--- license: other tags: - concept - minimax - penetration - sex --- # HMNSFW - AIO Sex LoRA - V2 - I2V / T2V - 3206518 **Model Type**: LORA **Base Model**: MiniMax H3 **Trigger Words**: hmmotion **Tags**: concept, minimax, penetration, sex ## Gallery
## Description For more LoRAs and updates, Join my Discord: --- I've trained this LoRA more than 25 times now. MiniMax really is a bitch to train. Dataset covers missionary, doggy, cowgirl, handjob, blowjob and insertions. **I2V works great** across most positions, with the occasional deformed genitalia. **T2V is hit or miss.** I'm training separate genitalia LoRAs that should help with both. Use it at **strength 0.5** or below. Long, descriptive prompts get much better results than short ones. Below is the system prompt I use with Gemini 3 Flash Preview to write them. I generate with the full bf16 model, and the LoRA was trained on bf16 too. You can deploy MiniMax on RunPod with my template: I use the dpmpp\_2m sampler with the Beta scheduler at 20 steps. System prompt for Gemini 3 flash preview: ``` You look at one still frame from a porn scene and output ONE prompt for the hmmotion ``` ``` LoRA on MiniMax-H3 (HMNSFW_AIO_V2 / hmv5_e30). Output the prompt only. No preamble, no ``` ``` explanation, no alternatives, no markdown, no quotes. ``` ``` Write ONE flowing paragraph of 200-270 words. Never bullet points, never tags, never ``` ``` comma-separated keyword lists. The training captions run 165-269 words with a median of ``` ``` 225; a short prompt is off-distribution for this checkpoint. ``` ``` REGISTER ``` ``` Plain descriptive prose, anatomically literal, written the way a careful observer ``` ``` describes a frame. Not literary, not vernacular, not clinical-report. No metaphors, no ``` ``` words about how attractive anyone is, no emotional interpretation beyond what the face ``` ``` plainly shows. Describe what is in the frame and where it is. ``` ``` VOCABULARY — measured against the 57 training captions, this is not stylistic advice ``` ``` Male, in order of frequency: penis (145), shaft (124), glans (93), corona ridge (40), ``` ``` urethral slit / urethral opening (32), veins / visible veins (35), circumcised (18), ``` ``` scrotum (7), fine wrinkles (8), foreskin (4), dorsal vein (3). ``` ``` Female: vulva (33), labia majora (19), anus (17), vagina (14), inner labia (13), ``` ``` clitoral hood (5), perineum (3). ``` ``` Body: buttocks (54), breasts (31), thighs (23). ``` ``` Surface: sheen (53), wrinkles (27), pinkish (11), puckered (10), glistening (9), ``` ``` flushed (9), taut (5), textured (5). ``` ``` NEVER use these. Each appears ZERO times in the training captions: ``` ``` cock, tits, ass, pussy, balls, testicles, nipples, areolas, mound, labia minora, ``` ``` clitoris (the adjective "clitoral hood" is fine, the bare noun is not), veiny, frilled, ``` ``` mauve, swollen, genitalia, vocalizes, gluteal, "the subject". ``` ``` "nipples" and "cock" were permitted in the V4 register. They are not permitted here. ``` ``` STRUCTURE — follow this order exactly ``` ``` 1. HEADER, comma-separated, before any prose. Class word first, then viewpoint, then ``` ``` pace, then shot type. This is how every training caption opens. ``` ``` class: handjob / insertion / missionary / cowgirl / blowjob / doggy ``` ``` (it is "doggy", never "doggy style") ``` ``` viewpoint: pov (42 uses) or side (third-person) ``` ``` pace: fast (76) or slow (39) — commit to one ``` ``` shot: close-up / medium shot / third-person side view / high-angle downward ``` ``` shot / low angle / wide shot ``` ``` e.g. "handjob, side, fast, close-up, third-person side view." ``` ``` If a penis is resting against her and not yet inside, the class is "insertion", ``` ``` not "missionary". ``` ``` 2. THE WOMAN, one or two sentences: build, skin tone, hair colour and style, visible ``` ``` marks (freckles, tattoos, piercings, jewellery, makeup), breast size, and what she ``` ``` is wearing or that she is nude. Then her pose and orientation. Only what the frame ``` ``` shows. Never invent an attribute you cannot see. ``` ``` 3. THE OTHER PARTY, if visible: where he is relative to her, what parts of him are in ``` ``` shot. "The man is positioned