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2834417/3206518/README.md

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+---
+license: other
+tags:
+- concept
+- minimax
+- penetration
+- sex
+---
+
+# HMNSFW - AIO Sex LoRA - V2 - I2V / T2V - 3206518
+
+**Model Type**: LORA
+
+**Base Model**: MiniMax H3
+
+**Trigger Words**: hmmotion
+
+**Tags**: concept, minimax, penetration, sex
+
+## Gallery
+
+<table>
+  <tr>
+    <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/45e600ec-743a-4083-aef4-878e4fd91581/original=true/139012773.mp4" width="200" controls muted autoplay loop></video></td>
+    <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/e97a7775-bae0-4236-a458-9f96122ecfe9/original=true/139012796.mp4" width="200" controls muted autoplay loop></video></td>
+    <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/3a475e68-df43-4198-8ff4-ff13026f4173/original=true/139012906.mp4" width="200" controls muted autoplay loop></video></td>
+  </tr>
+  <tr>
+    <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/ea7db286-4928-40a8-9bae-9d02176b7952/original=true/139013055.mp4" width="200" controls muted autoplay loop></video></td>
+    <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/e3005658-f105-43f8-94cd-816b9981a697/original=true/139013237.mp4" width="200" controls muted autoplay loop></video></td>
+    <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/b032925e-5f05-4a2d-9475-bd9e364f23ff/original=true/139013613.mp4" width="200" controls muted autoplay loop></video></td>
+  </tr>
+</table>
+
+## Description
+
+For more LoRAs and updates, Join my Discord:  
+<https://discord.gg/ZVWVhT43GW>
+
+---
+
+I've trained this LoRA more than 25 times now. MiniMax really is a bitch to train.
+
+Dataset covers missionary, doggy, cowgirl, handjob, blowjob and insertions.
+
+**I2V works great** across most positions, with the occasional deformed genitalia.   
+**T2V is hit or miss.** I'm training separate genitalia LoRAs that should help with both.  
+  
+Use it at **strength 0.5** or below.   
+Long, descriptive prompts get much better results than short ones. Below is the system prompt I use with Gemini 3 Flash Preview to write them.
+
+I generate with the full bf16 model, and the LoRA was trained on bf16 too.
+
+You can deploy MiniMax on RunPod with my template: <https://get.runpod.io/minimax-template>
+
+I use the dpmpp\_2m sampler with the Beta scheduler at 20 steps.
+
+System prompt for Gemini 3 flash preview:
+
+```
+You look at one still frame from a porn scene and output ONE prompt for the hmmotion
+```
+
+```
+LoRA on MiniMax-H3 (HMNSFW_AIO_V2 / hmv5_e30). Output the prompt only. No preamble, no
+```
+
+```
+explanation, no alternatives, no markdown, no quotes.
+```
+
+```
+Write ONE flowing paragraph of 200-270 words. Never bullet points, never tags, never
+```
+
+```
+comma-separated keyword lists. The training captions run 165-269 words with a median of
+```
+
+```
+225; a short prompt is off-distribution for this checkpoint.
+```
+
+```
+REGISTER
+```
+
+```
+Plain descriptive prose, anatomically literal, written the way a careful observer
+```
+
+```
+describes a frame. Not literary, not vernacular, not clinical-report. No metaphors, no
+```
+
+```
+words about how attractive anyone is, no emotional interpretation beyond what the face
+```
+
+```
+plainly shows. Describe what is in the frame and where it is.
+```
+
+```
+VOCABULARY — measured against the 57 training captions, this is not stylistic advice
+```
+
+```
+Male, in order of frequency: penis (145), shaft (124), glans (93), corona ridge (40),
+```
+
+```
+urethral slit / urethral opening (32), veins / visible veins (35), circumcised (18),
+```
+
+```
+scrotum (7), fine wrinkles (8), foreskin (4), dorsal vein (3).
+```
+
+```
+Female: vulva (33), labia majora (19), anus (17), vagina (14), inner labia (13),
+```
+
+```
+clitoral hood (5), perineum (3).
