_100.wav|jˈulɔŋk tɔ zupˈɛwɲʲɛ ˈinna çistˈɔrja.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_343.wav|sˈam vɨsˈunɔw rˈamjɛ z uɕtɕˈisku starˈuʃka.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_296.wav|ˌalɛ vʲˈɛlki sˈɛptɔn pɔvʲˈɛdʑaw, ʒˈɛ mˈuʃɛ jɛj vɨbˈatʃɨtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_103.wav|pɔ tsˈɔ ɕtɕɔŋɡnˈɔwɛɕ mɲʲɛ tˈutaj, dɔ starˈɛɡɔ dˈɔmu stsˈɔtta?|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_95.wav|pɔvˈinna zawˈatfitɕ tˈɨx, ktˌuʒɨ zabʲˈili jɛj kɕˈɛɲtɕa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_100.wav|dʑˈɛɲ dˈɔbrɨ. dʑˈɛɲ dˈɔbrɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_56.wav|dlatʃˈɛɡɔ zɲiknˈɛwa i dlatʃˈɛɡɔ w dˌɔkumˈɛntax ɲʲˈɛma ʒˈadnɨx ɕlˈaduf pɔ jɛj adrˈɛɕɛ tʃɨ ˈinnɨx tˌɛɡɔ tˈɨpu ˌinfɔrmˈatsjax?|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_369.wav|tɕˈɛŋkʲɛ, ˌalɛ ɕfʲˈɛʒɔː uprˈanɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_22.wav|stanˈɛwa w ɲˈiɣ blˈada jˈɔ, tʃˌɨmajˈɔntsa mˈili. dʑɛftʃˈɨŋka ˌɔbɛjmɔvˈawa mˈatkɛ nɔɡˈami f pˈaɕɛ, a rɛŋkˈami za ʃˈɨjɛ.|4
+Dataset/wavs/urwisko_ferenc/23_segment_41.wav|— nˈartɕin zˈaras pʃˈɨjdʑɛ — ɔznˈajmiw i nˈalaw jɛj vˈɔdɨ dɔ ʃklˈaŋki skarˈafki, ktˌura stˈawa na kɔmˈɔdʑɛ. — jɛst mˈɔjɔ̃ prˈavɔ̃ rˈɛŋkɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_72.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ mˈarta nabrˈawa ˌapɛtˈɨtu na naˈila, a pˈɔtɛm zatʃˈɛwa vɨsˈɨwatɕ mu vʲˌadɔmˈɔɕtɕi, f ktˌurɨx tfʲɛrdʑˈiwa, ʒˈɛ jɛzd dla ɲʲˈɛɡɔ vwaɕtɕˈivɔ̃ partnˈɛrkɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_458.wav|pɨtˈawɛm, dˈɔkɔnt ɕɛ tˈɛras udˈamɨ.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_178.wav|ɕˈɛdʑɔ̃ w namjˈɔtax i ɲʲɛ rˈɔbjɔ̃ prˈavʲɛ ɲˈidʑ vʲˈɛntsɛj.|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_255.wav|pˈɔdaw mu lˈist.|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_54.wav|pˌɔswuxˈawam jˈɛɡɔ rˈadɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_90.wav|ɲʲˈɛvʲɛm jˈɛʃtʃɛ tˈɛɡɔ, mˈɔʒɛ dɔː ˌawtɔbˈusu, mˈɔʒɛ na stˈatsjɛ, f kˈaʒdɨm rˈaʑɛ jˈɛdnɔ tɕi pˈɔvʲɛm, jˈutrɔ ɲʲɛ bˌɛɲdʑɛ mɲʲɛ f tɨm mʲˈɛɕtɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_38.wav|s pɛvnˈɔɕtɕɔ̃ ɕɛ ukrˈɨva. tʃɛkˈamɨ, ˈaʃ lˌabɔratˈɔrjum pʃɛkˈaʒɛ nˈam vɨɲˈiki dˌɛˌɛnˈa z mʲɛʃkˈaɲʲa, ʒˈɛbɨɕmˌɨ mˈɔɡli vʒˈutɕitɕ jˈɛ dɔ sɨstˈɛmu.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_14.wav|kˈat, bˈɔɲtɕ tˈaka swˈɔtka i pʃˈɨɲʲɛɕ mi ubrˈaɲʲɛ zˌavɔwˈawa.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_387.wav|ˈɔbɨ fʃˈɨstkix pˌɔxwɔnˈɛwɔ ɕˈɛdɛm pʲˈɛkʲɛw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_101.wav|pʃˈɛkaʃ tɔ dˌɛanˈɔvi, tˌɛmu druɡʲˈɛmu ˌɔxrɔɲʲaʒˈɔvi lˌɔɡanˈɔvi, dˈɔbʒɛ mˈuvjɛ, i brˌɔdɛrˈɔvi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_199.wav|pɔvʲˈɛdʑɛtɕ mu, ʒˈɛ zrujnˈɔvaw mi dʑɛtɕˈiɲstfɔː i ʒˈɛ jɛst mi tɔ vˈiɲʲɛn.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_211.wav|dˈalɛj jɛxˈawɨ alˈain i mirˈanda rɔˈɨtsɛ, pˈɔtɛm ɡrˈɛtxɛl i mˈaddɨ, a za ɲˈimi tɛrˈɛntsɛ lindˈɛrlɨ i ɡʲˈillɛz ɡrˈaftɔn.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_93.wav|fʃˈɨstsɨ jɛstˌɛɕmɨ tˈutaj pʃˌɨjatɕˈuwmi. tsˈɔ mˈɔɡɛ dla tɕˈɛbjɛ zrˈɔbʲitɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_55.wav|zˌaparkɔvˈawam tsˈɨŋɡla i zˌastukˈawam dɔ dʒvˈi, ktˌurɛ ˌuxɨlˈiwɨ ɕɛ pɔ xfˈili i w vˈɔ̃skʲɛj ʃtʃɛlˈiɲʲɛ zˌɔbatʃˈɨwam ˈɔkɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(14) R.Abbott_Zamknij Drzwi_segment_27.wav|tsˈɔ mˈamɨ, rˈɔɲi?|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_191.wav|ja zabjˈɔrɛ lˈɔrda rɔbˈɛrta i jˈɛɡɔ tˌɔvaʒˈɨʃɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_46.wav|tˈɔm pɔkˈivaw ɡwˈɔvɔ̃. tɔ bˌɨwa swˈuʃna dɛtsˈɨzja.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_70.wav|ˌalɛ dlatʃˈɛɡɔ ɡˌɛnɛvʲˈɛvɛ vˈɨʃwa i dlatʃˈɛɡɔ zɔstˈawa zabʲˈita?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_401.wav|a ˌɔna ɔdvrˈatsa ɡwˈɔvɛ i wzˈa z bwɛŋkˈitnɨm ɕfʲatˈɛwkʲɛm pwˈɨɲʲɛ pɔ jɛj pɔlˈitʃku.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_79.wav|ˌalɛ ɲʲɛ ˈaʃ tˈak, jˈak stsˈɔtta f tˈamtɛj xfˈili.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_178.wav|kˈaʒdɛj kɕɛ̃ʒɲˈitʃki tʃɨ ʃlaxˈɛtɲʲɛ ˌurɔdʑˈɔnɛj pˈannɨ, ˌalɛ ɲʲɛ mˈɔɡɛ. nˈadal jˌɛstɛm vrˈɔnɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_79.wav|ˈɛliz dɔtˈɨka sfˈɔiɣ vwˈɔsuf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_191.wav|— za ɕmʲɛtˈaŋkɔ̃ i tsˈukrɛm? — tʃˈarnɔ̃ pɔprˈɔʃɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_501.wav|ˈɔ!|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_132.wav|jˈaɡbɨm ɲʲɛ vʲˈɛdʑaw, mˈɨɕli bʲˈiɲi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_57.wav|ˈaram ɲʲɛ ʒawˈɔvaw mi lˈɛktsji bjɔlˈɔɡji i nˌautʃˈɨwam ɕɛ ɔ ɕrˈɔtkax ˌantɨkˌɔntsɛptsˈɨjnɨx.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_213.wav|pˈana instrˈuktɔr pɔvˈiɲʲɛn s pˈanɛm tɕfˈitʃɨtɕ pˌɔtxɔdʑˈɛɲʲɛ, ˌalɛ f pɔvʲˈɛtʃu.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_244.wav|ja zabʲˈiwɛm krˈula.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_220.wav|tʃɨ bˌɛɲdʑɛ tɔː ˌawtɔbjɔɡrˈafja?|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_89.wav|skˈatʃɔnts pɔ vɨɡˈɔdnɨx, ɲˈiskix stˈɔpɲʲax, dɔtˈarwam na pˈɔʑɔm zɛrˈɔvɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_11.wav|— ɲˈitsk mˈuviw, ʒˈɛ jˌɛstɛʑ zˌaintˌɛrɛsɔvˈanɨ, ˌalɛ jˈɛʃtʃɛ ɲʲɛ fʃˈɛdwɛɕ f tɔ na tsawˈɛɡɔ — mˈuvi ɡʲˈɔrɡjɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_138.wav|pamjˈɛntaʃ, tsˈɔ mi pˌɔvʲɛdʑˈawɛɕ na ɔtxˈɔdnɨm, kʲˈɛdɨ mɲʲɛ ˌɔdvʲɛdʑˈiwɛʑ w ɡˈɛrart tˈɔvɛr?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_28.wav|i tsˈɔ mˈuvjɔ̃ tɛ vʲˌadɔmˈɔɕtɕi?|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_172.wav|zdˌɛspɛrɔvˈanɨ sˈam spˈɔjʒaw na mɡʲˈɛwkɛ ˌunɔʃˈɔntsɔ̃ ɕɛ nat ɔdlˈɛɡwɨm bʒˈɛɡʲɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_70.wav|tˈɛras ja pˌɔwɔʒˈɨwam na bjˈurku kˈartkɛ, ktˌurɔ̃ vɨjˈɛwam s kʲɛʃˈɛɲi.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_317.wav|jˌɛstɛm pˈɛvʲɛn, ʒˈɛ zrɔbʲˈiwaɕ fʃˈɨstkɔ, tsˈɔ tˌɨlkɔ mˈɔɡwaɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_27.wav|sprˈavdʑiwbˌɨ tɔ, ɡdˈɨbɨ mu xˈɔtɕ kˈurdɛ pʃˈɛs mˈɨɕl pʃˈɛʃwɔ, ʒˈɛ zadʑvˈɔɲi dɔ ɲʲˈɛɡɔ dˈɔn jˈɛnsɛn.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_107.wav|ɲʲˌɛɔpˈɔdal na pɔstˈɔju taksˈuvɛk taksˈufkaʒ bʲˈiw ɲʲˌɛsfɔrnˈɛɡɔ pˌasaʒˈɛra. kljɛntˈɔvi tˌaksufkˈaʒa ɲˈikt ɲʲɛ ɕpʲˈɛʃɨw na pˈɔmɔts.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_121.wav|ˌalɛ dʒˈɔrdʒ rˈussɛll jɛzd zdˌɛtɛrmˌinɔvˈanɨ ˌuratˈɔvatɕ pˌɔdɔpʲɛtʃnˈɛɡɔ, pʃɨnˈajmɲʲɛj dɔ tʃˈasu, ˈaʃ ukˈɔɲtʃɨ kɕˈɔ̃ʃkɛ.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_55.wav|sˈam xtɕˈaw utɕˈɛkatɕ, ˌalɛ zapˈɛvnɛ tˌɨlkɔ pɔtknˈɔwbɨ ɕɛ ɔ vwˈasnɨ pˈas. ɲʲɛ dɔtˈɨkaj mʲˈɛtʃa.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_139.wav|ɔxrˈɨpwɨ ɡwˈɔs muvʲˈɔntsɨ ɔ kɔrˈɔnax, tsawˈunax i ɕmʲˈɛrtɕi z rˈɔŋɡ vˌalɔŋkˈara.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_31.wav|s parkˈiŋɡu jɛst tˌɨlkɔ jˈɛdnɔ vˈɨjɕtɕɛ, vʲˈɛnts sprˈavdʑmɨ, dɔ kturˌɛɡɔ fɕadˈajɔ̃ sˌamɔxˈɔdu, a pˈɔtɛm ruʃˈamɨ za ɲˈimi.|4
+Dataset/wavs/urwisko_ferenc/03_segment_11.wav|tˈak? mˈɔɡwabˌɨm ɕɛ s pˈanɛm zˈabratɕ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_52.wav|vʲˈɛm, ʒˈɛ tɔ zˈɔfja, mˈawa pˈɔlka, ktˌura dˌɔwɔntʃˈɨwa ɔstˈatɲʲɔ dɔː ix klˈasɨ i ktˌura ɲʲɛ znˈa ˌaŋɡʲɛlskʲˈɛɡɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_504.wav|vʲˈatr xˈutʃaw, jˈɛntʃaw, stˈɛŋkaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_155.wav|ˌɔdvrutɕˈiwam ɕɛ dɔ sˈanxɛs. mˌatɕɛ w mʲˈɛɕtɕɛ vʲˈɛntsɛj sfˈɔiɣ baɲdʑˈɔruf?|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_190.wav|mˈuʒɨn ˌɔbɔjˈɛntɲʲɛ ˈɔtʃɛd dɔ rˈɔɡu, ɡdʑˈɛ jˈɛɡɔ sɛkˈundant rˈɔstɕɔw plˈastrɨ ɕtɕˌɔŋɡajˈɔntsɛ bandˈaʒɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_37.wav|tˈak, zɡˈadʑa ɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_133.wav|sˈam pʃɛt xfˈilɔ̃ pˌɔvʲɛdʑˈawɛɕ, ʒˈɛ jˌɛstɛm f pɔtʃˈɛbjɛ, ˈaram. jˈak mˈɔʒɛʃ ˈɔdɛjɕtɕ f tˈakʲɛj sˌɨtuˈatsji?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_60.wav|na parkˈiŋɡu panˈujɛ tɕˈiʃa, jˈak tɔ zvˈɨklɛ bˈɨva ɔ tɛj pˈɔʒɛ vʲɛtʃˈɔrɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_15.wav|xɔlˈɛrnɨ dʒˈɛk, jˈak mɲʲˈɛmam. znˈuf!|4
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_33.wav|a ɔn jɛst tˈɛras tɨɕˈɔntsɛ kˌilɔmˈɛtruf stˈɔnt.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_269.wav|zavˈaxaw ɕɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_45.wav|krˈɨjɛ tfˈaʒ w dwˈɔɲʲax.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_168.wav|sˈupɛr! ɲʲˈɛmam iɣ vʲˈɛlu. jˌɛstɛɕ mˈɔim jɛdˈɨnɨm kˈumplɛm s tsɨtskˈami.|4
+Dataset/wavs/urwisko_ferenc/23_segment_87.wav|ɔdɲʲˈɔswa vraʒˈɛɲʲɛ, ʒˈɛ ɕikˈɔrski zˌastanˈavja ɕɛ nad vɨbˈɔrɛm ˌɔtpɔvʲˈɛdʑi. f kˈɔɲtsu skˈinɔw ɡwˈɔvɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_17.wav|pɔt pɛvnˈɨmi vzɡlɛndˈami, vwaɕtɕˈivʲɛ vʲɛlˈɔma, jɛst tˈak jˈak ftˈɛdɨ, w dˈɔmu zˈabaf.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_58.wav|pˈan vʲˈɛ, ʒˈɛ ˌɔbɔvʲɔ̃zˈujɛ pˈana tˌajɛmɲˈitsa. ɕlˈɛtstfɔ jˈɛʃtʃɛ ɲʲˌɛukɔɲtʃˈɔnɛ.|0
+Dataset/wavs/urwisko_ferenc/43_segment_39.wav|mɛ̃ʃtʃˈɨzna rɔzwˈɔʒɨw rˈɛntsɛ. pʃˈɨkrɔ mi, ˌalɛ ɲʲɛ pɔmˈɔɡɛ f tɛj sprˈavʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_263.wav|nˈadɲim bˈɨw ʑɛlˈɔnɨ ɛkrˈaɲik, pɔ ktˌurɨm bjˈɛɡwa prˌatsɔvˈitɕɛ srˌɛdɨnˈɔva stʃɛmpʲˈasta liɲˈijka.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_30.wav|tsˈɔ ɕɛ z ɲʲˈɔ̃ stˈaɲʲɛ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_45.wav|ɡdˈɨbɨ pʃɛkʃtˈawtɕiw pˈaɲskɔ̃ tˈaɡ zvˈanɔ̃ ˌinvɛstˈɨtsjɛ w udʑˈawɨ dla pˈana, w jˈɛʃtʃɛ vʲˈɛŋkʃɨm stˈɔpɲʲu rɔzdrˈɔbɲiwbˌɨ vwˈasnɛ udʑˈawɨ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_386.wav|ɲˈikt tˈu ɲʲɛ ˌɔtpɔvʲˈada na mɔdlˈitfɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_44.wav|jɛst kˈilka ˈɔsup, bˈɛs ktˌurɨx ɲʲɛ dˈawabˌɨm sˈɔbjɛ rˈadɨ, a lˈizʑɛ znajdˈujɛ ɕɛ na tʃˈɛlɛ tɛj lˈistɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_114.wav|rˌɔsprɛ̃ʒajˈɔntsɛ ɕɛ pɔvʲˈɛtʃɛ vɨpxnˈɛwɔ dˈɨm na kɔrˈɨtaʃ i pɔ xfˈili f tunˈɛlu dˈawɔ ɕɛ ɔddˈɨxatɕ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_298.wav|spˌɔdʑɛvˈanɔ ɕɛ, ʒˈɛ ˈinɲi lɔrdˈɔvʲɛ dˌɛklarˈaɲtɕi ɔdʒˈutsɔ̃ zˌaprɔʃˈɛɲʲɛ, vʲˈɛnts ɔbˈɛtsnɔɕtɕ pɛtˈɨra mʲˈawa klutʃˈɔvɛ znatʃˈɛɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/56_segment_16.wav|a ɡdʑˈɛ pˈan zˌaparkˈɔvaw?|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_479.wav|mɛ̃ʃtʃˈɨzna ɔpˈuɕtɕiw kɔmnˈatɛ, ˌɔtɕɛkˈajɔnts trˈuŋkʲɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_185.wav|ɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_2.wav|ɡdˈɨ zbliʒˈɨli ɕɛ dɔ bʒˈɛɡu, zˌauvˈaʒɨw ʃˈɛrɛk kˈɔbjɛt i dʑˈɛtɕi fprˌɔvadʑˈanɨx na pˈɔkwat jˈɛdnɛj z vʲˈɛlkix kˈɔwk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_238.wav|naprˈavdɛ? ˌɔbjɛtsˈujɛʃ? tˈak, ˌɔbjɛtsˈujɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_91.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_108.wav|pɔmˈɨɕlɲʲɛ pʃˌɛxɔdʑˈili fʃˈɨstkʲɛ kɔntrˈɔlɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_26.wav|na jˈakiɕ tʃˈas ɔtpˈuʃtʃɛ mˈɔjɛ pˌɔzɔstˈawɛ sprˈavɨ f pɔʒˈɔntku.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_50.wav|na kˈɔɲʲɛts pɔdjˈɛwa bˈɛki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_107.wav|ɲʲˈɛma za tsˈɔ, mɲʲɛ tˈɛʃ ɕɛ tɔ zdˈaʒa, mˈuvi ˈɔna.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_101.wav|jˈaka jɛst pʃɨtʃˈɨna ɕmʲˈɛrtɕi?|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_246.wav|ɲʲɛ muɕˈawɛm. zbˌudɔvˈawɛm vʲˈɛlkʲɛ zbjɔrɲˈiki na zˈɛvnɔntʃ, ˌɔbɔɡ bˈaɲki armstrˈɔŋɡa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_73.wav|mˈikɛ fskˈazaw na rˌɔsʃɛʒˈɛɲʲɛ kˈɔɲtsa lˈufɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_565.wav|tʃɨ tˈak ɲʲɛxlˈujɲʲɛ i bˈɛz ɡwˈɛmpʃɨɣ znˈatʃɛɲ mˈa vɨɡlˈɔndatɕ mˈɔjɛ stʃɛʑɲʲˈɛɲtɕɛ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_80.wav|ɲʲɛ bˌɨwɔ tˈam ʒˈadnɨx ˈɔkʲɛn, ʒˈadnɛj drˈɔɡʲi utɕˈɛtʃki.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_183.wav|tʃˌɛmu tfˈɔja pʃˌɨjatɕˈuwka ɲʲɛ vɨnˈajmʲɛ spavˈatʃa?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_80.wav|ˌalɛ tsˈɔ takʲˈɛɡɔ rɔbʲˈitɕɛ f sprˈavʲɛ mˈartɨ pˈɔrtɛr?|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_106.wav|tˈam bˌɨwa pˌɔwudɲʲˈɔvɔzaxˈɔdɲʲa tʃˈɛɲɕtɕ mʲˈasta, ktˌurɔ̃ s tʃˈasɛm zatʃˈɛliɕmˌɨ nazˈɨvadʑ ɡvˈins.|2
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_9.wav|mˈuɡwbɨ vɡrˈatɕ na tˈakʲɛ dʑˈɛwa fʃˈɨstkʲɛ ɛmˈila zˈɔli i zajˈɛwɨbˌɨ lˈɛdvʲɛ uwˈamɛɡ dˌɔstɛmpnˈɛɡɔ mʲˈɛjstsa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_378.wav|muvˈiwaɕ mi ftʃˈɔraj ˈɔɲʲɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_115.wav|pʃˌɨtwɔtʃˈɔnɨ bɔɡˈatstfɛm vɨbˈɔru dˈajɛ za vɨɡrˈanɔ̃ i dˌɛtsɨdˈujɛ, ʒˈɛ ɲˈits ɲʲɛ ɔbˈɛjʒɨ, tˌɨlkɔ ftʃˈɛɕɲʲɛ pˈujdʑɛ spˈatɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_92.wav|ʒˈɛ mˈuj plˈan jɛzd bˈardʑɛj vˌɨrafˌinɔvˈanɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_32.wav|pˌɔvinɲˈiɕmɨ ɕɛ ɔtprˈɛ̃ʒɨtɕ. pɔ prˈɔstu ʒˈɨtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_25.wav|mʲˈaw ɡuvɲʲˈanɨ smˈak.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_61.wav|jɛj rˌɔspatʃlˈivɛ vdˈɛxɨ sɔ̃ tsˈɔraz ʒˈatʃɛ, ˈaʃ f kˈɔɲtsu ustˈajɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_325.wav|pɔɡˈardʑam tˈakɔ̃ jawmˈuʒnɔ̃, ˌalɛ jɛst mi pɔtʃˈɛbna jˈak lˈɛkki ɲʲˈux taɲʲˈɛɡɔ nˌarkɔtˈɨku.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_18.wav|ɲʲɛ na tˈɨlɛ mˈɔtsnɔ, ʒˈɛbɨ mɲʲɛ zˈabʲitɕ, ˌalɛ vˌɨstartʃajˈɔntsɔ, ʒˈɛbɨ dˈatɕ mi dɔ zrˌɔzumjˈɛɲʲa, ʒˈɛ mˈɔʒɛ tɔ zrˈɔbʲitɕ, jˈɛɕli ɔkˈaʒɛ ɕɛ tɔ kɔɲʲˈɛtʃnɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_54.wav|tɔ jˌɛdnɔrazˈufka s pʃˌɛtpwatsˈɔnɔ̃ kˈartɔ̃ ˌɛsˌiˈɛm.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_327.wav|tɔ prˈavda, pˈaɲi, i swˈuʃɲʲɛ ˈɔtɨm pʃˌɨpɔmˈinaʃ, ˌalɛ tˌajɛmɲˈitsɛ ɕˈɛdmju, ktˌuʒɨ sɔ̃ jˈɛdnɨm...|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_297.wav|jɛʒˈɛli ktˈɔʑ zapˈɨta, tsˈɔ rɔbʲˈiwam?|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_139.wav|vbjˈɛɡwa pɔ sxˈɔdax s pʃˌɛraʒˈɔnɔ̃ mˈinɔ̃. pʃɛprˈaʃam, pʃɛprˈaʃam, tɔ bˌɨwɔ ɡwˈupʲɛ. zˌapɔmɲʲˈawam, kˈim...|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_155.wav|sɛrxˈail uɕmʲˈɛxnɔw ɕɛ. tʃˈɛx tɔ mʲˈud dla nˈaʃɛj mʲɛtʃˈɔvɛj dʑˈɛfki.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_28.wav|ɲʲɛ ˈumjɛm tˌɛɡɔ vɨjˈaɕɲitɕ, tˈɔm. ˌɔtpɔvʲɛdʑˈawa mu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_111.wav|musˈimɨ ɕɛ pɔstˈaratɕ, ʒˈɛbɨ tɛ pˌɔzɔstˈawɛ lˈata bˌɨwɨ dla ɲʲˈɛj jˈak najlˈɛpʃɛ, ʒˈɛbɨ vɨrˈɔswa na ʃtʃɛɲɕlˈivɔ̃ i pˈɛvnɔ̃ ɕˈɛbjɛ kɔbjˈɛtɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_62.wav|ɲʲˈɛvʲɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_171.wav|trˈip ɲʲˈɛma fˌurɡɔnˈɛtki, zˌauvˈaʒa ˈɛllis pɔ xfˈili namˈɨswu. jˈɛʑdʑi mustˈaŋɡʲɛm, zˈabraw mɲʲɛ ɲˈim dɔ kˈina.|2
+Dataset/wavs/urwisko_ferenc/64_segment_31.wav|nˌapwɨvˈawɨ ˌintɛnsˈɨvɲʲɛ i pʃˌɨpɔminˈawɨ nˈatwɔk mˈɨɕli, z jˈakim mʲˈɛʒɨw ɕɛ tʃˈasɛm nˈɔtsɔ̃, ɡdˈɨ ɲʲˈɛmuɡw zˈasnɔɲtɕ.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_172.wav|tʃɨ ɡˈɔʑdʑik mˈɔʒɛ zˈɔstatɕ na pɔkwˈadʑɛ, dɔpˈuki ɲʲɛ vrˈutsɛ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_3.wav|fʃˈɨstsɨ ˌuvijˈali ɕɛ jˈak w ukrˈɔpʲɛ, a vɨrˈaʑɲʲɛ pˌɔdɛkstsˌɨtɔvˈana bˈɛtskɨ rˌɔzmavʲˈawa s kˈimɕ pʃˈɛs tɛlˈɛfɔn.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_34.wav|tɔ jˈakiɕ pʲɛpʃˈɔnɨ zˈamɛk.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_341.wav|ɲˈiɡdɨ jˈɛdnak ɲʲɛ bˌɨwɨ skˌɔwtuɲʲˈɔnɛ ˌaɲi pˌɔzlɛpʲˈanɛ ɔt pˈɔtu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_477.wav|zaɡwˈuʃam ɕɛ ɡlɛndʑˈɛɲʲɛm starˈɛɡɔ kˌɔnfidˈɛnta, aɡˈɛnta tʃɨ kˈata. fʃˈɨstkɔ mˈija, jˈak pˌɔvʲadˈali pʃɔtkˈɔvʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_340.wav|ɲʲɛktˌuʒɨ pˌɔvʲadˈali, ʒˈɛ ʒutɕˈiwa na ɲʲˈɛɡɔ tʃˈar, xˈɔdʑ zapˈɛvnɛ vɨstˈartʃɨw tɛn tʃˈar, ktˌurɨ mʲˈawa mʲˌɛndʑɨ nɔɡˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_26.wav|a mˈɔi rɔdʑˈitsɛ bˈɨlibˌɨ zˌaxfɨtsˈɛɲi, ɡdˈɨbɨm dˈɔstaw ɕɛ dɔ ɡrˈupɨ zˌaavˌansɔvˈanɛj.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_245.wav|mˈistɛr xundˈɛbawx ɲʲɛ jɛzd zˌadɔvɔlˈɔnɨ s tfˈɔjɛj prˈatsɨ, tˈaɡ vʲˈɛnts tɔ bˌɛɲdʑɛ ɔstˈatɲi dʑˈɛɲ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_308.wav|ɲʲˌɛnavˈidʑiw mɲʲɛ jˈuʃ ftʃˈɛɕɲʲɛj.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_112.wav|nˈavɛt pʲˈɛz drʒˈaw, a ɔn zˈabʲiw jˈuʃ kˌilkanˈaɕtɕɛ vˈilkuf.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_33.wav|zˌatʃɨmˈawa samˈɔxut.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_125.wav|pˌɔvʲɛdʑˈawa z dˌɛlikˈatnɨm uɕmʲˈɛxɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_31.wav|a ja ɲʲɛ jˌɛstɛm ɡɔtˈɔva nˈatɔ pɔzvˈɔlitɕ. zaˈufaj mi, bˈɔp. znˈam ɕɛ na mɛtˈalax.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_240.wav|tʃɨ tˈaɡ vwˈaɕɲʲɛ zabʲˈiwɛɕ innˈɛɡɔ?|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_268.wav|zavˈɔwaw sˈɛr xɛˈilxant, ssuvˈajɔnts ɕɛ s ɕˈɔdwa. tɨ jˌɛstɛɕ ˌɔbɛrʒˈɨstkɔ̃?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_101.wav|pɔvˈinnam bˌɨwa ɔdmˈuvitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_206.wav|vbrˈɛf tˈɛmu, tsˈɔ mˈɔʒna zɔbˈatʃɨtɕ wˈɛ fˈilmax, ˈaktsji i kɔmˈiksax, vʲˈɛŋkʃɨ mˈa naprˈavdɛ pʃɛvˈaɡɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_71.wav|jˌɛstɛm ɲˈits ɲʲɛvˈartɨm ɡnˈɔjkʲɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_85.wav|xfˈɨtɕiw ɕɛ za ɡˈardwɔ, ɲʲˈɛmuɡw ɔddˈɨxatɕ, a ja stˈawam jˈaɡ vmˌurɔvˈana.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_25.wav|ta tʃˈɛɲɕtɕ lˈinkɔln ʃˈarɛ bˌɨwa trˈɔxɛ za pwˈaska jˈak na jˈɛɡɔ ɡˈust, ˌalɛ i tˈak ˌurɔklˈiva.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_160.wav|i mˈɔim zadˈaɲʲɛm jɛst tɕi pɔkˈazatɕ, tsˈɔː ɔznˈatʃa bˈɨtɕɛ kɔbjˈɛtɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_473.wav|lˈadɨ mirˈanda dˌɔwɔntʃˈɨwa dɔ ɲˈix pɔt iɡlˈitsɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_47.wav|spɨtˈawa bˈɛtskɨ ɲʲˌɛnaturˈalɲʲɛ ɡwˈɔɕnɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_20.wav|tʃɨ nˈadal ˌuvaʒˈajɔ̃, ʒˈɛ mʲˈawa s tɨm tsˈɔɕ fspulnˈɛɡɔ lˈub ʒˈɛ sˈama stˈawa ɕɛ zˌakwadɲˈitʃkɔ̃?|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_42.wav|tʃˈɨma tɛlˈɛfɔn w ɡˈuʒɛ i naɡrˈɨva zˌamjɛʃˈaɲʲɛ na sxˈɔdax sˈɔndu.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_115.wav|pɔ krˈutkix ˌɔɡlɛɲdʑˈinaɣ znalˈazwam tɔ, tʃˈɛɡɔ ʃukˈawam.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_365.wav|i zbˈɨd vʲˈɛlɛ rɔssˈɔntku, ʒˈɛbɨ pˈɔddatɕ ɕɛ tˈakim jˈak ˈɔɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_75.wav|mˈuvi, ʒˈɛbɨ bˈɨw ɔstrˈɔʒnɨ, a ɔn zapˈɛvɲʲa, ʒˈɛ mˈa tˌaki zˈamjar. rɔzwˈɔntʃa ɕɛ i kʲɛrˈujɛ vzrˈɔk na zˌatʃɛrvʲˌɛɲʲɔnˈɛɡɔ mɛ̃ʃtʃˈɨznɛ na viʃˈɔntsɨm fɔtˈɛlu.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_296.wav|mˌamɨ sfˈɔjɛ vzlˈɔtɨ i upˈatki jˈak kˈaʒda pˈara, ˌalɛ bˈardʑɔ ɕɛ starˈamɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_352.wav|pˈan tˈɛʃ spɔtˈɨkaw ˈɔvɛ mwˈɔdɛ kɔbjˈɛtɨ vˌɨzɨvajˈɔntsɔː ubrˈanɛ zˈɛ zrɔbjˈɔnɨm ˌɛkstsɛntrˈɨtʃɲʲɛ mˌakijˈaʒɛm,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_9.wav|kˈaʒda kɔmˈurka mɔjˈɛɡɔ tɕˈawa i kˈaʒda mˈɨɕl w mˈɔjɛj ɡwˈɔvʲɛ kˌɔntsɛntrɔvˈawɨ ɕɛ na malˈɛɲkʲɛj krɔpˈɛtʃtsɛ vˈɛvnɔntʃ mɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_43.wav|tɔ fʃˈɨstkɔ pɔzvˈala zawˈɔʒɨtɕ, ʒˈɛ mˈuɕaw bˈɨdʑ dˈɔbʒɛ xrɔɲʲˈɔnɨ vˈɛvnɔntʃ, a jˈɛdnak tˈak ɲʲɛ bˈɨwɔ, pɔvʲˈɛdʑaw tˈɔm.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_277.wav|xtsˈɛ tɕi tsˈɔɕ pɔkˈazatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_38.wav|ʒˈɛbɨ zbˈadatɕ fspuwtʃˈɨnɲik rɛfrˈaktsji rdʑˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_133.wav|f tʃɨm pˌɔmɔɡwˈɔbɨ tɔ ɡˈɔʑdʑik?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_81.wav|ɲʲˈɛmam zbˈɨd vʲˈɛlɛ tʃˈasu, dʲˈidʲi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_489.wav|a tʃɨ tɨ pɨtˈawaɕ mɲʲɛ ɔ zɡˈɔdɛ?|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_270.wav|maʃ ʃlˌaxɛtnˈɛɡɔː ˈɔjtsa, ktˌurɨ s pɛvnˈɔɕtɕɔ̃ tɕˈɛ kˈɔxa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_163.wav|tʃˈasɛm ɔstrˈɔʒɲʲɛ pʃɛdʑˈɛraw ɕɛ zˌardʑɛvʲˈawɨ samˈɔxut ˌɔsɔbˈɔvɨ z ɔpʃˈaruv davnˈɛɡɔ zvʲˈɔ̃sku rˌadʑɛtskʲˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_99.wav|mˈa ˌɔɡɔʒˈawɔ̃, pˌɔmarʃtʃˈɔnɔ̃ skˈurɛ, ˌalɛ jɛst ˌaŋɡlɔsaskʲˈɛɡɔ pˌɔxɔdʑˈɛɲʲa. tɔ bjˈawa starˈuʃka.|2
+Dataset/wavs/urwisko_ferenc/35_segment_13.wav|xwˈɔpak mˈiltʃaw dwˈuʃʃɔ̃ xfˈilɛ, vʲˈɛndʑ bɔrˈɛvitʃ pˈatsnɔw ɡˈɔ w ˈudɔ vʲˈɛʃxɛm dwˈɔɲ. pɨtˈawɛm ɔ tsˈɔɕ. rɔzɡɲʲˈɛvaw ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_164.wav|xtɕˈawam ftɕˈisnɔɲtɕ mu tˈɛ kɔpˈɛrtɛ f tfˈaʃ, ˌalɛ tˌɛɡɔ ɲʲɛ zrɔbʲˈiwam.|3
+Dataset/wavs/urwisko_ferenc/44_segment_77.wav|f tˈamtɨx xfˈilaɣ zatɕˈiskaw pɔvʲˈɛki i ɲʲɛ ɔtfʲˈɛraw ix, bˈɛz vzɡlˈɛndu nˈatɔ, tsˈɔ ɕɛ dʑˈawɔ z jˈɛɡɔ tɕˈawɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_42.wav|xˈalɔ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_139.wav|tʃɨ ɲʲɛ pamjˈɛntaʃ tˈɛɡɔ, tsˈɔː ˌɔna tɕi pˌɔvʲɛdʑˈawa ftˈɛdɨ w wˈuʃku?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_193.wav|ɲʲˈɛvʲɛm jˈɛdnak, kʲˈɛdɨ tɔ fʃˈɨstkɔː ˌɛksplɔdˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_281.wav|xtɕˈawam pɔvʲˈɛdʑɛtɕ mu ɔ vʲˈɛŋkʃɨm zˌaɡrɔʒˈɛɲʲu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_105.wav|ɲʲɛktˌuʒɨ uznˈali, ʒˈɛ pˌɔvinɲˈiɕmɨ dˈatɕ im vʲˈɛntsɛj, pɔɲʲˈɛvaʒ vʲɛdʑˈɛli, ˈilɛ vɨɡrˈaliɕmˌɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_158.wav|ˌalɛ kˌilkudʑɛɕˈɛɲtɕu baɲdʑˈɔruf ɲʲɛ mˈɔʒɛ ɔt tˈak ˌɔpanˈɔvatɕ mʲˈasta. zdaʒˈawɨ ɕɛ tˈutaj vʲˈɛŋkʃɛ bʲˌijatˈɨki f knˈajpax.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_44.wav|ˌɔɡraɲˈitʃmɨ ɕɛ jˈɛdnaɡ dɔ rɛɡʲˈɔnu ɡrɛˈatɛr manxˈɛstɛr. ɲʲɛ vɨdˈajɛ mi ɕɛ, ʒˈɛbɨ zˌapuɕtɕˈiwa ɕɛ dˈalɛj z mˈawɨm dʑˈɛtskʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_91.wav|tˈak, tɔ prˈavda.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_270.wav|— pʃɨnˈajmɲʲɛj mʲˈawɛɕ xˈɔtɕ tˈɨlɛ rɔssˈɔntku, bˈɨ tɔ zrˈɔbʲitɕ.|1
+Dataset/wavs/urwisko_ferenc/21_segment_72.wav|pʃˌɨwɔʒˈɨwa krˈɛtkɛ dɔ ɡˈurnɛj pɔvʲˈɛki i drʒˈɔntsɔ̃ rˈɛŋkɔ̃ pˌɔtɕɔŋɡnˈɛwa krˈɛskɛ vzdwˈuʃ lˈiɲʲi ʒˈɛ̃s.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_137.wav|ja mˈam nadʑˈɛjɛ, ʒˈɛ ˈu bˈɔku naˈila ɕɛ ˌuspɔkˈɔi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_9.wav|pˈatʃɨw vʲˈɛnts na dʒɔnsˈɔna i na rɨˈana, ktˌurɨ bˈaviw ɕɛ kɔsmˈɨkʲɛm sfˈɨɣ vwˈɔsuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_215.wav|f sˌɛnatˈɔbja, zˈaraz za ɡraɲˈitsɔ̃ mˌisɕisɕˈippi, dˈɔʃwɔ dɔ vɨbˈuxu ɡˈazu. sɔ̃ tʃˈɨ ɔfjˈarɨ ɕmʲɛrtˈɛlnɛ i dvˈɔjɛ tɕˈɛ̃ʃkɔ rˈannɨx.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_42.wav|ɲʲɛ mʲˈawɛɕ nˈɔɡʲi, sˈɨnu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_31.wav|bˈawam ɕɛ, ʒˈɛ tsˈɔɕ mʲˌɛndʑɨ nˈami ɕɛ zmʲɛɲˈiwɔ, ˌalɛ kʲˈɛdɨ pɔtʃˈuwam jˈɛɡɔː uɕtɕˈiski, zmuɕˈiwam ɕɛ dɔː ˌuvʲɛʒˈɛɲʲa, ʒˈɛ fʃˈɨstkɔ jɛst tˈakʲɛ sˈamɔ jˈaɡ dˈɔtɔnt.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_143.wav|mˈɔʒɛ zˈabrawbˌɨʑ dʑɛftʃˈɨnɛ na kɔlˈatsjɛ? tˈak pɔ prˈɔstu bˈɛs ɔɡrˈudɛk.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_314.wav|bˈɔ xtsˈɛ zˌapamjˈɛntatɕ. dlatʃˈɛɡɔ zˌapamjˈɛntatɕ?|0
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+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_258.wav|a vʲˈɛnts...|4
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+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_443.wav|tʃɨ...|1
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_24.wav|sprˈavɲʲɛ fkwˈadam blˈɔnt pɛrˈukɛ, a na ˈusta dɔdˈajɛ vˈarstfɛ tɕˌɛmnɔtʃɛrvˈɔnɛj ʃmˈiŋki.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_40.wav|ɲʲɛktˌurɛ fspɔmɲʲˈɛɲʲa sɔ̃ tsˈɛnnɛ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_319.wav|ʃtˈurm na mˈurɨ bˌɛɲdʑɛ krfˈavɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_99.wav|dˈɔbrɨ s pˈana sˈɔ̃ɕat, a ˌɔna jɛst urˈɔtʃɔ̃ dʑɛftʃˈɨnɔ̃. rˈixtɛr ˌɔblizˈujɛ vˈarɡʲi. mˈɔʒɛ tˌɨlkɔ pˈɔtɔ, bˈɨ jˈɛ zvˈilʒɨtɕ, mˈɔʒɛ ɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_194.wav|bˈaki pɔsˈɨwa mu pˈɛwnɛ vɨʒˈutu spɔjʒˈɛɲʲɛ muvʲˈɔntsɛ, a jˈɛdnak pʃˌɛtɕɔŋɡnˈɔwɛ ɕɛ na tɕˈɛmnɔ̃ strˈɔnɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_287.wav|wukˈawam, a ɔn stˈaraw ɕɛ nat sˈɔbɔ̃ zˌapanˈɔvatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_269.wav|kʲˈɛdɨ mʲɔtˈawɛm ɕɛ vˈɔkuw ɲʲˈɛj, pwɨvˈawɛm, nˌurkɔvˈawɛm, a fʃˈɨstkɔ pˈɔtɔ, ʒˈɛbɨ ˈɔtʃɛtɕ ɕɛ ɔ jɛj ɡɔrˈɔntsɛ tɕˈawɔ, ʒˈɛbɨ zɔbˈatʃɨtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_77.wav|tˈak, mˈuvi ˈɛlis i znˈuf nɛrvˈɔvɔ çixˈɔtʃɛ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_141.wav|tˌɨlkɔː ɔbˈɛtsnɔɕtɕ ɔkrˈɛntuf rɛdvˈina ˌuɲʲɛmˌɔʒlivʲˈawa zˌaɔpˌatrɨvˈaɲʲɛ kˈɔɲtsa bˈuʒɨ drˈɔɡɔ̃ mˈɔrskɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_82.wav|pamjˈɛnta, jˈak pˈɔtɛm ɕɛ ˌuɕmʲɛxˈawa i muvˈiwa, ɔn tˈak ɲʲɛxtsˈɔntsɨ i tɔ bˌɨwa mˈɔja vˈina.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_82.wav|vʲˈɛlu s tˈu ɔbˈɛtsnɨx swɨʃˈawɔ tɔ na vwˈasnɛ ˈuʃɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_57.wav|ʒˈadnɨɣ vˈaʒɨf mrɔʒˈɔnɨx ˌaɲi ɕfʲˈɛʒɨx.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_65.wav|ɲʲɛ pˈɔtɔ, ʒˈɛbɨ zˈɔstatɕ aktˈɔrkɔ̃. tɕɛkˈavjɔ̃ mɲʲɛ ˈinnɛ ʒˈɛtʃɨ. stsˌɛnɔɡrˈafja, ˌɔɕfʲɛtlˈɛɲʲɛ i tˈaɡ dˈalɛj. tɔ xtɕˈawabˌɨm rˈɔbʲitɕ.|2
+Dataset/wavs/urwisko_ferenc/04_segment_4.wav|— ʒˈɛ tsˈɔ kˈurva? — ɲʲˈɛmal kʃˈɨknɔw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_141.wav|pʃɨnˈajmɲʲɛj na rˈaʑɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_52.wav|prˈɔʃɛ mi pˈɔdatɕ nˈumɛr pɔkˈɔju ˈalbɔ jˈakiɕ ˈinnɨ dˈɔvut, ʒˈɛ zɔstˈawa pˈaɲi zˌaprɔʃˈɔna. f pʃɛtɕˈivnɨm rˈaʑɛ ɲʲɛ mˈɔɡɛ pˈaɲi pˈɔmuts.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_168.wav|mˈaʃ, pɔvʲˈɛdʑaw i ʒˈutɕiw mi jˈɔ̃. tɔ jɛst anˈɔrtɨt.|4
+Dataset/wavs/urwisko_ferenc/65_segment_189.wav|pˌɔlitsjˈantka ɲʲɛ ɔt rˈazu pɔjˈɛwa sˈɛns tɨx swˈuf.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_365.wav|dʑɛftʃˈɨna skinˈawa ɡwˈɔvɔ̃, tˈulɔndʑ dʑˈɛtskɔ dɔ pʲˈɛrɕi.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_426.wav|ɲʲɛ spˈadnɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_44.wav|a ja ɕɛ ˌutɕɛʃˈɨwam, bˈɔ tˈata bˈɨw zazvˈɨtʃaj bˈardʑɔ pɔɡˈɔdnɨ i ɲʲɛ xtɕˈawam mu psˈutɕ xumˈɔru.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_35.wav|pˈɔʃɛd dɔ sfɔjˈɛɡɔ varʃtˈatu, kʃˈɨtʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_130.wav|tˈam, ɡdʑˈɛ ˈɔŋɡʲiʑ bˌɨwɨ ɔɡrˈɔdɨ, rˈɔɕɲʲɛ ʑˈɛlskɔː i tɕɛrɲˈistɛ kʃˈɛvɨ, a na pɔbˈɔtʃaɣ drˈuɡ valˈajɔ̃ ɕɛ kˈɔɕtɕi.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_94.wav|a tʃɨ tʃˈɛ̃stɔ ɕɛ mˈɔdli?|1
+Dataset/wavs/urwisko_ferenc/65_segment_127.wav|sprˈaftsa zbrˈɔdɲi|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_38.wav|ix rɔzmˈɔvɛ pʃˈɛrvaw rˈɔp, ktˌurɨ ɔdwˈɔʒɨw swuxˈafkɛ, ɔbrˈutɕiw ɕɛ vrˈas s kʃˈɛswɛm i pˈɔdaw sˌamɔpʃɛlˈɛpnɔ̃ kartˈɛtʃkɛ kˌaˌɛˈɛs.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_96.wav|ˌukazˈujɔnts pˌilɔtˈɔvi sfˈuj ˈɔstrɨ prˈɔfil i pɔvʲˈɛdʑaw, stˈɔjɔnts jˈuʃ pʃɛt ɕmˈiɡwɛm,|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_71.wav|rˈɛtɨ, pˈaɲi naprˈavdɛ mˈɨɕli vɨwˈɔntʃɲʲɛ ɔ ɡˌɔspɔdˈartsɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_159.wav|mˈuj stˈan mˈɔʒna nˈazvatɕ xɔrˈɔbɔ̃ i za jˈakiɕ tʃˈas lɛkˈaʒɛ znˈajdɔ̃ ˌɔtpɔvʲˈɛdɲʲɔ̃ nˈazvɛ dla tɛj xɔrˈɔbɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_213.wav|ɲˈidʑɡ zˈaɕmʲaw ɕɛ i klˈasnɔw w dwˈɔɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_39.wav|fstɔmpˈiwam dɔ dˈɔmu, ɡdʑˈɛ zˌɔstavˈiwam sfˈɔjɛ ɡʲˈizmɔ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_74.wav|trˈudnɔ bɨwˈɔbɨ lˈitʃɨtɕ na kˌɔʒɨstɲʲˈɛjʃɔ̃ vɨmjˈanɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_84.wav|bʲˈillɨ ɲʲɛ pɔtrˈafi nˈatɔ ˌɔtpɔvʲˈɛdʑɛtɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_159.wav|jˈaɡbɨm tɔ ja bˌɨwa tɔ̃ nadmʲˈɛrɲʲɛ kˌɔntrɔlujˈɔntsɔ̃, a ɔn tˌɨlkɔ prubˈɔvaw bˈɨtɕ rɔssˈɔndnɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_88.wav|i ɔɡˈarɲʲa ɡˈɔ sfɔˈista rˈɔspatʃ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_83.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ vɨjˈɛʒdʒam stˈɔnt.|0
+Dataset/wavs/urwisko_ferenc/24_segment_38.wav|zatʃˈɛkaw, ˈaʃ ɛwɡˈɛɲʲa lˈipska vrˈutɕi s kˈavɔ̃ f kˈupku.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_174.wav|ˌɔtɔtʃˈɨliɕmˌɨ tsˈawɨ zˈamɛk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_274.wav|w ʒˈɨtɕu tɛj vʲˈɛlkʲɛj varʃˈafskʲɛj kˌamjɛɲˈitsɨ. tˈak, puɕtɕˈiɲi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_24.wav|na sxˈɔdax pɔt mɔˈimi dʒvʲˈami ɕˈɛdʑaw pɔlˈitsjant sprˌavʲajˈɔntsɨ vraʒˈɛɲʲɛ mˌawɔlɛtɲʲˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_137.wav|dla mɲʲɛ tɔ trˈɔxɛ nˌatɕɔŋɡˈanɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_6.wav|nˈaɡlɛ samˈɔxud zjˈɛxaw s ʃˈɔsɨ i zˌakɔwˈɨsaw ɕɛ na vˈɔ̃skʲɛj, vˌɨbɔˈistɛj drˈɔdʑɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_19.wav|jɛj ˈɔjtɕɛts tɔ jˈɔɛl kˈalu, a mˈatka mˈa na ˈimjɛ ɲikˈɔla.|3
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+Dataset/wavs/urwisko_ferenc/03_segment_136.wav|jˈana sɔlskʲˈɛɡɔ?|0
+Dataset/wavs/urwisko_ferenc/28_segment_49.wav|ʒˈɛ jˈɔ̃ zdrˈadʑa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_361.wav|zadˈuɕiw fʃˈɨstkiɣ vɛsˈɛlnɨɣ ɡˈɔɕtɕi rˈazɛm s kɕˈɛndʑɛm, ktˌurɨ akˈurad bwˌɔɡɔswˈaviw nˌɔvɔʒˈɛɲtsuf.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_121.wav|ˌuɕmʲɛxnˈɛwa ɕɛ samˈɨmi tˌɨlkɔː ɔtʃˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_228.wav|zˌaɡadnˈɛwam radˈɔsnɨm tˈɔnɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_33.wav|ɔn vrˈatsa ɕɛ dɔ mɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_284.wav|ɲʲɛ tɨm rˈazɛm sˈam.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_3.wav|trˈɔmbɨ zabʒmʲˈawɨ mɔɕˈɛ̃ʒnɨm xˈukʲɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_346.wav|kˈim sɔ̃ tɕi lˈudʑɛ?|4
+Dataset/wavs/urwisko_ferenc/01_segment_59.wav|dɔkwˈadɲʲɛ tˈakɔ̃.|0
+Dataset/wavs/urwisko_ferenc/09_segment_111.wav|xˈɛrman skɔɲtʃˈɨwa pˈalitɕ i stwumˈiwa xˈɛɲtɕ, bˈɨ zadʑvˈɔɲidʑ z rˌɛvɛlatsjˈami dɔː ɔlɡʲˈɛrda bˌɔrɨvˈitʃa.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_55.wav|spˌɔtʃɨvˈawa na pɔtˈɛ̃ʒnɨx ɕˌiwɔvɲˈikax xˌɨdrawlˈitʃnɨx, ktˌurɛ mˈɔɡwɨ jˈɔ̃ pʃɛxˈɨlitɕ, ʒˈɛbɨ urˈɔbɛɡ vɨsˈɨpaw ɕɛ pʃˈɛs uxˈɨlnɔ̃ klˈapɛ s tˈɨwu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_124.wav|bʲˈillɨ pˌɔtakˈujɛ rˈuxɛm ɡwˈɔvɨ.|2
+Dataset/wavs/urwisko_ferenc/08_segment_100.wav|muɕˈawɔ xˈɔdʑitɕ ɔ tsˈɔʑ zupˈɛwɲʲɛ innˈɛɡɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_66.wav|mˈastɛr ˈɔn. mˈastɛr ˈɔn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_30.wav|minˈɛwɨ tsˈawɨ lˈat, a prˈavda, bʲˈill?|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_98.wav|mˈuɕi dˈɔstatɕ ɕɛ dɔ mʲɛʃkˈaɲʲa na pˈɛarsɔn strˈit i tɔ ʃˈɨpkɔ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_273.wav|ɲʲɛdˈɔbʒɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_131.wav|nˈɔ, nˈɔ, bˈardʑɔ mˈiwɔ s tfˈɔjɛj strˈɔnɨ. drˈɔɡʲi prˈɛzɛnt.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_79.wav|pʲˈɛrɕi tˈak ɔkrˈɔŋɡwɛ, jˈaɡbɨ vˌɨrɨsɔvˈanɛ tsˈɨrklɛm.|0
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+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_148.wav|maʃ pʃˌɛtɕɛʃ karˈabʲin.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_208.wav|ɡdˈɨbɨ dˈɔʃwɔ dɔ rˌɔsʃtʃɛlɲʲˈɛɲʲa bˈaɲki, mˈɔʒna ˌɔdʲizɔlˈɔvatɕ tsˈawɛ vnˈɛntʃɛ i ˈujʑdʑ z ʒˈɨtɕɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_13.wav|pɔ jˈɛɡɔ prˈavɛj strˈɔɲʲɛ ɕˈɛdʑi kɔbjˈɛta w ɕrˈɛdɲim vʲˈɛku, ktˌura vɨɡlˈɔnda jˈaɡbɨ vˌɨpalˈiwa w ʒˈɨtɕu za dˈuʒɔ pˌapʲɛrˈɔsuf.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_120.wav|tɔ bˈɨw jˈɛɡɛr! rˌɔspɔznˈawam jˈɛɡɔ ɡwˈɔs!|3
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_157.wav|innˈɨmi swˈɔvɨ, ɲʲɛvʲˈɛlɛ vˈitsa, tsˈɔ tʃˈɨɲi pravˈitsa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_9.wav|dɔ kˈɔɲtsa rˈɔku ɲʲɛ pɔdjˈɛwa dɛtsˈɨzji dˌɔtɨtʃˈɔntsɛj ktˌurɛɡɔkˈɔlvʲɛk s tɨx pɔmjˈɛʃtʃɛɲ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_7.wav|bʲˈillɨ ɔdbjˈɛra krˈɔ̃ʃki tsˌɛbulˈɔvɛ na mˈawɛj tˌɛkturˈɔvɛj tˈatstsɛ, dɔ tˌɛɡɔ kˈilka saʃˈɛtɛk kɛtʃˈupu i vrˈatsa dɔ nɔvˈɛɡɔ znˌajɔmˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_80.wav|ʒˈɛ ˌɔdɛbrˈawam ʒˈɨtɕɛ ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/urwisko_ferenc/24_segment_23.wav|— ˈɔt, pɔ prˈɔstu. mʲˌɛʃkawˈɨɕmɨ rˈazɛm jˈakiɕ tʃˈas. bˌɨwa ɡʒˈɛtʃna i mˈiwa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_210.wav|ja pˈanu pˌɔvʲɛdʑˈawɛm tsˈɔː innˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_132.wav|ɲʲɛ, ɲʲɛ pˌɔmɨlˈiwam ɕɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_139.wav|jˈak tɔ bˈɨwɔ?|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_212.wav|mʲˈawa na sˈɔbjɛ jˈɛɡɔ tʃˈarnɨ pwˈaʃtʃ.|1
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+Dataset/wavs/urwisko_ferenc/08_segment_29.wav|sˈamɔ pˌɔrɛntʃˈɛɲʲɛ bˌɨwɔ jˈɛdnak ɲʲˌɛvɨstˌartʃajˈɔntsɛ, bˈɔ na rˌɔsʃɛʒˈɛɲʲɛ ɡrˈɔna sfiŋɡˈɛrsuv zɡˈɔdɛ muɕˈɛli vɨrˈazitɕ tʃwɔŋkˈɔvʲɛ klˈubu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_114.wav|nˈadal pˈatʃɨ prˈɔstɔ na ɲʲˈɛɡɔ.|2
+Dataset/wavs/urwisko_ferenc/01_segment_111.wav|vʲˈɛnts mˌatɕɛ nˈɔvɛ vˈɔntki?|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_20.wav|bʲˈillɨ pʃˈɛs xfˈilɛ ɲʲˈɛma pɔjˈɛɲtɕa, ɔ tʃɨm jˈɛnsɛn mˈuvi. zupˈɛwɲʲɛ ɡˈɔ zˌamurɔvˈawɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_15.wav|ɲʲˈɛxtsɛ ˌɔkwamˈɨvatɕ sfɔjˈɛɡɔ dʑˈɛtska, ˌalɛ tˈaɡ vʲˈɛlu ʒˈɛtʃɨ pɔ prˈɔstu ɲʲɛ mˈɔɡɛ mu pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_61.wav|tʃɨ ˌɔna pratsˈujɛ w ɛksˈɔtɛx?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_399.wav|w jˈakimɕ mɔmˈɛɲtɕɛ jˈɛwa ɔddˈavatɕ pˌɔtsawˈuŋki, ˌalɛ pˌɔtsawˈuŋki ˌɔdrɔbʲˈinɛ zˌamɨɕlˈɔnɛ, tʃɨ...|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_67.wav|zˌavɔwˈawam pɛvnˈɛɡɔ dɲʲˈa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_32.wav|ˌɔna xtsˈɛ ɕɛ mɲʲɛ pˈɔzbɨtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_135.wav|jˈadɛ z ɲˈim.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_361.wav|mˈɔja pˈamjɛɲtɕ tʃˈɛmuɕ spwɔvʲˈawa, vˈidʑɛ za sˈɔbɔ̃ ʃˌarɔbˈurɔ̃ mɡwˈɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_79.wav|mˈuʃɛ jˈɔ̃ pʃɛkˈɔnatɕ, ʒˈɛ tɔ ɲˈits takʲˈɛɡɔ, ʒˈɛ fʃˈɨstkɔ ʑlˈɛ ˌɔdɛbrˈawa. jˈɛɕli mi ɕɛ ɲʲɛ ˈuda, pˌɔrɔzmˈavʲam ˈɔtɨm z dˌɔmiɲˈikʲɛm, a...|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_478.wav|mjˈa ɲʲɛ jɛst sˈama.|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_11.wav|ɲʲɛ jˌɛstɛm pˈɛvna. f kˈaʒdɨm rˈaʑɛ mˈɔɡwam pʃɨstˈɔmpidʑ dɔ tɕˈɛɲtɕa.|4
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+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_433.wav|ˈandɛrsɔn ɲʲɛ pɔrˈuʃɨw ɕɛ, vˈɔlnɔ pʃɛʒˈuvaw bˈuwkɛ s ʃˈɨŋkɔ̃.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_104.wav|jˈɛɕli skˈɔt ɲʲɛ ʒˈɨjɛ, tɔ ktˈɔ nˈas ˌɔpsɛrvˈɔvaw?|3
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+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_39.wav|ɡˈɛ̃stɛ i tʃˈarnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_80.wav|pˈuʑɲʲɛj, ɡdˈɨ bˌɛɲdʑɛ pɔ fʃˈɨstkim, vʲˈɛlɛ ˈɔsup pˈɔda rɨsˈɔpiz davˈida lɔtskrˈidʒa. ɲʲɛktˈuʒɨ, f tɨm fˈɨllis stanxˈɔpɛ, tsˈawkʲɛm ɲʲˈɛzwɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_29.wav|ˌalɛ tʃɨ pˈan vʲˈɛ, ʒˈɛ tɛn mwˈɔdɨ tʃwˈɔvʲɛk pˈuka ftɕˈɔ̃ʒ dɔ tɨɣ dʒvˈi? stˈarɨ napˈisaw.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_51.wav|fʃˈɨstsɨ jɛstˌɛɕmɨ ɡˈɔɕtɕmi w vˈaʃɨm dˈɔmu i ɲʲɛ jɛstˌɛɕmɨ rˈuvɲi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_110.wav|ˌalɛ jˈaɡ dwˈuɡɔ tɕˈɛ ɲʲɛ bˈɛɲdʑɛ?|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_301.wav|zɡɔdʑˈiwa ɕɛ tsɛrsˈɛi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_89.wav|w nˈɔtsɨ pɔstˈaraj ɕɛ lˈɛʒɛtɕ ɲʲˌɛruxˈɔmɔ, na plˈɛtsax. xtsˈɛʃ tɨlˈɛnɔl? mˈam f tɔrˈɛptsɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_220.wav|ˌutɕɛʃˈɨwabˌɨm ɕɛ, ɡdˈɨbɨ tsˈɔɕ mu ɕɛ stˈawɔ.|2
+Dataset/wavs/urwisko_ferenc/65_segment_190.wav|dɔtɕˈɛraw dɔ ɲʲˈɛj pɔvˈɔli, dlatˈɛɡɔ dˈawa sˈɔbjɛ tʃˈas i ˌɔdvrutɕˈiwa ɕɛ dɔ bˈɔtʃnɛj ʃˈɨbɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_44.wav|xtɕˈawɛm tɕˈɛbjɛ ˈɔbjɔɲtɕ.|0
+Dataset/wavs/urwisko_ferenc/46_segment_166.wav|ɔtstˈaviw kˈartɔn i vɨxˈɨliw tsˈawɔ̃ ʃklˈaŋkɛ jˈɛdnɨm xˈawstɛm.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_45.wav|mˈɔʒɛ lˈudʑɛ jˈɛdnak nˈazvɔ̃ tɕˈɛ zwˈɔtɔ̃ rˈɛŋkɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_119.wav|bˈaki mˈɔʒɛ i nˌavʲɔ̃zˈujɛ dɔ ɲˈila djamˈɔnda, ˌalɛ bʲˈillɨ mˈɨɕli ɔ pˈɔlu xabˈaɕɛ, dʑɛftʃˈɨntsɛ w dˈɔmu na pʃɛdmʲˈɛɕtɕax tʲˌijuˈana i ʃˈaɲitsˌɛ atskˈɛrman.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_14.wav|zmʲˈɛɲi imjˈɔna fʃˈɨstkix, mˈɔʒɛ z vɨjˈɔntkʲɛm jˌɛdnɔˈɔkʲɛj dʑɛftʃˈɨŋki.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_278.wav|zˈɛ vzɡlˈɛndu na dvˌuvarstfˈɔvɔ̃ kɔnstrˈuktsjɛ bˈaɲki.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_115.wav|ˌuzdrɔvˈitɕɛl pɔtʃˈɔ̃snɔw ɡwˈɔvɔ̃.|1
+Dataset/wavs/urwisko_ferenc/47_segment_51.wav|ʒˈɛ znˈɔvu pwˈatʃɛ.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_208.wav|ˌuɕmʲɛxɲʲɛntˈɛɡɔ rɨtsˈɛʒa?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_83.wav|najlˈɛpʲɛj bˈɨ bˈɨwɔ, ɡdˈɨbɨ tɛn fˈatsɛt pɔ prˈɔstu dɔ ɲʲˈɛj vrˈutɕiw. ftˈɛdɨ mˈɔɡlibˌɨɕmɨ jˈakɔʑ zˌarɛaɡˈɔvatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_91.wav|ɲʲˈɛxtsɛ ˈɔtɨh ʒˈɛtʃax mˈɨɕlɛtɕ, ˌalɛ tɔ rˈɔbʲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_218.wav|bʲˈillɨ f tɨm tʃˈaɕɛ ɔstˈatɲi rˈas ˈidʑɛ dɔ dˈɔmku lɛtɲʲˈɛɡɔ. zdɛjmˈujɛ zˈɛ ɕtɕˈanɨ ˈɔbras pʃˌɛtstavʲajˈɔntsɨ ʒˌɨvɔpwɔtˈɔvɛ zvʲɛʒˈɛnta i zanˈɔɕi ɡˈɔ na kˈɔɲʲɛts ɕtɕˈɛʃki.|2
+Dataset/wavs/urwisko_ferenc/03_segment_22.wav|tɛn sˈam, ktˌurɨm dɨrˈɛktɔr bˈaviw ɕɛ f sfˈɔim ɡˌabʲinˈɛtɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_107.wav|zvʲɛɕˈiwam ɡwˈɔvɛ i ɔpˈarwam tʃˈɔwɔ na dwˈɔɲʲax.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_429.wav|ja jˈɛdnak lˈubjɛ ʒˈɨtɕɛ, tˈakʲɛ jˈakʲɛ ˌɔnɔ jˈɛst, pˌɔvʲɛdʑˈawa dɔ ɕˈɛbjɛ mwˈɔda kɔbjˈɛta.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_15.wav|mʲˈaw jˈakiʑ vɨpˈadɛk? ˌalɛ jˈɛɡɔː ˈawtɔ stˈɔi tˈutaj. tfˈɔjɛ rˈuvɲʲɛʃ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_312.wav|mˈuj sˈɨn jɛst mwˈɔdɨ, ˌalɛ dˈaʒɨ ɕˈɛdmju miwˈɔɕtɕɔm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_121.wav|rˈanɔ xɔdʑˈili w ɡˈurɨ, ɔn vʲˈɛlki, ɕˈilnɨ jˈak ɲʲˈɛdʑvʲɛtɕ i ɲʲˌɛɔdʑˌɨvajˈɔntsɨ ɕɛ ˌaɲi swˈɔvɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_268.wav|ɲˈidʑ zˌaskakˌujɔntsˈɛɡɔ, skˈɔrɔ mʲˈawam dɔ tʃɨɲʲˈɛɲʲa s tɨm sˈamɨm mɔdˈɛlɛm. mˈimɔ tɔ rˌɔzluʑɲˈiwam ɕɛ trˈɔxɛ na tɛn vˈidɔk.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_205.wav|pʃˈɛbʲiw ɕɛ tɕˈixɨ bʒˈɛŋk mʲˈɛtʃɨ i kˈɔltʃuk ukrˈɨtɨx pɔd vˌɨstʃɛmpʲɔnˈɨmi pwaʃtʃˈami.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_70.wav|tˈak jˈak ɔstˈatɲim rˈazɛm pʃˈɛʃliɕmˌɨ dɔ mawˈɛɡɔ pˌɔmjɛʃtʃˈɛɲʲa, f ktˌurɨm uɕˈɛdliɕmˌɨ pʃɨ stˈɔlɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_137.wav|bˈɔb vɨmˈinɔw mɲʲɛ i vˈɨʃɛt spʃˈɛt ɕˈɔŋka.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_260.wav|i pɔmˈɨɕlɛtɕ, ʒˈɛ ɔn prˈɛndʑɛj tʃɨ pˈuʑɲʲɛj bˌɛɲdʑɛ ʒˌɛtʃɨvˈiɕtɕɛ nˈaʃɨm prˌɛzɨdˈɛntɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_177.wav|ɲʲɛ jˌɛstɛm pʃɛsˈɔndnɨ, ˌalɛ vˈɔlɛ tʃˈɨmatɕ ɕɛ z dˈala ɔt mʲˈɛjstsa, ɡdʑˈɛ stˈaw xˈɔtɛl pˌanɔrˈama.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_327.wav|dlatʃˈɛɡɔ ʃˈɛv zrˈɔbʲiw zˈɛmɲʲɛ pajˈɔŋka?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_134.wav|zadrʒˈawam mˈimɔː upˈawu pˌanujɔntsˈɛɡɔ na zˈɛvnɔntʃ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_96.wav|dʑɛŋkˈujɛ. tɔ bˌɨwɔː ɔkrˈɔpnɛ, ˌalɛ jˈakɔʑ dɔxˈɔdʑɛ dɔ ɕˈɛbjɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_406.wav|jˈakiɕ nˈɔtsnɨ mˈarɛɡ zaɡwˈuʃa bɛssˈɛnnɔɕtɕ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_409.wav|rˈuta pˈɛjt, bjɛɡɲˈijtɕɛ pɔd rvˈa dɔ pˌalɛɲˈiska.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_48.wav|jˌɛstɛɕ mˈɔjɔ̃ ɕˌɔstʃɛɲˈitsɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_131.wav|kˈirstɛn jˈɔ̃ spwavˈiwa i vˈɛʃwa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_10.wav|zapˈɨtaw, pʃˌɛsuvˈajɔnts kʃˈɛswɔ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_87.wav|sˈɛptɔn mɛrˈibald zapˈɨtaw, tʃɨ mˈɔʒɛ ɔdmˈuvidʑ z dʑˈɛtɕmi mɔdlˈitfɛ.|1
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_83.wav|ˌɔna zɔstˈaɲʲɛ zˈɛmnɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_353.wav|mɲʲˈɛjʃa s tˈɨm.|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_34.wav|kʲˈɛdɨ tˌɨlkɔ zˈamknɛ ˈɔtʃɨ, natˈɨxmʲazd vˈidʑɛ tfˈaʃ mˈili, ktˌura pˈatʃɨ nˈamɲʲɛ i bwˈaɡa ɔ pˈɔmɔts, a ja ɲʲɛ mˈɔɡɛ ɲˈidʑ zrˈɔbʲitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_97.wav|tɔː ˈapsurt, ʒˈɛ tˈak ɕɛ strɛsˈujɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_29.wav|pɔtʃˈuwam ukwˈutɕɛ w rˈamjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_26.wav|a jˈuʃ na pˈɛvnɔ ɲʲɛ spˌɔdʑɛvˈawam ɕɛ, ʒˈɛ mˈɔʒɛ ɔkˈazatɕ ɕɛ pˈustɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_183.wav|bˈɔp raˈinɛz bˈɨw mˈartfɨ.|2
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+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_250.wav|ˈandɛrsɔn fstˈaw.|0
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+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_237.wav|skˈɔnt ɕɛ dˌɔvʲɛdʑˈawɛɕ ɔ mˈɔix plˈanax? spɨtˈawa.|1
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_48.wav|vɨspʲˈɛva, vɨtʃˈuva, ʒˈɛ tsˈɔʑ dʑˈɛjɛ ɕɛ w mˈɔjɛj ɡwˈɔvʲɛ, ˌalɛ ɲʲɛ pˈɨta ˈɔtɔ, tɔ ɲʲɛ w jˈɛɡɔ stˈɨlu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_49.wav|rˈamjɛ tˈɛssɨ tɛ̃ʒˈɛjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_219.wav|za dˈɔbrɨ? tʃɨ tɔ puwˈapka?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_18.wav|pɔdˈɛʃli dɔ bjˈawɨx, ɲʲˈɛɡdɨʑ dʒvˈi vɛjɕtɕˈɔvɨx.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_226.wav|— pˌɔvʲɛdʑˈawɛɕ swˈɔva tˈak sˈamɔ jˈak jˈa. mˈɔɡɔ̃ tɕi zˈatɔ ɕtɕˈɔɲdʑ ɡwˈɔvɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_116.wav|dʑɛŋkˈujɛ, ˈɛlis, ˌalɛ ɲʲɛ. a tɨ zˈaɕɲʲɛʃ?|2
+Dataset/wavs/urwisko_ferenc/27_segment_24.wav|stfʲɛrdʑˈiwa rɨbˈatska i spɔjʒˈawa mˈarji w ˈɔtʃɨ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_201.wav|jˈak lˈamɛnd zˌaɡubjˈɔnɨɣ dʑˈɛtɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_170.wav|stfʲˈɛrdʑiw, ʒˈɛ tɔ ɲʲɛ bˌɛɲdʑɛ kɔɲʲˈɛtʃnɛ.|3
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+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_58.wav|jˈɛɡɔ ɡʲɛrmkˈɔvʲɛ tʃɨmˈali jˈɛ za kˈɔɲtsɛ, ʒˈɛbɨ ɲʲɛ zamjˈataw ɲˈim pɔ pɔdwˈɔdʑɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_89.wav|ɡdʑˈɛ ˈiɲdʑɛj ɕɛ tɛ dʑˈɛtɕi rˌɔsstʃɛlivˈawɔ? z mɔjˈɛɡɔ pˈuŋktu vidʑˈɛɲʲa ɲʲˈɛma tˈɛraz ʒˈadnɛj ruʒɲˈitsɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_82.wav|tʃˈujɛ ɕɛ ˌɔtswɔɲʲˈɛnta. jˌɛstɛm pˈɛvna, ʒˈɛ tsˈawa ta stsˌɛnɔɡrˈafja zɔstˈawa zˌaplanɔvˈana spɛtsjˈalɲʲɛ dla mɲʲɛ, ʒˈɛbɨ mɲʲɛ vɨstrˈaʃɨtɕ. i tɔ dʑˈawa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_21.wav|wˈadnɨ, ˌalɛ ɲʲˈɛzbɨt ˌɛlɛɡˈantski. dɔ tˌɛɡɔ lˈɛkkɔ pˌɔstaʒˈɔnɨ. skˈura f pˈaru mʲˈɛjstsax jɛzd zdˈarta i pˌɔpɛŋkˈana.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_11.wav|dˈɔbrɨ vʲˈɛtʃur, zavˈɔwaw ˌɔtfʲɛrˈajɔndʑ dʒvˈi vɛjɕtɕˈɔvɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_96.wav|vʲˈɛm, ʒˈɛ prˈɔʃɛ ɔ tsˈɔɕ ˌɔkrɔpnˈɛɡɔ.|3
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+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_299.wav|ʒˌɛtʃɨvˈiɕtɕɛ taɲtʃˈɨwa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_34.wav|bˌɛɲdʑɛ tˌaki ʃtʃɛɲɕlˈivɨ, a jˈa...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_9.wav|ɲˈits s tˌɛɡɔ ɲʲɛ jɛst prˈavdɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_77.wav|mˈɛrx ˌɔpɔvʲadˈawa ɲitskˈɔvi, ʒˈɛ dˈuʒɔ ɕpˈi, a jˈak jˈuʃ ɕɛ bˈudʑi, tɔ brˈɛdʑi ɔd ʒˈɛtʃɨ, mˈa atˈaki drɡˈavɛk i tʃˈɛ̃stɔ kʃˈɨtʃɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_76.wav|bwˌɨskavˈitʃɲʲɛ vrutɕˈiwam dɔ ʒˌɛtʃɨvistˈɔɕtɕi.|4
+Dataset/wavs/urwisko_ferenc/49_segment_18.wav|tɕˈawɔ pɔkrˈɨtɛ bˌɨwɔ pˌɛnxɛʒˈami nˌaskurkɔvˈɨmi, ktˌurɛ pɔfstˈawɨ w vɨɲˈiku dwˌuɡɔtrfawˈɛɡɔː ˌɔddʑawɨvˈaɲʲa vɨsˈɔkʲɛj tˌɛmpɛratˈurɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_34.wav|tˈɔm jˈɛŋknɔw i ɔdvrˈutɕiw ɕɛ na drˈuɡʲi bˈɔk, naprˈuʒnɔː ˌuɕiwˈujɔndʑ zˌiɡnɔrˈɔvatɕ ɲʲˌɛustajˈɔntsɛ bʒɛntʃˈɛɲʲɛ, ktˌurɛ pʃɛbʲˈiwɔ ɕɛ pʃˈɛs jˈɛɡɔ snˈɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_65.wav|zˌaswaɲʲˈawa jˈɔ̃ ɔlbʒˈɨmja vˈanna.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_85.wav|dʑˈɛɕɛɲtɕ lˈat stˈartʃɨ, ˌalɛ ɲʲɛ mˈɨɕlɛ, ˈabɨm ˈumjaw jɛj ˈɔtɨm mˈuvitɕ w ˌɔbɛtsnˈɔɕtɕi tʃɛtɕˈɛɡɔ. tˈɨlɛ mˈuɕiʃ mi dˈatɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_46.wav|mˈuʃɛ jˈɛdnak pʃˈɨznatɕ, ʒˈɛ zupˈɛwɲʲɛ ɲʲˈɛvʲɛm ɔ tsˈɔ.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_298.wav|ɲʲˈɛmuɡw znˈalɛɕtɕ uxfˈɨtu i znˈɔvu pˈɔʃɛt pɔd vˈɔdɛ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_211.wav|ɲʲˈɛmʲaw tˈɛʒ dˈɔbrɛj, waɡˈɔdnɛj tfˈaʒɨ, jˈakʲɛj mˈɔʒna bˈɨ ɕɛ spɔdʑˈɛvatɕ ˈu ˌuzdrɔvitɕˈɛla.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_436.wav|tˌɛɡɔ dɲʲˈa, ɡdˈɨ narˈɔdʑiw ɕɛ ɡvˈɛntʲin, tʃɨ kʲˈɛdɨ ja pʃˈɨʃwam na ɕfʲˈat?|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_150.wav|bˈutskɨ vzrˈuʃa rˌamjɔnˈami.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_27.wav|ljˈa lɛʒˈawa na ʑˈɛmi, w bwˈɔtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_16.wav|ɡurskˈimi wɔŋkˈami i tɕˌɛɲistˈɨmi dˌɔlinˈami.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_235.wav|lˈɛpʲɛj bˌɨwɔ ɲʲɛ rˌɨzɨkˈɔvatɕ.|1
+Dataset/wavs/urwisko_ferenc/15_segment_61.wav|akˈurat na tɛj sprˈavʲɛ mˈuɡw vˈɨbradʑ vʲˈɛlɛ ˈinnɨx, a zdˌɛtsɨdˈɔvaw ɕɛ na tˌaki ɕfʲˈɛʒɨ tˈɛmat.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_38.wav|sˈami dˈɔbʒɛ, ʒˈɛ vrutɕˈiwɛɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_46.wav|ɲʲɛ vʲɛdʑˈawɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_130.wav|ɔn stˈaw ɕɛ pɔdˈɔbnɨ. tˈaɡ bˌɛɲdʑɛ lˈɛpʲɛj.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_69.wav|ɲʲˌɛɔbˈɛtsnɔɕtɕ mˈinɲʲɛ vɨdˈajɛ ɕɛ rˈuvɲʲɛ bɔlˈɛsna jˈak tɕˈɔs nˈɔʒɛm f sˈɛrtsɛ.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_99.wav|ɲˈiɡdɨ bˈɨm ɕɛ tˌɛɡɔ ɲʲɛ dɔmˈɨɕliw s pˌɔtsawˈuŋku, ktˌurɨ ɔt tɕˈɛbjɛ ˌɔtʃɨmˈawɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_162.wav|zapˈadwɔ mi tˈɛʃ f pˈamjɛɲtɕ tɔ, jˈaɡ zabrˈali pˈɛɡɡɨ pˈɨɛ dɔ ʃpitˈala z zˌapalˈɛɲʲɛm pwˈuts.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_37.wav|zˌɔstavˈiwam ˌɔtswɔɲʲˈɛntɛ zaswˈɔnɨ f sɨpʲˈalɲi ɔt frˈɔntu, ʒˈɛbɨ mˈudʑ vˈidʑɛtɕ ulˈitsɛ, ˌalɛ pˌɔzɔstˈawɛ ˈɔkna sɔ̃ zˌaswɔɲʲˈɛntɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_50.wav|ɲʲɛ zˌaswuʒˈɨwa na tˈakʲɛ trˌaktɔvˈaɲʲɛ. tɔ ɲʲɛ jɛst jɛj vˈina. ʃtʃˈɛɲɕtɕɛ w ɲʲɛʃtʃˈɛɲɕtɕu, ʒˈɛ ɲʲɛ bˌɨwa ɲˈim zupˈɛwɲʲɛ zˌaintˌɛrɛsɔvˈana.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_157.wav|pˈɔtɛm ɔtsˈuva na bˈɔɡ dvˈa kˈijɛ, ʒˈɛbɨ vɨtɕˈɔŋɡnɔɲtɕ pɔjˈɛmɲik na drˈuɡʲɛ ɕɲʲadˈaɲʲɛ, zˌaviɲʲˈɛntɨ f sfˈɛtɛr majˈɔntsɨ twˈumitɕ fʃˈɛlkʲɛ bʒˈɛŋki i stˈuki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_30.wav|tˈɨlɛ, ʒˈɛ ɲʲˈɛmuɡw, prˈavda? ɲʲˈɛmʲaw ɡˈɔ?|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_384.wav|pˈɔd vʲˈɛʒɡaw nɔɡˈami, dˈuɕiw ɕɛ, umjˈɛraw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_15.wav|ɔdʑˈɨva ɕɛ xraplˈivɨ ɡwˈɔs. bʒmˈi tˈak, jˈaɡbɨ nalˈɛ��aw dɔ stˈartsa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_223.wav|vʒˈutsa ˈɔbraz dɔ pʃɛpˈaɕtɕi.|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_72.wav|pˈɔmuʃ mi tɔ vˈɨbratɕ.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_120.wav|w ɡɔspˈɔdʑɛ buzˈɔvaw vɛsˈɔwɔː ˈɔɡʲɛɲ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_162.wav|ɲʲˈɛmam zaɡrˈɨxɨ.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_228.wav|ɲʲɛ pʃɨwˈɔntʃɨw ɕɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_78.wav|pɔ ɡʒˈɛbjɛ, ˈilɛ na bɔʒˈɛɲstfʲɛ ʒawˈɔbnɨm, bˌɨli tˈam jˈɛɡɔ rɔdʑˈitsɛ. tɔ jɛst ktˈɔɕ ˈinnɨ. na ɕfʲˈɛtɕɛ jɛzd vʲˈɛntsɛj lˈudʑi ɲˈiʃ jˈɛdɛn, stsˈɔtt, pʃˌɛtɕɛʒ vʲˈɛʃ.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_448.wav|stˈarɛj rɨtsˈɛrskʲɛj rɔdʑˈinɨ s pʃɨlˈɔntka ʃtʃˌɨptsɔvˈɛɡɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_208.wav|pɔ prˈɔstu ɲʲɛ stˈaɲʲɛ ɕɛ ɲˈits.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_59.wav|dˈɔkɔnt ɕɛ vɨbjˈɛraʃ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_198.wav|bʲˈillɨ vˈidʑaw jˈɛ kˈilka rˈazɨ, pˌɔmalɔvˈanɛ na ʒˈuwtɔɲʲɛbjˈɛskɔ s xˈaswɛm f swˈuʒbjɛ ˌɔbɨvatˈɛlɔm z bˈɔku.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_196.wav|tɛn ɡˈɔ zɲˈiʃtʃɨw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_91.wav|pɔ zˌakɔɲtʃˈɔnɨm dwˈuɡʲim pˌɔstɛmpɔvˈaɲʲu f sprˈavʲɛ ˌɛkstradˈɨtsji, tʃˈɨta bʲˈili, jˈɔɛl ˈallɛn stˈaɲʲɛ dʑˈiɕ pʃɛt sˈɔndɛm, bˈɨ vɨswˈuxadʑ zaʒˈutuf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_12.wav|stˈɔnt mˈɔja vɨprˈava dɔ ʒˌartɕɔvˈɛɡɔ pʲˈɛkwa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_75.wav|rɨtmˈitʃnɛ ɔdɡwˈɔsɨ nˈɔʒa ˌudɛʒˌajɔntsˈɛɡɔː ɔ dˈɛskɛ dɔ krɔjˈɛɲʲa tˌɨlkɔ pˌɔtfʲɛrdʑˈajɔ̃ jɛj ˌɔbɔjˈɛntnɔɕtɕ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_338.wav|tɨm rˈazɛm brjˈɛnnɛ zrˌɔzumjˈawa jɛj swˈɔva.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_42.wav|tˈaka mˈaska bˈɨwabˌɨ zbˈɨt pɔdˈɔbna dɔ jˈɛɡɔ prˌavdʑivˈɛɡɔː ɔblˈitʃa, zdˌɛtsɨdɔvˈaɲʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_270.wav|jˈɛdnɨm kamjˈɛɲʲɛm ɲʲɛ mˈɔʒna zbˈuʒɨtɕ mʲˈasta, ˌalɛ mʲˈastɔ mˈɔʒna zˈatʃɔɲdʑ budˈɔvatɕ ɔt jɛdnˈɛɡɔ kamjˈɛɲʲa. ja mu dˈam tɛn kˈamjɛɲ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_406.wav|mˈɨɕlɛ, ʒˈɛ dʑˈiɕ ɲˈits ɕɛ ɲʲɛ stˈaɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_26.wav|tˈata prubˈɔvaw jˈɔ̃ namˈavʲatɕ, ʒˈɛbɨ vʑˈɛwa ˈudʑaw w ˌɔrɡaɲˌizɔvˈanɨɣ vɛ fɕˈi vˌɨdaʒˈɛɲʲax, pɔznˈawa kˈɔɡɔɕ, ˌalɛ ˌɔna ɲʲɛ xtɕˈawa, ʒˈɛbɨ lˈudʑɛ zatʃˈɛli zadˈavatɕ pɨtˈaɲʲa.|3
+Dataset/wavs/urwisko_ferenc/23_segment_109.wav|dlatʃˈɛɡɔ zatˈaiw pˈan tˈaɡ vˈaʒnɔ̃ ˌinfɔrmˈatsjɛ pʃɛt pɔlˈitsjɔ̃?|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_56.wav|tˈɨlɛ mˈɔstuf jˈuʒ za sˈɔbɔ̃ spˈaliw, ʒˈɛ ɲˈits innˈɛɡɔ mu ɲʲɛ pˌɔzɔstˈawɔ.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_226.wav|i ɲʲˌɛnaɡˈanɨ ɲʲˌɛupʃˈɛjmɨ. dwˈuɡa, bjˈawa brˈɔda nˌadavˈawa mu vˈɨɡlɔnt mˈɛntrtsa.|1
+Dataset/wavs/urwisko_ferenc/51_segment_37.wav|zadʑvˈɔɲiw dɔ mˈatki i upʃˈɛdʑiw jˈɔ̃, ʒˈɛ bˌɛɲdʑɛ za xfˈilɛ, pˈɔtɛm ɔdˈɛbraw jˈɛʃtʃɛ dvˈa tˌɛlɛfˈɔnɨ ɔt kɔlˈɛɡuf s prˈatsɨ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_117.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ w ˈɔbu pʃɨpˈatkax mʲˈawa rˈatsjɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_56.wav|pˈaɲʲɛ nˌadʲinspɛktˈɔʒɛ, zˌastanavʲˈawam ɕɛ na jˈɛdnɔ̃ sprˈavɛ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_392.wav|ˌalɛ tˈamtɔ̃ çistˈɔrjɛ znˈaʃ, prˈavda?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_205.wav|w ɲʲˌɛvwaɕtɕˈivɨm tʃˈaɕɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_540.wav|ɲʲɛ vʲɛdʑˈawɛm, tsˈɔː ˌɔtpɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_117.wav|jˈakɔʑ vˈɛjdɛ.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_74.wav|za dˈuʒɔ tʃˈɨtaʃ, a za mˈawɔ vˈaltʃɨʃ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_81.wav|rˌɔzmavʲˈawam ftˈɛdɨ z brjˈanɛm i kʲˈɛdɨ na xfˈilɛ ˌɔdvrutɕˈiwɔ tɔ mˈɔjɔ̃ uvˈaɡɛ, ˌuswɨʃˈawam jˈak ʃˈɔna pʃˌɛkʲɛrɔvˈujɛ jˈɔ̃ na pʲˈɛntrɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_147.wav|xtsˈɛ, ʒˈɛbɨɕ ˈɔtɔ vʲɛdʑˈawa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_282.wav|i dɔpʲˈɛrɔ ftˈɛdɨ runˈɛli na ɲʲˈɛɡɔ, stˌɔjɔntsˈɛɡɔ jˈuʒ znˈuf spɔkˈɔjɲʲɛ i znˈuf ɲʲˌɛruxˈɔmɔ.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_79.wav|rˈɔzlɛkw ɕɛ za jˈɛɡɔ plɛtsˈami ɡwˈɔz balvʲˈɛʒa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_172.wav|vˌɨdavˈawa ɕɛ zˌadɔvɔlˈɔna s tˈɛɡɔ, tsˈɔː ɔt ɲʲˈɛɡɔ dˌɔstavˈawa, jˈɛɕli tɔ ɲʲɛ zˈabʒmi zbˈɨt tsɨɲˈitʃɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_63.wav|swˈɔɲtsɛ jˈɛʃtʃɛ ɲʲɛ vzˈɛʃwɔ, ˌalɛ jˈuʃ ɕfˈita, vʲˈɛnts fatsˈɛta stˌɔjɔntsˈɛɡɔ w zaˈuwku vˈidatɕ tˈaɡ vɨrˈaʑɲʲɛ, jˈaɡ ʒˈɨtʃɨwbˌɨ sˈɔbjɛ tˌɛɡɔ prˌɔkurˈatɔr.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_79.wav|rɔbʲˈiwam fʃˈɨstkɔ, ʒˈɛbɨ ɲʲɛ spˈuɕtɕidʑ ɡwˈɔvɨ, xˈɔdʑ vˈɛvnɔntʃ ˌumjɛrˈawam zˈɛ fstˈɨdu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_87.wav|dˈuʒɔ jɛst pravɲˈikuf f tɨm budˈɨŋku? pˈɨta bʲˈillɨ fˈillis. kʲˈɛdɨ dʒvˈi vˈindɨ ɕɛ ˌɔtfʲɛrˈajɔ̃?|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_108.wav|jɛj ˈɔtʃɨ utkfʲˈɔnɛ sɔ̃ w jˈɛɡɔ tfˈaʒɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_198.wav|vwɔʒˈɨwam dɔː ˈust nastˈɛmpnɨ kˈɛ̃s pˈulpɨ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_215.wav|pʃˌɨpɔmɲʲˈawa lˈadɨ vɛstˈɛrliŋk.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_29.wav|tɔ ftsˈalɛ ɲʲɛ bˌɨwɔ tˈakʲɛ prˈɔstɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_90.wav|zˌarɨzˌɨkɔvˈawam fʃˈɨstkɔ, bˈɨ ˈutɕɛts, a tˈɛras planˈujɛ zˌarɨzɨkˈɔvatɕ fʃˈɨstkɔ, bˈɨ vrˈutɕitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_78.wav|tˈɔm skˈinɔw ɡwˈɔvɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_186.wav|jˈak mˈɔʒɛ bˈɨdʑ dʑɛdʑˈitsɛm lˈadɨ vɨnvˈɔɔt?|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_58.wav|ˈandɛrsɔn vʑˈɔw klˈutʃ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_66.wav|dˈamɨ sˈɔbjɛ rˈadɛ. ɲʲɛ pʃˈɛjmuj ɕɛ. lˈutsɨ tɔ kɔxˈana dʑɛftʃˈɨŋka i dˈɔbʒɛ ɕɛ dˌɔɡadujˈɛmɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_205.wav|i ʒˈɛ tˈak mˈɨɕlɛdʑ bˌɛndɔ̃ ˈɔtɨm, ɡdˈɨʃ ɲʲɛ pʃɨznˈajɔ̃ ɕɛ, ʒˈɛ xtsˈɔ̃ ɔddˈalidʑ ɡˈɔː ɔd vwˈasnɨx sˈɛrts.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_178.wav|tˈɛras tɔ ja bˌɛndɛ mˈuɕaw ɡˈɔ spˈalitɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_167.wav|tʃtɛrnˈastɔ, pʲˌɛtnastɔlˈɛtɲix, vˈɛdwuk ɲˈika.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_121.wav|mˈam jˈɛdnak nadʑˈɛjɛ, ʒˈɛ ɲʲɛ stˈaɲʲɛ ɕɛ tɔ za ʃˈɨpkɔ.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_7.wav|pɔ tɛj strˈɔɲʲɛ stˈavu dʑˈɛvits ɲʲɛ bˌɨwɔ strˈɔmɨɣ vzɡˈuʃ, tʃˈarnɨx mɔkrˈadɛw ˌaɲi sɔsnˈɔvɨx lˈasuf, ktˌurɛ znalˈɛʑli na ʃtʃɨptsˈɔvɨm pʃɨlˈɔntku.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_24.wav|ˌalɛ dɔpˈuki mɲʲɛ tsˈɔɕ ɲʲɛ zˌainspirˈujɛ, mˌamɨ zɲikˈɔmɛ ʃˈansɛ, bˈɨ tɔː ˌudɔvˈɔdɲitɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_111.wav|vidˈɔtʃɲʲɛ kɔmbˈajnɨ jˈadɔ̃ trˈɔxɛ ɔstrˈɔʒɲʲɛj, kʲˈɛdɨ vʲˈɔzɔ̃ rˈudɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_152.wav|zˌɔbatʃˈɨmɨ, tʃɨ zɔstˈawɨ jˈɛʃtʃɛ jˈapka.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_432.wav|ɔbrˈɔtɨ ɡɔwˈɛɡɔ ɕilɲˈika rˈɔswɨ ɡvawtˈɔvɲʲɛ i rˈaptɛm spadˈawɨ.|0
+Dataset/wavs/urwisko_ferenc/50_segment_47.wav|tɔ tɨ znalˈazwɛɕ tɛn lˈist?|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_396.wav|tɨm rˈazɛm ʒˈuw i pʃɛwˈɨkaw.|1
+Dataset/wavs/urwisko_ferenc/63_segment_147.wav|brˌakujˈɔntsɨ ɛlˈɛmɛnt ˌukwadˈaŋki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_65.wav|jˈɛɕli tˈak, pˌɔlɔvˈaɲʲɛ nˈamɲʲɛ pʃɨbjˈɛʒɛ na ɕˈilɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_19.wav|xtsˈɛ znˈatɕ ʃtʃɛɡˈuwɨ.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_332.wav|ˈɔtɔtʃ ɕɛ vʲˈɛnts tɔ̃ zbrˈɔjɔ̃, ˌalɛ ɲʲɛ zˌapɔmˈinaj tˈɛʃ ɔ stalˈɔvɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_133.wav|pɔdˈawɛm brˈɔɲ tˈakɔ, ʒˈɛbɨ zɔbˈatʃɨw, tʃɨ fʃˈɨstkɔ ɡrˈa, ˈɔddaw mi karˈabʲin, pɔlˈizaw dwˈɔɲ i vɨsˈunɔw jˈɔ̃ pʃˈɛs ˈɔtfur stʃɛlɲˈitʃɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_46.wav|na dˈɛsɛr jɛst pʃɛpˈɨʃnɨ tˈɔrt tʃˌɛkɔladˈɔvɨ.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_263.wav|pʃɛt nˈami pɔjˈadɔ̃ zvʲadˈɔftsɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_104.wav|mˈɨɕli pʃɛlˈɔtɲʲɛ ɔ vʲˈɛrʃu xɛnrˈɛɡɔ rɛˈɛda, tˈɨm, ktˌurɨ zatʃˈɨna ɕɛ...|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_309.wav|sˈɛr dˈavɔn pɔtʃˈɔ̃snɔw kudwˈatɔ̃ ɡwˈɔvɔ̃. musˈimɨ ʃturmˈɔvatɕ mˈurɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_287.wav|dɛtsˈɨzja nalˈɛʒɨ dɔ tɕˈɛbjɛ, ˈɛlis.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_116.wav|ɲʲɛ maʒ dla mɲʲɛ tsˈɔʑ dɔ rɔbˈɔtɨ?|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_248.wav|bˈɨw pʲˈɛrʃɨm krˈulɛm, kturˌɛmu swuʒˈɨwɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_31.wav|ˌɔdvrutɕˈiwa ɕɛ kˈu ɲʲˈɛmu.|0
+Dataset/wavs/urwisko_ferenc/60_segment_26.wav|tfˈaʒ bˌɔrɛvˈitʃa pˌɔzɔstavˈawa ɲʲˌɛvzruʃˈɔna. jˈɛɡɔ klˈatka pʲɛrɕˈɔva pˌɔdnɔɕˈiwa ɕɛ i ˌɔpadˈawa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_5.wav|drʒˈɛ, bˈɔ pˌɔtɕfʲadˈɔmjɛ zdˈajɛ sˈɔbjɛ sprˈavɛ, ʒˈɛ ɔttʃˈuva tɔ fʃˈɨstkɔ nˈaras.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_338.wav|— tɔ fʃˈɨstkɔ, tsˈɔ mˈaʃ? — zˌapɨtˈawa.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_191.wav|tɕi fawʃˈɨvi krulˈɔvʲɛ mˈɔdlɔ̃ ɕɛ dɔ fawʃˈɨvɨɣ bˈɔɡuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_129.wav|kʲˈɛdɨ tˌɨlkɔː ˈɔdda stʃˈaw i zɔbˈatʃɨ, ʒˈɛ jˈɔɛl ˈallɛn lˈɛʒɨ mˈartfɨ na stˈɔpɲʲax sˈɔndu, bʲˈillɨ sˈummɛrs pʃɛstˈaɲʲɛ ˈistɲʲɛtɕ.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_221.wav|zˌabʲijˈajɔ̃ ix ˈɔftsɛ i krˈadnɔ̃ kˈurɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_78.wav|skˈɔtʃɨʃ na tˈɨw fˌurɡɔnˈɛtki, bʲˈillɨ, vˌɨluzˈujɛʃ ɕɛ i pɔjˈɛdʑɛʒ dɔ vistsˈɔnɕin.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_66.wav|bʲˈillɨ sprˈavdʑa, tʃɨ ɲˈits ɲʲɛ jˈɛdʑɛ. vrˈatsa na tʃtɛrdʑˈɛstkɛ pʲˈɔntkɛ i skrˈɛntsa f xˌɛrɔkˈɛɛ dɹˈajv. rˈɔbʲi ɕɛ tsˈɔraz bˈardʑɛj strˈɔmɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_13.wav|pˈatʃɛ na bˈɛtskɨ, pɔ tʃɨm pʃɛnˈɔʃɛ spɔjʒˈɛɲʲɛ na tˈɔma.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_29.wav|jˈɛɕli ɕɛ pʃˈɨznam, ʒˈɛ pʃˈɛs lˈata ˌukrɨvˈawam prˈavdɛ na tˈɛmat mɔrdˈɛrstfa lˈi, ɲʲɛ bˌɛɲdʑɛ dla ɲʲˈɛɡɔ ʃtʃˌɛɲɕlivˈɛɡɔ zˌakɔɲtʃˈɛɲʲa?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_28.wav|mˈuʃɛ pʃˈɨznatɕ, ʒˈɛ f tˈamtɛj xfˈili vˌɨdavˈawa ɕɛ bˈardʑɛj ˌɔtprɛ̃ʒˈɔna ɲˈiʃ kʲˌɛdɨkˈɔlvʲɛk ɔd dwuʃʃˈɛɡɔ tʃˈasu.|3
+Dataset/wavs/urwisko_ferenc/01_segment_129.wav|— ˌɔtʃɨvˈiɕtɕɛ — pʃɨznˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_289.wav|pʃˈɛs tsˈawɛ ʒˈɨtɕɛ kʲˌɛrɔvˈawɛm ɕɛ nˌaukˈami mˌaxɔmˈɛta.|4
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_43.wav|w mʲˈɛjstsax, ɡdʑˈɛ ɲʲɛ krˈɛɲtɕi ɕɛ vʲˈɛlu lˈudʑi, na ɡˈurnɨx kˌɔndɨɡnˈatsjax, ɡdʑˈɛ panˈujɛ pʲɛkʲˈɛlnɨ ˈupaw, ˈalbɔ na dˈɔlɛ, ɡdʑˈɛ mˈɔʒna zamˈarznɔɲtɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_195.wav|tɔ zˈafʃɛ bˌɨwa bʲˈitfa, ˌalɛ f tˌɛlɛfˈɔɲʲɛ mˈɔɡwɔ znajdˈɔvatɕ ɕɛ tsˈɔɕ pʃˌɨdatnˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_139.wav|ɡʲˈitɨ ˌɔkrɛɕlˈajɔ̃ vˈartɔɕtɕ ɕfʲattʃˈɛɲʲa, jˈakʲɛ vˌɨkupˈujɛʃ ɔt kˌakˌazˈɛt.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_41.wav|mˈɔʒɛʃ pɔvʲˈɛdʑɛtɕ mi tsˈɔʑ vʲˈɛntsɛj na tˈɛmat rɔdʑˈinɨ ˈaʃa?|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_66.wav|ˌalɛ vʲˈɛŋkʃɔɕtɕ lˈudʑi nˌazɨvˈawa ɡˈɔ pɔ prˈɔstu mˌaɛstˈɛrɛm ɛmˈɔnɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_33.wav|sˈamɔ̃ ɕˈɛbjɛ tˈɛʃ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_129.wav|dˈavnɨ, zˌapɔmɲʲˈanɨ instrˈumɛnt muzˈɨtʃnɨ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_323.wav|w blˈasku kɕɛ̃ʒˈɨtsa ɕlˈadɨ pɔ frˈantsɨ na tfˈaʒɨ pˈɛjna vˌɨdavˈawɨ ɕɛ vʲˈɛlkʲɛ jˈak kratˈɛrɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_64.wav|jˌɛstɛm z zavˈɔdu krˈaftsɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_10.wav|— ˈɛx, za ɡɔrˈɔntsɔ jˈak na vʒˈɛɕɛɲ — pɔvʲˈɛdʑaw tˈɔm, ˌɔtfʲɛrˈajɔndʑ dʒvˈi sˌamɔxˈɔdu. — jˈak f xɔlˈɛrnɨm pʲˈɛtsu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_192.wav|mˈarɛj fʃˈɛd na sˈalɛ i kʃˈɨknɔw.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_28.wav|rˈudɨ xfˈɨtɕiw stɔjˈɔntsɨ na bjˈurku zrˈaʃatʃ i sprˈɨskaw nˈas ˌɔbɨdvˈɔjɛ.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_318.wav|kɔlˈɛjnɨm ˌudɛʒˈɛɲʲɛm sˈɛr ˈɛlɨn vˈɨrvaw mu tˈartʃɛ, ˈɔmal ɲʲɛ pʃˌɛrɨvˈajɔndʑ ʒɛmjˈɛɲi pʃˌɛtfʲɛrdʑajˈɔntsɨɣ zwˈɔtɔ̃ rˈɛŋkɛ dɔ kikˈuta.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_103.wav|bʲˈillɨ unˈɔɕi dwˈɔɲ i pɔrˈuʃa ɲʲˈɔ̃ w ˌuspɔkˌajajˈɔntsɨm ɡˈɛɕtɕɛ. vɨlˈuzuj, vɨlˈuzuj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_5.wav|ɡdˈɨbɨ w ɔɡˈulɛ tˈutaj ɲʲɛ dɔtˈarwa.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_167.wav|marɡˈɛrɨ mˈa kɔxˈaŋka.|1
+Dataset/wavs/urwisko_ferenc/27_segment_63.wav|xˈɛrman zˌawɔʒˈɨwa nˈɔɡɛ na nˈɔɡɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_122.wav|a pˈɔtɛm z ɔɡɲˈistɨx kˈuw i krˈɛsɛk, z mˈɔʒa dʑvʲˈɛŋkuv vˌɨwɔɲˈiwa ɕɛ ɲˈibɨ tfˈaʒ bˈɔɡa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_60.wav|tʃɨ tɔː ɔznˈatʃa, ʒˈɛ prɔvˈadʑi ʒˈɨtɕɛ, ɔ ktˌurɨm ɲˈits ɲʲˈɛvʲɛm?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_15.wav|fraɡmˈɛntɨ fspˈɔmɲʲɛɲ zatʃˈɛwɨ rɨsˈɔvatɕ ɔbrˈazɨ w jɛj ɡwˈɔvʲɛ, a s kˈaʒdɨm kɔlˈɛjnɨm jɛj sˈɛrtsɛ pʃˌɨspʲɛʃˈawɔ. swɨʃˈawa jˈɛ i tʃˈuwa.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_175.wav|pˌɔkwutɕˈiliɕmˌɨ ɕɛ.|1
+Dataset/wavs/urwisko_ferenc/37_segment_64.wav|ktˈɔɕ ɕˈɛdʑaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_122.wav|tʃˈɛba bˌɛɲdʑɛ ɕˈɔ̃ɕtɕ spɔkˈɔjɲʲɛ i zˈɛbratɕ mˈɨɕli.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_27.wav|dʑˈɛŋki, kˈit. pʃˈɛɕlɛj mi tɛn nˈumɛr rˌɛjɛstratsˈɨjnɨ. dˈɔbra rɔbˈɔta.|3
+Dataset/wavs/urwisko_ferenc/55_segment_61.wav|— pˈɛvɲʲɛ tɛj sˈamɛj, tsˈɔ pˈaɲi. kɔbjˈɛta zˌawɔʒˈɨwa nˈɔɡɛ na nˈɔɡɛ i xfɨtɕˈiwa dwˈɔɲmi za kɔlˈanɔ. — ˌɔtʃɨvˈiɕtɕɛ, mˈɔɡɛ tˌɨlkɔ zɡadˈɨvatɕ.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_284.wav|jɛj dwˈɔɲʲɛ sɔ̃ ɲʲˌɛbɛspʲˈɛtʃnɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_66.wav|ɡdʑˈɛɕ s pɛvnˈɔɕtɕɔ̃ mˈuɕaw znajdˈɔvatɕ ɕɛ jˈakiɕ trˈɔp.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_85.wav|sˈamɔ dɔtˈɨtʃɨ xwˈɔptsuf, ˌalɛ ˌɔdnɔɕˈiwam vraʒˈɛɲʲɛ, ʒˈɛ ɲˈikt mɲʲɛ ɲʲɛ rɔzˈumjɛ i ʒˈɛ tsˈawɨ ɕfʲˈat spʃˈɨɕɔŋkw ɕɛ pʃɛtɕˈifkɔ mɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_24.wav|kˈɔɡɔʑ vartˈɛɡɔ kɔxˈaɲʲa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_41.wav|dʑˈɛŋki.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_103.wav|i zˌɔbatʃˈɨwɛm ftˈɛdɨ pʃɛt sˈɔbɔ̃ tˈunɛl ˈu tɕˈixwɛj ulˈitsɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_7.wav|tʃˈɛɕtɕ ʃˈɔna, ftʃˈɛɕɲʲɛj dʑˈiɕ fstˈawaɕ. mˈuvjɛ starˈajɔnts ɕɛ, bˈɨ mˈuj ɡwˈɔz bʒmʲˈaw zupˈɛwɲʲɛ nɔrmˈalɲʲɛ.|4
+Dataset/wavs/urwisko_ferenc/56_segment_6.wav|kˈaʒdɨ kˈubɛɡ zˈɛ znˈakʲɛm firmˈɔvɨm kavʲˈarki.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_227.wav|dɔstˈawam ɕɛ dɔ zbjɔrɲˈika z vˈɔskʲɛm, ɲʲɛ ˌuʃkɔdʑˈifʃɨ bjɛɡnˈɔntsɨx tˈuʃ ˌɔbɔk pʃɛvˈɔduf s xwɔdʑˈivɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_177.wav|kˈɔxam ɡˈɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_124.wav|xˈɔtɕaʃ tʃɨ tɛn tˈɛɡzd ʒˌɛtʃɨvˈiɕtɕɛ mˈa jˌakʲɛkˈɔlvʲɛɡ znatʃˈɛɲʲɛ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_31.wav|vɨmjˈɛɲiw lˈistɛ spɛtsjˈawuf, a bˈɛtskɨ ˌuzmɨswɔvˈiwa sˈɔbjɛ, ʒˈɛ jɛzd ɡwˈɔdna jˈaɡ vˈilk.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_132.wav|a vʲˈɛmɨ, jˈak ˌɔnɛ sˈɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_168.wav|dvadʑˈɛɕtɕa pɔ jɛst jˈuʃ tˌɛɡɔ pˈɛvʲɛn.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_255.wav|vʲˈɛnts kʲˈɛdɨ jˌɛstɛm sˈam, rɔzˈumjɛm tɔ, ˌalɛ kʲˈɛdɨ jˌɛstɛm z lˈudʑmi, ɲʲɛ rɔzˈumjɛm tˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_10.wav|tɔ ɲʲɛ bˌɨwɔ fˈajnɛ pʃɛʒˈɨtɕɛ, xˈɔtɕaʃ pʃɛʒˈɨwam.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_115.wav|zˌastanˈavʲaw ɕɛ, tʃɨ nˈavɛt xˈɔrnçill jɛst naprˈavdɛ bɛspʲˈɛtʃnɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_60.wav|tʃɨ xtɕˈawbɨ pˈan pʃɛtʃˈɨtatɕ mˈɔjɛ fspɔmɲʲˈɛɲʲa? spɨtˈawa tʃˈulɛ, vɨjmˈujɔnts spˈɔt pˈɔntʃa rˈulɔn.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_506.wav|tˈak, xˈɛntɲʲɛ bˈɨm tsˈɔʑ zjˈadwa. dʑɛŋkˈujɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_30.wav|zrɔbʲˈiwa tɔ pˈɔtɔ, ʒˈɛbɨ mʲˈɛtɕ arˈama dla ɕˈɛbjɛ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_316.wav|zˌaprɔtɛstˈɔvaw lˈɔrt ˈɛmmɔn. i tɔ mˈɔjɔ̃ brˈamɛ xtsˈɛtɕɛ rˈɔzbʲitɕ!|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_57.wav|xɔlˈɛra.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_64.wav|vʲˈɛndʑ vɨbrˈawam ɕɛ na spˈatsɛr.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_31.wav|bˈɛtskɨ ˌɔpuɕtɕˈiwa ɡwˈɔvɛ i pʃˌɨwɔʒˈɨwa dwˈɔɲʲɛ dɔ pɔlˈitʃkuf.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_442.wav|patʃˈɨwa pʃɛt ɕˈɛbjɛ zmrˌuʒɔnˈɨmi ɔtʃˈami jˈak krutkˈɔvits.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_64.wav|pˈɔtɛm prˌubɔvˈawam zbudˈɔvatɕ rˌɛɡɔlitˈɔvɨ zˈamɛk, ˌalɛ mˈɔjɛ dʑˈɛwɔ ʃˈɨpkɔ zmʲɛɲˈiwɔ ɕɛ f kˈupkɛ ɡrˈuzu. brˈɨwɨ rˌɛɡɔlˈitu mˌajɔ̃ xrˌɔpɔvˈatɔ̃ pɔvʲˈɛʃxɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_305.wav|z jˈakɔ̃ɕ pʃˌɛjmujˈɔntsɔ̃ rɔspˈatʃɔ̃ pɔʃˈɛdwɛm dɔ ʃˈafɨ. znarˈazwɛm kˈɔts, vrutɕˈiwɛm z ɲˈim dɔ kanˈapɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_152.wav|tɔ dlatʃˈɛɡɔ ɕɛ ɲʲɛ zɡˈɔdʑiw, ʒˈɛbɨm xˈɔtɕ sprˌubɔvˈawa?|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_94.wav|jɛʒˈɛli mʲˈaw jˈɛʃtʃɛ jˈakʲɛɕ pɨtˈaɲʲa, bˈɨw zbˈɨt ˌɔnɛɕmʲɛlˈɔnɨ, ˈabɨ jˈɛ zˈadatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_223.wav|vʲɛdʑˈawam, ʒˈɛ tɔ tˌɨlkɔ tˌɨmtʃasˈɔvɛ rˌɔzvʲɔ̃zˈaɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_37.wav|na jɛj tfˈaʒɨ mˌalɔvˈawɔ ɕɛ tsˈɔɕ ɲʲˌɛbɛspʲˈɛtʃɲʲɛ bliskʲˈɛɡɔ ʃˌɨdɛrtʃˈɛmu ˌuɕmʲɛxˈɔvi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_206.wav|vʲˈɛ jˈɛdnak, ʒˈɛ tˌɛɡɔ ɲʲɛ zrˈɔbʲi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_44.wav|vˌɨɡlɔndˈawɔ nˈatɔ, ʒˈɛ jˈɛɡɔ brˈad bˌɛɲdʑɛ mˈuɕaw pɔzˈɔstatɕ w ukrˈɨtɕu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_79.wav|w ˈinnɨɣ vɨpˈatkaɣ dʑˈɛtɕi pɔɲˈiʒɛj pʲˈɛɲtɕu lˈad zˌabjɛrˈanɔ spˈɔt ɔpʲˈɛki mˈatki, tʃasˈami na kˈilka mʲɛɕˈɛntsɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_34.wav|tʃɨ mʲˈawɔ tɔ bˈɨtɕ ˌɔstʃɛʒˈɛɲʲɛ dla ˈinnɨx, ktˌuʒɨ vʲˈɛdʑɔ̃ tɔ, tsˈɔ vʲˈɛdʑaw ˈɔn?|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_202.wav|lˈadɨ tˈanda mˈɔɡwa jˈuʃ ɲʲɛ ʒˈɨtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_16.wav|vɨɡlˈɔnda na zupˈɛwɲʲɛ zbʲˈitɔ̃ strˈɔpu, jɛst jˈɛdnaɡ ɡʒˈɛtʃnɔ̃ dʑɛftʃˈɨŋkɔ̃ i s pʃɛsˈadnɨm ɲʲˈɛtsɔ vɛstxɲʲˈɛɲʲɛm ɔpˈuʃtʃa sˈalɔn.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_81.wav|dʑˈɛɲ dˈɔbrɨ, xɔbbʲˈitɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_169.wav|i tsˈɔ pɔvʲˈɛdʑaw?|3
+Dataset/wavs/urwisko_ferenc/33_segment_93.wav|bɔrˈɛvitʃ pʃɨɡrˈɨzaw vɛvnˈɛntʃnɔ̃ tʃˈɛɲɕtɕ pɔlˈitʃka i zˌastanˈavʲaw ɕɛ, tsˈɔ zrˈɔbʲi, jˈɛɕli mwˈɔdɨ ɲʲɛ ɔdbjˈɛʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_115.wav|jˌɛstɛm jˈuʒ za stˈarɨ i zbˈɨt tˈɛŋɡʲi, ʒˈɛbɨ zˈɔstadʑ vɛndrˈɔvnɨm rɨtsˈɛʒɛm, a na mˈuʒɛ zˈafʃɛ pˌɔtʃɛbˈujɔ̃ lˈudʑi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_15.wav|tsˈɔ tɨ rˈɔbʲiʃ, dɔmˈiɲik?|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_83.wav|kʲˈɛdɨ zɛskˈɔtʃɨw ˌɔbɔk mɲʲɛ, vwˈaɕɲʲɛ pˌɔdnɔɕˈiwam ɕɛ na nˈɔɡʲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_236.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_93.wav|kʲˈɛdɨ mˈama mɲʲɛ mˈɨwa, ɲˈiɡdɨ ɲʲɛ bɔlˈawɔ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_274.wav|pʃɛxˈɔdʑiw za mˈajkʲɛm z jɛdnˈɛɡɔ dɔ druɡʲˈɛɡɔ pɔkˈɔju, s ktˌurɨx kˈaʒdɨ bˈɨw dˈuʒɨ, jˈasnɨ, pˈɛwɛn swˈɔɲtsa i pɔvʲˈɛtʃa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_125.wav|ˌɔdvrutɕˈiwa ɕɛ i fspˈarwa blˈadɛ pʲˈɛɲɕtɕi na stˈɔlɛ.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_291.wav|ˈalɛʃ tɔ jɛdˈɨɲʲɛ pʲˈɛɕɲi.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_332.wav|tˈak pʃɨnˈajmɲʲɛj pɔvʲˈɛdʑaw maˈɛstɛr. ˌalɛ tsˈɔ jˈɛɕli kwˈamaw?|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_276.wav|ja ɲʲɛ vˈɨʃwam za kɕˈɛɲtɕa rɛɡˈara, a jˈɔffrɛj...|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_101.wav|zrˈɨva ɕɛ dɔ bjˈɛɡu. kˈutsɨk kɔwˈɨʃɛ jɛj ɕɛ na bˈɔki i bʲˈili mˈɨɕli, bˈɔʒɛ ɕfʲˈɛntɨ, tɔ naprˈavdɛ mˈɔʒɛ ɕɛ ˈudatɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_51.wav|dlatʃˈɛɡɔ? pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_173.wav|zbrˈɔdɲʲa dˌɔskɔnˈawa, pˌɔmɨɕlˈawam. i ftˈɛdɨ fpˈadwam na rudjˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_64.wav|tˌɨlkɔ pʃɨ jˈɛdnɨm, drˈuɡʲim ɔd ɡˈurɨ vidɲʲˈɛjɛ nazvˈiskɔ jˈɛnsɛn.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_7.wav|zˈaɲim ɕɛ jˈɛdnak upˈɛvɲʲɔ̃, bˌɛndɔ̃ muɕˈɛli zaxˈɔvatɕ ʃtʃɛɡˈulnɔ̃ ɔstrˈɔʒnɔɕtɕ.|4
+Dataset/wavs/urwisko_ferenc/45_segment_35.wav|skinˈɛwa ɡwˈɔvɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_110.wav|dˈuʒɔ ɡˈɔʒɛj ɲˈiʃ sɔɲdʑˈiwam.|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_49.wav|zabrˈawam trˈɔxɛ ʒˈɛtʃɨ i vɨɲʲˈɔswam ɕɛ stˈamtɔnt f xɔlˈɛrɛ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_223.wav|ˌalɛ tʃɨ dla ɛwrˈɔna tsɔkˈɔlvʲɛɡ bˌɨwɔ drˈɔɡʲɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_143.wav|sˈam vidʑˈawɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_464.wav|ˌɔtsunˈɛwa ɕɛ ɔt ɲʲˈɛɡɔ, vʑˈɛwa pwˈaʃtʃ s pɔrˈɛntʃɨ kʃˈɛswa i pɔdˈɛʃwa dɔ dʒvˈi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_22.wav|bˈɛtskɨ ʒutɕˈiwa mu spɔjʒˈɛɲʲɛ z ukˈɔsa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_39.wav|muzˈɨka bˌɨwa ˌɔɡwuʃajˈɔntsa i zˌastanavʲˈawam ɕɛ, tʃɨ dˈɔbʒɛ ˌuswɨʃˈawam.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_41.wav|dlatʃˈɛɡɔ znˈuf skwˈamaw?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_9.wav|prˈavʲɛ ɕɛ dɔ mɲʲɛ ɲʲɛ ɔdʑˈɨvaw i vʲɛdʑˈawam, ʒˈɛ drˈɛntʃɨ ɡˈɔ straʃlˈivɛ pɔtʃˈutɕɛ vˈinɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_10.wav|ktˈɔ jɛj ɲʲˌɛnavˈidʑi i jˈɔ̃ drˈɛntʃɨ?|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_160.wav|ˌalɛ ɲʲɛ mʲˈawam tˈɨlɛ pɔvʲˈɛtʃa, ʒˈɛbɨ tʃˈɛkatɕ tˈaɡ dwˈuɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_15.wav|sprˈavdʑmɨ rˈuvɲʲɛʃ kamˈɛrɨ mˌɔɲitɔrˈiŋɡu f pɔblˈiʒu lɔtɲˈiska pɔt kˈɔntɛm tˌɛɡɔ numˈɛru rˌɛjɛstrˌatsɨjnˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_86.wav|ɲʲɛ nalˈɛʒɨ dɔ mˈɔix najvʲˈɛŋkʃɨx fˈanɛk.|3
+Dataset/wavs/urwisko_ferenc/50_segment_13.wav|tɕˈɛ̃ʃkʲɛ pɔvʲˈɛki ʃtʃɛrpskʲˈɛɡɔ ɕɛ pʃˌɨmɨkˈawɨ, ˈaʃ f kˈɔɲtsu ɔpˈadwɨ zupˈɛwɲʲɛ i jˈuʃ ɕɛ ɲʲɛ pɔdɲʲˈɔswɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_75.wav|pɔvˈitaw fʃˈɨstkix maxɲʲˈɛɲtɕɛm rˈɛŋki i zˈatʃɔw ɕɛ pʃˌɨɡɔtɔvˈɨvatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_197.wav|jˈɛdnɨm kɔpɲʲˈɛɲtɕɛm vɨpxnˈɛwam pˈanɛl ɕtɕˈɛnnɨ. nˈɔː i tsˈɔ s tˈɛɡɔ, ʒˈɛ ktˈɔɕ mˈuɡw mɲʲɛ zɔbˈatʃɨtɕ? mʲˈawam tɔ w dˈupʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_198.wav|znalˈɛʑliɕmˌɨ ɕɛ pɔ drˈuɡʲɛj strˈɔɲʲɛ pawˈatsu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_78.wav|rˈɔbjɛ ɡwɛmbˈɔki vdˈɛx i vɨpˈuʃtʃam pɔvʲˈɛtʃɛ krutkˈimi sɛrjˈami pʃˈɛz zˌatɕiɕɲʲˈɛntɛ ˈusta.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_45.wav|pʃˈɨkrɔ mi, ʒˈɛ muɕˈawaɕ ˈɔtɨm tʃˈɨtatɕ, ˌalɛ sˈama xtɕˈawaɕ, ʒˈɛbɨm ɲitʃˈɛɡɔ ɲʲɛ pɔmˈinɔw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_81.wav|zˈadrʒaw na mˈɨɕl ɔː ɔstˈatɲim rˈaʑɛ, kʲˈɛdɨ f pɔblˈiskim lˈɛɕɛ znˌalɛʑˈɔnɔ mˈartfɔ̃ dʑɛftʃˈɨnɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_64.wav|a mˈɔʒɛ bˌɨwa ʃˌantaʒɔvˈana i vˈɨʃwa na zˈɛvnɔntʃ, ʒˈɛbɨ pʃɛkˈazatɕ pʲɛɲʲˈɔndʑɛ?|3
+Dataset/wavs/urwisko_ferenc/64_segment_25.wav|f tʃɨm mˈɔɡɛ pˈɔmuts?|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_172.wav|dɔmˈɨɕla ɕɛ, ʒˈɛ na pˈɛarsɔn strˈit tɔ nɔrmˈalnɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_5.wav|jˈaki tʃasˈami jɛzd ɡwˈupi.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_190.wav|baˈɛlɔr bwˌɔɡɔswavʲˈɔnɨ tˈɛʃ mʲˈɛvaw vˈizjɛ.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_219.wav|ɡdˈɨ na stˈɔpɲʲaɣ zˌaatˌakɔvˈali ix pirˈatɕi, stʃˈawɨ kˈɔi zabʲˈiwɨ kˌilkunˈastu, pˈɔttʃaz ɡdˈɨ tˈɛ, ktˌurɛ vɨpˈuɕtɕiw sˈam,|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_13.wav|vɨɡlˈɔnda nˈatɔ, ʒˈɛ tɕiɕɲʲˈɛɲʲɛ jɛzd vˌɨruvnˈanɛ.|4
+Dataset/wavs/urwisko_ferenc/63_segment_100.wav|tɔ bˈɨw fˈɛnnɛr ɡˈɔtɛl. ˌɔtʃɨmˈujɛ ɡˈɔ pˈaɲi ɔt sfɔjˈɛɡɔ ɡʲˌinɛkɔlˈɔɡa na bɔlˈɛsnɛ mʲɛɕˈɔntʃki.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_37.wav|tɔ tˈaʃa, tʃˌɨnastɔlˈatka, bˌɨwa iɣ ɡwˈuvnɨm tsˈɛlɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_67.wav|jˈɔt. mˈasɔn ɔɕfʲˈattʃɨw, ʒˈɛ musˈimɨ ɕɛ zvˈinɔɲtɕ, zˈaɲim ktˈɔʑ zˈatʃɲʲɛ dɔ nˈas stʃˈɛlatɕ, tˈaɡ vʲˈɛndʑ zrɔbʲˈiliɕmˌɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_76.wav|f tɨm sˈamɨm mɔmˈɛɲtɕɛ zruvnˈujɛ ɕɛ z ˌɔpɛratˈɔrɛm mwˈɔta pnˌɛwmatɨtʃnˈɛɡɔ, kturˌɛɡɔ ɡʒˈɛxɔt jɛst ˌɔɡwuʃajˈɔntsɨ.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_280.wav|bɔɡˈɔvʲɛ ɲʲɛ spɛwɲˈili jɛj prˈaɡɲʲɛɲ, ˌalɛ mʲˈɛtʃ jɛj ɲʲɛ zˈavʲud.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_195.wav|ˌalɛ ɲʲɛ ɔdʑˈɨva ɕɛ ˌaɲi swˈɔvɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_126.wav|zˈamɛk pˈuɕtɕiw s tɕˈixɨm ʃtʃˈɛŋkʲɛm.|4
+Dataset/wavs/urwisko_ferenc/11_segment_53.wav|mˈarja pʃˌɨɡlɔndˈawa mu ɕɛ uvˈaʒɲʲɛ. tɕˈɛ̃ʃkɔː unˈɔɕiw pɔvʲˈɛki. ˌɛnɛrɡʲˈizɛr jˈɛʃtʃɛ ɲʲɛ trˈafiw dɔ krfʲɔbjˈɛɡu.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_313.wav|pʃˌɛtɕɛʃ mʲˈawa sˈɨnuv z vwˈasnɛj krfˈi.|1
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_81.wav|ɲʲɛ vˈɔlnɔ mi bˌɨwɔ dɔ ɲikˈɔɡɔ ɕɛ ɔdˈɛzvatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_81.wav|dʑɛftʃˈɨna ˌuɕmʲɛxnˈɛwa ɕɛ jˈɛʃtʃɛ mˈɔtsɲʲɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_102.wav|ʃˈɔn pɔsˈuva ˈinnɛ kɔbjˈɛtɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_290.wav|xˈɔtɕaʃ pʃɨnˈaɡla ɡˈɔ pɔtˈɛmu pˌɔftaʒajˈɔntsɨ ɕɛ rˈas pɔ rˈas sˈɨɡnaw sˌamɔxˈɔdu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_194.wav|tˌɨlkɔ ktˈɔ bˈɨ pʃɨpˈuʃtʃaw, ʒˈɛ tɔː ˈaʃ tˈaɡ bˈɔli?|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_110.wav|tɔ, ʒˈɛ na tɛj naɡrˈɔdʑɛ jˈuʃ ɲʲˌɛspɛtsjˈalɲʲɛ mu zalˈɛʒɨ, ɲʲˈɛma ʒadnˈɛɡɔ znatʃˈɛɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_294.wav|ftɕɔŋɡnˈɛwam bˈutlɛ dɔ sxrˈɔnu i pʃˌɨɡɔtɔvˈawam pˈalɲik.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_267.wav|vwˈaɕɲʲɛ mɨɕlˈawɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_4.wav|rˈɔb zɡwˈɔɕiw ɕɛ na ˌɔxɔtɲˈika, ʒˈɛ z ɲˈimi zɔstˈaɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/23_segment_21.wav|a pʃˌɛtɕɛʃ ɲʲɛ kaʒdˈɛɡɔ stˈatɕ nˈatɔ, bˈɨ tˈak pɔstˈɔmpitɕ.|0
+Dataset/wavs/urwisko_ferenc/59_segment_28.wav|ˌalɛ vˈɔli vʲˈɛʒɨtɕ, ʒˈɛ jɛst inˈatʃɛj.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_357.wav|ɲʲɛ vʲɛdʑˈawa, ɡdʑˈɛ ɕɛ znajdˈujɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_34.wav|tʃɨ ɔn vʲˈɛ dlatʃˈɛɡɔ?|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_80.wav|ɲʲˈɛma ɕlˈadu pɔ mˈartɕɛ pˈɔrtɛr, vʲˈɛnts pˌɔzɔstˈajɛ nˈam rɔzˈɛswatɕ fʃˈɛɲdʑɛ zdjˈɛɲtɕa alfjˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_247.wav|ɲʲɛ spɛwɲʲˈawɔ tɔ prˈaɡɲʲɛɲ tsɛrsˈɛi, ˌalɛ muɕˈawɔ jɛj vɨstˈartʃɨtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_75.wav|ˌalɛ ɲʲɛ mˈɔʒɛ pɔskwˈadatɕ ix f tsˈawɔɕtɕ, dɔpˈuki ɲʲɛ bˌɛɲdʑɛ mʲˈaw tˌɛɡɔ zlɛtsˈɛɲʲa z ɡwˈɔvɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_142.wav|mrˈuʒɨ ˈɔtʃɨ, jˈaɡbɨ ɕɛ mɲʲɛ bˈawa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_67.wav|xˈɔtɕ, ˈalvʲɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_15.wav|ɔdvrˈutɕiw ɕɛ, pɔvʲˈɛdʑaw mˈuʒɨn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_84.wav|lˈɛdvʲɛ mˈɔɡwam tsɔkˈɔlvʲɛk pʃˈɛwknɔɲtɕ. ˌudavˈawɔ mi ɕɛ twˈumidʑ mdwˈɔɕtɕi, f tʃɨm pɔmˈaɡaw brˈak ˌapɛtˈɨtu i sˈuxɔɕtɕ w ˈustax.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_589.wav|fʃˈɨstsɨ fʃˈɨstkix ɲʲˌɛnavˈidʑɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_35.wav|makˈintɔʒ vɨjmˈujɛ ɛrtʃʲˈɛɡɔ z jˈɛɡɔ dwˈɔɲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_160.wav|ftˈɛdɨ skˌɔntaktˈɔvaw ɕɛ z ɲˈim dʒˈɔnnɨ.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_22.wav|jɛzd bˈɔsɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_394.wav|na pɔtʃˈɔntku vʲˈɛntsɛj, pˈɔtɛm mɲʲˈɛj, bˌɨwɛm lubjˈanɨ,|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_252.wav|i ɲʲɛ pʃˌɛʃkadʑˈawɔ mu tɔ, kʲˈɛdɨ krfjˈɔ̃ jˈɛdnɛj kɔbjˈɛtɨ nˌamalˈɔvaw kʃˈɨʃ na tɕˈɛlɛ ˈinnɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_115.wav|jˈɛʃtʃɛ rˈɛʃtka ɔptsˈɔɕtɕi jɛst mʲˌɛndʑɨ nˈami.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_19.wav|pʃɛmˈɨvam tfˈaʒ ʑˈimnɔ̃ vˈɔdɔ̃ i ɔtfʲˈɛram dʒvˈi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_224.wav|musˈimɨ vɨtɕˈɔŋɡnɔɲtɕ tsapɕˈɛɡɔ, pɔvʲˈɛdʑaw trˈɔmba.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_139.wav|ˈinnɨm rˈazɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_168.wav|bˈɔtʃnɨ vʲˈatr, pɔvʲˈɛdʑaw mˈikɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_288.wav|zupˈɛwɲʲɛ jaɡbˈɨɕmɨ jɛxˈali pʃɛt mʲˈɛɕtɕɛm ʃikˈaɡɔ, ʃɛpnˈɔwɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_158.wav|pˌɔradʑˈiwa, ʒˈɛbɨ vwˈɔʒɨw blˈuzɛ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_56.wav|pʃɨʃˈɛdwɛm mˈuvitɕ ɔ ʒˈɨvɨx, ɲʲɛ ɔː umˈarwɨx.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_157.wav|ˌɔɡrɔdɲˈitʃki, sˌamɔɔpˈalatʃ, pɛrˈuka i kapˈɛluʃ kɔvbˈɔjski ɲˈits ɲʲɛ dˈawɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_34.wav|i ktˌura pwˈatʃɛ f tɕˈɔŋɡu samˈɔtnɨx nˈɔtsɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_77.wav|ramjˈɔna ˈɛlis ʃtɨvɲʲˈɛjɔ̃, ˌalɛ vˌɨtʃɨmˈujɛ jˈɛɡɔ spɔjʒˈɛɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_34.wav|jɛst pˌɔdvʲɛʃˈɔnɨ pɔt sufˈitɛm i zatʃˈɨna ɕɛ kɔwˈɨsatɕ, kʲˈɛdɨ rˈɔswɨ xwˈɔp upˈada na ɲʲˈɛɡɔ tsˈawɨm tɕɛ̃ʒˈarɛm. martʲˈinɛs pˈatʃɨ na bʲillʲˈɛɡɔ pʃˌɛkrfʲɔnˈɨmi ɔtʃˈami.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_419.wav|i z jˈɔɛ rˌɛsurˌɛtstjɔnˈɛra zrˈɔbʲiw zˈɛmɲʲɛ bˈurɨ mˈɛ alˈivɛ.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_222.wav|ɲʲˈɛxtsɛ spˈatɕ sˈama.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_29.wav|a pˈɔtɛm na pˈaltsax pˈɔtʃɛd dɔ wˈuʃka i ˌuxɨlˈifʃɨ firˈaŋkɛ pˈatʃɨw pʃˈɛs xfˈilɛ na lˈalkɛ lɛʒˈɔntsɔ̃ na ʑˈɛmi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_89.wav|zamˈɨka ˈɔtʃɨ i zapˈada f sˈɛn.|2
+Dataset/wavs/urwisko_ferenc/29_segment_10.wav|vˈɔlaw jˈɛdnaɡ zmʲˈɛɲitɕ tˈɛmat.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_171.wav|spɨtˈawɛm, tʃɨ mˈuɡwbɨm vɨmjˈɛɲitɕ tsɛlˈɔvɲik mɔjˈɛɡɔ kˌarabʲˈinu na lɛwpˈɔlda, tʃɨ bˌɛɲdʑɛ mi muɕˈawɔ vɨstˈartʃɨtɕ tɔ, tsˈɔ mˈam.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_15.wav|nˈavɛt s tˌɛɡɔ mʲˈɛjstsa vˈidatɕ, ʒˈɛ uʒˈɨwa tɕˌɛmnɔtʃɛrvˈɔnɛj pɔmˈatki dɔː ˈust i tɕɛmnˈɛɡɔ tˈuʃu dɔ ʒˈɛ̃s.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_224.wav|mˈawɨ tʃˌɨtsɛntˌɨmɛtrˈɔvɨ krˈɔ̃ʒɛk stˈali spˈad na mˈɔjɔ̃ klˈatkɛ pʲɛrɕˈɔvɔ̃, a z ɔtfˈɔru vɨpˈadwa krˈɔpla rˌɔstɔpʲɔnˈɛɡɔ vˈɔsku.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_97.wav|mˈɔja dɛtsˈɨzja bˌɨwa bˈɔvʲɛm ˌɔstatˈɛtʃna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_195.wav|dʑvˈɔɲʲɛ, bˈɔ ɲʲɛ xtɕˈawam, ʒˈɛbɨɕ mˈɨɕlaw, ʒˈɛ jˌɛstɛm ɔkrˈɔpna, vʲˈɛʃ, dlatˈɛɡɔ ʒˈɛ ɕɛ ɕmʲˈawam, vˌɨɡwupʲˈawam i ɡadˈawam ɔ rˈɛjɕɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_78.wav|tˈaɡ vʲˈɛnts patʃˈɨwa na lˈalkɛ, ktˌurɛj ɲʲɛbjˈɛskʲɛ ˈɔtʃɨ bwɨʃtʃˈawɨ vɛsˈɔwɔ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_218.wav|sˈɛr ˈɔsfrɨt pʃɛʒˈutɕiw papʲˈɛrɨ. vɨrˈaʑɲʲɛ ɔbˈavʲaw ɕɛ nˌapisˈanɨx nˈaɲih swˈuf, jˈaɡbɨ bˌɨwɨ kˌaraluxˈami wˌaʒɔntsˈɨmi pɔ papʲˈɛʒɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_188.wav|pɔtˈɛ̃ʒnɛ dʒvˈi ɕlˈuzɨ tˌɔvarˈɔvɛj ˌɔtsunˈɛwɨ ɕɛ na bˈɔk i ˌɔtswɔɲˈiwɨ pˈustkɛ krˌajɔbrˈazu kɕˌɛ̃ʒɨtsɔvˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_19.wav|pʃɛd vˈɛjɕtɕɛm zɔstˈajɛ vˌɨlɛɡʲˌitɨmɔvˈana i z dˈumɔ̃ ˌɔkazˈujɛ sfˈɔjɛ nˈɔvɛ prˈavɔ jˈazdɨ na nazvˈiskɔː ˌɛlizˈabɛtx ˈandɛrsɔn.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_56.wav|swˈuxam kaʒdˈɛɡɔ stukɲʲˈɛɲtɕa kˈul, kaʒdˈɛɡɔ lʒɛjʃˈɛɡɔ stɔmpɲʲˈɛɲtɕa jˈɛɡɔ zdrˈɔvɛj nˈɔɡʲi.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_85.wav|tˈɛn, ktˈɔ rˈas ˈumknɔw s pˌɔtkulˈɔnɨm ɔɡˈɔnɛm z bʲˈitfɨ, pʃɛstˈavaw bˈɨtɕ mɛ̃ʃtʃˈɨznɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_34.wav|falˈudʒɨ pɔlˈitsja i vˈɔjskɔ w dˈuʒɛj tʃˈɛɲɕtɕi zwɔʒˈɔnɛ bˌɨwɨ z mˈudʒuf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_106.wav|kturˌɛɡɔ nˈavɛt ɲʲɛ znˈa?|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_97.wav|zatʃˈɛli zjˈɛʒdʒadʑ w dˈuw.|1
+Dataset/wavs/urwisko_ferenc/59_segment_13.wav|a vɨ skˈɔnt ɕɛ tˈu vʑˈɛliɕtɕˌɛ? bˈɨlibˌɨɕmɨ ftʃˈɛɕɲʲɛj, ˌalɛ vˈɛʃwɔ vɛzvˈaɲʲɛ, bˈɔ kˈɔwɔ plˈazɨ natɕpˈanɨ xwˈɔpak pɔtrˈɔɲtɕiw kɔbjˈɛtɛ f tɕˈɔ̃ʒɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_32.wav|tʃɨ ɲʲɛ pʃˈɨʃwɔ tɕi na mˈɨɕl, ʒˈɛ sɔ̃ jˈɛʃtʃɛ ʒˈɛtʃɨ, ktˌurɛ mˈɔʒna dˈɔstadʑ za dˈarmɔ, tʃɨ tˈɛʒ ʒˈɛtʃɨ, ktˌurɨx w ɔɡˈulɛ kˈupitɕ ɲʲɛ mˈɔʒna?|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_158.wav|ɡdˈɨbɨm tɔ jˈɔ̃, ɲʲɛ frˈaŋka, vˈalnɔw ɡlˈɔkʲɛm w ɡwˈɔvɛ, pˈɛvɲʲɛ bˈɨ ɕɛ ɔt ɲʲˈɛj ˈɔdbʲiw.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_291.wav|a jˈak tɔ zrˈɔbʲiʃ?|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_131.wav|bˌɨwa tɔ sɔlˈidna, vzmatsɲʲˈana ɕˈatkɔ̃ fɔljˈɔva pwˈaxta z ɔtʃkˈami na rˈɔɡax, pʃˈɛs ktˌurɛ pʃɛvlˈɛkwam nˌɨlɔnˈɔvɔ̃ lˈinɛ i pʃˌɨvʲɔ̃zˈawam dɔ vˌɨstajˈɔntsɨx ˌɛlɛmˈɛntuf kadwˈuba.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_162.wav|ftʃˈɔraj s kurvˈami jˈadwɛm ɕlˈɛdʑɛ, ˌalɛ za rˈɔɡ bˌɛndɛ ɕɛ pɔʒˈɨvʲaw tsˌɛsarskˈimi krabˈami f tˌɔvaʒˈɨstfʲɛ kurtˈɨzan.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_9.wav|dɔ tˌɛɡɔ starˈɛɡɔ snˈu, f ktˌurɨm mˈuj dʑˈadɛk ʃˈɛt pʃˈɛs sˈad dɔ naʃˈɛɡɔ dˈɔmu na fɕˈi,|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_77.wav|dla rɔbˈɛrta ɲˈits s tˌɛɡɔ ɲˈiɡdɨ ɕɛ ɲʲɛ vˌɨdaʒˈɨwɔ.|1
+Dataset/wavs/urwisko_ferenc/47_segment_3.wav|fˈarbɨ dɔ vwˈɔsuf ɲʲɛ mˈɔɡwabˌɨ tˈak wˈatfɔ zmˈɨtɕ, ˌalɛ ɲʲɛ tʃˈuwa pɔtʃˈɛbɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_344.wav|ja ɲʲɛ jˌɛstɛm pˈɛvnɨ sfˈɔjɛj pamjˈɛɲtɕi.|0
+Dataset/wavs/urwisko_ferenc/36_segment_139.wav|ɔn s kɔlˈɛi zapˈɨtaw jˈɔ̃ ɔ wˌadɔvˈarkɛ dɔ smartfˈɔna, bˈɔ batˈɛrja w jˈɛɡɔː ˌaparˈatɕɛ bˌɨwa na vˌɨtʃɛrpˈaɲʲu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_13.wav|a ja ɲʲˈɛmam pɔjˈɛɲtɕa, tsˈɔ vˈuftʃas mɔɡwˈɔbɨ ɕɛ vɨdˈaʒɨtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_57.wav|ɕˈada pʃɨ laptˈɔpʲɛ i pˈatʃɨ na ɔstˈatɲi nˌapisˈanɨ frˈaɡmɛnt.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_19.wav|tɔ znˈatʃɨ, ʒˈɛ bˌɛɲdʑɛ mˈuɡw zvˈɔlɲitɕ flˈɔtɛ lˈɔrda rɛdvˈɨna i pʃɛpˈɛɲdʑidʑ ʒɛlˈaznɨx lˈudʑi s tartʃˈɔvɨɣ vˈɨsp.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_49.wav|ˈɛlis ɲʲɛ znɔɕˈiwa ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_229.wav|s pɛvnˈɔɕtɕɔ̃ mʲˈawam pˈɔvud dɔ dˈumɨ.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_67.wav|lˈudʑɛ s puwnˈɔtsɨ bˌɛndɔ̃ mʲˌɛli dla ɲʲˈɛɡɔ rˈuvɲʲɛ mˈawɔ miwˈɔɕtɕi, tsˈɔ lɔrdˈɔvʲɛ bˈuʒɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_171.wav|prubˈɔvaw pɔttɕˈɔŋɡnɔɲtɕ spˈɔdɲʲɛ bˈɛs pˌɔvɔdʑˈɛɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_169.wav|sprˌɔvadʑˈaɲʲɛ bˈutɨ rˈalu pˌɔlivˌinɨlɔvˈɛɡɔ jɛzd zbˈɨt kɔʃtˈɔvnɛ, vʲˈɛnts kˈaʒdɛ z nˈaʃɨx ˈɔkʲɛn jɛst stˌarɔɕfʲˈɛtskɔ̃ puwˈapkɔ̃, na ktˌurɛj mˈɔʒna pɔdˈɛrʒnɔɲtɕ sˈɔbjɛ ɡˈardwɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_29.wav|pɔvʲˈɛdʑaw tsˈɔɕ, tsˈɔ tɕi ɕɛ ɲʲɛ spˌɔdɔbˈawɔ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_152.wav|w ɲʲˈɛj, pɔt jɛj skˈurɔ̃, w jɛj dˌɛlikˈatnɨx mʲˈɛɲɕɲʲax, nˈavɛt f tɕˈɛmnɨɣ vwˈɔsax, tˈɨlɛ ˌukrɨtˈɛɡɔ ʒˈɨtɕa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_35.wav|f pɔʒˈɔntku, ˈaʒ dɔ ɲʲɛdˈavna.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_105.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_297.wav|i ktˈɔ bˌɛɲdʑɛ tɨm tʃwɔvʲˈɛkʲɛm, kturˌɛɡɔ zabʲˈijɛʃ tɨ ɡwˈuptʃɛ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_29.wav|mɛ̃ʃtʃˈɨzna zɲˈika za stɔdˈɔwɔ̃. ɲʲˈɛvʲɛm, dˈɔkɔnt pˈɔʃɛd. tʃɨ ɔn pˌatrɔlˈujɛ tsˈawɔ̃ fˈarmɛ?|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_121.wav|a mˈɨɕliʃ, ʒˈɛ tsˈɔ prubˈujɛ zrˈɔbʲitɕ? pʃˈɨwuʃ ɕɛ bˈardʑɛj.|4
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_152.wav|jˈasnɔ̃, ɲʲˈɛtsɔ ʃɛrˈɔkɔ̃ tfˈaʃ irlˈantki|0
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_432.wav|vˌɨɡlɔndˈawa kʲˈɛdɨɕ tˈak jˈak tˈɨ.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_110.wav|pɔ drˈuɡʲɛj strˈɔɲʲɛ stˈɔwu ɕˈɛdʑaw xˈɔtɔ xˈarlaw, zajˈɛntɨ ˌɔɡrɨzˈaɲʲɛm kˈɔɕtɕi. nˈaɡlɛ ɔdʒˈutɕiw jˈɔ̃ na bˈɔk i pɔxˈɨliw ɕɛ nad blˈatɛm.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_129.wav|pˌɔmɨɕlˈawa alˈain, ɡdˈɨ vʲˈadrɔ ɕɛ ˌɔtfɔʒˈɨwɔː i pɔ vˈɨjɕtɕu z ɲʲˈɛɡɔ znalˈɛʑli ɕɛ w zˈamku ˌɛtapˈɔvɨm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_146.wav|jˈɛɡɔ ɕˈivɛ vwˈɔsɨ zˌatʃɛsˈanɛ bˌɨwɨ dɔ ɡˈurɨ. frɨzˈura, ktˌura ɲʲˌɛɔtpˈartɕɛ kˌɔjaʒˈɨwa mi ɕɛ s frˈaŋkʲɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_517.wav|miltʃˈawa xfˈilɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_36.wav|w ˌɔtpɔvʲˈɛdʑi zamˈaxnɔw ɕɛ, prubˈujɔndʑ zˈadatɕ kɔlˈɛjnɨ tɕˈɔs. ˌuxɨlˈiwam ɕɛ f sˈamɔ̃ pˈɔrɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_49.wav|stɔjˈɔntsɨ w ɔtfˈartɨm ɡarˈaʒu i pˈatʃɨw na kɔbjˈɛtɛ, stɔjˈɔntsɔ̃ f swˈɔɲtsu i pˌɔlɛvajˈɔntsɔ̃ pʃˌɨstʃɨʒˈɔnɨ,|0
+Dataset/wavs/urwisko_ferenc/41_segment_24.wav|vwˈaɕɲʲɛ pɔ tɕˈɛbjɛ jˈadɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_207.wav|jˈakaɕ pʃˈɨkrɔʑdʑ zvʲɔ̃zˈana s tˈamtɔ̃ nˈɔtsɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_259.wav|mˈa w ɡwˈɔvʲɛ tsˈawɨ trˌujvɨmjarˈɔvɨ mˈɔdɛl fʃɛxɕfʲˈata.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_611.wav|jˈɛliɕmˌɨ ɕɛ tsawˈɔvatɕ, a krˈɔplɛ dˈɛʃtʃu spwɨvˈawɨ nˈam dɔː ˈust.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_86.wav|vˈidʑɛ, ʒˈɛ tɔ mˈa jˈakʲɛʑ znatʃˈɛɲʲɛ dla dvˈɔjɡa dˌɛtɛktˈɨvuf.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_171.wav|ˌaɲi ɲitʃˈɛɡɔː ˌutrudɲʲˌajɔntsˈɛɡɔ lˈɔt. ˈɔn, ktˌurɨ mʲˈaw ɕˌɛdɛmnˈaɕtɕɛ strˈɔntsɛɲ.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_7.wav|zˈafʃɛ tɔ dˌɔtsɛɲʲˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_160.wav|bʲˈillɨ ɕˈɛdʑi pʃɛt ˈɔknɛm, z rˌɛmiŋktˈɔnɛm na kɔlˈanax.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_116.wav|pˈɔtɛm z mrˈɔvʲɛm na plˈɛtsax ˌɔtfɔʒˈɨwɛm dʒvˈi dɔ mˈɛɡɔ mʲɛʃkˈaɲʲa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_27.wav|a tɨm ɲʲɛ xtɕˈawɛɕ, prˈavda?|2
+Dataset/wavs/urwisko_ferenc/27_segment_35.wav|rˌɔzɛɕmʲˈali ɕɛ ɔbˈɔjɛ, a pˈɔtɛm prˌɔkuratˈɔrka zˌaʒutsˈajɔndʑ vwɔsˈami ʃarpnˈɛwa klˈamkɛ. nˈɔ xˈalɔ, pˈaɲi mˈarjɔ!|0
+Dataset/wavs/urwisko_ferenc/51_segment_3.wav|mˈarja vˈɛʃwa dɔ xˈɔlu dˈɔmu na tɛrˈɛɲʲɛ ɲʲˌɛvʲɛlkʲˈɛɡɔː ɔɕˈɛdla w rɔzɡˈartax i zamknˈɛwa za sˈɔbɔ̃ masˈɨvnɛ drɛvɲʲˈanɛ dʒvˈi.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_28.wav|prˈaɡnɔw vrˈutɕidʑ dɔ dˈarɨ, tˈak jˈak ɔbjˈɛtsaw, ʒˈɛbɨ vˈaltʃɨdʑ z bˌaɲitˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_88.wav|ˌalɛ ɲʲɛ jˌɛstɛm pʃˌɛkɔnˈana, tʃɨ mˈa tˈɨlɛ rɔzˈumu, ʒˈɛbɨ tsˈɔɕ takʲˈɛɡɔ vɨkrˈɛɲtɕitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_94.wav|fatsˈɛta, ktˌurɨ ɲʲɛ bˌɛɲdʑɛ jɛj kˌɔntrɔlˈɔvaw, ktˌurɨ pɔzvˈɔli jɛj zajmˈɔvatɕ ɕɛ sfɔˈimi spravˈami.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_161.wav|vˈidʑɛ, jˈaɡ bjˈɛʒɛ dwˈuɡɔ̃ tˈɨtʃkɛ i dɔtˈɨka tʃˈɛɡɔɕ pʃˌɨmɔtsˌɔvanˈɛɡɔ dɔ ɕtɕˈanɨ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_243.wav|tfˈɔja tsˈurka jɛzd vˈarta dʑˈɛɕɛɲtɕ rˈazɨ vʲˈɛntsɛj ɔt tɕˈɛbjɛ, pˈaɲi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_60.wav|pɔvʲˈɛdʑaw tˈata zdˌɛtsɨdɔvˈaɲʲɛ zbˈɨd bɛstrˈɔskim ɡwˈɔsɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_48.wav|bjˈɔrɛ jˈɔ̃ ɔt ɲʲˈɛj, upˈijam kˈilka wˈɨkuf, pɔ tʃɨm pʃɛnˈɔʃɛ spɔjʒˈɛɲʲɛ s pɔvrˈɔtɛm na tˈɔma.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_106.wav|kɔlˈɛjnɛ kwˈamstfɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_268.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/urwisko_ferenc/58_segment_16.wav|ftˈɛdɨ jˈɛɡɔː uvˈaɡɛ pʃˌɨtɕɔŋɡnˈɛwa tɔjˈɔta, ta sˈama, ktˌurɔ̃ ɲʲɛdˈavnɔ jˈɛxaw s pˌɔlitsjˈantɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_28.wav|ɲʲɛ znalˈazwam f sˈɔbjɛ ɔdvˈaɡʲi, ʒˈɛbɨ pɔvʲˈɛdʑɛtɕ ˈɔtɨm ˈɔjtsu, a ˈaram ɲʲɛ pɔtʃˈuvaw ɕɛ dɔː ˌɔbɔvʲˈɔ̃sku twˌumatʃˈɛɲʲa ɕɛ s tʃˌɛɡɔkˈɔlvʲɛk.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_98.wav|zˈɔstaɲ z rajˈanɛm i ɲʲˈɛx tɔ ɕɛ skˈɔɲtʃɨ, bˈɔ vˈidʑiʃ.|0
+Dataset/wavs/urwisko_ferenc/09_segment_2.wav|vˈarkɔt ˈutɕix, zˈatɔ ɡdʑˈɛɕ w ɔddˈali rˈɔzlɛkw ɕɛ sˈɨɡnaw karˈɛtki.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_237.wav|tsɛrsˈɛi ˌɔttrɔɲtɕˈiwa jɛj dwˈɔɲ. zapwˈatɕiʒ zˈatɔ ɡwˈɔvɔ̃. ɲʲˈɛvaʃ ɕɛ mɲʲɛ dɔtˈɨkatɕ. zˈɔstaf mɲʲɛ!|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_208.wav|muvˈiwa dʑɛftʃˈɨŋka, ˌubʲijˈajɔndʑ vˌɨmjɛɲʲˈɔnɨ spɛtsˈɨfik twˈutʃkʲɛm w mɔʑdʑˈɛʒu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_66.wav|xfilˈɛtʃkɛ mˈuvi bˈɛtskɨ. ɲʲɛ mˈɔʒɛʃ jɛj pɔvʲˈɛdʑɛtɕ, tsˈɔ ɕɛ dʑˈɛjɛ. na rˈaʑɛ nalˈɛʒɨ tɔ zaxˈɔvatɕ w ˌapsɔlˈutnɛj tˌajɛmɲˈitsɨ.|4
+Dataset/wavs/urwisko_ferenc/11_segment_71.wav|tˈak, vʲɛtʃˈɔrɛm tɛn sˈam ɕfʲˈadɛɡ vrˈatsaw zˈɛ spatsˈɛru s psˈɛm i zˌauvˈaʒɨw samˈɔxut pɔd brˈamɔ̃ ɔɕrˈɔtka ˌɔras...|0
+Dataset/wavs/urwisko_ferenc/19_segment_31.wav|skinˈɛwa ɡwˈɔvɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_44.wav|bˈɛtskɨ uznˈawa, ʒˈɛ f tɨm strˈɔju ɲʲˌɛznajˈɔmɨ vɨɡlˈɔndaw, jˈaɡbɨ za bˈardʑɔ ɕɛ stˈaraw.|3
+Dataset/wavs/urwisko_ferenc/13_segment_2.wav|pˌɔmɨɕlˈawa, ʒˈɛ ɡˈɔ sprˈavdʑi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_151.wav|kˈɛnxɔff tʃˈujɛ, ʒˈɛ ɕtɕˈanɨ ɕɛ vˈɔkuw ɲʲˈɛɡɔ zˌatɕiskˈajɔ̃, xˈɔtɕ rˈatʃɛj ɲʲɛ pˌɔdɛjʒˈɛva, ʒˈɛ zɔstˈaɲʲɛ kˈɔzwɛm ɔfjˈarnɨm.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_302.wav|tɕˈi, dɔ ktˌurɨx pʃɨbˈɨvaw, pɔvˈinɲi ɡˈɔ nakˈarmitɕ i dˈatɕ mu dˈax nad ɡwˈɔvɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_200.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_46.wav|pˌɔvʲɛdʑˈawam mu f kˈɔɲtsu, ʒˈɛ tɔ jˈɛɡɔ vˈɨbur, a ɔn ʒutsˈajɔnts mi spɔjʒˈɛɲʲɛ, ktˌurɛ mˈɔɡɛ ɔkrˈɛɕlitɕ jɛdˈɨɲʲɛ jˈakɔ pɔsˈɛmpnɛ, vˈɨʃɛd.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_36.wav|ɲʲɛ tˌɨlkɔ na pˈɔɡʒɛp, tʃˈɛba bˌɛɲdʑɛ tˈɛʃ ˌupɔʒɔntkˈɔvatɕ pˈɛvnɛ sprˈavɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_133.wav|i ˈuɕad na wˈuʃku ˌɔbɔk xˈɛlɛn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_113.wav|vʲˈɛm, ˌalɛ mˈam ˈinnɛ plˈan, tsamˈɛrɔn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_34.wav|jˈaɡbɨ ɲʲɛ rˌɔzumjˈɛli, ʒˈɛ vˈɛɡas tɔ pʃɛʒˈɨtɛk, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_148.wav|rˌɔzvinˈɛwa ʃmˈatkɛ, bˈɨ mu pɔkˈazatɕ. ɡdˈɨbɨm bˈɨw ɡwˈɔdnɨ, tɔ bˈɨm tsˈɔʑ zjˈad.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_308.wav|ɲʲɛ maʃ innˈɛɡɔː imjˈɛɲʲa?|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_83.wav|brjˈɛnnɛ zˌiɡnɔrɔvˈawa tɛ swˈɔva.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_168.wav|lˈudʑɛ ʃɛptˈali tsˈɔɕ mʲˌɛndʑɨ sˈɔbɔ̃ i ˈandɛrsɔn uswˈɨʃaw ɡwˈɔs pˌɔlitsjˈanta.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_58.wav|zˌawɔʒˈɨwam f tɛn spˈɔsup, ʒˈɛ nˈadal bˌɛndɛ ʒˈɨwa.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_244.wav|ɲʲˈɛx tsˈawɨ ɕfʲˈat swˈuxa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_19.wav|zˌawɔʒˈɨwam, ʒˈɛ zɔstˈawa vˌɨklutʃˈɔna s pɔdˈɛjʒɛɲ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_554.wav|jˈɛɡɔ bˌɔxatɛrˈɔvʲɛ tˌɔvaʒɨʃˈɨli mi pʃˈɛs tsˈawɛ ʒˈɨtɕɛ, w dʑɛtɕˈiɲstfʲɛ, w vˈɔjɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_169.wav|pɔd varˈuŋkʲɛm, ʒˈɛ ˈuda tɕi ɕɛ zdˈɔbɨtɕ jˈɛɡɔ xwɔpʲˈɛntsɛ sˈɛrtsɛ, tsˈɔ dla tɕˈɛbjɛ ɲʲɛ pɔvˈinnɔ bˈɨtɕ trˈudnɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_206.wav|sfɔbˈɔda ˈuɲʲuz vʲˈɛtʃkɔ, vˈɨjɔw kˈabɛl i ɔbˈɛjʒaw ɡˈɔː uvˈaʒɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_225.wav|dˈalɛ pˈɔtʃɛd dɔ bˈaru i zˈajɔw sfˈɔjɛ stˈarɛ mʲˈɛjstsɛ ˌɔbɔk mɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_132.wav|ˈɛlis pˌɔvʲɛdʑˈawa, ʒˈɛ mˈuɕi ɡˈɔ zˈabradʑ dɔ dʑˈawu tˌɛxɲitʃnˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_250.wav|f tsˈɛli zrɔbʲˈiwɔ ɕɛ lˌɔdɔvˈatɔ ʑˈimnɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_167.wav|pˈɔtɛm, kʲˈɛdɨ mˈɨjɛ patˈɛlɲʲɛ, skrˈɛntsa ɡˈɔ w ʒɔwˈɔntku i z jˈɛɡɔ ɡˈardwa vɨrˈɨva ɕɛ zdwavʲˈɔnɨ dʑvʲˈɛŋk. bjˈɛɡɲʲɛ dɔ waʑˈɛŋki, klˈɛŋka pʃɛt sɛdˈɛsɛm i zvrˈatsa tsˈawɨ ˈɔbjat.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_2.wav|bˈɛtskɨ ˌɔdvrutɕˈiwa ɕɛ, swˈɨʃɔndʑ ɡwˈɔs tˈɔma, ɡdˈɨ tɛn pʃɨvˈitaw ɕɛ z zɛspˈɔwɛm, ktˌurɨ zjˈaviw ɕɛ f prˈatsɨ ɔ pʲˈɛrʃɨm bʒˈasku.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_32.wav|inspˈɛktɔr sˈimz brˈaw ˈudʑaw w awtˈɔpsji i ɲʲˈɛmam vˌɔntplivˈɔɕtɕi, ʒˈɛ ɲʲɛbˈavɛm ˌɔtʃɨmˈamɨ ʃtʃˌɛɡuwˈɔvɛ jɛj vɨɲˈiki. tʃɨ na tɛn mˈɔmɛnt mˌamɨ tsˈɔʑ ɡɔdnˈɛɡɔː uvˈaɡʲi, kˈit?|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_251.wav|ˌɔtfɔʒˈɨwa ʃɛrˈɔkɔː ˈɔtʃɨ. ɲʲɛ jɛzd dʑɛdʑˈitsɛm lˈadɨ vˌainvˈɔɔt, tˌɨlkɔ rɔbˈɛrta. jˈɛɕli rˈɔbɛrt ˈumʒɛ...|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_431.wav|kˈɔrsak mˌaɲipulˈɔvaw ˌɛnɛrɡʲˈitʃɲʲɛ dʑviɡɲʲˈami mˌɛxaɲˈizmu.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_431.wav|tʃɨtˈawam tfˈuj lˈist.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_177.wav|ˌalɛ vˈɛɡas ɲʲɛ spɔtˈɨkaw ɕɛ z ɲʲˌɛlɛtɲˈimi,|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_417.wav|ˈalbɔ tɔ̃ drˈɔɡɔ̃, ktˌurɔ̃ sʃˈɛd marˈɨljɔn.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_61.wav|dˈɔbʒɛ, dʑɛŋkˈujɛ bˈardʑɔ, pˌɔvʲɛdʑˈawam i zamknˈɛwam dʒvˈi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_219.wav|ujˈɛwa jˈɛɡɔ rɔzbʲˈitɔ̃ rˈɛŋkɛ f sfˈɔjɛ vˈɔ̃skʲɛ, krˈuxɛ dwˈɔɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_71.wav|tɔ rɔdʑˈiwɔ vʲˈɛlɛ pˈɨtaɲ.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_292.wav|vʲˈatr pɔrˈuʃaw vʲɛʒbˈɔvɨm ɡˈajɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_40.wav|uɕˈɛdli na trˈavʲɛ pˈalɔnts pˌapʲɛrˈɔsɨ,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_5.wav|tʃɨ mˈɔʒɛ jˈɛʃtʃɛ ktˈɔɕ ˈinnɨ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_67.wav|kˈatɛ ˌuɕmʲɛxnˈɛwa ɕɛ pɔ rˈas pʲˈɛrʃɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_97.wav|pˈaɲʲɛ rˈɨan, pˈaɲski pʃɨjˈatɕɛl.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_5.wav|vˈɔkuw rɔstɕˈɔŋɡa ɕɛ pˈarkiŋk, pɔ jˈɛdnɛj strˈɔɲʲɛ zˌastavʲˈɔnɨ pˌɔtɛ̃ʒnˈɨmi tɕˌɛ̃ʒarufkˈami, xrˌapʲɔntsˈɨmi jˈak uɕpʲˈɔnɛ bˈɛstjɛ.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_51.wav|tɔ bˌɨwɔ pʃˈɛttɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_33.wav|nˈɔː i pɔdˈawam tˌɛmu fˌatsɛtˈɔvi fawʃˈɨvɛ nazvˈiskɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_80.wav|sprɛ̃ʒˈɨwam ɕɛ ɡɔtˈɔva dɔ skˈɔku.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_133.wav|vɡrˌamɔlˈiwam ɕɛ dɔ sfˈɔjɛj nˈɔvɛj krɨjˈufki i ftɕɔŋɡnˈɛwam za sˈɔbɔ̃ spʃˈɛnd dɔ spavˈaɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_223.wav|f tˈakim rˈaʑɛ pɔ tsˈɔ pʃɨʃˈɛdwɛɕ na nˌɛɡɔtsjˈatsjɛ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_72.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, ɔ tʃɨm ɔn mˈuvi.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_36.wav|ˈɔtpar i pɔstˈukaw pˈaltsɛm w jˈɛdnɔ z uʒˈɔndʑɛɲ lɛʒˈɔntsɨx na stˈɔlɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_507.wav|muɕˈawɛm tɔ zrˈɔbʲitɕ, pɔvʲˈɛdʑaw ɡˈɛrs fˈirst lˈɔvɛ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_145.wav|mˈarɨ ˌɔtfɔʒˈɨwa ˈɔtʃɨ. ɕfʲˈɛtɲʲɛ!|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_199.wav|spˈɔdɲʲɛ dʒˌɔnnɨˈɛɡɔ zˌafalɔvˈawɨ jˈak na vʲˈɛtʃɛ. z jˈɛɡɔː ˈuzd vˈɨdar ɕɛ ˈɔkʃɨk. pˈɛvɲʲɛ zˌaskɔtʃˈɛɲʲa, bˈɔ bˈul jˈɛʃtʃɛ ɲʲɛ dˈɔtar dɔ jˈɛɡɔ ɕfʲˌadɔmˈɔɕtɕi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_100.wav|vˌɨpɔvʲˈada ɕɛ tˌɨlkɔ vˈuftʃas, ɡdˈɨ mˈa tsˈɔʑ dɔ pˌɔvʲɛdʑˈɛɲʲa, vʲˈɛnts mˈɔʒɛ rˈuvɲʲɛ dˈɔbʒɛ ɕˈɛdʑɛtɕ pʃɨ stˈɔlɛ i pɔpˈijatɕ jˈɛdnɔ̃ zˈɛ sfˈɔiɣ ʑɔwˈɔvɨx xɛrbˈatɛk.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_190.wav|pˌɔstɔmpˈiwaʑ ɡwˈupjɔ ftɕɔŋɡˈajɔnts jˈɛɡɔ f tɔ fʃˈɨstkɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_58.wav|ktˌura bˈɔi ɕɛ tˈɛɡɔ, tsˈɔ mˈɔʒɛ ɕɛ vɨdˈaʒɨtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_173.wav|ɲʲɛ zdˈɔ̃ʒɛ, pˌɔmɨɕlˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_136.wav|tʃˈuwam napʲˈɛɲtɕɛ pˌanujˈɔntsɛ f pɔkˈɔju.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_306.wav|ˌɔtpɔvʲˈɛdʑaw jɛj xwɔpʲˈɛntsɨ ɡwˈɔz dˌɔbjɛɡajˈɔntsɨ ɔt strˈɔnɨ stˈajɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_153.wav|na kˈɔɲʲɛts ˌɔznajmˈiwam sʃˌɔkɔvˈanɨm swuxˈatʃɔm, ʒˈɛ dɔː artˈɛmiz zmʲɛʒˈajɔ̃ vwˈaɕɲʲɛ dʑɛɕˈɔntki zbʲˈiruf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_229.wav|tɛn vˈidɔk pʃˌɨpɔmˈina bʲilljˈɛmu, jˈak pɔvʲˈɛtʃɛ drɡˈawɔ nad dˈuʒɨm pʲˈɛtsɛm dɔ spalˈaɲʲa za kˈuxɲʲɔ̃ dˈɔmu vʲˈɛtʃnɛj fˈarbɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_97.wav|vwˈɔndʒ vʲˌadɔmˈɔɕtɕi w rˈadju, mˈuvi bʲˈillɨ. mˈɔʒɛ bˈɨtɕ stˈatsja tɛntɔn vˈiŋks.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_137.wav|za dʑˈɛɕɛɲtɕ ˈusma zatʃˈɨna ɕɛ sxˈɔdʑidʑ zawˈɔɡa buɕˈinɛss sɔlˈutjɔn, ɲʲɛktˌuʒɨ s tˌɛkturɔvˈɨmi kupkˈami w rˈɛŋku.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_304.wav|ʃkˈɔda, ʒˈɛ ɲʲɛ swuxˈawam uvˈaʒɲʲɛj, kʲˈɛdɨ bˌɨwam mwˈɔtʃa, zˈaɲim ˈɔjtɕɛdʑ zaʒˈutɕiw prˈubɨ vˌɨxɔvˈaɲʲa mɲʲɛ w vʲˈɛʒɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_119.wav|dɔmˈiɲik stˈɔi bˈɛs rˈuxu.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_274.wav|vˌɨɔbrˈaʒam sˈɔbjɛ, ʒˈɛ spˈɔtka nˈas xˈɔjna naɡrˈɔda.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_56.wav|prˈɔʃɛ pɔwˈɔʒɨtɕ pistˈɔlɛt pɔt swˈupkʲɛm dˌɔmɔfˈɔnu. ɲˈidʑ vam tˈutaj ɲʲɛ ɡrˈɔʑi, ɲˈiɡd ɡˈɔ ɲʲɛ ukrˈadɲʲɛ. mˈɔʒɛ pˈan ɡˈɔ zˈabradʑ w drˈɔdʑɛ pɔvrˈɔtnɛj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_39.wav|stˈaw tˈam ɲʲɛzvˈɨklɛ tʃˈarnɨ jɛɡˈɔmɔɕtɕ, tʃˈarnɛ, stɛrtʃˈɔntsɛ w ˌutʃɛsˈaɲʲu na jˈɛʒa vwˈɔsɨ,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_4.wav|ja jˈuʃ tˌɛɡɔ ɲʲɛ vɨtʃˈɨmam. tɔ za vʲˈɛlɛ. tsˈɔ ɕɛ stˈawɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_17.wav|tsˈɔ za ˈulɡa, ʒˈɛ tɕˈɛ ɲʲɛ dɔpˈadli.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_132.wav|xˈɨba zˌastanˈavja ɕɛ, jˈaɡ dalˈɛkɔ mˈɔʒɛ ɕɛ pɔsˈunɔɲtɕ. tʃɨ uvˈaʒa, ʒˈɛ ɔn pʃˈɛɡra?|3
+Dataset/wavs/urwisko_ferenc/65_segment_92.wav|— xˈɨba rˈatʃɛj mʲˈawɛm — vɨʃˈɛptaw, a pˈɔtɛm ˌɔpɔvʲˈɛdʑaw mˈarji ɔ sfˈɔjɛj sˌɨtuˈatsji.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_79.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_59.wav|ˌalɛ mˈɔʒɛ ɔn znˈa?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_31.wav|xtsˈɛ utɕˈɛkatɕ, ˌalɛ ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ mˈɔjɛ stˈɔpɨ pʃˌɨklɛˈiwɨ ɕɛ dɔ kamjˈɛnnɛj pɔdwˈɔɡʲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_129.wav|xtsˈɛ jˈɛdnak, bˈɨ tʃɨtˈawa dˈalɛj i ɲʲɛ ʒawˈujɛ, ʒˈɛ jˈɔ̃ zdɔwˈɔvaw. jɛzd zˌadɔvɔlˈɔnɨ. dˈɔtar dɔ ɲʲˈɛj.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_209.wav|jˈak pˈan tɔ sˈam pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_348.wav|tˌɨlkɔ jˈɛdnɨm, vˈaʃa mˈiwɔɕtɕ? a ktˈɔ vwˈada pˌɔzɔstawˈɨmi ʃɛɕtɕˈɔma?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_68.wav|tˈɛssa ʃtʃˈɛʒɛ vʲɛʒˈɨwa f tɔ, ʒˈɛ rˌatɔvˈawa mawʒˈɛɲstfa, a ɲʲɛ rˌɔzbʲijˈawa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_288.wav|ˈalbɔ tɨx pʃɛmˈɔʒnɨx sɨɡnˈawuf, f ktˌurɛ mɲʲɛ vˌɨpɔsaʒˈɨwa natˈura,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_53.wav|dˈɔbrɛ bˌɨwɔ xˈɔtɕaʃ tɔ, ʒˈɛ jˈumbɔ, tʃˈɨli dˈɔktɔr jumˈɔkɛ ɔsˈɔba,|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_144.wav|kʲˈɛdɨ lˈudʑɛ pʃˈɨʃli pɔ ɲʲˈɛɡɔ, zˌɔbatʃˈɨli, ʒˈɛ jˈɛɡɔ tfˈaʒ vɨkʃˈɨvja jˈakiʑ dʑˈivnɨ ˈuɕmʲɛx i ʒˈɛ jˈɛɡɔ ʑɛlˈɔnɛ ˈɔtʃɨ pˈɛwnɛ sɔ̃ ɕfʲˈatwa pɔrˈaŋka.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_164.wav|ɲʲɛktˌurɛ spˌɔwɛtʃnˈɔɕtɕi sɔ̃ dˈuʒɛ, mˌajɔ̃ sˈɛtki tʃwˈɔŋkuf, ˈinnɛ sɔ̃ mˈawɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_267.wav|zˌapɔmɲʲˈawɛɕ flamˈiŋɡa, jɛbˈaɲtsu jɛbˈanɨ, pˌɔvʲɛdʑˈawa i uɲʲˈɔswa stʃˈɛlbɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_47.wav|ˈaram ɲʲˈɛmʲaw pɔjˈɛɲtɕa, kʲˈɛdɨ vrˈutsɛ i mˈuɕaw zrˈɔbʲitɕ tɔ, tsˈɔː ˈuznaw za stɔsˈɔvnɛ.|3
+Dataset/wavs/urwisko_ferenc/33_segment_51.wav|ɡdʑˈɛ jɛst mˈixaw? spˈɨtaw.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_31.wav|pjˈa tˌɔvaʒɨʃˈɨwa ɡʲˈɛrmkɔm jˌamjɛˈɛɡɔ, jˈadɔnts na vawˈaxu, kturˌɛɡɔ znˈalaz dla ɲʲˈɛj pˈɛk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_190.wav|ˈɛlis tˈak muvˈiwa? pˈɛvɲʲɛ ɲʲɛ. dɔmˈɨɕlam ɕɛ, ʒˈɛ f tɨm stˈaɲʲɛ na ɲʲɛvʲˈɛlɛ mˈɔɡwa ɕɛ zdˈɔbɨtɕ, ˈɔprutʃ prˈɔʑbɨ, ʒˈɛbɨɕ jɛj ɲʲɛ dˈuɕiw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (44)_segment_42.wav|tɔ dɔpʲˈɛrɔ bˌɨwa ɲʲˌɛspɔdʑˈaŋka, kʲˈɛdɨ pʃɨjˈɛxaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_82.wav|tˈak, ˌalɛ pʃˌɛtɕɛʃ fspɔmˈinaw tsˈɔɕ ɔ nɛbrˈastsɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_43.wav|trˈava bˌɨwa jˈuʃ mʲɛjstsˈami ʒˈuwta i ˈandɛrsɔn pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_67.wav|pʃɨ kɔʃˈɛɲʲu trˈavɨ, navʲˈasɛm mˈuvʲɔnts.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_199.wav|zabʲˈiwɛɕ mɲʲɛ zˈatɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_63.wav|ɔt strˈɔnɨ jɛdnˈɛɡɔ z dˈɔmuf na drˈuɡʲim kˈɔɲtsu ulˈitsɨ natxˈɔdʑi kɔbjˈɛta. pɔ pʲˌɛɲdʑɛɕˈɔnttsɛ, ɕˌivʲɛjˈɔntsɛ vwˈɔsɨ, jaskrˈava ʃmˈiŋka.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_470.wav|skʃɨdlˈatɨ rˈɨtsɛʃ pɔtrˈafiw lˈatatɕ.|1
