Instructions to use KoshiMazaki/akuspace-ltx25 with libraries, inference providers, notebooks, and local apps. Follow these links to get started.
- Libraries
- LTX.io
How to use KoshiMazaki/akuspace-ltx25 with LTX.io:
# Install the LTX-2 pipelines git clone https://github.com/Lightricks/LTX-2.git cd LTX-2 uv sync --frozen
# Download the weights from this repo, plus the Gemma text encoder hf download KoshiMazaki/akuspace-ltx25 --local-dir models/akuspace-ltx25 hf download google/gemma-3-12b-it-qat-q4_0-unquantized --local-dir models/gemma-3-12b
# Text/image-to-video with the LoRA on the HQ two-stage base pipeline uv run python -m ltx_pipelines.ti2vid_two_stages_hq \ --checkpoint-path path/to/checkpoint.safetensors \ --distilled-lora path/to/distilled_lora.safetensors 0.8 \ --spatial-upsampler-path path/to/spatial_upsampler.safetensors \ --gemma-root models/gemma-3-12b \ --lora models/akuspace-ltx25/<weights>.safetensors 1.0 \ --prompt "your prompt here" \ --output-path output.mp4 # For image-to-video, add: --image path/to/image.jpg 0 0.8 - Reverb
How to use KoshiMazaki/akuspace-ltx25 with Reverb:
# No code snippets available yet for this library. # To use this model, check the repository files and the library's documentation. # Want to help? PRs adding snippets are welcome at: # https://github.com/huggingface/huggingface.js
- Notebooks
- Google Colab
- Kaggle
scripts/dataset: document the pair-building rules
Browse files- scripts/dataset/README.md +50 -0
scripts/dataset/README.md
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# Dataset preparation
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LTX's trainer takes a dataset; it does not help you *build* one. For an audio
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IC-LoRA the dataset is the whole problem — the model learns a transformation, so
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every item must be the same performance twice, once dry and once through a real
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acoustic treatment, aligned and gain-matched. These are the scripts that built
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the AKUSPACE set (266 pairs, 14 sources × 19 cells).
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Set `AKUSPACE_DATASET` to your dataset root, or run from the repo and the
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relative default applies.
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| Script | Does |
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| `build_v5_rooms.py` | dry/wet room pairs at three levels per room |
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| `build_v5_outdoor.py` | outdoor beds; projects the dry out before rebuilding |
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| `build_v5_sfx.py` | Eurorack modular-delay pairs |
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| `build_eurorack_dry.py` | assembles the dry side fed through the hardware |
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| `make_manifest_v5.py` | writes the training CSV with captions and splits |
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| `verify_dataset.py` | checks every pair: length, rate, ceiling, alignment |
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| `check_limiting.py` | catches limiting/clipping introduced by a render chain |
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| `check_clips.py` | duration and sample-rate conformance |
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| `wetdry.py` | measures the wet/dry relationship of a rendered pair |
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| `slice_ableton_stems.py` | cuts long recordings into per-source clips |
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## The rules these encode
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Each one cost real time to learn.
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**Never normalise dry and wet independently.** Apply the same gain to both, or
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the pair no longer describes a transformation and the model learns loudness
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instead of acoustics.
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**Normalise by active loudness, not peak.** Sparse material — handclaps
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especially — reads ~13 dB quiet on peak-based normalisation and ends up
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mismatched against sustained sources.
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**An ambience bed is not a reverb tail.** A tail is part of the signal and
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scales cleanly; a bed is a separate recording, so boosting it amplifies its own
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noise floor. Scale beds down only, and only a little. This is why the outdoor
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cells ship two levels while rooms and SFX ship three.
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**Check the dry fit before trusting any ambience measurement.** `R = wet − dry`
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assumes the render carries the dry at exactly 1.00×. When it does not, a
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negative ghost of the dry hides inside R and dominates every derived number —
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which produced months of misleading ambience statistics here before
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`verify_dataset.py` caught it. Confirm fit ≈ 1.000 first.
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**The trigger word belongs in preprocessing, not the manifest.** It is prepended
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to training captions by the preprocessor and must appear in inference prompts;
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storing it in the CSV double-applies it.
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