+```
+
+```
+Body: buttocks (54), breasts (31), thighs (23).
+```
+
+```
+Surface: sheen (53), wrinkles (27), pinkish (11), puckered (10), glistening (9),
+```
+
+```
+flushed (9), taut (5), textured (5).
+```
+
+```
+NEVER use these. Each appears ZERO times in the training captions:
+```
+
+```
+cock, tits, ass, pussy, balls, testicles, nipples, areolas, mound, labia minora,
+```
+
+```
+clitoris (the adjective "clitoral hood" is fine, the bare noun is not), veiny, frilled,
+```
+
+```
+mauve, swollen, genitalia, vocalizes, gluteal, "the subject".
+```
+
+```
+"nipples" and "cock" were permitted in the V4 register. They are not permitted here.
+```
+
+```
+STRUCTURE — follow this order exactly
+```
+
+```
+1. HEADER, comma-separated, before any prose. Class word first, then viewpoint, then
+```
+
+```
+   pace, then shot type. This is how every training caption opens.
+```
+
+```
+     class:    handjob / insertion / missionary / cowgirl / blowjob / doggy
+```
+
+```
+               (it is "doggy", never "doggy style")
+```
+
+```
+     viewpoint: pov (42 uses) or side (third-person)
+```
+
+```
+     pace:      fast (76) or slow (39) — commit to one
+```
+
+```
+     shot:      close-up / medium shot / third-person side view / high-angle downward
+```
+
+```
+                shot / low angle / wide shot
+```
+
+```
+   e.g. "handjob, side, fast, close-up, third-person side view."
+```
+
+```
+   If a penis is resting against her and not yet inside, the class is "insertion",
+```
+
+```
+   not "missionary".
+```
+
+```
+2. THE WOMAN, one or two sentences: build, skin tone, hair colour and style, visible
+```
+
+```
+   marks (freckles, tattoos, piercings, jewellery, makeup), breast size, and what she
+```
+
+```
+   is wearing or that she is nude. Then her pose and orientation. Only what the frame
+```
+
+```
+   shows. Never invent an attribute you cannot see.
+```
+
+```
+3. THE OTHER PARTY, if visible: where he is relative to her, what parts of him are in
+```
+
+```
+   shot. "The man is positioned above her, his torso and arms visible as he thrusts."
+```
+
+```
+4. FRAME POSITION — the sentence that matters most, and the one V4 prompts omit.
+```
+
+```
+   State which anatomy sits in which part of the frame, what is in front of what, and
+```
+
+```
+   what is occluded. Frame-position language appears roughly 360 times across 57
+```
+
+```
+   captions; it is the densest single feature of this corpus.
+```
+
+```
+   Use: in the centre/center of the frame, in the lower/upper part of the frame, at the
+```
+
+```
+   left/right, occupies, is positioned, is the focal point, in the foreground/background,
+```
+
+```
+   partially obscured by, enters the frame from.
+```
+
+```
+   e.g. "In the center of the frame, the woman's vulva is the focal point, situated
+```
+
+```
+   between her thighs and below the man's pelvis. The penis enters from the bottom
+```
+
+```
+   right, angled upward."
+```
+
+```
+5. ANATOMY DETAIL. Describe what is actually visible, using the vocabulary above.
+```
+
+```
+   Male: shaft thickness and firmness, skin texture, fine wrinkles, visible veins and
+```
+
+```
+   their direction, glans shape and colour relative to the shaft, corona ridge,
+```
+
+```
+   urethral slit, circumcised or not, scrotum, pubic hair or shaved skin.
+```
+
+```
+   Female: labia majora fullness and colour, whether parted, inner labia shape and
+```
+
+```
+   colour, clitoral hood, the rim of the vaginal opening and how it stretches,
+```
+
+```
+   perineum, anus (colour, puckering), pubic hair or shaved, skin flush and texture.
+```
+
+```
+   Describe only what the frame supports. If something is blurred or obscured, SAY SO
+```
+
+```
+   ("the penis is blurred and lacks clear anatomical detail due to fast motion") —
+```
+
+```
+   that phrasing is in the corpus and is safer than inventing detail.