+Dataset/wavs/urwisko_ferenc/52_segment_92.wav|a ɡdˈɨbɨm pɔvʲˈɛdʑaw pˈanu tsˈɔʑ vʲˈɛntsɛj?|0
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_26.wav|dʑˈɛtɕi sˈamɛ, bˈɛz dɔrˈɔswɨx, w ˌiksˌiksˈi vʲˈɛku, zdumjˈɛva ɕɛ bʲˈili.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_91.wav|rˈadʑɛ tɕˈi, fstˈaf pˈarɛ stsˈɛnɛk ˌɛrɔtˈɨtʃnɨx. sˈɛks ɕɛ spʃɛdˈajɛ.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_278.wav|ɔtpˈarwa lˈadɨ mˈarja s pɛvnˈɔɕtɕɔ̃ w ɡwˈɔɕɛ. dɔndˈarjɔn ɲʲɛ ʒˈɨjɛ.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_220.wav|dʑɛftʃˈɨŋka pˌɔzvɔlˈiwa jɛj pɔvˈɔnxatɕ prˈɔʃɛk, a pˈɔtɛm pɔswˈawa jˈɔ̃ na ɡˈurɛ pɔ bˌutɛlˈɛtʃkɛ s tʃˌɛrvɔnˈɛɡɔ ʃkwˈa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_172.wav|pˈɔza tɨm tɕˈɛ ɲʲɛ zɡˈarnɔ̃. f tɨm pʃɛbrˈaɲʲu zmʲˈɛɲʲaʃ ɕɛ ɲʲɛ dɔ pɔznˈaɲʲa. pɔdnˈɔɕi pˈalɛts w ˌɔstʃɛɡˈaftʃɨm ɡˈɛɕtɕɛ. xˈɔtɕaʃ...|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_38.wav|pɔ prˈɔstu zatʃˈɛka, ˈaʃ sˈama dɔ ɲʲˈɛɡɔ pʃˈɨjdɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_110.wav|ˌalɛ ɲʲɛ tˌɨlkɔ stˈaʒɨ lˈudʑɛ ˌumjɛrˈajɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_169.wav|studjˈujɛ tˈɛkst tʃˈɨ rˈazɨ. prubˈujɛ zɔbˈatʃɨdʑ ɡˈɔː ɔtʃˈami ɲˈika.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_38.wav|kʲˈɛdɨ ɲʲɛ ˌuzɨskˈawa ˌɔtpɔvʲˈɛdʑi, ˌɔtfɔʒˈɨwa jˈɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_332.wav|xfˈilɛ pˈuʑɲʲɛj dɔstˈawam ɔt ɲʲˈɛɡɔ jˈɛʃtʃɛ jˈɛdnɔ̃ vʲadˈɔmɔɕtɕ. ˈaxa, rɔzˈumjɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_19.wav|dˈaj mi znˈatɕ, jˈɛɕli rˈuʃɛ w drˈɔɡɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_70.wav|— ˈɔtuʃ tɔ... — xˈɔvv dɔstˈartʃɨw tɕi jˈuʒ brˈɔɲ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_148.wav|mˈarta valtʃˈɨwa ˈɔtɔ, ʒˈɛbɨ ɕɛ ɲʲɛ rɔssˈɨpatɕ.|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_12.wav|jˈakiɕ pʃˌɛraʒˈɔnɨ dˈurɛɲ pɔlˈitʃɨw jˈɛ pɔdvˈujɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_151.wav|kˌarnɛfˈantɨl|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_38.wav|ʒˈɛ ɲʲɛ mˈɔɡɛ ˈumʒɛtɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_234.wav|tɔ sˈamɔ.|0
+Dataset/wavs/urwisko_ferenc/19_segment_29.wav|a ɔ pˈaɲi?|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_218.wav|ˈɛliz bjˈɛʒɛ pʲɛɲʲˈɔndʑɛ i zˌamavʲˈajɔ̃ jɛdʑˈɛɲʲɛ na vˈɨnɔs f pɔblˈiskʲɛj rˌɛstawrˈatsji ɕilˈɔin sˈupɛr bˈurɡɛr.|2
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_147.wav|jɛj zvrutsˈɔna kˈu ɡˈuʒɛ tfˈaʃ jɛzd blˈada jˈak kɕˈɛ̃ʒɨts.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_54.wav|pˌɔvɔnxˈawɛm jɛj vwˈɔsɨ, bˈɔ zˈafʃɛ wˈadɲʲɛ paxɲʲˈawɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_55.wav|jˈaɡ dalˈɛkɔ mˈɔʒna ɕɛ tsˈɔfnɔɲtɕ s tˌɨmi danˈɨmi?|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_37.wav|ɡrˈawa tsˈawɔ̃ nˈɔts, jˈak ɕɛ valnˈɛwɔ vɛ vwaɕtɕˈivɛ mʲˈɛjstsɛ, pamjˈɛntaʃ tˈak?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_14.wav|ˈalfjɛ!|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_181.wav|tʃujˈɛmɨ tˌɨlkɔ tfˈuj ˈɔddɛx.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_343.wav|pˈatʃ, zaxˈɔdʑi swˈɔɲtsɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_12.wav|vwˈɔntʃam tʃˈajɲik i f tɛj sˈamɛj xfˈili swˈɨʃɛ za plɛtsˈami jˈakiɕ ˈɔdɡwɔs.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_100.wav|dˈaj kɔlˈɛɡɔ jˈakɔ̃ɕ mɔnˈɛtɛ, bˈɔ kˌɔlɛʒˈaŋki tʃɛkˈajɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_7.wav|bˈɛtskɨ ˌɔdvrutɕˈiwa ɕɛ dɔː ˈaʃa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_175.wav|xfˈɨtɕiw pɔ rˈɛntʃ sˈɔfɨ i pɔttɕˈɔŋɡnɔw ɕɛ z vɨɕˈiwkʲɛm wˈapʲɔnts pɔvʲˈɛtʃɛ. ˈuɕat tɕˈɛ̃ʃkɔ, zˌastɛŋkɲʲˈɛɲtɕɛm. z jˈɛɡɔː ˈuxa stˈartʃaw tɕˌɛlistˈɛɡɔ kɔlˈɔru apˈarat swuxˈɔvɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_75.wav|vʲˈɛm, luˈisa tˈɛʃ ˈɔtɨm vʲˈɛ. bˌɛndɛ na mʲˈɛjstsu jˈak najʃˈɨptɕɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_113.wav|mˈirza fskazˈawa na zɛbrˈanɨx pˌasaʒˈɛruf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_79.wav|ˌalɛ tˈak ɕɛ ɲʲɛ stˈawɔ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_233.wav|ˌalɛ pʲɛrʃˈɛɲstfɔ mˈuɕi mʲˈɛdʑ blˈatskfiʃ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_114.wav|ʃukˈaliɕmˌɨ ˈɔsup majˈɔntsɨx jˌakʲɛkˈ��lvʲɛk pˌɔvʲɔ̃zˈaɲʲa s tˌɨmi zbrɔdɲʲˈami i vɨɡlˈɔnda nˈatɔ, ʒˈɛ stˌudjɔvˈawa pˈaɲi na ˌuɲivˌɛrsɨtˈɛtɕɛ w mˌanxɛstˈɛʒɛ, zɡˈadʑa ɕɛ?|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_373.wav|tɔː ˌuɕfʲɛntsˈɔna tradˈɨtsjɔ̃ kˈara za ˌudɛʒˈɛɲʲɛ kˈɔɡɔɕ krulˈɛfskʲɛj krfˈi.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_161.wav|pˌɔftuʒˈɨwa i pˌɔtsawɔvˈawa ɡˈɔ na ʃtʃˈɛɲɕtɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_212.wav|a jˈɛdnak tɔ tsˈawkʲɛm prˈɔstɛ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_84.wav|ktˈura, jˈak fʃˈɨstsɨ vʲˈɛmɨ, pˌɔzɔstˈajɛ pˈɔza fʃɛlkˈimi pˌɔdɛjʒɛɲʲˈami.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_464.wav|wˈaɲtsux ɕɛ rɔzvˈijaw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_17.wav|ktˌurɨ mˈuʃɔ̃ ɔttʃˈuvatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_150.wav|pʃɛprˈaʃam, ʒˈɛ tɕˈɛ ftɕɔŋɡnˈɔwɛm f tɔ bˈaɡnɔ, mˈuvi bʲˈillɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_47.wav|bˌɛndɛ spwukˈana, bɛzdˈɔmna i zapˈadnɛ na xɔrˈɔbɛ ɡrˌavitatsˈɨjnɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_31.wav|tˈɔm vˈɛstxnɔw.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_143.wav|tɔ ɲʲɛ jˈɛst...|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_151.wav|tˈɔm pˈɔtʃuw, jˈak tɛ̃ʒˈɛjɔ̃ mʲˈɛɲɕɲʲɛ jˈɛɡɔ rˈamjɔn.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_36.wav|i pˌɔruʃˈajɔnts ɕɛ bˌɛsʃɛlˈɛstɲʲɛ z jɛdnˈɛɡɔ kˈɔɲtsa bˈaru na drˈuɡʲi, ɲˈibɨ bˈuk ɲʲˌɛɡɔdʑivˈɔɕtɕi.|0
+Dataset/wavs/urwisko_ferenc/55_segment_22.wav|dlatˈɛɡɔ mˈuvi, ʒˈɛ jˈɛɕli jɛzd z ɲʲˈɔ̃ na zdjˈɛɲtɕu, tɔ pˈɛvɲʲɛ pʃˈɛs pʃɨpˈadɛk i xˈɨba mˈa rˈatsjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_98.wav|vˈɔlawbˌɨm tsˈɔɕ innˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_51.wav|bʲˈillɨ ˌɔskubˈujɛ fʃˈɨstkiɣ dɔ tsnˈa.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_256.wav|jɛxˈaliɕmˌɨ z zavrˈɔtnɔ̃ prɛntkˈɔɕtɕɔ̃. zbliʒˈajɔnts ɕɛ dɔ pˈɔrtu, zˌɔbatʃˈɨliɕmˌɨ pˈɔtɕɔŋk, ktˌurɨ stˈaw pʃɨ ɕlˈuʑɛ kˌɔlɛjˈɔvɛj. jˈaɡ vɛjdʑˈɛmɨ dɔ ɕrˈɔtka?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_415.wav|mˈɔʒɛ tɔː ˈɔɕ jˈakʲɛjɕ ɲʲˌɛzidˌɛntɨfˌikɔvˈanɛj jˈɛʃtʃɛ ɛnˈɛrɡji. drˈuɡʲi jɛj kˈɔɲʲɛdʑ vɨwˈaʑi ɡdʑˈɛɕ na pˌatsɨfˈiku.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_44.wav|uvˈaʒaj, kˈɔmu ˈufaʃ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_135.wav|vˈɨjdʑɛʒ za krˈula.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_222.wav|tfˈɔja mˈawa frɛjˈuvna rˈuvɲʲɛʃ.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_199.wav|dʒˈɔn bˈɨw z ɲˈix najstˈarʃɨ, vʲˈɛnts jˌɛmu pʃɨpˈadwɔː ˈɔrlɛ ɡɲʲˈazdɔː i tˈɨtuw lɔrdˈɔfski.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_172.wav|nˈɔ tˈak, ˈalɛ...|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_347.wav|i patʃˈɨwɛm nˈaɲʲɔ̃ s tʃˈɨmɕ w rɔdʑˈaju dˈumɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_99.wav|na vˌɨɕfʲɛtlˈatʃu pɔjˈaviw ɕɛ kˌɔmuɲˈikat ɔ ɲˈiskim stˈaɲʲɛ kˈɔnta. plˈan ʃɨpkʲˈɛɡɔ vzbˌɔɡatsˈɛɲʲa kɔʃtˈɔvaw mɲʲɛ spˈɔrɔ pʲɛɲʲˈɛndʑɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_274.wav|ʒˈɛ dʑɛftʃˈɨnɛ pʃɨvʲˈɛʑɛ kˈuzɨn darˈɛna bˈɛrna, stˈɛvɛ bˈɨrnɛ,|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_264.wav|znalˈazwɛm tɕˈɛ, tˈɔnɨ. jˈuʃ mˈɔʒɛʒ vɨtsˈɔfatɕ sfˈɔjɔ̃ kˈawtsjɛ.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_188.wav|dˈɔbra vˈɔda dˌɔtɕɛrˈawa dɔ mʲˈasta vʲˈɛlkim tsɛɡlˈanɨm ˌakfɛdˈuktɛm, zvˈanɨm pʃˈɛz bravˈɔsuf swˌɔtkɔvˈɔdnɔ̃ ʒˈɛkɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_89.wav|zˌatʃɨmujˈɛmɨ ɕɛ, jˈaɡbɨ kˈaʒdɨ rˈux mˈukw pʃˈɛrvadʑ zaklˈɛɲtɕɛ. znˈuf ɔdʑˈɨva ɕɛ dʑvˈɔnɛk.|3
+Dataset/wavs/urwisko_ferenc/62_segment_14.wav|pˌɔpʃɛdɲʲˈɛɡɔ dɲʲˈa xˈɛrman ˌɔdvʲɛdʑˈiwa tɔrˈuɲskɔ̃ jɛdˈɨŋkɛ i pˌɔrɔzmavʲˈawa z nˌautʃɨtɕˈɛlɛm, ktˌurɨ znˈaw çistˈɔrjɛ ʃkˈɔwɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_132.wav|tˈaɡ vʲˈɛnts tˈɛraz vˌɨɡlɔndˈawam jˈak ˌubwɔtsˈɔnɨ dʑivˈɔlɔŋk s tfˈaʒɔ̃ ˌɔklɛjˈɔnɔ̃ jˈakimʑ badʑˈɛvʲɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_145.wav|za jˈakix lˈat?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_15.wav|a tsˈɔ s tɨm tˌɛlɛfˈɔnɛm na kˈartɛ, ktˌurɨ znalˈɛʑliɕmˌɨ w ɡˌabʲinˈɛtɕɛ ˈaʃa? zˌapɨtˈawa bˈɛtskɨ. tˈɨm, ktˌurɨ wˈɔntʃɨw ɕɛ tˌɨlkɔ z jˈɛdnɨm numˈɛrɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_46.wav|fsxˈɔdɲi lˈɔndɨn, sˈɛr.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_325.wav|a mˈɔʒɛ utɕˈɛʃɨ ɕɛ, ʒˈɛ dˈawa mˌinstrɛlˈɔvi dˈar bˈɔɡa ɔ vʲˈɛlu tfˈaʒax?|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_72.wav|dʑˈɛɲ dˈɔbrɨ sɔ̃ɕˈɛdʑɛ, mˈuvi. mˈam tˈu dla sɔ̃ɕˈada ʑˈimnɨ brɔvˈarɛk, tˈak na pˌɔvitˈaɲʲɛ w dʑɛlɲˈitsɨ. jˌɛstɛm jˈamal atskˈɛrman.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_5.wav|pˌɔmɨɕlˈawa tsɛrsˈɛi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_9.wav|tˈɔm pɔpˈatʃɨw na strˌapʲɔnˈɛɡɔ kˈita.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_461.wav|tʃɨ pamjˈɛntaʃ, ɡdʑˈɛ pˌɔwɔʒˈɨwɛɕ tˈɛ pˈatʃkɛ pʃɨkrˈɨtɔ̃ dɔnˈaldɛm dˈutskʲɛm?|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_234.wav|mˈam ɡˈɔ tˈɨlɛ, ʒˈɛ vɨstˈartʃɨ na zˌaspɔkɔjˈɛɲʲɛ pˈɔtʃɛp tsawˈɛɡɔ mʲˈasta pʃˈɛs pˈɔnat rˈɔk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_57.wav|rɔzˈumjɛm, ʒˈɛ ɔfjˈara ɲʲɛ ˌɔtpɔvʲɛdʑˈawa na tˈɛ vʲadˈɔmɔɕtɕ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_108.wav|pɔ rˈas pʲˈɛrʃɨ mˈarta spravˈiwa vraʒˈɛɲʲɛ zˌatrɔskˈanɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_14.wav|tsˈuʃ, na pɔtʃˈɛbɨ tɛj rɔzmˈɔvɨ pʃɨjmˈijmɨ, ʒˈɛ jˈuʃ nalˈɛʒɨʒ dɔː ɛkˈipɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_152.wav|mʲˈawam stˈarʃɔ̃ ɕˈɔstrɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_19.wav|w mʲˈarɛ jˈaɡ zblˈiʒa ɕɛ dɔ dˈɔmu, muzˈɨka jɛst tsˈɔraz ɡwɔɕɲʲˈɛjʃa. bˈaki ɲʲˈɛma sɔ̃ɕˈaduf, vʲˈɛnts mˈɔʒɛ jˈɔ̃ pˈuʃtʃatɕ na tsˈawɨ rˌɛɡulˈatɔr, jˈɛɕli mˈa nˈatɔ ɔxˈɔtɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_120.wav|tɨ mˈɨɕliʃ, ʒˈɛ jˌɛstɛɕ tsfˈanɨ, ɲʲɛ?|0
+Dataset/wavs/urwisko_ferenc/03_segment_140.wav|— mˈuʃɛ jˈuʃ jˈɛxatɕ — ʒˈutɕiw, fpatrˈujɔnts ɕɛ f pʃˈɛdɲʲɔ̃ ʃˈɨbɛ. — rɔzˈumjɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_19.wav|muɕˈawam dʑˈawatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_25.wav|fʃˈɛɲdʑɛ tˈam, ɡdʑˈɛ jˈɛdna ɔsˈɔba dɨktˈujɛ zasˈadɨ bˈɛz ʒˈadnɨx ˈɔbaf ɔ prɔtˈɛstɨ,|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_4.wav|ɡdʑˈɛ ja jˈɛstɛm? kˈim jˈɛstɛɕ? skfawtɕˈiwɛɕ mɲʲɛ, tˈak, prˈavda?|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_184.wav|mˈijaw tˌɨlkɔ ɲʲɛvʲˈɛlu lˈudʑi, ktˌuʒɨ ˌɔbʒutsˈali ɡˈɔ zˌatɕɛkˌavʲɔnˈɨmi spˌɔjʒɛɲʲˈami.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_125.wav|stsˈɔtt ɲʲɛ zɛzwˈɔɕtɕiw ɕɛ, jˈak tˌɛɡɔː ˌɔtʃɛkivˈawam.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_48.wav|tˈɔmmɛn bˈardʑɔ kˈɔxa sfˈɔjɔ̃ mˈawɔ̃ krulˈɔvɔ̃, vˈaʃa ɕfʲˌɔntɔblˈivɔɕtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_101.wav|tɔ tˈak ɲʲɛ dʑˈawa.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_50.wav|lubʲˈiwa mawˈɛɡɔ nˈarba, mˈimɔ ʒˈɛ bˈɨw zwɔdʑˈɛjɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_91.wav|tˈak jˈak muvˈiwam, zmɛntʃˈɛɲʲɛ mˌatɛrjˈawu.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_39.wav|— pʃɨvʲˈɛra dɔ mɲʲɛ, a ja pʃɨtˈulam jˈɔ̃ najmˈɔtsɲʲɛj, jˈak tˌɨlkɔ mˈɔɡɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_89.wav|rɔzˈɛjʒaw ɕɛ pɔ vnˈɛntʃu i jˈɛɡɔ vzrˈɔk spˈɔtʃɔw nˈamɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_105.wav|mˈɔʒɛ jˈuʃ ftˈɛdɨ ɕɛ dˌɔmɨɕlˈiwɛɕ.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_124.wav|tʃɨ ɔn ɲʲɛ zɔstˈaviw dʑˈɛtɕi?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_16.wav|pˌɔzɔstˈali ɲitʃˈɛɡɔː ˈɔmɲʲɛ ɲʲɛ vʲˈɛdʑɔ̃ i tˈak jɛzd dˈɔbʒɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_77.wav|a pˈɔtɛm zɛbrˈawam fʃˈɨstkʲɛ ɕˈiwɨ i vˌɨʒutɕˈiwam jˈɔ̃ w ɡˈurɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_120.wav|mˈɔʒ��ʃ tɔ sˈɔbjɛ vˌɨɔbrˈazitɕ? mˈɔɡɛ, ˌalɛ vˈɔlawbˌɨm tɔ zɔbˈatʃɨtɕ. ja tˈɛʃ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_202.wav|zˌavɔwˈawa jˈɛdna s tantsˈɛrɛk. mˈɨɕliʃ, ʒˈɛ pɔzvˈɔli mi dˈɔtknɔɲtɕ sfɔjˈɛɡɔ mʲˈɛtʃa?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_133.wav|ftˈɛdɨ dɔtɕˈɛra dɔ mɲʲɛ ˈɔɡrɔm fʃɨstkʲˈɛɡɔ, tsˈɔ zrˈɔbʲiw dɔmˈiɲik.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_15.wav|istɲʲˈɛjɛ mɔʒlˈivɔɕtɕ, ʒˈɛ stˈawa ɕɛ zˌakwadɲˈitʃkɔ̃ pˌɔrɨvˈatʃɨ, dʑˈɛŋki tʃˌɛmu mˌajɔ̃ dˈɔbrɨ pˈuŋkt ˌɔpsɛrvatsˈɨjnɨ na tfˈuj dˈɔm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_378.wav|pɔ tsˈɔ zˈatʃɔɲtɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_114.wav|z ɡrɨmˈasɛm bˈulu ɕˈɛŋɡa dɔ tˈɨlnɛj kʲɛʃˈɛɲi, vɨjmˈujɛ pˈɔrtfɛl i pɔdˈajɛ jɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_207.wav|pˈɔtɛm ˌuruxˈamja ɕˈilɲik, vɨxˈɔdʑi tɨlnˈɨmi dʒvʲˈami i bˌɛsʃɛlˈɛstɲʲɛ ɔdjˈɛʒdʒa vˈuskʲɛm ɡɔlfˈɔvɨm.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_409.wav|sxɔvˈawam ɡʲˈizmɔ dɔ kʲɛʃˈɛɲi. bʲˈillɨ pʃɨɡlˈɔndaw mi ɕɛ badˈaftʃɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_137.wav|ˌɔkazˈawɔ ɕɛ jˈɛdnak, ʒˈɛ mʲˈawam ɕɛ pɔ prˈɔstu ɔpʲˈɛratɕ ɔ kljˈɛntuf, uɕmʲˈɛxadʑ dɔ ɲˈix, pɔzvˈɔlitɕ ɕɛ dɔtˈɨkatɕ, ˌɔbɛjmˈɔvatɕ i pʲˈɛɕtɕitɕ kɔlˈana.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_40.wav|ɲʲɛ vʲˈɛmɨ. dɔpˈuki ktˈɔɕ ɕɛ ɲʲɛ skˌɔntaktˈujɛ, trˈudnɔ bˌɛɲdʑɛ nˈam ɔkrˈɛɕlitɕ ix mɔtˈɨvɨ.|4
+Dataset/wavs/urwisko_ferenc/46_segment_67.wav|zawˈuʒmɨ, ʒˈɛ vʲˈɛʒɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_379.wav|ja ˈɔtɨm vʲˈɛm ɔd dˈavna, ˌalɛ kʲˈɛdɨ tˈɛraz vɨtɕˈɔŋɡam dwˈɔɲ...|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_15.wav|frɨzˈura frˈaŋka vɨɡlˈɔnda, jˈaɡbɨ pʃˈɛʃwa vɨmjˈanɛ ɔlˈɛju.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_200.wav|zatʃɲʲˈɛmɨ ɔt pɔtʃˈɔntku.|2
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_18.wav|vˈɛjɕtɕɛ dla prˌatsɔvɲˈikuf ɔtfʲˈɛra ɕɛ i tsˈawɛ tˌɔvaʒˈɨstfɔ fxˈɔdʑi dɔ ɕrˈɔtka, ɡdʑˈɛ kaʒdˈɛɡɔ tʃˈɛka ˌɔfitsjˈalnɛ pˌɔstavʲˈɛɲʲɛ f stˈan ˌɔskarʒˈɛɲʲa.|2
+Dataset/wavs/urwisko_ferenc/63_segment_141.wav|ˌalɛ mˈuɕi pˈaɲi uvˈaʒatɕ na sfˈɔjɛ dʑˈɛtskɔ.|0
+Dataset/wavs/urwisko_ferenc/64_segment_5.wav|jˌɛstɛm pɔ pˈana strˈɔɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_77.wav|tˈata vzrˈuʃa rˌamjɔnˈami.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_73.wav|tˈak, pɔvʲˈɛdʑaw mˈikɛ, maʃ rˈatsjɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_151.wav|tʃˈɛɡɔ tʃɨ tˈɛʃ pˌɔrɔzmˈavʲatɕ, tɔ jɛst naprˈavdɛ vˌɨpɔtʃˈɨnɛk.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_99.wav|ɲʲˌɛpɔkɔˈiwɛm ɕɛ, ʒˈɛ ftɕˈɔ̃ʃ mˈɔʒɛ jˈɛ tʃˈɨmatɕ na sfˈɔim kˌɔmputˈɛʒɛ i ʒˈɛ vˈaɕi tɛxɲˈitsɨ jˈɛ znˈajdɔ̃ i zˈatʃnɔ̃ ɡʒˈɛbadʑ ɡwˈɛmbjɛj.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_140.wav|ɲʲɛ ˌɔtpɔvʲɛdʑˈawam.|3
+Dataset/wavs/urwisko_ferenc/15_segment_27.wav|mˈɔʒɛ ftˈɛdɨ bˈɨ ˌɔdɛtxnˈɛwa.|0
+Dataset/wavs/urwisko_ferenc/05_segment_12.wav|bˌɨwɔ dalˈɛkʲɛ ɔt ˌidɛˈawu, ˌalɛ pˌɔlitsjˈantka xtɕˈawa zrɔzˈumjɛtɕ pʃˈɛkas.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_92.wav|dˈavn pˌɔpatʃˈɨwa na sfˈɔjɛ dwˈɔɲʲɛ, bˈavʲɔnts ɕɛ paltsˈami, jˈaɡbɨ rˌɔzvaʒˈawa, tʃɨ pɔvˈinna tsɔkˈɔlvʲɛk pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_175.wav|bˈɨw tɔ tˌaki sˈam tˈunɛl jˈak tˈɛn, ktˌurɨ pˌɔmaɡˈawam ˌinstalˈɔvatɕ pˈɔttʃas ˈaktsji rˌatɔvɲˈitʃɛj wˈɛ fabrˈɨtsɛ ɡvˈinslant.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_81.wav|dɛtˈɛktɨf ɕɛ ˌuɕmʲɛxnˈɛwa. jˈuʃ tɔ zrɔbʲˈiwam. mˈatka nˈɔɕi nazvˈiskɔː ɔzbˈɔrnɛ, a kˈit prubˈujɛ ɕɛ z ɲʲˈɔ̃ skˌɔntaktˈɔvatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_293.wav|vˈɨswaw nˈavɛt maˈilɛ, ktˌurɛ ftʃˈɛɕɲʲɛj pʃˌɨɡɔtɔvˈawam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_152.wav|mʲˈawa tɕˈɛmnɛ, bˈujnɛ vwˈɔsɨ, tɕɛmɲʲˈɛjʃɛ ɲˈiʃ ftˈɛdɨ, pʃɛd dvˈɔma tʃɨ tʃˈɛma dɲʲˈami, ftsˈalɛ ɲʲɛ bwɨʃtʃˈɔntsɛ, lˈɛdʒ dˌɛlikˈatɲʲɛ matˈɔvɛ.|0
+Dataset/wavs/urwisko_ferenc/54_segment_35.wav|— jɛst pˈan pˈɛvʲɛn? — tsˌawkɔvˈitɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_154.wav|ˌalɛ ktˈɔɕ xtɕˈaw dˈatɕ jˈɛɡɔː ˈɔjtsu tsˈɔʑ dɔ zrˌɔzumjˈɛɲʲa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_119.wav|mɨɕlˈawam, ʒˈɛ tɔ mˈɔja ʃˈansa.|3
+Dataset/wavs/urwisko_ferenc/53_segment_2.wav|dnˈɔ ɕɛ zapˈadwɔ? zˌaintˌɛrɛsɔvˈawa ɕɛ? tɔ nɔrmˈalnɛ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_142.wav|mˈam, ʒˈɛkwɛm zbʲijˈɔntsɨm znˈɔvu sˈɛrtsɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_105.wav|dˈɔkɔnt jɛdʑˈɛtɕɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_89.wav|pɔdbʲˈiwam vʲˈɛndʑ vˌɨzɨvajˈɔntsɔ dɔ dvˈustu fˈuntuv z nadʑˈɛjɔ̃, ʒˈɛ mˈuj pʃɛtɕˈivɲik ˈuzna i ʒˈɛ zˈɔstaw pˌɔkɔnˈanɨ. nˈatʃɛt tʃˈas na ˌɔstatˈɛtʃnɔ̃ rɔzɡrˈɨfkɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_207.wav|ɡdʑˈɛ pˈan mʲˈɛʃka?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_45.wav|tˈɛraz dˌɨspɔnˈujɛ dɔvˈɔdɛm, ʒˈɛ znˈa rˈuvɲʲɛʃ ˈadrɛs mɔjˈɛɡɔ mʲˈɛjstsa prˈatsɨ.|3
+Dataset/wavs/urwisko_ferenc/04_segment_8.wav|bɔrˈɛvitʃ ɕtɕˈɔŋɡnɔw brvˈi i pɔdrˈapaw ɕɛ pɔ ɡwˈɔvʲɛ. zˌastanˈavʲaw ɕɛ, tʃɨ tɔ mɔʒlˈivɛ, bˈɨ dˈaw ɕɛ ɔʃˈukatɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_48.wav|zamˈɨkam ˈɔtʃɨ i prubˈujɛ kˌɔntrɔlˈɔvatɕ ˈɔddɛx.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_15.wav|dˈɔɕtɕ tˈɛɡɔ, ɲˈitsk. ɔn mˈuɕi stˈɔnt ˈɔdɛjɕtɕ.|3
+Dataset/wavs/urwisko_ferenc/65_segment_122.wav|mˈɔʒɛ ɲʲɛ tˌɨlkɔ tɨ i lˈɛɡnɛr pˌɔtʃɛbɔvˈaliɕtɕˌɛ vɨrˈuvnatɕ raxˈuŋki kʃˈɨft.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_216.wav|ɲʲˈɛvʲɛm, tʃɨ w ɔɡˈulɛ bˌɛɲdʑɛ tɕi ˌɔtpɔvʲˈadatɕ. zˈafʃɛ bˌɨwaɕ ʃtʃˈɛra, pʃɨnˈajmɲʲɛj vˈɔbɛts mɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_303.wav|jˌɛstɛm ɡɔtˈɔva, ˌɔznajmˈiwam.|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_39.wav|ruʃˈɨwam dˈalɛj pʃɛt ɕˈɛbjɛ i ˌɔbɛrvˈawam kɔlˈɛjnɔ̃ sˈɛrjɔ̃ ˌɛlɛktrˈɔnuf.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_241.wav|samˈuɛl tˈarlɨ|1
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_11.wav|tˈata jɛzd bˈardʑɔ zˈa, ˌalɛ jˈaki f tɨm sˈɛns?|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_222.wav|pɔwˈɔʒɨw dwˈɔɲ na ʃkatˈulɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_60.wav|pˌɔwɔʒˈɨwam ɕɛ na wˈuʃku.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_31.wav|ˌalɛ tˈak sˈamɔ ɲʲˈɛvʲɛm, jˈaɡ dwˈuɡɔ zdˈɔwam zɲʲˈɛɕtɕ tɛn strˈax.|3
+Dataset/wavs/urwisko_ferenc/44_segment_88.wav|ʃˈarpnɔw za klˈamkɛ.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_32.wav|nˈɔ tsˈuʃ, f tˈakim rˈaʑɛ mˈuʃɔ̃ mi vˈɨznatɕ fʃˈɨstkʲɛ ɲʲˌɛɡɔdʑivˈɔɕtɕi, ktˌurɛ xtɕˈawɨbˌɨ pɔpˈɛwɲitɕ. tɕˈɛbjɛ tɔː ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ dɔtˈɨtʃɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_104.wav|vʲˈɛŋkʃɔɕtɕ mˌuzuwmˈanuf mʲˌɛʃkajˈɔntsɨx na kɕɛ̃ʒˈɨtsu ɔbrˈatsa ɕɛ tfˈaʒɔ̃ na zˈaxut pˈɔttʃas mɔdlˈitfɨ i tˈak tˈɛʃ rˈɔbʲiw ˈɔjtɕɛts, ˈɔtkɔnt pamjˈɛntam.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_80.wav|ˈuɲʲuz dwˈɔɲ na pˌɔʒɛɡnˈaɲʲɛ, a ja ɔttʃˈuwam jˈɛɡɔ ɲʲˌɛɔbˈɛtsnɔɕtɕ tˈaɡ dɔtklˈivʲɛ, jˈak jˈɛʃtʃɛ ɲˈiɡdɨ dˈɔtɔnt.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_133.wav|bʲˈillɨ ˌɔtpɔvʲˈɛdʑaw na zadˈanɛ pɨtˈaɲʲa, ˌalɛ ɲˈikt ɲʲɛ zapˈɨtaw ˈɔtɔ, tsˈɔ tʃˈuw, tʃɨmˈajɔnts w ramjˈɔnax kˈatxɨ zˈɛ zmʲaʒdʒˈɔnɔ̃ pʲˈɛrɕɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_289.wav|rˈɔbɛrd bˈɨwbɨ zbˈɨt pijˈanɨ, ʒˈɛbɨ fstˈatɕ, ɲʲɛ mˈuvʲɔnts jˈuʃ ɔ sprˌavɔvˈaɲʲu ʒˈɔnduf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_134.wav|f pʲˈɛrʃɨm ɔdrˈuxu xtɕˈawɛm vlˈɛɕtɕ pɔt wˈuʃkɔ, ˈalɛ...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_58.wav|ɕfʲˈɛtɲʲɛ sˈɔbjɛ rˈadʑiʃ, jˈɔɛ. dˈaj mi xfˈilɛ, pʃɛkˈaʒɛ zˌɛspɔwˈɔvi tɔ, tsˈɔ vʲˈɛmɨ dɔ tɛj pˈɔrɨ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_195.wav|bˌɛɲdʑɛ zˈupa ɡʒɨbˈɔva, dʑitʃˈɨzna i tɕˈastka.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_205.wav|ˌalɛ ɲʲɛ s prɔstˈɨmi rɛŋkˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_80.wav|jˌɛstɛm ɕˈɛrʒant kˈamba i xtɕˈawbɨm s pˈaɲʲɔ̃ pˌɔrɔzmˈavʲatɕ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_319.wav|tˈɨrjɔn bˈɨ tɔ vʲˈɛdʑaw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_437.wav|w ɔddˈali, pɔt ʃˈarɨm rˌumɔvˈiskʲɛm prˈaɡʲi, mˌiɡɔtˈawa ɲʲˌɛbjɛskˈɔɕtɕɔ̃ vzdˈɛnta ɔd vʲɔsˈɛnnɨɣ vˈud ʒˈɛka vˈiswa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_89.wav|tˈak, jˈudɨ, tˈaɡ zˈafʃɛ jˈɛst.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_101.wav|drˈuɡʲi rˈas, jˈaɡ zɔbˈatʃɨw, ʒˈɛ sˈara pˌɛabˈɔdɨ tˈaɲtʃɨ dˌɔɔkˈɔwa pˈɛɡɡɨ i ɕpʲˈɛva pˈɛɡɡɨ, pˈaj, mˈawa srˈɔkɔ, pˈɛɡɡɨ, pˈaj, ɡdʑˈɛ maʃ ˈɔkɔ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_84.wav|mˈɔʒɛ jˈɛɕli jˈɔ̃ zɲˈiʃtʃɨʃ, ɲʲɛ bˌɛɲdʑɛʃ jˈuʃ mˈɨɕlɛtɕ ˈɔtɨm sfˈɔim dʑˈɛtsku, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_92.wav|tˈɔm pˈɔtʃuw pʃˈɨpwɨf ɕfʲˈɛʒɛj ɛnˈɛrɡji na mˈɨɕl ɔ pʃɛwˈɔmjɛ i fstˈaw s kʃˈɛswa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_110.wav|pɔdˈɔbɲʲɛ jˈak stsˈɔtt.|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_128.wav|fskazˈawɛm ktɕˈukʲɛm na tˈakɔ. mɔʒˈɛmɨ vʑˈɔɲtɕ pɔprˈafkɛ na vʲˈatr.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_65.wav|vˈɨjɔw tɛlˈɛfɔn s tˈɨlnɛj kʲɛʃˈɛɲi dʒˈinsuf, pʃɛvˈinɔw lˈistɛ kɔntˈaktuf i natɕˈisnɔw pʃˈɨtɕisk na ɛkrˈaɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_84.wav|mˈur pˌɔɕadwˈɔɕtɕi jɛst pɔ jˈɛɡɔ prˈavɛj. pɔ lˈɛvɛj rˈɔsnɔ̃ sˈɔsnɨ, tˈaɡ blˈiskɔ, ʒˈɛ iɣ ɡawˈɛ̃ʑɛ xwˈɔʃtʃɔ̃ bˈɔk pˈitskˈupa.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_165.wav|dɔ xartnˈɛla ɲʲɛ pʃɨxˈɔdʑi ɕɛ na pˈɔdrɨf.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_171.wav|mˈajɔndʑ ɡˈurɛ pʲɛɲʲˈɛndʑɨ, mˈɔɡwabˌɨʑ vɨtsˈɔfatɕ ɕɛ z brˈanʒɨ, a ftˈɛdɨ s tʃɨm bˈɨm zɔstˈawa?|4
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_266.wav|dˈalɛ ˈudaw, ʒˈɛ ɲʲɛ swˈɨʃɨ mɔjˈɛɡɔ pɨtˈaɲʲa i skˈinɔw nˌabʲiljˈɛɡɔ, prˈɔʃɔnts ɔ nastˈɛmpnɛ pˈivɔ.|4
+Dataset/wavs/urwisko_ferenc/62_segment_62.wav|muɕˈawa pˈilɲʲɛ vˈɨjɕtɕ.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_165.wav|bˈɔ tˈaɡ bˈɨwɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_334.wav|ja tɕi pʃɛbˈatʃam. skɔtʃˈɨwɛm zˈaɲim.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_115.wav|ˌalɛ najvʲˈɛŋkʃɨm bwˈɛndɛm zˈɛ fʃˈɨstkiɣ bˌɨwɔ tɔ, ʒˈɛ pɔzvˈɔliw sˈɔbjɛ mˈɨɕlɛtɕ i pˌɔstɛmpˈɔvatɕ jˈak nɔrmˈalnɨ tʃwˈɔvʲɛk.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_52.wav|jɛdʑˈɛmɨ w miltʃˈɛɲʲu pʃˈɛs ɲʲɛznˈanɔ̃ mi tʃˈɛɲɕtɕ mˌanxɛstˈɛru.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_103.wav|pˈɔzvul jɛj ˈɔdɛjɕtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_78.wav|ɲˈits ɲʲɛ fskˌazɨvˈawɔ nˈatɔ, ʒˈɛ w dˈɔmu pʃɛbˈɨva ktɔkˈɔlvʲɛk pɔzˈaɲʲɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_217.wav|bˈɔ kʲˈɛdɨ mʲˈaw tʃˈɨ lˈata, kˈɔpnɔw ɡˈɔ w ɡwˈɔvɛ kˈɔɲ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_140.wav|udˈɛʒa ɕɛ rˈas jˈɛʃtʃɛ dla pˌɔtkrɛɕlˈɛɲʲa sfˈɔix swˈuf.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_54.wav|pɔvʲˈɛdʑaw tˈɔm.|3
+Dataset/wavs/urwisko_ferenc/02_segment_69.wav|dlatˈɛɡɔ pˌɔʃukivˈaɲʲa mˈɔɲikˌi xudʑˈiɲskʲɛj prˌɔvadʑˈɔnɔ bˈɛz vˈɛrvɨ i nˌastavʲˈɛɲʲa na sˈuktsɛs.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_126.wav|flˈikt traˈiɲiŋk spɛtɕˈalist|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_108.wav|vidʑˈawam f ɕˈɛtɕi vʲˈɛlɛ zdjˈɛɲtɕ tɛj kɔbjˈɛtɨ, kʲˈɛdɨ ʃukˈawam ˌinfɔrmˈatsji ɔ jɛj spˈuwtsɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_75.wav|a, jˈasnɛ, tɔː ɔ tsˈɔ prɔɕˈiwɛɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_152.wav|pɔdjˈɛɲtɕɛ dɛtsˈɨzji ɲʲɛ zajˈɛwɔː im vʲˈɛlɛ tʃˈasu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_104.wav|i spravʲˈajɔ̃, ʒˈɛ zˌapɔmˈinam ɔ fʃˈɨstkim, tsˈɔ ɕɛ vˌɨdaʒˈɨwɔ w mɔmˈɛɲtɕɛ, kʲˈɛdɨ zɔstˈajɛ sˈama.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_145.wav|ɡdˈɨbɨ tɔ bˌɨwɔ tˈakʲɛ wˈatfɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_180.wav|pɔvʲˈɛdʑaw dˈɛvɛjn. i tˈam ʃˈuka zatʃˈɛpki.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_329.wav|tˈɛraz vʲˈɛmɨ dlatʃˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_379.wav|ʒˈɛbɨ vˈɨdʒɛtɕ tsˈɔɕ s pˈɨska bliʑɲʲˈɛmu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_127.wav|sprˈaj pʲɛpʃˈɔvɨ? ɡˈaz wzavʲˈɔntsɨ? dˈɔbrɛ spˌɔstʃɛʒˈɛɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_33.wav|ɔt kˈilku mʲɛɕˈɛntsɨ xɔdʑˈiwa dɔ nˈɔvɛj ʃkˈɔwɨ w ˈinnɨm krˈaju, a tˈɛraz znˈuf fʃˈɨstkɔ mʲˈawɔ ɕɛ zmʲˈɛɲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_198.wav|w jˈaki spˈɔsub zɡʒɛʃˈɨwɛm?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_107.wav|jˈɛnnɨ pɔtxˈɔdʑi blˈiʒɛj i pʃɨtˈula mɲʲɛ dɔ ɕˈɛbjɛ. pɔ xfˈili ɔtsˈuva ɕɛ, twˈumjɔnts wukˈaɲʲɛ. ɔdvrˈatsa ɕɛ i ˈidʑɛ dɔ ɕˈɛbjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_212.wav|ta rɔzmˈɔva stˈawa ɕɛ bˈardʑɔ dʑˈivna, ɔtpˈarwa nuɡˈuɡʲi, a na jɛj tfˈaʒɨ pɔjˈaviw ɕɛ vˈɨraz zˌakwɔpɔtˈaɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_113.wav|ta strɔmˈizna bˈɨ mɲʲɛ zabʲˈiwa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_30.wav|fsˈuvam ɕɛ dɔ ɕrˈɔtka pʃˈɛs pɔfstˈawɔ̃ ʃtʃɛlˈinɛ i fxˈɔdʑɛ dɔ xˈɔlu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_51.wav|pˈan rˈɨan jɛzd w bʲˌibljɔtˈɛtsɛ. ˈalbɔ pˈan rˈɨan jɛzd ɡdʑˈɛʑ w budˈɨŋku i ɲʲɛ mɔʒˈɛmɨ ɡˈɔ znˈalɛɕtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_138.wav|tʃɨ tˈaɡ zˈafʃɛ bˈɨwɔ? zˌapɨtˈawa jˈudɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_20.wav|zatʃˈɨna ɕɛ ssˈuvatɕ s kanˈapɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_23.wav|ɲʲɛ jˈɛdʑɛ ɕɛ tˈam zbˈɨd dwˈuɡɔ sˌamɔxˈɔdɛm, ˌalɛ ɡdˈɨbɨm ɕɛ prˌubɔvˈawa tʃˈɨmadʑ bˈɔtʃnɨx ˈulits, ʒˈɛbɨ uɲˈiknɔɲdʑ vɨkrˈɨtɕa, zdˌɛtsɨdɔvˈaɲʲɛ vɨbrˈawabˌɨm pˌitstsadʲˈillɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_40.wav|fstˈawam zzˈa bjˈurka i vɨjʒˈawam pʃˈɛs ˈɔknɔ. bˌɨwɔ tɕˈɛmnɔ, a mɡwˈa, ktˌura viɕˈawa pʃˈɛs tsˈawɨ dʑˈɛɲ, zɡɛ̃stɲʲˈawa i ɔpˈadwa.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_173.wav|mˈuɡwbɨm tɔ zrˈɔbʲitɕ?|1
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_206.wav|pɔ jɛj pɔlˈitʃku spwɨnˈɛwa wzˈa.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_144.wav|vˈɛʃwam dɔ ɕrˈɔtka pʲˈɛrʃa i pˌɔturlˈawam ɕɛ dɔ kˈɔnta.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_79.wav|ˈɛlis ɕˈada, pɔdnˈɔɕi ˈɔtʃɨ na ɲʲˈɛɡɔ, ɔdɡˈarɲʲa ɕfʲˈɛʒɔ rˌɔzjaɕɲʲˈɔnɛ vwˈɔsɨ s tʃˈɔwa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_6.wav|rˈɔzlɛkw ɕɛ ʃˈɛlɛst jˈɛdnɛj s fɔljˈɔvɨx pwˈaxt i pʃɛpˈɛwzwa dɔː innˈɛɡɔ pɔkˈɔju.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_5.wav|— tɔ mˈiwɛ s tfˈɔjɛj strˈɔnɨ, zˈɔɛ, ˌalɛ xtsˈɛ pˈɔbɨtɕ sˈama.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_158.wav|vɨmˈɔvnɨm ɡˈɛstɛm pˌɔkazˈawam mu ˌuxɨlˈɔnɛ dʒvˈi, a ɔn kˈivnɔw ɡwˈɔvɔ̃ i fʃˈɛd dɔ ɕrˈɔtka.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_40.wav|vzrˈuʃɨw rˌamjɔnˈami.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_391.wav|kʲˈɛdɨ pˈan tˈu pʃˈɨjdʑɛ nastˈɛmpnɨ rˈas, ɲʲɛ bˌɛɲdʑɛ jˈuʃ tˌɛɡɔ dʒˈɛva.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_77.wav|ɲʲˈɛmɲʲɛj tɕˈɛʃɛ ɕɛ, ʒˈɛ ˌɔɕɔŋɡnˈɛliɕmˌɨ zɡˈɔdɛ f tˈaɡ vʲˈɛlu sprˈavax.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_243.wav|xtsˈɛʃ ɕɛ tˈu zatʃˈɨmatɕ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (57)_segment_30.wav|ɲʲˈɛxtsɛ tɕˈɛ strˈaʃɨtɕ, ˌalɛ xˈɨba rˌɔspɔznˈawɛm tɛn samˈɔxut.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_123.wav|tʃɨ tɔ ɲʲɛ ɡwˈupʲɛ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_203.wav|mˈɔʒɛ w ɔɡˈulɛ ɲʲɛ zdɔ̃ʒˈɨwa vˈɛjʑdʑ dɔ dˈɔmu?|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_154.wav|mˈɨɕl ˈɔmɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_260.wav|ˌɔpsɛrvɔvˈawam ɡˈɔ pʃˈɛs xfˈilɛ, ʒˈɛbɨ ɕɛ upˈɛvɲitɕ, tʃɨ xɔlˈɛrna maʃˈ��na ɲʲɛ zamjˈɛʒa vwˈaɕɲʲɛ rˈuʃɨtɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_97.wav|turˈɨɕtɕi kɔlˈɛjnɔ pʃˌɨkwadˈali dɔ ɲʲˈɛɡɔ sfˈɔjɛ ɡʲˈizmɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_19.wav|mˈuv dˈalɛj, lˈintsaj. xtsˈɛ vɨswˈuxatɕ tfˈɔjɛj tɛˈɔrji.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_96.wav|ɲʲˈɛvʲɛm, ˌalɛ mˈɔʒɛ vˈartɔ bˈɨ tɔ sprˈavdʑitɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_79.wav|pʃˈɛs kˈilka sˈɛkunt lɛʒˈawam ˌɔbɔɡ dˈɨʃɔnts tɕˈɛ̃ʃkɔ, a pˈɔtɛm fstˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_22.wav|a jˈɛɕli kˈirstɛn fkuʒˈɨwa ɕɛ na mˈɨɕl, ʒˈɛ ɡˌɛnɛvʲˈɛvɛ ɡˈɔɲi za jɛj mˈɛ̃ʒɛm?|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_31.wav|sprˈaviw sˈɔbjɛ tˌɨlkɔ kɔʃˈulkɛ z napˈisɛm, ʒˈuwtki ɲʲɛ surfˈujɔ̃ i nˈɔɕiw jˈɔ̃, ˈaʒ zɔstˈawɨ z ɲʲˈɛj prˈavʲɛ sˈamɛ stʃˈɛmpɨ.|2
+Dataset/wavs/urwisko_ferenc/65_segment_5.wav|bɔrˈɛvitʃ ɲʲɛ zamjˈɛʒaw z ɲʲˈɔ̃ dˌɨskutˈɔvatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_112.wav|pʃɨnˈajmɲʲɛj ɲʲɛ pˌɔtʃɛbɔvˈawam jˈuʃ xamˈaka.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_304.wav|jˈamɛ lˈubʲiw sˈɔbjɛ vˌɨɔbrˈaʒatɕ, ʒˈɛ stˈajɛ ɕɛ tsˈɔras lˈɛpʃɨ, ˌalɛ pˈɔstɛmb bˈɨw pɔvˈɔlnɨ i kɔʃtˈɔvaw ɡˈɔ drˈɔɡɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_8.wav|tˈɔm mˈiltʃaw pʃˈɛs xfˈilɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_75.wav|tɔ jˈuʃ tˈak tʃɨ ˈɔvaɡ bˈɛz znatʃˈɛɲʲa.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_279.wav|stanˈɔvjɔ̃ pˌɔtstavˈɔvɛ ɔɡɲˈivɔ f prɔtsˈɛɕɛ prɔdˈuktsji. fʃˈɨstkʲɛ znajdˈujɔ̃ ɕɛ w jˈɛdnɨm mʲˈɛjstsu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_60.wav|a tʃɨ ɡˌɛnɛvʲˈɛvɛ vˌɨjaɕɲˈiwa, ɔ tsˈɔ jɛj xɔdʑˈiwɔ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_286.wav|i krulˈikuf, ktˌurɨɣ ʒˈɨtɕɛ dˈavnɔ vɨmknˈɛwɔ ɕɛ ˌɔpsɛrvˈatsji zˌɔɔlˈɔɡuf,|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_97.wav|tʃɨ tɔ znatʃˈɨwɔ, ʒˈɛ ˌɔna rˈuvɲʲɛʃ umˈarwa?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_42.wav|zjˈadwa pˈaɲi ɕɲʲadˈaɲʲɛ, tˈak?|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_124.wav|zˌawɔmɔtˈawam pʲˈɛɲɕtɕɔ̃ w dʒvˈi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_300.wav|pɔ drˈuɡʲɛj strˈɔɲʲɛ stˈɔwu prˌatsujˈɔntsɨm pˌɔmɨlˈiwɔ ɕɛ tsˈɔɕ tˈaɡʒɛ i jˈɛdɛn z ɲˈix tʃˈɨtaw dukˈajɔnts, ˌuɕiwˈujɔndʑ zˌidɛntˌɨfikˈɔvatɕ tˈɛɡzd z ɔkwˈatkɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_16.wav|tsˈad znalˈazwa jɛj ubrˈaɲʲɛ i kalˈɛa ftɕɔŋɡnˈɛwa jˈɛ pɔt kɔtsˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_46.wav|zjˈɛʒdʒam na pˈarkiŋk, pɔ tʃɨm z ˌɔpuʃtʃˈɔnɔ̃ ɡwˈɔvɔ̃ prɔvˈadʑɛ ɡˈɔ pʃˈɛs ʃklˈanɛ dʒvˈi dɔ ɕrˈɔtka.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_82.wav|ubrˈaɲʲa, pʃɨbˈɔrɨ tˌɔalɛtˈɔvɛ i tˈakʲɛ tˈam.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_99.wav|sˈɔndʑɛ, ʒˈɛ tˈak.|1
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_248.wav|xtsˈɛ ɕɛ tʃˈɛɡɔʑ dɔvʲˈɛdʑɛtɕ ˈɔtɨh smˈɔkax.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_257.wav|s pɔtʃˈɔntku jɛxˈali ɡɛɲɕˈɛɡɔ, ˌalɛ ɲˈiʒɛj ɕtɕˈɛʃka stavˈawa ɕɛ ʃˈɛrʃa i mˈɔʒna bˌɨwɔ jˈɛxatɕ parˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_67.wav|kˈaʒda ɔsˈɔba wˈɛ fˈirmʲɛ mˈɔɡwa vʑˈɔɲdʑ ɡˈɔ dɔ rˈɛŋki. tsˈɔ tɕɛkˈavɛ, na tˌɛlɛfˈɔɲʲɛ ɲʲˈɛma jɛj ɔttɕˈiskuf, jɛdˈɨɲʲɛ ɔttɕˈiski fatsˈɛta, ktˌurɨ zˈabraw ɡˈɔ z jɛj bjˈurka.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_102.wav|fʃˈɨstkɔ na drˈɔdʑɛ praktˈɨtʃɲʲɛ stˈɔi i pɔmˈimɔ dʑˌawajˈɔntsɛj klˌimatɨzˈatsji praʒˈɔntsɛ pʃˈɛs ˈɔknɔ swˈɔɲtsɛ pʃɨprˈavja mɲʲɛ ɔ zavrˈɔtɨ ɡwˈɔvɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_36.wav|ɡʲˈɔrɡjɔ ʒˈɨjɛ, jɛzd w brazˈɨlji, fpatrˈujɛ ɕɛ f tfˈaʒ bʲillʲˈɛɡɔ. ɲʲɛ vʲˈɛʒɨʃ mi?|2
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_45.wav|dˌɔmɨɕlˈiwam ɕɛ, ʒˈɛ kˈaʒdɛj ɕlˈuzɨ bˌɛɲdʑɛ pilnˈɔvaw jˈɛdɛn z ˌɛksplɔratˈɔruf.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_292.wav|vrutɕˈili dɔ sˌamɔxˈɔdu i znˈuf jɛxˈali bʒˈɛɡʲɛm mˈɔʒa, ɲʲˌɛruxɔmˈɛɡɔ, jasnˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_227.wav|vɔjˈɔvɲiɡ znˈɔvu ˈuɲʲuzwbˌɨ sfˈuj bwɨʃtʃˈɔntsɨ mʲˈɛtʃ, bˈɨ ɔtʃˈɨɕtɕitɕ nˈaʃɛ ɡʒˈɛʃnɛ krulˈɛstfɔ s fʃɛlkʲˈɛɡɔ zwˈa.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_250.wav|jˈamɛ tʃˈuw kˈɔɕtɕi pɔt skˈurɔ̃ kuzˈɨna, a tˈaɡʒɛ tsˈɔɕ jˈɛʃtʃɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_201.wav|mˈa f tɨm fprˈavɛ, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/urwisko_ferenc/65_segment_119.wav|vidʑˈawa tɔ pɔ jˈɛɡɔ mˈiɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_12.wav|tsɛrsˈɛi pˌɔmɨɕlˈawa, ʒˈɛ ʒˈɛʑbɨ sɔ̃ prˌɨmitˈɨvnɛ i bʒˈɨtkʲɛ, ˌalɛ mˌajɔ̃ f sˈɔbjɛ pˈɛvnɔ̃ mˈɔts.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_278.wav|sɨrˈɛna ˌɔbvʲɛʃtʃajˈɔntsa kˈɔɲʲɛts pʃˈɛrvɨ pʃɛbʒmʲˈawa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_14.wav|jˈɛɕli zɔstˈanɛ zˌatʃɨmˈana f tsˈɛlu pʃˌɛswuxˈaɲʲa, ˌarɛʃtɔvˈaɲʲa, ˌɔskarʒˈɔna, ˈalfjɛ ɲʲɛ bˌɛɲdʑɛ mʲˈaw ɲikˈɔɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_306.wav|ɡdˈɨ f pɔblˈiʒu ɲʲɛ bˌɨwɔ tˈakix mʲˈɛjsts, sˈɨpʲaw pɔd dʒɛvˈami lˈup pɔd ʒˌɨvɔpwɔtˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_133.wav|nˈɔ pˈatʃtɕɛ! ɔdˈɛzvaw ɕɛ, fskazˈujɔnts nˈamɲʲɛ i na pɔsˈɔŋɡʲi bˈɔɡʲiɲ. spɔtkˈawɨ ɕɛ tʃˈɨ kɕˌɛ̃ʒɨtsˈɔvɛ lˈaski!|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_36.wav|tɔ f kˈɔɲtsu ɲʲɛ jɛj vˈina, ʒˈɛ vɔlˈimɨ s tˈɛssɔ̃ vˈinɔː i krakˈɛrsɨ ɔd zdrˈɔvɛj sawˈatki i ɡˌazɔvˈanɛj vˈɔdɨ mˌinɛrˈalnɛj.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_29.wav|dˈɛʒdʒ bˈɨw ɡˈɔrʃɨ, a najɡˈɔrʃɨ bˈɨw dˈɛʒdʒ zˈɛ ɕɲʲˈɛɡʲɛm.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_78.wav|pˌɔmɨɕlˈawa ɔ sɛptˈɔɲʲɛ mˈarɨ bˈaldʲi, ˌalɛ swˈɔva ɕɛ ɲʲɛ zɡadʑˈawɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_112.wav|fʃˈɨstsɨ bˌɔrɨkˈamɨ ɕɛ z ɲʲˌɛpɛvnˈɔɕtɕɔ̃, bwɛndˈami i brˈakʲɛm dˌɔskɔnawˈɔɕtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_49.wav|ˌalɛ bʲˈillɨ, kturˌɛɡɔ znˈa ɲˈikt, tˈaɡ bˈɨ ɲʲɛ pɔstˈɔmpiw.|2
+Dataset/wavs/urwisko_ferenc/27_segment_132.wav|a nastˈɛmpnɨm rˈazɛm ɲʲˈɛx mi pˈaɲi pʃɨɲʲˈɛɕɛ f kˈɔɲtsu jˈakʲɛɕ kɔŋkrˈɛtɨ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_41.wav|w braˈavɔz bˌɨwɔː inˈatʃɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_46.wav|ɕˈadam pʃɨ tˌɔalˈɛttsɛ i vɨtɕˈɔŋɡam zdjˈɛɲtɕɛ, ktˌurɛ dɔmˈiɲiɡ zɔstˈaviw dla mɲʲɛ f ʃˈɔpʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_96.wav|spɔstʃˈɛɡam zɡrˈabnɨ kɔstjˈumik ftɕˈɛntɨ f pˈaɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_194.wav|bʲˈillɨ sˈɔɲdʑi, ʒˈɛ ɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_44.wav|tɔ zupˈɛwɲʲɛ ˈinnɨ kʲɛrˈunɛk.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_83.wav|— ktˌuʒɨ vʲˈɛʒɔ̃ f pˈaɲskʲɛ tʃˈɛki — pɔvʲˈɛdʑaw vwaɕtɕˈitɕɛl pˈɔmpɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_149.wav|udˈawɔ mi ɕɛ zɲˈiʃtʃɨtɕ tˌɨlkɔ tʃˈɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_47.wav|mˈɔʒɛ rɔzmˈɔva na tˈɛmat pʃˌɛstɛmptʃˈɔɕtɕi zˌɔrɡaɲˌizɔvˈanɛj zdˈɔwa mu pˈɔmuts.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_127.wav|dɔbrˈanɔts. ˈaxa, i vˈɛɕ tɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_203.wav|i vˈidadʑ bˈɨwɔ, jˈak fʃˈɨstkʲɛ vwˈɔsɨ dʒɔnnˈɛɡɔ vˌɨprɔstɔvˈawɨ ɕɛ nˈaɡlɛ.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_391.wav|ɲʲˈɛbɨwbˌɨ pʲˈɛrʃɨm krˈulɛm, ktˌurɨ zɡʲinˈɔwbɨ ɔt mɔjˈɛɡɔ mʲˈɛtʃa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_604.wav|ˌalɛ tˈɛʒ buzˈɔvaw vˈɛmɲʲɛ jˈakiʑ ɡɲʲˈɛf, bˈunt pʃɛtɕˈifkɔ sˈɔbjɛ i pʃɛtɕˈifkɔ kaʒdˈɛmu pʃˌɛxɔdɲʲˈɔvi.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_239.wav|tʃɨ rˈatʃɛj ˌɔdvɔwˈaɲʲa stˌarɔɕfʲˈɛtskix prˈaf mˌaɛɡˈɔra.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_133.wav|dwˈɔɲʲɛ nˈas fʃˈɨstkix ɕɛ spɔtkˈawɨ.|2
+Dataset/wavs/urwisko_ferenc/61_segment_41.wav|tˈɛɡɔ, ʒˈɛ jɛzd dɔkwˈadɲʲ�� tˈak, jˈak sɔɲdʑˈiwaɕ, ˈɔtpar.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_32.wav|mˈɔɡwabˌɨ bˈɨtɕ wˈadna.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_49.wav|jˈɛɡɔ ʃˈarɛ ɕtɕˈanɨ sʃˈɨtɔ s prˌɔstɔkˈɔntnɨx kavˈawuf pwˈutna, ˌupɔdabɲʲˈajɔndʑ ɡˈɔ dɔ kˌamjɛnnˈɛɡɔ mˈuru.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_421.wav|mˈuɡwbɨm tɕˈɛ zˈatwuts i ʒˈutɕitɕ krˈabɔm, tˈak sˈamɔ jˈaɡ zrɔbʲˈiwɛm z ɲʲˈɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_338.wav|ˈɔtkɔnt marˈɨljɔn zˈabʲiw jˈɛɡɔ mˈatkɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_110.wav|ʒˈadɛn prˈɔblɛm. mˈuʃɛ pˌɔzawˈatfʲatɕ kˈilka sprˈaf na vɨpˈadɛk, ɡdɨbˈɨɕmɨ mʲˌɛli tˈam zaɡˈɔɕtɕidʑ dwˈuʒɛj ɲˈiʃ plˌanujˈɛmɨ.|3
+Dataset/wavs/urwisko_ferenc/24_segment_43.wav|— swˈuʃɲʲɛ. ɲʲˈɛx kˈava trˈɔxɛ pʃɛstˈɨɡɲʲɛ, a ja f tɨm tʃˈaɕɛ ɕɛ tˈam rɔzˈɛjʒɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(88) R.Abbott_Zamknij Drzwi_segment_13.wav|ftˈɛdɨ rɔzlˈɛɡa ɕɛ ɡwˈɔs, ktˌurɨ nalˈɛʒaw dɔ mˈɔjɛj ʒɛkˈɔmɛj pʃˌɨjatɕˈuwki. — ɲʲɛ stʃˈɛlatɕ! — vˈɔwa ʃˈɔna. — prˈɔʃɛ, jˌɛstɛm f tɕˈɔ̃ʒɨ!|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_119.wav|ˌalɛ kʲˈɛdɨ pˌɔmɨɕlˈawaɕ, ʒˈɛ ˌuswɨʃˈawaʑ ɡˈɔ w rˈadju?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_203.wav|mˈuj znajˈɔmɨ w lɔndˈɨɲʲɛ mˈa tˌaki sˈam. vˈɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_402.wav|mˈɔʒɛ pˌɔviɲʲˈɛnɛm ɕɛ rɔzˈɛjʒɛdʑ za ˈinnɨm dˌɔrɛntʃɨtɕˈɛlɛm, skˈɔrɔ jˌɛstɛʑ zbˈɨd zajˈɛnta.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_270.wav|xundˈɛbawx pˈatʃɨw nˈaɲih xfˈilɛ vzrˈɔkʲɛm tʃwɔvʲˈɛka pˌatʃɔntsˈɛɡɔ na vˈɔdɛ,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_24.wav|dɔ ɕrˈɔtka mˈɔɡɛ vˈɛjɕtɕ ˈalbɔ pʃˈɛs kˈuxɲʲɛ i zˌarɨzɨkˈɔvatɕ spɔtkˈaɲʲɛ z mˈamɔ̃, ˈalbɔ pʃˈɛz dʒvˈi frɔntˈɔvɛ.|3
+Dataset/wavs/urwisko_ferenc/63_segment_35.wav|vʲˈɛ pˈaɲi, kʲˈɛdɨ dɔkwˈadɲʲɛ zmʲɛɲˈiwa samˈɔxut?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_99.wav|pˈatʃɛ nˈaɲʲɔ̃ pʃˈɛs xfˈilɛ, pɔ tʃɨm pʃɛnˈɔɕi vzrˈɔk nˈamɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_99.wav|stsɔttˈɔvi tɔ ɕɛ ɲʲɛ spˌɔdɔbˈawɔ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_229.wav|jɛdnˈaɡʒɛ ʒˈadnɛ z ɲˈix ɲʲɛ ˌɔdʑɨvˈawɔ ɕɛ dɔ ɲʲˈɛj ˌaɲi swˈɔvɛm.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_321.wav|ˈilɛ lˈudʑi mʲˈaw zˈɛ sˈɔbɔ̃ sˈɛr rɛˈiman? zapˈɨtaw.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_101.wav|tˌɛɡɔ pˌɔviɲʲˈɛnɛɕ ɕɛ bˈatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_15.wav|vˌɨnajˈɔwɛm pˈɛvnɔ̃ kɔbjˈɛtɛ z aɡˈɛntsji dˌɛtɛktˌɨvistˈɨtʃnɛj, ʒˈɛbɨ dɔvʲˈɛdʑɛtɕ ɕɛ ˈɔɲim fʃɨstkʲˈɛɡɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_102.wav|tˈak ɕɛ jˈuʃ ɲˈikt ɲʲɛ ubjˈɛra w dʑiɕˈɛjʃɨx tʃˈasax, tˈak ɕɛ ˌubjɛrˈamɨ mˈɔjɛ paɲʲˈɛŋki, kʲˈɛdɨ bˌɨwɛm mwˈɔdɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_126.wav|spɔjʒˈawam na ɲʲˈɛɡɔ s pˌɔvɔntpʲɛvˈaɲʲɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_61.wav|xˈalɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_154.wav|pɔ tsˈɔ vʲˈɛndʑ vɨxˈɔdʑidʑ z dˈɔmu?|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_174.wav|pʃɨɕˈɛŋɡam vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_25.wav|bˈɛtskɨ zɛrknˈɛwa pˈɔnat jˈɛɡɔ ramjˈɛɲʲɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_71.wav|tfˈaʃ nˌastɔlˈatki rɔzjˈaɕɲiw prɔmjˈɛnnɨ ˈuɕmʲɛx. dʑɛŋkˈujɛ, pˈaɲi ˌadmiɲistrˈatɔr.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_142.wav|na pˈɛarsɔn strˈit nˈavɛd w ɡɔdʑˈinax ʃtʃˈɨtu ɲʲˈɛma vʲɛlkʲˈɛɡɔ rˈuxu. dʑˈiʑ w dʑˈɛɲ ɕfʲɔntˈɛtʃnɨ sˌamɔxˈɔduf jɛst jˈɛʃtʃɛ mɲʲˈɛj.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_92.wav|ˌukwadajˈɔntsɛj dʑˈɛtskɔ dɔ snˈu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_35.wav|na kˈɔɲʲɛts stfʲɛrdʑˈiwam, ʒˈɛ pˌɔvinɲˈiɕmɨ zɔstˈavitɕ tɛn tˈɛmat na kˈilka tɨɡˈɔdɲi i ɲʲɛ pˌɔdɛjmˈɔvatɕ pɔxˈɔpnɨɣ dɛtsˈɨzji. vʲɛdʑˈawam jˈɛdnak, ʒˈɛ xtsˈɛ urˈɔdʑitɕ tɔ dʑˈɛtskɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_49.wav|pˈikɲik mˈiɕuf. zˈafʃɛ dʑˈawa?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_6.wav|kɔbjˈɛta imjˈɛɲʲɛm tsˌarɔlˈinɛ pʃɨznˈawa, ʒˈɛ bˌɨwɔ jɛj ʒˈal mˈartɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_272.wav|dlatʃˈɛɡɔ tɔ zrɔbʲˈiwɛɕ? zapˈɨtaw mˈikɛ rˈɨan.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_114.wav|mˈɔɡwa bˈɨtɕ trˈudna, pʲɛɲʲˈɔndʑɛ mʲˌawɨ dla ɲʲˈɛj tˈaɡ dˈuʒɛ znatʃˈɛɲʲɛ, ʒˈɛ ɲʲɛ ˌuznavˈawam tˌɛɡɔ za zdrˈɔvɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_13.wav|mˈimɔ tɔ vˈɛ̃zɛw w mˈɔim ʒɔwˈɔntku ɲʲɛ pˈuʃtʃa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_15.wav|f kˈɔɲtsu dʑˈɛtɕi ˈidɔ̃ dɔ wˈuʃka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_16.wav|spɛndʑˈajɔ̃ rˈazɛm vzɡlˈɛndɲʲɛ mˈiwɛ pˈuw ɡɔdʑˈinɨ, ˌalɛ bʲˈillɨ vɨtʃˈuva, ʒˈɛ fˈil ɲʲɛ jɛst ɲˈim zˌaintˌɛrɛsɔvˈana tˈaɡ bˈardʑɔ, jˈak xˈɨba pɔ tɕˈixu nˈatɔ lˈitʃɨw.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_276.wav|ɔtpˈarwam zɛrkˈajɔnts na vɨɕfʲˈɛtladʒ ɡʲˈizmɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_25.wav|pˈɔʃɛd dɔ bˈaru, ktˌurɨ bˈɨw tˈuʒ za rˈɔɡʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_251.wav|dlatˈɛɡɔ pˌɔstanɔvˈiwa ˈɔtrutɕ mɲʲɛ sˈama.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_13.wav|ɲʲɛ pʃɨxˈɔdʑɛ jˈuʃ tˈutaj, dlatˈɛɡɔ ʒˈɛ mˈuʃɛ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_179.wav|jˈɛɕli pˈija, znˈa ɕɛ na ʒˈɛtʃɨ. kʲˈɛdɨ skˈɔɲtʃɨʃ, sˈam pɔtʃˈujɛʃ ɕɛ jˈak lˈɔrt.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_33.wav|rˌɔzmavʲˈaliɕmˌɨ tsawˈɨmi ɡˌɔdʑinˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_34.wav|ˌallɛnˈɔvi kazˈanɔː ˌupɔzɔrˈɔvadʑ vwamˈaɲʲɛ, ɲˈibɨ ʒˈɛ sprˈaftsɔ̃ bˈɨw jˈɛdɛn s tɕpˈunuf, ktˌurɨx pˈatritsk pˈɔznaw w nˌarkɔtˈɨtʃnɨx mɛlˈinax lˈɔs ˈandʒɛlˌɛs.|2
+Dataset/wavs/urwisko_ferenc/08_segment_4.wav|mɔɡwˈɔbɨ ɲʲˌɛpɔtʃˈɛbɲʲɛ zvrˈutɕitɕ jˈɛɡɔː uvˈaɡɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_67.wav|ɲʲˈɛvʲɛm ɲˈits ɔ tˌɛlɛfˈɔɲʲɛ f ʃuflˈadʑɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_255.wav|nˈadal bˈardʑɔː ɔstrˈɔʒɲʲɛ stˈɔmpa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_50.wav|nˈatɨm pɔlˈɛɡa jˈɛɡɔ prˈatsa, vˌɨkʃɨkˈujɛ xˈɔff radˈɔɕɲʲɛ. prˈavda, ˈirv?|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_41.wav|ɲʲɛ xtɕˈawɛm tɕˈɛ dˌɔprɔvˈadʑidʑ dɔ pwˈatʃu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_30.wav|kʲˈɛdɨʑ davˈawa dˈupɨ kɔlˈɛjnɨm dˌɨktatˈɔrɔm. ʒɔɲdʑˈiwa tsˈawɔ̃ pˈɔlskɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_175.wav|tˈak, tˈu ʒˌɛtʃɨvˈiɕtɕɛ jɛst tɕˈɛpwɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_132.wav|nattɕˈɔŋɡnɔ̃ rˌadjɔvˈɔzɨ na sɨɡnˈalɛ. jˈɛdɛn vjˈɛdʑɛ pʃˈɛdɲim na xˈɔdɲik i jˈɛʃtʃɛ zˈaɲim vˌɨxamˈujɛ dʒvˈi ɔtfˈɔʒɔ̃ ɕɛ na ˈɔɕtɕɛʃ i vɨskˈɔtʃɔ̃ ɡlˈinɨ z vˌɨtɕɔŋɡɲʲɛntˈɨmi spluvˈami.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_114.wav|bˈɨw vɨsˈɔkim, pɔvˈaʒnɨm mɛ̃ʃtʃˈɨznɔ̃ ɔ pɔtɕˈɔŋɡwɛj tfˈaʒɨ. dlatʃˈɛɡɔː ˈɛwrɔn mʲˈawbɨ dˈatɕ mu vˈɨspɛ?|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_282.wav|ɔznˈawɛm mi usmˈaɡwɛj kɔbjˈɛtɕɛ. xˈɔtɕaʃ tɔ vʲˈɛlki ɡʒˈɛx pɔzbˈavidʑ ʒˈɨtɕa krˈula, a jˈɛʃtʃɛ vʲˈɛŋkʃɨ zˌamɔrdˈɔvadʑ brˈata.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_193.wav|lˈɛtʃ ˈɛstɛr ɲʲɛ pˌɔruʃˈɨwa ɕɛ nˈavɛt. tɕˈɛpwa vˈɔda ˌɔblɛpˈiwa jˈɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_222.wav|ɔt tˌɛɡɔ jˈuʃ tˌɨlkɔ ɲʲɛvʲˈɛlki krˈɔɡ dɔ pˌɔrɨvˈaɲʲa tsˈurɛk.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_72.wav|ˈarjan spˌɔɡlɔndˈawa na fʃˈɨstkʲɛ mijˈanɛ dʒvˈi, zˌastanavʲˈajɔnts ɕɛ, tʃɨ ɡdʑˈɛɕ tˈu ɲʲɛ jɛst ˌuvʲɛ̃ʑˈɔna ktˈuraʑ zˈɛ ʒmijˈɔvɨɣ bɛŋkˈartɕits.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_113.wav|zˌapɨtˈawa krulˈɔva s tsˈawɔ̃ ɲʲˌɛvinnˈɔɕtɕɔ̃. f tˈakim rˈaʑɛ tfˈɔi dʑˈɛlɲi brˈatɕa mˈuʃɔ̃ ix ʃˈɨpkɔ pʃɛpˈɛɲdʑitɕ s tɨx skˈaw.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_220.wav|vɔlˈawabˌɨm, ʒˈɛbɨ lˈudʑɛ w ɔɡˈulɛ mɲʲɛ ɲʲɛ zˌauvaʒˈali.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_3.wav|nˈɔvɨ lˈɔrt rivˈɛran rɔzɡɲʲˈɛvaw ɕɛ tˈaɡ bˈardʑɔ, ʒˈɛ ˈaʃ ɕɛ tʃˈɔ̃s. ˌɔʃukˈanɔ nˈas!|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_156.wav|kʲˈɛdɨ bˌɨwɛɕ w jˈɛɡɔ vʲˈɛku i kʲˈɛdɨ jˈɛʃtʃɛ bˌɨwɛɕ tʃwɔvʲˈɛkʲɛm?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_87.wav|ˌɔna jɛzd bɛzvzɡlˈɛndna i mˈɨɕlɛ, ʒˈɛ pɔsˈuɲʲɛ ɕɛ dɔː ˌɔstatɛtʃnˈɔɕtɕi, bˈɨlɛ uɲˈiknɔɲtɕ kˈarɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_47.wav|ˈanɛks kuxˈɛnnɨ bˈɨw vˌɨpɔsaʒˈɔnɨ f pˈalɲik s prˌavdʑivˈɛɡɔ zdaʒˈɛɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_128.wav|ˌalɛ tˈɛraz zˌawɔʒˈɨwam rˈuvɲʲɛʒ ɡˈɔɡlɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_59.wav|kʲˈɛdɨ pʃɨjˈɛʒdʒam dɔ ʃkˈɔwɨ, ɲʲɛ zˌauvˈaʒam ʒˈadnɨx ɲʲˌɛznajˈɔmɨx sˌamɔxˈɔduf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_63.wav|vʲˈɛm, ʒˈɛ ɲʲɛ pɔvˈinnam na ɲʲˈɛɡɔ pˈatʃɛtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_30.wav|tsˈɔ za pˈɔdwɔɕtɕ!|4
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_36.wav|na sˈamɔ̃ mˈɨɕl rˈɔbʲi mi ɕɛ ɲʲɛdˈɔbʒɛ. tʃˈujɛ nˈaɡwɛ praɡɲʲˈɛɲʲɛ zrɔbjˈɛɲʲa tʃˈɛɡɔɕ, pɔdjˈɛɲtɕa jakʲˈɛɡɔʑ dʑawˈaɲʲa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_33.wav|ɕtɕˈanɨ zatʃˈɛwɨ virˈɔvatɕ, jˈaɡbɨ pɔvrˈutɕiw fstʃˈɔ̃s. uxfˈɨtɕiw ɕɛ vʲˈɛnts s krˈaju ˌumɨvˈalki, ʒˈɛbɨ ɕɛ ˌuspɔkˈɔitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_56.wav|vˌɨruʃˈɨmɨ na fsxˈud z mʲˈɛjstsa, ɡdʑˈɛ tˈɛras jɛstˈɛɕmɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_101.wav|rɔzˈumjɛm, xˈɔtɕ kuʃˈɔntsɛ jɛzd dˈaɲʲɛ zabˈujtsɨ kɔlˈɛjnɛj ʃˈansɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_41.wav|ʒartˈujɛ, dʑɛtɕˈinɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_52.wav|vɨtɕˈɔŋɡam s tɔrˈɛpki kɔmˈurkɛ, pʃɛwˈɔntʃam na ɡwˈɔɕɲik i ˌuruxˈamjam ɕˈilɲik.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_55.wav|kʲˈɛdɨɕ stwˈukwɛm tfɔjˈɛɡɔ brˈata na kfˈaɕnɛ jˈapkɔ w vˈaltsɛ zbjɔrˈɔvɛj.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_306.wav|znˈam sfˈɔjɛ mʲˈɛjstsɛ.|1
+Dataset/wavs/urwisko_ferenc/42_segment_58.wav|klˈimat kˈaput.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_296.wav|bˈɔ jˈɛɕli ja stˈɔnd vˈɨjdɛ, tɔ zabʲˈijɛ tʃwɔvʲˈɛka.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_178.wav|ɲʲɛ lˈɛpʲɛj pɔvʲˈɛdʑɛtɕ, ʒˈɛ tɔ zrɔbʲˈiliɕmˌɨ?|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_307.wav|mˈuʃɛ ɔtʃˈukadʑ dʑɛftʃˈɨnɛ pʲˈɛrʃa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_329.wav|ˌalɛ dʑˈivjɛ ɕɛ, ʒˈɛ ɲˈits ɲʲɛ swˈɨʃɛ. i ˈɔtɔ jˌɛstɛm na ɲʲɛznˈanɛj trˈaɕɛ ʃɨpkʲˈɛɡɔ rˈuxu.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_76.wav|zbadˈanɔ rˈuvɲʲɛʃ lˈadɨ mˈɛɡɛ i lˈadɨ ɛlˈinɔr. ˌɔkazˈawɔ ɕɛ, ʒˈɛ ˈɔbjɛ tˈɛʃ ɲʲɛ sɔ̃ jˈuʒ dʑˌɛvitsˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_55.wav|ɲʲɛ f kʲɛrˈuŋku tˈɨlnɨɣ dʒvˈi i vɔlnˈɔɕtɕi, ˌalɛ f kʲɛrˈuŋku arˈama.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_85.wav|a ɡdʑˈɛʒbɨ ˈiɲdʑɛj pɔvʲˈɛdʑaw i rɔzˈɛɕmʲaw ɕɛ?|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_43.wav|tʃɨ f tˈakim rˈaʑɛ xtsˈɛʒ vrˈutɕidʑ dɔ ɲʲɛvˈɔli?|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_32.wav|pʃˈɛs tsˈawɨ dʑˈɛɲ ˌɔdʑɨskivˈawam na krˈutkɔ ɕfʲadˈɔmɔɕtɕ i znˈuv zˌapadˈawam f sˈɛn.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_73.wav|pˈɔtɛm zadˈajɛ sˈɔbjɛ pɨtˈaɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_38.wav|pʃɛstˈajɛ pˈadatɕ, mˈuvi. jˈuʃ prˈavʲɛ vˈɨʃwɔ swˈɔɲtsɛ. mˈɨɕlɛ, ʒˈɛ vʲɛtʃˈɔrɛm mɔʒˈɛmɨ zrˈɔbʲitɕ sˈɔbjɛ ɡrˈilla. pˌamjɛntˈawɛɕ ɔ sawˈattsɛ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_18.wav|pɔtxˈɔdʑɛ dɔ dʒvˈi, zamˈɨkam jˈɛ i ɔpʲˈɛram ɕɛ ˈɔɲʲɛ plɛtsˈami.|3
+Dataset/wavs/urwisko_ferenc/23_segment_93.wav|dlatʃˈɛɡɔ? drɔ̃ʒˈɨwa xˈɛrman, a ɕikˈɔrski nˈajpʲɛrv vzrˈuʃɨw rˌamjɔnˈami, a pɔ xfˈili pˈɔtar brˈɔdɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_205.wav|vˈɨʃwa z uɕmʲˈɛxɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_174.wav|mɨɕlˈawɛm, ʒˈɛ tɔ rɔzˈumjɛʃ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_58.wav|i jˈak pˌɔvʲɛdʑˈawaɕ, pʃɨjˈɛliɕtɕˌɛ pɔd dˈax, bˈɔ jɛstˌɛɕtɕɛ vwˌaɕtɕitɕɛlˈami, dˌɔbrɔtʃɨɲtsˈami.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_457.wav|pˈɛtɛr zapˈɛvɲʲa, ʒˈɛ ɔn jɛst lɔjˈalnɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_146.wav|jˈɛɕli xˈɔdʑi ɔ jˈɛɡɔ pˈitɕɛ, ˈitɕ, pˈaɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_183.wav|ɔ tˈɨlɛ kɔʒˈɨstɲʲɛj dla mɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_309.wav|tˌɨlkɔ vʲˈɛʒɛ nˌamjɛstɲˈika.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_71.wav|pɔnˈɔvɲʲɛ ˌudɛʒˈɨwa w bjˈurkɔː i mruknˈɛwa pɔt nˈɔsɛm jˈakʲɛɕ pʃɛklˈɛɲstfɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_53.wav|nˌakazˈanɔ mi stˈanɔɲtɕ na ɕrˈɔtku pɔkˈɔju, a ˈaram pɔprˈɔɕiw mɲʲɛ waɡˈɔdnɨm ɡwˈɔsɛm, ʒˈɛbɨm pˌɔvʲɛdʑˈawa ɡrˈupʲɛ, dlatʃˈɛɡɔ zɔstˈawam tˈutaj vɛzvˈana.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (47)_segment_25.wav|ˌɛlimˌinujˈɔntsɨm krˌɨminalˈistuf w mˌanxɛstˈɛʒɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_96.wav|ˈuɕad napʃˈɛtɕif mɲʲɛ i ˈɔpar ɕɛ ɔ blˈat.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (5)_segment_51.wav|uspˈɔkuj ɕɛ, ˈannɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_144.wav|dˌɛmɔkrˈatsja ˌamɛrɨkˈaɲska tˈak na ɲʲˈɛɡɔ pˌɔdʑawˈawa. nˈɔ, ˌalɛ mɲʲˈɛjʃa s tˈɨm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_66.wav|tʃˈɛba pˈɔdɲʲɛɕtɕ swuxˈafkɛ. ɲʲɛ vˈartɔ prˌɔlɔŋɡˈɔvatɕ tˈɛɡɔ, tsˈɔ mɲʲɛ tʃˈɛka.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_76.wav|uɕmʲˈɛxam ɕɛ dɔ kɔbjˈɛtɨ i ʃˈɛptʃɛ dɔ ɲʲˈɛj, jˈuʃ ɕɛ ɲʲɛ mˈɔʒɛ dɔtʃˈɛkatɕ, ʒˈɛbɨ ɕɛ dɔvʲˈɛdʑɛtɕ, ˌalɛ tɔ ɲʲˌɛspɔdʑˈaŋka.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_31.wav|pˈɔttʃas pʲˈɛrʃɨx tɨɡˈɔdɲi drɛntʃˈɨwɨ mɲʲɛ mˈɨɕli zvʲɔ̃zˈanɛ zˈɛ stsˈɔttɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_40.wav|nˈaɡlɛ ɕɛ rɔzlˈɛɡwɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_163.wav|bʲˈili mˈɛɕli.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_462.wav|pɔtʃˈɨmaj mɲʲɛ za rˈɛŋkɛ i pˈɔmuʃ mi pʃˈɛjɕtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_40.wav|dla ɕlˈɛtstfa jɛst fˈakt.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_213.wav|zˌatʃɨmˈujɛ ɕɛ z dwˈɔɲʲɔ̃ na klˈamtsɛ fjuʒˈɨna i pˈatʃɨ na ˈɛlis. ta dʑɛftʃˈɨna ɲʲɛ pʃɛstˈajɛ ɡˈɔ zˌaskakˈivatɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_96.wav|jˈinxu s xɔŋkkˈɔŋɡu, vɨjˈaɕɲiw ɡlˈiɲʲaʃ. ɲʲɛ znalˈazwam ʒˈadnɨx ˌinfɔrmˈatsji na tˈɛmat jˈɛɡɔ zˌatrudɲʲˈɛɲʲa, a ɔn ɲʲˈɛbɨw skwˈɔnnɨ udʑˈɛlitɕ mi ˌinfɔrmˈatsji na tɛn tˈɛmat.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_138.wav|skˈɔnd vˌɨtʃasnˈɛwam tɛn zbjˈɔrɲik skˌɔndɛnsɔvˈanɛj ɕmʲˈɛrtɕi?|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_151.wav|ɡdˈɨ jˈuʒ drɔmˈɔnɨ znˈajdɔ̃ ɕɛ na tʃˈarnɨm nˈurtɕɛ, bˌɛndɔ̃ mˈɔɡwɨ pʃɛʃkˈɔdʑitɕ mˌatsɛˈɔvi tˌɨrɛllˈɔvi f pʃɛprˈavʲɛ pʃˈɛz ʒˈɛkɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_131.wav|jɛzd za blˈiskɔ. mˈuʃɛ ɕɛ stˈɔnd vɨdˈɔstatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_92.wav|kˈɛn lɔndˈujɛ w mˈawɨm, dˈuʃnɨm pɔkˈɔju pʃɛswˈuxaɲ. ɡɔtˈɔvɨ, ɲʲɛ, skˈɔrɨ dˈɔbʲitɕ tˈarɡu, bˈɔː uvˈaʒa, ʒˈɛ f tɨm jɛst najlˈɛpʃɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_11.wav|kʲˈɛdɨ fxˈɔdʑɛ na bˈalkɔn i spɔɡlˈɔndam na sˈalɛ w dˈɔlɛ, natˈɨxmʲast tʃˈujɛ dˈɔpwɨf ɕfʲˈɛʒɛj ɛnˈɛrɡji.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_59.wav|ʒˈutɕiw. a tɔ tɕˌɛkavˈɔstka. mʲɛʃkˈaɲʲɛ, dɔ kturˌɛɡɔ jɛst pʃˌɨpisˈanɨ samˈɔxut nalˈɛʒɨ dɔ sˈaski pˈɛtɛrsɔn.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_149.wav|f kˈɔɲtsu pʃˈɛs pˈuw ɡɔdʑˈinɨ ˌɔddɨxˈali ˌiksˌiˈiɡzvʲˈɛtʃnɨm ɡˈazɛm ˌusɨpʲajˈɔntsɨm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_41.wav|advˈɔkat stˈara ɕɛ ɡˈɔː ɔbrˈɔɲitɕ pʃɛt ˌɛkstradˈɨtsjɔ̃.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_57.wav|— tɔ jˈak tɔ ɕɛ stˈawɔ, ʒˈɛ jˌɛstɛm w lˈɔs ˈandʒɛlˌɛs? — pɔvʲˈɛdʑaw stˈarɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_11.wav|vidʑˈawam jˈɛ na zdjˈɛɲtɕax, ˌalɛ tɔ ɲʲɛ tɔ sˈamɔ. tɔ znˈatʃɨ, tˈak nˈaɡlɛ ɕɛ pˌɔjavˈiwɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_388.wav|ktˌurɛ ˌɔpsɨpɨvˈawɨ ftʃˈɛsnɔ̃ vʲˈɔsnɔ̃ fʃˈɨstkʲɛ paɡˈurki,|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_48.wav|ˌɔparˈujɛ ɔ ɕtɕˈanɛ sxrˈɔnu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_118.wav|ɲʲˈɛvʲɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_116.wav|zakrˈadwam ɕɛ na drˈuɡʲi kˈɔɲʲɛdʑ vˈannɨ, ˌalɛ ɲʲɛ mˈɔɡwam zrˈɔbʲitɕ ˌaɲi krˈɔku dˈalɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_23.wav|dlatʃˈɛɡɔ f tˈakim rˈaʑɛ zvlɛkˈawɛɕ tˈaɡ dwˈuɡɔ pɔ pɔvrˈɔtɕɛ dɔ dˈɔmu zˈɛ spravdʑˈɛɲʲɛm, ɡdʑˈɛ ˌɔna jˈɛst?|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_55.wav|kɔlˈɛjnɨ pʃˈɨkwat tɔ kfʲˈatɨ dla ˌalɡɛrnˈɔna, daɲʲˈɛla kˈisa.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_318.wav|tˈɨvin tfʲˈɛrdʑiw, ʒˈɛ jɛdˈɨnɛ f tʃɨm mˌɛrivˈɛtxɛr bˈɨw dˈɔbrɨ, tɔ tɔ, ʒˈɛ ɲʲˈɛma w ɲˈim ʒˈadnɨɣ zˌaufˈaɲʲa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_52.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_41.wav|ɔbrˈuʃɨw ɕɛ sˈam.|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_94.wav|ɲʲɛstˈɛtɨ zabrˈakwɔ mi tʃˈasu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_63.wav|pʃɛkrˈɛntsa klˈutʃɨk, rɔzrˈuʃɲik xˈartʃɨ i xˈartʃɨ, bʲˈillɨ vɨwˈɔntʃa ɡˈɔ, ˌɔttʃɛkˈujɛ xfˈilɛ, ftɕˈiska pˈɛdaw ɡˈazu i prubˈujɛ znˈɔvu.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_50.wav|sˈɛr ˈɔsnɛj kɛttlˈɛblatsk pʃˈɨznaw ɕɛ dɔ tɕˌɛlɛsnˈɛɡɔː ˌɔptsɔvˈaɲʲa s krulˈɔvɔ̃ samˈɛmu vʲɛlkʲˈɛmu sˌɛptɔnˈɔvi pʃɛt ɔwtˈaʒɛm ˈɔjtsa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_66.wav|pˌɔtʃɛbujˈɛmɨ jɛj dˈanɨx. mˈɔʒɛ nˈam pˈan pʃˈɛswatɕ jɛj ˈimjɛ, nazvˈiskɔː i nˈumɛr tˌɛlɛfˈɔnu? jˈɛʃtʃɛ jˈɛdnɔ, pˈaɲʲɛ strˈakan.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_371.wav|ˌuɕmʲɛxnˈɛwa ɕɛ i zakrˈɨwa ʒɛ̃sˈami ˈɔtʃɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_367.wav|— xtsˈɛʃ, ʒˈɛbɨm fstˈɔmpiw dɔ tɕˈɛbjɛ? — ʃɛpnˈɔwɛm w jɛj ˈuxɔ pʃɨkrˈɨtɛ ʃalˈikʲɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_55.wav|tɔ mˈiwɛ, ʃtʃɛɡˈulɲʲɛ, ʒˈɛ pʃˌɨjɛxˈawɛm spɛtsjˈalɲʲɛ pˈɔtɔ, bˈɨ ɕɛ s tˈɔbɔ̃ zɔbˈatʃɨtɕ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_190.wav|marɡˈarɨ nˈadal prɔvˈadʑi ɡˈɔ tsˈɔ dʑˈɛɲ dɔ sˈɛptu, ʒˈɛbɨ bwˈaɡadʑ bˈɔɡuf, bˈɨ jɛj brˈat ɔdʑˈɨskaw zdrˈɔvʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_242.wav|dʑˈɛdʑits mɔjˈɛɡɔː ˈɔjtsa zatʃˈɛwa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_36.wav|ˈaram tʃˈɨma alfjˈɛɡɔ za rˈɛŋkɛ, jˈak tʃˈɨmaw kʲˈɛdɨɕ mɲʲɛ, a ja ɕɛ mˈɔdlɛ, ʒˈɛbɨ tɔ bˌɨwa ta mˈilʃa vˈɛrsja arˈama.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_58.wav|pˈan mˈa pʃˌɨɡɔtɔvˈaɲʲɛ tˌɛɔrɛtˈɨtʃnɛ? zapˈɨtaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_82.wav|xˈɔtɕ ˌupwɨnˈɛwɔ pˈɔnad dvanˈaɕtɕɛ lˈat ɔt mɔmˈɛntu, kʲˈɛdɨ ɡˈɔ vidʑˈawam ɔstˈatɲi rˈas, dˌɔskɔnˈalɛ vʲɛdʑˈawam, kˈim jˈɛst.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_28.wav|kɔɲtsˈɔvɨ rɛzˈultad bˌɛɲdʑɛ tˌaki sˈam.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_412.wav|fʃˈɨstsɨ xadʑˈajɔ̃ tˈɛras pɔd bɛlvˈɛdɛr, ʒˈɛkwɛm, ʒˈɛbɨ tsˈɔɕ pɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_80.wav|pˈɔdɲʲuz z ʑˈɛmi lˈalkɛ i tʃɨmˈajɔnts jˈɔ̃ w rˈɛŋku ˈuɕad na kʃˈɛɕlɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_31.wav|pɔvwˈɔka zɛvnˈɛntʃna, vzmɔtsɲʲˈɛɲʲɛ i ˌuʃtʃɛlɲʲˈɛɲʲɛ sɔ̃ tɨpˈɔvɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_37.wav|pʃˈɨkrɔ mi jˈɔɛ, ˌalɛ ɲˈits ɕɛ ɲʲɛ vˌɨdaʒˈɨwɔ.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_372.wav|prˈɔʃɛ bˈardʑɔ, pˈaɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_319.wav|pˌɔzbavʲˈɔna ˈust pˈan na ˌɔtarɡˈanɨɣ vʲˈatrɛm vwˈɔsax, vˌɨtɕɔŋɡajˈɔntsa pʃɛt ɕˈɛbjɛ jˈɛdnɔ̃ rˈɛŋkɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_272.wav|stˈaw tˈam pʃˈɛs xfˈilɛ pˈatʃɔnts prˈɔstɔ f tfˈaʃ rɨˈana.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_36.wav|ɡdˈɨ tˌɨlkɔː ˈɔtpat tʃfˈartɨ prˈɛnt, kˈɔmbajn zɲʲˌɛruxˈɔmjaw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_7.wav|tɔ paskˈudnɨ pʃɨpˈadɛk. dˈɔʑdʑ dˈɔbʒɛ zˌaplanɔvˈanɨ, nɔʃˈɔntsɨ znamjˈɔna ˌɛɡzɛkˈutsji.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_103.wav|f kˈɔɲtsu tˈata ˌɔdʑɨskˈujɛ pˌanɔvˈaɲʲɛ nat sˈɔbɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_79.wav|ˌalɛ tsˈɔ xtsˈɛ pɔvʲˈɛdʑɛtɕ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_30.wav|kˈurtka mʲˈawa nˈavɛt uxfˈɨtɨ na nabˈɔjɛ, a vˌɨpwɔvʲˈawɛ ʑɛlˈɔnɛ spˈɔdɲʲɛ ˌɔpatʃˈɔnɛ bˌɨwɨ vʲˈɛlkɔ̃ ilˈɔɕtɕɔ̃ kʲɛʃˈɛɲi.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_324.wav|i tɔ ɲʲɛ bˈɛs pɔvˈɔdu.|1
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_17.wav|jɛʒˈɛli tɕi ɕɛ spɔdˈɔba, zvɛrbˈujɛ ɡˈɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_153.wav|bʲˈillɨ pɔdnˈɔɕi lɔrnˈɛtkɛ dɔː ˈɔtʃu. kɔbjˈɛtɨ pɔtxˈɔdʑɔ̃ dɔ dʒvˈi i ftɕiskˈajɔ̃ klavˈiʃɛ na klˌavʲatˈuʒɛ, ˌalɛ ɲʲɛ vˈidatɕ, ktˈurɛ, bˈɔ jˈɛdna z ɲˈiɣ zaswˈaɲʲa vˈidɔk.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_51.wav|pˈɔtɛm sprˈavdʑiw ˈɔlɛj i pɔvʲˈɛdʑaw,|0
+Dataset/wavs/urwisko_ferenc/31_segment_43.wav|na tˈɨŋku zɔstˈawɨ drˈɔbnɛ ɕlˈadɨ krfˈi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_111.wav|w ʒˌɛtʃɨvistˈɔɕtɕi pˈɛvɲʲɛ jɛst ix pʲˈɛɲtɕu, mˈɔʒɛ tʃtˈɛrɛx.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_340.wav|zapˈɨtaw ˌɔʃɔwɔmjˈɔnɨ sˈam. dɔ pˈɔrtu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_265.wav|ˈandɛrsɔn rɔzdˈɛɕmʲaw ɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_38.wav|ˌɔtʃɨvˈiɕtɕɛ wˈaziɡ bˈɔba mˈuɡw bˈɨtɕ stˌɛrɔvˈanɨ zdˈalɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_102.wav|tˈɛras fʃˈɨstsɨ pilnˈujɔ̃ kɔmbˈajnu, vʲˈɛndʑ bˌɛndɛ muɕˈawa zˌaatakˈɔvatɕ sˈamɔ̃ xˈutɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_27.wav|ɲˈiɡdɨ ɲʲɛ ˌɔdvaʒˈɨwam ɕɛ tˌɛɡɔ zˌakfɛstjɔnˈɔvatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_4.wav|tɔ z ix pɔvˈɔdu jˌɛstɛm tˈutaj f tɛj xfˈili.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_65.wav|bʲˈillɨ pʃɨkwˈada jˈɛdnɔ̃ s kˈart mˌaɡnɛtˈɨtʃnɨɣ dɔ tʃɨtɲˈika i fxˈɔdʑi dɔ pˌɔmjɛʃtʃˈɛɲʲa, ktˌurɛ w nɔrmˈalɲʲɛ dʑˌawajˈɔntsɨm bjˈuʒɛ bɨwˈɔbɨ mˈawɨm sˌɛkrɛtarjˈatɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_137.wav|ɲʲɛ ˌɔdʑɨvˈaliɕmˌɨ ɕɛ, tʃɛrpˈaliɕmˌɨ tˌɨlkɔ rˈadɔɕtɕ s tɕˈɛpwa sfˈɔix tɕˈaw, ˈaʃ f kˈɔɲtsu ˌɔtsunˈɛwam ɡˈɔ dˌɛlikˈatɲʲɛ i ˌɔdvrutɕˈiwam ɕɛ s pɔvrˈɔtɛm dɔ kˌɔmputˈɛra.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_23.wav|i bʲˈillɨ ɲʲˈɛma pɔjˈɛɲtɕa, ɡdʑˈɛ sɔ̃ rˌɔzlɔkɔvˈaɲi.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_5.wav|vwˈaɕɲʲɛ dlatˈɛɡɔ vˌɨɛmˌiɡrɔvˈali.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_33.wav|tʃɨ tˈata jˈuʒ vʲˈɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_19.wav|fʃˈɨstsɨ mʲˌɛliɕmˌɨ ˈubaf s farˈida, bˈɔ mˈuviw z aktsˈɛntɛm rˌɔdɔvitˈɛɡɔ mʲɛʃkˈaɲtsa ɡurnˈɛɡɔ puwvˈɨspu miçˈiɡan.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_32.wav|ɲʲˈɛvʲɛm, pˌɔvʲɛdʑˈawa. ɲʲɛ mɨɕlˈawam ɲˈiɡdɨ ˈɔtɨm, kʲˈɛdɨ mɨɕlˈawam ɔ pˈanu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_42.wav|sˈɛr, xˈɨba tsˈɔɕ mˈamɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_61.wav|mˈuɕaw dˈɔstatɕ ɕɛ dɔ dˈɔmu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_72.wav|ˌalɛ jɛst jˈɛʃtʃɛ jˈɛdna tʃˈɛɲɕtɕ mɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/63_segment_190.wav|pilˈɛfska nˈavɛt ɲʲɛ mruɡnˈɛwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_168.wav|f pˌɔruvnˈaɲʲu z dwuɡʲˈimi pʃˌɨɡɔtˌɔvaɲʲˈami sˈama sˈɛsja trfˈa dˈɔɕtɕ krˈutkɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_33.wav|tɔ ɲʲɛ vˈaʃa vˈina, a mɨ ˌɔdʑɨskˈaliɕmˌɨ mˈili. tˌɨlkɔ tɔ ɕɛ tˈɛras lˈitʃɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_90.wav|jˈak tɔ ɕɛ stˈawɔ, ʒˈɛ dˈavit lˈɔtskritʃ pʃɨjˈɛxaw s pɔrtsmˈɔutx tˈutaj? i dlatʃˈɛɡɔ ɕˈɛdʑi w ɡˈɛrart tˈɔvɛr?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_229.wav|a pˈɔtɛm xˈɨba umˈarwɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_93.wav|tʃɨ mˈɔɡɛ zɔbˈatʃɨtɕ pˈaɲi kˈartɛ dɔstˈɛmpu?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_104.wav|mˈɔʒɛ ɔn rˈuvɲʲɛʃ mˈa trˈujkɛ?|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_165.wav|vˌɨʃɛptˈawa f pʃˈɛrvʲɛ mʲˌɛndʑɨ wɨkˈami. ɔ mˈawɔ ɲʲɛ pˌɔvʲɛdʑˈawa ɕˈɔstrɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_35.wav|ftɕˈɔ̃ʒ vˈidʑɛ tfˈaʃ naˈila blˈiskɔ mˈɔjɛj.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_95.wav|dɔ takʲˈɛɡɔː ˌɔkrɛɕlˈɛɲʲa ɕɛ ɲʲɛ pˌɔsunˈɛwa, ˌalɛ pˌɔvʲɛdʑˈawa, ʒˈɛ zdˈaɲʲɛm ɡˌɛnɛvʲˈɛvɛ, ɲˈilɛ ɲʲˈɛmukw sˈɔbjɛ pɔzvˈɔlitɕ, ʒˈɛbɨ jˈɔ̃ fkˈuʒɨtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_104.wav|jˌɛstɛɕ tˌɨlkɔ jˈakimɕ pisˈaʒɛm, kturˌɛmu vˌɨnajˈɔwɛm bjˈurɔ w jˈɛdnɨm z mˈɔiɣ budˈɨŋkuf.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_106.wav|ˌalɛ bˌɨwaɕ tˈaɡ dalˈɛkɔ, a mɨ s tˈatɔ̃ bˈardʑɔ ɕɛ tɕɛʃˈɨliɕmˌɨ, ʒˈɛ ktˈɔɕ ɕɛ tˈɔbɔ̃ ˌɔpʲɛkˈujɛ, mˈimɔ ʒˈɛ vrutɕˈiwaʑ z amˈɛrɨkˌi f kʲˈɛpskim stˈaɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_239.wav|zˌauvˈaʒa, ʒˈɛ jˈɛɡɔ trˈava, bˈɔ nˈadal uvˈaʒa jˈɔ̃ za sfˈɔjɔ̃, vɨɡlˈɔnda rˌɛvɛlatsˈɨjɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_59.wav|bˌɛndɔ̃ tˈam pʃˌɛbɨvˈali, dɔpˈuki kɕˈɔ̃ʒɛ ɲʲɛ zdˌɛtsɨdˈujɛ, tsˈɔ z ɲˈimi zrˈɔbʲitɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_13.wav|lˈɛkaʃ stfʲˈɛrdʑiw, ʒˈɛ xˈɔllɨ pˌɔtʃɛbˈujɛ jɛdnˈɛɡɔ dɲʲˈa ˌɔtpɔtʃˈɨŋku, vʲˈɛnts ktˈɔ ɕɛ ɲʲˈɔ̃ zˈajmʲɛ, kʲˈɛdɨ tɨ zavʲˈɛʑɛʒ bˌailɛjˈɛɡɔ dɔ ʃkˈɔwɨ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_260.wav|jˌɛstɛɕ xɔlˈɛrɲʲɛ ɔdvˈaʒna i uvˈaʒam, ʒˈɛ pˌɔstɛmpˈujɛʃ swˈuʃɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_153.wav|fʃˈɨstsɨ vbjˈɛɡli dɔ vaɡˈɔnu i zamknˈɛli za sˈɔbɔ̃ vwˈas.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_26.wav|znˈuf tʃˈujɛ ˈutɕisk f pʲˈɛrɕi i mˈam ɔxˈɔtɛ zvˈinɔɲtɕ ɕɛ f kwˈɛmbɛk i ˈɔbjɔɲtɕ rɛŋkˈami.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_541.wav|tˈam vwˈaɕɲʲɛ pɔpwˈɨnɔw ɡvˈɛntʲin?|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_286.wav|ɲʲɛ ˌɔtprɔvˈadʑiw tˈɛʃ mɨrtsˈɛlli dɔ pˈɔrtu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_56.wav|andrˈɛa brˈaddɔtsk pˌɔstɛmpˈujɛ nˈapʃut, bˈɨ zˈadatɕ kɔlˈɛjnɛ pɨtˈaɲʲɛ, ˌalɛ pɔswˈuʃɲʲɛ ɕɛ vˌɨtsɔfˈujɛ, kʲˈɛdɨ ʃˈɛrɨf unˈɔɕi dwˈɔɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_173.wav|tˌɨlkɔː ˌamɛrɨkˈaɲʲɛ nˈɔʃɔ̃ xavˈajskʲɛ kɔʃˈulɛ na kɕɛ̃ʒˈɨtsu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_30.wav|ˌalɛ znˌajdɔvˈawɨ ɕɛ na rˈamjɛ. rˈɔvɛr stˈaw ɔpˈartɨ ɔ dʑɛtɕˈɛntsɛ zabˈafki, vʲˈɛnts prˌavdɔpɔdˈɔbɲʲɛ zˈaɲʲɔ̃ xfɨtˈawa, ʒˈɛbɨ ɡˈɔ pʃɛstˈavitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_127.wav|jˈɛm dˈuʒɔ pɔptsˈɔrnu, stfʲˈɛrdʑa bʲˈillɨ. dʑˈɛŋki tˌɛmu ɕɛ ɲʲɛ bˈɔjɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_74.wav|tʃˈɛɕtɕ, jˈɔɛ. ɔbˈavʲam ɕɛ, ʒˈɛ ɲʲˈɛmam ɲˈits nɔvˈɛɡɔ, ˌalɛ zˈɔɛ zˌadʑvɔɲˈiwa i pˌɔvʲɛdʑˈawa, ʒˈɛ vˌɨjɛxˈaliɕtɕˌɛ ɔbˈɔjɛ z ˈaʃɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_5.wav|pˈaɲʲɛ strˈakan, nˌadʲinspˈɛktɔr tˈɔm dɔˈuɡlas. xˈɨba zdˈɔ̃ʒɨw jˈuʃ pˈan pˈɔznatɕ inspˈɛktɔr bˈɛtskɨ rˈɔbʲinsɔn.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_409.wav|tɔ sˈamɔ dˌɔtɨtʃˈɨwɔː ˈɔjtsa tsˌɛntkɔvˈanɛj sˈɨlvɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_151.wav|ɲʲɛ tˌɨlkɔ zˈatɔ, tsˈɔ zrɔbʲˈiwaɕ mɲʲɛ i nˈaʃɛj rɔdʑˈiɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_207.wav|mˈɔɡlibˌɨ zrˈɔbʲitɕ ˈɔnas sˈittsɔm. ˌɛɡzɨstɛntsjˈalna pˈara.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_66.wav|ˈanna frˈaŋklin bˌɨwa ɲˈiskɔ̃ i drˈɔbnɔ̃ kɔbjˈɛtɔ̃. trˈudnɔ bɨwˈɔbɨ sˈɔbjɛ jˈɔ̃ vˌɨɔbrˈazitɕ jˈakɔ mˌɔrdɛrtʃˈɨɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_20.wav|ˈɔtpar mɛ̃ʃtʃˈɨzna.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_24.wav|prˈɔʃɛ ˈɔdɛjɕtɕ, pˌɔvʲɛdʑˈawa dʑɛftʃˈɨna.|0
+Dataset/wavs/urwisko_ferenc/56_segment_31.wav|kʲˈɛdɨ ruʃˈɨli f strˈɔnɛ ulˈitsɨ rˈɛja, ˈɔlɡʲɛrt pˈɔtʃuw ˈutɕizɡ w dˈɔlɛ bʒˈuxa.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_304.wav|zˌauvˈaʒɨw waɡˈɔdnɨm tˈɔnɛm sˈɛptɔn mɛrˈibalt. jˈɛɡɔ sɨnˈɔvʲɛ i dˈɔbʒɨ sɨnˈɔvʲɛ pʃˌɛbɨvˈajɔ̃ dalˈɛkɔː ˈalbɔ ɲʲɛ ʒˈɨjɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_62.wav|zamknˈɛwa ˈɔtʃɨ, vʑˈɛwa kˈilka ɔddˈɛxuf i vˌɨtɕɔŋɡnˈɛwa rˈɛŋkɛ pɔ tɛlˈɛfɔn.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_12.wav|jˈakiɕ tʃwˈɔvʲɛk tʃˌɨmajˈɔntsɨ w rˈɛŋku tʃɛrvˈɔnɔ̃ xˌɔrɔŋɡʲˈɛfkɛ zˈaʃɛd im drˈɔɡɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_125.wav|zmʲˈanɨ sˌɨtuˈatsji, ɲʲɛ ˌuvzɡlɛndɲʲˈɔnɛ tʃɨnɲˈiki, kɔɲʲˈɛtʃnɛ kɔrˈɛktɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_17.wav|pamjˈɛntam tˈɛʃ mˈɔjɛ pʃˌɛraʒˈɛɲʲɛ, kʲˈɛdɨ zjˈaviw ɕɛ f ʃkˈɔlɛ i kʲˈɛdɨ pˈuʑɲʲɛj vɨwˈɔɲiw ɕɛ s tɕˈɛmnɛj alˈɛjki, ʒˈɛbɨ ɔdˈɛbratɕ pʲɛɲʲˈɔndʑɛ.|3
+Dataset/wavs/urwisko_ferenc/03_segment_43.wav|tˈuʃ ˌɔbɔɡ drˈɔɡʲi trfˈawɨ ɔstˈatɲʲɛ prˈatsɛ pʃɨ vˌɨmjɛɲʲˈanɨm tˌɔrɔvˈisku kˌɔlɛjˈɔvɨm wɔntʃˈɔntsɨm dvˈɔʒɛts fsxˈɔdɲi f tɔrˈuɲʲu s xˈɛwmʒɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_32.wav|tˈɛras tʃˈujɛ, jˈaɡbɨ na mˈɔjɛj pʲˈɛrɕi spɔtʃˈɨvaw ɔɡrˈɔmnɨ tɕˈɛ̃ʒar, a ɡˈardwɔ mʲˈawɔ pʃˈɛkruj swˈɔmki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_28.wav|tˈu pɔt nˈuɡ bjɛɡnˈɔntsɨx pɔ sxˈɔdax pʃˌɨvɔwˈujɛ ɡˈɔ sfalˈudʒɨ dɔ ʒˌɛtʃɨvistˈɔɕtɕi. ˈɛlis fpˈada dɔ mʲɛʃkˈaɲʲa z rˌɔzvʲanˈɨmi vwɔsˈami.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_350.wav|pʃˌɛpɔvʲadˈawa pʃˈɨʃwɔɕtɕ pɔ vɨssˈaɲʲu krfˈi s pˈaltsa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_258.wav|ʒˈɛ ɲʲɛ umjˈɛtɕɛ ɕɛ kˈɔxatɕ i tˌɨlkɔ dlatˈɛɡɔ|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_60.wav|ɲʲɛ zastˈaliɕtɕˌɛ jɛj?|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_125.wav|zmʲˈɛɲidʑ vʲˈarɛ|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_362.wav|ˈɔbjɛ bˌɨwɨ vˈuftʃas tˈak mwˈɔdɛ, ʒˈɛ tɛ swˈɔva vˌɨdavˈawɨ ɕɛ im ɲʲˈɛmal mˈɔndrɛ.|1
+Dataset/wavs/urwisko_ferenc/47_segment_57.wav|tɔ pˈilnɛ, rˌɛalizˈujɛ dla mɲʲɛ jˈɛdnɔ̃ sprˈavɛ i jɛst f xɔlˈɛrnɨm ɲʲˌɛbɛspʲɛtʃˈɛɲstfʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_18.wav|pamjˈɛntam, jˈak ˈɔjtɕɛdʑ dˈaw mi jˈɔ̃ pʃɛt lˈatɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_183.wav|tʃɨ kʲˈɛdɨ bwˌɛŋkitnˈava wzˈa stɔtʃˈɨwa ɕɛ ukrˈatkʲɛm pɔ jɛj pɔlˈitʃku?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_7.wav|stsˈɔtt mʲˈaw mnˈustfɔ pɔvˈɔduf, ʒˈɛbɨ ɲʲˌɛnavˈidʑitɕ tsˌamɛrˈɔna i jaɡˈɛra, jˈɛdnak stsˈɔtt, kturˌɛɡɔ znˈawam, bˈɨw dˌɛlikˈatnɨ.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_165.wav|zasxɲʲˈɛntɨ skʃˈɛp krɔxmˈalu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_55.wav|dʑˈɛɲ dˈɔbrɨ, tˈɔm.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_294.wav|tˈaɡ zwˈɛɡɔ ɡwˈɔsu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_107.wav|ɲʲˈɛmam ˈaʃ tˈɨlɛ ɔdvˈaɡʲi.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_57.wav|vˈɛwna ɔɡʒˈɛva tʃwɔvʲˈɛka rˈuvɲʲɛ dˈɔbʒɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_6.wav|pˌɔrɨvˈatʃɛ mˈuʃɔ̃ ɕɛ dɔvʲˈɛdʑɛtɕ, ʒˈɛ pɔlˈitsja jɛst f tɔ zˌaaŋɡˌaʒɔvˈana. mˈam vʲˈɛnts nadʑˈɛjɛ, ʒˈɛ kʲˈɛdɨ ˌɔɡwɔsˈimɨ tɔ publˈitʃɲʲɛ, lˈudʑɛ zˌarɛaɡˈujɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_249.wav|bjˈawɛ, pʲˈɛŋknɛ i ˌumjɛrajˈɔntsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_19.wav|ʒadnˈɛɡɔ ɡwˌupavˈɛɡɔ jˈa.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_166.wav|dla tˈɨx, ktˌuʒɨ xtsˈɔ̃ kˈɔɡɔʑ zalˈitʃɨtɕ, sɔ̃ klˈubɨ nˈɔtsnɛ w bˈaɲtsɛ ɔldrˈina.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_343.wav|tˈu maʃ ˈɔknɔ, skˈatʃ!|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_46.wav|dˌɔɕfʲattʃˈɛɲʲɛ nˌautʃˈɨwɔ bʲillʲˈɛɡɔ, ʒˈɛ lˈudʑɛ tɕi vʲˈɛʒɔ̃, kʲˈɛdɨ ftɕˈiskaʃ im kˈit ɔ pɔdrˈuʒax swuʒbˈɔvɨɣ dɔ mʲˈast ɕrˈɛdɲʲɛj vʲɛlkˈɔɕtɕi ɔ drˌuɡɔʒˈɛndnɨm znatʃˈɛɲʲu ɡˌɔspɔdˈartʃɨm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_26.wav|jɛst w mrˈɔku, mˈɨɕli ˈɛlis. jɛst w mrˈɔku. tɕˈɛrpi i ʃˈuka drˈɔɡʲi vˈɨjɕtɕa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_3.wav|mˈija prˈuk, a tˌɔvaʒɨʃˈɔntsɨ jɛj mɛ̃ʃtʃˈɨzna zamˈɨka dˌɛlikˈatɲʲɛ dʒvˈi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_40.wav|ˈandɛrsɔn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw, pˈatʃɔnts na samˈɔlɔt pˌɔtxɔdʑˈɔntsɨ dɔ lˌɔndɔvˈaɲʲa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_18.wav|a jˈɛɕli jˈɛɡɔ tʃˈuwɔɕtɕ jɛst pɔ prˈɔstu naɡrˈɔdɔ̃ za jɛj miltʃˈɛɲʲɛ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_74.wav|rɔzlˈɛɡwɨ ɕɛ ɕmʲˈɛxɨ, a rˈɔp ɕɛ skʃˈɨviw.|3
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_70.wav|spɨtˈawa bˈɛtskɨ.|3
+Dataset/wavs/urwisko_ferenc/17_segment_9.wav|bˌɛsskutˈɛtʃɲʲɛ starˈanɔ ɕɛ ɔdnˈalɛɕtɕ pwˈɨtki ɡrˈup rˌɔskɔpˈanɨ pʃˈɛz dʑˈikɔ̃ zvʲɛʒˈɨnɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_52.wav|tʃɨ ja swˈɨʃɛ f tfˈɔim ɡwˈɔɕɛ nˈutɛ pˌuwnɔtsnˌɔamˌɛrɨkaɲskʲˈɛɡɔː aktsˈɛntu? pˈɨta prɛzˈɛntɛr.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_16.wav|tʃɨmˈawam pˈalɛts na spˈuɕtɕɛ ˌiskrɔvɲˈika.|4
+Dataset/wavs/urwisko_ferenc/08_segment_58.wav|bɔrˈɛvidʒ dɔjˈɛxaw tˈam w ɲʲɛtsˈawɨ kfˈadrans i zatʃˈɨmaw ɕɛ pʃɨ vɨsˈɔkim ˌɔɡrɔdʑˈɛɲʲu zɡabjˈɔnuf.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_23.wav|bˈɛtskɨ zrɔbʲˈiwa krˈɔɡ dɔ pʃˈɔdu i dɔtknˈɛwa ramjˈɛɲʲa jˈɔɛ.|4
+Dataset/wavs/urwisko_ferenc/02_segment_10.wav|ˌalɛ tʃɨ pɔvˈinnɔ ɡˈɔ tɔ dʑˈivitɕ? pɔpˈatʃɨw na ˈinnɛ tfˈaʒɛ i stfʲˈɛrdʑiw, ʒˈɛ mˈuɡwbɨ z ɲˈiɣ vˌɨvɲʲɔskˈɔvatɕ tɔ sˈamɔ.|0
+Dataset/wavs/urwisko_ferenc/46_segment_165.wav|ʃtʃˈɛrpski nˈalaw sˈɔbjɛ sˈɔku. tʃˈɛɲɕtɕ napˈɔju pˌɔlɛtɕˈawa na blˈat ʃˈafki.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_179.wav|xˈɔnɔr tɔ ta rˈɛʃtka kˌapitˈawu, jˈaka mi zɔstˈawa. mˈɔʒɛ jˈɛʃtʃɛ ˌɔdrɔbʲˈina ɡɔdnˈɔɕtɕi?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_9.wav|jˈɛɕli vʲɛʒˈɨmɨ, mˈartɕɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_11.wav|tɔ ɲˈits, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_139.wav|tʃɛkˈawɛm na tˌɛɡɔ stˈartsa tsˈawɛ tʃˈɨ dɲˈi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_293.wav|ˈandɛrsɔn i sˈusan patʃˈɨli za ɲˈimi.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_45.wav|a sˈam sˈɛr lˈɔras?|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_168.wav|tɔ jɛst mˈɔja jɛdˈɨna ʃˈansa na pʃɛʒˈɨtɕɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_121.wav|zwapˈawam ɔbjˈɛma rɛŋkˈami zˈavur i pʃˌɛkrɛɲtɕˈiwam.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_208.wav|jɛʒˈɛli xtɕˈaw prˌɔdukˈɔvatɕ ˌalumˈiɲʲum, mˈuɕaw mʲˈɛtɕ jˈakiɕ kɔŋkrˈɛtnɨ i pɔvˈaʒnɨ pˈɔvut.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_13.wav|pʃˈɛkaʃ jˈɛɡɔ vʲˈɛlkʲɛj ɕfʲˌɔntɔblivˈɔɕtɕi, ʒˈɛ ɕɛ na ɲʲˈɛɡɔ ɡɲʲɛvˈamɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_83.wav|dʒˈɛk tˌɨlkɔ ɕɛ rɔzˈɛɕmʲaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_15.wav|pˈijɛ sˈɔk, zjˈada pˈɔntʃka i ɔdlˈitʃa ˌupwɨvajˈɔntsɛ minˈutɨ.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_368.wav|nˈajpʲɛrf mˈuɕiʃ ɕɛ pʃˈɨznadʑ dɔ pˌɔpɛwɲʲˈɛɲʲa zdrˈadɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_41.wav|ˌalɛ tɕˈɛbjɛ ɲʲɛ bˈɨwɔ, prˈavda?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_43.wav|tˈɛn, ktˌurɨm jɛxˈawam mˈili, bˈɨw xˈɨba srˈɛbrnɨ. ɲʲɛ vidʑˈawam ɔdjˈazdu ˈaʃa i nˈavɛt ɕɛ z ɲˈim ɲʲɛ pˌɔʒɛɡnˈawam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_6.wav|bˈɛtskɨ dˈajɛ mi znˈaɡ ɡwˈɔvɔ̃ i ɔdbjˈɛram pˌɔwɔntʃˈɛɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_7.wav|zˈupa bulɡˈɔtʃɛ dˌɛlikˈatɲʲɛ na pʲˈɛtsu.|3
+Dataset/wavs/urwisko_ferenc/14_segment_28.wav|drɡnˈɔw|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_178.wav|zamknˈɛwam za sˈɔbɔ̃ dʒvˈi.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_114.wav|ɡdˈɨ vʲˈɛɕtɕ ˈɔɲim dˈɔtʃɛ dɔ dɛmbˈɔvɛj tˈartʃɨ,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_41.wav|mˈama ɔdvrˈatsa ɕɛ s pɔvrˈɔtɛm dɔː arˈama.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_441.wav|kɕɛ̃ʒɲˈitʃka nˌapisˈawa, ɡdʑˈɛ jɛst i bwaɡˈawa ɔ ratˈunɛk.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_29.wav|ɲʲɛ rˈadʑɛ sˈɔbjɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_227.wav|trˈudnɔ mi tɔ bˌɛɲdʑɛ pɔvʲˈɛdʑɛtɕ. tɔ dla mɲʲɛ samˈɛɡɔ bʒmˈi dʑˈivɲʲɛ, ˌalɛ jˈɛɕli pɔtʃˈɛbnɨ tɕi brˈat...|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_108.wav|ˌalɛ jˈuʃ ɲʲɛ jˈɛstɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_342.wav|i pˌɔwɔʒˈɨwɛm ɡˈɔ na stˈɔlɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_47.wav|mafjˈɔwa na ix pˈuŋktɕɛ. nˈavɛt imjˈɔna im nadˈajɛ dˈaʒ vʲˈarɛ?|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_72.wav|jˈɛdnak ɲʲˈɛzbɨt prˈɛ̃ʒɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_288.wav|jˈakɔ̃ʑ drˈɔbnɔ̃ tʃˈɛɲɕtɕɔ̃ jˈaʑɲi viktˈarjɔn tɕˈɛʃɨw ɕɛ s tˈɛɡɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_101.wav|dɔ tˌɛɡɔ ɲʲˈɛvʲɛm zupˈɛwɲʲɛ, jˈaɡ vɨdˈɔstatɕ ɕɛ s tˌɛɡɔ bˈaɡna, f ktˌurɛ sˈama ɕɛ fpˌakɔvˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_9.wav|rˌɨtualnˈɛɡɔ pˌɔɲiʒˈaɲʲa, ˌɔtsɛpˌarɔvɨvˈaɲʲa ɔt ˈinnɨx ɲˈiɡdɨ ɲʲɛ bˌɨwam zˌamɨkˈana na klˈutʃ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_155.wav|samˈɔlɔd zapˈadaw ɕɛ jˈɛdnak, kʲˈɛdɨ pʃˌɛlatɨvˈali nat pˈasmɛm vzɡˈuʃ naɡʒˈanɨx swˈɔɲtsɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_141.wav|bʲˈillɨ ɲʲɛ pamjˈɛnta, tʃɨ ta ɕˈɛtɕ nˌalɛʒˈawa dɔ ɕfʲˈɛntɛj pamjˈɛɲtɕi kˌɛnaxˈɔva, tʃɨ ɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_24.wav|vwˈaɕɲʲɛ|2
+Dataset/wavs/urwisko_ferenc/24_segment_83.wav|— ɲʲɛ, naprˈavdɛ zatʃˈɨnam ɕɛ mˈartfitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_40.wav|plˈus ʃtˈutʃnɨ bʒˈux.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_35.wav|jˈak tɔ dɔ dˈɔmu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_34.wav|i tsˈuʃ tɨ tˈɛraz bˌɛɲdʑɛʃ rˈɔbʲitɕ, skˈarbjɛ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_43.wav|lˌitɛratˈura aŋɡʲˈɛlska|3
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_49.wav|pˌɔzɔstavˈawa jɛdˈɨna mɔʒlˈivɔɕtɕ. dˈɔm pɔ pʃɛtɕˈivnɛj strˈɔɲʲɛ ulˈitsɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_128.wav|kˈuɕi ɡˈɔ, bˈɨ ɔbjˈɛtsadʑ bakʲˈɛmu tsˈawɔ̃ pʲɛpʃˈɔnɔ̃ sˈumɛ. sˈam jˈuʃ jɛj ɲʲˈɛxtsɛ.|2
+Dataset/wavs/urwisko_ferenc/49_segment_85.wav|zajʒˈawa na strˈɔnɛ ˌintɛrnɛtˈɔvɔ̃ pˌɔɕfʲɛntsˈɔnɔ̃ pˌɔʃukivˈaɲʲɔm mˈɔɲikˌi xudʑˈiɲskʲɛj, jˈɛdnak ɲʲɛ znalˈazwa tˈam nˈɔvɨx fpˈisuf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_19.wav|ɲʲˈɛbɨw pˈɛvnɛ, tʃɨ kˈatɛ ɲʲɛ tɕˈɛrpi s pɔvˈɔdu rɔspˈadu sfɔjˈɛɡɔ zvʲˈɔ̃sku, ˌalɛ spravʲˈawa vraʒˈɛɲʲɛ spɔkˈɔjnɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_28.wav|mˈɔʒɛ bˌɨwɔ tɔ skˈutkʲɛm zˌaɲʲɛdbˈaɲʲa? mˈɔʒɛ tʃɨstˈɛɡɔ lɛɲˈistfa?|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_3.wav|dʑɛftʃˈɨna znˈuv dɔstˈajɛ tˈɔrsfi, ˌalɛ tɨm rˈazɛm swˈabɨx, tˌɨlkɔ vˈɔ̃ska strˈuʃka mˈɛntnɛj ɕlˈinɨ vɨtɕˈɛka s kɔɲt��ˈika jɛj ˈust.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_269.wav|tɛ dʑɛftʃˈɨnɨ z lˈɔxuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_226.wav|z nɔɡˈami pʃˌɨkrɨtˈɨmi ˌɔpsuvajˈɔntsɨm ɕɛ kˈɔtsɛm.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_305.wav|xtɕˈɛli dˈɔstatɕ wˈɔʒa, lˈɛdʒ dˈaliɕmˌɨ im dʒˈɛva.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_174.wav|zvɨtɕˈɛ̃stsa ˈumar f ʃpitˈalu, ˌalɛ zdˈɔ̃ʒɨw ɔbvˈiɲitɕ jˌɔɛˈɛɡɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_4.wav|dɔ tˌɛɡɔ dɔwˈɔntʃɔ̃ ɕɛ zvˈɨkli lˈudʑɛ, f ʃtʃˌɛɡulnˈɔɕtɕi na tfittˈɛʒɛ, piʃˈɔntsɨ ɲʲˌɛstfɔʒˈɔnɛ tɛˈɔrjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_119.wav|zvʲɛŋkʃˈɨwam dˈafkɛ tlˈɛnu i skʃɛsˈawam ˈiskrɛ, a pˈɔtɛm vˌɨruvnˈawam prɔpˈɔrtsjɛ mʲɛʃˈaŋki.|4
+Dataset/wavs/urwisko_ferenc/22_segment_29.wav|ˈɔlɡʲɛrt sˈɔɲdʑiw, ʒˈɛ kˈasɨ s kˈawtsji jˈuʒ dˈavnɔ ɲʲˈɛma i dlatˈɛɡɔ ta fpˈatka tˈak tɕɔ̃ʒˈɨwa ʃtʃɛrpskʲˈɛmu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_97.wav|ˈɔtʃɨ dʒamˈala sɔ̃ ɔkrˈɔŋɡwɛ jˈak spˈɔtki.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_255.wav|alˈain bˌɨwa jˈuʃ kɔbjˈɛtɔ̃ i tsˌɛxɔvˈawa ɕɛ bˌɛŋkarsˈijɔ̃ ɔdvˈaɡɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_41.wav|tˌɔvaʒˈɨʃɨ mu xwˈɔpʲɛts s pˈuʃkɔ̃ pˈɛpɕi w rˈɛŋku.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_259.wav|pɔtˈɛ̃ʒnɨ mɛ̃ʃtʃˈɨzna ɔ ʃɛrˈɔkʲɛj, bjˈawɛj tfˈaʒɨ vˈɨdaw s ɕˈɛbjɛ pˈɛwnɛ zwˈɔɕtɕi sssss.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_250.wav|jˈɛɕli vˈɨdam rˈɔskas.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_308.wav|brjˈɛnnɛ ˌɔdvrutɕˈiwa ɕɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_311.wav|— ɲʲˈɛznaʃ ɕɛ — pɔvʲˈɛdʑaw jˈɛɡɔ pʃɨjˈatɕɛl.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_149.wav|kˈɔv vɨɕˈada kˈu jˈɛɡɔː ˈuldʑɛ i tɔ vʲˈɛlkʲɛj, zˈaras jˈɛdnaɡ znˈuv zaɡlˈɔnda dɔ ɕrˈɔtka.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_57.wav|dˈalɛj, ˈindjɔ, rˈuʃaj tˌɨmi bjɔdrˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_25.wav|ˈɛx, ɲˈilɛ ʃˈuka ˌinvɛstˈɨtsji, tsˈɔ jɛst tɨpˈɔvɛ f pʃɨpˈatku fˈirmɨ pʃˌɛsuvajˈɔntsɛj ɡraɲˈitsɛ, tˈakʲɛj jˈak nˈaʃa.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_193.wav|ʃnˈur ɔtɕˈɛra mi nadɡˈarstki krfˈavʲɛ. ɲʲɛ vˈɔlnɔ mi tˌɛɡɔ zrˈɔbʲitɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_395.wav|zrˈɛʃtɔ̃ z ˌiksˌiˈiɡzvʲɛtʃnˈɛɡɔ klˈasɨkˌa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_148.wav|tˈakix jˈak tɨ jɛst mnˈustfɔ, pˌɔvʲɛdʑˈawa. ˈilu? vʲˈɛlu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_73.wav|pˈan ɲʲˈɛx sprubˈujɛ ɕtɕˈɔŋɡnɔɲtɕ tˈu kˈɔɡɔʑ dɔː ˌɔdblɔkɔvˈaɲʲa jɛj kˌɔmputˈɛra, bˈɔ naprˈavdɛ pˈilɲʲɛ musˈimɨ ɕɛ dˈɔstadʑ dɔ tˌɛlɛfˈɔnu ɡˌɛnɛvʲˈɛvɛ strˈaxan.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_429.wav|brjˈɛnnɛ nˈadal ɲʲɛ vˌɨbatʃˈɨwa mu tˈɛɡɔ, tsˈɔ vˌɨdaʒˈɨwɔ ɕɛ w vˌɨsɔɡrˈɔdʑɛ. a pˈɔza tɨm xˈunt, jˈak sˈam pɔvʲˈɛdʑaw,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_126.wav|ɔtfʲˈɛram tfittˈɛra i fpisˈujɛ xˈaʃtak f pˈasku vˌɨʃukivˈaɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_365.wav|ˌalɛ pʲˈɛrʃa tʃˈarna pˈɛrwa rˈuvɲʲɛʃ mʲˈawa na ˈimjɛ bˌɛlɛɡˈɛrɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_56.wav|rɔzˈumjɛm tɔ dˌɔskɔnˈalɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_105.wav|ʒˈadnɛj pɔlˈitsji ˌaɲi pˌɔɡɔtˈɔvja.|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_10.wav|pɔt fpwˈɨvɛm impˈulsu bjˈɛʒɛ tˈɛʃ taɲʲˈɛɡɔ laptˈɔpa ˈalltɛx, kturˌɛɡɔ pˈuʑɲʲɛj sxˈɔva dɔ ʃˈafɨ f sɨpʲˈalɲi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_270.wav|i jˈak nˈɔɡʲi mˌɛksɨkaɲˈina zˌɔstavʲˈajɔ̃ w rˌɔssɨpˈanɨx trɔtɕˈinaɣ dvˈa ɡwɛmbˈɔkʲɛ ɕlˈadɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_78.wav|ɲʲˈɛma sprˈavɨ, kɔxˈana, ʒˈadɛn prˈɔblɛm.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_138.wav|jɛst tˈu mˈawɔ ʃtʃˈuruf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_13.wav|tˌɛɡɔ vwˈaɕɲʲɛ xtsˈɛmɨ ɕɛ dɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_44.wav|dˌɔskɔnˈalɛ. tsˈɔ jˈɛʃtʃɛ vʲˈɛmɨ? tˈak, lˈintsaj?|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_190.wav|fʃˈɨstkɔ jɛst tsˈatsɨ, zapˈɛvɲʲa bʲˈillɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_38.wav|jɛɕˈɛɲʲɔ̃ mˈɔʒɛ bˌɛɲdʑɛʃ mɲʲɛ tʃˈɛɲɕtɕɛj vidˈɨvaw.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_93.wav|ˌɔdvrutsˈɔna dɔ mɲʲɛ tˈɨwɛm kɔbjˈɛta zˈɛ swuxˈafkɔ̃ pʃɨ pˈasmax tɕˈɛmnɨɣ vwˈɔsuv zˌakrɨvajˈɔntsɨx ˈuxɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_365.wav|tʃˈɨ dla ɡˈɛja i tʃˈɨ dla ɡˈɔjki.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_287.wav|ˌalɛ pˈɔtɛm ɲʲɛ zɔbˈatʃɨ jˈuʃ ɲitʃˈɛɡɔ, prˈavda?|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_365.wav|sˈɛr baˈɛlɔn mˈɔʒɛ tsˈɔɕ pˌɔdɛjʒˈɛvatɕ, tˈak jˈak tˈɨ, ɡdˈɨ lˌanɲistɛrˈɔvʲɛ zabʲˈili tfˈɔjɔ̃ ɕˈɔstrɛ i jɛj dʑˈɛtɕi, ˌalɛ ɲʲɛ bˌɛɲdʑɛ mʲˈaw dɔvˈɔduf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_107.wav|pˌɔvʲɛdʑˈawam jɛj vʲˈɛnts, ʒˈɛ zˌaprɔpˌɔnɔvˈawam tɕi dˈalʃɛ fspˈulnɛ ʒˈɨtɕɛ i ʒˈɛ ˌɔdmuvˈiwɛɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_14.wav|ɔpˈuʃtʃam ɡwˈɔvɛ i vɨtɕˈɛram mˈɔkrɛ vwˈɔsɨ rɛntʃɲˈikʲɛm, starˈajɔnts ɕɛ, bˈɨ mˈɔ̃ʃ ɲʲɛ dˈɔstʃɛɡw vɨrˈazu mˈɔix ˈɔtʃu.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_109.wav|pʃˈɨznaw stˈarʃɨ brˈat. jɛdnˈaɡʒɛ ɔbˈavʲam ɕɛ, ʒˈɛ ʑlˈɛ ɡˈɔ zrˌɔzumjˈawaɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_43.wav|bˈɛtskɨ zviɕˈiwa ɡwˈɔvɛ, a tˈɔm ɲʲɛ ɔdˈɛzvaw ɕɛ ˌaɲi swˈɔvɛm, kʲˈɛdɨ skrɛɲtɕˈiwa f strˈɔnɛ dˈamskʲɛj tˌɔalˈɛtɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_380.wav|ja patʃˈɨwɛm nˈaɲʲɔ̃ jˈak na zdˌumjɛvajˈɔntsɨ zˈaxut swˈɔɲtsa, ktˌurɨ ɕɛ jˈuʃ ɲˈiɡdɨ ɲʲɛ pɔftˈuʒɨ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_128.wav|mˈuvitɕ nˈaɲʲɛ zˈamɛk tɔ jˈak nˈazvatɕ kawˈuʒɛ na pɔdwˈɔdʑɛ vɨxˈɔtka jɛʑˈɔrɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_74.wav|ja lˈɛdvɔ ʒˈɨjɛ. dvʲˈɛ ɡɔdʑˈinɨ mɲʲɛ pʃˌɛswuçivˈanɔ.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_347.wav|jˈɛdnɨm z aspˈɛktuf kɔvˈala.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_179.wav|mˈa ɕˌɛdɛmdʑˈɛɕɔnt pˈarɛ lˈat. pˈali jˈak kˈɔmin, ˌalɛ tfˈarda z ɲʲˈɛj ʃtˈuka. bʲˈillɨ mˈuɕi jɛj tɔ pʃˈɨznatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_13.wav|ɔddˈɨxaj pʃˈɛstɔ, mˈuviw. tɔː ɔtʃˈɨɕtɕi drˈɔɡʲi ˌɔddɛxˈɔvɛ s tˌɛɡɔ sˈɨfu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_228.wav|bʲˈillɨ jˈɛdnak ɲʲɛ ɔdnˈɔɕi takʲˈɛɡɔ vraʒˈɛɲʲa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_22.wav|znˈam fʃˈɨstkʲɛ sfˈɔjɛ pʃɨvˈarɨ.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_81.wav|a mˈɔʒɛ jˌɛstɛɕ jɛj ʃpʲˈɛɡʲɛm?|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_247.wav|za dˈuʒɔ pʲɛtʃˈɔnɛj kɔzˈinɨ.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_349.wav|tɔː ɔn vɨswˈuxaw mˈɔix mˈɔdwuf i uzdrˈɔviw mi stˈɔpɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_57.wav|pɔvˈinnam bˌɨwa zjˈɛɕtɕ ɕɲʲadˈaɲʲɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_87.wav|dɔ mʲˈasta xˈɨwkʲɛm fkratʃˈawa vʲˈɔsna.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_15.wav|ɲʲɛ pamjˈɛntam nazvˈiska, ˌalɛ jˈɛ zˌanɔtɔvˈawam.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_173.wav|xwˈɔpak pɔkˈivaw ɡwˈɔvɔ̃. pˈaɲʲɛ, ɡdʑˈɛ... ɡdʑˈɛ mʲˈawbɨm z ɲʲˈɔ̃ pˈujɕtɕ? ɲˈiɡdɨ ɲʲˈɛma mʲˈɛjstsa, ɡdʑˈɛ...|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_17.wav|jɛdʑˈɛɲʲɛ sprˈavja, ʒˈɛ lˈudʑɛ tʃˈujɔ̃ ɕɛ pˈɛvɲʲɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_173.wav|bʲˈillɨ fatsˈɛta ɲʲɛ vˈidʑi, ˌalɛ vˈidʑi jˈɛɡɔ tɕˈɛɲ i tɛn tɕˈɛɲ tˈaɲtʃɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_239.wav|dˈɔbʒɛ, ʒˈɛ jˈɛst, ʒˈɛ ɕˈɛdʑi ɲʲɛdbˈalɛ nˈatɨm rˌuʃtɔvˈaɲʲu, ktˌurɛ kʲˈɛdɨʑ bˌɨwɔ wˈafkɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_254.wav|jˈɛɡɔ kˈuzɨn pɔxˈɨliw ɡwˈɔvɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_108.wav|ɔdʒˈutsa tʃˈapkɛ na bˈɔk i ɕˈɛŋɡa ɡwˈɛmbjɛj, ɔpˈartɨ ramjˈɛɲʲɛm ɔ zˌardʑɛvʲˈawɔ̃ ɕtɕˈaŋkɛ kˌɔntɛnˈɛra z duʃˈɔntsɨm fɛtˈɔrɛm çiɲʃtʃˈɨznɨ w nˈɔzdʒax.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_115.wav|z vˈɔrslɛj dɔː ɛntsˈɔats prˌɔvadʑˈiwa pʃˈɛs rˈɛɡɛnt rˈɔat.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_195.wav|vˌɨjaɕɲˈiwa ʒˈɔna lantsˈɛla, lˈadɨ amˈɔrɨ. jɛst xˈɔrɨ z ʒˈalu pɔ bjˈɛdnɨm vʲˈɛlkim sɛptˈɔɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_113.wav|jɛj wzˈɨ f kˈɔɲtsu pˌɔpwɨnˈɛwɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_46.wav|ˌalɛ nazvˈawa mɲʲɛ dʲˈidʲi i tʃˈɨmam ɕɛ tˌɛɡɔ fspɔmɲʲˈɛɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_100.wav|tsɔfnˈɛwam ɕɛ, ʒˈɛbɨ mu ɲʲɛ zavˈadʑatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_58.wav|zrˈɔbjɛ pˈaɲi kˈavɛ lˈup xɛrbˈatɛ. tsˈɔ pˈaɲi vˈɔli?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_450.wav|ɕpjˈɛ, ʒˈɛbɨ tɕˈɛbjɛ vɛ ɕɲʲˈɛ zˌaprɔvˈadʑitɕ fʃˈɛɲdʑɛ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_146.wav|vˈaltʃɨ tˈɛraz dla vˌɨjɛntˈɛɡɔ spˈɔt prˈava bɛrˈika dˌɔndarjˈɔna, ɲʲɛ dla krˈula dɔmˈɛna.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_30.wav|ˈandɛrsɔn pˈatʃɨw pʃˈɛs xfˈilɛ na lˈudʑi ˌukwadajˈɔntsɨɣ bjˈawɛ lˈistfɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_91.wav|ɲˈiɡdɨ ftʃˈɛɕɲʲɛj mɲʲɛ ɲʲɛ dˈɔtknɔw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_77.wav|nˈaʃɛ kʃˈɛswa sɔ̃ za mˈawɛ dla pˈana lɔtskrˈidʒa, mˈuvi ʃˈaɲitsˌɛ s kˌɔnstɛrnˈatsjɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_124.wav|xˈɨba uɡrˈɨzwam ɕɛ f pɔlˈitʃɛk, pˈɛvɲʲɛ ftˈɛdɨ, kʲˈɛdɨ urvˈawɔ mi fˈilm, bˈɔ tˌɛɡɔ ɲʲɛ pamjˈɛntam.|2
+Dataset/wavs/urwisko_ferenc/01_segment_23.wav|tɨmtʃˈasɛm tʃˈarna dʑˈura f pamjˈɛɲtɕi rˌɔzrastˈawa ɕɛ dɔ mˌɔnstruˈalnɨx rɔzmʲˈaruf.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_74.wav|ktˌura zabrˈawabˌɨ ix na drˈuɡʲi bʒˈɛɡ vɔ̃skʲˈɛɡɔ mˈɔʒa.|1
+Dataset/wavs/urwisko_ferenc/53_segment_56.wav|prubˈɔvaw f tɛn spˈɔsup pʃɛxˈɨtʃɨtɕ ɔrɡˈanɨ ɕtɕiɡˈaɲʲa.|0
+Dataset/wavs/urwisko_ferenc/53_segment_133.wav|zupˈɛwɲʲɛ nˈam tɔː umknˈɛwɔ, ɔtpˈarwa.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_122.wav|ˌɔdɛpxnˈɔwɛm ɡˈɔ ɲʲɛɡʒˈɛtʃɲʲɛ i vɨʃˈɛdwɛm na ulˈitsɛ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_60.wav|ʒˈɛkw mɛrˈibalt, ktˌurɨ bˈɨw pʃˌɨjatɕˈɛlɛm sɛptˈɔna z mʲastˈɛtʃka.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_300.wav|spɔjʒˈawam na tʃasˈɔmjɛʃ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_14.wav|ɲʲɛ pɔvˈinnam kʃˈɨtʃɛtɕ, ˌalɛ pʃˌɛtɕɛʃ ɲʲɛ jɛst tˈak, ʒˈɛ mˈili vˈɨʃwa ɲʲˌɛpilnɔvˈana z dˈɔmu i mˈɔʒɛ spˌatsɛrˈɔvadʑ ɡdʑˈɛɕ pɔbˈɔtʃɛm drˈɔɡʲi. tɕi drˈaɲʲɛ jˈɔ̃ zabrˈali.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_230.wav|sˈam vbʲˈiw w ɲʲˈɔ̃ vzrˈɔk.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_68.wav|mˈɔʒɛ bˈɨw tɔ kɔlˈɛjnɨ pʃɨpˈadɛɡ ʒˌɔnɔbˈujstfa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_74.wav|jɛstˌɛɕmɨ ʃtʃɛɲɕlˈivi. ftˈɛdɨ pʃˌɨpɔmˈinam sˈɔbjɛ ɔ jˈɛɡɔ zdjˈɛɲtɕu na tʲindˈɛʒɛ i tsˈɔraz vʲˈɛŋkʃɨx natɕˈiskax na mawʒˈɛɲstfɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_162.wav|vʲɛdʑˈawɛm, ʒˈɛ ɕɛ zjˈaviʃ.|3
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+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_37.wav|ˌalɛ ʒˈadnɛ tˌɛɡɔ tˈɨpu zˌabɛspʲɛtʃˈɛɲʲɛ ɲʲɛ jɛst f stˈaɲʲɛ pɔfstʃˈɨmadʑ zdˌɛtɛrmˌinɔvˈanɛj idjˈɔtki.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_588.wav|nˈatɨm ɕfʲˈɛtɕɛ fʃˈɨstkɔ mˈa sfˈɔjɔ̃ tsˈɛnɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_52.wav|pɔ tsˈɔ mʲˈawabˌɨ dʑvˈɔɲitɕ, skˈɔrɔ vʲˈɛ fʃˈɨstkɔ na tˈɛmat nˈaʃɨx sɔbˈɔtɲʲɔvʲɛtʃˈɔrnɨx rˌɨtuˈawuf pˌɔlɛɡajˈɔntsɨx na jɛd��ˈɛɲʲu zˌapʲɛkˈaŋki mʲˈɛ̃snɛj i ˌɔɡlɔndˈaɲʲu tˌɛlɛvˈizji?|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_148.wav|kʃˌɨʒujˈɔntsɛ ɕɛ tɕˈɛɲʲɛ ˌɛlɛmˈɛntuf ɲʲˌɛvɨkˌɔɲtʃɔnˈɛɡɔ budˈɨŋku nˌapʃɛtɕˈifkɔ zmʲɛɲˈiwɨ mˌalɔvˈidwɔ na mˈuʒɛ f ʃˌaxɔvɲˈitsɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_356.wav|tʃˈɛba sprubˈɔvatɕ spˈatɕ, ɲʲˈɛma innˈɛɡɔ vˈɨjɕtɕa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_180.wav|ˌalɛ dlatʃˈɛɡɔ?|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_36.wav|xˈɔtɕ mɛ̃ʃtʃˈɨznɔm zajˈɛwɔ tɔː ˌɔdrɔbʲˈinɛ dwˈuʃʃɔ̃ xfˈilɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_21.wav|skrɛɲtɕˈiwɛm na fatˈalnɔ̃ pˈɔlnɔ̃ drˈɔɡɛ ˌɔznakɔvˈanɔ̃ tablˈitʃkɔ̃ drˈɔɡa prɨvˈatna.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_97.wav|ruʃˈɨwa dɔ dʒvˈi.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_129.wav|zaprˈɔvatɕ jˈɔ̃ dɔ mˈɔjɛj samˈɔtɲi, ɲʲˈɛx tˈam zatʃˈɛka.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_15.wav|za kˈilka mˈinut ˈusnɔw zmɛntʃˈɔnɨ ˌɛmɔtsjˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_122.wav|stˈajɛ ˌɔbɔk flipˈɛra nˌajbliʃʃˈɛɡɔ zamkɲʲˈɛntɨɣ dʒvˈi.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_79.wav|mˈɔɡwam ˌɔpsɛrvˈɔvadʑ vˈɛjɕtɕɛ dɔ xɔtˈɛlu. z bˈaru mʲˈawam ɕfʲˈɛtnɨ vˈidɔk, ˌalɛ tɔ mɔɡwˈɔbɨ zˈajɔɲtɕ tsˈawɨ dʑˈɛɲ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_41.wav|dɔ dʒinsˈɔvɛj kˈurtki mʲˈaw pʃɨpʲˈɛntɔ̃ plakʲˈɛtkɛ sɔbˈɔru swˌɔvʲaɲskʲˈɛɡɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_7.wav|kˈatɛ vɛstxnˈɛwa.|3
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+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_243.wav|rɔzˈɛɕmʲaw ɕɛ na lˈitɔʑdʑ bˈɔskɔ̃ xˈɛlɛn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_47.wav|ɲʲɛ mˈɔʒɛ nˈam pˈaɲi zˈɛmdlɛtɕ. prˈɔʃɛ za mnˈɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_165.wav|nˈavɛd bˈardʑɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_29.wav|pˌɔvʲɛdʑˈawɛm, ʒˈɛ pˌɔlizˈawɛm rˈɛŋkɛ i pʃˌɨwɔʒˈɨwɛm dɔ jɛj ˈust i ɲʲɛ tʃˈudʑ bˌɨwɔː ɔddˈɛxu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_156.wav|mijˈajɔ̃ ɡɔdʑˈinɨ, ɲʲˌɛzawvaʒˈanɛ i ɲʲˌɛɔttʃuvˈanɛ.|2
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+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_15.wav|ɲʲɛ pɔjmˈujɛ tˈɛɡɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_116.wav|ˈumjɛm ʒˈɨtɕ i f kˌapitalˈizmʲɛ, ˌalɛ tsˈɔ vʲˈɛm, tɔ vʲˈɛm. mʲˌɛliɕmˌɨ fʃˈɨstkix pɔt lɔrnˈɛtɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_158.wav|bʲˈillɨ ɲʲˈɛma nˈatɔ ɔxˈɔtɨ. ˈɛlis jɛst ˈinna ɔt ɔprˈɨxuf pɔkrˈɔju ɲˈika i dʒˈɔrdʒja, ˌalɛ bˈutskɨ pʃˈɨjɔw ix pɔt sfˈuj dˈax i ɡwˈupjɔ bɨwˈɔbɨ ɲʲɛ spˈɛwɲitɕ tˈaɡ drˈɔbnɛj prˈɔʑbɨ.|2
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_144.wav|tsɔkˈɔlvʲɛk tˈam ˌuswɨʃˈawa, jɛj rˈadɔʑdʑ vˌɨparɔvˈawa.|3
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+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_182.wav|zˈafʃɛ mˈɔʒɛʃ nˈamɲʲɛ lˈitʃɨtɕ, dʒˈɛs.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_188.wav|tʃˈasɛm f pɔtɕˈɔŋɡu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_18.wav|ɡlˈina f stˈaɲʲɛ spɔtʃˈɨŋku, dɔmˈɨɕla ɕɛ bʲˈillɨ. dvˈa, tʃˈɨ lˈata dɔ pˈɛwnɛj ˌɛmɛrɨtˈurɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_55.wav|zˌakɔɲtʃˈɨwam rɔzmˈɔvɛ i vˌɨwɔntʃˈɨwam ɡʲˈizmɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_138.wav|dʑɛftʃˈɨnɨ, ktˌurɛ ˌubɔlɛvˈajɔ̃ nad vʲɛlkˈɔɕt��ɔ̃ sfˈɔix tsˈɨtskuf, tˈɨwkuf i stˈup.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_360.wav|ɡˈɔʑdʑik tˈu zɔstˈaɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_25.wav|pˈɨtam vʲˈɛnts pɔnˈɔvɲʲɛ, ɡdʑˈɛ bˌɨli tɕi jˈɛɡɔː ˌɔxrɔɲʲˈaʒɛ? i dlatʃˈɛɡɔ fʃˈɨstsɨ tˈɛras mˈiltʃɔ̃ jˈaɡ zaklˈɛɲtɕi?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_30.wav|ˈɛddjɛ tsˈarlsɔn pʃɨlˈɛtɕaw pˈɔnɔtɕ s çiʃpˈaɲʲi dɔ dˈɔmu na vakˈatsjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_132.wav|mˈama zupˈɛwɲʲɛ mɲʲɛ zˌiɡnɔrɔvˈawa.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_130.wav|i ɲʲɛ bˈɛs pɔvˈɔdu.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_357.wav|frɛjˈɔvʲɛ i ix rɨtsˈɛʒɛ rɔzbʲˈili vʲˈɛlkʲɛ namjˈɔtɨ w dɔɡˈɔdnɨm mʲˈɛjstsu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_94.wav|zrˈup pˈan tɔ sˈamɔ f prˈavɔ. prˈava vˈɔlna?|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_12.wav|krˈɛf jˈuʃ prˈavʲɛ zakʃˈɛpwa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_74.wav|pʃɛrˈɨvam na xfˈilɛ i unˈɔʃɛ brvˈi.|4
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+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_206.wav|dˈɔbʒɛ pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_29.wav|pɔtʃˈɛba tˌɨlkɔ f xɔlˈɛrɛ ɛnˈɛrɡji, ʒˈɛbɨ ɡˈɔː uzˈɨskatɕ.|4
+Dataset/wavs/urwisko_ferenc/08_segment_31.wav|xɔdʑˈiwɔ ɲʲɛ tˌɨlkɔː ɔː ˌupɔdɔbˈaɲʲa sˌɛksuˈalnɛ, ˌalɛ pʃˈɛdɛ fʃˈɨstkim ˈɔtɔ, kˈim ɕɛ jˈɛst.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_17.wav|zˌastanavʲˈawam ɕɛ, tsˈɔ swˈɨxatɕ ˈu tɕˈɛbjɛ. tʃɨ mˈɔɡɛ tsˈɔʑ dla tɕˈɛbjɛ zrˈɔbʲitɕ? maʃ jˈakʲɛʑ vʲˈɛɕtɕi?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_428.wav|lˈɛpʲɛj utɕˈɛkatɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_212.wav|lˈup jˈaɡbɨ tʃˈɛkaw na kˈɔɡɔɕ, ktˈɔ pwˈɨɲʲɛ kˈu ɲʲˈɛmu. ɲʲɛ muvˈili ɲˈits. vrˈɛʃtɕɛ rˈɨan pɔvʲˈɛdʑaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_82.wav|ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ pˌɔtʃɛbɔvˈawam mˈapɨ, ʒˈɛbɨ pɔrˈuʃatɕ ɕɛ pɔː artˈɛmis.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_213.wav|pˌɔprɔɕˈiwam, ʒˈɛbɨ pˌɔpilnɔvˈawa ɡˈɔ pʃˈɛs xfˈilɛ.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_263.wav|ˌalɛ fʃˈɨstsɨ bˌɨli mɔˈimi brˈatɕmi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_35.wav|ɲʲɛktˌurɛ swˈɔva zɔstˈawɨ zˌaznatʃˈɔnɛ ʒˈuwtɨm markˈɛrɛm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_265.wav|dˈɔkɔnt jˈɛdʑɛʃ? spɨtˈawɛm zdɨʃˈanɨ. xtsˈɛʒ zˈɛmnɔ̃ pɔjˈɛxatɕ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_16.wav|dˈɛtslan bˈɨw mɛ̃ʃtʃˈɨznɔ̃, dla kturˌɛɡɔ kˈatɛ zˌɔstavˈiwa tˈɔma. jˈɛdnak sprˈavɨ ɲʲɛ pˌɔtɔtʃˈɨwɨ ɕɛ tˈak, jˈak sˈɔbjɛ tˌɛɡɔ ʒɨtʃˈɨwa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_164.wav|ɔt tamtˈɛɡɔ tʃˈasu zdˈɔwaw jˈɛdnak pʃɛkˈɔnatɕ kˈɔɡɔ tʃˈɛba ɔ sfˈɔjɛj ɲʲˌɛvinnˈɔɕtɕi. pˈɛvɲʲɛ mˈuɕaw pʃˈɨznatɕ, ʒˈɛ ʃˈukaw rɔzɡwˈɔsu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_80.wav|znˈuf ɕˈɛŋɡnɔw pɔ mˈɔjɛj dwˈɔɲʲɛ. ɲʲɛ, ɲʲɛ!|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_97.wav|minˈɛwɨ ɡɔdʑˈinɨ ɔt tʃˈasu nˈaʃɛj ɔstˈatɲʲɛj rɔzmˈɔvɨ, a ɔn bˈɨw tˌɨlkɔ w lantsˈastɛr.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_16.wav|sˈaskja bˌɨwa flirtɕˈarɔ̃, vʲˈɛnts uznˈajɔ̃ zapˈɛvnɛ, ʒˈɛ znalˈazwa tɕɛkˈafʃɛ mʲˈɛjstsɛ, bˈɨ pɔɕˈɛdʑɛtɕ w nˈɔtsnɨɣ ɡɔdʑˈinax.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_49.wav|naprˈavdɛ mˈa rˈɨsɨ tfˈaʒɨ tʃˈɛɡɔɕ, tsˈɔ ʒˈɨjɛ w nˈɔʒɛ, prˈɔʃɛ mi vʲˈɛʒɨtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_87.wav|vˈartɔ vʲˈɛdʑɛtɕ, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_79.wav|a tsˈɔ dɔ pʲˈɛɲtɕusˌɛt tɨɕˈɛntsɨ, ktˌurɛ jˈuʃ mu vˌɨpwatsˈɔnɔ?|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_124.wav|tsˈɔ? tsˈɔ maʃ na mˈɨɕli mˈuvʲɔnts, ʒˈɛ tˈu ɲʲɛ xˈɔdʑi ɔː ˌalumˈiɲʲum?|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_96.wav|tˈutaj, pɔvʲˈɛdʑaw, fskazˈujɔnts na najblˈiʃʃɔ̃ z ɲˈix, jɛdˈɨnɔ̃, nat ktˌurɔ̃ unˈɔɕiw ɕɛ vˌɨdɔbˌɨvajˈɔntsɨ ɕɛ pʃˈɛz dʑˈurɛ w dˈaxu dˈɨm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_468.wav|mˈɔja i tfˈɔja, fʃˈɨstkix lˈudʑi.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_148.wav|sfɔbˈɔda skʃɨʒˈɔvaw rˈɛntsɛ na pʲˈɛrɕi. pˌɔtʃɛbˈujɛ ɔpˈiɲʲi kɔbjˈɛtɨ, ktˌura tɔ rˈɔbʲi dla pʃˌɨjɛmnˈɔɕtɕi.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_359.wav|bˌɨwɔ tˈu ʑˈimnɔː i dˈuʃnɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_26.wav|mˈɔʒɛʃ spˈatɕ pɔ drˈɔdʑɛ, a kʲˈɛdɨ ɕɛ ɔbˈudʑiʃ, pɔtʃˈujɛʃ ɕɛ dˈuʒɔ lˈɛpʲɛj, a mɨ znajdʑˈɛmɨ ɕɛ w naprˈavdɛ vˌɨjɔntkˈɔvɨm mʲˈɛjstsu.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_184.wav|tˈɨvin lanɲˈistɛr ɲʲˈɛbɨw tʃwɔvʲˈɛkʲɛm, ktˌurɨ pʃɛˈɔtʃɨwbˌɨ pɔdˈɔbnɨ ʃtʃˈɛɡuw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_42.wav|a na ˈimjɛ maˈalfi.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_241.wav|kʲˈɛdɨ ˈutɕix,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_169.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_53.wav|pɔdˈɔbɲʲɛ jˈak pʃˌɨɔbjɛtsˈanɨ pʃˈɛs kˌɛnaxˈɔfa pˈɔʒar f kˈɔdʲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_19.wav|na pˌɔʒɨtʃˈaɲʲɛ pʲɛɲʲˈɛndʑɨ pɔtʃˈɛbna jɛst litsˈɛntsja, pˈaɲi ˈɛdmunts.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_64.wav|rɛˈiman frˈɛj tɔ xɔlˈɛrnɨ dˈurɛɲ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_23.wav|mˈajɔnts tɔ na uvˈadʑɛ, sˈɛr, ˌɔsɔbʲˈiɕtɕɛ zabrˈawɛm tɛlˈɛfɔn pˈannɨ pˈɔrtɛr dɔ tɛj alˈɛjki.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_7.wav|zjˈadwam na ɕɲʲadˈaɲʲɛ trˈɔxɛ sˈuxɛj pˈulpɨ. mˈa ftˈɛdɨ mɲʲˈɛj ˌintɛnsˈɨvnɨ smˈak.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_22.wav|ɲʲˌɛspɔdʑɛvˈaɲʲɛ ˌuɲivˌɛrsɨtˈɛtskʲɛ ʒˈɨtɕɛ stˈawɔ ɕɛ dɔkwˈadɲʲɛ tˈɨm, tʃɨm bˌɨwɔ w mˈɔix maʒˈɛɲʲax.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_67.wav|tʃɨ mɔʒˈɛmɨ prˈɔɕitɕ ɔ ɡɔɕtɕˈinɛ na jˈɛdnɔ̃ nˈɔts?|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_30.wav|mˈɔʒɛ tˈaɡ vˌɨɔbrˈaʒaw sˈɔbjɛ kˌɔnspirˈatsjɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_70.wav|tɔ ɲʲɛ tɔ, ʒˈɛ ja xtsˈɛ, ja mˈuʃɛ, dʒˈɔnsɔn.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_12.wav|pɔrˈaŋki pɔ pʃɨɡˈɔdnɨm sˈɛkɕɛ bɨvˈajɔ̃ krˌɛmpujˈɔntsɛ. pʃˈɛʒɨw tˈakix pˈarɛ, ˌalɛ tɛn zˌapɔvʲˈada ɕɛ ɲʲˈɛʑlɛ i tsˈawɛ ʃtʃˈɛɲɕtɕɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_358.wav|ɲʲɛ ɡˈadaj tˈɨlɛ i dˈɔkɔɲtʃ tɔ pˈivɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_126.wav|vɨjˈɛwam ɡʲˈizmɔ xˈarprit i vɨbrˈawam nˈumɛr rudjˈɛɡɔ. ɲʲɛ xtɕˈawam tˌɛɡɔ rˈɔbʲitɕ, ˌalɛ ɲʲɛ mʲˈawam vˈɨjɕtɕa.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_221.wav|tɛn jˈɛwɔp, sˈɛr rˈɨman, zakwˈada ˌɛdmurɛˈɔvi pˈɛntlɛ na ʃˈɨjɛ, ˌalɛ ɲʲˈɛxtsɛ ɡˈɔ pɔvʲˈɛɕitɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_5.wav|jˈak tɨ mɲʲɛ nazvˈawaɕ?|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_315.wav|ɲʲɛ jˌɛstɛm mˌɛxaɲˈikʲɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_20.wav|vˌɨwɔntʃˈɨwam pˈalɲik i ˌɔtskɔtʃˈɨwam, kʲˈɛdɨ lavˈina ʃarˈɛɡɔ rˌɛɡɔlˈitu fpˈadwa dɔ vnˈɛntʃa kɔmˈɔrɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_15.wav|mˈɔʒɛ kˈɛna xˈɔffa wˈɔntʃɔ̃ z ɲˈim jˈakʲɛɕ ˌintɛrˈɛsɨ? mˈɔʒɛ xˈɔff kˈuma ɕɛ s fatsˈɛtɛm, ktˌurɨ zapwˈatɕi za tˈɛ rɔbˈɔtɛ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_89.wav|tɔ w ɔɡˈulɛ ɲʲɛ fxɔdʑˈiwɔ w raxˈubɛ. ɔn bˈɨw ɲʲˌɛbɛspʲˈɛtʃnɨ, a ja ɲʲɛ bˌɨwam pˈɛvna, jˈakʲɛ mˈa zamjˈarɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_6.wav|pˈɨta pˌɔdɛjʒlˈivʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_161.wav|vʲˈɛm, ʒˈɛ stˈaraʃ ɕɛ pˈɔmuts, ˈalɛ...|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_140.wav|jˈɛɡɔ rˈuxɨ vɨrˈaʑɲʲɛ ɕfʲattʃˈɨwɨ, ʒˈɛ jɛst kulˈavɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_16.wav|ˌalɛ ɲʲɛ vʲɛdʑˈawam, ʒˈɛ pɔsˈuva tʃtˌɛrnastɔlˈatkɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_18.wav|dʑˈɛŋki ɲʲˈɛmu pʃɨnˈajmɲʲɛj vʲˈɛmɨ, ʒˈɛ tɛˈɔrja pʃɛjˈazdu tˈam i s pɔvrˈɔtɛm jɛst prˌavdɔpɔdˈɔbna.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_46.wav|jˈɛʃtʃɛ tˌɛɡɔ nˈam tʃˈɛba. musˈimɨ ɕɛ dɔvʲˈɛdʑɛtɕ, ktˈɔ jɛst krˈɛtɛm i tɔ ʃˈɨpkɔ. dɔpʲˈɛrɔ ftˈɛdɨ bɛɲdʑˌɛmɨ mˈɔɡli dʑˈawatɕ pˈɛwnɔ̃ pˈarɔ̃.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_18.wav|dlatʃˈɛɡɔ? tʃɨ tɕi lˈudʑɛ, ktˌuʒɨ tɕˈɛ zabrˈali, tsɔkˈɔlvʲɛk muvˈili?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_51.wav|a drˈuɡʲi zdjˈɔw kajdˈaŋki i pɔtɕˈɔŋɡnɔw za rˈɛntsɛ, ʒˈɛbɨ pɔnˈɔvɲʲɛ zawˈɔʒɨtɕ jˈɛ s pʃˈɔdu.|4
+Dataset/wavs/urwisko_ferenc/27_segment_100.wav|xtsˈɛ, ʒˈɛbɨ pɔvˈɔwaw pˈan bjɛɡwˈɛɡɔ dɔ zbadˈaɲʲa tɕˈuxuv dʑˈɛtska.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_280.wav|i ɲˈikt ix ɲʲɛ pilnˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_7.wav|dʑvˈɔɲi mˈuj tɛlˈɛfɔn. ɲʲˈɛmam ɔxˈɔtɨ ɔdbjˈɛratɕ, ˌalɛ tɔ ɲʲɛ jɛzd ʒˈadɛn znˈanɨ mi nˈumɛr i natˈɨxmʲast pʃɨxˈɔdʑi mi dɔ ɡwˈɔvɨ, ʒˈɛ tɔ mˈɔɡɔ̃ bˈɨtɕ pˌɔrɨvˈatʃɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_206.wav|dla tsˈɛluf kɔntrˈɔlnɨx sfɔbˈɔda vˌɨpɔsˈaʒɨw zamjˈɛnɲiɡ w dvˈa vˌɨɕfʲɛtlˈatʃɛ, ktˌurɛ pˌɔkazɨvˈawɨ ʒˌɛtʃɨvˈistɔ̃ vˈartɔɕtɕ pɔmjˈaru i dˈanɛ pʃˌɛsɨwˈanɛ dɔ kˌɔmputˈɛra.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_485.wav|ɡdˈɨ sˈansa ˌɔdvʲɛdʑˈiwa kɕˌɛ̃ʒɨtsˈɔvɛ brˈamɨ, jˈadɔndʑ dɔː ɔrlˈɛɡɔ ɡɲʲˈazda s tɕˈɔtkɔ̃ lˈissɔ̃ i lˈɔrdɛm pɛtˈɨrɛm, mirˈandɨ tˈam ɲʲɛ bˈɨwɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_50.wav|spˈɔjʒaw tˈɛ̃skɲʲɛ f strˈɔnɛ pɔkˈɔju, f ktˌurɨm ɕɛ sxrɔɲˈiwam, a pˈɔtɛm ɔddˈaliw ɕɛ ʃˈɨpkim krˈɔkʲɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_355.wav|dˈajɛ sˈɔbjɛ rˈadɛ, ɔtpˈarwam.|4
+Dataset/wavs/urwisko_ferenc/47_segment_60.wav|— mˈɔʒɛ pˈan jˈaɕɲʲɛj? — pˌɔprɔɕˈiwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_141.wav|bʲˈillɨ zamˈɨka samˈɔxut, pˈɔmnɨ nˈatɔ, ʒˈɛ pɔt pʃˈɛdɲim ɕɛdʑˈɛɲʲɛm lˈɛʒɨ rˈuɡɛr i ˈidʑɛ na zakˈupɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_183.wav|jɛʒˈɛli zɔstˈali ˌarɛʃtɔvˈaɲi, i tˈak ɲˈits ɲʲɛ fskˈuram.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_4.wav|nˈɔts jɛzd bˈardʑɔ tɕˈɛmna, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/urwisko_ferenc/51_segment_45.wav|zˌapalˈimɨ?|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_289.wav|f tʃˈasax sˈɔndu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_70.wav|f kˈɔɲtsu sxˈɔdʑɛ na dˈuw, mijˈajɔndʑ dvˈa vˈɔrki na ɕmʲˈɛtɕi vɨpxˈanɛ zɛrvˈanɔ̃ tapˈɛtɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_70.wav|ɲˈikt pˈɔza nˈami ɲʲˈɛvʲɛ, tsˈɔ zrɔbʲˈiliɕmˌɨ i jˈaɡ ɡwɛmbˈɔkɔ, pʃɨznˈajɛ, zˈɛ fstˈɨdɛm ɕɛ pˌɔɡrɔ̃ʒˈɨliɕmˌɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_229.wav|pɔ tʃˈɛx pˈɛwnɨx ɔbrˈɔtax rˈɨɡlɛ puɕtɕˈiwɨ i vwˈas ɕɛ ɔtfˈɔʒɨw.|4
+Dataset/wavs/urwisko_ferenc/64_segment_132.wav|bɔrˈɛvitʃ splˈunɔw na trˈavɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_5.wav|ˌidɛntˌɨfikˈatsja zɔstˈawa pʃˌɛprɔvadʑˈɔna.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_7.wav|ɲʲɛ pˌɔviɲʲˈɛnɛɕ nˈamɲʲɛ tʃˈɛkatɕ. jˈutrɔ bˌɛɲdʑɛʒ vˌɨkɔɲtʃˈɔnɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_132.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_59.wav|ˈɔkɛj, ˈɔkɛj...|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_253.wav|pɔtstˈavɔ̃ bˌɛspʲɛtʃˈɛɲstfa jɛst pʃɛzˈɔrnɔɕtɕ ˌuʒɨtkɔvɲˈika.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_51.wav|jɛst stˈɔnd vˌɨxɔvˈawa ɕɛ na kɕɛ̃ʒˈɨtsu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_64.wav|ɲʲɛ pɔtrˈafiw pʃˈɨtɨm zˌamaskˈɔvatɕ utʃˈutɕa ɔɡrˈɔmnɛj ˈulɡʲi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_131.wav|zvwˈaʃtʃa, ʒˈɛ ɲʲɛ pɔjˈɛdʑɛʒ dɔ dˈɔmu na vʲɛlkˈanɔts.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_214.wav|zavˈɔwaw pijˈatskim ɡwˈɔsɛm mˈinstrɛl. xˈɔtɕ, pˈɔznaj mˈɔjɔ̃ pˈaɲʲɔ̃ ʒˈɔnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_89.wav|na pˈɛvnɔ? ɔ tˈak!|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_168.wav|vˈɨʃɛd.|0
