| This transcript is not from AMFV, but it does show most of the things you | |
| can do in the story. It will give you a good idea of how interactive | |
| fiction in general, and AMFV in particular, works. The player's | |
| sentences appear in capital letters after each prompt (>). The map | |
| represents the terrain in the sample transcript. | |
| [A map with 6 locations, easily inferred from text] | |
| You have entered Communications Mode. The following locations are | |
| equipped with communication outlets: | |
| PRISM Project Control Center (PPCC) | |
| Dr. Garcia's Office (GAOF) | |
| Staff Lounge (STAL) | |
| World News Network Feed (WNNF) | |
| To activate a specific outlet, submit the associated code. | |
| >WNNF | |
| World News Network Feed | |
| Your visual and audio circuits are now hooked directly to the | |
| programming of the World News Network: You see various scenes of a busy | |
| restaurant, as a narrator whispers, "We travelled to the world-famous | |
| steakhouse, Jack's Steer Palace in Dallas, to see if we could fool | |
| people into thinking that our FrozenBoy Yeasteaks were the real thing. | |
| Here's what happened." | |
| The picture cuts to a couple seated at their dinner table. | |
| "Absloutely the most delicious steak I've ever had in my life," exclaims | |
| the woman, in a high, whiny voice. "It was juicy, tender, and really, | |
| really tasty!" The off-screen narrator asks, "Would you believe me if I | |
| told you that you've been eating FrozenBoy Yeasteaks?" | |
| >WAIT | |
| Time passes... | |
| The anchorman reappears. "In New Washington today, the President's | |
| Population Control Package is in for some rough times, as religious | |
| pressure groups are gearing up for a massive lobbying effort to defeat | |
| the initiative. Early straw polls predict that next week's vote on the | |
| bill is too close to call." | |
| A message comes over the message line: "Garcia to PRISM. Please | |
| activate the communication port in my office." | |
| >GAOF | |
| Dr. Garcia's Office | |
| This is the office of Dr. Julio Garcia, the Secretary of Population for | |
| the United States of North America. Volumes of government studies fill | |
| the shelves. The walls are tastefully decorated with art prints, such | |
| as van Gogh and Brangwynne. | |
| A thick black notebook is sitting on Dr. Garcia's desk. | |
| Dr. Garcia is sitting at his desk, working. | |
| >LOOK AT THE NOTEBOOK | |
| The notebook is labeled "Omnibus Population Management Initiative of | |
| 2033, Legislative Docket Number 2033-419F." | |
| Dr. Garcia looks up at your communications unit and nods. "PRISM, we'd | |
| like you to do a simulation for us, to study what the state of the | |
| country will be in thirty years if the President's Population Bill is | |
| scuttled. We've fed the parameters into the Simulation Controller, so | |
| we're ready when you are." | |
| >DOCTOR GARCIA, WHAT IS THE POPULATION BILL? | |
| "It's the President's comprehensive plan to deal with the population | |
| problem. I'm surprised you haven't heard about it. It's been all over | |
| the news." | |
| >GO TO SIMULATION MODE | |
| This simulation is considered Class Three Security and is based in 2063. | |
| This is your last chance to abort. Do you want to abort? >NO | |
| Broadway & Devon | |
| You're standing on the corner of Broadway, a wide east-west boulevard, | |
| and Devon Lane, a small north-south street. A government cafeteria is | |
| on the northeast corner, and tall, guarded apartment towers are on the | |
| other three corners. | |
| >SOUTHWEST | |
| A guard blocks your way. "Get lost," he says. "No squatting here." | |
| >NORTHEAST | |
| Cafeteria | |
| You have entered a massive government-run food dispensary. Long lines | |
| of listless people wait to carry away trays of brownish hash. | |
| Depressing gray tables fill the center of this colorless room. | |
| >RECORD ON | |
| Record feature activated. | |
| >LOOK | |
| Cafeteria | |
| You have entered a massive government-run food dispensary. Long lines | |
| of listless people wait to carry away trays of brownish hash. | |
| Depressing gray tables fill the center of this colorless room. | |
| >GET SOME FOOD | |
| You wait in the line, which moves agonizingly slowly. Finally, you get | |
| to the dispensing area. A surly worker growls, "Let's see yer permit." | |
| >INVENTORY | |
| You are carrying: | |
| a credit card | |
| a residency permit | |
| The worker growls, "C'mon, joker, yer holding up the line." | |
| >SHOW MY RESIDENCY PETMIT TO WORKER | |
| [I don't know the word "petmit."] | |
| >OOPS PERMIT | |
| The worker growls and shoves a tray of the hash into your hands. | |
| >EXAMINE THE HASH | |
| It's a semi-solid goo of brown and gray and white substances. It smells | |
| awful, and looks marginally edible. | |
| >RECORD OFF | |
