| The transcript that follows is not from SUSPECT, but it does show many | |
| of the common interactions you will use in the course of the story. It | |
| contains several simple puzzles and their solutions, and will give you a | |
| good idea of how Infocom's interactive fiction works. The player's | |
| sentences appear in capital letters after each prompt (>). The map | |
| represents the terrain in the sample transcript as you might have drawn | |
| it. | |
| [The map, consisting of six locations and five objects is left as an | |
| exercise to the reader.] | |
| Your sister's birthday is tomorrow, and she made you promise that you | |
| wouldn't buy her anything expensive. As if she had to worry; on your | |
| salary you can't even take her to a nice restaurant. You know that she | |
| has refined taste and admires anything that comes from Lumet Fine | |
| Crystal and Silver; you also know that she would like a bud vase. You | |
| called Lumet, but they wouldn't quote prices over the phone. So you've | |
| come downtown to see if they carry anything you can afford. | |
| Outside Store | |
| You are on a busy east-west street outside Lumet Fine Crystal and | |
| Silver, whose entrance is to the north. It is raining lightly. | |
| >GO NORTH | |
| Lobby | |
| You are in the elegant lobby of Lumet Fine Crystal and Silver. An | |
| ornate chandelier hangs from the ceiling. The salmon-colored marble | |
| floor is highly polished, and several signed prints hang from the | |
| jade-white plush-fabric walls. Classical music plays softly in the | |
| background. The exit to the street is to the south. Open doors lead to | |
| the nortwest and the northeast. A solid-brass coatrack holding one | |
| raincoat stands in a corner. A security guard in a dark blue uniform is | |
| standing by the exit. "I'm sorry," he says to you. "No loitering." | |
| >SECURITY GUARD, WHERE ARE THE BUD VASES? | |
| "Oh, you're a customer." He seems surprised. You wish you hadn't worn | |
| blue jeans. "There are bud vases in the Crystal Room, through this door | |
| here." He points to the door leading to the northwest. "You may be | |
| more interested in our less expensive vases, in the Glass Room next to | |
| the Crystal Room." He takes your raincoat and hangs it up. | |
| >THANK YOU | |
| (said to the security guard) | |
| "You're very welcome." | |
| >WALK NORTHWEST | |
| Crystal Room | |
| You are in the Crystal Room of Lumet Fine Crystal and Silver. Displayed | |
| on tables are magnificent plates, vases, decanters, bowls, ring holders | |
| and objets d'art, from Waterford, Lenox, Steuben and other crystal | |
| manufacturers. Even the ashtray in the corner - you think it's an | |
| ashtray - looks ridiculously expensive and too nice to dirty with ashes. | |
| There are open doors leading east to the Silver Room, north to the Glass | |
| Room, and southeast to the Lobby. A woman in bright blue satin dress | |
| enters the room from east. She seems officious, like a saleswoman, and | |
| looks at you with a mixture of politeness and arrogance. | |
| >SALESWOMAN, WHERE ARE THE BUD VASES? | |
| "Saleswoman! Hmmf! I don't work here, you pipsqueak!" She hits you on | |
| the head with her handbag and leaves the room to the southeast. | |
| >SEARCH THE ROOM FOR A BUD VASE | |
| There are two bud vases here on a table, one with Waterford label and | |
| one with Rotschild label. | |
| >LOOK AT THE BUD VASE | |
| (Which bud vase do you mean, the Waterford bud vase or the Rotschild bud | |
| vase?) | |
| >WATERFORD | |
| Ah, it's a beautiful, ornate bud vase, sparkling like a diamond. It | |
| looks perfect. The price tag on it says "$400." | |
| >LOOK AT THE ROTSCHILD BUD VASE | |
| It is a very fragile, very sophisticated bud vase, perfectly clear and | |
| resonating distinctively when you rap it with your fingernail. The | |
| price tag on it says "$300." | |
| >NORTH | |
| Glass Room | |
| This is the Glass Room of Lumet Fine Crystal and Silver. Tables and | |
| shelves display a fine assortment of plates, glasses, vases, bowls, | |