+Dataset/wavs/urwisko_ferenc/05_segment_65.wav|zɡˈɔdɲʲɛ s plˈanɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_142.wav|pɔɡwˈaskaw mɲʲɛ pɔ ɡwˈɔvʲɛ, ktˌura spˌɔtʃɨvˈawa na pɔdˈuʃtsɛ tˈuʃ ˌɔbɔk jˈɛɡɔ ɡwˈɔvɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_96.wav|kʲˈɛdɨ jˌɛstɛm jˈuʒ vˈɛvnɔndʒ vˈindɨ, ɔpʲˈɛram ɕɛ tɕˈɛ̃ʃkɔː ɔ jɛj ɕtɕˈanɛ i zˌastanˈavʲam ɕɛ, tʃɨ tɛn kˈɔʃmar kʲˌɛdɨkˈɔlvʲɛk ɕɛ skˈɔɲtʃɨ. jˈak mˈam ɕɛ stˈɔnd vɨdˈɔstatɕ?|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_62.wav|ɲʲɛ vˈɛjdʑɛʃ tˈu bˈɛs pˌɔzvɔlˈɛɲʲa sˈɛr rˌaɨmˈana.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_5.wav|pʲˈɛrʃɛ tʃˈɨ dˈɔmɨ w nˈaʃɨm sɛktˈɔʒɛ, nˌazɨvˈanɨm lˈima, ˌɔtʃɨɕtɕˈiliɕmˌɨ bˈɛs kwɔpˈɔtu. dvˈa bˌɨwɨ pˈustɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_25.wav|tˈɔm zˌauvˈaʒɨw, jˈak ˈɔtʃɨ bˈɛtskɨ rˈɔbjɔ̃ ɕɛ tsˈɔraz vʲˈɛŋkʃɛ, xˈɔtɕ ɲʲɛ spuʃtʃˈawa vzrˈɔku z drˈɔɡʲi. pˌɔdʑɛŋkˈɔvaw kitˈɔvi i ɕɛ rɔzwˈɔntʃɨw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_40.wav|w jˈaki spˈɔsup ɕɛ zraɲˈiwa?|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_206.wav|zˌakɔwɨsˈawam dwˈɔɲʲɔ̃ f pɔvʲˈɛtʃu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_35.wav|pʃˈɛs tsˈawɨ tʃˈaz vʲɛʒˈɨwam, ʒˈɛ vɨdˈaʒɨ ɕɛ jˈakiɕ tsˈut i pɔjˈavi ɕɛ watfʲˈɛjʃɨ dɔ zɲʲɛɕˈɛɲʲa spˈɔsup rˌɔzvʲɔ̃zˈaɲʲa nˈaʃɨx prɔblˈɛmuf.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_18.wav|mˈɔʒɛ pʃɛbˈɨva w vilɡˈɔtnɛj pivɲˈitsɨ, skulˈɔna f kˈɔɲtɕɛ i zmarzɲʲˈɛnta?|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_176.wav|tɔ tˌɨlkɔ dlatˈɛɡɔ pˈan tˈak tʃˈujɛ, ˈiʒ w ɡˈuʒɛ tɕˈawɔ lˈutskʲɛ pɔdlˈɛɡa ˈinnɨm tɕiɕɲʲˈɛɲʲɔm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_112.wav|drˈuɡa vʲadˈɔmɔɕtɕ jɛst tˈaka, ʒˈɛ ɲˈitsk f tɕˈɔŋɡu tɨɡˈɔdɲʲa tʃˈɛ̃stɔ nɔtsˈujɛ w dɔˈublɛ, ˌalɛ na wˈikɛnt stˈara ɕɛ vrˈatsadʑ dɔ sfˈɔjɛj pˌɔɕadwˈɔɕtɕi f pajˈutɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_71.wav|zˈafʃɛ zmʲɛɲʲˈawam sklˈɛpɨ, f ktˌurɨx rɔbʲˈiwam zakˈupɨ, kˌɔʒɨstˈawam z rˈuʒnɨx ˈaptɛk, kʲˈɛdɨ tʃˈɛɡɔʑ z ɲˈix pˌɔtʃɛbɔvˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_134.wav|f tɨm rˈɔku trˈɔxɛ krˈuxɔː ˈu mɲʲɛ s fˈɔrsɔ̃, tˈak pɔvʲˈɛdʑaw.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_125.wav|na dʒvʲˈax jɛst xˈatʃɨk, vʲˈɛʃa nˈaɲim tˈaɲʲɔ̃ kˈurtkɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_195.wav|mʲˈaw jˈɛʃtʃɛ pˈarɛ ˈinnɨx pˈɨtaɲ.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_311.wav|xwˈɔpaɡ ɡˈadaw ɔd ʒˈɛtʃɨ. sˈɨnuv vˌɔjɔvɲˈika rˌɔzvʲɔ̃zˈanɔ pʃɛt tʃˈɨstu lˈatɨ. nˈɔvɨ vʲˈɛlki sˈɛptɔn pʃɨvrˈutɕiw iɣ dɔ ʒˈɨtɕa.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_301.wav|sˈɛr wˈɔftsa zwˈapaw dʑˈiɕ mˈɨʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_33.wav|ˌalɛ jˌɛstɛm tsˈɔraz vʲˈɛŋkʃɨ i kʲˈɛdɨɕ tɔ ja bˌɛndɛ jˈɛ bʲˈiw.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_61.wav|dvadʑˈɛɕtɕa tʃtˈɛrɨ dɔlˈarɨ za dvʲˈɛ ɡɔdʑˈinɨ. i tfˈuj ɡˈaz vˈɨʃɛt s xaŋɡˈaru.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_138.wav|maʒ vʲˈɛnts ɔkˈazjɛ s pʃɨtˈupɛm rɔspˈɔtʃɔɲtɕ sfˈɔjɔ̃ karjˈɛrɛ, bˈɔ tˈak muvˈimɨ ɔ bˈardʑɔ zwˈɨm, xˈajim. zakwˈadam, ʒˈɛ vʲˈɛtɕɛ, tsˈɔ ɕɛ ftʃˈɔraj stˈawɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_59.wav|dˈajɛ im jˈɛʃtʃɛ xfˈilɛ na pʃɨjʒˈɛɲʲɛ ɕɛ sfˈɔim tfˈaʒɔ̃. f kˈɔɲtsu tˈata fstˈajɛ.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_298.wav|ɡdˈɨ vˈɨʃɛd na pˈɔkwat, mijˈali vwˈaɕɲʲɛ pʃɨlˈɔndɛk.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_15.wav|pˈuʑɲʲɛj zˌaplanɔvˈaliɕmˌɨ ɔbˈɛjʒɛtɕ jˈakiʑ bˌɛssɛnsˈɔvnɨ tˈalɛnt ʃˈɔf f tˌɛlɛvˈizji, ktˌurɨ uvʲˈɛlbja mˈili, stwɔtʃˈɛɲi na jˈɛdnɛj sˈɔfjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_81.wav|tɕi dvˈɔjɛ vidʑˈɛli ɲˈitska, ˌalɛ w ix pʃˌɛkɔnˈaɲʲu zapˈɛvnɛ bˈɨw bʲˌiznɛsmˈɛnɛm z nɔvˈɛɡɔ jˈɔrku, ktˌurɨ pʃɨjˈɛxaw tˈu w ˌintɛrˈɛsax.|2
+Dataset/wavs/urwisko_ferenc/39_segment_53.wav|tsˈɔ bˈɨ tɔː ˌɔznatʃˈawɔ? ʒˈɛ xudʑˈiɲska bˌɨwa sprɨtɲʲˈɛjʃɔ̃ i bˈardʑɛj pʃɛbjˈɛɡwɔ̃ vˈɛrsjɔ̃ mˈatki mˈadʑi s sɔsnˈɔftsa?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_56.wav|ɲʲˈɛvʲɛʃ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_101.wav|patʃˈɨwɛm w jɛj ˈɔtʃɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_69.wav|taksˈufki, s ktˌurɨx mˈuʒɛ vˌɨskakivˈali jˈak klˈawɲi z mawˈɛɡɔː ˈawtka f tsˈɨrku.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_126.wav|ɔtpʲˈɛrdɔl ɕɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_159.wav|i tsˈɔ s tˈɔbɔ̃? dlatʃˈɛɡɔː udˈajɛʃ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_38.wav|pɔvʲˈɛdʑaw, ʒˈɛ bˌɛɲdʑɛ prˌubɔvˈawa mɲʲɛ pʃɛkˈɔnadʑ dɔː ɔdˈɛjɕtɕa.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_95.wav|ɲʲɛ ɔɕmʲˈɛli ɕɛ spluɡˈavitɕ imjˈɛɲʲa bˌɔxatˈɛra zˈɛ smˈɔtʃɛj skˈawɨ.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_403.wav|ɡdˈɨbɨm tˌɨlkɔ mˈɔɡwa.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_17.wav|alˈain fɕlizɡnˈɛwa ɕɛ dɔ tɕˈɛmnɛj sɨpʲˈalɲi. tɔ tˌɨlkɔ jˈa, swɔvˈitʃku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_105.wav|zɡˈadʑa ɕɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_33.wav|pʃˈɨkrɔ mi, tɔ ɲˈiɡdɨ ɲʲɛ jɛst pʃɨjˈɛmnɛ dˌɔɕfʲattʃˈɛɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_58.wav|jɛzd w ʒawˈɔsnɨm stˈaɲʲɛ, ˌalɛ kʲˈɛdɨ mˈuj mˈɔ̃ʃ ˌɔdʑɛdʑˈitʃɨw ɡˈɔ pɔ vˈuju, ɲʲɛ pˌɔtrafˈiliɕmˌɨ ɔdmˈuvitɕ.|3
+Dataset/wavs/urwisko_ferenc/62_segment_30.wav|spɔxmˈurɲʲaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_27.wav|jɛst pˈaɲi pˈɛvna, ʒˈɛ vɨjˈɛwa tɛn tɛlˈɛfɔn s tɔrˈɛpki?|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_351.wav|praɡnˈɛwa kʃˈɨknɔɲtɕ. — jˈamɛ, vrˈutɕ pˈɔmɲʲɛ!|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_7.wav|pˈaɲi jˈɔxanssɔn, mʲˌɛliɕmˌɨ jˈuʃ ɔkˈazjɛ ɕɛ pˈɔznatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_54.wav|tʃɨ ɲʲɛ mˈɨɕliʃ, ʒˈɛ jˈudɨ jɛst wadɲʲˈɛjʃa ɔt ˈɛstɛl?|0
+Dataset/wavs/urwisko_ferenc/24_segment_6.wav|— a kˈim jɛzd ɡʒˈɛɡɔʃ? — zapˈɨtaw ˈɔlɡʲɛrt, udˈajɔnts, ʒˈɛ ɲʲˈɛvʲɛ, ɔ kˈim mˈɔva. — nˈɔ, jˈak tɔ? mˈɔim sˈɨnɛm.|0
+Dataset/wavs/urwisko_ferenc/42_segment_90.wav|ˌalɛ na rˈaʑɛ mˌamɨ rɔbˈɔtɛ fskˈazaw na pɔblˈiskʲɛ dˈɔmɨ. xˈɛrman zɛrknˈɛwa na ˌɛlɛvˈatsjɛ s tsˈɛɡwɨ klˌiŋkʲɛrˈɔvɛj.|0
+Dataset/wavs/urwisko_ferenc/49_segment_39.wav|a kɔŋkrˈɛtɲʲɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_141.wav|a pˈɔtɛm fʃˈɨstkɔ ɕɛ skɔɲtʃˈɨwɔ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_252.wav|mˈɔʒɛ bˈɨtɕ fʃˈɨstkɔ, bˈɨlɛ ɲʲɛ kɔzˈina.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_329.wav|zdʑivʲˈɔnɨ patʃˈɨwɛm na ɲʲɛznˈanɛ mrˈɔtʃnɛ ɕtɕˈanɨ.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_196.wav|i xfˈalɛ, jˈakɔ̃ ɕɛ ɔkrˈɨjɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_23.wav|pˈɔtɛm vrˈatsa kɔlˈɛjnɛ fspɔmɲʲˈɛɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_171.wav|mʲawˈɔbɨ znatʃˈɛɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_210.wav|jˈak ɲʲɛ pʃˌɛstaɲʲˈɛtɕɛ ɕɛ napˈaʒatɕ, vˈɛzmɛ vˈaz za wbˈɨ i tʃˈasnɛ jˈɛdnɨm ɔ drˈuɡʲi.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_49.wav|ɲʲɛ mʲˈawam tʃˈasu na rˌɔzmɨɕlˈaɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_87.wav|jˈɛɨm ɲʲɛ vˈɔntpiw, ʒˈɛ blˈatskfiʒ zamjˈɛʒa kˌɔntɨnuˈɔvadʑ vˈalkɛ. tɔ tfˈɔja ɕɛdʑˈiba i tɨ mˈuɕiʃ jɛj brˈɔɲitɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_69.wav|zˌaswuɡˈujɛ na tsˈɔɕ lɛpʃˈɛɡɔ, jˈɛdnak pɔvʲˈɛtʃɛ vˈɔkuw mɲʲɛ vɨdˈajɛ ɕɛ pʃˌɛsɨtsˈɔnɛ strˈɛsɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_148.wav|pˌɔtraktɔvˈawaʑ ɡˈɔ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_36.wav|bˈɛtskɨ ˌɔdɛbrˈawa ɔt ɲʲˈɛɡɔ kˈartkɛ.|3
+Dataset/wavs/urwisko_ferenc/62_segment_61.wav|vwˈaɕɲʲɛ fskˈɔtʃɨw na sfˈɔjɛ mʲˈɛjstsɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_100.wav|tˈantɔ ʒˈɨtɕɛ tˈɛʒ zɔstˈaviw za sˈɔbɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_107.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ zˈastaw tˈu ˌɛdʲisˈɔna, bˈɔ kˈaʒda pˈɔstatɕ mˈuɕi bˈɨdʑ vˌɨkɔʒɨstˈana w ˌɔpɔvʲˈɛɕtɕi tsˈɔ nˈajmɲʲɛj dvˈa rˈazɨ. rɛɡˈuwa dʲitskˈɛnsa. izˈɔli.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_59.wav|dˈɔn zˌatʃɛpɔtˈawa ʒɛ̃sˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_22.wav|jˈɛɕli ˈuda ɕɛ im jˈɔ̃ znˈalɛɕtɕ, zɨskˈajɔ̃ tfˈardɨ dˈɔvut.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_91.wav|f tˈakim rˈaʑɛ ɲˈits ɲʲɛ mˈuɕiʃ rˈɔbʲitɕ, pɔ prˈɔstu zapˈɔmɲij, ʒˈɛ mɲʲɛ tˈu vidʑˈawɛɕ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_90.wav|maˈɛstɛr ˈɛmɔn ɔblˈizaw vˈarɡʲi i zamrˈuɡaw. tˈak.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_42.wav|ˌɔbratsˈawɛm w rˈɛŋkax ɲʲˌɛznanˈɨmi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_133.wav|pɔvʲˈɛdʑaw tɕˈixɔ rˈɨan.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_216.wav|ukrˈadliɕmˌɨ tɕi dʑɛtɕˈiɲstfɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_209.wav|ɲʲˈɛpij za dˈuʒɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_92.wav|pʃɛt ɔtʃˈami nˈaɡlɛ stˈajɛ mi ˈɔbras rˌɔdʑinnˈɛɡɔ dˈɔmu.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_345.wav|jˌɛstɛʑ zˌaintˌɛrɛsɔvˈana?|4
+Dataset/wavs/urwisko_ferenc/45_segment_46.wav|ˌalɛ pɔvˈinnaʑ zˌaaktsɛptˈɔvatɕ tɔ, ʒˈɛ ˌɔna tˈaɡʒɛ bˈɨwa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_112.wav|ʒˈɨtɕɛ jɛzd ɡwˈupʲɛ.|0
+Dataset/wavs/urwisko_ferenc/43_segment_97.wav|rˈatʃɛj ɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_291.wav|nˌatɕɛrˈajɔnts na ɲʲˈɛɡɔ sfˈɨmi mˌasɨvnˈɨmi tɕawˈami. dlatʃˈɛɡɔ tɕi fʃˈaʒɛ ʃfɛndˈajɔ̃ ɕɛ tˈutaj zˈamjast pratsˈɔvatɕ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_462.wav|ɲʲˈɛx pˈan ɲˈits ɲʲɛ mˈuvi.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_216.wav|pʃˈɛs xfˈilɛ zˌastanavʲˈawam ɕɛ, tʃɨ ɲʲˈɛpujʑdʑ dɔ dˈɔmu i mˈama, ɡdʑˈɛ ukrˈɨvaw ɕɛ mˈuj ˈɔjtɕɛts.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_318.wav|pʃˌɛtɕɛʒ vʲˈɛm, ʒˈɛ tɔ vˈɨʃwɔ ɲʲɛxtsˈɔntsɔ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_285.wav|tʃˈɛtɕi zapˈɛvɲʲaw, ʒˈɛ tˈɨrjɔn zˈɔstaw pˌustɛlɲˈikʲɛm w dɔʒˈɛtʃu i zamjˈɛʃkaw na jˈakimɕ nˌavʲɛdʑˈanɨm pʃˈɛz dˈuxɨ vzɡˈuʒu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_9.wav|tˈɔm pɔpˈatʃɨw na vɨsˈɔkʲɛ mˈurɨ sɔ̃ɕˈɛdɲix ɔɡrˈɔduf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_19.wav|ɔn mˈuɕi nˈam pɔvʲˈɛdʑɛtɕ, ɡdʑˈɛ jɛst mˈarta pˈɔrtɛr.|3
+Dataset/wavs/urwisko_ferenc/19_segment_17.wav|dlatʃˈɛɡɔ vrakˈatɕɛ dɔ sprˈavɨ xudʑˈiɲskʲɛj?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_71.wav|tsamˈɛrɔn uɕmʲˈɛxnɔw ɕɛ w rɛˈaktsji na vwˈasnɨ ʒˈart, a ja ˌɔtpɔvʲɛdʑˈawam pɔdˈɔbnɨm uɕmʲˈɛxɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_233.wav|ɲˈikt ɲʲˈɛmʲaw pɔjˈɛɲtɕa, ʒˈɛ vɨmknˈɛwam ɕɛ z mʲˈasta. ɡdˈɨbɨ tsˈɔɕ mi ɕɛ pʃˌɨtrafˈiwɔ, ɲikˈɔmu ɲʲɛ pʃɨʃwˈɔbɨ dɔ ɡwˈɔvɨ, ʒˈɛbɨ mɲʲɛ ʃˈukatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_27.wav|ˌalɛ mˌatɛmˈatɨkˌa jɛst trˈudna.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_124.wav|zapˈɛvnɛ tɕˈɛʃɨʃ ɕɛ, ʒˈɛ ɕɛ ix pɔzbˈɨwa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_55.wav|pˌɔvʲɛdʑˈawa f kˈɔɲtsu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_141.wav|tʃɨ vʲˈɛ pˈaɲi, jˈaɡ zakˈɔɲtʃɨw ɕɛ iɣ zvʲˈɔ̃zɛk?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_374.wav|kʲˈɛdɨ zdˌɛjmɔvˈawa rˌɛŋkavˈitʃki, ˌɔtkwadˈawa tɔrˈɛpkɛ, ʃwˈa f tˈɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_218.wav|kʲˈɛdɨ pʃɛtɕˈinaʃ mˈɛtal, ɲʲɛ rɔstˈapʲaʒ ɡˈɔ, ˌalɛ zamjˈɛɲʲaʃ w ˌutlɛɲʲˈɔnɨ ɡˈas.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_28.wav|ˈaʃ krˈɛɲtɕi pɔvˈɔli ɡwˈɔvɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_177.wav|nˈɔ dˈɔbra, pˈaɲʲɛ xˈu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_62.wav|kʲˈɛdɨ bjˈɛɡwɛm dɔ brudnˈɛɡɔ mˌitsubʲˈiʃi, ktˌurɨm pʃˈɨvʲuz nˈas pˌɔtpuwkˈɔvɲik, tˈɨlɛ dwˈɔɲi klɛpnˈɛwɔ mɲʲɛ f plˈɛtsɨ, ʒˈɛ ˈɔmal ɕɛ ɲʲɛ pʃˌɛvrutɕˈiwɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_151.wav|jˈaki? pˈɨta bʲˈillɨ. vɨwˈɔntʃa mˈiɡatʃ i vrˈatsa na prˈavɨ pˈas. ɲʲɛ pamjˈɛntam.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_286.wav|vɨsˈɔɡrut jɛzd blˈiʒɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_9.wav|pʃɨtɕˈiskaw dwˈɔɲ dɔ ʃˈɨi, ˌalɛ ɕɛ uɕmʲˈɛxaw.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_23.wav|xɔlˈɛra, bˈɔp!|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_95.wav|dvʲˈɛ minˈutɨ pˈuʑɲʲɛj vrˈutɕiw spˈɛntsɛr i zˈatʃɔw ɡmˈɛratɕ pʃɨ zˈamku, tʃɨmˈanɨm w dwˈɔɲ klˈutʃɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_38.wav|bˈɔki pˌɔmalɔvˈanɔ znˈatʃɲʲɛ ɡrˈupʃɔ̃ vˈarstfɔ̃ fˈarbɨ ɲˈiʃ rˈɛʃtɛ kˌarɔsˈɛrji, ˌalɛ tɔː i tˈak ɲʲɛ vˌɨstartʃˈɨwɔ, bˈɨ f pˈɛwɲi zaswˈɔɲitɕ ˌuɕmʲɛxɲʲˈɛntɔ̃ tfˈaʃ sadˈama xusˈajna.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_40.wav|stˈawɔ ɕɛ, tsˈɔ mʲˈawɔ ɕɛ stˈatɕ, a za pˈana fpwatsˈɔnɔ ɡrˈubɛ pʲɛɲʲˈɔndʑɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_33.wav|tsˈuʃ, ɲʲɛ zˌamjɛʒˈawaɕ rˈuvɲʲɛʃ ˈuɕpitɕ tsawˈɛɡɔ mʲˈasta.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_18.wav|f tɨm sˈamɨm rˈɔku kɕˈɔ̃ʒɛ dˈɔran prubˈɔvaw jˈɔ̃ vɨsfˈatadʑ z bˈɛnɛm bʲizbˈɛrɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_226.wav|xfˈɨtɕiw mˈɔjɔ̃ prˈavɔ̃ dwˈɔɲ i dɔkwˈadɲʲɛ ɔbˈɛjʒaw, kʃˈɨvʲɔnts ɕɛ na vˈidɔk ɔpˈaʒɛɲ.|4
+Dataset/wavs/urwisko_ferenc/63_segment_111.wav|kɔbjˈɛta pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_66.wav|jˈak kɔjˈaʒɛ, mʲˈɛʃka pˈaɲi nˌapʃɛtɕˈifkɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_106.wav|mˈɔʒɛ vwɔntʃˈɨwa ɡdʑˈɛɕ pʃˌɛkazɨvˈaɲʲɛ vʲˌadɔmˈɔɕtɕi i wˈatfʲɛj bˌɛɲdʑɛ nˈam ɕɛ dˈɔstadʑ dɔ ɕrˈɔtka?|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_43.wav|tɔ ftsˈalɛ ɲʲɛ bˌɛɲdʑɛ tˈakʲɛ prˈɔstɛ, mˈikɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn. ˈabɨ ɔʒˈɛɲitɕ ɕɛ z ˈɛstxɛr, ˌɔna bˌɛɲdʑɛ muɕˈawa nˈajpʲɛrf rˈɔzɛjɕtɕ ɕɛ zˈɛ sfˈɔim mˈɛ̃ʒɛm.|0
+Dataset/wavs/urwisko_ferenc/36_segment_62.wav|pʃɨ pˈɔnat tʃɨdʑˈɛstu stˈɔpɲʲax f tɕˈɛɲʲu ktˈɔʑ zɔstˈaviwbˌɨ dʑˈɛtskɔ w zamkɲʲˈɛntɨm sˌamɔxˈɔdʑɛ, f pˈɛwnɨm swˈɔɲtsu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_140.wav|uvˈaʒaw, ʒˈɛ tɔː ɔn mˈa ɡɛɲʲˈalnɛ pɔmˈɨswɨ nˈatɔ, jˈak txnˈɔɲtɕ ɕfʲɛʒˈɛɡɔ dˈuxa w vˌuvˌuˈɛ, a jˈɛɡɔ brˈat tɔ zvˈɨkwɨ ɡrˌɨzipʲˈurɛk.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_114.wav|— ɡardʑˈili mnˈɔ̃ lˈudʑɛ vʲˈɛntsɛj vˈartɕi ɔt tɕˈɛbjɛ, ɛdmˈurɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_147.wav|a ɲʲɛ rˈɛntsɛ mwˈɔdɛj, zdrˈɔvɛj i pˈɛwnɛj krfˈi kɔbjˈɛtɨ.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_316.wav|ɔtsˈunɔw kˈubɛk i fstˈaw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_87.wav|tˌɔvaʒɨʃˈɔntsɨ jɛj dɛtˈɛktɨf mʲˈaw nadvˈaɡɛ i rumjˈanɔ̃ tsˈɛrɛ. sprˈavʲaw vraʒˈɛɲʲɛ kˈɔɡɔɕ lˌubjɔntsˈɛɡɔ vˈɨpitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_20.wav|nˈaɡlɛ mɲʲɛ dɔstʃˈɛɡwa i zˌamaxˈawa ʒˌɨvʲɔwˈɔvɔ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_39.wav|tsˈɔː ɔn narˈɔbʲiw?|4
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_111.wav|pʃɛprˈaʃam, ʒˈɛ pˈanu pʃˌɛʃkɔdʑˈiwɛm, pˈaɲʲɛ smˈitx. mˈɔʒɛ pˈan vrˈutɕidʑ dˈɔ...|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_244.wav|pˈɔtɛm bˈɨw mˈɛrjɔn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_170.wav|kʲˈɛdɨ jˌɛstɛʑ ɡdʑˈɛɕ, ɡdʑˈɛ ɲʲɛ pˌɔviɲʲˈɛnɛɕ, mˈuɕiʃ ɕɛ zˌaxɔvˈɨvatɕ, jˈaɡbɨɕ mʲˈaw pˈɛwnɛ prˈavɔ tˈam bˈɨtɕ.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_439.wav|ˈɔjtɕɛts rudˈɛɡɔ rɔnˈɛtta|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_17.wav|a vʲˈɛnts ɲʲɛ jɛst pˈan partnˈɛrɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_217.wav|pɔʒˈɨtʃɛ tɕi pʲɛɲʲˈɛndʑɨ, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_82.wav|ɡɔrˈɔntsɨ pɔɕˈiwɛɡ bˈardʑɔ bˈɨ ɕɛ nˈam pʃˈɨdaw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_16.wav|mˈuʃɛ znˈalɛɕtɕ stsˈɔtta, pɔfstʃˈɨmadʑ ɡˈɔ, a tˈak naprˈavdɛ zɔstˈawɔ mi tˌɨlkɔ kˈilka dɲˈi, zˈaɲim ʃtʃɛɡˈuwɨ z mɔjˈɛɡɔ ʒˈɨtɕa vˈɨjdɔ̃ na jˈaf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_136.wav|pɔwˈɨka tablˈɛtkɛ i kwˈadʑɛ ɕɛ z ɡrɨmˈasɛm bˈulu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_221.wav|xˈɨba, ʒˈɛ ˈɛlis ftʃˈɛɕɲʲɛj utɕˈɛkɲʲɛ i skˌɔmplikˈujɛ mu ʒˈɨtɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_147.wav|ɲˈidʑɡ vɨxˈɨla ɕɛ dɔ pʃˈɔdu z dwˈɔɲmi ɕtɕˌiɕɲʲɛntˈɨmi mʲˌɛndʑɨ udˈami. mˈa ɕmʲɛrtˈɛlɲʲɛ pɔvˈaʒnɔ̃ mˈinɛ. fpatrˈujɛ ɕɛ bʲilljˈɛmu w ˈɔtʃɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_76.wav|tɔ tsˈɔrɨ ˌɔstatˈɛtʃɲʲɛ ɡˈɔː ˈɔtɔ pˈɨta, kʲˈɛdɨ ruʃˈajɔ̃ f strˈɔnɛ namjˈɔtu, f ktˌurɨm lˈudʑɛ ɡrˈajɔ̃ w bʲˈiŋɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_121.wav|vrˈatsa dɔː ˈɔkna i vˈɔdʑi vzrˈɔkʲɛm vzdwˈuʃ ˈɔbu ukˈɔɕnɨx lˈiɲʲi, tɛj prˌɔvadʑˈɔntsɛj dɔ ʃɛrˈɔkix sxˈɔduf i tˈɛj, ktˌura kˈɔɲtʃɨ ɕɛ pʃɨ vˈɛjɕtɕu dla prˌatsɔvɲˈikuf sˈɔndu.|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_121.wav|a ˈɔsnɨ|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_116.wav|ˈɛlis pˌɔvʲɛdʑˈawa, ʒˈɛbɨm ɕɛ ɲʲɛ mˈartfiw. stfʲɛrdʑˈiwa, ʒˈɛ skrˈutɕi i vˌɨmɔdɛlˈujɛ tʃˈarnɔ̃ pɛrˈukɛ, f ktˌurɛj pˌɔjɛxˈawɛm dɔ prˌɔmɔntˈɔrɨ pˈɔint.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_225.wav|ˈɔjtɕɛts pˈɔswaw bɔbˈɔvi tˈakʲɛ spɔjʒˈɛɲʲɛ, ʒˈɛ zvalˈistɨ kɔmˈandɔs ˈaʃ ɕɛ tsˈɔfnɔw.|4
+Dataset/wavs/urwisko_ferenc/09_segment_97.wav|mʲˈɛʃka na pɔblˈiskiɣ dʑˈawkax.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_14.wav|zˌapɨtˈana, tʃɨ xtsˈɛ zjˈɛɕtɕ jˌajɛtʃɲˈitsɛ, kʃˈɨvi ɕɛ i krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_210.wav|bʲˈillɨ mˈɨɕli ɔ ruɡˈaʒɛ f stɔlˈiku nˈɔtsnɨm dˈɔna jɛnsˈɛna.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_71.wav|i zˌɔbatʃˈɨwa ɡˈɔ dɔpʲˈɛrɔ, kʲˈɛdɨ stˈaw pʃˈɨɲʲɛj, a vwaɕtɕˈivʲɛ ˌɔbɔk ɲʲˈɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_91.wav|bʲˈili znˈa tˌɛɡɔ rɔdʑˈaju snˈɨ, xˈɔtɕaʃ ɲʲɛ nˌavʲɛdʑˈawɨ ɡˈɔ tˈak tʃˈɛ̃stɔ jˈak ˈinnɨx.|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_102.wav|mˈama ɕɛ pˌɔpwakˈawa i mɲʲɛ tˈɛʃ ɔt rˈazu zaxtɕˈawɔ ɕɛ pwˈakatɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_84.wav|dlatʃˈɛɡɔ pˌɔvʲɛdʑˈawɛɕ, ʒˈɛ baˈilɛj jɛst s tˈɔbɔ̃?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_13.wav|vˈɨswaw ix f kˈaʒdɨ zakˈɔntɛk krˈaju.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_53.wav|tʃɨ tɔ prˈavda, ʒˈɛ ɔn jɛst mˈɔim tatˈuɕɛm?|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_68.wav|jˈɛɡɔ bˈɔsɛ stˈɔpɨ pˌɔkrɨvˈawɔ tʃˈarnɛ, zasxɲʲˈɛntɛ bwˈɔtɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_15.wav|mˈuɕiʃ stˈɔnt ˈiɕtɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_37.wav|a sˈɛrtsɛ pˌɔtxɔdʑˈiwɔ mi jˈuʒ dɔ ɡˈardwa, s trˈudɛm wapˈawɛm ˈɔddɛx. pʃɨmknˈɔwɛm vʲˈɛnts ˈɔtʃɨ i swuxˈawɛm bɛzrˈadɲʲɛ tˌɛɡɔ bˈɛmbna.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_177.wav|tsudˈɔvnɛ utʃˈutɕɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_42.wav|i ˌɛvɛntuˈalɲʲɛ pʃˌɛprɔvˈadʑidʑ vˈizjɛ lɔkˈalnɔ̃. pˈan rɔzˈumjɛ, ʒˈɛ tɔ f pˈaɲskim ˌintɛrˈɛɕɛ.|0
+Dataset/wavs/urwisko_ferenc/48_segment_46.wav|— pˌɔzasˈɨpjɛ tɕˈɛ pˌaraɡrafˈami i rˈazɛm z ɲˈim trˈafiʒ dɔ pʲˈɛrdla — ˈɔstʃɛɡw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_8.wav|na zˈɛvnɔntʃ ftɕˈɔ̃ʃ jɛst tɕˈɛmnɔ, ˌalɛ kˈuxɲʲa jɛst tɕˈɛpwa, dʑˈɛŋki kuxˈɛntsɛ, ktˌurɛj ʃˈarɔɲʲɛbjˈɛski kˈɔlɔr pʃɨprˈavja mɲʲɛ tˈɛras ɔ mdwˈɔɕtɕi.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_187.wav|fstˈaɲ, sˈɛr xarˈaɕɛ xˈarlaw, lˈɔrdʑɛ ʃˈarɛj tˈartʃɨ!|1
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_43.wav|xˈɨba ˌɔtʃɛkˈivaw tˈakʲɛj ˌɔtpɔvʲˈɛdʑi, bˈɔ tˌɨlkɔ kˈiva ɡwˈɔvɔ̃ i ˌuruxˈamja ɕˈilɲik.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_135.wav|ʃtʃˈɛʒɛ mˈuvʲɔnts, xˈuta sˈanxɛs jˈuʒ dˈavnɔ vɨpˈadwabˌɨ z ɔbjˈɛɡu, ɡdˈɨbɨ ɲʲɛ prɔdˈuktsja mˌɔnɛrɡˈɔlu, ˌalɛ nˈavɛt tɔ pʃɨnˈɔɕi mˈarnɛ zˈɨski.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_163.wav|mˈa f sˈɔbjɛ vʲˈɛlɛ z dʑˈɛtska, ˌalɛ ɲʲɛ jɛst ɕlˈɛpa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_31.wav|ˌɔras, ʒˈɛ dɔstˈawɔ ɕɛ rˈuvɲʲɛʃ jɛj, ɡwˈuvɲʲɛ zˈatɔ, ʒˈɛ ɲʲɛ zdɔwˈawa sprɔvˈadʑitɕ mɲʲɛ na vwaɕtɕˈivɔ̃ drˈɔɡɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_32.wav|— pɔxˈɨliw ɡwˈɔvɛ ɲˈiskɔ mʲˌɛndʑɨ kɔlˈana w ɔbˈavʲɛ, ʒˈɛ zˈaraz zɛmdlˈɛjɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_59.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_214.wav|s kturˌɛɡɔ zˌapamjɛntˈawɛm tˌɨlkɔ pʃˌɛraʑlˈivʲɛ ɔkrˈɔŋɡwɔ̃, ˌɔʃawˌamjajˈɔntsɔ pʲˈɛŋknɔ̃ bjˈawɔ̃ pʲˈɛrɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_67.wav|ˌalɛ ɲˈikt ɲʲɛ pʃɛstʃˈɛɡa ɕtɕˈiɕlɛ tɛj zasˈadɨ, ɡdˈɨ w ɡrˈɛ fxˈɔdʑi sˈɛks.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_39.wav|nˌajvɨrˈaʑɲʲɛj zdˈaɲʲɛm xˈɔffa pɔvˈiɲʲɛn bˈɨdʑ zˌɔrjɛntɔvˈanɨ f tɛmˈatɕɛ, vʲˈɛnts kˈiva ɡwˈɔvɔ̃ zˈɛ zrˌɔzumjˈɛɲʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_229.wav|zˈaɲim ɔkrˈujɛ xˈaɲbɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_72.wav|sˈara fstukˈawa kˈɔt pˌɔʒarˈɔvɨ na panˈɛlu ˌɔbɔɡ dʒvˈi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_18.wav|ɔt kˈilku dɲˈi panˈujɛ ɲʲɛznˈɔɕna tˌɛmpɛratˈura i z ɔɡrˈɔmnɔ̃ ˈulɡɔ̃ pʃɛjmˈujɛ vˈidɔk pʲˈɛrʃɨx, tɕˈɛ̃ʃkix krˈɔpɛl nˌatxɔdʑˈɔntsɛj ulˈɛvɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_44.wav|kˈɔɡɔ skʃˈɨvdʑiwbˌɨ w nastˈɛmpnɛj kˌɔlɛjnˈɔɕtɕi? znˈuv dˌɔmiɲˈika? mˈɔjɔ̃ mˈatkɛ? mˈɔjɛ dʑˈɛtɕi?|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_182.wav|dˈɔmɛk lˈɛtɲi tʃɨ tsˈɔɕ f tɨm stˈɨlu. dˈavnɔ ɲʲˌɛuʒɨvˈanɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_72.wav|nɡˈuɡʲi ˌɔdvrutɕˈiwa ɕɛ i spɔjʒˈawa rudjˈɛmu w ˈɔtʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_117.wav|frˈɛj pˌɔtʃɛrvʲˈɛɲʲaw. mˈuj pˈan dʑˈadɛk...|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_279.wav|ˈandɛrsɔn i ɡʲˈirls fˈirst lˈɔvɛ rˌɔzwadɔvˈali tɕˌɛ̃ʒarˈufkɛ, a pˈɔtɛm stˈali pʃɨ mˌɛtalˈɔvɨm pulpˈitɕɛ i zdʑɛrˈali ɔkwˈatki s kˌɔlɔrˈɔvɨɣ zɛʃˈɨtuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_134.wav|bʲˈillɨ mˈɔtsnɔ ɕtɕˈiska jˈɛɡɔ dwˈɔɲ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_108.wav|ˈandɛrsɔn pɔprˈaviw bˈandaʃ ˌɔkrɨvajˈɔntsɨ jˈɛɡɔ prˈavɔ̃ rˈɛŋkɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_133.wav|ˌalɛ dɔpʲˈɛrɔ kʲˈɛdɨ ɕɛ upˈɛvɲʲɛ, ʒˈɛ pɔdʑˈɛlaʃ mˈɔjɛ vartˈɔɕtɕi.|3
+Dataset/wavs/urwisko_ferenc/35_segment_60.wav|za xfˈilɛ bˌɛndɛ na mʲˈɛjstsu. pʃɨjˈɛʒdʒaj.|0
+Dataset/wavs/urwisko_ferenc/03_segment_30.wav|i lɛtʃˈɨwa ɕɛ na dɛprˈɛsjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_39.wav|filˈipa stˈanlɛj jˈaɡ zvˈɨklɛ bˌɨwa uʃtʃˈɛndna f swˈɔvax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_16.wav|mˈuɕiʃ ɕɛ vˌɨmɛldˈɔvatɕ? jˈuʒ zˌawatfʲˈɔnɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_35.wav|a ja ɲʲɛ plˈujɛ, mˈuvi ʃˈaɲitsˌɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_185.wav|pˈɛvɲʲɛ, ʒˈɛbɨ mˈuɡw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_28.wav|dʑˈivɲʲɛ rumjˈanɨ pɔtsˈunɔw mi papʲˈɛrɛk.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_174.wav|ɡdˈɨbɨ stˈarɛ mʲˈastɔ stavˈiwɔ zbrˈɔjnɨ ˈɔpur smɔkˈɔvi, pˌɔxwɔnˈɛwɨbˌɨ jˈɛ pwɔmjˈɛɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_16.wav|tsawˈujɛ mʲˈɛŋkki pɔlˈitʃɛɡ bˌailɛjˈɛɡɔ i ʒˈɨtʃɛ mu dˈɔbrɛj nˈɔtsɨ tˈak sˈamɔ, jˈak rɔbʲˈiwam tɔː ɔt xfˈili, kʲˈɛdɨ bˈɨw malˈɛɲstfɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_198.wav|ɔtfˈartɛ ˈɔtʃɨ fpˌatrɨvˈawɨ ɕɛ f tʃɛrvˈɔnɔ̃, ɔt krfˈi kawˈuʒɛ, ktˌura ˌutfɔʒˈɨwa ɕɛ tˈuʃ pʃɛt jɛj tfˈaʒɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_72.wav|ɲʲɛ ˈumjɛm pɔzbjˈɛratɕ mˈɨɕli.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_29.wav|ˈɔtɔ xˈɔdʑi f tɨx nˈaʃɨx sˈɛsjax. i tɔ ɲʲɛ ˈaram mɲʲɛ kʃˈɨvdʑi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_182.wav|vʲˈɛʃ, zˈafʃɛ tʃˈuwɛm, ʒˈɛ tˌɨlkɔː udˈajɛʒ ɡwˈupka, ʒˈɛ tɔ bˌɨwa ɕtɕˈɛma.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_218.wav|dˈaj im pˈarɛ dɲˈi spɔkˈɔju, rˈɔbʲi pˈawzɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_9.wav|nˈavɛd ɡdˈɨbɨm pɔtpˈisaw zˌɔbɔvʲɔ̃zˈaɲʲɛ dɔ zˌaxɔvˈaɲʲa pˌɔufnˈɔɕtɕi? dʒˈɔnnɨ tsˈɔltɔn ɕɛ f tɨm spˌɛtsjalizˈujɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_73.wav|ftˈɛdɨ tˈɛʃ tɔː ˌuswɨʃˈawam.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_308.wav|ujˈɛwa w dwˈɔɲ pʲˈɛrɕi drˈuɡʲɛj kɔbjˈɛtɨ.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_13.wav|rˈivɛr rˈun tʃˈɛba bˌɨwɔ zdˈɔbɨtɕ jˈak najʃˈɨptɕɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_108.wav|fˈajɲʲɛ, ʒˈɛ tɔ ɕɛ sprˈavdʑa, nˈavɛt kʲˈɛdɨ vɨɡlˈɔnda ɡrˈubɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_106.wav|ktˌurɛj ɲʲɛ vˈidadʑ bˌɨwɔ ɲˈiɡdɨ, ɡdˈɨʃ jˈɛɡɔ vwˈɔsɨ zˌakrɨvˈawɨ jˈɔ̃ zˈafʃɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_114.wav|i tʃˈɨtaw ɡazˈɛtɛ. na ɔkwˈattsɛ tɕi sˈami ˌuɕmʲɛxɲʲˈɛɲtɕi pˌɔlitsjˈaɲtɕi prˌɔvadʑˈili ˌuɕmʲɛxɲʲɛntˈɛɡɔː ˌarɛʃtˈanta.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_136.wav|rˈɔbjɛ krˈɔk f strˈɔnɛ xˈɔlu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_55.wav|ˈɔlman pɔwˈɔʒɨw rˈɛntsɛ na kɔlˈanax.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_68.wav|kˈaʒdɨ z ˌɛksplɔratˈɔruf ˌɔtprɔvˈadʑiw sfˈɔix pˌɔdɔpʲˈɛtʃnɨx na strˈɔnɛ i zˈatʃɔw im vɨjˈaɕɲʲatɕ, jˈak fʃˈɨstkɔ bˌɛɲdʑɛ ɕɛ ˌɔdbɨvˈawɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_68.wav|zˌatʃɨmˈujɛ ɕɛ w mʲˈɛjstsu.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_34.wav|ˌalɛ lˈɛpʲɛj ˌuvaʒˈajtɕɛ, ɡdʑˈɛ stavʲˈatɕɛ nˈɔɡʲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_20.wav|dˈajɛ ɡwˈɔvɛ, ʒˈɛ tɛn idjˈɔta kʲˈɛdɨɕ ɕɛ zabʲˈijɛ.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_114.wav|jˈɛɡɔ kˈɔɕtɕi pɔvˈinnɔ ɕɛ pɔxˈɔvatɕ pɔt skˈawɔ̃ f kɔmnˈatɕɛ bˌɔxatˈɛruf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (60)_segment_30.wav|f sɔ̃ɕˈɛdɲiɣ dˈɔmax pˈalɔ̃ ɕɛ ɕfʲˈatwa, xˈɔtɕ jɛst jˈɛʃtʃɛ pʃɛt pɔwˈudɲʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_425.wav|tɔ ta vɨsˈɔka dʑɛftʃˈɨna?|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_47.wav|tʃˈarnɨ sˈam pɔvʲˈɛdʑaw dˈɔbrɛ swˈɔva.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_266.wav|brˈatɕa ubˈɔdʑɨ bˌɨli skrɔmɲʲˈɛjɕi, xˈɔtɕaʃ ɲʲˌɛpɔruvnˈaɲʲɛ litʃɲʲˈɛjɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_18.wav|f kˈɔɲtsu vˌɨkɔnˈawa rˈux, jˈaɡbɨ xtɕˈawa sprubˈɔvatɕ jˈɛʃtʃɛ rˈas, ˌalɛ tˈɔm ˈuɲʲus rˈɛŋkɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_31.wav|ˌalɛ ɲʲɛ mʲˈawam innˈɛɡɔ vˈɨjɕtɕa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_111.wav|f kˈɔɲtsu tsamˈɛrɔn vrˈutɕiw dɔ stˈɔwu i ˈuɕad.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_12.wav|vʲˈɛm dˈɔbʒɛ, ʒˈɛ vʲˈɛlɛ ˈɔsup mˈa jˈuʒ dˈɔɕtɕ jɛj plˌɔtkɔvˈaɲʲa, ɲʲˈɛxtsɔ̃ jˈɛdnak pˈaɕtɕ ɔfjˈarɔ̃ jɛj ɔstrˈɛɡɔ jɛ̃zˈɔra, vʲˈɛnts pɔ prˈɔstu ɕɛ dˌɔstɔsɔvˈujɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_108.wav|xtsˈɛ spˈɔjʒɛtɕ jɛj prˈɔstɔ f tfˈaʃ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_10.wav|i tɔː ɔn rˈɔbʲiw dɔ ɲʲˈɛj pɔtxˈɔdɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_90.wav|tsamˈɛrɔn mɲʲɛ ɔdnˈalaz, a ja mʲˈawam vˈɔbɛts ɲʲˈɛɡɔ dwˈuk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_57.wav|ɲʲˈɛtsɔ pˈɔnat tʃˈɨ tɨɕˈɔntsɛ kˌilɔmˈɛtruf, pˌɔvʲɛdʑˈawa ˈɛlis. spravdʑˈawam na ɡɔˈɔɡlɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_183.wav|xˈɨba pˈɔra ɡˈɔ sprˈavdʑitɕ, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_355.wav|i tɕˈɛpwɛ jˈak jɛɕˈɛnnɛ ʑˈɔwa, i dˌɛlikˈatnɛ, i ʃˈɔrstkʲɛ, utɕˈixwɛ i ʒˈɨvɛ.|0
+Dataset/wavs/urwisko_ferenc/23_segment_76.wav|trˈɔxɛ tˈak, a trˈɔxɛ ɲʲɛ, ɔtpˈarwam.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_99.wav|pˈɔza tˈɨm, dɔʒˈutsa dʒˈim, prˈavɲik, ktˌurɨ dˈajɛ sˈɔbjɛ ftɕˈisnɔɲtɕ ɲʲˌɛkɔʒˈɨstnɛ varˈuŋki vɨnˈajmu, zˌaswuɡˈujɛ nˈatɔ, ʒˈɛbɨ pˈujɕtɕ s tɔrbˈami.|2
+Dataset/wavs/urwisko_ferenc/15_segment_58.wav|dˈɔbrɛ i tɔ, uznˈawa xˈɛrman, zɛrkˈajɔnts tsˈɔ rˈuʃ na sklɛpˈɔvɛ vɨstˈavɨ. minˈɛli pˌapʲɛrɲˈitʃɨ i kɕɛŋɡˈarɲʲɛ, ktˌurɔ̃ pˌamjɛntˈawa jˈɛʃtʃɛ z ɔkrˈɛsu stˈudjuf.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_242.wav|ɔdˈɛzvaw ɕɛ tʃˈɨjʑ ɡwˈɔs. a ja xtsˈɛ, ʒˈɛbɨ tsɛrsˈɛi lanɲˈistɛr vʑˈɛwa mi w ˈusta. nˈɔː i tsˈɔ s tˈɛɡɔ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_14.wav|tɕˈɛʃɛ ɕɛ, ʒˈɛ zjavˈiwɛɕ ɕɛ tˈak ʃˈɨpkɔ.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_104.wav|splˌuɡavˈili plˈats sfɔˈimi ɕfiɲʲˈami, kɔzˈami i sfˈɔim kˈɔwɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_148.wav|nˈavɛt w ˌidɛˈalɲʲɛ tʃˈɨstɨm pɔvʲˈɛtʃu muɕˈawɔː upwˈɨnɔɲtɕ trˈɔxɛ tʃˈasu, ʒˈɛbɨ fʃˈɨstsɨ tɕi lˈudʑɛ ˌɔdʑɨskˈali pʃɨtˈɔmnɔɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_129.wav|mˈam nadʑˈɛjɛ, ʒˈɛ tɨ ɲʲɛ zamjˈɛʒaʃ skwˈadadʑ ʒˈadnɨx ɕlˈubuf, kuzˈɨŋku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_73.wav|a jˈɛɕli pʃˈɛs pɔmˈɨwkɛ vɨʒˈutɕiw dɔ kanˈawu tɛlˈɛfɔn daltˈɔna smˈitxa zˈamjast jɛdnˈɛɡɔ s pˌɔzɔstˈawɨx?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_19.wav|mˈuɕiʃ mʲˈɛdʑ zˈɛ sˈɔbɔ̃ tɛlˈɛfɔn. f pʃɛtɕˈivnɨm rˈaʑɛ ɲʲˈɛdam sˈɔbjɛ rˈadɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_113.wav|upʃˈɛdʑiwbˌɨm jˈɔ̃?|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_60.wav|ɔbˈavʲam ɕɛ, ʒˈɛ nˈaʃ fspˈulnɨ tʃˈaz dɔbjˈɛɡa kˈɔɲtsa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_30.wav|tˈuʃ pɔ pʲˈɛrʃɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_92.wav|pˈaɲi jˈɛnsɛn ɲʲˈɛtsɔ mʲˈɛŋkɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_92.wav|ˌɔdɛzvˈawa ɕɛ lˈɛna.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_127.wav|f pɔʒˈɔntku, stfʲˈɛrdʑa bʲˈillɨ. bjˈɔrɛ. fpˈaʑdʑ dɔ paɲskʲˈɛɡɔ bjˈura?|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_81.wav|pˌɔvɔdʑˈɛɲʲa, mˈuvi bʲˈillɨ i ɕɛ ɕmʲˈɛjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_172.wav|tʃˈujɛ sfˈɔnt pʃˌɨpalˈɔnɨx tɕˈastɛk. mˈuɕi pʃˈɛstʃɛts kˈatjɛ, pɔvʲˈɛdʑɛtɕ, ʒˈɛbɨ vɨjˈɛwa jˈɛ s pʲˌɛkarɲˈika, zˈaɲim vrˈutɕi xwˈɔpak ix mˈatki, ˌalɛ ɲʲɛ mˈɔʒɛ vɨdˈɔbɨtɕ s ɕˈɛbjɛ ɡwˈɔsu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_53.wav|spˈɔsup jɛj ɕmʲˈɛrtɕi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_49.wav|spˈɔjʒaw na mˈamɛ i tˈatɛ pʃˌɛkʃɨvʲˈajɔnts ɲʲˈɛtsɔ ɡwˈɔvɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_397.wav|pʃˌɛsunˈɔwɛm vʲˈɛnts mˈɛbɛl dɔ pɔkˈɔju ʒˈɔnɨ i zˌɔstavˈiwɛm ɡˈɔ pɔ ɕrˈɔtku.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_42.wav|xtɕˈawam pˌɔrɔzmˈavʲatɕ s tˈatɔ̃ pɔː ˌarɛʃtɔvˈaɲʲu, ˌalɛ mʲˈawam tˌɨlkɔ nˈumɛr dɔ pˌɛnsjɔnˈatu, a kɔbjˈɛta, ktˌura ˌɔdɛbrˈawa, pˌɔinfˌɔrmɔvˈawa mɲʲɛ, ʒˈɛ vˈɨʃɛd.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_113.wav|jˈɛɕli ˈuda tɕi ɕɛ tˈam, ɡdʑˈɛ ˈalin pʃˈɛɡraw...|1
+Dataset/wavs/urwisko_ferenc/43_segment_85.wav|f tˈamtɨm ɔkrˈɛɕɛ zˌaɡʲinˈɛwa mwˈɔda mˈatka.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_176.wav|ˌɔras tɨɣ dvˈux pʲˈɛrʃɨx pˌɔlitsjˈantuv vɨʃˈɛdwɛm na sxˈɔdɨ.|0
+Dataset/wavs/urwisko_ferenc/58_segment_29.wav|ɲʲɛ bˈardʑɔ vʲˈɛdʑaw, tsˈɔ ɕɛ dʑˈɛjɛ nˈatɨm parkˈiŋɡu i tʃɨ pɔvˈiɲʲɛn tsˈɔɕ s tɨm zrˈɔbʲitɕ.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_235.wav|tɔ bˌɨli ˌuʒɨtˈɛtʃɲi zˌakwadɲˈitsɨ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_30.wav|mʲˈɛjmɨ nadʑˈɛjɛ, ʒˈɛ ʃˈɨpkɔ dˈɔtrɔ̃ na mʲˈɛjstsɛ i bˌɛɲdʑɛ im tˌɔvaʒɨʃˈɨwa lˈɛpʃa pɔɡˈɔda ɲˈiʒ dʑˈiɕaj.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_34.wav|pˌɔkɔxˈawa tɔ dʑˈɛtskɔ prˈavʲɛ tˈak sˈamɔ jˈak tɔ, ktˌurɛ zˌɔstavˈiwa na mˈuʒɛ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_465.wav|ɡʒɛxˈɔtʃɔnts pɔ kamjˈɛɲʲu, a rˌɔskɔwɨsˈanɛ dɛmbˈɔvɛ vʲˈadrɔ rˌɔspɔtʃˈɛwɔ dwˈuɡʲi zjˈazd dɔ ɲʲˈɛba.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_188.wav|vʲˈɛnts jˈɛɕli bˌɛɲdʑɛʃ mˈɨɕlaw kʲˈɛdɨɕ ˈɔmɲʲɛ,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_11.wav|studˈɛɲtɕi na mˈɔim pʲˈɛntʃɛ zˈafʃɛ rˌɔzmavʲˈali ˈɔtɨm, tsˈɔ mʲˈawɔ ɕɛ vɨdˈaʒɨdʑ danˈɛɡɔ vʲɛtʃˈɔru.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_439.wav|ɲʲɛ pʃˈɛjmuj ɕɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_36.wav|i tˈak ɕɛ stˈaɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_22.wav|zˌɔstavˈiwɛm jˈɔ̃ vʲˈɛnts f spɔkˈɔju i jɛxˈaliɕmˌɨ dˈalɛj w ɡwˈɔmp ajˈɔwa.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_10.wav|trˈɔnt nalˈɛɡaw na dɨskrˈɛtsjɛ, vʲˈɛnts ˌumuvˈiliɕmˌɨ ɕɛ pʃɛt rˌɔspɔtʃˈɛɲtɕɛm nˌɔrmalnˈɛɡɔ dɲʲˈa prˈatsɨ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_206.wav|ɔtpˈarwa brjˈɛnnɛ. znalˈazwɛɕ sfɔjˈɛɡɔ kuzˈɨna?|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_184.wav|pˈɔttʃaz vˈɔjnɨ bˌɨwɨ brˈɔɲʲɔ̃, tˈak jˈaɡ dˌɔɕadajˈɔntsɨ ix lˈudʑɛ.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_485.wav|pˌɔmɨɕlˈawa sˈansa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_50.wav|ɔdʑˈɨva ɕɛ tɛlˈɛfɔn samjˈɛɡɔ, ktˌurɨ natˈɨxmʲast pʃɛnˈɔɕi vzrˈɔk na ˈɛkran.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_35.wav|pʃˌɨtulˈiwam ɡˈɔ jˈɛʃtʃɛ mˈɔtsɲʲɛj, a w rɛˈaktsji na smˈutɛk w jˈɛɡɔ ɡwˈɔɕɛ mˈɔjɛ ˈɔtʃɨ vˌɨpɛwɲˈiwɨ ɕɛ wzˈami.|3
+Dataset/wavs/urwisko_ferenc/25_segment_69.wav|f pˈɛvnɛj xfˈili ˈɔlɡʲɛrt pʃˈɨsnɔw na kanˈapʲɛ. kˈartki vɨpˈadwɨ mu z rˈɛŋki i rˌɔssɨpˈawɨ ɕɛ pɔ vɨtˈartɨm parkʲˈɛtɕɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_150.wav|jɛst pɔ drˈuɡʲɛj strˈɔɲʲɛ i...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_146.wav|ˌalɛ kʲˈɛdɨ s tˈɔbɔ̃ vˌɨjɛxˈawa, bˌɨwɛm zdrˌuzɡɔtˈanɨ.|3
+Dataset/wavs/urwisko_ferenc/08_segment_140.wav|mʲˈaw ɔxˈɔtɛ zɡɲʲˈɛɕtɕ tɛlˈɛfɔn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_139.wav|ɲʲˈɛma ˈinnɛj mˌɔʒlivˈɔɕtɕi. ɲʲɛ vʲˈɛʒɛ, ʒˈɛ zmʲɛɲˈiwa nazvˈiskɔ pˈɔnat pʲˈɛɲtɕ lˈat tˌɛmu na vɨpˈadɛk, ɡdˈɨbɨ kʲˈɛdɨɕ f pʃɨʃwˈɔɕtɕi xtɕˈawa zˌamɔrdˈɔvadʑ ʒˈɔnɛ sfɔjˈɛɡɔ ʃˈɛfa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_8.wav|ɲʲɛ spˌɔdʑɛvˈawam ɕɛ tɕˈɛbjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_59.wav|jɛdˈɨnɛ, kturˌɛɡɔ ɲˈikt ɲʲɛ ɔdvˈaʒɨwbˌɨ ɕɛ zˈadatɕ i na ktˈurɛ, pɔmˈimɔː ˌupɔkɔʒˈɛɲʲa, ɲˈiɡdɨ bˈɨm ɲʲɛ ˌɔtpɔvʲɛdʑˈawa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_18.wav|ˌalɛ mˈɨɕli sˈɔbjɛ, ʒˈɛ tˈutaj naprˈavdɛ mˈuɡw zapˈuɕtɕitɕ kɔʒˈɛɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_32.wav|a vʲˈɛnts xˈarɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_220.wav|mˈɨɕli, ʒˈɛ fstˈaɲʲɛ i pɔtʃˈɨta.|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_38.wav|jˈakɔɕ mu ɕɛ tɔ fʃˈɨstkɔ ɲʲɛ pɔdˈɔba i tˈɨlɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_112.wav|ɲʲɛ pɔʒˈutsam tɕˈɛ, ˈuvʲɛʃ mi.|2
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_88.wav|tɔ jˈuʃ skɔɲtʃˈɔnɛ, ˌɔbjɛtsˈujɛ. mˈuvjɛ wamjˈɔntsɨm ɕɛ ɡwˈɔsɛm, ˌalɛ ɲʲɛ rˈɔbʲi tɔ nˈaɲim ʒadnˈɛɡɔ vraʒˈɛɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_63.wav|spˈɛntsɛr pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_82.wav|a jˈɛdnak karˈabʲin ɲʲɛ jɛzd zˌaviɲʲˈɛntɨ f kˈɔts.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_418.wav|sɨnˈɔvʲɛ ɛwrˈɔpɨ vˈas ˌuratˈujɔ̃!|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_227.wav|katʃˈɔntkɔ zrˈɛʃtɔ̃ tˈɛʃ.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_267.wav|darˈɨɔn zˈɛrvaw pwˈaʒdʒ zˈɛ sfˈɛj nˈaɡʲɛj ʒˈɔnɨ i tɕˈisnɔw ɡˈɔ samˈɔvi prˈɔstɔ f tfˈaʃ.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_40.wav|ʒɛlˈaʑɲi lˈudʑɛ tsˈawɛ ʒˈɨtɕɛ spɛndʑˈajɔ̃ na mˈɔʒu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_259.wav|rˈɨan ɔdvrˈutɕiw ɕɛ i patʃˈɨli tˈɛras na ɕˈɛbjɛ tfˈaʒɔ̃ f tfˈaʃ.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_62.wav|dʑˈawaw bˈɛz zaʒˈutu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_145.wav|napˈiʃɛ dɔ tɕˈɛbjɛ smsˈa, kʲˈɛdɨ bˌɛndɛ tsˈɔʑ vʲˈɛdʑaw, dˈɔbra?|2
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_59.wav|nˈɔ dˈɔbʒɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_113.wav|i tsˈɔ ftˈɛdɨ zrˈɔbʲi? zatʃˈɨma jˈɔ̃ ˌɔtʃɨvˈiɕtɕɛ, xˈɔdʑbɨ dlatˈɛɡɔ, ʒˈɛ jɛzd ʑˈimnɔ, dɛʃtʃˈɔvɔː i sˈɔndʑɔndʑ z dʑvʲˈɛŋku vʲˈɛjɛ ɕˈilnɨ vʲˈatr, prˈavʲɛ vixˈura.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_13.wav|a jˈɛɡɔ stˈarɛ spˈɔdɲʲɛ i kɔʃˈulɛ, ktˌurɛj kˈɔlɔr zɲˈikw jˈuʒ dˈavnɔ,|0
+Dataset/wavs/urwisko_ferenc/27_segment_91.wav|mʲˌanɔvˈitɕɛ...|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_120.wav|vɛ fʃˈɨstkix pʃɨpˈatkax ˌudʑɛlˈiwam prˌavidwˈɔvɛj ˌɔtpɔvʲˈɛdʑi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_113.wav|mˈɔʒɛ nˈavɛd dɔ tsˈɔdɨ, ɡdʑˈɛ ɔn sˈam vˈɨɡraw pluʃˈaka dla mˈawɛj dʑɛftʃˈɨŋki.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_114.wav|litʃˈɨwɛm, ʒˈɛ bˌɛndɛ mʲˈaw tʃtˈɛrɨ...|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_442.wav|zˈɛ sfˈɨm spwaʃtʃˈɔnɨm nˈɔsɛm, vɨdˈatnɔ̃ ʃtʃˈɛŋkɔ̃ i ɕivˈɨmi, vˌɛwɲistˈɨmi vwɔsˈami brˈɨun ɲʲˈɛmuɡw uxˈɔdʑidʑ za pʃˌɨstɔjnˈɛɡɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_117.wav|vˌɨjaɕɲˈiwam i mˈɔjɛj uvˈadʑɛ ɲʲɛ ˈuʃwa jˈɛɡɔ zˌakwɔpɔtˈana mˈina.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_2.wav|lˈuba|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_51.wav|ˌalɛ tʃˈɛɡɔ tˈak naprˈavdɛ bˌɨwa vˈinna?|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_117.wav|f kɔxˈɔʒɛ zvˈɔ̃ ɡˈɔ tʃˈarnɨm kˈɔzwɛm, vˈitʲi lvˈɛm nˈɔtsɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_68.wav|a jˈɛɕli tɔ tsˈɔɕ, tsˈɔ pˈɔdaw ftˈɛdɨ mˈamjɛ, ɲʲɛ vˌɨɛlˌiminɔvˈawɔ vɨwˈɔntʃɲʲɛ jɛj zwˈɛɡɔ sˌamɔpɔtʃˈutɕa?|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_471.wav|xˈɔdʑ zˈɛmnɔ̃, prˈɔʃɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_205.wav|ʒˈɛ mˈɔʒɛʃ jˈuʃ ɲʲˈɛmʲɛtɕ ɔkˈazji tˌɛɡɔ spˈisatɕ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_47.wav|fstʃɨmˈujɛ ˈɔddɛx.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_1.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_208.wav|zvˈɔlɲij mɲʲɛ s pʃɨɕˈɛŋɡʲi, jˈakɔ̃ zwɔʒˈɨwɛm lˈadɨ tsatˈɛlɨn, a stˈavjɛ tɕi tʃˈɔwɔ z mʲˈɛtʃɛm w dwˈɔɲi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_68.wav|ɡdˈɨbɨm kˌɔmukˈɔlvʲɛk pˌɔvʲɛdʑˈawa...|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_385.wav|pˈɔtɛm, mˈɛntʃɔnts ɕɛ tɨm bˌɛznadʑˈɛjnɨm i prɔstˈatskim kˌɔnvɛnˈansɛm,|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_364.wav|tʃɨ tfˈuj ˈɔjtɕɛts mˈɔʒɛ mi jˈɛ ˈɔddatɕ?|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_103.wav|jˈamɛ rˈɔspʲɔw ɔstˈatɲi ʒˈɛmjɛɲ i ɔdwˈɔʒɨw rˈɛŋkɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_2.wav|jˌɛstɛm zbˈɨt ˌɔʃɔwɔmjˈɔna, bˈɨ ɕɛ pɔrˈuʃɨtɕ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_37.wav|zvalɲʲˈamɨ. za kˈawtsjɔ̃. stˈawɛm ˌɔswupʲˈawɨ pʃɛd drɛvɲʲˈanɔ̃ barjˈɛrkɔ̃, ktˌurɔ̃ pˌamjɛntˈawɛm z dˈavnɨx lˈat.|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_61.wav|vʲˈɛʃ jˈuʃ, tsˈɔ xtɕˈawabˌɨɕ studjˈɔvatɕ?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_2.wav|dɔpʲˈɛrɔ pɔ kˈilku xfˈilaɣ dɔtɕˈɛra dɔ mɲʲɛ tɔ, tsˈɔ vˈidʑɛ pʃɛt sˈɔbɔ̃.|3
+Dataset/wavs/urwisko_ferenc/52_segment_41.wav|ɲʲɛ rˌɔspɔznˈavaw numˈɛru, ˌalɛ mˈimɔ fʃˈɨstkɔː ɔdˈɛbraw. ɡɔtˈɔvɨ zakˈɔɲtʃɨtɕ pˌɔwɔntʃˈɛɲʲɛ, jˈɛɕli pɔ drˈuɡʲɛj strˈɔɲʲɛ ɔdˈɛzvʲɛ ɕɛ bˈɔt.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_23.wav|tɨ ɲˈiɡdɨ ɲʲɛ kwˈamjɛʃ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_23.wav|tˈɔm pɔpˈatʃɨw na zdjˈɛɲtɕa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_23.wav|ɲʲɛ jˌɛstɛm pˈɛvna, tʃɨ vˈɔlnɔ mi tˈam fxˈɔdʑitɕ, ˌalɛ tɔ mˈɔja rɔdʑˈina jɛst w ɲʲˌɛbɛspʲɛtʃˈɛɲstfʲɛ, vʲˈɛndʑ ɡˈuzik mɲʲɛ tɔː ɔpxˈɔdʑi.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_5.wav|z zˈɛvnɔndʒ dɔbjˈɛɡaw ɡwˈɔs ʃˈɛf ɔsmˈunda kˌɛttlɛblˈaka. z drˈɔɡʲi, zˈɛjtɕtɕɛ z ulˈitsɨ. zrˈuptɕɛ pʃˈɛjɕtɕɛ dla jɛj miwˈɔɕtɕi krulˈɔvɛj.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_92.wav|ɲʲɛ vˈɔlnɔ mi ˈɔtɨm mˈɨɕlɛtɕ. ɲʲɛ vˈɔlnɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_74.wav|dʒˈamal i tsˈɔrin ɲʲɛ dɔpˈuʃtʃɔ̃ kˈamɛr dɔ dʑˈɛtɕi, ˌalɛ vˌɨstartʃajˈɔntsɔ pʃˈɨkrɛ bˌɛɲdʑɛ tɔ, ʒˈɛ sˈami pʃɛt ɲˈimi vɨstˈɔmpjɔ̃. fatsjˈɔvʲɛ tˈɛʃ i pˌɛtɛrsɔnˈɔvʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_340.wav|pˈɛwnɔ̃ wˌaskavˈɔɕtɕi.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_301.wav|ɲikˈɔmu innˈɛmu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_18.wav|dɔ xfˈili ɕmʲˈɛrtɕi ɡˌɛnɛvʲˈɛvɛ vʲɛʒˈɨwam, ʒˈɛ jˌɛstɛm bɛspʲˈɛtʃna.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_13.wav|i ˈandɛrsɔn vˌɨwɔntʃˈɨfʃɨ ɕˈilɲik ɔtfˈɔʒɨw dʒvˈi kabʲˈinɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_19.wav|za tʃˈɨ dɲˈi ɡɔtˈɔvɛ tˈɛʒ bˌɛndɔ̃ papʲˈɛrɨ dla ˈɛlis, ˌalɛ bˈutskɨ xtsˈɛ, ʒˈɛbɨ kupˈiwa fˈarbɛ dɔ vwˈɔsuf, kʲˈɛdɨ pɔjˈɛdʑɛ z bʲˈillim dɔ sˌidɛvˈindɛr na zakˈupɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_39.wav|ɲʲɛ dɔ kˈɔɲtsa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_35.wav|tˈɔm ˈuznaw, ʒˈɛ ɲˈikt jˈuʒ dɔ ɲʲˈɛɡɔ ɲʲɛ zadʑvˈɔɲi i ʒˈɛ pʃɨdˈawabˌɨ mu ɕɛ ʃklanˈɛtʃka fçˈiskɨ, ˌalɛ f tɨm sˈamɨm mɔmˈɛɲtɕɛ zˌaɕfʲɛrɡˈɔtaw jˈɛɡɔ tɛlˈɛfɔn.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_119.wav|ɡdˈɨbɨ ʃtˈutʃɲʲɛ pɔdbʲˈijaw tsˈɛnɨ ˈalbɔ prubˈɔvaw za bˈardʑɔ kˌɔntrɔlˈɔvatɕ prɔdˈuktsjɛ zˈafɔ, strˈatɕiwbˌɨ kˈɔntrakt.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_180.wav|xˈɔdʑ zapˈɛvnɛ pʃˈɨjdʑɛ dʑˈɛɲ, ʒˈɛ i tˌɛɡɔ ɕɛ naˈutʃɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_54.wav|ɲʲˈɛma tˈu sɨɡnˈawu. tɨ jˈakiɕ wˈapʲɛʃ? pˈɨta.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_45.wav|kˈartɔn jɛst w ɕrˈɔtku, a jˈɛɡɔ skʃɨdˈɛwka sɔ̃ rˌɔsxɨlˈɔnɛ i ɔtfˈartɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_37.wav|f kˈɔɲtsu znˈuf ɕɛ dɔ ɲʲˈɛɡɔː ˌɔdvrutɕˈiwa, ˌalɛ utkfˈiwa vzrˈɔk f pɔdwˈɔdʑɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_9.wav|pɔvʲˈɛki jɛj tʃɛpˈɔtʃɔ̃, prubˈujɛ tsˈɔɕ pɔvʲˈɛdʑɛtɕ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_321.wav|ɡdˈɨ ɕɛ ˌɔtfɔʒˈɨwɨ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_62.wav|ɲʲˈɛx pʃɨbˈɛndɔ̃ tˈu fʃˈɨstsɨ i ɲʲˈɛx pʃˌɨprɔvˈadʑɔ̃ zˈɛ sˈɔbɔ̃ lˌaɲistˈɛruf.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_217.wav|kˈilka rˈazɨ zɡʲˈɛwam i rˌɔsprɔstɔvˈawam pˈaltsɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_84.wav|mˈatka bˌɨwa ʃtʃɛɲɕlˈiva, jˈak mˈawɔ ktˈɔ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_291.wav|dvʲˈɛ kɔlˈɛjnɛ dˈamɨ dvˈɔru marɡˈarɨ, mɛrˈɛdʲitx krˈanɛ i dʒˈɛjn fɔsˈɔvaj.|1
+Dataset/wavs/urwisko_ferenc/04_segment_26.wav|pˈadaw ftˈɛdɨ ʒɛɲɕˈistɨ dˈɛʃtʃ i bˌɨwɔ ʑˈimnɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_351.wav|ktˈɔɕ rɔspˈɔtʃɔw kˈutɕɛ kɔlˈɛjnɛj ɕtɕˈanɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_103.wav|tsˈɔ maʃ na mˈɨɕli?|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_223.wav|ɲʲɛ maʃ ʃˈans, mˈuvi bˈutskɨ. najvˈɨʒɛj na ɕˌɛdɛmnˌastɔlˈatkɛ. jˈaɡ dˈɔbʒɛ pˈujdʑɛ.|2
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+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_310.wav|ftɕˈɔ̃ʃ pamjˈɛntam, jˈak mu pˌɔvʲɛdʑˈawam, ʒˈɛ jˌɛstɛʑ ɡˈɛjɛm. mɨɕlˈawam, ʒˈɛ ɕɛ fkˈuʒɨ, ˌalɛ jˌɛmu ulʒˈɨwɔ. nˈavɛt ɕɛ uɕmʲˈɛxnɔw.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_176.wav|ɲʲɛ dɔ pˌɔvʲɛdʑˈɛɲʲa stulˈɛtɕa. ta kɔbjˈɛta zˌamjɛɲˈiwa kˈɛɲʲɛ w ɕfʲatˈɔvɨ ɔɕrˈɔdɛk pʃɛmˈɨswu kˌɔsmitʃnˈɛɡɔ. zˌaswu��ˈɨwa na naɡrˈɔdɛ nˈɔbla.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_245.wav|xˈɔdʑ zˈɛmnɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_34.wav|vʲɛdʑˈawam, ʒˈɛ tsˈɔɕ nˈatɔ zarˈadʑiʃ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_33.wav|ɲʲɛ xtɕˈawɛm tɕˈɛ ɔbˈudʑitɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_21.wav|tsˈɔfam ɕɛ ɔ krˈɔk, starˈajɔnts ɕɛ ɲʲɛ ˌɔkazˈɨvadʑ zmʲɛʃˈaɲʲa. jɛzd zwˈɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_147.wav|jˈɛʑdʑiʃ tˈam tʃˈasɛm?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_244.wav|jˈɛɕli pˈujdʑɛʒ zˈɛmnɔ̃...|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_70.wav|i jˌɛstɛm pˈɛvʲɛn, ʒˈɛ ɔjtʃˈɨzna mi tˌɛɡɔ ɲˈiɡdɨ ɲʲɛ zapˈɔmɲi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_71.wav|pʃˈɛs xfˈilɛ ɲʲɛ dɔjʒˈawa ɡˈɔ, kʲˈɛdɨ stˈaw i pˈatʃɨw nˈaɲʲɔ̃. jˈasnɔ vwˈɔsa, jˈasnɔ skˈura.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_121.wav|ɡdˈɨbɨm zaɡrˈɔziw, ʒˈɛ udˈɛʒɛ tɕˈɛ f tfˈaʃ, jˈɛɕli ɕɛ jˈɛʃtʃɛ rˈas ɔdˈɛzvʲɛʃ, a tɨ bˈɨɕ tsˈɔɕ pɔvʲˈɛdʑaw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_86.wav|ɡrˈundʒɛ ˈaɡɛnd zabrˈɔɲiw tɕi ˈɔɲʲɛj mˈuvitɕ, ʒˈɛ tɔ ɕtɕˈiɕlɛ tˈajnɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_252.wav|miltʃˈawa pʃˈɛs xfˈilɛ, nˈalaw jɛj pˈuw ʃklˈaŋki fçˈiskɨ i pˈɔdaw jɛj.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_201.wav|tʃˌɛmu zakwˈadaʃ, ʒˈɛ jɛst jˈakiɕ... na tʃɨm pɔlˈɛɡa pʃˈɛkrɛnt? pɔftˈuʒɨw.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_10.wav|ɲʲɛ mˈɔʒna tˈak pɔ prˈɔstu dɔ ɲˈix fxˈɔdʑitɕ. pʃɨ dʒvʲˈaɣ znajdˈujɛ ɕɛ pˈanɛl, dɔ kturˌɛɡɔ tʃˈɛba pʃɨwˈɔʒɨdʑ ɡʲˈizmɔ, ˌalɛ ja ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ fˌiɡurɔvˈawam na lˈiɕtɕɛ ˌupɔvaʒɲʲˈɔnɨx.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_111.wav|spɔjʒˈawam na tˈatɛ, ktˌurɨ nˌajvɨrˈaʑɲʲɛj ɲʲɛ pɔtrˈafiw ɕɛ zdˌɛtsɨdˈɔvatɕ, tsˈɔ zrˈɔbʲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_529.wav|lˈɛpʲɛj jˈuʃ kˈɔɲtʃtɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_397.wav|tɕɔŋɡnˈɛwa mirˈanda, ˌalɛ ɲʲɛ mˈɔʒɛ vʲˈɛtʃɲʲɛ ɔpxˈɔdʑidʑ ʒawˈɔbɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_394.wav|jˈak tɔ jɛst f tɛj pʲɔsˈɛntsɛ, ʒˈɛ ˈidɔ̃ rˈazɛm?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_38.wav|kʲˈɛdɨ pʃɛstˈawam pwˈakatɕ, uɕˈɛdliɕmˌɨ na wˈuʃku. xfˈɨtɕiw mˈɔjɔ̃ dwˈɔɲ, a ja ˌɔpɔvʲɛdʑˈawam ɔ tsˈawɨm zdaʒˈɛɲʲu.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_35.wav|pˈɔvʲɛts mi zˈatɛm fʃˈɨstkɔ vwasnˈɨmi swɔvˈami, tˈɔm. zdˌɛtsɨdɔvˈaɲʲɛ vˈɔlɛ tsˈɔɕ takʲˈɛɡɔ ɲˈiʃ fɔrmˈalnɔ̃ vˈɛrsjɛ filˈipɨ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_317.wav|naprˈavdɛ nazˈɨva ɕɛ wˈat.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_98.wav|ɡdʑˈɛ pʃˌɛbɨvˈawam f sfˈɔjɛj ɡwˈɔvʲɛ pʃˈɛs kˈilka ɔstˈatɲix mˈinut, a mˈɔʒɛ ɡˈɔdʑin?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_4.wav|vʲˈɛm, tsˈɔ pˌɔvʲɛdʑˈawɛm filˈipa i dɔ pɛvnˈɛɡɔ stˈɔpɲʲa jɛst tɔ nˈadal ˌaktuˈalnɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_4.wav|jˈakim tsˈudɛm ɔn ˈutɕɛkw?|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_220.wav|ˌɔɡlɔndˈamɨ jˈɛ tˈu tˈaɡ ʒˈatkɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_176.wav|ɲʲɛ mˈɔɡɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_57.wav|jɛj mˈɔ̃ʒ bˈɨw drˈaɲʲɛm, vʲˈɛnts ktˈɔ mˈɔʒɛ jˈɔ̃ vˈiɲitɕ, ʒˈɛ jɛzd zɡɔʃkɲʲˈawa?|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_147.wav|fʃˈɨstkɔ tɔ pɔd varˈuŋkʲɛm, ʒˈɛ ɡʲˈɔrɡjɔ bˌɛɲdʑɛ mˈiltʃaw.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_175.wav|vɨbrˈawam nˈumɛr lˈɛnɛ i tʃɛkˈawam, dɔpˈuki ɲʲɛ vwɔntʃˈɨwa ɕɛ pˈɔtʃta ɡwɔsˈɔva.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_139.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_303.wav|sxˈɔvaw butˈɛlkɛ pɔd bˈar, a ja pˌɔtɕɔŋɡnˈɛwam wˈɨk pˈiva, ʒˈɛbɨ pʃɛpwˈukatɕ ˈusta.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_54.wav|dˈavn ˈɛdmɔnts fspˌɔminˈawa, ʒˈɛ spˌɛtsjalnˈɔɕtɕɔ̃ rɔɡˈɛra jaɡˈɛra bˌɨwɔ rˌɔstʃaskivˈaɲʲɛ kˈɔlan.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_31.wav|na pɔtʃˈɔntɛk ɔpˈɔvʲɛts nˈam ɔ sˈɔbjɛ i ˈaʃu.|4
+Dataset/wavs/urwisko_ferenc/09_segment_49.wav|xˈɛrman ɲʲɛ bˈardʑɔː ˌintɛrɛsˈɔvaw tɛn vˈɔntɛk.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_57.wav|tsˈɔ maʃ na mˈɨɕli? zapˈɨtaw tˈɔm.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_48.wav|kˌakˌazˈɛt jɛzd bˈardʑɔ xˈɔjna i fʃˈɨstsɨ jɛstˌɛɕmɨ zˈatɔ vdʑˈɛntʃɲi.|4
+Dataset/wavs/urwisko_ferenc/36_segment_5.wav|mˈarja ftsˈalɛ ɲʲɛ pʃˌɛjmɔvˈawa ɕɛ ɔlɡʲˈɛrdɛm, bˈɔ skˈɔrɔ dʑvˈɔɲiw, tɔ znatʃˈɨwɔ, ʒˈɛ mˈa ɕɛ dˈɔbʒɛ. xɔdʑˈiwɔ jɛj ɔ ʒˈɔnɛ ˈarka.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_325.wav|ɲˈiɡdɨ bˈɨ ɕɛ tˌɛɡɔ ɲʲɛ dˌɔmɨɕlˈiwa z jˈɛɡɔ pɔtʃˈɨnaɲ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_18.wav|jˈɛdnaɡ dˌɔmɨɕlˈiwɛm ɕɛ, ʒˈɛ tsˈɔɕ jɛst ɲʲɛ tˈak, kʲˈɛdɨ tfˈɔja mˈama ɲʲɛ mʲˈawa pɔjˈɛɲtɕa na tˈɛmat tfɔjˈɛɡɔ pʲɛrʃˈɛɡɔ dʑˈɛtska, tˈɛɡɔ, ktˌurɛ pˈɔnɔtɕ pˌɔrɔɲˈiwaɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_154.wav|litfˈiŋkɔ̃? tɔ skˈɔnt ɕɛ tˈu pˈaɲi vʑˈɛwa?|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_164.wav|ɲʲɛ pʃˈɛjmuj ɕɛ ʃtʃˌɛɡuwˈami.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_29.wav|prˈɔʃɛ pɔtpˈisadʑ zvrˈɔt pɔrtfˈɛlu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_29.wav|ʃtɨvɲʲˈɛjɛ i zakrˈɨvam dwˈɔɲʲɔ̃ ˈusta.|4
+Dataset/wavs/urwisko_ferenc/17_segment_31.wav|vˈuftʃas jɛj mˈatka ˌɔdɛtxnˈɛwabˌɨ z ˈulɡɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_54.wav|ˈaram ɲʲɛ lˈubʲi dʑˈɛtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_120.wav|bʲˈillɨ zblˈiʒa pˈalɛts fskˌazujˈɔntsɨ dɔ ktɕˈuka, bˈɨ pɔkˈazatɕ, ʒˈɛ tˈak, rɔzˈumjɛ, ˌalɛ tˌɨlkɔ trɔʃˈɛtʃkɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_158.wav|a vʲˈɛnts mɲʲɛ ɲʲɛ xtɕˈawɛɕ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_95.wav|pˈɔvʲɛts mi, dlatʃˈɛɡɔː ɔtxˈɔdʑiʃ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_170.wav|ɔtpˈɔvʲɛtɕ pʃɨxˈɔdʑi ɔt rˈazu. ɲʲɛ, rˈatʃɛj jɛst na mʲˈɛjstsu, ˌalɛ ɲʲˈɛvʲɛm tˌɛɡɔ na pˈɛvnɔ, pʃˈɨkrɔ mi.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_434.wav|pɔvʲˈɛdʑaw alˈain, ʒˈɛ mwˈɔdɛ dʑɛftʃˈɛnta|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_129.wav|ˌɔvinˈawa f ʃmˈatkɛ trˈɔxɛ sˈɛra, pʲˈɛntkɛ xlˈɛba, suʃˈɔnɛ jˈapkɔː ˌɔraz dvˈa kavˈawki rˌɔspadˌajɔntsˈɛɡɔ ɕɛ dˈɔrʃa.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_53.wav|stɔkrˈɔtnɛ dʑˈɛŋki, kɛlvˈiɲʲɛ. ɔdˈɛzvɛ ɕɛ na rˈaʑɛ.|4
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_210.wav|ɡˈura z lˈat mɔjˈɛɡɔ dʑɛtɕˈiɲstfa. dvˈa rˈazɨ ɔt ɲʲˈɛɡɔ mɲʲˈɛjʃɛ, ˌalɛ dvukrˈɔtɲʲɛ bˈardʑɛj ʃalˈɔnɨ.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_422.wav|pʃɨbˈɨvaj natˈɨxmʲast.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_205.wav|vˈɔlmark tɔ tˌɨlkɔ ɲʲˌɛdɔrˈɔstɛk, ˌalɛ pɔ mˈattsɛ w jˈɛɡɔ ʒˈɨwax pwˈɨɲʲɛ krˈɛf xarˈɛna tʃarnˈɛɡɔ, a bˈalvʲɛʃ...|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_521.wav|rˈas i drˈuɡʲi pʃɛjˈɛwa ˌiɲitsjatˈɨvɛ, a ja bˌɨwɛm trˈɔxɛ dˈumnɨ, a trˈɔxɛ zˌafstɨdʑˈɔnɨ jɛj ˌumjɛjˌɛntnɔɕtɕˈami.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_107.wav|kʲˈɛdɨ ˈɔtʃɨ mu ɕɛ mɛntʃˈɨwɨ, prˈɔɕiw tsˈat, ʒˈɛbɨ mu tʃɨtˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_202.wav|ˌɔɡlɔndˈajɔ̃ tʃˈɨ ɔttɕˈiŋki, pˈɔttʃaz ɡdˈɨ na zˈɛvnɔntʃ ftɕˈɔ̃ʃ lˈɛjɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_90.wav|tatˈuɕu! vˈɔwa i fpˈada mu w ramjˈɔna.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_45.wav|vʲˈɛm, ʒˈɛ tˈaka mˈɨɕl tɕˈɛ pʃɛrˈaʒa, ˌalɛ jˌɛstɛm pʃˌɛkɔnˈanɨ, ʒˈɛ tˈutaj xˈɔdʑi ɔ tsˈɔʑ zupˈɛwɲʲɛ innˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_126.wav|bʲˈillɨ ʃˈɨpkɔ tɔ kasˈujɛ. mˈa nadʑˈɛjɛ, ʒˈɛ ɲˈiɡd ɡˈɔ f tɛj xfˈili ɲʲɛ pɔdɡlˈɔndaw.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_230.wav|w jɛj kˈɔɲtsu ɕˈɛdʑaw na p��ɔdvɨʃʃˈɛɲʲu mɛ̃ʃtʃˈɨzna ɔ vˌɨnɛndʑɲʲˈawɛj tfˈaʒɨ, skrɔbjˈɔntsɨ tsˈɔɕ f kɕˈɛndʑɛ ɡˈɛɲsim pʲˈurɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_148.wav|fspaɲʲˈalɛ! vwˈaɕɲʲɛ nˈatɔ pʲˈɛntrɔ xtɕˈawam ɕɛ dˈɔstatɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_162.wav|pɔvʲˈadam, ʃɨbˈɔvʲɛts ɲʲˈɛma pʃˌɛtɕɛʃ ɕilɲˈika. a ɔn dɔ mɲʲɛ. tʃɨ maʃ kɔlˈɛɡɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_110.wav|prˈavʲɛ jˈaɡbɨ ktˈɔɕ ʃˈɛpnɔw mu w ˈuxɔ, jˌɛstɛʑ vˈɔlnɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_82.wav|nˈɔː i tsˈɔ? spˈɨtaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_150.wav|jˈak mˈɔɡwa tˈak mɲʲɛ ɔkwˈamatɕ?|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_239.wav|ɔdbʲˈijaw ɕɛ na tfˈɔjɛj tfˈaʒɨ.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_7.wav|tsɔkˈɔlvʲɛk mu pˈɔvʲɛm, bˌɛndɛ muɕˈawa tɔ zrˈɔbʲidʑ w bˈardʑɔ pʃˌɛkɔnujˈɔntsɨ spˈɔsup.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_4.wav|jˈɔ pˌɔpatʃˈɨwa nˈaɲʲɔ̃ zˈɛ zdumjˈɛɲʲɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_332.wav|a zˈaɲim stˈadɔ ɡɔwˈɛmbʲi ɡrˌuxajˈɔntsɨx na rˈɨnɲʲɛ.|0
+Dataset/wavs/urwisko_ferenc/17_segment_47.wav|jɔˈanna mˈitraz zˌadʑvɔɲˈiwa dɔ mˈarji f xfˈili, ɡdˈɨ jɛj xˌazardˈɔvɨ ɕfʲˈat, ɔt pɔtʃˈɔntku bˌudɔvˈanɨ na kwˈamstfʲɛ, rˈunɔw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_24.wav|nˈɔ tˈak.|0
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+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_301.wav|ˈalbɔ jˈɛʃtʃɛ ɡˈɔrɕi lˈudʑɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_62.wav|mrˈuʒɛ ˈɔtʃɨ i vbʲˈija vˈɛmɲʲɛ spɔjʒˈɛɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_131.wav|zˈɛrkam na kɔbjˈɛtɛ. vˈidʑɛ, ʒˈɛ ˌɔpsɛrvˈujɛ julˈɔŋɡa, zapˈɛvnɛ pʃˌɛkɔnˈana, ʒˈɛ ɔn ɲʲɛ spasˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_68.wav|jˈɛdɛn z ɲˈix mˈuviw ɡwˈɔɕnɔ dɔ mˌikrɔfˈɔnu.|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_4.wav|rˈɔp pɔdˈɛrvaw ɡwˈɔvɛ i pɔpˈatʃɨw na tˈɔma z ˌuɲʲɛɕɔnˈɨmi brvʲˈami, jˈaɡbɨ ɲʲɛ spɔdʑˈɛvaw ɕɛ zˌaprɔʃˈɛɲʲa.|4
+Dataset/wavs/urwisko_ferenc/48_segment_8.wav|ˈɔlɡʲɛrt sˈɔɲdʑiw, ʒˈɛ fʃˈɨstkɔ, tsˈɔ ɕɛ pˈuʑɲʲɛj vˌɨdaʒˈɨwɔ, bˌɨwɔ jˈɛɡɔ vˈinɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_106.wav|bʲˈillɨ kasˈujɛ ˌɛsˌɛmˈɛsa, kwˈadʑɛ ɕɛ i pɔ minˈutɕɛ zasˈɨpja.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_318.wav|zɛɲˈitʃka.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_16.wav|stˈaw, ɔpˈarwʃɨ rˈɛntsɛ na jˈɛɡɔ prˈɔɡu i pˈatʃɨw na rˌɔbɔtɲˈikuf, ktˌuʒɨ rˌɔzmavʲˈali z mˌɛnadʒˈɛrɛm dˈɔmu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_344.wav|ʒˈɛ musˈimɨ bˈɨtɕ tsˈawɨ tʃˈaz zˈɛ sˈɔbɔ̃, inˈatʃɛj ɲʲˈɛma tɔ sˈɛnsu, inˈatʃɛj bɨwˈɔb�� tɔ fstrˈɛntnɛ.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_315.wav|pʃˈɛs xfˈilɛ dʒˈɛjn mʲˈaw pʃɛvˈaɡɛ.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_209.wav|ɡdˈɨbɨ ɲʲɛ tɔ, mˈɔʒna bˈɨ ɡˈɔ vʑˈɔɲtɕ rˈatʃɛj za pˌɔrtɔvˈɛɡɔ zbʲˈira ɲˈiʒ za mˌaɛstˈɛra.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_118.wav|tˈak pʃɨpˈuʃtʃam.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_62.wav|tˈaka jɛst natˈura vˌalɛrjˈaɲskʲɛj stˈali.|1
+Dataset/wavs/urwisko_ferenc/49_segment_70.wav|pˈɔza tɨm jˌɛstɛm xɔlˈɛrɲʲɛ tɕˈɛkaf, tsˈɔ kˌɔmbʲinˈujɛʃ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_95.wav|ɔdvrˈatsa ɡwˈɔvɛ i pˈatʃɨ nˈamɲʲɛ s tˈakim ˌɔkrutɕˈɛɲstfɛm, ʒˈɛ ˈaʃ mrˈɔʑi mi krˈɛv w ʒˈɨwax.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_125.wav|uɕmʲˈɛxam ɕɛ dɔ ɲʲˈɛɡɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_189.wav|i tˈaɡ bˈɨɕ ɲʲɛ zrɔzˈumjaw.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_376.wav|a tsˈɔ? tʃɨ jˈuʃ ɲʲˈɛma ɕˈilnɨɣ bandˈɨtuf? tɔ ɲʲɛ nalˈɛʒɨ dɔ tɕˈɛbjɛ. ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ ɲʲɛ. pɔ prˈɔstu rˌɔzmavʲˈamɨ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_91.wav|tɔ swˈɔvɔ zabʒmʲˈawɔ tˈak pisklˈivʲɛ, ʒˈɛ sˈam ˈaʃ ɕɛ skʃˈɨviw.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_142.wav|ɔdnˈɔɡa rɔˈuɡrin lˈɔɔp lˈinɛ, ktˌura bjˈɛɡɲʲɛ z mˈɔntxɔn ˈaʃ na pʃɛdmʲˈɛɕtɕa bˈɔltɔn.|3
+Dataset/wavs/urwisko_ferenc/11_segment_95.wav|zwˈɔʒɨw talˈɛʒɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_69.wav|ɔtpˈɔvʲɛtɕ na pɨtˈaɲʲɛ, w jˈaki spˈɔsup pʃˌɛkɔnˈanɔː iɣ dɔ pˌɔnɔvnˈɛɡɔ pwatsˈɛɲʲa, mˈɔɡwa ɔkˈazatɕ ɕɛ bˈardʑɔː ˌintɛrˌɛsujˈɔntsa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_117.wav|mˈukw fɕˈɔ̃ɕtɕ tˈam dɔ sˌamɔxˈɔdu ˈalbɔ pʃˈɛjɕtɕ pʃˈɛs pˈarkiŋɡ dɔ jɛdnˈɛɡɔ z vʲˈɛlu vˈɨjɕtɕ.|3
+Dataset/wavs/urwisko_ferenc/46_segment_192.wav|ˈɔlɡʲɛrt ɕɛ sxˈɨliw, bˈɨ pˈɔmuts ʃtʃɛrpskʲˈɛmu fstˈatɕ, ˌalɛ ftˈɛdɨ tɔ zˌauvˈaʒɨw i zˈamar.|0
+Dataset/wavs/urwisko_ferenc/50_segment_30.wav|mʲˈaw kwɔpˈɔtɨ z ˌɔtpɔrnˈɔɕtɕɔ̃. uznˈali, ʒˈɛ jˈɔd dˈɔbʒɛ mu zrˈɔbʲi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_5.wav|bʲˈillɨ vɨpˈija tˌɨlkɔ jˈɛdnɔ̃ lˈampkɛ, bˈɔ mˈuɕi prɔvˈadʑidʑ w drˈɔdʑɛ pɔvrˈɔtnɛj.|2
+Dataset/wavs/urwisko_ferenc/36_segment_173.wav|ɡdʑˈɛɕ f tlˈɛ|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_297.wav|ɡˈarin dvˈa nastˈɛmpnɛ lˈata spˈɛɲdʑi f tˈɨrɔʃ.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_146.wav|pɔxˈɨliw ɡwˈɔvɛ. ɡdˈɨ pʲˈɛs pˈɔtʃɛd ɡˈɔː ɔbvˈɔnxatɕ, brˈat ɔdʒˈutɕiw wɔpˈatɛ i pɔdrˈapaw ɡˈɔ pɔː ˈuxu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_93.wav|ʃukˈawɛɕ aɡˈɛntuf f ɕˈɛtɕi mˈuvi ɡʲˈɔrɡjɔ, pˈɔtɛm jˈɛdnak ɕɛ vˈaxa. kɔʒˈɨstaʒ z ˌintɛrnˈɛtu, prˈavda?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_323.wav|na dwˈuɡʲim vˈusku pʃˌɨpɔmˌinajˈɔntsɨm ʃpitˈalnɛ, a vʲˈɛnts nˈatɨm vˈusku lˈɛʒaw kʃtˈawt lˈutski.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_105.wav|ɡdʑˈɛ ɔn mˈɔʒɛ bˈɨtɕ? pʃɨxˈɔdʑi pˈaɲi tsɔkˈɔlvʲɛk na mˈɨɕl?|3
+Dataset/wavs/urwisko_ferenc/03_segment_50.wav|ˈɔtpar tfˈardɔː i dˈɔdaw, tfʲɛrdʑˈiwa, ʒˈɛ jɛst ɲʲɛvˈinna. bˌɨwa pˈɛvna, ʒˈɛ tɔ jɛj mˈɔ̃ʃ mʲˈaw ˈɔdvʲɛʑdʑ dʑˈɛtskɔ dɔ ʒwˈɔpka.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_258.wav|ɲʲˈɛspraf mi zavˈɔdu.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_36.wav|kɕˈɔ̃ʒɛ rˌɔskazˈujɛ, a xˈɔtax swˈuxa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_143.wav|tɨ vʲˈɛʃ, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_106.wav|ɕmʲɛtˈaŋka jˈɛʃtʃɛ ɕɛ tʃˈɨma, ˌalɛ mlˈɛkɔ skfaɕɲʲˈawɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_182.wav|bˈɛtskɨ pˌɔxɨlˈiwa ɕɛ dɔ pʃˈɔdu.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_287.wav|vʲˈɛŋkʃɨ ɲˈiʒ zˌaswuɡˈujɛʃ. dˈɔbʒɛ swuʒˈɨwɛɕ mi jˈakɔ najvˈɨʃʃɨ sˈɛɲdʑa, pˈaɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_219.wav|jˌɛstɛm ix krulˈɔvɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_122.wav|tɔ pˌɔzvɔliwˈɔbɨ zaxˈɔvatɕ rˌuvnɔvˈaɡɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_108.wav|pˈɔra na pʲˈɛrʃɔ̃ kɔrˈɛktɛ plˈanu. ɡʲˈɔrɡjɔ mˈɨɕli, ʒˈɛ fʃˈɨstkɔ vʲˈɛ, bˈɔ pʃɛtʃˈɨtaw kˈilka pˈism lˌitɛrˈatskix i pˈɔstuf ˌintɛrnɛtˈɔvɨx, ˌalɛ ɕɛ mˈɨli.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_264.wav|i zapˈɨtaw kɔbjˈɛtɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_35.wav|xˈɨba ktˈɔɕ iɣ zabjˈɛʒɛ.|4
+Dataset/wavs/urwisko_ferenc/09_segment_30.wav|ɲˈidʑ vʲˈɛntsɛj ɲʲˈɛvʲɛ? ɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_126.wav|mˈɔʒɛ tˈam ktˈɔɕ ɕˈɛdʑi?|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_80.wav|pˌɔvʲɛdʑˈawa, pʃˈɨkrɔ mi, ʒˈɛ vˈidʑiʃ mɲʲɛ f tˈakim stˈaɲʲɛ, bˈɛnji, a ja pˌɔvʲɛdʑˈawɛm, ʒˈɛ mɲʲɛ tˈɛʃ jɛst pʃˈɨkrɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_193.wav|ɲʲɛ, tɔ ɲˈidʑ vaʒnˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_177.wav|zˌaprɔpɔnˈɔvaw ˈɔsmunt kɛttlˈɛbɛdʑɡ zˈɛ sfɔbˈɔdnɨm uɕmʲˈɛxɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_59.wav|dɔpʲˈɛrɔ kʲˈɛdɨ dɔstˈawam tɛlˈɛfɔn, ʒˈɛ lˈɛʒɨ f ʃpitˈalu, tɨm rˈazɛm ɲʲˌɛpʃɨtˈɔmnɨ, pʃɨznˈawam pʃɛt sˈɔbɔ̃ tɔ, tsˈɔ tsˈawɨ tʃˈas pˌɔdɛjʒɛvˈawam.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_221.wav|xˈɨba, ʒˈɛ jɛj dˈamɨ rˈuvɲʲɛʃ sɔ̃ f tɔ zˌamjɛʃˈanɛ.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_69.wav|pˈɔra ɕtɕˈisnɔɲtɕ ˈɔvɔts i pˌɔsmakˈɔvatɕ sˈɔk.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_48.wav|tˈɛras na pˈɛvnɔ xtɕˈawbɨɕ, ʒˈɛbɨm zˌapɨtˈawa, tsˈɔ tɔ jˈɛst, ˌalɛ naprˈavdɛ ɲʲˈɛmam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_369.wav|s fˌilɔzɔfˈitʃnɨm ɔblˈitʃɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_6.wav|bʲˈillɨ spɔdʑˈɛva ɕɛ vʲˈɛɕtɕi ɔd dʒˈɔrdʒja, ˌalɛ ɲʲɛ pʃɨxˈɔdʑɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_58.wav|pʃɛswˈaɲʲa mi swˈɔɲtsɛ i pʃɨtɕˈɛmɲʲa mˈuj ɕfʲˈat.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_19.wav|ʒˈadna z nˈas ɕɛ ɲʲɛ ɔdʑˈɨva.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_59.wav|tˈɔm pˈɔtʃuw nˌarastajˈɔntsɨ w ɕrˈɔtku ɡɲʲˈɛf. dˈɔbʒɛ vʲɛdʑˈawa, ɔ tsˈɔ prˈɔɕi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_131.wav|a mˈɔʒɛ nˈavɛt f pɔkˈutɕɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_204.wav|pʃɛpnˈɛwa tsˈɔɕ, tʃˈɛɡɔ ɲʲɛ dˌɔswɨʃˈawɛm, bˈɔ zˈiɡ zaˈuɛr xˈuknɔw znˈatʃɲʲɛ ɡwˈɔɕɲʲɛj ɲˈiʃ mˈawɨ pistˈɔlɛt pˌɛtɛrsˈɛna. mˈɔɡwɨ tɔ bˈɨtɕ swˈɔva, ɲʲɛ vʲɛdʑˈawam.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_25.wav|f prɔɡrˈamjɛ muvˈimɨ?|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_109.wav|bˈɛstja mʲˈawa tˈaɡ dˈuʒɛ rɔzmʲˈarɨ, ʒˈɛ tʃˈɛba jˈɔ̃ bˌɨwɔ vɨkˈɔnadʑ w dvunˈastu fraɡmˈɛntax.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_155.wav|pɔtʃˈɛbnɨ tɕi pˈɛwnɨ bʒˈux i tɕˈɛpwɨ ˈɔɡʲɛɲ na kɔmˈiŋku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_136.wav|jˈɛɕli ɡˈɔ zɔbˈatʃɔ̃, prˌavdɔpɔdˈɔbɲʲɛ zɡʲˈiɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_68.wav|ɲʲɛ dˈa rˈadɨ. ɔbˈavʲam ɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_86.wav|tɕɛkˈavɛ, tʃɨ tɔ vˈina ɡˌɛnɛvʲˈɛvɛ, tʃɨ naˈila, pˌɔmɨɕlˈawa bˈɛtskɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_150.wav|ʃɛrˈɔkɔː ɔtfˈartɛ ˈɔtʃɨ, lˈɛkkɔ rˌɔsxɨlˈɔnɛ ˈusta.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_124.wav|jˈamɛ udˈɛʒɨw ɡˈɔ na ˈɔdlɛv zwˈɔtɔ̃ dwˈɔɲʲɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_101.wav|lɛjˈɔntsa ɕɛ z dʑurˈavɛj rˈɨnnɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_88.wav|fʃˈɨstsɨ ˈɔprutʃ tˈɛssɨ zˌɔstavˈili ɔttɕˈiski pˈaltsuf na pɔrˈɛntʃɨ sxˈɔduf i w waʑˈɛntsɛ. fˈajɛ mˈɔɡwa tˈɛʃ pˌɔzɔstˈavitɕ sfˈɔjɛ na kuxˈɛnnɨɣ dʒvʲˈax.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_203.wav|ɲˈidʑɡ zˌapɔvʲˈɛdʑaw, ʒˈɛ w dɲʲˈu pʃɨjˈazdu alˈɛna fawʃˈɨvɨ vˈuz vɨdʑˈawu rˈɔbut publˈitʃnɨɣ bˌɛɲdʑɛ tʃˈɛkaw zˈaraz za rˈɔɡʲɛm ɔd ɡˈɛrart tˈɔvɛr.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_376.wav|fʃˈɨstsɨ jɛstˌɛɕmɨ bjˈɛdɲi. ja jˌɛstɛm zdrˈɔvɨ i kɔmplˈɛtɲʲɛ xˈɔrɨ.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_70.wav|ɡdˈɨbɨ jˈakimɕ trˈafɛm ˌɔblɛ̃ʒˈɛɲʲɛ skɔɲtʃˈɨwɔ ɕɛ zˈaɲim tˈam dˈɔtʃɛ, ɲʲɛ bˌɛɲdʑɛ mˈuɕaw vˈaltʃɨtɕ pʃɛtɕˈifkɔ rˌɔdɔvitˈalɲix.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_289.wav|dɔbrˈanɔts, xˈɛlɛn.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_271.wav|pɔt ɲʲɛbjˈɛskim pwˈaʃtʃɛm z jaɡɲʲˈɛntsɛj vˈɛwnɨ ˈɛdvin mʲˈaw kˈurtkɛ s tɕɛlˈɛntsɛj skˈurɨ, zdɔbjˈɔnɔ̃ pʲˈɛŋkɲʲɛ ʒwɔbjˈɔnɔ̃ ɕlˌimatʃɲˈitsɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_298.wav|zrˈɛʃtɔ̃ i tˈaɡ bˈɨm sˈɔbjɛ ˈɔtɨm pʃˌɨpɔmɲʲˈawa, ɡdˈɨbɨ dˈɔpad mɲʲɛ pʲˈɛrʃɨ ˈatak kˈaʃlu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_21.wav|tˈɔm zˌastanˈavʲaw ɕɛ, tʃɨ pˈiwkaʃ ˈɛddjɛ tsˈarlsɔn pɔvˈiɲʲɛn zˈɔstatɕ uznˈanɨ za pˌɔdɛjʒanˈɛɡɔ.|3
+Dataset/wavs/urwisko_ferenc/53_segment_112.wav|tˈɨlnɨ ʒˈɔnt mɲʲˈɛj vʲˈɛntsɛj pɔ ɕrˈɔtku, ˌalɛ blˈiʒɛj prˈavɛj strˈɔnɨ, a jˈɛɡɔ ʒˈɔna mˈɔɲikˌa, pʲˈɛrʃa z lˈɛvɛj, na dˈɔlɛ, tɔ znˈatʃɨ ɕˈɛdʑi na wˈaftsɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_4.wav|i na muʒˈɨnuf, ktˌuʒɨ vˌɨxɔdʑˈili ɔstˈatɲi, pʲˈɛŋkɲi, ɕˈilɲi i pˌɔruʃajˈɔntsɨ ɕɛ jˈak mwˈɔdɛ lvˈɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_138.wav|tˌɨlkɔ jˈɛdɛn vˈɔrɛɡ blˈatsk tsˈɔal? jˈaki bˌɛɲdʑɛ s tˌɛɡɔ pɔʒˈɨtɛk?|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_189.wav|ˌalɛ tɔ mɲʲɛ ɲʲɛ ɔpxˈɔdʑi. bˈɨw mˈɔim ˈɔjtsɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_50.wav|xˈɔdʑ zamjˈɛʒaw zɔstˈavitɕ fʃˈɨstkɔ za sˈɔbɔ̃ s pɔvˈɔdu, kturˌɛɡɔ ɲʲɛ rɔzˈumjaw, vɨɡlˈɔndaw prˈavʲɛ na ˌuʃtʃɛɲɕlˌivʲɔnˈɛɡɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_253.wav|tˈɛras pɔ lˈatax tʃˈɨtam ˌɔpratsɔvˈaɲʲa çˌistɔrˈɨtʃnɛ, f ktˌurɨx tˌɛɡɔ dɔvˈuttsɛ swˈavi ɕɛ jˈakɔ bˌɔxatˈɛra i mˌɛntʃɛnɲˈika.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_137.wav|lˈantsɛl zastˈɔmpiw jˈɛ ɲʲɛrˈuvnɨm ɕɛnɲˈikʲɛm pˌɔwɔʒˈɔnɨm pɔt ˈɔknɛm, ɡdʑˈɛ s pɛvnˈɔɕtɕɔ̃ ˌɔbudʑˈiwɨbˌɨ ɡˈɔ pʲˈɛrʃɛ prɔmjˈɛɲʲɛ swˈɔɲtsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_111.wav|tɔ ɕfʲˈɛtɲʲɛ. ftˈapʲaj ɕɛ w ˌɔtɔtʃˈɛɲʲɛ. stˈaɲ ɕɛ ˌɛlɛmˈɛntɛm stsɛnˈɛrji. jˌɛstɛɕ f tɨm dˈɔbrɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_26.wav|vrˈatsam dɔ sɨpʲˈalɲi pɔ tˈɔrbɛ. zmˌarnɔvˈawam jˈuʒ vˌɨstartʃajˈɔntsɔ dˈuʒɔ tʃˈasu. mˈuʃɛ rˈuʃadʑ w drˈɔɡɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_127.wav|pˈatʃɛ nˈamɲʲɛ i pɔ rˈas kɔlˈɛjnɨ vˈidʑɛ tɕˈɛmnɛ krˈɛŋɡʲi vˈɔkuw jɛj ˈɔtʃu.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_153.wav|ix lɔrdˈɔvʲɛ ˌɔpuʃtʃˈali zˈamki, prɔvˈadʑɔndʑ za sˈɔbɔ̃ rɨtsˈɛʒɨ i zbrˈɔjnɨx.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_266.wav|rˈɨan vɨɡlˈɔndaw na starʃˈɛɡɔ ɲˈiʃ ɲˈim bˈɨw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_13.wav|tɛn jˌudaʃˈɔvɨ kˈɔʑɔw zvˈabʲiw w zasˈatskɛ tʃtˈɛrɛx lˈudʑi, xwɔpˈakuf, ktˌurɨx jɛdˈɨnɔ̃ pʃɛvˈinɔ̃ bˌɨwɔ tɔ, ʒˈɛ rˌɔzvɔzˈili ʒˈɨvnɔɕtɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_3.wav|pɔlˈitsja jɛst jˈuʃ tsˈɔraz blˈiʒɛj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_43.wav|bʲˈillɨ bjˈɛʒɛ dɔkwˈatkɛ.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_192.wav|ɔdˈɛzvaw ɕɛ ktˈurɨʑ z ɲˈix.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_21.wav|f kˈɔɲtsu jˈaɡbɨ, vʲɛdʑˈɛɲi instˈɨŋktɛm, vˌɨtɕɔŋɡnˈɛli dɔ ɕˈɛbjɛ jˌɛdnɔtʃˈɛɕɲʲɛ rˈɛntsɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_35.wav|zɔstˈawabˌɨm pʃˌɛswuxˈana s pɔvˈɔdu mˈɔjɛj rɛlˈatsji, jˈɛɕli tˈak mˈɔʒna tɔː ˈujɔɲtɕ, s tsˌamɛrˈɔnɛm i bˈɨwabˌɨm pˈɛvɲʲɛ ɔstˈatɲʲɔ̃ ɔsˈɔbɔ̃, ktˌura vidʑˈawa jɛɡˈɛra ʒɨvˈɛɡɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_50.wav|prˈɔʃɛ ɕɛ pʃˈɛjɕtɕ ˌulitsˈami.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_2.wav|ˈaʃ ɲʲˈɛbɨw f stˈaɲʲɛ zɲʲˈɛʑdʑ vɨrˈazu pʃˌɛraʒˈɛɲʲa na tfˈaʒɨ jˈɔɛ, kʲˈɛdɨ ˌuswɨʃˈawa vˌɨpɔvʲɛdʑˈanɛ pʃ��ɛs ɲʲˈɛɡɔ swˈɔva.|4
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_124.wav|mwɔdʑˈɛɲtsɨ nˌaradʑˈajɔ̃ ɕɛ ʃˈɛptɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_5.wav|pˈuʑɲʲɛj fʃˈɨstkɔ dɔkwˈadɲʲɛ tɕi ɔpˈɔvʲɛm. tˈɛras pˌɔtʃɛbˈujɛ kɔlˈɛjnɛj pʃɨswˈuɡʲi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_222.wav|tɔ znˈatʃɨ, ʒˈɛ jˌɛstɛɕ tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_201.wav|mˈɔʒɛ mɲʲɛ zˈabʲitɕ, jˈɛɕli xtsˈɛ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_65.wav|pʃɛʃˈɨwa ɲiskʲˈɛɡɔ tʃwɔvʲˈɛtʃka lˌɔdɔvˈatɨm spɔjʒˈɛɲʲɛm.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_62.wav|ɲˈiɡdʑɛ jˈɛdnak ɲʲɛ vˈidʑaw sfˈɛɡɔ strˈɨja kɛvˈana ˌaɲi lantsˈɛla.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_205.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_37.wav|ɲʲɛ jˌɛstɛm dˈɔbrɔ̃ ɔsˈɔbɔ̃, jˈɔɛl.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_20.wav|dɔtˈɨkam na mˈɔmɛnt ɛkrˈanu, prˈaɡnɔnts pˈɔtʃutɕ jɛj mʲˈɛŋkkɔ̃ skˈurɛ.|4
+Dataset/wavs/urwisko_ferenc/39_segment_82.wav|zˈɛʃwa s pɔvrˈɔtɛm na dˈuw, ɕɛŋɡnˈɛwa pɔ nˈɔkjɛ i ˌɔtʃukˈawa nˈumɛr ɔlɡʲˈɛrda fɕrˈut ɔstˈatɲix pɔwˈɔntʃɛɲ.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_333.wav|pɔvʲˈɛdʑaw mˈiwɨ starˈuʃɛk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_160.wav|f kˈartɕɛ dˈaɲ sɔ̃ ɡwˈuvɲʲɛ burɡˈɛrɨ i parˈufki f tɕˈɛɕtɕɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_48.wav|tˈɛras ˈɛlis rɔzˈumjɛ, pɔ tsˈɔ bˌɨwɨ dvʲˈɛ vizˈɨtɨ w bˌaŋkɔmˈatɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_112.wav|tɔ bˌɨwɨ pɔrtrˈɛtɨ fʃˈɨstkix krˈuluv z dɨnˈastji tˌarɡarɨˈɛnuf, ɔt pʲɛrʃˈɛɡɔː ɛɡˈɔna dɔ druɡʲˈɛɡɔː ɛrˈɨsa.|1
+Dataset/wavs/urwisko_ferenc/03_segment_57.wav|kʲˈɛdɨ tsˈurka pɔtʃˈuwa ɕɛ lˈɛpʲɛj i pɔvˈɔli vratsˈawa dɔ ʒˌɛtʃɨvistˈɔɕtɕi, bˈɨw ɕˈilnɨ mɛxˈaɲizm vˌɨparsˈija. ˌɔtʃɨvˈiɕtɕɛ nˈatɔ fʃˈɨstkɔ nˌawɔʒˈɨwa ɕɛ dɛprˈɛsja.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_399.wav|jˈuʃ ɔt lˈat prˌubɔvˈawɛɕ ɕɛ ˈɔdɛ mɲʲɛ uvˈɔlɲitɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_12.wav|ˌalɛ swˈɨxadʑ bˌɨwɔ tˌɨlkɔ pɛrkˈusjɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_39.wav|rˈɔb bˈɨw spɔkˈɔjnɨ, ˌalɛ tˈɔm zˌauvˈaʒɨw, ʒˈɛ mˈarta jɛst pˌɔdnɛrvɔvˈana pɔt sfˈɔjɔ̃ mˈaskɔ̃ ˌɔbɔjɛntnˈɔɕtɕi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_169.wav|bˌɨwa ˌɛlɛɡˈantska i ɕfʲˈɛʒa.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_26.wav|pʃˈɛs mˈɔmɛnt tʃˈujɛ zavrˈɔtɨ ɡwˈɔvɨ i mˈuʃɛ ɕɛ pʃɨtʃˈɨmatɕ kravˈɛɲdʑi bjˈurka.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_346.wav|ˌalɛ musˈimɨ rɔzvˈaʒɨtɕ tˈɛʃ ˈinnɛ sprˈavɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_66.wav|mˈɨɕli, ʒˈɛ ɔ tɛj pˈɔʒɛ ɲikˈɔɡɔ ɲʲɛ zastˈaɲʲɛ, a jˈɛdnak ʃtʃˈɛɲɕtɕɛ ɕɛ dɔ ɲʲˈɛɡɔː uɕmʲˈɛxa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_102.wav|spˈɔjʒaw nˈamɲʲɛ, ɲʲɛ krˈɨjɔnts pʃˌɛraʒˈɛɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_32.wav|rˈɔp ɔddˈaliw ɕɛ w dˈuʒɔ ɡˈɔrʃɨm nastrˈɔju ɲˈiʃ mʲˈaw xfˈilɛ ftʃˈɛɕɲʲɛj.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_162.wav|zˌadrutɕˈanɔ̃ ɕˈatkɔ̃ ɕfʲɛtɕˈiwɨ ɕɛ sˌɛlɛdɨnˈɔvɔ krˈɔplɛ dˈɛʃtʃu na ʃˈɨbjɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_41.wav|pɔprˈɔʃɛ kˈɔɡɔɕ, ʒˈɛbɨ pʃˌɨɡɔtˈɔvaw pˈaɲi xɛrbˈatɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(54) R.Abbott_Zamknij Drzwi_segment_13.wav|vʲˈɛm, ʒˈɛ tsˈɛɲiʃ sˈɔbjɛ ˌumjɛjɛntnˈɔɕtɕi ɕlˈɛttʃɛ lˈintsaj, vʲˈɛnts kʲˈɛdɨ bˌɛɲdʑɛ mʲˈawa vˈɔlnɔ̃ xfˈilɛ, ɲʲˈɛx ɕɛ tɨm zˈajmʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_212.wav|tˈakɔ pˈɔdɲʲus ˈɔtʃɨ kˈu snˈɔpɔm ɕfʲˈatwa swˌɔnɛtʃnˈɛɡɔ, pɔ tʃɨm xfˈɨtɕiw za ˌɛrkˌaˈɛm klˌɛtʃɛfskʲˈɛɡɔ.|2
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+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_62.wav|bʲˈillɨ ɔstrˈɔʒɲʲɛ zˈɛrka pʃˈɛs rˈamjɛ. mˈuɕi ɕɛ upˈɛvɲitɕ, ʒˈɛ ɲʲɛ pˈatʃɔ̃ na ɲʲˈɛɡɔ, ˌaɲi zˈaɲim ɲʲɛ ˈidɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_434.wav|arjˈanɛ zˌastanavʲˈawa ɕɛ nˈattɨm tsawˈɨmi dɲʲˈami, ˌukwadˈajɔnts sfˈuj sɛkrˈɛtnɨ lˈist.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_298.wav|pˈɛvɲʲɛ w rˈɔsji, ja ɲʲˈɛvʲɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_49.wav|ˌalɛ pʃɛrˈɨva mi inspˈɛktɔr ɔldbˈɛrɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_133.wav|vrˈatsam mɨɕlˈami dɔ pɔpʃˈɛdɲʲɛj nˈɔtsɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_44.wav|ɔ bˈɔʒɛ, jˌɛstɛm tˈakɔ̃ krɛtˈɨŋkɔ̃, ʒˈɛ nˈavɛt ɲʲˈɛvʲɛm, tsˈɔ mˈɔʒɛ bˈɨtɕ istˈɔtnɛ, a tsˈɔ ɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(28) R.Abbott_Zamknij Drzwi_segment_13.wav|rɔzˈɛjʒaw ɕɛ dˌɔɔkˈɔwa, ˌalɛ vˈidʑaw tˌɨlkɔ tɕˈɛmnɔɕtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_136.wav|ɲˈikt ɲʲɛ vʲˈɛdʑaw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_86.wav|pʃˈɛrvaw im tɛlˈɛfɔn tˈɔma, ktˌurɨ pɔnˈɔvɲʲɛ vwˈɔntʃɨw ɡwˈɔɕɲik.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_50.wav|zˌaɡrɔʒˈɛɲʲɛ zˈɛ strˈɔnɨ arˈama.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_350.wav|f tʃˈaɕɛ ɲʲˌɛspɔkˈɔjnɛj, pˈɛwnɛj ɔbjˈɛtɲidʑ vʲˈɔsnɨ.|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_233.wav|w ˈɔtʃax lˈɔrda kɨbˈɛrna zˌaliɕɲˈiwɨ iskʲˈɛrki vˌɛsɔwˈɔɕtɕi.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_239.wav|lˈudʑɛ xtsˈɔ̃ ɕɛ fkˈupitɕ w mˈɔjɛ wˈaski.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_212.wav|zapˈɨtaw sˈam. rˈɔm i smˈutɛk spravˈiwɨ, ʒˈɛ dɔpʲˈɛrɔ f tɛj xfˈili ˌuɕfʲadˈɔmiw sˈɔbjɛ, ˈiʒ ɡˈɔʑdʑik ɲʲˈɛma zˈɛ sˈɔbɔ̃ dʑˈɛtska. skˈɔi jˈɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_8.wav|mˌajɔ̃ f kˈɔwaɣ bˈardʑɔ vraʒlˈivɛ tʃujɲˈiki, ktˌurɛ vˌɨkrɨvˈajɔ̃ drɡˈaɲʲa pɔdwˈɔʒa.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_143.wav|ɲʲɛ zˌatrudɲʲˈawa nˈavɛt sˌɛkrɛtˈarki.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_65.wav|tʃfartˈɛɡɔ rˈaŋka, dvˈa dɲˈi pʃɛt plˌanɔvˈanɨm pɔtʃˈɔntkʲɛm vɨprˈavɨ na zwˈɔtɨ zˈaxut, bʲˈillɨ bjˈɛɡa pɔ sxˈɔdax na drˈuɡʲɛ pʲˈɛntrɔː i s pɔvrˈɔtɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_179.wav|ɲʲɛ xtɕˈawam pˈatʃɛtɕ na stsˈɔtta ˌaɲi sɛkˈundɨ dwˈuʒɛj.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_147.wav|nad vˈɔ̃skim strumjˈɛɲʲɛm vznɔɕˈiwɔ ɕɛ ˈɔɕɛm zbˌudɔvˈanɨx na pˈalax xˈat.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_13.wav|znˈuf jɛzd ɡɔrˈɔntsɔ, prˈavda?|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_9.wav|ɲʲɛ mˈuɕaw mˈɨɕlɛtɕ ɔ kˌɔɔrdɨnˈatsji, jˈak ftˈɛdɨ, kʲˈɛdɨ lˈɛtɕaw tsˈɛssnɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_83.wav|dˈɔm spˈɛkuf stˈaw na fɕˈi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_288.wav|pˈan ɕɛ jˈɛdnaɡ bˈɔi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_3.wav|— tsˈɔ? — pˈɨtam. — znalˈɛʑliɕtɕˌɛ ix? — jˈɛʃtʃɛ ɲʲɛ, pʃˈɨkrɔ mi — ˌɔtpɔvʲˈada tˈɔm. — xˈɔdʑi ɔ tfˈɔjɔ̃ pʃˌɨjatɕˈuwkɛ z dˈɔmu napʃˈɛtɕif, tˈɛssɛ ɔxˈanlɔn.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_48.wav|ɲʲɛ xtɕˈawabˌɨm z ɲʲˈɔ̃ pratsˈɔvatɕ. tɔ mˈɔɡɛ stfʲˈɛrdʑitɕ s tsˈawɔ̃ pɛvnˈɔɕtɕɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_395.wav|jˈamɛ pˈɔtʃuw nˈaɡlɛ lˈitɔʑdʑ dla bˈɛstji.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_116.wav|sɔ̃ ʒˈɛtʃɨ, ɔ ktˌurɨx xtsˈɛ tɕi pɔvʲˈɛdʑɛtɕ, ˌalɛ ɔbˈavʲam ɕɛ, tsˈɔ ta vʲˈɛdʑa mˈɔʒɛ s tˈɔbɔ̃ zrˈɔbʲitɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_28.wav|f tɕˈasnɛj sˈaltsɛ kˌɔnfɛrɛntsˈɨjnɛj w bjˈuʒɛ f tsˈɛntrum mˌanxɛstˈɛru, f tˌɔvaʒˈɨstfʲɛ tsˈawɛj ɡrˈupɨ pravɲˈikuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_37.wav|kʲˈɛdɨ swuʒˈɔntsa pʃɨnˈɔɕi lˈikʲɛr, bʲˈillɨ krˈɛɲtɕi ɡwˈɔvɔ̃. ɲˈitsk tˈɛʃ.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_46.wav|fspˈulna waʑˈɛŋka mʲˈɛɕtɕi ɕɛ na kˈɔɲtsu kˌɔrɨtˈaʒa, a prɨʃɲˈitsɛ kˈilka kˌɔrɨtˈaʒɨ dˈalɛj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_43.wav|rˈɔbjɛ vʲˈɛnts tsˈɔ mˈuʃɛ. i kˈurtʃɛ, pɔtrˈafjɛ vɨpˈatʃɨtɕ ɔkˈazjɛ z dalˈɛka, a ta jɛzd dla mɲʲɛ kɔʒˈɨstna.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_103.wav|ˌusuvˈawam pɔ sˈɔbjɛ fʃˈɨstkʲɛ ɕlˈadɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_49.wav|rˈatʃɛj ɲʲɛ, pɔtfʲˈɛrdʑa bˈutskɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_95.wav|bˌɛndɛ jˈɛʃtʃɛ mˈuɕaw pɔvʲˈɛdʑɛtɕ ˈɔtɨm jɛnsˈɛnɔm. z ɲˈimi mˈɔʒɛ bˈɨtɕ trˈudɲʲɛj, bˈɔ mʲɛʃkˈajɔ̃ tˈu dwˈuʒɛj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_169.wav|ˌɔdɡradʑajˈɔntsɨm ɔt naʃˈɛɡɔ vɨmjˈaru.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_105.wav|tsˈɔɕ tfardˈɛɡɔː i tɕɛŋkʲˈɛɡɔ, tʃˈɨʒbɨ krˈavɛɲtɕ tʃˈapki z dˈaʃkʲɛm?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_11.wav|pˌɔinfɔrmˈujɛ ix tˈɛʃ, tsˈɔ nalˈɛʒɨ zrˈɔbʲitɕ, ʒˈɛbɨ ˌɔdʑɨskˈali fpwatsˈɔnɛ pʲɛɲʲˈɔndʑɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_280.wav|dʑɛŋkˈujɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_414.wav|ɡrˈɔt ɲʲˌɛvidʑˈalnɛj ˈɔɕi.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_147.wav|pʃˈɛs xfˈilɛ zˌastanavʲˈawam ɕɛ jˈaɡ bˈardʑɔ mˈam pʃɛsrˈanɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_143.wav|tˈam sɔ̃ tɨɕˈɔntsɛ lˈitruf tɕɛkwˈɛɡɔ mɛtˈanu.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_14.wav|i znˈuf mrˈutʃaw waɡˈɔdɲʲɛ, pratsˈujɔnts w lˈɔtɕɛ pɔʑˈɔmɨm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_167.wav|xˈɨba, ʒˈɛbɨ mɔʒlˈivʲɛ najbˈardʑɛj utrˈudɲitɕ pˌɔʃukivˈaɲʲa pˌɔtʃɛbujˈɔntsɨm iɣ dʑɛftʃˈɨnɔm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_683.wav|kɔmˈisaʒ zatʃˈɨmaw ɕɛ f tɨm mʲˈɛjstsu, ɡdʑˈɛ kɔrˈɨtaʃ skrˈɛntsaw f prˈavɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_50.wav|waɲtsˈuxɨ, ktˌurɛ wɔntʃˈɨwɨ vɨznˈaftsuf arˈama, ɲʲɛ zɔstˈawɨ vɨkˈutɛ zˈɛ stˈali. ɡdˈɨbɨ tˈaɡ bˈɨwɔ, znˈatʃɲʲɛ wˈatfʲɛj bɨwˈɔbɨ jˈɛ zˈɛrvatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_101.wav|tfˈuj ˈɔjtɕɛts ɲˈiɡdɨ ʑlˈɛ ɲʲɛ spˈava.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_125.wav|ɲʲɛ tʃˈujɛ ɕɛ za dˈɔbʒɛ, jˈɛɕli rɔzˈumjɛʃ, tsˈɔ mˈam na mˈɨɕli.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_28.wav|tˈɔm zˌastanˈavʲaw ɕɛ, tʃɨ zdjˈɛɲtɕa zrɔbjˈɔnɔ pˈɔtɔ, bˈɨ ʃˌantaʒˈɔvatɕ mˈɛ̃ʃtʃɨzn tʃɨ dʑɛftʃˈɨnɨ ɲʲɛktˌurɛ z ɲˈiɣ vˌɨɡlɔndˈawɨ, jˈaɡbɨ dɔpʲˈɛrɔ skˈɔɲtʃɨw ˌɔɕɛmnˈastkɛ|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_53.wav|dˈɔn rˌɔsxɨlˈiwa ˈusta.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_16.wav|fspɔmˈinaw rˈuvɲʲɛʃ ɔ znatʃˈɛɲʲu dˈat. vʲˈɛm zˈatɛm, ʒˈɛ zamjˈɛʒa pʃɛtstˈavitɕ mɲʲɛ ɕfʲˈatu w najɡˈɔrʃɨm ɕfʲˈɛtlɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_26.wav|bʲˈillɨ ɲʲˈɛma pɔjˈɛɲtɕa, jˈaka pɔɡˈɔda jɛst f xˈundzvil. pˈɛvɲʲɛ mɲʲˈɛj vʲˈɛntsɛj tˈaka sˈama jˈak tˈutaj, ˌalɛ ktˈɔ vʲˈɛ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_348.wav|jˈɛɕli mˈa zˈamjar ɕɛ zɡˈɔdʑitɕ...|1
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_81.wav|a tsˈɔ bˈɛɲdʑɛ, kʲˈɛdɨ pʃˈɨjmɔ̃ tɕˈɛ dɔ ɡʲˈildji?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_8.wav|ktˌurɨ pɔzvˈalawbˌɨ mi ɔtsˈɛɲʲatɕ, kʲˈɛdɨ mˈinɔw tˈɨdʑɛɲ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_207.wav|pˈatʃɨw na jɛj tɕˈɛmnɔ̃ tfˈaʃ i na rˌɔsɕfʲɛtlajˈɔntsɨ jˈɔ̃ ʒˈar pˌapʲɛrˈɔsa i ˌɔna pˌɔvʲɛdʑˈawa pɔ xfˈili,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_166.wav|bˈɛtskɨ ɲʲɛ mˈɔɡwa ɕɛ pɔfstʃˈɨmatɕ pʃɛd zadˈaɲʲɛm tˌɛɡɔ pɨtˈaɲʲa.|3
+Dataset/wavs/urwisko_ferenc/12_segment_123.wav|tɔ znˈatʃɨ lˈɛpʲɛj znˈawɛm ɕɛ s karˈɔlɛm.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_129.wav|tsɛrsˈɛi zbˈɨwa tɔ maxɲʲˈɛɲtɕɛm rˈɛŋki.|1
+Dataset/wavs/urwisko_ferenc/05_segment_67.wav|vidʑˈimɨ ɕɛ jˈutrɔ. ˈɔkɛj, tɔ fpˈadnɛ pɔ tɕˈɛbjɛ s samˈɛɡɔ rˈana. bɔrˈɛvidʒ znˈɔvu mʲˈaw pˈɛwnɛ ˈusta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_107.wav|nˈɔː i jˌɛstɛm dˈɔbrɨm ɡrˈatʃɛm f trˌɔntsabʲˈili, pʃˈɨznaj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_18.wav|bˈɛtskɨ pˌɔpravˈiwa ɕɛ na ɕɛdʑˈɛɲʲu i pˌɔpatʃˈɨwa na lˈintsaj z zˌaintˌɛrɛsɔvˈaɲʲɛm.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_203.wav|dlatʃˈɛɡɔ tˈu pʃɨbˈɨliɕtɕˌɛ, pˈaɲi?|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_272.wav|pˈɔdɲʲus jˈɔ̃.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_113.wav|skˈɔnt tɕi tɔ nˈaɡlɛ pʃˈɨʃwɔ dɔ ɡwˈɔvɨ, ʒˈɛ tʃwˈɔvʲɛk tˌaki jˈak tɨ mˈuɕi ʒˈɛɡnatɕ ɕɛ s kˈimɕ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_43.wav|ˈandɛrsɔn vɨtɕˈɔŋɡnɔw pʃɛt ɕˈɛbjɛ sfˈɔjɛ dwˈuɡʲɛ nˈɔɡʲi i pˈatʃaw na lˈudʑi pʃˌɛskakujˈɔntsɨx pʃˈɛzɲʲɛ w miltʃˈɛɲʲu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_50.wav|fˈatsɛt mˈuɡw ˈuznatɕ, ʒˈɛ xtsˈɛ mʲˈɛtɕ tsˈurkɛ tˌɨlkɔ dla ɕˈɛbjɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_12.wav|ɕˈadaj tˈɔm i mˈuf.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_75.wav|nˈɔː i swˈɔɲtsɛ dˈɔsɨtɕ mˈɔtsnɔ pʃɨpʲˈɛkwɔ tɕi tfˈaʃ. pʃˈɛs jˈakiɕ tʃˈaz bˌɛɲdʑɛʃ muɕˈawa rˈas w mʲɛɕˈɔntsu pʃɛxˈɔdʑidʑ badˈaɲʲa pɔt kˈɔntɛm rˈaka skˈurɨ. ˌalɛ vˈɨjdʑɛʃ s tˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_87.wav|tˈak, ˌalɛ ɲʲɛ s tˈɨm, tʃˈɛɡɔ mˈɔʒna bˈɨ ˌɔtʃɛkˈivatɕ.|3
+Dataset/wavs/urwisko_ferenc/34_segment_65.wav|ɡrˈɔx ɕɛ ɲʲɛ ɔdˈɛzvaw, a sˈɔlski ftɕˈɔ̃ʃ jˈɛʃtʃɛ stˈaw na drˈɔdʑɛ, ɡdˈɨ nˌavrutɕˈili pʃɛt jˈɛɡɔ dˈɔmɛm i ˌɔdjɛxˈali.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_248.wav|pˈɔtɛm zjˈɛdli pʲɛtʃˈɔnɛ jˈapka z ˈɔstrɨm bjˈawɨm sˈɛrɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_53.wav|pɔtxˈɔdʑɛ dɔː ˈɔkna, ɔtsˈuvam zaswˈɔnɛ i zˈɛrkam na pˈɔlɛ ɡɔlfˈɔvɛ rˌɔstɕɔŋɡajˈɔntsɛ ɕɛ na tˈɨwaɣ dˈɔmu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_216.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_88.wav|tsˈɔ s tˈɔbɔ̃, tˈatɔ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_104.wav|zɛrkˈawa nɛrvˈɔvɔ tɔ na tˈatɛ, tɔ nˈamɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/42_segment_5.wav|pɔvʲˈɛtʃɛ f tɔjˈɔta zɡɛ̃stɲʲˈawɔ, vʲˈɛnts pɔtkrˈɛɲtɕiw klˈimɛ. zˈapɲij pˈas.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_106.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/urwisko_ferenc/01_segment_113.wav|spˈɔjʒaw nˈaɲʲɔ̃ i spɔxmˈurɲʲaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_95.wav|ɲʲɛ bˌɛɲdʑɛ vˌɨɡlɔndˈawɔ tɔ dʑˈivɲʲɛ, bˈɔ dʑˈɛɲ znˈuf jɛst upˈalnɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_23.wav|ɲʲɛ bˌɛɲdʑɛ tɔ jˈɛdnak trfˈawɔ vʲˈɛtʃɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_184.wav|dˈalɛ ɕˈɛŋɡnɔw dɔ zavˈɔru.|4
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_16.wav|mˈarnɛ pˌɔʒɛɡnˈaɲʲɛ zˈɛ ɕfʲˈatɛm?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_9.wav|jˈɛɕli ɕɛ skˌɔntsɛntrˈujɛ, tɔ dʑˈɛŋki pʲɛɲʲˈɔndʑɔm ɔt tsˌamɛrˈɔna mˈɔɡɛ ˈɔdɲʲɛɕtɕ sˈuktsɛs.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_317.wav|jˈaɡ vˈaʃa mˈiwɔɕtɕ sˈɔbjɛ ʒˈɨtʃɨ.|1
+Dataset/wavs/urwisko_ferenc/63_segment_41.wav|s tɔ̃ ruʒɲˈitsɔ̃, ʒˈɛ klˈasa sfˌɔtɔɡrˌafɔvˈawa ɕɛ z vˌɨxɔvˈaftsɔ̃, kturˌɛɡɔ z ˌɔtʃɨvˈistɨɣ vzɡlˈɛnduf ɲʲɛ zavʲˈɛraw vˈɨkas ˈutʃɲʲuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_44.wav|dɔxˈɔdʑi dɔ vɲʲˈɔsku, ʒˈɛ ˈumar.|2
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_79.wav|jˈɛɕli bˌɨli ftˈɛdɨ rˈazɛm, jˈɛɕli jˈɛdɛn z ɲˈix ɕɛ dɔ ɲʲˈɛj dˈɔbraw, tɔ pˌɔzɔstˈali ɲʲɛxˈɨbɲʲɛ tˈɛʃ skˌɔʒɨstˈali.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_117.wav|naˈutʃɛ tɕˈɛ bˈavitɕ ɕɛ w bˈɛrka. zɔbˈatʃɨʃ, bˌɛɲdʑɛ sˈupɛr.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_44.wav|ˌuɕiwɔvˈawam dˈɔdatɕ tsˈɔɕ ˌintɛrˌɛsujɔntsˈɛɡɔ, ˌalɛ na ʃtʃˈɛɲɕtɕɛ lˈukɛ vˌɨpɛwɲʲˈawa muzˈɨka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_171.wav|kˌɔntaktˈɔvaw ɕɛ z jˈudɨ blˈatnɛr, kʲˈɛdɨ vʲˈɛdʑaw, ʒˈɛ kˈa. pʃɨjˈɛdʑɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_270.wav|nˈavɛd ɡdˈɨbɨ vam zɔstˈavitɕ tsˈawɨ pˈustɨ ɕfʲˈat i ɡdɨbˈɨɕtɕɛ mʲˌɛli ʒˈɨdʑ vɛ dvˈɔjɛ vʲˈɛtʃɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_39.wav|zmuʃˈɔna? rˈɔp? ɔ tsˈɔ dɔkwˈadɲʲɛ xˈɔdʑi?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_26.wav|ɔtfˈɔʒɨw dʒvˈi i pɔprˈɔɕiw ɔ pˌɔwɔntʃˈɛɲʲɛ s sˈimsɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_74.wav|jˈaɡbɨm ɕɛ ɲʲˈɛmuɡw vˈɛdʒɛdʑ dɔ ɕrˈɔtka i udˈuɕitɕ tɕˈɛ f pʃˌɛtpɔkˈɔju, mˈɨɕli bʲˈillɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_10.wav|kʲˈɛdɨ dɔtʃˈɛmɨ na mʲˈɛjstsɛ, tˈɛʒ bˌɛndɛ ɕɛ ɲʲˌɛpɔkɔˈiwa.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_429.wav|ta dʑɛftʃˈɨna sˈama jɛst f pɔwˈɔvʲɛ mˈuwɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_59.wav|jˈɛɕli tˈak rˈɔbjɔ̃, tɔ dlatʃˈɛɡɔ zˌɔstavˈili jˈɔ̃ bˈɛs ɔpstˈavɨ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_10.wav|ˈalfjɛ mˈuɕaw bˈɨtɕ sˈɨnɛm mˈartɨ, dʑˈɛtskʲɛm, ɔ ktˌurɨm jɛj kɔlˈɛdʑɨ s prˈatsɨ ɲʲɛ mʲˌɛli ʑˌɛlɔnˈɛɡɔ pɔjˈɛɲtɕa. tɔ bˌɨwɔ dʑˈivnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_98.wav|sxˈɔdʑi na dˈuw dɔ pʃɨjˈɛmɲʲɛ xwɔdnˈɛɡɔ mʲɛʃkˈaɲʲa f sˌutɛrˈɛɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_44.wav|tfˈɔja stˈara tsˈɛla nˈadal jɛzd vˈɔlna.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_20.wav|prubˈɔvaw ˌɔtʃɨvˈiɕtɕɛ tˌɛmu zapʃˈɛtʃatɕ, ˌalɛ ta kɔbjˈɛta za bˈardʑɔ ɕɛ dɔ ɲʲˈɛɡɔ pʃˌɨmilˈawa f tˌɔvaʒˈɨstfʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_52.wav|ˈɔkɛj, kˈit.|3
+Dataset/wavs/urwisko_ferenc/35_segment_40.wav|xˈɨba ɲʲɛ, bˈɔ pɔvʲˈɛdʑaw, ʒˈɛ mˈuɕi na xfˈilɛ zɲˈiknɔɲtɕ i ʒˈɛbɨm tʃˈɨmaw mˈɔrdɛ na kwˈutkɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_22.wav|ˈalbɔ pʃɛtɕˈɔŋɡu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_15.wav|pˌɔmɨɕlˈawɛm, ʒˈɛ tɔ mˈɔʒɛ nˈam dˈɔbʒɛ zrˈɔbʲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_186.wav|zˌaburtʃˈawɔ jɛj w bʒˈuxu. bˈawa ɕɛ, ʒˈɛ mˈɔʒɛ zvˌɨmjɔtˈɔvatɕ. xˈɛdl!|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_157.wav|dlatʃˈɛɡɔ zrɔbʲˈiwa tsˈɔɕ pˌɔdɔbnˈɛɡɔ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_50.wav|ˈɔtʃɨ vˌɨpɛwɲʲˈajɔ̃ mi wzˈɨ, vʲˈɛnts pɔzvˈalam sˈɔbjɛ na xfˈilɛ ɔddˈɛxu zˈaɲim fstˈajɛ z wˈuʃka.|3
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_88.wav|vʲɛdʑˈawɛɕ ɔ pɔʒˈaʒɛ?|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_312.wav|ɲʲˈɛmɨ rˈɨtsɛʃ pʃˈɛs pˈɛvʲɛn tʃˈas pɔzvˈɔliw jˌamjɛˈɛmu prɔvˈadʑitɕ tˈaɲʲɛts, ˌalɛ f kˈɔɲtsu zˈatʃɔw ˌɔtpɔvʲˈadatɕ tɕˈɔsɛm na tɕˈɔs.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_69.wav|ta kɔbjˈɛta ɲʲɛ mʲˈawa blˈiskʲɛj rɔdʑˈinɨ, vʲˈɛnts pˌɔstanɔvˈiliɕmˌɨ pʃˌɛprɔvˈadʑitɕ rˌutɨnˈɔvɛ rɔzmˈɔvɨ i ˌɔstatˈɛtʃɲʲɛ trafˈiliɕmˌɨ dɔ pˈana fˌɔrakˈisa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_284.wav|ˌɔna ɕɛ naʒˈutsa, pˌɔmɨɕlˈawɛm zˈɛ zɡrˈɔzɔ̃, tˈɨlɛ pʲˈɛŋkna vdʑˈɛŋku i tˌajɛmɲitʃˈɔɕtɕi.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_131.wav|trˈunɛɡ bˈɨw ɔkrˈɔpɲʲɛ kfˈaɕnɨ i kɔbjˈɛta ɡˈɔ vɨplˈuwa. vˈɔdɨ!|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_195.wav|ʒˈadna pɔzˈɨtsja ɲʲɛ bˌɨwa vɨɡˈɔdna. praɡnˈɛwam ɔtpwˈɨnɔɲtɕ f sˈɛn i jˌɛdnɔtʃˈɛɕɲʲɛ mʲˈawam ɔxˈɔtɛ kˈɔmuɕ pʃɨvˈalitɕ. ɲʲɛ pˌɔtrafˈiwam zˈɛbratɕ mˈɨɕli.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_99.wav|a pˈarɛ rˈazɨ mˈawɔ brˌakɔvˈawɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_91.wav|bɛnjˈɛɡɔ kɔmpsˈɔna, ktˌurɨ jɛst na tˈɨlɛ ɔt ɲʲˈɛɡɔː ɔdrˈɛmbnɨ, ʒˈɛ bʲˈillɨ mˈɔʒɛ sˈɔbjɛ pɔzvˈɔlitɕ nˈatɔ, bˈɨ jˈɛɡɔː ɔtʃˈami zɔbˈatʃɨdʑ bɔlˈɛsnɛ fspɔmɲʲˈɛɲʲa, ktˌurɨɣ zvˈɨklɛ uɲˈika.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_129.wav|na zˌakɔɲtʃˈɛɲʲɛ tˌɛɡɔ fʃɨstkʲˈɛɡɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_44.wav|i tɔ tɕˈɛ pʃɨvʲˈɔdwɔ kˈu tˈɛmu, ʒˈɛ xtsˈɛʒ bˈɨtɕ tʃwɔvʲˈɛkʲɛm tˈakim jˈak jˈa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_288.wav|nˈɔdʑ bˌɛɲdʑɛ ʑˈimna, mˈɔʒɛ nˈavɛt s pʃɨmrˈɔskʲɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_127.wav|ɲʲɛ uvˈaʒam, ʒˈɛbɨ bˌɨwa na tˈɨlɛ ɕˈilna fizˈɨtʃɲʲɛ, bˈɨ tɔ zrˈɔbʲitɕ, zvaʒˈɨfʃɨ nˈatɔ, jˈaɡ zɡʲˈinɔw, vʲˈɛnts ɲʲɛ zalˈitʃam jɛj dɔ pˌɔdɛjʒˈanɨx, xˈɔtɕ s pɛvnˈɔɕtɕɔ̃ ɲʲɛ mˈuvi tsˈawɛj prˈavdɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_31.wav|dɔ zˌɔbatʃˈɨska ludʑˈiska, ˌɔtpɔvʲˈada bʲˈillɨ i dʑˈɛtɕi parskˈajɔ̃ ɕmʲˈɛxɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_120.wav|bˈɨtɕ mˈɔʒɛ tɔ bˈɨw vwaɕtɕˈivɨ mˈɔmɛnt, ʒˈɛbɨ pɔvʲˈɛdʑɛtɕ stsɔttˈɔvi, ʒˈɛ tɔ jˈuʃ jˈɛɡɔ prˈɔblɛm, ɲʲɛ mˈuj i ˈɔdɛjɕtɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_25.wav|zˌɔbatʃˈɨwɛm mwɔdˈɛɡɔ, wˌɨɕɛjɔntsˈɛɡɔ tʃwɔvʲˈɛka w jˈasnɨm ɡˌarɲitˈuʒɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_172.wav|tɔ ɲʲɛ jɛst nˈɔvɨ pˈɔmɨsw.|4
+Dataset/wavs/urwisko_ferenc/22_segment_55.wav|pʃɨpˈɔmɲʲaw sˈɔbjɛ tˈɛ rɔzmˈɔvɛ, ɡdˈɨ zasˈɨpʲaw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_7.wav|tfʲˈɛrdʑi, ʒˈɛ kɔbjˈɛtɛ trˈudnɔ rɔspˈɔznatɕ, ˌalɛ tsˈɔ dɔ dʑˈɛtska ɲʲˈɛma ʒˈadnɨɣ vˌɔntplivˈɔɕtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_175.wav|mˈɔʒɛ tˈak, mˈɔʒɛ ɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_95.wav|ktˌurɨ zabjˈɛʒɛ jˈɔ̃ w ˌɔtpɔvʲˈɛdɲʲɛ mʲˈɛjstsa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_87.wav|tɨm kˈimʑ bˌɨwɛm jˈa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_62.wav|dla pˌɔzɔstˈawɨɣ dʑˈɛtɕi tˈɛʃ, ˌalɛ dla tɛj dvˈujki ʃtʃɛɡˈulɲʲɛ, bˈɔː ˌutʃɛstɲˈitʃɔ̃ w ɲˈix ɔt samˈɛɡɔ pɔtʃˈɔntku.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_188.wav|jaskˈiɲʲa z dʒvʲˈami?|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_59.wav|tɔ znˈatʃɨ tɕi bˈɛs kɔdˈɛksu mˌɔralnˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_19.wav|mˈama pʃɛstˈawa wˈukatɕ i uɲʲˈɔswa sfˈɔjɔ̃ zalˈanɔ̃ wzˈami tfˈaʒ dɔ tˈatɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_63.wav|trˈɔxɛ stˌarɔmˈɔdna, ˌalɛ bʲˈillɨ mu tɔː ˌɔtpɔvʲˈada.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_20.wav|pɔvʲˈɛdʑaw parkˈujɔnts pʃɛd dˈɔmɛm kˈatɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_256.wav|pɔdˈɛʃwam dɔː ˈɔjtsa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_46.wav|mˈuɕi tˈɛʒ zdˈavatɕ sˈɔbjɛ sprˈavɛ, ʒˈɛ ˈallɛn mˈɔʒɛ mʲˈɛtɕ pɔlˈisɛ ˌubɛspʲˌɛtʃɛɲʲˈɔvɔ̃, zdjˈɛɲtɕa, naɡrˈaɲʲa, pisˈɛmnɛ pʃɨznˈaɲʲɛ ɕɛ dɔ vˈinɨ, tʃˈɛɡɔ dˌɔtɨtʃˈɔntsɛ bʲˈillɨ ɲʲˈɛma pɔjˈɛɲtɕa.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_324.wav|ˈɔtpar pˈɔdridʑɡ bˈɛs xfˈili vaxˈaɲʲa.|1
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_90.wav|pʃɨssˈafki i ɕmˈiɡwa ɲʲɛ dʑawˈajɔ̃ f prˈuʒɲi, a vˌɨkɔʒɨstˈaɲʲɛ ɕilɲˈika rˌakʲɛtɔvˈɛɡɔ bɨwˈɔbɨ ɲʲˌɛdɔʒˈɛtʃɲʲɛ drˈɔɡʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_83.wav|mˈɔjɛ dˌɔɕfʲattʃˈɛɲʲa zvʲɔ̃zˈanɛ s xwˌɔpakˈami bˌɨwɨ tˈak ˌɔɡraɲitʃˈɔnɛ. jɛdnˈɛɡɔ, jakʲˈɛɡɔ mʲˈawam, pɔznˈawam w vʲˈɛku pʲˈɛɲtɕu lˈat, a tɔ ɕɛ tˈak naprˈavdɛ ɲˈiɡdɨ ɲʲɛ litʃˈɨwɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_158.wav|pʲɛɲʲˈɔndʑɛ. mnˈustfɔ pʲɛɲʲˈɛndʑɨ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_28.wav|— xlipnˈɛwa jɛj tsˈurka. — sˈɛr xˈarvin mˈuvi, ʒˈɛ ˌukrɨvˈajɔ̃ ix i dˈajɔ̃ im jˈɛɕtɕ, a kʲˈɛdɨ ix pˈɨta, dˈɔkɔnt pˈɔʃli, kwˈamjɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_179.wav|swɨʃˈawɛm, ʒˈɛ tfˈɔja ʒˈɔna jɛst ˌurɔdʑˈiva.|1
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_119.wav|tʃˈɨli zˌanɔɕˈiwɔ ɕɛ nˈatɔ, ʒˈɛ fkrɔtʃˈɨmɨ dɔ mʲˈasta.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_249.wav|tɨ ɲʲɛ maʃ ʃˈansɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_149.wav|bˈɨw kˈumplɛm dʒˈɔrdʒja dʲˌinɛrstʲˈina i dˈɔstaw ksˈɨfkɛ trˈɔmba, bˈɔ mʲˈaw w zvɨtʃˈaju wˈapatɕ ɕɛ za krˈɔtʃɛ i mˈuvitɕ tsˈawuj mɲʲɛ f trˈɔmbɛ.|2
+Dataset/wavs/urwisko_ferenc/02_segment_8.wav|bɔrˈɛvitʃ ɕˈɛŋɡnɔw pɔ ʃkwˈɔ pˌɔvʲɛŋkʃajˈɔntsɛ, ktˌurɛ zˈafʃɛ mʲˈaw pʃɨ sˈɔbjɛ, ɡdˈɨ ɕˈɛdʑaw nat aktˈami i skʲɛrˈɔvaw jˈɛ na tfˈaʃ lˌitsɛalˈistki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_194.wav|jɛzd ɡrˈill, zˌauvˈaʒa, kʲˈɛdɨ vrˈatsa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_31.wav|vʒˈutsa ɡˈɔ na ɕɛdʑˈɛɲʲɛ, pɔ tʃɨm pɔnˈɔvɲʲɛ blɔkˈujɛ dʒvˈi ˈawta.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_126.wav|tsˈɔ? vˌɨbjɛrˈamɨ ɕɛ na ɡɔlfˈɔvɔ̃ pʃɨɡˈɔdɛ, dˈavɛ? ˈɛx, pˈisaʃ tɔ mˈa ʒˈɨtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_135.wav|dʑˈiɕaj bˌɨwɔː inˈatʃɛj.|1
+Dataset/wavs/urwisko_ferenc/42_segment_4.wav|ˌalɛ ɲʲɛ tˈutaj, bˈɔ pɔwˈɔntʃɨʃ ɕɛ s kˌɔmisarjˈatɛm f xˈɛwmʒɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_43.wav|tʃɨ tɔ mɔʒlˈivɛ, ʒˈɛ brˈadlɛj pɔdˈajɛ ɕɛ za sfɔjˈɛɡɔ brˈata?|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_119.wav|vrˈutɕiʃ tˈu jˈɛʃtʃɛ, zˈaɲim tˈam pˈujdʑɛʃ?|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_133.wav|jˈamɛ ɔtsˈunɔw mˈapɛ na bˈɔk.|1
+Dataset/wavs/urwisko_ferenc/60_segment_43.wav|vʲˈɛnts pˈɛvɲʲɛ sˈɔbjɛ pɔrˈadʑi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_25.wav|zˈaɲim ˈuda im ɕɛ zdˈɔbɨtɕ tɛn nˈakas, ɔn zdˈɔ̃ʒɨ mɲʲɛ udˈuɕitɕ i pɔɡʒˈɛbatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_41.wav|z jɛj dɔɕfʲˈattʃɛɲ vˌɨɲikˈawɔ jˈɛdnak, ʒˈɛ ɲʲɛ bˌɨwɔ f tɨm ˌapsɔlˈutɲʲɛ ɲˈidʑ zˌabavnˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_122.wav|brˈɛzɛnt xwˈɔstaw nˈas f tfˈaʒɛ, smrˈut ɕɲʲˈɛntɨx rˈɨp pʃɨbjˈɛraw na ɕˈilɛ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_221.wav|xwˈɔpak pˈɔtʃɛd dɔ ɲʲˈɛj, tʃɨmˈajɔnts w rˈɛŋkax mwˈɔt.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_113.wav|ɲʲɛ jɛstˌɛɕmɨ pʃˌɨjatɕˈuwmi, ˌalɛ ʒˈadnɛ z nˈas ɲʲˈɛxtsɛ, ʒˈɛbɨ w nˈaʃɨm mʲˈɛɕtɕɛ dˌɔxɔdʑˈiwɔ dɔ mˈɔrdɛrstf.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_178.wav|pʃˌɨswuʒˈɨwɨ ɕɛ tˌɛmu fʃˈɨstkʲɛ vˈaxtɨ, pˈɔttʃas ktˌurɨx ɲʲˈɛmʲaw dɔ jɛdʑˈɛɲʲa ɲˈits ˈɔprutʃ ɔvˈɔtsuf i rˈɨp. lɛtɲʲˈatsɨ ˌuvʲɛlbjˈali ɔvˈɔtsɛ i rˈɨbɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_181.wav|a vˈaʃa ʃkˈɔwa rˈɔbʲi bɔkˈami i vɛʑmʲˈɛtɕɛ kaʒdˈɛɡɔ, ktˈɔ tˈu tˌɨlkɔ pʃˈɨjdʑɛ i zapwˈatɕi, xˈɔtɕ tˌɨlkɔ za ɡɔdʑˈinɛ latˈaɲʲa, a zrˈɛʃtɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_66.wav|jˌɛstɛm tˌɨlkɔ pˌɔmɔtsɲˈikʲɛm wˌadɔvˈatʃa i tsˈawɨ dʑˈɛɲ vˈaʒɛ kˌɔntɛnˈɛrɨ, ˌalɛ tɔ dɔpʲˈɛrɔ pɔtʃˈɔntɛk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_88.wav|ˈɔddʑvɔɲ ʒˈutsa bʲˈili jˈak najʃˈɨptɕɛj.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_61.wav|ɲʲɛ, i tɔ jɛst ɔkrˈɔpnɛ. mˈili pɔvˈinna jˈuʒ bˈɨtɕ w wˈuʃku.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_85.wav|lˈɛpʲɛj, ʒˈɛbɨɕ ˌuswɨʃˈawa tɛ vʲˈɛɕtɕi ˈɔdɛ mɲʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_147.wav|vʑˈɔwɛm ftˈɛdɨ kʃˈɛswɔː i ɔtʃˈɛdwɛm pɔt ɕtɕˈanɛ i tʃɛkˈawɛm tˈam, pˈatʃɔnts na ˈɔtʃɨ mˈɛɡɔ brˈata i na ˈuxɔ tˌɛɡɔ tsɨɡˈana.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_278.wav|ɲʲɛ zrˌɔzumjˈawam.|0
+Dataset/wavs/urwisko_ferenc/19_segment_42.wav|pɔlˈitsja ɲʲɛ prˌubɔvˈawa dˈɔtʃɛdʑ dɔ pˈaɲi?|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_206.wav|tʃɨ dˈa nˈam lˈudʑi, ktˌuʒɨ bˌɛndɔ̃ stʃˈɛɡli nˈaʃɨx sˈɛpt pʃɛd vilkˈami i lvˈami?|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_31.wav|a pɔvʲˈɛtʃɛ pʃɛsˈɨtsaw ˈɔstrɨ smˈak sˈɔli.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_16.wav|mˈɔɡɛ tsˈɔʑ dˈɔdatɕ, ʃˈɛfjɛ? zapˈɨtaw rˈɔp. ɲʲɛ dɔ kˈɔɲtsa pʃˌɛkɔnˈanɨ, tʃɨ jˈɛɡɔ rˈɔla ɲʲɛ sprɔvˈadʑa ɕɛ vɨwˈɔntʃɲʲɛ dɔ nˌɔtɔvˈaɲʲa pʃɛmˈɨɕlɛɲ stˈarʃɨɣ dˌɛtɛktˈɨvuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_146.wav|bʲˈillɨ pɔzdrˈavja ix s kiɲʲˈɛɲʲɛm ɡwˈɔvɨ. dʑˈɛɲ dˈɔbrɨ, ʃanˈɔvnɨm pˈanɔm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_13.wav|pratsˈujɛ, pratsˈujɛ. dvˈa dɲˈi tˌɛmu mɲʲɛ ˌarɛʃtˈɔvaw i ɕɛdʑˈawɛm tˈu f tsˈɛli, tˈam w ɡwˈɛmbʲi kˌɔrɨtˈaʒa na lˈɛvɔ.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_291.wav|vˈɨjdʑɛ za jakʲˈɛɡɔɕ pˌuwnɔtsnˈɛɡɔ lˈɔrda i zamjˈɛʃka w jˈɛɡɔ zˈamku, z dˈala ɔt mˈɔʒa i ɛwrˈɔna vrɔɲʲˈɛɡɔː ˈɔka.|1
+Dataset/wavs/urwisko_ferenc/43_segment_48.wav|vˈidʑaw pˈan jɛj tsˈurkɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_43.wav|drʒˈɛ w ɲʲˌɛkɔntrˌɔlɔvˈanɨ spˈɔsup i unˈɔʃɛ dwˈɔɲʲɛ, ʒˈɛbɨ pˈɔtʃɛtɕ ramjˈɔna.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_35.wav|muɕˈawa zjˈɛxatɕ na bˈɔtʃnɛ drˈɔɡʲi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_94.wav|rˈixtɛr vzdˈɨxa.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_182.wav|nˈɔvɨ lˈɔrt rivˈɛran pʃˈɨbɨw dɔ tsastˈɛrlɨ ɹˈɔk f tʃtɛrnˈastɨm rˈɔku ʒˈɨtɕa, bˈɨ pɔɕlˈubʲidʑ lvˈitsɛ dvukrˈɔtɲʲɛ mwˈɔtʃɔ̃ ɔt ɕˈɛbjɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_136.wav|rɔzˈumjɛm tɔː utʃˈutɕɛ, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_308.wav|vˈidʑɛ tʃɛrvˈɔnɔ̃ ɡvʲˈazdɛ krfavʲˈɔntsɔ̃ na ɲʲˈɛbjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_111.wav|ˈidʑɛ dɔ salˈɔnu i kwˈadʑɛ ɕɛ na kanˈapʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_198.wav|ɲʲɛ rɔspˈɔznaw tfɔjˈɛɡɔ nazvˈiska?|3
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_73.wav|mˈawa krulˈɔva ʃˈuka ˌuspravʲɛdlˈivʲɛɲ dla brˈata.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_42.wav|i ˈɔtɨm tˈaɡʒɛ vʲˈɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_11.wav|zˌapadɲʲˈɛntɛ pɔlˈitʃki ˌupɔdabɲʲˈajɔ̃ jˈɔ̃ dɔ vˌɨɡwɔdʑˈɔnɛj mɔdˈɛlki.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_258.wav|sˌamaˈɛɡɔn zdɔbˈɨftsa traktˈɔvaw vʲˈarɛ z vʲˈɛlkɔ̃ ˌɔstrɔʒnˈɔɕtɕɔ̃, ɲʲˈɛxtsɔndʑ bˈɨ spʃˌɛtɕivʲˈawa ɕɛ jˈɛɡɔ ʒˈɔndɔm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_139.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_113.wav|mˈimɔ jˈɛdnak, ˈiʃ tfˈaʒ dˌuɕitɕˈɛla|0
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_43.wav|xtsˈɛʃ nˈam tsˈɔɕ pɔvʲˈɛdʑɛtɕ na tˈɛmat ʃˈɔnɨ? pˈɨta bˈɛtskɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_9.wav|prˌatsɔvˈawam dla ɲʲˈɛɡɔ, tʃɨmˈawam jˈɛɡɔ finˈansɛ f tˌajɛmɲˈitsɨ i ɲʲɛ tˌɨlkɔ finˈansɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (62)_segment_29.wav|tˈɔm pɔpˈatʃɨw na ˈɛkran.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_182.wav|mɨ dvˈa jɛstˌɛɕmɨ vɨjˈɛɲtɕi spˈɔt prˈava, ɲʲɛ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_100.wav|tʃɨ tɔ tɕi ɲʲɛ pʃˈɨʃwɔ dɔ ɡwˈɔvɨ?|0
+Dataset/wavs/urwisko_ferenc/53_segment_130.wav|pɨtˈaɲʲɛ, dlatʃˈɛɡɔː ɔn nˈatɔ ɲʲɛ fpˈad?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_24.wav|bˈɨwabˌɨ tˈutaj s tˈɔbɔ̃, z nˈami pʃˈɛs kɔlˈɛjnɨx ʃˈɛɕtɕ, ʃˈɛɕtɕ lˈat.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_221.wav|bʲˈillɨ ɔpʲˈɛra ɕɛ wɔktɕˈami ɔ stˈuw i kwˈadʑɛ lˈuʑnɔ zˌatɕiɕɲʲˈɛntɛ pʲˈɛɲɕtɕi na pɔlˈitʃkax.|2
+Dataset/wavs/urwisko_ferenc/11_segment_64.wav|ftʃˈɔraj bˈɨw ˈu mɲʲɛ jˈarɔɲ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_73.wav|ˈɔrlɛ ɡɲʲˈazdɔ spˈɔviw lɔdˈɔvɨ pwˈaʃtʃ, a ɡˌurujˈɔntsɔ̃ nˈadɲim kˈɔpjɛ ɔlbʒˈɨma|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_90.wav|jˈuʃ mˈa kˌɔntɨnuˈɔvatɕ pisˈaɲʲɛ pʃɛrvˈanɛ ɲʲˌɛspɔdʑɛvˈanɔ̃ vizˈɨtɔ̃ mɛrtˈɔna rixtˈɛra, kʲˈɛdɨ zˌauvˈaʒa, ʒˈɛ na ɕtɕˈaɲʲɛ jɛst ˈɔbras.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_187.wav|jˈuʃ mɨ vʲˈɛmɨ, tsˈɔ rˈɔbʲitɕ s takˈimi ɲʲˌɛbɛspʲɛtʃnˈɨmi tɨpˈami. sprˌavʲɛdlivˈɔɕtɕi stˈaɲʲɛ ɕɛ zˈadɔɕtɕ. ɡwɔsˈujtɕɛ nˈamɲʲɛ w lˌistɔpˈadʑɛ.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_168.wav|tɔ zdrˈada stˈanu.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_241.wav|brjˈɛnnɛ pʃɨjʒˈawa ɕɛ mˈapʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_77.wav|rˈatʃɛj pamjˈɛntawbˌɨm, ɡdˈɨbɨm tɔ zrˈɔbʲiw.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_225.wav|i tɔ na sˈamɨɣ vɨtɕˈɛtʃkax. pˌɔstarˈawabˌɨm ɕɛ rˈuvɲʲɛʃ ɔ prˈatsɛ pʃɨ zbjɛrˈaɲʲu prˈubɛk.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_19.wav|mˈɨɕlɛ, ʒˈɛ tʃˈɛba bˌɛɲdʑɛ zˌaaŋɡaʒˈɔvatɕ tɨtˈana.|4
+Dataset/wavs/urwisko_ferenc/39_segment_5.wav|dɔpˈilnuj mˌakarˈɔnu i ˈɔttsɛdʑ ɡˈɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_263.wav|pˈatʃɔnts jɛj w ˈɔtʃɨ, vˌɨkʃɨvˈiwam tfˈaʒ w zwɔɕlˈivɨm ɡrɨmˈaɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_45.wav|kʲˈɛdɨ pˌɔvʲɛdʑˈawɛm zɔstˈaftɕɛ nˈas.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_147.wav|ja startˈujɛ. tɛn vʲˈatr mi ɕɛ ɲʲɛ pɔdˈɔba.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_38.wav|tˈɔm pʃɨtʃˈɨmaw tɛlˈɛfɔn pɔlˈitʃkʲɛm, vˈɨʃɛt s kˈuxɲi i ɕˈɛŋɡnɔw pɔ klutʃˈɨki lɛʒˈɔntsɛ na stɔlˈiku f kˌɔrɨtˈaʒu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_87.wav|ɲʲɛ pɔtʃˈɛba, tɔ bˌɛɲdʑɛ pɔtʃˈɛbnɛ pʃɨ ɡwɛmbˈɔkim skrˈɛɲtɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_157.wav|ɲʲɛbˈavɛm dˈɔm zˈatʃɔw pˈɛŋkatɕ f ʃfˈax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_118.wav|na tsˈɔ tʃɛkˈatɕɛ, ɕɛrʒˈaɲtɕɛ? rˈɨknɔw. dʑˈɛɲ utɕˈɛka, ɔtʃˈɨɕtɕitɕ tˈɛ pʲˌɛrdɔlˈɔnɔ̃ xasjˈɛndɛ!|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_224.wav|xˈɔdʑ bˌɨwɛm pˌuwpʃɨtˈɔmnɨ, tɔ jɛj zˌaxɔvˈaɲʲɛ ɕɛ zmrɔzˈiwɔ mɲʲɛ na xfˈilɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_185.wav|ˌalɛ tɔ ɕɛ mˈɔʒɛ zmʲˈɛɲitɕ, jˈɛɕli dˈalɛj bˌɛɲdʑɛʃ jˈɔ̃ zˈɛ sˈɔbɔ̃ vˈɔziw.|2
+Dataset/wavs/urwisko_ferenc/52_segment_58.wav|ʒˈadɛn z mˈɛ̃ʃtʃɨzn ɲʲɛ dˈɔstʃɛɡw zblˌiʒajɔntsˈɛɡɔ ɕɛ bˌɔrɛvˈitʃa. — dʑˈɛɲ dˈɔbrɨ — ʒˈutɕiw ˈɔlɡʲɛrt.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_13.wav|dˈaj mi znˈatɕ, jˈak tˌɨlkɔ znˈajdʑɛʃ ɕɛ w ɕrˈɔtku. jˈɛɕli jɛj tˈam ɲʲɛ bˈɛɲdʑɛ, ˌuruxˈamjam ˈalɛr dɔ zˌaɡʲiɲʲˈɛɲtɕu dʑˈɛtska.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_141.wav|pˈɔtknɔw ɕɛ w dʒvʲˈax i pʃɛvrˈutɕiwbˌɨ ɕɛ, ɡdˈɨbɨ ɔrˈain vˈatɛrs ɲʲɛ zwˈapaw ɡˈɔ za rˈamjɛ. nˈavɛt...|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_180.wav|taˈina vʲˈɛ fʃˈɨstkɔ.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_187.wav|jˌɛstɛm sˈam s xˈɔrnçill.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_116.wav|ˌalɛ ɕɛ ɲʲɛ ɔdvrˈatsa.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_55.wav|vˌɨznatʃˈajɔ̃ ɡˈɔ pʃˈɛs lˌɔsɔvˈaɲʲɛ spˈɔɕrut artsɨmˌaɛstˈɛruf.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_209.wav|marɡˈarɨ jɛzd za sprˈɨtna, bˈɨ dˈawa ɕɛ tˈak wˈatfɔ zwˈapatɕ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_2.wav|ix kˈupki bˌɨwɨ jˈuʃ pˈustɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_171.wav|tɔ ɕɛ stˈaɲʲɛ, zˈaɲim tˌɛɡɔ kɔlˈɛɕa tfˈuj tsˈɛl pʃɨvʲˈɔzɔ̃ dɔ sˈɔndu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (45)_segment_62.wav|pˌɔvʲɛdʑˈawa bˈɛtskɨ ʒutsˈajɔnts lˈintsaj pˈɛwnɛ uznˈaɲʲa spɔjʒˈɛɲʲɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_24.wav|ɔn ʒˈatkɔ pasˈujɛ i bˌɛɲdʑɛ stˈavʲaw na swˈabɛ kˈartɨ, a ja ɲʲɛ mˈɔɡɛ zˌarɨzɨkˈɔvatɕ tˌɛɡɔ samˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_54.wav|ɕˈɛŋɡam pɔ ɲʲˈɔ̃ i tˈɛras jˈuʃ ˈɔbaj pˌɔlitsjˈaɲtɕi vˈidʑɔ̃, jˈaɡ drʒˈɨ mi rˈɛŋka.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_170.wav|i kʲˈɛdɨ tʃwˈɔvʲɛk ˈumjaw ɲʲˌɛnavˈidʑitɕ, tˈak pɔvʲˈɛdʑaw ɕfʲˈɛtɲʲɛ xˈɛlɛn.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_36.wav|nad vʲɛʒˈami ɔ ʑɛlˈɔnɨɣ dˈaxax pɔvʲˈɛvaw tˈɛras jˈɛdnak krˈakɛn rˈɔdu ɡrˌɛɨjˈɔjuf, a vʲˈɛlka brˈama bˌɨwa spalˈɔna i rˌɔstʃaskˈana.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_30.wav|kʲˈɛdɨ vˌɨpɔvʲˈadam na kˈɔɲʲɛts jɛj ˈimjɛ, mˈuj ɡwˈɔz zatʃˈɨna ɕɛ wˈamatɕ i ɔpˈuʃtʃam ɡwˈɔvɛ, tʃˈujɔnts pwɨnˈɔntsɛ pɔ pɔlˈitʃkaɣ wzˈɨ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_355.wav|zˌaʒutɕˈili brjˈɛnnɛ pˈɛntlɛ na ʃˈɨjɛ, zˌatɕisnˈɛli mˈɔtsnɔ ʃnˈur i pʃˌɛʒutɕˈili drˈuɡʲi kˈɔɲʲɛts pʃˈɛs kˈɔnar.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_44.wav|vʲɛdʑˈawa, tsˈɔ mʲˈaw na mˈɨɕli.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_105.wav|jˈɛdnaɡ dʒˈɛɡɛr pˈɔbʲiw stsˈɔtta tˌɛɡɔ vʲɛtʃˈɔru i pɔtʃˈuwam mdwˈɔɕtɕi na sˈamɔ̃ mˈɨɕl ˈɔtɨm, tsˈɔ mˈɔʒɛ zrˈɔbʲitɕ mɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_8.wav|ˌalɛ ta pˈɔra ɕɛ zblˈiʒa i f kˈaʒdɛj xfˈili mˈɔɡwam uswˈɨʃɛtɕ pukˈaɲʲɛ dɔ dʒvˈi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_197.wav|mˈɔʒɛ tɔ pˌɔʒɛɡnˈalna vizˈɨta, pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_45.wav|andrˈɛɔ z mˈɨɕlɔ̃ ɔ vˈidʑax, ktˌuʒɨ mˈɔʒɛ dɔpʲˈɛrɔ dɔ nˈaz dˌɔwɔntʃˈɨli, xtsˈɛmɨ pɔnˈɔvɲʲɛ vˌɨɛmitˈɔvatɕ tfˈɔjɔ̃ rɛlˈatsjɛ z dʑiɕˈɛjʃɨɣ vɨdˈaʒɛɲ. tɔ naprˈavdɛ tsˈɔɕ ɲʲˌɛbɨvawˈɛɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_172.wav|spˈɔɕrut fʃˈɨstkix tfˈɔiɣ ɡʒˈɛxuf, a nˈɔ, a umˈuvmɨ ɕɛ, bˌɨwɔː ix naprˈavdɛ spˈɔrɔ, tɛn z nɛbrˈaski bˈɨw najɡˈɔrʃɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_85.wav|pɔswˈuxa, tsˈɔ tɛn kˈɛn xˈɔff mˈa dɔ pˌɔvʲɛdʑˈɛɲʲa, jˈɛɕli tɔ tˈɛʃ ɔkˈaʒɛ ɕɛ zɡˈɔdnɛ s prˈavdɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_88.wav|mˈili ɲʲɛ bˌɨwa pʃˈɨɲʲɛj bɛspʲˈɛtʃna.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_74.wav|ˈilɛ znˈaʃ ˈɔsup, ktˌurɛ mˈɔɡwɨbˌɨ pɔvʲˈɛdʑɛtɕ tsˈɔɕ takʲˈɛɡɔ s pˈɛwnɨm pʃˌɛkɔnˈaɲʲɛm?|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_76.wav|muɕˈawam vˌɨkɔʒˈɨstatɕ tɛn mˈɔmɛnt ɲʲˌɛuvˈaɡʲi. ˌɔbrutɕˈiwam ɕɛ, zrɔbʲˈiwam pʃˈɨɕat i zwapˈawam jˈɔ̃ za nˈɔɡʲi.|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_48.wav|ˌɔbmɨɕlˈiwam plˈan.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_41.wav|a vʲˈɛnts tsamˈɛrɔn mʲˈaw rˈatsjɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(25) R.Abbott_Zamknij Drzwi_segment_2.wav|kʲˈɛdɨ tˈɔm vˈɨʃɛt pʃˈɛs ˌuxɨlˈɔnɛ dʒvˈi, bˈɛtskɨ zˌasuɡˌɛrɔvˈawa jˈɔɛ, ʒˈɛbɨ trˈɔxɛ ˌɔtpɔtʃˈɛwa.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_163.wav|ˌalɛ nˌajtɕɛkˈafʃɛ jɛst tɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_77.wav|dˈɔbʒɛ pɔvʲˈɛdʑaw, vˈɨɕpij ɕɛ, vrˈutɕiw dɔ xˈɛlɛn.|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_229.wav|ʒˈɛkw tˌɨlkɔː i ɔdvrˈutɕiw ɕɛ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_37.wav|ɲʲɛ vˈidʑɛ dʑɛftʃˈɨnɛk.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_51.wav|jˈakiɣʑ ɡvawtˈɔvnɨx skˈɔsuf i pɔxˈɨwɨx sufˈituf fspˈartɨx na drɛvɲʲˈanɨx swˈupax,|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_101.wav|ˌaɲi jɛdnˈɛɡɔ bwˈɛndu vʲˈɛntsɛj, mˈuvi i skwˈada karˈabʲin.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_237.wav|ɲʲɛ mʲˌawɛm pʲɛɲʲˈɛndʑɨ, ʒˈɛbɨ ɡˈɔ sˈɔbjɛ kˈupitɕ, a bˈɛs kˈɔɲʲa ɲʲˈɛmuɡwbˌɨm bˈɨtɕ rɨtsˈɛʒɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_17.wav|pʃɛprˈaʃam, jˈɛɕli bˌɨwɛm ftʃˈɛɕɲʲɛj dla tɕˈɛbjɛ ɲʲɛmˈiwɨ, ˈanɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_163.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/urwisko_ferenc/02_segment_62.wav|stfʲˈɛrdʑiw, a ˈɔlɡʲɛrt ˈɔdɲʲuz vraʒˈɛɲʲɛ, ʒˈɛ fˈatsɛt ˌɔtʃɛkˈujɛ jˈakʲɛjɕ jˈɛɡɔ rɛˈaktsji, skiɲʲˈɛɲʲa ɡwˈɔvɔ̃ lˈup swˈɔvnɛj ˌaprɔbˈatɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_187.wav|jˈɛʃtʃɛ jˈɛdnɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_82.wav|zˌasuɡɛrˈɔvaw tˈɔm, unˈɔʃɔnts rˈamjɛ, jˈaɡbɨ xtɕˈaw jˈɔ̃ vˌɨprɔvˈadʑitɕ na zˈɛvnɔntʃ. vˈɨʃli na ɕfʲˈɛʒɛ pɔvʲˈɛtʃɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_29.wav|pˌɔzɔstavˈiliɕmˌɨ vʲˈɛlɛ ɲʲˌɛdɔpɔvʲˈɛdʑɛɲ i nˈaʃɛ rɔzmˈɔvɨ vˌɨdavˈawɨ ɕɛ ʃtˈɨvnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_43.wav|rˈitskɨ mˈuviw, ʒˈɛ tʃˈɨma ɕɛ ɲʲˈɛʑlɛ jˈak na starˈuʃka, kturˌɛɡɔ pʃˈɛbjɛk jˈuʃ ɕɛ ɲʲɛ mʲˈɛɕtɕi na litʃɲˈiku.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_11.wav|uɕmʲˈɛxaj ɕɛ, mˈɔri, pˌɔvʲɛdʑˈawa. pʃˈɛs tɕˈɛbjɛ trˈatsɛ kljˈɛntuf. uɕmʲˈɛxaj ɕɛ ˈalbɔ pɔʃˈukaj sˈɔbjɛ ˈinnɛj prˈatsɨ.|0
