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Rameau v1: 21,940 records, 4 configs, verified gold, eval harness
Browse files- README.md +11 -10
- src/harmony_dataset/export.py +8 -7
README.md
CHANGED
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@@ -83,11 +83,11 @@ Load one with `load_dataset("4esv/rameau", "<config>")`. Default: `notes_to_rn`.
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| config | task | rows |
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|---|---|---|
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| `symbol_to_rn` | key + chord symbols -> Roman numerals + cadence (easy: chord quality is given) |
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| `notes_to_rn` | key + spelled notes -> Roman numerals + cadence (must read each chord) |
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| `pcset_to_rn` | key + bass-first pitch-class lists -> Roman numerals + cadence (no spelling) |
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| `key_id` | spelled notes, no key -> identify the key (only key-unambiguous phrases) |
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| | **total** | **
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## Gold labels
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@@ -97,16 +97,17 @@ generates each progression together with its intended analysis. Every chord is
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then derived two independent ways with [`music21`](https://web.mit.edu/music21/):
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the Roman-numeral figure through the roman engine, and the printed chord symbol
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through the chord-symbol parser. An item is kept only if both agree on
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pitch-class set and bass.
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-
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Built from 845 progression shapes (key-independent), transposed across
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keys. All content is synthetic; no third-party corpus is redistributed.
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## Label convention
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Roman numerals follow the
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We follow the notation and copy no DCML data. Major-seventh tonic is `IM7`;
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secondary dominants use `/` (e.g. `V7/vi`).
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Cadence codes: `PAC` perfect authentic, `IAC` imperfect authentic, `HC` half, `DC` deceptive, `PC` plagal.
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@@ -127,7 +128,7 @@ before calling `ChordSymbol` or `Pitch`.
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The atomic unit is a shape, a key-independent Roman-numeral sequence. A shape
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hashes to exactly one split, so none of its transpositions or task framings
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crosses splits. The test split doubles as the benchmark. Rows:
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train
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## Known limitations
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| config | task | rows |
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|---|---|---|
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+
| `symbol_to_rn` | key + chord symbols -> Roman numerals + cadence (easy: chord quality is given) | 5,715 |
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| 87 |
+
| `notes_to_rn` | key + spelled notes -> Roman numerals + cadence (must read each chord) | 5,715 |
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+
| `pcset_to_rn` | key + bass-first pitch-class lists -> Roman numerals + cadence (no spelling) | 5,715 |
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| `key_id` | spelled notes, no key -> identify the key (only key-unambiguous phrases) | 4,795 |
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+
| | **total** | **21,940** |
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## Gold labels
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then derived two independent ways with [`music21`](https://web.mit.edu/music21/):
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the Roman-numeral figure through the roman engine, and the printed chord symbol
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through the chord-symbol parser. An item is kept only if both agree on
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+
pitch-class set and bass.
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+
This release: 27,480 of 27,480 chords agree. See `VERIFY.md`.
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Built from 845 progression shapes (key-independent), transposed across
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keys. All content is synthetic; no third-party corpus is redistributed.
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## Label convention
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+
Roman numerals follow the feature decomposition of the
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[DCML harmony standard](https://github.com/DCMLab/standards)
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(`numeral` / `form` / `figbass` / `changes` / `relativeroot`).
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We follow the notation and copy no DCML data. Major-seventh tonic is `IM7`;
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secondary dominants use `/` (e.g. `V7/vi`).
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Cadence codes: `PAC` perfect authentic, `IAC` imperfect authentic, `HC` half, `DC` deceptive, `PC` plagal.
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The atomic unit is a shape, a key-independent Roman-numeral sequence. A shape
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hashes to exactly one split, so none of its transpositions or task framings
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crosses splits. The test split doubles as the benchmark. Rows:
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train 14,725 / validation 3,571 / test 3,644.