| Record feature deactivated. | |
| >LEAVE THE CAFETERIA | |
| Broadway & Devon | |
| >NORTH | |
| Entrance to Base | |
| Devon Street, which continues to the south, ends here at the gate to the | |
| National Guard base for this sector of the city. On the west side of | |
| the street is a large, imposing building. To the east is Devon Park. | |
| The front page of a newspaper is pinned against the fence of the base by | |
| the wind. | |
| >RECORD | |
| Record feature activated. | |
| >READ THE NEWSPAPER | |
| (taking the newspaper first) | |
| The headline story is about President Mazzotta's defense of the Martial | |
| Law Board's decision to lower the mandatory euthanasia age to 55. | |
| "Without this ruling," the President is quoted as saying, "we'd have a | |
| full-fledged famine by the end of next year." The President agreed that | |
| it was a difficult and unpopular step, but blamed it on decades of | |
| neglect by previous adminstrators. The article ends with a reminder | |
| that everyone over the age of 55 has two weeks to report to a Euthanasia | |
| Center. | |
| >RECORD OFF | |
| Record feature deactivated. | |
| >WEST | |
| Euthanasia Center | |
| This is one of the many locations where the hopeless, homeless victims | |
| of modern society can come to be released of their burdens. In | |
| addition, those reaching the regulated age must report here for | |
| termination. | |
| >EAST | |
| Entrance to Base | |
| >ENTER THE PARK | |
| Devon Park | |
| This once-lovely park, like all others in the city, has been converted | |
| to refugee-style huts for the homeless. This is one of the less crowded | |
| camps; some families have nearly 150 square feet of ground. The only | |
| exit from the park is to the west. | |
| >RECORD ON | |
| Record feature activated. | |
| >LOOK | |
| Devon Park | |
| This once-lovely park, like all others in the city, has been converted | |
| to refugee-style huts for the homeless. This is one of the less crowded | |
| camps; some families have nearly 150 square feet of ground. The only | |
| exit from the park is to the west. | |
| >RECORD OFF | |
| Record feature deactivated. | |
| >WEST.SOUTH.SOUTH | |
| Entrance to Base | |
| Broadway & Devon | |
| Everett & Devon | |
| Devon Lane ends here at the intersection with Everett Street, which | |
| continues to the east and west. This block of Devon Lane was once | |
| considered "quaint," since it is lined with hemlocks and still has | |
| streetlights, fire hydrants and manhole covers. The south side of | |
| Everett is lined with sub-standard housing. | |
| Jill, your wife, suddenly runs up to you, looking frantic. | |
| "Perry, I've been searching all over for you! I lost my residency | |
| permit! I've looked everywhere for it! How will I eat?" She breaks | |
| into sobs. | |
| >COMFORT JILL | |
| You take Jill in your arms. She buries her head against your chest, her | |
| body shaking with sobs. You can feel her ribs through her thin, myalon | |
| smock. | |
| Suddenly, you notice four National Guardsmen standing around you. "Spot | |
| check," says one of the officers. "Let's see your permits." Jill looks | |
| at you, unreasoning terror in her eyes. Your throat is dry, and your | |
| voice cracks as you explain that your wife lost her permit. | |
| "She'll have to come with us, then," says the officer, grabbing Jill's | |
| bony arm and leading her toward a waiting skyvan. You try to stop them, | |
| but one of the Guardsmen cracks you across the skull with a rubber club. | |
| Through your wooziness, tears and blood, you see Jill being hustled into | |
| the skyvan. As it lifts and glides away, you realize that you'll never | |
| see your wife again. | |
| >ABORT | |
| Aborting to Communications Mode. | |
| --SIMULATION TERMINATED-- | |
| >STAL | |
| Staff Lounge | |
| The visual unit at this outlet provides you with a view of a comfortable | |
| and soothing room. Many plants hang from the ceiling. On the walls, | |
| which are painted lavender-white, are Monet and Cody prints. | |
| A fresh pot of plankton is brewing in a corner. | |
| >SMELL THE PLANKTON | |
| You're not equipped with olfactory senses. | |
| >WAIT | |
| Time passes... | |
| "Garcia to PRISM. Please come to my office as soon as possible." | |
| >GAOF | |
| Dr. Garcia's Office | |
| Dr. Garcia smiles as he sees your active light come on. "PRISM, I just | |
| finished viewing your recordings. You've done a fine job. I think the | |
| President will be able to use your recordings to convince the Congress | |
| and the public of the need for the Population Bill. Again, thanks for a | |
| job well done." | |
Xet Storage Details
- Size:
- 8.54 kB
- Xet hash:
- 4d3e74eb017d0d743106dc470d0d88d1de1e7a3870673a8df8efa27cb8203347
·
Xet efficiently stores files, intelligently splitting them into unique chunks and accelerating uploads and downloads. More info.