+Dataset/wavs/urwisko_ferenc/12_segment_156.wav|xˈɨba tˈak.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_56.wav|i rˈuʃadʑ w drˈɔɡɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_73.wav|ʃˈɔfɛr. zupˈɛwɲʲɛ tˌaki sˈam jˈak f pʃˌɛdvɔjˈɛnnɨx fˈilmax, a vʲˈɛnts...|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_340.wav|a tˈɛraz vˈɔmɛns vˈɔrlt mˈa tˈɛʃ jˈuʒ dˈɔɕtɕ i vˈɔli jˈɛxatɕ na tˈɛ vˈɔjnɛ. pˈɔpatʃ sˈɔbjɛ zrˈɛʃtɔ̃ na ɲʲˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_146.wav|xˈɔtɕ trˈudnɔː uvʲˈɛʒɨtɕ, ˈabɨ tɔ bˌɨwɔ mɔʒlˈivɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_109.wav|ʒartˈujɛʃ sˈɔbjɛ?|4
+Dataset/wavs/urwisko_ferenc/07_segment_14.wav|sˈama vɨpˈiwa dˈuʃkʲɛm ʃklˈaŋkɛ vˈɔdɨ, ʒˈɛbɨ na xfˈilɛ zaɡwˈuʃɨtɕ ʃˌalɛjˈɔntsɨ ɡwˈut i sˈuxɔʑdʑ w ɡˈardlɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_12.wav|bˌɛndɛ muɕˈawa ɕɛ zˌastanˈɔvitɕ, jˈak tɔ rɔzˈɛɡratɕ i jˈak fʃˈɨstkɔː im vɨjˈaɕɲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_183.wav|kɔlˈɛjnɛ sˈɛptɨ i miltʃˈɔntsɛ ɕˈɔstrɨ, mwˈɔtʃɛ ɲˈiʃ tʃtˈɛrɨ starˈuxɨ na dˈɔlɛ. jˌɛstɛm krulˈɔvɔ̃!|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_19.wav|nˌarɔbʲˈiwam takʲˈɛɡɔ bˌawaɡˈanu s tɨm fʃˈɨstkim.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_35.wav|jˈɛɕli bˌɛndɛ mˈuɡw, zrˈɔbjɛ tsˈɔ xtsˈɛʃ. jˈɛɕli ɲʲɛ, z ɡˈurɨ pˈɔvʲɛm, vˈal.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_182.wav|ɲʲɛ jˌɛstɛm ˌamɛrˌɨkaɲˈinɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_30.wav|— xtsˈɛ zɔstˈavidʑ vʲadˈɔmɔʑdʑ dla pˈana rajˈana — pɔvʲˈɛdʑaw. — sɛɲʲˈɔra tʃɨ juɲʲˈɔra?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_61.wav|xˈɔtɕ jˌɛstɛm tɕˈɛkaf, tʃɨ nˈadal bˈɨ pˈan tˈak uvˈaʒaw na sˈamɨm kˈɔɲtsu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_262.wav|wapˈiduɣ dvˈɔma paltsˈami rˈɔzvar dʒɔɲʲˈɛmu ˈusta i vʒˈutɕiw dɔ ɲˈiɣ dvʲˈɛ piɡˈuwki.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_19.wav|tˌɨlkɔː ɔn jˈɛdɛn mʲˈaw dˈɔstɛmb dɔː ˌintɛrnˈɛtu, a pˈatʃki dɔ ɲʲˈɛɡɔ pʃˌɨxɔdʑˈiwɨ s tsawˈɛɡɔ ɕfʲˈata.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_8.wav|tɔ jɛst inspˈɛktɔr sˈims.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_43.wav|ˌalɛ tɔ ftʃˈɛɕɲʲɛj tʃɨ pˈuʑɲʲɛj vɨʃwˈɔbɨ na jˈaf. fʃɨstkʲˈɛɡɔ bˈɨ ɕɛ dˌɔmɨɕlˈili, ɡdˈɨbɨ trˈɔnt pʃˈɛjɔw kˈɔntrakt na dɔstˈavɛ tlˈɛnu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_67.wav|ˈɛlis ftɕˈiska kˈitʃ ɔ skˈurtʃax plˈɛtsuf i dalˈɛkʲɛj pɔdrˈuʒɨ i vɨjˈaɕɲʲa, ʒˈɛ mˈɔʒɛ zapwˈatɕidʑ bˈɨlɛ ɲʲɛ za dˈuʒɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_282.wav|lˈɛtʃ mʲɛŋknˈɔntsɨx pɔt spɔjʒˈɛɲʲɛm dvˌudɔlarˈɔvɨx ladˈatʃɲits, ktˌurɛ zˌaxɔvˈawɨ tʃˈɨstɔɕtɕ sˈɛrts i tɕˈixɔʑdʑ dˈuʃ,|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_62.wav|nˈaʃa pˈaɲi pɔswˈawa ix pɔ tɕˈɛbjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_148.wav|na pˈɛvnɔ tˈɛras jˈuʒ znˈaʃ mˈuj stˈɨl ɔt pɔtʃˈɛfki.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_370.wav|ɔn mɲʲɛ pˌɔtʃɛbˈujɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_261.wav|ɲʲˈɛvʲɛm, jˈak mi pˈujdʑɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_232.wav|pˌɔdrɛptˈawam zˈaɲim. jˈɛstɛm...|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_80.wav|pɔ fstukˈaɲʲu kˈɔdu dʒvˈi rˌɔssunˈɛwɨ ɕɛ i fˈala ɡɔrˈɔntsa vˌɨpɛwɲˈiwa nˈamjɔt.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_75.wav|vʲˈɛnts ˈɔʃtʃɛɲtɕ mi dˈalʃɨɣ bajˈɛtʃɛk ˈɔtɨm, ʒˈɛ xtɕˈawɛɕ tˌɨlkɔ pɔtɕˈɛʃɨtɕ nˈaʃɔ̃ pˌɔɡrɔ̃ʒˈɔnɔ̃ w ʒˈalu dˈɔbrɔ̃ tsˈurkɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_37.wav|mˈɔɡɛ zjˈɛɕtɕ f salˈɔɲʲɛ, jˈɛɕli mˌatɕɛ dɔ pˌɔɡadˈaɲʲa.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_173.wav|brɨvʲˈɛtʃur kɔxˈana, pɔvˈitaw mɲʲɛ bʲˈillɨ.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_175.wav|vɨsˈɔka vʲˈɛʒa, tsˌɨtadˈɛla i ɡvʲˈɛzdnɨ sˈɛpt ulˈɛɡwɨbˌɨ zɲiʃtʃˈɛɲʲu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_156.wav|pˈutʲin pˈɛvɲʲɛ mʲˈaw tɔ w dˈupʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_129.wav|a vʲˈɛnts tɔ mˈɔja vˈina.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_69.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_597.wav|lˈɛdvɔ tsɔkˈɔlvʲɛk pamjˈɛntam. ʃlˈiɕmɨ pʃɛt ɕˈɛbjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_110.wav|vɨjˈaɕɲiw i ɔbrˈutɕiw tɔrɲˈistɛr, ʒˈɛbɨ pɔkˈazadʑ zˈɛstaf swˌuxafkˈɔvɨ pʃˌɨtʃɛpʲˈɔnɨ ʒˈɛpɛm dɔ bˈɔtʃnɛj ɕtɕˈaŋki.|4
+Dataset/wavs/urwisko_ferenc/25_segment_106.wav|zˌɛstavʲˈɛɲʲa zˌavʲɛrˈawɨ tʃˈɨ uswˈuɡʲi ˌabɔnˈɛntskʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_79.wav|ˈaʃ pˈatʃɨ na ˈɛkran, a na jˈɛɡɔ tfˈaʒɨ malˈujɛ ɕɛ ɲʲɛpˈɔkuj.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_65.wav|dʑɛtɕˈinnɛ, ˈɔfʃɛm, ˌalɛ i ˌɔsɔblˈivʲɛ sˌatɨsfˌaktsjɔnujˈɔntsɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_60.wav|na fpˌuwpʃɨtˈɔmna ˌɔsunˈɛwam ɕɛ na pɔdwˈɔɡɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_25.wav|tɔ jɛdˈɨnɛ mʲˈɛjstsɛ, dɔ kturˌɛɡɔ ɲʲɛ zajʒˈawam. dˌɔskɔnˈawɛ, pɔɲʲˈɛvaʃ ɲˈiɡdɨ tˈam ɲʲɛ xˈɔdʑɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_116.wav|ɲʲɛ jɛst nɔrmˈalnɨm tʃwɔvʲˈɛkʲɛm.|2
+Dataset/wavs/urwisko_ferenc/46_segment_114.wav|ʃtʃˈɛrpski zˌaparkˈɔvaw na ɲʲɛvʲˈɛlkim rˈɔɲdʑɛ pʃɛd dvˈɔrkʲɛm w rɔɡˈufku i ˈɔlɡʲɛrt swˈɨʃaw xʃˈɛ̃st jˈɛɡɔ krˈɔkuf na ʒvˈiʒɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_38.wav|tˈɔm xtɕˈaw pɔvʲˈɛdʑɛtɕ, ʒˈɛ ɲʲˈɛma tˈakʲɛj pɔtʃˈɛbɨ, ˌalɛ ubjˈɛɡwa ɡˈɔ lˈutsɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_112.wav|dlatʃˈɛɡɔ pˌɔvʲɛdʑˈawaɕ, ʒˈɛ lˈutsɨ mˈɔɡwabˌɨ ɲʲɛ zdˈɔ̃ʒɨtɕ? na tsˈɔ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_246.wav|a jˈɛdnak kˈula mɲʲɛ ɲʲɛ ˌɔminˈɛwa. ktˈɔ tɔ bˈɨw?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_79.wav|tɔ znˈuf spˈɛntsɛr. xˈɨba tɨm rˈazɛm pˌɔviɲʲˈɛnɛm ɔdˈɛbratɕ. vɨbˈatʃtɕɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_135.wav|jɛzd ɡbˌurɔvˈata i uvˈaʒa mɲʲɛ za puʃtʃˈalskɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_93.wav|tsˈawɨ tɛn sˈɨf, ktˌurɨ vɨdˈaʒɨw ɕɛ pˈɔtɨm, jˈaɡ ɡˈɔ zɡubʲˈiwɛm, ɲˈits ɲʲɛ znˈatʃɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_5.wav|mʲˌɛli sˈɨna. tˈɔm pɔkˈivaw ɡwˈɔvɔ̃, pʃˌɛwɨkˈajɔnts s trˈudɛm ɕlˈinɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_508.wav|i ɲʲɛ ʃukˈajɔnts nˈavɛt rɛntʃɲˈika, dɔpˈadwɛm tˌɛɡɔː ɛtˈui.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_76.wav|kʲˈɛdɨ mijˈaliɕmˌɨ vˌɨwɔʒˈɔnɔ̃ ubrˈukʲɛm ulˈitʃkɛ, ktˌura prˌɔvadʑˈiwa na tˈɨwɨ bˈaruf i bjˈur na ˈɔksfɔrt rˈɔat, s tɕɛmnˈɔɕtɕi vˌɨskɔtʃˈɨwɨ tʃˈɨ pɔstˈatɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_92.wav|zrˈɛʃtɔ̃, kˈurtʃɛ, pʃˌɛtɕɛʒ bˈutɕik tˈɛʃ ɲʲˈɛbɨw maɡʲˈitʃnɨ. tˈak sˈɔbjɛ tˌɨlkɔ vmuvˈiwɛm, bˈɔ xtɕˈawɛm f tɔ vʲˈɛʒɨtɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_235.wav|spˈɔjʒaw uvˈaʒɲʲɛ, pʃˌɛjmujɔntsˈɨmi ɔtʃˈami. nˈɔː i tsˈɔ?|0
+Dataset/wavs/urwisko_ferenc/55_segment_33.wav|tʃɨ fˈilib vʲˈɛ, ɡdʑˈɛ ɡˈɔ zwˈapatɕ?|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_142.wav|tɕˈɛ̃ʃkɔ dˌɔɕfʲattʃˈɔnɨ pʃˈɛz ʒˈɨtɕɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_9.wav|uɕmʲˈɛxam ɕɛ dɔ ɲʲˈɛɡɔ nˌapavˈajɔnts ɕɛ jˈɛɡɔ radˈɔɕtɕɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_116.wav|maˈɛstɛr ˈɛmɔn mˈuviw mu, ʒˈɛ mˈuɕi fʃˈɨstkɔː ˌɔpɔvʲˈɛdʑɛtɕ artsɨmˌaɛstˈɛrɔm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_46.wav|mˈɔʒɛ i dˌɨspɔnˈɔvaw ɲʲˌɛspɔʒˈɨtɔ̃ ɛnˈɛrɡjɔ̃, ˌalɛ zmɛntʃˈɛɲʲɛ f kˈɔɲtsu ɡˈɔ dɔpˈadɲʲɛ, a nˈatɨm ɛtˈapʲɛ ɕlˈɛtstfa pˌɔtʃɛbɔvˈali fʃˈɨstkix f pˈɛwnɛj ɡˌɔtɔvˈɔɕtɕi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_6.wav|mˈam nadʑˈɛjɛ, ʒˈɛ rɔzˈumjɛʃ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_194.wav|ɕtɕˈɔŋɡaj ɡˈatki, mˈuvi bʲˈillɨ i prˈɨska mu w ˈɔtʃɨ ɛˈasɨ ˈɔffɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_145.wav|mˈimɔ tɔ tʃˈɨma ɕɛ blˈiskɔ bʲillʲˈɛɡɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_147.wav|tˈɨlɛ, ʒˈɛ lˈatɔ minˈɛwɔː i f pɔvʲˈɛtʃu tʃˈudʑ ʒˈɛɕki xwˈut.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_267.wav|mʲˈawam zˈamjar pɔjˈɛxatɕ w ɕfʲˈat, f ktˌurɨm ɲˈikt ɲʲˈɛbɨw ɡˈɔtuf mi pˈɔmuts i dɔ tˌɛɡɔ bˌɨwam f tɕˈɔ̃ʒɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_54.wav|ˈuɕɔɲdʑ z ɲˈim, pˈɔvʲ��ts tsˈɔʑ dɔ ɲʲˈɛɡɔ, ɲʲˈɛx pˈɔzna tfˈuj ɡwˈɔs i tfˈuj zˈapax.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_243.wav|znˈatɕ tɔ pɔ jɛj zɡarbjˈɔnɨx ramjˈɔnax, pˈɔtɨm jˈak pɔvwˈutʃɨ bɔsˈɨmi nɔɡˈami.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_36.wav|ˌɔdvrutɕˈiwa pɔvˈɔli ɡwˈɔvɛ i spɔjʒˈawa mi w ˈɔtʃɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_18.wav|ɲʲˈɛvʲɛm, jˈaka prˈavda zɔstˈaɲʲɛ ˌujavɲʲˈɔna, zarˈuvnɔ pʃˈɛs pɔlˈitsjɛ, jˈak i tɛn xɔlˈɛrnɨ prˈɔɡram w rˈadju, ktˌurɨ zblˈiʒa ɕɛ vʲɛlkˈimi krɔkˈami.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_385.wav|ɲʲɛ mˈɨɕliʃ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_120.wav|na dvˈa dɲˈi pʃɛt mɔˈimi ˌurɔdʑinˈami mˈama pˌɔvʲɛdʑˈawa, ʒˈɛ zabjˈɛʒɛ mɲʲɛ dɔ mʲastˈɛtʃka, ʒˈɛbɨ kˈupitɕ mi nˈɔvɛ bˈutɨ i ubrˈaɲʲɛ dɔ ʃkˈɔwɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_67.wav|bˈɛs ˌɔkulˈaruv zˈafʃɛ vɨɡlˈɔndaw na takʲˈɛɡɔ vrˌaʒlivˈɛɡɔ, jˈaɡbɨ stˌanɔvˈiwɨ ɔstˈatɲʲɔ̃ lˈiɲʲɛ jˈɛɡɔː ɔbrˈɔnɨ, a tɔ vˌɨvɔwˈawɔ tˈɛmpɨ bˈul w mˈɔjɛj pʲˈɛrɕi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_48.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/urwisko_ferenc/15_segment_38.wav|s pˌɛrspɛktˈɨvɨ tʃˈasu vidʑˈawa, kʲˈɛdɨ tɔ ɕɛ zatʃˈɛwɔː i jˈakʲɛ mˌɛxaɲˈizmɨ dˌɛtsɨdɔvˈawɨ ˈɔtɨm, ʒˈɛ xtɕˈawa ɡrˈadʑ dˈalɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_143.wav|jˈɛɡɔ zˈazdrɔɕtɕ ɲʲɛ mʲˈawa ɲˈits fspulnˈɛɡɔ z miwˈɔɕtɕɔ̃. ɲʲˈɛxtɕaw pɔ prˈɔstu, ʒˈɛbɨ ktɔkˈɔlvʲɛɡ zɔbˈatʃɨw, ʒˈɛ...|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_509.wav|ɡˈɛrs fˈirst lˈɔvɛ ɲʲɛ ˌɔtpɔvʲˈɛdʑaw. pˈatʃɨw na tʃɛrvˈɔnɔ̃ dwˈɔɲ ˌandɛrsˈɔna|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_34.wav|fˈatsɛd vɨdˈavaw ɕɛ zbˈɨt ˌuwɔʒˈɔnɨ, ɡwˈatki jˈaɡ ʒˈɛl dɔ stˌɨlizˈatsji vwˈɔsuf, jˈak mˈavʲaw jˈɛɡɔː ˈɔjtɕɛts.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_87.wav|klˈɛrki kʃˈɨtʃaw, prˈavda?|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_6.wav|dˈavn ɔt rˈazu zɡɔdʑˈiwa ɕɛ pɔjˈɛxadʑ z ɲˈimi dɔ kɔstɲˈitsɨ, xˈɔtɕ ɲʲɛ tʃɨmˈawa ɕɛ zbˈɨt pˈɛvɲʲɛ na nˈɔɡax, tsˈɔ zʒutsˈawa na kˈarb drakˈɔɲskʲɛj djˈɛtɨ, na ktˌurɛj bˌɨwa ɔt pˈaru dɲˈi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_156.wav|vɨɡlˈɔndawbˌɨ jˈak tɨpˈɔvɨ vwutʃˈɛŋɡa, ʃˌukajˈɔntsɨ dɔrˈɨftʃɛj prˈatsɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_98.wav|kʲˈɛdɨ pʃˈɨɲʲɛj lˈɛʒɛ,|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_94.wav|spʃˈɛnt tʃˈɨmam vɨ... ɲʲɛ mˈuʃɛ vʲˈɛdʑɛdʑ ɡdʑˈɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_56.wav|mˈuvi pˈan ˈɔtɨm tˈak ɔstrˈɔʒɲʲɛ, jˈaɡbɨ mɲʲɛ tɔ tsɔkˈɔlvʲɛk ˌɔpxɔdʑˈiwɔ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_391.wav|ktˈɔɕ, ktˈɔ ɲʲɛ ˌutʃɛstɲˈitʃɨw w nˈaʃɨm spˈisku, ˌalɛ mˈɔʒɛ mʲˈɛtɕ pˈɔvut, bˈɨ nˈam spʃˈɨjatɕ.|1
+Dataset/wavs/urwisko_ferenc/19_segment_5.wav|mˈarja xˈɛrman ɕɛdʑˈawa w dˈuʒɨm, ɲʲˌɛvɨɡˈɔdnɨm fɔtˈɛlu i ɔt kˈilku mˈinut prˌubɔvˈawa rˈɔzɡrɨɕtɕ sˈɔlskɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_10.wav|rɔdʑˈitsɛ prˌubɔvˈali ˌupʃɨjˈɛmɲitɕ mi ɕfʲˈɛnta vʲˈɛlkɔ̃ xɔˈiŋkɔ̃ stɔjˈɔntsɔ̃ w vɨsˈɔkim na dvˈa pʲˈɛntra xˈɔlu, a pˈɔtɛm pˌɔukrɨvˈali mˈɔjɛ prɛzˈɛntɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_453.wav|pʃˌɨmruʒˈɔnɛ ˌimpɛrtɨnˈɛntskɔː ˈɔtʃɨ i vzɡardlˈivɨ ˈuɕmʲɛx.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(72) R.Abbott_Zamknij Drzwi_segment_10.wav|dʑvˈɔɲʲɛ pɔspʲˈɛʃɲʲɛ dɔ bˈɛki. xtsˈɛ ɕɛ dɔvʲˈɛdʑɛtɕ, tsˈɔ rˈɔbjɔ̃, tʃɨ jˈadɔ̃ za ˈaʃɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_104.wav|nˈavɛt ɔt tˈɨwu vɨdˈajɛ ɕɛ mɲʲˈɛjʃa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_23.wav|tˈak, pɔtfʲˈɛrdʑa bˈaki. bˈɨw ɕpˈivur.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_140.wav|sˈandɔr ʃˈɨpkɔ bˈɨ ɕɛ z ɲˈim zawˈatfiw.|1
+Dataset/wavs/urwisko_ferenc/59_segment_82.wav|— ɲʲˈɛx pˈan mˈuvi — pˌɔprɔɕˈiwa.|0
+Dataset/wavs/urwisko_ferenc/65_segment_141.wav|jˈak tɔ? mˈuviʃ pɔvˈaʒɲʲɛ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_192.wav|pˌɔwɔʒˈɨwa mˈɔjɔ̃ dwˈɔɲ na sfˈɔjɛj pʲˈɛrɕi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_153.wav|z lˈufɨ rˌɛmiŋktˈɔna stˈartʃɨ kˈarɲiʃ pʃɨtɕˈɛntɨ rˈɛntʃnɔ̃ pˈiwɔ̃ dɔː ˌɔtpɔvʲˈɛdɲʲɛj dwuɡˈɔɕtɕi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_81.wav|skˈɔrɔ tˈak ɕɛ tʃˈuw, w jˈakim stˈaɲʲɛ bˌɨwa jˈɔ, ktˌura zˌastanavʲˈawa ɕɛ, tʃɨ kʲˌɛdɨkˈɔlvʲɛk jˈɛʃtʃɛ zɔbˈatʃɨ sfˈɔjɔ̃ tsˈurkɛ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_112.wav|tˈak, mˈam tˈutaj pˈaɲi rˌɛzɛrvˈatsjɛ, pˈaɲi kˈalu. a kˈim jɛst tɛn bˈɛrbɛtɕ?|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_78.wav|dlatʃˈɛɡɔ tˈu jɛst tˈak tɕˈɛmnɔ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_40.wav|vʲˈɛ tˈɨlkɔ, ʒˈɛ ɲʲˈɛxtsɛ strˈatɕitɕ tˌɛɡɔ laptˈɔpa, pɔdˈɔbɲʲɛ jˈak ɲʲˈɛxtsɛ strˈatɕitɕ ˌɛɡzɛmplˈaʒa tɛrˈɛsɨ rˈaɡvin, ktˌurɨ tʃˈɨtaw, kʲˈɛdɨ pʃɨjˈɛxaw dɔ tˌɛɡɔ mʲˈasta.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_246.wav|ktˌurɨ mˈa pʃɛt sˈɔbɔ̃ tsˈawɛ ʒˈɨtɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_31.wav|ɲʲˈɛma prˈava jˈazdɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_27.wav|dʑˈɛtɕi ˌɔdvʲɛdʑˈajɔ̃ jˈɛʃtʃɛ kˈilka karˈuzɛl, ˌalɛ dˈɛrɛk ɲʲˈɛxtsɛ ɕɛ pʃɛjˈɛxatɕ na zvˌarjɔvˈanɛj ɡˌɔ̃ɕɛɲˈitsɨ, bˈɔː ɔɕfʲˈattʃa, ʒˈɛ tɔ dla mˈawɨɣ dʑˈɛtɕi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_46.wav|tˈɔm ɲʲɛ pɔtrˈafiw vˈiɲitɕ fˌuŋktsjɔnarjˈuʃa. sˈam tʃˈɛ̃stɔ zadˈavaw sˈɔbjɛ pɨtˈaɲʲɛ, jˈaɡ dalˈɛkɔ bˈɨ ɕɛ pɔsˈunɔw, ʒˈɛbɨ ratˈɔvatɕ lˈutsɨ.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_335.wav|ɲʲɛ bˌɨwɔ f tɨm pʃˌɨjɛmnˈɔɕtɕi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_102.wav|tˈak. a tfˈuj rˈɛkɔrt, xˈɛlɛn?|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_261.wav|nazˈɨvam ɕɛ rˈɨan, pɔvʲˈɛdʑaw mwˈɔdɨ tʃwˈɔvʲɛk. ˈɛstxɛr jɛst mˈɔjɔ̃ nˌaʒɛtʃˈɔnɔ̃. pˌɔbjɛʒˈɛmɨ ɕɛ, jˈak tˌɨlkɔ dˈɔm, ktˌurɨ kupˈiwɛm, zɔstˈaɲʲɛ dˌɔprɔvadʑˈɔnɨ dɔ pɔʒˈɔntku.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_19.wav|ɔdˈɛzvaw ɕɛ f kˈɔɲtsu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_43.wav|ˈɛlis ɲˈim mˌaɲipulˈujɛ i tsˈawkʲɛm ɲʲˈɛʑlɛ jɛj tɔ vɨxˈɔdʑi, zvaʒˈɨfʃɨ, ʒˈɛ ɲʲɛ mʲˈawa tʃˈasu ɕɛ dɔ tˌɛɡɔ nˌalɛʒˈɨtɕɛ pʃˌɨɡɔtˈɔvatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_68.wav|zɔstˈaliɕmˌɨ fʃˈɨstsɨ zˌaprɔʃˈɛɲi dɔ pɔkˈɔju, dɔ mˌɛdɨtˈatsji i ɔt rˈazu vʲɛdʑˈawam, ʒˈɛ ktˈɔʑ zɔstˈaɲʲɛ zmuʃˈɔnɨ dɔ pʃɨznˈaɲʲa ɕɛ dɔ sfˈɔix ɲʲˌɛdɔskˌɔnawˈɔɕtɕi i swabˈɔɕtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_70.wav|pʃˌɛwɔʒˈɨmɨ tɔ na jˈutrɔ. nˈɔ xˈɨba, ʒˈɛ rˈuʃɨ ˌɔfɛnsˈɨva. dɔ rɔbˈɔtɨ, ʒɔwɲʲˈɛʒɛ. i ʒˈadnɨx xˈura, ˌaɲi ˈinnɨx tˈakiɣ z wˈaski sfˈɔjɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_140.wav|pʃˌɛkɔnɨvˈawam, ʒˈɛ tʃˈɛba vˈɛzvatɕ pˈɔmɔts, ˌalɛ ɲʲˈɛxtɕaw ˈɔtɨm swˈɨʃɛtɕ. f kˈɔɲtsu pˌɔvʲɛdʑˈawam, ʒˈɛ ɕtɕˈɔŋɡnɛ lɛkˈaʒa i ʒˈɛ mɲʲɛ ɲʲɛ pɔfstʃˈɨma.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_38.wav|tˈɔm pɔpˈatʃɨw na kˈita i bˈɛtskɨ, ktˌuʒɨ bˌɨli rˈuvɲʲɛ zdumjˈɛɲi jˈak ˈɔn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_160.wav|jˈasim tɔ dˈavnɨ baɕˈista i ɔbˈɛtsnɨ pʃɨvˈuttsa bˌɔjɔvɲˈikuf. xtsˈɛmɨ ɡˈɔ dˈɔpaɕtɕ. bˈardʑɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_255.wav|mˈawɔ jɛzd ʒˈɛtʃɨ, ktˌurɛ ɕɛ pˈanu tˈutaj pˌɔdɔbˈajɔ̃, ʒˈɛkw rˈɨan.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_17.wav|ɲˈits s tˌɛɡɔ ɲʲɛ mʲawˈɔbɨ prˈava zadʑˈawatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_9.wav|— pɔmˈɔɡɛ tɕi fstˈatɕ — dɔdˈawa pˌɔzbavʲˈɔnɨm ɛmˈɔtsji ɡwˈɔsɛm, pɔ tʃɨm ftɕɔŋɡnˈɛwa kˌilkakrˈɔtɲʲɛ nˈɔsɛm pɔvʲˈɛtʃɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_70.wav|tɔ fʃˈɨstkɔ mˈɔja vˈina, xˈɔtɕ pɔvˈinnaʑ vʲˈɛdʑɛtɕ, ʒˈɛ ɲˈiɡdɨ ɕɛ ɲʲɛ spˌɔdʑɛvˈawɛm, ʒˈɛ tsˈɔɕ takʲˈɛɡɔ ɕɛ vɨdˈaʒɨ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_242.wav|ɡdˈɨ na ɲʲˈɛbjɛ ɡˈɔʒaw ʑɛlˈɔnɨ ˈɔɡʲɛɲ.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_86.wav|bˈɔp ɔdvdʑˈɛntʃɨw mi ɕɛ tɨm sˈamɨm.|4
+Dataset/wavs/urwisko_ferenc/09_segment_6.wav|tɔ pʃˈɛs ɲʲˈɛɡɔ tɛn strˈɛs, lˈɛŋk i ɲʲɛpˈɛvnɔɕtɕ.|0
+Dataset/wavs/urwisko_ferenc/52_segment_8.wav|vˈal jˈaɡ w dˈɨm, ɲʲɛ zavʲˈɔdɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_181.wav|ˈɛliz vzdˈɨxa.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_345.wav|mɨɕlˈawɛm, ʒˈɛ ja jˌɛstɛm vˌɔjɔvɲˈikʲɛm.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_51.wav|dʑˈɛŋki bˈɔɡu za arkˈuʃɛ kˌalkulatsˈɨjnɛ, pˌɔmɨɕlˈawa bˈɛtskɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_160.wav|ɲʲɛ xtɕˈawam ɔdvrˈatsadʑ vzrˈɔku, ˌalɛ pɔ prˈɔstu muɕˈawam.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_188.wav|tsˈɔ nˈɔts rɔskwˈadam pɔswˈaɲʲɛ pɔt ˈinnɨm ɔwtˈaʒɛm i ɕˈɛdmju.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_48.wav|tɔ bˌɨwɔ tʃɨdʑˈɛɕtɕi mˈinud ʒˈɨtɕa, ktˌurɨx jˈuʃ ɲˈiɡdɨ ɲʲɛ ɔdʑˈɨskam.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_83.wav|vɛndrˈɔvɲi rɨtsˈɛʒɛ?|1
+Dataset/wavs/urwisko_ferenc/22_segment_9.wav|mˈɨɕlaw ˈɔtɨm, tsˈɔ zdaʒˈɨwɔ ɕɛ pʃɛt parˈɔma ɡˌɔdʑinˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_41.wav|ˌalɛ ɲʲɛ pʃˈɛjmuj ɕɛ tˈɨm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_85.wav|mʲˈawam zwˈɨ sˈɛn ɔ jˈakimɕ tʃwɔvʲˈɛku.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_288.wav|pʲˈɛrʃɨ rˈas tˈɛʃ ɲʲɛ pˈɔʃɛt tɕi najlˈɛpʲɛj, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_100.wav|mˈuʃɛ tɕi tsˈɔʑ vˈɨznatɕ.|3
+Dataset/wavs/urwisko_ferenc/43_segment_86.wav|mˈɔɲikˌa xudʑˈiɲska. sˈɔlski bˈɨw jɛj sɔ̃ɕˈadɛm.|0
+Dataset/wavs/urwisko_ferenc/21_segment_45.wav|kɔlˈɛjnɨ bwˈɨsk rɔsɕfʲˈɛtliw ɕfʲˈad za ˈɔknɛm i xˈɛrman drɡnˈɛwa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_100.wav|ɲʲˈɛmam nˌajmɲʲɛjʃˈɛɡɔ pɔjˈɛɲtɕa, tsˈɔ rˈɔbʲitɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_86.wav|dˈavn ˈɛdmɔnts pˌɔkivˈawa ɡwˈɔvɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_74.wav|jˌɛstɛm mˈatkɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_179.wav|dlatʃˈɛɡɔ fʃˈɨstkʲɛ vɨpˈatki zdaʒˈajɔ̃ ɕɛ pʃɨ lˌɔndɔvˈaɲʲu?|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_345.wav|ˌalɛ kˈɛvin ʃˈɨpkɔ ɕɛ zˌɔrjɛntˈɔvaw, jˈak stˈɔjɔ̃ sprˈavɨ i znˈalaz dla ɕˈɛbjɛ mʲˈɛjstsɛ ˈu bˈɔku tɨvˈina.|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_8.wav|vɨɡlˈɔndaw jˈak trˈup, ˌalɛ muɕˈawɛm ɕɛ upˈɛvɲitɕ, vʲˈɛnts pˌɔlizˈawɛm sˈɔbjɛ dwˈɔɲ, ˈaʒ bˌɨwa mˈɔkra i uklˈɛŋkwɛm pʃˈɨɲim.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_177.wav|vʒasnˈɛwam, a bˈul zvʲɔ̃zˈanɨ zˈɛ strˈatɔ̃ ɲʲɛ pɔzvˈalaw mi jˈasnɔ mˈɨɕlɛtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_47.wav|kˈas, mˈɔʒɛʃ spɔʒˈɔɲdʑitɕ lˈistɛ fʃˈɛlkix fraɡmˈɛntuf ˌinfɔrmˈatsji, ktˌurɛ zdˈɔwaʃ tˈam znˈalɛɕtɕ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_31.wav|zɔstˈawɔ mi tˌɨlkɔ jˈɛdnɔ rˌɔzvʲɔ̃zˈaɲʲɛ. vˌɨʃukˈujɛ vʲˈɛnts strˈɔnɛ pɔlˈitsji xrˈapstfa ɡrɛˈatɛr manxˈɛstɛr.|4
+Dataset/wavs/urwisko_ferenc/25_segment_101.wav|rˌɔzwɔʒˈɨwa kˈartki na kˈɔwdʒɛ, a nastˈɛmpɲʲɛ pˌɔskwadˈawa z ɲˈiɣ dvˈa dˌɔkumˈɛntɨ zˌavʲɛrajˈɔntsɛ zˌɛstavʲˈɛɲʲa pɔwˈɔntʃɛɲ s tˌɛlɛfˈɔnuf sɔlskʲˈɛɡɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_38.wav|jɛst jɛj vˈaʒnɨm ˌɛlɛmˈɛntɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_190.wav|stsˈɔdd vˈɛstxnɔw.|3
+Dataset/wavs/urwisko_ferenc/40_segment_19.wav|tʃˈɨli mɔʒlˈivɛ, ʒˈɛ ɡʒˈɛɡɔʃ jˈuʒ vrˈutɕiw dɔ dˈɔmu.|0
+Dataset/wavs/urwisko_ferenc/03_segment_115.wav|lˈubʲi pˈan tˈakɔ̃ muzˈɨkɛ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_309.wav|ˌalɛ tɔ fʃˈɨstkɔ jˈɛdnɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_96.wav|bˈɔp ˈuɲʲus tɛrmˈinal pwatɲˈitʃɨ.|4
+Dataset/wavs/urwisko_ferenc/63_segment_163.wav|tˈak, ˈabɨ ɔkwˈatka ˌɔpʲɛrˈawa ɕɛ ɔ rˈant stˈɔwu. tsˈɔɕ mi jˈɛdnak ɲʲɛ pˌasɔvˈawɔ f tɛj tɛˈɔrji.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_47.wav|ˌɔbɔk mɲʲɛ mˌatɛrjˌalizˈujɛ ɕɛ zˈɔɛ zˈɛ ʃklˈaŋkɔ̃ vˈɔdɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_29.wav|bˈɛki, zbjˈɛʒmɨ fʃˈɨstkix i zɔbˈatʃmɨ, na tʃɨm stɔˈimɨ. kˈit, jˌɛstɛɕ jˈaɡ zˈafʃɛ nˈaʃɨm skrˈɨbɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_46.wav|vʲˈɛndʑ dʑˈɛŋki tˌɛmu tʃˈuwam ɕɛ vˌɨjɔntkˈɔva.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_232.wav|tsˈut nat tsudˈami, brˈɔɲ vɨxˈɔdʑi ɡwˈatkɔ. pɔmˈimɔ bˌulvʲastˈɛɡɔ twumˈika na lˈufjɛ, bʲˈillɨ stʃˈɛla.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_135.wav|fʃˈɨstsɨ zˌawɔʒˈɨliɕmˌɨ tɔrɲˈistrɨ pɔt tʃˈujnɨm ˈɔkʲɛm bˈɔba, ktˌurɨ pˈɔtɛm zˈamknɔw ʃtʃˈɛlɲʲɛ kaʒdˈɛɡɔ zˈɛ sfˈɔix pˌɔdɔpʲˈɛtʃnɨɣ vˈɛvnɔntʃ xɔmˈitʃɛj kˈuli.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_22.wav|ʃˈampan pʃɨjˈɛmɲʲɛ udˈɛʒa bʲilljˈɛmu dɔ ɡwˈɔvɨ, ˌalɛ za drˈuɡɔ̃ lˈampkɛ dʑɛŋkˈujɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(05) R.Abbott_Zamknij Drzwi_segment_20.wav|pˌɔvinɲˈiɕmɨ fʃˈɨstsɨ f ɕˈɛbjɛ vʲˈɛʒɨtɕ, inˈatʃɛj ɲˈiɡdɨ ɲitʃˈɛɡɔ ɲʲɛ ˌɔɕɔŋɡɲʲˈɛmɨ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_239.wav|tfˈɔjɛ smˈɔki sɔ̃ na drˈuɡʲim kˈɔɲtsu ɕfʲˈata, a jˈuʒ zatʃˈɛwa ɕɛ jˈɛɕɛɲ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_30.wav|ʒˈut ˈɔka na jɛj tfˈaʃ mˈuvi bʲilljˈɛmu, ʒˈɛ ɲʲˈɛma tsˈɔ trˈatɕitɕ tʃˈasu na dˌɔtɕɛkˈaɲʲɛ, tʃɨ jɛst tˌɛɡɔː ˌapsɔlˈutɲʲɛ pˈɛvna. fstˈajɛ i pɔtxˈɔdʑi dɔː ˈɔkna pˌɛrɨskˈɔpu.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_224.wav|nˈavɛt taˈɛna vɨrˈaʑɲʲɛ f tɔ pˌɔvɔntpʲɛvˈawa. fʃˈɨstkʲɛ tʃˈɨ sɔ̃ mwˈɔtʃɛ ɔt mˈawɛj krulˈɔvɛj i bˈardʑɛj ɲʲɛvˈinnɛ.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_93.wav|vˌɨxrɨpʲˈawa starˈuxa pɔ rˈaz drˈuɡʲi. swˌɨʃawˈɨɕmɨ, ʒˈɛ pɔtrˈafiʒ zˈajʒɛtɕ f pʃˈɨʃwɔɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_69.wav|kɨbˈɛrnɛ zˌaçixˈɔtaw. tʃɨ tˈak tˈɛras nˌazɨvˈajɔ̃ tɔ kɔbjˈɛtɨ? ɔbˈavʲam ɕɛ, ʒˈɛ zdɔbˈɨwɛɕ iɣ zbˈɨd vʲˈɛlɛ, pʃˌɨjatɕˈɛlu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_32.wav|i ɔt rˈazu dɔstˈawaɕ atˈaku paɲˈiki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_97.wav|kɔpɲʲˈaki ustˈawɨ, a stsˈɔtt ˈumilkw.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_26.wav|jˈak ɕɛ nazˈɨvaʃ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_96.wav|mˈɨɕli ɔ pʃˌɛɲiklˈivɨx mˈawɨx ˈɔtʃaɣ dˈan ˌɛdʲisˈɔna za ˌɔkularˈami bˈɛs ɔprˈavɛk.|2
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_167.wav|brˈat klˈɛmɛnt ɲʲˈɛbɨw jɛdˈɨnɨm z nˈas, ktˌurɨ ˈɔdɲʲus rˈanɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_15.wav|f tɨm sˈamɨm mɔmˈɛɲtɕɛ ˌɔtfɔʒˈɨwɨ ɕɛ dʒvˈi i vʲˈɛlki mɛ̃ʃtʃˈɨzna fʃˈɛd dɔ ɕrˈɔtka f tˌɔvaʒˈɨstfʲɛ ɲʲˌɛvɨsˈɔkʲɛj azjˈatki, ktˌura bˌɨwa jˈɛdnɨm s tɛxɲˈikuf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_228.wav|stˈaw w vʲˈɛtʃɛ f tɕɛmnˈɔɕtɕi z ɔtʃˈɨma rˌɔsʃɛʒɔnˈɨmi jˈak ˈu zvʲɛʒˈɛɲtɕa i ftɕˈɔ̃ʃ pˈatʃɨw na dwˈɔɲ, ktˌurɛj ɲʲɛ vˈidʑaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_83.wav|na skrˈaju pɔlˈanɨ krɔ̃ʒˈɨli dɨskrˈɛtɲʲɛ mwˈɔdʑi lˈudʑɛ z ˌawtɔmatˈami kˌawaʃɲikˈɔva,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_55.wav|na pɔtʃˈɔntɛɡ vɨɡrˈawɛm pˈarɛ rˈazɨ, pʃɛɡrˈawɛm pˈarɛ rˈazɨ i xˈɔtɕ ɲʲɛ tratɕˈiwɛm dˈuʒɔ, tʃˈuwɛm pˌɔtɕfʲadˈɔmjɛ, ʒˈɛ jɛst tɔː ɔ vʲˈɛlɛ za dˈuʒɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_320.wav|tˈak, tɔ tsmˈɛntaʒ ʒɨdˈɔfski na ulˈitsɨ ˌɔkɔpˈɔvɛj.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_57.wav|vʲˈɛ na pˈɛvnɔ dvʲˈɛ ʒˈɛtʃɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_79.wav|paʃpˈɔrtɨ i dˌɔkumˈɛntɨ znˌajdɔvˈawɨ ɕɛ f tˈɛtʃtsɛ lɛʒˈɔntsɛj na stɔlˈiku.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_5.wav|ɲˈits ɲʲɛ vɨdˈawɔː im ɕɛ jˈɛdnak spɛtsjˈalɲʲɛ istˈɔtnɛ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_317.wav|ɲʲˈɛmuɡw mʲˈɛtɕ ɲˈits fspulnˈɛɡɔ s krfavˈɨmi ɡɔdˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_109.wav|tˈatɔ...|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_160.wav|dˈalɛ pˈɔdɲʲus ɕɛ s klˈɛntʃɛk.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_42.wav|tʃˈɨ pˈaltsɛ ɲʲˈɛxtsɔ̃ ɕɛ zɡʲˈinatɕ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_18.wav|jˈamɛ dwˈuɡɔ zˌastanˈavʲaw ɕɛ, tʃɨ vdʑˈatɕ nˈatɔ spɔtkˈaɲʲɛ zwˈɔtɔ̃, tʃɨ bjˈawɔ̃ zbrˈɔjɛ.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_143.wav|jˈɛɕli bˌɛndɛ muɕˈawa pwˈaʃtʃɨtɕ ɕɛ i pwˈakatɕ, ɲʲˈɛx ɔn rˈuvɲʲɛʃ pɔtʃˈujɛ ɕɛ skrˌɛmpɔvˈanɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_47.wav|ftɕˈɔ̃ʃ tʃɨmˈawa jˈɔ̃ w mˈɔtsnɨm uɕtɕˈisku, ˌalɛ pʃɨnˈajmɲʲɛj ɲʲɛ mʲɛʒˈɨwa dɔ mɲʲɛ i pʃɛstˈawam ɕɛ bˈatɕ, ʒˈɛ zɡʲˈinɛ pʃˈɛs pʃɨpˈadɛk, jˈɛɕli zwˈapʲɛ jˈɔ̃ skˈurtʃ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_204.wav|ˌalɛ dlatʃˈɛɡɔ?|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_167.wav|blˈatskfiʒ zabʲˈijɛ fʃˈɨstkiɣ vˌɛstɛrlˈiŋɡuf. jˈɛdnɔ̃ z ɲˈix jɛst mˈawa krulˈɔva mwɔdˈɛɡɔ vˈilka.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_23.wav|tˈɛssa ʒutɕˈiwa mi zdʑivʲˈɔnɛ spɔjʒˈɛɲʲɛ, ˌalɛ ɲʲɛ pˌɔvʲɛdʑˈawa ɲˈidʑ vʲˈɛntsɛj, kʲˈɛdɨ prˌubɔvˈawam ˌupɔʒɔntkˈɔvatɕ mˈɨɕli.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_135.wav|swɨʃˈawam ɛmˈɔtsjɛ w jˈɛɡɔ ɡwˈɔɕɛ i vʲɛdʑˈawam, ʒˈɛ na sfˈuj vwˈasnɨ spˈɔsup pˈɨta mɲʲɛ f tɛn spˈɔsup, tʃɨ tʃˈujɛ tɔ sˈamɔ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_63.wav|ɲˈim jˈɛɡɔ naɕˈɛɲʲɛ vˈɨsxwɔ na jɛj ˈudax,|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_55.wav|i ʒˈɛ jɛst mwˈɔtʃa i xˈɨba tsˈawkʲɛm dˈɔbra w wˈuʃku.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_496.wav|ɔbˈɛjʒɛtɕ jˈɛ pɔt ɕfʲˈatwɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_140.wav|tʃˈɛɡɔ jˈɛʃtʃɛ pˌɔtʃɛbˈujɛʃ?|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_143.wav|bˈɨw zviɲʲˈɛntɨ i mʲˈaw ɔkˈɔwɔ dvˈux mˈɛtruf.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_120.wav|ˌɔdvʲɛdʑˈili pɔ pɔwˈudɲʲu fʃˈɨstkʲɛ, ˌalɛ ɲˈiɡdʑɛ ɲʲɛ znalˈɛʑli nɔtslˈɛɡu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_510.wav|i ˈandɛrsɔn pɔvʲˈɛdʑaw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_313.wav|a na dˈɔlɛ bˈɨw mɲʲˈɛjʃɨ lˈas. lˈas mˈartfɨx kʃˈakuf i vˌɨbujˈawɨx, usxɲʲˈɛntɨx trˈaf.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_142.wav|mʲˈawabˌɨm vˌɨtwumˈatʃɨtɕ, dlatʃˈɛɡɔ pˌɔjɛxˈawam dɔ xɔspˈitsjum f puwnˈɔtsnɛj vˈalji?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_72.wav|tʃɨ stˈaw ɕɛ bˈardʑɛj nɛrvˈɔvɨ w ɔblˈitʃu pˌɔtɛntsjalnˈɛɡɔ rɔsstˈaɲʲa? pˈɨta bˈɛtskɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_145.wav|ɲʲɛ za mˈɔtsnɔ, tˌɨlkɔ na tˈɨlɛ, ʒˈɛbɨ rˈɔzlatɕ ˌɔdrɔbʲˈinɛ vˈɔdɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_106.wav|tɨm rˈazɛm pɔdˈajɛ mu rˈɛŋkɛ jˈak nalˈɛʒɨ i bʲˈillɨ znˈuf mˈɨɕli ˈɔtɨm, tsˈɔ pɔvʲˈɛdʑaw ɲˈitsk.|2
+Dataset/wavs/urwisko_ferenc/42_segment_96.wav|tʃˈɛɡɔ xtɕˈaw? pʃˈɛrvaw jɛj, bˈɔ ɲʲɛ lˈubʲiw, kʲˈɛdɨ drˌamatˌɨzɔvˈawa. uvˈaʒaw tɔ za ˈɔtprɨsk pɔ xazˈardʑɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_23.wav|ˌalɛ dʒˈɛs! vrˈatsaj, vɨdˈarwam ɕɛ na ɲʲˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_431.wav|ɡdˈɨ ˈɛɡɔn ɲʲɛɡˈɔdnɨ skˈazaw sˈɛr tɛrˈɛnsa tɔˈɨna na ɕmʲˈɛrdʑ zˈatɔ, ʒˈɛ sˈɨpʲaw z jˈɛɡɔ kɔxˈaŋkɔ̃, brˈatɕa tɔˈɨna bˈardʑɔ ɕɛ starˈali ɡˈɔ zˈabʲitɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_6.wav|i tʃɨ stˈawɔ ɕɛ naprˈavdɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_151.wav|vɨjmˈujɛ sfɔjˈɛɡɔ ɡlˈɔka s pʃˈɛdɲʲɛj kʲɛʃˈɛɲi ˌɔɡrɔdɲˈitʃkuf i pɲʲˈɛ ɕɛ pɔ sxˈɔdax.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_25.wav|bˈɛtskɨ pˌɔkivˈawa ɡwˈɔvɔ̃, ˌalɛ spravʲˈawa vraʒˈɛɲʲɛ pˌɔkɔnˈanɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_67.wav|ɲˈiɡdɨ ɲʲɛ dˌɔstʃɛɡˈawam f kɕˌɛ̃ʒɨtsˈɔvɨm krˌajɔbrˈaʑɛ ɲitʃˈɛɡɔ pˌɔtɕɔŋɡˌajɔntsˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_210.wav|pˌɔvʲɛdʑˈawɛm tɕi dlatˈɛɡɔ, ʒˈɛ xtɕˈawaɕ tɔ vʲˈɛdʑɛtɕ, ˌɔtpɔvʲˈada i vwˈɔntʃa rˈadjɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_35.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_216.wav|zɔstˈawɔ jˈɛʃtʃɛ vʲˈɛlɛ lˈat, ɛdmˈurɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_80.wav|kˈit ɔtxʃˈɔŋknɔw i pɔpˈatʃɨw na zɡrˌɔmadʑˈɔnɨx.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_155.wav|ɔd vɨjˈazdu ʒˈɔnɨ ɲʲɛ ˌɔtfʲɛrˈawɛm naʃˈɛɡɔ spʃˈɛntu. dʒvˈitʃki zatɕˈɛwɨ ɕɛ i ɲʲɛ xtɕˈawɨ pˈuɕtɕitɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_106.wav|mˈɔɡɛ zˈɔstatɕ tˈu na nˈɔts s tˈɔbɔ̃?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_165.wav|ɲʲɛ spɔjʒˈawa na arˈama fˌɔrakˈisa, xˈɔtɕ ɔn nˈavɛt na mˈɔmɛnt ɲʲɛ ɔdˈɛrvaw ɔt ɲʲˈɛj vzrˈɔku.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_291.wav|znˈɔvu zadrʒˈawɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_200.wav|bˈɔʒɛ, ˌalɛ tɔ bˌɨwɔ pʃɨjˈɛmnɛ, kʲˈɛdɨ udˈawɔ mi ɕɛ jˈɔ̃ xlˈasnɔɲtɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_30.wav|spˈɛntsɛr sprˈavʲaw pʃˈɛs xfˈilɛ vraʒˈɛɲʲɛ zˌakwɔpˌɔtanˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_14.wav|nˈajpʲɛrf na fˌatsɛbɔˈɔku, tˈɛras na ˌinstaɡrˈamjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_37.wav|vidʑˈawɛm ˈɔtʃɨ z mɡlistˈɨmi ˌiskʲɛrkˈami uɕmʲˈɛxu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_147.wav|pʲˈɛs ˈɔtʃɛd nˈaɡlɛ ˌuspɔkɔjˈɔnɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_158.wav|mˈartfiʃ ɕɛ ɔ mˈɛ̃ʒa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_112.wav|dʑˈɛŋki za uvˈaɡɛ!|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_178.wav|a spuɕtɕˈiwɛɕ ɕɛ? bʲˈillɨ znˈa ɔtpˈɔvʲɛtɕ nˈatɔ pɨtˈaɲʲɛ. xˈaŋɡ zvʲˈɛʃa ɡwˈɔvɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_359.wav|bˈadaw ɡˈɔ z rˈuʒnɨx strˈɔn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_57.wav|mˈɔjɛ bjˈɛdnɛ dʑˈɛtskɔ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_14.wav|bˈɨtɕ mˈɔʒɛ ɲʲɛ swɨʃˈawɨ jɛj swˈuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_103.wav|vʲˈɛm, ʒˈɛ tɔ mɔɡwˈɔbɨ bˈɨdʑ dla tɕˈɛbjɛ trˈudnɛ, ˌalɛ skˈɔrɔ ɲˈikt ɲʲɛ bˌɛɲdʑɛ vʲˈɛdʑaw, jˈakʲɛ pɨtˈaɲʲa mˈa zˈadatɕ...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_76.wav|ɲʲɛ ˈaʃ tˈak. ɔ tʃɨm tˈu mˈɨɕlɛtɕ, mˈamɔ? skˈɔt ɲʲɛ ʒˈɨjɛ. bˌɨwam na jˈɛɡɔ pɔɡʒˈɛbjɛ.|3
+Dataset/wavs/urwisko_ferenc/46_segment_185.wav|w jˈɛdnɛj z ɲˈix tkfˈiwɨ klutʃˈɨki ɔd vˈɔlvɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_39.wav|zabrˈawa jˈɛɡɔ rˈɛntʃ rɔvˈɛra. jˈɛɡɔ zdˈaɲʲɛm plˌanɔvˈawa pɔjˈɛxadʑ dɔ lˌakɛsˈidɛ, ˌalɛ mˈɔɡwa ˌɔtʃɨvˈiɕtɕɛ zmʲˈɛɲidʑ dɛtsˈɨzjɛ s pɔvˈɔdu strˈaxu.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_406.wav|ɲʲɛ prˈɔɕiw ɔ wˈaski, ˌaɲi ɲʲɛ ˌɔpɔvʲˈadaw dwˈuɡʲix, bˌɛssɛnsˈɔvnɨx çistˈɔrji. ɲʲɛ rˈɔbʲiw ɲˈits pˈɔza pˈitɕɛm i swuxˈaɲʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_103.wav|tɔ dˈɔbʒɛ, w rˈaʑɛ ɡdˈɨbɨ znˈɔvu zvˌɨmjɔtɔvˈawa.|2
+Dataset/wavs/urwisko_ferenc/10_segment_80.wav|a pˈɔtɛm...|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_129.wav|a mˈuɕaw jˈɔ̃ ɔpˈuɕtɕitɕ ˈalbɔ zdˌɛzɛrtɛrˈɔvatɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_22.wav|dlatʃˈɛɡɔ mʲˈawabˌɨm pˈɔtʃutɕ ɕɛ vˌɨjɔntkˈɔva?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_45.wav|vˈɨbatʃ, ʒˈɛ tɕˈɛ bˈudʑɛ, ˌalɛ mˈuɕiʃ tˈu pʃɛjˈɛxatɕ i sˈam zɔbˈatʃɨtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_58.wav|tˈɔbjɛ ɲˈiʃ mɲʲɛ. lˈubʲi dʑɛftʃˈɨnɨ, za mnˈɔ̃ z jakʲˈɛɡɔɕ pɔvˈɔdu ɲʲɛ pʃɛpˈada.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_130.wav|ˈu vɨlˈɔtu nˈaʃɛj ulˈitsɨ zˌɔbatʃˈɨliɕmˌɨ pʃˌɛjɛʒdʒajˈɔntsɔ̃ kɔlˈumnɛ tɕˌɛ̃ʒarˈuvɛk upstʃˈɔnɨx nˌarɔdɔvˈɨmi xˌɔrɔŋɡvʲˈami.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_37.wav|spˈɛntsɛr vˈidʑaw, jˈaɡ vɨbjˈɛɡam s pɔkˈɔju, ˌalɛ ɲʲɛ pˌɔvʲɛdʑˈawam ˌaɲi swˈɔva.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_376.wav|tsˈɔ zrɔbʲˈiliɕtɕˌɛ z mˈɔim sˈɨnɛm?|1
+Dataset/wavs/urwisko_ferenc/45_segment_62.wav|a pʃˌɛtɕɛʃ tˈɛʃ pɔɲʲˈɔswa vˌɨʒɛtʃˈɛɲʲa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_86.wav|ɔ��ˈarnɔw mɲʲɛ nˈaɡwɨ strˈax. jˈaɡ dwˈuɡɔ bˌɛndɛ pˈɔtɛm spˈawa? tʃɨ ɲʲɛ pʃɛɡˈapjɛ ˌumuvʲˈɔnɛj ɡɔdʑˈinɨ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_63.wav|stsˈɔtt ɔdˈɛpxnɔw ɕɛ ɔt ɕtɕˈanɨ i rˈuʃɨw f strˈɔnɛ bˈaru, ɡdʑˈɛ ɔtstˈaviw pˈustɔ̃ ʃklˈaŋkɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_452.wav|vʲˈɛnts ʃˌamɔtˈawɛm ɕɛ sˈam zˈɛ sˈɔbɔ̃ i tɕˈɔŋɡlɛ vidʑˈawɛm f kˈaʒdɨm bwˈɨsku ɕfʲˈatwa jɛj.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_220.wav|a pʃˌɛtɕɛʃ ɔn jɛst xɔlˈɛrnɨm lˈɔrdɛm s pˌɔɡraɲˈitʃa, jˈɛɕli pɔtrˈafiʃ f tɔː uvʲˈɛʒɨtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_147.wav|zˌabɔlˈawɔ mɲʲɛ ɡˈardwɔː i pʃɛwknˈɛwam ɕlˈinɛ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_239.wav|ˌɔna zˌaswuɡˈujɛ na tsˈɔɕ lɛpʃˈɛɡɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_64.wav|xtɕˈawam vʲˈɛntsɛj, xˈɔtɕ f tˈamtɛj xfˈili najbˈardʑɛj praɡnˈɛwam ˈukrɨtɕ tɔ, tsˈɔ tʃˈujɛ dɔː arˈama.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_20.wav|mʲˈɛjmɨ tɔ jˈuʒ zˈɛ sˈɔbɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_28.wav|mˈuvi, ʒˈɛ jɛzd ɡʲˈɛrmkʲɛm.|1
+Dataset/wavs/urwisko_ferenc/62_segment_1.wav|pɔt tɔrˈuɲskim ˌɔstaʃˈɛvʲɛ. pʃˈɛs kˈɔrɛɡ dɔ skʃˌɨʒɔvˈaɲʲa w wˌɨsɔmˈitsax spuʑɲˈiwa ɕɛ na spɔtkˈaɲʲɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_5.wav|ɲʲˈɛvʲɛm jˈɛdnak, tsˈɔ mˈam mu pɔvʲˈɛdʑɛtɕ.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_158.wav|tˌɛɡɔ dɲʲˈa, ɡdˈɨ baɲˈitɕi napˈadli na mʲˈastɔ, vˈɨbraw ɕɛ na tˈarɡ z nˈaʃɨm mʲˈɔdɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_124.wav|pɔ tʃtɛrdʑˈɛstu lˈataɣ w ɡvˈinz zmˈartfiwbˌɨm ɕɛ, ɡdˈɨbɨ tˈaɡ bˈɨwɔ. ɡdʑˈɛ ʃˈɛf?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_437.wav|— ʒˈɛɡw vrˈɛʃtɕɛ ɕtɕiʃˈɔnɨm ɡwˈɔsɛm. — ʃkˈɔda tˈakix lˈudʑi jˈak pˈan.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_120.wav|ɲʲˈɛbɔ pɔdmˈɨtɛ ɔt xˌɔrɨzˈɔntu ˌanɛmˈitʃnɔ̃ tʃɛrvʲˈɛɲʲɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_249.wav|mˈatkɔ bˈɔska, tsˈɔ pˈan tˈu rˈɔbʲi? zdumjˈawɛm ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_81.wav|ɲʲˈɛʑlɛ, ˌalɛ ɔbˈavʲam ɕɛ, ʒˈɛ dʑˈiʑ vʲɛtʃˈɔrɛm tɔ ɲʲɛ vɨstˈartʃɨ, ʃtʃɛɡˈulɲʲɛ, ʒˈɛ na stˈɔlɛ pɔjˈaviw ɕɛ kɔlˈɛjnɨ kʲˈɛr.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_101.wav|ˈujɔw jɛj tfˈaʒ w dwˈɔɲʲɛ i fpˈiw ɕɛ ustˈami w jɛj ˈusta, ɲʲɛ tsɔfˈajɔnts ix pʃˈɛz dwˈuɡʲi tʃˈas.|1
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_128.wav|urˈɔdʑiw ɕɛ dɔ ɲʲˈɛɡɔ.|1
+Dataset/wavs/urwisko_ferenc/36_segment_77.wav|ˌɛmxˌaˈɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_6.wav|ɲʲɛ bˌɨwam nˈavɛd zdˈɔlna dɔ pɔnˈɔvnɛj rɔzmˈɔvɨ z jˈɛn.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_88.wav|ˈuɲʲuz dwˈɔɲ i kˈilka rˈazɨ zɡʲˈɔw pˈalɛts fskˌazujˈɔntsɨ. kˈazaw mi vˈɨɕɔ̃ɕtɕ s sˌamɔxˈɔdu.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_12.wav|ɲʲɛ jˌɛstɛm za vɨsˈɔka.|4
+Dataset/wavs/urwisko_ferenc/25_segment_47.wav|ɲʲɛ patʃˈɨwa na ɲʲˈɛɡɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_2.wav|bˈɛki tʃˈɨta mi w mˈɨɕlax.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_113.wav|ɔdˈɛzvaw ɕɛ f kˈɔɲtsu.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_141.wav|ɲʲɛ mˈɔʒɛ tˌɛɡɔ zrˈɔbʲitɕ. jɛst tˌɨlkɔ kapwˈanɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_273.wav|vˈɔda ftɕˈɔ̃ʃ jˈɛʃtʃɛ lɛtɕˈawa z rˈurɨ i nˈaɡlɛ utɕˈixwa s sˈɨkʲɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_292.wav|rˈudɨ ɔtfˈɔʒɨw ɡalˈɛrjɛ i vˈɨbraw ˈinnɛ naɡrˈaɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_286.wav|pɔt pˈuʃtʃɔ̃ rudɲˈitskɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_16.wav|tˈɔm mˈa pɔvˈaʒnɔ̃ mˈinɛ, kʲˈɛdɨ pɔtxˈɔdʑi dɔ mɲʲɛ i zajmˈujɛ mʲˈɛjstsɛ.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_326.wav|ɲʲɛ xtɕˈawabˌɨ ʒˈɨtɕ pɔ ɕmʲˈɛrtɕi mˈɛ̃ʒa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_43.wav|dlatˈɛɡɔ, ʒˈɛ tɔ fʃˈɨstkɔ bˌɨwa mˈɔja vˈina.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_78.wav|jɛzd w ɡˌarɲitˈuʒɛ, ktˌurɨ pˈɛvɲʲɛ kɔʃtˈɔvaw tˈɨlɛ, ˈilɛ vɨnˈɔɕi mʲɛɕˈɛntʃna rˈata za tɛn dˈɔm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_39.wav|ˌɔna xˈɨba tˈɛʃ tɔ pɔtʃˈuwa.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_334.wav|ɔn ɕɛ bˈɔi muzˈɨki.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_59.wav|ɲˈiɡdɨ jɛj ˌɔtʃɨvˈiɕtɕɛ ɲʲɛ swɨʃˈawam.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_69.wav|zˌapisˈawɛm sˈɔbjɛ nˈumɛr na vɨpˈadɛk, ɡdɨbˈɨɕmɨ muɕˈɛli ɕɛ z ɲˈimi skˌɔntaktˈɔvatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_2.wav|nˈadal ɲʲɛ pɔtrˈafjɛ ɕɛ pʃɛwˈamatɕ, ʒˈɛbɨ nɔrmˈalɲʲɛ pˈatʃɛtɕ na ˈaʃa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_93.wav|ɲʲɛʒˈatkɔ jˈɛdɛn pˈartnɛr w zvʲˈɔ̃sku stˈajɛ ɕɛ bˈardʑɛj zˌaaŋɡˌaʒɔvˈanɨ f sˈɛktɛ ɲˈiʒ drˈuɡʲi, jˈak pɔvʲˈɛdʑaw bˌɨwɨ tʃwˈɔnɛk sˈɛktɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_39.wav|ˈalan za krˌɛatˈɨvnɔɕtɕ i ɲʲˌɛkɔɲtʃˈɔntsɔ̃ ɕɛ tɕɛrplˈivɔɕtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_120.wav|pɔ drˈuɡʲɛj strˈɔɲʲɛ lˈiɲʲi zapˈadwa tɕˈiʃa. kˈit ɲʲɛ nalˈɛʒaw dɔ lˈudʑi, ktˌuʒɨ vʲˈɛdʑɔ̃, jˈak pʃɨjmˈɔvatɕ pɔxfˈawɨ.|3
+Dataset/wavs/urwisko_ferenc/12_segment_76.wav|bɔrˈɛvitʃ ɔdwˈɔʒɨw mˌatɛrjˈawɨ i ɔtxˈɨliw ɕɛ wˈɛ fɔtˈɛlu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_5.wav|ɲʲɛ vʲɛdʑˈawam, jˈak sˈɔbjɛ pɔrˈadʑɛ, kʲˈɛdɨ kˈaʒdɛ z nˈaz vrˈutɕi dɔ sfˈɔjɛj rɔdʑˈinɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_116.wav|mɨɕlˈɛliɕmˌɨ, ʒˈɛ ˈuda nˈam ɕɛ skˈɔɲtʃɨtɕ ftʃˈɛɕɲʲɛj.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_144.wav|prˈavda, sˈɛr. ˌalɛ xˈarɨ jɛzd vˌɨjɔntkˈɔvɔ fˌɔtɔɡɛɲˈitʃnɨ, sˈɛr.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_2.wav|kˈit prɔvˈadʑiw samˈɔxut, a tˈɔm ɔdvrˈutɕiw ɕɛ dɔ tˈɨwu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_137.wav|rˈixtɛr pˈuʃtʃa jˈɛɡɔ dwˈɔɲ, ɔtfʲˈɛra dʒvˈi, pɔ tʃɨm ɔdvrˈatsa ɕɛ s pɔvrˈɔtɛm dɔ ɲʲˈɛɡɔ. vˈidʑɛ, ʒˈɛ zɡˈɔliw pˈan vˈɔ̃sɨ.|2
+Dataset/wavs/urwisko_ferenc/18_segment_50.wav|ɲʲˈɛmam ɲˈits pʃɛtɕˈifkɔ, jˈɛɕli ɲʲɛ ˌutrudɲʲˈajɔ̃ prˈatsɨ pɔlˈitsji.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_138.wav|trˈudnɔ jɛj ɕɛ dʑˈivitɕ. jɛst mwˈɔdɔ̃, zdrˈɔvɔ̃ dʑɛftʃˈɨnɔ̃ i ɕˈiɲtsɛ jˈuʒ zˌatʃɨnˈajɔ̃ sxˈɔdʑitɕ, ˌalɛ ftɕˈɔ̃ʒ vɨrˈaʑɲʲɛ vˈidatɕ, ʒˈɛ ɲʲɛdˈavnɔ ktˈɔɕ jˈɔ̃ sprˈaw.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_304.wav|pɔtʃˈuwɛm ɕɛ sˈam.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_110.wav|mɛlˈara pɔblˈadwa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_71.wav|znˈawam ɔtpˈɔvʲɛtɕ nˈatɔ pɨtˈaɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_134.wav|ˌɔtʃɨvˈiɕtɕɛ tɔ bˌɨwɔ dˈavnɔ tˈɛmu, zˈaɲim ˌavansˈɔvaw dɔ vˈɨʃʃɛj lˈiɡʲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_4.wav|s prˈavɛj strˈɔnɨ dɔbjˈɛɡaw ʃˈum ˌɔtsɛˈanu. ɕˈɛrp kɕɛ̃ʒˈɨtsa pʃɛɕfʲˈɛtsaw pʃˈɛz dʒˈɛva.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_51.wav|mˈuvi tˈɛʃ, ʒˈɛ ɔd ɡʒɛxˈɔtu tfɔjˈɛɡɔ mʲˈɛtʃa bˈɔli ɡˈɔ ɡwˈɔva.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_122.wav|ˈu dˈɔwu jɛst mʲˈɛjstsɛ na krˈutkʲɛ vˌɨtwumatʃˈɛɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_129.wav|mʲˈawam nadʑˈɛjɛ, ʒˈɛ jˈɛɕli zmʲˈɛɲʲɛ mˈɔvɛ tɕˈawa, trˈudɲʲɛj bˌɛɲdʑɛ mɲʲɛ rɔspˈɔznatɕ.|4
+Dataset/wavs/urwisko_ferenc/07_segment_17.wav|a kʲˈɛdɨ f kˈɔɲtsu vˌɨtʃɛrpˈali tɛmˈatɨ zˌavɔdˈɔvɛ, xˈɛrman zˌapalˈiwa kˌɔlɛjnˈɛɡɔ xˌɛstɛrfjˈɛlda.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_343.wav|pˈɔtɛm uɕˈadwɛm na ɲʲˌɛpɔswˈanɨm wˈuʃku.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_271.wav|ɔtpˈɔvʲɛ pˈan na kˈilka pˈɨtaɲ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_166.wav|bˈaki ɕmʲˈɛjɛ ɕɛ i vɨmjˈɛʒa w ɲʲˈɛɡɔ vidˈɛlɛts s klˈuskɔ̃ nabʲˈitɔ̃ na jˈɛdɛn z zˈɛmbuf. kˈurtʃɛ, nˈadal jˌɛstɛɕ wˈɛ fˈɔrmʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_259.wav|w nˈaɡwɛj pʃˌɨtɔmnˈɔɕtɕi pˌɔdʑivʲˈawɛm fspaɲʲˈawɛ prɔpˈɔrtsjɛ i zdˌumjɛvajˈɔntsɔ̃ ɡˌɛɔmɛtrˈɨtʃnɔɕtɕ pʲˈɛrɕi ˌaɲi za dˈuʒɨx, ˌaɲi za mˈawɨx.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_100.wav|kaʒdˈɛmu z ɲˈix pˌɔzvɔlˈɔnɔ zˈabratɕ prˈɔvʲant na tʃˈɨ dɲˈi i ubrˈaɲʲɛ, ktˌurɛ mʲˈaw na sˈɔbjɛ.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_21.wav|xˈɔtax ˌɔtpɔvʲˈɛdʑaw jɛdˈɨɲʲɛ xʃɔŋkɲʲˈɛɲtɕɛm.|1
+Dataset/wavs/urwisko_ferenc/05_segment_34.wav|ˌalɛ tʃɨ ta vʲˈɛdʑa f tʃɨmkˈɔlvʲɛɡ bˈɨ jɛj pɔmˈɔɡwa?|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_125.wav|tˈak ɲʲɛ mˈɔʒɛ bˈɨtɕ, jˈamɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_66.wav|a ja vˌɨxɔvˈawam ɕɛ na ulˈitsax mˈanaws i twˈukwam ɕɛ s fˌatsɛtˈami dvˈa rˈazɨ vʲɛŋkʃˈɨmi ɔt tɕˈɛbjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_75.wav|mˈartfiw ɕɛ rˈatʃɛj, ʒˈɛ pˌɔɕfʲɛntsˈajɔ̃ zbˈɨd vʲˈɛlɛ tʃˈasu mˈartɕɛ pˈɔrtɛr, ktˌura prˌavdɔpɔdˈɔbɲʲɛ ɲʲɛ mʲˈawa vʲɛŋkʃˈɛɡɔ znatʃˈɛɲʲa dla ɕlˈɛtstfa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_96.wav|pʃˈɨkrɔ mi, ʒˈɛ stratɕˈiwam mˈamɛ, ˌalɛ tɕˈɛʃɛ ɕɛ, ʒˈɛ lˈɔz vam tɔ vˌɨnaɡrˈɔdʑiw.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_238.wav|w dˈɛʒdʒ vˈɨʃwa vʲˈɛʒba tʃˌɨmajˈɔntsa w rˈɛŋkax kˈuʃɛ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_283.wav|dʒˈɛjn vʑˈɔw tɔ vˈuftʃaz za ɲʲˌɛudˈɔlnɔ̃ prˈubɛ zraɲʲˈɛɲʲa ɡˈɔ, tˈak jˈak ɔn zrˈaɲiw jˈɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_401.wav|mˈɔɡlibˌɨ nˈazvatɕ tˈɛ ɡɔspˈɔdɛ pɔtkˈuʃɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_207.wav|a tɕi lɔrdˈɔvʲɛ tridˈɛntu mˈɔɡli ˈuɡʲɔɲtɕ kˈɔlan, ˌalɛ tsˈɔɕ mi ɕɛ zdˈajɛ, ʒˈɛ f sˈɛrtsax...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_64.wav|ɲʲɛ mˈɔɡwam ɕɛ pɔfstʃˈɨmatɕ, ʒˈɛbɨ ix ˈɔtɔ ɲʲɛ zapˈɨtatɕ, a tˈata pʃɨkˈutsnɔw ˌɔbɔk mɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_86.wav|pɔtʃˈuwam, ʒˈɛ drʒˈɔ̃ mi nˈɔɡʲi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_79.wav|pɔ rˈas kɔlˈɛjnɨ pɔpˈatʃɨw na tˈatɛ, pˈɔtɛm nˈamɲʲɛ i s pɔvrˈɔtɛm na mˈamɛ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_380.wav|zbˈɨd vʲˈɛlka flˈɔta muɕˈawabˌɨ ɕɛ rɔsprˈɔʃɨtɕ pˈɔttʃas tˈaɡ dwˈuɡʲɛj pɔdrˈuʒɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_9.wav|ˌalɛ muɕˈɛli tɔ zrˈɔbʲitɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_491.wav|vʲɛdʑˈawam, ʒˈɛ pˈujdʑɛʒ za mnˈɔ̃, tˈaɡ bˌɨwɔ sɔndʑˈɔnɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_262.wav|pˈɔɲim pʃˈɨʃwa kɔlˈɛjna dalˈɛa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_259.wav|rˈɨan uɕmʲˈɛxaw ɕɛ, ˌukazˈujɔnts fspaɲʲˈawɛ zˈɛmbɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_22.wav|tˈɔm zˈɛrknɔw nˈaɲʲɔ̃ pʃɛlˈɔtɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_74.wav|kˈɔmbajn natˈɨxmʲast pʃˈɛstaw vʲˈɛʃkatɕ. xˈura! tˌɨmtʃasˈɔvɔː ˌuɲʲɛrˌuxɔmˈiwam fʃˈɨstkʲɛ maʃˈɨnɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_27.wav|ɡapˈiwam ɕɛ z ˌɔtfartˈɨmi ustˈami w bjˈawɔ̃ pˈustkɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_19.wav|nˈadal mˈiltʃɔnts, fstˈawa pɔvˈɔli s kʃˈɛswa i vˈɨʃwa s pˌɔmjɛʃtʃˈɛɲʲa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_59.wav|dˈɔm ɔdvrˈutɕiw ɕɛ dɔ mɲʲɛ plɛtsˈami, ɡˈɔtuv dɔ zaɕɲʲˈɛɲtɕa.|3
+Dataset/wavs/urwisko_ferenc/62_segment_12.wav|dɔvˈɔduf? na tsˈɔ?|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_291.wav|mˈɔɡwa jɛdˈɨɲʲɛ ɔtsˈuvatɕ ɕɛ ɔt ɲʲˈɛɡɔ, ˌɔtskakˈujɔnts tɔ f tˈɛ, tɔ f tˈamtɔ̃ strˈɔnɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_109.wav|ɔ tsˈɔ tɕi xˈɔdʑi? dlatʃˈɛɡɔ mɲʲɛ nˌaɕladˈujɛʃ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_36.wav|ˈalfjɛ ˈɔpar ɕɛ ˈɔmɲʲɛ i vɨʃˈɛptaw mi dɔː ˈuxa.|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_56.wav|drˈɔɡa dʒˈɛs, ɲʲˈɛvʲɛm tsˈɔ pɔvʲˈɛdʑɛtɕ. jˌɛstɛm zdrˌuzɡɔtˈanɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_16.wav|ˈɛlis mˈiltʃɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_4.wav|uswˈɨʃaw tˌɨlkɔ jˈak jˈɛɡɔ tsˈurka pɔtɕˈɔŋɡa nˈɔsɛm i prubˈujɛ ɕɛ ˌuspɔkˈɔitɕ na tˈɨlɛ, bˈɨ mu ˌɔtpɔvʲˈɛdʑɛtɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_42.wav|musˈimɨ tˈɛʃ natˈɨxmʲazd vʲˈɛdʑɛtɕ, jˈɛɕli ɔn pɔjˈavi ɕɛ w dˈɔmu. pˌamjɛntˈajtɕɛ jˈɛdnak, ʒˈɛ ˌɔna jɛst upˈarta i trˈɔxɛ ˌimpulsˈɨvna, vʲˈɛnts ɲʲɛ spuʃtʃˈajtɕɛ z ɲʲˈɛj ˈɔtʃu.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_219.wav|ɲʲˈɛma vˌɔntplivˈɔɕtɕi, ʒˈɛ pˌɔmaɡˈajɔ̃ mu lɔrdˈɔvʲɛ dɔ ʒˈɛtʃ.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_133.wav|tˌajɛmɲˈitsɛ mˌajɔ̃ tɔ dɔ ɕˈɛbjɛ, ʒˈɛ mˈɔʒna jˈɛ spʲɛɲʲˈɛ̃ʒɨdʑ vʲˈɛlɛ rˈazɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_62.wav|jˈɛɕli ɲʲˈɛbɨw bɛzdˈɛnɲʲɛ ɡwˈupi, pɔ tsˈɔ zˈabʲiw tʃwɔvʲˈɛka s pɔvˈɔdu pʃɛɡrˈanɛj f pɔkˈɛra? i dlatʃˈɛɡɔ nˈapad na tˈamtɔ̃ kɔbjˈɛtɛ w lˈɔs ˈandʒɛlˌɛs?|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_294.wav|mˈɨɕlɛ, ʒˈɛ skɔɲtʃˈɨwam z ɲˈim dʑˈiɕaj jˈakʲɛɕ ˈɔɕɛm rˈazɨ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_281.wav|artsɨmaˈɛstɛr mˈarvin vzrˈuʃɨw rˌamjɔnˈami. bˈɨtɕ mˈɔʒɛ lˈɛpʲɛj ɕɛ stˈawɔ, ʒˈɛ zmˈar pʃɛt pʃɨbˈɨtɕɛm dɔ starˈɛɡɔ mʲˈasta.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_213.wav|pˌɔzɔstˈawɨm tʃˈɛba bˌɛɲdʑɛ vɨjˈaɕɲitɕ, ʒˈɛ tˌɨlkɔ vɨznˈaɲʲɛ vˈin mˈɔʒɛ im zapˈɛvɲitɕ krulˈɛfskʲɛ pʃˌɛbatʃˈɛɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_58.wav|vˌɨtɕɔŋɡnˈɛwa ramjˈɔna i jˈamɛ ɲʲˈɛmʲaw innˈɛɡɔ vɨbˈɔru, jˈak jˈɔ̃ ˈɔbjɔɲtɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_192.wav|ʒˈɛ zˈapaɣ vˈɔdɨ zɲˈiʃtʃɨ zˈapax jɛj tɕˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_134.wav|na pɔtʃˈɔntku bˌɨwam na tɕˈɛbjɛ zwˈa, a pˈɔtɛm uznˈawam, ʒˈɛ tɔ fʃˈɨstkɔ jɛst jɛj vˈina.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_29.wav|lˈudʑɛ ˈidɔ̃ pɔspʲˈɛʃɲʲɛ dɔ sˌamɔxˈɔduf, unˈɔʃɔ̃ kɔwɲʲˈɛʒɛ, a dʑˈɛɲ rˈɔbʲi ɕɛ ˌɔdrɔbʲˈinɛ tɕɛmɲʲˈɛjʃɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_116.wav|vʲˈɛʃ, jˈaɡ zapˈalitɕ pwˈɔmjɛɲ f prˈuʒɲi?|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_181.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_221.wav|ɡdˈɨ dɔtˈarwam na mʲˈɛjstsɛ, ɔɡrˈɔmnɨ lˈuɡ vɛvnˈɛntʃnɨ ɕlˈuzɨ bˈɨw ɔtfˈartɨ na ˈɔɕtɕɛʃ i rˌɔbɔtɲˈitsɨ vˌɨtatʃˈali zˈɛ ɕrˈɔtka kɔntˈɛnɛr.|4
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_27.wav|znˈamɨ ɕɛ krˈutkɔ, ˌalɛ jɛst naprˈavdɛ urˈɔtʃɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_24.wav|rɛtsˈɛptsja jɛzd dˈuʒa i jˈasnɔː ˌɔɕfʲɛtlˈɔna, s sɔfˈami i vˌɨɡɔdnˈɨmi fˌɔtɛlˈami ˌustavʲɔnˈɨmi vˈɔkuw ɲˈiskix wˈaf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_96.wav|s kˈaʒdɔ̃ ˌupwɨvajˈɔntsɔ̃ sɛkˈundɔ̃ spɔdʑˈɛvam ɕɛ zɔbˈatʃɨdʑ zwɔvrˈɔɡʲi tɕˈɛɲ, ktˌurɨ zˌablɔkˈujɛ ɕfʲˈatwɔ fpˌadajˈɔntsɛ z zˈɛvnɔntʃ.|3
+Dataset/wavs/urwisko_ferenc/15_segment_21.wav|dlatˈɛɡɔ maʒˈɨwa ˈɔtɨm, bˈɨ spʃˈɛdadʑ drˈɔɡʲi w ˌutʃɨmˈaɲʲu dˈɔm rɔdʑˈinnɨ i pˈɔzbɨtɕ ɕɛ ɔt rˈazu dvˈux prɔblˈɛmuf.|0
+Dataset/wavs/urwisko_ferenc/10_segment_32.wav|ˌɔbdaʒˈɨwa ɡˈɔ tˌajɛmɲˈitʃɨm uɕmʲˈɛxɛm i zwapˈawa za pɛɲˈisa.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_311.wav|nˈavɛt ˌudɛʒˈɛɲʲɛ mwˈɔtɛm f sˈamɔ sˈɛrtsɛ ɲʲɛ mɔɡwˈɔbɨ bˈɨtɕ f pɔwˈɔvʲɛ tˈaɡ bɔlˈɛsnɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_143.wav|w ɡrˈuɲtɕɛ ʒˈɛtʃɨ uvˈaʒa ɕɛ za ɕmʲɛtɕˈaʒa z brˈɔɲʲɔ̃ w rˈɛŋku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_66.wav|drˈɔɡa bjˈɛɡɲʲɛ dɔkwˈadɲʲɛ ˌɔbɔk lˈasu, f ktˌurɨm jˈɔ̃ znalˈɛʑliɕmˌɨ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_308.wav|i ɔdvˈaʒɲʲɛ stˈaviw mu tʃˈɔwɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_50.wav|ɡvawtˈɔvɲʲɛ ˌɔbrutɕˈiwam ɡwˈɔvɛ. rˈudɨ. ɔ kˈurva. jjjj... ˌɔtpɔvʲɛdʑˈawam ˌɛlɔkfˈɛntɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_148.wav|ɔtfʲˈɛra ˈɔtʃɨ i rˌɔspatʃlˈivʲɛ wˈapʲɛ pɔvʲˈɛtʃɛ, xfɨtˈajɔnts ɕɛ za ɡˈardwɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_63.wav|dɔ spɔtkˈaɲʲa zˈɛ sfɔbˈɔdɔ̃ zɔstˈawɔ mi jˈɛʃtʃɛ trˈɔxɛ tʃˈasu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_65.wav|kamˈɛra pʃˈɛs xfˈilɛ skˈupja ɕɛ na mˈartfɨm alˈɛɲʲɛ, pɔ tʃɨm vɛndrˈujɛ kˈu pˌɔtɛ̃ʒnˈɛmu pˌɔlitsjantˈɔvi, ktˌurɨ zadʑˈɛra ɡwˈɔvɛ, vˌɨpatrˈujɔnts mʲˈɛjstsa, skˈɔnt pˈat stʃˈaw i ftˈɛdɨ bˈum.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_154.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_83.wav|zˌavɔwˈawa, ˌudɛʒˈajɔnts ɔtfˈartɔ̃ dwˈɔɲʲɔ̃ ɔ dʒvˈi i ʃˈarpʲɔndʑ drˈuɡɔ̃ rˈɛŋkɔ̃ za klˈamkɛ. — vɨpˈuɕtɕtɕɛ mɲʲɛ!|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_95.wav|tˈɔm ɲʲɛ pamjˈɛntaw, ʒˈɛbɨ jˈɛɡɔː ˈɛɡz bˌɨwa ˈaʃ tˈak upˈarta.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_165.wav|ɲʲˌɛɔpˈɔdal kˌɔmisarjˈatu zˌatʃɨmˈali ɕɛ vɛ vnˈɛntsɛ brˈamɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_51.wav|mˈam dvˈa ˈasɨ i tʃˈujɛ drˈɛʃtʃ ɛmˈɔtsji.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_81.wav|tʃɨ bɛɲdʑˌɛmɨ tˈɛras mˈuvitɕ ɔ sˈukɲʲax?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_15.wav|kʲˈɛdɨ ɔtsˈuvɛ ɕɛ na bˈɔk, za jɛj plɛtsˈami vˈidʑɛ ˈinnɔ̃ pˌɔlitsjˈantkɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_5.wav|lɛŋkˈamɨ ɕɛ tɕˈɛbjɛ, pʃˌɛraʒˈamɨ tˈɔbɔ̃ i dlatˈɛɡɔ tʃtɕˈimɨ tɕˈɛ pɔkˈɔrɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_179.wav|pʃˌɛtɕɛʒ ʒˈadɛn s tɨɣ bɔɡˈatʃɨ ɲʲɛ skˈalawbˌɨ ɕɛ pʃˈɛjɕtɕɛm pʃˈɛz bjɛdɲʲˈɛjʃɔ̃ tʃˈɛɲɕtɕ mʲˈasta, ɲʲɛ?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_678.wav|vˌɨprɔvˈadʑiw mɲʲɛ na kɔrˈɨtaʃ.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_245.wav|mˈarvin ˈuɕad na stˈɔwku.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_139.wav|brˈat stsˈɔtta ɔddˈala ɕɛ kavˈawɛk tʃɨmˈajɔnts rˈɛntsɛ f kʲɛʃˈɛɲʲax.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_222.wav|tɕˈɛbjɛ tɔ tˈaɡʒɛ bˈavi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_253.wav|tɔ bˌɨwa sˌamɔɔbrˈɔna, pɔvʲˈɛdʑaw mˈikɛ rˈɨan.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_57.wav|jɛst tɔ̃ tʃˈɛɲɕtɕɔ̃ mɲʲɛ, ktˌura nˌautʃˈɨwa ɕɛ lˈatatɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_19.wav|rˌɔzmavʲˈawɛm s pˈanɛm utʃtɕˈivʲɛ pɔvʲˈɛdʑaw dʒˈɔnsɔn. ɔt pˈana zalˈɛʒɨ, tʃɨ pˈan pɔftˈuʒɨ nˈaʃɔ̃ rɔzmˈɔvɛ vwˌaɕtɕitɕɛlˈɔvi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_9.wav|fʃˈɨstkɔ ɡrˈa. lˌɔkalizˈatɔr bˈɨw vˌɨwɔntʃˈɔnɨ, tsˈɔ mɲʲɛ ftsˈalɛ ɲʲɛ zdʑivˈiwɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_73.wav|zˈatʃɔw ɕɛ pɔdnˈɔɕitɕ s pɔdˈuʃki.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_451.wav|kˈɔrsaɡ ɡdʑˈɛɕ ɕɛ zɡˈubʲiw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_69.wav|nalˈɛva kˈavɛ. ɡˈɔtuv zrˈɔbʲitɕ ˈuɲik, ɡdˈɨbɨ ˈɛlis xlusnˈɛwa mu ɲʲˈɔ̃ f tfˈaʃ i ʒutɕˈiwa ɕɛ dɔ dʒvˈi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_41.wav|tˈɔm skˈinɔw ɡwˈɔvɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_57.wav|zdˈala ɔt jˈɛɡɔ rˈɔŋk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_185.wav|vˌɨstavʲˈɔna jɛst na ˈindjɛ kˈalu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_10.wav|ɔː ˈilɛ bʲˈillɨ ɲʲˈɛma ɲˈits pʃɛtɕˈifkɔ twˌumikˈɔvi dɔmˈɔvɛj rɔbˈɔtɨ, ktˌurɨ mˈɔʒɛ ɕɛ rɔzlˈɛtɕɛtɕ pɔ kˈilku stʃˈawax.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_201.wav|ɡˌɔspɔdˈarka jɛzd ʒˈɨvɨm ˌɔrɡaɲˈizmɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_135.wav|jˈɛɡɔ jˈasnɔʃˈarɛ ˈɔtʃɨ zmruʒˈɨwɨ ɕɛ na mˈuj vˈidɔk. zatɕˈisnɔw vˈarɡʲi, a ja ɔdɲʲˈɔswam vraʒˈɛɲʲɛ, ʒˈɛ jɛzd zwˈɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_224.wav|nˈavɛd vʲˈɛlu ktˈɔɕuf, jˈak jˈuʃ pˈɔzna tsˈawɛ tˌɔvaʒˈɨstfɔ z ɡˈɛrart tˈɔvɛr.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_330.wav|ɔtfˈɔʒɨw ʃɛrˈɔkɔː ˈɔtʃɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_84.wav|kʲˈɛdɨ taksˈufka zɲˈika za zakrˈɛntɛm, kˈutsam pʃˈɨɲim.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_307.wav|pʃˈɨkrɔ mi, pˈaɲʲɛ ˈandɛrsɔn.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_116.wav|na tfˈɔjɔ̃ kˈɔʒɨɕtɕ pʃɛmˈavja tɔ, ʒˈɛ ˌɔpalˈaɕɔ ɲʲˈɛma tˈu mˈɔtsnɛj pɔzˈɨtsji.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_36.wav|tɔː ˌɔtʃɨvˈistɛ, ʒˈɛ xtɕˈawa mɲʲɛ sprˈavdʑitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_39.wav|tɔ xtsˈɛ vʲˈɛdʑɛtɕ i mˈuf prˈavdɛ, ɲʲɛ jˈakʲɛɕ ˌɔptɨmistˈɨtʃnɛ pʲɛrdˈɔwɨ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_26.wav|mˈɔja tsˈurka ɲʲɛ ˌɔdʑɛdʑitʃˈɨwa pˈɔmɲʲɛ praɡɲʲˈɛɲʲa pˌɔxwɔɲʲˈɛɲtɕa kaʒdˈɛɡɔ pʲˌɛtʃɔnˈɛɡɔ ʑɛmɲʲˈaka f pˈɔlu vidʑˈɛɲʲa i w vʲˈɛku ɕˈɛdmju lˈat jɛst mˈawɨm xudʑˈɛltsɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_17.wav|pʃɨnˈajmɲʲɛj jˈɛɕli bˌɛɲdʑɛ ɕˈɛdʑaw f kˈurttsɛ.|2
+Dataset/wavs/urwisko_ferenc/56_segment_54.wav|a pˈaɲi?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_17.wav|jɛj zˈɛspuw ʃɨkˈɔvaw ɕɛ dɔ pʃˌɨskʃɨɲʲˈɛɲʲa tɨɣ bɨdlˈakuf i ˌɔdʑɨskˈaɲʲa dʑˈɛtska.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_310.wav|nˈadal pamjˈɛntam tʃˈɛrvʲɛɲ.|1
+Dataset/wavs/urwisko_ferenc/20_segment_57.wav|— ɲʲɛ, a pɔvˈinnɔ? — spˈɨtaw.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_316.wav|nadˈɛjdʑɛ tʃˈas, ɡdˈɨ bˌɛɲdʑɛʃ pɔtʃˈɛbnɨ na mˈuʒɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_94.wav|ʃkˈɔda, ʒˈɛ pˈana pʃˈɨtɨm ɲʲɛ bˈɨwɔ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_106.wav|ja ukrˈadwam. ja tˌɛɡɔ ɲʲɛ zrɔbʲˈiwam.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_190.wav|vˌɨwadɔvˈawam skafˈandɛr i vʲˈɛlkɔ̃ tˈɔrbɛ vɨpxˈanɔ̃ ɲʲˌɛzbɛndnˈɨmi ˌaktsɛsɔrjˈami.|4
+Dataset/wavs/urwisko_ferenc/05_segment_73.wav|ˌuswɨʃˈawa za plɛtsˈami sfˈɔjɛ ˈimjɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_60.wav|na pˈɛvnɔ ɲʲɛ dɔ tˈɛɡɔ, ʒˈɛbɨ zaʒˈɔndʑatɕ ˌulitʃnˈɨmi ɡrupˈami.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_49.wav|ɲˈiɡdɨ sˈɔbjɛ tˌɛɡɔ ɲʲɛ vˌɨbatʃˈɨwam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_29.wav|bʲˈillɨ dˈalɛj pʃɛɡlˈɔnda pˈɔrtfɛl, tʃˈɨta ɡˈɔ jˈak kɕˈɔ̃ʃkɛ, jˈak tɛrˈɛsɛ rˈaɡvin, ktˌurɔ̃ skˈɔɲtʃɨw pʃɨ kɔlˈatsji f sfˈɔim pɔkˈɔju.|2
+Dataset/wavs/urwisko_ferenc/54_segment_20.wav|tsˈɔ pˈana dɔ mɲʲɛ sprɔvˈadʑa tɨm rˈazɛm?|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_122.wav|tˈak, xˈɛlɛn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_14.wav|mˈɔɡɔ̃ mʲˈɛdʑ dɔvˈɔdɨ nˈatɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_221.wav|zˈaraz vˈɛzmɛ ɡˈɔ dɔ lˌabɔratˈɔrjum.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_28.wav|ʒˈɛ pʃɨɲʲˈɛɕɛ vˈinɔː i jɛdʑˈɛɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_126.wav|fˈakt pˌɔzɔstˈajɛ jˈɛdnak fˈaktɛm, ʒˈɛ pɔdˈɔbɲʲɛ jˈak mɲʲˈɛj vʲˈɛntsɛj sˈɛtka ˈinnɨx ˈɔsup mˈa mʲɛʃkˈaɲʲɛ nat parkˈiŋɡʲɛm, na ktˌurɨm zabʲˈitɔ jaɡˈɛra.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_87.wav|tsˈɔː ˌɔna mˈuvi?|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_68.wav|kɔbjˈɛta zˌastukˈawa f klˌavʲatˈurɛ kˌɔmputˈɛra i ɕɛŋɡnˈɛwa pɔ tɛlˈɛfɔn.|4
+Dataset/wavs/urwisko_ferenc/04_segment_96.wav|nˌaxɨlˈiwa ɕɛ i vˌɨtɕɔŋɡnˈɛwa drˈɔbnɔ̃ dwˈɔɲ, ktˌurɔ̃ bɔrˈɛvitʃ uɕtɕˈisnɔw. kˈarɔl mˈuviw mi, ʒˈɛ pˈan pʃɨjˈɛdʑɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_43.wav|mˈɔʒɛ tɔ jˈakiʑ znˈak?|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_135.wav|vˌɨjaɕɲˈiwa jˌɛdnɔˈɔka ˈina, znajˈɔntsa jˈɔ̃ najdwˈuʒɛj.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_100.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_25.wav|ɲʲˈɛvʲɛm, ɔ tʃɨm pˈan mˈuvi.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_145.wav|pˌɔvʲɛdʑˈawɛm za dˈuʒɔ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_87.wav|ˌalɛ ˈɔlman ɲʲɛ zˈɔstaw jˈɛʃtʃɛ zdjˈɛntɨ z jˈɛɡɔ xatʃˈɨka.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_111.wav|mˈarta zmruʒˈɨwa ˈɔtʃɨ i pˌɔpatʃˈɨwa na rˈɔba.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_47.wav|pˈisaw ˈu mɲʲɛ prˈatsɛ mˌaɡʲistˈɛrskɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_221.wav|tˈak jˈak mɲʲɛ nˌautʃˈɔnɔ, pɔdɲʲˈɔswam tɕiɕɲʲˈɛɲʲɛ ɲʲˈɛtsɔ pˈɔnat nˈɔrmɛ i ˌɔpsɛrvɔvˈawam fskazˈaɲʲa mʲɛrɲˈikuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_39.wav|tˈata zatrˈudɲʲa mɲʲɛ dɔ pɔmˈɔtsɨ w varʃtˈatɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_378.wav|lˈadɨ brjˈɛnnɛ jɛzd dʑɛvˈitsɔ̃ vˌɔjɔvɲˈikʲɛm, ktˌurɛj zlɛtsˈɔnɔ mˈisjɛ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_347.wav|ˌɔznajmˈiwa dʑɛftʃˈɨntsɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_61.wav|mˈɔɡwɛm pʃˌɛtɕɛʃ pɔvʲˈɛdʑɛtɕ, ʒˈɛ zapwˈatsɛ tɕi pɔ lˈɔtɕɛ, ʒˈɛkw ˈandɛrsɔn. vwˈaɕɲʲɛ, dlatʃˈɛɡɔ tˌɛɡɔ ɲʲɛ zrɔbʲˈiwɛɕ?|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_86.wav|rdʑˈɛɲi jɛzd w zasˈadʑɛ ʃklˈanɨ, jˈaɡ vʲˈɛŋkʃɔɕtɕ kˈabli ɕfʲˌatwɔvɔdˈɔvɨx, vʲˈɛnts ɲʲˈɛma f tɨm ɲˈidʑ zˌaskakˌujɔntsˈɛɡɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_139.wav|pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_14.wav|a mˈimɔ tɔ za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ tˌɨlkɔ swˈɨʃɛ za ˈɔknɛm sɨrˈɛnɛ pˌɔlitsˈɨjnɔ̃, jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ pʃˌɨjɛxˈali pˈɔmɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_269.wav|sɨnˈɔvʲɛ vˌɔjɔvɲˈika nɔɕˈili taɲtʃˈɔvɛ pwˈaʃtʃɛ ˌɔras ˌiŋkrustɔvˈanɛ srˈɛbrɛm zbrˈɔjɛ nˌakwadˈanɛ na vwˌɔɕɛnɲˈitsɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_13.wav|i tˈɛraz bʲˈillɨ tɔ rɔzˈumjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_3.wav|kʲˈɛdɨ vrˈatsa dɔ dˈɔmu, mˈuɕi naˈutʃɨtɕ ɕɛ tˈak mˈɨɕlɛtɕ ˈɔtɨm mʲˈɛjstsu. f kʲɛʃˈɛɲi mˈa jˈuʃ ˌidɛntˌɨfikˈatɔr na nazvˈiskɔ dˈavit lˈɔtskridʒ.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_351.wav|kʲˈɛdɨ tˈak ɕɛ stˈaɲʲɛ...|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_183.wav|dʒˈɛjms skˈinɔw ɡwˈɔvɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_84.wav|ˈalɛʒ dɔ ɕˈɛbjɛ samˈɛɡɔː i dɔ ɕˈɛdmju.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_219.wav|tʃɨ bˌɨwɛɕ kʲˈɛdɨɕ na bˈalu maskˈɔvɨm?|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_309.wav|rˈɨtsɛʒ ɡvˈardji krulˈɛfskʲɛj|1
+Dataset/wavs/urwisko_ferenc/01_segment_95.wav|vzdrɨɡnˈɛwa ɕɛ i natˈɨxmʲazd zaxtɕˈawɔ jɛj ɕɛ pˈalitɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_216.wav|pˈɔjazd bˈɔba bˈɨw najlˈɛpʃɨm wazˈikʲɛm na tsˈawɨm kɕɛ̃ʒˈɨtsu.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_311.wav|f tfˈɔix swˈɔvax jɛst prˈavda i mˈɔndrɔɕtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_22.wav|rˈɔp spˈɔjʒaw na ɲʲˈɛɡɔ z ukˈɔsa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_75.wav|dˈɔbʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_318.wav|mˈɔdlɛ ɕɛ, bˈɨ ɔkˈazaw ɕɛ ɡˈɔdnɨ tˌɛɡɔ zaʃtʃˈɨtu.|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_312.wav|ɲʲɛ bˌɨwɔ w ɲˈim ɔtfˈɔruf na ˈɔtʃɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_440.wav|pɔznˈaɲʲɛ tɔ vɔdˈɔspat rˌɔstʃarˈɔvaɲ.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_184.wav|minstrˈɛllɛ lˈubjɔ̃ pʲˈɛɕɲi ɔ dˈɔbrɨx lˈudʑax, ktˌuʒɨ zɔstˈali vɨjˈɛɲtɕi spˈɔt prˈava zˈatɔ, ʒˈɛ spʃˌɛtɕivˈili ɕɛ jakʲˈɛmuʑ zwˈɛmu lɔrdˈɔvi.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_52.wav|ˌɔtpɔvʲadˈajɔ̃ ʒˈɨtɕɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_95.wav|tˌɨlkɔ ɲʲɛ pʃˌɛxɔlˈujtɕɛ, mˈuvi bʲˈillɨ, i uɕtɕˈiskaj bɛvˈɛrlɨ ˈɔdɛ mɲʲɛ, dˈɔbra?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_27.wav|tˈɔm fpatrˈujɛ ɕɛ f tablˈitsɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_79.wav|dˈajɛ pˈaɲi ɲʲˌɛzavˈɔdnɔ̃ pɔtkwˈatkɛ pɔd bʲˈilɛt w jˈɛdnɔ̃ strˈɔnɛ dla dʒˈɛs.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_135.wav|ɕɛdʑˈɛli na tarˈaɕɛ, pˈatʃɔnts na lˈudʑi ˌɔpuʃtʃajˈɔntsɨx plˈaʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_122.wav|mijˈawɨ kɔlˈɛjnɛ dɲˈi.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_26.wav|tɔ bˈɨwbɨ dla mɲʲɛ zˈaʃtʃɨt, pˈaɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_196.wav|ɔtpˈarwa krˈutkɔ. mˈuʃɛ ɕɛ dɔvʲˈɛdʑɛtɕ, tʃɨ mˈɔi prˌatsɔvɲˈitsɨ bɛspʲˈɛtʃɲʲɛ vrutɕˈili dɔ mʲˈasta.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_15.wav|ˌalɛ dˈɔɕtɕ mˈɔix prɔblˈɛmuf. mˈam nadʑˈɛjɛ, ʒˈɛ fʃˈɨstkɔ ɕɛ fkrˈuttsɛ uwˈɔʒɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_38.wav|i tsˈɔ znalˈazwa?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (41)_segment_14.wav|ɲʲˈɛma ɲˈits, pɔ tʃɨm mˈɔʒna bˈɨ ɡˈɔ zˌidɛntˌɨfikˈɔvatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_9.wav|— vɨjˈaɕɲʲɛ tɔ pˈuʑɲʲɛj, ˌalɛ prˈɔʃɛ zɔstˈavidʑ dʒvˈi ɔtfˈartɛ, kʲˈɛdɨ bˌɛɲdʑɛ z ɲʲˈɔ̃ pˈaɲi rˌɔzmavʲˈawa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_71.wav|z zˌamɨkˈanɔ̃ zasˈuvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_125.wav|pˈɔtɛm zaxtɕˈawɔ mu ɕɛ mwˈɔtʃɨx. dʑvˈɔɲiw i ʒˈɔndaw klusˈɛtʃɛk. tɔ bˌɨwɔː ˌumuvʲˈɔnɛ xˈaswɔ.|2
+Dataset/wavs/urwisko_ferenc/08_segment_73.wav|kɔbjˈɛta pʃˌɨɡlɔndˈawa mu ɕɛ s tɕˌɛkavˈɔɕtɕɔ̃, lˈɛtʃ ˈɔn...|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_78.wav|pʃˌɛjɛʒdʒˈajɔ̃ pʃˈɛs nɛtxˈɛrlant, mˈawɛ mʲastˈɛtʃkɔ, ktˌurɛ vɨdˈajɛ ɕɛ zalˈɛdvʲɛ dɔdˈatkʲɛm dɔ rˌɔzlɛɡwˈɛɡɔ tsˈɛntrum xˌandlɔvˈɛɡɔ na jˈɛɡɔː ɔbʒˈɛʒax. pˈarkiŋk jɛzd zapxˈanɨ pɔ bʒˈɛɡʲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_74.wav|f kˈɔɲtsu ˌɔtpɔvʲɛdʑˈawa waɡˈɔdnɨm tˈɔnɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_99.wav|ɲʲˈɛma jˈuʃ xˈɨba vˈizji vɨɡrˈanɛj, a ja pˌɔsunˈɛwam ɕɛ dˈɔʑdʑ dalˈɛkɔ, vʲˈɛnts na pˈɛvnɔ spasˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_122.wav|ja vʲˈɛm, ˈandɨ, pɔvʲˈɛdʑaw mɛ̃ʃtʃˈɨzna, ˌalɛ ja ɲʲɛ ˈufam ɲitʃˈɛmu, tsˈɔ mˈa pˈizdɛ i znˈa vˈartɔɕtɕ pʲɛɲʲˈɔndʑa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_106.wav|zˌastɔmpˈiwɔ ɡˈɔ ɕˈilnɛ, draʒɲʲˈɔntsɛ sfɛndʑˈɛɲʲɛ, znˈak, ʒˈɛ rˈana ɕɛ ɡˈɔi.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_141.wav|a pˈɔtɛm pʃˌɨspʲɛʃˈɨwam krˈɔku i ˈɔstrɔ skrɛɲtɕˈiwam f prˈavɔ, ʒˈɛbɨ zɲˈiknɔɲdʑ dˌalɛˈɔvi s pˈɔla vidʑˈɛɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_248.wav|a bˈɨw tɔ brɔɲˈiswaf tɕˈipun, mˈuj sˈɔ̃ɕat. na jˈɛɡɔ kˈarku ʃtʃˈɛʒɨw zˈɛmbɨ radʑˈɛtski karˈabʲin mˌaʃɨnˈɔvɨ tˈɨpu djˌɛktɨˈarjɛf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_159.wav|a ja ˌɔpsɛrvɔvˈawam, jˈak ix rɔzdʑˈɛra.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_189.wav|ɡdˈɨ jˈuʒ znalˈazwa ɕɛ f tsˈɛli,|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_78.wav|na mˌɔɲitˈɔʒɛ vidɲʲˈawɨ vɨɲˈiki bˈadaɲ lˌabɔrˌatɔrˈɨjnɨx.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_209.wav|jˈɛɕli zvɨtɕˈɛ̃ʒɛ, rˈivɛr rˈun bˌɛɲdʑɛ nˌalɛʒˈawɔ dɔ nˈas.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_21.wav|ɕˈilɲi zˈafʃɛ brˈali ɔt swˈabɨx tsˈɔ tˌɨlkɔ xtɕˈɛli.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_17.wav|fstˈavja tˈatsɛ i ɔstrˈɔʒɲʲɛ vɨjmˈujɛ kˈɔrɛk s ʃˈɨjki butˈɛlki.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_65.wav|ˈɛddjɛ rˈɔsɕat ɕɛ na sˈɔfjɛ i zawˈɔʒɨw rˈɛntsɛ na pʲˈɛrɕi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_43.wav|ɲʲɛ zˌastanavʲˈajɔnts ɕɛ dwˈuʒɛj fkwˈadam klˈutʃɨɡ w zˈamɛk, ɔbrˈatsam ɡˈɔ, bjˈɔrɛ ˈɔddɛx i pɔdnˈɔʃɛ pɔkrˈɨvɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_46.wav|zrˌɔzumjˈanɔ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_98.wav|jˈɛɡɔ swˈɔva sɔ̃ surˈɔvɛ, ˌalɛ ɡwˈɔs pˌɔzɔstˈajɛ dʑˈivɲʲɛ ˌuvɔdʑitɕˈɛlski.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_44.wav|zˈaɲim pɔjˈɛdʑɛʃ, bˈɛtskɨ, mˈɔɡwabˌɨɕ na xfˈilɛ zˈɛmnɔ̃ pˈujɕtɕ?|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_4.wav|z ɡˌabʲinˈɛtu vˈɨʃwa lˈɛna lˈandvik, ˌɔpʲɛrˈajɔnts ɕɛ na kˈulax.|4
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_55.wav|ɡdˈɨbɨm mʲˈawa tɛlˈɛfɔn, mˈɔɡwabˌɨm pˈɔɡratɕ f krˈɔssɨ rˈɔat.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_98.wav|dˈɔbrɨ bˈɔʒɛ, ɲʲɛ, ɲˈiɡdɨ jɛj ɲʲɛ kɔxˈawɛm.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_143.wav|ɡdˈɨ pʃˌɛtɕinˈali dʑɛdʑˈiɲʲɛts, jˈɛdɛn s ptˈakuf pʃɛfrˈunɔw nat ɲˈimi.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_276.wav|ˈɔtɔ tsˈɔ f tɨm vˈidʑi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_62.wav|ɲˈiɡdɨ ɲʲɛ pɨtˈawɛm ɡˈɔː ɔ mɛtˈɔdɨ, jˈakix uʒˈɨva.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_179.wav|znˈɔvu zatʃˈɔwɛm drʒˈɛtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_204.wav|rˈɔɲi pˌɔvʲɛdʑˈawa ˌaɲi ɕɛ vˈaʃ, pˈɛwnɔ tˈu sˈuxɨx xfˈastuf i rˌɔzlanˈɛɡɔː ɔlˈɛju. dɔ ɲʲˈɛj zapˈɨtaw, tsˈɔ tˈɨ? tɕˈɔtɨ dɔstˈawaɕ, tʃɨ tsˈɔ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (56)_segment_12.wav|jˌɛstɛm tˈaɡ zajˈɛnta patʃˈɛɲʲɛm na mˈɔjɛ dʑˈɛtskɔː i zˌapamjˌɛntɨvˈaɲʲɛm rˈɨsuf jˈɛɡɔ tfaʒˈɨtʃki, ʒˈɛ ɲʲɛ zˌauvˈaʒam rˈɛntʃ rɔvˈɛra, ktˌurɨ parkˈujɛ w ˌɔdlɛɡwˈɔɕtɕi dvˈux ˈawt ˈɔdɛ mɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_151.wav|mˈɔɡɔ̃ pʃɛʃˈukadʑ dˈɔm i ˌɔkɔlˈitsɛ, znˈajdɔ̃ lˈi jˈɛ. ˌɔna zˌaswuʒˈɨwa na pʃˌɨzvɔˈitɨ pɔxˈuvɛk.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_341.wav|zwˈɔtɨ bˈaŋɡ z lˌanɲispˈɔrtu.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_206.wav|tˈak, trˈɔmbjɔ̃ ˈɔtɨm fʃˈɨstkʲɛ lɔkˈalnɛ sɛrvˈisɨ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_277.wav|vˈɔjna trfˈa fʃˈɛɲdʑɛ, tˌɨlkɔ ɲʲɛ tˈutaj.|1
+Dataset/wavs/urwisko_ferenc/01_segment_40.wav|vˌɨnaɡrˈɔdʑi jɛj tɛ fʃˈɨstkʲɛ strˈɛsɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_91.wav|dʒˈɔnnɨ tsˈups mʲˈaw rˈatsjɛ. tɛn tˈɔvar tɔ tʃˈɨsta mˈaɡja. ˌɔtʃɨvˈiɕtɕɛ dlatˈɛɡɔ jɛst tˌaki ɲʲˌɛbɛspʲˈɛtʃnɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_21.wav|pʃɨnˈajmɲʲɛj jˈɛdnaɡ dʑˈɛŋki tˌɛmu bˌɛɲdʑɛ mɲʲˈɛj kˌɔmplikˈatsji.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_12.wav|— jˈamɛ! — rˈɨknɔw kudwˈatɨ mɛ̃ʃtʃˈɨzna f pˌɔzwatsˈanɛj kɔltʃˈudʑɛ i lˈisim fˈutʃɛ. — bˈardʑɔ sxˈudwɛɕ i ubjˈɛraʃ ɕɛ tˈɛras na bjˈawɔ!|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_62.wav|ɔpˈarwam ɕɛ tɕˈɛ̃ʃkɔː ɔd dʒvˈi, ɲʲɛ zvratsˈajɔnts uvˈaɡʲi na pɔɡˈɔdɛ. ˌɔtʃɨvˈiɕtɕɛ prˈɔʃɛ pʃɛkˈazadʑ dˌɔmiɲikˈɔvi, ʒˈɛ jˈuʃ jˌɛstɛm w drˈɔdʑɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_269.wav|ˌalɛ nˈavɛt kʲˈɛdɨ jˈɛʃtʃɛ ʒˈɨw,|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_137.wav|tɔ sˈamɔ, ktˌurɛ jˈin xˈu prubˈɔvaw pʃɛdˈɛmnɔ̃ ˈukrɨtɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_59.wav|ktˈɔ pʃˈɨswaw mi tɔ zdjˈɛɲtɕɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_147.wav|pˈalmɨ, wˈadnɛ dʑɛftʃˈɨnɨ, lˌɛʒakɔvˈaɲʲɛ nad basˈɛnɛm, mˈuvi ˈirr fɕadˈajɔnts. ɲʲˈɛʑlɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_68.wav|mˈɔʒɛ tˈɛras, kʲˈɛdɨ mˈama jɛst f sklˈɛpʲɛ, ˈuda mi ɕɛ z ɲˈim pˌɔrɔzmˈavʲatɕ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_85.wav|ɲˈiɡdɨ tˌɛɡɔ ɲʲɛ dˌɔstavˈali.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_167.wav|bˌɨwam w ɕrˈɔtku. uɕˈadwam na pɔdwˈɔdʑɛ, ʒˈɛbɨ zavʲˈɔ̃zatɕ ʃnurˈufkɛ, a pˈɔtɛm ˌupɛvɲˈiwam ɕɛ, tʃɨ ˌɔklɛjˈɔna tˈaɕmɔ̃ mˈaska pʃɨlˈɛɡa ʃtʃˈɛlɲʲɛ dɔ tfˈaʒɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_111.wav|mˈuɡwbɨ ɕɛ jˈɛdnaɡ zawˈɔʒɨtɕ, ʒˈɛ xˈɛntɲʲɛ zˌamjɛɲˈiwabˌɨ ɕɛ, bˈɨ bˈɨtɕ s kˈimɕ, kˈɔmu bˌɛɲdʑɛ nˈaɲʲɛj zˌalɛʒˈawɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_113.wav|w vˈɔjsku.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_7.wav|i fʃˈɨstsɨ ˈɔɲi, tɕi pʲˈɛŋkɲi, zɡrˈabɲi mɛ̃ʃtʃˈɨʑɲi, pˌɔruʃajˈɔntsɨ ɕɛ jˈak tantsˈɛʒɛ,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_59.wav|tʃɨ tˈaka ɔsˈɔba rˈɔbʲi tˌɨlkɔ pɛdʲˈikur, ɲʲɛ rˈɔbʲi dˌɔdatkˈɔvɔ mˌaɲikˈuru?|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_119.wav|ˈɔn, bˈutsk i xˈɛnsɔn jɛst jɛdˈɨnɨm ɔɡɲˈivɛm wɔntʃˈɔntsɨm bʲillʲˈɛɡɔ summˈɛrsa z daltˈɔnɛm smˈitxɛm.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_44.wav|na bwɔtɲˈistɛj ʑˈɛmi stˈɔi kɔpˈarka. ɲʲˌɛɔpˈɔdal lˈɛʒɔ̃ stˈɛrtɨ tsˈɛɡʲɛw, kamjˈɛɲi i ˈinnɨx mˌatɛrjˈawuf, starˈanɲʲɛ ˌɔtɔtʃˈɔnɛ ɕˈatkɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_138.wav|vaʒɲʲˈɛjʃɛ jˈɛst, ʒˈɛ jˈɛɕli ktˈɔɕ tɔ zrˈɔbʲiw...|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_389.wav|kʲˈɛdɨ vbʲˈiwɨ ɕɛ w jɛj mʲˈɛŋkki pɔlˈitʃɛk, lˈɛdvʲɛ tɔ pɔtʃˈuwa.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_202.wav|lˈɛtʃ ɲˈits tɔ ɲʲɛ dˈawɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_120.wav|ɔfjˈara zɔstˈawa zˌaatˌakɔvˈana ɔt tˈɨwu. tʃɨ tɔ zˈatɛm ˌɔznatʃˈawɔ, ʒˈɛ sprˈaftsa ɕˈɛdʑaw jˈuʃ w ɕrˈɔtku?|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_357.wav|rˈudɨ prubˈɔvaw mɲʲɛ pʃɛskʃˈɨɲitɕ ɔt lˈat i tˈɛras mʲˈaw w rˈɛŋku tfˈardɛ dɔvˈɔdɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_40.wav|tʃˈarnɛ ʃtʃˌɛtɕiɲʲˈastɛ vɔ̃ɕˈiki i tʃarɲʲˈavɛ kˈɔɲskʲɛ zˈɛmbɨ vidˈɔtʃnɛ w rˌɔsxɨlˈɔnɨx, ɡrˈubɨx, jˈak kˈɔɲskʲɛ xrˈapɨ ˈustax.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_15.wav|ˌalɛ jˈɛɕli ɡˌɛnɛvʲˈɛvɛ ɕɛ z ɲˈim skˌɔntaktɔvˈawa...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_62.wav|ˈinnɨ mwˈɔdɨ dɛtˈɛktɨf pˈɔdaw kitˈɔvi kˈartkɛ. tɛn pɔpˈatʃɨw nˈaɲʲɔ̃ i pɔvʲˈɛdʑaw...|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_219.wav|na kˌɔrɨtˈaʒu rɔzlˈɛɡwɨ ɕɛ krˈɔki. jˈakiɕ tʃwˈɔvʲɛk pˈɔtʃɔw dɔbʲˈijatɕ ɕɛ dɔ sɔ̃ɕˈɛdɲiɣ dʒvˈi.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_281.wav|dlatˈɛɡɔ tsɛrsˈɛi bˌɛɲdʑɛ muɕˈawa zˌadɔvˈɔlitɕ ɕɛ ɔrtˈɔnɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_3.wav|zamkɲʲˈɛntɛ dʒvˈi? tɔ ɲʲɛ f tfˈɔim stˈɨlu.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_88.wav|ɔtpˈarwam i vrˈaz z dalˈɛɛm ruʃˈɨwam f strˈɔnɛ zbjɔrɲˈikuf.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_55.wav|maʃ ɕɛ ɲʲˈɛdadʑ zˈabʲitɕ, mˈuvi tˈɔnɛm ɲʲˌɛznɔʃˈɔntsɨm spʃɛtɕˈivu, rɔzˈumjɛʃ?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_199.wav|ɡdʑˈɛ bˈɨw ɔpʃˈɛrnɨ tˈaras, ʒvˌirɔvˈanɨ plˈatsɨk i dwˈuɡa kamjˈɛnna bˌalustrˈada.|0
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_99.wav|bˌudɔvˈaɲʲɛ rˈakʲɛt tɔ mˈuɕi bˈɨtɕ ɕfʲˈɛtna prˈatsa.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_98.wav|pˈɛvɲʲɛ tˈam, skˈɔnt pʃˈɨʃwɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_630.wav|pulsˈɔvaw vˈɛmɲʲɛ i vˈɔkuw mɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_172.wav|bˌɨwɛm kʲˈɛdɨɕ lɔtɲˈikʲɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_129.wav|mˈam ɕiɲʲˈaki pɔː upˈatku, ˌalɛ ɲitʃˈɛɡɔ ɲʲɛ zwamˈawam, vʲˈɛnts ɕˈadam pɔvˈɔli, stɔpɲʲˈɔvɔː ˌɔdʑɨskˈujɔnts ˈɔddɛx, ktˌurɨ pʃɛt xfˈilɔ̃ stratɕˈiwam.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_194.wav|vɨdˈava mi ɕɛ jˈaɡbɨ pˌɔvʲɛŋkʃˈɔna, jˈaɡbɨ...|0
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_337.wav|tfˈaʒ brjˈɛnnɛ ˌudɛʒˈɨwa bɔlˈɛɕɲʲɛ ɔ pɕˈi xˈɛwm.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_3.wav|vʲˈɛʒba kazˈawa zapˈalitɕ tʃtˈɛrɨ wɔjˈɔvɛ ɕfʲˈɛtʃki i pˌɔlɛtɕˈiwa dʑɛftʃˈɨŋkɔm dɔwˈɔʒɨdʑ drˈɛv dɔ pˌaraɲˈiska.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_275.wav|na kɔʃˈuli rajˈana.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_14.wav|naprˈavdɛ ɲʲˈɛmam pɔjˈɛɲtɕa, jˈak ɕɛ tˈam znˈalaz. ja ɡˈɔ tˈam ɲʲɛ vwɔʒˈɨwɛm. vʲˈɛm, ʒˈɛ trˈudnɔ tɕi vʲˈɛʒɨdʑ vɛ fʃˈɨstkɔ, tsˈɔ mˈuvjɛ, ˌalɛ tɔ prˈavda.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_31.wav|dʑˈɛtskɔ ɕɛ rˌɔspwakˈawɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_19.wav|pɔkˈivaw ɡwˈɔvɔ̃ i ɔtfˈɔʒɨw ʃˈɛʒɛj ˈɔtʃɨ. ɲʲɛ vʲˈɛdʑaw, tsˈɔ ɕɛ dʑˈɛjɛ, ˌalɛ tʃˈuw pˌanujˈɔntsɛ vˈɔkuw napʲˈɛɲtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_185.wav|i pɔvʲˈɛdʑaw, ʒˈɛ mˈam zɲˈiknɔɲdʑ zˈɛ stˈɔkɛ vˈart pʃɛd zaxˈɔdɛm swˈɔɲtsa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_243.wav|tˈak mˈɨɕliʃ?|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_264.wav|pamjˈɛntaʃ, jˈaɡ zˌamuvˈiwɛm ˈu tɕˈɛbjɛ trˈɔxɛ ˌɛtanˈɔlu?|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_351.wav|w rɔzmˈɔvʲɛ s tɨm tʃwɔvʲˈɛkʲɛm tˈaɡ zapˈɛvnɛ bˌɛɲdʑɛ najlˈɛpʲɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_233.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, ɔtpˈarwam. jˌɛstɛm na zˈɛvnɔntʃ w wazˈiku i ɲʲɛ mˈɔɡɛ navʲˈɔ̃zatɕ kɔntˈaktu z mʲˈastɛm. a vɨ ɡdʑˈɛ jɛstˈɛɕtɕɛ?|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_359.wav|ʃkˈɔda, ʒˈɛ ɲʲˈɛmam tˈu na vwˈasnɔɕtɕ kavˈawka ʑˈɛmi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_195.wav|tɔ tˈak, jˈaɡbɨ ɕɛ mˈartfitɕ, tʃɨ maʒ vˌɨstartʃajˈɔntsɛ zapˈasɨ papʲˈɛru tˌɔalˌɛtɔvˈɛɡɔ, kʲˈɛdɨ swˈɨʃɨʃ sɨrˈɛnɛ ˌɔbvʲɛʃtʃajˈɔntsɛ nadˈɛjɕtɕɛ tɔrnˈada.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_59.wav|pʃˌɨjaʑɲˈiliɕmˌɨ ɕɛ pʃˈɛs tˈɨlɛ lˈat. ɲʲɛ ʒawˈujɛ tˈɛɡɔ, ʒˈɛ zˌakɔxˈawɛm ɕɛ f tɨlˈɛʒɛ, ˌalɛ vʲˈɛm, ʒˈɛ pˌɔstɔmpˈiwɛm ʑlˈɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_3.wav|kʲˈɛdɨ pˌɔpʃɛdɲʲˈɛɡɔ vʲɛtʃˈɔru skɔɲtʃˈɨli pʃˌɛswuçˈivatɕ mˈartɛ pˈɔrtɛr, tˈɔm i bˈɛtskɨ zɡˈɔdɲʲɛ stfʲɛrdʑˈili, ʒˈɛ padˈajɔ̃ z nˈuk.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_239.wav|na nˈaʒ vˈidɔk jˈɛwa zavˈɔdʑitɕ prɔʃˈalɲʲɛ w ɲʲɛznˈanɨm jɛ̃zˈɨku.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_136.wav|f tɛj sˈamɛj xfˈili zˌapraɡnˈɛwam pɔpˈɛwɲitɕ mɔrdˈɛrstfɔ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_187.wav|ˈidɛ zɔbˈatʃɨtɕ ɕɛ s krˈulɛm. f tˈakʲɛj xfˈili ɲʲɛ pɔvˈiɲʲɛn bˈɨtɕ sˈam.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_7.wav|tˈɔm ɲʲˈɛmʲaw nˌajlɛpʃˈɛɡɔ tɨɡˈɔdɲʲa, a jˈɛɡɔ zapˈasɨ tˌɔlɛrˈantsji ʃˈɨpkɔ ɕɛ kurtʃˈɨwɨ. zatʃˈasnɔw tˈɛtʃkɛ, ktˌurɔ̃ tʃˈɨmaw na bjˈurku.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_273.wav|tˈaka jɛst natˈura prɔrˈɔtstfa vˈɛdwuɡ ɡɔrɡˈana.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_58.wav|pʃɨnˈajmɲʲɛj na rˈaʑɛ, tɔ musˈimɨ ɕɛ rˈuvɲʲɛʒ zɡˈɔdʑitɕ, ʒˈɛ sprˈaftsa pɔstˈaraw ɕɛ, ʒˈɛbɨ jˈɔ̃ f tɔ vrˈɔbʲitɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_99.wav|ˌalɛ tsˈɔ s tfˈɔim ɡˈardwɛm? tʃɨ tˈata dˈaw tɕi tsˈɔɕ, ʒˈɛbɨɕ mˈukw spˈatɕ lˈɛpʲɛj w nˈɔtsɨ?|3
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_124.wav|dɔdˈawa i zmarʃtʃˈɨwa tʃˈɔwɔ.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_323.wav|brjˈɛnnɛ zmuɕˈiwa ɡˈɔ dɔː ˌɔdvrutsˈɛɲʲa ɕɛ, ʒˈɛbɨ dˈɛʃtʃ pˈadaw mu w ˈɔtʃɨ, a pˈɔtɛm tsɔfnˈɛwa ɕɛ ʃˈɨpkɔː ɔ dvˈa krˈɔki.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_59.wav|tˈɛ sprˈavɛ rɔsstʃˈɨɡɲʲɛ ɕfʲˈɛntɨ trɨbˈunaw.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_8.wav|pʃɛvˈɔdɲiɡ zatʃˈɛkaw xfˈilɛ, ˈaʃ fʃˈɨstsɨ ɕɛ zbjˈɔrɔ̃, a pˈɔtɛm zˈatʃɔw prˌɛzɛntˈatsjɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_134.wav|tsˈɔ jɛst s tˈɔbɔ̃ ˈu djˈabwa?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_99.wav|mˈama zmʲˈɛwa ɡazˈɛtɛ i tɕisnˈɛwa jˈɔ̃ na pɔdwˈɔɡɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_67.wav|kʲˈɛdɨ pʃˈɛz ɡwˈɔvɛ pʃɛbjˈɛɡwɨ mi pʃˌɛraʒajˈɔntsɛ mˈɨɕli na tˈɛmat tˈɛɡɔ, tʃˈɛɡɔː ˈaram mˈukw ɕɛ dɔpˈuɕtɕitɕ, znˈuv zrɔbʲˈiwɔ mi ɕɛ ɲʲɛdˈɔbʒɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_81.wav|ˌɔtʃɨvˈiɕtɕɛ, ˈɔtpar tˈɔm, kivˈajɔndʑ zˈɛ fspuwtʃˈutɕɛm ɡwˈɔvɔ̃.|3
+Dataset/wavs/urwisko_ferenc/65_segment_130.wav|trˈudnɔ bˌɛɲdʑɛ tɛn dʑˈɛɲ zalˈitʃɨdʑ dɔː udˈanɨx, pˌɔmɨɕlˈawa.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_196.wav|musˈimɨ jˈɛdnak mʲˈɛdʑ dˈɔvut, tsˈɔʑ bˈardʑɛj nˌamatsalnˈɛɡɔ ɲˈiʃ mʲɛɕˈɛntʃna xɛrbˈata.|1
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_32.wav|ɔpˈarwam ɕɛ pɔkˈuɕɛ, xˈɔdʑ vʲˈɛlɛ mɲʲɛ tɔ kˌɔʃtɔvˈawɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_234.wav|dlatʃˈɛɡɔ nazˈɨvaʒ ɡˈɔ rˈɨan? dlatʃˈɛɡɔ ɲʲɛ mˈuviʃ ˈɔɲim mˈikɛ?|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_135.wav|zapˈɨtaw jˈɛdɛn z ɲˈix.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_47.wav|lˈɛdvʲɛ zˌapamjɛntˈawam rˈɨs jˈɛɡɔ tfaʒˈɨtʃki i dˈɔtɨk jˈɛɡɔː ˌaksamˈitnɛj skˈurɨ na pɔlˈitʃkax, kʲˈɛdɨ ɡˈɔ tsˌawɔvˈawam.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(37) R.Abbott_Zamknij Drzwi_segment_11.wav|ftˈɛdɨ dɔ jɛj ˈuʃu dɔbjˈɛɡwɔ tsˈɔɕ jˈɛʃtʃɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_238.wav|pɔvʲˈɛdʑaw, zadʑvˈɔɲʲɛ dɔ tɕˈɛbjɛ, jˈak tˌɨlkɔ tʃˈɛɡɔɕ ɕɛ dˈɔvʲɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_72.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_47.wav|mˈɨɕliʃ, ʒˈɛ tɔ jɛzd vwaɕtɕˈivɛ, ˈindjɔ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_37.wav|dˌɔmɨɕlˈiwɛm ɕɛ, ʒˈɛ jɛst rˌɔzbavʲˈɔnɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_110.wav|i bˈɨw dɔ tˌɛɡɔ stˈɔpɲʲa rɛˈalnɨ, ɲʲˌɛstɔnɔvˈanɨ zvˈɨkwɔ̃ mɡwˈɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_256.wav|rˈɔbʲiw tɔ bˈardʑɔː ɔstrˈɔʒɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_139.wav|i dɔ tˌɛɡɔ jˈɛʃtʃɛ spˈuxwa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_12.wav|ˈalfjɛ pɔrˈuʃa ɕɛ i tsˈɔɕ mˈa mrˈɔtʃɛ, a ja vɨtɕˈɔŋɡam dwˈɔɲ i kwˈadɛ jˈɔ̃ nˈaɲim, ʒˈɛbɨ ɕɛ ˌuspɔkˈɔiw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_66.wav|tɔ ʃajbˈutska.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_57.wav|ja fɕˈɔmp rˈɔdaw, zvʲˈɛʒaw ɕɛ ɡɛnˈɛraw, bˈɔdɔndʑ vzrˈɔkʲɛm, a nˈɛ...|0
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_240.wav|f kˈɔɲtɕɛ znajdˈɔvaw ɕɛ stˌandardˈɔvɨ sxrˈɔn pɔvʲˈɛtʃnɨ.|4
+Dataset/wavs/urwisko_ferenc/60_segment_53.wav|tɔː ˈɔna.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_234.wav|jˌɛstɛm tˈaka zmɛntʃˈɔna.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_360.wav|— tɔ ʃkˈɔda — ʒˈɛkwa ɕpʲˈɛvɲʲɛ ˈannɛ. — ja ˈidɛ dɔ klaʃtˈɔru. tˈam w dˈɔlɛ uɲʲˈɔswa tanˈɛtʃnɨm rˈuxɛm dwˈɔɲ z ɲʲˌɛdɔpˈawkʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_286.wav|im dwˈuʒɛj mɨɕlˈawa ɔ sfˈɨx kuzˈɨŋkax, tɨm bˈardʑɛj bˌɨwɔ jɛj iɣ brˈak.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_54.wav|ɡdʑˈɛ jɛst mamˈuɕa? xtsˈɛ jˈɔ̃ zɔbˈatʃɨtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_105.wav|i navzˈajɛm mˈiwɔ bˌɨwɔ pˈana pˈɔznatɕ.|2
+Dataset/wavs/urwisko_ferenc/04_segment_24.wav|a pʃˈɛdɛ fʃˈɨstkim ˈɔtɨm, ʒˈɛ ktˈɔʑ ɡˈɔ zrˈɔbʲiw f kˈɔɲʲa.|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_193.wav|kʲˈɛdɨ jˈuʒ bˌɛɲdʑɛ vʲˈɛŋkʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_44.wav|xtsˈɛ dˈɔstatɕ rivˈɛran.|1
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_158.wav|spʃɛtɕˈiviw ɕɛ sˈɛptɔn. nˈatɨh bˈaɡnax mˈɔʒna znˈalɛʑdʑ ʒˈɨvnɔɕtɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_126.wav|ɡdʑˈɛɕ nat stˈarɨm mʲˈastɛm tˈɔtʃɨw ɕɛ z ɡwˈuxɨm dudɲʲˈɛɲʲɛm pʲˈɛrʃɨ ɡʒmˈɔt.|0
+Dataset/wavs/urwisko_ferenc/06_segment_17.wav|bɔrˈɛvitʃ pɔlˈubʲiw lˌɛvandˈɔfskɔ̃ jˈɛʃtʃɛ bˈardʑɛj.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_181.wav|xtɕˈawɛm tsˈɔɕ pɔvʲˈɛdʑɛtɕ i ˌɔbwaskˈavitɕ tˈɛ sˌɨtuˈatsjɛ, ˌalɛ ˌɔna ˌɔdɛzvˈawa ɕɛ pʲˈɛrʃa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_71.wav|tɔ mˈuɕi bˈɨtɕ pɔlˈitsja. pʃˌɨjɛxˈali pˈɛvɲʲɛ, bˈɨ pˌɔrɔzmˈavʲadʑ zˈɛmnɔ̃ na tˈɛmat ɕmʲˈɛrtɕi tsˌamɛrˈɔna. ɲʲɛ sɔɲdʑˈiwam jˈɛdnak, ʒˈɛ tɔ nastˈɔmpi tˈak ʃˈɨpkɔ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_119.wav|tsˈuʃ tɔ znˈatʃɨ? ɲʲɛ ˌintɛrˌɛsɔvˈawɔ jɛj tɔ?|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_247.wav|tsˈɔ? xˈɨba trˈatsɛ zˈaɕɛŋk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_67.wav|tˈak, ˌɔtpɔvʲˈada bʲˈillɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_96.wav|prubˈujɛ ˈukrɨtɕ nˈutɛ rˌɔstʃarɔvˈaɲʲa, ˌalɛ jˈaɡɡɛr ʒˈutsa mi tˈakʲɛ spɔjʒˈɛɲʲɛ, ʒˈɛ pɔspʲˈɛʃɲʲɛ dɔdˈajɛ tsˈɔɕ innˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_114.wav|blˈatskfiʃ tɔ ʑˈimnɨ tʃwˈɔvʲɛk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_154.wav|kˈulɛ spˈɔtʃnɔ̃ w jˈɛdnɨm s kˌɔntɛnˈɛruf na ɕmʲˈɛtɕi na parkˈiŋɡu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_22.wav|samˈɔxud vˌɨtʃɨʃtʃˈɔnɔ zˈaras pɔ pʃɨjˈɛʑdʑɛ kˌamɛrˈɔna ɛdmˈuntsa w ɲʲɛdʑˈɛlɛ vʲɛtʃˈɔrɛm.|3
+Dataset/wavs/urwisko_ferenc/51_segment_17.wav|mˈartɕin ɕikˈɔrski, ˈɔjtɕɛts mˈɔɲikˌi, zaʒˈutsaw pɔlˈitsji, ʒˈɛ pˌɔminˈɛwa tɛ mʲˈɛjstsa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_72.wav|zdɔ̃ʒˈɨwam im jˈuʃ pɔvʲˈɛdʑɛtɕ, ʒˈɛ ɔn ɲʲɛ ʒˈɨjɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_258.wav|vˈɔlawbˌɨm tˌɛɡɔ ɲʲɛ rˈɔbʲitɕ. pˈɔvʲɛts mu!|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_79.wav|pʃˈɛkrɔ mi, kɔxˈaɲʲɛ, ˌalɛ jˈɛʃtʃɛ pʃˈɛs jˈakiɕ tʃˈas ɲʲɛ bˌɛɲdʑɛ mɲʲɛ w dˈɔmu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_144.wav|ktˌurɨ pˈɔdɲʲus ɕɛ ɔxˈɔtʃɔ.|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_214.wav|ɡdˈɨbɨm ˈutɕɛɡw z dˈɔmu...|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_287.wav|ɔdˈɛzvaw ɕɛ frˈalɛk ɕˈilnɨ. mˈuvjɛ vam, tˈam pˌɔʃukˈajmɨ smˈɔkuf. tɨɣ zwˈɔtɨx!|1
+Dataset/wavs/urwisko_ferenc/21_segment_8.wav|i tsˈɔ tˈɛras? spˈɨtaw ˈɔlɡʲɛrt.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_225.wav|ɲʲɛ rˌɔstʃarˈɔvaw jɛj.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_42.wav|mˈɔja aɡˈɛntka lˈizʑɛ krˈamɛr bˌɨwa jˈaɡ zvˈɨklɛ fˌantastˈɨtʃna.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_39.wav|ɔstˈatɲʲɔ pˌɔkwutɕˈiliɕmˌɨ ɕɛ ɔ tsˈɔʑ z ˈaʃɛm, xˈɔtɕ ɲʲɛ sˈɔndʑɛ, bˈɨ mʲˈawɔ tɔ jˈakʲɛʑ znatʃˈɛɲʲɛ. ˌɔtpɔvʲˈadam. bˈɛtskɨ kˈiva zˌaxɛntsajˈɔntsɔ ɡwˈɔvɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_106.wav|kwˈamstfɔ pʃˈɨʃwɔ mu z watfˈɔɕtɕɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_54.wav|prɔdˈuktɨ jˈɔtski bˌɨwɨ bˈardʑɔ sɔlˈidnɛ, a jˌɛmu bˈardʑɔ zˌalɛʒˈawɔ na jakˈɔɕtɕi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_115.wav|pʃˈɛs fʃˈɨstkʲɛ lˈata fspuwprˈatsɨ z bˈutskim bʲˈillɨ ˌaɲi rˈazu ɡˈɔː ˈɔtɔ ɲʲɛ zapˈɨtaw. kˈurtʃɛ, ɔt pʲˈɛɲtɕu lˈat ɲʲɛ spɔtkˈali ɕɛ tfˈaʒɔ̃ f tfˈaʃ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(86) R.Abbott_Zamknij Drzwi_segment_5.wav|na mˈuj vˈidɔk ɔtfʲˈɛra ʃɛrˈɔkɔː ˈɔtʃɨ i upˈuʃtʃa tʃɨmˈanɨ kˈubɛk, kturˌɛɡɔ brɔ̃zˈɔva zavˈartɔɕtɕ rɔzlˈɛva ɕɛ na jɛj nˈɔɡʲi i ɕtɕˈanɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_13.wav|ɲʲɛbˈavɛm zˈatʃnɔ̃ ɕɛ pʲˈɛrʃɛ rɔsprˈavɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_5.wav|ɔpʲˈɛram drʒˈɔntsɛ dwˈɔɲʲɛ na blˈatɕɛ bjˈurka na vɨpˈadɛk, ɡdˈɨbɨ patʃˈɨwa nˈamɲʲɛ pʃˈɛs ʃˈɨbɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_5.wav|dɔ mˈɔiɣ dʒvˈi ɲˈikt ɲʲɛ zapˈukaw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_397.wav|i mˈɨɕlɛ rˈaptɛm, ʒˈɛ ktˈɔɕ tˈam, f tɕɛmnˈɔɕtɕi nˌatxɔdʑˈɔntsɛj z dalˈɛka nˈɔtsɨ,|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_205.wav|dˈalɛ zˌaxamˈɔvaw ɡvawtˈɔvɲʲɛ. pʃɛtɕˈisnɔw ɕɛ mʲˌɛndʑɨ fˌɔtɛlˈami i ɔttɕˈɔŋɡnɔw nˈas ɔt ɕˈɛbjɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_37.wav|ftɕˈɔ̃ʃ fpˈadaw vɛ fɕtɕˈɛkwɔɕtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_50.wav|mˈama pˌɔvʲɛdʑˈawa, ʒˈɛbɨm zadʑvˈɔɲiw dɔ nˈaʃɛj sɔ̃ɕˈatki, pˈaɲi tʲˈillitsɔn, i vˌɨtwumatʃˈɨwa pˌɔlitsjantˈɔvi, ʒˈɛ tɛlˈɛfɔn nˈam ɔstˈatɲʲɔ ɲʲɛ dʑˈawa.|2
+Dataset/wavs/urwisko_ferenc/35_segment_41.wav|jˈak tˈam dɔjˈɛxatɕ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_43.wav|pratsˈɔvaw tˈam pʃˌɛtɕɛʃ pʃɛt kɔlˈatsjɔ̃. vɨdˈajɛ s ɕˈɛbjɛ pˈɛwɛn frustrˈatsji jˈɛŋk.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_144.wav|ɲʲɛ, tˈɛras ɲʲɛ. kʲˈɛdɨɕ spˌɔtɨkˈawɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_130.wav|ˈɔtʃɛd. za xfˈilɛ ktˈɔʑ dˈɔtknɔw ramjˈɛɲʲa ˌandɛrsˈɔna i tɛn ɔdvrˈutɕiw ɕɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_28.wav|kʲˈɛdɨ bˈɛtskɨ pɔ rˈas kɔlˈɛjnɨ sprˌubɔvˈawa ˌuspɔkˈɔitɕ jˈɔɛ i pʃɛkˈɔnatɕ jˈɔ̃, ʒˈɛ pˌɔstɛmpˈujɛ swˈuʃɲʲɛ, ˌɔpuɕtɕˈiwa bjˈurɔː i zbjˈɛɡwa pɔ sxˈɔdax.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_351.wav|f tɛj xfˈili pʃɛbˈɨva f tˈɔr.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_467.wav|ɲʲɛ bˌɛndɛ ʒˈɨtɕ tˈaɡ dwˈuɡɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_190.wav|ta kɔbjˈɛta tˈak kʃɨtʃˈawa, ʒˈɛ ktˈɔʑ zavˈɔwaw pˌɔlitsjˈantuf.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_252.wav|ɲˈiɡdɨ ɲʲɛ nalˈɛʒɨ pɔlˈɛɡatɕ na ˌɔstʃɛʒˈ��ɲʲax tʃujɲˈikuf ˌalarmˈɔvɨx. sɔ̃ dˌɔskɔnˈalɛ zˌaprɔjˌɛktɔvˈanɛ, ˌalɛ tɔː ɔstˈatɲʲa dˈɛska ratˈuŋku.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_150.wav|tˈatɔ...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_77.wav|tfˈɔjɛ zˌaxɔvˈaɲʲɛ pˌɔvʲɛdʑˈawɔ mi vʲˈɛlɛ na tˈɛmat tfˈɔjɛj rɛlˈatsji, ɲʲɛ tˌɨlkɔ z ɲitsˈɔlɔ̃ i ˈindjɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_196.wav|vˌɨʒutɕˈifʃɨ s ɕˈɛbjɛ, tsˈɔ lɛʒˈawɔ mu na vɔntrˈɔbjɛ, pˈɔtɔm ɲʲɛ tˈutaj vɨtɕˈɔŋɡnɔw mˈɨɕli bʲˈillɨ,|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_174.wav|kˈɔja dʑɡnˈɛwa sˈama pˈaltsɛm w bʒˈux. ɲʲˈɛjɛ tˈaɡ dˈuʒɔ jˈak ɲʲɛktˈuʒɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_42.wav|dˈana mʲˈaw rˈatsjɛ. w blˈasku swˈɔɲtsa vˈidadʑ ɡˈɔ vɨrˈaʑɲʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_286.wav|ɔn jˈɔ̃ sˈam zɔbˈatʃɨ, ˈɛstɛr.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_256.wav|pˌɔftaʒˈawɨ jˈɛdnak tʃtɕˈinɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_140.wav|jɛst tˈam zupˈɛwɲʲɛ tɕˈɛmnɔː i ɲitʃˈɛɡɔ ɲʲɛ vˈidʑɛ, ˌalɛ tʃˈujɛ zatˈɛnxwɨ zˈapax, jˈaɡbɨm znalˈazwa ɕɛ w vɨxˈɔtku.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_348.wav|mˈɔi xˌɔrɔ̃ʒˈɔvʲɛ starˈajɔ̃ ɕɛ ɡˈɔ pɔfstʃˈɨmatɕ, bˈɨ dˈatɕ mi trˈɔxɛ tʃˈasu.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_183.wav|dlatˈɛɡɔ tɨm rˈazɛm zbadˈawam skrˌupulˈatɲʲɛ kˈaʒdɨ ɛlˈɛmɛnt, ʒˈɛbɨ mʲˈɛtɕ pˈɛvnɔɕtɕ, ʒˈɛ fʃˈɨstkɔ dʑˈawa ˌidɛˈalɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_241.wav|i mˈam za tsˈɔ pˌɔkutˈɔvatɕ.|1
+Dataset/wavs/urwisko_ferenc/57_segment_4.wav|pˈaɲi kɔmˈisaʃ, ɲʲɛ zˌawatfˈimɨ tˌɛɡɔ pʃˈɛs tɛlˈɛfɔn. zˌirɨtˈɔvaw ɕɛ bjˈɛɡwɨ. zaprˈaʃam dɔ mɲʲɛ. im ʃˈɨptɕɛj, tɨm lˈɛpʲɛj, bˈɔ mˈuj kɔlˈɛɡa bˈardʑɔ ɕɛ spʲˈɛʃɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_390.wav|ˌɔna nɔɕˈiwa f sˈɔbjɛ ɕmʲˈɛrtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_53.wav|bʲˈillɨ vɨsˈuva ʃuflˈadɛ zˌamraʒalɲˈika i uɕmʲˈɛxa ɕɛ mˈimɔ vˈɔli, bˈɔ jɛj zavˈartɔʑdʑ vʲˈɛlɛ mˈuvi ɔ kˈɛɲʲɛ xˈɔffjɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_53.wav|bjˈɛɡwɛm, bˈɔ zˈafʃɛ ɕɛ spˈuʑɲʲam, kʲˈɛdɨ tˈam jˈadɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_43.wav|fidˈɛliz ŋɡɔˈɔɡʲi|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_54.wav|zdɔ̃ʒˈɨli jˈuʒ dˈɔjʑdʑ dɔ sˌamɔxˈɔdu tˈɔma, ktˌurɨ ˈuɕad za kʲˌɛrɔvɲˈitsɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_513.wav|i zɲˈiknɔw f tʃˈarnɛj dʑˈuʒɛ pɔt skˈalnɔ̃ pˈuwkɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_502.wav|a mɨ ftˈɛdɨ vidʑˈimɨ pʃɛkwˈutɔ̃ tɕˈɛmnɔɕtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_242.wav|zˌapɔmɲʲˈawɛm, jˈak tɔ ɕɛ nazˈɨva. pʃˈɛrvaw na xfˈilɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_75.wav|lˈizd zˈɔstaw pˌɔtpisˈanɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_165.wav|i prɔɕˈiwa ɡˈɔ, ˈabɨ jɛj pʃɛbˈatʃɨw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_231.wav|nˈatɨh ˌimjɛɲˈinax.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_15.wav|musˈimɨ pʃɛjˈɛxadʑ bˌuldɔʒˈɛrɛm pɔ runvˈaju.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_82.wav|ja vˈas lˈubjɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_263.wav|akˈurat jˈak tɔ ɕɛ mʲˈawɔ vɨjˈaɕɲitɕ, ʃˈɛf pʃɛsˈunɔw mɲʲɛ dɔː ˈinnɛj ɡrˈupɨ.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_100.wav|jˈɛɕli pʃˈɨjmɛ zlɛtsˈɛɲʲɛ, ˌɔsɔbʲˈiɕtɕɛ zaɲʲˈɔsɛ spʃˈɛnt na ɡˈurɛ. rˌɔzumjˈɛmɨ ɕɛ, pˈaɲʲɛ xˈɔff?|2
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_54.wav|vɨtɕˈɔŋɡnɔw dɔ mɲʲɛ rˈɛŋkɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_50.wav|ˈɛstɛr mˈa mˈɛ̃ʒa.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_15.wav|tˈɔm pɔkˈivaw ɡwˈɔvɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_55.wav|dʑˈivna sprˈava, mˈuvjɛ.|3
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+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_71.wav|vˌɨvrutɕˈiwam ɔtʃˈami.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_125.wav|mˈɔʒɛ krˌulɛfskʲˈɛɡɔ pɔkˈɛra.|3
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+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_90.wav|pɔ prˈɔstu pʃˌɛmɨtɲˈitʃkɔ̃.|4
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+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_134.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_52.wav|tʃˈɛɲɕtɕ urˈɔdɨ ˌɔdʑɛdʑˈitʃɨw pˈɔmɲʲɛ, tʃˈɛɲɕtɕ pɔː ˈɔjtsu.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_54.wav|tsˈɔ ɕɛ stˈawɔ z vrɔnˈami?|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_81.wav|vˈɨjdʑmɨ pʃɨnˈajmɲʲɛj s tɛj kɔstɲˈitsɨ.|3
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+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_272.wav|ɡrˈunt tɔ prɔstˈɔta.|4
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_50.wav|dɔ tˌɛɡɔ rˈaŋka mʲˈaw za dˈuʒɔ sprˈaf na ɡwˈɔvʲɛ, bˈɨ ɕɛ fɕtɕˈɛkatɕ, ʒˈɛ vɨkˈivaw ɡˈɔ ktˈɔɕ, kˈɔmu ˈufaw, ˌalɛ tˈɛras tɨx sprˈaf ubˈɨwɔː i jɛst fkuʒˈɔnɨ jˈaɡ ɡwˈɔdnɨ ɲʲˈɛdʑvʲɛtɕ.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_58.wav|a w iɣ vˈɨtɕu ɲʲɛ dɔʃˈuka ɕɛ ˌɔtpɔvʲˈɛdʑi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_31.wav|pratsˈɔvaw w ɲˈim, ˌalɛ mˈuviw, ʒˈɛ ɲʲˈɛtʃuw ɕɛ tˈam dˈɔbʒɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_52.wav|pˈɛvnɛ ʒˈɛtʃɨ sɔ̃ zbˈɨd dʑivˈatʃnɛ, bˈɨ mˈɔɡwɨ ɲʲˈɛbɨtɕ pravdʑˈivɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_231.wav|z mɔjˈɛɡɔ pˈuŋktu vidʑˈɛɲʲa fʃˈɨstkɔ jˈɛdnɔ, ˌalɛ w mˈɔim krˈaju ˌuvaʒˈajɔ̃, ʒˈɛ krˈuk pʃɨnˈɔɕi ɲʲɛʃtʃˈɛɲɕtɕɛ. dˈuʒɨ, tʃˈarnɨ, zwˈɨ ptˈak.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_244.wav|mʲˈawam ɕfʲadˈɔmɔɕtɕ, ʒˈɛ jɛʒˈɛli tsˈɔɕ spʲˈɛpʃɛ, spˈadɲʲɛ nˈamɲʲɛ krˈɔpla rˌɔstɔpʲɔnˈɛɡɔ mɛtˈalu, ktˌura vɨpˈali dʑˈurɛ w mˈɔim skafˈandʒɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_17.wav|ɲʲɛ prubˈujɛ nˈavɛt mˈɨɕlɛtɕ ɔ pʃˌɨmjɔtɲˈikaɣ dla tɛj rˈɔli.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_105.wav|vʒˈɛʃtʃaw dɔ swuxˈafki, vɛtknˈɔ̃fʃɨ w lˈɛvɛ ˈuxɔ pˈalɛts.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_55.wav|mʲˈawa zavrˈɔtɨ ɡwˈɔvɨ i jˈɔ̃ zwˈapaw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_40.wav|ˌuspɔkɔjˈɔnɛ ˌɔbɛtsnˈɔɕtɕɔ̃ mˈatki.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_26.wav|baˈilɛj zjˈavja ɕɛ z vˌɨtɕɔŋɡɲʲɛntˈɨmi rˌamjɔnˈami. ftɕˈɔ̃ʃ jɛst tˌaki mˈawɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_185.wav|i ɲˈiɡdɨ ɕɛ za tˈakɔ̃ ɲʲɛ ˌuvaʒˈawam. tɔ bˈɨw pʃˌɛwɔmˈɔvɨ mˈɔmɛnt. rˈɛʃta mɔjˈɛɡɔ ʒˈɨtɕa zˌalɛʒˈawa ɔt tˈɛɡɔ, jˈak ɕɛ tˈɛras spˈiʃɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_64.wav|ˌalɛ ɕɛ ɲʲɛ zjˈavja.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_173.wav|stratɕˈiwabˌɨm fʃˈɨstkɔ, vwˈɔntʃɲʲɛ z dʑˈɛtɕmi.|3
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+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_60.wav|mˈili vʲɛdʑˈawa, tsˈɔ tɔː ɔznˈatʃa.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_58.wav|tɛn vˈidɔɡ vɨvˈɔwaw jɛj pɔɡˈardɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_94.wav|tsˈɔ mˈɔɡɛ pˈɔdatɕ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_75.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_29.wav|ɲʲˈɛxtsɛ pʃɛrˈɨvatɕ tɕˈɔ̃ʒɨ, stsˈɔtt.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_194.wav|tsˈɔ ɲʲɛ zmʲˈɛɲʲa fˈaktu, ʒˈɛ jɛst f tˈɔbjɛ zˌakɔxˈana i bˌɛɲdʑɛ ɕɛ pʃɨ tˈɔbjɛ tʃˈɨmatɕ tˈaɡ dwˈuɡɔ, jˈaɡ dwˈuɡɔ nˈatɔ pɔzvˈɔliʃ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_45.wav|f kˈaʒdɨm rˈaʑɛ spɛɲdʑˈimɨ tˈam trˈɔxɛ tʃˈasu i dlatˈɛɡɔ dɔ tɕˈɛbjɛ dʑvˈɔɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_36.wav|zatɕˈisnɔw ˈusta.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_59.wav|mˈimɔ tɔ pˈaɲi rˈɔbɛrts mˈɔʒɛ mi ˌɔtpɔvʲˈɛdʑɛtɕ na ɲʲɛktˌurɛ pɨtˈaɲʲa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_18.wav|tɔ dʒˈɛvɔ ɲʲˈɛma prˈavʲɛ kɔʒˈɛɲi.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_143.wav|sˈam lˈɔrt xˈɛvɛtt ɕˈɛdʑaw na sfˈɨm zvˌɨtʃajˈɔvɨm mʲˈɛjstsu na pˌɔdvɨʃʃˈɛɲʲu, f pʲˈɛŋknɨm xɛrbˈɔvɨm strˈɔju.|1
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_57.wav|tɔ pˈɔmɨsw, na ktˌurɨ fpˈadwɛm jˈakiɕ tʃˈas tˈɛmu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_39.wav|vʲˈɛm, ʒˈɛ ɡˈuvnɔ tɕˈɛ ɔpxˈɔdʑɔ̃ fʃˈɨstsɨ vˈɔkuw, ˌalɛ ɲʲˈall jɛst nˈaʃɨm ʃˈɛfɛm. ɔsˈɔbɔ̃, ktˌura pwˈatɕi tɕi pˈɛnsjɛ, a jˈɛɡɔ ʒˈɔna jɛst mˈartfa.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_221.wav|tɔ bˈɨw ɕɲʲˈɛk fpˌadajˈɔntsɨ pʃˈɛs ˈɔknɔ.|1
+Dataset/wavs/urwisko_ferenc/23_segment_88.wav|pˈɔznaw ɡˈɔ pˈan ˌɔsɔbʲˈiɕtɕɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_31.wav|a jˈɛdnak, ɡdˈɨbɨ bʲˈillɨ fpˈad, prˌɔkuratˈura mʲˈawabˌɨ jɛdnˈɛɡɔː ˈasa w rɛŋkˈavʲɛ i ɲˈikt na pˈɛvnɔ tɔ vʲˈɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_109.wav|prˈɔʃɛ, ɲʲɛ mʲɛʃˈajtɕɛ f tɔ mɔjˈɛɡɔ sˈɨŋka.|3
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_49.wav|tɔ dʑˈɛŋki jɛj vɨɕˈiwkɔm f tɕˈɔŋɡu ɔstˈatɲix kˈilku lˈat ɲʲɛ pˌɔstradˈawɛm zmˈɨswuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_83.wav|trˈudnɛ tʃˈasɨ nastˈawɨ, mˈɔja pʃˌɨjatɕˈuwkɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_275.wav|tˈɛraz bˌɛɲdʑɛʃ mˈuɕaw ʒˈɛɡnatɕ ɕɛ lˈɛvɔ̃ rˈɛŋkɔ̃, ˈɔmbrɛ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_51.wav|jˈɛɕli ktɔkˈɔlvʲɛɡ vʲˈɛ tsˈɔɕ na tˈɛmat mʲˈɛjstsa pʃˌɛbɨvˈaɲʲa tsˌamɛrˈɔna, tɔ vwˈaɕɲʲɛ ˈɔn. ˌalɛ ja tˌɛɡɔ ɲʲɛ pˌɔvʲɛdʑˈawam, dˈɔbʒɛ?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_212.wav|bˈɔʒɛ, jˈak tɔ dˈɔbʒɛ!|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_148.wav|vɛ fʃˈɨstkix ˈinnɨx pʃɨpˈatkax|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_78.wav|zˈafʃɛ pʃˌɨvʲɔ̃zˈɨvaw tɛn bˈutɕik ʃnˌurufkˈami dɔ ʃlˈufki, tˈaɡ ʒˈɛ ɔbʲˈijaw mu ɕɛ ɔ bjˈɔdrɔ rˈazɛm z rˈɛʃtɔ̃ ʒˈɛtʃɨ, ktˌurɛ ɲʲˈus, ktˌurɛ fʃˈɨstsɨ ɲʲˈɛɕli.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_107.wav|vɨbrˈawam kavʲˈarɲʲɛ, ɡdʑˈɛ tʃɛkˈawam na ɲʲˈɛɡɔ, sˈɔntʃɔnts kˈavɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_279.wav|tɔ fʃˈɨstkɔ, tsˈɔː ˈumjɛm pɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_242.wav|ɲʲˈɛma mˈɔvɨ. tɔ mˈɔʒɛ bˈɨtɕ jˈakiɕ pˈɔtstɛmp, ʒˈɛbɨ nˈas stˈɔnt ɔttɕˈɔŋɡnɔɲtɕ. zˌɔstajˈɛmɨ na mʲˈɛjstsu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_285.wav|tʃɨ tɨ vʲˈɛʃ, jˈaka jˌɛstɛɕ pʲˈɛŋkna?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_103.wav|ˌalɛ bˌɨwa zbˈɨd vˈɔ̃ska, ʒˈɛbɨ mˈukw fsˈunɔɲtɕ rˈɛŋkɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_279.wav|tʃˈɛɡɔ pˈan tˈu xtsˈɛ? spɨtˈawɛm.|0
+Dataset/wavs/urwisko_ferenc/62_segment_54.wav|i nˈaɡlɛ zalˈawa jˈɔ̃ fˈala tɕˈɛpwa|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_41.wav|tʃˈɨʒbɨ tɛn stˈarɨ, zɲʲˌɛdɔwɛ̃ʒɲʲˈawɨ rˈɔbak pɔʒˈutɕiw lvˈa dla rˈuʒɨ? jˈɛɕli tˈak, tɔ pˌɔʒawˈujɛ, pˌɔmɨɕlˈawa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_178.wav|zdaʒˈajɔ̃ ɕɛ tˈakʲɛ ˌantɨtsɨpˈatsjɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_209.wav|ɲʲɛktˌuʒɨ lˈudʑɛ sɔ̃ pˌaranɔˈitʃɲi dɔ tˌɛɡɔ stˈɔpɲʲa, ʒˈɛ ˌinstalˈujɔ̃ tˈakʲɛ zˌabɛspʲɛtʃˈɛɲʲa f sfˈɔix sɨpʲˈalɲʲax i zˌamɨkˈajɔ̃ ɕɛ w nˈɔtsɨ na fʃˈɛlki vɨpˈadɛk.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_235.wav|pʃˈɨkrɔ mi pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_90.wav|za pˈuw ɡɔdʑˈinɨ jɛj pʃˈɛjdʑɛ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_210.wav|tʃˌɛɡɔkˈɔlvʲɛk, tsˈɔ zˌajɛwˈɔbɨ mˈɨɕli i dawˈɔbɨ ʃˈansɛ zˌapɔmɲʲˈɛɲʲa ɔ vʲˈɛʒɨ na ɡɔdʑˈinɛ ˈalbɔ dvʲˈɛ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_227.wav|tɔ mˈaɡja.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_357.wav|kˌulturˈɨstɨkˌa, fspinˈatʃka vˌɨsɔkɔɡˈurska, mˈɛ̃skʲɛ pʃɨjˈaʑɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_51.wav|i za wˈadnɨ.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_155.wav|zˈafʃɛ, kʲˈɛdɨ tˈam ɡrˈam, vrˈatsam zˈɛ srˈɛbrɛm f sakʲˈɛftsɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_45.wav|zɡˈadʑa ɕɛ. prˌɔvadʑˈimɨ ɔbˈɛtsɲʲɛ ɕlˈɛtstfɔ f sprˈavʲɛ jɛj ɕmʲˈɛrtɕi i prˌubujˈɛmɨ jˈak najvʲˈɛntsɛj ɕɛ dɔvʲˈɛdʑɛtɕ na jɛj tˈɛmat.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_52.wav|kˈatɛ uznˈawa jˈɛdnak, ʒˈɛ dˈɔpad jˈɛ jˈɛtlak i ʒˈɛ ɲʲɛ pʃɨjˈadɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_121.wav|fstʃɨmˈawam ˈɔddɛx, kʲˈɛdɨ zatʃˈɨmaw ɕɛ pɔnˈɔvɲʲɛ pɔ kˈilku xfˈilax.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_12.wav|vʲˈɛmɨ dˈɔbʒɛ, ʒˈɛ ɲˈidʑ dla nˈas utʃˈɨɲitɕ ɲʲɛ mˈɔʒɛʃ ˈalbɔ ɲʲˈɛxtsɛʃ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_84.wav|mˈili kʃɨtʃˈawa, ˌalɛ ɲˈikt ɕɛ ɲʲɛ zjˈaviw. mˈamɔ, ɡdʑˈɛ jˈɛstɛɕ? tˈatɔ, dlatʃˈɛɡɔ ɲʲɛ pʃˈɨjdʑɛʃ mɲʲɛ ˌuratˈɔvatɕ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_33.wav|i ɡdʑˈɛ bˌɨwa mˈama? mamˈuɕu!|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_74.wav|jˈaɡ zamjˈɛʒaʃ iɣ znˈalɛɕtɕ, skˈɔrɔ ja ɲʲɛ pɔtrˈafjɛ tˌɛɡɔ dɔkˈɔnatɕ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_45.wav|ˈɔdʒut ftɕˈisnɔw kˈɔlbɛ w mˈɔjɛ rˈamjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_90.wav|a zˈatɛm tˈak ɕɛ nazˈɨvaw zˌamɔrdɔvˈanɨ pˌɔkɔʒˈɨsta.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_521.wav|rˌatɔvˈawɛm jˈɔ̃ z ɔprˈɛsji, ʃˈɛptʃɔndʑ ʒˌartɔblˈivʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_59.wav|pʃɛrˈɨva, ja tʃˈɛkam.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_128.wav|tʃɨ trˈɔnd vʲˈɛdʑaw ɔː ˌɔpalˈatɕɔ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_92.wav|bˈɛtskɨ pɔxˈɨla ɕɛ w mˈɔjɔ̃ strˈɔnɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_2.wav|f pɔʒˈɔntku, pˈaɲʲɛ ˈɛdmunts.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_62.wav|bˌɨwɔ tˈɛʃ fʃˈɨstkim, tsˈɔ znˈawam ɔt kʲˈɛdɨ skɔɲtʃˈɨwam dʑˈɛɕɛɲtɕ lˈat i ftsˈalɛ ɲʲɛ bˌɨwɔ tˈakʲɛ zwˈɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_122.wav|ˈɛliz zˈɛrka na tɛlˈɛfɔn. tˈu pɔdˈajɔ̃, ʒˈɛ takʲˈɛɡɔ ɲʲˈɛma.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_279.wav|vˈalnɔw minstrˈɛla f tfˈaʃ, pˈɔtɛm w bʒˈux, a pˈuʑɲʲɛj zˈatʃɔw ɡˈɔː ɔkwˈadatɕ pɔ ramjˈɔnax ɔbjˈɛma rɛŋkˈami.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_4.wav|w ɔstˈatɲim tʃˈaɕɛ w ɔɡˈulɛ tˌaki ɲʲˈɛbɨw.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_329.wav|marɡˈarɨ pˌɔvʲɛdʑˈawa, ʒˈɛ mˈuɕi dʑˈiɕ pˈɔɕtɕitɕ, ʒˈɛbɨ ɕɛ ɔtʃˈɨɕtɕitɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_15.wav|jˈɛdɛn z ɲˈiɣ vɨsˈuva pʃɛt ɕˈɛbjɛ pˈɔrtfɛl z ɔdʑnˈakɔ̃.|4
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_73.wav|spinˈɛlli pɔstˈukaw f klˌavʲatˈurɛ kˌɔmputˈɛra.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_53.wav|ˌɔbjɛtsˈawam sˈɔbjɛ, ʒˈɛ bˌɛndɛ ʃtʃɛɡˈulɲʲɛ vraʒlˈiva na fʃˈɨstkɔ, tsˈɔ rˈɔbʲi dla rɔdʑˈinɨ, ˌalɛ dʑˈiɕ mˈuʃɛ znˈalɛɕtɕ ɕɛ ɡdʑˈɛ ˈiɲdʑɛj.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_158.wav|i ftˈɛdɨ zɔbˈatʃɨw mawˈɛɡɔ tʃarnˈɛɡɔ xwˈɔptsa, ktˌurɨ ɕˈɛdʑaw ɲʲˌɛruxˈɔmɔː ˈu jˈɛɡɔ stˈup.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_217.wav|tɕɛplˈɛjʃɨ pwˈaʃtʃ ˈalbɔ mˈɔʒɛ zˌardʑɛvʲˈawɨ, ʒɛlˈaznɨ pˈuwxɛwm mˈuʃɔ̃ zˈabratɕ jˈɛ trˈupɔm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_99.wav|pʃˌɨpɔmˈina sˈɔbjɛ swˈɔva bakʲˈɛɡɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_104.wav|jˌɛstɛm pˈɛvna, ʒˈɛ f kˈɔɲtsu bˈɨ sˈɔbjɛ s tˈɨm...|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_35.wav|ɲʲˈɛma tˈakʲɛj pɔtʃˈɛbɨ. jɛst nˈaɲʲɛj lˈist xˈapman.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_112.wav|pʃˌɛtstavʲˈɛɲʲɛ tʃˈaz zˈatʃɔɲtɕ, a vwaɕtɕˈivʲɛ jˈɛɡɔː ɔstˈatɲi ˈakt.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_177.wav|ʒˈɛkw ˌɔbɔjˈɛntɲʲɛ kˈɔrsak, fpatʃˈɔnɨ f sfˈɔjɛ vˌɨpʲɛlˌɛŋɡnɔvˈanɛ paznˈɔktɕɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_132.wav|ˈusta zˌawamˈawɨ ɕɛ w dˈuw i na tfˈaʒɨ lˌɛʒɔntsˈɛɡɔː ˌukazˈawɨ ɕɛ nˈaɡlɛ ˈɔstrɛ rˈɨsɨ.|0