| decanters, and objets d'art, from Corning, Oxford, Courac, and other | |
| glass manufacturers. The only exit is to the south. There is a step | |
| stool in the corner. | |
| >FIND A BUD VASE | |
| You can see a bud vase on a top shelf, but it's out of your reach. | |
| >GET ON THE STEP STOOL | |
| You're now standing on the step stool. | |
| >TAKE THE BUD VASE THEN LOOK AT IT | |
| Taken. | |
| It is a simple yet elegant piece with the Chilton label. The price tag | |
| on it says "$30." | |
| From the next room, you can hear a loud and expensive CRASH! | |
| >GO SOUTH | |
| You'll have to get off the step stool first. | |
| >GET OFF THE STEP STOOL THEN GO SOUTH | |
| You're now off the step stool. | |
| Crystal Room | |
| There is a lot of broken crystal lying on the floor next to one of the | |
| tables. | |
| >EXAMINE THE BROKEN CRYSTAL | |
| The shards are in all shapes and sizes. You can't figure what the piece | |
| was before it broke. Amidst the shards is a blue button. The security | |
| guard enters the room from the southeast. He looks at the broken | |
| crystal and asks, "Did you break that?" | |
| >LOOK AT THE SECURITY GUARD | |
| The security guard is a large, strong man, wearing a dark blue uniform. | |
| "Did you break that?" the guard asks you impatiently. | |
| >LOOK AT THE UNIFORM | |
| The uniform consists of dark blue trousers, a dark blue shirt with black | |
| buttons, a black tie and black shoes. A holster holds a gun. "Did you | |
| break that?" the guard asks you impatiently. | |
| >NO | |
| The guard frowns in disbelief. "I'd better get the manager." He heads | |
| off to the east. | |
| >FOLLOW THE GUARD | |
| Silver Room | |
| You are in the Silver Room of Lumet Fine Crystal and Silver. Many | |
| locked cases display sterling tableware, teapots, trays and bowls; | |
| several are stamped with the lion passant, guaranteeing a silver content | |
| not less than 92.5% pure. A few items sit on top of the cases, allowing | |
| customers close inspection. Open doors lead west to the Crystal Room | |
| and southwest to the Lobby. A large wooden door, stenciled "Manager" in | |
| gold lettering, leads east. | |
| >GUARD, WHERE IS THE OTHER CUSTOMER? | |
| "She left a few minutes ago, before I heard the crash. Don't try to pin | |
| the blame on her." The security guard knocks on the large wooden door. | |
| After a moment, the manager opens the door. The manager sports a | |
| pencil-thin moustache, a gold tie clip, a Cartier watch, blue | |
| pin-striped trousers, and Italian designer-shoes. You doubt that he | |
| even owns a pair of jeans. "Sir," the guard says to the manager, "I | |
| believe this... customer broke the Steuben tulip. Accidentally, I'm | |
| sure." The manager looks at you sadly. "Accident or not, I'm afraid | |
| you'll have to pay for it. At cost, of course." | |
| "Sir, look!" exclaims the security guard to the manager. "A set of | |
| sterling baby spoons is missing!" The manager and the guard look at you | |
| suspiciously. | |
| >MANAGER, TELL ME ABOUT THE BABY SPOONS | |
| "I think you probably know that they're very expensive. Give me that, | |
| you thief!" He grabs the Chilton bud vase away from you. "I'd call my | |
| lawyers if I were you!" He heads off to the west. | |
| >GUARD, SEARCH ME | |
| "I was just about to do that." He searches you. "Odd, no baby spoons. | |
| I'd better tell the manager." The security guard heads off to the west. | |
| >EAST | |
| Manager's Office | |
| This is the manager's office of Lumet Fine Crystal and Silver. The | |
| office is very comfortably and expensively appointed; plush white | |
| carpeting, large mahogany desk, a leather swivel chair behind the desk | |
| and overstuffed lounger chairs in front of it, a rose-colored | |
| Chippendale sofa against one wall, and velvet burgundy drapes in front | |
| of the windows. The only exit is to the west. | |
| A telephone sits on the desk. | |
| A blue pin-striped jacket is draped over the leather swivel chair. | |
| >PICK UP THE TELEPHONE | |
| You hear a dial tone. | |