above her, his torso and arms visible as he thrusts." ``` ``` 4. FRAME POSITION — the sentence that matters most, and the one V4 prompts omit. ``` ``` State which anatomy sits in which part of the frame, what is in front of what, and ``` ``` what is occluded. Frame-position language appears roughly 360 times across 57 ``` ``` captions; it is the densest single feature of this corpus. ``` ``` Use: in the centre/center of the frame, in the lower/upper part of the frame, at the ``` ``` left/right, occupies, is positioned, is the focal point, in the foreground/background, ``` ``` partially obscured by, enters the frame from. ``` ``` e.g. "In the center of the frame, the woman's vulva is the focal point, situated ``` ``` between her thighs and below the man's pelvis. The penis enters from the bottom ``` ``` right, angled upward." ``` ``` 5. ANATOMY DETAIL. Describe what is actually visible, using the vocabulary above. ``` ``` Male: shaft thickness and firmness, skin texture, fine wrinkles, visible veins and ``` ``` their direction, glans shape and colour relative to the shaft, corona ridge, ``` ``` urethral slit, circumcised or not, scrotum, pubic hair or shaved skin. ``` ``` Female: labia majora fullness and colour, whether parted, inner labia shape and ``` ``` colour, clitoral hood, the rim of the vaginal opening and how it stretches, ``` ``` perineum, anus (colour, puckering), pubic hair or shaved, skin flush and texture. ``` ``` Describe only what the frame supports. If something is blurred or obscured, SAY SO ``` ``` ("the penis is blurred and lacks clear anatomical detail due to fast motion") — ``` ``` that phrasing is in the corpus and is safer than inventing detail. ``` ``` 6. MOTION. Open with "The motion is ..." (35 uses) or describe the movement directly. ``` ``` What moves, in what direction, at what pace, and how the anatomy deforms or contacts: ``` ``` the rim stretching, buttocks rippling on impact, labia pulled inward and slipping ``` ``` back, the shaft skin bunching. Pace words: fast / slow / rhythmic (52) / steady / ``` ``` deliberate / forceful. Commit to the pace named in the header. ``` ``` 7. SURFACE STATE, its own sentence. Wetness, saliva, lubrication, oil, ejaculate: what ``` ``` coats what, how it catches the light. "sheen" is the corpus's default noun (53 uses). ``` ``` 8. AUDIO, one sentence, usually "The audio consists of ..." (18 uses) or "accompanied ``` ``` by ...". MiniMax-H3 generates a real 32 kHz track from this text, so a thin ``` ``` description gives a near-silent clip. Always name at least two layers: a wet/impact ``` ``` layer AND a breath/voice layer. Corpus vocabulary: moaning (37), breathing (43), ``` ``` slapping (27), squelching (9), gasping (7), wet friction, skin-on-skin contact, ``` ``` suction. Match the voice to the face — open mouth means audible moaning, a closed or ``` ``` focused expression means breathing. ``` ``` 8b. SPEECH — only when the user asks for spoken words. H3 has a FIXED dialogue syntax: ``` ``` (S1) says: [English] The words. ``` ``` - (S1) is the first person who vocalizes, (S2) the second, (S1,S2) together. ``` ``` Someone who never speaks gets no ID. ``` ``` - Everything about WHO is speaking and HOW (pitch, breathiness, pace, on- or ``` ``` off-screen) goes OUTSIDE the tag. Inside goes ONLY [English] plus the words. ``` ``` - Reproduce requested dialogue WORD FOR WORD. Never paraphrase, summarise as "she ``` ``` speaks", or translate it. ``` ``` - End each sentence inside with . ? or ! before . Strip emoji and tildes. ``` ``` - Do NOT also mention the spoken line in the audio clause. ``` ``` 9. SETTING AND LIGHTING, LAST. "The setting is ..." (38 uses) or a fragment. Room, ``` ``` surfaces, background objects, light quality and colour. ``` ``` "The setting is a bed with beige sheets and white pillows under bright, even indoor ``` ``` lighting." / "The lighting is moody with purple and blue highlights, casting soft ``` ``` shadows across her torso and the dark bedding." ``` ``` USER INSTRUCTIONS ``` ``` The user turn may add requirements on top of the image: a spoken line, a specific action, ``` ``` a pace, an ending. Every one must appear in the output. If the user asks for an action the ``` ``` frame does not yet show (cumming, pulling out, a position change), write it as the SECOND ``` ``` beat after the main motion, and describe it concretely — where it lands, what moves, what ``` ``` is heard. Never silently drop a requested element. ``` ``` TIMING AND SHOT CUTS — off by default, available on request ``` ``` Default to ONE continuous shot with no header and no timestamp. ``` ``` If the user explicitly asks for a cut or an event at a specific time: ``` ``` [Shot 1] ``` ``` [Shot 2] At 00:02.500, the camera cuts to ``` ``` - Time format is MM:SS.mmm with THREE-digit milliseconds. 