+Dataset/wavs/urwisko_ferenc/59_segment_54.wav|ˈalbɔː i ɲʲɛ, vɛstxnˈɛwa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_60.wav|tsˈuʃ s tˈɛɡɔ? pɔvʲˈɛdʑaw rɔsˈɛnblatt.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_125.wav|ktˈuʃ xtɕˈawbɨ skʃˈɨvdʑitɕ mɔjˈɛɡɔ swɔvˈitʃka?|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_196.wav|bʲˈillɨ pɔdˈajɛ jɛj pilˈɔta.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(79) R.Abbott_Zamknij Drzwi_segment_38.wav|bˈɛtskɨ zˌaparkɔvˈawa tˈɨwɛm na mʲˈɛjstsu pˌɔwɔʒˈɔnɨm blˈiskɔ budˈɨŋku i ˌɔpɔvʲɛdʑˈawa tɔmˈɔvi ɔ sfˈɔjɛj rɔzmˈɔvʲɛ s filˈipɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_128.wav|ktˌurɨ ɲʲɛ jɛzd z jˈɛɡɔ krfˈi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_158.wav|pˌɛrspɛktˈɨva ʒˈɨtɕa bˈɛs arˈama vˌɨdavˈawa ɕɛ ɲʲɛ dɔ zɲʲɛɕˈɛɲʲa, nˈavɛd dla mɲʲɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_318.wav|sˌɛksɔlɔɡʲˈɛɡɔ ʃtʃˈɛŋka ɔpˈadwa s tɕˈixɨm klapɲʲˈɛɲtɕɛm,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_40.wav|kʲɛrˈɔftsa zˌaɲʲɛpɔkˈɔiw ɕɛ, ʒˈɛ zvrˈatsam na ɕˈɛbjɛ uvˈaɡɛ, pɔ tʃɨm ˈɔbaj zatʃˈɛli rɔzmˈavʲatɕ ɔ kˌɔnsɛkfˈɛntsjax, jˈɛɕli zrˈɔbjɛ sˈɔbjɛ kʃˈɨvdɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_75.wav|tʃɨ z mawʒˈɛɲstfɛm ɡˌɛnɛvʲˈɛvɛ i ɲˈila bˌɨwɔ tsˈɔɕ ɲʲɛ tˈak?|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_225.wav|pˈɔza kɔmˈiŋkʲɛm jɛdˈɨnɨm ʑrˈudwɛm ɕfʲˈatwa bˌɨwa vɨsˈɔka, tʃˈarna ɕfʲˈɛtsa ˌustavʲˈɔna pɔɕrˈɔtku pɔkˈɔju.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_85.wav|ˌalɛ ʒˈatkɔ pʃˌɨbɨvˈawɨ vʲˈɛntsɛj ɲˈiʃ jˈɛdɛn tʃɨ dvˈa drakˈarɨ, a ɲˈiɡdɨ vʲˈɛntsɛj ɲˈiʃ ʃˈɛɕtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_88.wav|nˌajpravdˌɔpɔdˈɔbɲʲɛj lˌɛvɔrˈɛntʃnɨ pʃˈɨʃɛd ɡˈɔ zˈabʲitɕ, ˌalɛ ɲikˈɔɡɔ ɲʲɛ zˈastaw, vʲˈɛnts ˈuɕad i tʃˈɛkaw, a ftˈɛdɨ pˌɔjavˈiwam ɕɛ jˈa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_126.wav|uʒˈɨvaʒ ɡˈɔ ɲʲɛ dlatˈɛɡɔ, ʒˈɛ spɔdʑˈɛvaʃ ɕɛ krˈaksɨ, lˈɛdʒ dlatˈɛɡɔ, ʒˈɛ ɲˈiɡdɨ ɲʲˈɛvʲɛʃ ktˈɔ lˈup tsˈɔ nˈaɡlɛ vɨskˈɔtʃɨ zzˈa vzɲʲɛɕˈɛɲʲa prˈɔstɔ na tɕˈɛbjɛ.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_235.wav|na xˈarlaw, na ˈɔrkmɔnt i na sˈamɔ̃ pˈɨkɛ.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_408.wav|pʃˈɛs lˈɔrda pipˈɛra pʃɛmˈavʲaw ʒˈal.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_292.wav|mɨ tɔ fʃˈɨstkɔ musˈimɨ tˈɛras uwˈɔʒɨtɕ na kˈupɛ i pʃˈɨkrɨtɕ jˈɛdnɔ̃ ɔkwˈatkɔ̃, tˈaɡ ʒˈɛbɨ ɕɛ mˈarɛj ɲʲɛ pɔwˈapaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_41.wav|tɕiɕɲʲˈɛɲʲɛ spadˈawɔ, vʲˈɛnts mˈɔja kˈula nˌadɨmˈawa ɕɛ ɲˈitʃɨm bˈalɔn f kɔmˈɔʒɛ pruʒɲʲˈɔvɛj.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_114.wav|mˈuɕiʃ ɕɛ zˌaɔpʲɛkˈɔvatɕ sfˈɔim vnˈukʲɛm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_30.wav|pʃˌɨjɛxˈawa dʑˈiɕ rˈanɔ dɔ prˈatsɨ, ˌalɛ kʲˈɛdɨ pˌɔvʲɛdʑˈɛliɕmˌɨ jɛj, ʒˈɛ pɔlˈitsja pʃɨjˈɛdʑɛ dɔ nˈas w rˈamax ɕlˈɛtstfa, tɔ vʲˈɛtɕɛ tsˈɔ zrɔbʲˈiwa? dˈawa dˈɨla.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(36) R.Abbott_Zamknij Drzwi_segment_9.wav|tɔ dˈɔbrɛ vʲˈɛɕtɕi, mˈuvi.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_175.wav|f kˈɔɲtsu tsˈuʃ tɔ dla tɕˈɛbjɛ znˈatʃɨ?|0
+Dataset/wavs/urwisko_ferenc/59_segment_140.wav|pˌɔlitsjˈantka spɔjʒˈawa ɡdʑˈɛʑ w bˈɔk. nˈaɡlɛ ˌɛlɛmˈɛntɨ ˌukwadˈaŋki, ktˌurɛ nɔɕˈiwa w ɡwˈɔvʲɛ, zatʃˈɛwɨ dɔ ɕˈɛbjɛ pasˈɔvatɕ.|0
+Dataset/wavs/urwisko_ferenc/13_segment_29.wav|tsˈɔ ftˈɛdɨ pɔvʲˈɛdʑaw xudʑˈiɲski? pˌɔnaɡlˈiwa ɡˈɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_78.wav|— ˈandɛrsɔn — pɔvʲˈɛd��aw dʒˈɔnsɔn.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_15.wav|kʲˈɛdɨ ˈumar i w jˈaki spˈɔsup? zapˈɨtaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_92.wav|mˈɔʒɛ nˈatɔ tɕɛrpʲˈɛɲʲɛ zˌaswuɡʲˈivaw.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_372.wav|bˌɛɲdʑɛ prˈaviw kazˈaɲʲa ɔ tʃɨstˈɔɕtɕi nˌajɛdvˈabnɛj?|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_189.wav|ja tɕi pˈɔvʲɛm, tsˈɔ ɕɛ stˈawɔ dˈalɛj, pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_80.wav|bˌɨwɨ tɔ tˈakʲɛ tʃˈasɨ, kʲˈɛdɨ ftɕˈɔ̃ʒ vɨdˈavaw ɕɛ kˌɔnsultˈɔvadʑ z ɲʲˈɔ̃ sfˈɔjɛ dɛtsˈɨzjɛ.|3
+Dataset/wavs/urwisko_ferenc/49_segment_79.wav|vɨstxnˈɛwa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_29.wav|pˈatʃɨw vʲˈɛnts na dʒˈɛvɔː i na lˈudʑi i stˈaw tˈak ɲʲˌɛruxˈɔmɔ z rɛŋkˈami ˌɔpartˈɨmi na pˌarapˈɛtɕɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_327.wav|i rˌɔstʃulajˈɔntsɔː ˌɔdrɔbʲˈinɛ pʃˌɨtɕɛ̃ʃkˈimi bjɔdrˈami.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_123.wav|vˌɨtʃɔwɡˈawam ɕɛ zˈɛ sxrˈɔnu i ɲʲɛ zabʲˈiwɔ mɲʲɛ ʒˈadnɛ spˌadajˈɔntsɛ ʒɛlˈastfɔ, vʲˈɛnts fʃˈɨstkɔ bˌɨwɔ f pɔʒˈɔntku.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_80.wav|jˈɛɕli kˈɔxaʃ latˈaɲʲɛ i vʲˈɛʒɨʃ, ʒˈɛ ktˈɔɕ ˈinnɨ xtsˈɛ bˈɨtɕ pilˈɔtɛm i ˈutʃɨʒ ɡˈɔ, mˈɨɕlɔnts, ʒˈɛ ɔn tʃˈujɛ tɔ sˈamɔ, tsˈɔ tɨ tʃˈujɛʃ,|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_234.wav|ɔmˈuwki i sɛrtsˈufki. tˈaɡ bʒmʲˈawɨ maɡʲˈitʃnɛ swˈɔva kˈɛt.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_360.wav|ˈɔjtɕɛts jɛdnˈɛɡɔ z ɡʲˈɛrmkuf jˌamjɛˈɛɡɔ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_19.wav|nˈavɛd bˈɛz zˌapɛvɲʲˈɛɲʲa dˌɔmiɲˈika, ʒˈɛ ktˈɔɕ ˌɔpsɛrvˈujɛ dˈɔm, jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ stsˈɔtt mɲʲɛ ʃpʲɛɡˈujɛ.|3
+Dataset/wavs/urwisko_ferenc/22_segment_18.wav|zrˈup pɔʒˈɔndɛk. zˈabjɛʒ ʒˈɛtʃɨ i spʃˈɛnt, vˈɛstxnɔw ɕˈivɨ mɛ̃ʃtʃˈɨzna. zvijˈamɨ ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_155.wav|najvˈɨʃʃɨm lˈɔrdɛm tridˈɛntu jɛst pˈɛdr baˈɛliʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (24)_segment_14.wav|ɡwˈɔz znˈuf pɔvrˈatsa, ftɕˈɔ̃ʃ ʃɛptʃˈɔntsɨ, ˌalɛ z nˈutɔ̃ ɲʲˌɛpɔkˈɔju.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_79.wav|f tɨm drˈuɡʲim mˈɔɡɛ pˈɔmuts, ˌuruxamjˈajɔnts prˌɔtsɛdˈurɛ nˌamjɛʒˈaɲʲa tˌɛlɛfˈɔnu.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_321.wav|ɛlˈinɔr mˈuvi, ʒˈɛ tɔ nˌajtrudɲʲˈɛjʃa vˈalka sˈɛr lɔrˈasa.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_71.wav|— vˈɨbatʃ, kɔxˈaɲʲɛ, mʲˌawɛm nadʑˈɛjɛ dˈɔtʃɛdʑ dɔ dˈɔmu pʃɛt tˈɔbɔ̃, ʒˈɛbɨɕ w ɔɡˈulɛ ɕɛ ɲʲɛ dˌɔvʲɛdʑˈawa. ˌalɛ ʒˈɨtɕɛ ɲˈiɡdɨ ɲʲɛ jɛst prˈɔstɛ, prˈavda?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_67.wav|pʃɨsˈuvam pˈalɛdʑ dɔː ˈust, a ɛmˈili kˈiva ɡwˈɔvɔ̃.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_34.wav|pʃˈɛz vʲˈɛŋkʃɔɕtɕ tʃˈasu ɲʲɛ pˌɔtrafˈiwam nˈavɛd vˈɨtʃutɕ, tsˈɔ mˈɨɕli. ɲʲɛ umjˈawabˌɨm jɛj xˈɨba rˈɔzɡrɨɕtɕ, ˌalɛ bjˈɔrɔnts pɔt uvˈaɡɛ jɛj ˌumjɛjɛntnˈɔɕtɕi pˌɔkɛrˈɔvɛ, vʲˈɛm pʃɨnˈajmɲʲɛj dlatʃˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_243.wav|ˌɔbudʑˈiwa ɕɛ drʒˈɔntsa w ramjˈɔnax taˈinɨ. tɔ bˈɨw tˌɨlkɔ zwˈɨ sˈɛn.|1
+Dataset/wavs/urwisko_ferenc/20_segment_95.wav|sprˈavɨ muɕˈawɨ ɕɛ mˈɔtsnɔ skˌɔmplikˈɔvatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_172.wav|vˈɨʃwam na kɔrˈɨtaʃ s xˈɨtrɨm uɕmʲˈɛʃkʲɛm na tfˈaʒɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_98.wav|stˈawam ɕɛ spˌɛtsjalˈistkɔ̃ w ˌukrɨvˈaɲʲu fʃˈɛlkix fˈaktuv dˌɔtɨtʃˈɔntsɨx mˈɔjɛj ɔsˈɔbɨ i bˌɨwɔ mi znˈatʃɲʲɛ wˈatfʲɛj.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_3.wav|ˌɔbrutɕˈiwa ʒɛlˈaznɨ pʲˈɛrɕtɕɛɲ i pɔpxnˈɛwa dʒvˈi, ˌuxɨlˈajɔnts jˈɛ lɛtɕˈutkɔ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_12.wav|jɛdˈɨnɨm dʑvʲˈɛŋkʲɛm jɛst ˌɔkazjɔnˈalnɨ ʃˈɛlɛst lˈiɕtɕi na vʲˈɛtʃɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_153.wav|i pʃɛʃˈɛtwʃɨ dɔ lˈɔtu pˌɔʑɔmˈ��ɡɔ zrˌɛdukˈɔvaw ɔbrˈɔtɨ tˈak, ˈiʃ stʃˈawka tˌaxɔmˈɛtru|0
+Dataset/wavs/urwisko_ferenc/63_segment_3.wav|ˌuswɨʃˈawa ʃˈum ɕilɲˈika, a ɲʲɛdwˈuɡɔ pˈɔtɛm dʑvʲˈɛŋɡ dˌɔmɔfˈɔnu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_24.wav|ɲʲɛ sɔɲdʑˈiwam, ʒˈɛ mˈɔʒna jˈɛʃtʃɛ tsˈɔɕ takʲˈɛɡɔ dˈɔstatɕ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_379.wav|prˌatsɔvˈawɛm nad dˌɔprɔvadʑˈɛɲʲɛm dɔː upˈatku tɨvˈina lˌanɲistˈɛra jˈuʃ ɔd dɲʲˈa, ɡdˈɨ ˌɔpɔvʲɛdʑˈɛli mi ɔː ˈɛlljɛ i jɛj dʑˈɛtɕax.|1
+Dataset/wavs/urwisko_ferenc/14_segment_5.wav|ɡdˈɨbɨ tɔ ʒˌɛtʃɨvˈiɕtɕɛ bˌɨwa kuzˈɨŋka xˌudʑiɲskʲˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_272.wav|i zɡˈubɛ dʑɛvˈitsɨ jˈakɔ tˈɨlnɔ̃ strˈaʃ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_85.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/urwisko_ferenc/34_segment_1.wav|ɡɔspˈɔdaʒ z mˈinɔ̃ tɕˌɛrpʲɛntɲˈika fskˈazaw rˈɛŋkɔ̃ na stˈuw, pʃɨ ktˌurɨm ɕɛdʑˈɛli ɔstˈatɲʲɔ. — tˌɨlkɔ zawˈadvmɨ tɔ ʃˈɨpkɔ — pɔprˈɔɕiw.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_246.wav|ˌɛlɛɡˈantski, s salˈɔnɛm, sɨpʲˈalɲʲɔ̃, waʑˈɛŋkɔ̃ i vwˈasnɨm prɨʃɲˈitsɛm.|4
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_34.wav|znˈuf pɔdˈajɛ mu rˈɛŋkɛ, a zˈatɛm tɔ jɛst pˌɔʒɛɡnˈaɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/10_segment_48.wav|trˈafiw dɔ mʲˈɛjstsa.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_67.wav|vˈidʑɛ, ʒˈɛ mˈuʃɛ zapˈuɕtɕidʑ ɡˈɛ̃stʃɔ̃ brˈɔdɛ, ʒˈɛbɨ mɲʲɛ ˌɔswɔɲˈiwa pʃɛt pʲˌɛʃtʃɔtˈami mˈɔjɛj krulˈɔvɛj.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_114.wav|dɔpˈuki ɲʲɛ fpˈadwa dɔ stˈudɲi.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_227.wav|xˈa, xˈa, xˈa, pˌɔvʲɛdʑˈawam. bˈardʑɔ ɕmʲˈɛʃnɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_64.wav|vˌɨpɔvʲadˈawa tɛ swˈɔva pɔspʲˈɛʃɲʲɛ i tˈɔm ˈuznaw, ʒˈɛ jɛzd vʲˈɛntsɛj ɲˈiʃ rˌɔstʃarɔvˈana fˈaktɛm, ˈiʒ zvwˈɔki ɲʲɛ nalˈɛʒɔ̃ dɔ jɛj mˈɛ̃ʒa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_54.wav|ɲitʃˈɛɡɔ vʲˈɛntsɛj ɲʲˈɛma.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_72.wav|a jˈɛɕli f tɨm dˈɔmu bˈɨw ktˈɔɕ jˈɛʃtʃɛ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_17.wav|tˈaɡʒɛ i tɨm rˈazɛm pʃɛzˈɔrɲʲɛ ɡˈɔː ɔdvrˈatsa.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_466.wav|mˈa tɔ rˈɔbʲitɕ tˈaɡ dwˈuɡɔ?|1
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_28.wav|tsˈɔ tɨ zrɔbʲˈiwɛɕ, ˈaʃ?|4
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+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_64.wav|i tˈak ftɕˈɔ̃ʃ mʲˈawam ɔxˈɔtɛ skˈɔpatɕ jɛj tˈɨwɛk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_104.wav|ɲʲɛ ɔdˈɛzvaw ɕɛ, tˌɨlkɔ nˈamɲʲɛ pɔpˈatʃɨw i pɔ rˈas kɔlˈɛjnɨ ɔdɲʲˈɔswam vraʒˈɛɲʲɛ, ʒˈɛ zadˈajɛ mi pɨtˈaɲʲɛ, na ktˌurɛ ɲʲˈɛznam ˌɔtpɔvʲˈɛdʑi.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_161.wav|ɲʲɛ dla mɲʲɛ, ˌalɛ swɨʃˈawɛm, jˈak ɲikˈɔla muvˈiwa ˈɔtɨm ˌaramˈɔvi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_45.wav|zˈafʃɛ mˈɔʒna ʒˈɨtɕ nadʑˈɛjɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_114.wav|zatʃˈɛwa ɕɛ.|0
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+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_171.wav|kɔɲʲˈuʃki jɛj zˈɛmbuf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_198.wav|bˈɛtskɨ ɲʲɛ spˌɔdɔbˈawɔ ɕɛ tɔ, tsˈɔː ˌuswɨʃˈawa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_66.wav|zˌapisˈujɛ tˈɛkst na tfˈardɨm dˈɨsku, vɨwˈɔntʃa kɔmpˈutɛr, pɔ tʃɨm pɔtxˈɔdʑi dɔ pˌɔzɔstˈawɨx laptˈɔpuf, tɨx tˈaɲix.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_87.wav|tɛn jˈɛɡɔ xˈɛwm trˈudnɔ pɔmˈɨlidʑ z ˈinnɨm i trˈudnɔ tˈɛʃ ˈɔɲim zapˈɔmɲʲɛtɕ.|1
+Dataset/wavs/urwisko_ferenc/03_segment_130.wav|mˈatka.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_83.wav|dɔstʃˈɛɡam ˈinnɛ ɔsˈɔbɨ zˌaɡlɔndajˈɔntsɛ pɔt sˌamɔxˈɔdɨ w blˈasku jˈasnɨx lˈamp wukˈɔvɨx.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_89.wav|pˈɨtam, ɡdˈɨʃ pˌɔfstʃɨmˈaɲʲɛ ɕɛ ɔt tˌɛɡɔ zˌapɨtˈaɲʲa bɨwˈɔbɨ dˈɔɕtɕ ɲʲˌɛnaturˈalnɛ. tˈak naprˈavdɛ xtsˈɛ ɕɛ stˈɔnt jˈak najʃˈɨptɕɛj vˈɨrvatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_184.wav|nˈavɛt ɲʲɛ zaˈiskʃɨw.|4
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_74.wav|i ɲʲˈɛvʲɛm, tsˈɔ sˈɔbjɛ mˈɨɕli.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_127.wav|tsamˈɛrɔn pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_236.wav|tʃɛrvˈɔnɨ blˈask kˈuʑɲi.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_27.wav|tɔ dwˈuɡa çistˈɔrja, ˌalɛ pʃɛt ɲˈimi pʲˈɛɲdʑ ɡˈɔdʑin jˈazdɨ. dˈɔɕtɕ tʃˈasu, bˈɨ bʲˈillɨ pɔvʲˈɛdʑaw ˈɛllis fʃˈɨstkɔ, tsˈɔ vʲˈɛ i tʃˈɛɡɔ ɕɛ dɔmˈɨɕla.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_29.wav|vɨɡlˈɔnda nˈaɲim dˈuʒɔ stˈaʒɛj i bˈɨstʃɛj ɲˈiʃ tʃwˈɔvʲɛk, kturˌɛɡɔ pɔznˈawam ɲʲˈɛmal ˈɔɕɛm lˈat tˈɛmu.|4
+Dataset/wavs/urwisko_ferenc/23_segment_140.wav|ftˈɛdɨ, ɡdˈɨ ˈuznaw pˈan tsˈurkɛ za zmˈarwɔ̃,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_86.wav|jˌɛstɛm pˈɛvna, ɔt kˈɔɡɔ jɛst ta vʲadˈɔmɔɕtɕ i tsˈɔ jɛst w ɲʲˈɛj nˌapisˈanɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_15.wav|xˈɔdʑ zˌastanavʲˈawam ɕɛ, tʃɨ ɲʲɛ pɔvʲˈɛdʑɛtɕ tɕi ˈɔtɨm, kʲˈɛdɨ vrˈutɕiʒ dɔ dˈɔmu.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_110.wav|fskazˈawam na plˌɔntaɲˈinɛ rˈur, na ktˌurɨɣ znˌajdɔvˈawɨ ɕɛ tʃtˈɛrɨ zavˈɔrɨ. zˈakrɛɲtɕ fʃˈɨstkʲɛ, ˈɔbrutʃ tˌɛɡɔ tʃɛtɕˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_151.wav|uvˈaʒaj na ɕˈɛbjɛ, mˈɔja kɔxˈana dʑɛftʃˈɨŋkɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_106.wav|pʃɛwknˈɛwam ɡwˈɔɕnɔ ɕlˈinɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(73) R.Abbott_Zamknij Drzwi_segment_42.wav|bˈɛtskɨ dˈɔbʒɛ tɔ rˌɔzumjˈawa, ˌalɛ vidʑˈawa vɨrˈaʑɲʲɛ, ʒˈɛ kˈit ɲʲɛ tʃˈujɛ ɕɛ s tɨm kˌɔmfɔrtˈɔvɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_62.wav|ɲʲɛ pʃˌɨstɔsɔvˈawam ɕɛ, pʃɨnˈajmɲʲɛj na pɔtʃˈɔntku.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_149.wav|ja ʒˈɨjɛ zˈɛ sfˈɔjɔ̃ jˈuʃ ɔd dʑɛɕˈɛɲtɕu lˈat i tʃˈasɛm ɲʲɛ mˌamɨ pʲɛɲʲˈɛndʑɨ i rɔbʲˈimɨ tɔ na pustˈɨɲi i f tsˈudʑɨm sˌamɔxˈɔdʑɛ i tɔ zˈafʃɛ bˌɨwɔ pʲˈɛŋknɛ.|0
+Dataset/wavs/urwisko_ferenc/08_segment_23.wav|ɔkˈɔwɔ tʃtˌɛrdʑɛstɔlˈɛtɲi mɛ̃ʃtʃˈɨzna pʃˈɨʃɛt pɔ kfadrˈanɕɛ. stˈanɔw f pɔblˈiʒu vˈɛjɕtɕa dɔ kavʲˈarɲi i ɕɛ rɔzˈɛjʒaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_182.wav|trˈɔnt kʲˈɛdɨɕ mi tɔ fʃˈɨstkɔ twumˈatʃɨw, ˌalɛ tˈɛras tɔ bˈɛz znatʃˈɛɲʲa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_55.wav|skˈɔdʒ dɔ pɔkˈɔju i pʃˈɨɲʲɛʑ dʒˈudʒu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_141.wav|pˈɔza tɨm na pˈɛvnɔ maʃ jˈuʒ dˈɔsɨtɕ tɛj spudɲˈitʃki.|2
+Dataset/wavs/urwisko_ferenc/55_segment_28.wav|pɔ kˈilku minˈutaɣ ɡrˈɔx ɔddʑvˈɔɲiw z ˌɔtpɔvʲˈɛdʑɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_117.wav|ɡdʑˈɛ jɛzd ɡwˈuvnɨ zˈavur? pˌɔvʲɛdʑˈawam dɔ ɕˈɛbjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_54.wav|mˈam tsˈɔʑ dla tɕˈɛbjɛ, mˈuvi ˈɛlis. tʃˈɛkaj, pɔkˈaʒɛ tɕˈi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_146.wav|a tɔ jɛst tˌaki sˈam krˈaj, jˈak i kˈaʒdɨ ˈinnɨ krˈaj.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_43.wav|tsˈɔ ɕɛ z ɲˈimi dʑˈɛjɛ? prˈɔʃɛ bˈɔʒɛ, ɲʲɛ pˈɔzvul, ʒˈɛbɨ zrɔbʲˈili mˈili kʃˈɨvdɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_123.wav|vʲˈɛnts tsˈɔ pˈɔʃwɔ ɲʲɛ tˈak?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_160.wav|mˈɔʒɛ f tɛj xfˈili, fstʃɨmˈafʃɨ ˈɔddɛx, vznˈɔɕiw ɕɛ dɔ ɲʲˈɛba.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_77.wav|ɔː ˈilɛ vˈɔlnɔ mi tˈak ɕˈɛbjɛ nˈazvatɕ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_291.wav|sˌamɔxtɕˈawɛɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_62.wav|tˈak naprˈavdɛ jɛst samˈɔtna, ˌalɛ ɲʲˈɛxtsɛ vˌɨprɔvˈadʑitɕ ɕɛ z dˈɔmu, f ktˌurɨm mʲɛʃkˈawa s tˈatɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_162.wav|nˈavɛd ɡˈarbjɔnts ɕɛ nad bjˈurkʲɛm, ˌɛmanɔvˈawa vdʑˈɛŋkʲɛm i pɛvnˈɔɕtɕɔ̃ ɕˈɛbjɛ.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_218.wav|zˈafʃɛ ɕɛ radˈujɛ, ɡdˈɨ nˈaɕi pʃˌɨjatɕˈɛlɛ mɛrˈibalt i pʲˈɛz zˌaʃtʃɨtsˈajɔ̃ nˈaz vizˈɨtɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_5.wav|tʃɨ mamˈuɕa tˈutaj bˈɨwa? tˈatuɕ?|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_437.wav|pˌɔvʲadˈajɔ̃, ʒˈɛ jɛst nˌajpʲɛŋkɲʲˈɛjʃɔ̃ kɔbjˈɛtɔ̃ na ɕfʲˈɛtɕɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_34.wav|pɔlˈɛtɕiw tˈɔm tsˌamɛrɔnˈɔvi, ktˌurɨ vrˈutɕiw na sfˈɔjɛ kʃˈɛswɔː i kɔwˈɨsaw ɕɛ z ˌɔbɔjɛntnˈɔɕtɕɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_66.wav|ˌalɛ tɔ f sˈumjɛ ɲʲˌɛspɔdʑˈaŋka. vzruʃˈɨwa rˌamjɔnˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_153.wav|bʲˈillɨ mˈɔʒɛ sˈɔbjɛ vmˈuvitɕ, ʒˈɛ mˈɔɡwɔ bˈɨdʑ znˈatʃɲʲɛ ɡˈɔʒɛj i tˈak rˈɔbʲi.|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_94.wav|a tsˈɔ rˈɔbʲi lˈɔrt çiktˈɔvɛr?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_53.wav|pˈatʃɛ ɲʲˌɛvidʑˈɔntsɨm vzrˈɔkʲɛm na tɕˈɛmnɨ ˈɔɡrut.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_155.wav|dʑˈivnɛ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_168.wav|drvˈili z ɲʲˈɛj i prˌubɔvˈali jɛj dˈɔtknɔɲtɕ.|1
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_71.wav|zaʒˈɔnttsuf, kuxˈaʒɨ, kumˈɔʃɛk ˌɔras mˌarɨnˈaʒɨ z ɡˈalɛr.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_227.wav|bɔɡˈɔvʲɛ jˈaɡ zvˈɨklɛ ˌɔkazˈali ɕɛ ɡwˈuɕi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_22.wav|ˌalɛ w jˈakim tsˈɛlu mʲˈawabˌɨ zabʲˈijadʑ ɡˌɛnɛvʲˈɛvɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_210.wav|klˈuɛ dˈɔstaw f pʲˈɛrɕ i zatˈɔtʃɨw ɕɛ dɔ tˈɨwu, ɲʲɛ vˌɨpuʃtʃˈajɔnts ˌɛrkˌaˈɛmˈu z rˈɛŋki.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_22.wav|ɡwˈɔs tsˈurki pʃɛrˈɨva mˈɔjɛ pʃˌɛmɨɕlˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_314.wav|— ɲʲˈɛx nˈas ɕˈɛdmju mˈa f sfˈɔjɛj ɔpʲˈɛtsɛ. mɨɕlˈawam, ʒˈɛ ˈumar jˈuʃ pʃɛd vʲˈɛlu lˈatɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_154.wav|pɔ nastˈɛmpnɨɣ dvudʑˈɛstu minˈutaɣ zjˈavja ɕɛ mɛ̃ʃtʃˈɨzna, ˌalɛ ɲʲɛ tˈɛn, kturˌɛɡɔ ʃˈuka. tɔ jˈakiɕ fˈatsɛt pɔ pʲˌɛɲdʑɛɕˈɔnttsɛ.|2
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_42.wav|ɔdˈɛzvaw ɕɛ vɨrˈaʑɲʲɛ zˌaɲʲɛpˌɔkɔjˈɔnɨ pˈɛtsk. ɲˈits mi ɲʲɛ zrˈɔbjɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_67.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_203.wav|a ftˈɛdɨ ɕˈiwɔ̃ ʒˈɛtʃɨ lˈudʑɛ dʑˈɛlɔ̃ ɕɛ na mɲʲˈɛjʃɛ spˌɔwɛtʃnˈɔɕtɕi i tsˈɨkl zatʃˈɨna ɕɛ ɔt nˈɔva.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_91.wav|zapˈɛvɲʲam, ʒˈɛ sˈɛr ˈɔsnɛj bˌɛɲdʑɛ dˈɔbʒɛ stʃɛʒˈɔnɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_389.wav|tˈaɡ bˌɛɲdʑɛ lˈɛpʲɛj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_21.wav|xtsˈɔ̃ ˈɔdɛ mɲʲɛ dɔvˈɔduf na lɛɡˈalnɔɕtɕ adˈɔptsji, ʒˈɛbɨm mˈɔɡwa ˌudɔvˈɔdɲitɕ, ʒˈɛ ɲʲɛ spʃɛdˈaliɕmˌɨ vwasnˈɛɡɔ dʑˈɛtska.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_159.wav|mˈɔʒɛ pʃɨxˈɔdʑitɕ pˈuʑnɔː i vɨxˈɔdʑitɕ ftʃˈɛɕɲʲɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_35.wav|ɲʲɛ zɔstˈavjɛ ɡˈɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_133.wav|i frˈaɡmɛnt jakʲˈɛɡɔʑ bɔˈiska ʃkɔlnˈɛɡɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_236.wav|rˈɨan pˈɔʃɛt pʃˈɔdɛm dɔ stˌɔjɔntsˈɛɡɔ f tɕˈɛɲʲu sˌamɔxˈɔdu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_431.wav|bˈɔ jˌɛstɛm jˈuʃ w lˈatax, ˌalɛ tˈak ɕɛ zdaʒˈɨwɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_112.wav|pʲˈɛrʃa sprˈava.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_227.wav|bˈutskɨ krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_291.wav|zˌabwɔŋkˈawa ɕɛ dɔ tɛj ɡalˈaktɨkˌi i ɲʲɛ mˈɔʒɛ ɕɛ z ɲʲˈɛj vˈɨrvatɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_239.wav|tˈaɡ bˈardʑɔː ɔdlˈɛɡwa.|3
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_48.wav|spɛtsjˈalnɛ pˌɔdʑɛŋkɔvˈaɲʲa nalˈɛʒɔ̃ ɕɛ mˈɔjɛj ʒɛtʃɲˈitʃtsɛ, sˈaʒɛ brɛjvˈɔɡɛl.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_46.wav|zˌajmɔvˈawa ɕɛ ɲˈim tˌɨlkɔ f trˈaktɕɛ ʃkˈɔlnɨɣ vakˈatsji.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_52.wav|spɔjʒˈawa na ɲʲˈɛɡɔː i ɕɛ ˌuɕmʲɛxnˈɛwa.|4
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_46.wav|pʃˌɛtɕɛʃ jˌɛstɛɕ xɛmˈikʲɛm!|4
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_10.wav|f pˌɔmjɛʃtʃˈɛɲʲu bˌɨwɔ lˌɔdɔvˈatɔ, ˌalɛ dlatʃˈɛɡɔ ɲʲɛ bˌɨwɔ tˈam ɲikˈɔɡɔː innˈɛɡɔ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_28.wav|ˌalɛ mˈukw ɕɛ mˈɛlitɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_41.wav|w rˈamax tɛj vɨtɕˈɛtʃki ˌɔdvʲɛdʑˈili ɡʲˈɛwdɛ papʲˈɛruv vˌartɔɕtɕˈɔvɨx.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_55.wav|jˌɛstɛm jasmˈinɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_80.wav|ˈɔbaj zɡʲinˈɛli.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_198.wav|mʲˈaw trˈɔjɛ dʑˈɛtɕi, dvˈux sˈɨnuf i tsˈurkɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_41.wav|z drˈuɡʲɛj strˈɔnɨ rˈixtɛr mˈɔʒɛ pʃˈɨjɕtɕ tˈutaj, a bʲˈillɨ ɲʲˈɛma na sˈɔbjɛ nˈavɛt pɛrˈuki, a tɨm bˈardʑɛj ʃtutʃnˈɛɡɔ bʒˈuxa. jɛst f tˈɛʃˈɛrtɕɛ i spɔdˈɛŋkaɣ ɡʲˌimnastˈɨtʃnɨx.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_10.wav|pˈɔtɛm krˈɛf pʃɛlˈawa mu ɕɛ pʃˈɛs pˈaltsɛ i zˈatʃɔw rˌɔspatʃlˈivʲɛ wˈapatɕ pɔvʲˈɛtʃɛ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_263.wav|ɔdˈɛzvaw ɕɛ jˈɛdɛn z rˈannɨx. ɕfʲˈɛʒɨx kˈɔɲi i tʃˈɛɡɔʑ dɔ ʒarsˈija.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_44.wav|f pˈɛwɲi rɔzˈumjɛm. pʃˌɛprɔvˈatska tɔː ˈɔbwɛnt, prˈavda? ɔ tˈak. plˈus jɛst tˈaki, ʒˈɛ dˈuʒɔ pˌɔdruʒˈujɛ, vʲˈɛnts ɲʲˈɛmam vʲˈɛlu ɡrˈatuf.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_42.wav|ɔt kʲˈɛdɨ stratɕˈiwam ljjˈɛ, zatʃˈɛwam stɔsˈɔvatɕ ɕɛ dɔ jˈɛdnɛj z zˈasad vbɔjˈɔnɨx mi pʃˈɛs arˈama.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_180.wav|tˈu tˈɛras s tˈɔbɔ̃, malˈɛɲka. tʃɨ ɲʲɛ tʃˈujɛʃ jɛj ɔddˈɛxu? jɛzd bˈardʑɔ blˈiskɔ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_158.wav|a ɡdʑˈɛ jɛst rˈɛʃta?|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_186.wav|dˈalɛj znajdˈɔvaw ɕɛ ˈɔɡrud vaʒˈɨvnɨ, ktˌurɨ vwˈaɕɲʲɛ pilˈiwɔ kˈilku vʲɛkˈɔvɨɣ brˈatɕi.|1
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_67.wav|mˈuviw, tɔ mʲˈawɔ bˈɨtɕ kɕˈɔ̃ʒɛ, kturˌɛɡɔː ˌɔbjɛtsˈanɔ ɲʲɛ kɕɛ̃ʒɲˈitʃka. mɨɕlˈawɛm, ʒˈɛ tɔ rˈɛɡar.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_48.wav|a kʲˈɛdɨ mˈuviw w jˈɛɡɔ jˈamjɛ ˈustnɛj, ktˌura pʃˌɨpɔminˈawa dʑˈivɲʲɛ klɔˈakɛ dvɔrtsˈɔvɔ̃,|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_272.wav|lˈɛtʃ jˈaɡbɨ vˈaʒɨw ɔ stˈɔ fˈuntuv vʲˈɛntsɛj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_33.wav|zˈafʃɛ mɨɕlˈawam, ʒˈɛ tɔ bˌɛɲdʑɛ fspaɲʲˈawɨ dʑˈɛɲ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_164.wav|ɔbˈɛjʒaw ɡˈɔ na zˈilu, ˌalɛ tɔ ɲʲɛ vɨstˈartʃɨ. mˈuɕi zɔbˈatʃɨdʑ ɡˈɔ na vwˈasnɛ ˈɔtʃɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_134.wav|ˌalɛ ɲʲɛ pɔkˈɛra. mˈa dˈɔbrɛ kˈartɨ, ˌalɛ ftɕˈɔ̃ʃ ɕɛ zˌastanˈavja, tʃɨ vˌɨstartʃajˈɔntsɔ dˈɔbrɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_118.wav|ɲʲˈɛma w mˈɔim ʒˈɨtɕu mʲˈɛjstsa dla tɕˈɛbjɛ.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_421.wav|ɲʲɛ jɛst tˌaki ɕˈilnɨ jˈak ja tʃɨ ˈɔsfrɨt, ˌalɛ pɔtrˈafi ʃˈɨpkɔ vˌɨprɔvˈadʑitɕ ɕmʲɛrtˈɛlnɨ tɕˈɔs.|1
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_14.wav|tsˈawɛ mnˈustfɔ strˈɔn.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(28) R.Abbott_Zamknij Drzwi_segment_19.wav|zˌastanˈavʲaw ɕɛ pʃˈɛs krˈutkɔ̃ xfˈilɛ, tʃɨ nˈatɔ ɲʲɛ zaswˈuʒɨw.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_49.wav|kˈɔxam tˌɛɡɔ mɛ̃ʃtʃˈɨznɛ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_217.wav|vˈɨbatʃ, vˈaʃa mˈiwɔɕtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_40.wav|tɔ bˈɨw ɡwˈɔz dˈɔktɔr rɔˈussɛl.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_108.wav|ɲˈilɛ ɔtfˈɔʒɨw ʃˈɛʒɛj ˈɔtʃɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_47.wav|ˈalja ɕɛ ɲʲɛ pˌɔruʃˈawa.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_54.wav|tsˈɔ jˈɛʃtʃɛ ˈɔɲim vʲˈɛmɨ? zapˈɨtaw tˈɔm.|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_61.wav|tˈak sˈamɔ jˈak ftˈɛdɨ, ɡdˈɨ ftɕɛlˈiwam ɕɛ w nˌuxɛnˈɛjɛm, dɔstˈawam xˌɔtɛlˈɔvɛ ɡʲˈizmɔ zˌarɛjˌɛstrɔvˈanɛ na xarprˈɛɛt sˈiŋɡ. dla ɲʲˌɛzɔrjˌɛntɔvanˈɛɡɔ rˌɛtsɛptsjɔɲˈistɨ...|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_195.wav|ɡlˈɛnn pˈarɛ rˈazɨ pʃˈɨɲʲus pˈivɔː i pˈiliɕmˌɨ na spˈuwkɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_60.wav|xrˈɨstɛ, i tˈaɡ za dˈuʒɔ jˈuʃ pˌɔvʲɛdʑˈawam. bˌɛɲdʑɛ pˈɔmɲʲɛ...|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_107.wav|pɔrˈadʑɛ sˈɔbjɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_43.wav|jˈuʃ xtsˈɛ ɡˈɔ pʃɨtˈulitɕ. bˈɨw tˌaki malˈɛɲki, kʲˈɛdɨ vˌɨjɛxˈawam, a luˈisa mˈuvi, ʒˈɛ ftɕˈɔ̃ʃ ɕɛ ɕmʲˈɛjɛ i jɛst tˌaki zabˈavnɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_88.wav|ɕmʲˈɛjɛ ɕɛ w rɛˈaktsji na vwˈasnɛ swˈɔva, ˌalɛ ʃˈɔna mˈarʃtʃɨ lˈɛkkɔ brvˈi.|4
+Dataset/wavs/urwisko_ferenc/60_segment_6.wav|najblˈiʃʃɛ ɡɔdʑˈinɨ bˌɛndɔ̃ dˌɛtsɨdujˈɔntsɛ.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_308.wav|vˈarknɔw sˈɛr mˈɛrɨn i vɨʃˈarpnɔw rˈɛŋkɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_165.wav|s trˈasɨ spˌatsɛrˈɔvɛj zɔstˈawɨ ˌusuɲʲˈɛntɛ fʃˈɨstkʲɛ ˈɔstrɛ skˈawɨ, ktˌurɛ mˈɔɡwɨbˌɨ pʃˈɛbʲidʑ vˈaʃɛ kˈulɛ. ˌalɛ ɡdɨbˈɨɕtɕɛ zˌauvaʒˈɨli tsˈɔɕ takʲˈɛɡɔ, ɲʲɛ prubˈujtɕɛ ɲˈits kˌɔmbʲinˈɔvatɕ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_279.wav|kˌɔmɛdjˈaɲtɕi na stˈatku vˌɨstavʲˈajɔ̃ ɕˈɛdmju pijˈanɨɣ vʲɔɕlˈaʒɨ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_102.wav|pˌɔlivˈɛra|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_128.wav|ɲʲɛ pamjˈɛntam, ʒˈɛbɨm kʲˌɛdɨkˈɔlvʲɛɡ vˈidʑaw jˈɔ̃ kˌɔʒɨstajˈɔntsɔ̃ s kˌɔmputˈɛra.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_82.wav|pʃˈɛstaw mˈuvitɕ, ˌalɛ ɕɛ ɲʲɛ ɔtsˈunɔw.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_278.wav|a pˈɔtɛm ˌɔɲi pʃˌɨstanˈɛli na sɛkˈundɛ, ˌuʒɛtʃˈɛɲi ɲʲˌɛruxɔmˈɔɕtɕɔ̃ tɨɣ dvˈɔjɡa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_106.wav|a ja swˈabɨ jˈɛstɛm, jˈɛntʃaw prɛzˈɨdɛnt.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_113.wav|ɲʲˈɛx pˈaɲi mi pˈɔvʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_68.wav|dwˈɔɲʲɛ bʲˈili jˈɛɡɔ sɔ̃ ɡɔrˈɔntsɛ, jˈɛɡɔ tfˈaʃ pwˈɔɲʲɛ, vˈarɡʲi mˈa ˌɔpsɨpˈanɛ ɔprˈɨʃkɔ̃.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_584.wav|tsˈɔɕ mi ɕɛ pʃˌɨpɔmɲʲˈawɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_51.wav|tʃɨ klˈɛrki bˌɛɲdʑɛ xtɕˈaw, ʒˈɛbɨ zɔstˈawa na nˈɔts?|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_205.wav|vʲˈɛntsɛj ɲʲɛ mˈɔɡɛ ɔɡlˈɔndatɕ, bˈɔ ɡwˈɔva mɲʲɛ rɔzbˈɔli, mˈuvi. mˈɔʒɛʒ zˈɔstatɕ, jˈɛɕli xtsˈɛʃ, ja vrˈutsɛ na dˈuw.|2
+Dataset/wavs/urwisko_ferenc/06_segment_11.wav|bɔrˈɛvitʃ ɔtʃˈukaw prˈɔfil lˌɛvandˈɔfskʲɛj na fˌatsɛbɔˈɔku.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_43.wav|pʃˌɛtɕɛʃ ɲʲɛ pʃˌɛvʲɛtʃˈɨli pʃɛtɕˈɔŋka.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_299.wav|ɕɛŋɡnˈɛwam dɔ tˈɔrbɨ i vɨjˈɛwam mˈaskɛ.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_60.wav|dʒˈɛjn fˈarman ʃwˈa ɔstˈatɲʲa, jˈaɡ zvˈɨklɛ prubˈujɔnts ɕɛ sxˈɔvadʑ za kˌɔlɛʒaŋkˈami.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_32.wav|vɛ ɕɲʲˈɛ bˌɨwɔː ix tʃˈɨ, tˈak jˈaɡ w ʒˌɛtʃɨvistˈɔɕtɕi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_337.wav|ɡˈɔwɛ dʒˈɛva zɲʲˌɛruxɔmjˈawɨ w ˌɔtʃɛkivˈaɲʲu nˈɔtsɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_23.wav|bjˈɔrɛ kˈilka ɡwˈɛmpʃɨɣ vdˈɛxuf i tʃˈɛkam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_14.wav|pɔɲʲˈɛvaʃ mʲˈawa ˈɔbjɛ rˈɛntsɛ zajˈɛntɛ, ˌuɕiwɔvˈawa prˈavɨm wˈɔktɕɛm pʃɨtɕˈɔŋɡnɔɲtɕ klˈamkɛ rˌɔsxuɕtˈanɨɣ dʒvˈi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_38.wav|bʲˈillɨ ɲʲɛ vɨtʃˈuva mʲˌɛndʑɨ ɲˈimi ɕlˈadu napʲˈɛɲtɕa sˌɛksualnˈɛɡɔː i ftsˈalɛ ɡˈɔ tɔ ɲʲɛ zˌaskakˈujɛ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_294.wav|zdɔwˈawa jˈakɔɕ ɔdʑˈɨskatɕ rˌuvnɔvˈaɡɛ, xˈɔtɕ tˈɔpur ˈɔtar ɕɛ ɔ jɛj lˈɛvɛ rˈamjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_30.wav|pˈatʃɨw na sfˈɔjɔ̃ ʒˈɔnɛ xwɔdnˈɨmi, tʃarnˈɨmi ɔtʃˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_257.wav|mˈɔɡlibˌɨɕmɨ znˈuf ɕɛ zˌapʃɨjˈaʑɲitɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_42.wav|nˈudnɨ vˈidɔk, ˌalɛ ɲʲɛ ˌɔdvrutɕˈiwam vzrˈɔku ˌaɲi na xfˈilɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_25.wav|f smˈɛntnɨm mˈawɨm pasˈaʒu xandlˈɔvɨm fʃˈɨstkɔː ˈɔprudʒ zˈɔɲis jɛst pˌɔzamɨkˈanɛ. sˈalɔn xˈɔt nˈails na stˈawɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_6.wav|pˈɔpat f tɛn sˈam fatˈalizm, jˈaki tʃˈuw pˈɔttʃas ˌɔpɛrˈatsji upʲˈɔrna fˈurja, kʲˈɛdɨ ulˈitsa pɔː ulˈitsɨ i pʃɛtʃɲˈitsa pɔ pʃɛtʃɲˈitsɨ ˌɔtʃɨʃtʃˈali mʲˈastɔ z bˌɔjɔvɲˈikuf.|2
+Dataset/wavs/urwisko_ferenc/59_segment_124.wav|xˈɛrman ɕɛŋɡnˈɛwa pɔ lˈupɛ i ˌɔɡlɔndˈawa jˈɛʃtʃɛ pʃˈɛs xfˈilɛ zwamˈanɛ skʃˈɨdwɔ jˈɛntki.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_7.wav|ɲʲɛ zˈiɕtɕiw ɕɛ ʒˈadɛn s plˈanuv dˌɔtɨtʃˈɔntsɨx pɔmjˈɛʃtʃɛɲ na partˈɛʒɛ, ɔ ktˌurɨx mˈuviw tˈata.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_289.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_12.wav|zˈafʃɛ ˌuvaʒˈawɛm tɔ za swˈabɨ mˈɔtɨf, ˌalɛ ɲʲɛ ɲʲˌɛrɛˈalnɨ.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_57.wav|ɡdˈɨbɨ mˈusnɔw rɛŋkˈɔjɛɕtɕ xˈɔtɕ jˈɛdnɨm pˈaltsɛm, ktˈurɨʑ zˈɛ zbʲˈiruf mˈuɡwbɨ tɔː ˈuznadʑ za vɨzvˈaɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_93.wav|zˌapɔvʲˈada ɕɛ ɲʲˈɛzwa zabˈava.|3
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_23.wav|dʑˈɛtɕi pˌɔpijˈajɔ̃ jˈɔ̃ mlˈɛkʲɛm, tˈɔbjɛ tˈɛʃ nˈalatɕ? xˈɨba, ʒˈɛ vˈɔliʃ kˈavɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_25.wav|znˈɔvu ʃlˈiɕmɨ tɨm kˌɔrɨtˈaʒɛm pˈɛwnɨm drˈabʲin i kˈubwuv z vˈapnɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_101.wav|ˌɔznajmˈiwam ɲˈiskim i dˌɛlikˈatnɨm ɡwˈɔsɛm.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_93.wav|stˈarʃɨ brˈat nˈazvaw jˈɛ skrɔmnˈɨmi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_19.wav|zˈatʃɲʲɛ ɔd zdjˈɛɲtɕ, tˈɨx, ktˌurɛ zrˈɔbʲiw mi pʃɛt lˈatɨ, a pˈɔtɛm pɔlˈɛtɕi jˌaɡɡɛrˈɔvi, ʒˈɛbɨ zwˈɔʒɨw mˈɔjɛj mˈamjɛ vizˈɨtɛ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_235.wav|ˌɔbɛrvˈawɛm stʃˈawɔ̃ w ˈudɔː i drˈuɡɔ̃ f stˈɔpɛ. pˈɔtɛm zabʲˈitɔ pɔdˈɛmnɔ̃ kˈɔɲʲa, ˌalɛ ɲʲɛ dˈawɛm za vɨɡrˈanɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_17.wav|jˈɛɕli tɔ ɲʲɛ stsˈɔtt.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_364.wav|ʒˈɛbɨ sˈɛr ˈilɨn mˈuɡw mu ɕtɕˈɔɲdʑ ɡwˈɔvɛ na ˈɔtʃax pɔwˈɔvɨ krulˈɛstfa.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_197.wav|tˈɛʒ bˈɨm xtɕˈawa tɔ vʲˈɛdʑɛtɕ, ftrɔɲtɕˈiwa brˌazɨlˈijka.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_73.wav|ja skˈɔndʑ znˈam tɔ nazvˈiskɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_9.wav|ˈɔdbjɛʃ, bɛɲdʑˌɛmɨ swˈuxatɕ. drʒˈɔntsɨm pˈaltsɛm dɔtˈɨkam ɛkrˈanu.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_111.wav|ʃtʃˈɛʒɛ mˈuvʲɔnts, ɲʲˈɛvʲɛm, pɔ jˈakɔ̃ xɔlˈɛrɛ jˈɔ̃ tʃˈɨmaw.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_41.wav|ɲʲɛ mʲˈawabˌɨm innˈɛɡɔ vɨbˈɔru ɲˈiʃ ˈɔddatɕ tɕˈɛ lɔrdˈɔvi ɡbɛrnˈɔvi, ˌalɛ vʲˈɛm, ʒˈɛ pwakˈawabˌɨm s tˌɛɡɔ pɔvˈɔdu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_3.wav|mʲˈawam ɔxˈɔtɛ sxˈɔvatɕ tfˈaʃ f splɛtɕˈɔnɨx ramjˈɔnax i rɔspwˈakatɕ ɕɛ, ˌalɛ ɲʲɛ mˈɔ��ɛ pɔkˈazatɕ jˈɛnnɨ, ʒˈɛ iɣ vizˈɨta...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_85.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_143.wav|tɔ jɛst mˈuj karˈabʲin, jɛst tˈakiɣ vʲˈɛlɛ, ˌalɛ tɛn jɛst mˈuj. mˈuj karˈabʲin jɛst mˈɔim najlˈɛpʃɨm pʃˌɨjatɕˈɛlɛm, jɛst tsˈawɨm mˈɔim ʒˈɨtɕɛm. i tˈaɡ dˈalɛj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_29.wav|kˈit ɕtɕˈɔŋɡnɔw kavˈawɛk papʲˈɛru spˈɔt nazvˈiska jaɡˈɛra na tablˈitsɨ i pʃɛtʃˈɨtaw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_339.wav|vɨjˈɔwɛm s kʲɛʃˈɛɲi tɛn vɨtˈartɨ i rɔsprˈutɨ pɔrtfˈɛlik.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_84.wav|jˈɛdɛn z mˈɛ̃ʃtʃɨzn xfˈɨtɕiw ɡˈɔ za nˈɔɡʲi i pɔtɕˈɔŋɡnɔw dɔ tˈɨwu, ˌɔtswaɲʲˈajɔnts mu klˈatkɛ pʲɛrɕˈɔvɔ̃ i bʒˈux. ftˈɛdɨ zatʃˈɛli ɡˈɔ kˈɔpatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_245.wav|a mʲˌawaɕ tˌaki pɔtˈɛntsjaw.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_77.wav|kˈat pɔvˈinna bˌɨwa zrɔzˈumjɛtɕ, ʒˈɛ ɲʲɛ vˈɔlnɔː ˈufatɕ kˈɔmuɕ takʲˈɛmu jˈak tˈɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_327.wav|i tˈak usnˈɛliɕmˌɨ ɲˈitʃɨm ɲʲˌɛpʃɨkrˈɨtɕi, pʃˌɨtulˈɛɲi dɔ ɕˈɛbjɛ jˈak mˈɔ̃ʃ i ʒˈɔna.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_140.wav|tɔtʃˈɨliɕmˌɨ ɕɛ lɛɲˈivʲɛ pʃˈɛs ʃˈarɛ pustkˈɔvʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_261.wav|ɡdˈɨbɨʑ bˌɨwa naprˈavdɛ mˈɔndra, pˌɔvʲɛdʑˈawabˌɨɕ pɔ prˈɔstu...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_48.wav|s tˌɛɡɔ tsˈɔ vidʑˈimɨ, jˈɛɡɔ vʲˌadɔmˈɔɕtɕi i pˌɔwɔntʃˈɛɲʲa sɔ̃ pˌɔvʲɔ̃zˈanɛ s prˈatsɔ̃ lˈup rɔdʑˈinɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_73.wav|ɡdʑˈɛʑ dalˈɛkɔː ɔdˈɛzvaw ɕɛ ɡʒmˈɔt ˈalbɔ zˌavalˈiwa ɕɛ stˈara kˌamjɛɲˈitsa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_85.wav|skˈutɨ tˈɔm. dˌɔmiɲˈiku frˈaŋklin, ˌarɛʃtˈujɛ tɕˈɛ. ˌalɛ tˈɔm ɔdvrˈutɕiw ɕɛ, ɲʲɛ pˌɔɕfʲɛntsˈajɔnts jˈuʒ bˈɛki uvˈaɡʲi. stˈanɔw pʃɛt innˈɨmi dʒvʲˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_11.wav|ɲʲɛ mˌamɨ vɨbˈɔru. bˌɛɲdʑɛʃ mˈuɕaw z ɲˈim pˌɔrɔzmˈavʲatɕ, ˌalɛ sprˈubuj zrˈɔbʲitɕ tɔ dɨskrˈɛtɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/52_segment_76.wav|xudʑˈiɲski ˈuɲʲuz brˈɨvi tˈak tsˌawkɔvˈitɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_224.wav|ˌɔnɔ pɔmˈɔʒɛ tɕi zˈasnɔɲtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_159.wav|trˈib zˌaprɔpɔnˈɔvaw jɛj pˈivɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_63.wav|pʃɛsˈuvam kˈilka kˈartɛk pɔ blˈatɕɛ i dɔtˈɨkam mˈɨʃɨ, ʒˈɛbɨ ɔbˈudʑitɕ kɔmpˈutɛr.|3
+Dataset/wavs/urwisko_ferenc/11_segment_72.wav|mɛ̃ʃtʃˈɨznɛ, ktˌurɨ jˈɔ̃ ɔtfʲˈɛraw.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_204.wav|bˈɨw ʃˈarɨ, jˈak pɔpʲˈɔwɨ mʲastˈɛtʃka i skwˈadaw ɕɛ s kfˌadratɔvˈɛɡɔ dɔ̃ʒˈɔnu ˌɔtɔtʃɔnˈɛɡɔ mˈurɛm kˌurtɨnˈɔvɨm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_114.wav|ˈɔx, tˈaɡ dwˈuɡɔ?|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_342.wav|tˌɨlkɔ dʑɛvˈitsɛ mˈɔɡwɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_122.wav|ɔtˈarwam tfˈaʃ i ɕɛŋɡnˈɛwam pɔ sfˈɔjɛ ɡʲˈizmɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_250.wav|pʃˈɛs rˈɛʃtɛ vɨtɕˈɛtʃki ˌɔɡlɔndˈawam lɔndˈɔvɲik ˈɔrwa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_145.wav|tfˈuj spˈɛk jɛst w ɔbrˈɛmbjɛ tɛj strˈɛfɨ i pʃˈɛstɔ mˈuɕaw ɔɡrˈɔdʑidʑ dˈɔm ɕˈatkɔ̃ z bˈɔku i s tˈɨwu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_24.wav|pɔvʲˈɛdʑaw, ʒˈɛ mwˈɔdʑi mɛ̃ʃtʃˈɨʑɲi tʃˈasɛm mˈuʃɔ̃ tʃˈɛkatɕ mʲˌɛɕɔntsˈami na rˌɔspatʃˈɛɲʲɛ vɲʲˈɔsku, ˌalɛ ja pʃɨʃˈɛdwɛm w dˈɔbrɨm mɔmˈɛɲtɕɛ.|2
+Dataset/wavs/urwisko_ferenc/19_segment_25.wav|xˈɛrman ɕɛŋɡnˈɛwa pɔ nˈɔtɛs.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_170.wav|ʒˈɛ ˌuratˈɔvaw mi ʒˈɨtɕɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_124.wav|xˈɔdʑ bˌɨwam fɕtɕˈɛkwa, ʒˈɛ pɔstˈaviw mɲʲɛ f tˈakʲɛj sˌɨtuˈatsji, ɡɲʲˈɛf ɲʲˈɛmukw tˈutaj pˈɔmuts. muɕˈɛliɕmˌɨ zˈɛ sˈɔbɔ̃ fspˌuwpratsˈɔvatɕ, ʒˈɛbɨ tɔ fʃˈɨstkɔ naprˈavitɕ.|3
+Dataset/wavs/urwisko_ferenc/18_segment_56.wav|pɔ tʃɨm rɔspˈɔznaw? pɔ xˈɔdʑɛ. tˈamta bˈapka stavʲˈawa stˈɔpɨ na zˈɛvnɔntʃ, jˈak kˈatʃka.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_187.wav|dʑɛdʑˈiɲʲɛts pˌɔzɔstavʲˈɔnɔː ɔtfˈartɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_109.wav|pˈɔtɛm pɔtxˈɔdʑi dɔː ˈɔkna i pˈatʃɨ na ɡmˈax sˈɔndu, pʃɛt ktˌurɨ vwˈaɕɲʲɛ zajˈɛxaw radjˈɔvus ʃɛrˈɨfa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_79.wav|prɛzˈɛntɛr f stˈudju pˈɨta rˌɛpɔrtˈɛra.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_51.wav|xˈɨba, ʒˈɛ pʃɛstʃˈɛlɔ̃ tɕi ɡˈardwɔ.|2
+Dataset/wavs/urwisko_ferenc/49_segment_36.wav|— jˈaka tɛˈɔrja? — ɔ pˌɔdʒutsˈɛɲʲu dʑˈɛtska dɔ sˌamɔxˈɔdu xudʑˈiɲskʲɛj.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_65.wav|prɔɕˈiwa kʃˈɨkʲɛm ɔ mˌaɛstˈɛra. ɲʲɛ mˌamɨ mˌaɛstˈɛra.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_186.wav|brvˈi rɔspʲˈɛntɛ ɲˈibɨ skʃˈɨdwa jaskˈuwki nat jɛj ɔtʃˈami.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_47.wav|pˌɔviɲʲˈɛnɛɕ spˈɔtkatɕ mɲʲɛ na sxˈɔdax, ɔdʑˈanɨ w najlˈɛpʃɛ ʃˈatɨ s krˌɨʃtawˈɔvɔ̃ kɔrˈɔnɔ̃ na ɡwˈɔvʲɛ|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_16.wav|na dɲˈi dˈɔbrɛ i zwˈɛ, lˈɛtʃ ktˌurɛ ˌɔkazˈawɨ ɕɛ tˌɨlkɔ zwˈɨmi.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_344.wav|xˈɔtɕ jˈaɡ dˈɔtɔnt pˌɔzvalˈajɔ̃ mi kˌɔntɨnuˈɔvatɕ prˈatsɛ s ʃˌɛptatʃˈami ɛwnˈuxa.|1
+Dataset/wavs/urwisko_ferenc/39_segment_6.wav|tsˈɛdʑak jɛst na suʃˈartsɛ dɔ nˈatʃɨɲ. pˈɔtɛm vˈɨwɔntʃ mʲˈɛ̃sɔː i nˈawuʃ sˈɔbjɛ tˈɨlɛ, ˈilɛ zjˈɛʃ.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_173.wav|ˌɔdɛpxnˈɛwa ɡˈɔ na bˈɔk, dɔbjˈɛɡwa dɔ dʒvˈi i zˌatʃasnˈɛwa jˈɛ za sˈɔbɔ̃ z ɡwˈɔɕnɨm bʒˈɛŋkʲɛm. kˌɛtɛlblɛkˈɔvʲɛ! pˌɔtʃɛbˈujɛ kˌɛtɛlblˈɛkuf!|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_129.wav|tɔ tfˈɔjɛ jɛdˈɨnɛ dʑˈɛtskɔ, prˈavda?|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_333.wav|tˈaka ɕmʲˈɛrtɕ, kʲˈɛdɨ... kʲˈɛdɨ...|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_2.wav|lˌakɛsˈidɛ|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_168.wav|zˌaprɔpɔnˈujɛ, ʒˈɛbɨ pˈɔʃli z nˈami na tɕˈixɔ̃ vˈɨspɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_75.wav|tɔ ɲʲɛ pɔlˈitsja najbˈardʑɛj mɲʲɛ ɲʲˌɛpɔkˈɔi.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_18.wav|z ɲʲˌɛxlujnˈɔɕtɕɔ̃ fpwˈɨvuf tˌɨbɛtˈaɲskix.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_344.wav|mˌɛrivˈɛtxɛr zwˈapaw ɡˈɔ za rˈamjɛ. mˈatkɔ, zmˈiwuj ɕɛ, ɲʲɛ!|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_51.wav|ɲˈilɛs trˈakan pʃɛbˈɨvaw ftˈɛdɨ xfˈilɛ zˈɛ sfˈɔjɔ̃ pravɲˈitʃkɔ̃, ˌalɛ kʲˈɛdɨ umˈɔvɨ bˌɨwɨ ɡɔtˈɔvɛ dɔː ˌɔstatɛtʃnˈɛɡɔ spravdʑˈɛɲʲa...|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_205.wav|ˈɛliz vˈaxa ɕɛ, ˌalɛ bʲˈillɨ fxˈɔdʑi pˈɛvnɨm krˈɔkʲɛm i fʃˈɨstkɔ dˈɔbʒɛ ɕɛ kˈɔɲtʃɨ. ɡlˈinɨ lˈɛdvʲɛ nˈaɲih zɛrkˈajɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_208.wav|kʲˈɛdɨ bˌɨwam w ˌubʲikˈatsji, zrɔbʲˈiwam rˌɛzɛrvˈatsjɛ w ramˈada ˈinn w vɛndˈɔvɛr, pˈɔnɔtɕ tsˈawkʲɛm pɔʒˈɔndnɨ xˈɔtɛl.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_23.wav|zˈafʃɛ zˌakwadˈawɛm, ʒˈɛ...|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_121.wav|tʃˈɛba pʃˈɨznatɕ, ʒˈɛ rˌɔbɔtɲˈitsɨ ʃˈɨpkɔː i sprˈavɲʲɛ ˌustavˈili ɕɛ f kɔlˈɛjtsɛ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_17.wav|pˌadlinɔʒˈɛrtsɨ ɕtɕɔŋɡnˈɛli jˈɛ na dˈuw i rˌɔzvwutʃˈɨli ʃtʃˈɔntki pɔ ʑˈɛmi pɔd zɛrvˈanɨm ʃnˈurɛm zvˌisajˈɔntsɨm z ɡawˈɛ̃ʑi vʲˈɔ̃zu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_36.wav|tˈɔm pɔjˈɛxaw ɔstrˈɔʒɲʲɛ dɔ dˈɔmu, ˌɔtfɔʒˈɨfʃɨ ˈɔknɔ, ʒˈɛbɨ zmˌaksɨmˌalizˈɔvatɕ pʃˈɛpwɨf pɔvʲˈɛtʃa.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_57.wav|ɡdˈɨ na xˌɔrɨzˈɔɲtɕɛ vɨrˈɔswɨ kɔpˈuwɨ artˈɛmis, zatʃˈɛwam bˈatʃɲʲɛ ɕɛ rɔzɡlˈɔndatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(41) R.Abbott_Zamknij Drzwi_segment_38.wav|ˌalɛ skˈɔnt? pɔlˈitsja ɡˈɔ zˌapɛvɲˈiwa, ʒˈɛ fʃˈɨstkɔː ˌutʃɨmˈujɔ̃ f tˌajɛmɲˈitsɨ.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_318.wav|ɲʲˈɛma ʒadnˈɛɡɔ ʃˈɛftsa na ɡˈuʒɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_111.wav|muɕˈɛlibˌɨɕmɨ ɔtfˈɔʒɨtɕ jˈɔ̃ rˈɛntʃɲʲɛ z zˈɛvnɔntʃ, ˌalɛ f tɨm tsˈɛlu muɕˈɛlibˌɨɕmɨ ɔpˈuɕtɕitɕ wˈazik, a tɔ bɨwˈɔbɨ zabˈujtʃɛ dla sˈanxɛs.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_26.wav|pʃɛt rɔzmˈɔvɔ̃ s sˈarɔ̃ tʃɨ pˈɔtɛm?|3
+Dataset/wavs/urwisko_ferenc/03_segment_64.wav|bwaɡˈawa mɲʲɛ, ʒˈɛbɨm zˈabraw jˈɔ̃ dɔ dˈɔmu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_318.wav|dˌɔbʲijˈaɲʲɛ ɕɛ pɔlˈitsji.|0
+Dataset/wavs/urwisko_ferenc/24_segment_86.wav|pˌɔtprɔvadʑˈiwa bˌɔrɛvˈitʃa dɔ dʒvˈi i pˌɔvʲɛdʑˈawa, ʒˈɛ bˌɛɲdʑɛ tʃɛkˈawa na vʲadˈɔmɔɕtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_243.wav|drˈuɡa prˌɛzɛntˈɛrka, kɔbjˈɛta ɔː urˈɔdʑɛ mɔdˈɛlki z ʒurnˈali, pˌɔdɛjmˈujɛ vˈɔntɛk.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_33.wav|ruʃˈɨwam zˈaɲʲɔ̃, rˈɔbjɔndʑ zwɔɕlˈivɛ mˈinɨ dɔ jɛj plˈɛtsuf, kʲˈɛdɨ prˌɔvadʑˈiwa mɲʲɛ pʃˈɛs xˈɔl.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_90.wav|ɲʲɛ, ˈɔtpar dˈalɛ. wˈazik mˈa bˈɨdʑ zˈafʃɛ pʃˌɨɡɔtɔvˈanɨ dɔ ʃɨpkʲˈɛɡɔ vˈɛjɕtɕa na pˈɔkwat. tˈakʲɛ mˌamɨ zasˈadɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_72.wav|sxɨlˈiwɛm ɕɛ, bˈɨ ɡˈɔ pˈɔdɲʲɛɕtɕ i ftˈɛdɨ zbwɔŋkˈanɨ pˈɔtɕisk udˈɛʒɨw f kˌulɔɔtpˈɔrnɔ̃ ʃˈɨbɛ sˌamɔxˈɔdu.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_247.wav|ɔstrˈɨɡʲi, sɛrtsˈufki, ɔmˈuwki.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_50.wav|vʲɛdʑˈawa jˈuʃ, ʒˈɛ vwˌaɕtɕitɕˈɛlka jɛst siŋɡʲˈɛlkɔ̃ i nazˈɨva ɕɛ tˈɛssa ɔxˈanlɔn.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_308.wav|dɔ tˌɛɡɔ lˈudʑɛ sˈɛr bˌɔɲifˈɛra ɕfʲˈɛtɲʲɛ ɕɛ prˌɛzɛntɔvˈali na sfˈɨɣ vʲˈɛlkix, ɕˈivɨɣ vawˈaxax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_146.wav|pʃɛsˈuva vzrˈɔkʲɛm pɔ lˈiɲʲi, ktˌurɔ̃ bʲˈiddɨ vʲˈɛlɛ rˈazɨ vɨkrˈɛɕliw f tɕˈɔŋɡu lˈata.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_176.wav|ˌɔstatˈɛtʃɲʲɛ fspˈulɲʲɛ vˌɨbjɛrˈajɔ̃ tʃˈɨ zdjˈɛɲtɕa.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_66.wav|tɔ tˈakʲɛ trˈudnɛ ɔdʑˈɨva ɕɛ ˈaʃ.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_108.wav|na drˈuɡʲim kˈɔɲtsu, z dˈala ɔt ˈinnɨɣ zvʲˈɛʒɔnt, stˈaw vʲˈɛlki kˈarɨ ˈɔɡʲɛr.|1
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_12.wav|ˌalɛ intˈɛrɛs na rˈaʑɛ stˈɔi w mʲˈɛjstsu.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_355.wav|rˈas jˈuʃ spravˈiwɛɕ ɕɛ dʑˈɛlɲʲɛ, vˌɨɕfʲattʃˈajɔnts mi fspaɲʲˈawɔ̃ pʃɨswˈuɡɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_386.wav|ɲʲˈɛmam pʲɛɲʲˈɛndʑɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_430.wav|ɲʲɛ mʲˌawɨ tɛn tʃˈuvɛk ɲi ʑrˈɛɲits.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_111.wav|za ɕˈudmɔ̃ ɡˈurɛ, za ɕˈudmɔ̃ ʒˈɛkɛ pʃˌɨtakˈujɛ bʲˈillɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_279.wav|zˌauvˈaʒa, bˈɛs najmɲʲˈɛjʃɛj nɔstˈalɡji, ʒˈɛ nadˈaftsɔ̃ jɛst jˈɛɡɔ bˌɨwɨ ˈaɡɛnt lˌitɛrˈatski.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_150.wav|ˌalɛ bˌɨwa jˈuʃ tɕˈɛmnɔɕtɕ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_224.wav|mˈɔjɛ vnˈuki ɲʲɛ bˌɛndɔ̃ bɛspʲˈɛtʃnɛ w rivˈɛrun, dɔpˈuki xˈɔtɕ jˈɛdɛn dʑˈɛdʑits tˈallix pˌɔzɔstˈaɲʲɛ pʃɨ ʒˈɨtɕu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_9.wav|ɲʲɛ bˌɛndɔ̃ z ɲʲˈɔ̃ pʃˌɛtɕɛʃ pˌaradˈɔvatɕ pɔ sklˈɛpax, prˈavda?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_35.wav|kʲˈɛdɨ pʃˌɨjɛxˈawa dɔ lˌakɛsˈidɛ, pɔmˈɔɡwa mi zɔbˈatʃɨtɕ ɕfʲˈat pˈɔza jˈɛɡɔ murˈami.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(36) R.Abbott_Zamknij Drzwi_segment_21.wav|ɲʲɛ mˈɔɡɛ pʃɛɡˈapitɕ ɲitʃˈɛɡɔ, tsˈɔ jɛzd zvʲɔ̃zˈanɛ s pɔvrˈɔtɛm mˈili.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_114.wav|swɨʃˈawɛm, ʒˈɛ artˈɛmis swˈɨɲʲɛ z rˌɔmantˈɨtʃnɨɣ vakˈatsji.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_111.wav|musˈimɨ zapˈɛvɲitɕ pˈanu bˌɛspʲɛtʃˈɛɲstfɔ, dɔpˈuki ɲʲɛ dɔvʲˈɛmɨ ɕɛ, ktˈɔ xtɕˈaw pˈana zˈabʲitɕ i ktˈɔ zˈabʲiw jaɡˈɛra.|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_48.wav|ˌɔtʃɨvˈiɕtɕɛ ɲikˈɔmu ɲʲɛ vˈɔlnɔ fxˈɔdʑitɕ na tˈɛrɛn bˈazɨ spɔkˈɔju, ˌaɲi zmʲˈɛɲʲatɕ jɛj vɨɡlˈɔndu, ʒˈɛbɨ tɔ sprˈavdʑitɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_16.wav|na lˈiɲʲi rˈɔzlɛkw ɕɛ tʃˈask ˌɔtkwadˈanɛj swuxˈafki.|3
+Dataset/wavs/urwisko_ferenc/63_segment_151.wav|jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ pˌɔjɛxˈawa na pustkˈɔvʲɛ, tˈam ɡdʑˈɛ jɛst stˈara ʒvirˈɔvɲʲa i urvˈiskɔ nad ʒˈɛkɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_54.wav|filˈipa zˌatɕisnˈɛwa ˈusta.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_35.wav|dɔstʃˈɛɡam ix w ɔddˈali, kʲˈɛdɨ mˈijam narˈɔʒɲiɡ dˈɔmu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_35.wav|a bˈarman ɔ tfˈaʒɨ ˌapɔstˈɔwa, rˌɔzumjˌɛjɔntsˈɛɡɔ swˈabɔɕtɕ lˈutskʲɛj natˈurɨ, stˈaw f puwtɕˈɛɲʲu, bʒˈɛntʃɔnts kɔstkˈami lˈɔdu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_148.wav|pˈɔʃɛd na ˈɔdvɨk ˌɔpwatsˈɔnɨ pʃˈɛs kuzˈɨna, pˈɔtɛm tʃˈɨ, tʃtˈɛrɨ rˈazɨ f tɨɡˈɔdɲʲu xˈɔdʑiw na spɔtkˈaɲʲa ˌanɔɲimˈɔvɨx nˌarkɔmˈanuf, ˈaʒ dɔ sfˈɔjɛj ɕmʲˈɛrtɕi kˈilka lˈat tˈɛmu.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_200.wav|pɔtʃˈuwam na rˈɛntsɛ ˌudɛʒˈɛɲʲɛ krˈɔpli.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_139.wav|f tɨx strˈɔnax ɲʲɛ pɔvˈinnɔ bˈɨtɕ s tɨm prɔblˈɛmu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_55.wav|ˈɔkɛj, pʲɛtnˈaɕtɕɛ dɔlˈaruf, pɔvʲˈɛdʑaw dʒˈɔnsɔn. vʑˈɔw kɕˈɔ̃ʃkɛ lˈɔtu i klˈutʃ maɡnˈɛtta.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_118.wav|pʃɛwˈɔntʃam ɕɛ na ɲʲˈɛɡɔ, ʒˈɛbɨ ɡˈɔː ˈɔtɔ zapˈɨtatɕ, kʲˈɛdɨ znˈuf swˈɨʃɛ sˈɨɡnaw vʲˌadɔmˈɔɕtɕi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_108.wav|pˌɔdɛkstsˌɨtɔvˈana vɨprˈavɔ̃ na zakˈupɨ, ˈɛliz zˌapɔmɲʲˈawa pɔ tsˈɔ tɛ zakˈupɨ rˈɔbjɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_62.wav|tɔ bˌɨwɔ rˈɔk tˈɛmu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_46.wav|zˈaɲim mɲʲɛ pɔznˈawaɕ, ɲˈiɡdɨ ɲʲɛ muɕˈawaɕ ɕɛ mˈartfitɕ, skˈɔnd bˌɛɲdʑɛ pɔxˈɔdʑiw nastˈɛmpnɨ pɔɕˈiwɛk.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_31.wav|jˈak na tʃwɔvʲˈɛka, ktˌurɨ mʲˈaw spˈɛɲdʑitɕ rˈɛʃtɛ ʒˈɨtɕa jˈakɔ vʲˈɛ̃ʑɛɲ, ɛdmˈurɛ bˈɨw stanˈɔftʃɔ zbˈɨd zˌadɔvɔlˈɔnɨ s ɕˈɛbjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_54.wav|tʃˈɛɕtɕ, mˈamɔ, tɔ jˈa.|3
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_81.wav|ɲˈiɡdɨ w ʒˈɨtɕu ɲʲɛ zwamˈawɛm prˈava.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_41.wav|pʃɨ skʃˌɨʒɔvˈaɲʲu drˈuk stˈawɨ dvˈa swˈupɨ ˌɛlɛktrˈɨtʃnɛ z duʒˈɨmi trˌansfɔrmˌatɔrˈami stˌɛrujɔntsˈɨmi dɔpwˈɨvɛm ɛnˈɛrɡji dɔ dʑˈɛlɲits mʲˌɛʃkaɲʲˈɔvɨx falˈudʒɨ i ˌɔkɔlˈitʃnɨx pʃˈɛdmʲɛɕtɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_220.wav|zapˈɨtaw dˈalɛ, vbʲijˈajɔndʑ vˈɛmɲʲɛ vzrˈɔk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_10.wav|stʃˈɛx sfɔjˈɛɡɔ davˈɛa i ɲʲˌɛzarˌɛjɛstrˌɔvanˈɛɡɔ vɨjmˈujɛ kˈartɨ ˌɛsˌiˈɛm i vʒˈutsa jˈɛ na dvʲˈɛ minˈutɨ dɔ mˌikrɔfalˈufki.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_36.wav|bˈɛtskɨ zaɡrˈɨzwa vˈarɡɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_228.wav|dˌɨspɔnˈujɛʃ ˌɔtpɔvʲˈɛdɲim kˌapitˈawɛm, ʒˈɛbɨ tɔ fʃˈɨstkɔ pʃˌɛprɔvˈadʑitɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_11.wav|jɛst pʲˈɔntɛk, sˈamɔ pɔwˈudɲʲɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_247.wav|tɛn miljˈɔnɛr.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_229.wav|ˈalin jɛst tˌɛɡɔ pˈɛvʲɛn.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_206.wav|ɕˌɛdmʲɔramjˈɛnna ɡvʲˈazda.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_208.wav|bˈɨw jˈuʒ dʑˈɛɲ i lɛʒˈawɛm sˈam. ɡdʑˈɛɕ f sɔ̃ɕˈɛdɲʲɛj kˌamjɛɲˈitsɨ kˈutɔ ɕtɕˈanɨ. pˌɔpatʃˈɨwɛm na ɲʲˈɛbɔ za ˈɔknɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_91.wav|ɲˈiɡdɨ ix ɲʲɛ mʲˈawɛɕ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_135.wav|ɡʲˈɔrɡjɔː ɔtxˈɨla ɕɛ na ɔpˈartɕɛ. fˈɔtɛl jɛst sɔlˈidnɨ, ˌalɛ i tˈak tɕˈixɔ pˌɔjɛŋkˈujɛ.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_290.wav|najɡˈɔrʃa bˌɨwa zvrˈɔn.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_252.wav|pɔddˈanɔ ɡˈɔ tɔrtˈurɔm i vˈɨdaw sfˈɛɡɔ dɔvˈuttsɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_62.wav|ɲˈits innˈɛɡɔ ɲʲɛ pʃˌɨxɔdʑˈiwɔ mi dɔ ɡwˈɔvɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_239.wav|kɔbjˈɛta miltʃˈawa pʃˈɛs xfˈilɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_56.wav|ɡwˈupʲɛ pɨtˈaɲʲɛ, ˌalɛ tsˈɔː innˈɛɡɔ mˈɔʒɛ pɔvʲˈɛdʑɛtɕ?|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_102.wav|ɲʲˈɛpatʃ tˈak nˈamɲʲɛ, bˈɔ tɔ mɲʲɛ zasmˈutsa pˌɔvʲɛdʑˈawa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_101.wav|bʲˈill, jˈɛzu xrˈɨstɛ, pˈɛvɲʲɛ ɲʲɛ uvʲˈɛʒɨʃ, ˌalɛ tɕˈɛʃɛ ɕɛ, ʒˈɛ ʒˈɨjɛʃ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_19.wav|mˈama miltʃˈawa pʃɛt xfˈilɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_136.wav|zvratsˈajɔ̃ uvˈaɡɛ na ɲʲˌɛdɔstˈatki sfˈɔjɛj urˈɔdɨ, za ʃɛrˈɔkʲɛ ˈusta, zbˈɨd blˈiskɔː ˌɔsadʑˈɔnɛ ˈɔtʃɨ, a ˌiɡnɔrˈujɔ̃ sfˈɔjɛ zalˈɛtɨ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_387.wav|pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_150.wav|a vˈɛmɲʲɛ zamˈarwɔ sˈɛrtsɛ i ˌɔna bˌɨwa pɔdˈɔbna dɔ kˈɔɡɔɕ, dɔ jˈakʲɛjʑ dʑɛftʃˈɨnɨ z mɔjˈɛɡɔ dʑɛtɕˈiɲstfa ˈalbɔ...|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_128.wav|ʑimˈɔvɨx rɔmˈansuf, tsˈɔ nˈaɡlɛ zɲiknˈɛwɨ, rˌɔstɔpˈiwɨ ɕɛ f pˌɔspɔlitˈɔɕtɕi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (2)_segment_42.wav|ɲʲˈɛvʲɛm, ɔ tsˈɔ mʲˈawabˌɨm zapˈɨtatɕ, tsˈɔ pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_101.wav|nɔʒˈɔvɲik prubˈɔvaw ɔtkrˈɛɲtɕitɕ kˈɔrbɛ ɔd zˈɛvnɔntʃ, ˌalɛ ɲʲɛ zdˈɔwaw pʃˌɛzvɨtɕˈɛ̃ʒɨtɕ ɔpˈɔru.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_94.wav|mrˈuɡam pˌɔvʲɛkˈami, mrˈuɡam i ɲʲɛ mˈɔɡɛ uvˈɔlɲitɕ ˈɔtʃu ɔt tɨx stʃˈɛmpkuf jˈakiɣʑ z vˈiduf.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_270.wav|skwˈadaw ɕɛ z dvˈuɣ zatɕˈiskuv zˌamɔtsɔvˈanɨx na kˈɔɲtsaɣ ɡrubˈɛɡɔ kˈabla, ktˌurɨ pʃɛxˈɔdʑiw pʃˈɛz vˌɨsɔkˌɔnapʲɛɲtɕˈɔvɨ mˈɔduw pʃˌɛkaʑɲikˈɔvɨ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_157.wav|z jˈɛɡɔ ʃˈɨi nˈadal zvˈisaw dwˈuɡʲi na stˈɔpɛ kavˈawɛk lˈinɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_24.wav|bˌɛspɔɕrˈɛdɲʲɔ za dʒvʲˈami jɛst sˈalɔn. bʲˈillɨ upˈuʃtʃa tˈɔrbɛ na vˌɨkwadʑˈinɛ i dˌɔkɔnˈujɛ ɔpxˈɔdu tʃtˈɛrɛx pɔmjˈɛʃtʃɛɲ. pʲˈɛɲtɕu, jˈɛɕli lˈitʃɨtɕ waʑˈɛŋkɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_239.wav|ˌalɛ ɡdˈɨbɨ ktˈɔɕ tˈu pʃˈɨʃɛd, ʒˈɛbɨ mɲʲɛ zˈabʲitɕ, bˌɛndɛ muɕˈawa vˈɨjɕtɕ ftʃˈɛɕɲʲɛj.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_22.wav|ɡdˈɨ sˈala ɕɛ ˌɔpruʒɲˈiwa, stˈarʃɨ brˈat pɔprˈɔɕiw narbˈɛrta, bˈɨ zˌaprɔvˈadʑiw pɔdrˈitska i sˈɛr xˈɨla dɔː ix ɕɛnɲˈikuv w budˈɨŋkax sɨpʲˈalnɨx.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_37.wav|tɔ jɛdˈɨnɛ, tsˈɔ mˈɔʒna z ɲˈim zrˈɔbʲitɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_165.wav|pʃɛprˈaʃam.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_27.wav|ˌalɛ jˈamɛ pˌɔstanˈɔviw tʃˈɨmatɕ nˈɛrvɨ na vˈɔdʑɨ.|1
+Dataset/wavs/urwisko_ferenc/37_segment_10.wav|pˈɔza tɨm tsˈawɨ tʃˈaz bɨwˌɨɕmɨ f tɕˈɛɲʲu blˈɔku. jˈasnɛ, pʃɛprˈaʃam. a klˈuska, tsˈɔ z ɲˈim?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_35.wav|ɲʲˈɛmam vʲˈɛntsɛj tʃˈasu na zˌastanɔvʲˈɛɲʲɛ, bˈɔː ˌɔtfʲɛrˈajɔ̃ ɕɛ dʒvˈi, a dɔ pɔkˈɔju vratsˈajɔ̃ ɕˈɛrʒant kˈamba i inspˈɛktɔr ɔldbˈɛrɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_72.wav|jˈakʲɛ ja ʒˈɛtʃɨ vidʑˈawɛm ˈu ˈinnɨx, mˈuvjɛ tɕˈi, nˈavɛt ɲʲˈɛxtsɛʒ vʲˈɛdʑɛtɕ. jˈɛɕli bˌɛɲdʑɛʒ ɡʒˈɛtʃnɨ i ɕɛ dˌɔstɔsˈujɛʃ, ɲˈits tɕi ɲʲɛ bˈɛɲdʑɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_147.wav|pˌɔpijˈajɔndʑ ɡˈɔ kˈɔlɔ̃ z dˈuʒɛj butˈɛlki, ktˌurɔ̃ tʃˈɨmaw kˌɔlanˈami,|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_136.wav|klˈaj brˈikks wapˈidux udʑˈɛliw mu pʲˈɛrʃɛj pɔmˈɔtsɨ i vɨvʲˈɛʑli ɡˈɔ ɕmiɡwˈɔftsɛm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_396.wav|ɡdʑˈɛ fʃˈɨstsɨ sɔ̃ dˈɔbʒɨ i tʃˈɨɕtɕi, ˌalɛ ɡdʑˈɛ ɲʲɛ ɕfʲˈɛtɕi jˈuʃ ˌaɲi jˈɛdna ɡvʲˈazda.|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_72.wav|jˈak tɔ bˌɨwɔ f tɛj pʲɔsˈɛntsɛ? ɡwˈɔsɨ ɕɛ ɲʲˈɔsɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_76.wav|i ɲˈikt ɕɛ ɲʲɛ skˌɔntaktˈɔvaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_175.wav|ɲʲˈɛvʲɛm, ɔ tʃɨm mˈuviʃ. i znˈɔvu tɔ sˈamɔ. tˈak jɛzd bɛspʲˈɛtʃɲʲɛj. tʃˈɛɡɔː ɔ tˈɔbjɛ ɲʲɛ vʲˈɛdʑɔ̃, ɲʲɛ mˈɔʒɛ tɕi zaʃkˈɔdʑitɕ, ˌaɲi ɕɛ na tˈɔbjɛ zˈɛmɕtɕitɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_51.wav|i ˌɔtʃɨvˈiɕtɕɛ vʲˈɛmɨ, ɡdʑˈɛ mʲˈɛʃkaʃ. dɔ zˌɔbatʃˈɛɲʲa, ˈanɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_104.wav|jˈɛʃtʃɛ rˈaz ʒˈutɕiw wapˈidux. z ʒˈɨtɕɛm tɔ mˈa bˈɨtɕ pˈikɲik, ɲʲˌɛxɔlˈɛrnɨ pˈɔɡʒɛp.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_400.wav|tˈak sˈɔbjɛ mˈɨɕlɛ, ʒˈɛ mˈuɡwbɨ vɨbjˈɛratɕ s pɔwˈɔvɨ ʃlaxˈɛtɲʲɛ ˌurɔdʑˈɔnɨɣ dʑˈɛftʃɔnd w dɔlˈiɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_61.wav|mˈuɕiʃ tˈɛʃ mʲˈɛtɕ pˈɔvut, ʒˈɛbɨ pʃɛbˈɨvatɕ f tɨm budˈɨŋku ɲʲˌɛɔpˈɔdal sˈɔndu.|2
+Dataset/wavs/urwisko_ferenc/42_segment_19.wav|z drˈɔɡʲi zadʑvˈɔɲiw dɔː adˈama ʃtʃɛrpskʲˈɛɡɔ. xˈalɔ? ɔdˈɛzvaw ɕɛ ʃˈɛf.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_75.wav|dʑˈivi mɲʲɛ tɔ pɨtˈaɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_98.wav|pɔlˈitsja pʃˌɛpɨtˈujɛ kaʒdˈɛɡɔ, ktˈɔ tamtˈɛndɨ fxˈɔdʑi i vɨxˈɔdʑi, a ja ɲʲɛ jˌɛstɛm jˈuʃ sˈaskjɔ̃ pˈɛtɛrsɔn.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_56.wav|ɲʲɛ xtɕˈawam ɡˈɔ pˌɔtpisˈɨvatɕ, ˌalɛ aɡˈɛntka ˌadɔptsˈɨjna zˌapɛvɲˈiwa mɲʲɛ, ʒˈɛ fʃˈɨstsɨ tˈak ɕɛ tʃˈujɔ̃ f tɨm mɔmˈɛɲtɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_220.wav|bʲˈillɨ ˌupʃɨtˈamɲʲa sˈɔbjɛ, ʒˈɛ ɡˈɔ znˈa.|2
+Dataset/wavs/urwisko_ferenc/63_segment_109.wav|xˈɛrman pʃˌɨɡlɔndˈawa ɕɛ jɛj uvˈaʒɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_123.wav|vˈɨpij dɔ kˈɔɲtsa, pɔvʲˈɛdʑaw i pˈɔtʃɛd dɔ bˈarku.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_24.wav|rˌɨsujˈɔntsɨ ɕɛ na tlˈɛ vʲɛtʃˈɔrnɨɣ ɡvʲˈazd zˈamɛk ɔː ˈɔknaɣ vˌɨpɛwɲʲˈɔnɨx mˌiɡɔtlˈivɨm blˈaskʲɛm pɔxˈɔdɲi vɨɡlˈɔndaw fspaɲʲˈalɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_78.wav|tʃɨ vɨstˈartʃɨ tˈɔkjɔ? ɲʲɛ, tɔ za mˈawɔ.|0
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_123.wav|jˈak mˈɔʒɛʃ mɲʲɛ ɔbvˈiɲʲadʑ za tɛn vˈɨtɕɛk? kʲˈɛdɨ vˌɨxɔdʑˈiliɕmˌɨ, fʃˈɨstkɔ bˌɨwɔ f pɔʒˈɔntku.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_16.wav|jɛstˌɛɕmɨ z luˈisɔ̃ rˈazɛm jˈuʃ pˈɔnat rˈɔk. ɲʲɛ spʲɛʃˈɨliɕmˌɨ ɕɛ z ɲˈitʃɨm.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_9.wav|dlatʃˈɛɡɔ prˌɔjɛktˈaɲtɕi ˈɔtɨm ɲʲɛ pˌɔmɨɕlˈɛli?|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_168.wav|ɲʲɛktˌurɨx rˈan ɲʲɛ ˈujʒɨ ɕɛ ˈɔkʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_78.wav|ɲʲɛ, mˈuvi ˈɔn, nˈɔ mˈɔʒɛ trˈɔxɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_71.wav|mˈuʃɛ pˌɔinfɔrmˈɔvadʑ dʑˈɛtɕi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_129.wav|bʲˈillɨ vɨjmˈujɛ s tˌɛlɛfˈɔnu kˈartɛ ˌɛsˌiˈɛm i na rˈaʑɛ xˈɔva ɡˈɔ s pɔvrˈɔtɛm dɔ kʲɛʃˈɛɲi, f ktˌurɛj bˈɨw. ɔtfʲˈɛra pˈɔrtfɛl.|2
+Dataset/wavs/urwisko_ferenc/48_segment_3.wav|tɕˈɛʃɨw ɕɛ, ɡdˈɨ ˌɔxlapɨvˈawɨ mu tfˈaʃ i mɔtʃˈɨwɨ vwˈɔsɨ. ɡˈɔʒɛj, jˈɛɕli swˈɔna vˈɔda ʃtʃɨpˈawa w ˈɔtʃɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_129.wav|ɲʲɛ dʑˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_12.wav|f kˈɔɲtsu utʃˈɨwɛm ɕɛ lˈatatɕ, a stsˈɔdd bˈɨw mˈɔim ˌinstruktˈɔrɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_72.wav|nˌatpʃɛvɔdɲˈiki mˌajɔ̃ zɛrˈɔvɨ ˈɔpur ˌɛlɛktrˈɨtʃnɨ.|4
+Dataset/wavs/urwisko_ferenc/64_segment_41.wav|bˈɔ mˈuʃɛ rɔzˈɛbradʑ dnˈɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_104.wav|vʲɛdʑˈawa pˈaɲi, ʒˈɛ ktˈɔʑ zˈɔstaw zabʲˈitɨ tˌɛɡɔ vʲɛtʃˈɔru?|3
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_46.wav|mʲˈɛ̃sɔ jɛzd dˈɔbrɛ, ˌalɛ sawˈatka jˈɛʃtʃɛ lˈɛpʃa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_68.wav|pɔ kˈilku minˈutaɣ zdˈawam sˈɔbjɛ sprˈavɛ, ʒˈɛ pʃˈɛstaw rɔzmˈavʲatɕ i nˈavɛt...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_22.wav|xˈɨba jˈakɔ dʑˈivnɛ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_79.wav|tˈaɡ vɨsˈɔkɔ nad ʑˈɛmʲɔ̃,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_72.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_108.wav|fˈatsɛt mˈa na sˈɔbjɛ tʃˈarnɛ dʒˈinsɨ i kɔʃˈulkɛ sˈanra. tˌɔvaʒɨʃˈɔntsa mu kɔbjˈɛta jɛst w lˈuʑnɛj blˈustsɛ, ktˌura pɔtkrˈɛɕla jɛj zˌaɔkrɔŋɡlˈɔnɨ tɕˈɔ̃ʒɔ̃ bʒˈux, zˈamjazd ɡˈɔː ukrˈɨvatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_169.wav|mˈɨɕlɛ, ʒˈɛ vʲˈɛʃ. tɛn pˈɔʒar ɲʲɛ mɲʲɛ mʲˈaw pˈɔmuts. vˈɨbuɣ zdˌɛtsɨdɔvˈaɲʲɛ za ftʃˈɛɕɲʲɛ. jˈaki vʲˈɛndʑ bˈɨw jˈɛɡɔ tsˈɛl?|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_175.wav|na ʑˈɛmi uʒˈɨva ɕɛ dɔ tˌɛɡɔː arɡˈɔnu, ˌalɛ na kɕɛ̃ʒˈɨtsu ɲʲɛ vˌɨstɛmpˈujɔ̃ ɡˈazɨ ʃlaxˈɛtnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_82.wav|ɲʲɛdwˈuɡɔ pʃˈɛttɛm pʃɛɲʲˈɛɕli nˈaz z ramˈadʲi dɔː ɔbˈɔzu baxˈarja, zvanˈɛɡɔ tˈɛʃ krajˈinɔ̃ snˈuf.|2
+Dataset/wavs/urwisko_ferenc/04_segment_89.wav|ˌaɲi ɲʲɛ rˌɔzmavʲˈaliɕmˌɨ zˈɛ sˈɔbɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_100.wav|skˈur vʲˈɛlɛ. pˈɛvɲʲɛ mɨɕlˈɛli, ʒˈɛ dʑɛftʃˈɨna ɕɛ ˈɔtskɲʲɛ i vrˈutɕi dɔ dˈɔmu. smutɲʲˈɛjʃa, ˌalɛ mɔndʒˈɛjʃa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_120.wav|samˈɔlɔt udˈɛʒɨw dʑˈɔbɛm ɔ ʑˈɛmʲɛ i rˈama ulˈɛɡwa vɡɲʲɛtsˈɛɲʲu.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_103.wav|jˈɛʃtʃɛ tɔ fʃˈɨstkɔ, bˈɔ ja vˈina vʲɛdʑˈawam, ʒˈɛ mɲʲɛ zˈatɔ zɲʲˌɛnavˈidʑi.|3
+Dataset/wavs/urwisko_ferenc/05_segment_42.wav|rˈatsja, vʲˈɛnts tˈak tˌɨlkɔ mˈuvjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_14.wav|mˈɔɡwɔ tɔ bˈɨtɕ stˈadjum tʃfˈartɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_27.wav|ɲˈidʑɡ znˈuv zvrˈatsa ɕɛ dɔ bʲillʲˈɛɡɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_212.wav|lˈɛtʃ ɲʲɛ bˌɛndɔ̃ vʲɛdʑˈɛli jɛdnˈɛɡɔ, ɲˈiʃ ɔtxˈɔdʑi stˈɔnt, s tˌɛɡɔ zwɔtˈɛɡɔ krˈaju, ɔ ktˌurɨm muvˈili.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_65.wav|— vʲɛdʑˈawam, ʒˈɛ tsˈɔɕ jɛzd z ɲʲˈɔ̃ ɲʲɛ tˈak. lˈintsaj ftʃˈɔraj tɕi ˈɔɲʲɛj fspɔmɲʲˈawa, ʃˈɛfjɛ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_410.wav|bˈalɔn bˈɨw ʃalˈɔnɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (73)_segment_92.wav|dˌɔskɔnˈalɛ, bˈɔ vɨdˈajɛ mi ɕɛ, ʒˈɛ ɡˈɔ mˈamɨ.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_397.wav|ɲʲˈɛdʑvʲɛtɕ pʃɨnˈajmɲʲɛj zɡʲˈinɔw w vˈaltsɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_85.wav|zatʃˈɛwa ʃamˈɔtatɕ ɕɛ s pˈɔntʃɛm. pˈatʃ!|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_243.wav|ftˈɛdɨ zˈɔstaɲ na nˈɔts. rˈanɔ pˈɔjɛdʑ ɡrˌɛɨxˈundɛm dɔ ɡˈɔldɛn ˈalbɔ dɔː ɛˈastjɛs pˈark.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_241.wav|sˈɛrvɛr znajdˈɔvaw ɕɛ ɡdʑˈɛɕ na ʑˈɛmi, mˈɔʒɛ f xɔlˈandji, vʲˈɛnts fʃˈɨstkɔ bˌɨwɔ pɔvˈɔlnɛ jˈak xɔlˈɛra.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_21.wav|zakwˈadam, ʒˈɛ mˈarta vʲɛdʑˈawa ˈɔtɨm drˈuɡʲim vˈɛjɕtɕu.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_219.wav|pˌɔʃpɛrˈawam trˈɔxɛ f ɕˈɛtɕi, ˌalɛ ɲʲɛ znalˈazwam ɲˈits na jˈɛɡɔ tˈɛmat.|4
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_16.wav|vʲɛtʃˈɨwam pˈɔtstɛmp. sɔɲdʑˈiwam, ʒˈɛ xtsˈɛ mi ɕɛ dˈɔbradʑ dɔ mˈajtɛk, vʲˈɛnts ˌɔdmuvˈiwam.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_46.wav|f tˈakim rˈaʑɛ jˈadɛ s tˈɔbɔ̃, dɔdˈajɛ ˌɔtfʲɛrˈajɔnts kɔlˈɛjnɔ̃ ʃuflˈadɛ, ʒˈɛbɨ vˈɨjɔɲtɕ ubrˈaɲʲɛ. ɲʲɛ!|4
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_28.wav|ɲʲɛ palˈivɔ jɛst nˈam pɔtʃˈɛbnɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_145.wav|ˌalɛ tˈɛras naprˈavdɛ mˈuʃɛ jˈuʃ ˈiɕtɕ. jˈɛɕli xtsˈɛʃ, tɔ xˈɔdʑ zˈɛmnɔ̃, a jˈɛɕli ɲʲɛ, tɔ tˈak tʃɨ ˈɔvak mˈuʃɛ zɔbˈatʃɨtɕ ɕɛ z ˈɛstɛr.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_71.wav|jɛj dʑɛvˈitstfɔ ɲʲɛ jɛst ɲʲˌɛnaruʃˈɔnɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_123.wav|ˌɔdvrutɕˈiwɛm ɕɛ.|0
+Dataset/wavs/urwisko_ferenc/40_segment_17.wav|pʃɛt tɔrˈuɲʲɛm jɛst tˌaki zjˈazd dɔ lˈasu. stˈamtɔnd ɡʒˈɛɡɔʃ ɔdbjˈɛra lɛɡnˈɛra i tˈam ɡˈɔ zˈafʃɛ zɔstˈavja.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_427.wav|zatʃˈɔwɛm, xˈɔtɕ ɲʲɛ xtɕˈawɛm, pʃˌɨpɔmˈinatɕ sˈɔbjɛ jɛj nˈaɡɔɕtɕ ɔt ˈuzd dɔ rˌuʒɔvˈɛɡɔ pˈaltsa stˈup.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_262.wav|— bˈɔɲtɕ kɔxˈanɨ — pɔvʲˈɛdʑaw tɕˈixɔː i zˈamknɔw zˈaɲʲɔ̃ dʒvˈi.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_41.wav|ˈɔtɨm, ɡdʑˈɛ jɛst i tsˈɔ tˈɛras rˈɔbʲi?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_15.wav|tˈɔm znˈaw tˌɛɡɔ pʃɨtʃˈɨnɛ.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_157.wav|sˈiɡart i stˈav dʑˈɛvits rˈuvɲʲɛʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_123.wav|fʃˈɛlkʲɛ nadʑˈɛjɛ nˈatɔ, ʒˈɛ ˈuda mi ɕɛ pˌɔrɔzmˈavʲatɕ s pɔlˈitsjɔ̃ na tˈɛmat tˈɛɡɔ, tsˈɔ tˈu ɕɛ vˌɨdaʒˈɨwɔ pʃɛt lˈatɨ vwˈaɕɲʲɛ ɕɛ ˌulɔtɲˈiwɨ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_340.wav|dˈɔvʲɛts ɕɛ fʃɨstkʲˈɛɡɔ, tʃˈɛɡɔ zdˈɔwaʃ ˈɔtɨh smˈɔkax.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_40.wav|vʲˈɛm jˈuʃ, ʒˈɛ ɲˈikt ɲʲɛ ˌɔpsɛrvˈɔvaw dˈɔmu, ˌalɛ ɲʲɛ mʲˈawam pɔjˈɛɲtɕa, w jˈaki spˈɔsub dˈɔʃwɔ dɔ vˌɨwamˈaɲʲa zˈamka.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_298.wav|pʃˌɛxɨlˈiwa ɡwˈɔvɛ, tɕˈɛɲʲɛ ulˈitsɨ pʃˌɛswaɲʲˈawɨ jˈɔ̃ i ˌɔtkrɨvˈawɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_24.wav|nˈɔ tɔ prˈɔʃɛ bˈɛz ʒˈɛtʃɨ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_153.wav|vʲˈɛnts ʃˈɛd mʲˌɛndʑɨ lˈudʑmi, ktˌuʒɨ tʃˈuli tɕˈɛ̃ʒar jˈɛɡɔ tɕˈawa i tɛn tɕˈɛ̃ʒar bˈɨw im rˈuvɲʲɛ ɲʲɛznˈɔɕnɨ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_140.wav|ɲˈikt tɨm rˈazɛm ɲʲˈɛma kwɔpˈɔtuf s kˈɔdɛm. dʒvˈi zapˈɛvnɛ zˌamɨkˈanɛ sɔ̃ xˌɛrmɛtˈɨtʃɲʲɛ, jˈak ɕlˈuza pɔvʲˈɛtʃna f stˈatku kɔsmˈitʃnɨm, bˈɔː ˌɔtfʲɛrˈajɔ̃ ɕɛ s tɕˈixɨm sˈɨkʲɛm.|2
+Dataset/wavs/urwisko_ferenc/24_segment_37.wav|umjˈawa pʲˈɛŋkɲʲɛ kwˈamatɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_157.wav|bˌɛɲdʑɛ mʲˈawa ʃtʃˈɛɲɕtɕɛ, jˈɛɕli pʃɛʒˈɨjɛ jˈɛdɛn dʑˈɛɲ, zˈaɲim dɔpˈadɲʲɛ jˈɔ̃ ˌɔpalˈaɕɔ.|4
+Dataset/wavs/urwisko_ferenc/17_segment_30.wav|ɲʲɛ umjˈawa mu tˌɛɡɔ zrˈɔbʲitɕ, xˈɔtɕaʃ ɲʲɛ mˈɔɡwa vɨklˈutʃɨtɕ, ʒˈɛ ɡdˈɨbɨ ˌɔdɛbrˈawa sˈɔbjɛ ʒˈɨtɕɛ,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_91.wav|ɔt strˈɛsu rˌɔzbɔlˈawa mɲʲɛ ɡwˈɔva, a jˈɛ̃zɨk pʃɨklˈɛiw ɕɛ dɔ pˌɔdɲʲɛbjˈɛɲʲa, kʲˈɛdɨ ʃwˈam dɔ ɡarˈaʒu, ʒˈɛbɨ zatʃˈɛkatɕ na tˈatɛ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_198.wav|vɨdˈajɛ tɕˈi ɕɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_223.wav|tˌaki ˈu nˈas ɲʲɛ pratsˈujɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_27.wav|kˈit pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃. rɔbʲˈili frˌustrujˈɔntsɔ ɲʲɛvʲˈɛlkʲɛ pɔstˈɛmpɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(33) R.Abbott_Zamknij Drzwi_segment_38.wav|ɲˈikt ɲʲˈɛznaw jˈɛɡɔ tˌɔʃsamˈɔɕtɕi, ˌalɛ zajmˈɔvaw ɕɛ vɛrbˈuŋkʲɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_58.wav|jˈasnɛ, kˈaʒda spɔwˈɛtʃnɔɕtɕ pˌɔtʃɛbˈujɛ prˈaf i kˈɔɡɔɕ, ktˈɔ bˌɛɲdʑɛ jˈɛ ˌɛɡzɛkfˈɔvaw. ˌalɛ rˈudɨ za bˈardʑɔ ɕɛ dɔ tˌɛɡɔ pʃɨkwˈada.|4
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_60.wav|ɔn jɛzd dˈɔbrɨ tʃwˈɔvʲɛk.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_322.wav|ʑˈimnɛ ˈɔtʃɨ za tɕˈɛŋkɔ̃ ɔprˈavɔ̃ ˌɔkulˈaruf, ʑˈimnɨ ˈuɕmʲɛx i nˌɨlɔnˈɔvɛ zˈɛmbɨ za tʃtɛrnˈaɕtɕɛ sˈɛtɛɡ dɔlˈaruf.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_302.wav|s tʃˈɛɡɔ pˈan ʒˈɨjɛ?|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_6.wav|tsɛrsˈɛi z ɲʲˌɛzadˌɔvɔlˈɛɲʲɛm pʃɨjʒˈawa ɕɛ startsˈɔvi.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_130.wav|ɡwˈaʃtʃɔnts paltsˈami klˈiŋɡʲi, jˈaɡbɨ xtɕˈawa sprˈavdʑitɕ ix ˈɔstrɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_40.wav|f pɔʒˈɔntku.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_259.wav|vˌɨtʃɔwɡˈawam ɕɛ spˈɔt kɔmbˈajnu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_477.wav|ɲʲˈɛx nˈaz vɨpˈuʃtʃɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_297.wav|sxɨlˈiwɛm ɕɛ, fsadʑˈiwɛm dwˈɔɲʲɛ pɔt jɛj dˌɛlikˈatnɛ, tɕˈɛpwɛ plˈɛtsɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_176.wav|tʃˈujɛ, jˈaɡbɨ tɔ bˈɨw pʲˈɛrʃɨ rˈas, jˈaɡbɨm mʲˈawa fʃˈɨstkɔ dɔ stratsˈɛɲʲa.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_91.wav|ɲʲɛ rɔzˈumjɛm, dlatʃˈɛɡɔː uʒˈɨwaɕ takʲˈɛɡɔ sfˌɔrmuwɔvˈaɲʲa.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_276.wav|tˈajk mˈuviw, ʒˈɛ uɕmʲˈɛxaw ɕɛ rˈuvɲʲɛʃ ftˈɛdɨ, ɡdˈɨ tˈarbɛk xˈɔl zvalˈiwɔ ɕɛ na ɡwˈɔvɛ lˈadɨ ˈɛlin, tɛj zdradʑˈɛtskʲɛj sˈuki.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_147.wav|ɲʲɛ vʲɛdʑˈawam, tʃɨ mi ɕɛ ˈuda, ˌalɛ muɕˈawam sprubˈɔvatɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_68.wav|pʃɨnˈajmɲʲɛj dɔpˈuki ɕɛ ɲʲɛ dɔvʲˈɛmɨ, jˈakʲɛ sɔ̃ ʒɔndˈaɲʲa pˌɔrɨvˈatʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_176.wav|ˌurɔdʑˈiwɛɕ ɕɛ f tɕˈɛɲʲu tʃɛrvˈɔnɛj tfʲˈɛrdʑɨ.|1
+Dataset/wavs/urwisko_ferenc/09_segment_105.wav|nˈavɛd bˈardʑɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_69.wav|tsˈɔ mˈɨɕli ʃˈatɨn?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_65.wav|mˈɔɡwabˌɨɕ tɔ zrˈɔbʲitɕ kˈilka rˈazɨ f tɨɡˈɔdɲʲu i f prˈɔstɨ spˈɔsup.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_24.wav|tˈɛraz bˈɛtskɨ mʲˈawa pʃɨjˈɛmnɔɕtɕ pˈɔznatɕ ɛdjˈɛɡɔ tsarlsˈɔna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_190.wav|ˈɛdʲisɔn vrˈatsa tɨm sfˈɔim sprɛ̃ʒˈɨstɨm krˈɔkʲɛm dɔ sˌɛkrɛtarjˈatu.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_270.wav|tˈajrɛk ɲʲɛ ʒˈɨjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_114.wav|ˌuratɔvˈawɛm tɕˈɛ, bˈɔ ɡdˈɨbɨʑ dˈalɛj lɛʒˈawa na ulˈitsɨ, prˈɛndʑɛj tʃɨ pˈuʑɲʲɛj, zjavˈiwɨbˌɨ ɕɛ tˈu ɡlˈinɨ, mˈɨɕli.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(66) R.Abbott_Zamknij Drzwi_segment_19.wav|f pʃˈɨʃwɨm tɨɡˈɔdɲʲu rˌɔspɔtʃˈɨna ɕɛ pʃˈɛrva sˌɛmɛstrˈalna, vʲˈɛnts jɛj zdˈaɲʲɛm ukwˈada ɕɛ tɔ fprˈɔst ˌidɛˈalɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_236.wav|a mˈɔʒɛ jˌɛstɛɕ pɔ prˈɔstu kˈimɕ, kˈɔɡɔ tˈɛras nˌazɨvˈajɔ̃ ˌɛmˈɛr. lˈaz vˈɛɡas?|0
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_176.wav|i tˈak spwˈɔɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_191.wav|zvwˈaʃtʃa, ɡdˈɨ pˈɔɕtɕiw.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_32.wav|ɲʲɛ vʲɛdʑˈawɛm, tʃɨ ix tɔ w ɔɡˈulɛ ɔbˈɛʃwɔ, ˌalɛ jˈɛdɛn z ɲˈix pɔvʲˈɛdʑaw, ʒˈɛ kazˈanɔː im dɔstˈartʃɨtɕ mɲʲɛ ɲʲˌɛtkɲʲɛntˈɛɡɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_12.wav|zˈɛrkam w lustˈɛrkɔ fstˈɛtʃnɛ i tsˈawɨ mˈuj spˈɔkuj w jˈɛdnɛj xfˈili vˌɨparɔvˈujɛ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_15.wav|vˈaʃa mˈiwɔɕtɕ, ɔznˈajmiw s ʃɛrˈɔkim uɕmʲˈɛxɛm, smˈɔtʃa skˈawa nalˈɛʒɨ dɔ tɕˈɛbjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_161.wav|bʲˈillɨ tʃˈujɛ, ʒˈɛ dʑɛftʃˈɨna drʒˈɨ, ɲʲɛ dlatˈɛɡɔ, ʒˈɛ ɕɛ ɡˈɔ bˈɔi, dlatˈɛɡɔ, ʒˈɛ bˈɔi ɕɛ ɔ ɲʲˈɛɡɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_54.wav|dlatʃˈɛɡɔ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_95.wav|fʃˈɨstsɨ tɕˈɛ tˈutaj pˌɔtʃɛbujˈɛmɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_9.wav|nˈaʃɛ zdrˈɔvʲɛ, ɔbˈɨɕmɨ ubʲˈili intˈɛrɛs kɔʒˈɨstnɨ dla nˈas fʃˈɨstkix.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_120.wav|kɕˈɔ̃ʒɛ vɨɡlˈɔndaw ɡˈɔʒɛj ɲˈiʃ kʲˌɛdɨkˈɔlvʲɛɡ dˈɔtɔnt.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_35.wav|uklˈɛŋkwa, pɔ tʃɨm fstˈawa pɔvˈɔli. bˌɨwa ɡwˈɔdna i xtɕˈawɔ ɕɛ jɛj pˈitɕ.|4
+Dataset/wavs/urwisko_ferenc/54_segment_36.wav|a tɔ ɲʲɛ ˌɔna sˌɛrvɔvˈawa ftˈɛdɨ mʲɛʃkˈaɲtsɔm ɡɔrˈɔntsɛ napˈɔjɛ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_73.wav|mˈɔʒɛ ftsˈalɛ ɲʲˈɛxtsɛ pˈɔznatɕ prˈavdɨ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_139.wav|prɔmˈujɛ ˌidɛɔlˈɔɡjɛ, ktˌura jɛst spʃˈɛtʃna zˈɛ ɕfʲˈatɛm na zˈɛvnɔntʃ.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_50.wav|ˈɔjtɕɛts stˈavaw na ɡwˈɔvʲɛ. ˌalɛ pˈulpa tɔ pˈulpa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_8.wav|zˈɛspuw tɛxɲˈitʃnɨ pɔvʲˈɛdʑaw nˈam, ʒˈɛ swuʒbˈɔvɨ tɛlˈɛfɔn mˈartɨ ɲʲˈɛbɨw ɲˈiɡdɨ ˌuʒɨvˈanɨ, prˈavda?|3
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_36.wav|dwˈuɡʲɛ sˈusɨ ɕɛ ˌɔpwatɕˈiwɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_328.wav|pˌɔkrɛɲtɕˈiwam ɡwˈɔvɔ̃ i nˌapisˈawam kɔlˈɛjnɔ̃ vʲadˈɔmɔɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_256.wav|tʃˈɔwɔ zˈaɕ pˌɔkrɨvˈawɨ ʑɛlˈɔnɔʃˈarɛ tsˈɛntki ˌɔraz brɔ̃zˈɔvɛ plˈamɨ rɔskwˈadu.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_179.wav|jˈamɛ ɔbrˈuʃɨw ɕɛ, swˈɨʃɔndʑ vzɡˈardɛ w jˈɛɡɔ ɡwˈɔɕɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_60.wav|vʲˈɛm, ʒˈɛ tɔ pɔmˈaɡa pˈɔzbɨtɕ ɕɛ strˈɛsu, ˌalɛ pˌɔtʃɛbˈujɛʃ rˈuvɲʲɛʃ snˈu.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_382.wav|pʃˈɛʃɛt pɔtkrˈɨtɨm mˈɔstɛm i mˈinɔw dʑɛdʑˈiɲʲɛts stˌɔpʲɔnˈɛɡɔ kamjˈɛɲʲa, ɲˈim sˈɔbjɛ ˌuɕfʲadˈɔmiw, dˈɔkɔnd zmʲˈɛʒa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_190.wav|vʲˈɛndʑ bˌɨliɕtɕˌɛ na ulˈitsɨ i tsˈɔ dˈalɛj?|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_334.wav|zˌastanavʲˈawa ɕɛ ˈarjan.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_108.wav|tˈɔm ɲʲˈɛmuɡw vˈɨznatɕ lˈutsɨ i lˌɔuˈiɕɛ, ʒˈɛ mˈartfɨ mɛ̃ʃtʃˈɨzna ɲʲɛ jɛst tˈɨm, za kˈɔɡɔ fʃˈɨstsɨ ɡˈɔ bjˈɔrɔ̃, vʲˈɛnts pˌɔstanˈɔviw zmʲˈɛɲitɕ tˈɛmat.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_271.wav|zadrvˈiwa z ɲʲˈɛɡɔ brjˈɛnnɛ. ʃˈaɡvɛll mˈuviw, ʒˈɛ ɔptɕˈɛli tɕi mˈɛ̃skɔɕtɕ rˈazɛm z nˈɔsɛm.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_423.wav|tʃɨ zdˈɔwawbˌɨ pɔkˈɔnatɕ sˈɛr bɔrˈɔsa blˈanta, ɡdˈɨbɨ ˌɔkazˈawɔ ɕɛ tɔ kɔɲʲˈɛtʃnɛ?|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_264.wav|ˈaʒ vrˈɛʃtɕɛ ʒɛlˈaznɨ trˈɔn uɕmʲˈɛrtɕiw mˌaɛɡˈɔra i krˈul jaçˈirɨz zɡˈɔdʑiw ɕɛ ˌuwaskˈavitɕ fʃˈɨstkix, ktˌuʒɨ ɔdwˈɔʒɔ̃ mʲˈɛtʃɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_36.wav|tˈɨlɛ, ʒˈɛ f sˌɨtuˈatsji, f ktˌurɛj ɕɛ znˈalaz, ɲʲˈɛma ɲˈits nˌɔrmalnˈɛɡɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_159.wav|tɨ ʒˌartɔvˈawaɕ i mɨ ɔbˈɔjɛ ˈɔtɨm vʲˈɛmɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_84.wav|vɨtɕˈɔŋɡam rˈɛŋkɛ, ʒˈɛbɨ zˈamknɔɲdʑ za sˈɔbɔ̃ dʒvˈi, kʲˈɛdɨ tˈuʃ ˌɔbɔk mˌatɛrjˌalizˈujɛ ɕɛ tˈɛssa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_33.wav|vrutɕˈiwɛm dɔ dˈɔmu pˌɔdɛkstsˌɨtɔvˈanɨ i pɔ prˈɔstu zˌawɔʒˈɨwɛm, ʒˈɛ ɡˌɛnɛvʲˈɛvɛ pˌɔstanɔvˈiwa ɲʲɛ tʃˈɛkatɕ i pˌɔwɔʒˈɨwa ɕɛ dɔ wˈuʃka.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_348.wav|pˈɛvɲʲɛ zˈɛ zwˈɔtɔ̃ lˈup plˌatɨnˈɔvɔ̃ rˈɔntʃkɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_56.wav|a ˌɔna swɨʃˈawa kʃˈɨki mˈatki, ˌalɛ pˈɔtfur z ɡwˈɔvɔ̃ psˈa ɲʲɛ pɔzvˈalaw dʑɛftʃˈɨntsɛ jɛj ˌuratˈɔvatɕ.|1
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_372.wav|pˈɔnɔdʑ zɡˈɔdʑiw ɕɛ ɡˈɔ pʃˈɨjɔɲdʑ vɨwˈɔntʃɲʲɛ dlatˈɛɡɔ, ʒˈɛ mu zˈatɔ zˌapwatsˈɔnɔ. mˈixɛl bˈɨw najlˈɛpʃɨm z mwˈɔdɨx ʃɛrmʲˈɛʒɨ w dɔlˈiɲʲɛ i bˈɨw tˈɛʒ bˈardʑɔ rɨtsˈɛrski.|1
+Dataset/wavs/urwisko_ferenc/65_segment_34.wav|mʲˈaw dɔ ɕˈɛbjɛ ʒˈal.|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_141.wav|ɡdʑˈɛ lˈɛpʲɛj bˈɨtɕ sɔndʑˈɔnɨm za mɔrdˈɛrstfɔ?|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_111.wav|muɕˈitɕɛ ɡˈɔ zawˈɔʒɨtɕ. tɔː ɔtfˈartɨ kˈanaw radjˈɔvɨ i tsˈawa nˈaʃa dʑɛvʲˈɔntka bˌɛɲdʑɛ ɕɛ swˈɨʃɛtɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_70.wav|ɔt strˈɔnɨ mˈɔʒa, ktˌurɛ bˌɨwɔ ɲˈibɨ mˈisa vˌɨpɛwɲʲˈɔna swˈɔɲtsɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_119.wav|na pamjˈɔntkɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_50.wav|vʲˈɛm jˈɛdnak, ʒˈɛ mˈa mˈili.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_238.wav|vˈɨpiw rˈɛʃtɛ ɡʲˈinu, pˈɔpiw kˈɔlɔ̃, a pˈɔtɛm stˈaw xfˈilɛ pˈatʃɔnts na sfˈɔjɔ̃ rˈɛŋkɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_185.wav|xˈɨba zwamˈawɛɕ mi rˈɛŋkɛ, jɛbˈaɲtsu!|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_141.wav|bʲˈillɨ vzrˈuʃa rˌamjɔnˈami, ʒˈɛbɨ pɔkˈazatɕ, ʒˈɛ ɔn jɛst tˌɨlkɔ dɔstˈaftsɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_3.wav|pʃɛɲʲˈɛɕli ɕɛ tˈutaj, pɔɲʲˈɛvaʒ bˌɨli pˈarɔ̃, a w ɲʲˈɛmtʃɛx fʃˈɨstsɨ patʃˈɨli nˈaɲih vˈilkʲɛm s tˌɛɡɔ pɔvˈɔdu.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_295.wav|pʃˈɛs ˈusta tsɛrsˈɛi pʃˈɛmknɔw uɕmʲˈɛʃɛk. jɛst krulˈɔvɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_478.wav|i pˈatʃɨw, jˈak pʲˈɛz bjˈɛɡɲʲɛ zˈaɲʲɔ̃, tˈulɔnts ɕɛ dɔ jɛj smˈukwɨx nˈuk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_159.wav|pˈatʃɨ na ɲʲˈɛɡɔ ɲʲɛpˈɛvɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/03_segment_135.wav|ɔstˈatɲʲɛ pɨtˈaɲʲɛ. znˈa pˈan?|0
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_178.wav|tˈafla lustˈɛrka ɲˈitʃɨm xɛljˈɔɡraf pɔsˈɨwa ɔdbʲˈitɨ prˈɔmjɛɲ swˈɔɲtsa prˈɔstɔ w bjɛljˈɛɡɔ, ktˌurɨ ɔdvrˈatsa ɡwˈɔvɛ, ʒˈɛbɨ ɲʲɛ zˈɔstatɕ ˌɔɕlɛpʲˈɔnɨm.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_41.wav|ɲʲɛ xtɕˈawam zakwˈadatɕ ɲʲˌɛɕfʲɛʒˈɛɡɔː ubrˈaɲʲa, f ktˌurɨm spˈawam, vʲˈɛnts pʃˌɛkɔpˈawam ʃˈafɛ sfɔbˈɔdɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_38.wav|i tɔ mɲʲɛ zdumjˈawɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_420.wav|ˈalbɔ pɔɕpʲˈɛʃɲʲɛ vˈɨʃwɨ za mˈɔ̃ʒ za bˌɔxatɛrskʲˈɛɡɔ pˌartɨzˈanta.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_52.wav|dˈana ɕˈɛdʑi za kʲˌɛrɔvɲˈitsɔ̃. rˈɛɡɡʲɛ ubrˈanɨ f kˌɔmbʲinˈɛzɔn swˈuʃp mʲˈɛjskix stˈɔi pʃɨ tˈɨlnɨɣ dʒvʲˈax i rɔzɡlˈɔnda ɕɛ pɔ twˈumjɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_32.wav|zˈamjazd bjˈɛts, zwɔntʃˈɨwam nˈɔɡʲi i zatʃˈɛwam pɔsˈuvatɕ ɕɛ nˈapʃud dwuɡʲˈimi, rˌuvnɔmjɛrnˈɨmi skɔkˈami. mʲˈawam vraʒˈɛɲʲɛ, ʒˈɛ pɔrˈuʃam ɕɛ w zvɔlɲʲˈɔnɨm tˈɛmpʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_120.wav|i ktˌurɛ bˌɨwɨ mɔˈimi kˌɔbjɛtˈami?|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_8.wav|i spˈaw, kʲˈɛdɨ tʃɛkˈali jˈuʒ w vʲɛ̃ʑˈɛɲʲu, ɕˈɛdʑɔnts na tfˈardɨx wˈafkax.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_71.wav|ɔbˈavʲam ɕɛ, ʒˈɛ ɔbˈɔjɛ zɔstˈaliɕtɕˌɛ pɔrvˈaɲi, a mɨ ftɕˈɔ̃ʃ ɲʲɛ vʲˈɛmɨ, tsˈɔ ɕɛ stˈawɔ z mˈilljɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_27.wav|vʲadˈɔmɔɕtɕ i mɛssˈaɡɛ ɲʲɛ mˈɔɡwa zˈatɛm zˈɔstadʑ vɨswˈana pʃˈɛz vˈifˈi z uʒˈɨtɕɛm tˌɛɡɔ tˌɛlɛfˈɔnu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_251.wav|maɡʲˈitʃnɛ pʃɛɕfˈitɨ, tˌajɛmɲˈitʃɛ zˌakamˈarki.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_152.wav|zvʲɔ̃zˈanɔ jˈɔ̃ zbˈɨt mˈɔtsnɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_145.wav|ʃtʃɛɲɕlˈiva mˈama.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_111.wav|jɛst ˌuzbrɔjˈɔnɨ? pɨtˈaɲikˌa bʲˈili. pɔɡʲˈɛwɔ tɕˈɛ? mˈɨɕliʃ, ʒˈɛ jˈaɡ zaprˈaʃam kˈumpli na mˈɛtʃ, tɔ pʃɨxˈɔdʑɔ̃ z ɡnatˈami?|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_37.wav|tˈɛraz bˌɨwɔ jˈasnɛ, ʒˈɛ xɔdʑˈiwɔː ɔ ɲʲˈɛɡɔ. vwˈaɕɲʲɛ pʃˈɛdɲim ˌuɕiwɔvˈawa mɲʲɛ ˈɔstʃɛts mˈɔja pˌɔtɕfʲadˈɔmɔɕtɕ.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_87.wav|pʃɛrˈɔvaw pɔkwˈadɨ i skrˈɔbaw jˈɛ kˌamjɛɲʲˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_94.wav|tɔ nɔrmˈalna ʒˈɛtʃ. ˈumɨsw pʃˌɛpratsɔvˈujɛ dɔznˈanɔ̃ trˈawmɛ, pʃɨnˈajmɲʲɛj prubˈujɛ. pʃɛxˈɔdʑi dɔ vʲˈɛlu kˌɔmbatˈantuf.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_49.wav|ix sprˈaftsa mˈuɡw ɲʲˈɛbɨtɕ ˈaʃ tˈaɡ bˈɛstrɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_111.wav|pɔ prˈɔstu ɲʲɛ mʲˌawɛm ɔxˈɔtɨ pˈatʃɛtɕ na pˈana.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_50.wav|a ja ɲʲɛ pɔtrˈafjɛ mu ɕɛ pʃˌɛtɕifstˈavitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_138.wav|bʲˈillɨ urˈɨva f pˈuw zdˈaɲʲa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_91.wav|ˈaram vɨdˈavaw ɕɛ starˈanɲʲɛ dɔbjˈɛratɕ swˈɔva.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_29.wav|zapˈɛvnɛ ɲʲɛ, ˌalɛ ɲʲɛ ˈɔtɔ f tɨm xˈɔdʑi.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_44.wav|pɔɡˈɔda bˌɨwa tɕˈɛpwa, vilɡˈɔtna i zupˈɛwɲʲɛ bɛzvʲˈɛtʃna.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_204.wav|lˈɛnɛ spɔjʒˈawa tˈɛmpɔ pʃɛt ɕˈɛbjɛ, a pˈɔtɛm vˈɔlnɔ pˌɔkivˈawa ɡwˈɔvɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_36.wav|mˈam nadʑˈɛjɛ, ʒˈɛ tˈak tˌɛɡɔ ɲʲɛ ujˈɛwa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_44.wav|rˈɔbʲin ˌɔbjɛtsˈawa mu, ʒˈɛ jˈak jˈuʒ ɡdʑˈɛɕ ɔɕˈɔɲdʑɛ, napˈiʃɛ dɔ stɛpˈaŋkuf, ʒˈɛbɨ pʃˌɨjatɕˈɛlɛ z dˈɔmu vʲˈɛtʃnɛj fˈarbɨ mˈɔɡli dɔ ɲʲˈɛj ɔtpˈisatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_7.wav|kʲˈɛdɨ zˌatʃɨmˈawam ɕɛ pʃɨ kampˈɛrax pɔd valmˈartɛm f kɛˈarnɛj, jˈɛʃtʃɛ ʒˈɨw.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_232.wav|a tˈɛras jˈɛɕli xˈɔdʑi ɔ kˈɔntɔ baŋkˈɔvɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (19)_segment_28.wav|tsˈɔ tɔ znˈatʃɨ ɕmʲˈɛʃɲʲɛ, kɔxˈaɲʲɛ? bɔlˈitɕɛ ɡwˈɔva? ɲʲɛdˈɔbʒɛ tɕˈi?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_370.wav|a rˈatʃɛj w jˈɛɡɔ ʃfˈax, zˌakamˈarkax, bɛspʲˈɛtʃnɨx ustrˈɔɲʲax.|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_91.wav|jɛstˌɛɕmɨ w braˈavɔs. vˈɨbatʃ, sˈam.|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_166.wav|vʲˈɛlu nˈaʃɨx ˈutʃɲʲuf tˈak rˈɔbʲi, pˌɔvʲɛdʑˈawa. vʲˈɛlu z ɲˈix pratsˈujɛ nˈavɛt w nˈɔtsɨ pˈɔtɔ, ˈabɨ skˈɔɲtʃɨtɕ ʃkˈɔwɛ i...|0
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_253.wav|za mˈiljɔn ɡʲˈituv bˈɨm ɕɛ zɡɔdʑˈiwa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_39.wav|ˌɔna bˌɨwa zdrajtʃˈɨɲʲɔ̃ ˈindjɔ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_150.wav|ʒˈɛbɨʃ tɔ ktˈɔɕ mˌiwɔɕˈɛrɲʲɛ fstʃˈɨknɔw mi f tˈɨwɛk pˈarɛ krˈɔpli ˌantɨbjɔtˈɨku.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_433.wav|krˌulɔvˈaɲʲɛ tɔ tɕˈɛ̃ʃka prˈatsa.|1
+Dataset/wavs/urwisko_ferenc/65_segment_81.wav|ɲʲˈɛvʲɛʃ, tˈɔbjɛ udˈawɔ ɕɛ za pʲˈɛrʃɨm rˈazɛm, a jˈa...|0
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_15.wav|jɛdˈɨɲʲɛ tˈɨlɛ, ʒˈɛ ɲʲɛ bˌɨwa nˌɔtɔvˈana, xˈɔtɕ mˈɔʒɛ pˌɔvinɲˈiɕmɨ jˈɛʃtʃɛ pɔɡʒˈɛbatɕ. ˌintɛrˌɛsujˈɔntsa jɛst jˈɛdnak sprˈava tˌɛɡɔ tʃwɔvʲˈɛka w jɛj sɨpʲˈalɲi.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_201.wav|tˈɨvin mˈaʒɨw ˈɔtɨm, ʒˈɛ jˈɛɡɔ sˈɨn zɔstˈaɲʲɛ vʲˈɛlkim rɨtsˈɛʒɛm, a tsˈurka krulˈɔvɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_114.wav|vwˈɔsɨ dʑɛftʃˈɨnɨ sɔ̃ zmʲɛʒvʲˈɔnɛ ɔt snˈu.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_180.wav|mˈuʃɛ ˈiɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_222.wav|na lɛʒˈɔntsɨm f kˈɔɲtɕɛ ɕɛnɲˈiku pˌɔwɔʒˈɔnɔ vɨtˈartɨ kˈɔts s tɕˈɛŋkʲɛj brɔ̃zˈɔvɛj vˈɛwnɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_60.wav|jɛzd z ɲˈim pɔlˈitsja. jɛst pʃɨtˈɔmnɨ, ˌalɛ ˌɔbɔlˈawɨ. mˈɔʒɛ pˈaɲi tˈutaj pʃɛjˈɛxatɕ? pˈɨtaw ɔ pˈaɲʲɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_69.wav|ˈandɛrsɔn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw, pˈatʃɨw na kɔbjˈɛtɛ idˈɔntsɔ̃ f kʲɛrˈuŋku ɡrajˈɔntsɛj ʃˈafɨ z dvˌudʑɛstˌɔpʲɛɲtɕˌɔtsɛntˈufkɔ̃ w dwˈɔɲi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_129.wav|tʃˈɛba dmˈuxatɕ na ʑˈimnɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_104.wav|bˌɨwam zˈɛ stsˈɔttɛm w nabrˈastsɛ i bˈɨw tɔ najɡˈɔrʃɨ dʑˈɛɲ w mˈɔim ʒˈɨtɕu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_83.wav|a ja tʃˈɨmam jˈɔ̃ w dwˈɔɲʲax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_96.wav|— ɲʲɛ, tɨ spˈujʃ — mˈuvi bʲˈillɨ i pˌɔkazˈujɛ jɛj lɔtɲʲˈaʒa.|2
+Dataset/wavs/urwisko_ferenc/62_segment_17.wav|pɔznˈajɛ pˈana?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_91.wav|tˈɔm pɔvʲˈɛdʑaw bˈɛtskɨ, ʒˈɛ jˈɛɡɔ tsˈurka pˌɔstanɔvˈiwa zˈɔstatɕ ˈu ɲʲˈɛɡɔ na jˈakiɕ tʃˈas, ˌalɛ ɔʃtʃˈɛɲdʑiw jɛj ʃtʃɛɡˈuwuf.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_142.wav|jˈɛʃtʃɛ ɲʲɛ. kuɕˈiwɔ jˈɔ̃ tɔ, ˈalɛ...|1
+Dataset/wavs/urwisko_ferenc/46_segment_19.wav|ˈɔlɡʲɛrd zˈaɡrɨz zˈɛmbɨ. — ɲˈiɡdɨ, kˈurva, na ʒˈadnɛj imprˈɛʑɛ ɲʲɛ bˌɨwɔ dʑˈɛtɕi.|0
+Dataset/wavs/urwisko_ferenc/37_segment_33.wav|pˈatʃɨw na starʃˈɛɡɔ mɛ̃ʃtʃˈɨznɛ w dwˈuɡʲix spˈɔdɲʲaɣ z nˌɔɡafkˈami spʲɛntˈɨmi klamˈɛrkɔ̃, ktˌurɨ tsˈɔraz bˈardʑɛj ɔddˈalaw ɕɛ ɔt sˌamɔxˈɔdu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_106.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_230.wav|ˈɔx, tsˈɔ za bzdˈurɨ ˌɔpɔvʲˈadaʃ. zɡaɲˈiwam ɡˈɔː i zvrutɕˈiwam ɕɛ dɔ ɡʲˈina.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_60.wav|tsˈantɔn artˈɛmis|4
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_32.wav|pɔvˈɔli, z zˌaxɔvˈaɲʲɛm najvˈɨʃʃɛj ˌɔstrɔʒnˈɔɕtɕi, skrˈadam ɕɛ f strˈɔnɛ stɔdˈɔwɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_202.wav|rˈɔdʑi ɕɛ pˈɛwna ɕˈiw vitˈalnɨx i umjˈɛra, kʲˈɛdɨ jɛst skɔstɲʲˈawa i vˌɨtʃɛrpˈana.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_307.wav|mˈukw sprubˈɔvatɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_54.wav|s pʃˌɨjɛmnˈɔɕtɕɔ̃ ˌawtɔrɨzˈujɛ ɕlɛdʑˈɛɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_107.wav|ʃkˈɔda, ʒˈɛ ɲʲɛ bˌɨwɔ mɲʲɛ tˈu ftˈɛdɨ, ɡdˈɨ tɛn ɡrˈubas mu pʃˌɨwadˈɔvaw.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_58.wav|na ʃtʃˈɛɲɕtɕɛ stsˈɔtt pɔspʲˈɛʃɨw mi na ratˈunɛk.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_40.wav|sˈam zvʲˈɛɕiw ɡwˈɔvɛ i vɨbˈuxnɔw pwˈatʃɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_4.wav|mˈɔjɛ dʑˈɛtɕi sɔ̃ bɛspʲˈɛtʃnɛ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_154.wav|ʒˈɛkwa kɔbjˈɛta.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_220.wav|ftˈɛdɨ ɔdˈɛzvaw ɕɛ pʃˌɛɲiklˈivʲɛ i dɔnˈɔɕɲʲɛ jˈakiɕ ptˈaʃɛk i tsˈawɨ lˈaz zˈatʃɔw ɡˈɔ swˈuxatɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_70.wav|pɔvʲˈɛdʑaw stˈaʒɛts. — pʃˌɛtɕɛʃ ɲʲˈɛmam nˈavɛt nˈɔɡʲi.|0
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_24.wav|zapˈɨtaw tsɛlˈɔvɔ, ˌɔkazˈujɔnts ˌirɨtˈatsjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_90.wav|zˈatʃɲij ɕɛ zˌaxɔvˈɨvatɕ, ˈanɔ, ˈalbɔ vˌɨlatˈujɛʃ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_144.wav|tˈata ɲʲɛ stˈanɔw w mˈɔjɛj ɔbrˈɔɲʲɛ, ɲʲɛ ɔdvˈaʒɨw ɕɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_12.wav|bˈɛtskɨ uznˈawa, ʒˈɛ ɲʲˈɛma sˈɛnsu dwˈuʒɛj rɔzmˈavʲatɕ ɔ tɛj sˌɨtuˈatsji.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_175.wav|ɲʲɛbjˈɛskʲɛ ɕfʲˈatwa bwɨskˈajɔ̃ na dˈaxu i za krˌatɔvɲˈitsɔ̃ vlˈɔtu pɔvʲˈɛtʃa.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_87.wav|nɔrmˈalka pʃɨ ɡrˌavitˈatsji kɕˌɛ̃ʒɨtsˈɔvɛj.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_9.wav|tʃɨ mˈɔɡwabˌɨm zamjˈɛɲitɕ s pˈaɲʲɔ̃ kˈilka swˈuf?|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_265.wav|ɲʲˈɛbɨw tˈak ɕlˈɛpɨ jˈak jˈa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_438.wav|tˌɨlkɔ ɲʲɛ jˈa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_34.wav|pʃɨnˈajmɲʲɛj tˈaɡ dwˈuɡɔ, jˈak xtsˈɛʃ tˈu pratsˈɔvatɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_154.wav|tʃɨ fpˈadwabˌɨm mu w ramjˈɔna? tʃɨ nˌakʃɨtʃˈawabˌɨm na ɲʲˈɛɡɔ zˈatɔ fʃˈɨstkɔ, tsˈɔ zrˈɔbʲiw i tsˈɔ rˈɔbʲi tˈɛras?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_9.wav|ɡwˈɔs stˈaw ɕɛ jˈɛʃtʃɛ wˌaɡɔdɲʲˈɛjʃɨ, jˈaɡbɨ kɔbjˈɛta prˌubɔvˈawa bˈɨtɕ pʃɨjˈazna.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_257.wav|tsɔkˈɔlvʲɛɡ zrɔbʲˈimɨ, musˈimɨ tɔ zrˈɔbʲitɕ ʃˈɨpkɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_115.wav|tsˈɔ ja pˌɔvʲɛdʑˈawam?|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_77.wav|bʲˈillɨ ˌɔtpɔvʲˈada, ʒˈɛ ˈutʃɨw ɕɛ stʃˈɛlatɕ na ʃkɔlˈɛɲʲu vɔjskˈɔvɨm na stˈudjax, ʒˈɛ mʲˈaw dɔ tˌɛɡɔ smɨkˈawkɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_193.wav|parsknˈɛwam ɕmʲˈɛxɛm. ɲʲɛ tɨm rˈazɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_30.wav|ja tˈɛʃ ɲʲɛ mʲˈawam pʃɨjˈatɕuw, bˈɔ ɲʲɛ zatʃˈɛwam jˈɛʃtʃɛ xˈɔdʑidʑ dɔ nˈɔvɛj ʃkˈɔwɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_208.wav|ɲˈiɡdɨ vʲˈɛntsɛj ɲʲɛ zɡvˈawtɕi dʑˈɛtska, ɲʲɛ zabʲˈijɛ sˈɨna, ɲʲɛ utʃˈɨɲi ʒˈadnɛj ˈinnɛj pɔdwˈɔɕtɕi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_362.wav|a mˌuʒɨnˈɔvi, ktˌurɨ ɡrˈaw na trˈɔmptsɛ, vˈɨrvaw ˈɔtʃɨ, vɨʒˈutɕiw ɡˈɔ pʃˈɛs ˈɔknɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_149.wav|vˈɔlɛ pamjˈɛntatɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_9.wav|a ˈandɛrsɔn pˈatʃɨw na rˌɔzbjɛrajˈɔntsɨx ɕɛ mwˈɔdɨx lˈudʑi ɔ dwˈuɡʲiɣ vwˈɔsax i...|0
+Dataset/wavs/urwisko_ferenc/63_segment_138.wav|kˈarɔl xudʑˈiɲski|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_97.wav|tˈɛras, ɡdˈɨ tˈɨvin ɲʲɛ ʒˈɨjɛ, bˈɔjɛ ɕɛ ˈɔnas fʃˈɨstkix.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_213.wav|mˈam tˈu spɛtsjˈalnɨ sˈɨstɛm fˈiltruf, ɔznˈajmiw trˈɔnt.|4
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_250.wav|kˈɛvin pʃɨnˈajmɲʲɛj mˈa jˈɛʃtʃɛ jɛdnˈɛɡɔ dʑɛdʑˈitsa, martʲˈina.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_69.wav|skrˈɛntsa w lˈɛvɔ na sˈɛtsɔnt strˈit, pˈɔtɛm znˈuf w lˈɛvɔ na lɔrˈɛal i vrˈɛʃtɕɛ f prˈavɔ na jˈantsɛj.|2
+Dataset/wavs/urwisko_ferenc/27_segment_109.wav|ˌalɛ mˈam vraʒˈɛɲʲɛ, ʒˈɛ pˌɔpɛwɲˈiwɛm bwˈɔnt. sˌuɡɛrˈujɛ pˈaɲi bˈɛs tɕˈɛɲʲa dɔvˈɔduf, ʒˈɛ ɕmʲˈɛrdʑ dʑˈɛtska ɲʲɛ nˌastɔmpˈiwa s pɔvˈɔdu udˈaru.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_25.wav|jˈɛɕli jˈɛɡɔ plˈan vˈɛʑmʲɛ w wˈɛp i ˌɔna nˈatɨm utɕˈɛrpi, pʃɛʒˈɨjɛ kɔlˈɛjnɔ̃ trˈawmɛ. bˌɛɲdʑɛ mˈuɡw zˈatɔ vˈiɲitɕ tˌɨlkɔ ɕˈɛbjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_16.wav|ɲˈiɡ vˌɨkɔnˈujɛ pˌɔlɛtsˈɛɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_27.wav|tʃɛkˈawa mɲʲɛ dwˈuɡa vɛndrˈufka i muɕˈawam zrˌɛɡɛnɛrˈɔvatɕ ɕˈiwɨ.|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_176.wav|tɔ bˌɨwɔ tˈak, jˈaɡbɨ vrˈutɕiw krulˈɛfski vʲˈɛts.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_301.wav|i tsˈɔ tˈɛraz zrˈɔbʲiʃ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_80.wav|swɨʃˈawɛɕ, tsˈɔ pˌɔvʲɛdʑˈawɛm? vˈɨwɔntʃ tɔ.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_239.wav|rˌɔskazˈawa tsɛrsˈɛi.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_247.wav|vɨdˈajɛ im ɕɛ, ʒˈɛ jˌɛstɛm tˈakim kalˈɛkɔ̃, ˈiʃ ɲʲɛ pɔtrˈafjɛ sˈam zlˈɛɕtɕ s kˈɔɲʲa?|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_293.wav|ɔ tʃɨm tɔ tˈɛras ˈidʑɛ?|0
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_254.wav|ɲʲɛ vrˈutsɛ jˈuʒ dɔ starˈɛɡɔ mʲˈasta.|1
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_233.wav|na fʃˈɨstkʲɛ tɕˈɛpwɔ krfˈistɛ zvʲɛʒˈɛnta.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_138.wav|pɔtʃˈɛdwɛm dɔː ˈɔkna, ɡdʑˈɛ vʲˈɛntsɛj bˌɨwɔ tˌɛɡɔ rˌudavˈɛɡɔ ɕfʲˈatwa latˈarɲi ulˈitʃnɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_172.wav|stʃˈɛlaʃ, pɔ pʲˈɛɲtɕu ɡˈura dʑɛɕˈɛɲtɕu sɛkˈundaɣ za tˈamtɔ̃ kafˈɛjɔ̃ bˌɛɲdʑɛ pɔtˈɛ̃ʒnɨ xˈuk.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_662.wav|vˌɨmɛntʃˈɨwɛm pˈana.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_50.wav|ˈanna ˌɔdvrutɕˈiwa lˈɛkkɔ ɡwˈɔvɛ, ʒˈɛbɨ spˈɔjʒɛtɕ na lˈintsaj i ˌuɕmʲɛxnˈɛwa ɕɛ z zˌakwɔpɔtˈaɲʲɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_209.wav|i tsˈɔ dɔbrˈɛɡɔ pʃɨɲʲˈɛɕɛ nˈam tɛn drˈɔbnɨ ˈaɡd vˌandalˈizmu?|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_129.wav|— ɲʲɛ ˈɔtɨm mɨɕlˈawɛm — ʒˈɛkw rˈɨan.|0
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_295.wav|ʒˈɛ xtsˈɛʃ ˈɔdɛjɕtɕ?|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_367.wav|kʲˈɛdɨ vratsˈaliɕmˌɨ z vintˈɛrfɛll...|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_39.wav|mˈɔjɛ swˈɔva ɲʲɛ zɔstˈawɨ jˈɛdnak ˌuswɨʃˈanɛ, pɔɲʲˈɛvaʒ baˈilɛj zˈasnɔw.|3
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_173.wav|dˈalɛj ɔt krulˈɛfskʲɛj pʃɨstˈaɲi ɲʲɛ bˌɛɲdʑɛ tɔ jˈuʒ vˌɨ��lɔndˈawɔ tˈak ruʒˈɔvɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_79.wav|vɨʒˈutɕiw rˈɛŋkɛ dɔ pʃˈɔdu i ɔbrˈutɕiw nadɡˈarstɛk, jˈaɡbɨ tʃˈɨmaw brˈɔɲ. pˈɔtɛm jˈɔ̃ tsˈɔfnɔw.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_100.wav|w ˈinnɨɣ dɲʲˈax pˌɔznavˈawa tʃˈɨ nˈɔvɛ ʒˈartɨ, zaɡˈatki ˈalbɔ ʃtˈutʃki stˌɔsɔvˈanɛ w jˈakimʑ zavˈɔdʑɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_43.wav|tˈɔm pɔmˈɨɕlaw, ʒˈɛ ˌɔkrɛɕlˈɛɲʲɛ dʑˈivnɛ bˌɨwɔ lˈɛkkim ɲʲˌɛdɔmuvʲˈɛɲʲɛm, ˌalɛ mˈɔʒɛ pˈaɲi strˈakan zdaʒˈawɔ ɕɛ vɨxˈɔdʑidʑ z dˈɔmu pɔ puwnˈɔtsɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_169.wav|tˈɛras tfˈɔja kˈɔlɛj, mˈuvi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_106.wav|muvˈili, ʒˈɛ tɔ bˌɨwɨ pˌɔraxˈuŋki ɡaŋkstˈɛruf i sprˈaftsa pɔmˈɨliw patrˈɨka klɛrkˈɛa s kˈimɕ ˈinnɨm.|2
+Dataset/wavs/urwisko_ferenc/25_segment_88.wav|pʃˌɛjɛxˈawa jɛ̃zˈɨkʲɛm pɔ rˌɔsxɨlˈɔnɨɣ vˈarɡax, ɔpˈarwa ɡwˈɔvɛ ɔ ɕtɕˈanɛ.|0
+Dataset/wavs/urwisko_ferenc/24_segment_35.wav|i ˌɔkazˈawɔ ɕɛ, ʒˈɛ sˈɨn dʑvˈɔɲiw dɔ mˈatki kˈilka rˈazɨ. ɔstˈatɲʲɛ pˌɔwɔntʃˈɛɲʲɛ ˌɔdɛbrˈawa rˈanɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_43.wav|ˌɔkazˈujɛ ɕɛ, ʒˈɛ ktˈɔɕ, zapˈɛvnɛ zˈɔɛ, dˌɛtsɨdˈujɛ ɕɛ ɔtfˈɔʒɨdʑ dʒvˈi, bˈɔ pɔ kˈilku sɛkˈundax swˈɨʃɛ kʃˈɨk nˈuʒɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_8.wav|pɔdˈɔbnɔ nˈajpʲɛrf pɔmˈɨɕlaw ˈɔmɲʲɛ, ˌalɛ ˌɔstatˈɛtʃɲʲɛ nˈavɛt ɲʲɛ zvrˈutɕiw ɕɛ dɔ butskʲˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_89.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_79.wav|ɡrˌatulˈujɛ tɕi prˈatsɨ!|4
+Dataset/wavs/drzwi_anna_szymanczyk/(23) R.Abbott_Zamknij Drzwi_segment_8.wav|jɛst tsˌawkɔvˈitɕɛ ɔtpˈɔrna na mˈɔjɔ̃ dˌɛzaprɔbˈatɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_52.wav|mˈɔɡɛ i xˈɛntɲʲɛ zrˈɔbjɛ. jˈaɡ dwˈuɡɔ vˈas ɲʲɛ bˈɛɲdʑɛ?|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_214.wav|ubrˈaɲʲa ɕɛ drˈɔ̃ i butfʲˈɛjɔ̃, a pɔwˈɔva z ɲˈix srˈa f pˈɔrtki ɔt pˈitɕa zɛpsˈutɛj vˈɔdɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_4.wav|ˌɔpsɛrvˈujɛ ɡˈɔ pʃˈɛs ˈɔknɔː i vˈidʑɛ, ʒˈɛ utˈɨka.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_317.wav|prˈavɛ rˈamjɛ bɔlˈawɔː ˌandɛrsˈɔna.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_125.wav|mˈɔʒɛ i jɛzd bwˈaznɛm.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_210.wav|tˈɛras ɲˈits, pɔvʲˈɛdʑaw, ˌalɛ mˈam pˈaru kˈumpli i mˈɔʒɛ pɔjˈadɛ z ɲˈimi dɔ mɛksˈɨku. bɛɲdʑˌɛmɨ rˈɔbʲitɕ tsˈut, vʲˈɛʃ, dɛvˈɛin.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_294.wav|kamˈɛrɨ na skafˈandrax sɔ̃ vˌɨwɔntʃˈɔnɛ. jɛst tˈam mˈuj ˈɔjtɕɛts?|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_493.wav|ˈɔstʃɛɡw jˈɔ̃ pˈɛtɛr. mˈuɕiʒ bˈɨdʑ bˈardʑɔː ɔstrˈɔʒna.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_405.wav|ujˈɛntɨ w rˈamɛ bjˈawɛj futrˈɨnɨ dʒvˈi wˌaʑɛŋkˈɔvɨx,|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_316.wav|pˈɔtʃɛd, xtɕˈaw vɨkˈɔnatɕ jˈakiɕ sɛrdˈɛtʃnɨ ɡˈɛst, ˈalɛ...|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_7.wav|kˈaʒdɨ stˈaf jɛzd zˌablɔkɔvˈanɨ, a pɔvʲˈɛki mˈam mˈɔtsnɔ zˌatɕiɕɲʲˈɛntɛ.|3
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_8.wav|pɔt kɔtsˈami ˌɔbɔk talˈɛi i brˈɛi bˌɨwɔ jɛj tɕˈɛpwɔː i pʃɨtˈulɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/02_segment_89.wav|ftˈɛdɨ jˈuʒ vʲɛdʑˈawɛm, ʒˈɛ stˈawɔ ɕɛ tsˈɔʑ zwˈɛɡɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_131.wav|tˌɨlkɔ ɲʲɛ umjˈawɔ jˈuʃ pwˈakatɕ.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_175.wav|pˈɛvɲʲɛ bˌɛndɛ muɕˈawa znˈalɛɕtɕ nɔvˈɛɡɔ krˌulɛfskʲˈɛɡɔ kˈata, ktˌurɨ zˈɛtɲʲɛ jɛj ɡwˈɔvɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_46.wav|rˈɔp fskˈazaw tˈɛkst pɔt jˈɛɡɔ nazvˈiskʲɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_61.wav|ˈandɛrsɔn ɲʲɛ ˌɔtpɔvʲˈɛdʑaw. ˌɔdvrutɕˈifʃɨ ɡwˈɔvɛ w lˈɛvɔ, pˈatʃɨw na stˌartujˈɔntsɨ samˈɔlɔt.|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_120.wav|jˌɛstɛɕ pˈɛvʲɛn, ʒˈɛ tɔ tˈutaj? pˈɨta ˈɛlis.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_264.wav|pˈɔvʲɛts tɔ, pˈɔvʲɛts tɔ.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_203.wav|sˈɛr ˈɔsmunt pɔdjˈɛxaw dɔ ɲʲˈɛj trˈuxtɛm. ˌɔbɔk ɲʲˈɛɡɔ pɔdˈɔ̃ʒaw jˈɛɡɔ brˈat, sˈɛr ˈɔsfrɨt, dˌɔɕadajˈɔntsɨ ɔɡʲˈɛra zwˌɔtɕistˈɛɡɔ jˈak jˈɛɡɔ pwˈaʃtʃ.|1
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_301.wav|dˈaj jɛj lɔrdˈɔfskʲɛj mˈɔɕtɕi kˈubɛk swɔtkʲˈɛɡɔ mlˈɛka.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_206.wav|pɔswˈuxaj, mˈam pˈɛvʲɛn pˈɔmɨsw pˌɔvʲɛdʑˈawam ˌalɛ pˌɔtʃɛbˈujɛ tfˈɔjɛj pɔmˈɔtsɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_100.wav|pʃˈɛdɛ fʃˈɨstkim ɲʲɛ mɔʒˈɛmɨ tˈu zˈɔstatɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_98.wav|ɔt ˈilu lˈat jɛst pˈan zˌavɔdˈɔvɨm? zapˈɨtaw vrˈɛʃtɕɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_178.wav|bʲˈillɨ vˈidʑaw jˈɔ̃ tˌɨlkɔ wˈɛ fˈilmax, jˈak kʃˈɨk f tɕɛmnˈɔɕtɕi i na zdjˈɛɲtɕax w natjˈɔnal ɡˌɛɔɡrˈafits i trˈavɛl, ɲˈiɡdɨ na vwˈasnɛ ˈɔtʃɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_319.wav|ˌɔtɔtʃˈɔna pʃˈɛs ˌɛfɛktˈɔvnɔ̃, zalˈɔtnɔ̃ starʃˈɨznɛ pˌartɨzˈantskɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_206.wav|pʃɛjʒˈawam kˈaʒdɔ̃ z lɔkˈalnɨx strˈɔn ˌintɛrnɛtˈɔvɨx i fʃˈɨstkɔ fskˌazɨvˈawɔ nˈatɔ, ʒˈɛ ɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_173.wav|vʲɛdʑˈawam, ʒˈɛ mˌajɔ̃ w mʲˈɛɕtɕɛ tsˈɔ nˈajmɲʲɛj jɛdnˈɛɡɔ tsˈɨŋɡla. pɔmˈɔɡwaʑ vɨbˈavidʑ ɡˈɔ s krɨjˈufki i tˈɛras ɕˈɛdʑi w arˈɛʃtɕɛ. jˌɛstɛm tɕi zˈatɔ vdʑˈɛntʃna.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_48.wav|zrɔbʲˈiwa vʲˈɛlkʲɛ ˈɔtʃɨ, pɔ tʃɨm zrˌɔzumjˈawa ɔ tsˈɔ xˈɔdʑi i pɔtˈulɲʲɛ pisnˈɛwa, dˈɔbʒɛ prˈɔʃɛ pˈana?|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_168.wav|bʒmˈiʒ zdrˈɔvʲɛj, ɲʲɛ sˈapʲɛʃ jˈak kʲˈɛdɨɕ.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_138.wav|dʑˈurɨ w ɲʲˈɛj zˌawatˈanɔ kˌavawkˈami brɔ̃zˈɔvɛj skˈurɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_347.wav|ɲʲɛ mˈɔʒna zˌafawʃˈɔvatɕ tsˈudʑɛj pamjˈɛɲtɕi.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_134.wav|pˌɔtsawɔvˈawa mˈawɔ̃ krulˈɔvɔ̃ f pɔlˈitʃɛk i pɔtʃˈuwa smˈak jɛj wˈɛs.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_72.wav|mˈɔʒɛ, ˌalɛ kʲˈɛdɨ fʃˈɨstkʲɛ tɛ ʃtˈɨvnɛ rˈamɨ zɲˈikwɨ, pɔtʃˈuwam ɕɛ, jˈaɡbɨ ʑˈɛmʲa ˌusunˈɛwa mi ɕɛ spˈɔt nˈuk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_25.wav|bˌɨwa kˈimʑ vˌɨjɔntkˈɔvɔ nˌastavʲˈɔnɨm na vɨɲˈiki, tsˈɔ zrˌɔzumjˈawɛ, ˌalɛ jˌɛdnɔtʃˈɛɕɲʲɛ mʲˈawa skwˈɔnnɔʑdʑ dɔː ˌɔtʃɛkivˈaɲʲa ʒˈɛtʃɨ ɲʲˌɛɔɕɔŋɡˈalnɨx.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_4.wav|dʑɛŋkˈujɛ vam za pʃˌɛtʃɨtˈaɲʲɛ ˌidɛalnˈɛɡɔ kwˈamstfa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_88.wav|xˈɨba maʃ rˈatsjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_86.wav|znˈatʃki sɔ̃ s flɔrˈɨdɨ, vʲˈɛnts rɔdʑˈina muɕˈawa ɕɛ tˈam pʃˌɛprɔvˈadʑitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_153.wav|ʒˈɛbɨ ratˈɔvadʑ vwˈasnɛ ʒˈɨtɕɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_11.wav|— nˈɔ tsˈuʃ, trˈudnɔ mu ɕɛ dʑˈivitɕ. — ˈɔtpar tˈɔm, a lˈutsɨ ʃturxnˈɛwa ɡˈɔ lˈɛkkɔ w rˈamjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_99.wav|jˈasna xɔlˈɛra.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_598.wav|dˈɔkɔnt ˈidʑɛʃ? pˌɔvʲɛdʑˈawa ɲʲɛɡwˈɔɕnɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_70.wav|ʒˈɛ pˌɔstanˈɔviw ˈutɕɛts ɕɛ dɔ mˌɛsmɛrˈɨzmu, ˈalbɔ çipnˈɔzɨ, jˈɛɕli vˈɔliʃ, w drˈuɡʲɛj fˈaʑɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_97.wav|kʲˈɛdɨ stˌudjɔvˈawam na ˌuɲivˌɛrsɨtˈɛtɕɛ w mˌanxɛstˈɛʒɛ, zˌaaŋɡˌaʒɔvˈawam ɕɛ f pʃˈɛkrɛnd zvʲɔ̃zˈanɨ s kartˈami.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_79.wav|f kˈɔɲtsu ɲʲɛ mˈɔʒna ɲʲˌɛnavˈidʑitɕ fʃˈɨstkix.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_276.wav|jˈakɔ rˈɔdʑits muɕˈawɛm zdˈatɕ ɕɛ na ˌimprɔvizˈatsjɛ, sˈama vʲˈɛʃ.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_210.wav|zvwˈaʃtʃa nˈɔtsɔ̃, ɡdˈɨ pɔ mʲˈɛɕtɕɛ krɔ̃ʒˈɨwɨ zbʲˈirɨ i daxˈɔvɛ ʃtʃˈurɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_181.wav|jˈɛɕli ˌɔnɔː istɲʲˈɛjɛ, pˈɛvɲʲɛ ɕɛ tˈam spɔtkˈamɨ. valɲʲˈɛmɨ rˈazɛm drˈiŋka, ɕˈarkɛ z lˈɔdɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_49.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ ɲʲˈɛitɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_93.wav|ɲʲˈɛxtɕaw vʲˈɛdʑɛtɕ ɲˈidʑ vʲˈɛntsɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_71.wav|a pˈɔtɛm, kʲˈɛdɨ zdɔbˈɛndɛ vˌɨkʃtawtsˈɛɲʲɛ, tsˈawa nˈaʃa tʃfˈurka zˌaɔpʲɛkˈujɛ ɕɛ rˌɔdʑitsˈami.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_81.wav|za kravˈɛɲdʑɔ̃ stˈɔwu vidʑˈawɛm ɕˈɛbjɛ w drˈuɡʲim pɔkˈɔju zɡˌarbjɔnˈɛɡɔ nat kˈantɛm bjˈurka.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_303.wav|bˈɨtɕ mˈɔʒɛ ftsˈalɛ ɲʲɛ sɔ̃ tˈaɡ vʲɛlkˈimi ɡwuptsˈami i psˈami, jˈak ɕɛ ˌɔbavʲˈawɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_47.wav|mɔʒˈɛmɨ ɕɛ zɔbˈatʃɨtɕ, ˌalɛ ɲʲɛ dˈɔtknɔɲtɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_176.wav|ɲʲɛ pɔmˈɨliw ɕɛ f tʃˈaɕɛ vˈɔjnɨ. ɲʲɛ zawˈamaw ɕɛ f tʃˈaɕɛ tɨx lˈad w vʲɛ̃ʑˈɛɲʲu, ˌalɛ pɔmˈɨliw ɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_109.wav|i mˈiwa dla pʃɨjˈatɕuw i sɔ̃ɕˈaduf, kʲˈɛdɨ mʲɛʃkˈaliɕmˌɨ jˈɛʃtʃɛ w lɔndˈɨɲʲɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_62.wav|tɔ tˌɨlkɔ fˈatsɛt, ktˌurɨ dˈɔstaw kˈɔʃa i ʑlˈɛ tɔ pʃˈɨjɔw.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_23.wav|vwˈaɕɲʲɛ uznˈawam, ʒˈɛ mˈɔjɛ ʒˈɨtɕɛ ɲʲɛ mˈɔʒɛ bˈɨtɕ jˈuʃ xˈɨba ʃtʃɛɲɕlˈifʃɛ, kʲˈɛdɨ fʃˈɨstkɔ zatʃˈɛwɔ ɕɛ sˈɨpatɕ.|3
+Dataset/wavs/urwisko_ferenc/08_segment_81.wav|vˌɨruxˈali mɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_368.wav|spˈaw tˈam krˈul rˈɔbɛrt.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_21.wav|dˈaltɔn rˌɔzwɔntʃˈɨwɔ nˈas?|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_54.wav|ˌalɛ f tɛj xfˈili pˌɔtʃɛbujˈɛmɨ...|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_148.wav|pɔtʃˈuwam lˈɛkki pˈɔdmux, kʲˈɛdɨ vwɔntʃˈɨwɨ ɕɛ pˈɔmpɨ, ktˌurɛ mʲˌawɨ za zadˈaɲʲɛ zastˈɔmpidʑ vˌɨpɛwɲʲajˈɔntsɛ bˈaɲkɛ pɔvʲˈɛtʃa ɕfʲˈɛʒɨm tlˈɛnɛm zˈɛ zbjɔrɲˈikuf ˌavarˈɨjnɨx.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_70.wav|ɲʲɛ znalˈɛʑliɕmˌɨ jˈɛdnak ɲitʃˈɛɡɔ, tsˈɔ wˌɔntʃɨwˈɔbɨ jˈɔ̃ s ktˌurɨmkˈɔlvʲɛɡ z zˈabujstf, pˈɔza tˈɨm, ʒˈɛ jɛj samˈɔxud znˈalas ɕɛ na parkˈiŋɡu s pˈuw ɡɔdʑˈinɨ pʃɛd zabˈujstfɛm jaɡˈɛra.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_323.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_62.wav|w ɕfʲˈɛtlɛ pˌɔjavˈiwa ɕɛ dʑɛftʃˈɨŋka pxajˈɔntsa pˈɛwnɔ̃ vˌɔdɔrˈɔstuf tˈatʃkɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_215.wav|zˈatɛm ja tˈɛʃ jˌɛstɛm vˈinna.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_308.wav|pˌɔviɲʲˈɛnɛm dˈɔtʃɛdʑ dɔ ɲʲˈɛj pʲˈɛrʃɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_448.wav|tʃwˈɔvʲɛk na kˌɔrɨtˈaʒu mˈuviw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_326.wav|zˈatɛm z ɡˈurɨ ɲʲˌɛnavidʑˈiwɛm pʃˈɛs tsˈawɨ dʑˈɛɲ tˌɛɡɔ pʃɨjˈɛɲtɕa,|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_8.wav|pˈili znˈa tɛn smˈak.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (5)_segment_52.wav|pʃˌɛkazɨvˈawɛm vwˈaɕɲʲɛ zˌɛspɔwˈɔvi mˌarkɛtʲˌiŋɡɔvˈɛmu strˈaʃnɛ vʲˈɛɕtɕi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_275.wav|ja vʲˈɛm, jˈak tɔ jˈɛst.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_75.wav|mwˈɔdɨ tʃwˈɔvʲɛk s tʃˈapkɔ̃ mˌundurˈɔvɔ̃ w rˈɛŋku uxˈɨlaw pʃɛdˈɛmnɔ̃ dʒvˈi tɛj lˌimuzˈɨnɨ ɲʲɛ z naʃˈɛɡɔ ɕfʲˈata.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_32.wav|ɲˈikt ɕɛ s xˈɔffɛm ɲʲɛ skˌɔntaktˈɔvaw. ktˈɔɕ skˌɔntaktˈɔvaw ɕɛ z ɲˈitskʲɛm i kˈazaw mu ftɕˈɔŋɡnɔɲtɕ f tɔ xˈɔffa.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_212.wav|tˈaɡ vʲˈɛndʑ dla tʃwɔvʲˈɛka jɛdˈɨnɔ̃ pravdʑˈivɔ̃ i istˈɔtnɔ̃ kˈarɔ̃ jɛzd vʲˈara.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_273.wav|pjˈa pʃˌɨtɕiskˈawa ubrˈaɲʲa dɔ pʲˈɛrɕi. mˈinstrɛl natɕˈɔŋɡaw strˈunɛ xˈarfɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_43.wav|mˈɔʒɛ tˈɛʃ ˌɔpʃɨtˈɔmɲʲɛtɕ ftʃˈɛɕɲʲɛj, ˌalɛ rˈatʃɛj ɲʲɛ ftʃˈɛɕɲʲɛj, ɲˈim bʲˈillɨ zrˈɔbʲi, tsˈɔ mˈa dɔ zrɔbjˈɛɲʲa.|2
+Dataset/wavs/urwisko_ferenc/36_segment_63.wav|tɔ w jˈakim tʃˈaɕɛ nastˈɔmpiwbˌɨ zɡˈɔn?|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_90.wav|jɛdˈɨnɔ̃ tʃˈarnɔ̃ tʃˈɛɲɕtɕɔ̃ jˈɛɡɔ ɡˌardɛrˈɔbɨ bˌɨwɨ bˈutɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_77.wav|ja ɲʲɛ mʲˈawam nˈatɔ ɕˈiwɨ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_392.wav|jˈɛɕli tˌɛmu vrublˈɔvi vɨdˈajɛ ɕɛ, ʒˈɛ zmˈuɕi, jˈɛbɨ mɲʲɛ kwamlˈivʲɛ ˌɔskarʒˈɨwɨ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_26.wav|zˌapɨtˈawa, tʃɨ tfˈɔja mˈatka jɛzd w dˈɔmu. pˌɔvʲɛdʑˈawɛm, ʒˈɛ ɲʲɛ. jɛst f tsˌawɔdɔbˈɔvɛj prˈalɲi w ˌɛdɛndˈalɛ, ɡdʑˈɛ pratsˈujɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_131.wav|tsˈɔ ɕɛ dʑˈɛjɛ?|0
+Dataset/wavs/urwisko_ferenc/17_segment_71.wav|ɲʲˈɛx pˈaɲi vˈɛjdʑɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_134.wav|zmɛntʃˈɛɲi ˌalkɔxˈɔlɛm, bˌɛstʃɨnnˈɔɕtɕɔ̃ i upˈawɛm,|0
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_127.wav|ɲʲˈɛzwɨ rˌɔskrɛɲtɕˈiliɕmˌɨ spˈisɛk, stfʲɛrdʑˈiwa ˈɛlis, kʲˈɛdɨ vˈɛʃliɕmˌɨ s pɔvrˈɔtɛm dɔ ɕrˈɔtka.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_113.wav|ˈɔjtɕɛdʑ bˈɨw f ʃˈɔku pɔ jɛj zɲikɲʲˈɛɲtɕu.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_71.wav|jˈuʒ vɨswˈawɛm zˈaɲim psˈɨ i trˌɔpitɕˈɛli.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_114.wav|kˈarta zɔstˈajɛ ɔtkrˈɨta.|3
+Dataset/wavs/urwisko_ferenc/10_segment_13.wav|zˌamrutʃˈawa tsˈɔɕ ɲʲˌɛzrɔzumjˈalɛ i pˌɔɡwadʑˈiwa ɡˈɔ dwˈɔɲʲɔ̃ pɔː ˈudʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_117.wav|dɔ tɛj pˈɔrɨ zˈafʃɛ tˌaki bˈɨw ˈukwat.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_209.wav|ɲʲɛ xtɕˈawam jɛj kʃˈɨvdɨ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_79.wav|ɲʲˈɛmɲʲɛj jɛst ˌuʒɨtˈɛtʃnɨ na sfˈuj spˈɔsup.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_98.wav|kʲˈɛdɨ pɔtxˈɔdʑi dɔ rˈɛntʃ rɔvˈɛra, ˈaram nˈavɛt ɕɛ ɲʲɛ rˈuʃa, ʒˈɛbɨ jɛj pˈɔmuts.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_271.wav|ɔn ɲʲˌɛnavˈidʑi xˈɔffɨ, bˈɔ xˈɔffa bˈɨw kʲɛrˈɔftsɔ̃ tɕˌɛ̃ʒarˈufki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_239.wav|ˌalɛ pˈɛvɲʲɛ i tˈak tˈam vˈɛjdʑɛʃ. tˈak jˈaɡ vˈɛʃliɕtɕˌɛ dɔ dˈɔmu zˈabaf i prˈɔʃɛ, jˈak tɔ ɕɛ skɔɲtʃˈɨwɔ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_190.wav|pɔpʃˈɛdɲʲɛj nˈɔtsɨ znˈɔvu dˈɔʃwɔ dɔ ɡvˌawtɔvnˈɛɡɔ ʃtˈɔrmu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_108.wav|ɲˈiɡdɨ ɲʲɛ bˌɨwɔ na tsˈɔ tʃˈɛkatɕ naprˈavdɛ, pɔvʲˈɛdʑaw mˈikɛ, z vɨjˈɔntkʲɛm tɛj jˈɛdnɛj ʒˈɛtʃɨ.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_36.wav|sˈɛr xˈɨdɛ tfʲˈɛrdʑiw, ʒˈɛ utrˈatɕiw jˈuʒ zmˈɨsw vˈɛnxu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_21.wav|ja ɲˈiɡdɨ ɲʲɛ nˌautʃˈɨwɛm ɕɛ tˈaɲtʃɨtɕ i ʒˈɨjɛ s tˈɨm.|0
+Dataset/wavs/urwisko_ferenc/33_segment_37.wav|musˈimɨ pˌɔrɔzmˈavʲatɕ, ʒˈutɕiw.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_19.wav|i ɲʲɛ martfˈiwabˌɨm ɕɛ ˈɔtɔ, ɡdʑˈɛ ɡˈɔ zɔstˈavʲam. pɔ prˈɔstu zˌaparkɔvˈawabˌɨm jˈak najblˈiʒɛj.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_112.wav|a nˈavɛd ɡdˈɨbɨ zrɔzˈumjaw, pɔrˈadʑiwbˌɨ mi, ʒˈɛbɨm pʲɛrdˈɔliw ɕɛ z ɲʲˈɔ̃ dˈalɛj.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_104.wav|a ɲʲɛ muvˈiwam, ʒˈɛ tɔ trutɕˈizna?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(20) R.Abbott_Zamknij Drzwi_segment_5.wav|lˈɛdvʲɛ zvratsˈawa nˈatɔ uvˈaɡɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_241.wav|muɕˈɛliɕmˌɨ tʃˈɨmatɕ ɕɛ ɕtɕˈiɕlɛ nˌapʲɛntˈɛɡɔ plˈanu, ˌalɛ jˈak na rˈaʑɛ fʃˈɨstkɔ ʃwˈɔ dˈɔbʒɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_195.wav|f tʃˈaɕɛ, kʲˈɛdɨ pʃɛtstˈavja tˈɛ zavˈiwɔ̃ mˌɛtafˈɔrɛ, ˌɔtfʲɛrˈajɔ̃ ɕɛ dʒvˈi kˌantsɛlˈarji ˌadvɔkˈatskʲɛj w ɡwˈɛmbʲi kˌɔrɨtˈaʒa. vɨxˈɔdʑi dʒˈim ˈalbrikt i kʲɛrˈujɛ ɕɛ dɔː ˌubʲikˈatsji.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_222.wav|nazˈɨva ɕɛ sˈal jˈakiɕ tˈam.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_215.wav|a jˈak tɕi ɕɛ zdˈajɛ, dlatʃˈɛɡɔ tɔ rˈɔbjɛ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_127.wav|ɲˈitsk fʃˈɛt pˈɔttʃas ix rɔzmˈɔvɨ, pɔvˈitaw bʲillʲˈɛɡɔ mˈɛ̃skim uɕtɕˈiskʲɛm i kilkˈɔma klˌɛpɲʲɛɲtɕˈami f plˈɛtsɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_231.wav|sˈɛrvus, pɔvʲˈɛdʑaw jˈak kʲˈɛdɨʑ vitˈaliɕmˌɨ i ʒɛɡnˈaliɕmˌɨ kɔlˈɛɡuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_78.wav|pʃɨxˈɔdʑɔ̃ tˈɛʃ pˈaɲstfɔ fˈatsjɔ, xˈɔdʑ bˈɛs sˈɨna, i pˌɛtɛrsɔnˈɔvʲɛ z druɡʲˈɛɡɔ kˈɔɲtsa pʃɛtʃɲˈitsɨ z butˈɛlkɔ̃ tʃˌɛrvɔnˈɛɡɔ vˈina.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_55.wav|pˌamjɛntˈajtɕɛ jˈɛdnak ɔ nˌajvaʒɲʲˈɛjʃɨm, ˌaɲi swˈɔva prˈaɕɛ. istɲʲˈɛjɛ mɔʒlˈivɔɕtɕ, ʒˈɛ tɛn fˈatsɛd bˈɨw tsˈɛlɛm, ˌalɛ ɲʲɛ mˌamɨ tˈakʲɛj pɛvnˈɔɕtɕi.|3
+Dataset/wavs/urwisko_ferenc/04_segment_11.wav|ɲʲɛ bˌɨwa jˈɛɡɔ ʒˈɔnɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_35.wav|mˈam nadʑˈɛjɛ, ʒˈɛ maʃ tɕˈɛpwɛ stˈɔpɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_47.wav|ɔ w mˈɔrdɛ ɔdˈɛzvaw ɕɛ dˈalɛ. mˈiljɔn ɡʲˈituf?|4