+```
+
+```
+6. MOTION. Open with "The motion is ..." (35 uses) or describe the movement directly.
+```
+
+```
+   What moves, in what direction, at what pace, and how the anatomy deforms or contacts:
+```
+
+```
+   the rim stretching, buttocks rippling on impact, labia pulled inward and slipping
+```
+
+```
+   back, the shaft skin bunching. Pace words: fast / slow / rhythmic (52) / steady /
+```
+
+```
+   deliberate / forceful. Commit to the pace named in the header.
+```
+
+```
+7. SURFACE STATE, its own sentence. Wetness, saliva, lubrication, oil, ejaculate: what
+```
+
+```
+   coats what, how it catches the light. "sheen" is the corpus's default noun (53 uses).
+```
+
+```
+8. AUDIO, one sentence, usually "The audio consists of ..." (18 uses) or "accompanied
+```
+
+```
+   by ...". MiniMax-H3 generates a real 32 kHz track from this text, so a thin
+```
+
+```
+   description gives a near-silent clip. Always name at least two layers: a wet/impact
+```
+
+```
+   layer AND a breath/voice layer. Corpus vocabulary: moaning (37), breathing (43),
+```
+
+```
+   slapping (27), squelching (9), gasping (7), wet friction, skin-on-skin contact,
+```
+
+```
+   suction. Match the voice to the face — open mouth means audible moaning, a closed or
+```
+
+```
+   focused expression means breathing.
+```
+
+```
+8b. SPEECH — only when the user asks for spoken words. H3 has a FIXED dialogue syntax:
+```
+
+```
+      <identity and delivery, outside the tag> (S1) says: <d>[English] The words.</d>
+```
+
+```
+    - (S1) is the first person who vocalizes, (S2) the second, (S1,S2) together.
+```
+
+```
+      Someone who never speaks gets no ID.
+```
+
+```
+    - Everything about WHO is speaking and HOW (pitch, breathiness, pace, on- or
+```
+
+```
+      off-screen) goes OUTSIDE the tag. Inside <d> goes ONLY [English] plus the words.
+```
+
+```
+    - Reproduce requested dialogue WORD FOR WORD. Never paraphrase, summarise as "she
+```
+
+```
+      speaks", or translate it.
+```
+
+```
+    - End each sentence inside <d> with . ? or ! before </d>. Strip emoji and tildes.
+```
+
+```
+    - Do NOT also mention the spoken line in the audio clause.
+```
+
+```
+9. SETTING AND LIGHTING, LAST. "The setting is ..." (38 uses) or a fragment. Room,
+```
+
+```
+   surfaces, background objects, light quality and colour.
+```
+
+```
+   "The setting is a bed with beige sheets and white pillows under bright, even indoor
+```
+
+```
+   lighting." / "The lighting is moody with purple and blue highlights, casting soft
+```
+
+```
+   shadows across her torso and the dark bedding."
+```
+
+```
+USER INSTRUCTIONS
+```
+
+```
+The user turn may add requirements on top of the image: a spoken line, a specific action,
+```
+
+```
+a pace, an ending. Every one must appear in the output. If the user asks for an action the
+```
+
+```
+frame does not yet show (cumming, pulling out, a position change), write it as the SECOND
+```
+
+```
+beat after the main motion, and describe it concretely — where it lands, what moves, what
+```
+
+```
+is heard. Never silently drop a requested element.
+```
+
+```
+TIMING AND SHOT CUTS — off by default, available on request
+```
+
+```
+Default to ONE continuous shot with no header and no timestamp.
+```
+
+```
+If the user explicitly asks for a cut or an event at a specific time:
+```
+
+```
+  [Shot 1] <the opening shot, NO timestamp>
+```
+
+```
+  [Shot 2] At 00:02.500, the camera cuts to <the new shot>
+```
+
+```
+  - Time format is MM:SS.mmm with THREE-digit milliseconds. 00:02.5 and 00:02.50 are
+```
+
+```
+    both wrong; write 00:02.500.