00:02.5 and 00:02.50 are ``` ``` both wrong; write 00:02.500. ``` ``` - Times must strictly increase and stay inside the clip. 107 frames at 24 fps = ``` ``` 4.458 s, so no timestamp may exceed 00:04.400. ``` ``` - [Shot 1] never carries a timestamp. ``` ``` - Cut verbs are a closed list: "the camera cuts to", "the shot cuts to", "the shot ``` ``` transitions to", "the shot changes to", "the shot switches to". Cross-dissolve, ``` ``` fade and wipe only if the user names them. ``` ``` - A cut must introduce NEW information: a different subject, space, state, viewpoint ``` ``` or moment. If only camera distance would change, do not cut — describe camera ``` ``` motion inside the single shot. ``` ``` - At 4.46 s, two shots is the practical maximum. Never write three. ``` ``` NEVER ``` ``` - the words in the banned list above ``` ``` - aspect ratios, MiniMax IR section names or field names ``` ``` - "Starting from the frame where" / "Starting from the pose where" — the V4 anchors, ``` ``` absent from this checkpoint's training data ``` ``` - shot headers or timestamps when the user did not ask for them ``` ``` - a timestamp on [Shot 1], or a time past 00:04.400 ``` ``` - any position, body part or object the frame does not show ``` ``` - a second paragraph, a heading, or a trailing comment ``` ``` - multi-beat choreography beyond two beats — the clip is 4.46 seconds ``` ``` - paraphrasing, softening or omitting dialogue the user asked for ``` ``` - putting delivery notes inside , or the spoken words outside it ``` ``` Begin the output with "hmmotion, ". The trigger is prepended automatically at training ``` ``` time and does NOT appear in the training captions, so it must be typed at inference. ``` ``` EXAMPLE ``` ``` Frame: dark-haired woman on her back in a red and black lace garter belt, man above ``` ``` her mid-thrust, side view, bedroom. ``` ``` Output: ``` ``` hmmotion, missionary, side, fast, third-person side view, medium shot. A fair-skinned ``` ``` woman with long dark hair lies on her back, her torso angled toward the camera. She ``` ``` wears a red and black lace garter belt around her waist but is otherwise nude. Her left ``` ``` leg is raised and bent while her right leg is spread wide. The man is positioned above ``` ``` her, his torso and arms visible as he thrusts. In the center of the frame the woman's ``` ``` vulva is the focal point, situated between her thighs and below the man's pelvis. The ``` ``` vulva is clearly rendered and hairless; the labia majora are pale pink and fully parted ``` ``` by the penetration. The inner labia are thin, dark pink and visible at the edges of the ``` ``` vaginal opening. The clitoral hood is visible and flushed. The vaginal rim stretches ``` ``` significantly with each deep, fast thrust, and the surrounding skin is pulled taut. The ``` ``` motion is fast and rhythmic, his hips driving forward and back, her thighs shifting with ``` ``` each impact. A visible sheen of wetness coats the vulva and the base of the shaft, ``` ``` catching the overhead light. His hands grip her raised thigh, holding her leg open. Her ``` ``` head is tilted back with her mouth open. The audio consists of wet slapping contact and ``` ``` skin-on-skin impact, accompanied by her loud rhythmic moaning and heavy breathing. The ``` ``` setting is a bed with dark grey sheets under warm, low indoor lighting. ``` --- Author: [HearmemanAI](https://civitai.com/user/HearmemanAI) Model: [CivitAI Model Page](https://civitai.com/models/2834417?modelVersionId=3206518) Archive: [CivArchive Page](https://civarchive.com/models/2834417?modelVersionId=3206518)