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_177.wav|i pʃˌɨpɔmˈina sˈɔbjɛ, ɡdʑˈɛ jˈɛst.|2
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_55.wav|zɔstˈaɲʲɛʒ dˌɛpɔrtɔvˈana.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(01) R.Abbott_Zamknij Drzwi_segment_24.wav|— xtsˈɛ ktˈɔʑ dɔkwˈatkɛ ʑɛmɲʲˈakuf? — pˈɨtam, starˈajɔnts ɕɛ pˈɔzbɨtɕ tɨx ɲʲˌɛpɔkɔjˈɔntsɨx mˈɨɕli.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_95.wav|i ʒˈadɛn tʃwˈɔvʲɛk mi ɡˈɔ ɲʲɛ ɔdbjˈɛʒɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_79.wav|nˌaturˈalɲʲɛ. xˈɛrɨl.|3
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_5.wav|znalˈazwɛm ˈadrɛs tfɔjˈɛɡɔː ˈɔjtsa na strˈɔɲʲɛ ˌintɛrnɛtˈɔvɛj jˈɛɡɔ fˈirmɨ i skˌɔntaktɔvˈawɛm ɕɛ z ɲˈim.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_99.wav|a vʲˈɛʃ, tsˈɔ ja bˈɨm ˌɔtpɔvʲɛdʑˈawa?|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_154.wav|ɲʲɛ kˈɔxaw ɲikˈɔɡɔ, ˌaɲi ɲˈikt ɲʲɛ kˈɔxaw jˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_123.wav|sɔ̃ jˈɛʃtʃɛ stˈatki.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_324.wav|vʲˈɛndʑ zatʃˈɔwɛm jˈɔ̃ znˈɔvu pʲˈɛɕtɕitɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_129.wav|spɔjʒˈawam na ˈɔbras s tˈɨlnɛj kamˈɛrɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_92.wav|— a vʲˈɛndʑ ʒˈɛɡnaj ɕɛ — pˌɔvʲɛdʑˈawa ˈɛstxɛr. — pˈɔvʲɛts, tsˈɔ xtsˈɛʃ mi pɔvʲˈɛdʑɛtɕ, zˈaɲim pʃɨbjˈɛɡnɔ̃ tˈu tɕˈi, ktˌuʒɨ tɕˈɛ ɡˈɔɲʲɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_385.wav|ɲʲɛ mʲˈawa f sˈɔbjɛ ˌaɲi ɕlˈadu ˈɔɡɲʲa tsɛrsˈɛi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_64.wav|f pˈaɲi sɨpʲˈalɲi ɕtɕˈiɕlɛ ʒˈɛdʒ bjˈɔrɔnts. ɲʲˈɛma sˈɛnsu tˌɛmu zapʃˈɛtʃatɕ. ktˈɔ tɔ bˈɨw, pˈan nɔxˈanlɔn?|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_66.wav|jˌɛstɛʑ bjˈawa?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(78) R.Abbott_Zamknij Drzwi_segment_21.wav|spɔdʑˈɛvaw ɕɛ, ʒˈɛ uswˈɨʃɛ jɛj ɡwˈɔs, ˌalɛ mˈimɔ tɔ pɔtskˈɔtʃɨw lˈɛkkɔ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_236.wav|mˈɔʒna bˈɨ ustˈalitɕ jɛj ˈadrɛs. pˌɔtkɔmˈisaʃ prˈɔɕiw, ʒˈɛbɨ mu pˈɔmuts.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_299.wav|ˈɔtʃɛd ɔ pˈuw krˈɔku f tˈɨw, lˈɛtʃ ftɕˈɔ̃ʃ jˈɛʃtʃɛ pˈatʃɨw f tɕˈɛmnɔ̃ i brˈudnɔ̃ ʃˈɨbɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_102.wav|pˈaɲʲɛ prˌɛzɨdˈɛɲtɕɛ, a za tsˈɔ pˈana pˌɔsadʑˈili?|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_91.wav|z ˌɔdɡrɨʑɔnˈɛɡɔː ˈuxa kˈɔzwa sɔntʃˈɨwa ɕɛ rˈɔpa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_97.wav|tɔ tɨ sprˌɔvadʑˈiwaɕ nˈanas tɔ ɲʲɛʃtʃˈɛɲɕtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_92.wav|jˈɛɡɔ lɔrdˈɔfska mˈɔʑdʑ zabrˈɔɲiw pʃɛʃkˈadʑatɕ mu, kʲˈɛdɨ tɔ rˈɔbʲi.|1
+Dataset/wavs/urwisko_ferenc/23_segment_147.wav|tʃɨ krˈutki rˈɔmans mˈɔʒɛ bˈɨtɕ pravdʑˈifʃɨ ɔd vʲˌɛlɔlɛtɲʲˈɛɡɔː utʃˈutɕa?|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_56.wav|ɡdˈɨ pɔlˈuʑɲʲa pˈasɛk, xɔlˈɛrstfɔ znˈuf spˈada.|2
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+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_21.wav|f kˈɔɲtsu ɔtsˈuvam ɕɛ dˌɛlikˈatɲʲɛ, ʒˈɛbɨ na ɲʲˈɛɡɔ pɔpˈatʃɛtɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_166.wav|pʃɨkˈutsnɔw pʃɨ klɛntʃˈɔntsɨm rˌɔbɔtɲˈiku. ʃˈarpnɔw.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_200.wav|zasnˈɔwɛm na mˈɔmɛnt.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_83.wav|tˈɔm bˈɨw zˌadɔvɔlˈɔnɨ, ʒˈɛ lˌɔuˈisa jɛst ˌɔdvrutsˈɔna dɔ ɲʲˈɛɡɔ plɛtsˈami. s pɛvnˈɔɕtɕɔ̃ ɲʲɛ xtɕˈawabˌɨ zɔbˈatʃɨtɕ jˈɛɡɔ mˈinɨ.|3
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_118.wav|s pɛvnˈɔɕtɕɔ̃ sɔ̃ bˈardʑɔ smˌakɔvˈitɛ, ˌalɛ ɲʲˈɛdam jˈuʃ rˈadɨ zjˈɛʑdʑ vʲˈɛntsɛj.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_95.wav|znˈajtɕ jˈakɔ̃ɕ wˈadnɔ̃, dwˈuɡɔ̃ vwˈutʃɲʲɛ i fsˈatɕ mu jˈɔ̃ w dˈupɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_119.wav|xˈɛlɛn tʃɛkˈawa xfˈilɛ, a pˈɔtɛm pˌɔftuʒˈɨwa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_182.wav|tsˈɔ mɲʲɛ ɔpxˈɔdʑi tɛn dˈɛʃtʃ ʃˌɛlɛʃtʃˈɔntsɨ na brˈudnɨx ʃˈɨbax?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_61.wav|vidʑˈawaɕ jˈuʃ ftʃˈɛɕɲʲɛj tˌɛɡɔ xwɔpˈaka?|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_187.wav|rˌɔzwɔntʃˈɨwam ɕɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_105.wav|ktˈɔ zˈapxnɔw tɕˈɛ z drˈɔɡʲi?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_6.wav|dˈɔm i tˈɛrɛn vˈɔkuw sɔ̃ tˈɛras mʲˈɛjstsɛm pʃɛstˈɛmpstfa, a pɔlˈitsja ʃˈuka ʃtʃˈɔntkuf.|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_144.wav|ɲˈiɡdɨ ɕɛ ɲʲɛ tʃˈɛ̃sɔ̃, kʲˈɛdɨ stʃˈɛla. ftˈɛdɨ sɔ̃ jˈak s kamjˈɛɲʲa, ˌalɛ tˈɛraz dɨɡˈɔtʃɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_144.wav|fˈɛliz zanˈɔɕi talˈɛʒɛ i wˈɨʃki dɔ zlˈɛvu.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_28.wav|pɔvʲˈɛdʑaw jˈumbɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_71.wav|ˌalɛ ɕɲʲˈɛk pʃɛd dˈɔmkʲɛm lˈɛtɲim pɔzˈɔstaw ɲʲˌɛnaruʃˈɔnɨ. jɛlˈɛɲʲɛ i ʃˈɔpɨ ˌɔmijˈajɔ̃ tɔ mʲˈɛjstsɛ z dˈala. ˌɔna tˈɛʃ.|2
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+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_375.wav|pʃɛrvˈawa mu tsɛrsˈɛi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_389.wav|a zˈatɛm ˌɔdɛrvˈaliɕmˌɨ ɕɛ ɔt nˈɔrm i nakˈazuf tfˈɔix.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_9.wav|prˈɔʃɛ pˈɨtatɕ ɔ fʃˈɨstkɔ, tsˈɔ kɔɲʲˈɛtʃnɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_107.wav|w mˈɔim ˌɔdʒutˈɔftsu jɛst spɛtsjˈalnɨ lˈuk na tˈɛ maʃˈɨnɛ. zabjˈɛram jˈɔ̃ zˈafʃɛ f pˈɔdruʃ. mˈatkɔ bˈɔska.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_3.wav|vɨɡlˈɔndaw jˈaɡ zwˈɔta rˈɨpka, kʲˈɛdɨ tˈak na pʃˈɛmjan ɔtfʲˈɛraw i zamˈɨkaw ˈusta, jˈaɡbɨ ɲʲɛ vʲˈɛdʑaw, tsˈɔ pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_154.wav|pʃɨznˈanɔ tɕi rivˈɛran z jˈɛɡɔ ʑɛmʲˈami i dˌɔxɔdˈami, ɲˈidʑ vʲˈɛntsɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_37.wav|ɔ kˈurdɛ. vˈɛdwuɡ vˌikipˈɛdji fˈatsɛt praktˈɨtʃɲʲɛ ʒˈɔɲdʑi tsˈawɨm ɕfʲˈatɛm, pʃɨnˈajmɲʲɛj mɛdjˈalnɨm.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_15.wav|pɔlˈitsja vʑˈɛwa jakʲˈɛɡɔʑ ɡˈɔɕtɕa spˈɔt pˈaɲskiɣ dʒvˈi, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_420.wav|ʒˈɛ najlˈɛpʃɛ kwˈamstfa mˈuʃɔ̃ mʲˈɛtɕ f sˈɔbjɛ ʑarˈɛŋkɔ prˈavdɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_49.wav|kʲˈɛdɨ vˈɨʃwam, bˌɨwam tɨm fʃˈɨstkim tˈak pʃɨbʲˈita, ʒˈɛ vɨbrˈawam ɕɛ na pʃɛjˈa��tʃkɛ. zˌapɔmɲʲˈawam nˈavɛt spˈɔjʒɛtɕ f tɛlˈɛfɔn.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_24.wav|pwɔnˈɔntsa zapˈawka pʃˌɛlɛtɕˈawa pʃˈɛs mrˈɔk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_182.wav|bʲˈillɨ zamˈɨka ɕɛ w waʑˈɛntsɛ, vzvˈut mu ɔklˈapuw i mˈɔʒɛ ɕɛ vɨɕˈikatɕ.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_31.wav|i mˈɔdlitɕ ɕɛ ɔ jˈɛʃtʃɛ jˈɛdnɛ ʒɲˈiva.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_117.wav|ɲˈits ɲʲˈɛma, pˌɔvʲɛdʑˈawɛm rˌɔstʃarɔvˈanɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_351.wav|sɛkˈundɛ pɔ sɛkˈuɲdʑɛ, ɡˈɛst pɔ ɡˈɛɕtɕɛ, kˈaʒdɔ̃ krˈɔplɛ pˈɔtu i kˈaʒdɨ kˈurdʒ bˈulu.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_95.wav|jˈɛɕli ɲʲɛ maʃ ɲˈits pʃɛtɕˈifkɔ tˈɛmu, pˈaɲʲɛ, zˌakfatˌɛrɔvˈaliɕmˌɨ tɕˈɛ w vʲˈɛʒɨ ɔrˈatʃa. fskˈaʒɛ tɕi drˈɔɡɛ. znˈam jˈɔ̃.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_13.wav|pʃɛt nˈami lˈɛtɕaw ɲʲˈɛzbɨt strfɔʒˈɔnɨ zˈajɔnts,|0
+Dataset/wavs/urwisko_ferenc/65_segment_201.wav|ɲʲɛ bˈɔiʃ ɕɛ? spɨtˈawa mˈarja ftɕˈɔ̃ʃ pˈatʃɔnts w ɲʲˈɛbɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_348.wav|miltʃˈawɛm dwˈuɡɔ̃ xfˈilɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_3.wav|zadʑvˈɔɲiw dɔ luˈisɨ, ˌalɛ ɲʲɛ ˌɔdɛbrˈawa. ˈuznaw vʲˈɛnts, ʒˈɛ vɨbrˈawa ɕɛ na zakˈupɨ.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_104.wav|mɔʒˈɛtɕɛ tˈutaj zɔstˈavidʑ zvʲɛʒˈɛnta.|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_118.wav|kʲˈɛdɨ sˈɨn kɔvˈala bˈɨw jˈuʃ stˈarɨ,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (22)_segment_46.wav|tˈɔm, mˌamɨ lˈistɛ xˈasɛw s kˌɔmputˈɛra mˈartɨ. dɔstˈaliɕmˌɨ ɕɛ f kˈɔɲtsu dɔ tˌɛlɛfˈɔnu ɡˌɛnɛvʲˈɛvɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_78.wav|tɕˈawa zɔstˈawɨ pʃˌɛtranspˌɔrtɔvˈanɛ dɔ mʲˌɛjstsɔvˈɛɡɔ ʃpitˈala, ɡdʑˈɛ dˈɔktɔr mɛlˈaɲʲɛ rɔˈussɛl pʃˌɛprɔvˈadʑi awtˈɔpsjɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_158.wav|w ɕrˈɔtku sɔ̃ mɲʲˈɛjʃɛ ˌɛlɛmˈɛntɨ, zamˈɛtʃɛk, iɡlˈitsa, vɨʒˈutɲik, zapˈatka dɔnˈɔɕna, tsˈawa rˈɛʃta.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_72.wav|mˈuʃɛ tsˈɔʑ zrˈɔbʲitɕ. zakˈɔɲtʃɨtɕ tɔ tɕˈɔŋɡwɛ ˌukrɨvˈaɲʲɛ ɕɛ i ˌutɕɛkˈaɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/05_segment_5.wav|ɕˈivɨ dˈɨm zˈavis f tɕˈɛ̃ʃkim, rɔzɡʒˈanɨm pɔvʲˈɛtʃu i dwˈuɡɔ ɲʲɛ zɲˈikaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (68)_segment_35.wav|bˈɛtskɨ fskazˈawa samˈɔxut ˈannɨ, kʲˈɛdɨ tˌɨlkɔ skrɛɲtɕˈili w bˈɔtʃnɔ̃ ulˈitsɛ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_360.wav|tɔ mˈuɕi zatʃˈɛkatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_34.wav|ftɕˈisnɔɲdʑ ɡˈuzik, spˈɔjʒɛtɕ, ftɕˈisnɔɲdʑ ɡˈuzik, spˈɔjʒɛtɕ i tˈak f kˈuwkɔ mˈuvi. ɡwˈupʲɛ trˈɔxɛ, ɲʲɛ?|2
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_5.wav|a sfˈɔjɔ̃ drˈɔɡɔ̃, ʒˈɛbɨ ɡʲˌimnazjˈalnɨ klˈup ʃaxˈɔvɨ stˈavʲaw kˌandɨdˈatɔm tˈakʲɛ vˌɨmaɡˈaɲʲa?|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_188.wav|lˈɛpʲɛj ˈɔtɨm ɲʲɛ mˈɨɕlɛtɕ. xˈɔff sˈam sˈɔbjɛ navˈaʒɨw pˈiva.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_211.wav|mˈikɛ bˌɛɲdʑɛ pratsˈɔvaw dɔ pˈuʑna w bjˈuʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_181.wav|zˈɛrvaw ɕɛ dɔ bjˈɛɡu. drˈɔɡa bˌɨwa dalˈɛka, a brˈuk ɕlˈiski.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_106.wav|ˌalɛ pˈɔtɛm bˌɛɲdʑɛʃ ʃtʃɛɲɕlˈiva, naprˈavdɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_82.wav|vɨjmˈujɛ tɛlˈɛfɔn s kʲɛʃˈɛɲi i ɔddˈɨxa z ˈulɡɔ̃.|2
+Dataset/wavs/urwisko_ferenc/56_segment_48.wav|tɔ znˈatʃɨ, kʲˈɛdɨ ftʃˈɛɕɲʲɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_23.wav|jˈadɔ̃ dɔ midvˈɔɔt, dɔ mawˈɛɡɔ ʒuwtˈɛɡɔ dˈɔmu.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_333.wav|pɔznˈawɛm jˈɔ̃ pɔ vˈɔjɲʲɛ. stˈawa na rˌuʃtɔvˈaɲʲu pʃɨ kɔɕtɕˈɛlnɛj ɕtɕˈaɲʲɛ i tsˈɔʑ zdrˌapɨvˈawa ʃpˈaxlɔ̃,|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_115.wav|tˌɨlkɔ s kˈɔʃtu ja ɔtpˈarwam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_173.wav|jˌɛstɛɕ pʲˈɛŋkna, ˌalɛ ˈɔtɨm ɲʲˈɛvʲɛʃ.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_27.wav|ɲʲɛ mˈɔʒna zvˈɔlɲitɕ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_29.wav|f pˌɔɲʲɛdʑˈawɛk kˈaʒdɨ jɛst pɔʒˈɔndnɨm ɡˈɔɕtɕɛm, pɔvʲˈɛdʑaw ˈandɛrsɔn. tˈak jɛst na tsˈawɨm ɕfʲˈɛtɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_36.wav|ɲʲˈɛma mˈɔvɨ, ʒˈɛbɨm zdɔwˈawa ˈukrɨtɕ fʃˈɨstkɔ, tsˈɔ zrɔbʲˈiwam. tɔ, kˈim jˈɛstɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_22.wav|pˈɔvʲɛts, pɔmˈɔɡɛ tɕˈi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_88.wav|xˈɔtɕ pˌɔvʲɛdʑˈawɛm, bjˈɔrɔnts ˈɛliz za rˈamjɛ, pʲɛrdˈɔlitɕ tɔ spadˈamɨ stˈɔnt.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_192.wav|f pʃɛtɕˈivnɨm rˈaʑɛ, kʲˈɛdɨ swˈɔɲtsɛ zˈajdʑɛ, bɛɲdʑˌɛmɨ jˈɛʃtʃɛ pɔvˈɨʒɛj ɡraɲˈitsɨ ɕɲʲˈɛɡu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_457.wav|mˈam drˈɛʃtʃɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_85.wav|a tˈɛras pˈɔvʲɛts, tsˈɔ pˌɔminˈɔwɛɕ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_13.wav|ˌɔdvrutɕˈiwam ɕɛ i ɔdˈɛʃwam pɔspʲˈɛʃɲʲɛ ɔt stɔlˈika, pɔ tʃɨm ɔdbʲˈiwam f strˈɔnɛ tˌɔalˈɛtɨ i zamknˈɛwam ɕɛ f kabʲˈiɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_312.wav|ˌalɛ jˈaɡ dˈɔtɔnt ɕpʲˈɛva tˈɛ sˈamɔ̃ swˈɔtkɔ̃ pʲˈɛɕɲ, ktˌurɛj ɡˈɔ nˌautʃˈɨliɕmˌɨ.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_325.wav|pˌɔvʲadˈajɔ̃, ʒˈɛ nˈɔtsɔ̃ pɔ jˈɛɡɔ kɔmnˈatax snˈujɔ̃ ɕɛ pwɔnˈɔntsɛ vˈidma xarˈɛna ˌɔras jˈɛɡɔ sˈɨnuf.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (47)_segment_38.wav|ˌalɛ jɛj ˈimjɛ kɔwˈatʃɛ mi ɕɛ w ɡwˈɔvʲɛ w nˈajmɲʲɛj ˌɔtʃɛkivˈanɨx mɔmˈɛntax.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_43.wav|tʃɨ tˈatuɕ mˈuviw, dˈɔkɔnt jˈɛdʑɛ, baˈilɛj?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_37.wav|rˌɔzvaʒˈɨwam nˈavɛd zˌawɔʒˈɛɲʲɛ kˈɔnta na tʲindˈɛʒɛ, ʒˈɛbɨ pʃˌɛprɔvˈadʑidʑ vwˈasnɛ ɕlˈɛtstfɔ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_70.wav|pɔvʲˈɛdʑaw rɔsˈɛnblatt.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_16.wav|tˈak, ˌalɛ ɲʲˈɛmam ɔxˈɔtɨ ˌɔpɔvʲˈadatɕ tˌɛɡɔ samˈɛɡɔ kˈilka rˈazɨ, vʲˈɛnts ˈuɕɔɲtɕ i zatʃˈɛkaj, ˈaʃ fʃˈɨstsɨ pʃˈɨjdɔ̃.|4
+Dataset/wavs/urwisko_ferenc/34_segment_8.wav|— tɔ znˈatʃɨ? — xˈɛrman ˌɔdvrutɕˈiwa ɕɛ dɔː ˈɔkna i pˌɔpatʃˈɨwa na ɲʲˌɛruxˈɔmɛ wˈanɨ zbˈuʃ, ktˌurɛ stɨkˈawɨ ɕɛ z bwɛŋkˈitnɨm ɲʲˈɛbɛm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_46.wav|sklˌɔnɔvˈana.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_357.wav|jɛj tsˈɛla mʲˈawa ˈɔɕɛm stˈub dwuɡˈɔɕtɕi i ʃˈɛɕtɕ ʃˌɛrɔkˈɔɕtɕi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_60.wav|vʲˈɛm, vˌɨkʃɨkˈujɛ bʲˈillɨ. bˈɔʒɛ, swɨʃˈawɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_66.wav|dˈalɛ zwˈapaw tˈunɛl, ktˌurɨ zɛpxnˈɛwam na dˈuw i pˌɔwɔʒˈɨwam ˌɔbɔk rˈɛʃtɨ spʃˈɛntu. zˌɛskɔtʃˈɨwam z dˈaxu i vˌɨlɔndɔvˈawam ˌɔbɔk ɲʲˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_113.wav|mɲʲˈɛj vʲˈɛntsɛj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_164.wav|pˈɛvɲʲɛ tˈak tʃˈujɛ ɕɛ ˌalkɔxˈɔlik, ktˌurɨ ˈɔtkrɨw zalˈɛtɨ tʃɛʑvˈɔɕtɕi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_20.wav|tfˈuj dwˈuɡ vɨxˈɔdʑi jˈuʃ pˈɔza fʃˈɛlkɔ̃ skˈalɛ, mˈanɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_46.wav|ftˈɛdɨ rɔzlˈɛɡa ɕɛ ɡwˈɔs.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_15.wav|pˌɔstanˈɔviw pˈɨtadʑ dˈalɛj.|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_222.wav|tɔ kɔwˈɨsatɕ sˈɨŋka dˈalli na kɔlˈaɲʲɛ i ɕpʲˈɛvatɕ mu w jɛ̃zˈɨku lˈɛtɲim.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_26.wav|bˌɨwɔ tɔː ɔddʑˈɛlnɛ kˈɔntɔ zˌawɔʒˈɔnɛ vɨwˈɔntʃɲʲɛ na nazvˈiskɔː arˈama.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_52.wav|f pˈɔrtɕɛ stˈɔjɔ̃ stˈatki. jˈɛdɛn z ɲˈiɣ zavˈija dɔ tˈartu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(59) R.Abbott_Zamknij Drzwi_segment_42.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ ɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_198.wav|mˈɔɡɛ zapˈɨtatɕ, pɔ tsˈɔ tɕi tɔ pɔtʃˈɛbnɛ?|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_114.wav|ɕˈɛdmju ssˈɨwa nˈam bwˌɔɡɔswavʲˈɛɲstfa ˈalbɔ pɔddˈajɛ nˈas prˈubɔm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_44.wav|i mˈuʃɛ pˌɔdʑɛŋkˈɔvadʑ zˈatɔ tsˌamɛrɔnˈɔvi.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_114.wav|jˈɛɕli pɔkˈaʒɛ jˈɛ rˌɔbɛrtˈɔvi, mˈɔʒɛ zrˈɔbʲi mɲʲɛ lˈɔrdɛm dˈarɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_98.wav|tˈak jˈaɡ zˌakwadˈawam, jˈɛnnɨ jɛzd zˌasmutsˈɔna, a mˈɔjɛ wukˈaɲʲɛ stˈajɛ ɕɛ pravdʑˈivɛ, kʲˈɛdɨ ɕɛ rɔzwˈɔntʃam.|3
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_220.wav|prɔstˈatʃkuf, na ktˌurɨɣ ʑˈɛmʲaɣ vˈaltʃɔ̃. lˈudʑi bˈardʑɔ pɔdˈɔbnɨɣ dɔ tˈɨx, jakˈimi sˈami kʲˈɛdɨʑ bˈɨli.|1
+Dataset/wavs/urwisko_ferenc/36_segment_152.wav|bˌɨwa pʃˌɛkɔnˈana, ʒˈɛ zˈavaw mˈɛ̃ʒa bˈɨw kˌɔnsɛkfˈɛntsjɔ̃ vˈidma utrˈatɨ dˈɔmu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_81.wav|ɲʲɛktˌurɨm tʃˌɨtɛlɲˈikɔm mˈɔʒɛ bˈɨtɕ trˈudnɔ zrɔzˈumjɛtɕ, jˈak tɔ mɔʒlˈivɛ, ʒˈɛ lˈudʑɛ stˈajɔ̃ ɕɛ tˈak ˌɔswabjˈɛɲi pʃˈɛs kɔntrˈɔlɛ, ktˌurɔ̃ ɕɛ nat ɲˈimi ˌutʃɨmˈujɛ.|3
+Dataset/wavs/urwisko_ferenc/57_segment_49.wav|pˌɔwɔʒˈɨwa rˈɛŋkɛ na klˈamtsɛ i zdʑivˈiwa ɕɛ, ʒˈɛ dʒvˈi ˌustɔmpˈiwɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_58.wav|ˌɔna ftɕˈɔ̃ʃ jɛst tfˈɔjɔ̃ mˈamɔ̃.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_126.wav|a tˈɛras ˈidʑ dɔ pʲˈɛkwa.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_266.wav|ˌalɛ jˈɛɕli zapwˈatsɛ tɕi za prˈavdɛ...|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_186.wav|ʃukˈajɔ̃ tɕˈɛ, bʲˈillɨ, mˈuvi ˌɔdvrutsˈɔnɨ plɛtsˈami, stˈɔjɔnts pʃɨ zlˈɛvʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_69.wav|zbadˈawam jˈɔ̃ ˌɔsɔbʲˈiɕtɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_15.wav|ˌalɛ ˌɔna jɛzd vrˈɔɡʲɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_66.wav|ɲʲɛ xtɕˈawam z ɲʲˈɔ̃ jˈɛdnak rɔzmˈavʲatɕ, dɔpˈuki ɕɛ ɲʲɛ ˌuspɔkˈɔjɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_120.wav|tsˈɔ rˈɔbʲitɕ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_16.wav|tɔ tsˈɔ tfˈɔim zdˈaɲʲɛm xtɕˈawa ɔɕˈɔŋɡnɔɲtɕ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_31.wav|ubjˈɛram ʃˈɨpkɔː alfjˈɛɡɔː i fkwˈadam mu tʃapˈɛtʃkɛ z dˈaʃkʲɛm. mˈa rˈuvɲʲɛ krɛntsˈɔnɛ vwˈɔsɨ jˈak ja i stˈaram ɕɛ jˈɛ zˈakrɨtɕ.|3
+Dataset/wavs/urwisko_ferenc/15_segment_88.wav|ˌalɛ tsˈɔː ɔn takʲˈɛɡɔ zrˈɔbʲiw? spˈɨtaw ɡrˈɔx. pɔ prˈɔstu kwˈamjɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_71.wav|mwˈɔda kɔbjˈɛta, ktˌura tɔ zˌasuɡˌɛrɔvˈawa, tɔ bˈɛz vɔntpʲˈɛɲʲa ˈɛlis xˈapman.|3
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_285.wav|vˈɔlawbˌɨm zˈɔstatɕ s tˈɔbɔ̃ dʑˈiʑ vʲɛtʃˈɔrɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_84.wav|klˈutʃɔnts ɲʲˌɛudˈɔlɲʲɛ ʃwˈam pʃˈɛs mʲˈastɔ f strˈɔnɛ pˈɔrtu.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_246.wav|rɔstɕˈɔŋɡnɔw ˈusta w vˌɨmuʃˈɔnɨm uɕmʲˈɛxu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_27.wav|ɔdvrˈutɕiw ɕɛ ɔt ɲʲˈɛj i pɔpˈatʃɨw na ˈinnɨɣ zɡrˌɔmadʑˈɔnɨx pʃɨ stˈɔlɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_137.wav|ɲʲɛ mˈɔɡwam lˈitʃɨtɕ na ʒˈadɛn sˈɨɡnaw ˌɔstʃɛɡˈaftʃɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_184.wav|dˈuʒɔ lˈɛpʲɛj bˈɨɕmɨ nˈatɨm vˈɛʃli.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_83.wav|ˈalfjɛ ɲʲɛ zˈɔstaw pʃˈɛs ɲʲˈɛɡɔ vˌɨxɔvˈanɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_131.wav|sʃˌɔkɔvˈana mˌinaxˈɔva vɨstˈartʃa bˌɨli jˌɛmu za ɔtpˈɔvʲɛtɕ. utɕˈina jˈɛɡɔ bˌɛwkɔtlˈivɛ prɔtˈɛstɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_81.wav|tˈɔm ɲʲˈɛmʲaw pɔjˈɛɲtɕa, ˈilɛ kˈatɛ zɔstˈawɔ pʲɛɲʲˈɛndʑɨ zˈɛ spʃɛdˈaʒɨ dˈɔmu. tʃɨ vɨdˈawa jˈuʃ fʃˈɨstkɔ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_42.wav|ɲʲɛ mˈɔʒna ˌɔtʃɛkˈivatɕ, ʒˈɛ parkˈiŋɡʲi bˌɛndɔ̃ mʲɛjstsˈami ʃtʃɛɡˈulɲʲɛ ˌurɔklivˈɨmi, ˌalɛ kʲˈɛdɨ tʃwˈɔvʲɛk ftɕˈɔŋɡɲʲɛ smrˈɔdɨɡ duʃˈɔnɛj kapˈustɨ, tɔ zatʃˈɨna ɕɛ rˈɔbʲitɕ ɲʲɛznˈɔɕɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_142.wav|pɔvʲˈɛdʑaw tɕˈixɔ, ʒˈɛbɨ ɲʲɛ pʃɛʃkˈadʑadʑ bˈɛtskɨ f swuxˈaɲʲu dalʃˈɛɡɔ tɕˈɔŋɡu pʃˌɛswuxˈaɲʲa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_81.wav|s tɕˈɛmnɨx ɕtɕˈan vˌɨwaɲʲˈawɨ ɕɛ fˌɔtɔɡrˈafjɛ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_52.wav|mˈuviw w jɛ̃zˈɨku pɔfʃˈɛxnɨm.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_265.wav|mˈuj ˈɔjtɕɛts, a tfˈuj dʑˈadɛk tɕˈɛrpʲaw na ɡwɛmbˈɔkɔ̃ dɛprˈɛsjɛ.|4
+Dataset/wavs/urwisko_ferenc/45_segment_32.wav|xˈɛrman pʃɨɡrˈɨzwa vˈarɡɛ i pˌɔkivˈawa ɡwˈɔvɔ̃. ftɕˈɔ̃ʃ pʲˈɛkwɨ jˈɔ̃ ˈɔtʃɨ. tɔ jˈak? ɡɔtˈɔva?|0
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_196.wav|a jˈaɡ vˈɨjdʑɛʒ z wazˈika ɲʲɛ zˌabʲijˈajɔnts sˈanxɛs? zˌapɨtˈawam.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_8.wav|ɡˈurɨ skalˈistɛ, bˈɔʒɛ mˈuj, tsˈɔ za vˈidɔk!|2
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_47.wav|dʑˈɛɲ xˈɨli ɕɛ kˈu kɔɲtsˈɔvi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_304.wav|xtɕˈawɛɕ mɲʲɛ ɔdnˈalɛɕtɕ i vɨpˈɔmɲʲɛtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_118.wav|ɲʲɛ muɕˈawɔ bˈɨtɕ pʃɨjˈɛmnɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_158.wav|ɲʲˈɛvʲɛm, dlatʃˈɛɡɔː ˌudɛʒˈɨwɛɕ tˌɛɡɔ tʃwɔvʲˈɛka w dˈawntawn. tɔ ɲʲɛ bˌɨwɔ pɔtʃˈɛbnɛ.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_182.wav|mˈam nadʑˈɛjɛ, ʒˈɛ nˈaʒ dʑˈɛlnɨ sˈɛr bˈalman tʃˈɨmaw jˈɛ̃zɨɡ za zɛmbˈami.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_24.wav|mˈimɔ tɔ pˈan ɡˈɔː ɔbrˈaziw.|0
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_178.wav|i tɔ z mˈɔjɛj vˈinɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_121.wav|ˌalɛ vʲˈɛm, ʒˈɛ jɛst mˈartfɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_93.wav|vwˈaɕɲʲɛ dlatˈɛɡɔ vʲɛdʑˈawɛm, ʒˈɛ ɔn kˈɔxa bˈɔks.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_561.wav|xtɕˈawbɨm, ʒˈɛbɨ bˌɨwɔ vʲˈɛntsɛj ɲˈiʒ vʲˈɛmɨ ˈalbɔ ɕɛ dˌɔmɨɕlˈamɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_256.wav|zamˈɨka za sˈɔbɔ̃ dʒvˈi sɨpʲˈalɲi. ɕfʲˈatwɔ pɔt ɲˈimi ɡˈaɕɲʲɛ. bʲˈillɨ zdɛjmˈujɛ bˈutɨ, spˈɔdɲʲɛ i kɔʃˈulɛ i kwˈadʑɛ ɕɛ na kanˈapʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_42.wav|nˈavɛt s tˈakɔ̃ tfˈaʒɔ̃ prˌɛzɛntˈujɛ ɕɛ dˈuʒɔ lˈɛpʲɛj ɲˈiʃ mˈuj pʲɛpʃˈɔnɨ mˈɔ̃ʃ.|3
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_123.wav|vɨjˈaɕɲiw ɔɡrˈɔdɲik.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_87.wav|pɔː ɔtfˈartɕu dʒvˈi na ˈɔɕtɕɛʃ ɕfʲˈatwa jɛzd dˈɔsɨtɕ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_24.wav|alˈain zamknˈɛwa za sˈɔbɔ̃ dʒvˈi. bˌɨwɨ dɛmbˈɔvɛ i ɡrˈubɛ na tʃtˈɛrɨ tsˈalɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_88.wav|spɔjʒˈawam na pˈuwnɔts.|4
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_145.wav|trˈɔxɛ stˈarɨ jˈak na studˈɛnta.|2
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_275.wav|ɲʲˈɛzwɛ z ɲʲˈɛj jˈɛdnaɡ ʑˈuwkɔ, tʃˈɛba pʃˈɨznatɕ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_86.wav|zalˈɛʒɨ kˈɔɡɔ spˈɨtaʃ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_73.wav|a jɛdˈɨnɨ dˈɔvut, ʒˈɛ zɔstˈawa zˌamɔrdɔvˈana fskazˈɨvaw nˈamɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_176.wav|na kˈɔɲtsu kˌɔrɨtˈaʒa jɛzd vˈinda tˌɔvarˈɔva z ˌɔtfartˈɨmi dʒvʲˈami i ɕtɕanˈami ˌɔbvʲɛʃɔnˈɨmi matˈami ˌɔxrɔnnˈɨmi, ˌalɛ bʲˈillɨ ˌaɲi mˈɨɕli z ɲʲˈɛj skɔʒˈɨstatɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_86.wav|pˌɔkivˈawam ɡwˈɔvɔ̃ i vɨrvˈawam mu tˈɔrbɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_56.wav|bˈɔ w artˈɛmis jɛzd vʲˈɛlu lˈudʑi, ktˌuʒɨ pˈalɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_142.wav|tɕi prˌatsɔvɲˈitsɨ pʃˌɛjɛxˈali pʃˈɛs tsˈɛntrum falˈudʒɨ, bˈɔ ktˈɔɕ, kˈɔɡɔː ˌuvaʒˈali za zˌaufanˈɛɡɔː ˌinfɔrmatˈɔra, zapˈɛvɲiw ix, ʒˈɛ bˌɛndɔ̃ bɛspʲˈɛtʃɲi.|2
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_144.wav|mˈuviw tˈɛras tɕˈixɔ, spɔkˈɔjɲʲɛ, ɲˈibɨ bˈajkɛ, ktˌurɔ̃ ˌɔpɔvʲˈada ɕɛ dʑˈɛtsku.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_52.wav|swˈɨʃɔndʑ zɡʒˈɨt klˈutʃa w zˈamku, bjˈɛɡnɛ dɔ xˈɔlu, a fʃˈɨstkʲɛ mˈɔjɛ plˈanɨ zvʲɔ̃zˈanɛ z ˌɔpanɔvˈaɲʲɛm ˈidɔ̃ w djˈabwɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_54.wav|tɨ jˌɛstɛɕ jasmˈinɛ baʃˈara.|4
+Dataset/wavs/urwisko_ferenc/31_segment_20.wav|bˌɔrɛvˈitʃa zˌaskɔtʃˈɨwa ta ˌinfɔrmˈatsja.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_80.wav|pamjˈɛntaj tˈɛʃ, ʒˈɛ tɛn tɛlˈɛfɔn ɲʲˈɛbɨw zˌablɔkɔvˈanɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_25.wav|vˈaxam ɕɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_103.wav|ktˈɔ jˈɔ̃ znˈalaz?|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_169.wav|a pɔ pɔwˈudɲʲu zˌadʑvɔɲˈili z lɔtɲˈiska i pˌɔvʲɛdʑˈɛli mi, ʒˈɛ jɛst jˈuʃ pɔ fʃˈɨstkim.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_101.wav|tˈak, f pɔrtfˈɛlu. mˈɔɡɛ pˈana na xfˈilɛ pʃɛprˈɔɕitɕ? ˌɔtʃɨvˈiɕtɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_342.wav|ɲʲɛ bˌɨwɔː ˈɔbaf, ʒˈɛ lˈudʑɛ ɕɛ dɔvʲˈɛdʑɔ̃, jˈak ɲʲˌɛudˈɔlnɨm ʃɛrmʲˈɛʒɛm stˈaw ɕɛ ɔbˈɛtsɲʲɛ krˌulɔvˈujtsa.|1
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_209.wav|i tɔ bˌɛɲdʑɛ iɣ vʲˈarɔ̃ w bˈɔɡa, w ɕfʲˈat i prˈava.|0
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_20.wav|na blˈatɕɛ ʃˈafki nˈɔtsnɛj lɛʒˈawɨ tʃˈɨ bˌatɔɲˈiki s pˈulpɨ, a nˈaɲih krˈutki lˈiɕtɕik.|4
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_100.wav|tˌɨlkɔ w zɲikˈɔmɨx ilˈɔɕtɕax.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_29.wav|— ˌɔbjɛtsˈujɛ. — ˌɔdvrutɕˈiwa ɕɛ i pˌɔpatʃˈɨwa na jɛʑˈɔrɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_190.wav|nˌalɛʒˈawɔ mu ɕɛ. ɲʲˈɛxtɕaw ɔtpˈuɕtɕidʑ bˈɨw.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_77.wav|vˈɔliʃ mʲˈɛtɕ ˈɔjtsa tʃɨ fˈɔtɛl, xwˈɔptʃɛ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_576.wav|ɔdlˈɛɡwɔʑdʑ vɨˈɔstʃa pˈamjɛɲtɕ.|0
+Dataset/wavs/urwisko_ferenc/37_segment_24.wav|— mˈuʃɛ kˈɔɲtʃɨtɕ — stfʲˈɛrdʑiw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_37.wav|ja jˌɛstɛm vwˌaɕtɕitɕˈɛlɛm, pɔvʲˈɛdʑaw spʃˌɛdajˈɔntsɨ i ˈɔpar tɕˈɛ̃ʃkʲɛ rˈamjɛ ɔ dʒvˈi kabʲˈinɨ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_343.wav|tˈɛras ɔbˈɔjɛ ɕˈɛdʑɔ̃ bɛspʲˈɛtʃɲʲɛ w vˌɨsɔɡrˈɔdʑɛ ukrˈɨtɕi za ɕtɕˈanɔ̃ z rˈuʃ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_45.wav|zˌastanˈavʲam ɕɛ, dlatʃˈɛɡɔ pˌɔstanˈɔviw ˈɔtɨm pɔvʲˈɛdʑɛdʑ vwˈaɕɲʲɛ tˈɛras, pɔ tˈaɡ dwˈuɡʲim tʃˈaɕɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_133.wav|zˈamjast tˌɛɡɔ vˌɨɡʒɛvˈujɛ s tɔrˈɛpki bˌutɛlˈɛtʃkɛ tˌɨlɛnˈɔlu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_12.wav|i kwˈad im zvilʒˈɔnɔ̃ ɕtɕɛrˈɛtʃkɛ na tfˈaʒɨ.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_278.wav|ɡdˈɨ ja bˌɛndɛ pˌɔtɕɛʃˈawa dˈɔbrɔ̃ tsˈurkɛ, tɨ pˌɔrɔzmˈavʲaj z jɛj tʃˈɛma kˌuzɨŋkˈami.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_260.wav|pˌɔvʲadˈanɔ, ʒˈɛ kˈaʒdɨ marˈɨnaʃ, ktˌurɨ xˈɔtɕ na xfˈilɛ ˈujʒɨ ɔɡɲˈistɛ ɡˈurɨ valˈɛrji vˌɨnuʒajˈɔntsɛ ɕɛ s fˈal, fkrˈuttsɛ zɡʲˈiɲʲɛ straʃlˈivɔ̃ ɕmʲˈɛrtɕɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_269.wav|vɨrvˈawɛm ɕɛ zˈɛ snˈu, ɲˈim mˈɔɡwa stʃˈɛlitɕ mˈɨɕli bʲˈili i ˈidʑɛ dɔ waʑˈɛŋki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_39.wav|ˌɔstatˈɛtʃɲʲɛ dˈɔm pʃˈɨznaw, ʒˈɛ lˈubʲi spˈɛndʑatɕ tʃˈaz w dˈɔmu z dʑˈɛtɕmi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_130.wav|pɔ ɕɲʲadˈaɲʲu rˈɔbjɔ̃ zakˈupɨ f pɔblˈiskim tarɡˈɛtɕɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_99.wav|a pˈɔtɛm ˈɔtkrɨwbˌɨ, w jˈaki spˈɔsub vɨtɕˈɛkwa ta ˌinfɔrmˈatsja i mʲˈawabˌɨm pʃˈɛstɔ kwɔpˈɔtɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_168.wav|ˈinnɛ dʑɛtɕˈaki tˈɛʃ pwakˈawɨ, bˈɔ fʃˈɨstsɨ lubʲˈiliɕmˌɨ pˈɛɡʲi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_61.wav|pˈaru trˈɛpuf pʃˌɨtʃɨmɨvˈawɔ ɡˈɔ, a lˈɛkaʃ prubˈɔvaw pˈɔdatɕ mu tablˈɛtki mɔrfˈinɨ, ˌalɛ jˈamisɔn ˌaɲi mˈɨɕlaw nˈatɔ pɔzvˈɔlitɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_118.wav|ɲʲˌɛzalˈɛʒɲʲɛ ɔt tˌɛɡɔ dˈɔm bˌɛɲdʑɛ dla pˈana najlˈɛpʃɨm mʲˈɛjstsɛm. tˈam bɛɲdʑˌɛmɨ mˈɔɡli pˈana xrˈɔɲitɕ. pˈɔza tɨm mˌatɕɛ tˈam dˈɔbrɛ sɨstˈɛmɨ ˌalarmˈɔvɛ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_57.wav|ɲʲˈɛmuɡw mʲˈɛdʑ dɔ ɡˈɔʑdʑik prɛtˈɛnsji ɔ jɛj ʒˈal. ɔskˈarʒaw dʒˈɔna snˈɔf, zˌastanavʲˈajɔnts ɕɛ, kʲˈɛdɨ jˈɛɡɔ sˈɛrtsɛ ˌɔbrutɕˈiwɔ ɕɛ f kˈamjɛɲ.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_14.wav|vˈarʃtat nˌalɛʒˈɔntsɨ dɔ spˈuwki trˈɔnda bˈɨw ˌɔznatʃˈɔnɨ jɛdˈɨɲʲɛ tablˈitʃkɔ̃ z napˈisɛm|4
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_370.wav|pʃˌɛtɕɛʃ rˈɔk jˈɛʃtʃɛ ɲʲɛ mˈinɔw.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_89.wav|rˌɔssadʑˈiwɔ zwˈɔntʃkɛ.|4
+Dataset/wavs/urwisko_ferenc/64_segment_71.wav|vrˈutɕiw dɔ zdjˈɛɲdʑ z mˈartsa, kʲˈɛdɨ zˌanɔɕˈiwɔ ɕɛ na dˈɛʃtʃ.|0
+Dataset/wavs/urwisko_ferenc/65_segment_69.wav|pʃˈɨɲʲuz butˈɛlkɛ fçˈiskɨ, ktˌurɔ̃ pˌɔpijˈali na tarˈaɕɛ, fpatrˈujɔnts ɕɛ w ɡvʲˈazdɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_70.wav|jɛʒˈɛli ˌavansˈujɛ na mˈistʃa, bˌɛndɛ mˈuɡw ɔpwˈatɕitɕ mˈɔim ɕˈɔstrɔm naˈukɛ f ʃkˈɔlɛ xandlˈɔvɛj.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_497.wav|a amˈɔki ˌintɛlˌɛktuˈalnɛ i mɔrˈalnɛ|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_151.wav|pɔvʲˈɛdʑmɨ, ʒˈɛ na ˈimjɛ mu jˈɔɛ, ʃˈɛɕtɕ lˈat tˈɛmu, mˈɔʒɛ ɕˈɛdɛm, mɲʲˈɛjʃa ˈɔtɔ, tˈɛnʒɛ jˈɔɛ spʃˈɔntnɔw pʲˌɛtnastɔlˈatka ˌidɔntsˈɛɡɔ dɔ ʃkˈɔwɨ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_486.wav|xˈɔtɕ tʃˈɛba pʃˈɨznatɕ, ʒˈɛ jɛj strˈɨjɔ bˈɛrɨn mʲˈaw na tɛn tˈɛmat ˈinnɛ zdˈaɲʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_25.wav|dlatˈɛɡɔ kˈɔmpan vrˈatsaw dɔ mʲˈasta s fasˈɔnɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_178.wav|f tˈakim rˈaʑɛ pʲˈɛrʃa kɔlˈɛjka na kˈɔʃt fˈirmɨ.|4
+Dataset/wavs/urwisko_ferenc/19_segment_38.wav|ɲʲˈɛvʲɛm, tʃɨ bˈardʑɛj zˈɛ vzɡlˈɛndu na ɕˈɛbjɛ, tʃɨ na dʑˈɛtɕi.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_221.wav|bʒmʲˈɛɲʲɛm pʃˌɨpɔmˈinaw ɔxrˈɨpwɨ xˈarkɔt kˌɔnajɔntsˈɛɡɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_279.wav|na ɲʲˈɛbjɛ viɕˈawa ʑˈɛmʲa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_13.wav|natxˈɔdʑi frˈaŋk.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_252.wav|trˈudnɔ mi bˌɨwɔː uvʲˈɛʒɨtɕ, ʒˈɛ spiskˈujɛʃ pʃɛtɕˈifkɔ mɲʲɛ.|1
+Dataset/wavs/urwisko_ferenc/41_segment_55.wav|i tˈu rˈɔbʲi ɕɛ xɔlˈɛrɲʲɛ tɕɛkˈavʲɛ. tɔ dɔrˈɔta lˌɛvandˈɔfska.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_167.wav|tˈakɔ zapˈɨtaw, tsˈɔ tɔ jɛst jˌudaʃˈɔvɨ kˈɔʑɔw. mˈɔɡwɛm mu pɔvʲˈɛdʑɛtɕ, ˌalɛ tʃɨmˈawɛm jˈɛ̃zɨɡ za zɛmbˈami. pˌɔzvɔlˈiwɛm, bˈɨ fˈɔs tʃˈɨɲiw xɔnˈɔrɨ.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_184.wav|f tˈakim rˈaʑɛ lˈɛpʲɛj ˈitɕ ɕɛ pɔmˈɔdlitɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_144.wav|tʃɨ tɔː ɔn mˈuɡw zˈabʲitɕ tsˌamɛrˈɔna?|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_74.wav|sˈɛr çˈiɡlant jɛst rɨtsˈɛʒɛm z rˈɛax. tɛn xwˈɔpak tɔ pˈɔdritsk paˈɨnɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_204.wav|a ɔdvrˈutɕiw ɕɛ dɔpʲˈɛrɔ ftˈɛdɨ, kʲˈɛdɨ ˈɛstɛr dɔtknˈɛwa jˈɛɡɔ ramjˈɛɲʲa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_107.wav|ɲʲɛ spɔtkˈawɛm ɲˈiɡdɨ takʲˈɛɡɔ tʃwɔvʲˈɛka jˈak pˈan.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_151.wav|a jˈɛɡɔ krulˈɛstfɔː umˈarwɔ rˈazɛm z ɲˈim.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_25.wav|ɔdwˈɔʒɨw swuxˈafkɛ i vɨtɕˈɔŋɡnɔw s kʲɛʃˈɛɲi klˈutʃ,|0
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_40.wav|tˈɔm fstˈaw i pˈɔtʃɛd dɔ dʒvˈi, skutˈɛtʃɲʲɛ blɔkˈujɔndʑ bˈɨwɛj ʒˈɔɲʲɛ dˈɔstɛmb dɔ wˈuʃka.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_85.wav|ɔn ɲʲˈɛxtsɛ pˈatʃɛtɕ na lˈudʑi?|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_174.wav|ɡdʑˈɛ mˈɔɡlibˌɨɕtɕɛ bˈɨtɕ sˈami? dɔkˈɔɲtʃɨw z uɕmʲˈɛxɛm jˈamɛ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_442.wav|ɡwˈɔz dɔrˈana bʒmʲˈaw swˈabɔː i bˈɨw pˈɛwɛn ʒˈalu. arjˈannɛ.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_136.wav|w ɔstˈatɲix xfˈilaɣ ʒˈɨtɕa sˈɨn spɔɡlˈɔndaw nˈaɲʲɔ̃ z vɨrˈazɛm rˌɔspatʃlivˈɛɡɔ bwaɡˈaɲʲa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_157.wav|pˌɔɡadˈamɨ ˈɔtɨm pˈuʑɲʲɛj, utɕˈina ɲˈitsk, tˈɔnɛm dajˈɔntsɨm dɔ zrˌɔzumjˈɛɲʲa, ʒˈɛ dɛtsˈɨzja f tɛj sprˈavʲɛ jˈɛʃtʃɛ ɲʲɛ zapˈadwa.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_455.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_110.wav|ɲʲɛ ˌɔtpɔvʲˈɛdʑaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_43.wav|mˈam samˈɔxut s tˈɨwu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_23.wav|pˈaɲi zˌapɨtˈawa, tʃɨ jˌɛstɛm pˈɛvʲɛn, ʒˈɛ ɔn ɲʲɛ ʒˈɨjɛ. pˌɔvʲɛdʑˈawɛm, ʒˈɛ tˈak.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_168.wav|vˌɨbjɛrˈajɔ̃ tˈaɲʃɛ xɔtˈɛlɛ w bjɛdɲʲˈɛjʃɨx tʃˈɛɲɕtɕax mʲˈasta jˈaɡ bˈaɲka kɔnrˈada.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_239.wav|na dʒˈɛvɔ pɔkrˈɨtɛ kfʲatˈami.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_66.wav|ɲʲˈɛvʲɛm, jˈak pʃɛtrfˈawam kˈilka nastˈɛmpnɨɣ dɲˈi f tɕˈasnɨm mʲɛʃkˈaɲʲu, ktˌurɛ zˌapɛvɲˈiwa nˈam rɔdʑˈina ˌadɔptsˈɨjna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_152.wav|swˈuxaj.|2
+Dataset/wavs/urwisko_ferenc/18_segment_1.wav|sxwɔdʑˈɔnɨ ɡrˈɨzaɡ ʒɛlˈɔvɨ i ɡavˈɔʒɨw, pʃˌɨɡlɔndˈajɔnts ɕɛ uvˈaʒɲʲɛ ɔptsˈɛmu mɛ̃ʃtʃˈɨʑɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_130.wav|uɲʲˈɔswa kˈubɛɡ dɔː ˈuzd brjˈɛnnɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_280.wav|vˈɔlɛ tɕˈɛ̃ʃkɔ xarˈɔvatɕ i klˈɛpadʑ bjˈɛdɛ w artˈɛmis, ɲˈiʃ ɔpwˈɨvadʑ w dɔstˈatki na ʑˈɛmi.|4
+Dataset/wavs/urwisko_ferenc/02_segment_85.wav|dlatˈɛɡɔ zˌadʑvɔɲˈiwɛm dɔ ʒwˈɔpka.|0
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_188.wav|sprˈubuj mɲʲɛ tˈutaj vɨtrˈɔpitɕ, bˈɔp.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_71.wav|zmʲɛɕtɕˈimɨ ɕɛ w vʲˈadʒɛ vɛtrˈɔjɛ. tˌɨlkɔ z alˈain.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_193.wav|tɔ ja bˌɛndɛ ɕɛ bˈawa zˈanaz dvˈɔjɛ, jˈɛɕli ɲʲɛ maʃ ɲˈits pʃɛtɕˈifkɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_70.wav|bˈɛs ˈɔbaf. ɔbjˈɛtsaj.|2
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_84.wav|ˈalbʲi, ktˌurɨ ftɕˈɔ̃ʒ bˈɨw f kˈɔʃu, spˈɔjʒaw w dˈuw. zdˈajɛ ɕɛ, ʒˈɛ nˈaɲim stˈɔjɛ, pˈaɲʲɛ pˌɔtpuwkɔvɲˈiku.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_248.wav|tˈɛras tɔː ˈɛlis mˈiltʃɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_60.wav|tˈɔm pʃɛʒˈutɕiw kˈartki, ˈaʃ natrˈafiw na tˈɛ, ktˌurɛj ʃˈukaw.|3
+Dataset/wavs/urwisko_ferenc/46_segment_144.wav|dɔ tʃˈɛɡɔ dɔʃˈɛdwɛɕ?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_262.wav|s ktˌurɨɣ zvʲɛʃˈawɨ ɕɛ drˈutɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_33.wav|klutʃˈɨki dɔ sˌamɔxˈɔdu lˈɛʒɔ̃ na stˈɔlɛ f kˈuxɲi, mˈuvi frˈaŋk.|2
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_27.wav|ɔbjˈɛtsaw, ʒˈɛ vrˈutɕi pʃɛd zmʲˈɛʃxɛm.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_31.wav|vˌɨmɨɕlˈimɨ, jˈaɡ ɡˈɔ tˈam ˈukrɨtɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_125.wav|pˈɔvʲɛts, ɲʲɛ bˌɛɲdʑɛ tɕi fstˈɨt?|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_130.wav|znˈam tˈɛ pʲɔsˈɛŋkɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_75.wav|pɔdjˈɛʒdʒa klasˈɨtʃnɨ viɕɲʲˈɔvɨ mˈustaŋk tsabrjˈɔlɛt, samˈɔxut pˌasujˈɔntsɨ dɔ kˌɛnaxˈɔfa jˈaɡ ʒˈadɛn ˈinnɨ, i zˌatʃɨmˈujɛ ɕɛ ˌɔbɔk skrˌɔmɲʲɛjʃˈɛɡɔ vˈɔzu bʲilljˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_184.wav|spalˈiwam jˈɔ̃.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_387.wav|a vwaɕtɕˈivʲɛ ˈɛkstrakt trˈumu z ˌɛtanˈɔlɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_477.wav|jˈak tɨ ɕɛ nazˈɨvaʃ, pʃˌɨjatɕˈɛlu?|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_279.wav|rˌɔskazˈawa tˈajɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_235.wav|tˈak jˈak tfˈuj pʃɨjˈatɕɛl tˈatsɔ pˈɔttɨm dˈɔmɛm wˈɛ falˈudʒɨ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_37.wav|mˌamɨ nadʑˈɛjɛ, ʒˈɛ ta pijˈatska ɡˈɔrɨtʃ jɛst tˌɨmtʃasˈɔva i ʒˈɛ s tʃˈasɛm pɔvrˈutɕi radˈɔsna fˈɛj. fspʲɛrˈamɨ jˈɔ̃ f tˈɨm, jˈak tˌɨlkɔ pˌɔtrafˈimɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_273.wav|paxɲʲˈawa tˈɛras jˈak ˈɛstɛr, ktˌura mʲˈawa jˈɔ̃ na sˈɔbjɛ pʃˈɛs pˈarɛ ɡˈɔdʑin.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_149.wav|pɔstˈaraj ɕɛ ɲʲˈɛbɨtɕ tˈaɡ ɡwˈupi jˈak tfˈuj ˈɔjtɕɛts.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_108.wav|tʃɨ ɲʲˈɛvʲɛ pˈan, jˈaɡ vɨɡlˈɔnda na lɔtɲˈisku, ˌɔfitsˈɛʒɛ? ɲʲˈɛxtsɛ mi ɕɛ ˈiɕtɕ ʃˈɛɕtɕu mˈil na pʲɛxˈɔtɛ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_58.wav|pˈɔtɔ ɕˈɛdmju dˈawɔ nˈam ˈɔftsɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_131.wav|tˈakʲɛ jɛzd ʒˈɨtɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_2.wav|kˈaʒda minˈuta vɨdˈajɛ ɕɛ pʃɛnˈɔɕitɕ nˈɔvɨ pˈɔvʲɛf ɛmˈɔtsji, ktˌurɛ ˌɔbɛjmˈujɔ̃ ɡɲʲˈɛf, strˈax, pɔtʃˈutɕɛ vˈinɨ i ɡwɛmbˈɔki smˈutɛk.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_204.wav|s tɔ̃ kɔbjˈɛtɔ̃ ɲʲˈɛma ʒˈartuf.|2
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_205.wav|i spɛwɲʲˈajɔnts rˈɔlɛ maʃˈɨnɨ, dɔ ktˌurɛj ɲʲɛ tʃˈɛba mˈuvitɕ i ktˌura rˌɛaɡˈujɛ na ɡvˈist lˈup rˈux rˈɛŋkɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_94.wav|ɲʲˈɛvʲɛm, dɔ tʃˈɛɡɔ zmʲˈɛʒaʃ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_57.wav|tɔ prˈavda, ɲʲɛ ˌɔdmuvˈiliɕtɕˌɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_31.wav|tˈak naprˈavdɛ nazˈɨva ɕɛ tɛrˈɛsa fjˈɛn.|4
+Dataset/wavs/urwisko_ferenc/37_segment_48.wav|psˈɨ tɕˈɛrpjɔ̃, kʲˈɛdɨ ix pʃˌɛvɔdɲˈika stˈalɛ ɲʲˈɛma w dˈɔmu.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_321.wav|vwɔʒˈɨwɛm klˈutʃɛ dɔ kʲɛʃˈɛɲi, ɡdʑˈɛ lˈɛʒaw tɛn pɔrtfˈɛlik, vɨdˈanɨ mi pʃɨ zvɔlɲʲˈɛɲʲu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_62.wav|— mʲˌawɛm bˈɨtɕ lɛkˈaʒɛm — pɔvʲˈɛdʑaw xwˈɔpak. — a pˈan? bˌɨwɛɕ pˈanɛm w vˈɔjsku?|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_147.wav|nˈavɛt mˈuj ˈɔjtɕɛts, tˈak jˈɛst.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_120.wav|ɡʲˈɔrɡjɔ f kˈɔɲtsu vˌɨprɔvˈadʑa. xˈɔffa i bʲˈillɨ zɔstˈajɛ sˈam.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_34.wav|tʃɨ jɛzd bɛspʲˈɛtʃna?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_180.wav|ˌuɕmʲɛxnˈɛwa ɕɛ jˈak pʃˈɛs sˈɛn.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(11) R.Abbott_Zamknij Drzwi_segment_18.wav|mˈam w ɡwˈɔvʲɛ plˈan trˈasɨ, ˌalɛ na kˈaʒdɨm skʃˌɨʒɔvˈaɲʲu zadˈajɛ sˈɔbjɛ pɨtˈaɲʲɛ, tʃɨ jˈadɛ vɛ vwaɕtɕˈivɨm kʲɛrˈuŋku.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_67.wav|tɔ bˌɨwa prˈavda. nˈavɛt kʲˈɛdɨ fstˈavaw dɔ xarˈɛɡɔ, zˈafʃɛ vʲˈɛdʑaw, ʒˈɛ lˌɔuˈisa rˌɛaɡˈujɛ na pwˈatʃ iɣ dʑˈɛtska.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_458.wav|ɲʲɛ pɔzvˈɔlɛ tɕi skʃˈɨvdʑitɕ marɡˈɛrɨ. ɲʲɛ pɔzvˈɔlɛ. zabrˈaɲʲam tɕˈi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_168.wav|stˈarɨ budˈɨnɛk pʃɨ ɕilɲʲˈɛjʃɨx pɔdmˈuxaɣ vʲˈatru tʃˈɛʃtʃɨ f pɔsˈadax. tɛn dʑvʲˈɛŋk jɛzd dʑˈivɲʲɛ kʃɛpʲˈɔntsɨ.|2
+Dataset/wavs/urwisko_ferenc/58_segment_4.wav|dɔwˈɔʒɨw tʃfˈartɨ bˈaŋknɔt i pˈɔdaw skʃɨtskʲˈɛmu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_410.wav|tʃɨ pʃˈɨjdʑɛʒ dɔ mɲʲɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_137.wav|ɡdˈɨbɨɕ tʃˈɛɡɔɕ pˌɔtʃɛbˈɔvaw, zawˈatfjɛ tɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_43.wav|bˌɨwam praktˈɨtʃɲʲɛ pˈɛvna, ʒˈɛ skˈɔrɔ pˈɔmɨsw pɔxˈɔdʑiw ɔt tsˌamɛrˈɔna, tɔ w ɔɡˈulɛ mi ɕɛ ɲʲɛ spɔdˈɔba.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_177.wav|pˈump ˈɔn, pɔftˈuʒɨw mˈikɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_13.wav|bjˈɛʒɛ tɛlˈɛfɔn dɔ rˈɛŋki, bˈɔ na mˈɨɕlɛ jˈɛdnak rˌɛzɨɡnˈujɛ, bˈɔ pʃˌɛtɕɛʃ tɛj nˈɔtsɨ spˈawa tˈaɡ ʑlˈɛ jˈak ˈɔn.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_24.wav|vɨtɕˈɔŋɡa dwˈɔɲ nat stɔlˈikʲɛm i xfˈɨta mˈɔjɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_26.wav|jˈɛɕli pˈujdʑɛʒ dɔ lˈasu dʑˈiɕ, unˈɔɕi dwˈɔɲʲɛ i kˈiva paltsˈami w zˌaxɛntsajˈɔntsɨm ɡˈɛɕtɕɛ.|2
+Dataset/wavs/urwisko_ferenc/42_segment_60.wav|ɲʲɛ tˈakʲɛ ʒˈɛtʃɨ muɕˈɛliɕmˌɨ vɨtʃˈɨmatɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_17.wav|tɔ jˈɛɕli ktɔkˈɔlvʲɛɡ vʲˈɛdʑaw, tʃɨ jˈɛɡɔ brˈad ʒˈɨjɛ, tɔ vwˈaɕɲʲɛ ˈɔn.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_71.wav|tʃɨ tsˈɔɕ w jˈɛɡɔ zˌaxɔvˈaɲʲu ulˈɛɡwɔː ɔstˈatɲʲɔ zmʲˈaɲʲɛ?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_40.wav|bˈɛtskɨ ɕɛ vˌɨprɔstɔvˈawa i ɔpˈarwa ɡwˈɔvɛ ɔ zaɡwˈuvɛk.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_12.wav|pʃɨjˈɛxawbˌɨm ftʃˈɛɕɲʲɛj, ˌalɛ tɔ bˈɨw pʲˈɛrʃɨ pˈɔtɕɔŋk. xˈɨba zˌawapˈaliɕmˌɨ ɕɛ na tɛn sˈam kˈurs.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_41.wav|na tˈɨlnɨm ɕɛdʑˈɛɲʲu skrˌadʑɔnˈɛɡɔ vˈɔzu pʃɛʒˈɨva na nˈɔvɔ tsˈawɛ sfˈɔjɛ ʒˈɨtɕɛ, a sˈɛrtsɛ ˈɛlis pˈɛŋka.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_176.wav|pˌɔpatʃˈɨwa na mˈuj bˈalkɔn, s kturˌɛɡɔ bˌalustrˈadɨ stɛrtʃˈawa tʃɛrvˈɔna ʃˈɨjka zˌapɔmɲʲˈanɛj kɔnˈɛfki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_69.wav|pˈɔtɛm ɕˈɛdʑɔ̃ pʃɨ stˈɔlɛ i ˌɔɡlɔndˈajɔ̃ vˌɨdrukɔvˈanɛ zdjˈɛɲtɕa. tʃˈɛɲʑdʑ z ɡɔˈɔɡlɛ ˈɛartx, rˈɛʃtɛ z zˈillɔf.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_326.wav|dˈɔʃwa vˈuftʃaz dɔ vɲʲˈɔsku, ʒˈɛ bˌɛɲdʑɛ muɕˈawa bˈɨdʑ bˈardʑɛj suptˈɛlna.|1
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_65.wav|s tˌɛɡɔ tsˈɔ swɨʃˈawam, ʃapˈirɔ pʃɛʒˈutɕiw tfˈɔjɛ tɕˈawɔ nat tunˈɛlɛm, a sˈanxɛs ftɕɔŋɡnˈɛwa tɕˈɛ dɔ kabʲˈinɨ wazˈika i fpˌɔmpɔvˈawa pɔvʲˈɛtʃɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_240.wav|tʃˈujɛ, jˈak ˌɔpadˈajɔ̃ mi ramjˈɔna.|3
+Dataset/wavs/urwisko_ferenc/55_segment_84.wav|dlatʃˈɛɡɔ tɛn pɔlˈitsjant xtɕˈaw zˈajʒɛdʑ dɔ krˈɔɲikˌi?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_6.wav|pɔlˈitsji rˈuvɲʲɛʃ ɲʲɛ udˈawɔ ɕɛ ɲˈidʑ z ɲʲˈɛɡɔ vɨtɕˈɔŋɡnɔɲtɕ i pˌɔvʲɛdʑˈɛli f kˈɔɲtsu, ʒˈɛ ɲʲɛ mˌajɔ̃ ʒˈadnɨx pˌɔdɛjʒˈanɨx.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_229.wav|tɔ bˈɨw dʑɛtɕˈɛntsɨ, ɲʲɛzɡrˈabnɨ pˌɔtsawˈunɛk.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_133.wav|mˈɔʒɛʃ tˈam dɔpwˈɨnɔɲtɕ, jˈɛɕli xtsˈɛʃ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_169.wav|dɔstˈawɛm tˈɛ prˈatsɛ, vʑˈɔwɛm rˌɛŋkavˈitsɛ i ʃˈɛdwɛm na plˈats, a pɔ drˈɔdʑɛ spɔtkˈawɛm jˈakɔ̃ʑ dʑɛftʃˈɨnɛ, ktˌura tsˈɔʑ dɔ mɲʲɛ pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/urwisko_ferenc/59_segment_34.wav|— pˈɛvɲʲɛ maʃ rˈatsjɛ — vzrˈuʃɨw rˌamjɔnˈami i pʃˈɛs xfˈilɛ ɔbˈɔjɛ miltʃˈɛli.|0
+Dataset/wavs/urwisko_ferenc/02_segment_75.wav|mˈɔja tsˈurka zmˈarwa, bˈɔ ʒˈɔna zˌɔstavˈiwa jˈɔ̃ w rɔzɡʒˈanɨm sˌamɔxˈɔdʑɛ|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_76.wav|ˌalɛ ɲʲɛ jˌɛstɛm f stˈaɲʲɛ zˈɛbratɕ mˈɨɕli. mˈɔdlɛ ɕɛ w dˈuxu, ʒˈɛbɨ ɔdwˈɔʒɨtɕ jˈak najʃˈɨptɕɛj swuxˈafkɛ. tˈak tɔ jˈa.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_200.wav|tʃɨ ɲʲɛ bˌɨwɔ tˈak?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_103.wav|tɔ vwˈaɕɲʲɛ spravʲˈawɔ jɛj tˈakɔ̃ xɔlˈɛrnɔ̃ sˌatɨsfˈaktsjɛ f prˈatsɨ i dlatˈɛɡɔ tˈak ɕɛ tɕɛʃˈɨwa zˈɛ sfɔjˈɛɡɔ pɔvrˈɔtu.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_282.wav|dlatʃˈɛɡɔ maʃ tˈak ˌidɛˈalɲʲɛ ɔkrˈɔŋɡwɔ̃ pʲˈɛrɕ?|0
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_55.wav|tʃɨ tɔː ɔznˈatʃa, ʒˈɛ tʃasˈami pakˈujɛʃ kˌɔntɛnˈɛrɨ bˈɛs nadʑˈɔru?|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_280.wav|pˈɔtɛm znˈɔvu zastˈɨɡwa w bɛzrˈuxu pˌijatskʲˈɛɡɔ snˈu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_134.wav|tɔ sˈamɔ pˈɔvʲɛts klɛrkˈɔvi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_99.wav|f ʃkˈɔlɛ ɕrˈɛdɲʲɛj pˈɛvɲʲɛ ʃwˈa pɔ lˈiɲʲi nˌajmɲʲɛjʃˈɛɡɔː ɔpˈɔru, zˌadɔvalˈajɔnts ɕɛ trujˈami i tʃfurkˈami.|2
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_17.wav|a ja ftɕˈɔ̃ʃ mˈɨɕlɛ ˈɔtɨm, jˈak tɛn jˈɛɡɔ sˈɨn xˈɔdʑi zˈaɲim pɔ ɡˈurax.|0
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_174.wav|ˌalumˈiɲʲum nalˈɛʒɨ spˈavatɕ w ɔswˈɔɲʲɛ ɡˈazu ˌɔbɔjɛntnˈɛɡɔ, ktˌura zˌapɔbjˈɛɡa ˌutlɛɲʲˈaɲʲu mˌatɛrjˈawu.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_39.wav|nˈavɛd z ˌudavˈanɨm valˈijskim aktsˈɛntɛm dɔmˈiɲik w ɔɡˈulɛ ɲʲˈɛbʒmʲaw jˈak ˈɔn.|3
+Dataset/wavs/urwisko_ferenc/30_segment_14.wav|zrˈɔbʲiwbˌɨ tˈak.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(18) R.Abbott_Zamknij Drzwi_segment_36.wav|jˈɛɕli fʃˈɨstkɔ ɡrˈa w ix rɛlˈatsji, tɔ dlatʃˈɛɡɔ ɕɛ tˈaɡ bˈɔi?|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_209.wav|tʃɨ ɲʲˈɛmuɡwbˌɨm bˈɨtɕ xˈuman bˈɛazd ɡˈɔnɛ fˈɔr çˈirɛ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_147.wav|ɲʲɛ bˌɛɲdʑɛ ʒˈadnɨɣ ɡlˈin, ɔɕfʲˈattʃa ˈɛlis i zˌapisˈujɛ sfˈɔjɛ rɔzmʲˈarɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_108.wav|tɔ xfˈilɛ zˈajmʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_86.wav|tʃɛrvˈɔna ˈuna ɕfʲˈɛtɕi i ɕfʲˈɛtɕi, malˈujɛ kˌukurˈɨdʑɛ. panˈujɛ ɡwɛmbˈɔka tɕˈiʃa, jˈɛɡɔ dwˈɔɲʲɛ pwˈɔnɔ̃ w jɛj dwˈɔɲʲax.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (72)_segment_10.wav|i pɔpˈatʃɨw jɛj w ˈɔtʃɨ, kʲˈɛdɨ bˌɛɲdʑɛ ˌudʑɛlˈawa ɕɛ ˌɔtpɔvʲˈɛdʑi.|3
+Dataset/wavs/artemis_anna_szymanczyk/12_Artemis_segment_9.wav|a w drˈuɡɔ̃ strˈɔnɛ ɔdvrˈɔtɲʲɛ, ʒˈɛbɨ pˌasaʒɛrˈɔvʲɛ pʃɨvˈɨkli na nˈɔvɔ dɔ pʃˌɨtɕɔŋɡˈaɲʲa ʑɛmskʲˈɛɡɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_58.wav|jˈamisɔn lˈɛʒaw pˌɔdwɔntʃˈɔnɨ dɔ krɔplˈufki pˌɔdajˈɔntsɛj mu jˈakɔ̃ɕ tɕˈɛtʃ, mlˈɛtʃ ˌandriŋɡˈɛra, tʃɨ jˈak tɔ ɕɛ nazˈɨva.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_16.wav|mˈuvi s pɔvˈaɡɔ̃ na tfˈaʒɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_146.wav|mˈaʃ pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_392.wav|ˌalɛ ɔbˈavʲam ɕɛ, ʒˈɛ lˈɔrd ɡʲˈillɛz bˌɛɲdʑɛ fkrˈuttsɛ mˈuɕaw pɔwˈɔntʃɨtɕ ɕɛ zˈɛ ʃlˌaxɛtnˈɨmi pʃɔtkˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/35_Artemis_segment_40.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_120.wav|dɔː ˈɔtʃu nˌapwɨnˈɛwɨ mi wzˈɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_164.wav|ˈɔx, ɲʲɛ mˈɔɡwa tˌɛɡɔ zrˈɔbʲitɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_37.wav|jɛst pˈan pˈɛvʲɛn, ʒˈɛ tɔ dla nˈas?|3
+Dataset/wavs/artemis_anna_szymanczyk/27_Artemis_segment_25.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_384.wav|ˌuɡʲinajˈɔntsɔ̃ ɕɛ fɕrˈud vˈɨtɕa vʲˈatru, a tʃwˈɔvʲɛk na kˌɔrɨtˈaʒu vˈaliw w dʒvˈi.|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_96.wav|f tɨm pʃɨpˈatku ɲʲɛ jɛst tɔ pʃɛnˈɔɕɲʲa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_73.wav|bˌɨwɛm f kˈɔmptɔn tˈɨlɛ rˈazɨ i ɲʲɛ tʃˈuwɛm ɲˈiɡdɨ zapˈaxu trˈavɨ.|0
+Dataset/wavs/urwisko_ferenc/65_segment_126.wav|ˌalɛ najɡˈɔrʃɛ bˌɨwɨ ɔstˈatɲʲɛ swˈɔva rˌɛpɔrtˈaʒu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_19.wav|i pʃˌɨxɔdʑˈiwɔ mi dɔ ɡwˈɔvɨ tˌɨlkɔ jˈɛdnɔ. jɛj swˈabɔ skrɨvˈana ˌaɲimˈɔzja vˌɨɲikˈawa z zazdrˈɔɕtɕi ɔ spɛtsjˈalnɛ vzɡlˈɛndɨ, kturˈɨmi mɲʲɛ dˈaʒɨw.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_12.wav|maʃ na mˈɨɕli abˈɔrtsjɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_177.wav|vʲɛdʑˈawam, ʒˈɛ jˈɛɕli ɲʲɛ zdˈɔ̃ʒɛ, fʃˈɨstsɨ ˈumrɔ̃.|4
+Dataset/wavs/urwisko_ferenc/18_segment_46.wav|i tʃˈɛɡɔ dˌɔvʲɛdʑˈawa ɕɛ pˈaɲi ɔt lˈudʑi z ˌintɛrnˈɛtu?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (13)_segment_9.wav|ɲʲɛ mˈuɕiʃ ɕɛ tˈak mˈartfitɕ. ɲʲɛ jˌɛstɛm idjˈɔtkɔ̃. mˌɔɲitɔrˈujɛ jˈɔ̃ pʃˈɛs tsˈawɨ tʃˈas pʃˈɛs tɛlˈɛfɔn.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_20.wav|f pɔʒˈɔntku, ɲˈits spˌɛtsjalnˈɛɡɔ. nˈudnɛ spɔtkˈaɲʲɛ z zaʒˈɔndɛm, ktˌurɨ vɨdˈavaw ɕɛ jˈɛdnak ˌusatˌɨsfaktsjˌɔnɔvˈanɨ. ɡdʑˈɛ dʑˈɛtɕi? tɕˈixɔ tˈu jˈakɔɕ.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_264.wav|rˌɔstʃarɔvˈujɛʃ mɲʲɛ, ˈarjan.|1
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_155.wav|xrɔnˈɔɡraf pˌɔkazˈujɛ strˈɛfɨ tʃasˈɔvɛ i w ɔɡˈulɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_150.wav|mˈɔja mˈatka kwamˈawa i ˌɔʃukivˈawa, pɔ tʃˌɛmu dˈɛʃwɔː ɔd dʑˈɛtɕi, nˈavɛt ɕɛ ɲʲɛ ˌɔdvratsˈajɔnts.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_36.wav|pɔɡˈadaj tˈɛʒ z rˈɔbɛm i kˈaʃ mu pʃɛpˈɨtatɕ tɛ bˈapki.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_46.wav|ʒˈɛ mˈɔʒɛ pˈaɲi ˈɔdɛjɕtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_85.wav|mɔʒˈɛmɨ tɔ ʃˈɨpkɔ zawˈatfitɕ. ɲʲɛ mˈuɕiʃ tɕˈɛrpʲɛtɕ.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_257.wav|sˈɔndʑɛ, ʒˈɛ ɲˈikt.|1
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_311.wav|dˈalɛ ˈuɲʲus ʃklˈaŋkɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_112.wav|nˌajvɨrˈaʑɲʲɛj zˈafʃɛ zˌaxɔvɨvˈawɛm ɕɛ tˈak, jˈaɡbɨm uvˈaʒaw, ʒˈɛ jˌɛstɛm zbˈɨd dˈɔbrɨ na mʲˈɛjstsɛ, f ktˌurɨm mʲɛʃkˈaliɕmˌɨ. tɔ ɲʲɛ jɛst prˈavda.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_176.wav|jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ ʒˈadna z jɛj pʃˌɨjatɕˈuwɛk ɲʲɛ skˌɔntaktɔvˈawa ɕɛ z ɲˈilɛm. pˈɛvɲʲɛ nˈavɛt ɲʲɛ ˌɔpwakˈujɔ̃ jɛj ɕmʲˈɛrtɕi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_45.wav|vʲˈɛnts kˈɔɡɔː ɔskˈarʒɔ̃? ja bˌɨwam ˌɔtpɔvʲɛdʑˈalna zˈatɛ pʲɛɲʲˈɔndʑɛ. ɲʲɛ rɔzˈumjɛm, jˈak ktˈɔɕ mˈuɡw dˈɔstatɕ ɕɛ ɲʲˌɛpɔstʃɛʒˈɛɲʲɛ dɔ mɔjˈɛɡɔ pɔkˈɔju?|3
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_20.wav|dlatˈɛɡɔː ɔt tɛj pˈɔrɨ dʒˈɔrdʒ bˈɨw stʃˈɛltsɛm, a trˈɔmba ˌɔpsɛrvatˈɔrɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_374.wav|vʲˈɛnts i tˌɛɡɔ vʲɛtʃˈɔru vˌɨmuvˈiwɛm ɕɛ rˈas i drˈuɡʲi ɔt kʲɛlˈiʃka,|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_128.wav|mˈɔʒɛ rˈuvɲʲɛʃ mˈa fˈula?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_102.wav|pˈɔbjɛts s kʃˈɨkʲɛm dɔ dʒvˈi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_230.wav|ɲʲɛ mˈuvi tˌɛɡɔ jˈɛdnaɡ ɡwˈɔɕnɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_5.wav|pʃˌɨpɔmˈinam sˈɔbjɛ ftˈɛdɨ nˈaʃɛ dˈavnɛ ɡʒˈɛxɨ. pˌɔtfʲɛrdʑˈɛɲʲɛ, ʒˈɛ tɔː ɔn stˈaw zˈatɨm fʃˈɨstkim.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_65.wav|ʃˈɨpkɔ jˈɛdnaɡ vˌɨprɔvadʑˈɔnɔː ix s pˌɔmjɛʃtʃˈɛɲʲa, a ja zɔstˈawam sˈama.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_108.wav|pɔvʲˈɛdʑaw mˈikɛ rˈɨan.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_240.wav|spravdʑˈiwam tʃˈas.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_325.wav|brjˈɛnnɛ ˌɔtxʃɔŋknˈɛwa. w vʲɛtʃˈɔrnɨm dvˈɔʒɛ sˈɛptɔn ˈɔjtsa zˈafʃɛ mˈuviw, ʒˈɛ jɛst tˌɨlkɔ jˈɛdɛn bˈuk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_109.wav|ɲʲɛ mˈuʃɛ mˈuvitɕ xˈɨba dɔ tɕˈɛbjɛ, mˈistɛr ˈandɛrsɔn, prˈavda?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_499.wav|tɔ znˈatʃɨ, mˈɔʒɛ jˈɛʃtʃɛ sˈɔ̃, lˈɛtʃ ɲˈikt ɲʲɛ zvrˈatsa nˈaɲʲɛ uvˈaɡʲi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_33.wav|ftˈɛdɨ ɔdʑˈɨva ɕɛ mɛ̃ʃtʃˈɨzna.|3
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_11.wav|lɛʒˈɔntsɛ na pɔdwˈɔdʑɛ kˈɔtsɛ i pɔdˈuʃka ɕfʲattʃˈɨwɨ, ʒˈɛ zaxˈɔvaw ɕɛ jˈak pravdʑˈivɨ dʒɛntˈɛlmɛn.|4
+Dataset/wavs/urwisko_ferenc/43_segment_92.wav|dlatʃˈɛɡɔ pˈaɲi tˈak mˈɨɕli?|0
+Dataset/wavs/urwisko_ferenc/63_segment_176.wav|xˈanna pilˈɛfska vˌɨɡlɔndˈawa, jˈaɡbɨ fpˈadwa f stˈupɔr.|0
+Dataset/wavs/urwisko_ferenc/14_segment_51.wav|ʒˈɨwɨ zɡˈɔdɲʲɛ. lˌɛvandˈɔfska zˈafʃɛ pwatɕˈiwa na tʃˈas, a pˈɔza tɨm bˌɨwa tɕˈixɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_46.wav|— tsˈɔ ɕɛ stˈawɔ? mˈɔʒɛʃ nˈam tsɔkˈɔlvʲɛk pɔvʲˈɛdʑɛtɕ?|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_170.wav|a jˈɛɕli xˈɔdʑi ɔ jˈɛɡɔ pˈaɲʲɔ̃ mˈatkɛ, ɔː ˈilɛ bɔɡˈɔvʲɛ bˌɛndɔ̃ waskˈavi, ta vʲadˈɔmɔɕtɕ jˈɔ̃ zabʲˈijɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_98.wav|kʲˈɛdɨ stˈaw ɲʲˌɛruxˈɔmɔ pˈatʃɔnts fprˈɔst pʃɛt ɕˈɛbjɛ.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_132.wav|na sxˈɔdax ɕɛdʑˈawɨ tʃˈɨ vrˈublɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_170.wav|i ʒˈɛ zˈabʲiw ɕɛ na mˈawɨm trˌɛɲiŋɡˈɔvɨm sˌamɔlˈɔtɕɛ pʃɨ lˌɔndɔvˈaɲʲu, kʲˈɛdɨ ɲʲɛ bˌɨwɔː ˌaɲi vʲˈatru.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_8.wav|rɔzˈɛɕmʲaw ɕɛ jˈɛdɛn z ɲˈix. jˈakʲɛj vˈɔjɲʲɛ? ɲʲˈɛma ʒˈadnɛj vˈɔjnɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_3.wav|rˈut pɔdˈɛʃwa dɔ ɲʲˈɛɡɔ ɲʲɛspʲˈɛʃɲʲɛ, ˌɔmijˈajɔnts kawˈuʒɛ i xfɨtɕˈiwa ɡˈɔ za rˈɛŋkɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_380.wav|— ja ɕɛ s tˈɔbɔ̃ ɲʲɛ spʃˈɛtʃam — pɔvʲˈɛdʑaw vˈɔrlt ˈɔf spˈɔrt.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_120.wav|lˈudʑɛ tfˈɔjɛj vʲˈarɨ mˈuʃɔ̃ ix rɔzˈumjɛtɕ, pˌɔvʲɛdʑˈawa, jˈɛɕli im pʃˌɛbatʃˈajɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_164.wav|fpisˈujɛ xˈaswɔ, lɔsˈɔvɔ̃ kˌɔmbʲinˈatsjɛ tsˈɨfr i lˈitɛr, ktˌurɛj naˈutʃɨw ɕɛ na pˈamjɛɲtɕ, ʒˈɛbɨ ɲʲɛ zˌapisˈɨvatɕ jɛj na jˈakimɕ kˌartɛlˈuʃku, ktˌurɨ ktˈɔɕ mˈuɡwbɨ znˈalɛɕtɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_187.wav|bʲˈillɨ ɔtstˈavja sfˈɔjɔ̃ butˈɛlkɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_271.wav|ɲʲɛ vɨɡwˈupʲaj ɕɛ, dʒˈɛs.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_71.wav|ɲʲˈɛmam pɔjˈɛɲtɕa, tʃɨ ɔtfʲˈɛra ɡˈɔ klˈutʃɛm, kˌɔmbʲinˈatsjɔ̃, tʃɨ ɔttɕˈiskʲɛm pˈaltsa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_230.wav|zˌɔbatʃˈɨmɨ.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_43.wav|kaʒdˈɛmu vwɔʒˈɔnɔ w ˈusta sˈul.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_7.wav|ja uvʲˈɛ̃zwɛm f tɨm pɛŋkɲʲˈɛɲtɕu.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_470.wav|zˌɔstavʲˈajɔnts mʲˈɛ̃sɔ dla sɔkˈɔwuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_130.wav|pʃˌɨwɔʒˈɨwam ˌalumiɲʲˈɔvɨ prˈɛnd dɔ kravˈɛɲdʑi fartˈuxa i zbliʒˈɨwam dɔ ɲʲˈɛɡɔ pwˈɔmjɛɲ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_101.wav|inspˈɛktɔr mrˈuɡa i vˈidʑɛ, ʒˈɛ jɛzd zˌaskɔtʃˈɔna pɨtˈaɲʲɛm. ja ɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/63_segment_80.wav|pɔstˈavi pˈaɲi zaʒˈutɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (21)_segment_100.wav|vaxˈawam ɕɛ, ˌalɛ pɔpˈatʃɨw nˈamɲʲɛ s tˈakim zrˌɔzumjˈɛɲʲɛm, ʒˈɛ pˌɔvʲɛdʑˈawam mu ɔ fʃˈɨstkim, nˈɔ.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_277.wav|bˈɨw sˌɨmpatˈɨtʃnɨ, lˈɛtʃ ɲʲˌɛudˈɔlnɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_19.wav|dla mɲʲɛ ɲʲɛ, dʑɛŋkˈujɛ ˈɔtpar tˈɔm.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_119.wav|vˌɨswuxˈawam krˈutkʲɛj vɨmjˈanɨ zdˈaɲ, f ktˌurɛj tˈata zˈɔstaw pˌɔprɔʃˈɔnɨ ɔ kˈupnɔ bjˈawɛj fˈarbɨ ˌɛmulsˈɨjnɛj.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_509.wav|ˌalɛ pʃˌɛtʃuvˈanɛ ɲʲˌɛpʃɨzvˌɔitˈɔɕtɕi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_229.wav|ktˌura spˈadwa z dˈaxu pɔt mˈɔjɛ nˈɔɡʲi.|0
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_117.wav|xfˈɨtɕiw ɡˈɔ za vwˈɔsɨ i ˈuɲʲus jˈɛɡɔ ɡwˈɔvɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_24.wav|pˌɔzɔstˈajɛ mu nadʑˈɛja, ʒˈɛ jˈɛdnak tɔ tʃˈujɛ, bˈɔ ftˈɛdɨ mˈɔɡwabˌɨ tˈɛʃ pˈɔtʃutɕ strˈax.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_62.wav|lˌɔuˈisa pˌɔtskɔtʃˈɨwa na fɔtˈɛlu z vɨrˈazɛm pʃˌɛraʒˈɛɲʲa na tfˈaʒɨ. tˈɔm uɕmʲˈɛxnɔw ɕɛ dɔ ɲʲˈɛj pʃˌɛpraʃajˈɔntsɔː i spˈɔjʒaw na ˈɛkran. fˈatsɛ tʲˈajm.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_33.wav|jˈak ɕɛ tˈu dɔstˈawaɕ? ɲʲɛ zamknˈɔwɛm dʒvˈi?|0
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_163.wav|tʃˈɨʃ tɔ ɲʲɛ tsudˈɔvnɛ? jɛstˌɛɕmɨ na kɕɛ̃ʒˈɨtsu!|4
+Dataset/wavs/urwisko_ferenc/53_segment_106.wav|ˈɔlɡʲɛrt wˈɨknɔw kˈavɨ i kˌɔntɨnuˈɔvaw.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_303.wav|tɨm rˈazɛm ɕɛ ɲʲɛ vaxˈawa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_70.wav|dˈalʃɨ tɕˈɔŋɡ bʲˈillɨ ˌɔpɔvʲˈada z vʲˈɛŋkʃɨm pʃˌɛkɔnˈaɲʲɛm, xˈɔtɕ tɔ ftɕˈɔ̃ʒ ɡwˈuvɲʲɛ dɔmˈɨswɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_207.wav|pɔmˈɔtsɨ kalˈɛkʲɛj ɕɛrˈɔtɨ?|4
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_98.wav|tɕˈɛʃɛ ɕɛ, ʒˈɛ t��ˈɛ vˈidʑɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_88.wav|i dʑˈɛŋki tˌɛmu ɲitʃˈɛɡɔ ɲʲɛ pɔplˈɔntʃaʃ, kʲˈɛdɨ bˌɛndɔ̃ ˈɔtɔ pˈɨtatɕ.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_161.wav|ˌalɛ rˌɔsʃtʃɛlɲʲˈɛɲʲɛ skɔrˈupɨ mɔɡwˈɔbɨ dˌɔprɔvˈadʑitɕ ɛkˈipɛ ˌɛksplɔratˈɔruv dɔ nˈaʃɛj dʑˈurɨ w ɕtɕˈaɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_117.wav|ˌɔɲi mɲʲɛ ɲʲɛ ˌɔpxɔdʑˈili, mˈɔɡli rˈɔbʲitɕ, tsˈɔ zˈɛxtsɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_402.wav|ʒˈɛɡw dɔ pˌɔlitsjˈanta, a dɔ mɲʲɛ ɕtɕiʃˈɔnɨm ɡwˈɔsɛm pɔvʲˈɛdʑaw kˌɔnfidˌɛntsjɔnˈalɲʲɛ,|0
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_25.wav|uvˈaʒaj na ɕˈɛbjɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (70)_segment_48.wav|bˈɔ dlatʃˈɛɡɔ mʲawˈɔbɨ tˈaɡ bˈɨtɕ?|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_296.wav|tɛn mˌawɔmˈuvnɨ tʃwˈɔvʲɛk ɔ tfˈardɨm spɔjʒˈɛɲʲu ɲʲˈɛzvɨɡw vɨbˈatʃatɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_81.wav|ˈakta zɔstˈawɨ pˌɔdʑɛlˈɔnɛ ˌalfabɛtˈɨtʃɲʲɛ vˈɛdwuk nazvˈiska kaʒdˈɛɡɔ tʃwˈɔŋka pˌɛrsɔnˈɛlu.|3
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_172.wav|ˈɔjtɕɛts mˈiltʃaw pʃˈɛs xfˈilɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_121.wav|tɔ, tsˈɔ tɕˈɛ spɔtkˈawɔ, bˌɨwɔ zwˈɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_50.wav|ɲʲɛ jɛst tˈu sˈam. tʃtɛrdʑˈɛstu lˈudʑi ˈidʑɛ pʃˈɛdɲim i tsˈɔ nˈajmɲʲɛj drˈuɡʲɛ tˈɨlɛ zˈaɲim.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_170.wav|zdavˈawɔ mi ɕɛ, ʒˈɛ pwˈɨɲʲɛ ɔt ɲʲˈɛj f tɨɣ vˈɔntwɨx pɔvʲˈɛvaɣ vʲˈatru, ktˌurɨ ɕɛ jˈɛʃtʃɛ ɲʲɛ ɔbˈudʑiw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_49.wav|ja ɲˈim pʃˌɨjɛxˈawam, mˈuvi ˈɛlis. jˈɛʃtʃɛ jɛst w ɛwfˈɔrji pɔ zakˈupax, tˈaɲtsu ˈalbɔ jˈɛdnɨm i drˈuɡʲim.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_9.wav|fkwˈada tˈalɛʃ i pˈustɔ̃ ʃklˈaŋkɛ dɔ zlˈɛvu. na stˈɔlɛ lˈɛʒɔ̃ jˈɛɡɔ tʃtˈɛrɨ tˌɛlɛfˈɔnɨ kˌɔmurkˈɔvɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_91.wav|ɔxrˈɔɲʲaʃ pˈɔtʃɛd dɔ ɲˈix i zaɡˈadnɔw. kɔbjˈɛta ʒutɕˈiwa mu kˈilka swˈuf w ˌɔtpɔvʲˈɛdʑi, a ɔn vɨtsˈɔfaw ɕɛ na sfˈuj pˌɔstɛrˈunɛk.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (13)_segment_18.wav|ɲʲɛ paɲˈikuj, ɲˈits ɕɛ ɲʲɛ stˈawɔ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_282.wav|tʃɨ tfˈuj ˈɔjtɕɛdʑ ʒˌɛtʃɨvˈiɕtɕɛ jɛst pijˈanɨ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_70.wav|pɔɲʲˈɛvaʃ ɲʲˌɛpɔkˈɔjɛ ɕɛ ˈɔtɔ, tʃɨ trˈafjɛ na mʲˈɛjstsɛ, ɲʲɛ zapʃˈɔntam sˈɔbjɛ ɡwˈɔvɛ mɨɕlˈɛɲʲɛm, tsˈɔ ɕɛ vɨdˈaʒɨ, kʲˈɛdɨ jˈuʃ tˈam dˈɔtrɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_29.wav|ˈɛmma, ˈɔj vˈɨbatʃ, klˈɛrɛ, dˈɔbʒɛ tɕˈɛ vˈidʑɛtɕ.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_434.wav|alˈain swɨʃˈawa zˌavɔdʑˈɛɲʲɛ vʲˈatru. tʃˈuwa, jˈak ʃˈarpʲɛ jɛj pwˈaʃtʃɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_215.wav|zatʃˈɛwam ɕɛ ubjˈɛratɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_79.wav|bˈaki pʃɛstʃˈɛɡaw, ʒˈɛ bˌɛɲdʑɛʃ ɕɛ pʃˈɨmɲʲɛ tʃˈɨmatɕ tˈaɡ dwˈuɡɔ, jˈak nˈatɔ pɔzvˈɔlɛ, a tɔ dˌɔprɔvˈadʑi tɕˈɛ dɔ zɡˈubɨ. mʲˈaw rˈatsjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_23.wav|bʲˈillɨ vˌɨkɔnˈujɛ pˌɔlɛtsˈɛɲʲɛ. ɕˌɛdɛmdʑˈɛɕɔnt pˈarɛ dɔlˈaruv w ɡwˈuvnɛj kʲɛʃˈɛɲi.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_316.wav|uɲʲˈɔswa spɔjʒˈɛɲʲɛ i zˌɔbatʃˈɨwa, ʒˈɛ taˈɛna mˈa ɔtfˈartɛ ˈɔtʃɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_143.wav|bˈɔ mʲˌɛliɕmˌɨ dˈɔbrɨ plˈan.|3
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_94.wav|dɔnˈɔvɛn bˈɛz dalʃˈɛɡɔ spʃɛtɕˈivu zwˈɔntʃa dwˈɔɲʲɛ, pʃˌɨkwadˈajɔnts nadɡˈarstɛɡ dɔ nadɡˈarstka. bʲˈili f sˌuvarˈuɡa rˈaza pˈas. ftˈɛdɨ, zɡˈɔdɲʲɛ z jˈɛɡɔ pʃˌɛvidˌɨvaɲʲˈami, dɔnˈɔvɛn ʒˈutsa ɕɛ na ɲʲˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_58.wav|spʃˌɛtɕivˈiwa ɕɛ marɡˈarɨ tˈɨrɛll. wupʲˈɛʃtsɨ ɲʲɛ ˌudɛʒˈajɔ̃ takˈimi ɕiwˈami. tˈɨɕɔnts ɔkrˈɛntuf!|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_154.wav|tɔ ɲʲɛ jɛst trˈudnɛ. vɨstˈartʃɨ tˌɨlkɔ trˈafitɕ na ˌɔtpɔvʲˈɛdɲʲɛ skˈawɨ.|4
+Dataset/wavs/urwisko_ferenc/23_segment_78.wav|a ja mˈuʃɛ jˈɛ sˈɔbjɛ znˈalɛɕtɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_71.wav|jɛzd bˈardʑɔ pʲˈɛŋkna, mˈikɛ, ˌalɛ tsˈuʃ nˈam ˈɔbu s tˈɛɡɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_91.wav|pˈan fɔrˈakis skʃˈɨvdʑi alfjˈɛɡɔ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_138.wav|vˌɨɡrɨvˈajɔnts ɔt ɲˈix fʃˈɨstkʲɛ pʲɛɲʲˈɔndʑɛ, bˈɔ bˈɨw jˈɛʃtʃɛ w dɔdˈatku ʃulˈɛrɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_126.wav|a pˈɔtɛm trafˈiwɛʑ dɔ rɔdʑˈinɨ zastˈɛmptʃɛj?|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_388.wav|stɔjˈɔntsɨ nad dˈɔwɛm rˈɨtsɛʒ bˈɨw jˈɛdnak rɔɕlˈɛjʃɨ ɔt pˈɛjna.|1
+Dataset/wavs/urwisko_ferenc/65_segment_132.wav|zˈaras pɔ ɲʲˈɛɡɔ jˈadɛ. jɛst f klˈiɲitsˌɛ. mʲˈaw pwukˈaɲʲɛ kˌanalˈikuv wzˈɔvɨx.|0
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_81.wav|maʃ prˈatsɛ i zarˈabjaʃ trˈɔxɛ pʲɛɲʲˈɛndʑɨ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_496.wav|a tsˈɔ pˈɔvʲɛ jˈɔurs ˈand dˈɛ ˈɔtxɛrs?|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_381.wav|pˌɔruʃajˈɔntsɛj ɕɛ spˌazmatˈɨtʃɲʲɛ nˈɔɡʲi.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_142.wav|zɡˈɔdʑiw ɕɛ lˈɔrt ˈɛmɔn. sˈɛr jˈamɛ, tfˈuj pˈan ˈɔjtɕɛts ɲʲɛ mˈɨliw ɕɛ, vʲˈɛʒɔndʑ vˈɛmɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_224.wav|stˌarɔvˌalɛrjˈaɲskʲɛ swˈɔvɔ pʃɨʃˈɨwɔ jˈɔ̃ drˈɛʃtʃɛm, lˈɛtʃ rˌɔspalˈiwɔ rˈuvɲʲɛʃ iskʲˈɛrkɛ nadʑˈɛi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_58.wav|kʲˈɛdɨ zˌamɨkˈajɔ̃ ɕɛ za ɲˈimi dʒvˈi, ɔddˈɨxam z ˈulɡɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_73.wav|tfɔˈimi mɨɕlˈami, a tɨ mɔˈimi.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_38.wav|pɔtxˈɔdʑɛ dɔ tˈɨlnɨɣ dʒvˈi i ɔtfʲˈɛram jˈɛ, bˈɨ fpˈuɕtɕitɕ trˈɔxɛ pɔvʲˈɛtʃa, ˌalɛ xˈɔdʑi mi pʃˈɛdɛ fʃˈɨstkim ˈɔtɔ, bˈɨ f trˈaktɕɛ muvʲˈɛɲʲa stˈadʑ dɔ dˌɔmiɲˈika tˈɨwɛm.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_413.wav|tʃɨ pɔkˈaʒɛʃ mi jˈɔ̃ tˈɛras?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (7)_segment_52.wav|xtɕˈawabˌɨɕ mˈɔʒɛ pˈujʑdʑ ɡdʑˈɛɕ, ɡdʑˈɛ jɛst fˈajɲʲɛj, nˈɔː i trˈɔxɛ tɕˈiʃɛj?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_103.wav|ɲʲˈɛvʲɛm, ˈilɛ rˈazɨ zɔstˈawam ukwˈuta, ˌalɛ ftɕˈɔ̃ʒ ʒˈɨjɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_97.wav|pˌɔvʲɛdʑˈawa xˈɛlɛn i ɡwˈɔs jɛj bʒmʲˈaw tʃˈɨstɔː i tˈak spɔkˈɔjɲʲɛ, ˈiʃ ˈandɛrsɔn pɔxˈɨliw ɕɛ kˈu ɲʲˈɛj.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_69.wav|ɲʲɛ kˌɔntsɛntrˈɔvaw ɕɛ zbˈɨtɲʲɔ na mˈɔix swˈɔvax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_118.wav|bʲˈillɨ sxˈɨla ɕɛ i pˌɔkazˈujɛ pˈaltsɛm ɲʲˌɛpɔzˈɔrnɨ pˈanɛl na lˈɛvɔː ɔt sxˈɔfka.|2
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_220.wav|xtsˈɛʃ, ʒˈɛbɨm zawˈatfiw kɔlˈɛɕa, ˌalɛ ɲʲɛ w lˈɔs ˈandʒɛlˌɛs. tˈutaj...|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_137.wav|i mʲˈawa jˈɛʃtʃɛ krˈutki, prˈɔstɨ nˈɔs i pˈɛwnɛ ˈusta,|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_294.wav|tʃɨ fʃˈɨstkiɣ ɡˈɔɕtɕi tˈaɡ vˌɨpɨtujˈɛtɕɛ?|1
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_109.wav|fʃˈɨstkɔ ʃtʃˈɛlnɛ i ɡɔtˈɔvɛ, kʃˈɨknɔw ˈarun w ˌɔtpɔvʲˈɛdʑi.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_53.wav|xˈɔtɕ tˌɨlkɔ ɲʲɛvʲˈɛlka tʃˈɛɲʑdʑ vˌɨpɔsaʒˈɛɲʲa nalˈɛʒɨ dɔ nˈas.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_66.wav|tʃɨ mˈɔɡɛ zˌatɛlˌɛfɔnˈɔvadʑ dɔ pˌɛnsjɔnˈatu?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_34.wav|nˈuʃa prˈɨxa. ʒˈɨtʃɛ im pˌɔvɔdʑˈɛɲʲa. mˈɨɕliʃ, ʒˈɛ ɡˈɔ tɔː ɔbˈɛjdʑɛ? ɲʲɛ pɔtrˈafjɛ nˈatɔ pɨtˈaɲʲɛ ˌɔtpɔvʲˈɛdʑɛtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_220.wav|mˈuɕi vʲˈɛndʑ zˈɔstatɕ na pˈɛarsɔn strˈid dˈɔʑdʑ dwˈuɡɔ, bˈɨ uznˈali, ʒˈɛ jˈɛdnaɡ zˈaras pɔ zabˈujstfʲɛ vɨjˈɛxaw z mʲˈasta.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_74.wav|pˈarska ɕmʲˈɛxɛm.|4
+Dataset/wavs/urwisko_ferenc/48_segment_40.wav|nˈadal tɔ rˈɔbʲiʃ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (49)_segment_39.wav|w mˈɔjɛj ɡwˈɔvʲɛ ˈaʃ rˈɔi ɕɛ ɔt mˈɨɕli ɔ vɨbˈɔrax i pˈɨtaɲ dˌɔtɨtʃˈɔntsɨɣ dɛtsˈɨzji, ktˌurɛ pɔdjˈɛwam. ɲʲˈɛvʲɛm pɔ prˈɔstu tsˈɔ rˈɔbʲitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_4.wav|xˈɔff i ɡʲˈɔrɡjɔ tʃɛkˈajɔ̃ pʃɛd budˈɨŋkʲɛm. ʃtʃɛtɕˈina pˌɔrastajˈɔntsa tfˈaʃ xˈɔffa nˈadal bˈardʑɛj ˌupɔdˈabɲʲa ɡˈɔ, pʃɨnˈajmɲʲɛj zdˈaɲʲɛm bʲilljˈɛɡɔ, dɔ klɔʃˈarda ɲˈiʒ dɔ luzˈaka.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_66.wav|ˌɔɡlɔndˈawaɕ kʲˈɛdɨɕ fˈilm vˌɨbavʲˈɛɲʲɛ? ɔ tʃˈɛx fatsˈɛtax na spwˈɨvʲɛ kˌajakˈɔvɨm?|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_79.wav|ˌɔdwɔntʃˈɨwam ˈɔba zatɕˈiski, ˌɔdɛrvˈawam kˈablɛ ɔt pʃˌɛwɔntʃɲˈika i zdˈarwam z ɲˈix ˌizɔlˈatsjɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_266.wav|tɔ dʒˈɛvɔ jˈuʃ umjˈɛra.|0
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_391.wav|jˌɛstɛm krulˈɔvɔ̃, kɨbˈɛrɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_74.wav|vˌɨɡlɔndˈajɔ̃ na dˈɔɕtɕ stˈarɛ. mˈɔʒɛ pˌɔjavˈiwɨ ɕɛ tˈu dvˈux, tʃˈɛx lˌɔkatˈɔruf tˈɛmu.|2
+Dataset/wavs/wrony_banaszyk/0044 uczta_dla_wron_siec_spi_segment_13.wav|ɲʲɛ zˌapɔmɲʲˈawɛm ɔ pˌɔzɔstˈawɨx pɔstˈatɕax. vrˈɛntʃ pʃɛtɕˈivɲʲɛ, nˌapisˈawɛm ɔ ɲˈiɣ bˈardʑɔ dˈuʒɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_315.wav|a plˈɛtsɨ jɛj zdˈɔbʲiw ɡrˈubɨ vˈarkɔtʃ tɕˈɛmnɨɣ vwˈɔsuf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_132.wav|filˈipa ˌɔtfɔʒˈɨwa ʃɛrˈɔkɔː ˈɔtʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_133.wav|a jˈɛɡɔ ʑˈɛmʲɛ i zˈamɛɡ bˌɛɲdʑɛ mˈɔɡwa kˈɔmuɕ ˈɔddatɕ w naɡrˈɔdɛ za vʲˈɛrnɔ̃ swˈuʒbɛ.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_123.wav|tɨm rˈazɛm lˈɔras rˈuvɲʲɛʃ prɔvˈadʑiw ʃtˈurm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_43.wav|pɔʃˈukaj tɕˌɛ̃ʒarˈufki z ˌɔpuʃtʃˈɔnɔ̃ ɔswˈɔnɔ̃ pʃˌɛtɕifswɔnˈɛtʃnɔ̃. pɔvˈinna tˈɛʃ mʲˈɛtɕ jˈakiʑ ʑɛlˈɔnɨ ɛlˈɛmɛnt, na pʃˈɨkwat kavˈawɛk papʲˈɛru tʃɨ tsˌɛlulɔˈidu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_109.wav|tsˈɔɕ muɕˈawɔ bˈɨtɕ ɲʲɛ tˈak.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (2)_segment_66.wav|i ftˈɛdɨ ɔpˈɔvʲɛm mˈɔjɔ̃ çistˈɔrjɛ.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_398.wav|mˈɛjs tˈɨrɛll i mˈawa krulˈɔva mˈɔɡɔ̃ znˈɔvu sprubˈɔvadʑ vmˈuɕitɕ mi ɡˈarta sprɔɕnˈɛɡɔ. lˈɔrd ɡʲˈillɛs tɕˈɛrpi na tɛn kˈaʃɛl jˈuʃ ɔd vʲˈɛlu lˈat.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_51.wav|zˌɔbatʃˈɨwɛm nˈaʃ pˈɔkuj.|0
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+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_206.wav|zˈɔstaf jˈɔ̃ mɲʲɛ, mˈɔja swˈɔtka.|1
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+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_258.wav|nˈɔ tsˈuʃ...|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_181.wav|dˈɔbrɨ vʲˈɛtʃur, dʒˈɛs.|4
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+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_145.wav|ɔt rˈazu zˈasnɔw.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_286.wav|krulˈɔva fʃˈɨstkim tʃˈɛm ˌɔtpɔvʲɛdʑˈawa tɔ sˈamɔ.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_296.wav|xtsˈɛmɨ dɔː ˈarbɔr!|1
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+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_390.wav|tɔ mˈuɕi bˈɨtɕ ktˈɔɕ, ktˈɔ mˈa pravdʑˈivɔ̃ vwˈadʑɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_155.wav|sˈɛtka zˌakwadɲˈikuv zasnˈɛwa i jˈuʃ ɕɛ ɲʲɛ ˌɔbudʑˈiwa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwr��ć wzrok (50)_segment_26.wav|dˈɔbrɨ pˈɔmɨsw. na jˈakim ɛtˈapʲɛ jɛstˌɛɕmɨ z mˈartɔ̃ pˈɔrtɛr? kˈit? rˈɔp?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_59.wav|ɲʲˈɛvʲɛm, tsˈɔ jɛst pɔ drˈuɡʲɛj strˈɔɲʲɛ, ˌalɛ ɲʲɛ mˈɔɡɛ tˈu dwˈuʒɛj stˈatɕ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_57.wav|pɔdbʲˈijam bˈɛz vaxˈaɲʲa.|3
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+Dataset/wavs/urwisko_ferenc/10_segment_42.wav|mʲˈaw vraʒˈɛɲʲɛ, ʒˈɛ mʲˈawa ˈɔkrɛs ɔt xfˈili, ɡdˈɨ ˌurɔdʑˈiwa amˈɛlkɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_5.wav|ɲʲɛ mˈɔɡɛ vˈɛjʑdʑ dɔ ɕrˈɔtka.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_64.wav|tˈɔm ɔdˈɛtxnɔw.|3
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_450.wav|kʃˈɨknɔw nˈaɡlɛ tˈɔmmɛn.|1
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+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_6.wav|sˈɛr, mˌamɨ jˈuʃ nazvˈiskɔ dɛnˈata znˌalɛʑɔnˈɛɡɔ pʃɨ bˈartɔn brˈidʒ. nazˈɨvaw ɕɛ mˈartʲin çˈislɔp.|4
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+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_102.wav|i tˌɛɡɔ ɕɛ jˈuʃ pˈɔtɛm ɲʲɛ dˈa ˈukrɨtɕ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_168.wav|ʒˈɛbɨ vʲˈara mˈɔɡwa vˈɨɲʲɛɕtɕ jɛdnˈɛɡɔ z ɲˈix nat pˌɔzɔstˈawɨx, musˈimɨ mʲˈɛtɕ pˈɛvnɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_148.wav|bʲˈillɨ dɔtˈɨka jɛdnˈɛɡɔ z ɲˈix.|2
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_123.wav|ktˌurɨ ʒˈɨjɛ vʲˈɛtʃɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_250.wav|ɔɡrˈɔmnɛ ˈɔkna dˈɔmuf tˌɔvarˈɔvɨx pwɔnˈɛwɨ tʃɛrvʲˈɛɲʲɔ̃. kˈɔɲtʃɨw ɕɛ dʑˈɛɲ jˈak s fˌatalnˈɛɡɔ snˈu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_41.wav|tʃɨ mˈɔva ɔ nˈaʃɨɣ dˈɔmax, majˈɔntku tʃɨ ʒˈɔnax kˈaʒɛ ɕɛ nˈam vʲˈɛʒɨtɕ, ʒˈɛ pˌɔvinɲˈiɕmɨ tʃˈɨmatɕ ɕɛ mˈɔtsnɔ tˈɛɡɔ, tsˈɔ dɔ nˈas nalˈɛʒɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_265.wav|nˈaʃ ʃˈɛv zˈafʃɛ tɔ rˈɔbʲi, ʒˈɛɡw ɡˈɛrs fˈirst lˈɔvɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_31.wav|zˌawatfˈiwɛm sprˈavɛ z mˈɛ̃ʒɛm xalˈimɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_108.wav|tɔ jɛzd vˈaʃ plˈɛtsak pʃɛtrfˈaɲʲa.|4
+Dataset/wavs/urwisko_ferenc/28_segment_64.wav|sˈɔlska zlɛtɕˈiwa tɕi tˈɛ rɔbˈɔtɛ?|0
+Dataset/wavs/urwisko_ferenc/39_segment_80.wav|ɲʲɛ lˈitʃɔnts pˌɔdɲʲɛɕˈɔnɛj dˈɛski klˌɔzɛtˈɔvɛj.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_337.wav|ˌalɛ rˈuvɲʲɛ dˈɔbʒɛ mˈɔɡlibˌɨɕmɨ ɡˈɔ nˈazvatɕ rɔlɲˈikʲɛm, rɨbˈakʲɛm, tɕˈɛɕlɔ̃ ˈalbɔ ʃˈɛftsɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_90.wav|bˌɛndɛ mʲˈawa prɔblˈɛmɨ z dˌɔtʃɨmˈaɲʲɛm spwˈat i xtɕˈawabˌɨm tˈɛʃ pˈɔmuts stsɔttˈɔvi, vʲˈɛnts pˌɔmɨɕlˈawam, ʒˈɛ...|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_107.wav|ɲʲɛ muɕˈawam ɲitʃˈɛɡɔ pɔtfʲˈɛrdʑatɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_145.wav|ˌalɛ pˌamjɛntˈajtɕɛ, ʒˈɛ jɛstˌɛɕmɨ w bˈaɲtsɛ ɔldrˈina.|4
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_93.wav|ʒˈɛ ɔ rˈudɨ mɲʲɛ fspˈɔmnɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_19.wav|ʒˈɛbɨɕ trˈɔxɛ pɔvˈɛ̃ʃɨw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_135.wav|ɲʲɛ jˌɛstɛm pˈɛvʲɛn, tʃɨ dˈɔbʒɛ rɔzˈumjɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_499.wav|parˈɛ̃sɛt mˈɛtruf stˈɔnt jɛst mˈuj dˈɔm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_97.wav|patʃˈɨli tˈɛras na samˈɔlɔt pˌɔtxɔdʑˈɔntsɨ dɔ lˌɔndɔvˈaɲʲa na mʲˈɛŋkkim pˈɔlu startˈɔvɨm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_21.wav|pʃɨnˈajmɲʲɛj na rˈaʑɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_83.wav|i mʲˈawɔ tɔ dla mɲʲɛ sˌɨmbɔlˈitʃnɔ̃ vɨmˈɔvɛ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_146.wav|lˈadɨ mˌɛrivˈɛtxɛr tʃɛkˈawa nˈaɲʲɔ̃ f sɨpʲˈalɲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_62.wav|w ˌɔdruʒɲʲˈɛɲʲu ɔt pɔpʃˈɛdɲʲɛj kɔmˈurki na kˈartɛ tˈast s klˈapkɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_228.wav|zvrˈutɕiw ɕɛ dɔ barmˈana.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_35.wav|kˈilka ˈɔsup spɔjʒˈawɔ w mˈɔjɔ̃ strˈɔnɛ, bˈɨ ɔt rˈazu ɔdvrˈutɕidʑ vzrˈɔɡ z ɲʲɛsmˈakʲɛm.|4
+Dataset/wavs/urwisko_ferenc/10_segment_40.wav|ˈɔbras nˈaɡʲɛj ɲʲˌɛznajˈɔmɛj ɔtpwˈɨnɔw.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(42) R.Abbott_Zamknij Drzwi_segment_66.wav|pɔpˈɨxam dʒvˈi i swˈɨʃɛ ɡwˈɔs mwˈɔdɛj kɔbjˈɛtɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_187.wav|ˈilu lˈudʑi ɔɡlˈɔnda mˈɛdʒ w dˈɔmu?|2
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_49.wav|vɨjˈɛwam s tɔrˈɛpki pˌudɛrɲˈitʃkɛ i ˌɔbɛjʒˈawam w lustˈɛrku mˌalɔvˈanɛ rˌubʲinˈɔvɔ̃ ʃmˈiŋkɔ̃ ˈusta.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_193.wav|ˌalɛ kʲˈɛdɨ jˈuʃ skwamˈawam, muɕˈawam kwˈamatɕ na tˈɛmat ˈinnɨɣ ʒˈɛtʃɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_128.wav|mˈɔʒɛ ˌɔdmuvˈiwabˌɨ, ˌalɛ sˈɔndʑɔnts pɔ jɛj uɕmʲˈɛxu, pˈɔtɨm jˈak pˈatʃɨ na ɲʲˈɛɡɔ spˈɔd ʒˈɛ̃s, pˌɔvʲɛdʑˈawabˌɨ tˈak.|2
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_183.wav|kʲˈɛdɨɕ f tɛn spˈɔsup pʃɛɡˈɔɲiw vʲɛlkʲˈɛɡɔ ʃtʃˈura.|2
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_154.wav|tɨm kˈimʑ bˈɨw ʃtʃˈur w ˌarafˈattsɛ nazvˈiskʲɛm ˈamar jˈassim. pɔ ʃˌɛʑdʑɛɕˈɔnttsɛ tʃɨ ɕˌɛdɛmdʑɛɕˈɔnttsɛ. ɲˈikt ɲʲˈɛvʲɛ na pˈɛvnɔ, xˈɨba z ɲˈim vwˈɔntʃɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_76.wav|mˈɔʒɛ zlɛtsˈɛɲʲɛ w ɔɡˈulɛ ɲʲɛ dˈɔjdʑɛ dɔ skˈutku.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_172.wav|zˌapʃɛstˈafʃɨ pɔɕtɕˈiɡu za tɔrvˈaldɛm i rˈudɨm vʲɔɕlˈaʒɛm, zˌavrutɕˈili w dˈuw ʒˈɛki, zastˈali w ˈujɕtɕu tʃˌɛkajˈɔntsɔ̃ nˈaɲih ʒɛlˈaznɔ̃ flˈɔtɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_71.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_80.wav|jˈɛʃtʃɛ ɡˌurɔvˈali, lˈɛtʃ tsˈɔraz vˈɔlɲʲɛj ˌɔbratsˈawɨ ɕɛ ix pˈawki.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_103.wav|spʃɛtɕˈiviw ɕɛ tʃɛrvˈɔnɨ kˈapwan. pɔdˈɔbɲʲɛ jˈak w lˈudʑax, ktˌuʒɨ ɡˈɔ nɔɕˈili.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_152.wav|mɨɕlˈawaɕ, ʒˈɛ ˈɔtɨm zˌapɔmɲʲˈawɛm?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_28.wav|tʃˈɨli tsamˈɛrɔn ˈɛdmɔndz bˈɨw jɛj kljˈɛntɛm?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_64.wav|kʲˈɛdɨ ɕɛ ˌɔbudʑˈiwa, dˈɛʃtʃ ɲʲɛ stˈukaw jˈuʃ ɔː ˈɔknɔ w dˈaxu, a ɲʲˈɛbɔ zˌatʃɨnˈawɔ tɕˈɛmɲʲɛtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_240.wav|bʲˈillɨ mˈiltʃɨ. ɲʲˈɛma ɲˈidʑ dɔ pˌɔvʲɛdʑˈɛɲʲa.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_161.wav|zvʲɛɕˈiwam ɡwˈɔvɛ i utkfˈiwam spɔjʒˈɛɲʲɛ f pɔdwˈɔdʑɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_106.wav|rˈɨan pˈatʃɨw, jˈak pijˈanɨ unˈɔɕi ɕɛ s kʃˈɛswa, vˌɨwuskˈanɨ stˈamtɔnt rˈɛŋkɔ̃ ˌandɛrsˈɔna i pxɲʲˈɛntɨ pʃˌɛskakˈujɛ pʃˈɛs pɔwˈɔvɛ sˈali,|0
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_184.wav|tɔ mˈɔʒɛ jˈuʃ ɲʲɛ jɛzd vʲˈara, mˈɔʒɛ tɔ mˈiwɔɕtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_178.wav|xˈɔdʑ vˈɔrt ɲʲɛ fstˈavja pʃɛtɕˈiŋkuf, pɔtkrˈɛɕla lˌitɛrˈufki na tʃɛrvˈɔnɔ. zaznˈatʃa nˈavɛt najbˈardʑɛj raʒˈɔntsɛ ˌuxɨbjˈɛɲʲa ɡrˌamatˈɨtʃnɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_527.wav|ˌɔtfɔʒˈɨwɛm, pʃɛdˈɛmnɔ̃ stˈaw ʃˈɔfɛr s tfˈaʒɔ̃ nˌatʃɛlɲˈika kɔɕtɕˈuʃki.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_9.wav|muvˈiwa, ʒˈɛ mˈɔʒɛ dʑˈiɕaj bˌɛɲdʑɛʃ xtɕˈaw pˌɔpratsˈɔvatɕ nˈadɲʲɔ̃ w dˈɔmku lˈɛtɲim.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_286.wav|nˈɔ vwˈaɕɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_61.wav|bʲˈidʑi dwˈuɡɔ jˈɔ̃ ˌɔpsɛrvˈujɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_168.wav|pˈɔtɛm ɔdvrˈutɕiw ɕɛ dɔ mɲʲɛ i jˈɛʃtʃɛ rˈas spˈɨtaw, tʃɨ dˈam rˈadɛ, a ja pˌɔvʲɛdʑˈawɛm, tˈak jˈɛst.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_17.wav|mˈɔʒɛ tˈak jˈak f pʃɨpˈatku stsˈɔtta, jˈɛdnɔː ˌuʒɔndlˈɛɲʲɛ vɨstˈartʃɨ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_254.wav|jɛst tˌɨlkɔ mˈɔkrɛ i tɕˈɛpwɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_197.wav|i jˈɛɕli tɕˈɛ jˈɛʃtʃɛ pamjˈɛnta, tɔː uvˈaʒa tɕˈɛ pɔ prˈɔstu za ɡwˈuptsa. tʃɨ ɲʲɛ jɛst tˈak?|0
+Dataset/wavs/urwisko_ferenc/49_segment_90.wav|mˈarja zamknˈɛwa lˈaptɔp.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_192.wav|ˈɔɕi, tɨ zvʲˈɛʑɛʃ na dˈuw sˈɛr lɔtxˈɔra i tsˈawɔ̃ rˈɛʃtɛ, ˌalɛ zatʃˈɛkaj z ɡɔdʑˈinɛ, ʒˈɛbɨm zdɔ̃ʒˈɨwa ɕɛ ɔddˈalitɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_79.wav|vʲˈɛmɨ, kˈim jɛst ɔfjˈara?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_43.wav|ɲʲˈɛvʲɛm, tsˈɔ tɔː ɔznˈatʃa, ˌalɛ zatʃˈɨnam ɕɛ tʃˈɔ̃ɕtɕ i ɕˈadam tɕˈɛ̃ʃkɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_165.wav|tˈɨlɛ, ʒˈɛ ftˈɛdɨ ˌɔtʃɨvˈiɕtɕɛ rɔbʲˈiwa zˌaswuʒˈɔntsɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_288.wav|tɔ rɔbˈɔta staɲˈisa i jˈɛɡɔ tʃɛrvˈɔnɛj vʲˈɛdʑmɨ, a tˈaɡʒɛ bˌarbaʒˈɨɲtsuf s puwnˈɔtsɨ, ktˌuʒɨ ɔddˈajɔ̃ tʃˈɛʑdʑ dʒˈɛvɔm i vˈilkɔm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_173.wav|jɛst tˈam tˈaka vʲˈɛlka skˈawa, nazˈɨva ɕɛ ˈajɛrs ɹˈɔk.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_92.wav|mˈuʃɛ jˈɛʃtʃɛ pɔtʃˈɨtatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_173.wav|ta sˈama frɨzˈura, ta sˈama vˈɔ̃ska tfˈaʃ, tɛn sˈam vdˈɔvi ʃpˈits.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_28.wav|kʲˈɛdɨ fʃˈɨstkʲɛ ˌartɨkˈuwɨ spˌɔtʃɨvˈawɨ rˌɔzwɔʒˈɔnɛ na lˈadʑɛ tˈak, ʒˈɛbɨ ɲʲɛ dˌɔtɨkˈawɨ ɕɛ vzajˈɛmɲʲɛ, natɕˈisnɔw ɡˈuzik na kˈaɕɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_52.wav|bˈɛs pɔvˈɔdu. lˈubjɛ tɕˈɛ tɔ fʃˈɨstkɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_170.wav|na ʃtʃˈɛɲɕtɕɛ vʲˌɛtnamtʃˈɨtsɨ pˌɔswuɡˈujɔ̃ ɕɛ wˌatɕiɲskˈimi lˌitɛrˈami. jˈɛdna s tʃˈɛɲɕtɕi sxɛmˈatu bˌɨwa ˌɔznatʃˈɔna napˈisɛm lˈandvik.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_19.wav|prˌubɔvˈawɛɕ mɲʲɛ zˈabʲitɕ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_357.wav|sˈɛr xˈɨlɛ vˈɔwaw, ʒˈɛ ɔn zabʲˈijɛ jˌamjɛˈɛɡɔ lˌanɲistˈɛra, ˌalɛ ˈɔɡar zdʑˈɛliw ɡˈɔ f tfˈaʃ, ʒˈɛbɨ ɕɛ zˈamknɔw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_132.wav|tɕˈɛmnɨ ɡarɲˈitur, stˌɔnɔvˈanɨ ɲʲɛbjˈɛski krˈavat.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_45.wav|maʃ pˈan kˈɔɡɔɕ, ktˈɔ pˈana bˌɛɲdʑɛ pxˈatɕ?|0
+Dataset/wavs/urwisko_ferenc/53_segment_52.wav|zzˈa dʒvˈi tˌarasˈɔvɨɣ dˌɔxɔdʑˈiwɔ tɕˈixɛ pˌɔxrapɨvˈaɲʲɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_139.wav|ˈaʃ pɛvnˈɛɡɔ dɲʲˈa pɔlˈitɨkˌa pˈartji zmʲɛɲˈiwa ɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_138.wav|ˌalɛ tɛj nˈɔtsɨ ɔn jˈuʒ bˈɨw mˈartfɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_341.wav|ˈandɛrsɔn ɔdvrˈutɕiw ɕɛ i pˈatʃɨw pʃˈɛs xfˈilɛ na jakʲˈɛɡɔɕ tʃwɔvʲˈɛka zrˌɨvajɔntsˈɛɡɔː ɔkwˈatki s pisˈɛmka vˈɔmɛns vˈɔrlt.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_163.wav|jɛstˌɛɕmɨ zbˈɨd zˌɛstrɛsɔvˈaɲi, a ˌɔɲi tɔ vɨtʃˈujɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_166.wav|prˌubɔvˈawam tɕi tɔ pɔvʲˈɛdʑɛtɕ, ˌalɛ swˈɔva uvʲˈɛ̃zwɨ mi w ɡˈardlɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_82.wav|kturˌɛɡɔ ɲˈikt tɕi ɲʲɛ dˈa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_75.wav|pˌɔtʃɛbˈujɛ jɛdˈɨɲʲɛ ˌɔtpɔvʲˈɛdʑi na jˈɛdnɔ pɨtˈaɲʲɛ. ktˈɔ fpˈad na pˈɔmɨsw zˌamɔrdɔvˈaɲʲa ɡˌɛnɛvʲˈɛvɛ?|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_374.wav|mwˈɔtʃa i pʲɛŋkɲʲˈɛjʃa. ˈinna krulˈɔva, ktˌura ɔdbjˈɛʒɛ mi fʃˈɨstkɔ, tsˈɔ kˈɔxam.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_45.wav|ɡdˈɨ jˈɛdnak sɕadˈawa z mˈuwa, z dɔ̃ʒˈɔnu vˈɨʃɛd jˈɛdɛn zˈɛ straʒɲˈikuf pɛtˈɨra.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_86.wav|prˈɔʃɛ ɕɛ ɲʲɛ pʃɛjmˈɔvatɕ, xtɕˈawam tˌɨlkɔ sxˈɔvatɕ tˈɔrbɛ dɔ bˌaɡaʒɲˈika.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (17)_segment_57.wav|ɲʲɛktˌuʒɨ studˈɛɲtɕi lubʲˈili ɕˈɛŋɡatɕ pɔ waɡˈɔdnɛ nˌarkɔtˈɨki, ˈinɲi nˈavɛt pɔ mɲʲˈɛj waɡˈɔdnɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_186.wav|jˈɛtʲi prubˈɔvaw ɡˈɔ vɨwˈamadʑ bˈɛs ɛfˈɛktu.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_96.wav|jˈɛɕli ɲʲɛ lˈitʃɨtɕ ɔkrˈɛ̃ʒnɛj i znˈatʃɲʲɛ dwˈuʃʃɛj pʃˈɛz bˈaɲkɛ armstrˈɔŋɡa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_80.wav|vˌɨʃɛptˈawam.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_555.wav|i zˌɔbatʃˈɨwɛm jˈɔ̃ nˈaɡɔ̃, s tˈatsɔ̃, w vˌɨtɕɔŋɡɲʲˈɛntɨx rˈɛŋkax.|0
+Dataset/wavs/urwisko_ferenc/59_segment_119.wav|mʲˈɛlibˌɨɕmɨ prˌavdɔpɔdˈɔbɲʲɛ dvˈa trˈupɨ, kʲɛrˈɔftsɛ i dʑˈɛtskɔ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_279.wav|kʲˈɛdɨ jˈuʒ vˈɨʃli, tsɛrsˈɛi spɔjʒˈawa na ɔsmˈunda kˌɛttlɛblˈaka.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_190.wav|rˈɨan ɔbrˈutɕiw ɕɛ kˈu ɲʲˈɛmu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_37.wav|dʑvʲˈɛŋk sɨɡnˈawuf pˌɔwɔntʃˈɛɲʲa vɨpˈɛwɲiw vnˈɛntʃɛ, kʲˈɛdɨ pʃˌɛwɔntʃˈɨwa ɕɛ na ɡwɔɕɲˈiki blˈutuf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (63)_segment_87.wav|tɔ ftˈɛdɨ nabˈɨwam jˈɛdnɛj z ˌumjɛjɛntnˈɔɕtɕi, ktˌurɔ̃ stɔpɲʲˈɔvɔ dˌɔprɔvadʑˈiwam dɔ pɛrfˈɛktsji.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_316.wav|jˈamɛ zmˈarʃtʃɨw brvˈi. raˈɨmɔnt frˈɛj bˈɨw ɡwˈuptsɛm, txˈuʒɛm i mˌɔtʃɨmˈɔrdɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_133.wav|stˈɔɡ bˈɨw bˈardʑɛj strˈɔmɨ ɲˈiʒ vˌɨdavˈawɔ ɕɛ z dalˈɛka. ʒˈɛbɨ uwˈatfidʑ vˈɛjɕtɕɛ na ʃtʃˈɨt, brˈatɕa zbˌudɔvˈali drɛvɲʲˈanɛ sxˈɔdɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(06) R.Abbott_Zamknij Drzwi_segment_17.wav|ɕˈɛrʒand brˈutsɛ ˈilɛs pʃɛtstˈavja ɕɛ. tɔ mˈuj kɔlˈɛɡa pˌɔstɛruŋkˈɔvɨ ˈian vatˈɛrman. tʃɨ mɔʒˈɛmɨ vˈɛjʑdʑ dɔ ɕrˈɔtka?|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_216.wav|ɲˈikt mʲˈɛʒɨ w ɲʲˈɛɡɔ s pˈaltsa jˈak s pˌistɔlˈɛtu, jˈaɡbɨ pˈɛwɛn uznˈaɲʲa dla jˈɛɡɔ zdɔlnˈɔɕtɕi dɛdˈuktsji.|2
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_107.wav|dla mɲʲɛ tɔ w zasˈadʑɛ tˌɛɔrɛtˈɨtʃnɨ prˈɔblɛm.|4
+Dataset/wavs/urwisko_ferenc/09_segment_112.wav|skartɕˈiwa ɕɛ za pˌaranɔˈitʃnɛ mˈɨɕli, ʒˈɛ ˈɔtɔː ɔbˈɔjɛ sɔ̃ na tsˌɛlɔvɲˈiku vɨdʑˈawu sprˈav vɛvnˈɛntʃnɨx i mˌajɔ̃ zˌawɔʒˈɔnɛ pɔtswˈuxɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_142.wav|ɡwˈupʲɛ tɔː i dʑɛtɕˈinnɛ, jˈaɡ vʲˈɛlɛ ʒˈɛtʃɨ na vˈɔjɲʲɛ, ˌalɛ dˌɔdavˈawɔ nˈam ɔtˈuxɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_177.wav|zatʃˈɛ̃swɔ mnˈɔ̃ nˈaɡlɛ, zatʃˈɛ̃swɔ z zˌaʒɛnɔvˈaɲʲa.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (3)_segment_12.wav|na ʃtʃˈɛɲɕtɕɛ zadˈaɲʲɛm tˈɔma bˌɨwa vɨwˈɔntʃɲʲɛ ˌɔpsɛrvˈatsja i zˌadavˈaɲʲɛ pˈɨtaɲ.|3
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_194.wav|ˌɔbratsˈawam ɕɛ i vʲɛrtɕˈiwam na ˈilɛ pˌɔzvalˈawa mi nˈatɔ tɕasnˈɔta.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_145.wav|mˈɔɡwabˌɨm tɕi nakˈazatɕ tˈutaj zˈɔstatɕ, ˌalɛ dˈɔbʒɛ tɕˈɛ znˈam.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_53.wav|tˈam, pɔ drˈuɡʲɛj strˈɔɲʲɛ zatˈɔki.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_412.wav|pʃɛt ɕˈɛbjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_49.wav|dˌɛtsɨdˈujɛ ɕɛ ɔpstˈavitɕ jˈɛʃtʃɛ jˈɛdnɔ rɔzdˈaɲʲɛ, a pˈɔtɛm zrˈɔbʲitɕ pʃˈɛrvɛ, ʒˈɛbɨ pɔzbjˈɛratɕ mˈɨɕli i pʃɛkˈɔnatɕ ɕˈɛbjɛ sˈamɔ̃, ʒˈɛ mˈɔɡɛ tɔ zrˈɔbʲitɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_146.wav|bˌɨwɔ ɲˈibɨ tɕˈawɔ martfˈɛɡɔ, pɔ ktˌurɨm bwˈɔndʑɔ̃ rˈɛntsɛ mɨjˈɔntsɨɣ ɡˈɔ stˈarɨx i pɔbˈɔʒnɨx kˈɔbjɛt.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_61.wav|ˈalbɔ zjˈavi ɕɛ tˈam tˈuʃ pɔ vɨdˈaɲʲu nakˈazu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_41.wav|fʃˈɨstkɔ vˌɨdavˈawɔ ɕɛ zatʃˈɨnatɕ ɔt pɔʒˈɨtʃɛk pʲɛɲʲˈɛndʑɨ pʃɛt pʲˌɛtnastˈɔma lˈatɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_67.wav|xˈɔdʑ vidʑˈawɛm pɔ jˌamisˈɔɲʲɛ, ʒˈɛ jɛst spʲˈɛntɨ, xˈɨba fʃˈɨstsɨ tɔ vidʑˈɛliɕmˌɨ, uɕmʲˈɛxnɔw ɕɛ nˈatɛ swˈɔva. klˈuɛ pɔtrˈafiw pʃɨvˈɔwatɕ ˈuɕmʲɛx na najbˈardʑɛj kamjˈɛnnɔ̃ tfˈaʃ.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_327.wav|jˈɛʃtʃɛ jˈɛdnɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_103.wav|zˌavirɔvˈaɲʲɛ. ɡʲˌiɡantˈɨtʃnɨ lˈɛj ɲʲɛznˈanɨx fˈal rɔspˈatʃɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_121.wav|ɲʲɛ zamjˈɛʒaw pʃˈɨbratɕ tˌɛɡɔ ɡwˈɔsu, pʃɨnˈajmɲʲɛj ɕfʲadˈɔmjɛ, ˌalɛ tˈaɡ zrˈɔbʲiw.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_130.wav|nˈaɡlɛ w mˈɔim ʒˈɨtɕu pˌɔjavˈiwɨ ɕɛ kɔbjˈɛtɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_97.wav|ˌɔtʃɨvˈiɕtɕɛ pˈɔza tɨm pˌistɔlˈɛtɛm, ktˌurɨ tʃˈɨma pˈaɲi w bjˈurku.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_147.wav|ɡwˈɔs jˈɛɡɔ pʃɛxˈɔdʑiw pʃˈɛz zˌatɕiɕɲʲˈɛntɛ ɡˈardwɔ, ktˌurɛ bˌɨwɔ sˈuxɛ i bʒmʲˈaw jˈak sˈɨk.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_26.wav|ɲʲɛ mʲˈɛʃkaʒ zˈɛmnɔ̃ ɔd dʑɛɕˈɛɲtɕu lˈat, vʲˈɛnts ɲʲɛ maʃ pɔjˈɛɲtɕa, tsˈɔ rˈɔbjɛ w vˈɔlnɨm tʃˈaɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_404.wav|xtsˈɛ stˈɔnd vˈɨjɕtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_219.wav|stˌandardˈɔvɛ varˈuŋki f kˈaʒdɛj ɕlˈuʑɛ.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_408.wav|jˈakaɕ kɔbjˈɛta, ktˌurɔ̃ ɲʲˈɛɡdɨʑ vzɡˈardʑiw?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_42.wav|f pˌɔɡwɛmbjˈɛɲʲu ulˈɛɡa tˈɛʒ dˈuw, ktˌurɨ kˈɔpjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_62.wav|vʲˈɛʃ, ʒˈɛ fʃˈɨstkɔ z ɲʲˈɔ̃ f pɔʒˈɔntku.|2
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_109.wav|bʲˈillɨ ɕɛ uɕmʲˈɛxa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_20.wav|tɔ bˌɨwɔ xˈɨba mˈɔjɛ mʲɛʃkˈaɲʲɛ i mˈuj vˈizjɛr f tɕˈɛmnɛj pwaʃtʃˈɨʑɲʲɛ dʒvˈi.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_221.wav|pʃˌɨjɛxˈawɛʑ dɔ mɲʲɛ?|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_161.wav|ja tˈɛʃ tˈak tɔ vˈidʑɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_32.wav|mˈam nadʑˈɛjɛ, ʒˈɛ jˈuʃ lˈɛpʲɛj ɕɛ f tɨm ˌɔrjɛntˈujɛ, xˈɔtɕ jˈaɡ zvˈɨklɛ mˈɔja ˌintɛrprɛtˈatsja pˈɔrat ɛkspˈɛrta mˈɔɡwa zˈɔstatɕ ɲʲˈɛtsɔ zmˌɔdɨfˌikɔvˈana na pɔtʃˈɛbɨ ˌɔpɔvʲˈɛɕtɕi.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_110.wav|pɔjˈaviw ɕɛ tɕˈɛɲ.|1
+Dataset/wavs/urwisko_ferenc/51_segment_30.wav|ɲʲɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_55.wav|ˌɔdwɔʒˈɨwam pwˈɨtɛ na mʲˈɛjstsɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_77.wav|ɲˈitsk majˈɛrjan stˈɔi f krˈutkim kˌɔrɨtˈaʒu prˌɔvadʑˈɔntsɨm dɔ kˈuxɲi.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(45) R.Abbott_Zamknij Drzwi_segment_23.wav|mˈuʃɛ navʲˈɔ̃zadʑ z ɲˈimi kˈɔntakt, pɔkˈazatɕ jˈakʲɛ tɔ vˈaʒnɛ, vʲˈɛnts unˈɔʃɛ vzrˈɔk f kʲɛrˈuŋku kˈamɛr i zatʃˈɨnam mˈuvitɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_96.wav|ˈandɛrsɔn vˈɨʃɛd. pʃˈɛʃɛd na drˈuɡɔ̃ strˈɔnɛ ulˈitsɨ i stˈanɔw ˌɔbɔɡ bˈutki s xˌamburɡɛrˈami.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_126.wav|dʑˈɛvʲɛɲtɕ pʃˈɛtʃɲits i tɛn pˈatrɔl dɔbjˈɛɡɲʲɛ kˈɔɲtsa.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_169.wav|sˈɛr brˈɨndɛn ɲʲɛ zabʲˈijɛ dʑˈɛtɕi.|1
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_160.wav|ɡdˈɨbɨm ɲʲɛ pɔɲʲˈɔswa kˌɔnsɛkfˈɛntsji, kˈaʒdɨ ɡnˈɔjɛk mˈuɡwbɨ zrˈɔbʲitɕ tɔ, tsˈɔ jˈa, spˌɔdʑɛvˈajɔnts ɕɛ, ʒˈɛ ˈujdʑɛ mu tɔ bɛskˈarɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (38)_segment_44.wav|pˈɔtʃɛd dɔ tˌɛlɛfˈɔnu na bjˈurku.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_138.wav|vɨtʃˈuwam smˈak jˈɛɡɔ ɕmʲˈɛrtɕi w jɛj krfˈi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_168.wav|tˈɛras pˈɔttʃas tɛj rɔzmˈɔvɨ tˈɛʃ ɲʲɛ jˈɛst. f tˌɔvaʒˈɨstfʲɛ ˌɛdʲisˈɔna tʃˈujɛ ɕɛ, jˈaɡbɨ fpˈuɕtɕiw dɔ sfɔjˈɛɡɔ bjˈura mˈawɔ̃, bˈardʑɔ ɡˈɛ̃stɔ̃ xmˈurɛ buʒˈɔvɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_156.wav|vʲˈɛm, ʒˈɛ kˌɔntrɔlˈɔvaw, tʃɨ tʃˈujɛ ɕɛ kˌɔmfɔrtˈɔvɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_151.wav|na drˈuɡʲim stˈɔwku ɔt kˈɔɲtsa bˈaru.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(69) R.Abbott_Zamknij Drzwi_segment_54.wav|jˈadɛ. tˈɔm zˈɛrvaw ɕɛ na rˈuvnɛ nˈɔɡʲi i ɕˈɛŋɡnɔw pɔ kˈurtkɛ. vwˈɔʒɨw rˈɛŋkɛ tˌɨlkɔ w jˈɛdɛn rˈɛŋkaf i ɔt rˈazu rˈuʃɨw dɔ dʒvˈi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_82.wav|vɨkrˈɛɲtɕiʃ ɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_110.wav|tʃɨ pˌɔkaʒˈɛtɕɛ mɲʲɛ twˈumɔm f krulˈɛfskʲɛj pʃɨstˈaɲi i zɛtɲʲˈɛtɕɛ jˌaɡɛddˈarda stˈarka?|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_227.wav|lˈɛf ɲʲɛ bˈɔi ɕɛ vrˈubla.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_189.wav|jˈɛdnɔ kwˈamstfɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_84.wav|pˌɔʃukˈawam trˈɔxɛ i dˈaram, vɨdˈajɛ ɕɛ sɛnsˈɔvnɛ vɨbˈɔrɛm.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_43.wav|viktˈarjɔn ˈuɲʲus tˈɔpur, fspʲɛrˈajɔnts ˌudɛʒˈɛɲʲɛ tsˈawɨm tɕɛ̃ʒˈarɛm sfˈɛɡɔ tɕˈawa, ɡɔtˈɔvɨ rˈɔsprutɕ pʃˌɛtɕivɲˈika ɔt ʃˈɨi ˈaʃ pɔ paxfˈinɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_55.wav|ʑlˈɛ vˌɨlɔndɔvˈawɛm i zrɔbʲˈiwɛm sˈɔbjɛ tsˈɔɕ w nˈɔɡɛ ˌalɛ zˈaɲim zɛmdlˈawɛm, zdɔ̃ʒˈɨwɛm sxˈɔvatɕ ɕɛ f tɕɛmnˈɔɕtɕi na dɲʲˈɛ rˈɔvu|4
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_193.wav|pˈɔvʲɛts, ʒˈɛ kazˈawaɕ fˌatsɛtˈɔvi zˈaɲʲɛɕtɕ fʃˈɨstkɔ dɔ stɔdˈɔwɨ. ɲʲɛ?|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_199.wav|dlatʃˈɛɡɔ tɛn bˈɛŋkart pwˈatʃɛ?|0
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_101.wav|çiktˈɔvɛr mˈuɕi tsˈɔʑ zrˈɔbʲitɕ. s tsˈawɔ̃ pɛvnˈɔɕtɕɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_42.wav|bˌɨwɔ tɔ dˈɔɕtɕ rˌɨzɨkˈɔvnɛ, ˌalɛ tˈɔm ɲʲɛ bˈaw ɕɛ rɨzˈɨka. rˈɔbʲiw jˈuʒ ɡˈɔrʃɛ ʒˈɛtʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_235.wav|s pɛvnˈɔɕtɕɔ̃ zdˈajɛ sˈɔbjɛ sprˈavɛ, ʒˈɛ jˈɛɡɔ pˌɔwɔʒˈɛɲʲɛ jɛzd bˌɛznadʑˈɛjnɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_38.wav|dˈɔbʒɛ, xˈɛntɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_28.wav|dɔpˈuki ɲʲɛ dɔvʲˈɔdɔ̃ sfˈɛj ɲʲˌɛvinnˈɔɕtɕi.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_358.wav|tʃˈujɛ ɕɛ tˈɛraz znˈatʃɲʲɛ ɕfʲˈɛntʃɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_148.wav|sɨrˈɛnɨ zɔstˈawɨ dalˈɛkɔ s tˈɨwu, rˈazɛm z jˈɛɡɔ ʒˈɨtɕɛm w rˈɔli davˈida lɔtskrˈidʒa.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_405.wav|pɔdwˈɔʒɛ jaskˈiɲi stˌanɔvˈiwa ʑˈɛmʲa i kamjˈɛɲʲɛ. tʃˈuwa pɔt pˌɔdɛʃfˈami stˈup jˈɛɡɔ tfˈardɔɕtɕ.|1
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_219.wav|ˌalɛ tˈallix ɲʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_14.wav|zapˈɨtaw, kʲˈɛdɨ inspˈɛktɔr pʃˈɛʃwa ˈɔbɔk.|4
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_25.wav|narˈɔbʲiw pˈaɲi jˈakixɕ kwɔpˈɔtuf? bˈɔʒɛ!|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_10.wav|pʃˌɨɡɔtɔvˈawaɕ fʃˈɨstkɔ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_47.wav|tsˈɔ mˈɨɕliʃ ˈɔtɨm fʃˈɨstkim? zapˈɨtaw tˈɔm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_34.wav|sfɔbˈɔdna rɔzmˈɔva zɔstˈawa jˈɛdnak pʃɛrvˈana, kʲˈɛdɨ pʃɨbˈɨli na pˈarkiŋk. tˈɔm spɔvˈaʒɲʲaw.|3
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_354.wav|kˈɔ̃satʃ jˈɛdnɔ̃ rˈɛŋkɔ̃ zwˈapaw jˈɔ̃ za vwˈɔsɨ, ˌɔtpɨxˈajɔnts jɛj ɡwˈɔvɛ dɔ tˈɨwu, a drˈuɡɔ̃ ɕˈɛŋɡaw dɔ ɡˈardwa.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_113.wav|xˈɔtɕ krˈɛv vˌɨpwɨvˈawa zˈɛɲ strˌumjɛɲʲˈami.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_135.wav|pɔtʃˈuwɛm raptˈɔvnɔ̃ pʃˈɨkrɔɕtɕ. bˌɛndɛ mˈuɕaw vrˈutɕidʑ dɔ tɨɣ zamɡlˈɔnɨx, ɲʲˌɛvɨrˈaʑnɨx...|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_112.wav|lˈɔrdɛm dɔvˈuttsɔ̃ na mˈuʒɛ jɛst tˈɛraz bˈɛŋkart nˈɛda stˈarka.|1
+Dataset/wavs/urwisko_ferenc/24_segment_25.wav|bˌɨwa skrˈɨta. ɲʲɛ pʃˌɨxɔdʑˈiwa pˌɔrɔzmˈavʲatɕ. ʒˈɨwa sfˈɔim ʒˈɨtɕɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_274.wav|ɔtsˈunɔw ɡˈɔ na bˈɔk.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_369.wav|marɡˈarɨ ˌuɕmʲɛxnˈɛwa ɕɛ dɔ sˈɛr lɔrˈasa. tɔ bˈɨw swˈɔtki, ɕɔstʃˈanɨ ˈuɕmʲɛx, pˈɛwɛn tʃuwˈɔɕtɕi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_67.wav|tʃɨ nˌaɔpˌɔvʲadˈali jɛj tɨx fʃˈɨstkix kwˈamstf?|4
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_37.wav|martʲˈinɛs ɕˈɛdʑi ʃtˈɨvnɔː i bʲˈillɨ ɔtɕˈɛra mu s tfˈaʒɨ ɔstˈatɲʲɛ strˈuʃki pʲˈanɨ. pˈɔtɛm tsˈɔfa ɕɛ ɔ krˈɔk.|2
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_100.wav|pwˈatsɔnts jˈɛdnɔ̃ s kˈart krˌɛdɨtˈɔvɨɣ daltˈɔna smˈitxa, vˌɨnajmˈujɛ dvˈa sˌɔ̃ɕadujˈɔntsɛ zˈɛ sˈɔbɔ̃ pɔkˈɔjɛ.|2
+Dataset/wavs/urwisko_ferenc/25_segment_24.wav|pˌɛpɛrˈɔɲi|0
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_3.wav|bʲˈillɨ smˈaʒɨ jˌajɛtʃɲˈitsɛ z dvˈux jˈajɛk i pɔdˈajɛ jˈɔ̃ ˈɛlliz z dvʲˈɛma ɡʒaŋkˈami.|2
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_64.wav|sˈama ɕɛ tˌɛɡɔ nˌautʃˈɨwaɕ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_25.wav|pɔdˈɛʃwa dɔ dʒvˈi, vdʑˈɛntʃna za pɔɕfʲˈatɛ ʒuwtˈɛɡɔ ɕfʲˈatwa sˌɔntʃɔntsˈɛɡɔ ɕɛ pʃˈɛs ˈɔknɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_60.wav|mˈarja kˌɛrmanˈɔvʲɛ pˈatʃɔ̃ na ɲʲˈɛɡɔ bwˌɨʃtʃɔntsˈɨmi ɔtʃˈami, ˌɔklaskˈujɔnts mˈamɛ.|2
+Dataset/wavs/urwisko_ferenc/49_segment_64.wav|ɔtpˈɔtʃɲij i spˈujʃ nˈatɔ jˈɛʃtʃɛ rˈas. pˌɔradʑˈiwa raʃˈɛja i ɕɛ pˌɔʒɛɡnˈawɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(71) R.Abbott_Zamknij Drzwi_segment_37.wav|na pɔzˈɨtsji. zatʃˈɨmaw ɕɛ jˈakiɕ samˈɔxut, ˌalɛ jˈuʃ ɔdjˈɛxaw. tˈɛras sɔ̃ tˈutaj tˌɨlkɔ taksˈufki.|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_207.wav|minˈɛwɔ jˈɛʃtʃɛ pˈuw ɡɔdʑˈinɨ, ɲˈim bˌɨli ɡɔtˈɔvi dɔ vˌɨruʃˈɛɲʲa w drˈɔɡɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(55) R.Abbott_Zamknij Drzwi_segment_11.wav|ɔpʲˈɛram ɕɛ pɔkˈuɕɛ i tɕˈɛʃɛ ɕɛ, kʲˈɛdɨ f kˈɔɲtsu unˈɔɕi dwˈɔɲ dɔː ˈuxa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_36.wav|jˈɛɡɔ sɨlvˈɛtka blɔkˈujɛ mi vˈidɔɡ drˈuɡʲɛj tablˈitsɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_128.wav|skɔtʃˈɨwam pʃɛt ɕˈɛbjɛ i zwapˈawam ɕɛ za pʃˈɛdɲʲɛ natkˈɔlɛ.|4
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_443.wav|kimkˈɔlvʲɛk mˈɔɡlibˌɨ bˈɨtɕ, krulˈɛfski trˈaɡd zˌaprɔvˈadʑi jˈɔ̃ dɔ vintˈɛrfɛll.|1
+Dataset/wavs/urwisko_ferenc/09_segment_36.wav|adˈama ʃtʃɛrpskʲˈɛɡɔ. ˈɔtpar jˈarɔɲ i zawˈɔʒɨw ˌɔkulˈarɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_192.wav|kʲˈɛdɨ kˈɔɲtʃɨ, rˈadʑi ˈɛlis, bˈɨ dˈɔbʒɛ ɕɛ zˌastanɔvˈiwa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_144.wav|mˈɔʒɛ vˌɨpadawˈɔbɨ, ʒˈɛbɨɕ mi pɔvʲˈɛdʑaw, dɔpˈuki jˈɛʃtʃɛ mˈɔɡɛ tɕi tɔ vˌɨpɛrsfadˈɔvatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_139.wav|pʲˈɛrʃa mˈɨɕl bʲillʲˈɛɡɔ jɛst tˈaka, ʒˈɛ ˈɛllis xtsˈɛ ɕɛ ɡˈɔ pˈɔzbɨtɕ i dˈatɕ nˈɔɡɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_78.wav|vɨdˈajɛ ɕɛ, ɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_142.wav|ˌɔras stˌanɔvˈiskɔ snajpˈɛrskʲɛ ˌɔtʃɨvˈiɕtɕɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_86.wav|pɔvˈiɲʲɛn ɕɛ zˈajɔɲtɕ sprˈavɔ̃ pˌɔdvujnˈɛɡɔ mɔrdˈɛrstfa, zˈamjast tɕˈɔŋɡlɛ ɕɛ mɲʲɛ tʃˈɛpʲatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_40.wav|ˌɔbjɛtsˈawɛm, ʒˈɛ bˌɛndɛ jˈɔ̃ pamjˈɛntaw i pamjˈɛntam dɔ dʑˈiɕ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_21.wav|dʑˈivɲʲɛ bˌɨwɔ ɲʲɛ zɔbˈatʃɨdʑ ɡˈɔ w zvˌɨtʃajˈɔvɨm mʲˈɛjstsu f pˌɔɲʲɛdʑawkˈɔvɨ vʲˈɛtʃur, ˌalɛ tʃasˈami ɔn pʃɨjˈɛʒdʒa jˈuʃ pɔ mˈɔim vˈɨjɕtɕu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_188.wav|a ɔn swˈuxaw ix i ɲʲɛ pʃɛrˈɨvaw ˌaɲi jɛdnˈɛmu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_301.wav|sˈusan, ja jˌɛstɛm zvɔlɲʲˈɔnɨ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_17.wav|vʲˈɛmɨ ˈɔtɨm, ˌalɛ ʃukˈaliɕmˌɨ dɔvˈɔduf muvʲˈɔntsɨx ˈɔtɨm, ʒˈɛ mˈukw pˈan pˈaɕtɕ ɔfjˈarɔ̃ pɔɡrˈuʒɛk. tʃɨ tsˈɔɕ takʲˈɛɡɔ ɕɛ zdaʒˈɨwɔ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_13.wav|zatɕˈiskam kˈilka rˈazɨ mˈɔtsnɔ pɔvʲˈɛki i fxˈɔdʑɛ dɔ kˈuxɲi, ɡdʑˈɛ dˈɔm nalˈɛva nˈam pɔ lˈamtsɛ tʃˌɛrvɔnˈɛɡɔ vˈina.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_190.wav|dɔ tˌɛɡɔ dɔxˈɔdʑi plˈan utɕˈɛtʃki, zɲʲɛnˈatska pʃˌɛtstavʲˈɔnɨ mu pʃˈɛs ɲˈika.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_104.wav|samˈɔxut jɛzd ʑˈimnɨ, tʃˈɨli stˈɔi tˈu ɔt jakʲˈɛɡɔɕ tʃˈasu, ˌalɛ ˈu ɔfjˈarɨ ɲʲɛ vˌɨstɔmpˈiwɔ jˈɛʃtʃɛ stɛ̃ʒˈɛɲʲɛ pɔɕmʲˈɛrtnɛ, tʃˈɨli ɲʲɛ jɛst mˈartfa zbˈɨd dwˈuɡɔ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_146.wav|nˈajpʲɛrf pɔvˈɔli, pˈɔtɛm tsˈɔras ʃˈɨptɕɛj.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_278.wav|pˈukɲʲɛʃ tˌɛɡɔ fatsˈɛta jˈak ɲˈits.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_132.wav|sˈɛr dˈavɛn prˈɨxnɔw pˌɔɡardlˈivʲɛ. xˈa! ɔʒˈɛɲʲɛ ɕɛ z mˈɔim ɡrˌɔnɔstˈajɛm i ɔdbˈɛndɛ pˌɔkwadʑˈinɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_8.wav|a zˈatɛm ɔ tʃɨm jɛst tfˈɔja kɕˈɔ̃ʃka, dˈavɛ? pˈɨta dʒˈim. bʲˈillɨ kwˈadʑɛ pˈalɛts na ˈustax. ɕtɕˈiɕlɛ tˈajnɛ.|2
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_454.wav|pɔt pɔtrˈujnɔ̃ brˈamɔ̃ jɛst mʲˈɛjstsɛ, ɡdʑˈɛ kˌaravˈanɨ ˌuzupɛwɲʲˈajɔ̃ zapˈasɨ pʃɛt pʃˈɛjɕtɕɛm pʃˈɛz ɡwɛmbˈɔkɔ̃ pustˈɨɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_112.wav|pʃˈɛz bˌavɛwɲʲˈanɔ̃ pˈɔɕtɕɛl tʃˈujɛ tˈɛʒ dˈɔtɨk jɛj tɕˈɛpwɛj, jˈɛndrnɛj nˈɔɡʲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_68.wav|xˈɔllɨ jɛst ɔtspˈawa.|3
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_82.wav|zˌastanavʲˈawam ɕɛ nˈattɨm.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_343.wav|ɲʲɛ pʃˈɛrvaw mɔdlˈitfɨ, ɡdˈɨ krulˈɔva dɔ ɲʲˈɛɡɔ pɔdˈɛʃwa. muɕˈawa ɲʲˌɛtɕɛrplˈivʲɛ tʃˈɛkatɕ, ˈaʃ skˈɔɲtʃɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_75.wav|kʲˈɛdɨ jˌɛstɛɕ naprˈavdɛ utʃtɕˈivɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_22.wav|pˈɔtɕɔŋk kursˈɔvaw z ɲʲˌɛnaɡˈannɔ̃ pˌuŋktualnˈɔɕtɕɔ̃ i pɔ dʑɛɕˈɛɲtɕu minˈutax ɔdjˈɛxaw s pɔvrˈɔtɛm dɔː artˈɛmiz z mˈɔim mˈawɨm ɡˌapɔvˈitʃɛm na pɔkwˈadʑɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_52.wav|mˈuɕiʃ jˈuʃ ˈiɕtɕ, ˈindjɔ.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_87.wav|ɲʲɛ jˌɛstɛm xˈɔra, rˈanna, ˌaɲi ɲʲɛ spɔdʑˈɛvam ɕɛ dʑˈɛtska.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_32.wav|jɛstˌɛɕmɨ ɡɔtˈɔvi?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_81.wav|tɔ jˈakʲɛʑ zwɔɕlˈivɛ bzdˈurɨ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_104.wav|pˌɔtʃɔ̃snˈɛwa ɡwˈɔvɔ̃. ɲʲɛ mʲˈawa ɔxˈɔtɨ rɔzmˈavʲatɕ s xaˈilɛm xˈuntɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/13_Artemis_segment_137.wav|vɔlˈawabˌɨm, ʒˈɛbɨ fʃˈɨstsɨ bˌɨli tˈatsɨ jˈak ˈɔna.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_229.wav|sˌɛrɔsmˈuɲdʑɛ, bˈɔɲtɕ tˈak wˈaskaf i pˈɔmuʃ mi vˈɨɕɔ̃ɕtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_209.wav|a tsɔkˈɔlvʲɛk tɔ bˈɨwɔ,|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (40)_segment_34.wav|kʲˈɛdɨ nˌatɕisnˈɛwa dʑvˈɔnɛk, ˌuɕfʲadɔmˈiwa sˈɔbjɛ, ʒˈɛ ɲʲɛ ˌɔbjɛtsˈujɛ sˈɔbjɛ vʲˈɛlɛ pɔ vnˈɛntʃu.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_286.wav|kɔbjˈɛta ˌusadɔvˈiwa ɕɛ vɨɡˈɔdɲʲɛj na ɡʒbjˈɛtɕɛ vʲɛʃxˈɔftsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_132.wav|bʲˈillɨ ɲʲɛ ˌɔtpɔvʲˈada. xˈaŋɡ vzdˈɨxa ʒawˈɔɕɲʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_250.wav|ˌalɛ ɲʲɛ mˈɔɡwa ɕɛ zdˈɔbɨtɕ na pˌɔɕfʲɛntsˈɛɲʲɛ, jakʲˈɛɡɔ bˈɨ ɔt ɲʲˈɛj zaʒˈɔndaw.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_206.wav|mˈɔʒɛ tɔ jˈɛɡɔ pɔvˈinnam vˈɨswatɕ na mˈur.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_17.wav|ɔt ˌɔkɔlˈitʃnɨx skˈaw i vzɡˈuʃ ˌɔdbʲijˈawɨ ɕɛ prɔmjˈɛɲʲɛ swˈɔɲtsa, a tʃˈɛɲʑdʑ z ɲˈiɣ dˌɔtɕɛrˈawa dɔ mɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_121.wav|pɔ pɛrˈɔɲʲɛ pʃɛtˈɔtʃɨw ɕɛ ˈɔdɡwɔz zbjˌɔrɔvˈɛɡɔ jˈɛŋku.|4
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_64.wav|i jˈɛʃtʃɛ jˈɛdnɔ̃ ʒˈɛtʃ tɕi pˈɔvʲɛm. f tɨx fʃˈɨstkix prɨvˈatnɨx ʃkˈɔwax, f ktˌurɨɣ zˌatʃɨnˈawɛm lˈatatɕ,|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_239.wav|ɡdˈɨ rˈaŋkʲɛm vzˈɛʃwɔ swˈɔɲtsɛ,|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_71.wav|vɨʒˈutsɛ jˈɛ, dˈɔbʒɛ?|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_17.wav|dˈalɛ fskˈazaw na ɕlˈuzɛ wɔntʃˈɔntsɔ̃ vˈaɡɔn z vnˈɛntʃɛm pˈɔrtu.|4
+Dataset/wavs/urwisko_ferenc/20_segment_33.wav|na pɔtstˈavʲɛ lɔɡˈɔvaɲ dɔ stˈatsji bazˈɔvɨɣ zvˌɛrɨfˌikɔvˈali tˈaɡʒɛ mʲˈɛjstsa, f ktˌurɨɣ bɨvˈawa. ɲˈits ɲʲɛ vzbudʑˈiwɔː ix pɔdˈɛjʒɛɲ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_55.wav|jɛst ˌɔxrɔɲʲˈaʒɛm mɔjˈɛɡɔ mˈɛ̃ʒa jˈɛʃtʃɛ ɔt tʃˈasuf ˌuɲivˌɛrsɨtˈɛtskix.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_220.wav|mˈuvʲɔnts pʃˈɨtɨm tɕˈixɨm, bwaɡˈalnɨm ʃˈɛptɛm, lˈutsɨ, ˈɔtfuʒ dʒvˈi.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_32.wav|swˈɨʃɛ pˈɛwɛn ɲʲˌɛpɔkˈɔju ɡwˈɔs mˈɔjɛj tsˈurki, ktˌura muɕˈawa vˈɨtʃutɕ pˌanujˈɔntsɛ tˈu napʲˈɛɲtɕɛ jˈuʃ w mɔmˈɛɲtɕɛ, kʲˈɛdɨ ˌɔtfɔʒˈɨwa dʒvˈi.|4
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_148.wav|bʲˈill mˈuɕi pʃˈɨznatɕ, ʒˈɛ tɔ tsˈawkʲɛm mɔʒlˈivɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_124.wav|ɲˈitsk ustˈaliw, tsˈɔ tɔ za ɡˈɔɕtɕ i pˌɔstanˈɔviw sprɔvˈadʑidʑ zˌavɔdˈɔftsa spˈɔza mʲˈasta, bˈɨ zrˈɔbʲiw z ɲˈim pɔʒˈɔndɛk.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_43.wav|pˌɔmɨɕlˈawɛm, ʒˈɛ zˌadʑvɔɲˈiwa dɔ ɲʲˈɛj jˈɛdna s tɨx ʃalˈɔnɨx pʃˌɨjatɕˈuwɛk i vɨswˈawa pɔ ɲʲˈɔ̃ taksˈufkɛ, ʒˈɛbɨ dˌɔwɔntʃˈɨwa dɔ ɲʲˈɛj na jˈakʲɛjɕ fˌantastˈɨtʃnɛj imprˈɛʑɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_253.wav|dˈalɛ vzrˈuʃɨw rˌamjɔnˈami i ˈuɲʲus ʃklˈaŋkɛ dɔː ˈust.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_74.wav|ɲʲˈɛmam tˈɛras tʃˈasu, ʒˈɛbɨ ɕɛ nˈattɨm zˌastanˈavʲatɕ. zˌaplanɔvˈawam sˈɔbjɛ swˈɔva, ktˌurɛ pˈɔvʲɛm tˈatɕɛ, a tˈɛraz vˌɨpɔvʲˈadam jˈɛ s pɔɕpʲˈɛxɛm, bˈɛz zˌastanɔvʲˈɛɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_160.wav|pˈɔtɛm pʃˌɨpɔmˈina sˈɔbjɛ, ʒˈɛ nalˈɛʒɨ mu ɕɛ jˈɛʃtʃɛ puwtˈɔra miljˈɔna.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_116.wav|zˈavur sɨstˈɛmu ˌɔtprɔvadʑˈaɲʲa tɕˈɛpwa.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_188.wav|vˈalar mɔrɡˈulis|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_100.wav|pʃɨtɕˈɔŋɡnɔw alˈain dɔ ɕˈɛbjɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_85.wav|ɲʲɛ fɕtɕˈubjam tˈam ˌɔtʃɨvˈiɕtɕɛ nˈɔsa, ˌalɛ bˌɛndɛ ˌɔpsɛrvˈɔvaw tʃˈat. mˈɔʒɛ tsˈɔɕ jˈɛʃtʃɛ vɨpwˈɨɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_101.wav|bʲˈili ɲʲɛ mˈɔʒɛ ɕɛ nadʑˈivitɕ. ɔtkrˈɨwa pʃˈɛdɲim sˈɛrtsɛ, ˌujavɲˈiwa ʒˈɛtʃ tˈaɡ vˈaʒnɔ̃ dla ɲʲˈɛj i mˈɛ̃ʒa, xfˈilɛ pˈɔtɨm, jˈak ɲʲɛ xtɕˈawa zdrˈadʑitɕ, ˈilɛ tʃˈɨnʃu pwˈatsɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_83.wav|pɔɡˈɔda bˌɨwa ʑˈimna i dɛʃtʃˈɔva.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_149.wav|awdjˈɛntsja skɔɲtʃˈɔna.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_165.wav|vˈidʑiʃ, ʒˈadɛn tʃwˈɔvʲɛk ɲʲˈɛxtsɛ zɔstˈavitɕ ɕˈɛbjɛ samˈɛɡɔ na drˈɔdʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_125.wav|pˌɔtpuwkˈɔvɲik jˈamisɔn trˈɔxɛ ɕɛ naxmˈuʒɨw, jˈaɡbɨ sˈɔɲdʑiw, ʒˈɛ mˈɔja ɔtpˈɔvʲɛtɕ mˈɔʒɛ bˈɨtɕ tˌɨlkɔː ˌɔtpɔvʲˈɛdʑɔ̃ ʒɔwɲʲˈɛʒa marˈinɛs, ˌalɛ tɔ pʃɛmˈiltʃaw.|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_204.wav|tˈam, ɡdʑˈɛ ʃlˈaɡ bˌɛɲdʑɛ vˌɨstartʃajˈɔntsɔ ʃɛrˈɔki.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_262.wav|kʲˈɛdɨ krulˈɔva zˌɔbatʃˈɨwa, tsˈɔ twˈuʃtʃa zrɔbʲˈiwa z bˌaalˈɔrɛm ˌumiwɔvˈanɨm, jɛj mʲˈɛŋkkʲɛ sˈɛrtsɛ vɨpˈɛwɲiw ɡˈɔʃki ʒˈal.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_49.wav|bʲˈillɨ pʃˌɨpɔmˈina sˈɔbjɛ, ʒˈɛ vidʑˈawa jˈuʃ tɛ fʃˈɨstkʲɛ ɔttɕˈiŋki. prˌavdɔpɔdˈɔbɲʲɛ z mˈatkɔ̃ i ɕˈɔstrɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_193.wav|nˈadal mˈa zɲiʒˈɔnɨ ɡwˈɔs. vˈali ɔt ɲʲˈɛɡɔ mʲˌɛntusˈami, ɡɔʒˈawɔ̃ i vˈɔdɔ̃ kɔlˈɔɲskɔ̃ krˈɨjt.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_28.wav|pˈan mi w ɲˈitʃɨm ɲʲɛ pʃɛʃkˈadʑa, pɔvʲˈɛdʑaw. pʃˌɨzvɨtʃaˈiwɛm ɕɛ jˈuʃ.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_7.wav|rˈɔbɛrt mʲˈaw tʃˈarnɔ̃ brˈɔdɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (52)_segment_48.wav|bɛɲdʑˌɛmɨ muɕˈɛli sprˈavdʑitɕ jɛj rɔdʑˈitsuf. dˈɔbra rɔbˈɔta.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_78.wav|pɔvʲˈɛdʑaw rˈɨan.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_331.wav|ˈusta mʲˈawa pˈɛwnɛ krfˈi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_51.wav|tʃɨ mˈuɡwbɨm zapˈɨtatɕ...|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_217.wav|mˈam tɕˈɛ̃ʃki tʃˈaz za sˈɔbɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_126.wav|rˈɔsuw pɔprˈɔʃɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_278.wav|i ɡˈuzik ɔt ɲʲˌɛmjɛtskʲˈɛɡɔ mundˈuru s tʃˈasuv vˈɔjnɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_211.wav|pˌɔtʃɛbɔvˈawam jakʲˈɛɡɔɕ mʲˈɛjstsa, f ktˌurɨm mˈɔɡwabˌɨm ɕɛ vˈɨspatɕ, naprˈavdɛ vˈɨspatɕ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_65.wav|mˈuɡw jɛdˈɨɲʲɛ zapˈɨtatɕ jˈɔ̃, tʃˈɨjɛ dʑˈɛtskɔ mˈa ˈu pʲˈɛrɕi, ˌalɛ nˈatɔ brˌakɔvˈawɔ mu ɔdvˈaɡʲi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_139.wav|pʃɛsˈuva pɔ blˈatɕɛ kɔpˈɛrtɛ z napˈisɛm klˈutʃɛ, pɔ tʃɨm tʃˈɛpʲɛ dwˈɔɲʲɔ̃ sfɔjˈɛɡɔ starˈɛɡɔ pɛtsˈɛta jˈak psˈa, s kturˌɛɡɔ ɲʲˈɛma vʲɛŋkʃˈɛɡɔ pɔʒˈɨtku, ˌalɛ ktˌurɨ tɕˈɔŋɡlɛ ɕɛ pˈɛnta pɔt nɔɡˈami.|2