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## Known limitations
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src/harmony_dataset/export.py
CHANGED
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@@ -65,7 +65,7 @@ def render_card(res: GenResult, buckets: dict) -> str:
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per_split = Counter(r.split for r in res.records)
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size_cat = "10K<n<100K" if 10_000 <= total < 100_000 else "1K<n<10K" if total >= 1_000 else "n<1K"
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task_rows = "\n".join(
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f"| `{t}` | {TASK_BLURB[t]} | {per_task[t]} |" for t in tasks.TASKS
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)
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return f"""---
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pretty_name: "Rameau: Functional Harmony from Notation (Roman Numerals, Cadence, Key)"
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| config | task | rows |
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|---|---|---|
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{task_rows}
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| | **total** | **{total}** |
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## Gold labels
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@@ -130,16 +130,17 @@ generates each progression together with its intended analysis. Every chord is
|
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then derived two independent ways with [`music21`](https://web.mit.edu/music21/):
|
| 131 |
the Roman-numeral figure through the roman engine, and the printed chord symbol
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through the chord-symbol parser. An item is kept only if both agree on
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-
pitch-class set and bass.
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{res.attempted_chords} chords agree. See `VERIFY.md`.
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Built from {res.shapes} progression shapes (key-independent), transposed across
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keys. All content is synthetic; no third-party corpus is redistributed.
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## Label convention
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-
Roman numerals follow the
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-
|
|
|
|
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We follow the notation and copy no DCML data. Major-seventh tonic is `IM7`;
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secondary dominants use `/` (e.g. `V7/vi`).
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Cadence codes: {", ".join(f"`{k}` {v}" for k, v in CADENCE_GLOSS.items())}.
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@@ -160,7 +161,7 @@ before calling `ChordSymbol` or `Pitch`.
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The atomic unit is a shape, a key-independent Roman-numeral sequence. A shape
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hashes to exactly one split, so none of its transpositions or task framings
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crosses splits. The test split doubles as the benchmark. Rows:
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train {per_split['train']} / validation {per_split['validation']} / test {per_split['test']}.
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## Known limitations
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per_split = Counter(r.split for r in res.records)
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size_cat = "10K<n<100K" if 10_000 <= total < 100_000 else "1K<n<10K" if total >= 1_000 else "n<1K"
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task_rows = "\n".join(
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f"| `{t}` | {TASK_BLURB[t]} | {per_task[t]:,} |" for t in tasks.TASKS
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)
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return f"""---
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pretty_name: "Rameau: Functional Harmony from Notation (Roman Numerals, Cadence, Key)"
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| config | task | rows |
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|---|---|---|
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{task_rows}
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+
| | **total** | **{total:,}** |
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## Gold labels
|
| 126 |
|
|
|
|
| 130 |
then derived two independent ways with [`music21`](https://web.mit.edu/music21/):
|
| 131 |
the Roman-numeral figure through the roman engine, and the printed chord symbol
|
| 132 |
through the chord-symbol parser. An item is kept only if both agree on
|
| 133 |
+
pitch-class set and bass.
|
| 134 |
+
This release: {res.attempted_chords - len(res.failures):,} of {res.attempted_chords:,} chords agree. See `VERIFY.md`.
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| 135 |
|
| 136 |
Built from {res.shapes} progression shapes (key-independent), transposed across
|
| 137 |
keys. All content is synthetic; no third-party corpus is redistributed.
|
| 138 |
|
| 139 |
## Label convention
|
| 140 |
|
| 141 |
+
Roman numerals follow the feature decomposition of the
|
| 142 |
+
[DCML harmony standard](https://github.com/DCMLab/standards)
|
| 143 |
+
(`numeral` / `form` / `figbass` / `changes` / `relativeroot`).
|
| 144 |
We follow the notation and copy no DCML data. Major-seventh tonic is `IM7`;
|
| 145 |
secondary dominants use `/` (e.g. `V7/vi`).
|
| 146 |
Cadence codes: {", ".join(f"`{k}` {v}" for k, v in CADENCE_GLOSS.items())}.
|
|
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The atomic unit is a shape, a key-independent Roman-numeral sequence. A shape
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| 162 |
hashes to exactly one split, so none of its transpositions or task framings
|
| 163 |
crosses splits. The test split doubles as the benchmark. Rows:
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+
train {per_split['train']:,} / validation {per_split['validation']:,} / test {per_split['test']:,}.
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## Known limitations
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