| >CALL MY LAWYER | |
| You left your little black address book in your raincoat. | |
| >GO TO THE LOBBY | |
| Silver Room | |
| (on your way to the Lobby) | |
| >CONTINUE | |
| (on your way to the Lobby) | |
| Lobby | |
| A solid-brass coatrack holding one raincoat stands in a corner. | |
| >LOOK IN RAINCOAT | |
| You find your little black address book. | |
| >TAKE THE BOOK | |
| Taken. | |
| >GO TO THE OFFICE | |
| (on your way to the Manager's Office) | |
| Silver Room | |
| >CONTINUE | |
| (on your way to the Manager's Office) | |
| Manager's Office | |
| >PICK UP THE TELEPHONE | |
| You hear a dial tone. | |
| >CALL MY LAWYER | |
| Your lawyer's out to lunch. His secretary refuses to take a message. | |
| >EXAMINE THE PIN-STRIPED JACKET | |
| The jacket is in perfect condition. The label in it says "YSL." The | |
| pockets are empty. | |
| >LOOK IN THE DESK | |
| Inside the desk are pens, pencils, files, a white box, a blue box, | |
| tissues, aspirin, rubber bands, paper clips, and note paper. | |
| >TAKE THE WHITE BOX AND THE BLUE BOX | |
| White box: taken. | |
| Blue box: you're carrying too many items already! | |
| >LOOK INSIDE THE WHITE BOX | |
| The white box contains the manager's business cards. | |
| >DROP THE WHITE BOX | |
| White box: dropped. | |
| >TAKE THE BLUE BOX THEN LOOK IN IT | |
| Taken. | |
| The blue box contains eight sterling baby spoons. | |
| >PUT THE BLUE BOX IN THE JACKET | |
| The blue box containing sterling baby spoons is now in the blue | |
| pin-striped jacket. | |
| You hear footsteps to the north. | |
| >HIDE | |
| Where do you want to hide? | |
| >BEHIND THE DRAPES | |
| You are now hiding behind the drapes. | |
| The manager comes into the room. | |
| Do you wish to keep hiding (YES or NO)? >YES | |
| The manager closes the door, takes off the blue shirt he was wearing, | |
| and puts on a white shirt. | |
| Do you wish to keep hiding (YES or NO)? >NO | |
| You step out from behind the drapes. | |
| "You!" the manager says furiously. | |
| >TAKE THE BLUE SHIRT. EXAMINE IT | |
| Taken. | |
| The shirt is light blue and monogrammed with the manager's initials. | |
| The left sleeve has 2 blue buttons. The right sleeve has 1. | |
| >ACCUSE THE MANAGER OF STEALING | |
| "Don't be ridiculous. You have no evidence." | |
| >TELL ME ABOUT THE BLUE BOX | |
| (said to the manager) | |
| The manager turns pale. He starts searching through his desk | |
| frantically. "Give them to me!" he demands. There is a knock on the | |
| door. | |
| >OPEN THE DOOR | |
| The security guard enters the room carrying a paper bag. "Here's the | |
| broken crystal," he says to the manager. | |
| >SECURITY GUARD, GIVE ME THE BROKEN CRYSTAL | |
| The manager says to the security guard, "Don't give the broken crystal | |
| to anyone but me. Quickly, you gorilla!" The security guard looks at | |
| the manager, then at you, shrugs his shoulders, and steps toward the | |
| manager. | |
| >GUARD, WAIT | |
| "Again he looks at the manager, then at you. "Well?" he asks. | |
| >SHOW THE BLUE SHIRT TO THE GUARD | |
| "So? It's missing a button. Who cares?" | |
| >GUARD, EXAMINE THE BROKEN CRYSTAL | |
| The security guard, not knowing why, sifts through the broken shards and | |
| finds the blue button. | |
| >ACCUSE THE MANAGER OF STEALING | |
| "Okay, I admit it, I broke the Steuben tulip!" says the manager, | |
| shaking. | |
| "What happened to the baby spoons?" asks the security guard. | |
| >GUARD, LOOK IN THE JACKET | |
| The guard looks in the blue pin-striped jacket and finds the eight | |
| sterling baby spoons. "Sir," he says to the manager, "you're under | |
| arrest." | |
| After the security guard phones the police and the Lumet headquarters in | |
| London, he says to you, "We can offer you a reward of up to $400 in | |
| merchandise. Is there anything you'd like?" | |
| >GIVE ME THE WATERFORD BUD VASE | |
| (said to the security guard) | |
| "Of course. It would be a pleasure. I'll have it gift-wrapped for | |
| you." | |
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