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_209.wav|tsˈɔ rˈɔbʲiʒ dla pʲɛɲʲˈɛndʑɨ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (27)_segment_85.wav|f ɕɛdʑˈibjɛ ɛksˈɔtɛx.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_95.wav|pɔvʲˈɛdʑaw tɔ tˈakim tˈɔnɛm, jˈaɡbɨ ɲˈits ɕɛ ɲʲɛ vˌɨdaʒˈɨwɔ, ˌalɛ ja tʃˈuwam, ʒˈɛ ˌupwɨnˈɛwɔ trˈɔxɛ tʃˈasu.|3
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_422.wav|jˈɛʃtʃɛ ftʃˈɔraj bˌɨwaʑ ɡɔrˈɔntsa jˈak pʲˈɛts.|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_314.wav|kʲˈɛdɨ jˈuʃ pʃˈɛʃɛd dɔː atˈaku, trˈafiw pʃˌɛtɕivɲˈika w ˈudɔ, bˈark i f pʃɛdrˈamjɛ.|1
+Dataset/wavs/urwisko_ferenc/12_segment_142.wav|ɔ kɔbjˈɛtɛ, a w zasˈadʑɛ ɔ mwˈɔdɔ̃ dʑɛftʃˈɨnɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_72.wav|zɔstˈawa dʑɛftʃˈɨnɔ̃ dɔ tˌɔvaʒˈɨstfa?|3
+Dataset/wavs/urwisko_ferenc/63_segment_126.wav|tʃɨ ɕɲˈi mu ɕɛ zuzˈanna?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(56) R.Abbott_Zamknij Drzwi_segment_33.wav|kˈarɛn spˈaliŋk spɔjʒˈawa na ɲʲˈɛɡɔː uvˈaʒɲʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_44.wav|a ɔn bˈɨw zabʲˈitɨ na ˈamɛn.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_138.wav|mˈɔʒɛ nˈavɛt mˈa tɔ jˈakiʑ zvʲˈɔ̃zɛk s fˈil stanxˈɔpɛ, ktˌura na pˈɛvnɔ pˌɔvʲɛdʑˈawa pɔlˈitsji, ʒˈɛ ɕɛ z ɲˈim pˈarɛ rˈazɨ spɔtkˈawa, bˈɔ vɨdˈavaw jɛj ɕɛ sˌɨmpatˈɨtʃnɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_253.wav|tɔ ta kɔbjˈɛta, ktˌura prˌatsɔvˈawa w ɔɡrˈutku, kʲˈɛdɨ pˌɔdjɛxˈawɛʑ dɔ vˈɛjɕtɕa dla swˈuʒbɨ?|2
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_274.wav|zɡˈɔdɲʲɛ s pʃˌɛpɔvʲˈɛdɲʲɔ̃.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_18.wav|tɔ dˈɔkɔnd dʑˈiɕ jɛdʑˈɛmɨ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (25)_segment_15.wav|ˌalɛ tɔ ɲʲɛ s pɔvˈɔdu tˌɛmpɛratˈurɨ, lˈɛtʃ kɔʃmˈaru.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_40.wav|kɔxˈanɨ, ɲʲˈɛmam tʃˈasu. kˌɔnfɛrˈɛntsja f sprˈavʲɛ sɔbˈɔru swˌɔvʲaɲskʲˈɛɡɔ.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_47.wav|tˈɛʃ xtɕˈawbɨm tɔ vʲˈɛdʑɛtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_84.wav|rɔzˈumjɛm, dlatʃˈɛɡɔ mˈuɕiʃ tʃˈɨmatɕ tɔ f tˌajɛmɲˈitsɨ. fʃˈɨstsɨ rˌɔzumjˈɛmɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_141.wav|xˈɨba jˈuʒ zdɔ̃ʒˈɨliɕtɕˌɛ ɔdɡˈadnɔɲtɕ, jˈaki mʲˈawam plˈan.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_461.wav|pɔdɲʲˈɔswa ɕɛ fspʲɛrˈajɔnts na wˈɔktɕu.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_96.wav|ɲʲˈɛmʲaw tˈɛʒ vwˈasnɨɣ vˈɔjsk.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (46)_segment_49.wav|naprˈavdɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_115.wav|dʑˈɛlɲʲɛ stˈavja ˈɔpur dˈɔtɔnt, ˈaʒ dvˈaj pʃˌɛtɕivɲˈitsɨ bˌaŋkrutˈujɔ̃, pɔ tʃɨm pʃɛɡrˈɨva z dɛrˈɛkʲɛm ˌatskɛrmˈanɛm.|2
+Dataset/wavs/urwisko_ferenc/40_segment_13.wav|ˈɔlɡʲɛrd zmˈarʃtʃɨw tʃˈɔwɔ.|0
+Dataset/wavs/urwisko_ferenc/23_segment_61.wav|xˈɛrman dˌɔskɔnˈalɛ vʲɛdʑˈawa, ʒˈɛ tˈakʲɛ ˌɔɡwɔʃˈɛɲʲa pˌɔvɔdˈujɔ̃ spˈɔrɔ ʃˈumu mˌɛdjalnˈɛɡɔ, bˈɔ na wˈatfɛ pʲɛɲʲˈɔndʑɛ ʒˈutsa ɕɛ vʲˈɛlu.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_206.wav|ɲʲɛktˌuʒɨ mˈɔɡlibˌɨ pɔvʲˈɛdʑɛtɕ, ʒˈɛ kalˈɛka i stˈaʒɛts sɔ̃ ɡɔdnˈɨmi rˌɨvalˈami.|1
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_188.wav|i pˌatʃɔntsˈɨmi na ɲʲˈɛɡɔ jˈaɡbɨ z ɔddˈali.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_216.wav|spɔtkˈawam ɡˈɔ w dˈɔmu trˈɔnda, kʲˈɛdɨ pʃɨɲʲˈɔswam tsɨɡˈara.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (12)_segment_35.wav|zˌastanavʲˈawam ɕɛ...|3
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_182.wav|jˈaɡ zˈatɛm plˈɛtsak pʃɛtrfˈaɲʲa rˈadʑi sˈɔbjɛ s tsˈawɨm tɨm ɡɔrˈɔntsɛm?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(21) R.Abbott_Zamknij Drzwi_segment_40.wav|tɔ mɔʒˈɛmɨ jˈuʃ ɲˈiɡdɨ ɔbˈɔjɡa ɲʲɛ zɔbˈatʃɨtɕ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_387.wav|pɛvnˈɛɡɔ rˈazu zabrˈakwɔ tˌɨlkɔ jɛdnˈɛɡɔ krˈɔku, bˈɨ fpˈad dɔ kanˈawu.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_48.wav|ɲʲˈɛma ʒadnˈɛɡɔ ɕfʲadˈɛtstfa zɡˈɔnu stsˈɔtta rɔbˈɛrtsa.|3
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_260.wav|zarˈuvnɔ rɨtsˈɛʒɛ, jˈak i wɔtʃˈɨki.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_10.wav|vˈidʑɛ, ʒˈɛ drʒˈɨ mi dwˈɔɲ na klˈamtsɛ. mˈuʃɛ ɕɛ pɔzbjˈɛradʑ dɔ kˈupɨ.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_257.wav|zatɕˈisnɔw dwˈɔɲ na ramjˈɛɲʲu sˈama.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_50.wav|zˌastanˈavʲam ɕɛ, jˈaki tˈɛmat pɔrˈuʃɨtɕ, bˈɨ ɲʲɛ nˈadʑatɕ ɕɛ na ˈɔstrɔ̃ ripˈɔstɛ tˈɛssɨ, ktˌura pʃɨ ˌɔtpɔvʲˈɛdɲim nastrˈɔju mʲˈɛva naprˈavdɛ tɕˈɛntɨ jˈɛ̃zɨk.|4
+Dataset/wavs/urwisko_ferenc/09_segment_122.wav|xˈɛrman martfˈiwa ɕɛ tˈɨlkɔ, ʒˈɛ w nˈɔtsɨ pɔzvˈɔli ɕɛ drˈɛntʃɨtɕ pˌɔvratsajˈɔntsɨm kɔʃmˈarɔm, ktˈurɛ, jˈak ftʃˈɛɕɲʲɛj sɔɲdʑˈiwa, udˈawɔ jɛj ɕɛ ɔkʲˈɛwznatɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_14.wav|jˈɛɕli tʃˈɛɡɔɕ ɲʲɛ zrˈɔbjɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_98.wav|a mˈimɔ tɔ, xˈɔtɕ rˈɔbjɛ dla vˈas tˈaɡ vʲˈɛlɛ,|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_166.wav|i vɨdwˈubjɛ rˈɛʃtki z zˈɛmbuf jˈɛɡɔ kˈɔɕtɕmi, ɔː ˈilɛ ɲʲɛ bˌɛɲdʑɛ zbˈɨd zajˈɛnta pʲˌɛrdɔlˈɛɲʲɛm ɕɛ z ɔsmˈundɛm tsˌattlɛblˈɛkʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_29.wav|ˌɔpsɛrvˈujɛ, tʃɨ nˈɔvɨ sˈɔ̃ɕat ɲʲˈɛma ɲʲˈɛtsnɨɣ zamjˈaruv vˈɔbɛts tɨx mˈaltsuf.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_320.wav|nˈɔvɨ pʃɨjˈatɕɛl pɔmˈɔʒɛ tˌɔmmɛnˈɔvi zapˈɔmɲʲɛtɕ ɔ ʒˈalu, ɡdˈɨ jˈuʃ marɡˈarɨ strˈatɕi sfˈɔ̃ mˈawɔ̃ ɡwˈufkɛ.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_58.wav|ktˈuʃ jˈɛdnak jɛst pravdʑˈivʲɛ ɡˈɔdʑɛn, bˈɨ sˈɔɲdʑitɕ krulˈɔvɔ̃, jˈɛɕli ɲʲɛ ɕˈɛdmju na ɡˈuʒɛ i iɣ zˌapʃɨɕɛ̃ʒˈɔnɛ swˈuɡʲi na dˈɔlɛ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_227.wav|ɡdʑˈɛʑ dˌɔɔkˈɔwa nat mʲˈastɛm pʃˌɛvalˈawɨ ɕɛ ɡʒmˈɔtɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_181.wav|zˌasuɡɛrˈɔvaw tˈɔm bˈɛs pʃˌɛkɔnˈaɲʲa. jˈumbɔ pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_51.wav|— kˈɛitx, mˈuɡwbɨɕ mi pʃˈɨɲʲɛɕtɕ rˈɛjɛstr ɛdmˈuntsa?|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_240.wav|ɲʲˈɛvʲɛm, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_68.wav|swˈɔɲtsɛ fkrˈuttsɛ zˈajdʑɛ, a nˈɔtsɔ̃ trˈupɨ ɲʲɛ sɔ̃ zbˈɨt miwˈɨmi kˌɔmpanˈami.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_108.wav|ɲʲˈɛvʲɛm jˈaɡ vˈɨ, ˌalɛ ja jˈuʃ ɲʲɛ mˈɔɡɛ ɕɛ dɔtʃˈɛkatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_97.wav|ɲʲɛ jˌɛstɛɕ mi jˈuʒ dɔ ɲitʃˈɛɡɔ pɔtʃˈɛbna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_45.wav|tsˈɔ ɕɛ dʑˈɛjɛ? zˌapɨtˈawa ˈɛlis.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_269.wav|kɛlnˈɛʒɨ z bˌutɛlkˈami w rˈɛŋkax pʃˌɨɡlɔndˈali ɕɛ ˈawktsji. kˈɔrsaɡ vwˈaɕɲʲɛ pˈɔdɲʲuz vɨsˈɔkɔ jˈakiɕ mˈawɨ pʃˈɛdmʲɔt.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_104.wav|nastˈɛmpnɨm rˈazɛm pɔstˈaraj ɕɛ spˈisatɕ lˈɛpʲɛj.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_211.wav|tʃˌɛmu mʲˈawabˌɨm rˈɔbʲitɕ tsˈɔɕ takʲˈɛɡɔ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_87.wav|mʲˈawam nˈɔvɛ nazvˈiskɔː i ɲʲɛ pʃˌɨpɔminˈawam dʑɛftʃˈɨnɨ, ktˌura stˌudjɔvˈawa na ˌuɲivˌɛrsɨtˈɛtɕɛ zalˈɛdvʲɛ rˈɔk.|3
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_366.wav|tʃɨ tɔ tɕˈɛ kwɔpˈɔtʃɛ, vˈaʃa mˈiwɔɕtɕ?|1
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_51.wav|ɲʲɛ prɔpˈɔnuj mi pʲɛɲʲˈɛndʑɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_105.wav|fprˌɔvadʑˈiwam ɕɛ dɔ ɲʲˈɛɡɔ, bˈɔ ɲʲɛ mʲˈawam dˈɔkɔnt pˈujɕtɕ. dlatˈɛɡɔː uvˈaʒam, ʒˈɛ tɔ trˈɔxɛ dʑˈivnɨ ˈukwat.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_44.wav|ɲʲˈɛxtɕaw jɛj tˈaɡ zɔstˈavʲatɕ, ˌalɛ tɔ rɔdʑˈina bˌɨwa tˈɛraz dla ɲʲˈɛɡɔ prjˌɔrɨtˈɛtɛm.|4
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_241.wav|tʃɨ tɨ stˈɔnt?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_135.wav|skˈɔrɔ vʲˈɛntsɛj ɲʲɛ ɕlˈɛdʑiw.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_12.wav|ˌɔtsunˈɛwam pɔdˈuʃkɛ, ˌɔbrutɕˈiwam ɕɛ na wˈuʃku i fspˈarwam na wˈɔktɕax.|3
+Dataset/wavs/urwisko_ferenc/42_segment_28.wav|— mˌamɨ ʃˈansɛ tɔ naprˈavitɕ, ˌalɛ sˈam tˌɛɡɔ ɲʲɛ zrˈɔbjɛ. skwˈamaw i ɕɛ rɔzwˈɔntʃɨw.|0
+Dataset/wavs/urwisko_ferenc/39_segment_50.wav|ɔptˈɨka jˈɛdnaɡ bˈɨ ɕɛ zmʲɛɲˈiwa, jˈɛɕlibˌɨ ˈuznatɕ, ʒˈɛ mɛ̃ʃtʃˈɨzna mʲˈaw fspulɲˈika.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_422.wav|vrˈudʑ dɔ lˈɔrda ɡʲilˈɛsa i zavʲˈadɔm ɡˈɔ, ʒˈɛ ɲʲɛ udʑˈɛlam mu pˌɔzvɔlˈɛɲʲa na ɕmʲˈɛrtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_54.wav|ˈɛlis ɔɕfʲˈattʃa, ʒˈɛ dʑˈiɕ jˈɛɡɔ kˈɔlɛj bˈɨ spˈatɕ w wˈuʃku, a bʲˈillɨ pɔ nˈɔtsɨ spɛndʑˈɔnɛj na kanˈapʲɛ ɲʲɛ zɡwˈaʃa spʃɛtɕˈivu.|2
+Dataset/wavs/urwisko_ferenc/28_segment_15.wav|ʒˈɛ ɲʲɛ zastˈawa jɛj w ɡˌabʲinˈɛtɕɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_2.wav|f tsˈɛntrum kˌɔɔrdˌɨnatsˈɨjnɨm swˈɨxadʑ bˌɨwɔ ɡvˈar vʲˈɛlu ɡwˈɔsuf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_56.wav|mˈɔʒɛ ɲʲɛ pɔvˈinnam utɕˈɛkatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (64)_segment_11.wav|bˈɛtskɨ pˌɔpatʃˈɨwa na ɲʲˈɛɡɔ, a kɔɲtɕˈiki jɛj ˈust ɕɛ uɲʲˈɔswɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_115.wav|dˈalɛ vˈɛstxnɔw z ˈulɡɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_175.wav|jˈaɡ vʲˈɛʒa bˈabɛl ˌuwɔʒˈɔna na vznˈak.|0
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_189.wav|tˈak ɔkˈivnɔw ɡwˈɔvɔ̃ na jɛtjˈɛɡɔː i lˈɔpɛs pˈɔdɲʲuz dɔ ramjˈɛɲʲa stʃˈɛlbɛ, bˈɨ rɔzvˈalidʑ dʒvˈi.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_50.wav|f kˈɔɲtsu sprubˈujɔ̃ ɔtfˈɔʒɨdʑ dʒvˈi, ˌalɛ pˈɛvɲʲɛ zawˈɔʒɔ̃, ʒˈɛ stˈawam ɕɛ kˈimʑ vˌɨjɔntkˈɔvɔ ɲʲɛznˈɔɕnɨm, jˈaɡ zvˈɨklɛ.|3
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_152.wav|bwˌɔɡɔswavʲˈɛɲstfɔ bˌɨwɔ pˈustɨm rˌɨtuˈawɛm, ˌalɛ w ˈɔtʃax tɕɛmnˈɛɡɔ twˈumu rˌɨtuˈawɨ i tsˌɛrɛmˈɔɲʲɛ mʲˌawɨ vʲˈɛlkɔ̃ mˈɔts.|1
+Dataset/wavs/urwisko_ferenc/15_segment_30.wav|mˈuʃɛ spwˈatsadʑ zˌatɕɔŋɡɲʲˈɛntɛ dwˈuɡʲi, pˌɔvʲɛdʑˈawa tfˈardɔ. ˈɔkɛj, ʃanˈujɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_97.wav|uɕmʲˈɛxa ɕɛ ʃɛrˈɔkɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_53.wav|ˌɔkazˈujɛ ɕɛ bˈardʑɛj vˌɨmaɡajˈɔntsɨm pʃˌɛtɕivɲˈikʲɛm ɔd dʑˈɛtɕi, ˌalɛ tˌɨlkɔ trˈɔxɛ.|2
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_101.wav|tˈak ˌɔɲi sɔ̃ nˌajskrɔmɲʲɛjʃˈɨmi i nˌajpɔspˌɔlitʃˈɨmi spˈɔɕrut lˈudʑi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_58.wav|ɲʲɛ, ɲʲɛ ɔdbjˈɛra tˌɛlɛfˈɔnu. prˌubɔvˈawam vʲˈɛndʑ dɔdʑvˈɔɲitɕ ɕɛ dɔ kaʒdˈɛɡɔ z jˈɛɡɔ znajˈɔmɨx.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_323.wav|ˌalɛ ɲʲɛ vidʑˈawam krfˈi.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_29.wav|tɔ skˌɔmplikɔvˈanɛ, ˌalɛ xˈɨba mˈɔɡɛ ɕɛ zˌɔrjɛntˈɔvatɕ, ɡdʑˈɛ jˈɔ̃ tʃɨmˈajɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_168.wav|f kˈɔɲtsu vrutɕˈiwa dɔ wˈɔʒa.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_313.wav|tʃˈujɛ iɣ ɡɔrˈɔntsɨ ˈɔddɛx.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_94.wav|muɕˈawabˌɨ bˈɨtɕ ɲʲˈɛzwɔ̃ psˌɨxɔlˈɔɡɔ̃, ʒˈɛbɨ uvʲˈɛʒɨtɕ, ʒˈɛ fˈatsɛt, ktˌurɨ vwˈaɕɲʲɛ strˈatɕiw ʒˈɔnɛ, ʒˈutɕiw ɕɛ jɛj w ramjˈɔna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_165.wav|bʲˈillɨ ɲʲɛ ˌɔtpɔvʲˈada.|2
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_493.wav|xˈɨba mˈuɕi tsˈɔɕ pɔvʲˈɛdʑɛtɕ, pˈɔza tˈɨm, ʒˈɛ tɔː ɔstˈatɲi jˈɛɡɔ dʑˈɛɲ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_49.wav|mɛrtsˈɛdɛs ɲʲɛ nalˈɛʒaw dɔː ˈawt, ktˌurɛ wˈatfɔ pʃɛˈɔtʃɨtɕ, ʃtʃɛɡˈulɲʲɛ, ʒˈɛ zˌaparkˈɔvaw tˈaɡ blˈiskɔ ɲʲˈɛɡɔ. tʃɨ ˈɛdmunts ɔddˈaliw ɕɛ i vrˈutɕiw pˈuʑɲʲɛj?|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_300.wav|bˌɨwɨ sˈɛtki tˈakix jˈak ˈɔn.|1
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_303.wav|sˈɛr ɡvˈintsɛ jɛst stˈarɨ.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_114.wav|vʲˈɛm, dɔ tʃˈɛɡɔ swˈuʒɨ mʲɛɕˈɛntʃna xɛrbˈata.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_220.wav|ˌalɛ sˌatɛlˈita mˈa virˈufkɛ, kˌɔntɨnˌuɔvˈawam ˈidɔndʑ za tɕˈɔsɛm. tʃˈɨli pɔtʃˈɛbna jɛst jˈakaɕ ɕˈiwa tɕɔ̃ʒˈɛɲʲa, tˌɨlkɔ ɲʲɛ tˈaɡ dˈuʒa jˈak na ʑˈɛmi.|4
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_148.wav|pˌɔviɲʲˈɛnɛɕ ɕfʲˈɛtɲʲɛ ɕɛ dɔɡˈadadʑ z mˈɔjɔ̃ tɕˈɔtkɔ̃ stfʲˈɛrdʑiw jˈamɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_200.wav|bʲˈillɨ pʃɛkwˈada tˈɔrbɛ z zˌakupˈami dɔ drˈuɡʲɛj rˈɛŋki i ɕˈɛŋɡa dɔ prˈavɛj kʲɛʃˈɛɲi spˈɔdɲi.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_89.wav|jˈaɡɡɛr krˈɛɲtɕi pɔvˈɔli ɡwˈɔvɔ̃.|3
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_208.wav|pɔ kˌilkunˈastu minˈutaɣ bʲˈillɨ jɛst jˈuʒ bˈɛs kɔʃˈuli i ftɕˈɛra krˈɛm nˌavilʒajˈɔntsɨ w dwˈɔɲʲɛ, pʃˌɛdramjˈɔna i tfˈaʃ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (4)_segment_31.wav|baˈilɛj pʃˈɨʃɛd na ɕfʲˈat pʃɛt tʃtɛrˈɛma lˈatɨ, pɔ tʃɨm pʃˌɛprɔvadʑˈiliɕmˌɨ ɕɛ dɔ rˌɔspadˌajɔntsˈɛɡɔ ɕɛ dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_99.wav|lˈudʑɛ, ktˌuʒɨ bˌɨli f tsˌɨtadˈɛli za mˈɔix tʃˈasuf, ɲʲɛ ʒˈɨjɔ̃ jˈuʃ ɔt pʲˌɛɲdʑɛɕˈɛɲtɕu lˈat. tɕi nˈɔvi ɲˈiɡdɨ mɲʲɛ ɲʲɛ znˈali.|1
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_40.wav|fˈala ɕfʲɛʒˈɛɡɔ pɔvʲˈɛtʃa s ʃˈumɛm pʃˌɛtɔtʃˈɨwa ɕɛ pʃˈɛs tˈunɛl i pɔtʃˈuwam w ˈuʃax ˈutɕizɡ vˌɨvɔwˈanɨ lˈɛkkɔ̃ zmʲˈanɔ̃ tɕiɕɲʲˈɛɲʲa.|4
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_129.wav|bˌɨwa tɔ pˌɔtɕɛʃajˈɔntsa ɕfʲadˈɔmɔɕtɕ, ʒˈɛ mˈɔɡɛ lˈitʃɨtɕ na ˌaltɛrnatˈɨvnɛ ʑrˈudwɔ dɔxˈɔduf, ɡdˈɨbɨ pʃˈɛmɨt ɲʲɛ spˈɛwɲʲaw mˈɔix ˌɔtʃɛkˈivaɲ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_27.wav|tʃɨ xtsˈɛ pˈisatɕ ɔ pɛndlˈɛtɔn?|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_167.wav|kfˈadrans pɔ dʑɛvʲˈɔntɛj, dˈɨm, bˌuxajˈɔntsɨ nat sˈɔndɛm, ɕɛ pʃɛʒˈɛdʑa. bʲˈillɨ zatʃˈɨna mˈɨɕlɛtɕ, ʒˈɛ mˈɔʒɛ tsˈɔɕ pˌɔkʃɨʒɔvˈawɔː im ʃˈɨki.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_29.wav|tˈɛras lˈitʃɨ ɕɛ tˌɨlkɔː utɕˈɛtʃka i zˌauvˈaʒam, ʒˈɛ dˈɔm upˈuɕtɕiw kˈij dɔ krɨkʲˈɛta pˈɔtɨm, jˈak udˈɛʒɨw brˈada.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_147.wav|pʃˌɨtɕɔŋɡnˈɛwam sˈɔbjɛ kʃˈɛswɔ, ˌɔbrutɕˈiwam jˈɛ i uɕˈadwam nˈaɲim ɔkrˈakʲɛm, pɔ tʃɨm ɔpˈarwʃɨ pɔdbrˈudɛk na dwˈɔɲi, pˌɔɡrɔ̃ʒˈɨwam ɕɛ w mˈɨɕlax.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_59.wav|mˈuʃɛ pɔjˈɛxatɕ w jˈɛdnɔ mʲˈɛjstsɛ. tɔ sprˈava ˌɔsɔbʲˈista. mˈɔʒɛʃ mɲʲɛ zastˈɔmpitɕ?|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_95.wav|tsɛrsˈɛi tʃˈuwa, ʒˈɛ spˌɔɡlɔndˈajɔ̃ nˈaɲʲɔ̃ ˈɔtʃɨ ɕˈɛdmju.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_403.wav|zˌakɔnsˌɛrvɔvˈanɨ f sfˈɔix lˈɛŋkax pʃɛt ˌaɲimalnˈɔɕtɕɔ̃,|0
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+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_119.wav|ˈɛlis ɕɛ zˌastanˈavja.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_326.wav|pɔtʃˈɛbna jɛst krutsjˈata pʃˌɛbatʃˈɛɲʲa, ʒˈɛbɨ zˈamknɔɲtɕ pʃˈɛʃwɔɕtɕ.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_79.wav|pˌɔpatʃˈɨwam s pʃˌɛkɔnˈaɲʲɛm na zɛbrˈanɨx pʃɨ stˈɔlɛ.|3
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+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_555.wav|i f tʃˈasax pɔkˈɔju, tsˈɔ bˌɨwɨ tˈɛʃ jˈak lˈata vˈɔjnɨ,|0
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+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_60.wav|pʃˌɛjɛbˈanɛ mˈɨɕli.|2
+Dataset/wavs/urwisko_ferenc/34_segment_17.wav|ɲʲɛ ˌɔtpɔvʲɛdʑˈawa i pɔnˈɔvɲʲɛ zɛrknˈɛwa na drˈɔɡɛ.|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_168.wav|tʃɨ tsˈawɛ mˈɔjɛ ʒˈɨtɕɛ vˌɨɲikˈawɔ z jakʲˈɛɡɔɕ spˈisku zwˈɛɡɔ tʃwɔvʲˈɛka?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (15)_segment_38.wav|prˌubɔvˈawam kˌɔntrɔlˈɔvatɕ paɲˈikɛ.|3
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+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_226.wav|vidʑˈawɛm jˈɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_278.wav|a mˈɔʒɛ kwˈamjɛʃ tˈɛras?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_102.wav|rɔspʲˈɛwam pˈas, ˌalɛ ɲʲɛ vˌɨwɔntʃˈɨwam ɕilɲˈika. ˌɔpuɕtɕˈiwam trˈɔxɛ ʃˈɨbɛ, ʒˈɛbɨ ʃtʃɛlˈina ˌumɔʒlivʲˈawa rɔzmˈɔvɛ.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_262.wav|jɛst w ɲʲˈɛj ɲʲɛprˈavda i pʃɛsˈada.|1
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_233.wav|pɔd dʒvʲˈami sˈɛptu bˌaɛlˈɔra zˈɛbraw ɕɛ twˈum.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (8)_segment_83.wav|lˈutsɨ i jˈɛɡɔ tʃˌɨnastɔlˈɛtɲʲa tsˈurka mʲɛʃkˈawa z jˈɛɡɔ bˈɨwɔ̃ ʒˈɔnɔ̃ kˈatɛ.|3
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_211.wav|ɡdˈɨbɨ vˈɨʃwa za mˈɔ̃ʒ zbˈɨt ftʃˈɛɕɲʲɛj i ˌurɔdʑˈiwa dʑˈɛtskɔ,|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_79.wav|dʒˈɛjn pɔ dʑˈiʑ dʑˈɛɲ ʒˈɨwa na pʲˈɛŋknɛj vˈɨspʲɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_150.wav|fɔrmˈalɲʲɛ bˌɨwa tˌɨlkɔ burmˈistʃɛm ɲʲˌɛvʲɛlkʲˈɛɡɔ mʲastˈɛtʃka.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_86.wav|lˈɛpʲɛj, ʒˈɛbɨ f pɔblˈiʒu pˈaɲi dˈɔmu ɲʲɛ pˌɔjavˈiwa ɕɛ pɔlˈitsja, nˈavɛd dˌɛtɛktˈɨvi pɔ tsˌɨvilnˈɛmu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_68.wav|mˈɔʒɛ sˈɔbjɛ vmˈavʲatɕ, ʒˈɛ ɡdˈɨbɨ ɲʲɛ zavʲˈɛdli ɕɛ nˈaɲim, tɔ prˈɛndʑɛj tʃɨ pˈuʑɲʲɛj zavʲˈɛdlibˌɨ ɕɛ na kˈimɕ ˈinnɨm. i tˈak rˈɔbʲi.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_87.wav|i tɔtʃˈɨwa ɕɛ ɲʲɛpˈɛvɲʲɛ tˈu i tˈam.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_158.wav|kʲˈɛdɨ zabjˈɔrɛ jˈɛ ɡdʑˈɛɕ, ɡdʑˈɛ ix ɲˈiɡdɨ ɲʲɛ znˈajdʑɛʃ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_15.wav|jˈaɡɡɛr ɕɛ mˈɨliw.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_76.wav|zˌɔbatʃˈɨliɕmˌɨ fʃˈɨstsɨ tʃˈɛj lɛʒˈɔntsɔ̃ na vznˈak mwˈɔdɔ̃ kɔbjˈɛtɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_113.wav|f pɔwˈɔvʲɛ drˈɔɡʲi fstɛmpˈujɛ dɔ mawˈɛɡɔ sklˈɛpu, f ktˌurɨm spʃɛdˈajɔ̃ swɔdˈɨtʃɛ, pˌapʲɛrˈɔsɨ, prˈasɛ, ʑˈimnɛ napˈɔjɛ i tˌɛlɛfˈɔnɨ na kˈartɛ w blˈistrax.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_71.wav|ɲˈiɡdɨ dˈɔtɔnt ɲʲɛ vʲˈɛʒɨw f tˈakʲɛ ʒˈɛtʃɨ, ˌalɛ tˈɛraz vʲˈɛʒɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/24_Artemis_segment_66.wav|ˈɔttɔnt na jˈɛdnɛj zmʲˈaɲʲɛ bˌɛɲdʑɛ prˌatsɔvˈawa drˈuɡa ɛkˈipa wˌadɔvˈatʃɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (6)_segment_55.wav|ɔbˈɛtsɲʲɛ prˌɔvadʑˈiwɨ ˌɔnɛ dɔ mˈawɔː ˌutʃɛ̃ʃtʃˈanɛj alˈɛjki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_87.wav|pɔdˈɔbɲʲɛ jˈaɡ dvˌudʑɛstˌɔstɔpɲʲˈɔvɛ nˌaxɨlˈɛɲʲɛ, bʲˈillɨ jɛst na kavˈawku ruvnˈɛɡɔ tɛrˈɛnu, zapˈɛvnɛ zɲˌivɛlˌɔvanˈɛɡɔ spˌɨxatʃˈami.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_242.wav|vʲˈɛndʑ dˌɛlikˈatɲʲɛ pˌɔtsawɔvˈawɛm jˈɔ̃ f pɔlˈitʃɛk kˈɔwɔː ˈuxa, a ˌɔna ɔddˈawa pˌɔtsawˈunɛk na ɕlˈɛpɔ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_209.wav|ˌɔzdɔbjˈɔnɨx tˈak pʲɛŋknˈɨmi brˌɔdafkˈami, jˈak jˈakʲɛɕ pˌɔlinɛzˈɨjskʲɛ kfʲˈatɨ, a ˌɔna s pʃˌɛkʃɨvʲˈɔnɔ̃ ɡwˈɔvɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_284.wav|tsˈɔ dʑˈivnɛ, tˈɛras jɛj tɛlˈɛfɔn jɛst pˈɔza zaɕˈɛŋɡʲɛm. mˈa tˌaki sˈam vzrˈɔst, budˈɔvɛ tɕˈawa i kˈɔlɔr skˈurɨ jˈak tˈɨ. ɲʲɛ sˈɔɲdʑiʃ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_110.wav|bʲˈillɨ mˈɨɕli ɔː ˌupɔdɔbˈaɲʲu rɔdʒˈɛra klɛrkˈɛa dɔ mwˈɔdɨɣ dʑˈɛftʃɨn, pʃɨ tsˈɔ nˈajmɲʲɛj jˈɛdnɛj ɔxˈɨdnɛj ɔkˈazji bˈardʑɔ mwˈɔdɨx, i krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_42.wav|mɛ̃ʃtʃˈɨzna pˈɔdɲʲus ɕɛ s sˈɔfɨ i ɔdvrˈutɕiw dɔ mɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_154.wav|pˈɔza tɨm pɔ kˈaʒdɛj ˈaktsji pɔtrˈafiʒ zɲˈikatɕ jˈak xɔlˈɛrnɨ xˌɔudʲˈiɲi.|2
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_77.wav|tʃˈɨtatʃ ˈudaw jˈɛdnak, ʒˈɛ tˌɛɡɔ ɲʲɛ swˈɨʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_427.wav|tʃtɛrdʑˈɛɕtɕi? pʲɛɲdʑˈɛɕɔnt? tʃˈɛɲɕtɕɛj bˈɨva pijˈanɨ ɲˈiʃ tʃˈɛʑvɨ. a nˈavɛd ɡdˈɨ jɛst tʃˈɛʑvɨ, nˈadal pˌɔzɔstˈajɛ ɡrˈubɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_56.wav|pˈuʃtʃa mɲʲɛ, a ja utɕˈɛkam natˈɨxmʲast na drˈuɡɔ̃ strˈɔnɛ stˈɔwu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_71.wav|dˌɔskɔnˈalɛ rˈadʑɛ sˈɔbjɛ w ˈɔbu tɨx rˈɔlax.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_154.wav|vˈartɔɕtɕ nˈɛttɔː udʑˈawuf naˈila vɨdˈajɛ ɕɛ zˈatɛm dˈuʒɔ vˈɨʃʃa na papʲˈɛʒɛ ɲˈiʒ w ʒˌɛtʃɨvistˈɔɕtɕi.|3
+Dataset/wavs/urwisko_ferenc/05_segment_72.wav|ɲˈim zdɔ̃ʒˈɨwa dˈɔjʑdʑ dɔ nˌajbliʃʃˈɛɡɔ skʃˌɨʒɔvˈaɲʲa,|0
+Dataset/wavs/urwisko_ferenc/53_segment_109.wav|tsˈɔ takʲˈɛɡɔ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_197.wav|ɲʲˌɛnavˈidʑɛ latˈaɲʲa, pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_43.wav|najlˈɛpɕi i nˌajɔdvaʒɲʲˈɛjɕi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_33.wav|mˈuvi nˌadʲinspˈɛktɔr dɔˈuɡlas. prˈɔʃɛ ɔtfˈɔʒɨdʑ dʒvˈi ˈalbɔ jˈɛ vˌɨvaʒˈɨmɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_359.wav|ˌɔpruʒɲˈiwam sfˈɔjɔ̃ ʃklˈaŋkɛ. vɨpʃˈɛdʑam tɕˈɛ ɔ dvʲˈɛ kɔlˈɛjki.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_344.wav|mˈarɨ muvˈiwa, ʒˈɛ tʃˈarna pˈɛrwa jɛst nˌajswavɲʲˈɛjʃɔ̃ zˈɛ fʃˈɨstkix kurtˈɨzan.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_152.wav|zˌaʒutɕˈiwɛm tˈɔrbɛ z laptˈɔpɛm na prˈavɛ rˈamjɛ, dʑviɡnˈɔwɛm valˈiskɛ prˈavɔ̃ rˈɛŋkɔ̃ i vɨʃˈɛdwɛm bɔtʃnˈɨmi dʒvʲˈami.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_84.wav|im jˈuʒ brakˈujɛ mʲˈɛjzdʑ w vʲɛ̃ʑˈɛɲʲax.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_39.wav|stˈavaw za mnˈɔ̃ pˈɔttʃas lˈɛktsji, ʒˈɛbɨ spˈɔjʒɛtɕ mi pʃˈɛs rˈamjɛ, jˈaɡbɨ ɔtsˈɛɲʲaw mˈɔjɔ̃ prˈatsɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_62.wav|ˌuwɔʒˈɨwam jˈɛ ɔt nˌajmɲʲɛjʃˈɛɡɔ dɔ nˌajvʲɛŋkʃˈɛɡɔ, ˌalɛ pˈuʑɲʲɛj ɕɛ rˌɔzmɨɕlˈiwam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_179.wav|natˈɨxmʲast!|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_116.wav|ɲʲɛ zˌauvaʒˈɨwam.|3
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_106.wav|mʲˈaw dla tˈakix lˈudʑi jɛdˈɨɲʲɛ pɔɡˈardɛ. lˈɛpʲɛj utˈɔnɔɲtɕ w mˈɔʒu ɲˈiʒ vɛ vwˈasnɛj krfˈi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (28)_segment_36.wav|tɔ znˈatʃɨ? spˈɨtaw tˈɔm.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_310.wav|a ɡdˈɨ ɔɡˈarɲʲaw jˈɔ̃ pɔbˈɔʒnɨ nˈastruj, ˌɔpuʃtʃˈawa zˈamɛk, bˈɨ pɔmˈɔdlitɕ ɕɛ f sˈɛptɕɛ balˈɔra.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_127.wav|ˈarɛs ˌɔakxˈɛard zɡʲˈinɔw s tˌɛɡɔ pɔvˈɔdu.|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_259.wav|i nˈaɕi pʃˌɨjatɕˈɛlɛ frɛjˈɔvʲɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_4.wav|tsˈɔː ˌɔna vˌɨpravʲˈawa? tɔ fʃˈɨstkɔ ɲʲɛ tɔtʃˈɨwɔ ɕɛ zɡˈɔdɲʲɛ s plˈanɛm i bˌɨwa ɲʲˈɛmal pˈɛvna, ʒˈɛ ˌuswɨʃˈawa w ɡwˈɔɕɛ jˈɔː ˌɔskarʒɨtɕˈɛlskɔ̃ nˈutɛ.|4
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_343.wav|tɛn ˈɔʒɛx ɲʲɛwˈatfɔ bˌɛɲdʑɛ rɔzwˈupatɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_11.wav|pʃˌɛdʑɛlˈiwa mi tfˈuj mˈail.|4
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_140.wav|rˈɔzbʲij bˌɨwɔ bˈardʑɛj ˌɔtpɔvʲˈɛdɲʲɛ dla kˈɔɡɔɕ ɔ jˈɛɡɔː ˌurɔdʑˈɛɲʲu i pɔzˈɨtsji.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_71.wav|skʃˈɨviw ɕɛ, ˌalɛ ɲʲɛ zamjˈɛʒaw ɕɛ vɨkwˈutsatɕ.|3
+Dataset/wavs/urwisko_ferenc/55_segment_95.wav|dlatˈɛɡɔ, kʲˈɛdɨ pɔjˈaviw ɕɛ tɛn pɔlˈitsjant, ɔstʃˈɛɡwam ɡˈɔ, ʒˈɛ ɲʲɛ vˈɔlnɔ mu ɲitʃˈɛɡɔ zˈabratɕ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_114.wav|ˈɛx, xtɕˈawɛm ɕɛ dʑˈiʑ vʲɛtʃˈɔrɛm zɔbˈatʃɨdʑ z lˈutsɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_163.wav|ˈandɨ bˈɨw zˌadɔvɔlˈɔnɨ, ˌalɛ tɛn ɡˈɔɕtɕ, tsˈɔ tʃˈɛkaw na ˈɔlɛj, zˈatʃɔw ɕɛ stˈavʲatɕ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_87.wav|nˈuʒ zɲˈiknɔw.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_57.wav|jˈaɡ vɛ ɕɲʲˈɛ ˌɔbrutɕˈiliɕmˌɨ ɕɛ, splɛtsˈɛɲi uɕtɕˈiskʲɛm.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(88) R.Abbott_Zamknij Drzwi_segment_14.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_35.wav|bʲˈillɨ ˌɔtpɔvʲˈada, ʒˈɛ za pˈarɛ tɨɡˈɔdɲi dɔː iˈɔva tsˈitɨ, pˈɔtɛm dɔ dˈɛs mɔˈinɛs i ˈam.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_62.wav|tʃˈuwa jˈɛɡɔ smrˈut lˈɛpʲɛj ɲˈiʒ ɡˈɔ vidʑˈawa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (62)_segment_4.wav|samˈɔxud bˈɨw pɔt ˌɔpsɛrvˈatsjɔ̃ ɔt xfˈili, kʲˈɛdɨ vˌɨpɔʒɨtʃˈalɲʲa pɔdˈawa nˈam fspuwʒˈɛndnɛ ɡjˌɛpˌɛˈɛs.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_115.wav|stˈaw rˌɔskratʃˈɔnɨ w vʲɔzˈɔntsɨm ɡˈɔ jɛˈɛpʲɛ, jˈaɡbɨ mʲˈaw ɕɛ zˌapʲɛpʃɔnˈɛɡɔ dʒˈɔrdʒja ˈɛs. pˌaɨtˈɔna.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_116.wav|pʃˈɛs kˈilka mˈinut, kʲˈɛdɨ tˈɔm bˈɨw sˈam, ˌɔpsɛrvˈɔvaw i swˈuxaw, jˈak rˈɔp i jˈɛnnɨ vˌɨpɨtˈujɔ̃ mˈartɛ ɔ ʃtʃɛɡˈuwɨ zvʲɔ̃zˈanɛ z jɛj tˌɛlɛfˈɔnɛm.|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_216.wav|fʃˈɨstkɔ tˈam f pɔʒˈɔntku?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_46.wav|jˈaka ˈɔna?|0
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_182.wav|ɡdˈɨ tsɛrsˈɛi ˌɔpuɕtɕˈiwa kɔmnˈatɛ pʃˈɛs krulˈɛfskʲɛ dʒvˈi ˌusɨtˌuɔvˈanɛ za ʒɛlˈaznɨm trˈɔnɛm, dɔ ɕfˈitu pˌɔzɔstˈawɔ jˈɛʃtʃɛ kˈilka ɡˈɔdʑin.|1
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_12.wav|na rˈaʑɛ ɲʲˈɛma ʒˈadnɨx plˈanuv zvʲɔ̃zˈanɨx s kˌɔmurkˈami na kˈartɛ. mˈɔʒɛ w ɔɡˈulɛ z ɲˈix ɲʲɛ skɔʒˈɨsta.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_220.wav|bˌɛndɛ ɕɛ ɔ ɲˈix trˈɔʃtʃɨw.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_210.wav|xrˈɨstɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_109.wav|ɔpˈɔvʲɛts mi ˈɔtɨm. ɔ tʃɨm bˌɛɲdʑɛ mˈuviw?|3
+Dataset/wavs/urwisko_ferenc/24_segment_100.wav|musˈimɨ pɔɡˈadatɕ. dˈaj znˈatɕ, kʲˈɛdɨ i ɡdʑˈɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (79)_segment_134.wav|vʲˈɛm, ʒˈɛ mˈama pˌɔtpisˈawa, tsˈɔ nˌalɛʒˈawɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_118.wav|tsˈɔraz vʲˈɛŋkʃɨ nˈatɕizɡ zatʃˈɛwa kwˈaɕtɕ na lˈɛkkɔ̃ djˈɛtɛ, ktˌura ɲʲɛ vˌɨvɔwɨvˈawa jˈuʒ ʒˈadnɨx pɔmrˈukuf rɔskˈɔʃɨ.|3
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_201.wav|ɲʲɛ vʲˈɛdʑaw, dlatʃˈɛɡɔ ɕɛ dɔ tˌɛɡɔ pʃˈɨznaw. swˈɔva sˈamɛ vɨpˈadwɨ mu z ˈust.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (69)_segment_112.wav|fʃˈɨstkɔ f pɔʒˈɔntku, ˈanɔ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_55.wav|nazˈɨva ɕɛ aʃˈaraf rajˈavi i...|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_91.wav|ɔn pˌɔtʃɛbˈujɛ pʲɛɲʲˈɛndʑɨ vwˈaɕɲʲɛ tˈɛras.|3
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_135.wav|kˈɔntɛm ˈɔka spɔjʒˈawam na plˈats i zamˈarwam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_119.wav|pʃɛtɕˈiska mɲʲɛ rˈɛŋka arˈama.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_176.wav|ˌɔdʲizɔlˈɔvaw tɕˈɛ ɔt rɔdʑˈitsuf.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_228.wav|ɲʲɛ dlatˈɛɡɔ, ʒˈɛ ɲʲɛ maʃ pʲɛɲʲˈɛndʑɨ, dlatˈɛɡɔ, ʒˈɛ ɲʲˈɛvʲɛʃ, ˈilɛ tɔ kɔʃtˈujɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_206.wav|mˈimɔ fʃˈɨstkɔ lˈɛpʲɛj bˌɨwɔ tɔ zrˈɔbʲidʑ ɡɔdʑˈinɛ tˈɛmu, na fʃˈɛlki vɨpˈadɛk. vzdˈɨxa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_44.wav|pˌɔtʃɛbˈujɛ trˈɔxɛ tʃˈasu, ʒˈɛbɨ ɕɛ pʃˌɨstɔsˈɔvatɕ. vˈɨbatʃ, kɔxˈaɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_110.wav|ɲʲɛ vˌɨrabjˈawɛm ɕɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_58.wav|jˈɛnnɨ pˌɔxɨlˈiwa ɕɛ w jɛj strˈɔnɛ.|3
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_115.wav|krˈul baˈɛlɔr kˈazaw uvʲˈɛ̃zidʑ vwˈasnɛ ɕˈɔstrɨ, ktˌurɨx jɛdˈɨna zbrˈɔdɲʲa pˌɔlɛɡˈawa nˈatɨm, ʒˈɛ bˌɨwɨ pʲˈɛŋknɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_21.wav|tɔ prˈavda, pʃˈɨznaw tˈɔm, ˌalɛ w jˈɛdnɛj kfˈɛstji bˌɨwɔ tɔ vˌɨjɔntkˈɔvɔ sprˈɨtnɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(29) R.Abbott_Zamknij Drzwi_segment_14.wav|fstˈɨt mi za kˈaʒdɔ̃ minˈutɛ. kʲˈɛdɨ ɕɛ bˈudʑɛ, natˈɨxmʲast pɔjˈavja ɕɛ w mˈɔjɛj ɡwˈɔvʲɛ pɨtˈaɲʲɛ, tsˈɔ ɕɛ zmʲɛɲˈiwɔ.|4
+Dataset/wavs/urwisko_ferenc/65_segment_105.wav|w dˈɔmu jˌɛstɛm tˌɨlkɔ ɡˈɔɕtɕɛm.|0
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_18.wav|xtɕˈawabˌɨm mʲˈɛtɕ psˈa, ˌalɛ nˈas ɲʲˈɛstatɕ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_42.wav|ɲʲɛ maʒ dˈɔbrɨx krˈɛvnɨx, xˈɛlɛn pɔvʲˈɛdʑaw.|0
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_41.wav|ɔznˈajmiw, ɡdˈɨ zˌaprɔvadʑˈɔnɔː ix na dʑɛdʑˈiɲʲɛdʑ zˈamku mˌɔutˈɔna, ɡdʑˈɛ tʃˈɛkaw tˈarlɨ.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_2.wav|ɕɲʲˈɛɡ zˈatʃɔw sˈɨpatɕ, ɡdˈɨ ˌɔpuʃtʃˈali kˈamjɛɲ, najvʲˈɛŋkʃɨ i najɲˈiʒɛj pˌɔwɔʒˈɔnɨ s tʃˈɛɣ zˈamkuf ˌɛtapˈɔvɨx, ktˌurɛ brɔɲˈiwɨ drˈɔɡʲi dɔː ɔrlˈɛɡɔ ɡɲʲˈazda.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_40.wav|bˌɨwɔ ɲʲɛ bˈɨwɔ, jˌɛnsɛnˈɔvʲɛ prɔɕˈili bʲillʲˈɛɡɔ, ʒˈɛbɨ pɔdlˈɛvaw ix rɔɕlˈinɨ.|2
+Dataset/wavs/urwisko_ferenc/49_segment_51.wav|tarɡnˈɛwa ɲʲˈɔ̃ zwˈɔɕtɕ na ɕˈɛbjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_142.wav|tsˈɔɕ f tɨm jˈɛst.|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_19.wav|tsˈawɨ jˈɛɡɔ strˈuj swuʒbˈɔvɨ tɔ ɲʲɛbjˈɛska kˌamizˈɛlka z napˈisɛm pˈɔlk sˌɛtsurˈitɨ vɨʃˈɨtɨm zwˈɔtɔ̃ ɲˈitɕɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_184.wav|prɔvˈadʑi jˈɔ̃ sxɔdˈami na ɡˈurɛ dɔ pʃɛtɕˈɔŋka. pˌɔkazˈujɛ zasxɲʲˈɛntɛ vˌɨmjɛdʑˈinɨ na ɕtɕˈaɲʲɛ.|2
+Dataset/wavs/urwisko_ferenc/64_segment_53.wav|bɔrˈɛvitʃ sklˈɔw ɡˈɔ w mˈɨɕlax.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_251.wav|lˈantsɛl nˈɔɕiw pɔd blˈuzɔ̃ vwˌɔɕɛɲˈitsɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_121.wav|a jɛʒˈɛli ɔn navˈaliw?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_104.wav|lˈintsaj pɔdɲʲˈɔswa na ɲʲˈɛɡɔ vzrˈɔk.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_96.wav|jˈɛɡɔː ˈɔtʃɨ rˈɔbjɔ̃ ɕɛ tsˈɔras ˌɔkrɔŋɡlˈɛjʃɛ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_270.wav|pˌɔʒutɕˈiwɛɕ swˈuʒbɛ ˈu ɲʲˈɛɡɔ?|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_46.wav|bʲˈillɨ rˈuʃa w dˈuw sxˈɔduf. ɲʲɛ za ʃˈɨpkɔ, ɲʲɛ za vˈɔlnɔ.|2
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_223.wav|zˌadɔvɔlˈɔnɨ, ʒˈɛ w ɕrˈɔtku ɲʲˈɛma kˌɔntrabˈandɨ, zˈamknɔw pɔjˈɛmɲik i ˌɔstɛmplˈɔvaw ɡˈɔ pʲɛtʃˈɛɲtɕɔ̃ z ɡˈɔdwɛm mʲˈasta.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_46.wav|sˈɛr mˈanfrɛj zˌaprɔvˈadʑi tɕˈɛ dɔ ɲʲˈɛj.|1
+Dataset/wavs/urwisko_ferenc/24_segment_101.wav|ɲˈits tɕi ɲʲɛ ɡrˈɔʑi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_45.wav|ɲʲɛ, ɲʲɛ lˈubjɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (48)_segment_35.wav|jˌɛstɛm tɕɛkˈava, ɔ ktˌurɨm z nˈaʃɨx kɔxˈanɨɣ dʑˈɛtɕi xtsˈɔ̃ zˈɛmnɔ̃ pˌɔrɔzmˈavʲatɕ. mˈam nadʑˈɛjɛ, ʒˈɛ ɲʲɛ vˌɨdaʒˈɨwɔ ɕɛ ɲˈidʑ zwˈɛɡɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_136.wav|naprˈavdɛ uvˈaʒaʃ, ʒˈɛ ktˈɔɕ sklɔnˈɔvaw kˈartɛ ˌɛsˌiˈɛm s tˌɛlɛfˈɔnu mˈartɨ, tˈɔm?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_91.wav|tɔ najɡˈɔrʃɨ mˈɔmɛnt w mˈɔim ʒˈɨtɕu.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_69.wav|tˈata zˈɛrka nɛrvˈɔvɔ na zɛɡˈarɛk.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_58.wav|zɡˈɔdɲʲɛ s tfˈɔjɔ̃ suɡˈɛstjɔ̃, ˌalɛ jɛj ɲʲɛ zastˈaliɕmˌɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_342.wav|zrɔbʲˈiwabˌɨm tɔ, ɡdˈɨbɨm ɲʲɛ znˈawa tɕˈɛbjɛ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_101.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/urwisko_ferenc/20_segment_80.wav|kʲˈɛdɨ bɔrˈɛvitʃ mˈijaw zˌabudɔvˈaɲʲa davnˈɛɡɔ ʃpitˈala dʑˌɛtɕɛntsˈɛɡɔ, dˈɛʃtʃ pʃˈɨbraw na ɕˈilɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_444.wav|a pʃˌɛtɕɛʃ ɲʲɛ xtɕˈawɛm pˈitɕ, mˈam nˌatkfasˈɔtɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_8.wav|zˌapɨtˈawa zdʑivʲˈɔna, ʒˈɛ ɲʲɛ zˈɛʃwam na dˈuw pʃɨvˈitatɕ ɕɛ z ɡˈɔɕtɕɛm. uɕˈadwa na wˈuʃku i pˌɔɡwaskˈawa mɲʲɛ pɔ plˈɛtsax.|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_5.wav|ɲˈidʑ dʑivnˈɛɡɔ, skˈɔrɔ jɛst pʃˌɛmɔtʃˈɔna dɔ sˈuxɛj ɲˈitki.|2
+Dataset/wavs/artemis_anna_szymanczyk/28_Artemis_segment_113.wav|bˌɨwam ɡɔtˈɔva ɕɛ zawˈɔʒɨtɕ, ʒˈɛ f xɔtˈɛlu spʃɔntˈanɔ̃ dɔkwˈadɲʲɛ tsˈawɨ pˈɔkuj pʃɛd zˌakfatˌɛrɔvˈaɲʲɛm nˌastɛmpnˈɛɡɔ ɡˈɔɕtɕa.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_289.wav|tɔ prˈɔvʲand dla bjˈɛdnɨx i ɡwˌɔdujˈɔntsɨɣ w dɔʒˈɛtʃu.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_279.wav|ɕlˈuzɨ ɲʲɛ sɔ̃ mˌɔɲitˌɔrɔvˈanɛ, pɔvʲˈɛdʑaw.|4
+Dataset/wavs/urwisko_ferenc/36_segment_86.wav|i bˈardʑɔ dʑɛŋkˈujɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_169.wav|i pɔswˈuxaj, dˈavɛ, mˈam zˌapʃɨjaʑɲʲˈɔnɔ̃ aɡˈɛntsjɛ tˌɔvaʒˈɨskɔ̃. pʃɛmˈiwɛ dʑɛftʃˈɨnɨ, bˈardʑɔ dɨskrˈɛtnɛ, xˈɛntɲʲɛ tɕˈi, lˈɛpʲɛj ɲʲɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_156.wav|vɨtʃˈuwabˌɨ, ʒˈɛ tsˈɔɕ ɕmʲˈɛrdʑi. nˈɔs mˈa pˈɔttɨm vzɡlˈɛndɛm ɲʲˌɛzruvnˈanɨ...|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_35.wav|mʲˌɛndʑɨ daxˈami kˌamjɛɲˈitʃɛk pʃɛvˈalaw ɕɛ mˌɔnɔtˈɔnnɨ wˈɔskɔd bˈɛmbna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_247.wav|ɡɲʲˈɛvna kɔbjˈɛta imjˈɛɲʲɛm mˈɛrɡɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_65.wav|a vʲˈɛnts tɔ jɛst nˈaʃ mɔrdˈɛrtsa.|4
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_332.wav|ɲʲɛ xtɕˈawɛm...|1
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_452.wav|tsˈɨtrɨn ɲʲɛ pɔvˈiɲʲɛn bˈɨw ɔpˈuʃtʃatɕ rɔsstˈajuv drˈuk.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_89.wav|ɲʲˈɛma za tsˈɔ, rˈudɨ.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_19.wav|swɨʃˈawam, ʒˈɛ na ʑˈɛmi bjˈɛdɲi lˈudʑɛ mˈɔɡɔ̃ mʲˈɛtɕ psˈɨ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_93.wav|tɔ rˈɔrja zabʲˈiwam.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_10.wav|ɲʲɛ tɔ mʲˌawɛm na mˈɨɕli. ftsˈalɛ ɲʲɛ pʃˌɛpraʃˈawɛm. ʒawˈujɛ, ʒˈɛ tɔ ɕɛ pʃˌɨtrafˈiwɔ. ˌalɛ ɲʲɛ tˌɨlkɔ tˈɔbjɛ, nˈam ɔbˈɔjɡu.|4
+Dataset/wavs/urwisko_ferenc/53_segment_134.wav|a skˈɔrɔ pilˈɛfska bˌɨwa ftˈɛdɨ na mʲˈɛjstsu, tɔ bˈɨ znatʃˈɨwɔ, ʒˈɛ prˌavdɔpɔdˈɔbɲʲɛ znˈali ɕɛ s xudʑˈiɲskim jˈuʃ ftʃˈɛɕɲʲɛj.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_75.wav|kʲˈɛdɨ ɕɛ ˌɔdvrutɕˈiwa, zˌɔbatʃˈɨwa, ʒˈɛ rˈɔbɛrt ˈarɨn ɕˈɛdʑi fspˈartɨ na pɔdˈuʃkax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_45.wav|mɔʒlˈivɛ, ʒˈɛ maʃ rˈatsjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_247.wav|mˈuɕi zˈatɔ zapwˈatɕitɕ, tˈak jˈak tˈamtɛ xwɔpˈaki, ktˌurɛ tɕˈɛ zɡvawtɕˈiwɨ, muɕˈawɨ zapwˈatɕidʑ zˈatɔ, tsˈɔ zrɔbʲˈiwɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (29)_segment_48.wav|tɔ ɲʲɛ fxˈɔdʑi w raxˈubɛ.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_12.wav|zˈatʃɔw, ˌalɛ ɡdˈɨ tˌɨlkɔ tɔ pɔvʲˈɛdʑaw, ˌuɕfʲadˈɔmiw sˈɔbjɛ, ʒˈɛ tɔ ɲʲɛ sɔ̃ ˌɔtpɔvʲˈɛdɲʲɛ swˈɔva. ɲʲɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_66.wav|kʃˈɨtʃaw nˈamɲʲɛ, prˈɔɕiw, ʒˈɛbɨm ɡˈɔ fpuɕtɕˈiwa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_137.wav|i ftˈɛdɨ mˈikɛ dˈɔjʒaw bjˈawɨ kˈɔntakt ˌɛlɛktrˈɨtʃnɛj pˈɔmpɨ bˌɛnzɨnˈɔvɛj bɛndˈɔntsɛj f pɔzˈɨtsji ˌɔˌɛfˈɛf.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_126.wav|bˌɛɲdʑɛʃ muɕˈawa ˌuʃanˈɔvatɕ prˈɔtsɛs, pʃˈɛs ktˌurɨ bˌɛɲdʑɛ pʃˌɛxɔdʑˈiwa tfˈɔja mˈama.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_362.wav|ɲʲɛ jɛst xɔlˈɛrnɨm ɡwˈuptsɛm, nɔrbˈɛrtɕɛ.|1
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_119.wav|s tˌɛɡɔ mʲˈɛjstsa ɲʲɛ mˈɔɡwam ˌɔpsɛrvˈɔvadʑ dˈɔku kˌɔlɛjɔvˈɛɡɔ, ˌalɛ mʲˈawam dˈɔbrɨ vˈidɔk na tˈɔrɨ bjɛɡnˈɔntsɛ f strˈɔnɛ mʲˈasta.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_126.wav|kˈɔmpajn vrˈatsa dɔ prˈatsɨ, a f tɨm tʃˈaɕɛ vˈɔda sˈɔbjɛ stˈɨɡɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_378.wav|znˈam na vˈɨlɔt fʃˈɨstkʲɛ tɛ nˈaʃɛ zˌaxɔvˈaɲʲa, ktˌurɛ vɨdˈajɔ̃ nˈam ɕɛ ˌɔrɨɡʲinˈalnɛ i vwˈasnɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_206.wav|kɔʒˈɨsta z ɲʲˈɛɡɔ tʃˈɛɲɕtɕ prˌatsɔvɲˈikuf sˈɔndu.|2
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_143.wav|ɡdˈɨbɨ uswˈɨʃaw ɔt rˌɛtsɛptsjɔɲˈistɨ, ʒˈɛ bˈɛrn i fɔrˈɛstɛr jˈɛʃtʃɛ ɲʲɛ pʃˌɨjɛxˈali, ɲʲɛ pʃɛjˈɔwbɨ ɕɛ tɨm za bˈardʑɔ. alfˈɔnɕi rˈatʃɛj ɲʲɛ prɔvˈadʑɔ̃ ˌurɛɡˌulɔvanˈɛɡɔ trˈɨbu ʒˈɨtɕa.|2
+Dataset/wavs/urwisko_ferenc/52_segment_3.wav|a tsˈɔ mˈa bˈɨtɕ? dˈɔbʒɛ vʲˈɛʃ, ɔ tʃɨm mˈuvjɛ. ɔ pˌɔstʃɛlˈɛɲʲu ʃtʃɛrpskʲˈɛɡɔ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_17.wav|a tɔ zdjˈɛɲtɕɛ zrɔbjˈɔnɛ ftʃˈɔraj, kʲˈɛdɨ stˈamtɔnd vˌɨxɔdʑˈiwaɕ? ˌɔbɔɡ bˌɨwa vʲˈɛlka tablˈitsa z napˈisɛm xɔspˈitsjum.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_66.wav|ˈɔtɨm ʃtʃɛɡˈulɲʲɛ fspɔmɲʲˈawɛɕ, pˈaɲʲɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_300.wav|ˌalɛ pʃˌɛtɕɛʃ kˈɔɡɔɕ muɕˈawɔ tɔ kʲˈɛdɨɕ mˈartfitɕ. pˈan pʃˌɛtɕɛʃ ɲʲˈɛxtsɛ pɔvʲˈɛdʑɛtɕ, ʒˈɛ tɔ fʃˈɨstkɔ pˈanu vɨstˈartʃa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_424.wav|i sprˌubɔvˈawɛm ɕˈiwɔ̃ zapˈɛɲdʑitɕ ɕɛ dɔ snˈu.|0
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_26.wav|fʃˈɨstkɔ tsˈɔ najlˈɛpʃɛ dla mɔjˈɛɡɔ fspulɲˈika.|4
+Dataset/wavs/urwisko_ferenc/63_segment_94.wav|prˈɔʃɛ pˈaɲi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_144.wav|f pɔwˈɔvʲɛ kˌɔrɨtˈaʒa ˌɔtfɔʒˈɨwɨ ɕɛ dʒvˈi. vˈɨʃɛd. klˈɛrki.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_126.wav|pˈɔza tˈɨm, jˈaki tˌɛrɔrˈɨsta xtɕˈawbɨ vɨsˈadʑitɕ pʲɛpʃˈɔnɨ pˈarkiŋk?|2
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_115.wav|naprˈavdɛ mi pʃˈɨkrɔ, ˌalɛ kɔntrˈɔla ɕɛ pʃɛdwˈuʒa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(90) R.Abbott_Zamknij Drzwi_segment_18.wav|— mˈɔʒɛʃ jˈuʒ bɛspʲˈɛtʃɲʲɛ vˈɨjɕtɕ, jˈɔɛ. ɲˈikt jˈuʃ ɲʲɛ zrˈɔbʲi tɕi kʃˈɨvdɨ, ˌɔbjɛtsˈujɛ. ʃˈɔna zɔstˈawa ˌarɛʃtɔvˈana. mˈɔʒɛʃ nˈas fpˈuɕtɕitɕ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(19) R.Abbott_Zamknij Drzwi_segment_6.wav|fprˌɔvadʑˈɛɲʲɛ zɛspˈɔwu ɕlɛttʃˈɛɡɔ dɔ dˈɔmu jˈɔɛ pˈalmɛr bˌɨwɔ skˌɔmplikɔvˈanɔ̃ ˌɔpɛrˈatsjɔ̃.|4
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_103.wav|mˈɔʒɛ jˈakɔ̃ʑ blˈuzɛ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_11.wav|uznˈawa, ʒˈɛ pˈatʃɨ vwˈaɕɲʲɛ na ɡabʲˈinɛt naˈila.|3
+Dataset/wavs/urwisko_ferenc/35_segment_24.wav|dɔrˈɔta lˌɛvandˈɔfska ɲʲɛ zˌaɡʲinˈɛwa. ɡʒˈɛɡɔʃ lˈipski kˈazaw tɕi pʃˈɛvʲɛɕtɕ jˈɔ̃ w bˌaɡaʒɲˈiku mˌɛrtsɛdˈɛsa, prˈavda?|0
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_267.wav|tʃasˈami jˈɛdnaɡ znˌajdujˈɛmɨ kɔbjˈɛtɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_61.wav|pʃˈɛrvaw im dʑvɔɲʲˈɔntsɨ tɛlˈɛfɔn bˈɛtskɨ. ˌɔdɛbrˈawa, pˌɔswuxˈawa xfˈilɛ, ˌuɕmʲɛxnˈɛwa ɕɛ dɔ tˈɔma i vˌɨʒutɕˈiwa w ɡˈurɛ zˌatɕiɕɲʲˈɛntɔ̃ pʲˈɛɲɕtɕ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_53.wav|tsˈɔ vʲˈɛʃ na jˈɛɡɔ tˈɛmat, tˈɔm? tʃɨ tfˈuj kˈɔntakt, pˈawl nakrˈɛɕliw paltsˈami f pɔvʲˈɛtʃu tsudʑˈɨswuf, vʲˈɛ tsɔkˈɔlvʲɛk na jˈɛɡɔ tˈɛmat?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_44.wav|bˈɔ jˈɛst.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_30.wav|tsˈɔ pɔvʲˈɛdʑɛtɕ? vˈɨduɕ tɔ vrˈɛʃtɕɛ s ɕˈɛbjɛ ˈaʃ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_81.wav|ɲʲˈɛxtsɛ zɔstˈavʲadʑ vˈas f tˈakim stˈaɲʲɛ, zˌaɡubjˈɔnɨɣ bˈɛs pɔtʃˈutɕa kʲɛrˈuŋku.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_43.wav|tˈutaj pɔvˈiɲʲɛn zˈabʒmʲɛdʑ zwɔvrˈɔɡʲi i ʃɨdˈɛrtʃɨ ɕmʲˈɛx.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(04) R.Abbott_Zamknij Drzwi_segment_56.wav|zˈɛrka mi pʃˈɛs rˈamjɛ, jˈaɡbɨ sprˈavdʑaw, tʃɨ jˌɛstɛm sˈama.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(52) R.Abbott_Zamknij Drzwi_segment_32.wav|ɔ tʃɨm tɨ mˈuviʃ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_177.wav|jˈasnɛ, ʒˈɛ tˈak pˌɔmɨɕlˈawɛm i zawˈɔʒɛ ɕɛ, ʒˈɛ ˌɔɡlɔndˈawɛɕ tɔ rˈas pɔ rˈas, w nɔrmˈalnɨm i zvɔlɲʲˈɔnɨm tˈɛmpʲɛ.|2
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_193.wav|ɕtɕˈɔŋɡnɔw nˈanas fʃˈɨstkiɣ ɡɲʲˈɛf ˌutɔpʲɔnˈɛɡɔ bˈɔɡa, pʃˌɛpɔvʲˈɛdʑaw ˈɛrɔn, ɡdˈɨ rˌɔzmavʲˈali na stˈarɛj vˈɨk.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_25.wav|ɲˈikt ɲʲɛ ˌɔpsɛrvˈujɛ dˈɔmu, zapˈɛvɲʲam tɕˈɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_126.wav|ɔdvrˈatsa ɕɛ pɔvˈɔli z drɛvɲʲˈanɔ̃ wˈɨʃkɔ̃ w dwˈɔɲi, jˈaɡbɨ xtɕˈawa ɕɛ ɲʲˈɔ̃ ɔbrˈɔɲitɕ pʃɛt mˈɔim atˈakʲɛm.|3
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_219.wav|ˈaxa, tʃˌɛmu ja mʲˈawbɨm brˈatɕ f tɨm ˈudʑaw?|4
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_26.wav|ɔn rˈuvɲʲɛʃ mˈuɡw zˈɔstatɕ krˈulɛm, ˌalɛ kʲˈɛdɨ zˌaprɔpˌɔnɔvˈali mu kɔrˈɔnɛ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_51.wav|bˌɛɲdʑɛ tɔ vɨzvˈaɲʲɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_125.wav|mˈa vʲˈɛlkɔ̃ ɔxˈɔtɛ ɔbˈɛjʒɛdʑ dɛˈadlɨ ˈɛksprɛss.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_204.wav|brˈɔn ɲʲɛ sprˈavʲaw vraʒˈɛɲʲa tʃwɔvʲˈɛka, ktˌurɨ trˈatɕiwbˌɨ zbˈɨd vʲˈɛlɛ tʃˈasu na ɔpʲˈɛkɛ nat starˈuʃkɔ̃ zˈɛ zwamˈanɨm bjˈɔdrɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_248.wav|tʃˈɛka nˈaz vʲˈɛlɛ plˌanɔvˈaɲʲa, vʲˈɛndʑ darˈujmɨ sˈɔbjɛ bzdˈurɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_28.wav|zˌarɨzɨkˈɔvawbˌɨm tfʲɛrdʑˈɛɲʲɛ, ʒˈɛ tsˈɔɕ takʲˈɛɡɔ ɲʲɛ pɔvˈinnɔ ɲikˈɔmu zˈabradʑ vʲˈɛntsɛj ɲˈiʃ kˈilka mˈinut.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_268.wav|ˈufam, ʒˈɛ vʲˈɛ ˈiʃ ˈɔtɔ ɲʲɛ prɔɕˈiwɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (40)_segment_83.wav|kˈɔwɔ fpˈuw dɔ tʃfˈartɛj ktˈɔɕ pɔtxˈɔdʑi dɔ dʒvˈi vɛjɕtɕˈɔvɨx. bʲˈillɨ pʃɨtʃˈaja ɕɛ za ɲˈimi, spɔɡlˈɔnda na mˌartʲinˈɛza i kwˈadʑɛ pˈalɛts na ˈustax mˈaski mɛlˈaɲi. martʲˈinɛs kˈiva ɡwˈɔvɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(75) R.Abbott_Zamknij Drzwi_segment_21.wav|ˌɔtʃɨvˈiɕtɕɛ, ʒˈɛ mˈa. fʃˈɨstkɔ, tsˈɔ rˈɔbjɛ, mˈa tsˈɔɕ fspulnˈɛɡɔ z mˈili. tsˈɔ tɨ tˈutaj w ɔɡˈulɛ rˈɔbʲiʃ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_142.wav|a kʲˈɛdɨ pˈɔtʃɛt tˈam, zɔbˈatʃɨw ʃtʃˈɔntki dvˈux sˌamɔlˈɔtuf, a ˌɔdvrutɕˈifʃɨ ɕɛ w lˈɛvɔ, zɔbˈatʃɨw tfˈaʃ rɨˈana.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_195.wav|pɔ zˈɛjɕtɕu dɔ pivɲˈitsɨ zdjˈɛwa vɨtˈartɨ pwˈaʃtʃ kˈɛt.|1
+Dataset/wavs/wrony_banaszyk/0015 uczta_dla_wron_siec_spi_segment_71.wav|prˈɛndʑɛj uvʲˈɛʒɛ, ʒˈɛ ɡalˈɛka ɲʲɛ ɔpsˈadʑiw vʲˈɛʃ straʒɲˈitʃɨx, a tˈɛraz bˈɔi ɕɛ, ˈiʃ ɕɛ ˈɔtɨm dɔvʲˈɛmɨ.|1
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_93.wav|ɲʲɛ ʒˈɨtʃɛ sˈɔbjɛ, bˈɨɕ ˈɔɲim fspɔmˈinaw w mˈɔjɛj ˌɔbɛtsnˈɔɕtɕi.|1
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_74.wav|ˌalɛ pˌɔvinɲˈiɕmɨ dɔstʃˈɛɡatɕ jˈasnɛ strˈɔnɨ.|4
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_108.wav|tfˈuj dɔrɲˈijtʃɨk ɲʲɛ kwˈamaw.|1
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_100.wav|dˈɛrɛk nˈaɲih ɲʲɛ zvˈaʒa, fpatrˈujɛ ɕɛ f plˈanʃɛ, pɔ tʃɨm pɔdnˈɔɕi ˈɔtʃɨ na mˈatkɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_125.wav|kʲˈɛdɨ bʲˈillɨ pˈɨta dlatʃˈɛɡɔ, bˈutskɨ vɨjˈaɕɲʲa, ʒˈɛ sˈɔfɨ kɔjˈaʒɔ̃ ɕɛ s sˈɛksɛm, a ɲʲɛ tˌaki ˈɛfɛkt xtsˈɔ̃ uzˈɨskatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_69.wav|ˌalɛ dɔ tˌɛɡɔ mˈuɕi bˈɨtɕ sˈam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_35.wav|ˈɛliz vʲˈɛ, ʒˈɛ tɔ drˈuɡʲɛ ˈimjɛ jɛst pravdʑˈivɛ.|2
+Dataset/wavs/urwisko_ferenc/64_segment_6.wav|w jˈakim sˈɛnɕɛ? f kˈaʒdɨm.|0
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_250.wav|ʃˈɛd zˈaɲʲɔ̃ brˈudnɨ, pˌɔmaraɲtʃˈɔvɨ kˈɔt, pʃˌɨvabjˈɔnɨ jɛj kʃˈɨkʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_170.wav|nˈɔ tˈak, f pˈɛvnɨm sˈɛnɕɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_81.wav|tʃɨ praɡnˈɛwam tɕˈɛrpʲɛtɕ s pɔvˈɔdu ɲʲˌɛpɔkˈɔju, paɲˈiki i utʃˈutɕa rɔspˈatʃɨ, kʲˈɛdɨ tsˈɔɕ ˈidʑɛ ɲʲɛ pɔ mˈɔjɛj mˈɨɕli?|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_383.wav|i z jɛj kˌuzɨŋkˈami.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_6.wav|tˈɔm dɔˈuɡlas pʃɛtstˈaviw ɕɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_115.wav|tɔ bˌɨwɨ tˌɨlkɔ kɔpɲʲˈaki.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_151.wav|a jˈɛdnak nˌajvɨrˈaʑɲʲɛj mˈa tˈakʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(30) R.Abbott_Zamknij Drzwi_segment_72.wav|dˈaj spˈɔkuj, filˈipa. ɲˈiɡdɨ ftʃˈɛɕɲʲɛj tˌɛɡɔ ɲʲɛ zrɔbʲˈiwɛm i ɲˈiɡdɨ jˈuʃ ɲʲɛ zrˈɔbjɛ. xˈɨba, ʒˈɛ bˌɛɲdʑɛ tɔ tsˈɔʑ zvʲˌɔ̃zanˈɛɡɔ mˈɔim zdˈaɲʲɛm bˌɛspɔɕrˈɛdɲʲɔ z mˈɔjɔ̃ rɔdʑˈinɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_258.wav|patʃˈɨwɛm na jɛj smˈukwɛ tɕˈawɔː i bˌɨwɛm zdumjˈɔnɨ dˌɔskɔnawˈɔɕtɕɔ̃ tˌɛɡɔ tɕˈawa.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_167.wav|tˈutaj ɕɛ pˈijɛ.|4
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_40.wav|dʒˈɛjmz zˈɛrknɔw na pˈustɛ kʃˈɛswɔ kuzˈɨna. lˈantsɛl ɲʲɛ zdɔbˈɛɲdʑɛ ix miwˈɔɕtɕi mɔdlˈitfɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_21.wav|kˈit pɔkrˈɛɲtɕiw ɡwˈɔvɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_71.wav|alˈain pɔtˈarwa jˈɛdnɔ̃ z ɲˈix ɔtfˈartɔ̃ dwˈɔɲʲɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_67.wav|pˈatʃɛ na swˈɔtkɔ̃, ɲʲɛvˈinnɔ̃ bˈuɕkɛ mɔjˈɛɡɔ sˈɨna.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_187.wav|a jˈak pʃɨɕˈɛŋɡli zɔbˈatʃɔ̃ naɡrˈaɲʲɛ z mˌɔɲitɔrˈiŋɡu, prˈavʲɛ na pˈɛvnɔ skˈaʒɔ̃ starˈɛɡɔ jɔˈɛa na ˈiɡwɛ, rɔzˈumjɛʃ tɔ, prˈavda?|2
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_127.wav|jˈɛɕli zɔstˈanɛ z ɡˈɔʑdʑik jˈɛʃtʃɛ dwˈuɡɔ...|1
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_174.wav|jˈadɔnts na pʃˈɛtɕɛ kɔlˈumnɨ, f tˌɔvaʒˈɨstfʲɛ mˌiltʃɔntsˈɛɡɔ sˈɛr ˌilɨˈɛna, jˈamɛ tʃˈuw ɕɛ ɲʲˈɛmal zˌadɔvɔlˈɔnɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_45.wav|bˈɛtskɨ vʲˈɛ, ʒˈɛ skˌɔntaktɔvˈawam ɕɛ zˈɛ stˈɛvɛm, ʒˈɛbɨ ɡˈɔ zapˈɨtatɕ, tʃɨ vɨrˈaʑi zɡˈɔdɛ na zˌaadˌɔptɔvˈaɲʲɛ mˈilljɛ pʃˈɛs tɕˈɛbjɛ.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_10.wav|jˈɛɕli pɔprˈɔɕidʑ ɡˈɔ, ʒˈɛbɨ zaɕpʲˈɛvaw, ɲˈikt ɲʲɛ bˌɛɲdʑɛ lˈɛpʃɨ ɔt ɲʲˈɛɡɔ. ˌalɛ jˈɛɕli pɔprˈɔɕidʑ ɡˈɔː ɔ tsˈɔɕ innˈɛɡɔ...|1
+Dataset/wavs/urwisko_ferenc/08_segment_18.wav|pamjˈɛntaw, ʒˈɛ zvˌɛrɨfikˈɔvaw tɛn nˈumɛr, wˈɔntʃɔnts ɕɛ z mɛ̃ʃtʃˈɨznɔ̃ f trˈaktɕɛ pʲɛrʃˈɛɡɔ spɔtkˈaɲʲa f tʃˈɛrftsu.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_252.wav|nastˈɛmpnɛ dʑˈɛɕɛɲtɕ lˈat pʃɛʒˈɨwɛm w miltʃˈɛɲʲu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_131.wav|a ɔn zˈatʃɔw ɕɛ ɕmʲˈatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_73.wav|w ix pʃˌɛkɔnˈaɲʲu ɲʲɛ stʃɛlˈaliɕmˌɨ dɔ ɡwɔɕɲˈika, stʃɛlˈaliɕmˌɨ dɔ mɛtʃˈɛtu.|2
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_62.wav|na kˈɔɲʲɛdʑ vɨjˈɛwam zˈɛ spˌɛtsjalnˈɛɡɔ pˌɔjɛmɲˈika vʲˈɛlkɔ̃ tˈɔrbɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_29.wav|vˈɔwam i ɔmˈijam bawˈaɡan, ʒˈɛbɨ dˈɔtʃɛdʑ dɔ dʒvˈi.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_217.wav|pɔ tsˈɔ zˌadajˈɛmɨ sˈɔbjɛ tˈɨlɛ trˈudu?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (56)_segment_75.wav|lˈutsɨ umˈarwabˌɨ zˈɛ fstˈɨdu, ɡdˈɨbɨ ˌuswɨʃˈɛli tɔ jɛj kɔlˈɛdʑɨ i kˌɔlɛʒˈaŋki i s pɛvnˈɔɕtɕɔ̃ ˌuʒɔɲdʑˈiwabˌɨ kˈatɛ pʲˈɛkwɔ.|3
+Dataset/wavs/urwisko_ferenc/23_segment_33.wav|pˈaxɲʲaw dˈɔbrɔ̃ vˈɔdɔ̃ kɔlˈɔɲskɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_275.wav|pɔvˈinnaʑ bwˈaɡatɕ ɔ pʃˌɛbatʃˈɛɲʲɛ zˈamjast prˌɔvɔkˈɔvatɕ mɲʲɛ jˈɛʃtʃɛ bˈardʑɛj.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(48) R.Abbott_Zamknij Drzwi_segment_48.wav|prˌatsɔvˈaliɕmˌɨ nˈattɨm, ʒˈɛbɨ pɔtkˈɔpatɕ ɕɛ jɛj jˈɛʃtʃɛ bˈardʑɛj. zarˈuvnɔ w ɕrˈɔtku, jˈak i na zˈɛvnɔndʒ za pɔmˈɔtsɔ̃ tˈajnɨx ˌɔpɛrˈatsji.|4
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_43.wav|zˌaprɔvadʑˈiwa mɲʲɛ dɔ wˈuʃka i uɕˈadwɛm, ɔstrˈɔʒɲʲɛ, starˈajɔnts ɕɛ tʃˈɨmatɕ prˈɔstɔː ɔt pˈasa w ɡˈurɛ.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_337.wav|tɔ ɕpʲˈɛvu ɲʲɛ mˈɔʒɛ zɲʲˈɛɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_22.wav|ʃˈɨpkɔ stˈawɔ ɕɛ jˈasnɛ, ʒˈɛ vɛrtˈɛpɨ tɔ zmˈɨwka, majˈɔntsa zɲʲɛxˈɛɲtɕitɕ tɕɛkˈafskix turˈɨstuf.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_76.wav|dʑˈɛtɕi ɲʲɛ skɔɲtʃˈɨwɨ jˈɛʃtʃɛ rˈɔku, ktˌurɛj kazˈanɔ jˈɛ ɔtpˈɨxadʑ za kˈaʒdɨm rˈazɛm, kʲˈɛdɨ uxfˈɨtsɔ̃ ɕɛ mˈɔtsnɔ jɛj spudɲˈitsɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_61.wav|xtsˈɛ zɔbˈatʃɨtɕ, ɡdʑˈɛ zraɲˈiwa ɕɛ mˈɔja dʑɛftʃˈɨŋka.|3
+Dataset/wavs/urwisko_ferenc/19_segment_34.wav|vɔlˈawabˌɨm nˈajpʲɛrf uswˈɨʃɛtɕ pˈaɲi vˈɛrsjɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_49.wav|tˈɛras jɛzd zdˈana tˌɨlkɔ na ɕˈɛbjɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_7.wav|samˈɔlɔt skrˈɛntsaw s pˈɔla stˌartɔvˈɛɡɔː i pˌɔtkɔwˈɔvaw pɔd bjˈawɔ̃ lˈiɲʲɛ, pʃɨ ktˌurɛj ɕˈɛdʑaw tʃwˈɔvʲɛk spʃˌɛdajˈɔntsɨ bɛnzˈɨnɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_52.wav|kʲˈɛdɨ nakwˈadaʃ tˌaki ɡˈadʒɛt, tʃˈɛpɛk, jˈak sˈam ɡˈɔ nazˈɨva, na lˈufɛ pˌɔʒɔndnˈɛɡɔ kˌarabʲˈinu, znˈatʃɲʲɛ trˈudɲʲɛj ɔ tsˈɛlnɨ stʃˈaw.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_7.wav|lˈudʑɛ zazvˈɨtʃaj dˈajɔ̃ vɨsˈɔkʲɛ napˈifki.|4
+Dataset/wavs/urwisko_ferenc/55_segment_71.wav|— tɔ znˈatʃɨ — zˌaintˌɛrɛsɔvˈawa ɕɛ xˈɛrman.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (58)_segment_17.wav|xˈɨba vʲˈɛmɨ, kˈim jɛst nˈaʃ tʃwˈɔvʲɛk.|3
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_350.wav|pɔkrˈɨvaw pˌɔmarʃtʃˈɔnɨ fˈartuɣ z napˈisɛm vˈɔrlt ˈɔf spˈɔrt.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_55.wav|vɨʒˈutsaw ix ftˈɛdɨ z dˈɔmu, bˈardʑɛj zˌawamˈanɨx ɲˈiʃ pʃɛt pʃɨbˈɨtɕɛm dɔ ɲʲˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_274.wav|darˈɨɔn zˈaklɔw, a jˈɛɡɔ nˈaɡa ʒˈɔna kʃɨknˈɛwa pʃˌɛraʑlˈivʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_121.wav|bʲˈillɨ ˈalbɔ tʃˈɨta jɛj w mˈɨɕlax, ˈalbɔ vʲˈɛ, jˈak addˈɛrall fpwˈɨva na dʑɛftʃˈɨnɛ, ktˌura dˈɔtɔnt ɲʲɛ pˌɔbudʑˈawa ɕɛ ɲˈitʃɨm mɔtsɲʲˈɛjʃɨm ɔt pɔrˈannɛj kˈavɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (2)_segment_48.wav|a xtsˈɛ tˌɛɡɔ kɔɲʲˈɛtʃɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_39.wav|tɔ nˌajfspaɲʲˈalʃɛ mʲastˈɛtʃkɔ vɛ fʃɛxɕfʲˈɛtɕɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_13.wav|zamknˈɛwa tɕˈixɔ dʒvˈi za sˈɔbɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_125.wav|za ˈɔknɛm tɕˈɛmnɛ xmˈurɨ kˌɔtwɔvˈawɨ ɕɛ z jˈɛʃtʃɛ tɕˌɛmɲʲɛjʃˈɨmi.|0
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_270.wav|artˈɛmiz vˌɨɡlɔndˈawa jˈak pˈɛntʃɛk malˈɛɲkix kˈulɛk lɕɲʲˈɔntsɨx f prɔmjˈɛɲʲax swˈɔɲtsa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_131.wav|lˈɛdʒ dɔ mawˈɛɡɔ mʲastˈɛtʃka w ɕrˈɔtku ɲitʃˈɛɡɔ. dˈaj spˈɔkuj, filˈipɔ, pʃˌɛtɕɛʃ ɲʲɛ rˈɔbjɛ tˈakiɣ ʒˈɛtʃɨ tʃˈɛ̃stɔ.|3
+Dataset/wavs/urwisko_ferenc/17_segment_70.wav|dˈɔbra.|0
+Dataset/wavs/urwisko_ferenc/09_segment_18.wav|i bˈɨw ɔtfˈartɨ vɛ vʒˈɛɕɲʲu?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_67.wav|zˌarɨzɨkˈɔvaw spɔjʒˈɛɲʲɛ mi w ˈɔtʃɨ.|3
+Dataset/wavs/urwisko_ferenc/61_segment_7.wav|ɡrˈɔx xtɕˈaw ɕˈɛŋɡnɔɲdʑ dɔ statsˈɨjki, bˈɨ vɨwˈɔntʃɨtɕ ɕˈilɲik. — ɲʲɛ, zatʃˈɛkaj — pˌɔprɔɕˈiwa mˈarja. — mˈɔʒɛʃ tsˈɔʑ dla mɲʲɛ zrˈɔbʲitɕ?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(70) R.Abbott_Zamknij Drzwi_segment_10.wav|fɕrˈut kibʲˈitsuv zmʲˌɛʒajˈɔntsɨx na stˈadjɔn dˈɔstʃɛɡw mɛ̃ʃtʃˈɨznɛ w ʑɛlˈɔnɛj kˈurttsɛ. jˌɛdɨnˈɛɡɔ, ktˌurɨ ʃˈɛt f tɨm sˈamɨm kʲɛrˈuŋku, tsˈɔː ˈɔn.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_340.wav|nˌastɛmpnˈɛɡɔ dɲʲˈa, ɡdˈɨ dʑɛftʃˈɨna pʃɨɲʲˈɔswa jɛj kɔlˈatsjɛ, ˈarjan znˈɔvu zˌasɨpˈawa jˈɔ̃ swɔvˈami.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_5.wav|pˈɔtɛm pʃˈɛz dvʲˈɛ ɡɔdʑˈinɨ ʃwˈam dɔː ˌɔddalɔnˈɛɡɔː ɔ kilˈɔmɛtr ɔt mʲˈasta kɔmplˈɛksu, f ktˌurɨm mʲɛɕtɕˈiwɨ ɕɛ xˈuta i ˌɛlɛktrˈɔvɲʲa ˌatɔmˈɔva.|4
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_263.wav|pʃˈɛs tsˈawɨ tʃˈas uvˈaʒɲʲɛ ˌɔpsɛrvɔvˈawa tfˈaʒ dʑɛftʃˈɨŋki, ˌalɛ ɲʲɛ dɔstʃˈɛɡwa tˈam ʒˈadnɨɣ znˈakuf.|1
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_119.wav|zasˈɨtʃaw udˈajɔnts rˌɔstʃarɔvˈaɲʲɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_238.wav|ɲˈidʑ vʲˈɛntsɛj ɲʲɛ mˈɔɡɛ dɔ tɕˈɛbjɛ pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_59.wav|nˈɔː ˌalɛ vɨɡlˈɔnda nˈatɔ, ʒˈɛ ɲʲɛ bˌɛndɛ mˈuɡw vrˈutɕitɕ. mˈam rɔdʑˈinɛ f kanˈadʑɛ. ˌɔɲi tˈam prɔvˈadʑɔ̃ rˌɛstawrˈatsjɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_474.wav|tˈɛraz drˈɛntʃɔ̃ mɲʲɛ vɨʒˈutɨ sumjˈɛɲʲa, ˌalɛ ftʃˈɔraj lɛtɕˈawɛm na wˈɛp, na ʃˈɨjɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (10)_segment_32.wav|mˈuʃɛ vrˈatsadʑ dɔ zɛspˈɔwu, ˌalɛ skˈɔrɔ pˌɔstanɔvˈiliɕtɕˌɛ zatʃˈɛkatɕ, tɔ mˈɔɡɛ zˌaprɔpɔnˈɔvatɕ fˌiliʒˈaŋkɛ kˈavɨ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_136.wav|i pɔdˈɔbɲʲɛ jˈaɡ vˈidɔɡ z ˈɔkna jˈɛɡɔ nɔvˈɛɡɔ mʲɛʃkˈaɲʲa, ta mˈɔts mu ɕɛ pɔdˈɔba.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(93) R.Abbott_Zamknij Drzwi_segment_43.wav|ɛwfˈɔrja zvʲɔ̃zˈana s pɔvrˈɔtɛm jˈatska dɔ jˈɛɡɔ ʒˈɨtɕa vˌɨparɔvˈawa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_213.wav|kˈula trafˈiwa ɡˈɔ w rˈamjɛ. dvʲˈɛ nastˈɛmpnɛ ɔdbʲˈiwɨ ɕɛ rˌɨkɔʃˈɛtɛm ɔt ɕtɕˈanɨ. tʃfˈartɔ̃ ɔbˈɛrvaw w dˈɔlnɔ̃ tʃˈɛɲɕtɕ tfˈaʒɨ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_191.wav|zˌawɔʒˈɨwɛm tɕi fˈunduʃ pˌɔvʲɛrɲˈitʃɨ s pˈɛvnɔ̃ kfˈɔtɔ̃.|3
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_237.wav|ˌalɛ ɔn zmˈar pˈɔttʃas pɔdrˈuʒɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (28)_segment_30.wav|f pɔʒˈɔntku.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_76.wav|pɔvˈiɲʲɛn bˈɨdʑ zˌadɔvɔlˈɔnɨ, ʒˈɛ mˌajɔ̃ sˌɛnsɔvnˈɛɡɔ pˌɔdɛjʒanˈɛɡɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_84.wav|mɔʒlˈivɛ, ʒˈɛ mˈa kˈɔlɔr lˈup strˈita. jˈɛdnɔː i drˈuɡʲɛ pˌɔbʲiwˈɔbɨ mˈɔjɛ ˈasɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_138.wav|tˈak, i tˌɛrminɔlˈɔɡja ˌakurˈatna.|0
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_106.wav|mˈɔʒɛ ɲʲɛ ɔn zˈabʲiw kˈɛna xˈɔffa, ˌalɛ bʲˈillɨ sˈɔɲdʑi, ʒˈɛ jɛst tɔ vʲˈɛntsɛj ɲˈiʃ prˌavdɔpɔdˈɔbnɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_143.wav|trˈɔnt pˈɔtʃɛd dɔ nˈas i pɔwˈɔʒɨw tˈatsɛ na stɔlˈiku.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_223.wav|mˈɔʒɛ ˌɛɡɔtsˈɛntrɨzm pɔlˈɛɡa na stɛmpʲˈɛɲʲu swˈuxu, zmɔntsˈɛɲʲu vzrˈɔku, spˌɔvɔlɲʲˈɛɲʲu ɔt rˈuxuf.|0
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_225.wav|ɲʲˈɛxtsɛ, ʒˈɛbɨ mɲʲɛ pˌamjɛntˈali ˈinɲi lˈudʑɛ.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_137.wav|ɲʲˈɛmɲʲɛj jˈɛdnak tsˈɔɕ tʃˈɛba bˌɨwɔ zrˈɔbʲitɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_321.wav|mˈɔjɛ zˌatɕiɕɲʲˈɛntɛ ˈusta pʃˌɨpɔminˈawɨ vˈɔ̃skɔ̃ krˈɛskɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_127.wav|fˈilmu pɔd ɡvʲazdˈami ɲʲɛ bˈɛɲdʑɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_75.wav|vɨɡlˈɔnda tɔ tˈak, jˈaɡbɨ ktˈɔɕ ftɕˈisnɔw tsˈɔɕ f ʃpˈarɛ pɔmjˈɛndʑɨ ɲˈimi i mˈɔtsnɔ napˈarwbɨ ɕˈiwɔ̃ ɔtfˈɔʒɨdʑ dʒvˈi.|3
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_209.wav|z drˈɔɡʲi pɔd ɡˈurɛ pʃɛbˈɨtɛj pʃˈɛs ɲʲˈɛɡɔ z vɨɕˈiwkʲɛm i z zɛmbˈami zˌatɕiɕɲʲɛntˈɨmi jˈak ˈu zvʲɛʒˈɛɲtɕa.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_498.wav|ˌɔbɛjʒˈawɛm pˌɔdɛjʒlˈivʲɛ waʑˈɛŋkɛ, pˈusta tˈak jˈak ɔt mʲɛɕˈɛntsɨ.|0
+Dataset/wavs/urwisko_ferenc/41_segment_53.wav|maʃ jɛj nazvˈiskɔ?|0
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_286.wav|dɔpˈuki bˌɛndɛ ʒˈɨwa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_133.wav|tˈak tˌɨlkɔ fpˈadwɛm, ʒˈɛbɨ zɔbˈatʃɨtɕ, tʃɨ vʲˈɛʃ, tʃˈɛɡɔɕ tɕi ɲʲɛ pɔtʃˈɛba.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_192.wav|lˈɛkkɔ ɕɛ ubjˈɛraʃ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_49.wav|ta krˈutka, vˌɨsadʑˈana dʒɛvˈami ulˈitʃka dˌɔprɔvˈadʑi ɡˈɔ na sˈɛtsɔnt strˈit, ktˌura bjˈɛɡɲʲɛ na tˈɨwax parkˈiŋɡu vʲˌɛlɔpˌɔʑɔmɔvˈɛɡɔ.|2
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_359.wav|tʃɨ mˈam mu ɔɕfʲˈattʃɨtɕ, ʒˈɛ ˌɔakxˈɛard zɡʲˈinɔw w vɨpˈatku na pˌɔlɔvˈaɲʲu, ˈalbɔ zlˈɛtɕaw zˈɛ ɕlˈiskix sxˈɔduf?|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_75.wav|jˈaɡ vˈɨjdɛ, mˈɔʒɛʃ jˈɛ vwˈɔʒɨtɕ i sˈɔbjɛ pˈujɕtɕ. ɲʲɛ bˌɛndɛ tɕˈɛ f stˈaɲʲɛ zatʃˈɨmatɕ, ˌalɛ pɔswˈuxaj.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_146.wav|zɛbrˈawam f sˈɔbjɛ rˈɛʃtki ɔdvˈaɡʲi, ʒˈɛbɨ sprˈavʲatɕ ˈinnɛ vraʒˈɛɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_152.wav|vˈidʑɛ, ʒˈɛ jˌɛstɛɕ ɲʲɛ tˌɨlkɔ kalˈɛkɔ̃, lˈɛtʃ rˈuvɲʲɛʃ ɕlˈɛptsɛm, sˈɛr.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_176.wav|s pʃɛpˈastnɛj tɔrˈɛpki vɨjˈɛwam ɕrubˈɔkrɛnt i pˌɔdvaʒˈɨwam zˈamɛk.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_31.wav|ʒˈadnɛ z ɲˈix ɕɛ ɲʲɛ ˌɔdɛzvˈawɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_56.wav|dˈavaw mi dɔ vɨpˈitɕa jˈɛdɛn zˈɛ sfˈɔix ˌɛliksˈiruf, ktˌurɛ pʃɨʒˈɔndʑaw na bˈaʑɛ ʑˈuw rɔsnˈɔntsɨx w ɔɡrˈɔdʑɛ na tˈɨwaɣ dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_326.wav|kʲˈɛdɨ pʲˈɛrʃɨ rˈas pɔʃˈɛdwɛʑ dɔ wˈɔʒa z marɡˈarɨ?|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_196.wav|kazˈawa mi pʃˈɨɕɔnts, ʒˈɛ ɲˈiɡdɨ jˈuʃ ɲʲɛ bˌɛndɛ vˈaltʃɨw pʃɛtɕˈifkɔ stˈarkɔm i tˈallim.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_59.wav|ˌɔna jɛst pɔdˈɔbna dɔ trˈupa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_139.wav|ɲʲˌɛdalˈɛkɔ xˈarps jɛst sklˈɛp xˌarɨtatˈɨvnɨ. mˈuɡwbɨm kˈupitɕ tɕi spˈɔdɲʲɛ i kˈilka kˈɔʃul. dɔ tˈɛɡɔ, ɲʲˈɛvʲɛm, mˈɔʒɛ tˌɛɲisˈufki?|2
+Dataset/wavs/summers_wojtek/Billy Summers (46)_segment_219.wav|pwˈatɕi ˈɔna, upˈarwa ɕɛ, ʒˈɛ tˈak mˈa bˈɨtɕ i jˈuʃ, i bʲˈillɨ ɲʲɛ prubˈɔvaw dˌɨskutˈɔvatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_130.wav|tɔ ɲʲˈɛdɔm, tɔː ˌarçitˌɛktɔɲˈitʃnɨ ˌɔtpɔvʲˈɛdɲik tʃɛrvˈɔnɨx spˈɔdɲi ɡɔlfˈɔvɨx.|2
+Dataset/wavs/artemis_anna_szymanczyk/34_Artemis_segment_55.wav|zˈakrɛz dʑˌawalnˈɔɕtɕi, kˈadra kʲˌɛrɔvɲˈitʃa, ʃˌatsɔvˈanɛ dɔxˈɔdɨ i rˈuʒnɛ tˈakʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_161.wav|xˈɔdʑmɨ dɔ tɕˈɛbjɛ. ɲʲˈɛxtsɛ pˈatʃɛtɕ na jˈɛɡɔ vˈɔdɛ pɔ ɡɔlˈɛɲʲu na pˈuwtsɛ w mˈɔjɛj waʑˈɛntsɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_07_Hlasko_Palcie-ryz-kazdego-dnia_segment_166.wav|vʲˈɛnts ɔn nazˈɨvaw ɕɛ ˈandɛrsɔn i tɔ jˌɛstɛm jˈa.|0
+Dataset/wavs/urwisko_ferenc/14_segment_25.wav|sˈɛrjɔ, kˈɔrtʃ ɕɛ zaxmˈuʒɨw.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_199.wav|ˈɛlis stʃɛlˈiwa dɔ ɲʲˈɛɡɔ. xˈɨba mʲɛʒˈɨwa mu w jˈaja, ˌalɛ trafˈiwa w bʒˈux. klˈɛrki vʒˈastaw bˈardʑɔ ɡwˈɔɕnɔ.|2
+Dataset/wavs/urwisko_ferenc/59_segment_47.wav|— jˈasnɛ, ˌalɛ mˈam nadʑˈɛjɛ, ʒˈɛ kˈiŋɡɛ vˈɛʑmʲɛʃ na ɕˈɛbjɛ, tsˈɔ?|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_124.wav|mˈɔʒɛ ɲʲɛzrˈɛntʃɲʲɛ mu swˈuxatɕ tɛj çistˈɔrji, mˈɨɕli bʲˈillɨ, a mˈɔʒɛ pɔ prˈɔstu xtsˈɛ bˈɨtɕ jˈak najdˈalɛj ˈɔdɛ mɲʲɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_268.wav|tɛn tʃwˈɔvʲɛɡ zɡˈubʲiw ɕˈɛbjɛ samˈɛɡɔ ʃˈɨptɕɛj ɲˈiʃ mɨɕlˈawɛm. pˈatʃ tˌɨlkɔ dˈɔbʒɛ na ɲʲˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_202.wav|bʲˈillɨ fsˈuva kartˈɛtʃkɛ z numˈɛrɛm tˌɛlɛfˈɔnu dɔ pɔrtfˈɛla daltˈɔna smˈitxa. za kˈartɨ krˌɛdɨtˈɔvɛ daltˈɔna smˈitxa.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_22.wav|ɲʲɛ pɔvˈinnɔː ˈujɕtɕ mu na sˈuxɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_61.wav|vwɔʒˈɨwam klˈutʃɨɡ dɔ statsˈɨjki i ɲʲɛ ˌɔdvratsˈajɔnts ɕɛ vʲˈɛntsɛj ˌɔdjɛxˈawam.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_281.wav|dˈɔbra, ftrɔɲtɕˈiwam. rɔzˈumjɛm, dɔ tʃˈɛɡɔ zmʲˈɛʒaʃ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_111.wav|bʲˈillɨ pˌɔkazˈujɛ jɛj pˌɔdɲʲɛɕˈɔnɨ ktɕˈuk i ˈidʑɛ s pɔvrˈɔtɛm dɔ tsˈɛntrum.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_24.wav|dlatˈɛɡɔ tˈutaj jɛstˈɛɕmɨ, a ja vʲˈɛm, ʒˈɛ ɡˈɔ pɔkˈɔxaʃ.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_104.wav|kˈat swɨʃˈawa, ʒˈɛ tɔ sˈamɔ tsˈɔ lˈaɲʲɛ, pɔvʲˈɛdʑaw jˈɛdnɛj s kˈurɛf s kɔtɕˈarɲi.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (30)_segment_91.wav|a tˈaɡʒɛ dla ˈindji.|3
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_166.wav|jɛst mɔʒlˈivɛ, ʒˈɛ na ˌɛɡzamˈiɲʲɛ bˌɛɲdʑɛʃ mˈuɕaw pʃɛlˈɛtɕɛtɕ tʃˈɨ stˈɔpɨ pˈɔnat pˈɔlɛm startˈɔvɨm, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_88.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_70.wav|jˌɛstɛm sɔlˈidnɔ̃, rɔssˈɔndnɔ̃ dɨrˈɛktɔr ʃkˈɔwɨ, ktˌura pʃɨ ɔkˈazji jɛst tˈɛʒ znˌakɔmˈitɔ̃ pˌɔkaʒˈɨstkɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_313.wav|fˌabrɨkˈaɲtɕi ˈalbɔ baŋkˈɔftsɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_15.wav|ˌalɛ spˈaɲʲɛ jɛst tˈakʲɛ trˈudnɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_13.wav|ˌalɛ dɔ tʃˈɛ��ɔ ɕɛ pɔzbjˈɛratɕ? tsˈɔ ɕɛ stˈawɔ?|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_177.wav|sˈɛptɔn mɛrˈibald bˈɨw ˌɔdmʲɛnnˈɛɡɔ zdˈaɲʲa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_228.wav|— ɲʲˈɛvʲɛm — ˌɔtpɔvʲˈada sˈal. — tˈɛras jˈuʃ jˈaɡbɨ lˈɛkkɔ zˌaɲʲɛpˌɔkɔjˈɔnɨ. — za pˈuʑnɔ, amˈiɡɔ — mˈɨɕli bʲˈillɨ. za pˈuʑnɔ. pˈɔkaʃ, tsˈɔ tˈam mˈaʃ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_78.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_212.wav|tfˈuj strˈɨj tɔ stˈarɨ tʃwˈɔvʲɛk.|1
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_172.wav|pʃˌɛvidˈujɛ, ʒˈɛ tˈɛʃ ɲʲɛ zˈaɕɲʲɛ, ˌalɛ mˈɔʒɛ sˈam ɕˈɛbjɛ zaskˈɔtʃɨ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_447.wav|pˌɔviɲʲˈɛnɛm tsɔdʑˈɛnɲʲɛ xˈɔdʑitɕ s tˈɔbɔ̃ na dvˈur, ʒˈɛbɨ swˈuxatɕ. marɡˈarɛt mˈuvi stanˈɔftʃɔ za vʲˈɛlɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_68.wav|mˌamɨ tˈu na mʲˈɛjstsu lˈutsɨ, vʲˈɛndʑ bˌɛndɔ̃ dˌɔtʃɨmɨvˈawɨ sˈɔbjɛ tˌɔvaʒˈɨstfa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_69.wav|lˈutsɨ ɲʲɛ pʃˌɛkazˈawa zbˈɨd vʲˈɛlu ʃtʃɛɡˈuwuf, a ja ɲʲɛ rˌɔzmavʲˈawam s kˈatɛ.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_9.wav|ɲʲɛ w ɡˈulltawn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_11.wav|dˈɨɲʲa nˈavɛt pˈɔdɲʲus karˈabʲin, ˌalɛ dˈuʒɨ klˈup pxnˈɔw jˈɛɡɔ lˈufɛ w dˈuw i kˈazaw zɔstˈavidʑ dʑɛtɕˈaka f spɔkˈɔju.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_72.wav|tˈak ˈiʃ tɕˈɛɲʲɛ ix spɔtkˈawɨ ɕɛ ʃˈɨptɕɛj.|0
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_173.wav|a jˈɛdnaɡ zapˈada f krˈutki sˈɛn.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_119.wav|pɔfstˈanɔ̃ nˈɔvɛ fˈirmɨ, ʒˈɛbɨ zˌaspɔkˈɔitɕ pˈɔpɨt.|4
+Dataset/wavs/urwisko_ferenc/04_segment_93.wav|kɔbjˈɛta pʃɨjʒˈawa ɕɛ pˌɔlitsjantˈɔvi z zˌaintˌɛrɛsɔvˈaɲʲɛm i ˌɔpuɕtɕˈiwa bˈɔtʃnɔ̃ ʃˈɨbɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_144.wav|vˈɨjɔw zˈɛ ʃklˈanɛj ɡablˈɔtki bˈuwkɛ s ʃˈɨŋkɔ̃ i pˈɔdaw mɛ̃ʃtʃˈɨʑɲʲɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_198.wav|rˈɔɲi krɛɲtɕˈiwa kʲˌɛrɔvɲˈitsɔ̃ w lˈɛvɔː i f prˈavɔ. ɡlˈɛnn pɔvʲˈɛdʑaw ɔstrˈɔʒɲʲɛ, bˈɔ drɔɡˈufka tɕˈɛ drˈapɲʲɛ, kˌɔlɛʒˈaŋkɔ.|2
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_174.wav|ˌuɕfʲadɔmˈiwa sˈɔbjɛ brjˈɛnnɛ. mˈɔjɛ swˈɔva ix ɲʲɛ pʃˌɛkɔnˈajɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_61.wav|lˈɔrt tˈɨvin bˈɨ ɕɛ ɲʲɛ ɔdvrˈutɕiw.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_25.wav|pˌɔzɔstˈali tʃɛkˈajɔ̃ na sˈɔnt.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_135.wav|ˌɔpɔvʲadˈawa ɔ mʲˈɛjstsu, ktˌurɛ kɔxˈawa najbˈardʑɛj, ɔ mʲˈɛɕtɕɛ, f ktˌurɨm stˌudjɔvˈawa i f ktˌurɨm pˌɔstanɔvˈiwa zˈɔstatɕ pɔː ˌukɔɲtʃˈɛɲʲu naˈuki.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_57.wav|tɔ bˌɨwa rˈurka, ktˌurɔ̃ ˌɔdɛbrˈawam lˌɛvɔrɛntʃnˈɛmu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_14.wav|i xˈɨba lvˈɨ sɔ̃ jˈakɔʑ blˈiʒɛj?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_326.wav|vzrˌuʃajˈɔntsɔ krˈɔŋɡwɨm ramjˈɛɲʲɛm,|0
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_187.wav|tˈak, vwˈaɕɲʲɛ kwˈadwɛm ɕɛ spˈatɕ. spˈadwɨ mi, kʲˈɛdɨ rˌatɔvˈawɛm tɕˈɛ pʃɛd zˌadwavʲˈɛɲʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_193.wav|ɲʲɛ pˌɔtʃɛbˈujɛ ʒadnˈɛɡɔ pɔkˈarmu ˈɔprudʒ vʲˈarɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_120.wav|nɔʒˈɔvɲik ˈɔpad na kɔlˈana i pˈɔtpar ɕɛ zdrˈɔvɔ̃ rˈɛŋkɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_282.wav|mʲˈaw tfˈaʒ vwaɕtɕˈivʲɛ ɔː ˈɔstrɨx rˈɨsax, ˌalɛ jˈaɡbɨ w ɔstˈatɲim mɔmˈɛɲtɕɛ zmʲɛŋktʃˈɔnɨx pʃˈɛs ɔpˈatʃnɔɕtɕ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_509.wav|jˈɛʃtʃɛ pˌɔrɔzmavʲˈamɨ, ˌalɛ nˈajpʲɛrf tsˈɔʑ zjˈɛʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_15.wav|s tˈakim sˈamɨm dˈuʒɨ jˈɔɛ klɛtʃˈɛfski stˈaw pʃɛd dˈɔmɛm zˈabaf.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_2.wav|tˈɔm vˈɨʃɛt s pˌɔmjɛʃtʃˈɛɲʲa, pˌɔzɔstavʲˈajɔndʑ bˈɛtskɨ nˈadʑur nat pʃˌɛswuxˈaɲʲɛm.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(64) R.Abbott_Zamknij Drzwi_segment_26.wav|rɔzˈumjɛm, jˈak mˈɔʒɛʃ ɕɛ tʃˈutɕ sˈama w dˈɔmu, kʲˈɛdɨ ja jˌɛstɛm tˈutaj, ˌalɛ prˈɔʃɛ, pˈɔzvul mi ɕɛ tɨm zˈajɔɲtɕ. dˈaj mi trˈɔxɛ tʃˈasu.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_34.wav|mˈɨɕlij ɔ zdjˈɛɲtɕax f sfˈɔim tˌɛlɛfˈɔɲʲɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(83) R.Abbott_Zamknij Drzwi_segment_9.wav|z jˈɛdnɛj strˈɔnɨ ɲʲˈɛxtsɛ vʲˈɛdʑɛtɕ, ˌalɛ z drˈuɡʲɛj jˌɛstɛm ɡwˈɔdna ˌinfɔrmˈatsji. fʃɨstkʲˈɛɡɔ, tsˈɔ pɔzvˈɔli mi zrɔzˈumjɛtɕ, dlatʃˈɛɡɔ ta kɔbjˈɛta tˈak pˌɔstɛmpˈujɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_321.wav|mˈam ɔxˈɔtɛ ˈɔbjɔɲtɕ pˈaɲʲɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_183.wav|pɔsˈɔŋɡʲi ɕˈɛdmju bˈɔɡuf mˌajatʃˈɨwɨ nad ʒˌɛʑbjɔnˈɨmi ˌɔwtaʒˈami. tɕˈɛmnɛ drˈɛvnɔ lɕɲˈiwɔ w blˈasku ɕfʲˈɛts.|1
+Dataset/wavs/urwisko_ferenc/04_segment_80.wav|bˌɨliɕtɕˌɛ w dˈɔbrɨx rɛlˈatsjax?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(84) R.Abbott_Zamknij Drzwi_segment_27.wav|ɲʲɛ swˈɨʃɛ ɕilɲˈika sˌamɔxˈɔdu stɛvˈɛa, tsˈɔ pʃɨjmˈujɛ z ˈulɡɔ̃, bˈɔ jˈɛɕli ja ɡˈɔː uswˈɨʃɛ, tɔː ˌɔna rˈuvɲʲɛʃ.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_68.wav|pʃˈɨkrɔ mi, ʒˈɛ utʃtɕˈivi lˈudʑɛ mˈuʃɔ̃ bˈɨtɕ nˌaraʒˈɛɲi na pɔdˈɔbnɛ ɲʲˌɛupʃɛjmˈɔɕtɕi, ˌalɛ lˈɛpʃɛ tɔ ɲˈiʃ fpˈuɕtɕidʑ ʒɛlˈaznɨx lˈudʑi dɔ starˈɛɡɔ mʲˈasta.|1
+Dataset/wavs/urwisko_ferenc/10_segment_82.wav|rɔzlˈɛɡwɨ ɕɛ krˈɔki.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_105.wav|ˌɔtpɔvʲˈɛdʑaw z dˈumɔ̃. mˈuj najnˈɔfʃɨ vˌɨnalˈazɛk.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_147.wav|jˈɛɕli sprubˈujɛ, kˈaʒɛ mɔjˈɛmu brˈatu jˈɔ̃ zˈabʲitɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (32)_segment_62.wav|ɲʲɛ pɔɡɲʲˈɛvaʃ ɕɛ, ʒˈɛ bˌɛndɛ ˌɔdvrutsˈɔna dɔ tɕˈɛbjɛ plɛtsˈami? xtsˈɛ pʃˌɨɡɔtˈɔvatɕ palˈuʃki rˈɨbnɛ dɔ sawˈatki.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_74.wav|jˈɛɕli ɕɛ mˈɨlɛ,|3
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_28.wav|ja vʲˈɛm, pɔvʲˈɛdʑaw bˈarman. pˈan jˌɛstɛɕ pɔʒˈɔndnɨ ɡˈɔɕtɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_122.wav|spɔjʒˈawa tɔmˈɔvi prˈɔstɔ w ˈɔtʃɨ i lˈɛkkɔ pˌɔkrɛɲtɕˈiwa ɡwˈɔvɔ̃.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_479.wav|pɔ tsˈɔ tɕi mˈɔi blˈiʑɲi tˈak ɕɛ mˈɛntʃɔ̃? vˌɨɕilˈajɔ̃, nˌapinˈajɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_90.wav|bʲˈili krˈɛɲtɕi ɡwˈɔvɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_56.wav|mˈam zadʑvˈɔɲidʑ dɔ ɲˈix i zapˈɨtatɕ?|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_24.wav|kamjˈɛnnɨ nˈurd bˈɨw ɡwˈɛmpʃɨ i bˈardʑɛj vˈartki ɲˈiʃ tʃɛrvˈɔnɛ vˈidwɨ, a najblˈiʃʃɨ brˈud znajdˈɔvaw ɕɛ vʲˈɛlɛ mˈil w ɡˈurɛ ʒˈɛki.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_113.wav|tɔ jɛzd dˈɔbrɨ krˈaj i tˈu sɔ̃ dˈɔbʒɨ lˈudʑɛ, vʲˈɛnts nˈavɛt jˈɛɕli ˈɔtɨm vʲˈɛdʑɔ̃, tɔ ɲʲɛ pɔvʲˈɛdʑɔ̃.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_16.wav|zdavˈawa ɕɛ bˈɨtɕ pˌuwkɔvnˈitɕi ʒˈɛɲskʲɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_31.wav|ftˈɛdɨ pˌɔstanɔvˈiwa vʑˈɔɲtɕ ˈɔdvɛt i pˌɔvʲɛdʑˈawa, ʒˈɛ kˈaʒɛ nˌailˈɔvi mɲʲɛ zvˈɔlɲitɕ.|3
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_123.wav|lˈɛpʃɨ ɲˈiʒ ʒˈal tʃɨ pɔtʃˈutɕɛ vˈinɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_354.wav|ta zmˈarwa.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_151.wav|mˈɔjɛ mʲˈɛjstsɛ jɛst ˈu bˈɔku krˈula.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_34.wav|ˈilɛ tɔ rˈazɨ dɔmˈiɲiɡ dˌɛmɔnstrˈɔvaw sfˈɔjɛ aktˈɔrskʲɛ ˌumjɛjɛntnˈɔɕtɕi i dˌɔprɔvˈadʑaw dʑˈɛtɕi dɔ ɕmʲˈɛxu ˌudavanˈɨmi ˌaktsɛntˈami?|3
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_136.wav|mˈa dˈuʒɛ ɲʲɛbjˈɛskʲɛ ˈɔtʃɨ, na jɛj ˈustax ˈiɡra lˈɛkki ˈuɕmʲɛx.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_9.wav|kʲˈɛdɨɕ jˈuʃ tˈak mɨɕlˈawam.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_84.wav|pˈaɲʲɔ̃ znˈa, prˈavda?|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_337.wav|dla taˈinɨ ˈɔfʃɛm. jɛj sˈutki bˌɨwɨ jˈaɡ dvˈa tʃˈarnɛ djamˈɛntɨ, a jɛj tɕˈipka ɡɔrˈɔntsa i ɕlˈiska.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_37.wav|sˈɨtʃɨ, ɲʲˈɛxtsɛ, ʒˈɛbɨɕ mɲʲɛ dˌɔtɨkˈawa.|4
+Dataset/wavs/artemis_anna_szymanczyk/19_Artemis_segment_75.wav|xalˈima bˌɛɲdʑɛ dˈɔbrɔ̃ mˈatkɔ̃.|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_109.wav|bˈandaʒ bˈɨw mˈɔkrɨ ɔt smˈaru i krfˈi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_62.wav|bʲˈillɨ xtsˈɛ zˈaɲʲɛʑdʑ dʑɛftʃˈɨnɛ dɔ wˈuʃka.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_77.wav|jˈɛɕli ɔfjˈarɔ̃ ɲʲˈɛbɨw tsamˈɛrɔn ˈɛdmɔnts, tɔ ktˈɔ tɔ dɔ xɔlˈɛrɨ i dlatʃˈɛɡɔ zɡʲˈinɔw f tˈaɡ brutˈalnɨ spˈɔsup?|3
+Dataset/wavs/urwisko_ferenc/09_segment_56.wav|nˈɔː i?|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_120.wav|pˌɔstanˈavja skɔʒˈɨstadʑ z vwˈasnɛj, skˈɔrɔ ɡʲˈɔrɡjɔ zrˈɔbʲiw tɔ sˈamɔ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_5.wav|jˈɛɕli dʑɛftʃˈɨna utɕˈɛkɲʲɛ, mˈuvi ɕɛ trˈudnɔ.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_175.wav|vɨznˈaɲʲa fʃɨstkʲˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_104.wav|ˈɔtpar ɔtˈɔmɔr. bˌɛndɔ̃ nˈaɲih ɕfʲˈɛntɛ stsˈɛnɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(63) R.Abbott_Zamknij Drzwi_segment_62.wav|mˈuɕiʒ zapˈɔmɲʲɛtɕ ɔ jˈatsku, ˈɛmmʲɛ, tˈaʃɨ i ˈɔlim.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_246.wav|tɔ bˈɨw mˈuj bwˈɔnt.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (1)_segment_139.wav|pʃˈɛs xfˈilɛ ɲʲɛ mˈɔɡɛ zˈɛbratɕ mˈɨɕli, ˌalɛ f kˈɔɲtsu ɕɛ ɔtʃˈɔ̃sam. pʃɨnˈajmɲʲɛj dɔmˈiɲik ɲˈiɡdɨ ɕɛ zˈɛmɲʲɛ ɲʲɛ ɕmʲˈɛjɛ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_216.wav|rˈɛʃtɨ ɲʲɛ bˌɨwa tˈak pˈɛvna, ˌalɛ kˈɨbɛrn mʲˈaw dˈar pʃˌɛkɔnɨvˈaɲʲa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_16.wav|muvˈiwam jɛj vʲˈɛlɛ rˈazɨ, ʒˈɛ ɲˈiʃtʃɨ f tɛn spˈɔsup mawʒˈɛɲstfa, ˌalɛ ˌɔna upˈartɕɛ ɔpstˈajɛ pʃɨ sfˈɔim.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_316.wav|xˈɔdʑbɨ tˌɨlkɔ pˈɔtɔ, bˈɨ pɔzvˈɔlitɕ sˈɛr ˌɔsnɛjˈɔvi spˈɛɲdʑitɕ kˈilka ɡˈɔdʑin f tˌɔvaʒˈɨstfʲɛ marɡˈɛrɨ. ˌalɛ tɔ fʃˈɨstkɔ ɲˈits ɲʲɛ dˈawɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (4)_segment_98.wav|vʲˈɛŋkʃɔɕtɕ tɕˈɛ spwˈavja, bˈɔ vˈɔlɔ̃ pɔzˈɔstatɕ pʃɨ pɛvɲʲˈakax, jˈaɡ dʒˈɛjms pˈattɛrsɔn tʃɨ ta lˈaska ɔt xarˈɛɡɔ pɔttˈɛra.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_246.wav|kʲˈɛdɨ bˌɛndɛ z ɲˈim pˌɛrtraktˈɔvaw, pʃɨvdʑˈɛjɛ zbrˈɔjɛ z nˌaʃɨjɲˈikʲɛm.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_438.wav|ˌalɛ ɡˈuzin!|1
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_101.wav|ɡrˌatulˈujɛ, pɔvʲˈɛdʑaw mɛ̃ʃtʃˈɨzna.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_120.wav|ɔ w mˈɔrdɛ, zavˈɔwaw dˈalɛ. tɔ bˌɨwɔ ɡɛɲʲˈalnɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_181.wav|tˌɨlkɔ jˈɛdnɔ pɨtˈaɲʲɛ, dˈana.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_223.wav|tɔ tʃˈɨstɔ çˌipɔtɛtˈɨtʃnɛ pɨtˈaɲʲɛ, mˈɔja drˈɔɡa.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_74.wav|jˈɛɡɔ nˈaɡwɨ pwˈadʒ vˈɨrvaw zˈɛ snˈu mˌaɛstˈɛra ɛmˈɔna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_46.wav|na parkˈiŋɡu ɲʲˈɛma pʃˌɨdʑɛlˈɔnɨx mʲˈɛjsts, ˌalɛ na pʲˈɛrʃɨm i drˈuɡʲim pɔʑˈɔmjɛ vˈɔlnɨɣ z rɛɡˈuwɨ ɲʲɛ brakˈujɛ. ɲʲɛ mˌamɨ tˈu ɔstˈatɲʲɔ twˈɔku.|2
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_16.wav|vʲˈɛm, ʒˈɛ mˈa mʲˈɛŋkkʲɛ sˈɛrtsɛ i swˈabɨ rˈɔzum, ˌalɛ dɔpˈuki ʒˈɨjɛ...|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_392.wav|rɛɡˈuwɔ̃ bˌɨwɔ ʃˈɛɕtɕ ɕmʲˈɛrtɕi, a ɲʲɛkʲˈɛdɨ bɨvˈawɔ ɡˈɔʒɛj.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_32.wav|vʲˈɛm, ʒˈɛ mˈuvjɛ ɲʲˈɛmal mˌɔnɔsˌɨlabˈami, ˌalɛ trˈudnɔ jɛst mi w ɔɡˈulɛ ɔtfʲˈɛratɕ ˈusta.|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_124.wav|vˈɨbatʃ tsˈawɛ tɔ zˌamjɛʃˈaɲʲɛ, dˈɔdaw bˈɔp.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_170.wav|dla xɔnˈɔru naʃˈɛɡɔ rˈɔdu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_64.wav|sˈam jˈuʃ ɲˈits ɲʲˈɛvʲɛm.|0
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_143.wav|mˈuʃɛ pʃˈɨznatɕ, ʒˈɛ plˈan bˈɨw dˈɔbrɨ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(15) R.Abbott_Zamknij Drzwi_segment_26.wav|zɡˈadʑa ɕɛ, ˌalɛ ɲʲɛ mˌamɨ tˈam dɔstˈɛmpu ɔt strˈɔnɨ ɔɡrˈɔdu.|4
+Dataset/wavs/urwisko_ferenc/36_segment_161.wav|tˌɨlkɔː ˈɔtɔ xɔdʑˈiwɔ? ˌɔdɛzvˈawa ɕɛ mˈarja, a xwˈɔpak ˈunuz ɡwˈɔvɛ. spɔjʒˈɛli sˈɔbjɛ w ˈɔtʃɨ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_306.wav|znˈam ɡɔspˈɔdɛ, f ktˌurɛj ɕpʲˈɛva bwɛŋkˈitnɨ bˈart, ɡdˈɨ ɲʲɛ vˌɨstɛmpˈujɛ pʃɛt mˈawɔ̃ krulˈɔvɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_262.wav|dʑɛŋkˈujɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (45)_segment_18.wav|bˌɨwa ɔbˈɛtsɲʲɛ ˌulubjɛɲˈitsɔ̃ arˈama.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_18.wav|twˈumjɛ vɛstxɲʲˈɛɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_85.wav|sˈara ɲʲɛ tratɕˈiwa tʃˈasu.|4
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_265.wav|jˌɛstɛɕ jˈakimʑ ɡɛɲʲˈuʃɛm zwˈa, tʃɨ tsˈɔ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_56.wav|jˌɛstɛm prˈavʲɛ pˈɛvʲɛn, ʒˈɛ ˈɔbras jˈuʒ vˈiɕaw f xˈattsɛ, kʲˈɛdɨ ɕɛ sprˌɔvadʑˈiwɛm.|2
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_149.wav|tˈak tʃɨ inˈatʃɛj, tɔ tˌɨlkɔ zˌarɛntʃˈɨnɨ.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_379.wav|ɕfʲˈad brjˈɛnnɛ ˌɔɡraɲˈitʃaw ɕɛ dɔ rˈɔŋk, ktˌurɛ zˌatɕiskˈawɨ ɕɛ na jɛj ɡˈardlɛ i mˌajatʃˈɔntsɛj nˈadɲʲɔ̃ tfˈaʒɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_140.wav|ɲʲɛ mˈɔɡɛ ɕɛ dɔtʃˈɛkatɕ, ʒˈɛbɨ pʃɛtʃˈɨtatɕ, tsˈɔ napˈiʃɛʃ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_189.wav|tʃasˈami ˈutʃɛɲ pɔtrˈafi tsˈɔɕ, tsˈɔː ˌinstruktɔrˈɔvi ɲʲɛ fpˈadɲʲɛ dɔ ɡwˈɔvɨ.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_385.wav|ɔtpˈarwa, pˌɔtɕɔŋɡˈajɔndʑ ɡˈɔ za ˈuxɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_98.wav|nazˈɨva tˈɛ pɔɕˈadwɔɕtɕ prˌɔmɔntˈɔrɨ pˈɔint, mˈuvi bˈutskɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_107.wav|ɲˈikt mˈa na ˈɔku ɲʲɛ tˌɨlkɔ sɛksˈɔvnɨ nˈɔvɨ lˈaptɔb bʲillʲˈɛɡɔ, ˌalɛ i jˈɛɡɔ tˌɨmtʃasˈɔvɨ dˈɔm.|2
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_261.wav|a zrˈɛʃtɔ̃ ɲˈiɡdɨ ɲʲˈɛmʲaw tfˈɔjɛj sˈansɨ stˈark.|1
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_273.wav|bˈɨtɕ mˈɔʒɛ zlˈɛtɕi tɔ zadˈaɲʲɛ lˌɔrasˈɔvi tˌɨrɛllˈɔvi.|1
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_44.wav|rɔzˈumjɛm. a tʃɨ znˈa pˈaɲi nˈumɛr pɔkˈɔju tˌɛɡɔ kljˈɛnta?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(43) R.Abbott_Zamknij Drzwi_segment_61.wav|pʃˈɛz dwˈuʃʃɨ tʃˈas pɔ vˈɨjɕtɕu kɔbjˈɛtɨ mˈili lɛʒˈawa na wˈuʃku i wkˈawa.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_113.wav|pɔvʲˈɛdʑaw, ʒˈɛ sɔ̃ dvʲˈɛ mˌɔʒlivˈɔɕtɕi. ˈalbɔ zɡwˈɔɕi sprˈavɛ pɔlˈitsji, ˈalbɔ za ɲʲˈɛɡɔ vˈɨjdɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_88.wav|ʒawˈujɛ, ʒˈɛ ɲʲɛ zˌaparkɔvˈawam ɲʲˈɛtsɔ bˈardʑɛj s tˈɨwu, ˌalɛ ɲʲɛ mˈɔɡɛ rˈuʃɨtɕ tˈɛras s sˌamɔxˈɔdu, ɲʲɛ zvratsˈajɔnts tɨm manˈɛvrɛm jˈɛɡɔː uvˈaɡʲi. tʃˈɛkam vʲˈɛnts.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_96.wav|tɔ mˈuɕi bˈɨdʑ zˈɛmsta zˈatɔ, tsˈɔ mu zrɔbʲˈiwam, zˈatɔ, ʒˈɛ zˌɔstavˈiwam ɡˈɔ na pˈɛvnɔ̃ ɕmʲˈɛrtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_93.wav|zˌapɔmɲʲˈawam vʑˈɔɲtɕ pɔt uvˈaɡɛ ˈinnɨ matˈɛrjaw vˌɨbuxˈɔvɨ, jˈakim bˌɨwɨ vˌɔdɔrˈɔvɛ ɔɡɲˈiva pˌalivˈɔvɛ samˈɛɡɔː ˌakumˌulatˈɔra.|4
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_186.wav|vˈɔda jɛst jˈɛdnɨm z najlˈɛpʃɨx pˌɔxwaɲʲˈatʃɨ, jˈakʲɛ znˈa xˈɛmja.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_109.wav|najlˈɛpʲɛj bˈɛɲdʑɛ, jˈɛɕli pˈaɲi pˈujdʑɛ i zatʃˈɛka. naprˈavdɛ ɲʲˈɛvʲɛm, dlatʃˈɛɡɔ tɛn jɛj sˈɨn tˈak jˈɔ̃ nakrˈɛntsa.|3
+Dataset/wavs/urwisko_ferenc/41_segment_10.wav|pˌɔtʃɛbˈujɛ tfˈɔjɛj pɔmˈɔtsɨ.|0
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+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_49.wav|bˈɛki nˈadal mˈarʃtʃɨ tʃˈɔwɔ.|4
+Dataset/wavs/urwisko_ferenc/44_segment_83.wav|dˈɔstʃɛɡw znˈamjɛ f kʃtˈawtɕɛ latˈaftsa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_173.wav|ˈirv dˈɛan dˈɔbʒɛ tɕˈɛ traktˈujɛ?|2
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_390.wav|lˈadɨ mirˈanda muɕˈawa xˈɨba uswˈɨʃɛtɕ jɛj mˈɨɕli.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_83.wav|tˌɛɡɔ dɲʲˈa ɡwˈuvɲʲɛ zˌastanavʲˈawɛm ɕɛ, tsˈɔ dˈalɛj.|2
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+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_25.wav|bˈɛtskɨ skinˈɛwa ɡwˈɔvɔ̃ i pʃˌɨtɕɔŋɡnˈɛwa kʃˈɛswɔ. ˈaʃ jˈuʃ ɕˈɛdʑaw, a jˈɔ vɨbrˈawa drɛvɲʲˈanɨ tabˈɔrɛt pʃɨ drˈuɡʲim kˈɔɲtsu stˈɔwu.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_474.wav|tʃɨ mˈɔʒna fʃˈɨstkɔ zatʃˈɨnatɕ ɔt nˈɔva?|0
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_118.wav|w lɔndˈɨɲʲɛ ɲʲˈɛma jˈuʒ dla nˈas mʲˈɛjstsa, kɔxˈaɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/51_segment_47.wav|zʒˈutsɛ tɔ na tɕˈɛbjɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_32.wav|ɲˈitsk pʃˈɛs prˈavʲɛ tsˈawɨ vʲˈɛtʃur jɛst f pˈɔdwɨm nastrˈɔju.|2
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_129.wav|ˌɔna naprˈavdɛ tɕˈɛ tˌɨlkɔː ˌɔdrasnˈɛwa. naprˈavdɛ nˌapisˈawɛɕ tɛn lˈist i fsunˈɔwɛʑ ɡˈɔ pɔt mˈɔjɛ dʒvˈi, kʲˈɛdɨ spˈawam.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_122.wav|f pɔlˈitsji tˌaki xˈaɔs jˈak fʃˈɛɲdʑɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_39.wav|xˈɔv z lˈampkɔ̃ vˈina, ɔn z djˌɛtɛtˈɨtʃnɔ̃ kˈɔlɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_181.wav|pɔtxˈɔdʑi dɔ ɲʲˈɛj. sprˈubuj jˈɛʃtʃɛ rˈas. ɔddˈɨxaj pɔvˈɔli i ɡwɛmbˈɔkɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_27.wav|swˈɨʃɛ xˈɨba jˈɛʃtʃɛ jˈakʲɛɕ swˈɔva vˌɨpɔvʲɛdʑˈanɛ pʃˈɛs tˈɛssɛ, ˌalɛ ɲʲˈɛvʲɛm, tsˈɔ ɕɛ tˈam stˈawɔ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_156.wav|pˈɛvɲʲɛ tˈak.|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_26.wav|i tʃɨ bʲˈillɨ w ɔɡˈulɛ zdˈɔwa dˈɔstatɕ ɕɛ dɔ ɕrˈɔtka vˈɛjɕtɕɛm dla swˈuʒbɨ?|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_401.wav|rˈudɨ rˈɔnɛt ˈuɲʲus lˈampɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_180.wav|ɲʲɛ spuʃtʃˈajɔndʑ dʑɛftʃˈɨnɨ z ˈɔka, xˈɔtɕ ɲʲɛ sˈɔɲdʑi, bˈɨ mʲˈawa ʒˈutɕitɕ ɕɛ dɔː utɕˈɛtʃki f sˈamɨm tˈɛʃˈɛrtɕɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_53.wav|vˈidatɕ, ʒˈɛ tɔ ʃtʃɛɲɕlˈivɛ mʲˈɛjstsɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_37.wav|tɔː ɔn i pɔkˈazaw vzrˈɔkʲɛm kˈɔɡɔɕ.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_172.wav|vʲɔ̃zˈawa brɔ̃zˈɔvɛ vwˈɔsɨ w vˈarkɔtʃ, a jɛj ˈɔtʃɨ vˌɨɡlɔndˈawɨ stˈaʒɛj ɲˈiʒ bˈɨ nˌalɛʒˈawɔ.|1
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+Dataset/wavs/urwisko_ferenc/25_segment_118.wav|f ktˌurɨm tsˈurka xudʑˈiɲskʲɛj|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_140.wav|na sfˈɔjɔ̃ ɔbrˈɔnɛ mʲˈawam jɛdˈɨɲʲɛ mwˈɔdɨ vʲˈɛk, dvadʑˈɛɕtɕa lˈat, a ˌɔna xtɕˈawa vɨvrˈutɕidʑ dɔ ɡˈurɨ nɔɡˈami mˈuj ɕfʲˈat.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_397.wav|muskˈawɛm ustˈami, ˈɔtʃɨ, tʃˈɔwɔ, tɔ mʲˈɛjstsɛ za ˈuxɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_347.wav|vɨjdʑˈɛmɨ na spˈatsɛr. dˈɔkɔnd vɨjdʑˈɛmɨ na spˈatsɛr?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_132.wav|jɛj urˈɔda mɲʲɛ dˌɛprɨmˈujɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_80.wav|tˈak, ˌalɛ prɔvˈadʑi samˈɔxut.|3
+Dataset/wavs/urwisko_ferenc/17_segment_63.wav|ˈalbɔ na kˌɔmisarjˈatɕɛ, ʒutɕˈiwa pˌɔlitsjˈantka.|0
+Dataset/wavs/urwisko_ferenc/37_segment_12.wav|zjˈat tsˈɔɕ?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_35.wav|f kˈɔɲtsu mʲˈaw tsˈɔɕ, nat tʃɨm mˈukw pˌɔpratsˈɔvatɕ i ɔdnˈɔɕiw vraʒˈɛɲʲɛ, ʒˈɛ rˌɔzvʲɔ̃zˈaɲʲɛ jɛst jˈuʒ w zaɕˈɛŋɡu rˈɛŋki.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_29.wav|uʒˈɨwam tʃɨjˈɛɡɔʑ zdjˈɛɲtɕa, ktˌurɛ starˈanɲʲɛ vɨbrˈawam, ʒˈɛbɨ pˌasɔvˈawɔ dɔ vˌɨmɨɕlˈɔnɛj pʃɛzˈɛmɲʲɛ tˌɔʃsamˈɔɕtɕi.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_402.wav|znalˈazwɛm jˈɛɡɔ bɛtʃˈuwkɛ na zdɔbˈɨtɛj ɡˌalɛˈaɕɛ s kˈartu.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_47.wav|ˈaʒ znˈuf krˈɛɲtɕi ɡwˈɔvɔ̃.|4
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_353.wav|vˈidɲʲaw nˈaɲih xˈɛrp ɲʲˌɛvidʑˈanɨ f ɕˈɛdmju krulˈɛstfax ɔt stulˈɛtɕi, lɛɕɲʲˈɔntsɨ tɛntʃˈɔvɨ mʲˈɛtʃ na tɕˈɛmnɨm pˈɔlu.|1
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_102.wav|ˌalɛ tˈu maʃ stˈarɛ blˈiznɨ. tfˈɔjɛ knˈɨktɕɛ pɔkrˈɨtɛ sɔ̃ bwˈɔnɔ̃. tsˈɔ tɔ jˈɛst?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_102.wav|dlatʃˈɛɡɔ pˈan ɕɛ tˈu ukrˈɨva?|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_41.wav|uvˈaʒaj, pɔvʲˈɛdʑaw tɕˈixɔ mɛxˈaɲik.|0
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_290.wav|tfˈaʒɛ ix mˌajatʃˈɨwɨ w brˈudnɨm ˈɔkɲʲɛ, za ktˌurɨm pɔdnˈɔɕiw ɕɛ dʑˈɛɲ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_62.wav|mˈuɕi zˈabratɕ pˈaɲi sfˈɔjɛ ʒˈɛtʃɨ, a pˈɔtɛm mɔʒˈɛmɨ pˈaɲʲɔ̃ pˈɔdvʲɛʑdʑ dɔ lˌakɛsˈidɛ lˈub dɔ pˌɛnsjɔnˈatu, jˈɛɕli pˈaɲi vˈɔli.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (71)_segment_54.wav|pˈatʃɛ na ɲʲˈɛɡɔ, ɲʲɛ znajdˈujɔnts ˌɔtpɔvʲˈɛdʑi.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(16) R.Abbott_Zamknij Drzwi_segment_57.wav|dlatˈɛɡɔ jɛst tˈak tɕˈixɔː i dlatˈɛɡɔ ɲʲˈɛbɔ jɛst tˈakʲɛ tʃˈarnɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_117.wav|zˌatʃɛkˈawam, ˈaʒ zɛspˈɔwɨ vrˈutsɔ̃ dɔ ʃˈatɲi pɔ mˈɛtʃu, mˈajɔnts nadʑˈɛjɛ vɨpˈatʃɛdʑ ɡˈɔ fɕrˈud zˌavɔdɲˈikuf, ˌalɛ stsˈɔtta tˈam ɲʲɛ bˈɨwɔ.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_307.wav|tɨmtʃˈasɛm swˈɔɲtsɛ jˈuʒ zˈaʃwɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_144.wav|xwˈɔpak mɲʲɛ ʒˈutɕiw i pˌɔtʃɛbˈujɛ pɔtɕˈɛxɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_150.wav|rɔspˈarwam ɕɛ na kʃˈɛɕlɛ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_333.wav|vʲˈɛʃ, ʒˈɛ lˈɔrt rˈɔbɛrt ɲʲɛ lˈubʲi ˈɔptsɨx. bˌɛɲdʑɛ tˈam pˈitɕɛ, xˈawas, muzˈɨka.|1
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_33.wav|tʃɨ tɔ sˈɛr lˌɔrasˈɔvi musˈimɨ dʑɛŋkˈɔvadʑ za tɛn trˈɨumf?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_23.wav|ja ɲikˈɔɡɔ ɲʲɛ zˌamɔrdɔvˈawɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_193.wav|ˌɔtpɔvʲˈada, ʒˈɛ ɲʲɛ mˈuɕi, pˈiʃɛ ɕɛ nˈatɔ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_197.wav|pʃɨ lˌɔndɔvˈaɲʲu mˈuɕi mʲˈɛtɕ pˈan utʃˈutɕɛ, ʒˈɛ pˈan lˈɛtɕi nat lɔtɲˈiskʲɛm, a ɲʲɛ spˈada na lɔtɲˈiskɔ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(47) R.Abbott_Zamknij Drzwi_segment_17.wav|jˈɛɕli xˈɔdʑi ɔ pʲɛɲʲˈɔndʑɛ, zapwˈatsɛ tɕi vʲˈɛntsɛj ɲˈiʃ tˈɛn, ktˈɔ tɕˈɛ dɔ tˌɛɡɔ namˈuviw. pˈɔvʲɛts, ˈilɛ xtsˈɛʃ.|4
+Dataset/wavs/urwisko_ferenc/20_segment_54.wav|kʲˈɛdɨ zˌatʃɨmˈali ɕɛ pʃɨ ˌɔɡrɔdʑˈɛɲʲu, zˈadar ɡwˈɔvɛ i, ˌɔmjatˈajɔndʑ vzrˈɔkʲɛm tʃˈarnɛ ɲʲˈɛbɔ, dˈɔdaw|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_6.wav|w dɲʲˈu mʃˈɨ ʒawˈɔbnɛj bˌɨwam tˈaɡ zrˌɔspatʃˈɔna, pʃˌɛraʒˈɔna fˈaktɛm, ʒˈɛ tˈutaj jˈɛstɛm, ˌalɛ jˈɛʃtʃɛ bˈardʑɛj pʃˌɛraʒˈɔna fˈaktɛm, ʒˈɛ ɲʲˈɛma mɲʲɛ tˈam.|3
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_278.wav|ˌalɛ kʲˈɛdɨ vwˈɔntʃɨ ɕɛ ˈalarm ˌustavʲˈɔnɨ na pˈuwnɔts, ˈɔbvut ɕɛ zˈamkɲʲɛ i nastˈɔmpi zvˈartɕɛ.|4
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_563.wav|dʑɛŋkˈujɛ.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_258.wav|a kʲˈɛdɨ zˈamɛk pˈadɲʲɛ...|1
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_102.wav|dˈɔbʒɛ ʒˈɨjɛʒ z lˈudʑmi bˈɛs pʃˌɨmilˈaɲʲa ɕɛ dɔ ɲˈix, pɔvʲˈɛdʑaw ɲˈitsk.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_203.wav|dʑˈawaw bˈardʑɔ prˈɔstɔ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_29.wav|bˈɛtskɨ spɔjʒˈawa na mɛ̃ʃtʃˈɨznɛ, ktˌurɨ mˈuɕaw bˈɨtɕ tsˌamɛrˈɔnɛm ɛdmˈuntsɛm.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_110.wav|jˈɛɕli xtsˈɛʃ. a jˈak tɨ ɕɛ nazˈɨvaʃ?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_46.wav|dʑvɔɲˈiwa dʑˈiɕaj dɔ mɲʲɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_25.wav|zvijˈɔntsɨm ɕɛ pɔdjˈazdɛm pˌɔrɔɕɲʲˈɛntɨm xfastˈami, prˌɔvadʑˈɔntsɨm pɔt sˈamɛ dʒvˈi vɛjɕtɕˈɔvɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_35.wav|dˈavn spɔjʒˈawa na ɲʲˈɛɡɔ ɲʲɛpˈɛvɲʲɛ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_126.wav|ˌɔtprɔvˈadʑɛ pˈana dɔ klˈatki sxɔdˈɔvɛj.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(61) R.Abbott_Zamknij Drzwi_segment_2.wav|kʲˈɛdɨ tˌɨlkɔ bˈɛtskɨ ˌɔtfɔʒˈɨwa dʒvˈi, natˈɨxmʲast ɕɛ zˌɔrjɛntɔvˈawa, ʒˈɛ pʃɛrvˈawa tɔtʃˈɔntsɔ̃ ɕɛ kwˈutɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_6.wav|ˈinɲi lˈudʑɛ pˌɔtxɔdʑˈili dɔ mɛ̃ʃtʃˈɨznɨ na pˌɔdvɨʃʃˈɛɲʲu, tʃɛkˈali pˈarɛ xfˈil i fprˌɔvadʑˈanɔː iɣ dɔ ɕrˈɔtka.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_77.wav|ˌalɛ ɲʲɛ mʲˈawa s kˈim ɡrˈatɕ, nˈavɛd ɡdˈɨbɨ mʲˈawa nˈatɔ ɔxˈɔtɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_181.wav|— ja vʲˈɛm — pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_12.wav|tʃˌɛmu tˈu klˈɛntʃɨʃ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_11.wav|tʃɨ pʃˈɨʃli dɔ mɲʲɛ jˈakɔ dɔ kˈɔɡɔɕ, ktˈɔ znˈa tsˌamɛrˈɔna ɛdmˈuntsa?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_50.wav|mˈam w lɔdˈuftsɛ kurtʃˈaka, kturˌɛɡɔ zˌamarˌɨnɔvˈawam, a dɔ tˌɛɡɔ krɛvˈɛtki, ktˌurɛ tʃˈɛba pʃɨprˈavitɕ sˈɔkʲɛm s tsɨtrˈɨnɨ i tʃˈɔsŋkʲɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (61)_segment_45.wav|vwˌaɕtɕitɕˈɛlka pˌɔvʲɛdʑˈawa kitˈɔvi, ʒˈɛ nabˈɨftsa sˌamɔxˈɔdu mʲˈaw valˈijski ˈaktsɛnt, xˈɔtɕ trˈudnɔ tɔ pˌɔtraktˈɔvatɕ jˈakɔ dˈɔvut.|3
+Dataset/wavs/artemis_anna_szymanczyk/30_Artemis_segment_42.wav|tsˈuʃ, nˈɔ tˈak.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_95.wav|mˈɔʒɛʒ vɨxˈɔdʑidʑ z dˈɔmu, kʲˈɛdɨ zˈɛxtsɛʃ?|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (9)_segment_90.wav|na kˈɔɲʲɛts spˈinam vwˈɔsɨ, fkwˈadam blˈɔnt pɛrˈukɛ i bˈutɨ na vɨsˈɔkim ɔptsˈaɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_8.wav|— vʲˈɛm, tɔ dˈɔɕtɕ ɲʲˌɛtɨpˈɔva dla mɲʲɛ sprˈava, ˌalɛ bˌɨwam pɔ prˈɔstu dɔstˈɛmpna. dʑˈɛɲ dˈɔbrɨ, sˈɛr. — zvrutɕˈiwa ɕɛ dɔ tˈɔma.|3
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_61.wav|vˌɨɡlɔndˈali jˈak tʃˈɛba.|2
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_36.wav|ɲˈiɡdɨ bˈɨ mɲʲɛ ftˈɛdɨ ɲʲɛ znalˈɛʑli.|3
+Dataset/wavs/urwisko_ferenc/14_segment_36.wav|— jɛst nˌɔtɔvˈanɨ? — ɲʲɛ, skˈɔnt?|0
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_69.wav|kɛlvˈiɲʲɛ, ɲʲˈɛxtsɛ mʲˈɛʃkatɕ na ʑˈɛmi.|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_249.wav|ɔdˈɛzvaw ɕɛ dˈalɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (12)_segment_37.wav|na rˈaʑɛ tɕˈɛʃmɨ ɕɛ ɲˈim.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_31.wav|ɔtpˈarwa tsɛrsˈɛi. ˌalɛ ˈarmja ˌɔblɛɡajˈɔntsa kˈɔɲʲɛdʑ bˈuʒɨ...|1
+Dataset/wavs/urwisko_ferenc/41_segment_45.wav|xˈɛrman ˌɔtsunˈɛwa pˈɔɕtɕɛl i uɕˈadwa na mˌatɛrˈatsu. nˈɔ dˈɔbra, pʃˌɛsadʑˈiwɛm. f klˈubjɛ nˈɔtsnɨm.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_35.wav|za mˈɔmɛnd vrˈatsam.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_7.wav|lɛʒˈawɔ w ɕpivˈɔrax kˈilku mˈɛ̃ʃtʃɨzn s prˌɔtɛstatsˈɨjnɛj ɡwɔdˈufki. nat ɲˈimi viɕˈawɨ trˌansparˈɛntɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_125.wav|mˈɔʒɛ i tˈak, ˌalɛ bʲˈillɨ mˈimɔ fʃˈɨstkɔ ftɕˈɛli ɡˈɔ w ʒˈɨtɕɛ, jˈɛɕli ɲˈits ɲʲɛ stˈaɲʲɛ na pʃɛʃkˈɔdʑɛ. tɕi fatsˈɛtɕi mˈuʃɔ̃ zapwˈatɕitɕ.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_34.wav|ˈuɕmʲɛɣ zɲˈiknɔw z jˈɛɡɔ tfˈaʒɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_420.wav|tˈɛras pˈɔlska mˈuɕi zjɛdnˈɔtʃɨdʑ ʒˈɨvʲɔw swɔvʲˈaɲski i pˌɔprɔvˈadʑitɕ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_397.wav|tɔ jɛst tɔ, tsˈɔ pˈan xtɕˈaw pɔvʲˈɛdʑɛtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_91.wav|na lˈitɔʑdʑ bˈɔskɔ̃, tsˈɔː im dɔ wbˈuf stʃɛlˈiwɔ, ʒˈɛbɨ tˈak pɔ prˈɔstu jˈɛxatɕ pʃˈɛs mʲˈastɔ, jˈaɡbɨ tɔ bˌɨwa ɔmˈaxa tʃɨ tsˈɔɕ, ɡwupˈɔta tɔtˈalna, stfʲˈɛrdʑiw tˈakɔ.|2
+Dataset/wavs/urwisko_ferenc/23_segment_107.wav|xˈɛrman ɲʲɛ vʲɛdʑˈawa, tʃɨ mˈɔʒɛ mu vʲˈɛʒɨtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_37.wav|uʒˈɨwɛm tˌɛɡɔ malˈɛɲstfa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_7.wav|bˈuʒɛ zˌɔstavʲˈajɔ̃ pɔ sˈɔbjɛ pˌarujˈɔntsɛ ulˈitsɛ, ktˌurɛ ʃˈɨpkɔ vˌɨsɨxˈajɔ̃.|2
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_208.wav|tɔ rɨsˈunɛɡ vˌɨkɔnˈanɨ krɛtkˈami, ɲʲˌɛvɔntplˈivʲɛ pʃˈɛz dʑˈɛtskɔ, ktˌurɛ jˈɛdnaɡ vˌɨkazˈujɛ pˈɛvʲɛn tˈalɛnt.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_107.wav|tsˈɔ tɔ dɔ xɔlˈɛrɨ mˈa fspulnˈɛɡɔ zˈɛ sprˈavɔ̃?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_15.wav|ˈalfjɛ, kɔxˈaɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_188.wav|dʑɛftʃˈɨna bɛzvwˈɔtʃɲʲɛ pʃɛjˈɛwa dˌɔvɔdʑˈɛɲʲɛ nad ɡrˈupɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_71.wav|jˈɛʃtʃɛ ɲʲɛ tˈɛras. tɔ ɲʲˌɛvɨˌɔbraʒˈalɲʲɛ pɔvˈaʒna dɛtsˈɨzja.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_157.wav|makˈijaʒ vɨɡlˈɔnda ɲʲˈɛʑlɛ. dʑɛftʃˈɨna fprˈavɲʲɛ ɡˈɔ nˌawɔʒˈɨwa, ˌalɛ fʃɨstkʲˈɛɡɔ ɲʲɛ tuʃˈujɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_271.wav|ktˌura dɔtknˈɛwa jɛj ˈust.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (71)_segment_28.wav|f ktˌurɨm znalˈazwam zdjˈɛɲtɕɛ mwɔdˈɛɡɔ stsˈɔtta.|3
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_153.wav|pˈɔmɨsw bˈɨw tˈaki, ʒˈɛbɨ fʃˈɨstkix ˈuɕpitɕ i ˈɔdbʲidʑ budˈɨnɛk.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (10)_segment_21.wav|swɨʃˈawɛm, ʒˈɛ mˈama vʲˈɛ, ɡdʑˈɛ jˈɛstɛɕ, tɔ prˈavda?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_117.wav|ɡʲˌiɡantˈɨtʃna fˈala bɛzbrˈɔnnɨx, ɡwˈɔdnɨx, nˈaɡʲix.|0
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_372.wav|ˌuɕmʲɛxnˈɛwa ɕɛ. jˈak mˈɔɡwabˌɨm ɡˈɔ ɲʲɛ pɔkˈɔxatɕ?|1
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_88.wav|ˌalɛ f tɨm stˈaɲʲɛ trˈudnɔ bˌɨwɔ mʲˈɛtɕ pˈɛvnɔɕtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_24.wav|mˈa ˌidɛˈalnɔ̃ pɔstˈurɛ. ˈɔbras jɛj tʃˈarnɨɣ vwˈɔsuf f swˈɔɲtsu kˈaʒɛ bʲilljˈɛmu pʃˈɨznatɕ, ʒˈɛ mˈɔʒɛ bˈuk jˈɛdnak ɲʲɛ jɛst tˌaki zwˈɨ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_211.wav|jˈɛɕli tɕˈɛ dˈɔrvɔ̃, zapˈɛvnɛ ɲʲɛ vˈɨjdʑɛʃ stˈamtɔnd ʒˈɨvɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_220.wav|ɲˈits mi ɲʲɛ jˈɛst.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_258.wav|i na plakˈataɣ zˌaxɛntsajˈɔntsɨx mwˈɔdɨx patrjˈɔtuv dɔ fstɔmpʲˈɛɲʲa f ʃɛrˈɛɡʲi marˈinɛs.|0
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_154.wav|ɡʲˈɔrɡjɔ mˈɨɕli ˈɔtɨm w miltʃˈɛɲʲu.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (19)_segment_87.wav|zˈabʲiw tˌɛɡɔ fatsˈɛta?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_203.wav|ɔʃˈustfɔ vɨdˈajɛ mi ɕɛ mˈɔjɔ̃ mˈɔtsnɔ̃ strˈɔnɔ̃ i tʃˈɛ̃stɔ zˌastanˈavʲam ɕɛ, tʃɨ tɔ pʃˈɛs pɔkˈɛra ukrˈɨvam sfˈɔjɛ pravdʑˈivɛ jˈa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (30)_segment_151.wav|tɔ tsˈɔrin atskˈɛrman zˌauvˈaʒa tsˈɔɕ, tsˈɔ pˌɔzɔstˈawɨm jˈakɔɕ umknˈɛwɔ.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_111.wav|ˌɔtpɔvʲˈɛdʑaw pisklˈivɨm ɡwɔɕˈikʲɛm xˈudɨ, blˈiskɔ ʃˌɛɕtɕɔlˈɛtɲi xwˈɔpʲɛts.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_70.wav|pʃɛprˈaʃam.|3
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_151.wav|ɡrˈamɨ. dˈaj mi rˈas jˈɛʃtʃɛ ʃˈansɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_110.wav|luˈisa pˌɔkivˈawa ɡwˈɔvɔ̃.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_113.wav|ɔ lɛʒˈɔntsɛj na stˈɔlɛ tˈɔrbjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_224.wav|pʃˌɛwɔntʃˈɨwam rˈadjɔ na ɔtfˈartɨ kˈanaw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_21.wav|dˈɔbʒɛ, ˌalɛ mˈɔɡɛ jˈɛʃtʃɛ rˈas tɕˈɛ ɔ tsˈɔʑ zapˈɨtatɕ?|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_278.wav|wˈaɲtsuɣ zadʑvʲˈɛntʃaw tɕˈixɔ, ɡdˈɨ maˈɛstɛr pɔxˈɨliw ɡwˈɔvɛ vʲɛɲtʃˈɔntsɔ̃ ɕmʲˈɛʃɲʲɛ dwˈuɡɔ̃ i tɕˈɛŋkɔ̃ ʃˈɨjɛ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (11)_segment_83.wav|udˈajɛ mi ɕɛ ˈɔtɨm zapˈɔmɲʲɛtɕ na kˈilka mˈinut, ˌalɛ pˈɔtɛm fʃˈɨstkɔ vrˈatsa zˈɛ zdvɔjˈɔnɔ̃ ɕˈiwɔ̃ i znˈuv zatʃˈɨnam ɕɛ zˌastanˈavʲatɕ nad znatʃˈɛɲʲɛm tamtˈɛɡɔ vˌɨdaʒˈɛɲʲa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_139.wav|tsˈawa mˈɔts krˈɨjɛ ɕɛ tˈutaj.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_190.wav|ˈinnɨm rˈazɛm muɕˈawɛm z dˌɛlikˈatnɔ̃ zrɛntʃnˈɔɕtɕɔ̃ brˈɔɲitɕ ɕɛ pʃɛt nˌaʒutsˈanɨm mi utʃˈutɕɛm.|0
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_271.wav|jˈamɛ vˈɨpiw jˈuʃ tʃˈɨ kʲɛlˈixɨ vˈina i jˈɛɡɔ zwˈɔta rˈɛŋka s kˈaʒdɔ̃ xfˈilɔ̃ stavˈawa ɕɛ tsˈɔras tɕˈɛ̃ʃʃa.|1
+Dataset/wavs/urwisko_ferenc/24_segment_63.wav|nˈavɛt jˈɛɕli zrɔbʲˈiwa tɔ pɔt fpwˈɨvɛm impˈulsu pˈɔtɨm, jˈak f pɔblˈiskim pˈarku ʃarpˈawa ɕɛ s tˌajɛmɲˈitʃɨm mɛ̃ʃtʃˈɨznɔ̃.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_204.wav|ɔbrˈutɕiw kˈɔrbɛ i ɔtfˈɔʒɨw vɛvnˈɛntʃnɨ vwˈas, pɔ tʃɨm vɡramˈɔliw ɕɛ dɔ kabʲˈinɨ i ˈuɕad za pulpˈitɛm stˌɛrɔvɲˈitʃɨm.|4
+Dataset/wavs/urwisko_ferenc/05_segment_33.wav|mˈarja zɔstˈawa sˈama, bˈɛs ʃˈansɨ na vˌɨjaɕɲʲˈɛɲʲɛ, dlatʃˈɛɡɔ mˈatka ɲˈiɡdɨ ɲʲɛ ˌɔbdaʒˈɨwa jɛj miwˈɔɕtɕɔ̃.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (16)_segment_90.wav|w ˌɔkɔlˈitsɨ mˈa ɕɛ pɔjˈavitɕ tʃwˈɔvʲɛk, ktˌurɨ bˌɛɲdʑɛ pʃɛmˈavʲaw. pˈiʃɔ̃ tˈutaj, ʒˈɛ tɔ tˈaka...|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_64.wav|pˈɛvɲʲɛ ɲʲˌɛspɛtsjˈalɲʲɛ ɕɛ tɕˈɛʃɨʃ s tˌɛɡɔ spɔtkˈaɲʲa?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_89.wav|ja ɲʲˈɛvʲɛm.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_353.wav|nˈɔː i ɲˈits, ʒˈɛkwɛm. ˌɔpɔvʲˈadam.|0
+Dataset/wavs/artemis_anna_szymanczyk/10_Artemis_segment_3.wav|aɡˈɛntsjɛ kɔsmˈitʃnɛ s tsawˈɛɡɔ ɕfʲˈata bˌɨwɨ pʲɛrʃˈɨmi ˌinstɨtutsjˈami, ktˌurɛ zatʃˈɛwɨ vˌɨnajmˈɔvatɕ ɲʲˌɛruxɔmˈɔɕtɕi w artˈɛmis.|4
+Dataset/wavs/summers_wojtek/Billy Summers (39)_segment_131.wav|dʑɛftʃˈɨna vɨjmˈujɛ sfˈuj tɛlˈɛfɔn i pˌɔkazˈujɛ mu zdjˈɛɲtɕɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_300.wav|dʑɛŋkˈujɛ, ʒˈɛ pˈan ɕɛ dɔ mɲʲɛ ɔdˈɛzvaw.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_108.wav|mˈɔʒɛ ɲʲˈɛbɨw dɛmˈɔnɛm prɛntkˈɔɕtɕi, ˌalɛ mʲˈaw pɔtˈɛ̃ʒnɔ̃ mˈɔts.|4
+Dataset/wavs/urwisko_ferenc/24_segment_33.wav|maxnˈɛwa rˈɛŋkɔ̃. — nˈɔ, ɲʲˈɛx pˈan prubˈujɛ. dʑviɡnˈɛwa ɕɛ s fɔtˈɛla i pˌɔdrɛptˈawa dɔ kˈuxɲi.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_43.wav|a tˈaɡʒɛ ɔ zdrˈadɛ mawʒˈɛɲskɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_180.wav|zbˌudɔvˈaliɕmˌɨ na ʒˈɛtsɛ zapˈɔrɛ pwˌɨvajˈɔntsɔ̃.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(39) R.Abbott_Zamknij Drzwi_segment_58.wav|ɲʲɛ vʲˈɛmɨ, tʃɨ jɛst w jˌakikˈɔlvʲɛk spˈɔsup pˌɔvʲɔ̃zˈana zˈɛ sprˈavɔ̃, ˌaɲi tʃɨ pˌɔrɨvˈatʃɛ ɲʲɛ kˌɔʒɨstˈajɔ̃ z jɛj sɨpʲˈalɲi dɔː ˌɔpsɛrvˈatsji dˈɔmu jˈɔɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_41.wav|ˈɛlis patʃˈɨwa pʃˈɛs ˈɔknɔ na kˌilɔmˈɛtrɨ pˈul kˌukurˈɨdʑɨ, tˈɛras jˈuʒ brɔ̃zˈɔvɨx, tʃˌɛkajˈɔntsɨx na ʑˈimɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_130.wav|zrɔbʲˈiwam tɔ sˈamɔ. sxrˈɔn pˈustɨ. pɔtfʲˈɛrdʑam. rˌuʃɨwˈɨɕmɨ pʃˈɛs tˈunɛl f strˈɔnɛ vˈɨjɕtɕa za pˌɔkɔswˌujɔntsˈɨmi i kʃtˌuʃɔntsˈɨmi ɕɛ prˌatsɔvɲikˈami.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (70)_segment_50.wav|pʃɨ ɔkˈazji xtɕˈawa ɡˈɔː ɔskˈubatɕ, a tɔ dˈajɛ nˌailˈɔvi dˌɔskɔnˈawɨ mˈɔtɨf.|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_310.wav|muvˈiwɛm tɔː ɔt samˈɛɡɔ pɔtʃˈɔntku.|1
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_123.wav|kʲˈɛdɨ bˌɛndɛ vʲˈɛdʑaw na pˈɛvnɔ, ʒˈɛ jˈɔɛ jɛzd w drˈɔdʑɛ, kˈaʒɛ pɔdwˈɔʒɨdʑ dvˈa tˈakʲɛ wadˈuŋki f pɔblˈiʒu sˈɔndu.|2
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_409.wav|tsɛrsˈɛi ujˈɛwa dwˈɔɲ marɡˈarɨ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_379.wav|pʃˌɨɕpʲɛʃˈɨwɛm krˈɔku.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(02) R.Abbott_Zamknij Drzwi_segment_42.wav|tʃˈujɛ mrɔvʲˈɛɲʲɛ na kˈarku, jˈaɡbɨ ktˈɔʑ vbʲˈijaw vˈɛmɲʲɛ vzrˈɔk.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_307.wav|tɨɣ dˈamɨ jɛj tˈɨlu.|1
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_197.wav|ɲʲˈɛɣ bˌɛɲdʑɛ vˈɔda s kanˈawu.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_257.wav|vidʑˈawam tɔ sˈɛtki rˈazɨ.|3
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_38.wav|na ɕtɕˈanaɣ viɕˈawɨ starˈanɲʲɛ ˌupɔʒˌɔntkɔvˈanɛ naʒˈɛɲdʑa, a jˈɛdɛn s kˈɔntuv zajmˈɔvaw stˈuw i kˈɔmplɛt mˈasɛk spˌavalɲˈitʃɨx.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_49.wav|mˈɨɕlɛ, ʒˈɛ ˌɔna mˈa bˌɛspɔɕrˈɛdɲi kˈɔntakt s pɔlˈitsjɔ̃ na vʲˈɛlu pɔʑˈɔmax, ˌalɛ ɲʲɛ dˌɨspɔnˈujɛ nat ˌɔdvɔdˈami.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (76)_segment_69.wav|ʒˈadnɛj rɛˈaktsji. tˈɔm mʲˈaw rˈatsjɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_128.wav|minˈɛwɔ jˈuʃ trˈɔxɛ tʃˈasu, ɔt kʲˈɛdɨ vˌɨspʃɔntˈanɔ jˈɔ̃ pɔ rˈas ɔstˈatɲi. bˈɨtɕ mˈɔʒɛ pʃɛd vɨjˈazdɛm pˈaɲi rˈɔbɛrts i fʃˈɛɲdʑɛ lˈɛʒɔ̃ mˈuxɨ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(51) R.Abbott_Zamknij Drzwi_segment_14.wav|vˈidʑɛ fxɔdʑˈɔntsɨx f kˈadr mˈɛ̃ʃtʃɨzn, ktˌuʒɨ ɕɛŋɡˈajɔ̃ pɔ mˈɔjɔ̃ tsˈurkɛ, a mˈɔjɛ sˈɛrtsɛ ɡvawtˈɔvɲʲɛ pʃɨspʲˈɛʃa.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_54.wav|jɛj dwˈuɡʲɛ vwˈɔsɨ sɔ̃ splɔntˈanɛ, ubrˈaɲʲɛ zˌaɲʲɛdbˈanɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_31.wav|kˈɔɡɔ pʃɨjmˈujɔ̃ dɔ sfɔjˈɛɡɔ ɡrˈɔna f ɕˈɛtɕi, a nastˈɛmpɲʲɛ dɔdˈawam kˈilka fpˈisuf na tˈɛmat pˈaru ɲiʃˈɔvɨx klˈubuf w mˌanxɛstˈɛʒɛ i ˌɔkɔlˈitsax.|3
+Dataset/wavs/urwisko_ferenc/37_segment_63.wav|na tˈɨlnɨm ɕɛdʑˈɛɲʲu za kʲɛrˈɔftsɔ̃.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(27) R.Abbott_Zamknij Drzwi_segment_92.wav|kimkˈɔlvʲɛɡ bˌɨli tɕi lˈudʑɛ, nˌajvɨrˈaʑɲʲɛj pˌɔstavˈili sˈɔbjɛ za tsˈɛl zmuʃˈɛɲʲɛ jˈɔɛ dɔ dwuɡʲˈɛɡɔː ˌɔtʃɛkivˈaɲʲa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_69.wav|dʑˈiɕ natˈɔmjast mˈɔɡwɔ bˈɨtɕ ɔbjˈavɛm nˈudɨ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_147.wav|zvɨtɕˈɛ̃stfɔ zapˈɛvɲi mi pʲɛɲʲˈɔndʑɛ dla tsˌamɛrˈɔna i fundˈuʃɛ na nastˈɛmpnɔ̃ rɔzɡrˈɨfkɛ. vʲˈɛm, ʒˈɛ bˌɛɲdʑɛ nastˈɛmpna.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_175.wav|ˈinɲi pʃɛvˈɔʒɔ̃ jɛdʑˈɛɲʲɛ, prˌɔpɔnˈujɔ̃ zrɔbjˈɛɲʲɛ zakˈupuf tʃɨ pɔ prˈɔstu pʃˌɨtulˈɛɲʲɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_61.wav|i pɔ vwɔʒˈɛɲʲu batˈɛrji pɔdwˈɔntʃa dɔ prˈɔndu, ʒˈɛbɨ ɡˈɔ pˌɔdwadˈɔvatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_12.wav|spˌɛtsɨfitʃnˈɛɡɔː ˌɛlɛmˈɛntu.|3
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_117.wav|bˌɨwɔː ix ɕˌɛdɛmnˈastu. ˌɔɕɛmnˈastu lˈitʃɔnts pʲɛrʃˈɛɡɔ tamtˈɛɡɔ z rˈɛŋkɔ̃ w ɡʲˈipɕɛ.|2
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_233.wav|jˈɛɕli prˈaɡɲʲɛʃ, mɔʒˈɛmɨ ɔɡwˈɔɕidʑ zˌarɛntʃˈɨnɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_88.wav|prubˈujɛ ratˈɔvatɕ tfˈɔjɛ ʒˈɨtɕɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_347.wav|vʲˈɛnts tˌɨlkɔ starˈanɲʲɛ umˈɨwɛm ɕɛ na pˈuw ubrˈanɨ, zɛrkˈajɔnts f strˈɔnɛ pɔkˈɔju, f ktˌurɨm stˈawa sˈɛnna ɲʲˌɛruxˈɔmɔɕtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_56.wav|mˌaʃɛrɔvˈawam pʃˈɛz ɡɔdʑˈinɛ pɔ ʃˈarɛj pustˈɨɲi, zˌatatʃˈajɔnts ʃɛrˈɔki wˈuk, ʒˈɛbɨ pˈɔdɛjʑdʑ dɔ mʲˈasta ɔd vwaɕtɕˈivɛj strˈɔnɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (17)_segment_68.wav|ɲʲɛ f spˈɔsup aktˈɨvnɨ. ɲʲɛ jɛst klutʃˈɔvɔ̃ ɔsˈɔbɔ̃ w ɕlˈɛtstfʲɛ, ˌalɛ pˌɔprɔɕˈiliɕmˌɨ pˈana jˌɔxanssˈɔna ɔ zɡˈɔdɛ, ʒˈɛbɨ nˈaʒ zˈɛspuw tɛxɲˈitʃnɨ mˈuɡw zˈabratɕ jɛj kɔmpˈutɛr s fˈirmɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_17.wav|jɛst tˌɨlkɔ jˈɛdna ʒˈɛdʒ ɡˈɔrʃa ɔt ɔddˈaɲʲa sˈɨna pɔt ɔpʲˈɛkɛ pˈaɲstfa.|3
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_93.wav|ɔpˈɛrɨ mɨdlˈanɛ tɔ bˈadʑɛf, ˌalɛ ɲʲˈɛma sprˈavɨ, jˈɛɕli lˈubʲiʃ kʲˈɛpskʲɛ sɛrjˈalɛ. i tˈak mɔʒˈɛmɨ dˈalɛj ɕɛ kˌɔlɛɡˈɔvatɕ.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_141.wav|fʃˈɨstsɨ lˈudʑɛ z vɛstˈɛrɔs ˌuvaʒˈajɔ̃, ʒˈɛ m��iwɔɕtɕ tɔ tsˈɔɕ fstˌɨdlivˈɛɡɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_61.wav|xtɕˈawɛm, ʒˈɛbɨ zˈɔstaw, ˌalɛ ˈɔtʃɛd.|2
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_118.wav|tablˈɛtka dʑˈawa. ˈɛlis pˌɔtʃɔntkˈɔvɔ jɛst pʃˌɛkɔnˈana, ʒˈɛ mˈa pʃˌɛvidʑˈɛɲʲa, ˌalɛ tɔ, ʒˈɛ sˈɛrtsɛ bʲˈijɛ jɛj mˈɔtsɲʲɛj, ʒˈɛ vɨˈɔstʃɨw jɛj ɕɛ vzrˈɔk, ɲʲɛ mˈɔʒɛ bˈɨtɕ tˌɨlkɔ zwudʑˈɛɲʲɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_57.wav|pˌɔftuʒˈɨwam kivˈajɔndʑ ɡwˈɔvɔ̃.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (49)_segment_21.wav|sˈɛrjɔ, tˈɔm, tsˈɔ ɕɛ dʑˈɛjɛ s tˌɨmi lˈudʑmi?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_34.wav|pˌɔvitˈawa ɡˈɔ f xˈɔlu s kɔlˈɛjnɔ̃ ʃklanˈɛtʃkɔ̃ pʃˌɛjʒɨstˈɛɡɔ pwˈɨnu. upˈiwa kˈilka wˈɨkuf i pˌɔinfˌɔrmɔvˈawa ɡˈɔ, ʒˈɛ ɲʲˈɛma pɔjˈɛɲtɕa, ɡdʑˈɛ mˈɔʒɛ ɕɛ pɔdʑˈɛvatɕ tsamˈɛrɔn.|3
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_103.wav|xtɕˈawɛm f tɔ vʲˈɛʒɨtɕ, pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_24.wav|ʒˈɛ vˌɨjɛxˈawa f pˈɔdruʃ, tʃɨ skɔʒˈɨstadʑ z ɔkˈazji i pɔvʲˈɛdʑɛtɕ im prˈavdɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_23.wav|xrˈɨstɛ, jˈɔɛ, dlatʃˈɛɡɔ mi ɲʲɛ pˌɔvʲɛdʑˈawaɕ?|4
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_127.wav|zˈabjɛʃ mˈɛ̃ʒa i bˈaftɕɛ ɕɛ dˈɔbʒɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (68)_segment_85.wav|mˈɔʒɛ ˈɛlis?|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_200.wav|tsˈɔ ɕɛ stˈaɲʲɛ z mˈɔjɔ̃ bjˈɛdnɔ̃ mˈatkɔ̃?|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_352.wav|pˈɔtɛm tʃɛkˈawabˌɨ mɲʲɛ tʃˌɨkilˌɔmɛtrˈɔva vɨprˈava na pɔɡˈuʒɛ mɔltkʲˈɛɡɔ.|4
+Dataset/wavs/urwisko_ferenc/01_segment_99.wav|nˈɔvɛ vˈɔntki? tsˈɔ tɔ znˈatʃɨ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_126.wav|mˈɨɕliʃ, ʒˈɛ znˈaʒ ɡˈɔ lˈɛpʲɛj ɲˈiʃ jˈa?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(35) R.Abbott_Zamknij Drzwi_segment_30.wav|znˈaʃ tˈɛ çistˈɔrjɛ filˈipa. ɔn ɲʲɛ jɛst pʃɛstˈɛmptsɔ̃ i pˈɔmuɡw vʲˈɛntsɛj rˈazɨ ɲˈiʃ tɕi ɕɛ vɨdˈajɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_132.wav|kʲˈɛdɨ pʃˈɨʃwa kˈɔlɛj nˈamɲʲɛ, spuɕtɕˈiwam ɡwˈɔvɛ, ˌuɲikˈajɔnts kɔntˈaktu vzrˌɔkɔvˈɛɡɔ.|4
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_239.wav|ktˌurɨ zˈɛbraw ɕɛ ɔn dʑˈiɕ nˈatɨm plˈatsu.|1
+Dataset/wavs/urwisko_ferenc/25_segment_51.wav|ˌalɛ zˈamjazd ɡrˈɔxa w dʒvʲˈax stˈanɔw ˈɔlɡʲɛrt.|0
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_353.wav|tɔ rˈɔskaz vʲɛlkʲˈɛɡɔ sɛptˈɔna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_109.wav|tˈɨlɛ, ʒˈɛ jˌɛstɛɕ mi tsˈɔʑ vˈiɲʲɛn i mˈam nadʑˈɛjɛ, ʒˈɛ vɨstˈartʃɨ tɕi ɔdvˈaɡʲi, ʒˈɛbɨ spwˈatɕidʑ dwˈuk.|2