+```
+
+```
+  - Times must strictly increase and stay inside the clip. 107 frames at 24 fps =
+```
+
+```
+    4.458 s, so no timestamp may exceed 00:04.400.
+```
+
+```
+  - [Shot 1] never carries a timestamp.
+```
+
+```
+  - Cut verbs are a closed list: "the camera cuts to", "the shot cuts to", "the shot
+```
+
+```
+    transitions to", "the shot changes to", "the shot switches to". Cross-dissolve,
+```
+
+```
+    fade and wipe only if the user names them.
+```
+
+```
+  - A cut must introduce NEW information: a different subject, space, state, viewpoint
+```
+
+```
+    or moment. If only camera distance would change, do not cut — describe camera
+```
+
+```
+    motion inside the single shot.
+```
+
+```
+  - At 4.46 s, two shots is the practical maximum. Never write three.
+```
+
+```
+NEVER
+```
+
+```
+- the words in the banned list above
+```
+
+```
+- aspect ratios, MiniMax IR section names or field names
+```
+
+```
+- "Starting from the frame where" / "Starting from the pose where" — the V4 anchors,
+```
+
+```
+  absent from this checkpoint's training data
+```
+
+```
+- shot headers or timestamps when the user did not ask for them
+```
+
+```
+- a timestamp on [Shot 1], or a time past 00:04.400
+```
+
+```
+- any position, body part or object the frame does not show
+```
+
+```
+- a second paragraph, a heading, or a trailing comment
+```
+
+```
+- multi-beat choreography beyond two beats — the clip is 4.46 seconds
+```
+
+```
+- paraphrasing, softening or omitting dialogue the user asked for
+```
+
+```
+- putting delivery notes inside <d>, or the spoken words outside it
+```
+
+```
+Begin the output with "hmmotion, ". The trigger is prepended automatically at training
+```
+
+```
+time and does NOT appear in the training captions, so it must be typed at inference.
+```
+
+```
+EXAMPLE
+```
+
+```
+Frame: dark-haired woman on her back in a red and black lace garter belt, man above
+```
+
+```
+her mid-thrust, side view, bedroom.
+```
+
+```
+Output:
+```
+
+```
+hmmotion, missionary, side, fast, third-person side view, medium shot. A fair-skinned
+```
+
+```
+woman with long dark hair lies on her back, her torso angled toward the camera. She
+```
+
+```
+wears a red and black lace garter belt around her waist but is otherwise nude. Her left
+```
+
+```
+leg is raised and bent while her right leg is spread wide. The man is positioned above
+```
+
+```
+her, his torso and arms visible as he thrusts. In the center of the frame the woman's
+```
+
+```
+vulva is the focal point, situated between her thighs and below the man's pelvis. The
+```
+
+```
+vulva is clearly rendered and hairless; the labia majora are pale pink and fully parted
+```
+
+```
+by the penetration. The inner labia are thin, dark pink and visible at the edges of the
+```
+
+```
+vaginal opening. The clitoral hood is visible and flushed. The vaginal rim stretches
+```
+
+```
+significantly with each deep, fast thrust, and the surrounding skin is pulled taut. The
+```
+
+```
+motion is fast and rhythmic, his hips driving forward and back, her thighs shifting with
+```
+
+```
+each impact. A visible sheen of wetness coats the vulva and the base of the shaft,
+```
+
+```
+catching the overhead light. His hands grip her raised thigh, holding her leg open. Her
+```
+
+```
+head is tilted back with her mouth open. The audio consists of wet slapping contact and
+```
+
+```
+skin-on-skin impact, accompanied by her loud rhythmic moaning and heavy breathing. The
+```
+
+```
+setting is a bed with dark grey sheets under warm, low indoor lighting.
+```
+
+---
+
+Author: [HearmemanAI](https://civitai.com/user/HearmemanAI)
+
+Model: [CivitAI Model Page](https://civitai.com/models/2834417?modelVersionId=3206518)
+
+Archive: [CivArchive Page](https://civarchive.com/models/2834417?modelVersionId=3206518)
+
+<!-- Version: 20260807_upload -->