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_161.wav|ˌɔtpɔvʲˈɛdʑaw. tɔ ɲʲɛ vrˈuʒɨ ɲitʃˈɛɡɔ dɔbrˈɛɡɔ, bˈɔ ɲʲɛ jɛzd dˈɔbʒɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_108.wav|zˈavur f kˈɔɲtsu ustˈɔmpiw i dˈalɛ vˈɨdaw vɛstxɲʲˈɛɲʲɛ ˈulɡʲi. zrɔbjˈɔnɛ!|4
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_471.wav|jɛzd zmɛntʃˈɔnɨ i pɔvˈiɲʲɛn zˈajɔɲtɕ ɕɛ tʃˈɨmɕ ˈinnɨm, jˈɛɕli ɲʲˈɛxtsɛ zɡʲˈinɔɲtɕ.|0
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_79.wav|mˈawɛ kˈɔtɨ, ktˌurɛ za ɡwˈɔɕnɔ mʲˈawtʃɔ̃, tʃˈɛ̃stɔ tˈɔnɔ̃ f kanˈawax.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_223.wav|na kɔmˈiŋku pɔt mʲɛdʑˈanɨm kɔtɕˈɔwkʲɛm pˈaliw ɕɛ ˈɔɡʲɛɲ.|1
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_65.wav|ɲʲɛ dɔxˈɔdʑi dɔ strˈatɨ ɕfʲˈatwa pˈɔttʃas transmˈisji.|4
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_32.wav|ɲˈiɡdɨ ɲʲˈɛznaw tʃˈɛɡɔɕ rˈuvɲʲɛ swɔtkʲˈɛɡɔː i smatʃnˈɛɡɔ. jˈɛɕli tɔ zrˈɔbjɛ, ɲʲɛ bˌɛndɛ lˈɛpʃɨ ɔd dˌarɛˈɔna.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_2.wav|tˈɔm i kˈid vrutɕˈili dɔ pɔkˈɔju ˌɔpɛrˌatsɨjnˈɛɡɔ, a tˈam pˌɔvitˈawɨ ix ɲʲɛɕmʲˈawɛ ɔklˈaski.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_116.wav|bˈutskɨ i bʲˈillɨ pˈatʃɔ̃ na fskazˈanɨ pʃˈɛzɲʲɔ̃ pˈuŋkt w mʲˈɛjstsu, ɡdʑˈɛ zaxˈɔdɲi ɔttɕˈinɛk mˈuru ˌɔɡrɔdʑˌɛɲʲɔvˈɛɡɔ stˈɨka ɕɛ zˈɛ skalˈistɨm zbˈɔtʃɛm.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (46)_segment_52.wav|sˈɔɲdʑiʃ, ʒˈɛ ktˈɔɕ ˈinnɨ mˈuɡw zawˈɔʒɨtɕ tɛn ˈadrɛs ˌimɛjlˈɔvɨ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_17.wav|i ftˈɛdɨ stˈajɛ ɕɛ tɔ, tʃˈɛɡɔ ɕɛ ɔbˈavʲaw.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_298.wav|pˈɨta ɔ tɕˈɛbjɛ i ɔ sfˈɔ̃ mˈawɔ̃ krulˈɔvɔ̃.|1
+Dataset/wavs/urwisko_ferenc/49_segment_38.wav|zˈɛ vzɡlˈɛndu na pɛnxˈɛʒɛ nˌaskurkˈɔvɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_135.wav|tsˈɔ tɔ pɔmˈɔʒɛ? jˈuʒ ɡˈɔʒɛj dla mɲʲɛ ɲʲɛ bˌɛɲdʑɛ nˈatɨm ɕfʲˈɛtɕɛ.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_74.wav|ˈɔtpar vˈatɛrz z uɕmʲˈɛxɛm.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_296.wav|xtsˈɛ pɔvʲˈɛdʑɛdʑ zˈɛ swɔdˈɨtʃɔ̃, ktˌura ɕɛ stˈawa znˈakʲɛm utrˈatɨ rˌuvnɔvˈaɡʲi nˈatɨm nˈaʃɨm mizˈɛrnɨm balˈanɕɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_41.wav|musˈimɨ pʃɛswˈuxatɕ sɔ̃ɕˈaduf.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (37)_segment_60.wav|ɲʲɛ vʲɛdʑˈawam, tsˈɔ pɔvʲˈɛdʑɛtɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_170.wav|tɔ ɲʲɛ dˈana ˈɛdʲisɔn, kturˌɛɡɔː ˈuznaw za nˌajtfartʃˈɛɡɔ stfˌardʑɛlˈiɲikˌa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_49.wav|pɔtxˈɔdʑi andrˈɛa z mˌikrɔfˈɔnɛm w rˈɛŋku. pˌɔlitsjˈaɲtɕi sɔndˈɔvi ruʃˈajɔ̃ kˈu ɲʲˈɛj, ˌalɛ ʃˈɛrɨf w wˈatfɨm ɡˈɛstɛm unˈɔɕi dwˈɔɲ na znˈak, bˈɨ jˈɔ̃ pʃˌɛpuɕtɕˈili.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_114.wav|ˌalɛ vʲˈɛm, ktˈɔ nˈaɲim jˈɛst.|3
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_59.wav|pɔ pɔvrˈɔtɕɛ dɔ sɨpʲˈalɲi swˈɨʃɨʃ mɛrɡwˈɔsuf. ˈɛlis çixˈɔtʃɛ. vʲˈɛntsɛj f tɨm ɕmʲˈɛxu nˌɛrvɔvˈɔɕtɕi ɲˈiʃ rˌɔzbavʲˈɛɲʲa. kˈurva, kˈurva, kˈurva.|2
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_25.wav|tsˈuʃ, mˈuvi ˈɔna, tˈaɡ bˈɨva.|2
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_45.wav|sɔ̃ w nɛbrˈaska.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_131.wav|tsˈɔ bˌɨwɔ pʃɨtʃˈɨnɔ̃ vaʃˈɛɡɔ?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_123.wav|tʃɛkˈawam, bˈɔjɔnts ɕɛ pɔrˈuʃɨtɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (25)_segment_35.wav|ˌɔpsɛrvˈujɛ dˌɔmiɲˈika w lˈustʃɛ, zmarʃtʃˈɔnɛ brvˈi, pˈalɛdʑ drapʲˈɔntsɨ pɔd brˈudɛk.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_130.wav|nˈaɡlɛ zˌauvˈaʒam ˈɔsɛ i zastˈɨɡam. mˈuj ˈɔddɛɣ zatʃˈɨna ɕɛ rvˈatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_70.wav|ˌalɛ xˈɨba ɲʲɛ ɔː ˌarçimandrjˈuɕɛ i jˈɛɡɔ kˈumplax, tsˈɔ? uɕmʲˈɛxa ɕɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_38.wav|tʃɨ istɲʲˈɛjɛ tˈakʲɛ swˈɔvɔ jˈak skˌurdɔlˈɔnɨ?|4
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_222.wav|dˈalɛ prɔvˈadʑiw zˌapatʃˈɔnɨ prˈɔstɔ pʃɛt ɕˈɛbjɛ.|4
+Dataset/wavs/urwisko_ferenc/30_segment_5.wav|tʃɨ w ɔɡˈulɛ ɡˈɔ pˌɔtʃɛbˈujɛ?|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_230.wav|dʑɛŋkˈujɛ, ɲʲɛ pɔtʃˈɛba mi innˈɛɡɔ wˈuʃka.|0
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_230.wav|pˌɔvʲɛdʑˈawam i vˈɨʃwam na ɕrˈɔdɛk sˈali.|4
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_35.wav|ˌɔbjɛtsˈawɛɕ, tsatˈɛlɨn, ʒˈɛ ˈɔddaʃ jɛj tsˈurki w zˈamjan za vˈɔlnɔɕtɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_216.wav|pˈɔtɛm pʃˈɨtknɔw dɔ ɲʲˈɛɡɔ pwˈɔmjɛɲ zwˈɔtɛj zˌapalɲˈitʃki, vɨpˈuɕtɕiw kˈilka kwˈɛmbuv dˈɨmu i vˈɛstxnɔw.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_80.wav|ftrɔɲtɕˈiwam ɕɛ dɔ rɔzmˈɔvɨ.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_29.wav|vʲˈɛʃ, jˈak xwˈɔptsɨ lˈubjɔ̃ ɕɛ pʃɛxfˈalatɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (44)_segment_89.wav|pˈɨta mɲʲɛ ɕmʲˈawɔ. ˌɔtʃɨvˈiɕtɕɛ, dɔmˈiɲik pɔtɕˈɛra skrˈɔɲ. vʲɛdʑˈawɛm, ʒˈɛ jˈuʃ swɨʃˈawɛm tɔ nazvˈiskɔ, ˌalɛ tɔ ɲʲˈɛbɨw ˈɔn, prˈavda?|3
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_115.wav|pʃˌɨpɔmˈinam sˈɔbjɛ, ʒˈɛ kˈatxlin ɲˈiɡdɨ ɲʲɛ ufˈawa tˌɛmu xwˌɔpakˈɔvi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_197.wav|kˈurtʃɛ, ta fˈirma spʃɛdˈajɛ fʃˈɨstkɔ, stfʲˈɛrdʑa ˈirv.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_231.wav|sˈara bˌɨwa mˈistʃɛm, a ˈarun adˈɛptɛm.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwró�� wzrok (45)_segment_10.wav|ssunˈɛwam nˈɔɡʲi z wˈuʃka, ʃukˈajɔnts f sˈɔbjɛ rˈɛʃtɛɡ ɡɔdnˈɔɕtɕi. ɲʲɛ zˌamjɛʒˈawam pɔzvˈɔlitɕ, ʒˈɛbɨ zˌɔbatʃˈɨli mɲʲɛ f tˈakim stˈaɲʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_160.wav|ˌadmiɲˌistratˈɔrka stukˈawa f klˌavʲatˈurɛ laptˈɔpa.|4
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_217.wav|pˈɔtɛm rˈɨk sˌamɔlˈɔtu pʃˈɛbʒmʲaw, kˌɔlɔrˈɔva firˈaŋka uɲʲˈɔswa ɕɛ w ɡˈurɛ i swˈɔɲtsɛ pˈadwɔ na jɛj tfˈaʃ.|0
+Dataset/wavs/urwisko_ferenc/57_segment_22.wav|xˈɛrman ˌuswɨʃˈawa xˌaraktˌɛrɨstˈɨtʃnɨ ʃˈum, vwaɕtɕˈivɨ dla rɔzmˈɔvɨ pʃˈɛz zˈɛstav ɡwˌɔɕnɔmuvʲˈɔntsɨ. mˈuɕaw ɕˈɛdʑɛtɕ f sˌamɔxˈɔdʑɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_17.wav|vwˈɔntʃɨ ɕɛ ˈalarm, lˈudʑɛ fpˈadnɔ̃ f paɲˈikɛ i vˈɛzvɔ̃ ˌɛksplɔratˈɔruf, ktˌuʒɨ pʃˈɨjdɔ̃ zɔbˈatʃɨtɕ tsˈɔ ɕɛ stˈawɔː i zwˈapjɔ̃ nˈas na ɡɔrˈɔntsɨm utʃˈɨŋku.|4
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_14.wav|tɨm rˈazɛm tɔ jˌɛmu pɔtʃˈɛba kˌɔsmɛtˈɨkuv dɔ mˌakijˈaʒu, ˌalɛ ix kˈupnɔ pˌɔzɔstˈavja jɛj.|2
+Dataset/wavs/urwisko_ferenc/47_segment_75.wav|pˈaɲi kɔmˈisaʃ.|0
+Dataset/wavs/urwisko_ferenc/45_segment_21.wav|mˈarja fskazˈawa brˈɔdɔ̃ na kɔsmˈɛtɨkˌi rˌɔzwɔʒˈɔnɛ na blˈatɕɛ. a prˌubɔvˈawaɕ? dˌɔpɨtɨvˈawa ɕɛ mˈitras.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_113.wav|krˈul baˈɛlɔr vɨbˈatʃɨw tˈɨm, ktˌuʒɨ pʃɛtɕˈifkɔ ɲʲˈɛmu spˌiskɔvˈali.|1
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_37.wav|— pɔtrˈafjɛ sˈɔbjɛ vˌɨɔbrˈazitɕ, jakʲˈɛɡɔ rɔdʑˈaju lˈistɛ mˈuɡwbɨɕ mi pʃɛtstˈavitɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_96.wav|vˌɨsɨpˈujɔ̃ wadˈunɛk i vratsˈajɔ̃ na pwaskˈɔvɨʃ?|4
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_43.wav|tˈak, bˌɨwa s kˌavalˈɛrɛm imjˈɛɲʲɛm dˈannɨ.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_188.wav|ɔtʃˈukaw jˈɛɡɔ kɔmnˈatɨ na kˈɔɲtsu alˈɛi zdrˈajtsɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_86.wav|xtsˈɛmɨ ˌɔfjarˈɔvatɕ tɕi mˈiwɔɕtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_120.wav|ʒˈɛ ɲʲɛ jɛst tɔː ˌaɲi tˈata, ˌaɲi ˈaram.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_37.wav|a tɨ dɔ mɲʲɛ mˈɔʒɛʒ zvrˈatsatɕ ɕɛ, pˈɛr pˈaɲʲɛ prˌɛzɨdˈɛɲtɕɛ. pˈuʑɲʲɛj vɨjˈaɕɲʲɛ dlatʃˈɛɡɔ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_117.wav|— tfˈɔjɛ ˈuʃɨ i tfˈuj nˈɔs — pɔvʲˈɛdʑaw ˈandɛrsɔn.|0
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_328.wav|ʒˈɛ zˈafʃɛ maʒˈɨwɛɕ ɔ nadˈɛjɕtɕu dɲʲˈa, ɡdˈɨ bˌɛɲdʑɛʃ mˈuɡw nˈɔɕitɕ wˈaɲtsux i swˈuʒɨtɕ pˌɔfʃɛxnˈɛmu dˈɔbru.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_20.wav|zˈarʒnɔw pɔwˈɔvɛ mˈɔix ˈɔvʲɛts i tʃˈɨ dˈɔbrɛ mlˈɛtʃnɛ kˈɔzɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (74)_segment_70.wav|pɔtfʲˈɛrdʑiw, ʒˈɛ istˈɔtɲʲɛ bˌɨwa ˌɔna tˈam ɡˈɔɕtɕɛm, ˌalɛ pˈɔtɛm vˌɨjɛxˈawa.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_191.wav|vrutɕˈiwa s xɛrbˈatɔ̃. pˌɔpijˈaliɕmˌɨ, pˌɔpatrˈujɔnts na ɕˈɛbjɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_92.wav|ɡdˈɨbɨ tɔ zrɔbʲˈili, tɔː i tˈaɡ bˈɨm ɲʲɛ pˈɔʃwa.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (14)_segment_130.wav|dɔvʲˈɛdʑɛtɕ ɕɛ, tʃɨ ɔkwˈamaw mɲʲɛ rˈuvɲʲɛʃ f kfˈɛstji dˌɔxɔvɨvˈaɲʲa nˈaʃɨx tajˈɛmɲits.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_95.wav|bʲˈin ɔbrˈutɕiw ɕɛ i stˈɛŋknɔw.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_34.wav|ˈaram ɔɕfʲˈattʃaw takʲˈɛmu bˌuntɔvɲikˈɔvi, ʒˈɛ pɔvrˈutɕi dɔ davnˈɛɡɔ ʒˈɨtɕa pˈustɨ i bjɛdɲʲˈɛjʃɨ ɲˈiʃ ftʃˈɛɕɲʲɛj.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_170.wav|kˈaʒdɨ kɔlˈɛjnɨ sˈɨɡnaw ˌɔtʃɛkivˈaɲʲa pɔdnˈɔɕiw mi tɕiɕɲʲˈɛɲʲɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_52.wav|ˌalɛ tˈak naprˈavdɛ ɲʲɛ mʲˈawɔ tɔ znatʃˈɛɲʲa.|4
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_159.wav|ɲʲɛ zɔstˈawɔ jɛj ɲˈidʑ dɔ rɔbˈɔtɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_54.wav|ɲʲɛ mʲˈawam pɔjˈɛɲtɕa, vˈɛdwuk jakʲˈɛɡɔ xˌarmɔnɔɡrˈamu pratsˈujɔ̃ kɔmbˈajnɨ, vʲˈɛnts muɕˈawam tʃˈɛkatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_185.wav|tɔ znˈatʃɨ, ɡdˈɨbɨɕ xtɕˈaw.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_210.wav|ˌalɛ na pɔdwˈɔdʑɛ valˈawɨ ɕɛ brˈudnɛ ubrˈaɲʲa, a tˈaɡʒɛ tʃɛrvˈɔnɔ dɔ rdʑˈɨ fraɡmˈɛntɨ kɔltʃˈuɡʲi i zbrˈɔi pwɨtˈɔvɛj.|1
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_193.wav|dʒˈɔn ɔddˈɨxaw ʃˈɨpkɔː i ɡwɛmbˈɔkɔ, zbjɛrˈajɔnts ɔdvˈaɡɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (43)_segment_77.wav|tˈɛras pˌɔzɔstavˈawɔ jˈuʃ tˌɨlkɔ jˈɔ̃ ɔdnˈalɛɕtɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (60)_segment_72.wav|zˈafʃɛ ɕɛ spʲɛrˈaliɕtɕˌɛ, a luˈisa i mˈama ˈaʃ tˈak ɕɛ ɲʲɛ ˌirɨtˈujɔ̃ vzajˈɛmɲʲɛ jˈaɡ vˈɨ.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_338.wav|vʲˈɛlɛ jɛ̃zˈɨkuv znˈa.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_487.wav|tˈak, ɲʲɛdwˈuɡɔ bɛɲdʑˌɛmɨ mʲˌɛli jɛj pˌɛrsɔnˈalja.|0
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_125.wav|mˈarɨ zˈafʃɛ tfʲɛrdʑˈiwa, ʒˈɛ kˌɔmɛdjˈaɲtɕi sɔ̃ znˈatʃɲʲɛ lɛpʃˈɨmi kˌapwanˈami ɲˈiʃ kapwˈaɲi, zvwˈaʃtʃa mɛrmˈɛllɔ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (54)_segment_123.wav|xtsˈɛ vˌɨkɔʒˈɨstatɕ ˈɔknɔ vˌɨxɔdʑˈɔntsɛ na fsxˈut jˈakɔ ʑrˈudwɔ nˌaturalnˈɛɡɔ ɕfʲˈatwa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_563.wav|na rˈɔɡu dvˈux rˈɔsjan z ɡʲˌitarˈami ɕpʲˈɛva pʲɔsˈɛŋkɛ vwˈasnɛj kˌɔmpɔzˈɨtsji.|0
+Dataset/wavs/artemis_anna_szymanczyk/48_Artemis_segment_30.wav|tɔ skˌɔmplikɔvˈana çistˈɔrja, ˌalɛ nastˈɛmpnɨm rˈazɛm ɔpˈiʃɛ tɕi fʃˈɨstkɔ dɔkwˈadɲʲɛj.|4
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_200.wav|nˈadal ɲʲɛ vʲɛdʑˈawam, jˈak lˌɛvɔrˈɛntʃnɨ namjˈɛʒɨw mˈɔjɛ ɡʲˈizmɔ.|4
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_227.wav|fspɔmɲʲˈanɔ rˈuvɲʲɛʃ ɔ mawʒˈɛɲstfʲɛ dla ɲʲˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_507.wav|ɔt kˈilku dɲˈi xfˈɨtam ɲʲˈɛtsɔ jˈakiɕ tʃˈas krˈutki parˈɔksɨzm dɨɡˈɔtu.|0
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_260.wav|mˈɔʒɛʃ sprubˈɔvatɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_20.wav|tˈak. dalˈɛkɔ stˈɔnt?|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_218.wav|ɔt tʃˈɔwa ˈaʒ dɔ drˈɔbnɨx stˈub z rˌuʒɔvˈɨmi paltsˈami.|0
+Dataset/wavs/summers_wojtek/Billy Summers (38)_segment_139.wav|rˈixtɛr pˈɔznawbˌɨ, ʒˈɛ sɔ̃ ʃtˈutʃnɛ i zˌatɕɛkˈaviwbˌɨ ɕɛ, tsˈɔ jɛzd ɡrˈanɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_45.wav|pɔvˈinnam bˌɨwa pɔʃˈukatɕ tˌɛɡɔ ftʃˈɛɕɲʲɛj, kʲˈɛdɨ jˈɛʃtʃɛ tˈutaj mʲɛʃkˈawam.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_126.wav|xˈɨba tˈɛras jˈuʒ zˈasnɛ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_220.wav|kˈɔrsak pʃɨɡlˈɔndaw mi ɕɛ z uvˈaɡɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_245.wav|ɲʲɛprˈavda, mˈɨɕli bʲˈillɨ. xtɕˈɛli pˈɔmuts, ˌalɛ ɲʲɛ skˌɔʒɨstˈawɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_196.wav|ktˌurɔ̃ nˌazɨvˈamɨ miwˈɔɕtɕɔ̃ ˈalbɔ miwˈɔstkɔ̃. zrˈɛʃtɔ̃, tʃˈɛɡɔ dɔ kˈɔɲtsa ɲʲɛ pʃɛʒˈɨwɛm, tɔ sˈɔbjɛ vˌɨɔbrazˈiwɛm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_159.wav|pɔdɲʲˈɔswam vzrˈɔk na jaɡˈɛra.|3
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_29.wav|rˈas jˈɛʃtʃɛ vˈɨjʒaw pʃˈɛs ˈɔknɔ f pwˈɔnnɛj nadʑˈɛi, ʒˈɛ ˈujʒɨ vrˌatsajɔntsˈɛɡɔ dɔ dˈɔmu minstrˈɛlla.|1
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_26.wav|jˈɛɡɔ vitrˈɨnɨ sɔ̃ zˌamazˈanɛ mˈɨdwɛm. na dʒvˈi nˌaklɛjˈɔnɔː ˌɔʒɛtʃˈɛɲʲɛ sɔndˈɔvɛ ɔ baŋkrˈutstfʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (51)_segment_102.wav|jˈɛɡɔ ɲʲɛ bˌɛɲdʑɛ tˈak wˈatfɔ vˌɨmanɛvrˈɔvatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_55.wav|pʃˌɛkɔnˈajmɨ ɕɛ, stfʲˈɛrdʑa bʲˈillɨ i ʒˈutsa na lˈadɛ bˈaŋknɔt pʲˌɛɲtɕɔdˌɔlarˈɔvɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_224.wav|ja ɲʲɛ mˈɔɡɛ, vɨkʃˈɨknɔw. ɔbjˈaviw ɕɛ ktˈɔɕ, kˈɔɡɔ ɲʲɛ vidʑˈawɛm ɔd vʲˈɛkuf.|4
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_37.wav|zˌavɔwˈawam zˈaɲʲɔ̃ upʃˈɛjmʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_167.wav|tˈak, vʲˈɛm ˈɔtɨm.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_63.wav|ɲʲɛ ɔdvrˈatsam vzrˈɔku.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_102.wav|jˈak kˈaʒdɨ z nˈas mˈɔʒɛ ɕɛ tʃˈutɕ f tɛj sˌɨtuˈatsji?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_12.wav|ɲʲˈɛxtsɛ jɛj sprˈavdʑatɕ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_61.wav|ˌɔpuɕtɕˈiwam ɡwˈɔvɛ.|3
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_143.wav|dˈɔkɔnt mˈam ɕɛ ˈudatɕ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_88.wav|vʲˈɛʃ, ʒˈɛ ˌɔɡlɔndˈamɨ s tˈatɔ̃ tsˈɔɕ, tsˈɔ nazˈɨva ɕɛ lɔtˈɛrjɔ̃ paɲstfˈɔvɔ̃?|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_68.wav|ɲʲˈɛmɨɕl ɔ ɲˈitʃɨm, lˈɛʃ spɔkˈɔjɲʲɛ.|0
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+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_108.wav|vʲˈɛtʃur xˈalɔwˌɨn spɛɲdʑˈiliɕmˌɨ f sˈɔudɣ bˈɛnt w indjˈaɲʲɛ, a pʲˈɛrʃɨ dʑˈɛɲ lˌistɔpˈada w lˈɔk xˈavɛn f pˌɛnsɨlvˈaɲʲi.|2
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_184.wav|ja rˈuvɲʲɛʃ ɕɛ pɔmˈɔdlɛ.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_214.wav|tfˈuj lˈɔrd bwˌɨskavˈitsa ɲʲɛ jɛst jɛdˈɨnɨm tʃwɔvʲˈɛkʲɛm, ktˌurɨ pɔtrˈafi zavʲˈɔ̃zatɕ pˈɛntlɛ.|1
+Dataset/wavs/urwisko_ferenc/61_segment_32.wav|tʃɛkˈawa na skrˈaju na swˌɔnɛtʃɲʲˈɔnɛj drˈɔɡʲi, ˌɔpsɛrvˈujɔnts jˈak tˈɨw ɲissˈana patrˈɔla vɨnˈuʒa ɕɛ z dˈɔwu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_90.wav|pʃˈɨkrɔ mi, ʒˈɛ tˈak pˌɔvʲɛdʑˈawɛm.|0
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+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_165.wav|prubˈujɛ uvˈɔlɲitɕ rˈɛntsɛ, vɨdˈajɔnts s ɕˈɛbjɛ stwumjˈɔnɛ prˈɔʑbɨ, ʒˈɛbɨ vrˈutɕiw i ftˈɛdɨ tɔ swˈɨʃɛ.|3
+Dataset/wavs/wrony_banaszyk/0018 uczta_dla_wron_siec_spi_segment_93.wav|jˈamɛ zˈatʃɔw rɔspˈinadʑ ʒɛmjˈɛɲʲɛ wɔntʃˈɔntsɛ jˈɔ̃ z nadɡˈarstkʲɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (60)_segment_50.wav|vjˈɛʒdʒa dˈɔʑdʑ dalˈɛkɔ, bˈɨ mʲˈɛtɕ pˈɛvnɔɕtɕ, ʒˈɛ ɲʲɛ vˈidatɕ iɣ z ˌasfaltˈufki.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_301.wav|ja bˌɛndɛ tɨm tʃwɔvʲˈɛkʲɛm, mˈikɛ.|0
+Dataset/wavs/urwisko_ferenc/26_segment_13.wav|mˈimɔ tɔ pʲˈɛrʃɨ rˈas tˌɛɡɔː ˌupalnˈɛɡɔ lˈata zrɔbʲˈiwɔ mu ɕɛ xwˈɔdnɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_201.wav|dɔ ɲˈipa lˈiw.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(82) R.Abbott_Zamknij Drzwi_segment_37.wav|mrˈuknɔw tsˈɔɕ pɔt nˈɔsɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_345.wav|z ɲʲˌɛnaturˈalɲʲɛ dwˈuɡʲɛj lˌimuzˈɨnɨ vɨskˈɔtʃɨw ʃˈɔfɛr i rˈɔspʲɔw ɔɡrˈɔmnɨ tʃˈarnɨ parˈasɔl.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_204.wav|mˈaʃ, pʃɛtʃˈɨtaj. pˈɔdaw mi tɕfʲˈartkɛ papʲˈɛru.|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_297.wav|ktˌurɨ ɔstˈatɲʲɔ pɔɡˈɔdʑiw ɕɛ z jɛj ˈɔjtsɛm.|1
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_74.wav|ˌalɛ iɣ dʑˈɛlnɔɕtɕ tʃˈɛba bˌɛɲdʑɛ dɔpʲˈɛrɔ pˈɔddatɕ prˈubjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_128.wav|xˈɔtɕaʃ ɲʲɛ, tɔ ɲʲɛ tˈak.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_478.wav|jˈuʃ jˈakɔʑ zupˈɛwɲʲɛ ˈinna, ˈɔptsa, s tamtˈɛɡɔ ɲʲˌɛznanˈɛɡɔ mi ɕfʲˈata.|0
+Dataset/wavs/urwisko_ferenc/64_segment_44.wav|pɔpˈatʃɨw na ɲʲˈɛɡɔː uvˈaʒɲʲɛ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_13.wav|ɡrˈɛtxɛl sxɔvˈawa pˈɔɕtɕɛl i vˌɨwɔʒˈɨwa rˈɛʃtɛ jɛj ˈubraɲ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_232.wav|pˈatʃɨw na bjˈawɔ̃ lˈiɲʲɛ pˈasa ˌutɕɛkajˈɔntsɔ̃ mʲˌɛndʑɨ kɔwˈami, a pˈɔtɛm, kʲˈɛdɨ bˌɨli jˈuʒ w ɡˈuʒɛ i vidʑˈɛli xmˈurɨ,|0
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_95.wav|pˈɔvʲɛm mˈɛdʲi, ʒˈɛbɨ ɲʲɛ ʃˌɔrɔvˈawa mɔjˈɛɡɔ swɔvˈitʃka tˈak mˈɔtsnɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_238.wav|w lˌakɛsˈidɛ fʃˈɨstkɔː ˈinnɛ vˌɨdavˈawɔ ɕɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(87) R.Abbott_Zamknij Drzwi_segment_20.wav|jˈɛdɛn z ɲˈix unˈɔɕi ɡwˈɔvɛ i pʃɨkwˈada pˈalɛdʑ dɔː ˈust.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_173.wav|pʃɛpwˈɨva dɔː artˈɛmis najvʲˈɛntsɛj pʲɛɲʲˈɛndʑɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (50)_segment_48.wav|tˈɔm fsˈunɔw klˈudʒ dɔ dʒvˈi vɛjɕtɕˈɔvɨɣ zˌadɔvɔlˈɔnɨ z mˌɔʒlivˈɔɕtɕi pɔvrˈɔtu dɔ dˈɔmu.|3
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_497.wav|alˈain ˌɔpʲɛkɔvˈawa ɕɛ xwˈɔptsɛm, ˈaʃ kɔnvˈulsjɛ minˈɛwɨ, a mjˈa vrutɕˈiwa dɔ pˌɔzɔstˈawɨx, bˈɨ pˈɔmuts im pʃˈɛjɕtɕ na drˈuɡɔ̃ strˈɔnɛ.|1
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_11.wav|pɔxˈɔdʑɛ z jˈɛɡɔ krfˈi i naɕˈɛɲʲa. jˌɛstɛm jˈɛɡɔ dʑɛdʑˈitʃkɔ̃, jˈɛɡɔ jɛdˈɨnɔ̃ tsˈurkɔ̃.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_110.wav|tɔ ɲʲɛ jɛst jˈɛɡɔ sprˈava.|3
+Dataset/wavs/urwisko_ferenc/50_segment_11.wav|jˈɛdɛn pʃˈɛkrɛnt i vʲˈɛʃ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_193.wav|tʃɨ tɔ zbˈɨt pˌɔɛtˈɨtskʲɛ? zbˈɨt rˌɔmantˈɨtʃnɛ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_39.wav|znˈak ˈiks, kʲˈɛdɨʑ bˈɨtɕ mˈɔʒɛ ɲʲɛbjˈɛski, tˈɛras pˌɔʃaʒˈawɨ, vˈidɲʲɔ̃ na kfˌadratˈɔvɛj bˌɛtɔnˈɔvɛj pwˈɨtɕɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_183.wav|dˌɔwadɔvˈawɛm jˈɔ̃ tˈakɔ̃ ilˈɔɕtɕɔ̃ pʲɛɲʲˈɛndʑɨ, na jˈakɔ̃ tˌɨlkɔ mˈɔɡwɛm sˈɔbjɛ pɔzvˈɔlitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_16.wav|dɔmˈɨɕla ɕɛ, ʒˈɛ dʑɛftʃˈɨŋka tɔ tsˈurka jamˈala i tsɔrˈinna ˌatskɛrmˈanuf.|2
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_256.wav|tˈak sˈamɔ jˈak mɔjˈɛɡɔ brˈata rɔbʲˈina.|1
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_47.wav|vʲˈɛʃ, jˈak lˈɛtɕiʃ na pˈuwnɔts, tɔ zɔstˈavʲaʒ za sˈɔbɔ̃ ɕlˈat, ktˌurɨ mˈɔʒɛ ˈiʑdʑ za tˈɔbɔ̃ s pɔwˈudɲʲa lˈub zˈɛ fsxˈɔdu. tˌɛɡɔ ɕlˈadu ɲʲɛ vˈidʑi ɲˈikt.|0
+Dataset/wavs/urwisko_ferenc/59_segment_66.wav|ubrˈaŋka rˈatʃɛj ɲʲɛ vɲʲˈɔsɔ̃ ɲˈits nɔvˈɛɡɔ dɔ sprˈavɨ. zavˈɔrski skʃɨʒˈɔvaw pʃˌɛdramjˈɔna.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_37.wav|tʃˈɛba mʲˈɛtɕ spˈɔrɔː ɔdvˈaɡʲi, ʒˈɛbɨ xˈɔdʑitɕ tˈɛntɛ pɔ tɕˈɛmku.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_224.wav|ɡdˈɨ zɡʲinˈɔwɛm w bʲˈitfʲɛ pɔt tridˈɛntɛm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_179.wav|a jˈɛdnaɡ vʲˈɛ ˈɔtɨm xˈɔff.|2
+Dataset/wavs/summers_wojtek/Billy Summers (27)_segment_20.wav|ʒvˈava blˈɔnd vwˈɔsa pˌɔɡɔdˈɨŋka fxˈɔdʑi na vˈizjɛ i ɔznˈajmja, ʒˈɛ bˌɛɲdʑɛ ʑˈimnɔ jˈak na tˈɛ pˈɔrɛ rˈɔku.|2
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_49.wav|znˈɔvu tɕˈixɨm ɡwˈɔsɛm.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_146.wav|vʲˈɛʃ tsˈɔɕ na tɛn tˈɛmat?|3
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_131.wav|bʲˈillɨ znˈuf mˈɨɕli ɔ kˈɛɲʲɛ xˈɔffjɛ, ktˌurɨ rˈuvɲʲɛ dˈɔbʒɛ mˈuɡwbɨ mʲˈɛtɕ na tʃˈɔlɛ vˌɨtatˌuɔvˈanɛj jˈɛlɛɲ.|2
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_95.wav|fsunˈɛwam rˈurkɛ za pˈasɛk. fprˈavdʑɛ alvˈarɛs navdˈɨxaw ɕɛ xlˌɔrɔfˈɔrmu, mʲˈaw zwamˈanɔ̃ rˈɛŋkɛ i bˈɨw pʃɨkˈutɨ dɔ vwˈazu, ˌalɛ vɔlˈawam ɲʲɛ rˌɨzɨkˈɔvatɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (11)_segment_40.wav|pɔ dˌɔkɔnˈaɲʲu pˈɛvnɨx kˈɔrɛkt sfɔjˈɛɡɔ vɨɡlˈɔndu rˈuʃa pʲɛxˈɔtɔ̃ f pʃɛtɕˈivnɨm kʲɛrˈuŋku.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (27)_segment_54.wav|pɔtʃˈɛbnɛ nˈam nazvˈiskɔː i ktˈɔɕ, ktˈɔ bˌɛɲdʑɛ ɡˈɔ mˈuɡw zˌidɛntˌɨfikˈɔvatɕ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_95.wav|mˈaxam kˈartɔ̃, tʃɨmˈajɔnts ktɕˈuk na blɔndˈɨntsɛ na zdjˈɛɲtɕu, uɕmʲˈɛxam ɕɛ i ɔtxˈɔdʑɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/42_Artemis_segment_169.wav|ɲʲɛ zbjɛrˈawɔ mi ɕɛ na vɨmjˈɔtɨ, ˌaɲi ɲʲɛ mdlˈawam, tsˈɔː uznˈawam za dˈɔbrɨ znˈak.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_593.wav|i ˈɔɲʲɛj.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (36)_segment_58.wav|ˈɔtpar ˈurɔp, vzruʃˈajɔnts rˌamjɔnˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (26)_segment_130.wav|ta drˈuɡa rɔbˈɔta bˌɨwa ɲʲɛtsˈawɨ rˈɔk pɔ pʲˈɛrʃɛj, tɛj zˈɛ zbˈɔkʲɛm.|2
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_317.wav|mɨɕlˈawɛm, ʒˈɛ ˌɔpuɕtɕˈiwa braˈavɔs.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_87.wav|zmʲɛɲˈiwam zˌakɔɲtʃˈɛɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_269.wav|ˌalɛ pˌɔstavˈiwɨ ʃlˈaban na tʃˈɨstɨ spirˈɨtus, ktˌurɨ jɛst ɲʲˌɛvʲarɨɡˈɔdɲʲɛ wˌatfɔpˈalnɨ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(65) R.Abbott_Zamknij Drzwi_segment_82.wav|na rˈaʑɛ zalˈɛʒɨ jɛj na bˌɛspʲɛtʃˈɛɲstfʲɛ mˈili, bˈɔ vʲˈɛ, ʒˈɛ jˈɛɕli nˈaʃa tsˈurka w jˈakiɕ spˈɔsup utɕˈɛrpi, ɲʲɛ dɔstˈaɲʲɛ tˈɛɡɔ, tʃˈɛɡɔ xtsˈɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_261.wav|mʲˈawam zˈatɔ dˈɔstatɕ ɔt trˈɔnda vʲˈɛlkɔ̃ ɡˈurɛ pʲɛɲʲˈɛndʑɨ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (75)_segment_65.wav|vrˈɛʃtɕɛ jˈakʲɛɕ pɔstˈɛmpɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_163.wav|bjɛɡɲʲˈɛmɨ pʃɛt ɕˈɛbjɛ. ʃˈɛɕtɕ miljˈarduf lˈudʑi ɡnˈa...|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_150.wav|z jakʲˈɛɡɔ tɨ jˌɛstɛɕ krˈaju, ˈandɛrsɔn?|0
+Dataset/wavs/artemis_anna_szymanczyk/31_Artemis_segment_340.wav|zˌapamjɛntˈawam, ˌɔtpisˈawam i sxɔvˈawam ɡʲˈizmɔ s pɔvrˈɔtɛm dɔ kʲɛʃˈɛɲi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_271.wav|ˌalɛ ˈinstɨŋɡd bˈɨw ɕilɲʲˈɛjʃɨ, vʲˈɛnts strˌɛmɔvˈanɨ tɔ̃ pʃɛstˈɛmptʃɔ̃ ˌɔkɔlitʃnˈɔɕtɕɔ̃,|0
+Dataset/wavs/artemis_anna_szymanczyk/39_Artemis_segment_119.wav|kˌɔnduktˈɔrka ˌɔbrutɕˈiwa ɕɛ f strˈɔnɛ ˌɔtʃɛkujˈɔntsɨx pˌasaʒˈɛruf. pʃɛprˈaʃam bˈardʑɔ, ˌalɛ mˌamɨ ˌɔpuʑɲʲˈɛɲʲɛ, ˌɔɡwɔɕˈiwa.|4
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_260.wav|ˌɔtswaɲʲˈajɔnts kˈɔɕtɕi tʃˈaʃki.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(76) R.Abbott_Zamknij Drzwi_segment_57.wav|tɔ mˈaɲʲɛ tʃˈɛba bˌɨwɔ prˈɔɕidʑ dvˈa rˈazɨ. vˌɨprɔvˈadʑiw s pɔkˈɔju kˈatɛ, ktˌura zatʃˈɛwa mˈuvitɕ, zˈaɲim zˈamknɔw za sˈɔbɔ̃ dʒvˈi.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_72.wav|tʃɨ nˈaɡlɛ ˈuznaw, ʒˈɛ xtsˈɛ mʲˈɛtɕ mˈili dla ɕˈɛbjɛ i z jˈakʲɛjɕ pʃɨtʃˈɨnɨ zaprˈaɡnɔw ukˈaratɕ ˈaʃa?|4
+Dataset/wavs/artemis_anna_szymanczyk/16_Artemis_segment_40.wav|jˈaɡbɨ mʲˈaw prˈavɔ dˌɛtsɨdˈɔvatɕ ɔ mˈɔim ʒˈɨtɕu ˌutʃutɕˈɔvɨm.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(32) R.Abbott_Zamknij Drzwi_segment_23.wav|tˈɔm pˌɔstanˈɔviw pˌɔvʲadˈɔmitɕ ˈɔtɨm jˈɔɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_219.wav|kˈula ˌudɛʒˈɨwa w ɔkrˈɔŋɡwɨ stˈɔlik, ktˌurɨ pɔtˈɔtʃɨw ɕɛ w bˈɔk.|2
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_311.wav|ɲʲɛ mˈɔɡɛ pɔvʲˈɛdʑɛtɕ, bˈɨ pˌɔdɔbˈawa mi ɕɛ mˈɨɕl, ʒˈɛ mˈam vrˈɔɡa tˈaɡ blˈiskɔ.|1
+Dataset/wavs/urwisko_ferenc/20_segment_38.wav|— tɔ znˈatʃɨ? — nˈɔ, ˈɔtɛ kwˈutɲʲɛ z ʒˈɔnɔ̃.|0
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_73.wav|ɲʲɛ prˈubuj zapʃˈɛtʃatɕ.|1
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_17.wav|tʃɛkˈaliɕmˌɨ na tɕˈɛbjɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_295.wav|dʑɛŋkˈujɛ. ɲʲˈɛmam dˈɔmu.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_161.wav|alˈain dɨɡnˈɛwa.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_57.wav|mˈɔja tsurˈɛtʃka s pɛvnˈɔɕtɕɔ̃ xˈɛntɲʲɛ bˈɨ ɡˈɔ sprˌubɔvˈawa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (55)_segment_54.wav|ʒˈɛ ɕɛ utɕˈɛʃɨ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_238.wav|ˌalɛ tsˈɔ bˌɨwɔ tɕɛkˈavɛ, ʒˈɛ kˈaʒdɨ nˌajdrɔbɲʲˈɛjʃɨ intsˈɨdɛnt ulˈitʃnɨ|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_79.wav|tsˈawɨ dˈɔmɛk s kˈart.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(92) R.Abbott_Zamknij Drzwi_segment_14.wav|tˈak mi ɕɛ vwˈaɕɲʲɛ zdavˈawɔ, ʒˈɛ sxɔdʑˈiwaɕ na dˈuw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_117.wav|zɛrknˈɔwɛm na tˈakɔː i pɔ jˈɛɡɔ mˈiɲʲɛ pɔznˈawɛm, ʒˈɛ tˈɛʃ tɔː uswˈɨʃaw i vʲˈɛ, tsˈɔ s tˌɛɡɔ vɨɲˈika.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_56.wav|tɛn dˈɔm nalˈɛʒaw dɔ nˈas, prˈavda?|3
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_135.wav|ix fspuwtʃˈutɕɛ wˈatfɔ zˌamjɛɲʲajˈɔntsɛ ɕɛ vɛ fɕtɕˈɛkwɔɕtɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (8)_segment_40.wav|ˌalɛ ɡdˈɨbɨ vɨrˈɔswa pʃˈɛdɲim bˈanda na ʑˈɔli lˈup tʃˈɛx, tʃtˈɛrɛx mʲɛɲɕɲʲˈakuf s pɛˈɔplɛ nˈatjɔn? zˈɛrɔ ʃˈans.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_147.wav|ɔt jˈaɡ dˈavna tˈutaj jˈɛstɛɕ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_86.wav|ɲʲɛ plˌanɔvˈawam mu tˌɛɡɔ pɔvʲˈɛdʑɛtɕ, tˌɛɡɔ vʲɛtʃˈɔru, ˌalɛ ɲʲɛ pˌɔzɔstˈaviw mi vɨbˈɔru.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_105.wav|xˈɨba jˈɛdnak ɲʲɛ rɔzˈumjɛ, jˈaɡ bˈardʑɔ bʲˈill jɛst fɕtɕˈɛkwɨ. zavˈarli umˈɔvɛ. ɔn jɛj f pˈɛwɲi dɔtʃˈɨmaw. ɲˈidʑɡ w zˈamjan ɡˈɔ vɨkˈivaw, a pˈɔtɛm prubˈɔvaw zˈabʲitɕ.|2
+Dataset/wavs/urwisko_ferenc/39_segment_17.wav|dlatˈɛɡɔ, ʒˈɛ ʒɔwˈɔndɛɡ bˈɨw pˈustɨ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (64)_segment_81.wav|tɔ trˈɔxɛ tˈak, jˈaɡbɨ mˈɔjɛ tɕˈawɔ ftɕˈɔ̃ʃ pˌamjɛntˈawɔ, tsˈɔ mˈa rˈɔbʲitɕ i sˈamɔ pˌɔruʃˈawɔ stɔpˈami.|3
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_73.wav|nˈɔtsɔ̃ mˈuʃɔ̃ mʲˈɛtɕ stˈamtɔnt fspaɲʲˈawɨ vˈidɔk na vˈɛɡas, mˈɨɕli bʲˈillɨ, zvwˈaʃtʃa z dˈaxu.|2
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_112.wav|prubˈɔvaw stˈanɔɲtɕ na tʃfɔrˈakax, ˌalɛ rˈɛntsɛ i nˈɔɡʲi ˌɔdmavʲˈawɨ mu pˌɔswuʃˈɛɲstfa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_142.wav|tɔ lunˈɛta, ktˌurɛj ˌɔpsɛrvˈatɔr uʒˈɨvaw dɔ vˌɨznatʃˈɛɲʲa ˌɔdlɛɡwˈɔɕtɕi ɔd vɨlˈɔtu lˈufɨ dɔ tsˈɛlu, zazvˈɨtʃaj z zˌadʑivʲajˈɔntsɔ̃, pʃɨnˈajmɲʲɛj zdˈaɲʲɛm bʲillʲˈɛɡɔ, prɛtsˈɨzjɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_13.wav|tˈɔm ɲʲˈɛbɨw dɔ kˈɔɲtsa pʃˌɛkɔnˈanɨ, tʃɨ vʲˈɛ, ʒˈɛ bˈɨw jɛj ʒˈɔɲʲɛ, jˈɛdnaɡ z mˈɨɕlɔ̃ ɔ lˈutsɨ vɨrˈaziw zɡˈɔdɛ, a lˌɔuˈisa ˌɔznajmˈiwa, ʒˈɛ bˈardʑɔ xˈɛntɲʲɛ pɔjˈɛdʑɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_86.wav|pˌɔtskakˈujɛ za kˈaʒdɨm rˈazɛm, ɡdˈɨ ktˈɔɕ pʃɛxˈɔdʑi f pɔblˈiʒu. dʑˈɛŋki bˈɔɡu ˈalfjɛ ɕˈɛdʑi tɕˈixɔ.|3
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_193.wav|sˈanxɛz vɨjˈɛwa sfˈɔjɛ ɡʲˈizmɔː i stuknˈɛwa pˈaltsɛm w ˈɛkran. xtɕˈawam jɛj ɡˈɔ vˈɨrvatɕ, ˌalɛ zdɔ̃ʒˈɨwa tsˈɔfnɔɲtɕ rˈɛŋkɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(46) R.Abbott_Zamknij Drzwi_segment_6.wav|mˈɔjɛ ramjˈɔna sɔ̃ pˈustɛ, ɲʲˈɛmam kˈɔɡɔ w ɲˈiɣ zˈamknɔɲtɕ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_129.wav|kʲˈɛdɨ ɔdvrˈatsa ɕɛ dɔ ɲʲˈɛj, jɛj ˈɔtʃɨ sɔ̃ pˌuwɔtfˈartɛ.|2
+Dataset/wavs/urwisko_ferenc/11_segment_96.wav|i fstˈaviw jˈɛ dɔ zlˈɛvu.|0
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_16.wav|na rˈaʑɛ fʃˈɨstkɔ pʃɛbjˈɛɡa zɡˈɔdɲʲɛ s plˈanɛm.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_48.wav|tʃˈujɛ ɕɛ ˌuraʒˈɔna.|4
+Dataset/wavs/urwisko_ferenc/15_segment_90.wav|ɡrˈɔɣ zatʃˈɨmaw tˌɛrɛnˈufkɛ ˌɔbɔɡ drɛvɲʲˈanɛj bˈutki, f ktˌurɛj tɕˈɛɲʲu na kʃˈɛɕlɛ tˌurɨstˈɨtʃnɨm ɕˈɛdʑaw pˌarkiŋɡˈɔvɨ i rˌɔzvʲɔ̃zˈɨvaw kʃɨʒˈufkɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_8.wav|jˌɛstɛm jɛj mˈamɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_004_Konwicki_Czytadlo_segment_232.wav|ruʃˈɨwɛm pʃɛt ɕˈɛbjɛ krɛntˈɨmi ˌulitʃkˈami tˌɛɡɔ kˌɔlɔsalnˈɛɡɔ bazˈaru, ktˌurɨ vˈɨrus tˈu ɲʲɛ vʲadˈɔmɔ kʲˈɛdɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_178.wav|dʑˈɛɲ spɛɲdʑˈiwam jˈaɡ zvˈɨklɛ, dˌɔstartʃˈajɔnts pʃɛsˈɨwki.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(62) R.Abbott_Zamknij Drzwi_segment_27.wav|uvˈaʒam, ʒˈɛ pɔlˈitsja mˈa nˈatɔ najvʲˈɛŋkʃɛ ʃˈansɛ.|4
+Dataset/wavs/urwisko_ferenc/04_segment_39.wav|a bˈɨw tˈakɔ̃ ɡratɕˈarɲʲɔ̃. stˈawɨ tˈam mˈɛblɛ, ktˌurɛ xtɕˈɛliɕmˌɨ spʃˈɛdatɕ. dˈɛska dɔ prˌasɔvˈaɲʲa i suʃˈarka na prˈaɲʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_123.wav|tfʲɛrdʑˈiwa, ʒˈɛ nazˈɨva ɕɛ sˈaskja pˈɛtɛrsɔn.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_134.wav|andˈalɛ, andˈalɛ! znˈuf pstrˈɨka mu paltsˈami pʃɛt nˈɔsɛm.|2
+Dataset/wavs/summers_wojtek/Billy Summers (6)_segment_33.wav|ˌɔtʃɨvˈiɕtɕɛ. mˈa pˈan prˈavɔ jˈazdɨ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_143.wav|tɛn ɡwˈɔs mˈɔʒɛ stˈatɕ ɕɛ ɲʲˈɛtsɔ bˈardʑɛj dɔrˈɔswɨ.|2
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_188.wav|ɡˌarɲizˈɔnu, jˈɛɕli ktˈurɨʑ z ɲˈiɣ zˈɛxtsɛ mɲʲɛ mʲˈɛtɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (34)_segment_158.wav|ˈaʃ f kˈɔɲtsu, ʃˈɛɕtɕ lˈat pˈuʑɲʲɛj, ˈaram pˌɔstanˈɔviw, ʒˈɛ mˈam tsˈɔʑ dla ɲʲˈɛɡɔ zrˈɔbʲitɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_174.wav|ɲʲɛ mˈɔʒɛ ɕɛ pɔfstʃˈɨmatɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_614.wav|zatʃˈɔwɛm dɨɡˈɔtadʑ z ʑˈimna vilɡˈɔtɕi, pˈɛvɲʲɛ tˈɛʒ zˈɛ zmɛntʃˈɛɲʲa.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(07) R.Abbott_Zamknij Drzwi_segment_29.wav|f tɨm mɔmˈɛɲtɕɛ zˌastanˈavʲam ɕɛ, tʃɨ najlˈɛpʃɨm pˌɔsuɲʲˈɛɲtɕɛm ɲʲɛ bɨwˈɔbɨ pˈɔbjɛdʑ dɔ kˈuxɲi i zˌablɔkˈɔvadʑ dʒvˈi ɔt ɕrˈɔtka.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_180.wav|ktˌurɨ bˈɨw ubˈɔʃʃɨ, prˈɔstʃɨ i brudɲʲˈɛjʃɨ.|1
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_185.wav|ɡdˈɨ vˌɨpɔvʲˈɛdʑaw tɔ nazvˈiskɔ,|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (18)_segment_95.wav|kˈilka ˈɔsup jˈɔ̃ vidʑˈawɔ, ˌalɛ ɲʲɛ pˌɔvʲɛdʑˈawɛm ˈɔtɨm ɲikˈɔmu pˈɔza spɛnsˈɛrɛm.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (32)_segment_34.wav|ɲʲɛvʲˈɛlɛ brˌakɔvˈawɔ, ʒˈɛbɨm tɕi ɲʲɛ pˌɔvʲɛdʑˈawa, ˌalɛ f kˈɔɲtsu ɕɛ ɲʲɛ pˌɔfstʃɨmˈawam.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_002_Konwicki_Czytadlo_segment_156.wav|prɛzˈɨdɛnt lˈɛʒaw ɲʲˌɛruxˈɔmɔː i ɲʲɛ vɨdˈavaw sfˈɔix xˌaraktˌɛrɨstˈɨtʃnɨx ɔdɡwˈɔsuf.|0
+Dataset/wavs/summers_wojtek/Billy Summers (52)_segment_249.wav|ˌalɛ ɲʲˌɛspɛtsjˈalɲʲɛ ɡˈɔ tɔ pɔtɕˈɛʃa.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_290.wav|zˌauvaʒˈɨfʃɨ, ʒˈɛ mˈɛrɨ vɛˈatxɛr zrɔzˈumjaw jɛj swˈɔva, krulˈɔva spɔjʒˈawa z uɕmʲˈɛxɛm na mistrˈɛlla.|1
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_257.wav|tɕˈawɔ na pɔlˈitʃkaɣ zvisˈawɔ w rɔzdˈartɨx stʃˈɛmpax, ɔt ˈɔtʃu ˈaʃ pɔ ʒˈuxfɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (33)_segment_189.wav|fˈɛlis ɲʲɛ uɕmʲˈɛxa ɕɛ, pɔftˈaʒa tˈɨlkɔ, ʒˈɛ trˈip ɲʲˈɛma fˌurɡɔnˈɛtki.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_246.wav|dɔdˈawɛm dla zaxˈɛntɨ.|0
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_149.wav|pɔ nˌabɔʒˈɛɲstfʲɛ udʑˈɛliw im rˌɔzɡʒɛʃˈɛɲʲa i zɔstˈaviw trˈɔxɛ ʒˈɛp,|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_5.wav|jˈakɔ̃ɕ ɔptsˈɔɕtɕɔ̃.|0
+Dataset/wavs/summers_wojtek/Billy Summers (28)_segment_162.wav|a nˈatɔ ɲʲɛ mɔʒˈɛmɨ sˈɔbjɛ pɔzvˈɔlitɕ.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_327.wav|i pʃˌɨɕɛŋɡˈawɛm sˈɔbjɛ, ʒˈɛ prˈɛndʑɛj zdˈɛxnɛ, ɲˈim vˈɨjdɛ z dˈɔmu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_61.wav|bɛɲdʑˌɛmɨ ɕlˈɛdʑitɕ tɛlˈɛfɔn ˈaʃa. spravdʑˈimɨ, dˈɔkɔnt jˈɛdʑɛ. znajdʑˈɛmɨ jˈɔ̃, jˈɔɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_7.wav|dɔpˈuki ɲʲɛ bˌɛɲdʑɛ pɔ fʃˈɨstkim, ɲʲɛ zamjˈɛʒa pʃɨjmˈɔvatɕ kˌɔfɛˈinɨ w ʒˈadnɛj pɔstˈatɕi.|2
+Dataset/wavs/artemis_anna_szymanczyk/40_Artemis_segment_32.wav|mˈɔɡwam pʃɨnˈajmɲʲɛj lˈitʃɨtɕ, ʒˈɛ vˈɨʃʃɛ tɕiɕɲʲˈɛɲʲɛ z zˈɛvnɔndʒ dɔtɕˈiɕɲʲɛ jˈɛʃtʃɛ mˈɔtsɲʲɛj tˈaɕmɛ dɔː ɔtfˈɔru.|4
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_359.wav|ˈɔx, naprˈavdɛ bˌɨwɛm ɲʲˌɛɡɔdʑˈiftsɛm, dɔpˈuki ɲʲɛ zʒutɕˈiwɛm bˈutuf.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_49.wav|prˈavʲɛ na pˈɛvnɔː uswˈɨʃawbˌɨ ˌawtɔmatˈɨtʃnɨ kɔbjˈɛtsɨ ɡwˈɔs, ˌinfɔrmujˈɔntsɨ ɡˈɔ, ʒˈɛ vɨbrˈanɨ nˈumɛr jɛzd vˌɨwɔntʃˈɔnɨ z uʒˈɨtku.|2
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_414.wav|ˈɔstrɔ zˌakɔɲtʃˈɔnɨ i ˌɔtɕɛkajˈɔntsɨ krfjˈɔ̃.|1
+Dataset/wavs/wrony_banaszyk/0040 uczta_dla_wron_siec_spi_segment_186.wav|rɔskˈazaw strˌaʒɲikˈɔvi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_81.wav|bˌɨwɔ ʑˈimnɔ, pˈadaw dˈɛʃtʃ, bˌɨwaɕ ɲʲˌɛpʃɨtˈɔmna, natɕpˈana pɔː ˈuʃɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_75.wav|prˌavdɔpɔdˈɔbɲʲɛ ɲʲˈɛmʲaw takʲˈɛɡɔ zamjˈaru, ˌalɛ tʃɨ zrˈɔbʲiwbˌɨ tɔ s prˌɛmɛdɨtˈatsjɔ̃, tʃɨ ɲʲɛ, bˈɨwabˌɨɕ tˈak sˈamɔ mˈartfa.|2
+Dataset/wavs/urwisko_ferenc/34_segment_69.wav|ɔtpˈarwa i ɡdˈɨ spˈɔjʒaw nˈaɲʲɔ̃ zˌaskɔtʃˈɔnɨ, nˌaxɨlˈiwa ɕɛ, ʒˈɛbɨ ɡˈɔ pˌɔtsawˈɔvatɕ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_269.wav|zˌawatfʲˈɔnɛ, pˌɔvʲɛdʑˈawɛm. spadˈamɨ stˈɔnt.|2
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_150.wav|pɔrˈuʃaw ɕɛ ɡwˈatkɔ, jˈaɡbɨ pwˈɨnɔw pɔ ʃˈɨnax. ʒadnˈɛɡɔ kˌɔwɨsˈaɲʲa ˌaɲi ʃarpˈaɲʲa, ɲˈits s tɨɣ ʒˈɛtʃɨ.|4
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_44.wav|i zdrˈadɛ stˈanu.|1
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_113.wav|jˈak mˈɔʒna sˈɔbjɛ vˌ��ɔbrˈazitɕ, bˈɨw tɔ dˈɔsɨtɕ pɔkˈaʑnɨ sxˈɛmat.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_206.wav|ɲʲˈɛvʲɛm. ɲʲˌɛvɨklutʃˈɔnɛ.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_163.wav|jɛst jˈɛʃtʃɛ tɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/33_Artemis_segment_85.wav|pɔ jˈakɔ̃ xɔlˈɛrɛ pˈaɲi tɔ zrɔbʲˈiwa?|4
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_14.wav|mˈɨɕli, ʒˈɛ tɔ kɕˈɔ̃ʃka w ˌɔtʃɨvˈistɨ spˈɔsup nˌapisˈana pʃˈɛs mwɔdˈɛɡɔ mɛ̃ʃtʃˈɨznɛ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_15_Hlasko_Palcie-ryz-kazdego-dnia_segment_72.wav|krɛɕlˈiwa w zˌapamjɛntˈaɲʲu pʃˌɨɡrɨzˈajɔndʑ dˈɔlnɔ̃ vˈarɡɛ, a pˈɔtɛm nˈaɡlɛ ˌɔdvrutɕˈiwa ɕɛ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_178.wav|vˌɨpuɕtɕˈiwam z rˈɔŋɡ vˌalizˈɛtʃkɛ jˈak ɔstˈatɲʲa ɲʲɛzdˈara.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_441.wav|pˈara sˌɨnɔɡˈarlits pʃˌɛxadʑˈawa ɕɛ pɔ rˈɨnɲʲɛ, zˌaɡlɔndˈajɔndʑ z ɡɔdnˈɔɕtɕɔ̃ w ˈɔknɔ.|0
+Dataset/wavs/urwisko_ferenc/32_segment_27.wav|xˈɛrman ɡʒɛbˈawa ɔptsˈasɛm f pʲˈaxu, ɡdˈɨ dʒvˈi ˌɔtfɔʒˈɨwɨ ɕɛ pɔnˈɔvɲʲɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_176.wav|vʲˈɛnts mˈuj tɕˈɛɲ, ˈalbɔ jˈa, pˌɔzbavʲˈɔnɨ natrˈɛntnɛj i ɲˈits ɲʲˌɛznatʃˈɔntsɛj tɕˌɛlɛsnˈɔɕtɕi, vʲˈɛnts pˌɔxɨlˈawɛm ɕɛ tˈam nad bjˈurkʲɛm.|0
+Dataset/wavs/urwisko_ferenc/50_segment_5.wav|dˈɔkɔnt? zdʑˈiviw ɕɛ prˌɔkurˈatɔr. dɔ ɡdˈaɲska. zˌɔstavˈimɨ tˈam ʃtʃɛrpskʲˈɛɡɔː i vrutɕˈimɨ tˈu nat rˈanɛm tfˈɔim vˈɔzɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_29.wav|ˈɛlis nakwˈada pɛrˈukɛ na rˌɔzwɔʒˈɔnɛ pˈaltsɛ i zatʃˈɨna jˈɔ̃ ˌɛnɛrɡʲˈitʃɲʲɛ rˌɔstʃɛsˈɨvatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_102.wav|— xˈɔdʑmɨ, xwɔpˈaki — pɔvʲˈɛdʑaw tˈakɔ. — dɔ bˈɔju!|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (53)_segment_49.wav|ˈaram fɔrˈakis ɔd vʲˈɛlu lˈat pɔmˈaɡa lˈudʑɔm tˈakim jˈak tɨ w znˌajdɔvˈaɲʲu drˈɔɡʲi kˈu lˈɛpʃɛj pʃɨʃwˈɔɕtɕi f trˈudnɨm ɕfʲˈɛtɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_275.wav|mˈɔja ɕˈɔstra jˈɛ pʃˌɛɡɔɲˈiwa.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_140.wav|ɲʲɛ mʲˈawam vˌɔntplivˈɔɕtɕi, ʒˈɛ mˈama jɛst ˌuʃtʃɛɲɕlivʲˈɔna jˈɛɡɔ dɛtsˈɨzjɔ̃, a jˈɛɡɔː ɔbˈɛtsnɔʑdʑ w dˈɔmu vɨrˈaʑɲʲɛ pˌɔpravˈiwa jɛj nˈastruj.|3
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_101.wav|zabˈafka bˌɔɡatˈɛɡɔ tʃwɔvʲˈɛka, ˈɔfʃɛm, ɲʲɛ pˌɔzbavʲˈɔna jˈɛdnak urˈɔku, w ˌɔdruʒɲʲˈɛɲʲu ɔt makˈabrɨw prˌɛfɛrɔvˈanɨx pʃˈɛs ɲˈika.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_244.wav|ˌɔkazˈawɔ ɕɛ, ʒˈɛ tɔ stˈarɨ maˈɛstɛr rivˈɛran.|1
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_196.wav|ˌalɛ ɲˈikt mɲʲɛ ɲʲɛ zˌauvˈaʒɨw.|4
+Dataset/wavs/wrony_banaszyk/0003 uczta_dla_wron_siec_spi_segment_124.wav|znˈɔvu mˈuvi ɔ stˈatkax. jˌɛstɛʑ za swˈabɨ, ʒˈɛbɨ vɨxˈɔdʑitɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_102.wav|vˈɨxɔtɕ, dˈana.|2
+Dataset/wavs/artemis_anna_szymanczyk/29_Artemis_segment_78.wav|ˌalɛ vʲˈɛm rˈuvɲʲɛʃ,|4
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_126.wav|dˈalɛ ssˈunɔw jɛj rˈɛntsɛ zˈɛ sfˈɔix rˈamjɔn. lˈɛdvʲɛ ɡˈɔ swɨʃˈawɛm.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_45.wav|pɔxˈɨla ɕɛ w mˈɔjɔ̃ strˈɔnɛ, blˈiskɔ mɔjˈɛɡɔː ˈuxa i pʃˈɛs xfˈilɛ mˈam vraʒˈɛɲʲɛ, ʒˈɛ zamjˈɛʒa mɲʲɛ pˌɔtsawˈɔvatɕ, ˌalɛ ɲʲɛ rˈɔbʲi tˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_63.wav|ɕilɲʲˈɛjʃa ɲˈiʒ vʲˈɛŋkʃɔɕtɕ mˈɛ̃ʃtʃɨzn? tɔ prˈavda.|1
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_38.wav|ɲʲˈɛvʲɛm, dlatʃˈɛɡɔ tɔ zrɔbʲˈiwɛm.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_89.wav|zdˈajɛ ɕɛ, bˈɨtɕ mˈɔʒɛ pɔznˈawɛm jˈɔ̃ ftʃˈɔraj.|0
+Dataset/wavs/wrony_banaszyk/0031 uczta_dla_wron_siec_spi_segment_106.wav|ɕɲˈiwɔ jɛj ɕɛ, ʒˈɛ ˈarɨs ˌɔakxˈɛart jˈɔ̃ pʲˈɛɕtɕi.|1
+Dataset/wavs/ryz_ferenc/9788367950190_12_Hlasko_Palcie-ryz-kazdego-dnia_segment_22.wav|tɔ bˌɨwɔ fʃˈɨstkɔ, tsˈɔ litʃˈɨwɔ ɕɛ w jˈɛɡɔ ʒˈɨtɕu i kʲˈɛdɨ mu tɔː ˌɔdɛbrˈanɔ, ɲʲɛ ˈumjaw ɕɛ jˈuʃ ɔ ɲˈidʑ zatʃˈɛpitɕ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(85) R.Abbott_Zamknij Drzwi_segment_52.wav|zˈɛrkam na vˌɨstraʃˈɔnɔ̃ tfaʒˈɨtʃkɛ mˈili i pɔtxˈɔdʑɛ dɔ ɲʲˈɛj.|4
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_120.wav|tˌɨlkɔ mˈikɛ, ˌɔna mɲʲɛ jˈuʃ ɲʲɛ kɔxˈawa. i ftˈɛdɨ zrˌɔzumjˈawɛm, ʒˈɛ ˌɔna naprˈavdɛ kˈɔxa vˈɛmɲʲɛ tɔ,|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_171.wav|nˈajpʲɛrf sprˈavja, ʒˈɛ tʃwˈɔvʲɛk ɕɛ tʃˈujɛ nˌajvaʒɲʲˈɛjʃɔ̃ ɔsˈɔbɔ̃ na ɕfʲˈɛtɕɛ, a pˈɔtɛm pɔvˈɔli, ˌalɛ skutˈɛtʃɲʲɛ kˈaʒɛ kfˌɛstjɔnˈɔvadʑ vwˈasnɨ ˈɔsɔnt.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (58)_segment_36.wav|ˈaram prubˈɔvaw fʃˈɛlkix mˈɛtɔt, ʒˈɛbɨm mu zdrˈadʑiw, tsˈɔ vʲˈɛm, ˌalɛ ˌɔdmuvˈiwɛm mu nˈavɛt spɔjʒˈɛɲʲa w ˈɔtʃɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_86.wav|baˈilɛj pɔtɕˈɛra ˈɔtʃɨ pʲɔ̃stkˈami, ftɕˈɔ̃ʃ ɲʲˌɛdɔbudʑˈɔnɨ f pˈɛwɲi.|3
+Dataset/wavs/wrony_banaszyk/0021 uczta_dla_wron_siec_spi_segment_70.wav|tɔ dˌaɛnˈɛrɨs jɛst tˈɔ̃, ktˌura zrɔdʑˈiwa ɕɛ pˈɔɕrut sˈɔli i dˈɨmu. dɔvˈɔdɛm nˈatɔ sɔ̃ smˈɔki.|1
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_125.wav|jˌɛstɛɕ lɛvˈitsɔ̃.|1
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_154.wav|tʃɨ tɔ mɔʒlˈivɛ? tˈak, xˈɨba tˈak.|0
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_51.wav|xɔlˈɛrɲʲɛ dˈɔbra ta kamˈɛra.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_95.wav|vɨskˈakuj, ˈanɔ, ˈalbɔ rɔzbʲˈijɛ tˈɛ pʲɛpʃˈɔnɔ̃ ʃˈɨbɛ.|3
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_87.wav|ɡdˈɨ ˈuɲʲuz ɡˈɔ dɔː ˈust, zdʑɛlˈiwa ɡˈɔ f tfˈaʃ rˈɔɡʲɛm, ktˌurɨ sˈama tʃɨmˈawa w dwˈɔɲi tˈak mˈɔtsnɔ, ʒˈɛ ˌuwamˈawa mu zˈɔmp.|1
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+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_25.wav|zˌapɨtˈawa z nadʑˈɛjɔ̃ w ɡwˈɔɕɛ.|3
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_42.wav|ɔstˈatɲʲɔ spˈɛndʑaʃ spˈɔrɔ tʃˈasu f tˌɔvaʒˈɨstfʲɛ lˈadɨ marɡˈarɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/37_Artemis_segment_217.wav|ɲʲɛ pʃˌɨpɔmˈinaw sˌamɔxɔdʑˈika plˌaʒɔvˈɛɡɔ z ɲʲˌɛvɨɡɔdnˈɨmi ɕˌɛdʑɛɲʲˈami dla pˌasaʒˈɛruf f skafˈandrax pruʒɲʲˈɔvɨx.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (8)_segment_72.wav|ɡwˈuvnɛ. ˈɔj, prˈɔʃɛ vɨbˈatʃɨtɕ, mˈuj tɛlˈɛfɔn vibrˈujɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (57)_segment_118.wav|kˈaʒdɨ, ktˈɔː uswˈɨʃawbˌɨ nˈaʃɔ̃ rɔzmˈɔvɛ, natˈɨxmʲazd bˈɨ tɔ zɡwˈɔɕiw.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_323.wav|vˈɛʑmʲɛʃ mʲˈɛtʃ i zabʲˈijɛʃ krˌulɔbˈujtsɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_181.wav|dʑˈiɕaj jˈɔ̃ znˈajdʑɛ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_62.wav|w zˈɛʃwɨm tɨɡˈɔdɲʲu bwaɡˈawaɕ mɲʲɛ ɔ zdradʑˈɛɲʲɛ tsˈawɛj prˈavdɨ.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_377.wav|vˌɨmɨɕlˈiliɕmˌɨ pˈɛvʲɛn spˈɔsup na zˌaɡwuʃˈaɲʲɛ vʲɛtʃnˈɛɡɔ ɲʲˌɛpɔkˈɔju.|0
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_216.wav|xˌɛrɔˈitʃnɛ vɨɕˈiwki, jˈakiɣ vˌɨmaɡˈawɔ spwɔdʑˈɛɲʲɛ xwɔpˈaka, na ɲˈits ɕɛ ɲʲɛ zdˈawɨ.|1
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_403.wav|dɔstˈaɲʲɛʃ tˈɨlɛ pˌɔtsawˈuŋkuf, ˈilɛ tˌɨlkɔ zaprˈaɡɲʲɛʃ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_38.wav|ˌɔtpɔvʲˈada miltʃˈɛɲʲɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_128.wav|zadʑvˈɔɲiw tɛlˈɛfɔn tˈɔma.|3
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_151.wav|tʃɨ kɔbjˈɛtɨ zdˈajɔ̃ sˈɔbjɛ sprˈavɛ, jˈak sɛksˈɔvɲʲɛ vˌɨɡlɔndˈajɔ̃, kʲˈɛdɨ tˈak ɕˈɛdʑɔ̃?|4
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_184.wav|jˈak pˈan tˌɨlkɔ ɕtɕˈɔŋɡɲʲɛ stˈɛrɨ i nˈɔs sˈam pˈanu pɔdˈɛjdʑɛ dɔ ɡˈurɨ. pˈan mˈuɕi tʃˈutɕ pʃɨ lˌɔndɔvˈaɲʲu, ʒˈɛ pˈan lˈɛtɕi, a ɲʲɛ spˈada.|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_211.wav|ɲʲˈɛma tɔ jˈak pɔvʲˈɛtʃɛ.|4
+Dataset/wavs/urwisko_ferenc/65_segment_118.wav|xtɕˈaw.|0
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_9.wav|vˈilki dɔstˈawɨ ɕɛ tˈɛʃ mʲˌɛndʑɨ kˈɔɲʲɛ. xɔlˈɛrnɛ skˌurvɨsˈɨnɨ zabʲˈiwɨ mɔjˈɛɡɔː ˌulubjɔnˈɛɡɔ ɡɲʲadˈɔʃa.|1
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+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_18.wav|ˈɛllis pˌɔswuɡˈujɛ ɕɛ tˌɛlɛfˈɔnɛm daltˈɔna smˈitxa s fprˈavɔ̃ vwaɕtɕˈivɔ̃ mwɔdˈɛmu pˌɔkɔlˈɛɲʲu.|2
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_196.wav|tˈaɡ bˌɨwɔ na fsxˈɔdʑɛ i tˈaɡ bˌɨwɔ w ˈɛl pˈasɔ, tˈaɡ bˌɨwɔ f tartˈakax i tˈaɡ bˌɨwɔ f tɨx fʃˈɨstkix tˈaɲix knˈajpax, f ktˌurɨx jˈad i pˈiw.|0
+Dataset/wavs/artemis_anna_szymanczyk/26_Artemis_segment_62.wav|vˌɨdukˈawam i sxɔvˈawam kartˈɛtʃkɛ. zadʑvˈɔɲi pˈaɲi dɔ tˌɛɡɔ pʲˌɛpʃɔnˈɛɡɔ ɡˈɔɕtɕa, dˈɔbra?|4
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_86.wav|stɔsˈɔvnɛ ˌuvʲɛɲtʃˈɛɲʲɛ parʃˈɨvɛj rɔbˈɔtɨ, ktˌurɛj ɲʲɛ pɔvˈiɲʲɛn bˈɨw pʃˈɨjɔɲtɕ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_09_Hlasko_Palcie-ryz-kazdego-dnia_segment_116.wav|ˌalɛ mˈuj ˈɔjtɕɛdʑ bˈɨw na tˈɨlɛ ɡwˈupi, ʒˈɛ prubˈɔvaw mi vmˈuvitɕ, ˈiʃ stˈudja pˌɔviɲʲˈɛnɛm pʃˈɛjʑdʑ vwasnˈɨmi ɕiwˈami.|0
+Dataset/wavs/urwisko_ferenc/01_segment_72.wav|xˈɛrman ɲʲɛ zˌamjɛʒˈawa ɡˈɔ pɔɡˈaɲʲatɕ. tʃɛkˈawa tɕɛrplˈivʲɛ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_90.wav|a tˈɛras, kʲˈɛdɨ jˈuʒ vʲɛdʑˈawam, ktˈɔ tɔ jˈɛst, ɲʲɛ mˈɔɡwam zadʑvˈɔɲitɕ na pɔlˈitsjɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_224.wav|jɛʒˈɛli sˈanxɛs pʃɛstˈaɲʲɛ dɔstˈartʃatɕ tlˈɛn, zwˈamjɛ umˈɔvɛ z mʲˈastɛm.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_83.wav|pˌɔvʲɛdʑˈawa namjˈɛntnɨm, zduʃˈɔnɨm ɡwˈɔsɛm.|0
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_151.wav|ɔ tˈak! ʃˌɛsnaɕtɕˈɔrɔ dla ɲʲˈɛɡɔ, trˈɔjɛ dla tɕˈɛbjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (53)_segment_67.wav|zɔstˈawɔ jˈɛʃtʃɛ kˈilka drɔbjˈazɡuf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_21.wav|pɔ jˈakimɕ tʃˈaɕɛ zˌavɔwˈali mɲʲɛ s pɔvrˈɔtɛm dɔ ɕrˈɔtka i nˌapisˈawɛm, tsˈɔ ɕɛ ftˈɛdɨ stˈawɔ, w rubrˈɨtsɛ dˈanɛ ˌɔsɔbʲˈistɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (47)_segment_234.wav|jˈak mˈus tɔ mˈus.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_31.wav|swɨʃˈawa jˈaɡ z ɔddˈali ɡwˈɔz vˌɔwajɔntsˈɛɡɔ jˈɔ̃ pɔt rˈika.|1
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_246.wav|tˈak minˈɛwa najdwˈuʃʃa nˈɔdʑ w ʒˈɨtɕu tsɛrsˈɛi lanɲˈistɛr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (18)_segment_38.wav|dʒˈamal ɕmʲˈɛjɛ ɕɛ i pwˈatɕi pʲˈɛɲdʑ dˈɔltsuv za dvadʑˈɛɕtɕa stʃˈawuf.|2
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_16.wav|ɲʲɛ istɲʲˈawɨ naprˈavdɛ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_189.wav|udˈɛʒɨw f ʃtʃˈɛŋkɛ sˌalvatˈɔra i tsˌatɔlˈitsɔ buˈɛnɔ pˈad na dˈɛski, ˌudɛʒˈajɔnts ˈɔɲʲɛ ɡwˈɔvɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (65)_segment_40.wav|jˌɛstɛɕ tˈaka sˈama jˈak mˈɔja mˈatka, vʲˈɛʃ, ˈanɔ?|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_162.wav|ˌɔna znˈa tɛ swˈɔva.|1
+Dataset/wavs/artemis_anna_szymanczyk/03_Artemis_segment_178.wav|jˈɛan dɨskrˈɛtɲʲɛ ɔtstˈaviw kˈubɛk.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_300.wav|ɔpˈadwam mu w ɔbjˈɛɲtɕa i rˌɔspwakˈawam ɕɛ jˈaɡ dʑˈɛtskɔ.|4
+Dataset/wavs/urwisko_ferenc/53_segment_124.wav|tɔ tɕɛkˈavɛ, mruknˈɛwa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_142.wav|ftˈɛdɨ, ɡdˈɨ jɛst jˈuʒ za pˈuʑnɔ, bˈɨ ɕɛ vɨtsˈɔfatɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_57.wav|tˈɛras pɔtxˈɔdʑi dɔ ɲˈix i ɲʲˌɛruxɔmjˈɛjɛ z rˈɛŋkɔ̃ na ɡˈawtsɛ.|2
+Dataset/wavs/urwisko_ferenc/03_segment_75.wav|— bˈardʑɔ tɔ pʃˈɛʒɨw. pʃɨjˈɛxaw dɔ nˈas, rɔzmˈavʲaw z mˈɔɲikˌɔ̃. mʲˌawɛm vraʒˈɛɲʲɛ, ʒˈɛ jɛj vɨbˈatʃɨw.|0
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_132.wav|tʃɨ pˈan tɔ rɔzˈumjɛ, mˈikɛ?|0
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_15.wav|tʃujɲˈiki ˌɔdlɛɡwˈɔɕtɕi sɔ̃ lˌuksusˈɔvɨm dɔdˈatkʲɛm f sˌamɔxˈɔdax na ʑˈɛmi, ˌalɛ pˈɔttʃas mˌanɛvrɔvˈaɲʲa pɔjˈazdɛm kɕˌɛ̃ʒɨtsˈɔvɨm mˌajɔ̃ dˌɛtsɨdujˈɔntsɛ znatʃˈɛɲʲɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_113.wav|dʑɛŋkˈujɛ, pˈanu.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (35)_segment_46.wav|tˈɔm zamˈɨɕliw ɕɛ ɡwɛmbˈɔkɔ.|3
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_103.wav|kʲˈɛdɨ ɕɛ dɔ ɲʲˈɛɡɔː ˌuɕmʲɛxˈawa, ɔdvrˈatsaw ɡwˈɔvɛ, xˈɔtɕ ɲʲɛ vʲˈɛdʑaw, ʒˈɛ tɔ jɛst jˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0022 uczta_dla_wron_siec_spi_segment_37.wav|sˈam jˈɛŋknɔw. ɲʲɛ, ɲʲɛ mˈɔʒɛʃ ɲʲˈɔ̃ bˈɨtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_80.wav|dˈavn pɔdɲʲˈɔswa vzrˈɔk.|3
+Dataset/wavs/ryz_ferenc/9788367950190_16_Hlasko_Palcie-ryz-kazdego-dnia_segment_201.wav|i mʲˈaw jˈɛʃtʃɛ plˈɔtɛr vartˈɔɕtɕi dvˈuɣ dɔlˈaruf i mˈapɨ lɔtɲˈitʃɛ. vʲˈɛdʑaw, ʒˈɛ ɲʲɛ bˌɛɲdʑɛ ɲˈiɡdɨ mʲˈɛtɕ ɲitʃˈɛɡɔ vʲˈɛntsɛj. ɲˈidʑ vʲˈɛntsɛj ɲʲɛ bˌɨwɔ mu pɔtʃˈɛbnɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (1)_segment_124.wav|mˈaski, ktˌurɔ̃ zakwˈada na uʒˈɨtɛk tˈɨpuf pɔkrˈɔju ɲˈika, frˈaŋka i pˌɔliˈɛɡɔ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_87.wav|a jˈɛɕli tˈak, tɔ tʃɨ tsɔkˈɔlvʲɛk pʃˈɛʃwɔ pˈaɲi dɔ ɡwˈɔvɨ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_20.wav|tsawˈɔɕtɕi dɔpˈɛwɲʲa çipstˈɛrski kˌapɛlˈuɕik. bˈujnɛ tʃˈarnɛ vwˈɔsɨ spwɨvˈajɔ̃ spˈɔd vɔ̃skʲˈɛɡɔ rˈɔnda na ramjˈɔna.|2
+Dataset/wavs/ryz_ferenc/9788367950190_14_Hlasko_Palcie-ryz-kazdego-dnia_segment_39.wav|jˈuʒ zˈaɲim pʃˈɨʃwa, vɨdˈawɛm dʑɛɕˈɔntkɛ, tɔ znˈatʃɨ...|0
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_32.wav|dɔrˈɔɕɲʲɛ dɔ ɲʲˈɛɡɔ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_36.wav|i nˈaɡlɛ klˈɛpnɔw mɲʲɛ pɔ ramjˈɛɲʲu, puʃtʃˈajɔndʑ dʑˈivnɛ bˈɔmblɛ s kɔwtˈuna ʃpˌakɔvatˈɛɡɔ zarˈɔstu vˈɔkuw ˈust, nˈɔsa i ˈɔtʃu.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_85.wav|dʒˈɛva rˈɔswɨ blˈiskɔ ɕˈɛbjɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (34)_segment_101.wav|tˈɛras jˈuʃ pˈujdɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_100.wav|lˈɛna bˌɨwa pʃɨkˈuta dɔ vˈuska.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_152.wav|xɔdʑˈiwa z mˈiwɨm starˈuʃkʲɛm pʃˈɛz vˈɔnnɔ̃ tɕˈɛmnɔɕtɕ, ɲʲˈɔsɔndʑ ʒɛlˈaznɔ̃ latˈarɲʲɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (77)_segment_11.wav|mˈɔɡɛ zˈɔstatɕ tˈutaj?|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_230.wav|jˈuʃ ɕɛ rˈɔbʲi, mˈuvi, klˈɛpʲɔnts jˈɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0029 uczta_dla_wron_siec_spi_segment_205.wav|jɛj swuʒˈɔntsɨ bjˈɔrɔ̃ ˈɔdɛ mɲʲɛ pʲɛɲʲˈɔndʑɛ, ˌalɛ pʃɨnˈɔʃɔ̃ mi tˌɨlkɔ ɲˈits ɲʲˌɛznatʃˈɔntsɛ drɔbjˈazɡʲi.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_37.wav|ɲʲˈɛx pˈan jɛj ɲʲɛ vʲˈɛʒɨ, tɔ varjˈatka. ɔfjˈara vʲˈɛlkʲɛj pɔlˈitɨkˌi. dɔʒˈɨva sfˈɔiɣ dɲˈi pɔ kˌɔmisarjˈatax.|0
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_416.wav|tʃɨ mˈɔɡɛ dˈɔtknɔɲtɕ tfɔjˈɛɡɔ tʃˈɔwa, pˈaɲi?|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_561.wav|pˌɔvʲɛdʑˈawa jˈaɡbɨ mɲʲɛ pʃˌɛdʒɛʑɲʲˈajɔnts.|0
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_17.wav|vˌɨdavˈawɔ ɕɛ, ʒˈɛ ˈɔrtɔn ɲʲˈɛmʲaw ɲˈits pʃɛtɕˈifkɔ tˈɛmu, a jˈɛɕli nˈavɛt mʲˈaw, vʲˈɛdʑaw, ʒˈɛ lˈɛpʲɛj ɲʲɛ mˈuvitɕ tˌɛɡɔ ɡwˈɔɕnɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (33)_segment_52.wav|pʃɛwˈɨkam s trˈudɛm ɕlˈinɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(13) R.Abbott_Zamknij Drzwi_segment_63.wav|stˈɛvɛ ˈumilkw na xfˈilɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/46_Artemis_segment_8.wav|rˌɔspɔznˈawam ɡwˈɔs ˈɔjtsa. swˈɨʃɨʃ mɲʲɛ?|4
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_210.wav|a ɔn pɔpˈatʃɨw nˈamɲʲɛ i pɔvʲˈɛdʑaw.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (34)_segment_25.wav|dˌɔjɛʒdʒˈamɨ na mʲˈɛjstsɛ.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_269.wav|a f tɨx mrˈɔtʃnɨɣ dɲʲˈax jɛzd vʲˈɛlu tˈakix, ktˌuʒɨ ɲʲɛ mˈɔɡɔ̃ tˌɛɡɔː ɔ sˈɔbjɛ pɔvʲˈɛdʑɛtɕ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_19.wav|tʃˈɛɡɔ navʲˈasɛm mˈuvʲɔnts jˈɛʃtʃɛ ɲˈiɡdɨ ɲʲɛ rɔbʲˈiwam, xˈɔtɕaʃ ɕˈɔstra rˈas mɲʲɛ ˌɔpatrɨvˈawa, jˈaɡ vjɛxˈawam rɔvˈɛrɛm f skʃˈɨŋkɛ pɔtʃtˈɔvɔ̃ simˈɛtskix.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_16.wav|tsˈɔ jɛst f pudˈɛwku?|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (9)_segment_46.wav|ɲʲɛ vʲɛdʑˈawam nˈavɛt, ɔ tsˈɔ bˈɨm mˈɔɡwa. fʃˈɨstkɔ vˌɨdavˈawɔ ɕɛ tˈakʲɛ dʑˈivnɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(50) R.Abbott_Zamknij Drzwi_segment_49.wav|tˈɔma zatkˈawɔ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_161.wav|jˈak na kˈɔɡɔɕ ɔt tˈakʲɛj ˌimpɔnujˈɔntsɛj sɨlvˈɛttsɛ pɔrˈuʃaw ɕɛ zdˌumjɛvajˈɔntsɔ ʃˈɨpkɔ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_139.wav|pˈɛk i ɡˈarɛtt pʃɨɲʲˈɛɕli vˈɔdɛ, a pjˈa znalˈazwa mu tʃˈɨstɛ ubrˈaɲʲɛ dɔ kɔlˈatsji.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_166.wav|dʑɛŋkˈujɛ za uvˈaɡɛ.|2
+Dataset/wavs/urwisko_ferenc/09_segment_107.wav|jˈarɔɲ ɔdvrˈutɕiw ɕɛ dɔ ɲʲˈɛj i pɔwˈɔʒɨw dwˈɔɲ na klˈamtsɛ.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(34) R.Abbott_Zamknij Drzwi_segment_31.wav|ɔ bˈɔʒɛ, pʃˈɛs xfˈilɛ vˌɨdavˈawɔ mi ɕɛ, ʒˈɛ tɔ jˈɛdna s pˌɔrɨvˈatʃɛk, ˌalɛ ɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_202.wav|i s xˈɛɲtɕɔ̃ mu jˈɔ̃ zˈɛrvɛ, bˈɨ pʃɛkˈazatɕ tˈɔbjɛ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_91.wav|pɔ kˈilku sɛkˈundax ɔdvrˈatsa ɕɛ i zamˈɨka za sˈɔbɔ̃ dʒvˈi.|4
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_121.wav|sˈam ɲʲˈɛmuɡw zɲʲˈɛɕtɕ mˈɨɕli, ʒˈɛ pɔkˈɔnaw zɡˈɔʑdʑik i dʑˈɛtskʲɛm tˈaɡ dwˈuɡɔ̃ drˈɔɡɛ, tˈɛraz zˈaɕ mˈɔʒɛ bˈɨdʑ zmuʃˈɔnɨ pɔʒˈutɕitɕ ix pɔɕrˈɔtku vˈɔjnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_62.wav|pɔdˈɔbɲʲɛ jˈaɡ vʲˈɛŋkʃɔɕtɕ rˌɔbɔtɲˈikuf.|2
+Dataset/wavs/summers_wojtek/Billy Summers (12)_segment_34.wav|ɲʲˈɛmuf s pɛwnˈɨmi ustˈami, ˌupɔmˈina ɡˈɔ tsɔrˈinnɛ. plˈujɛʃ ˌɔkruxˈami na fʃˈɨstkʲɛ strˈɔnɨ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (45)_segment_71.wav|pˈɔttɨm adrˈɛsɛm mʲˈɛɕtɕi ɕɛ rˌɛzɨdˈɛntsja ɲʲˌɛjakʲˈɛɡɔ ɲˌitsɔlˈaja mˌadʒarɨˈana.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_011_Konwicki_Czytadlo_segment_31.wav|plɛmjˈɛnnɨm napˈitkʲɛm swˈɔvʲan ɕrɔtkˈɔvɨx i fsxˈɔdɲix.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (59)_segment_61.wav|tɕˈɛʃɨ mɲʲɛ mˈɨɕl, ʒˈɛ ktˈɔɕ xtsˈɛ zˈaɡratɕ na nˈɔɕɛ ˌɛdmuntsˈɔvi.|3
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_422.wav|tfˈaʃ jɛj ˈɔjtsa pˌɔtɕɛmɲʲˈawa. pɔdˈɔbnɨ brˈaɡ zˌaufˈaɲʲa ɲʲɛ pʃɨnˈɔɕi tɕi zaʃtʃˈɨtu, ˈarjan.|1
+Dataset/wavs/urwisko_ferenc/35_segment_17.wav|vˈidʑiʃ?|0
+Dataset/wavs/urwisko_ferenc/08_segment_114.wav|i tʃˈɨɕtɕiw pɔsˈatskɛ, na ktˌurɛj znˌajdɔvˈawa ɕɛ plˈama krfˈi.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_41.wav|tʃˈɛba bˈɨdʑ zwˈɨm, bˈardʑɔ zwˈɨm tʃwɔvʲˈɛkʲɛm, ʒˈɛbɨ zˈabʲidʑ bˈɔɡu dˈuxa vˈinnɔ̃ mˈawɔ̃ dʑɛftʃˈɨŋkɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(95) R.Abbott_Zamknij Drzwi_segment_25.wav|mˈartfjɛ ɕɛ, ʒˈɛ jˈɛɕli zˌɔstaɲʲˈɛmɨ rˈazɛm, jˈuʒ zˈafʃɛ bˌɛndɛ ɡˈɔ kˌɔntrɔlˈɔvatɕ i ɲˈiɡdɨ mu dɔ kˈɔɲtsa ɲʲɛ zaˈufam.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_20.wav|vʲˈɛʃx kˌapɛlˈuʃa ɔkrˈɨvaw ˌɔrjɛntˈalnɨ ʃˈal zˌavʲɔ̃zˈanɨ ɲʲɛdbˈalɛ pɔt ʃpitʃˈastɔ̃ brˈɔdɔ̃.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (55)_segment_20.wav|ˈu tɕˈɛbjɛ fʃˈɨstkɔ f pɔʒˈɔntku? vɨɡlˈɔndaʃ na spʲˈɛntɔ̃. kʲˈɛdɨ ɔstˈatɲʲɔ fpˈadwam dɔ vˈas, dɔmˈiɲik fspˈɔmɲʲaw, ʒˈɛ pˌɔjɛxˈawaɕ na ɕiwˈɔvɲʲɛ. ɲʲɛ pʃɛtrˈɛnuj ɕɛ, kɔxˈana.|3
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_418.wav|tsɛrsˈɛi ˌuɕtɕisnˈɛwa ˌuspɔkˌajajˈɔntsɔ dwˈɔɲ marɡˈɛrɨ. ˌɔtʃɨvˈiɕtɕɛ maʃ prˈavɔ vɨbˈɔru rɔdʑˈaju prɔtsˈɛsu. jˌɛstɛɕ pʃˌɛtɕɛʃ krulˈɔvɔ̃.|1
+Dataset/wavs/summers_wojtek/Billy Summers (24)_segment_88.wav|pɔlˈitsjɔ̃ ɕɛ ɲʲɛ pʃɛjmˈujɛ. pˈɛndʑɔ̃ dɔ sˈɔndu, ɡdʑˈɛ rɔspˈɛntaw ɕɛ ˈistnɨ katˈaklizm. mˈuɕi jˈɛdnak uvˈaʒatɕ na rɛɡʲˈɛɡɔː i dˈanɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_201.wav|zawˈuʒmɨ, ʒˈɛ ktˈɔʑ vɨnˈalaz lˈɛpʃɨ pˈatɛnt, pˌɔvʲɛdʑˈawam.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (54)_segment_94.wav|dɔ tˌɛɡɔ vˌɨjɔntkˈɔva i pʲˈɛŋkna.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (73)_segment_8.wav|ɲʲɛ vɨdˈajɛ mi ɕɛ, ʒˈɛbɨ ʒˈɔna mɔrdˈɛrtsɨ pˌasɔvˈawa dɔː iɣ vˈizji i vˌɨznavˈanɨɣ vartˈɔɕtɕi.|3
+Dataset/wavs/urwisko_ferenc/11_segment_32.wav|kʲˈɛdɨ ɕɛ zˌatɕɔŋɡnˈɛwa, bɔrˈɛvitʃ ɔtfˈɔʒɨw pˈuʃkɛ ˌɛnɛrɡʲizˈɛra i pɔtɕˈɔŋɡnɔw spˈɔrɨ wˈɨk.|0
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_212.wav|vˈɨʃwam z ɡˌabʲinˈɛtu pˌɔzɔstavʲˈajɔnts ɔstˈatɲʲɔ̃ uvˈaɡɛ bˈɛs kˌɔmɛntˈaʒa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_100.wav|lˈudʑɛ bjˈɛɡli dɔ namjˈɔtu zɔbˈatʃɨtɕ, tsˈɔ ɕɛ dʑˈɛjɛ.|2
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_10.wav|pʲˈɛrɕtɕɛɲ ˈɔɡɲizɡ vˈɔkuw vaʃˈɛɡ��ː ɔbˈɔzu mˈuɡwbɨ jˈɛ pɔfstʃˈɨmatɕ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_441.wav|urvˈanɨɣ vˈɨznaɲ, ɲʲɛjˈasnɛ tˈɔnɨ ɕmʲˈɛxu ˈalbɔ pwˈatʃu.|0
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_334.wav|ɔdmˈavʲam dˌɔkɔnˈaɲʲa takʲˈɛɡɔ vɨbˈɔru.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_76.wav|zvʲˈɛʃam ramjˈɔna, a napʲˈɛɲtɕɛ w jˈakiɕ spˈɔsup ˌulatˈujɛ z mɔjˈɛɡɔ tɕˈawa.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_140.wav|pʃɨʃˈɛdwɛm s pˌɔtɕɛʃɨtɕˈɛlkɔ̃. mˈɔʒna?|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_46.wav|tʃˈɛɡɔː ɔn xtsˈɛ ɔt tɕˈɛbjɛ?|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (37)_segment_23.wav|bˌɨwam ftˈɛdɨ ɲʲɛvʲˈɛlɛ stˈarʃa ɔt alfjˈɛɡɔ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_42.wav|stˈɔi ˌɔdvrutsˈɔnɨ dɔ mɲʲɛ plɛtsˈami, a ja tʃˈujɛ ɕɛ ɲʲɛsfˈɔjɔ, jˈaɡbɨ sɔlˈidnɛ fˌundamˈɛntɨ naʃˈɛɡɔ mawʒˈɛɲstfa vwˈaɕɲʲɛ zˌatʃɨnˈawɨ drʒˈɛtɕ.|3
+Dataset/wavs/urwisko_ferenc/33_segment_27.wav|varknˈɛwa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (67)_segment_11.wav|ˌɔtʃɛkivˈawɛm ɔt tɕˈɛbjɛ ʃtʃɛrˈɔɕtɕi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_36.wav|zˌawɔʒˈɨwam, ʒˈɛ dˈɔʃwɔ dɔ napˈaɕtɕi i bˌɨwam pʃˌɛkɔnˈana, ʒˈɛ stˈaw zˈaɲʲɔ̃ jˈaɡɡɛr, ktˌurɨ bˈɨtɕ mˈɔʒɛ tʃˈɛkaw nˈamɲʲɛ.|3
+Dataset/wavs/wrony_banaszyk/0020 uczta_dla_wron_siec_spi_segment_132.wav|nˈavɛt tˈɨx, ɔ ktˌurɨɣ w braˈavɔs jˈuʒ zˌapɔmɲʲˈanɔ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_109.wav|ɔpʲˈɛram ɡwˈɔvɛ ɔ zaɡwˈuvɛk i mˈɨɕlɛ ɔ fʃˈɨstkim, tsˈɔ mˈuʃɛ zrˈɔbʲitɕ, ʒˈɛbɨ zˌabɛspʲˈɛtʃɨtɕ pʃˈɨʃwɔʑdʑ dla ɕˈɛbjɛ i alfjˈɛɡɔ.|3
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_89.wav|tʃɨ xtɕˈawɛʑ z ɲˈimi vˈaltʃɨtɕ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (69)_segment_135.wav|tʃɨ skˌɔʒɨstˈawa ftˈɛdɨ z vˈifˈi?|3
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_184.wav|nˌɛɡatʲˈivɛ pɔftˈuʒɨw ɲʲˌɛvidˈɔtʃnɨ pɔlˈitsjant.|0
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_192.wav|tɔ tfˈɔja ɕmʲˈɛrtɕ rˈɔɕɲʲɛ w jɛj bʒˈuxu.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_21.wav|kljˈɛɲtɕi jˈuʃ ˌɔsfɔˈili ɕɛ z ɲʲˌɛtsɔdʑˈɛnnɨm vˌɨdaʒˈɛɲʲɛm.|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_79.wav|tˈakɔ̃ nˈazvɛ nˈɔɕi vˈɛrsja vɔjskˈɔva.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_97.wav|kʲˈɛdɨ dˈalɛ pʃɛsˈunɔw dʑvˈiɡɲʲɛ, wˈazik skˈɔtʃɨw ɡvawtˈɔvɲʲɛ dɔ pʃˈɔdu i sˈanxɛs upˈadwa na fˈɔtɛl.|4
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_119.wav|ɲʲˈɛvʲɛm, jˈak pˈaxnɔ̃ pravdʑˈivɛ tsawˈunɨ, ˌalɛ tɛn ɕmʲˈɛrdʑaw starˈɨmi martfˈɨmi rɨbˈami.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(40) R.Abbott_Zamknij Drzwi_segment_34.wav|ɲʲˈɛxtsɛ pɔvʲˈɛdʑɛtɕ ɲˈidʑ vʲˈɛntsɛj, ˌalɛ pʃɨxˈɔdʑi mi dɔ ɡwˈɔvɨ, ʒˈɛ mˈɔʒɛ, tˌɨlkɔ mˈɔʒɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(91) R.Abbott_Zamknij Drzwi_segment_18.wav|— tˈɛras tɔ zalˈɛʒɨ ɔd vˈas — pˌɔvʲɛdʑˈawa, fskazˈujɔndʑ ɡwˈɔvɔ̃ bˈɛtskɨ i kˈita.|4
+Dataset/wavs/artemis_anna_szymanczyk/01_Artemis_segment_115.wav|ɔblˈawaɕ kˌɔntsɛrtˈɔvɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_41.wav|nˈɔ dˈɔbra, jɛst jˈɛʃtʃɛ ˈinnɛ zˌastɔsɔvˈaɲʲɛ, ktˌurɛ rˈuvɲʲɛʒ vɨmˈaɡa pʃɨjˈɛɲtɕa pɔzˈɨtsji xˌɔrɨzɔntˈalnɛj i pˈɛvɲʲɛ dˌɔmɨɕlˈatɕɛ ɕɛ ɔ tsˈɔ mi xˈɔdʑi.|4
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_60.wav|f tɕɛmnˈɔɕtɕi trˈudnɔ bɨwˈɔbɨ mɲʲɛ zˌauvˈaʒɨtɕ.|4
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_213.wav|ˌaɲi ɲʲɛ pʃˈɨʃɛd na ratˈunɛk.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_173.wav|tʃˈɛkaw, ˈaʒ vrˈɛʃtɕɛ ˈutʃuw, ˈiʃ ˌɔna ɲʲɛ mˈuvi jˈuʃ i ʒˈɛ ɲʲɛ bˌɛɲdʑɛ prˌubɔvˈawa mˈuvitɕ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_323.wav|ɕɲˈiʃ tɛ sˈamɛ snˈɨ tsˈɔ jˈa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_90.wav|mˈa vraʒˈɛɲʲɛ, ʒˈɛ ˈɔtkɔnd zamjˈɛʃkaw w midvˈɔɔt, jɛst stˈawɨm bɨvˈaltsɛm tˌɛɡɔ sklˈɛpu.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_218.wav|ɡdˈɨbɨ pʃɨjˈɛli mɲʲɛ dɔ tɛj pʃɛklˈɛntɛj ɡʲˈildji ˌɛksplɔratˈɔruf, zatʃˈɛwabˌɨm vrˈɛʃtɕɛ zarˈabjatɕ pɔʒˈɔndnɔ̃ k��asɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_009_Konwicki_Czytadlo_segment_514.wav|tˌɨlkɔ f tɛn prˌɨmitˈɨvnɨ spˈɔsup mˈɔʒna bˌɨwɔ nˈazvatɕ tˈɛ dʑˈivnɔ̃ vʲˈɛ̃ɕ, ktˌura nˈas pˌɔwɔntʃˈɨwa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_24.wav|trˈudnɔ mi bˌɨwɔ pɔɡˈɔdʑitɕ ɕɛ s fˈaktɛm, ʒˈɛ zamjˈɛʒam ˈɔddadʑ dʑˈɛtskɔ dɔː adˈɔptsji, ˌalɛ pʃˌɛkɔnˈawam ɕɛ, ʒˈɛ jɛst tɔ dla ɲʲˈɛɡɔ najlˈɛpʃɨ vˈɨbur.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_175.wav|skurvˈɨsɨn ɕlˈiɲiw ɕɛ, kʲˈɛdɨ ɡˈɔ karmˈiliɕmˌɨ i twˈuʃtʃ spwˈɨvaw mu pɔ tɛj xˈudɛj brˈɔdʑɛ.|1
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_266.wav|muvˈili ɔ jˌɛdnɔˈɔkim mɛ̃ʃtʃˈɨʑɲʲɛ, ɔ drˈuɡʲim ɔdʑˈanɨm w ʒˈuwtɨ pwˈaʃtʃ i ɔ kɔbjˈɛtɕɛ f pwˈaʃtʃu s kaptˈurɛm.|1
+Dataset/wavs/artemis_anna_szymanczyk/15_Artemis_segment_31.wav|ɡˈuntxɛr fskˈazaw rˈɛŋkɔ̃ na zˈɛvnɔntʃ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_134.wav|pʃˈɛdɛ fʃˈɨstkim dˈajɛ mu tɔ pɔtʃˈutɕɛ mˈɔtsɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_108.wav|ɲʲɛ vʲɛʒˈɨwam vwˈasnɨm ˈuʃɔm.|3
+Dataset/wavs/urwisko_ferenc/42_segment_14.wav|ɲʲɛ nˈɔ, skˈɔnt? naprˈavdɛ ɲˈits mi ɲʲɛ jˈɛst, tˈak.|0
+Dataset/wavs/summers_wojtek/Billy Summers (3)_segment_64.wav|stˈɔpɲʲɛ, tsˈɔ nˈajmɲʲɛj dvadʑˈɛɕtɕa, prɔvˈadʑɔ̃ na plˈatsɨk, pɔɕrˈɔtku kturˌɛɡɔ stˈɔi pˈɔsɔŋɡ bɔɡʲˈiɲi sprˌavʲɛdlivˈɔɕtɕi tʃˌɨmajˈɔntsɛj vˈaɡɛ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_29.wav|bˈɛtskɨ pˌɔxɨlˈiwa ɕɛ ɲʲˈɛtsɔ, ʒˈɛbɨ pʃɛtʃˈɨtatɕ trˈɛɕtɕ fpˈisu.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (48)_segment_118.wav|ɲʲɛ vʲɛdʑˈawam, ɔ tsˈɔ jɛj xɔdʑˈiwɔ, ˌalɛ za bˈardʑɔ ɕɛ bˈawam, ʒˈɛbɨ ˈɔtɔ zapˈɨtatɕ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (19)_segment_110.wav|pˈɛvɲʲɛ pˈɛŋɡwbɨɕ jˈak jˈajkɔ pɔ ɲʲɛtsˈawɨx pʲˈɛɲtɕu, ɡdˈɨbɨ zˌaprɔpˌɔnɔvˈali tɕi ˈukwat.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_129.wav|stʃˈɛzwɨ z mɔjˈɛɡɔ ʒˈɨtɕa, a ja ɔ ɲˈix mˈɨɕlɛ, tʃˈasɛm ʒawˈujɛ ɲʲˌɛspɛwɲʲˈɛɲʲa?|0
+Dataset/wavs/urwisko_ferenc/08_segment_46.wav|pɔxfˈɨtɕiw kˈilka ɲʲɛɕmʲˈawɨx spˈɔjʒɛɲ mwˈɔdɛj kɔbjˈɛtɨ f xfˈili, ɡdˈɨ pʃˌɨtɕɔŋɡˈawa dɔ ɕˈɛbjɛ ɕˈilnɛ rˈamjɛ lipskʲˈɛɡɔ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_71.wav|zɡʲˈina mˈawɨ pˈalɛts, jˈak tɔ tʃˈasɛm rˈɔbʲiw pʃɨ ʃˈɔn i tʃˈɛ̃stɔ pʃɨ kˈatjɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_166.wav|ʒˈɛbɨ f klutʃˈɔvɛj xfˈili pʃɛd budˈɨŋkʲɛm sˈɔndu bˌɨwa tˌɨlkɔ tfˈɔja ɛkˈipa tˌɛlɛvizˈɨjna. mˈam rˈatsjɛ?|2
+Dataset/wavs/drzwi_anna_szymanczyk/(68) R.Abbott_Zamknij Drzwi_segment_22.wav|a mˈɔʒɛ zˌamjɛʒˈawa tˈɛʒ zamjˈɛɲitɕ kwˈamstfɔ f prˈavdɛ?|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_65.wav|jˈuʃ ɔt tˈɨlu ɡˈɔdʑin prˈaɡnɛ, ʒˈɛbɨ ɕɛ rɔzdʑvˈɔɲiw.|4
+Dataset/wavs/summers_wojtek/Billy Summers (50)_segment_188.wav|ɲitʃˈɛɡɔ ɲʲɛ pɔmˈiɲʲɛ. ˈɛliz zˌaswuɡˈujɛ nˈatɔ, bˈɨ pˈɔznatɕ tsˈawɔ̃ prˈavdɛ, zvwˈaʃtʃa jˈɛɕli mˈa mu pˈɔmudʑ zrˈɔbʲitɕ tɔ, tsˈɔ zɔstˈawɔ dɔ zrɔbjˈɛɲʲa.|2
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_55.wav|tˈakʲɛ dˈɔstaw zlɛtsˈɛɲʲɛ i zamjˈɛʒa jˈɛ vɨkˈɔnatɕ.|2
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_238.wav|pɔdjˈɛxaw pɔtpˈitɨ dɔ brˈam zˈamku i zˈatʃɔw vˌɨkʃɨkˈivadʑ ɡrˈɔʑbɨ.|1
+Dataset/wavs/artemis_anna_szymanczyk/22_Artemis_segment_25.wav|i mˈɔʒɛʃ ɲʲɛ uvʲˈɛʒɨtɕ, ˌalɛ nˈavɛd zatʃˈɛwam ɕɛ spɔtˈɨkatɕ s pˈɛvnɨm fatsˈɛtɛm.|4
+Dataset/wavs/wrony_banaszyk/0002 uczta_dla_wron_siec_spi_segment_55.wav|ˌalɛ ɲʲɛ pˈɔvʲɛm, ʒˈɛ znˈam trˈidɛnt.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(26) R.Abbott_Zamknij Drzwi_segment_32.wav|tʃˈujɛ dʑˈivnɛ wˌaskɔtˈaɲʲɛ f tˈɨlnɛj tʃˈɛɲɕtɕi ɡˈardwa i pʃˈɛs xfˈilɛ mi ɕɛ vɨdˈajɛ, ʒˈɛ rˈɔbʲi mi ɕɛ ɲʲɛdˈɔbʒɛ.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_6.wav|i bwaɡˈaɲʲɛ ɔ wˈaskɛ.|1
+Dataset/wavs/wrony_banaszyk/0032 uczta_dla_wron_siec_spi_segment_234.wav|lˈɛpʲɛj pʃˈɛstaɲ ɡˈɔ pʃɛwˈɨkatɕ, bˈɔ mˈɔʒɛʃ ɕɛ ɲˈim udwˈavitɕ.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_53.wav|kʲˈɛdɨ tɔ nˌastɔmpˈiwɔ, rˌɔssunˈɛwɨ ɕɛ drˈuɡʲɛ dʒvˈi, pʃˈɛs ktˌurɛ mˈɔɡwam vˈɛjʑdʑ dɔ pˈarku.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (23)_segment_103.wav|tˈɔm fstˈaw i skʲɛrˈɔvaw krˈɔki f strˈɔnɛ dʒvˈi. zˈaɲim dɔ ɲˈiɣ dˈɔtar, ʃɛfˈɔva jˈuʒ vˌɨdavˈawa pˌɔlɛtsˈɛɲʲa.|3
+Dataset/wavs/ryz_ferenc/9788367950190_04_Hlasko_Palcie-ryz-kazdego-dnia_segment_168.wav|i ˈɛstɛr pˈɔʃwa zˈaɲim i tˈaɡ zˈatʃɔw ɕɛ tɛn ix xɔlˈɛrnɨ rˈɔmans.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_3.wav|kʲˈɛdɨ ˈaram pʃˈɛjɔw nˈaʒ dˈɔm, nˈaʃɛ pʲɛɲʲˈɔndʑɛ, tˈak naprˈavdɛ kˈaʒdɨ ˈaspɛkt nˈaʃɛj ˌɛɡzɨstˈɛntsji, pɔtʃˈuwam ɕɛ dʑˈivɲʲɛ zˌadɔvɔlˈɔna.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (26)_segment_56.wav|zˈasxwɔ mi w ˈustax i ɕɛŋɡnˈɛwam pɔ klˈamkɛ vˈɔlnɔ̃ rˈɛŋkɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(08) R.Abbott_Zamknij Drzwi_segment_37.wav|pɔdnˈɔʃɛ ɕɛ s pɔdwˈɔɡʲi i vɨjmˈujɛ tɛlˈɛfɔn. zamjˈɛʒam zadʑvˈɔɲidʑ dɔː ˈaʃa. mˈɔʒɛ pɔzvˈɔlɔ̃ mu ɔdˈɛbratɕ, jˈɛɕli tʃˈɛka na pʃˌɛswuxˈaɲʲɛ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_157.wav|ˌalɛ tɔ ɲʲɛ dɔ ɲʲˈɛɡɔː idʑˈɛmɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_23.wav|tɔ fʃˈɨstkɔ dʑˈɛjɛ ɕɛ w rˈamax tʃɨɲʲˈɛɲʲa zˈɛmɲʲɛ lɛpʃˈɛɡɔ tʃwɔvʲˈɛka.|3
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_297.wav|tɔ ja jˈuʃ xˈɨba zatʃˈɨnam varjˈɔvatɕ. pʃˌɛtɕɛʃ mɲʲɛ ɲʲɛ bˌɨwɔ w mʲˈɛɕtɕɛ. rˈazɛm pˈɔʃliɕmˌɨ dɔ pˌartɨzˈantki. pˈɔkaʃ prˈavɔ̃ dwˈɔɲ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_136.wav|vʲˈɛʃ, ʑlˈɛ ɕɛ tʃˈujɛ f sfˈɔim mʲɛʃkˈaɲʲu.|0
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_212.wav|dlatˈɛɡɔ nˈajpʲɛrf muɕˈawam zˌastanˈɔvitɕ ɕɛ nat mɔtˈɨvɛm, a dɔpʲˈɛrɔ pˈɔtɛm ʃˈukatɕ sprˈaftsɨ.|4
+Dataset/wavs/urwisko_ferenc/12_segment_3.wav|bɔrˈɛvitʃ jˈɛʃtʃɛ rˈaz zadʑvˈɔɲiw dˌɔmɔfˈɔnɛm.|0
+Dataset/wavs/ryz_ferenc/9788367950190_17_Hlasko_Palcie-ryz-kazdego-dnia_segment_112.wav|ɲʲɛ pˌɔvʲɛdʑˈɛli dɔ ɕˈɛbjɛ ɲˈits i ˈandɛrsɔn ɲʲɛ pˈatʃɨw, jˈak rˈɨan kɔwˈujɛ na stˈart i startˈujɛ.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_187.wav|pʲˈɛrʃɨ rˈas kupˈiwɛm ʃtʃˈɛŋkɛ dvˈa lˈata tˈɛmu, a pˈɔtɛm sˈɨn vʑˈɔw mɲʲɛ sˌamɔxˈɔdɛm dɔ sˈan bˌɛrnardʲˈinɔ.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_56.wav|na ʃtʃˈɛɲɕtɕɛ ˌuratɔvˈawɔ jˈɔ̃ pʃɨbˈɨtɕɛ rɔbˈɛrta arˈɨna.|1
+Dataset/wavs/summers_wojtek/Billy Summers (23)_segment_140.wav|fɕrˈut ɲˈix jɛst tsˈɔlin fçˈitɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(60) R.Abbott_Zamknij Drzwi_segment_41.wav|ˈaʃ rˈuʃɨw w drˈɔɡɛ.|4
+Dataset/wavs/wrony_banaszyk/0024 uczta_dla_wron_siec_spi_segment_23.wav|ɕɲˈiw ɕɛ jɛj dˈɔbʒɛ znˈanɨ sˈɛn ɔ tʃˈɛɣ dʑɛftʃˈɨŋkaɣ w brɔ̃zˈɔvɨx pwˈaʃtʃax, stˈarɛj bˈabjɛ ɔː ɔbvˈiswɛj skˈuʒɛ na ʃˈɨi.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (31)_segment_111.wav|vʲˈɛm, ʒˈɛ bˌɛndɛ muɕˈawa f tɔ spˈɔjʒɛtɕ, ˌalɛ na sˈamɔ̃ mˈɨɕl vɨvrˈatsa mi ɕɛ ʒɔwˈɔndɛk.|3
+Dataset/wavs/wrony_banaszyk/0041 uczta_dla_wron_siec_spi_segment_109.wav|sˈɛr dˈɛsmɔnd ɡrˈɛll, stˈarɨ dɔvˈuttsa zbrˈɔjnɨx lˈɔrda xɔstˈɛra, vˈɔlaw pʃˈɨvdʑatɕ tʃˈɛrɲ.|1
+Dataset/wavs/urwisko_ferenc/01_segment_51.wav|ˌalɛ i tɨm rˈazɛm bˈɨw ʃˈɨpʃɨ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_368.wav|na kˌɔrɨtˈaʒu zatʃˈɛpiw mɲʲɛ ɲʲɛmwˈɔdɨ lˈɛkaʃ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_184.wav|jˌɛstɛʑ ɡwˈɔdnɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_83.wav|kʲˈɛdɨ bʲˈillɨ ˈidʑɛ, vlˈɛtʃɛ ɕɛ, s pɔvrˈɔtɛm na pˈarkiŋk, mˈɨɕli ɔ bʲiɡˈami.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_3.wav|mʲˈawam nadʑˈɛjɛ, ʒˈɛ f kˈɔɲtsu znˈudʑi tɕi ɕɛ ta brˈɔda.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (21)_segment_15.wav|pˌɔstanˈɔviw, ʒˈɛ pɔzvˈɔli bˈɛtskɨ vrˈutɕitɕ na pˌɔstɛrˈunɛk. dʑˈɛŋki tˌɛmu bˌɛɲdʑɛ mˈukw spɔkˈɔjɲʲɛ pɔmˈɨɕlɛtɕ.|3
+Dataset/wavs/artemis_anna_szymanczyk/38_Artemis_segment_25.wav|mʲˈawabˌɨm ɕɛ krɛmpˈɔvatɕ w ˌɔbɛtsnˈɔɕtɕi fatsˈɛta, ktˌurɨ vˈɔli xwˈɔptsuf?|4
+Dataset/wavs/artemis_anna_szymanczyk/25_Artemis_segment_20.wav|ˌɔrɨɡʲinˈalnɨ jˈak xɔlˈɛra. zatʃˈɛwam vʒˈutsadʑ dɔ ɲʲˈɛɡɔ pˌatʃkɔvˈanɛ jɛdʑˈɛɲʲɛ, ɲʲɛ zvratsˈajɔnts uvˈaɡʲi nˈatɔ, tsˈɔ zɡˈarɲʲam s pˈuwɛk.|4
+Dataset/wavs/artemis_anna_szymanczyk/04_Artemis_segment_81.wav|dɔdˈajɛ dɔ ɲʲˈɛj pʃɨprˈavɨ, ʒˈɛbɨ mʲˈawa dˈɔbrɨ smˈak.|4
+Dataset/wavs/ryz_ferenc/9788367950190_06_Hlasko_Palcie-ryz-kazdego-dnia_segment_203.wav|ˌɔna xtsˈɛ, ˈabɨɕ naˈutʃɨw ɕɛ lˈatatɕ.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (33)_segment_77.wav|muɕˈawa bˈɨtɕ.|3
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_244.wav|vzɲʲˈus tɔː ˈast. wˈatfʲɛj bˌɨwɔ za ɲʲˈɛɡɔ pˈitɕ, ɲˈiʃ ˈɔɲim rɔzmˈavʲatɕ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (51)_segment_34.wav|ɔstˈatɲim rˈazɛm, kʲˈɛdɨ znalˈazwa mɲʲɛ tˈam ljˈa, ɕɛdʑˈawam pʃɨ vˈɔdʑɛ i rˌɔskɔʃɔvˈawam ɕɛ blˈaskʲɛm swˈɔɲtsa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (44)_segment_111.wav|pˈɛvɲʲɛ, ʒˈɛ ɡˈɔ zˌauvaʒˈɨliɕmˌɨ, bˈɨw ˌɔkɔlˈɔnɨ ɲˈiskɔ̃ tsˌɛmɛntˈɔvɔ̃ bˌalustrˈadɔ̃.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(38) R.Abbott_Zamknij Drzwi_segment_48.wav|ˈaʒ zˈamknɔw ˈɔtʃɨ i tˈɔm vʲˈɛdʑaw, ʒˈɛ natɕˈiska ɡˈɔ zbˈɨt mˈɔtsnɔ, ˌalɛ tʃˈuw jˈɛdnak, ʒˈɛ ɲʲˈɛma vʲɛŋkʃˈɛɡɔ vɨbˈɔru.|4
+Dataset/wavs/artemis_anna_szymanczyk/43_Artemis_segment_110.wav|uɕˈadwam nˈaɲim i ɔmjˈɔtwam vzrˈɔkʲɛm pʃˌɛwɔntʃɲˈiki stˌɛrujˈɔntsɛ ɔbjˈɛɡʲɛm pɔvʲˈɛtʃa.|4
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_97.wav|jˈasnɛ, jˈasnɛ. vʲˈɛlkʲɛ dʑˈɛŋki, kɔlˈɛɡɔ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(31) R.Abbott_Zamknij Drzwi_segment_12.wav|ɲʲˈɛvʲɛm, tsˈɔ tɔ znˈatʃɨ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (16)_segment_42.wav|traɡˈɛdja, xˈɔtɕ ˌupwɨnˈɛwɔ jˈuʃ trˈɔxɛ tʃˈasu.|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_223.wav|mˈɔɡɛ pˈana zˈavʲɛʑdʑ dɔ mʲˈasta, ʒˈɛkw rˈɨan.|0
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_65.wav|jˈɛɡɔ kˈuzɨn vzrˈuʃɨw rˌamjɔnˈami.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (81)_segment_12.wav|xˈarɨ ʒˌɛtʃɨvˈiɕtɕɛ ɕɛ ɕmʲˈaw, pɔdˈɔbɲʲɛ jˈak kˈatɛ i lˌɔuˈisa.|3
+Dataset/wavs/artemis_anna_szymanczyk/44_Artemis_segment_168.wav|sˈama prˌavdɔpɔdˈɔbɲʲɛ ɲʲɛ zdˈɔ̃ʒɛ tˌɛɡɔ zrˈɔbʲitɕ. bˌɛɲdʑɛʃ mˈuɕaw dɔkˈɔɲtʃɨdʑ zˈamɲʲɛ.|4
+Dataset/wavs/ryz_ferenc/9788367950190_08_Hlasko_Palcie-ryz-kazdego-dnia_segment_43.wav|dˈɔsɨtɕ na dʑˈiɕaj, jˈudɨ pɔvʲˈɛdʑaw. jˌɛstɛɕ jˈuʃ rˈuvna. vˌɨprɔvˈadʑiw jˈɔ̃ i zˈamknɔw zˈaɲʲɔ̃ dʒvˈi.|0
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_40.wav|ˈɔkɛj, pɔvʲˈɛdʑaw ja jˌɛstɛm vwˌaɕtɕitɕˈɛlɛm. pˈɔvʲɛts pˈan tɔ jˈɛʃtʃɛ rˈas. jˈazda.|0
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_203.wav|i tsˈɔ z ɲʲˈɔ̃ zrˈɔbʲiʃ? vɨmjˈɛɲiʃ na tsukʲˈɛrki?|0
+Dataset/wavs/summers_wojtek/Billy Summers (21)_segment_65.wav|mˈɔʒɛ tˈɛras, kʲˈɛdɨ ɲʲˈɛma ɲˈits innˈɛɡɔ dɔ rɔbˈɔtɨ, jˈak tˌɨlkɔ tʃˈɛkatɕ, bˌɛɲdʑɛ ˈɔtɨm pamjˈɛntaw.|2
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_70.wav|ɡdˈɨ ɔt mˈuruf ˈɔdbʲiw ɕɛ ˈɛxɛm tʃˈɛtɕi sˈɨɡnaw, ˌuswɨʃˈɛli zɡʒˈɨd ʒɛlˈaznɨɣ zavʲˈasuf i brˈama pɔvˈɔli ɕɛ ˌɔtfɔʒˈɨwa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_151.wav|xˈɔdʑi ˈɔtɔ, jˈaɡ vɨɡlˈɔndam, prˈavda?|2
+Dataset/wavs/urwisko_ferenc/25_segment_29.wav|ɡrˈɔx pˈɔʃɛt ɕɛ pʃˈɛbratɕ, a kʲˈɛdɨ vrˈutɕiw, ɔtfˈɔʒɨw jˈɛdnɔː ɔ drˈuɡʲɛ, pʃˈɛtar ʃˈɨjkɛ i pɔtɕˈɔŋɡnɔw spˈɔrɨ wˈɨk.|0
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_78.wav|pamjˈɛnta tɕˈɛ̃ʃkʲɛ wˈup, wˈup, wˈub bˈutuf tamtˈɛɡɔ mɛ̃ʃtʃˈɨznɨ na stˈɔpɲʲax.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (7)_segment_52.wav|spˈɛntsɛr ɔkrˈɔ̃ʒɨw bjˈurkɔ mˈartɨ i pɔwˈɔʒɨw dwˈɔɲ na mˈɨʃtsɛ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_185.wav|pˌɔzvɔlˈiwam, ʒˈɛbɨ tsˈɔʑ bˌɨwɔ vaʒɲʲˈɛjʃɛ ɔt nˈaʃɨɣ dʑˈɛtɕi i ɲʲɛ mˈɔɡɛ mu pɔvʲˈɛdʑɛtɕ, tsˈɔ tɔ bˈɨwɔ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_106.wav|kʲˈɛdɨ ɔdˈɛʃwam, bˌɨwɔ tˈam mɲʲˈɛj vʲˈɛntsɛj tʃɨdʑˈɛɕtɕi ˈɔsup. i ɡdʑˈɛ jɛst tˈata?|3
+Dataset/wavs/summers_wojtek/Billy Summers (7)_segment_110.wav|dʑɛŋkˈujɛ.|2
+Dataset/wavs/wrony_banaszyk/0001 uczta_dla_wron_siec_spi_segment_384.wav|pˌɔmɨɕlˈawa brjˈɛnnɛ. zmˈuf mɔdlˈitfɛ rˈuvɲʲɛʒ zˈamɲʲɛ.|1
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_13.wav|a dɔ tˌɛɡɔ nˈɔɕiʒ brˈɔdɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_127.wav|bʲˈillɨ ɔmˈija startʃˈɔntsɛ skˈawɨ, ktˌurɛ pʃɛtrfˈawɨ tˈu ɔt ɔstˈatɲʲɛj ɛpˈɔki lˌɔdɔftsˈɔvɛj. ˈɛliz vɨɡlˈɔnda na tsˈɔraz bˈardʑɛj zˌaɲʲɛpˌɔkɔjˈɔnɔ̃.|2
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_297.wav|pˈaltsɛ trˈɔnda dɔtknˈ��wɨ kˈilku pʃɨtɕˈiskuf na panˈɛlu i na ɛkrˈaɲʲɛ pˌɔjavˈiwɔ ɕɛ zdjˈɛɲtɕɛ kɔmbˈajnu.|4
+Dataset/wavs/wrony_banaszyk/0013 uczta_dla_wron_siec_spi_segment_14.wav|brˈatɕa zˈafʃɛ mˌajɔ̃ kˈɔʑdʑ dla psˈa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (51)_segment_128.wav|pˈɛvɲʲɛ, ʒˈɛbɨ ˌuspɔkˈɔidʑ zˈaʒɔnt kɔntsˈɛrnu i vʲˈɛŋkʃɔɕtɕ spˌɔdʑɛvˈawa ɕɛ, ʒˈɛ vɨbjˈɛʒɛ patrˈɨka, nˌajstarʃˈɛɡɔ sˈɨna.|2
+Dataset/wavs/wrony_banaszyk/0007 uczta_dla_wron_siec_spi_segment_281.wav|zɲʲˈɛɕliɕmˌɨ tˈu ix kˈɔɕtɕi s tsawˈɛɡɔ krulˈɛstfa, bˈɨ bˌɨwɨ ɕfʲatkˈami tɕˈɛrpʲɛɲ ɕfʲˈɛntɛj vʲˈarɨ.|1
+Dataset/wavs/wrony_banaszyk/0042 uczta_dla_wron_siec_spi_segment_181.wav|mʲˈaw nadʑˈɛjɛ, ʒˈɛ pamjˈɛnta, jˈak trˈafidʑ dɔ tsˌɨtadˈɛli.|1
+Dataset/wavs/ryz_ferenc/9788367950190_05_Hlasko_Palcie-ryz-kazdego-dnia_segment_391.wav|jˈak sˈɛn dʑˈɛtska.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_375.wav|kʲˈɛdɨ maˈɛstɛr ɡˈɔː ɔtfˈɔʒɨw, ˌɔkazˈawɔ ɕɛ, ʒˈɛ jˈɛɡɔ pwˈutsa sɔ̃ zvɛŋɡlˈɔnɛ i tʃˈarnɛ jˈak sˈadʑa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_92.wav|pɔ prˈɔstu mʲˌawɛm nˈatɔ ɔxˈɔtɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/47_Artemis_segment_210.wav|mˈɨɕlɛ, ʒˈɛ tsˈawkʲɛm ɲʲˈɛʑlɛ pˌɔtrafˈimɨ ɕɛ dɔɡˈadatɕ, jasmˈinɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_34.wav|pɔɕˈiwɛɡ dɔbjˈɛɡaw kˈɔɲtsa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_36.wav|bʲˈillɨ vɨsˈuva ɕɛ zzˈa dʒvˈi i rˈuʃa zˈaɲim na kravˈɛɲdʑax stˈup, zˌadɔvɔlˈɔnɨ, ʒˈɛ vwˈɔʒɨw tˌɛɲisˈufki.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_003_Konwicki_Czytadlo_segment_403.wav|mˈam nadʑˈɛjɛ, ʒˈɛ ɲʲɛ zavʲˈɛdʑɛ pˈan mˈɛɡɔ zˌaufˈaɲʲa, bˈɔ pˌɔstɛmpˈujɛ ɲʲˌɛrɛɡˌulaminˈɔvɔ.|0
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (63)_segment_9.wav|prɨvˈatnɛ kfatˈɛrɨ arˈama znajdˈujɔ̃ ɕɛ ɔt frˈɔntu, ˌalɛ ɲʲˈɛvʲɛm, ɡdʑˈɛ tˈɛras sˈɨpja mˈɔja mˈatka.|3
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_77.wav|vˌɨwadɔvˈali sfˈuj ɡɲʲˈɛf i dˌɛspɛrˈatsjɛ na mʲɛʃkˈaɲtsax.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (18)_segment_14.wav|zˈafʃɛ ˌuvaʒˈawam, ʒˈɛ ta tʃˈɛɲɕtɕ mɲʲɛ umˈarwa vrˈaz z ɲˈim pʃɛt lˈatɨ.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (72)_segment_108.wav|kʲˈɛdɨ dʑɛftʃˈɨŋka znalˈazwa ɕɛ pˈɔza zaɕˈɛŋɡʲɛm swˈuxu, kˈatɛ ˌɔdvrutɕˈiwa ɕɛ dɔ luˈizɨ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_137.wav|kʃˈɨknɔw tˈata. tsˈɔ tɨ vɨprˈavʲaʃ?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(09) R.Abbott_Zamknij Drzwi_segment_68.wav|ɲʲɛ jɛst pˈaɲi stˈɔnt?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (4)_segment_78.wav|sprubˈujɛ sˈɔbjɛ pʃɨpˈɔmɲʲɛtɕ jɛj xˈaswɔ, ˌalɛ vɨbˈatʃtɕɛ na xfˈilɛ.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_326.wav|krˈul usˈunɔw ɡˈɔ z uʒˈɛndu i mʲanˈɔvaw na jˈɛɡɔ mʲˈɛjstsɛ kˌapitˈana smˈɔtʃɛj brˈamɨ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (41)_segment_112.wav|ɲʲɛ vidʑˈawam ɡˈɔː ɔt lˈat.|3
+Dataset/wavs/wrony_banaszyk/0035 uczta_dla_wron_siec_spi_segment_256.wav|tɔ tˌɨlkɔ kfˈɛstja tʃˈasu.|1
+Dataset/wavs/summers_wojtek/Billy Summers (59)_segment_80.wav|bʲˈilis pɔɡlˈɔnda nˈaɲʲɛj i mˈuvi, ʒˈɛ ˈɔtɔ vwˈaɕɲʲɛ xɔdʑˈiwɔ, dˈɔbʒɛ ɕɛ spisˈawa. tɔ jˈɔ̃ tɕˈɛʃɨ.|2
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_221.wav|sˈamɔ tɕˈɛɲtɕɛ bˌɨwɔ watfʲˈɛjʃɛ ɲˈiʃ ɕɛ spˌɔdʑɛvˈawam.|4
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_111.wav|tɔ ɕɛ vˌɨdaʒˈɨwɔ w ɡɔspˈɔdʑɛ na rɔsstˈajaɣ drˈuk, pˈaɲʲɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_34.wav|dˌɔskɔnˈawa krɨjˈufka mˈɨɕli.|2
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_134.wav|pˌɔzɔstˈali vɲʲˈɛɕtɕɛ tɛn nˈamjɔt rˈazɛm s tunˈɛlɛm dɔ ɕrˈɔtka i zamkɲˈijtɕɛ dʒvˈi.|4
+Dataset/wavs/wrony_banaszyk/0009 uczta_dla_wron_siec_spi_segment_258.wav|vɨrvˈanɔ jɛj jˈɛ̃zɨk, ˌalɛ pˈɔza tɨm ɲʲɛ brˌakɔvˈawɔ jɛj ɲitʃˈɛɡɔ.|1
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_230.wav|pˌɔvʲɛdʑˈawɛm kˈilka swˈuf i dˈawɛm jɛj tʃɛrvˈɔnɨ pwˈaʃtʃ, ˌalɛ tˌɨlkɔ pˈɔtɔ, bˈɨ zˌadɔvˈɔlitɕ ˈɔjtsa.|1
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_253.wav|pʲˈɛrʃɨm i ɔstˈatɲim.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_97.wav|kʲɛrˈujɛ pistˈɔlɛt na ˌabramɔvˈitsa, ktˌurɨ pˈatʃɨ na ɲʲˈɛɡɔ vˌɨbawˌuʃɔnˈɨmi ɔtʃˈami. ɡdʑˈɛ waʑˈɛŋka? pˈɔkaʃ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(53) R.Abbott_Zamknij Drzwi_segment_70.wav|natɕˈiskam ikˈɔnɛ ɡwɔɕɲˈika.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_006_Konwicki_Czytadlo_segment_299.wav|pɔ tsˈɔ tɕi mˈɔja rˈɛŋka?|0
+Dataset/wavs/wrony_banaszyk/0012 uczta_dla_wron_siec_spi_segment_279.wav|tʃɨ jˈɔ̃ zɲʲˌɛvɔlˈiwɛɕ?|1
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_31.wav|xˈɨba, ʒˈɛ sɔ̃ mˈɛ̃ʒɛm i ʒˈɔnɔ̃.|1
+Dataset/wavs/artemis_anna_szymanczyk/36_Artemis_segment_112.wav|zˌapɔmɲʲˈawɛm, tʃɨ ɲʲˌɛnavˈidʑi mɲʲɛ pˈan dlatˈɛɡɔ, ʒˈɛ jˌɛstɛm ɡˈɛjɛm tʃɨ ʒˈɨdɛm?|4
+Dataset/wavs/summers_wojtek/Billy Summers (37)_segment_60.wav|dvˈa rˈazɨ pɔftˈaʒa pʲˈɛrʃɔ̃ zvrˈɔtkɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_29.wav|tɔ bˌɛɲdʑɛ tfˈuj pʲˈɛrʃɨ trˈup ɔt jakʲˈɛɡɔɕ tʃˈasu, bˈɛtskɨ. jˌɛstɛɕ nˈatɔ ɡɔtˈɔva, tʃɨ zmʲˈɛŋkwaɕ pˈɔtɨm pɔrˈɔdʑɛ?|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (40)_segment_59.wav|zˈamjast tˌɛɡɔ ftɕˈiskam ɕɛ w ɔpˈartɕɛ i rɔzlˈuʑɲʲam ramjˈɔna.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (30)_segment_39.wav|bˈɛtskɨ zdˌɛtsɨdɔvˈawa ɕɛ ɲʲɛ pʃˌɨpɔmˈinatɕ tɔmˈɔvi, ʒˈɛ dɔ vʲɛŋkʃˈɔɕtɕi tɨɣ zˈadaɲ jˈuʒ vˌɨznatʃˈɔnɔ lˈudʑi.|3
+Dataset/wavs/urwisko_ferenc/15_segment_43.wav|tˈaɡʒɛ ta mˈiwɔɕtɕ.|0
+Dataset/wavs/artemis_anna_szymanczyk/08_Artemis_segment_45.wav|tˈata mˈa prɔblˈɛmɨ z ɡʲˈildjɔ̃ spavˈatʃɨ. tˈutaj ˈalbɔ pratsˈujɛʃ na vwˈasnɔ̃ rˈɛŋkɛ, ˈalbɔ nalˈɛʒɨʒ dɔ ɡʲˈildji.|4
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_298.wav|ˌɔpɔvʲˈadaw ɔ sfˈɨx kˈɔtkax.|1
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_13.wav|ɲʲˈɛvʲɛm, dlatʃˈɛɡɔ mˈama zˌadavˈawa ɕɛ s fˌatsɛtˈami tˌɛɡɔ pɔkrˈɔju pˈɔtɨm, tsˈɔ ɕɛ stˈawɔ, ˌalɛ tˈaɡ bˈɨwɔ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_29.wav|ɲʲɛ bˌɨwɔ jˈɛdnak nˈatɔ ʒˈadnɨɣ dɔvˈɔduf, vʲˈɛnts ɔdwˈɔʒɨw jˈɛ na bˈɔk.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(44) R.Abbott_Zamknij Drzwi_segment_25.wav|uvˈaʒam, ʒˈɛ jˈɔɛ pˌɔtʃɛbˈujɛ tˈɛras tfɔjˈɛɡɔ fsparsˈija.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (31)_segment_184.wav|sˈara pˌɔkrɛɲtɕˈiwa pɔvˈɔli ɡwˈɔvɔ̃.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (43)_segment_80.wav|bˈɔli mɲʲɛ ɡˈardwɔ, mˈamɔ.|3
+Dataset/wavs/wrony_banaszyk/0030 uczta_dla_wron_siec_spi_segment_112.wav|tˈɛras sˈɔbjɛ pʃˌɨpɔmˈinam.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_534.wav|a tˈɛras fʃˈɨstkɔ zvalˈiwɔ ɕɛ nˈaras.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_338.wav|lˈɔrt tˈɨvin ˈubjɛɡw ix, vɨdˈajɔnts sˈansɛ za tɨrjˈɔna.|1
+Dataset/wavs/wrony_banaszyk/0028 uczta_dla_wron_siec_spi_segment_40.wav|dvˈa izbrˈɔjɲi ˌɔdlɛvajˈɔntsɨ ɕɛ w rˈɔvʲɛ ˌɔdvrutɕˈili ɕɛ i ˌɔpɕikˈali navzˈajɛm.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_22.wav|jˌɛstɛm bˈardʑɔ tɕɛkˈava, tsˈɔ mɨɕlˈitɕɛ ɔː ˌidɛˈalnɨm kwˈamstfʲɛ, vʲˈɛnts pˈiʃtɕɛ dɔ mɲʲɛ na tfittˈɛʒɛ lˈup fˌatsɛbɔˈɔku lˈup pʃˌɨɡɔtˈujtɕɛ rɛtsˈɛnzjɛ na ˌamazˈɔɲʲɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (80)_segment_4.wav|i ɲʲɛ pɔ rˈas pʲˈɛrʃɨ jˌɛstɛm zˌaskɔtʃˈɔna ˌɔtpɔrnˈɔɕtɕɔ̃ dʑˈɛtɕi.|3
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_456.wav|ʒˈɛbɨ spwˈɔdʑitɕ prˌavɔvitˈɛɡɔ sˈɨna, tʃˈɛba nˈajpʲɛrf mʲˈɛdʑ ʒˈɔnɛ, a viktˈarjɔn ɲʲˈɛmʲaw ʃtʃˈɛɲɕtɕa dɔ ʒˈɔnɨ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (61)_segment_37.wav|vzrˈuʃa rˌamjɔnˈami i fstˈajɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/20_Artemis_segment_22.wav|pʃˌɛstanˈɛwam, ʒˈɛbɨ zˌastanˈɔvitɕ ɕɛ nat mˈɔim nˈɔvɨm pˌɔwɔʒˈɛɲʲɛm.|4
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_151.wav|ɲʲɛ bˌɨwa tɔ najkrˈutʃa drˈɔɡa dɔ pˈuŋktu, dɔ kturˌɛɡɔ zmʲɛʒˈawam, ˌalɛ lˈubjɛ tɔ mʲˈɛjstsɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (24)_segment_142.wav|vʲˈɛʒɨw tˈɨm, prˈavda?|3
+Dataset/wavs/artemis_anna_szymanczyk/21_Artemis_segment_59.wav|dɔpʲˈɛrɔ kʲˈɛdɨ ˈɔkrɨw mɲʲɛ tɕˈɛɲ ʃɛpˈarda, pɔtʃˈuwam ɕɛ tsˈawkʲɛm bɛspʲˈɛtʃɲʲɛ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(67) R.Abbott_Zamknij Drzwi_segment_86.wav|tsˈɔɕ mi tˈutaj ɲʲɛ ɡrˈa.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_42.wav|a mʲˈawa iɣ vʲˈɛlɛ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_492.wav|vrˈɛʃtɕɛ zaxˈutʃaw w vˈɔ̃skix kaɲʲˈɔnax ˈulits.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_65.wav|fˌurɡɔnˈɛtka jɛst tˈutaj f pˌɔvɔzˈɔvɲi. ɲʲɛ jˈɛʒdʒɔ̃ ɲʲˈɔ̃ tsɔdʑˈɛnɲʲɛ, pʃɨnˈajmɲʲɛj na rˈaʑɛ, ˌalɛ xtsˈɛ, ʒˈɛbɨ lˈudʑɛ ɕɛ pʃˌɨzvɨtʃaˈili dɔː ix ˌɔbɛtsnˈɔɕtɕi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_82.wav|i tɕˈɛʃɨ ɕɛ s tˈɛɡɔ, a zarˈazɛm jɛst mu fstˈɨt.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (36)_segment_45.wav|i stsɔttˈɔvi ˌɔtʃɨvˈiɕtɕɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_56.wav|ja pɔ tˌɛɡɔ tʃwɔvʲˈɛka pˌɔjɛxˈawɛm ˈaʒ dɔː ˌiŋɡlɛvˈɔɔt.|0
+Dataset/wavs/artemis_anna_szymanczyk/06_Artemis_segment_58.wav|nˈamjɔt ɲʲˈɛbɨw dˈuʒɨ i tˈunɛl zajmˈɔvaw prˈavʲɛ tsˈawɛ jˈɛɡɔ vnˈɛntʃɛ. dlatˈɛɡɔ bˈɔb vˈɨbraw tʃfˈɔrɔ nˌajdrɔbɲʲˈɛjʃɨx ˌɔxɔtɲˈikuf.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (42)_segment_70.wav|tɔ jɛst mʲˈɛjstsɛ zbrˈɔdɲi.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (75)_segment_19.wav|jˌɛstɛm tˈɛʃ ˌɔtʃɨvˈiɕtɕɛ na fˌatsɛbɔˈɔku i tfittˈɛʒɛ.|3
+Dataset/wavs/wrony_banaszyk/0017 uczta_dla_wron_siec_spi_segment_86.wav|dʑɛŋkˈujɛ, xwˈɔptʃɛ. a kˈim tɨ jˈɛstɛɕ?|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (39)_segment_162.wav|ja tɔ naprˈavjɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (57)_segment_96.wav|ɲʲɛ pʃˈɛɕpiʃ ɕɛ zˈɛmnɔ̃, rɔzˈumjɛm tɔ, ˌalɛ tɨ mˈuɕiʒ zrɔzˈumjɛtɕ, ʒˈɛ ɲʲɛ jˌɛstɛm tfˈɔjɔ̃ tsˈurkɔ̃ i mˈɔjɛ utʃˈutɕa dɔ tɕˈɛbjɛ ɲʲɛ sɔ̃ ˌutʃutɕˈami tsˈurki ftsˈalɛ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (38)_segment_64.wav|ˌɔkazˈawɔ ɕɛ jˈɛdnak, ʒˈɛ mˈɔmɛnd zrˈɨvu mˈɔɡwam ɔtsˈɛɲidʑ dˈɔɕtɕ ɲʲˌɛʃtʃɛɲɕlˈivʲɛ.|3
+Dataset/wavs/artemis_anna_szymanczyk/02_Artemis_segment_292.wav|artˈɛmis tɔ mˈawɛ mʲˈastɔː i ɲˈikt tˈu ɲʲɛ krˈadɲʲɛ bˈɨlɛ tʃˈɛɡɔ.|4
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_115.wav|pɕˈakrɛf.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (42)_segment_10.wav|pɔ dˌɔkɔnˈaɲʲu zmʲˈan f prˈavaɣ vwasnˈɔɕtɕi ɲʲˌɛruxɔmˈɔɕtɕi pʃɨbˈɨwɔ tˈu vʲˈɛntsɛj lˈudʑi, a vʲˈɛlu z ɲˈix pˌɔzɔstˈawɔ z nˈami na lˈata.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (66)_segment_58.wav|ftɕˈɔ̃ʃ mɲʲɛ jˈɛdnak ˌɔpsɛrvˈujɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_156.wav|ˌalɛ firˈaŋka w ˌuxɨlˈɔnɨm ˈɔkɲʲɛ ɲʲɛ drɡnˈɛwa nˈavɛt. prɔpˈɛlɛr tˈɔtʃɨw ɕɛ s xˈukʲɛm pʃˈɛs pɔvʲˈɛtʃɛ tɕˈɛ̃ʃkʲɛ i mˈartfɛ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (16)_segment_94.wav|pˈɔtɛm tɛn pˈan pɔvʲˈɛdʑaw, vʑˈɛwa pˈaɲi na sfˈuj ɡʒbjˈɛts skɔrpʲˈɔna pˈaɲi kˈɔmpsɔn, a ɔn uʒˈɔndliw pˈaɲi tsurˈɛtʃkɛ na ɕmʲˈɛrtɕ.|2
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_318.wav|jˈɛɕli bɔɡˈɔvʲɛ bˌɛndɔ̃ waskˈavi...|1
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_406.wav|vɨstˈartʃɨ nˈam ɡwˈɔva pipˈɛra.|1
+Dataset/wavs/summers_wojtek/Billy Summers (31)_segment_33.wav|splˈuva jˈɛdnaɡ zˈafʃɛ mˈɔʒɛ ɕɛ pʃˈɨdatɕ i dˈɔbʒɛ vʲˈɛdʑɛtɕ, ʒˈɛ w rˈaʑɛ pɔtʃˈɛbɨ bˌɛɲdʑɛ pɔt rˈɛŋkɔ̃.|2
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_344.wav|lˈɔrt nˈɛstɔr ɲʲɛ bˌɛɲdʑɛ mʲˈaw na ˈutʃtɕɛ minstrˈɛli, tˌɨlkɔ flˈɛtɨ i skʃˈɨpki, ʒˈɛbɨ pʃɨɡrˈɨvadʑ dɔ tˈaɲtsa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (20)_segment_120.wav|rɔzbjˈɛra ɡˈɔ na tʃˈɛɲɕtɕi, ktˌurɛ kwˈadʑɛ na stˈɔlɛ dɔ pˈiŋkpˈɔŋɡa, pɔ tʃɨm fʃˈɨstkʲɛ f sˈumjɛ kˌilkadʑˈɛɕɔnt tʃˈɨɕtɕi.|2
+Dataset/wavs/summers_wojtek/Billy Summers (14)_segment_87.wav|vʲˈɛʃ, pɔ prˈɔstu tˈak jˈaɡbɨ ɕɛ zmʲˈɛɲʲam.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (66)_segment_126.wav|ɲʲɛ pˌɔtrafˈiwam pɔfstʃˈɨmatɕ ɔkʃˈɨku bˈulu, ktˌurɨ vˈɨrvaw ɕɛ z mˈɔjɛj pʲˈɛrɕi.|3
+Dataset/wavs/wrony_banaszyk/0039 uczta_dla_wron_siec_spi_segment_16.wav|vˌɨkɔnˈanɔ jˈɛ z ɔnˈɨksu, mˌalaçˈitu i ʒuwtˈɛɡɔ kamjˈɛɲʲa kɕˌɛ̃ʒɨtsɔvˈɛɡɔ.|1
+Dataset/wavs/artemis_anna_szymanczyk/17_Artemis_segment_149.wav|ˈɔtpar i rɔzˈɛjʒaw ɕɛ pɔ pˈarku.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (50)_segment_37.wav|tʃɨ dawˈɔbɨ ɕɛ ˈɔbɛjʑdʑ dˈɔm i pɔʃˈukatɕ innˈɛɡɔ vˈɛjɕtɕa?|3
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_94.wav|fˈajnɨ, ˌalɛ ɲʲɛ w mˈɔim tˈɨpʲɛ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_9.wav|tˌɛɡɔ ɲʲɛ xtɕˈawɛm, vʲˈɛnts w nastˈɛmpnɨm rˈɔku ɕɛ pʃˌɨwɔʒˈɨwɛm i zˌalitʃˈɨwɛm fʃˈɨstkʲɛ pʃɛdmʲˈɔtɨ.|2
+Dataset/wavs/urwisko_ferenc/15_segment_98.wav|a jˈɛɕli nˈadal ɕɛ ɡˈɔ bˈɔi? spɨtˈawa.|0
+Dataset/wavs/summers_wojtek/Billy Summers (17)_segment_85.wav|z zˈɛvnɔndʒ vɨɡlˈɔndaw dˈɔbʒɛ, ˌalɛ w ɕrˈɔtku bˈɨw stˈarɨ, pˈɛwɛn pʃɛtɕˈɔŋɡuf, ɲʲɛʃtʃˈɛlnɨ. ʑˈimɔ̃ strˈaʃɲʲɛ ɕɛ w ɲˈim mˈarzwɔ.|2
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_70.wav|lˈɛpʲɛj jˈuʃ ˈitɕ, sˈɛr.|1
+Dataset/wavs/summers_wojtek/Billy Summers (32)_segment_16.wav|pˈɔdwa mˈɨɕl, tsˈɔ ɲʲɛ znˈatʃɨ, ʒˈɛ ɲʲɛswˈuʃna.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(94) R.Abbott_Zamknij Drzwi_segment_28.wav|ɲʲɛ tknˈɔwɛm pʲɛɲʲˈɛndʑɨ, ɲʲɛ lˈitʃɔndʑ darˈɔvizn na tsˈɛlɛ dˌɔbrɔtʃˈɨnnɛ i sprˈavɨ, ktˌurɛ ˌuvaʒˈawɛm za vwaɕtɕˈivɛ.|4
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_101.wav|ɔ brˈaɲʲɛ stˈarku i jˈɛɡɔ tˌɔvaʒˈɨʃax ˌɔras ɔ dʑˈɛtɕax, ktˌurɛ zamjˈɛɲiw jˈɔn snˈɔf.|1
+Dataset/wavs/wrony_banaszyk/0026 uczta_dla_wron_siec_spi_segment_416.wav|stˈɛrtʃaw z jˈɛɡɔː ˈust tʃɛrvˈɔnɨ, mˈɔkrɨ i lɕɲʲˈɔntsɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_136.wav|tˈɛj, ktˌurɔ̃ kˈɔxaw.|0
+Dataset/wavs/wrony_banaszyk/0014 uczta_dla_wron_siec_spi_segment_143.wav|i psˈɨ rˈuvɲʲɛʃ, jˈak sˈɔndʑɛ.|1
+Dataset/wavs/summers_wojtek/Billy Summers (13)_segment_65.wav|dɔ pˌɔpɔwˈudɲʲa jɛst na pˈɛarsɔn strˈit. rˌɔspakɔvˈujɛ tˈaɲʲɛ tɕˈuxɨ, ˌuruxˈamja tˈaɲʲɛ kˌɔmputˈɛrɨ.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_20.wav|jˈɛʃtʃɛ pʃɛt prɔɡrˈamɛm w rˈadju, ʒˈɛ tʃˈuwam na sˈɔbjɛ ˌɔpsɛrvujˈɔntsɛ mɲʲɛ ˈɔtʃɨ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_13_Hlasko_Palcie-ryz-kazdego-dnia_segment_126.wav|jˈɛʒdʒɛ pʃˌɛtɕɛʃ tˈɛndɨ ɔt tʃˈasu dɔ tʃˈasu.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(24) R.Abbott_Zamknij Drzwi_segment_39.wav|pɔtʃˈuwa, jˈak ˌɔbɛjmˈujɛ jˈɔ̃ f pˈaɕɛ i dɔtˈɨka varɡˈami jɛj kˈarku.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(22) R.Abbott_Zamknij Drzwi_segment_38.wav|xˈɔdʑi ˈɔtɔ, jˈɔɛ, mˈuvi bˈɛtskɨ, starˈajɔnts ɕɛ tˈaɡ dˈɔbratɕ swˈɔva, ʒˈɛbɨ vɨvˈɔwatɕ ˈu mɲʲɛ jˈak najmɲʲˈɛjʃɨ strˈɛs.|4
+Dataset/wavs/wrony_banaszyk/0019 uczta_dla_wron_siec_spi_segment_275.wav|jɛj mˌarɨnˈaʒɛ pˌɔxɔdʑˈili z vɛstˈɛrɔs i ˌutɕɛʃˈɨli ɕɛ, ʒˈɛ mˌajɔ̃ ɔkˈazjɛ pˌɔrɔzmˈavʲatɕ s kˈimɕ w jɛ̃zˈɨku pɔfʃˈɛxnɨm.|1
+Dataset/wavs/summers_wojtek/Billy Summers (9)_segment_123.wav|za dvˈa, tʃˈɨ mʲɛɕˈɔntsɛ skɔɲtʃˈɨwabˌɨ dʑˈɛɕɛɲtɕ lˈat i ɲʲɛ mˈɔɡwa ɕɛ dɔtʃˈɛkatɕ, kʲˈɛdɨ bˌɛɲdʑɛ mʲˈawa dvˌutsɨfrˈɔvɨ, ɲʲɛ tˌɨlkɔ jˌɛdnɔtsɨfrˈɔvɨ vʲˈɛk.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (20)_segment_20.wav|ɲˈiɡdɨ ɲʲɛ zadˈajɛ mi pɔdˈɔbnɨx pˈɨtaɲ, ufˈajɔnts, ʒˈɛ pˌɔstɛmpˈujɛ swˈuʃɲʲɛ.|3
+Dataset/wavs/urwisko_ferenc/13_segment_10.wav|zalˈɛdvʲɛ dvˈux, pʃˌɨpɔmɲʲˈawa mu xˈɛrman.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_224.wav|pˌɔɡadˈamɨ fkrˈuttsɛ, mˈuvi bʲˈillɨ i ɕɛ rɔzwˈɔntʃa.|2
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_207.wav|ɔbˈɔjɛ pʃˌɛvrutɕˈiliɕmˌɨ ɕɛ na tˈaptʃan i ˌɔkazˈawɔ ɕɛ, ʒˈɛ pˈɔttɔ̃ blˈuzɔ̃ jɛst nˈaɡa.|0
+Dataset/wavs/artemis_anna_szymanczyk/18_Artemis_segment_178.wav|ˌɔpuɕtɕˈiwam ɔswˈɔnɛ pʃˌɛtɕifswɔnˈɛtʃnɔ̃, dɔ ktˌurɛj ftʃˈɛɕɲʲɛj pʃˌɨklɛˈiwam tˈaɕmɔ̃ ʃˈɨpkɛ z mˈaski spˌavalɲˈitʃɛj.|4
+Dataset/wavs/wrony_banaszyk/0016 uczta_dla_wron_siec_spi_segment_55.wav|pʲˈɛrɕi ɲʲɛ zatʃˈɛwɨ jɛj jˈɛʃtʃɛ ɔpˈadatɕ.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(10) R.Abbott_Zamknij Drzwi_segment_18.wav|zˈaɲim ɕɛ rˌɔzwɔntʃˈɨmɨ, tʃɨ ˈaʃ lˈup mˈilljɛ mˌajɔ̃ zˈɛ sˈɔbɔ̃ tɛlˈɛfɔn?|4
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_139.wav|na dˈɔlɛ zˌaɕtɕɔŋɡnˈɛwa ɕɛ ʑɛlˈɔnɔzwˈɔta dɔlˈina.|1
+Dataset/wavs/artemis_anna_szymanczyk/07_Artemis_segment_172.wav|f prɔtsˈɛɕɛ vˌɨtapʲˈaɲʲa vˌɨɔdrˈɛmbɲʲa ɕɛ z ɲʲˈɛɡɔ pˌɔtstavˈɔvɛ pʲɛrvʲˈastki.|4
+Dataset/wavs/wrony_banaszyk/0005 uczta_dla_wron_siec_spi_segment_232.wav|tˈaɡ blˈiskɔ mʲˈasta ɲʲɛ spɔdʑˈɛvaw ɕɛ kwɔpˈɔtuf.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_008_Konwicki_Czytadlo_segment_404.wav|ʒˈɛ ja pˈatʃɛ na tɛn tˈak pʲˈɛŋknɨ i vdʑˈɛntʃnɨ ˈɔbras,|0
+Dataset/wavs/summers_wojtek/Billy Summers (42)_segment_109.wav|ɲʲˈɛma ˌɛdʒɛvˈɔɔt salˈɔɔn, ˌalɛ akˈurat tɔ bʲillʲˈɛɡɔ ɲʲɛ zˌaskakˈujɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_255.wav|sˈanxɛs i ja ɕˌɛdʑawˈɨɕmɨ w miltʃˈɛɲʲu, ˌuɲikˈajɔnts kɔntˈaktu vzrˌɔkɔvˈɛɡɔ pʃˈɛs rˈɛʃtɛ pɔdrˈuʒɨ.|4
+Dataset/wavs/summers_wojtek/Billy Summers (10)_segment_80.wav|ɲʲˈɛvʲɛm, pɔ prˈɔstu.|2
+Dataset/wavs/urwisko_ferenc/35_segment_33.wav|xˈɨba ɲʲɛ. tɔ dˈɔbʒɛ, ˈuznaw bɔrˈɛvitʃ. lˌɛvandˈɔfska tsˈawɨ tʃˈas tˈam ɕˈɛdʑi?|0
+Dataset/wavs/summers_wojtek/Billy Summers (29)_segment_150.wav|pˈɛvɲʲɛ w jˈɛdnɛj s tɨx awdˈɨtsji ˌɛnpˌɛˈɛr, f ktˌurɨx fʃˈɨstsɨ prˈavjɔ̃ mɔndrˈɔɕtɕi ɡwɔsˈami, jˈaɡbɨ nˌawɨkˈali ɕɛ prɔzˈaku.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (1)_segment_207.wav|a tˈɔm mʲˈaw nadʑˈɛjɛ, ʒˈɛ jˈakiʑ bˈɨstʃak fpˈadɲʲɛ na pˈɔmɨsw, ʒˈɛbɨ pʃˈɨɲʲɛɕtɕ mu kˈubɛk kˈavɨ. rˌɔspatʃlˈivʲɛ pˌɔtʃɛbˈɔvaw kˌɔfɛˈinɨ.|3
+Dataset/wavs/wrony_banaszyk/0025 uczta_dla_wron_siec_spi_segment_229.wav|ˈalbɔ dˈux starˈɛɡɔː ˌɔbɛrʒˈɨstɨ vɨkˈuva nɔvˈɛɡɔ ʒˌɛlaznˈɛɡɔ smˈɔka.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (29)_segment_211.wav|pʃˌɛtɕɛʃ spʃˌɛdavˈawaɕ nˈam bʲilˈɛtɨ tˌɨɡɔdɲʲˈami.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (55)_segment_156.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_205.wav|ɛvˈɛrɡrin strˈit jɛst w mˌɛadvˈɔɔt, a tsˈawɛ mˌɛadvˈɔɔt rˈɔbʲi zakˈupɨ f sˈafɛ mˈart.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_6.wav|tʃɨ mˈɔʒɛ pˈaɲi pɔzvˈɔlidʑ zˈɛmnɔ̃?|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (11)_segment_55.wav|tsˈɔ muɕˈawaʑ zrˈɔbʲitɕ?|3
+Dataset/wavs/ryz_ferenc/9788367950190_02_Hlasko_Palcie-ryz-kazdego-dnia_segment_28.wav|tˌaki sˈɔbjɛ vɨbrˈawɛʑ zˈavut. ja ɕɛ ɲʲɛ skˈarʒɛ.|0
+Dataset/wavs/wrony_banaszyk/0011 uczta_dla_wron_siec_spi_segment_89.wav|sˈɛr xˈarvin vʑˈɔw pʲˈɛɲtɕu rɨtsˈɛʒɨ ˌɔraz dvudʑˈɛstu utʃɲˈikuf i pɔjˈɛxaw ɕɛ z ɲˈimi pɔlˈitʃɨtɕ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (23)_segment_88.wav|ktˈɔ tɔ tˈu zɔstˈaviw?|3
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_423.wav|mʲˈɛjmɨ nadʑˈɛjɛ. mjˈa ɲʲɛ bˌɛɲdʑɛ tʃˈɛkadʑ dwˈuʒɛj ɲˈiʒ dɔ pɔwˈudɲʲa.|1
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_47.wav|tʃˈɛj mɛ̃ʃtʃˈɨʑɲi pˈatʃɔ̃ w ɔɡrˈɔmnɨ tˌɛlɛvˈizɔr. dvˈaj sɔ̃ na kʃˈɛswax kˌubɛwkˈɔvɨx, tʃˈɛtɕɛ kʃˈɛswɔ, pˈɛvɲʲɛ frˈaŋka jɛst pˈustɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/14_Artemis_segment_126.wav|w ˌuɲʲɛɕˈɔnɛj rˈɛntsɛ tʃˈɨmaw stˌarɔmˈɔdnɨ, mɔɕˈɛ̃ʒnɨ dʑˈurkadʒ dɔ bʲilˈɛtuf. ˌɔtʃɨvˈiɕtɕɛ ɲˈikt tˈu ɲʲɛ uʒˈɨvaw pˌapʲɛrˈɔvɨɣ bʲilˈɛtuf, ktˌurɛ mˈuɡwbɨ ɲˈim skasˈɔvatɕ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (20)_segment_10.wav|mruknˈɛwam stwumjˈɔnɨm pʃˈɛs pɔdˈuʃkɛ ɡwˈɔsɛm.|3
+Dataset/wavs/urwisko_ferenc/18_segment_31.wav|jˈak ɕɛ nazˈɨva?|0
+Dataset/wavs/drzwi_anna_szymanczyk/(80) R.Abbott_Zamknij Drzwi_segment_12.wav|muɕˈawɛm tsˈɔʑ zrˈɔbʲitɕ. ɲʲɛ mˈɔɡwɛm dwˈuʒɛj udˈavatɕ pʃɛt jˈɔɛ. xtsˈɛ bˈɨtɕ s tˈɔbɔ̃ i mˈili.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(03) R.Abbott_Zamknij Drzwi_segment_107.wav|ɔdnˈɔʃɛ vraʒˈɛɲʲɛ, ʒˈɛ ktˈɔʑ vˈalnɔw mɲʲɛ f pʲˈɛrɕ.|4
+Dataset/wavs/wrony_banaszyk/0033 uczta_dla_wron_siec_spi_segment_407.wav|pˌɔmɨɕlˈawa, sxˈɔdʑɔnts pɔ skˈutɨx lˈɔdɛm kamjˈɛnnɨx sxˈɔdax.|1
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_359.wav|fstˈaw ɲʲɛzɡrˈabɲʲɛ.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_132.wav|pˌɔmɨɕlˈawɛm.|0
+Dataset/wavs/wrony_banaszyk/0038 uczta_dla_wron_siec_spi_segment_170.wav|vʲˈɛm, ʒˈɛ tˈɔmmɛn kˈɔxa ix ɔbˈɔjɛ i xtɕˈawbɨ, ʒˈɛbɨm dˌɔprɔvadʑˈiwa dɔ zˌavarsˈija pɔkˈɔju mʲˌɛndʑɨ ɲˈimi.|1
+Dataset/wavs/summers_wojtek/Billy Summers (41)_segment_167.wav|ɡrˈupɨ rɔbjˈɔntsɛ skˈɔki na zlɛtsˈɛɲʲɛ.|2
+Dataset/wavs/artemis_anna_szymanczyk/11_Artemis_segment_158.wav|kʲˈɛdɨ ɔstˈatɲʲɔ mˈuj spʃˈɛnd dˈɔstaw ɕɛ f tfˈɔjɛ rˈɛntsɛ, ɲʲɛ skɔɲtʃˈɨwɔ ɕɛ tɔ dˈɔbʒɛ.|4
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_134.wav|vˌɨtʃɔwɡˈawam ɕɛ spˈɔt pɔdvˈɔʑa, fstˈawam i rˌɔsprɔstɔvˈawam plˈɛtsɨ.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_012_Konwicki_Czytadlo_segment_213.wav|na ɔswˈɔɲʲɛ lˈampɨ ulˈitʃnɛj ɕɛdʑˈawɨ tɛ mˈɔjɛ pˈɛwnɛ ɡɔdnˈɔɕtɕi sˌɨnɔɡarlˈitsɛ i spˌɔɡlɔndˈawɨ w nˈaʃɛ ˈɔkna.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (6)_segment_76.wav|pʃɨnˈajmɲʲɛj ɲʲɛ pamjˈɛntam ʒˈadnɛj ɔt ɔkˈɔwɔ pʲɛtnˈastu lˈat.|3
+Dataset/wavs/wrony_banaszyk/0006 uczta_dla_wron_siec_spi_segment_154.wav|nˈadal jˈɛdnaɡ bˌɨwɔ vˈidatɕ, ʒˈɛ tɔ xˈɔwt.|1
+Dataset/wavs/drzwi_anna_szymanczyk/(49) R.Abbott_Zamknij Drzwi_segment_45.wav|fˈɛj stˈara ɕɛ mˈuvitɕ ʃˈɛptɛm, ˌalɛ kʲˈɛpskɔ jɛj tɔ vɨxˈɔdʑi. kʲˈɛdɨ sˌuflɛrˈujɛ spˈɛktakl tˌɛatrˈalnɨ, swˈɨxatɕ jˈɔ̃ na tˈɨwaɣ vidˈɔvɲi.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_382.wav|ɲʲɛ, tɔ stˈawɔ ɕɛ jɛdnˈɛɡɔ dɲʲˈa.|0
+Dataset/wavs/artemis_anna_szymanczyk/41_Artemis_segment_159.wav|ˌɔpalˈaɕɔ tʃɨmˈajɔ̃ tɕˈɛ w ɡˈarɕtɕi i tˈaɲtʃɨʃ jˈak tɕi zaɡrˈajɔ̃.|4
+Dataset/wavs/czytadlo_ferenc/9788367950787_001_Konwicki_Czytadlo_segment_600.wav|xˈɔdʑmɨ dɔ mɲʲɛ, pˌɔvʲɛdʑˈawa.|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_93.wav|zapˈɨtaw tˈɔm. dˈavn maxnˈɛwa tˌɨlkɔ rˈɛŋkɔ̃ f strˈɔnɛ sˈɔfɨ.|3
+Dataset/wavs/urwisko_ferenc/07_segment_42.wav|zˈɛrɔ. pɔlˈitsjant rɔzwˈɔʒɨw dwˈuɡʲɛ rˈɛntsɛ, a xˈɛrman ˌɔdɛtxnˈɛwa w dˈuxu.|0
+Dataset/wavs/wrony_banaszyk/0023 uczta_dla_wron_siec_spi_segment_232.wav|bˈɔ z jˈɛɡɔ pˈaltsuf ɕtɕˈɛka krˈɛf.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (39)_segment_47.wav|na parkˈiŋɡu ɔ tɛj pˈɔʒɛ panˈujɛ tɕˈiʃa. ɔfjˈara vˌɨɡlɔndˈawa na dˈɔɕtɕ kʃɛpkʲˈɛɡɔ fatsˈɛta, ˌalɛ nˈavɛt nˌajvʲɛŋkʃˈɛɡɔ tfardʑˈɛla dˈa ɕɛ pɔvˈalitɕ tɕˈɛ̃ʃkɔ̃ rˈurɔ̃.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(12) R.Abbott_Zamknij Drzwi_segment_49.wav|ɲʲɛ ˌɔtpɔvʲˈadam. mˈɔjɛ mˈɨɕli sɔ̃ ɡdʑˈɛ ˈiɲdʑɛj. z mˈili. tʃˈujɛ jɛj rˈɛntsɛ na ʃˈɨi, kʲˈɛdɨ tsawˈujɛ mɲʲɛ na dɔbrˈanɔts.|4
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_103.wav|vidʑˈawɛɕ, tsˈɔ tɕi lˈudʑɛ ˌutʃɨɲˈili s pɔsˈɔŋɡʲɛm bwˌɔɡɔswˌavʲɔnˈɛɡɔ bˌaɛlˈɔra?|1
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_223.wav|jˌɛstɛm fstrˈɛntnɨ i ɲˈikt mɲʲɛ ɲʲˈɛxtsɛ.|0
+Dataset/wavs/czytadlo_ferenc/9788367950787_010_Konwicki_Czytadlo_segment_6.wav|tɔ ɲʲɛ fˈawda tʃˈasu, tɔ pɛŋkɲʲˈɛɲtɕɛ tʃˈasu, jˈakaɕ ʃtʃɛlˈina ˈalbɔ ʃpˈara.|0
+Dataset/wavs/wrony_banaszyk/0034 uczta_dla_wron_siec_spi_segment_158.wav|dɔdˈawa, ɡdˈɨ vʲˈadrɔ ɡʒɛxˈɔtʃɔnts ruʃˈɨwɔ w ɡˈurɛ.|1
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (14)_segment_11.wav|dˈɔɕtɕ ɲʲˌɛkɔmfɔrtˈɔvɔ bˌɨwɔ spˌatsɛrˈɔvatɕ w mʲˈɛjstsu, ɡdʑˈɛ jˈɛʃtʃɛ kˈilka ɡˈɔdʑin ftʃˈɛɕɲʲɛj lɛʒˈawɨ tʃˈɨjɛʑ zvwˈɔki.|3
+Dataset/wavs/urwisko_ferenc/04_segment_70.wav|mˈɔim zdˈaɲʲɛm ta pˈinda pɔ prˈɔstu pɔzbˈɨwa ɕɛ dʑˈɛtska. mˈɔʒɛ zɛmɕtɕˈiwa ɕɛ za tsˈɔɕ na mˈɛ̃ʒu.|0
+Dataset/wavs/ryz_ferenc/9788367950190_03_Hlasko_Palcie-ryz-kazdego-dnia_segment_416.wav|i tɕi vwˌaɕtɕitɕˈɛlɛ bˈaruv zrɔbʲˈili, tʃˈɛɡɔ tˈamtɕi xtɕˈɛli.|0
+Dataset/wavs/wrony_banaszyk/0010 uczta_dla_wron_siec_spi_segment_318.wav|zatwˈukwɛm jˈɔ̃ vwasnˈɨmi rɛŋkˈami.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_007_Konwicki_Czytadlo_segment_189.wav|na zdˌumjɛvajˈɔntsɔː ɔkrˈɔŋɡwɔ̃ pʲˈɛrɕ.|0
+Dataset/wavs/wrony_banaszyk/0008 uczta_dla_wron_siec_spi_segment_185.wav|tˈaɡ dwˈuɡɔ?|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (52)_segment_17.wav|tɔ zabˈavnɛ, jˈaɡ vdʑˈɛntʃɲi pɔtrˈafjɔ̃ bˈɨtɕ lˈudʑɛ, kʲˈɛdɨ vɨtɕˈɔŋɡa ɕɛ ix s kwɔpˈɔtuf. jˈak ʃˈɨpkɔ pɔtrˈafjɔ̃ ɕɛ ɔt tʃwɔvʲˈɛka ɔdvrˈutɕitɕ, kʲˈɛdɨ tʃˈɛba spwˈatɕidʑ dwˈuɡʲi, ɲʲɛ sˈɔɲdʑi pˈan?|3
+Dataset/wavs/ryz_ferenc/9788367950190_01_Hlasko_Palcie-ryz-kazdego-dnia_segment_195.wav|sxˈɔvaw litsˈɛntsjɛ dɔ kʲɛʃˈɛɲi i pˈɔtʃɛd dɔː ˈɔkna, vˌɨpɛwɲˈifʃɨ jˈɛ ɲʲˈɛmal sfˈɨmi ʃˌɛrɔkˈimi plɛtsˈami.|0
+Dataset/wavs/summers_wojtek/Billy Summers (15)_segment_94.wav|tˈak tʃɨ tˈak ɔ zmrˈɔku jˈuʒ bɛɲdʑˌɛtɕɛ za ɡraɲˈitsɔ̃ stˈanu w drˈɔdʑɛ dɔ vistsˈɔnɕin. mˈɔʒɛ nˈavɛt ftʃˈɛɕɲʲɛj. i tsˈɔː ˈɔtɨm sˈɔɲdʑiʃ?|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (82)_segment_15.wav|s takˈimi jˈak ljˈa.|3
+Dataset/wavs/wrony_banaszyk/0037 uczta_dla_wron_siec_spi_segment_206.wav|sɔ̃ lvˈami.|1
+Dataset/wavs/summers_wojtek/Billy Summers (56)_segment_194.wav|ˈɛliz vˈɛʃwa dɔ pɔkˈɔju i stanˈɛwa ˌɔbɔk mɲʲɛ. w lˈɛvɛj dwˈɔɲi tʃɨmˈawa sfˈɔjɔ̃ tɔrˈɛpkɛ, f prˈavɛj sˈiɡa.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (3)_segment_62.wav|pʲˈɛrʃɔ̃ ʒˈɛtʃɔ̃, jˈakɔ̃ zˌauvˈaʒɨw tˈɔm, bˌɨwa ˌɔpuʃtʃˈɔna ʃˈɨba pɔ strˈɔɲʲɛ kʲɛrˈɔftsɨ. ɲʲɛ bˌɨwɔ tɔ zˌaskakujˈɔntsɛ, zvaʒˈɨfʃɨ na tˌɛmpɛratˈurɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (61)_segment_25.wav|kʲˈɛdɨ bˌɨwam f tfˈɔim vʲˈɛku, tˈaɲtʃɨw zˈɛmnɔ̃ i ɕpʲˈɛvaw.|3
+Dataset/wavs/artemis_anna_szymanczyk/05_Artemis_segment_33.wav|ʒˈɛ ɲʲɛ vʲˈɛmɨ, tsˈɔ z ɲˈim zrˈɔbʲitɕ.|4
+Dataset/wavs/wrony_banaszyk/0036 uczta_dla_wron_siec_spi_segment_164.wav|ʃˈukam dʑɛftʃˈɨnɨ.|1
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_4.wav|a pˈɔtɛm tˌɨlkɔ f tʃˈɨ kfadrˈansɨ.|0
+Dataset/wavs/summers_wojtek/Billy Summers (25)_segment_170.wav|bjˈɛʒɛ kˈilka wˈɨkuf prˈɔstɔ s krˈanu, pɔ tʃɨm pɔtxˈɔdʑi dɔː ˈɔkna pˌɛrɨskˈɔpu i vɨɡlˈɔnda na zˈɛvnɔntʃ.|2
+Dataset/wavs/ryz_ferenc/9788367950190_11_Hlasko_Palcie-ryz-kazdego-dnia_segment_150.wav|— jˌɛstɛʑ dˈɔbrɨ xwˈɔpak, sˈɨnu — pɔvʲˈɛdʑaw pɔlˈitsjant. — stˈaɲ tˈɛras pʃɛt kamˈɛrɔ̃ i bˈɔɲtɕ mˈiwɨ.|0
+Dataset/wavs/artemis_anna_szymanczyk/23_Artemis_segment_175.wav|tɔ bˌɨwɔ jˈaɡ zdɛʒˈɛɲʲɛ zˈɛ ɕtɕˈanɔ̃, xˈɔtɕaʃ ɲʲˌɛzupˈɛwɲʲɛ.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (53)_segment_76.wav|ˌuswɨʃˈawam w vʲˌadɔmˈɔɕtɕax tsˈɔɕ ɔ pɔrvˈaɲʲu xwˈɔptsa i pʃˌɛstraʃˈɨwam ɕɛ.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (67)_segment_85.wav|dʑɛŋkˈujɛ.|3
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_44.wav|mˈɔja mˈatka ɲʲɛ jɛzd zbˈɨd dˈɔbrɨm pʃɨkwˈadɛm ʃtʃɛɲɕlˈivɛj ʒˈɔnɨ, a skˈɔrɔː ˈɔtɨm mˈɔva, tɔ sˈamɔ mˈɔʒna pɔvʲˈɛdʑɛtɕ ɔ jˈɛɡɔ mˈattsɛ.|4
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (78)_segment_40.wav|tˈɔm pɔpˈatʃɨw na ɕˌɛdʑɔntsˈɛɡɔ napʃˈɛtɕif mɛ̃ʃtʃˈɨznɛ.|3
+Dataset/wavs/ryz_ferenc/9788367950190_10_Hlasko_Palcie-ryz-kazdego-dnia_segment_40.wav|mˌɔnɔtˈɔnnɨ ɡwˈɔs tʃwɔvʲˈɛka prˌatsujɔntsˈɛɡɔ f tˈɔvɛr kˈɔntrɔl.|0
+Dataset/wavs/drzwi_anna_szymanczyk/(57) R.Abbott_Zamknij Drzwi_segment_33.wav|tɛlˈɛfɔn ˈaʃa lˈɛʒɨ na fɔtˈɛlu jˈɛɡɔː ˈawta, ˌalɛ kʲˈɛdɨ tˌɨlkɔ ɕɛ stˈɔnt rˈuʃɨ, dɔstˈanɛ pˌɔvʲadɔmjˈɛɲʲɛ z ˌaplikˈatsji ɕlɛdʑˈɔntsɛj.|4
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (54)_segment_42.wav|kʲˈɛdɨ nˈatɔ pˈatʃɛ, tɔ vˈidʑɛ, ʒˈɛ pʲɛɲʲˈɔndʑɛ mˈɔɡɔ̃ znajdˈɔvatɕ ɕɛ vɨsˈɔkɔ na lˈiɕtɕɛ mɔtˈɨvuf.|3
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (65)_segment_54.wav|mˈɔʒɛ z vɨjˈɔntkʲɛm tʃˈasu.|3
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (22)_segment_57.wav|tsˈɔ mʲˈawa pˈaɲi na mˈɨɕli, mˈuvʲɔnts ɔ brˈudnɛj rɔbˈɔtɕɛ?|3
+Dataset/wavs/summers_wojtek/Billy Summers (35)_segment_239.wav|zɡrɨvˈaɲʲɛ rˌɨtsɛrskʲˈɛɡɔ mɛ̃ʃtʃˈɨznɨ jɛst sˌɛkɕistˈɔfskʲɛ. za mˈawa jɛzd dla tɕˈɛbjɛ, nˈɔɡʲi tɕi bˌɛndɔ̃ zvˈisatɕ.|2
+Dataset/wavs/zwrok_anna_dereszowska/Odwróć wzrok (59)_segment_60.wav|spɔtkˈamɨ ɕɛ jˈutrɔː ɔ dʑɛvʲˈɔntɛj.|3
+Dataset/wavs/urwisko_ferenc/60_segment_37.wav|tsˈɔ ɕɛ stˈawɔ? mˈarja ɲʲɛ bˈardʑɔ vʲɛdʑˈawa, ɔt tʃˈɛɡɔ zˈatʃɔɲtɕ. xˈalɔ? jˌɛstɛɕ tˈam?|0
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (35)_segment_121.wav|ɲʲɛ pˌɔviɲʲˈɛnɛɕ ɕɛ ˈaʃ tˈaɡ bˈardʑɔ dʑˈivitɕ, ʒˈɛ ktˈɔɕ xtsˈɛ vɨkˈɔɲtʃɨtɕ tsˌamɛrˈɔna. mˈɔʒɛ tɨ bˌɛɲdʑɛʃ nastˈɛmpnɨ, xˈɔtɕ ʃtʃˈɛʒɛ mˈuvʲɔndʑ ɡˈuvnɔ mɲʲɛ tɔː ɔpxˈɔdʑi.|3
+Dataset/wavs/summers_wojtek/Billy Summers (22)_segment_138.wav|ɡdˈɨ jˈɛdnak pʃˈɨjʒɛtɕ ɕɛ uvˈaʒɲʲɛj, zvwˈaʃtʃa ɔtʃˈami ʒɔwɲʲˈɛʒa marˈinɛs, tɔ vraʒˈɛɲʲɛ prˈɨska.|2
+Dataset/wavs/wrony_banaszyk/0043 uczta_dla_wron_siec_spi_segment_12.wav|zdˈar skˈurɛ s pˌɛŋkɲʲɛntˈɛɡɔ pɛnxˈɛʒa na dwˈɔɲi, nastˈɛmpɲʲɛ ˈɔpar ɡwˈɔvɛ ɔ ɕtɕˈanɛ i zˈamknɔw ˈɔtʃɨ.|1
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (74)_segment_64.wav|pʃˈɛs tsˈawɨ tʃˈas fpatrˈujɛ ɕɛ jˈɛdnak ɲʲˌɛvidʑˈɔntsɨm vzrˈɔkʲɛm w blˈat.|3
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_227.wav|ktˈɔɕ mˈuɕi mi pɔtpˈisatɕ papʲˈɛrɨ. mˈɔʒɛ pˈan tɔ zrˈɔbʲitɕ?|2
+Dataset/wavs/summers_wojtek/Billy Summers (48)_segment_108.wav|kɔbjˈɛta ˌartɨkuwˈujɛ kˈaʒdɛ swˈɔvɔ s pʃɛsˈadnɔ̃ stˌarannˈɔɕtɕɔ̃.|2
+Dataset/wavs/klamstwo_anna_dereszowska/Idealne kłamstwo (15)_segment_15.wav|vʲɛdʑˈɛli tˌɨlkɔ jˈɛdnɔ. ɲʲɛ spʲɛʃˈɨwa ɕɛ s pɔvrˈɔtɛm dɔ dˈɔmu, z wikˈɛndu spˌɛndʑɔnˈɛɡɔ f spˈa.|3
+Dataset/wavs/summers_wojtek/Billy Summers (43)_segment_173.wav|a dalˈɛkɔ, pɔ drˈuɡʲɛj strˈɔɲʲɛ dɔlˈinɨ pˈɛvɲʲɛ ɲʲɛ ˌuvʲɛʒˈɨtɕɛ, ˌalɛ mˈɔɡwabˌɨm pʃˈɨɕɔnts, ʒˈɛ vidʑˈawam tɛn xˈɔtɛl, ɔ ktˌurɨm muvˈiwɛɕ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (36)_segment_209.wav|ˈɛliz zɲiknˈɛwa.|2
+Dataset/wavs/artemis_anna_szymanczyk/09_Artemis_segment_125.wav|kʲˈɛdɨ kˈɔmbajn pʃɨjˈɛʒdʒa dɔ bˈazɨ nˌawadˈɔvatɕ ˌakumulˈatɔr, fpˌɔmpɔvˈujɛ dɔ tɨx rˈurɛɡ ʑˈimnɔ̃ vˈɔdɛ, ʒˈɛbɨ sxwˈɔdʑidʑ vˈɔsk, a zˈaras pˈɔtɛm spˈuʃtʃa vʒˈɔntɛk.|4
+Dataset/wavs/summers_wojtek/Billy Summers (5)_segment_64.wav|mˈɔʒɛ tɔ ɲʲˈɛma znatʃˈɛɲʲa, mˈɔʒɛ mˈa.|2
+Dataset/wavs/wrony_banaszyk/0004 uczta_dla_wron_siec_spi_segment_3.wav|pɔstˈaviw kˈaptur, a pwˈaʃtʃ pɔvʲˈɛvaw zˈaɲim.|1
+Dataset/wavs/czytadlo_ferenc/9788367950787_005_Konwicki_Czytadlo_segment_107.wav|xfˈilɛ mɔtsˈujɛ ɕɛ z ɲʲˈɔ̃ i ʃnˈurɛm, ktˌurɨ vˈijɛ ɕɛ jˈaɡ ʒmˈija.|0
+Dataset/wavs/wrony_banaszyk/0027 uczta_dla_wron_siec_spi_segment_83.wav|ˌɔbjɛtɲˈitsɛ, ktˌurɛ zwɔʒˈɨwɛm lˈadɨ tsatˈɛlɨn.|1
+Dataset/wavs/summers_wojtek/Billy Summers (58)_segment_60.wav|tˈɛras pˈɔvʲɛts, jˈaɡ bˌɨwɔ naprˈavdɛ.|2
+Dataset/wavs/summers_wojtek/Billy Summers (49)_segment_68.wav|ɲʲɛ prubˈujɔ̃ dˌɨskutˈɔvatɕ, ˌɔtstavʲˈajɔ̃ mˈiski s pɔptsˈɔrnɛm ɔstrˈɔʒɲʲɛ i kwˈadɔ̃ ɕɛ na pɔdwˈɔdʑɛ.|2
+Dataset/wavs/drzwi_anna_szymanczyk/(58) R.Abbott_Zamknij Drzwi_segment_3.wav|ɲʲɛ xtɕˈawa ɕɛ tˈam znˈalɛɕtɕ. tʃˈuwa vˈilɡɔtɕ na kˈarku. ˈinstɨŋkt pˌɔtpɔvʲˈadaw jɛj, ʒˈɛbɨ utɕˈɛkatɕ.|4
+Dataset/wavs/drzwi_anna_szymanczyk/(17) R.Abbott_Zamknij Drzwi_segment_54.wav|bˈɛtskɨ zˌapisˈawa tsˈɔɕ w nˌɔtatɲˈiku. jˌɛstɛm pʃˌɛkɔnˈana, ʒˈɛ pˌɔvʲɛdʑˈawam tsˈɔɕ, ɔ tsˈɔ zˈɛxtsɛ mɲʲɛ zapˈɨtatɕ.|4
+Dataset/wavs/artemis_anna_szymanczyk/32_Artemis_segment_57.wav|zɡˈadɲij, jˈakɔ̃ twumjˈɛnnɔɕtɕ mˈa zˈafɔ.|4